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From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 09:11:52 2010
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From: mark francombe <mark@markfrancombe.com>
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
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--0015174478cad74cbb0480b9a234
Content-Type: text/plain; charset=ISO-8859-1

Did you find out yet Kayla, Im exited for you!

I have one more Q, based you your response...



> Lol! The one limitation of the Pico is (unlike the Tau/Alpha) there is no
> headphone out, meaning that a metronome or drumbeat is required to keep in
> time. You do have to choose a loop length of one, two, four, eight bars etc.
> You are able to remove elements from the loop as you can hear at about 2:50
> here http://www.youtube.com/watch?v=uaPlx-7Vqw4&feature=channel, where I
> switch off the piano and bass, which then return at the end of the song.
>
>
>

OK but presumably i could loop an audio loop into say an EDP... from the
pico, then the edp would send midi clock out, Then the pico would be able to
record in synch.. correct?
That way I dont need to hear a drumloop... or click?


Mark.xxx


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174478cad74cbb0480b9a234
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote"><div>Did you find out yet Kayla, Im exited for y=
ou!<br><br>I have one more Q, based you your response...<br><br>=A0</div><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div class=3D"gmail_quote"><div>Lol! The one limitation of the Pico is (unl=
ike the Tau/Alpha) there is no headphone out, meaning that a metronome or d=
rumbeat is required to keep in time. You do have to choose a loop length of=
 one, two, four, eight bars etc. You are able to remove elements from the l=
oop as you can hear at about 2:50 here <a href=3D"http://www.youtube.com/wa=
tch?v=3DuaPlx-7Vqw4&amp;feature=3Dchannel" target=3D"_blank">http://www.you=
tube.com/watch?v=3DuaPlx-7Vqw4&amp;feature=3Dchannel</a>, where I switch of=
f the piano and bass, which then return at the end of the song. <br>


=A0</div><br></div></blockquote><div><br><br>OK but presumably i could loop=
 an audio loop into say an EDP... from the pico, then the edp would send mi=
di clock out, Then the pico would be able to record in synch.. correct?<br>

That way I dont need to hear a drumloop... or click?<br><br><br>Mark.xxx<br=
><br>=A0</div></div>-- <br><a href=3D"http://www.markfrancombe.com">www.mar=
kfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.=
com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--0015174478cad74cbb0480b9a234--

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From: "Christo Jota" <chris@christojota.de>
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References: <20100225223144.9D9A33BE97@arsenic.violacea.com> <002f01cab6b9$c6bcfe00$14b2a8c0@mpeserver> <9e0440a61002260829p37c7c0endc15b71eb1aad2b6@mail.gmail.com> <afb941d1002261718u3eee9ee4i8b3c7ac35e376f48@mail.gmail.com>
In-Reply-To: <afb941d1002261718u3eee9ee4i8b3c7ac35e376f48@mail.gmail.com>
Subject: Re: Experimental Guitar Evening (Cologne)
Date: Mon, 1 Mar 2010 11:15:11 +0100
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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I=B4ve been there. Very entertaining evening. 3 different =
style-guitarists doing solo, duo and trio perfomances.
Mainly quite experimental stuff.
Michael Peters did some funny percussive loopings on his banjo, and the =
duo track before
the break with Michael Frank was a spheric, ambient loop-monster - with =
interesting feedback of Michael Peter=B4s
Fernandez-guitar. By the way, it was nice to meet you in person, =
Michael. Hope you had a good time.
I guess there will be a video in the net soon, as the concert was =
filmed. Right?
Christo
www.christojota.de

From: Raul Bonell=20
Sent: Saturday, February 27, 2010 2:18 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Experimental Guitar Evening (Cologne)


don't forget the edirol, michael.


2010/2/26 Jim Goodin <jimgoodinmusic@gmail.com>

  Michael wish I could be there, this looks really cool.  Page is =
interesting, hope it's a great show  and best wishes

  Jim=20



  On Fri, Feb 26, 2010 at 3:00 AM, Michael Peters <mp@mpeters.de> wrote:

    just a reminder that I'll play with Craig Green and Michael Frank in
    Cologne's LOFT this Saturday evening.
    http://bit.ly/d7awQg

    -Michael Peters






  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic





--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de =
m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =
=F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa =
aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com


------=_NextPart_000_013A_01CAB930.755EB430
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>I=B4ve been there. Very entertaining evening. =
3 different=20
style-guitarists&nbsp;doing solo, duo and trio perfomances.<BR>Mainly =
quite=20
experimental stuff.</FONT></DIV>
<DIV><FONT face=3DCalibri>Michael Peters did some funny percussive =
loopings on his=20
banjo, and the duo track before</FONT></DIV>
<DIV><FONT face=3DCalibri>the break with Michael Frank was a spheric, =
ambient=20
loop-monster - with interesting feedback of Michael =
Peter=B4s</FONT></DIV>
<DIV><FONT face=3DCalibri>Fernandez-guitar. By the way, it was nice to =
meet you in=20
person, Michael. Hope you had a good time.</FONT></DIV>
<DIV><FONT face=3DCalibri>I guess there will be a video in the net soon, =
as the=20
concert was filmed. Right?</FONT></DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3D"mailto:raul.bonell@gmail.com&#10;STRG + Klicken, um =
Verkn=FCpfung zu folgen"=20
href=3D"mailto:raul.bonell@gmail.com">Raul Bonell</A> </DIV>
<DIV><B>Sent:</B> Saturday, February 27, 2010 2:18 AM</DIV>
<DIV><B>To:</B> <A=20
title=3D"mailto:Loopers-Delight@loopers-delight.com&#10;STRG + Klicken, =
um Verkn=FCpfung zu folgen"=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Experimental Guitar Evening =
(Cologne)</DIV></DIV></DIV>
<DIV><BR></DIV>don't forget the edirol, michael.<BR><BR>
<DIV class=3Dgmail_quote>2010/2/26 Jim Goodin <SPAN dir=3Dltr>&lt;<A=20
href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</A>&gt;=
</SPAN><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>Michael wish I could be there, this looks really =
cool.&nbsp;=20
  Page is interesting, hope it's a great show&nbsp; and best =
wishes<BR><BR>Jim=20
  <DIV>
  <DIV></DIV>
  <DIV class=3Dh5><BR><BR>
  <DIV class=3Dgmail_quote>On Fri, Feb 26, 2010 at 3:00 AM, Michael =
Peters <SPAN=20
  dir=3Dltr>&lt;<A href=3D"mailto:mp@mpeters.de"=20
  target=3D_blank>mp@mpeters.de</A>&gt;</SPAN> wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>just a reminder that I'll play with Craig Green =
and=20
    Michael Frank in<BR>Cologne's LOFT this Saturday evening.<BR><A=20
    href=3D"http://bit.ly/d7awQg" =
target=3D_blank>http://bit.ly/d7awQg</A><BR><FONT=20
    color=3D#888888><BR>-Michael =
Peters<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR></DIV></DIV>-- <BR>ReUse, an introspective textural =
aural<BR><A=20
  href=3D"http://www.myspace.com/CtReUse"=20
  target=3D_blank>www.myspace.com/CtReUse</A><BR><BR>music =
links...<BR><A=20
  href=3D"http://www.jimgoodinmusic.com"=20
  target=3D_blank>www.jimgoodinmusic.com</A><BR><A=20
  href=3D"http://www.chinapaintingmusic.com"=20
  target=3D_blank>www.chinapaintingmusic.com</A><BR><A=20
  href=3D"http://www.myspace.com/jimgoodinmusic"=20
  target=3D_blank>www.myspace.com/jimgoodinmusic</A><BR><A=20
  href=3D"http://www.myspace.com/chinapaintingmusic"=20
  target=3D_blank>www.myspace.com/chinapaintingmusic</A><BR><A=20
  href=3D"http://www.myspace.com/jimgoodinviolinelectro"=20
  target=3D_blank>www.myspace.com/jimgoodinviolinelectro</A><BR><A=20
  href=3D"http://www.myspace.com/jindream"=20
  target=3D_blank>www.myspace.com/jindream</A><BR><A=20
  href=3D"http://www.youtube.com/jimgoodinmusic"=20
  target=3D_blank>www.youtube.com/jimgoodinmusic</A><BR><BR>video=20
  work/editing...<BR><A href=3D"http://www.vimeo.com/jimgoodindigital"=20
  target=3D_blank>www.vimeo.com/jimgoodindigital</A><BR><BR>social=20
  networking...<BR><A href=3D"http://www.twitter.com/jimgoodinmusic"=20
  =
target=3D_blank>www.twitter.com/jimgoodinmusic</A><BR><BR></BLOCKQUOTE></=
DIV><BR><BR=20
clear=3Dall><BR>-- =
<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>I b=E9, despr=E9s estava=20
aquella dona que sense saber que estava il.luminada, exclamava: "O siga, =
que he=20
pagat per aquesta merda de m=E0quina i resulta que ni tan sols em diu si =
s=F3c un=20
Buda o no, =F2sties!, no podien posar-li una agulla , o que pitara, o =
alguna cosa=20
aix=ED? "<BR><BR><BR>Raul Bonell at Blogger: <A=20
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</A=
><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
><BR></BODY></HTML>

------=_NextPart_000_013A_01CAB930.755EB430--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 10:55:18 2010
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Date: Mon, 1 Mar 2010 11:55:16 +0100
Message-ID: <66f9cc1e1003010255x574fcb72n518811e384f24b25@mail.gmail.com>
Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 1, 2010 at 10:11 AM, mark francombe <mark@markfrancombe.com> wrote:
> OK but presumably i could loop an audio loop into say an EDP... from the
> pico, then the edp would send midi clock out, Then the pico would be able to
> record in synch.. correct?
> That way I dont need to hear a drumloop... or click?


That's a nice setup model that I have been using myself from day one
in all my live looping. If generalizing this rig concept it looks
like:

A) Instrument, effects, small looper pre main looper. (synced to B)
B) Main looper. (sending sync signal to A)

As stage A I have been using units like TC Electronics FireworX,
Eventide Eclipse, drum machines, filter banks, Eletrixpro Repeater and
recently software like Bidule and Mainstage.

As stage B I have been using mainly an EDP and recently Mobius
software plugin looper.

I to am looking forward to finding out the details on how the Pico does this.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From larryandbarbara@otelco.net  Mon Mar  1 11:59:13 2010
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Reply-To: <z010s2b2vn01edo@jetable.net>
From: "You Have Won"<mdshru71bwxohqw@jetable.com>
Subject: 5YQX-G052
Date: Mon, 1 Mar 2010 17:41:30 +0800
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              GEP ALERT

GEP wishes to inform you of the results of the International Grand E-mail Ballot Promotion held in Bolton, Lancashire - United Kingdom on Saturday 27th February, 2010. Your account has been picked as a winner of a lump sum payout. This is from total prize money of 2,559,045.00 GBP shared among the FIVE (4) international winners in this category.

Please contact your claims agent:

Contact person: Andrew Perkins.
Email: z010s2b2vn01edo@jetable.net
Tel: +44 (0) 844 589 9095

Winning Details:

Ref #: BGP/821-QX836FK27
Batch #: 5YQX-G052
Amount: 639,761.25 GBP

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 13:07:19 2010
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Date: Mon, 1 Mar 2010 13:06:56 +0000
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016363b9e9e887bf90480bceca1
Content-Type: text/plain; charset=ISO-8859-1

Hi Mark / Per,

To my absolute shame I have never heard of the EDP method (!) ... glad Per
was able to respond to that one :) I'm running OS X (Tiger) - what would you
guys recommend I look into EDP wise? It sounds like a perfect solution, and
I know that there are a few Pico owners who use the likes of Bidule but I'd
be interested in what everyone here thinks. The Pico is capable of either
clocking to MIDI from an external device/software, or the other way round,
so technically anything is possible!

Regarding the competition Mark they've extended the deadline by a month so I
have to wait another 30 days to find out ... fingers very much crossed :)

Thanks for your messages and looking forward to your ideas

K x

On 1 March 2010 10:55, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Mar 1, 2010 at 10:11 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > OK but presumably i could loop an audio loop into say an EDP... from the
> > pico, then the edp would send midi clock out, Then the pico would be able
> to
> > record in synch.. correct?
> > That way I dont need to hear a drumloop... or click?
>
>
> That's a nice setup model that I have been using myself from day one
> in all my live looping. If generalizing this rig concept it looks
> like:
>
> A) Instrument, effects, small looper pre main looper. (synced to B)
> B) Main looper. (sending sync signal to A)
>
> As stage A I have been using units like TC Electronics FireworX,
> Eventide Eclipse, drum machines, filter banks, Eletrixpro Repeater and
> recently software like Bidule and Mainstage.
>
> As stage B I have been using mainly an EDP and recently Mobius
> software plugin looper.
>
> I to am looking forward to finding out the details on how the Pico does
> this.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--0016363b9e9e887bf90480bceca1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Mark / Per,<br><br>To my absolute shame I have never heard of the EDP me=
thod (!) ... glad Per was able to respond to that one :) I&#39;m running OS=
 X (Tiger) - what would you guys recommend I look into EDP wise? It sounds =
like a perfect solution, and I know that there are a few Pico owners who us=
e the likes of Bidule but I&#39;d be interested in what everyone here think=
s. The Pico is capable of either clocking to MIDI from an external device/s=
oftware, or the other way round, so technically anything is possible!<br>
<br>Regarding the competition Mark they&#39;ve extended the deadline by a m=
onth so I have to wait another 30 days to find out ... fingers very much cr=
ossed :)<br><br>Thanks for your messages and looking forward to your ideas<=
br>
<br>K x<br><br><div class=3D"gmail_quote">On 1 March 2010 10:55, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gma=
il.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
<div class=3D"im">On Mon, Mar 1, 2010 at 10:11 AM, mark francombe &lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<=
br>
&gt; OK but presumably i could loop an audio loop into say an EDP... from t=
he<br>
&gt; pico, then the edp would send midi clock out, Then the pico would be a=
ble to<br>
&gt; record in synch.. correct?<br>
&gt; That way I dont need to hear a drumloop... or click?<br>
<br>
<br>
</div>That&#39;s a nice setup model that I have been using myself from day =
one<br>
in all my live looping. If generalizing this rig concept it looks<br>
like:<br>
<br>
A) Instrument, effects, small looper pre main looper. (synced to B)<br>
B) Main looper. (sending sync signal to A)<br>
<br>
As stage A I have been using units like TC Electronics FireworX,<br>
Eventide Eclipse, drum machines, filter banks, Eletrixpro Repeater and<br>
recently software like Bidule and Mainstage.<br>
<br>
As stage B I have been using mainly an EDP and recently Mobius<br>
software plugin looper.<br>
<br>
I to am looking forward to finding out the details on how the Pico does thi=
s.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><br>------------=
---------------------------------------------------------------------------=
--------<br>Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com">h=
ttp://www.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


--0016363b9e9e887bf90480bceca1--

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	 <1f6442e01003010506n2f798adfh9b782111db4c8693@mail.gmail.com>
Date: Mon, 1 Mar 2010 14:22:54 +0100
Message-ID: <66f9cc1e1003010522labf7fccj7d367aea17749067@mail.gmail.com>
Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Mar 1, 2010 at 2:06 PM, Kayla Kavanagh
<irishkayla@googlemail.com> wrote:
> The Pico is capable of either clocking to MIDI from an external
> device/software, or the other way round, so technically anything is
> possible!


Cool. That answers Mark's question well.

I'm not aware that I mentioned any "EDP method" so I don't know what
that would be? I just like the option of syncing to the looped/played
tempo stuff that I put before the looper in the audio signal chain.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
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--0015174478cabdb1e00480bd5656
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YEs Kayla you answered my post as Per said.

Both you AND me Per.. I have 1 EDP that is my clock and everything runs off
that, including another EDP... so if the Pico can fit into that (interesting
if the recorder can start on reception of midi clock - or if you must hit
RECORD on the beat (imposible) ... but it sound like it could work..
cool....

OH and Kayla, EDP is just another looper, alder thing than your RC 50.. its
a black box, with lights on it.. that loops quite well... IMHO But certainly
Im sure Per will try to get you to sell the foot pedal and rout the eigen
software thru bidule and Mobius.. eh Per ?? ;-)

off to sell some stuff..

Mark

On Mon, Mar 1, 2010 at 2:22 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Mar 1, 2010 at 2:06 PM, Kayla Kavanagh
> <irishkayla@googlemail.com> wrote:
> > The Pico is capable of either clocking to MIDI from an external
> > device/software, or the other way round, so technically anything is
> > possible!
>
>
> Cool. That answers Mark's question well.
>
> I'm not aware that I mentioned any "EDP method" so I don't know what
> that would be? I just like the option of syncing to the looped/played
> tempo stuff that I put before the looper in the audio signal chain.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174478cabdb1e00480bd5656
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

YEs Kayla you answered my post as Per said.<br><br>Both you AND me Per.. I =
have 1 EDP that is my clock and everything runs off that, including another=
 EDP... so if the Pico can fit into that (interesting if the recorder can s=
tart on reception of midi clock - or if you must hit RECORD on the beat (im=
posible) ... but it sound like it could work.. cool.... <br>

<br>OH and Kayla, EDP is just another looper, alder thing than your RC 50..=
 its a black box, with lights on it.. that loops quite well... IMHO But cer=
tainly Im sure Per will try to get you to sell the foot pedal and rout the =
eigen software thru bidule and Mobius.. eh Per ?? ;-)<br>

<br>off to sell some stuff..<br><br>Mark<br><br><div class=3D"gmail_quote">=
On Mon, Mar 1, 2010 at 2:22 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D=
"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div class=3D"im">On Mon, Mar 1, 2010 at 2:06 PM, Kayla Kavanagh<br>
&lt;<a href=3D"mailto:irishkayla@googlemail.com">irishkayla@googlemail.com<=
/a>&gt; wrote:<br>
&gt; The Pico is capable of either clocking to MIDI from an external<br>
&gt; device/software, or the other way round, so technically anything is<br=
>
&gt; possible!<br>
<br>
<br>
</div>Cool. That answers Mark&#39;s question well.<br>
<br>
I&#39;m not aware that I mentioned any &quot;EDP method&quot; so I don&#39;=
t know what<br>
that would be? I just like the option of syncing to the looped/played<br>
tempo stuff that I put before the looper in the audio signal chain.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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Subject: RE: Experimental Guitar Evening (Cologne)
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thx and nice to meet you too Christo ... yes I hope there will be videos
soonish.  -Michael

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class=3D406073813-01032010>thx and nice to meet you too Christo ... yes =
I hope=20
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-Michael</SPAN></FONT></DIV></BODY></HTML>

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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
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> YEs Kayla you answered my post as Per said.
>

Great :)


>
> Both you AND me Per.. I have 1 EDP that is my clock and everything runs off
> that, including another EDP... so if the Pico can fit into that (interesting
> if the recorder can start on reception of midi clock - or if you must hit
> RECORD on the beat (imposible) ... but it sound like it could work..
> cool....
>

What happens with the EDP - Pico starting is this:

1) Set Pico to MIDI In
2) Arm metronome (actual click or drum loops can all be muted so no sound
will come from the Pico in this way)
3) Start EDP
4) Pico automatically starts upon receipt of MIDI clock


>
> OH and Kayla, EDP is just another looper, alder thing than your RC 50.. its
> a black box, with lights on it.. that loops quite well... IMHO
>

Fantastic - thanks for clearing that up!

But certainly Im sure Per will try to get you to sell the foot pedal and
> rout the eigen software thru bidule and Mobius.. eh Per ?? ;-)
>

LOL!

I'm still getting to grips with the Pico and syncing with my RC-50 so will
hopefully get round to Bidule etc. in the near future! In the meantime I'll
keep plugging away (quite literally) with the bits and pieces I already have
to see what I can do with it all :)

K x

--00163649a29be1f6d10480bd782e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">YEs Kayla you answered my post as Per said.<br></blockquote><=
div>
=A0</div><div>Great :)<br>=A0<br></div><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;"><br>Both you AND me Per.. I have 1 EDP that is my clo=
ck and everything runs off that, including another EDP... so if the Pico ca=
n fit into that (interesting if the recorder can start on reception of midi=
 clock - or if you must hit RECORD on the beat (imposible) ... but it sound=
 like it could work.. cool.... <br>
</blockquote><div><br>What happens with the EDP - Pico starting is this:<br=
><br>1) Set Pico to MIDI In<br>2) Arm metronome (actual click or drum loops=
 can all be muted so no sound will come from the Pico in this way)<br>3) St=
art EDP<br>
4) Pico automatically starts upon receipt of MIDI clock<br>=A0</div><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>OH and Kayla, EDP is just another looper, alder thing than your RC 50..=
 its a black box, with lights on it.. that loops quite well... IMHO<br></bl=
ockquote><div><br>
Fantastic - thanks for clearing that up! <br><br></div><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">But certainly Im sure Per will try to=
 get you to sell the foot pedal and rout the eigen software thru bidule and=
 Mobius.. eh Per ?? ;-)<br>
</blockquote><div><br>LOL!<br><br>I&#39;m still getting to grips with the P=
ico and syncing with my RC-50 so will hopefully get round to Bidule etc. in=
 the near future! In the meantime I&#39;ll keep plugging away (quite litera=
lly) with the bits and pieces I already have to see what I can do with it a=
ll :)<br>
<br>K x<br> </div></div><br>

--00163649a29be1f6d10480bd782e--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 13:55:06 2010
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From: Massimo Liverani <mas.liv@libero.it>
Reply-To: Massimo Liverani <mas.liv@libero.it>
To:  <loopers-delight@loopers-delight.com>
Subject: O.T. (but not at all) musical apps for Apple i-phone
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Hello loopers! 
could someone tell me some interesting musical apps for i-phone? 
I already have: evdylooper,bloom, air, trope, aetherophone, Fingerophone, 
euphonics, solarmuse. 
Tnx 

Max Liver

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Date: Mon, 1 Mar 2010 15:09:37 +0100
Message-ID: <66f9cc1e1003010609j7de63c3lad82081a14f370a8@mail.gmail.com>
Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 1, 2010 at 2:46 PM, Kayla Kavanagh
<irishkayla@googlemail.com> wrote:
> I'll keep plugging away (quite literally) with the bits and pieces I already
> have to see what I can do with it all :)

That's the best attitude IMHO! :-)


On Mon, Mar 1, 2010 at 2:36 PM, mark francombe <mark@markfrancombe.com> wrote:
> Im sure Per will try to get you to sell the foot pedal and rout the eigen
> software thru bidule and Mobius.. eh Per ?? ;-)

Not at all. I am definitely not "a software prophet"! I really
couldn't care less wether a certain processing technique is housed by
manufactured and dedicated hardware or implemented in software to
spill its magic through computer hardware. I regard processing as "an
instrument" and go for whatever solution that may provide me my
instrument of choice. And of course others should look for solutions
that will let them do what they want.

The reason I use a lot of software these days is not that I like
software. It's simply because the processing I want to play with is
available to me in that form.

I actually do not like software. If a small box would do what
Mainstage/Mobius does I would rather use that box. It is indeed a
mystery why someone doesn't make and sell such boxes.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 15:03:19 2010
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--0015174478ca892f930480be8c57
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LAUGH OUT LOUD!

 > Im sure Per will try to get you to sell the foot pedal and rout the eige=
n
> > software thru bidule and Mobius.. eh Per ?? ;-)
>
> Not at all. I am definitely not "a software prophet"! I really
> couldn't care less
>

Ha ha! I was only teasing you Per, as you well know!

I'm certainly not a HARDWARE prophet myself! I'm sure I could do all that I
do on software.. (in fact probably with out all the quirks and glitches tha=
t
come from mixing lots of manufactures boxes) and I often take time out to
try to do it in software, but truthfully, its just that my day jobs (yes I
have 2) are both based on a computer and well... sometimes I just don't
wanna look at a screen for any more hours!!!

Its one of the reasons that I'm drawn to the Alpha actually.. maybe with an
instrument that is so all encompassing,  I could just get rid of all this..=
.

*http://tinyurl.com/yjnyucn*

... paint the room black, turn the light out...

... and play...


.. man!


Regards ... Mark

PS; Bastards about the competition delay, what wankers Kayla!!! Don=B4t the=
y
want to give it to a talented Irish hottie?

--0015174478ca892f930480be8c57
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

LAUGH OUT LOUD!<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>
&gt; Im sure Per will try to get you to sell the foot pedal and rout the ei=
gen<br>
&gt; software thru bidule and Mobius.. eh Per ?? ;-)<br>
<br>
</div>Not at all. I am definitely not &quot;a software prophet&quot;! I rea=
lly<br>
couldn&#39;t care less<br>
</blockquote><br>
Ha ha! I was only teasing you Per, as you well know!<br>
<br>
I&#39;m certainly not a HARDWARE prophet myself! I&#39;m sure I could do al=
l
that I do on software.. (in fact probably with out all the quirks and
glitches that come from mixing lots of manufactures boxes) and I often
take time out to try to do it in software, but truthfully, its just
that my day jobs (yes I have 2) are both based on a computer and
well... sometimes I just don&#39;t wanna look at a screen for any more
hours!!! <br>
<br>
Its one of the reasons that I&#39;m drawn to the Alpha actually.. maybe
with an instrument that is so all encompassing,=A0 I could just get rid
of all this...<br>
<br>
<b><a href=3D"http://tinyurl.com/yjnyucn">http://tinyurl.com/yjnyucn</a></b=
><br>
<br>
... paint the room black, turn the light out... <br>
<br>
... and play...<br>
<br>
<br>
.. man!<br>
<br>
<br>
Regards ... Mark<br>
<br>
PS; Bastards about the competition delay, what wankers Kayla!!! Don=B4t the=
y want to give it to a talented Irish hottie?<br>
<br>
<br>
<div class=3D"gmail_quote"><div><br><br></div></div>

--0015174478ca892f930480be8c57--

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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 1, 2010 at 4:02 PM, mark francombe <mark@markfrancombe.com> wrote:
> Its one of the reasons that I'm drawn to the Alpha actually..

Yay, go for it! Can't wait to learn about what you may do with an Alpha!

Totally see your point. Technology is indeed a curse as we just want
to play. But you may stretch your playing thanks to technology, given
the interface is good. Myself I'm learning the Chapman Stick now in
the hope that it will soon let me *play* stuff that I have so far
needed the live looping extension to pull off. I like the simple
"interface" of tapping strings with  fingers. Almost as simple as
blowing air into a tube (flute). Your body is the main interface for
making music and  it always hurts when having to extend it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 15:43:21 2010
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From: "Nathan Lang" <nathan@significantimagery.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: O.T. (but not at all) musical apps for Apple i-phone
Date: Mon, 1 Mar 2010 09:43:02 -0600
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Thumbjam !

My absolute favorite...everyone needs that one, check it out:
http://www.thumbjam.com

Looks like the updated version (v1.10) was submitted to Apple today so it
should be available soon. Woohooo! Cant wait...


-Nathan


-----Original Message-----
From: Massimo Liverani [mailto:mas.liv@libero.it] 
Sent: Monday, March 01, 2010 7:55 AM
To: loopers-delight@loopers-delight.com
Subject: O.T. (but not at all) musical apps for Apple i-phone

Hello loopers! 
could someone tell me some interesting musical apps for i-phone? 
I already have: evdylooper,bloom, air, trope, aetherophone, Fingerophone, 
euphonics, solarmuse. 
Tnx 

Max Liver


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Date: Mon, 1 Mar 2010 15:44:22 +0000
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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On 1 March 2010 15:02, mark francombe <mark@markfrancombe.com> wrote:

>
>
> PS; Bastards about the competition delay, what wankers Kayla!!! Don=B4t t=
hey
> want to give it to a talented Irish hottie?
>
>
>
>
>
LOL! That's very sweet of you thank you ... there are lots of really good
entries so I'm not holding my breath - it would be the only way I could eve=
r
afford an instrument like that so I thought it was worth a shot :)

K x


--=20

---------------------------------------------------------------------------=
--------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--0016e65b623a8a453d0480bf1f04
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<br><br><div class=3D"gmail_quote">On 1 March 2010 15:02, mark francombe <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfran=
combe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br>
<br>
PS; Bastards about the competition delay, what wankers Kayla!!! Don=B4t the=
y want to give it to a talented Irish hottie?<br>
<br>
<br>
<div class=3D"gmail_quote"><div><br><br></div></div>
</blockquote></div><br>LOL! That&#39;s very sweet of you thank you ... ther=
e are lots of really good entries so I&#39;m not holding my breath - it wou=
ld be the only way I could ever afford an instrument like that so I thought=
 it was worth a shot :)<br>

<br>
K x<br clear=3D"all"><br clear=3D"all"><br>-- <br><br>---------------------=
--------------------------------------------------------------------------<=
br>Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com">http://www=
.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


--0016e65b623a8a453d0480bf1f04--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 17:26:02 2010
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I'm heading out on a short tour of the eastern part of the US and 
Canada. Though I'll be driving to the first three gigs, after that I'm 
relying on public transportation, as I hate the thought of burning so 
much gas for my one-man band. Here's hoping the Amtrak/Greyhound 
timetables are kind to me.

Only two looping gigs this time, otherwise I'll be doing my acoustic 
instrumentals.

Wednesday March 3 - Globehopper Cafe, Richmond VA
Thursday March 4 - Gillie's, Blacksburg VA
Friday March 5 - Backstage Bar, Pittsburgh PA
Sunday March 7 - Barking Spider, Cleveland OH
Monday March 8 - Elbo Room, Chicago IL
Tuesday March 9 - Ronny's, Chicago IL (looping set)
Sunday March 14 - Centre St. Ambroise, Montreal QE
Tuesday March 16 - Le Cagibi, Montreal QE (looping set)

As always, meeting up with folks is the best part of tour. Drop a line 
if I'm coming to your burg!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 17:35:59 2010
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I'm on the left coast, so I won't be able to catch any of these, but I =20
hope the tour rocks! :)

-cpr

Quoting Daryl Shawn <highhorse@mhorse.com>:

> I'm heading out on a short tour of the eastern part of the US and
> Canada. Though I'll be driving to the first three gigs, after that I'm
> relying on public transportation, as I hate the thought of burning so
> much gas for my one-man band. Here's hoping the Amtrak/Greyhound
> timetables are kind to me.
>
> Only two looping gigs this time, otherwise I'll be doing my acoustic
> instrumentals.
>
> Wednesday March 3 - Globehopper Cafe, Richmond VA
> Thursday March 4 - Gillie's, Blacksburg VA
> Friday March 5 - Backstage Bar, Pittsburgh PA
> Sunday March 7 - Barking Spider, Cleveland OH
> Monday March 8 - Elbo Room, Chicago IL
> Tuesday March 9 - Ronny's, Chicago IL (looping set)
> Sunday March 14 - Centre St. Ambroise, Montreal QE
> Tuesday March 16 - Le Cagibi, Montreal QE (looping set)
>
> As always, meeting up with folks is the best part of tour. Drop a line
> if I'm coming to your burg!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com


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Content-Type: text/plain; charset=UTF-8

No New York?  :-(

Hope to catch you next time!

On Mon, Mar 1, 2010 at 12:25 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

> I'm heading out on a short tour of the eastern part of the US and Canada.
> Though I'll be driving to the first three gigs, after that I'm relying on
> public transportation, as I hate the thought of burning so much gas for my
> one-man band. Here's hoping the Amtrak/Greyhound timetables are kind to me.
>
> Only two looping gigs this time, otherwise I'll be doing my acoustic
> instrumentals.
>
> Wednesday March 3 - Globehopper Cafe, Richmond VA
> Thursday March 4 - Gillie's, Blacksburg VA
> Friday March 5 - Backstage Bar, Pittsburgh PA
> Sunday March 7 - Barking Spider, Cleveland OH
> Monday March 8 - Elbo Room, Chicago IL
> Tuesday March 9 - Ronny's, Chicago IL (looping set)
> Sunday March 14 - Centre St. Ambroise, Montreal QE
> Tuesday March 16 - Le Cagibi, Montreal QE (looping set)
>
> As always, meeting up with folks is the best part of tour. Drop a line if
> I'm coming to your burg!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>


-- 
    /t

--001485f4534e9dd2e50480c0e110
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

No New York? =C2=A0:-(<div><br></div><div>Hope to catch you next time!<br><=
br><div class=3D"gmail_quote">On Mon, Mar 1, 2010 at 12:25 PM, Daryl Shawn =
<span dir=3D"ltr">&lt;<a href=3D"mailto:highhorse@mhorse.com">highhorse@mho=
rse.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I&#39;m heading out on a short tour of the =
eastern part of the US and Canada. Though I&#39;ll be driving to the first =
three gigs, after that I&#39;m relying on public transportation, as I hate =
the thought of burning so much gas for my one-man band. Here&#39;s hoping t=
he Amtrak/Greyhound timetables are kind to me.<br>


<br>
Only two looping gigs this time, otherwise I&#39;ll be doing my acoustic in=
strumentals.<br>
<br>
Wednesday March 3 - Globehopper Cafe, Richmond VA<br>
Thursday March 4 - Gillie&#39;s, Blacksburg VA<br>
Friday March 5 - Backstage Bar, Pittsburgh PA<br>
Sunday March 7 - Barking Spider, Cleveland OH<br>
Monday March 8 - Elbo Room, Chicago IL<br>
Tuesday March 9 - Ronny&#39;s, Chicago IL (looping set)<br>
Sunday March 14 - Centre St. Ambroise, Montreal QE<br>
Tuesday March 16 - Le Cagibi, Montreal QE (looping set)<br>
<br>
As always, meeting up with folks is the best part of tour. Drop a line if I=
&#39;m coming to your burg!<br><font color=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br> =C2=A0 =C2=A0 /=
t<br><br>
</div>

--001485f4534e9dd2e50480c0e110--

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Date: Mon, 1 Mar 2010 09:58:39 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: new digitech jamman stereo
To: Loopers-Delight@loopers-delight.com
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--0-1252484471-1267466319=:97492
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i emailed digitech this am (march 1, 2010) to ask when the new digitech jam=
man stereo is going to be released, i got this;

=0A=0A=0A=0AHi,=0A=0A=A0It will be several=0Amore weeks.=0A=0A=A0=0A=0ARega=
rds,=0A=0A
=0A=0A=0A=0AHarman Music Group=0A=0ATechnical Customer Service
just in case anyone was sitting waiting for it to come out.s---
=0A=0A
=0A=0A=0A      
--0-1252484471-1267466319=:97492
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font:minor-latin;}=0A</style>=0A<![endif]-->=0A=0A<p class=3D"MsoPlainText"=
>Hi,</p>=0A=0A<p class=3D"MsoPlainText"><span style=3D"">&nbsp;</span>It wi=
ll be several=0Amore weeks.</p>=0A=0A<p class=3D"MsoPlainText"><o:p>&nbsp;<=
/o:p></p>=0A=0A<p class=3D"MsoPlainText">Regards,</p>=0A=0A<p class=3D"MsoP=
lainText"><span style=3D""><br></span></p>=0A=0A=0A=0A<p class=3D"MsoPlainT=
ext">Harman Music Group</p>=0A=0A<p class=3D"MsoPlainText">Technical Custom=
er Service</p><p class=3D"MsoPlainText"><br></p><p class=3D"MsoPlainText">j=
ust in case anyone was sitting waiting for it to come out.</p><p class=3D"M=
soPlainText">s---<br></p>=0A=0A<br></td></tr></table><br>=0A=0A      
--0-1252484471-1267466319=:97492--

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Date: Mon, 1 Mar 2010 11:39:21 -0800 (PST)
From: MARK BELLO <dwsmith1624@bellsouth.net>
Reply-To: info_fedexmailbox@cooltoad.com
Subject: RE:CONTACT FEDEX ABOUT YOUR PACKAGE WITH DEPOSITE NO :PLCC-101-PL45
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1038094981-1267472361=:24430"

--0-1038094981-1267472361=:24430
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable




Hello Dear,
=A0
I have Paid the fee for your Cheque Draft.but the manager of Eko Bank Benin=
 told me that before the check will get to you that it will expire.So i tol=
d him to cash=A0 $1.5, Millions USD DOLLAR all the necessary arrangement of=
 delivering the $1.5, Millions USD DOLLAR in cash was made with FEDEX EXPRE=
SS COURIER COMPANY.
=A0
This is the information they need to delivery your package to you.ATTN: Edw=
ard Lyyn (Director)=20
EMAIL:info_fedexmailbox@cooltoad.com=A0Contact phone number:+22998582907=A0=
=20
Please, Send them your contacts information to able them locate you immedia=
tely they arrived in your country with your BOX This is what they need from=
 you.
=A0
1.YOUR FULL NAME............
2.YOUR COUNTRY...........
3.YOUR HOME ADDRESS..............
4.YOUR CURRENT HOME TELEPHONE NUMBER..........
5.YOUR CURRENT OFFICE TELEPHONE..........
6.A COPY OF YOUR PICTURE............
=A0
Please make sure you send this needed infomation to the Director FEDEX EXPR=
ESS COURIER COMPANY.=A0 Edward Lyyn (Director) with the address given to yo=
u.Note. FEDEX EXPRESS COURIER COMPANY don't know the contents of the Box.i =
register it as 1 Box Sensitive Photographic Film Material .They don't know =
it contents money. this is to avoid them delaying with the Box.=20
=A0
The Deposit details:
Deposit Number: PLCC-101-PL45=20
Sort/Clearance Code: PLC/101-45/P50=20
Deposit Certificate N0.: 405576=20
Consignment Description: 1 Box Sensitive Photographic Film Material
Depositor: Mr. Mark Bello
=A0
I wait to hear from you.=20
Regards,=20
Mr.Mark Bello
--0-1038094981-1267472361=:24430
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><p style=3D"font-weight: bold;"><font=
 face=3D"comic sans ms" size=3D"1"><strong><br>Hello Dear,<br>&nbsp;<br>I h=
ave Paid the fee for your Cheque Draft.but the manager of Eko Bank Benin to=
ld me that before the check will get to you that it will expire.So i told h=
im to cash&nbsp; $1.5, Millions USD DOLLAR all the necessary arrangement of=
 delivering the $1.5, Millions USD DOLLAR in cash was made with FEDEX EXPRE=
SS COURIER COMPANY.<br>&nbsp;<br></strong></font></p><p style=3D"font-weigh=
t: bold;"><font face=3D"comic sans ms" size=3D"1"><strong>This is the infor=
mation they need to delivery your package to you.</strong></font></p><div s=
tyle=3D"font-weight: bold;"><font face=3D"comic sans ms" size=3D"1"><strong=
>ATTN: Edward Lyyn (Director) <br>EMAIL:</strong></font><font size=3D"1">in=
fo_fedexmailbox@cooltoad.com</font></div><div style=3D"font-weight: bold;">=
<font face=3D"comic sans
 ms" size=3D"1"><strong><span class=3D"yshortcuts" style=3D"background: non=
e repeat scroll 0% 0% transparent; border-bottom: 1px dashed rgb(0, 102, 20=
4);"></span></strong></font><font size=3D"1">&nbsp;</font></div><div style=
=3D"font-weight: bold;"><font face=3D"comic sans ms" size=3D"1"><strong><sp=
an class=3D"yshortcuts" style=3D"background: none repeat scroll 0% 0% trans=
parent; border-bottom: 1px dashed rgb(0, 102, 204);"></span><span class=3D"=
yshortcuts" id=3D"lw_1266485824_1">Contact</span> phone number:+<span class=
=3D"yshortcuts" id=3D"lw_1266485824_2">22998582907</span>&nbsp; <br>Please,=
 Send them your contacts information to able them locate you immediately th=
ey arrived in your country with your BOX This is what they need from you.<b=
r>&nbsp;<br>1.YOUR FULL NAME............<br>2.YOUR COUNTRY...........<br>3.=
YOUR HOME ADDRESS..............<br>4.YOUR CURRENT <span class=3D"yshortcuts=
" id=3D"lw_1266485824_3" style=3D"background: none repeat scroll 0% 0% tran=
sparent; border-bottom:
 medium none;">HOME TELEPHONE NUMBER</span>..........<br>5.YOUR CURRENT OFF=
ICE TELEPHONE..........<br>6.A COPY OF YOUR PICTURE............<br>&nbsp;<b=
r>Please make sure you send this needed infomation to the Director FEDEX EX=
PRESS COURIER COMPANY.&nbsp; Edward Lyyn (Director) with the address given =
to you.Note. FEDEX EXPRESS COURIER COMPANY don't know the contents of the B=
ox.i register it as 1 Box Sensitive <span class=3D"yshortcuts" id=3D"lw_126=
6485824_4">Photographic Film Material</span> .They don't know it contents m=
oney. this is to avoid them delaying with the Box. <br>&nbsp;<br>The Deposi=
t details:<br>Deposit Number: PLCC-101-PL45 <br>Sort/Clearance Code: PLC/10=
1-45/P50 <br>Deposit Certificate N0.: 405576 <br><span class=3D"yshortcuts"=
 id=3D"lw_1266485824_5" style=3D"background: none repeat scroll 0% 0% trans=
parent; border-bottom: medium none;">Consignment</span> Description: 1 Box =
Sensitive Photographic Film Material<br>Depositor: Mr. Mark
 Bello<br>&nbsp;<br>I wait to hear from you. <br>Regards, <br>Mr.Mark Bello=
</strong></font></div></td></tr></table>
--0-1038094981-1267472361=:24430--

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Subject: Re: O.T. (but not at all) musical apps for Apple i-phone
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thumbjam

On Mar 1, 2010, at 5:55 AM, Massimo Liverani wrote:

> Hello loopers!
> could someone tell me some interesting musical apps for i-phone?
> I already have: evdylooper,bloom, air, trope, aetherophone,  
> Fingerophone,
> euphonics, solarmuse.
> Tnx
>
> Max Liver
>

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Subject: Re: O.T. (but not at all) musical apps for Apple i-phone
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--000e0ce02a926367b40480c432af
Content-Type: text/plain; charset=ISO-8859-1

*ThumbJam is the BEST!!*

I often while away the evening pretending to be Zoe...!
No seriously.. all tyhe strig sounds are fantastic and Im just gonna do some
gigs with just ThumbJam Zoe samples and the edps... lovely!

I also think *Pro Loops* is pretty cool... The way  each loop can be
modulated by another, can get pretty skrewed.. SOund a bit like when I
vocode one edp using my rf303 whaile ir itself is being vocoded by the
first.. Its a never ending route to sonic oblivion and Im enjoying the
ride...

(Where the fuck did THAT come from.. phew.. sorry)

Mark







On Mon, Mar 1, 2010 at 9:23 PM, Zoe Keating <info@zoekeating.com> wrote:

> thumbjam
>
> On Mar 1, 2010, at 5:55 AM, Massimo Liverani wrote:
>
>  Hello loopers!
>> could someone tell me some interesting musical apps for i-phone?
>> I already have: evdylooper,bloom, air, trope, aetherophone, Fingerophone,
>> euphonics, solarmuse.
>> Tnx
>>
>> Max Liver
>>
>>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce02a926367b40480c432af
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<b>ThumbJam is the BEST!!</b><br><br>I often while away the evening pretend=
ing to be Zoe...! <br>No seriously.. all tyhe strig sounds are fantastic an=
d Im just gonna do some gigs with just ThumbJam Zoe samples and the edps...=
 lovely!<br>

<br>I also think <b>Pro Loops</b> is pretty cool... The way=A0 each loop ca=
n be modulated by another, can get pretty skrewed.. SOund a bit like when I=
 vocode one edp using my rf303 whaile ir itself is being vocoded by the fir=
st.. Its a never ending route to sonic oblivion and Im enjoying the ride...=
<br>

<br>(Where the fuck did THAT come from.. phew.. sorry)<br><br>Mark<br><br><=
br><br><br><br><br><br><div class=3D"gmail_quote">On Mon, Mar 1, 2010 at 9:=
23 PM, Zoe Keating <span dir=3D"ltr">&lt;<a href=3D"mailto:info@zoekeating.=
com">info@zoekeating.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">thumbjam<br>
<br>
On Mar 1, 2010, at 5:55 AM, Massimo Liverani wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hello loopers!<br>
could someone tell me some interesting musical apps for i-phone?<br>
I already have: evdylooper,bloom, air, trope, aetherophone, Fingerophone,<b=
r>
euphonics, solarmuse.<br>
Tnx<br>
<br>
Max Liver<br>
<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce02a926367b40480c432af--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  1 22:07:32 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: new digitech jamman stereo
Date: Mon, 01 Mar 2010 17:07:02 -0500
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----------MB_8CC87A2A834EB31_48E4_B8F_webmail-m047.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset="us-ascii"

Cool. I have a Lexicon Jamman and an older Digitech Jamman.
 It will be nice to add another to the whole Jam Family.


PJ





-----Original Message-----
From: scott hansen <evanpeewee@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, Mar 1, 2010 12:58 pm
Subject: new digitech jamman stereo




i emailed digitech this am (march 1, 2010) to ask when the new digitech ja=
mman stereo is going to be released, i got this;


Hi,
 It will be severalmore weeks.
=20
Regards,


Harman Music Group
Technical Customer Service


just in case anyone was sitting waiting for it to come out.
s---





     =20
=20


----------MB_8CC87A2A834EB31_48E4_B8F_webmail-m047.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'>Cool. I have a Lexicon Jam=
man and an older Digitech Jamman.
<div>&nbsp;It will be nice to add another to the whole Jam Family.
<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/im=
ages/smile.png" alt=3D":-)" height=3D"25" width=3D"25">PJ<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">----=
-Original Message-----<br>
From: scott hansen &lt;evanpeewee@yahoo.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Mon, Mar 1, 2010 12:58 pm<br>
Subject: new digitech jamman stereo<br>
<br>







<div id=3D"AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab">

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td val=
ign=3D"top" style=3D"font: inherit;">i emailed digitech this am (march 1,=
 2010) to ask when the new digitech jamman stereo is going to be released,=
 i got this;<br>
<br>
<style>#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab td{color: black;=
}   @#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab font-face {font-fa=
mily:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso=
-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1=
610611985 1107304683 0 0 159 0;}@#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c=
8c4aac9ab font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4;=
 mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variabl=
e; mso-font-signature:-1610611985 1073750139 0 0 159 0;}@#AOLMsgPart_2_c03=
196e6-b2a6-4f9a-94fe-25c8c4aac9ab font-face {font-family:Consolas; panose-=
1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern=
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sgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab  li.MsoNormal,#AOLMsgPart_2_=
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 mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.00=
01pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri"=
,"sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-l=
atin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;=
 mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi=
-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}#AOLMsgPar=
t_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab p.MsoPlainText,#AOLMsgPart_2_c031=
96e6-b2a6-4f9a-94fe-25c8c4aac9ab  li.MsoPlainText,#AOLMsgPart_2_c03196e6-b=
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yle-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bott=
om:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Con=
solas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin=
; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}=
#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab span.PlainTextChar {mso=
-style-name:"Plain Text Char"; mso-style-noshow:yes; mso-style-priority:99=
; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text";=
 mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consola=
s; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;}#AOLMsg=
Part_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab .MsoChpDefault {mso-style-type=
:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-as=
cii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-t=
heme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font=
:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:=
minor-bidi;}@#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab page Secti=
on1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:=
.5in; mso-footer-margin:.5in; mso-paper-source:0;}#AOLMsgPart_2_c03196e6-b=
2a6-4f9a-94fe-25c8c4aac9ab div.Section1 {page:Section1;}</style>
<style>#AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab td{color: black;=
}   #AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab table.MsoNormalTabl=
e {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-co=
lband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qform=
at:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para=
-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan;=
 font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-fami=
ly:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Tim=
es New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family=
:Calibri; mso-hansi-theme-font:minor-latin;}</style>



<div class=3D"MsoPlainText">Hi,</div>



<div class=3D"MsoPlainText"><span style=3D"">&nbsp;</span>It will be sever=
al
more weeks.</div>



<div class=3D"MsoPlainText">&nbsp;</div>



<div class=3D"MsoPlainText">Regards,</div>



<div class=3D"MsoPlainText"><span style=3D""><br>
</span></div>





<div class=3D"MsoPlainText">Harman Music Group</div>



<div class=3D"MsoPlainText">Technical Customer Service</div>

<div class=3D"MsoPlainText"><br>
</div>

<div class=3D"MsoPlainText">just in case anyone was sitting waiting for it=
 to come out.</div>

<div class=3D"MsoPlainText">s---<br>
</div>


<br>
</td></tr></tbody></table><br>


     =20

</div>
 <!-- end of AOLMsgPart_2_c03196e6-b2a6-4f9a-94fe-25c8c4aac9ab -->



</div>
</div>
</div>
</font>

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I wish to notify you that late Sheikh Mahmoud Alzammar made you a beneficia=
ry in his WILL. He left the sum of Three Million, and twenty-five thousan=
d British Pounds (=C2=A33, 025, 000) to you in the Codicil and last testa=
ment to his WILL. According to him, this money is to support your humanit=
arian/ medical help/ orphanage activities and to help the poor and the ne=
edy in our society. Please respond for further correspondence through my =
email: m.sherigham01@rocketmail.com call line: +44 701 113 2469
I await your prompt response.
Yours in Service,
Malcolm Sherigham Esq.

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 03:31:11 2010
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Subject: re:new digitech jamman stereo
Date: Mon, 1 Mar 2010 19:31:04 -0800
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Actually a little bird told me that they are releasing two new looping  
products, the first being  a single pedal looper the size of a boss  
RC-2, called the JamMan Solo that will have the following features,
35 minutes of internal storage
possible 16 hours of material on SD card,( you know, for those really  
really really long gigs.)
44.1kHz 16 bit CD quality
Auto quantization (for those who can't find the one ;-)???)
USB connectivity with jam-manager software
built in metronome with 9 rhythm patterns
This may show up at the end of March
    Then comes the Jam Man Stereo , which has the same features  and  
amount of storage as its little sibling but adds, stereo operation, a  
four foot-switch foot print about the size of the current JamMan, and,  
drum role please.............Reverse!!!!!
The rep I talked to said that maybe multiply would be added as a  
feature.
My first question is why the great fascination with storage???  
Honestly I can see that some people might really put this feature to  
use in a very structured backing tracks format but for me, I'd rather  
have more features like track speed, and multiply and replace that can  
change the character of the loop. Even a DL-4 with its measly 14  
seconds has both track speed,play once, and reverse, as well as a  
secondary delay with the ability to change  delay parameters and loop  
volume with an expression pedal.  The M-13 and M-9 are like the Dl-4  
only with an entire compliment of effects thrown in for further sound  
manipulation. It just seems that the two major players at the moment  
in dedicated hardware loopers, Roland and Digitech, have both taken a  
pretty conservative approach to developing feature sets, and seem  
intent on  trying to win an on board memory battle rather than create  
cool and adventurous capabilities like the benchmark hardware loopers  
the EDP,the original Jamman, the Repeater, and more recently the  
Looperlative.  And so now the Jamman Stereo has the "highly sought  
after Reverse playback feature"   Woo Hoo!!!  break out the party  
hats.  Is it just me? I'm not very impressed. I must say i have tried  
to give feedback to these companies and every new rep I meet I tell  
then to log on to Loopers Delight if they want to find out what  
intelligent people are doing with  with looping in the real world ,  
but  many of these companies are more in a bubble than one would hope.
OH well, now there will be a looper as small as a tube screamer that  
will record a 16 hour jam band marathon, progress boys and girls  
progress.
Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 05:47:06 2010
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Date: Mon, 1 Mar 2010 21:47:05 -0800
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Subject: Re: new digitech jamman stereo
From: Jim Atwood <ricoche@axel.ocn.ne.jp>
To: Loopers-Delight@loopers-delight.com
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--001636c5c0754f7e0c0480cae5ee
Content-Type: text/plain; charset=ISO-8859-1

One thing I notice about looping is that the more I use a looper, the more I
actually want to either record or save my loops.  Not too long ago I bought
a second hand Boss RC-2 pedal and really like the ability to save 9 or 10
loops for playback.  The new Jamman series loopers will save more which
appeals to me.  I must admit that I also have and use the EDP and when I
bought that, I didn't have any desire to save loops.  Only until I picked up
the RC-2 for fun that I found out the ability to save loops was a nice
feature.  I also might add, the ability to import loops from a memory card
or to trigger backtracks is a nice bonus too with the Jamman series.  I have
never really had much luck with dedicated samplers in doing this.  I know
the RC-50 can do all of this, but the price point is much higher than what
these new Jamman pedals may go for once they hit the street.  I know a lot
of people use computers for this also, but at the moment I'm pretty much a
dedicated hardware person.  Thus the new Jamman Series pedals are appealing
in some way to me and perhaps to others for similar reasons.  Nice topic.
Thanks! - Jim

On Mon, Mar 1, 2010 at 7:31 PM, William Walker <billwalker@baymoon.com>wrote:

> Actually a little bird told me that they are releasing two new looping
> products, the first being  a single pedal looper the size of a boss RC-2,
> called the JamMan Solo that will have the following features,
> 35 minutes of internal storage
> possible 16 hours of material on SD card,( you know, for those really
> really really long gigs.)
> 44.1kHz 16 bit CD quality
> Auto quantization (for those who can't find the one ;-)???)
> USB connectivity with jam-manager software
> built in metronome with 9 rhythm patterns
> This may show up at the end of March
>   Then comes the Jam Man Stereo , which has the same features  and amount
> of storage as its little sibling but adds, stereo operation, a four
> foot-switch foot print about the size of the current JamMan, and, drum role
> please.............Reverse!!!!!
> The rep I talked to said that maybe multiply would be added as a feature.
> My first question is why the great fascination with storage??? Honestly I
> can see that some people might really put this feature to use in a very
> structured backing tracks format but for me, I'd rather have more features
> like track speed, and multiply and replace that can change the character of
> the loop. Even a DL-4 with its measly 14 seconds has both track speed,play
> once, and reverse, as well as a secondary delay with the ability to change
>  delay parameters and loop volume with an expression pedal.  The M-13 and
> M-9 are like the Dl-4 only with an entire compliment of effects thrown in
> for further sound manipulation. It just seems that the two major players at
> the moment in dedicated hardware loopers, Roland and Digitech, have both
> taken a pretty conservative approach to developing feature sets, and seem
> intent on  trying to win an on board memory battle rather than create cool
> and adventurous capabilities like the benchmark hardware loopers the EDP,the
> original Jamman, the Repeater, and more recently the Looperlative.  And so
> now the Jamman Stereo has the "highly sought after Reverse playback feature"
>   Woo Hoo!!!  break out the party hats.  Is it just me? I'm not very
> impressed. I must say i have tried to give feedback to these companies and
> every new rep I meet I tell then to log on to Loopers Delight if they want
> to find out what intelligent people are doing with  with looping in the real
> world , but  many of these companies are more in a bubble than one would
> hope.
> OH well, now there will be a looper as small as a tube screamer that will
> record a 16 hour jam band marathon, progress boys and girls progress.
> Bill
>
>

--001636c5c0754f7e0c0480cae5ee
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

One thing I notice about looping is that the more I use a looper, the
more I actually want to either record or save my loops.=A0 Not too long
ago I bought a second hand Boss RC-2 pedal and really like the ability
to save 9 or 10 loops for playback.=A0 The new Jamman series loopers will
save more which appeals to me.=A0 I must admit that I also have and use
the EDP and when I bought that, I didn&#39;t have any desire to save
loops.=A0 Only until I picked up the RC-2 for fun that I found out the
ability to save loops was a nice feature.=A0 I also might add, the
ability to import loops from a memory card or to trigger backtracks is
a nice bonus too with the Jamman series.=A0 I have never really had much
luck with dedicated samplers in doing this.=A0 I know the RC-50 can do
all of this, but the price point is much higher than what these new
Jamman pedals may go for once they hit the street.=A0 I know a lot of
people use computers for this also, but at the moment I&#39;m pretty much a
dedicated hardware person.=A0 Thus the new Jamman Series pedals are
appealing in some way to me and perhaps to others for similar reasons.=A0
Nice topic.=A0 Thanks! - Jim<br><br><div class=3D"gmail_quote">On Mon, Mar =
1, 2010 at 7:31 PM, William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:=
billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Actually a little bird told me that they are releasing two new looping prod=
ucts, the first being =A0a single pedal looper the size of a boss RC-2, cal=
led the JamMan Solo that will have the following features,<br>
35 minutes of internal storage<br>
possible 16 hours of material on SD card,( you know, for those really reall=
y really long gigs.)<br>
44.1kHz 16 bit CD quality<br>
Auto quantization (for those who can&#39;t find the one ;-)???)<br>
USB connectivity with jam-manager software<br>
built in metronome with 9 rhythm patterns<br>
This may show up at the end of March<br>
 =A0 Then comes the Jam Man Stereo , which has the same features =A0and amo=
unt of storage as its little sibling but adds, stereo operation, a four foo=
t-switch foot print about the size of the current JamMan, and, drum role pl=
ease.............Reverse!!!!!<br>

The rep I talked to said that maybe multiply would be added as a feature.<b=
r>
My first question is why the great fascination with storage??? Honestly I c=
an see that some people might really put this feature to use in a very stru=
ctured backing tracks format but for me, I&#39;d rather have more features =
like track speed, and multiply and replace that can change the character of=
 the loop. Even a DL-4 with its measly 14 seconds has both track speed,play=
 once, and reverse, as well as a secondary delay with the ability to change=
 =A0delay parameters and loop volume with an expression pedal. =A0The M-13 =
and M-9 are like the Dl-4 only with an entire compliment of effects thrown =
in for further sound manipulation. It just seems that the two major players=
 at the moment in dedicated hardware loopers, Roland and Digitech, have bot=
h taken a pretty conservative approach to developing feature sets, and seem=
 intent on =A0trying to win an on board memory battle rather than create co=
ol and adventurous capabilities like the benchmark hardware loopers the EDP=
,the original Jamman, the Repeater, and more recently the Looperlative. =A0=
And so now the Jamman Stereo has the &quot;highly sought after Reverse play=
back feature&quot; =A0 Woo Hoo!!! =A0break out the party hats. =A0Is it jus=
t me? I&#39;m not very impressed. I must say i have tried to give feedback =
to these companies and every new rep I meet I tell then to log on to Looper=
s Delight if they want to find out what intelligent people are doing with =
=A0with looping in the real world , but =A0many of these companies are more=
 in a bubble than one would hope.<br>

OH well, now there will be a looper as small as a tube screamer that will r=
ecord a 16 hour jam band marathon, progress boys and girls progress.<br>
Bill<br>
<br>
</blockquote></div><br>

--001636c5c0754f7e0c0480cae5ee--

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From: mark francombe <mark@markfrancombe.com>
Date: Tue, 2 Mar 2010 09:31:38 +0100
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--00c09f8a5506f127f60480cd3206
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> My first question is why the great fascination with storage??? Honestly I
> can see that some people might really put this feature to use in a very
> structured backing tracks format but for me... snippitty snip
> Bill
>
>
I think you answered you=B4re own question there Bill. I=B4m the same as yo=
u
thought Bill, I never use(d) the Repeater disks, apart from to get insanely
long loops... but I have to say that YEARS later, I have gone back over a
few loops and listened to the remains of jams... which is very cool,
considering the repeater had multiple teacks so you can kinda recreate what
you did in a way.

The there ARE two kinds of live loopers (people), theres the improvise
everything and snip and chop and rearrange and use the loopers as an
instrument.. and tehre are those who need good, reliable ways to put
together pre-recorded tracks in a live setting, but with the ability to be =
a
bit less rigid than using a backing track. I myself would like this type in
addition to my 2 edps and repeater.. as I would like to chuck in .. oh I
dont know.. "A Day in the life " perhaps after 45 minutes of bleeping
scraping noises...

... maybe what you were really asking, is.. "Why doesnt it do everything?"
... and THATS a good question!!!

MArk

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00c09f8a5506f127f60480cd3206
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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">
My first question is why the great fascination with storage??? Honestly I c=
an see that some people might really put this feature to use in a very stru=
ctured backing tracks format but for me... snippitty snip<br>
Bill<br>
<br>
</blockquote></div><br>I think you answered you=B4re own question there Bil=
l. I=B4m the same as you thought Bill, I never use(d) the Repeater disks, a=
part from to get insanely long loops... but I have to say that YEARS later,=
 I have gone back over a few loops and listened to the remains of jams... w=
hich is very cool, considering the repeater had multiple teacks so you can =
kinda recreate what you did in a way.<br>

<br>The there ARE two kinds of live loopers (people), theres the improvise =
everything and snip and chop and rearrange and use the loopers as an instru=
ment.. and tehre are those who need good, reliable ways to put together pre=
-recorded tracks in a live setting, but with the ability to be a bit less r=
igid than using a backing track. I myself would like this type in addition =
to my 2 edps and repeater.. as I would like to chuck in .. oh I dont know..=
 &quot;A Day in the life &quot; perhaps after 45 minutes of bleeping scrapi=
ng noises...<br>

<br>... maybe what you were really asking, is.. &quot;Why doesnt it do ever=
ything?&quot; ... and THATS a good question!!!<br><br>MArk<br clear=3D"all"=
><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com<=
/a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--00c09f8a5506f127f60480cd3206--

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Date: Tue, 2 Mar 2010 01:44:38 -0800 (PST)
From: "Mr.John Eri" <randamyers@yahoo.com>
Subject: UNITED NATIONS COMPENSATION.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1910748217-1267523078=:80731"

--0-1910748217-1267523078=:80731
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=A0



UNITED NATIONS COMPENSATION UNIT, IN AFFILIATION WITH WORLD BANK.

Attention,=20
=A0

How are you today? Hope all is well with you and family?, You may not under=
stand why this mail came to you.

We have been having a meeting for the passed 7 months which ended 2 days ag=
o with the then secretary to the UNITED NATIONS. This email is to all the p=
eople that have been scammed in any part of the world, the UNITED NATIONS h=
ave agreed to compensate them with the sum of US$ 750,000.00

This includes every foreign contractors that may have not received their co=
ntract sum, and people that have had an unfinished transaction or internati=
onal businesses that failed due to Government problems etc.

We found your name in our list and that is why we are contacting you, this =
have been agreed upon and have been signed.

You are advised to contact Mr.=A0Jim Ovia,=A0of our paying center in Africa=
, as he is our representative in Nigeria, contact him immediately for your =
Cheque/ International Bank Draft of USD$750,000.00 This funds are in a Bank=
 Draft for security purpose ok? so he will send it to you and you can clear=
 it in any bank of your choice.

Therefore, you should send him your full Name and telephone number your cor=
rect mailing address where you want him to send the Draft to you. Contact M=
r.=A0Jim Ovia,=A0immediately for your Cheque:

Person to Contact: Mr. Jim Ovia
Email:=A0=A0 =A0jimovia6@w.cn=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=20

Phone: +2348139316545
=A0
Thanks and God bless you and your family. Hoping to hear from you as soon a=
s you cash your Bank Draft. Making the world a better place.
=A0


Regards,
Secretary-General Ban Ki-Moon.
http://www.un.org/sg/
--0-1910748217-1267523078=:80731
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV>&nbsp;
<DIV id=3Dyiv694833111>
<DIV><FONT size=3D3><IMG style=3D"MIN-HEIGHT: 104px; WIDTH: 552px" height=
=3D104 alt=3D"Secretary-General Ban Ki-moon" src=3D"http://www.un.org/sg/im=
ages/topbanner4.jpg" width=3D552 useMap=3D#12536fb28bc953af_125362a0ea20892=
b_124769cb929989e5_1229fd478466b825_1229e483d21f047d_122384f84272daf4_Map b=
order=3D0></FONT></DIV>
<DIV><B><SPAN style=3D"FONT-SIZE: 9pt; COLOR: black; FONT-FAMILY: Arial"><B=
><SPAN style=3D"FONT-FAMILY: Arial">
<DIV><SPAN>UNITED NATIONS COMPENSATION</SPAN> UNIT, IN AFFILIATION WITH WOR=
LD BANK.<BR></DIV>
<DIV>Attention, </DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>How are you today? Hope all is well with you and family?, You may not =
understand why this mail came to you.<BR><BR>We have been having a meeting =
for the passed 7 months which ended 2 days ago with the then secretary to t=
he <SPAN>UNITED NATIONS</SPAN>. This email is to all the people that have b=
een scammed in any part of the world, the UNITED NATIONS have agreed to com=
pensate them with the sum of US$ 750,000.00<BR><BR>This includes every fore=
ign contractors that may have not received their contract sum, and people t=
hat have had an unfinished transaction or international businesses that fai=
led due to Government problems etc.<BR><BR>We found your name in our list a=
nd that is why we are contacting you, this have been agreed upon and have b=
een signed.<BR><BR>You are advised to contact Mr.&nbsp;Jim Ovia,&nbsp;of ou=
r paying center in Africa, as he is our representative in <SPAN style=3D"BO=
RDER-BOTTOM: rgb(0,102,204) 1px dashed"><SPAN>Nigeria</SPAN></SPAN>,
 contact him immediately for your Cheque/ <SPAN style=3D"BORDER-BOTTOM: rgb=
(0,102,204) 1px dashed"><SPAN>International Bank Draft</SPAN></SPAN> of USD=
$750,000.00 This funds are in a Bank Draft for security purpose ok? so he w=
ill send it to you and you can clear it in any bank of your choice.<BR><BR>=
Therefore, you should send him your full Name and telephone number your cor=
rect mailing address where you want him to send the Draft to you. Contact M=
r.&nbsp;Jim Ovia,&nbsp;immediately for your Cheque:<BR><BR>Person to Contac=
t: Mr. Jim Ovia</DIV>
<DIV>Email:&nbsp;&nbsp; &nbsp;<A href=3D"http://us.mc454.mail.yahoo.com/mc/=
compose?to=3Djimovia6@w.cn" target=3D_blank rel=3Dnofollow>jimovia6@w.cn</A=
><B><A href=3D"http://us.mc562.mail.yahoo.com/mc/compose?to=3Djimovia2002@i=
nsing.com" target=3D_blank rel=3Dnofollow></A>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </B></DIV>
<DIV><FONT color=3D#0000ff>
<DIV>Phone: +2348139316545</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks and God bless you and your family. Hoping to hear from you as s=
oon as you cash your Bank Draft. Making the world a better place.<BR>&nbsp;=
</DIV></FONT></DIV></SPAN></B></SPAN></B>
<DIV>
<DIV><B><SPAN style=3D"FONT-SIZE: 9pt; COLOR: black; FONT-FAMILY: Arial"><B=
><SPAN style=3D"FONT-FAMILY: Arial"></SPAN></B><A href=3D"http://images.goo=
gle.com.ng/imgres?imgurl=3Dhttp://www.biblepicturegallery.com/Samples/ca/ed=
itors/symbols/United%2520Nations%2520logo.gif&amp;imgrefurl=3Dhttp://www.bi=
blepicturegallery.com/Pictures/Symbols/United%2520Nations%2520logo%2520ca.h=
tm&amp;h=3D480&amp;w=3D640&amp;sz=3D26&amp;tbnid=3Dd0wKZNMBRZfqvM:&amp;tbnh=
=3D103&amp;tbnw=3D137&amp;prev=3D/images?q%3Dunited%2Bnations%2Bimage%26um%=
3D1&amp;start=3D3&amp;sa=3DX&amp;oi=3Dimages&amp;ct=3Dimage&amp;cd=3D3" tar=
get=3D_blank rel=3Dnofollow><B><I><IMG title=3Dhttp://www.biblepicturegalle=
ry.com/Pictures/Symbols/United%20Nations%20logo%20ca.htm style=3D"MIN-HEIGH=
T: 107px; WIDTH: 129px" height=3D107 alt=3Dhttp://www.biblepicturegallery.c=
om/Pictures/Symbols/United%20Nations%20logo%20ca.htm src=3D"http://tbn0.goo=
gle.com/images?q=3Dtbn:d0wKZNMBRZfqvM:www.biblepicturegallery.com/Samples/c=
a/editors/symbols/United+Nations+logo.gif"
 width=3D129 align=3Dmiddle vspace=3D4 border=3D1></I></B></A><BR><B><SPAN =
style=3D"FONT-FAMILY: Arial">Regards,</SPAN></B></SPAN></B></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 9pt; COLOR: black; FONT-FAMILY: Arial"><B>Se=
cretary-General <SPAN style=3D"BACKGROUND: 0% 50%; BORDER-BOTTOM: rgb(0,102=
,204) 1px dashed"><SPAN style=3D"BORDER-BOTTOM: rgb(0,102,204) 1px dashed">=
Ban Ki-Moon</SPAN></SPAN>.</B></SPAN></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 9pt; COLOR: black; FONT-FAMILY: Arial"><A hr=
ef=3D"http://www.un.org/sg/" target=3D_blank rel=3Dnofollow><SPAN><FONT col=
or=3D#003399>http://www.un.org/sg/</FONT></SPAN></A></SPAN></DIV></DIV></DI=
V></DIV></DIV></td></tr></table>
--0-1910748217-1267523078=:80731--

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--part40505-boundary-2076440837-1714769982--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 12:30:18 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
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Hi Kayla

> I actually do not like software. If a small box would do what
> Mainstage/Mobius does I would rather use that box. It is indeed a
> mystery why someone doesn't make and sell such boxes.

Same here. So far, I've used to pedalboards, one with RC-50 (and tons of switches... ;-) and one with effects.
With Mobius+Mainstage + some midi controllers (simple Korg Nano* will do for me mostly), I now have a setup doing exactly what I want - nothing more or less. And it's very portable & flexible.
So, unless you're 100% happy with your setup, I can encourage you to switch from RC-50 to Mobius :)

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From dwwe@vp.pl  Tue Mar  2 14:03:28 2010
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From:	"Mr. Francis Leon" <dwwe@vp.pl>
Subject: YOUR PAYMENT NOTIFICATION
Date:	Sat, 30 Jan 2010 14:56:40 -0800
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Intercontinental Bank Plc
P.O. Box GP 353.
Starlets ’91 Rd. Accra-GHANA

Credit Control Dept.
Tel: +233 54 2963005.


Sir,

We hereby confirmed the receipt of your overdue accrued interest payment of US$3,600,000.00 dollars, under transaction reference number ICBGH/XII-0933/DRC/OX/2010.

The Debt Reconciliation Committee in conjunction with the United Nations authorities, whose the above order are relied on, have also instructed that your further communication with your previous associates concerning this transaction should stop henceforth.

This is as a result of several reports on diversion of your allocation by your previous associates to unknown beneficiary. Based on this issue, your urgent attention to either of our below payment options is highly needed for our immediate official payment procedures and to avoid any further complication.

1. Bank to bank wire transfer.

In this case, fund will be transferred to your account via our overseas correspondence bank, the HSBC Bank in London, UK.

2. ATM (Master) Card.

in this case, an ATM Master Card, equivalent to the total approved amount, will be issued in your name and also be delivered to your mailing address via our overseas correspondence bank after card authentication in UK.

Further to the above points, please note that our official payment procedure takes up to three (3) working days and allocations are retrieved to treasury after ten (10) working days.

While, I await your quick response.

Regards,


Mr. Francis Leon.
Foreign operations Office.
Intercontinental Bank Plc
Accra, GHANA.

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Subject: Electro Harmonix 2880 for sale
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--0-937582997-1267550478=:11637
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Dear Loopers,=0A=0Afor sale an Electro Harmonix 2880 multitrack looper with=
 UK power adapter (just the looper no floorboard) hardly used, excellent co=
ndition. =A3 275.. a lovely thing but the RC-50 more suits what i'm doing..=
=0A=0Aall the best=0A=0Am=0A=0A=0A      
--0-937582997-1267550478=:11637
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:verdana,helvetica,sans-serif;font-size:8=
pt">Dear Loopers,<br><br>for sale an Electro Harmonix 2880 multitrack loope=
r with UK power adapter (just the looper no floorboard) hardly used, excell=
ent condition. =A3 275.. a lovely thing but the RC-50 more suits what i'm d=
oing..<br><br>all the best<br><br>m<br><br><div style=3D"font-family: verda=
na,helvetica,sans-serif; font-size: 8pt; color: rgb(0, 0, 0);"><div><br></d=
iv>=0A=0A</div>=0A</div><br>=0A=0A=0A=0A      </body></html>
--0-937582997-1267550478=:11637--

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Date: Tue, 2 Mar 2010 09:39:14 -0800 (PST)
From: issouf aziz <issouf.aziz@gmail.com>
Reply-To: issouf.aziz@gmail.com
Subject: Reply Urgently
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Dear Friend,
=C2=A0
I'm sorry but happy to inform you about my success in getting those funds t=
ransferred under the cooperation of a new partner from London though i trie=
d my best to involve you in the businnes but God decided the whole situatio=
ns. Presently i'm in London for investment projects with my own share of th=
e total sum. meanwhile,i didn't forget your past efforts and attempts to as=
sist me in transferring those funds despite that it failed us some how.
=C2=A0
Now contact my secretary in Burkina faso his name is Mr Benjemine Frank=C2=
=A0 on his e-mail address below ( mbenjemie12@gmail.com=C2=A0 ) Ask him to =
send you the total of $4.8m, which i kept for your compensation for all the=
 past efforts and attempts to assist me in this matter. I appreciated all y=
our efforts at that time very much. so feel free and get in touched with my=
 secretary Mr Benjemine Frank=C2=A0 and instruct him where to send the amou=
nt to you. Please do let me know immediately you receive it so that we can =
share the joy after all the sufferness at that time.
=C2=A0
in the moment, I=E2=80=99m very busy here because of the investment project=
s which I and the new partner are having at hand, finally, remember that I =
had forwarded instruction to the secretary on your behalf to receive that m=
oney, so feel free to get in touch with Mr Benjemine Frank=C2=A0.he will se=
nd the amount to you without any delay.
=C2=A0=20
Regards
Mr Issouf Aziz.=0A=0A=0A      Encuentra las mejores recetas en Yahoo! Cocin=
a.                       =0Ahttp://mx.mujer.yahoo.com/cocina/
--0-1372994778-1267551554=:52221
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv1712924055>
<TABLE class=3D"" id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1330471839>
<TABLE class=3D"" id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D=
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<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1257731357>
<DIV id=3Dyiv1088490290>
<DIV id=3Dyiv311091552>
<DIV id=3Dyiv1143209037>
<DIV id=3Dyiv335593430>
<DIV id=3Dyiv341199690>
<DIV id=3Dyiv1639430446>
<DIV id=3Dyiv1547224353>
<DIV id=3Dyiv1509037724>
<DIV id=3Dyiv1516742037>
<DIV id=3Dyiv1509417475>
<DIV id=3Dyiv401897135>
<DIV id=3Dyiv1317712832>
<DIV id=3Dyiv1625749506>
<DIV id=3Dyiv1552868863>
<DIV id=3Dyiv1111433666>
<DIV id=3Dyiv292692824>
<DIV id=3Dyiv1120593482>
<DIV id=3Dyiv141711187>
<DIV id=3Dyiv1510787528>
<DIV id=3Dyiv605793589>
<DIV id=3Dyiv1890636869>
<DIV id=3Dyiv793561671>
<DIV id=3Dyiv140261543>
<DIV id=3Dyiv1206320099>
<DIV id=3Dyiv112944018>
<DIV id=3Dyiv1623238866>
<DIV id=3Dyiv1730997927>
<DIV id=3Dyiv648037412>
<DIV id=3Dyiv1271553544>
<DIV id=3Dyiv479894043>
<DIV id=3Dyiv1757813685>
<DIV id=3Dyiv766292656>
<DIV id=3Dyiv883541050>
<DIV id=3Dyiv1658737065>
<DIV id=3Dyiv950786558>
<DIV id=3Dyiv1837416282>
<DIV id=3Dyiv2083542592>
<DIV id=3Dyiv1151706309>
<DIV id=3Dyiv760925520>
<DIV id=3Dyiv1785120224>
<DIV id=3Dyiv1946548220>
<DIV id=3Dyiv51262300>
<DIV id=3Dyiv645596658>
<DIV id=3Dyiv364783352>
<DIV id=3Dyiv184775817>
<DIV id=3Dyiv165766562>Dear Friend,<BR>&nbsp;<BR>I'm sorry but happy to inf=
orm you about my success in getting those funds transferred under the coope=
ration of a new partner from London though i tried my best to involve you i=
n the businnes but God decided the whole situations. Presently i'm in Londo=
n for investment projects with my own share of the total sum. meanwhile,i d=
idn't forget your past efforts and attempts to assist me in transferring th=
ose funds despite that it failed us some how.<BR>&nbsp;<BR>Now contact my s=
ecretary in Burkina faso his name is Mr Benjemine Frank&nbsp; on his e-mail=
 address below ( <A href=3D"http://us.mc598.mail.yahoo.com/mc/compose?to=3D=
mbenjemie12@gmail.com" target=3D_blank rel=3Dnofollow>mbenjemie12@gmail.com=
</A><A href=3D"http://us.mc598.mail.yahoo.com/mc/compose?to=3Dpatrickinnoce=
nt.86@gmail.com" target=3D_blank rel=3Dnofollow></A>&nbsp; ) Ask him to sen=
d you the total of $4.8m, which i kept for your compensation for all the pa=
st efforts
 and attempts to assist me in this matter. I appreciated all your efforts a=
t that time very much. so feel free and get in touched with my secretary Mr=
 Benjemine Frank&nbsp; and instruct him where to send the amount to you. Pl=
ease do let me know immediately you receive it so that we can share the joy=
 after all the sufferness at that time.<BR>&nbsp;<BR>in the moment, I=E2=80=
=99m very busy here because of the investment projects which I and the new =
partner are having at hand, finally, remember that I had forwarded instruct=
ion to the secretary on your behalf to receive that money, so feel free to =
get in touch with Mr Benjemine Frank&nbsp;.he will send the amount to you w=
ithout any delay.<BR>&nbsp; <BR>Regards<BR>Mr Issouf
 Aziz.</DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></D=
IV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV>=
</DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></D=
IV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></TD></TR></=
TBODY></TABLE></DIV></TD></TR></TBODY></TABLE></DIV></td></tr></table><br>=
=0A=0A=0A=0A      <hr size=3D1><br><font face=3D"Verdana" size=3D"-2">=C2=
=A1Encuentra las mejores recetas<br>con Yahoo! Cocina!<br>=0Ahttp://mx.muje=
r.yahoo.com/cocina/</font>
--0-1372994778-1267551554=:52221--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 17:41:31 2010
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Date: Tue, 2 Mar 2010 09:41:30 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: digitech jamman stereo (DREAM PEDAL again)
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ok bill asks:
"My first question is why the great fascination with storage???"

bill, i guess i need to put on my robe and follow you in the 
choir in this!!! yes, why oh why do i need 32 min or 16 hrs of 
storage time?

i would much rather be able to record some loops and then 
manipulate them: mangle,short, long, fast, slow, etc etc.
but the co's seem only interested in more and more time...
i guess my question is: they can put a 20 sec looper on the
digitech rp155, which is a 99$ device-could you put out a 20 sec
looper that allowed you to actually play w/ the loops 
(long/short/pitch up-down,etc)i guess like my dream pedal 
the DIGITAL TAPE LOOP MACHINE?????

but yes, i think it's sad that boss puts out a loop pedal,
then digitech basically puts out the same pedal w/ no reverse.
whatever happened to making something DIFFERENT for the consumer.
i will agree, the music gear biz is probably small, and honestly 
things do come and go and change so fast....
oh well....
s---








      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><pre>ok bill asks:<br>"My first question is why the great fascination with storage???"<br><br>bill, i guess i need to put on my robe and follow you in the <br>choir in this!!! yes, why oh why do i need 32 min or 16 hrs of <br>storage time?<br><br>i would much rather be able to record some loops and then <br>manipulate them: mangle,short, long, fast, slow, etc etc.<br>but the co's seem only interested in more and more time...<br>i guess my question is: they can put a 20 sec looper on the<br>digitech rp155, which is a 99$ device-could you put out a 20 sec<br>looper that allowed you to actually play w/ the loops <br>(long/short/pitch up-down,etc)i guess like my dream pedal <br>the DIGITAL TAPE LOOP MACHINE?????<br><br>but yes, i think it's sad that boss puts out a loop pedal,<br>then digitech basically puts out the same pedal w/ no reverse.<br>whatever happened to
 making something DIFFERENT for the consumer.<br>i will agree, the music gear biz is probably small, and honestly <br>things do come and go and change so fast....<br>oh well....<br>s---<br><br><br><br><br><br></pre></td></tr></table><br>



      
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Date: Tue, 2 Mar 2010 09:52:17 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: new digitech jamman stereo
To: Loopers-Delight@loopers-delight.com
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Bill,=0A=0AI don't contribute to the list much but thanks for this info, al=
so,=A0thanks for calling me intelligent!=0A=0AIt would be cool to create=A0=
a=A017 minute loop, then double it note for note on the second pass through=
 the loop. Any taker's for the Large Loop Challenge?=0A=0AAlso, all kidding=
 aside, I love my DL4, but have never used the one shot capability (play on=
ce), can you give some tips on=A0how you use this? (I never even touched it=
!)=0A=0AThanks,=0AEric=A0=0A=0A=0A=0A=0A________________________________=0A=
From: William Walker <billwalker@baymoon.com>=0ATo: Loopers-Delight@loopers=
-delight.com=0ASent: Mon, March 1, 2010 10:31:04 PM=0ASubject: re:new digit=
ech jamman stereo=0A=0AActually a little bird told me that they are releasi=
ng two new looping products, the first being=A0 a single pedal looper the s=
ize of a boss RC-2, called the JamMan Solo that will have the following fea=
tures,=0A35 minutes of internal storage=0Apossible 16 hours of material on =
SD card,( you know, for those really really really long gigs.)=0A44.1kHz 16=
 bit CD quality=0AAuto quantization (for those who can't find the one ;-)??=
?)=0AUSB connectivity with jam-manager software=0Abuilt in metronome with 9=
 rhythm patterns=0AThis may show up at the end of March=0A=A0 Then comes th=
e Jam Man Stereo , which has the same features=A0 and amount of storage as =
its little sibling but adds, stereo operation, a four foot-switch foot prin=
t about the size of the current JamMan, and, drum role please.............R=
everse!!!!!=0AThe rep I talked to said that maybe multiply would be added a=
s a feature.=0AMy first question is why the great fascination with storage?=
?? Honestly I can see that some people might really put this feature to use=
 in a very structured backing tracks format but for me, I'd rather have mor=
e features like track speed, and multiply and replace that can change the c=
haracter of the loop. Even a DL-4 with its measly 14 seconds has both track=
 speed,play once, and reverse, as well as a secondary delay with the abilit=
y to change=A0 delay parameters and loop volume with an expression pedal.=
=A0 The M-13 and M-9 are like the Dl-4 only with an entire compliment of ef=
fects thrown in for further sound manipulation. It just seems that the two =
major players at the moment in dedicated hardware loopers, Roland and Digit=
ech, have both taken a pretty conservative approach to developing feature s=
ets, and seem intent on=A0 trying to win an on board memory battle rather t=
han create cool and adventurous capabilities like the benchmark hardware lo=
opers the
 EDP,the original Jamman, the Repeater, and more recently the Looperlative.=
=A0 And so now the Jamman Stereo has the "highly sought after Reverse playb=
ack feature"=A0 Woo Hoo!!!=A0 break out the party hats.=A0 Is it just me? I=
'm not very impressed. I must say i have tried to give feedback to these co=
mpanies and every new rep I meet I tell then to log on to Loopers Delight i=
f they want to find out what intelligent people are doing with=A0 with loop=
ing in the real world , but=A0 many of these companies are more in a bubble=
 than one would hope.=0AOH well, now there will be a looper as small as a t=
ube screamer that will record a 16 hour jam band marathon, progress boys an=
d girls progress.=0ABill=0A=0A=0A      
--0-173604391-1267552337=:19078
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Bill,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I don't contrib=
ute to the list much but thanks for this info, also,&nbsp;thanks for callin=
g me intelligent!</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>It would be cool to crea=
te&nbsp;a&nbsp;17 minute loop, then double it note for note on the second p=
ass through the loop. Any taker's for the Large Loop Challenge?</DIV>=0A<DI=
V>&nbsp;</DIV>=0A<DIV>Also, all kidding aside, I love my DL4, but have neve=
r used the one shot capability (play once), can you give some tips on&nbsp;=
how you use this? (I never even touched it!)</DIV>=0A<DIV>&nbsp;</DIV>=0A<D=
IV>Thanks,</DIV>=0A<DIV>Eric&nbsp;<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12p=
t; FONT-FAMILY: times new roman, new york, times, serif"><BR>=0A<DIV style=
=3D"FONT-SIZE: 10pt; FONT-FAMILY: arial, helvetica, sans-serif"><FONT face=
=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">=
From:</SPAN></B> William Walker &lt;billwalker@baymoon.com&gt;<BR><B><SPAN =
style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.=
com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Mon, March 1, =
2010 10:31:04 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B=
> re:new digitech jamman stereo<BR></FONT><BR>Actually a little bird told m=
e that they are releasing two new looping products, the first being&nbsp; a=
 single pedal looper the size of a boss RC-2, called the JamMan Solo that w=
ill have the following features,<BR>35 minutes of internal storage<BR>possi=
ble 16 hours of material on SD card,( you know, for those really really rea=
lly long gigs.)<BR>44.1kHz 16 bit CD quality<BR>Auto quantization (for thos=
e who can't find the one ;-)???)<BR>USB connectivity with jam-manager softw=
are<BR>built in metronome with 9 rhythm patterns<BR>This may show up at the=
 end of March<BR>&nbsp; Then comes the
 Jam Man Stereo , which has the same features&nbsp; and amount of storage a=
s its little sibling but adds, stereo operation, a four foot-switch foot pr=
int about the size of the current JamMan, and, drum role please............=
.Reverse!!!!!<BR>The rep I talked to said that maybe multiply would be adde=
d as a feature.<BR>My first question is why the great fascination with stor=
age??? Honestly I can see that some people might really put this feature to=
 use in a very structured backing tracks format but for me, I'd rather have=
 more features like track speed, and multiply and replace that can change t=
he character of the loop. Even a DL-4 with its measly 14 seconds has both t=
rack speed,play once, and reverse, as well as a secondary delay with the ab=
ility to change&nbsp; delay parameters and loop volume with an expression p=
edal.&nbsp; The M-13 and M-9 are like the Dl-4 only with an entire complime=
nt of effects thrown in for further sound manipulation. It just
 seems that the two major players at the moment in dedicated hardware loope=
rs, Roland and Digitech, have both taken a pretty conservative approach to =
developing feature sets, and seem intent on&nbsp; trying to win an on board=
 memory battle rather than create cool and adventurous capabilities like th=
e benchmark hardware loopers the EDP,the original Jamman, the Repeater, and=
 more recently the Looperlative.&nbsp; And so now the Jamman Stereo has the=
 "highly sought after Reverse playback feature"&nbsp; Woo Hoo!!!&nbsp; brea=
k out the party hats.&nbsp; Is it just me? I'm not very impressed. I must s=
ay i have tried to give feedback to these companies and every new rep I mee=
t I tell then to log on to Loopers Delight if they want to find out what in=
telligent people are doing with&nbsp; with looping in the real world , but&=
nbsp; many of these companies are more in a bubble than one would hope.<BR>=
OH well, now there will be a looper as small as a tube screamer that
 will record a 16 hour jam band marathon, progress boys and girls progress.=
<BR>Bill<BR><BR></DIV></DIV></div><br>=0A=0A      </body></html>
--0-173604391-1267552337=:19078--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 18:06:33 2010
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References: <073680C7-84AE-4E89-AC40-E7923BA5B681@baymoon.com>
 <9ab0c76f1003020031o1066f11cg7305b156403399b5@mail.gmail.com>
 <477527479-1267528743-cardhu_decombobulator_blackberry.rim.net-136121237-@bda118.bisx.prod.on.blackberry>
Message-id: <543403EA-3264-497A-A789-6447DB9A1B2C@mac.com>
From: Daniel Berkman <danielberkman@mac.com>
To: "folkstone57@tmo.blackberry.net" <folkstone57@tmo.blackberry.net>
In-reply-to:
 <477527479-1267528743-cardhu_decombobulator_blackberry.rim.net-136121237-@bda118.bisx.prod.on.blackberry>
X-Mailer: iPhone Mail (7E18)
Subject: Re: new digitech jamman stereo
Date: Tue, 02 Mar 2010 09:05:56 -0800
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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When I do a Colfax set with my RC-50, I'll have a loop saved for a =20
dramatic surprise section while the first two loops are empty.
I know I'm off the subject o Jamman but I thought I'd share another =20
use for
storage.

www.YouTube.com/colfaxsound
_____________________

Daniel Berkman | Colfax
Musician =E2=80=A2 Producer
www.danielberkman.com
Contact: (415) 254-4895

On Mar 2, 2010, at 3:18 AM, folkstone57@tmo.blackberry.net wrote:

> Hello all
> I think the storage is great because:
> 1) basic tracks can be available to start off a piece for example a =20=

> percusion loop or basic rthym bed
> 2) if a great idea comes up it can be saved for another performance =20=

> or for recording
> 3) more overdubs w/o the accumilation of noise
>
> These are just a few ideas that come to mind.
>
>
> Mark Showalter
> cell: 321-230-4559
>
> Minden Jot!
>
> www.myspace.com/folkstone57
>
> http://www.last.fm/user/Folkstone57
> Sent via BlackBerry from T-Mobile
>
> From: mark francombe <mark@markfrancombe.com>
> Date: Tue, 2 Mar 2010 09:31:38 +0100
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: new digitech jamman stereo
>
>
> My first question is why the great fascination with storage??? =20
> Honestly I can see that some people might really put this feature to =20=

> use in a very structured backing tracks format but for me... =20
> snippitty snip
> Bill
>
>
> I think you answered you=C2=B4re own question there Bill. I=C2=B4m the =
same as=20
>  you thought Bill, I never use(d) the Repeater disks, apart from to =20=

> get insanely long loops... but I have to say that YEARS later, I hav=20=

> e gone back over a few loops and listened to the remains of jams... =20=

> which is very cool, considering the repeater had multiple teacks so =20=

> you can kinda recreate what you did in a way.
>
> The there ARE two kinds of live loopers (people), theres the =20
> improvise everything and snip and chop and rearrange and use the =20
> loopers as an instrument.. and tehre are those who need good, =20
> reliable ways to put together pre-recorded tracks in a live setting, =20=

> but with the ability to be a bit less rigid than using a backing =20
> track. I myself would like this type in addition to my 2 edps and =20
> repeater.. as I would like to chuck in .. oh I dont know.. "A Day in =20=

> the life " perhaps after 45 minutes of bleeping scraping noises...
>
> ... maybe what you were really asking, is.. "Why doesnt it do =20
> everything?" ... and THATS a good question!!!
>
> MArk
>
> --=20
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>When I do a Colfax set with my =
RC-50, I'll have a loop saved for a dramatic surprise section while the =
first two loops are empty.</div><div>I know I'm off the subject o Jamman =
but I thought I'd share another use =
for</div><div>storage.&nbsp;</div><div><br></div><div><a =
href=3D"http://www.YouTube.com/colfaxsound">www.YouTube.com/colfaxsound</a=
><br><div>_____________________</div><div><br></div>Daniel Berkman =
|&nbsp;<span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); =
">Colfax</span><div><div>Musician =E2=80=A2 =
Producer</div><div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); =
">www.danielberkman.com</span></div><div>Contact: (415) =
254-4895</div></div></div></div><div><br>On Mar 2, 2010, at 3:18 AM, <a =
href=3D"mailto:folkstone57@tmo.blackberry.net">folkstone57@tmo.blackberry.=
net</a> wrote:<br><br></div><div></div><blockquote type=3D"cite"><div> =
Hello all<br>I think the storage is great because:<br>1) basic tracks =
can be available to start off a piece for example a percusion loop or =
basic rthym bed<br>2) if a great idea comes up it can be saved for =
another performance or for recording<br>3) more overdubs w/o the =
accumilation of noise<br><br>These are just a few ideas that come to =
mind. <br><br><br>Mark Showalter <br>cell: 321-230-4559<br><br>Minden =
Jot!<br><br><a =
href=3D"http://www.myspace.com/folkstone57">www.myspace.com/folkstone57</a=
> <br><br><a =
href=3D"http://www.last.fm/user/Folkstone57">http://www.last.fm/user/Folks=
tone57</a><br><p>Sent via BlackBerry from T-Mobile</p><hr><div><b>From: =
</b> mark francombe &lt;mark@markfrancombe.com&gt;
</div><div><b>Date: </b>Tue, 2 Mar 2010 09:31:38 +0100</div><div><b>To: =
</b>&lt;Loopers-Delight@loopers-delight.com&gt;</div><div><b>Subject: =
</b>Re: new digitech jamman stereo</div><div><br></div><br><div =
class=3D"gmail_quote"><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
My first question is why the great fascination with storage??? Honestly =
I can see that some people might really put this feature to use in a =
very structured backing tracks format but for me... snippitty snip<br>
Bill<br>
<br>
</blockquote></div><br>I think you answered you=C2=B4re own question =
there Bill. I=C2=B4m the same as you thought Bill, I never use(d) the =
Repeater disks, apart from to get insanely long loops... but I have to =
say that YEARS later, I have gone back over a few loops and listened to =
the remains of jams... which is very cool, considering the repeater had =
multiple teacks so you can kinda recreate what you did in a way.<br>

<br>The there ARE two kinds of live loopers (people), theres the =
improvise everything and snip and chop and rearrange and use the loopers =
as an instrument.. and tehre are those who need good, reliable ways to =
put together pre-recorded tracks in a live setting, but with the ability =
to be a bit less rigid than using a backing track. I myself would like =
this type in addition to my 2 edps and repeater.. as I would like to =
chuck in .. oh I dont know.. "A Day in the life " perhaps after 45 =
minutes of bleeping scraping noises...<br>

<br>... maybe what you were really asking, is.. "Why doesnt it do =
everything?" ... and THATS a good question!!!<br><br>MArk<br =
clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br><a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br>

<a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

</div></blockquote></body></html>=

--Boundary_(ID_8hSpvgkpSGyeI3x+s5kVbg)--

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E Gross schrieb:
> Also, all kidding aside, I love my DL4, but have never used the one 
> shot capability (play once), can you give some tips on how you use 
> this? (I never even touched it!)
I guess it's perfectly valid that you don't use all the functions of a 
device...have I used all of the functions of Mobius? No, certainly not...

I normally use one-shot not because of its one-shot nature, but because 
it's also a retrigger function (i.e. no matter where you are in a loop, 
it will restart it from the beginning - even repeatedly).
One example:
http://www.youtube.com/watch?v=YU52hGo3nNc&feature=related at around 
2:52 and continuing around 3:00

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Mar  2 18:25:58 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: new digitech jamman stereo
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William Walker schrieb:
>  impressed. I must say i have tried to give feedback to these 
> companies and every new rep I meet I tell then to log on to Loopers 
> Delight if they want to find out what intelligent people are doing 
> with  with looping in the real world , but  many of these companies 
> are more in a bubble than one would hope.
Sometimes, it will work though...I remember that I had been in contact 
with the lead programmer for the Repeater in long emails before the 
Repeater got released. There were several functions I requested back 
then, most importantly individual transport control for the tracks. I 
was told "won't be ready for software 1.x, but just you wait for version 2!"

Guess what? It did take lots of years, but he obviously kept his word...
> OH well, now there will be a looper as small as a tube screamer that 
> will record a 16 hour jam band marathon, progress boys and girls 
> progress.
Now a tube screamer case easily can hold a pair of powerful DSPs (think 
4 times Eclipse power), converters, system basis chip and a few flash 
memory chips which would be good for...about 50 15-hour-jams 
(CD-quality, stereo ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: scott hansen <evanpeewee@yahoo.com>
Subject: digitech jamman stereo (DREAM PEDAL again)
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ok this:
oh I dont know.. "A Day in the life " perhaps after 45 minutes of bleeping scraping noises...

that just makes me laugh. b/c there were times when i'm playing, i guess i call it "improvising" (but i'd use that term loosely for me, since 1/2 the time i dont' know what i'm doing-crazy visual artist me pretending to play music)...anyway, i've always wonder-ok, i'm improvising, making noises, etc random stuff and sometimes i will accidently discover some song i've heard and figure out the basic structure of it (by accident-b/c i'm the worst cover guitarist EVER) & i wonder in all this improvising could there ever be a moment that i stumble upon say a britney spears song....maybe someday....(that's my little improvising joke to myself)

as for the feature set of our dream loop pedal-yeah, i guess there are many singer/songwriters out there who do the "1-person band" thing-hence the jack up the memory side of loop pedals.

as for developing from co. side-maybe someone should send THESE HUGE CO's the DAVID TORN PAINTING WITH GUITAR VIDEOS from '93. in it he does lots of delay looping manipulation (OK, YES MY DREAM PEDAL: take the lexicon pcm42 & put it in a pedal and not make it cost a fortune). i'm not as familiar w/ Fripps looping stuff (have 3 cds)
but i would assume his 2 tape machine looping days, part of the appeal is slowing down of tape or speeding up of tape-i don't remember fripp getting large variations of pitch changes, b/c i thought he was using long bits of tape for more "atmosphere", but please i would think
that these 2 pioneers of looping in the guitar realm would show that LOOPS CAN BE MESSED WITH and aren't just STATIC!!!!!!
ok, end of my rant thing.....
but yes Bill, i will 2nd your concerns from earlier post about "do we need more storage savign time?" my answer no.
s---



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">ok this:<br>oh I dont know.. "A Day in the life " perhaps after 45 minutes of bleeping scraping noises...<br><br>that just makes me laugh. b/c there were times when i'm playing, i guess i call it "improvising" (but i'd use that term loosely for me, since 1/2 the time i dont' know what i'm doing-crazy visual artist me pretending to play music)...anyway, i've always wonder-ok, i'm improvising, making noises, etc random stuff and sometimes i will accidently discover some song i've heard and figure out the basic structure of it (by accident-b/c i'm the worst cover guitarist EVER) &amp; i wonder in all this improvising could there ever be a moment that i stumble upon say a britney spears song....maybe someday....(that's my little improvising joke to myself)<br><br>as for the feature set of our dream loop pedal-yeah, i guess there are many singer/songwriters out
 there who do the "1-person band" thing-hence the jack up the memory side of loop pedals.<br><br>as for developing from co. side-maybe someone should send THESE HUGE CO's the DAVID TORN PAINTING WITH GUITAR VIDEOS from '93. in it he does lots of delay looping manipulation (OK, YES MY DREAM PEDAL: take the lexicon pcm42 &amp; put it in a pedal and not make it cost a fortune). i'm not as familiar w/ Fripps looping stuff (have 3 cds)<br>but i would assume his 2 tape machine looping days, part of the appeal is slowing down of tape or speeding up of tape-i don't remember fripp getting large variations of pitch changes, b/c i thought he was using long bits of tape for more "atmosphere", but please i would think<br>that these 2 pioneers of looping in the guitar realm would show that LOOPS CAN BE MESSED WITH and aren't just STATIC!!!!!!<br>ok, end of my rant thing.....<br>but yes Bill, i will 2nd your concerns from earlier post about "do we need more storage
 savign time?" my answer no.<br>s---<br></td></tr></table><br>

      
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--part41141-boundary-1168888475-1431636857--

From dr.muharm@yahoo.com  Tue Mar  2 19:10:06 2010
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Reply-To: <goodluck_jonathan59@yahoo.com>
From: "MANSUR"<dr.muharm@yahoo.com>
Subject: FEDERAL MINISTRY OF FINANCE (FMF).
Date: Tue, 2 Mar 2010 06:26:32 -0800
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To: undisclosed-recipients:;

FROM THE NEW ELECTED MINISTER:
DR.MUHAR MANSUR  (OFR)
FEDERAL MINISTRY OF FINANCE
5th Floor, Annex 3, New Federal Secretariat Complex
Shehu Shagari Way, Central Area
Abuja - Nigeria

Attention: Contractor/ inheritance /Beneficiary

My name is, DR.MUHAR MANSUR, I'm the new Minister of Finance; I'm directed to contact you by the presidency to inform you of the new directives given by the federal government to pay 24 foreign contractors their outstanding payment. 
 
This development is a way of the federal government showing enough seriousness towards meeting up with promise made before the end of last fiscal year.
 
Luckily enough your name was included and it was even published in some of our local news paper which if requested by you will be sent for you to confirm the authenticity of this mandate.
 
You are to forward the documents to us immediately if you have it with you, but if you don't have it, you are therefore requested to contact the genuinely appointed Office of the Office of presidency Nigeria, Debt reconciliation committee(DRC) (Mr Goodluck Jonathan) on Tel: 234-80-755-22249, to sign/ issue you with the FOREIGN EXCHANGE FUNDS CLEARANCE CERTIFICATE /FOREIGN EXCHANGE COMMISSION FUNDS MONETARY UNIT./ FIN-103 RELEASE CODE relating to this payment as was shown on the telex copy which will facilitate the removal of PAYMENT ON-HOLD and credit your bank account unconditionally
 
Your swift response will help this ministry a lot. Do email me with your full names and direct phone number. 
 
Best Regards,
DR.MUHAR MANSUR (OFR)
FEDERAL MINISTRY OF FINANCE (FMF).

From j_jadkins@yahoo.com  Tue Mar  2 21:40:22 2010
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Date: Tue, 2 Mar 2010 13:40:09 -0800 (PST)
From: "Mr. Alexander Bruce" <j_jadkins@yahoo.com>
Reply-To: johnbenald@qatar.io
Subject: ATTENTION MY DEAR FRIEND
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1998009794-1267566009=:89178"

--0-1998009794-1267566009=:89178
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable



Customs and Border Protection
24735 E. 75th Ave.,
Suite 100. Denver, CO 80249.
Des Moines, Iowa. U.S.
www.cbp.gov/

This is to notify you that we have intercepted your parcel from Africa that=
 UPS is making the delivery and we have stopped the delivery process for so=
me security reasons stated below:

1.=A0 Our scanning system has detected that your parcel contains a confirma=
ble ATM CARD to the tune of $1,500,000.00 USD.

2.=A0 Such ATM CARD coming from Africa is been verified by the POSTAL INSPE=
CTION SERVICE which we have directed our inspection team to proceed with th=
e verification to ascertain the authenticity of the ATM CARD and now after =
all the verification on the Parcel/ATM CARD, having contacted the issuing i=
nstitution who made it known to our office that the ATM CARD is a Genuine o=
ne and Not ILLEGALLY ACQUIRED.

But now we could not found any Legal Document most especially, AFFIDAVIT OF=
 OWNERSHIP, and According to the Law of United Nations on page 145, Section=
 C, Subsection (111) on TRANSPORTATION OF FUNDS. It is necessary that the b=
eneficiary of the above item must have a Duly Affidavit of Ownership which =
must come from the Country of the Fund's Orign.

You should therefore contact the sender Mr. John Benald of Oceanic Bank Int=
ernational Plc to get the Affidavit Of Ownership for you while we wait to r=
eceive from you the Affidavit File Number to enable us to forward your ATM =
CARD to your address.

His Contact information are as follows;
Name: John Benald
Email:johnbenald@qatar.io=20
Tel: +229 9760 1390

We apologise for any inconvinence that this might cause to you and urge tha=
t you take a quick actions towards this issue.

Thanks,
Yours Sincerly,
Mr. Alexander Bruce
Auditor, CBP
--0-1998009794-1267566009=:89178
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><font style=3D"font-weight: bold;" si=
ze=3D"5">Customs and Border Protection<br>24735 E. 75th Ave.,<br>Suite 100.=
 Denver, CO 80249.<br>Des Moines, Iowa. U.S.<br>www.cbp.gov/<br><br>This is=
 to notify you that we have intercepted your parcel from Africa that UPS is=
 making the delivery and we have stopped the delivery process for some secu=
rity reasons stated below:<br><br>1.&nbsp; Our scanning system has detected=
 that your parcel contains a confirmable ATM CARD to the tune of $1,500,000=
.00 USD.<br><br>2.&nbsp; Such ATM CARD coming from Africa is been verified =
by the POSTAL INSPECTION SERVICE which we have directed our inspection team=
 to proceed with the verification to ascertain the authenticity of the ATM =
CARD and now after all the verification on the Parcel/ATM CARD, having cont=
acted the issuing institution who made it known to our office that the ATM =
CARD is
 a Genuine one and Not ILLEGALLY ACQUIRED.<br><br>But now we could not foun=
d any Legal Document most especially, AFFIDAVIT OF OWNERSHIP, and According=
 to the Law of United Nations on page 145, Section C, Subsection (111) on T=
RANSPORTATION OF FUNDS. It is necessary that the beneficiary of the above i=
tem must have a Duly Affidavit of Ownership which must come from the Countr=
y of the Fund's Orign.<br><br>You should therefore contact the sender Mr. J=
ohn Benald of Oceanic Bank International Plc to get the Affidavit Of Owners=
hip for you while we wait to receive from you the Affidavit File Number to =
enable us to forward your ATM CARD to your address.<br><br>His Contact info=
rmation are as follows;<br>Name: John Benald<br>Email:johnbenald@qatar.io <=
br>Tel: +229 9760 1390<br><br>We apologise for any inconvinence that this m=
ight cause to you and urge that you take a quick actions towards this issue=
.<br><br>Thanks,<br>Yours Sincerly,<br>Mr. Alexander
 Bruce<br>Auditor, CBP</font></td></tr></table>
--0-1998009794-1267566009=:89178--

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Sender: daryl shawn <darylshawn@gmail.com>
Message-ID: <4B8DA730.5060200@mhorse.com>
Date: Tue, 02 Mar 2010 19:02:56 -0500
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT - Tourspam
References: <640570.55185.qm@web34303.mail.mud.yahoo.com> <4B8BF89D.1000709@mhorse.com> <26ba8d121003010949h1c42b799i8c27929c3f517b36@mail.gmail.com>
In-Reply-To: <26ba8d121003010949h1c42b799i8c27929c3f517b36@mail.gmail.com>
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hey Tom, no looping gigs in New York on the tour, sadly - but I'll be 
doing an acoustic set at Caffe Vivaldi on March 24.

Daryl Shawn
www.swanwelder.com
www.chinapainting.com

> No New York?  :-(
>
> Hope to catch you next time!

From davyygood.uk@gmail.com  Wed Mar  3 00:03:47 2010
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Date: Wed, 3 Mar 2010 02:24:42 +0300 (MSK)
Subject: From Hilda Davis
From: "Mrs Hilda Davis" <davyygood.uk@gmail.com>
Reply-To: dvs.hilda1@gmail.com
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-- 
>From Hilda Davis
Hello dearest one my name is Mrs hilda davis from Australia. I am married to
Dr davis who worked with our Embassy in cote d ivoire for a period of 8 years
before he died  We were married for 13 years without a child before he died
after a brief illness Since his death I decided not to marry again due to my
religious belief  When my late husband was alive he deposited the sum of
US$9.5m(Nine Million Five Hundred Thousand United State American dollars )
with
a Bank in cote d ivoire. Presently this money is still in the custody of the
Bank in cote d ivoire. Recently, my Doctor told me that I would not last for
the next Four months due to cancer sickness.

Having known my condition I decided to donate this money to churchs,
organisation or good person that will utilise this money the way I am
going to
instruct here in.
I want you to use this money for churchs, Charity organisation, orphanages,
widows and other people that are in need. l took this decision because I
don''t
have any child that will inherit this money . Moreover, my husband relatives
are not close to me since I devolop a Cancer problem and it had been their
wish
to see me dead in order to inherit his wealth since we have no Child. These
people are not worthy of this inheritance. This is why I am taking this
decision.

I don'nt need any telephone communication in this regard because of my ill-
health. As soon as I receive your reply I will give you the contact of the
Bank
in cote d ivoire where this money was deposited. I will also issue a
letter of
authorisation to the bank that will prove you the present beneficiary of this
money. I also want you to always put me in prayer.
Any delay in your reply may give me room to look for another good person for
this same purpose.  Please assure me that you will act accordingly as I
stated
here in. Be noted that this transation will cost you a little money to get
the
changing of ownership certificate of the fund to your name,30% of the total
money will go for your own use and your family including the expenses you
will
made while the rest of 70% will go for the churchs, Charity organisation,
orphanages, widows and other people that are in need.
Hoping to receive your response soonest.Reply to this adrress if you are
intrested (dvs.hilda1@gmail.com)


Thanks and Remain blessed
Yours sister in the Lord
Mrs Hilda Davis


From alhaji_suleman28@voila.fr  Wed Mar  3 07:54:09 2010
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Date: Tue, 2 Mar 2010 23:54:02 -0800 (PST)
From: Alhaji Suleman <alhaji_suleman28@voila.fr>
Reply-To: alhaji_suleman28@voila.fr
Subject: URGENT RESPONSE AND CONFIDENTIAL PLEASE
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-711691092-1267602842=:59008"

--0-711691092-1267602842=:59008
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URGENT RESPONSE AND CONFIDENTIAL PLEASE=20
AUDITING AND =0AACCOUNTING MANAGER,
BANK OF AFRICA (B.O.A)
OUAGADOUGOU-BURKINA FASO. =0A=A0=0ADEAR FRIEND,=0A=A0=0AI received encourag=
ing information about you and how trust worhty you are. =0AI am delighted w=
ith such a useful information.I am the manager of Auditing and =0AAccountin=
g department of BANK OF AFRICA=A0 (B.O.A) Ouagadougou Burkina faso. I =0AHo=
ped that you will not expose or betray this trust and confident that i am =
=0Aabout to repose on you for the mutual benefit of our both families.=0A=
=A0=0AI need your urgent assistance in transferring the sum of ($20.5)milli=
on to =0Ayour account within 10 or 14 banking days.This money has been dorm=
ant for years =0Ain our Bank without claim.I want the bank to release the m=
oney to you as the =0Anearest person to our deceased customer(the owner of =
the account)died along with =0Ahis supposed next of kin in an air crash sin=
ce July 2000.=0A=A0=0AI don't want the money to go into our Bank treasurer =
as an abandoned =0Afund.So this is the reason why i contacted you so that t=
he bank can release the =0Amoney to you as the next of kin to the deceased =
customer.(MR.ANDREAS SCHRANNER =0AFrom Munich, Germany) Please I would like=
 you to keep this proposal as a top =0Asecret and delete it if you are not =
interested.=0A=A0=0AUpon receipt of your reply i will give you full details=
 on how the business =0Awill be executed and also, note that you will have =
40% of the above mentioned =0Asum if you agree to handle this business with=
 me.Waiting to hear from you =0Asoonest.=0AThanks with best regards,
Yours truly,
ALHAJI SULEMAN.=0A=A0=0AREPLY ME WITH THIS=A0 EMAIL ADDRESS alhaji_suleman2=
8@voila.fr=0A=0A__________________________________________________=0ADo You=
 Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausrag=
enden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 
--0-711691092-1267602842=:59008
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv1713787835">URGENT RESPONSE AND=
 CONFIDENTIAL PLEASE <br>AUDITING AND =0AACCOUNTING MANAGER,<br>BANK OF AFR=
ICA (B.O.A)<br>OUAGADOUGOU-BURKINA FASO. =0A<div>&nbsp;</div>=0A<div>DEAR F=
RIEND,</div>=0A<div>&nbsp;</div>=0A<div>I received encouraging information =
about you and how trust worhty you are. =0AI am delighted with such a usefu=
l information.I am the manager of Auditing and =0AAccounting department of =
BANK OF AFRICA&nbsp; (B.O.A) Ouagadougou Burkina faso. I =0AHoped that you =
will not expose or betray this trust and confident that i am =0Aabout to re=
pose on you for the mutual benefit of our both families.</div>=0A<div>&nbsp=
;</div>=0A<div>I need your urgent assistance in transferring the sum of ($2=
0.5)million to =0Ayour account within 10 or 14 banking days.This money has =
been dormant for years =0Ain our Bank without claim.I want the bank to rele=
ase the money to you as the =0Anearest person to our deceased customer(the =
owner of the account)died along with =0Ahis supposed next of kin in an air =
crash since July 2000.</div>=0A<div>&nbsp;</div>=0A<div>I don't want the mo=
ney to go into our Bank treasurer as an abandoned =0Afund.So this is the re=
ason why i contacted you so that the bank can release the =0Amoney to you a=
s the next of kin to the deceased customer.(MR.ANDREAS SCHRANNER =0AFrom Mu=
nich, Germany) Please I would like you to keep this proposal as a top =0Ase=
cret and delete it if you are not interested.</div>=0A<div>&nbsp;</div>=0A<=
div>Upon receipt of your reply i will give you full details on how the busi=
ness =0Awill be executed and also, note that you will have 40% of the above=
 mentioned =0Asum if you agree to handle this business with me.Waiting to h=
ear from you =0Asoonest.</div>=0A<div>Thanks with best regards,<br>Yours tr=
uly,<br>ALHAJI SULEMAN.</div>=0A<div>&nbsp;</div>=0A<div>REPLY ME WITH THIS=
&nbsp; EMAIL ADDRESS <a href=3D"http://us.mc364.mail.yahoo.com/mc/compose?t=
o=3Dalhaji_suleman28@voila.fr" target=3D"_blank" rel=3D"nofollow">alhaji_su=
leman28@voila.fr</a></div></div></td></tr></table><br>_____________________=
_____________________________<br>Do You Yahoo!?<br>Sie sind Spam leid? Yaho=
o! Mail verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails. <br=
>http://mail.yahoo.com 
--0-711691092-1267602842=:59008--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 08:58:43 2010
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Date: Wed, 03 Mar 2010 09:58:39 +0100
From: "Buzap Buzap" <buzap@gmx.net>
Message-ID: <20100303085839.270240@gmx.net>
MIME-Version: 1.0
Subject: OT: Imogen Heap gig (Europe) anyone?
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Hi folks

I'm excited to see Imogen Heap gig tonight in Munich :)
Anyone from the list gonna be there?

Too bad that Kid Beyond couldn't join her on the European part of the tour...

Looking forward to the gig :)

best regards
Buzap
-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

From sir.elliot@live.com  Wed Mar  3 08:59:08 2010
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Reply-To: <sir.elliot@ymail.com>
From: "Visa Card Int./Msn UK"<sir.elliot@live.com>
To: info@info.net
Subject: Ref Number: M/201/ESP
Date: Wed, 3 Mar 2010 16:53:27 +0800
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Visa Card Int/Msn UK Award
Winning Ref Number: M/201/ESP,
Ticket Number: TD/873-52.

Attention Recipient,

Your e-mail address have just won you (500,000.00GBP) by Visa Card Int./Msn UK
computer balloting system drawn. Contact your claim agent (Sir. Robert Elliot) 
TEL: +(+44) 7031741706 with the Winning Reference No: M/201/ESP, Ticket No: 
TD/873-52. CONTACT E-MAIL: vcard@activist.com

*Full Name:
*Telephone Number:
*Country/State:
*Occupation:
*Reference Number:
*Ticket Number:

Mrs. Dora Lazmon.
Online co-ordinator

From westernunionresponse@westernunion.com  Wed Mar  3 12:56:30 2010
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From: westernunionresponse@westernunion.com <westernunionresponse@westernunion.com>
To: looparc@loopers-delight.com
Subject: Update your account information
Date: 03 Mar 2010 07:44:05 -0500
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Dear Western Union  member,

We are sorry to inform you that your Western Union Online Account 
has been suspended. A high number of failed login attempts have 
been recorded on your online account. As a security measure we 
had to temporarily suspend your account.

To restore your account we have attached a form to this email. 
Please download the form and follow the instructions on your 
screen.

NOTE: The form needs to be opened in a modern, javascript 
enabled, browser (ex: Internet Explorer 8, Firefox 3, Safari 3, 
Opera 9).

We apologize for any inconvenience this may have caused.
Sincerely, the Western Union security team.



© Copyright 2010 Western Union . All rights reserved.
Western Union. All rights reserved.

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------=_NextPart_000_0012_226B5DFA.B11C0BA1--

From ack@telefonica.net  Wed Mar  3 13:32:24 2010
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Reply-To: <moris.coleman17@rediffmail.com>
From: "Morris Coleman."<ack@telefonica.net>
To: moris.coleman17@rediffmail.com
Subject: SECOND NOTICE.
Date: Wed, 3 Mar 2010 01:22:54 -1200
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Hello,

I secured your contact  through a directory and that is why I have written to let you know that there are Millions of  British Pounds Sterling in the codicil and last testament of a deceased who happens to be my client (Name now withheld). Since this is My second letter to you, I am hereby, contacting you again because you are qualified by your name identity since you bear the same surname with the deceased and could receive the funds upon claims.

I request that you kindly forward to us your letter of acceptance; Your current telephone and fax numbers and a forwarding address to enable us file necessary documents at our high court probate division for the release of this sum of money.

I await your response.

Kind regards,
Morris Coleman.

From Military-online@paypal.info  Wed Mar  3 14:25:00 2010
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Subject: Military Grade Encryption is Only the Start
Date: Wed, 3 Mar 2010 11:40:58 -0000
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<br><br><table style="width:600px" cellpadding="0" cellspacing="0" border="0" align="center">
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					<td  style="font-size:13px" style="font-family:Verdana, Arial, Helvetica, sans-serif" style="font-weight:400"><span style="font-weight:700">Military Grade Encryption is Only the Start</font></span><br><br>At PayPal, we want to increase your security and comfort level with every transaction. From our Buyer and Seller Protection Policies to our Verification and Reputation systems, we'll help to keep you safe.</span><br><br></td>
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<td style="font-size:13px" style="font-family:Verdana, Arial, Helvetica, sans-serif" style="font-weight:400"><span style="font-weight:700">
<br><br>
 PayPal is committed to maintaining a safe environment for its community of buyers and sellers. To protect the security of your account, PayPal employs <br>some of the most
advanced security systems in the world and our anti-fraud teams regularly screen the PayPal system for unusual activity.<br><br>

Recently, our Account Review Team identified some unusual activity in your account. 
In accordance with PayPal's User Agreement access to your account will be limited.
This is a fraud prevention measure meant to ensure that your account is not compromised.
<br><br>

In order to secure your account we may require some specific information from you.
We encourage you to log in by clicking on the link below and complete the requested form as soon as possible.
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onMouseOut="b()">https://www.paypal.com/cgi-bin/webscr?cmd=_login-run</a><br><br>
<br>
Ignoring our request, for an extended period of time, may result in account limitations
or may result in eventual account closure.<br><br>
Thank you for your prompt attention to this matter. Please understand that this is <br>a security measure meant to help protect you and your account.<br> We apologize for any inconvenience.
<br><br><br>
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Sincerely,<br>
PayPal Account Review Department<br>
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PayPal Email ID PP522

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 14:37:27 2010
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Voltage Selector For Oberheim Echoplex
Date: Wed, 3 Mar 2010 14:36:20 +0000
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Hi=2C I live in the UK=20

some of my EDPS have come from abroad=20

we use 240 over here

i just used a small screwdriver ot move that over from 115 and fitted the r=
ight three pin plug (it came with a euro lead)

its worked fine.

thanks

Date: Fri=2C 26 Feb 2010 00:43:23 +0800
Subject: Re: Voltage Selector For Oberheim Echoplex
From: halimzainal@gmail.com
To: Loopers-Delight@loopers-delight.com

Hi=2C
Yeah it's on the back. I'm a bit scared to touch it. But might as well try.=
 Mine was originally set to 115v when i received it (is yours the same? 115=
v and 240v). Thanx a lot for your help.

On Thu=2C Feb 25=2C 2010 at 11:31 PM=2C phillip wilson <phillwilson@hotmail=
.com> wrote:






is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine

Date: Thu=2C 25 Feb 2010 20:38:20 +0800
Subject: re: Voltage Selector For Oberheim Echoplex

From: halimzainal@gmail.com
To: Loopers-Delight@loopers-delight.com


Hi=2C
I just got the oberheim echoplex from the US. The only problem i'm facing i=
s that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is t=
here any voltage selector on the oberheim echoplex so i can change it? Than=
x.



Halimski.



 		 	   		 =20
Not got a Hotmail account? Sign-up now - Free

 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_c4b59cdd-278c-44e9-bbfb-437308b5c8eb_
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<head>
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body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Hi=2C I live in the UK <br><br>some of my EDPS have come from abroad <br><b=
r>we use 240 over here<br><br>i just used a small screwdriver ot move that =
over from 115 and fitted the right three pin plug (it came with a euro lead=
)<br><br>its worked fine.<br><br>thanks<br><br><hr id=3D"stopSpelling">Date=
: Fri=2C 26 Feb 2010 00:43:23 +0800<br>Subject: Re: Voltage Selector For Ob=
erheim Echoplex<br>From: halimzainal@gmail.com<br>To: Loopers-Delight@loope=
rs-delight.com<br><br><div>Hi=2C<br></div><div>Yeah it's on the back. I'm a=
 bit scared to touch it. But might as well try. Mine was originally set to =
115v when i received it (is yours the same? 115v and 240v). Thanx a lot for=
 your help.</div>
<br><div class=3D"ecxgmail_quote">On Thu=2C Feb 25=2C 2010 at 11:31 PM=2C p=
hillip wilson <span dir=3D"ltr">&lt=3B<a href=3D"mailto:phillwilson@hotmail=
.com">phillwilson@hotmail.com</a>&gt=3B</span> wrote:<br><blockquote class=
=3D"ecxgmail_quote" style=3D"border-left: 1px solid rgb(204=2C 204=2C 204)=
=3B padding-left: 1ex=3B">




<div>
is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine<br><br><hr>Date: Thu=
=2C 25 Feb 2010 20:38:20 +0800<br>Subject: re: Voltage Selector For Oberhei=
m Echoplex<br>
From: <a href=3D"mailto:halimzainal@gmail.com">halimzainal@gmail.com</a><di=
v class=3D"ecxim"><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight=
.com">Loopers-Delight@loopers-delight.com</a><br>
<br></div><div class=3D"ecxim">Hi=2C<br><div>I just got the oberheim echopl=
ex from the US. The only problem i'm facing is that the voltage in Malaysia=
 is 240v and the echoplex i got is 120v. Is there any voltage selector on t=
he oberheim echoplex so i can change it? Thanx.</div>



<div>Halimski.</div>
<br>
<br> 		 	   		  <br></div><div class=3D"ecxhm"><hr>Not got a Hotmail accoun=
t? <a href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/">Sign-up now=
 - Free</a></div></div>
</blockquote></div><br> 		 	   		  <br /><hr />We want to hear all your fun=
ny=2C exciting and crazy Hotmail stories. <a href=3D'http://clk.atdmt.com/U=
KM/go/195013117/direct/01/' target=3D'_new'>Tell us now</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 15:17:38 2010
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Date: Wed, 3 Mar 2010 23:17:37 +0800
Message-ID: <be6db5df1003030717w169b7e5du73f249e82cd2d5c9@mail.gmail.com>
Subject: Re: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Phillip,
Thanx for the good help. Now i can rest assure that my EDP's safe. Thanx
again.

Halimski.

On Wed, Mar 3, 2010 at 10:36 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  Hi, I live in the UK
>
> some of my EDPS have come from abroad
>
> we use 240 over here
>
> i just used a small screwdriver ot move that over from 115 and fitted the
> right three pin plug (it came with a euro lead)
>
> its worked fine.
>
> thanks
>
> ------------------------------
> Date: Fri, 26 Feb 2010 00:43:23 +0800
>
> Subject: Re: Voltage Selector For Oberheim Echoplex
> From: halimzainal@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> Hi,
> Yeah it's on the back. I'm a bit scared to touch it. But might as well try.
> Mine was originally set to 115v when i received it (is yours the same? 115v
> and 240v). Thanx a lot for your help.
>
> On Thu, Feb 25, 2010 at 11:31 PM, phillip wilson <phillwilson@hotmail.com>wrote:
>
>  is there not a simple switch on the back marked as 120 that you slide over
> with a small screwdriver to read 240? there is on mine
>
> ------------------------------
> Date: Thu, 25 Feb 2010 20:38:20 +0800
> Subject: re: Voltage Selector For Oberheim Echoplex
> From: halimzainal@gmail.com
>
> To: Loopers-Delight@loopers-delight.com
>
> Hi,
> I just got the oberheim echoplex from the US. The only problem i'm facing
> is that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
> there any voltage selector on the oberheim echoplex so i can change it?
> Thanx.
> Halimski.
>
>
>
> ------------------------------
> Not got a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
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Hi Phillip,<br>Thanx for the good help. Now i can rest assure that my EDP&#=
39;s safe. Thanx again.<br><br>Halimski.<br><br><div class=3D"gmail_quote">=
On Wed, Mar 3, 2010 at 10:36 PM, phillip wilson <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:phillwilson@hotmail.com">phillwilson@hotmail.com</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
Hi, I live in the UK <br><br>some of my EDPS have come from abroad <br><br>=
we use 240 over here<br><br>i just used a small screwdriver ot move that ov=
er from 115 and fitted the right three pin plug (it came with a euro lead)<=
br>
<br>its worked fine.<br><br>thanks<br><br><hr>Date: Fri, 26 Feb 2010 00:43:=
23 +0800<div class=3D"im"><br>Subject: Re: Voltage Selector For Oberheim Ec=
hoplex<br>From: <a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">=
halimzainal@gmail.com</a><br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br><br><div>Hi,<br></div><div>Yea=
h it&#39;s on the back. I&#39;m a bit scared to touch it. But might as well=
 try. Mine was originally set to 115v when i received it (is yours the same=
? 115v and 240v). Thanx a lot for your help.</div>

<br><div>On Thu, Feb 25, 2010 at 11:31 PM, phillip wilson <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:phillwilson@hotmail.com" target=3D"_blank">phillwils=
on@hotmail.com</a>&gt;</span> wrote:<br><blockquote style=3D"border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">





<div>
is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine<br><br><hr>Date: Thu=
, 25 Feb 2010 20:38:20 +0800<br>Subject: re: Voltage Selector For Oberheim =
Echoplex<br>

From: <a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halimzaina=
l@gmail.com</a><div><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delig=
ht.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<br></div><div>Hi,<br><div>I just got the oberheim echoplex from the US. Th=
e only problem i&#39;m facing is that the voltage in Malaysia is 240v and t=
he echoplex i got is 120v. Is there any voltage selector on the oberheim ec=
hoplex so i can change it? Thanx.</div>




<div>Halimski.</div>
<br>
<br> 		 	   		  <br></div><div><hr>Not got a Hotmail account? <a href=3D"ht=
tp://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_blank">Sign-up n=
ow - Free</a></div></div>
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to hear all your funny, exciting and crazy Hotmail stories. <a href=3D"http=
://clk.atdmt.com/UKM/go/195013117/direct/01/" target=3D"_blank">Tell us now=
</a></div>
</div>
</blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 16:18:12 2010
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To: <loopers-delight@loopers-delight.com>
Subject: anyone want to swap their Beige EDP for a Black EDP Pro Plus
Date: Wed, 3 Mar 2010 16:18:10 +0000
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Hi Guys=2C I have been out and about gigging a lot so havent been active fo=
r a long time on here.

I have finally admitted to myself that I need a rebuild of my pedalboard an=
d effects rack.

I have squeezed as much as I possibly can out of the space I have available=
 but have hit a sticking point

because of the unusual and apparantly rare way I use my EDP and the updated=
 CE spec=2C my blackface needs a DI box which up to now has sat in my racks=
 back part. my new design doesnt have room for a back element and I really =
am keen to keep my setup plug in and go (which is possible with my 2 older =
whiteface edps which only have the older 1 ground point spec.

Andy Ewan has cinfirmed that there is nothing wrong with my setup (just the=
 way I choose to use it=2C and that the Blackface unit is actually QUIETER =
when used correctly in a studio environment or through a DI etc which again=
 from my old setup I can concur.

so basically what Im asking is if anyone onlist would like to swap their ol=
d whitefaced EDP for a very good condition Blackface?

I would be happy to throw in TWO official controller units as a sweetener a=
s I control all my EDPs through custom pedals.

Like I say=2C if you are using your EDP in normal situations you will actua=
lly get better audio to noise...I just want a final solution to my ground l=
oop on the go!!

thanks

Phill MyOneManBand

PS Im in the UK.

 		 	   		 =20
_________________________________________________________________
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Hi Guys=2C I have been out and about gigging a lot so havent been active fo=
r a long time on here.<br><br>I have finally admitted to myself that I need=
 a rebuild of my pedalboard and effects rack.<br><br>I have squeezed as muc=
h as I possibly can out of the space I have available but have hit a sticki=
ng point<br><br>because of the unusual and apparantly rare way I use my EDP=
 and the updated CE spec=2C my blackface needs a DI box which up to now has=
 sat in my racks back part. my new design doesnt have room for a back eleme=
nt and I really am keen to keep my setup plug in and go (which is possible =
with my 2 older whiteface edps which only have the older 1 ground point spe=
c.<br><br>Andy Ewan has cinfirmed that there is nothing wrong with my setup=
 (just the way I choose to use it=2C and that the Blackface unit is actuall=
y QUIETER when used correctly in a studio environment or through a DI etc w=
hich again from my old setup I can concur.<br><br>so basically what Im aski=
ng is if anyone onlist would like to swap their old whitefaced EDP for a ve=
ry good condition Blackface?<br><br>I would be happy to throw in TWO offici=
al controller units as a sweetener as I control all my EDPs through custom =
pedals.<br><br>Like I say=2C if you are using your EDP in normal situations=
 you will actually get better audio to noise...I just want a final solution=
 to my ground loop on the go!!<br><br>thanks<br><br>Phill MyOneManBand<br><=
br>PS Im in the UK.<br><br> 		 	   		  <br /><hr />Do you want a Hotmail ac=
count? <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=
=3D'_new'>Sign-up now - Free</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 16:30:49 2010
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Subject: FS Digitech Spacestation XP300 with XP1000 Mod
Date: Wed, 3 Mar 2010 16:30:47 +0000
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I have decided it is time for a clear out


I am selling a very hard to come by

Digitech XP1000 by Jetpack Man=20

he is an FX tweaker who reverse engineered the XP series pedals=2C

What you get it

the XP series=2C Whammy=2C Modulator=2C Space Staion AND Reverberator all i=
n one package with a chicken knob to select between the rom chips upon rese=
t.

The last Space Station on ebay UK went for over =A3350 so baring this in mi=
nd I am looking for around =A3400 for this.



Also I have a Metavox Vocorder for =A340 and a mint Line 6 FM4 for =A3100 i=
f anyone is interested in some great noise machines

together these could really form a whole manic rig.

just give me a shout  if you are interested =2C thanks for looking

Phill Wilson
 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
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I have decided it is time for a clear out<br><br><br>I am selling a very ha=
rd to come by<br><br>Digitech XP1000 by Jetpack Man <br><br>he is an FX twe=
aker who reverse engineered the XP series pedals=2C<br><br>What you get it<=
br><br>the XP series=2C Whammy=2C Modulator=2C Space Staion AND Reverberato=
r all in one package with a chicken knob to select between the rom chips up=
on reset.<br><br>The last Space Station on ebay UK went for over =A3350 so =
baring this in mind I am looking for around =A3400 for this.<br><br><br><br=
>Also I have a Metavox Vocorder for =A340 and a mint Line 6 FM4 for =A3100 =
if anyone is interested in some great noise machines<br><br>together these =
could really form a whole manic rig.<br><br>just give me a shout&nbsp=3B if=
 you are interested =2C thanks for looking<br><br>Phill Wilson<br><a href=
=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/"></a> 		 	   		  <br /=
><hr />We want to hear all your funny=2C exciting and crazy Hotmail stories=
. <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_n=
ew'>Tell us now</a></body>
</html>=

--_dc4d88a3-ac6d-49b5-b787-7b969a77fbea_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 18:45:03 2010
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Date: Wed, 3 Mar 2010 10:45:00 -0800 (PST)
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Subject: digitech jamman stereo
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someone said: "Not sure what the point is of a 17 minute loop that is doubled note for note. What did I miss? "

in my ongoing search for the varispeed delay thing (obsessive could be the word for it...)
i have been researching a few things. i actually looked up "tape loops" on wiki, & found this:

David Gilmour used a loop pedal to play the 10-minute introduction to Shine On You Crazy Diamond (Parts I-V) during his solo concert (this concert was released on DVD as David Gilmour in Concert) 

i thought that was most interesting. so i've been debating my self how much max time do i need?
i know that when i went from my 2 sec delays on my digitech rp100 to 12 sec on my dod d-12, i thought that was an eternity. but then when i had 23 sec of delay on the boss dd20-i didn' like how it manipulated the loops-it was much weaker to me than the dod d12. then when i went to the original boss rc20 w/ 5 min of looping time-i remember the 1st time doing a loop and not thinking about 12sec or 23 sec, whatever-it did seem freeing for a moment-but not really being able to do anything to the loops seemed something i wasn't so much interested it. sure-i could put whatever effects before or after, but i think i like the ability to treat my looping device as an instrument-and i will say that w/ the guyatone md3-i'll play a bit, and then i find myself messing w/ the delay time more and more....
so, i don't know....probably in the end, co's have to put out what they think they can sell a lot of, my pathetic needs obviously aren't what most consumers need.....so i have to adjust....i can dream though i guess.....
s---



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">someone said: "Not sure what the point is of a 17 minute loop that is doubled note for note. What did I miss? "<br><br>in my ongoing search for the varispeed delay thing (obsessive could be the word for it...)<br>i have been researching a few things. i actually looked up "tape loops" on wiki, &amp; found this:<br><br><a rel="nofollow" target="_blank" href="http://en.wikipedia.org/wiki/David_Gilmour" title="David Gilmour"><span class="yshortcuts" id="lw_1267641156_0">David Gilmour</span></a> used a loop pedal to play the 10-minute introduction to <a rel="nofollow" target="_blank" href="http://en.wikipedia.org/wiki/Shine_On_You_Crazy_Diamond" title="Shine On You Crazy Diamond"><span class="yshortcuts" id="lw_1267641156_1">Shine On You Crazy Diamond (Parts I-V)</span></a> during his solo concert (this concert was released on DVD as <a rel="nofollow"
 target="_blank" href="http://en.wikipedia.org/wiki/David_Gilmour_in_Concert" title="David Gilmour in Concert"><span class="yshortcuts" id="lw_1267641156_2">David Gilmour in Concert</span></a>) <br><br>i thought that was most interesting. so i've been debating my self how much max time do i need?<br>i know that when i went from my 2 sec delays on my digitech rp100 to 12 sec on my dod d-12, i thought that was an eternity. but then when i had 23 sec of delay on the boss dd20-i didn' like how it manipulated the loops-it was much weaker to me than the dod d12. then when i went to the original boss rc20 w/ 5 min of looping time-i remember the 1st time doing a loop and not thinking about 12sec or 23 sec, whatever-it did seem freeing for a moment-but not really being able to do anything to the loops seemed something i wasn't so much interested it. sure-i could put whatever effects before or after, but i think i like the ability to treat my looping device as an
 instrument-and i will say that w/ the guyatone md3-i'll play a bit, and then i find myself messing w/ the delay time more and more....<br>so, i don't know....probably in the end, co's have to put out what they think they can sell a lot of, my pathetic needs obviously aren't what most consumers need.....so i have to adjust....i can dream though i guess.....<br>s---<br></td></tr></table><br>

      
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No Beige to offer Im afraid Phil, but just out of interest, what IS the
issue with your Blackface exactly... is it ground hum? Cos my newer unit
suffers from distortion (or noise depending on how I set the input knob) I
cant quite seem to get it right, and after all these years Im still not very
sure of the technical side of things... My Old EDP is a horse... I can stick
anyting into that it neither hisses or distorts.... so its a bit weird...
Im kinda used to it now actually, infact the distorty EDP is usually my
"lead" looper, whereas the other is the bass, rythum and clean stuff
looper...


Mark



On Wed, Mar 3, 2010 at 5:18 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  Hi Guys, I have been out and about gigging a lot so havent been active for
> a long time on here.
>
> I have finally admitted to myself that I need a rebuild of my pedalboard
> and effects rack.
>
> I have squeezed as much as I possibly can out of the space I have available
> but have hit a sticking point
>
> because of the unusual and apparantly rare way I use my EDP and the updated
> CE spec, my blackface needs a DI box which up to now has sat in my racks
> back part. my new design doesnt have room for a back element and I really am
> keen to keep my setup plug in and go (which is possible with my 2 older
> whiteface edps which only have the older 1 ground point spec.
>
> Andy Ewan has cinfirmed that there is nothing wrong with my setup (just the
> way I choose to use it, and that the Blackface unit is actually QUIETER when
> used correctly in a studio environment or through a DI etc which again from
> my old setup I can concur.
>
> so basically what Im asking is if anyone onlist would like to swap their
> old whitefaced EDP for a very good condition Blackface?
>
> I would be happy to throw in TWO official controller units as a sweetener
> as I control all my EDPs through custom pedals.
>
> Like I say, if you are using your EDP in normal situations you will
> actually get better audio to noise...I just want a final solution to my
> ground loop on the go!!
>
> thanks
>
> Phill MyOneManBand
>
> PS Im in the UK.
>
>
> ------------------------------
> Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cdf93eaef03490480ea6683
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

No Beige to offer Im afraid Phil, but just out of interest, what IS the iss=
ue with your Blackface exactly... is it ground hum? Cos my newer unit suffe=
rs from distortion (or noise depending on how I set the input knob) I cant =
quite seem to get it right, and after all these years Im still not very sur=
e of the technical side of things... My Old EDP is a horse... I can stick a=
nyting into that it neither hisses or distorts.... so its a bit weird...<br=
>

Im kinda used to it now actually, infact the distorty EDP is usually my &qu=
ot;lead&quot; looper, whereas the other is the bass, rythum and clean stuff=
 looper...<br><br><br>Mark<br><br><br><br><div class=3D"gmail_quote">On Wed=
, Mar 3, 2010 at 5:18 PM, phillip wilson <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:phillwilson@hotmail.com">phillwilson@hotmail.com</a>&gt;</span> wrote=
:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
Hi Guys, I have been out and about gigging a lot so havent been active for =
a long time on here.<br><br>I have finally admitted to myself that I need a=
 rebuild of my pedalboard and effects rack.<br><br>I have squeezed as much =
as I possibly can out of the space I have available but have hit a sticking=
 point<br>

<br>because of the unusual and apparantly rare way I use my EDP and the upd=
ated CE spec, my blackface needs a DI box which up to now has sat in my rac=
ks back part. my new design doesnt have room for a back element and I reall=
y am keen to keep my setup plug in and go (which is possible with my 2 olde=
r whiteface edps which only have the older 1 ground point spec.<br>

<br>Andy Ewan has cinfirmed that there is nothing wrong with my setup (just=
 the way I choose to use it, and that the Blackface unit is actually QUIETE=
R when used correctly in a studio environment or through a DI etc which aga=
in from my old setup I can concur.<br>

<br>so basically what Im asking is if anyone onlist would like to swap thei=
r old whitefaced EDP for a very good condition Blackface?<br><br>I would be=
 happy to throw in TWO official controller units as a sweetener as I contro=
l all my EDPs through custom pedals.<br>

<br>Like I say, if you are using your EDP in normal situations you will act=
ually get better audio to noise...I just want a final solution to my ground=
 loop on the go!!<br><br>thanks<br><br>Phill MyOneManBand<br><br>PS Im in t=
he UK.<br>

<div class=3D"hm"><br> 		 	   		  <br><hr>Do you want a Hotmail account? <a=
 href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_blank=
">Sign-up now - Free</a></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cdf93eaef03490480ea6683--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  3 19:58:25 2010
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: anyone want to swap their Beige EDP for a Black EDP Pro Plus
Date: Wed, 3 Mar 2010 19:58:14 +0000
Importance: Normal
In-Reply-To: <9ab0c76f1003031122r3bce7dd9q1d605f0df17c1878@mail.gmail.com>
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Hi mark=2C
=20
no=2C this is deffinatly just a ground loop.
=20
I have included afterr my sign off the email from Andy Ewen (spelt it wrong=
 first time=2C sorry andy)
=20
I have always found it odd that a guitar going into an echoplex going into =
a pa system is considered by gibson to be an unusual "certain situation"...=
i have wrote a few times to confirm this but apparantly this is so.
=20
=20
can any other UK looper test this out on a black face and let me know the r=
esults
=20
no DI and into an amp or pa with a standard uk grounded plug.
=20
Anyway mark=2C  the problem you are having may be to do with a resistor dri=
fting out of tollerance=2C its rare but i have heard it....if it happens on=
 the gain staging it can cause the input to be recorded too high and distor=
t on output.
=20
is it happening just on the loop? not on the direct signal?
=20
Phill
=20
=20
=20
Hi Phil=2C
=20
The mains filter is a standard part fitted to all Blackface EDPs.
The problem you have is a known issue and all Blackface EDPs will do this u=
nder certain situations=2C (i.e. yours).
=20
It is caused by the fact that when I re-designed the unit for CE approvals =
and EMC testing=2C they made me ground the PCB in 9 separate places instead=
 of the original 1 position. This causes an earth-loop when certain other e=
quipment is used and as you say=2C can be eliminated by removing the earth =
from the mains lead=2C (not a good or safe practice).
=20
However=2C I found a solution which is to send the output from the EDP via =
a DI box=2C specifically one that has an isolating transformer in it. This =
effectively removes the ground loop and the Blackface should then be quiete=
r than the older White ones.
=20
I informed Gibson of this issue and suggested we send a DI box out with eve=
ry unit but they weren't into the idea and just told me they would deal wit=
h any problems in the field if and when they arose. Funnily enough=2C out o=
f the 1000 or so Blackface ones we made and have been sold=2C you are the o=
nly user to find the fault!
=20
Just get yourself a half decent DI Box. One of the ones below will probably=
 do the trick=2C (the second one will almost certainly work as it has a tra=
nsformer in). I tried several when I was experimenting and they all worked =
but I can't guarantee everyone will. You might want to borrow one of someon=
e and then if that model works=2C buy your own=2C (or steal it from them :)
=20

From: mark@markfrancombe.com
Date: Wed=2C 3 Mar 2010 20:22:04 +0100
Subject: Re: anyone want to swap their Beige EDP for a Black EDP Pro Plus
To: Loopers-Delight@loopers-delight.com

No Beige to offer Im afraid Phil=2C but just out of interest=2C what IS the=
 issue with your Blackface exactly... is it ground hum? Cos my newer unit s=
uffers from distortion (or noise depending on how I set the input knob) I c=
ant quite seem to get it right=2C and after all these years Im still not ve=
ry sure of the technical side of things... My Old EDP is a horse... I can s=
tick anyting into that it neither hisses or distorts.... so its a bit weird=
...
Im kinda used to it now actually=2C infact the distorty EDP is usually my "=
lead" looper=2C whereas the other is the bass=2C rythum and clean stuff loo=
per...


Mark




On Wed=2C Mar 3=2C 2010 at 5:18 PM=2C phillip wilson <phillwilson@hotmail.c=
om> wrote:


Hi Guys=2C I have been out and about gigging a lot so havent been active fo=
r a long time on here.

I have finally admitted to myself that I need a rebuild of my pedalboard an=
d effects rack.

I have squeezed as much as I possibly can out of the space I have available=
 but have hit a sticking point

because of the unusual and apparantly rare way I use my EDP and the updated=
 CE spec=2C my blackface needs a DI box which up to now has sat in my racks=
 back part. my new design doesnt have room for a back element and I really =
am keen to keep my setup plug in and go (which is possible with my 2 older =
whiteface edps which only have the older 1 ground point spec.

Andy Ewan has cinfirmed that there is nothing wrong with my setup (just the=
 way I choose to use it=2C and that the Blackface unit is actually QUIETER =
when used correctly in a studio environment or through a DI etc which again=
 from my old setup I can concur.

so basically what Im asking is if anyone onlist would like to swap their ol=
d whitefaced EDP for a very good condition Blackface?

I would be happy to throw in TWO official controller units as a sweetener a=
s I control all my EDPs through custom pedals.

Like I say=2C if you are using your EDP in normal situations you will actua=
lly get better audio to noise...I just want a final solution to my ground l=
oop on the go!!

thanks

Phill MyOneManBand

PS Im in the UK.





Do you want a Hotmail account? Sign-up now - Free

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
 		 	   		 =20
_________________________________________________________________
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_ea6c6215-80f9-4d4b-8cb8-26e48b0bd310_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">Hi mark=2C</SPAN></B=
></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">no=2C this is deffin=
atly just a ground loop.</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">I have included afte=
rr my sign off the email from Andy Ewen (spelt it wrong first time=2C sorry=
 andy)</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">I have always found =
it odd that a guitar going into an echoplex going into a pa system is consi=
dered by gibson to be an unusual "certain situation"...i have wrote a few t=
imes to confirm this but apparantly this is so.</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">can any other UK loo=
per test this out on a black face and let me know the results</SPAN></B></P=
>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">no DI and into an am=
p or pa with a standard uk grounded plug.</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">Anyway mark=2C&nbsp=
=3B the problem you are having may be to do with a resistor drifting out of=
 tollerance=2C its rare but i have heard it....if it happens on the gain st=
aging it can cause the input to be recorded too high and distort on output.=
</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">is it happening just=
 on the loop? not on the direct signal?</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">Phill</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'"></SPAN></B>&nbsp=3B<=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">Hi Phil=2C</SPAN></B=
></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">&nbsp=3B</SPAN></B><=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">The mains filter is =
a standard part fitted to all Blackface EDPs.</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">The problem you have=
 is a known issue and all Blackface EDPs will do this under certain situati=
ons=2C (i.e. yours).</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">&nbsp=3B</SPAN></B><=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">It is caused by the =
fact that when I re-designed the unit for CE approvals and EMC testing=2C t=
hey made me ground the PCB in 9 separate places instead of the original 1 p=
osition. This causes an earth-loop when certain other equipment is used and=
 as you say=2C can be eliminated by removing the earth from the mains lead=
=2C (not a good or safe practice).</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">&nbsp=3B</SPAN></B><=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">However=2C I found a=
 solution which is to send the output from the EDP via a DI box=2C specific=
ally one that has an isolating transformer in it. This effectively removes =
the ground loop and the Blackface should then be quieter than the older Whi=
te ones.</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">&nbsp=3B</SPAN></B><=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">I informed Gibson of=
 this issue and suggested we send a DI box out with every unit but they wer=
en't into the idea and just told me they would deal with any problems in th=
e field if and when they arose. Funnily enough=2C out of the 1000 or so Bla=
ckface ones we made and have been sold=2C you are the only user to find the=
 fault!</SPAN></B></P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">&nbsp=3B</SPAN></B><=
/P>
<P class=3DecxEC_MsoNormal><B><SPAN style=3D"FONT-SIZE: 16pt=3B COLOR: rgb(=
136=2C20=2C31)=3B FONT-FAMILY: 'Arial'=2C'sans-serif'">Just get yourself a =
half decent DI Box. One of the ones below will probably do the trick=2C (th=
e second one will almost certainly work as it has a transformer in). I trie=
d several when I was experimenting and they all worked but I can't guarante=
e everyone will. You might want to borrow one of someone and then if that m=
odel works=2C buy your own=2C (or steal it from them :)</SPAN></B><BR>&nbsp=
=3B</P>
<HR id=3DstopSpelling>
From: mark@markfrancombe.com<BR>Date: Wed=2C 3 Mar 2010 20:22:04 +0100<BR>S=
ubject: Re: anyone want to swap their Beige EDP for a Black EDP Pro Plus<BR=
>To: Loopers-Delight@loopers-delight.com<BR><BR>No Beige to offer Im afraid=
 Phil=2C but just out of interest=2C what IS the issue with your Blackface =
exactly... is it ground hum? Cos my newer unit suffers from distortion (or =
noise depending on how I set the input knob) I cant quite seem to get it ri=
ght=2C and after all these years Im still not very sure of the technical si=
de of things... My Old EDP is a horse... I can stick anyting into that it n=
either hisses or distorts.... so its a bit weird...<BR>Im kinda used to it =
now actually=2C infact the distorty EDP is usually my "lead" looper=2C wher=
eas the other is the bass=2C rythum and clean stuff looper...<BR><BR><BR>Ma=
rk<BR><BR><BR><BR>
<DIV class=3Decxgmail_quote>On Wed=2C Mar 3=2C 2010 at 5:18 PM=2C phillip w=
ilson <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:phillwilson@hotmail.com">phil=
lwilson@hotmail.com</A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3Decxgmail_quote style=3D"PADDING-LEFT: 1ex">
<DIV>Hi Guys=2C I have been out and about gigging a lot so havent been acti=
ve for a long time on here.<BR><BR>I have finally admitted to myself that I=
 need a rebuild of my pedalboard and effects rack.<BR><BR>I have squeezed a=
s much as I possibly can out of the space I have available but have hit a s=
ticking point<BR><BR>because of the unusual and apparantly rare way I use m=
y EDP and the updated CE spec=2C my blackface needs a DI box which up to no=
w has sat in my racks back part. my new design doesnt have room for a back =
element and I really am keen to keep my setup plug in and go (which is poss=
ible with my 2 older whiteface edps which only have the older 1 ground poin=
t spec.<BR><BR>Andy Ewan has cinfirmed that there is nothing wrong with my =
setup (just the way I choose to use it=2C and that the Blackface unit is ac=
tually QUIETER when used correctly in a studio environment or through a DI =
etc which again from my old setup I can concur.<BR><BR>so basically what Im=
 asking is if anyone onlist would like to swap their old whitefaced EDP for=
 a very good condition Blackface?<BR><BR>I would be happy to throw in TWO o=
fficial controller units as a sweetener as I control all my EDPs through cu=
stom pedals.<BR><BR>Like I say=2C if you are using your EDP in normal situa=
tions you will actually get better audio to noise...I just want a final sol=
ution to my ground loop on the go!!<BR><BR>thanks<BR><BR>Phill MyOneManBand=
<BR><BR>PS Im in the UK.<BR>
<DIV class=3Decxhm><BR><BR>
<HR>
Do you want a Hotmail account? <A href=3D"http://clk.atdmt.com/UKM/go/19722=
2280/direct/01/">Sign-up now - Free</A></DIV></DIV></BLOCKQUOTE></DIV><BR><=
BR clear=3Dall><BR>-- <BR><A href=3D"http://www.markfrancombe.com/">www.mar=
kfrancombe.com</A><BR><A href=3D"http://vimeo.com/user825094">http://vimeo.=
com/user825094</A><BR><A href=3D"http://uk.youtube.com/user/markfrancombe">=
http://uk.youtube.com/user/markfrancombe</A><BR><A href=3D"http://www.myspa=
ce.com/markfrancombe">http://www.myspace.com/markfrancombe</A><BR><A href=
=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch Non Synch">http://www.l=
ooop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR> 		 	   		  <br />=
<hr />Not got a Hotmail account? <a href=3D'http://clk.atdmt.com/UKM/go/197=
222280/direct/01/' target=3D'_new'>Sign-up now - Free</a></body>
</html>=

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*Thanks for the reply Phil,*

*And cool BIG FONT SIZE*

*I LIKE IT!*

>Anyway mark,  the problem you are having may be to do with a resistor
drifting out of tollerance, its rare but i have heard it....if it happens on
the gain staging it can cause the input to be recorded too high and distort
on output.

 Is it happening just on the loop? not on the direct signal?

Nope just the loop.. feedback of more than one layer.. will def be
distorted.. I tend not to build up too much on this one... this is the one
that I havecontrolled froma  drum machine, so its popping about a bit.. like
half speeding 16 times per bar etc.. or reversing 8 times per bar...

But for those occasions where I want to loop normal stuff (Wednesdays..
usually) then it can be annoying. I had a bit of bother with this unit,
changed the crystal and its a bit tempermental whether it will start up when
its Brother Synched.. (It alwasy does in the end, I just have to switch it
on and off about 20 times)

EDPS are like Cats.. you love them, but they puke on the carpet once in a
while...


MArk





**

*
*


On Wed, Mar 3, 2010 at 8:58 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  *Hi mark,*
>
> **
>
> *no, this is deffinatly just a ground loop.*
>
> **
>
> *I have included afterr my sign off the email from Andy Ewen (spelt it
> wrong first time, sorry andy)*
>
> **
>
> *I have always found it odd that a guitar going into an echoplex going
> into a pa system is considered by gibson to be an unusual "certain
> situation"...i have wrote a few times to confirm this but apparantly this is
> so.*
>
> **
>
> **
>
> *can any other UK looper test this out on a black face and let me know the
> results*
>
> **
>
> *no DI and into an amp or pa with a standard uk grounded plug.*
>
> **
>
> *Anyway mark,  the problem you are having may be to do with a resistor
> drifting out of tollerance, its rare but i have heard it....if it happens on
> the gain staging it can cause the input to be recorded too high and distort
> on output.*
>
> **
>
> *is it happening just on the loop? not on the direct signal?*
>
> **
>
> *Phill*
>
> **
>
> **
>
> **
>
> *Hi Phil,*
>
> * *
>
> *The mains filter is a standard part fitted to all Blackface EDPs.*
>
> *The problem you have is a known issue and all Blackface EDPs will do this
> under certain situations, (i.e. yours).*
>
> * *
>
> *It is caused by the fact that when I re-designed the unit for CE
> approvals and EMC testing, they made me ground the PCB in 9 separate places
> instead of the original 1 position. This causes an earth-loop when certain
> other equipment is used and as you say, can be eliminated by removing the
> earth from the mains lead, (not a good or safe practice).*
>
> * *
>
> *However, I found a solution which is to send the output from the EDP via
> a DI box, specifically one that has an isolating transformer in it. This
> effectively removes the ground loop and the Blackface should then be quieter
> than the older White ones.*
>
> * *
>
> *I informed Gibson of this issue and suggested we send a DI box out with
> every unit but they weren't into the idea and just told me they would deal
> with any problems in the field if and when they arose. Funnily enough, out
> of the 1000 or so Blackface ones we made and have been sold, you are the
> only user to find the fault!*
>
> * *
>
> *Just get yourself a half decent DI Box. One of the ones below will
> probably do the trick, (the second one will almost certainly work as it has
> a transformer in). I tried several when I was experimenting and they all
> worked but I can't guarantee everyone will. You might want to borrow one of
> someone and then if that model works, buy your own, (or steal it from them
> :)*
>
> ------------------------------
> From: mark@markfrancombe.com
> Date: Wed, 3 Mar 2010 20:22:04 +0100
> Subject: Re: anyone want to swap their Beige EDP for a Black EDP Pro Plus
> To: Loopers-Delight@loopers-delight.com
>
>
> No Beige to offer Im afraid Phil, but just out of interest, what IS the
> issue with your Blackface exactly... is it ground hum? Cos my newer unit
> suffers from distortion (or noise depending on how I set the input knob) I
> cant quite seem to get it right, and after all these years Im still not very
> sure of the technical side of things... My Old EDP is a horse... I can stick
> anyting into that it neither hisses or distorts.... so its a bit weird...
> Im kinda used to it now actually, infact the distorty EDP is usually my
> "lead" looper, whereas the other is the bass, rythum and clean stuff
> looper...
>
>
> Mark
>
>
>
> On Wed, Mar 3, 2010 at 5:18 PM, phillip wilson <phillwilson@hotmail.com>wrote:
>
> Hi Guys, I have been out and about gigging a lot so havent been active for
> a long time on here.
>
> I have finally admitted to myself that I need a rebuild of my pedalboard
> and effects rack.
>
> I have squeezed as much as I possibly can out of the space I have available
> but have hit a sticking point
>
> because of the unusual and apparantly rare way I use my EDP and the updated
> CE spec, my blackface needs a DI box which up to now has sat in my racks
> back part. my new design doesnt have room for a back element and I really am
> keen to keep my setup plug in and go (which is possible with my 2 older
> whiteface edps which only have the older 1 ground point spec.
>
> Andy Ewan has cinfirmed that there is nothing wrong with my setup (just the
> way I choose to use it, and that the Blackface unit is actually QUIETER when
> used correctly in a studio environment or through a DI etc which again from
> my old setup I can concur.
>
> so basically what Im asking is if anyone onlist would like to swap their
> old whitefaced EDP for a very good condition Blackface?
>
> I would be happy to throw in TWO official controller units as a sweetener
> as I control all my EDPs through custom pedals.
>
> Like I say, if you are using your EDP in normal situations you will
> actually get better audio to noise...I just want a final solution to my
> ground loop on the go!!
>
> thanks
>
> Phill MyOneManBand
>
> PS Im in the UK.
>
>
> ------------------------------
> Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch<http://www.looop.no/shop/catlabel.php?q=Synch+Non+Synch>
>
> ------------------------------
> Not got a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5be5eefb9300480eb24ac
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Thanks for =
the reply Phil,</span></b></p><p><b><span style=3D"font-size: 16pt; color: =
rgb(136, 20, 31);">And cool BIG FONT SIZE</span></b></p><p><b><span style=
=3D"font-size: 16pt; color: rgb(136, 20, 31);"><font style=3D"font-family: =
arial black,sans-serif; background-color: rgb(255, 204, 204); color: rgb(51=
, 204, 0);" size=3D"6">I LIKE IT!</font></span></b></p>

<p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-serif;">=
<font size=3D"4">&gt;Anyway
mark,=A0 the problem you are having may be to do with a resistor drifting
out of tollerance, its rare but i have heard it....if it happens on the
gain staging it can cause the input to be recorded too high and distort
on output.</font></p>

<p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-serif;">=
<font size=3D"4">=A0Is it happening just on the loop? not on the direct sig=
nal?</font></p><p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetic=
a,sans-serif;">

<font size=3D"4"><font size=3D"2">Nope just the loop.. feedback of more tha=
n one layer.. will def be distorted.. I tend not to build up too much on th=
is one... this is the one that I havecontrolled froma=A0 drum machine, so i=
ts popping about a bit.. like half speeding 16 times per bar etc.. or rever=
sing 8 times per bar..</font>.</font></p>

<p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-serif;">=
<font size=3D"2">But for those occasions where I want to loop normal stuff =
(Wednesdays.. usually) then it can be annoying. I had a bit of bother with =
this unit, changed the crystal and its a bit tempermental whether it will s=
tart up when its Brother Synched.. (It alwasy does in the end, I just have =
to switch it on and off about 20 times)</font></p>

<p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-serif;">=
EDPS are like Cats.. you love them, but they puke on the carpet once in a w=
hile...</p><p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sa=
ns-serif;">

<br></p><p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-=
serif;">MArk</p><p style=3D"color: rgb(0, 0, 0); font-family: arial,helveti=
ca,sans-serif;"><br></p><p style=3D"color: rgb(0, 0, 0); font-family: arial=
,helvetica,sans-serif;">

<br></p><p style=3D"color: rgb(0, 0, 0); font-family: arial,helvetica,sans-=
serif;"><br></p><p><br><b><span style=3D"font-size: 16pt; color: rgb(136, 2=
0, 31);"></span></b></p><p><b><span style=3D"font-size: 16pt; color: rgb(13=
6, 20, 31);"><br>

</span></b></p><br><br><div class=3D"gmail_quote">On Wed, Mar 3, 2010 at 8:=
58 PM, phillip wilson <span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilson@h=
otmail.com">phillwilson@hotmail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); mar=
gin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Hi mark,</s=
pan></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">no, this is=
 deffinatly just a ground loop.</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">I have incl=
uded afterr my sign off the email from Andy Ewen (spelt it wrong first time=
, sorry andy)</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">I have alwa=
ys found it odd that a guitar going into an echoplex going into a pa system=
 is considered by gibson to be an unusual &quot;certain situation&quot;...i=
 have wrote a few times to confirm this but apparantly this is so.</span></=
b></p>


<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">can any oth=
er UK looper test this out on a black face and let me know the results</spa=
n></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">no DI and i=
nto an amp or pa with a standard uk grounded plug.</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Anyway mark=
,=A0 the problem you are having may be to do with a resistor drifting out o=
f tollerance, its rare but i have heard it....if it happens on the gain sta=
ging it can cause the input to be recorded too high and distort on output.<=
/span></b></p>


<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">is it happe=
ning just on the loop? not on the direct signal?</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Phill</span=
></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);"></span></b>=
=A0</p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Hi Phil,</s=
pan></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">=A0</span><=
/b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">The mains f=
ilter is a standard part fitted to all Blackface EDPs.</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">The problem=
 you have is a known issue and all Blackface EDPs will do this under certai=
n situations, (i.e. yours).</span></b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">=A0</span><=
/b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">It is cause=
d by the fact that when I re-designed the unit for CE approvals and EMC tes=
ting, they made me ground the PCB in 9 separate places instead of the origi=
nal 1 position. This causes an earth-loop when certain other equipment is u=
sed and as you say, can be eliminated by removing the earth from the mains =
lead, (not a good or safe practice).</span></b></p>


<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">=A0</span><=
/b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">However, I =
found a solution which is to send the output from the EDP via a DI box, spe=
cifically one that has an isolating transformer in it. This effectively rem=
oves the ground loop and the Blackface should then be quieter than the olde=
r White ones.</span></b></p>


<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">=A0</span><=
/b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">I informed =
Gibson of this issue and suggested we send a DI box out with every unit but=
 they weren&#39;t into the idea and just told me they would deal with any p=
roblems in the field if and when they arose. Funnily enough, out of the 100=
0 or so Blackface ones we made and have been sold, you are the only user to=
 find the fault!</span></b></p>


<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">=A0</span><=
/b></p>
<p><b><span style=3D"font-size: 16pt; color: rgb(136, 20, 31);">Just get yo=
urself a half decent DI Box. One of the ones below will probably do the tri=
ck, (the second one will almost certainly work as it has a transformer in).=
 I tried several when I was experimenting and they all worked but I can&#39=
;t guarantee everyone will. You might want to borrow one of someone and the=
n if that model works, buy your own, (or steal it from them :)</span></b><b=
r>

=A0</p>
<hr>
From: <a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@mark=
francombe.com</a><br>Date: Wed, 3 Mar 2010 20:22:04 +0100<br>Subject: Re: a=
nyone want to swap their Beige EDP for a Black EDP Pro Plus<br>To: <a href=
=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-D=
elight@loopers-delight.com</a><div>

<div></div><div class=3D"h5"><br><br>No Beige to offer Im afraid Phil, but =
just out of interest, what IS the issue with your Blackface exactly... is i=
t ground hum? Cos my newer unit suffers from distortion (or noise depending=
 on how I set the input knob) I cant quite seem to get it right, and after =
all these years Im still not very sure of the technical side of things... M=
y Old EDP is a horse... I can stick anyting into that it neither hisses or =
distorts.... so its a bit weird...<br>

Im kinda used to it now actually, infact the distorty EDP is usually my &qu=
ot;lead&quot; looper, whereas the other is the bass, rythum and clean stuff=
 looper...<br><br><br>Mark<br><br><br><br>
<div>On Wed, Mar 3, 2010 at 5:18 PM, phillip wilson <span dir=3D"ltr">&lt;<=
a href=3D"mailto:phillwilson@hotmail.com" target=3D"_blank">phillwilson@hot=
mail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"padding-left: 1ex;">
<div>Hi Guys, I have been out and about gigging a lot so havent been active=
 for a long time on here.<br><br>I have finally admitted to myself that I n=
eed a rebuild of my pedalboard and effects rack.<br><br>I have squeezed as =
much as I possibly can out of the space I have available but have hit a sti=
cking point<br>

<br>because of the unusual and apparantly rare way I use my EDP and the upd=
ated CE spec, my blackface needs a DI box which up to now has sat in my rac=
ks back part. my new design doesnt have room for a back element and I reall=
y am keen to keep my setup plug in and go (which is possible with my 2 olde=
r whiteface edps which only have the older 1 ground point spec.<br>

<br>Andy Ewan has cinfirmed that there is nothing wrong with my setup (just=
 the way I choose to use it, and that the Blackface unit is actually QUIETE=
R when used correctly in a studio environment or through a DI etc which aga=
in from my old setup I can concur.<br>

<br>so basically what Im asking is if anyone onlist would like to swap thei=
r old whitefaced EDP for a very good condition Blackface?<br><br>I would be=
 happy to throw in TWO official controller units as a sweetener as I contro=
l all my EDPs through custom pedals.<br>

<br>Like I say, if you are using your EDP in normal situations you will act=
ually get better audio to noise...I just want a final solution to my ground=
 loop on the go!!<br><br>thanks<br><br>Phill MyOneManBand<br><br>PS Im in t=
he UK.<br>


<div><br><br>
<hr>
Do you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722=
2280/direct/01/" target=3D"_blank">Sign-up now - Free</a></div></div></bloc=
kquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe" targ=
et=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br><a href=3D"ht=
tp://www.myspace.com/markfrancombe" target=3D"_blank">http://www.myspace.co=
m/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch+Non+Synch" targe=
t=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch<=
/a><br> 		 	   		  <br></div></div><div class=3D"hm"><hr>Not got a Hotmail =
account? <a href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" targe=
t=3D"_blank">Sign-up now - Free</a></div>

</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5be5eefb9300480eb24ac--

From huynam@saigonnet.vn  Wed Mar  3 23:02:32 2010
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From: "RABO IBRAHIM" <josama106@rocketmail.com>
Reply-To: josama103@rocketmail.com
Subject: Prospective Partner
Date: Thu, 04 Mar 2010 02:45:43 +0700
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Dear Prospertive Partner, 

I am writing to you on behalf of Mr. Chen Shui-bian. My name is Mr. Harry S. 
Chang and I am a top management executive here at the Bank of China, United 
Kingdom. Our bank website is www.boc.cn. 

My friend Mr. Chen Shui-bian has presented a subtle offer which will need 
the help of a partner like you to complete successfully. Mr. Chen Shui-bian 
is in a difficult situation and he must immediately relocate certain sums of 
money out of the Bank of China in Beijing, China. More so, this must be done 
in such a way that it must not be tied to Mr. Chen. The sum is currently 
deposited in the name of an existing legal entity. Your role will be to: 

[1]. Act as the original beneficiary of the funds.
[2]. Receive the funds into a business/private bank account.
[3]. Invest/Manage the funds outside of China.
[4]. Value of funds: $39 Million US Dollars. 

Everything will be done legally to ensure the rights to the funds are 
transferred to you. If you agree to partner with Mr. Chen, he will 
compensate you with 30% of the total sum. Should you prefer I re-contact you 
with more express facts, you can send me your: 

[1] Official Full Names:
[2] Company or Personal profile:
[3] Daytime Telephone No: 

For Mr. Chen Shui-bian's current profile visit this site: 

http://news.bbc.co.uk/2/hi/asia-pacific/8250099.stm
http://news.bbc.co.uk/2/hi/asia-pacific/8233342.stm 

You can email me at (susan_shm1@yahoo.com.hk) or call me for further 
details, terms and agreement. 

Sincerely,
Mr. Harry S. Chang
Email:  susan_shm1@yahoo.com.hk 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 01:33:54 2010
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Date: Wed, 3 Mar 2010 17:13:50 -0800
From:  <dohol1@windstream.net>
To: Loopers-Delight@loopers-delight.com
Subject: Henry Kaiser/Antarctic video
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A relatively new video (four months old), with beautiful under ice footage...Kaiser's soundtrack is beautiful...

Here 'tis..

http://www.youtube.com/watch?v=PlER8f7vcsM

Doug H

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 07:03:47 2010
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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Owen Pallett Heartland
Date: Thu, 4 Mar 2010 08:03:33 +0100
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a friend gave me the "Heartland" CD of Owen Pallett. Incredible music, very
idiosyncratic and hard to categorize, but melodic and very enjoyable. I hear
that he does livelooping - has anyone seen him live?
-Michael

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Subject: Re: Custom pedals and pedal boards (WAS: anyone want to swap their Beige EDP for a Black EDP Pro Plus)
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--Apple-Mail-30--530843815
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I'd love to see a pick / hear about your custom control pedals.=20

And actually, sources for custom hard case pedal boards where you just =
take the top off and roll, if you or anyone has any suggestions.

On Mar 3, 2010, at 8:18 AM, phillip wilson wrote:

> Hi Guys, I have been out and about gigging a lot so havent been active =
for a long time on here.
>=20
> I have finally admitted to myself that I need a rebuild of my =
pedalboard and effects rack.
>=20
> I have squeezed as much as I possibly can out of the space I have =
available but have hit a sticking point
>=20
> because of the unusual and apparantly rare way I use my EDP and the =
updated CE spec, my blackface needs a DI box which up to now has sat in =
my racks back part. my new design doesnt have room for a back element =
and I really am keen to keep my setup plug in and go (which is possible =
with my 2 older whiteface edps which only have the older 1 ground point =
spec.
>=20
> Andy Ewan has cinfirmed that there is nothing wrong with my setup =
(just the way I choose to use it, and that the Blackface unit is =
actually QUIETER when used correctly in a studio environment or through =
a DI etc which again from my old setup I can concur.
>=20
> so basically what Im asking is if anyone onlist would like to swap =
their old whitefaced EDP for a very good condition Blackface?
>=20
> I would be happy to throw in TWO official controller units as a =
sweetener as I control all my EDPs through custom pedals.
>=20
> Like I say, if you are using your EDP in normal situations you will =
actually get better audio to noise...I just want a final solution to my =
ground loop on the go!!
>=20
> thanks
>=20
> Phill MyOneManBand
>=20
> PS Im in the UK.
>=20
>=20
> Do you want a Hotmail account? Sign-up now - Free


--Apple-Mail-30--530843815
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<html><head><base href=3D"x-msg://26/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><br></div><div><br></div><div>I'd love to see =
a pick / hear about your custom control =
pedals.&nbsp;</div><div><br></div><div>And actually, sources for custom =
hard case pedal boards where you just take the top off and roll, if you =
or anyone has any suggestions.</div><br><div><div>On Mar 3, 2010, at =
8:18 AM, phillip wilson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; ">Hi Guys, I have been =
out and about gigging a lot so havent been active for a long time on =
here.<br><br>I have finally admitted to myself that I need a rebuild of =
my pedalboard and effects rack.<br><br>I have squeezed as much as I =
possibly can out of the space I have available but have hit a sticking =
point<br><br>because of the unusual and apparantly rare way I use my EDP =
and the updated CE spec, my blackface needs a DI box which up to now has =
sat in my racks back part. my new design doesnt have room for a back =
element and I really am keen to keep my setup plug in and go (which is =
possible with my 2 older whiteface edps which only have the older 1 =
ground point spec.<br><br>Andy Ewan has cinfirmed that there is nothing =
wrong with my setup (just the way I choose to use it, and that the =
Blackface unit is actually QUIETER when used correctly in a studio =
environment or through a DI etc which again from my old setup I can =
concur.<br><br>so basically what Im asking is if anyone onlist would =
like to swap their old whitefaced EDP for a very good condition =
Blackface?<br><br>I would be happy to throw in TWO official controller =
units as a sweetener as I control all my EDPs through custom =
pedals.<br><br>Like I say, if you are using your EDP in normal =
situations you will actually get better audio to noise...I just want a =
final solution to my ground loop on the go!!<br><br>thanks<br><br>Phill =
MyOneManBand<br><br>PS Im in the UK.<br><br><br><hr>Do you want a =
Hotmail account?<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" =
target=3D"_new">Sign-up now - =
Free</a></div></span></blockquote></div><br></body></html>=

--Apple-Mail-30--530843815--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 07:15:27 2010
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Subject: Re: Owen Pallett Heartland
From: Myke Atkinson <mykeatkinson@gmail.com>
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Date: Thu, 4 Mar 2010 00:15:22 -0700
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To be honest, I wasn't a huge fan of his music until I saw him live (not =
that I didn't like it - it was just kind of in the take it or leave it =
pile). Last year he played in Calgary as part of the Sled Island =
festival at this gorgeous church downtown and I was blown away by his =
live performance. Besides being devilishly charismatic, the =
mini-orchestra of sounds he creates with his live looping setup is =
incredible. Truly an amazing performer.

Your post made me look up some videos of him, and this one, while pretty =
horrible audio quality, showcases some of the ingenious and extremely =
musical ways he uses his looping setup live:
http://vimeo.com/7509410

-Myke


On 2010-03-04, at 12:03 AM, Michael Peters wrote:

> a friend gave me the "Heartland" CD of Owen Pallett. Incredible music, =
very
> idiosyncratic and hard to categorize, but melodic and very enjoyable. =
I hear
> that he does livelooping - has anyone seen him live?
> -Michael
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 07:25:44 2010
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Subject: OT: Is Keytar cool (again) or not?
To: "LD LoopersDelight" <Loopers-Delight@loopers-delight.com>
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Hi Folks

I was just wondering:

Now that Keytar re-surfaced again along with the current back-to-80ies trend (oh, these leggings still look horrible - sorry ladies!)...

Do you think it is cool again? The question is of course: Was it ever cool at all? Well, at least, when Herbie Hancock took it to stage it did look kind of cool.
But the thing is: Would you want to be on stage with a Keytar nowadays - or is it (still) too embarrasing?

best regards
Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser

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Subject: Re: Custom pedals and pedal boards (WAS: anyone want to swap their
 Beige EDP for a Black EDP Pro Plus)
Date: Thu, 04 Mar 2010 02:04:45 -0600
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>
> And actually, sources for custom hard case pedal boards where you  
> just take the top off and roll, if you or anyone has any suggestions.

www.trailertrashpedalboards.com

He'll do all the wiring for you, too, if needed. I'm getting ready to  
send him a bunch of stuff for a board I'm putting together. Having  
spoken with him at length, I don't think there's anything he couldn't  
do. It's all custom built and tailored to your needs.

Give him (Rooster) a call. :)

Jeff
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<html><head><base href=3D"x-msg://26/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font></div><div>And =
actually, sources for custom hard case pedal boards where you just take =
the top off and roll, if you or anyone has any =
suggestions.</div></div></blockquote></div><br><div><a =
href=3D"http://www.trailertrashpedalboards.com">www.trailertrashpedalboard=
s.com</a></div><div><br></div><div>He'll do all the wiring for you, too, =
if needed. I'm getting ready to send him a bunch of stuff for a board =
I'm putting together. Having spoken with him at length, I don't think =
there's anything he couldn't do. It's all custom built and tailored to =
your needs.</div><div><br></div><div>Give him (Rooster) a call. =
:)</div><div><br></div><div>Jeff</div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 08:14:28 2010
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Subject: Re: OT: Is Keytar cool (again) or not?
To: Loopers-Delight@loopers-delight.com
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--001636c5a5fce0db160480f52f04
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What do you mean embarrassing?? Was it embarrassing? Speaking as someone who
had a string of sh101s and often used to stage dive with them.. I NEVER
thought it was embarrassing.. and still dont, I was fucking cool ya know!!!

But now I look back on it.. my haircut at the time... WoooooEeeeee!

Now THAT was a mistake!

Mark


On Thu, Mar 4, 2010 at 8:25 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Hi Folks
>
> I was just wondering:
>
> Now that Keytar re-surfaced again along with the current back-to-80ies
> trend (oh, these leggings still look horrible - sorry ladies!)...
>
> Do you think it is cool again? The question is of course: Was it ever cool
> at all? Well, at least, when Herbie Hancock took it to stage it did look
> kind of cool.
> But the thing is: Would you want to be on stage with a Keytar nowadays - or
> is it (still) too embarrasing?
>
> best regards
> Buzap
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5a5fce0db160480f52f04
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

What do you mean embarrassing?? Was it embarrassing? Speaking as someone wh=
o had a string of sh101s and often used to stage dive with them.. I NEVER t=
hought it was embarrassing.. and still dont, I was fucking cool ya know!!!<=
br>

<br>But now I look back on it.. my haircut at the time... WoooooEeeeee!<br>=
<br>Now THAT was a mistake!<br><br>Mark<br><br><br><div class=3D"gmail_quot=
e">On Thu, Mar 4, 2010 at 8:25 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi Folks<br>
<br>
I was just wondering:<br>
<br>
Now that Keytar re-surfaced again along with the current back-to-80ies tren=
d (oh, these leggings still look horrible - sorry ladies!)...<br>
<br>
Do you think it is cool again? The question is of course: Was it ever cool =
at all? Well, at least, when Herbie Hancock took it to stage it did look ki=
nd of cool.<br>
But the thing is: Would you want to be on stage with a Keytar nowadays - or=
 is it (still) too embarrasing?<br>
<br>
best regards<br>
Buzap<br>
<font color=3D"#888888">--<br>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br>
jetzt kostenlos herunterladen! <a href=3D"http://portal.gmx.net/de/go/atbro=
wser" target=3D"_blank">http://portal.gmx.net/de/go/atbrowser</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5a5fce0db160480f52f04--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 08:16:01 2010
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Subject: Re: OT: Is Keytar cool (again) or not?
Date: Thu, 04 Mar 2010 00:15:32 -0800
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I don't know, look at Imogen Heap!
She's pretty hot with a Ketar!

_____________________

Daniel Berkman | Colfax
Musician =E2=80=A2 Producer
www.danielberkman.com
Contact: (415) 254-4895

On Mar 3, 2010, at 11:25 PM, Buzap Buzap <buzap@gmx.net> wrote:

> Hi Folks
>
> I was just wondering:
>
> Now that Keytar re-surfaced again along with the current back-=20
> to-80ies trend (oh, these leggings still look horrible - sorry =20
> ladies!)...
>
> Do you think it is cool again? The question is of course: Was it =20
> ever cool at all? Well, at least, when Herbie Hancock took it to =20
> stage it did look kind of cool.
> But the thing is: Would you want to be on stage with a Keytar =20
> nowadays - or is it (still) too embarrasing?
>
> best regards
> Buzap
> --=20
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>

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--000e0ce0d7e4460da20480f53d30
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OH MY.. They are just beautiful!



www.trailertrashpedalboards.com
>
> He'll do all the wiring for you, too, if needed. I'm getting ready to send
> him a bunch of stuff for a board I'm putting together. Having spoken with
> him at length, I don't think there's anything he couldn't do. It's all
> custom built and tailored to your needs.
>
> Give him (Rooster) a call. :)
>
> Jeff
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce0d7e4460da20480f53d30
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<br>OH MY.. They are just beautiful!<br><br><br><br><div class=3D"gmail_quo=
te"><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D=
"word-wrap: break-word;">

<div><a href=3D"http://www.trailertrashpedalboards.com" target=3D"_blank">w=
ww.trailertrashpedalboards.com</a></div><div><br></div><div>He&#39;ll do al=
l the wiring for you, too, if needed. I&#39;m getting ready to send him a b=
unch of stuff for a board I&#39;m putting together. Having spoken with him =
at length, I don&#39;t think there&#39;s anything he couldn&#39;t do. It&#3=
9;s all custom built and tailored to your needs.</div>

<div><br></div><div>Give him (Rooster) a call. :)</div><div><br></div><font=
 color=3D"#888888"><div>Jeff</div></font></div></blockquote></div><br><br c=
lear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfr=
ancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--000e0ce0d7e4460da20480f53d30--

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Subject: Re: OT: Is Keytar cool (again) or not?
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> I don't know, look at Imogen Heap!

Actually, that's why I posted this. Saw her perform last night - and she really pulled it off with that Keytar (white Roland axe). 
But she's got credentials as an established crazy key playing artist.

The thing is: You walk into a club, see a guy with a keytar on stage - what do you think?

Maybe I'm just thinking too much what people think... ;-)

Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: OT: Is Keytar cool (again) or not?
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Ever try the Ztar?=0AAntony Hequet=0A=0ASent from my iPhone=0A=0AOn Mar 4, =
2010, at 9:15 AM, Daniel Berkman <danielberkman@mac.com> wrote:=0A=0AI don'=
t know, look at Imogen Heap!=0AShe's pretty hot with a Ketar!=0A=0A________=
_____________=0A=0ADaniel Berkman | Colfax=0AMusician =E2=80=A2 Producer=0A=
www.danielberkman.com=0AContact: (415) 254-4895=0A=0AOn Mar 3, 2010, at 11:=
25 PM, Buzap Buzap <buzap@gmx.net> wrote:=0A=0AHi Folks=0A=0AI was just won=
dering:=0A=0ANow that Keytar re-surfaced again along with the current back-=
to-80ies trend (oh, these leggings still look horrible - sorry ladies!)...=
=0A=0ADo you think it is cool again? The question is of course: Was it ever=
 cool at all? Well, at least, when Herbie Hancock took it to stage it did l=
ook kind of cool.=0ABut the thing is: Would you want to be on stage with a =
Keytar nowadays - or is it (still) too embarrasing?=0A=0Abest regards=0ABuz=
ap=0A-- =0ASicherer, schneller und einfacher. Die aktuellen Internet-Browse=
r -=0Ajetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser=
=0A=0A=0A=0A=0A=0A      

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I have 2 speak and spells 1 math and spell 1 speak and learn=2C and 1 talki=
ng teacher
ready for bending. Make me an offer
 		 	   		  =

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<body class=3D'hmmessage'>I have 2 speak and spells 1 math and spell 1 spea=
k and learn=2C and 1 talking teacher<br>ready for bending. Make me an offer=
<br> 		 	   		  </body>
</html>=

--_a2ad94bd-657b-4db0-a971-1eb73ae991ba_--

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Hi Buzap

>> I don't know, look at Imogen Heap!
> Actually, that's why I posted this. Saw her perform last night - and she really pulled it off with that Keytar (white Roland axe). 
> But she's got credentials as an established crazy key playing artist.
> 
> The thing is: You walk into a club, see a guy with a keytar on stage - what do you think?
I was in the Ampere club yesterday night too ;-)
I do not mind a keytar. Even in the times of headset microphones for a 
singer a portable keyboard is a good thing - like when she sang hide and 
seek (solovoice quasi a capella with vocoder chords).

If you use a keytar in the guitar heroe pose, then it requires to add 
some irony - Mrs Heap was able to do so (white keytar covered with 
Svarovsky Strass and giving the bad guitar heroe - both artist and 
audience had a good laugh). It reminded me Thomas Dolby with the SH-101 
back in 1985.

Florian

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 11:56:53 2010
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Subject: Re: OT: Is Keytar cool (again) or not?
From: Per Boysen <perboysen@gmail.com>
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My general view is that I'd rather listen to what the musician plays
on the Keytar before I I'd know if it's cool with me or not. But I
think my general perception of the instrument has been badly damaged
by keyboard players that sonically mimic the  expression of the
electric guitar. There are certain limitations with a guitar like for
example the tuning range between strings that favors certain note
bends within a scale. A piano style keyboard doesn't share those
limitations so why the hell make it sound like a guitar then! That's
such dumbing down attitude that I have rarely been thinking about the
Keytar as an instrument in its own right. Which was a mistake. Of
course there are musicians out there that make creative use of the
Keytar, I guess their voices just didn't cut through the massive
dumb-down dough ;-)

I think it is nice to be able to stand up when playing an instrument
because to me playing music  is like dancing, and I think many
musicians would agree to that. I also appreciate being able to walk
around on stage when playing. Both for finding sweet spots in the
stage monitoring in order to play wall and also for putting on a good
show for the audience. So by this the Keytar should be a pretty sweet
instrument! For electronics I prefer using an EWI but a Keytar would
definitely be better for traditional chord pad playing.

Keytar is not all bad, he just had some rough time slipping into bad
company. We should give him a second chance and listen to what he has
to say. ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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If it's good enough for the "Crazy Doggz", it's good enough for me! (from Flight of the Conchords).


--- On Thu, 3/4/10, Buzap Buzap <buzap@gmx.net> wrote:


From: Buzap Buzap <buzap@gmx.net>
Subject: OT: Is Keytar cool (again) or not?
To: "LD LoopersDelight" <Loopers-Delight@loopers-delight.com>
Date: Thursday, March 4, 2010, 2:25 AM


Hi Folks

I was just wondering:

Now that Keytar re-surfaced again along with the current back-to-80ies trend (oh, these leggings still look horrible - sorry ladies!)...

Do you think it is cool again? The question is of course: Was it ever cool at all? Well, at least, when Herbie Hancock took it to stage it did look kind of cool.
But the thing is: Would you want to be on stage with a Keytar nowadays - or is it (still) too embarrasing?

best regards
Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><DIV>If it's good enough for the "Crazy Doggz", it's good enough for me! (from Flight of the Conchords).</DIV>
<DIV><BR><BR>--- On <B>Thu, 3/4/10, Buzap Buzap <I>&lt;buzap@gmx.net&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From: Buzap Buzap &lt;buzap@gmx.net&gt;<BR>Subject: OT: Is Keytar cool (again) or not?<BR>To: "LD LoopersDelight" &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Date: Thursday, March 4, 2010, 2:25 AM<BR><BR>
<DIV class=plainMail>Hi Folks<BR><BR>I was just wondering:<BR><BR>Now that Keytar re-surfaced again along with the current back-to-80ies trend (oh, these leggings still look horrible - sorry ladies!)...<BR><BR>Do you think it is cool again? The question is of course: Was it ever cool at all? Well, at least, when Herbie Hancock took it to stage it did look kind of cool.<BR>But the thing is: Would you want to be on stage with a Keytar nowadays - or is it (still) too embarrasing?<BR><BR>best regards<BR>Buzap<BR>-- <BR>Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<BR>jetzt kostenlos herunterladen! <A href="http://portal.gmx.net/de/go/atbrowser" target=_blank>http://portal.gmx.net/de/go/atbrowser</A><BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
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From: "Kris Hartung" <khartung@q.com>
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Subject: OT: Roland Cube 60 Combo Guitar Amp - $275
Date: Thu, 4 Mar 2010 08:28:12 -0700
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For anyone interested...I bought this for the Boise festival, and it has =
been used only a few times. It is virtually new.  I bought an Acoustic =
Image Claris 1 head.

Anyone have a Raezer's Edge cabinet they want to sell? Like a Stealth 12 =
or 10.

Roland Cube 60 Combo Guitar Amp - $275  (sell new for $395)
Hardly used, like new.

More info:  =
http://www.rolandus.com/products/productdetails.php?ProductId=3D640

The new CUBE-60 brings Roland's acclaimed CUBE amplifier line to new =
levels and larger venues. The CUBE-60 is wickedly powerful for its size =
- the most powerful and versatile CUBE you've ever heard, thanks to the =
newly developed 12" speaker, specially tuned amplifier, nine potent =
COSM=AE amp models, pro digital effects, and versatile outputs.


  a.. Powerful 60-watt output, compact 12" speaker design=20
  b.. 9 COSM guitar amp models, including JC, British Combo, and R-Fire=20
  c.. New Dyna Amp feature enables smooth and expressive tone =
transitions based on picking dynamics=20
  d.. 6 classic built-in effects, including Chorus, Flanger, Phaser, =
Tremolo, and independent Delay/Reverb=20
  e.. Recording/Phones output, Line out, Tuner out, and Ext Speaker out=20
  f.. Channel switching, delay/reverb, and effect on/off control via =
optional footswitch

Kris



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>For anyone interested...I bought this =
for the Boise=20
festival, and it has been used only a few times. It is virtually =
new.&nbsp; I=20
bought an Acoustic Image Claris 1 head.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone have a Raezer's Edge cabinet =
they want to=20
sell? Like a Stealth 12 or 10.<BR><BR><STRONG>Roland Cube 60 Combo =
Guitar Amp -=20
$275&nbsp; (sell new for $395)</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Hardly used, like=20
new.</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>More info:&nbsp; <A=20
href=3D"http://www.rolandus.com/products/productdetails.php?ProductId=3D6=
40">http://www.rolandus.com/products/productdetails.php?ProductId=3D640</=
A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>The new CUBE-60 brings Roland=92s acclaimed CUBE amplifier line to =
new levels=20
and larger venues. The CUBE-60 is wickedly powerful for its size =97 the =
most=20
powerful and versatile CUBE you=92ve ever heard, thanks to the newly =
developed 12"=20
speaker, specially tuned amplifier, nine potent COSM=AE amp models, pro =
digital=20
effects, and versatile outputs.<BR><BR>
<UL>
  <LI>Powerful 60-watt output, compact 12" speaker design=20
  <LI>9 COSM guitar amp models, including JC, British Combo, and R-Fire=20
  <LI>New Dyna Amp feature enables smooth and expressive tone =
transitions based=20
  on picking dynamics=20
  <LI>6 classic built-in effects, including Chorus, Flanger, Phaser, =
Tremolo,=20
  and independent Delay/Reverb=20
  <LI>Recording/Phones output, Line out, Tuner out, and Ext Speaker out=20
  <LI>Channel switching, delay/reverb, and effect on/off control via =
optional=20
  footswitch</LI></UL></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 15:28:30 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Hi guys linux looping/fierce and the dead
Date: Thu, 4 Mar 2010 15:28:23 +0000
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Live loopers for linux - i thought this may be interesting to some of  
you

http://www.linuxjournal.com/content/getting-loopy-performance-loopers- 
linux-musician

And its not got much looping on it but my new electric project has a  
19 minute long single out here

http://thefierceandthedead.bandcamp.com

Is anyone else using bandcamp? Its amazing


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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Live loopers for linux - i thought this may be interesting to some of you<div><br></div><div><a href="http://www.linuxjournal.com/content/getting-loopy-performance-loopers-linux-musician">http://www.linuxjournal.com/content/getting-loopy-performance-loopers-linux-musician</a><br><div><br><div>And its not got much looping on it but my new electric project has a 19 minute long single out here&nbsp;</div><div><br></div><div>http://thefierceandthedead.bandcamp.com</div><div><br></div><div>Is anyone else using bandcamp? Its amazing</div><div><br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div>mattstevensguitar@btinternet.com</div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 15:49:22 2010
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Date: Thu, 4 Mar 2010 10:49:18 -0500
Message-ID: <9e0440a61003040749m17ed0534g15de9b8b3654d186@mail.gmail.com>
Subject: Re: Hi guys linux looping/fierce and the dead
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Matt yes I've been doing BC for awhile and we'll have the new
DigItSignal record there soon, Absence Of Being.

I run Ubuntu some (linux like) wonder if that will port to it.

Will chk out your new electric band.

Jim

On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
> Live loopers for linux - i thought this may be interesting to some of
> you
>
> http://www.linuxjournal.com/content/getting-loopy-performance-loopers-
> linux-musician
>
> And its not got much looping on it but my new electric project has a
> 19 minute long single out here
>
> http://thefierceandthedead.bandcamp.com
>
> Is anyone else using bandcamp? Its amazing
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Hi guys linux looping/fierce and the dead
Date: Thu, 4 Mar 2010 16:06:10 +0000
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brilliant - please let me know when the DigitSignal record is up  
tried to listen on RPM but it wouldn't let me!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Mar 2010, at 15:49, Jim Goodin wrote:

> Matt yes I've been doing BC for awhile and we'll have the new
> DigItSignal record there soon, Absence Of Being.
>
> I run Ubuntu some (linux like) wonder if that will port to it.
>
> Will chk out your new electric band.
>
> Jim
>
> On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>> Live loopers for linux - i thought this may be interesting to some of
>> you
>>
>> http://www.linuxjournal.com/content/getting-loopy-performance- 
>> loopers-
>> linux-musician
>>
>> And its not got much looping on it but my new electric project has a
>> 19 minute long single out here
>>
>> http://thefierceandthedead.bandcamp.com
>>
>> Is anyone else using bandcamp? Its amazing
>>
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>
> -- 
> Sent from my mobile device
>
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
brilliant - please let me know when the DigitSignal record is up tried =
to listen on RPM but it wouldn't let me!<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Mar 2010, =
at 15:49, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt yes I've been doing BC for awhile and we'll =
have the new</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">DigItSignal record there soon, =
Absence Of Being.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I run Ubuntu some (linux like) wonder if that will =
port to it.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Will chk out your new electric band.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Jim</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On 3/4/10, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Live loopers for linux - i thought this may be =
interesting to some of</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">you</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.linuxjournal.com/content/getting-loopy-performance-loop=
ers-">http://www.linuxjournal.com/content/getting-loopy-performance-looper=
s-</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">linux-musician</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">And its =
not got much looping on it but my new electric project has a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">19 minute long single out here</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://thefierceandthedead.bandcamp.com">http://thefierceandthedea=
d.bandcamp.com</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Is anyone else using bandcamp? =
Its amazing</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Matt =
Stevens</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sent from my mobile device</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ReUse, =
an introspective textural aural</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/CtReUse</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">music links...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.jimgoodinmusic.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.chinapaintingmusic.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/jimgoodinmusic</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/chinapaintingmusic</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/jimgoodinviolinelectro</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/jindream</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.youtube.com/jimgoodinmusic</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">video work/editing...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.vimeo.com/jimgoodindigital</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">social =
networking...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.twitter.com/jimgoodinmusic</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 16:30:35 2010
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Custom pedals and pedal boards (WAS: anyone want to swap their
 Beige EDP for a Black EDP Pro Plus)
Date: Thu, 4 Mar 2010 16:30:34 +0000
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Content-Transfer-Encoding: quoted-printable


Shouldnt be a problem=2C basically the old custom controller is a resistor =
based box similar to the official one but with two offset rows spaces close=
 together=2C it has the same footprint as a DL4 .

then i added an fcb1010 which is my main controller with the other one now =
controlling my loops when i am at my drum kit=2C=20

the next step i am putting together is a hacked and resoldered fcb1010 whic=
h will loose the rocker pedals and end up in another dl4 sized box =2C but =
with 10 buttons in two rows of 5

ifyou need any advice just let me know

From: thedarrow@gmail.com
Subject: Re: Custom pedals and pedal boards (WAS: anyone want to swap their=
 Beige EDP for a Black EDP Pro Plus)
Date: Wed=2C 3 Mar 2010 23:10:48 -0800
To: Loopers-Delight@loopers-delight.com





I'd love to see a pick / hear about your custom control pedals.=20
And actually=2C sources for custom hard case pedal boards where you just ta=
ke the top off and roll=2C if you or anyone has any suggestions.
On Mar 3=2C 2010=2C at 8:18 AM=2C phillip wilson wrote:Hi Guys=2C I have be=
en out and about gigging a lot so havent been active for a long time on her=
e.

I have finally admitted to myself that I need a rebuild of my pedalboard an=
d effects rack.

I have squeezed as much as I possibly can out of the space I have available=
 but have hit a sticking point

because of the unusual and apparantly rare way I use my EDP and the updated=
 CE spec=2C my blackface needs a DI box which up to now has sat in my racks=
 back part. my new design doesnt have room for a back element and I really =
am keen to keep my setup plug in and go (which is possible with my 2 older =
whiteface edps which only have the older 1 ground point spec.

Andy Ewan has cinfirmed that there is nothing wrong with my setup (just the=
 way I choose to use it=2C and that the Blackface unit is actually QUIETER =
when used correctly in a studio environment or through a DI etc which again=
 from my old setup I can concur.

so basically what Im asking is if anyone onlist would like to swap their ol=
d whitefaced EDP for a very good condition Blackface?

I would be happy to throw in TWO official controller units as a sweetener a=
s I control all my EDPs through custom pedals.

Like I say=2C if you are using your EDP in normal situations you will actua=
lly get better audio to noise...I just want a final solution to my ground l=
oop on the go!!

thanks

Phill MyOneManBand

PS Im in the UK.


Do you want a Hotmail account? Sign-up now - Free
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_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_9a3952c9-304c-48a7-a35e-d348c34a4c2e_
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<html>
<head>
<style><!--
.hmmessage P
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margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Shouldnt be a problem=2C basically the old custom controller is a resistor =
based box similar to the official one but with two offset rows spaces close=
 together=2C it has the same footprint as a DL4 .<br><br>then i added an fc=
b1010 which is my main controller with the other one now controlling my loo=
ps when i am at my drum kit=2C <br><br>the next step i am putting together =
is a hacked and resoldered fcb1010 which will loose the rocker pedals and e=
nd up in another dl4 sized box =2C but with 10 buttons in two rows of 5<br>=
<br>ifyou need any advice just let me know<br><br><hr id=3D"stopSpelling">F=
rom: thedarrow@gmail.com<br>Subject: Re: Custom pedals and pedal boards (WA=
S: anyone want to swap their Beige EDP for a Black EDP Pro Plus)<br>Date: W=
ed=2C 3 Mar 2010 23:10:48 -0800<br>To: Loopers-Delight@loopers-delight.com<=
br><br>

<base><div><br></div><div><br></div><div>I'd love to see a pick / hear abou=
t your custom control pedals.&nbsp=3B</div><div><br></div><div>And actually=
=2C sources for custom hard case pedal boards where you just take the top o=
ff and roll=2C if you or anyone has any suggestions.</div><br><div><div>On =
Mar 3=2C 2010=2C at 8:18 AM=2C phillip wilson wrote:</div><br class=3D"ecxA=
pple-interchange-newline"><blockquote><span class=3D"ecxApple-style-span" s=
tyle=3D"border-collapse: separate=3B font-family: Helvetica=3B font-size: m=
edium=3B font-style: normal=3B font-variant: normal=3B font-weight: normal=
=3B letter-spacing: normal=3B line-height: normal=3B text-indent: 0px=3B te=
xt-transform: none=3B white-space: normal=3B word-spacing: 0px=3B"><div cla=
ss=3D"ecxhmmessage" style=3D"font-size: 10pt=3B font-family: Verdana=3B">Hi=
 Guys=2C I have been out and about gigging a lot so havent been active for =
a long time on here.<br><br>I have finally admitted to myself that I need a=
 rebuild of my pedalboard and effects rack.<br><br>I have squeezed as much =
as I possibly can out of the space I have available but have hit a sticking=
 point<br><br>because of the unusual and apparantly rare way I use my EDP a=
nd the updated CE spec=2C my blackface needs a DI box which up to now has s=
at in my racks back part. my new design doesnt have room for a back element=
 and I really am keen to keep my setup plug in and go (which is possible wi=
th my 2 older whiteface edps which only have the older 1 ground point spec.=
<br><br>Andy Ewan has cinfirmed that there is nothing wrong with my setup (=
just the way I choose to use it=2C and that the Blackface unit is actually =
QUIETER when used correctly in a studio environment or through a DI etc whi=
ch again from my old setup I can concur.<br><br>so basically what Im asking=
 is if anyone onlist would like to swap their old whitefaced EDP for a very=
 good condition Blackface?<br><br>I would be happy to throw in TWO official=
 controller units as a sweetener as I control all my EDPs through custom pe=
dals.<br><br>Like I say=2C if you are using your EDP in normal situations y=
ou will actually get better audio to noise...I just want a final solution t=
o my ground loop on the go!!<br><br>thanks<br><br>Phill MyOneManBand<br><br=
>PS Im in the UK.<br><br><br><hr>Do you want a Hotmail account?<span class=
=3D"ecxApple-converted-space">&nbsp=3B</span><a href=3D"http://clk.atdmt.co=
m/UKM/go/197222280/direct/01/">Sign-up now - Free</a></div></span></blockqu=
ote></div><br> 		 	   		  <br /><hr />Do you have a story that started on H=
otmail? <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=
=3D'_new'>Tell us now</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 16:36:19 2010
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Date: Thu, 4 Mar 2010 08:36:16 -0800
Message-ID: <4cdf3b971003040836i7be6016cx64ffa34f2c701189@mail.gmail.com>
Subject: Re: Hi guys linux looping/fierce and the dead
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636e0a75bacb78a0480fc32ee
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Fierce and the Dead is good stuff!

On Thu, Mar 4, 2010 at 8:06 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> brilliant - please let me know when the DigitSignal record is up tried to
> listen on RPM but it wouldn't let me!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Mar 2010, at 15:49, Jim Goodin wrote:
>
> Matt yes I've been doing BC for awhile and we'll have the new
> DigItSignal record there soon, Absence Of Being.
>
> I run Ubuntu some (linux like) wonder if that will port to it.
>
> Will chk out your new electric band.
>
> Jim
>
> On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>
> Live loopers for linux - i thought this may be interesting to some of
> you
>
> http://www.linuxjournal.com/content/getting-loopy-performance-loopers-
> linux-musician
>
> And its not got much looping on it but my new electric project has a
> 19 minute long single out here
>
> http://thefierceandthedead.bandcamp.com
>
> Is anyone else using bandcamp? Its amazing
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
> --
> Sent from my mobile device
>
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>

--001636e0a75bacb78a0480fc32ee
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Fierce and the Dead is good stuff!<br><br><div class=3D"gmail_quote">On Thu=
, Mar 4, 2010 at 8:06 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
brilliant - please let me know when the DigitSignal record is up tried to l=
isten on RPM but it wouldn&#39;t let me!<div><div class=3D"im"><br><div> <s=
pan style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvet=
ica;font-size:12px;font-style:normal;font-variant:normal;font-weight:normal=
;letter-spacing:normal;line-height:normal;text-align:auto;text-indent:0px;t=
ext-transform:none;white-space:normal;word-spacing:0px"><span style=3D"bord=
er-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12p=
x;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:n=
ormal;line-height:normal;text-indent:0px;text-transform:none;white-space:no=
rmal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div></div><div =
class=3D"h5"><div><div>On 4 Mar 2010, at 15:49, Jim Goodin wrote:</div><br>=
<blockquote type=3D"cite"><div style=3D"margin-top:0px;margin-right:0px;mar=
gin-bottom:0px;margin-left:0px">
Matt yes I&#39;ve been doing BC for awhile and we&#39;ll have the new</div>=
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px">DigItSignal record there soon, Absence Of Being.</div><div style=3D"m=
argin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height=
:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px">I run Ubuntu some (linux like) wonder if that will port to =
it.</div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;ma=
rgin-left:0px;min-height:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px">Will chk out your new electric band.</div><div style=3D"mar=
gin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:1=
4px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px">Jim</div><div style=3D"margin-top:0px;margin-right:0px;marg=
in-bottom:0px;margin-left:0px;min-height:14px"><br></div><div style=3D"marg=
in-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
On 3/4/10, Matt Stevens &lt;<a href=3D"mailto:mattstevensguitar@btinternet.=
com" target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt; wrote:</div=
> <blockquote type=3D"cite"><div style=3D"margin-top:0px;margin-right:0px;m=
argin-bottom:0px;margin-left:0px">
Live loopers for linux - i thought this may be interesting to some of</div>=
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px">you</div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:=
0px;margin-left:0px;min-height:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px"><a href=3D"http://www.linuxjournal.com/content/getting-loop=
y-performance-loopers-" target=3D"_blank">http://www.linuxjournal.com/conte=
nt/getting-loopy-performance-loopers-</a></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px">linux-musician</div><div style=3D"margin-top:0px;margin-right:0px;mar=
gin-bottom:0px;margin-left:0px;min-height:14px"><br></div><div style=3D"mar=
gin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
And its not got much looping on it but my new electric project has a</div><=
div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:=
0px">19 minute long single out here</div><div style=3D"margin-top:0px;margi=
n-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px"><a href=3D"http://thefierceandthedead.bandcamp.com" target=
=3D"_blank">http://thefierceandthedead.bandcamp.com</a></div><div style=3D"=
margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-heigh=
t:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px">Is anyone else using bandcamp? Its amazing</div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-h=
eight:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;min-height:14px"><br></div><div style=3D"margin-top:0px;marg=
in-right:0px;margin-bottom:0px;margin-left:0px">Matt Stevens</div><div styl=
e=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
<a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.mattstev=
ensguitar.com</a></div><div style=3D"margin-top:0px;margin-right:0px;margin=
-bottom:0px;margin-left:0px"><a href=3D"mailto:mattstevensguitar@btinternet=
.com" target=3D"_blank">mattstevensguitar@btinternet.com</a></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px"><br></div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px;min-height:14px"><br></div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-h=
eight:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;min-height:14px"><br></div><div style=3D"margin-top:0px;marg=
in-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px"><br></div> =
</blockquote>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px"><br></div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px">--<span>=A0</span></div><div style=3D=
"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
Sent from my mobile device</div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px;min-height:14px"><br></div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">ReUs=
e, an introspective textural aural</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.mysp=
ace.com/CtReUse</a></div><div style=3D"margin-top:0px;margin-right:0px;marg=
in-bottom:0px;margin-left:0px;min-height:14px">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px">music links...</div><div style=3D"margin-top:0px;margin-rig=
ht:0px;margin-bottom:0px;margin-left:0px"><a href=3D"http://www.jimgoodinmu=
sic.com" target=3D"_blank">www.jimgoodinmusic.com</a></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.c=
hinapaintingmusic.com</a></div><div style=3D"margin-top:0px;margin-right:0p=
x;margin-bottom:0px;margin-left:0px">
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px"><a href=3D"http://www.myspace.com/ch=
inapaintingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><=
/div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_=
blank">www.myspace.com/jimgoodinviolinelectro</a></div><div style=3D"margin=
-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a></div><div style=3D"margin-top:0px;margin-right:0px;margin-b=
ottom:0px;margin-left:0px"><a href=3D"http://www.youtube.com/jimgoodinmusic=
" target=3D"_blank">www.youtube.com/jimgoodinmusic</a></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px"><br></div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px">video work/editing...</div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;min-height:14px"><br></div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">
social networking...</div><div style=3D"margin-top:0px;margin-right:0px;mar=
gin-bottom:0px;margin-left:0px"><a href=3D"http://www.twitter.com/jimgoodin=
music" target=3D"_blank">www.twitter.com/jimgoodinmusic</a></div><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-h=
eight:14px">
<br></div> </blockquote></div><br></div></div></div></div></blockquote></di=
v><br>

--001636e0a75bacb78a0480fc32ee--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 16:44:12 2010
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Date: Thu, 04 Mar 2010 17:44:09 +0100
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hi

does anyone have this same problem? You write a song... It is fantastic. 
You find it works wonderfully with loops...You really enjoy playing it 
and falling into the beauty of the meditative music that is unfolding so 
simply and eloquently. You allow yourself to be carried away with the 
music...

And then you realize... it is great to be carried away like this, but it 
is also rather boring... after a while... And you want to add variation 
to your song. You want to use loops but also want to add different beats 
and rhythms, change the loop, or just have one voice layer for a while. 
Make it interesting.

So you make that a goal. But then you start playing the music and 
wham... you are being carried away again. There you are floating in the 
distance surrounded by beautiful repeating loops......

How does one go about killing a loop? I suppose you've just got to do it.

Best
Nadia


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 17:17:00 2010
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I think one of the biggest challenges is how to gracefully exit a =20
loop.  Here are a couple of techniques that I use:

1) A lap-dissolve

While Loop A plays, I build up new loop (Loop B) -- then I reduce the =20
feedback on Loop A such that it fades out while I continue to build =20
Loop B.

2) Feedback -- an easy way to kill a loop is to decrease the feedback =20
while adding new material on top of it.  Actually, one can produce an =20
ever-changing improvisation just by looping into a loop that slowly =20
fades with each iteration.

3) Stop the loop and keep playing live.  That's right... just stop it =20
cold but keep playing your instrument -- you can simply improvise a =20
coda to end your song -- or of course, start to build another loop.

4) "Manual Looping" -- while your loop plays, play another loop =20
yourself -- fade out the loop but keep your Manual Loop going.  Once =20
the mechanical loop is out of the mix, all that is left is your =20
real-time loop that you can work with.

5) Mangling -- take the loop and "mangle" it -- slow it down, speed it =20
up, break it up, process and distort it -- there are many ways to =20
"mangle" and, ultimately, kill a loop.

I have used all these methods at one time or another.  Hope this gives =20
you a few ideas.

-- Kevin

Quoting Nadia Salom <nadia.salom@gmx.de>:

> hi
>
> does anyone have this same problem? You write a song... It is
> fantastic. You find it works wonderfully with loops...You really enjoy
> playing it and falling into the beauty of the meditative music that is
> unfolding so simply and eloquently. You allow yourself to be carried
> away with the music...
>
> And then you realize... it is great to be carried away like this, but
> it is also rather boring... after a while... And you want to add
> variation to your song. You want to use loops but also want to add
> different beats and rhythms, change the loop, or just have one voice
> layer for a while. Make it interesting.
>
> So you make that a goal. But then you start playing the music and
> wham... you are being carried away again. There you are floating in the
> distance surrounded by beautiful repeating loops......
>
> How does one go about killing a loop? I suppose you've just got to do it.
>
> Best
> Nadia
>
>
> --=20
> Nadia Salom
> http://www.nirmala07.net
> http://www.ubetoo.com/nirmala07



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Subject: Re: the death of the loop
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 4, 2010 at 5:44 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> How does one go about killing a loop?

Fora a change, try changing the loop's audio content while it is
playing. Use a continuous pedal assigned to feedback for soft changes
and slicing to violently replace chunks of audio in the loop.

If you want to write songs, learn to write songs. Looping is
different. But in a quite beautiful way; looping doesn't demand *a
start* and *an ending*. It's more like the original idea of ambient
music; it is going on forever and you simply tune in or tune out of
the flow.

I agree with you that when picking up an ambition to "write songs" out
of true live looping sessions a lot of the magic is lost. But thinking
closer about "composing", isn't it in fact a lame-ish workaround to
synthesize the true inspiration of a good improvisation? A way to
experience an adventure without exposing yourself to the risks. A
trick to repeat a blissful moment many times.

But some folks are good at composing. How do they manage? I'd say they
are very good at simulating the inspired "first encounter experience"
in music. In order to succeed with that you will have to distance
yourself from the nice feeling of being part of the music as "music
happens to you" in order to analyse and take notes of exactly what
happens so you can repeat it and bring over a fragment of that emotion
to listeners.

Oops... this turned out a bit theoretical - I fully support the
hands-on hints Kevin just posted as well.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 17:29:23 2010
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--00504502c7c86685ca0480fcf025
Content-Type: text/plain; charset=ISO-8859-1
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What I like is using more than one loop.. cant speak for other loopers, but
with EDP i just got to a differnt loop.. and one day I go back to the
original loop, often the loop has moved on by then and the original seems..=
.
wel original... If you switch between loops like this working on each all
the time, REPLACING rather that overdy=FAbing.. then you get more variation=
.
EDP is great at this...
Repeater is terrible at this.. shouldnt be, it IS possible to change loops
after all.. but just doent seem seamless... Of course Mobius, being based o=
n
EDP is also great at this.. and Im sure all the Songster type loopers ut
must be a doddle..

Maybe the answer to "kill a loop" is not to kill it, just put it aside and
come back later (in the song)???

Mark


On Thu, Mar 4, 2010 at 6:19 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 4, 2010 at 5:44 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> > How does one go about killing a loop?
>
> Fora a change, try changing the loop's audio content while it is
> playing. Use a continuous pedal assigned to feedback for soft changes
> and slicing to violently replace chunks of audio in the loop.
>
> If you want to write songs, learn to write songs. Looping is
> different. But in a quite beautiful way; looping doesn't demand *a
> start* and *an ending*. It's more like the original idea of ambient
> music; it is going on forever and you simply tune in or tune out of
> the flow.
>
> I agree with you that when picking up an ambition to "write songs" out
> of true live looping sessions a lot of the magic is lost. But thinking
> closer about "composing", isn't it in fact a lame-ish workaround to
> synthesize the true inspiration of a good improvisation? A way to
> experience an adventure without exposing yourself to the risks. A
> trick to repeat a blissful moment many times.
>
> But some folks are good at composing. How do they manage? I'd say they
> are very good at simulating the inspired "first encounter experience"
> in music. In order to succeed with that you will have to distance
> yourself from the nice feeling of being part of the music as "music
> happens to you" in order to analyse and take notes of exactly what
> happens so you can repeat it and bring over a fragment of that emotion
> to listeners.
>
> Oops... this turned out a bit theoretical - I fully support the
> hands-on hints Kevin just posted as well.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00504502c7c86685ca0480fcf025
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

What I like is using more than one loop.. cant speak for other loopers, but=
 with EDP i just got to a differnt loop.. and one day I go back to the orig=
inal loop, often the loop has moved on by then and the original seems... we=
l original... If you switch between loops like this working on each all the=
 time, REPLACING rather that overdy=FAbing.. then you get more variation.<b=
r>

EDP is great at this...<br>Repeater is terrible at this.. shouldnt be, it I=
S possible to change loops after all.. but just doent seem seamless... Of c=
ourse Mobius, being based on EDP is also great at this.. and Im sure all th=
e Songster type loopers ut must be a doddle..<br>

<br>Maybe the answer to &quot;kill a loop&quot; is not to kill it, just put=
 it aside and come back later (in the song)???<br><br>Mark<br><br><br><div =
class=3D"gmail_quote">On Thu, Mar 4, 2010 at 6:19 PM, Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">On Thu, Mar 4, 20=
10 at 5:44 PM, Nadia Salom &lt;<a href=3D"mailto:nadia.salom@gmx.de">nadia.=
salom@gmx.de</a>&gt; wrote:<br>


&gt; How does one go about killing a loop?<br>
<br>
Fora a change, try changing the loop&#39;s audio content while it is<br>
playing. Use a continuous pedal assigned to feedback for soft changes<br>
and slicing to violently replace chunks of audio in the loop.<br>
<br>
If you want to write songs, learn to write songs. Looping is<br>
different. But in a quite beautiful way; looping doesn&#39;t demand *a<br>
start* and *an ending*. It&#39;s more like the original idea of ambient<br>
music; it is going on forever and you simply tune in or tune out of<br>
the flow.<br>
<br>
I agree with you that when picking up an ambition to &quot;write songs&quot=
; out<br>
of true live looping sessions a lot of the magic is lost. But thinking<br>
closer about &quot;composing&quot;, isn&#39;t it in fact a lame-ish workaro=
und to<br>
synthesize the true inspiration of a good improvisation? A way to<br>
experience an adventure without exposing yourself to the risks. A<br>
trick to repeat a blissful moment many times.<br>
<br>
But some folks are good at composing. How do they manage? I&#39;d say they<=
br>
are very good at simulating the inspired &quot;first encounter experience&q=
uot;<br>
in music. In order to succeed with that you will have to distance<br>
yourself from the nice feeling of being part of the music as &quot;music<br=
>
happens to you&quot; in order to analyse and take notes of exactly what<br>
happens so you can repeat it and bring over a fragment of that emotion<br>
to listeners.<br>
<br>
Oops... this turned out a bit theoretical - I fully support the<br>
hands-on hints Kevin just posted as well.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502c7c86685ca0480fcf025--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 17:39:13 2010
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	 <33BE7AA4-D7AA-47C9-B543-6925168DC555@btinternet.com>
Date: Thu, 4 Mar 2010 12:39:08 -0500
Message-ID: <9e0440a61003040939w1ecf22ffi39af431509def5b9@mail.gmail.com>
Subject: Re: Hi guys linux looping/fierce and the dead
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Matt will do, there are 3 trax on our page on RPM that should play for you,
let me knwo if not.  here's our public page there
http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,8652/Itemid,296/
.

Your Fierce and The Dead sounds really cool, like the subtle ember that
grows to fire approach in that track Matt.

On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> brilliant - please let me know when the DigitSignal record is up tried to
> listen on RPM but it wouldn't let me!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Mar 2010, at 15:49, Jim Goodin wrote:
>
> Matt yes I've been doing BC for awhile and we'll have the new
> DigItSignal record there soon, Absence Of Being.
>
> I run Ubuntu some (linux like) wonder if that will port to it.
>
> Will chk out your new electric band.
>
> Jim
>
> On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>
> Live loopers for linux - i thought this may be interesting to some of
> you
>
> http://www.linuxjournal.com/content/getting-loopy-performance-loopers-
> linux-musician
>
> And its not got much looping on it but my new electric project has a
> 19 minute long single out here
>
> http://thefierceandthedead.bandcamp.com
>
> Is anyone else using bandcamp? Its amazing
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
> --
> Sent from my mobile device
>
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001485f5ae4a89fb1c0480fd13f6
Content-Type: text/html; charset=ISO-8859-1
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Matt will do, there are 3 trax on our page on RPM that should play for you,=
 let me knwo if not.=A0 here&#39;s our public page there <a href=3D"http://=
www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user=
,8652/Itemid,296/">http://www.rpmchallenge.com/component/option,com_comprof=
iler/task,userProfile/user,8652/Itemid,296/</a>.<br>
<br>Your Fierce and The Dead sounds really cool, like the subtle ember that=
 grows to fire approach in that track Matt.<br><br><div class=3D"gmail_quot=
e">On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinterne=
t.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
brilliant - please let me know when the DigitSignal record is up tried to l=
isten on RPM but it wouldn&#39;t let me!<div><div class=3D"im"><br><div> <s=
pan style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: H=
elvetica; font-size: 12px; font-style: normal; font-variant: normal; font-w=
eight: normal; letter-spacing: normal; line-height: normal; text-indent: 0p=
x; text-transform: none; white-space: normal; word-spacing: 0px;"><span sty=
le=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetic=
a; font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text=
-transform: none; white-space: normal; word-spacing: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div></div><div =
class=3D"h5"><div><div>On 4 Mar 2010, at 15:49, Jim Goodin wrote:</div><br>=
<blockquote type=3D"cite"><div style=3D"margin: 0px;">Matt yes I&#39;ve bee=
n doing BC for awhile and we&#39;ll have the new</div>
<div style=3D"margin: 0px;">DigItSignal record there soon, Absence Of Being=
.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=
=3D"margin: 0px;">I run Ubuntu some (linux like) wonder if that will port t=
o it.</div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px;">Will chk out your new electric band.</div><div style=3D"margin: 0p=
x; min-height: 14px;"><br></div><div style=3D"margin: 0px;">Jim</div><div s=
tyle=3D"margin: 0px; min-height: 14px;">
<br></div><div style=3D"margin: 0px;">On 3/4/10, Matt Stevens &lt;<a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a>&gt; wrote:</div> <blockquote type=3D"cite"><div st=
yle=3D"margin: 0px;">
Live loopers for linux - i thought this may be interesting to some of</div>=
<div style=3D"margin: 0px;">you</div><div style=3D"margin: 0px; min-height:=
 14px;"><br></div><div style=3D"margin: 0px;"><a href=3D"http://www.linuxjo=
urnal.com/content/getting-loopy-performance-loopers-" target=3D"_blank">htt=
p://www.linuxjournal.com/content/getting-loopy-performance-loopers-</a></di=
v>
<div style=3D"margin: 0px;">linux-musician</div><div style=3D"margin: 0px; =
min-height: 14px;"><br></div><div style=3D"margin: 0px;">And its not got mu=
ch looping on it but my new electric project has a</div><div style=3D"margi=
n: 0px;">
19 minute long single out here</div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px;"><a href=3D"http://thefierceand=
thedead.bandcamp.com" target=3D"_blank">http://thefierceandthedead.bandcamp=
.com</a></div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px;">Is anyone else using bandcamp? Its amazing</div><div style=3D"marg=
in: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height=
: 14px;">
<br></div><div style=3D"margin: 0px;">Matt Stevens</div><div style=3D"margi=
n: 0px;"><a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">www=
.mattstevensguitar.com</a></div><div style=3D"margin: 0px;"><a href=3D"mail=
to:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@bt=
internet.com</a></div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height:=
 14px;"><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><=
div style=3D"margin: 0px; min-height: 14px;">
<br></div> </blockquote><div style=3D"margin: 0px; min-height: 14px;"><br><=
/div><div style=3D"margin: 0px;">--<span>=A0</span></div><div style=3D"marg=
in: 0px;">Sent from my mobile device</div><div style=3D"margin: 0px; min-he=
ight: 14px;">
<br></div><div style=3D"margin: 0px;">ReUse, an introspective textural aura=
l</div><div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/CtReUs=
e" target=3D"_blank">www.myspace.com/CtReUse</a></div><div style=3D"margin:=
 0px; min-height: 14px;">
<br></div><div style=3D"margin: 0px;">music links...</div><div style=3D"mar=
gin: 0px;"><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.=
jimgoodinmusic.com</a></div><div style=3D"margin: 0px;"><a href=3D"http://w=
ww.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a>=
</div>
<div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jimgoodinmusi=
c" target=3D"_blank">www.myspace.com/jimgoodinmusic</a></div><div style=3D"=
margin: 0px;"><a href=3D"http://www.myspace.com/chinapaintingmusic" target=
=3D"_blank">www.myspace.com/chinapaintingmusic</a></div>
<div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jimgoodinviol=
inelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a></di=
v><div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jindream" t=
arget=3D"_blank">www.myspace.com/jindream</a></div>
<div style=3D"margin: 0px;"><a href=3D"http://www.youtube.com/jimgoodinmusi=
c" target=3D"_blank">www.youtube.com/jimgoodinmusic</a></div><div style=3D"=
margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">video=
 work/editing...</div>
<div style=3D"margin: 0px;"><a href=3D"http://www.vimeo.com/jimgoodindigita=
l" target=3D"_blank">www.vimeo.com/jimgoodindigital</a></div><div style=3D"=
margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">socia=
l networking...</div>
<div style=3D"margin: 0px;"><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a></div><div style=3D"=
margin: 0px; min-height: 14px;"><br></div> </blockquote></div><br></div></d=
iv></div>
</div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introsp=
ective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.mys=
pace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgood=
inmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001485f5ae4a89fb1c0480fd13f6--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 18:03:52 2010
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Nadia Salom schrieb:
> How does one go about killing a loop? I suppose you've just got to do it.
Although changing an existing loop would also follow (some of) your 
goals, I will focus on killing a loop specifically. A lot has also been 
said by others.

1. Playing live over the loop, fade the loop and then vary what your 
playing...already mentioned, works fine for me. Especially if you use a 
kind of crossfader to gradually fade from loop to live instrument (which 
is playing the same thing...for the moment).

2. Reduce feedback. Now a lot of loopers don't allow you to do that, 
especially if you're not in overdub mode. There's a workaround: don't 
send your live signal into the looper and go into overdub, and the loop 
will fade (usually requires using a mixer).

3. The Beethoven Symphony Ending Routine: Gradually trim down your loop 
to increasingly smaller subsections. On the EDP (or Möbius) that would 
be Multiply->Record. That way, you can trim down e,g, a long chord 
progression to just the ending IV-V-I, then to V-I, then just to I.

4. Stop the loop.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 18:16:32 2010
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Subject: Re: Custom pedals and pedal boards (WAS: anyone want to swap their  Beige
 EDP for a Black EDP Pro Plus)
Date: Thu, 04 Mar 2010 13:16:19 -0500
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www.trailertrashpedalboards.com


pretty....but i wouldn't want to schlepp that up and down=20
stairs.....what i want to get is a music stand (black metal with holes=20
in it, must have the holes!) and velcro my little boxes to it......i=20
just can't find the ones with the holes
.....:)m

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 18:21:33 2010
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On Mar 4, 2010, at 12:16 PM, nemoguitt@aol.com wrote:

>
> www.trailertrashpedalboards.com
>
>
> pretty....but i wouldn't want to schlepp that up and down stairs.....

It goes in an ATA flight case with handles. Seems like it'd be the  
easiest thing in the world to carry to me--unless you had 2 or 3 of  
them you had to hook up together. ;)

The boards with the glowing lights cost extra. They certainly look  
cool, though, I admit.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 18:34:38 2010
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I'm with Mark on this one. Thematic continuity is crucial.

I'm sure this will sound sort of amateur to many of you who are computer =
and sequencer savvy but it's new to me so here goes.=20

I use a turntable and scratch mixer rather than a sampler to insert =
rhythms into my EDP loops (I'm a little old school).  I'm not a drummer =
by training so I like to take old jazz records with great drummers and =
manipulate the rhythms on them to get what I need. The percussion tones =
sound much better this way to me than anything I could generate with my =
clumsy wielding of sticks.

Because of this admittedly primitive technique,  I discovered I am able =
to also send output from my board (the control room mix) back into the =
scratch mixer and this allows me to scratch chop and dice "against" my =
own complete loop if that makes sense. In other words, I am introducing =
silences, beats and scratch sounds where there previously were none.=20

Recently I have been using this technique almost exclusively to create a =
rhythmic basis for the next loop on the EDP's and I think it makes for =
very interesting transitions because it changes the "feel" almost =
entirely but retains some musical elements of the original loop.  I end =
up with several loops that are rhythmically different but musically =
similar that I can switch between on the EDP's and this actually works =
well for chorus/verse type compositions.=20

The different rhythms force me to play really different types of guitar =
lines on top of each loop but on similar musical scales. The only thing =
I try to be mindful of is occasionally going back to the original loops =
and adding some layers so that things don't get too uneven. This solves =
the problem of the original loops sounding "original" as mark puts it.

It has taken me a lot of practice to learn to do this smoothly but it is =
well worth it IMHO.  Anyone else on here use a similar technique? I =
would love to exchange some tips.

Ace

From: markfrancombe@gmail.com [mailto:markfrancombe@gmail.com] On Behalf =
Of mark francombe
Sent: Thursday, March 04, 2010 12:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop

=20

What I like is using more than one loop.. cant speak for other loopers, =
but with EDP i just got to a differnt loop.. and one day I go back to =
the original loop, often the loop has moved on by then and the original =
seems... wel original... If you switch between loops like this working =
on each all the time, REPLACING rather that overdy=FAbing.. then you get =
more variation.
EDP is great at this...
Repeater is terrible at this.. shouldnt be, it IS possible to change =
loops after all.. but just doent seem seamless... Of course Mobius, =
being based on EDP is also great at this.. and Im sure all the Songster =
type loopers ut must be a doddle..

Maybe the answer to "kill a loop" is not to kill it, just put it aside =
and come back later (in the song)???

Mark



On Thu, Mar 4, 2010 at 6:19 PM, Per Boysen <perboysen@gmail.com> wrote:

On Thu, Mar 4, 2010 at 5:44 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> How does one go about killing a loop?

Fora a change, try changing the loop's audio content while it is
playing. Use a continuous pedal assigned to feedback for soft changes
and slicing to violently replace chunks of audio in the loop.

If you want to write songs, learn to write songs. Looping is
different. But in a quite beautiful way; looping doesn't demand *a
start* and *an ending*. It's more like the original idea of ambient
music; it is going on forever and you simply tune in or tune out of
the flow.

I agree with you that when picking up an ambition to "write songs" out
of true live looping sessions a lot of the magic is lost. But thinking
closer about "composing", isn't it in fact a lame-ish workaround to
synthesize the true inspiration of a good improvisation? A way to
experience an adventure without exposing yourself to the risks. A
trick to repeat a blissful moment many times.

But some folks are good at composing. How do they manage? I'd say they
are very good at simulating the inspired "first encounter experience"
in music. In order to succeed with that you will have to distance
yourself from the nice feeling of being part of the music as "music
happens to you" in order to analyse and take notes of exactly what
happens so you can repeat it and bring over a fragment of that emotion
to listeners.

Oops... this turned out a bit theoretical - I fully support the
hands-on hints Kevin just posted as well.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I&#8217;m with Mark on this one. Thematic continuity is =
crucial.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I&#8217;m sure this will sound sort of amateur to many of =
you who
are computer and sequencer savvy but it&#8217;s new to me so here goes. =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I use a turntable and scratch mixer rather than a sampler =
to
insert rhythms into my EDP loops (I&#8217;m a little old school). =
=A0I&#8217;m
not a drummer by training so I like to take old jazz records with great
drummers and manipulate the rhythms on them to get what I need. The =
percussion
tones sound much better this way to me than anything I could generate =
with my
clumsy wielding of sticks.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Because of this admittedly primitive technique, =A0I =
discovered I
am able to also send output from my board (the control room mix) back =
into the
scratch mixer and this allows me to scratch chop and dice =
&#8220;against&#8221;
my own complete loop if that makes sense. In other words, I am =
introducing
silences, beats and scratch sounds where there previously were none. =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Recently I have been using this technique almost =
exclusively to
create a rhythmic basis for the next loop on the EDP&#8217;s and I think =
it
makes for very interesting transitions because it changes the =
&#8220;feel&#8221;
almost entirely but retains some musical elements of the original loop. =
=A0I end
up with several loops that are rhythmically different but musically =
similar
that I can switch between on the EDP&#8217;s and this actually works =
well for
chorus/verse type compositions. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>The different rhythms force me to play really different =
types of
guitar lines on top of each loop but on similar musical scales. The only =
thing
I try to be mindful of is occasionally going back to the original loops =
and
adding some layers so that things don&#8217;t get too uneven. This =
solves the
problem of the original loops sounding &#8220;original&#8221; as mark =
puts it.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>It has taken me a lot of practice to learn to do this =
smoothly
but it is well worth it IMHO. =A0Anyone else on here use a similar =
technique? I
would love to exchange some tips.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Ace<o:p></o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
markfrancombe@gmail.com
[mailto:markfrancombe@gmail.com] <b>On Behalf Of </b>mark francombe<br>
<b>Sent:</b> Thursday, March 04, 2010 12:29 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: the death of the loop<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>What I like is using =
more than
one loop.. cant speak for other loopers, but with EDP i just got to a =
differnt
loop.. and one day I go back to the original loop, often the loop has =
moved on
by then and the original seems... wel original... If you switch between =
loops
like this working on each all the time, REPLACING rather that =
overdy=FAbing..
then you get more variation.<br>
EDP is great at this...<br>
Repeater is terrible at this.. shouldnt be, it IS possible to change =
loops
after all.. but just doent seem seamless... Of course Mobius, being =
based on
EDP is also great at this.. and Im sure all the Songster type loopers ut =
must
be a doddle..<br>
<br>
Maybe the answer to &quot;kill a loop&quot; is not to kill it, just put =
it
aside and come back later (in the song)???<br>
<br>
Mark<br>
<br>
<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Thu, Mar 4, 2010 at 6:19 PM, Per Boysen &lt;<a
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:<o:p></o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>On Thu, Mar 4, 2010 =
at 5:44 PM,
Nadia Salom &lt;<a =
href=3D"mailto:nadia.salom@gmx.de">nadia.salom@gmx.de</a>&gt;
wrote:<br>
&gt; How does one go about killing a loop?<br>
<br>
Fora a change, try changing the loop's audio content while it is<br>
playing. Use a continuous pedal assigned to feedback for soft =
changes<br>
and slicing to violently replace chunks of audio in the loop.<br>
<br>
If you want to write songs, learn to write songs. Looping is<br>
different. But in a quite beautiful way; looping doesn't demand *a<br>
start* and *an ending*. It's more like the original idea of ambient<br>
music; it is going on forever and you simply tune in or tune out of<br>
the flow.<br>
<br>
I agree with you that when picking up an ambition to &quot;write =
songs&quot;
out<br>
of true live looping sessions a lot of the magic is lost. But =
thinking<br>
closer about &quot;composing&quot;, isn't it in fact a lame-ish =
workaround to<br>
synthesize the true inspiration of a good improvisation? A way to<br>
experience an adventure without exposing yourself to the risks. A<br>
trick to repeat a blissful moment many times.<br>
<br>
But some folks are good at composing. How do they manage? I'd say =
they<br>
are very good at simulating the inspired &quot;first encounter =
experience&quot;<br>
in music. In order to succeed with that you will have to distance<br>
yourself from the nice feeling of being part of the music as =
&quot;music<br>
happens to you&quot; in order to analyse and take notes of exactly =
what<br>
happens so you can repeat it and bring over a fragment of that =
emotion<br>
to listeners.<br>
<br>
Oops... this turned out a bit theoretical - I fully support the<br>
hands-on hints Kevin just posted as well.<br>
<br>
Greetings from Sweden<br>
<span style=3D'color:#888888'><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" =
target=3D"_blank">www.perboysen.com</a></span><o:p></o:p></p>

</div>

<p class=3DMsoNormal><br>
<br clear=3Dall>
<br>
-- <br>
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
<a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</a><br>
<a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</a><br>
<a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><o:p></o:p=
></p>

</div>

</body>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 18:57:51 2010
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Date: Thu, 4 Mar 2010 19:57:50 +0100
Message-ID: <66f9cc1e1003041057x214808edja188f3c881142645@mail.gmail.com>
Subject: Re: the death of the loop
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 4, 2010 at 6:54 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
> =C2=A0Anyone else on here use a similar technique?

Yes. I run the looper at the setting to "switch at cycle" and this
gives me time after having pressed NextLoop (or a direct call like
"Loop 4") to add the command Multiply before the switch happens. This
copies the recent loop's content to the new loop and well in the new
loop I replace short segments here and there, mostly slices like a 32d
note duration. Then I go back to the orignal loop and fetch a copy to
a third loop slot where I do the same procedure but a little
differently.

I started this technique on the EDP and took it with me when migrating
to M=C3=B6bius that works the same in this regard. With M=C3=B6bius you als=
o
have the option of stepping back the Undo/Redo history chain, but I
like the first method better since it always lets you go back to the
orignal in just a blink.

As you are saying, the challenge is to do it without destroying the
musical material. With Mobius I use a script that lets me replace a
slice of audio in the loop with a slice of my live playing audio
stream but pitch changed one octave. When doing that I often play the
same melody that already is in the loop while substituting slices, and
the result will be a kind of granular version of the original melody
with some horrific octave jumps at odd places. Don't know if it sounds
good to others but it is a lot of fun!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 19:37:10 2010
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Date: Thu, 4 Mar 2010 11:37:09 -0800
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Subject: Re: the death of the loop
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I agree that looping is a philosophy, just as much as it's a method. I thin=
k
however that certain concepts of convetional music playing can be combined
with looping in an interesting manner. Sometimes what helps me is when I'm
10 minutes into a loop improv, listening to the loops I have going and trul=
y
deciding whether I would be enjoying that listening experience, if I weren'=
t
the one playing it. If I listen, and decide, I'd be kind of bored by this, =
I
change it, or find a way to end it (fade, speed shift to simulate tape
slowdown, stop with a nice delay on multiple channels, giving a nice fade,
play out with a fading loop...those are a few of my ending tricks). If on
the other hand I listen, and think, "Man I would be LOVING this right now!!=
"
I play on, happily dismissing any instinct to "not play too long" as a mino=
r
slip in confidence, rather than any problem with the music I'm playing.
I personally use 5 looper plugins in Ableton Live. This lets me add, or
change certain layers and retain others, so the piece moves, but is constan=
t
in a way too. I do a lot of improvisation live, but I also have a list of
around 20-30 rehearsed songs(that often include an improv section or outro)=
,
many of which have a part a, and a part b. Generally I use two different
loops for rhythms, and try to come up with two chord progressions that work=
s
over a single bassline . Using multiple loops I also get enough layers that
I can play around with, mute, reverse beat slice etc. This gives the sense
of arrangement, when really it's a lot of muting and fading and beatslicing
of the same 5 loops. The result is the following:

http://www.sendspace.com/file/udzrhm  The Ones(original)
http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage Fan Club
Cover)
http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna Newsom Cover=
)
http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/jam)
http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/jam)
http://www.sendspace.com/file/bz4f3g      Morning(Instrumental improv/jam)
http://www.sendspace.com/file/8i3a03      Evening(Instrumental improv/jam)


On Thu, Mar 4, 2010 at 10:57 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 4, 2010 at 6:54 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
> >  Anyone else on here use a similar technique?
>
> Yes. I run the looper at the setting to "switch at cycle" and this
> gives me time after having pressed NextLoop (or a direct call like
> "Loop 4") to add the command Multiply before the switch happens. This
> copies the recent loop's content to the new loop and well in the new
> loop I replace short segments here and there, mostly slices like a 32d
> note duration. Then I go back to the orignal loop and fetch a copy to
> a third loop slot where I do the same procedure but a little
> differently.
>
> I started this technique on the EDP and took it with me when migrating
> to M=F6bius that works the same in this regard. With M=F6bius you also
> have the option of stepping back the Undo/Redo history chain, but I
> like the first method better since it always lets you go back to the
> orignal in just a blink.
>
> As you are saying, the challenge is to do it without destroying the
> musical material. With Mobius I use a script that lets me replace a
> slice of audio in the loop with a slice of my live playing audio
> stream but pitch changed one octave. When doing that I often play the
> same melody that already is in the loop while substituting slices, and
> the result will be a kind of granular version of the original melody
> with some horrific octave jumps at odd places. Don't know if it sounds
> good to others but it is a lot of fun!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001636d3521f83ab6c0480feb995
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I agree that looping is a philosophy, just as much as it&#39;s a metho=
d. I think however that certain concepts of convetional music playing can b=
e combined with looping in an interesting manner. Sometimes what helps me i=
s when I&#39;m 10 minutes into a loop improv, listening to the loops I have=
 going and truly deciding whether I would be enjoying that listening experi=
ence, if I weren&#39;t the one playing it. If I listen, and decide, I&#39;d=
 be kind of bored by this, I change it, or find a way to end it (fade, spee=
d shift to simulate tape slowdown, stop with a nice delay on multiple chann=
els, giving a nice fade, play out with a fading loop...those are a few of m=
y ending tricks). If on the other hand I listen, and think, &quot;Man I wou=
ld be LOVING this right now!!&quot; I play on, happily dismissing any insti=
nct to &quot;not play too long&quot; as a minor slip in confidence, rather =
than any problem with the music I&#39;m playing.</div>
<div>I personally use 5 looper plugins in Ableton Live. This lets me add, o=
r change certain layers and retain others, so the piece moves, but is const=
ant in a way too. I do a lot of improvisation live, but I also have a list =
of around 20-30 rehearsed songs(that often include an improv section or out=
ro), many of which have a part a, and a part b. Generally I use two differe=
nt loops for rhythms, and try to come up with two chord progressions that w=
orks over a single bassline . Using multiple loops I also get enough layers=
 that I can play around with, mute, reverse beat slice etc. This gives the =
sense of arrangement, when really it&#39;s a lot of muting and fading and b=
eatslicing of the same 5 loops. The result is the following:</div>
<div><br></div><div><span class=3D"Apple-style-span" style=3D"font-family: =
arial, sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(8=
0, 0, 80); "><a href=3D"http://www.sendspace.com/file/udzrhm" target=3D"_bl=
ank" style=3D"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/udz=
rhm</a>=A0 The Ones(original)<div style=3D"color: rgb(80, 0, 80); ">
<a href=3D"http://www.sendspace.com/file/u9d6zj" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/u9d6zj</a>=A0=A0=
=A0 Fallin(De La Soul/Teenage Fan Club Cover)<br><a href=3D"http://www.send=
space.com/file/4xd156" target=3D"_blank" style=3D"color: rgb(64, 100, 128);=
 ">http://www.sendspace.com/file/4xd156</a>=A0=A0 Book Of Right On(Joanna N=
ewsom Cover)<br>
<a href=3D"http://www.sendspace.com/file/rk9uhn" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/rk9uhn</a>=A0=A0=
=A0=A0 Alef (Instrumental improv/jam)<br><a href=3D"http://www.sendspace.co=
m/file/vcb55o" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">http:=
//www.sendspace.com/file/vcb55o</a>=A0=A0=A0 Dublike(Instrumental improv/ja=
m)<br>
<a href=3D"http://www.sendspace.com/file/bz4f3g" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/bz4f3g</a>=A0=A0=
=A0=A0=A0 Morning(Instrumental improv/jam)<br><a href=3D"http://www.sendspa=
ce.com/file/8i3a03" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">=
http://www.sendspace.com/file/8i3a03</a>=A0=A0=A0=A0=A0 Evening(Instrumenta=
l improv/jam)</div>
</span><div>
<br><br><div class=3D"gmail_quote">On Thu, Mar 4, 2010 at 10:57 AM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"=
_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-l=
eft:1ex">

<div>On Thu, Mar 4, 2010 at 6:54 PM, Ace Ovil &lt;<a href=3D"mailto:aovil@w=
fubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt; wrote:<br>
&gt; =A0Anyone else on here use a similar technique?<br>
<br>
</div>Yes. I run the looper at the setting to &quot;switch at cycle&quot; a=
nd this<br>
gives me time after having pressed NextLoop (or a direct call like<br>
&quot;Loop 4&quot;) to add the command Multiply before the switch happens. =
This<br>
copies the recent loop&#39;s content to the new loop and well in the new<br=
>
loop I replace short segments here and there, mostly slices like a 32d<br>
note duration. Then I go back to the orignal loop and fetch a copy to<br>
a third loop slot where I do the same procedure but a little<br>
differently.<br>
<br>
I started this technique on the EDP and took it with me when migrating<br>
to M=F6bius that works the same in this regard. With M=F6bius you also<br>
have the option of stepping back the Undo/Redo history chain, but I<br>
like the first method better since it always lets you go back to the<br>
orignal in just a blink.<br>
<br>
As you are saying, the challenge is to do it without destroying the<br>
musical material. With Mobius I use a script that lets me replace a<br>
slice of audio in the loop with a slice of my live playing audio<br>
stream but pitch changed one octave. When doing that I often play the<br>
same melody that already is in the loop while substituting slices, and<br>
the result will be a kind of granular version of the original melody<br>
with some horrific octave jumps at odd places. Don&#39;t know if it sounds<=
br>
good to others but it is a lot of fun!<br>
<div><div></div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br></div>
</div>

--001636d3521f83ab6c0480feb995--

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Subject: Dear Beneficiary, Your ATM MASTER CARD Is Now Ready........
Date: Thu, 4 Mar 2010 14:28:01 +0100
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Dear Beneficiary,
 
 Having reviewed all the obstacles and problems surrounding the transfer of your($2.7 Million) Two Million Seven Hundred United States Dollars and your inability to meet up with some charges levied against you due to the past transfer options, we the Board of Directors, Bank Of Africa (BOA) have ordered our Foreign Payment Remittance Unit to issue you an ATM  MASTER CARD where your payment will be uploaded. Today, we got the notice that your Payment has been uploaded into this ATM  MASTER CARD  and also have registered it with Skyline Courier And Delivery Company. For your information, the delivery charges have been paid and they are supposed to have shipped your packaged (ATM  MASTER CARD ) but they insisted that you must re-confirm to them your current delivery address to ensure accurate delivery. 
 
MOST IMPORTANTLY: Due to the content of the package, Skyline courier mandated that before your package will be shipped, a Stamp Duty must be procured according to the New Shipping Creed on all packages leaving Africa.The essence of such Document is to ensure a hitch-free delivery and the amount of  the Stamp Duty Fee is $121  usd. When this is done, Skyline Courier will issue you with the tracking numbers for your package before the shipping commences. 
 
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Registration Ref:Skyline/atm/100.
 
This is the code number that you will send to the courier company while contacting them and the courier company is not aware what the content of the package is. We told them that it contained some very vital official documents being sent to an offshore staff. Do not reveal the content of thepackage to the courier company or any body for security purposes. The information of the courier company is here-by given below, and re-confirm to them your current delivery address to ensure accurate delivery. 
 
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Company`s Name...........    Skyline Courier And Delivery Company 
 
Contact Person...............     Dr Frank Ubah

Company`s Email...........    ( info.skylinecompany@netcourrier.com ) 

Company`s Phone...........   +229-986-424-85 
 
Please hurry now as your package might incurs demurrage if it stays more than 4 days with Skyline Courier. 

Thanks,
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ATM Department Manager
Bank of Africa

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Subject: the death of a loop...
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someone said:
5) Mangling -- take the loop and "mangle" it -- slow it down, speed it  
up, break it up, process and distort it -- there are many ways to  
"mangle" and, ultimately, kill a loop.

ok, HOW IN THE F*** do you do this w/ a boss rc20? i mean you could 
reverse it, which is what i would do...
but that was the problem i ran into w/ that unit, and why i got rid 
of it, and honestly in the yr i had it, i used it rarely....
the few times i would use it, i'd do something, actually save it, etc
and almost all of the time, i would play one of the 11 saved loops
and i would listen and think to myself-why did i save that -
it sounds like CRAP... that's sort of why the whole storage mentality
means nothing too me. 
whereas my old dod d12 i would play some loop (whether it was 12 sec
or short one) , stay w/ it a bit, then i'd play w/ it, by turning the
wheel to make it long or short, play over that, etc etc. a much better
system for me, and in all the recordings i did of those explorations
they were usually things much more interesting to me....
if you can see a pattern-i much prefer delay based looping....
to just static-phrase sample looping....
s--




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">someone said:<br><pre>5) Mangling -- take the loop and "mangle" it -- slow it down, speed it  <br>up, break it up, process and distort it -- there are many ways to  <br>"mangle" and, ultimately, kill a loop.<br><br>ok, HOW IN THE F*** do you do this w/ a boss rc20? i mean you could <br>reverse it, which is what i would do...<br>but that was the problem i ran into w/ that unit, and why i got rid <br>of it, and honestly in the yr i had it, i used it rarely....<br>the few times i would use it, i'd do something, actually save it, etc<br>and almost all of the time, i would play one of the 11 saved loops<br>and i would listen and think to myself-why did i save that -<br>it sounds like CRAP... that's sort of why the whole storage mentality<br>means nothing too me. <br>whereas my old dod d12 i would play some loop (whether it was 12 sec<br>or short one) , stay w/ it a
 bit, then i'd play w/ it, by turning the<br>wheel to make it long or short, play over that, etc etc. a much better<br>system for me, and in all the recordings i did of those explorations<br>they were usually things much more interesting to me....<br>if you can see a pattern-i much prefer delay based looping....<br>to just static-phrase sample looping....<br>s--<br></pre><br></td></tr></table><br>



      
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Date: Thu, 4 Mar 2010 13:17:49 -0800
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Subject: Re: OT: Is Keytar cool (again) or not?
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See also Page McConnell (from Phish) in most versions of Frankenstein in
2009(as seen here:http://www.youtube.com/watch?v=lE8BbEeNjLw ). I think an
artist has to seem as though they understand the inherent comedy of a
Keytar, in order to make it cool. That specific Keytar Page is using is
actually made even cooler by the fact that it's a Moog, and it was owned by
James Brown!

On Thu, Mar 4, 2010 at 6:33 AM, Paul Richards
<paulrichard_rocks@yahoo.com>wrote:

> If it's good enough for the "Crazy Doggz", it's good enough for me! (from
> Flight of the Conchords).
>
>
> --- On *Thu, 3/4/10, Buzap Buzap <buzap@gmx.net>* wrote:
>
>
> From: Buzap Buzap <buzap@gmx.net>
> Subject: OT: Is Keytar cool (again) or not?
> To: "LD LoopersDelight" <Loopers-Delight@loopers-delight.com>
> Date: Thursday, March 4, 2010, 2:25 AM
>
>
> Hi Folks
>
> I was just wondering:
>
> Now that Keytar re-surfaced again along with the current back-to-80ies
> trend (oh, these leggings still look horrible - sorry ladies!)...
>
> Do you think it is cool again? The question is of course: Was it ever cool
> at all? Well, at least, when Herbie Hancock took it to stage it did look
> kind of cool.
> But the thing is: Would you want to be on stage with a Keytar nowadays - or
> is it (still) too embarrasing?
>
> best regards
> Buzap
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>
>
>

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See also Page McConnell (from Phish) in most versions of Frankenstein in 20=
09(as seen here:<a href=3D"http://www.youtube.com/watch?v=3DlE8BbEeNjLw">ht=
tp://www.youtube.com/watch?v=3DlE8BbEeNjLw</a>=A0). I think an artist has t=
o seem as though they understand the inherent comedy of a Keytar, in order =
to make it cool. That specific Keytar Page is using is actually made even c=
ooler by the fact that it&#39;s a Moog, and it was owned by James Brown!<br=
>
<br><div class=3D"gmail_quote">On Thu, Mar 4, 2010 at 6:33 AM, Paul Richard=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com">paul=
richard_rocks@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:=
1ex;">
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td vali=
gn=3D"top" style=3D"font:inherit"><div>If it&#39;s good enough for the &quo=
t;Crazy Doggz&quot;, it&#39;s good enough for me! (from Flight of the Conch=
ords).</div>

<div><br><br>--- On <b>Thu, 3/4/10, Buzap Buzap <i>&lt;<a href=3D"mailto:bu=
zap@gmx.net" target=3D"_blank">buzap@gmx.net</a>&gt;</i></b> wrote:<br></di=
v>
<blockquote style=3D"padding-left:5px;margin-left:5px;border-left:rgb(16,16=
,255) 2px solid"><br>From: Buzap Buzap &lt;<a href=3D"mailto:buzap@gmx.net"=
 target=3D"_blank">buzap@gmx.net</a>&gt;<br>Subject: OT: Is Keytar cool (ag=
ain) or not?<br>
To: &quot;LD LoopersDelight&quot; &lt;<a href=3D"mailto:Loopers-Delight@loo=
pers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>=
&gt;<br>Date: Thursday, March 4, 2010, 2:25 AM<div><div></div><div class=3D=
"h5">
<br><br>
<div>Hi Folks<br><br>I was just wondering:<br><br>Now that Keytar re-surfac=
ed again along with the current back-to-80ies trend (oh, these leggings sti=
ll look horrible - sorry ladies!)...<br><br>Do you think it is cool again? =
The question is of course: Was it ever cool at all? Well, at least, when He=
rbie Hancock took it to stage it did look kind of cool.<br>
But the thing is: Would you want to be on stage with a Keytar nowadays - or=
 is it (still) too embarrasing?<br><br>best regards<br>Buzap<br>-- <br>Sich=
erer, schneller und einfacher. Die aktuellen Internet-Browser -<br>jetzt ko=
stenlos herunterladen! <a href=3D"http://portal.gmx.net/de/go/atbrowser" ta=
rget=3D"_blank">http://portal.gmx.net/de/go/atbrowser</a><br>
<br></div></div></div></blockquote></td></tr></tbody></table><br>

      </blockquote></div><br>

--001636d349b6839ae10481002178--

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To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop
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Date: Thu, 4 Mar 2010 21:36:01 +0000
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Subject: Re: OT: Is Keytar cool (again) or not?
From: Steve Moyes <stevemoyes@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f20c4aa3d33a04810062cf
Content-Type: text/plain; charset=ISO-8859-1

Ah, but wouldn't you rather have a proper version of Frankenstein with a
proper http://bit.ly/PoF3u keyboard?

Steve

On 4 March 2010 21:17, Rafael Nunes <supersimples@gmail.com> wrote:

> See also Page McConnell (from Phish) in most versions of Frankenstein in
> 2009(as seen here:http://www.youtube.com/watch?v=lE8BbEeNjLw ). I think an
> artist has to seem as though they understand the inherent comedy of a
> Keytar, in order to make it cool. That specific Keytar Page is using is
> actually made even cooler by the fact that it's a Moog, and it was owned by
> James Brown!
>
>

--001485f20c4aa3d33a04810062cf
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Ah, but wouldn&#39;t you rather have a proper version of Frankenstein with =
a=20
<br>proper <a href=3D"http://bit.ly/PoF3u">http://bit.ly/PoF3u</a>=20
keyboard?<br><br>Steve<br><br><div class=3D"gmail_quote">On 4 March 2010 21=
:17, Rafael Nunes <span dir=3D"ltr">&lt;<a href=3D"mailto:supersimples@gmai=
l.com">supersimples@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">
See also Page McConnell (from Phish) in most versions of Frankenstein in 20=
09(as seen here:<a href=3D"http://www.youtube.com/watch?v=3DlE8BbEeNjLw" ta=
rget=3D"_blank">http://www.youtube.com/watch?v=3DlE8BbEeNjLw</a>=A0). I thi=
nk an artist has to seem as though they understand the inherent comedy of a=
 Keytar, in order to make it cool. That specific Keytar Page is using is ac=
tually made even cooler by the fact that it&#39;s a Moog, and it was owned =
by James Brown!<div>
<div></div><div class=3D"h5"><br></div></div></blockquote></div><br>

--001485f20c4aa3d33a04810062cf--

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To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of a loop...
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Quoting scott hansen <evanpeewee@yahoo.com>:
>
> someone said:
> 5) Mangling -- take the loop and "mangle" it -- slow it down, speed it
> up, break it up, process and distort it -- there are many ways to
> "mangle" and, ultimately, kill a loop.
>
> ok, HOW IN THE F*** do you do this w/ a boss rc20? i mean you could
> reverse it, which is what i would do...
>

The RC50 had the same limitation -- that is, the feedback is either  
zero or 100% with no midpoint.  Any device can have feedback, though  
-- you simply have to feed some of the output back into the input.   
You could do this with an RC20 however you would need an external  
mixer which simply adds to the gear you have to carry around.

From fifa1902@live.com  Thu Mar  4 21:58:00 2010
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Subject: FIFA 2010!!!!
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 22:35:29 2010
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Subject: Re: OT: Is Keytar cool (again) or not?
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Hi folks

> I was in the Ampere club yesterday night too ;-)
@Florian: cool :) It was a really nice ambient. Loved the show :)

Concernin Ztar:
Dude, this just looks exactly like guitar heroe ;-))

@Per:
I confess, I actually love playing those wonderful guitar patches on the keyboard, mimicking Van Halen etc ;-))

No, guys, my final conclusion:
Keytars are for self-pitying keyboarders who wish they'd be as cool as guitar players... ;-)

Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 23:05:33 2010
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll begin a
month-long Special Focus on Mark Mahoney and Michael Peck.  The
Featured CD at Midnight will be "The Gallery of Subtle Smiles" by
Mahoney and Peck on Waiting World Records.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  4 23:14:32 2010
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Subject: Re: OT: Is Keytar cool (again) or not?
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I think it depends on your act.
My act is deliberately retro. For instance, I use a Casio DG-20 digital =
guitar on stage, mostly to trigger old samples from
reel to reel and cassette tapes. So there's a "conceptual" approach to =
using a cheesy vintage electronic instrument.

Isn't she playing the Keytar through a vocoder? That's pretty unique! =
Eat your heart out, Jan Hammer! ; )

Cheers,

Daniel

On Mar 4, 2010, at 12:24 AM, Buzap Buzap wrote:

>> I don't know, look at Imogen Heap!
>=20
> Actually, that's why I posted this. Saw her perform last night - and =
she really pulled it off with that Keytar (white Roland axe).=20
> But she's got credentials as an established crazy key playing artist.
>=20
> The thing is: You walk into a club, see a guy with a keytar on stage - =
what do you think?
>=20
> Maybe I'm just thinking too much what people think... ;-)
>=20
> Buzap
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20

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Subject: Re: OT: Is Keytar cool (again) or not?
From: Daniel Berkman <danielberkman@mac.com>
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No shit! : )


On Mar 4, 2010, at 1:29 AM, Antony Hequet wrote:

> Ever try the Ztar?
> Antony Hequet
>=20
> Sent from my iPhone
>=20
> On Mar 4, 2010, at 9:15 AM, Daniel Berkman <danielberkman@mac.com> =
wrote:
>=20
> I don't know, look at Imogen Heap!
> She's pretty hot with a Ketar!
>=20
> _____________________
>=20
> Daniel Berkman | Colfax
> Musician =95 Producer
> www.danielberkman.com
> Contact: (415) 254-4895
>=20
> On Mar 3, 2010, at 11:25 PM, Buzap Buzap <buzap@gmx.net> wrote:
>=20
> Hi Folks
>=20
> I was just wondering:
>=20
> Now that Keytar re-surfaced again along with the current back-to-80ies =
trend (oh, these leggings still look horrible - sorry ladies!)...
>=20
> Do you think it is cool again? The question is of course: Was it ever =
cool at all? Well, at least, when Herbie Hancock took it to stage it did =
look kind of cool.
> But the thing is: Would you want to be on stage with a Keytar nowadays =
- or is it (still) too embarrasing?
>=20
> best regards
> Buzap
> --=20
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>=20
>=20
>=20
>=20
>=20
>=20
>=20

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--Apple-Mail-2--471201819
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I've enjoyed using these http://www.pedaltrain.com/Home, I have two  
Pro's , one for my stomp box pedals and one for my looping control  
stuff.  they are made of aluminum, they aren't too heavy. A less  
pricey alternative to the trailer trash stuff.
Bill
  
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I've enjoyed using these&nbsp;<a href="http://www.pedaltrain.com/Home">http://www.pedaltrain.com/Home</a>, I have two Pro's , one for my stomp box pedals and one for my looping control stuff. &nbsp;they are made of aluminum, they aren't too heavy. A less pricey alternative to the trailer trash stuff.<div>Bill<br><div>&nbsp;</div></div></body></html>
--Apple-Mail-2--471201819--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 00:06:00 2010
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I will be out of the office starting  03/04/2010 and will not return until
03/08/2010.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Leinhos, Peter is out of the office.
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Oh no - I have telecom issues!!!

damn

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 5 Mar 2010, at 00:00, peter.leinhos@farmersinsurance.com wrote:

>
>
>
>
> I will be out of the office starting  03/04/2010 and will not  
> return until
> 03/08/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
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> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Oh no - I have telecom =
issues!!!<div><br></div><div>damn</div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 5 Mar 2010, =
at 00:00, <a =
href=3D"mailto:peter.leinhos@farmersinsurance.com">peter.leinhos@farmersin=
surance.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I will be out of the office starting<span =
class=3D"Apple-converted-space">&nbsp; </span>03/04/2010 and will not =
return until</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">03/08/2010.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For =
telecom issues, Genesys, Video or Audio Conferencing contact =
Greg</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Bouffard @ 323 932 =
3793.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</div><div style=3D"margin-top: 0px; margin-right: 0px; =
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Thank you to all of you... My answers in black...

@Kevin... They are good to take note of and use. I like this one the best.
> 5) Mangling -- take the loop and "mangle" it -- slow it down, speed it 
> up, break it up, process and distort it -- there are many ways to 
> "mangle" and, ultimately, kill a loop. 
I can imagine myself squeezing the life out of the loop till the blood 
spurts out... lol!.. but maybe not all the time...

@Per

If you want to write songs, learn to write songs. Looping is
different. But in a quite beautiful way; looping doesn't demand *a
start* and *an ending*. It's more like the original idea of ambient
music; it is going on forever and you simply tune in or tune out of
the flow.

Yes, the idea does not need manifest itself continuously. That is how 
structure can come in.


I agree with you that when picking up an ambition to "write songs" out
of true live looping sessions a lot of the magic is lost. But thinking
closer about "composing", isn't it in fact a lame-ish workaround to
synthesize the true inspiration of a good improvisation? A way to
experience an adventure without exposing yourself to the risks. A
trick to repeat a blissful moment many times.

But some folks are good at composing. How do they manage? I'd say they
are very good at simulating the inspired "first encounter experience"
in music. In order to succeed with that you will have to distance
yourself from the nice feeling of being part of the music as "music
happens to you" in order to analyse and take notes of exactly what
happens so you can repeat it and bring over a fragment of that emotion
to listeners.

Yes I agree with Mark S on this one. It is possible and takes hard work 
and practicing.

@Mark Francombe

What I like is using more than one loop.. cant speak for other loopers, 
but with EDP i just got to a differnt loop.. and one day I go back to 
the original loop, often the loop has moved on by then and the original 
seems... wel original... If you switch between loops like this working 
on each all the time, REPLACING rather that overdyĂºbing.. then you get 
more variation.
EDP is great at this...
Repeater is terrible at this.. shouldnt be, it IS possible to change 
loops after all.. but just doent seem seamless... Of course Mobius, 
being based on EDP is also great at this.. and Im sure all the Songster 
type loopers ut must be a doddle..

Maybe the answer to "kill a loop" is not to kill it, just put it aside 
and come back later (in the song)???

I use Ableton. And I havent really got it down yet. But I suppose I can 
put two loop plugins in two different tracks. I just need two pedals for 
that. And practice...

@Rainer

1. Playing live over the loop, fade the loop and then vary what your 
playing...already mentioned, works fine for me. Especially if you use a 
kind of crossfader to gradually fade from loop to live instrument (which 
is playing the same thing...for the moment).

2. Reduce feedback. Now a lot of loopers don't allow you to do that, 
especially if you're not in overdub mode. There's a workaround: don't 
send your live signal into the looper and go into overdub, and the loop 
will fade (usually requires using a mixer).

3. The Beethoven Symphony Ending Routine: Gradually trim down your loop 
to increasingly smaller subsections. On the EDP (or MĂ¶bius) that would 
be Multiply->Record. That way, you can trim down e,g, a long chord 
progression to just the ending IV-V-I, then to V-I, then just to I.

4. Stop the loop.

Yeah... it is just so painful to stop the loop.

@Scott

I agree that looping is a philosophy, just as much as it's a method. I 
think however that certain concepts of convetional music playing can be 
combined with looping in an interesting manner. Sometimes what helps me 
is when I'm 10 minutes into a loop improv, listening to the loops I have 
going and truly deciding whether I would be enjoying that listening 
experience, if I weren't the one playing it. If I listen, and decide, 
I'd be kind of bored by this, I change it, or find a way to end it 
(fade, speed shift to simulate tape slowdown, stop with a nice delay on 
multiple channels, giving a nice fade, play out with a fading 
loop...those are a few of my ending tricks). If on the other hand I 
listen, and think, "Man I would be LOVING this right now!!" I play on, 
happily dismissing any instinct to "not play too long" as a minor slip 
in confidence, rather than any problem with the music I'm playing.
I personally use 5 looper plugins in Ableton Live. This lets me add, or 
change certain layers and retain others, so the piece moves, but is 
constant in a way too. I do a lot of improvisation live, but I also have 
a list of around 20-30 rehearsed songs(that often include an improv 
section or outro), many of which have a part a, and a part b. Generally 
I use two different loops for rhythms, and try to come up with two chord 
progressions that works over a single bassline . Using multiple loops I 
also get enough layers that I can play around with, mute, reverse beat 
slice etc. This gives the sense of arrangement, when really it's a lot 
of muting and fading and beatslicing of the same 5 loops. The result is 
the following:

http://www.sendspace.com/file/udzrhm  The Ones(original)

Yes thanks it is good to here how it works for others too. i listened to 
the "The Ones" I really liked it when you started rapping.


@Mark Showalter

This is called learning&  practicing not performing. For myself once I have a piece under my fingers&  voiced I can get completely lost in the music.


I agree with this with all my heart. It just needs to become routine for my fingers and in this case ... for my feet too...

c u all


nadia







-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07

--------------090701010308020307060203
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<body bgcolor="#ffffff" text="#000000">
<font face="Times New Roman, Times, serif">Thank you to all of you...</font>
My answers in black...<br>
<br>
<font face="Times New Roman, Times, serif">@Kevin... They are good to
take note of and use. I like this one the
best. </font><br>
<blockquote
 cite="mid:20100304111658.5b5550dw0cgwck8w@mail.kevinkissinger.com"
 type="cite"> <font color="#3333ff"
 face="Times New Roman, Times, serif">5) Mangling -- take the loop and
"mangle" it
-- slow it down,
speed it up, break it up, process and distort it -- there are many ways
to "mangle" and, ultimately, kill a loop. </font>
</blockquote>
<font face="Times New Roman, Times, serif">I can imagine myself
squeezing the life out of the loop till the blood
spurts out... lol!.. but maybe not all the time...</font><br>
<br>
<font face="Times New Roman, Times, serif">@Per</font><br>
<blockquote> </blockquote>
<font color="#3333ff" face="Times New Roman, Times, serif">If you want
to write songs, learn to
write songs. Looping is</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">different.
But in a quite beautiful way; looping doesn't demand *a</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">start* and
*an ending*. It's more like the original idea of ambient</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">music; it is
going on forever and you simply tune in or tune out of</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">the flow.</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"></font>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif"><font
 color="#000000">Yes, the idea
does not need manifest itself continuously. That is how structure can
come in.</font></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"></font>
<br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">I agree with
you that when picking up an ambition to "write songs" out</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">of true live
looping sessions a lot of the magic is lost. But thinking</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">closer about
"composing", isn't it in fact a lame-ish workaround to</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">synthesize
the true inspiration of a good improvisation? A way to</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">experience
an adventure without exposing yourself to the risks. A</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">trick to
repeat a blissful moment many times.</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">But some
folks are good at composing. How do they manage? I'd say they</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">are very
good at simulating the inspired "first encounter experience"</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">in music. In
order to succeed with that you will have to distance</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">yourself
from the nice feeling of being part of the music as "music</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">happens to
you" in order to analyse and take notes of exactly what</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">happens so
you can repeat it and bring over a fragment of that emotion</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">to listeners.</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"></font>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif"><font
 color="#000000">Yes I agree with
Mark S on this one. It is possible and takes hard work and practicing. </font></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"></font><br>
<font face="Times New Roman, Times, serif">@Mark Francombe</font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">What I like
is using more than one loop.. cant speak for other loopers,
but with EDP i just got to a differnt loop.. and one day I go back to
the original loop, often the loop has moved on by then and the original
seems... wel original... If you switch between loops like this working
on each all the time, REPLACING rather that overdyĂºbing.. then you get
more variation.</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">EDP is great
at this...</font><br>
<font color="#3333ff" face="Times New Roman, Times, serif">Repeater is
terrible at
this.. shouldnt be, it IS possible to change loops after all.. but just
doent seem seamless... Of course Mobius, being based on EDP is also
great at this.. and Im sure all the Songster type loopers ut must be a
doddle..</font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">Maybe the
answer to "kill a loop" is not to kill it, just put it aside and come
back later (in the song)???</font>
<br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif"><font
 color="#000000">I use Ableton. And I havent really got it down yet.
But I suppose I can put two loop plugins in two different tracks. I
just need two pedals for that. And practice...</font></font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif"><font
 color="#000000">@Rainer</font></font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">1. Playing
live over the loop, fade the loop and then vary what your
playing...already mentioned, works fine for me. Especially if you use a
kind of crossfader to gradually fade from loop to live instrument
(which is playing the same thing...for the moment).
</font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">2. Reduce
feedback. Now a lot of loopers don't allow you to do that, especially
if you're not in overdub mode. There's a workaround: don't send your
live signal into the looper and go into overdub, and the loop will fade
(usually requires using a mixer).
</font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">3. The
Beethoven Symphony Ending Routine: Gradually trim down your loop to
increasingly smaller subsections. On the EDP (or MĂ¶bius) that would be
Multiply-&gt;Record. That way, you can trim down e,g, a long chord
progression to just the ending IV-V-I, then to V-I, then just to I.
</font><br>
<br>
<font color="#3333ff" face="Times New Roman, Times, serif">4. Stop the
loop.
</font><br>
<br>
<font color="#000000" face="Times New Roman, Times, serif">Yeah... it
is just so painful to stop the loop.</font><br>
<br>
<font color="#000000" face="Times New Roman, Times, serif">@Scott</font><br>
<br>
<div><font color="#3333ff" face="Times New Roman, Times, serif">I agree
that looping is a philosophy, just as much as it's a
method. I think however that certain concepts of convetional music
playing can be combined with looping in an interesting manner.
Sometimes what helps me is when I'm 10 minutes into a loop improv,
listening to the loops I have going and truly deciding whether I would
be enjoying that listening experience, if I weren't the one playing it.
If I listen, and decide, I'd be kind of bored by this, I change it, or
find a way to end it (fade, speed shift to simulate tape slowdown, stop
with a nice delay on multiple channels, giving a nice fade, play out
with a fading loop...those are a few of my ending tricks). If on the
other hand I listen, and think, "Man I would be LOVING this right
now!!" I play on, happily dismissing any instinct to "not play too
long" as a minor slip in confidence, rather than any problem with the
music I'm playing.</font></div>
<div><font color="#3333ff" face="Times New Roman, Times, serif">I
personally use 5 looper plugins in Ableton Live. This lets me
add, or change certain layers and retain others, so the piece moves,
but is constant in a way too. I do a lot of improvisation live, but I
also have a list of around 20-30 rehearsed songs(that often include an
improv section or outro), many of which have a part a, and a part b.
Generally I use two different loops for rhythms, and try to come up
with two chord progressions that works over a single bassline . Using
multiple loops I also get enough layers that I can play around with,
mute, reverse beat slice etc. This gives the sense of arrangement, when
really it's a lot of muting and fading and beatslicing of the same 5
loops. The result is the following:</font></div>
<div><font color="#3333ff" face="Times New Roman, Times, serif"><br>
</font></div>
<font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);"><a
 href="http://www.sendspace.com/file/udzrhm" target="_blank"
 style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/udzrhm</a>Â 
The Ones(original)
<div style="color: rgb(80, 0, 80);"></div>
</span></font><br>
<font color="#000000" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);">
<div style="color: rgb(80, 0, 80);">Yes thanks it is good to here how
it works for others too. i listened to the "The Ones" I really liked it
when you started rapping. </div>
</span></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);"></span></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);">
<div style="color: rgb(80, 0, 80);"><font color="#000000">@</font>Mark
Showalter </div>
</span></font><br>
<font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);">
<div style="color: rgb(80, 0, 80);">
<pre wrap="">This is called learning &amp; practicing not performing. For myself once I have a piece under my fingers &amp; voiced I can get completely lost in the music. </pre>
</div>
</span></font><br>
<font face="Times New Roman, Times, serif"></font><font color="#3333ff"
 face="Times New Roman, Times, serif"><span class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);">
<div style="color: rgb(80, 0, 80);">
<pre wrap=""><font color="#000000">I agree with this with all my heart. It just needs to become routine for my fingers and in this case ... for my feet too...

c u all


nadia


</font></pre>
</div>
</span></font><font face="Times New Roman, Times, serif"><br>
</font><font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);"></span></font><font
 face="Times New Roman, Times, serif"><br>
</font><font color="#3333ff" face="Times New Roman, Times, serif"><span
 class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);">
<div style="color: rgb(80, 0, 80);"></div>
</span></font><font face="Times New Roman, Times, serif"><br>
<br>
-- <br>
Nadia Salom<br>
<a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a><br>
<a class="moz-txt-link-freetext" href="http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</a><br>
</font>
</body>
</html>

--------------090701010308020307060203--

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> On Thu, Mar 4, 2010 at 5:44 PM, Nadia Salom <nadia.salom@gmx.de>  
> wrote:
>> How does one go about killing a loop?
>
> Fora a change, try changing the loop's audio content while it is
> playing. Use a continuous pedal assigned to feedback for soft changes
> and slicing to violently replace chunks of audio in the loop.
>
> If you want to write songs, learn to write songs. Looping is
> different. But in a quite beautiful way; looping doesn't demand *a
> start* and *an ending*. It's more like the original idea of ambient
> music; it is going on forever and you simply tune in or tune out of
> the flow.
>
> I agree with you that when picking up an ambition to "write songs" out
> of true live looping sessions a lot of the magic is lost. But thinking
> closer about "composing", isn't it in fact a lame-ish workaround to
> synthesize the true inspiration of a good improvisation? A way to
> experience an adventure without exposing yourself to the risks. A
> trick to repeat a blissful moment many times.

Let me say that "composing" is also a way to develop a good  
improvvisation.
Personally, I find extremely exciting and inspiring to work on a good  
idea that came out from an improvisation.
Sometimes, when it happens it's a great time, sometimes it's a pain in  
the ass...

Playing songs using live looping technics ? It's possible of course.
But, as Per pointed out, live looping give you a different approach in  
making music.
All the tricks and tips mentioned about this topic work well, but if I  
can add my 2 cents, I'd say: try to get drastic changes with the less  
you can. Think in a minimalistic way, simple patterns you can easily  
switch between and freedom of arrangements.

> But some folks are good at composing. How do they manage? I'd say they
> are very good at simulating the inspired "first encounter experience"
> in music. In order to succeed with that you will have to distance
> yourself from the nice feeling of being part of the music as "music
> happens to you" in order to analyse and take notes of exactly what
> happens so you can repeat it and bring over a fragment of that emotion
> to listeners.
>
> Oops... this turned out a bit theoretical - I fully support the
> hands-on hints Kevin just posted as well.
>

Per, I enjoined reading it.

Fabio
www.eterogeneo.com

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As an arranger and producer as well as an instrumentalist and composer
some of the earliest 'tricks' I learned to make a simple idea much more 
interesting
are uses of dynamics.

We can use several dynamic strategies to introduce new material or even 
break up
older material.

1)  Linear Dynamics:   Fade Ins and Fade Out         These have already 
been mentioned but this is a
great way to use either Feedback (if your looper supports this function) 
or to use a simple Volume pedal
on a pre-existing loop as you bring in another idea (either on top of 
the old 'fading' loop as Kevin points out)
or even just going to

2)  Terrace Dynamics    This is where a new musical element just starts 
out of silence  causing a layering effect  (here's a representation)

                      __________________________________        4th element
                ______________________________                  3rd element
       _________________________________________________        2nd element
________________________________________________________        1st element


I always giggle when I consider this effect because I use it mercilessly 
in my own music.
I think I have mystified Matthias Grob who invented the EDP and relies 
heavily on
FEEDBACK as a technique because I rarely use FEEDBACK in my own music 
because
I'm still discovering new ways of exploiting TERRACE DYNAMICS.   Someday 
I'll probably
get there, though.  I just haven't run out of things to learn about 
Terrace Dynamics
and Linear Dynamics that don't use Feedback.

The use of UNDO (if your looper supports this function) is very powerful 
if you are
using a device like the EDP or emulative software like MOBIUS,  because 
you can just keep layering
tracks and then by using UNDO,  you can pull them back out again.

Not only that, but if you have more than one looper running (or a pedal 
like the BOSS RC-50,
Electrix Repeater,  Looperlative LP-1 or programs like Ableton's LIVE or 
MOBIUS)
then the MUTE button on your mixer (or software) can be of huge use to you.

Just by judiciously using the MUTE button you can make static loops 
morph by creating
DUB music.     The original Reggae producers who introduced DUB music 
would merely MUTE
entire sections of repeating rhythms.      This cause what I call 
'Negative Improvisation'.
Dropping out one important loop can cause dissonance for the listener 
that is very pleasurable when
it is reintroduced (un MUTE).     Before my brother and I had the kind 
of equipment needed to create
our own DUB music we would pretend that someone had a hand on the entire 
bands tracks and
just abruptly stop playing as others played on,  creating a faux DUB 
sensibility.    The first things we added to
our arsenal in the 70's were tape and analog delays so that we could 
throw delay onto the very last
couple of notes before we 'muted' ourselves,  causing the delays to 
cascade over the resulting tracks in
a very psychedelic way.

as a note about new tech:

The new Looperlative LP-2 MINI looper (which will be out within 8 weeks 
from now)
has a cool function because it automatically sets 1 of 20 different 
levels of UNDO
for every 10% reduction of FEEDBACK.   This allows for a combination of 
both
TERRACE and LINEAR dynamics..........you can pull the volume out of a 
single loop by
lowering your feedback expression pedal several different times
and then by pressing UNDO successfully,  you will return to your 
original level, level by level.

*************************
Another cool use of TERRACE DYNAMICS:
In Pop songs,  a standard effect is to have the band use Terrace 
Dynamics by just
dropping their volume by 10%-20% the instant the lead singer starts to 
sing and then
raising their volume commensurately when instrumental passages happen.

You can easily use Feedback in this way, especially if you think ahead.

************************
Another way to morph a loop is to use dramatic effects on the loop that
, in essence, create Timbrel Terrace Dynamics.

As an easy example,   one can suddenly turn a fuzz pedal on and off on 
every
single strike of a backbeat, snare drum.

This creates a subtle volume increase and a dramatic timbrel shift.

I use effects constantly to introduce new material in my looping shows,  
merely
by re contextualizing the timbre of a part by the use of dramatic 
processing
(and taking it away to create reverse TERRACE DYNAMICS)

************************

You can also create RHYTHMIC TERRACE DYNAMICS by suddenly REPLACING 
certain parts
of a repeating ostinato pattern with either new sounds or,  very 
dramatically
with silence.

Frequently, as a drummer playing three instruments simultaneously 
without looping
(bass, snare and hi hat)  I will suddenly drop a part or instrument out 
of the mix
for 4 bars and then reintroduce it.  This creates a sometimes dramatic 
TERRACE DYNAMIC.
This is very easy to do with looping if you have REPLACE or SUBSTITUTE 
functions in your
looper (EDP, MOBIUS, LOOPERLATIVE, LINE 6 M-9 and M-13 and others?)

If you want some great examples of how to use MELODIC, RHYTHMIC, 
HARMONIC, TIMBREL and DYNAMIC
dynamics over a static chord progression,  go listen to Miles Davis'  In 
a Silent Way or Bitches
Brew or some of the music it spawned in jazz in the early 70's ---Herbie 
Hancock,  Wayne Shorter,
et. al.)

With sufficient intelligence and a number of aesthetic strategies one 
can stretch very, very simple
material to last a long time in a way that is constantly evolving or 
morphing.

I hope some of these ideas help.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 03:44:34 2010
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   Scott wrote: about this previous paragraph:

"Mangling -- take the loop and "mangle" it -- slow it down, speed it  
up, break it up, process and distort it -- there are many ways to  
"mangle" and, ultimately, kill a loop."

"ok, HOW IN THE F*** do you do this w/ a boss rc20?" 


Well, this is the rub about all equipment.  The cheaper Boss pedals (and the digitech 
Jamman as well) aren't really oriented towards internally mangling with a loop.
It doesn't make them bad:  it just isn't what they were designed for.

This is why it's important to consider which looper one purchases (in hardware or software) 
and what kinds of techniques one wants to use before purchasing a product.

Of course,  we all evolve and I have bought loopers in the past and then realized that I needed 
to upgrade to more expensive and more sophisticated loopers.

It is efficacious, however, when one does this to hang on to older less sophisticated loopers 
because re-sampling a loop is a very powerful way to morph a piece of music (freeing up the original 
looper to add new content once the content has been re-sampled and erased).

A fantastically powerful piece of gear that I've fallen in love with is the 
KAOSS PAD 3 which allows one to not only resample an already existing loop but also to resample 
and combine several samples recorded into the machine into a new loop.
The KAOSS PAD 3 allows for 4 different loops and it's powerful X-Y pad of applying effecst like 
delays, modulations, distortions, etc. in real time (all of whose X-Y movements are recorded as 
you record from your first loop to your second loop)

This brings us to the distinction between loopers who are constantly playing their instruments 
as they play and loopers who not only play their instruments but take time to then 
'produce' the material they are playing in real time by ceasing to play the instrument and 
then 'play' the effects of real time resampling,  effects processing, dynamics etc.

I find that frequently,  I will play for the first 1/3 or so of a piece of music and then 
'produce' using these manipulations through the middle 1/3 of the piece and then finish 
with 1/3 playing a secondary (or primary instrument) again.

I just find that to keep from appearing visually boring, that it's good to incorporate instruments 
and controllers that are more interesting to watch then merely pushing knobs on a computer or 
piece of hardware gear or mixer.    I'd play heavily crafter samples on a keyboard and my audiences 
didn't even react, whereas Gary Regina would use a WX-7 Wind Controller to trigger similar samples 
and people would fall all over him asking about his 'magic' saxaphone.    LOL,  I finally gave in 
and bought a WX-5 just for it to look more interesting as a sense of performance.

Rick Walker

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Subject: New release
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Hey fellow loopers,

I just posted a new release on Bandcamp from my self and Jim Goodin aka =
the Goodin Duke Project called "Unforseen Consequenses".
Chock full of looping madness this was the result of an email request =
from Jim to test out a bit of gear or some such. We cranked up Ninjam =
and played this in one pass non stop. Kind of experimental glitchadelic =
ambient noise I guess, not sure but here it is:

http://goodindukeproject.bandcamp.com/album/unforseen-consequences


peace out,

Jeff

http://www.myspace.com/loopsinphasespace



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<DIV><FONT face=3DArial size=3D2>Hey fellow loopers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I just posted a new release on Bandcamp =
from my=20
self and Jim Goodin aka the Goodin Duke Project called "Unforseen=20
Consequenses".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Chock full of looping madness this was =
the result=20
of an email request from Jim to test out a bit of gear or some such. We =
cranked=20
up Ninjam and played this in one pass non stop. Kind of experimental=20
glitchadelic ambient noise&nbsp;I guess, not sure but here it =
is:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><SPAN id=3D:yz dir=3Dltr><FONT face=3DArial size=3D2><A=20
href=3D"http://goodindukeproject.bandcamp.com/album/unforseen-consequence=
s">http://goodindukeproject.bandcamp.com/album/unforseen-consequences</A>=
</FONT></SPAN></DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial size=3D2>peace =
out,</FONT></SPAN></DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2>Jeff</FONT></SPAN></DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A></FONT></SPAN></DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr><FONT face=3DArial =
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN dir=3Dltr></SPAN>&nbsp;</DIV></BODY></HTML>

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Hi folks

I highly enjoy this thread. My favorite suggestions:

>go back to the original loop
Yeah, I save the initial "fresh" stage of a loop to come back later, cooling things down & re-focusing.

> REPLACING rather that overdyúbing.. 
I love instant replace for adding chunks. Creates a crisper sound rather than the layer-thick overdub.

>Multiply->Record. That way, you can trim down e,g, a long chord progression to just the ending
Discovered that accidentally when hitting multiply at the wrong time. Can come up with suprising effects.

>having pressed NextLoop (or a direct call like "Loop 4") to add the command Multiply before the switch happens
Per, isn't this the same on Mobius as NextLoop with LoopCopy=Loop (vs. LoopCopy=Time)?

best regards
Buzap


-- 
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Hi loopers

who needs a X pound setup if an iphone can do this?
http://thenextweb.com/shareables/2010/03/04/possibly-the-coolest-thing-ive-seen-the-iphone-do-video/

Really cool... and really nice vocal performance.
Supposedly with Everyday Looper.

Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

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	<C2386C79-047B-4BA5-B7B8-0AAED6E29DB2@btinternet.com>
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OH NO!! I NEED Farm Insurance NOW!!!




On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Oh no - I have telecom issues!!!
>
> damn
>
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 5 Mar 2010, at 00:00, peter.leinhos@farmersinsurance.com wrote:
>
>
>
>
>
> I will be out of the office starting  03/04/2010 and will not return until
> 03/08/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0014852d24c6205f170481092f9a
Content-Type: text/html; charset=ISO-8859-1
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OH NO!! I NEED Farm Insurance NOW!!!<br><br><br><br><br><div class=3D"gmail=
_quote">On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <span dir=3D"ltr">&lt;=
<a href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btint=
ernet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Oh no - I have telecom issues!!!<div><br></div><div>damn</div><div><br><fon=
t color=3D"#888888"><div> <span style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; line-hei=
ght: normal; text-indent: 0px; text-transform: none; white-space: normal; w=
ord-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(0, =
0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-va=
riant: normal; font-weight: normal; letter-spacing: normal; line-height: no=
rmal; text-indent: 0px; text-transform: none; white-space: normal; word-spa=
cing: 0px;"><div>

Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>

<div><br></div></span><br></span><br> </div></font><div><div></div><div cla=
ss=3D"h5"><br><div><div>On 5 Mar 2010, at 00:00, <a href=3D"mailto:peter.le=
inhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsuranc=
e.com</a> wrote:</div>

<br><blockquote type=3D"cite"><div style=3D"margin: 0px; min-height: 14px;"=
><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; =
min-height: 14px;">

<br></div><div style=3D"margin: 0px;">I will be out of the office starting<=
span>=A0 </span>03/04/2010 and will not return until</div><div style=3D"mar=
gin: 0px;">03/08/2010.</div><div style=3D"margin: 0px; min-height: 14px;"><=
br>
</div>
<div style=3D"margin: 0px;">For telecom issues, Genesys, Video or Audio Con=
ferencing contact Greg</div><div style=3D"margin: 0px;">Bouffard @ 323 932 =
3793.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px;">

***** PLEASE NOTE ***** This E-Mail/telefax message and any</div><div style=
=3D"margin: 0px;">documents accompanying this transmission may contain priv=
ileged</div><div style=3D"margin: 0px;">and/or confidential information and=
 is intended solely for the</div>

<div style=3D"margin: 0px;">addressee(s) named above. If you are not the in=
tended</div><div style=3D"margin: 0px;">addressee/recipient, you are hereby=
 notified that any use of,</div><div style=3D"margin: 0px;">disclosure, cop=
ying, distribution, or reliance on the contents of</div>

<div style=3D"margin: 0px;">this E-Mail/telefax information is strictly pro=
hibited and may</div><div style=3D"margin: 0px;">result in legal action aga=
inst you. Please reply to the sender</div><div style=3D"margin: 0px;">advis=
ing of the error in transmission and immediately</div>

<div style=3D"margin: 0px;">delete/destroy the message and any accompanying=
 documents. Thank</div><div style=3D"margin: 0px;">you.***** <span>=A0</spa=
n></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquo=
te>
</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>=
<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0014852d24c6205f170481092f9a--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 08:50:04 2010
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From: mark francombe <mark@markfrancombe.com>
Date: Fri, 5 Mar 2010 09:49:42 +0100
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--00148531a84612dbe1048109cd93
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 about his 'magic' saxaphone.    LOL,  I finally gave in and bought a WX-5
just for it to look more interesting as a sense of performance.

>
> Rick Walker
>
> Well then Rick.. I think you NEED this page..

http://www.egraphicworld.com/WX5.htm

 I searched for dayglo green, but no go.. maybe the gold one would match?

Mark




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00148531a84612dbe1048109cd93
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=A0about his &#39;magic&#39; saxaphone. =A0 =A0LOL, =A0I finally gave in an=
d bought a WX-5 just for it to look more interesting as a sense of performa=
nce.<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<font color=3D"#888888">
<br>
Rick Walker<br>
<br>
</font></blockquote></div>Well then Rick.. I think you NEED this page..<br>=
<br><a href=3D"http://www.egraphicworld.com/WX5.htm">http://www.egraphicwor=
ld.com/WX5.htm</a><br><br>=A0I searched for dayglo green, but no go.. maybe=
 the gold one would match?<br>

<br>Mark<br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mark=
francombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/use=
r825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.co=
m/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00148531a84612dbe1048109cd93--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 10:14:28 2010
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	 <C2386C79-047B-4BA5-B7B8-0AAED6E29DB2@btinternet.com>
	 <9ab0c76f1003050005p363560c2mfbeb568a53f253b6@mail.gmail.com>
Date: Fri, 5 Mar 2010 12:14:25 +0200
Message-ID: <c70841111003050214v809f303qcb0c3d3a09b9558@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367fa702d98e8b04810afa97
Content-Type: text/plain; charset=ISO-8859-1

how much time do I have to destroy/delete the message!!!!!!!!!!!?

:-D

2010/3/5 mark francombe <mark@markfrancombe.com>

> OH NO!! I NEED Farm Insurance NOW!!!
>
>
>
>
>
> On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> Oh no - I have telecom issues!!!
>>
>> damn
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 5 Mar 2010, at 00:00, peter.leinhos@farmersinsurance.com wrote:
>>
>>
>>
>>
>>
>> I will be out of the office starting  03/04/2010 and will not return
>> until
>> 03/08/2010.
>>
>>  For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>> Bouffard @ 323 932 3793.
>>
>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> documents accompanying this transmission may contain privileged
>> and/or confidential information and is intended solely for the
>> addressee(s) named above. If you are not the intended
>> addressee/recipient, you are hereby notified that any use of,
>> disclosure, copying, distribution, or reliance on the contents of
>> this E-Mail/telefax information is strictly prohibited and may
>> result in legal action against you. Please reply to the sender
>> advising of the error in transmission and immediately
>> delete/destroy the message and any accompanying documents. Thank
>> you.*****
>>
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016367fa702d98e8b04810afa97
Content-Type: text/html; charset=ISO-8859-1
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how much time do I have to destroy/delete the message!!!!!!!!!!!?<br><br>:-=
D<br><br><div class=3D"gmail_quote">2010/3/5 mark francombe <span dir=3D"lt=
r">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>=
&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">OH NO!! I NEED Fa=
rm Insurance NOW!!!<div><div></div><div class=3D"h5"><br><br><br><br><br><d=
iv class=3D"gmail_quote">
On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Oh no - I have telecom issues!!!<div><br></div><div>damn</div><div><br><fon=
t color=3D"#888888"><div> <span style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; line-hei=
ght: normal; text-indent: 0px; text-transform: none; white-space: normal; w=
ord-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(0, =
0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-va=
riant: normal; font-weight: normal; letter-spacing: normal; line-height: no=
rmal; text-indent: 0px; text-transform: none; white-space: normal; word-spa=
cing: 0px;"><div>


Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>


<div><br></div></span><br></span><br> </div></font><div><div></div><div><br=
><div><div>On 5 Mar 2010, at 00:00, <a href=3D"mailto:peter.leinhos@farmers=
insurance.com" target=3D"_blank">peter.leinhos@farmersinsurance.com</a> wro=
te:</div>


<br><blockquote type=3D"cite"><div style=3D"margin: 0px; min-height: 14px;"=
><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; =
min-height: 14px;">


<br></div><div style=3D"margin: 0px;">I will be out of the office starting<=
span>=A0 </span>03/04/2010 and will not return until</div><div style=3D"mar=
gin: 0px;">03/08/2010.</div><div style=3D"margin: 0px; min-height: 14px;"><=
br>

</div>
<div style=3D"margin: 0px;">For telecom issues, Genesys, Video or Audio Con=
ferencing contact Greg</div><div style=3D"margin: 0px;">Bouffard @ 323 932 =
3793.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px;">


***** PLEASE NOTE ***** This E-Mail/telefax message and any</div><div style=
=3D"margin: 0px;">documents accompanying this transmission may contain priv=
ileged</div><div style=3D"margin: 0px;">and/or confidential information and=
 is intended solely for the</div>


<div style=3D"margin: 0px;">addressee(s) named above. If you are not the in=
tended</div><div style=3D"margin: 0px;">addressee/recipient, you are hereby=
 notified that any use of,</div><div style=3D"margin: 0px;">disclosure, cop=
ying, distribution, or reliance on the contents of</div>


<div style=3D"margin: 0px;">this E-Mail/telefax information is strictly pro=
hibited and may</div><div style=3D"margin: 0px;">result in legal action aga=
inst you. Please reply to the sender</div><div style=3D"margin: 0px;">advis=
ing of the error in transmission and immediately</div>


<div style=3D"margin: 0px;">delete/destroy the message and any accompanying=
 documents. Thank</div><div style=3D"margin: 0px;">you.***** <span>=A0</spa=
n></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquo=
te>

</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br></=
div></div><div><div></div><div class=3D"h5">-- <br><a href=3D"http://www.ma=
rkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"=
http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094<=
/a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016367fa702d98e8b04810afa97--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 10:22:38 2010
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	<C2386C79-047B-4BA5-B7B8-0AAED6E29DB2@btinternet.com> <9ab0c76f1003050005p363560c2mfbeb568a53f253b6@mail.gmail.com> 
	<c70841111003050214v809f303qcb0c3d3a09b9558@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
Date: Fri, 5 Mar 2010 11:22:15 +0100
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Subject: Re: Leinhos, Peter is out of the office.
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--00151744790e0fc39704810b1889
Content-Type: text/plain; charset=ISO-8859-1

Take as long as you like! theres no rush!

On Fri, Mar 5, 2010 at 11:14 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:

> how much time do I have to destroy/delete the message!!!!!!!!!!!?
>
> :-D
>
> 2010/3/5 mark francombe <mark@markfrancombe.com>
>
> OH NO!! I NEED Farm Insurance NOW!!!
>>
>>
>>
>>
>>
>> On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <
>> mattstevensguitar@btinternet.com> wrote:
>>
>>> Oh no - I have telecom issues!!!
>>>
>>> damn
>>>
>>>  Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>> On 5 Mar 2010, at 00:00, peter.leinhos@farmersinsurance.com wrote:
>>>
>>>
>>>
>>>
>>>
>>> I will be out of the office starting  03/04/2010 and will not return
>>> until
>>> 03/08/2010.
>>>
>>>  For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>>> Bouffard @ 323 932 3793.
>>>
>>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>> documents accompanying this transmission may contain privileged
>>> and/or confidential information and is intended solely for the
>>> addressee(s) named above. If you are not the intended
>>> addressee/recipient, you are hereby notified that any use of,
>>> disclosure, copying, distribution, or reliance on the contents of
>>> this E-Mail/telefax information is strictly prohibited and may
>>> result in legal action against you. Please reply to the sender
>>> advising of the error in transmission and immediately
>>> delete/destroy the message and any accompanying documents. Thank
>>> you.*****
>>>
>>>
>>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00151744790e0fc39704810b1889
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Take as long as you like! theres no rush!<br><br><div class=3D"gmail_quote"=
>On Fri, Mar 5, 2010 at 11:14 AM, Petri Lahtinen <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt;</span> wrote:<=
br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">how much time do =
I have to destroy/delete the message!!!!!!!!!!!?<br><br>:-D<br><br><div cla=
ss=3D"gmail_quote">

2010/3/5 mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfr=
ancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt;</span><div><d=
iv></div><div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">OH NO!! I NEED Fa=
rm Insurance NOW!!!<div><div></div><div><br><br><br><br><br><div class=3D"g=
mail_quote">


On Fri, Mar 5, 2010 at 1:10 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Oh no - I have telecom issues!!!<div><br></div><div>damn</div><div><br><fon=
t color=3D"#888888"><div> <span style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; line-hei=
ght: normal; text-indent: 0px; text-transform: none; white-space: normal; w=
ord-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(0, =
0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-va=
riant: normal; font-weight: normal; letter-spacing: normal; line-height: no=
rmal; text-indent: 0px; text-transform: none; white-space: normal; word-spa=
cing: 0px;"><div>




Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>




<div><br></div></span><br></span><br> </div></font><div><div></div><div><br=
><div><div>On 5 Mar 2010, at 00:00, <a href=3D"mailto:peter.leinhos@farmers=
insurance.com" target=3D"_blank">peter.leinhos@farmersinsurance.com</a> wro=
te:</div>




<br><blockquote type=3D"cite"><div style=3D"margin: 0px; min-height: 14px;"=
><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; =
min-height: 14px;">




<br></div><div style=3D"margin: 0px;">I will be out of the office starting<=
span>=A0 </span>03/04/2010 and will not return until</div><div style=3D"mar=
gin: 0px;">03/08/2010.</div><div style=3D"margin: 0px; min-height: 14px;"><=
br>



</div>
<div style=3D"margin: 0px;">For telecom issues, Genesys, Video or Audio Con=
ferencing contact Greg</div><div style=3D"margin: 0px;">Bouffard @ 323 932 =
3793.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px;">




***** PLEASE NOTE ***** This E-Mail/telefax message and any</div><div style=
=3D"margin: 0px;">documents accompanying this transmission may contain priv=
ileged</div><div style=3D"margin: 0px;">and/or confidential information and=
 is intended solely for the</div>




<div style=3D"margin: 0px;">addressee(s) named above. If you are not the in=
tended</div><div style=3D"margin: 0px;">addressee/recipient, you are hereby=
 notified that any use of,</div><div style=3D"margin: 0px;">disclosure, cop=
ying, distribution, or reliance on the contents of</div>




<div style=3D"margin: 0px;">this E-Mail/telefax information is strictly pro=
hibited and may</div><div style=3D"margin: 0px;">result in legal action aga=
inst you. Please reply to the sender</div><div style=3D"margin: 0px;">advis=
ing of the error in transmission and immediately</div>




<div style=3D"margin: 0px;">delete/destroy the message and any accompanying=
 documents. Thank</div><div style=3D"margin: 0px;">you.***** <span>=A0</spa=
n></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquo=
te>



</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br></=
div></div><div><div></div><div>-- <br><a href=3D"http://www.markfrancombe.c=
om" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.=
com/user825094" target=3D"_blank">http://vimeo.com/user825094</a><br>


<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>





</div></div></blockquote></div></div></div><br><br clear=3D"all"><br>-- <br=
>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blan=
k">http://www.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blog=
spot.com/" target=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>


<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>


---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>


<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00151744790e0fc39704810b1889--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 12:23:23 2010
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Date: Fri, 05 Mar 2010 06:23:21 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop
References: <4B8FE359.8030302@gmx.de>
	<66f9cc1e1003040919g1c658ac6x7ec98328bc2fad44@mail.gmail.com>
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Resent-Date: Fri,  5 Mar 2010 12:23:23 +0000 (UTC)

Quoting Buzap Buzap <buzap@gmx.net>:

> Hi folks
>
> I highly enjoy this thread. My favorite suggestions:
>
>> go back to the original loop
> Yeah, I save the initial "fresh" stage of a loop to come back later, =20
>  cooling things down & re-focusing.
>
>> REPLACING rather that overdy=FAbing..
> I love instant replace for adding chunks. Creates a crisper sound  =20
> rather than the layer-thick overdub.
>

The replace idea is one that I haven't explored.  This thread has =20
inspired me to work with replace (and mute) functions.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 13:53:56 2010
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Date: Fri, 5 Mar 2010 14:53:53 +0100
Message-ID: <afb941d1003050553u5286c03djad312a05c937e113@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7eb68bc78fc04810e0bd3
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this guy is around here, doing this, since the nineties.

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d7eb68bc78fc04810e0bd3
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this guy is around here, doing this, since the nineties.<br><br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d7eb68bc78fc04810e0bd3--

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Date: Fri, 5 Mar 2010 15:06:01 +0100
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Subject: Re: New release
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cool. saving i t for the weekend coffee+couch+headphoones experience!

2010/3/5 Jeff Duke <jeff_d@embarqmail.com>

>  Hey fellow loopers,
>
> I just posted a new release on Bandcamp from my self and Jim Goodin aka t=
he
> Goodin Duke Project called "Unforseen Consequenses".
> Chock full of looping madness this was the result of an email request fro=
m
> Jim to test out a bit of gear or some such. We cranked up Ninjam and play=
ed
> this in one pass non stop. Kind of experimental glitchadelic ambient nois=
e I
> guess, not sure but here it is:
>
> http://goodindukeproject.bandcamp.com/album/unforseen-consequences
>
>
> peace out,
>
> Jeff
>
> http://www.myspace.com/loopsinphasespace
>
>
>
>



--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d99ccb2727e204810e37b8
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cool. saving i t for the weekend coffee+couch+headphoones experience!<br><b=
r><div class=3D"gmail_quote">2010/3/5 Jeff Duke <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span><br=
><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204,=
 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Hey fellow loopers,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">I just posted a new release on Bandcam=
p from my=20
self and Jim Goodin aka the Goodin Duke Project called &quot;Unforseen=20
Consequenses&quot;.</font></div>
<div><font face=3D"Arial" size=3D"2">Chock full of looping madness this was=
 the result=20
of an email request from Jim to test out a bit of gear or some such. We cra=
nked=20
up Ninjam and played this in one pass non stop. Kind of experimental=20
glitchadelic ambient noise=A0I guess, not sure but here it is:</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"><a href=3D"http://go=
odindukeproject.bandcamp.com/album/unforseen-consequences" target=3D"_blank=
">http://goodindukeproject.bandcamp.com/album/unforseen-consequences</a></f=
ont></span></div>

<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2">peace out,</font></s=
pan></div>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2">Jeff</font></span></=
div>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"><a href=3D"http://ww=
w.myspace.com/loopsinphasespace" target=3D"_blank">http://www.myspace.com/l=
oopsinphasespace</a></font></span></div>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"><font face=3D"Arial" size=3D"2"></font></span>=A0</d=
iv>
<div><span dir=3D"ltr"></span>=A0</div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d99ccb2727e204810e37b8--

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Date: Fri, 05 Mar 2010 09:32:27 -0500
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Subject: Galactic Travels Playlist #674 for March 4, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100304.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #674                March 4, 2010.

RECAP:
On this show, I started a month-long focus on Mark Mahoney and Michael
Peck.  The Featured CD at Midnight will be The Gallery of Subtle Smiles
on Waiting World Records.

Mahoney and Peck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Jazzcomputer.org     Stress               Out of the City (none)
Undo                 Apprehender          9.9.99 (none)
Robert Rich          charukesi            ylang (Soundscape Productions)
Ricochet Gathering   Keep Ending          Keep On (Ricochet Dream)
Tange                CHON Part 1 *        CHON (Earth Mantra)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mahoney and Peck     Flight from the      The Gallery of Subtle Smiles
                       Nexxus Swan          (Waiting World)
Mahoney and Peck     Cosmic Visitation    The Gallery of Subtle Smiles
                                            (Waiting World)
Mahoney and Peck     Initiate Auto        The Gallery of Subtle Smiles
                       Sequence             (Waiting World)
Mahoney and Peck     Follow the Swarm     The Gallery of Subtle Smiles
                                            (Waiting World)
Mahoney and Peck     Dawn's Lingering     The Gallery of Subtle Smiles
                       Ghost                (Waiting World)
Mahoney and Peck     Tin Cans and Tiny    The Gallery of Subtle Smiles
                       Cables               (Waiting World)
Mahoney and Peck     Vortex of Dim        The Gallery of Subtle Smiles
                       Light                (Waiting World)
Mahoney and Peck     The Great Silencer   The Gallery of Subtle Smiles
                                            (Waiting World)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Mark
Mahoney and Michael Peck.  The Featured CD at Midnight will be Beyond
the Vaulting Skies by Mark Mahoney on Waiting World Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 14:40:21 2010
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Date: Fri, 5 Mar 2010 15:39:59 +0100
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I know Raul.. Its pretty funny..

On Fri, Mar 5, 2010 at 2:53 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> this guy is around here, doing this, since the nineties.
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lumin=
ada,
> exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta=
 que
> ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li u=
na
> agulla , o que pitara, o alguna cosa aix=ED? "
>
>
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174c0f7cc9bb7104810eb1e0
Content-Type: text/html; charset=ISO-8859-1
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I know Raul.. Its pretty funny..<br><br><div class=3D"gmail_quote">On Fri, =
Mar 5, 2010 at 2:53 PM, Raul Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto=
:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204,=
 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

this guy is around here, doing this, since the nineties.<div><div></div><di=
v class=3D"h5"><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s estava a=
quella dona que sense saber que estava il.luminada, exclamava: &quot;O siga=
, que he pagat per aquesta merda de m=E0quina i resulta que ni tan sols em =
diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una agulla , o que=
 pitara, o alguna cosa aix=ED? &quot;<br>


<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tape Collecti=
ve: <a href=3D"http://www.ct-collective.com" target=3D"_blank">http://www.c=
t-collective.com</a><br>

<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c0f7cc9bb7104810eb1e0--

From mrkoffimensa001@virgilio.it  Fri Mar  5 14:50:48 2010
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Date: Fri, 5 Mar 2010 15:12:25 +0100 (CET)
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Att:Sir/Madan
I am diagnosed with Cancer being hospitalize. I need your help to 
claim my fund Usm$15 in security company, i have set aside %25 for you, i will 
introduce myself well as you reply back to help me,Mr.Koffi Mensa.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  5 21:08:35 2010
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Date: Fri, 05 Mar 2010 22:08:31 +0100
From: Nadia Salom <nadia.salom@gmx.de>
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--------------070801050700040708000504
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Helllo Loopers,

A concert is being organised in Kerala India in honor of water. It will 
be held on World Water Day, March 22nd. And the organizers are looking 
for sponsors. I am very new to this type of thing... so I am just 
shooting out in the dark and hoping for good luck... if anyone knows 
anyone who maybe possibly might be willing to fund a concert in honor of 
water, please let me know.

Here is the info:

Hydro Rhythm -- The Musical Concert? - Rock for a Cause?
?22nd March 2010 ?World Water Day?

International World Water Day is held annually on 22 March as a means of 
focusing attention on the importance of freshwater.  An international 
day to celebrate freshwater was recommended at the 1992 United Nations 
Conference on Environment and Development (UNCED).  UN -- Water has 
chosen Communicating Water Quality Challenges and Opportunities as theme 
for World Water Day 2010.

The overall goal of the World Water Day on 22 March 2010 campaign is to 
raise the profile of water quality at the political level so that water 
quality considerations are made alongside those of water quantity. As a 
part of observing this day, we are organizing a musical concert to 
enlighten the common public on water quality and the importance of 
saving water. A must experience concert for all who have a heart towards 
social responsibility.

THE CONCERT IS IN NEED OF FUNDING: Please contact me if you are 
interested in supporting this concert in honor of /WATER...
/

/http://www.worldwaterday2010.info/
http://www.unwater.org/statistics.html
/

Thank you and kind regards,
Nadia Salom


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07


--------------070801050700040708000504
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>

<meta http-equiv="content-type" content="text/html; charset=ISO-8859-15">
</head>
<body bgcolor="#ffffff" text="#000000">
Helllo Loopers,<br>
<br>
A concert is being organised in Kerala India in honor of water. It will
be held on World Water Day, March 22nd. And the organizers are looking
for sponsors. I am very new to this type of thing... so I am just
shooting out in the dark and hoping for good luck... if anyone knows
anyone who maybe possibly might be willing to fund a concert in honor
of water, please let me know. <br>
<br>
Here is the info: <br>
<br>
<meta http-equiv="content-type" content="text/html; charset=ISO-8859-15">
Hydro Rhythm &#8211; The Musical Concert&#8232; - Rock for a Cause&#8232; <br>
&#8232;22nd March 2010 &#8232;World Water Day&#8232;
<p>International
World Water Day is held annually on 22 March as a means of focusing
attention on the importance of freshwater.  An international day to
celebrate freshwater was recommended at the 1992 United Nations
Conference on Environment and Development (UNCED).  UN &#8211; Water has
chosen Communicating Water Quality Challenges and Opportunities as
theme for World Water Day 2010. </p>
<p>The overall goal of the World
Water Day on 22 March 2010 campaign is to raise the profile of water
quality at the political level so that water quality considerations are
made alongside those of water quantity. As a part of observing this
day, we are organizing a musical concert to enlighten the common public
on water quality and the importance of saving water. A must experience
concert for all who have a heart towards social responsibility.</p>
<p>THE CONCERT IS IN NEED OF FUNDING: Please contact me if you are
interested in supporting this concert in honor of <em>WATER...<br>
</em></p>
<p><em><a class="moz-txt-link-freetext" href="http://www.worldwaterday2010.info/">http://www.worldwaterday2010.info/</a><br>
<a class="moz-txt-link-freetext" href="http://www.unwater.org/statistics.html">http://www.unwater.org/statistics.html</a><br>
</em></p>
<p>Thank you and kind regards,<br>
Nadia Salom<br>
</p>
<br>
<pre class="moz-signature" cols="72">-- 
Nadia Salom
<a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a>
<a class="moz-txt-link-freetext" href="http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</a>
</pre>
</body>
</html>

--------------070801050700040708000504--

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From morein05mabou@voila.fr  Fri Mar  5 22:20:57 2010
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Hello
=0A=0A=0A=0AMy name is morein mabou,i saw your profile at google search tod=
ay and bec
=0A=0A=0A=0Aame intrested in you,i will also like to know more about you ,a=
nd i like
=0A=0A=0A=0Ayou to contact me through my email so that i will tell you more=
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=0A=0A=0A=0Aelf and send you my pictures so that you will know the person y=
ou are dea
=0A=0A=0A=0Alling with, and i want you to understand that real friendship a=
nd trust
=0A=0A=0A=0Adon't count distance or race=A0 and I believe that this relatio=
nship we
=0A=0A=0A=0Aare about to start will stand a test of time. need some one tha=
t=0Aunderstand the real meaning of love and trust and,Caring and believe in=
=0AGod ,and real love, I believe we can move from here! I am waiting for=0A=
your respo
=0A=0A=0A=0Ands in my email address above.(Remeber the distance or colour d=
oes not=0Amatter but love matters alot in life) PLEASE WRITE ME ON MY MAIL =
BOX=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv487183652"><span style=3D"font-=
weight: bold; font-style: italic;">Hello</span><br style=3D"font-weight: bo=
ld; font-style: italic;"><span style=3D"font-weight: bold; font-style: ital=
ic;">=0A=0A=0A=0AMy name is morein mabou,i saw your profile at google searc=
h today and bec</span><br style=3D"font-weight: bold; font-style: italic;">=
<span style=3D"font-weight: bold; font-style: italic;">=0A=0A=0A=0Aame intr=
ested in you,i will also like to know more about you ,and i like</span><br =
style=3D"font-weight: bold; font-style: italic;"><span style=3D"font-weight=
: bold; font-style: italic;">=0A=0A=0A=0Ayou to contact me through my email=
 so that i will tell you more about mys</span><br style=3D"font-weight: bol=
d; font-style: italic;"><span style=3D"font-weight: bold; font-style: itali=
c;">=0A=0A=0A=0Aelf and send you my pictures so that you will know the pers=
on you are dea</span><br style=3D"font-weight: bold; font-style: italic;"><=
span style=3D"font-weight: bold; font-style: italic;">=0A=0A=0A=0Alling wit=
h, and i want you to understand that real friendship and trust</span><br st=
yle=3D"font-weight: bold; font-style: italic;"><span style=3D"font-weight: =
bold; font-style: italic;">=0A=0A=0A=0Adon't count distance or race&nbsp; a=
nd I believe that this relationship we</span><br style=3D"font-weight: bold=
; font-style: italic;"><span style=3D"font-weight: bold; font-style: italic=
;">=0A=0A=0A=0Aare about to start will stand a test of time. need some one =
that=0Aunderstand the real meaning of love and trust and,Caring and believe=
 in=0AGod ,and real love, I believe we can move from here! I am waiting for=
=0Ayour respo</span><br style=3D"font-weight: bold; font-style: italic;"><s=
pan style=3D"font-weight: bold; font-style: italic;">=0A=0A=0A=0Ands in my =
email address above.(Remeber the distance or colour does not=0Amatter but l=
ove matters alot in life) PLEASE WRITE ME ON MY MAIL BOX</span></div></td><=
/tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-792417670-1267827648=:47365--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 00:08:29 2010
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Date: Fri, 5 Mar 2010 16:08:22 -0800
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Subject: Re: OT: Is Keytar cool (again) or not?
From: Matt Davignon <mattdavignon@gmail.com>
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Well, what a keytar was originally about was giving up some of the
functionality of a keyboard in exchange for being able to dance on
stage, jump in the air and spin around like band members were expected
to do in the 80s. Right? What else was a keytar good for? If that's
important again, then yes, a keytar may be the way to go.

Non-snarkily, Yes, I think it's still seen as a novelty instrument.

Matt

On Wed, Mar 3, 2010 at 11:25 PM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Folks
>
> I was just wondering:
>
> Now that Keytar re-surfaced again along with the current back-to-80ies trend (oh, these leggings still look horrible - sorry ladies!)...
>
> Do you think it is cool again? The question is of course: Was it ever cool at all? Well, at least, when Herbie Hancock took it to stage it did look kind of cool.
> But the thing is: Would you want to be on stage with a Keytar nowadays - or is it (still) too embarrasing?
>
> best regards
> Buzap
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>
>

From nanaboateng2008@cantv.net  Sat Mar  6 02:37:12 2010
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Subject: I seek your partnership in this project,
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--
Good day,

Forgive my indignation if this message comes to you as a surprise and may
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of funds $USD 25.5,000,000.00 (twenty five million five hundred thousand
united states dollars only) into your personal or company account and
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Further details of this project will be forwarded to you as soon as i
receive your return mail immediately,

I wait for your quick reply in my private email
address(nana_boateng@cantv.net)for more details of this project.

Best regards,
Mr.Nana Boateng



________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 07:59:04 2010
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Date: Sat, 6 Mar 2010 02:59:02 -0500
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Subject: Re: Owen Pallett Heartland
From: Jean-Paul De Roover <j.de.roover@gmail.com>
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He used to be called "Final Fantasy", and if you can find it there's a
podcast from CBC where he and Cadence Weapon (Canadian 8bit hip hop
artist) collaborate on each other's songs for an hour.  Pretty neat
stuff.  I haven't seen him live yet, but I do live in a more remote
part of Canada, which is often overlooked when artists are suddenly
launched into indie-stardom.  Proud Canadian though!

On 3/4/10, Myke Atkinson <mykeatkinson@gmail.com> wrote:
> To be honest, I wasn't a huge fan of his music until I saw him live (not
> that I didn't like it - it was just kind of in the take it or leave it
> pile). Last year he played in Calgary as part of the Sled Island festival at
> this gorgeous church downtown and I was blown away by his live performance.
> Besides being devilishly charismatic, the mini-orchestra of sounds he
> creates with his live looping setup is incredible. Truly an amazing
> performer.
>
> Your post made me look up some videos of him, and this one, while pretty
> horrible audio quality, showcases some of the ingenious and extremely
> musical ways he uses his looping setup live:
> http://vimeo.com/7509410
>
> -Myke
>
>
> On 2010-03-04, at 12:03 AM, Michael Peters wrote:
>
>> a friend gave me the "Heartland" CD of Owen Pallett. Incredible music,
>> very
>> idiosyncratic and hard to categorize, but melodic and very enjoyable. I
>> hear
>> that he does livelooping - has anyone seen him live?
>> -Michael
>>
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

Check out the stop animation music video for "Fix"!
www.jeanpaulderoover.com/fix

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 09:26:18 2010
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CC: Kathleen Monahan <kdmpromo@mc-kdm.com>,
        Musik International <radio@musikinternational.com>,
        Peter Koniuto <peter@RedSunSoundroom.com>,
        Paul Bryan <charts@radio-media.com>,
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        Randall Frazier Massive Music America <airplay@massivemusicamerica.com>,
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, March 6 at 6 am EST (GMT-5).  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
1 with Issue No. 9.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

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Subject: Anyone messed around with the Boss SL-20?
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So....as the title asks... has anyone?

Looks kind of interesting as a rhythmic tool to add into loops.

Ace


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<p class=3DMsoNormal>So&#8230;.as the title asks&#8230; has =
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<p class=3DMsoNormal>Looks kind of interesting as a rhythmic tool to add =
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<p class=3DMsoNormal>Ace<o:p></o:p></p>

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Date: Sat, 6 Mar 2010 12:54:51 +0000
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Subject: Re: Anyone messed around with the Boss SL-20?
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f7d2ec7513810481215601
Content-Type: text/plain; charset=windows-1252
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i've just bought one. hasn't arrived yet, but i'll let you know what i thin=
k
once i've played around with it a bit. i know michael peters uses one....

sim

On Sat, Mar 6, 2010 at 10:37 AM, Ace Ovil <aovil@wfubmc.edu> wrote:

>  So=85.as the title asks=85 has anyone?
>
> Looks kind of interesting as a rhythmic tool to add into loops.
>
> Ace
>

--001485f7d2ec7513810481215601
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

i&#39;ve just bought one. hasn&#39;t arrived yet, but i&#39;ll let you know=
 what i think once i&#39;ve played around with it a bit. i know michael pet=
ers uses one....<br><br>sim<br><br><div class=3D"gmail_quote">On Sat, Mar 6=
, 2010 at 10:37 AM, Ace Ovil <span dir=3D"ltr">&lt;<a href=3D"mailto:aovil@=
wfubmc.edu">aovil@wfubmc.edu</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">








<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p class=3D"MsoNormal">So=85.as the title asks=85 has anyone?</p>

<p class=3D"MsoNormal">Looks kind of interesting as a rhythmic tool to add =
into
loops.</p>

<p class=3D"MsoNormal">Ace</p>

</div>

</div>


</blockquote></div><br>

--001485f7d2ec7513810481215601--

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Date: Sat, 6 Mar 2010 21:52:33 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: Anyone messed around with the Boss SL-20?
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At 5:37 AM -0500 3/6/10, Ace Ovil wrote:
>So=8A.as the title asks=8A has anyone?
>Looks kind of interesting as a rhythmic tool to add into loops.

Ace,

Check the archives.  It's actually come up as a=20
topic a couple of times here.  Short answer:=20
yeah, it's pretty cool to add rhythmic content=20
(although "to really muck things up requires a=20
computer" ;).

I've got one, and I know that Rick Walker does=20
too, amongst others.  I've even posted a couple=20
of tricks in the past to get more mileage out of=20
it.  Anything in particular you want to know,=20
though?

	--m.

-- 
_____
"I want to keep you alive so there is always the=20
possibility of murder... later"

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Date: Sat, 6 Mar 2010 08:14:56 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: boss slicer
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actually i also just bought a boss slicer and am awaiting it, and i also ju=
st
bought a digitech timebender, and am anxiously awaiting it (sort of bought =
them for my bday-good day for me!!!)
=A0
i will say that in the last month i've had the roland ef303-which has a sli=
cer effect in it-i really like the effect, and that's why i wanted to try t=
he slicer. the ef303 is HUGE on my board, and i'm running out of real estat=
e . i'm also wishing when i had the electricians in my house 3 yrs ago that=
 i would have put some more outlets in my studio-i'm full up there also....=
but the effects of the ef303 are interesting-it's built like a tank, althou=
gh a few are repeats of what i have, but the filter and isolator sounds goo=
d too on it. but the main thing i've found is doing short loops w/ my guyat=
one md3 (mangling them) and then turning on the slicer-it's kind of cool. m=
akes some nice sounds...guess that's why i wanted to try the boss slicer & =
it's smaller footprint (never thought i'd come to the day where pedal size =
becomes an issue...)...
=A0
i should also say that even w/ the ef303 and my new korg kaoss 2 pad-both u=
sing rca in/outs-i've not noticed any signal loss, much different than the =
mini kaoss pad...that's sort of why i got a KP2 also-liked the sounds of th=
e mini kaoss pad-but wanted to see if it had better sound-and it does-there=
 are some fun sound mangling options in it as well....
s---=0A=0A=0A      
--0-765127008-1267892096=:6386
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>actually i also just bought a boss slice=
r and am awaiting it, and i also just</DIV>
<DIV>bought a digitech timebender, and am anxiously awaiting it (sort of bo=
ught them for my bday-good day for me!!!)</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will say that in the last month i've had the roland ef303-which has =
a slicer effect in it-i really like the effect, and that's why i wanted to =
try the slicer. the ef303 is HUGE on my board, and i'm running out of real =
estate . i'm also wishing when i had the electricians in my house 3 yrs ago=
 that i would have put some more outlets in my studio-i'm full up there als=
o....but the effects of the ef303 are interesting-it's built like a tank, a=
lthough a few are repeats of what i have, but the filter and isolator sound=
s good too on it. but the main thing i've found is doing short loops w/ my =
guyatone md3 (mangling them) and then turning on the slicer-it's kind of co=
ol. makes some nice sounds...guess that's why i wanted to try the boss slic=
er &amp; it's smaller footprint (never thought i'd come to the day where pe=
dal size becomes an issue...)...</DIV>
<DIV>&nbsp;</DIV>
<DIV>i should also say that even w/ the ef303 and my new korg kaoss 2 pad-b=
oth using rca in/outs-i've not noticed any signal loss, much different than=
 the mini kaoss pad...that's sort of why i got a KP2 also-liked the sounds =
of the mini kaoss pad-but wanted to see if it had better sound-and it does-=
there are some fun sound mangling options in it as well....</DIV>
<DIV>s---</DIV></td></tr></table><br>=0A=0A      
--0-765127008-1267892096=:6386--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 16:27:34 2010
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Subject: Re: the death of the loop
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Hi Kevin
 
> The replace idea is one that I haven't explored.  This thread has  
> inspired me to work with replace (and mute) functions.

Yeah, try it with "instant" setting (is it same as SUS on EDP? don't know the jargon so well...). With an "instant pedal" you can place rhythmic accents into an existing loop etc.

have fun! :)
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 16:53:51 2010
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Date: Sat, 6 Mar 2010 17:53:49 +0100
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Subject: Re: the death of the loop
From: Per Boysen <perboysen@gmail.com>
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>
> > The replace idea is one that I haven't explored. =C2=A0This thread has
> > inspired me to work with replace (and mute) functions.

On Sat, Mar 6, 2010 at 5:27 PM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Kevin
> Yeah, try it with "instant" setting (is it same as SUS on EDP? don't know=
 the jargon so well...). With an "instant pedal" you can place rhythmic acc=
ents into an existing loop etc.


(Some related info on this interesting topic:)

This trick can be done on an EDP with both the Replace and the
Substitute command. If setting the "pedal functionality" to "sustain"
("SUS" in the front panel display) rather than "toggle" the
replaced/substituted audio slice is quantized according to the cycle
value ("cycle" on an EDP is the length of the first loop you created.
So in order to "go glitchy" you need to start with a very short loop
and multiply it up a length that feels like a musical bar etc). The
difference between Replace and Substitute is that with Replace you
hear the looping backgrund disappearing as you do the replacing while
with Substitute nothing happens until the loop plays back; then you
hear the latest live playing slice is substituting a slice of the old
layer at that point.

--> Seamless sculpting
A cool way to use this is to run the EDP at an alternative performance
mode - my fav is Replace Mode, but Expert Mode is also common -
because then you get the option to set how much of the old loop layer
will be substituted (front panel knob or volume pedal plugged in on
rear panel).

In the software looper Mobius similar control is constantly available
by setting its unique parameter Secondary Feedback level (not to be
confused with the normal Feedback). While the EDP offers the two
length alternatives Loop and Cycle Mobius has a third, Sub Cycle, that
is shorter and perfect for these slicing techniques. Substituting with
Secondary Feedback control is a very powerful tool for sculpting the
loop.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 17:25:35 2010
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--001485e9ab566da0ea0481251ec8
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. While the EDP offers the two

> length alternatives Loop and Cycle Mobius has a third, Sub Cycle, that
> is shorter and perfect for these slicing techniques. Substituting with
> Secondary Feedback control is a very powerful tool for sculpting the
> loop.
>
>

I think you are forgetting that EDP has that too Per.. Its called 8ths..
after setting the 8ths/Cycle setting to 8ths.. the quantise parameter is
used to decide what value that 8ths will be...

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001485e9ab566da0ea0481251ec8
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. While the EDP offers the two<br><div class=3D"gmail_quote"><blockquote cl=
ass=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); mar=
gin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
length alternatives Loop and Cycle Mobius has a third, Sub Cycle, that<br>
is shorter and perfect for these slicing techniques. Substituting with<br>
Secondary Feedback control is a very powerful tool for sculpting the<br>
loop.<br>
<br></blockquote><div><br><br>I think you are forgetting that EDP has that =
too Per.. Its called 8ths..=A0 after setting the 8ths/Cycle setting to 8ths=
.. the quantise parameter is used to decide what value that 8ths will be...=
<br>


</div></div><br>-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_=
blank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094"=
 target=3D"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe" target=3D"_blank">http://uk.youtube.com/use=
r/markfrancombe</a><br>


<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--001485e9ab566da0ea0481251ec8--

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Ohh. the 2 buttons I quoted are of course reversed.. soory..


On Sat, Mar 6, 2010 at 6:25 PM, mark francombe <mark@markfrancombe.com>wrote:

> . While the EDP offers the two
>
>> length alternatives Loop and Cycle Mobius has a third, Sub Cycle, that
>> is shorter and perfect for these slicing techniques. Substituting with
>> Secondary Feedback control is a very powerful tool for sculpting the
>> loop.
>>
>>
>
> I think you are forgetting that EDP has that too Per.. Its called 8ths..
> after setting the 8ths/Cycle setting to 8ths.. the quantise parameter is
> used to decide what value that 8ths will be...
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Ohh. the 2 buttons I quoted are of course reversed.. soory..<br><br><br><di=
v class=3D"gmail_quote">On Sat, Mar 6, 2010 at 6:25 PM, mark francombe <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranco=
mbe.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>. While the EDP offers the two<br></div><div class=3D"gmail_quote"><div cl=
ass=3D"im">

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
length alternatives Loop and Cycle Mobius has a third, Sub Cycle, that<br>
is shorter and perfect for these slicing techniques. Substituting with<br>
Secondary Feedback control is a very powerful tool for sculpting the<br>
loop.<br>
<br></blockquote></div><div><br><br>I think you are forgetting that EDP has=
 that too Per.. Its called 8ths..=A0 after setting the 8ths/Cycle setting t=
o 8ths.. the quantise parameter is used to decide what value that 8ths will=
 be...<br>



</div></div><div><div></div><div class=3D"h5"><br>-- <br><a href=3D"http://=
www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a hr=
ef=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user8=
25094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Hi guys linux looping/fierce and the dead
Date: Sat, 6 Mar 2010 18:46:48 +0000
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Thanks Jim - will be at your gig tomorrow mate

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Mar 2010, at 17:39, Jim Goodin wrote:

> Matt will do, there are 3 trax on our page on RPM that should play  
> for you, let me knwo if not.  here's our public page there http:// 
> www.rpmchallenge.com/component/option,com_comprofiler/ 
> task,userProfile/user,8652/Itemid,296/.
>
> Your Fierce and The Dead sounds really cool, like the subtle ember  
> that grows to fire approach in that track Matt.
>
> On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> brilliant - please let me know when the DigitSignal record is up  
> tried to listen on RPM but it wouldn't let me!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Mar 2010, at 15:49, Jim Goodin wrote:
>
>> Matt yes I've been doing BC for awhile and we'll have the new
>> DigItSignal record there soon, Absence Of Being.
>>
>> I run Ubuntu some (linux like) wonder if that will port to it.
>>
>> Will chk out your new electric band.
>>
>> Jim
>>
>> On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>>> Live loopers for linux - i thought this may be interesting to  
>>> some of
>>> you
>>>
>>> http://www.linuxjournal.com/content/getting-loopy-performance- 
>>> loopers-
>>> linux-musician
>>>
>>> And its not got much looping on it but my new electric project has a
>>> 19 minute long single out here
>>>
>>> http://thefierceandthedead.bandcamp.com
>>>
>>> Is anyone else using bandcamp? Its amazing
>>>
>>>
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>>
>>
>> -- 
>> Sent from my mobile device
>>
>> ReUse, an introspective textural aural
>> www.myspace.com/CtReUse
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>>
>
>
>
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Thanks Jim - will be at your gig tomorrow mate<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Mar 2010, =
at 17:39, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Matt will =
do, there are 3 trax on our page on RPM that should play for you, let me =
knwo if not.&nbsp; here's our public page there <a =
href=3D"http://www.rpmchallenge.com/component/option,com_comprofiler/task,=
userProfile/user,8652/Itemid,296/">http://www.rpmchallenge.com/component/o=
ption,com_comprofiler/task,userProfile/user,8652/Itemid,296/</a>.<br> =
<br>Your Fierce and The Dead sounds really cool, like the subtle ember =
that grows to fire approach in that track Matt.<br><br><div =
class=3D"gmail_quote">On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><div style=3D"word-wrap: break-word;"> =
brilliant - please let me know when the DigitSignal record is up tried =
to listen on RPM but it wouldn't let me!<div><div class=3D"im"><br><div> =
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); =
font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; text-indent: 0px; text-transform: none; =
white-space: normal; word-spacing: 0px;"><span style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; text-indent: 0px; =
text-transform: none; white-space: normal; word-spacing: 0px;"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></div><div><div></div><div class=3D"h5"><div><div>On 4 Mar =
2010, at 15:49, Jim Goodin wrote:</div><br><blockquote type=3D"cite"><div =
style=3D"margin: 0px;">Matt yes I've been doing BC for awhile and we'll =
have the new</div> <div style=3D"margin: 0px;">DigItSignal record there =
soon, Absence Of Being.</div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px;">I run Ubuntu some (linux =
like) wonder if that will port to it.</div> <div style=3D"margin: 0px; =
min-height: 14px;"><br></div><div style=3D"margin: 0px;">Will chk out =
your new electric band.</div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px;">Jim</div><div =
style=3D"margin: 0px; min-height: 14px;"> <br></div><div style=3D"margin: =
0px;">On 3/4/10, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt; wrote:</div> =
<blockquote type=3D"cite"><div style=3D"margin: 0px;"> Live loopers for =
linux - i thought this may be interesting to some of</div><div =
style=3D"margin: 0px;">you</div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px;"><a =
href=3D"http://www.linuxjournal.com/content/getting-loopy-performance-loop=
ers-" =
target=3D"_blank">http://www.linuxjournal.com/content/getting-loopy-perfor=
mance-loopers-</a></div> <div style=3D"margin: =
0px;">linux-musician</div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px;">And its not got much =
looping on it but my new electric project has a</div><div style=3D"margin:=
 0px;"> 19 minute long single out here</div><div style=3D"margin: 0px; =
min-height: 14px;"><br></div><div style=3D"margin: 0px;"><a =
href=3D"http://thefierceandthedead.bandcamp.com" =
target=3D"_blank">http://thefierceandthedead.bandcamp.com</a></div> <div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px;">Is anyone else using bandcamp? Its amazing</div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px; min-height: 14px;"> <br></div><div style=3D"margin: 0px;">Matt =
Stevens</div><div style=3D"margin: 0px;"><a =
href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div style=3D"margin:=
 0px;"><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> <div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px; min-height: 14px;"> =
<br></div> </blockquote><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: =
0px;">--<span>&nbsp;</span></div><div style=3D"margin: 0px;">Sent from =
my mobile device</div><div style=3D"margin: 0px; min-height: 14px;"> =
<br></div><div style=3D"margin: 0px;">ReUse, an introspective textural =
aural</div><div style=3D"margin: 0px;"><a =
href=3D"http://www.myspace.com/CtReUse" =
target=3D"_blank">www.myspace.com/CtReUse</a></div><div style=3D"margin: =
0px; min-height: 14px;"> <br></div><div style=3D"margin: 0px;">music =
links...</div><div style=3D"margin: 0px;"><a =
href=3D"http://www.jimgoodinmusic.com" =
target=3D"_blank">www.jimgoodinmusic.com</a></div><div style=3D"margin: =
0px;"><a href=3D"http://www.chinapaintingmusic.com" =
target=3D"_blank">www.chinapaintingmusic.com</a></div> <div =
style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">www.myspace.com/jimgoodinmusic</a></div><div =
style=3D"margin: 0px;"><a =
href=3D"http://www.myspace.com/chinapaintingmusic" =
target=3D"_blank">www.myspace.com/chinapaintingmusic</a></div> <div =
style=3D"margin: 0px;"><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro" =
target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a></div><div =
style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jindream" =
target=3D"_blank">www.myspace.com/jindream</a></div> <div style=3D"margin:=
 0px;"><a href=3D"http://www.youtube.com/jimgoodinmusic" =
target=3D"_blank">www.youtube.com/jimgoodinmusic</a></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px;">video work/editing...</div> <div style=3D"margin: 0px;"><a =
href=3D"http://www.vimeo.com/jimgoodindigital" =
target=3D"_blank">www.vimeo.com/jimgoodindigital</a></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px;">social networking...</div> <div style=3D"margin: 0px;"><a =
href=3D"http://www.twitter.com/jimgoodinmusic" =
target=3D"_blank">www.twitter.com/jimgoodinmusic</a></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div> =
</blockquote></div><br></div></div></div> =
</div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br> <a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br> <br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br> <br></blockquote></div><br></div></body></html>=

--Apple-Mail-154--316283652--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 18:58:29 2010
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	 <30A71950-55E7-439C-AEFD-2A2C37E53EEC@gmail.com>
	 <91d8478b1003052359y255a6a45t2ab5181358513b9c@mail.gmail.com>
Date: Sat, 6 Mar 2010 11:58:27 -0700
Message-ID: <96fa00ec1003061058j6a79a13fq8c1f1a363facc217@mail.gmail.com>
Subject: Re: Owen Pallett Heartland
From: Myke Atkinson <mykeatkinson@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Cadence Weapon w/ Final Fantasy (live looping):
http://www.upperclass.to/audio/cw-ff-sharks.mp3

The original of this song is so killer.

-Myke

On Sat, Mar 6, 2010 at 12:59 AM, Jean-Paul De Roover
<j.de.roover@gmail.com> wrote:
> He used to be called "Final Fantasy", and if you can find it there's a
> podcast from CBC where he and Cadence Weapon (Canadian 8bit hip hop
> artist) collaborate on each other's songs for an hour. =A0Pretty neat
> stuff. =A0I haven't seen him live yet, but I do live in a more remote
> part of Canada, which is often overlooked when artists are suddenly
> launched into indie-stardom. =A0Proud Canadian though!
>
> On 3/4/10, Myke Atkinson <mykeatkinson@gmail.com> wrote:
>> To be honest, I wasn't a huge fan of his music until I saw him live (not
>> that I didn't like it - it was just kind of in the take it or leave it
>> pile). Last year he played in Calgary as part of the Sled Island festiva=
l at
>> this gorgeous church downtown and I was blown away by his live performan=
ce.
>> Besides being devilishly charismatic, the mini-orchestra of sounds he
>> creates with his live looping setup is incredible. Truly an amazing
>> performer.
>>
>> Your post made me look up some videos of him, and this one, while pretty
>> horrible audio quality, showcases some of the ingenious and extremely
>> musical ways he uses his looping setup live:
>> http://vimeo.com/7509410
>>
>> -Myke
>>
>>
>> On 2010-03-04, at 12:03 AM, Michael Peters wrote:
>>
>>> a friend gave me the "Heartland" CD of Owen Pallett. Incredible music,
>>> very
>>> idiosyncratic and hard to categorize, but melodic and very enjoyable. I
>>> hear
>>> that he does livelooping - has anyone seen him live?
>>> -Michael
>>>
>>
>>
>
>
> --
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376
>
> Check out the stop animation music video for "Fix"!
> www.jeanpaulderoover.com/fix
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 20:00:35 2010
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Date: Sat, 06 Mar 2010 15:00:08 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Chez Mosc - Today
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Greetings EM Fans,

This is to remind you that the new weekly webcast called Chez Mosc will 
take to the air again today.  Each Saturday at 6:00 pm EST (GMT-5), 
Howard Moscovitz and I will stream a live, improvised concert from 
Howard's living room.  (Hence the title of the broadcast.)  On today's 
show, Howard plans to play his big Moog IIIc.  I hope that you'll "tune 
in" despite the irreparable brain damage it may cause you.    ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are living in or near the Lehigh Valley or plan to be 
passing through the area, please let me or Howard know if you'd care to 
join us for a broadcast.

From financialconsultant38@yahoo.in  Sat Mar  6 21:23:50 2010
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Dear Prospective Partner
I am sending you this email through the internet with reservations, basically because
you may perceive my intentions wrongly.
The issue I want to unravel to you is a very classified and sensitive one. It may be
very difficult for you to comprehend, but it certainly is the truth.
It involves huge funds that I want you to receive on my behalf.
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 22:48:15 2010
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Date: Sat, 6 Mar 2010 14:48:13 -0800 (PST)
Subject: review of BOSS SL-20 Slicer and description of my Noise Rig
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I own the Boss SL-20 and have had a lot of fun with it.

Currently,  I'm using it in my Rhythm/Noise solo project called
'AEther Engine' and also in the Japanese Noise band,  'Noise Clinic'.

I love resampling of loops so currently,   I place this between my first
floor
loopers (currently a Line 6 M9 but soon to be a Looperlative LP-2 MINI
looper)
and my Looperlative LP-1.

Additionally, in my rig, which, currently, is very noise based,  my
routing goes like
this (I mention all this minutiae first so you can see how I use the SL-20):

DESCRIPTION of RIG:

Guitar/Bass/Microphone/Shertler Pickup (for multiple instruments)  =>
Line 6 M9 (looper and multi-effects) goes into Audio Input of =>
Walker Manual Glitch Pedal (for rhythmic and glitching manipulation of
Audio input
                                          and generation of Pink Noise,
White Noise and Silence  =>
DAED Disturbo DS-1 Distortion Synthesizer
(I love this fantastic mod of a normal Boss DS-1 Distortion pedal
--some very radical noises can be created by this unit      =>
Zvex Fuzz Factory
(this unit's gate settings can also cause very hip, chaotic glitching
effects)  =>
Boss SL-20 Slicer   (more about this in a second)
Digitech DF-7 Distortion Factory (with many models of classic fuzzes and
distortions)
                                               (rotary knob goes from dark
midrangey models to
                                                 very treble and fuzzy
models with discreet
square
                                                 wave tremelo between each
knob click-very cool for
rhytym)
Ibanez  Demon Wah (used as a gradual filter than as a wah wah effect)
Looperlative LP-1 Looper

split mono signal goes to
1) Boss Miniature Bass Cube  (with amp models and aforementioned square
wave tremelo
                                           effect between modellings)
2) Vox Miniature Battery Powered Amp (with similar models and effects)

*I'm in a frenzy of distortion, fuzz and feedback lately, so I am
constantly swapping out
pedals for the DF-7 and Zvex Fuzz Factory (I love my Digitech Buzz Box, 
my Digitech Meat Box,
Ibanez Bass Stack,  Electro Harmoniz Bass Big Muff, Boss DS-20 (distortion
modeler similar
but more sophisticated and with larger foot print than the Digitech DF7),
Seymour Duncan Tweak Box, Pro Co Rat, Big Muff, Dunlp Fuzz Face,  and a
few other Boss distortion pedals.

This is all topped off by a huge marching bass drum and marching snare
with huge chains draped over them to acoustically simulate distortion.
It's a fun and HEAVY rig.........lol.



REVIEW of the BOSS SL-20

I really love this device because I can set up all kinds of rhythmic
manipulations
but what I really love about it, is that it has an onboard mixer with two
knobs
that control Dry Sound (no Rhythm)  and Wet Sound  (Rhythm effect).

Because it has two knobs I can do very, very subtle mixes in real time of
noise
and rhythmic effects.

Additionally,  the unit has the ability to control the envelope of the
rhythmic effect.
When the ADSR (as it were)  is fully open and the noise content is very
heavy,
this thing barely pulses (especially if I'm using different distortions on
the back side of it).
One knob is really the Attack  and the second knob controls the length of
the Rhythmic Slice.

I can get very cool and very subtle manipulations of even the simplest
rhythms using these two knobs.

I'm not running in stereo so I don't use the stereo modes conventionally,
but someone on this list (and please forgive me because I can't remember
who it was right now without researching it)  hipped me to the use of the
Random panning mode of the unit:   If you take a rhythmic
slice,  put it in Random panning mode and then put a dummy plug into one
side of the stereo
it means that though rhythmic (the sub pulse speed stays the same)  the
notes spit out will
be random.     It's like if a hip drummer was putting out a constantly
changing ostinato rhythm
but always in the same time signature and with the same note division (say
16ths).

CRITIQUES:
I have to say that I love using this pedal in my current project but that
normally,  I just use it to spit out constant 8ths, triplet 8ths, 16ths or
triplet 16ths.

I do this because I then rely on the extensive rhythmic editing
capabilities of my
Looperlative LP-1 which is last in my chain.

I can do so much glitching, replacing, time signature dimunition or
augmentation (creating
new time signatures out of the straight time signatures spit out by the
SL-20)
that I don't mind this limitation to much.

I do wish , however, that one could create customized rhythms for the
slicer,  but
this is why, frankly,   I created the Walker Manual Glitch Pedal.

All in all, with only having a single guitar chord or even just touching a
live  line cable
to introduce initial noise,  I have a very sophisticated ability to sculpt
things rhythmically.
I just do it with three devices   (Lp1, Sl-20,  Walker Manual Glitch)

I still have not checked out all the rhythms in the unit, by the way,
mostly because
I'm not too interested in having a single static rhythm through my pieces
of music unless
they are monolithically static like straight and constant subdivision.

I really dig the SL-20!




From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 22:52:13 2010
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Date: Sat, 6 Mar 2010 17:52:10 -0500
Message-ID: <9e0440a61003061452n3b12bd5dwfcd0a73cb551df0d@mail.gmail.com>
Subject: Re: Hi guys linux looping/fierce and the dead
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Matt thanks very much, best with the new electric project, jazzed for you...

On Sat, Mar 6, 2010 at 1:46 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Thanks Jim - will be at your gig tomorrow mate
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Mar 2010, at 17:39, Jim Goodin wrote:
>
> Matt will do, there are 3 trax on our page on RPM that should play for you,
> let me knwo if not.  here's our public page there
> http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,8652/Itemid,296/
> .
>
> Your Fierce and The Dead sounds really cool, like the subtle ember that
> grows to fire approach in that track Matt.
>
> On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> brilliant - please let me know when the DigitSignal record is up tried to
>> listen on RPM but it wouldn't let me!
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 4 Mar 2010, at 15:49, Jim Goodin wrote:
>>
>> Matt yes I've been doing BC for awhile and we'll have the new
>> DigItSignal record there soon, Absence Of Being.
>>
>> I run Ubuntu some (linux like) wonder if that will port to it.
>>
>> Will chk out your new electric band.
>>
>> Jim
>>
>> On 3/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>>
>> Live loopers for linux - i thought this may be interesting to some of
>> you
>>
>> http://www.linuxjournal.com/content/getting-loopy-performance-loopers-
>> linux-musician
>>
>> And its not got much looping on it but my new electric project has a
>> 19 minute long single out here
>>
>> http://thefierceandthedead.bandcamp.com
>>
>> Is anyone else using bandcamp? Its amazing
>>
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>>
>> --
>> Sent from my mobile device
>>
>> ReUse, an introspective textural aural
>> www.myspace.com/CtReUse
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>>
>>
>>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747bf709e3fa9048129ae63
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Matt thanks very much, best with the new electric project, jazzed for you..=
.<br><br><div class=3D"gmail_quote">On Sat, Mar 6, 2010 at 1:46 PM, Matt St=
evens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.=
com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Thanks Jim - will be at your gig tomorrow mate<div><div class=3D"im"><br><d=
iv> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-fam=
ily: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; text-inde=
nt: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><sp=
an style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: He=
lvetica; font-size: 12px; font-style: normal; font-variant: normal; font-we=
ight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px=
; text-transform: none; white-space: normal; word-spacing: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div></div><div =
class=3D"h5"><div><div>On 4 Mar 2010, at 17:39, Jim Goodin wrote:</div><br>=
<blockquote type=3D"cite">Matt will do, there are 3 trax on our page on RPM=
 that should play for you, let me knwo if not.=A0 here&#39;s our public pag=
e there <a href=3D"http://www.rpmchallenge.com/component/option,com_comprof=
iler/task,userProfile/user,8652/Itemid,296/" target=3D"_blank">http://www.r=
pmchallenge.com/component/option,com_comprofiler/task,userProfile/user,8652=
/Itemid,296/</a>.<br>
 <br>Your Fierce and The Dead sounds really cool, like the subtle ember tha=
t grows to fire approach in that track Matt.<br><br><div class=3D"gmail_quo=
te">On Thu, Mar 4, 2010 at 11:06 AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstev=
ensguitar@btinternet.com</a>&gt;</span> wrote:<br>
 <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204,=
 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wo=
rd-wrap: break-word;"> brilliant - please let me know when the DigitSignal =
record is up tried to listen on RPM but it wouldn&#39;t let me!<div>
<div><br><div> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0=
); font-family: Helvetica; font-size: 12px; font-style: normal; font-varian=
t: normal; font-weight: normal; letter-spacing: normal; line-height: normal=
; text-indent: 0px; text-transform: none; white-space: normal; word-spacing=
: 0px;"><span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font=
-family: Helvetica; font-size: 12px; font-style: normal; font-variant: norm=
al; font-weight: normal; letter-spacing: normal; line-height: normal; text-=
indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"=
><div>
 Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
 <div><br></div></span><br></span><br> </div><br></div><div><div></div><div=
><div><div>On 4 Mar 2010, at 15:49, Jim Goodin wrote:</div><br><blockquote =
type=3D"cite"><div style=3D"margin: 0px;">Matt yes I&#39;ve been doing BC f=
or awhile and we&#39;ll have the new</div>
 <div style=3D"margin: 0px;">DigItSignal record there soon, Absence Of Bein=
g.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=
=3D"margin: 0px;">I run Ubuntu some (linux like) wonder if that will port t=
o it.</div>
 <div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"marg=
in: 0px;">Will chk out your new electric band.</div><div style=3D"margin: 0=
px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">Jim</div><div =
style=3D"margin: 0px; min-height: 14px;">
 <br></div><div style=3D"margin: 0px;">On 3/4/10, Matt Stevens &lt;<a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a>&gt; wrote:</div> <blockquote type=3D"cite"><div st=
yle=3D"margin: 0px;">
 Live loopers for linux - i thought this may be interesting to some of</div=
><div style=3D"margin: 0px;">you</div><div style=3D"margin: 0px; min-height=
: 14px;"><br></div><div style=3D"margin: 0px;"><a href=3D"http://www.linuxj=
ournal.com/content/getting-loopy-performance-loopers-" target=3D"_blank">ht=
tp://www.linuxjournal.com/content/getting-loopy-performance-loopers-</a></d=
iv>
 <div style=3D"margin: 0px;">linux-musician</div><div style=3D"margin: 0px;=
 min-height: 14px;"><br></div><div style=3D"margin: 0px;">And its not got m=
uch looping on it but my new electric project has a</div><div style=3D"marg=
in: 0px;">
 19 minute long single out here</div><div style=3D"margin: 0px; min-height:=
 14px;"><br></div><div style=3D"margin: 0px;"><a href=3D"http://thefiercean=
dthedead.bandcamp.com" target=3D"_blank">http://thefierceandthedead.bandcam=
p.com</a></div>
 <div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"marg=
in: 0px;">Is anyone else using bandcamp? Its amazing</div><div style=3D"mar=
gin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-heigh=
t: 14px;">
 <br></div><div style=3D"margin: 0px;">Matt Stevens</div><div style=3D"marg=
in: 0px;"><a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">ww=
w.mattstevensguitar.com</a></div><div style=3D"margin: 0px;"><a href=3D"mai=
lto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@b=
tinternet.com</a></div>
 <div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"marg=
in: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height=
: 14px;"><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div>=
<div style=3D"margin: 0px; min-height: 14px;">
 <br></div> </blockquote><div style=3D"margin: 0px; min-height: 14px;"><br>=
</div><div style=3D"margin: 0px;">--<span>=A0</span></div><div style=3D"mar=
gin: 0px;">Sent from my mobile device</div><div style=3D"margin: 0px; min-h=
eight: 14px;">
 <br></div><div style=3D"margin: 0px;">ReUse, an introspective textural aur=
al</div><div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/CtReU=
se" target=3D"_blank">www.myspace.com/CtReUse</a></div><div style=3D"margin=
: 0px; min-height: 14px;">
 <br></div><div style=3D"margin: 0px;">music links...</div><div style=3D"ma=
rgin: 0px;"><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www=
.jimgoodinmusic.com</a></div><div style=3D"margin: 0px;"><a href=3D"http://=
www.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a=
></div>
 <div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jimgoodinmus=
ic" target=3D"_blank">www.myspace.com/jimgoodinmusic</a></div><div style=3D=
"margin: 0px;"><a href=3D"http://www.myspace.com/chinapaintingmusic" target=
=3D"_blank">www.myspace.com/chinapaintingmusic</a></div>
 <div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jimgoodinvio=
linelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a></d=
iv><div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/jindream" =
target=3D"_blank">www.myspace.com/jindream</a></div>
 <div style=3D"margin: 0px;"><a href=3D"http://www.youtube.com/jimgoodinmus=
ic" target=3D"_blank">www.youtube.com/jimgoodinmusic</a></div><div style=3D=
"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">vide=
o work/editing...</div>
 <div style=3D"margin: 0px;"><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a></div><div style=3D=
"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">soci=
al networking...</div>
 <div style=3D"margin: 0px;"><a href=3D"http://www.twitter.com/jimgoodinmus=
ic" target=3D"_blank">www.twitter.com/jimgoodinmusic</a></div><div style=3D=
"margin: 0px; min-height: 14px;"><br></div> </blockquote></div><br></div></=
div>
</div> </div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br><a href=3D"http://www.myspace.com/CtReUse" =
target=3D"_blank">www.myspace.com/CtReUse</a><br><br>music links...<br><a h=
ref=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.=
com</a><br>
 <a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" t=
arget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://ww=
w.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapa=
intingmusic</a><br>
 <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank=
">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspa=
ce.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>
 <br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigi=
tal" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social net=
working...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_=
blank">www.twitter.com/jimgoodinmusic</a><br>
 <br></blockquote></div><br></div></div></div></div></blockquote></div><br>=
<br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural<br><a h=
ref=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>m=
usic links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00151747bf709e3fa9048129ae63--

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Subject: VirtualGig&RecordingSpam: DigItSignal Live tomorrow morning at 11 EST
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0015173fe688abd342048129b544
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Once again DigItSignal, <http://www.myspace.com/digitsignal> my virtual
gathering of a band from over 2 continents 3 countries reconvenes tomorrow
morning at 11am EST.

You can catch our show by logging on to
http://www.livestream.com/digitsignallive.

Our broadcast kicks off at 11am EST.  To find times in your locale visit
http://www.timeanddate.com/worldclock/converter.html.

Tomorrow morning's video/film that we'll perform to includes 3 different
works...

1: Berlin, Symphony for a Great
City<http://www.archive.org/details/BerlinSymphonyofaGreatCity>by
Walter Ruttman (special thanks to Peter Thorn for this one) - we are
running first 30 minutes of this one
2: Alice in Wonderland<http://www.archive.org/details/Alice_in_Wonderland_1=
903>by
Lewis Carroll, 1903 'short' film adaptation (special thanks to Mike
Glodo
for this suggestion)
3: Silent Snow <http://www.archive.org/details/silent_snow_secret_snow> fro=
m
a story by Conrad Aiken.

This all depends if I get the 3 processed and built together this evening.
At the least we'll run the first one.

DigItSignal has released a new CD titled Absence Of
Being<http://www.rpmchallenge.com/component/option,com_comprofiler/task,use=
rProfile/user,8652/Itemid,296/>.
The record was done in participation of the RPM
Challenge<http://www.rpmchallenge.com>.
I'm still in the process of posting it's purchasable availability which wil=
l
be as digital distribution download and as physical CD.  These will be on
Bandcamp.com and Kunaki.com.  Look for news about that soon.

A second new recording (previous mention on the list) that came from a
spontaneous duo session with guitarist/electoronics artist* Jeff Duke*, we
have released on Bandcamp.com at The Goodin Duke Project - Unforeseen
Consequences <http://goodindukeproject.bandcamp.com/>.  This is a very thic=
k
loud textural journey that I'm very proud to be part of.  Jeff is also a
member of the DigItSignal ensemble.

I'm in the final stages of a third recording that I mentioned a few weeks
ago, this one whose proceeds will go to benefit JDRF
<http://www.jdrf.org>is another duo work with
saxophonist/multi-instrumental artist/member of
DigItSignal,* Peter Th=F6rn*, titled 'From Brooklyn to Glindran' and will b=
e
out in March.

Lastly DigItSignal which has clearly become a tapestry for a wide range of
work that I'm really proud to be experiencing, now has a new home portal on
My Space at http://www.myspace.com/digitsignal.  Visit us and if you are
around a computer tomorrow morning at 11 EST please logon to
http://www.livestream.com/digitsignallive for our webcast.

Have a great rest of the weekend and new week.

Jim




--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015173fe688abd342048129b544
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Once again <a href=3D"http://www.myspace.com/digitsignal" target=3D"_blank"=
>DigItSignal,</a> my virtual gathering of a band from over 2 continents 3 c=
ountries reconvenes tomorrow morning at 11am EST.<br><div class=3D"gmail_qu=
ote">
<br>You can catch our show by logging on to <a href=3D"http://www.livestrea=
m.com/digitsignallive" target=3D"_blank">http://www.livestream.com/digitsig=
nallive</a>.<br>

<br>Our broadcast kicks off at 11am EST.=A0 To find times in your locale vi=
sit <a href=3D"http://www.timeanddate.com/worldclock/converter.html" target=
=3D"_blank">http://www.timeanddate.com/worldclock/converter.html</a>.<br><b=
r>

Tomorrow morning&#39;s video/film that we&#39;ll perform to includes 3 diff=
erent works...<br>
<br>1: <a href=3D"http://www.archive.org/details/BerlinSymphonyofaGreatCity=
" target=3D"_blank">Berlin, Symphony for a Great City</a> by Walter Ruttman=
 (special thanks to Peter Thorn for this one) - we are running first 30 min=
utes of this one<br>


2: <a href=3D"http://www.archive.org/details/Alice_in_Wonderland_1903" targ=
et=3D"_blank">Alice in Wonderland</a> by Lewis Carroll, 1903 &#39;short&#39=
; film adaptation (special thanks to Mike Glodo for this suggestion)<br>3: =
<a href=3D"http://www.archive.org/details/silent_snow_secret_snow" target=
=3D"_blank">Silent Snow</a> from a story by Conrad Aiken.<br>


<br>This all depends if I get the 3 processed and built together this eveni=
ng.=A0 At the least we&#39;ll run the first one.<br><br>DigItSignal has rel=
eased a new CD titled <a href=3D"http://www.rpmchallenge.com/component/opti=
on,com_comprofiler/task,userProfile/user,8652/Itemid,296/" target=3D"_blank=
">Absence Of Being</a>.=A0 The record was done in participation of the <a h=
ref=3D"http://www.rpmchallenge.com" target=3D"_blank">RPM Challenge</a>.=A0=
 I&#39;m still in the process of posting it&#39;s purchasable availability =
which will be as digital distribution download and as physical CD.=A0 These=
 will be on Bandcamp.com and Kunaki.com.=A0 Look for news about that soon.<=
br>


<br>A second new recording (previous mention on the list) that came from a =
spontaneous duo session with guitarist/electoronics artist<i> Jeff Duke</i>=
, we have released on Bandcamp.com at <a href=3D"http://goodindukeproject.b=
andcamp.com/" target=3D"_blank">The Goodin Duke Project - Unforeseen Conseq=
uences</a>.=A0 This is a very thick loud textural journey that I&#39;m very=
 proud to be part of.=A0 Jeff is also a member of the DigItSignal ensemble.=
<br>


<br>I&#39;m in the final stages of a third recording that I mentioned a few=
 weeks ago, this one whose proceeds will go to benefit <a href=3D"http://ww=
w.jdrf.org" target=3D"_blank">JDRF</a> is another duo work with saxophonist=
/multi-instrumental artist/member of DigItSignal,<i> Peter Th=F6rn</i>, tit=
led &#39;From Brooklyn to Glindran&#39; and will be out in March.<br>


<br>Lastly DigItSignal which has clearly become a tapestry for a wide range=
 of work that I&#39;m really proud to be experiencing, now has a new home p=
ortal on My Space at <a href=3D"http://www.myspace.com/digitsignal" target=
=3D"_blank">http://www.myspace.com/digitsignal</a>.=A0 Visit us and if you =
are around a computer tomorrow morning at 11 EST please logon to <a href=3D=
"http://www.livestream.com/digitsignallive" target=3D"_blank">http://www.li=
vestream.com/digitsignallive</a> for our webcast.<br>


<br>Have a great rest of the weekend and new week.<br><br>Jim<br><br><br><b=
r><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://ww=
w.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><br=
>

music links...<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_bla=
nk">www.chinapaintingmusic.com</a><br><a href=3D"http://www.myspace.com/jim=
goodinmusic" target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br>


<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ji=
mgoodinviolinelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelec=
tro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br><br>video work/editing...<br><a href=3D"http=
://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodi=
ndigital</a><br>

<br>social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br><br>
</div><br><br clear=3D"all"><br>

--0015173fe688abd342048129b544--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  6 23:14:59 2010
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Date: Sat, 6 Mar 2010 15:14:58 -0800
Message-ID: <588ce11d1003061514v431df8dbm4f099e39bfce9811@mail.gmail.com>
Subject: Re: Really cool iphone looping!
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636e0b48331295704812a001a
Content-Type: text/plain; charset=ISO-8859-1

Thanks, that is really cool. I've downloaded the app, and I bought a prs
guitarbud, but I haven't tried it out yet. Too many tools!

On Thu, Mar 4, 2010 at 11:40 PM, Buzap Buzap <buzap@gmx.net> wrote:

> Hi loopers
>
> who needs a X pound setup if an iphone can do this?
>
> http://thenextweb.com/shareables/2010/03/04/possibly-the-coolest-thing-ive-seen-the-iphone-do-video/
>
> Really cool... and really nice vocal performance.
> Supposedly with Everyday Looper.
>
> Buzap
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001636e0b48331295704812a001a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks, that is really cool. I&#39;ve downloaded the app, and I bought a pr=
s guitarbud, but I haven&#39;t tried it out yet. Too many tools!<br><br><di=
v class=3D"gmail_quote">On Thu, Mar 4, 2010 at 11:40 PM, Buzap Buzap <span =
dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</spa=
n> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi loopers<br>
<br>
who needs a X pound setup if an iphone can do this?<br>
<a href=3D"http://thenextweb.com/shareables/2010/03/04/possibly-the-coolest=
-thing-ive-seen-the-iphone-do-video/" target=3D"_blank">http://thenextweb.c=
om/shareables/2010/03/04/possibly-the-coolest-thing-ive-seen-the-iphone-do-=
video/</a><br>

<br>
Really cool... and really nice vocal performance.<br>
Supposedly with Everyday Looper.<br>
<br>
Buzap<br>
<font color=3D"#888888">--<br>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br>
jetzt kostenlos herunterladen! <a href=3D"http://portal.gmx.net/de/go/chbro=
wser" target=3D"_blank">http://portal.gmx.net/de/go/chbrowser</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--001636e0b48331295704812a001a--

From selena@selena.net.ua  Sun Mar  7 01:36:32 2010
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	id 1No47M-000702-R2; Sun, 07 Mar 2010 02:13:13 +0200
From: "Mrs Pamella Hood" <selena@selena.net.ua>
To: undisclosed-recipients: ;
Reply-To: dhlcourieruniit@yahoo.com.hk
Subject: Waiting to hear from you soon
Date: Sun, 7 Mar 2010 06:43:12 +0530
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Greetings Of The Year.

I Am Mrs.Pamela Hood.s and  have been waiting for you since to contact me for 
your Confirmable Bank Draft of $2,000,000.00 USD (Two Million United State 
Dollars),but I did  not hear from you since that time.Then I went
and deposited the Bank Draft with DHL COURIER SERVICE,West Africa,I have 
travelled out of the country on a Two Months Trip.

I want you to try your best to contact the DHL COURIER SERVICE as soon as 
possible to know when you will get this package because of the expiring 
date.For your information,the only money you will send to the DHL Courier 
Service to deliver your Bank Draft directly to your postal Address in your 
country is $215 USDollars only being Delivering  Charge Fee of the Courier 
Company so far.

Again,do not be deceived by any person to pay any other amount of money 
except $215 USDollars being the Delivering Charge.I would have paid that but 
they said no because they  do not know when you will contact them and in case 
of demurrage.


You have to contact the DHL COURIER SERVICE now for the delivery of  your 
Bank Draft with the information below. Contact the dispatch Office whom is in 
charge of your package delivery.

Contact Person:Mr.Anderson Morris.
Email Address:dhlcourieruniit@yahoo.com.hk
Lastly, You are adviced to send the information below to the Courier Company:

Your Full Name:
Postal address:
Direct telephone number:
Cell Number:
Occupation:
Country:


Do send it to them again to avoid any mistake in the Delivery and ask them 
for the payment information on how you are to make the payment so that they 
can send you your tracking number to enable you track your package over there 
and know when it will get to your address.

Yours Faithfully,
Mrs.Pamela Hood.

From selena@selena.net.ua  Sun Mar  7 01:36:32 2010
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From: "Mrs Pamella Hood" <selena@selena.net.ua>
To: undisclosed-recipients: ;
Reply-To: dhlcourieruniit@yahoo.com.hk
Subject: Waiting to hear from you soon
Date: Sun, 7 Mar 2010 06:43:12 +0530
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Greetings Of The Year.

I Am Mrs.Pamela Hood.s and  have been waiting for you since to contact me for 
your Confirmable Bank Draft of $2,000,000.00 USD (Two Million United State 
Dollars),but I did  not hear from you since that time.Then I went
and deposited the Bank Draft with DHL COURIER SERVICE,West Africa,I have 
travelled out of the country on a Two Months Trip.

I want you to try your best to contact the DHL COURIER SERVICE as soon as 
possible to know when you will get this package because of the expiring 
date.For your information,the only money you will send to the DHL Courier 
Service to deliver your Bank Draft directly to your postal Address in your 
country is $215 USDollars only being Delivering  Charge Fee of the Courier 
Company so far.

Again,do not be deceived by any person to pay any other amount of money 
except $215 USDollars being the Delivering Charge.I would have paid that but 
they said no because they  do not know when you will contact them and in case 
of demurrage.


You have to contact the DHL COURIER SERVICE now for the delivery of  your 
Bank Draft with the information below. Contact the dispatch Office whom is in 
charge of your package delivery.

Contact Person:Mr.Anderson Morris.
Email Address:dhlcourieruniit@yahoo.com.hk
Lastly, You are adviced to send the information below to the Courier Company:

Your Full Name:
Postal address:
Direct telephone number:
Cell Number:
Occupation:
Country:


Do send it to them again to avoid any mistake in the Delivery and ask them 
for the payment information on how you are to make the payment so that they 
can send you your tracking number to enable you track your package over there 
and know when it will get to your address.

Yours Faithfully,
Mrs.Pamela Hood.

From scarletcourieri@sify.com  Sun Mar  7 05:14:17 2010
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Reply-To: <wailers.weah11@voila.fr>
From: "Mr. Weah Wailers."<scarletcourieri@sify.com>
Subject: From: Mr. Weah Wailers.
Date: Sun, 7 Mar 2010 11:40:14 +0300
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From: Mr. Weah Wailers.
Country: Liberia, West Africa.
E-mail: wailers.weah11@voila.fr
 
Dear,

First and foremost, I must solicit your strictest confidence in this transaction and I pray that my decision to contact you will be given genuine approval considering the facts we have not known each other before; I wish to use this opportunity to introduce myself to you, I am Mr. Wailers Weah from Liberia, West Africa. I write to inform you my desire to invest, and to buy a living house in your country.
 
I am the first son of Mr. Opong Weah; my father was a diamond/gold merchant in my country. My father had a bullet shot by the rebels on his way traveling out of my country with two of my younger sister's due to present crisis that is occurring in our country (Liberia) My sister's died on the spot while UN peace keepers rescued my father, and he was taken to hospital for medical treatment, were he later died. Before his death he revealed to my mother about a deposit he made with a security company in Ghana containing 55 kilos of raw gold and $40 Million, (Forty Million Us Dollars). For safekeeping as family treasures.
 
My father did not disclose any of the content of the boxes to the security company to avoid the officials from raising eyebrows to the funds, presently my mother and I are in Ghana to notify the security company for the claims, and we are staying in the refugee camp. Therefore I want you to lecture me on how best we can invest this money, because my father told me that it is dangerous to invest this money in Africa to avoid suspicions, and due to market instability coupled with economic and political instability facing African countries, considering all this fact and the high economic growth in your country that is why we want to invest in your country.
 
For your mutual assistance in actualizing this our objective, my mother and I have agreed to offer you 25% of the total amount of the money, All the vital documents covering the deposit and the ownership are intact, which will be sent to you on your notifying us of your willingness to assist, Note: I have never disclosed this to any person apart from you, so you have to keep this transaction as a top secret to yourself alone.
 
Also I will want you to forward across to me your direct Tel/Fax number for more information's about this transaction.
 
I am waiting for your urgent and positive feedback.

Best regards,
Mr. Weah Wailers.
For the entire family

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 05:59:21 2010
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Subject: Release Spammage ...
From: Dennis Moser <sinsofmachaut@gmail.com>
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JustNotNormal has just released the second of a series twelve releases
of live performances ...
http://justnotnormal.wordpress.com/2010/03/07/jnn081-usrsbin-snow-moon/

...there's even some loopage involved.It's free for the taking, enjoy.

~~ Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From information101@pratolinks.org  Sun Mar  7 06:04:28 2010
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 09:28:51 2010
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Date: Sun, 7 Mar 2010 02:28:50 -0700
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Subject: OT: Name that virtual drum kit(?)
From: "^|>^m" <will.it.go.round@gmail.com>
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Does anyone have experience using a virtual drum kit that sounds like an old
hammond drum machine? Check out the videos for an example. I'm searching for
a virtual drum kit for Logic Pro or at least some samples. Any assistance
appreciated... ~adam

Hammond
http://www.youtube.com/watch?v=QLgyQG8Pu8s

A song using a kit similar to what I am looking for...
http://www.youtube.com/watch?v=3ElJ9uXZmM0

--0016368e357f862b59048132933b
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<span class=3D"Apple-style-span" style=3D"font-family: Arial, Helvetica, sa=
ns-serif; font-size: 10px; white-space: pre; "><div>Does anyone have experi=
ence using a virtual drum kit that sounds like an old hammond drum machine?=
  Check out the videos for an example.  I&#39;m searching for a virtual dru=
m kit for Logic Pro or at least some samples.  Any assistance appreciated..=
. ~adam</div>
<div><br></div><div>Hammond</div><a href=3D"http://www.youtube.com/watch?v=
=3DQLgyQG8Pu8s">http://www.youtube.com/watch?v=3DQLgyQG8Pu8s</a></span><div=
><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif" siz=
e=3D"2"><span class=3D"Apple-style-span" style=3D"font-size: 10px; white-sp=
ace: pre;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"Arial, He=
lvetica, sans-serif" size=3D"2"><span class=3D"Apple-style-span" style=3D"f=
ont-size: 10px; white-space: pre;">A song using a kit similar to what I am =
looking for... </span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif"=
 size=3D"2"><span class=3D"Apple-style-span" style=3D"font-size: 10px; whit=
e-space: pre;"><a href=3D"http://www.youtube.com/watch?v=3D3ElJ9uXZmM0">htt=
p://www.youtube.com/watch?v=3D3ElJ9uXZmM0</a></span></font></div>

--0016368e357f862b59048132933b--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 12:52:55 2010
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Date: Sun, 7 Mar 2010 12:52:53 +0000
Message-ID: <d302e3571003070452u7ec05a39s20209542a8b40b79@mail.gmail.com>
Subject: Re: OT: Name that virtual drum kit(?)
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f5ae025059970481356de0
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i'm not 100% sure, but doesn't logic's drum machine have some 808 type
samples in it? you could easily tweak them to sound like the ones you're
after, imo

sim

On Sun, Mar 7, 2010 at 9:28 AM, ^|>^m <will.it.go.round@gmail.com> wrote:

> Does anyone have experience using a virtual drum kit that sounds like an
> old hammond drum machine? Check out the videos for an example. I'm searching
> for a virtual drum kit for Logic Pro or at least some samples. Any
> assistance appreciated... ~adam
>
> Hammond
> http://www.youtube.com/watch?v=QLgyQG8Pu8s
>
> A song using a kit similar to what I am looking for...
> http://www.youtube.com/watch?v=3ElJ9uXZmM0
>

--001485f5ae025059970481356de0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;m not 100% sure, but doesn&#39;t logic&#39;s drum machine have some 8=
08 type samples in it? you could easily tweak them to sound like the ones y=
ou&#39;re after, imo<br><br>sim<br><br><div class=3D"gmail_quote">On Sun, M=
ar 7, 2010 at 9:28 AM, ^|&gt;^m <span dir=3D"ltr">&lt;<a href=3D"mailto:wil=
l.it.go.round@gmail.com">will.it.go.round@gmail.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><span style=3D"fo=
nt-family: Arial,Helvetica,sans-serif; font-size: 10px; white-space: pre;">=
<div>
Does anyone have experience using a virtual drum kit that sounds like an ol=
d hammond drum machine?  Check out the videos for an example.  I&#39;m sear=
ching for a virtual drum kit for Logic Pro or at least some samples.  Any a=
ssistance appreciated... ~adam</div>

<div><br></div><div>Hammond</div><a href=3D"http://www.youtube.com/watch?v=
=3DQLgyQG8Pu8s" target=3D"_blank">http://www.youtube.com/watch?v=3DQLgyQG8P=
u8s</a></span><div><font face=3D"Arial, Helvetica, sans-serif" size=3D"2"><=
span style=3D"font-size: 10px; white-space: pre;"><br>

</span></font></div><div><font face=3D"Arial, Helvetica, sans-serif" size=
=3D"2"><span style=3D"font-size: 10px; white-space: pre;">A song using a ki=
t similar to what I am looking for... </span></font></div>
<div><font face=3D"Arial, Helvetica, sans-serif" size=3D"2"><span style=3D"=
font-size: 10px; white-space: pre;"><a href=3D"http://www.youtube.com/watch=
?v=3D3ElJ9uXZmM0" target=3D"_blank">http://www.youtube.com/watch?v=3D3ElJ9u=
XZmM0</a></span></font></div>

</blockquote></div><br>

--001485f5ae025059970481356de0--

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--Apple-Mail-7--251061984
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Hey all

There is a lovely Rainer Strashill remix of my song snow here
  - http://bit.ly/aTQFIh -


Thanks guys


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
Hey all<div><br></div><div>There is a lovely Rainer Strashill remix of my song snow here&nbsp;<h3 class="UIIntentionalStory_Message" data-ft="{&quot;type&quot;:&quot;msg&quot;}"><span class="UIStory_Message">&nbsp;- <a href="http://bit.ly/aTQFIh" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), &quot;e73959e05230b7ed20e6736e2e022f2f&quot;, event)">http://bit.ly/aTQFIh</a>  -</span></h3><div><br></div><div>Thanks guys</div><div><br></div><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
--Apple-Mail-7--251061984--

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Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto Pedal!!!!



On Sun, Mar 7, 2010 at 1:52 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> i'm not 100% sure, but doesn't logic's drum machine have some 808 type
> samples in it? you could easily tweak them to sound like the ones you're
> after, imo
>
> sim
>
>
> On Sun, Mar 7, 2010 at 9:28 AM, ^|>^m <will.it.go.round@gmail.com> wrote:
>
>> Does anyone have experience using a virtual drum kit that sounds like an
>> old hammond drum machine? Check out the videos for an example. I'm searching
>> for a virtual drum kit for Logic Pro or at least some samples. Any
>> assistance appreciated... ~adam
>>
>> Hammond
>> http://www.youtube.com/watch?v=QLgyQG8Pu8s
>>
>> A song using a kit similar to what I am looking for...
>> http://www.youtube.com/watch?v=3ElJ9uXZmM0
>>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto Pedal!!!=
!<br><br><br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 1:52 PM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">i&#39;m not 100% =
sure, but doesn&#39;t logic&#39;s drum machine have some 808 type samples i=
n it? you could easily tweak them to sound like the ones you&#39;re after, =
imo<br>

<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Sun, Mar 7, 2010 at 9:28 AM, ^|&gt;^m <span dir=3D"ltr">&lt;<a href=3D"=
mailto:will.it.go.round@gmail.com" target=3D"_blank">will.it.go.round@gmail=
.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><span style=3D"fo=
nt-family: Arial,Helvetica,sans-serif; font-size: 10px; white-space: pre;">=
<div>


Does anyone have experience using a virtual drum kit that sounds like an ol=
d hammond drum machine?  Check out the videos for an example.  I&#39;m sear=
ching for a virtual drum kit for Logic Pro or at least some samples.  Any a=
ssistance appreciated... ~adam</div>



<div><br></div><div>Hammond</div><a href=3D"http://www.youtube.com/watch?v=
=3DQLgyQG8Pu8s" target=3D"_blank">http://www.youtube.com/watch?v=3DQLgyQG8P=
u8s</a></span><div><font face=3D"Arial, Helvetica, sans-serif" size=3D"2"><=
span style=3D"font-size: 10px; white-space: pre;"><br>



</span></font></div><div><font face=3D"Arial, Helvetica, sans-serif" size=
=3D"2"><span style=3D"font-size: 10px; white-space: pre;">A song using a ki=
t similar to what I am looking for... </span></font></div>
<div><font face=3D"Arial, Helvetica, sans-serif" size=3D"2"><span style=3D"=
font-size: 10px; white-space: pre;"><a href=3D"http://www.youtube.com/watch=
?v=3D3ElJ9uXZmM0" target=3D"_blank">http://www.youtube.com/watch?v=3D3ElJ9u=
XZmM0</a></span></font></div>



</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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Date: Sun, 7 Mar 2010 13:07:02 +0000
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Subject: Re: OT: Name that virtual drum kit(?)
From: Simeon Harris <simeonharris40@googlemail.com>
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well colour me bad!

On Sun, Mar 7, 2010 at 12:58 PM, mark francombe <mark@markfrancombe.com>wrote:

> Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto
> Pedal!!!!
>
>

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well colour me bad!<br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 a=
t 12:58 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@mar=
kfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto Pedal!!!=
!<div><div></div><br></div></blockquote></div>

--001485f45490dc0f740481359f8e--

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Date: Sun, 7 Mar 2010 13:10:04 +0000
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Subject: Re: OT: Name that virtual drum kit(?)
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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please allow me to redeem myself...

http://www.inspirationsounds.co.uk/acatalog/samplist-guide-vintage-drum-machines.html

"Roland TR-77, TR-606, TR-808, TR-909 , CR-78, CR-8000. LinnDrum LM-1.
Oberheim DMX, DX. *Wurlitzer Sideman*. Korg DDD-1. EMU SP-12 and the Yamaha
RX5."

sim

On Sun, Mar 7, 2010 at 1:07 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> well colour me bad!
>
>
> On Sun, Mar 7, 2010 at 12:58 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto
>> Pedal!!!!
>>
>>

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please allow me to redeem myself...<br><br><a href=3D"http://www.inspiratio=
nsounds.co.uk/acatalog/samplist-guide-vintage-drum-machines.html">http://ww=
w.inspirationsounds.co.uk/acatalog/samplist-guide-vintage-drum-machines.htm=
l</a><br>
<br>&quot;Roland TR-77, TR-606, TR-808, TR-909 , CR-78, CR-8000. LinnDrum L=
M-1.
Oberheim DMX, DX. <b>Wurlitzer Sideman</b>. Korg DDD-1. EMU SP-12 and the
Yamaha RX5.&quot;<br><br>sim<br><br><div class=3D"gmail_quote">On Sun, Mar =
7, 2010 at 1:07 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:s=
imeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">well colour me ba=
d!<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On S=
un, Mar 7, 2010 at 12:58 PM, mark francombe <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Ooohh tut tut Sacrilege! I could spot an 808 after a Daed Distorto Pedal!!!=
!<div><div></div><br></div></blockquote></div>
</div></div></blockquote></div><br>

--001485f45490bee4dc048135aa19--

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Subject: Re: OT: Name that virtual drum kit(?)
From: Per Boysen <perboysen@gmail.com>
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Adam,

I listened to the video and my opinion is that no "virtual drum kit",
instantly available, matches those sounds. The one that comes close
IMHO is a Roland TR-505. But you would have to put a little rez filter
fix on the toms to get close using a 505 set. But why looking for "a
virtual drum kit", why not just mock up the needed samples in the
EXS24? Preferably using using a separate instance for the toms to dial
in that wet rezo-filter-envelope sound either by the filter settings
in the EXS24 or by slapping an Autofilter after it.

I bet you could create all those drum sounds with the ES1 synth. Do so
and bounce samples do disc and then drop the samples into the EXS24 to
make your instrument. Or put the samples in the UltraBeat if you fancy
step sequencer fiddling like on the old Roland drum boxes (you know
you can "play" the patterns by MIDI notes, a cool way of jamming with
the Ultrabeat).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 7, 2010 at 1:52 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'm not 100% sure, but doesn't logic's drum machine have some 808 type
> samples in it? you could easily tweak them to sound like the ones you're
> after, imo
>
> sim
>
> On Sun, Mar 7, 2010 at 9:28 AM, ^|>^m <will.it.go.round@gmail.com> wrote:
>>
>> Does anyone have experience using a virtual drum kit that sounds like an
>> old hammond drum machine? Check out the videos for an example. I'm searching
>> for a virtual drum kit for Logic Pro or at least some samples. Any
>> assistance appreciated... ~adam
>> Hammond
>> http://www.youtube.com/watch?v=QLgyQG8Pu8s
>> A song using a kit similar to what I am looking for...
>> http://www.youtube.com/watch?v=3ElJ9uXZmM0
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 14:46:54 2010
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Subject: Any Amplitube 3 early adopters here?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Anyone tried out the amp/speaker/mik/effects simulating software
Amplitube 3 yet?

These days I have totally migrated to laptop driven performance tools
for live playing and the first guitar amp simulator I found that I got
a good sound out of was Amplitube 2, particularly the Jimi Hendrix
edition (but I find some parts of the Metal edition useful as well).
When examining NI's Guitar Rig I found that GR didn't sound as good to
me but offered a very cool and flexible effect routing system within
the plug-in. I don't own GR, and won't buy it because of the sound
issue, but I have been dreaming lately about certain step sequencing
based effects and now Amplitube 3 suddenly comes around offering some
these effects: stepfilter, stepslicer, tapdelay, rezo, swell.

http://www.ikmultimedia.com/amplitube/features/

I'm interested in hearing any experiences with these effects in AT3.
Also in hearing about the CPU demand of AT3. AT2 is bit too CPU
demanding here to set up dual input stacks, which is what you use with
a Chapman Stick since it puts out two signals. I have no problem
running dual stacks by using Apple's AmpDesigner in Mainstage and it
sounds just as good to me as Amplitube, but I have found no good
solution for such step sequence based effects in Mainstage. So if the
CPU issue will be cool I'm thinking that AT3 would be useful for
building an "enhanced custom mainstage" in Bidule (I think some stuff
can be set up better in Bidule compared to the default functionality
in Mainstage that can't be user customized, for example decay
preservation when switching sound patch).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 16:11:46 2010
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Subject: Antwerp Live Looping festival 2010
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi all,
Back on earth after a fantastic Loopfest :) I would like to thank all
the people who came all the way to Antwerp. And actually, there where
a lot, about 75 I think, which means we almost sold out the venue.
Btw: the whole show has been recorded, I'll keep you posted on this.
Here are some pictures of the loopfest

http://www.flickr.com/photos/sjugge/sets/72157623570325762/show/


-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 16:14:01 2010
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Date: Sun, 7 Mar 2010 16:13:58 +0000
Message-ID: <d302e3571003070813m426ea60by19c4ef6b22e4855e@mail.gmail.com>
Subject: Re: Antwerp Live Looping festival 2010
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016363b9d9e6b283a0481383c3d
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brilliant - glad it went well!

looking forward to hearig the recordings

sim

On Sun, Mar 7, 2010 at 4:11 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

> Hi all,
> Back on earth after a fantastic Loopfest :) I would like to thank all
> the people who came all the way to Antwerp. And actually, there where
> a lot, about 75 I think, which means we almost sold out the venue.
> Btw: the whole show has been recorded, I'll keep you posted on this.
> Here are some pictures of the loopfest
>
> http://www.flickr.com/photos/sjugge/sets/72157623570325762/show/
>
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--0016363b9d9e6b283a0481383c3d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

brilliant - glad it went well!<br><br>looking forward to hearig the recordi=
ngs<br><br>sim<br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 4:1=
1 PM, Sjaak Overgaauw <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@gmai=
l.com">tcplugin@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi all,<br>
Back on earth after a fantastic Loopfest :) I would like to thank all<br>
the people who came all the way to Antwerp. And actually, there where<br>
a lot, about 75 I think, which means we almost sold out the venue.<br>
Btw: the whole show has been recorded, I&#39;ll keep you posted on this.<br=
>
Here are some pictures of the loopfest<br>
<br>
<a href=3D"http://www.flickr.com/photos/sjugge/sets/72157623570325762/show/=
" target=3D"_blank">http://www.flickr.com/photos/sjugge/sets/72157623570325=
762/show/</a><br>
<font color=3D"#888888"><br>
<br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</font></blockquote></div><br>

--0016363b9d9e6b283a0481383c3d--

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Date: Sun, 7 Mar 2010 16:57:12 +0000 (GMT)
From: SUZAN GLENN <suzan50@btinternet.com>
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OTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=A0=0A=0A=
P {=0A=09MARGIN: 0px=0A}=0AUL {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A=
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=09MARGIN-TOP: 5px; MARGIN-BOTTOM:From : Suzan Glenn. =0A
Permit me to inform you of my desire of going into business =0Arelationship=
 with you, am able to come across your email ,and=A0 i know=A0 that this =
=0Amail may come to you as a surprise, since we have not known or written =
=0Abefore,Afer you receive this mail kindly contact me on my private e.mail=
 contact =0Abelow. before i forget i will like to introduce my self to you =
, I am Suzan =0AGlenn, the Only Daughter of the late Mr and Mrs Chief Dikko=
 Glenn, my =0Afather was a gold and cocoa merchant based in accra, ghana an=
d Abidjan (Ivory Coast), he was =0Apoisoned to death by his business associ=
ates on one of their business trips, =0Abefore the death of my late father =
on 19 sep 2006 in a private hospital here in Abidjan. =0A=0A=A0=0AHe secret=
ly called me on his bedside and told me that he has a sum of usd =0A$6.5m (=
Six Million Five Hundred Thousand U.s), deposited in a suspence account =0A=
in one of the prime bank here in abidjan ivory coast, that he =0Aused my na=
me as his only daughter for the next of kin in depositing of the fund. =0A
=A0
He also explained to me that it was because of this wealth that he was =0Ap=
oisoned by his business associates, that I should seek for a foreign partne=
r in =0Aa country of my choice where I will transfer this money and use it =
for =0Ainvestment purpose such as expansion of his existing cocoa business =
and real =0Aestate management overseas. Dear friend, I am humbly seeking yo=
ur assistance in =0Athe following ways.=20
=A0
1) To assist me in retriving this money from the =0Abank.
2) To serve as the guardian of this fund.=20
3) To make arrangement =0Afor me to come over to your country to further my=
 education and to secure a =0Aresidential permit in your country moreover, =
I am willing to offer you 15% of =0Athe total sum as compensation for your =
effort/input after the successful =0Atransfer of this fund to your nominate=
d account overseas.=20
=A0
Furthermore, =0Ayou can indicate your option towards assisting me as I beli=
eve that this =0Atransaction would be concluded within seven (7) working da=
ys you signify =0Ainterest to assist me.=A0=A0Anticipating to hear from you=
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=A0
Yours sincerely,=20
Suzan Glenn. 
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M: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL {=0A=09MARG=
IN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; MARGIN-BOT=
TOM: 5px=0A}=0A</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL {=0A=09MA=
RGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; MARGIN-B=
OTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL {=0A=09=
MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; MARGIN=
-BOTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL {=0A=
=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; MAR=
GIN-BOTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL {=
=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px; =
MARGIN-BOTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0AUL=
 {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5px=
; MARGIN-BOTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=0A=
UL {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP: 5=
px; MARGIN-BOTTOM: 5px=0A}=A0</style>=0A=0A<style>P {=0A=09MARGIN: 0px=0A}=
=0AUL {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN-TOP=
: 5px; MARGIN-BOTTOM: 5px=0A}=0A</style>=0A=0A<style>P {=0A=09MARGIN: 0px=
=0A}=0AUL {=0A=09MARGIN-TOP: 5px; MARGIN-BOTTOM: 5px=0A}=0AOL {=0A=09MARGIN=
-TOP: 5px; MARGIN-BOTTOM:</style>From : Suzan Glenn. =0A<div><br>Permit me =
to inform you of my desire of going into business =0Arelationship with you,=
 am able to come across your email ,and&nbsp; i know&nbsp; that this =0Amai=
l may come to you as a surprise, since we have not known or written =0Abefo=
re,Afer you receive this mail kindly contact me on my private e.mail contac=
t =0Abelow. before i forget i will like to introduce my self to you , I am =
Suzan =0AGlenn, the Only Daughter of the late Mr and Mrs <em>Chief Dikko </=
em>Glenn, my =0Afather was a gold and cocoa merchant based in <span class=
=3D"yshortcuts" id=3D"lw_1267523914_4">accra, ghana</span> and Abidjan (Ivo=
ry Coast), he was =0Apoisoned to death by his business associates on one of=
 their business trips, =0Abefore the death of my late father on 19 sep 2006=
 in a <span class=3D"yshortcuts" id=3D"lw_1267702330_0">private hospital</s=
pan> here in Abidjan. </div>=0A<div id=3D"yiv211873376">=0A<div>&nbsp;</div=
>=0A<div>He secretly called me on his bedside and told me that he has a sum=
 of usd =0A$6.5m (Six Million Five Hundred Thousand U.s), deposited in a su=
spence account =0Ain one of the prime bank here in <span class=3D"yshortcut=
s" id=3D"lw_1267523914_5" style=3D"background: none repeat scroll 0% 0% tra=
nsparent; border-bottom: 1px dashed rgb(0, 102, 204);"><span class=3D"yshor=
tcuts" id=3D"lw_1267702330_1">abidjan ivory coast</span></span>, that he =
=0Aused my name as his only daughter for the next of kin in depositing of t=
he fund. =0A<br>&nbsp;<br>He also explained to me that it was because of th=
is wealth that he was =0Apoisoned by his business associates, that I should=
 seek for a foreign partner in =0Aa country of my choice where I will trans=
fer this money and use it for =0Ainvestment purpose such as expansion of hi=
s existing cocoa business and real =0Aestate management overseas. Dear frie=
nd, I am humbly seeking your assistance in =0Athe following ways. <br>&nbsp=
;<br>1) To assist me in retriving this money from the =0Abank.<br>2) To ser=
ve as the guardian of this fund. <br>3) To make arrangement =0Afor me to co=
me over to your country to further my education and to secure a =0Aresident=
ial permit in your country moreover, I am willing to offer you 15% of =0Ath=
e total sum as compensation for your effort/input after the successful =0At=
ransfer of this fund to your nominated account overseas. <br>&nbsp;<br>Furt=
hermore, =0Ayou can indicate your option towards assisting me as I believe =
that this =0Atransaction would be concluded within seven (7) working days y=
ou signify =0Ainterest to assist me.&nbsp;&nbsp;<span class=3D"yshortcuts" =
id=3D"lw_1267523914_6"><span class=3D"yshortcuts" id=3D"lw_1267702330_2">An=
ticipating</span></span> to hear from you =0Asoon. <br>&nbsp;<br>Yours sinc=
erely, <br>Suzan Glenn. </div></div></td></tr></table>
--0-1185097530-1267981032=:81442--

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 17:22:41 2010
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Date: Sun, 7 Mar 2010 09:22:40 -0800
Message-ID: <4cdf3b971003070922r23e6c9dvc9e6cb2cbd413165@mail.gmail.com>
Subject: Re: Any Amplitube 3 early adopters here?
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c92b05184fdb0481393265
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I grabbed the demo, it's more than decent. Guitar Rig really stepped things
up in versions 3 and 4( I currently use gr4). As a consequence, I would
imagine AT3 is at least as good, if not better, given that it's coming out
almost a full year later than GR4. I can say that CPU demand, at least in
the demo is much lighter than AT2, and the amp models sound fantastic! I've
only tried out the demo though, so keep that in mind.
You should check out GR4 as well, 3 was a huge step from 2 (which I refused
to use, it sounded so digital and generic) with distortions gaining real
sounding tone, and the amps starting to sound great. With 4 however, they've
hit it out of the park(save for the bugs, which suck like not being able to
use the looper) with the simulations and effects routing, and the new
control room function, where you use up to 10 different mics on a cabinet.
Both AT3 and GR4 are insanely good pieces of software!

On Sun, Mar 7, 2010 at 6:46 AM, Per Boysen <perboysen@gmail.com> wrote:

> Anyone tried out the amp/speaker/mik/effects simulating software
> Amplitube 3 yet?
>
> These days I have totally migrated to laptop driven performance tools
> for live playing and the first guitar amp simulator I found that I got
> a good sound out of was Amplitube 2, particularly the Jimi Hendrix
> edition (but I find some parts of the Metal edition useful as well).
> When examining NI's Guitar Rig I found that GR didn't sound as good to
> me but offered a very cool and flexible effect routing system within
> the plug-in. I don't own GR, and won't buy it because of the sound
> issue, but I have been dreaming lately about certain step sequencing
> based effects and now Amplitube 3 suddenly comes around offering some
> these effects: stepfilter, stepslicer, tapdelay, rezo, swell.
>
> http://www.ikmultimedia.com/amplitube/features/
>
> I'm interested in hearing any experiences with these effects in AT3.
> Also in hearing about the CPU demand of AT3. AT2 is bit too CPU
> demanding here to set up dual input stacks, which is what you use with
> a Chapman Stick since it puts out two signals. I have no problem
> running dual stacks by using Apple's AmpDesigner in Mainstage and it
> sounds just as good to me as Amplitube, but I have found no good
> solution for such step sequence based effects in Mainstage. So if the
> CPU issue will be cool I'm thinking that AT3 would be useful for
> building an "enhanced custom mainstage" in Bidule (I think some stuff
> can be set up better in Bidule compared to the default functionality
> in Mainstage that can't be user customized, for example decay
> preservation when switching sound patch).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001636c92b05184fdb0481393265
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I grabbed the demo, it&#39;s more than decent. Guitar Rig really stepped th=
ings up in versions 3 and 4( I currently use gr4). As a consequence, I woul=
d imagine AT3 is at least as good, if not better, given that it&#39;s comin=
g out almost a full year later than GR4. I can say that CPU demand, at leas=
t in the demo is much lighter than AT2, and the amp models sound fantastic!=
 I&#39;ve only tried out the demo though, so keep that in mind.<div>
You should check out GR4 as well, 3 was a huge step from 2 (which I refused=
 to use, it sounded so digital and generic) with distortions gaining real s=
ounding tone, and the amps starting to sound great. With 4 however, they&#3=
9;ve hit it out of the park(save for the bugs, which suck like not being ab=
le to use the looper) with the simulations and effects routing, and the new=
 control room function, where you use up to 10 different mics on a cabinet.=
 Both AT3 and GR4 are insanely good pieces of software!<br>
<br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 6:46 AM, Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"ma=
rgin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Anyone tried out the amp/speaker/mik/effects simulating software<br>
Amplitube 3 yet?<br>
<br>
These days I have totally migrated to laptop driven performance tools<br>
for live playing and the first guitar amp simulator I found that I got<br>
a good sound out of was Amplitube 2, particularly the Jimi Hendrix<br>
edition (but I find some parts of the Metal edition useful as well).<br>
When examining NI&#39;s Guitar Rig I found that GR didn&#39;t sound as good=
 to<br>
me but offered a very cool and flexible effect routing system within<br>
the plug-in. I don&#39;t own GR, and won&#39;t buy it because of the sound<=
br>
issue, but I have been dreaming lately about certain step sequencing<br>
based effects and now Amplitube 3 suddenly comes around offering some<br>
these effects: stepfilter, stepslicer, tapdelay, rezo, swell.<br>
<br>
<a href=3D"http://www.ikmultimedia.com/amplitube/features/" target=3D"_blan=
k">http://www.ikmultimedia.com/amplitube/features/</a><br>
<br>
I&#39;m interested in hearing any experiences with these effects in AT3.<br=
>
Also in hearing about the CPU demand of AT3. AT2 is bit too CPU<br>
demanding here to set up dual input stacks, which is what you use with<br>
a Chapman Stick since it puts out two signals. I have no problem<br>
running dual stacks by using Apple&#39;s AmpDesigner in Mainstage and it<br=
>
sounds just as good to me as Amplitube, but I have found no good<br>
solution for such step sequence based effects in Mainstage. So if the<br>
CPU issue will be cool I&#39;m thinking that AT3 would be useful for<br>
building an &quot;enhanced custom mainstage&quot; in Bidule (I think some s=
tuff<br>
can be set up better in Bidule compared to the default functionality<br>
in Mainstage that can&#39;t be user customized, for example decay<br>
preservation when switching sound patch).<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br></div>

--001636c92b05184fdb0481393265--

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Date: Sun, 7 Mar 2010 17:49:42 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RickWaker at the noh
To: Loopers Delight <loopers-delight@loopers-delight.com>
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rock on Rick,how did you sync that romantic image in the background?=0A=0Ah=
ttp://www.youtube.com/watch?v=3DgCzNdjQDcR4=0A=0Acheers=0Awww.myspace.com/l=
uisangulocom=0A=0A__________________________________________________=0ADo Y=
ou Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausr=
agenden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 17:59:51 2010
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	 <d302e3571003070813m426ea60by19c4ef6b22e4855e@mail.gmail.com>
Date: Sun, 7 Mar 2010 18:59:48 +0100
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Subject: Re: Antwerp Live Looping festival 2010
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Sun, Mar 7, 2010 at 5:13 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> brilliant - glad it went well!
> looking forward to hearig the recordings

Hi Simeon,
Everything went well, the sound of the PA was awsome which is very
important for the type of music we presented yesterday.

Btw: some excellent black and white pics of another photographer

http://www.flickr.com/photos/benjaminvanderzalm/sets/72157623572149420/show/

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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http://soundscapes.us/amfm/playlists/2010/100306.html

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Still Hillman]   Into the Blue        Sequences No. 9
VA [Waveshape]       Anfang               Sequences No. 9
VA [[Xylanja]        Ex-Manequin          Sequences No. 9
Dieter Mobius        The Tracker          Blotch (Nepenthe)
Ricochet Gathering   Muflon Shanty        Muflon Sourcerers (Syngate)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Wahler         Quest                A Star Danced (Darius)
Ian C. Bouras        Realizing It's Over  The Certainty of Being Found
                                            (SDMP)
Ian C. Bouras        Thoughts On Angels   The Certainty of Being Found
                       and Sarcasm          (SDMP)
Steve Barnes         Watching             New Day (A. D. Music)
Michael DeMaria      Sunlight             The River (Ontos)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Jinetes Negros]  Atlantis             Tuonen Tytar II (Musea)
VA [The Samurai of   Colossus             Tuonen Tytar II (Musea)
  Prog]
VA [B612]            Sanaton Laulu        Tuonen Tytar II (Musea)
VA [Simon Says]      Intro                Purgatorio (Musea)
VA [Nemo]            Entre Deux Rives     Purgatorio (Musea)
VA [Ozone Player]    Canto 3              Purgatorio (Musea)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/UTC-5:00.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
MySpace: http://myspace.com/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 18:26:48 2010
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Date: Sun, 7 Mar 2010 18:26:46 +0000
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Subject: Re: Antwerp Live Looping festival 2010
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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excellent...and congrats!


Hi Simeon,
> Everything went well, the sound of the PA was awsome which is very
> important for the type of music we presented yesterday.
>
> Btw: some excellent black and white pics of another photographer
>
>
> http://www.flickr.com/photos/benjaminvanderzalm/sets/72157623572149420/show/
>
>

--0016363b9d9e5967c004813a1757
Content-Type: text/html; charset=ISO-8859-1

excellent...and congrats!<br><br><div class="gmail_quote"><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi Simeon,<br>
Everything went well, the sound of the PA was awsome which is very<br>
important for the type of music we presented yesterday.<br>
<br>
Btw: some excellent black and white pics of another photographer<br>
<br>
<a href="http://www.flickr.com/photos/benjaminvanderzalm/sets/72157623572149420/show/" target="_blank">http://www.flickr.com/photos/benjaminvanderzalm/sets/72157623572149420/show/</a><br>
<br></blockquote></div>

--0016363b9d9e5967c004813a1757--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 20:25:04 2010
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Subject: re:Antwerp Live Looping festival 2010
Date: Sun, 7 Mar 2010 12:24:57 -0800
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Nice........... do all of the participants need to be this good  
looking????? Hey I spotted some sexy amps, did people bring there own  
amplifiers? What was the guitar you were playing Luis? looking forward  
to hearing this.
Bill

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 20:52:29 2010
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Subject: Im bored of my TC Fireworx! HELP!
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--001485e9ab5653b5fc04813c2004
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Bugger I forgot to change the subject.. from that old cheat of hitting
reply... heres a better one

On Sun, Mar 7, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>wrot=
e:

> After about 6 months with a TC Fireworx... Im sad to say that we=B4re not
> really getting along.. and Im thinking of selling.
> I dont know, i think the vast amount of sounds possible and available is =
a
> bit too much for me!! I upgraded to version 2.0 and all that did was give=
 me
> more and more.. Ive hardly EVER sat down and made my own sounds.. Even th=
o
> that is why I got it. I bought it in an attempt to remove things from the
> floor (namely a Space Station and the bitrman.. cos of having weird PSU) =
and
> it more than made up for is.. but actually all I ever seem to use is a
> lovely reverb patch, with just the right amount of compression.. lovely..=
.
> but expensive!!!
>
> Unless people here give me some inspirational stories of why its so great=
..
> Im gonna be open for offers... any swapsies anyone?? What do the vg thing=
s
> cost these days?
>
> Mark
>
> --
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001485e9ab5653b5fc04813c2004
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Bugger I forgot to change the subject.. from that old cheat of hitting repl=
y... heres a better one<br><br><div class=3D"gmail_quote">On Sun, Mar 7, 20=
10 at 9:50 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@=
markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">After about 6 mon=
ths with a TC Fireworx... Im sad to say that we=B4re not really getting alo=
ng.. and Im thinking of selling.<br>

I dont know, i think the vast amount of sounds possible and available is a =
bit too much for me!! I upgraded to version 2.0 and all that did was give m=
e more and more.. Ive hardly EVER sat down and made my own sounds.. Even th=
o that is why I got it. I bought it in an attempt to remove things from the=
 floor (namely a Space Station and the bitrman.. cos of having weird PSU) a=
nd it more than made up for is.. but actually all I ever seem to use is a l=
ovely reverb patch, with just the right amount of compression.. lovely... b=
ut expensive!!! <br>


<br>Unless people here give me some inspirational stories of why its so gre=
at.. Im gonna be open for offers... any swapsies anyone?? What do the vg th=
ings cost these days?<br><font color=3D"#888888"><br>Mark</font><div><div>

</div><br></div></blockquote></div>-- <br><a href=3D"http://www.markfrancom=
be.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">=
www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001485e9ab5653b5fc04813c2004--

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Nadia Salom wrote:

> simply and eloquently. You allow yourself to be carried away with the 

> And then you realize... it is great to be carried away like this, but it 
> is also rather boring... after a while... A
> 
> How does one go about killing a loop? I suppose you've just got to do it.

How about an analogy.

If someone doesn't have much technique on their instrument,
they can learn to play a few things, even wonderful things,
can get carried away...but can't vary the music.

To create variation with a looping device...learn to play it like you 
would an instrument.


andy

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 21:31:15 2010
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Message-ID: <4B941B21.3080003@googlemail.com>
Date: Sun, 07 Mar 2010 22:31:13 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: Im bored of my TC Fireworx! HELP!
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Mark,

it's kinda hard to tell what to recommend because it doesn't immediately 
become clear what exactly you're after...
My inspirational story: I don't like it that much, because taking into 
account what you could do with it with all the complex routing and 
modulation possibilities, it just lacks processing power big time.
Apart from that, I already said what makes it so great (and in that 
respect, it's only paralleled by the Eventide Orville/H8000 and the 
Kurzweil KSP8/KDFX thingies), and that's flexibility, especially with 
regard to modulation.

There's a big downside, and that is that it takes a huge amount of 
thinking in terms of signal processing involved to implement what you're 
after. At least that's a downside for people who don't have their brains 
wired in the s- or z-transformed domain.

There's also a big plus, and that is price/performance ratio. While this 
thing originally listed (like eight years ago, when it was introduced) 
at around €2k (and with that only about 10% below an Eventide Eclipse), 
prices have dropped to €750 (while the Eclipse stayed the same); prepal 
lists it at around €550, and some ebay auctions fetched between €380 and 
€440. And with that, it's in the same price range as an Eventide 
Timefactor, and I personally would prefer the TC to the Timefactor, 
simply because of greater flexibility.

Some of the good sides are details: the FireworX works very well with 
delays synced to an unstable MIDI clock (like with Repeater pre-OS2) and 
in that regard is superior to all my other thingies. I also like the 
ability to display the presets in a list (something that makes sense for 
a multi-100-patches device). And the digital distortion is beautifully ugly.

Ah yes, and the moduulation possibilities - we already had this 
discussion when Bill asked for a ducked delay.

It's also great to do emulations of everybody's favourite analogue 
boxes: I have a great MAM RS3, a ZVEX Ooh Wah and a Space Echo emulation 
which I like a lot. Plus a super-goes-to-eleven-harcore distortion that 
is very dynamic to your playing (i.e. the output volume is modulated by 
your input signal's amplitude).

Yes, there's a lot of things you can do with it. And unless you're in a 
situation where you need to sell it to finance something else which you 
need more, I'd suggest you keep it. Current prices are considerably 
below its value imo.

Rainer
>
>     After about 6 months with a TC Fireworx... Im sad to say that
>     we´re not really getting along.. and Im thinking of selling.
>     I dont know, i think the vast amount of sounds possible and
>     available is a bit too much for me!! I upgraded to version 2.0 and
>     all that did was give me more and more.. Ive hardly EVER sat down
>     and made my own sounds.. Even tho that is why I got it. I bought
>     it in an attempt to remove things from the floor (namely a Space
>     Station and the bitrman.. cos of having weird PSU) and it more
>     than made up for is.. but actually all I ever seem to use is a
>     lovely reverb patch, with just the right amount of compression..
>     lovely... but expensive!!!
>
-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 21:33:40 2010
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Date: Sun, 7 Mar 2010 22:33:38 +0100
Message-ID: <66f9cc1e1003071333p6d1ec842n37879bae855c4013@mail.gmail.com>
Subject: Re: Im bored of my TC Fireworx! HELP!
From: Per Boysen <perboysen@gmail.com>
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As a formerly FireworX empowered loopist I'd like to post my opinion
on it: It is great! Now, that was the short version. I can't tell
about the presents and everything, since I didn't use them, but where
this unit really rocks is if you want something PRE looper to
seriously mutilate sound and rhythm. That's how I used it, MIDI clock
sync slaved to the looper but before the looper in the audio signal
chain - and it really excelled in that position. I was able to make
delays that would *seamlessly* change the timing from let's say a
quarter note triplet up to a sixteenth note. This "delay time
morphing" I controlled from a MIDI expression pedal. Guess it's
needless to tell how cool it sounds while the sweeping delay time
value passes through all out-of-musical-sync values until it locks in
with a new groove, all while you play rhythmic stuff though the unit.
I used that quite a lot on the album I did with Greek bassist/loopist
Costas Andreou, especially the first track.

Other cool stuff you can do with the FireworX is to make a parallel
signal path where you put a pitch shifter set to any range, I used
mostly octave up or octave down. Then you play through the unit while
modding pitch by a MIDI expression pedal. That's awesome - like
playing two instruments at once, because here and there you find
intervals that sound really cool as a blending by the non pitched and
the pitched signal. A lot more organically sounding that simply
"playing though a fixed pitch shifter". Also used on the Costas album.

Finally, a very cool trick: Using the envelope follower module to
modulate any other parameter of choice. My fav here is to set up an
"infinite delay loop". That means full feedback, no sound will ever
stop. Then you modulate the feedback parameter of the delay module by
the input signal strength, but reversed. This means that if you do not
play anything the sound in the delay line will repeat infinitely
(following the looper tempo, of course) but if you play one note this
note will bring down the feedback as it enters the delay and sort of
"soft substitute" the looping audio.

If you like using these techniques and like having rack mountable
units the FireworX is a box you should get when a chance occurs. I
don't think they make them any more and it doesn't seem probable that
more similar products will be produced in the future, many DIY audio
mutilants are going software and crippling the already rather nisched
market.

I don't work for TC. I sold my old FwX only because I needed money in
an urgent situation. I had learned how this awesome box works so I
would be able to set up my fav patches in software on future laptop
rigs.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 7, 2010 at 9:52 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> Bugger I forgot to change the subject.. from that old cheat of hitting
> reply... heres a better one
>
> On Sun, Mar 7, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>
> wrote:
>>
>> After about 6 months with a TC Fireworx... Im sad to say that we=C2=B4re=
 not
>> really getting along.. and Im thinking of selling.
>> I dont know, i think the vast amount of sounds possible and available is=
 a
>> bit too much for me!! I upgraded to version 2.0 and all that did was giv=
e me
>> more and more.. Ive hardly EVER sat down and made my own sounds.. Even t=
ho
>> that is why I got it. I bought it in an attempt to remove things from th=
e
>> floor (namely a Space Station and the bitrman.. cos of having weird PSU)=
 and
>> it more than made up for is.. but actually all I ever seem to use is a
>> lovely reverb patch, with just the right amount of compression.. lovely.=
..
>> but expensive!!!
>>
>> Unless people here give me some inspirational stories of why its so
>> great.. Im gonna be open for offers... any swapsies anyone?? What do the=
 vg
>> things cost these days?

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 21:50:59 2010
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--00504502cfb088e85704813cf18f
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OKAY.. Well Ill dive back in again... its just. well Ive been getting wrist
ache going thru all the patches and not really stopping long enough on
anything to really find out how its made up...
Im really a knobs man.. and menus and up down buttons just get to me... I D=
O
like all the suggestions you have made.. and have done a few (I agree with
Rainer that the digi distort is awsome) But well I just have to FIND it whe=
n
I need it...

Im a bit interested HOW you did this changing the delay timing thing Per..
but I guess its difficult to remember when you dont have it now?

Just recently Ive been playing.. hard.. into the loopers with only
distortion.. and all the airy fairyness of shimmering reverbs and bouncing
stereo delays seems a bit well.. old person.. and I guess Im going thru tha=
t
mid life thing... just UNloaded Eno form the iPhone and put the Pistols
on...

But.. well maybe Ill just have to get my hands dirty and jump in...

Thanks guys...

Mark



On Sun, Mar 7, 2010 at 10:33 PM, Per Boysen <perboysen@gmail.com> wrote:

> As a formerly FireworX empowered loopist I'd like to post my opinion
> on it: It is great! Now, that was the short version. I can't tell
> about the presents and everything, since I didn't use them, but where
> this unit really rocks is if you want something PRE looper to
> seriously mutilate sound and rhythm. That's how I used it, MIDI clock
> sync slaved to the looper but before the looper in the audio signal
> chain - and it really excelled in that position. I was able to make
> delays that would *seamlessly* change the timing from let's say a
> quarter note triplet up to a sixteenth note. This "delay time
> morphing" I controlled from a MIDI expression pedal. Guess it's
> needless to tell how cool it sounds while the sweeping delay time
> value passes through all out-of-musical-sync values until it locks in
> with a new groove, all while you play rhythmic stuff though the unit.
> I used that quite a lot on the album I did with Greek bassist/loopist
> Costas Andreou, especially the first track.
>
> Other cool stuff you can do with the FireworX is to make a parallel
> signal path where you put a pitch shifter set to any range, I used
> mostly octave up or octave down. Then you play through the unit while
> modding pitch by a MIDI expression pedal. That's awesome - like
> playing two instruments at once, because here and there you find
> intervals that sound really cool as a blending by the non pitched and
> the pitched signal. A lot more organically sounding that simply
> "playing though a fixed pitch shifter". Also used on the Costas album.
>
> Finally, a very cool trick: Using the envelope follower module to
> modulate any other parameter of choice. My fav here is to set up an
> "infinite delay loop". That means full feedback, no sound will ever
> stop. Then you modulate the feedback parameter of the delay module by
> the input signal strength, but reversed. This means that if you do not
> play anything the sound in the delay line will repeat infinitely
> (following the looper tempo, of course) but if you play one note this
> note will bring down the feedback as it enters the delay and sort of
> "soft substitute" the looping audio.
>
> If you like using these techniques and like having rack mountable
> units the FireworX is a box you should get when a chance occurs. I
> don't think they make them any more and it doesn't seem probable that
> more similar products will be produced in the future, many DIY audio
> mutilants are going software and crippling the already rather nisched
> market.
>
> I don't work for TC. I sold my old FwX only because I needed money in
> an urgent situation. I had learned how this awesome box works so I
> would be able to set up my fav patches in software on future laptop
> rigs.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sun, Mar 7, 2010 at 9:52 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Bugger I forgot to change the subject.. from that old cheat of hitting
> > reply... heres a better one
> >
> > On Sun, Mar 7, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>
> > wrote:
> >>
> >> After about 6 months with a TC Fireworx... Im sad to say that we=B4re =
not
> >> really getting along.. and Im thinking of selling.
> >> I dont know, i think the vast amount of sounds possible and available =
is
> a
> >> bit too much for me!! I upgraded to version 2.0 and all that did was
> give me
> >> more and more.. Ive hardly EVER sat down and made my own sounds.. Even
> tho
> >> that is why I got it. I bought it in an attempt to remove things from
> the
> >> floor (namely a Space Station and the bitrman.. cos of having weird PS=
U)
> and
> >> it more than made up for is.. but actually all I ever seem to use is a
> >> lovely reverb patch, with just the right amount of compression..
> lovely...
> >> but expensive!!!
> >>
> >> Unless people here give me some inspirational stories of why its so
> >> great.. Im gonna be open for offers... any swapsies anyone?? What do t=
he
> vg
> >> things cost these days?
>
>


--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00504502cfb088e85704813cf18f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OKAY.. Well Ill dive back in again... its just. well Ive been getting wrist=
 ache going thru all the patches and not really stopping long enough on any=
thing to really find out how its made up...<br>Im really a knobs man.. and =
menus and up down buttons just get to me... I DO like all the suggestions y=
ou have made.. and have done a few (I agree with Rainer that the digi disto=
rt is awsome) But well I just have to FIND it when I need it... <br>

<br>Im a bit interested HOW you did this changing the delay timing thing Pe=
r.. but I guess its difficult to remember when you dont have it now?<br><br=
>Just recently Ive been playing.. hard.. into the loopers with only distort=
ion.. and all the airy fairyness of shimmering reverbs and bouncing stereo =
delays seems a bit well.. old person.. and I guess Im going thru that mid l=
ife thing... just UNloaded Eno form the iPhone and put the Pistols on... <b=
r>

<br>But.. well maybe Ill just have to get my hands dirty and jump in...<br>=
<br>Thanks guys...<br><br>Mark<br><br><br><br><div class=3D"gmail_quote">On=
 Sun, Mar 7, 2010 at 10:33 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"=
mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">As a formerly Fir=
eworX empowered loopist I&#39;d like to post my opinion<br>
on it: It is great! Now, that was the short version. I can&#39;t tell<br>
about the presents and everything, since I didn&#39;t use them, but where<b=
r>
this unit really rocks is if you want something PRE looper to<br>
seriously mutilate sound and rhythm. That&#39;s how I used it, MIDI clock<b=
r>
sync slaved to the looper but before the looper in the audio signal<br>
chain - and it really excelled in that position. I was able to make<br>
delays that would *seamlessly* change the timing from let&#39;s say a<br>
quarter note triplet up to a sixteenth note. This &quot;delay time<br>
morphing&quot; I controlled from a MIDI expression pedal. Guess it&#39;s<br=
>
needless to tell how cool it sounds while the sweeping delay time<br>
value passes through all out-of-musical-sync values until it locks in<br>
with a new groove, all while you play rhythmic stuff though the unit.<br>
I used that quite a lot on the album I did with Greek bassist/loopist<br>
Costas Andreou, especially the first track.<br>
<br>
Other cool stuff you can do with the FireworX is to make a parallel<br>
signal path where you put a pitch shifter set to any range, I used<br>
mostly octave up or octave down. Then you play through the unit while<br>
modding pitch by a MIDI expression pedal. That&#39;s awesome - like<br>
playing two instruments at once, because here and there you find<br>
intervals that sound really cool as a blending by the non pitched and<br>
the pitched signal. A lot more organically sounding that simply<br>
&quot;playing though a fixed pitch shifter&quot;. Also used on the Costas a=
lbum.<br>
<br>
Finally, a very cool trick: Using the envelope follower module to<br>
modulate any other parameter of choice. My fav here is to set up an<br>
&quot;infinite delay loop&quot;. That means full feedback, no sound will ev=
er<br>
stop. Then you modulate the feedback parameter of the delay module by<br>
the input signal strength, but reversed. This means that if you do not<br>
play anything the sound in the delay line will repeat infinitely<br>
(following the looper tempo, of course) but if you play one note this<br>
note will bring down the feedback as it enters the delay and sort of<br>
&quot;soft substitute&quot; the looping audio.<br>
<br>
If you like using these techniques and like having rack mountable<br>
units the FireworX is a box you should get when a chance occurs. I<br>
don&#39;t think they make them any more and it doesn&#39;t seem probable th=
at<br>
more similar products will be produced in the future, many DIY audio<br>
mutilants are going software and crippling the already rather nisched<br>
market.<br>
<br>
I don&#39;t work for TC. I sold my old FwX only because I needed money in<b=
r>
an urgent situation. I had learned how this awesome box works so I<br>
would be able to set up my fav patches in software on future laptop<br>
rigs.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Sun, Mar 7, 2010 at 9:52 PM, mark francombe &lt;<a href=3D"mailto:mark@m=
arkfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Bugger I forgot to change the subject.. from that old cheat of hitting=
<br>
&gt; reply... heres a better one<br>
&gt;<br>
&gt; On Sun, Mar 7, 2010 at 9:50 PM, mark francombe &lt;<a href=3D"mailto:m=
ark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; After about 6 months with a TC Fireworx... Im sad to say that we=
=B4re not<br>
&gt;&gt; really getting along.. and Im thinking of selling.<br>
&gt;&gt; I dont know, i think the vast amount of sounds possible and availa=
ble is a<br>
&gt;&gt; bit too much for me!! I upgraded to version 2.0 and all that did w=
as give me<br>
&gt;&gt; more and more.. Ive hardly EVER sat down and made my own sounds.. =
Even tho<br>
&gt;&gt; that is why I got it. I bought it in an attempt to remove things f=
rom the<br>
&gt;&gt; floor (namely a Space Station and the bitrman.. cos of having weir=
d PSU) and<br>
&gt;&gt; it more than made up for is.. but actually all I ever seem to use =
is a<br>
&gt;&gt; lovely reverb patch, with just the right amount of compression.. l=
ovely...<br>
&gt;&gt; but expensive!!!<br>
&gt;&gt;<br>
&gt;&gt; Unless people here give me some inspirational stories of why its s=
o<br>
&gt;&gt; great.. Im gonna be open for offers... any swapsies anyone?? What =
do the vg<br>
&gt;&gt; things cost these days?<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502cfb088e85704813cf18f--

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Message-ID: <001d01cabe42$d73f9db0$50f53747@tbl01fcf9be917>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9ab0c76f1003071252q6839d8e5jbd43061d64cd3ed6@mail.gmail.com>
Subject: Re: Im bored of my TC Fireworx! HELP!
Date: Sun, 7 Mar 2010 17:09:21 -0500
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wanna sell the Space station? :)

Jeff
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 07, 2010 3:52 PM
  Subject: Im bored of my TC Fireworx! HELP!


  Bugger I forgot to change the subject.. from that old cheat of hitting =
reply... heres a better one


  On Sun, Mar 7, 2010 at 9:50 PM, mark francombe =
<mark@markfrancombe.com> wrote:

    After about 6 months with a TC Fireworx... Im sad to say that =
we=B4re not really getting along.. and Im thinking of selling.
    I dont know, i think the vast amount of sounds possible and =
available is a bit too much for me!! I upgraded to version 2.0 and all =
that did was give me more and more.. Ive hardly EVER sat down and made =
my own sounds.. Even tho that is why I got it. I bought it in an attempt =
to remove things from the floor (namely a Space Station and the =
bitrman.. cos of having weird PSU) and it more than made up for is.. but =
actually all I ever seem to use is a lovely reverb patch, with just the =
right amount of compression.. lovely... but expensive!!!=20

    Unless people here give me some inspirational stories of why its so =
great.. Im gonna be open for offers... any swapsies anyone?? What do the =
vg things cost these days?

    Mark


  --=20
  www.markfrancombe.com
  www.ordoabkhao.com
  http://vimeo.com/user825094
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.435 / Virus Database: 271.1.1/2728 - Release Date: =
03/07/10 07:34:00

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>wanna sell the Space station? =
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 07, 2010 =
3:52=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Im bored of my TC =
Fireworx!=20
  HELP!</DIV>
  <DIV><BR></DIV>Bugger I forgot to change the subject.. from that old =
cheat of=20
  hitting reply... heres a better one<BR><BR>
  <DIV class=3Dgmail_quote>On Sun, Mar 7, 2010 at 9:50 PM, mark =
francombe <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">After=20
    about 6 months with a TC Fireworx... Im sad to say that we=B4re not =
really=20
    getting along.. and Im thinking of selling.<BR>I dont know, i think =
the vast=20
    amount of sounds possible and available is a bit too much for me!! I =

    upgraded to version 2.0 and all that did was give me more and more.. =
Ive=20
    hardly EVER sat down and made my own sounds.. Even tho that is why I =
got it.=20
    I bought it in an attempt to remove things from the floor (namely a =
Space=20
    Station and the bitrman.. cos of having weird PSU) and it more than =
made up=20
    for is.. but actually all I ever seem to use is a lovely reverb =
patch, with=20
    just the right amount of compression.. lovely... but expensive!!!=20
    <BR><BR>Unless people here give me some inspirational stories of why =
its so=20
    great.. Im gonna be open for offers... any swapsies anyone?? What do =
the vg=20
    things cost these days?<BR><FONT color=3D#888888><BR>Mark</FONT>
    <DIV>
    <DIV></DIV><BR></DIV></BLOCKQUOTE></DIV>-- <BR><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.435 / Virus Database: 271.1.1/2728 - =
Release=20
  Date: 03/07/10 07:34:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 22:21:45 2010
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	<001d01cabe42$d73f9db0$50f53747@tbl01fcf9be917>
From: mark francombe <mark@markfrancombe.com>
Date: Sun, 7 Mar 2010 23:21:23 +0100
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Message-ID: <9ab0c76f1003071421t582a3472m3122dde1663eb08a@mail.gmail.com>
Subject: Re: Im bored of my TC Fireworx! HELP!
To: Loopers-Delight@loopers-delight.com
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--000e0ce0b48290480304813d5fcb
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

phew no.. its well fucked.. buttons fallen off... but still a prize
possesion... keep meaning to fit stomp style buttons... and its half CV
modded, (not finished yet) so I can sequence the pedal from an analog
sequencer..

so no.. sorry... but i dont blame you for trying!!

MArk!




On Sun, Mar 7, 2010 at 11:09 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  wanna sell the Space station? :)
>
> Jeff
>
> ----- Original Message -----
>  *From:* mark francombe <mark@markfrancombe.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Sunday, March 07, 2010 3:52 PM
> *Subject:* Im bored of my TC Fireworx! HELP!
>
> Bugger I forgot to change the subject.. from that old cheat of hitting
> reply... heres a better one
>
> On Sun, Mar 7, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>wr=
ote:
>
>> After about 6 months with a TC Fireworx... Im sad to say that we=B4re no=
t
>> really getting along.. and Im thinking of selling.
>> I dont know, i think the vast amount of sounds possible and available is=
 a
>> bit too much for me!! I upgraded to version 2.0 and all that did was giv=
e me
>> more and more.. Ive hardly EVER sat down and made my own sounds.. Even t=
ho
>> that is why I got it. I bought it in an attempt to remove things from th=
e
>> floor (namely a Space Station and the bitrman.. cos of having weird PSU)=
 and
>> it more than made up for is.. but actually all I ever seem to use is a
>> lovely reverb patch, with just the right amount of compression.. lovely.=
..
>> but expensive!!!
>>
>> Unless people here give me some inspirational stories of why its so
>> great.. Im gonna be open for offers... any swapsies anyone?? What do the=
 vg
>> things cost these days?
>>
>> Mark
>>
>> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>
> ------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.435 / Virus Database: 271.1.1/2728 - Release Date: 03/07/10
> 07:34:00
>
>


--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--000e0ce0b48290480304813d5fcb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

phew no.. its well fucked.. buttons fallen off... but still a prize possesi=
on... keep meaning to fit stomp style buttons... and its half CV modded, (n=
ot finished yet) so I can sequence the pedal from an analog sequencer..<br>

<br>so no.. sorry... but i dont blame you for trying!! <br><br>MArk!<br><br=
><br><br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 11:09 PM, Je=
ff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff=
_d@embarqmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">wanna sell the Space station? :)</font=
></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Jeff</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;"><div><div></div=
><div class=3D"h5">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: border; -moz-background-origin: padding; -moz-backgroun=
d-inline-policy: continuous; font-family: arial; font-style: normal; font-v=
ariant: normal; font-weight: normal; font-size: 10pt; line-height: normal; =
font-size-adjust: none; font-stretch: normal;">

<b>From:</b>=20
  <a title=3D"mark@markfrancombe.com" href=3D"mailto:mark@markfrancombe.com=
" target=3D"_blank">mark=20
  francombe</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Sunday, March 07, 2010 3:52=
=20
PM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Im bored of my TC Firewor=
x!=20
  HELP!</div>
  <div><br></div>Bugger I forgot to change the subject.. from that old chea=
t of=20
  hitting reply... heres a better one<br><br>
  <div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 9:50 PM, mark francombe=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"=
_blank">mark@markfrancombe.com</a>&gt;</span>=20
  wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">After=20
    about 6 months with a TC Fireworx... Im sad to say that we=B4re not rea=
lly=20
    getting along.. and Im thinking of selling.<br>I dont know, i think the=
 vast=20
    amount of sounds possible and available is a bit too much for me!! I=20
    upgraded to version 2.0 and all that did was give me more and more.. Iv=
e=20
    hardly EVER sat down and made my own sounds.. Even tho that is why I go=
t it.=20
    I bought it in an attempt to remove things from the floor (namely a Spa=
ce=20
    Station and the bitrman.. cos of having weird PSU) and it more than mad=
e up=20
    for is.. but actually all I ever seem to use is a lovely reverb patch, =
with=20
    just the right amount of compression.. lovely... but expensive!!!=20
    <br><br>Unless people here give me some inspirational stories of why it=
s so=20
    great.. Im gonna be open for offers... any swapsies anyone?? What do th=
e vg=20
    things cost these days?<br><font color=3D"#888888"><br>Mark</font>
    <div>
    <div></div><br></div></blockquote></div>-- <br><a href=3D"http://www.ma=
rkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"=
http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br><a h=
ref=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user=
825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>


  </div></div><p>
  </p><hr>

  <p></p><br>No virus found in this incoming message.<br>Checked by AVG -=
=20
  <a href=3D"http://www.avg.com" target=3D"_blank">www.avg.com</a> <br>Vers=
ion: 8.5.435 / Virus Database: 271.1.1/2728 - Release=20
  Date: 03/07/10 07:34:00<br></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0b48290480304813d5fcb--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 22:29:39 2010
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	 <9ab0c76f1003071350s795cee5arc99b6d3f2dbce242@mail.gmail.com>
Date: Sun, 7 Mar 2010 23:29:37 +0100
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Subject: Re: Im bored of my TC Fireworx! HELP!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Mar 7, 2010 at 10:50 PM, mark francombe <mark@markfrancombe.com> wrote:
> Im a bit interested HOW you did this changing the delay timing thing Per..
> but I guess its difficult to remember when you dont have it now?

I checked the PDF manual online and think it was "Modifier Modifier /
Link Display". (yes, one of the modifiers is actually named
"modifier". How user-un-friendly is that!)

Or it might have been the modifier Alpha Mod. Or was it named "Morphine"?

... just UNloaded Eno form the iPhone and put the Pistols
> on...

Not all bad news! I've never liked Eno's music much compared to the
guys he have been teaming up with. I heard quite some "sex pistols" in
Jon Hassel's music at first encounter back in the late seventies and
never really understood what Eno had to do with it, since he was
credited on the early Hassel records. I know better now: that Eno is
great "music curator".

Just remembered another cool feature in the FireworX BTW, the little
built-in step sequencer that can be used to mod any parameter. I used
to target filter cutoff from that one.

Regarding the CPU power issue, that Rainer mentioned, I never had a
problem with that because I found lots of cool stuff to use that box
for that worked well within the given power resources. Reverb was
something I never used it for, way too CPU consuming.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 22:45:25 2010
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Date: Sun, 07 Mar 2010 23:45:20 +0100
From: "Nadia Salom" <nadia.salom@gmx.de>
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Subject: Re: the death of the loop
To: Loopers-Delight@loopers-delight.com
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thank you...

I am trying...

>             
> -------- Original-Nachricht --------
> Datum: Sun, 07 Mar 2010 21:14:09 +0000
> Von: andy butler <akbutler@tiscali.co.uk>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: the death of the loop
> 
>             Nadia Salom wrote:
> 
> > simply and eloquently. You allow yourself to be carried away with the 
> 
> > And then you realize... it is great to be carried away like this, but 
> it 
> > is also rather boring... after a while... A
> > 
> > How does one go about killing a loop? I suppose you've just got to do 
> it.
> 
> How about an analogy.
> 
> If someone doesn't have much technique on their instrument,
> they can learn to play a few things, even wonderful things,
> can get carried away...but can't vary the music.
> 
> To create variation with a looping device...learn to play it like you 
> would an instrument.
> 
> 
> andy
> 
        
-- 
Nadia Salom
http://www.ubetoo.com/nirmala07
http://www.nirmala07.net

GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

--========GMXBoundary79261268001920501628
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Content-Transfer-Encoding: quoted-printable

<html>
    <head />
        <body>
            thank you...<br /><br />I am trying...<br /><blockquote type=3D=
"cite">
            <p>-------- Original-Nachricht --------<br />Datum: Sun, 07 Mar=
 2010 21:14:09 +0000<br />Von: andy butler &lt;akbutler@tiscali.co.uk&gt;<b=
r />An: Loopers-Delight@loopers-delight.com<br />Betreff: Re: the death of =
the loop<br /><br /></p>
            Nadia Salom wrote:<br /><br />&gt; simply and eloquently. You a=
llow yourself to be carried away with the <br /><br />&gt; And then you rea=
lize... it is great to be carried away like this, but it <br />&gt; is also=
 rather boring... after a while... A<br />&gt; <br />&gt; How does one go a=
bout killing a loop? I suppose you've just got to do it.<br /><br />How abo=
ut an analogy.<br /><br />If someone doesn't have much technique on their i=
nstrument,<br />they can learn to play a few things, even wonderful things,=
<br />can get carried away...but can't vary the music.<br /><br />To create=
 variation with a looping device...learn to play it like you <br />would an=
 instrument.<br /><br /><br />andy<br /></blockquote>
        <div class=3D"signature"><br /><br /><br />-- <br />Nadia Salom=0D<=
br />
http://www.ubetoo.com/nirmala07=0D<br />
http://www.nirmala07.net<br />
<br />
GMX DSL: Internet, Telefon und Entertainment f=C3=BCr nur 19,99 EUR/mtl.!<b=
r />http://portal.gmx.net/de/go/dsl02</div></body>
    </html>

--========GMXBoundary79261268001920501628--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 22:59:57 2010
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People following this list and my posts closely will remember that I've 
been on the lookout for a new music-making computer for about a year, 
and had already gotten a Dell Studio 17, but was forced to return it 
because it wouldn't allow you to use it for audio with a latency setting 
below 64ms...which is not something I am able to work with.
In the meantime, Dell had fixed the problem, and also added variants 
with Clarksfield/Arrandale processors from Intel's Nehalem family (aka 
Core i7 and Core i5). So when again carefully looking for a computer 
(and it's a beautiful thing that websites like notebookcheck.de have 
recently discovered the importance of the so-called "DPC latency" and 
measure it for their tests), the Studio 17 came up again - more 
specifically the Studio 1747. And with Dell offering a rebate for direct 
orders, I got one, for ¤910 (including all the options I decided on, and 
shipping).

Note that there has been (and probably still is) an issue with an 
underpowered PSU delievered with the laptop by Dell. This will result in 
the computer being clocked down when accessing both the processor and 
the GPU fiercly - more on how I dealt with that below.

THE BASIC SPECS:
With computers, it's the same as with people: the inner values are 
primarily of importance. In the case of the Studio 1747, it's an Intel 
Clarksfield CPU (meaning Core I7-720QM as the basic variant, and the 
faster 820QM and 920XM available as options). Now if you take the 
processor benchmark results vs. processor prices, the 720QM currently is 
the mobile processor with the best price/performance ratio, so that was 
the choice for me. These processors work with a 1066MHz memory bus and 
DDR3 RAM. Dell fits the computer with 4GB (2 2 GB modules), with 6 or 8 
GB available as options. It's safe to say that you rather should not get 
those options; buying a new pair of 4 GB memory modules and just 
throwing the factory-installed pair into the trashcan is still 
considerably cheaper than getting the optional upgrade from dell.
The next most important component would be the graphics adaptor: it's an 
ATI Radeon HD 4650 (768MB graphics memory), and with that should be 
sufficient even for advanced gaming (not that I care that much).

Other components include HD (standard is a 500GB 5400rpm HD, with 
2x300GB and 2x500GB pairs as options, but the same that was said about 
memory goes here - but you have 2 HDD slots, e.g. to use one SSD for 
low-noise applications), a DVD+-RW drive (Blu-Ray is not available), 
1GBit LAN, g WLAN (draft n as an option, as well as bluetooth), lots of 
graphics connectors, IEE1394 (aka Firewire: 4-pin connector), a simple 
webcam, JBL 2.1 speakers (which, by laptop standards, are very good) and 
an eSATA port.

Software-wise, the thing comes with Windows 7 64-bit Home premium as 
standard, with the more advanced OS versions as options (I opted for 
Professional for the seamlessly integrated Windows XP virtual machine). 
While the 64bit variants were a bit of an issue with XP for lack of some 
drivers, this has changed with Windows 7: all the drivers I know of are 
available as 64bit variants. And obviously, with a minimum RAM of 4GB, 
64bit makes a lot of sense). There's also a bunch of stuff like a 
two-year subscription to McAffee included - a lot of these programs 
should be deactivated (first booting it up, all those services took up 
more than 1GB of RAM).

The battery pack is according to spec good for 3 hours of operation. 
While this is not exactly huge, it's sufficient for my personal 
application (where I only need to gap the bridge between starting the 
computer and connecting the cable of my rig to the mains), and by making 
use of the lots of power management options of the Nehalem CPU (and the 
very bright display), you can extend that if required (and still 
outperform most Penryn-type computers).

HOW IT LOOKS:
The thing got a 17'' screen /17,3 to be precise) with a max. resolution 
of 1600x900. This is the current standard for advanced 17'' laptops, and 
the display worked fine for me so far under different lighting 
conditions. There are no connectors on the rear of the case (which I 
think is outright stupid - with the exception of an USB stick, I can't 
think of anything which you would prefer to connect on the side to get 
into your way while working - it's not a problem as my computer sits on 
top of a Gator G2XU case - btw, it just fits into the computer 
compartment in this).
Things on the left side are (front to back): IEEE1394, memory-card 
reader (most formats, including xD - I personally use SD/SDHC and xD and 
it does them all), USB, DVD-drive (slot-in), USB, power and power button.
Things on the right side: headphones (2x), microphone, ExpressCard, an 
odd RF/antenna connector I can't identify, a shared eSATA/USB port, 
HDMI, D-connector, VGA, LAN and Kensington lock.
Apart from the "no connectors on the back" topic mentioned before, I do 
disapprove of the huge lot of graphics connectors, at the same time only 
offering 3 USBs (one of them shared with the eSATA): one more connector 
would've made sense imo (but then, a small hub is both cheap and simple 
to integrate).

Apropos looks: while you have a choice of different case coulors (I went 
with the standard black one), the area around they keyboard is light 
grey and there's a Dell logo on the back of the screen - need to put 
some black gaffa over it.

Btw, there's a pic on twitpic: http://twitpic.com/13mtu9

HOW IT WORKS:
The aforementioned DPC latency is really low: while the old Studio 17 
had spikes in the 5us range occuring frequently, thise 1747 stays below 
200ns even without optimizing the system. With a typical value of 500ns 
as a rule-of-thumb "go/nogo" boundary, this works well.

Performance-wise, it's heaven obviously: running the same setup I used 
to run on my old (Yonah T2300-based) computer where I would hit the 80% 
CPU load quite often only sees me running in the 20% region - and that 
with a buffer size of 128 (which corresponds to roughly 3ms latency). A 
big screen can be an advantage, too (and I say that even though I intend 
to move away from even opening the thing completely, but for e.g. doing 
mobile recordings this will help a lot), and this one works fine for me.

One item I'd like to mention is the touchpad. While I always have seen 
touchpads as an annoying and weak attempt to provide a mouse replacement 
for those laptop users, this one (by Synaptics or something) really 
works well. This has to do with its lowlevel driver, which not only 
allows you to adjust response curves for pressure sensitivity and 
movement speed, but also implements those touchpad gestures on 
low-level, so the two-finger (scroll, zoom) and three-finger (rotate, 
drag) options do - to my surprise - work really well.


SUMMARY:
So far, I'm really content with the thing: even though there's some 
small details you could argue about, the price/performance ratio is 
outstanding when comparing it to the competing devices (for some 
comparable offers, see here http://bit.ly/9ikPhF): comparable offers are 
at least ¤1000, most of the time above ¤1200. It seems to work well in 
the music department, and would also make a nice companion for mobile 
gaming (or video editing, if you're into that). Even though Dell has a 
bad rep (and see the annex for another story about how they always 
manage to go wrong), for me this works fine and gives me some potential 
even for future more complex applications I'm planning on.

         Rainer

ANNEX: The Story of the Power Supply.
Following their tradition, Dell had some BIOS and hardware issues with 
the Studio 1747 (http://bit.ly/bQBOVg for a German-language summary). 
While most of them have been fixed with a BIOS update, the PSU topic hasn't:
The computer is shipped with a 90W PSU, which is underpowered for some 
peak current surges of the computer. These do only happen when both 
hitting the CPU and the GPU hard and at the same time having the battery 
in the device. While in the old BIOS version this could fry the PSU (and 
Dell would send out a 130W PSU upon request), the new BIOS version 
clocks down the CPU in those cases - not something you want to happen.
I had talked to the sales clerk when ordering the thing and got a 
confirmation that I could receive the 130W PSU upon request when it 
showed that the problem surfaced in my application. It still took me two 
phone calls (being forwarded about 10 times each, but at least it was on 
their bill) and clever use of the words "violation of competition 
regulation", "breach of contract", "legal representation" and "that 
international project", and an escalation to senior mgt. on their side 
to get me the free 130W PSU. With that, I'm a happy customer - I got two 
PSUs for my laptop - but on the other hand, last time I checked they 
don't offer that computer anymore on their website. Go figure...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 23:00:29 2010
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Dear Mark, 
I'd be happy to relieve you of your misery and swap my Boss Fuzz pedal for
your TC Fireworks.

Just because I"m a bro, bro!!!!

From Loopers-Delight-request@loopers-delight.com  Sun Mar  7 23:08:06 2010
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References: <4B8FE359.8030302@gmx.de> <4B941721.4070508@tiscali.co.uk> <20100307224520.79260@gmx.net>
Date: Sun, 7 Mar 2010 15:08:04 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: the death of the loop
To: Loopers-Delight@loopers-delight.com
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Nadia,

My tip would be listen to the music postings here from LD members, that has given me some great ideas on how to handle transitions. After a year or so I am getting better at this. But I understand what you said in your original post, it is easy to get lost in the moment of the present loop, then 30-40 minutes later, realize that time has passed you by. (There is no problem with loop meditation!).

Have Fun!

Eric




________________________________
From: Nadia Salom <nadia.salom@gmx.de>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, March 7, 2010 5:45:20 PM
Subject: Re: the death of the loop

thank you...

I am trying...


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Nadia,<br><br>My tip would be listen to the music postings here from LD members, that has given me some great ideas on how to handle transitions. After a year or so I am getting better at this. But I understand what you said in your original post, it is easy to get lost in the moment of the present loop, then 30-40 minutes later, realize that time has passed you by. (There is no problem with loop meditation!).<br><br>Have Fun!<br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Nadia Salom &lt;nadia.salom@gmx.de&gt;<br><b><span style="font-weight:
 bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 7, 2010 5:45:20 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: the death of the loop<br></font><br>

    
        
            thank you...<br><br>I am trying...</div></div>
</div><br>

      </body></html>
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On Sun, Mar 7, 2010 at 11:29 PM, Per Boysen <perboysen@gmail.com> wrote:

> I checked the PDF manual online and think it was "Modifier Modifier /
> Link Display". (yes, one of the modifiers is actually named
> "modifier". How user-un-friendly is that!)
>

Hmm.. cant find that... thing is that I cant see how you modulated delay
speed at all, cos on my delays, they dont show up as modifyable... were you
"morphing" BETWEEN 2 delay instances.. ( can there be 2) checking,,, ah yes
there can...)

Ive done a bit with the sequencer modifying filter (and ring mod is cool)
but now Ive been trying to get a convincing Sample and Hold sound out of the
LFO and a filter.. .. I just cant quite get that Hillage sound.. ha ha!

m



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502cfb0533ce104813e3b77
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<br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 11:29 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div id=3D":10y" class=3D"ii gt">I checked the PDF manual online and think =
it was &quot;Modifier Modifier /<br>
Link Display&quot;. (yes, one of the modifiers is actually named<br>
&quot;modifier&quot;. How user-un-friendly is that!)<br></div></blockquote>=
<div><br>Hmm.. cant find that... thing is that I cant see how you modulated=
 delay speed at all, cos on my delays, they dont show up as modifyable... w=
ere you &quot;morphing&quot; BETWEEN 2 delay instances.. ( can there be 2) =
checking,,, ah yes there can...) <br>

<br>Ive done a bit with the sequencer modifying filter (and ring mod is coo=
l) but now Ive been trying to get a convincing Sample and Hold sound out of=
 the LFO and a filter.. .. I just cant quite get that Hillage sound.. ha ha=
!<br>

<br>m<br></div></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www=
.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordo=
abkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user82509=
4">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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From info.office05@fbi.gov  Mon Mar  8 00:02:49 2010
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From: "ROBERT SWAN MUELLER III"<info.office05@fbi.gov>
Subject: ATTENTION BENEFICIARY: UNITED STATES DEPT. OF FBI SECURITY SEEKING TO WIRETAP THE INTERNET.
Date: Sun, 7 Mar 2010 09:56:48 -0800
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FEDERAL BUREAU OF INVESTIGATION(FBI.WASHINGTON DC).
WASHINGTON D.C ROOM,7367
J. EDGAR HOOVER FBI BUILDING
935 PENNSYLVANIA AVENUE,
NW WASHINGTON, DC 20535,

RE: FEDERAL BUREAU OF INVESTIGATION SEEKING TO WIRETAP THE INTERNET.

Attention: Beneficiary,

It was confirmed to us through the United States Homeland Security Global Intelligence Monitoring Network Department (GIMN) that you presently have a transaction going on with the Fidelity Bank Plc,Nigeria (FBN) as regards to your over-due payment, which was fully endorsed in your favor accordingly.

we have taken out time in screening through this project as stipulated on our protocol of operation and have finally confirmed that your overdue/inheritance payment is 100% Genuine and hitch free from all facets and of which you have the lawful right to claim your fund without any further delay. Having said all this, we will further advise that you go ahead in dealing with the CBN Office accordingly as we will be monitoring all their services with you as well as your correspondence at all level.

After our proper confirmation that you are one of the Beneficiary, it have been approved that all overdue outstanding payments must be Paid on OR before 27th,of February 2010, for AUDITING in order to move to the next category which might leads to recalling of funds back to the Bank Treasury.

Due to the difficulty you have being though previously concerning Wire Transfer of your Fund directly into you Bank Account, The Fidelity Bank Board of Directors and the International Monetary Fund (IMF) had concluded to release your Fund through a Valid International Debit / ATM Card and for security reasons.

Meanwhile, We were also made to understand that a lady with name Mrs. Joan C. Bailey from OHIO has already contacted them and also presented to them some documentation evidencing your claim purportedly to have been signed personally by you prior to the release of your Overdue Fund valued at about US$12,500,000.00 (Twelve Million, Five Hundred Thousand United States Dollars), but the Fidelity Bank DIRECTOR ( REVEND KINGDOM EZE) in charge of your payment did the wise thing by insisting on hearing from you personally before they go ahead, which was forwarded to them by the above named Lady. So, that was the main reason why they contacted us so as to assist them in making the investigations

So you are urgently advised to contact the Fidelity Bank Director with the below required information's:

A). YOUR NAME AS RECEIVER:
B). DELIVERY ADDRESS:
C). PHONE NUMBER:
D). WORKING I'D / INTERNATIONAL PASSPORT.

for immediate release of your Debit / ATM Card directly to you without any further delay.
CONTACT THE ACCOUNTANT GENERAL RIGHT AWAY WITH YOUR TELEPHONE NUMBER AND PAYMENT REFERENCE NUMBER # (NLAG-FGN-CBN-FMF.2006-09).

NAME:PROF REVEND KINGDOM EZE
DIRECTOR
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OFFICE ADDRESS:
FIDELITY BANK PLC
FOREIGN PAYMENT DEPARTMENT
TINUBU SQUARE, VICTORIA ISLAND, 
LAGOS- NIGERIA.
EMAIL: rev.kingdomeze_fidelitydirectorplc@live.com

According to the International Monetary Fund law in section IIIV of Year 2007 which state that any foreign transfer must undergo a legal fee of US$350.00 for the Cost of Transfer (COT) and for the procurement of the following documents (CONTRACT AWARD CERTIFICATE, FUND RELEASE AND CONVEYANCE CERTIFICATE AND THE CONTRACT COMPLETION CERTIFICATE) which are mandatory and must be paid before the transfer of your Fund. These Certificates proves that the fund is not for ANTI-TERRORISM, MONEY LAUNDRY AND DRUG TRAFFICKING.
IMPORTANT NOTICE.

Note: we are to assistance of all United states Citizen, by listening to the instructions we give out to avoid falling for SCAMS on INTERNET.

Should in case you need more information's in regards to this notification, be free to get back to us, as we are here to guide you during and after this project has been completely perfected.

Anticipating your automated response.

ROBERT SWAN MUELLER III
WASHINGTON D.C ROOM,7367
J. EDGAR HOOVER FBI BUILDING
935 PENNSYLVANIA AVENUE,
NW WASHINGTON, DC 20535.

CONFIDENTIALITY NOTICE:

The unlawful interception, use or disclosure of such information is prohibited. If you are not the intended recipient, or have received this communication in error, please notify The Homeland Security immediately and delete all copies of this communication without saving them.

MY EMAIL : fbi.washingtondc05@hotmail.com
NAME : FEDERAL BUREAU OF INVESTIGATION
UNITED STATES DEPT. OF FBI SECURITY SEEKING TO WIRETAP THE INTERNET.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 01:23:32 2010
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Im bored of my TC Fireworx! HELP!
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hehe, worth a shot, rare as hens teeth! No floor space left here anyway!

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 07, 2010 5:09 PM
  Subject: Re: Im bored of my TC Fireworx! HELP!


  wanna sell the Space station? :)

  Jeff
    ----- Original Message -----=20
    From: mark francombe=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, March 07, 2010 3:52 PM
    Subject: Im bored of my TC Fireworx! HELP!


    Bugger I forgot to change the subject.. from that old cheat of =
hitting reply... heres a better one


    On Sun, Mar 7, 2010 at 9:50 PM, mark francombe =
<mark@markfrancombe.com> wrote:

      After about 6 months with a TC Fireworx... Im sad to say that =
we=B4re not really getting along.. and Im thinking of selling.
      I dont know, i think the vast amount of sounds possible and =
available is a bit too much for me!! I upgraded to version 2.0 and all =
that did was give me more and more.. Ive hardly EVER sat down and made =
my own sounds.. Even tho that is why I got it. I bought it in an attempt =
to remove things from the floor (namely a Space Station and the =
bitrman.. cos of having weird PSU) and it more than made up for is.. but =
actually all I ever seem to use is a lovely reverb patch, with just the =
right amount of compression.. lovely... but expensive!!!=20

      Unless people here give me some inspirational stories of why its =
so great.. Im gonna be open for offers... any swapsies anyone?? What do =
the vg things cost these days?

      Mark=20


    --=20
    www.markfrancombe.com
    www.ordoabkhao.com
    http://vimeo.com/user825094
    http://www.myspace.com/markfrancombe
    http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch



-------------------------------------------------------------------------=
---



    No virus found in this incoming message.
    Checked by AVG - www.avg.com=20
    Version: 8.5.435 / Virus Database: 271.1.1/2728 - Release Date: =
03/07/10 07:34:00



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.435 / Virus Database: 271.1.1/2728 - Release Date: =
03/07/10 07:34:00

------=_NextPart_000_0020_01CABE34.0D674910
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16981" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hehe, worth a shot, rare as hens teeth! =
No floor=20
space left here anyway!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV class=3DUIIntentionalStory_Message data-ft=3D'{"type":"msg"}'><SPAN =

class=3DUIStory_Message></SPAN>&nbsp;</DIV>
<DIV class=3DUIIntentionalStory_Message data-ft=3D'{"type":"msg"}'><SPAN =

class=3DUIStory_Message><A =
href=3D"http://www.myspace.com/loopsinphasespace"><FONT=20
face=3DArial =
size=3D2>http://www.myspace.com/loopsinphasespace</FONT></A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/"><FONT face=3DArial=20
size=3D2>http://jeffduke.bandcamp.com/</FONT></A><BR><A=20
href=3D"http://www.vimeo.com/jeffduke"><FONT face=3DArial=20
size=3D2>http://www.vimeo.com/jeffduke</FONT></A><BR><A=20
href=3D"http://livestream.com/jeffdukelive"><FONT face=3DArial=20
size=3D2>http://livestream.com/jeffdukelive</FONT></A></SPAN></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 07, 2010 =
5:09=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Im bored of my TC =
Fireworx!=20
  HELP!</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>wanna sell the Space station? =
:)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
    francombe</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 07, 2010 =
3:52=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Im bored of my TC =
Fireworx!=20
    HELP!</DIV>
    <DIV><BR></DIV>Bugger I forgot to change the subject.. from that old =
cheat=20
    of hitting reply... heres a better one<BR><BR>
    <DIV class=3Dgmail_quote>On Sun, Mar 7, 2010 at 9:50 PM, mark =
francombe <SPAN=20
    dir=3Dltr>&lt;<A=20
    =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</A>&gt;</SP=
AN>=20
    wrote:<BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">After=20
      about 6 months with a TC Fireworx... Im sad to say that we=B4re =
not really=20
      getting along.. and Im thinking of selling.<BR>I dont know, i =
think the=20
      vast amount of sounds possible and available is a bit too much for =
me!! I=20
      upgraded to version 2.0 and all that did was give me more and =
more.. Ive=20
      hardly EVER sat down and made my own sounds.. Even tho that is why =
I got=20
      it. I bought it in an attempt to remove things from the floor =
(namely a=20
      Space Station and the bitrman.. cos of having weird PSU) and it =
more than=20
      made up for is.. but actually all I ever seem to use is a lovely =
reverb=20
      patch, with just the right amount of compression.. lovely... but=20
      expensive!!! <BR><BR>Unless people here give me some inspirational =
stories=20
      of why its so great.. Im gonna be open for offers... any swapsies =
anyone??=20
      What do the vg things cost these days?<BR><FONT=20
      color=3D#888888><BR>Mark</FONT>=20
      <DIV>
      <DIV></DIV><BR></DIV></BLOCKQUOTE></DIV>-- <BR><A=20
    =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
    href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</A><BR><A=20
    =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
    =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR>
    <P>
    <HR>

    <P></P><BR>No virus found in this incoming message.<BR>Checked by =
AVG -=20
    www.avg.com <BR>Version: 8.5.435 / Virus Database: 271.1.1/2728 - =
Release=20
    Date: 03/07/10 07:34:00<BR></BLOCKQUOTE>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.435 / Virus Database: 271.1.1/2728 - =
Release=20
  Date: 03/07/10 07:34:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0020_01CABE34.0D674910--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 03:46:11 2010
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From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Im bored of my TC Fireworx! HELP!
Date: Sun, 7 Mar 2010 19:46:04 -0800
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Hey Mark all I can say is dig deeper, and I say that as if I'm saying  
it to myself, because I've barely scratched the surface. What I've  
mostly done is take pre existing patches and refined them to my  
liking. I'm particularly fond of a patch which originated from the  
factory preset Fireworlds, using a synced two tap delay set to 1/2  
note against dotted 1/4 note, with a dual delayed pitch shift  set to  
1/4 note against dotted 1/8th note, with a reverb and panner also in  
the chain. The Fireworx is clocked from the Looperlative's first loop.  
What I especially like is how flexible the expression pedal  is. It  
can multitask  many parameter functions and can for instance bring  
one  effect in to the mix as I  do with delay at the half way point in  
the pedals throw and bring in my pitch shifted delay only in the toe  
down position, at the same time the pedal is ever so slightly  
increasing the delays regeneration and the reverb mix. My favorite  
patch is the simplest , delay with reverb and depending on if I'm in  
stereo or not, panning. but the expression pedal allows me to go from  
and intimate small hall sound to a huge cavern sound, with long delay  
and blooming reverb, as a matter of fact I believe it started life as  
the preset Big Cave. I can't wait to find the time to try some of the  
tricks you mentioned Per, way cool, as far as it lacking processing  
power, Rainer, I haven't found that to be an issue as I am more than  
happy to use fewer effects if the sound quality is happening. I first  
got to check it out when recording with Erdem in June of 08 and last  
March. My first impression was that it was able to do everything I  
wanted to do in the way of effects processing, including a bunch of  
ways of dynamically controlling those effects, and though certainly  
not as powerful, it was lighter in weight, shorter in chassis depth  
and 1/3 the price of the Eclipse.  I still feel that way.
Bill
  

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 03:50:19 2010
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Subject: New fella
Date: Sun, 7 Mar 2010 22:44:28 -0500
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Hey all..

First post.

Long time musician=2C percussion and electronic.=20

>From north of Detroit love electronic minmalism=2C hippy rock and church/wo=
rship music.

I want to get into looping.

Could you help me find the right gear?

=20

If you think of an old roland groovebox=2C I want a sampler that works like=
 one.

=20

I want to be able to have a midi synced sampler with multiple tracks that I=
 can record=2C mix and apply fx to in real time. I'd also like to sync a fe=
w machines to it.

=20

I was looking at the repeater and the looperlative they seem like they can =
sample and loop easily. Both very pricey.

=20

I was looking at the sp-555 and the korg kaoss3 both look like they can sam=
ple well and sync effects well.. but not mutliple chanels. I would love it =
if I could turn the mc-307 into a sampler because to mute/unmute and apply =
fx to those parts in time is so simple.

=20

Do they make such a device and does it cost less than a house?

=20

-Ryan=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469227/direct/01/=

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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<body class=3D'hmmessage'>
Hey all..<BR>
First post.<BR>
Long time musician=2C percussion and electronic. <BR>
>From north of Detroit love electronic minmalism=2C hippy rock and church/wo=
rship music.<BR>
I want to get into looping.<BR>
Could you help me find the right gear?<BR>
&nbsp=3B<BR>
If you think of an old roland groovebox=2C I want a sampler that works like=
 one.<BR>
&nbsp=3B<BR>
I want to be able to have a midi synced sampler with multiple tracks that I=
 can record=2C mix and apply fx to in real time. I'd also like to sync a fe=
w machines to it.<BR>
&nbsp=3B<BR>
I was looking at the repeater and the looperlative they seem like they can =
sample and loop easily. Both very pricey.<BR>
&nbsp=3B<BR>
I was looking at the sp-555 and the korg kaoss3 both look like they can sam=
ple well and sync effects well.. but not mutliple chanels. I would love it =
if I could turn the mc-307 into a sampler because to mute/unmute and apply =
fx to those parts in time is so simple.<BR>
&nbsp=3B<BR>
Do they make such a device and does it cost less than a house?<BR>
&nbsp=3B<BR>
-Ryan <BR> 		 	   		  <br /><hr />Hotmail: Trusted email with powerful SPAM=
 protection. <a href=3D'http://clk.atdmt.com/GBL/go/201469227/direct/01/' t=
arget=3D'_new'>Sign up now.</a></body>
</html>=

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Date: Sun, 7 Mar 2010 22:08:09 -0800
Message-ID: <588ce11d1003072208u5555f168t8fd908d098e387a0@mail.gmail.com>
Subject: Re: [Fwd: My new music laptop: Dell Studio 1747]
From: Art Simon <simart@gmail.com>
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Thanks Rainer, I appreciate the detailed review. I'd had good results with
Dells 7 or 8 years ago, but the usb implementation in more recent Dells
didn't work well with my Line6 interface, probably due to the Richoh USB
chipset. I've got no problems with Windows 7, and at some point I'd like to
get a

On Sun, Mar 7, 2010 at 2:59 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

>
> People following this list and my posts closely will remember that I've
> been on the lookout for a new music-making computer for about a year, and
> had already gotten a Dell Studio 17, but was forced to return it because =
it
> wouldn't allow you to use it for audio with a latency setting below
> 64ms...which is not something I am able to work with.
> In the meantime, Dell had fixed the problem, and also added variants with
> Clarksfield/Arrandale processors from Intel's Nehalem family (aka Core i7
> and Core i5). So when again carefully looking for a computer (and it's a
> beautiful thing that websites like notebookcheck.de have recently
> discovered the importance of the so-called "DPC latency" and measure it f=
or
> their tests), the Studio 17 came up again - more specifically the Studio
> 1747. And with Dell offering a rebate for direct orders, I got one, for =
=80910
> (including all the options I decided on, and shipping).
>
> Note that there has been (and probably still is) an issue with an
> underpowered PSU delievered with the laptop by Dell. This will result in =
the
> computer being clocked down when accessing both the processor and the GPU
> fiercly - more on how I dealt with that below.
>
> THE BASIC SPECS:
> With computers, it's the same as with people: the inner values are
> primarily of importance. In the case of the Studio 1747, it's an Intel
> Clarksfield CPU (meaning Core I7-720QM as the basic variant, and the fast=
er
> 820QM and 920XM available as options). Now if you take the processor
> benchmark results vs. processor prices, the 720QM currently is the mobile
> processor with the best price/performance ratio, so that was the choice f=
or
> me. These processors work with a 1066MHz memory bus and DDR3 RAM. Dell fi=
ts
> the computer with 4GB (2 2 GB modules), with 6 or 8 GB available as optio=
ns.
> It's safe to say that you rather should not get those options; buying a n=
ew
> pair of 4 GB memory modules and just throwing the factory-installed pair
> into the trashcan is still considerably cheaper than getting the optional
> upgrade from dell.
> The next most important component would be the graphics adaptor: it's an
> ATI Radeon HD 4650 (768MB graphics memory), and with that should be
> sufficient even for advanced gaming (not that I care that much).
>
> Other components include HD (standard is a 500GB 5400rpm HD, with 2x300GB
> and 2x500GB pairs as options, but the same that was said about memory goe=
s
> here - but you have 2 HDD slots, e.g. to use one SSD for low-noise
> applications), a DVD+-RW drive (Blu-Ray is not available), 1GBit LAN, g W=
LAN
> (draft n as an option, as well as bluetooth), lots of graphics connectors=
,
> IEE1394 (aka Firewire: 4-pin connector), a simple webcam, JBL 2.1 speaker=
s
> (which, by laptop standards, are very good) and an eSATA port.
>
> Software-wise, the thing comes with Windows 7 64-bit Home premium as
> standard, with the more advanced OS versions as options (I opted for
> Professional for the seamlessly integrated Windows XP virtual machine).
> While the 64bit variants were a bit of an issue with XP for lack of some
> drivers, this has changed with Windows 7: all the drivers I know of are
> available as 64bit variants. And obviously, with a minimum RAM of 4GB, 64=
bit
> makes a lot of sense). There's also a bunch of stuff like a two-year
> subscription to McAffee included - a lot of these programs should be
> deactivated (first booting it up, all those services took up more than 1G=
B
> of RAM).
>
> The battery pack is according to spec good for 3 hours of operation. Whil=
e
> this is not exactly huge, it's sufficient for my personal application (wh=
ere
> I only need to gap the bridge between starting the computer and connectin=
g
> the cable of my rig to the mains), and by making use of the lots of power
> management options of the Nehalem CPU (and the very bright display), you =
can
> extend that if required (and still outperform most Penryn-type computers)=
.
>
> HOW IT LOOKS:
> The thing got a 17'' screen /17,3 to be precise) with a max. resolution o=
f
> 1600x900. This is the current standard for advanced 17'' laptops, and the
> display worked fine for me so far under different lighting conditions. Th=
ere
> are no connectors on the rear of the case (which I think is outright stup=
id
> - with the exception of an USB stick, I can't think of anything which you
> would prefer to connect on the side to get into your way while working -
> it's not a problem as my computer sits on top of a Gator G2XU case - btw,=
 it
> just fits into the computer compartment in this).
> Things on the left side are (front to back): IEEE1394, memory-card reader
> (most formats, including xD - I personally use SD/SDHC and xD and it does
> them all), USB, DVD-drive (slot-in), USB, power and power button.
> Things on the right side: headphones (2x), microphone, ExpressCard, an od=
d
> RF/antenna connector I can't identify, a shared eSATA/USB port, HDMI,
> D-connector, VGA, LAN and Kensington lock.
> Apart from the "no connectors on the back" topic mentioned before, I do
> disapprove of the huge lot of graphics connectors, at the same time only
> offering 3 USBs (one of them shared with the eSATA): one more connector
> would've made sense imo (but then, a small hub is both cheap and simple t=
o
> integrate).
>
> Apropos looks: while you have a choice of different case coulors (I went
> with the standard black one), the area around they keyboard is light grey
> and there's a Dell logo on the back of the screen - need to put some blac=
k
> gaffa over it.
>
> Btw, there's a pic on twitpic: http://twitpic.com/13mtu9
>
> HOW IT WORKS:
> The aforementioned DPC latency is really low: while the old Studio 17 had
> spikes in the 5us range occuring frequently, thise 1747 stays below 200ns
> even without optimizing the system. With a typical value of 500ns as a
> rule-of-thumb "go/nogo" boundary, this works well.
>
> Performance-wise, it's heaven obviously: running the same setup I used to
> run on my old (Yonah T2300-based) computer where I would hit the 80% CPU
> load quite often only sees me running in the 20% region - and that with a
> buffer size of 128 (which corresponds to roughly 3ms latency). A big scre=
en
> can be an advantage, too (and I say that even though I intend to move awa=
y
> from even opening the thing completely, but for e.g. doing mobile recordi=
ngs
> this will help a lot), and this one works fine for me.
>
> One item I'd like to mention is the touchpad. While I always have seen
> touchpads as an annoying and weak attempt to provide a mouse replacement =
for
> those laptop users, this one (by Synaptics or something) really works wel=
l.
> This has to do with its lowlevel driver, which not only allows you to adj=
ust
> response curves for pressure sensitivity and movement speed, but also
> implements those touchpad gestures on low-level, so the two-finger (scrol=
l,
> zoom) and three-finger (rotate, drag) options do - to my surprise - work
> really well.
>
>
> SUMMARY:
> So far, I'm really content with the thing: even though there's some small
> details you could argue about, the price/performance ratio is outstanding
> when comparing it to the competing devices (for some comparable offers, s=
ee
> here http://bit.ly/9ikPhF): comparable offers are at least =801000, most =
of
> the time above =801200. It seems to work well in the music department, an=
d
> would also make a nice companion for mobile gaming (or video editing, if
> you're into that). Even though Dell has a bad rep (and see the annex for
> another story about how they always manage to go wrong), for me this work=
s
> fine and gives me some potential even for future more complex application=
s
> I'm planning on.
>
>        Rainer
>
> ANNEX: The Story of the Power Supply.
> Following their tradition, Dell had some BIOS and hardware issues with th=
e
> Studio 1747 (http://bit.ly/bQBOVg for a German-language summary). While
> most of them have been fixed with a BIOS update, the PSU topic hasn't:
> The computer is shipped with a 90W PSU, which is underpowered for some pe=
ak
> current surges of the computer. These do only happen when both hitting th=
e
> CPU and the GPU hard and at the same time having the battery in the devic=
e.
> While in the old BIOS version this could fry the PSU (and Dell would send
> out a 130W PSU upon request), the new BIOS version clocks down the CPU in
> those cases - not something you want to happen.
> I had talked to the sales clerk when ordering the thing and got a
> confirmation that I could receive the 130W PSU upon request when it showe=
d
> that the problem surfaced in my application. It still took me two phone
> calls (being forwarded about 10 times each, but at least it was on their
> bill) and clever use of the words "violation of competition regulation",
> "breach of contract", "legal representation" and "that international
> project", and an escalation to senior mgt. on their side to get me the fr=
ee
> 130W PSU. With that, I'm a happy customer - I got two PSUs for my laptop =
-
> but on the other hand, last time I checked they don't offer that computer
> anymore on their website. Go figure...
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0050450158d7adbd70048143e395
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Thanks Rainer, I appreciate the detailed review. I&#39;d had good results w=
ith Dells 7 or 8 years ago, but the usb implementation in more recent Dells=
 didn&#39;t work well with my Line6 interface, probably due to the Richoh U=
SB chipset. I&#39;ve got no problems with Windows 7, and at some point I&#3=
9;d like to get a=A0 <br>
<br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 2:59 PM, Rainer Stras=
chill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moi=
nsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">
<br>
People following this list and my posts closely will remember that I&#39;ve=
 been on the lookout for a new music-making computer for about a year, and =
had already gotten a Dell Studio 17, but was forced to return it because it=
 wouldn&#39;t allow you to use it for audio with a latency setting below 64=
ms...which is not something I am able to work with.<br>

In the meantime, Dell had fixed the problem, and also added variants with C=
larksfield/Arrandale processors from Intel&#39;s Nehalem family (aka Core i=
7 and Core i5). So when again carefully looking for a computer (and it&#39;=
s a beautiful thing that websites like <a href=3D"http://notebookcheck.de" =
target=3D"_blank">notebookcheck.de</a> have recently discovered the importa=
nce of the so-called &quot;DPC latency&quot; and measure it for their tests=
), the Studio 17 came up again - more specifically the Studio 1747. And wit=
h Dell offering a rebate for direct orders, I got one, for =80910 (includin=
g all the options I decided on, and shipping).<br>

<br>
Note that there has been (and probably still is) an issue with an underpowe=
red PSU delievered with the laptop by Dell. This will result in the compute=
r being clocked down when accessing both the processor and the GPU fiercly =
- more on how I dealt with that below.<br>

<br>
THE BASIC SPECS:<br>
With computers, it&#39;s the same as with people: the inner values are prim=
arily of importance. In the case of the Studio 1747, it&#39;s an Intel Clar=
ksfield CPU (meaning Core I7-720QM as the basic variant, and the faster 820=
QM and 920XM available as options). Now if you take the processor benchmark=
 results vs. processor prices, the 720QM currently is the mobile processor =
with the best price/performance ratio, so that was the choice for me. These=
 processors work with a 1066MHz memory bus and DDR3 RAM. Dell fits the comp=
uter with 4GB (2 2 GB modules), with 6 or 8 GB available as options. It&#39=
;s safe to say that you rather should not get those options; buying a new p=
air of 4 GB memory modules and just throwing the factory-installed pair int=
o the trashcan is still considerably cheaper than getting the optional upgr=
ade from dell.<br>

The next most important component would be the graphics adaptor: it&#39;s a=
n ATI Radeon HD 4650 (768MB graphics memory), and with that should be suffi=
cient even for advanced gaming (not that I care that much).<br>
<br>
Other components include HD (standard is a 500GB 5400rpm HD, with 2x300GB a=
nd 2x500GB pairs as options, but the same that was said about memory goes h=
ere - but you have 2 HDD slots, e.g. to use one SSD for low-noise applicati=
ons), a DVD+-RW drive (Blu-Ray is not available), 1GBit LAN, g WLAN (draft =
n as an option, as well as bluetooth), lots of graphics connectors, IEE1394=
 (aka Firewire: 4-pin connector), a simple webcam, JBL 2.1 speakers (which,=
 by laptop standards, are very good) and an eSATA port.<br>

<br>
Software-wise, the thing comes with Windows 7 64-bit Home premium as standa=
rd, with the more advanced OS versions as options (I opted for Professional=
 for the seamlessly integrated Windows XP virtual machine). While the 64bit=
 variants were a bit of an issue with XP for lack of some drivers, this has=
 changed with Windows 7: all the drivers I know of are available as 64bit v=
ariants. And obviously, with a minimum RAM of 4GB, 64bit makes a lot of sen=
se). There&#39;s also a bunch of stuff like a two-year subscription to McAf=
fee included - a lot of these programs should be deactivated (first booting=
 it up, all those services took up more than 1GB of RAM).<br>

<br>
The battery pack is according to spec good for 3 hours of operation. While =
this is not exactly huge, it&#39;s sufficient for my personal application (=
where I only need to gap the bridge between starting the computer and conne=
cting the cable of my rig to the mains), and by making use of the lots of p=
ower management options of the Nehalem CPU (and the very bright display), y=
ou can extend that if required (and still outperform most Penryn-type compu=
ters).<br>

<br>
HOW IT LOOKS:<br>
The thing got a 17&#39;&#39; screen /17,3 to be precise) with a max. resolu=
tion of 1600x900. This is the current standard for advanced 17&#39;&#39; la=
ptops, and the display worked fine for me so far under different lighting c=
onditions. There are no connectors on the rear of the case (which I think i=
s outright stupid - with the exception of an USB stick, I can&#39;t think o=
f anything which you would prefer to connect on the side to get into your w=
ay while working - it&#39;s not a problem as my computer sits on top of a G=
ator G2XU case - btw, it just fits into the computer compartment in this).<=
br>

Things on the left side are (front to back): IEEE1394, memory-card reader (=
most formats, including xD - I personally use SD/SDHC and xD and it does th=
em all), USB, DVD-drive (slot-in), USB, power and power button.<br>
Things on the right side: headphones (2x), microphone, ExpressCard, an odd =
RF/antenna connector I can&#39;t identify, a shared eSATA/USB port, HDMI, D=
-connector, VGA, LAN and Kensington lock.<br>
Apart from the &quot;no connectors on the back&quot; topic mentioned before=
, I do disapprove of the huge lot of graphics connectors, at the same time =
only offering 3 USBs (one of them shared with the eSATA): one more connecto=
r would&#39;ve made sense imo (but then, a small hub is both cheap and simp=
le to integrate).<br>

<br>
Apropos looks: while you have a choice of different case coulors (I went wi=
th the standard black one), the area around they keyboard is light grey and=
 there&#39;s a Dell logo on the back of the screen - need to put some black=
 gaffa over it.<br>

<br>
Btw, there&#39;s a pic on twitpic: <a href=3D"http://twitpic.com/13mtu9" ta=
rget=3D"_blank">http://twitpic.com/13mtu9</a><br>
<br>
HOW IT WORKS:<br>
The aforementioned DPC latency is really low: while the old Studio 17 had s=
pikes in the 5us range occuring frequently, thise 1747 stays below 200ns ev=
en without optimizing the system. With a typical value of 500ns as a rule-o=
f-thumb &quot;go/nogo&quot; boundary, this works well.<br>

<br>
Performance-wise, it&#39;s heaven obviously: running the same setup I used =
to run on my old (Yonah T2300-based) computer where I would hit the 80% CPU=
 load quite often only sees me running in the 20% region - and that with a =
buffer size of 128 (which corresponds to roughly 3ms latency). A big screen=
 can be an advantage, too (and I say that even though I intend to move away=
 from even opening the thing completely, but for e.g. doing mobile recordin=
gs this will help a lot), and this one works fine for me.<br>

<br>
One item I&#39;d like to mention is the touchpad. While I always have seen =
touchpads as an annoying and weak attempt to provide a mouse replacement fo=
r those laptop users, this one (by Synaptics or something) really works wel=
l. This has to do with its lowlevel driver, which not only allows you to ad=
just response curves for pressure sensitivity and movement speed, but also =
implements those touchpad gestures on low-level, so the two-finger (scroll,=
 zoom) and three-finger (rotate, drag) options do - to my surprise - work r=
eally well.<br>

<br>
<br>
SUMMARY:<br>
So far, I&#39;m really content with the thing: even though there&#39;s some=
 small details you could argue about, the price/performance ratio is outsta=
nding when comparing it to the competing devices (for some comparable offer=
s, see here <a href=3D"http://bit.ly/9ikPhF" target=3D"_blank">http://bit.l=
y/9ikPhF</a>): comparable offers are at least =801000, most of the time abo=
ve =801200. It seems to work well in the music department, and would also m=
ake a nice companion for mobile gaming (or video editing, if you&#39;re int=
o that). Even though Dell has a bad rep (and see the annex for another stor=
y about how they always manage to go wrong), for me this works fine and giv=
es me some potential even for future more complex applications I&#39;m plan=
ning on.<br>

<br>
 =A0 =A0 =A0 =A0Rainer<br>
<br>
ANNEX: The Story of the Power Supply.<br>
Following their tradition, Dell had some BIOS and hardware issues with the =
Studio 1747 (<a href=3D"http://bit.ly/bQBOVg" target=3D"_blank">http://bit.=
ly/bQBOVg</a> for a German-language summary). While most of them have been =
fixed with a BIOS update, the PSU topic hasn&#39;t:<br>

The computer is shipped with a 90W PSU, which is underpowered for some peak=
 current surges of the computer. These do only happen when both hitting the=
 CPU and the GPU hard and at the same time having the battery in the device=
. While in the old BIOS version this could fry the PSU (and Dell would send=
 out a 130W PSU upon request), the new BIOS version clocks down the CPU in =
those cases - not something you want to happen.<br>

I had talked to the sales clerk when ordering the thing and got a confirmat=
ion that I could receive the 130W PSU upon request when it showed that the =
problem surfaced in my application. It still took me two phone calls (being=
 forwarded about 10 times each, but at least it was on their bill) and clev=
er use of the words &quot;violation of competition regulation&quot;, &quot;=
breach of contract&quot;, &quot;legal representation&quot; and &quot;that i=
nternational project&quot;, and an escalation to senior mgt. on their side =
to get me the free 130W PSU. With that, I&#39;m a happy customer - I got tw=
o PSUs for my laptop - but on the other hand, last time I checked they don&=
#39;t offer that computer anymore on their website. Go figure...<br>
<font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--0050450158d7adbd70048143e395--

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	 <588ce11d1003072208u5555f168t8fd908d098e387a0@mail.gmail.com>
Date: Sun, 7 Mar 2010 22:09:23 -0800
Message-ID: <588ce11d1003072209t770233b3p2c924babe871af65@mail.gmail.com>
Subject: Re: [Fwd: My new music laptop: Dell Studio 1747]
From: Art Simon <simart@gmail.com>
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Umm, not sure why that message went out before it was complete. Anyway,
thanks again!

On Sun, Mar 7, 2010 at 10:08 PM, Art Simon <simart@gmail.com> wrote:

> Thanks Rainer, I appreciate the detailed review. I'd had good results wit=
h
> Dells 7 or 8 years ago, but the usb implementation in more recent Dells
> didn't work well with my Line6 interface, probably due to the Richoh USB
> chipset. I've got no problems with Windows 7, and at some point I'd like =
to
> get a
>
> On Sun, Mar 7, 2010 at 2:59 PM, Rainer Straschill <
> moinsound@googlemail.com> wrote:
>
>>
>> People following this list and my posts closely will remember that I've
>> been on the lookout for a new music-making computer for about a year, an=
d
>> had already gotten a Dell Studio 17, but was forced to return it because=
 it
>> wouldn't allow you to use it for audio with a latency setting below
>> 64ms...which is not something I am able to work with.
>> In the meantime, Dell had fixed the problem, and also added variants wit=
h
>> Clarksfield/Arrandale processors from Intel's Nehalem family (aka Core i=
7
>> and Core i5). So when again carefully looking for a computer (and it's a
>> beautiful thing that websites like notebookcheck.de have recently
>> discovered the importance of the so-called "DPC latency" and measure it =
for
>> their tests), the Studio 17 came up again - more specifically the Studio
>> 1747. And with Dell offering a rebate for direct orders, I got one, for =
=80910
>> (including all the options I decided on, and shipping).
>>
>> Note that there has been (and probably still is) an issue with an
>> underpowered PSU delievered with the laptop by Dell. This will result in=
 the
>> computer being clocked down when accessing both the processor and the GP=
U
>> fiercly - more on how I dealt with that below.
>>
>> THE BASIC SPECS:
>> With computers, it's the same as with people: the inner values are
>> primarily of importance. In the case of the Studio 1747, it's an Intel
>> Clarksfield CPU (meaning Core I7-720QM as the basic variant, and the fas=
ter
>> 820QM and 920XM available as options). Now if you take the processor
>> benchmark results vs. processor prices, the 720QM currently is the mobil=
e
>> processor with the best price/performance ratio, so that was the choice =
for
>> me. These processors work with a 1066MHz memory bus and DDR3 RAM. Dell f=
its
>> the computer with 4GB (2 2 GB modules), with 6 or 8 GB available as opti=
ons.
>> It's safe to say that you rather should not get those options; buying a =
new
>> pair of 4 GB memory modules and just throwing the factory-installed pair
>> into the trashcan is still considerably cheaper than getting the optiona=
l
>> upgrade from dell.
>> The next most important component would be the graphics adaptor: it's an
>> ATI Radeon HD 4650 (768MB graphics memory), and with that should be
>> sufficient even for advanced gaming (not that I care that much).
>>
>> Other components include HD (standard is a 500GB 5400rpm HD, with 2x300G=
B
>> and 2x500GB pairs as options, but the same that was said about memory go=
es
>> here - but you have 2 HDD slots, e.g. to use one SSD for low-noise
>> applications), a DVD+-RW drive (Blu-Ray is not available), 1GBit LAN, g =
WLAN
>> (draft n as an option, as well as bluetooth), lots of graphics connector=
s,
>> IEE1394 (aka Firewire: 4-pin connector), a simple webcam, JBL 2.1 speake=
rs
>> (which, by laptop standards, are very good) and an eSATA port.
>>
>> Software-wise, the thing comes with Windows 7 64-bit Home premium as
>> standard, with the more advanced OS versions as options (I opted for
>> Professional for the seamlessly integrated Windows XP virtual machine).
>> While the 64bit variants were a bit of an issue with XP for lack of some
>> drivers, this has changed with Windows 7: all the drivers I know of are
>> available as 64bit variants. And obviously, with a minimum RAM of 4GB, 6=
4bit
>> makes a lot of sense). There's also a bunch of stuff like a two-year
>> subscription to McAffee included - a lot of these programs should be
>> deactivated (first booting it up, all those services took up more than 1=
GB
>> of RAM).
>>
>> The battery pack is according to spec good for 3 hours of operation. Whi=
le
>> this is not exactly huge, it's sufficient for my personal application (w=
here
>> I only need to gap the bridge between starting the computer and connecti=
ng
>> the cable of my rig to the mains), and by making use of the lots of powe=
r
>> management options of the Nehalem CPU (and the very bright display), you=
 can
>> extend that if required (and still outperform most Penryn-type computers=
).
>>
>> HOW IT LOOKS:
>> The thing got a 17'' screen /17,3 to be precise) with a max. resolution =
of
>> 1600x900. This is the current standard for advanced 17'' laptops, and th=
e
>> display worked fine for me so far under different lighting conditions. T=
here
>> are no connectors on the rear of the case (which I think is outright stu=
pid
>> - with the exception of an USB stick, I can't think of anything which yo=
u
>> would prefer to connect on the side to get into your way while working -
>> it's not a problem as my computer sits on top of a Gator G2XU case - btw=
, it
>> just fits into the computer compartment in this).
>> Things on the left side are (front to back): IEEE1394, memory-card reade=
r
>> (most formats, including xD - I personally use SD/SDHC and xD and it doe=
s
>> them all), USB, DVD-drive (slot-in), USB, power and power button.
>> Things on the right side: headphones (2x), microphone, ExpressCard, an o=
dd
>> RF/antenna connector I can't identify, a shared eSATA/USB port, HDMI,
>> D-connector, VGA, LAN and Kensington lock.
>> Apart from the "no connectors on the back" topic mentioned before, I do
>> disapprove of the huge lot of graphics connectors, at the same time only
>> offering 3 USBs (one of them shared with the eSATA): one more connector
>> would've made sense imo (but then, a small hub is both cheap and simple =
to
>> integrate).
>>
>> Apropos looks: while you have a choice of different case coulors (I went
>> with the standard black one), the area around they keyboard is light gre=
y
>> and there's a Dell logo on the back of the screen - need to put some bla=
ck
>> gaffa over it.
>>
>> Btw, there's a pic on twitpic: http://twitpic.com/13mtu9
>>
>> HOW IT WORKS:
>> The aforementioned DPC latency is really low: while the old Studio 17 ha=
d
>> spikes in the 5us range occuring frequently, thise 1747 stays below 200n=
s
>> even without optimizing the system. With a typical value of 500ns as a
>> rule-of-thumb "go/nogo" boundary, this works well.
>>
>> Performance-wise, it's heaven obviously: running the same setup I used t=
o
>> run on my old (Yonah T2300-based) computer where I would hit the 80% CPU
>> load quite often only sees me running in the 20% region - and that with =
a
>> buffer size of 128 (which corresponds to roughly 3ms latency). A big scr=
een
>> can be an advantage, too (and I say that even though I intend to move aw=
ay
>> from even opening the thing completely, but for e.g. doing mobile record=
ings
>> this will help a lot), and this one works fine for me.
>>
>> One item I'd like to mention is the touchpad. While I always have seen
>> touchpads as an annoying and weak attempt to provide a mouse replacement=
 for
>> those laptop users, this one (by Synaptics or something) really works we=
ll.
>> This has to do with its lowlevel driver, which not only allows you to ad=
just
>> response curves for pressure sensitivity and movement speed, but also
>> implements those touchpad gestures on low-level, so the two-finger (scro=
ll,
>> zoom) and three-finger (rotate, drag) options do - to my surprise - work
>> really well.
>>
>>
>> SUMMARY:
>> So far, I'm really content with the thing: even though there's some smal=
l
>> details you could argue about, the price/performance ratio is outstandin=
g
>> when comparing it to the competing devices (for some comparable offers, =
see
>> here http://bit.ly/9ikPhF): comparable offers are at least =801000, most=
 of
>> the time above =801200. It seems to work well in the music department, a=
nd
>> would also make a nice companion for mobile gaming (or video editing, if
>> you're into that). Even though Dell has a bad rep (and see the annex for
>> another story about how they always manage to go wrong), for me this wor=
ks
>> fine and gives me some potential even for future more complex applicatio=
ns
>> I'm planning on.
>>
>>        Rainer
>>
>> ANNEX: The Story of the Power Supply.
>> Following their tradition, Dell had some BIOS and hardware issues with t=
he
>> Studio 1747 (http://bit.ly/bQBOVg for a German-language summary). While
>> most of them have been fixed with a BIOS update, the PSU topic hasn't:
>> The computer is shipped with a 90W PSU, which is underpowered for some
>> peak current surges of the computer. These do only happen when both hitt=
ing
>> the CPU and the GPU hard and at the same time having the battery in the
>> device. While in the old BIOS version this could fry the PSU (and Dell w=
ould
>> send out a 130W PSU upon request), the new BIOS version clocks down the =
CPU
>> in those cases - not something you want to happen.
>> I had talked to the sales clerk when ordering the thing and got a
>> confirmation that I could receive the 130W PSU upon request when it show=
ed
>> that the problem surfaced in my application. It still took me two phone
>> calls (being forwarded about 10 times each, but at least it was on their
>> bill) and clever use of the words "violation of competition regulation",
>> "breach of contract", "legal representation" and "that international
>> project", and an escalation to senior mgt. on their side to get me the f=
ree
>> 130W PSU. With that, I'm a happy customer - I got two PSUs for my laptop=
 -
>> but on the other hand, last time I checked they don't offer that compute=
r
>> anymore on their website. Go figure...
>>
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001636b148d918c7b5048143e836
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Umm, not sure why that message went out before it was complete. Anyway, tha=
nks again!<br><br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 10:08 P=
M, Art Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">sima=
rt@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Thanks Rainer, I =
appreciate the detailed review. I&#39;d had good results with Dells 7 or 8 =
years ago, but the usb implementation in more recent Dells didn&#39;t work =
well with my Line6 interface, probably due to the Richoh USB chipset. I&#39=
;ve got no problems with Windows 7, and at some point I&#39;d like to get a=
=A0 <br>
<div><div></div><div class=3D"h5">
<br><div class=3D"gmail_quote">On Sun, Mar 7, 2010 at 2:59 PM, Rainer Stras=
chill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com" tar=
get=3D"_blank">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204);=
 margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>
People following this list and my posts closely will remember that I&#39;ve=
 been on the lookout for a new music-making computer for about a year, and =
had already gotten a Dell Studio 17, but was forced to return it because it=
 wouldn&#39;t allow you to use it for audio with a latency setting below 64=
ms...which is not something I am able to work with.<br>


In the meantime, Dell had fixed the problem, and also added variants with C=
larksfield/Arrandale processors from Intel&#39;s Nehalem family (aka Core i=
7 and Core i5). So when again carefully looking for a computer (and it&#39;=
s a beautiful thing that websites like <a href=3D"http://notebookcheck.de" =
target=3D"_blank">notebookcheck.de</a> have recently discovered the importa=
nce of the so-called &quot;DPC latency&quot; and measure it for their tests=
), the Studio 17 came up again - more specifically the Studio 1747. And wit=
h Dell offering a rebate for direct orders, I got one, for =80910 (includin=
g all the options I decided on, and shipping).<br>


<br>
Note that there has been (and probably still is) an issue with an underpowe=
red PSU delievered with the laptop by Dell. This will result in the compute=
r being clocked down when accessing both the processor and the GPU fiercly =
- more on how I dealt with that below.<br>


<br>
THE BASIC SPECS:<br>
With computers, it&#39;s the same as with people: the inner values are prim=
arily of importance. In the case of the Studio 1747, it&#39;s an Intel Clar=
ksfield CPU (meaning Core I7-720QM as the basic variant, and the faster 820=
QM and 920XM available as options). Now if you take the processor benchmark=
 results vs. processor prices, the 720QM currently is the mobile processor =
with the best price/performance ratio, so that was the choice for me. These=
 processors work with a 1066MHz memory bus and DDR3 RAM. Dell fits the comp=
uter with 4GB (2 2 GB modules), with 6 or 8 GB available as options. It&#39=
;s safe to say that you rather should not get those options; buying a new p=
air of 4 GB memory modules and just throwing the factory-installed pair int=
o the trashcan is still considerably cheaper than getting the optional upgr=
ade from dell.<br>


The next most important component would be the graphics adaptor: it&#39;s a=
n ATI Radeon HD 4650 (768MB graphics memory), and with that should be suffi=
cient even for advanced gaming (not that I care that much).<br>
<br>
Other components include HD (standard is a 500GB 5400rpm HD, with 2x300GB a=
nd 2x500GB pairs as options, but the same that was said about memory goes h=
ere - but you have 2 HDD slots, e.g. to use one SSD for low-noise applicati=
ons), a DVD+-RW drive (Blu-Ray is not available), 1GBit LAN, g WLAN (draft =
n as an option, as well as bluetooth), lots of graphics connectors, IEE1394=
 (aka Firewire: 4-pin connector), a simple webcam, JBL 2.1 speakers (which,=
 by laptop standards, are very good) and an eSATA port.<br>


<br>
Software-wise, the thing comes with Windows 7 64-bit Home premium as standa=
rd, with the more advanced OS versions as options (I opted for Professional=
 for the seamlessly integrated Windows XP virtual machine). While the 64bit=
 variants were a bit of an issue with XP for lack of some drivers, this has=
 changed with Windows 7: all the drivers I know of are available as 64bit v=
ariants. And obviously, with a minimum RAM of 4GB, 64bit makes a lot of sen=
se). There&#39;s also a bunch of stuff like a two-year subscription to McAf=
fee included - a lot of these programs should be deactivated (first booting=
 it up, all those services took up more than 1GB of RAM).<br>


<br>
The battery pack is according to spec good for 3 hours of operation. While =
this is not exactly huge, it&#39;s sufficient for my personal application (=
where I only need to gap the bridge between starting the computer and conne=
cting the cable of my rig to the mains), and by making use of the lots of p=
ower management options of the Nehalem CPU (and the very bright display), y=
ou can extend that if required (and still outperform most Penryn-type compu=
ters).<br>


<br>
HOW IT LOOKS:<br>
The thing got a 17&#39;&#39; screen /17,3 to be precise) with a max. resolu=
tion of 1600x900. This is the current standard for advanced 17&#39;&#39; la=
ptops, and the display worked fine for me so far under different lighting c=
onditions. There are no connectors on the rear of the case (which I think i=
s outright stupid - with the exception of an USB stick, I can&#39;t think o=
f anything which you would prefer to connect on the side to get into your w=
ay while working - it&#39;s not a problem as my computer sits on top of a G=
ator G2XU case - btw, it just fits into the computer compartment in this).<=
br>


Things on the left side are (front to back): IEEE1394, memory-card reader (=
most formats, including xD - I personally use SD/SDHC and xD and it does th=
em all), USB, DVD-drive (slot-in), USB, power and power button.<br>
Things on the right side: headphones (2x), microphone, ExpressCard, an odd =
RF/antenna connector I can&#39;t identify, a shared eSATA/USB port, HDMI, D=
-connector, VGA, LAN and Kensington lock.<br>
Apart from the &quot;no connectors on the back&quot; topic mentioned before=
, I do disapprove of the huge lot of graphics connectors, at the same time =
only offering 3 USBs (one of them shared with the eSATA): one more connecto=
r would&#39;ve made sense imo (but then, a small hub is both cheap and simp=
le to integrate).<br>


<br>
Apropos looks: while you have a choice of different case coulors (I went wi=
th the standard black one), the area around they keyboard is light grey and=
 there&#39;s a Dell logo on the back of the screen - need to put some black=
 gaffa over it.<br>


<br>
Btw, there&#39;s a pic on twitpic: <a href=3D"http://twitpic.com/13mtu9" ta=
rget=3D"_blank">http://twitpic.com/13mtu9</a><br>
<br>
HOW IT WORKS:<br>
The aforementioned DPC latency is really low: while the old Studio 17 had s=
pikes in the 5us range occuring frequently, thise 1747 stays below 200ns ev=
en without optimizing the system. With a typical value of 500ns as a rule-o=
f-thumb &quot;go/nogo&quot; boundary, this works well.<br>


<br>
Performance-wise, it&#39;s heaven obviously: running the same setup I used =
to run on my old (Yonah T2300-based) computer where I would hit the 80% CPU=
 load quite often only sees me running in the 20% region - and that with a =
buffer size of 128 (which corresponds to roughly 3ms latency). A big screen=
 can be an advantage, too (and I say that even though I intend to move away=
 from even opening the thing completely, but for e.g. doing mobile recordin=
gs this will help a lot), and this one works fine for me.<br>


<br>
One item I&#39;d like to mention is the touchpad. While I always have seen =
touchpads as an annoying and weak attempt to provide a mouse replacement fo=
r those laptop users, this one (by Synaptics or something) really works wel=
l. This has to do with its lowlevel driver, which not only allows you to ad=
just response curves for pressure sensitivity and movement speed, but also =
implements those touchpad gestures on low-level, so the two-finger (scroll,=
 zoom) and three-finger (rotate, drag) options do - to my surprise - work r=
eally well.<br>


<br>
<br>
SUMMARY:<br>
So far, I&#39;m really content with the thing: even though there&#39;s some=
 small details you could argue about, the price/performance ratio is outsta=
nding when comparing it to the competing devices (for some comparable offer=
s, see here <a href=3D"http://bit.ly/9ikPhF" target=3D"_blank">http://bit.l=
y/9ikPhF</a>): comparable offers are at least =801000, most of the time abo=
ve =801200. It seems to work well in the music department, and would also m=
ake a nice companion for mobile gaming (or video editing, if you&#39;re int=
o that). Even though Dell has a bad rep (and see the annex for another stor=
y about how they always manage to go wrong), for me this works fine and giv=
es me some potential even for future more complex applications I&#39;m plan=
ning on.<br>


<br>
 =A0 =A0 =A0 =A0Rainer<br>
<br>
ANNEX: The Story of the Power Supply.<br>
Following their tradition, Dell had some BIOS and hardware issues with the =
Studio 1747 (<a href=3D"http://bit.ly/bQBOVg" target=3D"_blank">http://bit.=
ly/bQBOVg</a> for a German-language summary). While most of them have been =
fixed with a BIOS update, the PSU topic hasn&#39;t:<br>


The computer is shipped with a 90W PSU, which is underpowered for some peak=
 current surges of the computer. These do only happen when both hitting the=
 CPU and the GPU hard and at the same time having the battery in the device=
. While in the old BIOS version this could fry the PSU (and Dell would send=
 out a 130W PSU upon request), the new BIOS version clocks down the CPU in =
those cases - not something you want to happen.<br>


I had talked to the sales clerk when ordering the thing and got a confirmat=
ion that I could receive the 130W PSU upon request when it showed that the =
problem surfaced in my application. It still took me two phone calls (being=
 forwarded about 10 times each, but at least it was on their bill) and clev=
er use of the words &quot;violation of competition regulation&quot;, &quot;=
breach of contract&quot;, &quot;legal representation&quot; and &quot;that i=
nternational project&quot;, and an escalation to senior mgt. on their side =
to get me the free 130W PSU. With that, I&#39;m a happy customer - I got tw=
o PSUs for my laptop - but on the other hand, last time I checked they don&=
#39;t offer that computer anymore on their website. Go figure...<br>

<font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div><font color=
=3D"#888888">-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com" target=
=3D"_blank">simart@gmail.com</a><br>myspace [dot] com/artsimon<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--001636b148d918c7b5048143e836--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 08:28:45 2010
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Hi Nadia

if you want to listen to some excellent live looping examples, here is a great starting point:
http://www.youtube.com/livelooping

Really good inspiration there, imo.
Buzap

-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 08:35:29 2010
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Hi Per

> but I have found no good
> solution for such step sequence based effects in Mainstage. 

can you specify more precisely what you can't do so far with Mainstage?
I'd be interested cause my impression was that there is not much I can't do with Mainstage, MidiPipe and intelligent routing.

best regards
Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 08:50:35 2010
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Date: Mon, 8 Mar 2010 03:48:58 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Hi everyone,
Does anyone know if the rolls mp128 will work as a controller for an
EDP?
Thanks,
Ace

-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net]=20
Sent: Monday, March 08, 2010 3:29 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop

Hi Nadia

if you want to listen to some excellent live looping examples, here is a
great starting point:
http://www.youtube.com/livelooping

Really good inspiration there, imo.
Buzap

--=20
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 08:52:30 2010
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Woops. Forgot to change the title on that one.=20
I have been reading the death of the loop discussion avidly though so
please forgive me.

-----Original Message-----
From: Ace Ovil [mailto:aovil@wfubmc.edu]=20
Sent: Monday, March 08, 2010 3:49 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: the death of the loop

Hi everyone,
Does anyone know if the rolls mp128 will work as a controller for an
EDP?
Thanks,
Ace

-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net]=20
Sent: Monday, March 08, 2010 3:29 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop

Hi Nadia

if you want to listen to some excellent live looping examples, here is a
great starting point:
http://www.youtube.com/livelooping

Really good inspiration there, imo.
Buzap

--=20
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 09:11:17 2010
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Hi Per

> for example decay
> preservation when switching sound patch).

Referring to my previous post:
Couldn't you do a workaround here in Mainstage? i.e. add a delay/reverb on top level that will be routed briefly (via MidiPipe) during patch switching?

Personally, instead of switchting patches in Mainstage, I prefer to have various routing options on top level that I can switch between. When one routing option is "on", the others are "off". I think this shouldn't create CPU load, just RAM for loading samples.

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 09:36:06 2010
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Subject: new gig videos with looping content
From: Os <os@collective.co.uk>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi,

I'm sure you've all heard me going on about Improvizone before -
anyway, we did another gig last week, and the videos are now online:

http://www.vimeo.com/album/192116


cheers,
os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 09:41:39 2010
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Date: Mon, 8 Mar 2010 09:41:38 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: re:Antwerp Live Looping festival 2010
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Hi Bill,i just brought my acoustic steel string and borrowed Sjaaks M13 god=
 bless his soul,i could not fit a needle im my luggage anymore i had it up =
to the weight limit,i was actually lucky that i could get the guitar on the=
 plane though i Austria they warned me i was going to have to pay x-tra but=
 luckily didnt.=0A=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Wil=
liam Walker <billwalker@baymoon.com> schrieb am So, 7.3.2010:=0A=0A> Von: W=
illiam Walker <billwalker@baymoon.com>=0A> Betreff: re:Antwerp Live Looping=
 festival 2010=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Sonnt=
ag, 7. M=E4rz, 2010 12:24 Uhr=0A> Nice........... do all of the=0A> partici=
pants need to be this good looking????? Hey I spotted=0A> some sexy amps, d=
id people bring there own amplifiers? What=0A> was the guitar you were play=
ing Luis? looking forward to=0A> hearing this.=0A> Bill=0A> =0A> =0A=0A____=
______________________________________________=0ADo You Yahoo!?=0ASie sind =
Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz gegen M=
assenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 09:48:43 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of A MIDI footcontroller 
References: <4B8FE359.8030302@gmx.de> <4B941721.4070508@tiscali.co.uk> <20100307224520.79260@gmx.net> <866238.3526.qm@web45903.mail.sp1.yahoo.com> <20100308082841.141440@gmx.net> <F160BE32A2E5E04497668BBDFE83FEDF3B80C4B3@EXCHVS1.medctr.ad.wfubmc.edu>
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that's a fairly easy question

"A MIDI footcontroller designed to send MIDI program change and MIDI song pointer information on any of the sixteen channels. It also features MIDI sharing and operates via MIDI phantom power, eliminating the need for irritating wall warts."

so, no it won't,
unless all you want it for is to change edp presets

andy

Ace Ovil wrote:
> Hi everyone,
> Does anyone know if the rolls mp128 will work as a controller for an
> EDP?
> Thanks,
> Ace

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 10:16:31 2010
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Date: Mon, 8 Mar 2010 10:16:29 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Antwerp loop fest
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Hey gang i just want to say that the festival in Antwerp was wonderful,grea=
t organized as usual Sjaak rocks and it was awesome meeting Ricky,John,Stev=
e,and Helmut,every ones set was awesome!=0Acheers=0Awww.myspace.com/luisang=
ulocom=0A=0A__________________________________________________=0ADo You Yah=
oo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragende=
n Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 10:16:47 2010
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Thank you for the link. My original post was meant to be on a theoetical 
level as well as a technical, both are very appropriate at this time. My 
viewpoint is that the technique of using a loop is in it's nature very 
spectacular and fascinating, so much the music can then become more 
about this "phenomena" then about the actual content. That is why I have 
chosen to implement the loop, but cut it... and use a more song-like 
structure in my music. And I said before it can be a difficult task. I 
havent been able to find the best way yet for one song imparticular. I 
am using ableton and am learning as i go along.

one question:

I am struggling with looper at the moment, because my pedal is causing 
me problems. I do not know why but sometimes it doesnt start recording, 
or it starts and then stops again. Normally if I click once than it 
should it start recording, and if I click a second time it should 
continue in playback modus. But instead sometimes it is undoing the 
latest recording and then going into playback. And sometimes it records 
while the pedal is down and then plays when the pedal is released. I am 
using a normal pedal that was connected to my e-piano as a sustain 
pedal....? Is it the wrong type of pedal...?

-nadia

Am 3/8/10 9:28 AM, schrieb Buzap Buzap:
> Hi Nadia
>
> if you want to listen to some excellent live looping examples, here is a great starting point:
> http://www.youtube.com/livelooping
>
> Really good inspiration there, imo.
> Buzap
>
>    


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 10:19:43 2010
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Date: Mon, 8 Mar 2010 10:19:42 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: video software for looping
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there was a thread a while a go here about software that could be synced to=
 music,id be interested specially if the software could somehow sense rhyth=
mic pulses and would change grafic or video sequences randomly is there any=
thing like that out there?=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A__=
________________________________________________=0ADo You Yahoo!?=0ASie sin=
d Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz gegen=
 Massenmails. =0Ahttp://mail.yahoo.com 

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From: microphonics <microphonics@vidnaobmana.be>
Subject: Re: Antwerp loop fest
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Thank you, Luis, for mentioning me ;-)

But seriously it was a great fest, for every=20
listener something I think from ethnic-influenced=20
to the most coldest but devastating beautiful drones of N.
And the turnout was fantastic.  Amazing to see how perfect everything=
 flowed...

Dirk.


>Hey gang i just want to say that the festival in=20
>Antwerp was wonderful,great organized as usual=20
>Sjaak rocks and it was awesome meeting=20
>Ricky,John,Steve,and Helmut,every ones set was=20
>awesome! cheers www.myspace.com/luisangulocom=20
>__________________________________________________=20
>Do You Yahoo!? Sie sind Spam leid? Yahoo! Mail=20
>verf=FCgt =FCber einen herausragenden Schutz gegen=20
>Massenmails. http://mail.yahoo.com

www.myspace.com/mymicrophonics
www.microphonics.be


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Hi Luis=2C
check this page out:
http://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm
I've been using resolume vj software=2C (you can control that through midi =
sequences) but it's a matter of personal taste and the sort of imagery you =
want to project. Great fun though.. there's some tremendous stuff out there

peace

gareth blugaruda



> Date: Mon=2C 8 Mar 2010 10:19:42 +0000
> From: labaloops@yahoo.com
> Subject: video software for looping
> To: loopers-delight@loopers-delight.com
>=20
> there was a thread a while a go here about software that could be synced =
to music=2Cid be interested specially if the software could somehow sense r=
hythmic pulses and would change grafic or video sequences randomly is there=
 anything like that out there?
> cheers
> www.myspace.com/luisangulocom
>=20
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sch=
utz gegen Massenmails.=20
> http://mail.yahoo.com=20
>=20
 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Hi Luis=2C<br>check this page out:<br>http://www.audiovisualizers.com/tools=
hak/vjprgpix/softmain.htm<br>I've been using resolume vj software=2C (you c=
an control that through midi sequences) but it's a matter of personal taste=
 and the sort of imagery you want to project. Great fun though.. there's so=
me tremendous stuff out there<br><br>peace<br><br>gareth blugaruda<br><br><=
br><br>&gt=3B Date: Mon=2C 8 Mar 2010 10:19:42 +0000<br>&gt=3B From: labalo=
ops@yahoo.com<br>&gt=3B Subject: video software for looping<br>&gt=3B To: l=
oopers-delight@loopers-delight.com<br>&gt=3B <br>&gt=3B there was a thread =
a while a go here about software that could be synced to music=2Cid be inte=
rested specially if the software could somehow sense rhythmic pulses and wo=
uld change grafic or video sequences randomly is there anything like that o=
ut there?<br>&gt=3B cheers<br>&gt=3B www.myspace.com/luisangulocom<br>&gt=
=3B <br>&gt=3B __________________________________________________<br>&gt=3B=
 Do You Yahoo!?<br>&gt=3B Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber =
einen herausragenden Schutz gegen Massenmails. <br>&gt=3B http://mail.yahoo=
.com <br>&gt=3B <br> 		 	   		  <br /><hr />Do you have a story that starte=
d on Hotmail? <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' =
target=3D'_new'>Tell us now</a></body>
</html>=

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There are some: I wish that ImX was still being developed as it was a tad
unstable.. but despite the weird interface did use alot of this for a
while... Synch to audio, midi, midi NOTES if you want.. and all parameters
can be modulated (video size, colour, blure, stretch whatever) by the audi
level... Its NOT as cool as it sounds however... I think what you are after
is what VJs refer to as a video sequencer.. these put series of clips (very
small resolution usually) in a n order and then varios things can triger
stepping to next clip, usually audio level.. I have tried a few, but they
require some work, and are NOT for just sticking int the background and
letting them do their stuff... Im still searching for that.. I have a small
app in mind that I would like to develop however, but have yet to find the
right programmer for the job... I did make some things using Jitter howeevr=
,
but my trial ran out and I cant afford to do that anymore.. my interests ar=
e
somewhere else now...

But I have always bein intersted in this field... and was somewhat into
video synthesizers in the 80=B4s..

On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <labaloops@yahoo.com> wrote:

> there was a thread a while a go here about software that could be synced =
to
> music,id be interested specially if the software could somehow sense
> rhythmic pulses and would change grafic or video sequences randomly is th=
ere
> anything like that out there?
> cheers
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sch=
utz
> gegen Massenmails.
> http://mail.yahoo.com
>
>


--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--000e0ce0d84818a37b0481479d66
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There are some: I wish that ImX was still being developed as it was a tad u=
nstable.. but despite the weird interface did use alot of this for a while.=
.. Synch to audio, midi, midi NOTES if you want.. and all parameters can be=
 modulated (video size, colour, blure, stretch whatever) by the audi level.=
.. Its NOT as cool as it sounds however... I think what you are after is wh=
at VJs refer to as a video sequencer.. these put series of clips (very smal=
l resolution usually) in a n order and then varios things can triger steppi=
ng to next clip, usually audio level.. I have tried a few, but they require=
 some work, and are NOT for just sticking int the background and letting th=
em do their stuff... Im still searching for that.. I have a small app in mi=
nd that I would like to develop however, but have yet to find the right pro=
grammer for the job... I did make some things using Jitter howeevr, but my =
trial ran out and I cant afford to do that anymore.. my interests are somew=
here else now...<br>

<br>But I have always bein intersted in this field... and was somewhat into=
 video synthesizers in the 80=B4s.. <br><br><div class=3D"gmail_quote">On M=
on, Mar 8, 2010 at 11:19 AM, L.Angulo <span dir=3D"ltr">&lt;<a href=3D"mail=
to:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">there was a threa=
d a while a go here about software that could be synced to music,id be inte=
rested specially if the software could somehow sense rhythmic pulses and wo=
uld change grafic or video sequences randomly is there anything like that o=
ut there?<br>


cheers<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<div class=3D"hm"><br>
__________________________________________________<br>
Do You Yahoo!?<br>
Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schut=
z gegen Massenmails.<br>
<a href=3D"http://mail.yahoo.com" target=3D"_blank">http://mail.yahoo.com</=
a><br>
<br>
</div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:/=
/www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.=
ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user8=
25094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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wow garath great list... that will take some time to go thru!!!

On Mon, Mar 8, 2010 at 11:34 AM, mark francombe <mark@markfrancombe.com>wro=
te:

> There are some: I wish that ImX was still being developed as it was a tad
> unstable.. but despite the weird interface did use alot of this for a
> while... Synch to audio, midi, midi NOTES if you want.. and all parameter=
s
> can be modulated (video size, colour, blure, stretch whatever) by the aud=
i
> level... Its NOT as cool as it sounds however... I think what you are aft=
er
> is what VJs refer to as a video sequencer.. these put series of clips (ve=
ry
> small resolution usually) in a n order and then varios things can triger
> stepping to next clip, usually audio level.. I have tried a few, but they
> require some work, and are NOT for just sticking int the background and
> letting them do their stuff... Im still searching for that.. I have a sma=
ll
> app in mind that I would like to develop however, but have yet to find th=
e
> right programmer for the job... I did make some things using Jitter howee=
vr,
> but my trial ran out and I cant afford to do that anymore.. my interests =
are
> somewhere else now...
>
> But I have always bein intersted in this field... and was somewhat into
> video synthesizers in the 80=B4s..
>
> On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <labaloops@yahoo.com> wrote:
>
>> there was a thread a while a go here about software that could be synced
>> to music,id be interested specially if the software could somehow sense
>> rhythmic pulses and would change grafic or video sequences randomly is t=
here
>> anything like that out there?
>> cheers
>> www.myspace.com/luisangulocom
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz
>> gegen Massenmails.
>> http://mail.yahoo.com
>>
>>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>



--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00c09f7d574c9c0dcc048147a469
Content-Type: text/html; charset=ISO-8859-1
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wow garath great list... that will take some time to go thru!!!<br><br><div=
 class=3D"gmail_quote">On Mon, Mar 8, 2010 at 11:34 AM, mark francombe <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranco=
mbe.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">There are some: I=
 wish that ImX was still being developed as it was a tad unstable.. but des=
pite the weird interface did use alot of this for a while... Synch to audio=
, midi, midi NOTES if you want.. and all parameters can be modulated (video=
 size, colour, blure, stretch whatever) by the audi level... Its NOT as coo=
l as it sounds however... I think what you are after is what VJs refer to a=
s a video sequencer.. these put series of clips (very small resolution usua=
lly) in a n order and then varios things can triger stepping to next clip, =
usually audio level.. I have tried a few, but they require some work, and a=
re NOT for just sticking int the background and letting them do their stuff=
... Im still searching for that.. I have a small app in mind that I would l=
ike to develop however, but have yet to find the right programmer for the j=
ob... I did make some things using Jitter howeevr, but my trial ran out and=
 I cant afford to do that anymore.. my interests are somewhere else now...<=
br>


<br>But I have always bein intersted in this field... and was somewhat into=
 video synthesizers in the 80=B4s.. <br><div><div></div><div class=3D"h5"><=
br><div class=3D"gmail_quote">On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com" target=3D"_blank"=
>labaloops@yahoo.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">there was a threa=
d a while a go here about software that could be synced to music,id be inte=
rested specially if the software could somehow sense rhythmic pulses and wo=
uld change grafic or video sequences randomly is there anything like that o=
ut there?<br>



cheers<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<div><br>
__________________________________________________<br>
Do You Yahoo!?<br>
Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schut=
z gegen Massenmails.<br>
<a href=3D"http://mail.yahoo.com" target=3D"_blank">http://mail.yahoo.com</=
a><br>
<br>
</div></blockquote></div><br><br clear=3D"all"><br></div></div><font color=
=3D"#888888">-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_bla=
nk">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" targ=
et=3D"_blank">www.ordoabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www=
.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user=
825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: video software for looping
Date: Mon, 8 Mar 2010 10:37:52 +0000
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Resolume has a chaos function that will allow random changes between select=
ed sequences=2C various parameters control time=2C clips etc.=20

more peace

G B

From: mark@markfrancombe.com
Date: Mon=2C 8 Mar 2010 11:34:25 +0100
Subject: Re: video software for looping
To: Loopers-Delight@loopers-delight.com

There are some: I wish that ImX was still being developed as it was a tad u=
nstable.. but despite the weird interface did use alot of this for a while.=
.. Synch to audio=2C midi=2C midi NOTES if you want.. and all parameters ca=
n be modulated (video size=2C colour=2C blure=2C stretch whatever) by the a=
udi level... Its NOT as cool as it sounds however... I think what you are a=
fter is what VJs refer to as a video sequencer.. these put series of clips =
(very small resolution usually) in a n order and then varios things can tri=
ger stepping to next clip=2C usually audio level.. I have tried a few=2C bu=
t they require some work=2C and are NOT for just sticking int the backgroun=
d and letting them do their stuff... Im still searching for that.. I have a=
 small app in mind that I would like to develop however=2C but have yet to =
find the right programmer for the job... I did make some things using Jitte=
r howeevr=2C but my trial ran out and I cant afford to do that anymore.. my=
 interests are somewhere else now...



But I have always bein intersted in this field... and was somewhat into vid=
eo synthesizers in the 80=B4s..=20

On Mon=2C Mar 8=2C 2010 at 11:19 AM=2C L.Angulo <labaloops@yahoo.com> wrote=
:


there was a thread a while a go here about software that could be synced to=
 music=2Cid be interested specially if the software could somehow sense rhy=
thmic pulses and would change grafic or video sequences randomly is there a=
nything like that out there?



cheers

www.myspace.com/luisangulocom



__________________________________________________

Do You Yahoo!?

Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schut=
z gegen Massenmails.

http://mail.yahoo.com





--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094


http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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Resolume has a chaos function that will allow random changes between select=
ed sequences=2C various parameters control time=2C clips etc. <br><br>more =
peace<br><br>G B<br><br><hr id=3D"stopSpelling">From: mark@markfrancombe.co=
m<br>Date: Mon=2C 8 Mar 2010 11:34:25 +0100<br>Subject: Re: video software =
for looping<br>To: Loopers-Delight@loopers-delight.com<br><br>There are som=
e: I wish that ImX was still being developed as it was a tad unstable.. but=
 despite the weird interface did use alot of this for a while... Synch to a=
udio=2C midi=2C midi NOTES if you want.. and all parameters can be modulate=
d (video size=2C colour=2C blure=2C stretch whatever) by the audi level... =
Its NOT as cool as it sounds however... I think what you are after is what =
VJs refer to as a video sequencer.. these put series of clips (very small r=
esolution usually) in a n order and then varios things can triger stepping =
to next clip=2C usually audio level.. I have tried a few=2C but they requir=
e some work=2C and are NOT for just sticking int the background and letting=
 them do their stuff... Im still searching for that.. I have a small app in=
 mind that I would like to develop however=2C but have yet to find the righ=
t programmer for the job... I did make some things using Jitter howeevr=2C =
but my trial ran out and I cant afford to do that anymore.. my interests ar=
e somewhere else now...<br>

<br>But I have always bein intersted in this field... and was somewhat into=
 video synthesizers in the 80=B4s.. <br><br><div class=3D"ecxgmail_quote">O=
n Mon=2C Mar 8=2C 2010 at 11:19 AM=2C L.Angulo <span dir=3D"ltr">&lt=3B<a h=
ref=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt=3B</span> wro=
te:<br>

<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">there w=
as a thread a while a go here about software that could be synced to music=
=2Cid be interested specially if the software could somehow sense rhythmic =
pulses and would change grafic or video sequences randomly is there anythin=
g like that out there?<br>


cheers<br>
<a href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisangulo=
com</a><br>
<div class=3D"ecxhm"><br>
__________________________________________________<br>
Do You Yahoo!?<br>
Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schut=
z gegen Massenmails.<br>
<a href=3D"http://mail.yahoo.com">http://mail.yahoo.com</a><br>
<br>
</div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:/=
/www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.=
ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user8=
25094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br> 		 	   		  <br /><hr />We want to hear all your funny=2C exciti=
ng and crazy Hotmail stories. <a href=3D'http://clk.atdmt.com/UKM/go/195013=
117/direct/01/' target=3D'_new'>Tell us now</a></body>
</html>=

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <445702.288.qm@web29004.mail.ird.yahoo.com> <BLU113-W113A99086A17E525D7AD4185350@phx.gbl>
Subject: Re: video software for looping
Date: Mon, 8 Mar 2010 07:07:49 -0500
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I have a friend who gets amazing results from this, i have not used it =
yet. It is free software.

http://aestesis.eu/

j
  ----- Original Message -----=20
  From: Gareth Whittock=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Monday, March 08, 2010 5:34 AM
  Subject: RE: video software for looping


  Hi Luis,
  check this page out:
  http://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm
  I've been using resolume vj software, (you can control that through =
midi sequences) but it's a matter of personal taste and the sort of =
imagery you want to project. Great fun though.. there's some tremendous =
stuff out there

  peace

  gareth blugaruda



  > Date: Mon, 8 Mar 2010 10:19:42 +0000
  > From: labaloops@yahoo.com
  > Subject: video software for looping
  > To: loopers-delight@loopers-delight.com
  >=20
  > there was a thread a while a go here about software that could be =
synced to music,id be interested specially if the software could somehow =
sense rhythmic pulses and would change grafic or video sequences =
randomly is there anything like that out there?
  > cheers
  > www.myspace.com/luisangulocom
  >=20
  > __________________________________________________
  > Do You Yahoo!?
  > Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen =
herausragenden Schutz gegen Massenmails.=20
  > http://mail.yahoo.com=20
  >=20


-------------------------------------------------------------------------=
-----
  Do you have a story that started on Hotmail? Tell us now=20


-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.435 / Virus Database: 271.1.1/2729 - Release Date: =
03/07/10 19:34:00

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<DIV><FONT face=3DArial>I&nbsp;have a friend who gets amazing results =
from this, i=20
have not used it yet. It is free software.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://aestesis.eu/">http://aestesis.eu/</A></FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbuddhamachine@live.co.uk=20
  href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 08, 2010 =
5:34=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: video software for =

  looping</DIV>
  <DIV><BR></DIV>Hi Luis,<BR>check this page out:<BR><A=20
  =
href=3D"http://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm">h=
ttp://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm</A><BR>I've=
=20
  been using resolume vj software, (you can control that through midi =
sequences)=20
  but it's a matter of personal taste and the sort of imagery you want =
to=20
  project. Great fun though.. there's some tremendous stuff out=20
  there<BR><BR>peace<BR><BR>gareth blugaruda<BR><BR><BR><BR>&gt; Date: =
Mon, 8=20
  Mar 2010 10:19:42 +0000<BR>&gt; From: labaloops@yahoo.com<BR>&gt; =
Subject:=20
  video software for looping<BR>&gt; To:=20
  loopers-delight@loopers-delight.com<BR>&gt; <BR>&gt; there was a =
thread a=20
  while a go here about software that could be synced to music,id be =
interested=20
  specially if the software could somehow sense rhythmic pulses and =
would change=20
  grafic or video sequences randomly is there anything like that out=20
  there?<BR>&gt; cheers<BR>&gt; www.myspace.com/luisangulocom<BR>&gt; =
<BR>&gt;=20
  __________________________________________________<BR>&gt; Do You=20
  Yahoo!?<BR>&gt; Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen =

  herausragenden Schutz gegen Massenmails. <BR>&gt; =
http://mail.yahoo.com=20
  <BR>&gt; <BR><BR>
  <HR>
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target=3D_new>Tell us=20
  now</A>=20
  <P>
  <HR>

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Release=20
  Date: 03/07/10 19:34:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 12:27:04 2010
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Date: Mon, 8 Mar 2010 13:27:02 +0100
Message-ID: <66f9cc1e1003080427xc33e211s6eb35c979727e1c3@mail.gmail.com>
Subject: Re: video software for looping
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Using iTunes os a dirt simple solution! It does sync to audio.
Video clip at http://www.perboysen.com/archives/643

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <labaloops@yahoo.com> wrote:
> there was a thread a while a go here about software that could be synced =
to music,id be interested specially if the software could somehow sense rhy=
thmic pulses and would change grafic or video sequences randomly is there a=
nything like that out there?
> cheers
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=C3=BCgt =C3=BCber einen herausragend=
en Schutz gegen Massenmails.
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 12:32:54 2010
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References: <445702.288.qm@web29004.mail.ird.yahoo.com> <66f9cc1e1003080427xc33e211s6eb35c979727e1c3@mail.gmail.com>
Subject: Re: video software for looping
Date: Mon, 8 Mar 2010 07:32:53 -0500
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So does Winamp for that matter. You can get a third party line in plug in.

Jeff


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 08, 2010 7:27 AM
Subject: Re: video software for looping


Using iTunes os a dirt simple solution! It does sync to audio.
Video clip at http://www.perboysen.com/archives/643

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <labaloops@yahoo.com> wrote:
> there was a thread a while a go here about software that could be synced 
> to music,id be interested specially if the software could somehow sense 
> rhythmic pulses and would change grafic or video sequences randomly is 
> there anything like that out there?
> cheers
> www.myspace.com/luisangulocom
>
> __________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 12:38:29 2010
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Date: Mon, 8 Mar 2010 13:38:28 +0100
Message-ID: <66f9cc1e1003080438l275b14b6v22a964b5913b9c37@mail.gmail.com>
Subject: Re: the death of the loop
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom <nadia.salom@gmx.de> wrote:
(Ableton Live, Looper)
> Normally if I click once than it should it
> start recording, and if I click a second time it should continue in playback
> modus. But instead sometimes it is undoing the latest recording and then
> going into playback. And sometimes it records while the pedal is down and
> then plays when the pedal is released. I am using a normal pedal that was
> connected to my e-piano as a sustain pedal....? Is it the wrong type of
> pedal...?

Sustain pedals can sometimes be analog, i.e. sending an electric
pulse. Better would be to use a pedal that sends MIDI. Some MIDI
pedals can send many MIDI events at one button press and when that
happens it is just random luck if the right event arrives frist to the
software. If another event arrives first something else, or nothing,
will happen.

You can use anything that sends MIDI if kicked, not necessarily a
dedicated pedalboard. I have an old MC303 here  with buttons big
enough to be used as pedals. An old drum machine of any kind would do
fine if you can stomp the buttons.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 8 Mar 2010 14:02:09 +0100
Message-ID: <66f9cc1e1003080502k6332df2cwd7126dafc424299e@mail.gmail.com>
Subject: Re: Mainstage routing tweaks (was Amplitube3)
From: Per Boysen <perboysen@gmail.com>
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> Hi Per
>
>> for example decay
>> preservation when switching sound patch).

>On Mon, Mar 8, 2010 at 10:11 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Referring to my previous post:
> Couldn't you do a workaround here in Mainstage? i.e. add a delay/reverb on top level that will be routed briefly (via MidiPipe) during patch switching?
>

Do you mean concert level when you write "top level"? Of course that
would be possible (I do that as well) but that is something else that
plain patch changing.

But the patch audio tail preservation is not the only thing I like
better in Bidule. I'm having problems with Mainstage 2 because some
mixer functions are hardwired to certain MIDI events (the Roland GM,
General MIDI, like track volume, pan, mute, solo). And Mainstage has
no option to filter out those events. So you are stuck in a situation
where you can not use those events, because if you assign CC#7 to a
fitler cut-off all your track levels will also change. And worse: some
MIDI gear, like for example the popular Behringer FCB1010, leaks out
random MIDI data now and then. And when a Roland GM event is spitted
out by accident weird thing that you have not programmed will happen
in Mainstage. Bidule does not have this problem because it has no
functionality hard-wired to certain MIDI events. Everything in Bidule
is user customizable and that's what makes it "gig proof". If you need
it, you can set up a total MIDI filter in Bidule that will let through
only those events you have programmed to control something.

I dare to use Mainstage on stage when not looping and using no MIDI
pedals or any other MIDI gear than my EWI. But for looping I'm more
happy with Bidule. Looping is great on Mainstage but for that I would
need a MIDI pedalboard that speaks clean MIDI ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 8 Mar 2010 13:10:46 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Antwerp loop fest
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brother Dirk man no way how ca i forget you amigo!=0Ais just my bad english=
 i meant it was great meeting these "new" loopers in person,i had already h=
ad the pleasure of meeting you last year and the year before in Cologne,so =
it was a pleasure seeing you,Ronald and everyone else that was there las ye=
ar.=0Aand by the way if anybody in this list has not lisetened to Dirks CDs=
 "the river of apprearance" yet you are missing something as well as Sjaaks=
 new release we got drunk on good chilenean wine while we listened to this =
CDs truly beautiful man!=0Abig hugs and hope to see you some time again=0Ac=
heers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- microphonics <microphonic=
s@vidnaobmana.be> schrieb am Mo, 8.3.2010:=0A=0A> Von: microphonics <microp=
honics@vidnaobmana.be>=0A> Betreff: Re: Antwerp loop fest=0A> An: Loopers-D=
elight@loopers-delight.com=0A> Datum: Montag, 8. M=E4rz, 2010 02:22 Uhr=0A>=
 Thank you, Luis, for mentioning me=0A> ;-)=0A> =0A> But seriously it was a=
 great fest, for every listener=0A> something I think from ethnic-influence=
d to the most coldest=0A> but devastating beautiful drones of N.=0A> And th=
e turnout was fantastic.=A0 Amazing to see how=0A> perfect everything flowe=
d...=0A> =0A> Dirk.=0A> =0A> =0A> > Hey gang i just want to say that the fe=
stival in=0A> Antwerp was wonderful,great organized as usual Sjaak rocks=0A=
> and it was awesome meeting Ricky,John,Steve,and Helmut,every=0A> ones set=
 was awesome! cheers www.myspace.com/luisangulocom=0A> ____________________=
______________________________ Do You=0A> Yahoo!? Sie sind Spam leid? Yahoo=
! Mail verf=FCgt =FCber einen=0A> herausragenden Schutz gegen Massenmails. =
http://mail.yahoo.com=0A> =0A> www.myspace.com/mymicrophonics=0A> www.micro=
phonics.be=0A> =0A> =0A> =0A=0A____________________________________________=
______=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber =
einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

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Subject: Re: video software for looping
Date: Mon, 8 Mar 2010 07:12:55 -0600
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I like G-Force and Whitecap from www.soundspectrum.com

They aren't as full featured as some "vj" software, but they're  
relatively
inexpensive and the visuals sync fairly well.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 13:18:30 2010
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Date: Mon, 8 Mar 2010 14:18:28 +0100
Message-ID: <66f9cc1e1003080518t3aa102afhf3a4674f8a32948f@mail.gmail.com>
Subject: Re: Any Amplitube 3 early adopters here? (Mainstage)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 8, 2010 at 9:35 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Per
>
>> but I have found no good
>> solution for such step sequence based effects in Mainstage.
>
> can you specify more precisely what you can't do so far with Mainstage?
> I'd be interested cause my impression was that there is not much I can't do with Mainstage, MidiPipe and intelligent routing.
>
> best regards
> Buzap


I wasn't talking about Mainstage but about plugins that contain
dynamic step sequencing based effects. We have very few such plugins
in Logic/Mainstage. There are LFOs of course, wave table in the ES2,
and the pattern sequencer of Ultrabeat. And you could of course put a
Tremolo on parallel signal path for "chopping-it-up" sound effects.
Amplitube 3 seems as a good compliment because it contains many of
these new effects that Mainstage lacks. I'm also interested in A3
because it would provide a good amp sim for rigs you build in Bidule.
Not saying that guitar sim software of Mainstage/Logic are not good -
the are just as good as A3 - but you can't take those plugins out and
run them in Bidule.

This was a discussion about

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 08 Mar 2010 14:18:20 +0100
To: Loopers-Delight@loopers-delight.com
From: microphonics <microphonics@vidnaobmana.be>
Subject: Re: Antwerp loop fest
In-Reply-To: <227057.63016.qm@web29016.mail.ird.yahoo.com>
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 <227057.63016.qm@web29016.mail.ird.yahoo.com>
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No worries, Luis !  No harm done as I know exactly what you mean.
But indeed most of all thanks to Ronald for doing=20
an excellent mixing and PA job !  These are the=20
main actors behind a good concert as they bring everything in its right=
 place.
As well gratitude to Sjaak and Ingrid for being=20
great hosts and choosing this beautiful theatre=20
as the playing ground for this fantastic festival.

Dirk.


>brother Dirk man no way how ca i forget you=20
>amigo! is just my bad english i meant it was=20
>great meeting these "new" loopers in person,i=20
>had already had the pleasure of meeting you last=20
>year and the year before in Cologne,so it was a=20
>pleasure seeing you,Ronald and everyone else=20
>that was there las year. and by the way if=20
>anybody in this list has not lisetened to Dirks=20
>CDs "the river of apprearance" yet you are=20
>missing something as well as Sjaaks new release=20
>we got drunk on good chilenean wine while we=20
>listened to this CDs truly beautiful man! big=20
>hugs and hope to see you some time again cheers=20
>www.myspace.com/luisangulocom --- microphonics=20
><microphonics@vidnaobmana.be> schrieb am Mo,=20
>8.3.2010: > Von: microphonics=20
><microphonics@vidnaobmana.be> > Betreff: Re:=20
>Antwerp loop fest > An:=20
>Loopers-Delight@loopers-delight.com > Datum:=20
>Montag, 8. M=E4rz, 2010 02:22 Uhr > Thank you,=20
>Luis, for mentioning me > ;-) > > But seriously=20
>it was a great fest, for every listener >=20
>something I think from ethnic-influenced to the=20
>most coldest > but devastating beautiful drones=20
>of N. > And the turnout was fantastic.  Amazing=20
>to see how > perfect everything flowed... > >=20
>Dirk. > > > > Hey gang i just want to say that=20
>the festival in > Antwerp was wonderful,great=20
>organized as usual Sjaak rocks > and it was=20
>awesome meeting Ricky,John,Steve,and=20
>Helmut,every > ones set was awesome! cheers=20
>www.myspace.com/luisangulocom >=20
>__________________________________________________=20
>Do You > Yahoo!? Sie sind Spam leid? Yahoo! Mail=20
>verf=FCgt =FCber einen > herausragenden Schutz gegen=20
>Massenmails. http://mail.yahoo.com > >=20
>www.myspace.com/mymicrophonics >=20
>www.microphonics.be > > >=20
>__________________________________________________=20
>Do You Yahoo!? Sie sind Spam leid? Yahoo! Mail=20
>verf=FCgt =FCber einen herausragenden Schutz gegen=20
>Massenmails. http://mail.yahoo.com

www.myspace.com/mymicrophonics
www.microphonics.be


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Date: Mon, 8 Mar 2010 14:48:13 +0100
Message-ID: <66f9cc1e1003080548v7d7cbb96p36f7ff6b2e0e19ee@mail.gmail.com>
Subject: Re: Im bored of my TC Fireworx! HELP!
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 8, 2010 at 4:46 AM, William Walker <billwalker@baymoon.com> wrote:
> lighter in weight, shorter in chassis depth and 1/3 the price of the
> Eclipse


...and it doesn't sound like the Eclipse!
Instantly protects you from sounding like "someone playing though an
Eclipse" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 14:01:49 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop LINE6 FBV EXPRESS USB
References: <4B8FE359.8030302@gmx.de> <4B941721.4070508@tiscali.co.uk>	 <20100307224520.79260@gmx.net>	 <866238.3526.qm@web45903.mail.sp1.yahoo.com>	 <20100308082841.141440@gmx.net> <4B94CE8C.2010509@gmx.de> <66f9cc1e1003080438l275b14b6v22a964b5913b9c37@mail.gmail.com>
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This is a multi-part message in MIME format.
--------------010403000502070605060600
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I just asked around and was told it might something to do with the 
polarity... gosh....havent get anything else

I am looking into getting a easy to use more inexpensive midi pedal 
controller... does anyone have experience with the Line6 FBC Express USB 
in Ableton???

http://line6.com/footcontrollers/fbvexpressmkii.html





Am 3/8/10 1:38 PM, schrieb Per Boysen:
> On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom<nadia.salom@gmx.de>  wrote:
> (Ableton Live, Looper)
>    
>> Normally if I click once than it should it
>> start recording, and if I click a second time it should continue in playback
>> modus. But instead sometimes it is undoing the latest recording and then
>> going into playback. And sometimes it records while the pedal is down and
>> then plays when the pedal is released. I am using a normal pedal that was
>> connected to my e-piano as a sustain pedal....? Is it the wrong type of
>> pedal...?
>>      
> Sustain pedals can sometimes be analog, i.e. sending an electric
> pulse. Better would be to use a pedal that sends MIDI. Some MIDI
> pedals can send many MIDI events at one button press and when that
> happens it is just random luck if the right event arrives frist to the
> software. If another event arrives first something else, or nothing,
> will happen.
>
> You can use anything that sends MIDI if kicked, not necessarily a
> dedicated pedalboard. I have an old MC303 here  with buttons big
> enough to be used as pedals. An old drum machine of any kind would do
> fine if you can stomp the buttons.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>    


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07


--------------010403000502070605060600
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html; charset=UTF-8" http-equiv="Content-Type">
  <title></title>
</head>
<body bgcolor="#ffffff" text="#000000">
I just asked around and was told it might something to do with the
polarity... gosh....havent get anything else<br>
<br>
I am looking into getting a easy to use more inexpensive midi pedal
controller... does anyone have experience with the Line6 FBC Express
USB in Ableton???
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
<br>
<br>
<a class="moz-txt-link-freetext" href="http://line6.com/footcontrollers/fbvexpressmkii.html">http://line6.com/footcontrollers/fbvexpressmkii.html</a><br>
<br>
<br>
<br>
<br>
<br>
Am 3/8/10 1:38 PM, schrieb Per Boysen:
<blockquote
 cite="mid:66f9cc1e1003080438l275b14b6v22a964b5913b9c37@mail.gmail.com"
 type="cite">
  <pre wrap="">On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom <a class="moz-txt-link-rfc2396E" href="mailto:nadia.salom@gmx.de">&lt;nadia.salom@gmx.de&gt;</a> wrote:
(Ableton Live, Looper)
  </pre>
  <blockquote type="cite">
    <pre wrap="">Normally if I click once than it should it
start recording, and if I click a second time it should continue in playback
modus. But instead sometimes it is undoing the latest recording and then
going into playback. And sometimes it records while the pedal is down and
then plays when the pedal is released. I am using a normal pedal that was
connected to my e-piano as a sustain pedal....? Is it the wrong type of
pedal...?
    </pre>
  </blockquote>
  <pre wrap="">
Sustain pedals can sometimes be analog, i.e. sending an electric
pulse. Better would be to use a pedal that sends MIDI. Some MIDI
pedals can send many MIDI events at one button press and when that
happens it is just random luck if the right event arrives frist to the
software. If another event arrives first something else, or nothing,
will happen.

You can use anything that sends MIDI if kicked, not necessarily a
dedicated pedalboard. I have an old MC303 here  with buttons big
enough to be used as pedals. An old drum machine of any kind would do
fine if you can stomp the buttons.

Greetings from Sweden

Per Boysen
<a class="moz-txt-link-abbreviated" href="http://www.boysen.se">www.boysen.se</a>
<a class="moz-txt-link-abbreviated" href="http://www.perboysen.com">www.perboysen.com</a>

  </pre>
</blockquote>
<br>
<br>
<pre class="moz-signature" cols="72">-- 
Nadia Salom
<a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a>
<a class="moz-txt-link-freetext" href="http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</a>
</pre>
</body>
</html>

--------------010403000502070605060600--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 14:18:48 2010
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Date: Mon, 8 Mar 2010 15:18:46 +0100
Message-ID: <66f9cc1e1003080618l15a6ddafge89ab5ca94241f4a@mail.gmail.com>
Subject: Re: the death of the loop LINE6 FBV EXPRESS USB
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Mar 8, 2010 at 3:01 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> does anyone have experience with the Line6 FBC Express USB in Ableton???
>
> http://line6.com/footcontrollers/fbvexpressmkii.html

No experience with it but I checked the manual on your link and it
doesn't seem to be a MIDI pedal but rather something dedicated for
Line6 products in particular.

The most popular MIDI pedal board is
http://www.behringer.com/EN/Products/FCB1010.aspx

It has even got its own Wiki now! ;-))
http://en.wikibooks.org/wiki/Behringer_FCB1010_MIDI_Pedal

They typically last for about three years if used intensively. They
are heavy and clumsy. But they are inexpensive and can be bought
anywhere.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From dora@gmail.com  Mon Mar  8 14:25:51 2010
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Reply-To: <profdorankem010@yahoo.com.hk>
From: "Prof Dora Nkem Akunyili"<dora@gmail.com>
Subject: Urgent/Immediate Payment Solution
Date: Mon, 8 Mar 2010 14:14:31 +0100
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>From the desk of Prof Dora Nkem Akunyili,
Minister of Information and Communication
Building,plot 2/6, Mataima Close,
Garki-Abuja, Nigeria.
Tel; (234)-1-8717004
FAX: (234)-1-8717004
E-mail:profdorankemakunyili010@live.com

           

                          Re: Urgent/Immediate Payment Solution


Attn: Concerned Beneficiaries!



I am Prof Dora Nkem Akunyili, Minister of Information and Communication, My office monitors and controls the affairs of all banks and financial institutions in Nigeria concerned with foreign contract payments.

I am the final signatory to any transfer or remittance of huge funds moving within banks both at the local and international levels in line with the IMF foreign remittance policy on foreign contract debt settlement. I have list of funds, which could not be transferred into some nominated foreign bank accounts as these funds have been identified either as ghost contractor payment, unclaimed deposits and over-invoiced sum etc, while others were returns payable to particitipants of a legitimately executed contract in Nigeria years back.

Your name was among the list of contractors/beneficiaries expecting funds to be
transferred into their account for long, on this note, I wish to have a deal with you as regards to your unpaid contract funds.

I have your file before me and i hope your data's are correct and un-altered, but to avoid mistakes during funds transfer process, i strongly request you to reconfirm it again. I have the powers to declare these surplus/unpaid contract funds as unclaimed deposits which will later be credited into the Federal Government Treasury and Reserve Account.

I took the decision to write you based on the instructions I received few days ago from the Senate Committee on Contract Payments/Foreign Debts to submit the List of payment reports /expenditures and audited reports of revenues by my ministry with immediate effect. Among several others, I have decided to remit your executed contract sum, valued US$11,500,000 following the condition that we have deal/agreement together which will enable me to execute this task legally.

MY CONDITIONS.

1. The sum of USD$5M only will be paid into an account I will provide you after you have confirmed the transfer of your sum into your account by telegraphic Transfer (T/T), confirmable in 5 working days.

2. This deal must be kept secret forever, and all correspondence will be strictly by email/ telephone, for security purposes.

3. There would be no third party as most problems associated with your funds release in recent times were caused by your agents and other representatives.

If you AGREE with my conditions, l will advise you on what to do immediately and the transfer will commence without any delay as I will proceed to fix your name on the Payment schedule instantly to meet the three days mandate given by the senate committee.

I hope you don't reject this conditions and have your long overdue funds transferred?

Waiting for your immediate response.

Regards
Prof Dora Nkem Akunyili
Minister of Information and Communication
Federal Republic of Nigeria

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	 <66f9cc1e1003080427xc33e211s6eb35c979727e1c3@mail.gmail.com>
Date: Mon, 8 Mar 2010 15:31:11 +0100
Message-ID: <bbb8cbac1003080631q1158ae3dxb883080dca3dea61@mail.gmail.com>
Subject: Re: video software for looping
From: Fabio_A <eterogenus@gmail.com>
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Per, how do you do that ?

fabio
www.eterogeneo.com

2010/3/8 Per Boysen <perboysen@gmail.com>

> Using iTunes os a dirt simple solution! It does sync to audio.
> Video clip at http://www.perboysen.com/archives/643
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo <labaloops@yahoo.com> wrote:
>  > there was a thread a while a go here about software that could be
> synced to music,id be interested specially if the software could somehow
> sense rhythmic pulses and would change grafic or video sequences randomly=
 is
> there anything like that out there?
> > cheers
> > www.myspace.com/luisangulocom
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden S=
chutz
> gegen Massenmails.
> > http://mail.yahoo.com
> >
> >
>
>

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<div>Per, how do you do that ?</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"gmail_quote">2010/3/8 Per Boysen <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Using iTunes os a dirt simple so=
lution! It does sync to audio.<br>Video clip at <a href=3D"http://www.perbo=
ysen.com/archives/643" target=3D"_blank">http://www.perboysen.com/archives/=
643</a><br>
<br>Greetings from Sweden<br><font color=3D"#888888"><br>Per Boysen<br><a h=
ref=3D"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a hre=
f=3D"http://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br>=
</font>
<div class=3D"im"><br><br><br>On Mon, Mar 8, 2010 at 11:19 AM, L.Angulo &lt=
;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt; wrote:<=
br></div>
<div>
<div></div>
<div class=3D"h5">&gt; there was a thread a while a go here about software =
that could be synced to music,id be interested specially if the software co=
uld somehow sense rhythmic pulses and would change grafic or video sequence=
s randomly is there anything like that out there?<br>
&gt; cheers<br>&gt; <a href=3D"http://www.myspace.com/luisangulocom" target=
=3D"_blank">www.myspace.com/luisangulocom</a><br>&gt;<br>&gt; _____________=
_____________________________________<br>&gt; Do You Yahoo!?<br>&gt; Sie si=
nd Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz gege=
n Massenmails.<br>
&gt; <a href=3D"http://mail.yahoo.com/" target=3D"_blank">http://mail.yahoo=
.com</a><br>&gt;<br>&gt;<br><br></div></div></blockquote></div><br>

--0015174733f8ae631e04814aeaba--

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	 <B07EECA3-E005-47D8-BB08-C354FFCEB94E@zonemobius.com>
Date: Mon, 8 Mar 2010 15:31:45 +0100
Message-ID: <afb941d1003080631p37986evd2a22083f9e879@mail.gmail.com>
Subject: Re: video software for looping
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7e681b9346204814aece4
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g=FCindous - GNU


   - gephex <http://www.gephex.org/> [GNU GPL]
   - OpenTZT <http://opentzt.sourceforge.net/> [GNU GPL]
   - Video effector <http://pbx.mine.nu/effectv/> [GNU GPL]
   - Whorld <http://whorld.org/> [GNU GPL]



2010/3/8 Jeff Larson <jeff@zonemobius.com>

>
> I like G-Force and Whitecap from www.soundspectrum.com
>
> They aren't as full featured as some "vj" software, but they're relativel=
y
> inexpensive and the visuals sync fairly well.
>
> Jeff
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d7e681b9346204814aece4
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g=FCindous - GNU<br><br><ul><li><a href=3D"http://www.gephex.org/">gephex</=
a> [GNU GPL]</li><li><a href=3D"http://opentzt.sourceforge.net/">OpenTZT</a=
> [GNU GPL]</li><li><a href=3D"http://pbx.mine.nu/effectv/">Video effector<=
/a> [GNU GPL]</li>
<li><a href=3D"http://whorld.org/">Whorld</a> [GNU GPL]</li></ul><br><br><d=
iv class=3D"gmail_quote">2010/3/8 Jeff Larson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;</span><br><bloc=
kquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
I like G-Force and Whitecap from <a href=3D"http://www.soundspectrum.com" t=
arget=3D"_blank">www.soundspectrum.com</a><br>
<br>
They aren&#39;t as full featured as some &quot;vj&quot; software, but they&=
#39;re relatively<br>
inexpensive and the visuals sync fairly well.<br><font color=3D"#888888">
<br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d7e681b9346204814aece4--

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Date: Mon, 8 Mar 2010 15:48:27 +0100
Message-ID: <bbb8cbac1003080648h6dae6657m31a9eeffe5dc16e5@mail.gmail.com>
Subject: Re: new gig videos with looping content
From: Fabio_A <eterogenus@gmail.com>
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Beautiful improvisations. I'm enjoining listening to it while working

fabio
www.eterogeneo.com



2010/3/8 Os <os@collective.co.uk>

> Hi,
>
> I'm sure you've all heard me going on about Improvizone before -
> anyway, we did another gig last week, and the videos are now online:
>
> http://www.vimeo.com/album/192116
>
>
> cheers,
> os.
>
> --
> os@collective.co.uk
> http://twitter.com/expertsleepers
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>

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<div>Beautiful improvisations. I&#39;m enjoining listening to it while work=
ing</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/3/8 Os <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:os@collective.co.uk">os@collective.co.uk</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi,<br><br>I&#39;m sure you&#39;=
ve all heard me going on about Improvizone before -<br>anyway, we did anoth=
er gig last week, and the videos are now online:<br>
<br><a href=3D"http://www.vimeo.com/album/192116" target=3D"_blank">http://=
www.vimeo.com/album/192116</a><br><br><br>cheers,<br>os.<br><font color=3D"=
#888888"><br>--<br><a href=3D"mailto:os@collective.co.uk">os@collective.co.=
uk</a><br>
<a href=3D"http://twitter.com/expertsleepers" target=3D"_blank">http://twit=
ter.com/expertsleepers</a><br><a href=3D"http://www.darkroomtheband.net/" t=
arget=3D"_blank">http://www.darkroomtheband.net/</a><br><a href=3D"http://w=
ww.expert-sleepers.co.uk/" target=3D"_blank">http://www.expert-sleepers.co.=
uk/</a><br>
<br></font></blockquote></div><br>

--000325559a926e8c1d04814b284c--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 15:14:08 2010
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Date: Mon, 8 Mar 2010 16:14:07 +0100
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Subject: Re: video software for looping
From: Per Boysen <perboysen@gmail.com>
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1. Play the music and livelooping in front of the camera and while
recording the audio
(I simply pressed the Record button in Mainstage to snag the live output).
2. Play back only the audio through iTunes while filming the screen.
3. Chroma Key both videos (iTunes video + gig video)

I did the Chroma Key in Final Cut Express 4, but any decent video
software would do.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 8, 2010 at 3:31 PM, Fabio_A <eterogenus@gmail.com> wrote:
> Per, how do you do that ?
>
> fabio
> www.eterogeneo.com
>
> 2010/3/8 Per Boysen <perboysen@gmail.com>
>>
>> Using iTunes os a dirt simple solution! It does sync to audio.
>> Video clip at http://www.perboysen.com/archives/643

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	 <bbb8cbac1003080648h6dae6657m31a9eeffe5dc16e5@mail.gmail.com>
Date: Mon, 8 Mar 2010 16:36:46 +0100
Message-ID: <e89a49d31003080736x7b117b6bq8797ac794159eda1@mail.gmail.com>
Subject: Re: new gig videos with looping content
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Os,
Glad you started Improvizone again...always liked it, great improv music.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 17:21:31 2010
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thread-topic: the death of A MIDI footcontroller 
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Subject: Re: the death of A MIDI footcontroller 
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So what shoud the description say for a controller that will work?
Thanks.


Ace

Sent from my iPhone

On Mar 8, 2010, at 4:49 AM, "andy butler" <akbutler@tiscali.co.uk>  
wrote:

> that's a fairly easy question
>
> "A MIDI footcontroller designed to send MIDI program change and MIDI  
> song pointer information on any of the sixteen channels. It also  
> features MIDI sharing and operates via MIDI phantom power,  
> eliminating the need for irritating wall warts."
>
> so, no it won't,
> unless all you want it for is to change edp presets
>
> andy
>
> Ace Ovil wrote:
>> Hi everyone,
>> Does anyone know if the rolls mp128 will work as a controller for an
>> EDP?
>> Thanks,
>> Ace
>

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1)
Must have programmable switches to either 
  a) send Note-On when switch is pressed, Note-Off when it's released.
     OR
  b) send a CC value when pressed, and a CC with data 0 when released

2) Must work without too much latency.

3) Switches should be mechanically easy/fast to press


andy

Ace Ovil wrote:
> So what shoud the description say for a controller that will work?
> Thanks.
> 
> 
> Ace
> 
> Sent from my iPhone
> 
> On Mar 8, 2010, at 4:49 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:
> 
>> that's a fairly easy question
>>
>> "A MIDI footcontroller designed to send MIDI program change and MIDI 
>> song pointer information on any of the sixteen channels. It also 
>> features MIDI sharing and operates via MIDI phantom power, eliminating 
>> the need for irritating wall warts."
>>
>> so, no it won't,
>> unless all you want it for is to change edp presets
>>
>> andy
>>
>> Ace Ovil wrote:
>>> Hi everyone,
>>> Does anyone know if the rolls mp128 will work as a controller for an
>>> EDP?
>>> Thanks,
>>> Ace
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 18:14:26 2010
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Rainer Straschill wrote:

> with a buffer size of 128 (which corresponds to roughly 3ms latency). A 

that's rather optimistic (well, I guess you know that really, but
it's perhaps misleading)

128 samples @ 44.1kHz indeed corresponds to 3mS.
...but that's only part of the story.

Total latency is
A/D conversion + Input Buffer + Output Buffer + D/A conversion.

so double the figure 'cos there's 2 buffers,
and add on more for the converters.

..more like 8mS
( could be much more with some of the higher quality converters)

I certainly concur that a 128 buffer is pretty good tho'.

andy

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------=_NextPart_000_00D5_01C2A9A6.1B1895EA--

From security@westernunion.com  Mon Mar  8 18:22:26 2010
Return-Path: <security@westernunion.com>
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	 Mon, 8 Mar 2010 13:10:15 -0500
Reply-To: <no.reply@westernunion.com>
From: "Western Union ®"<security@westernunion.com>
Subject: Notice from WesternUnion© : Access to sensitive part of your online account has been suspended(CODE:RX41004119S1)
Date: Mon, 8 Mar 2010 13:10:25 -0500
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------=_NextPart_000_0032_01C2A9A6.1F5EDE6A
Content-Type: text/html;
	charset="Windows-1251"
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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
<title>Untitled Document</title>
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<body style="padding:0; margin:0; text-align:center; background: url(https://wumt.westernunion.com/web-inf/images/USHomePage/background-images/NA_bground.gif) 0px -14px #BBBBBB repeat-x;">
	<!--<div style="height: 14px; background: #FFDF1C; font-size: 1px;"></div>
	<div style="height: 70px; background:#000;"></div>-->
	<table style="width: 790px; position:relative; top: 3px; margin:0 auto; font: normal 13px Arial,Helvetica,sans-serif" cellpadding="0" cellspacing="0" border="0">
		<tr><td style="color: #fff; background: url(https://wumt.westernunion.com/web-inf/images/USHomePage/NA_wuLogo.gif) 0px 10px no-repeat; height: 70px;" align="left"> </td></tr>
		<tr style="background: #fff; text-align:left"><td style="padding: 20px;">
			<span style="font-size: 26px; font-weight:bold; background: #FFDE38; display: inline-block; padding:2px;">Dear Western Union  member,</span><br /><br />
			<p>We are sorry to inform you that your Western Union Online Account has been suspended. A high number of failed login attempts have been recorded on your online account. As a security measure we had to temporarily suspend your account.</p>
			<p>To restore your account we have attached a form to this email. Please download the form and follow the instructions on your screen.</p>
			<p><strong>NOTE: </strong>The form needs to be opened in a modern, javascript enabled, browser (ex: Internet Explorer 8, Firefox 3, Safari 3, Opera 9).</p>
			<p>We apologize for any inconvenience this may have caused.<br />Sincerely, the Western Union security team.</p>
			<br /><br />
			<small style="color: #777">&copy; Copyright 2010 Western Union . All rights reserved.</small>
		</td></tr>
		
	</table>
</body>
</html>

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andy butler schrieb:
>
>> with a buffer size of 128 (which corresponds to roughly 3ms latency). A 
>
> that's rather optimistic (well, I guess you know that really, but
> it's perhaps misleading)
>
> 128 samples @ 44.1kHz indeed corresponds to 3mS.
> ...but that's only part of the story.
>
> Total latency is
> A/D conversion + Input Buffer + Output Buffer + D/A conversion.
Quoting from an article I wrote some time ago (but which has become 
unavailable when I moved my website...at least for the time being):
"[...], we will further split up the latencies found here:

a) the signal is converted by the A/D converters of the audio interface

b) the signal is buffered by the audio interface's input drivers

c) the signal is processed by the audio application (e.g. an amp simulator)

d) the signal is buffered by the audio interface's output drivers

e) the signal is converted by the D/A converters of the audio interface

Ok, so we normally get a specification by the interface manufacturer 
which says something like "latency down to 4ms with zero-latency 
monitoring". So what does that mean -- does that mean that C2 is 4ms and 
if we only monitor the signal (i.e. leave out the b-d steps) we get zero 
latency? Certainly not. The latency specified by the interface 
documentation is only b) and d).

So first, what about those converter influences, a) and e)? You normally 
have a hard time finding out those, even when looking at the data sheets 
of some really high-class stuff (think Apogee). You might find them if 
you know the converters which are used and then looking up their specs. 
What comes out here is something like this: you have several latching 
delays etc. which are in the ns range (and will not be considered 
further). Then you get a delay of the digital filter, which is usually 
specified as a multiple of the inverse sampling clock and comes out in 
the 0.1ms range (this for 44.1/48kHz sampling rates, less for higher 
ones). You may or may not have a specification of a pipeline delay, 
again in the 0.1ms range. But even when summing all those effects, we 
get something around 0.2-0.3ms in each direction, or half a ms in both 
ways -- so we won't consider it any further."

So I came out with 0.2-0.3ms for the converters, and then @44.1kHz 
128/44.1E3=2.9ms -> in total about 3.2ms. And obviously, if you're going 
in and out, that's 6.4ms.

What's more interesting is that your application and any plugins you may 
be running in-line ("c" above) add to that latency.

Rainer

ps: If you think the description above is incorrect, please let me know.

And pps: This (128ms setting) works only if I do like you also pointed 
out recently and remove the audio app from the core the audio interface 
driver uses. Btw, there's a new interface driver out now which 
supposedly performs way better on Windows7. Perhaps I can get even 
better than the 128ms (which I easily can accomplish on my 
Kentsfield-equipped computer using RME HDSP interfaces).

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Per Boysen schrieb:
> ...and it doesn't sound like the Eclipse!
> Instantly protects you from sounding like "someone playing though an
> Eclipse" ;-)
>   
To me, that's about like telling a metal player that using that fancy 
small Suhr (or whatever) combo amp instantly protects him from sounding 
like he was playing through a fully-cranked Marshall stack...I like to 
sound like Eclipse  ;).

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 18:58:18 2010
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To: Loopers-Delight@loopers-delight.com
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Os schrieb:
> http://www.vimeo.com/album/192116
>   
I could go on about how every group playing sitting down and having an 
Apple logo visible will appear to be super-nerds...or I could just enjoy 
the music.

Btw, for some gearspotting: what are you using, Os?

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 19:40:19 2010
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> Btw, for some gearspotting: what are you using, Os?

thanks for reminding me - I shot this, too:
http://vimeo.com/10012314

so, I'm using MacBook Pro, Live, lots of Augustus Loop (!), EWI, Juno
6, Moog MultiPedal, BCR2000, MIO 2882.

oh, and a mouse :)


cheers,
os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Have they been 'altered' yet? Do ya still have 'em? How many total....5?  T=
hanks
=20


From: sambacomet@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: speak and spells for sale
Date: Thu=2C 4 Mar 2010 02:08:34 -0800



I have 2 speak and spells 1 math and spell 1 speak and learn=2C and 1 talki=
ng teacher
ready for bending. Make me an offer
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469227/direct/01/=

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<body class=3D'hmmessage'>
Have they been 'altered' yet? Do ya still have 'em? How many total....5?&nb=
sp=3B Thanks<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: sambacomet@hotmail.com<BR>To: loopers-delight@loopers-delight.com<BR>=
Subject: speak and spells for sale<BR>Date: Thu=2C 4 Mar 2010 02:08:34 -080=
0<BR><BR>
<STYLE>
.ExternalClass .ecxhmmessage P
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I have 2 speak and spells 1 math and spell 1 speak and learn=2C and 1 talki=
ng teacher<BR>ready for bending. Make me an offer<BR> 		 	   		  <br /><hr =
/>Hotmail: Trusted email with powerful SPAM protection. <a href=3D'http://c=
lk.atdmt.com/GBL/go/201469227/direct/01/' target=3D'_new'>Sign up now.</a><=
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Isnt that Fireworlds (of which Bill spoke) patch a bit Eclipsish.. twack
some feedback delay around a pitch shifter. Et Voila! Eclipse! ( Mind you,
what do I know..?  when I hear a chord played thru a shitty fuzz box I think
UGH!!! .. Marshal stack!)

On Mon, Mar 8, 2010 at 7:33 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> Per Boysen schrieb:
>
>  ...and it doesn't sound like the Eclipse!
>> Instantly protects you from sounding like "someone playing though an
>> Eclipse" ;-)
>>
>>
> To me, that's about like telling a metal player that using that fancy small
> Suhr (or whatever) combo amp instantly protects him from sounding like he
> was playing through a fully-cranked Marshall stack...I like to sound like
> Eclipse  ;).
>
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09f8a5549f867ba04815057a9
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Isnt that Fireworlds (of which Bill spoke) patch a bit Eclipsish.. twack so=
me feedback delay around a pitch shifter. Et Voila! Eclipse! ( Mind you, wh=
at do I know..?=A0 when I hear a chord played thru a shitty fuzz box I thin=
k UGH!!! .. Marshal stack!)<br>

<br><div class=3D"gmail_quote">On Mon, Mar 8, 2010 at 7:33 PM, Rainer Stras=
chill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moi=
nsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">

Per Boysen schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
...and it doesn&#39;t sound like the Eclipse!<br>
Instantly protects you from sounding like &quot;someone playing though an<b=
r>
Eclipse&quot; ;-)<br>
 =A0<br>
</blockquote></div>
To me, that&#39;s about like telling a metal player that using that fancy s=
mall Suhr (or whatever) combo amp instantly protects him from sounding like=
 he was playing through a fully-cranked Marshall stack...I like to sound li=
ke Eclipse =A0;).<div>

<div></div><div class=3D"h5"><br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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References: <00A0CAB1-E0F5-492C-AA14-BC9FAB7F0057@baymoon.com>
	 <66f9cc1e1003080548v7d7cbb96p36f7ff6b2e0e19ee@mail.gmail.com>
	 <4B9542F8.5040900@googlemail.com>
	 <9ab0c76f1003081259q7526da3ejacdb40a60bd7feb7@mail.gmail.com>
Date: Mon, 8 Mar 2010 22:08:24 +0100
Message-ID: <66f9cc1e1003081308h46d2adbfg18f791be25f163f1@mail.gmail.com>
Subject: Re: Im bored of my TC Fireworx! HELP!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=UTF-8
Resent-Message-ID: <W_e63B.A.xpB.JdWlLB@arsenic>
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On Mon, Mar 8, 2010 at 9:59 PM, mark francombe <mark@markfrancombe.com> wrote:
> Isnt that Fireworlds (of which Bill spoke) patch a bit Eclipsish

Yes, I definitely agree to that! I do remember that preset, a
harmonizer set to a fourth or a fifth up with a feedback loop that
makes sound climb upwards with each loop. I overdosed this in the
eighties and that sound still gives me unpleasant flashbacks. Yuk.
;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  8 23:54:39 2010
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Date: Mon, 8 Mar 2010 15:54:38 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: RE: speak and spells for sale
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <COL124-W160065530484EF1A4D5667C6350@phx.gbl>
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Howdy,
 $65. plus shipping of course.
Rig

--- On Mon, 3/8/10, David Grego <tubaczar98@hotmail.com> wrote:

> From: David Grego <tubaczar98@hotmail.com>
> Subject: RE: speak and spells for sale
> To: loopers-delight@loopers-delight.com
> Date: Monday, March 8, 2010, 11:38 AM
>=20
>=20
>=20
>=20
> =20
> Have they been 'altered' yet? Do ya still have
> 'em? How many total....5?=A0 Thanks
> =A0
>=20
>=20
> From: sambacomet@hotmail.com
> To: loopers-delight@loopers-delight.com
> Subject: speak and spells for sale
> Date: Thu, 4 Mar 2010 02:08:34 -0800
>=20
>=20
>=20
> #yiv948162895 .ExternalClass .ecxhmmessage P
> {padding:0px;}
> #yiv948162895 .ExternalClass body.ecxhmmessage
> {font-size:10pt;font-family:Verdana;}
>=20
> I have 2 speak and spells 1 math and spell 1 speak and
> learn, and 1 talking teacher
> ready for bending. Make me an offer
>  =09=09 =09   =09=09 =20
> Hotmail: Trusted email with
> powerful SPAM protection. Sign
> up now.=20
> =0A=0A=0A      

From williamspatricks@sify.com  Tue Mar  9 05:07:39 2010
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Date: Mon, 8 Mar 2010 21:07:32 -0800 (PST)
From: williams patricks <williamspatricks@sify.com>
Reply-To: williamspatricks@sify.com
Subject: Excellent Letter From Mr William Patricks For the benefit of our both  Family.Also call me@00226 75736607
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-67367833-1268111252=:20413"

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=A0
>From Mr Williams Patricks,
Director Incharge of Dept Recovery Department=A0 In Bank Of Africa (b.o.a) =
Ouagadougou Burkina Faso.
West Africa.
=A0
=A0=A0=A0=A0 Dear Partner,
=A0
=A0 This is an Excellent Letter from Mr Williams Patricks the chief auditor=
 incharge of debt recovery department section in bank of africa (b.o.a). ou=
agadougou burkina faso west africa.=20
=A0
My dear partner in advance,I presumed that all is well with you and your fa=
mily,
=A0
Please let this do not be a surprise proposal to you because i got your con=
tact information from the international directory in few weeks ago before i=
 decided to contact you on this magnitude and lucrative transaction for our=
 future survival in life.Moreover, I have laid all the solemn trust in you =
before i decided to disclose this successful & confidential Project to you.
=A0
I am Mr William Patricks the chief auditor incharge of debt recovery depart=
ment section in foreign remittance department in=A0 our bank and i have had=
 the intent to contact you over this financial project worth the sum of thi=
rty one million, united states dollars ($31,000,000.00 ) for our success.
=A0
This is an abandoned sum that belongs to one of our bank foreign customers =
who died along with his entire family through plane crash disaster since fe=
w years ago.Meanwhile i was very fortune to came across the deceased file w=
hen i was arranging the old and abandoned customers files in other to sign =
and submit to the entire bank management for an official re-documentations =
after the audit meeting 2009.
=A0
Please be informed clearly that it was stated in our banking rules and regu=
lations which was signed lawfully that if such fund remains unclaimed till =
the period of 8 years started from the date when the beneficiary died, the =
money will be transferred into the treasury as an unclaimed fund.
=A0
As an honour and advantage bestowed to our foreign customers base on the ru=
les guideing our bank, it was stated obviously that if you are not a burkin=
a faso citizen, You have the absolute authority to claim the fund hence you=
 are a foreigner despite your differences from the country of origin of the=
 deceased.So the request of you as a foreigner is necessary to apply for th=
e claim and transfer of the fund smoothly into your reliable bank account a=
s the next of kin or extended relative to the deceased.
=A0
On the transfer of this fund into your account, { 35% } will be your share =
in respect of the account provision and your assistance rendered during the=
 transfer of the fund into your bank account and 45% will be my share being=
 the codinator of the Project. and10%will be for the expencies that will oc=
cure during the Project.while 10 % will be shared to the respectable organi=
sations centers such as charity organisation, motherless babies homes, and =
helpless disabled people in the world.
=A0
If you are really sure of your trustworthy, accountability and confidential=
ity on this Project, contact me and agree that you will not change your min=
d to cheat or disappoint me when the fund have getting into your account.
=A0
Besides you should not entertain any fear because i am sure of the success =
as an insider in the bank ok.Please reply through my private Email adress b=
elow williamspatricks@sify.com with the assurance, include your private tel=
ephone and fax numbers necessary for facilitate an easy communication in th=
is transaction as soon as you reply so that i will let you know the next st=
ep to follow in order to finalize this Project immediately.I expect your ur=
gent communications.=20
=A0
Yours sincerely
=A0MR WILLIAMS.=20
00226 75736607
=A0 
--0-67367833-1268111252=:20413
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv2003231928>
<DIV><STRONG><FONT face=3D"bookman old style, new york, times, serif" size=
=3D3>&nbsp;<BR>From Mr Williams Patricks,<BR>Director Incharge of Dept Reco=
very Department&nbsp; In Bank Of Africa (b.o.a) Ouagadougou Burkina Faso.<B=
R>West Africa.<BR>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp; Dear Partner,</FONT></=
STRONG></DIV>
<DIV><STRONG><FONT face=3D"bookman old style, new york, times, serif" size=
=3D3>&nbsp;<BR>&nbsp; This is an Excellent Letter from Mr Williams Patricks=
 the chief auditor incharge of debt recovery department section in bank of =
africa (b.o.a). ouagadougou burkina faso west africa. <BR>&nbsp;<BR>My dear=
 partner in advance,I presumed that all is well with you and your family,<B=
R>&nbsp;<BR>Please let this do not be a surprise proposal to you because i =
got your contact information from the international directory in few weeks =
ago before i decided to contact you on this magnitude and lucrative transac=
tion for our future survival in life.Moreover, I have laid all the solemn t=
rust in you before i decided to disclose this successful &amp; confidential=
 Project to you.<BR>&nbsp;<BR>I am Mr William Patricks the chief auditor in=
charge of debt recovery department section in foreign remittance department=
 in&nbsp; our bank and i have had the intent to contact you over this
 financial project worth the sum of thirty one million, united states dolla=
rs ($31,000,000.00 ) for our success.<BR>&nbsp;<BR>This is an abandoned sum=
 that belongs to one of our bank foreign customers who died along with his =
entire family through plane crash disaster since few years ago.Meanwhile i =
was very fortune to came across the deceased file when i was arranging the =
old and abandoned customers files in other to sign and submit to the entire=
 bank management for an official re-documentations after the audit meeting =
2009.<BR>&nbsp;<BR>Please be informed clearly that it was stated in our ban=
king rules and regulations which was signed lawfully that if such fund rema=
ins unclaimed till the period of 8 years started from the date when the ben=
eficiary died, the money will be transferred into the treasury as an unclai=
med fund.<BR>&nbsp;<BR>As an honour and advantage bestowed to our foreign c=
ustomers base on the rules guideing our bank, it was stated
 obviously that if you are not a burkina faso citizen, You have the absolut=
e authority to claim the fund hence you are a foreigner despite your differ=
ences from the country of origin of the deceased.So the request of you as a=
 foreigner is necessary to apply for the claim and transfer of the fund smo=
othly into your reliable bank account as the next of kin or extended relati=
ve to the deceased.<BR>&nbsp;<BR>On the transfer of this fund into your acc=
ount, { 35% } will be your share in respect of the account provision and yo=
ur assistance rendered during the transfer of the fund into your bank accou=
nt and 45% will be my share being the codinator of the Project. and10%will =
be for the expencies that will occure during the Project.while 10 % will be=
 shared to the respectable organisations centers such as charity organisati=
on, motherless babies homes, and helpless disabled people in the world.<BR>=
&nbsp;<BR>If you are really sure of your trustworthy, accountability
 and confidentiality on this Project, contact me and agree that you will no=
t change your mind to cheat or disappoint me when the fund have getting int=
o your account.<BR>&nbsp;<BR>Besides you should not entertain any fear beca=
use i am sure of the success as an insider in the bank ok.Please reply thro=
ugh my private Email adress below </FONT></STRONG><A href=3D"http://us.mc57=
3.mail.yahoo.com/mc/compose?to=3Dwilliamspatricks@sify.com" target=3D_blank=
 rel=3Dnofollow><STRONG><FONT face=3D"bookman old style, new york, times, s=
erif" size=3D3>williamspatricks@sify.com</FONT></STRONG></A><STRONG><FONT f=
ace=3D"bookman old style, new york, times, serif" size=3D3> with the assura=
nce, include your private telephone and fax numbers necessary for facilitat=
e an easy communication in this transaction as soon as you reply so that i =
will let you know the next step to follow in order to finalize this Project=
 immediately.I expect your urgent communications. <BR>&nbsp;<BR>Yours
 sincerely<BR>&nbsp;MR WILLIAMS.</FONT></STRONG> </DIV>
<DIV><STRONG><FONT size=3D4>00226 75736607</FONT><BR></STRONG>&nbsp; </DIV>=
</DIV></td></tr></table>
--0-67367833-1268111252=:20413--

From blessing.james51@yahoo.com  Tue Mar  9 05:40:03 2010
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Date: Mon, 8 Mar 2010 21:39:54 -0800 (PST)
From: Blessing Jama <blessing.james51@yahoo.com>
Subject: hi
To: longanimite@yahoo.fr
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blessing.james51@yahoo.com

Hello
I read your profile today in (www.myrochat.com) and it was so good to me.u know that i am interested to be a friend first.i also believe that coming to you will be a probability of meeting that very love that has been lacking in my entire life. please i will like you to contact me direct to my e-mail address,
(blessing.james51@yahoo.com) i dont know the posebility of remaing in forum for long time,i will give you a full introduction of my self with my pictures ok. i will be waiting for your mail to my e-mail adsdress
(blessing.james51@yahoo.com) as you know
there is no age,race,colour n religion bar when it comes to true love,*
cares Blessing.



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br>blessing.james51@yahoo.com<br><br>Hello<br>I read your profile today in (www.myrochat.com) and it was so good to me.u know that i am interested to be a friend first.i also believe that coming to you will be a probability of meeting that very love that has been lacking in my entire life. please i will like you to contact me direct to my e-mail address,<br>(blessing.james51@yahoo.com) i dont know the posebility of remaing in forum for long time,i will give you a full introduction of my self with my pictures ok. i will be waiting for your mail to my e-mail adsdress<br>(blessing.james51@yahoo.com) as you know<br>there is no age,race,colour n religion bar when it comes to true love,*<br>cares Blessing.<br></td></tr></table><br>



      
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 08:13:57 2010
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Date: Tue, 9 Mar 2010 08:13:55 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Antwerp loop fest
To: Loopers-Delight@loopers-delight.com
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yes Indeed! Ronald is a master sound tech and such a friendly and relaxed p=
erson too work with,is always a pleasure to play over there plus that venue=
 still impresses me.=0AWhat i really like this time is the noticible intere=
st support and enjoyment of the audience,the fact that it had already sold =
so many tickets in advance (to new people who werent there last year) compl=
etly took us all by surprise and is an obvious indiciation of not only Sjaa=
ks work but perhpas a growing interest in this art form as well.So yes kudo=
s to Ronald Sjaak,Ingrid for being such a lovely host and yes for the city =
of Antwerp!=0A=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- microph=
onics <microphonics@vidnaobmana.be> schrieb am Mo, 8.3.2010:=0A=0A> Von: mi=
crophonics <microphonics@vidnaobmana.be>=0A> Betreff: Re: Antwerp loop fest=
=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Montag, 8. M=E4rz, =
2010 05:18 Uhr=0A> No worries, Luis !=A0 No harm done=0A> as I know exactly=
 what you mean.=0A> But indeed most of all thanks to Ronald for doing an=0A=
> excellent mixing and PA job !=A0 These are the main=0A> actors behind a g=
ood concert as they bring everything in its=0A> right place.=0A> As well gr=
atitude to Sjaak and Ingrid for being great hosts=0A> and choosing this bea=
utiful theatre as the playing ground=0A> for this fantastic festival.=0A> =
=0A> Dirk.=0A> =0A> =0A> > brother Dirk man no way how ca i forget you amig=
o! is=0A> just my bad english i meant it was great meeting these "new"=0A> =
loopers in person,i had already had the pleasure of meeting=0A> you last ye=
ar and the year before in Cologne,so it was a=0A> pleasure seeing you,Ronal=
d and everyone else that was there=0A> las year. and by the way if anybody =
in this list has not=0A> lisetened to Dirks CDs "the river of apprearance" =
yet you=0A> are missing something as well as Sjaaks new release we got=0A> =
drunk on good chilenean wine while we listened to this CDs=0A> truly beauti=
ful man! big hugs and hope to see you some time=0A> again cheers www.myspac=
e.com/luisangulocom --- microphonics=0A> <microphonics@vidnaobmana.be>=0A> =
schrieb am Mo, 8.3.2010: > Von: microphonics <microphonics@vidnaobmana.be>=
=0A> > Betreff: Re: Antwerp loop fest > An: Loopers-Delight@loopers-delight=
.com=0A> > Datum: Montag, 8. M=E4rz, 2010 02:22 Uhr > Thank you,=0A> Luis, =
for mentioning me > ;-) > > But seriously it=0A> was a great fest, for ever=
y listener > something I think=0A> from ethnic-influenced to the most colde=
st > but=0A> devastating beautiful drones of N. > And the turnout was=0A> f=
antastic.=A0 Amazing to see how > perfect everything=0A> flowed... > > Dirk=
. > > > > Hey gang i=0A> just want to say that the festival in > Antwerp wa=
s=0A> wonderful,great organized as usual Sjaak rocks > and it=0A> was aweso=
me meeting Ricky,John,Steve,and Helmut,every >=0A> ones set was awesome! ch=
eers www.myspace.com/luisangulocom=0A> > __________________________________=
________________ Do=0A> You > Yahoo!? Sie sind Spam leid? Yahoo! Mail verf=
=FCgt=0A> =FCber einen > herausragenden Schutz gegen Massenmails. http://ma=
il.yahoo.com > >=0A> www.myspace.com/mymicrophonics > www.microphonics.be >=
=0A> > > __________________________________________________=0A> Do You Yaho=
o!? Sie sind Spam leid? Yahoo! Mail verf=FCgt=0A> =FCber einen herausragend=
en Schutz gegen Massenmails. http://mail.yahoo.com=0A> =0A> www.myspace.com=
/mymicrophonics=0A> www.microphonics.be=0A> =0A> =0A> =0A=0A_______________=
___________________________________=0ADo You Yahoo!?=0ASie sind Spam leid? =
Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails.=
 =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 08:44:49 2010
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There's a vid of my recent set for the "Awakenings" crew in the UK. 
Not fascinating visually, it must be said, but hopefully might appeal 
sonically... 

http://www.youtube.com/watch?v=QyDsjlRMuws
Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 08:55:46 2010
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Date: Tue, 9 Mar 2010 09:55:44 +0100 (CET)
From: Massimo Liverani <mas.liv@libero.it>
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To:  <Loopers-Delight@loopers-delight.com>
Subject: R: new gig videos with looping content
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Yes! very interesting and very peculiar! Loop Ensemble are not so common 
also us in here in In Italy have one: Koan Loop Ensemble:
it's an open project in which many people can partecipate 

http://www.jamendo.com/it/artist/KOAN_LOOP_ENSEMBLE 

Thank you!

Max Liver

>----Messaggio originale----
>Da: os@collective.co.uk
>Data: 08/03/2010 10.36
>A: "Loopers Delight"<Loopers-Delight@loopers-delight.com>
>Ogg: new gig videos with looping content
>
>Hi,
>
>I'm sure you've all heard me going on about Improvizone before -
>anyway, we did another gig last week, and the videos are now online:
>
>http://www.vimeo.com/album/192116
>
>
>cheers,
>os.
>
>-- 
>os@collective.co.uk
>http://twitter.com/expertsleepers
>http://www.darkroomtheband.net/
>http://www.expert-sleepers.co.uk/
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 09:37:52 2010
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Pat Metheney-Orchestrion-tour
Date: Tue, 9 Mar 2010 10:01:27 +0100
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Dies ist eine mehrteilige Nachricht im MIME-Format.

------=_NextPart_000_0142_01CABF6F.7C0E7DC0
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Last saturday I=B4ve been at a show of Pat Metheney=B4s Orchestrion. =
(K=F6ln,Germany - Philharmonie)
Very funny. He had a lot of instruments (drums, percussion, piano, =
vibraphone,bass) in
a big wall of shelves behind him. It looked like a "toys r us" store. =
Pat "Alice" in wonderland.
The instruments were hit/played by magic ghosts (computers). And it all =
was a big
orchestral sound of a ghost band. Some good moments, some no good ones.
After playing 2  longer solo-acoustic guitar pieces (good), he performed =
his new album
with the ghost-band (not good mainly, few feeling).
The more interesting part for me was the encores, where he used a lot of =
looping
and also some string-sounds with the guitar and midi-playing with the =
Orchestrion instruments.=20
His looping device was quite a big one with pedals looking like =
organ-bass-pedals. Maybe a
special custom looper made for Metheney!? Don=B4t know.=20
Metheney made some vague explanations of the technical side of his =
Orchestrion,(the roots of
this are somewhere in the beginning of the last century in Germany),
which was sympathetic and gave the whole thing "a not too serious =
character".
Like I said : A little boy in toyland.
So this was helpful and entertaining. Otherwise it would have been a bit =
boring and
too statically night. But all in all I liked it and could enjoy at least =
half of the show.
Christo
www.christojota.de

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Last saturday I=B4ve been at a show of Pat =
Metheney=B4s=20
Orchestrion. (K=F6ln,Germany - Philharmonie)</FONT></DIV>
<DIV><FONT face=3DCalibri>Very funny. He had a lot of instruments =
(drums,=20
percussion, piano, vibraphone,bass) in</FONT></DIV>
<DIV><FONT face=3DCalibri>a big wall of shelves behind him. It looked =
like a "toys=20
r us" store. Pat "Alice" in wonderland.</FONT></DIV>
<DIV><FONT face=3DCalibri>The instruments were hit/played by magic =
ghosts=20
(computers). And it all was a big</FONT></DIV>
<DIV><FONT face=3DCalibri>orchestral sound of a ghost band. Some good =
moments,=20
some no good ones.</FONT></DIV>
<DIV><FONT face=3DCalibri>After playing 2&nbsp; longer solo-acoustic =
guitar pieces=20
(good), he performed his new album</FONT></DIV>
<DIV><FONT face=3DCalibri>with the ghost-band (not good mainly, few=20
feeling).</FONT></DIV>
<DIV><FONT face=3DCalibri>The more interesting part for me was the =
encores, where=20
he used a lot of looping</FONT></DIV>
<DIV><FONT face=3DCalibri>and also some string-sounds with the guitar =
and=20
midi-playing with the Orchestrion instruments. </FONT></DIV>
<DIV><FONT face=3DCalibri>His looping device was quite a big one =
</FONT><FONT=20
face=3DCalibri>with pedals looking like organ-bass-pedals. Maybe =
a</FONT></DIV>
<DIV><FONT face=3DCalibri>special custom looper made </FONT><FONT =
face=3DCalibri>for=20
Metheney!? Don=B4t know. </FONT></DIV>
<DIV><FONT face=3DCalibri>Metheney made some vague explanations of the =
technical=20
side of his Orchestrion,(the roots of</FONT></DIV>
<DIV><FONT face=3DCalibri>this&nbsp;are somewhere in the beginning of =
the last=20
century in Germany),</FONT></DIV>
<DIV><FONT face=3DCalibri>which was sympathetic and gave the whole thing =
"a not=20
too serious character".</FONT></DIV>
<DIV><FONT face=3DCalibri>Like I said :&nbsp;A little boy in =
toyland.</FONT></DIV>
<DIV><FONT face=3DCalibri>So this was helpful and entertaining. =
Otherwise it would=20
have been a bit boring and</FONT></DIV>
<DIV><FONT face=3DCalibri>too statically night. But all in all I liked =
it and=20
could enjoy at least half of the show.</FONT></DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 10:07:37 2010
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Date: Tue, 09 Mar 2010 10:57:32 +0100
Subject: Suggestion: Oberheim Echoplex
From: Angelo Mussoni <mussonia@psy.unipd.it>
To: <Loopers-Delight@loopers-delight.com>
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Dear folks,

I have do decide if to buy an old oberheim echoplex unit - the software is
loop II 5.0, and the memory allow to record 198 seconds - for about 500
dollars: I would need to record, overdub and recall differet song parts, in
order to play live with it. I'm also would interested to store the recorded
part on the PC. What do you suggest? Is that old oberheim a good option,
even according the price point of view?
Regards, 

Angelo


From barclaysbank@britishbank.tk  Tue Mar  9 12:12:21 2010
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Dear Customer,

RE: INSTRUCTIONS on how TO CREDIT YOUR ACCOUNT WITH THE SUM OF
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 12:53:57 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Trying something new... Reactions to sounds that were. One year of
 looping and all normal playing is sort of gone :-)
Date: Tue, 9 Mar 2010 12:53:56 +0000
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Ok so this time i did a LONG improvised looping thing=2C then i took the fi=
rst 11 or so minutes and improvised another part with EDP and guitar as a "=
compliment"=2C then i just listened to the compliment and did a third part.

Next step was to pitch shift the original take as well as running it throug=
h reverb more or less 100% wet=2C and very little of dry signal. SO now the=
 first live loop take has turned itne a ambient background layer and the to=
 other takes are the lead parts so to speak... In this way there is very li=
ttle of melody or proper chords.. more reactions and sounds...=20

SO i started using the EDP one year ago and for each month I get further aw=
ay from my rock blues roots and more in to sound making... The improtant th=
ing is I HAVE A LOT of fun and find the process vara creative=2C i hope tha=
t it might be enjoyable for somebody else as well..

I will also mix and publish the first take.... someday. Can be intresting i=
nm order to understand the process..

http://soundclick.com/share?songid=3D8861598
 		 	   		  =

--_3b518e4a-bace-4b0f-a07a-682c21f49184_
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<head>
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font-family:Verdana
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Ok so this time i did a LONG improvised looping thing=2C then i took the fi=
rst 11 or so minutes and improvised another part with EDP and guitar as a "=
compliment"=2C then i just listened to the compliment and did a third part.=
<BR>
Next step was to pitch shift the original take as well as running it throug=
h reverb more or less 100% wet=2C and very little of dry signal. SO now the=
 first live loop take has turned itne a ambient background layer and the to=
 other takes are the lead parts so to speak... In this way there is very li=
ttle of melody or proper chords.. more reactions and sounds... <BR>
SO i started using the EDP one year ago and for each month I get further aw=
ay from my rock blues roots and more in to sound making... The improtant th=
ing is I HAVE A LOT of fun and find the process vara creative=2C i hope tha=
t it might be enjoyable for somebody else as well..<BR>
I will also mix and publish the first take.... someday. Can be intresting i=
nm order to understand the process..<BR>
<A href=3D"http://soundclick.com/share?songid=3D8861598" target=3D_blank><F=
ONT color=3D#22229c>http://soundclick.com/share?songid=3D8861598</FONT></A>=
<BR> 		 	   		  </body>
</html>=

--_3b518e4a-bace-4b0f-a07a-682c21f49184_--

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Date: Tue, 9 Mar 2010 08:16:19 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Pat Metheney-Orchestrion-tour
Content-Type: multipart/alternative; boundary="============_-943981494==_ma============"
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It's quite a contraption.   I spoke with Pat at=20
his wife's art gallery near my home here in NYC.=20
Pat said that the piano has 500ms of latency...=20
The Orchestrion is quite a tough "axe" to=20
master..!!

>Last saturday I=B4ve been at a show of Pat=20
>Metheney=B4s Orchestrion. (K=F6ln,Germany -=20
>Philharmonie)
>Very funny. He had a lot of instruments (drums,=20
>percussion, piano, vibraphone,bass) in
>a big wall of shelves behind him. It looked like=20
>a "toys r us" store. Pat "Alice" in wonderland.
>The instruments were hit/played by magic ghosts=20
>(computers). And it all was a big
>orchestral sound of a ghost band. Some good moments, some no good ones.
>After playing 2  longer solo-acoustic guitar=20
>pieces (good), he performed his new album
>with the ghost-band (not good mainly, few feeling).
>The more interesting part for me was the=20
>encores, where he used a lot of looping
>and also some string-sounds with the guitar and=20
>midi-playing with the Orchestrion instruments.
>His looping device was quite a big one with=20
>pedals looking like organ-bass-pedals. Maybe a
>special custom looper made for Metheney!? Don=B4t know.
>Metheney made some vague explanations of the=20
>technical side of his Orchestrion,(the roots of
>this are somewhere in the beginning of the last century in Germany),
>which was sympathetic and gave the whole thing "a not too serious character=
".
>Like I said : A little boy in toyland.
>So this was helpful and entertaining. Otherwise=20
>it would have been a bit boring and
>too statically night. But all in all I liked it=20
>and could enjoy at least half of the show.
>Christo
><http://www.christojota.de>www.christojota.de
>


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-943981494==_ma============
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<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Pat
Metheney-Orchestrion-tour</title></head><body>
<div>It's quite a contraption.&nbsp;&nbsp; I spoke with Pat at his
wife's art gallery near my home here in NYC.&nbsp; Pat said that the
piano has 500ms of latency...&nbsp; The Orchestrion is quite a tough
&quot;axe&quot; to master..!!</div>
<div><br></div>
<blockquote type=3D"cite" cite>Last saturday I=B4ve been at a show of
Pat Metheney=B4s Orchestrion. (K=F6ln,Germany -
Philharmonie)</blockquote>
<blockquote type=3D"cite" cite>Very funny. He had a lot of instruments
(drums, percussion, piano, vibraphone,bass) in</blockquote>
<blockquote type=3D"cite" cite>a big wall of shelves behind him. It
looked like a &quot;toys r us&quot; store. Pat &quot;Alice&quot; in
wonderland.</blockquote>
<blockquote type=3D"cite" cite>The instruments were hit/played by magic
ghosts (computers). And it all was a big</blockquote>
<blockquote type=3D"cite" cite>orchestral sound of a ghost band. Some
good moments, some no good ones.</blockquote>
<blockquote type=3D"cite" cite>After playing 2&nbsp; longer
solo-acoustic guitar pieces (good), he performed his new
album</blockquote>
<blockquote type=3D"cite" cite>with the ghost-band (not good mainly, few
feeling).</blockquote>
<blockquote type=3D"cite" cite>The more interesting part for me was the
encores, where he used a lot of looping</blockquote>
<blockquote type=3D"cite" cite>and also some string-sounds with the
guitar and midi-playing with the Orchestrion instruments.</blockquote>
<blockquote type=3D"cite" cite>His looping device was quite a big one
with pedals looking like organ-bass-pedals. Maybe a</blockquote>
<blockquote type=3D"cite" cite>special custom looper made for Metheney!?
Don=B4t know.</blockquote>
<blockquote type=3D"cite" cite>Metheney made some vague explanations of
the technical side of his Orchestrion,(the roots of</blockquote>
<blockquote type=3D"cite" cite>this&nbsp;are somewhere in the beginning
of the last century in Germany),</blockquote>
<blockquote type=3D"cite" cite>which was sympathetic and gave the whole
thing &quot;a not too serious character&quot;.</blockquote>
<blockquote type=3D"cite" cite>Like I said :&nbsp;A little boy in
toyland.</blockquote>
<blockquote type=3D"cite" cite>So this was helpful and entertaining.
Otherwise it would have been a bit boring and</blockquote>
<blockquote type=3D"cite" cite>too statically night. But all in all I
liked it and could enjoy at least half of the show.</blockquote>
<blockquote type=3D"cite" cite>Christo</blockquote>
<blockquote type=3D"cite" cite><a
href=3D"http://www.christojota.de">www.christojota.de</a></blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-943981494==_ma============--

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------=_NextPart_000_00D1_01C2A9A6.22EE6A5E--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 16:12:09 2010
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	 <20100307224520.79260@gmx.net>
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	 <66f9cc1e1003080438l275b14b6v22a964b5913b9c37@mail.gmail.com>
Date: Tue, 9 Mar 2010 08:12:07 -0800
Message-ID: <4cdf3b971003090812k58519ba6p8d4458dd3e1892fa@mail.gmail.com>
Subject: Re: the death of the loop
From: Rafael Nunes <supersimples@gmail.com>
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--001636920a057438f00481607195
Content-Type: text/plain; charset=ISO-8859-1

I also found that my axiom49 was programmed to send an on/off message
everytime I pressed the sustain pedal. Whichever MIDI controller you're
using, make sure that you're setting your footswitch correctly in the
software editor. Also sometimes footwswitches have a polarity switch that
reverses their functioning. I had similar problems with looper and in my
case it turned out to be software related, but those two are the main
reasons you'd running into that problem. You'll figure it out though, I
literally almost broke my Axiom for a couple of days beore figuring it out!!
Again, if you want some song based looping ideas, I do exactly that with
covers and originals, as well as jams(which i still try to give the air of
composition, or at least group improv, rather than loop based music):
http://www.sendspace.com/file/udzrhm  The Ones(original)
http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage Fan Club
Cover)
http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna Newsom Cover)
http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/jam)
http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/jam)
http://www.sendspace.com/file/bz4f3g      Morning(Instrumental improv/jam)
http://www.sendspace.com/file/8i3a03      Evening(Instrumental improv/jam)
- Show quoted text -


On Mon, Mar 8, 2010 at 4:38 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom <nadia.salom@gmx.de> wrote:
> (Ableton Live, Looper)
> > Normally if I click once than it should it
> > start recording, and if I click a second time it should continue in
> playback
> > modus. But instead sometimes it is undoing the latest recording and then
> > going into playback. And sometimes it records while the pedal is down and
> > then plays when the pedal is released. I am using a normal pedal that was
> > connected to my e-piano as a sustain pedal....? Is it the wrong type of
> > pedal...?
>
> Sustain pedals can sometimes be analog, i.e. sending an electric
> pulse. Better would be to use a pedal that sends MIDI. Some MIDI
> pedals can send many MIDI events at one button press and when that
> happens it is just random luck if the right event arrives frist to the
> software. If another event arrives first something else, or nothing,
> will happen.
>
> You can use anything that sends MIDI if kicked, not necessarily a
> dedicated pedalboard. I have an old MC303 here  with buttons big
> enough to be used as pedals. An old drum machine of any kind would do
> fine if you can stomp the buttons.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001636920a057438f00481607195
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I also found that my axiom49 was programmed to send an on/off message every=
time I pressed the sustain pedal. Whichever MIDI controller you&#39;re usin=
g, make sure that you&#39;re setting your footswitch correctly in the softw=
are editor. Also sometimes footwswitches have a polarity switch that revers=
es their functioning. I had similar problems with looper and in my case it =
turned out to be software related, but those two are the main reasons you&#=
39;d running into that problem. You&#39;ll figure it out though, I literall=
y almost broke my Axiom for a couple of days beore figuring it out!! Again,=
 if you want some song based looping ideas, I do exactly that with covers a=
nd originals, as well as jams(which i still try to give the air of composit=
ion, or at least group improv, rather than loop based music):<div>
<span class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; f=
ont-size: 16px; border-collapse: collapse; "><span style=3D"font-family: ar=
ial, sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80,=
 0, 80); "><a href=3D"http://www.sendspace.com/file/udzrhm" target=3D"_blan=
k" style=3D"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/udzrh=
m</a>=A0 The Ones(original)<div style=3D"color: rgb(80, 0, 80); ">
<a href=3D"http://www.sendspace.com/file/u9d6zj" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/u9d6zj</a>=A0=A0=
=A0 Fallin(De La Soul/Teenage Fan Club Cover)<br><a href=3D"http://www.send=
space.com/file/4xd156" target=3D"_blank" style=3D"color: rgb(64, 100, 128);=
 ">http://www.sendspace.com/file/4xd156</a>=A0=A0 Book Of Right On(Joanna N=
ewsom Cover)<br>
<a href=3D"http://www.sendspace.com/file/rk9uhn" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/rk9uhn</a>=A0=A0=
=A0=A0 Alef (Instrumental improv/jam)<br><a href=3D"http://www.sendspace.co=
m/file/vcb55o" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">http:=
//www.sendspace.com/file/vcb55o</a>=A0=A0=A0 Dublike(Instrumental improv/ja=
m)<br>
<a href=3D"http://www.sendspace.com/file/bz4f3g" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/bz4f3g</a>=A0=A0=
=A0=A0=A0 Morning(Instrumental improv/jam)<br><a href=3D"http://www.sendspa=
ce.com/file/8i3a03" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">=
http://www.sendspace.com/file/8i3a03</a>=A0=A0=A0=A0=A0 Evening(Instrumenta=
l improv/jam)</div>
</span><div><div><span id=3D"q_1272ac0ea765ca94_1" class=3D"h4" style=3D"cu=
rsor: pointer; color: rgb(80, 0, 80); font-size: 9px; ">- Show quoted text =
-</span></div></div></span></div><div><br><br><div class=3D"gmail_quote">On=
 Mon, Mar 8, 2010 at 4:38 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salo=
m &lt;<a href=3D"mailto:nadia.salom@gmx.de">nadia.salom@gmx.de</a>&gt; wrot=
e:<br>

(Ableton Live, Looper)<br>
<div class=3D"im">&gt; Normally if I click once than it should it<br>
&gt; start recording, and if I click a second time it should continue in pl=
ayback<br>
&gt; modus. But instead sometimes it is undoing the latest recording and th=
en<br>
&gt; going into playback. And sometimes it records while the pedal is down =
and<br>
&gt; then plays when the pedal is released. I am using a normal pedal that =
was<br>
&gt; connected to my e-piano as a sustain pedal....? Is it the wrong type o=
f<br>
&gt; pedal...?<br>
<br>
</div><div class=3D"im">Sustain pedals can sometimes be analog, i.e. sendin=
g an electric<br>
pulse. Better would be to use a pedal that sends MIDI. Some MIDI<br>
pedals can send many MIDI events at one button press and when that<br>
happens it is just random luck if the right event arrives frist to the<br>
software. If another event arrives first something else, or nothing,<br>
will happen.<br>
<br>
You can use anything that sends MIDI if kicked, not necessarily a<br>
dedicated pedalboard. I have an old MC303 here =A0with buttons big<br>
enough to be used as pedals. An old drum machine of any kind would do<br>
fine if you can stomp the buttons.<br>
<br>
</div><div><div></div><div class=3D"h5">Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br></div>

--001636920a057438f00481607195--

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Date: Tue, 9 Mar 2010 21:56:22 +0100
Message-ID: <e89a49d31003091256j2a7d1886hf73acc9017d57ff7@mail.gmail.com>
Subject: Re: Antwerp loop fest
From: Sjaak Overgaauw <tcplugin@gmail.com>
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50 new photos from the Loopfest uploaded by journalist Jurgen Verhasselt

http://www.flickr.com/photos/sjugge/collections/72157623585833180/

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Tue, 9 Mar 2010 21:59:03 +0100
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Subject: Re: Antwerp Live Looping festival 2010
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On Sun, Mar 7, 2010 at 9:24 PM, William Walker <billwalker@baymoon.com> wrote:
> Hey I spotted some sexy amps, did people bring there own amplifiers?

Yep, both Dirk and Hellmut used their own amps + mics. I'm not an amp
specialist but it sounded great.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 21:45:34 2010
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Date: Tue, 09 Mar 2010 14:50:03 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com,
  Anders Bergdahl <anders_e_bergdahl@hotmail.com>
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Re: Trying something new... Reactions to sounds that were. One
	year of looping and all normal playing is sort of gone :-)
References: <SNT114-W461CBD82A9AC569E592836B6340@phx.gbl>
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Most enjoyable! Thanks for sharing.. :)

-cpr

Quoting Anders Bergdahl <anders_e_bergdahl@hotmail.com>:

>
> Ok so this time i did a LONG improvised looping thing, then i took  =20
> the first 11 or so minutes and improvised another part with EDP and  =20
> guitar as a "compliment", then i just listened to the compliment and =20
>  did a third part.
>
> Next step was to pitch shift the original take as well as running it =20
>  through reverb more or less 100% wet, and very little of dry =20
> signal.  SO now the first live loop take has turned itne a ambient =20
> background  layer and the to other takes are the lead parts so to =20
> speak... In  this way there is very little of melody or proper =20
> chords.. more  reactions and sounds...
>
> SO i started using the EDP one year ago and for each month I get  =20
> further away from my rock blues roots and more in to sound making... =20
>  The improtant thing is I HAVE A LOT of fun and find the process =20
> vara  creative, i hope that it might be enjoyable for somebody else =20
> as  well..
>
> I will also mix and publish the first take.... someday. Can be  =20
> intresting inm order to understand the process..
>
> http://soundclick.com/share?songid=3D8861598
>


From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 22:32:06 2010
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Date: Tue, 9 Mar 2010 17:32:03 -0500
Message-ID: <9c3ebb9b1003091432t94514c1s1417a3a7bfff9d85@mail.gmail.com>
Subject: re:Suggestion: Oberheim Echoplex
From: Loaf citious <loafcitious@gmail.com>
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I'd say go for it, they're getting harder and harder to
come by, and you should be able to upgrade easily.
Easiest way to get that stuff to the computer is just
to line out.
Hmmm...not sure you know from your email that is -
you know that it doesn't store audio on it right? You'd have play the
parts you're going to loop. If you turn the machine off, the memory
dumps.
If you need um....prepared loops/audio it might not be what you're looking for.
However, if you want to what is referred to as "livelooping" than the
plex is a great tool!

hope that helps,
Andy G

Date: Tue, 09 Mar 2010 10:57:32 +0100
From: Angelo Mussoni <mussonia@psy.unipd.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: Suggestion: Oberheim Echoplex
Message-ID: <C7BBDA1D.21BC0%mussonia@psy.unipd.it>
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Dear folks,

I have do decide if to buy an old oberheim echoplex unit - the software is
loop II 5.0, and the memory allow to record 198 seconds - for about 500
dollars: I would need to record, overdub and recall differet song parts, in
order to play live with it. I'm also would interested to store the recorded
part on the PC. What do you suggest? Is that old oberheim a good option,
even according the price point of view?
Regards,

Angelo

From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 22:36:31 2010
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Subject: re:Trying something new...
From: Loaf citious <loafcitious@gmail.com>
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But, the link to your song didn't work, it just sent me
to some default page.  Do I have to be logged into that website or
something facebookish like that?

Andy G
+++++++++++++

Ok so this time i did a LONG improvised looping thing=2C then i took the fi=
rst 11 or so minutes and improvised another part with EDP and guitar as a "=
compliment"=2C then i just listened to the compliment and did a third part.

Next step was to pitch shift the original take as well as running it throug=
h reverb more or less 100% wet=2C and very little of dry signal. SO now the=
 first live loop take has turned itne a ambient background layer and the to=
 other takes are the lead parts so to speak... In this way there is very li=
ttle of melody or proper chords.. more reactions and sounds...=20

SO i started using the EDP one year ago and for each month I get further aw=
ay from my rock blues roots and more in to sound making... The improtant th=
ing is I HAVE A LOT of fun and find the process vara creative=2C i hope tha=
t it might be enjoyable for somebody else as well..

I will also mix and publish the first take.... someday. Can be intresting i=
nm order to understand the process..

http://soundclick.com/share?songid=3D8861598
                                         =

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Date: Tue, 9 Mar 2010 22:41:58 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: video software for looping
To: Loopers-Delight@loopers-delight.com
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thanx looks really interesting,i perhaps forgot to mention that im interest=
ed in software that will let me upload my own vids or pics to create a coll=
age of images.
cheers
www.myspace.com/luisangulocom


--- Jeff Duke <jeff_d@embarqmail.com> schrieb am Mo, 8.3.2010:

> Von: Jeff Duke <jeff_d@embarqmail.com>
> Betreff: Re: video software for looping
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 8. M=E4rz, 2010 04:07 Uhr
>=20
>=20
> =20
> #yiv1133565213 .hmmessage P {
> PADDING-RIGHT:0px;PADDING-LEFT:0px;PADDING-BOTTOM:0px;MARGIN:0px;PADDING-=
TOP:0px;}
> #yiv1133565213 .hmmessage {
> FONT-SIZE:10pt;FONT-FAMILY:Verdana;}
>=20
>=20
> =20
> =20
> I=A0have a friend who gets
> amazing results from this, i=20
> have not used it yet. It is free software.
> =A0
> http://aestesis.eu/
> =A0
> j
>=20
>   ----- Original Message
> -----=20
>   From:=20
>   Gareth
> Whittock=20
>   To: loopers-delight@loopers-delight.com
>=20
>  =20
>   Sent: Monday, March
> 08, 2010 5:34=20
> AM
>   Subject: RE: video
> software for=20
>   looping
>  =20
> Hi Luis,
> check this page out:
> http://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm
> I've=20
>   been using resolume vj software, (you can control that
> through midi sequences)=20
>   but it's a matter of personal taste and the sort of
> imagery you want to=20
>   project. Great fun though.. there's some tremendous
> stuff out=20
>   there
>=20
> peace
>=20
> gareth blugaruda
>=20
>=20
>=20
> > Date: Mon, 8=20
>   Mar 2010 10:19:42 +0000
> > From: labaloops@yahoo.com
> > Subject:=20
>   video software for looping
> > To:=20
>   loopers-delight@loopers-delight.com
> >=20
> > there was a thread a=20
>   while a go here about software that could be synced to
> music,id be interested=20
>   specially if the software could somehow sense rhythmic
> pulses and would change=20
>   grafic or video sequences randomly is there anything like
> that out=20
>   there?
> > cheers
> > www.myspace.com/luisangulocom
> >=20
> >=20
>   __________________________________________________
> > Do You=20
>   Yahoo!?
> > Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen=20
>   herausragenden Schutz gegen Massenmails.=20
> > http://mail.yahoo.com=20
>  =20
> >=20
>=20
>=20
>  =20
>   Do you have a story that started on Hotmail? Tell
> us=20
>   now=20
>  =20
>  =20
>=20
>  =20
> No virus found in this incoming message.
> Checked by AVG -=20
>   www.avg.com=20
> Version: 8.5.435 / Virus Database: 271.1.1/2729 - Release=20
>   Date: 03/07/10 19:34:00
> =20
> =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 22:54:02 2010
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References: <e89a49d31002121534v400154f3na3a4ab6279be7478@mail.gmail.com>
	 <13715.216.1266076843.squirrel@www.andredonawa.com>
	 <e89a49d31002131445o48090ecao8a1889e53e3bb551@mail.gmail.com>
	 <11319.216.1266115456.squirrel@www.andredonawa.com>
Date: Tue, 9 Mar 2010 23:53:57 +0100
Message-ID: <e89a49d31003091453r3509c818y1e0fd80a4e86cdb9@mail.gmail.com>
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi,
Some of you have emailed me in the past about the availability of the
digital downloads. Good news, my new Premonition Factory album is now
available on Bandcamp, iTunes, CDBaby etc.

Full previews of all tracks and the limited edition CD, a luxury 6
page digisleeve with 8 page booklet are available at the Premonition
Factory website http://premonitionfactory.com/

Enjoy :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Trying something new... Link fixed (i hope)
Date: Tue, 9 Mar 2010 23:30:52 +0000
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Strange there seem to be something wrong with that link=2C here is a new on=
e

http://soundclick.com/share?songid=3D8861598

=20

I hope this one works..
=20
> Date: Tue=2C 9 Mar 2010 17:36:27 -0500
> Subject: re:Trying something new...
> From: loafcitious@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> But=2C the link to your song didn't work=2C it just sent me
> to some default page. Do I have to be logged into that website or
> something facebookish like that?
>=20
> Andy G
> +++++++++++++
>=20
> Ok so this time i did a LONG improvised looping thing=3D2C then i took th=
e fi=3D
> rst 11 or so minutes and improvised another part with EDP and guitar as a=
 "=3D
> compliment"=3D2C then i just listened to the compliment and did a third p=
art.
>=20
> Next step was to pitch shift the original take as well as running it thro=
ug=3D
> h reverb more or less 100% wet=3D2C and very little of dry signal. SO now=
 the=3D
> first live loop take has turned itne a ambient background layer and the t=
o=3D
> other takes are the lead parts so to speak... In this way there is very l=
i=3D
> ttle of melody or proper chords.. more reactions and sounds...=3D20
>=20
> SO i started using the EDP one year ago and for each month I get further =
aw=3D
> ay from my rock blues roots and more in to sound making... The improtant =
th=3D
> ing is I HAVE A LOT of fun and find the process vara creative=3D2C i hope=
 tha=3D
> t it might be enjoyable for somebody else as well..
>=20
> I will also mix and publish the first take.... someday. Can be intresting=
 i=3D
> nm order to understand the process..
>=20
> http://soundclick.com/share?songid=3D3D8861598
> =3D
>=20
 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Strange there seem to be something wrong with that link=2C here is a new on=
e<BR>
<A href=3D"http://soundclick.com/share?songid=3D8861598">http://soundclick.=
com/share?songid=3D8861598</A><BR>
&nbsp=3B<BR>
I&nbsp=3Bhope this&nbsp=3Bone works..<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 9 =
Mar 2010 17:36:27 -0500<BR>&gt=3B Subject: re:Trying something new...<BR>&g=
t=3B From: loafcitious@gmail.com<BR>&gt=3B To: Loopers-Delight@loopers-deli=
ght.com<BR>&gt=3B <BR>&gt=3B But=2C the link to your song didn't work=2C it=
 just sent me<BR>&gt=3B to some default page. Do I have to be logged into t=
hat website or<BR>&gt=3B something facebookish like that?<BR>&gt=3B <BR>&gt=
=3B Andy G<BR>&gt=3B +++++++++++++<BR>&gt=3B <BR>&gt=3B Ok so this time i d=
id a LONG improvised looping thing=3D2C then i took the fi=3D<BR>&gt=3B rst=
 11 or so minutes and improvised another part with EDP and guitar as a "=3D=
<BR>&gt=3B compliment"=3D2C then i just listened to the compliment and did =
a third part.<BR>&gt=3B <BR>&gt=3B Next step was to pitch shift the origina=
l take as well as running it throug=3D<BR>&gt=3B h reverb more or less 100%=
 wet=3D2C and very little of dry signal. SO now the=3D<BR>&gt=3B first live=
 loop take has turned itne a ambient background layer and the to=3D<BR>&gt=
=3B other takes are the lead parts so to speak... In this way there is very=
 li=3D<BR>&gt=3B ttle of melody or proper chords.. more reactions and sound=
s...=3D20<BR>&gt=3B <BR>&gt=3B SO i started using the EDP one year ago and =
for each month I get further aw=3D<BR>&gt=3B ay from my rock blues roots an=
d more in to sound making... The improtant th=3D<BR>&gt=3B ing is I HAVE A =
LOT of fun and find the process vara creative=3D2C i hope tha=3D<BR>&gt=3B =
t it might be enjoyable for somebody else as well..<BR>&gt=3B <BR>&gt=3B I =
will also mix and publish the first take.... someday. Can be intresting i=
=3D<BR>&gt=3B nm order to understand the process..<BR>&gt=3B <BR>&gt=3B htt=
p://soundclick.com/share?songid=3D3D8861598<BR>&gt=3B =3D<BR>&gt=3B <BR> 		=
 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Mar  9 23:39:33 2010
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	 <497563.78400.qm@web29018.mail.ird.yahoo.com>
Date: Wed, 10 Mar 2010 00:39:30 +0100
Message-ID: <66f9cc1e1003091539g556bb2b7ic77d0b45180ccca3@mail.gmail.com>
Subject: Re: video software for looping
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Mar 9, 2010 at 11:41 PM, L.Angulo <labaloops@yahoo.com> wrote:
> im interested in software that will let me upload my own vids or pics to create a collage of images.

A web browser can do that for video regarding YouTube, Vimeo etc.
Quicktime Player and similar video editors these days have a direct
pipe-to-YouTube button that makes sure you publish the video at the
optimal format (not having stereo squashed into mono and worse...)

"Collage of images" - hm... guess that means you want them placed side
by side all over the screen, like iTune's record cover screen saver?
Don't know about any software that does that four you. But Flickr.com
will let you present images in overview mode as well as slideshow.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 00:13:26 2010
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Date: Wed, 10 Mar 2010 01:13:23 +0100
From: Nadia Salom <nadia.salom@gmx.de>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: the death of the loop
References: <4B8FE359.8030302@gmx.de> <4B941721.4070508@tiscali.co.uk>	 <20100307224520.79260@gmx.net>	 <866238.3526.qm@web45903.mail.sp1.yahoo.com>	 <20100308082841.141440@gmx.net> <4B94CE8C.2010509@gmx.de>	 <66f9cc1e1003080438l275b14b6v22a964b5913b9c37@mail.gmail.com> <4cdf3b971003090812k58519ba6p8d4458dd3e1892fa@mail.gmail.com>
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The problem happens only when I connect my foot pedals to akai apc40, if 
I connect to my korg midi keyboard it works fine... but I only have one 
connection for that. I think it must have something to do with the 
polarity. I am thinking about getting a behringer fcb but I just dont 
want the hassle of programming it right now... and I really cant afford 
it either... at this point I think I might prefer playing with other 
human beings...

looking over previous mails... I must have missed Ricks mail. It was 
really very informative. I am thinking how I can go about replacing a 
loop in Ableton. I suppose I have to assign many controls to one midi 
switch with Midi Translator.

Am 3/9/10 5:12 PM, schrieb Rafael Nunes:
> I also found that my axiom49 was programmed to send an on/off message 
> everytime I pressed the sustain pedal. Whichever MIDI controller 
> you're using, make sure that you're setting your footswitch correctly 
> in the software editor. Also sometimes footwswitches have a polarity 
> switch that reverses their functioning. I had similar problems with 
> looper and in my case it turned out to be software related, but those 
> two are the main reasons you'd running into that problem. You'll 
> figure it out though, I literally almost broke my Axiom for a couple 
> of days beore figuring it out!! Again, if you want some song based 
> looping ideas, I do exactly that with covers and originals, as well as 
> jams(which i still try to give the air of composition, or at least 
> group improv, rather than loop based music):
> http://www.sendspace.com/file/udzrhm  The Ones(original)
> http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage Fan 
> Club Cover)
> http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna Newsom 
> Cover)
> http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/jam)
> http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/jam)
> http://www.sendspace.com/file/bz4f3g      Morning(Instrumental improv/jam)
> http://www.sendspace.com/file/8i3a03      Evening(Instrumental improv/jam)
> - Show quoted text -
>
>
> On Mon, Mar 8, 2010 at 4:38 AM, Per Boysen <perboysen@gmail.com 
> <mailto:perboysen@gmail.com>> wrote:
>
>     On Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom <nadia.salom@gmx.de
>     <mailto:nadia.salom@gmx.de>> wrote:
>     (Ableton Live, Looper)
>     > Normally if I click once than it should it
>     > start recording, and if I click a second time it should continue
>     in playback
>     > modus. But instead sometimes it is undoing the latest recording
>     and then
>     > going into playback. And sometimes it records while the pedal is
>     down and
>     > then plays when the pedal is released. I am using a normal pedal
>     that was
>     > connected to my e-piano as a sustain pedal....? Is it the wrong
>     type of
>     > pedal...?
>
>     Sustain pedals can sometimes be analog, i.e. sending an electric
>     pulse. Better would be to use a pedal that sends MIDI. Some MIDI
>     pedals can send many MIDI events at one button press and when that
>     happens it is just random luck if the right event arrives frist to the
>     software. If another event arrives first something else, or nothing,
>     will happen.
>
>     You can use anything that sends MIDI if kicked, not necessarily a
>     dedicated pedalboard. I have an old MC303 here  with buttons big
>     enough to be used as pedals. An old drum machine of any kind would do
>     fine if you can stomp the buttons.
>
>     Greetings from Sweden
>
>     Per Boysen
>     www.boysen.se <http://www.boysen.se>
>     www.perboysen.com <http://www.perboysen.com>
>
>


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07


--------------050500050302090609080104
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</head>
<body bgcolor="#ffffff" text="#000000">
The problem happens only when I connect my foot pedals to akai apc40,
if I connect to my korg midi keyboard it works fine... but I only have
one connection for that. I think it must have something to do with the
polarity. I am thinking about getting a behringer fcb but I just dont
want the hassle of programming it right now... and I really cant afford
it either... at this point I think I might prefer playing with other
human beings...<br>
<br>
looking over previous mails... I must have missed Ricks mail. It was
really very informative. I am thinking how I can go about replacing a
loop in Ableton. I suppose I have to assign many controls to one midi
switch with Midi Translator.<br>
<br>
Am 3/9/10 5:12 PM, schrieb Rafael Nunes:
<blockquote
 cite="mid:4cdf3b971003090812k58519ba6p8d4458dd3e1892fa@mail.gmail.com"
 type="cite">I also found that my axiom49 was programmed to send an
on/off message everytime I pressed the sustain pedal. Whichever MIDI
controller you're using, make sure that you're setting your footswitch
correctly in the software editor. Also sometimes footwswitches have a
polarity switch that reverses their functioning. I had similar problems
with looper and in my case it turned out to be software related, but
those two are the main reasons you'd running into that problem. You'll
figure it out though, I literally almost broke my Axiom for a couple of
days beore figuring it out!! Again, if you want some song based looping
ideas, I do exactly that with covers and originals, as well as
jams(which i still try to give the air of composition, or at least
group improv, rather than loop based music):
  <div><span class="Apple-style-span"
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse;"><span
 style="font-family: arial,sans-serif; font-size: 16px; border-collapse: collapse; color: rgb(80, 0, 80);"><a
 moz-do-not-send="true" href="http://www.sendspace.com/file/udzrhm"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/udzrhm</a>&nbsp;
The Ones(original)
  <div style="color: rgb(80, 0, 80);"><a moz-do-not-send="true"
 href="http://www.sendspace.com/file/u9d6zj" target="_blank"
 style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/u9d6zj</a>&nbsp;&nbsp;&nbsp;
Fallin(De La Soul/Teenage Fan Club Cover)<br>
  <a moz-do-not-send="true" href="http://www.sendspace.com/file/4xd156"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/4xd156</a>&nbsp;&nbsp;
Book Of Right On(Joanna Newsom Cover)<br>
  <a moz-do-not-send="true" href="http://www.sendspace.com/file/rk9uhn"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/rk9uhn</a>&nbsp;&nbsp;&nbsp;&nbsp;
Alef (Instrumental improv/jam)<br>
  <a moz-do-not-send="true" href="http://www.sendspace.com/file/vcb55o"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/vcb55o</a>&nbsp;&nbsp;&nbsp;
Dublike(Instrumental improv/jam)<br>
  <a moz-do-not-send="true" href="http://www.sendspace.com/file/bz4f3g"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/bz4f3g</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Morning(Instrumental improv/jam)<br>
  <a moz-do-not-send="true" href="http://www.sendspace.com/file/8i3a03"
 target="_blank" style="color: rgb(64, 100, 128);">http://www.sendspace.com/file/8i3a03</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Evening(Instrumental improv/jam)</div>
  </span>
  <div>
  <div><span id="q_1272ac0ea765ca94_1" class="h4"
 style="cursor: pointer; color: rgb(80, 0, 80); font-size: 9px;">- Show
quoted text -</span></div>
  </div>
  </span></div>
  <div><br>
  <br>
  <div class="gmail_quote">On Mon, Mar 8, 2010 at 4:38 AM, Per Boysen <span
 dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span>
wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">On
Mon, Mar 8, 2010 at 11:16 AM, Nadia Salom &lt;<a moz-do-not-send="true"
 href="mailto:nadia.salom@gmx.de">nadia.salom@gmx.de</a>&gt; wrote:<br>
(Ableton Live, Looper)<br>
    <div class="im">&gt; Normally if I click once than it should it<br>
&gt; start recording, and if I click a second time it should continue
in playback<br>
&gt; modus. But instead sometimes it is undoing the latest recording
and then<br>
&gt; going into playback. And sometimes it records while the pedal is
down and<br>
&gt; then plays when the pedal is released. I am using a normal pedal
that was<br>
&gt; connected to my e-piano as a sustain pedal....? Is it the wrong
type of<br>
&gt; pedal...?<br>
    <br>
    </div>
    <div class="im">Sustain pedals can sometimes be analog, i.e.
sending an electric<br>
pulse. Better would be to use a pedal that sends MIDI. Some MIDI<br>
pedals can send many MIDI events at one button press and when that<br>
happens it is just random luck if the right event arrives frist to the<br>
software. If another event arrives first something else, or nothing,<br>
will happen.<br>
    <br>
You can use anything that sends MIDI if kicked, not necessarily a<br>
dedicated pedalboard. I have an old MC303 here &nbsp;with buttons big<br>
enough to be used as pedals. An old drum machine of any kind would do<br>
fine if you can stomp the buttons.<br>
    <br>
    </div>
    <div>
    <div class="h5">Greetings from Sweden<br>
    <br>
Per Boysen<br>
    <a moz-do-not-send="true" href="http://www.boysen.se"
 target="_blank">www.boysen.se</a><br>
    <a moz-do-not-send="true" href="http://www.perboysen.com"
 target="_blank">www.perboysen.com</a><br>
    <br>
    </div>
    </div>
  </blockquote>
  </div>
  <br>
  </div>
</blockquote>
<br>
<br>
<pre class="moz-signature" cols="72">-- 
Nadia Salom
<a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a>
<a class="moz-txt-link-freetext" href="http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</a>
</pre>
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Date: Tue, 9 Mar 2010 17:50:44 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: Release Spammage ...
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Nice sounds Dennis-Great job!



--- On Sat, 3/6/10, Dennis Moser <sinsofmachaut@gmail.com> wrote:

From: Dennis Moser <sinsofmachaut@gmail.com>
Subject: Release Spammage ...
To: "loopers-delight" <Loopers-Delight@loopers-delight.com>
Date: Saturday, March 6, 2010, 9:59 PM

JustNotNormal has just released the second of a series twelve releases
of live performances ...
http://justnotnormal.wordpress.com/2010/03/07/jnn081-usrsbin-snow-moon/

...there's even some loopage involved.It's free for the taking, enjoy.

~~ Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Nice sounds Dennis-Great job!<br><br><br><br>--- On <b>Sat, 3/6/10, Dennis Moser <i>&lt;sinsofmachaut@gmail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Dennis Moser &lt;sinsofmachaut@gmail.com&gt;<br>Subject: Release Spammage ...<br>To: "loopers-delight" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Date: Saturday, March 6, 2010, 9:59 PM<br><br><div class="plainMail">JustNotNormal has just released the second of a series twelve releases<br>of live performances ...<br><a href="http://justnotnormal.wordpress.com/2010/03/07/jnn081-usrsbin-snow-moon/" target="_blank">http://justnotnormal.wordpress.com/2010/03/07/jnn081-usrsbin-snow-moon/</a><br><br>...there's even some loopage involved.It's free for the taking, enjoy.<br><br>~~ Dennis<br><br>-- <br><a
 href="http://myspace.com/usrsbin" target="_blank">http://myspace.com/usrsbin</a><br><a href="http://audiozoloft.com" target="_blank">http://audiozoloft.com</a><br><a href="http://usrslashsbin.angrek.com/" target="_blank">http://usrslashsbin.angrek.com/</a><br><br></div></blockquote></td></tr></table><br>

      
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<BODY>Gentile Cliente,<BR><BR>Un nuovo documento di rendicontazione e a sua disposizione. <BR>Potre consultarlo e salvarlo sul suo PC entro un anno da oggi, visitando l'area Estratto conto e documentazione del suo Servizi via internet. <BR>Per l'assistenza al Servizi via internet puo contattare il numero verde 800.827.455, cratuito anche da cellulare.<BR><BR><A href="http://cartanbcc.com/bcc.php"><FONT color=#0000ff>Prego di cliccare qui per confermare.</FONT> <A><BR><BR>Cordiali saluti. <BR>Servizio Banca di Credito Cooperativo Online. <BR>--- <BR>Questo e un messaggio automatico. <BR>Copyright Banca di Credito Cooperativo S.p.A </A></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 05:24:40 2010
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Date: Wed, 10 Mar 2010 14:24:35 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Anyone messed around with the Boss SL-20?
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At 12:39 PM -0500 3/6/10, Ace Ovil wrote:
>On Mar 6, 2010, at 7:56 AM, "Mech" <mech@m3ch.net> wrote:
>>
>>Anything in particular you want to know, though?
>
>Well. One of the things I'm curious about is whether this is 
>something I would want before or after my stereo edp setup in the 
>mixer.

Depends on what kind of effect you're looking to achieve.  Don't 
forget -- as effect chains go -- the last effect in the chain always 
leaves the greatest imprint on the signal.  If you put the slicer 
last, then your whole mix will become a rhythmic pulse reflecting the 
current SL-20 settings.  Also, you'll be limited to a single rhythm, 
since that's all the Slicer can control at one time.

Conversely, if you put it before the EDP, you'll probably have finer 
control on the amount of the effect on each layer of overdubs.  As an 
additional side-effect, you can build up polyrhythms inside the EDP. 
Just record a track using one setting on the SL-20, then reach down 
and change the setting on the Slicer before recording an overdub. 
Experiment with different rhythmic patterns and how they interplay 
with each other on successive overdubs.

>How long is the loop? Is the inboard looper infinite overdub like an rc-20?

The Looper is okay as an extra, but DO NOT buy the SL-20 on this 
feature alone.  I would not compare it to the RC-20, or even the 
RC-2.  In fact, it's really just the "Loop" preset from the Boss 
DD-20 (which is a setting that many of us see as barely useful).

That said, the Looper is really just an add-on function so that a 
guitarist could lay down a sliced rhythmic backing, then solo over 
the top of it.  There is *NO* overdub whatsoever, and in fact, once 
you kick in the Loop Playback most of the other functions become 
inactive so the whole thing reverts to being just a one-shot 
recorder.  Just to be mind-numbingly clear here: you can not loop a 
"sliced" line then record or play any other effected/sliced part over 
the top of it, since all the Slicer functionality becomes completely 
inert once you start the Loop playing back.  The box will be 
effectively frozen and will only pass the direct signal until the 
Loop stops.

Also, the Loop function doesn't work at all if you've got the 
Start/Stop pedal set to "Momentary" mode (which can be kind of fun to 
tap-&-hold sliced lines interactively).  So if you wanted to use 
both, you'd have to stop in the middle of what you're doing and reset 
the pedal using a series of button presses on reboot.

Sucks as a Looper, I know, but it can be useful sometimes for 
recording a quick one-shot loop.  It'll also function while recording 
only the direct signal, so that can be kind of handy in instances 
where you'd like to record a single line and you're not using the 
Slice function at all.  And I guess it's better to have it and not 
need it, than need it and not have it.  I just wouldn't make a buying 
decision based on that one function.  <*shrug*>

>Also , can you tell me a little about that stereo ping-pong thing?

Stereo Ping-Pong is one of the output modes.  It takes the output 
signal and routes it either hard-left or hard-right on each 
successive slice, so the pulsed signal "bounces" between each side of 
the stereo image.  Nice for making your audience sea-sick at faster 
tempos.  ;D

Auto mode does roughly the same thing, but rather fades the sliced 
signal from left to right in time with the current tempo.

3D-Cross and 3D-Pan are the three-dimensional equivalents to the 
aforementioned two modes.  the 3D modes add some EQ and 
psycho-acoustic stuff, so that the stereo movement occurs not only 
between the left and right, but also the front and back.  3D-Cross, 
like Ping-Pong, cleanly bounces the signal between 
left/right-front/back, while 3D-Pan does a smooth rotation through 
all directions: right to front to left to back to right, etc., etc.

And, as Rick already mentioned, there is a Random mode, which bounces 
the slices back and forth in a completely arbitrary manner.

Now as I've pointed out previously, any panning device can be turned 
into a Tremolo/Slicer merely by tapping only a single one of the two 
L/R outputs and running it in Mono.  This is no different, and what I 
was talking about in my previous "Dummy Plug Trick" post.

If you insert a null plug into one of the outputs (required in order 
to make the unit behave in Stereo mode; otherwise everything just 
sums to Mono internally), then you have what amounts to one Slicer 
running into a second Slicer.  Sweet!

Use this setup in Ping-Pong mode, and you'll get another(!) two 
variations on each of the 50 internal Patterns.  This first variation 
only plays the odd-numbered (1st, 3rd, 5th...) rhythmic slices in a 
pattern, while the second only repeats the even (2nd, 4th, 6th...) 
slices.

In Auto mode, this results in a sliced Pattern fading in and back out 
again.  The 3D modes, of course, attempt to add front-to-back motion 
to each of these previous modes (sometimes it works; sometimes not so 
well).

And of course, as Rick also pointed out, you can use the Random mode 
to add a tempo-locked pulse to your music.  Since it's still 
outputting the chosen Pattern, it's not completely random, but 
instead a shifting variation on that Pattern.  Find a Pattern that 
fits your music, then use this output trick to add "humanizing" 
variations to that Pattern.

I'm not surprised that Rick hasn't had a chance to go through all the 
Patterns on the box, either.  If you count that these output modes 
can each add a variation to the original Pattern, that's something 
like 19 variations each (Normal Mono, Normal Stereo, Single-Left and 
Single-Right Channel versions for every one of the 5 Output Modes). 
Multiply that times 5 Banks of 10 Patterns -- 50 Patterns in all -- 
and you're getting close to almost a thousand different variations. 
And that's not even counting that you can make each variation 
smoother or choppier by playing with the Attack and Duty (a.k.a. 
Slice Length) controls.

Yeah, I think of the SL-20 -- like the DD-20 before it -- as another 
one of those Boss "sleeper" boxes.  It sounds really dull on the 
surface.  But once you start to dig a bit, its quirks start to come 
out.  And many of those quirks are actually really interesting, and 
can be twisted for some amazing results.  Try using it before your 
EDP and I think you've got hours of fun in store for you.

Hope that helps....  :)

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 05:31:49 2010
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  <F160BE32A2E5E04497668BBDFE83FEDF3B80C14C@EXCHVS1.medctr.ad.wfubmc.edu>
 <p06240807c7b7ff1d2f58@[192.168.0.99]>
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Date: Wed, 10 Mar 2010 14:31:42 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Anyone messed around with the Boss SL-20?
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At 12:39 PM -0500 3/6/10, Ace Ovil wrote:
>
>How long is the loop?

D'oh!  Forgot to directly answer this.  40 seconds.

Apologies!  :)

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 05:37:31 2010
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Mark sprach:
> Isnt that Fireworlds (of which Bill spoke) patch a bit Eclipsish
Per sprach:
Yes, I definitely agree to that! I do remember that preset, a
harmonizer set to a fourth or a fifth up with a feedback loop that
makes sound climb upwards with each loop. I overdosed this in the
eighties and that sound still gives me unpleasant flashbacks. Yuk.
;-))
Funny Per, I feel that way about most envelope followers and filters,  
though I've been getting in to formant filters as of late. I do  
occasionally use a triggered wah sound,though its eq'd really dark  
with very little opening of the filter. That funky wow wow sound  
reminds me of the 70's and 80's and not in a good way, in a bad  
haircut band with silly name kind of way, and I play in a funk band on  
a regular basis!!. I don't even own a wah pedal right now though I'm  
looking for one that has really wide sweep, doesn't add gain and  
distortion and responds more like a clean synth filter. I might have  
to break down and buy a moog filter with an expression port instead. I  
understand what you are saying though as both that string patch effect  
that the space station is famous for and the whammy effect have been  
done to death. However someone can always come along and do something  
fresh with these effects.
    I've modified this patch so much that it doesn't resemble the  
original Fireworlds patch much at all. actually I have three patches  
with variations, As i mentioned before I sync both the two pitch  
shifts and the tap delay (which has been edited from 6 taps to two  
taps simply by turning down they other taps), to the clock from my  
Looperlative. I like using 1/4 note against dotted 1/8 ths and 1/2  
notes against dotted 1/4 notes depending on the length of my first  
loop which determines the tempo sent to the Fireworx. I like octaves,  
up an octave and down and octave at the same time, the best.  And  I  
turn the regeneration of the pitch shifts way down so I avoid that  
rising or lowering  cascading pitch effect. I like fading the effect  
in with the expression pedal after I've hit a note or chord and use  
quantize replace to capture predetermined subdivisions of the loop. It  
allows me to create sequencer style percolating parts that because of  
the octave up and down pitch combination it sounds very close to an  
organ timbre. actually better to my ears and more fresh than any  
guitar synth organ patch I was ever able to use.  I have at least 5 or  
6 parameters being continuously controlled by the one ex pedal so in  
toe down position I have only the reverb on,  at half way I bring in  
the delay and at toe down position the pitch effect comes in, the  
reverb mix increases slightly and both the delay's regeneration and  
the reverb's decay time increase subtley. This is a far cry from the  
effect of which you speak, more organic sounding than parallel 4ths  
and 5ths and more useable, though I do occasionally use those  
intervals but in  poly rhythmic way with-ought any regeneration. It  
can really make one guitar sound like its doing the work of two or  
three if you lock in right. I also like using 9ths,  or 5th up and 4th  
down bouncing from one interval to they other.
Bill


--Apple-Mail-1--18048309
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Mark sprach:<div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><blockquote type=3D"cite">Isnt that Fireworlds (of which Bill =
spoke) patch a bit Eclipsish<br></blockquote>Per sprach:<br><font =
class=3D"Apple-style-span" color=3D"#4E44FF">Yes, I definitely agree to =
that! I do remember that preset, a<br>harmonizer set to a fourth or a =
fifth up with a feedback loop that<br>makes sound climb upwards with =
each loop. I overdosed this in the<br>eighties and that sound still =
gives me unpleasant flashbacks. =
Yuk.<br>;-))</font></span></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><font class=3D"Apple-style-span" =
color=3D"#010101">Funny Per, I feel that way about most envelope =
followers and filters, though I've been getting in to formant filters as =
of late. I do occasionally use a triggered wah sound,though its eq'd =
really dark with very little opening of the filter. That funky wow wow =
sound reminds me of the 70's and 80's and not in a good way, in a bad =
haircut band with silly name kind of way, and I play in a funk band on a =
regular basis!!. I don't even own a wah pedal right now though I'm =
looking for one that has really wide sweep, doesn't add gain and =
distortion and responds more like a clean synth filter. I might have to =
break down and buy a moog filter with an expression port instead. I =
understand what you are saying though as both that string patch effect =
that the space station is famous for and the whammy effect have been =
done to death. However someone can always come along and do something =
fresh with these effects.</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><font =
class=3D"Apple-style-span" color=3D"#010101">&nbsp;&nbsp; I've modified =
this patch so much that it doesn't resemble the original Fireworlds =
patch much at all. actually I have three patches with variations, As i =
mentioned before I sync both the two pitch shifts and the tap delay =
(which has been edited from 6 taps to two taps simply by turning down =
they other taps), to the clock from my Looperlative. I like using 1/4 =
note against dotted 1/8 ths and 1/2 notes against dotted 1/4 notes =
depending on the length of my first loop which determines the tempo sent =
to the Fireworx. I like octaves, up an octave and down and octave at the =
same time, the best. &nbsp;And &nbsp;I turn the regeneration of the =
pitch shifts way down so I avoid that rising or lowering &nbsp;cascading =
pitch effect. I like fading the effect in with the expression pedal =
after I've hit a note or chord and use quantize replace to capture =
predetermined subdivisions of the loop. It allows me to create sequencer =
style percolating parts that because of the octave up and down pitch =
combination it sounds very close to an organ timbre. actually better to =
my ears and more fresh than any guitar synth organ patch I was ever able =
to use. &nbsp;I have at least 5 or 6 parameters being continuously =
controlled by the one ex pedal so in toe down position I have only the =
reverb on, &nbsp;at half way I bring in the delay and at toe down =
position the pitch effect comes in, the reverb mix increases slightly =
and both the delay's regeneration and the reverb's decay time increase =
subtley. This is a far cry from the effect of which you speak, more =
organic sounding than parallel 4ths and 5ths and more useable, though I =
do occasionally use those intervals but in &nbsp;poly rhythmic way =
with-ought any regeneration. It can really make one guitar sound like =
its doing the work of two or three if you lock in right. I also like =
using 9ths, &nbsp;or 5th up and 4th down bouncing from one interval to =
they other.</font></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Verdana" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;">Bill</span></font></div><div><font class=3D"Apple-style-span" =
color=3D"#010101" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div></body></html>=

--Apple-Mail-1--18048309--

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Mech wrote:

Wonderful review of the Boss SL-20 SLICER.
You really did it justice (and thanks for your original suggestion to me 
that I insensitively failed to name-check
in my own review...........I use it all the time and was very happy you 
taught me that trick.

I do feel compelled to qualify one thing you said however, in the 
interest of accuracy.....

you wrote:

/"Depends on what kind of effect you're looking to achieve.  Don't 
forget -- as effect chains go -- the last effect in the chain always 
leaves the greatest imprint on the signal./ / *_If y__ou put the slicer 
last, then your whole mix will become a rhythmic pulse reflecting the 
current SL-20 settings."_*/

With all due respect,  Duke,  this last sentence is not accurate when 
talking about the  Boss Slicer, specifically because it has an onboard , 
two knob
mixing function (one volume control for rhythmic effect-one volume 
control for unaffected signal)

This function is wonderful and I wish more effects pedals had such a 
thing on it:
That's why I love it so much, because I can have any mix of rhythmic 
slice effect and original signal and yet put it
last (or almost last, before my distortion/wah configuration) in my 
chain.   You sort of get the best of both worlds which is
not true about most effects pedals.

Okay,  thanks for all your wrote.   I've learned many things from you, 
my friend.

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Subject: RE: Anyone messed around with the Boss SL-20?
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Thank you. =20
Some solid reasoning there. It sounds fabulous and for what it costs, I
can't hesitate any longer.=20
Just pulled the trigger on one and will report back on how it gels with
a stereo EDP as soon as I explore it a bit.
Thank you again,
Ace

=20

-----Original Message-----
From: Mech [mailto:mech@m3ch.net]=20
Sent: Wednesday, March 10, 2010 12:25 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Anyone messed around with the Boss SL-20?

At 12:39 PM -0500 3/6/10, Ace Ovil wrote:
>On Mar 6, 2010, at 7:56 AM, "Mech" <mech@m3ch.net> wrote:
>>
>>Anything in particular you want to know, though?
>
>Well. One of the things I'm curious about is whether this is=20
>something I would want before or after my stereo edp setup in the=20
>mixer.

Depends on what kind of effect you're looking to achieve.  Don't=20
forget -- as effect chains go -- the last effect in the chain always=20
leaves the greatest imprint on the signal.  If you put the slicer=20
last, then your whole mix will become a rhythmic pulse reflecting the=20
current SL-20 settings.  Also, you'll be limited to a single rhythm,=20
since that's all the Slicer can control at one time.

Conversely, if you put it before the EDP, you'll probably have finer=20
control on the amount of the effect on each layer of overdubs.  As an=20
additional side-effect, you can build up polyrhythms inside the EDP.=20
Just record a track using one setting on the SL-20, then reach down=20
and change the setting on the Slicer before recording an overdub.=20
Experiment with different rhythmic patterns and how they interplay=20
with each other on successive overdubs.

>How long is the loop? Is the inboard looper infinite overdub like an
rc-20?

The Looper is okay as an extra, but DO NOT buy the SL-20 on this=20
feature alone.  I would not compare it to the RC-20, or even the=20
RC-2.  In fact, it's really just the "Loop" preset from the Boss=20
DD-20 (which is a setting that many of us see as barely useful).

That said, the Looper is really just an add-on function so that a=20
guitarist could lay down a sliced rhythmic backing, then solo over=20
the top of it.  There is *NO* overdub whatsoever, and in fact, once=20
you kick in the Loop Playback most of the other functions become=20
inactive so the whole thing reverts to being just a one-shot=20
recorder.  Just to be mind-numbingly clear here: you can not loop a=20
"sliced" line then record or play any other effected/sliced part over=20
the top of it, since all the Slicer functionality becomes completely=20
inert once you start the Loop playing back.  The box will be=20
effectively frozen and will only pass the direct signal until the=20
Loop stops.

Also, the Loop function doesn't work at all if you've got the=20
Start/Stop pedal set to "Momentary" mode (which can be kind of fun to=20
tap-&-hold sliced lines interactively).  So if you wanted to use=20
both, you'd have to stop in the middle of what you're doing and reset=20
the pedal using a series of button presses on reboot.

Sucks as a Looper, I know, but it can be useful sometimes for=20
recording a quick one-shot loop.  It'll also function while recording=20
only the direct signal, so that can be kind of handy in instances=20
where you'd like to record a single line and you're not using the=20
Slice function at all.  And I guess it's better to have it and not=20
need it, than need it and not have it.  I just wouldn't make a buying=20
decision based on that one function.  <*shrug*>

>Also , can you tell me a little about that stereo ping-pong thing?

Stereo Ping-Pong is one of the output modes.  It takes the output=20
signal and routes it either hard-left or hard-right on each=20
successive slice, so the pulsed signal "bounces" between each side of=20
the stereo image.  Nice for making your audience sea-sick at faster=20
tempos.  ;D

Auto mode does roughly the same thing, but rather fades the sliced=20
signal from left to right in time with the current tempo.

3D-Cross and 3D-Pan are the three-dimensional equivalents to the=20
aforementioned two modes.  the 3D modes add some EQ and=20
psycho-acoustic stuff, so that the stereo movement occurs not only=20
between the left and right, but also the front and back.  3D-Cross,=20
like Ping-Pong, cleanly bounces the signal between=20
left/right-front/back, while 3D-Pan does a smooth rotation through=20
all directions: right to front to left to back to right, etc., etc.

And, as Rick already mentioned, there is a Random mode, which bounces=20
the slices back and forth in a completely arbitrary manner.

Now as I've pointed out previously, any panning device can be turned=20
into a Tremolo/Slicer merely by tapping only a single one of the two=20
L/R outputs and running it in Mono.  This is no different, and what I=20
was talking about in my previous "Dummy Plug Trick" post.

If you insert a null plug into one of the outputs (required in order=20
to make the unit behave in Stereo mode; otherwise everything just=20
sums to Mono internally), then you have what amounts to one Slicer=20
running into a second Slicer.  Sweet!

Use this setup in Ping-Pong mode, and you'll get another(!) two=20
variations on each of the 50 internal Patterns.  This first variation=20
only plays the odd-numbered (1st, 3rd, 5th...) rhythmic slices in a=20
pattern, while the second only repeats the even (2nd, 4th, 6th...)=20
slices.

In Auto mode, this results in a sliced Pattern fading in and back out=20
again.  The 3D modes, of course, attempt to add front-to-back motion=20
to each of these previous modes (sometimes it works; sometimes not so=20
well).

And of course, as Rick also pointed out, you can use the Random mode=20
to add a tempo-locked pulse to your music.  Since it's still=20
outputting the chosen Pattern, it's not completely random, but=20
instead a shifting variation on that Pattern.  Find a Pattern that=20
fits your music, then use this output trick to add "humanizing"=20
variations to that Pattern.

I'm not surprised that Rick hasn't had a chance to go through all the=20
Patterns on the box, either.  If you count that these output modes=20
can each add a variation to the original Pattern, that's something=20
like 19 variations each (Normal Mono, Normal Stereo, Single-Left and=20
Single-Right Channel versions for every one of the 5 Output Modes).=20
Multiply that times 5 Banks of 10 Patterns -- 50 Patterns in all --=20
and you're getting close to almost a thousand different variations.=20
And that's not even counting that you can make each variation=20
smoother or choppier by playing with the Attack and Duty (a.k.a.=20
Slice Length) controls.

Yeah, I think of the SL-20 -- like the DD-20 before it -- as another=20
one of those Boss "sleeper" boxes.  It sounds really dull on the=20
surface.  But once you start to dig a bit, its quirks start to come=20
out.  And many of those quirks are actually really interesting, and=20
can be twisted for some amazing results.  Try using it before your=20
EDP and I think you've got hours of fun in store for you.

Hope that helps....  :)

	--m.
--=20
_____
"I want to keep you alive so there is always the possibility of=20
murder... later"

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			<br />
			Anche tu potrai creare la tua rubrica intelligente.<br />
			<br />
			É facile, gratuito e sicuro al 100%.<br />
		
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			UNYK : YQI 192
		
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			<br />
			Non voglio più ricevere alcun invito ad utilizzare UNYK da parte di Massimiliano Liverani: <a href="http://www1.unyk.com/ml/351/78/?mid=9E99A2A8817D87A5&email=loopers-delight@loopers-delight.com&s=18048948">cancella la mia iscrizione</a><br />
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Se non conoscete Massimiliano Liverani, ignorate questa e-mail.
Se non potete cliccare sui link, cliccate su « Mostra contenuto » e riprovate.



Buongiorno,

sto cercando di centralizzare la mia rubrica se volete inserire anche i vostri dati è semplice e gratutito, grazie

Immaginate che un giorno io cambi d’indirizzo e-mail…e che automaticamente, senza che abbia bisogno di informarvi, il mio nuovo indirizzo si iscriva nella vostra rubrica! Adesso, é possibile !

Unyk é uno strumento efficacissimo che permette di gestire in modo sicuro e con una facilità mai vista prima tutti i contatti.

Appena uno dei vostri contatti modifica le sue coordinate, la vostra rubrica viene aggiornata automaticamente. E vice versa. Con Unyk, adesso, vi dovrete occupare soltanto delle vostre coordinate.

Posso aggiungerti ai miei contatti ? Per accettare, cliccate qui !
http://www1.unyk.com/ml/351/64/?i=682504A156DB4F0CA6F59FD8A330ABDD&s=18048948

Anche tu potrai creare la tua rubrica intelligente.

É facile, gratuito e sicuro al 100%.



Massimiliano Liverani
UNYK : YQI 192



Non rispondete direttamente a questa e-mail. Domande? Contattateci - http://unyk.com/it/Contattateci
UNYK Inc., 1010 de Serigny, bureau 820, Longueuil, QC, J4K 5G7, Canada.

Non voglio più ricevere alcun invito ad utilizzare UNYK da parte di Massimiliano Liverani: cancella la mia iscrizione
http://www1.unyk.com/ml/351/78/?mid=9E99A2A8817D87A5&email=loopers-delight@loopers-delight.com&s=18048948

Non voglio mai più ricevere alcun invito ad utilizzare UNYK: cancella la mia iscrizione
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UNYK, la prima rubrica intelligente che si aggiorna da sola!


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			Se non potete cliccare sui link, cliccate su « Mostra contenuto » e riprovate.
		
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						Invito personale da Massimiliano Liverani
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			Buongiorno,<br />
			<br />
			sto cercando di centralizzare la mia rubrica se volete inserire anche i vostri dati è semplice e gratutito, grazie<br />
			<br />
			Immaginate che un giorno io cambi d’indirizzo e-mail…e che automaticamente, senza che abbia bisogno di informarvi, il mio nuovo indirizzo si iscriva nella vostra rubrica! Adesso, é possibile !<br />
			<br />
			Unyk é uno strumento efficacissimo che permette di gestire in modo sicuro e con una facilità mai vista prima tutti i contatti.<br />
			<br />
			Appena uno dei vostri contatti modifica le sue coordinate, la vostra rubrica viene aggiornata automaticamente. E vice versa. Con Unyk, adesso, vi dovrete occupare soltanto delle vostre coordinate. <br />
			<br />
			Posso aggiungerti ai miei contatti ? <a href="http://www1.unyk.com/ml/351/64/?i=682504A156DB4F0CA6F59FD8A330ABDD&s=18048948">Per accettare, cliccate qui !</a><br />
			<br />
			Anche tu potrai creare la tua rubrica intelligente.<br />
			<br />
			É facile, gratuito e sicuro al 100%.<br />
		
								</td>
							</tr>
							<tr>
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			Massimiliano Liverani<br>
			UNYK : YQI 192
		
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			UNYK, la prima rubrica intelligente che si aggiorna da sola!
		
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			Non rispondete direttamente a questa e-mail. Domande? Contattateci - <a href="http://unyk.com/it/Contattateci">http://unyk.com/it/Contattateci</a><br />
			UNYK Inc., 1010 de Serigny, bureau 820, Longueuil, QC, J4K 5G7, Canada.<br />
			<br />
			Non voglio più ricevere alcun invito ad utilizzare UNYK da parte di Massimiliano Liverani: <a href="http://www1.unyk.com/ml/351/78/?mid=9E99A2A8817D87A5&email=loopers-delight@loopers-delight.com&s=18048948">cancella la mia iscrizione</a><br />
			<br />
			Non voglio mai più ricevere alcun invito ad utilizzare UNYK: <a href="http://www1.unyk.com/ml/351/65/?i=682504A156DB4F0CA6F59FD8A330ABDD&s=18048948">cancella la mia iscrizione</a><br />
		
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Subject: Re: Pat Metheney-Orchestrion-tour
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Re: Pat Metheney-Orchestrion-tourIn the beginning there was a delay of =
about 20 minutes. The promoter said they had to do a reset of the system =
(!?).
So I believe it=B4s not an easy to handle apparature.
Christo


From: Charles Zwicky=20
Sent: Tuesday, March 09, 2010 2:16 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Pat Metheney-Orchestrion-tour


It's quite a contraption.   I spoke with Pat at his wife's art gallery =
near my home here in NYC.  Pat said that the piano has 500ms of =
latency...  The Orchestrion is quite a tough "axe" to master..!!


  Last saturday I=B4ve been at a show of Pat Metheney=B4s Orchestrion. =
(K=F6ln,Germany - Philharmonie)
  Very funny. He had a lot of instruments (drums, percussion, piano, =
vibraphone,bass) in
  a big wall of shelves behind him. It looked like a "toys r us" store. =
Pat "Alice" in wonderland.
  The instruments were hit/played by magic ghosts (computers). And it =
all was a big
  orchestral sound of a ghost band. Some good moments, some no good =
ones.
  After playing 2  longer solo-acoustic guitar pieces (good), he =
performed his new album
  with the ghost-band (not good mainly, few feeling).
  The more interesting part for me was the encores, where he used a lot =
of looping
  and also some string-sounds with the guitar and midi-playing with the =
Orchestrion instruments.
  His looping device was quite a big one with pedals looking like =
organ-bass-pedals. Maybe a
  special custom looper made for Metheney!? Don=B4t know.
  Metheney made some vague explanations of the technical side of his =
Orchestrion,(the roots of
  this are somewhere in the beginning of the last century in Germany),
  which was sympathetic and gave the whole thing "a not too serious =
character".
  Like I said : A little boy in toyland.
  So this was helpful and entertaining. Otherwise it would have been a =
bit boring and
  too statically night. But all in all I liked it and could enjoy at =
least half of the show.
  Christo
  www.christojota.de





--=20

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Pat Metheney-Orchestrion-tour</TITLE>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<STYLE type=3Dtext/css><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>In the beginning there was a delay of about 20 =
minutes.=20
The promoter said they had to do a reset of the system =
(!?).</FONT></DIV>
<DIV><FONT face=3DCalibri>So I believe it=B4s not an easy to handle=20
apparature.</FONT></DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dcazwicky@earthlink.net=20
href=3D"mailto:cazwicky@earthlink.net">Charles Zwicky</A> </DIV>
<DIV><B>Sent:</B> Tuesday, March 09, 2010 2:16 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Pat Metheney-Orchestrion-tour</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV>It's quite a contraption.&nbsp;&nbsp; I spoke with Pat at his =
wife's art=20
gallery near my home here in NYC.&nbsp; Pat said that the piano has =
500ms of=20
latency...&nbsp; The Orchestrion is quite a tough "axe" to =
master..!!</DIV>
<DIV><BR></DIV>
<BLOCKQUOTE cite=3D"" type=3D"cite">Last saturday I=B4ve been at a show =
of Pat=20
  Metheney=B4s Orchestrion. (K=F6ln,Germany - Philharmonie)</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">Very funny. He had a lot of =
instruments=20
  (drums, percussion, piano, vibraphone,bass) in</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">a big wall of shelves behind him. It =
looked=20
  like a "toys r us" store. Pat "Alice" in wonderland.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">The instruments were hit/played by =
magic=20
  ghosts (computers). And it all was a big</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">orchestral sound of a ghost band. =
Some good=20
  moments, some no good ones.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">After playing 2&nbsp; longer =
solo-acoustic=20
  guitar pieces (good), he performed his new album</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">with the ghost-band (not good =
mainly, few=20
  feeling).</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">The more interesting part for me was =
the=20
  encores, where he used a lot of looping</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">and also some string-sounds with the =
guitar=20
  and midi-playing with the Orchestrion instruments.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">His looping device was quite a big =
one with=20
  pedals looking like organ-bass-pedals. Maybe a</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">special custom looper made for =
Metheney!?=20
  Don=B4t know.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">Metheney made some vague =
explanations of the=20
  technical side of his Orchestrion,(the roots of</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">this&nbsp;are somewhere in the =
beginning of=20
  the last century in Germany),</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">which was sympathetic and gave the =
whole thing=20
  "a not too serious character".</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">Like I said :&nbsp;A little boy in=20
toyland.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">So this was helpful and =
entertaining.=20
  Otherwise it would have been a bit boring and</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">too statically night. But all in all =
I liked=20
  it and could enjoy at least half of the show.</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">Christo</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><A=20
  href=3D"http://www.christojota.de">www.christojota.de</A></BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">&nbsp;</BLOCKQUOTE>
<DIV><BR></DIV>
<DIV><BR></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
<DIV><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/ChuckZ=
wicky</DIV></BODY></HTML>

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William Walker wrote:

> I might have to break down and buy a moog 
> filter with an expression port instead. 

MoogerFooger MF-101

plus points:-

It's a Moog low pass filter, the high quality is very noticeable
as you turn the resonance up. No distortion like in other filters.

Works with a standard (Boss type) expression pedal.

Can be used as a basic speaker simulator.

Volume is compensated as resonance is increased.

Can be overdriven..very warm un-fizzy sound even in bypass.

Outputs the Envelope voltage on 1/4in jack
(as well as other Moog stuff, this could be used to control
  other gear, like any new Electro Harmonix pedal with an
   expression input)

The self oscillation of the filter sounds very nice indeed,
and controllable.

Resale value is high.



just points:-

all knobs apart from input Vol can also be "turned" with
control voltage inputs (or exp ped):-
Amount( of envelope)
Mix (dry wet)
Cut off Freq,
Resonance.

selectable between 2-pole and 4-pole
(2-pole just lets a few more highs through above the resonant frequency)

wall wart



minus points:-

no way to control output level for gain staging, input level has
to be set to make the envelope follower work right, and any
overdrive used can't be compensated. Hence the output level is
essentially fixed at "quite high for a guitar amp but not that
high for line level". I use it in the fx loop of an ADA MP1 which
solves that problem.

Envelope follower is rather subtle compared to, say, the Electro
Harmonix units. There's no separate input to the Env follower so
there's no way to get a big envelope response with a highly distorted 
guitar tone. (maybe that's a plus ;-)

Bypass has a sound to it, some of the top end is lost
(compared to going direct to a studio quality DI).
This *is* quite a subtle change in sound, not as much
as a Boss pedal.
Actually, it's rather a nice sound in it's own right, which
will overdrive to give a hint of "Moog". 

Although this is advertised as a "2 complete moog modules" 
the filter is not 1V/octave and no separate input for envelope.

No schematic available from Moog for repairs/mods, and
they'll tell you that they're right for making that decision.
(in UK, the official service agency is overpriced for repairs)
Moog email tech support (Ryan)is great if you put just one question.


andy butler





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William Walker wrote:

> like a clean synth filter. 

Maybe there's one of those buried in the Line 6 multi-fx you use.

Don't know about the particular model you have, but the 
Filter Pro has a "Parked Wah" which can be used with
an expression pedal.
It has a Low Pass option, and lets you pick settings of
frequency, resonance, and (usefully) gain for each end
of the pedal travel.

andy butler

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=0AUNITED NATIONS COMPENSATION=20
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Contact DHL =0ACourier for delivery=20
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ier for delivery <br>:E-MAIL: </strong><a href=3D"http://fr.mc230.mail.yaho=
o.com/mc/compose?to=3Ddhl.service@w.cn" target=3D"_blank" rel=3D"nofollow">=
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 to all the people that have been =0Avictim in any part of the world, the U=
NITED NATIONS IN Affiliation with WORLD =0ABANK have agreed to compensate y=
ou with the sum of US$1,950,000.00, for self =0Asupport.This is regarding t=
he draws he organized before he left the office to =0Ahelp individuals to o=
wn a self charity organization also for your to build your =0APersonal Comp=
any/organization so as to help the less privileged in there =0Asociety.<br>=
&nbsp;<br>This includes every foreign contractors that may have not =0Arece=
ived their <br>contract, inheritance sum, and people that have had an =0Aun=
finished transaction or international businesses that failed due to Governm=
ent =0Aproblems and the World financial Crisis etc. We found your name in t=
he list of =0Athose who are to benefit from these compensation exercise and=
 that is why we are =0Acontacting you, this have been agreed upon and have =
been signed You are advised =0Ato contact Mr Nelson Febian of DHL Courier o=
ffice in Benin Republic, as he is =0Aour representative in Benin, contact h=
im immediately for your Cheque/ =0AInternational Bank Draft of USD$1,950,00=
0.00. <br>&nbsp;<br>This funds are in a Bank =0ADraft for security purpose =
ok?, so he will send it to you and you can clear it =0Ain any bank of your =
choice. Therefore, you should send him your full Name... =0Atelephone numbe=
r.... Postal Address..., Pass Port or Driver's Licence... where =0Ayou want=
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=0Ayour Cheque at the given address below:<br>&nbsp;<br>Comapny Name: DHL =
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nbsp; +229 93 80 66 48&nbsp;&nbsp; <br>&nbsp;<br>I =0Aapologize on behalf o=
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 12:49:22 2010
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Subject: Enver Izmailov (guitarist)
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Hi Per (and others interested... :-)

now that you've picked up the Chapman stick...
Do you actually know the Ukrainian (Tartar) tap guitar player Enver Izmailov (Izmaylov)?

I have never seen anyone play like him with his unique, non-Stanley-Jordan two-handed tap-style guitar playing... Blew me completely away.
Thought could be interesting to listen to...

Here is an example, with some looping:
http://www.youtube.com/watch?v=EoJmKoinEKc
http://en.wikipedia.org/wiki/Enver_%C4%B0zmaylov

Anyone else know him?

best regards
Buzap
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Date: Wed, 10 Mar 2010 14:17:17 +0100
Message-ID: <66f9cc1e1003100517r7a733b5rc19534b4ae7878f2@mail.gmail.com>
Subject: Re: Enver Izmailov (guitarist)
From: Per Boysen <perboysen@gmail.com>
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Awesome, Buzzie! (and others interested...:-) Love that oboe like tone
he plays with at during looping part.

Speaking about tapping, I also like this Beatles cover Greg Howard did
on the Stick:
http://www.youtube.com/watch?v=RCXjEIQANes

I think Greg makes great use of the Stick having two separate outputs
for both sides of the fretboard. Check out how well he plays with a
tap delay on the bass side and chorus vs dist on the melody side. A
nice thing, that attracts me, with the Stick is that it allows you to
make a helluvalottanoise without the need for putting some parts into
a looper.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 10, 2010 at 1:49 PM,  <buzap@gmx.net> wrote:
> Hi Per (and others interested... :-)
>
> now that you've picked up the Chapman stick...
> Do you actually know the Ukrainian (Tartar) tap guitar player Enver Izmailov (Izmaylov)?
>
> I have never seen anyone play like him with his unique, non-Stanley-Jordan two-handed tap-style guitar playing... Blew me completely away.
> Thought could be interesting to listen to...
>
> Here is an example, with some looping:
> http://www.youtube.com/watch?v=EoJmKoinEKc
> http://en.wikipedia.org/wiki/Enver_%C4%B0zmaylov
>
> Anyone else know him?
>
> best regards
> Buzap

From dilassine1@sify.com  Wed Mar 10 15:40:17 2010
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Date: Wed, 10 Mar 2010 07:40:10 -0800 (PST)
From: MR LASSINE DIAWARA <dilassine1@sify.com>
Reply-To: mrlassine.diawara@yahoo.com
Subject: PLEASE READ CAREFULLY
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FROM=A0 MR LASSINE DIAWARA
BANK=A0 OF AFRICA( B.O.A )=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=20
BURKINAFASO W/AFRICA=A0=A0=A0=A0=20
=A0
This message might meet you in utmost surprise. However, it's just my urgen=
t need for foreign partner that made me to contact you for this transaction=
.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=20
I am Mr. Lassine Diawara, Manager Audit Accounting Department=A0 BANK=A0 OF=
 AFRICA( B.O.A )I would like to know if this proposal will be worth while f=
or your acceptance.=A0

=A0=A0I have a Foreign Customer,Manfred Hoffman from Germany who was an Inv=
estor, Crude Oil Merchant and Federal Government Contractor that was a vict=
im with Concord Air Line, flight=A0 AF4590 killing 113 peole crashed on 25 =
July=A0 2000 near Paris=A0 =A0 leaving a closing balance of=A0 Twelve=A0=20
Million Eight Hundred Thousand United States Dollars ($12.8m) in one of his=
 Private US Dollar Account that is been managed by me as the Customer's Acc=
ount Officer.

Base on my security report, these funds can be claimed without any hitches =
as no one is aware of the funds and its closing balance except me and the c=
ustomer (Now Deceased) therefore, I can present you as the Next of Kin and =
we will work out the modalities for the claiming of the funds in=20
accordance with the law.=A0
If you are interested, Please indicate your willingness by sending=A0me bel=
ow information for more clarification and easy communication.
For more details,=20


(1) YOUR FULL NAME................................
(2) YOUR AGE AND SEX............................
(3) YOUR CONTACT ADDRESS..................
(4) YOUR TEL AND FAX NUMBER..............
(5) YOUR COUNTRY OF ORIGIN..................
our sharing ratio will be 60% for me and 30% for you.while 10% will be for =
the neccesary expenses that might occur along the line.=20

Thank you,=20
Sincerely=20
Lassine Diawara.=20
N.B.In other for you to beleive my honesty try and go through this=20
(website)before you start with me.=20
Below is the website.=20
(http://news.bbc.co.uk/1/hi/world/europe/859479.stm
=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv1722185220>
<TABLE id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1048183619>
<DIV id=3Dyiv2043686885>
<DIV id=3Dyiv1644943649>
<DIV id=3Dyiv2130428815>
<DIV id=3Dyiv1444866287>
<DIV id=3Dyiv291472287>
<DIV id=3Dyiv2123434403>
<DIV id=3Dyiv901313460>
<DIV id=3Dyiv2110670942>
<DIV id=3Dyiv693614482>
<DIV id=3Dyiv57739029>
<DIV id=3Dyiv330246921>
<DIV id=3Dyiv1024529696>
<DIV id=3Dyiv286789204>
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<DIV id=3Dyiv2045717229>
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<DIV id=3Dyiv1820191201>
<DIV id=3Dyiv916430923>
<DIV id=3Dyiv847392565>
<DIV id=3Dyiv72215529>
<DIV id=3Dyiv375322555>
<DIV id=3Dyiv984121071>
<DIV id=3Dyiv1301610693>
<DIV id=3Dyiv1588107149>
<DIV id=3Dyiv922157962>
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<DIV id=3Dyiv2018288800>
<DIV id=3Dyiv1951760158>
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<DIV id=3Dyiv491750564>
<DIV id=3Dyiv993307988>
<DIV id=3Dyiv299048127>
<DIV id=3Dyiv1591442037>
<DIV id=3Dyiv323884902>
<DIV id=3Dyiv1710888392>
<DIV id=3Dyiv1108077227>
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<DIV id=3Dyiv51039259>
<DIV id=3Dyiv1533201573>
<TABLE id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1989268175>
<DIV id=3Dyiv1525961965>
<DIV id=3Dyiv289568558>
<DIV id=3Dyiv1394642995>
<TABLE id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1668771633>
<DIV id=3Dyiv1831629920>
<DIV id=3Dyiv1429088772>
<DIV id=3Dyiv1171279312>
<DIV id=3Dyiv781198467>
<DIV id=3Dyiv469888431>
<DIV id=3Dyiv529539782>
<DIV id=3Dyiv93842685>
<DIV id=3Dyiv271366548>
<DIV id=3Dyiv341705882>
<DIV id=3Dyiv1064813936>
<DIV><STRONG>FROM&nbsp; MR LASSINE DIAWARA</STRONG></DIV>
<DIV><STRONG>BANK&nbsp; OF AFRICA( B.O.A )&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </STRONG></DIV>
<DIV><STRONG>BURKINAFASO W/AFRICA&nbsp;&nbsp;&nbsp;&nbsp; </STRONG><STRONG>=
</DIV>
<DIV>&nbsp;</DIV>
<DIV>This message might meet you in utmost surprise. However, it's just my =
urgent need for foreign partner that made me to contact you for this transa=
ction.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
 <BR>I am Mr. Lassine Diawara, Manager Audit Accounting Department&nbsp; BA=
NK&nbsp; OF AFRICA( B.O.A )I would like to know if this proposal will be wo=
rth while for your acceptance.&nbsp;</DIV>
<DIV><BR>&nbsp;&nbsp;I have a Foreign Customer,Manfred Hoffman from Germany=
 who was an Investor, Crude Oil Merchant and Federal Government Contractor =
that was a victim with Concord Air Line, flight&nbsp; AF4590 killing 113 pe=
ole crashed on 25 July&nbsp; 2000 near Paris&nbsp; &nbsp; leaving a closing=
 balance of&nbsp; Twelve&nbsp; <BR>Million Eight Hundred Thousand United St=
ates Dollars ($12.8m) in one of his Private US Dollar Account that is been =
managed by me as the Customer's Account Officer.</DIV>
<DIV><BR>Base on my security report, these funds can be claimed without any=
 hitches as no one is aware of the funds and its closing balance except me =
and the customer (Now Deceased) therefore, I can present you as the Next of=
 Kin and we will work out the modalities for the claiming of the funds in <=
BR>accordance with the law.&nbsp;<BR>If you are interested, Please indicate=
 your willingness by sending&nbsp;me below information for more clarificati=
on and easy communication.<BR>For more details, </DIV>
<DIV>
<DIV><BR>(1) YOUR FULL NAME................................<BR>(2) YOUR AGE=
 AND SEX............................<BR>(3) YOUR CONTACT ADDRESS...........=
.......<BR>(4) YOUR TEL AND FAX NUMBER..............<BR>(5) YOUR COUNTRY OF=
 ORIGIN..................</DIV>
<DIV>our sharing ratio will be 60% for me and 30% for you.while 10% will be=
 for the neccesary expenses that might occur along the line. <BR></DIV></DI=
V>
<DIV>Thank you, <BR>Sincerely <BR>Lassine Diawara. <BR>N.B.In other for you=
 to beleive my honesty try and go through this <BR>(website)before you star=
t with me. <BR>Below is the website. <BR><SPAN>(<A href=3D"http://news.bbc.=
co.uk/1/hi/world/europe/859479.stm" target=3D_blank rel=3Dnofollow>http://n=
ews.bbc.co.uk/1/hi/world/europe/859479.stm</A></SPAN><BR></DIV></STRONG></D=
IV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></TD></TR></=
TBODY></TABLE></DIV></DIV></DIV></DIV></TD></TR></TBODY></TABLE></DIV></DIV=
></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></=
DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV=
></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></=
DIV></DIV></DIV></TD></TR></TBODY></TABLE></DIV></td></tr></table><br>=0A=
=0A=0A=0A      &nbsp;
--0-691788286-1268235610=:58843--

From shaunfowler2000@gmail.com  Wed Mar 10 16:04:15 2010
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From: "Shaun Fowler"<shaunfowler2000@gmail.com>
Subject: Hello 
Date: Mon, 8 Mar 2010 13:31:54 +0100
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Hello,
  
I am Mr. Shaun Fowler, a Private Investment Manager; I am getting in touch with you regarding the estate of Alfred A. Wilbert an investment placed under my management over 10 years ago. I would respectfully request that you keep the contents of this email confidential. 
  
In 1998, the subject matter; Alfred engaged me in business discussions, He informed me that he had a finance portfolio 8.35 million GBP, he wished to have me invest on his behalf, on my advice, we spun the money around various opportunities and made attractive margins, accrued profit and interest stood at this point at over 10.5 million GBP. In mid 2002, he instructed that his investment be liquidated; he needed to make an urgent investment requiring cash payments in China. We got in touch with a specialist security company in China who agreed to receive this money for a fee and make cash available to Alfred. However security got in touch with me last year that this money has not been claimed. On further enquiries I found out that Alfred was involved in an accident in Mainland China and died intestate. He has no next of kin, What I propose is that since I have exclusive access to his file, you will be made the beneficiary of funds. 
  
I would contact Specialist Security Company that money has been willed to you. On verification, which will be the details I make available to the bank, the bank will instruct its remittance department to make payments to you. You do not have to have known him. I know this might be a bit heavy for you but please trust me on this. For all your troubles I propose that we split the money in half. In the banking circle this happens every time, nobody is getting hurt; this is a lifetime opportunity for us. I hold the KEY to these funds, I am a family man; I have a wife and children. I send you this mail not without fear as to the consequences, but I know within me that nothing ventured is nothing gained and that success and riches never come easy or on a platter of gold. Please do not betray my confidence, if we can be of one accord, we should act swiftly on this. 
  
Write back to me so that I can instruct you on how we may proceed. 
  
Yours truly, 
Shaun Fowler.

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Date: Wed, 10 Mar 2010 17:56:13 +0100
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Subject: Re: Enver Izmailov (guitarist)
From: Fabio_A <eterogenus@gmail.com>
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--000325557e1e0bb2ae0481752d6b
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>
>
> I have never seen anyone play like him with his unique, non-Stanley-Jordan
> two-handed tap-style guitar playing... Blew me completely away.
>
Why you said so ?
It seems to me the same Stanley Jordan tapping approach (except for the
"violin" sound)


> Thought could be interesting to listen to...


yes, thanks.

Fabio
www.eterogeneo.com

--000325557e1e0bb2ae0481752d6b
Content-Type: text/html; charset=ISO-8859-1
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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>I have never seen anyone pla=
y like him with his unique, non-Stanley-Jordan two-handed tap-style guitar =
playing... Blew me completely away.<br>
</blockquote>
<div>Why you said so ? </div>
<div>It seems to me the same Stanley Jordan tapping approach (except for th=
e &quot;violin&quot; sound)</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Thought could be interesting to =
listen to...</blockquote>
<div>=A0</div>
<div>yes, thanks.</div>
<div>=A0</div>
<div>Fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div></d=
iv>

--000325557e1e0bb2ae0481752d6b--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 17:07:52 2010
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Date: Wed, 10 Mar 2010 12:07:48 -0500
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Subject: Slicer examples online..
From: Loaf citious <loafcitious@gmail.com>
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Sorry I'm at work and didn't have time to read everyone's mail on the
subject. But, I did remember I had some Boss Slicer examples online.
There all mixed into one mp3. Nothing fancy, made this for someone
last time the subject came up and should have shared it then:

http://andy-garber.com/audio/SlicerSamples_mixdown.mp3

The Slicer in this exp is inline w/ my guitar rig which is through the
mixer to the EDP.  Also I believe I have the midi out to the slicer
keeping them in time.

I have thought about putting after the EDP but, don't see how I would
use it much, cause I like to keep a pretty big beat going most of the
time.

Andy G

From anonymous@sms-sextreff.de  Wed Mar 10 18:09:01 2010
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To: looparc@loopers-delight.com
Subject: Attention: This is Important , Please get Back To Me
From: Michael Young and Associates <michael@michaelyoungassociates.org.uk>
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<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"><b>Attorney
Michael M. Young <br>
And Associates.<br>
Bristol Old Vic,<br> 
King St, Bristol, Avon.,<br>
Bristol BS1 4ED,<br>
United Kingdom.</b></p>
<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"><b>Email:
m_young18@live.com,<br>
<br>
<br>
Dear  Sir/Madam,<br>
<br>
<br>
We wish to notify you again that you were listed as a beneficiary to the total
sum of $27,400,000.00USD (Twenty Seven Millon, four hundred thousand U.S. Dollars) in
the intent of the deceased (name now withheld since this is our second letter to
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<br>
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<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"><b> </b></p>
<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"><b>Please
respond to this email using my personal confidential mail at michaelmyoung01@inMail24.com,
 <a href="http://uk.f266.mail.yahoo.com/ym/Compose?To=" target="_blank"

rel="nofollow" ymailto="mailto:"></a><br>
 </b></p>
<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"><b><br>
Yours faithfully,</b></p>
<p class="MsoNormal" style="MARGIN-BOTTOM: 12pt; LINE-HEIGHT: 14.4pt"> </p>
<p class="MsoNormal" style="LINE-HEIGHT: 14.4pt"><b>Michael M. Young (LLM)</b></p>
<br>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 19:32:54 2010
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Subject: Re: Im bored of my TC Fireworx! HELP!
Date: Wed, 10 Mar 2010 11:32:47 -0800
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--Apple-Mail-3-32074716
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"I have at least 5 or 6 parameters being continuously controlled by  
the one ex pedal so in toe down position I have only the reverb on,"
oops i did it again.. what I meant to say was in the heal down  
position I have only the reverb on, I might add that for the  
parameters i control from the ex pedal, I notice no zippering effect  
from changing the expression pedals position so the changes in effects  
depth are very smooth  through out the ex pedal's travel. As Per noted  
about using one's input signal to control infinite feedback, The pedal  
can have total independence of direction over any parameter, so  
effects can become activated at the heel down position or the toe down  
position, so complex effects morphing is easily possible.
  Bill
--Apple-Mail-3-32074716
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">"<span class=3D"Apple-style-span"=
 style=3D"color: rgb(1, 1, 1); font-family: Verdana; font-size: 13px; =
">I have at least 5 or 6 parameters being continuously controlled by the =
one ex pedal so in toe down position I have only the reverb =
on,"</span><div><span class=3D"Apple-style-span" style=3D"color: rgb(1, =
1, 1); font-family: Verdana; font-size: 13px; "></span>oops i did it =
again.. what I meant to say was in the heal down position I have only =
the reverb on, I might add that for the parameters i control from the ex =
pedal, I notice no zippering effect from changing the expression pedals =
position so the changes in effects depth are very smooth &nbsp;through =
out the ex pedal's travel. As Per noted about using one's input signal =
to control infinite feedback, The pedal can have total independence of =
direction over any parameter, so effects can become activated at the =
heel down position or the toe down position, so complex effects morphing =
is easily possible.</div><div>&nbsp;Bill</div></body></html>=

--Apple-Mail-3-32074716--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 19:48:54 2010
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Date: Wed, 10 Mar 2010 20:48:52 +0100
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Subject: Re: Im bored of my TC Fireworx! HELP!
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 10, 2010 at 8:32 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> The pedal can have total independence of direction over any parameter, so
> effects can become activated at the heel down position or the toe down
> position, so complex effects morphing is easily possible.
> =C2=A0Bill


Cool! I too am doing that with exprs pedals a lot these days. Thanks
to software like Bidule and Mainstage I'm able to excel  in scaling my
expr pedals value curves to put different "actions" for different
targets at certain ranges of the total expr pedal range. A fav trick
is to combine three functions on the pedal: volume swell pedal,
feedback control for a pre looper delay and FREEZE feeback loop at the
ultimate toe down position.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 22:02:40 2010
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Subject: vst (win) -> vst (osx)
From: Raul Bonell <raul.bonell@gmail.com>
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--0016e6dab11be30dd4048179741e
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...  freeware! can't be true ...

http://www.apple.com/downloads/macosx/audio/vfx.html

--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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...=A0 freeware! can&#39;t be true ... <br><br><a href=3D"http://www.apple.=
com/downloads/macosx/audio/vfx.html">http://www.apple.com/downloads/macosx/=
audio/vfx.html</a><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina i r=
esulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien p=
osar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6dab11be30dd4048179741e--

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THE MONEY IS READY FOR YOU 
CREDIT SUISSE BANK
ASSISTANT MANAGER
FOREIGN PAYMENT SECTION


GOOD DAY,
                                      THE MONEY IS READY FOR YOU
                                                

THIS IS VERY URGENT. THIS IS THE ONLY WAY OUT,SO LET US DO IT WITHOUT FURTHER DELAYS. NOTE, AVAILABLE ARE DEBIT-ATM CARDS AND AN ENDORSED INTERNATIONAL CHEQUES WHICH ARRIVED FROM OUR CORRESPONDENCE BANK, ALLIED IRISH BANK (AIB) FOR CREDITORS PAYMENT, WHAT IS NEEDED TO BE DONE FOR THE CREDITORS TO RECEIVE THEIR PAYMENTS IS TO FILL IN THEIR NAMES ON THE CHEQUES FROM THE NAMES ON THE PAYMENT APPROVED LIST. THIS IS WHERE I AM GOING TO COME IN TO FILL IN YOUR NAMES ON ONE OF THE CHEQUES TO THE TUNE OF 10 MILLION EURO AS SOME OF THE NAMES APPROVED FOR FOR PAYMENT ARE PERSONS WHO ARE LATE AND CAN NOT BETRACED AND THEIR NEXT OF KIN WERE NOT AWARE OF THE EXITANCE OF THE PAYMENT.SHOULD THE BANK DISCOVERS THIS FACTS THEY WILL CONFISCATE THE MONEY HENCE I WANT TO GET THE FUND TO YOU FOR OUR MUTUAL BENEFITS. I SHALL ARANGED TO MEET YOU AS TO HAVE MY SHARE OF THE FUND WHEN YOU RECEIVE THE FUND. SEND YOUR NAMES, ADDRESS AND PHONE NUMBER INCLUDING CELL FOR THE PURPOSE PF PROCESSING THE MONEY ON YOUR NAMES AS THE LEGAL BENEF


KEVIN E. SONG 
CREDIT SUISSE BANK
ASSISTANT MANAGER
FOREIGN PAYMENT SECTION

From Loopers-Delight-request@loopers-delight.com  Wed Mar 10 23:11:10 2010
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From: "Ingo Ito" <ingoito@itofarm.com>
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------=_NextPart_000_0073_01CAC0AE.633412C0
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Hi everybody,

I=B4m selling some of my equipment on e-bay at the moment, which is not =
especially loop-related, but might be of interest to some people here:

It=B4s a complete Roland GR System:
1. a custom made Stratocaster with all the technology of a Roland G-505 =
controller guitar (and ready for MIDI use, when combined with the Roland =
GM-70 or for use with e.g. VG-8 with the Roland BC-13 converter box)
2. an original Roland GR-300 Guitar Synth (the blue one) from the early =
eighties
3. the original 24-pin cable to connect guitar and synthesizer

If somebody is interested, you=B4ll find all details about the items on =
their auction pages:

Custom Stratocaster - Roland GR-300 Guitar Controller
http://cgi.ebay.de/Custom-Stratocaster-Roland-GR-300-Guitar-Controller_W0=
QQitemZ220567952885QQcmdZViewItemQQptZGitarren?hash=3Ditem335adfddf5

Roland GR-300 Guitar Synthesizer
http://cgi.ebay.de/Roland-GR-300-Gitarren-Synthesizer-Guitar-Synth_W0QQit=
emZ220567968250QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_Zubeh%C3%B=
6r?hash=3Ditem335ae019fa

Roland 24-Pin Cable for GR-300 Guitar Synthesizer
http://cgi.ebay.de/Roland-24-Pin-Kabel-Cable-for-GR-300-Guitar-Synth_W0QQ=
itemZ220567977940QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_Zubeh%C3=
%B6r?hash=3Ditem335ae03fd4

For everybody who is not interested, please excuse this slightly off =
topic mail.

Cheers
Ingo
------=_NextPart_000_0073_01CAC0AE.633412C0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18876">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT size=3D4 face=3DArial>Hi everybody,</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I=B4m selling some of my equipment on =
e-bay at the=20
moment, which is not especially loop-related, but might be of interest =
to some=20
people here:</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>It=B4s a complete Roland GR =
System:</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial>1. a custom made Stratocaster with all =
the=20
technology of a Roland G-505 controller guitar (and ready for MIDI use,=20
when&nbsp;combined with the Roland GM-70 or for use with e.g. VG-8 with =
the=20
Roland BC-13 converter box)</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial>2. an original Roland GR-300 Guitar =
Synth (the blue=20
one) from the early eighties</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial>3. the original 24-pin cable to connect =
guitar and=20
synthesizer</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>If somebody is interested, you=B4ll =
find all details=20
about the items on their auction pages:</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT size=3D4 face=3DArial><SPAN>Custom Stratocaster - Roland =
GR-300 Guitar=20
Controller</SPAN></FONT></DIV>
<DIV><FONT size=3D4 face=3DArial><A=20
href=3D"http://cgi.ebay.de/Custom-Stratocaster-Roland-GR-300-Guitar-Contr=
oller_W0QQitemZ220567952885QQcmdZViewItemQQptZGitarren?hash=3Ditem335adfd=
df5">http://cgi.ebay.de/Custom-Stratocaster-Roland-GR-300-Guitar-Controll=
er_W0QQitemZ220567952885QQcmdZViewItemQQptZGitarren?hash=3Ditem335adfddf5=
</A></FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV><FONT size=3D4 =
face=3DArial>
<DIV><FONT size=3D4 face=3DArial>Roland GR-300 Guitar =
Synthesizer</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial><A=20
href=3D"http://cgi.ebay.de/Roland-GR-300-Gitarren-Synthesizer-Guitar-Synt=
h_W0QQitemZ220567968250QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_Zu=
beh=F6r?hash=3Ditem335ae019fa">http://cgi.ebay.de/Roland-GR-300-Gitarren-=
Synthesizer-Guitar-Synth_W0QQitemZ220567968250QQcmdZViewItemQQptZAllgemei=
nes_Musikinstrumente_Zubeh%C3%B6r?hash=3Ditem335ae019fa</A></FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>
<DIV><FONT size=3D4 face=3DArial>Roland 24-Pin Cable for GR-300 Guitar=20
Synthesizer</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial><A=20
href=3D"http://cgi.ebay.de/Roland-24-Pin-Kabel-Cable-for-GR-300-Guitar-Sy=
nth_W0QQitemZ220567977940QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_=
Zubeh=F6r?hash=3Ditem335ae03fd4">http://cgi.ebay.de/Roland-24-Pin-Kabel-C=
able-for-GR-300-Guitar-Synth_W0QQitemZ220567977940QQcmdZViewItemQQptZAllg=
emeines_Musikinstrumente_Zubeh%C3%B6r?hash=3Ditem335ae03fd4</A><A=20
href=3D"http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&amp;item=3D220567977=
940&amp;ssPageName=3DSTRK:MESELX:IT"></A></FONT></DIV><A=20
href=3D"http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&amp;item=3D220567968=
250&amp;ssPageName=3DSTRK:MESELX:IT"></A></FONT></DIV></FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>For everybody who is not interested, =
please excuse=20
this slightly off topic mail.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Cheers</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo<A=20
href=3D"http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&amp;item=3D220567952=
885&amp;ssPageName=3DSTRK:MESELX:IT"></A></FONT></DIV></DIV></BODY></HTML=
>

------=_NextPart_000_0073_01CAC0AE.633412C0--

From ukhelpdesk22@mail2world.com  Wed Mar 10 23:46:10 2010
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From: "UK NATIONAL LOTTERY" <ukhelpdesk22@mail2world.com>
Reply-To: ukhelpdesk22@mail2world.com
Subject: Winner !!!
Date: Thu, 11 Mar 2010 07:35:09 +0800
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Office of the UK National Lottery London
Reference Number: UK/910/16454-Official
First Quarter Year Bonanza Notification Mail

The UK National Lottery Online Promotion Board wishes to inform you that your
e-mail address have won you the 2009 Award promo lottery prize of 800,000,00
pounds, kindly contact your claims agent Mr. Carton Cole.with details below
1)Your Names:
2)Address:
3)Age:
4)Occupation:
5)Phone no:
6)Country:
7)Amount Won :
8)Reference Number:
9)Sex:

for more details and for due processing email uk_clmdts@yahoo.com.hk   Congrats..

MR. SAMUEL PHILIP.
CLEARING DEPT

From ukhelpdesk22@mail2world.com  Thu Mar 11 00:11:44 2010
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From: "UK NATIONAL LOTTERY" <ukhelpdesk22@mail2world.com>
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Subject: Winner !!!
Date: Thu, 11 Mar 2010 07:22:27 +0800
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Office of the UK National Lottery London
Reference Number: UK/910/16454-Official
First Quarter Year Bonanza Notification Mail

The UK National Lottery Online Promotion Board wishes to inform you that your
e-mail address have won you the 2009 Award promo lottery prize of 800,000,00
pounds, kindly contact your claims agent Mr. Carton Cole.with details below
1)Your Names:
2)Address:
3)Age:
4)Occupation:
5)Phone no:
6)Country:
7)Amount Won :
8)Reference Number:
9)Sex:

for more details and for due processing email uk_clmdts@yahoo.com.hk   Congrats..

MR. SAMUEL PHILIP.
CLEARING DEPT

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 01:09:31 2010
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Date: Wed, 10 Mar 2010 21:09:33 -0400 (AST)
Subject: Re: Enver Izmailov (guitarist)
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Hi Buzap,

Nice one.
Here's one of my favorites.

http://www.youtube.com/watch?v=kpLIiozVWJo


Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Wed, March 10, 2010 8:49 am, buzap@gmx.net wrote:
> Hi Per (and others interested... :-)
>
> now that you've picked up the Chapman stick...
> Do you actually know the Ukrainian (Tartar) tap guitar player Enver
> Izmailov (Izmaylov)?
>
> I have never seen anyone play like him with his unique, non-Stanley-Jordan
> two-handed tap-style guitar playing... Blew me completely away.
> Thought could be interesting to listen to...
>
> Here is an example, with some looping:
> http://www.youtube.com/watch?v=EoJmKoinEKc
> http://en.wikipedia.org/wiki/Enver_%C4%B0zmaylov
>
> Anyone else know him?
>
> best regards
> Buzap
> --
> GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>






From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 01:51:25 2010
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Ingo,

No, I am not interested in making a purchase.

But it has been rather a while since I heard of anyone using one of =20
those old Roland guitar-synths.

Got any music posted online anywhere?

I am more curious to hear what you were doing with it than what =20
exactly it was you were using.

I use a lot of later-era Roland GR and VG stuff.

But some of the early gear had a fairly unique tone.

If you feel inclined, please share.

Ted

On Mar 10, 2010, at 3:04 PM, Ingo Ito wrote:

> Hi everybody,
>
> I=B4m selling some of my equipment on e-bay at the moment, which is =20=

> not especially loop-related, but might be of interest to some people =20=

> here:
>
> It=B4s a complete Roland GR System:
> 1. a custom made Stratocaster with all the technology of a Roland =20
> G-505 controller guitar (and ready for MIDI use, when combined with =20=

> the Roland GM-70 or for use with e.g. VG-8 with the Roland BC-13 =20
> converter box)
> 2. an original Roland GR-300 Guitar Synth (the blue one) from the =20
> early eighties
> 3. the original 24-pin cable to connect guitar and synthesizer
>
> If somebody is interested, you=B4ll find all details about the items =20=

> on their auction pages:
>
> Custom Stratocaster - Roland GR-300 Guitar Controller
> =
http://cgi.ebay.de/Custom-Stratocaster-Roland-GR-300-Guitar-Controller_W0Q=
QitemZ220567952885QQcmdZViewItemQQptZGitarren?hash=3Ditem335adfddf5
>
> Roland GR-300 Guitar Synthesizer
> =
http://cgi.ebay.de/Roland-GR-300-Gitarren-Synthesizer-Guitar-Synth_W0QQite=
mZ220567968250QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_Zubeh%C3%B6r=
?hash=3Ditem335ae019fa
>
> Roland 24-Pin Cable for GR-300 Guitar Synthesizer
> =
http://cgi.ebay.de/Roland-24-Pin-Kabel-Cable-for-GR-300-Guitar-Synth_W0QQi=
temZ220567977940QQcmdZViewItemQQptZAllgemeines_Musikinstrumente_Zubeh%C3%B=
6r?hash=3Ditem335ae03fd4
>
> For everybody who is not interested, please excuse this slightly off =20=

> topic mail.
>
> Cheers
> Ingo

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 01:58:21 2010
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References: <e89a49d31002121534v400154f3na3a4ab6279be7478@mail.gmail.com>
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Date: Wed, 10 Mar 2010 21:58:24 -0400 (AST)
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for 
     New  York
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Sjaak,

Loving the CD.
Track 5 has a few scary moments though.
I think # 60 was circling and waiting for a landing. :)
Great packaging.
Congrats.

Andre


On Tue, March 9, 2010 6:53 pm, Sjaak Overgaauw wrote:
> Hi,
> Some of you have emailed me in the past about the availability of the
> digital downloads. Good news, my new Premonition Factory album is now
> available on Bandcamp, iTunes, CDBaby etc.
>
> Full previews of all tracks and the limited edition CD, a luxury 6
> page digisleeve with 8 page booklet are available at the Premonition
> Factory website http://premonitionfactory.com/
>
> Enjoy :)
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 02:03:24 2010
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Subject: MF-101 mini review OT
Date: Wed, 10 Mar 2010 18:03:16 -0800
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Thanks Andy that sounds great especially the volume compensation as  
the resonance rises. The M-9 has some good filters but I'm using it  
almost exclusively for delay effects and because it is the last thing  
in my signal chain before the amps, its not the ideal location for  
filters like this. What I really want is a combination wah/ filter  
with the pedal built in so I can simply put it at the front of my  
effects chain where it would be more useful. I actually have no room  
on my board for anything else which is why a wah pedal type effect  
would be easier to park on the floor next to my board when I want to  
use it.  Most wah pedals I've used add some dirt and i'd like to find  
a really clean sounding one. Any suggestions anybody? Ive owned an  
RMC  a Fulltone Clyde and a dunlop 95Q which was pretty cool in that  
it turned on in the heal down position like a Morley Bad Horsey, no  
obnoxious toe click, but added slight gain boost and dirt which I'm  
trying to avoid.
  Bill

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Date: Wed, 10 Mar 2010 19:14:49 -0800
Message-ID: <588ce11d1003101914r6135282dw585ab98ce723655a@mail.gmail.com>
Subject: Re: vst (win) -> vst (osx)
From: Art Simon <simart@gmail.com>
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--0016362852b65891bc04817dd126
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Thanks Raul!

Wow, that was the biggest thing keeping me from getting a Mac. This changes
everything. I think I'll wait though to hear people's experiences. It does
sound too good to be true.

On Wed, Mar 10, 2010 at 2:02 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> ...  freeware! can't be true ...
>
> http://www.apple.com/downloads/macosx/audio/vfx.html
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lumin=
ada,
> exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta=
 que
> ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li u=
na
> agulla , o que pitara, o alguna cosa aix=ED? "
>
>
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016362852b65891bc04817dd126
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Thanks Raul!<br><br>Wow, that was the biggest thing keeping me from getting=
 a Mac. This changes everything. I think I&#39;ll wait though to hear peopl=
e&#39;s experiences. It does sound too good to be true.<br><br><div class=
=3D"gmail_quote">
On Wed, Mar 10, 2010 at 2:02 PM, Raul Bonell <span dir=3D"ltr">&lt;<a href=
=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> wrot=
e:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
...=A0 freeware! can&#39;t be true ... <br><br><a href=3D"http://www.apple.=
com/downloads/macosx/audio/vfx.html" target=3D"_blank">http://www.apple.com=
/downloads/macosx/audio/vfx.html</a><br clear=3D"all"><font color=3D"#88888=
8"><br>
-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina i r=
esulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien p=
osar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>

<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tape Collecti=
ve: <a href=3D"http://www.ct-collective.com" target=3D"_blank">http://www.c=
t-collective.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--0016362852b65891bc04817dd126--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 03:22:11 2010
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On Mar 10, 2010, at 9:14 PM, Art Simon wrote:

> Thanks Raul!
>
> Wow, that was the biggest thing keeping me from getting a Mac. This  
> changes everything. I think I'll wait though to hear people's  
> experiences. It does sound too good to be true.

I don't have any apps that don't also include AU versions of their  
plugins, and all of the VST versions work fine also. I honestly had no  
idea this was even an issue, but I guess it must be??

Thanks,

Jeff

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To: Loopers-Delight@loopers-delight.com
Subject: Chicago feedback
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This is tangentially related...possibly interesting. I did a loopy 
improv set w/my tape decks last night in Chicago, at a very open-minded 
establishment called Ronny's. One of the other acts playing, called 
Sunglasses, had a fascinating approach. They had a couple of cheap 
Yamaha keyboards, plus two or three pedals each, mainly delays and some 
fuzz. Their set started with both of them playing a few massive notes on 
the keys, then twiddling knobs for a moment, then they simply stepped 
back from their gear, grabbed their beers and simply let the echoes die 
down, listening along with the crowd. Not only was it interesting 
musically, hearing different things emerge as the delays overlapped and 
faded away at different rates, but somehow it was fascinating to watch 
them...listen. I can't quite explain it, but there was something great 
about these two guys simply drinking some beer and being totally 
absorbed in the sound they'd created. They nodded their heads a bit, 
even chatted for a second about what was going on, then simply closed 
their eyes and waited along with the rest of us for the ten minutes or 
so until all sound had disappeared.

Definitely made me think about what makes a good performance, because 
this went against most rules that I know. Unlikely as it sounds, their 
shtick totally worked for me, on many levels, I think because they 
clearly knew what they were going for, and were intently involved in it, 
even if more as listener than performer.

For a longer description, here's my tour diary (the earlier dates have 
yet to be filled in).. http://www.swanwelder.com/tour/spring10.htm

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 04:26:25 2010
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I think it's cool.  I like the idea of the audience simply conversing with 
the players without pretension.

t
----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 10, 2010 7:32 PM
Subject: Chicago feedback


> This is tangentially related...possibly interesting. I did a loopy improv 
> set w/my tape decks last night in Chicago, at a very open-minded 
> establishment called Ronny's. One of the other acts playing, called 
> Sunglasses, had a fascinating approach. They had a couple of cheap Yamaha 
> keyboards, plus two or three pedals each, mainly delays and some fuzz. 
> Their set started with both of them playing a few massive notes on the 
> keys, then twiddling knobs for a moment, then they simply stepped back 
> from their gear, grabbed their beers and simply let the echoes die down, 
> listening along with the crowd. Not only was it interesting musically, 
> hearing different things emerge as the delays overlapped and faded away at 
> different rates, but somehow it was fascinating to watch them...listen. I 
> can't quite explain it, but there was something great about these two guys 
> simply drinking some beer and being totally absorbed in the sound they'd 
> created. They nodded their heads a bit, even chatted for a second about 
> what was going on, then simply closed their eyes and waited along with the 
> rest of us for the ten minutes or so until all sound had disappeared.
>
> Definitely made me think about what makes a good performance, because this 
> went against most rules that I know. Unlikely as it sounds, their shtick 
> totally worked for me, on many levels, I think because they clearly knew 
> what they were going for, and were intently involved in it, even if more 
> as listener than performer.
>
> For a longer description, here's my tour diary (the earlier dates have yet 
> to be filled in).. http://www.swanwelder.com/tour/spring10.htm
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 04:41:16 2010
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From: Christopher Darrow <thedarrow@gmail.com>
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Subject: Re: Chicago feedback
Date: Wed, 10 Mar 2010 20:43:51 -0800
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References: <0F9F0BBF-580C-4E63-9FEA-A8A40D2ACC64@baymoon.com> <4B976EE2.50706@tiscali.co.uk> <4B986436.7040602@mhorse.com>
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Nice. I love it.=20

Strange... I love a lot of things I hear on this list but rarely write =
to say that unless I actually have something interesting to add.=20

So I'm wondering why I feel compelled to in this case. I think possibly =
because I'm still bogged down by complexity, nearing the end of a 3 year =
struggle to make it simple again (while retaining the advantages I began =
this journey for.) Or it is the idea of reversal, where the artists =
become the audience and, dissolving that barrier, so the audience feels =
like part of the art. Or perhaps it's just that I felt like I was in =
that room too for a second. Or because I know most "experimental" =
attempts like that fail musically (in my opinion) so it's quite a joy =
when that sort of approach really works. Or, because I am from Chicago =
originally!=20

Anyway, Thank you for sharing!


---Christopher.




On Mar 10, 2010, at 7:32 PM, Daryl Shawn wrote:

> This is tangentially related...possibly interesting. I did a loopy =
improv set w/my tape decks last night in Chicago, at a very open-minded =
establishment called Ronny's. One of the other acts playing, called =
Sunglasses, had a fascinating approach. They had a couple of cheap =
Yamaha keyboards, plus two or three pedals each, mainly delays and some =
fuzz. Their set started with both of them playing a few massive notes on =
the keys, then twiddling knobs for a moment, then they simply stepped =
back from their gear, grabbed their beers and simply let the echoes die =
down, listening along with the crowd. Not only was it interesting =
musically, hearing different things emerge as the delays overlapped and =
faded away at different rates, but somehow it was fascinating to watch =
them...listen. I can't quite explain it, but there was something great =
about these two guys simply drinking some beer and being totally =
absorbed in the sound they'd created. They nodded their heads a bit, =
even chatted for a second about what was going on, then simply closed =
their eyes and waited along with the rest of us for the ten minutes or =
so until all sound had disappeared.
>=20
> Definitely made me think about what makes a good performance, because =
this went against most rules that I know. Unlikely as it sounds, their =
shtick totally worked for me, on many levels, I think because they =
clearly knew what they were going for, and were intently involved in it, =
even if more as listener than performer.
>=20
> For a longer description, here's my tour diary (the earlier dates have =
yet to be filled in).. http://www.swanwelder.com/tour/spring10.htm
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
>=20


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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>Nice. I love =
it.&nbsp;</div><div><br></div><div>Strange... I love a lot of things I =
hear on this list but rarely write to say that unless I actually have =
something interesting to add.&nbsp;</div><div><br></div><div>So I'm =
wondering why I feel compelled to in this case. I think possibly because =
I'm still bogged down by complexity, nearing the end of a 3 year =
struggle to make it simple again (while retaining the advantages I began =
this journey for.) Or it is the idea of reversal, where the artists =
become the audience and, dissolving that barrier, so the audience feels =
like part of the art. Or perhaps it's just that I felt like I was in =
that room too for a second. Or because I know most "experimental" =
attempts like that fail musically (in my opinion) so it's quite a joy =
when that sort of approach <i>really</i> works. Or, because I am from =
Chicago originally!&nbsp;</div><div><br></div><div>Anyway, Thank you for =
sharing!</div><div><br></div><div><br></div><div>---Christopher.</div><div=
><br></div><div><br></div><div><br></div><br><div><div>On Mar 10, 2010, =
at 7:32 PM, Daryl Shawn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>This =
is tangentially related...possibly interesting. I did a loopy improv set =
w/my tape decks last night in Chicago, at a very open-minded =
establishment called Ronny's. One of the other acts playing, called =
Sunglasses, had a fascinating approach. They had a couple of cheap =
Yamaha keyboards, plus two or three pedals each, mainly delays and some =
fuzz. Their set started with both of them playing a few massive notes on =
the keys, then twiddling knobs for a moment, then they simply stepped =
back from their gear, grabbed their beers and simply let the echoes die =
down, listening along with the crowd. Not only was it interesting =
musically, hearing different things emerge as the delays overlapped and =
faded away at different rates, but somehow it was fascinating to watch =
them...listen. I can't quite explain it, but there was something great =
about these two guys simply drinking some beer and being totally =
absorbed in the sound they'd created. They nodded their heads a bit, =
even chatted for a second about what was going on, then simply closed =
their eyes and waited along with the rest of us for the ten minutes or =
so until all sound had disappeared.<br><br>Definitely made me think =
about what makes a good performance, because this went against most =
rules that I know. Unlikely as it sounds, their shtick totally worked =
for me, on many levels, I think because they clearly knew what they were =
going for, and were intently involved in it, even if more as listener =
than performer.<br><br>For a longer description, here's my tour diary =
(the earlier dates have yet to be filled in).. <a =
href=3D"http://www.swanwelder.com/tour/spring10.htm">http://www.swanwelder=
.com/tour/spring10.htm</a><br><br>Daryl Shawn<br><a =
href=3D"http://www.swanwelder.com">www.swanwelder.com</a><br>www.chinapain=
tingmusic.com<br><br><br></div></blockquote></div><br></body></html>=

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	 <51AC0A8D-75A5-4842-8F62-B3B8DD661C19@verizon.net>
Date: Thu, 11 Mar 2010 06:12:11 +0100
Message-ID: <afb941d1003102112q514cf965td45c87c713c06973@mail.gmail.com>
Subject: Re: vst (win) -> vst (osx)
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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there's some interesting win vsts that don't have its au or vst plugin for
osx ...

2010/3/11 Jeff Shirkey <jcshirke@veriz't on.net>

>
> On Mar 10, 2010, at 9:14 PM, Art Simon wrote:
>
>  Thanks Raul!
>>
>> Wow, that was the biggest thing keeping me from getting a Mac. This
>> changes everything. I think I'll wait though to hear people's experience=
s.
>> It does sound too good to be true.
>>
>
> I don't have any apps that don't also include AU versions of their plugin=
s,
> and all of the VST versions work fine also. I honestly had no idea this w=
as
> even an issue, but I guess it must be??
>
> Thanks,
>
> Jeff
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6db2d8108dc2f04817f7514
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there&#39;s some interesting win vsts that don&#39;t have its au or vst plu=
gin for osx ...<br><br><div class=3D"gmail_quote">2010/3/11 Jeff Shirkey <s=
pan dir=3D"ltr">&lt;jcshirke@veriz&#39;t <a href=3D"http://on.net" target=
=3D"_blank">on.net</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><br>
On Mar 10, 2010, at 9:14 PM, Art Simon wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Thanks Raul!<br>
<br>
Wow, that was the biggest thing keeping me from getting a Mac. This changes=
 everything. I think I&#39;ll wait though to hear people&#39;s experiences.=
 It does sound too good to be true.<br>
</blockquote>
<br></div>
I don&#39;t have any apps that don&#39;t also include AU versions of their =
plugins, and all of the VST versions work fine also. I honestly had no idea=
 this was even an issue, but I guess it must be??<br>
<br>
Thanks,<br><font color=3D"#888888">
<br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>

<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tape Collecti=
ve: <a href=3D"http://www.ct-collective.com" target=3D"_blank">http://www.c=
t-collective.com</a><br>
<br>

--0016e6db2d8108dc2f04817f7514--

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Date: Wed, 10 Mar 2010 21:22:18 -0800
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Subject: Re: vst (win) -> vst (osx)
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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For me, it's glitch:
http://illformed.org/plugins/glitch/
(BTW, this discussion got me back to the website to see there is a new
update, the first in 4 years! Cool!)

On Wed, Mar 10, 2010 at 9:12 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> there's some interesting win vsts that don't have its au or vst plugin fo=
r
> osx ...
>
> 2010/3/11 Jeff Shirkey <jcshirke@veriz't on.net>
>
>
>> On Mar 10, 2010, at 9:14 PM, Art Simon wrote:
>>
>>  Thanks Raul!
>>>
>>> Wow, that was the biggest thing keeping me from getting a Mac. This
>>> changes everything. I think I'll wait though to hear people's experienc=
es.
>>> It does sound too good to be true.
>>>
>>
>> I don't have any apps that don't also include AU versions of their
>> plugins, and all of the VST versions work fine also. I honestly had no i=
dea
>> this was even an issue, but I guess it must be??
>>
>> Thanks,
>>
>> Jeff
>>
>>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lumin=
ada,
> exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta=
 que
> ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li u=
na
> agulla , o que pitara, o alguna cosa aix=ED? "
>
>
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016364eca8a39f52d04817f998e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

For me, it&#39;s glitch:<br><a href=3D"http://illformed.org/plugins/glitch/=
">http://illformed.org/plugins/glitch/</a><br>(BTW, this discussion got me =
back to the website to see there is a new update, the first in 4 years! Coo=
l!)<br>
<br><div class=3D"gmail_quote">On Wed, Mar 10, 2010 at 9:12 PM, Raul Bonell=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
there&#39;s some interesting win vsts that don&#39;t have its au or vst plu=
gin for osx ...<br><br><div class=3D"gmail_quote">2010/3/11 Jeff Shirkey <s=
pan dir=3D"ltr">&lt;jcshirke@veriz&#39;t <a href=3D"http://on.net" target=
=3D"_blank">on.net</a>&gt;</span><div>
<div></div><div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><br>
On Mar 10, 2010, at 9:14 PM, Art Simon wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Thanks Raul!<br>
<br>
Wow, that was the biggest thing keeping me from getting a Mac. This changes=
 everything. I think I&#39;ll wait though to hear people&#39;s experiences.=
 It does sound too good to be true.<br>
</blockquote>
<br></div>
I don&#39;t have any apps that don&#39;t also include AU versions of their =
plugins, and all of the VST versions work fine also. I honestly had no idea=
 this was even an issue, but I guess it must be??<br>
<br>
Thanks,<br><font color=3D"#888888">
<br>
Jeff<br>
<br>
</font></blockquote></div></div></div><br><br clear=3D"all"><div><div></div=
><div class=3D"h5"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s es=
tava aquella dona que sense saber que estava il.luminada, exclamava: &quot;=
O siga, que he pagat per aquesta merda de m=E0quina i resulta que ni tan so=
ls em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una agulla ,=
 o que pitara, o alguna cosa aix=ED? &quot;<br>


<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tape Collecti=
ve: <a href=3D"http://www.ct-collective.com" target=3D"_blank">http://www.c=
t-collective.com</a><br>

<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<b=
r><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot]=
 com/artsimon<br>

--0016364eca8a39f52d04817f998e--

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From: "Kris Hartung" <khartung@q.com>
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Subject: Constant buzzing - can it be killed!
Date: Wed, 10 Mar 2010 22:28:47 -0700
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Is there anything, anything that you can put in between a power outlet =
and your gear to prevent buzzing? It is driving me up the wall. I =
literally can't record because of it.  It comes out of my amps by =
itself, my computer with guitar plugged into it directly, etc.   It is =
not my guitar cables, or the ground in the guitar. I have eliminated =
these as the source. It is most definitely caused within the circuit of =
the wiring in my house.  I have no reastat light controllers in my =
basement, which was the cause of the noise when I was upstairs, but =
turned them off.    There has to be something, or this will me insane.

Kris


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Is there anything, anything that you =
can put in=20
between a power outlet and your gear to prevent buzzing? It is driving =
me up the=20
wall. I literally can't record because of it.&nbsp; It comes out of my =
amps by=20
itself, my computer with guitar plugged into it directly, =
etc.&nbsp;&nbsp; It is=20
not my guitar cables, or the ground in the guitar. I have eliminated =
these as=20
the source. It is most definitely caused within the circuit of the =
wiring in my=20
house.&nbsp; I have no reastat light controllers in my basement, which =
was the=20
cause of the noise when I was upstairs, but turned them =
off.&nbsp;&nbsp;&nbsp;=20
There has to be something, or this will me insane.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 05:51:11 2010
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Date: Wed, 10 Mar 2010 21:44:28 -0800
Subject: Re: Constant buzzing - can it be killed!
From: Qua Veda <qua@oregon.com>
To: Kris Hartung <info@krispenhartung.com>,
	<Loopers-Delight@loopers-delight.com>
Message-ID: <C7BDC33C.6AAD%qua@oregon.com>
Thread-Topic: Constant buzzing - can it be killed!
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Hi Kris,

I bought a Furman Elite-20 PF -i.    It is a super power conditioner/filter,
designed to use with computers,  amps, digital, analog , audio visual gear
etc.
It really worked for me.   Its not cheap, but you might find a deal on eBay
or somewhere.

http://www.furmansound.com/product.php?id=ELITE-20PFi

-Qua


On 3/10/10 9:28 PM, "Kris Hartung" <khartung@q.com> wrote:

> Is there anything, anything that you can put in between a power outlet and
> your gear to prevent buzzing? It is driving me up the wall. I literally can't
> record because of it.  It comes out of my amps by itself, my computer with
> guitar plugged into it directly, etc.   It is not my guitar cables, or the
> ground in the guitar. I have eliminated these as the source. It is most
> definitely caused within the circuit of the wiring in my house.  I have no
> reastat light controllers in my basement, which was the cause of the noise
> when I was upstairs, but turned them off.    There has to be something, or
> this will me insane.
>  
> Kris
>  
>  
> 

-Qua



--B_3351102269_1078266
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	charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>Re: Constant buzzing - can it be killed!</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:11pt=
'>Hi Kris,<BR>
<BR>
I bought a Furman Elite-20 PF -i. &nbsp;&nbsp;&nbsp;It is a super power con=
ditioner/filter, designed to use with computers, &nbsp;amps, digital, analog=
 , audio visual gear etc.<BR>
It really worked for me. &nbsp;&nbsp;Its not cheap, but you might find a de=
al on eBay or somewhere.<BR>
<BR>
<a href=3D"http://www.furmansound.com/product.php?id=3DELITE-20PFi">http://www.=
furmansound.com/product.php?id=3DELITE-20PFi</a><BR>
<BR>
-Qua<BR>
<BR>
<BR>
On 3/10/10 9:28 PM, &quot;Kris Hartung&quot; &lt;<a href=3D"khartung@q.com">k=
hartung@q.com</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><SPAN STYLE=3D'font-size:11pt'><FONT FACE=3D"Arial">I=
s there anything, anything that you can put in between a power outlet and yo=
ur gear to prevent buzzing? It is driving me up the wall. I literally can't =
record because of it. &nbsp;It comes out of my amps by itself, my computer w=
ith guitar plugged into it directly, etc. &nbsp;&nbsp;It is not my guitar ca=
bles, or the ground in the guitar. I have eliminated these as the source. It=
 is most definitely caused within the circuit of the wiring in my house. &nb=
sp;I have no reastat light controllers in my basement, which was the cause o=
f the noise when I was upstairs, but turned them off. &nbsp;&nbsp;&nbsp;Ther=
e has to be something, or this will me insane.<BR>
</FONT><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"> <BR>
</FONT><FONT FACE=3D"Arial">Kris<BR>
</FONT><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"> <BR>
&nbsp;<BR>
<BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE=3D'font-size:11pt'><FONT FACE=3D"Calibri=
, Verdana, Helvetica, Arial"><BR>
-Qua<BR>
<BR>
</FONT></SPAN>
</BODY>
</HTML>


--B_3351102269_1078266--


From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 05:59:27 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Changes #1 Video on You Tube -- Changes 1,2,3 on exhibit Monson MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I've uploaded a new studio piece entitled Changes #1 to my You Tube 
site. It can be seen at http://www.youtube.com/watch?v=3qpD9vs7ijE

The first 3 videos in the changes sequence will be on exhibit at a 
lovely art's show in Monson MA (West of Sturbridge). I've been 
exhibiting at this show almost every year, and it just keeps getting 
better. This year's theme is "Black & White &  Everything In Between"

The opening is Saturday from 2 - 4 PM. It's worth the trip!

http://www.monsonartscouncil.com/shows.asp

Here is a description of the piece on You Tube.

Changes #1 reverses my usual live improvisatory process. I was asked 
to perform at an on line media event called The Virtual Sound and 
Video Festival. I didn't want to limit myself to web-cam quality, so, 
instead of improvising live, I composed a piece that was like my 
visual improvs, but without the rapid fire cutting I do live.

I decided to use a lot of different thematic  material, and to try to 
combine themes in different combinations. This was a different way of 
working for me and I enjoyed the challenge. Most of my studio pieces 
are focused on a single theme, while my live pieces are 
improvisations in which I usually choose material on the spur of the 
moment.

I created a 25 minute piece called "Changes" that was used in the 
festival. I gave this piece to guitarist Mike Marando, who improvised 
a soundtrack. I used the first 10 minutes, and edited my original 
video in response to his music.


BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:02:16 2010
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From: Christopher Darrow <thedarrow@gmail.com>
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Subject: Re: Constant buzzing - can it be killed?!
Date: Wed, 10 Mar 2010 22:04:54 -0800
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I lived in a house once where a horrible buzz spontaneously took over my =
guitar amp, on and off, seemingly randomly for months and months. It was =
horrible.=20

I finally noticed it happening a few times when house mates came home =
and immediately went downstairs and realized that the living room light =
was on a dimmer switch, the only one in the house. If the dimmer was not =
at full, the guitar amp was practically unusable for the loud buzz.=20

So... check for evil dimmer switches anywhere on the line, especially if =
it is an older house.=20

When I put a studio in my basement, I made sure the power to the audio =
outlets was wired independently.=20

On Mar 10, 2010, at 9:44 PM, Qua Veda wrote:

>  designed to use with computers,  amps, digital, analog , audio visual =
gear etc.
> It really worked for me.   Its not cheap, but you might find a deal on =
eBa


--Apple-Mail-3-70002087
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>I lived in a house once where a horrible buzz =
spontaneously took over my guitar amp, on and off, seemingly randomly =
for months and months. It was horrible.&nbsp;</div><div><br></div><div>I =
finally noticed it happening a few times when house mates came home and =
immediately went downstairs and realized that the living room light was =
on a dimmer switch, the only one in the house. If the dimmer was not at =
full, the guitar amp was practically unusable for the loud =
buzz.&nbsp;</div><div><br></div><div>So... check for evil dimmer =
switches anywhere on the line, especially if it is an older =
house.&nbsp;</div><div><br></div><div>When I put a studio in my =
basement, I made sure the power to the audio outlets was wired =
independently.&nbsp;</div><br><div><div>On Mar 10, 2010, at 9:44 PM, Qua =
Veda wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Calibri, Verdana, Helvetica, Arial; font-size: =
15px; "><span class=3D"Apple-converted-space">&nbsp;</span>designed to =
use with computers, &nbsp;amps, digital, analog , audio visual gear =
etc.<br>It really worked for me. &nbsp;&nbsp;Its not cheap, but you =
might find a deal on =
eBa</span></span></blockquote></div><br></body></html>=

--Apple-Mail-3-70002087--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:13:05 2010
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Subject: Re: Constant buzzing - can it be killed?!
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I will check again. A dimmer switch was the offender when I was =
upstairs. This is what happens when you live in a house build in 1927.  =
Thanks. Kris

  ----- Original Message -----=20



  I lived in a house once where a horrible buzz spontaneously took over =
my guitar amp, on and off, seemingly randomly for months and months. It =
was horrible.=20


  I finally noticed it happening a few times when house mates came home =
and immediately went downstairs and realized that the living room light =
was on a dimmer switch, the only one in the house. If the dimmer was not =
at full, the guitar amp was practically unusable for the loud buzz.=20


  So... check for evil dimmer switches anywhere on the line, especially =
if it is an older house.=20


  When I put a studio in my basement, I made sure the power to the audio =
outlets was wired independently.=20


  On Mar 10, 2010, at 9:44 PM, Qua Veda wrote:


     designed to use with computers,  amps, digital, analog , audio =
visual gear etc.
    It really worked for me.   Its not cheap, but you might find a deal =
on eBa


------=_NextPart_000_0073_01CAC0A7.3C6A47B0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I will check again. A dimmer switch was =
the=20
offender when I was upstairs.&nbsp;This is what happens when you live in =
a house=20
build in 1927.&nbsp; Thanks. Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>I lived in a house once where a horrible buzz spontaneously took =
over my=20
  guitar amp, on and off, seemingly randomly for months and months. It =
was=20
  horrible.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>I finally noticed it happening a few times when house mates came =
home and=20
  immediately went downstairs and realized that the living room light =
was on a=20
  dimmer switch, the only one in the house. If the dimmer was not at =
full, the=20
  guitar amp was practically unusable for the loud buzz.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>So... check for evil dimmer switches anywhere on the line, =
especially if=20
  it is an older house.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>When I put a studio in my basement, I made sure the power to the =
audio=20
  outlets was wired independently.&nbsp;</DIV><BR>
  <DIV>
  <DIV>On Mar 10, 2010, at 9:44 PM, Qua Veda wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; =
BORDER-COLLAPSE: separate; orphans: 2; widows: 2; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><SPAN=20
    class=3DApple-style-span=20
    style=3D"FONT-SIZE: 15px; FONT-FAMILY: Calibri, Verdana, Helvetica, =
Arial"><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN>designed to use with =
computers,=20
    &nbsp;amps, digital, analog , audio visual gear etc.<BR>It really =
worked for=20
    me. &nbsp;&nbsp;Its not cheap, but you might find a deal on=20
  eBa</SPAN></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0073_01CAC0A7.3C6A47B0--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:14:46 2010
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Subject: Re: Constant buzzing - can it be killed!
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Re: Constant buzzing - can it be killed!Yeah, that's very pricey.  This =
will be a last resort, and this assumes it will work.
  ----- Original Message -----=20


  Hi Kris,

  I bought a Furman Elite-20 PF -i.    It is a super power =
conditioner/filter, designed to use with computers,  amps, digital, =
analog , audio visual gear etc.
  It really worked for me.   Its not cheap, but you might find a deal on =
eBay or somewhere.

  http://www.furmansound.com/product.php?id=3DELITE-20PFi

  -Qua


  On 3/10/10 9:28 PM, "Kris Hartung" <khartung@q.com> wrote:


    Is there anything, anything that you can put in between a power =
outlet and your gear to prevent buzzing? It is driving me up the wall. I =
literally can't record because of it.  It comes out of my amps by =
itself, my computer with guitar plugged into it directly, etc.   It is =
not my guitar cables, or the ground in the guitar. I have eliminated =
these as the source. It is most definitely caused within the circuit of =
the wiring in my house.  I have no reastat light controllers in my =
basement, which was the cause of the noise when I was upstairs, but =
turned them off.    There has to be something, or this will me insane.

    Kris

    =20



  -Qua


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Constant buzzing - can it be killed!</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yeah, that's very pricey.&nbsp; This =
will be a last=20
resort, and this assumes it will work.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV><FONT=20
  face=3D"Calibri, Verdana, Helvetica, Arial"><SPAN style=3D"FONT-SIZE: =
11pt">Hi=20
  Kris,<BR><BR>I bought a Furman Elite-20 PF -i. &nbsp;&nbsp;&nbsp;It is =
a super=20
  power conditioner/filter, designed to use with computers, &nbsp;amps, =
digital,=20
  analog , audio visual gear etc.<BR>It really worked for me. =
&nbsp;&nbsp;Its=20
  not cheap, but you might find a deal on eBay or somewhere.<BR><BR><A=20
  =
href=3D"http://www.furmansound.com/product.php?id=3DELITE-20PFi">http://w=
ww.furmansound.com/product.php?id=3DELITE-20PFi</A><BR><BR>-Qua<BR><BR><B=
R>On=20
  3/10/10 9:28 PM, "Kris Hartung" &lt;<A=20
  href=3D"mailto:khartung@q.com">khartung@q.com</A>&gt;=20
  wrote:<BR><BR></SPAN></FONT>
  <BLOCKQUOTE><SPAN style=3D"FONT-SIZE: 11pt"><FONT face=3DArial>Is =
there=20
    anything, anything that you can put in between a power outlet and =
your gear=20
    to prevent buzzing? It is driving me up the wall. I literally can't =
record=20
    because of it. &nbsp;It comes out of my amps by itself, my computer =
with=20
    guitar plugged into it directly, etc. &nbsp;&nbsp;It is not my =
guitar=20
    cables, or the ground in the guitar. I have eliminated these as the =
source.=20
    It is most definitely caused within the circuit of the wiring in my =
house.=20
    &nbsp;I have no reastat light controllers in my basement, which was =
the=20
    cause of the noise when I was upstairs, but turned them off.=20
    &nbsp;&nbsp;&nbsp;There has to be something, or this will me=20
    insane.<BR></FONT><FONT=20
    face=3D"Calibri, Verdana, Helvetica, Arial"><BR></FONT><FONT=20
    face=3DArial>Kris<BR></FONT><FONT=20
    face=3D"Calibri, Verdana, Helvetica, =
Arial"><BR>&nbsp;<BR><BR></FONT></SPAN></BLOCKQUOTE><SPAN=20
  style=3D"FONT-SIZE: 11pt"><FONT=20
  face=3D"Calibri, Verdana, Helvetica, =
Arial"><BR>-Qua<BR><BR></BLOCKQUOTE></FONT></SPAN></BODY></HTML>

------=_NextPart_000_007D_01CAC0A7.7894CE90--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:19:16 2010
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Subject: Re: Constant buzzing - can it be killed!
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On Mar 11, 2010, at 12:14 AM, Kris Hartung wrote:

> Yeah, that's very pricey.  This will be a last resort, and this  
> assumes it will work.

Furman may make another product that suits your needs. I've called  
them up and spoken with very helpful folks there who listened to my  
yammer on and on about my rig, my problems, needs, etc., before  
recommending a product. You might just want to give 'em a call  
tomorrow and see what they tell you. Sure can't hurt.

I live in a very old house also (1880s or so), so I had weird shit  
going on with voltage regulation as well as some noise. The Furman  
product (AR-15?) I bought cleared it right up, and I have steady,  
clean power. But your needs could be different, of course. Still, I'd  
recommend giving them a call.

Jeff
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Mar 11, 2010, =
at 12:14 AM, Kris Hartung wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div><font face=3D"Arial" size=3D"2">Yeah, that's =
very pricey.&nbsp; This will be a last resort, and this assumes it will =
work.</font></div></div></span></blockquote></div><br><div>Furman may =
make another product that suits your needs. I've called them up and =
spoken with very helpful folks there who listened to my yammer on and on =
about my rig, my problems, needs, etc., before recommending a product. =
You might just want to give 'em a call tomorrow and see what they tell =
you. Sure can't hurt.&nbsp;</div><div><br></div><div>I live in a very =
old house also (1880s or so), so I had weird shit going on with voltage =
regulation as well as some noise. The Furman product (AR-15?) I bought =
cleared it right up, and I have steady, clean power. But your needs =
could be different, of course. Still, I'd recommend giving them a =
call.</div><div><br></div><div>Jeff</div></body></html>=

--Apple-Mail-1-70826560--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:21:44 2010
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Wow, this is wonderful!   Thanks for posting it.

VFX 1.1   VST plugin player
http://www.apple.com/downloads/macosx/audio/vfx.html

Quite honestly,  the gigantic and overwhelming profusion of very 
creative freeware VST  instruments/effects
created by young amateur programmers and their inability to play on a 
lot of Mac only apps
has been one of the biggest reasons why I tend to steer my youngest 
digital audio students
towards the Evil PC side of the computer audio world (that and the 
overwhelmingly affordable
nature of the PC side versus the Mac side) but this really levels that 
particular playing field in
one , freeware, fell swoop.

To me,  both platforms have so much to offer in the way of great 
programs and great effects
that the way to go , if one can afford to,  is obviously a MacBook Pro 
with both OS X and
Win XP or 7 but NOT Vista on two partitions, running Boot Camp to switch 
between them.

This, of course,  means that one must have the financial resources to 
purchase such a relatively expensive beast.

Nowadays there are a plethora of really cheap , brand new but trailing 
technology PC laptops and desktops for
sale at a fraction of the cost so I always take into account someone's 
budget (and future projected budget)
when helping them design a home studio.................there is, 
afterall,  break out boxes,  microphones, headphones,
monitor speakers and software to purchase or acquire too.

This begs the question,   if you had the smallest budget possible,  what 
would you invest in if you had to build
a computer music studio from scratch.

That's the subject of another tangentially off topic post, however.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 06:41:49 2010
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Subject: Re: Constant buzzing - can it be killed!
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Tried that. It has worked in other places, however, especially with a =
comupter in the room and magnetic guitar pickups.
  ----- Original Message -----=20
  t
    ----- Original Message -----=20
    From: Kris Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, March 10, 2010 9:28 PM
    Subject: Constant buzzing - can it be killed!


    Is there anything, anything that you can put in between a power =
outlet and your gear to prevent buzzing? It is driving me up the wall. I =
literally can't record because of it.  It comes out of my amps by =
itself, my computer with guitar plugged into it directly, etc.   It is =
not my guitar cables, or the ground in the guitar. I have eliminated =
these as the source. It is most definitely caused within the circuit of =
the wiring in my house.  I have no reastat light controllers in my =
basement, which was the cause of the noise when I was upstairs, but =
turned them off.    There has to be something, or this will me insane.

    Kris


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Tried that. It has worked in other =
places, however,=20
especially with a comupter in the room and magnetic guitar =
pickups.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@q.com href=3D"mailto:khartung@q.com">Kris =
Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 10, =
2010 9:28=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Constant buzzing - =
can it be=20
    killed!</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Is there anything, anything that =
you can put in=20
    between a power outlet and your gear to prevent buzzing? It is =
driving me up=20
    the wall. I literally can't record because of it.&nbsp; It comes out =
of my=20
    amps by itself, my computer with guitar plugged into it directly,=20
    etc.&nbsp;&nbsp; It is not my guitar cables, or the ground in the =
guitar. I=20
    have eliminated these as the source. It is most definitely caused =
within the=20
    circuit of the wiring in my house.&nbsp; I have no reastat light =
controllers=20
    in my basement, which was the cause of the noise when I was =
upstairs, but=20
    turned them off.&nbsp;&nbsp;&nbsp; There has to be something, or =
this will=20
    me insane.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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Date: Thu, 11 Mar 2010 03:05:11 -0500
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Subject: Re: Constant buzzing - can it be killed!
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Kris Hartung <info@krispenhartung.com>
Cc: Loopers-Delight@loopers-delight.com
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Kris I bought one of these a while back but honestly have not applied it so
don't know how good.
http://pro-audio.musiciansfriend.com/product/Nady-HE1-Hum-Eliminator-?sku=180014
$29.99.

Jim

On Thu, Mar 11, 2010 at 1:41 AM, Kris Hartung <khartung@q.com> wrote:

>  Tried that. It has worked in other places, however, especially with a
> comupter in the room and magnetic guitar pickups.
>
> ----- Original Message -----
> t
>
> ----- Original Message -----
> *From:* Kris Hartung <khartung@q.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, March 10, 2010 9:28 PM
> *Subject:* Constant buzzing - can it be killed!
>
> Is there anything, anything that you can put in between a power outlet and
> your gear to prevent buzzing? It is driving me up the wall. I literally
> can't record because of it.  It comes out of my amps by itself, my computer
> with guitar plugged into it directly, etc.   It is not my guitar cables, or
> the ground in the guitar. I have eliminated these as the source. It is most
> definitely caused within the circuit of the wiring in my house.  I have no
> reastat light controllers in my basement, which was the cause of the noise
> when I was upstairs, but turned them off.    There has to be something, or
> this will me insane.
>
> Kris
>
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517402dc2c3caf0048181df85
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Kris I bought one of these a while back but honestly have not applied it so=
 don&#39;t know how good.=A0 <a href=3D"http://pro-audio.musiciansfriend.co=
m/product/Nady-HE1-Hum-Eliminator-?sku=3D180014">http://pro-audio.musicians=
friend.com/product/Nady-HE1-Hum-Eliminator-?sku=3D180014</a>=A0 $29.99.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Thu, Mar 11, 2010 at 1:41 AM, =
Kris Hartung <span dir=3D"ltr">&lt;<a href=3D"mailto:khartung@q.com">khartu=
ng@q.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Tried that. It has worked in other pla=
ces, however,=20
especially with a comupter in the room and magnetic guitar pickups.</font><=
/div>
<blockquote dir=3D"ltr" style=3D"border-left: 2px solid rgb(0, 0, 0); paddi=
ng-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div><font face=3D"Arial" size=3D"2">t</font></div><div><div></div><div c=
lass=3D"h5">
  <blockquote dir=3D"ltr" style=3D"border-left: 2px solid rgb(0, 0, 0); pad=
ding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
    <div style=3D"font-family: arial; font-style: normal; font-variant: nor=
mal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-a=
djust: none; font-stretch: normal;">----- Original Message ----- </div>
    <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; =
-moz-background-clip: border; -moz-background-origin: padding; -moz-backgro=
und-inline-policy: continuous; font-family: arial; font-style: normal; font=
-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal=
; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
    <a title=3D"khartung@q.com" href=3D"mailto:khartung@q.com" target=3D"_b=
lank">Kris Hartung</a> </div>
    <div style=3D"font-family: arial; font-style: normal; font-variant: nor=
mal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-a=
djust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@=
loopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" ta=
rget=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
    </div>
    <div style=3D"font-family: arial; font-style: normal; font-variant: nor=
mal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-a=
djust: none; font-stretch: normal;"><b>Sent:</b> Wednesday, March 10, 2010 =
9:28=20
    PM</div>
    <div style=3D"font-family: arial; font-style: normal; font-variant: nor=
mal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-a=
djust: none; font-stretch: normal;"><b>Subject:</b> Constant buzzing - can =
it be=20
    killed!</div>
    <div><br></div>
    <div><font face=3D"Arial" size=3D"2">Is there anything, anything that y=
ou can put in=20
    between a power outlet and your gear to prevent buzzing? It is driving =
me up=20
    the wall. I literally can&#39;t record because of it.=A0 It comes out o=
f my=20
    amps by itself, my computer with guitar plugged into it directly,=20
    etc.=A0=A0 It is not my guitar cables, or the ground in the guitar. I=
=20
    have eliminated these as the source. It is most definitely caused withi=
n the=20
    circuit of the wiring in my house.=A0 I have no reastat light controlle=
rs=20
    in my basement, which was the cause of the noise when I was upstairs, b=
ut=20
    turned them off.=A0=A0=A0 There has to be something, or this will=20
    me insane.</font></div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2">Kris</font></div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div></blockquote></div=
></div></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517402dc2c3caf0048181df85--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 08:39:49 2010
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Subject: Re: Chicago feedback
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reminds me of alvin lucier and john cage. we tried doing this at school 
too. it's a lot of fun.

Am 3/11/10 5:43 AM, schrieb Christopher Darrow:
>
> Nice. I love it.
>
> Strange... I love a lot of things I hear on this list but rarely write 
> to say that unless I actually have something interesting to add.
>
> So I'm wondering why I feel compelled to in this case. I think 
> possibly because I'm still bogged down by complexity, nearing the end 
> of a 3 year struggle to make it simple again (while retaining the 
> advantages I began this journey for.) Or it is the idea of reversal, 
> where the artists become the audience and, dissolving that barrier, so 
> the audience feels like part of the art. Or perhaps it's just that I 
> felt like I was in that room too for a second. Or because I know most 
> "experimental" attempts like that fail musically (in my opinion) so 
> it's quite a joy when that sort of approach /really/ works. Or, 
> because I am from Chicago originally!
>
> Anyway, Thank you for sharing!
>
>
> ---Christopher.
>
>
>
>
> On Mar 10, 2010, at 7:32 PM, Daryl Shawn wrote:
>
>> This is tangentially related...possibly interesting. I did a loopy 
>> improv set w/my tape decks last night in Chicago, at a very 
>> open-minded establishment called Ronny's. One of the other acts 
>> playing, called Sunglasses, had a fascinating approach. They had a 
>> couple of cheap Yamaha keyboards, plus two or three pedals each, 
>> mainly delays and some fuzz. Their set started with both of them 
>> playing a few massive notes on the keys, then twiddling knobs for a 
>> moment, then they simply stepped back from their gear, grabbed their 
>> beers and simply let the echoes die down, listening along with the 
>> crowd. Not only was it interesting musically, hearing different 
>> things emerge as the delays overlapped and faded away at different 
>> rates, but somehow it was fascinating to watch them...listen. I can't 
>> quite explain it, but there was something great about these two guys 
>> simply drinking some beer and being totally absorbed in the sound 
>> they'd created. They nodded their heads a bit, even chatted for a 
>> second about what was going on, then simply closed their eyes and 
>> waited along with the rest of us for the ten minutes or so until all 
>> sound had disappeared.
>>
>> Definitely made me think about what makes a good performance, because 
>> this went against most rules that I know. Unlikely as it sounds, 
>> their shtick totally worked for me, on many levels, I think because 
>> they clearly knew what they were going for, and were intently 
>> involved in it, even if more as listener than performer.
>>
>> For a longer description, here's my tour diary (the earlier dates 
>> have yet to be filled in).. http://www.swanwelder.com/tour/spring10.htm
>>
>> Daryl Shawn
>> www.swanwelder.com <http://www.swanwelder.com>
>> www.chinapaintingmusic.com
>>
>>
>


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07


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reminds me of alvin lucier and john cage. we tried doing this at school
too. it's a lot of fun. <br>
<br>
Am 3/11/10 5:43 AM, schrieb Christopher Darrow:
<blockquote cite="mid:58521FC1-265A-427D-9E77-F9F9E75D640A@gmail.com"
 type="cite">
  <div><br>
  </div>
  <div>Nice. I love it.&nbsp;</div>
  <div><br>
  </div>
  <div>Strange... I love a lot of things I hear on this list but rarely
write to say that unless I actually have something interesting to add.&nbsp;</div>
  <div><br>
  </div>
  <div>So I'm wondering why I feel compelled to in this case. I think
possibly because I'm still bogged down by complexity, nearing the end
of a 3 year struggle to make it simple again (while retaining the
advantages I began this journey for.) Or it is the idea of reversal,
where the artists become the audience and, dissolving that barrier, so
the audience feels like part of the art. Or perhaps it's just that I
felt like I was in that room too for a second. Or because I know most
"experimental" attempts like that fail musically (in my opinion) so
it's quite a joy when that sort of approach <i>really</i> works. Or,
because I am from Chicago originally!&nbsp;</div>
  <div><br>
  </div>
  <div>Anyway, Thank you for sharing!</div>
  <div><br>
  </div>
  <div><br>
  </div>
  <div>---Christopher.</div>
  <div><br>
  </div>
  <div><br>
  </div>
  <div><br>
  </div>
  <br>
  <div>
  <div>On Mar 10, 2010, at 7:32 PM, Daryl Shawn wrote:</div>
  <br class="Apple-interchange-newline">
  <blockquote type="cite">
    <div>This is tangentially related...possibly interesting. I did a
loopy improv set w/my tape decks last night in Chicago, at a very
open-minded establishment called Ronny's. One of the other acts
playing, called Sunglasses, had a fascinating approach. They had a
couple of cheap Yamaha keyboards, plus two or three pedals each, mainly
delays and some fuzz. Their set started with both of them playing a few
massive notes on the keys, then twiddling knobs for a moment, then they
simply stepped back from their gear, grabbed their beers and simply let
the echoes die down, listening along with the crowd. Not only was it
interesting musically, hearing different things emerge as the delays
overlapped and faded away at different rates, but somehow it was
fascinating to watch them...listen. I can't quite explain it, but there
was something great about these two guys simply drinking some beer and
being totally absorbed in the sound they'd created. They nodded their
heads a bit, even chatted for a second about what was going on, then
simply closed their eyes and waited along with the rest of us for the
ten minutes or so until all sound had disappeared.<br>
    <br>
Definitely made me think about what makes a good performance, because
this went against most rules that I know. Unlikely as it sounds, their
shtick totally worked for me, on many levels, I think because they
clearly knew what they were going for, and were intently involved in
it, even if more as listener than performer.<br>
    <br>
For a longer description, here's my tour diary (the earlier dates have
yet to be filled in).. <a moz-do-not-send="true"
 href="http://www.swanwelder.com/tour/spring10.htm">http://www.swanwelder.com/tour/spring10.htm</a><br>
    <br>
Daryl Shawn<br>
    <a moz-do-not-send="true" href="http://www.swanwelder.com">www.swanwelder.com</a><br>
<a class="moz-txt-link-abbreviated" href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
    <br>
    <br>
    </div>
  </blockquote>
  </div>
  <br>
</blockquote>
<br>
<br>
<pre class="moz-signature" cols="72">-- 
Nadia Salom
<a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a>
<a class="moz-txt-link-freetext" href="http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</a>
</pre>
</body>
</html>

--------------060703010709050806000003--

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Date: Thu, 11 Mar 2010 09:46:03 +0000
Message-ID: <5d9904371003110146m174bb904w5ceeb8bde1b0bf40@mail.gmail.com>
Subject: Re: MF-101 mini review OT
From: Mark McGlinchey <markmcglinchey@gmail.com>
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Wilson Effects (http://www.wilsoneffects.com) have a great reputation
for making excellent sounding and very flexible wahs (if you get one
of the higher end models). For instance you can get a Rippah wah with
a 6 position selector for the Q. Great guy to deal with too.

On Thu, Mar 11, 2010 at 2:03 AM, William Walker <billwalker@baymoon.com> wr=
ote:
> Thanks Andy that sounds great especially the volume compensation as the
> resonance rises. The M-9 has some good filters but I'm using it almost
> exclusively for delay effects and because it is the last thing in my sign=
al
> chain before the amps, its not the ideal location for filters like this.
> What I really want is a combination wah/ filter with the pedal built in s=
o I
> can simply put it at the front of my effects chain where it would be more
> useful. I actually have no room on my board for anything else which is wh=
y a
> wah pedal type effect would be easier to park on the floor next to my boa=
rd
> when I want to use it. =A0Most wah pedals I've used add some dirt and i'd=
 like
> to find a really clean sounding one. Any suggestions anybody? Ive owned a=
n
> RMC =A0a Fulltone Clyde and a dunlop 95Q which was pretty cool in that it
> turned on in the heal down position like a Morley Bad Horsey, no obnoxiou=
s
> toe click, but added slight gain boost and dirt which I'm trying to avoid=
.
> =A0Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 10:16:13 2010
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Date: Thu, 11 Mar 2010 02:16:12 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: MF-101 mini review OT
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I would suggest the Zvex Wah probe http://zvex.com/wahprobe.html=A0=0Ait is=
 not a pedal but a plate with RF energy which controls the wah. It takes ge=
tting used to, especially when the battery is not fresh:) but it sounds rea=
lly god to my ears=0A=0AANtony Hequet=0A=0A=0A=0A----- Original Message ---=
-=0AFrom: William Walker <billwalker@baymoon.com>=0ATo: Loopers-Delight@loo=
pers-delight.com=0ASent: Thu, March 11, 2010 3:03:16 AM=0ASubject: MF-101 m=
ini review OT=0A=0AThanks Andy that sounds great especially the volume comp=
ensation as the resonance rises. The M-9 has some good filters but I'm usin=
g it almost exclusively for delay effects and because it is the last thing =
in my signal chain before the amps, its not the ideal location for filters =
like this. What I really want is a combination wah/ filter with the pedal b=
uilt in so I can simply put it at the front of my effects chain where it wo=
uld be more useful. I actually have no room on my board for anything else w=
hich is why a wah pedal type effect would be easier to park on the floor ne=
xt to my board when I want to use it.=A0 Most wah pedals I've used add some=
 dirt and i'd like to find a really clean sounding one. Any suggestions any=
body? Ive owned an RMC=A0 a Fulltone Clyde and a dunlop 95Q which was prett=
y cool in that it turned on in the heal down position like a Morley Bad Hor=
sey, no obnoxious toe click, but added slight gain boost and dirt which I'm=
 trying to
 avoid.=0ABill=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 10:24:29 2010
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Date: Thu, 11 Mar 2010 11:24:27 +0100
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Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Mar 11, 2010 at 2:58 AM, Andr=E9 Donawa <andre@andredonawa.com> wro=
te:
> Loving the CD.
> Track 5 has a few scary moments though.
> I think # 60 was circling and waiting for a landing. :)

Thanks Andre! Yes, track 5 is pretty dark and scary, as well as track
3. It's a very detuned soundscape combined with classical piano. I
played it live at the loopfest last Saturday, some people told me they
got chicken skin (is that the right word?) , something like electric
hair ;-)

http://premonitionfactory.bandcamp.com/track/59-airplanes-waiting-for-new-y=
ork

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 11:36:41 2010
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Subject: Re: Enver Izmailov (guitarist)
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Hi Andre

yeah, I was gonna post Carlos Vamos next... :-))
That's especially also a very beautiful piece (http://www.youtube.com/watch?v=kpLIiozVWJo)
I used to listen to it for hours... Love it!!

Fabio, when you listen to various two-handed tapping guitarists, they sound much different (esp. from Stanley Jordan ;-).

best regards
Buzap


-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 11:44:57 2010
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Subject: Re: vst (win) -> vst (osx) (budget studio)
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Hi Rick

> This begs the question,   if you had the smallest budget possible,  what 
> would you invest in if you had to build
> a computer music studio from scratch.

If I'd start all over again:
- Lenovo Laptop (Windows)
- Reaper DAW !!
- Bidule + Mobius for live setup
- free VSTs
- possibly some Native Instruments components (i.e. Komplete with Guitar Rig, Battery, Reaktor...)

I'm really very much impressed with Reaper and it's flexibility (unlimited routing, side-chaining, midi/audio mixing, custom actions...) and stability. If I wasn't invested in Logic Pro (which is actually also a great buy incl. Mainstage, virtual instruments, effects, loops...) + Mac, I'd switch to PC + Reaper.

best regards
Buzap
-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 11:51:33 2010
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Hi Per

yeah, this Greg guy is really impressive.

>  A nice thing, that attracts me, with the Stick is that it allows you to
> make a helluvalottanoise without the need for putting some parts into
> a looper.
You can pretty much play like a solo pianist improvising, I guess. And you have the freedom to move into and out of a looper in between, giving the music more time to breathe.

Aah... I'm still listening to Carlos Vamos "Vamosia" - I like the acoustic version even more: http://www.youtube.com/watch?v=qD-Udgl5ajQ
Love this piece...

Buzap
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 11:59:43 2010
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Subject: Re: vst (win) -> vst (osx) (budget studio)
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On Thu, Mar 11, 2010 at 12:44 PM, Buzap Buzap <buzap@gmx.net> wrote:
> If I wasn't invested in Logic Pro (which is actually also a great buy incl. Mainstage, virtual instruments, effects, loops...) + Mac, I'd switch to PC + Reaper.

These day's an Apple pc is just as good as any other running Windows.
The utility that  makes that possible is Bootcamp and comes with any
OS X box. It requires the user to restart the machine to boot into
Windows or OS X.

So you can actually have both the Reaper stuff and the Logic stuff
ready to go under your fingertips. Myself I've used an Apple pc for
Windows software many years, running SoundForge, Mobius and some
Windows only VST plugins.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 11 Mar 2010 13:07:44 +0100
Message-ID: <66f9cc1e1003110407g40a0733ar4e5aed097ae16f5d@mail.gmail.com>
Subject: Re: Enver Izmailov (guitarist)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 11, 2010 at 12:51 PM, Buzap Buzap <buzap@gmx.net> wrote:
> Aah... I'm still listening to Carlos Vamos "Vamosia" - I like the acoustic version even more: http://www.youtube.com/watch?v=qD-Udgl5ajQ
> Love this piece...

Me too. Especially the stick he plays first at 1:47. That theme could
do well as a tune in its own right without a lot of the other music.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 12:20:38 2010
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Per said
>>  A nice thing, that attracts me, with the Stick is that it allows you to
>> make a helluvalottanoise without the need for putting some parts into
>> a looper.

?
...but that's possible with most guitar related (and ancestor)
instruments.
Downside with the stick is that the range of tones to be got
by varying the playing technique is (...a quick count..)
.....one. Maybe not an issue, but for me it takes away
about 90% of the music.

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 12:23:22 2010
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Date: Thu, 11 Mar 2010 13:23:18 +0100
Message-ID: <bbb8cbac1003110423q4dab9356ldec6df4045651b37@mail.gmail.com>
Subject: Re: vst (win) -> vst (osx)
From: Fabio_A <eterogenus@gmail.com>
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--000325557a9ae0041a0481857acb
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My preferred one ! Thanks for pointing to the new version !

Here is a clip with intensive use of this plugin, I've just posted in the
past:
http://www.eterogeneo.com/podcast/Is_it_rain.mp3


fabio
www.eterogeneo.com

2010/3/11 Art Simon <simart@gmail.com>

> For me, it's glitch:
> http://illformed.org/plugins/glitch/
> (BTW, this discussion got me back to the website to see there is a new
> update, the first in 4 years! Cool!)
>
>
>

--000325557a9ae0041a0481857acb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>My preferred one ! Thanks for pointing to the new version !</div>
<div>=A0</div>
<div>Here is a clip with intensive use of this plugin, I&#39;ve just posted=
 in the past: </div>
<div><a href=3D"http://www.eterogeneo.com/podcast/Is_it_rain.mp3"><font fac=
e=3D"Book Antiqua">http://www.eterogeneo.com/podcast/Is_it_rain.mp3</font><=
/a> </div>
<div>=A0</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"gmail_quote">2010/3/11 Art Simon <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:simart@gmail.com">simart@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">For me, it&#39;s glitch:<br><a h=
ref=3D"http://illformed.org/plugins/glitch/" target=3D"_blank">http://illfo=
rmed.org/plugins/glitch/</a><br>
(BTW, this discussion got me back to the website to see there is a new upda=
te, the first in 4 years! Cool!)=20
<div>
<div></div>
<div class=3D"h5"><br>=A0</div></div></blockquote></div>

--000325557a9ae0041a0481857acb--

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Date: Thu, 11 Mar 2010 13:28:48 +0100
Message-ID: <bbb8cbac1003110428h3a19ad85g197333893d3083d3@mail.gmail.com>
Subject: Re: Enver Izmailov (guitarist)
From: Fabio_A <eterogenus@gmail.com>
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--0015174be3107fea2f0481858e07
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Beautiful indeed !

fabio
www.eterogeneo.com




2010/3/11 Buzap Buzap buzap@gmx.net

> Aah... I'm still listening to Carlos Vamos "Vamosia" - I like the acoustic
> version even more: http://www.youtube.com/watch?v=qD-Udgl5ajQ
> Love this piece...
>

--0015174be3107fea2f0481858e07
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<div>Beautiful indeed !</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/3/11 Buzap Buzap <span dir=3D"ltr"><a href=
=3D"mailto:buzap@gmx.net">buzap@gmx.net</a></span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Aah... I&#39;m still listening t=
o Carlos Vamos &quot;Vamosia&quot; - I like the acoustic version even more:=
 <a href=3D"http://www.youtube.com/watch?v=3DqD-Udgl5ajQ" target=3D"_blank"=
>http://www.youtube.com/watch?v=3DqD-Udgl5ajQ</a><br>
Love this piece...<br></blockquote></div><br>

--0015174be3107fea2f0481858e07--

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Raul. Thanks for this. Really great to use Glitch again.

Ricky

On 11 Mar 2010, at 12:23, Fabio_A wrote:

> My preferred one ! Thanks for pointing to the new version !
>
> Here is a clip with intensive use of this plugin, I've just posted  
> in the past:
> http://www.eterogeneo.com/podcast/Is_it_rain.mp3
>
>
> fabio
> www.eterogeneo.com
>
> 2010/3/11 Art Simon <simart@gmail.com>
> For me, it's glitch:
> http://illformed.org/plugins/glitch/
> (BTW, this discussion got me back to the website to see there is a  
> new update, the first in 4 years! Cool!)
>
>


--Apple-Mail-1-93252910
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Raul. Thanks for this. Really great to use Glitch again.<div><br></div><div>Ricky</div><div><br><div><div>On 11 Mar 2010, at 12:23, Fabio_A wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>My preferred one ! Thanks for pointing to the new version !</div>
<div>&nbsp;</div>
<div>Here is a clip with intensive use of this plugin, I've just posted in the past: </div>
<div><a href="http://www.eterogeneo.com/podcast/Is_it_rain.mp3"><font face="Book Antiqua">http://www.eterogeneo.com/podcast/Is_it_rain.mp3</font></a> </div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>fabio</div>
<div><a href="http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br></div>
<div class="gmail_quote">2010/3/11 Art Simon <span dir="ltr">&lt;<a href="mailto:simart@gmail.com">simart@gmail.com</a>&gt;</span><br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">For me, it's glitch:<br><a href="http://illformed.org/plugins/glitch/" target="_blank">http://illformed.org/plugins/glitch/</a><br>
(BTW, this discussion got me back to the website to see there is a new update, the first in 4 years! Cool!) 
<div>
<div></div>
<div class="h5"><br>&nbsp;</div></div></blockquote></div>
</blockquote></div><br></div></body></html>
--Apple-Mail-1-93252910--

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Date: Thu, 11 Mar 2010 13:34:08 +0100
Message-ID: <66f9cc1e1003110434m291a9a7rff09939e12cf007e@mail.gmail.com>
Subject: Re: Enver Izmailov (guitarist)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 11, 2010 at 1:20 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Per said
>>>
>>> =C2=A0A nice thing, that attracts me, with the Stick is that it allows =
you to
>>> make a helluvalottanoise without the need for putting some parts into
>>> a looper.
>
> ?
> ...but that's possible with most guitar related (and ancestor)
> instruments.

Certainly. But I was referring to the option to play it like two
"jamming" instruments, using one hand on each side of the fretboard
and each side going out through separate outputs through different amp
rigs. That particular multitasking quality is rarely found in other
instruments, except the piano, the harp and similar.

> Downside with the stick is that the range of tones to be got
> by varying the playing technique is (...a quick count..)
> .....one. Maybe not an issue, but for me it takes away
> about 90% of the music.

Yes, but I don't have a problem with that as I can pick up another
instrument anytime. I'm more wooed by the multitasking orchestral
aspects of the Stick.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 12:39:25 2010
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--001485e9ab5658cd36048185b4f7
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I too LOVE Reaper.. I find that for audio it better than logic actually.. So
for fun I use Logic, but for work (where I need small things done fast) I
still us Reaper... on the Mac btw...

Mark


>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001485e9ab5658cd36048185b4f7
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I too LOVE Reaper.. I find that for audio it better than logic actually.. S=
o for fun I use Logic, but for work (where I need small things done fast) I=
 still us Reaper... on the Mac btw...<br><br>Mark<br><br><div class=3D"gmai=
l_quote">

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div class=
=3D"h5">
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001485e9ab5658cd36048185b4f7--

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--000e0ce0d7e4e3daf2048185e0d4
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Downside with the stick is that the range of tones to be got
> by varying the playing technique is (...a quick count..)
> .....one. Maybe not an issue, but for me it takes away
> about 90% of the music.
>
> andy butler
>
>
Tad harsh Andy.. but I agree you would think so by watching most stick
players.. I think its a amazing instrument, and I would love to get MY hands
on one.. Im sure that the TYPE of players it attracts results in that sound,
Im certain the instrument its self can do alot more... which makes it quite
exiting, an unexplored instrument!

Mark


-- 
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www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
Downside with the stick is that the range of tones to be got<br>
by varying the playing technique is (...a quick count..)<br>
.....one. Maybe not an issue, but for me it takes away<br>
about 90% of the music.<br><font color=3D"#888888">
<br>
andy butler<br>
<br>
</font></blockquote></div><br>Tad harsh Andy.. but I agree you would think =
so by watching most stick players.. I think its a amazing instrument, and I=
 would love to get MY hands on one.. Im sure that the TYPE of players it at=
tracts results in that sound, Im certain the instrument its self can do alo=
t more... which makes it quite exiting, an unexplored instrument!<br>

<br>Mark<br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">w=
ww.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094">http://vim=
eo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0d7e4e3daf2048185e0d4--

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Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it
works?





-- 
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www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
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Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it =
works?<br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.ma=
rkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabk=
hao.com">www.ordoabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0af6e9fc6d9048185e85f--

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Date: Thu, 11 Mar 2010 04:55:39 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Enver Izmailov (guitarist)
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4B98E017.9090809@tiscali.co.uk>
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I must disagree with you Andy regarding palying techniques with the stick. =
I play a ten string graphite, I am certainly not a virtuoso as the voice an=
d composition are my main focus. On the other hand as a composer and oneman=
 band I am interested in tone, texture, etc... There are a lot of sounds yo=
u can get from that instrument. Most players are focused on the two handed=
=A0 virtuosity aspect so other aspects of the instrument are not brought to=
 light. =0AUless of course I have misunderstood the meaning of your comment=
=0A=0AAntony Hequet=0Apoet composer performer=0A=0A=0A=0A----- Original Mes=
sage ----=0AFrom: andy butler <akbutler@tiscali.co.uk>=0ATo: Loopers-Deligh=
t@loopers-delight.com=0ASent: Thu, March 11, 2010 1:20:39 PM=0ASubject: Re:=
 Enver Izmailov (guitarist)=0A=0APer said=0A>>=A0 A nice thing, that attrac=
ts me, with the Stick is that it allows you to=0A>> make a helluvalottanois=
e without the need for putting some parts into=0A>> a looper.=0A=0A?=0A...b=
ut that's possible with most guitar related (and ancestor)=0Ainstruments.=
=0ADownside with the stick is that the range of tones to be got=0Aby varyin=
g the playing technique is (...a quick count..)=0A.....one. Maybe not an is=
sue, but for me it takes away=0Aabout 90% of the music.=0A=0Aandy butler=0A=
=0A=0A      

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Subject: Re: vst (win) -> vst (osx)
Date: Thu, 11 Mar 2010 13:34:38 +0000
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--Apple-Mail-2-96985839
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Import the VST using import VST from File menu - Select no VFX wizard  
file. Rock.


On 11 Mar 2010, at 12:53, mark francombe wrote:

> Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows  
> how it works?
>
>
>
>
>
> -- 
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


--Apple-Mail-2-96985839
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Import the VST using import VST from File menu - Select no VFX wizard file. Rock.<div><br><div><br><div><div>On 11 Mar 2010, at 12:53, mark francombe wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it works?<br><br><br><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com/">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com/">www.ordoabkhao.com</a><br>

<a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>


</blockquote></div><br></div></div></body></html>
--Apple-Mail-2-96985839--

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--00c09f76b87e2bf6dc048186e125
Content-Type: text/plain; charset=ISO-8859-1

ha ha.. I understand the import part... then I get the VFX thing,.. thanks!
But what is this Rock of which you speak?

Mark

On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <
rock.guitar.guru@btinternet.com> wrote:

> Import the VST using import VST from File menu - Select no VFX wizard file.
> Rock.
>
>
> On 11 Mar 2010, at 12:53, mark francombe wrote:
>
> Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it
> works?
>
>
>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09f76b87e2bf6dc048186e125
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

ha ha.. I understand the import part... then I get the VFX thing,.. thanks!=
 <br>But what is this Rock of which you speak?<br><br>Mark<br><br><div clas=
s=3D"gmail_quote">On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <span dir=
=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@btinternet.com">rock.guitar=
.guru@btinternet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">Import the VST using import VST from File menu - Selec=
t no VFX wizard file. Rock.<div>

<div></div><div class=3D"h5"><div><br><div><br><div><div>On 11 Mar 2010, at=
 12:53, mark francombe wrote:</div><br><blockquote type=3D"cite">Pst.. Re t=
his VFX thing.. just fired it up.. er.. does anyone knows how it works?<br>

<br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com/" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




</blockquote></div><br></div></div></div></div></div></blockquote></div><br=
><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.=
markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkh=
ao.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00c09f76b87e2bf6dc048186e125--

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--00c09fc2bdbea060bd04818703ae
Content-Type: text/plain; charset=ISO-8859-1

No wait... um if i dont selct a VFX wizard file, then my OK button is greyed
out, cant get any further...

On Thu, Mar 11, 2010 at 3:03 PM, mark francombe <mark@markfrancombe.com>wrote:

> ha ha.. I understand the import part... then I get the VFX thing,.. thanks!
>
> But what is this Rock of which you speak?
>
> Mark
>
>
> On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <
> rock.guitar.guru@btinternet.com> wrote:
>
>> Import the VST using import VST from File menu - Select no VFX wizard
>> file. Rock.
>>
>>
>> On 11 Mar 2010, at 12:53, mark francombe wrote:
>>
>> Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it
>> works?
>>
>>
>>
>>
>>
>> --
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>>
>>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09fc2bdbea060bd04818703ae
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

No wait... um if i dont selct a VFX wizard file, then my OK button is greye=
d out, cant get any further...<br><br><div class=3D"gmail_quote">On Thu, Ma=
r 11, 2010 at 3:03 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mail=
to:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">ha ha.. I underst=
and the import part... then I get the VFX thing,.. thanks! <br>But what is =
this Rock of which you speak?<br>

<font color=3D"#888888"><br>Mark</font><div><div></div><div class=3D"h5"><b=
r><br><div class=3D"gmail_quote">On Thu, Mar 11, 2010 at 2:34 PM, Richard G=
raham <span dir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@btinternet.c=
om" target=3D"_blank">rock.guitar.guru@btinternet.com</a>&gt;</span> wrote:=
<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">Import the VST using import VST from File menu - Selec=
t no VFX wizard file. Rock.<div>


<div></div><div><div><br><div><br><div><div>On 11 Mar 2010, at 12:53, mark =
francombe wrote:</div><br><blockquote type=3D"cite">Pst.. Re this VFX thing=
.. just fired it up.. er.. does anyone knows how it works?<br>
<br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com/" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>





</blockquote></div><br></div></div></div></div></div></blockquote></div><br=
><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com" targ=
et=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao=
.com" target=3D"_blank">www.ordoabkhao.com</a><br>


<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00c09fc2bdbea060bd04818703ae--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 14:16:52 2010
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	 <COL109-W7CA70126CFA6F6614D6CCBE3A0@phx.gbl>
Date: Thu, 11 Mar 2010 22:16:50 +0800
Message-ID: <be6db5df1003110616h11ed4fc3kdc2eb62fb13ab10b@mail.gmail.com>
Subject: Re: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5c1dfe57fb904818710c1
Content-Type: text/plain; charset=ISO-8859-1

Hi,
Just wondering my EDP is now set to 240v. What happens if a 250v power cable
is used? can it be done? will it fry my unit? Thanx.



On Wed, Mar 3, 2010 at 10:36 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  Hi, I live in the UK
>
> some of my EDPS have come from abroad
>
> we use 240 over here
>
> i just used a small screwdriver ot move that over from 115 and fitted the
> right three pin plug (it came with a euro lead)
>
> its worked fine.
>
> thanks
>
> ------------------------------
> Date: Fri, 26 Feb 2010 00:43:23 +0800
>
> Subject: Re: Voltage Selector For Oberheim Echoplex
> From: halimzainal@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> Hi,
> Yeah it's on the back. I'm a bit scared to touch it. But might as well try.
> Mine was originally set to 115v when i received it (is yours the same? 115v
> and 240v). Thanx a lot for your help.
>
> On Thu, Feb 25, 2010 at 11:31 PM, phillip wilson <phillwilson@hotmail.com>wrote:
>
>  is there not a simple switch on the back marked as 120 that you slide over
> with a small screwdriver to read 240? there is on mine
>
> ------------------------------
> Date: Thu, 25 Feb 2010 20:38:20 +0800
> Subject: re: Voltage Selector For Oberheim Echoplex
> From: halimzainal@gmail.com
>
> To: Loopers-Delight@loopers-delight.com
>
> Hi,
> I just got the oberheim echoplex from the US. The only problem i'm facing
> is that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
> there any voltage selector on the oberheim echoplex so i can change it?
> Thanx.
> Halimski.
>
>
>
> ------------------------------
> Not got a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>
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--001636c5c1dfe57fb904818710c1
Content-Type: text/html; charset=ISO-8859-1
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Hi,<br>Just wondering my EDP is now set to 240v. What happens if a 250v pow=
er cable is used? can it be done? will it fry my unit? Thanx.<br><br><br><b=
r><div class=3D"gmail_quote">On Wed, Mar 3, 2010 at 10:36 PM, phillip wilso=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilson@hotmail.com">phillwil=
son@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
Hi, I live in the UK <br><br>some of my EDPS have come from abroad <br><br>=
we use 240 over here<br><br>i just used a small screwdriver ot move that ov=
er from 115 and fitted the right three pin plug (it came with a euro lead)<=
br>
<br>its worked fine.<br><br>thanks<br><br><hr>Date: Fri, 26 Feb 2010 00:43:=
23 +0800<div class=3D"im"><br>Subject: Re: Voltage Selector For Oberheim Ec=
hoplex<br>From: <a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">=
halimzainal@gmail.com</a><br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br><br><div>Hi,<br></div><div>Yea=
h it&#39;s on the back. I&#39;m a bit scared to touch it. But might as well=
 try. Mine was originally set to 115v when i received it (is yours the same=
? 115v and 240v). Thanx a lot for your help.</div>

<br><div>On Thu, Feb 25, 2010 at 11:31 PM, phillip wilson <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:phillwilson@hotmail.com" target=3D"_blank">phillwils=
on@hotmail.com</a>&gt;</span> wrote:<br><blockquote style=3D"border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">





<div>
is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine<br><br><hr>Date: Thu=
, 25 Feb 2010 20:38:20 +0800<br>Subject: re: Voltage Selector For Oberheim =
Echoplex<br>

From: <a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halimzaina=
l@gmail.com</a><div><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delig=
ht.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<br></div><div>Hi,<br><div>I just got the oberheim echoplex from the US. Th=
e only problem i&#39;m facing is that the voltage in Malaysia is 240v and t=
he echoplex i got is 120v. Is there any voltage selector on the oberheim ec=
hoplex so i can change it? Thanx.</div>




<div>Halimski.</div>
<br>
<br> 		 	   		  <br></div><div><hr>Not got a Hotmail account? <a href=3D"ht=
tp://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_blank">Sign-up n=
ow - Free</a></div></div>
</blockquote></div><br> 		 	   		  <br></div><div class=3D"hm"><hr>We want =
to hear all your funny, exciting and crazy Hotmail stories. <a href=3D"http=
://clk.atdmt.com/UKM/go/195013117/direct/01/" target=3D"_blank">Tell us now=
</a></div>
</div>
</blockquote></div><br>

--001636c5c1dfe57fb904818710c1--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 15:00:23 2010
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From: Kenn Lowy <kennlowy@me.com>
Subject: Re: Enver Izmailov (stick-warr gtr)
Date: Thu, 11 Mar 2010 10:00:16 -0500
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Besides playing guitar, being wrinklemuzik and looping stuff, I also play the stick and warr guitar. A good stick/warr musician can get all the tone and color that a guitarist can:

http://www.youtube.com/watch?v=u1TLoI9ofHE


On Mar 11, 2010, at 9:13 AM, Loopers-Delight-d-request@loopers-delight.com wrote:

> Downside with the stick is that the range of tones to be got
> by varying the playing technique is (...a quick count..)
> .....one. Maybe not an issue, but for me it takes away
> about 90% of the music.
> 
> andy butler


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Besides playing guitar, being wrinklemuzik and looping stuff, I also play the stick and warr guitar. A good stick/warr musician can get all the tone and color that a guitarist can:</div><div><br></div><div><a href="http://www.youtube.com/watch?v=u1TLoI9ofHE">http://www.youtube.com/watch?v=u1TLoI9ofHE</a></div><div><br></div><br><div><div>On Mar 11, 2010, at 9:13 AM, <a href="mailto:Loopers-Delight-d-request@loopers-delight.com">Loopers-Delight-d-request@loopers-delight.com</a> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Downside with the stick is that the range of tones to be got<br>by varying the playing technique is (...a quick count..)<br>.....one. Maybe not an issue, but for me it takes away<br>about 90% of the music.<br><font color="#888888"><br>andy butler<br></font></blockquote></div><br></body></html>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 15:24:54 2010
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Content-Type: multipart/alternative; boundary=Apple-Mail-10-103190960
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Subject: Electrix Repeater for sale
Date: Thu, 11 Mar 2010 09:18:03 -0600
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--Apple-Mail-10-103190960
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For sale is my Electrix Repeater in good condition; it's 100%  
functional. I am selling it to finance the purchase of other gear. I  
purchased it used from Guitar Center in 2004. It operates flawlessly.  
This Repeater was a fairly noisy piece of gear, so I had a noise mod.  
done by Audio Proz that greatly reduced the noise this added to my  
guitar chain. Check outhttp://www.audioproz.com/AP.php?Article=10&Tab=Services 
  for details on this mod. This unit has OS 1.1 and is user upgradable  
to OS 2.4. Included in this sale is the Repeater, the power supply,  
one Electrix branded 16mb CFC for recording / transporting audio, and  
one three button foot switch to control record, play/stop, and undo  
functions. I do not have the original box or manual but will include a  
printed copy of the manual that I downloaded when I purchased it.

At the time I am listing this all of the other Repeaters on eBay are  
well above my starting price. Here's a link to the eBay auction: http://tiny.cc/wZVcZ 
  and here is the craigslist listing: http://minneapolis.craigslist.org/hnp/msg/1635151283.html
I've utilized this Repeater in almost every performance for the last  
six years. I live in Minneapolis, MN, USA. It's a great piece of gear,  
and you are going to love it! 
--Apple-Mail-10-103190960
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Times; ">For sale is my Electrix Repeater in good =
condition; it's 100% functional. I am selling it to finance the purchase =
of other gear. I purchased it used from Guitar Center in 2004. It =
operates flawlessly. This Repeater was a fairly noisy piece of gear, so =
I had a noise mod. done by Audio Proz that greatly reduced the noise =
this added to my guitar chain. Check out<a =
href=3D"http://www.audioproz.com/AP.php?Article=3D10&amp;Tab=3DServices" =
rel=3D"nofollow">http://www.audioproz.com/AP.php?Article=3D10&amp;Tab=3DSe=
rvices</a>&nbsp;for details on this mod. This unit has OS 1.1 and is =
user upgradable to OS 2.4. Included in this sale is the Repeater, the =
power supply, one Electrix branded 16mb CFC for recording / transporting =
audio, and one three button foot switch to control record, play/stop, =
and undo functions. I do not have the original box or manual but will =
include a printed copy of the manual that I downloaded when I purchased =
it.&nbsp;<br><br>At the time I am listing this all of the other =
Repeaters on eBay are well above my starting price. Here's a link to the =
eBay auction:&nbsp;<a href=3D"http://tiny.cc/wZVcZ" =
rel=3D"nofollow">http://tiny.cc/wZVcZ</a>&nbsp;and here is the =
craigslist listing:&nbsp;<a =
href=3D"http://minneapolis.craigslist.org/hnp/msg/1635151283.html">http://=
minneapolis.craigslist.org/hnp/msg/1635151283.html</a><br>I've utilized =
this Repeater in almost every performance for the last six years. I live =
in Minneapolis, MN, USA. It's a great piece of gear, and you are going =
to love it!&nbsp;</span></body></html>=

--Apple-Mail-10-103190960--

From John@itwv.net  Thu Mar 11 15:26:11 2010
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From: "Dr Kingsley Paul"<john>
Subject: YOUR PAYMENT NOTIFICATION
Date: Sun, 14 Mar 2010 16:04:07 -0000
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To: undisclosed-recipients:;

Zenith Bank ATM
RE:YOUR PAYMENT NOTIFICATION
From:Dr Kingsley Paul.
Remittance Manager.

Zenith Bank Of Nigeria.Attention:Beneficiary This to officially inform you that we have verified your contract file presently on my desk, and I found out that you have not received your payment due to your lack of co-operation and not fulfilling the 
obligations giving to you in respect to your contract payment.Secondly,you are hereby adviced to stop dealing with some non-officials in the bank as this is an illegal act and will have to stop if you so wish to receive your payment immediately.After the board meeting held at our headquarters, we have resolved in finding a solution to your 
problem, and as you may know, we have arranged your payment through our SWIFT CARD PAYMENT 
CENTER in Europe, America,Africa and Asia Pacific, which is the instruction given by our president, ALAHAJI USMAN AMIR YARADUA (GCFR)
Federal Republic of Nigeria.This card center will send you an ATM CARD that consist of 7 million USD which you will use to withdraw your money in an ATM MACHINE in any part of the world, but the maximum is $4,000 Us Dollars per transaction. So, if you like to receive your fund this way,reply to this office immediately for the issueing of your

(ATM)CARD.(1) Your Full Name:
(2) Address where you want the payment center to 

send your ATM CARD.:
(3) Phone And Fax Number:
(4) Bank Name
We shall be expecting to receive your information you have to stop any further communication with anybody or office apart from this office of the presidency. On this regards, do not hesitate to contact me for more details and direction, and also 
please do update me with any new development.

Thanks for your co-operation.Best Regards,
Dr Kingsley Paul
Remittance Manager
Zenith Bank Of Nigeria. 

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hey Christopher, that's very cool, thank *you* for sharing. Wisht you 
could have seen it.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
>
> Nice. I love it. 
>
> Strange... I love a lot of things I hear on this list but rarely write 
> to say that unless I actually have something interesting to add. 
>
> So I'm wondering why I feel compelled to in this case. I think 
> possibly because I'm still bogged down by complexity, nearing the end 
> of a 3 year struggle to make it simple again (while retaining the 
> advantages I began this journey for.) Or it is the idea of reversal, 
> where the artists become the audience and, dissolving that barrier, so 
> the audience feels like part of the art. Or perhaps it's just that I 
> felt like I was in that room too for a second. Or because I know most 
> "experimental" attempts like that fail musically (in my opinion) so 
> it's quite a joy when that sort of approach /really/ works. Or, 
> because I am from Chicago originally! 
>
> Anyway, Thank you for sharing!

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Hm. I don't seem to have that problem here. Are you sure you are =
selecting "don't use wizard file"?


On 11 Mar 2010, at 14:12, mark francombe wrote:

> No wait... um if i dont selct a VFX wizard file, then my OK button is =
greyed out, cant get any further...
>=20
> On Thu, Mar 11, 2010 at 3:03 PM, mark francombe =
<mark@markfrancombe.com> wrote:
> ha ha.. I understand the import part... then I get the VFX thing,.. =
thanks!=20
> But what is this Rock of which you speak?
>=20
> Mark
>=20
>=20
> On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham =
<rock.guitar.guru@btinternet.com> wrote:
> Import the VST using import VST from File menu - Select no VFX wizard =
file. Rock.
>=20
>=20
> On 11 Mar 2010, at 12:53, mark francombe wrote:
>=20
>> Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows =
how it works?
>>=20
>>=20
>>=20
>>=20
>>=20
>> --=20
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>=20
>=20
>=20
>=20
> --=20
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>=20
>=20
>=20
> --=20
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hm. I don't seem to have that problem here. Are you sure you are selecting "don't use wizard file"?<div><br></div><div><br><div><div>On 11 Mar 2010, at 14:12, mark francombe wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">No wait... um if i dont selct a VFX wizard file, then my OK button is greyed out, cant get any further...<br><br><div class="gmail_quote">On Thu, Mar 11, 2010 at 3:03 PM, mark francombe <span dir="ltr">&lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">ha ha.. I understand the import part... then I get the VFX thing,.. thanks! <br>But what is this Rock of which you speak?<br>

<font color="#888888"><br>Mark</font><div><div></div><div class="h5"><br><br><div class="gmail_quote">On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <span dir="ltr">&lt;<a href="mailto:rock.guitar.guru@btinternet.com" target="_blank">rock.guitar.guru@btinternet.com</a>&gt;</span> wrote:<br>


<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style="word-wrap: break-word;">Import the VST using import VST from File menu - Select no VFX wizard file. Rock.<div>


<div></div><div><div><br><div><br><div><div>On 11 Mar 2010, at 12:53, mark francombe wrote:</div><br><blockquote type="cite">Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how it works?<br>
<br><br><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com/" target="_blank">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com/" target="_blank">www.ordoabkhao.com</a><br>

<a href="http://vimeo.com/user825094" target="_blank">http://vimeo.com/user825094</a><br><a href="http://www.myspace.com/markfrancombe" target="_blank">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch" target="_blank">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>





</blockquote></div><br></div></div></div></div></div></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com/" target="_blank">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com/" target="_blank">www.ordoabkhao.com</a><br>


<a href="http://vimeo.com/user825094" target="_blank">http://vimeo.com/user825094</a><br><a href="http://www.myspace.com/markfrancombe" target="_blank">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch" target="_blank">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>



</div></div></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com/">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com/">www.ordoabkhao.com</a><br><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>


</blockquote></div><br></div></body></html>
--Apple-Mail-1-106446303--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 17:30:58 2010
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Subject: Constant buzzing - can it be killed!
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Hey kris if this has become a recent phenomena, it might be due to  
using the new energy saving fluorescent light bulbs. I was getting ton  
of extra noise until I realized they were the culprit and any room on  
the same circuit as mine like the bathroom had to have the lights  
replaced with standard incandescent bulbs. I still have some issues  
with buzz and also with proximity to transformers in my room, example:  
if I set my guitar to close to my furman power conditioner  my guitar  
buzzes.  It may be that my power conditioner is old enough (+20 years)  
now that some of its filter capacitors are getting old and noisy. The  
real solution would be getting an isolation transformer for your  
studio room, but they aren't cheap,  some costing upwards of $1000  
dollars or more  and they tend to be pretty massive them selves. Try  
changing the lights first, that may clear up your problem.
  Bill 

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antonyhequet@yahoo.com wrote:
> I must disagree with you Andy regarding palying techniques with the stick. 

good ;-)

>I play a ten string graphite, I am certainly not a virtuoso as the voice 
>There are a lot of sounds you can get from that instrument.

all I know is 
1) tap to start note
2) remove playing finger to stop note
3) vibrato as for a regular fretted instrument

in which case, 1) always produces the same tone,
and 2) is not as clean as a dedicated damping technique.

If you have a demo of anything else that would be interesting.



>other aspects of the instrument are not brought to light. 

that's also true of guitar/bass


andy

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Date: Thu, 11 Mar 2010 10:02:30 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Enver Izmailov (guitarist)
To: Loopers-Delight@loopers-delight.com
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hello Andy,=0A=0Ahere are some simple techniques I use which modify the tim=
bre slightky or dramtically=A0:=0A=0A- tap way above the fret and produce a=
 buzz (especially on bass strings or low treble strings)=0A- tap right on t=
he fret and get a muted tone=0A- tap below the fret and get a very muted an=
d slighltly out of tune tone=0A=0AOf course you can bend and tone varies a =
lot with the way you sustain the note, and I am not talking vibrato or teme=
molo, more what fretless players do when sustaining. I am looking forward t=
o receiveing a fretless NS stick which should add a new variety of tone bui=
lding techniques to my palette=0A=0A- use another finger of the same hand, =
or for more flexibility of the other hand, to damp strings and produce vari=
ous overtones, the overtone structure depending on where the damping is hap=
pening as you well know and, this effect will vary a lot depending on how l=
ighlty or heavily you damp=0A=0AI cannot produce examples because I am away=
 from home and cannot add sound files or links to them, but I will when I h=
ave the access=0A=0AAll of this becomes very dramatic and sensitive when yo=
u start using tube preamps and amps on both sides, just like on guitar and =
bass=0AThe stick is very dynamic and has high impedance output, especially =
with the PASV4 pick ups I have, so you need to find matching preamps.=0A=0A=
The pick ups themselves offer a very dramatic tonal selection...=0A=0Ai hop=
e this gives you an idea of what I mean and I will try to illustrate when i=
 get a chance=0A=0A----- Original Message ----=0AFrom: andy butler <akbutle=
r@tiscali.co.uk>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Thu, Mar=
ch 11, 2010 6:48:27 PM=0ASubject: Re: Enver Izmailov (guitarist)=0A=0Aanton=
yhequet@yahoo.com wrote:=0A> I must disagree with you Andy regarding palyin=
g techniques with the stick. =0A=0Agood ;-)=0A=0A> I play a ten string grap=
hite, I am certainly not a virtuoso as the voice There are a lot of sounds =
you can get from that instrument.=0A=0Aall I know is 1) tap to start note=
=0A2) remove playing finger to stop note=0A3) vibrato as for a regular fret=
ted instrument=0A=0Ain which case, 1) always produces the same tone,=0Aand =
2) is not as clean as a dedicated damping technique.=0A=0AIf you have a dem=
o of anything else that would be interesting.=0A=0A=0A=0A> other aspects of=
 the instrument are not brought to light. =0A=0Athat's also true of guitar/=
bass=0A=0A=0Aandy=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 18:22:46 2010
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	 <9ab0c76f1003110439u55abb896u64be3c72d11e00d9@mail.gmail.com>
Date: Thu, 11 Mar 2010 11:22:43 -0700
Message-ID: <dec8f8e61003111022o60f629cds32f4dc02433efd24@mail.gmail.com>
Subject: Re: vst (win) -> vst (osx) (budget studio)
From: Dennis Moser <sinsofmachaut@gmail.com>
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Ditto what Marc just said ... Reaper is just fine on the Mac (and I"m
using it on an older, maxed out pre-Intel G5). Just used to master my
RPM 2010 Challenge release "Duomo Whispers, Florentine Shadows"
(http://soundcloud.com/usrsbin/duomo-whispers-florentine-shadows) and
it worked beautifully.

One of the great things today is that the price of computing has come
down to the point that we can began to look at them as highly-specific
tools, dedicating an inexpensive box to a single task.

Best,

Dennis

On Thu, Mar 11, 2010 at 5:39 AM, mark francombe <mark@markfrancombe.com> wrote:
> I too LOVE Reaper.. I find that for audio it better than logic actually.. So
> for fun I use Logic, but for work (where I need small things done fast) I
> still us Reaper... on the Mac btw...
>
> Mark
>
>>
>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 18:22:48 2010
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Date: Thu, 11 Mar 2010 18:22:46 +0000
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Subject: Re: Enver Izmailov (stick-warr gtr)
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hi Kenn,
it's more an issue that the stick wouldn't work for me personally.

I have a very unorthodox playing style on string instruments,
and really rely on being able to get a lot of different timbres
and effects from the way I pluck the string.

it's not about just getting tone, but about getting a range
of different tones.


andy
ps,
nice sound by the way, esp the bass

Kenn Lowy wrote:
> Besides playing guitar, being wrinklemuzik and looping stuff, I also 
> play the stick and warr guitar. A good stick/warr musician can get all 
> the tone and color that a guitarist can:
> 
> http://www.youtube.com/watch?v=u1TLoI9ofHE
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 18:29:38 2010
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Date: Thu, 11 Mar 2010 19:29:36 +0100
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Subject: Re: Enver Izmailov (guitarist)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 11, 2010 at 6:48 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> a lot

As a beginning and ambitious Stick player it amazes me how my Stick
tends to sound more like a Stratocaster for each day. The strat was my
premier instrument for a couple of decades and I guess I never will
get away from it ;-) But with the Stick I have at least extended the
tonal range of this expression way down into the bass register - which
is awesome! I have the same Villex PASV-4 pickups as Anthony and
really love that sound.

I agree with Anthony that there are a lot of Stick specific playing
technique tricks, but that's not what interest me with the instrument.
I get my kicks from more music related aspects like being able to use
nine fingers to work out rhythmic patterns, the wide tonal range and
the live sound design challenge of adding different effects and amps
to each side. Just think about how cool to play a throbbing 16th note
basted bassline with by two hand technique on the bass side and only
now and then replace a note with one on the melody side, where you
have the output going through a tap delay with some cool LFO filtering
happening. Not to forget the multitasking improvisational option for
two-handed playing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 18:36:00 2010
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Date: Thu, 11 Mar 2010 13:35:58 -0500
Message-ID: <9e0440a61003111035m1b8d3964g256c04a6ad5b7860@mail.gmail.com>
Subject: Re: Chicago feedback
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--000e0ce00a50a306ee04818aaf38
Content-Type: text/plain; charset=ISO-8859-1

Daryl glad it's going well, this sounds like a great place and that concept
I too have thought about it, in a sense the guys who appeared with us at the
recent NoRio show in NY were doing similar in terms of going into the
audience to experience the effect.  Chitown is such a great place.  Best
with your tour.

Jim

On Wed, Mar 10, 2010 at 10:32 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

--000e0ce00a50a306ee04818aaf38
Content-Type: text/html; charset=ISO-8859-1
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Daryl glad it&#39;s going well, this sounds like a great place and that con=
cept I too have thought about it, in a sense the guys who appeared with us =
at the recent NoRio show in NY were doing similar in terms of going into th=
e audience to experience the effect.=A0 Chitown is such a great place.=A0 B=
est with your tour. <br>
<br>Jim<br><br><div class=3D"gmail_quote">On Wed, Mar 10, 2010 at 10:32 PM,=
 Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:highhorse@mhorse.com">=
highhorse@mhorse.com</a>&gt;</span> wrote:<br>
</div><br>

--000e0ce00a50a306ee04818aaf38--

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Subject: Re: Voltage Selector For Oberheim Echoplex
References: <be6db5df1002250438h726f4b66m72c8584f93840871@mail.gmail.com>	 <COL109-W45987D45BCDFBBA3F3E726BE400@phx.gbl>	 <be6db5df1002250843k6609c781i113c029f825079f1@mail.gmail.com>	 <COL109-W7CA70126CFA6F6614D6CCBE3A0@phx.gbl> <be6db5df1003110616h11ed4fc3kdc2eb62fb13ab10b@mail.gmail.com>
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as the Voltage from the outlet is 240V you're safe,
the cable only carries the mains voltage to the unit, and
the rating just means the cable itself is good for 250V or under.


andy
ps
if you have any good links for traditional Malaysian music
and feel like returning the favour please send to me off list :-)

halim zainal wrote:
> Hi,
> Just wondering my EDP is now set to 240v. What happens if a 250v power 
> cable is used? can it be done? will it fry my unit? Thanx.
> 
> 
> 
> 

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Enver Izmailov (guitarist)
References: <006e01cabeb7$f91695e0$50f53747@tbl01fcf9be917>  <497563.78400.qm@web29018.mail.ird.yahoo.com>  <66f9cc1e1003091539g556bb2b7ic77d0b45180ccca3@mail.gmail.com>  <20100310124918.237530@gmx.net> <66f9cc1e1003100517r7a733b5rc19534b4ae7878f2@mail.gmail.com> <20100311115131.14670@gmx.net> <4B98E017.9090809@tiscali.co.uk> <172969.21609.qm@web65608.mail.ac4.yahoo.com> <4B992CEB.1040504@tiscali.co.uk> <58971.11958.qm@web65608.mail.ac4.yahoo.com>
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antonyhequet@yahoo.com wrote:

> - tap right on the fret and get a muted tone


that one's really cool....ta

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 18:47:05 2010
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Date: Thu, 11 Mar 2010 19:47:04 +0100
Message-ID: <66f9cc1e1003111047i3996b5d8wf62ff18ef0760827@mail.gmail.com>
Subject: Re: Enver Izmailov (stick-warr gtr)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 11, 2010 at 7:22 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> I have a very unorthodox playing style on string instruments,
> and really rely on being able to get a lot of different timbres
> and effects from the way I pluck the string.
>
> it's not about just getting tone, but about getting a range
> of different tones.

You wouldn't seriously attempt to "play guitar" on a stick would you? :-)

My stick may sound Strat like but generally it's a misconception to
think the stick is a sort of guitar. Or bass. There's a lot guitar
trick you can't do on a stick - but there are a lot of stick things...
vice versa.

I totally agree with Andy's description, above, of hist guitar
approach. "Unortothox" is definitely the word. I went over to Norwich
and played with him and I would say that the EDP too is part of "the
instrument" Andy plays. An amazing experience of looping with
unorthodox guitar playing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 11 Mar 2010 20:01:32 +0100
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Subject: Re: Enver Izmailov (stick-warr gtr)
From: Raul Bonell <raul.bonell@gmail.com>
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--0016e6d589210c033204818b0b25
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... warr have all the summed possibilities. i think this is one of the
reasons why mark invented it, isn't?


2010/3/11 Per Boysen <perboysen@gmail.com>

> On Thu, Mar 11, 2010 at 7:22 PM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > I have a very unorthodox playing style on string instruments,
> > and really rely on being able to get a lot of different timbres
> > and effects from the way I pluck the string.
> >
> > it's not about just getting tone, but about getting a range
> > of different tones.
> tar tech
> You wouldn't seriously attempt to "play guitar" on a stick would you? :-)
>
> My stick may sound Strat like but generally it's a misconception to
> think the stick is a sort of guitar. Or bass. There's a lot guitar
> trick you can't do on a stick - but there are a lot of stick things...
> vice versa.
>
> I totally agree with Andy's description, above, of hist guitar
> approach. "Unortothox" is definitely the word. I went over to Norwich
> and played with him and I would say that the EDP too is part of "the
> instrument" Andy plays. An amazing experience of looping with
> unorthodox guitar playing.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d589210c033204818b0b25
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

... warr have all the summed possibilities. i think this is one of the reas=
ons why mark invented it, isn&#39;t?<br><br><br><div class=3D"gmail_quote">=
2010/3/11 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Thu, Mar 11, 2010 at 7:22 PM, andy butler &lt;<a href=3D"mailto:akbutle=
r@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>

&gt; I have a very unorthodox playing style on string instruments,<br>
&gt; and really rely on being able to get a lot of different timbres<br>
&gt; and effects from the way I pluck the string.<br>
&gt;<br>
&gt; it&#39;s not about just getting tone, but about getting a range<br>
&gt; of different tones.<br>
tar tech<br>
</div>You wouldn&#39;t seriously attempt to &quot;play guitar&quot; on a st=
ick would you? :-)<br>
<br>
My stick may sound Strat like but generally it&#39;s a misconception to<br>
think the stick is a sort of guitar. Or bass. There&#39;s a lot guitar<br>
trick you can&#39;t do on a stick - but there are a lot of stick things...<=
br>
vice versa.<br>
<br>
I totally agree with Andy&#39;s description, above, of hist guitar<br>
approach. &quot;Unortothox&quot; is definitely the word. I went over to Nor=
wich<br>
and played with him and I would say that the EDP too is part of &quot;the<b=
r>
instrument&quot; Andy plays. An amazing experience of looping with<br>
unorthodox guitar playing.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d589210c033204818b0b25--

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Subject: Was Enver Izmailov (guitarist) now stick versus guitar caged death match
Date: Thu, 11 Mar 2010 11:29:31 -0800
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I have to agree with Andy on this point. I've done quite a bit of  
tapping on guitar. and flirted with buying a stick back in the 80's  
when a friend lent one to me for a month. I don't think one can really  
compare the dynamic range of the guitar to a stick or similar  
instrument. There is only so much dynamic range  (whisper to a roar)  
that can be achieved by tapping or changing the velocity of ones tap   
attack, whereas a guitar can be plucked with a wider range of dynamic  
intensity. Unless you over compress the signal and limit  your dynamic  
range (Adrian Belew comes to mind) the guitar simply has more dynamic  
range that one can not only hear, but see on any decent DAW meter  
bridge. Don't get me wrong I love the stick, but in order to get  
dramatic shifts from loud to soft one needs to apply level increase  
from another source like a volume booster or application of effects.  
Nothing wrong in that mind you. Take a Stratocaster as an example,  
because the pickups are lower output and less compressed than a  
comparable Les Paul, the Strat is capable of greater dynamic range. I  
simply cannot get  the whisper to a roar volume range on a Les Paul or  
similarly equipped instrument than than I can with a Strat or tele.  
Now if one were to use plucking techniques that's a different story.  
I've seen Tony levin employ flamenco-esque strum techniques and really  
kick up the dynamic range that way.
Two cents
Bill

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Date: Thu, 11 Mar 2010 20:38:13 +0100
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Subject: Re: Enver Izmailov (stick-warr gtr)
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On Thu, Mar 11, 2010 at 8:01 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> ... warr have all the summed possibilities. i think this is one of the
> reasons why mark invented it, isn't?

My guess is that Mark Warr "invented" the Warr Guitar because felt
frustrated with the Stick, as he started out on that instrument. He
simply wanted a Stick with a more dense tone. I'd love to find an
interview where he talks about the early process of visualizing the
Warr guitar.

>From what I understand the Warr Guitar is quite different to the Stick
and the guitar. At least the Stick I like, light wight bamboo wood
with PASV-4 pickups. As with guitars, I tend to like the tone you get
out of light weight wood instruments. I had two old guitars from -57
and -59, Gibson SG and Les Paul Junior models and they too had this
"light wood" tone character (mahogany), like a Strat of the more fat
kind. This is a rather short sustain and sort of "light tone" that can
easily be shaped by acoustic feedback if the volume is loud enough.
The bamboo Stick sound like that but of course with longer string
sustain. The Warr on the other hand makes me associate to dense Gibson
Les Paul or PRS tone instruments. A string tone character I'm not at
all into and can't relate to. But I do like the fat and full jazz tone
Randy Strom gets on the Warr. I also think some Stick players give the
Stick a bad reputation by not really playing the instrument but more
like "tapping down strings at positions memorized from a score chart".
I must say that I also dislike 90 percent of the Stick tone you hear
around. No pun intended - it is just a matter of taste: the plunky
clavinette-like Stick sound is not my bag, and it took me a lot of
research to find out that they can actually sound in a different way.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 11 Mar 2010 14:49:02 -0500
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Subject: EDP Midi sync question
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hello LD,
Looking for some suggestions/directions:

Recently, I've been having a bunch of fun syncing up w/ a friend
running a  Mac laptop w/  Ableton.  And it got me thinking, "what if
we could just sync up a bunch of different people and their gear? And
maybe have presets to change around all the master/slave options.

So I went looking at a bunch of MIDI interface boxes and have been reading up.
But, I was wondering if anyone has any experience w/ this type of
thing.  I don't typically use my computer in my rig and was wondering
if I'd be forced to if I had an interface, or if I could just program
presets or something and then just use it w/ the EDP.

End Result, I'd love to be able to sync up to four different musicians
that brought along their own MIDI loopers or Ableton computer or
whatever.  I'm wanting to jam w/ a bunch of different people and be
able to tackle different situations with switching master/slave around
easily between jams.

Sorry if this seems redundant, not sure what to do and really wanted
to explain the situation.

Thanks for any input you might have,

Andy G

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 19:57:27 2010
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Date: Thu, 11 Mar 2010 20:57:23 +0100
Message-ID: <66f9cc1e1003111157j103b19a2u46f7fe46cef9f043@mail.gmail.com>
Subject: Re: EDP Midi sync question
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 11, 2010 at 8:49 PM, Loaf citious <loafcitious@gmail.com> wrote=
:
> End Result, I'd love to be able to sync up to four different musicians
> that brought along their own MIDI loopers or Ableton computer or
> whatever. =C2=A0I'm wanting to jam w/ a bunch of different people and be
> able to tackle different situations with switching master/slave around
> easily between jams.

If using laptops it's good to set up a master sync clock to be
available for everyone to hook up with as slaves.

Either that or doing all manual syncing, which is what I prefer; you
listen while playing and adapt of timing is drifting. Adapting loop
sync manually can be done by instantly retrigger the (local track sync
master) loop or simply creating a new loop from scratch at the new
tempo.

If using all EDPs there is this wonderful Brother Sync function that
doesn't see any "master" or "slave" but only provides a common time
reference. But any player in the group can change his local
interpretation, as in creating shorter or longer cycles for loops.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 19:57:48 2010
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Date: Thu, 11 Mar 2010 11:57:38 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Enver Izmailov (guitarist)
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yes Per, it's wonderfull to play a two handed percussion instrument that had two separate voices (preamp/effetcs/amplifier), sometimes I feel like i am two people playing together:)



----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, March 11, 2010 7:29:36 PM
Subject: Re: Enver Izmailov (guitarist)

On Thu, Mar 11, 2010 at 6:48 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> a lot

As a beginning and ambitious Stick player it amazes me how my Stick
tends to sound more like a Stratocaster for each day. The strat was my
premier instrument for a couple of decades and I guess I never will
get away from it ;-) But with the Stick I have at least extended the
tonal range of this expression way down into the bass register - which
is awesome! I have the same Villex PASV-4 pickups as Anthony and
really love that sound.

I agree with Anthony that there are a lot of Stick specific playing
technique tricks, but that's not what interest me with the instrument.
I get my kicks from more music related aspects like being able to use
nine fingers to work out rhythmic patterns, the wide tonal range and
the live sound design challenge of adding different effects and amps
to each side. Just think about how cool to play a throbbing 16th note
basted bassline with by two hand technique on the bass side and only
now and then replace a note with one on the melody side, where you
have the output going through a tap delay with some cool LFO filtering
happening. Not to forget the multitasking improvisational option for
two-handed playing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 19:58:44 2010
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--000e0ce0b4a676069304818bd766
Content-Type: text/plain; charset=ISO-8859-1

and it took me a lot of

> research to find out that they can actually sound in a different way.
>
>

like.. have you tried it thru a really evil fuzz box? Im sure a stick would
sound like a mono synth..?

Gos Im jealous Per.. wish I could afford one... Im almost in my car.. about
7 hours to Stockholm right? How long have you had it, whats the learning
curve?
-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce0b4a676069304818bd766
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

and it took me a lot of<br><div class=3D"gmail_quote"><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;">
research to find out that they can actually sound in a different way.<br><b=
r></blockquote><div><br><br>like.. have you tried it thru a really evil fuz=
z box? Im sure a stick would sound like a mono synth..? <br><br>Gos Im jeal=
ous Per.. wish I could afford one... Im almost in my car.. about 7 hours to=
 Stockholm right? How long have you had it, whats the learning curve?<br>

</div></div>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancom=
be.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><=
br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><=
br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0b4a676069304818bd766--

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	<bbb8cbac1003110423q4dab9356ldec6df4045651b37@mail.gmail.com> 
	<C1FD4698-7244-44E4-A030-5BE58EE03ED8@btinternet.com> <9ab0c76f1003110453l8edac33j653686c6d578c700@mail.gmail.com> 
	<226014A5-B2B9-4DB4-971F-6DEE0BB6FE57@btinternet.com> <9ab0c76f1003110603p27d54cd0q1db38873dab95d82@mail.gmail.com> 
	<9ab0c76f1003110612m343dd97eq4b119bf248695e7f@mail.gmail.com> 
	<899FB8E0-97D2-41DA-B990-B8151A9A8927@btinternet.com>
From: mark francombe <mark@markfrancombe.com>
Date: Thu, 11 Mar 2010 21:01:05 +0100
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--00c09fc2bdbe2dc3a104818be148
Content-Type: text/plain; charset=ISO-8859-1

You know it took a reboot.. im sort of getting my plugs in now.. nearly.. a
few missing files need to be put in the right places... my badly programmed
vsts Im afraid.. but then what... how do I get these to show in a DAW, or is
it a "play only" device?

mark

On Thu, Mar 11, 2010 at 5:12 PM, Richard Graham <
rock.guitar.guru@btinternet.com> wrote:

> Hm. I don't seem to have that problem here. Are you sure you are selecting
> "don't use wizard file"?
>
>
> On 11 Mar 2010, at 14:12, mark francombe wrote:
>
> No wait... um if i dont selct a VFX wizard file, then my OK button is
> greyed out, cant get any further...
>
> On Thu, Mar 11, 2010 at 3:03 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> ha ha.. I understand the import part... then I get the VFX thing,..
>> thanks!
>> But what is this Rock of which you speak?
>>
>> Mark
>>
>>
>> On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <
>> rock.guitar.guru@btinternet.com> wrote:
>>
>>> Import the VST using import VST from File menu - Select no VFX wizard
>>> file. Rock.
>>>
>>>
>>> On 11 Mar 2010, at 12:53, mark francombe wrote:
>>>
>>> Pst.. Re this VFX thing.. just fired it up.. er.. does anyone knows how
>>> it works?
>>>
>>>
>>>
>>>
>>>
>>> --
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.myspace.com/markfrancombe
>>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>>
>>>
>>>
>>
>>
>> --
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09fc2bdbe2dc3a104818be148
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

You know it took a reboot.. im sort of getting my plugs in now.. nearly.. a=
 few missing files need to be put in the right places... my badly programme=
d vsts Im afraid.. but then what... how do I get these to show in a DAW, or=
 is it a &quot;play only&quot; device?<br>

<br>mark<br><br><div class=3D"gmail_quote">On Thu, Mar 11, 2010 at 5:12 PM,=
 Richard Graham <span dir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@bt=
internet.com">rock.guitar.guru@btinternet.com</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204,=
 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div style=3D"word-wrap: break-word;">Hm. I don&#39;t seem to have that pro=
blem here. Are you sure you are selecting &quot;don&#39;t use wizard file&q=
uot;?<div><div></div><div class=3D"h5"><div><br></div><div><br><div><div>On=
 11 Mar 2010, at 14:12, mark francombe wrote:</div>

<br><blockquote type=3D"cite">No wait... um if i dont selct a VFX wizard fi=
le, then my OK button is greyed out, cant get any further...<br><br><div cl=
ass=3D"gmail_quote">On Thu, Mar 11, 2010 at 3:03 PM, mark francombe <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">=
mark@markfrancombe.com</a>&gt;</span> wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">ha ha.. I underst=
and the import part... then I get the VFX thing,.. thanks! <br>But what is =
this Rock of which you speak?<br>



<font color=3D"#888888"><br>Mark</font><div><div></div><div><br><br><div cl=
ass=3D"gmail_quote">On Thu, Mar 11, 2010 at 2:34 PM, Richard Graham <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@btinternet.com" target=3D=
"_blank">rock.guitar.guru@btinternet.com</a>&gt;</span> wrote:<br>




<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">Import the VST using import VST from File menu - Selec=
t no VFX wizard file. Rock.<div>




<div></div><div><div><br><div><br><div><div>On 11 Mar 2010, at 12:53, mark =
francombe wrote:</div><br><blockquote type=3D"cite">Pst.. Re this VFX thing=
.. just fired it up.. er.. does anyone knows how it works?<br>
<br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com/" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>







</blockquote></div><br></div></div></div></div></div></blockquote></div><br=
><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com/" tar=
get=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkha=
o.com/" target=3D"_blank">www.ordoabkhao.com</a><br>




<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>





</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><=
br><a href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.=
com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




</blockquote></div><br></div></div></div></div></blockquote></div><br><br c=
lear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfr=
ancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com=
</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00c09fc2bdbe2dc3a104818be148--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 20:06:39 2010
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Subject: RE: EDP Midi sync question
Date: Thu, 11 Mar 2010 15:04:23 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Sorry to interject, Not trying to hijack the discussion from my fellow
North Carolinian, but couldn't help but think when I read the e-mail how
cool it would be to be able to do this sort of jam over the web. It
seems entirely possible, I just have no idea how one would even approach
this though.
Imagine being able to Jam with all the cool european folks on here Loaf.
Wouldn't that be spectacular?
Ace

-----Original Message-----
From: Loaf citious [mailto:loafcitious@gmail.com]=20
Sent: Thursday, March 11, 2010 2:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: EDP Midi sync question

Hello LD,
Looking for some suggestions/directions:

Recently, I've been having a bunch of fun syncing up w/ a friend
running a  Mac laptop w/  Ableton.  And it got me thinking, "what if
we could just sync up a bunch of different people and their gear? And
maybe have presets to change around all the master/slave options.

So I went looking at a bunch of MIDI interface boxes and have been
reading up.
But, I was wondering if anyone has any experience w/ this type of
thing.  I don't typically use my computer in my rig and was wondering
if I'd be forced to if I had an interface, or if I could just program
presets or something and then just use it w/ the EDP.

End Result, I'd love to be able to sync up to four different musicians
that brought along their own MIDI loopers or Ableton computer or
whatever.  I'm wanting to jam w/ a bunch of different people and be
able to tackle different situations with switching master/slave around
easily between jams.

Sorry if this seems redundant, not sure what to do and really wanted
to explain the situation.

Thanks for any input you might have,

Andy G

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 20:26:15 2010
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Loaf citious wrote:

> 
> Recently, I've been having a bunch of fun syncing up w/ a friend
> running a  Mac laptop w/  Ableton.  And it got me thinking, "what if
> we could just sync up a bunch of different people and their gear? And
> maybe have presets to change around all the master/slave options.


Some sort of programmable midi patchbay then.
Don't know if that's available in Hardware.

Software wise, you could do it using Bidule on any of
the pc/mac available in the room, providing that
machine had enough midi interfaces.

If you need to route midi between apps within a mac,
....then I dunnow....Per? anyone?

andy

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 20:28:55 2010
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Date: Thu, 11 Mar 2010 12:28:53 -0800 (PST)
Subject: Re: vst (win) -> vst (osx) (budget studio)
From: looppool@cruzio.com
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Per wrote:
> These day's an Apple pc is just as good as any other running Windows.
> The utility that  makes that possible is Bootcamp and comes with any
> OS X box. It requires the user to restart the machine to boot into
> Windows or OS X.

Yeah,  and I just saw that Apple has reduced the price of the
Apple Mini to make it much more affordable to do that.


Does the Mini have the firepower to do digital audio,  Per?
I see they are down to $499 in the US.


From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 20:29:47 2010
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Date: Thu, 11 Mar 2010 21:29:45 +0100
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Subject: Re: Enver Izmailov (stick-warr gtr)
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--0016e6d589218d2b8d04818c4672
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2010/3/11 Per Boysen <perboysen@gmail.com>

> On Thu, Mar 11, 2010 at 8:01 PM, Raul Bonell <raul.bonell@gmail.com>
> wrote:
> > ... warr have all the summed possibilities. i think this is one of the
> > reasons why mark invented it, isn't?
>
> My guess is that Mark Warr "invented" the Warr Guitar because felt
> frustrated with the Stick, as he started out on that instrument. He
> simply wanted a Stick with a more dense tone. I'd love to find an
> interview where he talks about the early process of visualizing the
> Warr guitar.
>
>
i meant, if you don't want to loose your guitar licks, then get a warr-like
tapping instrument or even a regular guitar or 6-strings bass, not a stick.

--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d589218d2b8d04818c4672
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><br><div class=3D"gmail_quote">2010/3/11 Per Boysen <span dir=3D"ltr">&=
lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span=
><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(=
204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Thu, Mar 11, 2010 at 8:01 PM, Raul Bonell &lt;<a href=
=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt; wrote:<br>
&gt; ... warr have all the summed possibilities. i think this is one of the=
<br>
&gt; reasons why mark invented it, isn&#39;t?<br>
<br>
</div>My guess is that Mark Warr &quot;invented&quot; the Warr Guitar becau=
se felt<br>
frustrated with the Stick, as he started out on that instrument. He<br>
simply wanted a Stick with a more dense tone. I&#39;d love to find an<br>
interview where he talks about the early process of visualizing the<br>
Warr guitar.<br>
<div class=3D"h5"><br>
</div></blockquote></div><br>i meant, if you don&#39;t want to loose your g=
uitar licks, then get a warr-like tapping instrument or even a regular guit=
ar or 6-strings bass, not a stick. <br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina i r=
esulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien p=
osar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d589218d2b8d04818c4672--

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	 <66f9cc1e1003111047i3996b5d8wf62ff18ef0760827@mail.gmail.com>
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	 <9ab0c76f1003111158m4f39fd74xcfa98bb9489be386@mail.gmail.com>
Date: Thu, 11 Mar 2010 21:42:20 +0100
Message-ID: <66f9cc1e1003111242h7a536658jf4179304d7c7744e@mail.gmail.com>
Subject: Re: Enver Izmailov (stick-warr gtr)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 11, 2010 at 8:58 PM, mark francombe <mark@markfrancombe.com> wrote:
> and it took me a lot of
>>
>> research to find out that they can actually sound in a different way.
>>
>
>
> like.. have you tried it thru a really evil fuzz box? Im sure a stick would
> sound like a mono synth..?
>
> Gos Im jealous Per.. wish I could afford one... Im almost in my car.. about
> 7 hours to Stockholm right? How long have you had it, whats the learning
> curve?

WOT!!! You can afford a car but not a stick! Strange priorities  ;-)

YOu are totally wrong about the stick sounding like a mono synth if
played through an evil fuzz. I did exactly that until 4 a.m.
yesterday. If playing on the melody side it simply sounds like a
tapped baritone guitar through an evil fuzz box and if done on the
bass side it sounds like a tapped bass through an evil fuzz box. For
"evil sounds" I still use my Casio electric guitar with humbuckers
tuned down to B with ultra thick strings. Nothing gets that "throbby".
I think the stick sounds more mellow (at least the way I prefer to
tweak the sound), a bit like jazz guitarist John Abercrombie but if he
should have used a "baritone stratocaster". Nerdy axe talk, but that's
as close I can describe it.

The learning curve is simple. You simply push down a string and it
sounds. That is if you already know music, i.e. what notes to play in
order to create something you hear in your head. I've seen a lot of
people learning new instruments "the wrong way", buy building a mental
picture of where to pusch down strings/buttons/keys in order to make
certain melodies. If you do this mistake on the stick I guess you
would lose interest and sell it pretty quickly, because the tonal
range is so wide you kind of get lost within too waste opportunities.

It seems drummers and piano players already have learned some of the
multitasking skill that is needed to *play* a stick. For guitar
players it is more difficult, especially on the mental side. It really
is not a guitar.

Get into your car and drive down to Stockholm! You will arrive about
noon tomorrow and then we can enjoy a stick breakfast together!

Per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 20:48:19 2010
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From: Kenn Lowy <kennlowy@me.com>
Subject: Re: Enver Izmailov (stick-warr)
Date: Thu, 11 Mar 2010 15:48:12 -0500
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It's not an easy instrument to pick up and I would never put my guitar aside. But it does do some cool things you could never do on guitar. Then again I can do lots of things on the guitar that can't be done on the stick or warr, so I certainly agree with you on that. But you can get very expressive. 

The warr is more like an actual guitar because you can strum it. But that doesn't work for me because I'm a lefty.

kenn


On Mar 11, 2010, at 3:01 PM, Loopers-Delight-d-request@loopers-delight.com wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Date: March 11, 2010 1:22:46 PM EST
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Enver Izmailov (stick-warr gtr)
> 
> 
> hi Kenn,
> it's more an issue that the stick wouldn't work for me personally.
> 
> I have a very unorthodox playing style on string instruments,
> and really rely on being able to get a lot of different timbres
> and effects from the way I pluck the string.
> 
> it's not about just getting tone, but about getting a range
> of different tones.
> 
> 
> andy
> ps,
> nice sound by the way, esp the bass


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>It's not an easy instrument to pick up and I would never put my =
guitar aside. But it does do some cool things you could never do on =
guitar. Then again I can do lots of things on the guitar that can't be =
done on the stick or warr, so I certainly agree with you on that. But =
you can get very expressive.&nbsp;</div><div><br></div><div>The warr is =
more like an actual guitar because you can strum it. But that doesn't =
work for me because I'm a =
lefty.</div><div><br></div><div>kenn</div><div><br></div><br><div><div>On =
Mar 11, 2010, at 3:01 PM, <a =
href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com">Loopers-Deli=
ght-d-request@loopers-delight.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Verdana; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>From:<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">andy butler &lt;<a =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;<br><=
/span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgb(127, 127, 127); "><b>Date:<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">March 11, 2010 =
1:22:46 PM EST<br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>To:<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>Subject:<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><b>Re: Enver =
Izmailov (stick-warr gtr)</b><br></span></div><br><br>hi Kenn,<br>it's =
more an issue that the stick wouldn't work for me personally.<br><br>I =
have a very unorthodox playing style on string instruments,<br>and =
really rely on being able to get a lot of different timbres<br>and =
effects from the way I pluck the string.<br><br>it's not about just =
getting tone, but about getting a range<br>of different =
tones.<br><br><br>andy<br>ps,<br>nice sound by the way, esp the =
bass<br></span></blockquote></div><br></body></html>=

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Date: Thu, 11 Mar 2010 13:53:28 -0700
Message-ID: <dec8f8e61003111253p73dc36f7rba06097cd5697775@mail.gmail.com>
Subject: Re: vst (win) -> vst (osx) (budget studio)
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The Mac Mini has ONE Firewire 800 port on it ...

On Thu, Mar 11, 2010 at 1:28 PM,  <looppool@cruzio.com> wrote:
> Per wrote:
>> These day's an Apple pc is just as good as any other running Windows.
>> The utility that =A0makes that possible is Bootcamp and comes with any
>> OS X box. It requires the user to restart the machine to boot into
>> Windows or OS X.
>
> Yeah, =A0and I just saw that Apple has reduced the price of the
> Apple Mini to make it much more affordable to do that.
>
>
> Does the Mini have the firepower to do digital audio, =A0Per?
> I see they are down to $499 in the US.
>
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Thu, 11 Mar 2010 22:10:46 +0100
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Subject: Re: Enver Izmailov (stick-warr gtr)
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2010/3/11 Per Boysen <perboysen@gmail.com>

>
> It seems drummers and piano players already have learned some of the
> multitasking skill that is needed to *play* a stick. For guitar
> players it is more difficult, especially on the mental side. It really
> is not a guitar.
>
>
> in my humble experience, in the earlier stages, guitar players tend to do
more notes with the left hand, as they used on the guitar. piano, perc.
players or newbies at all, use both hands equally.

--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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<br><br><div class=3D"gmail_quote">2010/3/11 Per Boysen <span dir=3D"ltr">&=
lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span=
><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(=
204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
It seems drummers and piano players already have learned some of the<br>
multitasking skill that is needed to *play* a stick. For guitar<br>
players it is more difficult, especially on the mental side. It really<br>
is not a guitar.<br>
<font color=3D"#888888"><br><br>
</font></blockquote></div>in my humble experience, in the earlier stages, g=
uitar players tend to do more notes with the left hand, as they used on the=
 guitar. piano, perc. players or newbies at all, use both hands equally.<br=
 clear=3D"all">
<br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona =
que sense saber que estava il.luminada, exclamava: &quot;O siga, que he pag=
at per aquesta merda de m=E0quina i resulta que ni tan sols em diu si s=F3c=
 un Buda o no, =F2sties!, no podien posar-li una agulla , o que pitara, o a=
lguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d7e33a37409104818cd916--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 21:13:49 2010
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Subject: Re: vst (win) -> vst (osx) (budget studio)
From: folkstone57@tmo.blackberry.net
Date: Thu, 11 Mar 2010 21:04:00 +0000
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Hello All

I have both USB & FW drives on my MiniMac running Cubase 4 & no problems at all. 


Mark Showalter 
cell: 321-230-4559

Minden Jot!

www.myspace.com/folkstone57 

http://www.last.fm/user/Folkstone57

------Original Message------
From: looppool@cruzio.com
To: Per Boysen
Cc: loopers-delight@loopers-delight.com
ReplyTo: Loopers-Delight@loopers-delight.com
Sent: Mar 11, 2010 3:28 PM
Subject: Re: vst (win) -> vst (osx) (budget studio)

Per wrote:
> These day's an Apple pc is just as good as any other running Windows.
> The utility that  makes that possible is Bootcamp and comes with any
> OS X box. It requires the user to restart the machine to boot into
> Windows or OS X.

Yeah,  and I just saw that Apple has reduced the price of the
Apple Mini to make it much more affordable to do that.


Does the Mini have the firepower to do digital audio,  Per?
I see they are down to $499 in the US.




Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Thu Mar 11 21:31:04 2010
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Subject: Re: Enver Izmailov (guitarist)
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On Thu, Mar 11, 2010 at 8:57 PM,  <antonyhequet@yahoo.com> wrote:
> yes Per, it's wonderfull to play a two handed percussion instrument that had two separate voices (preamp/effetcs/amplifier), sometimes I feel like i am two people playing together:)

It just came to my mind that it in some way reminds of a grand piano.
Sound-wise. The fifths based tuning of the bass side strings offers
wider voicing of chords than you can reach on a piano, or guitar, and
that is a typical sound criterium of a stick - or similar Warr. First
time I picked it up I was amazed of how it sort of "played itself".
Very good intonation and the chords sound deep and rich, like a grand
piano. I'm very impressed with the STick but I must say that my Stick
is modern, I do not have any experience with the Sticks built before
2004 (I think it was) when the modern fret rails were introduced. They
give a better precision than the previous rods for sliding and bending
and as your fingertips feel the high frets you won't need to look at
the fretboard much. Actually, you don't need to look much at all on
the fretboard because the tuning is all logical - no odd exception as
the G/B string in guitar tuning. Also, the melody side tuned in
fourths and the bass side tuned in fifths mirror each other with
lowest tuned strings at the center of the fretboards.
Mathematically/geometrically this means that the same pattern shapes
(for which frets to push on) by both hands result in the same notes
but at different octaves. If you play a scale run with both hands
simultaneously, mirrored, it will produce two melody lines of the same
notes but in different octaves where the bass side goes from low notes
to high and the melody side goes from high notes to low. At some part
of these two runs they hit the same note in the same octave but then
they part again. Almost like magic, but it is just logic.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Antwerp loop fest
From: Sjaak Overgaauw <tcplugin@gmail.com>
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I'm now uploading the 1st video of the Loopfest...stay tuned :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 01:11:04 2010
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From: G <gigs@paradise.net.nz>
Subject: Looperlative fervant hope
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Hi Bob and all
After the announcement of the LP2 I expressed a desire for a stereo
version of the pedal.  Bob's response was encouraging, I'm impressed
you're prepared to listen.

What I want and cannot find is a stereo looper pedal with:
Non volatile memory using memory cards or similar allowing 20 minutes
and more of CD quality (or better) stereo tracks, that can be retained
on said cards.  A bare minimum of two stereo tracks, but preferably
more.  Rock solid reliable MIDI timing either as master or slave. =20
Can be controlled completely via midi foot controller (or any midi cc)
Has stereo instrument level inputs and outputs.=20
There are a lot of other features I'd like, but it'd first need to meet
the above.

I'm really unimpressed with the stereo looper pedal market.
I've thought about writing to EHX about a number of features I'd like to
see in their next pedal after the 2880, but I doubt it would happen.
The Boss RC-50 appears to be a joke when it comes to midi timing, and
has fixed memory.  And theres precious little else out there.

I am not interested in going the computer route... I have an IT
background, and I'd much rather use purpose built hardware.

Rack units would be a last resort if I'm forced that way, but I'd much
pefer to have a stereo pedal, or at least a rack unit that can be safely
installed on a pedal board like my Holmes preamp, and is instrument
level friendly.... which leads on to...

So my end of the rainbow hope is perhaps down the line the LP1 could be
modded to have:=20
* stereo inputs and main outputs switchable between line and instrument
level, e.g. eventides factor pedals
* memory card slot for non volatile storage of loops, allowing one to
build up a library of cards, and choosing the capacity appropriate for
each piece 4 minutes to at least 20 minutes if not more.  E.g. 2880
boasts 6 mono tracks OR 3 stereo tracks of up to 62 minutes using CF
cards.  Which suggests 186 minutes of stereo CD quality recording, which
would mean 8 equal length stereo tracks gives 23 minutes.
* power protection and sturdy enlosure that's pedal board safe both in
terms.  With that in mind, if it's in a rack enclosure so be it.
* Rest of the functionality and capabilities the same as the LP1

If this existed I would be prepared to invest in one.
Thanks for your time
-- G.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 02:15:15 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll continue
the month-long Special Focus on Mark Mahoney and Michael Peck.  The
Featured CD at Midnight will be "Beyond the Vaulting Skies" by Mark
Mahoney on Waiting World Records.  For details, see the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

From servizio@bpol.it  Fri Mar 12 04:03:54 2010
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 04:23:49 2010
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Subject: Re: Constant buzzing - can it be killed!
Date: Thu, 11 Mar 2010 21:22:56 -0700
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This wont' work, because it is inserted only in the analog audio change. =
The noise is coming from the power outlet and is infesting my internal =
audio in the computer, amp, etc

Today, I turned all the lights off in the house...no result.  I also =
plugged into several different outlets, even those from a recent =
re-model.   I wonder if it is the wireless routers we have in the house. =
Not sure, but I will have to get some expensive unite or a isolation =
transformer to be able to record here.  :(
Kris

  ----- Original Message -----=20
  Kris I bought one of these a while back but honestly have not applied =
it so don't know how good.  =
http://pro-audio.musiciansfriend.com/product/Nady-HE1-Hum-Eliminator-?sku=
=3D180014  $29.99.

  Jim


  On Thu, Mar 11, 2010 at 1:41 AM, Kris Hartung <khartung@q.com> wrote:

    Tried that. It has worked in other places, however, especially with =
a comupter in the room and magnetic guitar pickups.
      ----- Original Message -----=20
      t
        ----- Original Message -----=20
        From: Kris Hartung=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Wednesday, March 10, 2010 9:28 PM
        Subject: Constant buzzing - can it be killed!


        Is there anything, anything that you can put in between a power =
outlet and your gear to prevent buzzing? It is driving me up the wall. I =
literally can't record because of it.  It comes out of my amps by =
itself, my computer with guitar plugged into it directly, etc.   It is =
not my guitar cables, or the ground in the guitar. I have eliminated =
these as the source. It is most definitely caused within the circuit of =
the wiring in my house.  I have no reastat light controllers in my =
basement, which was the cause of the noise when I was upstairs, but =
turned them off.    There has to be something, or this will me insane.

        Kris





  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_013A_01CAC161.049D8120
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This wont' work, because it is inserted =
only in the=20
analog audio change. The noise is coming from the power outlet and is =
infesting=20
my internal audio in the computer, amp, etc</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Today, I turned all the lights off in =
the=20
house...no result.&nbsp; I also plugged into several different outlets, =
even=20
those from a recent re-model.&nbsp; &nbsp;I wonder if it is the wireless =
routers=20
we have in the house. Not sure, but I will have to get some expensive =
unite or a=20
isolation transformer to be able to record here.&nbsp; :(</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV>Kris I bought one of these a while back but honestly have not =
applied it=20
  so don't know how good.&nbsp; <A=20
  =
href=3D"http://pro-audio.musiciansfriend.com/product/Nady-HE1-Hum-Elimina=
tor-?sku=3D180014">http://pro-audio.musiciansfriend.com/product/Nady-HE1-=
Hum-Eliminator-?sku=3D180014</A>&nbsp;=20
  $29.99.<BR><BR>Jim<BR><BR></DIV>
  <DIV class=3Dgmail_quote>On Thu, Mar 11, 2010 at 1:41 AM, Kris Hartung =
<SPAN=20
  dir=3Dltr>&lt;<A =
href=3D"mailto:khartung@q.com">khartung@q.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>Tried that. It has worked in other =
places,=20
    however, especially with a comupter in the room and magnetic guitar=20
    pickups.</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
      Original Message ----- </DIV>
      <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
      <DIV>
      <DIV></DIV>
      <DIV class=3Dh5>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
        Original Message ----- </DIV>
        <DIV=20
        style=3D"BACKGROUND: rgb(228,228,228); FONT: 10pt arial; =
font-size-adjust: none; font-stretch: normal; -moz-background-clip: =
border; -moz-background-origin: padding; -moz-background-inline-policy: =
continuous"><B>From:</B>=20
        <A title=3Dkhartung@q.com href=3D"mailto:khartung@q.com" =
target=3D_blank>Kris=20
        Hartung</A> </DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
        <A title=3DLoopers-Delight@loopers-delight.com=20
        href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
        target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
        Wednesday, March 10, 2010 9:28 PM</DIV>
        <DIV=20
        style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
        Constant buzzing - can it be killed!</DIV>
        <DIV><BR></DIV>
        <DIV><FONT face=3DArial size=3D2>Is there anything, anything =
that you can=20
        put in between a power outlet and your gear to prevent buzzing? =
It is=20
        driving me up the wall. I literally can't record because of =
it.&nbsp; It=20
        comes out of my amps by itself, my computer with guitar plugged =
into it=20
        directly, etc.&nbsp;&nbsp; It is not my guitar cables, or the =
ground in=20
        the guitar. I have eliminated these as the source. It is most =
definitely=20
        caused within the circuit of the wiring in my house.&nbsp; I =
have no=20
        reastat light controllers in my basement, which was the cause of =
the=20
        noise when I was upstairs, but turned them =
off.&nbsp;&nbsp;&nbsp; There=20
        has to be something, or this will me insane.</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial=20
    =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></DIV></DIV></BLOCKQUOTE></DIV><=
/BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_013A_01CAC161.049D8120--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 04:31:09 2010
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Subject: Re: Constant buzzing - can it be killed!
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Thanks, Bill. We do indeed have the energy saving bulbs here. However, I 
turned all the lights off in the house and the buzz persised.

Would this do the trick? 
http://www.furmansound.com/product.php?div=01&id=AC-215A_PRO

Kris


----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 11, 2010 10:30 AM
Subject: Constant buzzing - can it be killed!


> Hey kris if this has become a recent phenomena, it might be due to  using 
> the new energy saving fluorescent light bulbs. I was getting ton  of extra 
> noise until I realized they were the culprit and any room on  the same 
> circuit as mine like the bathroom had to have the lights  replaced with 
> standard incandescent bulbs. I still have some issues  with buzz and also 
> with proximity to transformers in my room, example:  if I set my guitar to 
> close to my furman power conditioner  my guitar  buzzes.  It may be that 
> my power conditioner is old enough (+20 years)  now that some of its 
> filter capacitors are getting old and noisy. The  real solution would be 
> getting an isolation transformer for your  studio room, but they aren't 
> cheap,  some costing upwards of $1000  dollars or more  and they tend to 
> be pretty massive them selves. Try  changing the lights first, that may 
> clear up your problem.
>  Bill 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 04:33:35 2010
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Subject: Re: Constant buzzing - can it be killed!
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Maybe this would be more promising:

http://www.tripplite.com/en/products/model.cfm?txtModelID=229

Isolation transformers must have gone down in price?. I found that the 
really high wattage ones are expensive, which I don't need.

Kris



----- Original Message ----- 
> Thanks, Bill. We do indeed have the energy saving bulbs here. However, I 
> turned all the lights off in the house and the buzz persised.
>
> Would this do the trick? 
> http://www.furmansound.com/product.php?div=01&id=AC-215A_PRO
>
> Kris
>
>
> ----- Original Message ----- 
>
>
>> Hey kris if this has become a recent phenomena, it might be due to  using 
>> the new energy saving fluorescent light bulbs. I was getting ton  of 
>> extra noise until I realized they were the culprit and any room on  the 
>> same circuit as mine like the bathroom had to have the lights  replaced 
>> with standard incandescent bulbs. I still have some issues  with buzz and 
>> also with proximity to transformers in my room, example:  if I set my 
>> guitar to close to my furman power conditioner  my guitar  buzzes.  It 
>> may be that my power conditioner is old enough (+20 years)  now that some 
>> of its filter capacitors are getting old and noisy. The  real solution 
>> would be getting an isolation transformer for your  studio room, but they 
>> aren't cheap,  some costing upwards of $1000  dollars or more  and they 
>> tend to be pretty massive them selves. Try  changing the lights first, 
>> that may clear up your problem.
>>  Bill
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 06:51:26 2010
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Subject: RE: EDP Midi sync question
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@AndyB -
Thank you much for the keyword there,
I found that there is indeed a midi patch bay,
but, it's pretty old and rare. The one I stumbled on
is a Ensoniq KMX-16:

http://commons.wikimedia.org/wiki/File:Ensoniq_KMX-16_Programmable_15_x_16_MIDI_Patchbay_%28closeup%29.jpg

I think this is the type of thing I may be searching for
but, ahh don't I have enough gear weighing me down?

This may be the one thing that broke the camel's back in terms of the
hardware/software debate going on in my head.

@Per -
I like the idea of a bunch of EDP in one room hahah,
that's not going to happen to me any time soon.  But,
the idea of running a laptop, if not for anything else but to control
midi and run Live. Hmmm....Do you think it'd be possible to have a
computer w/ a newer
MIDI interface, like say MOTU for example, running
something like Live as the slave?

MIDI interface on a PC, running Ableton, w/ EDP as
the master?  Just looking for general ideas here,
there's a lot for me to study right now.

@Ace -
Well, besides the fact that I'm gonna get out and
do some livelooping this summer (in public -
and I've love to have you out to do so),
perhaps we should save our duckettes and skip
across the pond!

Thank you all for your response and help,

Loaf.

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unsubscribe

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hey, c'mon!!

2010/3/12 Niel van Zyl <nielvanzyl@gmail.com>

> unsubscribe
>

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hey, c&#39;mon!!<br><br><div class=3D"gmail_quote">2010/3/12 Niel van Zyl <=
span dir=3D"ltr">&lt;<a href=3D"mailto:nielvanzyl@gmail.com">nielvanzyl@gma=
il.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:=
 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left=
: 1ex;">
unsubscribe<br>
</blockquote></div><br><br clear=3D"all"><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 15:59:39 2010
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Date: Fri, 12 Mar 2010 11:59:38 -0400 (AST)
Subject: MIDI Controller Suggestions
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi,

Does anyone have any suggestions for a MIDI controller for my m9?

I've been using my FCB1010, but it's a bit of a beast and I'm just using
it switch through the patches on the m9.

Thanks,

Andre


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Date: Fri, 12 Mar 2010 17:03:30 +0100
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Subject: Re: Looperlative fervant hope
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On Fri, Mar 12, 2010 at 3:00 AM, G <gigs@paradise.net.nz> wrote:
> The Boss RC-50 appears to be a joke when it comes to midi timing, and
> has fixed memory.

You can use the USB interface import and export loops and (I think)
replace the internal drum samples. Regarding sync: the RC-50 works
fine as a master and can be slaved if you send a midi start from the
master. It can do feedback on 1 track when you use the aux output and
inputs to create a feedback loop. This is a workaround but it works
fine. Big plus: it is very stable.

> I am not interested in going the computer route... I have an IT
> background, and I'd much rather use purpose built hardware.

I have an IT background too and use both hardware and software
loopers. Imo, if you treat a computer like a dedicated hardware
looper, it can work like a hardware looper but it requires discipline
and testing hours. Keep in mind that every hardware loopers internally
runs on software, 100% hardware does not exist. What you also could do
is combining a laptop and the LP1. Expensive, but the LP1 allows you
to import and export loops you recorded via the built-in Ethernet
interface. Another idea: Bob has been working on a built-in storage
solution for the LP1.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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where are we going?


  ----- Original Message -----=20
  From: Petri Lahtinen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 12, 2010 9:49 AM
  Subject: Re: unsubscribe


  hey, c'mon!!


  2010/3/12 Niel van Zyl <nielvanzyl@gmail.com>

    unsubscribe







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<DIV><FONT face=3DArial size=3D2>where are we going?</FONT></DIV>
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  <A title=3Daikuinen@gmail.com href=3D"mailto:aikuinen@gmail.com">Petri =

  Lahtinen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
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  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: unsubscribe</DIV>
  <DIV><BR></DIV>hey, c'mon!!<BR><BR>
  <DIV class=3Dgmail_quote>2010/3/12 Niel van Zyl <SPAN dir=3Dltr>&lt;<A =

  =
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 16:30:53 2010
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Subject: how do you store your cables?
Date: Fri, 12 Mar 2010 17:30:38 +0100
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I have just bought some flat cardboard boxes from Ikea that will contain
various kinds of cables - converter cables, say, from cinch (RCA) to 3,5mm
or 1/4" jacks all in one box, RCA on both ends in another box, small
converter plugs in another box, etc.

It probably would make more sense to hang the cables from some kind of rail
but I don't have the space (and it would look ugly). 

How does everyone stores their cables? is it possible to store them so they
don't look ugly in your bedroom (if that's where the studio is as in my
case), but also so that you can find everything quickly?

-Michael



From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 16:39:16 2010
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Subject: Re: how do you store your cables?
Date: Fri, 12 Mar 2010 11:38:56 -0500
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How does everyone stores their cables?


wear them?

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 16:42:34 2010
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Date: Fri, 12 Mar 2010 08:42:33 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: review thoughts on: boss SLICER/ digitech TIMEBENDER
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--0-486357936-1268412153=:34691
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ok, i sent this on thur, but my yahoo email hasn't sent it out. i'll try ag=
ain, may have
to get different email acct, this is frustrating....here's what i sent


=0A=0A=0A=0A=0ASome quick reviews=E2=80=A6BOSS SLICER=E2=80=A6
=0Ai've only been experimenting w/ it for a couple days=E2=80=A6
=0Ait's a keeper. i think i'll have to read the manual. but as rick w. says=
,
=0Athere's lots to do w/ it w/ mixing the direct vs effect amt.
=0Athe thing about it is, you feed it different stuff, it does different th=
ings.
=0Ahonestly, it sounds cool when distorted guitar is fed to it-see the guit=
ar world
=0Avid review-they play w/ that a lot.
=0Abut i like it. honestly i liked the slicer effect in my roland ef303, bu=
t that=0Aunit is SO BIG (built like a tank though), the slicer pedal i thin=
k gives a=0Anice variation of it...ok=E2=80=A6follow-up: I was messing arou=
nd w/ it w/ my direct=0Asetup (playing when=C2=A0 the li=E2=80=99l monsters=
=0Aare asleep) and I had a short modulated delay, the slicer on & one of my=
=0Aheavy distortions amp models going, then on my whacky new guitar that ha=
s=0Aon-off switches for the pu=E2=80=99s-so I can sort of do the buckethead=
/tom morello=0Astaccato effects w/ it=E2=80=94it sounded so cool, messed w/=
 that a bit. Most fun. I will=0Asay that I think it=E2=80=99s not an effect=
 that you can leave on all the time, but w/=0Athe mix options, you can turn=
 it down and it can give subtle things to your=0Aplaying=E2=80=A6I will go =
w/ rick on this though, it=E2=80=99ll take me forever to find all it=0Acan =
do, I should probably read the manual=E2=80=A6=20
=0A
=0Aok, as for the DIGITECH TIMEBENDER=E2=80=A6
=0Awell, remember us all chiming in on why a co. would just copy a pedal & =
put=0Ait out (hello digitech jamman pedal-aren't you close to the boss rc20=
?)...well,=0Athis thing isn't copying anything....at least i don't think (w=
ell maybe=0Aeventide delays that i've read about?)
=0Athe problem is, i think it's more of a pitchshifter than a delay per se.=
 i mean=0Athere's tons of options of how you want the repeats. up/down shif=
ting, etc etc.=0Ait does sound cool. but i guess after i've messed w/ it a =
bit, i wonder-can it=0Abe applied to anything? and i'm not honestly sure if=
 it can. here's the thing-i=0Adon't think it's a great delay. it's ok. it j=
ust sort of creates washes of=0Asound behind your playing for the most part=
. and it can be cool for us experimentalists,=0Abut i sort of wonder if the=
 same effect can be gotten out of cheaper gear or a=0Abetter delay. yes it =
has a looper (again-let=E2=80=99s throw the looper in there for sound on so=
und but=0Ayou can't do anything to it!) but i don't honestly think it does =
%100=0Afeedback-which bummed me out (since I favor delay based looping)=E2=
=80=A6and then as I was=0Areading the manual/info, I noticed that they adve=
rtise this thing having the ability=0Ato =E2=80=9CBEND TIME=E2=80=9D, when =
honestly I think it does more of =E2=80=9CBENDING PITCH=E2=80=9D. But for=
=0Ame, I think the effect I=E2=80=99ve been least impressed w/ is pitchbend=
ing, sure I thought=0Ait was cool back in=E2=80=9901 w/ my old digitech rp1=
00, but after a while=E2=80=A6.after I played=0Aw/ it I thought, well if yo=
u want to be the musical equivalent of MONET=E2=80=99s=0AIMPRESSIONISM, may=
be it=E2=80=99s for you, but I sort of tired of what it could do=0Aafter aw=
hile. Like I said, it just seemed weak in the actual DELAY area for me.=0AA=
lthough I should say that I did think the envelope setting was decent-I gue=
ss=0Ait=E2=80=99s like the slicer in that regards, and the settings that we=
re most fun were=0Athe few that used random intervals (well they list the r=
andom intervals in the=0Amanual-so is it really random? Not sure, but it so=
unds random), and when I was=0Aplaying w/ that for a bit I honestly thought=
 it sounded like ANDRE LA FOSSE=E2=80=99s=0Aedp glitch =E2=80=93stuff=E2=80=
=A6it was kind of cool for a bit, but I didn=E2=80=99t think I want to=0Ago=
 that route since Andre LF does it way better than i. I did think the dynam=
ic=0Asettings of tape and analog delays were decent, and when you would pla=
y w/ the=0Atime they would slide up and down nice, but the problem is that =
the repeats=0Awere so faint, never could get it to sound 100%, like I said =
it was just washes=0Aof stuff=E2=80=A6I=E2=80=99m sure down the road I=E2=
=80=99ll hear someone who just does amazing things=0Awith it and think, hmm=
mm, man I was dumb or whatever=E2=80=A6but overall, I haven=E2=80=99t=0Abee=
n impressed with it. maybe I had too high of expectations, and maybe w/ the=
=0Aterm =E2=80=9Ctimebender=E2=80=9D I had too high of hopes for it. but fo=
r me, I pulled it out=0Aof my setup last night and put my digitech DL8 back=
 in, & was much happier=0A(hence the fun I had w/ the modulated delay & sli=
cer and my on/off switch!)=0A=0AHappy looping=E2=80=A6=0A=0As---=0A=0A=0A  =
    
--0-486357936-1268412153=:34691
Content-Type: text/html; charset=utf-8
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">ok, i sent this on thur, but my yahoo email h=
asn't sent it out. i'll try again, may have<br>to get different email acct,=
 this is frustrating....here's what i sent<br><br><br><a id=3D"flag0" class=
=3D"greyed" href=3D"http://us.mc331.mail.yahoo.com/mc/showMessage;_ylc=3DX3=
oDMTBrZ28zdG8wBF9TAzM5ODMwMTAyNwRhYwNGbGFn?sMid=3D0&amp;fid=3DSent&amp;filt=
erBy=3D&amp;.rand=3D1228177447&amp;midIndex=3D0&amp;mid=3D1_259075_AIhFv9EA=
AYFiS5ki6wDaAXeu2aQ&amp;f=3D1&amp;m=3D1_259075_AIhFv9EAAYFiS5ki6wDaAXeu2aQ%=
2C1_258740_AIVFv9EAACVbS5kUMAuR1GBr3qw%2C1_258392_AIdFv9EAADZ%2FS5gPAAOTKgI=
MHgs%2C1_258049_AIhFv9EAABjyS5J%2FgASad1P0R4Y%2C1_550_AIlFv9EAAK9HS5BlcwXyt=
lih1nQ%2C1_887_AINFv9EAAUe4S5AZlwakWWhGk2A%2C&amp;sort=3Ddate&amp;order=3Dd=
own&amp;startMid=3D0&amp;hash=3Dc4e39ec2cc154ea8246464761bfc4517&amp;.jsran=
d=3D7889627&amp;acrumb=3D95HWdOonqtN&amp;mcrumb=3DR38BcNKS79Q&amp;enc=3Daut=
o&amp;cmd=3Dmsg.flag" title=3D"Flag this
 message"><span class=3D"offscreen"></span></a><div style=3D"overflow: visi=
ble; visibility: visible;" id=3D"message349467194" class=3D"undoreset clear=
fix" role=3D"main">=0A<div id=3D"yiv15913047"><table border=3D"0" cellpaddi=
ng=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font-family: inherit; fo=
nt-style: inherit; font-variant: inherit; font-weight: inherit; font-size: =
inherit; line-height: inherit; font-size-adjust: inherit; font-stretch: inh=
erit;" valign=3D"top"><style>=0A<!--=0A#yiv15913047  =0A _filtered #yiv1591=
3047 {font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;}=0A _filtere=
d #yiv15913047 {font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;}=0A#yiv1=
5913047  =0A#yiv15913047 p.MsoNormal, #yiv15913047 li.MsoNormal, #yiv159130=
47 div.MsoNormal=0A=09{margin-top:0in;margin-right:0in;margin-bottom:10.0pt=
;margin-left:0in;line-height:115%;font-size:11.0pt;font-family:"sans-serif"=
;}=0A#yiv15913047 span.yshortcuts=0A=09{}=0A#yiv15913047 .MsoChpDefault=0A=
=09{}=0A#yiv15913047 .MsoPapDefault=0A=09{margin-bottom:10.0pt;line-height:=
115%;}=0A _filtered #yiv15913047 {margin:1.0in 1.0in 1.0in 1.0in;}=0A#yiv15=
913047 div.Section1=0A=09{}=0A-->=0A</style>=0A=0A<p class=3D"MsoNormal">So=
me quick reviews=E2=80=A6BOSS SLICER=E2=80=A6<br>=0Ai've only been experime=
nting w/ it for a couple days=E2=80=A6<br>=0Ait's a keeper. i think i'll ha=
ve to read the manual. but as rick w. says,<br>=0Athere's lots to do w/ it =
w/ mixing the direct vs effect amt.<br>=0Athe thing about it is, you feed i=
t different stuff, it does different things.<br>=0Ahonestly, it sounds cool=
 when distorted guitar is fed to it-see the <span class=3D"yshortcuts"><spa=
n style=3D"cursor: pointer; background-attachment: scroll;" id=3D"lw_126832=
3798_0">guitar world</span></span><br>=0Avid review-they play w/ that a lot=
.<br>=0Abut i like it. honestly i liked the slicer effect in my roland ef30=
3, but that=0Aunit is SO BIG (built like a tank though), the slicer pedal i=
 think gives a=0Anice variation of it...ok=E2=80=A6follow-up: I was messing=
 around w/ it w/ my direct=0Asetup (playing when<span style=3D"">&nbsp; </s=
pan>the li=E2=80=99l monsters=0Aare asleep) and I had a short modulated del=
ay, the slicer on &amp; one of my=0Aheavy distortions amp models going, the=
n on my whacky new guitar that has=0Aon-off switches for the pu=E2=80=99s-s=
o I can sort of do the buckethead/tom morello=0Astaccato effects w/ it=E2=
=80=94it sounded so cool, messed w/ that a bit. Most fun. I will=0Asay that=
 I think it=E2=80=99s not an effect that you can leave on all the time, but=
 w/=0Athe mix options, you can turn it down and it can give subtle things t=
o your=0Aplaying=E2=80=A6I will go w/ rick on this though, it=E2=80=99ll ta=
ke me forever to find all it=0Acan do, I should probably read the manual=E2=
=80=A6 <br>=0A<br>=0Aok, as for the DIGITECH TIMEBENDER=E2=80=A6<br>=0Awell=
, remember us all chiming in on why a co. would just copy a pedal &amp; put=
=0Ait out (hello digitech jamman pedal-aren't you close to the boss rc20?).=
..well,=0Athis thing isn't copying anything....at least i don't think (well=
 maybe=0Aeventide delays that i've read about?)<br>=0Athe problem is, i thi=
nk it's more of a pitchshifter than a delay per se. i mean=0Athere's tons o=
f options of how you want the repeats. up/down shifting, etc etc.=0Ait does=
 sound cool. but i guess after i've messed w/ it a bit, i wonder-can it=0Ab=
e applied to anything? and i'm not honestly sure if it can. here's the thin=
g-i=0Adon't think it's a great delay. it's ok. it just sort of creates wash=
es of=0Asound behind your playing for the most part. and it can be cool for=
 us experimentalists,=0Abut i sort of wonder if the same effect can be gott=
en out of cheaper gear or a=0Abetter delay. yes it has a looper (again-let=
=E2=80=99s throw the looper in there for <span class=3D"yshortcuts"><span i=
d=3D"lw_1268323798_1"><span class=3D"yshortcuts" id=3D"lw_1268412031_0">sou=
nd on sound</span></span></span> but=0Ayou can't do anything to it!) but i =
don't honestly think it does %100=0Afeedback-which bummed me out (since I f=
avor delay based looping)=E2=80=A6and then as I was=0Areading the manual/in=
fo, I noticed that they advertise this thing having the ability=0Ato =E2=80=
=9CBEND TIME=E2=80=9D, when honestly I think it does more of =E2=80=9CBENDI=
NG PITCH=E2=80=9D. But for=0Ame, I think the effect I=E2=80=99ve been least=
 impressed w/ is pitchbending, sure I thought=0Ait was cool back in=E2=80=
=9901 w/ my old digitech rp100, but after a while=E2=80=A6.after I played=
=0Aw/ it I thought, well if you want to be the musical equivalent of MONET=
=E2=80=99s=0AIMPRESSIONISM, maybe it=E2=80=99s for you, but I sort of tired=
 of what it could do=0Aafter awhile. Like I said, it just seemed weak in th=
e actual DELAY area for me.=0AAlthough I should say that I did think the en=
velope setting was decent-I guess=0Ait=E2=80=99s like the slicer in that re=
gards, and the settings that were most fun were=0Athe few that used random =
intervals (well they list the random intervals in the=0Amanual-so is it rea=
lly random? Not sure, but it sounds random), and when I was=0Aplaying w/ th=
at for a bit I honestly thought it sounded like ANDRE LA FOSSE=E2=80=99s=0A=
edp glitch =E2=80=93stuff=E2=80=A6it was kind of cool for a bit, but I didn=
=E2=80=99t think I want to=0Ago that route since Andre LF does it way bette=
r than i. I did think the dynamic=0Asettings of tape and analog delays were=
 decent, and when you would play w/ the=0Atime they would slide up and down=
 nice, but the problem is that the repeats=0Awere so faint, never could get=
 it to sound 100%, like I said it was just washes=0Aof stuff=E2=80=A6I=E2=
=80=99m sure down the road I=E2=80=99ll hear someone who just does <span cl=
ass=3D"yshortcuts" id=3D"lw_1268412031_1">amazing things</span>=0Awith it a=
nd think, hmmmm, man I was dumb or whatever=E2=80=A6but overall, I haven=E2=
=80=99t=0Abeen impressed with it. maybe I had too high of expectations, and=
 maybe w/ the=0Aterm =E2=80=9Ctimebender=E2=80=9D I had too high of hopes f=
or it. but for me, I pulled it out=0Aof my setup last night and put my digi=
tech DL8 back in, &amp; was much happier=0A(hence the fun I had w/ the modu=
lated delay &amp; slicer and my on/off switch!)</p>=0A=0A<p class=3D"MsoNor=
mal">Happy looping=E2=80=A6</p>=0A=0A<p class=3D"MsoNormal">s---</p></td></=
tr></tbody></table></div></div></td></tr></table><br>=0A=0A      
--0-486357936-1268412153=:34691--

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Subject: Leinhos, Peter is out of the office.
From: peter.leinhos@farmersinsurance.com
To: Loopers-Delight@loopers-delight.com
Message-ID: <OFFFDCC3A4.E28B2CC4-ON862576E4.005C8B71-862576E4.005C8B6E@farmersinsurance.com>
Date: Fri, 12 Mar 2010 10:50:50 -0600
X-MIMETrack: Serialize by Router on hons_100/Servers/FarmersInsurance(Release 8.5.1|September
 28, 2009) at 03/12/2010 10:51:06 AM
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I will be out of the office starting  03/12/2010 and will not return until
03/19/2010.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
addressee(s) named above. If you are not the intended
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this E-Mail/telefax information is strictly prohibited and may
result in legal action against you. Please reply to the sender
advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 17:06:02 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Leinhos, Peter is out of the office.
Date: Fri, 12 Mar 2010 17:05:59 +0000
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(here we go again)

Mooooo


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:

>
>
>
>
> I will be out of the office starting  03/12/2010 and will not  
> return until
> 03/19/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
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> you.*****
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
(here we go =
again)<div><br></div><div>Mooooo</div><div><br></div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Mar 2010, =
at 16:50, <a =
href=3D"mailto:peter.leinhos@farmersinsurance.com">peter.leinhos@farmersin=
surance.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I will be out of the office starting<span =
class=3D"Apple-converted-space">&nbsp; </span>03/12/2010 and will not =
return until</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">03/19/2010.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For =
telecom issues, Genesys, Video or Audio Conferencing contact =
Greg</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Bouffard @ 323 932 =
3793.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">documents accompanying this =
transmission may contain privileged</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and/or =
confidential information and is intended solely for the</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">addressee(s) named above. If you are not the =
intended</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">addressee/recipient, you are =
hereby notified that any use of,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">disclosure, =
copying, distribution, or reliance on the contents of</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">this E-Mail/telefax information is strictly =
prohibited and may</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">result in legal action =
against you. Please reply to the sender</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">advising =
of the error in transmission and immediately</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">delete/destroy the message and any accompanying =
documents. Thank</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">you.***** <span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1-196067281--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 17:06:30 2010
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Date: Fri, 12 Mar 2010 18:05:46 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: [Virtual Gig]: The MoinSound Studio Sessions, this Saturday 3-12
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Tune in for another rendition of the MoinSound Studio Sessions tomorrow 
at 1700 (GMT):
    http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
Date/Time link:
    http://bit.ly/dAJnvj

This session will include (for the first time in more than ten years) 
myself doing a cover version! Yes, you read right! Which tune, you ask? 
Sufficient to say that the composer/original recording artist is a 
member of this group.

Tomorrow's show will again be a keyboard-only show, in case you're 
interested.

Looking forward to seeing you there,

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 17:08:27 2010
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Date: Fri, 12 Mar 2010 17:08:23 +0000
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Subject: Re: how do you store your cables?
From: Mark McGlinchey <markmcglinchey@gmail.com>
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I have the coiled on a big hook, sometimes they get tangled though
which can be a bit of pain in the arse.

On Fri, Mar 12, 2010 at 4:38 PM,  <nemoguitt@aol.com> wrote:
>
> How does everyone stores their cables?
>
>
> wear them?
>
>

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Date: Fri, 12 Mar 2010 17:08:58 +0000
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Subject: Re: how do you store your cables?
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I should say that when I am not being lazy I put a bit of tape round
them to stop this happening, more often than not I don't bother
though.

On Fri, Mar 12, 2010 at 5:08 PM, Mark McGlinchey
<markmcglinchey@gmail.com> wrote:
> I have the coiled on a big hook, sometimes they get tangled though
> which can be a bit of pain in the arse.
>
> On Fri, Mar 12, 2010 at 4:38 PM, =A0<nemoguitt@aol.com> wrote:
>>
>> How does everyone stores their cables?
>>
>>
>> wear them?
>>
>>
>

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Date: Fri, 12 Mar 2010 12:11:38 -0500
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Subject: Re: how do you store your cables?
From: Tony K <bigtonyk@gmail.com>
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I coil mine up and keep them in a large chest. I keep patch cables in a pile
next to my rack.  The only problem with the chest is that it gets crap piled
on top, so when I need a cable, I have to un-bury the chest. :)

>>

> >> How does everyone stores their cables?
> >>
> >>
>
>
>


-- 
-==-=-=-
Tony

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I coil mine up and keep them in a large chest. I keep patch cables in a pil=
e next to my rack.=A0 The only problem with the chest is that it gets crap =
piled on top, so when I need a cable, I have to un-bury the chest. :)<br><b=
r>
&gt;&gt;<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;"><div><div class=3D"h5">
&gt;&gt; How does everyone stores their cables?<br>
&gt;&gt;<br>
&gt;&gt;<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D=
-=3D- <br>Tony<br>

--0016e647eebcd6e18404819d9fda--

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Date: Fri, 12 Mar 2010 18:12:11 +0100
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Michael Peters schrieb:
> It probably would make more sense to hang the cables from some kind of rail
> but I don't have the space (and it would look ugly). 
>
> How does everyone stores their cables? is it possible to store them so the
http://twitpic.com/x31ey

Ugliness is in the eye of the beholder!

(There's still some stored in a big drawer - I mean really big. And lots 
of them are in the equipment).

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Constant buzzing - can it be killed!
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--Apple-Mail-1-197773832
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Thanks, Bill. We do indeed have the energy saving bulbs here. However,  
I turned all the lights off in the house and the buzz persised.

Would this do the trick? http://www.furmansound.com/product.php?div=01&id=AC-215A_PRO

Kris

  It might have some effect, though  this is not a true isolation  
transformer


Maybe this would be more promising:

http://www.tripplite.com/en/products/model.cfm?txtModelID=229

Isolation transformers must have gone down in price?. I found that the  
really high wattage ones are expensive, which I don't need.

Kris

  This would be the more likely candidate, let me know if you get it  
and how well it works. I'm in the market as well due to the crappy old  
wiring in our house. It also occurred to me that it could very well be  
caused by wireless interference or perhaps a neighbor operating a ham  
radio or heavy machinery like an arc welder or  big electric saw. Do  
you have any big power lines or microwave towers near by?
  When I was recording at the Technical Institute Studio in Istanbul  
with Erdem, They had an isolation transformer the size of an  
industrial refrigerator, and we still had some radio interference. Is  
it possible you have right wing extremists operating a pirate radio  
station near by?  hey it doesn't hurt to ask:-)
Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#5634FF">Thanks, Bill. We do indeed have the energy saving =
bulbs here. However, I turned all the lights off in the house and the =
buzz persised.<br><br>Would this do the trick?&nbsp;</font><a =
href=3D"http://www.furmansound.com/product.php?div=3D01&amp;id=3DAC-215A_P=
RO"><font class=3D"Apple-style-span" =
color=3D"#5634FF">http://www.furmansound.com/product.php?div=3D01&amp;id=3D=
AC-215A_PRO</font></a><font class=3D"Apple-style-span" =
color=3D"#5634FF"><br><br>Kris</font><div><br><div>&nbsp;It might have =
some effect, though &nbsp;this is not a true isolation =
transformer</div><div><br></div><div><br><font class=3D"Apple-style-span" =
color=3D"#5128FF">Maybe this would be more promising:<br><br></font><a =
href=3D"http://www.tripplite.com/en/products/model.cfm?txtModelID=3D229"><=
font class=3D"Apple-style-span" =
color=3D"#5128FF">http://www.tripplite.com/en/products/model.cfm?txtModelI=
D=3D229</font></a><font class=3D"Apple-style-span" =
color=3D"#5128FF"><br><br>Isolation transformers must have gone down in =
price?. I found that the really high wattage ones are expensive, which I =
don't need.<br><br>Kris</font><br></div><div><font =
class=3D"Apple-style-span" color=3D"#5128FF"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#060113">&nbsp;This would be the =
more likely candidate, let me know if you get it and how well it works. =
I'm in the market as well due to the crappy old wiring in our house. It =
also occurred to me that it could very well be caused by wireless =
interference or perhaps a neighbor operating a ham radio or heavy =
machinery like an arc welder or &nbsp;big electric saw. Do you have any =
big power lines or microwave towers near by?</font></div><div><font =
class=3D"Apple-style-span" color=3D"#060113">&nbsp;When I was recording =
at the Technical Institute Studio in Istanbul with Erdem, They had an =
isolation transformer the size of an industrial refrigerator, and we =
still had some radio interference. Is it possible you have right wing =
extremists operating a pirate radio station near by? &nbsp;hey it =
doesn't hurt to ask:-)</font></div><div><font class=3D"Apple-style-span" =
color=3D"#060113">Bill</font></div></div></body></html>=

--Apple-Mail-1-197773832--

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Ham radio is in MHz so the carrier is a little too high for interference.
The arc welder or saw would have to be used constantly.
Any object with a length of metal in it can be an antenna, so an iso transformer may not prevent all RF/HF interference.

t
   It also occurred to me that it could very well be caused by wireless interference or perhaps a neighbor operating a ham radio or heavy machinery like an arc welder or  big electric saw. Do you have any big power lines or microwave towers near by?
   When I was recording at the Technical Institute Studio in Istanbul with Erdem, They had an isolation transformer the size of an industrial refrigerator, and we still had some radio interference. Is it possible you have right wing extremists operating a pirate radio station near by?  hey it doesn't hurt to ask:-)
  Bill

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Content-type: text/html; charset=iso-8859-1
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
<META name=GENERATOR content="MSHTML 8.00.6001.18372">
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</HEAD>
<BODY 
style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space" 
bgColor=#ffffff>
<DIV><FONT color=#060113>Ham radio is&nbsp;in MHz so the carrier is a little too 
high for interference.</FONT></DIV>
<DIV><FONT color=#060113>The arc welder or saw would have to be used 
constantly.</FONT></DIV>
<DIV><FONT color=#060113>Any object with a length of metal in it can be an 
antenna, so an iso transformer may not prevent all RF/HF 
interference.</FONT></DIV>
<DIV><FONT color=#060113></FONT>&nbsp;</DIV>
<DIV><FONT color=#060113>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial"><FONT class=Apple-style-span 
  color=#060113>&nbsp;It also occurred to me that it could very well be caused 
  by wireless interference or perhaps a neighbor operating a ham radio or heavy 
  machinery like an arc welder or &nbsp;big electric saw. Do you have any big 
  power lines or microwave towers near by?</FONT></DIV>
  <DIV>
  <DIV><FONT class=Apple-style-span color=#060113>&nbsp;When I was recording at 
  the Technical Institute Studio in Istanbul with Erdem, They had an isolation 
  transformer the size of an industrial refrigerator, and we still had some 
  radio interference. Is it possible you have right wing extremists operating a 
  pirate radio station near by? &nbsp;hey it doesn't hurt to ask:-)</FONT></DIV>
  <DIV><FONT class=Apple-style-span 
color=#060113>Bill</FONT></DIV></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_e2INfZ/8rBp3YKHy6TM/lQ)--

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Date: Fri, 12 Mar 2010 19:07:20 +0100
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Subject: Re: how do you store your cables?
From: Per Boysen <perboysen@gmail.com>
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On Fri, Mar 12, 2010 at 6:12 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Ugliness is in the eye of the beholder!

Best suggestion so far! ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Large plastic ziplock bags can be useful for organizing, labeling
-Qua


On 3/12/10 10:07 AM, "Per Boysen" <perboysen@gmail.com> wrote:

> On Fri, Mar 12, 2010 at 6:12 PM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
>> Ugliness is in the eye of the beholder!
> 
> Best suggestion so far! ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 

-Qua



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Subject: storing cables/studio probs.....(switching email...)
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367d5858b475e90481a0eebf
Content-Type: text/plain; charset=ISO-8859-1

i store my cables in a sack. and when i need one, it's a mess to sort out. i
need a better system.

i apologize for my weird slicer/timebender email-my yahoo acct is all
whacky, my 1st version of that email that i sent
early on thur, never sent. then the 2nd one i send , and the punctuation put
all kinds of weird symbols all over-so i apologize for that
email ugliness.
short recap: love the slicer, not much love for the timebender from me.

krispen-as for you electronic woes...wow, i know in my studio when i use my
tele w/ buzzy carvin single coils it picks
up the hum pretty bad at times. no idea what your solution would
be....electrical work is out of my knowledge base, can barely wire my own
guitar projects....

i guess my problem is my 2 outlets w/ power strips attached-i'm full up w/
all my gear--i've been thinking about getting one of those
pedal power units, to free up some real estate w/ my effects pedals for
power. never thought i'd be at that point, but i am.

also i'm finding that my recording desk (which is an old desk)-is not
working great, i need a longer table, so i may have to just
get a 6 foot folding table so it allows me to move more freely when
playing....but my studio is a mess, i need to clean & reconfigure....
i've got too much going on in there for the space (probably 8'x16')-my
playing area, my guitar storage, my workbench for my guitar building
projects, then all my art stuff, and extra paintings all in there....ug....i
need a warehouse.....actually....all i've ever wanted since my days of
studying art
was to have a warehouse (probably seen too many pics of NYC warehouse lofts
from the 30s-40s)....i'm not actually a fan of houses w/ small cubicle
rooms....
so confining....little to no room for big paintings, i've actually destroyed
most of my large paintings....ug, give me a warehouse.....
then i could have huge actual cathedral reverb for my loop
explorations...hahahahaaa...that's funny....oh well...
happy looping...
s---
www.myspace.com/scotthansen

--0016367d5858b475e90481a0eebf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i store my cables in a sack. and when i need one, it&#39;s a mess to sort o=
ut. i need a better system.<br><br>i apologize for my weird slicer/timebend=
er email-my yahoo acct is all whacky, my 1st version of that email that i s=
ent <br>
early on thur, never sent. then the 2nd one i send , and the punctuation pu=
t all kinds of weird symbols all over-so i apologize for that<br>email ugli=
ness.<br>short recap: love the slicer, not much love for the timebender fro=
m me.<br>
<br>krispen-as for you electronic woes...wow, i know in my studio when i us=
e my tele w/ buzzy carvin single coils it picks<br>up the hum pretty bad at=
 times. no idea what your solution would be....electrical work is out of my=
 knowledge base, can barely wire my own<br>
guitar projects....<br><br>i guess my problem is my 2 outlets w/ power stri=
ps attached-i&#39;m full up w/ all my gear--i&#39;ve been thinking about ge=
tting one of those<br>pedal power units, to free up some real estate w/ my =
effects pedals for power. never thought i&#39;d be at that point, but i am.=
<br>
<br>also i&#39;m finding that my recording desk (which is an old desk)-is n=
ot working great, i need a longer table, so i may have to just<br>get a 6 f=
oot folding table so it allows me to move more freely when playing....but m=
y studio is a mess, i need to clean &amp; reconfigure....<br>
i&#39;ve got too much going on in there for the space (probably 8&#39;x16&#=
39;)-my playing area, my guitar storage, my workbench for my guitar buildin=
g<br>projects, then all my art stuff, and extra paintings all in there....u=
g....i need a warehouse.....actually....all i&#39;ve ever wanted since my d=
ays of studying art<br>
was to have a warehouse (probably seen too many pics of NYC warehouse lofts=
 from the 30s-40s)....i&#39;m not actually a fan of houses w/ small cubicle=
 rooms....<br>so confining....little to no room for big paintings, i&#39;ve=
 actually destroyed most of my large paintings....ug, give me a warehouse..=
...<br>
then i could have huge actual cathedral reverb for my loop explorations...h=
ahahahaaa...that&#39;s funny....oh well...<br>happy looping...<br>s---<br><=
a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</=
a><br>
<br>

--0016367d5858b475e90481a0eebf--

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	 <e89a49d31003091259o19b48a6fu307680e7545fbcf3@mail.gmail.com>
Date: Fri, 12 Mar 2010 22:13:10 +0100
Message-ID: <e89a49d31003121313k1562ed0fsf2e70f166da4028@mail.gmail.com>
Subject: Re: Antwerp Live Looping festival 2010
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi all,
The first video is now online :) It will take me a few days to upload
the rest, I'll keep you posted. Mp3's will follow

http://euroloopfest.com/festival/archives/premonition-factory-video

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: Slicer examples online..
From: Warren Sirota <wsirota@wsdesigns.com>
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--001485eba6d643b4a20481a13908
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Hey, that's pretty cool - where are the drum sounds coming from?

On Wed, Mar 10, 2010 at 12:07 PM, Loaf citious <loafcitious@gmail.com>wrote:

> Sorry I'm at work and didn't have time to read everyone's mail on the
> subject. But, I did remember I had some Boss Slicer examples online.
> There all mixed into one mp3. Nothing fancy, made this for someone
> last time the subject came up and should have shared it then:
>
> http://andy-garber.com/audio/SlicerSamples_mixdown.mp3
>
> The Slicer in this exp is inline w/ my guitar rig which is through the
> mixer to the EDP.  Also I believe I have the midi out to the slicer
> keeping them in time.
>
> I have thought about putting after the EDP but, don't see how I would
> use it much, cause I like to keep a pretty big beat going most of the
> time.
>
> Andy G
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001485eba6d643b4a20481a13908
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Hey, that&#39;s pretty cool - where are the drum sounds coming from?<br><br=
><div class=3D"gmail_quote">On Wed, Mar 10, 2010 at 12:07 PM, Loaf citious =
<span dir=3D"ltr">&lt;<a href=3D"mailto:loafcitious@gmail.com">loafcitious@=
gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Sorry I&#39;m at =
work and didn&#39;t have time to read everyone&#39;s mail on the<br>
subject. But, I did remember I had some Boss Slicer examples online.<br>
There all mixed into one mp3. Nothing fancy, made this for someone<br>
last time the subject came up and should have shared it then:<br>
<br>
<a href=3D"http://andy-garber.com/audio/SlicerSamples_mixdown.mp3" target=
=3D"_blank">http://andy-garber.com/audio/SlicerSamples_mixdown.mp3</a><br>
<br>
The Slicer in this exp is inline w/ my guitar rig which is through the<br>
mixer to the EDP. =A0Also I believe I have the midi out to the slicer<br>
keeping them in time.<br>
<br>
I have thought about putting after the EDP but, don&#39;t see how I would<b=
r>
use it much, cause I like to keep a pretty big beat going most of the<br>
time.<br>
<br>
Andy G<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--001485eba6d643b4a20481a13908--

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Subject: Re: how do you store your cables?
From: paulrichard_rocks@yahoo.com
Date: Fri, 12 Mar 2010 21:38:18 +0000
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Arrrgggg! I hate cables!

I have several large boxes (ex-comp paper type) and another Staples clear sided box. I have yet to find a way to effectively org them other than coil and try to keep likes in the same "layer".

Those studio pics always amaze me - the ones missing the cables!
------Original Message------
From: Mark McGlinchey
To: Loopers-Delight@loopers-delight.com
ReplyTo: Loopers-Delight@loopers-delight.com
Subject: Re: how do you store your cables?
Sent: Mar 12, 2010 12:08 PM

I have the coiled on a big hook, sometimes they get tangled though
which can be a bit of pain in the arse.

On Fri, Mar 12, 2010 at 4:38 PM,  <nemoguitt@aol.com> wrote:
>
> How does everyone stores their cables?
>
>
> wear them?
>
>



Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 21:49:19 2010
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Date: Fri, 12 Mar 2010 13:49:17 -0800
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Subject: Re: how do you store your cables?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I use velcro strips to keep bundles together by length.  I grab the
bundle I need (usually no more than four cables if they're long) and
take what I need and bundle the rest back together again.

It works surprisingly well actually.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: Constant buzzing - can it be killed!
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I hope it works!  In the mean time, I'm recording Derek Bailey =
style...just my archop with a mic on it (no buzz, interestingly, so the =
mag pickups are apparently picking up interference in the air).  Wow, it =
actaully sounds sort of good in a raw and pure sort of way.  I like it.

Kris

  ----- Original Message -----=20
  From: William Walker=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 12, 2010 10:34 AM
  Subject: Re: Constant buzzing - can it be killed!


  Thanks, Bill. We do indeed have the energy saving bulbs here. However, =
I turned all the lights off in the house and the buzz persised.

  Would this do the trick? =
http://www.furmansound.com/product.php?div=3D01&id=3DAC-215A_PRO

  Kris


   It might have some effect, though  this is not a true isolation =
transformer



  Maybe this would be more promising:

  http://www.tripplite.com/en/products/model.cfm?txtModelID=3D229

  Isolation transformers must have gone down in price?. I found that the =
really high wattage ones are expensive, which I don't need.

  Kris



   This would be the more likely candidate, let me know if you get it =
and how well it works. I'm in the market as well due to the crappy old =
wiring in our house. It also occurred to me that it could very well be =
caused by wireless interference or perhaps a neighbor operating a ham =
radio or heavy machinery like an arc welder or  big electric saw. Do you =
have any big power lines or microwave towers near by?
   When I was recording at the Technical Institute Studio in Istanbul =
with Erdem, They had an isolation transformer the size of an industrial =
refrigerator, and we still had some radio interference. Is it possible =
you have right wing extremists operating a pirate radio station near by? =
 hey it doesn't hurt to ask:-)
  Bill
------=_NextPart_000_0369_01CAC1F5.0F544650
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I hope it works!&nbsp; In the mean =
time, I'm=20
recording Derek Bailey style...just my archop with a mic on it (no buzz, =

interestingly, so the mag pickups are apparently picking up interference =
in the=20
air).&nbsp; Wow, it actaully sounds sort of good in a raw and pure sort =
of=20
way.&nbsp; I like it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbillwalker@baymoon.com =
href=3D"mailto:billwalker@baymoon.com">William=20
  Walker</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 12, 2010 =
10:34=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Constant buzzing - =
can it be=20
  killed!</DIV>
  <DIV><BR></DIV><FONT class=3DApple-style-span color=3D#5634ff>Thanks, =
Bill. We do=20
  indeed have the energy saving bulbs here. However, I turned all the =
lights off=20
  in the house and the buzz persised.<BR><BR>Would this do the=20
  trick?&nbsp;</FONT><A=20
  =
href=3D"http://www.furmansound.com/product.php?div=3D01&amp;id=3DAC-215A_=
PRO"><FONT=20
  class=3DApple-style-span=20
  =
color=3D#5634ff>http://www.furmansound.com/product.php?div=3D01&amp;id=3D=
AC-215A_PRO</FONT></A><FONT=20
  class=3DApple-style-span color=3D#5634ff><BR><BR>Kris</FONT>
  <DIV><BR>
  <DIV>&nbsp;It might have some effect, though &nbsp;this is not a true=20
  isolation transformer</DIV>
  <DIV><BR></DIV>
  <DIV><BR><FONT class=3DApple-style-span color=3D#5128ff>Maybe this =
would be more=20
  promising:<BR><BR></FONT><A=20
  =
href=3D"http://www.tripplite.com/en/products/model.cfm?txtModelID=3D229">=
<FONT=20
  class=3DApple-style-span=20
  =
color=3D#5128ff>http://www.tripplite.com/en/products/model.cfm?txtModelID=
=3D229</FONT></A><FONT=20
  class=3DApple-style-span color=3D#5128ff><BR><BR>Isolation =
transformers must have=20
  gone down in price?. I found that the really high wattage ones are =
expensive,=20
  which I don't need.<BR><BR>Kris</FONT><BR></DIV>
  <DIV><FONT class=3DApple-style-span color=3D#5128ff><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span color=3D#060113>&nbsp;This would =
be the more=20
  likely candidate, let me know if you get it and how well it works. I'm =
in the=20
  market as well due to the crappy old wiring in our house. It also =
occurred to=20
  me that it could very well be caused by wireless interference or =
perhaps a=20
  neighbor operating a ham radio or heavy machinery like an arc welder =
or=20
  &nbsp;big electric saw. Do you have any big power lines or microwave =
towers=20
  near by?</FONT></DIV>
  <DIV><FONT class=3DApple-style-span color=3D#060113>&nbsp;When I was =
recording at=20
  the Technical Institute Studio in Istanbul with Erdem, They had an =
isolation=20
  transformer the size of an industrial refrigerator, and we still had =
some=20
  radio interference. Is it possible you have right wing extremists =
operating a=20
  pirate radio station near by? &nbsp;hey it doesn't hurt to =
ask:-)</FONT></DIV>
  <DIV><FONT class=3DApple-style-span=20
color=3D#060113>Bill</FONT></DIV></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0369_01CAC1F5.0F544650--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 12 22:03:37 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: how do you store your cables?
Date: Fri, 12 Mar 2010 14:03:31 -0800
To: Loopers-Delight@loopers-delight.com
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On Mar 12, 2010, at 1:38 PM, paulrichard_rocks@yahoo.com wrote:

> Arrrgggg! I hate cables!

They are an unavoidable and "necessary evil". :-)  (Try making  
electricity based  music WITHOUT them. M'whaaa hahaha haaaa! :-))

>
> I have several large boxes (ex-comp paper type) and another Staples  
> clear sided box. I have yet to find a way to effectively org them  
> other than coil and try to keep likes in the same "layer".

For cables that are either spare cables or are cables that are not to  
be used for awhile, I merely store them in segregated / appropriately  
labeled plastic milk crates and those are "discreetly" stored on the  
lowest shelf of a large set of shelves against a wall in the studio.  
(these crates would work in just about any room or environment). The  
cables are also wound up and bound with twist-ties that I have  
collected for free. This makes locating the proper cables a lot  
easier and avoids that dreaded entanglement frustration.

For the other cables that might get a little quicker use (other than  
those that are currently hooked and ready to go), I just found for  
free, an ex-incense package display unit
(no kidding, it still has the name of the incense company too on it)  
that is just a wooden "plate" with numerous hard wire "arms" sticking  
out and it was ready made perfect for my purposes. Plus, being  
attached to the wall, it takes up *no* space at all. (at least not of  
the floor where it *really counts* in my *small* studio area.  This  
type of thing could easily be custom-built as well.  But, I am  
pleased that I found something for free and that also has a  
"groooovey" incense company logo on it. Trippy!  Peace out!

Cheers-
Rev. Fever
Portland,OR.
The Angry Red Planet


From enquiry_boa@discuz.org  Fri Mar 12 23:08:01 2010
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Date: Fri, 12 Mar 2010 21:34:45 +0100
From: Bank Of Africa <enquiry_boa@discuz.org>
To: undisclosed-recipients:;
Subject: Dear Beneficiary, Your Visa Card Is Now Ready
Reply-To: paul.williams77@discuz.org
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-- 
Dear Beneficiary

Having reviewed all the obstacles and problems surrounding the transfer of
your (($2.7 Million) Two Million Seven Hundred and United States Dollars
and your inability to meet up with some charges levied against you due to
the past transfer options,we the Board of Directors, Bank Of Africa (BOA)
have ordered our Foreign Payment Remittance Unit to issue you a VISA CARD
where your payment will be uploaded. Today, we got the notice that your
Payment has been uploaded into this VISA CARD and also have registered it
with Sky Courier And Delivery Company. For your information, the delivery
charges have been paid and they are supposed to have shipped your packaged
(ATM CARD) but they insisted that you must re-confirm to them your current
delivery address to ensure accurate Delivery.


MOST IMPORTANTLY: Due to the content of the package, Sky courier mandated
that before your package will be shipped, a Stamp Duty MUST be proccured
according to the New Shipping Creed on all packages leaving Africa .The
essence of such Document is to ensure a hitch-free delivery and the amount
of the Stamp Duty Fee is $121 . When this is done, Sky Courier will issue
you with the tracking numbers for your package before the shipping
commences . Therefore reconfirm your current delivery address. Do not
forget that this $121 is all that you should send to them, the rest of the
fees have been paid.
Finally, for security reasons, and considering the huge amount the ATM Card
contains, the package was coded thus,

 
Registraion Ref: Skyex/atm/100.


This is the code number that you will send to the courier company while
contacting them, and the courier company is not aware what the content of
the package is. We told them that it contained some very vital official
documents being sent to an offshore staff.Do not reveal the content of the
package to the courier company or any body for security purposes. The
information of the courier company is here-by given below,

 
1. Your full name:
2. Your physical address
3. Your house phone:
4. Your cellphone:


Sky Courier And Delivery Company
Email:( skyexcourier1@cooltoad.com )


Please hurry now as your package might incurr demurrage if it stays more
than 3 days with Sky-Express
You can contact me through this Email,

 

Thanks,


Dr. Paul Williams
ATM Department Manager
Bank Of Africa

From unideai@dawson.nswebhost.com  Fri Mar 12 23:23:40 2010
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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 00:56:32 2010
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Date: Fri, 12 Mar 2010 16:56:29 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: how do you store your cables?
To: Loopers-Delight@loopers-delight.com
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--0-577139726-1268441789=:77263
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

(They are an unavoidable and "necessary evil". :-)=A0 (Try making electrici=
ty based=A0 music WITHOUT them. M'whaaa hahaha haaaa! :-)))

And If you don't like traffic jams, set your car on fire! Wee-hee-mucka-fer=
guson! :)

--- On Fri, 3/12/10, Revfever <revfever@ubergadget.com> wrote:

From: Revfever <revfever@ubergadget.com>
Subject: Re: how do you store your cables?
To: Loopers-Delight@loopers-delight.com
Date: Friday, March 12, 2010, 5:03 PM

On Mar 12, 2010, at 1:38 PM, paulrichard_rocks@yahoo.com wrote:

> Arrrgggg! I hate cables!

They are an unavoidable and "necessary evil". :-)=A0 (Try making electricit=
y based=A0 music WITHOUT them. M'whaaa hahaha haaaa! :-))

>=20
> I have several large boxes (ex-comp paper type) and another Staples clear=
 sided box. I have yet to find a way to effectively org them other than coi=
l and try to keep likes in the same "layer".

For cables that are either spare cables or are cables that are not to be us=
ed for awhile, I merely store them in segregated / appropriately labeled pl=
astic milk crates and those are "discreetly" stored on the lowest shelf of =
a large set of shelves against a wall in the studio. (these crates would wo=
rk in just about any room or environment). The cables are also wound up and=
 bound with twist-ties that I have collected for free. This makes locating =
the proper cables a lot easier and avoids that dreaded entanglement frustra=
tion.

For the other cables that might get a little quicker use (other than those =
that are currently hooked and ready to go), I just found for free, an ex-in=
cense package display unit
(no kidding, it still has the name of the incense company too on it) that i=
s just a wooden "plate" with numerous hard wire "arms" sticking out and it =
was ready made perfect for my purposes. Plus, being attached to the wall, i=
t takes up *no* space at all. (at least not of the floor where it *really c=
ounts* in my *small* studio area.=A0 This type of thing could easily be cus=
tom-built as well.=A0 But, I am pleased that I found something for free and=
 that also has a "groooovey" incense company logo on it. Trippy!=A0 Peace o=
ut!

Cheers-
Rev. Fever
Portland,OR.
The Angry Red Planet


=0A=0A=0A      
--0-577139726-1268441789=:77263
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">(They are an unavoidable and "necessary evil"=
. :-)&nbsp; (Try making electricity based&nbsp; music WITHOUT them. M'whaaa=
 hahaha haaaa! :-)))<br><br>And If you don't like traffic jams, set your ca=
r on fire! Wee-hee-mucka-ferguson! :)<br><br>--- On <b>Fri, 3/12/10, Revfev=
er <i>&lt;revfever@ubergadget.com&gt;</i></b> wrote:<br><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><br>From: Revfever &lt;revfever@ubergadget.com&gt;<br>Subject: Re: =
how do you store your cables?<br>To: Loopers-Delight@loopers-delight.com<br=
>Date: Friday, March 12, 2010, 5:03 PM<br><br><div class=3D"plainMail">On M=
ar 12, 2010, at 1:38 PM, <a ymailto=3D"mailto:paulrichard_rocks@yahoo.com" =
href=3D"/mc/compose?to=3Dpaulrichard_rocks@yahoo.com">paulrichard_rocks@yah=
oo.com</a> wrote:<br><br>&gt; Arrrgggg! I hate cables!<br><br>They are an u=
navoidable and
 "necessary evil". :-)&nbsp; (Try making electricity based&nbsp; music WITH=
OUT them. M'whaaa hahaha haaaa! :-))<br><br>&gt; <br>&gt; I have several la=
rge boxes (ex-comp paper type) and another Staples clear sided box. I have =
yet to find a way to effectively org them other than coil and try to keep l=
ikes in the same "layer".<br><br>For cables that are either spare cables or=
 are cables that are not to be used for awhile, I merely store them in segr=
egated / appropriately labeled plastic milk crates and those are "discreetl=
y" stored on the lowest shelf of a large set of shelves against a wall in t=
he studio. (these crates would work in just about any room or environment).=
 The cables are also wound up and bound with twist-ties that I have collect=
ed for free. This makes locating the proper cables a lot easier and avoids =
that dreaded entanglement frustration.<br><br>For the other cables that mig=
ht get a little quicker use (other than those that are currently
 hooked and ready to go), I just found for free, an ex-incense package disp=
lay unit<br>(no kidding, it still has the name of the incense company too o=
n it) that is just a wooden "plate" with numerous hard wire "arms" sticking=
 out and it was ready made perfect for my purposes. Plus, being attached to=
 the wall, it takes up *no* space at all. (at least not of the floor where =
it *really counts* in my *small* studio area.&nbsp; This type of thing coul=
d easily be custom-built as well.&nbsp; But, I am pleased that I found some=
thing for free and that also has a "groooovey" incense company logo on it. =
Trippy!&nbsp; Peace out!<br><br>Cheers-<br>Rev. Fever<br>Portland,OR.<br>Th=
e Angry Red Planet<br><br><br></div></blockquote></td></tr></table><br>=0A=
=0A      
--0-577139726-1268441789=:77263--

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Date: Fri, 12 Mar 2010 21:26:22 -0500
Message-ID: <9e0440a61003121826r1e12e991ga8c6743375589dfd@mail.gmail.com>
Subject: Jeff Duke is live now on LiveStream via IMprovFriday
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--00151747671abc38c30481a55f7c
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http://improvfriday.ning.com, playing live till 10pm est....

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747671abc38c30481a55f7c
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<a href=3D"http://improvfriday.ning.com">http://improvfriday.ning.com</a>, =
playing live till 10pm est....<br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00151747671abc38c30481a55f7c--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 05:03:38 2010
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the most important is to roll them without twisting!
so they have to be rolled and unrolled the same way

shorter cables I keep doubling until I can make a big knot

longer cables I roll as if my hands where a wheel

other techniques are creating a roll in form of an 8 to avoid twisting

I spent my live with cables, would be worthwhile doing a little video :-)

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 05:45:18 2010
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
Date: Fri, 12 Mar 2010 22:45:12 -0700
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I'm looking for a decent recording/performance mic in the range of $400, =
for my archtop guitar.  I''ve found that I totally love the sound of =
this instrument miced at about 6" away from where the neck meets the =
guitar...very Derek Bailyesque. :)     I'm just using a cheap SM57 now =
and need a condensor mic with a wider range and fidelity. Any =
suggestions?

The reviews of the Sure SM81 look good for acoustic.  I have used the =
Rode NT1s in the past too with good results.

Kris


p.s. I just recorded a sample recording of a chord-solo interpretation =
of "Alice in Wonderland".   =20

www.krispenhartung.com


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm looking for a decent =
recording/performance mic=20
in the range of $400, for my archtop guitar.&nbsp; I''ve found that I =
totally=20
love the sound of this instrument miced at about 6" away from where the =
neck=20
meets the guitar...very&nbsp;Derek Bailyesque. :)&nbsp;&nbsp;&nbsp; =
&nbsp;I'm=20
just using a cheap SM57 now and need a condensor mic with a wider range =
and=20
fidelity. Any suggestions?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The reviews of the Sure SM81 look good =
for=20
acoustic.&nbsp; I have used the Rode NT1s in the past too with good=20
results.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>p.s. I&nbsp;just recorded a =
sample&nbsp;recording=20
of a&nbsp;chord-solo interpretation of "Alice in =
Wonderland".&nbsp;&nbsp;&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 07:34:55 2010
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Subject: Re: how do you store your cables?
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Matthias Grob wrote:

> 
> shorter cables I keep doubling until I can make a big knot
> 

:-)
that's what I do with the *longer* cables.


My storage solution is sturdy plastic boxes which can stack.
One for audio,
one for mains.
and a Small box for patch cables.

andy butler

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Date: Sat, 13 Mar 2010 09:05:04 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Antwerp Live Looping festival 2010
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Sjaak your sound this time was awesome huge,you were on of my favorites!=0A=
cheers=0ALuis=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Sjaak Overgaau=
w <tcplugin@gmail.com> schrieb am Fr, 12.3.2010:=0A=0A> Von: Sjaak Overgaau=
w <tcplugin@gmail.com>=0A> Betreff: Re: Antwerp Live Looping festival 2010=
=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Freitag, 12. M=E4rz=
, 2010 13:13 Uhr=0A> Hi all,=0A> The first video is now online :) It will t=
ake me a few days=0A> to upload=0A> the rest, I'll keep you posted. Mp3's w=
ill follow=0A> =0A> http://euroloopfest.com/festival/archives/premonition-f=
actory-video=0A> =0A> -- =0A> Sjaak Overgaauw=0A> http://premonitionfactory=
.com/=0A> http://livelooping.be/=0A> =0A> =0A=0A___________________________=
_______________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail =
verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://m=
ail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 11:13:28 2010
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Subject: Ableton Looping/Programming live on stage..
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Hoi!

I did a combination of live programming and live looping on my last =
"Reyn vs ..." concert:

http://www.youtube.com/watch?v=3DNCek4BTLGkY

I must say I'm very happy with my switch from EDP to Ableton. Together =
with my Gordius pedal it gives me so much more freedom and I can combine =
now all the features from Ableton right on the spot and in separate =
sessions.

If you open the session everything is ready to go. You can have all your =
sounds ready and features ready and triggered with MIDI maps and have it =
ready just in that song. No more hassle, double click and ready. And =
everything is in sync (after playing your first loop), like your delays =
and your programming, or if you want to add samples with a BPM later on. =
(I'm gonna try that on my next concert.)

And it's much more stable then the EPD. I must admit there are still =
issues with Ableton like latency. Not sure whether it is my Mackie Onyx =
Mixer, which I use as my soundcard, or if it's Ableton or even the =
amount of loopers I use in one session (8). But besides that it's =
heaven.

Cheers,

Reyn

www.reyn.vs.reyn.net=

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 11:28:09 2010
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Date: Sat, 13 Mar 2010 13:28:07 +0200
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Subject: Re: Ableton Looping/Programming live on stage..
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00163641896131c8270481acf192
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WOW!

These are so high quality and the stuff you play always top notch!

THANK YOU!


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen


2010/3/13 Reyn Ouwehand <loopers-delight@reyn.net>

> Hoi!
>
> I did a combination of live programming and live looping on my last "Reyn
> vs ..." concert:
>
> http://www.youtube.com/watch?v=NCek4BTLGkY
>
> I must say I'm very happy with my switch from EDP to Ableton. Together with
> my Gordius pedal it gives me so much more freedom and I can combine now all
> the features from Ableton right on the spot and in separate sessions.
>
> If you open the session everything is ready to go. You can have all your
> sounds ready and features ready and triggered with MIDI maps and have it
> ready just in that song. No more hassle, double click and ready. And
> everything is in sync (after playing your first loop), like your delays and
> your programming, or if you want to add samples with a BPM later on. (I'm
> gonna try that on my next concert.)
>
> And it's much more stable then the EPD. I must admit there are still issues
> with Ableton like latency. Not sure whether it is my Mackie Onyx Mixer,
> which I use as my soundcard, or if it's Ableton or even the amount of
> loopers I use in one session (8). But besides that it's heaven.
>
> Cheers,
>
> Reyn
>
> www.reyn.vs.reyn.net
>

--00163641896131c8270481acf192
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

WOW!<br><br>These are so high quality and the stuff you play always top not=
ch!<br><br>THANK YOU!<br><br><br>-- <br>Petri Lahtinen<br><a href=3D"http:/=
/www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a href=3D"http=
://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><br><br><div class=3D"gmail_quote">2010/3/13 Re=
yn Ouwehand <span dir=3D"ltr">&lt;<a href=3D"mailto:loopers-delight@reyn.ne=
t">loopers-delight@reyn.net</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hoi!<br>
<br>
I did a combination of live programming and live looping on my last &quot;R=
eyn vs ...&quot; concert:<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DNCek4BTLGkY" target=3D"_blank">=
http://www.youtube.com/watch?v=3DNCek4BTLGkY</a><br>
<br>
I must say I&#39;m very happy with my switch from EDP to Ableton. Together =
with my Gordius pedal it gives me so much more freedom and I can combine no=
w all the features from Ableton right on the spot and in separate sessions.=
<br>

<br>
If you open the session everything is ready to go. You can have all your so=
unds ready and features ready and triggered with MIDI maps and have it read=
y just in that song. No more hassle, double click and ready. And everything=
 is in sync (after playing your first loop), like your delays and your prog=
ramming, or if you want to add samples with a BPM later on. (I&#39;m gonna =
try that on my next concert.)<br>

<br>
And it&#39;s much more stable then the EPD. I must admit there are still is=
sues with Ableton like latency. Not sure whether it is my Mackie Onyx Mixer=
, which I use as my soundcard, or if it&#39;s Ableton or even the amount of=
 loopers I use in one session (8). But besides that it&#39;s heaven.<br>

<br>
Cheers,<br>
<br>
Reyn<br>
<br>
<a href=3D"http://www.reyn.vs.reyn.net" target=3D"_blank">www.reyn.vs.reyn.=
net</a><br>
</blockquote></div><br><br clear=3D"all"><br><br><br>

--00163641896131c8270481acf192--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 12:24:02 2010
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Date: Sat, 13 Mar 2010 13:24:00 +0100
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Subject: Re: Ableton Looping/Programming live on stage..
From: Per Boysen <perboysen@gmail.com>
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On Sat, Mar 13, 2010 at 11:57 AM, Reyn Ouwehand
<loopers-delight@reyn.net> wrote:
> I must admit there are still issues with Ableton like latency.

Plugin latency compensation does not work when Ableton is set to tempo
slave sync mode and not either with realt-time audio input (only with
recorded stuff). If that's the latency you meant. If you meant AD/DA
related latency there is no workaround except for keeping it down by
using a small buffer and no plugins that add latency.

That was a cool song! Could go as clubby as ever from that point.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 12:32:29 2010
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Subject: Re: Ableton Looping/Programming live on stage..
From: Reyn Ouwehand <loopers-delight@reyn.net>
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On Mar 13, 2010, at 1:24 PM, Per Boysen wrote:

> On Sat, Mar 13, 2010 at 11:57 AM, Reyn Ouwehand
> <loopers-delight@reyn.net> wrote:
>> I must admit there are still issues with Ableton like latency.
>=20
> Plugin latency compensation does not work when Ableton is set to tempo
> slave sync mode and not either with realt-time audio input (only with
> recorded stuff). If that's the latency you meant. If you meant AD/DA
> related latency there is no workaround except for keeping it down by
> using a small buffer and no plugins that add latency.


Hey Per, thanks!

That both makes sense since it's live. Could be interesting to find out =
what the delay of Looper is inside Ableton Live. But it wouldn't make =
sense to make a looper if it has lots of latency. It's not just that it =
doesn't feel 'direct'.. Everything you add later really shifts around. I =
already have the buffer size as small as possible.

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

twitter/facebook/youtube: ReynOuwehand

Management: www.lalalamanagement.nl=

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Subject: Re: how do you store your cables?
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On Sat, Mar 13, 2010 at 6:03 AM, Matthias Grob <matilists@gmail.com> wrote:
> I spent my live with cables, would be worthwhile doing a little video :-)


"My Life With Cables"....

Man, you're gonna get famous!
Better plot than Snakes On A Plane.

Per ;-)

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	 <074DE541-CC9E-4967-8204-7938289F598D@gmail.com>
	 <4B9B4023.5060705@tiscali.co.uk>
	 <F14BC473-0CC3-4FE3-AE99-6B36AF165155@reyn.net>
	 <66f9cc1e1003130424k5a98ad9ai8804e9cc68661139@mail.gmail.com>
	 <6B7607D1-E5D6-4D42-943E-2CF5D68764FC@reyn.net>
Date: Sat, 13 Mar 2010 13:41:56 +0100
Message-ID: <66f9cc1e1003130441h343098a8x66bbefddbc866656@mail.gmail.com>
Subject: Re: Ableton Looping/Programming live on stage..
From: Per Boysen <perboysen@gmail.com>
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On Sat, Mar 13, 2010 at 1:32 PM, Reyn Ouwehand <loopers-delight@reyn.net> wrote:
> Could be interesting to find out what the delay of Looper is inside Ableton Live. But it wouldn't make sense to make a looper if it has lots of latency. It's not just that it doesn't feel 'direct'.. Everything you add later really shifts around.


I tried Mobius and adjusted its latency compensation so stuff I play
get into the loop where I played it, related to older layers in the
loop. But that's only rock solid within Mobius' tracks, if Live is
playing catch-up by MIDI Clock slave syncing you will still get a
little mezzy timing related live clips and programmed stuff in Live.

I also tried Live's Looper and liked the way it can be used to set a
tempo for Live - without having to MIDI Clock sync Live, that's the
big point. But I didn't like the fidelity or the feel of the Looper
plugin. So I kind of repelled back at Mobius again ;-)) It took over
after my EDP/Repeater about five years ago.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
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Subject: guitar setups
Date: Sat, 13 Mar 2010 15:25:40 +0200
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------=_NextPart_000_0059_01CAC2C1.70706050
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hi to all,

these days i have been producing mostly pop and rock bands, acts. i have =
the marshall jmp 2000 head. i would like to buy the new vox nighttrain =
head. would like to record with it using a speaker simulator like the =
palmer speaker simulator. any used it? what are your opinions?

http://www.palmergear.com/pdi03.shtml

also i would like to buy a new electric bass guitar to use within the =
genres of soul, r and b, pop, rock, dance, electronica... what would you =
recommend for that? fender, musicman?

thanks a lot as always and best regards from istanbul.

erdem h.

=

=


------=_NextPart_000_0059_01CAC2C1.70706050
Content-Type: text/html;
	charset="iso-8859-9"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18876">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>hi to all,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>these days i have been producing mostly =
pop and=20
rock bands, acts. i have the marshall jmp 2000 head. i would like to buy =
the new=20
vox nighttrain head. would like to record with it using a speaker =
simulator like=20
the palmer speaker simulator. any used it? what are your =
opinions?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.palmergear.com/pdi03.shtml">http://www.palmergear.com/=
pdi03.shtml</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>also i would like to buy a new electric =
bass guitar=20
to use within the genres of soul, r and b, pop, rock, dance,=20
electronica...&nbsp;what would you recommend for that? fender,=20
musicman?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>thanks a lot as always and best regards =
from=20
istanbul.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>erdem h.</FONT></DIV>
=

=


</BODY></HTML>

------=_NextPart_000_0059_01CAC2C1.70706050--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 13:51:22 2010
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Date: Sat, 13 Mar 2010 08:51:14 -0500
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Subject: Galactic Travels Playlist #675 for March 11, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100311.html

<Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #675                March 11, 2010.

RECAP:
On this show, I continued the month-long focus on Mark Mahoney and
Michael Peck.  The Featured CD at Midnight was Beyond the Vaulting Skies
by Mark Mahoney on Waiting World Records.

Mark Mahoney and Michael Peck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Dieter Mobius        Ondulation           Blotch (Nepenthe)
Jazzcomputer.org     Air and Water Laps   Life - Unfolding (none)
Orion's Belt         The Breath of Time   Ecumenicals: The Mysteries of
                                            Time (Dark Duck)
Ricochet Gathering   Agitation Three      Muflon Sorcerers (Syngate)
Twyndyllyngs         NGC 4261 *           Chez Mosc Volume 1
                                            (electro-music media)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mark Mahoney         Beyond the Vaulting  Beyond the Vaulting Sky
                       Sky                  (Waiting World)
Mark Mahoney         A Visit To a Most    Beyond the Vaulting Sky
                       Ancient Outpost      (Waiting World)
Mark Mahoney         Dance of the         Beyond the Vaulting Sky
                       Arachnids            (Waiting World)
Mark Mahoney         The Subtleties       Beyond the Vaulting Sky
                       Between Desire       (Waiting World)
                       and Need
Mark Mahoney         Voices Within the    Beyond the Vaulting Sky
                       Solar Stream         (Waiting World)
Mark Mahoney         Starfish             Beyond the Vaulting Sky
                                            (Waiting World)
Mark Mahoney         Sailing Into Calm    Beyond the Vaulting Sky
                       Remembrances         (Waiting World)
Mark Mahoney         Chopped Logic        Beyond the Vaulting Sky
                                            (Waiting World)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Mark
Mahoney and Michael Peck.  The Featured CD at Midnight will be Glacial
by Michael Peck on Gears of Sand Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 14:40:04 2010
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Date: Sat, 13 Mar 2010 15:40:01 +0100
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Subject: Re: Antwerp Live Looping festival 2010
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Hi all,
Goto http://livelooping.be/ for the video of "Signals under Tests". Enjoy :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 14:51:03 2010
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Erdem Helvacioglu wrote:

>  
> also i would like to buy a new electric bass guitar to use within the 
> genres of soul, r and b, pop, rock, 

Fender Precision

>dance, electronica... 

use a synth, afaik it has to me the *right* synth
for the sub genre....


andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 15:45:36 2010
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I say fender jazz. It's the only bass ever made as far as I'm  
concerned. :)

Ace

Sent from my iPhone

On Mar 13, 2010, at 9:51 AM, "andy butler" <akbutler@tiscali.co.uk>  
wrote:

> Erdem Helvacioglu wrote:
>
>> also i would like to buy a new electric bass guitar to use within  
>> the genres of soul, r and b, pop, rock,
>
> Fender Precision
>
>> dance, electronica...
>
> use a synth, afaik it has to me the *right* synth
> for the sub genre....
>
>
> andy
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 16:56:11 2010
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Hi Fabio,

that's beautiful! Thank for sharing that.

All the best,
Johannes


Fabio_A schrieb:
> My preferred one ! Thanks for pointing to the new version !
>  
> Here is a clip with intensive use of this plugin, I've just posted in 
> the past:
> http://www.eterogeneo.com/podcast/Is_it_rain.mp3
>  
>  
> fabio
> www.eterogeneo.com <http://www.eterogeneo.com/>
>
> 2010/3/11 Art Simon <simart@gmail.com <mailto:simart@gmail.com>>
>
>     For me, it's glitch:
>     http://illformed.org/plugins/glitch/
>     (BTW, this discussion got me back to the website to see there is a
>     new update, the first in 4 years! Cool!)
>
>      
>


-- 
Johannes Korn  - j.korn@gmx.de
http://www.myspace.com/nashorn

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 17:00:48 2010
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Never used a speaker simulator:) have a Vox Night Train, sounds great!=0AAn=
tony Hequet=0A=0ASent from my iPhone=0A=0AOn Mar 13, 2010, at 2:25 PM, "Erd=
em Helvacioglu" <erdemhel@tnn.net> wrote:=0A=0Ahi to all,=0A =0Athese days =
i have been producing mostly pop and rock bands, acts. i have the marshall =
jmp 2000 head. i would like to buy the new vox nighttrain head. would like =
to record with it using a speaker simulator like the palmer speaker simulat=
or. any used it? what are your opinions?=0A =0Ahttp://www.palmergear.com/pd=
i03.shtml=0A =0Aalso i would like to buy a new electric bass guitar to use =
within the genres of soul, r and b, pop, rock, dance, electronica... what w=
ould you recommend for that? fender, musicman?=0A =0Athanks a lot as always=
 and best regards from istanbul.=0A =0Aerdem h.=0A=0A=0A=0A      
--0-2053911775-1268499647=:9472
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<html><body bgcolor=3D"#FFFFFF"><div>Never used a speaker simulator:) have =
a Vox Night Train, sounds great!</div><div>Antony Hequet<br><br>Sent from m=
y iPhone</div><div><br>On Mar 13, 2010, at 2:25 PM, "Erdem Helvacioglu" &lt=
;<a href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</a>> wrote:<br><br></=
div><div></div><blockquote type=3D"cite"><div>=0A=0A<div><font size=3D"2" f=
ace=3D"Arial">hi to all,</font></div>=0A<div><font size=3D"2" face=3D"Arial=
"></font>=A0</div>=0A<div><font size=3D"2" face=3D"Arial">these days i have=
 been producing mostly pop and =0Arock bands, acts. i have the marshall jmp=
 2000 head. i would like to buy the new =0Avox nighttrain head. would like =
to record with it using a speaker simulator like =0Athe palmer speaker simu=
lator. any used it? what are your opinions?</font></div>=0A<div><font size=
=3D"2" face=3D"Arial"></font>=A0</div>=0A<div><font size=3D"2" face=3D"Aria=
l"><a href=3D"http://www.palmergear.com/pdi03.shtml"><a href=3D"http://www.=
palmergear.com/pdi03.shtml">http://www.palmergear.com/pdi03.shtml</a></a></=
font></div>=0A<div><font size=3D"2" face=3D"Arial"></font>=A0</div>=0A<div>=
<font size=3D"2" face=3D"Arial">also i would like to buy a new electric bas=
s guitar =0Ato use within the genres of soul, r and b, pop, rock, dance, =
=0Aelectronica...=A0what would you recommend for that? fender, =0Amusicman?=
</font></div>=0A<div><font size=3D"2" face=3D"Arial"></font>=A0</div>=0A<di=
v><font size=3D"2" face=3D"Arial">thanks a lot as always and best regards f=
rom =0Aistanbul.</font></div>=0A<div><font size=3D"2" face=3D"Arial"></font=
>=A0</div>=0A<div><font size=3D"2" face=3D"Arial">erdem h.</font></div>=0A=
=0A=0A=0A=0A</div></blockquote><br>=0A=0A=0A=0A      </body></html>
--0-2053911775-1268499647=:9472--

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http://bit.ly/IFznL

Cool

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<a href="http://bit.ly/IFznL">http://bit.ly/IFznL</a>&nbsp;<div><br></div><div>Cool<br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 17:23:36 2010
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Date: Sat, 13 Mar 2010 13:23:37 -0400 (AST)
Subject: Re: guitar setups
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Another vote for the Fender Jazz bass.
Even though I love a Precision, I think the jazz is more versatile tone
wise and the neck is little easier to play.
You can hear my jazz bass here, but it's just one of the many tones you
can get from it.

http://barbadosguitar.com/wordpress/?p=33

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sat, March 13, 2010 9:25 am, Erdem Helvacioglu wrote:
> hi to all,
>
> these days i have been producing mostly pop and rock bands, acts. i have
> the marshall jmp 2000 head. i would like to buy the new vox nighttrain
> head. would like to record with it using a speaker simulator like the
> palmer speaker simulator. any used it? what are your opinions?
>
> http://www.palmergear.com/pdi03.shtml
>
> also i would like to buy a new electric bass guitar to use within the
> genres of soul, r and b, pop, rock, dance, electronica... what would you
> recommend for that? fender, musicman?
>
> thanks a lot as always and best regards from istanbul.
>
> erdem h.
>
>
>
>




http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 19:01:05 2010
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André Donawa wrote:
> Another vote for the Fender Jazz bass.


yeah, but Erdem asked for a bass to use in a rather specific 
circumstance.

the Precision, with it's overall deeper tone is going to
be better for a guitarist to emulate a bass player.
(and if the wider neck means less notes, that's a plus)


The option of the bridge p/u  of the Jazz is just going to increase
the chance of a bass sound that gets lost beneath the
other instruments in those genres (e.g. guitars).

Well that's my reasoning anyway.

For my own playing pleasure, I voted for the Fender Jazz
many years ago.

andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 20:50:01 2010
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Date: Sat, 13 Mar 2010 21:49:58 +0100
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Subject: Re: Antwerp Live Looping festival 2010
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Hi,
I just uploaded the video's of
- Dirk Serries Microphonics XI
- N
to http://livelooping.be/

Enjoy :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 21:00:19 2010
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
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Subject: Chez Mosc - Today
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EST (GMT-5), 
Twyndyllyngs (Howard Moscovitz and I) will stream a live, improvised 
concert from Howard's living room.  (Hence the title of the broadcast.)  
I hope that you'll "tune in" despite the irreparable brain damage it may 
cause you.    ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are an electronic musician living in or near the Lehigh 
Valley or plan to be passing through the area, please let me or Howard 
know if you'd care to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 21:00:41 2010
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EST (GMT-5), 
Twyndyllyngs (Howard Moscovitz and I) will stream a live, improvised 
concert from Howard's living room.  (Hence the title of the broadcast.)  
I hope that you'll "tune in" despite the irreparable brain damage it may 
cause you.    ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are an electronic musician living in or near the Lehigh 
Valley or plan to be passing through the area, please let me or Howard 
know if you'd care to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 21:27:46 2010
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The equivalent of boxer shorts for cables, as apposed to briefs.......
http://www.raxxess.com/products/accessories/CBLD.html
let your boys hang free....:-) my apologies to the girls.....
Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">The equivalent of boxer shorts for cables, as apposed to briefs.......<div><a href="http://www.raxxess.com/products/accessories/CBLD.html">http://www.raxxess.com/products/accessories/CBLD.html</a></div><div>let your boys hang free....:-) my apologies to the girls.....</div><div>Bill</div></body></html>
--Apple-Mail-1-298167293--

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Reply-To: <festuseze2008@inmail24.com>
From: "Mr.Festus Eze"<office0000@mcom.com>
Subject:  Payment Schedule
Date: Sat, 13 Mar 2010 22:44:54 +0100
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FEDERAL REPUBLIC OF NIGERIA CENTRAL BANK OF NIGERIA INTERNATIONAL
REMITTANCE DEPARTMENT CORPORATE
HEAD QUARTERS TINUBU SQUARE,
MARINA LAGOS NIGERIA.
 
Our Ref: CBN/IRD/CGX/NNPC/021/08
 
ATTN: CONTRACTOR,
 
During the Third Quarter Payment Schedule of the financial records of the Central Bank of Nigeria (CBN) it was discovered from the records of outstanding Foreign contractors due for payment with the Federal Government of Nigeria that your name is next on the list of Those who will receive their fund. I wish to officially notify you that your payment is being processed and will be released to you as soon as you respond to this letter.Also once we receive the information's from you for the President of Federal Government of Nigeria will Approve it to enable us release the fund to your account. Note that from the record in our file, your outstanding contract payment is{€9.1m}  Nine Million one hundred thousand Euro). 
Kindly re -confirm to me if this is inline with what you have in your Record and also re-confirm the information below to enable this office Proceed and finalize your fund remittance without further delays.
 
1) Your full name.
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4) Profession, age and marital status.
 
As soon as the above information are received, your payment will be Made available to you via an international certified bank draft, which will be delivered to your doorstep for your confirmation or through Bank transfer.
 
As soon as you receive this letter for further Discussion and more
clarification.
YOURS SINCERELY,
Mr.Festus Eze.
DIRECTOR OF INTERNATIONAL REMITTANCE   

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 22:06:10 2010
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Subject: Virt Gig Spam:short test cast on Livestream now
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0015173fe688e43af00481b5dad9
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I'm going to do a short test cast on livestream now, testing a new channel
that I've not used.  www.livestream.com/jimgoodinlive, tune in if you are
around today.

thx

jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015173fe688e43af00481b5dad9
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I&#39;m going to do a short test cast on livestream now, testing a new chan=
nel that I&#39;ve not used.=A0 <a href=3D"http://www.livestream.com/jimgood=
inlive">www.livestream.com/jimgoodinlive</a>, tune in if you are around tod=
ay.<br>
<br>thx<br><br>jim<br clear=3D"all"><br>-- <br>ReUse, an introspective text=
ural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/Ct=
ReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com=
">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015173fe688e43af00481b5dad9--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 22:19:12 2010
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 22:29:41 2010
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Date: Sat, 13 Mar 2010 14:29:39 -0800 (PST)
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic 
     Guitar
From: looppool@cruzio.com
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The microphones that we won the NAIRD Instrumental Album of the YEar award in
1998 for Martin Simpson's album  "Cool and Unusual"
were an ATM 4050  and a Neumann K184

The ATM 4033 ($400) is the identical microphone as the ATM 4050 just
without multiple polar
patterns (no big deal at all,  just point it where you want to record)

additionally,  the 4033 is the exact same microphone as the pricier ATM 4060
which has an A12 tube in it.

Instead of paying $1350 for an ATM 4060,  you can
buy an ATM 4033 for $400 (or cheaper if purchased used)
and use a tube mic preamp

Additionally,  Andy Butler just hipped me to the fact that the Swedish
Company
SA makes a fantastic and very inexpensive mic that is the equivalent of
the much
pricier Neumann.

A pair of matched condensers SA1s  just set a client of mine back $400, 
although
you can buy one individually for $270.

This is a world class combination and is part of my Champagne Living
on a Beer Budget thread that I was just about to start.

Chris, Bill and I once did a double blind study of the
ATM 4033,  a borrowed Neumann U87 ($3,400) and a used Rhodet NT2 ($200)

We were looking at vocal quality at the time but here's what we discovered
by micing different ranges of voice and different gender of singer and I
then later
tested them on percussion.

The 4033 had the best detail of the three mics,  in fact,  it might
even be a little surreal in the detail but this is really easy to fix with
simple equalization.

the U87 sounded excellent too.  It should.  It costs $3,400.

The Rhode NT2 had a fascinating characteristic:   It was by far the lesser
quality of microphone and really lacked detail, however,  when you put
headphones on and listened to a recording with it of someone singing,  it
sounded like they were singing straight into your ear.
It was sooooo naturalistic, despite being the obviously inferior mic.

It was so warm sounding that I've frequently double miced vocals with the
4033 and the NT2.

In retrospect,  I can't more highly recommend the ATM 4033.
It would be my single desert island recording mic...........fantastic
sounding
at a price I can afford.



 > I'm looking for a decent recording/performance mic in the range of $400,
> for my archtop guitar.  I''ve found that I totally love the soun

From Loopers-Delight-request@loopers-delight.com  Sat Mar 13 23:14:04 2010
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I've used the Neumann KM184s (XY pattern) and they work great - not =
perfect but very well.  I would also try AKG 451s.  Don't know how the =
new ones work but should be fine.  On the last Hayley record I fell back =
in love with my very old AKG 414.  Noisy as a small creek but REALLY =
beautiful sound.  Sometimes used that with a KM184 and sometimes Neumann =
TLM 103.  Don't know how the new 414s are.  But tonewise it was really =
great. =20

Original Neumann KM 84s are now too expensive and could be kaboshed if =
bought from Ebay. =20

I've heard good things about the SA stuff.   They may be made in =
China??? If so, you might have to pick through them for the best sound.

Of course the BEST path is to go to your local equip shop and buy (or =
borrow) all of them and then return the ones that don't work for you.  =
Try the Earthworks mic's too.  I've heard some good stuff done with them =
and they aren't too expensive.=20

A record I did with Wavy Gravy won a NAIRD Award way back when!

Rule #1? Have fun!

R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Mar 13, 2010, at 2:29 PM, looppool@cruzio.com wrote:

> The microphones that we won the NAIRD Instrumental Album of the YEar =
award in
> 1998 for Martin Simpson's album  "Cool and Unusual"
> were an ATM 4050  and a Neumann K184
>=20
> The ATM 4033 ($400) is the identical microphone as the ATM 4050 just
> without multiple polar
> patterns (no big deal at all,  just point it where you want to record)
>=20
> additionally,  the 4033 is the exact same microphone as the pricier =
ATM 4060
> which has an A12 tube in it.
>=20
> Instead of paying $1350 for an ATM 4060,  you can
> buy an ATM 4033 for $400 (or cheaper if purchased used)
> and use a tube mic preamp
>=20
> Additionally,  Andy Butler just hipped me to the fact that the Swedish
> Company
> SA makes a fantastic and very inexpensive mic that is the equivalent =
of
> the much
> pricier Neumann.
>=20
> A pair of matched condensers SA1s  just set a client of mine back =
$400,=20
> although
> you can buy one individually for $270.
>=20
> This is a world class combination and is part of my Champagne Living
> on a Beer Budget thread that I was just about to start.
>=20
> Chris, Bill and I once did a double blind study of the
> ATM 4033,  a borrowed Neumann U87 ($3,400) and a used Rhodet NT2 =
($200)
>=20
> We were looking at vocal quality at the time but here's what we =
discovered
> by micing different ranges of voice and different gender of singer and =
I
> then later
> tested them on percussion.
>=20
> The 4033 had the best detail of the three mics,  in fact,  it might
> even be a little surreal in the detail but this is really easy to fix =
with
> simple equalization.
>=20
> the U87 sounded excellent too.  It should.  It costs $3,400.
>=20
> The Rhode NT2 had a fascinating characteristic:   It was by far the =
lesser
> quality of microphone and really lacked detail, however,  when you put
> headphones on and listened to a recording with it of someone singing,  =
it
> sounded like they were singing straight into your ear.
> It was sooooo naturalistic, despite being the obviously inferior mic.
>=20
> It was so warm sounding that I've frequently double miced vocals with =
the
> 4033 and the NT2.
>=20
> In retrospect,  I can't more highly recommend the ATM 4033.
> It would be my single desert island recording mic...........fantastic
> sounding
> at a price I can afford.
>=20
>=20
>=20
>> I'm looking for a decent recording/performance mic in the range of =
$400,
>> for my archtop guitar.  I''ve found that I totally love the soun
>=20


--Apple-Mail-14-304548518
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I've =
used the Neumann KM184s (XY pattern) and they work great - not perfect =
but very well. &nbsp;I would also try AKG 451s. &nbsp;Don't know how the =
new ones work but should be fine. &nbsp;On the last Hayley record I fell =
back in love with my very old AKG 414. &nbsp;Noisy as a small creek but =
REALLY beautiful sound. &nbsp;Sometimes used that with a KM184 and =
sometimes Neumann TLM 103. &nbsp;Don't know how the new 414s are. =
&nbsp;But tonewise it was really great. =
&nbsp;<div><br></div><div>Original Neumann KM 84s are now too expensive =
and could be kaboshed if bought from Ebay. =
&nbsp;</div><div><br></div><div>I've heard good things about the SA =
stuff. &nbsp; They may be made in China??? If so, you might have to pick =
through them for the best sound.</div><div><br></div><div>Of course the =
BEST path is to go to your local equip shop and buy (or borrow) all of =
them and then return the ones that don't work for you. &nbsp;Try the =
Earthworks mic's too. &nbsp;I've heard some good stuff done with them =
and they aren't too expensive.&nbsp;</div><div><br></div><div>A record I =
did with Wavy Gravy won a NAIRD Award way back =
when!</div><div><br></div><div>Rule #1? Have =
fun!</div><div><br></div><div>R<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Mar 13, 2010, at 2:29 PM, <a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>The microphones that we won the NAIRD Instrumental =
Album of the YEar award in<br>1998 for Martin Simpson's album =
&nbsp;"Cool and Unusual"<br>were an ATM 4050 &nbsp;and a Neumann =
K184<br><br>The ATM 4033 ($400) is the identical microphone as the ATM =
4050 just<br>without multiple polar<br>patterns (no big deal at all, =
&nbsp;just point it where you want to record)<br><br>additionally, =
&nbsp;the 4033 is the exact same microphone as the pricier ATM =
4060<br>which has an A12 tube in it.<br><br>Instead of paying $1350 for =
an ATM 4060, &nbsp;you can<br>buy an ATM 4033 for $400 (or cheaper if =
purchased used)<br>and use a tube mic preamp<br><br>Additionally, =
&nbsp;Andy Butler just hipped me to the fact that the =
Swedish<br>Company<br>SA makes a fantastic and very inexpensive mic that =
is the equivalent of<br>the much<br>pricier Neumann.<br><br>A pair of =
matched condensers SA1s &nbsp;just set a client of mine back $400, =
<br>although<br>you can buy one individually for $270.<br><br>This is a =
world class combination and is part of my Champagne Living<br>on a Beer =
Budget thread that I was just about to start.<br><br>Chris, Bill and I =
once did a double blind study of the<br>ATM 4033, &nbsp;a borrowed =
Neumann U87 ($3,400) and a used Rhodet NT2 ($200)<br><br>We were looking =
at vocal quality at the time but here's what we discovered<br>by micing =
different ranges of voice and different gender of singer and I<br>then =
later<br>tested them on percussion.<br><br>The 4033 had the best detail =
of the three mics, &nbsp;in fact, &nbsp;it might<br>even be a little =
surreal in the detail but this is really easy to fix with<br>simple =
equalization.<br><br>the U87 sounded excellent too. &nbsp;It should. =
&nbsp;It costs $3,400.<br><br>The Rhode NT2 had a fascinating =
characteristic: &nbsp;&nbsp;It was by far the lesser<br>quality of =
microphone and really lacked detail, however, &nbsp;when you =
put<br>headphones on and listened to a recording with it of someone =
singing, &nbsp;it<br>sounded like they were singing straight into your =
ear.<br>It was sooooo naturalistic, despite being the obviously inferior =
mic.<br><br>It was so warm sounding that I've frequently double miced =
vocals with the<br>4033 and the NT2.<br><br>In retrospect, &nbsp;I can't =
more highly recommend the ATM 4033.<br>It would be my single desert =
island recording mic...........fantastic<br>sounding<br>at a price I can =
afford.<br><br><br><br><blockquote type=3D"cite">I'm looking for a =
decent recording/performance mic in the range of =
$400,<br></blockquote><blockquote type=3D"cite">for my archtop guitar. =
&nbsp;I''ve found that I totally love the =
soun<br></blockquote><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-14-304548518--

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 01:13:33 2010
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	 <8A2F8975-148D-4D88-9229-76BC643F0445@glasswing.com>
Date: Sun, 14 Mar 2010 02:13:31 +0100
Message-ID: <66f9cc1e1003131713l12828776je694dc65050b71c9@mail.gmail.com>
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 14, 2010 at 12:14 AM, richard sales <richard@glasswing.com> wrote:
> fell back in love with my very old AKG 414

I have one of those too. Lovely! Maybe not the same model because mine
isen't noisy. It is an AKG C 414 B-TL2. Good for most things thanks to
the variable direction, and especially for guitar.

When I was signed to record label this label owned studios with many
vintage microphones. The employed engineer suggested I should borrow
two old Neuman U67 and holy shit what a good sound!!! For the project
studio (not mine but the label's) I had bought a U87 and thought it
sounded ok, but the U67 totally changed the rules. It's funny that
those two U67s sounded very different. And the sound kind of changed
over time too as the tubes got warmer.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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you can unsubscribe? i thought it was a "for life" sort of thing...hmmm

 http://www.loopers-delight.com/list/LoopList.html



  ----- Original Message -----=20
  From: Ace Ovil=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 13, 2010 9:19 PM
  Subject: RE: unsubscribe


  Could someone please clarify to all these folks how to unsubscribe?

  We seem to get one of these at least twice a week. That and the =
occasional =E2=80=9Cout of office reply=E2=80=9D from the insurance guy. =
 LOL.

  =20

  From: reidertsgaard@comcast.net [mailto:reidertsgaard@comcast.net]=20
  Sent: Saturday, March 13, 2010 5:11 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: unsubscribe

  =20

  unsubscribe



-------------------------------------------------------------------------=
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<DIV><FONT face=3DArial size=3D2>you can unsubscribe? i thought it was a =
"for life"=20
sort of thing...hmmm</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;<A=20
href=3D"http://www.loopers-delight.com/list/LoopList.html">http://www.loo=
pers-delight.com/list/LoopList.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Daovil@wfubmc.edu href=3D"mailto:aovil@wfubmc.edu">Ace =
Ovil</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 13, 2010 =
9:19=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: unsubscribe</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">Could=20
  someone please clarify to all these folks how to=20
  unsubscribe?<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">We=20
  seem to get one of these at least twice a week. That and the =
occasional =E2=80=9Cout=20
  of office reply=E2=80=9D from the insurance guy. =
&nbsp;LOL.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
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  <P class=3DMsoNormal><B><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
'Tahoma','sans-serif'">From:</SPAN></B><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Tahoma','sans-serif'"> <A=20
  =
href=3D"mailto:reidertsgaard@comcast.net">reidertsgaard@comcast.net</A>=20
  [mailto:reidertsgaard@comcast.net] <BR><B>Sent:</B> Saturday, March =
13, 2010=20
  5:11 PM<BR><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
  unsubscribe<o:p></o:p></SPAN></P></DIV></DIV>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <DIV>
  <P class=3DMsoNormal><SPAN=20
  style=3D"COLOR: black; FONT-FAMILY: =
'Arial','sans-serif'">unsubscribe<o:p></o:p></SPAN></P></DIV></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 03:00:42 2010
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From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: guitar setups OT
Date: Sat, 13 Mar 2010 19:00:35 -0800
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   The split pickup on a precision bass is wired for hum canceling,  
the two pickups on a Jazz Bass when used individually are single coil  
and are noisier by nature, though plenty of companies like  
Fender ,Seymour Duncan, and dimarzio make stacked Jazz bass pickups  
that are hum canceling, and sound really good to my ears. Fender has  
been making a P/J style bass for a few years because people have been  
putting Jazz bass pickups on P basses since Jaco arrived on the scene  
in the 70's, so you could have the best of both worlds. Then there is  
Musicman, the Stingray is a very good active bass that is great for a  
wide range of styles with lots of eq options. Fender's modern design  
basses can also be gotten with active electronics and more  
sophisticated eq.  http://www.fender.com/products/search.php?partno=0135760359 
  I like em all, any  would be a great choice. i think the P bass  
might be more traveled in the recordings of the genres you mentioned,  
historically speaking, but people are playing all kinds of basses  
these days.
Bill
--Apple-Mail-2-318142720
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">&nbsp;&nbsp;The split pickup on =
a precision bass is wired for hum canceling, the two pickups on a Jazz =
Bass when used individually are single coil and are noisier by nature, =
though plenty of companies like Fender ,Seymour Duncan, and dimarzio =
make stacked Jazz bass pickups that are hum canceling, and sound really =
good to my ears. Fender has been making a P/J style bass for a few years =
because people have been putting Jazz bass pickups on P basses since =
Jaco arrived on the scene in the 70's, so you could have the best of =
both worlds. Then there is Musicman, the Stingray is a very good active =
bass that is great for a wide range of styles with lots of eq options. =
Fender's modern design basses can also be gotten with active electronics =
and more sophisticated eq. &nbsp;<a =
href=3D"http://www.fender.com/products/search.php?partno=3D0135760359">htt=
p://www.fender.com/products/search.php?partno=3D0135760359</a>&nbsp;I =
like em all, any &nbsp;would be a great choice. i think the P bass might =
be more traveled in the recordings of the genres you mentioned, =
historically speaking, but people are playing all kinds of basses these =
days.<div>Bill</div></body></html>=

--Apple-Mail-2-318142720--

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Subject: anyone running @ 64 buffer size?
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if i can run @ 128 with a dual core=2C should i be able to run 64 with a qu=
ad core? =3BoD im sure that logic does not hold its weight=2C but where doe=
s the bottleneck occur for digital audio processing?

i know to use a firewire card with the texas instrument chip set-
i know to avoid the motherboard display output and use a separate video car=
d-

any other tricks?

currently run XP=2C maybe windows7 would aid in this adventure? i hear its =
fairly lightweight and resource efficient-

ty~!

fro

 		 	   		 =20
_________________________________________________________________
The New Busy is not the old busy. Search=2C chat and e-mail from your inbox=
.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_3=

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<html>
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}
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{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<br><br>if i can run @ 128 with a dual core=2C should i be able to run 64 w=
ith a quad core? =3BoD im sure that logic does not hold its weight=2C but w=
here does the bottleneck occur for digital audio processing?<br><br>i know =
to use a firewire card with the texas instrument chip set-<br>i know to avo=
id the motherboard display output and use a separate video card-<br><br>any=
 other tricks?<br><br>currently run XP=2C maybe windows7 would aid in this =
adventure? i hear its fairly lightweight and resource efficient-<br><br>ty~=
!<br><br>fro<br><br> 		 	   		  <br /><hr />The New Busy is not the old bus=
y. Search=2C chat and e-mail from your inbox. <a href=3D'http://www.windows=
live.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:=
032010_3' target=3D'_new'>Get started.</a></body>
</html>=

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Date: Sat, 13 Mar 2010 19:46:41 -0800
Message-ID: <588ce11d1003131946h4b79b046uef964baf482e683e@mail.gmail.com>
Subject: Re: anyone running @ 64 buffer size?
From: Art Simon <simart@gmail.com>
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--0016e64980fecb49050481ba9c4f
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Good Question, but I don't think the answer is straight forward. I'm running
a quad core, but my USB audio interface (a Line6 TonePort) doesn't even
allow a 64 setting. While a fast CPU will help with smaller buffer sizes,
your audio interface is just as important. A PCI or Firewire interface might
allow smaller buffer sizes. The expensive RME interfaces seem to allow very
small buffers. Also the "chipset" on the motherboard seems to have an impact
on USB and Firewire audio interfaces. It seems to me that the answer depends
on your whole setup, not just the CPU.

On Sat, Mar 13, 2010 at 6:14 PM, FRO DIDDLY <parispro00@hotmail.com> wrote:

>
>
> if i can run @ 128 with a dual core, should i be able to run 64 with a quad
> core? ;oD im sure that logic does not hold its weight, but where does the
> bottleneck occur for digital audio processing?
>
> i know to use a firewire card with the texas instrument chip set-
> i know to avoid the motherboard display output and use a separate video
> card-
>
> any other tricks?
>
> currently run XP, maybe windows7 would aid in this adventure? i hear its
> fairly lightweight and resource efficient-
>
> ty~!
>
> fro
>
>
> ------------------------------
> The New Busy is not the old busy. Search, chat and e-mail from your inbox. Get
> started.<http://www.windowslive.com/campaign/thenewbusy?ocid=PID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:032010_3>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016e64980fecb49050481ba9c4f
Content-Type: text/html; charset=ISO-8859-1
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Good Question, but I don&#39;t think the answer is straight forward. I&#39;=
m running a quad core, but my USB audio interface (a Line6 TonePort) doesn&=
#39;t even allow a 64 setting. While a fast CPU will help with smaller buff=
er sizes, your audio interface is just as important. A PCI or Firewire inte=
rface might allow smaller buffer sizes. The expensive RME interfaces seem t=
o allow very small buffers. Also the &quot;chipset&quot; on the motherboard=
 seems to have an impact on USB and Firewire audio interfaces. It seems to =
me that the answer depends on your whole setup, not just the CPU.<br>
<br><div class=3D"gmail_quote">On Sat, Mar 13, 2010 at 6:14 PM, FRO DIDDLY =
<span dir=3D"ltr">&lt;<a href=3D"mailto:parispro00@hotmail.com">parispro00@=
hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); =
padding-left: 1ex;">




<div>
<br><br>if i can run @ 128 with a dual core, should i be able to run 64 wit=
h a quad core? ;oD im sure that logic does not hold its weight, but where d=
oes the bottleneck occur for digital audio processing?<br><br>i know to use=
 a firewire card with the texas instrument chip set-<br>
i know to avoid the motherboard display output and use a separate video car=
d-<br><br>any other tricks?<br><br>currently run XP, maybe windows7 would a=
id in this adventure? i hear its fairly lightweight and resource efficient-=
<br>
<br>ty~!<br><br>fro<br><br> 		 	   		  <br><hr>The New Busy is not the old =
busy. Search, chat and e-mail from your inbox. <a href=3D"http://www.window=
slive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP=
:032010_3" target=3D"_blank">Get started.</a></div>

</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--0016e64980fecb49050481ba9c4f--

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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic  
    Guitar
References: <20100313135123.690583BFBB@arsenic.violacea.com> <08b572fef279f3b80f17d921ab192716.squirrel@cruziomail.cruzio.com>
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looppool@cruzio.com wrote:
> The microphones that we won the NAIRD Instrumental Album of the YEar award in
> 1998 for Martin Simpson's album  "Cool and Unusual"
> were an ATM 4050  and a Neumann K184
> 
> The ATM 4033 ($400) is the identical microphone as the ATM 4050 just
> without multiple polar
> patterns (no big deal at all,  just point it where you want to record)
> 
> additionally,  the 4033 is the exact same microphone as the pricier ATM 4060
> which has an A12 tube in it.
> 
> Instead of paying $1350 for an ATM 4060,  you can
> buy an ATM 4033 for $400 (or cheaper if purchased used)
> and use a tube mic preamp

I'll second the nomination for the AT. I've had a pair of 4050s for a 
long time. I've tried others (for soprano and tenor sax, not guitar), 
but when I do a serious a-b recording comparison, I always gravitate 
back to the the 4050s. I've heard some very good results on a variety of 
instruments using Mojave Audio mics, and I may try one, but if I had to 
stick with the 4050s I wouldn't be heartbroken.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 04:31:50 2010
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	 <588ce11d1003101914r6135282dw585ab98ce723655a@mail.gmail.com>
	 <51AC0A8D-75A5-4842-8F62-B3B8DD661C19@verizon.net>
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Date: Sat, 13 Mar 2010 20:31:48 -0800
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Subject: Re: vst (win) -> vst (osx)
From: Art Simon <simart@gmail.com>
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--0016363b859e2d1ade0481bb3e7a
Content-Type: text/plain; charset=ISO-8859-1

Very Nice Fabio! I loved it!

On Thu, Mar 11, 2010 at 4:23 AM, Fabio_A <eterogenus@gmail.com> wrote:

> My preferred one ! Thanks for pointing to the new version !
>
> Here is a clip with intensive use of this plugin, I've just posted in the
> past:
> http://www.eterogeneo.com/podcast/Is_it_rain.mp3
>
>
> fabio
> www.eterogeneo.com
>
> 2010/3/11 Art Simon <simart@gmail.com>
>
> For me, it's glitch:
>> http://illformed.org/plugins/glitch/
>> (BTW, this discussion got me back to the website to see there is a new
>> update, the first in 4 years! Cool!)
>>
>>
>>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016363b859e2d1ade0481bb3e7a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Very Nice Fabio! I loved it!<br><br><div class=3D"gmail_quote">On Thu, Mar =
11, 2010 at 4:23 AM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eterog=
enus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">
<div>My preferred one ! Thanks for pointing to the new version !</div>
<div>=A0</div>
<div>Here is a clip with intensive use of this plugin, I&#39;ve just posted=
 in the past: </div>
<div><a href=3D"http://www.eterogeneo.com/podcast/Is_it_rain.mp3" target=3D=
"_blank"><font face=3D"Book Antiqua">http://www.eterogeneo.com/podcast/Is_i=
t_rain.mp3</font></a> </div>
<div>=A0</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/" target=3D"_blank">www.eterogene=
o.com</a><br><br></div>
<div class=3D"gmail_quote">2010/3/11 Art Simon <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a>&gt;</s=
pan><div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px 0=
px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">For me, it&#39;s =
glitch:<br><a href=3D"http://illformed.org/plugins/glitch/" target=3D"_blan=
k">http://illformed.org/plugins/glitch/</a><br>

(BTW, this discussion got me back to the website to see there is a new upda=
te, the first in 4 years! Cool!)=20
<div>
<div></div>
<div><br>=A0</div></div></blockquote></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--0016363b859e2d1ade0481bb3e7a--

From John@itwv.net  Sun Mar 14 04:32:17 2010
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	 Sat, 13 Mar 2010 23:24:20 -0500
Reply-To: <atm.zenith445@gmail.com,atm.zenith22@gmail.com>
From: "Dr Kingsley Paul"<john>
Subject: YOUR PAYMENT NOTIFICATION
Date: Wed, 17 Mar 2010 05:31:00 -0000
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To: undisclosed-recipients:;

Zenith Bank ATM
RE:YOUR PAYMENT NOTIFICATION
From:Dr Kingsley Paul.
Remittance Manager.

Zenith Bank Of Nigeria.Attention:Beneficiary This to officially inform you that we have verified your contract file presently on my desk, and I found out that you have not received your payment due to your lack of co-operation and not fulfilling the 
obligations giving to you in respect to your contract payment.Secondly,you are hereby adviced to stop dealing with some non-officials in the bank as this is an illegal act and will have to stop if you so wish to receive your payment immediately.After the board meeting held at our headquarters, we have resolved in finding a solution to your 
problem, and as you may know, we have arranged your payment through our SWIFT CARD PAYMENT 
CENTER in Europe, America,Africa and Asia Pacific, which is the instruction given by our president, ALAHAJI USMAN AMIR YARADUA (GCFR)
Federal Republic of Nigeria.This card center will send you an ATM CARD that consist of 7 million USD which you will use to withdraw your money in an ATM MACHINE in any part of the world, but the maximum is $4,000 Us Dollars per transaction. So, if you like to receive your fund this way,reply to this office immediately for the issueing of your

(ATM)CARD.(1) Your Full Name:
(2) Address where you want the payment center to 

send your ATM CARD.:
(3) Phone And Fax Number:
(4) Bank Name
We shall be expecting to receive your information you have to stop any further communication with anybody or office apart from this office of the presidency. On this regards, do not hesitate to contact me for more details and direction, and also 
please do update me with any new development.

Thanks for your co-operation.Best Regards,
Dr Kingsley Paul
Remittance Manager
Zenith Bank Of Nigeria. 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 04:45:01 2010
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Date: Sat, 13 Mar 2010 23:45:00 -0500
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Subject: Re: unsubscribe
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blood in, blood out. ld 4 eva.

- jim

On Saturday, March 13, 2010, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>
>
>
>
>
>
> you can unsubscribe? i thought it was a "for life"
> sort of thing...hmmm
>
> =A0http://www.loopers-delight.com/list/LoopList.html
>
>
>
>
>   ----- Original Message -----
>   From:
>   Ace Ovil=A0<aovil@wfubmc.edu>
>   To: Loopers-Delight@loopers-delight.com
>
>   Sent: Saturday, March 13, 2010 9:19
>   PM
>   Subject: RE: unsubscribe
>
>
>
>   Could
>   someone please clarify to all these folks how to
>   unsubscribe?
>   We
>   seem to get one of these at least twice a week. That and the occasional=
 =93out
>   of office reply=94 from the insurance guy. =A0LOL.
>
>
>
>   From: reidertsgaard@comcast.net
>   [mailto:reidertsgaard@comcast.net]
> Sent: Saturday, March 13, 2010
>   5:11 PM
> To: Loopers-Delight@loopers-delight.com
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>
> No virus found in this incoming message.
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>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 06:38:10 2010
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Date: Sat, 13 Mar 2010 22:38:08 -0800
Message-ID: <588ce11d1003132238n2e25ada3k7a613deda0aa620e@mail.gmail.com>
Subject: Onyx Ashanti at Createdigiatlmusic.com
From: Art Simon <simart@gmail.com>
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--001636c5a39dfcbfb40481bd015f
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I was pleased to see the write up of Onyx Ashanti and his use of the iPhone
as a music controller at createdigitalmusic.com:
http://createdigitalmusic.com/2010/03/11/one-man-band-watch-gestures-touchosc-pure-data-breath-control-oh-my/comment-page-1/#comment-1041112
His performance was one of my favorites at Y2K9:
http://www.ustream.tv/recorded/2383064
Thanks again to Bob Amstadt for documenting all the performances!
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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I was pleased to see the write up of Onyx Ashanti and his use of the iPhone=
 as a music controller at <a href=3D"http://createdigitalmusic.com">created=
igitalmusic.com</a>:<br clear=3D"all"><a href=3D"http://createdigitalmusic.=
com/2010/03/11/one-man-band-watch-gestures-touchosc-pure-data-breath-contro=
l-oh-my/comment-page-1/#comment-1041112">http://createdigitalmusic.com/2010=
/03/11/one-man-band-watch-gestures-touchosc-pure-data-breath-control-oh-my/=
comment-page-1/#comment-1041112</a><br>
His performance was one of my favorites at Y2K9:<br><a href=3D"http://www.u=
stream.tv/recorded/2383064">http://www.ustream.tv/recorded/2383064</a><br>T=
hanks again to Bob Amstadt for documenting all the performances!<br>-- <br>
Art Simon<br><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>my=
space [dot] com/artsimon<br>

--001636c5a39dfcbfb40481bd015f--

From rtm.williams@gmail.com  Sun Mar 14 08:28:14 2010
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Reply-To: <rtm.williamsjr@gmail.com>
From: "Rotimi Williams"<rtm.williams@gmail.com>
Subject: Did you assign your money to Mr.Malone?
Date: Sun, 14 Mar 2010 20:28:08 -0800
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
For your urgent attention,&nbsp; </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
May i inform you that one Mr. Donald Malone from Canada presented a deed of assignment to us alleging that you signed it few weeks ago to enable him collect your funds with the federal Government of NNigeria. He claimed that you died One week ago of terminal cancer, If you read this email then it means he is fake but if you fail to respond in four days we will assume he is right and release your funds to him.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
For security reasons i will give you details upon your reply.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Best Regards, </DIV>
<DIV>
Mr. Rotimi. Williams. </DIV>
<DIV>
PA, Finance Minister,</DIV>
<DIV>
Nigeria.</DIV>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 10:26:16 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic  Guitar
References: <20100313135123.690583BFBB@arsenic.violacea.com> <08b572fef279f3b80f17d921ab192716.squirrel@cruziomail.cruzio.com> <8A2F8975-148D-4D88-9229-76BC643F0445@glasswing.com>
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richard sales wrote:

> 
> I've heard good things about the SA stuff.   They may be made in 
> China??? If so, you might have to pick through them for the best sound.
> 

Actually the name is SE,
short for Studio Electronics.

Indeed it's a Chinese company, but if the numerous reviews
and articles are believed they are actually a company 
that's dedicated to making an excellent product.

http://www.seelectronics.com/whatsnew.html

the particular model in question here is the SE1a.
Small diaphragm cardioid. 
Like many mics, they have a subtle peak at 10kHz which
brings out the high end details a bit without sounding
harsh. 
I have a stereo pair (well, you get stereo mounting fixtures
and a flight case in the package). They are well matched.

It may be that the SE1a's sold as separates have the capsules
that didn't match well enough for a pair, but I have
no actual evidence of that. 

andy butler 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 10:58:48 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
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ive also gotten recomendations for the Sterling audio ST55,any expreiences
with thtat one?

2010/3/13 <looppool@cruzio.com>

> The microphones that we won the NAIRD Instrumental Album of the YEar award
> in
> 1998 for Martin Simpson's album  "Cool and Unusual"
> were an ATM 4050  and a Neumann K184
>
> The ATM 4033 ($400) is the identical microphone as the ATM 4050 just
> without multiple polar
> patterns (no big deal at all,  just point it where you want to record)
>
> additionally,  the 4033 is the exact same microphone as the pricier ATM
> 4060
> which has an A12 tube in it.
>
> Instead of paying $1350 for an ATM 4060,  you can
> buy an ATM 4033 for $400 (or cheaper if purchased used)
> and use a tube mic preamp
>
> Additionally,  Andy Butler just hipped me to the fact that the Swedish
> Company
> SA makes a fantastic and very inexpensive mic that is the equivalent of
> the much
> pricier Neumann.
>
> A pair of matched condensers SA1s  just set a client of mine back $400,
> although
> you can buy one individually for $270.
>
> This is a world class combination and is part of my Champagne Living
> on a Beer Budget thread that I was just about to start.
>
> Chris, Bill and I once did a double blind study of the
> ATM 4033,  a borrowed Neumann U87 ($3,400) and a used Rhodet NT2 ($200)
>
> We were looking at vocal quality at the time but here's what we discovered
> by micing different ranges of voice and different gender of singer and I
> then later
> tested them on percussion.
>
> The 4033 had the best detail of the three mics,  in fact,  it might
> even be a little surreal in the detail but this is really easy to fix with
> simple equalization.
>
> the U87 sounded excellent too.  It should.  It costs $3,400.
>
> The Rhode NT2 had a fascinating characteristic:   It was by far the lesser
> quality of microphone and really lacked detail, however,  when you put
> headphones on and listened to a recording with it of someone singing,  it
> sounded like they were singing straight into your ear.
> It was sooooo naturalistic, despite being the obviously inferior mic.
>
> It was so warm sounding that I've frequently double miced vocals with the
> 4033 and the NT2.
>
> In retrospect,  I can't more highly recommend the ATM 4033.
> It would be my single desert island recording mic...........fantastic
> sounding
> at a price I can afford.
>
>
>
>  > I'm looking for a decent recording/performance mic in the range of $400,
> > for my archtop guitar.  I''ve found that I totally love the soun
>
>

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Content-Type: text/html; charset=ISO-8859-1
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ive also gotten recomendations for the Sterling audio ST55,any expreiences =
with thtat one?<br><br><div class=3D"gmail_quote">2010/3/13  <span dir=3D"l=
tr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;<=
/span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">The microphones t=
hat we won the NAIRD Instrumental Album of the YEar award in<br>
1998 for Martin Simpson&#39;s album =A0&quot;Cool and Unusual&quot;<br>
were an ATM 4050 =A0and a Neumann K184<br>
<br>
The ATM 4033 ($400) is the identical microphone as the ATM 4050 just<br>
without multiple polar<br>
patterns (no big deal at all, =A0just point it where you want to record)<br=
>
<br>
additionally, =A0the 4033 is the exact same microphone as the pricier ATM 4=
060<br>
which has an A12 tube in it.<br>
<br>
Instead of paying $1350 for an ATM 4060, =A0you can<br>
buy an ATM 4033 for $400 (or cheaper if purchased used)<br>
and use a tube mic preamp<br>
<br>
Additionally, =A0Andy Butler just hipped me to the fact that the Swedish<br=
>
Company<br>
SA makes a fantastic and very inexpensive mic that is the equivalent of<br>
the much<br>
pricier Neumann.<br>
<br>
A pair of matched condensers SA1s =A0just set a client of mine back $400,<b=
r>
although<br>
you can buy one individually for $270.<br>
<br>
This is a world class combination and is part of my Champagne Living<br>
on a Beer Budget thread that I was just about to start.<br>
<br>
Chris, Bill and I once did a double blind study of the<br>
ATM 4033, =A0a borrowed Neumann U87 ($3,400) and a used Rhodet NT2 ($200)<b=
r>
<br>
We were looking at vocal quality at the time but here&#39;s what we discove=
red<br>
by micing different ranges of voice and different gender of singer and I<br=
>
then later<br>
tested them on percussion.<br>
<br>
The 4033 had the best detail of the three mics, =A0in fact, =A0it might<br>
even be a little surreal in the detail but this is really easy to fix with<=
br>
simple equalization.<br>
<br>
the U87 sounded excellent too. =A0It should. =A0It costs $3,400.<br>
<br>
The Rhode NT2 had a fascinating characteristic: =A0 It was by far the lesse=
r<br>
quality of microphone and really lacked detail, however, =A0when you put<br=
>
headphones on and listened to a recording with it of someone singing, =A0it=
<br>
sounded like they were singing straight into your ear.<br>
It was sooooo naturalistic, despite being the obviously inferior mic.<br>
<br>
It was so warm sounding that I&#39;ve frequently double miced vocals with t=
he<br>
4033 and the NT2.<br>
<br>
In retrospect, =A0I can&#39;t more highly recommend the ATM 4033.<br>
It would be my single desert island recording mic...........fantastic<br>
sounding<br>
at a price I can afford.<br>
<br>
<br>
<br>
=A0&gt; I&#39;m looking for a decent recording/performance mic in the range=
 of $400,<br>
&gt; for my archtop guitar. =A0I&#39;&#39;ve found that I totally love the =
soun<br>
<br>
</blockquote></div><br>

--0016e6d7e681095e4c0481c0a663--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 14:46:41 2010
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	 <8A2F8975-148D-4D88-9229-76BC643F0445@glasswing.com>
	 <4B9CB9D0.7000904@tiscali.co.uk>
Date: Sun, 14 Mar 2010 15:46:37 +0100
Message-ID: <afb941d1003140746p4ddefc34pc8a5da17ff80d6a0@mail.gmail.com>
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i use a pair of SE3a mics and they perform excellent on acoustic guitar.
although the really big deal with SE mics is the Titan. its street price,
years ago, was around 1500=80 and today, discontinued, is listed for less t=
han
300=80. fantastic on tenor sax, trombone, etc.

2010/3/14 andy butler <akbutler@tiscali.co.uk>

>
>
> richard sales wrote:
>
>
>> I've heard good things about the SA stuff.   They may be made in China??=
?
>> If so, you might have to pick through them for the best sound.
>>
>>
> Actually the name is SE,
> short for Studio Electronics.
>
> Indeed it's a Chinese company, but if the numerous reviews
> and articles are believed they are actually a company that's dedicated to
> making an excellent product.
>
> http://www.seelectronics.com/whatsnew.html
>
> the particular model in question here is the SE1a.
> Small diaphragm cardioid. Like many mics, they have a subtle peak at 10kH=
z
> which
> brings out the high end details a bit without sounding
> harsh. I have a stereo pair (well, you get stereo mounting fixtures
> and a flight case in the package). They are well matched.
>
> It may be that the SE1a's sold as separates have the capsules
> that didn't match well enough for a pair, but I have
> no actual evidence of that.
> andy butler
>



--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d58f7fe910070481c3d498
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

i use a pair of SE3a mics and they perform excellent on acoustic guitar.<br=
>although the really big deal with SE mics is the Titan. its street price, =
years ago, was around 1500=80 and today, discontinued, is listed for less t=
han 300=80. fantastic on tenor sax, trombone, etc.<br>
<br><div class=3D"gmail_quote">2010/3/14 andy butler <span dir=3D"ltr">&lt;=
<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</s=
pan><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br>
<br>
richard sales wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
I&#39;ve heard good things about the SA stuff. =A0 They may be made in Chin=
a??? If so, you might have to pick through them for the best sound.<br>
<br>
</blockquote>
<br></div>
Actually the name is SE,<br>
short for Studio Electronics.<br>
<br>
Indeed it&#39;s a Chinese company, but if the numerous reviews<br>
and articles are believed they are actually a company that&#39;s dedicated =
to making an excellent product.<br>
<br>
<a href=3D"http://www.seelectronics.com/whatsnew.html" target=3D"_blank">ht=
tp://www.seelectronics.com/whatsnew.html</a><br>
<br>
the particular model in question here is the SE1a.<br>
Small diaphragm cardioid. Like many mics, they have a subtle peak at 10kHz =
which<br>
brings out the high end details a bit without sounding<br>
harsh. I have a stereo pair (well, you get stereo mounting fixtures<br>
and a flight case in the package). They are well matched.<br>
<br>
It may be that the SE1a&#39;s sold as separates have the capsules<br>
that didn&#39;t match well enough for a pair, but I have<br>
no actual evidence of that. <br><font color=3D"#888888">
andy butler <br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d58f7fe910070481c3d498--

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Date: Sun, 14 Mar 2010 08:28:08 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
To: Loopers-Delight@loopers-delight.com
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Sorry to go a little more off topic, but how about room mics for live recording of my band? Right now I have a couple of sm57 mics that I am using because it is all I have.

Thanks,
Eric



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt">Sorry to go a little more off topic, but how about room mics for live recording of my band? Right now I have a couple of sm57 mics that I am using because it is all I have.<div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br>Thanks,<br>Eric<br>
</div>
</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 16:37:38 2010
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Date: Sun, 14 Mar 2010 12:37:37 -0400
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Subject: Re: anyone running @ 64 buffer size?
From: Todd Matthews <gtmatthews@gmail.com>
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I'm still trying to figure out how to run at 128 without intermittent pops
and crackles. I'm on a macbook white 2g core2duo, 4 gigs of ram with a Duet
as the audio interface. I know it can be possible because Per runs his
macbook white @ 128 buffer with his RME fireface. I shut off Airport
(internet) when I run Bidule, Logic, or Live but I always wonder in the back
of my mind if there are other factors involved. I can't afford another
computer yet just for audio and I use the macbook for everything so maybe
I'm asking for too much. I would love to hear which computer/audio interface
combos give reliable latency at a 128 buffer and if that did anything to
strip their OS down to accomplish it.

On Sat, Mar 13, 2010 at 11:46 PM, Art Simon <simart@gmail.com> wrote:

> Good Question, but I don't think the answer is straight forward. I'm
> running a quad core, but my USB audio interface (a Line6 TonePort) doesn't
> even allow a 64 setting. While a fast CPU will help with smaller buffer
> sizes, your audio interface is just as important. A PCI or Firewire
> interface might allow smaller buffer sizes. The expensive RME interfaces
> seem to allow very small buffers. Also the "chipset" on the motherboard
> seems to have an impact on USB and Firewire audio interfaces. It seems to me
> that the answer depends on your whole setup, not just the CPU.
>
>
> On Sat, Mar 13, 2010 at 6:14 PM, FRO DIDDLY <parispro00@hotmail.com>wrote:
>
>>
>>
>> if i can run @ 128 with a dual core, should i be able to run 64 with a
>> quad core? ;oD im sure that logic does not hold its weight, but where does
>> the bottleneck occur for digital audio processing?
>>
>> i know to use a firewire card with the texas instrument chip set-
>> i know to avoid the motherboard display output and use a separate video
>> card-
>>
>> any other tricks?
>>
>> currently run XP, maybe windows7 would aid in this adventure? i hear its
>> fairly lightweight and resource efficient-
>>
>> ty~!
>>
>> fro
>>
>>
>> ------------------------------
>> The New Busy is not the old busy. Search, chat and e-mail from your inbox.
>> Get started.<http://www.windowslive.com/campaign/thenewbusy?ocid=PID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:032010_3>
>>
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

--001636b2b562e625250481c5614f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m still trying to figure out how to run at 128 without intermittent p=
ops and crackles. I&#39;m on a macbook white 2g core2duo, 4 gigs of ram wit=
h a Duet as the audio interface. I know it can be possible because Per runs=
 his macbook white @ 128 buffer with his RME fireface. I shut off Airport (=
internet) when I run Bidule, Logic, or Live but I always wonder in the back=
 of my mind if there are other factors involved. I can&#39;t afford another=
 computer yet just for audio and I use the macbook for everything so maybe =
I&#39;m asking for too much. I would love to hear which computer/audio inte=
rface combos give reliable latency at a 128 buffer and if that did anything=
 to strip their OS down to accomplish it.<br>
<br><div class=3D"gmail_quote">On Sat, Mar 13, 2010 at 11:46 PM, Art Simon =
<span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">simart@gmail.com<=
/a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:=
0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Good Question, but I don&#39;t think the answer is straight forward. I&#39;=
m running a quad core, but my USB audio interface (a Line6 TonePort) doesn&=
#39;t even allow a 64 setting. While a fast CPU will help with smaller buff=
er sizes, your audio interface is just as important. A PCI or Firewire inte=
rface might allow smaller buffer sizes. The expensive RME interfaces seem t=
o allow very small buffers. Also the &quot;chipset&quot; on the motherboard=
 seems to have an impact on USB and Firewire audio interfaces. It seems to =
me that the answer depends on your whole setup, not just the CPU.<div>
<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Sat, Mar 13, 2010 at 6:14 PM, FRO DIDDLY =
<span dir=3D"ltr">&lt;<a href=3D"mailto:parispro00@hotmail.com" target=3D"_=
blank">parispro00@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(2=
04, 204, 204);padding-left:1ex">





<div>
<br><br>if i can run @ 128 with a dual core, should i be able to run 64 wit=
h a quad core? ;oD im sure that logic does not hold its weight, but where d=
oes the bottleneck occur for digital audio processing?<br><br>i know to use=
 a firewire card with the texas instrument chip set-<br>

i know to avoid the motherboard display output and use a separate video car=
d-<br><br>any other tricks?<br><br>currently run XP, maybe windows7 would a=
id in this adventure? i hear its fairly lightweight and resource efficient-=
<br>

<br>ty~!<br><br>fro<br><br> 		 	   		  <br><hr>The New Busy is not the old =
busy. Search, chat and e-mail from your inbox. <a href=3D"http://www.window=
slive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP=
:032010_3" target=3D"_blank">Get started.</a></div>


</blockquote></div><br><br clear=3D"all"><br></div></div><div><div></div><d=
iv class=3D"h5">-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com" tar=
get=3D"_blank">simart@gmail.com</a><br>myspace [dot] com/artsimon<br>
</div></div></blockquote></div><br>

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Subject: Re: anyone running @ 64 buffer size?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 14, 2010 at 5:37 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I would love to hear which computer/audio interface combos give reliable
> latency at a 128 buffer


Just tried the latest Bidule version and noticed that my white Macbook
2.2GHz with 4 GB RAM and RME fireface400 is way more CPU efficient
when hosting stuff in Mainstage. So I have practically given up my
ambition to modernize my old Bidule setup (that made in 2005, before
Mainstage was released). Audio buffer constantly at 128. I have no
issue with the latency because I come from a live musician background
where typically use loudspeakers a couple of meters away from your
ears. Even as a studio musician I like to not use headphones byt
listen to the amp/speaker acoustically when playing (if using guitar,
with wind instruments you hear it through the air anyway).

The critical Bidule vs Mainstage test here was initiated by the recent
Amlitube 3 upgrade. There was no way I could play two parallel effect
chains from the STick in Bidule without audio artifacts. Same dual
effects setup hosted in Mainstage sound perfectly clear.

If I had a much more powerful computer I would appreciate the better
routing capabilities in Bidule, but that's not an option.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 17:18:35 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic      Guitar
Date: Sun, 14 Mar 2010 11:18:25 -0600
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Thank you all for the input.  As usual, it appears that everyone has their 
favorite mic that works for them, which makes it hard to make a decision. I 
am sure most of these mics, in the similar price range, are decent.

I created a table that has many of them, and their specs and prices 
compared.

http://www.box.net/shared/do73fgijmx

What I am trying to consider in this context is the jazz archtop guitar.  It 
is quite a different animal than the acoustic guitar. For one, it projects 
at only about half of the volume of an acoustic, because of the volume in 
the body, that it typically only has f-holes, and that it is often strung 
with flat wound strings. In that case, it tends to sound thinner than an 
acoustic when micing it, which is what you don't want in a jazz guitar. So I 
really need a mic that can pick up the subltles of the guitar, but probably 
has a good proximity effect when it move the mic closer to the guitar.  Of 
course, I'll be blending the tone with the mag pickup through an amp.

What I find disturbing about a lot of the specs above is most don't mention 
a Frequency Response, but try to sneak in a Frequency Range disguised as a 
Frequency Reponse. I find this very misleading and dishonest. Any good 
engineer knows the difference between the two. You can have an excellent 
frequency range, but with a crappy response.  Range means nothing if the mic 
can't consistently reproduce it.

The Josephson mic was recommended by a peer jazz guitarist, but otherwise I 
know nothing of the mics, except that it is made in the USA.

Any comments on the spec comparisons?

Kris

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 17:28:10 2010
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FRO DIDDLY schrieb:
> if i can run @ 128 with a dual core, should i be able to run 64 with a 
> quad core? ;oD im sure that logic does not hold its weight, but where 
> does the bottleneck occur for digital audio processing?
>
> i know to use a firewire card with the texas instrument chip set-
> i know to avoid the motherboard display output and use a separate 
> video card-
Basically (and others did in part already tell you so - would expect 
Andy Butler to chime in here soon ;), every component in the chain from 
audio interface to your application (and back) plays its role here. This 
is (without any claim of completeness):
    * communication chipset of the interface ("your audio card")
    * communication protocol from interface to computer (e.g. firewire)
    * computer-sided communication adapter (e.g. firewire card/adapter 
in the computer)
    * system architecture of the computer (i.e. how the data gets from 
the adapter to the cpu)
    * computer BIOS
    * computer OS
    * computer's adapter driver
    * any layers in between driver and application (e.g. ASIO)
    * application

And then there's of course the CPU speed...

Now theory would say that using some dedicated interface structure will 
bring down your required buffer size. I had the best experiences with 
RME HDSP technology (which is a proprietary interface for some of their 
older interfaces, e.g. multiface (II)/digiface) and can easily reach a 
buffer size of 64 on my Kentsfield-equipped computer.
The reason is that a lot of the components in this chain are done by RME 
(who take great pride in their designs, and rightly so), in that case 
everything from the (ASIC) communication chipset, the communication 
protocol (RME's own design and optimized for that application), the 
computer-side adapter and the drivers, and the adapter interfaces 
directly to the PCI(e) bridge, and that is usually designed well on most 
computers.

There's also manufacturers who build audio-optimized computers - 
basically something you can do yourself if you spend days on end 
researching the necessary info. The best idea may be to define the 
unmodifiable starting points for your system (e.g. if you definitely 
need/want to use your specific audio interface) and then build around 
those conditions, considering some of the ideas you mentioned. You can 
in some cases also be lucky with some non-TI firewire chipsets, and also 
with an onboard graphics adapter...so make sure to try before you buy 
(and in the best case using the exact hardware/software setup you intend 
to use).

Some other tricks:
    * DPC latency is an important parameter. Setup your computer 
including audio interface and use this tool: 
http://www.thesycon.de/deu/latency_check.shtml
    * there are interfaces that work well with USB2. RME's earned good 
reports, but I also had success with the (discontinued) Marian UCON. 
Most of the time, USB is a problem on Macs.
    * Depending on your OS, use the means at your disposal to optimize 
it for audio. Caveat: there's a lot of sites out there which give you XP 
(or earlier)-optimized suggestions under the "Vista" or "Windows 7" 
header. But generally, turning off everything you do not need (NICs, all 
of those odd services, Aero etc.) is a good idea.


          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 20:50:43 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic      Guitar
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Document below updated with frequence response charts for each model.

http://www.box.net/shared/do73fgijmx

Take a look at how pristine the Neuman is in terms of response. I guess you 
pay for what you get.

The Sure SM81 is not bad either...not as flat as the Neuman, of course.

I particularly don't like the spikes at 10K for some of the mics.  The 
archop is already bright enough, and I'm already having to notch that area 
significantly.

Kris

----- Original Message ----- 


> Thank you all for the input.  As usual, it appears that everyone has their 
> favorite mic that works for them, which makes it hard to make a decision. 
> I am sure most of these mics, in the similar price range, are decent.
>
> I created a table that has many of them, and their specs and prices 
> compared.
>
> http://www.box.net/shared/do73fgijmx
>
> What I am trying to consider in this context is the jazz archtop guitar. 
> It is quite a different animal than the acoustic guitar. For one, it 
> projects at only about half of the volume of an acoustic, because of the 
> volume in the body, that it typically only has f-holes, and that it is 
> often strung with flat wound strings. In that case, it tends to sound 
> thinner than an acoustic when micing it, which is what you don't want in a 
> jazz guitar. So I really need a mic that can pick up the subltles of the 
> guitar, but probably has a good proximity effect when it move the mic 
> closer to the guitar.  Of course, I'll be blending the tone with the mag 
> pickup through an amp.
>
> What I find disturbing about a lot of the specs above is most don't 
> mention a Frequency Response, but try to sneak in a Frequency Range 
> disguised as a Frequency Reponse. I find this very misleading and 
> dishonest. Any good engineer knows the difference between the two. You can 
> have an excellent frequency range, but with a crappy response.  Range 
> means nothing if the mic can't consistently reproduce it.
>
> The Josephson mic was recommended by a peer jazz guitarist, but otherwise 
> I know nothing of the mics, except that it is made in the USA.
>
> Any comments on the spec comparisons?
>
> Kris
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 22:33:32 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic      Guitar
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Correction. The graphics for the Neuman was for the 83 Omni model, not 84. 
Thanks, Andy.

Kris

----- Original Message ----- 


> Document below updated with frequence response charts for each model.
>
> http://www.box.net/shared/do73fgijmx
>
> Take a look at how pristine the Neuman is in terms of response. I guess 
> you pay for what you get.
>
> The Sure SM81 is not bad either...not as flat as the Neuman, of course.
>
> I particularly don't like the spikes at 10K for some of the mics.  The 
> archop is already bright enough, and I'm already having to notch that area 
> significantly.
>
> Kris
>
> ----- Original Message ----- 
>
>
>> Thank you all for the input.  As usual, it appears that everyone has 
>> their favorite mic that works for them, which makes it hard to make a 
>> decision. I am sure most of these mics, in the similar price range, are 
>> decent.
>>
>> I created a table that has many of them, and their specs and prices 
>> compared.
>>
>> http://www.box.net/shared/do73fgijmx
>>
>> What I am trying to consider in this context is the jazz archtop guitar. 
>> It is quite a different animal than the acoustic guitar. For one, it 
>> projects at only about half of the volume of an acoustic, because of the 
>> volume in the body, that it typically only has f-holes, and that it is 
>> often strung with flat wound strings. In that case, it tends to sound 
>> thinner than an acoustic when micing it, which is what you don't want in 
>> a jazz guitar. So I really need a mic that can pick up the subltles of 
>> the guitar, but probably has a good proximity effect when it move the mic 
>> closer to the guitar.  Of course, I'll be blending the tone with the mag 
>> pickup through an amp.
>>
>> What I find disturbing about a lot of the specs above is most don't 
>> mention a Frequency Response, but try to sneak in a Frequency Range 
>> disguised as a Frequency Reponse. I find this very misleading and 
>> dishonest. Any good engineer knows the difference between the two. You 
>> can have an excellent frequency range, but with a crappy response.  Range 
>> means nothing if the mic can't consistently reproduce it.
>>
>> The Josephson mic was recommended by a peer jazz guitarist, but otherwise 
>> I know nothing of the mics, except that it is made in the USA.
>>
>> Any comments on the spec comparisons?
>>
>> Kris
>>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 22:53:08 2010
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thank you everyone for the input!
i was going to build a 2nd computer as a backup...but decided to try to bui=
ld a better cpu and see if i can hit the 64 buffer size and will try to doc=
ument the various configurations and see if there is any 1 or 2 things that=
 seems to make the most difference-
im very curious to try windows 7 as ive always used XP for audio and i hear=
 windows7 is much more lightweight and efficient-
i shelled out the cash for a RME800 very early in this game as everyone cla=
imed it was the best=2C but thank you rainer for shedding some light on the=
 reasons why

ill let you guys know what i find=2C any other input/suggestions always wel=
come

fro



> Date: Sun=2C 14 Mar 2010 18:28:14 +0100
> From: moinsound@googlemail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: anyone running @ 64 buffer size?
>=20
> FRO DIDDLY schrieb:
> > if i can run @ 128 with a dual core=2C should i be able to run 64 with =
a=20
> > quad core? =3BoD im sure that logic does not hold its weight=2C but whe=
re=20
> > does the bottleneck occur for digital audio processing?
> >
> > i know to use a firewire card with the texas instrument chip set-
> > i know to avoid the motherboard display output and use a separate=20
> > video card-
> Basically (and others did in part already tell you so - would expect=20
> Andy Butler to chime in here soon =3B)=2C every component in the chain fr=
om=20
> audio interface to your application (and back) plays its role here. This=
=20
> is (without any claim of completeness):
>     * communication chipset of the interface ("your audio card")
>     * communication protocol from interface to computer (e.g. firewire)
>     * computer-sided communication adapter (e.g. firewire card/adapter=20
> in the computer)
>     * system architecture of the computer (i.e. how the data gets from=20
> the adapter to the cpu)
>     * computer BIOS
>     * computer OS
>     * computer's adapter driver
>     * any layers in between driver and application (e.g. ASIO)
>     * application
>=20
> And then there's of course the CPU speed...
>=20
> Now theory would say that using some dedicated interface structure will=20
> bring down your required buffer size. I had the best experiences with=20
> RME HDSP technology (which is a proprietary interface for some of their=20
> older interfaces=2C e.g. multiface (II)/digiface) and can easily reach a=
=20
> buffer size of 64 on my Kentsfield-equipped computer.
> The reason is that a lot of the components in this chain are done by RME=
=20
> (who take great pride in their designs=2C and rightly so)=2C in that case=
=20
> everything from the (ASIC) communication chipset=2C the communication=20
> protocol (RME's own design and optimized for that application)=2C the=20
> computer-side adapter and the drivers=2C and the adapter interfaces=20
> directly to the PCI(e) bridge=2C and that is usually designed well on mos=
t=20
> computers.
>=20
> There's also manufacturers who build audio-optimized computers -=20
> basically something you can do yourself if you spend days on end=20
> researching the necessary info. The best idea may be to define the=20
> unmodifiable starting points for your system (e.g. if you definitely=20
> need/want to use your specific audio interface) and then build around=20
> those conditions=2C considering some of the ideas you mentioned. You can=
=20
> in some cases also be lucky with some non-TI firewire chipsets=2C and als=
o=20
> with an onboard graphics adapter...so make sure to try before you buy=20
> (and in the best case using the exact hardware/software setup you intend=
=20
> to use).
>=20
> Some other tricks:
>     * DPC latency is an important parameter. Setup your computer=20
> including audio interface and use this tool:=20
> http://www.thesycon.de/deu/latency_check.shtml
>     * there are interfaces that work well with USB2. RME's earned good=20
> reports=2C but I also had success with the (discontinued) Marian UCON.=20
> Most of the time=2C USB is a problem on Macs.
>     * Depending on your OS=2C use the means at your disposal to optimize=
=20
> it for audio. Caveat: there's a lot of sites out there which give you XP=
=20
> (or earlier)-optimized suggestions under the "Vista" or "Windows 7"=20
> header. But generally=2C turning off everything you do not need (NICs=2C =
all=20
> of those odd services=2C Aero etc.) is a good idea.
>=20
>=20
>           Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail has tools for the New Busy. Search=2C chat and e-mail from your inb=
ox.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_1=

--_753a7e37-d941-4317-9bb0-a7129d8a2d4f_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
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font-family:Verdana
}
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</head>
<body class=3D'hmmessage'>
thank you everyone for the input!<br>i was going to build a 2nd computer as=
 a backup...but decided to try to build a better cpu and see if i can hit t=
he 64 buffer size and will try to document the various configurations and s=
ee if there is any 1 or 2 things that seems to make the most difference-<br=
>im very curious to try windows 7 as ive always used XP for audio and i hea=
r windows7 is much more lightweight and efficient-<br>i shelled out the cas=
h for a RME800 very early in this game as everyone claimed it was the best=
=2C but thank you rainer for shedding some light on the reasons why<br><br>=
ill let you guys know what i find=2C any other input/suggestions always wel=
come<br><br>fro<br>
<br><br>&gt=3B Date: Sun=2C 14 Mar 2010 18:28:14 +0100<br>&gt=3B From: moin=
sound@googlemail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&=
gt=3B Subject: Re: anyone running @ 64 buffer size?<br>&gt=3B <br>&gt=3B FR=
O DIDDLY schrieb:<br>&gt=3B &gt=3B if i can run @ 128 with a dual core=2C s=
hould i be able to run 64 with a <br>&gt=3B &gt=3B quad core? =3BoD im sure=
 that logic does not hold its weight=2C but where <br>&gt=3B &gt=3B does th=
e bottleneck occur for digital audio processing?<br>&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B i know to use a firewire card with the texas instrument chip set-<b=
r>&gt=3B &gt=3B i know to avoid the motherboard display output and use a se=
parate <br>&gt=3B &gt=3B video card-<br>&gt=3B Basically (and others did in=
 part already tell you so - would expect <br>&gt=3B Andy Butler to chime in=
 here soon =3B)=2C every component in the chain from <br>&gt=3B audio inter=
face to your application (and back) plays its role here. This <br>&gt=3B is=
 (without any claim of completeness):<br>&gt=3B     * communication chipset=
 of the interface ("your audio card")<br>&gt=3B     * communication protoco=
l from interface to computer (e.g. firewire)<br>&gt=3B     * computer-sided=
 communication adapter (e.g. firewire card/adapter <br>&gt=3B in the comput=
er)<br>&gt=3B     * system architecture of the computer (i.e. how the data =
gets from <br>&gt=3B the adapter to the cpu)<br>&gt=3B     * computer BIOS<=
br>&gt=3B     * computer OS<br>&gt=3B     * computer's adapter driver<br>&g=
t=3B     * any layers in between driver and application (e.g. ASIO)<br>&gt=
=3B     * application<br>&gt=3B <br>&gt=3B And then there's of course the C=
PU speed...<br>&gt=3B <br>&gt=3B Now theory would say that using some dedic=
ated interface structure will <br>&gt=3B bring down your required buffer si=
ze. I had the best experiences with <br>&gt=3B RME HDSP technology (which i=
s a proprietary interface for some of their <br>&gt=3B older interfaces=2C =
e.g. multiface (II)/digiface) and can easily reach a <br>&gt=3B buffer size=
 of 64 on my Kentsfield-equipped computer.<br>&gt=3B The reason is that a l=
ot of the components in this chain are done by RME <br>&gt=3B (who take gre=
at pride in their designs=2C and rightly so)=2C in that case <br>&gt=3B eve=
rything from the (ASIC) communication chipset=2C the communication <br>&gt=
=3B protocol (RME's own design and optimized for that application)=2C the <=
br>&gt=3B computer-side adapter and the drivers=2C and the adapter interfac=
es <br>&gt=3B directly to the PCI(e) bridge=2C and that is usually designed=
 well on most <br>&gt=3B computers.<br>&gt=3B <br>&gt=3B There's also manuf=
acturers who build audio-optimized computers - <br>&gt=3B basically somethi=
ng you can do yourself if you spend days on end <br>&gt=3B researching the =
necessary info. The best idea may be to define the <br>&gt=3B unmodifiable =
starting points for your system (e.g. if you definitely <br>&gt=3B need/wan=
t to use your specific audio interface) and then build around <br>&gt=3B th=
ose conditions=2C considering some of the ideas you mentioned. You can <br>=
&gt=3B in some cases also be lucky with some non-TI firewire chipsets=2C an=
d also <br>&gt=3B with an onboard graphics adapter...so make sure to try be=
fore you buy <br>&gt=3B (and in the best case using the exact hardware/soft=
ware setup you intend <br>&gt=3B to use).<br>&gt=3B <br>&gt=3B Some other t=
ricks:<br>&gt=3B     * DPC latency is an important parameter. Setup your co=
mputer <br>&gt=3B including audio interface and use this tool: <br>&gt=3B h=
ttp://www.thesycon.de/deu/latency_check.shtml<br>&gt=3B     * there are int=
erfaces that work well with USB2. RME's earned good <br>&gt=3B reports=2C b=
ut I also had success with the (discontinued) Marian UCON. <br>&gt=3B Most =
of the time=2C USB is a problem on Macs.<br>&gt=3B     * Depending on your =
OS=2C use the means at your disposal to optimize <br>&gt=3B it for audio. C=
aveat: there's a lot of sites out there which give you XP <br>&gt=3B (or ea=
rlier)-optimized suggestions under the "Vista" or "Windows 7" <br>&gt=3B he=
ader. But generally=2C turning off everything you do not need (NICs=2C all =
<br>&gt=3B of those odd services=2C Aero etc.) is a good idea.<br>&gt=3B <b=
r>&gt=3B <br>&gt=3B           Rainer<br>&gt=3B <br>&gt=3B -- <br>&gt=3B htt=
p://moinlabs.de<br>&gt=3B Follow me on twitter: http://twitter.com/moinlabs=
<br>&gt=3B <br> 		 	   		  <br /><hr />Hotmail has tools for the New Busy. =
Search=2C chat and e-mail from your inbox. <a href=3D'http://www.windowsliv=
e.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:032=
010_1' target=3D'_new'>Learn More.</a></body>
</html>=

--_753a7e37-d941-4317-9bb0-a7129d8a2d4f_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 23:17:41 2010
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From: Ryan & Kara <karaandryan2@msn.com>
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Subject: The Next step - choosing a USB mixer
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Hello everyone.
I asked a little while back about which looper I should buy for my setup.
=20
Because I want multiple tracks & midi syncabillity it looked like the three=
 I could choose from were looperlative=2C echoplex IV and repeater. With lo=
operlative having more storage and recording options that is the one I'd id=
eally have when I can pony up the large ammount of cash involved.
=20
In the meantime I think I'm going to learn to use free looping software on =
a laptop. But that brings me to the next question=2C what mixer $350 or les=
s with USB gives me the cleanest signal=2C or least ammount of latency? I'v=
e use standard analogue peavy=2C alesis and others in the past with no pref=
erence due to the fact that they were all quiet but I've heard nastly thing=
s about Beringer's noise level.. but also due to the highly rythmic nature =
of my work I need the lag to be practically non-existant. What are my best =
options?
=20
Thanks again for the input. :)
=20
Also=2C if you want to listen to some songs I made years ago to get an unde=
rstanding of where I'm coming from check out myspace.com/djsamwise .
-Ryan 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/210850553/direct/01/=

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 23:22:04 2010
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: EDP pro voltage problems
Date: Mon, 15 Mar 2010 00:21:58 +0100
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Hi,
I'm back to the list with an uncommon EDP problem that I'd like to  
get some feedback on. I use a blackface Gibson Echoplex Digital Pro  
Plus with the original analog footpedal for about one year now and I  
seem to have problems with it that are so infrequent and irregular  
that I attribute them to the condition under which it is running - be  
it proper grounding or maybe lack of sufficient AC power. Like on one  
gig of a tour in January it worked totally crazy and unpredictable,  
on the other four gigs it worked flawlessly....like the ghost in the  
haunted machine (and my haunted mind!).

Has any EDP user experienced similar things? I myself have never had  
this with my older beige Obie before. Oh, and I'm in Europe, so it's  
230/240V. On one of the rare occasions when this happended at home  
last week I measured 229V on my house line, which still seems  
reasonable (we usually have around 236V here).

Thanks for your input, Andreas

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 23:53:29 2010
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Subject: RE: EDP pro voltage problems
Date: Sun, 14 Mar 2010 19:51:45 -0400
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I have one that acted pretty erratically and kept blowing fuses. The
problem was completely resolved by sticking a furman power conditioner
in the rack. I think it is just especially sensitive to surges.
Hope that helps,
Ace=20

-----Original Message-----
From: Andreas Willers [mailto:a.willers@arcor.de]=20
Sent: Sunday, March 14, 2010 7:22 PM
To: Loopers-Delight@loopers-delight.com
Subject: EDP pro voltage problems

Hi,
I'm back to the list with an uncommon EDP problem that I'd like to =20
get some feedback on. I use a blackface Gibson Echoplex Digital Pro =20
Plus with the original analog footpedal for about one year now and I =20
seem to have problems with it that are so infrequent and irregular =20
that I attribute them to the condition under which it is running - be =20
it proper grounding or maybe lack of sufficient AC power. Like on one =20
gig of a tour in January it worked totally crazy and unpredictable, =20
on the other four gigs it worked flawlessly....like the ghost in the =20
haunted machine (and my haunted mind!).

Has any EDP user experienced similar things? I myself have never had =20
this with my older beige Obie before. Oh, and I'm in Europe, so it's =20
230/240V. On one of the rare occasions when this happended at home =20
last week I measured 229V on my house line, which still seems =20
reasonable (we usually have around 236V here).

Thanks for your input, Andreas

From Loopers-Delight-request@loopers-delight.com  Sun Mar 14 23:55:51 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
Date: Sun, 14 Mar 2010 16:55:43 -0700
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krispen wrote:

> "What I am trying to consider in this context is the jazz archtop  
> guitar.  It is quite a different animal than the acoustic guitar.  
> For one, it projects at only about half of the volume of an  
> acoustic, because of the volume in the body, that it typically only  
> has f-holes, and that it is often strung with flat wound strings. In  
> that case, it tends to sound thinner than an acoustic when micing  
> it, which is what you don't want in a jazz guitar. So I really need  
> a mic that can pick up the subltles of the guitar, but probably has  
> a good proximity effect when it move the mic closer to the guitar.   
> Of course, I'll be blending the tone with the mag pickup through an  
> amp."

  I would definitely go with a large  diaphragm mic for arch top,  as  
it will achieve a broader spectrum sound  than a pencil condenser mic,  
which is great for detail and high end definition, but won't bring out  
the body and fullness of an arch top. I actually prefer the sound of  
one large mic on the lower bout,  and one small condenser mic pointed  
toward the fingerboard, rather than a stereo xy pattern pair of pencil  
condensers, as I like the extra bottom end of the big mic. I use an AT  
4050 and sometimes set it to a figure 8 pattern if the room ambience  
is worth capturing. As Rick elaborated the 4033 is the same mic but  
with one element rather than two. I've been finding I really like  
using a large diaphragm mic on small tube amps as well, way better  
than the tried and true SM-57, as it really makes small amps sound  
huge. The truth is, there are a ton of affordable good sounding mics  
coming out of China right now, not just SE but MXL/ Marshall makes  
some decent dirt cheap mics. Will they have the longevity of an AKG or  
Neumann Mic? probably not, but if the  sound is good who cares?  
Another thing you might consider if noise and bleed are an issue is  
getting a good speaker simulator that can be  hooked up between your  
amp and its speaker. I use the bluestone pro made by emerson williams  
which is an excellent sounding compact  alternative to the pricier and  
industry standard Palmer speaker emulator. Right now I'm recording  
directly using a Ethos preamp, a Vox ac 10 and a princeton reverb  
(both using bluestones), and even with ought adding mics, which I also  
do,  I can get a very rich dimensional sound going direct. I but the  
Ethos at the center of the mix and spread the amps wide. I tell ya its  
like Budda...
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 01:13:01 2010
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 01:37:08 2010
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Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
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Good idea, Bill.

In the context of large diaphram, I may consider the Rode:

http://www.sweetwater.com/store/detail/NT2A/ 

I have used Rode before, and I really like them...very quite.

This one is Omni, Cardioid & Figure 8, which provides a lot of options.

Kris





----- Original Message ----- 



> krispen wrote:
> 
>> "What I am trying to consider in this context is the jazz archtop  
>> guitar.  It is quite a different animal than the acoustic guitar.  
>> For one, it projects at only about half of the volume of an  
>> acoustic, because of the volume in the body, that it typically only  
>> has f-holes, and that it is often strung with flat wound strings. In  
>> that case, it tends to sound thinner than an acoustic when micing  
>> it, which is what you don't want in a jazz guitar. So I really need  
>> a mic that can pick up the subltles of the guitar, but probably has  
>> a good proximity effect when it move the mic closer to the guitar.   
>> Of course, I'll be blending the tone with the mag pickup through an  
>> amp."
> 
>  I would definitely go with a large  diaphragm mic for arch top,  as  
> it will achieve a broader spectrum sound  than a pencil condenser mic,  
> which is great for detail and high end definition, but won't bring out  
> the body and fullness of an arch top. I actually prefer the sound of  
> one large mic on the lower bout,  and one small condenser mic pointed  
> toward the fingerboard, rather than a stereo xy pattern pair of pencil  
> condensers, as I like the extra bottom end of the big mic. I use an AT  
> 4050 and sometimes set it to a figure 8 pattern if the room ambience  
> is worth capturing. As Rick elaborated the 4033 is the same mic but  
> with one element rather than two. I've been finding I really like  
> using a large diaphragm mic on small tube amps as well, way better  
> than the tried and true SM-57, as it really makes small amps sound  
> huge. The truth is, there are a ton of affordable good sounding mics  
> coming out of China right now, not just SE but MXL/ Marshall makes  
> some decent dirt cheap mics. Will they have the longevity of an AKG or  
> Neumann Mic? probably not, but if the  sound is good who cares?  
> Another thing you might consider if noise and bleed are an issue is  
> getting a good speaker simulator that can be  hooked up between your  
> amp and its speaker. I use the bluestone pro made by emerson williams  
> which is an excellent sounding compact  alternative to the pricier and  
> industry standard Palmer speaker emulator. Right now I'm recording  
> directly using a Ethos preamp, a Vox ac 10 and a princeton reverb  
> (both using bluestones), and even with ought adding mics, which I also  
> do,  I can get a very rich dimensional sound going direct. I but the  
> Ethos at the center of the mix and spread the amps wide. I tell ya its  
> like Budda...
>  Bill
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 02:39:42 2010
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Subject: Shielding, was:  Constant buzzing - can it be killed!
Date: Sun, 14 Mar 2010 19:39:35 -0700
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I have been trouble shooting a noise problem of my own recently that  
has finally been identified, after much consternation that I thought  
I'd share even though it may not be directly applicable to Krispen's  
recent issues. For the past several months I have had an intermittent   
high frequency noise issue that only manifested when I was recording  
1/2 speed loops on the looperlative. I'd record content and get this  
High frequency whine, embedded in my loops that would go away when I  
toggled back to normal speed. My initial thought was it was the LP-1,  
but like I said this wasn't happening all the time and only at home,  
which made wonder if it was something else instead. Today after I got  
home from rehearsal I set my rig back up and started playing and  
looping at half speed and low and behold the whine was back. I first  
tried turning off the computer that wasn't in use thinking perhaps its  
wireless might be the culprit. Nope, The i realized my wife was in the  
other room, nursing a cold and watching TV. last October we switched  
to Direct TV. I asked her to turn off the TV and DTV router, and then  
recorded another loop. The noise did not re-appear!!  Something in the  
router or dish was adding interference, and its at the opposite corner  
of our house. I tried the test twice to make sure.  This has gotten me  
thinking about two things,  Dish TV and microwaves in general might be  
causing others to have noise and interference issues., and that so  
much of the electric gear we use requires wall wart style power  
supplies which are not particularly well shielded and may be potential  
conduits for this type of interference. I've had other interference  
from time to time from neighbors with high speed power tools and a  
sculpture neighbor with an arc welder.  So what to do?, I'm seriously  
considering an isolation transformer and I'm wondering if anyone might  
know if bunching wall warts together might perhaps increase noise  
issues? I've though about building a shielded box to put them all in  
or find some steel army surplus box to stick them in.  I don't know if  
I'm barking up the wrong tree with that idea. I have no electronics  
education to speak of other than knowing not to stick a fork in to a  
wall socket.  I also wonder if its possible to adequately shield wall  
warts?  I'm also investigating which of the new crop of multiple power  
supplies from Voodoo labs Dunlop and T rex might be able to handle the  
higher voltage and milli amps of my rack gear that requires power  
supplies. I have an older pedal power plus from Voodoo that works  
great with my regular pedals. I'd just as soon jettison as many wall  
warts as I can if possible.
  Any suggestions would be much appreciated.
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 02:54:56 2010
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Subject: RE: OT: Recommendations for Microphone and Archtop or Acoustic
 Guitar
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I second this suggestion. R0de simply makes wonderful products.
=20
Alernativly=2C I would say that the NT1A is perfect for the job=2C especial=
ly if you don't need all the extra dirctional options. The NT1a is only car=
diod. It has a very flat EQ so it's perfect for picking up all those extra =
little tonal subtleties that the sure performance mics and the like filter =
out naturally. This was my primary mic in several projects. At only $200 it=
's my opinion that every home studio needs at least one of these.=20
=20
-Ryan

----------------------------------------
> From: khartung@q.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic G=
uitar
> Date: Sun=2C 14 Mar 2010 19:37:04 -0600
>
> Good idea=2C Bill.
>
> In the context of large diaphram=2C I may consider the Rode:
>
> http://www.sweetwater.com/store/detail/NT2A/
>
> I have used Rode before=2C and I really like them...very quite.
>
> This one is Omni=2C Cardioid & Figure 8=2C which provides a lot of option=
s.
>
> Kris
>
>
>
>
>
> ----- Original Message -----
>
>
>
>> krispen wrote:
>>
>>> "What I am trying to consider in this context is the jazz archtop
>>> guitar. It is quite a different animal than the acoustic guitar.
>>> For one=2C it projects at only about half of the volume of an
>>> acoustic=2C because of the volume in the body=2C that it typically only
>>> has f-holes=2C and that it is often strung with flat wound strings. In
>>> that case=2C it tends to sound thinner than an acoustic when micing
>>> it=2C which is what you don't want in a jazz guitar. So I really need
>>> a mic that can pick up the subltles of the guitar=2C but probably has
>>> a good proximity effect when it move the mic closer to the guitar.
>>> Of course=2C I'll be blending the tone with the mag pickup through an
>>> amp."
>>
>> I would definitely go with a large diaphragm mic for arch top=2C as
>> it will achieve a broader spectrum sound than a pencil condenser mic=2C
>> which is great for detail and high end definition=2C but won't bring out
>> the body and fullness of an arch top. I actually prefer the sound of
>> one large mic on the lower bout=2C and one small condenser mic pointed
>> toward the fingerboard=2C rather than a stereo xy pattern pair of pencil
>> condensers=2C as I like the extra bottom end of the big mic. I use an AT
>> 4050 and sometimes set it to a figure 8 pattern if the room ambience
>> is worth capturing. As Rick elaborated the 4033 is the same mic but
>> with one element rather than two. I've been finding I really like
>> using a large diaphragm mic on small tube amps as well=2C way better
>> than the tried and true SM-57=2C as it really makes small amps sound
>> huge. The truth is=2C there are a ton of affordable good sounding mics
>> coming out of China right now=2C not just SE but MXL/ Marshall makes
>> some decent dirt cheap mics. Will they have the longevity of an AKG or
>> Neumann Mic? probably not=2C but if the sound is good who cares?
>> Another thing you might consider if noise and bleed are an issue is
>> getting a good speaker simulator that can be hooked up between your
>> amp and its speaker. I use the bluestone pro made by emerson williams
>> which is an excellent sounding compact alternative to the pricier and
>> industry standard Palmer speaker emulator. Right now I'm recording
>> directly using a Ethos preamp=2C a Vox ac 10 and a princeton reverb
>> (both using bluestones)=2C and even with ought adding mics=2C which I al=
so
>> do=2C I can get a very rich dimensional sound going direct. I but the
>> Ethos at the center of the mix and spread the amps wide. I tell ya its
>> like Budda...
>> Bill
>>
> 		 	   		 =20
_________________________________________________________________
Hotmail is redefining busy with tools for the New Busy. Get more from your =
inbox.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
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=20
=20
Hello, My name is Sgt. Ken Holland of the US Marine in Ba'qubah,Iraq. Im =
in possesion of some funds totalling $15.5M proceeds from a Crude Oil =
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sgtken.holland@live.nl <mailto:sgtken.holland@live.nl>=20
Sgt.Ken Holland
GOD BLESS AMERICA!


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Roman">Hello, My name is Sgt. Ken Holland of the US Marine in =
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from a Crude Oil deal. I would like to enlist your support to transfer =
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me so that i can give you further details.Send your reply thru my secure =
email id: </FONT><A href=3D"mailto:sgtken.holland@live.nl"><FONT =
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face=3D"Times New Roman">Sgt.Ken Holland<BR>GOD BLESS =
AMERICA!<BR></FONT></FONT></DIV></FONT></DIV></DIV></BODY></HTML>
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=20
=20
Hello, My name is Sgt. Ken Holland of the US Marine in Ba'qubah,Iraq. Im =
in possesion of some funds totalling $15.5M proceeds from a Crude Oil =
deal. I would like to enlist your support to transfer these funds.Since =
we are working here on Official capacity we cannot keep this funds thats =
why we need you. If you are interested, do reach me so that i can give =
you further details.Send your reply thru my secure email id: =
sgtken.holland@live.nl <mailto:sgtken.holland@live.nl>=20
Sgt.Ken Holland
GOD BLESS AMERICA!


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Roman">Hello, My name is Sgt. Ken Holland of the US Marine in =
Ba'qubah,Iraq. Im in possesion of some funds totalling $15.5M proceeds =
from a Crude Oil deal. I would like to enlist your support to transfer =
these funds.Since we are working here on Official capacity we cannot =
keep this funds thats why we need you. If you are interested, do reach =
me so that i can give you further details.Send your reply thru my secure =
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face=3D"Times New Roman">sgtken.holland@live.nl</FONT></A><BR><FONT =
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 03:10:04 2010
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Subject: Re: Shielding, was:  Constant buzzing - can it be killed!
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I'll try to do an experiment this week, Bill, and run my system with all the 
wireless routers and sattelite TV gear off.  I was thinking something 
similar.

Here at my house, we have a wireless router for internet, plus two relay 
routers that expand the reach.  Then we have three separate wireless LAN 
phones, all running on different frequencies.  Then we have a separate 
wireless system for the TV system, which connects it to the laptop, etc.

Our house is a literal bath of wireless frequencies. I am wondering if all 
that, with my guitar mag pickup, is part of the problem.

I'll let you know if the isolation transformer I bought solves the problem.
Kris

----- Original Message ----- 


>I have been trouble shooting a noise problem of my own recently that  has 
>finally been identified, after much consternation that I thought  I'd share 
>even though it may not be directly applicable to Krispen's  recent issues. 
>For the past several months I have had an intermittent   high frequency 
>noise issue that only manifested when I was recording  1/2 speed loops on 
>the looperlative. I'd record content and get this  High frequency whine, 
>embedded in my loops that would go away when I  toggled back to normal 
>speed. My initial thought was it was the LP-1,  but like I said this wasn't 
>happening all the time and only at home,  which made wonder if it was 
>something else instead. Today after I got  home from rehearsal I set my rig 
>back up and started playing and  looping at half speed and low and behold 
>the whine was back. I first  tried turning off the computer that wasn't in 
>use thinking perhaps its  wireless might be the culprit. Nope, The i 
>realized my wife was in the  other room, nursing a cold and watching TV. 
>last October we switched  to Direct TV. I asked her to turn off the TV and 
>DTV router, and then  recorded another loop. The noise did not re-appear!! 
>Something in the  router or dish was adding interference, and its at the 
>opposite corner  of our house. I tried the test twice to make sure.  This 
>has gotten me  thinking about two things,  Dish TV and microwaves in 
>general might be  causing others to have noise and interference issues., 
>and that so  much of the electric gear we use requires wall wart style 
>power  supplies which are not particularly well shielded and may be 
>potential  conduits for this type of interference. I've had other 
>interference  from time to time from neighbors with high speed power tools 
>and a  sculpture neighbor with an arc welder.  So what to do?, I'm 
>seriously  considering an isolation transformer and I'm wondering if anyone 
>might  know if bunching wall warts together might perhaps increase noise 
>issues? I've though about building a shielded box to put them all in  or 
>find some steel army surplus box to stick them in.  I don't know if  I'm 
>barking up the wrong tree with that idea. I have no electronics  education 
>to speak of other than knowing not to stick a fork in to a  wall socket.  I 
>also wonder if its possible to adequately shield wall  warts?  I'm also 
>investigating which of the new crop of multiple power  supplies from Voodoo 
>labs Dunlop and T rex might be able to handle the  higher voltage and milli 
>amps of my rack gear that requires power  supplies. I have an older pedal 
>power plus from Voodoo that works  great with my regular pedals. I'd just 
>as soon jettison as many wall  warts as I can if possible.
>  Any suggestions would be much appreciated.
> Bill
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 04:02:32 2010
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Subject: t: Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
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The Rode would be a good choice, with the AT perhaps providing more  
detail, The Rode is warmer and rounder as it is more of an attempt at  
the old Neumann aesthetic. The AT is by comparison a bit more crisp in  
the high end detail which would make it more versatile perhaps if you  
intend to use it on anything other than an arch top like a flat top,  
or nylon string guitar, or amp and its very easy to simply eq out a  
bit of high end if needed without adding hiss, whereas adding treble  
boost after the fact, if for instance, the flat wound string sound was  
a bit too dull sounding, would potentially add some hiss.
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 04:24:33 2010
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Subject: Shielding, on further investigation
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Now my head really hurts, I tried some more tests to recreate the  
weird hum i was experiencing and realized the two instruments that  
were susceptible where the two with duncan mag mic active pickups in  
them, which also brings up the possibility that an aging 9 volt  
battery might be also culprit.  Put if that were the case I'd probably  
here the high pitched whine regardless of whether I was looping or  
not. The difficulty is that it might be a number of things happening  
to cause the problem. One thing I did try the last time this happened  
was to put a buffer amp in the signal path which also cured the issue.  
Puzzling .. weird, ghosts in the machine........ And then again its  
probably just the ancient overworked electrical system in our  
house................
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 04:33:34 2010
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Subject: Re: Shielding, on further investigation
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Bill, we just have to go all acoustic...back to our roots.  Ready?  :)

----- Original Message ----- 


> Now my head really hurts, I tried some more tests to recreate the  
> weird hum i was experiencing and realized the two instruments that  
> were susceptible where the two with duncan mag mic active pickups in  
> them, which also brings up the possibility that an aging 9 volt  
> battery might be also culprit.  Put if that were the case I'd probably  
> here the high pitched whine regardless of whether I was looping or  
> not. The difficulty is that it might be a number of things happening  
> to cause the problem. One thing I did try the last time this happened  
> was to put a buffer amp in the signal path which also cured the issue.  
> Puzzling .. weird, ghosts in the machine........ And then again its  
> probably just the ancient overworked electrical system in our  
> house................
> Bill
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 05:25:24 2010
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Subject: Re: Shielding, was:  Constant buzzing - can it be killed!
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sorry, I did not read the whole story, so I may say something stupid, I =
just try:

- there is electrostatic and electromagnetic interference.=20
If the noise is just picked up by magnetic pickups, its the magnetic =
noise and all the high frequency stuff is unlikely the problem, much =
rather some big transformer, motor or wiring loop, basically a coil.=20
If a unshielded wire also picks up the noise, its electrostatic and =
there are many more options of sources.

- as long as you have suspects for any household machine, its easier to =
just disconnect that system than typing the suspect here ;-) . you can =
even try switching off whole parts of the house with the main fuses or =
connect your whole system to a different part of the house with an =
extension.

use the narrow down strategy and eliminate options systematically.=20
this strategy can fail, though, if its a combination of noise sources.
so it may be interesting to put all tests on a paper and rethink them if =
nothing seems to make sense...

good luck!
Matthias

On 15 Mar 2010, at 00:10, Kris Hartung wrote:

> I'll try to do an experiment this week, Bill, and run my system with =
all the wireless routers and sattelite TV gear off.  I was thinking =
something similar.
>=20
> Here at my house, we have a wireless router for internet, plus two =
relay routers that expand the reach.  Then we have three separate =
wireless LAN phones, all running on different frequencies.  Then we have =
a separate wireless system for the TV system, which connects it to the =
laptop, etc.
>=20
> Our house is a literal bath of wireless frequencies. I am wondering if =
all that, with my guitar mag pickup, is part of the problem.
>=20
> I'll let you know if the isolation transformer I bought solves the =
problem.
> Kris
>=20
> ----- Original Message -----=20
>=20
>> I have been trouble shooting a noise problem of my own recently that  =
has finally been identified, after much consternation that I thought  =
I'd share even though it may not be directly applicable to Krispen's  =
recent issues. For the past several months I have had an intermittent   =
high frequency noise issue that only manifested when I was recording  =
1/2 speed loops on the looperlative. I'd record content and get this  =
High frequency whine, embedded in my loops that would go away when I  =
toggled back to normal speed. My initial thought was it was the LP-1,  =
but like I said this wasn't happening all the time and only at home,  =
which made wonder if it was something else instead. Today after I got  =
home from rehearsal I set my rig back up and started playing and  =
looping at half speed and low and behold the whine was back. I first  =
tried turning off the computer that wasn't in use thinking perhaps its  =
wireless might be the culprit. Nope, The i realized my wife was in the  =
other room, nursing a cold and watching TV. last October we switched  to =
Direct TV. I asked her to turn off the TV and DTV router, and then  =
recorded another loop. The noise did not re-appear!! Something in the  =
router or dish was adding interference, and its at the opposite corner  =
of our house. I tried the test twice to make sure.  This has gotten me  =
thinking about two things,  Dish TV and microwaves in general might be  =
causing others to have noise and interference issues., and that so  much =
of the electric gear we use requires wall wart style power  supplies =
which are not particularly well shielded and may be potential  conduits =
for this type of interference. I've had other interference  from time to =
time from neighbors with high speed power tools and a  sculpture =
neighbor with an arc welder.  So what to do?, I'm seriously  considering =
an isolation transformer and I'm wondering if anyone might  know if =
bunching wall warts together might perhaps increase noise issues? I've =
though about building a shielded box to put them all in  or find some =
steel army surplus box to stick them in.  I don't know if  I'm barking =
up the wrong tree with that idea. I have no electronics  education to =
speak of other than knowing not to stick a fork in to a  wall socket.  I =
also wonder if its possible to adequately shield wall  warts?  I'm also =
investigating which of the new crop of multiple power  supplies from =
Voodoo labs Dunlop and T rex might be able to handle the  higher voltage =
and milli amps of my rack gear that requires power  supplies. I have an =
older pedal power plus from Voodoo that works  great with my regular =
pedals. I'd just as soon jettison as many wall  warts as I can if =
possible.
>> Any suggestions would be much appreciated.
>> Bill
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 05:46:10 2010
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	 <COL109-W45987D45BCDFBBA3F3E726BE400@phx.gbl>
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Date: Mon, 15 Mar 2010 13:46:09 +0800
Message-ID: <be6db5df1003142246j7df51ea2u9bb8528c362282e0@mail.gmail.com>
Subject: Re: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5c060e0e56b0481d065d9
Content-Type: text/plain; charset=ISO-8859-1

Hi,
Thanx for the help. Now i can try out my EDP without any worries that it
will fry whatsoever. Not so sure about Malaysian traditional music...but
anyway try this http://www.youtube.com/watch?v=LSWs9JNrFpE   or type
Gamelan, Keroncong, Gong, Gambus in youtube. <-- that's the local
traditional instruments. Thanx again.

On Fri, Mar 12, 2010 at 2:36 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> as the Voltage from the outlet is 240V you're safe,
> the cable only carries the mains voltage to the unit, and
> the rating just means the cable itself is good for 250V or under.
>
>
> andy
> ps
> if you have any good links for traditional Malaysian music
> and feel like returning the favour please send to me off list :-)
>
>
> halim zainal wrote:
>
>> Hi,
>> Just wondering my EDP is now set to 240v. What happens if a 250v power
>> cable is used? can it be done? will it fry my unit? Thanx.
>>
>>
>>
>>
>>
>

--001636c5c060e0e56b0481d065d9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi, <br>Thanx for the help. Now i can try out my EDP without any worries th=
at it will fry whatsoever. Not so sure about Malaysian traditional music...=
but anyway try this <a href=3D"http://www.youtube.com/watch?v=3DLSWs9JNrFpE=
">http://www.youtube.com/watch?v=3DLSWs9JNrFpE</a>=A0=A0 or type Gamelan, K=
eroncong, Gong, Gambus in youtube. &lt;-- that&#39;s the local traditional =
instruments. Thanx again.<br>
<br><div class=3D"gmail_quote">On Fri, Mar 12, 2010 at 2:36 AM, andy butler=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@t=
iscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);=
 padding-left: 1ex;">
as the Voltage from the outlet is 240V you&#39;re safe,<br>
the cable only carries the mains voltage to the unit, and<br>
the rating just means the cable itself is good for 250V or under.<br><font =
color=3D"#888888">
<br>
<br>
andy<br></font>
ps<br>
if you have any good links for traditional Malaysian music<br>
and feel like returning the favour please send to me off list :-)<div><div>=
</div><div class=3D"h5"><br>
<br>
halim zainal wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi,<br>
Just wondering my EDP is now set to 240v. What happens if a 250v power cabl=
e is used? can it be done? will it fry my unit? Thanx.<br>
<br>
<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--001636c5c060e0e56b0481d065d9--

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 10:38:23 2010
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William Walker wrote:

> Put if that were the case I'd probably here the high 
> pitched whine regardless of whether I was looping or not. The difficulty 
> is that it might be a number of things happening to cause the problem. 
> One thing I did try the last time this happened was to put a buffer amp 
> in the signal path which also cured the issue.

maybe it's too obvious to mention, but what seems to be happening
is that at normal speed you're recording a signal onto the LP1 which
is too high for you to hear, then the Half Speed playback makes it audible.

The buffer amp cures it by filtering out the hf








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Andreas Willers wrote:

> ....like the ghost in the haunted machine 
> (and my haunted mind!).
> 
> Has any EDP user experienced similar things? 

only while testing Loop4 

andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 12:01:37 2010
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Kris Hartung wrote:

>  So I really need a mic that can pick up 
> the subltles of the guitar, but probably has a good proximity effect 
> when it move the mic closer to the guitar. 

yep, Bill's right that a large capsule has a stronger proximity effect.

...but as you get closer to the guitar more of it's sound producing
surface will go off axis...which means a large diaphragm will
lose some of your hi freq details.

> Of course, I'll be blending 
> the tone with the mag pickup through an amp.

In that case, I'd be getting the low frequencies from the mag p/u,
and using a small diaphragm condenser to capture some of those fine acoustic details in the 
high range.
OR...I'd use one of the thrift shop mics from my collection of strange
old dynamics. 
OR...I'd use a pristine stereo pair at about 18inches in front of
the guitar.
OR...  well, I think you got the picture.

andy






 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 12:43:02 2010
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Ha! :)

I've just spent a whole day this week-end doing exactly that!

>the most important is to roll them without twisting!
Yes, imo the most important piece of advice. I hate it when I borrow gear to someone and get it back with twisted cables...

What I did:
Rolled and sorted my cables neatly, fixing each cable with a velcro strip.
Got more than a dozen boxes, labeled neatly now ("XLR cables","chinch cables","patch cables"...).

Way better than all the bags and boxes I had before...

best regards
Buzap
-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

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Hi there
I fix a piece of 2" x 1" 6fy  batten to the wall and bang in 6 inch 
nails every 6-8 inchs. I then loop all my cables over the nails 
separating different cables to different nails. If I get a cable with 
a problem I tie a knot in it to know that it needs repairing and put 
it on the cable repair nail.
Allows you to keep all your leads tidy in my studio for a couple of quid.
When I finish a session I take all the cables and loop them over on 
the relevant nail

regards
Roger

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Subject: Re: Slicer examples online..
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Hey Warren,
I use the Roland HPD15 Handsonic for just about everything.

Andy G
++++++++++++++
Hey, that's pretty cool - where are the drum sounds coming from?

From euroelettricaltd@inbox.com  Mon Mar 15 14:45:31 2010
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From: "EURO ELETTRICA LTD"<euroelettricaltd@inbox.com>
Subject: Alla ricerca di prodotti originali, a prezzi buoni?
Date: Mon, 15 Mar 2010 16:45:19 +0200
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Noi vendiamo solo <strong>nuovo</strong> ed <strong>autentico</strong><span id="result_box"><span title="products" closure_hashcode_v5pnfm="30"> prodotti</span></span>. Siamo in grado di offrire: <strong>iPhone, cellulari,   computer portatili, Fotocamere e videocamere, TV al plasma, LCD TV, Monitor LCD,   Ricevitori GPS, console di gioco</strong>, <strong>cornici digitali</strong> e pi&ugrave; a basso   prezzo.</span></span></p>
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<p class="style7"><span id="result_box"><span title="oferta special primavara" closure_hashcode_v5pnfm="50">Non dimenticare la nostra offerta speciale di Primavera per i nuovi clienti!</span></span></p>
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<p class="style5">&nbsp;</p>
costituita e   registrata in</span></span> Italy.</p>
Sede Legale</span></span>: Via Murri 115, Bologna, 40137</p>
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Chat MSN: <a href="mailto:euroelettrica@live.com"><strong>euroelettrica@live.com</strong></a></p>

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--00504502cfa82391740481d9ea13
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Peter is almost never IN the office these days!!

Mark

On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> (here we go again)
>
> Mooooo
>
>
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:
>
>
>
>
>
> I will be out of the office starting  03/12/2010 and will not return until
> 03/19/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
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> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502cfa82391740481d9ea13
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Peter is almost never IN the office these days!!<br><br>Mark<br><br><div cl=
ass=3D"gmail_quote">On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mattsteven=
sguitar@btinternet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
(here we go again)<div><br></div><div>Mooooo</div><div><br></div><div><font=
 color=3D"#888888"><br><div> <span style=3D"border-collapse: separate; colo=
r: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: norma=
l; font-variant: normal; font-weight: normal; letter-spacing: normal; line-=
height: normal; text-indent: 0px; text-transform: none; white-space: normal=
; word-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(=
0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height:=
 normal; text-indent: 0px; text-transform: none; white-space: normal; word-=
spacing: 0px;"><div>

Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>

<div><br></div></span><br></span><br> </div></font><div><div></div><div cla=
ss=3D"h5"><br><div><div>On 12 Mar 2010, at 16:50, <a href=3D"mailto:peter.l=
einhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsuran=
ce.com</a> wrote:</div>

<br><blockquote type=3D"cite"><div style=3D"margin: 0px; min-height: 14px;"=
><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; =
min-height: 14px;">

<br></div><div style=3D"margin: 0px;">I will be out of the office starting<=
span>=A0 </span>03/12/2010 and will not return until</div><div style=3D"mar=
gin: 0px;">03/19/2010.</div><div style=3D"margin: 0px; min-height: 14px;"><=
br>
</div>
<div style=3D"margin: 0px;">For telecom issues, Genesys, Video or Audio Con=
ferencing contact Greg</div><div style=3D"margin: 0px;">Bouffard @ 323 932 =
3793.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px;">

***** PLEASE NOTE ***** This E-Mail/telefax message and any</div><div style=
=3D"margin: 0px;">documents accompanying this transmission may contain priv=
ileged</div><div style=3D"margin: 0px;">and/or confidential information and=
 is intended solely for the</div>

<div style=3D"margin: 0px;">addressee(s) named above. If you are not the in=
tended</div><div style=3D"margin: 0px;">addressee/recipient, you are hereby=
 notified that any use of,</div><div style=3D"margin: 0px;">disclosure, cop=
ying, distribution, or reliance on the contents of</div>

<div style=3D"margin: 0px;">this E-Mail/telefax information is strictly pro=
hibited and may</div><div style=3D"margin: 0px;">result in legal action aga=
inst you. Please reply to the sender</div><div style=3D"margin: 0px;">advis=
ing of the error in transmission and immediately</div>

<div style=3D"margin: 0px;">delete/destroy the message and any accompanying=
 documents. Thank</div><div style=3D"margin: 0px;">you.***** <span>=A0</spa=
n></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquo=
te>
</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>=
<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"=
http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502cfa82391740481d9ea13--

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      Guitar
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looppool@cruzio.com schrieb:
> The microphones that we won the NAIRD Instrumental Album of the YEar award in
> 1998 for Martin Simpson's album  "Cool and Unusual"
> were an ATM 4050  and a Neumann K18
Rick,

I remember that we discussed the AT4050 on the drive to...what was it? 
San José? Oakland? back in 2006, and we both confessed how happy we were 
with it...however:

Is there a shock mount which fits the AT4050 and is available at a 
reasonable price (and where, contrary to the original AT4050 design, you 
can actually exchange the rubber strings?)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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	 <A201ED89-CB44-4E5B-917D-9E91BF496E75@btinternet.com>
	 <9ab0c76f1003121135i6286f0efs14d3a98cc447e812@mail.gmail.com>
Date: Mon, 15 Mar 2010 19:27:34 +0200
Message-ID: <c70841111003151027l1dcd1697udad2d353e447053c@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6dab056622ba50481da32cf
Content-Type: text/plain; charset=ISO-8859-1

I feel slightly "issued"

2010/3/12 mark francombe <mark@markfrancombe.com>

> Peter is almost never IN the office these days!!
>
> Mark
>
>
> On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> (here we go again)
>>
>> Mooooo
>>
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:
>>
>>
>>
>>
>>
>> I will be out of the office starting  03/12/2010 and will not return
>> until
>> 03/19/2010.
>>
>>  For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>> Bouffard @ 323 932 3793.
>>
>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> documents accompanying this transmission may contain privileged
>> and/or confidential information and is intended solely for the
>> addressee(s) named above. If you are not the intended
>> addressee/recipient, you are hereby notified that any use of,
>> disclosure, copying, distribution, or reliance on the contents of
>> this E-Mail/telefax information is strictly prohibited and may
>> result in legal action against you. Please reply to the sender
>> advising of the error in transmission and immediately
>> delete/destroy the message and any accompanying documents. Thank
>> you.*****
>>
>>
>>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6dab056622ba50481da32cf
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I feel slightly &quot;issued&quot;<br><br><div class=3D"gmail_quote">2010/3=
/12 mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancom=
be.com">mark@markfrancombe.com</a>&gt;</span><br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">
Peter is almost never IN the office these days!!<br><br>Mark<div><div></div=
><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Fri, Mar 12, 2010 =
at 6:05 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattsteven=
sguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet.com<=
/a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
(here we go again)<div><br></div><div>Mooooo</div><div><br></div><div><font=
 color=3D"#888888"><br><div> <span style=3D"border-collapse: separate; colo=
r: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: norma=
l; font-variant: normal; font-weight: normal; letter-spacing: normal; line-=
height: normal; text-indent: 0px; text-transform: none; white-space: normal=
; word-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(=
0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height:=
 normal; text-indent: 0px; text-transform: none; white-space: normal; word-=
spacing: 0px;"><div>


Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>


<div><br></div></span><br></span><br> </div></font><div><div></div><div><br=
><div><div>On 12 Mar 2010, at 16:50, <a href=3D"mailto:peter.leinhos@farmer=
sinsurance.com" target=3D"_blank">peter.leinhos@farmersinsurance.com</a> wr=
ote:</div>


<br><blockquote type=3D"cite"><div style=3D"margin: 0px; min-height: 14px;"=
><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; =
min-height: 14px;">


<br></div><div style=3D"margin: 0px;">I will be out of the office starting<=
span>=A0 </span>03/12/2010 and will not return until</div><div style=3D"mar=
gin: 0px;">03/19/2010.</div><div style=3D"margin: 0px; min-height: 14px;"><=
br>

</div>
<div style=3D"margin: 0px;">For telecom issues, Genesys, Video or Audio Con=
ferencing contact Greg</div><div style=3D"margin: 0px;">Bouffard @ 323 932 =
3793.</div><div style=3D"margin: 0px; min-height: 14px;"><br></div><div sty=
le=3D"margin: 0px;">


***** PLEASE NOTE ***** This E-Mail/telefax message and any</div><div style=
=3D"margin: 0px;">documents accompanying this transmission may contain priv=
ileged</div><div style=3D"margin: 0px;">and/or confidential information and=
 is intended solely for the</div>


<div style=3D"margin: 0px;">addressee(s) named above. If you are not the in=
tended</div><div style=3D"margin: 0px;">addressee/recipient, you are hereby=
 notified that any use of,</div><div style=3D"margin: 0px;">disclosure, cop=
ying, distribution, or reliance on the contents of</div>


<div style=3D"margin: 0px;">this E-Mail/telefax information is strictly pro=
hibited and may</div><div style=3D"margin: 0px;">result in legal action aga=
inst you. Please reply to the sender</div><div style=3D"margin: 0px;">advis=
ing of the error in transmission and immediately</div>


<div style=3D"margin: 0px;">delete/destroy the message and any accompanying=
 documents. Thank</div><div style=3D"margin: 0px;">you.***** <span>=A0</spa=
n></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquo=
te>

</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br></=
div></div><font color=3D"#888888">-- <br><a href=3D"http://www.markfrancomb=
e.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www=
.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6dab056622ba50481da32cf--

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Date: Mon, 15 Mar 2010 18:36:45 +0100
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Kris Hartung schrieb:

> Document below updated with frequence response charts for each model.
Just mentioning that for completeness, but the frequency response chart 
alone is not a good measurement of how a microphone sounds. A lot of the 
characteristics of several great mics cannot even be guessed by looking 
at the frequency response. And with that comes the fact that only a few 
of the (expensive) manufacturers actually name the test conditions used 
for plotting those charts...

To add some of my .02 to this discussion:

1. +1 for the AT4050 as a great all-around microphone.
2. Typically, a multi-pattern microphone is a little bit of a cheat: the 
"omni" is not a true omni but rather a combination of two cardioids. So 
you still have proximity effect. Buggers. (I like omni recordings very 
much).
3. I both have Rode NT-1A (a pair) and the older NT-1, the latter one is 
what I use a lot for hihat and similar "noise sources", because to me it 
feels warmer.
4. Why not consider something which is not a condenser microphone, 
perhaps in addition to a (small diaphragm) condenser? Like a Coles 
ribbon, or a Beyer M201 moving coil?

         Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs




-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: RE: Leinhos, Peter is out of the office.
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Am I the "intended addressee/recipient" ?

I wouldn't want to break any rules here.

From: Petri Lahtinen [mailto:aikuinen@gmail.com]=20
Sent: Monday, March 15, 2010 1:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Leinhos, Peter is out of the office.

=20

I feel slightly "issued"

2010/3/12 mark francombe <mark@markfrancombe.com>

Peter is almost never IN the office these days!!

Mark

=20

On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:

(here we go again)

=20

Mooooo

=20

=20

Matt Stevens

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

=20

=20

=20

On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:





=20

=20

=20

=20

I will be out of the office starting  03/12/2010 and will not return
until

03/19/2010.

=20

For telecom issues, Genesys, Video or Audio Conferencing contact Greg

Bouffard @ 323 932 3793.

=20

***** PLEASE NOTE ***** This E-Mail/telefax message and any

documents accompanying this transmission may contain privileged

and/or confidential information and is intended solely for the

addressee(s) named above. If you are not the intended

addressee/recipient, you are hereby notified that any use of,

disclosure, copying, distribution, or reliance on the contents of

this E-Mail/telefax information is strictly prohibited and may

result in legal action against you. Please reply to the sender

advising of the error in transmission and immediately

delete/destroy the message and any accompanying documents. Thank

you.***** =20

=20

=20





--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch




--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert
Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-


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<p class=3DMsoNormal><span =
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addressee/recipient&#8221; ?<o:p></o:p></p>

<p class=3DMsoNormal><span =
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<p class=3DMsoNormal><b><span =
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</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Petri =
Lahtinen
[mailto:aikuinen@gmail.com] <br>
<b>Sent:</b> Monday, March 15, 2010 1:28 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Leinhos, Peter is out of the =
office.<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>I feel slightly
&quot;issued&quot;<o:p></o:p></p>

<div>

<p class=3DMsoNormal>2010/3/12 mark francombe &lt;<a
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<o:p=
></o:p></p>

<p class=3DMsoNormal>Peter is almost never IN the office these =
days!!<br>
<br>
Mark<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal>On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens =
&lt;<a
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt;
wrote:<o:p></o:p></p>

<div>

<p class=3DMsoNormal>(here we go again)<o:p></o:p></p>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Mooooo<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'color:#888888'><o:p>&nbsp;</o:p></span></p>

<div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";
color:black'>Matt Stevens<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";
color:black'><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";
color:black'><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a><o:p></o:p></span><=
/p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";
color:black'><o:p>&nbsp;</o:p></span></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'color:#888888'><o:p>&nbsp;</o:p></span></p>

</div>

<div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<div>

<p class=3DMsoNormal>On 12 Mar 2010, at 16:50, <a
href=3D"mailto:peter.leinhos@farmersinsurance.com" =
target=3D"_blank">peter.leinhos@farmersinsurance.com</a>
wrote:<o:p></o:p></p>

</div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>I will be out of the office starting&nbsp; =
03/12/2010 and
will not return until<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>03/19/2010.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>For telecom issues, Genesys, Video or Audio =
Conferencing
contact Greg<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>Bouffard @ 323 932 3793.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>***** PLEASE NOTE ***** This E-Mail/telefax message =
and any<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>documents accompanying this transmission may =
contain
privileged<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>and/or confidential information and is intended =
solely for
the<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>addressee(s) named above. If you are not the =
intended<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>addressee/recipient, you are hereby notified that =
any use
of,<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>disclosure, copying, distribution, or reliance on =
the
contents of<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>this E-Mail/telefax information is strictly =
prohibited and
may<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>result in legal action against you. Please reply to =
the
sender<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>advising of the error in transmission and =
immediately<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>delete/destroy the message and any accompanying =
documents.
Thank<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>you.***** &nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</div>

</div>

</div>

</div>

<p class=3DMsoNormal><br>
<br clear=3Dall>
<o:p></o:p></p>

</div>

</div>

<p class=3DMsoNormal><span style=3D'color:#888888'>-- <br>
<a href=3D"http://www.markfrancombe.com" =
target=3D"_blank">www.markfrancombe.com</a><br>
<a href=3D"http://www.ordoabkhao.com" =
target=3D"_blank">www.ordoabkhao.com</a><br>
<a href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" =
target=3D"_blank">http://www.myspace.com/markfrancombe</a><br>
<a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"
target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%2=
0Synch</a></span><o:p></o:p></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><br>
<br clear=3Dall>
<br>
-- <br>
Petri Lahtinen<br>
<a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br=
>
<a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot=
.com/</a><br>
<a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petr=
ilahtinen</a><br>
<a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtine=
n</a><br>
<a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp=
.com/</a><br>
---------------------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot; =
-Robert
Fripp-<br>
---------------------------------------------------<br>
&quot;Some people never go crazy. What truly horrible lives they must
lead.&quot; -Charles Bukowski-<o:p></o:p></p>

</div>

</body>

</html>

------_=_NextPart_001_01CAC466.69135175--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 17:40:50 2010
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References: <OFFFDCC3A4.E28B2CC4-ON862576E4.005C8B71-862576E4.005C8B6E@farmersinsurance.com>
	 <A201ED89-CB44-4E5B-917D-9E91BF496E75@btinternet.com>
	 <9ab0c76f1003121135i6286f0efs14d3a98cc447e812@mail.gmail.com>
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	 <F160BE32A2E5E04497668BBDFE83FEDF3BCE35E4@EXCHVS1.medctr.ad.wfubmc.edu>
Date: Mon, 15 Mar 2010 19:40:46 +0200
Message-ID: <c70841111003151040n5f790cdasb78469c014c72686@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e656b5989900770481da61c8
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Content-Transfer-Encoding: quoted-printable

well, thats what all we think about...

;-D

2010/3/15 Ace Ovil <aovil@wfubmc.edu>

>  Am I the =93intended addressee/recipient=94 ?
>
> I wouldn=92t want to break any rules here.
>
> *From:* Petri Lahtinen [mailto:aikuinen@gmail.com]
> *Sent:* Monday, March 15, 2010 1:28 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: Leinhos, Peter is out of the office.
>
>
>
> I feel slightly "issued"
>
> 2010/3/12 mark francombe <mark@markfrancombe.com>
>
> Peter is almost never IN the office these days!!
>
> Mark
>
>
>
> On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
> (here we go again)
>
>
>
> Mooooo
>
>
>
>
>
> Matt Stevens
>
> www.mattstevensguitar.com
>
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
> On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:
>
>
>
>
>
>
>
>
>
>
>
> I will be out of the office starting  03/12/2010 and will not return unti=
l
>
> 03/19/2010.
>
>
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>
> Bouffard @ 323 932 3793.
>
>
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>
> documents accompanying this transmission may contain privileged
>
> and/or confidential information and is intended solely for the
>
> addressee(s) named above. If you are not the intended
>
> addressee/recipient, you are hereby notified that any use of,
>
> disclosure, copying, distribution, or reliance on the contents of
>
> this E-Mail/telefax information is strictly prohibited and may
>
> result in legal action against you. Please reply to the sender
>
> advising of the error in transmission and immediately
>
> delete/destroy the message and any accompanying documents. Thank
>
> you.*****
>
>
>
>
>
>
>
>   --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>



--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e656b5989900770481da61c8
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

well, thats what all we think about...<br><br>;-D<br><br><div class=3D"gmai=
l_quote">2010/3/15 Ace Ovil <span dir=3D"ltr">&lt;<a href=3D"mailto:aovil@w=
fubmc.edu">aovil@wfubmc.edu</a>&gt;</span><br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">









<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">Am I the =93</span>intended addressee/recipient=94 ?</p>

<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">I wouldn=92t want to break any rules here.</span></p>

<div style=3D"border-width: 1pt medium medium; border-style: solid none non=
e; border-color: rgb(181, 196, 223) -moz-use-text-color -moz-use-text-color=
; padding: 3pt 0in 0in;">

<p class=3D"MsoNormal"><b><span style=3D"font-size: 10pt;">From:</span></b>=
<span style=3D"font-size: 10pt;"> Petri Lahtinen
[mailto:<a href=3D"mailto:aikuinen@gmail.com" target=3D"_blank">aikuinen@gm=
ail.com</a>] <br>
<b>Sent:</b> Monday, March 15, 2010 1:28 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Subject:</b> Re: Leinhos, Peter is out of the office.</span></p>

</div><div><div></div><div class=3D"h5">

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;">I feel slightly
&quot;issued&quot;</p>

<div>

<p class=3D"MsoNormal">2010/3/12 mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt;</p>

<p class=3D"MsoNormal">Peter is almost never IN the office these days!!<br>
<br>
Mark</p>

<div>

<div>

<p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;">=A0</p>

<div>

<p class=3D"MsoNormal">On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens &lt;<a=
 href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattste=
vensguitar@btinternet.com</a>&gt;
wrote:</p>

<div>

<p class=3D"MsoNormal">(here we go again)</p>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">Mooooo</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal"><span style=3D"color: rgb(136, 136, 136);">=A0</span=
></p>

<div>

<div>

<p class=3D"MsoNormal"><span style=3D"font-size: 9pt; color: black;">Matt S=
tevens</span></p>

</div>

<div>

<p class=3D"MsoNormal"><span style=3D"font-size: 9pt; color: black;"><a hre=
f=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.mattstevensgui=
tar.com</a></span></p>

</div>

<div>

<p class=3D"MsoNormal"><span style=3D"font-size: 9pt; color: black;"><a hre=
f=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevens=
guitar@btinternet.com</a></span></p>

</div>

<div>

<p class=3D"MsoNormal"><span style=3D"font-size: 9pt; color: black;">=A0</s=
pan></p>

</div>

<p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;"><span style=3D"color:=
 rgb(136, 136, 136);">=A0</span></p>

</div>

<div>

<div>

<p class=3D"MsoNormal">=A0</p>

<div>

<div>

<p class=3D"MsoNormal">On 12 Mar 2010, at 16:50, <a href=3D"mailto:peter.le=
inhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsuranc=
e.com</a>
wrote:</p>

</div>

<p class=3D"MsoNormal"><br>
<br>
</p>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">I will be out of the office starting=A0 03/12/2010 a=
nd
will not return until</p>

</div>

<div>

<p class=3D"MsoNormal">03/19/2010.</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">For telecom issues, Genesys, Video or Audio Conferen=
cing
contact Greg</p>

</div>

<div>

<p class=3D"MsoNormal">Bouffard @ 323 932 3793.</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

<div>

<p class=3D"MsoNormal">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</p>

</div>

<div>

<p class=3D"MsoNormal">documents accompanying this transmission may contain
privileged</p>

</div>

<div>

<p class=3D"MsoNormal">and/or confidential information and is intended sole=
ly for
the</p>

</div>

<div>

<p class=3D"MsoNormal">addressee(s) named above. If you are not the intende=
d</p>

</div>

<div>

<p class=3D"MsoNormal">addressee/recipient, you are hereby notified that an=
y use
of,</p>

</div>

<div>

<p class=3D"MsoNormal">disclosure, copying, distribution, or reliance on th=
e
contents of</p>

</div>

<div>

<p class=3D"MsoNormal">this E-Mail/telefax information is strictly prohibit=
ed and
may</p>

</div>

<div>

<p class=3D"MsoNormal">result in legal action against you. Please reply to =
the
sender</p>

</div>

<div>

<p class=3D"MsoNormal">advising of the error in transmission and immediatel=
y</p>

</div>

<div>

<p class=3D"MsoNormal">delete/destroy the message and any accompanying docu=
ments.
Thank</p>

</div>

<div>

<p class=3D"MsoNormal">you.***** =A0</p>

</div>

<div>

<p class=3D"MsoNormal">=A0</p>

</div>

</div>

<p class=3D"MsoNormal">=A0</p>

</div>

</div>

</div>

</div>

</div>

<p class=3D"MsoNormal"><br>
<br clear=3D"all">
</p>

</div>

</div>

<p class=3D"MsoNormal"><span style=3D"color: rgb(136, 136, 136);">-- <br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>
<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a></span></p>

</div>

<p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;"><br>
<br clear=3D"all">
<br>
-- <br>
Petri Lahtinen<br>
<a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petri=
lahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitt=
er.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot; -Rober=
t
Fripp-<br>
---------------------------------------------------<br>
&quot;Some people never go crazy. What truly horrible lives they must
lead.&quot; -Charles Bukowski-</p>

</div></div></div>

</div>


</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e656b5989900770481da61c8--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 18:32:09 2010
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20100313135123.690583BFBB@arsenic.violacea.com> <08b572fef279f3b80f17d921ab192716.squirrel@cruziomail.cruzio.com> <21151438.206.1268673361590.JavaMail.root@n34>
In-Reply-To: <21151438.206.1268673361590.JavaMail.root@n34>
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or Acoustic      Guitar
Date: Mon, 15 Mar 2010 12:31:59 -0600
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This one, I take it:

http://www.bhphotovideo.com/c/product/93680-REG/Audio_Technica_AT4050_AT4050_Studio_Mic.html#features

There is no "M" in the model. That through me off at first.  This is similar 
to the Rode I mentioned, in that it offers all omni, caratoid, and figure 8.

Kris

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 15, 2010 11:11 AM
Subject: AT4050 - Re: OT: Recommendations for Microphone and Archtop or 
Acoustic Guitar


looppool@cruzio.com schrieb:
> The microphones that we won the NAIRD Instrumental Album of the YEar award 
> in
> 1998 for Martin Simpson's album  "Cool and Unusual"
> were an ATM 4050  and a Neumann K18
Rick,

I remember that we discussed the AT4050 on the drive to...what was it?
San José? Oakland? back in 2006, and we both confessed how happy we were
with it...however:

Is there a shock mount which fits the AT4050 and is available at a
reasonable price (and where, contrary to the original AT4050 design, you
can actually exchange the rubber strings?)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 18:33:28 2010
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References: <20100313135123.690583BFBB@arsenic.violacea.com> <08b572fef279f3b80f17d921ab192716.squirrel@cruziomail.cruzio.com> <21151438.206.1268673361590.JavaMail.root@n34>
In-Reply-To: <21151438.206.1268673361590.JavaMail.root@n34>
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or Acoustic      Guitar
Date: Mon, 15 Mar 2010 12:33:19 -0600
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Any comments on this?

http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications

For live this would be ideal...less feedback.

Kris

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:01:26 2010
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References: <OFFFDCC3A4.E28B2CC4-ON862576E4.005C8B71-862576E4.005C8B6E@farmersinsurance.com>
	 <A201ED89-CB44-4E5B-917D-9E91BF496E75@btinternet.com>
	 <9ab0c76f1003121135i6286f0efs14d3a98cc447e812@mail.gmail.com>
	 <c70841111003151027l1dcd1697udad2d353e447053c@mail.gmail.com>
	 <F160BE32A2E5E04497668BBDFE83FEDF3BCE35E4@EXCHVS1.medctr.ad.wfubmc.edu>
	 <c70841111003151040n5f790cdasb78469c014c72686@mail.gmail.com>
Date: Mon, 15 Mar 2010 15:01:19 -0400
Message-ID: <2fb9e4731003151201j2309d461u351fe4667b6909a3@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Clint Allen <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6dab093a646c60481db8118
Content-Type: text/plain; charset=windows-1252
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I seriously came close to grabbing peterleinhosisoutoftheoffice.com so that
this could live on forever, but underwelmed myself with a lack of creative
possibilities....

Anyone?

Clint Allen




On Mon, Mar 15, 2010 at 1:40 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:

> well, thats what all we think about...
>
> ;-D
>
> 2010/3/15 Ace Ovil <aovil@wfubmc.edu>
>
>   Am I the =93intended addressee/recipient=94 ?
>>
>> I wouldn=92t want to break any rules here.
>>
>> *From:* Petri Lahtinen [mailto:aikuinen@gmail.com]
>> *Sent:* Monday, March 15, 2010 1:28 PM
>> *To:* Loopers-Delight@loopers-delight.com
>> *Subject:* Re: Leinhos, Peter is out of the office.
>>
>>
>>
>> I feel slightly "issued"
>>
>> 2010/3/12 mark francombe <mark@markfrancombe.com>
>>
>> Peter is almost never IN the office these days!!
>>
>> Mark
>>
>>
>>
>> On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <
>> mattstevensguitar@btinternet.com> wrote:
>>
>> (here we go again)
>>
>>
>>
>> Mooooo
>>
>>
>>
>>
>>
>> Matt Stevens
>>
>> www.mattstevensguitar.com
>>
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>>
>>
>> On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> I will be out of the office starting  03/12/2010 and will not return unt=
il
>>
>> 03/19/2010.
>>
>>
>>
>> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>>
>> Bouffard @ 323 932 3793.
>>
>>
>>
>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>
>> documents accompanying this transmission may contain privileged
>>
>> and/or confidential information and is intended solely for the
>>
>> addressee(s) named above. If you are not the intended
>>
>> addressee/recipient, you are hereby notified that any use of,
>>
>> disclosure, copying, distribution, or reliance on the contents of
>>
>> this E-Mail/telefax information is strictly prohibited and may
>>
>> result in legal action against you. Please reply to the sender
>>
>> advising of the error in transmission and immediately
>>
>> delete/destroy the message and any accompanying documents. Thank
>>
>> you.*****
>>
>>
>>
>>
>>
>>
>>
>> --
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>>
>>
>>
>>
>> --
>> Petri Lahtinen
>> http://www.petrilahtinen.com
>> http://petrilahtinen.blogspot.com/
>> http://www.myspace.com/petrilahtinen
>> http://twitter.com/PetriLahtinen
>> http://petrilahtinen.bandcamp.com/
>> ---------------------------------------------------
>> "Only become professional musician if there is no choice." -Robert Fripp=
-
>> ---------------------------------------------------
>> "Some people never go crazy. What truly horrible lives they must lead."
>> -Charles Bukowski-
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>


--=20
Clint E. Allen
* Technology Consultant
* Sound Engineering

--0016e6dab093a646c60481db8118
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<div>I seriously came close to grabbing <a href=3D"http://peterleinhosisout=
oftheoffice.com">peterleinhosisoutoftheoffice.com</a> so that this could li=
ve on forever, but underwelmed myself with a lack of creative possibilities=
.... </div>

<div>=A0</div>
<div>Anyone?</div>
<div>=A0</div>
<div>Clint Allen</div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Mon, Mar 15, 2010 at 1:40 PM, Petri Lahtinen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">well, thats what all we think ab=
out...<br><br>;-D<br><br>
<div class=3D"gmail_quote">2010/3/15 Ace Ovil <span dir=3D"ltr">&lt;<a href=
=3D"mailto:aovil@wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt;</sp=
an>=20
<div>
<div></div>
<div class=3D"h5"><br>
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div lang=3D"EN-US" vlink=3D"purple" link=3D"blue">
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: rgb(31,73,125); FONT-SIZE: 11p=
t">Am I the =93</span>intended addressee/recipient=94 ?</p>
<p class=3D"MsoNormal"><span style=3D"COLOR: rgb(31,73,125); FONT-SIZE: 11p=
t">I wouldn=92t want to break any rules here.</span></p>
<div style=3D"BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; PADDING=
-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; BORDER-TOP: rgb(181,19=
6,223) 1pt solid; BORDER-RIGHT: medium none; PADDING-TOP: 3pt">
<p class=3D"MsoNormal"><b><span style=3D"FONT-SIZE: 10pt">From:</span></b><=
span style=3D"FONT-SIZE: 10pt"> Petri Lahtinen [mailto:<a href=3D"mailto:ai=
kuinen@gmail.com" target=3D"_blank">aikuinen@gmail.com</a>] <br><b>Sent:</b=
> Monday, March 15, 2010 1:28 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br><b>Subject:</b> Re: Lei=
nhos, Peter is out of the office.</span></p></div>
<div>
<div></div>
<div>
<p class=3D"MsoNormal">=A0</p>
<p style=3D"MARGIN-BOTTOM: 12pt" class=3D"MsoNormal">I feel slightly &quot;=
issued&quot;</p>
<div>
<p class=3D"MsoNormal">2010/3/12 mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt;</p>
<p class=3D"MsoNormal">Peter is almost never IN the office these days!!<br>=
<br>Mark</p>
<div>
<div>
<p style=3D"MARGIN-BOTTOM: 12pt" class=3D"MsoNormal">=A0</p>
<div>
<p class=3D"MsoNormal">On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens &lt;<a=
 href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattste=
vensguitar@btinternet.com</a>&gt; wrote:</p>
<div>
<p class=3D"MsoNormal">(here we go again)</p>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">Mooooo</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: rgb(136,136,136)">=A0</span></=
p>
<div>
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: black; FONT-SIZE: 9pt">Matt St=
evens</span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: black; FONT-SIZE: 9pt"><a href=
=3D"http://www.mattstevensguitar.com/" target=3D"_blank">www.mattstevensgui=
tar.com</a></span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: black; FONT-SIZE: 9pt"><a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a></span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"COLOR: black; FONT-SIZE: 9pt">=A0</sp=
an></p></div>
<p style=3D"MARGIN-BOTTOM: 12pt" class=3D"MsoNormal"><span style=3D"COLOR: =
rgb(136,136,136)">=A0</span></p></div>
<div>
<div>
<p class=3D"MsoNormal">=A0</p>
<div>
<div>
<p class=3D"MsoNormal">On 12 Mar 2010, at 16:50, <a href=3D"mailto:peter.le=
inhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsuranc=
e.com</a> wrote:</p></div>
<p class=3D"MsoNormal"><br><br></p>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">I will be out of the office starting=A0 03/12/2010 a=
nd will not return until</p></div>
<div>
<p class=3D"MsoNormal">03/19/2010.</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">For telecom issues, Genesys, Video or Audio Conferen=
cing contact Greg</p></div>
<div>
<p class=3D"MsoNormal">Bouffard @ 323 932 3793.</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</p></div>
<div>
<p class=3D"MsoNormal">documents accompanying this transmission may contain=
 privileged</p></div>
<div>
<p class=3D"MsoNormal">and/or confidential information and is intended sole=
ly for the</p></div>
<div>
<p class=3D"MsoNormal">addressee(s) named above. If you are not the intende=
d</p></div>
<div>
<p class=3D"MsoNormal">addressee/recipient, you are hereby notified that an=
y use of,</p></div>
<div>
<p class=3D"MsoNormal">disclosure, copying, distribution, or reliance on th=
e contents of</p></div>
<div>
<p class=3D"MsoNormal">this E-Mail/telefax information is strictly prohibit=
ed and may</p></div>
<div>
<p class=3D"MsoNormal">result in legal action against you. Please reply to =
the sender</p></div>
<div>
<p class=3D"MsoNormal">advising of the error in transmission and immediatel=
y</p></div>
<div>
<p class=3D"MsoNormal">delete/destroy the message and any accompanying docu=
ments. Thank</p></div>
<div>
<p class=3D"MsoNormal">you.***** =A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div></div>
<p class=3D"MsoNormal">=A0</p></div></div></div></div></div>
<p class=3D"MsoNormal"><br><br clear=3D"all"></p></div></div>
<p class=3D"MsoNormal"><span style=3D"COLOR: rgb(136,136,136)">-- <br><a hr=
ef=3D"http://www.markfrancombe.com/" target=3D"_blank">www.markfrancombe.co=
m</a><br><a href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.ordoa=
bkhao.com</a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a></span></p>
</div>
<p style=3D"MARGIN-BOTTOM: 12pt" class=3D"MsoNormal"><br><br clear=3D"all">=
<br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com/" targ=
et=3D"_blank">http://www.petrilahtinen.com</a><br><a href=3D"http://petrila=
htinen.blogspot.com/" target=3D"_blank">http://petrilahtinen.blogspot.com/<=
/a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-</p=
>
</div></div></div></div></blockquote></div></div></div>
<div>
<div></div>
<div class=3D"h5"><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hre=
f=3D"http://www.petrilahtinen.com/" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Clint E=
. Allen<br>* Technology Consultant<br>* Sound Engineering<br>

--0016e6dab093a646c60481db8118--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:02:17 2010
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Date: Mon, 15 Mar 2010 12:02:14 -0700 (PDT)
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic 
     Guitar
From: looppool@cruzio.com
To: "Kris Hartung" <khartung@q.com>
Cc: loopers-delight@loopers-delight.com
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Hey Kris,
I would advise you NOT to use the Rhode NT2a for
your guitar micing purposes.

I own it and the ATM 4033 and the detail on the
4033 is VASTLY better......no comparison.

The Rhode, oddly enough, and though it lacks detail is a wonderful
vocal mic.......it's make human voice sound very natural.

Kris wrote about micing an archtop guitar:
" In the context of large diaphram, I may consider the Rode NT2a"


For what it's worth,   the Guitarist/Harpist Bruce Abrams and I will be
trying out the SE1a (pencil condenser) and the ATM 4033
in contrast with a Neumann KM84  and and the same ATM 4033
this coming week.

I'll post the subjective results of our listening experience when we do




From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:04:30 2010
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Message-ID: <4B9E84C7.1030902@googlemail.com>
Date: Mon, 15 Mar 2010 20:04:39 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Looper's Delight Mailing List <Loopers-Delight@loopers-delight.com>
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or
 Acoustic      Guitar
References: <20100313135123.690583BFBB@arsenic.violacea.com> <08b572fef279f3b80f17d921ab192716.squirrel@cruziomail.cruzio.com> <21151438.206.1268673361590.JavaMail.root@n34> <BLU0-SMTP6454B5CCE5E608682828A9DC2E0@phx.gbl>
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Kris Hartung schrieb:
> Any comments on this?
>
> http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications 
>
Now if you're looking for something to be mounted on the instrument, 
here's another suggestion:
http://bit.ly/clWljp
(never tried that - I just love Beyer microphones).


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:09:25 2010
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Date: Mon, 15 Mar 2010 12:09:22 -0700 (PDT)
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or 
     Acoustic      Guitar
From: looppool@cruzio.com
To: "Rainer Straschill" <moinsound@googlemail.com>
Cc: loopers-delight@loopers-delight.com
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Rainer wrote:
> I remember that we discussed the AT4050 on the drive to...what was it?
> San José? Oakland? back in 2006, and we both confessed how happy we were
> with it...however:
>
> Is there a shock mount which fits the AT4050 and is available at a
> reasonable price (and where, contrary to the original AT4050 design, you
> can actually exchange the rubber strings?)


The ATM4050 and the ATM4033   both ship with a very nice shock mount.
I just bought the ATM 4033 so I know it does and assume that the much
pricier 4050 does too,     Bill,   can you weigh in on this?  You own the
4050.


From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:28:11 2010
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Thanks Rick, I will definitely follow your advise.

But what is the ATM 4033? I do a search on that and can't find it.

This this page: 
http://www.audio-technica.com/cgi-bin/product_search/gen/gen.pl

Are you testing a discontinued mic?

Kris


----- Original Message ----- 
From: <looppool@cruzio.com>
To: "Kris Hartung" <khartung@q.com>
Cc: <loopers-delight@loopers-delight.com>
Sent: Monday, March 15, 2010 1:02 PM
Subject: Re: OT: Recommendations for Microphone and Archtop or Acoustic 
Guitar


Hey Kris,
I would advise you NOT to use the Rhode NT2a for
your guitar micing purposes.

I own it and the ATM 4033 and the detail on the
4033 is VASTLY better......no comparison.

The Rhode, oddly enough, and though it lacks detail is a wonderful
vocal mic.......it's make human voice sound very natural.

Kris wrote about micing an archtop guitar:
" In the context of large diaphram, I may consider the Rode NT2a"


For what it's worth,   the Guitarist/Harpist Bruce Abrams and I will be
trying out the SE1a (pencil condenser) and the ATM 4033
in contrast with a Neumann KM84  and and the same ATM 4033
this coming week.

I'll post the subjective results of our listening experience when we do




From enquiry_boa@discuz.org  Mon Mar 15 19:41:28 2010
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Reply-To: <paul.williams77@discuz.org>
From: "Bank Of Africa" <enquiry_boa@discuz.org>
Subject: Dear Beneficiary, Your Visa Card Is Now Ready
Date: Thu, 11 Mar 2010 17:00:27 +0100
MIME-Version: 1.0
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X-Virus-Scanned: by amavisd-new at apex.com.my

Dear Beneficiary

Having reviewed all the obstacles and problems surrounding the transfer of your (($2.7 Million) Two Million Seven Hundred and United States Dollars and your inability to meet up with some charges levied against you due to the past transfer options,we the Board of Directors, Bank Of Africa (BOA) have ordered our Foreign Payment Remittance Unit to issue you a VISA CARD where your payment will be uploaded. Today, we got the notice that your Payment has been uploaded into this VISA CARD and also have registered it with Sky Courier And Delivery Company. For your information, the delivery charges have been paid and they are supposed to have shipped your packaged (ATM CARD) but they insisted that you must re-confirm to them your current delivery address to ensure accurate Delivery.


MOST IMPORTANTLY: Due to the content of the package, Sky courier mandated that before your package will be shipped, a Stamp Duty MUST be proccured according to the New Shipping Creed on all packages leaving Africa .The essence of such Document is to ensure a hitch-free delivery and the amount of the Stamp Duty Fee is $121 . When this is done, Sky Courier will issue you with the tracking numbers for your package before the shipping commences . Therefore reconfirm your current delivery address. Do not forget that this $121 is all that you should send to them, the rest of the fees have been paid.
Finally, for security reasons, and considering the huge amount the ATM Card contains, the package was coded thus,

 
Registraion Ref: Skyex/atm/100.


This is the code number that you will send to the courier company while contacting them, and the courier company is not aware what the content of the package is. We told them that it contained some very vital official documents being sent to an offshore staff.Do not reveal the content of the package to the courier company or any body for security purposes. The information of the courier company is here-by given below,

 
1. Your full name:
2. Your physical address
3. Your house phone:
4. Your cellphone:


Sky Courier And Delivery Company
Email:( skyexcourier1@cooltoad.com )


Please hurry now as your package might incurr demurrage if it stays more than 3 days with Sky-Express
You can contact me through this Email,
paul.williams77@discuz.org

 

Thanks,


Dr. Paul Williams
ATM Department Manager
Bank Of Africa

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 19:47:17 2010
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	 <2fb9e4731003151201j2309d461u351fe4667b6909a3@mail.gmail.com>
Date: Mon, 15 Mar 2010 21:47:15 +0200
Message-ID: <c70841111003151247t73b5aee1h208540c67fa01d05@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d58f7fe2d9a20481dc2582
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I'm considering a piece of looping music under a title,

"Leinhos, Peter is out of the office."would that be a catchy title of a son=
g
or WHAT?

-Petri-

2010/3/15 Clint Allen <clint.allen@gmail.com>

> I seriously came close to grabbing peterleinhosisoutoftheoffice.com so
> that this could live on forever, but underwelmed myself with a lack of
> creative possibilities....
>
> Anyone?
>
> Clint Allen
>
>
>
>
> On Mon, Mar 15, 2010 at 1:40 PM, Petri Lahtinen <aikuinen@gmail.com>wrote=
:
>
>> well, thats what all we think about...
>>
>> ;-D
>>
>> 2010/3/15 Ace Ovil <aovil@wfubmc.edu>
>>
>>   Am I the =93intended addressee/recipient=94 ?
>>>
>>> I wouldn=92t want to break any rules here.
>>>
>>> *From:* Petri Lahtinen [mailto:aikuinen@gmail.com]
>>> *Sent:* Monday, March 15, 2010 1:28 PM
>>>
>>> *To:* Loopers-Delight@loopers-delight.com
>>> *Subject:* Re: Leinhos, Peter is out of the office.
>>>
>>>
>>>
>>> I feel slightly "issued"
>>>
>>> 2010/3/12 mark francombe <mark@markfrancombe.com>
>>>
>>> Peter is almost never IN the office these days!!
>>>
>>> Mark
>>>
>>>
>>>
>>> On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens <
>>> mattstevensguitar@btinternet.com> wrote:
>>>
>>> (here we go again)
>>>
>>>
>>>
>>> Mooooo
>>>
>>>
>>>
>>>
>>>
>>> Matt Stevens
>>>
>>> www.mattstevensguitar.com
>>>
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> On 12 Mar 2010, at 16:50, peter.leinhos@farmersinsurance.com wrote:
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> I will be out of the office starting  03/12/2010 and will not return
>>> until
>>>
>>> 03/19/2010.
>>>
>>>
>>>
>>> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>>>
>>> Bouffard @ 323 932 3793.
>>>
>>>
>>>
>>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>>
>>> documents accompanying this transmission may contain privileged
>>>
>>> and/or confidential information and is intended solely for the
>>>
>>> addressee(s) named above. If you are not the intended
>>>
>>> addressee/recipient, you are hereby notified that any use of,
>>>
>>> disclosure, copying, distribution, or reliance on the contents of
>>>
>>> this E-Mail/telefax information is strictly prohibited and may
>>>
>>> result in legal action against you. Please reply to the sender
>>>
>>> advising of the error in transmission and immediately
>>>
>>> delete/destroy the message and any accompanying documents. Thank
>>>
>>> you.*****
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> --
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.myspace.com/markfrancombe
>>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>>>
>>>
>>>
>>>
>>> --
>>> Petri Lahtinen
>>> http://www.petrilahtinen.com
>>> http://petrilahtinen.blogspot.com/
>>> http://www.myspace.com/petrilahtinen
>>> http://twitter.com/PetriLahtinen
>>> http://petrilahtinen.bandcamp.com/
>>> ---------------------------------------------------
>>> "Only become professional musician if there is no choice." -Robert Frip=
p-
>>> ---------------------------------------------------
>>> "Some people never go crazy. What truly horrible lives they must lead."
>>> -Charles Bukowski-
>>>
>>
>>
>>
>> --
>> Petri Lahtinen
>> http://www.petrilahtinen.com
>> http://petrilahtinen.blogspot.com/
>> http://www.myspace.com/petrilahtinen
>> http://twitter.com/PetriLahtinen
>> http://petrilahtinen.bandcamp.com/
>> ---------------------------------------------------
>> "Only become professional musician if there is no choice." -Robert Fripp=
-
>> ---------------------------------------------------
>> "Some people never go crazy. What truly horrible lives they must lead."
>> -Charles Bukowski-
>>
>>
>
>
> --
> Clint E. Allen
> * Technology Consultant
> * Sound Engineering
>



--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d58f7fe2d9a20481dc2582
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I&#39;m considering a piece of looping music under a title,<br><br><h1 clas=
s=3D"ha"><span id=3D":148" class=3D"hP">&quot;Leinhos, Peter is out of the=
=20
office.&quot;</span></h1>would that be a catchy title of a song or WHAT?<br=
><br>-Petri-<br><br><div class=3D"gmail_quote">2010/3/15 Clint Allen <span =
dir=3D"ltr">&lt;<a href=3D"mailto:clint.allen@gmail.com">clint.allen@gmail.=
com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>I seriously =
came close to grabbing <a href=3D"http://peterleinhosisoutoftheoffice.com" =
target=3D"_blank">peterleinhosisoutoftheoffice.com</a> so that this could l=
ive on forever, but underwelmed myself with a lack of creative possibilitie=
s.... </div>


<div>=A0</div>
<div>Anyone?</div>
<div>=A0</div>
<div>Clint Allen</div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Mon, Mar 15, 2010 at 1:40 PM, Petri Lahtinen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:aikuinen@gmail.com" target=3D"_blan=
k">aikuinen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0px=
 0px 0px 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">well, thats what =
all we think about...<br><br>;-D<br><br>
<div class=3D"gmail_quote">2010/3/15 Ace Ovil <span dir=3D"ltr">&lt;<a href=
=3D"mailto:aovil@wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt;</sp=
an>=20
<div>
<div></div>
<div><br>
<blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">
<div vlink=3D"purple" link=3D"blue" lang=3D"EN-US">
<div>
<p class=3D"MsoNormal"><span style=3D"color: rgb(31, 73, 125); font-size: 1=
1pt;">Am I the =93</span>intended addressee/recipient=94 ?</p>
<p class=3D"MsoNormal"><span style=3D"color: rgb(31, 73, 125); font-size: 1=
1pt;">I wouldn=92t want to break any rules here.</span></p>
<div style=3D"border-width: 1pt medium medium; border-style: solid none non=
e; border-color: rgb(181, 196, 223) -moz-use-text-color -moz-use-text-color=
; padding: 3pt 0in 0in;">
<p class=3D"MsoNormal"><b><span style=3D"font-size: 10pt;">From:</span></b>=
<span style=3D"font-size: 10pt;"> Petri Lahtinen [mailto:<a href=3D"mailto:=
aikuinen@gmail.com" target=3D"_blank">aikuinen@gmail.com</a>] <br><b>Sent:<=
/b> Monday, March 15, 2010 1:28 PM<div class=3D"im">
<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br></div><b>Subject:</b> R=
e: Leinhos, Peter is out of the office.</span></p></div>
<div>
<div></div>
<div>
<p class=3D"MsoNormal">=A0</p>
<p style=3D"margin-bottom: 12pt;" class=3D"MsoNormal">I feel slightly &quot=
;issued&quot;</p>
<div>
<p class=3D"MsoNormal">2010/3/12 mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt;</p>
<p class=3D"MsoNormal">Peter is almost never IN the office these days!!<br>=
<br>Mark</p>
<div>
<div>
<p style=3D"margin-bottom: 12pt;" class=3D"MsoNormal">=A0</p>
<div>
<p class=3D"MsoNormal">On Fri, Mar 12, 2010 at 6:05 PM, Matt Stevens &lt;<a=
 href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattste=
vensguitar@btinternet.com</a>&gt; wrote:</p>
<div>
<p class=3D"MsoNormal">(here we go again)</p>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">Mooooo</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"color: rgb(136, 136, 136);">=A0</span=
></p>
<div>
<div>
<p class=3D"MsoNormal"><span style=3D"color: black; font-size: 9pt;">Matt S=
tevens</span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"color: black; font-size: 9pt;"><a hre=
f=3D"http://www.mattstevensguitar.com/" target=3D"_blank">www.mattstevensgu=
itar.com</a></span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"color: black; font-size: 9pt;"><a hre=
f=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevens=
guitar@btinternet.com</a></span></p></div>
<div>
<p class=3D"MsoNormal"><span style=3D"color: black; font-size: 9pt;">=A0</s=
pan></p></div>
<p style=3D"margin-bottom: 12pt;" class=3D"MsoNormal"><span style=3D"color:=
 rgb(136, 136, 136);">=A0</span></p></div>
<div>
<div>
<p class=3D"MsoNormal">=A0</p>
<div>
<div>
<p class=3D"MsoNormal">On 12 Mar 2010, at 16:50, <a href=3D"mailto:peter.le=
inhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsuranc=
e.com</a> wrote:</p></div>
<p class=3D"MsoNormal"><br><br></p>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">I will be out of the office starting=A0 03/12/2010 a=
nd will not return until</p></div>
<div>
<p class=3D"MsoNormal">03/19/2010.</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">For telecom issues, Genesys, Video or Audio Conferen=
cing contact Greg</p></div>
<div>
<p class=3D"MsoNormal">Bouffard @ 323 932 3793.</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div>
<div>
<p class=3D"MsoNormal">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</p></div>
<div>
<p class=3D"MsoNormal">documents accompanying this transmission may contain=
 privileged</p></div>
<div>
<p class=3D"MsoNormal">and/or confidential information and is intended sole=
ly for the</p></div>
<div>
<p class=3D"MsoNormal">addressee(s) named above. If you are not the intende=
d</p></div>
<div>
<p class=3D"MsoNormal">addressee/recipient, you are hereby notified that an=
y use of,</p></div>
<div>
<p class=3D"MsoNormal">disclosure, copying, distribution, or reliance on th=
e contents of</p></div>
<div>
<p class=3D"MsoNormal">this E-Mail/telefax information is strictly prohibit=
ed and may</p></div>
<div>
<p class=3D"MsoNormal">result in legal action against you. Please reply to =
the sender</p></div>
<div>
<p class=3D"MsoNormal">advising of the error in transmission and immediatel=
y</p></div>
<div>
<p class=3D"MsoNormal">delete/destroy the message and any accompanying docu=
ments. Thank</p></div>
<div>
<p class=3D"MsoNormal">you.***** =A0</p></div>
<div>
<p class=3D"MsoNormal">=A0</p></div></div>
<p class=3D"MsoNormal">=A0</p></div></div></div></div></div>
<p class=3D"MsoNormal"><br><br clear=3D"all"></p></div></div>
<p class=3D"MsoNormal"><span style=3D"color: rgb(136, 136, 136);">-- <br><a=
 href=3D"http://www.markfrancombe.com/" target=3D"_blank">www.markfrancombe=
.com</a><br><a href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.or=
doabkhao.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.myspace.com/markfrancombe" target=
=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a href=3D"http://w=
ww.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a></span></p>

</div>
<p style=3D"margin-bottom: 12pt;" class=3D"MsoNormal"><br><br clear=3D"all"=
><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com/" tar=
get=3D"_blank">http://www.petrilahtinen.com</a><br><a href=3D"http://petril=
ahtinen.blogspot.com/" target=3D"_blank">http://petrilahtinen.blogspot.com/=
</a><br>

<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>

---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-</p=
>

</div></div></div></div></blockquote></div></div></div>
<div>
<div></div>
<div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://w=
ww.petrilahtinen.com/" target=3D"_blank">http://www.petrilahtinen.com</a><b=
r><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://p=
etrilahtinen.blogspot.com/</a><br>

<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>

---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>

<br></div></div></blockquote></div><font color=3D"#888888"><br><br clear=3D=
"all"><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound Engin=
eering<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d58f7fe2d9a20481dc2582--

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I have had some success with the EB Tech 'Hum Eliminator' which can 
isolate two channels.  It's relatively inexpensive and there is an 
8-channel version, too.

Biggest bang-for-the-buck:   I lifted the ground in my laptop power 
supply.  You obviously would NOT want to do this except for a laptop....


Dan Ash
White Plains, NY
Play what you don't know.  -Miles Davis

> On 3/10/10 9:28 PM, "Kris Hartung" <khartung@q.com 
> <mailto:khartung@q.com>> wrote:
>
>     Is there anything, anything that you can put in between a power
>     outlet and your gear to prevent buzzing? It is driving me up the
>     wall. I literally can't record because of it.  It comes out of my
>     amps by itself, my computer with guitar plugged into it directly,
>     etc.   It is not my guitar cables, or the ground in the guitar. I
>     have eliminated these as the source. It is most definitely caused
>     within the circuit of the wiring in my house.  I have no reastat
>     light controllers in my basement, which was the cause of the noise
>     when I was upstairs, but turned them off.    There has to be
>     something, or this will me insane.
>
>     Kris
>

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	 <SNT132-w4BDAECA0BB6F041C9DB70B62E0@phx.gbl>
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Subject: Re: unsubscribe
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On Mon, Mar 15, 2010 at 3:06 PM, Bryan Doring <kiddopail@hotmail.com> wrote:

>  unsubscribe
>
>
Here's how to unsubscribe:

First, ask the list owner to mail you an Unsubscribing Kit.   $29.95 +
shipping.
Then follow these directions.

The kit will most likely be the standard no-fault type. Depending on
requirements, System A and/or System B can be used. When operating
System A, depress lever and a plastic dalkron unsubscriber will be
dispensed through the slot immediately underneath. When you have
fastened the adhesive lip, attach connection marked by the large "X"
outlet hose. Twist the silver- coloured ring one inch below the
connection point until you feel it lock.

The kit is now ready for use. The Cin-Eliminator is activated by the
small switch on the lip. When securing, twist the ring back to its
initial condition, so that the two orange lines meet. Disconnect.
Place the dalkron unsubscriber in the vacuum receptacle to the rear.
Activate by pressing the blue button.

The controls for System B are located on the opposite side. The red
release switch places the Cin-Eliminator into position; it can be
adjusted manually up or down by pressing the blue manual release
button. The opening is self- adjusting. To secure after use, press
the green button, which simultaneously activates the evaporator and
returns the Cin-Eliminator to its storage position.

You may log off if the green exit light is on over the evaporator.
If the red light is illuminated, one of the Cin-Eliminator
requirements has not been properly implemented. Press the "List Guy"
call button on the right of the evaporator . He will secure all
facilities from his control panel.

To use the Auto-Unsub, first undress and place all your clothes in
the clothes rack. Put on the velcro slippers located in the cabinet
immediately below. Enter the shower, taking the entire kit with you.
On the control panel to your upper right upon entering you will see a
"Shower seal" button. Press to activate. A green light will then be
illuminated immediately below. On the intensity knob, select the
desired setting. Now depress the Auto-Unsub activation lever. Bathe
normally.

The Auto-Unsub will automatically go off after three minutes unless
you activate the "Manual off" override switch by flipping it up. When
you are ready to leave, press the blue "Shower seal" release button.
The door will open and you may leave. Please remove the velcro
slippers and place them in their container.

If you prefer the ultrasonic log-off mode, press the indicated blue
button. When the twin panels open, pull forward by rings A & B. The
knob to the left, just below the blue light, has three settings, low,
medium or high. For normal use, the medium setting is suggested.

After these settings have been made, you can activate the device by
switching to the "ON" position the clearly marked red switch. If
during the unsubscribing operation, you wish to change the settings,
place the "manual off" override switch in the "OFF" position. You may
now make the change and repeat the cycle. When the green exit light
goes on, you may log off and have lunch. Please close the door behind
you.


-- 
-==-=-=-
Tony

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<br><br><div class=3D"gmail_quote">On Mon, Mar 15, 2010 at 3:06 PM, Bryan D=
oring <span dir=3D"ltr">&lt;<a href=3D"mailto:kiddopail@hotmail.com">kiddop=
ail@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">




<div>
unsubscribe<br><br> 		 	   		  </div>
</blockquote></div><br>Here&#39;s how to unsubscribe:<br>
<br>
First, ask the list owner to mail you an Unsubscribing Kit. =A0 $29.95 + sh=
ipping.<br>
Then follow these directions.<br>
<br>
The kit will most likely be the standard no-fault type. Depending on<br>
requirements, System A and/or System B can be used. When operating<br>
System A, depress lever and a plastic dalkron unsubscriber will be<br>
dispensed through the slot immediately underneath. When you have<br>
fastened the adhesive lip, attach connection marked by the large &quot;X&qu=
ot;<br>
outlet hose. Twist the silver- coloured ring one inch below the<br>
connection point until you feel it lock.<br>
<br>
The kit is now ready for use. The Cin-Eliminator is activated by the<br>
small switch on the lip. When securing, twist the ring back to its<br>
initial condition, so that the two orange lines meet. Disconnect.<br>
Place the dalkron unsubscriber in the vacuum receptacle to the rear.<br>
Activate by pressing the blue button.<br>
<br>
The controls for System B are located on the opposite side. The red<br>
release switch places the Cin-Eliminator into position; it can be<br>
adjusted manually up or down by pressing the blue manual release<br>
button. The opening is self- adjusting. To secure after use, press<br>
the green button, which simultaneously activates the evaporator and<br>
returns the Cin-Eliminator to its storage position.<br>
<br>
You may log off if the green exit light is on over the evaporator.<br>
If the red light is illuminated, one of the Cin-Eliminator<br>
requirements has not been properly implemented. Press the &quot;List Guy&qu=
ot;<br>
call button on the right of the evaporator . He will secure all<br>
facilities from his control panel.<br>
<br>
To use the Auto-Unsub, first undress and place all your clothes in<br>
the clothes rack. Put on the velcro slippers located in the cabinet<br>
immediately below. Enter the shower, taking the entire kit with you.<br>
On the control panel to your upper right upon entering you will see a<br>
&quot;Shower seal&quot; button. Press to activate. A green light will then =
be<br>
illuminated immediately below. On the intensity knob, select the<br>
desired setting. Now depress the Auto-Unsub activation lever. Bathe<br>
normally.<br>
<br>
The Auto-Unsub will automatically go off after three minutes unless<br>
you activate the &quot;Manual off&quot; override switch by flipping it up. =
When<br>
you are ready to leave, press the blue &quot;Shower seal&quot; release butt=
on.<br>
The door will open and you may leave. Please remove the velcro<br>
slippers and place them in their container.<br>
<br>
If you prefer the ultrasonic log-off mode, press the indicated blue<br>
button. When the twin panels open, pull forward by rings A &amp; B. The<br>
knob to the left, just below the blue light, has three settings, low,<br>
medium or high. For normal use, the medium setting is suggested.<br>
<br>
After these settings have been made, you can activate the device by<br>
switching to the &quot;ON&quot; position the clearly marked red switch. If<=
br>
during the unsubscribing operation, you wish to change the settings,<br>
place the &quot;manual off&quot; override switch in the &quot;OFF&quot; pos=
ition. You may<br>
now make the change and repeat the cycle. When the green exit light<br>
goes on, you may log off and have lunch. Please close the door behind<br>
you.<br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>Tony<br>

--0016e64ca6d48b412f0481dc855d--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 20:31:40 2010
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: guitar setups
Date: Mon, 15 Mar 2010 13:26:39 -0700
Importance: Normal
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--_f1c99858-de5e-4f25-9304-550c746358c8_
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Hi=2C Erdem.

I tested the Nighttrain at a local music store and REALLY liked it -althoug=
h it doesn't have reverb. My initial reasoning was the easy portability giv=
en some of the very tight spots my band plays in. But the sound is great -t=
ried it thru the Vox 112 cab. I came close to getting this from Musicians F=
riend for somewhere around $700 -800 dollars but then found a Fender Blues =
Jr. in brand new condition for a whole lot less and went that route. Now I =
have reverb.

J.D.Devros

Portland OR
=20


From: erdemhel@tnn.net
To: Loopers-Delight@loopers-delight.com
Subject: guitar setups
Date: Sat=2C 13 Mar 2010 15:25:40 +0200




hi to all=2C
=20
these days i have been producing mostly pop and rock bands=2C acts. i have =
the marshall jmp 2000 head. i would like to buy the new vox nighttrain head=
. would like to record with it using a speaker simulator like the palmer sp=
eaker simulator. any used it? what are your opinions?
=20
http://www.palmergear.com/pdi03.shtml
=20
also i would like to buy a new electric bass guitar to use within the genre=
s of soul=2C r and b=2C pop=2C rock=2C dance=2C electronica... what would y=
ou recommend for that? fender=2C musicman?
=20
thanks a lot as always and best regards from istanbul.
=20
erdem h. 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/210850552/direct/01/=

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<body class=3D'hmmessage'>
Hi=2C Erdem.<BR>
I tested the Nighttrain at a local music store and REALLY liked it -althoug=
h it doesn't have&nbsp=3Breverb. My initial reasoning was the easy portabil=
ity given some of the very tight spots my band plays in. But the sound is g=
reat -tried it thru the Vox 112 cab. I came close to getting this from Musi=
cians Friend for somewhere around $700 -800 dollars but then found a Fender=
 Blues Jr. in brand new condition for a whole lot less and went that route.=
 Now I have reverb.<BR>
J.D.Devros<BR>
Portland OR<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: erdemhel@tnn.net<BR>To: Loopers-Delight@loopers-delight.com<BR>Subjec=
t: guitar setups<BR>Date: Sat=2C 13 Mar 2010 15:25:40 +0200<BR><BR>
<STYLE>
</STYLE>

<DIV><FONT face=3DArial size=3D2>hi to all=2C</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial size=3D2>these days i have been producing mostly po=
p and rock bands=2C acts. i have the marshall jmp 2000 head. i would like t=
o buy the new vox nighttrain head. would like to record with it using a spe=
aker simulator like the palmer speaker simulator. any used it? what are you=
r opinions?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial size=3D2><A href=3D"http://www.palmergear.com/pdi03=
.shtml">http://www.palmergear.com/pdi03.shtml</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial size=3D2>also i would like to buy a new electric ba=
ss guitar to use within the genres of soul=2C r and b=2C pop=2C rock=2C dan=
ce=2C electronica...&nbsp=3Bwhat would you recommend for that? fender=2C mu=
sicman?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial size=3D2>thanks a lot as always and best regards fr=
om istanbul.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial size=3D2>erdem h.</FONT></DIV> 		 	   		  <br /><hr=
 />Hotmail: Trusted email with Microsoft=92s powerful SPAM protection. <a h=
ref=3D'http://clk.atdmt.com/GBL/go/210850552/direct/01/' target=3D'_new'>Si=
gn up now.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 20:41:56 2010
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Why are my messages all getting rejected?
=20
I'm a subscriber I promise! :) Help! 		 	   		 =20
_________________________________________________________________
The New Busy is not the old busy. Search=2C chat and e-mail from your inbox=
.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_3=

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 20:57:01 2010
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From: Ryan & Kara <karaandryan2@msn.com>
To: <loopers-delight@loopers-delight.com>
Subject: Guitar mics 2cents
Date: Mon, 15 Mar 2010 16:52:18 -0400
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OOH! It works now.. how odd.=20
Appologies. And for the guitar mic question.. t
wo very reliable and cost effective mics that I reccomend for every home-st=
udio enthusiast are=20
=20
1. R0de NT1a (cardioid condener)- The cleanest=2C flatest=2C most cost-effe=
ctive=2C well built microphone. I absolutely and whole heartedly adore thes=
e microphones=2C especially when you want to make sure the entire EQ spectr=
um is prepresented in a recording. The perfect mic at $200 hands down. I us=
e this mostly for accoustic recording.=20
=20
2. Shure sm-57 (classic dynamic) - it has a great sound for drums and instr=
uments=2C picks up a little too much for some people's vocals but it's buil=
t like a rock=2C can be found in every studio on earth and has been on the =
president's podium for half a decade. I use this mostly for live banjo/cong=
a reinforcement but frequently for percussion/string recording. It's cheap =
at $70-$80 but should be a first purchase in my opinion because you don't h=
ave to worry about fixing the EQ=2C it's naturally EQ'd perectly for most i=
nstrument home recording setups.=20
=20
Either of these would do fine to pick up just about any stringed instrument=
. You'd have to experiment with placement with both to get the best sounds =
though. -Ryan 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/210850553/direct/01/=

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 21:02:38 2010
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Subject: Mixer selection - advice?
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Hello.. Thanks to everyone who previously offered advice on which looper to=
 pursue.
=20
With my way of doing things I narrowed it down to a looperlative=2C echople=
x=2C repeater or software. I think I will go with software while saving up =
for the hardware.
=20
Which brings me to my next question..
=20
I'm considering getting a USB mixer as my front line of attack.
=20
Has anyone had any expereience with a Yamaha MG166c-usb (or cx-usb)? I thin=
k I like the idea of built in compression and built in sound card.
=20
I have two concerns though
=20
1. I previously (when first getting into home studio stuff a while back) us=
ed an external soundblaster audigy going into cubase vst (and later SX) whi=
ch gave me terrible lag (on auio and midi) no matter what I did.
I would up with several midiman (m-audio) sound cards which worked extremel=
y well because they were PCI. I've never had any good experience with USB b=
ased audio. Can anyone here confirm or supress my fears of great latency wi=
th this gear?
=20
2. I'm woried about the sample rate producing low-quality sounds. Again=2C =
any thoughts?
=20
Thanks a bunch! Oh and if anyone wants to hear the style I produce and woul=
d like to bring to the looping table check out www.myspace.com/djsamwise th=
e genre is christian/electronic/folkrock.
=20
Jam on!
-Ryan 		 	   		 =20
_________________________________________________________________
Hotmail is redefining busy with tools for the New Busy. Get more from your =
inbox.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_2=

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Subject: Fwd: AT4050 - Re: OT: Recommendations for Microphone and Archtop or 
	Acoustic Guitar
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--001636c9290b8ec1920481dd8606
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---------- Forwarded message ----------
From: Todd Matthews <gtmatthews@gmail.com>
Date: Mon, Mar 15, 2010 at 5:22 PM
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or
Acoustic Guitar
To: Kris Hartung <info@krispenhartung.com>


I'm using the atm350 to mix with a piezo pickup on my acoustic bass. The
clip doesn't open up that wide so I've had to be creative in what I attach
it to... but the mic sounds good to me. The other pricer option for an
instrument mic that gets high gain before feedback is the DPA4099.

-Todd Matthews


On Mon, Mar 15, 2010 at 2:33 PM, Kris Hartung <khartung@q.com> wrote:

> Any comments on this?
>
>
> http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications
>
> For live this would be ideal...less feedback.
>
> Kris
>
>

--001636c9290b8ec1920481dd8606
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><br><div class=3D"gmail_quote">---------- Forwarded message ----------<=
br>From: <b class=3D"gmail_sendername">Todd Matthews</b> <span dir=3D"ltr">=
&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</s=
pan><br>
Date: Mon, Mar 15, 2010 at 5:22 PM<br>Subject: Re: AT4050 - Re: OT: Recomme=
ndations for Microphone and Archtop or Acoustic Guitar<br>To: Kris Hartung =
&lt;<a href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</a>&=
gt;<br>
<br><br>I&#39;m using the atm350 to mix with a piezo pickup on my acoustic =
bass. The clip doesn&#39;t open up that wide so I&#39;ve had to be creative=
 in what I attach it to... but the mic sounds good to me. The other pricer =
option for an instrument mic that gets high gain before feedback is the DPA=
4099.<div>

<br></div><div><font color=3D"#888888">-Todd Matthews</font><div><div></div=
><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Mon, Mar 15, 2010 =
at 2:33 PM, Kris Hartung <span dir=3D"ltr">&lt;<a href=3D"mailto:khartung@q=
.com" target=3D"_blank">khartung@q.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Any comments on this?<br>
<br>
<a href=3D"http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_=
ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications" target=3D=
"_blank">http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_AT=
M350CW_ATM350_HI_Intensity_Microphone_with.html#specifications</a><br>


<br>
For live this would be ideal...less feedback.<br><font color=3D"#888888">
<br>
Kris<br>
<br>
</font></blockquote></div><br></div></div></div>
</div><br>

--001636c9290b8ec1920481dd8606--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 21:35:36 2010
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Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
Date: Mon, 15 Mar 2010 14:35:29 -0700
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yes the 4050 comes with a nice shock mount and when the elastic  
suspension piece wears out they are more than happy to send out a new  
one as long as you thread it and crimp it yourself which is easy.
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 15 21:48:23 2010
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Date: Mon, 15 Mar 2010 14:48:22 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or  Acoustic Guitar
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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The Dpa sounds really natural and is easy to clip on the instrument.
Antony Hequet

Sent from my iPhone

On Mar 15, 2010, at 10:25 PM, Todd Matthews <gtmatthews@gmail.com> wrote:



---------- Forwarded message ----------
From: Todd Matthews <gtmatthews@gmail.com>
Date: Mon, Mar 15, 2010 at 5:22 PM
Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar
To: Kris Hartung <info@krispenhartung.com>


I'm using the atm350 to mix with a piezo pickup on my acoustic bass. The clip doesn't open up that wide so I've had to be creative in what I attach it to... but the mic sounds good to me. The other pricer option for an instrument mic that gets high gain before feedback is the DPA4099.

-Todd Matthews


On Mon, Mar 15, 2010 at 2:33 PM, Kris Hartung <khartung@q.com> wrote:
Any comments on this?

http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications

For live this would be ideal...less feedback.

Kris






      
--0-1501727236-1268689702=:80223
Content-Type: text/html; charset=us-ascii

<html><body bgcolor="#FFFFFF"><div>The Dpa sounds really natural and is easy to clip on the instrument.</div><div>Antony Hequet<br><br>Sent from my iPhone</div><div><br>On Mar 15, 2010, at 10:25 PM, Todd Matthews &lt;<a href="mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>> wrote:<br><br></div><div></div><blockquote type="cite"><div><br><br><div class="gmail_quote">---------- Forwarded message ----------<br>From: <b class="gmail_sendername">Todd Matthews</b> <span dir="ltr">&lt;<a href="mailto:gtmatthews@gmail.com"><a href="mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a></a>></span><br>
Date: Mon, Mar 15, 2010 at 5:22 PM<br>Subject: Re: AT4050 - Re: OT: Recommendations for Microphone and Archtop or Acoustic Guitar<br>To: Kris Hartung &lt;<a href="mailto:info@krispenhartung.com"><a href="mailto:info@krispenhartung.com">info@krispenhartung.com</a></a>><br>
<br><br>I'm using the atm350 to mix with a piezo pickup on my acoustic bass. The clip doesn't open up that wide so I've had to be creative in what I attach it to... but the mic sounds good to me. The other pricer option for an instrument mic that gets high gain before feedback is the DPA4099.<div>

<br></div><div><font color="#888888">-Todd Matthews</font><div><div></div><div class="h5"><br><br><div class="gmail_quote">On Mon, Mar 15, 2010 at 2:33 PM, Kris Hartung <span dir="ltr">&lt;<a href="mailto:khartung@q.com" target="_blank"><a href="mailto:khartung@q.com">khartung@q.com</a></a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Any comments on this?<br>
<br>
<a href="http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications" target="_blank"><a href="http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications">http://www.bhphotovideo.com/c/product/574748-REG/Audio_Technica_ATM350CW_ATM350_HI_Intensity_Microphone_with.html#specifications</a></a><br>


<br>
For live this would be ideal...less feedback.<br><font color="#888888">
<br>
Kris<br>
<br>
</font></blockquote></div><br></div></div></div>
</div><br>
</div></blockquote><br>

      </body></html>
--0-1501727236-1268689702=:80223--

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--Apple-Mail-1-472450854
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	charset=US-ASCII;
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> "
"maybe it's too obvious to mention, but what seems to be happening
is that at normal speed you're recording a signal onto the LP1 which
is too high for you to hear, then the Half Speed playback makes it  
audible.

> The buffer amp cures it by filtering out the hf"

  Yes I have considered this, but the frustrating part is its  
intermittent.  i have encountered this high pitched frequency when  
batteries have started to die, but it was a constant sound, not  
something that occurred only when recording at half speed, and the  
fact that the problem disappeared when i turned off the satellite dish  
makes me  think its a combination of interference possibly, a dying  
battery, perhaps a combination of electromagnetic and electrostatic,  
interference.... or perhaps its the demon leprechauns who won't stop  
singing their high pitched theme song in my head...........
Bill 
--Apple-Mail-1-472450854
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote =
type=3D"cite">"</blockquote><font class=3D"Apple-style-span" =
color=3D"#445DB8">"maybe it's too obvious to mention, but what seems to =
be happening<br>is that at normal speed you're recording a signal onto =
the LP1 which<br>is too high for you to hear, then the Half Speed =
playback makes it audible.<br><br></font><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#445DB8">The buffer amp cures it by =
filtering out the hf</font><font class=3D"Apple-style-span" =
color=3D"#6183FF">"</font><br></blockquote><br><div>&nbsp;Yes I have =
considered this, but the frustrating part is its intermittent. &nbsp;i =
have encountered this high pitched frequency when batteries have started =
to die, but it was a constant sound, not something that occurred only =
when recording at half speed, and the fact that the problem disappeared =
when i turned off the satellite dish makes me &nbsp;think its a =
combination of interference possibly, a dying battery, perhaps a =
combination of electromagnetic and electrostatic, interference.... or =
perhaps its the demon leprechauns who won't stop singing their high =
pitched theme song in my =
head...........</div><div>Bill&nbsp;</div></body></html>=

--Apple-Mail-1-472450854--

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Date: Mon, 15 Mar 2010 23:38:48 +0100
Message-ID: <7a9df3e51003151538x212f9587x3f1201992d194229@mail.gmail.com>
Subject: Re: Mixer selection - advice?
From: Louie Angulo <louie.angulo@googlemail.com>
To: rymoore@bigfoot.com
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi Ryan,
i once tired this yamaha mixer series and i thoguth it was
terrible,everything feels cheap including the effects and my acoustic guitar
didnt sound too clean through it,so i opted for the soundcraft thoguh is not
usb.
but check out the macke FX pro series,i have the pro fx 8 and love it they
are usb and the fx are top though no compressors.
But for the price u just cant beat them!
cheers
Luis

2010/3/15 Ryan & Kara <karaandryan2@msn.com>

>
> Hello.. Thanks to everyone who previously offered advice on which looper to
> pursue.
>
> With my way of doing things I narrowed it down to a looperlative, echoplex,
> repeater or software. I think I will go with software while saving up for
> the hardware.
>
> Which brings me to my next question..
>
> I'm considering getting a USB mixer as my front line of attack.
>
> Has anyone had any expereience with a Yamaha MG166c-usb (or cx-usb)? I
> think I like the idea of built in compression and built in sound card.
>
> I have two concerns though
>
> 1. I previously (when first getting into home studio stuff a while back)
> used an external soundblaster audigy going into cubase vst (and later SX)
> which gave me terrible lag (on auio and midi) no matter what I did.
> I would up with several midiman (m-audio) sound cards which worked
> extremely well because they were PCI. I've never had any good experience
> with USB based audio. Can anyone here confirm or supress my fears of great
> latency with this gear?
>
> 2. I'm woried about the sample rate producing low-quality sounds. Again,
> any thoughts?
>
> Thanks a bunch! Oh and if anyone wants to hear the style I produce and
> would like to bring to the looping table check out
> www.myspace.com/djsamwise the genre is christian/electronic/folkrock.
>
> Jam on!
> -Ryan
> _________________________________________________________________
> Hotmail is redefining busy with tools for the New Busy. Get more from your
> inbox.
>
> http://www.windowslive.com/campaign/thenewbusy?ocid=PID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:032010_2
>

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<div>Hi Ryan,</div>
<div>i once tired this yamaha mixer series and i thoguth it was terrible,ev=
erything feels cheap including the effects and my acoustic guitar didnt sou=
nd too clean through it,so i opted for the soundcraft thoguh is not usb.</d=
iv>

<div>but check out the macke FX pro series,i have the pro fx 8 and love it=
=A0they are usb and the fx are top though no compressors.</div>
<div>But for the price u just cant beat them!</div>
<div>cheers</div>
<div>Luis<br><br></div>
<div class=3D"gmail_quote">2010/3/15 Ryan &amp; Kara <span dir=3D"ltr">&lt;=
<a href=3D"mailto:karaandryan2@msn.com">karaandryan2@msn.com</a>&gt;</span>=
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>Hello.. Thanks to everyone w=
ho previously offered advice on which looper to pursue.<br><br>With my way =
of doing things I narrowed it down to a looperlative, echoplex, repeater or=
 software. I think I will go with software while saving up for the hardware=
.<br>
<br>Which brings me to my next question..<br><br>I&#39;m considering gettin=
g a USB mixer as my front line of attack.<br><br>Has anyone had any experei=
ence with a Yamaha MG166c-usb (or cx-usb)? I think I like the idea of built=
 in compression and built in sound card.<br>
<br>I have two concerns though<br><br>1. I previously (when first getting i=
nto home studio stuff a while back) used an external soundblaster audigy go=
ing into cubase vst (and later SX) which gave me terrible lag (on auio and =
midi) no matter what I did.<br>
I would up with several midiman (m-audio) sound cards which worked extremel=
y well because they were PCI. I&#39;ve never had any good experience with U=
SB based audio. Can anyone here confirm or supress my fears of great latenc=
y with this gear?<br>
<br>2. I&#39;m woried about the sample rate producing low-quality sounds. A=
gain, any thoughts?<br><br>Thanks a bunch! Oh and if anyone wants to hear t=
he style I produce and would like to bring to the looping table check out <=
a href=3D"http://www.myspace.com/djsamwise" target=3D"_blank">www.myspace.c=
om/djsamwise</a> the genre is christian/electronic/folkrock.<br>
<br>Jam on!<br>-Ryan<br>___________________________________________________=
______________<br>Hotmail is redefining busy with tools for the New Busy. G=
et more from your inbox.<br><a href=3D"http://www.windowslive.com/campaign/=
thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:WL:en-US:WM_HMP:032010_2" target=
=3D"_blank">http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925:=
:T:WLMTAGL:ON:WL:en-US:WM_HMP:032010_2</a><br>
</blockquote></div><br>

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Date: Mon, 15 Mar 2010 17:05:40 -0700
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Subject: Re: unsubscribe
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LOL!

On Mon, Mar 15, 2010 at 1:14 PM, Tony K <bigtonyk@gmail.com> wrote:

>
> Here's how to unsubscribe:
>
> First, ask the list owner to mail you an Unsubscribing Kit.   $29.95 +
> shipping.
> Then follow these directions.
>
>
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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LOL!<br><br><div class=3D"gmail_quote">On Mon, Mar 15, 2010 at 1:14 PM, Ton=
y K <span dir=3D"ltr">&lt;<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gm=
ail.com</a>&gt;</span> wrote:<br> 		 	   		  <blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">
<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-le=
ft: 1ex;">
</blockquote></div><br>Here&#39;s how to unsubscribe:<br>
<br>
First, ask the list owner to mail you an Unsubscribing Kit. =A0 $29.95 + sh=
ipping.<br>
Then follow these directions.<br>
<br clear=3D"all"></blockquote></div><br>-- <br>Art Simon<br><a href=3D"mai=
lto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimon<br=
>

--0016e6477a62199fa10481dfc223--

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Date: Mon, 15 Mar 2010 17:08:03 -0700
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I had a 9 volt portable guitar amp that would start picking up interference
and humming like a (. . . fill in your favorite Frank Zappa quote. . .) when
it ran low, so that seems pretty reasonable to me.

On Sun, Mar 14, 2010 at 9:24 PM, William Walker <billwalker@baymoon.com>wrote:

> Now my head really hurts, I tried some more tests to recreate the weird hum
> i was experiencing and realized the two instruments that were susceptible
> where the two with duncan mag mic active pickups in them, which also brings
> up the possibility that an aging 9 volt battery might be also culprit.  Put
> if that were the case I'd probably here the high pitched whine regardless of
> whether I was looping or not. The difficulty is that it might be a number of
> things happening to cause the problem. One thing I did try the last time
> this happened was to put a buffer amp in the signal path which also cured
> the issue. Puzzling .. weird, ghosts in the machine........ And then again
> its probably just the ancient overworked electrical system in our
> house................
> Bill
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001485e773369663fb0481dfca8b
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I had a 9 volt portable guitar amp that would start picking up interference=
 and humming like a (. . . fill in your favorite Frank Zappa quote. . .) wh=
en it ran low, so that seems pretty reasonable to me.<br><br><div class=3D"=
gmail_quote">
On Sun, Mar 14, 2010 at 9:24 PM, William Walker <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Now my head really hurts, I tried some more tests to recreate the weird hum=
 i was experiencing and realized the two instruments that were susceptible =
where the two with duncan mag mic active pickups in them, which also brings=
 up the possibility that an aging 9 volt battery might be also culprit. =A0=
Put if that were the case I&#39;d probably here the high pitched whine rega=
rdless of whether I was looping or not. The difficulty is that it might be =
a number of things happening to cause the problem. One thing I did try the =
last time this happened was to put a buffer amp in the signal path which al=
so cured the issue. Puzzling .. weird, ghosts in the machine........ And th=
en again its probably just the ancient overworked electrical system in our =
house................<br>

Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

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Date: Mon, 15 Mar 2010 18:09:13 -0700 (PDT)
From: ALHAJI USMAN BELLO <alhajibello2@bellsouth.net>
Reply-To: ahajibello1987@gmail.com
Subject: PAYMENT STOP ORDER FROM OFFICE OF THE PRESIDENCY:
To: undisclosed recipients: ;
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--0-1904061146-1268701753=:56100
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FROM DESK OF: ALHAJI USMAN BELLO

DIRECTOR, FOREIGN DEBT RECONCILIATION COMMITTEE.

DIRECT EMAIL ADDRESS: ahajibello1987@gmail.com



TELEPHONE: +234-7065135408



ATTN: BENEFICIARY,



DEAR, 



PAYMENT STOP ORDER FROM OFFICE OF THE PRESIDENCY:



This is to notify you about your outstanding contract payment, Inheritance and lottery wining which was suspended by the Presidency due to some reasons. Although this medium (Internet) has been greatly abused, but I chose to reach you through it because it still remains the global means of communication, which is faster, easy means to reach out and most secured medium of communication. Be informed that this letter is not a Scam mail and I urge you to treat it with the seriousness it deserves..



The stopping instruction from the office of the presidency came to our notice to stop the out going transfer which your contact was among this list. The stopping instruction came as a result of the new Beneficiary and the new bank account, with this new development the Foreign Debt Reconciliation Committee and the Finance Minister has set up a verification Panel on your due contract payment file which has been endorsed and approved for payment awaiting for your final confirmation in view of this sudden changes you have to get back to this office to confirm the new account submitted to Central Bank of Nigeria for this transfer on your behalf.



(1) This Office has just received a registered sworn affidavit, to re-route your payment into a new bank account number as stated: VACAP Federal Credit Union, 1700 Robin Hood Road, Richmond, VA 23220. Account number 32501. Beneficiary name Mr. RAINER HESSE. The Amount is US$10.5m USD.(Ten Million Five Hundred Thousand United States Dollars Only) This is the only reason why you have not received your fund.



(2) You have to get back to this office with the copy of confirmation letter or power of attorney if you have instructed Mr. RAINER HESSE the right to change and appoint a new Attorney on your behalf thereby asking that they receive cash call remittance on your behalf.



(3) It has come to our notice that you are being contacted by unauthorized Individuals in respect to your contract payment but unfortunately this office is not aware of your unofficial dealings and be warned that it is at your own risk if you continue with this contact.



The Foreign Debt Reconciliation Committee have to contact you to verify the relationship between you and Mr. RAINER HESSE as he tried to change all your details through the sworn affidavit into a new different bank account details . You are advised to call me or email back upon the receipt of this mail to enable this office know and advice you on how to handle this matter without any hitch.



Yours faithfully,

Alhaji Usman Bello (Director Foreign Debt Reconciliation Committee),



Warning: Failure to adhere to this Mail with the Instructions you will be doing so at your own risk and should not hold this Office or the Federal Government of Nigeria responsible for the non-payment of their Foreign Exchange Payment.
--0-1904061146-1268701753=:56100
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>FROM DESK OF: ALHAJI USMAN BELLO<br>
DIRECTOR, FOREIGN DEBT RECONCILIATION COMMITTEE.<br>
DIRECT EMAIL ADDRESS: ahajibello1987@gmail.com<br>
<br>
TELEPHONE: +234-7065135408<br>
<br>
ATTN: BENEFICIARY,<br>
<br>
DEAR, <br>
<br>
PAYMENT STOP ORDER FROM OFFICE OF THE PRESIDENCY:<br>
<br>
This is to notify you about your outstanding contract payment, Inheritance and lottery wining which was suspended by the Presidency due to some reasons. Although this medium (Internet) has been greatly abused, but I chose to reach you through it because it still remains the global means of communication, which is faster, easy means to reach out and most secured medium of communication. Be informed that this letter is not a Scam mail and I urge you to treat it with the seriousness it deserves..<br>
<br>
The stopping instruction from the office of the presidency came to our notice to stop the out going transfer which your contact was among this list. The stopping instruction came as a result of the new Beneficiary and the new bank account, with this new development the Foreign Debt Reconciliation Committee and the Finance Minister has set up a verification Panel on your due contract payment file which has been endorsed and approved for payment awaiting for your final confirmation in view of this sudden changes you have to get back to this office to confirm the new account submitted to Central Bank of Nigeria for this transfer on your behalf.<br>
<br>
(1) This Office has just received a registered sworn affidavit, to re-route your payment into a new bank account number as stated: VACAP Federal Credit Union, 1700 Robin Hood Road, Richmond, VA 23220. Account number 32501. Beneficiary name Mr. RAINER HESSE. The Amount is US$10.5m USD.(Ten Million Five Hundred Thousand United States Dollars Only) This is the only reason why you have not received your fund.<br>
<br>
(2) You have to get back to this office with the copy of confirmation letter or power of attorney if you have instructed Mr. RAINER HESSE the right to change and appoint a new Attorney on your behalf thereby asking that they receive cash call remittance on your behalf.<br>
<br>
(3) It has come to our notice that you are being contacted by unauthorized Individuals in respect to your contract payment but unfortunately this office is not aware of your unofficial dealings and be warned that it is at your own risk if you continue with this contact.<br>
<br>
The Foreign Debt Reconciliation Committee have to contact you to verify the relationship between you and Mr. RAINER HESSE as he tried to change all your details through the sworn affidavit into a new different bank account details . You are advised to call me or email back upon the receipt of this mail to enable this office know and advice you on how to handle this matter without any hitch.<br>
<br>
Yours faithfully,<br>
Alhaji Usman Bello (Director Foreign Debt Reconciliation Committee),<br>
<br>
Warning: Failure to adhere to this Mail with the Instructions you will be doing so at your own risk and should not hold this Office or the Federal Government of Nigeria responsible for the non-payment of their Foreign Exchange Payment.</td></tr></table>
--0-1904061146-1268701753=:56100--

From bruceakin54@yahoo.com.hk  Tue Mar 16 01:22:33 2010
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Reply-To: <bruceakin54@aol.co.uk>
From: "Mr. Bruce Akin"<bruceakin54@yahoo.com.hk>
Subject: LETTER!!!
Date: Tue, 16 Mar 2010 04:43:41 +1100
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To: undisclosed-recipients:;

Mr. Bruce Akin
Reply to bruceakinn@aol.co.uk
 
I wish to seek your assistance for the transfer of US$25M depository made by a foreign investor for an investment program that has remained dormant for years now. I discovered that the account holder died without making a WILL on the depository.
 
This money cannot be approved to a local bank account holder, but can only be approved to a foreigner. If you will stand as next of kin to the fund, it will be shared 50%/50%, As this is a TWO-man business deal transaction.
  
I shall provide you with more details and relevant documents that will help you understand the transaction. I need your assistance and co-operation to this reality as I have done my Home-work and fine tune the best way to create you as the beneficiary of the fund. My position as the branch manager of the bank will be used to advance this deal.
 
I will like you to provide immediately your full Names and Address, Date of Birth, Occupation, Tel & Fax Numbers so that an Attorney will be able to prepare the necessary documents and affidavit which will put you in place as the next of kin. The Attorney will draft and carry out the notarization of the WILL and also obtain the necessary documents and letter of probate/administration in your favor for the claim.
 
I will appreciate your early reply for commencement of business. Contact me for acknowledgment by E-mail and whereby you are not interested; please indicate in your reply so that I can seek for the assistance of someone else.
 
If this proposal is acceptable by you, I expect that you will not take undue advantage of the trust I Will bestow in you. I await your urgent response.
 
Thanks with great regards.
 
Mr. Bruce Akin
Reply to bruceakinn@aol.co.uk

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 02:14:44 2010
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Date: Mon, 15 Mar 2010 19:14:42 -0700 (PDT)
Subject: Have you thought of two LP2 MINI loopers?    was: Re: Mixer 
     selection - advice?
From: looppool@cruzio.com
To: "Ryan & Kara" <karaandryan2@msn.com>
Cc: loopers-delight@loopers-delight.com
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Hi Ryan, you wrote:,

"With my way of doing things I narrowed it down to a looperlative,
echoplex, repeater or software."

Another thing you might consider is buying
two of the upcoming Looperlative LP2 MINI loopers
($300 each)   as you would have

syncable loops,   20 levels of undo
feedback control (with an optional expression pedal)
excellent fidelity (and better than the RC-50)
storage and/or loading  of 8 loops on an SD card
1/2 speed
1/4 speed (artifacty as hell, but cool)
reverse
wonderful and musical slice/replace algorithms
(in 1/8, 1/16, 1/12, 1/24, 1/7, 1/9, 1/10 and
even 1/64 for glitching replaces
retrigger (single sample)
retrigger (continuous ----   starts the loop off at the downbeat with
every retrigger)
retrigger (random - an idea I came up with that allows one to retrigger so
that each retrigger takes you to a random different place in the loop to
start,  wonderful for creating very interesting rhythmic ostinatos which
you can then resample with a second LP2
small footprint (each one the size of the green Line 6 DL-4 an no extra
bulky foot pedals)
super quick set up and takes either Balanced - with XLR - Tip/Ring Sleeve
Line plug
optional adaptor or Instrument Line inputs so
a Mixer is not necessary)

and all of this with MIDI SYNC in/out

it ends up being at the low end of the solutions you mentioned ($100 more
than
the RC-50 but with vastly more goodies included) and hundreds less than
full on software solutions (if you consider laptop, midi pedals, breakout
box and even freeware solutions
or pricey and out of print EDPs or Repeaters - both of which I adore and
own, btw)

With two of them,  you also have back up if one of your systems should
ever go down
(not possible with single units).  Hopefully that would never happen but
I've seen it a dozens of times in live looping gigs all over the world.

yours,   Rick

> Hello.. Thanks to everyone who previously offered advice on which looper
> to pursue.
>
 I think I will go with software while
> saving up for the hardware.
>
> Which brings me to my next question..
>
> I'm considering getting a USB mixer as my front line of attack.
>
> Has anyone had any expereience with a Yamaha MG166c-usb (or cx-usb)? I
> think I like the idea of built in compression and built in sound card.
>
> I have two concerns though
>
> 1. I previously (when first getting into home studio stuff a while back)
> used an external soundblaster audigy going into cubase vst (and later SX)
> which gave me terrible lag (on

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 03:19:31 2010
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	 <9b72a74a1142cf5d9ac21894e1a98c71.squirrel@cruziomail.cruzio.com>
Date: Mon, 15 Mar 2010 21:19:30 -0600
Message-ID: <dec8f8e61003152019i7bd41989mdd0f6cef084e484d@mail.gmail.com>
Subject: Re: Have you thought of two LP2 MINI loopers? was: Re: Mixer 
	selection - advice?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: "Ryan & Kara" <karaandryan2@msn.com>
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A great suggestion, but when will see the LP2? No word on the website
(and the wife is as excited as me, so pre-order is a reality!)...

Details, man, details!

Best.

Dennis

On Mon, Mar 15, 2010 at 8:14 PM,  <looppool@cruzio.com> wrote:
> Hi Ryan, you wrote:,
>
> "With my way of doing things I narrowed it down to a looperlative,
> echoplex, repeater or software."
>
> Another thing you might consider is buying
> two of the upcoming Looperlative LP2 MINI loopers
> ($300 each) =A0 as you would have
>
> syncable loops, =A0 20 levels of undo
> feedback control (with an optional expression pedal)
> excellent fidelity (and better than the RC-50)
> storage and/or loading =A0of 8 loops on an SD card
> 1/2 speed
> 1/4 speed (artifacty as hell, but cool)
> reverse
> wonderful and musical slice/replace algorithms
> (in 1/8, 1/16, 1/12, 1/24, 1/7, 1/9, 1/10 and
> even 1/64 for glitching replaces
> retrigger (single sample)
> retrigger (continuous ---- =A0 starts the loop off at the downbeat with
> every retrigger)
> retrigger (random - an idea I came up with that allows one to retrigger s=
o
> that each retrigger takes you to a random different place in the loop to
> start, =A0wonderful for creating very interesting rhythmic ostinatos whic=
h
> you can then resample with a second LP2
> small footprint (each one the size of the green Line 6 DL-4 an no extra
> bulky foot pedals)
> super quick set up and takes either Balanced - with XLR - Tip/Ring Sleeve
> Line plug
> optional adaptor or Instrument Line inputs so
> a Mixer is not necessary)
>
> and all of this with MIDI SYNC in/out
>
> it ends up being at the low end of the solutions you mentioned ($100 more
> than
> the RC-50 but with vastly more goodies included) and hundreds less than
> full on software solutions (if you consider laptop, midi pedals, breakout
> box and even freeware solutions
> or pricey and out of print EDPs or Repeaters - both of which I adore and
> own, btw)
>
> With two of them, =A0you also have back up if one of your systems should
> ever go down
> (not possible with single units). =A0Hopefully that would never happen bu=
t
> I've seen it a dozens of times in live looping gigs all over the world.
>
> yours, =A0 Rick
>
>> Hello.. Thanks to everyone who previously offered advice on which looper
>> to pursue.
>>
> =A0I think I will go with software while
>> saving up for the hardware.
>>
>> Which brings me to my next question..
>>
>> I'm considering getting a USB mixer as my front line of attack.
>>
>> Has anyone had any expereience with a Yamaha MG166c-usb (or cx-usb)? I
>> think I like the idea of built in compression and built in sound card.
>>
>> I have two concerns though
>>
>> 1. I previously (when first getting into home studio stuff a while back)
>> used an external soundblaster audigy going into cubase vst (and later SX=
)
>> which gave me terrible lag (on
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 05:14:06 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	 <F160BE32A2E5E04497668BBDFE83FEDF3BCE35E4@EXCHVS1.medctr.ad.wfubmc.edu>
	 <c70841111003151040n5f790cdasb78469c014c72686@mail.gmail.com>
	 <2fb9e4731003151201j2309d461u351fe4667b6909a3@mail.gmail.com>
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Date: Tue, 16 Mar 2010 07:14:05 +0200
Message-ID: <c70841111003152214o42a9fad8x10cdc3b1c4d810bb@mail.gmail.com>
Subject: Re: unsubscribe
From: Petri Lahtinen <aikuinen@gmail.com>
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Loopers-Delight-request@loopers-delight.com

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<font><a href="mailto:Loopers-Delight-request@loopers-delight.com" target="_blank"><font size="2">Loopers-Delight-request@loopers-delight.com</font></a></font><br>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 05:20:42 2010
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From: Toby Graves <carpet8@mac.com>
Subject: Re: unsubscribe
Date: Mon, 15 Mar 2010 22:17:58 -0700
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I wonder if unsubscribing could become a trend.

t
On Mar 15, 2010, at 10:14 PM, Petri Lahtinen wrote:

> Loopers-Delight-request@loopers-delight.com


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
I wonder if unsubscribing could become a trend. &nbsp;<div><br></div><div>t<br><div><div>On Mar 15, 2010, at 10:14 PM, Petri Lahtinen wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><font><a href="mailto:Loopers-Delight-request@loopers-delight.com" target="_blank"><font size="2">Loopers-Delight-request@loopers-delight.com</font></a></font><br></blockquote></div><br></div></body></html>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 05:38:56 2010
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Subject: Re: unsubscribe
References: <OFFFDCC3A4.E28B2CC4-ON862576E4.005C8B71-862576E4.005C8B6E@farmersinsurance.com> <A201ED89-CB44-4E5B-917D-9E91BF496E75@btinternet.com> <9ab0c76f1003121135i6286f0efs14d3a98cc447e812@mail.gmail.com> <c70841111003151027l1dcd1697udad2d353e447053c@mail.gmail.com> <F160BE32A2E5E04497668BBDFE83FEDF3BCE35E4@EXCHVS1.medctr.ad.wfubmc.edu> <c70841111003151040n5f790cdasb78469c014c72686@mail.gmail.com> <2fb9e4731003151201j2309d461u351fe4667b6909a3@mail.gmail.com> <c70841111003151247t73b5aee1h208540c67fa01d05@mail.gmail.com> <SNT132-w44CB2530C697B35A1057E9B62E0@phx.gbl> <c70841111003152214o42a9fad8x10cdc3b1c4d810bb@mail.gmail.com> <D3FDDE74-CB17-4B37-81BE-E247B3113F31@mac.com>
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if we all do it, we'll never know...

On Mar 16, 2010, at 6:17 AM, Toby Graves wrote:

> I wonder if unsubscribing could become a trend.  
> 
> t
> On Mar 15, 2010, at 10:14 PM, Petri Lahtinen wrote:
> 
>> Loopers-Delight-request@loopers-delight.com
> 


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">if we all do it, we'll never know...<div><br><div><div>On Mar 16, 2010, at 6:17 AM, Toby Graves wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
I wonder if unsubscribing could become a trend. &nbsp;<div><br></div><div>t<br><div><div>On Mar 15, 2010, at 10:14 PM, Petri Lahtinen wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><font><a href="mailto:Loopers-Delight-request@loopers-delight.com" target="_blank"><font size="2">Loopers-Delight-request@loopers-delight.com</font></a></font><br></blockquote></div><br></div></div>
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Date: Tue, 16 Mar 2010 09:43:35 +0000 (GMT)
From: john john <john.john24@btinternet.com>
Subject: MY DEAR,I DIN'T FORGET YOUR PAST EFFORTS OK
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1629309288-1268732615=:58509
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Dear Friend,
=A0
It is my pleasure to contact you once again after our unsuccessful attempt =
on our business transaction. Well, I just want to use this medium to thank =
you very much for your earlier assistance to help me in transferring the fu=
nds without any positive out come.
=A0
I am obliged to inform you that have succeeded in receiving the funds with =
the help of a=20
new partner from Paraguay Mr. Dennis. J. Paul.
=A0
=A0Everything was perfectly done because we struck a deal with one of the L=
ady Accountants who works with the Federal Ministry of Finance here in Nige=
ria (FMF), who rendered tremendous help to us.=20
=A0
My new partner initiated this idea and everything worked out successfully. =
In appreciation of your earlier assistance to me in receiving the funds, I =
have decided to compensate you with the sum of $950,000.00(Nine Hundred and=
 Fifty Thousand United States Dollars) in a Cashier's cheque.
=A0
=A0This is from my own share. I did this simply to show appreciation to you=
 for your kind=20
support and assistance even though we could not succeed due to negative inf=
ormation which you received at the time about the transaction. Presently, I=
 am in Paraguay for investment project with my own share under the advice o=
f my partner.
=A0
=A0Meanwhile, I didn't forget your past efforts and attempts to assist me i=
n transferring this fund despite the fact that we could not succeed. I will=
 be sending you e-mail from to time to know if you have received your compe=
nsation or not.
=A0
In the light of the above, you are therefore to contact my personal assista=
nt on my former telephone line +234-705-751-6087 and do send him your phone=
 both contact address where you want the cheque to be sent to you.
=A0His name is Rev.S.I.Sylvester, he his E-mail address is (sun.shines2000@=
gmail.com).do let me know immediately you receive it so that we can share t=
he joy together after all the suffering at that time.=20
=A0In the moment, I am very busy here in Asuncion, the capital city of Para=
guay because of the investment projects, which the new partner and I are ha=
ving at hand.
=A0
=A0So feel free to get in touch with him to send the cheque to You without=
=A0 any delay.
=A0
=A0With My Best Regards,
=A0Mr.John Frank=A0=A0
=A0=20

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Dear Friend,<BR>&nbsp;<BR>It is my pleasure t=
o contact you once again after our unsuccessful attempt on our business tra=
nsaction. Well, I just want to use this medium to thank you very much for y=
our earlier assistance to help me in transferring the funds without any pos=
itive out come.<BR>&nbsp;<BR>I am obliged to inform you that have succeeded=
 in receiving the funds with the help of a <BR>new partner from Paraguay Mr=
. Dennis. J. Paul.<BR>&nbsp;<BR>&nbsp;Everything was perfectly done because=
 we struck a deal with one of the Lady Accountants who works with the Feder=
al Ministry of Finance here in Nigeria (FMF), who rendered tremendous help =
to us. <BR>&nbsp;<BR>My new partner initiated this idea and everything work=
ed out successfully. In appreciation of your earlier assistance to me in re=
ceiving the funds, I have decided to compensate you with the sum of
 $950,000.00(Nine Hundred and Fifty Thousand United States Dollars) in a Ca=
shier's cheque.<BR>&nbsp;<BR>&nbsp;This is from my own share. I did this si=
mply to show appreciation to you for your kind <BR>support and assistance e=
ven though we could not succeed due to negative information which you recei=
ved at the time about the transaction. Presently, I am in Paraguay for inve=
stment project with my own share under the advice of my partner.<BR>&nbsp;<=
BR>&nbsp;Meanwhile, I didn't forget your past efforts and attempts to assis=
t me in transferring this fund despite the fact that we could not succeed. =
I will be sending you e-mail from to time to know if you have received your=
 compensation or not.<BR>&nbsp;<BR>In the light of the above, you are there=
fore to contact my personal assistant on my former telephone line +234-705-=
751-6087 and do send him your phone both contact address where you want the=
 cheque to be sent to you.<BR>&nbsp;His name is Rev.S.I.Sylvester,
 he his E-mail address is (<A href=3D"mailto:sun.shines2000@gmail.com).do">=
sun.shines2000@gmail.com).do</A> let me know immediately you receive it so =
that we can share the joy together after all the suffering at that time. <B=
R>&nbsp;In the moment, I am very busy here in Asuncion, the capital city of=
 Paraguay because of the investment projects, which the new partner and I a=
re having at hand.<BR>&nbsp;<BR>&nbsp;So feel free to get in touch with him=
 to send the cheque to You without&nbsp; any delay.<BR>&nbsp;<BR>&nbsp;With=
 My Best Regards,<BR>&nbsp;Mr.John Frank&nbsp;&nbsp;<BR>&nbsp; <BR></td></t=
r></table>
--0-1629309288-1268732615=:58509--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 10:40:44 2010
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	 <002e01cac1ff$c0847d50$c6f03747@tbl01fcf9be917>
Date: Tue, 16 Mar 2010 12:40:42 +0200
Message-ID: <c70841111003160340m558849d1w2021b91bf6e9c13b@mail.gmail.com>
Subject: Re: unsubscribe
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367fa3de1f8c890481e8a1cb
Content-Type: text/plain; charset=ISO-8859-1

just a little message to these unsubscribers sendin their mails to the wrong
address

2010/3/12 Jeff Duke <jeff_d@embarqmail.com>

>  where are we going?
>
>
>
> ----- Original Message -----
> *From:* Petri Lahtinen <aikuinen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Friday, March 12, 2010 9:49 AM
> *Subject:* Re: unsubscribe
>
> hey, c'mon!!
>
> 2010/3/12 Niel van Zyl <nielvanzyl@gmail.com>
>
>> unsubscribe
>>
>
>
>
>  ------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.436 / Virus Database: 271.1.1/2741 - Release Date: 03/12/10
> 09:42:00
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016367fa3de1f8c890481e8a1cb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

just a little message to these unsubscribers sendin their mails to the wron=
g address<br><br><div class=3D"gmail_quote">2010/3/12 Jeff Duke <span dir=
=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com=
</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">where are we going?</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div>=A0</div>
<blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5p=
x; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;"><div class=3D"i=
m">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"aikuinen@gmail.com" href=3D"mailto:aikuinen@gmail.com" target=
=3D"_blank">Petri=20
  Lahtinen</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  </div><div><div></div><div class=3D"h5"><div style=3D"font: 10pt arial;">=
<b>Sent:</b> Friday, March 12, 2010 9:49=20
AM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: unsubscribe</div>
  <div><br></div>hey, c&#39;mon!!<br><br>
  <div class=3D"gmail_quote">2010/3/12 Niel van Zyl <span dir=3D"ltr">&lt;<=
a href=3D"mailto:nielvanzyl@gmail.com" target=3D"_blank">nielvanzyl@gmail.c=
om</a>&gt;</span><br>
  <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">unsubscribe<br>=
</blockquote></div><br><br clear=3D"all"><br>
  </div></div><p>
  </p><hr>

  <p></p><br>No virus found in this incoming message.<br>Checked by AVG - <=
a href=3D"http://www.avg.com" target=3D"_blank">www.avg.com</a> <br>Version=
: 8.5.436 / Virus=20
  Database: 271.1.1/2741 - Release Date: 03/12/10=20
09:42:00<br></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016367fa3de1f8c890481e8a1cb--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 11:47:15 2010
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Date: Tue, 16 Mar 2010 12:47:14 +0100
Message-ID: <66f9cc1e1003160447m6c8e2b3cr8e31c78e145dc47@mail.gmail.com>
Subject: Looperlative LP1 for sale, second hand but unused
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Hi friends,

A friend is selling a Looperlative LP1 in mint fresh condition, have
actually never been used. He ordered it for a specific project but the
LP1 could not be delivered in time so he hade to start off the project
with a different looping solution. When the LP1 finally arrived it was
never even unpacked. Price USD 1271 plus shipping from Stockholm,
Sweden. Interested may email me privately and I hook you up with the
owner.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 12:02:03 2010
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Subject: Re: vst (win) -> vst (osx)
References: <afb941d1003101402v375331c4q6f33f8df9db230bf@mail.gmail.com> 	<afb941d1003102112q514cf965td45c87c713c06973@mail.gmail.com> 	<588ce11d1003102122m1d1c2474pfdda0729c09432eb@mail.gmail.com> 	<bbb8cbac1003110423q4dab9356ldec6df4045651b37@mail.gmail.com> 	<C1FD4698-7244-44E4-A030-5BE58EE03ED8@btinternet.com> <9ab0c76f1003110453l8edac33j653686c6d578c700@mail.gmail.com> 	<226014A5-B2B9-4DB4-971F-6DEE0BB6FE57@btinternet.com> <9ab0c76f1003110603p27d54cd0q1db38873dab95d82@mail.gmail.com> 	<9ab0c76f1003110612m343dd97eq4b119bf248695e7f@mail.gmail.com> 	<899FB8E0-97D2-41DA-B990-B8151A9A8927@btinternet.com> <9ab0c76f1003111201p5d877ca1q173482c0590c8629@mail.gmail.com>
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Am 11.03.10 21:01, schrieb mark francombe:
> You know it took a reboot.. im sort of getting my plugs in now.. nearly.. a
> few missing files need to be put in the right places... my badly programmed
> vsts Im afraid.. but then what... how do I get these to show in a DAW, or is
> it a "play only" device?

I guess you need to feed it with cables. Or through Jack/Soundflower...

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 12:09:56 2010
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	 <SNT132-w4BDAECA0BB6F041C9DB70B62E0@phx.gbl>
Date: Tue, 16 Mar 2010 21:09:54 +0900
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Subject: Re: unsubscribe
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--00504502c6d31e55cc0481e9e0d8
Content-Type: text/plain; charset=ISO-8859-1

I'm a newbie, and I don't know much about this group, but maybe people are
unsubscribing because this listserv isn't what they thought it would be.

I know that I've been surprised since signing up a few days ago that there
hasn't been much discussion about and comparison of actual looper models.
Guess that's a pretty newb topic.

Also, my question (below) hasn't been answered yet.

-Robert

-----
Hi.

I'm looking for a recommendation for a looping pedal that I'll use for live
solo shows.

I need something high-end that lets me not just simply build on top of short
loops, but also allows me to drop tracks in and out, and to switch between
an A part and B part (verse to chorus, for example). Basically, I want a
pedal that will allow me to play entire songs (in the vein of
Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of
pre-recording.

I'm currently looking at a few things: a Boss RC-50, Echoplex Digital Pro,
Abelton software (I'd bring a laptop onstage and trigger it with
footpedals), or a combo of pedals that can be synched together. Currently I
own a Line DL-4, which got me hooked on looping but which has become very
limited very quickly.

Any recommendations what would work best for my needs? I can't get these
items here in Korea, so I need to be sure about what I'm getting before I
have it shipped over.

Thanks.




On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <kiddopail@hotmail.com> wrote:

> unsubscribe
>
>

--00504502c6d31e55cc0481e9e0d8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I&#39;m a newbie, and I don&#39;t know much about this group, but mayb=
e people are unsubscribing because this=A0listserv isn&#39;t what they thou=
ght it would be.</div>
<div>=A0</div>
<div>I know that I&#39;ve been surprised=A0since signing up a few days ago =
that there hasn&#39;t been much discussion=A0about=A0and comparison of actu=
al looper models. Guess=A0that&#39;s a pretty newb topic. </div>
<div>=A0</div>
<div>Also, my=A0question (below) hasn&#39;t been answered yet. </div>
<div>=A0</div>
<div>-Robert</div>
<div>=A0</div>
<div>-----</div>
<div>Hi.<br>=A0<br>I&#39;m looking for a recommendation for a looping pedal=
 that I&#39;ll use for live solo shows. <br>=A0<br>I need something high-en=
d that lets me not just simply build on top of short loops, but also allows=
 me to drop tracks in and out, and to switch between an A part and B part (=
verse to chorus, for example). Basically, I want a pedal that will allow me=
 to play entire songs (in the vein of Radiohead/Sigur Ros/Boards of Canada)=
 alone and with a minimum of pre-recording. <br>
=A0<br>I&#39;m currently looking at a few things: a Boss RC-50, Echoplex Di=
gital Pro, Abelton software (I&#39;d bring a laptop onstage and trigger it =
with footpedals), or a combo of pedals that can be synched together. Curren=
tly I own a Line DL-4, which got me hooked on looping but which has become =
very limited very quickly.<br>
=A0<br>Any recommendations what would work best for my needs? I can&#39;t g=
et these items here in Korea, so I need to be sure about what I&#39;m getti=
ng before I have it shipped over. <br>=A0<br>Thanks.</div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:kiddopail@hotmail.com" target=3D"_bla=
nk">kiddopail@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>unsubscribe<br><br></div></blockquote></div><br>

--00504502c6d31e55cc0481e9e0d8--

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Hi Robert,

Sure, LD takes some getting used to, it been around for years and we like it
this way. The conversation goes off on one lots of times, but on the whole
theres no flames or aggression here. Its a nice warm fluffy place. We are
always ontop of NEW products and dive in to discuss them before they are
often released, some of the developers of some tools are on this list,
basically the 2 most heavily featured loopers in both flavours Software and
Hardware. Mobis being the soft, Looperlative being the hard.

Im sure no one is specifically ignoring your mail as a newbie topic, we dont
use that language here, we are all newbies, but due to the volume of posts
LD generates, sometimes things get missed.

I can only speak of the loopers that I use, and can say that the EDP could
do the part A and B thing you need, but not the dropping in and out of
"parts".. Maybe you should a look at Mobius.. its FREE! But I hear Abelton
is nearing that post too, with all the EXTRA features that software
boasts...

Great taste in music BTW.. I love Boards of Canada (and can boast that when
I spoke to one of Sigur Ros, he complimented MY old band as one of their
influences)

Welcome, hang around and surprisingly soon you will sport a beard and smoke
a pipe and be bouncing newcomers on your knee.

Mark

snippetty snip

I know that I've been surprised since signing up a few days ago that there
> hasn't been much discussion about and comparison of actual looper models.
> Guess that's a pretty newb topic.
>
> Also, my question (below) hasn't been answered yet.
>
> -Robert
>
> I need something high-end that lets me not just simply build on top of
> short loops, but also allows me to drop tracks in and out, and to switch
> between an A part and B part (verse to chorus, for example). Basically, I
> want a pedal that will allow me to play entire songs (in the vein of
> Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of
> pre-recording.
>
>



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d64b18ca45c70481ea56ae
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Robert,<br><br>Sure, LD takes some getting used to, it been around for y=
ears and we like it this way. The conversation goes off on one lots of time=
s, but on the whole theres no flames or aggression here. Its a nice warm fl=
uffy place. We are always ontop of NEW products and dive in to discuss them=
 before they are often released, some of the developers of some tools are o=
n this list, basically the 2 most heavily featured loopers in both flavours=
 Software and Hardware. Mobis being the soft, Looperlative being the hard.<=
br>

<br>Im sure no one is specifically ignoring your mail as a newbie topic, we=
 dont use that language here, we are all newbies, but due to the volume of =
posts LD generates, sometimes things get missed.<br><br>I can only speak of=
 the loopers that I use, and can say that the EDP could do the part A and B=
 thing you need, but not the dropping in and out of &quot;parts&quot;.. May=
be you should a look at Mobius.. its FREE! But I hear Abelton is nearing th=
at post too, with all the EXTRA features that software boasts...<br>

<br>Great taste in music BTW.. I love Boards of Canada (and can boast that =
when I spoke to one of Sigur Ros, he complimented MY old band as one of the=
ir influences)<br><br>Welcome, hang around and surprisingly soon you will s=
port a beard and smoke a pipe and be bouncing newcomers on your knee.<br>

<br>Mark<br><br>snippetty snip<br><br><div class=3D"gmail_quote"><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;"><div>I know that I&#39;ve b=
een surprised=A0since signing up a few days ago that there hasn&#39;t been =
much discussion=A0about=A0and comparison of actual looper models. Guess=A0t=
hat&#39;s a pretty newb topic. </div>


<div>=A0</div>
<div>Also, my=A0question (below) hasn&#39;t been answered yet. </div>
<div>=A0</div>
<div>-Robert<br>=A0<br>I need something high-end that lets me not just simp=
ly build on top of short loops, but also allows me to drop tracks in and ou=
t, and to switch between an A part and B part (verse to chorus, for example=
). Basically, I want a pedal that will allow me to play entire songs (in th=
e vein of Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of=
 pre-recording. <br>

=A0
<br>
</div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:/=
/www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.=
ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user8=
25094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d64b18ca45c70481ea56ae--

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Date: Tue, 16 Mar 2010 09:00:34 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: unsubscribe
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It's tempting.

>I wonder if unsubscribing could become a trend.
>
>t
>
>On Mar 15, 2010, at 10:14 PM, Petri Lahtinen wrote:
>
>><mailto:Loopers-Delight-request@loopers-delight.com>Loopers-Delight-request@loopers-delight.com


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
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<html><head><style type="text/css"><!--
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 --></style><title>Re: unsubscribe</title></head><body>
<div>It's tempting.</div>
<div><br></div>
<blockquote type="cite" cite>I wonder if unsubscribing could become a
trend. </blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>t<br>
</blockquote>
<blockquote type="cite" cite>On Mar 15, 2010, at 10:14 PM, Petri
Lahtinen wrote:</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite><a
href="mailto:Loopers-Delight-request@loopers-delight.com"><font
size="-1">Loopers-Delight-request@loopers-delight.com</font></a></blockquote
>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
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Date: Tue, 16 Mar 2010 09:05:04 -0400
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Subject: Looping Discussions and Comparisons (Was Re: unsubscribe)
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Hi Robert, there are two websites, one related specifically to this 
list, and one more generally about looping:

http://loopingmusic.proboards.com/index.cgi?board=general

and this one:

http://www.loopers-delight.com/loop.html

THis mailing list is sort of an 'old boys network' or like a 
neighborhood bar.  The future is in the websites.





>I'm a newbie, and I don't know much about this group, but maybe 
>people are unsubscribing because this listserv isn't what they 
>thought it would be.
>
>I know that I've been surprised since signing up a few days ago that 
>there hasn't been much discussion about and comparison of actual 
>looper models. Guess that's a pretty newb topic.
>
>Also, my question (below) hasn't been answered yet.
>
>-Robert
>
>-----
>Hi.
>
>I'm looking for a recommendation for a looping pedal that I'll use 
>for live solo shows.
>
>I need something high-end that lets me not just simply build on top 
>of short loops, but also allows me to drop tracks in and out, and to 
>switch between an A part and B part (verse to chorus, for example). 
>Basically, I want a pedal that will allow me to play entire songs 
>(in the vein of Radiohead/Sigur Ros/Boards of Canada) alone and with 
>a minimum of pre-recording.
>
>I'm currently looking at a few things: a Boss RC-50, Echoplex 
>Digital Pro, Abelton software (I'd bring a laptop onstage and 
>trigger it with footpedals), or a combo of pedals that can be 
>synched together. Currently I own a Line DL-4, which got me hooked 
>on looping but which has become very limited very quickly.
>
>Any recommendations what would work best for my needs? I can't get 
>these items here in Korea, so I need to be sure about what I'm 
>getting before I have it shipped over.
>
>Thanks.
>
>
>
>
>On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring 
><<mailto:kiddopail@hotmail.com>kiddopail@hotmail.com> wrote:
>
>unsubscribe


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Looping Discussions and Comparisons (Was Re:
unsubscribe)</title></head><body>
<div>Hi Robert, there are two websites, one related specifically to
this list, and one more generally about looping:</div>
<div><br></div>
<div>http://loopingmusic.proboards.com/index.cgi?board=general</div>
<div><br></div>
<div>and this one:</div>
<div><br></div>
<div>http://www.loopers-delight.com/loop.html</div>
<div><br></div>
<div>THis mailing list is sort of an 'old boys network' or like a
neighborhood bar.&nbsp; The future is in the websites.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>I'm a newbie, and I don't know much about
this group, but maybe people are unsubscribing because
this&nbsp;listserv isn't what they thought it would be.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>I know that I've been
surprised&nbsp;since signing up a few days ago that there hasn't been
much discussion&nbsp;about&nbsp;and comparison of actual looper
models. Guess&nbsp;that's a pretty newb topic.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>Also, my&nbsp;question (below) hasn't
been answered yet.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>-Robert</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>-----</blockquote>
<blockquote type="cite" cite>Hi.<br>
&nbsp;<br>
I'm looking for a recommendation for a looping pedal that I'll use for
live solo shows.<br>
&nbsp;<br>
I need something high-end that lets me not just simply build on top of
short loops, but also allows me to drop tracks in and out, and to
switch between an A part and B part (verse to chorus, for example).
Basically, I want a pedal that will allow me to play entire songs (in
the vein of Radiohead/Sigur Ros/Boards of Canada) alone and with a
minimum of pre-recording.<br>
&nbsp;<br>
I'm currently looking at a few things: a Boss RC-50, Echoplex Digital
Pro, Abelton software (I'd bring a laptop onstage and trigger it with
footpedals), or a combo of pedals that can be synched together.
Currently I own a Line DL-4, which got me hooked on looping but which
has become very limited very quickly.<br>
&nbsp;<br>
Any recommendations what would work best for my needs? I can't get
these items here in Korea, so I need to be sure about what I'm getting
before I have it shipped over.<br>
&nbsp;<br>
Thanks.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><br>
<br>
&nbsp;</blockquote>
<blockquote type="cite" cite>On Tue, Mar 16, 2010 at 5:06 AM, Bryan
Doring &lt;<a
href="mailto:kiddopail@hotmail.com">kiddopail@hotmail.com</a>&gt;
wrote:<br>
<blockquote>unsubscribe</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-943377589==_ma============--

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--0016e6d99f6ab09bdb0481ebf95d
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On Tue, Mar 16, 2010 at 2:05 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

>  Hi Robert, there are two websites, one related specifically to this list,
> and one more generally about looping:
>
> THis mailing list is sort of an 'old boys network' or like a neighborhood
> bar.  The future is in the websites.
>
>
>
OI! Get outa town you.. you.. you... young whippersnapper.. if this listserv
was good enough for my ole 'pappy then its good enough for you!

-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d99f6ab09bdb0481ebf95d
Content-Type: text/html; charset=ISO-8859-1
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On Tue, Mar 16, 2010 at 2:05 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</span> =
wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" styl=
e=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); =
padding-left: 1ex;">


<div>
<div>Hi Robert, there are two websites, one related specifically to
this list, and one more generally about looping:</div><br><div>THis mailing=
 list is sort of an &#39;old boys network&#39; or like a
neighborhood bar.=A0 The future is in the websites.</div>
<div><br></div><br clear=3D"all"></div></blockquote><div><br>OI! Get outa t=
own you.. you.. you... young whippersnapper.. if this listserv was good eno=
ugh for my ole &#39;pappy then its good enough for you!=A0 <br></div></div>

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a hr=
ef=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a hr=
ef=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markfran=
combe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--0016e6d99f6ab09bdb0481ebf95d--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 14:43:05 2010
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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Looping Discussions and Comparisons (Was Re: unsubscribe)
Date: Tue, 16 Mar 2010 09:43:03 -0500
Importance: Normal
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--_27adced9-1eac-4fda-bdef-74835ed2c7f5_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


I have always wondered why L.D. doesn't have a forum.

=20

-- Greg
=20


From: mark@markfrancombe.com
Date: Tue=2C 16 Mar 2010 15:39:53 +0100
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
To: Loopers-Delight@loopers-delight.com

On Tue=2C Mar 16=2C 2010 at 2:05 PM=2C Charles Zwicky <cazwicky@earthlink.n=
et> wrote:




Hi Robert=2C there are two websites=2C one related specifically to this lis=
t=2C and one more generally about looping:

THis mailing list is sort of an 'old boys network' or like a neighborhood b=
ar.  The future is in the websites.



OI! Get outa town you.. you.. you... young whippersnapper.. if this listser=
v was good enough for my ole 'pappy then its good enough for you! =20

--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
 		 	   		 =20
_________________________________________________________________
Hotmail is redefining busy with tools for the New Busy. Get more from your =
inbox.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_2=

--_27adced9-1eac-4fda-bdef-74835ed2c7f5_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I have always wondered why L.D. doesn't have a forum.<BR>
&nbsp=3B<BR>
-- Greg<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: mark@markfrancombe.com<BR>Date: Tue=2C 16 Mar 2010 15:39:53 +0100<BR>=
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)<BR>T=
o: Loopers-Delight@loopers-delight.com<BR><BR>On Tue=2C Mar 16=2C 2010 at 2=
:05 PM=2C Charles Zwicky <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:cazwicky@e=
arthlink.net">cazwicky@earthlink.net</A>&gt=3B</SPAN> wrote:<BR>
<DIV class=3Decxgmail_quote>
<BLOCKQUOTE class=3Decxgmail_quote style=3D"PADDING-LEFT: 1ex">
<DIV>
<DIV>Hi Robert=2C there are two websites=2C one related specifically to thi=
s list=2C and one more generally about looping:</DIV><BR>
<DIV>THis mailing list is sort of an 'old boys network' or like a neighborh=
ood bar.&nbsp=3B The future is in the websites.</DIV>
<DIV><BR></DIV><BR clear=3Dall></DIV></BLOCKQUOTE>
<DIV><BR>OI! Get outa town you.. you.. you... young whippersnapper.. if thi=
s listserv was good enough for my ole 'pappy then its good enough for you!&=
nbsp=3B <BR></DIV></DIV><BR>-- <BR><A href=3D"http://www.markfrancombe.com/=
">www.markfrancombe.com</A><BR><A href=3D"http://www.ordoabkhao.com/">www.o=
rdoabkhao.com</A><BR><A href=3D"http://vimeo.com/user825094">http://vimeo.c=
om/user825094</A><BR><A href=3D"http://www.myspace.com/markfrancombe">http:=
//www.myspace.com/markfrancombe</A><BR><A href=3D"http://www.looop.no/shop/=
catlabel.php?q=3DSynch Non Synch">http://www.looop.no/shop/catlabel.php?q=
=3DSynch%20Non%20Synch</A><BR> 		 	   		  <br /><hr />Hotmail is redefining=
 busy with tools for the New Busy. Get more from your inbox. <a href=3D'htt=
p://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:W=
L:en-US:WM_HMP:032010_2' target=3D'_new'>Sign up now.</a></body>
</html>=

--_27adced9-1eac-4fda-bdef-74835ed2c7f5_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 14:43:07 2010
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Robert Lewis wrote:
> I'm a newbie, and I don't know much about this group, but maybe people 
> are unsubscribing because this listserv isn't what they thought it would be.
>  

If someone actually unsubscribes we won't see an email here.
Remember when you followed the simple instructions to subscribe,
and how there were also similar instructions to unsubscribe?

Main cause of complaint is that there's a large number of mails,
...from people who presumably lack the ability to route emails
to a folder.


>  
> Also, my question (below) hasn't been answered yet.

Looperlative LP1
or maybe Boomerang III

we get a lot of 
"which looper, I like these bands" questions.


andy butler



>  
> -Robert

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References: <OFFFDCC3A4.E28B2CC4-ON862576E4.005C8B71-862576E4.005C8B6E@farmersinsuran ce.com> <A201ED89-CB44-4E5B-917D-9E91BF496E75@btinternet.com> <9ab0c76f1003121135i6286f0efs14d3a98cc447e812@mail.gmail.com> <c70841111003151027l1dcd1697udad2d353e447053c@mail.gmail.com> <F160BE32A2E5E04497668BBDFE83FEDF3BCE35E4@EXCHVS1.medctr.ad.wfubmc.edu> <c70841111003151040n5f790cdasb78469c014c72686@mail.gmail.com> <2fb9e4731003151201j2309d461u351fe4667b6909a3@mail.gmail.com> <c70841111003151247t73b5aee1h208540c67fa01d05@mail.gmail.com> <SNT132-w44CB2530C697B35A1057E9B62E0@phx.gbl> <c70841111003152214o42a9fad8x10cdc3b1c4d810bb@mail.gmail.com> <D3FDDE74-CB17-4B37-81BE-E247B3113F31@mac.com> <p06240800c7c53168ca84@[192.168.2.2]>
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Charles Zwicky wrote:
> It's tempting.
> 

...promises, promises

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 14:47:00 2010
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Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
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Robert, Charles, etc.,

I never thought about it that way . . . "'old boys network' or like a  
neighborhood bar" . . . but I suppose you're right.

I've been on here since '96 and seldom post anything substantial  
anymore, except to join in on discussions when old friends are present.

It's sort of like the neighborhood pub . . . and by implication . . .  
I'm one of the old geezer semi-regulars (the quiet, moody one in the  
corner).

LOL.

I suppose I've been using mostly the same set of gear I've acquired so  
long ago (mostly) that, after a point, posting with questions or  
answers is no longer that necessary.

I listen in very intently on software discussion (though I do not yet  
use a computer for live performance) and quietly learn what I can from  
the sidelines.

Most of the really interesting "philosophical" raison d'etre  
discussions have come and gone many, many times in periodic waves.

You have to wait around to catch one . . . or look such things up in  
the LD archives.

I think, from time to time of unsubscribing myself . . . maybe I will.

I have almost nearly "retired" from performing at this point.

I guess I don't do either totally yet because of that "pub" aspect.

I'd miss all of the other "good old boys (and old gals)" too much.

Though I don't use it yet, I firmly believe software is the way to go  
(if you can afford it, have time on your hands and are undaunted by  
the learning curve).

Many of the folks on this list are very experienced at doing exactly  
what you want to do and have tried it all and done it all for years  
and years.

You just have to get their attention . . . perhaps buy them a pint (to  
continue the "pub" metaphor) or two . . . to get them into the  
conversation.

That's my advice.

I'll stumble off to my smokey booth in the corner now [hic] and think  
deep moody thoughts to myself [burp].

Cheers,

Ted Killian

On Mar 16, 2010, at 6:05 AM, Charles Zwicky wrote:

> Hi Robert, there are two websites, one related specifically to this  
> list, and one more generally about looping:
>
> http://loopingmusic.proboards.com/index.cgi?board=general
>
> and this one:
>
> http://www.loopers-delight.com/loop.html
>
> THis mailing list is sort of an 'old boys network' or like a  
> neighborhood bar.  The future is in the websites.
>

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Message-ID: <4B9F9BDB.1050504@tiscali.co.uk>
Date: Tue, 16 Mar 2010 14:55:23 +0000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
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Greg Gaz wrote:
> I have always wondered why L.D. doesn't have a forum.


http://loopingmusic.proboards.com

is *the* place to discuss forum vs list issues.

andy
(with apologies to Nick ;-)

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Subject: Re: unsubscribe
Date: Tue, 16 Mar 2010 11:05:17 -0400
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hi Robert,

We are not making fun of people because they want to unsub. We are =
making fun of them because they can't figure out how to do it. I mean =
you get out by following directions at the same place you get in..:)

On your question, tough one! So many loopers and all ways have their =
points and drawbacks depending on what you are looking for.

Try this if you haven't seen it: http://www.looproom.com/looperchart.php

Welcome to Loopers Delight! "You can check out but you can never leave"


Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive
  ----- Original Message -----=20
  From: Robert Lewis=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 16, 2010 8:09 AM
  Subject: Re: unsubscribe


  I'm a newbie, and I don't know much about this group, but maybe people =
are unsubscribing because this listserv isn't what they thought it would =
be.

  I know that I've been surprised since signing up a few days ago that =
there hasn't been much discussion about and comparison of actual looper =
models. Guess that's a pretty newb topic.=20

  Also, my question (below) hasn't been answered yet.=20

  -Robert

  -----
  Hi.
  =20
  I'm looking for a recommendation for a looping pedal that I'll use for =
live solo shows.=20
  =20
  I need something high-end that lets me not just simply build on top of =
short loops, but also allows me to drop tracks in and out, and to switch =
between an A part and B part (verse to chorus, for example). Basically, =
I want a pedal that will allow me to play entire songs (in the vein of =
Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of =
pre-recording.=20
  =20
  I'm currently looking at a few things: a Boss RC-50, Echoplex Digital =
Pro, Abelton software (I'd bring a laptop onstage and trigger it with =
footpedals), or a combo of pedals that can be synched together. =
Currently I own a Line DL-4, which got me hooked on looping but which =
has become very limited very quickly.
  =20
  Any recommendations what would work best for my needs? I can't get =
these items here in Korea, so I need to be sure about what I'm getting =
before I have it shipped over.=20
  =20
  Thanks.



  =20
  On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <kiddopail@hotmail.com> =
wrote:

    unsubscribe






-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.436 / Virus Database: 271.1.1/2750 - Release Date: =
03/16/10 07:33:00

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hi Robert,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>We are not making fun of people because =
they want=20
to unsub. We are making fun of them because they can't figure out how to =
do it.=20
I mean you get out by following directions at the same place you get=20
in..:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>On your question, tough one! So many =
loopers and=20
all ways have their points and drawbacks depending on what you are =
looking=20
for.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Try this if you haven't seen it: <A=20
href=3D"http://www.looproom.com/looperchart.php">http://www.looproom.com/=
looperchart.php</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Welcome to Loopers Delight! "You can =
check out but=20
you can never leave"</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://livestream.com/jeffdukelive">http://livestream.com/jeffduk=
elive</A></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtoeflstar@gmail.com =
href=3D"mailto:toeflstar@gmail.com">Robert=20
  Lewis</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 16, 2010 =
8:09=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: unsubscribe</DIV>
  <DIV><BR></DIV>
  <DIV>I'm a newbie, and I don't know much about this group, but maybe =
people=20
  are unsubscribing because this&nbsp;listserv isn't what they thought =
it would=20
  be.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I know that I've been surprised&nbsp;since signing up a few days =
ago that=20
  there hasn't been much discussion&nbsp;about&nbsp;and comparison of =
actual=20
  looper models. Guess&nbsp;that's a pretty newb topic. </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Also, my&nbsp;question (below) hasn't been answered yet. </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>-Robert</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>-----</DIV>
  <DIV>Hi.<BR>&nbsp;<BR>I'm looking for a recommendation for a looping =
pedal=20
  that I'll use for live solo shows. <BR>&nbsp;<BR>I need something =
high-end=20
  that lets me not just simply build on top of short loops, but also =
allows me=20
  to drop tracks in and out, and to switch between an A part and B part =
(verse=20
  to chorus, for example). Basically, I want a pedal that will allow me =
to play=20
  entire songs (in the vein of Radiohead/Sigur Ros/Boards of Canada) =
alone and=20
  with a minimum of pre-recording. <BR>&nbsp;<BR>I'm currently looking =
at a few=20
  things: a Boss RC-50, Echoplex Digital Pro, Abelton software (I'd =
bring a=20
  laptop onstage and trigger it with footpedals), or a combo of pedals =
that can=20
  be synched together. Currently I own a Line DL-4, which got me hooked =
on=20
  looping but which has become very limited very =
quickly.<BR>&nbsp;<BR>Any=20
  recommendations what would work best for my needs? I can't get these =
items=20
  here in Korea, so I need to be sure about what I'm getting before I =
have it=20
  shipped over. <BR>&nbsp;<BR>Thanks.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><BR><BR>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring =
<SPAN=20
  dir=3Dltr>&lt;<A href=3D"mailto:kiddopail@hotmail.com"=20
  target=3D_blank>kiddopail@hotmail.com</A>&gt;</SPAN> wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV>unsubscribe<BR><BR></DIV></BLOCKQUOTE></DIV><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.436 / Virus Database: 271.1.1/2750 - =
Release=20
  Date: 03/16/10 07:33:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_007C_01CAC4F8.8FEEDD10--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 15:24:40 2010
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	 <SNT132-w4BDAECA0BB6F041C9DB70B62E0@phx.gbl>
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	 <007f01cac51a$1745c370$46f43747@tbl01fcf9be917>
Date: Tue, 16 Mar 2010 10:23:20 -0500
Message-ID: <d1dcce561003160823i2bed045dw28c684c84e445d95@mail.gmail.com>
Subject: Re: unsubscribe
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64b974cea8f900481ec9375
Content-Type: text/plain; charset=ISO-8859-1

I'd definitely check out Mobius.  I don't have any of the 'high end' loopers
(Looperlative, EDP, etc) but I've got the DL4, DD20, & RC20xl.  I can make a
hell of a lot of loopy noise with them. :)

In general, the looper comparison discussions only come up when new people
join, So, search the archives for LOTS of discussions.

At this point in time, asking which looper is best for you is kinda like
asking which guitar is best.  You need to try them out.  Search the
archives, do a little feature comparison, and please, feel free to ask
questions here.  You are more likely to get answers to specific questions
(like "Can I do 'X' with looper "Y') than "what should I buy?"

Welcome to the list,

Tony



> ----- Original Message -----
> *From:* Robert Lewis <toeflstar@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, March 16, 2010 8:09 AM
> *Subject:* Re: unsubscribe
>
> I'm a newbie, and I don't know much about this group, but maybe people are
> unsubscribing because this listserv isn't what they thought it would be.
>
> I know that I've been surprised since signing up a few days ago that there
> hasn't been much discussion about and comparison of actual looper models.
> Guess that's a pretty newb topic.
>
> Also, my question (below) hasn't been answered yet.
>
> -Robert
>
> -----
> Hi.
>
> I'm looking for a recommendation for a looping pedal that I'll use for live
> solo shows.
>
> I need something high-end that lets me not just simply build on top of
> short loops, but also allows me to drop tracks in and out, and to switch
> between an A part and B part (verse to chorus, for example). Basically, I
> want a pedal that will allow me to play entire songs (in the vein of
> Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of
> pre-recording.
>
> I'm currently looking at a few things: a Boss RC-50, Echoplex Digital Pro,
> Abelton software (I'd bring a laptop onstage and trigger it with
> footpedals), or a combo of pedals that can be synched together. Currently I
> own a Line DL-4, which got me hooked on looping but which has become very
> limited very quickly.
>
> Any recommendations what would work best for my needs? I can't get these
> items here in Korea, so I need to be sure about what I'm getting before I
> have it shipped over.
>
> Thanks.
>
>
>
>
> On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <kiddopail@hotmail.com>wrote:
>
>> unsubscribe
>>
>>
>  ------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.436 / Virus Database: 271.1.1/2750 - Release Date: 03/16/10
> 07:33:00
>
>

--0016e64b974cea8f900481ec9375
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">I&#39;d definitely check out Mobius.=A0 I don&#3=
9;t have any of the &#39;high end&#39; loopers (Looperlative, EDP, etc) but=
 I&#39;ve got the DL4, DD20, &amp; RC20xl.=A0 I can make a hell of a lot of=
 loopy noise with them. :) <br>
<br>In general, the looper comparison discussions only come up when new peo=
ple join, So, search the archives for LOTS of discussions. <br><br>At this =
point in time, asking which looper is best for you is kinda like asking whi=
ch guitar is best.=A0 You need to try them out.=A0 Search the archives, do =
a little feature comparison, and please, feel free to ask questions here.=
=A0 You are more likely to get answers to specific questions (like &quot;Ca=
n I do &#39;X&#39; with looper &quot;Y&#39;) than &quot;what should I buy?&=
quot;=A0 <br>
<br>Welcome to the list,<br><br>Tony<br><br><br><blockquote class=3D"gmail_=
quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, =
204, 204); padding-left: 1ex;"><div bgcolor=3D"#ffffff"><div><font face=3D"=
Arial" size=3D"2"></font> <br>
</div><blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-le=
ft: 5px; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;"><div clas=
s=3D"im">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"toeflstar@gmail.com" href=3D"mailto:toeflstar@gmail.com" targ=
et=3D"_blank">Robert=20
  Lewis</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  </div><div><div></div><div class=3D"h5"><div style=3D"font: 10pt arial;">=
<b>Sent:</b> Tuesday, March 16, 2010 8:09=20
  AM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: unsubscribe</div>
  <div><br></div>
  <div>I&#39;m a newbie, and I don&#39;t know much about this group, but ma=
ybe people=20
  are unsubscribing because this=A0listserv isn&#39;t what they thought it =
would=20
  be.</div>
  <div>=A0</div>
  <div>I know that I&#39;ve been surprised=A0since signing up a few days ag=
o that=20
  there hasn&#39;t been much discussion=A0about=A0and comparison of actual=
=20
  looper models. Guess=A0that&#39;s a pretty newb topic. </div>
  <div>=A0</div>
  <div>Also, my=A0question (below) hasn&#39;t been answered yet. </div>
  <div>=A0</div>
  <div>-Robert</div>
  <div>=A0</div>
  <div>-----</div>
  <div>Hi.<br>=A0<br>I&#39;m looking for a recommendation for a looping ped=
al=20
  that I&#39;ll use for live solo shows. <br>=A0<br>I need something high-e=
nd=20
  that lets me not just simply build on top of short loops, but also allows=
 me=20
  to drop tracks in and out, and to switch between an A part and B part (ve=
rse=20
  to chorus, for example). Basically, I want a pedal that will allow me to =
play=20
  entire songs (in the vein of Radiohead/Sigur Ros/Boards of Canada) alone =
and=20
  with a minimum of pre-recording. <br>=A0<br>I&#39;m currently looking at =
a few=20
  things: a Boss RC-50, Echoplex Digital Pro, Abelton software (I&#39;d bri=
ng a=20
  laptop onstage and trigger it with footpedals), or a combo of pedals that=
 can=20
  be synched together. Currently I own a Line DL-4, which got me hooked on=
=20
  looping but which has become very limited very quickly.<br>=A0<br>Any=20
  recommendations what would work best for my needs? I can&#39;t get these =
items=20
  here in Korea, so I need to be sure about what I&#39;m getting before I h=
ave it=20
  shipped over. <br>=A0<br>Thanks.</div>
  <div>=A0</div>
  <div><br><br>=A0</div>
  <div class=3D"gmail_quote">On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring =
<span dir=3D"ltr">&lt;<a href=3D"mailto:kiddopail@hotmail.com" target=3D"_b=
lank">kiddopail@hotmail.com</a>&gt;</span> wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px=
 0px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">
    <div>unsubscribe<br><br></div></blockquote></div><br>
  </div></div><p></p><div class=3D"im">
  <hr>

  <p></p><br>No virus found in this incoming message.<br>Checked by AVG -=
=20
  <a href=3D"http://www.avg.com" target=3D"_blank">www.avg.com</a> <br></di=
v>Version: 8.5.436 / Virus Database: 271.1.1/2750 - Release=20
  Date: 03/16/10 07:33:00<br></blockquote></div>
</blockquote></div><br><br>

--0016e64b974cea8f900481ec9375--

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	 <d1dcce561003160823i2bed045dw28c684c84e445d95@mail.gmail.com>
Date: Tue, 16 Mar 2010 17:04:42 +0100
Message-ID: <bbb8cbac1003160904odf148ceo92afa0d406697245@mail.gmail.com>
Subject: Re: unsubscribe
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000325559a92dc01680481ed2777
Content-Type: text/plain; charset=ISO-8859-1

2010/3/16 Tony K <bigtonyk@gmail.com>

> At this point in time, asking which looper is best for you is kinda like
> asking which guitar is best.  You need to try them out.
>

And you need to know what do you want to get out from your looper.
Look at the comparison chart and study which features are the best for you.
Or you can start with a free software (mobius or sooperlooper) to get more
deep knowledge about looping. Bith those software are outstanding and are
based on the EDP (the Rolls-Royce in the looping gear)


> Welcome to the list,
>

Oh yes...Welcome on board and have fun, this is a very friendly and helping
list...guaranteed !

fabio
www.eterogeneo.com


----- Original Message -----

>    *From:* Robert Lewis <toeflstar@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>>   *Sent:* Tuesday, March 16, 2010 8:09 AM
>> *Subject:* Re: unsubscribe
>>
>> I'm a newbie, and I don't know much about this group, but maybe people are
>> unsubscribing because this listserv isn't what they thought it would be.
>>
>> I know that I've been surprised since signing up a few days ago that there
>> hasn't been much discussion about and comparison of actual looper models.
>> Guess that's a pretty newb topic.
>>
>> Also, my question (below) hasn't been answered yet.
>>
>> -Robert
>>
>> -----
>> Hi.
>>
>> I'm looking for a recommendation for a looping pedal that I'll use for
>> live solo shows.
>>
>> I need something high-end that lets me not just simply build on top of
>> short loops, but also allows me to drop tracks in and out, and to switch
>> between an A part and B part (verse to chorus, for example). Basically, I
>> want a pedal that will allow me to play entire songs (in the vein of
>> Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of
>> pre-recording.
>>
>> I'm currently looking at a few things: a Boss RC-50, Echoplex Digital Pro,
>> Abelton software (I'd bring a laptop onstage and trigger it with
>> footpedals), or a combo of pedals that can be synched together. Currently I
>> own a Line DL-4, which got me hooked on looping but which has become very
>> limited very quickly.
>>
>> Any recommendations what would work best for my needs? I can't get these
>> items here in Korea, so I need to be sure about what I'm getting before I
>> have it shipped over.
>>
>> Thanks.
>>
>>
>>
>>
>> On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <kiddopail@hotmail.com>wrote:
>>
>>> unsubscribe
>>>
>>>
>>  ------------------------------
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.5.436 / Virus Database: 271.1.1/2750 - Release Date: 03/16/10
>> 07:33:00
>>
>>
>
>

--000325559a92dc01680481ed2777
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><br>
<div class=3D"gmail_quote">2010/3/16 Tony K <span dir=3D"ltr">&lt;<a href=
=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"gmail_quote">At this point in time, asking which looper is be=
st for you is kinda like asking which guitar is best.=A0 You need to try th=
em out.=A0 </div></blockquote>
<div>=A0</div>
<div>And you need to know what do you want to get out from your looper. </d=
iv>
<div>Look at the comparison chart=A0and study which features are the best f=
or you.</div>
<div>Or you can start with a free software (mobius or sooperlooper) to get =
more deep knowledge about looping. Bith those software are outstanding and =
are based on the EDP (the Rolls-Royce in the looping gear)</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"gmail_quote">Welcome to the list,</div></blockquote>
<div>=A0</div>
<div>Oh yes...Welcome on board and have fun, this is a very friendly and he=
lping list...guaranteed !</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div>----- Original Message ----- </div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div bgcolor=3D"#ffffff">
<blockquote style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
<div>
<div style=3D"BACKGROUND: rgb(228,228,228); FONT: 10pt arial"><b>From:</b> =
<a title=3D"toeflstar@gmail.com" href=3D"mailto:toeflstar@gmail.com" target=
=3D"_blank">Robert Lewis</a> </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loop=
ers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a> </div></div>
<div>
<div></div>
<div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Tuesday, March 16, 2010 8:09 A=
M</div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: unsubscribe</div>
<div><br></div>
<div>I&#39;m a newbie, and I don&#39;t know much about this group, but mayb=
e people are unsubscribing because this=A0listserv isn&#39;t what they thou=
ght it would be.</div>
<div>=A0</div>
<div>I know that I&#39;ve been surprised=A0since signing up a few days ago =
that there hasn&#39;t been much discussion=A0about=A0and comparison of actu=
al looper models. Guess=A0that&#39;s a pretty newb topic. </div>
<div>=A0</div>
<div>Also, my=A0question (below) hasn&#39;t been answered yet. </div>
<div>=A0</div>
<div>-Robert</div>
<div>=A0</div>
<div>-----</div>
<div>Hi.<br>=A0<br>I&#39;m looking for a recommendation for a looping pedal=
 that I&#39;ll use for live solo shows. <br>=A0<br>I need something high-en=
d that lets me not just simply build on top of short loops, but also allows=
 me to drop tracks in and out, and to switch between an A part and B part (=
verse to chorus, for example). Basically, I want a pedal that will allow me=
 to play entire songs (in the vein of Radiohead/Sigur Ros/Boards of Canada)=
 alone and with a minimum of pre-recording. <br>
=A0<br>I&#39;m currently looking at a few things: a Boss RC-50, Echoplex Di=
gital Pro, Abelton software (I&#39;d bring a laptop onstage and trigger it =
with footpedals), or a combo of pedals that can be synched together. Curren=
tly I own a Line DL-4, which got me hooked on looping but which has become =
very limited very quickly.<br>
=A0<br>Any recommendations what would work best for my needs? I can&#39;t g=
et these items here in Korea, so I need to be sure about what I&#39;m getti=
ng before I have it shipped over. <br>=A0<br>Thanks.</div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Tue, Mar 16, 2010 at 5:06 AM, Bryan Doring <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:kiddopail@hotmail.com" target=3D"_bla=
nk">kiddopail@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div>unsubscribe<br><br></div></blockquote></div><br></div></div>
<p></p>
<div>
<hr>

<p></p><br>No virus found in this incoming message.<br>Checked by AVG - <a =
href=3D"http://www.avg.com/" target=3D"_blank">www.avg.com</a> <br></div>Ve=
rsion: 8.5.436 / Virus Database: 271.1.1/2750 - Release Date: 03/16/10 07:3=
3:00<br>
</blockquote></div></blockquote></div><br><br></blockquote></div><br>

--000325559a92dc01680481ed2777--

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Subject: re: list of loopers..was..unsubscribe
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Robert, there's prob others telling you the same right now as I'm in
the digest and sometimes behind.
But, you might find this useful, it's brought to you by
some of the peeps who have been here on the list
for quite some time:

http://www.looproom.com/looperchart.php

Hope this helps!
loaf.


Date: Tue, 16 Mar 2010 21:09:54 +0900
From: Robert Lewis <toeflstar@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: unsubscribe
Message-ID: <83879d531003160509s137b9bedw73d1d99351823ddc@mail.gmail.com>
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--00504502c6d31e55cc0481e9e0d8
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I'm a newbie, and I don't know much about this group, but maybe people are
unsubscribing because this listserv isn't what they thought it would be.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 17:44:27 2010
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Date: Tue, 16 Mar 2010 13:11:36 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
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--============_-943361030==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

I should know ... I've been active on LD for, what, 15 years....?

>On Tue, Mar 16, 2010 at 2:05 PM, Charles Zwicky 
><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net> wrote:
>
>Hi Robert, there are two websites, one related specifically to this 
>list, and one more generally about looping:
>
>THis mailing list is sort of an 'old boys network' or like a 
>neighborhood bar.  The future is in the websites.
>
>
>
>OI! Get outa town you.. you.. you... young whippersnapper.. if this 
>listserv was good enough for my ole 'pappy then its good enough for 
>you! 
>
>
>--
><http://www.markfrancombe.com>www.markfrancombe.com
><http://www.ordoabkhao.com>www.ordoabkhao.com
><http://vimeo.com/user825094>http://vimeo.com/user825094
><http://www.myspace.com/markfrancombe>http://www.myspace.com/markfrancombe
><http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-943361030==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Looping Discussions and Comparisons (Was Re:
unsubscri</title></head><body>
<div>I should know ... I've been active on LD for, what, 15
years....?</div>
<div><br></div>
<blockquote type="cite" cite>On Tue, Mar 16, 2010 at 2:05 PM, Charles
Zwicky &lt;<a
href="mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;
wrote:<br>
<blockquote>Hi Robert, there are two websites, one related
specifically to this list, and one more generally about
looping:</blockquote>
<blockquote><br></blockquote>
<blockquote>THis mailing list is sort of an 'old boys network' or like
a neighborhood bar.&nbsp; The future is in the websites.</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
</blockquote>
<blockquote type="cite" cite><br>
OI! Get outa town you.. you.. you... young whippersnapper.. if this
listserv was good enough for my ole 'pappy then its good enough for
you!&nbsp;<br>
</blockquote>
<blockquote type="cite" cite><br>
--<br>
<a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>
<a
href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
<a
href="http://www.myspace.com/markfrancombe"
>http://www.myspace.com/markfrancombe</a><br>
<a
href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch"
>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a></blockquote
>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-943361030==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 17:45:41 2010
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Subject: VST's on mac
From: Petri Lahtinen <aikuinen@gmail.com>
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There was a recent thread on a software that could run VST's on Mac...
I have lost the thread, software's name and the advice someone gave...
that software wasnt easiest to install/get working?
my little brother is struggling with it.
He's running Ableton Live 7 on snow leopard Mac.

Any pointers where I could find the thread...??

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6dab4b6b4c91c0481ee9041
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There was a recent thread on a software that could run VST&#39;s on Mac...<=
br>I have lost the thread, software&#39;s name and the advice someone gave.=
..<br>that software wasnt easiest to install/get working?<br>my little brot=
her is struggling with it.<br>
He&#39;s running Ableton Live 7 on snow leopard Mac.<br><br>Any pointers wh=
ere I could find the thread...?? <br clear=3D"all"><br>-- <br>Petri Lahtine=
n<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com<=
/a><br>
<a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspo=
t.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen">http://www.m=
yspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen=
">http://twitter.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcam=
p.com/</a><br>---------------------------------------------------<br>&quot;=
Only become professional musician if there is no choice.&quot; -Robert Frip=
p-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--0016e6dab4b6b4c91c0481ee9041--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 17:49:13 2010
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Date: Tue, 16 Mar 2010 18:49:17 +0100
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Robert Lewis schrieb:
> I'm looking for a recommendation for a looping pedal that I'll use for 
> live solo shows.
>  
> I need something high-end that lets me not just simply build on top of 
> short loops, but also allows me to drop tracks in and out, and to 
> switch between an A part and B part (verse to chorus, for example). 
> Basically, I want a pedal that will allow me to play entire songs (in 
> the vein of Radiohead/Sigur Ros/Boards of Canada) alone and with a 
> minimum of pre-recording.
>  
> I'm currently looking at a few things: a Boss RC-50, Echoplex Digital 
> Pro, Abelton software (I'd bring a laptop onstage and trigger it with 
> footpedals), or a combo of pedals that can be synched together. 
> Currently I own a Line DL-4, which got me hooked on looping but which 
> has become very limited very quickly.
First of all, looking at the comparison chart already mentioned is 
always a good starting point. Second identify what you need and find a 
way to describe it without any risk for misunderstandings.

As an example, you said "...allows me to drop tracks in and out...":
This could be a) undo/redo with a buffer several steps deep (which 
allows you to remove overdubs one by one and then bring them back, but 
only in the sequence they were recorded in, and not add something in 
between), or b) multiple tracks.
"switch between A and B part":
if you're looking for multiple tracks, would that affect all tracks at 
one or be selective for each track?
And so on...
And there's also the topic of feedback control (a whole topic in itself).

 From what you're describing, it seems that form factor is not an issue 
for you: you're happy with floor pedals, rack gear and computer software 
all the like, so here's the recommendation:

If you're playing songs exclusively, and songs where you can set (by 
tapping) the tempo in advance, Ableton Live (without the looper plugin) 
would be a simple choice.
Möbius (also mentioned by others) has a somewhat steep learing curve 
just after the initial steps, mostly due to the EDPs concept which is 
VERY deep and efficient but at times not simple out-of-the-box.
Both allow for track-selective A/B switching and multiple tracks. With 
Ableton Live (again: without the looper plugin), there's no (easy) way 
to overdub on the same track, so no undo/redo (for the overdubs).
Don't know about the Boss, but I don't like them...(very subjective and 
personal).
The EDP is, as someone said, the Rolls Royce of looping - I'd rather say 
it's the Porsche 911 of looping. It has great similarities to Möbius, 
but doesn't offer stereo/multitrack/scripting/configurable UI, but then 
again, you don't need a computer for it. Still, I personally would not 
recommend it for your application, as multiple (separately controllable) 
tracks might be of great use to you.

If you're open to using a computer and don't mind getting swallowed up 
in an all-powerful looping solution, Möbius is the suggestion you get 
from me.

And yes, we're a gentlemens' club/neighborhood bar, and we like it that 
way. Perhaps you would've gotten a quicker response on almost any gear 
forum, but you won't get a better response - anywhere else in the world.

Yours,

           Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Charles Zwicky wrote:
> I should know ... I've been active on LD for, what, 15 years....?
> 

your first "forum" post wasn't 'till 2007

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 17:53:26 2010
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I believe this was it:

http://www.apple.com/downloads/macosx/audio/vfx.html


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I believe this was it:<div><br></div><div><a href="http://www.apple.com/downloads/macosx/audio/vfx.html">http://www.apple.com/downloads/macosx/audio/vfx.html</a><br clear="all"><div><div><br></div></div></div></body></html>
--Apple-Mail-25-544479454--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 19:46:09 2010
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Date: Tue, 16 Mar 2010 14:32:16 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
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>Andy  Butler wrote:
>
>your first "forum" post wasn't 'till 2007

Trolling Andy?

I'd like to point out that you're also wrong about that..

...  My rig was detailed on the site in 1998.

http://www.loopers-delight.com/LDarchive/199803/msg00021.html

>Charles Zwicky wrote:
>>I should know ... I've been active on LD for, what, 15 years....?
>>
>
>your first "forum" post wasn't 'till 2007


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 19:55:06 2010
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From: mark francombe <mark@markfrancombe.com>
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HEH HEH BUSTED!

Careful what you say when you are surrounded by nerds, who like nothing
better than to "check the archives".. eh Andy?

On Tue, Mar 16, 2010 at 6:53 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Charles Zwicky wrote:
>
>> I should know ... I've been active on LD for, what, 15 years....?
>>
>>
> your first "forum" post wasn't 'till 2007
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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HEH HEH BUSTED!<br><br>Careful what you say when you are surrounded by nerd=
s, who like nothing better than to &quot;check the archives&quot;.. eh Andy=
?<br><br><div class=3D"gmail_quote">On Tue, Mar 16, 2010 at 6:53 PM, andy b=
utler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbut=
ler@tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>Charles Zwicky wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I should know ... I&#39;ve been active on LD for, what, 15 years....?<br>
<br>
</blockquote>
<br></div>
your first &quot;forum&quot; post wasn&#39;t &#39;till 2007<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016367fa6a266a3c40481f05d74--

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	<p0624080cc7c57e4dd037@192.168.2.2>
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WOW.. And what an awesome rig it was!!! I dont suppose you still use that do
you?

MArk

On Tue, Mar 16, 2010 at 7:32 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

> Andy  Butler wrote:
>>
>> your first "forum" post wasn't 'till 2007
>>
>
> Trolling Andy?
>
> I'd like to point out that you're also wrong about that..
>
> ...  My rig was detailed on the site in 1998.
>
> http://www.loopers-delight.com/LDarchive/199803/msg00021.html
>
>
>  Charles Zwicky wrote:
>>
>>> I should know ... I've been active on LD for, what, 15 years....?
>>>
>>>
>> your first "forum" post wasn't 'till 2007
>>
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d77e125e6bb50481f07946
Content-Type: text/html; charset=ISO-8859-1
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WOW.. And what an awesome rig it was!!! I dont suppose you still use that d=
o you?<br><br>MArk<br><br><div class=3D"gmail_quote">On Tue, Mar 16, 2010 a=
t 7:32 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@=
earthlink.net">cazwicky@earthlink.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bord=
er-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


Andy =A0Butler wrote:<br>
<br>
your first &quot;forum&quot; post wasn&#39;t &#39;till 2007<br>
</blockquote>
<br></div>
Trolling Andy?<br>
<br>
I&#39;d like to point out that you&#39;re also wrong about that..<br>
<br>
... =A0My rig was detailed on the site in 1998.<br>
<br>
<a href=3D"http://www.loopers-delight.com/LDarchive/199803/msg00021.html" t=
arget=3D"_blank">http://www.loopers-delight.com/LDarchive/199803/msg00021.h=
tml</a><div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Charles Zwicky wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I should know ... I&#39;ve been active on LD for, what, 15 years....?<br>
<br>
</blockquote>
<br>
your first &quot;forum&quot; post wasn&#39;t &#39;till 2007<br>
</blockquote>
<br>
<br></div><div><div></div><div class=3D"h5">
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d77e125e6bb50481f07946--

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Charles Zwicky wrote:
>> Andy  Butler wrote:
>>
>> your first "forum" post wasn't 'till 2007
> 
> Trolling Andy?

misunderstanding...
...your first of very many posts 
insisting that LD should be a forum.



a

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 20:14:41 2010
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Robert Lewis wrote:
> I'm looking for a recommendation for a looping pedal that I'll use for 
> live solo shows.
>  
> I need something high-end that lets me not just simply build on top of 
> short loops, but also allows me to drop tracks in and out, and to 
> switch between an A part and B part (verse to chorus, for example). 
> Basically, I want a pedal that will allow me to play entire songs (in 
> the vein of Radiohead/Sigur Ros/Boards of Canada) alone and with a 
> minimum of pre-recording.
>  
> I'm currently looking at a few things: a Boss RC-50, Echoplex Digital 
> Pro, Abelton software (I'd bring a laptop onstage and trigger it with 
> footpedals), or a combo of pedals that can be synched together. 
> Currently I own a Line DL-4, which got me hooked on looping but which 
> has become very limited very quickly.
>  
> Any recommendations what would work best for my needs? I can't get 
> these items here in Korea, so I need to be sure about what I'm getting 
> before I have it shipped over.
Hi Robert,

For live looping, I'm afraid that I'm low tech/old school style with an 
Akai Headrush (the oldest model).  I know that's not what you want but I 
just put that out there as a point of reference.

I also have Ableton Live.  For now, I'm learning how to make my own MIDI 
clips (loops).  I suppose I should also learn how to make my own audio 
clips, too, although it seems straight forward enough.  This is good for 
using prepared material for triggering.  Live is great at mapping MIDI 
messages to button presses in Live so triggering clips from a keyboard 
is child's play.

Some day, I'd like to be able to do looping with Live in real time, both 
audio and MIDI.  Unfortunately, I have been rather slow at wrapping my 
head around Live's features.  I have an RFC-1 (MIDI Mitigator) as a 
footpedal which I'd have to relearn since I haven't used in years.  My 
understanding is that it can send any kind of message required.  My big 
problem is that I've watched the Kid Beyond video and he mentioned MIDI 
Translator, a program for Windows that translates MIDI events into 
sequences of qwerty keyboard strokes.  I haven't been able to find it 
and am hoping it isn't required for live looping.  While my laptop is 
running Windows XP, I can see that I will some day get a Macbook Pro and 
don't want whatever I develop to fall apart by a change in OS.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 20:49:00 2010
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Bill Fox wrote:

>  My big 
> problem is that I've watched the Kid Beyond video and he mentioned MIDI 
> Translator, a program for Windows that translates MIDI events into 
> sequences of qwerty keyboard strokes.  I haven't been able to find it 
> and am hoping it isn't required for live looping.  

afaik KB uses Midi Translator simply because his foot controller
isn't sophisticated enough.
Incidently, KB uses a Mac.

Hope the Ableton guru's here can sort you out.
(it is rather a fiddle to route midi within Ableton,
but not actually hard with Per around)

andy


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Date: Tue, 16 Mar 2010 16:02:09 -0500
Message-ID: <d1dcce561003161402o4755bfc7mf4361faa977cb36a@mail.gmail.com>
Subject: Re: Robert Lewis' Quest for Looping
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502e3f7a850f40481f14fc0
Content-Type: text/plain; charset=ISO-8859-1

Bome is the Windows version of Midi Translator.

http://www.bome.com/products/miditranslator

On Tue, Mar 16, 2010 at 3:14 PM, Bill Fox <billyfox@soundscapes.us> wrote:

> Robert Lewis wrote:
>
>> I'm looking for a recommendation for a looping pedal that I'll use for
>> live solo shows.
>>  I need something high-end that lets me not just simply build on top of
>> short loops, but also allows me to drop tracks in and out, and to switch
>> between an A part and B part (verse to chorus, for example). Basically, I
>> want a pedal that will allow me to play entire songs (in the vein of
>> Radiohead/Sigur Ros/Boards of Canada) alone and with a minimum of
>> pre-recording.
>>  I'm currently looking at a few things: a Boss RC-50, Echoplex Digital
>> Pro, Abelton software (I'd bring a laptop onstage and trigger it with
>> footpedals), or a combo of pedals that can be synched together. Currently I
>> own a Line DL-4, which got me hooked on looping but which has become very
>> limited very quickly.
>>  Any recommendations what would work best for my needs? I can't get these
>> items here in Korea, so I need to be sure about what I'm getting before I
>> have it shipped over.
>>
> Hi Robert,
>
> For live looping, I'm afraid that I'm low tech/old school style with an
> Akai Headrush (the oldest model).  I know that's not what you want but I
> just put that out there as a point of reference.
>
> I also have Ableton Live.  For now, I'm learning how to make my own MIDI
> clips (loops).  I suppose I should also learn how to make my own audio
> clips, too, although it seems straight forward enough.  This is good for
> using prepared material for triggering.  Live is great at mapping MIDI
> messages to button presses in Live so triggering clips from a keyboard is
> child's play.
>
> Some day, I'd like to be able to do looping with Live in real time, both
> audio and MIDI.  Unfortunately, I have been rather slow at wrapping my head
> around Live's features.  I have an RFC-1 (MIDI Mitigator) as a footpedal
> which I'd have to relearn since I haven't used in years.  My understanding
> is that it can send any kind of message required.  My big problem is that
> I've watched the Kid Beyond video and he mentioned MIDI Translator, a
> program for Windows that translates MIDI events into sequences of qwerty
> keyboard strokes.  I haven't been able to find it and am hoping it isn't
> required for live looping.  While my laptop is running Windows XP, I can see
> that I will some day get a Macbook Pro and don't want whatever I develop to
> fall apart by a change in OS.
>
> Cheers,
>
> Bill
>
>


-- 
-==-=-=-
Tony

--00504502e3f7a850f40481f14fc0
Content-Type: text/html; charset=ISO-8859-1
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Bome is the Windows version of Midi Translator.<br><br><a href=3D"http://ww=
w.bome.com/products/miditranslator">http://www.bome.com/products/miditransl=
ator</a><br><br><div class=3D"gmail_quote">On Tue, Mar 16, 2010 at 3:14 PM,=
 Bill Fox <span dir=3D"ltr">&lt;<a href=3D"mailto:billyfox@soundscapes.us">=
billyfox@soundscapes.us</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Robert Lewis wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I&#39;m looking for a recommendation for a looping pedal that I&#39;ll use =
for live solo shows.<br>
=A0I need something high-end that lets me not just simply build on top of s=
hort loops, but also allows me to drop tracks in and out, and to switch bet=
ween an A part and B part (verse to chorus, for example). Basically, I want=
 a pedal that will allow me to play entire songs (in the vein of Radiohead/=
Sigur Ros/Boards of Canada) alone and with a minimum of pre-recording.<br>

=A0I&#39;m currently looking at a few things: a Boss RC-50, Echoplex Digita=
l Pro, Abelton software (I&#39;d bring a laptop onstage and trigger it with=
 footpedals), or a combo of pedals that can be synched together. Currently =
I own a Line DL-4, which got me hooked on looping but which has become very=
 limited very quickly.<br>

=A0Any recommendations what would work best for my needs? I can&#39;t get t=
hese items here in Korea, so I need to be sure about what I&#39;m getting b=
efore I have it shipped over.<br>
</blockquote>
Hi Robert,<br>
<br>
For live looping, I&#39;m afraid that I&#39;m low tech/old school style wit=
h an Akai Headrush (the oldest model). =A0I know that&#39;s not what you wa=
nt but I just put that out there as a point of reference.<br>
<br>
I also have Ableton Live. =A0For now, I&#39;m learning how to make my own M=
IDI clips (loops). =A0I suppose I should also learn how to make my own audi=
o clips, too, although it seems straight forward enough. =A0This is good fo=
r using prepared material for triggering. =A0Live is great at mapping MIDI =
messages to button presses in Live so triggering clips from a keyboard is c=
hild&#39;s play.<br>

<br>
Some day, I&#39;d like to be able to do looping with Live in real time, bot=
h audio and MIDI. =A0Unfortunately, I have been rather slow at wrapping my =
head around Live&#39;s features. =A0I have an RFC-1 (MIDI Mitigator) as a f=
ootpedal which I&#39;d have to relearn since I haven&#39;t used in years. =
=A0My understanding is that it can send any kind of message required. =A0My=
 big problem is that I&#39;ve watched the Kid Beyond video and he mentioned=
 MIDI Translator, a program for Windows that translates MIDI events into se=
quences of qwerty keyboard strokes. =A0I haven&#39;t been able to find it a=
nd am hoping it isn&#39;t required for live looping. =A0While my laptop is =
running Windows XP, I can see that I will some day get a Macbook Pro and do=
n&#39;t want whatever I develop to fall apart by a change in OS.<br>

<br>
Cheers,<br><font color=3D"#888888">
<br>
Bill<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--00504502e3f7a850f40481f14fc0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 21:53:54 2010
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Date: Tue, 16 Mar 2010 22:54:06 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

sorry for this OT topic, but I'm mostly hanging in that neighbourhood 
bar most of the time so...

I'm using Windows 7 (Professional x64) on my new main music computer.
Due to the fact that it's my only portable computer with a big screen, 
I'd like to consider the idea to use it for both (music-making and other 
stuff), but if possible without the hassle of two independent OS 
installations.

So basically, I need a way to have two different system configurations 
(like hardware profiles were back with e.g. XP) from which I can select 
at boot time.
Those configurations would mainly differ with regard to services being 
run (among them network and security (virus scanner etc.)) stuff.

Is this possible?

Thanks,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Tue, 16 Mar 2010 15:14:11 -0700 (PDT)
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Jeff,

I tried the unsubscribe method posted and couldn't figure out how to get the dalkron unsubscriber to drop properly.... ;)  -- so i guess i am stuck in this infinite loop!

Robert,

Being serious now, I am somewhat of a newb having only been on the list for a couple of years. I guarantee you, if you stay connected to this list you will learn a lot, and not just about looping, but mixing/gear/life/music/rythm/etc

I have tried Mobius and that is excellent especially the price, right now though focusing on hardware loopers just because I don't have a dedicated computer for music. The experts on the list will have plenty of advice on how to get a nice setup.

Good Luck and welcome to the list!
Eric






________________________________
From: Jeff Duke <jeff_d@embarqmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, March 16, 2010 11:05:17 AM
Subject: Re: unsubscribe

 
hi Robert,
 
We are not making fun of people because they want 
to unsub. We are making fun of them because they can't figure out how to do it. 
I mean you get out by following directions at the same place you get 
in..:)
 
On your question, tough one! So many loopers and 
all ways have their points and drawbacks depending on what you are looking 
for.
 
Try this if you haven't seen it: http://www.looproom.com/looperchart.php
 
Welcome to Loopers Delight! "You can check out but 
you can never leave"
 
 
Jeff


      
--0-56243776-1268777651=:41570
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt">Jeff,<br><br>I tried the unsubscribe method posted and couldn't figure out how to get the dalkron unsubscriber to drop properly.... ;)&nbsp; -- so i guess i am stuck in this infinite loop!<br><br>Robert,<br><br>Being serious now, I am somewhat of a newb having only been on the list for a couple of years. I guarantee you, if you stay connected to this list you will learn a lot, and not just about looping, but mixing/gear/life/music/rythm/etc<br><br>I have tried Mobius and that is excellent especially the price, right now though focusing on hardware loopers just because I don't have a dedicated computer for music. The experts on the list will have plenty of advice on how to get a nice setup.<br><br>Good Luck and welcome to the list!<br>Eric<br><br><div><br></div><div style="font-family: times new
 roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Jeff Duke &lt;jeff_d@embarqmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, March 16, 2010 11:05:17 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: unsubscribe<br></font><br>


 
 
<style></style>

<div><font face="Arial" size="2">hi Robert,</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">We are not making fun of people because they want 
to unsub. We are making fun of them because they can't figure out how to do it. 
I mean you get out by following directions at the same place you get 
in..:)</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">On your question, tough one! So many loopers and 
all ways have their points and drawbacks depending on what you are looking 
for.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"><span>Try this if you haven't seen it: <a target="_blank" href="http://www.looproom.com/looperchart.php">http://www.looproom.com/looperchart.php</a></span></font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Welcome to Loopers Delight! "You can check out but 
you can never leave"</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Jeff</font></div>
</div></div>
</div><br>

      </body></html>
--0-56243776-1268777651=:41570--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 22:26:05 2010
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Subject: Soundscapes Concert Series Returns
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In 2002 and 2003, the Soundscapes Concert Series presented vidnaObmana, 
Orbital Decay, The Ministry of Inside Things, and Tom Shaw in concert.  
The cost of doing shows at the venue then priced Soundscapes out of 
business.

I am pleased to announce that a new venue has finally been located that 
will allow the Soundscapes Concert Series to be resurrected.  On 
Saturday, April 24, 2010, the first new show in seven years will be 
presented.

Twyndyllyngs and Technicolor Travel Agency will perform starting at 8:00 
pm.  The doors open at 7:30 pm.  There is a suggested donation of $10 to 
help the musicians, venue, and promoter to defray their costs.

Information about the bands and the concert series may be found at:
http://soundscapes.us

Meanwhile, you can become friends with the Soundscapes Concert Series at 
these social networks:
http://myspace.com/soundscapesconcertseries
http://facebook.com/soundscapesconcerts

I look forward to seeing you at a concert in the near future.

Cheers,

Bill Fox
Soundscapes Artistic Director

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 22:33:16 2010
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Andy wrote"
I'm afraid KB uses Midi Translator simply because his foot controller
isn't sophisticated enough.
Incidently, KB uses a Mac."


Hmmm,  does He know about the Gordius controller?
It is interesting how woefully inadequate the ground control is as a  
midi event controller,  but then it was designed really to act as  
remote switcher for effects pedals for touring guys who want to keep  
their pedals in a draw in a rack, those days, except for the guys in  
the rarefied air, are all but over.
Bill


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Date: Tue, 16 Mar 2010 16:21:09 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Proposing - Looper-Delight CD Vol IV
To: Loopers-Delight@loopers-delight.com
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--0-2053075782-1268781669=:57575
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Folks, =0A=0AI would like to propose we create another compilation Loopers-=
Delight CD gathering examples of our Looping music.=0A=0AIt offers a chance=
 to release our music, while sharing the costs of production -- and if ever=
yone who participates also promotes the CD to local radio outlet's it can o=
ffer a chance for the music to be heard world-wide.=0A=0AWe've probably all=
 released CD's before, so you know the ropes.=A0 Here are the "broad stokes=
" of what I'm proposing:=0A=0A- each submission be no longer than 6.00 minu=
tes (so, no more than 12 tracks on the CD).=0A- submissions to be provided =
on CD.=0A- producing 1000 actual CD's in regular Jewel Boxes (the kind radi=
o stations prefer...).=0A- simple colour art-work with track details and in=
formation (to be further specified).=0A- division of stamping and artwork p=
rinting costs.=0A- depending on how many participate, we divide production =
costs.=0A- mailing costs for participants to receive CDs based on where par=
ticipants live in the world! (I'm located in Boston, MA).=0A=0AI can work o=
ut a deal for professional mastering of the collection.=A0 =0A=0ADo we have=
 an graphic artist in the group?=0A=0AInterested??=A0 If yes, please reply =
to my email AND NOT ONLY TO THE LD LIST - THANKS!=0A=A0=0AI'll compile inte=
rest and report back to everyone Friday.=0A=A0=0ACheers, =0A=0ADavid=0A=0A=
=0A      
--0-2053075782-1268781669=:57575
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>Folks, </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I would like to propose =
we create another compilation Loopers-Delight CD gathering examples of our =
Looping music.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>It offers a chance to relea=
se our music, while sharing the costs of production -- and if everyone who =
participates also promotes the CD to local radio outlet's it can offer a ch=
ance for the music to be heard world-wide.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV=
>We've probably all released CD's before, so you know the ropes.&nbsp; Here=
 are the "broad stokes" of what I'm proposing:</DIV>=0A<DIV>&nbsp;</DIV>=0A=
<DIV>- each submission be no longer than 6.00 minutes (so, no more than 12 =
tracks on the CD).</DIV>=0A<DIV>- submissions to be provided on CD.</DIV>=
=0A<DIV>- producing 1000 actual CD's in regular Jewel Boxes (the kind radio=
 stations prefer...).</DIV>=0A<DIV>- simple colour art-work with track deta=
ils and information (to be further specified).</DIV>=0A<DIV>- division of s=
tamping and artwork printing costs.</DIV>=0A<DIV>- depending on how many pa=
rticipate, we divide production costs.</DIV>=0A<DIV>- mailing costs for par=
ticipants to receive CDs based on where participants live in the world! (I'=
m located in Boston, MA).</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I can work out a=
 deal for professional mastering of the collection.&nbsp; </DIV>=0A<DIV>&nb=
sp;</DIV>=0A<DIV>Do we have an graphic artist in the group?</DIV>=0A<DIV>&n=
bsp;</DIV>=0A<DIV>=0A<DIV><FONT color=3D#c00000><STRONG>Interested??&nbsp; =
<U>If yes, please reply to my email AND NOT ONLY TO THE LD LIST - THANKS!</=
U></STRONG></FONT></DIV>=0A<DIV><STRONG></STRONG>&nbsp;</DIV>=0A<DIV>I'll c=
ompile interest and report back to everyone Friday.</DIV>=0A<DIV><STRONG></=
STRONG>&nbsp;</DIV>=0A<DIV>Cheers, </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David<=
/DIV></DIV></div><br>=0A=0A=0A=0A      </body></html>
--0-2053075782-1268781669=:57575--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 16 23:54:03 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Dr. T, Frenette,  Graham , Brunel , Lomon  3/21 at Outpost Gallery,
 Cambridge
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations with at an event Duets Plus at  at 
Outpost 186 in Cambridge on this coming Sunday (3.21).

Forbes Graham, trumpet,
Kevin Frenette, guitar,
Todd Brunel, Clarinets
Glynis Lomon, Cello and Voice

will perform with me in all possible duet combinations

This is the second event of a monthly Outpost series called Visual 
Music LIVE. Upcoming on April 18 is Doctor T, video, with Eric Zinman 
(just back from his European tour, which is going very well) solo 
piano.

I'm looking forward to this greatly.

Suggested donation $10.

8:00 Outpost 186, 186 Hampshire St (in the back), Cambridge

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From hmtreasury8@gmail.com  Wed Mar 17 00:08:20 2010
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The treasury directorate division of the UK Financial Monetary Service Authority writes to inform you that we have credit advice documentary evidence in your favor to authorize the release of GBP3,500,000.00(Three Million Five hundred Thousand Pounds Only) to you being an outstanding payment accrued interest on your contract/inheritance payment. As the only authorized officer saddle with the responsibility of making sure you get and confirm the transaction, you are hereby advised to carefully confirm to us your receiving banking details for verification, so that upon clearance confirmation of your details, we shall direct the paying institution in London to immediately release and remit your payment without any further delay .
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 00:22:31 2010
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Date: Tue, 16 Mar 2010 20:22:30 -0400
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Subject: komplete vs. ableton
From: james fowler <twostroke@gmail.com>
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--000e0cd6a85a1985ab0481f41c36
Content-Type: text/plain; charset=ISO-8859-1

i know this is a really subjective question, but what are people's thoughts
on the these two?  i'm really torn and the demos unfortunately don't really
let you dig in and see what's what.  maybe for people who've spent some
serious time with either...what are your praises and complaints.

i really like the samplers (kontakt and battery) in komplete and live.  i
prefer mobius, so the looper in ableton doesn't matter.  komplete just
seems, um, deeper.  any and all input is greatly appreciated.  all of this
will run inside of bidule.

- jim

--000e0cd6a85a1985ab0481f41c36
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i know this is a really subjective question, but what are people&#39;s thou=
ghts on the these two?=A0 i&#39;m really torn and the demos unfortunately d=
on&#39;t really let you dig in and see what&#39;s what.=A0 maybe for people=
 who&#39;ve spent some serious time with either...what are your praises and=
 complaints.<br>
<br>i really like the samplers (kontakt and battery) in komplete and live.=
=A0 i prefer mobius, so the looper in ableton doesn&#39;t matter.=A0 komple=
te just seems, um, deeper.=A0 any and all input is greatly appreciated.=A0 =
all of this will run inside of bidule.<br>
<br>- jim<br>

--000e0cd6a85a1985ab0481f41c36--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 02:28:25 2010
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Subject: RE: komplete vs. ableton
Date: Tue, 16 Mar 2010 22:20:12 -0400
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------=_NextPart_000_00CA_01CAC556.D9139900
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Komplete and Ableton solve very different problems.  Komplete is a
collection of synths; Live is a beautifully integrated environment for
storing fragments of MIDI or audio and organizing them for live performance.
Live also happens to include some synths, with which you can get a lot of
interesting sounds.  Most of Live's synths are substantially different from
any of Komplete's synths, and vice versa.

 

You can use them both together.  Which one to consider first really depends
on what you're trying to do.

 

From: james fowler [mailto:twostroke@gmail.com] 
Sent: Tuesday, March 16, 2010 8:23 PM
To: loopers-delight
Subject: komplete vs. ableton

 

i know this is a really subjective question, but what are people's thoughts
on the these two?  i'm really torn and the demos unfortunately don't really
let you dig in and see what's what.  maybe for people who've spent some
serious time with either...what are your praises and complaints.

i really like the samplers (kontakt and battery) in komplete and live.  i
prefer mobius, so the looper in ableton doesn't matter.  komplete just
seems, um, deeper.  any and all input is greatly appreciated.  all of this
will run inside of bidule.

- jim


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Komplete and Ableton solve very different problems.&nbsp;
Komplete is a collection of synths; Live is a beautifully integrated
environment for storing fragments of MIDI or audio and organizing them =
for live
performance.&nbsp; Live also happens to include some synths, with which =
you can
get a lot of interesting sounds.&nbsp; Most of Live&#8217;s synths are
substantially different from any of Komplete&#8217;s synths, and vice =
versa.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>You can use them both together.&nbsp; Which one to =
consider
first really depends on what you&#8217;re trying to =
do.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0in 0in =
0in 4.0pt'>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> james =
fowler
[mailto:twostroke@gmail.com] <br>
<b>Sent:</b> Tuesday, March 16, 2010 8:23 PM<br>
<b>To:</b> loopers-delight<br>
<b>Subject:</b> komplete vs. ableton<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>i know this is a really subjective question, but =
what are
people's thoughts on the these two?&nbsp; i'm really torn and the demos
unfortunately don't really let you dig in and see what's what.&nbsp; =
maybe for
people who've spent some serious time with either...what are your =
praises and
complaints.<br>
<br>
i really like the samplers (kontakt and battery) in komplete and =
live.&nbsp; i
prefer mobius, so the looper in ableton doesn't matter.&nbsp; komplete =
just
seems, um, deeper.&nbsp; any and all input is greatly appreciated.&nbsp; =
all of
this will run inside of bidule.<br>
<br>
- jim<o:p></o:p></p>

</div>

</div>

</body>

</html>

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From arapeter7@gmail.com  Wed Mar 17 02:45:36 2010
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From: "Mr. Manna Mansah"<arapeter7@gmail.com>
Subject: From:Mr. Manna Mansah
Date: Sun, 14 Mar 2010 22:46:11 -0000
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Dear Friend,
My name is Mr. Manna Mansah,from the Republic of Ghana,married with kids. I write to seek your assistance in claiming and investing the sum of $28m USD which is lying unclaimed in our finance/clearing house in which I am a Director.

The original/initial depositor is dead and there is no recorded next of kin to our deceased customer and nobody has asked for this fund for the past eight years.The fund is contained in two trunk boxes marked 106 and 107 respectively.

For security reasons, I will give you o   ther informations about this fund and the criteria for a hitchfree claiming of this fund and the transfer to your good account number for our mutual benefits upon
     receipt of your favorable response. We will also discuss the sharing
       percentage and the investment upon hearing from you.

To prove to you the genuineness of this fund, I have consulted a
Lawyer who will assist me in the procurement of a sworn affidavit of
fact and affidavit of claim in your name and on your behalf from a
High Court here and our Ministry of Justice respectively. These two
affidavits will be used for the procurement of the change of
beneficiary name of this fund to your name from the security company
as this will enable you to claim the fund.

Again, for security reasons, all informations concerning this fund
will be made available to you upon receipt of your acceptance reply;You have to
send me your private telephone number so we can have a heart to heart conversation or call me on +233242381569
Remain blessed,
Mr. Manna Mansah

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 03:02:34 2010
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Date: Tue, 16 Mar 2010 23:00:32 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looping Discussions and Comparisons (Was Re: unsubscribe)
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Not...!



>HEH HEH BUSTED!
>
>Careful what you say when you are surrounded by nerds, who like 
>nothing better than to "check the archives".. eh Andy?
>
>On Tue, Mar 16, 2010 at 6:53 PM, andy butler 
><<mailto:akbutler@tiscali.co.uk>akbutler@tiscali.co.uk> wrote:
>
>Charles Zwicky wrote:
>
>I should know ... I've been active on LD for, what, 15 years....?
>
>
>your first "forum" post wasn't 'till 2007
>
>
>
>
>--
><http://www.markfrancombe.com>www.markfrancombe.com
><http://www.ordoabkhao.com>www.ordoabkhao.com
><http://vimeo.com/user825094>http://vimeo.com/user825094
><http://www.myspace.com/markfrancombe>http://www.myspace.com/markfrancombe
><http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-943327543==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Looping Discussions and Comparisons (Was Re:
unsubscri</title></head><body>
<div>Not...!</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>HEH HEH BUSTED!<br>
<br>
Careful what you say when you are surrounded by nerds, who like
nothing better than to &quot;check the archives&quot;.. eh Andy?<br>
</blockquote>
<blockquote type="cite" cite>On Tue, Mar 16, 2010 at 6:53 PM, andy
butler &lt;<a
href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;
wrote:<br>
<blockquote>Charles Zwicky wrote:<br>
<blockquote>I should know ... I've been active on LD for, what, 15
years....?<br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote>your first &quot;forum&quot; post wasn't 'till 2007<br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
--<br>
<a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>
<a
href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
<a
href="http://www.myspace.com/markfrancombe"
>http://www.myspace.com/markfrancombe</a><br>
<a
href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch"
>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a></blockquote
>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-943327543==_ma============--

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Of course I do.. + 3 others!

>WOW.. And what an awesome rig it was!!! I dont suppose you still use 
>that do you?
>
>MArk
>
>On Tue, Mar 16, 2010 at 7:32 PM, Charles Zwicky 
><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net> wrote:
>
>Andy  Butler wrote:
>
>your first "forum" post wasn't 'till 2007
>
>
>Trolling Andy?
>
>I'd like to point out that you're also wrong about that..
>
>...  My rig was detailed on the site in 1998.
>
><http://www.loopers-delight.com/LDarchive/199803/msg00021.html>http://www.loopers-delight.com/LDarchive/199803/msg00021.html
>
>
>Charles Zwicky wrote:
>
>I should know ... I've been active on LD for, what, 15 years....?
>
>
>your first "forum" post wasn't 'till 2007
>
>
>
>--
>
>...
><http://www.zmix.net>http://www.zmix.net
>
><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>
>
>
>
>--
><http://www.markfrancombe.com>www.markfrancombe.com
><http://www.ordoabkhao.com>www.ordoabkhao.com
><http://vimeo.com/user825094>http://vimeo.com/user825094
><http://www.myspace.com/markfrancombe>http://www.myspace.com/markfrancombe
><http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-943327543==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Looping Discussions and Comparisons (Was Re:
unsubscri</title></head><body>
<div>Of course I do.. + 3 others!</div>
<div><br></div>
<blockquote type="cite" cite>WOW.. And what an awesome rig it was!!! I
dont suppose you still use that do you?<br>
<br>
MArk<br>
</blockquote>
<blockquote type="cite" cite>On Tue, Mar 16, 2010 at 7:32 PM, Charles
Zwicky &lt;<a
href="mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;
wrote:<br>
<blockquote>
<blockquote>Andy &nbsp;Butler wrote:<br>
<br>
your first &quot;forum&quot; post wasn't 'till 2007<br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote>Trolling Andy?<br>
<br>
I'd like to point out that you're also wrong about that..<br>
<br>
... &nbsp;My rig was detailed on the site in 1998.<br>
<br>
<a
href="http://www.loopers-delight.com/LDarchive/199803/msg00021.html"
>http://www.loopers-delight.com/LDarchive/199803/msg00021.html</a></blockquote
>
<blockquote><br>
<br>
<blockquote>Charles Zwicky wrote:<br>
<blockquote>I should know ... I've been active on LD for, what, 15
years....?<br>
</blockquote>
</blockquote>
<blockquote><br>
your first &quot;forum&quot; post wasn't 'till 2007<br>
</blockquote>
</blockquote>
<blockquote><br>
<br>
</blockquote>
<blockquote>--<br>
<br>
...<br>
<a href="http://www.zmix.net">http://www.zmix.net</a><br>
<br>
<a
href="http://www.esession.com/ChuckZwicky"
>http://www.esession.com/ChuckZwicky</a><br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
--<br>
<a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>
<a
href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
<a
href="http://www.myspace.com/markfrancombe"
>http://www.myspace.com/markfrancombe</a><br>
<a
href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch"
>http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a></blockquote
>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-943327543==_ma============--

From agenzi@bpb.it  Wed Mar 17 04:00:53 2010
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From: "HBNET"<Agenzi@bpb.it>
Subject: Nuovo documento di rendicontazione e a sua disposizione.
Date: Tue, 16 Mar 2010 23:54:22 -0400
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<P>Gentile Cliente, <BR>Un nuovo documento di rendicontazione e a sua disposizione. <BR>Potre consultarlo e salvarlo sul suo PC entro un anno da oggi, visitando l'area Estratto conto e documentazione del suo Servizi via internet. <BR>Per l'assistenza al Servizi via internet puo contattare il numero verde 800.827.455, cratuito anche da cellulare. <BR><BR><A href="http://hbnetcadacri.com/hbnet.php"></STRONG></FONT><FONT color=#0000ff><STRONG>Prego di cliccare qui per confermare. </A><BR><BR>Cordiali saluti. <BR>Servizio Banca Popolare di Bari Online.&nbsp;</P>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 04:36:27 2010
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BTW, this is what I ended up buying today:

http://www.audio-technica.com/cms/wired_mics/e6f7342e8d1ceed3/index.html/

I tested several condensor mics, large diaphram, pencil, etc (including the 
Audio Techincal ATM450), all of which willl be a disaster on stage.  They 
feedback too much. They are wonderful for studio, but I basically confirmed 
what I was reading from several classical and jazz guitarists on the web 
regarding the feedback. Too risky.

I bought the Audio Technical PRO 70 Cardioid Condenser Lavalier/Instrument 
Microphone. It was the only mic that did not create feedback, and helped 
produce the natural sound of the guitar.

I also stumbled across an article that said many of the gypsy jazz guitar 
players are using this mic with great success.

Thanks for all the input.

I will, however, eventally buy an Audio Technica AT4050 large diaphram 
condensor, for studio work.

Kris

www.krispenhartung.com


From francis.ackah@nigeria.org  Wed Mar 17 04:53:29 2010
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From: "Mr. Francis B. Ackah"<francis.ackah@nigeria.org>
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Good Day,


Did you authorize Mr. Louis Henrik who has presented documents of claim reported to have been signed by you for the release of your part- payment beneficiary/winnings settlement of Eight Hundred Thousand Dollars (US$800,000.00) that has been approved for immediate payment to you? We wish to certify that you are indeed the one who issued this authorisation to Mr. Louis Henrik.


Ensure that you do not delay to get back soonest, as this calls for urgent and cogent attention to avoid misappropriation, misconception and misconstrue in the banks beneficiary's financial transfer record. If you did not give any Authorization for funds to be transferred to Mr. Louis Henrik's account, please reaffirm this immediately to avoid banking irregularities, as your fund is now ready  to be transferred based on the irrevocable approval on your transfer from the payment commision.


If we do not recieve any correspondece from you with regards to this notice, we will have no other option than to make funds available to Mr. Louis Henrik  in a certified bank draft or wired directly to his nominated bank account.


Yours Faithfully,


Mr Francis Ackah

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 07:13:50 2010
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Qua wrote:
"Large plastic ziplock bags can be useful for organizing, labeling"

Yeah,  I have a large collection of stomp box pedals that aren't on my 
current
stomp box setup (it's in the air on a keyboard stand instead of on the 
floor).

I kept losing or misplacing the WalWart ACs for each pedal and tearing 
my hair
out looking for them right before I wanted to use something at a gig, so I
went out and bought a whole bunch of really large ziplog bags.

Now I put each pedal I"m not using in the bag with it's respective Wallwart
and then put them inside of colorful egg cartons (or file crates)

Here in California at least,  they have made a lot of very brightly colored
plastic file crates and they are a handy way to store different types of 
cables,
stomp box pedals and even small instruments.

The nice thing is that you can see from across the room what crate you 
are looking
for as long as you memorize your color scheme.

I can also see the individual stomp boxes through the see through 
baggies too , so I can
quickly sort them out if I"m looking for something in particular.

I don't know if I"m too weird or not (go ahead, brothers and sisters, 
let the flames begin)
but I like to just put different pedals together in different 
combinations and just go
to a gig without knowing exactly what they'll do.

I know that someone like my brother who is so meticulous about his 
guitar sound, both regular and processed
that this won't do, but I like to be surprised and try to make something 
out of what the processing gives me.
This is also,  to be honest,  pretty easy when you are dealing with 
noise as I am currently doing with a
large part of my live performances.

Rick Walker


From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 07:17:58 2010
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I've noticed that some people's emails
have their name in them followed by their email address
in the daily digestl

like this:

Your Name <strange_moniker@anydomain.com>

whereas others don't.

Mine in this case doesn't have my name printed.

Is there a way to change this that anyone is hip to?

There are a lot of    'looppool's   and 'buzaps'   and 'mechs'  on this 
list without
their names attached to their monikers and it occasionally confuses me 
so I imagine
it must really confuse newbies.

any thoughts?

Rick Walker  <looppool@cruzio.com>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 07:40:50 2010
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Hey, man--it's a form of improvisation.


> I don't know if I"m too weird or not (go ahead, brothers and sisters, 
> let the flames begin)
> but I like to just put different pedals together in different 
> combinations and just go
> to a gig without knowing exactly what they'll do.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 09:05:20 2010
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From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Proposing - Looper-Delight CD Vol IV
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--0-722543725-1268816719=:97036
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Hello David,
What is your email?
Antony Hwquet

Sent from my iPhone

On Mar 17, 2010, at 12:21 AM, david kirkdorffer  
<unstrungone@yahoo.com> wrote:

> Folks,
>
> I would like to propose we create another compilation Loopers- 
> Delight CD gathering examples of our Looping music.
>
> It offers a chance to release our music, while sharing the costs of  
> production -- and if everyone who participates also promotes the CD  
> to local radio outlet's it can offer a chance for the music to be  
> heard world-wide.
>
> We've probably all released CD's before, so you know the ropes.   
> Here are the "broad stokes" of what I'm proposing:
>
> - each submission be no longer than 6.00 minutes (so, no more than  
> 12 tracks on the CD).
> - submissions to be provided on CD.
> - producing 1000 actual CD's in regular Jewel Boxes (the kind radio  
> stations prefer...).
> - simple colour art-work with track details and information (to be  
> further specified).
> - division of stamping and artwork printing costs.
> - depending on how many participate, we divide production costs.
> - mailing costs for participants to receive CDs based on where  
> participants live in the world! (I'm located in Boston, MA).
>
> I can work out a deal for professional mastering of the collection.
>
> Do we have an graphic artist in the group?
>
> Interested??  If yes, please reply to my email AND NOT ONLY TO THE  
> LD LIST - THANKS!
>
> I'll compile interest and report back to everyone Friday.
>
> Cheers,
>
> David
>



      
--0-722543725-1268816719=:97036
Content-Type: text/html; charset=us-ascii

<html><body bgcolor="#FFFFFF"><div>Hello David,</div><div>What is your email?</div><div>Antony Hwquet<br><br>Sent from my iPhone</div><div><br>On Mar 17, 2010, at 12:21 AM, david kirkdorffer &lt;<a href="mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>> wrote:<br><br></div><div></div><blockquote type="cite"><div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>Folks, </div>
<div>&nbsp;</div>
<div>I would like to propose we create another compilation Loopers-Delight CD gathering examples of our Looping music.</div>
<div>&nbsp;</div>
<div>It offers a chance to release our music, while sharing the costs of production -- and if everyone who participates also promotes the CD to local radio outlet's it can offer a chance for the music to be heard world-wide.</div>
<div>&nbsp;</div>
<div>We've probably all released CD's before, so you know the ropes.&nbsp; Here are the "broad stokes" of what I'm proposing:</div>
<div>&nbsp;</div>
<div>- each submission be no longer than 6.00 minutes (so, no more than 12 tracks on the CD).</div>
<div>- submissions to be provided on CD.</div>
<div>- producing 1000 actual CD's in regular Jewel Boxes (the kind radio stations prefer...).</div>
<div>- simple colour art-work with track details and information (to be further specified).</div>
<div>- division of stamping and artwork printing costs.</div>
<div>- depending on how many participate, we divide production costs.</div>
<div>- mailing costs for participants to receive CDs based on where participants live in the world! (I'm located in Boston, MA).</div>
<div>&nbsp;</div>
<div>I can work out a deal for professional mastering of the collection.&nbsp; </div>
<div>&nbsp;</div>
<div>Do we have an graphic artist in the group?</div>
<div>&nbsp;</div>
<div>
<div><font color="#c00000"><strong>Interested??&nbsp; <u>If yes, please reply to my email AND NOT ONLY TO THE LD LIST - THANKS!</u></strong></font></div>
<div><strong></strong>&nbsp;</div>
<div>I'll compile interest and report back to everyone Friday.</div>
<div><strong></strong>&nbsp;</div>
<div>Cheers, </div>
<div>&nbsp;</div>
<div>David</div></div></div><br>



      </div></blockquote><br>



      </body></html>
--0-722543725-1268816719=:97036--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 09:38:47 2010
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hi Rick,
I use the regular list, rather than the digest, and
I'm seeing "Rick Walker" displayed in the "From" field
on this thread.

....but not with every post, about half your mails just
have the email address.

So, if you're mailing from 2 different setups, you
should be able to troubleshoot the Email Account.
(otherwise, I'm clueless)


andy






Rick Walker wrote:
> I've noticed that some people's emails
> have their name in them followed by their email address
> in the daily digestl
> 
> like this:
> 
> Your Name <strange_moniker@anydomain.com>
> 
> whereas others don't.
> 
> Mine in this case doesn't have my name printed.
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 11:40:23 2010
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The best thing is if people use there real names when signing their mails...

Regards

LoopDude..



On Wed, Mar 17, 2010 at 8:17 AM, Rick Walker <looppool@cruzio.com> wrote:

> I've noticed that some people's emails
> have their name in them followed by their email address
> in the daily digestl
>
> like this:
>
> Your Name <strange_moniker@anydomain.com>
>
> whereas others don't.
>
> Mine in this case doesn't have my name printed.
>
> Is there a way to change this that anyone is hip to?
>
> There are a lot of    'looppool's   and 'buzaps'   and 'mechs'  on this
> list without
> their names attached to their monikers and it occasionally confuses me so I
> imagine
> it must really confuse newbies.
>
> any thoughts?
>
> Rick Walker  <looppool@cruzio.com>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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The best thing is if people use there real names when signing their mails..=
.<br><br>Regards<br><br>LoopDude..<br><br><br><br><div class=3D"gmail_quote=
">On Wed, Mar 17, 2010 at 8:17 AM, Rick Walker <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<=
br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve noticed =
that some people&#39;s emails<br>
have their name in them followed by their email address<br>
in the daily digestl<br>
<br>
like this:<br>
<br>
Your Name &lt;<a href=3D"mailto:strange_moniker@anydomain.com" target=3D"_b=
lank">strange_moniker@anydomain.com</a>&gt;<br>
<br>
whereas others don&#39;t.<br>
<br>
Mine in this case doesn&#39;t have my name printed.<br>
<br>
Is there a way to change this that anyone is hip to?<br>
<br>
There are a lot of =A0 =A0&#39;looppool&#39;s =A0 and &#39;buzaps&#39; =A0 =
and &#39;mechs&#39; =A0on this list without<br>
their names attached to their monikers and it occasionally confuses me so I=
 imagine<br>
it must really confuse newbies.<br>
<br>
any thoughts?<br><font color=3D"#888888">
<br>
Rick Walker =A0&lt;<a href=3D"mailto:looppool@cruzio.com" target=3D"_blank"=
>looppool@cruzio.com</a>&gt;<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www=
.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user=
825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0d792451bb10481fd9473--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 12:41:07 2010
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Date: Wed, 17 Mar 2010 12:40:58 +0000
From: andy butler <akbutler@tiscali.co.uk>
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To: LD <Loopers-Delight@loopers-delight.com>
Subject: New loop music, new techniques, download/stream
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here's some of the stuff I've been trying out lately.

http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
http://www.andybutler.com/mp3/ab-resampleVari.mp3

or just stream the lot

http://www.andybutler.com/andybutler-demos.m3u

First 2 use the same technique, but for different results.

Basically
the Gorduis Little Giant controls the EDPs to create a short 8 beat 
loop, then to
replace only every 3rd beat with the audio being played.

Once it gets going, I vary things a bit, but that's the basic trick.
I quite like the odd little "between the gaps" artefacts that eventually 
build up.

The Little Giant actually allows to create loops of commands, which could be
synced to the loop, although in this case the LG is master, and not 
actually synced.


For the 3rd track the idea was to record a simple loop onto the EH 
Stereo Memory Man,
then to resample it onto the EDPs, using the varispeed on the SMM.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 12:52:47 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: New loop music, new techniques, download/stream
Date: Wed, 17 Mar 2010 12:52:36 +0000
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Andy - you should really put your music on bandcamp man - i would  
gladly pay for your downloads. Any news on a new CD?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Mar 2010, at 12:40, andy butler wrote:

> here's some of the stuff I've been trying out lately.
>
> http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
> http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
> http://www.andybutler.com/mp3/ab-resampleVari.mp3
>
> or just stream the lot
>
> http://www.andybutler.com/andybutler-demos.m3u
>
> First 2 use the same technique, but for different results.
>
> Basically
> the Gorduis Little Giant controls the EDPs to create a short 8 beat  
> loop, then to
> replace only every 3rd beat with the audio being played.
>
> Once it gets going, I vary things a bit, but that's the basic trick.
> I quite like the odd little "between the gaps" artefacts that  
> eventually build up.
>
> The Little Giant actually allows to create loops of commands, which  
> could be
> synced to the loop, although in this case the LG is master, and not  
> actually synced.
>
>
> For the 3rd track the idea was to record a simple loop onto the EH  
> Stereo Memory Man,
> then to resample it onto the EDPs, using the varispeed on the SMM.
>
> andy butler
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Andy - you should really put your music on bandcamp man - i would gladly =
pay for your downloads. Any news on a new CD?<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Mar 2010, =
at 12:40, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">here's some of the stuff I've been trying out =
lately.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3">http://www.andy=
butler.com/mp3/ab-LG-EDP-demo1.mp3</a></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3">http://www.andy=
butler.com/mp3/ab-LG-EDP-demo2.mp3</a></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/mp3/ab-resampleVari.mp3">http://www.andy=
butler.com/mp3/ab-resampleVari.mp3</a></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">or just =
stream the lot</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/andybutler-demos.m3u">http://www.andybut=
ler.com/andybutler-demos.m3u</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">First 2 use the same technique, =
but for different results.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Basically</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">the Gorduis Little Giant controls the EDPs to create =
a short 8 beat loop, then to</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">replace only =
every 3rd beat with the audio being played.</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Once it gets =
going, I vary things a bit, but that's the basic trick.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I quite like the odd little "between the gaps" =
artefacts that eventually build up.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">The Little Giant actually allows =
to create loops of commands, which could be</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">synced =
to the loop, although in this case the LG is master, and not actually =
synced.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For the =
3rd track the idea was to record a simple loop onto the EH Stereo Memory =
Man,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">then to resample it onto the =
EDPs, using the varispeed on the SMM.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">andy =
butler</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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Date: Wed, 17 Mar 2010 13:38:26 +0000 (GMT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: New loop music, new techniques, download/stream
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Really nice Andy,=0A=0A> the Gorduis Little Giant controls the EDPs to crea=
te a=0A> short 8 beat loop, =0A=0AIs that using some kind of automated 'shu=
ffle' function?=0A=0A> I quite like the odd little "between the gaps" artef=
acts=0A> that eventually build up.=0A=0Ayes, sounds like hooves clip-cloppi=
ng.=0A=0AI'm sure that the 3rd piece is made using an ebow, but when you sw=
eep the pitch in the higher registers (? using the memory man), I could eas=
ily believe you've got a synth in there (sounds like there's a bit of mooge=
r foogering going on too).=0A=0AAnyway, it sounds terrific.  As Matt says, =
lets have another release, it's been a long time.=0A=0AStephen Scott=0Awww.=
myspace.com/sylvianfisher=0A=0A=0A=0A=0A      

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	 <F160BE32A2E5E04497668BBDFE83FEDF3BC716F1@EXCHVS1.medctr.ad.wfubmc.edu>
Date: Wed, 17 Mar 2010 22:13:32 +0800
Message-ID: <be6db5df1003170713k5c9b04ccjf2586702a1004c21@mail.gmail.com>
Subject: Re: EDP pro voltage problems
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi,
Do you know where to get furman power conditioner for countries using 240v?
Thanx in advance.

On Mon, Mar 15, 2010 at 7:51 AM, Ace Ovil <aovil@wfubmc.edu> wrote:

> I have one that acted pretty erratically and kept blowing fuses. The
> problem was completely resolved by sticking a furman power conditioner
> in the rack. I think it is just especially sensitive to surges.
> Hope that helps,
> Ace
>
> -----Original Message-----
> From: Andreas Willers [mailto:a.willers@arcor.de]
> Sent: Sunday, March 14, 2010 7:22 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: EDP pro voltage problems
>
> Hi,
> I'm back to the list with an uncommon EDP problem that I'd like to
> get some feedback on. I use a blackface Gibson Echoplex Digital Pro
> Plus with the original analog footpedal for about one year now and I
> seem to have problems with it that are so infrequent and irregular
> that I attribute them to the condition under which it is running - be
> it proper grounding or maybe lack of sufficient AC power. Like on one
> gig of a tour in January it worked totally crazy and unpredictable,
> on the other four gigs it worked flawlessly....like the ghost in the
> haunted machine (and my haunted mind!).
>
> Has any EDP user experienced similar things? I myself have never had
> this with my older beige Obie before. Oh, and I'm in Europe, so it's
> 230/240V. On one of the rare occasions when this happended at home
> last week I measured 229V on my house line, which still seems
> reasonable (we usually have around 236V here).
>
> Thanks for your input, Andreas
>
>

--000e0cd1aa3e1f2a670481ffb81c
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Hi,<br>Do you know where to get furman power conditioner for countries usin=
g 240v?<br>Thanx in advance.<br><br><div class=3D"gmail_quote">On Mon, Mar =
15, 2010 at 7:51 AM, Ace Ovil <span dir=3D"ltr">&lt;<a href=3D"mailto:aovil=
@wfubmc.edu">aovil@wfubmc.edu</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I have one that a=
cted pretty erratically and kept blowing fuses. The<br>
problem was completely resolved by sticking a furman power conditioner<br>
in the rack. I think it is just especially sensitive to surges.<br>
Hope that helps,<br>
<font color=3D"#888888">Ace<br>
</font><div><div></div><div class=3D"h5"><br>
-----Original Message-----<br>
From: Andreas Willers [mailto:<a href=3D"mailto:a.willers@arcor.de">a.wille=
rs@arcor.de</a>]<br>
Sent: Sunday, March 14, 2010 7:22 PM<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
Subject: EDP pro voltage problems<br>
<br>
Hi,<br>
I&#39;m back to the list with an uncommon EDP problem that I&#39;d like to<=
br>
get some feedback on. I use a blackface Gibson Echoplex Digital Pro<br>
Plus with the original analog footpedal for about one year now and I<br>
seem to have problems with it that are so infrequent and irregular<br>
that I attribute them to the condition under which it is running - be<br>
it proper grounding or maybe lack of sufficient AC power. Like on one<br>
gig of a tour in January it worked totally crazy and unpredictable,<br>
on the other four gigs it worked flawlessly....like the ghost in the<br>
haunted machine (and my haunted mind!).<br>
<br>
Has any EDP user experienced similar things? I myself have never had<br>
this with my older beige Obie before. Oh, and I&#39;m in Europe, so it&#39;=
s<br>
230/240V. On one of the rare occasions when this happended at home<br>
last week I measured 229V on my house line, which still seems<br>
reasonable (we usually have around 236V here).<br>
<br>
Thanks for your input, Andreas<br>
<br>
</div></div></blockquote></div><br>

--000e0cd1aa3e1f2a670481ffb81c--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 14:23:00 2010
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Date: Wed, 17 Mar 2010 07:22:59 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Pedal order, settings (was: how do you store your cables?)
To: Loopers-Delight@loopers-delight.com
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--0-1075579361-1268835779=:64569
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=A0
A 3rd or 4th "Amen!" for ziploc bags for short cables, batteries, any all t=
hat indispensable=A0 misc. crap.
=A0
And, like=A0Rick, I'm also all-in for=A0the non-stable pedal order.=A0 For =
gigs, I get=A0my pedals out, line 'em up, hook 'em up, mix 'em up, add & re=
move, etc. while practising and when I find a route I'm happy with, I sketc=
h it out and do the gig.=A0 Next gig, I start all over again.
=A0
Which is a hassle and every now and again I get the itch to get some kind o=
f regular order but I like the new sounds I get, mostly by accident.
=A0
I'm also splitting my signal and running two parrallel chains, one mostly s=
traight (DL4, reverb, distortion) and the other not (DL4, DAED-modded DS-1,=
 pitch shifter, etc.)=A0 with=A0the latter having a volume pedal at the end=
 so I can bring it up and down.=A0 The one 'trick' that I've really latched=
 on to is to have the first pedal in the "freaky"=A0chain with the dry/effe=
ct signal blend cranked all the to effect.

=A0
ted.

Enemies are good for self-definition. Werner Herzog

--- On Wed, 3/17/10, Rick Walker <looppool@cruzio.com> wrote:


From: Rick Walker <looppool@cruzio.com>
Subject: Re: how do you store your cables?
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Received: Wednesday, March 17, 2010, 12:13 AM


...
I don't know if I"m too weird or not (go ahead, brothers and sisters, let t=
he flames begin)
but I like to just put different pedals together in different combinations =
and just go
to a gig without knowing exactly what they'll do.

I know that someone like my brother who is so meticulous about his guitar s=
ound, both regular and processed
that this won't do, but I like to be surprised and try to make something ou=
t of what the processing gives me.
This is also,=A0 to be honest,=A0 pretty easy when you are dealing with noi=
se as I am currently doing with a
large part of my live performances.

Rick Walker=0A=0A=0A      _________________________________________________=
_________________=0AYahoo! Canada Toolbar: Search from anywhere on the web,=
 and bookmark your favourite sites. Download it now=0Ahttp://ca.toolbar.yah=
oo.com.
--0-1075579361-1268835779=:64569
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>A 3rd or 4th "Amen!" for ziploc bags for short cables, batteries, any =
all that indispensable&nbsp; misc. crap.</DIV>
<DIV>&nbsp;</DIV>
<DIV>And, like&nbsp;Rick, I'm also all-in for&nbsp;the non-stable pedal ord=
er.&nbsp; For gigs, I get&nbsp;my pedals out, line 'em up, hook 'em up, mix=
 'em up, add &amp; remove, etc. while practising and when I find a route I'=
m happy with, I sketch it out and do the gig.&nbsp; Next gig, I start all o=
ver again.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Which is a hassle and every now and again I get the itch to get some k=
ind of regular order but I like the new sounds I get, mostly by accident.</=
DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm also splitting my signal and running two parrallel chains, one mos=
tly straight (DL4, reverb, distortion) and the other not (DL4, DAED-modded =
DS-1, pitch shifter, etc.)&nbsp; with&nbsp;the latter having a volume pedal=
 at the end so I can bring it up and down.&nbsp; The one 'trick' that I've =
really latched on to is to have the first pedal in the "freaky"&nbsp;chain =
with the dry/effect signal blend cranked all the to effect.</DIV>
<DIV><BR>&nbsp;</DIV>
<DIV>ted.</DIV>
<DIV><BR>Enemies are good for self-definition. Werner Herzog<BR><BR>--- On =
<B>Wed, 3/17/10, Rick Walker <I>&lt;looppool@cruzio.com&gt;</I></B> wrote:<=
BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Rick Walker &lt;looppool@cruzio.com&gt;<BR>=
Subject: Re: how do you store your cables?<BR>To: "LOOPERS DELIGHT (posting=
)" &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Received: Wednesday, Marc=
h 17, 2010, 12:13 AM<BR><BR>
<DIV class=3DplainMail>...<BR>I don't know if I"m too weird or not (go ahea=
d, brothers and sisters, let the flames begin)<BR>but I like to just put di=
fferent pedals together in different combinations and just go<BR>to a gig w=
ithout knowing exactly what they'll do.<BR><BR>I know that someone like my =
brother who is so meticulous about his guitar sound, both regular and proce=
ssed<BR>that this won't do, but I like to be surprised and try to make some=
thing out of what the processing gives me.<BR>This is also,&nbsp; to be hon=
est,&nbsp; pretty easy when you are dealing with noise as I am currently do=
ing with a<BR>large part of my live performances.<BR><BR>Rick Walker</DIV><=
/BLOCKQUOTE></td></tr></table><br>=0A      <hr size=3D1>=0ALooking for the =
perfect gift?<a href=3D"http://www.flickr.com/gift/"><b> Give the gift of F=
lickr!</b></a>
--0-1075579361-1268835779=:64569--

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Date: Wed, 17 Mar 2010 16:13:43 +0100
Message-ID: <66f9cc1e1003170813x2bf127fawbc4bb079042b0c1c@mail.gmail.com>
Subject: Re: New loop music, new techniques, download/stream
From: Per Boysen <perboysen@gmail.com>
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--0016e6db24d15b9bd90482008fe2
Content-Type: text/plain; charset=UTF-8

Lovely music! I like that growly guitar sound and they way you play it tells
you like it too! :-) Is that the wood pickup axe?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Wed, Mar 17, 2010 at 1:40 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> here's some of the stuff I've been trying out lately.
>
> http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
> http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
> http://www.andybutler.com/mp3/ab-resampleVari.mp3
>
> or just stream the lot
>
> http://www.andybutler.com/andybutler-demos.m3u
>

--0016e6db24d15b9bd90482008fe2
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>Lovely music! I like that growly guitar sound and they way you play it=
 tells you like it too! :-) Is that the wood pickup axe?</div><br clear=3D"=
all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"http://www.boys=
en.se">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com">www.perboysen.com</a><br>
<br><br><div class=3D"gmail_quote">On Wed, Mar 17, 2010 at 1:40 PM, andy bu=
tler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutl=
er@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div id=3D":53" class=3D"ii gt">here&#39;s some of the stuff I&#39;ve been =
trying out lately.<br>
<br>
<a href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3</a><br>
<a href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3</a><br>
<a href=3D"http://www.andybutler.com/mp3/ab-resampleVari.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-resampleVari.mp3</a><br>
<br>
or just stream the lot<br>
<br>
<a href=3D"http://www.andybutler.com/andybutler-demos.m3u" target=3D"_blank=
">http://www.andybutler.com/andybutler-demos.m3u</a></div></blockquote></di=
v><br>

--0016e6db24d15b9bd90482008fe2--

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Date: Wed, 17 Mar 2010 16:27:36 +0100
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Subject: Re: New loop music, new techniques, download/stream
From: Fabio_A <eterogenus@gmail.com>
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Very interesting, Andy.

I dont' know if I've really understand what you're doing: are you just
replacing every 3rd beat on a 8 beat loop, or are you also sending midi
command from the Gordius ?

..And I'm agree...it's time to put out some new stuff.

fabio
www.eterogeneo.com



2010/3/17 andy butler <akbutler@tiscali.co.uk>

> here's some of the stuff I've been trying out lately.
>
> http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
> http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
> http://www.andybutler.com/mp3/ab-resampleVari.mp3
>
> or just stream the lot
>
> http://www.andybutler.com/andybutler-demos.m3u
>
> First 2 use the same technique, but for different results.
>
> Basically
> the Gorduis Little Giant controls the EDPs to create a short 8 beat loop,
> then to
> replace only every 3rd beat with the audio being played.
>
> Once it gets going, I vary things a bit, but that's the basic trick.
> I quite like the odd little "between the gaps" artefacts that eventually
> build up.
>
> The Little Giant actually allows to create loops of commands, which could
> be
> synced to the loop, although in this case the LG is master, and not
> actually synced.
>
>
> For the 3rd track the idea was to record a simple loop onto the EH Stereo
> Memory Man,
> then to resample it onto the EDPs, using the varispeed on the SMM.
>
> andy butler
>
>

--00151747918607e751048200c135
Content-Type: text/html; charset=ISO-8859-1
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<div>Very interesting, Andy.</div>
<div>=A0</div>
<div>I dont&#39; know if I&#39;ve really understand what you&#39;re doing: =
are you just replacing every 3rd beat on a 8 beat loop, or are you also sen=
ding midi command from the Gordius ?</div>
<div>=A0</div>
<div>..And I&#39;m agree...it&#39;s time to put out some new stuff. </div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/3/17 andy butler <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span>=
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">here&#39;s some of the stuff I&#=
39;ve been trying out lately.<br><br><a href=3D"http://www.andybutler.com/m=
p3/ab-LG-EDP-demo1.mp3" target=3D"_blank">http://www.andybutler.com/mp3/ab-=
LG-EDP-demo1.mp3</a><br>
<a href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3</a><br><a href=3D"ht=
tp://www.andybutler.com/mp3/ab-resampleVari.mp3" target=3D"_blank">http://w=
ww.andybutler.com/mp3/ab-resampleVari.mp3</a><br>
<br>or just stream the lot<br><br><a href=3D"http://www.andybutler.com/andy=
butler-demos.m3u" target=3D"_blank">http://www.andybutler.com/andybutler-de=
mos.m3u</a><br><br>First 2 use the same technique, but for different result=
s.<br>
<br>Basically<br>the Gorduis Little Giant controls the EDPs to create a sho=
rt 8 beat loop, then to<br>replace only every 3rd beat with the audio being=
 played.<br><br>Once it gets going, I vary things a bit, but that&#39;s the=
 basic trick.<br>
I quite like the odd little &quot;between the gaps&quot; artefacts that eve=
ntually build up.<br><br>The Little Giant actually allows to create loops o=
f commands, which could be<br>synced to the loop, although in this case the=
 LG is master, and not actually synced.<br>
<br><br>For the 3rd track the idea was to record a simple loop onto the EH =
Stereo Memory Man,<br>then to resample it onto the EDPs, using the varispee=
d on the SMM.<br><font color=3D"#888888"><br>andy butler<br><br></font></bl=
ockquote>
</div><br>

--00151747918607e751048200c135--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 16:14:54 2010
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Date: Wed, 17 Mar 2010 17:14:52 +0100
Message-ID: <66f9cc1e1003170914i5b760613ga243119e4d87ae83@mail.gmail.com>
Subject: Re: komplete vs. ableton
From: Per Boysen <perboysen@gmail.com>
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That's indeed a subjective question so ok, here's a subjective answer ;-))

Like Andrew said, Live and Komplete are two different things and it
really is hard to compare a DAW host application with a bunch of
instrument plug-ins. I think the instruments that come bundled with
Live sound pretty lame compared to the instruments that comes with the
Komplete bundle. You could of course buy extra Live instrument
plug-ins that sounds excellent but that will cost you as much as Live
+ Komplete in the first place. Guitar Rig has excellent effect routing
options built into the actual plug-in. Of course you could easily set
up those routings in Live (except for envelope follow fixes) but IMHO
nothing in Live sounds as good as GR as for guitar type distortion and
effect processing. However, personally I like the sound of Amplitube 3
better, so I'm all off side here anyway. I own Kontakt 4 and think it
is the best sampler available today. If you plan to go deeply into
sampling that would be a good investment. I just got the version 4
upgrade and was amazed how stable and CPU efficient Kontakt is now.
And it also sounds better than version 2 that I had before. This
sampler has indeed evolved over time! Still not as CPU efficient as
EXS24 that I run in Logic (in the studio) and Mainstage for live work,
but that one is just a "low cpu workhorse" and doesn't have the deep
sampler functionality you get with K4. So you get great sound with
Komplete - although Absynth still is a CPU chewing monster that people
love for the sound of it.

The reason I can see to buy Ableton Live of today would be that you
really want to get busy with signal routing in that particular
environment. Many other hosts offer equal routing capabilities but the
point with Live is that everything is up front. You don't have to
create modules and patch them up, just mouse around and make choices
among drop-down menues. In that sense it is extremely visually
oriented. You can set up loops of audio, you can set up loops of MIDI
that drives synths, you can set up loops of control data that drives
effect parameters or any aspect of the track mixer. But Live is
fundamentally designed as a playback system. It excels in DJ or remix
oriented performance but is not very good when it comes to realtime
capturing of live audio input. Mobius may cover up for that, but then
you have the sync issue which is different depending on which one you
like to sync to which one (MIDI clock "try-to-catch-up" game or
plug-in sync that makes Mobius less fluent). Finally, you might want
to buy Live because you also want to buy and work with Max For Live
and create your own plugins.

My final subjective view on this is on the bundled plugins and audio
fidelity of Live. I've been using Live since version 3 but always
achieved better sounding mixes when mixing in Logic. It feels like the
effect plugins simply are better in that DAW. And you get high quality
instruments bundled, not having to shell out a lot of extra money.
Since they added Mainstage to the package I prefer that appl for live
work rather than Live. I think I even prefer Bidule (under Windows)
rather than Live. But that is from a live looping point of view,
typically running the Mobius plugin as the tempo master center of the
rig.

You should try to imagine what you want to do and post some more
specific questions. Or downloads the manuals and read them. Live's
manual gives a total understanding of what you can do with the
application.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Wed, Mar 17, 2010 at 1:22 AM, james fowler <twostroke@gmail.com> wrote:
>
> i know this is a really subjective question, but what are people's though=
ts on the these two?=C2=A0 i'm really torn and the demos unfortunately don'=
t really let you dig in and see what's what.=C2=A0 maybe for people who've =
spent some serious time with either...what are your praises and complaints.
>
> i really like the samplers (kontakt and battery) in komplete and live.=C2=
=A0 i prefer mobius, so the looper in ableton doesn't matter.=C2=A0 komplet=
e just seems, um, deeper.=C2=A0 any and all input is greatly appreciated.=
=C2=A0 all of this will run inside of bidule.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 17:00:11 2010
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Why not get both?

Get the standard Ableton and use it with Kontakt, Guitar Rig, Battery...
A friend of mine is doing just that - much happier than with Ableton's own instruments/samples etc.

best regards
Buzap


-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
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Subject: Coming to Phoenix, AZ - Anyone there want to play?
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I will be in Phoenix, Arizona all next week.  Any loopers in the area? =
I'd love to get together for a performance somewhere...coffee shop, dark =
and seedy bar or lounge, house party, etc.

I'm starving for more music social interaction...need to play, play, =
play....

Kris


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<DIV><FONT face=3DArial size=3D2>I will be in Phoenix, Arizona all next =
week.&nbsp;=20
Any loopers in the area? I'd love to get together for a performance=20
somewhere...coffee shop, dark and seedy bar or lounge, house party,=20
etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm starving for more music social=20
interaction...need to play, play, play....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 17:31:18 2010
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Subject: Re: komplete vs. ableton
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>
>
> Since they added Mainstage to the package I prefer that appl for live
> work rather than Live

Would you mind elaborating a little bit on what Mainstage offers you  
that Live does not, or, in any case, why you happen to prefer  
Mainstage? I have both apps, and I was trying to decide which to use  
live. I have been leaning toward Live (and have been setting up Live  
sets for live use), but I really haven't given Mainstage a chance--- 
mostly because I don't know it yet. You might give me a nudge in that  
direction.

Thanks,

Jeff

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Subject: Re: komplete vs. ableton
From: Christopher Darrow <thedarrow@gmail.com>
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I've been disappointed with Komplete's electronic sounds, which is kind =
of their focus. Butt the organ, orchestral, and piano sounds much better =
then what you'd get in Ableton. And Guitar Rig is great. Very happy with =
those. FM and Electric piano are pretty good, definitely worth it. But I =
have yet to find many  sounds that I really resonate with in syth and =
bass sounds. I find most everything in Absynth and much of what's in =
Massive... well, soulless, annoying crap. Obviously, that's subjective, =
so it's really up to you. My advice is to really listen to all the demos =
over and over and trust your feeling about them rather then think you'll =
surely find stuff you like even if you don't hear it in the demo just =
because there's so much content to choose from because you very well =
might not. (Or might not find it through all the stuff that does not =
resonate.)

Good luck! I'd be curious to know what you choose in the end and why.=20


On Mar 16, 2010, at 5:22 PM, james fowler wrote:

>=20
> i really like the samplers (kontakt and battery) in komplete and live. =
 i prefer mobius, so the looper in ableton doesn't matter.  komplete =
just seems, um, deeper.  any and all input is greatly appreciated.  all =
of this will run inside of bidule.

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Date: Wed, 17 Mar 2010 19:43:39 +0100
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Subject: Re: komplete vs. ableton
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 17, 2010 at 5:30 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:
> Would you mind elaborating a little bit on what Mainstage offers you that
> Live does not, or, in any case, why you happen to prefer Mainstage?

More CPU efficient. Snappier sync. Better sound.

This is of course all related to the way I prefere to perform and not
necessarily true for a a different performance strategy. So what's my
strategy then? First I set a tempo for the entire rig system by my
playing and first loop laid down in Mobius. This means MIDI clock and
as I implied in the other post MIDI Clock is not an accurate sync but
a sort of follow-try-to-catch-up where the slave application
constantly flickers in tempo to catch up. I have had so many issues
with Live when synced to MIDI Clock but still no problems with
Mainstage as the sync slave (to Mobius). A DAW like Live is not
designed to follow tempo sync given by a plug-in it is hosting. And I
don't even use the advanced DAW functionality, that would be like
asking for trouble. I only use the host for hosting Mobius and a bunch
of tempo dependent plugins like tremolo, delay, harmonicer and LFO
controlled filter bank. Plus reverb of course. And these type of
functions is what Mainstage is all about - the sequence engine (from
Logic) is stripped out to make it smaller and more stable.

I can't see how I can elaborate on how something sounds better than
something else? Just listen! Running loops through Mainstage (i.e.
Logic's) compressors, EQ's, multiband compressor and limiter just
sounds ok. Not so when running the same loops (Mobius catching live
input) in Live. There's nothing to discuss or elaborate on, that
simply is how I'm hearing it.

As for the CPU efficiency, it has to understood to the background of
how I use the rig. I like to keep a lot of alternative effect chains
from one I call up one at a time to be placed between the audio input
and the Mobius looper. You could call it that I use the host
application as a virtual pedalboard. Again, this is what Mainstage was
designed for, since all plugins used in all patches are preloaded into
RAM as you boot the application. But when using the application only
one patch at a time is active, although the sleeping patches still
have there functionality allocated in the RAM for a kick start as you
step the "next sound patch" button. Live was not designed with this in
mind wich is obvious. Before Mainstage existed I ran into that bummer
with Live and started using Bidule instead, where you can actually set
up a multi patch performance rig very close to Mainstage.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e647627af5277904820432b0
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Who in here is successfully using Mainstage 2 with Mobius (other than Per:))
?  I feel bad I have already bugged Per enough with all my looping
dilemmas.

If anybody else has successfully setup Mainstage 2 in Mobius let me know so
I can compare my Mobius and Mainstage settings. I wold like to at least be
able to give Mainstage a shot before I move on to the next setup in hopes of
having a working looper that suits me but I have logged about 20 hours so
far of unsuccessful attempts.

I'm in a real shitty mind space with looping because I have tried hardware
and it sounds like shit to loop my double bass through with my combination
pickup and instrument mic and on top of that I don't get the routing that
laptop looping can provide........ but with laptop looping my attempts with
Live 8 or Logic consists of crashes so I would never attempt to play out
live with either one of those programs. Mainstage seems like the answer yet
I can't get Mobius to work with it. I would like to use Mainstage or Bidule
because I would like to have different channel strips with different
EQ/compression/delay/reverb settings depending on if I'm playing pizz or
arco or playing only harmonics or maybe only playing in thumb position or
maybe only playing a low bass line etc. Mainstage or bidule works great for
this type of setup yet Bidule seems to crash too much. Mobius is a great way
to loop song style with chorus/verse/bridge section since you can copy the
timing of your loops to other loops and overdub into them with the press of
one button. I can use Mobius just fine in standalone mode and it's amazing.
It sucks though that I'm spoiled with those looping features making it
difficult to switch back to hardware.


Maybe my best bet is to learn to program Max/MSP to host my different
channel strips and send that audio into Mobius...... switching between the
channel strips with program change messages kinda like in Bidule. Maybe that
way at least I have some control over if it crashes. I can troubleshoot the
problem myself and not have to wait an indefinite period of time for a fix
from a software company.

(end ranting :)  )






PS. A a side note I was actually able to be productive with Logic. I just
finished recording my first EP with a long time friend. It has gone through
the mixing stage and is now being mastered. Recording in Logic was a
complete joy. Never had one crash and many of Logic's features came to the
rescue throughout the recording process. Now if I could be just as
productive with looping as my recording workflow.

--0016e647627af5277904820432b0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Who in here is successfully using Mainstage 2 with Mobius (other than Per:)=
) ? =A0I feel bad I have already bugged Per enough with all my looping dile=
mmas.=A0<div><br></div><div>If anybody else has successfully setup Mainstag=
e 2 in Mobius let me know so I can compare my Mobius and Mainstage settings=
. I wold like to at least be able to give Mainstage a shot before I move on=
 to the next setup in hopes of having a working looper that suits me but=A0=
I have logged about 20 hours so far of unsuccessful attempts.=A0</div>
<div><div><br></div><div>I&#39;m in a real shitty mind space with looping b=
ecause I have tried hardware and it sounds like shit to loop my double bass=
 through with my combination pickup and instrument mic and on top of that I=
 don&#39;t get the routing that laptop looping can provide........ but with=
 laptop looping my attempts with Live 8 or Logic consists of crashes so I w=
ould never attempt to play out live with either one of those programs. Main=
stage seems like the answer yet I can&#39;t get Mobius to work with it. I w=
ould like to use Mainstage or Bidule because I would like to have different=
 channel strips with different EQ/compression/delay/reverb settings dependi=
ng on if I&#39;m playing pizz or arco or playing only harmonics or maybe on=
ly playing in thumb position or maybe only playing a low bass line etc. Mai=
nstage or bidule works great for this type of setup yet Bidule seems to cra=
sh too much. Mobius is a great way to loop song style with chorus/verse/bri=
dge section since you can copy the timing of your loops to other loops and =
overdub into them with the press of one button. I can use Mobius just fine =
in standalone mode and it&#39;s amazing. It sucks though that I&#39;m spoil=
ed with those looping features making it difficult to switch back to hardwa=
re.<br>
</div><div><br></div><div><br></div><div>Maybe my best bet is to learn to p=
rogram Max/MSP to host my different channel strips and send that audio into=
 Mobius...... switching between the channel strips with program change mess=
ages kinda like in Bidule. Maybe that way at least I have some control over=
 if it crashes. I can troubleshoot the problem myself and not have to wait =
an indefinite period of time for a fix from a software company.</div>
<div><br></div><div>(end ranting :) =A0)</div><div><br></div><div><br></div=
><div><br></div><div><br></div><div><br></div><div><br></div><div>PS. A a s=
ide note I was actually able to be productive with Logic. I just finished r=
ecording my first EP with a long time friend. It has gone through the mixin=
g stage and is now being mastered. Recording in Logic was a complete joy. N=
ever had one crash and many of Logic&#39;s features came to the rescue thro=
ughout the recording process. Now if I could be just as productive with loo=
ping as my recording workflow.</div>
</div>

--0016e647627af5277904820432b0--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 19:44:06 2010
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Date: Wed, 17 Mar 2010 20:44:05 +0100
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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 17, 2010 at 8:34 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> Mainstage or bidule works great for this type of setup


Oh, I just remembered.... Maybe someone can find this Bidule tutorial helpful:
http://www.perboysen.com/archives/542

I imagine it helps also for Mainstage or Ableton Live because in this
Bidule screenshot you can clearly see the signal routing and the
stages needed to pipe the master sync info from Mobius into the host
(Live also needs you to ensure that certain functions are enabled by
its preferences)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 17 Mar 2010 12:46:07 -0700 (PDT)
From: mr abu ali <mr_abu_ali7@voila.fr>
Reply-To: mrabuali@voila.fr
Subject: From Mr Abu Ali Greetings, I Need your Help urgent.
To: undisclosed recipients: ;
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=0A=A0=A0 Greetings to you =0Aand your family my good friend, I am the mana=
ger of bill and exchange =0Ain=A0the=A0AFRICA DEVELOPMENT BANK (A.D.B) in B=
urkina Faso, I have=A0a business of =0A$2.3million dollars to be transfer t=
o your account for investment in your =0Acountry, if you are ready to assis=
t me get back to me I will give you full =0Adetails on how the money will b=
e transfer to you. =0A=A0 =0AYou must assure me =0Athat everything will be =
handled confidentially because we are not going to =0Asuffer again in life.=
 It has been 10 years now that most of the greedy African =0APoliticians us=
ed our bank to launder money overseas through the help of their =0APolitica=
l advisers. Most of the funds which they transferred out of the shores =0Ao=
f Africa were gold and oil money that was supposed to have been used to dev=
elop =0Athe continent. Their Political advisers always inflated the amounts=
 before =0Atransfer to foreign accounts so I also used the opportunity to d=
ivert part of =0Athe funds hence I am aware that there is no of facial trac=
e of how much was =0Atransferred as all the accounts used for such transfer=
s were being closed after =0Atransfer. =0A=A0 =0A=0AI acted as the Account =
=0AOfficer to most of the politicians and when I discovered that they were =
using me =0Ato succeed in their greedy act; I also cleaned some of their ba=
nking records =0Afrom the Bank files and no one cared to ask me because the=
 money was too much =0Afor them to control. =0A=A0 =0A=0AThey laundered ove=
r =0A$69 Million Dollars during the process .As I am sending this message t=
o you; I =0Awas able to divert=A0($2.3 million Dollars) to an escrow accoun=
t belonging to no =0Aone in the bank. The bank is anxious now to know who t=
he beneficiary to the =0Afunds is because they have made a lot of profits w=
ith the funds. =0A=0A=A0 =0A=0AIt is more than Eight =0Ayears now and most =
of the politicians are no longer using our bank to transfer =0Afunds overse=
as. The $2.3Million Dollars has been lying waste but I don't want to =0Aret=
ire from the bank without transferring the funds to a foreign account to =
=0Aenact bled me share the proceeds with the receiver. The money will be sh=
ared 60% =0Afor me and 40% for you .There is no one coming to ask you about=
 the funds =0Abecause I secured everything, if you are ready to assist me g=
et back to =0Ame. =0A=A0 =0A=0AYours Faithfully, =0A=0AMr Abu =0AAli=A0=20
=0A=0A__________________________________________________=0ABruker du Yahoo!=
?=0ALei av spam?  Yahoo! Mail har den beste spambeskyttelsen =0Ahttp://no.m=
ail.yahoo.com 
--0-380207654-1268855167=:4771
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv1122964595">=0A<p class=3D"MsoN=
ormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-size: 10pt; color=
: black; font-family: Arial;" lang=3D"EN-GB">&nbsp;&nbsp; Greetings to you =
=0Aand your family my good friend, I am the manager of bill and exchange =
=0Ain&nbsp;the&nbsp;AFRICA DEVELOPMENT BANK (A.D.B) in Burkina Faso, I have=
&nbsp;a business of =0A$2.3million dollars to be transfer to your account f=
or investment in your =0Acountry, if you are ready to assist me get back to=
 me I will give you full =0Adetails on how the money will be transfer to yo=
u. </span><span style=3D"color: black;" lang=3D"EN-GB"></span>=0A</p><p cla=
ss=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-size: 1=
0pt; color: black; font-family: Arial;" lang=3D"EN-GB">&nbsp; </span><span =
style=3D"color: black;" lang=3D"EN-GB"></span>=0A</p><p class=3D"MsoNormal"=
 style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-size: 10pt; color: blac=
k; font-family: Arial;" lang=3D"EN-GB">You must assure me =0Athat everythin=
g will be handled confidentially because we are not going to =0Asuffer agai=
n in life. It has been 10 years now that most of the greedy African =0APoli=
ticians used our bank to launder money overseas through the help of their =
=0APolitical advisers. Most of the funds which they transferred out of the =
shores =0Aof Africa were gold and oil money that was supposed to have been =
used to develop =0Athe continent. Their Political advisers always inflated =
the amounts before =0Atransfer to foreign accounts so I also used the oppor=
tunity to divert part of =0Athe funds hence I am aware that there is no of =
facial trace of how much was =0Atransferred as all the accounts used for su=
ch transfers were being closed after =0Atransfer.</span><span style=3D"colo=
r: black;" lang=3D"EN-GB"><font size=3D"3"><font face=3D"Times New Roman"> =
</font></font></span>=0A</p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm=
 0pt;"><span style=3D"font-size: 10pt; color: black; font-family: Arial;" l=
ang=3D"EN-GB">&nbsp;</span><span style=3D"color: black;" lang=3D"EN-GB"><fo=
nt size=3D"3"><font face=3D"Times New Roman"> =0A</font></font></span>=0A</=
p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font=
-size: 10pt; color: black; font-family: Arial;" lang=3D"EN-GB">I acted as t=
he Account =0AOfficer to most of the politicians and when I discovered that=
 they were using me =0Ato succeed in their greedy act; I also cleaned some =
of their banking records =0Afrom the Bank files and no one cared to ask me =
because the money was too much =0Afor them to control. </span><span style=
=3D"color: black;" lang=3D"EN-GB"></span>=0A</p><p class=3D"MsoNormal" styl=
e=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-size: 10pt; color: black; fo=
nt-family: Arial;" lang=3D"EN-GB">&nbsp;</span><span style=3D"color: black;=
" lang=3D"EN-GB"><font size=3D"3"><font face=3D"Times New Roman"> =0A</font=
></font></span>=0A</p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;"=
><span style=3D"font-size: 10pt; color: black; font-family: Arial;" lang=3D=
"EN-GB">They laundered over =0A$69 Million Dollars during the process .As I=
 am sending this message to you; I =0Awas able to divert&nbsp;($2.3 million=
 Dollars) to an escrow account belonging to no =0Aone in the bank. The bank=
 is anxious now to know who the beneficiary to the =0Afunds is because they=
 have made a lot of profits with the funds.</span><span style=3D"color: bla=
ck;" lang=3D"EN-GB"><font size=3D"3"><font face=3D"Times New Roman"> =0A</f=
ont></font></span>=0A</p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0p=
t;"><span style=3D"font-size: 10pt; color: black; font-family: Arial;" lang=
=3D"EN-GB">&nbsp;</span><span style=3D"color: black;" lang=3D"EN-GB"><font =
size=3D"3"><font face=3D"Times New Roman"> =0A</font></font></span>=0A</p><=
p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-si=
ze: 10pt; color: black; font-family: Arial;" lang=3D"EN-GB">It is more than=
 Eight =0Ayears now and most of the politicians are no longer using our ban=
k to transfer =0Afunds overseas. The $2.3Million Dollars has been lying was=
te but I don't want to =0Aretire from the bank without transferring the fun=
ds to a foreign account to =0Aenact bled me share the proceeds with the rec=
eiver. The money will be shared 60% =0Afor me and 40% for you .There is no =
one coming to ask you about the funds =0Abecause I secured everything, if y=
ou are ready to assist me get back to =0Ame.</span><span style=3D"color: bl=
ack;" lang=3D"EN-GB"><font size=3D"3"><font face=3D"Times New Roman"> </fon=
t></font></span>=0A</p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;=
"><span style=3D"font-size: 10pt; color: black; font-family: Arial;" lang=
=3D"EN-GB">&nbsp;</span><span style=3D"color: black;" lang=3D"EN-GB"><font =
size=3D"3"><font face=3D"Times New Roman"> =0A</font></font></span>=0A</p><=
p class=3D"MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-si=
ze: 10pt; color: black; font-family: Arial;">Yours Faithfully, =0A</span><s=
pan style=3D"color: black;"></span>=0A</p><p class=3D"MsoNormal" style=3D"m=
argin: 0cm 0cm 0pt;"><span style=3D"font-size: 10pt; color: black; font-fam=
ily: Arial;">Mr Abu =0AAli&nbsp;</span><span style=3D"color: black;"><font =
size=3D"3"><font face=3D"Times New Roman"> <br></font></font></span></p></d=
iv></td></tr></table><br>__________________________________________________=
<br>Bruker du Yahoo!?<br>Lei av spam?  Yahoo! Mail har den beste spambeskyt=
telsen <br>http://no.mail.yahoo.com 
--0-380207654-1268855167=:4771--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 20:25:38 2010
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	 <66f9cc1e1003171244i337005e7l95a86e692a93ea4f@mail.gmail.com>
Date: Wed, 17 Mar 2010 16:25:36 -0400
Message-ID: <9ea2f30b1003171325r53cd9c8du13c5120032666dc2@mail.gmail.com>
Subject: Re: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f451eab5394f048204ea82
Content-Type: text/plain; charset=ISO-8859-1

I just re read my email and I meant crashes with Live 8 and Bidule for
crashes, not logic.

Thanks for these tips Per. I'm pretty sure I have done these already off the
top of my head but I will triple check to make sure once I finish making and
consuming some delicious chicken tacos.

Recap:
Mobius settings:
Sync = out
Midi devices, Plugin out=IAC Bus 1
Set min and max tempo so Mobius picks a realistic tempo after your first
loop.

Mainstage:
input channel (patch level) : outout set to Bus 1(aux1)
Concert level - Add software instrument, select Mobius
Set side chain to Bus 1 on mobius
Concert level - Fetch tempo from midi input - IAC Bus1



I get input from Duet into Mainstage
Goes from INput into Bus 1
Audio seems to get into Mainstage

Issues:

I do not hear any output from Mobius.

If I switch to another track none of the Mobius functions work any
longer.... rec, overdub
They only work on Track 1.



If anybody has any insight I would be eternally grateful!!  I seem to be
'Looptarded.'


Todd Matthews

On Wed, Mar 17, 2010 at 3:44 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Mar 17, 2010 at 8:34 PM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> > Mainstage or bidule works great for this type of setup
>
>
> Oh, I just remembered.... Maybe someone can find this Bidule tutorial
> helpful:
> http://www.perboysen.com/archives/542
>
> I imagine it helps also for Mainstage or Ableton Live because in this
> Bidule screenshot you can clearly see the signal routing and the
> stages needed to pipe the master sync info from Mobius into the host
> (Live also needs you to ensure that certain functions are enabled by
> its preferences)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001485f451eab5394f048204ea82
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I just re read my email and I meant crashes with Live 8 and Bidule for cras=
hes, not logic.=A0<div><br></div><div>Thanks for these tips Per. I&#39;m pr=
etty sure I have done these already off the top of my head but I will tripl=
e check to make sure once I finish making and consuming some delicious chic=
ken tacos.</div>
<div><br></div><div>Recap:</div><div>Mobius settings:</div><div>Sync =3D ou=
t</div><div>Midi devices, Plugin out=3DIAC Bus 1</div><div>Set min and max =
tempo so Mobius picks a realistic tempo after your first loop.</div><div><b=
r>
</div><div>Mainstage:=A0</div><div>input channel (patch level) : outout set=
 to Bus 1(aux1)</div><div>Concert level - Add software instrument, select M=
obius</div><div>Set side chain to Bus 1 on mobius</div><div>Concert level -=
 Fetch tempo from midi input - IAC Bus1</div>
<div><br></div><div><br></div><div><br></div><div>I get input from Duet int=
o Mainstage</div><div>Goes from INput into Bus 1</div><div>Audio seems to g=
et into Mainstage=A0</div><div><br></div><div>Issues:</div><div><br></div>
<div>I do not hear any output from Mobius.</div><div><br></div><div>If I sw=
itch to another track none of the Mobius functions work any longer.... rec,=
 overdub</div><div>They only work on Track 1.</div><div><br></div><div>
<br></div><div><br></div><div>If anybody has any insight I would be eternal=
ly grateful!! =A0I seem to be &#39;Looptarded.&#39;=A0</div><div><br></div>=
<div><br></div><div>Todd Matthews</div><div><br><div class=3D"gmail_quote">=
On Wed, Mar 17, 2010 at 3:44 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Wed, Mar 17, 2010 at 8=
:34 PM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthew=
s@gmail.com</a>&gt; wrote:<br>

&gt; Mainstage or bidule works great for this type of setup<br>
<br>
<br>
</div>Oh, I just remembered.... Maybe someone can find this Bidule tutorial=
 helpful:<br>
<a href=3D"http://www.perboysen.com/archives/542" target=3D"_blank">http://=
www.perboysen.com/archives/542</a><br>
<br>
I imagine it helps also for Mainstage or Ableton Live because in this<br>
Bidule screenshot you can clearly see the signal routing and the<br>
stages needed to pipe the master sync info from Mobius into the host<br>
(Live also needs you to ensure that certain functions are enabled by<br>
its preferences)<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br></div>

--001485f451eab5394f048204ea82--

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 21:45:49 2010
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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Christopher Darrow <thedarrow@gmail.com>
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Date: Wed, 17 Mar 2010 14:48:31 -0700
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> in this Bidule screenshot you can clearly see the signal routing and =
the
> stages needed to pipe the master sync info from Mobius into the host

Sounds great. I don't see the screen shot though. FYI, There's a place =
for an image the text flows around but no actual image... tried a 2nd =
browser just in case. It's just white... there's something there though, =
it's not missing because I can right click on it and save as if I wanted =
too. =20

Please let us know when it's up... screen shots are very, very useful! =
Thank you!



On Mar 17, 2010, at 12:44 PM, Per Boysen wrote:

> On Wed, Mar 17, 2010 at 8:34 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>> Mainstage or bidule works great for this type of setup
>=20
>=20
> Oh, I just remembered.... Maybe someone can find this Bidule tutorial =
helpful:
> http://www.perboysen.com/archives/542
>=20
> I imagine it helps also for Mainstage or Ableton Live because in this
> Bidule screenshot you can clearly see the signal routing and the
> stages needed to pipe the master sync info from Mobius into the host
> (Live also needs you to ensure that certain functions are enabled by
> its preferences)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 21:46:02 2010
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Date: Wed, 17 Mar 2010 22:46:01 +0100
Message-ID: <66f9cc1e1003171446u4e2edbb0mfa667ceddf70c851@mail.gmail.com>
Subject: Re: MainStage with Mobius (was) Re: komplete vs. ableton
From: Per Boysen <perboysen@gmail.com>
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> (I didn't know if Mainstage or Mobious had sessions that someone else could open
> and use like a template, like Live and Bidule.)

Oh, they sure do have that, but setting up the MIDI Clock sync between
applications on a Mac is rather about adjusting the global preferences
for both the host and the Mobius looper plugin. And (3) make sure the
IAC Bus is enabled on in OS X. I forgot to mention step 3 I'm afraid,
but you do that on the Mac at "Applications/Utilities/Audio MIDI
Setup.app"

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: iphone loopers in the app store
From: Jesse Chappell <jesse@essej.net>
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Both ThumbJam and Everyday Looper are currently featured on the App
Store front page in the US.
Apple has good taste this week :)

jlc

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Subject: How do I get the most out of my two EDP's?
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Hi everyone,

I feel very fortunate to have a found a great deal on a second EDP which
I have been eyeballing for a while. So....happy new looper day to me I
guess.

I am a multi instrumentalist  and I play more rhythmic (rather than
ambient) one-man-band stuff. My  original plan was to run them in the
stereo effects loop of a mixer and get a small PA of some kind to solve
the annoying bleed problems I get with the bass amp, guitar amp etc. I
figured I could also loop vocals this way which could really add to my
act. =20

The EDP arrived today and I'm embarrassed to say I don't know how to set
it up in stereo yet and have never actually done anything midi related
before (I am a musical neanderthal). I am currently investigating the
manual though and one of the things that came up in my reading is the
brother sync feature. I had not read this section before because I had
no need to do anything more than use the foot controller that came with
my first plex.

I'm starting to think that maybe I'm limiting myself with this
effect-loop stereo idea so I thought I would seek some inspiration and
advice from the gurus here.

I only have one foot controller at this point, but I'm willing to try
buy another one or take the midi foot-controller plunge if there is a
good reason to do so.

What are the advantages of brother sync over a midi synced stereo setup
? =20

Could someone please shed some light on what things are possible with
two echoplexes that were not possible with one?

Also, does anyone have recommendations on a reasonably priced and
portable small PA that can handle my whole "band" (electric bass,
upright bass, hand percussion, turntable, electric guitar, acoustic
guitar and sometimes sax) at about twin reverb volume? (small bars and
coffee shops). I like the Bose L1 but it seems pretty pricey for what it
is and sort of defeats the idea of going stereo. =20

I already have a mixer I like (mackie 1202-vlz pro) if that influences
your recommendation.

Thank you in advance,

Ace

 =20


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<div class=3DSection1>

<p class=3DMsoNormal>Hi everyone,<o:p></o:p></p>

<p class=3DMsoNormal>I feel very fortunate to have a found a great deal =
on a
second EDP which I have been eyeballing for a while. So&#8230;.happy new =
looper
day to me I guess.<o:p></o:p></p>

<p class=3DMsoNormal>I am a multi instrumentalist &nbsp;and I play more =
rhythmic (rather
than ambient) one-man-band stuff. My &nbsp;original plan was to run them =
in the
stereo effects loop of a mixer and get a small PA of some kind to solve =
the
annoying bleed problems I get with the bass amp, guitar amp etc. I =
figured I
could also loop vocals this way which could really add to my act. =
&nbsp;<o:p></o:p></p>

<p class=3DMsoNormal>The EDP arrived today and I&#8217;m embarrassed to =
say I don&#8217;t
know how to set it up in stereo yet and have never actually done =
anything midi
related before (I am a musical neanderthal). I am currently =
investigating the
manual though and one of the things that came up in my reading is the =
brother
sync feature. I had not read this section before because I had no need =
to do
anything more than use the foot controller that came with my first =
plex.<o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m starting to think that maybe I&#8217;m =
limiting
myself with this effect-loop stereo idea so I thought I would seek some =
inspiration
and advice from the gurus here.<o:p></o:p></p>

<p class=3DMsoNormal>I only have one foot controller at this point, but =
I&#8217;m
willing to try buy another one or take the midi foot-controller plunge =
if there
is a good reason to do so.<o:p></o:p></p>

<p class=3DMsoNormal>What are the advantages of brother sync over a midi =
synced stereo
setup ? &nbsp;<o:p></o:p></p>

<p class=3DMsoNormal>Could someone please shed some light on what things =
are possible
with two echoplexes that were not possible with one?<o:p></o:p></p>

<p class=3DMsoNormal>Also, does anyone have recommendations on a =
reasonably
priced and portable small PA that can handle my whole &#8220;band&#8221; =
(electric
bass, upright bass, hand percussion, turntable, electric guitar, =
acoustic
guitar and sometimes sax) at about twin reverb volume? (small bars and =
coffee
shops). I like the Bose L1 but it seems pretty pricey for what it is and =
sort
of defeats the idea of going stereo. &nbsp;<o:p></o:p></p>

<p class=3DMsoNormal>I already have a mixer I like (mackie 1202-vlz pro) =
if that
influences your recommendation.<o:p></o:p></p>

<p class=3DMsoNormal>Thank you in advance,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

<p class=3DMsoNormal>&nbsp;&nbsp;<o:p></o:p></p>

</div>

</body>

</html>

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Date: Wed, 17 Mar 2010 23:02:47 +0100
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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 17, 2010 at 9:25 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> Thanks for these tips Per. I'm pretty sure I have done these already off the
> top of my head but I will triple check to make sure once I finish making and
> consuming some delicious chicken tacos.
> Recap:
> Mobius settings:
> Sync = out
> Midi devices, Plugin out=IAC Bus 1
> Set min and max tempo so Mobius picks a realistic tempo after your first
> loop.
> Mainstage:
> input channel (patch level) : outout set to Bus 1(aux1)
> Concert level - Add software instrument, select Mobius
> Set side chain to Bus 1 on mobius
> Concert level - Fetch tempo from midi input - IAC Bus1
>
>
> I get input from Duet into Mainstage
> Goes from INput into Bus 1
> Audio seems to get into Mainstage
> Issues:
> I do not hear any output from Mobius.


There should not be any sound if do not have "Monitor Audio Input"
enabled in Mobius. Path: "Configuration/Global Parameters".

However, my preferred solution is different. I create - in Mainstage
on concert level - an aux channel with input "Bus 1" an output "Main".
And I keep Mobius set to no audio through, only mangled loopse is
coming out from Mobius. That way my instrument's live input sound is
cloned into two paths: one going into Mobius (to maybe get looped) and
the other passing directly to the output. The technical reason for
this choice is that I run the Mobius output through first a low cut
filter and then a tape delay plugin. The low cut filter is needed
because I mangle loops a lot and if a layer is overdubbed when a loop
is transposed up by two octave it can easily blow the PA speakers if
that loop later is played transformed two octaves down ;-))  And the
tape delay is used for dub style effet tweaking and when I do that I
don't want the slaps on my live instrument when playing against the
dub stuff.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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There's a white EDP with loopIV on ebay right now for $499 BIN. Wish I had =
the cash.

=20

Instead I just bought a Behringer 202 audio interface. I figured for $31 ev=
en I can just plug my tube preamps into this and set that into Mobius on an=
y laptop.

=20

Now to learn Mobius.. :)=20

=20

Thanks for the advice all.
 		 	   		 =20
_________________________________________________________________
Hotmail is redefining busy with tools for the New Busy. Get more from your =
inbox.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:032010_2=

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}
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<body class=3D'hmmessage'>
<BR>There's a white EDP with loopIV on ebay right now for $499 BIN. Wish I =
had the cash.<BR>
&nbsp=3B<BR>
Instead I just&nbsp=3Bbought a Behringer 202 audio interface. I figured for=
 $31 even I can just plug my tube preamps into this and set that into Mobiu=
s on any laptop.<BR>
&nbsp=3B<BR>
Now to learn Mobius.. :) <BR>
&nbsp=3B<BR>
Thanks for the advice all.<BR> 		 	   		  <br /><hr />Hotmail is redefining=
 busy with tools for the New Busy. Get more from your inbox. <a href=3D'htt=
p://www.windowslive.com/campaign/thenewbusy?ocid=3DPID27925::T:WLMTAGL:ON:W=
L:en-US:WM_HMP:032010_2' target=3D'_new'>Sign up now.</a></body>
</html>=

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Subject: Bidule screenshot now fixed (Re: Mainstage 2 with Mobius Help Needed)
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>> Oh, I just remembered.... Maybe someone can find this Bidule tutorial helpful:
>> http://www.perboysen.com/archives/542
>> in this Bidule screenshot you can clearly see the signal routing and the
>> stages needed to pipe the master sync info from Mobius into the host

On Wed, Mar 17, 2010 at 10:48 PM, Christopher Darrow
<thedarrow@gmail.com> wrote:
> Sounds great. I don't see the screen shot though. FYI, ///
> Please let us know when it's up... screen shots are very, very useful! Thank you!


Oops, thanks for pointing it out, Christopher! I have fixed the
screenshot now. It was linked to an image on the Mobius forum and if
you are not logged in there your browser can't display the picture. I
just copied it to my public web server, so it should work for anyone
browsing the internet. Guess I learned something useful there ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 17 Mar 2010 23:21:18 +0100
Message-ID: <66f9cc1e1003171521j6d19435aif465feff754ba1e5@mail.gmail.com>
Subject: Re: iphone loopers in the app store
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 17, 2010 at 10:48 PM, Jesse Chappell <jesse@essej.net> wrote:
> Both ThumbJam and Everyday Looper are currently featured on the App
> Store front page in the US.
> Apple has good taste this week :)

A-lotta-bunches-o-congrats ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Ted wrote:
"I'm also splitting my signal and running two parrallel chains, one 
mostly straight (DL4, reverb, distortion) and the other not (DL4, 
DAED-modded DS-1, pitch shifter, etc.)  with the latter having a volume 
pedal at the end so I can bring it up and down."


I'm so glad that you mentioned the DAED Disturbo DS-1 Distortion Synth
which is a mod of the Boss DS-1 Distortion pedal.

This is one of the coolest pedals I own (and I own a lot) and it's made 
by one of our own, 
David at Disagreeable Auditory Experience Designs  (the definition of 
noise, btw).

It has a lot of versatility and a lot of insane randomness in it and 
it's really, really cheap
considering  (he'll mod an existing Boss DS-1 which are available for 
$40 brand new these days)
for a mere $50.

I have a 'experienced' a lot of boutique distortion pedals and this is 
one of the best and cheapest.
Also, I have to say that it doesn't not destroy the DS-1 to have the mod 
done.  You can still use
it conventionally as a DS-1 distortion stomp box.

I'm saving up right now to get one of his Juicy Wahs,  his mod of a 
CryBaby wah wah pedal

A very creative fellow and, as I say,   one of our own.

He's at
http://www.helpwantedproductions.com/daed.htm

if anyone is into beautiful noisy ways of manipulating their loops.

 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 22:30:04 2010
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--000e0ce0d602abe259048206a784
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Sure Ace.
Brother Sync is the way to go, as the second EDP will be rock solid with th=
e
first, however Im using them as 2 seperate beasts, and the second doesnt
record till i tell it to, I believe there is a way to have them act
simultaneously, as if they were in Stereo. But Yes I think you are limittin=
g
yourself. Unless your signal is REALLY STEREO!!! Mine isnt, but I still hav=
e
my 2 edp panned a bit left and right, then I jump up and down on the to
different insert buttons and sen snippets of sound to left and right.. much
like the tracks that Andy just posted, except in stereo.. there SO much you
can do with 2... like play 3 bars on one and 5 bars on the tother... or if
your edps are sent from sends, then have no feedback, switch on the overdub
and SEND instead.. be carful, but then you can bounce your different
lengthed loops into each other loopers. If you can send midi to both you ca=
n
program your foot switching ( I use a really BAD dummachin for this the Bos=
s
DR202, the advantage is that it can send on 3 different midi channels. the
drum patterns, the "basline" and an "External Instument" . I have the
bassling and the Extenal Instrument programed with "notes" that I know "do
stuff" on the edps.. and play .. I dont even have to hear the drum machine,
the rythym becomes obvious...

There too much to do actually...

Have fun and good luck...

M



On Wed, Mar 17, 2010 at 10:36 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

>  Hi everyone,
>
> I feel very fortunate to have a found a great deal on a second EDP which =
I
> have been eyeballing for a while. So=85.happy new looper day to me I gues=
s.
>
> I am a multi instrumentalist  and I play more rhythmic (rather than
> ambient) one-man-band stuff. My  original plan was to run them in the ste=
reo
> effects loop of a mixer and get a small PA of some kind to solve the
> annoying bleed problems I get with the bass amp, guitar amp etc. I figure=
d I
> could also loop vocals this way which could really add to my act.
>
> The EDP arrived today and I=92m embarrassed to say I don=92t know how to =
set it
> up in stereo yet and have never actually done anything midi related befor=
e
> (I am a musical neanderthal). I am currently investigating the manual tho=
ugh
> and one of the things that came up in my reading is the brother sync
> feature. I had not read this section before because I had no need to do
> anything more than use the foot controller that came with my first plex.
>
> I=92m starting to think that maybe I=92m limiting myself with this effect=
-loop
> stereo idea so I thought I would seek some inspiration and advice from th=
e
> gurus here.
>
> I only have one foot controller at this point, but I=92m willing to try b=
uy
> another one or take the midi foot-controller plunge if there is a good
> reason to do so.
>
> What are the advantages of brother sync over a midi synced stereo setup ?
>
> Could someone please shed some light on what things are possible with two
> echoplexes that were not possible with one?
>
> Also, does anyone have recommendations on a reasonably priced and portabl=
e
> small PA that can handle my whole =93band=94 (electric bass, upright bass=
, hand
> percussion, turntable, electric guitar, acoustic guitar and sometimes sax=
)
> at about twin reverb volume? (small bars and coffee shops). I like the Bo=
se
> L1 but it seems pretty pricey for what it is and sort of defeats the idea=
 of
> going stereo.
>
> I already have a mixer I like (mackie 1202-vlz pro) if that influences yo=
ur
> recommendation.
>
> Thank you in advance,
>
> Ace
>
>
>



--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--000e0ce0d602abe259048206a784
Content-Type: text/html; charset=windows-1252
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Sure Ace.<br>Brother Sync is the way to go, as the second EDP will be rock =
solid with the first, however Im using them as 2 seperate beasts, and the s=
econd doesnt record till i tell it to, I believe there is a way to have the=
m act simultaneously, as if they were in Stereo. But Yes I think you are li=
mitting yourself. Unless your signal is REALLY STEREO!!! Mine isnt, but I s=
till have my 2 edp panned a bit left and right, then I jump up and down on =
the to different insert buttons and sen snippets of sound to left and right=
.. much like the tracks that Andy just posted, except in stereo.. there SO =
much you can do with 2... like play 3 bars on one and 5 bars on the tother.=
.. or if your edps are sent from sends, then have no feedback, switch on th=
e overdub and SEND instead.. be carful, but then you can bounce your differ=
ent lengthed loops into each other loopers. If you can send midi to both yo=
u can program your foot switching ( I use a really BAD dummachin for this t=
he Boss DR202, the advantage is that it can send on 3 different midi channe=
ls. the drum patterns, the &quot;basline&quot; and an &quot;External Instum=
ent&quot; . I have the bassling and the Extenal Instrument programed with &=
quot;notes&quot; that I know &quot;do stuff&quot; on the edps.. and play ..=
 I dont even have to hear the drum machine, the rythym becomes obvious...<b=
r>

<br>There too much to do actually...<br><br>Have fun and good luck...<br><b=
r>M<br><br><br><br><div class=3D"gmail_quote">On Wed, Mar 17, 2010 at 10:36=
 PM, Ace Ovil <span dir=3D"ltr">&lt;<a href=3D"mailto:aovil@wfubmc.edu">aov=
il@wfubmc.edu</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">








<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p class=3D"MsoNormal">Hi everyone,</p>

<p class=3D"MsoNormal">I feel very fortunate to have a found a great deal o=
n a
second EDP which I have been eyeballing for a while. So=85.happy new looper
day to me I guess.</p>

<p class=3D"MsoNormal">I am a multi instrumentalist =A0and I play more rhyt=
hmic (rather
than ambient) one-man-band stuff. My =A0original plan was to run them in th=
e
stereo effects loop of a mixer and get a small PA of some kind to solve the
annoying bleed problems I get with the bass amp, guitar amp etc. I figured =
I
could also loop vocals this way which could really add to my act. =A0</p>

<p class=3D"MsoNormal">The EDP arrived today and I=92m embarrassed to say I=
 don=92t
know how to set it up in stereo yet and have never actually done anything m=
idi
related before (I am a musical neanderthal). I am currently investigating t=
he
manual though and one of the things that came up in my reading is the broth=
er
sync feature. I had not read this section before because I had no need to d=
o
anything more than use the foot controller that came with my first plex.</p=
>

<p class=3D"MsoNormal">I=92m starting to think that maybe I=92m limiting
myself with this effect-loop stereo idea so I thought I would seek some ins=
piration
and advice from the gurus here.</p>

<p class=3D"MsoNormal">I only have one foot controller at this point, but I=
=92m
willing to try buy another one or take the midi foot-controller plunge if t=
here
is a good reason to do so.</p>

<p class=3D"MsoNormal">What are the advantages of brother sync over a midi =
synced stereo
setup ? =A0</p>

<p class=3D"MsoNormal">Could someone please shed some light on what things =
are possible
with two echoplexes that were not possible with one?</p>

<p class=3D"MsoNormal">Also, does anyone have recommendations on a reasonab=
ly
priced and portable small PA that can handle my whole =93band=94 (electric
bass, upright bass, hand percussion, turntable, electric guitar, acoustic
guitar and sometimes sax) at about twin reverb volume? (small bars and coff=
ee
shops). I like the Bose L1 but it seems pretty pricey for what it is and so=
rt
of defeats the idea of going stereo. =A0</p>

<p class=3D"MsoNormal">I already have a mixer I like (mackie 1202-vlz pro) =
if that
influences your recommendation.</p>

<p class=3D"MsoNormal">Thank you in advance,</p>

<p class=3D"MsoNormal">Ace</p><font color=3D"#888888">

<p class=3D"MsoNormal">=A0=A0</p>

</font></div>

</div>


</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0d602abe259048206a784--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 22:30:10 2010
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4BA156AD.6030703@cruzio.com>
Subject: Re: OT  DAED Disturbo DS-1 Distortion Synth mod
Date: Wed, 17 Mar 2010 18:30:06 -0400
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>if anyone is into beautiful noisy ways of manipulating their loops.

Anyone like that around here? lol

I am looking into that!

Jeff

----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 17, 2010 6:24 PM
Subject: OT DAED Disturbo DS-1 Distortion Synth mod


> Ted wrote:
> "I'm also splitting my signal and running two parrallel chains, one
> mostly straight (DL4, reverb, distortion) and the other not (DL4,
> DAED-modded DS-1, pitch shifter, etc.)  with the latter having a volume
> pedal at the end so I can bring it up and down."
>
>
> I'm so glad that you mentioned the DAED Disturbo DS-1 Distortion Synth
> which is a mod of the Boss DS-1 Distortion pedal.
>
> This is one of the coolest pedals I own (and I own a lot) and it's made
> by one of our own,
> David at Disagreeable Auditory Experience Designs  (the definition of
> noise, btw).
>
> It has a lot of versatility and a lot of insane randomness in it and
> it's really, really cheap
> considering  (he'll mod an existing Boss DS-1 which are available for
> $40 brand new these days)
> for a mere $50.
>
> I have a 'experienced' a lot of boutique distortion pedals and this is
> one of the best and cheapest.
> Also, I have to say that it doesn't not destroy the DS-1 to have the mod
> done.  You can still use
> it conventionally as a DS-1 distortion stomp box.
>
> I'm saving up right now to get one of his Juicy Wahs,  his mod of a
> CryBaby wah wah pedal
>
> A very creative fellow and, as I say,   one of our own.
>
> He's at
> http://www.helpwantedproductions.com/daed.htm
>
> if anyone is into beautiful noisy ways of manipulating their loops.
>
>
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
Version: 8.5.436 / Virus Database: 271.1.1/2751 - Release Date: 03/16/10 
19:33:00

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 23:00:54 2010
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I have one of these that I don't use, and will take a reasonable offer.=20
----- Original Message -----=20
From: "Jeff Duke" <jeff_d@embarqmail.com>=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Wednesday, March 17, 2010 3:30:06 PM GMT -08:00 US/Canada Pacific=20
Subject: Re: OT =C2=A0DAED Disturbo DS-1 Distortion Synth mod=20

>if anyone is into beautiful noisy ways of manipulating their loops.=20

Anyone like that around here? lol=20

I am looking into that!=20

Jeff=20

----- Original Message -----=20
From: "Rick Walker" <looppool@cruzio.com>=20
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>=20
Sent: Wednesday, March 17, 2010 6:24 PM=20
Subject: OT DAED Disturbo DS-1 Distortion Synth mod=20


> Ted wrote:=20
> "I'm also splitting my signal and running two parrallel chains, one=20
> mostly straight (DL4, reverb, distortion) and the other not (DL4,=20
> DAED-modded DS-1, pitch shifter, etc.) =C2=A0with the latter having a vol=
ume=20
> pedal at the end so I can bring it up and down."=20
>=20
>=20
> I'm so glad that you mentioned the DAED Disturbo DS-1 Distortion Synth=20
> which is a mod of the Boss DS-1 Distortion pedal.=20
>=20
> This is one of the coolest pedals I own (and I own a lot) and it's made=
=20
> by one of our own,=20
> David at Disagreeable Auditory Experience Designs =C2=A0(the definition o=
f=20
> noise, btw).=20
>=20
> It has a lot of versatility and a lot of insane randomness in it and=20
> it's really, really cheap=20
> considering =C2=A0(he'll mod an existing Boss DS-1 which are available fo=
r=20
> $40 brand new these days)=20
> for a mere $50.=20
>=20
> I have a 'experienced' a lot of boutique distortion pedals and this is=20
> one of the best and cheapest.=20
> Also, I have to say that it doesn't not destroy the DS-1 to have the mod=
=20
> done. =C2=A0You can still use=20
> it conventionally as a DS-1 distortion stomp box.=20
>=20
> I'm saving up right now to get one of his Juicy Wahs, =C2=A0his mod of a=
=20
> CryBaby wah wah pedal=20
>=20
> A very creative fellow and, as I say, =C2=A0 one of our own.=20
>=20
> He's at=20
> http://www.helpwantedproductions.com/daed.htm=20
>=20
> if anyone is into beautiful noisy ways of manipulating their loops.=20
>=20
>=20
>=20


---------------------------------------------------------------------------=
-----=20



No virus found in this incoming message.=20
Checked by AVG - www.avg.com=20
Version: 8.5.436 / Virus Database: 271.1.1/2751 - Release Date: 03/16/10=20
19:33:00=20


------=_Part_286162_1564318601.1268866361845
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>I have on=
e of these that I don't use, and will take a reasonable offer.<BR>----- Ori=
ginal Message -----<BR>From: "Jeff Duke" &lt;jeff_d@embarqmail.com&gt;<BR>T=
o: Loopers-Delight@loopers-delight.com<BR>Sent: Wednesday, March 17, 2010 3=
:30:06 PM GMT -08:00 US/Canada Pacific<BR>Subject: Re: OT &nbsp;DAED Distur=
bo DS-1 Distortion Synth mod<BR><BR>&gt;if anyone is into beautiful noisy w=
ays of manipulating their loops.<BR><BR>Anyone like that around here? lol<B=
R><BR>I am looking into that!<BR><BR>Jeff<BR><BR>----- Original Message ---=
-- <BR>From: "Rick Walker" &lt;looppool@cruzio.com&gt;<BR>To: "LOOPERS DELI=
GHT (posting)" &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Sent: Wednesd=
ay, March 17, 2010 6:24 PM<BR>Subject: OT DAED Disturbo DS-1 Distortion Syn=
th mod<BR><BR><BR>&gt; Ted wrote:<BR>&gt; "I'm also splitting my signal and=
 running two parrallel chains, one<BR>&gt; mostly straight (DL4, reverb, di=
stortion) and the other not (DL4,<BR>&gt; DAED-modded DS-1, pitch shifter, =
etc.) &nbsp;with the latter having a volume<BR>&gt; pedal at the end so I c=
an bring it up and down."<BR>&gt;<BR>&gt;<BR>&gt; I'm so glad that you ment=
ioned the DAED Disturbo DS-1 Distortion Synth<BR>&gt; which is a mod of the=
 Boss DS-1 Distortion pedal.<BR>&gt;<BR>&gt; This is one of the coolest ped=
als I own (and I own a lot) and it's made<BR>&gt; by one of our own,<BR>&gt=
; David at Disagreeable Auditory Experience Designs &nbsp;(the definition o=
f<BR>&gt; noise, btw).<BR>&gt;<BR>&gt; It has a lot of versatility and a lo=
t of insane randomness in it and<BR>&gt; it's really, really cheap<BR>&gt; =
considering &nbsp;(he'll mod an existing Boss DS-1 which are available for<=
BR>&gt; $40 brand new these days)<BR>&gt; for a mere $50.<BR>&gt;<BR>&gt; I=
 have a 'experienced' a lot of boutique distortion pedals and this is<BR>&g=
t; one of the best and cheapest.<BR>&gt; Also, I have to say that it doesn'=
t not destroy the DS-1 to have the mod<BR>&gt; done. &nbsp;You can still us=
e<BR>&gt; it conventionally as a DS-1 distortion stomp box.<BR>&gt;<BR>&gt;=
 I'm saving up right now to get one of his Juicy Wahs, &nbsp;his mod of a<B=
R>&gt; CryBaby wah wah pedal<BR>&gt;<BR>&gt; A very creative fellow and, as=
 I say, &nbsp; one of our own.<BR>&gt;<BR>&gt; He's at<BR>&gt; http://www.h=
elpwantedproductions.com/daed.htm<BR>&gt;<BR>&gt; if anyone is into beautif=
ul noisy ways of manipulating their loops.<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR><=
BR>------------------------------------------------------------------------=
--------<BR><BR><BR><BR>No virus found in this incoming message.<BR>Checked=
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Release Date: 03/16/10 <BR>19:33:00<BR><BR></div></body></html>
------=_Part_286162_1564318601.1268866361845--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 23:23:11 2010
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Subject: FYI: EZbus mixer for sale on ebay
Date: Wed, 17 Mar 2010 15:55:15 -0700
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This is good deal on a very useful multi-function device, even if only  
used as a digital/analog mixer/sub-mixer/MIDI control surface.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=150424694608&ssPageName=STRK:MESELX:IT#ht_2169wt_1167

Sorry for the interruption; thanks!
dpc

From Loopers-Delight-request@loopers-delight.com  Wed Mar 17 23:47:07 2010
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Date: Wed, 17 Mar 2010 16:21:58 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: LD CD IV - The Participants
To: Loopers-Delight@loopers-delight.com, mattstevensguitar@btinternet.com,
  mech2@m3ch.net, tedkillian@charter.net, eterogenus@gmail.com,
  bigtonyk@gmail.com, antonyhequet@yahoo.com, info@andybutler.com,
  sinsofmachaut@gmail.com, David K <unstrungone@yahoo.com>,
  loafcitious@gmail.com, looppool@cruzio.com, unstrungone@yahoo.com
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Hello - =0A=A0=0AYesterday I proposed creating another Loopers-Delight comp=
ilation CD, gathering examples of our Looping music.=0AToday we have a full=
 roster of participants!=0A=A0=0ATHE LD CD IV TEAM=0A1. Matt Stevens=0A2. D=
uke Sexton=0A3. Ted Killian=0A4. fabio=0A5. Tony K=0A6. Antony Hequet=0A7. =
Andy Butler=0A8. Dennis Moser=0A9. Edward Yuhas=0A10. Andy G=0A11. Rick Wal=
ker=0A12. David Kirkdorffer=0A=A0=0AThe basic details will be no surprise: =
=0A- 12 particpants each submit 1 track no longer than=A06 minutes.=0A- Ple=
ase consider the track submitted 100% finished as far as you are concerned.=
=0A- All costs for preparation and production of 1000 shrink-wrapped CDs wi=
th 4-panel color artwork in Jewel Cases are to be divided among the 12 part=
icipants.=0A- All 1000 CDs to be divided among the 12 participants (so 80 C=
D's each).=0A- Delivery costs will be charged based on mailing costs (from =
Boston, MA) to participants' addresses. =0A=A0=0AI propose using the follow=
ing service for CD production: http://www.wonderdrugrecords.com/=A0=0AThey'=
ve done great work for me for my own UNDO CDs.=0A=A0=0AWhat will this cost =
me?=0AFinal costs to be commnicated, but expect to pay something in the $20=
0 dollar range, not including postage delivery of your CDs.=0AI have used s=
ome top-flight mastering in the past for 12 other CDs I've produced: http:/=
/www.peerlessmastering.com/.=A0 I want to master the collection to ensure t=
he collected music plays well together. However, to keep costs down, I know=
 another option I can use that I believe will work great and not cost us an=
ything. Stay tuned.=0A=A0=0AWhat will I get?=0A1. Each participant wil rece=
ive 80=A0shrink-wrapped CDs with 4-panel color artwork in Jewel Cases.=0A2.=
 Depending on if everyone agrees, I can also arrange electronic distributio=
n for this CD through IODA: http://www.iodalliance.com/. However, that brin=
gs up the question of distribution of any sales income (which I'm happy to =
do for 24 months).=0A=A0=0AAre their any restrictions on the music?=0A1. Pl=
ease do not submit anything that contains ANY samples of other people's wor=
k.=0A2. Please do not submit anything that contains profane language. :-)=
=0A=A0=0AHow do I pay?=0A1. I'm not 100% sure yet.=A0 =0A2. I don't have a =
PayPal account, but that might be the easiest way to do this.=0A=A0=0AWhat =
are the deadlines and timelines?=0A1. I propose that all musical submitions=
 must be received by May 1, 2010.=A0 That's six weeks away. =0A2. I propose=
 that all payments must be received by May 1, 2010.=0A3. Please allow 2 wee=
ks for mastering.=0A4. I need to confirm CD production turnaround time - 4-=
8 weeks, depending on when we send this in (oddly, this si a seasonal busin=
ess).=0A=A0=0AWhat do I do next?=0APlease send David an email with the foll=
owing details:=0A1. Your Full Name:=0A2. Your Musical Project's Name:=0A3. =
Your Phone Number and Email for communication related to this project:=0A4.=
 The full mailing address to which you would like to receive your CDs:=0A5.=
 Would you like David to arrange IODA electronic distribution (iTunes, Amaz=
on, etc..) YES or NO. (See "What Will I Get?", above):=A0=0A=A0=0AWhat does=
 David need to do next?=0A1. Calculate and communicate exact costs for CD d=
uplication.=0A2. Confirm mastering costs. =0A3. Find a graphic artist to do=
nate services.=0A4. Communicate to participants if there is universal agree=
ment for IODA electronic distribution.=0A=A0=0AWhat else?=0AIs there anyone=
 who would like to volunteer to create the artwork to match these specifica=
tions: http://www.wonderdrugrecords.com/sub5.htm=0AIf you decide to back ou=
t, please do so in writing to my YAHOO email address, and NOT the LD list -=
 I can only read every 3rd Digest, they come so quickly!=0A=A0=0AWhat is Da=
vid's motivation to do this?=0A1. Its been a while since LD CD III, so it s=
eems like a good idea.=0A2. I need more work to do in my life / I must be c=
razy.=0A3. I generally like the process.=0A4. Good karma.=0A=A0=0AI hope th=
is email helps answer questions you may have.=A0It really doesn't need to b=
e complicated as long as we can all follow the process and deadlines.=A0=A0=
=0A=A0=0APlease let me know if you have any other questions!=0A=A0=0AKind r=
egards,=0A=A0=0ADavid=0A=0A=0A      
--0-382681869-1268868118=:72624
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
2pt;color:#0000ff;"><DIV>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0i=
n 0pt"><FONT color=3D#000000><FONT face=3DConsolas>Hello - </FONT></FONT></=
P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#0=
00000><FONT face=3DConsolas></FONT></FONT>&nbsp;</P>=0A<P class=3DMsoPlainT=
ext style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsol=
as>Yesterday I proposed creating another Loopers-Delight compilation CD, ga=
thering examples of our Looping music.</FONT></FONT></P>=0A<P class=3DMsoPl=
ainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000=
>Today we have a full roster of participants!</FONT></P>=0A<P class=3DMsoPl=
ainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DCo=
nsolas></FONT></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: =
0in 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>THE LD CD IV TEA=
M</STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0p=
t"><FONT color=3D#000000><FONT face=3DConsolas>1. Matt Stevens<?xml:namespa=
ce prefix =3D o ns =3D "urn:schemas-microsoft-com:office:office" /><o:p></o=
:p></FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0p=
t"><FONT color=3D#000000><FONT face=3DConsolas>2. Duke Sexton<o:p></o:p></F=
ONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FO=
NT color=3D#000000><FONT face=3DConsolas>3. Ted Killian<o:p></o:p></FONT></=
FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT col=
or=3D#000000><FONT face=3DConsolas>4. fabio<o:p></o:p></FONT></FONT></P>=0A=
<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000=
><FONT face=3DConsolas>5. Tony K<o:p></o:p></FONT></FONT></P>=0A<P class=3D=
MsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=
=3DConsolas>6. Antony Hequet<o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoP=
lainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DC=
onsolas>7. Andy Butler<o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoPlainTe=
xt style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsola=
s>8. Dennis Moser<o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoPlainText st=
yle=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>9. =
Edward Yuhas<o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>10. An=
dy G<o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>11. Rick Walker<=
o:p></o:p></FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in=
 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>12. David Kirkdorffer=
</FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt">=
<FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPla=
inText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>=
<STRONG>The basic details will be no surprise: </STRONG></FONT></P>=0A<P cl=
ass=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas colo=
r=3D#000000>- 12 particpants each submit 1 track no longer than&nbsp;6 minu=
tes.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FO=
NT face=3DConsolas color=3D#000000>- Please consider the track submitted 10=
0% finished as far as you are concerned.</FONT></P>=0A<P class=3DMsoPlainTe=
xt style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>- Al=
l costs for preparation and production of 1000 shrink-wrapped CDs with 4-pa=
nel color artwork in Jewel Cases are to be divided among the 12 participant=
s.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT=
 face=3DConsolas color=3D#000000>- All 1000 CDs to be divided among the 12 =
participants (so 80 CD's each).</FONT></P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>- Delivery c=
osts will be charged based on mailing costs (from Boston, MA) to participan=
ts' addresses. </FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0=
in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>I propose using the following service for CD production: <A href=
=3D"http://www.wonderdrugrecords.com/">http://www.wonderdrugrecords.com/</A=
>&nbsp;</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt">=
<FONT face=3DConsolas color=3D#000000>They've done great work for me for my=
 own UNDO CDs.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0i=
n 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000><STRONG>What will this cost me?</STRONG></FONT></P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>Final costs to be commnicated, but expect to pay something in th=
e $200 dollar range, not including postage delivery of your CDs.</FONT></P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000>I have used some top-flight mastering in the past for 1=
2 other CDs I've produced: <A href=3D"http://www.peerlessmastering.com/">ht=
tp://www.peerlessmastering.com/</A>.&nbsp; I want to master the collection =
to ensure the collected music plays well together. However, to keep costs d=
own, I know another option I can use that I believe will work great and not=
 cost us anything. Stay tuned.</FONT></P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp=
;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000><STRONG>What will I get?</STRONG></FONT></P>=0A<P =
class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas co=
lor=3D#000000>1. Each participant wil receive 80&nbsp;shrink-wrapped CDs wi=
th 4-panel color artwork in Jewel Cases.</FONT></P>=0A<P class=3DMsoPlainTe=
xt style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>2. D=
epending on if everyone agrees, I can also arrange electronic distribution =
for this CD through IODA: <A href=3D"http://www.iodalliance.com/">http://ww=
w.iodalliance.com/</A>. However, that brings up the question of distributio=
n of any sales income (which I'm happy to do for 24 months).</FONT></P>=0A<=
P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas =
color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>Are their any =
restrictions on the music?</STRONG></FONT></P>=0A<P class=3DMsoPlainText st=
yle=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>1. Please=
 do not submit anything that contains ANY samples of other people's work.</=
FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT fac=
e=3DConsolas color=3D#000000>2. Please do not submit anything that contains=
 profane language. :-)</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt">&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0i=
n 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>How do I pay?</STRONG>=
</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT f=
ace=3DConsolas color=3D#000000>1. I'm not 100% sure yet.&nbsp; </FONT></P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000>2. I don't have a PayPal account, but that might be the=
 easiest way to do this.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARG=
IN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG></STRONG></F=
ONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><STR=
ONG><FONT face=3DConsolas color=3D#000000>What are the deadlines and timeli=
nes?</FONT></STRONG></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in=
 0pt"><FONT face=3DConsolas color=3D#000000>1. I propose that all musical s=
ubmitions must be received by May 1, 2010.&nbsp; That's six weeks away. </F=
ONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=
=3DConsolas color=3D#000000>2. I propose that all payments must be received=
 by May 1, 2010.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in =
0in 0pt"><FONT face=3DConsolas color=3D#000000>3. Please allow 2 weeks for =
mastering.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0p=
t"><FONT face=3DConsolas color=3D#000000>4. I need to confirm CD production=
 turnaround time - 4-8 weeks, depending on when we send this in (oddly, thi=
s si a seasonal business).</FONT></P>=0A<P class=3DMsoPlainText style=3D"MA=
RGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000><STRONG>What do I do next?</STRONG></FONT></P>=0A<P cla=
ss=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>Please send David an email with the following details:</FONT></P=
>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DCons=
olas color=3D#000000>1. Your Full Name:</FONT></P>=0A<P class=3DMsoPlainTex=
t style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>2. Yo=
ur Musical Project's Name:</FONT></P>=0A<P class=3DMsoPlainText style=3D"MA=
RGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>3. Your Phone Numb=
er and Email for communication related to this project:</FONT></P>=0A<P cla=
ss=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>4. The full mailing address to which you would like to receive y=
our CDs:</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"=
><FONT face=3DConsolas color=3D#000000>5. Would you like David to arrange I=
ODA electronic distribution (iTunes, Amazon, etc..) YES or NO. (See "What W=
ill I Get?", above):&nbsp;</FONT></P>=0A<P class=3DMsoPlainText style=3D"MA=
RGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000><STRONG>What does David need to do next?</STRONG></FONT=
></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000>1. Calculate and communicate exact costs for CD du=
plication.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0p=
t"><FONT face=3DConsolas color=3D#000000>2. Confirm mastering costs. </FONT=
></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000>3. Find a graphic artist to donate services.</FONT=
></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000>4. Communicate to participants if there is univers=
al agreement for IODA electronic distribution.</FONT></P>=0A<P class=3DMsoP=
lainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#00000=
0></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"=
><FONT face=3DConsolas color=3D#000000><STRONG>What else?</STRONG></FONT></=
P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DCon=
solas color=3D#000000><STRONG><EM><FONT color=3D#c00000>Is there anyone who=
 would like to volunteer to create the artwork to match these specification=
s: </FONT></EM></STRONG><A href=3D"http://www.wonderdrugrecords.com/sub5.ht=
m"><STRONG><EM>http://www.wonderdrugrecords.com/sub5.htm</EM></STRONG></A><=
/FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT fa=
ce=3DConsolas color=3D#000000><FONT color=3D#0000ff><STRONG><EM>If you deci=
de to back out, please do so in writing to my YAHOO email address, and NOT =
the LD list</EM></STRONG></FONT> - I can only read every 3rd Digest, they c=
ome so quickly!</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0=
in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000><STRONG>What is David's motivation to do this?</STRONG></FONT></=
P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DCon=
solas color=3D#000000>1. Its been a while since LD CD III, so it seems like=
 a good idea.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in=
 0pt"><FONT face=3DConsolas color=3D#000000>2. I need more work to do in my=
 life / I must be crazy.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARG=
IN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>3. I generally like =
the process.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in =
0pt"><FONT face=3DConsolas color=3D#000000>4. Good karma.</FONT></P>=0A<P c=
lass=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas col=
or=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0=
in 0in 0pt"><FONT face=3DConsolas color=3D#000000>I hope this email helps a=
nswer questions you may have.&nbsp;It really doesn't need to be complicated=
 as long as we can all follow the process and deadlines.&nbsp;&nbsp;</FONT>=
</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DC=
onsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>Please let m=
e know if you have any other questions!</FONT></P>=0A<P class=3DMsoPlainTex=
t style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FON=
T>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT =
face=3DConsolas color=3D#000000>Kind regards,</FONT></P>=0A<P class=3DMsoPl=
ainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000=
></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt">=
<FONT face=3DConsolas color=3D#000000>David</FONT></P>=0A<P class=3DMsoPlai=
nText style=3D"MARGIN: 0in 0in 0pt"><o:p></o:p>&nbsp;</P></DIV></div><br>=
=0A=0A=0A=0A      </body></html>
--0-382681869-1268868118=:72624--

From John@itwv.net  Thu Mar 18 00:15:06 2010
Return-Path: <John@itwv.net>
X-Original-To: looparc@loopers-delight.com
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	 Wed, 17 Mar 2010 20:04:21 -0400
Reply-To: <atm.zenith445@gmail.com,atm.zenith22@gmail.com>
From: "Dr Kingsley Paul"<john>
Subject: YOUR PAYMENT NOTIFICATION
Date: Sun, 21 Mar 2010 01:13:36 -0000
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X-OriginalArrivalTime: 18 Mar 2010 00:04:22.0424 (UTC) FILETIME=[903DB980:01CAC62E]
To: undisclosed-recipients:;

Zenith Bank ATM
RE:YOUR PAYMENT NOTIFICATION
From:Dr Kingsley Paul.
Remittance Manager.

Zenith Bank Of Nigeria.Attention:Beneficiary This to officially inform you that we have verified your contract file presently on my desk, and I found out that you have not received your payment due to your lack of co-operation and not fulfilling the 
obligations giving to you in respect to your contract payment.Secondly,you are hereby adviced to stop dealing with some non-officials in the bank as this is an illegal act and will have to stop if you so wish to receive your payment immediately.After the board meeting held at our headquarters, we have resolved in finding a solution to your 
problem, and as you may know, we have arranged your payment through our SWIFT CARD PAYMENT 
CENTER in Europe, America,Africa and Asia Pacific, which is the instruction given by our president, ALAHAJI USMAN AMIR YARADUA (GCFR)
Federal Republic of Nigeria.This card center will send you an ATM CARD that consist of 7 million USD which you will use to withdraw your money in an ATM MACHINE in any part of the world, but the maximum is $4,000 Us Dollars per transaction. So, if you like to receive your fund this way,reply to this office immediately for the issueing of your

(ATM)CARD.(1) Your Full Name:
(2) Address where you want the payment center to 

send your ATM CARD.:
(3) Phone And Fax Number:
(4) Bank Name
We shall be expecting to receive your information you have to stop any further communication with anybody or office apart from this office of the presidency. On this regards, do not hesitate to contact me for more details and direction, and also 
please do update me with any new development.

Thanks for your co-operation.Best Regards,
Dr Kingsley Paul
Remittance Manager
Zenith Bank Of Nigeria. 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 00:39:21 2010
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References: <b05375801003070128j7494db51kf2805ae7fc88a85@mail.gmail.com>
	 <d302e3571003070452u7ec05a39s20209542a8b40b79@mail.gmail.com>
	 <66f9cc1e1003070550h5473ca15t65fa93f883ff69e2@mail.gmail.com>
Date: Wed, 17 Mar 2010 18:39:20 -0600
Message-ID: <b05375801003171739t1600d73cv98bdcfc9a16d7455@mail.gmail.com>
Subject: Re: OT: Name that virtual drum kit(?)
From: "^|>^m" <will.it.go.round@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I found what I was looking for.

http://www.tradebit.com/filedetail.php/6461871-vintage-drum-machines-wav-samples-mpc-library

The Acetone Rhythm Ace samples are spot on!

for $10.99 US The sample pack includes a grip of vintage drum kits.

Thanks all for the leads!!!!

~Adam

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I found what I was looking for.<br><br><a href="http://www.tradebit.com/filedetail.php/6461871-vintage-drum-machines-wav-samples-mpc-library">http://www.tradebit.com/filedetail.php/6461871-vintage-drum-machines-wav-samples-mpc-library</a><br>
<br>The Acetone Rhythm Ace samples are spot on!<br><br>for $10.99 US The sample pack includes a grip of vintage drum kits.<br><br>Thanks all for the leads!!!!<br><br>~Adam<br>

--0016e68deab924db500482087670--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 00:45:29 2010
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From: <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
References: <b05375801003070128j7494db51kf2805ae7fc88a85@mail.gmail.com> <d302e3571003070452u7ec05a39s20209542a8b40b79@mail.gmail.com> <66f9cc1e1003070550h5473ca15t65fa93f883ff69e2@mail.gmail.com> <b05375801003171739t1600d73cv98bdcfc9a16d7455@mail.gmail.com>
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Subject: Kind OT - Physical Interaction Design for Music
Date: Wed, 17 Mar 2010 19:45:25 -0500
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Found this link on "Physical Interaction Design for Music" =
https://ccrma.stanford.edu/courses/250a/lectures/

Kind of cool!

Plish

www.michaelplishka.com
www.zenstorming.com

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	charset="iso-8859-1"
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<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Found this link on "Physical =
Interaction Design for=20
Music" <A=20
href=3D"https://ccrma.stanford.edu/courses/250a/lectures/">https://ccrma.=
stanford.edu/courses/250a/lectures/</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Kind of cool!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Plish</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</A></FONT><=
/DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.zenstorming.com">www.zenstorming.com</A></FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 00:46:07 2010
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Date: Wed, 17 Mar 2010 17:45:52 -0700
From: Rick Walker <looppool@cruzio.com>
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To: david kirkdorffer <unstrungone@yahoo.com>
CC: Loopers-Delight@loopers-delight.com, mattstevensguitar@btinternet.com,
        mech2@m3ch.net, tedkillian@charter.net, eterogenus@gmail.com,
        bigtonyk@gmail.com, antonyhequet@yahoo.com, info@andybutler.com,
        sinsofmachaut@gmail.com, loafcitious@gmail.com
Subject: Forced to withdraw with apologies and an important note about the
 economics of selling CD/DVDs
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Hi guys, <br>
I feel embarrassed but I didn't know that a run of a thousand CDs was
planned <br>
nor that we would be sharing the costs of said manufacturing.<br>
<br>
I just dont' have any wheres near the $200 it would take to invest in
this so I"m going to have to be <br>
forced to withdraw from this exciting project.<br>
<br>
Please give my spot to the next deserving Looper.<br>
<br>
Please forgive me for pulling out.&nbsp; I am just really having a hard time
economically right now.<br>
<br>
yours,&nbsp;&nbsp; <br>
Rick Walker<br>
<br>
ps &nbsp; Dear David and everyone: &nbsp;&nbsp; A Note about the manufacturing and
selling of CDs in this economy:<br>
<br>
&nbsp;<b>&nbsp; For what it's worth,&nbsp;&nbsp; I have this gratuitous advice for the
project:<br>
<br>
I propose a different method for having our CDs made that will be far
less costly per participant <br>
and have several efficacious results.&nbsp;&nbsp; Please read on and since this
is gratuitous advice, I don't mind <br>
at all if it's an irritant and you don't want to follow my
suggestions.&nbsp;&nbsp; I do it in the spirit of promoting <br>
ourselves and also in not losing money on the project:<br>
<br>
To Whit:<br>
<br>
In the past four years CD sales have almost ceased to exist for most
independent musicians.<br>
I use to sell 20 - 50 CDs a show back in 2001-2003 and I don't even
take the CDs to shows any more.<br>
<br>
Consequently,&nbsp; it's almost always a money losing proposition to
manufacturer 1,000 CDs and it ends up <br>
that you end up sitting on a tremendous amount of bulky inventory,&nbsp; not
to mention the ecological impact of <br>
making more plastic.<br>
<br>
Most artists I know who still put out CDs have gone to the model of
having them manufactured (at a higher but not by much <br>
per CD basis) when they are sold (Krispen Hartung is a really good
resource for this method and has used it very successfully <br>
for his releases).<br>
<br>
This has several advantages to running lots of 1,000 CDs at a time:<br>
<br>
1)&nbsp; you don't have to spend money that is not necessary<br>
2)&nbsp; you almost always make a profit on your investment<br>
3) you lower your ecological impact<br>
4) you lower your space impact (for storing unsold CDs)<br>
<br>
Addtionally,&nbsp;&nbsp; you can put URLs on the artwork and have printable
artwork stored online for the people who want it<br>
(surprising to me, how many people DON'T want the artwork)&nbsp; which
further reduces your cost.<br>
<br>
This all looks, nominally,&nbsp; a bit less professional but it is a
strategy designed for a world in global recession <br>
and one that is experiencing fewer and fewer sales of CDs.<br>
<br>
One can even have 'one off'&nbsp;&nbsp; DVDs made that have the audio files for
playing in CD players and computers, <br>
high and low quality MP3s for those who want iPod play,&nbsp; all the
graphics for booklets in a printable form (.pdf)<br>
<br>
All of this only costs about $3 a DVD,&nbsp;&nbsp; or $2 a CD.<br>
<br>
Please consider all of this,&nbsp;&nbsp; David and if you change your mind on the
plan of attack and adopt <br>
this approach,&nbsp; then I'll be back in on it.<br>
<br>
If not,&nbsp; no hard feelings and I apologize for wasting your time.<br>
<br>
respectfully,&nbsp;&nbsp; Rick Walker</b><br>
<br>
david kirkdorffer wrote:
<blockquote cite="mid:186144.72624.qm@web55202.mail.re4.yahoo.com"
 type="cite">
  <style type="text/css"><!-- DIV {margin:0px;} --></style>
  <div
 style="font-family: arial,helvetica,sans-serif; font-size: 12pt; color: rgb(0, 0, 255);">
  <div>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">Hello - </font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">Yesterday I proposed creating
another Loopers-Delight compilation CD, gathering examples of our
Looping music.</font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">Today we have a full roster of
participants!</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>THE LD CD IV TEAM</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">1. Matt Stevens<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">2. Duke Sexton<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">3. Ted Killian<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">4. fabio<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">5. Tony K<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">6. Antony Hequet<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">7. Andy Butler<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">8. Dennis Moser<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">9. Edward Yuhas<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">10. Andy G<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">11. Rick Walker<o:p></o:p></font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000"><font face="Consolas">12. David Kirkdorffer</font></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>The basic details will be no
surprise: </strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">- 12 particpants each submit 1 track
no longer than&nbsp;6 minutes.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">- Please consider the track submitted
100% finished as far as you are concerned.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">- All costs for preparation and
production of 1000 shrink-wrapped CDs with 4-panel color artwork in
Jewel Cases are to be divided among the 12 participants.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">- All 1000 CDs to be divided among the
12 participants (so 80 CD's each).</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">- Delivery costs will be charged based
on mailing costs (from Boston, MA) to participants' addresses. </font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">I propose using the following service
for CD production: <a moz-do-not-send="true"
 href="http://www.wonderdrugrecords.com/">http://www.wonderdrugrecords.com/</a>&nbsp;</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">They've done great work for me for my
own UNDO CDs.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What will this cost me?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">Final costs to be commnicated, but
expect to pay something in the $200 dollar range, not including postage
delivery of your CDs.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">I have used some top-flight mastering
in the past for 12 other CDs I've produced: <a moz-do-not-send="true"
 href="http://www.peerlessmastering.com/">http://www.peerlessmastering.com/</a>.&nbsp;
I want to master the collection to ensure the collected music plays
well together. However, to keep costs down, I know another option I can
use that I believe will work great and not cost us anything. Stay tuned.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What will I get?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. Each participant wil receive
80&nbsp;shrink-wrapped CDs with 4-panel color artwork in Jewel Cases.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. Depending on if everyone agrees, I
can also arrange electronic distribution for this CD through IODA: <a
 moz-do-not-send="true" href="http://www.iodalliance.com/">http://www.iodalliance.com/</a>.
However, that brings up the question of distribution of any sales
income (which I'm happy to do for 24 months).</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>Are their any restrictions on
the music?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. Please do not submit anything that
contains ANY samples of other people's work.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. Please do not submit anything that
contains profane language. :-)</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>How do I pay?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. I'm not 100% sure yet.&nbsp; </font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. I don't have a PayPal account, but
that might be the easiest way to do this.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong></strong></font>&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><strong><font
 color="#000000" face="Consolas">What are the deadlines and timelines?</font></strong></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. I propose that all musical
submitions must be received by May 1, 2010.&nbsp; That's six weeks away. </font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. I propose that all payments must be
received by May 1, 2010.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">3. Please allow 2 weeks for mastering.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">4. I need to confirm CD production
turnaround time - 4-8 weeks, depending on when we send this in (oddly,
this si a seasonal business).</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What do I do next?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">Please send David an email with the
following details:</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. Your Full Name:</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. Your Musical Project's Name:</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">3. Your Phone Number and Email for
communication related to this project:</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">4. The full mailing address to which
you would like to receive your CDs:</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">5. Would you like David to arrange
IODA electronic distribution (iTunes, Amazon, etc..) YES or NO. (See
"What Will I Get?", above):&nbsp;</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What does David need to do
next?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. Calculate and communicate exact
costs for CD duplication.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. Confirm mastering costs. </font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">3. Find a graphic artist to donate
services.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">4. Communicate to participants if
there is universal agreement for IODA electronic distribution.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What else?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong><em><font color="#c00000">Is
there anyone who would like to volunteer to create the artwork to match
these specifications: </font></em></strong><a moz-do-not-send="true"
 href="http://www.wonderdrugrecords.com/sub5.htm"><strong><em>http://www.wonderdrugrecords.com/sub5.htm</em></strong></a></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><font color="#0000ff"><strong><em>If
you decide to back out, please do so in writing to my YAHOO email
address, and NOT the LD list</em></strong></font> - I can only read
every 3rd Digest, they come so quickly!</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas"><strong>What is David's motivation to
do this?</strong></font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">1. Its been a while since LD CD III,
so it seems like a good idea.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">2. I need more work to do in my life /
I must be crazy.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">3. I generally like the process.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">4. Good karma.</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">I hope this email helps answer
questions you may have.&nbsp;It really doesn't need to be complicated as
long as we can all follow the process and deadlines.&nbsp;&nbsp;</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">Please let me know if you have any
other questions!</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">Kind regards,</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;">&nbsp;</p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><font
 color="#000000" face="Consolas">David</font></p>
  <p class="MsoPlainText" style="margin: 0in 0in 0pt;"><o:p></o:p>&nbsp;</p>
  </div>
  </div>
  <br>
</blockquote>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 00:52:32 2010
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Date: Thu, 18 Mar 2010 01:52:29 +0100
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Subject: Re: OT: Name that virtual drum kit(?)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 18, 2010 at 1:39 AM, ^|>^m <will.it.go.round@gmail.com> wrote:
> I found what I was looking for.
> http://www.tradebit.com/filedetail.php/6461871-vintage-drum-machines-wav-samples-mpc-library
> The Acetone Rhythm Ace samples are spot on!

Wow, that sample pack is a drum museum!!! :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 01:18:03 2010
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Date: Wed, 17 Mar 2010 18:17:56 -0700
From: Rick Walker <looppool@cruzio.com>
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: GUITAR PLAYER editors TOP 5 NAMM picks:    Bill Walker and Looperlative
 name checked
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A musician friend of mine who is a non-looper sent this to me on FaceBook
about the latest video I produced.............It was nice to get the 
acknowledgment
but the end of his letter was what really wowed me!

Michael Byers wrote:
""Nice one Rick! Enjoyed this piece this morning with some fresh hot 
coffee..

........... Then I started flipping through the latest issue of Guitar 
Player magazine, May 2010 issue, and on page 27 there's the editors' top 
5 NAMM picks.
And there's Bill at the Looperlative booth, "one of the most advanced 
looping guitarists on the planet!"        Brought a tear to my eye!

How much do one of those little boxes cost? I've wanted to mess around 
with looping stuff for years. Let me know."

Another convert to live looping!!!!

Thanks and big congratulations to Bill Walker
for a kudo that is truly deserved for all of his work in digital live 
looping in the last 15 years.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 02:33:51 2010
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Date: Wed, 17 Mar 2010 21:57:40 -0400
From: PiNG <ping@theambientping.com>
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	Dark Seeds <DarkSeedsNews@yahoogroups.com>,
	Drone Deep Chill <drone_deep_chill@yahoogroups.com>,
	Loopers Delight <Loopers-Delight@loopers-delight.com>,
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Subject: 03.23.10 > The PiNG presents URM + The Devil In The Design + General
 Chaos Visuals + Subduction Current
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. 03.23.10 THE AMBiENT PiNG presents "GEMiNi 3"
Featuring URM + THE DEVIL IN THE DESIGN +
SUBDUCTION CURRENT + GENERAL CHAOS VISUALS
@ Supermarket  . 268 Augusta Ave . Kensington Market .
    just south of College  .  Map, info and directions at:
    http://www.supermarkettoronto.com/site/section/contact
    PiNG doors open at 8pm . 1st set at 8:30 . $6

8:30 . The Devil In The Design . One of the PiNG's favourite
space guitarists, Phil Ogison (also of The Moon Dandies, Harold,
A Pretty Sonic Splatter and Psychosomatic Climax Machine)
returns to create a sweet quiet noise with his solo project
The Devil In The Design. Phil will be joined by percussionist
Jeff Howard on the electronic kit & visualist Catherine Tammaro
of Subduction Current. http://www.myspace.com/ogison

9.30 . URM . Jamie Todd (also of dreamSTATE, NOiNO & SADU)
has fuelled up the laptop to launch a spaced out set of electronics,
sequences and drones along with some interspersed improvised
ambient soundscapes. Unlike the launching of Gemini 3, no
corned beef sandwiches will be snuck on-board as we don't want
any crumbs floating about messing up the instrumentation.
http://www.urm.ca

. GENERAL CHAOS VISUALS . Throughout the evening, the
unique evolving light paintings of General Chaos Visuals will
provide us with mesmerizing motor-driven, hand-painted visuals
projected onto the live canvas of performers.
http://webhome.idirect.com/~slindsey

. As an added treat, Phil, Jeff and Jamie will all plug in together
to improvise a third set. In keeping with jamming spirit of the
evening, Subduction Current will improvise with General Chaos
Visuals throughout to deepen the mind bending eye candy.

. For those of you who can't make it out to experience this show's
visuals and music live and in person, we'll be streaming this show
live to the net thanks to the Supermarket's partnership with
SyncLive. watch the show live on Tues. March 23 at 8:30pm EST
by going to http://app.synclive.com?show/35759

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON - the 1st TORONTO AMBiENT MUSIC FESTiVAL

SUNDAY APRiL 25th 2010 . THE AMBiENT PiNG in co-operation
with The Music Gallery presents ROBERT RICH LIVE IN CONCERT
@ The Music Gallery . St. George the Martyr Church
    197 John St. - north of Queen W. behind the AGO .
    Doors 6:30pm . concert 7:30pm .  $25 door / $20 advance
    Complete info & Advance online tickets (click the BUY NOW link)
    available through: http://www.theambientping.com/events.html

WEDNESDAY APRiL 28th 2010 . SPACE TOURiSM featuring
dreamSTATE + General Chaos Visuals + more TBA
@ Supermarket  . 268 Augusta Ave . Kensington Market .
    just south of College  .  Map, info and directions at:
    http://www.supermarkettoronto.com/site/section/contact
    PiNG doors open at 8pm . 1st set at 8:30 . $6

SATURDAY MAY 1st 2010 . RADiO iN AMBiENCE
A special PiNG presentation for Deep Wireless in
collaboration with New Adventures in Sound Art
Featuring Emmanual Madan + Anna Friz + Eric Woodley
@ THE LOOP STUDIO . Artscape Wychwood Barns
    601 Christie Street . SW of the Bathurst/St. Clair Subway
    PiNG doors open at 8pm . 1st set at 8:30 . $6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ping things net label releases

While the PiNG has been hibernating, the ping things net label
has been keeping busy, so there's a few new free downloadable
releases to catch up on:

1 -> "Swimming Alone" by Lorne David Thomson

Offering 11 songs in a variety of sounds & styles, "Swimming Alone"
features rich soundscapes, deep melodic electronica, vintage
synth tracks and more, all showcasing the extensive talents of
Lorne David Thomson. "Swimming Alone" is an engaging and
inspired collection of music available exclusively from ping things!

"Swimming Alone" is available for free download as an 113Mb Zip
file containing the full release in high quality 256kbps mp3 format
along with artwork suitable for printing. The music on this release
is copyright Lorne David Thomson 2009 and may not be used or
reproduced without the artist's express permission.
http://www.archive.org/download/pingthings016/ptnr016.zip

2 -> "singular" by spatial correlation

"singular" is a compilation of tracks from several of Ryan Hagerman's
releases performing as both spatial correlation & in his earlier guise
as the widening gyre. It's delicate melodic ambient lo-fi brilliance.

"singular" is available for free download as an 129Mb Zip file
containing the full release in high quality 256kbps mp3 format
along with artwork suitable for printing. The music on this
release is copyright Ryan Hagerman 2009 and may not be
used or reproduced without the artist's express permission.
http://www.archive.org/download/pingthings017/pingthings017.zip

3 -> "Live on Alien Air Music" by Resonant Drift

"Live on Alien Air Music" is a long form piece taken from a recent
live performance that features Bill Olien and Gary Johnson of
Resonant Drift (with contributions from Mathias Grassow) creating
a dense and beautiful soundscape filled with mystery and dark
wonder. Running a gamut of moods and feelings, "Live on Alien
Air Music" is a fabulous release that ping things is thrilled to be
able to share with you!

"Live on Alien Air Music" is available for free download as an
74Mb Zip file containing the full release in high quality 256kbps
mp3 format along with artwork suitable for printing. The music on
this release is copyright FloBob Music and Flow Space Music 2010
& may not be used or reproduced without the artist's permission.
http://www.archive.org/download/pingthings018/pingthings018.zip

ping things: http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT the ping things store for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 02:43:12 2010
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Date: Wed, 17 Mar 2010 18:27:15 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Re: Forced to withdraw with apologies and an important note about the economics of selling CD/DVDs
To: looppool@cruzio.com
Cc: loopers-delight@loopers-delight.com, mattstevensguitar@btinternet.com,
  mech2@m3ch.net, tedkillian@charter.net, eterogenus@gmail.com,
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Sorry you are dropping out Rick.

I think I mentioned right from the start that the plan was to share production costs to produce 1000 CD s.

Rick proposes an interesting option for anyone, however I m not interested in the one-off production process for the LD CD IV.  

If anyone else would like to back-out, let me know.

Cheers!

David.

On Wed Mar 17th, 2010 8:45 PM EDT Rick Walker wrote:

>Hi guys,  
>I feel embarrassed but I didn&#39;t know that a run of a thousand CDs was
>planned  
>nor that we would be sharing the costs of said manufacturing. 
> 
>I just dont&#39; have any wheres near the $200 it would take to invest in
>this so I&quot;m going to have to be  
>forced to withdraw from this exciting project. 
> 
>Please give my spot to the next deserving Looper. 
> 
>Please forgive me for pulling out.&nbsp; I am just really having a hard time
>economically right now. 
> 
>yours,&nbsp;&nbsp;  
>Rick Walker 
> 
>ps &nbsp; Dear David and everyone: &nbsp;&nbsp; A Note about the manufacturing and
>selling of CDs in this economy: 
> 
>&nbsp;&nbsp; For what it&#39;s worth,&nbsp;&nbsp; I have this gratuitous advice for the
>project: 
> 
>I propose a different method for having our CDs made that will be far
>less costly per participant  
>and have several efficacious results.&nbsp;&nbsp; Please read on and since this
>is gratuitous advice, I don&#39;t mind  
>at all if it&#39;s an irritant and you don&#39;t want to follow my
>suggestions.&nbsp;&nbsp; I do it in the spirit of promoting  
>ourselves and also in not losing money on the project: 
> 
>To Whit: 
> 
>In the past four years CD sales have almost ceased to exist for most
>independent musicians. 
>I use to sell 20 - 50 CDs a show back in 2001-2003 and I don&#39;t even
>take the CDs to shows any more. 
> 
>Consequently,&nbsp; it&#39;s almost always a money losing proposition to
>manufacturer 1,000 CDs and it ends up  
>that you end up sitting on a tremendous amount of bulky inventory,&nbsp; not
>to mention the ecological impact of  
>making more plastic. 
> 
>Most artists I know who still put out CDs have gone to the model of
>having them manufactured (at a higher but not by much  
>per CD basis) when they are sold (Krispen Hartung is a really good
>resource for this method and has used it very successfully  
>for his releases). 
> 
>This has several advantages to running lots of 1,000 CDs at a time: 
> 
>1)&nbsp; you don&#39;t have to spend money that is not necessary 
>2)&nbsp; you almost always make a profit on your investment 
>3) you lower your ecological impact 
>4) you lower your space impact (for storing unsold CDs) 
> 
>Addtionally,&nbsp;&nbsp; you can put URLs on the artwork and have printable
>artwork stored online for the people who want it 
>(surprising to me, how many people DON&#39;T want the artwork)&nbsp; which
>further reduces your cost. 
> 
>This all looks, nominally,&nbsp; a bit less professional but it is a
>strategy designed for a world in global recession  
>and one that is experiencing fewer and fewer sales of CDs. 
> 
>One can even have &#39;one off&#39;&nbsp;&nbsp; DVDs made that have the audio files for
>playing in CD players and computers,  
>high and low quality MP3s for those who want iPod play,&nbsp; all the
>graphics for booklets in a printable form (.pdf) 
> 
>All of this only costs about $3 a DVD,&nbsp;&nbsp; or $2 a CD. 
> 
>Please consider all of this,&nbsp;&nbsp; David and if you change your mind on the
>plan of attack and adopt  
>this approach,&nbsp; then I&#39;ll be back in on it. 
> 
>If not,&nbsp; no hard feelings and I apologize for wasting your time. 
> 
>respectfully,&nbsp;&nbsp; Rick Walker 
> 
>david kirkdorffer wrote:
>
>  
>  
>  
>  Hello -  
>  &nbsp; 
>  Yesterday I proposed creating
>another Loopers-Delight compilation CD, gathering examples of our
>Looping music. 
>  Today we have a full roster of
>participants! 
>  &nbsp; 
>  THE LD CD IV TEAM 
>  1. Matt Stevens  
>  2. Duke Sexton  
>  3. Ted Killian  
>  4. fabio  
>  5. Tony K  
>  6. Antony Hequet  
>  7. Andy Butler  
>  8. Dennis Moser  
>  9. Edward Yuhas  
>  10. Andy G  
>  11. Rick Walker  
>  12. David Kirkdorffer 
>  &nbsp; 
>  The basic details will be no
>surprise:  
>  - 12 particpants each submit 1 track
>no longer than&nbsp;6 minutes. 
>  - Please consider the track submitted
>100% finished as far as you are concerned. 
>  - All costs for preparation and
>production of 1000 shrink-wrapped CDs with 4-panel color artwork in
>Jewel Cases are to be divided among the 12 participants. 
>  - All 1000 CDs to be divided among the
>12 participants (so 80 CD&#39;s each). 
>  - Delivery costs will be charged based
>on mailing costs (from Boston, MA) to participants&#39; addresses.  
>  &nbsp; 
>  I propose using the following service
>for CD production: http://www.wonderdrugrecords.com/&nbsp; 
>  They&#39;ve done great work for me for my
>own UNDO CDs. 
>  &nbsp; 
>  What will this cost me? 
>  Final costs to be commnicated, but
>expect to pay something in the $200 dollar range, not including postage
>delivery of your CDs. 
>  I have used some top-flight mastering
>in the past for 12 other CDs I&#39;ve produced: http://www.peerlessmastering.com/.&nbsp;
>I want to master the collection to ensure the collected music plays
>well together. However, to keep costs down, I know another option I can
>use that I believe will work great and not cost us anything. Stay tuned. 
>  &nbsp; 
>  What will I get? 
>  1. Each participant wil receive
>80&nbsp;shrink-wrapped CDs with 4-panel color artwork in Jewel Cases. 
>  2. Depending on if everyone agrees, I
>can also arrange electronic distribution for this CD through IODA: http://www.iodalliance.com/.
>However, that brings up the question of distribution of any sales
>income (which I&#39;m happy to do for 24 months). 
>  &nbsp; 
>  Are their any restrictions on
>the music? 
>  1. Please do not submit anything that
>contains ANY samples of other people&#39;s work. 
>  2. Please do not submit anything that
>contains profane language. :-) 
>  &nbsp; 
>  How do I pay? 
>  1. I&#39;m not 100% sure yet.&nbsp;  
>  2. I don&#39;t have a PayPal account, but
>that might be the easiest way to do this. 
>  &nbsp; 
>  What are the deadlines and timelines? 
>  1. I propose that all musical
>submitions must be received by May 1, 2010.&nbsp; That&#39;s six weeks away.  
>  2. I propose that all payments must be
>received by May 1, 2010. 
>  3. Please allow 2 weeks for mastering. 
>  4. I need to confirm CD production
>turnaround time - 4-8 weeks, depending on when we send this in (oddly,
>this si a seasonal business). 
>  &nbsp; 
>  What do I do next? 
>  Please send David an email with the
>following details: 
>  1. Your Full Name: 
>  2. Your Musical Project&#39;s Name: 
>  3. Your Phone Number and Email for
>communication related to this project: 
>  4. The full mailing address to which
>you would like to receive your CDs: 
>  5. Would you like David to arrange
>IODA electronic distribution (iTunes, Amazon, etc..) YES or NO. (See
>&quot;What Will I Get?&quot;, above):&nbsp; 
>  &nbsp; 
>  What does David need to do
>next? 
>  1. Calculate and communicate exact
>costs for CD duplication. 
>  2. Confirm mastering costs.  
>  3. Find a graphic artist to donate
>services. 
>  4. Communicate to participants if
>there is universal agreement for IODA electronic distribution. 
>  &nbsp; 
>  What else? 
>  Is
>there anyone who would like to volunteer to create the artwork to match
>these specifications: http://www.wonderdrugrecords.com/sub5.htm 
>  If
>you decide to back out, please do so in writing to my YAHOO email
>address, and NOT the LD list - I can only read
>every 3rd Digest, they come so quickly! 
>  &nbsp; 
>  What is David&#39;s motivation to
>do this? 
>  1. Its been a while since LD CD III,
>so it seems like a good idea. 
>  2. I need more work to do in my life /
>I must be crazy. 
>  3. I generally like the process. 
>  4. Good karma. 
>  &nbsp; 
>  I hope this email helps answer
>questions you may have.&nbsp;It really doesn&#39;t need to be complicated as
>long as we can all follow the process and deadlines.&nbsp;&nbsp; 
>  &nbsp; 
>  Please let me know if you have any
>other questions! 
>  &nbsp; 
>  Kind regards, 
>  &nbsp; 
>  David 
>   &nbsp;


      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 03:27:20 2010
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	 <66f9cc1e1003171143u509fc18diaf27ad977ff6fdf5@mail.gmail.com>
Date: Wed, 17 Mar 2010 23:27:19 -0400
Message-ID: <44e368751003172027p4ade5aer5b0d92f0fe7c7856@mail.gmail.com>
Subject: Re: komplete vs. ableton
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd70b66eadd4304820ace1a
Content-Type: text/plain; charset=windows-1252
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"You can use Live=92s instruments with other applications if they support
ReWire"

so when it says on ableton's site that:

"collision requires ableton live 8 or higher"

this is, in fact, not true?  it seemed to me that all of the programs withi=
n
live were proprietary.

purchasing both ableton and komplete is not a financial option right now.

anyhow, getting back to the meat and potatoes of the initial question:

i'm running everything in bidule.  i think i mentioned this, but just to
reiterate: i love bidule. it's bone-simple but deep enough once you start
digging.  loads of options and i get along with it swimmingly.

the sampler is of paramount importance.  i love sampling crap, processing
the shit out of it and then using it as it's own instrument.  so in that
regard, kontakt is sorta critical.  i've been using short circuit but
kontakt is approximately 4000 times better.
i live fm and absynth and battery as well...the arpeggiator in fm is pretty
uninquel  i definitely prefer the pre-packaged sounds in komplete over thos=
e
offered by ableton.

regarding live performance, most of what i do is done on-the-spot with not =
a
lot of sequence triggering or what-have-you.  i am (and have been) leaning
towards native instruments but wanted to see if anyone could dissuade me.

- jim

--000e0cd70b66eadd4304820ace1a
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">&quot;You can use=
=20
Live=92s instruments with other applications if
they support ReWire&quot;<br><br><font color=3D"#000000">so when it says on=
 ableton&#39;s site that:<br><br>&quot;collision requires ableton live 8 or=
 higher&quot;<br><br>this is, in fact, not true?=A0 it seemed to me that al=
l of the programs within live were proprietary.=A0 <br>
<br>purchasing both ableton and komplete is not a financial option right no=
w.<br><br>anyhow, getting back to the meat and potatoes of the initial ques=
tion:<br><br>i&#39;m running everything in bidule.=A0 i think i mentioned t=
his, but just to reiterate: i love bidule. it&#39;s bone-simple but deep en=
ough once you start digging.=A0 loads of options and i get along with it sw=
immingly.=A0 <br>
<br>the sampler is of paramount importance.=A0 i love sampling crap, proces=
sing the shit out of it and then using it as it&#39;s own instrument.=A0 so=
 in that regard, kontakt is sorta critical.=A0 i&#39;ve been using short ci=
rcuit but kontakt is approximately 4000 times better. <br>
i live fm and absynth and battery as well...the arpeggiator in fm is pretty=
 uninquel=A0 i definitely prefer the pre-packaged sounds in komplete over t=
hose offered by ableton.<br><br>regarding live performance, most of what i =
do is done on-the-spot with not a lot of sequence triggering or what-have-y=
ou.=A0 i am (and have been) leaning towards native instruments but wanted t=
o see if anyone could dissuade me.<br>
<br>- jim =A0=A0 <br><br></font></span><div style=3D"visibility: hidden; di=
splay: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#=
avg_ls_inline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;=
  margin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  wo=
rd-wrap: break-word;  color: black;  font-size: 10px;  text-align: left;  l=
ine-height: 13px;}</style>

--000e0cd70b66eadd4304820ace1a--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 03:46:40 2010
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To: Loopers-Delight@loopers-delight.com
From: Revfever <revfever@ubergadget.com>
Subject: (semi-OT) Richard Pinhas & Merzbow
Date: Wed, 17 Mar 2010 20:46:36 -0700
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I finally got around to hearing an early 2008 2CD release of a  
Richard Pinhas (Heldon)  & Merzbow collaboration entitled "Keio Line"  
and is SPECTACULAR!
This is one of the BEST things I have heard in a loooong time!  And  
yes, there is a ton of loopage all over the place on it!
It is always a joy when 2 LONG time masters meet and work together  
and the results turn out to be ASTOUNDING!   This is very highly  
REVcommended! Enjoy!

Cheers,
Rev. Fever
Portland, Oregon
The Angry Red Planet
:-)

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 04:20:36 2010
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From: "Tony K" <bigtonyk@gmail.com>
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Subject: for your listening pleasure...
Date: Thu, 18 Mar 2010 00:20:28 -0400
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I was suddenly inspired to turn on all my stuff and record tonight. (I've
been playing acoustic/classical for the last few months.)

This appeared.

http://www.thinginajar.com/bigtony/Tentacles.mp3

Equipment (for those who are interested)

Brian Moore iGuitar -> GR-50 -> Korg M3R -> ModFX -> DD20 -> Vortex ->
RSP550

Enjoy,

Tony

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 06:54:26 2010
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: New loop music, new techniques, download/stream
Date: Thu, 18 Mar 2010 07:54:10 +0100
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> here's some of the stuff I've been trying out lately.

very nice Andy !!  

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 07:39:01 2010
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Date: Thu, 18 Mar 2010 00:38:59 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: for your listening pleasure...
To: Loopers-Delight@loopers-delight.com
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Nice music Tony! The spontaneous inspiration is prevalent! I like the energ=
etic quality of the piece.=A0 Sometimes the quick, intuitive recording turn=
s out the best, I had a moment like that little while ago and this came out=
 of it...

http://vimeo.com/9397598=A0 -Hope you enjoy it

Thanks for the nice sounds Tony, just listened to it before bed, it seemed =
to chill out my daughter a bit-Thanks!

--- On Wed, 3/17/10, Tony K <bigtonyk@gmail.com> wrote:

From: Tony K <bigtonyk@gmail.com>
Subject: for your listening pleasure...
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, March 17, 2010, 9:20 PM

I was suddenly inspired to turn on all my stuff and record tonight. (I've
been playing acoustic/classical for the last few months.)

This appeared.

http://www.thinginajar.com/bigtony/Tentacles.mp3

Equipment (for those who are interested)

Brian Moore iGuitar -> GR-50 -> Korg M3R -> ModFX -> DD20 -> Vortex ->
RSP550

Enjoy,

Tony

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Nice music Tony! The spontaneous inspiration =
is prevalent! I like the energetic quality of the piece.&nbsp; Sometimes th=
e quick, intuitive recording turns out the best, I had a moment like that l=
ittle while ago and this came out of it...<br><br><a href=3D"http://vimeo.c=
om/9397598">http://vimeo.com/9397598</a>&nbsp; -Hope you enjoy it<br><br>Th=
anks for the nice sounds Tony, just listened to it before bed, it seemed to=
 chill out my daughter a bit-Thanks!<br><br>--- On <b>Wed, 3/17/10, Tony K =
<i>&lt;bigtonyk@gmail.com&gt;</i></b> wrote:<br><blockquote style=3D"border=
-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><b=
r>From: Tony K &lt;bigtonyk@gmail.com&gt;<br>Subject: for your listening pl=
easure...<br>To: Loopers-Delight@loopers-delight.com<br>Date: Wednesday, Ma=
rch 17, 2010, 9:20 PM<br><br><div class=3D"plainMail">I was suddenly inspir=
ed to
 turn on all my stuff and record tonight. (I've<br>been playing acoustic/cl=
assical for the last few months.)<br><br>This appeared.<br><br><a href=3D"h=
ttp://www.thinginajar.com/bigtony/Tentacles.mp3" target=3D"_blank">http://w=
ww.thinginajar.com/bigtony/Tentacles.mp3</a><br><br>Equipment (for those wh=
o are interested)<br><br>Brian Moore iGuitar -&gt; GR-50 -&gt; Korg M3R -&g=
t; ModFX -&gt; DD20 -&gt; Vortex -&gt;<br>RSP550<br><br>Enjoy,<br><br>Tony<=
br><br></div></blockquote></td></tr></table><br>=0A=0A=0A=0A      
--0-1652878923-1268897939=:86374--

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Subject: Re: How do I get the most out of my two EDP's?
References: <F160BE32A2E5E04497668BBDFE83FEDF3BEB8921@EXCHVS1.medctr.ad.wfubmc.edu> <9ab0c76f1003171529r3030f930m6b32aa63b1a38527@mail.gmail.com>
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mark francombe wrote:
>.. much like the tracks that Andy just posted, except in 
> stereo.. there SO much you can do with 2... 

well, I didn't explain it, but indeed there's
stereo trickery in at least one of those demos.
(I always have the 2 EDPs hard panned)

andy
(I'll post some 2 EDP suggestions later today)

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From: Massimo Liverani <mas.liv@libero.it>
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I also could be interested to partecipate but i don't know your e-mail david, mine is: mas.liv@libero.it

Max Liver (Massimo Liverani, Firenze Italia)


----Messaggio originale----

Da: antonyhequet@yahoo.com

Data: 17/03/2010 10.05

A: "Loopers-Delight@loopers-delight.com"<Loopers-Delight@loopers-delight.com>

Ogg: Re: Proposing - Looper-Delight CD Vol IV



Hello David,What is your email?Antony Hwquet

Sent from my iPhone
On Mar 17, 2010, at 12:21 AM, david kirkdorffer <unstrungone@yahoo.com> wrote:

Folks, 
 
I would like to propose we create another compilation Loopers-Delight CD gathering examples of our Looping music.
 
It offers a chance to release our music, while sharing the costs of production -- and if everyone who participates also promotes the CD to local radio outlet's it can offer a chance for the music to be heard world-wide.
 
We've probably all released CD's before, so you know the ropes.  Here are the "broad stokes" of what I'm proposing:
 
- each submission be no longer than 6.00 minutes (so, no more than 12 tracks on the CD).
- submissions to be provided on CD.
- producing 1000 actual CD's in regular Jewel Boxes (the kind radio stations prefer...).
- simple colour art-work with track details and information (to be further specified).
- division of stamping and artwork printing costs.
- depending on how many participate, we divide production costs.
- mailing costs for participants to receive CDs based on where participants live in the world! (I'm located in Boston, MA).
 
I can work out a deal for professional mastering of the collection.  
 
Do we have an graphic artist in the group?
 

Interested??  If yes, please reply to my email AND NOT ONLY TO THE LD LIST - THANKS!
 
I'll compile interest and report back to everyone Friday.
 
Cheers, 
 
David




      




      




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<p>I also could be interested to partecipate but i don't know your e-mail david, mine is: mas.liv@libero.it<br></p><p>Max Liver (Massimo Liverani, Firenze Italia)<br></p>
<blockquote>
----Messaggio originale----<br>
Da: antonyhequet@yahoo.com<br>
Data: 17/03/2010 10.05<br>
A: "Loopers-Delight@loopers-delight.com"&lt;Loopers-Delight@loopers-delight.com&gt;<br>
Ogg: Re: Proposing - Looper-Delight CD Vol IV<br>
<br>
<div>Hello David,</div><div>What is your email?</div><div>Antony Hwquet<br><br>Sent from my iPhone</div><div><br>On Mar 17, 2010, at 12:21 AM, david kirkdorffer &lt;<a href="mailto:unstrungone@yahoo.com" mce_href="mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;" mce_style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>Folks, </div>
<div>&nbsp;</div>
<div>I would like to propose we create another compilation Loopers-Delight CD gathering examples of our Looping music.</div>
<div>&nbsp;</div>
<div>It offers a chance to release our music, while sharing the costs of production -- and if everyone who participates also promotes the CD to local radio outlet's it can offer a chance for the music to be heard world-wide.</div>
<div>&nbsp;</div>
<div>We've probably all released CD's before, so you know the ropes.&nbsp; Here are the "broad stokes" of what I'm proposing:</div>
<div>&nbsp;</div>
<div>- each submission be no longer than 6.00 minutes (so, no more than 12 tracks on the CD).</div>
<div>- submissions to be provided on CD.</div>
<div>- producing 1000 actual CD's in regular Jewel Boxes (the kind radio stations prefer...).</div>
<div>- simple colour art-work with track details and information (to be further specified).</div>
<div>- division of stamping and artwork printing costs.</div>
<div>- depending on how many participate, we divide production costs.</div>
<div>- mailing costs for participants to receive CDs based on where participants live in the world! (I'm located in Boston, MA).</div>
<div>&nbsp;</div>
<div>I can work out a deal for professional mastering of the collection.&nbsp; </div>
<div>&nbsp;</div>
<div>Do we have an graphic artist in the group?</div>
<div>&nbsp;</div>
<div>
<div><font color="#c00000"><b>Interested??&nbsp; <u>If yes, please reply to my email AND NOT ONLY TO THE LD LIST - THANKS!</u></b></font></div>
<div><b></b>&nbsp;</div>
<div>I'll compile interest and report back to everyone Friday.</div>
<div><b></b>&nbsp;</div>
<div>Cheers, </div>
<div>&nbsp;</div>
<div>David</div></div></div><br>



      </div></blockquote><br>



      <br>
</blockquote><p><br></p>
------=_Part_74603_12034460.1268901046655--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Fwd: Forced to withdraw with apologies and an important note about the economics of selling CD/DVDs
Date: Thu, 18 Mar 2010 09:21:53 +0000
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> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Date: 18 March 2010 09:20:28 GMT
> To: Andy Butler <info@andybutler.com>
> Subject: Re: Forced to withdraw with apologies and an important  
> note about the economics of selling CD/DVDs
>
> We could do it as a Bandcamp download - would reduce costs by  
> around 95%?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 18 Mar 2010, at 09:18, Andy Butler wrote:
>
>> Hi David,
>>
>> sorry to mess everybody about.
>>
>> I'm out.
>>
>> It's gonna be too expensive, 6 weeks is not long enough
>> for me to guarantee a worthwhile submission,
>> and 80 cds is 50 more than I'll ever need.
>>
>> Also, I'm already on LD3, so it's nice to give someone else a chance.
>> (which is why this is posted to ld)
>>
>> I will buy a copy of course.
>>
>> apologies
>> andy butler
>>
>>
>>
>>
>>
>>
>> david kirkdorffer wrote:
>>> Sorry you are dropping out Rick.
>>>
>>> I think I mentioned right from the start that the plan was to  
>>> share production costs to produce 1000 CD s.
>>>
>>> Rick proposes an interesting option for anyone, however I m not  
>>> interested in the one-off production process for the LD CD IV.
>>> If anyone else would like to back-out, let me know.
>>>
>>> Cheers!
>>>
>>> David.
>>>
>>> On Wed Mar 17th, 2010 8:45 PM EDT Rick Walker wrote:
>>>
>>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>From: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Date: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">18 March 2010 09:20:28 =
GMT</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>To: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Andy Butler &lt;<a =
href=3D"mailto:info@andybutler.com">info@andybutler.com</a>&gt;</font></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>Subject: =
</b></font><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica"><b>Re: Forced to withdraw with apologies and an important =
note about the economics of selling CD/DVDs</b></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div>  We could do it as a =
Bandcamp download - would reduce costs by around 95%?<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 18 Mar 2010, =
at 09:18, Andy Butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi David,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">sorry to mess everybody =
about.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm out.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">It's gonna be too expensive, 6 =
weeks is not long enough</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">for me to =
guarantee a worthwhile submission,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and 80 cds is =
50 more than I'll ever need.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Also, I'm already on LD3, so =
it's nice to give someone else a chance.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">(which =
is why this is posted to ld)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I will buy a copy of =
course.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">apologies</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">andy =
butler</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">david =
kirkdorffer wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sorry you are dropping out Rick.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I think =
I mentioned right from the start that the plan was to share production =
costs to produce 1000 CD s.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Rick proposes an interesting =
option for anyone, however I m not interested in the one-off production =
process for the LD CD IV. <span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">If anyone else would like to back-out, let me =
know.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers!</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">David.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Wed =
Mar 17th, 2010 8:45 PM EDT Rick Walker wrote:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><span =
class=3D"Apple-converted-space">&nbsp;&nbsp;</span><br =
class=3D"khtml-block-placeholder"></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></blockquote></div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 09:40:21 2010
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	 <66f9cc1e1003171502x2e2148bfn8f4266515fac3780@mail.gmail.com>
Date: Thu, 18 Mar 2010 05:40:20 -0400
Message-ID: <9ea2f30b1003180240p6ced94acj9494b74d9872dbd3@mail.gmail.com>
Subject: Re: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6471c06e59ac9048210044f
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Sorry I left those two out. I do have monitor audio input enabled. That's
how I also use Mobius standalone. I also have an Aux channel strip with the
input set as Bus 1 and the output set to Output 1-2. I can hear my audio
going straight through to the output monitoring my live input but if I
create a loop on the first track of mobius it seems that there is something
looping on the Mobius GUI but there is no audio coming from it.

On Wed, Mar 17, 2010 at 6:02 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Mar 17, 2010 at 9:25 PM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> > Thanks for these tips Per. I'm pretty sure I have done these already off
> the
> > top of my head but I will triple check to make sure once I finish making
> and
> > consuming some delicious chicken tacos.
> > Recap:
> > Mobius settings:
> > Sync = out
> > Midi devices, Plugin out=IAC Bus 1
> > Set min and max tempo so Mobius picks a realistic tempo after your first
> > loop.
> > Mainstage:
> > input channel (patch level) : outout set to Bus 1(aux1)
> > Concert level - Add software instrument, select Mobius
> > Set side chain to Bus 1 on mobius
> > Concert level - Fetch tempo from midi input - IAC Bus1
> >
> >
> > I get input from Duet into Mainstage
> > Goes from INput into Bus 1
> > Audio seems to get into Mainstage
> > Issues:
> > I do not hear any output from Mobius.
>
>
> There should not be any sound if do not have "Monitor Audio Input"
> enabled in Mobius. Path: "Configuration/Global Parameters".
>
> However, my preferred solution is different. I create - in Mainstage
> on concert level - an aux channel with input "Bus 1" an output "Main".
> And I keep Mobius set to no audio through, only mangled loopse is
> coming out from Mobius. That way my instrument's live input sound is
> cloned into two paths: one going into Mobius (to maybe get looped) and
> the other passing directly to the output. The technical reason for
> this choice is that I run the Mobius output through first a low cut
> filter and then a tape delay plugin. The low cut filter is needed
> because I mangle loops a lot and if a layer is overdubbed when a loop
> is transposed up by two octave it can easily blow the PA speakers if
> that loop later is played transformed two octaves down ;-))  And the
> tape delay is used for dub style effet tweaking and when I do that I
> don't want the slaps on my live instrument when playing against the
> dub stuff.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0016e6471c06e59ac9048210044f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Sorry I left those two out. I do have monitor audio input enabled. That&#39=
;s how I also use Mobius standalone. I also have an Aux channel strip with =
the input set as Bus 1 and the output set to Output 1-2. I can hear my audi=
o going straight through to the output monitoring my live input but if I cr=
eate a loop on the first track of mobius it seems that there is something l=
ooping on the Mobius GUI but there is no audio coming from it.<br>
<br><div class=3D"gmail_quote">On Wed, Mar 17, 2010 at 6:02 PM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On Wed, Mar 17, 2010 at 9:25 PM, Todd Matthews &lt;<a hre=
f=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<br>
&gt; Thanks for these tips Per. I&#39;m pretty sure I have done these alrea=
dy off the<br>
&gt; top of my head but I will triple check to make sure once I finish maki=
ng and<br>
&gt; consuming some delicious chicken tacos.<br>
&gt; Recap:<br>
&gt; Mobius settings:<br>
&gt; Sync =3D out<br>
&gt; Midi devices, Plugin out=3DIAC Bus 1<br>
&gt; Set min and max tempo so Mobius picks a realistic tempo after your fir=
st<br>
&gt; loop.<br>
&gt; Mainstage:<br>
&gt; input channel (patch level) : outout set to Bus 1(aux1)<br>
&gt; Concert level - Add software instrument, select Mobius<br>
&gt; Set side chain to Bus 1 on mobius<br>
&gt; Concert level - Fetch tempo from midi input - IAC Bus1<br>
&gt;<br>
&gt;<br>
&gt; I get input from Duet into Mainstage<br>
&gt; Goes from INput into Bus 1<br>
&gt; Audio seems to get into Mainstage<br>
&gt; Issues:<br>
&gt; I do not hear any output from Mobius.<br>
<br>
<br>
</div>There should not be any sound if do not have &quot;Monitor Audio Inpu=
t&quot;<br>
enabled in Mobius. Path: &quot;Configuration/Global Parameters&quot;.<br>
<br>
However, my preferred solution is different. I create - in Mainstage<br>
on concert level - an aux channel with input &quot;Bus 1&quot; an output &q=
uot;Main&quot;.<br>
And I keep Mobius set to no audio through, only mangled loopse is<br>
coming out from Mobius. That way my instrument&#39;s live input sound is<br=
>
cloned into two paths: one going into Mobius (to maybe get looped) and<br>
the other passing directly to the output. The technical reason for<br>
this choice is that I run the Mobius output through first a low cut<br>
filter and then a tape delay plugin. The low cut filter is needed<br>
because I mangle loops a lot and if a layer is overdubbed when a loop<br>
is transposed up by two octave it can easily blow the PA speakers if<br>
that loop later is played transformed two octaves down ;-)) =A0And the<br>
tape delay is used for dub style effet tweaking and when I do that I<br>
don&#39;t want the slaps on my live instrument when playing against the<br>
dub stuff.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>

--0016e6471c06e59ac9048210044f--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 10:32:25 2010
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Date: Thu, 18 Mar 2010 06:32:24 -0400
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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636eee2d521b65d048210bf9c
Content-Type: text/plain; charset=ISO-8859-1

Here are the pics documenting my attempt to get audio out of my Mobius loops
in Mainstage. I'll try to do a video of my setup process this weekend.

http://www.flickr.com/photos/gtodd876/4443042374/
http://www.flickr.com/photos/gtodd876/4443042374/
http://www.flickr.com/photos/gtodd876/4443042374/
http://www.flickr.com/photos/gtodd876/4443042374/

On Thu, Mar 18, 2010 at 5:40 AM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Sorry I left those two out. I do have monitor audio input enabled. That's
> how I also use Mobius standalone. I also have an Aux channel strip with the
> input set as Bus 1 and the output set to Output 1-2. I can hear my audio
> going straight through to the output monitoring my live input but if I
> create a loop on the first track of mobius it seems that there is something
> looping on the Mobius GUI but there is no audio coming from it.
>
>
> On Wed, Mar 17, 2010 at 6:02 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Wed, Mar 17, 2010 at 9:25 PM, Todd Matthews <gtmatthews@gmail.com>
>> wrote:
>> > Thanks for these tips Per. I'm pretty sure I have done these already off
>> the
>> > top of my head but I will triple check to make sure once I finish making
>> and
>> > consuming some delicious chicken tacos.
>> > Recap:
>> > Mobius settings:
>> > Sync = out
>> > Midi devices, Plugin out=IAC Bus 1
>> > Set min and max tempo so Mobius picks a realistic tempo after your first
>> > loop.
>> > Mainstage:
>> > input channel (patch level) : outout set to Bus 1(aux1)
>> > Concert level - Add software instrument, select Mobius
>> > Set side chain to Bus 1 on mobius
>> > Concert level - Fetch tempo from midi input - IAC Bus1
>> >
>> >
>> > I get input from Duet into Mainstage
>> > Goes from INput into Bus 1
>> > Audio seems to get into Mainstage
>> > Issues:
>> > I do not hear any output from Mobius.
>>
>>
>> There should not be any sound if do not have "Monitor Audio Input"
>> enabled in Mobius. Path: "Configuration/Global Parameters".
>>
>> However, my preferred solution is different. I create - in Mainstage
>> on concert level - an aux channel with input "Bus 1" an output "Main".
>> And I keep Mobius set to no audio through, only mangled loopse is
>> coming out from Mobius. That way my instrument's live input sound is
>> cloned into two paths: one going into Mobius (to maybe get looped) and
>> the other passing directly to the output. The technical reason for
>> this choice is that I run the Mobius output through first a low cut
>> filter and then a tape delay plugin. The low cut filter is needed
>> because I mangle loops a lot and if a layer is overdubbed when a loop
>> is transposed up by two octave it can easily blow the PA speakers if
>> that loop later is played transformed two octaves down ;-))  And the
>> tape delay is used for dub style effet tweaking and when I do that I
>> don't want the slaps on my live instrument when playing against the
>> dub stuff.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>

--001636eee2d521b65d048210bf9c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Here are the pics documenting my attempt to get audio out of my Mobius loop=
s in Mainstage. I&#39;ll try to do a video of my setup process this weekend=
.<div><br></div><div><a href=3D"http://www.flickr.com/photos/gtodd876/44430=
42374/">http://www.flickr.com/photos/gtodd876/4443042374/</a></div>
<div><a href=3D"http://www.flickr.com/photos/gtodd876/4443042374/">http://w=
ww.flickr.com/photos/gtodd876/4443042374/</a></div><div><a href=3D"http://w=
ww.flickr.com/photos/gtodd876/4443042374/">http://www.flickr.com/photos/gto=
dd876/4443042374/</a></div>
<div><a href=3D"http://www.flickr.com/photos/gtodd876/4443042374/">http://w=
ww.flickr.com/photos/gtodd876/4443042374/</a><br><br><div class=3D"gmail_qu=
ote">On Thu, Mar 18, 2010 at 5:40 AM, Todd Matthews <span dir=3D"ltr">&lt;<=
a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Sorry I left those two out. I do have monit=
or audio input enabled. That&#39;s how I also use Mobius standalone. I also=
 have an Aux channel strip with the input set as Bus 1 and the output set t=
o Output 1-2. I can hear my audio going straight through to the output moni=
toring my live input but if I create a loop on the first track of mobius it=
 seems that there is something looping on the Mobius GUI but there is no au=
dio coming from it.<div>
<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Wed, Mar 17, 2010 at 6:02 PM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bla=
nk">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:=
1ex">

<div>On Wed, Mar 17, 2010 at 9:25 PM, Todd Matthews &lt;<a href=3D"mailto:g=
tmatthews@gmail.com" target=3D"_blank">gtmatthews@gmail.com</a>&gt; wrote:<=
br>
&gt; Thanks for these tips Per. I&#39;m pretty sure I have done these alrea=
dy off the<br>
&gt; top of my head but I will triple check to make sure once I finish maki=
ng and<br>
&gt; consuming some delicious chicken tacos.<br>
&gt; Recap:<br>
&gt; Mobius settings:<br>
&gt; Sync =3D out<br>
&gt; Midi devices, Plugin out=3DIAC Bus 1<br>
&gt; Set min and max tempo so Mobius picks a realistic tempo after your fir=
st<br>
&gt; loop.<br>
&gt; Mainstage:<br>
&gt; input channel (patch level) : outout set to Bus 1(aux1)<br>
&gt; Concert level - Add software instrument, select Mobius<br>
&gt; Set side chain to Bus 1 on mobius<br>
&gt; Concert level - Fetch tempo from midi input - IAC Bus1<br>
&gt;<br>
&gt;<br>
&gt; I get input from Duet into Mainstage<br>
&gt; Goes from INput into Bus 1<br>
&gt; Audio seems to get into Mainstage<br>
&gt; Issues:<br>
&gt; I do not hear any output from Mobius.<br>
<br>
<br>
</div>There should not be any sound if do not have &quot;Monitor Audio Inpu=
t&quot;<br>
enabled in Mobius. Path: &quot;Configuration/Global Parameters&quot;.<br>
<br>
However, my preferred solution is different. I create - in Mainstage<br>
on concert level - an aux channel with input &quot;Bus 1&quot; an output &q=
uot;Main&quot;.<br>
And I keep Mobius set to no audio through, only mangled loopse is<br>
coming out from Mobius. That way my instrument&#39;s live input sound is<br=
>
cloned into two paths: one going into Mobius (to maybe get looped) and<br>
the other passing directly to the output. The technical reason for<br>
this choice is that I run the Mobius output through first a low cut<br>
filter and then a tape delay plugin. The low cut filter is needed<br>
because I mangle loops a lot and if a layer is overdubbed when a loop<br>
is transposed up by two octave it can easily blow the PA speakers if<br>
that loop later is played transformed two octaves down ;-)) =A0And the<br>
tape delay is used for dub style effet tweaking and when I do that I<br>
don&#39;t want the slaps on my live instrument when playing against the<br>
dub stuff.<br>
<div><div></div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br></div>

--001636eee2d521b65d048210bf9c--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 11:14:53 2010
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thanks to all who replied,

Matt,
Bandcamp's a bit scary, they're obviously there for big profit,
but their way of making money seems to be 
"one day, we just charge you whatever we want to".
...but if you had good experience already.

I don't immediate plans for another cd, still assimilating
the new gear. Meantime
there's a couple
of new tracks here:
http://www.facebook.com/livelooper?v=app_2405167945&ref=profile

Stephen,
the first 2 demos that sound like they use a shuffle function
are actually just done by Replace.
In an 8 beat loop you're hearing the following pattern
R..R..R.
.R..R..R
..R..R..
so typically within a group of 3 you get 3 sections each a beat long,
one is delayed by 1 loop, the next by 2 loops and the last by
3 loops.

In the demos, I also Multiply the right hand EDP 
(3 quick presses of Mult just on that machine) which produces
another similar pattern.

What adds to the impression of shuffle is that I'm
often holding notes/chords for one loop duration and
then changing to get that abcabcab sound.


The 3rd piece indeed uses the ebow to create a loop
on the stereo memory man, and the glissando is done
with varispeed. Don't think I used the moog filter 
on that one though, although it's essential to the first 2 pieces.
If you're hearing filtering on the ebow sound, then it's just
the way I move the ebow around over the p/u.


Per
yes, that's the Hofner SG with wooden pickups and I was enjoying
the growly sounds. I followed your tactful suggestion that
a filter is "a useful tool for a guitarist" and now my fizzy distortion
tones are tamed by a moogerfooger MF-101 (well *some* of them anyway)

Fabio,
yep, just replacing every 3rd beat. It's all done by sending
midi from the Gordius LG, looks a bit like this

Record
8beat delay
Record (to end recording)
Repeat From
Replace On
1beat delay
Replace Off
2beat delay
Repeat Till

so the EDP doesn't use it's quantise features in this case,
the power's in the LG which sets all the timing.




Michael
:-) thank you


andy butler



andy butler wrote:
> here's some of the stuff I've been trying out lately.
> 
> http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
> http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
> http://www.andybutler.com/mp3/ab-resampleVari.mp3
> 
> or just stream the lot
> 
> http://www.andybutler.com/andybutler-demos.m3u
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 11:19:00 2010
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 the economics of selling CD/DVDs
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Hi David,

sorry to mess everybody about.

I'm out.

It's gonna be too expensive, 6 weeks is not long enough
for me to guarantee a worthwhile submission,
and 80 cds is 50 more than I'll ever need.

Also, I'm already on LD3, so it's nice to give someone else a chance.
(which is why this is posted to ld)

I will buy a copy of course.

apologies
andy butler






david kirkdorffer wrote:
> Sorry you are dropping out Rick.
>
> I think I mentioned right from the start that the plan was to share production costs to produce 1000 CD s.
>
> Rick proposes an interesting option for anyone, however I m not interested in the one-off production process for the LD CD IV.  
>
> If anyone else would like to back-out, let me know.
>
> Cheers!
>
> David.
>
> On Wed Mar 17th, 2010 8:45 PM EDT Rick Walker wrote:
>
>   


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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 18, 2010 at 10:40 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I can hear my audio going straight through to the output monitoring my live
> input but if I create a loop on the first track of mobius it seems that
> there is something looping on the Mobius GUI but there is no audio coming
> from it.


Maybe you have not set the track outputs for Mobius as a plugin?
Path: "Configuration/Track Setup".
Over here I have set all eight tracks to "Plugin Output Port = 1" and
it works for summing tracks in Mobius. If running the Mobius plugin
with multiple outputs you should direct each Mobius track to its own
corresponding output.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Mainstage 2 with Mobius Help Needed
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 18, 2010 at 11:32 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
> Here are the pics documenting my attempt to get audio out of my Mobius loops
> in Mainstage. I'll try to do a video of my setup process this weekend.
> http://www.flickr.com/photos/gtodd876/4443042374/

Yes, my recent guess was correct. This picture shows that you have
chosen "output 2" as the output for Mobius plugin track 2. But if you
not running Mobius in multi output mode only output 1 works and should
be used for all tracks. But you should still be hearing loops laid
down on track 1 with these settings. Maybe you just didn't try
starting on that track?

per

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Subject: Re: for your listening pleasure...
Date: Thu, 18 Mar 2010 07:58:55 -0400
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Really nice tune there Tony! After 4 hours in ninjam sessions it was the 
perfect way to top of my musical adventures for the day. Great when things 
just pop out like that.

I hope to hear much more from you, always a pleasure!

best,

Jeff


----- Original Message ----- 
From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 18, 2010 12:20 AM
Subject: for your listening pleasure...


>I was suddenly inspired to turn on all my stuff and record tonight. (I've
> been playing acoustic/classical for the last few months.)
>
> This appeared.
>
> http://www.thinginajar.com/bigtony/Tentacles.mp3
>
> Equipment (for those who are interested)
>
> Brian Moore iGuitar -> GR-50 -> Korg M3R -> ModFX -> DD20 -> Vortex ->
> RSP550
>
> Enjoy,
>
> Tony
>


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From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 12:21:11 2010
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Date: Thu, 18 Mar 2010 13:21:09 +0100
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Subject: Re: komplete vs. ableton
From: Per Boysen <perboysen@gmail.com>
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After reading about how you work and your intentions I agree that it
seems as the NI stuff hosted in Bidule would become a very rewarding
setup for you. What you lose out on compared to Ableton is sequencing
capabilities. But you may do other cool things like setting up KOntakt
4 patches of multiple loops or wire up a bunch of that little step
sequencing group that comes with the latest Bidule upgrade. You may
work with tap tempo solutions in Kontakt or Bidule... or use Mobius to
set a tempo that Bidule fetches through the IAC Bus into a "MIDI Clock
To Sync" object that all other hosted plugins pick their tempo from.
Bidule is a wonderfully open system.

BTW, if you are into live sequencing you may also enjoy Numerology as
a host for the NI Komplete stuff. http://www.five12.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Mar 18, 2010 at 4:27 AM, james fowler <twostroke@gmail.com> wrote:
> "You can use Live=E2=80=99s instruments with other applications if they s=
upport
> ReWire"
>
> so when it says on ableton's site that:
>
> "collision requires ableton live 8 or higher"
>
> this is, in fact, not true?=C2=A0 it seemed to me that all of the program=
s within
> live were proprietary.
>
> purchasing both ableton and komplete is not a financial option right now.
>
> anyhow, getting back to the meat and potatoes of the initial question:
>
> i'm running everything in bidule.=C2=A0 i think i mentioned this, but jus=
t to
> reiterate: i love bidule. it's bone-simple but deep enough once you start
> digging.=C2=A0 loads of options and i get along with it swimmingly.
>
> the sampler is of paramount importance.=C2=A0 i love sampling crap, proce=
ssing
> the shit out of it and then using it as it's own instrument.=C2=A0 so in =
that
> regard, kontakt is sorta critical.=C2=A0 i've been using short circuit bu=
t
> kontakt is approximately 4000 times better.
> i live fm and absynth and battery as well...the arpeggiator in fm is pret=
ty
> uninquel=C2=A0 i definitely prefer the pre-packaged sounds in komplete ov=
er those
> offered by ableton.
>
> regarding live performance, most of what i do is done on-the-spot with no=
t a
> lot of sequence triggering or what-have-you.=C2=A0 i am (and have been) l=
eaning
> towards native instruments but wanted to see if anyone could dissuade me.
>
> - jim
>
>

From John@itwv.net  Thu Mar 18 12:56:01 2010
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From: "Dr Kingsley Paul"<john>
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Date: Sun, 21 Mar 2010 13:34:04 -0000
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Zenith Bank ATM
RE:YOUR PAYMENT NOTIFICATION
From:Dr Kingsley Paul.
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Zenith Bank Of Nigeria.Attention:Beneficiary This to officially inform you that we have verified your contract file presently on my desk, and I found out that you have not received your payment due to your lack of co-operation and not fulfilling the 
obligations giving to you in respect to your contract payment.Secondly,you are hereby adviced to stop dealing with some non-officials in the bank as this is an illegal act and will have to stop if you so wish to receive your payment immediately.After the board meeting held at our headquarters, we have resolved in finding a solution to your 
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send your ATM CARD.:
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We shall be expecting to receive your information you have to stop any further communication with anybody or office apart from this office of the presidency. On this regards, do not hesitate to contact me for more details and direction, and also 
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 14:10:44 2010
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Subject: Re: LD CD IV - The Participants
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This is a great project, and I'll look forward to buying a copy 
(especially to finally hear a recording from Duke!). I know the plan is 
already firmly in place, but I just wanted to point out the Kunaki CD 
option, which Krispen hipped me to a few years ago and which I've now 
used for five releases. You can order any quantity of CD's at a time - 
yes, even a single copy - with four-color printing, bar code and 
shrinkwrap for about $1.75 a disc (not setup costs). The only thing I 
don't like is that the tray card is only a single sheet, so you don't 
have as much room for artwork. But they've never let me down, and it's 
been extremely convenient for me to simply order more CD's in small 
quantities as I need them.

www.kunaki.com

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Hello -
>
>  
>
> Yesterday I proposed creating another Loopers-Delight compilation CD, 
> gathering examples of our Looping music.
>
> Today we have a full roster of participants!
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 14:26:49 2010
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Subject: Ableton Question
Date: Thu, 18 Mar 2010 09:26:02 -0500
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Are any of you boys and girls triggering live scenes from your MIDI  
controllers? If so, how's that working out? Any issues/problems? Can  
you start/stop particular scenes easily? I'll be trying to set this up  
with my controller soon. Just curious if any of you have had success  
doing this.

Thank you.

Jeff


From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 14:54:41 2010
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Date: Thu, 18 Mar 2010 15:54:39 +0100
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Subject: Re: Ableton Question
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Two major hints to get going with that:
You can set the quantization of the clip launching either locally for
each individual clip or to follow the global quantization in Live
(that you might want to adjust while playing for each musical
situation: cmd/ctr + a number key or by MIDI binding to whatever you
have at hand/foot). You can also chose between different launch modes
for clips, which makes them behave a little differently.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Mar 18, 2010 at 3:26 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:
> Are any of you boys and girls triggering live scenes from your MIDI
> controllers? If so, how's that working out? Any issues/problems? Can you
> start/stop particular scenes easily? I'll be trying to set this up with my
> controller soon. Just curious if any of you have had success doing this.
>
> Thank you.
>
> Jeff
>
>
>

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Add: and for scenes this is also how it works. Empty clips at the
master strip launch the scene of its horizontal row and if you are not
slave syncing Live you can type in a BPM value into the master clip to
launch the corresponding scene at a new tempo.


On Thu, Mar 18, 2010 at 3:54 PM, Per Boysen <perboysen@gmail.com> wrote:
> Two major hints to get going with that:
> You can set the quantization of the clip launching either locally for
> each individual clip or to follow the global quantization in Live
> (that you might want to adjust while playing for each musical
> situation: cmd/ctr + a number key or by MIDI binding to whatever you
> have at hand/foot). You can also chose between different launch modes
> for clips, which makes them behave a little differently.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Mar 18, 2010 at 3:26 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:
>> Are any of you boys and girls triggering live scenes from your MIDI
>> controllers? If so, how's that working out? Any issues/problems? Can you
>> start/stop particular scenes easily? I'll be trying to set this up with my
>> controller soon. Just curious if any of you have had success doing this.
>>
>> Thank you.
>>
>> Jeff
>>
>>
>>
>

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Date: Thu, 18 Mar 2010 08:04:12 -0700
Message-ID: <37f071c01003180804r3e02f642qef2b9ec443e7d02c@mail.gmail.com>
Subject: Re: LD CD IV - The Participants
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Actually I think the prices are even lower than that now (if you buy
10 or less at a time-its more expensive to buy more strangely enough).
 I use them for DVDs and think they're great.  I've been very happy
with the results.

Kevin

On Thu, Mar 18, 2010 at 7:10 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> This is a great project, and I'll look forward to buying a copy (especially
> to finally hear a recording from Duke!). I know the plan is already firmly
> in place, but I just wanted to point out the Kunaki CD option, which Krispen
> hipped me to a few years ago and which I've now used for five releases. You
> can order any quantity of CD's at a time - yes, even a single copy - with
> four-color printing, bar code and shrinkwrap for about $1.75 a disc (not
> setup costs). The only thing I don't like is that the tray card is only a
> single sheet, so you don't have as much room for artwork. But they've never
> let me down, and it's been extremely convenient for me to simply order more
> CD's in small quantities as I need them.
>
> www.kunaki.com
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>> Hello -
>>
>>
>> Yesterday I proposed creating another Loopers-Delight compilation CD,
>> gathering examples of our Looping music.
>>
>> Today we have a full roster of participants!
>>
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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	 <4BA23461.5030302@mhorse.com>
	 <37f071c01003180804r3e02f642qef2b9ec443e7d02c@mail.gmail.com>
Date: Thu, 18 Mar 2010 11:18:59 -0400
Message-ID: <9e0440a61003180818r33e7d540j11ab658dbb27032e@mail.gmail.com>
Subject: Re: LD CD IV - The Participants
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001517447f400ea516048214c008
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I echo Daryl and Kevin and yes the prices are down on Kunaki.  I launched a
new project, Digitsignal's new record just recently on Kunaki.  It's alive
on Bandcamp <http://digitsignal.bandcamp.com> and the Kunaki physical I'm
about to publish as official.  I'm reviewing the test copy.

I think this undertaking by LD is excellent.  I would agree with many of
Rick's thoughts though.  I too in the 90's used to sell a fair number of
CD's at shows and even online but since the millenium I've seen a real
decline in this.  Many have shifted to digital download and abandoned the
physical CD as they did vinyl.

I did a run of a 1000 with my first record in 1999 and though moved a fair
number about 300 still occupy my studio space.  For every project since I've
done short run to have a few on hand for gifts and promos and honestly I
think short-run is the most sensible these days meaning fewer than a 100.

Even my publisher Mel Bay has discontinued large runs.  I was fortunate to
get my first book as a 1000 release but my next, due this summer was edicted
as an online ondemand download.

It's all a sign of the times.  Still I wish the LD project the best.  I've
been very active in ImprovFriday of late and they are occasionally doing
releases.  I really do think this community is overdue to put it's 'art' out
there so best with it.

Jim

On Thu, Mar 18, 2010 at 11:04 AM, Kevin Cheli-Colando
<billowhead@gmail.com>wrote:

> Actually I think the prices are even lower than that now (if you buy
> 10 or less at a time-its more expensive to buy more strangely enough).
>  I use them for DVDs and think they're great.  I've been very happy
> with the results.
>
> Kevin
>
> On Thu, Mar 18, 2010 at 7:10 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> > This is a great project, and I'll look forward to buying a copy
> (especially
> > to finally hear a recording from Duke!). I know the plan is already
> firmly
> > in place, but I just wanted to point out the Kunaki CD option, which
> Krispen
> > hipped me to a few years ago and which I've now used for five releases.
> You
> > can order any quantity of CD's at a time - yes, even a single copy - with
> > four-color printing, bar code and shrinkwrap for about $1.75 a disc (not
> > setup costs). The only thing I don't like is that the tray card is only a
> > single sheet, so you don't have as much room for artwork. But they've
> never
> > let me down, and it's been extremely convenient for me to simply order
> more
> > CD's in small quantities as I need them.
> >
> > www.kunaki.com
> >
> > Daryl Shawn
> > www.swanwelder.com
> > www.chinapaintingmusic.com
> >
> >
> >> Hello -
> >>
> >>
> >> Yesterday I proposed creating another Loopers-Delight compilation CD,
> >> gathering examples of our Looping music.
> >>
> >> Today we have a full roster of participants!
> >>
> >
> >
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517447f400ea516048214c008
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I echo Daryl and Kevin and yes the prices are down on Kunaki.=A0 I launched=
 a new project, Digitsignal&#39;s new record just recently on Kunaki.=A0 It=
&#39;s alive on <a href=3D"http://digitsignal.bandcamp.com">Bandcamp</a> an=
d the Kunaki physical I&#39;m about to publish as official.=A0 I&#39;m revi=
ewing the test copy.<br>
<br>I think this undertaking by LD is excellent.=A0 I would agree with many=
 of Rick&#39;s thoughts though.=A0 I too in the 90&#39;s used to sell a fai=
r number of CD&#39;s at shows and even online but since the millenium I&#39=
;ve seen a real decline in this.=A0 Many have shifted to digital download a=
nd abandoned the physical CD as they did vinyl.<br>
<br>I did a run of a 1000 with my first record in 1999 and though moved a f=
air number about 300 still occupy my studio space.=A0 For every project sin=
ce I&#39;ve done short run to have a few on hand for gifts and promos and h=
onestly I think short-run is the most sensible these days meaning fewer tha=
n a 100.<br>
<br>Even my publisher Mel Bay has discontinued large runs.=A0 I was fortuna=
te to get my first book as a 1000 release but my next, due this summer was =
edicted as an online ondemand download.<br><br>It&#39;s all a sign of the t=
imes.=A0 Still I wish the LD project the best.=A0 I&#39;ve been very active=
 in ImprovFriday of late and they are occasionally doing releases.=A0 I rea=
lly do think this community is overdue to put it&#39;s &#39;art&#39; out th=
ere so best with it.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Thu, Mar 18, 2010 at 11:04 AM,=
 Kevin Cheli-Colando <span dir=3D"ltr">&lt;<a href=3D"mailto:billowhead@gma=
il.com">billowhead@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
Actually I think the prices are even lower than that now (if you buy<br>
10 or less at a time-its more expensive to buy more strangely enough).<br>
=A0I use them for DVDs and think they&#39;re great. =A0I&#39;ve been very h=
appy<br>
with the results.<br>
<br>
Kevin<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Mar 18, 2010 at 7:10 AM, Daryl Shawn &lt;<a href=3D"mailto:highhors=
e@mhorse.com">highhorse@mhorse.com</a>&gt; wrote:<br>
&gt; This is a great project, and I&#39;ll look forward to buying a copy (e=
specially<br>
&gt; to finally hear a recording from Duke!). I know the plan is already fi=
rmly<br>
&gt; in place, but I just wanted to point out the Kunaki CD option, which K=
rispen<br>
&gt; hipped me to a few years ago and which I&#39;ve now used for five rele=
ases. You<br>
&gt; can order any quantity of CD&#39;s at a time - yes, even a single copy=
 - with<br>
&gt; four-color printing, bar code and shrinkwrap for about $1.75 a disc (n=
ot<br>
&gt; setup costs). The only thing I don&#39;t like is that the tray card is=
 only a<br>
&gt; single sheet, so you don&#39;t have as much room for artwork. But they=
&#39;ve never<br>
&gt; let me down, and it&#39;s been extremely convenient for me to simply o=
rder more<br>
&gt; CD&#39;s in small quantities as I need them.<br>
&gt;<br>
&gt; <a href=3D"http://www.kunaki.com" target=3D"_blank">www.kunaki.com</a>=
<br>
&gt;<br>
&gt; Daryl Shawn<br>
&gt; <a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder=
.com</a><br>
&gt; <a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.ch=
inapaintingmusic.com</a><br>
&gt;<br>
&gt;<br>
&gt;&gt; Hello -<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; Yesterday I proposed creating another Loopers-Delight compilation =
CD,<br>
&gt;&gt; gathering examples of our Looping music.<br>
&gt;&gt;<br>
&gt;&gt; Today we have a full roster of participants!<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Till now you seriously considered yourself to be the body and to have a<br>
form. That is the primal ignorance which is the root cause of all trouble.<=
br>
<br>
- Ramana Maharshi (1879-1950)<br>
<br>
Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_blank"=
>http://www.minds-eye.org</a><br>
Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_blank">=
http://www.vimeo.com/user877640/videos</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517447f400ea516048214c008--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 15:48:16 2010
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Date: Thu, 18 Mar 2010 8:48:14 -0700
From:  <dohol1@windstream.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: (semi-OT) Richard Pinhas & Merzbow
Cc: Revfever <revfever@ubergadget.com>
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I dug it as well...

I've been an admirer of Pinhas for a long time and I've always had a fond place in my heart for Merzbow ( at least his 80's and early 90's incarnations )..still, prejudice aside, this stuff is very much worth hearing...

Cuneiform came through once again..
---- Revfever <revfever@ubergadget.com> wrote: 
> I finally got around to hearing an early 2008 2CD release of a  
> Richard Pinhas (Heldon)  & Merzbow collaboration entitled "Keio Line"  
> and is SPECTACULAR!
> This is one of the BEST things I have heard in a loooong time!  And  
> yes, there is a ton of loopage all over the place on it!
> It is always a joy when 2 LONG time masters meet and work together  
> and the results turn out to be ASTOUNDING!   This is very highly  
> REVcommended! Enjoy!
> 
> Cheers,
> Rev. Fever
> Portland, Oregon
> The Angry Red Planet
> :-)
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 16:11:37 2010
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Add: and for scenes this is also how it works. Empty clips at the
> master strip launch the scene of its horizontal row and if you are not
> slave syncing Live you can type in a BPM value into the master clip to
> launch the corresponding scene at a new tempo.

Thanks...I have set each scene to have its own tempo. So, I'm pretty  
sure I have that part straight. I was curious about what kind of  
command you send to start/stop a scene. I'm sure it's in the manual  
somewhere. I just haven't gotten to that part yet. Do you have a  
dedicated start/stop switch for Live on your MIDI controller?

Thanks again,

Jeff

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Date: Thu, 18 Mar 2010 17:15:29 +0100
Message-ID: <66f9cc1e1003180915h7b8b98d6i8adb161983b57ede@mail.gmail.com>
Subject: Re: Ableton Question
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Any MIDI event work if you assign it to the clip's "start button".
Well, at least MIDI notes do.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Mar 18, 2010 at 4:10 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:
>
> Add: and for scenes this is also how it works. Empty clips at the
>>
>> master strip launch the scene of its horizontal row and if you are not
>> slave syncing Live you can type in a BPM value into the master clip to
>> launch the corresponding scene at a new tempo.
>
> Thanks...I have set each scene to have its own tempo. So, I'm pretty sure I
> have that part straight. I was curious about what kind of command you send
> to start/stop a scene. I'm sure it's in the manual somewhere. I just haven't
> gotten to that part yet. Do you have a dedicated start/stop switch for Live
> on your MIDI controller?
>
> Thanks again,
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 16:26:03 2010
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Date: Thu, 18 Mar 2010 09:26:01 -0700
Message-ID: <588ce11d1003180926u2b45fccds987e0184f3ff708c@mail.gmail.com>
Subject: Re: (semi-OT) Richard Pinhas & Merzbow
From: Art Simon <simart@gmail.com>
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--000e0cd48308c482cf048215afd7
Content-Type: text/plain; charset=ISO-8859-1

Thanks!

I've only listened to the first track, but it's a F***ink outstanding piece
of music! I pulled out my old copy of Heldon V and gave it a listen as well.
I think Keio Line is much better. Dark guitar process music. Nice, analog,
twist the knob electronic music. Rich timbres. I think this music is going
to age very well. Very Cool!

On Wed, Mar 17, 2010 at 8:46 PM, Revfever <revfever@ubergadget.com> wrote:

> I finally got around to hearing an early 2008 2CD release of a Richard
> Pinhas (Heldon)  & Merzbow collaboration entitled "Keio Line" and is
> SPECTACULAR!
> This is one of the BEST things I have heard in a loooong time!  And yes,
> there is a ton of loopage all over the place on it!
> It is always a joy when 2 LONG time masters meet and work together and the
> results turn out to be ASTOUNDING!   This is very highly REVcommended!
> Enjoy!
>
> Cheers,
> Rev. Fever
> Portland, Oregon
> The Angry Red Planet
> :-)
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--000e0cd48308c482cf048215afd7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks!<br><br>I&#39;ve only listened to the first track, but it&#39;s a F*=
**ink outstanding piece of music! I pulled out my old copy of Heldon V and =
gave it a listen as well. I think Keio Line is much better. Dark guitar pro=
cess music. Nice, analog, twist the knob electronic music. Rich timbres. I =
think this music is going to age very well. Very Cool!<br>

<br><div class=3D"gmail_quote">On Wed, Mar 17, 2010 at 8:46 PM, Revfever <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadget.com" target=3D"_b=
lank">revfever@ubergadget.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I finally got around to hearing an early 2008 2CD release of a Richard Pinh=
as (Heldon) =A0&amp; Merzbow collaboration entitled &quot;Keio Line&quot; a=
nd is SPECTACULAR!<br>
This is one of the BEST things I have heard in a loooong time! =A0And yes, =
there is a ton of loopage all over the place on it!<br>
It is always a joy when 2 LONG time masters meet and work together and the =
results turn out to be ASTOUNDING! =A0 This is very highly REVcommended! En=
joy!<br>
<br>
Cheers,<br>
Rev. Fever<br>
Portland, Oregon<br>
The Angry Red Planet<br>
:-)<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a><br>myspace=
 [dot] com/artsimon<br>

--000e0cd48308c482cf048215afd7--

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Date: Thu, 18 Mar 2010 09:46:36 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Ableton Question
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Just make a MIDI assignment like you would for any clip. Go to the MiDi assign page top right, click, click on scene button end of row on right, then move a midi control or hit a midi key.
Antony

Sent from my iPhone

On Mar 18, 2010, at 4:10 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:


Add: and for scenes this is also how it works. Empty clips at the
master strip launch the scene of its horizontal row and if you are not
slave syncing Live you can type in a BPM value into the master clip to
launch the corresponding scene at a new tempo.

Thanks...I have set each scene to have its own tempo. So, I'm pretty sure I have that part straight. I was curious about what kind of command you send to start/stop a scene. I'm sure it's in the manual somewhere. I just haven't gotten to that part yet. Do you have a dedicated start/stop switch for Live on your MIDI controller?

Thanks again,

Jeff




      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 16:50:32 2010
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Date: Thu, 18 Mar 2010 09:50:31 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: OT Ztar
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I am about to put my Ztar MiniZ with 8 strip controllers on the market. It's knew and has wireless MIDI. Made a casting mistake. Coming to the US in a couple of weeks. Leaving Holland any day know, anyone interested let me know quickly.
Antony Hequet
antonyhequet@yahoo.com

Sent from my iPhone

On Mar 18, 2010, at 5:15 PM, Per Boysen <perboysen@gmail.com> wrote:

Any MIDI event work if you assign it to the clip's "start button".
Well, at least MIDI notes do.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Mar 18, 2010 at 4:10 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:

Add: and for scenes this is also how it works. Empty clips at the

master strip launch the scene of its horizontal row and if you are not
slave syncing Live you can type in a BPM value into the master clip to
launch the corresponding scene at a new tempo.

Thanks...I have set each scene to have its own tempo. So, I'm pretty sure I
have that part straight. I was curious about what kind of command you send
to start/stop a scene. I'm sure it's in the manual somewhere. I just haven't
gotten to that part yet. Do you have a dedicated start/stop switch for Live
on your MIDI controller?

Thanks again,

Jeff






      

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Date: Thu, 18 Mar 2010 17:58:28 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Rick Walker schrieb:
> * For what it's worth, I have this gratuitous advice for the project:
>
> In the past four years CD sales have almost ceased to exist for most 
> independent musicians.
> I use to sell 20 - 50 CDs a show back in 2001-2003 and I don't even 
> take the CDs to shows any more.
>
> Most artists I know who still put out CDs have gone to the model of 
> having them manufactured (at a higher but not by much
> per CD basis) when they are sold (Krispen Hartung is a really good 
> resource for this method and has used it very successfully
> for his releases).
>
> One can even have 'one off' DVDs made that have the audio files for 
> playing in CD players and computers,
> high and low quality MP3s for those who want iPod play, all the 
> graphics for booklets in a printable form (.pdf)
> *
On which I'd like to comment, as well as on David's business plan (in no 
specific order):

I. There are more possible reasons to want to have a large number of 
your CDs than to make profit selling them. Some people like to give them 
away. Some are even able to generate profit out of that (using it as a 
marketing tool; I'm too lazy to do the search myself, but there was a 
lengthy post here some years ago by someone who gave away CDs simply to 
generate a fan base).

II. If you decide on having physical CDs (for whatever reason), the 
three methods available known to me for unsigned artists have their 
different advantages and disadvantages:
a) the do-it-yourself approach: I don't like it at all because it takes 
a lot of work (by you) which I'd rather spend on other things (which 
could be either making music or just getting drunk, whichever you prefer).
Pros: manufactured on a just-in-time basis. You have full control over 
the exact package (hey, if you want to make ten CDs in wooden cases and 
with hand-written liner notes, you can do that as well).
Cons: a lot of work. You need to run to a copyshop and keep track of 
various logistics, and need to burn those CDs. You need to handel 
everything regarding logistics (i.e. shipping it to the customer, or 
itunes or similar online stuff) yourself. And you either have to use 
them stupid labels (or actually pay more for printing it to disc at a 
copyshop).
Price example: using local (German) prices, you get for CDR, labels, 
black jewel case and print job (2-sided booklet 4/4, 4 label and 0/4 
insert) a cost of €1.24 ($1.69). This does NOT include burning the CDs 
and everything you have to do yourself (including assembling the products).

b) the just-in-time logistics approach - as with kunaki.
You upload your stuff to them. You can order them from there, and you 
got a page to sell it, and everything there (payment, shipping etc.) is 
handled by them. You set a price, and they charge that (plus shipping) 
from the customer, and give you your price-their price. Or you can order 
from them at their price. You only get one option, which for CDs is 2s 
4/4 booklet, 0/4 insert, 4 label, black jewel case. Printing is laser 
printing, which in my eyes looks fine. 
Example:http://kunaki.com/sales.asp?PID=PX00ZGZZXJ
Pros: Takes everything of your back, fine product quality, good price, 
you can order as many (or as few) items as required, and you have an 
online store! No setup fee.
Cons: Only one package option.
Price example: for orders up to 10 pieces, it's always $1. For more, it 
depends on how much "traffic" they just have - the price varies between 
$0.75 and $1.75.

c) typical CD manufacturing place - traditional approach.
"Traditional approach" here means glass master, and that only makes 
sense for quantities of at least 300 CDs. Added are printing costs (and 
again, due to setup costs, minimum quantity for offset print is 1000 
most of the time), and with all that, the per-piece-price starts to 
scale down properly over 1000 pieces. Some do offer screen printing for 
smaller quantities, but then again, this is on a quallity level equal to 
or lower than the kunaki approach. However, depending on the place 
you're doing it, you often have a lot of package options.
With regard to the order handling, see a)
Pros: Real glass-master-based CD (no CDR), professional printing options 
available (for larger quantities), lots of package options, good prices 
for large quantities.
Cons: large minimum number, high prices for small quantities.
Price example: take the place that David recommended - with the same 
package options we've always considered and screen printing, it's 
$1.1/CD for a 1000 CD run, but $2.7 for the minimum 300 CD run.

d) typical CD manufacturing place - low-volume approach.
Similar to c), but using technologies fit for low volumes (CDR, laser 
printing). With regard to package options, see c), with regard to to 
handling, see a).
Pros: allows for low volumes, lots of package options.
Cons: high prices.
Price example: too lazy now to do a proper research, but for our example 
product, you're landing at around $3.90/CD for a 25 CD run.

Summary: for everything below, say, 800 CDs, kunaki is by far the 
cheapest and easiest thing to do. If you want some fancy special 
packaging, you'll either need to diy or get a big number of CDs.

III. Comments on David's example.
With the prices of wonderdrugrecords, there's $1300 left in the estimate 
for mastering and "everything else". As the plant does the prepress 
themselves and David specifically asked for a volunteer for the cover 
art, most of this (minus David's cut) can go into mastering - and I 
firmly believe that with a goal towards high-quality work and the fact 
that it's a compilation, this isn't necessarily too much - form my point 
of view. On the other hand, I believe saving on the mastering might just 
ruin the CD, but then again bring the price down by more than 
50%...tough call.


The personal perspective:
Yes, I'd like to have CDs to give to people. And just for the sake of 
it, if someone (kunaki) offers a web shop service free of charge, I even 
use it (and hey, look for the link above and buy the goddamn CD! the 
cover art is stunning by my own standards! And I even like the music - 
http://kunaki.com/sales.asp?PID=PX00ZGZZXJ ;).
However, I would never need as many as 1000 (or even 500) CDs of the 
same CD - it's just not the way my market position works.

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: doc rossi <docittern@gmail.com>
Subject: Re: Forced to withdraw with apologies and an important note about the economics of selling CD/DVDs Rick's advice
Date: Thu, 18 Mar 2010 18:20:35 +0100
To: Loopers-Delight@loopers-delight.com
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No that it matters that much, but I did a gig in Corsica last month and =
completely sold out of CDs  - I think I had about 20 on hand - with =
about 10 other people asking how they could get one. I still sell more =
CDs than downloads.

On Mar 18, 2010, at 5:58 PM, Rainer Straschill wrote:

> Rick Walker schrieb:
>> * For what it's worth, I have this gratuitous advice for the project:
>>=20
>> In the past four years CD sales have almost ceased to exist for most =
independent musicians.
>> I use to sell 20 - 50 CDs a show back in 2001-2003 and I don't even =
take the CDs to shows any more.
>>=20
>> Most artists I know who still put out CDs have gone to the model of =
having them manufactured (at a higher but not by much
>> per CD basis) when they are sold (Krispen Hartung is a really good =
resource for this method and has used it very successfully
>> for his releases).
>>=20
>> One can even have 'one off' DVDs made that have the audio files for =
playing in CD players and computers,
>> high and low quality MP3s for those who want iPod play, all the =
graphics for booklets in a printable form (.pdf)
>> *
> On which I'd like to comment, as well as on David's business plan (in =
no specific order):
>=20
> I. There are more possible reasons to want to have a large number of =
your CDs than to make profit selling them. Some people like to give them =
away. Some are even able to generate profit out of that (using it as a =
marketing tool; I'm too lazy to do the search myself, but there was a =
lengthy post here some years ago by someone who gave away CDs simply to =
generate a fan base).
>=20
> II. If you decide on having physical CDs (for whatever reason), the =
three methods available known to me for unsigned artists have their =
different advantages and disadvantages:
> a) the do-it-yourself approach: I don't like it at all because it =
takes a lot of work (by you) which I'd rather spend on other things =
(which could be either making music or just getting drunk, whichever you =
prefer).
> Pros: manufactured on a just-in-time basis. You have full control over =
the exact package (hey, if you want to make ten CDs in wooden cases and =
with hand-written liner notes, you can do that as well).
> Cons: a lot of work. You need to run to a copyshop and keep track of =
various logistics, and need to burn those CDs. You need to handel =
everything regarding logistics (i.e. shipping it to the customer, or =
itunes or similar online stuff) yourself. And you either have to use =
them stupid labels (or actually pay more for printing it to disc at a =
copyshop).
> Price example: using local (German) prices, you get for CDR, labels, =
black jewel case and print job (2-sided booklet 4/4, 4 label and 0/4 =
insert) a cost of =801.24 ($1.69). This does NOT include burning the CDs =
and everything you have to do yourself (including assembling the =
products).
>=20
> b) the just-in-time logistics approach - as with kunaki.
> You upload your stuff to them. You can order them from there, and you =
got a page to sell it, and everything there (payment, shipping etc.) is =
handled by them. You set a price, and they charge that (plus shipping) =
from the customer, and give you your price-their price. Or you can order =
from them at their price. You only get one option, which for CDs is 2s =
4/4 booklet, 0/4 insert, 4 label, black jewel case. Printing is laser =
printing, which in my eyes looks fine. =
Example:http://kunaki.com/sales.asp?PID=3DPX00ZGZZXJ
> Pros: Takes everything of your back, fine product quality, good price, =
you can order as many (or as few) items as required, and you have an =
online store! No setup fee.
> Cons: Only one package option.
> Price example: for orders up to 10 pieces, it's always $1. For more, =
it depends on how much "traffic" they just have - the price varies =
between $0.75 and $1.75.
>=20
> c) typical CD manufacturing place - traditional approach.
> "Traditional approach" here means glass master, and that only makes =
sense for quantities of at least 300 CDs. Added are printing costs (and =
again, due to setup costs, minimum quantity for offset print is 1000 =
most of the time), and with all that, the per-piece-price starts to =
scale down properly over 1000 pieces. Some do offer screen printing for =
smaller quantities, but then again, this is on a quallity level equal to =
or lower than the kunaki approach. However, depending on the place =
you're doing it, you often have a lot of package options.
> With regard to the order handling, see a)
> Pros: Real glass-master-based CD (no CDR), professional printing =
options available (for larger quantities), lots of package options, good =
prices for large quantities.
> Cons: large minimum number, high prices for small quantities.
> Price example: take the place that David recommended - with the same =
package options we've always considered and screen printing, it's =
$1.1/CD for a 1000 CD run, but $2.7 for the minimum 300 CD run.
>=20
> d) typical CD manufacturing place - low-volume approach.
> Similar to c), but using technologies fit for low volumes (CDR, laser =
printing). With regard to package options, see c), with regard to to =
handling, see a).
> Pros: allows for low volumes, lots of package options.
> Cons: high prices.
> Price example: too lazy now to do a proper research, but for our =
example product, you're landing at around $3.90/CD for a 25 CD run.
>=20
> Summary: for everything below, say, 800 CDs, kunaki is by far the =
cheapest and easiest thing to do. If you want some fancy special =
packaging, you'll either need to diy or get a big number of CDs.
>=20
> III. Comments on David's example.
> With the prices of wonderdrugrecords, there's $1300 left in the =
estimate for mastering and "everything else". As the plant does the =
prepress themselves and David specifically asked for a volunteer for the =
cover art, most of this (minus David's cut) can go into mastering - and =
I firmly believe that with a goal towards high-quality work and the fact =
that it's a compilation, this isn't necessarily too much - form my point =
of view. On the other hand, I believe saving on the mastering might just =
ruin the CD, but then again bring the price down by more than =
50%...tough call.
>=20
>=20
> The personal perspective:
> Yes, I'd like to have CDs to give to people. And just for the sake of =
it, if someone (kunaki) offers a web shop service free of charge, I even =
use it (and hey, look for the link above and buy the goddamn CD! the =
cover art is stunning by my own standards! And I even like the music - =
http://kunaki.com/sales.asp?PID=3DPX00ZGZZXJ ;).
> However, I would never need as many as 1000 (or even 500) CDs of the =
same CD - it's just not the way my market position works.
>=20
> Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

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Date: Thu, 18 Mar 2010 14:52:25 -0400
Message-ID: <9ea2f30b1003181152g7d21fbedseb01fd56d4c728d5@mail.gmail.com>
Subject: Re: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000feaee10004d6ed0048217bb13
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I was trying to direct each track to it's own output. Track 1 is the only
one that will respond to the record button on the Mobius GUI for some reason
so thats the only one I could attempt.  One of the pictures was me recording
a loop in mObius on track 1 yet you could see in the background that there
was nothing showing up on the Mobius channel strip in Mainstage. Maybe my
Mobius or Mainstage setup could be corrupted somehow? I'll start from a new
template in Mainstage and redownload Mobius...... and delete my Mobius xml
and ui files to start fresh.

I will start from scratch again and just choose plug in output 1 for all
tracks in Mobius to simplify.

On Thu, Mar 18, 2010 at 7:37 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 18, 2010 at 11:32 AM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> > Here are the pics documenting my attempt to get audio out of my Mobius
> loops
> > in Mainstage. I'll try to do a video of my setup process this weekend.
> > http://www.flickr.com/photos/gtodd876/4443042374/
>
> Yes, my recent guess was correct. This picture shows that you have
> chosen "output 2" as the output for Mobius plugin track 2. But if you
> not running Mobius in multi output mode only output 1 works and should
> be used for all tracks. But you should still be hearing loops laid
> down on track 1 with these settings. Maybe you just didn't try
> starting on that track?
>
> per
>
>

--000feaee10004d6ed0048217bb13
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I was trying to direct each track to it&#39;s own output. Track 1 is the on=
ly one that will respond to the record button on the Mobius GUI for some re=
ason so thats the only one I could attempt. =A0One of the pictures was me r=
ecording a loop in mObius on track 1 yet you could see in the background th=
at there was nothing showing up on the Mobius channel strip in Mainstage. M=
aybe my Mobius or Mainstage setup could be corrupted somehow? I&#39;ll star=
t from a new template in Mainstage and redownload Mobius...... and delete m=
y Mobius xml and ui files to start fresh.<div>
<br></div><div>I will start from scratch again and just choose plug in outp=
ut 1 for all tracks in Mobius to simplify.=A0<br><br><div class=3D"gmail_qu=
ote">On Thu, Mar 18, 2010 at 7:37 AM, Per Boysen <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Thu, Mar 18, 2010 at 1=
1:32 AM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthe=
ws@gmail.com</a>&gt; wrote:<br>

&gt; Here are the pics documenting my attempt to get audio out of my Mobius=
 loops<br>
&gt; in Mainstage. I&#39;ll try to do a video of my setup process this week=
end.<br>
&gt; <a href=3D"http://www.flickr.com/photos/gtodd876/4443042374/" target=
=3D"_blank">http://www.flickr.com/photos/gtodd876/4443042374/</a><br>
<br>
</div>Yes, my recent guess was correct. This picture shows that you have<br=
>
chosen &quot;output 2&quot; as the output for Mobius plugin track 2. But if=
 you<br>
not running Mobius in multi output mode only output 1 works and should<br>
be used for all tracks. But you should still be hearing loops laid<br>
down on track 1 with these settings. Maybe you just didn&#39;t try<br>
starting on that track?<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br></div>

--000feaee10004d6ed0048217bb13--

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Date: Thu, 18 Mar 2010 15:06:18 -0400
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http://www.thinginajar.com/bigtony/Tentacles.mp3


tony!.....luv it!!!!!.....mod fx? which?.....m

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Subject: Re: for your listening pleasure...
From: Tony K <bigtonyk@gmail.com>
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On Thu, Mar 18, 2010 at 2:06 PM, <nemoguitt@aol.com> wrote:

>
> http://www.thinginajar.com/bigtony/Tentacles.mp3
>
>
> tony!.....luv it!!!!!.....mod fx? which?.....m
>
>
Thanks,

Philtre. > Faze > Phlngr > Ampliton > Smashup,


-- 
-==-=-=-
Tony

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<br><br><div class=3D"gmail_quote">On Thu, Mar 18, 2010 at 2:06 PM,  <span =
dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a>&=
gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
<div class=3D"im"><br>
<a href=3D"http://www.thinginajar.com/bigtony/Tentacles.mp3" target=3D"_bla=
nk">http://www.thinginajar.com/bigtony/Tentacles.mp3</a><br>
<br>
<br></div>
tony!.....luv it!!!!!.....mod fx? which?.....m<br>
<br>
</blockquote></div><br>Thanks,<br><br> Philtre. &gt; Faze &gt; Phlngr &gt; =
Ampliton &gt; Smashup, <br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <b=
r>Tony<br>

--00504502e18485682c0482182373--

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Subject: Re: Forced to withdraw with apologies and an important note about
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Rainer Straschill wrote:

> On which I'd like to comment, as well as on David's business plan (in no 
> specific order):

well, kudos to David for having a plan, and implementing it.


Nice summary tho'

> And you either have to use 
> them stupid labels (or actually pay more for printing it to disc at a 
> copyshop).

actually, if you're buying a printer it's easy enough
to get one that does cds these days.


> b) the just-in-time logistics approach - as with kunaki.
> printing, which in my eyes looks fine. 

yes,
actually printing a photo type graphic on a "real cd"
often looks really bad, and usually won't come out
as expected. (safer to use pantones)
Plus one for Kunakai.
They don't look *exactly* like a regular cd,
but close enough I don't think anyone would complain.


> of view. On the other hand, I believe saving on the mastering might just 
> ruin the CD,
> 
 ;-) 
...I'd be very disappointed if my music got run through
a compressor.

andy butler

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Just to make a few comments to this bunch of LDCD contenders...
I think its GREAT that you 'all are making another LD disk, its great to
keep the tradition up.. sign me up for a copy. Just so you know, I never
managed to sell ONE copy of my alloted bunch last time... although all the
people I GAVE it to, reported that it was completely fantastic (and it was)=
.


.. and I know you are looking for a "service"  to simplify this process, bu=
t
Im on the board of a record company/distro company called (totally
coincidentaly Loop.no.. I assure you NOTHING to do with looping, and the
triple o is intentional) ans we have taken to using
http://www.mobineko.com/which I belive is in Korea.

Get this REAL CD=B4S not cdrs with funny printing options, down to runs as
small as 100...

Maye not be what THIS CD needs, but maybe some of YOU wanna do it?

OH and Rainer? I think it was ME you were refering to that gives away
CD=B4s... I dont exactly give them away, rather I purposly leave them on th=
e
bus or the dentist waiting room... or a a bar table.. Ive been doing this
for 4 years now and I wholeheartedly believe that my music has reach more
people than ever before ha ha!

Money you say...? nah.. I got a dayjob!


Mark

--00504502cffe157af70482192cdb
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Just to make a few comments to this bunch of LDCD contenders... <br>I think=
 its GREAT that you &#39;all are making another LD disk, its great to keep =
the tradition up.. sign me up for a copy. Just so you know, I never managed=
 to sell ONE copy of my alloted bunch last time... although all the people =
I GAVE it to, reported that it was completely fantastic (and it was). <br>

<br>.. and I know you are looking for a &quot;service&quot;=A0 to simplify =
this process, but Im on the board of a record company/distro company called=
 (totally coincidentaly Loop.no.. I assure you NOTHING to do with looping, =
and the triple o is intentional) ans we have taken to using <span id=3D":14=
7"></span><a href=3D"http://www.mobineko.com/">http://www.mobineko.com/</a>=
 which I belive is in Korea.<br>

<br>Get this REAL CD=B4S not cdrs with funny printing options, down to runs=
 as small as 100...<br><br>Maye not be what THIS CD needs, but maybe some o=
f YOU wanna do it?<br><br>OH and Rainer? I think it was ME you were referin=
g to that gives away CD=B4s... I dont exactly give them away, rather I purp=
osly leave them on the bus or the dentist waiting room... or a a bar table.=
. Ive been doing this for 4 years now and I wholeheartedly believe that my =
music has reach more people than ever before ha ha!<br>

<br>Money you say...? nah.. I got a dayjob!<br><br><br>Mark<br>

--00504502cffe157af70482192cdb--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 18 21:31:32 2010
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Date: Thu, 18 Mar 2010 22:31:25 +0100
Message-ID: <afb941d1003181431r49f5d2d4v1030d3477cd04dcc@mail.gmail.com>
Subject: Re: New loop music, new techniques, download/stream
From: Raul Bonell <raul.bonell@gmail.com>
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--001636416dd1f4f51c048219f3d5
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master looper ! ... lots of fun with smmwh+edp here too.

2010/3/17 andy butler <akbutler@tiscali.co.uk>

> here's some of the stuff I've been trying out lately.
>
> http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3
> http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3
> http://www.andybutler.com/mp3/ab-resampleVari.mp3
>
> or just stream the lot
>
> http://www.andybutler.com/andybutler-demos.m3u
>
> First 2 use the same technique, but for different results.
>
> Basically
> the Gorduis Little Giant controls the EDPs to create a short 8 beat loop,
> then to
> replace only every 3rd beat with the audio being played.
>
> Once it gets going, I vary things a bit, but that's the basic trick.
> I quite like the odd little "between the gaps" artefacts that eventually
> build up.
>
> The Little Giant actually allows to create loops of commands, which could
> be
> synced to the loop, although in this case the LG is master, and not
> actually synced.
>
>
> For the 3rd track the idea was to record a simple loop onto the EH Stereo
> Memory Man,
> then to resample it onto the EDPs, using the varispeed on the SMM.
>
> andy butler
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001636416dd1f4f51c048219f3d5
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master looper ! ... lots of fun with smmwh+edp here too.<br><br><div style=
=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div>=
<style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-inde=
x:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240=
px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-size: 1=
0px;  text-align: left;  line-height: 13px;}</style><div class=3D"gmail_quo=
te">
2010/3/17 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tisc=
ali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span><br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">
here&#39;s some of the stuff I&#39;ve been trying out lately.<br>
<br>
<a href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-LG-EDP-demo1.mp3</a><br>
<a href=3D"http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-LG-EDP-demo2.mp3</a><br>
<a href=3D"http://www.andybutler.com/mp3/ab-resampleVari.mp3" target=3D"_bl=
ank">http://www.andybutler.com/mp3/ab-resampleVari.mp3</a><br>
<br>
or just stream the lot<br>
<br>
<a href=3D"http://www.andybutler.com/andybutler-demos.m3u" target=3D"_blank=
">http://www.andybutler.com/andybutler-demos.m3u</a><br>
<br>
First 2 use the same technique, but for different results.<br>
<br>
Basically<br>
the Gorduis Little Giant controls the EDPs to create a short 8 beat loop, t=
hen to<br>
replace only every 3rd beat with the audio being played.<br>
<br>
Once it gets going, I vary things a bit, but that&#39;s the basic trick.<br=
>
I quite like the odd little &quot;between the gaps&quot; artefacts that eve=
ntually build up.<br>
<br>
The Little Giant actually allows to create loops of commands, which could b=
e<br>
synced to the loop, although in this case the LG is master, and not actuall=
y synced.<br>
<br>
<br>
For the 3rd track the idea was to record a simple loop onto the EH Stereo M=
emory Man,<br>
then to resample it onto the EDPs, using the varispeed on the SMM.<br><font=
 color=3D"#888888">
<br>
andy butler<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--001636416dd1f4f51c048219f3d5--

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Date: Thu, 18 Mar 2010 15:24:30 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: LD CD IV - 3 open slots
To: Loopers-Delight@loopers-delight.com
Cc: mattstevensguitar@btinternet.com, mech2@m3ch.net, tedkillian@charter.net,
  eterogenus@gmail.com, antonyhequet@yahoo.com, ejyuhas@embarqmail.com,
  loafcitious@gmail.com, cpr@musetrap.com, unstrungone@yahoo.com
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Hello -=0A=A0=0AAfter filling up almost immediately, there are=A03 open slo=
ts available if you would like to participate in the next Loopers-Collectiv=
e CD, which would be number=A0IV in the occasional series.=A0 So, if you we=
re interested in participating but saw the slots were filled up, there are =
openings again. :-)=0A=A0=0ATHE LD CD IV TEAM=0A1. Matt Stevens=0A2. Duke S=
exton=0A3. Ted Killian=0A4. fabio=0A5. Antony Hequet=0A6. Edward Yuhas=0A7.=
 Andy G=0A8. CPR=0A9. David K=0A10. ?=0A11. ?=0A12. ?=0A=0AIf you would lik=
e to participate, please read the details below and send an email to my YAH=
OO account (and NOT Loopers-Delight): unstrungone@yahoo.com.=0A=A0=0A(Again=
, please send any questions or email related to LD CD IV directly to my YAH=
OO accounts, as I don't have time to read every Loopers'-Delight Digest I r=
eceive. Thanks!)=0A=0AThe basic details will be no surprise: =0A- 12 partic=
pants each submit 1 track no longer than=A06 minutes.=0A- Please consider t=
he track submitted 100% finished as far as you are concerned.=0A- All costs=
 for preparation and production of 1000 shrink-wrapped CDs with 4-panel col=
or artwork in Jewel Cases are to be divided among the 12 participants.=0A- =
All 1000 CDs to be divided among the 12 participants (so 80 CD's each).=0A-=
 Delivery costs will be charged based on mailing costs (from Boston, MA) to=
 participants' addresses. =0A=A0=0AI propose using the following service fo=
r CD production: http://www.wonderdrugrecords.com/=A0=0AThey've done great =
work for me for my own UNDO CDs.=0A=A0=0AWhat will this cost me?=0AFinal co=
sts to be commnicated, but expect to pay something in the $200 dollar range=
, not including postage delivery of your CDs.=0AI have used some top-flight=
 mastering in the past for 12 other CDs I've produced: http://www.peerlessm=
astering.com/.=A0 I want to master the collection to ensure the collected m=
usic plays well together. However, to keep costs down, I know another optio=
n I can use that I believe will work great and not cost us anything. Stay t=
uned.=0A=A0=0AWhat will I get?=0A1. Each participant wil receive 80=A0shrin=
k-wrapped CDs with 4-panel color artwork in Jewel Cases.=0A2. Depending on =
if everyone agrees, I can also arrange electronic distribution for this CD =
through IODA: http://www.iodalliance.com/. However, that brings up the ques=
tion of distribution of any sales income (which I'm happy to do for 24 mont=
hs).=0A=A0=0AAre their any restrictions on the music?=0A1. Please do not su=
bmit anything that contains ANY samples of other people's work.=0A2. Please=
 do not submit anything that contains profane language. :-)=0A=A0=0AHow do =
I pay?=0A1. I'm not 100% sure yet.=A0 =0A2. I don't have a PayPal account, =
but that might be the easiest way to do this.=0A=A0=0AWhat are the deadline=
s and timelines?=0A1. I propose that all musical submitions must be receive=
d by May 1, 2010.=A0 That's six weeks away. =0A2. I propose that all paymen=
ts must be received by May 1, 2010.=0A3. Please allow 2 weeks for mastering=
.=0A4. I need to confirm CD production turnaround time - 4-8 weeks, dependi=
ng on when we send this in (oddly, this is a seasonal business).=0A=A0=0AWh=
at do I do next?=0APlease send David an email with the following details:=
=0A1. Your Full Name:=0A2. Your Musical Project's Name:=0A3. Your Phone Num=
ber and Email for communication related to this project:=0A4. The full mail=
ing address to which you would like to receive your CDs:=0A5. Would you lik=
e David to arrange IODA electronic distribution (iTunes, Amazon, etc..) YES=
 or NO. (See "What Will I Get?", above):=A0=0A=A0=0AWhat does David need to=
 do next?=0A1. Calculate and communicate exact costs for CD duplication.=0A=
2. Confirm mastering costs. =0A3. Communicate to participants if there is u=
niversal agreement for IODA electronic distribution.=0A=A0=0AWhat else?=0AT=
ed Killian has volunteered his considerable graphic skills to provide profe=
ssional CD artwork and layout.=A0 Examples of Ted's graphics can be seen he=
re: http://viewmorepics.myspace.com/index.cfm?fuseaction=3Duser.viewPicture=
&friendID=3D195418382&albumId=3D1894877&page=3D3=0AIf you decide to back ou=
t, please do so in writing to my YAHOO email address, and NOT the LD list -=
 I can only read every 3rd Digest, they come so quickly!=0A=A0=0AWhat is Da=
vid's motivation to do this?=0A1. Its been a while since LD CD III, so it s=
eems like a good idea.=0A2. I need more work to do in my life / I must be c=
razy.=0A3. I generally like the process and we will get a high-quality prod=
uct.=0A4. Good karma.=0A=A0=0APlease note: I am not making any money on thi=
s process, and will also be paying an equal share.=A0=A0 =0A=A0=0AI hope th=
is email helps answer questions you may have.=A0It really doesn't need to b=
e complicated as long as we can all communicate cealtly, follow a process a=
nd deadlines.=A0=A0=0A=A0=0APlease let me know if you have any other questi=
ons!=0A=A0=0AKind regards,=0A=A0=0ADavid=0A=0A=0A      
--0-1960525963-1268951070=:116
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#0000ff;"><DIV>=0A<DIV>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>Hello -</FONT></P>=0A<=
P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas =
color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>After filling up almos=
t immediately, <FONT style=3D"BACKGROUND-COLOR: #ffff00"><STRONG>there are&=
nbsp;3 open slots available if you would like to participate in the next Lo=
opers-Collective CD,</STRONG></FONT> which would be number&nbsp;IV in the o=
ccasional series.&nbsp; <FONT style=3D"BACKGROUND-COLOR: #c0ff80">So, if yo=
u were interested in participating but saw the slots were filled up, there =
are openings again.</FONT> :-)</FONT></P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp=
;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000><STRONG>THE LD CD IV TEAM</STRONG></FONT></P>=0A<P=
 class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><=
FONT face=3DConsolas>1. <SPAN class=3Dyshortcuts id=3Dlw_1268876680_0><SPAN=
 class=3Dyshortcuts id=3Dlw_1268946247_0 style=3D"BACKGROUND: none transpar=
ent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: medium none">Matt Ste=
vens</SPAN></SPAN></FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MAR=
GIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>2. Duke Sexto=
n</FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"=
><FONT color=3D#000000><FONT face=3DConsolas>3. Ted Killian</FONT></FONT></=
P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#0=
00000><FONT face=3DConsolas>4. fabio</FONT></FONT></P>=0A<P class=3DMsoPlai=
nText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DCons=
olas>5. Antony Hequet</FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"=
MARGIN: 0in 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>6. Edward =
Yuhas</FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in =
0pt"><FONT color=3D#000000><FONT face=3DConsolas>7. Andy G</FONT></FONT></P=
>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT color=3D#00=
0000><FONT face=3DConsolas>8. <SPAN class=3Dyshortcuts id=3Dlw_1268876680_2=
>CPR</SPAN></FONT></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0i=
n 0in 0pt"><FONT color=3D#000000><FONT face=3DConsolas>9. David K</FONT></F=
ONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=
=3DConsolas color=3D#000000>10. ?</FONT></P>=0A<P class=3DMsoPlainText styl=
e=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>11. ?</FONT=
></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000>12. ?</FONT></P><FONT face=3DConsolas color=3D#000=
000></FONT></DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV><STRONG><EM>If you would like =
to participate, please read the details below and send an email to my YAHOO=
 account (and NOT Loopers-Delight): </EM></STRONG><A href=3D"mailto:unstrun=
gone@yahoo.com"><STRONG><EM>unstrungone@yahoo.com</EM></STRONG></A><STRONG>=
<EM>.</EM></STRONG></DIV>=0A<DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV>=0A<=
DIV><STRONG><EM>(Again, please send any questions or email related to LD CD=
 IV directly to my YAHOO accounts, as I don't have time to read every Loope=
rs'-Delight Digest I receive. Thanks!)</EM></STRONG></DIV>=0A<DIV>&nbsp;</D=
IV>=0A<DIV>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT f=
ace=3DConsolas color=3D#000000><STRONG>The basic details will be no surpris=
e: </STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in =
0pt"><FONT face=3DConsolas color=3D#000000>- 12 particpants each submit 1 t=
rack no longer than&nbsp;6 minutes.</FONT></P>=0A<P class=3DMsoPlainText st=
yle=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>- Please =
consider the track submitted 100% finished as far as you are concerned.</FO=
NT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=
=3DConsolas color=3D#000000>- All costs for preparation and production of 1=
000 shrink-wrapped CDs with 4-panel color artwork in Jewel Cases are to be =
divided among the 12 participants.</FONT></P>=0A<P class=3DMsoPlainText sty=
le=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>- All 1000=
 CDs to be divided among the 12 participants (so 80 CD's each).</FONT></P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000>- Delivery costs will be charged based on mailing costs=
 (from Boston, MA) to participants' addresses. </FONT></P>=0A<P class=3DMso=
PlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#0000=
00></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt=
"><FONT face=3DConsolas color=3D#000000>I propose using the following servi=
ce for CD production: <A href=3D"http://www.wonderdrugrecords.com/" target=
=3D_blank rel=3Dnofollow><SPAN class=3Dyshortcuts id=3Dlw_1268946726_3><FON=
T color=3D#0000ff>http://www.wonderdrugrecords.com/</FONT></SPAN></A>&nbsp;=
</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT f=
ace=3DConsolas color=3D#000000>They've done great work for me for my own UN=
DO CDs.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt">=
<FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPla=
inText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>=
<STRONG>What will this cost me?</STRONG></FONT></P>=0A<P class=3DMsoPlainTe=
xt style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>Fina=
l costs to be commnicated, but expect to pay something in the $200 dollar r=
ange, not including postage delivery of your CDs.</FONT></P>=0A<P class=3DM=
soPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#00=
0000>I have used some top-flight mastering in the past for 12 other CDs I'v=
e produced: <A href=3D"http://www.peerlessmastering.com/" target=3D_blank r=
el=3Dnofollow><SPAN class=3Dyshortcuts id=3Dlw_1268946726_4><FONT color=3D#=
0000ff>http://www.peerlessmastering.com/</FONT></SPAN></A>.&nbsp; I want to=
 master the collection to ensure the collected music plays well together. H=
owever, to keep costs down, I know another option I can use that I believe =
will work great and not cost us anything. Stay tuned.</FONT></P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in=
 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>What will I get?</S=
TRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><=
FONT face=3DConsolas color=3D#000000>1. Each participant wil receive 80&nbs=
p;shrink-wrapped CDs with 4-panel color artwork in Jewel Cases.</FONT></P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000>2. Depending on if everyone agrees, I can also arrange =
electronic distribution for this CD through IODA: <A href=3D"http://www.iod=
alliance.com/" target=3D_blank rel=3Dnofollow><SPAN class=3Dyshortcuts id=
=3Dlw_1268946726_5><FONT color=3D#0000ff>http://www.iodalliance.com/</FONT>=
</SPAN></A>. However, that brings up the question of distribution of any sa=
les income (which I'm happy to do for 24 months).</FONT></P>=0A<P class=3DM=
soPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#00=
0000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0=
pt"><FONT face=3DConsolas color=3D#000000><STRONG>Are their any restriction=
s on the music?</STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARG=
IN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>1. Please do not sub=
mit anything that contains ANY samples of other people's work.</FONT></P>=
=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConso=
las color=3D#000000>2. Please do not submit anything that contains profane =
language. :-)</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in=
 0pt">&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><F=
ONT face=3DConsolas color=3D#000000><STRONG>How do I pay?</STRONG></FONT></=
P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DCon=
solas color=3D#000000>1. I'm not 100% sure yet.&nbsp; </FONT></P>=0A<P clas=
s=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>2. I don't have a <SPAN class=3Dyshortcuts id=3Dlw_1268946726_6>=
PayPal</SPAN> account, but that might be the easiest way to do this.</FONT>=
</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DC=
onsolas color=3D#000000><STRONG></STRONG></FONT>&nbsp;</P>=0A<P class=3DMso=
PlainText style=3D"MARGIN: 0in 0in 0pt"><STRONG><FONT face=3DConsolas color=
=3D#000000>What are the deadlines and timelines?</FONT></STRONG></P>=0A<P c=
lass=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas col=
or=3D#000000>1. I propose that all musical submitions must be received by <=
SPAN class=3Dyshortcuts id=3Dlw_1268946726_7 style=3D"CURSOR: hand; BORDER-=
BOTTOM: #0066cc 1px dashed">May 1, 2010</SPAN>.&nbsp; That's six weeks away=
. </FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT=
 face=3DConsolas color=3D#000000>2. I propose that all payments must be rec=
eived by May 1, 2010.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN:=
 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>3. Please allow 2 weeks=
 for mastering.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0=
in 0pt"><FONT face=3DConsolas color=3D#000000>4. I need to confirm CD produ=
ction turnaround time - 4-8 weeks, depending on when we send this in (oddly=
, this is a seasonal business).</FONT></P>=0A<P class=3DMsoPlainText style=
=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp=
;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT style=
=3D"BACKGROUND-COLOR: #ffff00" face=3DConsolas color=3D#000000><STRONG>What=
 do I do next?</STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGI=
N: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>Please send David an =
email with the following details:</FONT></P>=0A<P class=3DMsoPlainText styl=
e=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>1. Your Ful=
l Name:</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt">=
<FONT face=3DConsolas color=3D#000000>2. Your Musical Project's Name:</FONT=
></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D=
Consolas color=3D#000000>3. Your Phone Number and Email for communication r=
elated to this project:</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGI=
N: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>4. The full mailing a=
ddress to which you would like to receive your CDs:</FONT></P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>5. Would you like David to arrange IODA electronic distribution =
(<SPAN class=3Dyshortcuts id=3Dlw_1268946726_8>iTunes</SPAN>, Amazon, etc..=
) YES or NO. (See "What Will I Get?", above):&nbsp;</FONT></P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in=
 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>What does David nee=
d to do next?</STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN=
: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>1. Calculate and commu=
nicate exact costs for <SPAN class=3Dyshortcuts id=3Dlw_1268946726_9 style=
=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed">CD duplication</SPAN>.=
</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT f=
ace=3DConsolas color=3D#000000>2. Confirm mastering costs. </FONT></P>=0A<P=
 class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas c=
olor=3D#000000>3. Communicate to participants if there is universal agreeme=
nt for IODA electronic distribution.</FONT></P>=0A<P class=3DMsoPlainText s=
tyle=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&=
nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT fac=
e=3DConsolas color=3D#000000><STRONG>What else?</STRONG></FONT></P>=0A<P cl=
ass=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas colo=
r=3D#000000>Ted Killian has volunteered his considerable graphic skills to =
provide professional CD artwork and layout.&nbsp; Examples of Ted's graphic=
s can be seen here: <A href=3D"http://viewmorepics.myspace.com/index.cfm?fu=
seaction=3Duser.viewPicture&amp;friendID=3D195418382&amp;albumId=3D1894877&=
amp;page=3D3">http://viewmorepics.myspace.com/index.cfm?fuseaction=3Duser.v=
iewPicture&amp;friendID=3D195418382&amp;albumId=3D1894877&amp;page=3D3</A><=
/FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT fa=
ce=3DConsolas color=3D#000000><STRONG><EM><FONT color=3D#0000ff>If you deci=
de to back out, please do so in writing to <SPAN class=3Dyshortcuts id=3Dlw=
_1268946726_11 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed">my=
 YAHOO</SPAN> email address, and NOT the LD list</FONT></EM></STRONG> - I c=
an only read every 3rd Digest, they come so quickly!</FONT></P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in=
 0in 0pt"><FONT face=3DConsolas color=3D#000000><STRONG>What is David's mot=
ivation to do this?</STRONG></FONT></P>=0A<P class=3DMsoPlainText style=3D"=
MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>1. Its been a wh=
ile since LD CD III, so it seems like a good idea.</FONT></P>=0A<P class=3D=
MsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#0=
00000>2. I need more work to do in my life / I must be crazy.</FONT></P>=0A=
<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas=
 color=3D#000000>3. I generally like the process and we will get a high-qua=
lity product.</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in=
 0pt"><FONT face=3DConsolas color=3D#000000>4. Good karma.</FONT></P>=0A<P =
class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas co=
lor=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: =
0in 0in 0pt"><FONT face=3DConsolas color=3D#000000>Please note: I am not ma=
king any money on this process, and will also be paying an equal share.&nbs=
p;&nbsp; </FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt=
"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoP=
lainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#00000=
0>I hope this email helps answer questions you may have.&nbsp;It really doe=
sn't need to be complicated as long as we can all communicate cealtly, foll=
ow a process and deadlines.&nbsp;&nbsp;</FONT></P>=0A<P class=3DMsoPlainTex=
t style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000></FON=
T>&nbsp;</P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT =
face=3DConsolas color=3D#000000>Please let me know if you have any other qu=
estions!</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"=
><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=3DMsoPl=
ainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=3D#000000=
>Kind regards,</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in 0i=
n 0pt"><FONT face=3DConsolas color=3D#000000></FONT>&nbsp;</P>=0A<P class=
=3DMsoPlainText style=3D"MARGIN: 0in 0in 0pt"><FONT face=3DConsolas color=
=3D#000000>David</FONT></P>=0A<P class=3DMsoPlainText style=3D"MARGIN: 0in =
0in 0pt">&nbsp;</P></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: ari=
al, helvetica, sans-serif">&nbsp;</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FO=
NT-FAMILY: arial, helvetica, sans-serif">&nbsp;</DIV></DIV></div><br>=0A=0A=
      </body></html>
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: FS: Boss RC-2 and FS-5U
Date: Thu, 18 Mar 2010 16:49:43 -0600
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Boss RC-2 Loop Station and FS-5U Footswtich=20
$120 plus shipping
PayPal

Kris
=20

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Station and FS-5U Footswtich <BR>$120 plus shipping</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>PayPal</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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Date: Thu, 18 Mar 2010 15:58:26 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: LD CD IV - pricing
To: Loopers-Delight@loopers-delight.com
Cc: mattstevensguitar@btinternet.com, mech2@m3ch.net, tedkillian@charter.net,
  eterogenus@gmail.com, antonyhequet@yahoo.com, ejyuhas@embarqmail.com,
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Rainer, you have written an excellent "quick-guide" to CD production option=
s.=C2=A0 Thank you!=C2=A0 =0A=0AOn the topic of pricing: I have mentioned i=
n each email regarding LD CD IV that I need to pin down exact pricing.=C2=
=A0 I've provided links to the vendors I am thinking of using for everyone =
to see. Wonderdrug's website=C2=A0(http://www.wonderdrugrecords.com/sub5.ht=
m)=C2=A0 displays a price of $1189 for 4-panel 4/4 color printing.=C2=A0 Ho=
wever, there may be specials I can get.=C2=A0 But there may be other incide=
ntal production costs that are not advertised.=C2=A0I view professional mas=
tering to be a critical step to sonically bring together 12 completely diff=
erent tracks that have been recorded in any variety of manners.=C2=A0 The v=
endor I hope to use is Peerless Mastering: http://www.peerlessmastering.com=
/.=0A=0AIf I can get pricing down to $100 / participant for 80 4-panel colo=
ur jewel-cased shrink-wrapped CD's each,=C2=A0($1.25/CD) I will do so.=C2=
=A0 I'm using $200 as a guide, to catch everything, and to avoid unpleasant=
 surprizes.=C2=A0 As you can see, it=C2=A0could very well be less.=C2=A0 I =
doubt it could be more.=C2=A0 And I will be paying an equal share along wit=
h everyone else.=C2=A0 =0A=0AI hope this is helpful information for everyon=
e participating, or thinking of participating, regarding the project I've o=
utlined.=0A=0AKind regards,=0A=0ADavid=0A=0A=0A=0A=0AFw: Re: Forced to with=
draw with apologies and an important note about the economics of selling CD=
/DVDs Rick's advice=0ARe: Forced to withdraw with apologies and an importan=
t note about the economics of selling CD/DVDs Rick's advice=0AThursday, Mar=
ch 18, 2010 12:58:28 PM=0AFrom: =0A"Rainer Straschill" <moinsound@googlemai=
l.com>=0ATo: =0A"" <Loopers-Delight@loopers-delight.com>=0ARick Walker schr=
ieb:=0A> * For what it's worth, I have this gratuitous advice for the proje=
ct:=0A> =0A> In the past four years CD sales have almost ceased to exist fo=
r most independent musicians.=0A> I use to sell 20 - 50 CDs a show back in =
2001-2003 and I don't even take the CDs to shows any more.=0A> =0A> Most ar=
tists I know who still put out CDs have gone to the model of having them ma=
nufactured (at a higher but not by much=0A> per CD basis) when they are sol=
d (Krispen Hartung is a really good resource for this method and has used i=
t very successfully=0A> for his releases).=0A> =0A> One can even have 'one =
off' DVDs made that have the audio files for playing in CD players and comp=
uters,=0A> high and low quality MP3s for those who want iPod play, all the =
graphics for booklets in a printable form (.pdf)=0A> *=0AOn which I'd like =
to comment, as well as on David's business plan (in no specific order):=0A=
=0AI. There are more possible reasons to want to have a large number of you=
r CDs than to make profit selling them. Some people like to give them away.=
 Some are even able to generate profit out of that (using it as a marketing=
 tool; I'm too lazy to do the search myself, but there was a lengthy post h=
ere some years ago by someone who gave away CDs simply to generate a fan ba=
se).=0A=0AII. If you decide on having physical CDs (for whatever reason), t=
he three methods available known to me for unsigned artists have their diff=
erent advantages and disadvantages:=0Aa) the do-it-yourself approach: I don=
't like it at all because it takes a lot of work (by you) which I'd rather =
spend on other things (which could be either making music or just getting d=
runk, whichever you prefer).=0APros: manufactured on a just-in-time basis. =
You have full control over the exact package (hey, if you want to make ten =
CDs in wooden cases and with hand-written liner notes, you can do that as w=
ell).=0ACons: a lot of work. You need to run to a copyshop and keep track o=
f various logistics, and need to burn those CDs. You need to handel everyth=
ing regarding logistics (i.e. shipping it to the customer, or itunes or sim=
ilar online stuff) yourself. And you either have to use them stupid labels =
(or actually pay more for printing it to disc at a copyshop).=0APrice examp=
le: using local (German) prices, you get for CDR, labels, black jewel case =
and print job (2-sided booklet 4/4, 4 label and 0/4 insert) a cost of =E2=
=82=AC1.24 ($1.69). This does NOT include burning the CDs and everything yo=
u have to do yourself (including assembling the products).=0A=0Ab) the just=
-in-time logistics approach - as with kunaki.=0AYou upload your stuff to th=
em. You can order them from there, and you got a page to sell it, and every=
thing there (payment, shipping etc.) is handled by them. You set a price, a=
nd they charge that (plus shipping) from the customer, and give you your pr=
ice-their price. Or you can order from them at their price. You only get on=
e option, which for CDs is 2s 4/4 booklet, 0/4 insert, 4 label, black jewel=
 case. Printing is laser printing, which in my eyes looks fine. Example:htt=
p://kunaki.com/sales.asp?PID=3DPX00ZGZZXJ=0APros: Takes everything of your =
back, fine product quality, good price, you can order as many (or as few) i=
tems as required, and you have an online store! No setup fee.=0ACons: Only =
one package option.=0APrice example: for orders up to 10 pieces, it's alway=
s $1. For more, it depends on how much "traffic" they just have - the price=
 varies between $0.75 and $1.75.=0A=0Ac) typical CD manufacturing place - t=
raditional approach.=0A"Traditional approach" here means glass master, and =
that only makes sense for quantities of at least 300 CDs. Added are printin=
g costs (and again, due to setup costs, minimum quantity for offset print i=
s 1000 most of the time), and with all that, the per-piece-price starts to =
scale down properly over 1000 pieces. Some do offer screen printing for sma=
ller quantities, but then again, this is on a quallity level equal to or lo=
wer than the kunaki approach. However, depending on the place you're doing =
it, you often have a lot of package options.=0AWith regard to the order han=
dling, see a)=0APros: Real glass-master-based CD (no CDR), professional pri=
nting options available (for larger quantities), lots of package options, g=
ood prices for large quantities.=0ACons: large minimum number, high prices =
for small quantities.=0APrice example: take the place that David recommende=
d - with the same package options we've always considered and screen printi=
ng, it's $1.1/CD for a 1000 CD run, but $2.7 for the minimum 300 CD run.=0A=
=0Ad) typical CD manufacturing place - low-volume approach.=0ASimilar to c)=
, but using technologies fit for low volumes (CDR, laser printing). With re=
gard to package options, see c), with regard to to handling, see a).=0APros=
: allows for low volumes, lots of package options.=0ACons: high prices.=0AP=
rice example: too lazy now to do a proper research, but for our example pro=
duct, you're landing at around $3.90/CD for a 25 CD run.=0A=0ASummary: for =
everything below, say, 800 CDs, kunaki is by far the cheapest and easiest t=
hing to do. If you want some fancy special packaging, you'll either need to=
 diy or get a big number of CDs.=0A=0AIII. Comments on David's example.=0AW=
ith the prices of wonderdrugrecords, there's $1300 left in the estimate for=
 mastering and "everything else". As the plant does the prepress themselves=
 and David specifically asked for a volunteer for the cover art, most of th=
is (minus David's cut) can go into mastering - and I firmly believe that wi=
th a goal towards high-quality work and the fact that it's a compilation, t=
his isn't necessarily too much - form my point of view. On the other hand, =
I believe saving on the mastering might just ruin the CD, but then again br=
ing the price down by more than 50%...tough call.=0A=0A=0AThe personal pers=
pective:=0AYes, I'd like to have CDs to give to people. And just for the sa=
ke of it, if someone (kunaki) offers a web shop service free of charge, I e=
ven use it (and hey, look for the link above and buy the goddamn CD! the co=
ver art is stunning by my own standards! And I even like the music - http:/=
/kunaki.com/sales.asp?PID=3DPX00ZGZZXJ ;).=0AHowever, I would never need as=
 many as 1000 (or even 500) CDs of the same CD - it's just not the way my m=
arket position works.=0A=0ARainer=0A=0A-- http://moinlabs.de=0AFollow me on=
 twitter: http://twitter.com/moinlabs=0A=0A=0A=0A      
--0-1180878526-1268953106=:20781
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#0000ff;"><DIV>Rainer, you have written an excellent "quick-guide=
" to CD production options.&nbsp; Thank you!&nbsp; </DIV>=0A<DIV>&nbsp;</DI=
V>=0A<DIV>On the topic of pricing: I have mentioned in each email regarding=
 LD CD IV that <U>I need to pin down exact pricing</U>.&nbsp; I've provided=
 links to the vendors I am thinking of using for everyone to see. Wonderdru=
g's website&nbsp;(<A href=3D"http://www.wonderdrugrecords.com/sub5.htm">htt=
p://www.wonderdrugrecords.com/sub5.htm</A>)&nbsp; displays a price of $1189=
 for 4-panel 4/4 color printing.&nbsp; However, there may be specials I can=
 get.&nbsp; But there may be other incidental production costs that are not=
 advertised.&nbsp;I view professional mastering to be a critical step to so=
nically bring together 12 completely different tracks that have been record=
ed in any variety of manners.&nbsp; The vendor I hope to use is Peerless Ma=
stering: <A href=3D"http://www.peerlessmastering.com/">http://www.peerlessm=
astering.com/</A>.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV><STRONG>If I can get pr=
icing down to $100 / participant for 80 4-panel colour jewel-cased shrink-w=
rapped CD's each,&nbsp;($1.25/CD) I will do so</STRONG>.&nbsp; I'm using $2=
00 as a guide, to catch everything, and to avoid unpleasant surprizes.&nbsp=
; As you can see, it&nbsp;could very well be less.&nbsp; I doubt it could b=
e more.&nbsp; And I will be paying an equal share along with everyone else.=
&nbsp; </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I hope this is helpful information=
 for everyone participating, or thinking of participating, regarding the pr=
oject I've outlined.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Kind regards,</DIV>=
=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</=
DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>=0A<DIV class=3Dforward=
msg>=0A<DIV class=3Dforwardmsgfname>Fw: Re: Forced to withdraw with apologi=
es and an important note about the economics of selling CD/DVDs Rick's advi=
ce</DIV>=0A<DIV class=3Dmsgheader>=0A<DIV class=3D"subjectbar fontT2">=0A<D=
IV>=0A<H1 class=3D"msgsubject fontH1">Re: Forced to withdraw with apologies=
 and an important note about the economics of selling CD/DVDs Rick's advice=
</H1>=0A<DIV class=3Ddate><NOBR>Thursday, March 18, 2010 12:58:28 PM</NOBR>=
</DIV>=0A<DIV class=3DclearFloat></DIV></DIV>=0A<DIV class=3D"clearFloat pa=
dding2px">=0A<DIV class=3Dpadding2px>=0A<DIV class=3Dlabel>From: </DIV>=0A<=
DIV class=3Ddetails>=0A<DIV class=3Dabook><SPAN>"Rainer Straschill" &lt;<A =
href=3D"mailto:moinsound@googlemail.com"><FONT color=3D#0000ff>moinsound@go=
oglemail.com</FONT></A>&gt;</SPAN></DIV>=0A<DIV class=3DclearFloat></DIV></=
DIV>=0A<DIV class=3DclearFloat></DIV></DIV>=0A<DIV class=3Dpadding2px>=0A<D=
IV class=3Dlabel>To: </DIV>=0A<DIV class=3Ddetails>"" &lt;<A href=3D"mailto=
:Loopers-Delight@loopers-delight.com"><FONT color=3D#0000ff>Loopers-Delight=
@loopers-delight.com</FONT></A>&gt;</DIV>=0A<DIV class=3DclearFloat></DIV><=
/DIV></DIV></DIV></DIV>=0A<DIV class=3Dpadding5px>=0A<DIV class=3DplainMail=
>Rick Walker schrieb:<BR>&gt; * For what it's worth, I have this gratuitous=
 advice for the project:<BR>&gt; <BR>&gt; In the past four years CD sales h=
ave almost ceased to exist for most independent musicians.<BR>&gt; I use to=
 sell 20 - 50 CDs a show back in 2001-2003 and I don't even take the CDs to=
 shows any more.<BR>&gt; <BR>&gt; Most artists I know who still put out CDs=
 have gone to the model of having them manufactured (at a higher but not by=
 much<BR>&gt; per CD basis) when they are sold (Krispen Hartung is a really=
 good resource for this method and has used it very successfully<BR>&gt; fo=
r his releases).<BR>&gt; <BR>&gt; One can even have 'one off' DVDs made tha=
t have the audio files for playing in CD players and computers,<BR>&gt; hig=
h and low quality MP3s for those who want iPod play, all the graphics for b=
ooklets in a printable form (.pdf)<BR>&gt; *<BR>On which I'd like to commen=
t, as well as on David's business plan (in no
 specific order):<BR><BR>I. There are more possible reasons to want to have=
 a large number of your CDs than to make profit selling them. Some people l=
ike to give them away. Some are even able to generate profit out of that (u=
sing it as a marketing tool; I'm too lazy to do the search myself, but ther=
e was a lengthy post here some years ago by someone who gave away CDs simpl=
y to generate a fan base).<BR><BR>II. If you decide on having physical CDs =
(for whatever reason), the three methods available known to me for unsigned=
 artists have their different advantages and disadvantages:<BR>a) the do-it=
-yourself approach: I don't like it at all because it takes a lot of work (=
by you) which I'd rather spend on other things (which could be either makin=
g music or just getting drunk, whichever you prefer).<BR>Pros: manufactured=
 on a just-in-time basis. You have full control over the exact package (hey=
, if you want to make ten CDs in wooden cases and with hand-written
 liner notes, you can do that as well).<BR>Cons: a lot of work. You need to=
 run to a copyshop and keep track of various logistics, and need to burn th=
ose CDs. You need to handel everything regarding logistics (i.e. shipping i=
t to the customer, or itunes or similar online stuff) yourself. And you eit=
her have to use them stupid labels (or actually pay more for printing it to=
 disc at a copyshop).<BR>Price example: using local (German) prices, you ge=
t for CDR, labels, black jewel case and print job (2-sided booklet 4/4, 4 l=
abel and 0/4 insert) a cost of =E2=82=AC1.24 ($1.69). This does NOT include=
 burning the CDs and everything you have to do yourself (including assembli=
ng the products).<BR><BR>b) the just-in-time logistics approach - as with k=
unaki.<BR>You upload your stuff to them. You can order them from there, and=
 you got a page to sell it, and everything there (payment, shipping etc.) i=
s handled by them. You set a price, and they charge that (plus shipping)
 from the customer, and give you your price-their price. Or you can order f=
rom them at their price. You only get one option, which for CDs is 2s 4/4 b=
ooklet, 0/4 insert, 4 label, black jewel case. Printing is laser printing, =
which in my eyes looks fine. Example:<A href=3D"http://kunaki.com/sales.asp=
?PID=3DPX00ZGZZXJ" target=3D_blank><FONT color=3D#0000ff>http://kunaki.com/=
sales.asp?PID=3DPX00ZGZZXJ</FONT></A><BR>Pros: Takes everything of your bac=
k, fine product quality, good price, you can order as many (or as few) item=
s as required, and you have an online store! No setup fee.<BR>Cons: Only on=
e package option.<BR>Price example: for orders up to 10 pieces, it's always=
 $1. For more, it depends on how much "traffic" they just have - the price =
varies between $0.75 and $1.75.<BR><BR>c) typical CD manufacturing place - =
traditional approach.<BR>"Traditional approach" here means glass master, an=
d that only makes sense for quantities of at least 300 CDs. Added are print=
ing
 costs (and again, due to setup costs, minimum quantity for offset print is=
 1000 most of the time), and with all that, the per-piece-price starts to s=
cale down properly over 1000 pieces. Some do offer screen printing for smal=
ler quantities, but then again, this is on a quallity level equal to or low=
er than the kunaki approach. However, depending on the place you're doing i=
t, you often have a lot of package options.<BR>With regard to the order han=
dling, see a)<BR>Pros: Real glass-master-based CD (no CDR), professional pr=
inting options available (for larger quantities), lots of package options, =
good prices for large quantities.<BR>Cons: large minimum number, high price=
s for small quantities.<BR>Price example: take the place that David recomme=
nded - with the same package options we've always considered and screen pri=
nting, it's $1.1/CD for a 1000 CD run, but $2.7 for the minimum 300 CD run.=
<BR><BR>d) typical CD manufacturing place - low-volume
 approach.<BR>Similar to c), but using technologies fit for low volumes (CD=
R, laser printing). With regard to package options, see c), with regard to =
to handling, see a).<BR>Pros: allows for low volumes, lots of package optio=
ns.<BR>Cons: high prices.<BR>Price example: too lazy now to do a proper res=
earch, but for our example product, you're landing at around $3.90/CD for a=
 25 CD run.<BR><BR>Summary: for everything below, say, 800 CDs, kunaki is b=
y far the cheapest and easiest thing to do. If you want some fancy special =
packaging, you'll either need to diy or get a big number of CDs.<BR><BR>III=
. Comments on David's example.<BR>With the prices of wonderdrugrecords, the=
re's $1300 left in the estimate for mastering and "everything else". As the=
 plant does the prepress themselves and David specifically asked for a volu=
nteer for the cover art, most of this (minus David's cut) can go into maste=
ring - and I firmly believe that with a goal towards high-quality
 work and the fact that it's a compilation, this isn't necessarily too much=
 - form my point of view. On the other hand, I believe saving on the master=
ing might just ruin the CD, but then again bring the price down by more tha=
n 50%...tough call.<BR><BR><BR>The personal perspective:<BR>Yes, I'd like t=
o have CDs to give to people. And just for the sake of it, if someone (kuna=
ki) offers a web shop service free of charge, I even use it (and hey, look =
for the link above and buy the goddamn CD! the cover art is stunning by my =
own standards! And I even like the music - <A href=3D"http://kunaki.com/sal=
es.asp?PID=3DPX00ZGZZXJ" target=3D_blank><FONT color=3D#0000ff>http://kunak=
i.com/sales.asp?PID=3DPX00ZGZZXJ</FONT></A> ;).<BR>However, I would never n=
eed as many as 1000 (or even 500) CDs of the same CD - it's just not the wa=
y my market position works.<BR><BR>Rainer<BR><BR>-- <A href=3D"http://moinl=
abs.de/" target=3D_blank><FONT
 color=3D#0000ff>http://moinlabs.de</FONT></A><BR>Follow me on twitter: <A =
href=3D"http://twitter.com/moinlabs" target=3D_blank><FONT color=3D#0000ff>=
http://twitter.com/moinlabs</FONT></A><BR></DIV></DIV></DIV></DIV></div><br=
>=0A=0A      </body></html>
--0-1180878526-1268953106=:20781--

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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll continue the
month-long Special Focus on Mark Mahoney and Michael Peck.  The
Featured CD at Midnight will be "Glacial" by Michael Peck on Gears of
Sand Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

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Date: Thu, 18 Mar 2010 19:28:02 -0400
Message-ID: <9ea2f30b1003181628m4cb6b093k172b1cfd49452458@mail.gmail.com>
Subject: Re: Mainstage 2 with Mobius Help Needed
From: Todd Matthews <gtmatthews@gmail.com>
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--001485f896f809362404821b95de
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That worked!!!! What a glorious day. Instead of using Mobius as a software
instrument with Multi Output(8x sterep), I choose regular ol' plain stereo.
In the Mobius settings I made sure that all the plug in, ins and outs were
set to 1. Now it works great. Thanks again Per for all your help. I owe you
big time.


On Thu, Mar 18, 2010 at 2:52 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> I was trying to direct each track to it's own output. Track 1 is the only
> one that will respond to the record button on the Mobius GUI for some reason
> so thats the only one I could attempt.  One of the pictures was me recording
> a loop in mObius on track 1 yet you could see in the background that there
> was nothing showing up on the Mobius channel strip in Mainstage. Maybe my
> Mobius or Mainstage setup could be corrupted somehow? I'll start from a new
> template in Mainstage and redownload Mobius...... and delete my Mobius xml
> and ui files to start fresh.
>
> I will start from scratch again and just choose plug in output 1 for all
> tracks in Mobius to simplify.
>
>
> On Thu, Mar 18, 2010 at 7:37 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Thu, Mar 18, 2010 at 11:32 AM, Todd Matthews <gtmatthews@gmail.com>
>> wrote:
>> > Here are the pics documenting my attempt to get audio out of my Mobius
>> loops
>> > in Mainstage. I'll try to do a video of my setup process this weekend.
>> > http://www.flickr.com/photos/gtodd876/4443042374/
>>
>> Yes, my recent guess was correct. This picture shows that you have
>> chosen "output 2" as the output for Mobius plugin track 2. But if you
>> not running Mobius in multi output mode only output 1 works and should
>> be used for all tracks. But you should still be hearing loops laid
>> down on track 1 with these settings. Maybe you just didn't try
>> starting on that track?
>>
>> per
>>
>>
>

--001485f896f809362404821b95de
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That worked!!!! What a glorious day. Instead of using Mobius as a software =
instrument with Multi Output(8x sterep), I choose regular ol&#39; plain ste=
reo. In the Mobius settings I made sure that all the plug in, ins and outs =
were set to 1. Now it works great. Thanks again Per for all your help. I ow=
e you big time.=A0<div>
<br><br><div class=3D"gmail_quote">On Thu, Mar 18, 2010 at 2:52 PM, Todd Ma=
tthews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatt=
hews@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
I was trying to direct each track to it&#39;s own output. Track 1 is the on=
ly one that will respond to the record button on the Mobius GUI for some re=
ason so thats the only one I could attempt. =A0One of the pictures was me r=
ecording a loop in mObius on track 1 yet you could see in the background th=
at there was nothing showing up on the Mobius channel strip in Mainstage. M=
aybe my Mobius or Mainstage setup could be corrupted somehow? I&#39;ll star=
t from a new template in Mainstage and redownload Mobius...... and delete m=
y Mobius xml and ui files to start fresh.<div>

<br></div><div>I will start from scratch again and just choose plug in outp=
ut 1 for all tracks in Mobius to simplify.=A0<div><div></div><div class=3D"=
h5"><br><br><div class=3D"gmail_quote">On Thu, Mar 18, 2010 at 7:37 AM, Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div>On Thu, Mar 18, 2010 at 11:32 AM, Todd =
Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com" target=3D"_blank">gtma=
tthews@gmail.com</a>&gt; wrote:<br>


&gt; Here are the pics documenting my attempt to get audio out of my Mobius=
 loops<br>
&gt; in Mainstage. I&#39;ll try to do a video of my setup process this week=
end.<br>
&gt; <a href=3D"http://www.flickr.com/photos/gtodd876/4443042374/" target=
=3D"_blank">http://www.flickr.com/photos/gtodd876/4443042374/</a><br>
<br>
</div>Yes, my recent guess was correct. This picture shows that you have<br=
>
chosen &quot;output 2&quot; as the output for Mobius plugin track 2. But if=
 you<br>
not running Mobius in multi output mode only output 1 works and should<br>
be used for all tracks. But you should still be hearing loops laid<br>
down on track 1 with these settings. Maybe you just didn&#39;t try<br>
starting on that track?<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br></div></div></div>
</blockquote></div><br></div>

--001485f896f809362404821b95de--

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Date: Fri, 19 Mar 2010 01:01:06 +0100
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Subject: Re: for your listening pleasure...
From: Raul Bonell <raul.bonell@gmail.com>
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i like it!
thanks for sharing, tony.

2010/3/18 Tony K <bigtonyk@gmail.com>

>
>
> On Thu, Mar 18, 2010 at 2:06 PM, <nemoguitt@aol.com> wrote:
>
>>
>> http://www.thinginajar.com/bigtony/Tentacles.mp3
>>
>>
>> tony!.....luv it!!!!!.....mod fx? which?.....m
>>
>>
> Thanks,
>
> Philtre. > Faze > Phlngr > Ampliton > Smashup,
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>



--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d99f6a3c958d04821c0b6d
Content-Type: text/html; charset=ISO-8859-1
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i like it!<br>thanks for sharing, tony.<br><div style=3D"visibility: hidden=
; display: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/cs=
s">#avg_ls_inline_popup {  position:absolute;  z-index:9999;  padding: 0px =
0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;=
  word-wrap: break-word;  color: black;  font-size: 10px;  text-align: left=
;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/3/18 Tony K <span dir=3D"ltr">&lt;<a href=
=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span><br><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br><br><div class=3D"gmail_quote">On Thu, Mar 18, 2010 a=
t 2:06 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com" targ=
et=3D"_blank">nemoguitt@aol.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div><br>
<a href=3D"http://www.thinginajar.com/bigtony/Tentacles.mp3" target=3D"_bla=
nk">http://www.thinginajar.com/bigtony/Tentacles.mp3</a><br>
<br>
<br></div>
tony!.....luv it!!!!!.....mod fx? which?.....m<br>
<br>
</blockquote></div><br></div>Thanks,<br><br> Philtre. &gt; Faze &gt; Phlngr=
 &gt; Ampliton &gt; Smashup, <br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=
=3D- <br><font color=3D"#888888">Tony<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d99f6a3c958d04821c0b6d--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 00:04:30 2010
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Date: Thu, 18 Mar 2010 18:04:28 -0600
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Someone on this list was interested in my Boss VF1.  Who was that?=20

Kris
www.krispenhartung.com



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<DIV><FONT face=3DArial size=3D2>Someone on this list was interested in =
my Boss=20
VF1.&nbsp; Who was that? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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From glo@osb.att.ne.jp  Fri Mar 19 01:31:50 2010
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Date: Fri, 19 Mar 2010 6:41:09 +0900
From: Glory Hull <glo@osb.att.ne.jp>
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Subject: Dearest One,
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Dearest One,


It's my pleasure to contact you for a business venture, I am Miss Glory Hull the only Daugther of Mr & Mrs Hull.From Republic of Cote D'ivoire in West Africa. I intend to establish in your country, though I have not met with you before but I believe one has to risk confiding in someone to succeed sometimes in life.



 There is this huge amount of $B!x(B3.5Million  USA dollars ($3.500,000.00) which my late father deposited in a private finance company here in Abidjan before he was assasinated by unknown person or persons. Now I have decided to invest these money in your country or anywhere safe enough outside Africa for security and political crisis free. I want you to help me to transfer this fund to your country for investment purposes on the followings bellow. 




Telecommunication)
Automobile manufacturing)
Five star hotel)




If you can be of any assistance to this i will like you to tell me what you will take from me out of the total fund, as your charge to assist me get this fund out of this chaos nation. 
I will be expecting your urgent response soonest.



Thanks
Miss Glory Hull

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 02:06:38 2010
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Hey Andy, I enjoyed your clips which I finally got a chance to listen  
to.,the varispeed thing that swirls on #3, and how you evolved #1,  
good stuff. An AB release someday in the not too distant future?
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 12:21:17 2010
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Wow thanks for the info Jesse !

I was wondering why I was getting a bump in my US sales ^^.

Glad that our two apps are here side by side, that adds an even better tast=
e
to this surprise :).

Cheers !

Rapha=EBl

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Wow thanks for the info Jesse !<br><br>I was wondering why I was getting a =
bump in my US sales ^^.<br><br>Glad that our two apps are here side by side=
, that adds an even better taste to this surprise :).<br><br>Cheers !<br>
<br>Rapha=EBl<br>

--00163646bb6c22f73604822662d0--

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Subject: Replace and substitute in Mobius
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi,
After of hearing everyone sing it's praises, I finally got around to trying
Mobius.  So far so good; I think I might be selling a whole lot of hardware
soon.

I do have one issue with replace:  the audio playback drops out when I send
the command.  I really like the result though.  I tried using substitute
with zero secondary feedback.  The playback continues when I send the
command, but the resulting loop is not as clean as with replace.  I can
still hear the original sound behind the newly added sound.

I'm wondering if this is the normal fonctionality or if I'm somehow screwing
things up.  Ideally, I wouldn't want the playback to drop out when I send
the replace/substitute command and the new sound should completely replace
the old one for that slice.

Any thoughts?

thanks,
Sylvain

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<div>Hi, </div>
<div>After of hearing everyone sing it&#39;s praises, I finally got around =
to trying Mobius.=A0 So far so good; I think I might be selling a whole lot=
 of hardware soon.</div>
<div>=A0</div>
<div>I do have one issue with replace:=A0 the audio playback drops out when=
 I send the command.=A0 I really like the result though.=A0 I tried using s=
ubstitute with zero secondary feedback.=A0 The playback continues when I se=
nd the command, but the resulting loop is not as clean as with replace.=A0 =
I can still hear the original sound behind the newly added sound.</div>

<div>=A0</div>
<div>I&#39;m wondering=A0if this is the normal fonctionality or if I&#39;m =
somehow screwing things up.=A0 Ideally, I wouldn&#39;t want the playback to=
 drop out when I send the replace/substitute command and the new sound shou=
ld completely replace the old one for that slice.</div>

<div>=A0</div>
<div>Any thoughts?</div>
<div>=A0</div>
<div>thanks, </div>
<div>Sylvain</div>
<div>=A0</div>

--000e0cd32a90d9e2900482269a22--

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try putting "Secondary Feedback" to zero



Sylvain Poitras wrote:
> Hi,
> After of hearing everyone sing it's praises, I finally got around to 
> trying Mobius.  So far so good; I think I might be selling a whole lot 
> of hardware soon.
>  
> I do have one issue with replace:  the audio playback drops out when I 
> send the command.  I really like the result though.  I tried using 
> substitute with zero secondary feedback.  The playback continues when I 
> send the command, but the resulting loop is not as clean as with 
> replace.  I can still hear the original sound behind the newly added sound.
>  
> I'm wondering if this is the normal fonctionality or if I'm somehow 
> screwing things up.  Ideally, I wouldn't want the playback to drop out 
> when I send the replace/substitute command and the new sound should 
> completely replace the old one for that slice.
>  
> Any thoughts?
>  
> thanks,
> Sylvain
>  

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 13:26:43 2010
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	 <4BA37555.8070509@tiscali.co.uk>
Date: Fri, 19 Mar 2010 09:26:42 -0400
Message-ID: <2871c3a91003190626k4bf9d551sd95cf2057df1c481@mail.gmail.com>
Subject: Re: Replace and substitute in Mobius
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd51e2c5148930482274c27
Content-Type: text/plain; charset=ISO-8859-1

Yeah, I figured that was the key variable.  I still had a bit of the old
sound even at zero, though...  But knowing that it should work, I can
troubleshoot the rest.

Now that I think of it, it's likely the microphone picking up the sound from
my headphones.
thanks!

Sylvain
On Fri, Mar 19, 2010 at 9:00 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> try putting "Secondary Feedback" to zero
>
>
>
>
> Sylvain Poitras wrote:
>
>> Hi,
>> After of hearing everyone sing it's praises, I finally got around to
>> trying Mobius.  So far so good; I think I might be selling a whole lot of
>> hardware soon.
>>  I do have one issue with replace:  the audio playback drops out when I
>> send the command.  I really like the result though.  I tried using
>> substitute with zero secondary feedback.  The playback continues when I send
>> the command, but the resulting loop is not as clean as with replace.  I can
>> still hear the original sound behind the newly added sound.
>>  I'm wondering if this is the normal fonctionality or if I'm somehow
>> screwing things up.  Ideally, I wouldn't want the playback to drop out when
>> I send the replace/substitute command and the new sound should completely
>> replace the old one for that slice.
>>  Any thoughts?
>>  thanks,
>> Sylvain
>>
>>
>
>

--000e0cd51e2c5148930482274c27
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Yeah, I figured that was the key variable.=A0 I still had a bit of the=
 old sound even at zero, though...=A0 But knowing that it should work, I ca=
n troubleshoot the rest.=A0 </div>
<div>=A0</div>
<div>Now that I think of it, it&#39;s likely the microphone picking up the =
sound from my headphones.<br></div>
<div>thanks!</div>
<div>=A0</div>
<div>Sylvain<br></div>
<div class=3D"gmail_quote">On Fri, Mar 19, 2010 at 9:00 AM, andy butler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tisca=
li.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">try putting &quot;Secondary Feed=
back&quot; to zero=20
<div>
<div></div>
<div class=3D"h5"><br><br><br><br>Sylvain Poitras wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi,<br>After of hearing everyone=
 sing it&#39;s praises, I finally got around to trying Mobius. =A0So far so=
 good; I think I might be selling a whole lot of hardware soon.<br>
=A0I do have one issue with replace: =A0the audio playback drops out when I=
 send the command. =A0I really like the result though. =A0I tried using sub=
stitute with zero secondary feedback. =A0The playback continues when I send=
 the command, but the resulting loop is not as clean as with replace. =A0I =
can still hear the original sound behind the newly added sound.<br>
=A0I&#39;m wondering if this is the normal fonctionality or if I&#39;m some=
how screwing things up. =A0Ideally, I wouldn&#39;t want the playback to dro=
p out when I send the replace/substitute command and the new sound should c=
ompletely replace the old one for that slice.<br>
=A0Any thoughts?<br>=A0thanks,<br>Sylvain<br>=A0<br></blockquote><br></div>=
</div></blockquote></div><br>

--000e0cd51e2c5148930482274c27--

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Date: Fri, 19 Mar 2010 07:17:42 -0700 (PDT)
From: "Dr.John Martins" <johnmartins01@sbcglobal.net>
Reply-To: johnmartins01@sbcglobal.net
Subject: FOR YOUR DOMICILARY ACCOUNT CONTACT FINANCIAL BANK
To: undisclosed recipients: ;
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=A0
=A0=A0=A0 Attn:
you must treat this very fast now that they opportunity is available before=
 we lose it ok, there is an alternative now because there is no point wasti=
ng much time=A0 because of=A0 expensess ,and ordes problem So what i advise=
 you to do as the cheapest means to receive your total sum of ($1.5million =
usd)is to,go and set-up a Domicilairy Online Dollar Account in Financial Ba=
nk Head Quarters in Cotonou(FinancialBank of Benin)immediately so that i ca=
n easliy move the fund into the account you set-up to enable you commence w=
ithdrawal immediately bit by bit into your account in your country via, Onl=
ine smoothly and successfully,
=A0
I have all the necessary legal documents that can be used to back up your f=
und ontill you bank transfer your fund .All I require from you is=A0 honest=
 cooperation to enable us make this great benefiting transaction successful=
ly .
And you need to act fast to enable me move this your=A0 fund without delay =
now this opportunity is available.
=A0=20
To set-up the Account, contact our Bank Head Quarters in Cotonou immediatel=
y via below information:
=A0
Bank name:Financial Bank of Benin.
Bank email: shalomsears@9.cn=20
Tel: +229 99356644. make sure you call this phone number before you contact=
 them=20
=A0=20
Tell the Bank directly that you want to set-up a Domicilairy Account immedi=
ately they will tell you their requirements to set-up the Account, and afte=
r you set-up the Account forward the Account Number to me only to remit the=
 Fund in there fast of smooth without delay.This method still remains the s=
afest and
=A0
easiest way to receive your inhartiansce fund the total sum of $1.5million =
usd, to enable us to receive the Fund in your Account immediately.Follow th=
is instruction immediately and get back to me.
Thanks
John Martins


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">&nbsp;<br>&nbsp;&nbsp;&nbsp; Attn:<br>you mus=
t treat this very fast now that they opportunity is available before we los=
e it ok, there is an alternative now because there is no point wasting much=
 time&nbsp; because of&nbsp; expensess ,and ordes problem So what i advise =
you to do as the cheapest means to receive your total sum of ($1.5million u=
sd)is to,go and set-up a Domicilairy Online Dollar Account in Financial Ban=
k Head Quarters in Cotonou(FinancialBank of Benin)immediately so that i can=
 easliy move the fund into the account you set-up to enable you commence wi=
thdrawal immediately bit by bit into your account in your country via, Onli=
ne smoothly and successfully,<br>&nbsp;<br>I have all the necessary legal d=
ocuments that can be used to back up your fund ontill you bank transfer you=
r fund .All I require from you is&nbsp; honest cooperation to enable us mak=
e
 this great benefiting transaction successfully .<br>And you need to act fa=
st to enable me move this your&nbsp; fund without delay now this opportunit=
y is available.<br>&nbsp; <br>To set-up the Account, contact our Bank Head =
Quarters in Cotonou immediately via below information:<br>&nbsp;<br>Bank na=
me:Financial Bank of Benin.<br>Bank email: shalomsears@9.cn <br>Tel: +229 9=
9356644. make sure you call this phone number before you contact them <br>&=
nbsp; <br>Tell the Bank directly that you want to set-up a Domicilairy Acco=
unt immediately they will tell you their requirements to set-up the Account=
, and after you set-up the Account forward the Account Number to me only to=
 remit the Fund in there fast of smooth without delay.This method still rem=
ains the safest and<br>&nbsp;<br>easiest way to receive your inhartiansce f=
und the total sum of $1.5million usd, to enable us to receive the Fund in y=
our Account immediately.Follow this instruction immediately and get
 back to me.<br>Thanks<br>John Martins<br><br></td></tr></table>
--0-1691324918-1269008262=:52431--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 19:15:55 2010
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Subject: Galactic Travels Playlist #676 for March 18, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100318.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #676                March 18, 2010.

RECAP:
ARTIST               TRACK                ALBUM (label)
On this show, I continued the month-long focus on Mark Mahoney and
Michael Peck.  The Featured CD at Midnight was Glacial by Michael Peck
on Gears of Sand Records.

Mark Mahoney and Michael Peck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Chad Kettering       The Mesa             Voices of theAncients (none)
Chad Kettering       Earth Beat           Voices of theAncients (none)
Autistici            On a Beach of Pure   Detached Metal Voices
                       Data                 (audiobulb)
Mahoney and Peck     Fallen Are the       A Life Incandescent (Waiting
                       Pillars              World)
EPROM                Automatomicon        Mr. Wilbur's Love Story
                                            (Sounds Blue Music)
Combs Creek Haller   Approacing           Singularity (none)
                       Singularity

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael Peck         Cold Flow            Glacial (Gears of Sand)
Michael Peck         Crawl                Glacial (Gears of Sand)
Michael Peck         A Past Reflected     Glacial (Gears of Sand)
Michael Peck         A Cognitive Chaos    Glacial (Gears of Sand)
Michael Peck         Starving the         Glacial (Gears of Sand)
                       Silence
Michael Peck         The Impending        Glacial (Gears of Sand)
                       Solitude
Michael Peck         Debris from a        Glacial (Gears of Sand)
                       Thousand Landscapes
Michael Peck         Ghost Psalm          Glacial (Gears of Sand)
Fear Falls Burning   20:05                woes of the desolate mourner
                                            (Tonefloat)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Mark
Mahoney and Michael Peck.  The Featured CD at Midnight will be StarFest
2007 by Mark Mahoney and Michael Peck on Waiting World Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Fri Mar 19 20:19:24 2010
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	 <2871c3a91003190626k4bf9d551sd95cf2057df1c481@mail.gmail.com>
Date: Fri, 19 Mar 2010 15:19:23 -0500
Message-ID: <2871c3a91003191319x76859c14yed6effd0af58d572@mail.gmail.com>
Subject: Re: Replace and substitute in Mobius
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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My cheap sound card seems to be the issue.  If I use it for both input and
output, the playback bleeds over the substitute, but the problem disappears
if I send the output to another sound card and keep input and output
separated...  I guess I'm going shopping.
Sylvain


On Fri, Mar 19, 2010 at 8:26 AM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> Yeah, I figured that was the key variable.  I still had a bit of the old
> sound even at zero, though...  But knowing that it should work, I can
> troubleshoot the rest.
>
> Now that I think of it, it's likely the microphone picking up the sound
> from my headphones.
> thanks!
>
> Sylvain
> On Fri, Mar 19, 2010 at 9:00 AM, andy butler <akbutler@tiscali.co.uk>wrote:
>
>> try putting "Secondary Feedback" to zero
>>
>>
>>
>>
>> Sylvain Poitras wrote:
>>
>>> Hi,
>>> After of hearing everyone sing it's praises, I finally got around to
>>> trying Mobius.  So far so good; I think I might be selling a whole lot of
>>> hardware soon.
>>>  I do have one issue with replace:  the audio playback drops out when I
>>> send the command.  I really like the result though.  I tried using
>>> substitute with zero secondary feedback.  The playback continues when I send
>>> the command, but the resulting loop is not as clean as with replace.  I can
>>> still hear the original sound behind the newly added sound.
>>>  I'm wondering if this is the normal fonctionality or if I'm somehow
>>> screwing things up.  Ideally, I wouldn't want the playback to drop out when
>>> I send the replace/substitute command and the new sound should completely
>>> replace the old one for that slice.
>>>  Any thoughts?
>>>  thanks,
>>> Sylvain
>>>
>>>
>>
>>
>

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My cheap sound card seems to be the issue. =A0If I use it for both input an=
d output, the playback bleeds over the substitute, but the problem disappea=
rs if I send the output to another sound card and keep input and output sep=
arated... =A0I guess I&#39;m going shopping.<div>
Sylvain</div><div><br><br><div class=3D"gmail_quote">On Fri, Mar 19, 2010 a=
t 8:26 AM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.=
trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #=
ccc solid;padding-left:1ex;">
<div>Yeah, I figured that was the key variable.=A0 I still had a bit of the=
 old sound even at zero, though...=A0 But knowing that it should work, I ca=
n troubleshoot the rest.=A0 </div>
<div>=A0</div>
<div>Now that I think of it, it&#39;s likely the microphone picking up the =
sound from my headphones.<br></div>
<div>thanks!</div>
<div>=A0</div><font color=3D"#888888">
<div>Sylvain<br></div></font><div><div></div><div class=3D"h5">
<div class=3D"gmail_quote">On Fri, Mar 19, 2010 at 9:00 AM, andy butler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk" target=3D"_bla=
nk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0px =
0px 0.8ex;border-left:#ccc 1px solid">try putting &quot;Secondary Feedback&=
quot; to zero=20
<div>
<div></div>
<div><br><br><br><br>Sylvain Poitras wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0px =
0px 0.8ex;border-left:#ccc 1px solid">Hi,<br>After of hearing everyone sing=
 it&#39;s praises, I finally got around to trying Mobius. =A0So far so good=
; I think I might be selling a whole lot of hardware soon.<br>

=A0I do have one issue with replace: =A0the audio playback drops out when I=
 send the command. =A0I really like the result though. =A0I tried using sub=
stitute with zero secondary feedback. =A0The playback continues when I send=
 the command, but the resulting loop is not as clean as with replace. =A0I =
can still hear the original sound behind the newly added sound.<br>

=A0I&#39;m wondering if this is the normal fonctionality or if I&#39;m some=
how screwing things up. =A0Ideally, I wouldn&#39;t want the playback to dro=
p out when I send the replace/substitute command and the new sound should c=
ompletely replace the old one for that slice.<br>

=A0Any thoughts?<br>=A0thanks,<br>Sylvain<br>=A0<br></blockquote><br></div>=
</div></blockquote></div><br>
</div></div></blockquote></div><br></div>

--0016368e233d2a862404822d1025--

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	 <4BA37555.8070509@tiscali.co.uk>
	 <2871c3a91003190626k4bf9d551sd95cf2057df1c481@mail.gmail.com>
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Date: Fri, 19 Mar 2010 21:31:03 +0100
Message-ID: <66f9cc1e1003191331o6d001826q97e566bfc9448faf@mail.gmail.com>
Subject: Re: Replace and substitute in Mobius
From: Per Boysen <perboysen@gmail.com>
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On Fri, Mar 19, 2010 at 9:19 PM, Sylvain Poitras
<sylvain.trombone@gmail.com> wrote:
> My cheap sound card seems to be the issue. =C2=A0If I use it for both inp=
ut and
> output, the playback bleeds over the substitute, but the problem disappea=
rs
> if I send the output to another sound card and keep input and output
> separated... =C2=A0I guess I'm going shopping.
> Sylvain

Good trouble shooting! Interesting and weird issue. Didn't know that
can happen. Maybe some electromagnetic induction at the final analog
stage?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From domuniquekahn@gmail.com  Fri Mar 19 23:16:53 2010
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Date: Fri, 19 Mar 2010 19:24:38 +0100
From: DOMINIQUE STRAUSS-KAHN <domuniquekahn@gmail.com>
Subject: IRREVOCABLE RELEASE OF YOUR FUNDS US$1. 5 MILLION DOLLARS
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                                 International Monetary Fund & United Nations  Payment Prog.
                                  (Controller of Currency Administration) 
                                                          &
                                             SPECIAL DUTIES OFFICE.
                                 700 19TH.  ST. WASHINGTON, DC 20431 USA .
                                 Direct Office Security Tel./Fax: + 1-206-376-0418
         
 
                                       OUR Ref: IMF/WADC/USP10.       
 
 
GOOD DAY TO YOU AND YOUR FAMILY.
We are currently making  payment  to all overdure  funds owners & we saw your name during this process in the Central Computer among the list of unpaid Contractors, inheritance next of kin and lotto beneficiaries that was originated from Africa , Europe, Asia plus Middle East , Americans.
By the above notification, we have  been authorised by the presidency, Federal Republic of Cotonou, Benin Republic, Senegal,  Nigeria , Ghana,South-Africa, Ivory-Coast  and the governing board of  all West African countries  government & commercial banks  including courier companies to investigate the unnecessary delay of your payment to you at your home in your country . Also in this  process we saw your name  in our Central Computer  among the list of unpaid funds  owners.
 
We recommended and approve your claims for payment now as certified and genuine.The option payment we have at the moment is sending your funds to you as currently already processed & loaded in an international A.T.M CARD rightnow  to you at your any desire address in your country which you may email to you. Moreso, an arrangement has been already concluded by our branch  management  for a face to face  delivery of your A.T.M CARD containing your total  amount of  (USD$1,500,000.00)  United States Dollars now  to you  through our employed nominated diplomat, MISS. LILLIAN MORALES the diplomat incharge &  a specialist in coveying funds & moneytory related instrument like your A.T.M CARD through this means . She will be travelling to meet you face to face  in your country of domicile  to hand over your already pacelled atm card to you.
During the course of our investigation, we discovered with dismay that your payment has been unnecessarily delayed by corrupt officials of these mentioned African Countries, theirs Banks, secretaries, some mentioned Courier companies & their workers who are trying to divert your money into their private accounts, to forestall this, security  for your funds has been  organized in the form that your FUNDS  as its  currently loaded in an atm card, this will enable the security of this funds  on its way until it gets to you in your country through our diplomatic agent MISS. LILLIAN MORALES , we have also agreed with the presidency that we will handle this payment ourselves to avoid the previous  hopeless situation created by the corrupt officials of those mentioned undependable banks, organisations & etc a in Africa and in all over the places of the world nowadays ... 
 
According to information we gathered as  it appeared in our security computer we were notified that you have waited for so long to receive this payment without success, we also confirmed that you have  met all statutory requirements in respect of this your pending payment to you in your country but the delay kept existing .
By our delivery schedule, your A.T.M CARD delivery fall under the cartigory of the A.T.M CARD  PACKAGES to be monitor by our laison office in Cotonou Benin-Republic so you  are therefore advised to contact the (REV. DR. SOLSKI PIOTR) the DIRECTOR OF OUR DIPLOMATIC COURIER DEPT. OFFICE IN COTONOU, BENIN-REPUBLIC   via the thus official EMAIL ADDRESSES( revdrsolskipiotr@gmail.com )
 
Inform Rev. Solski Piotr that you received instruction from my office to contact him so that he will inform you when & the soonest date of the delivery of your atm card package delivery  to you by his office contracted  diplomatic Courier delivery Agent  MISS. LILLIAN MORALES  who is specialized in sending monetory related instruments & materials like your A.T.M CARD from one country to another, which also has diplomatic immunity to carry package (A.T.M CARD) such as yours.
 
This office has met with our  Courier Service Department , THE I.M.F GLOBAL DIPLOMATIC COURIER and concluded shipping arrangement with them, therefore shipment will commence as soon as they received your go ahead order message through their above stated  contact email addresses.
 
As for our agreement with our  IMF  GLOBAL DIPLOMATIC COURIER    director  Rev. Dr. Piotr  promised that your package will leave their Custody on the next 24 hours from the time you contacted them & inform them to  go ahead with your package shipment to you.
Also, the Director of  our IMF  GLOBAL DIPLOMATIC COURIER   said that they need your contacts informations such as the below stated,
 
YOUR FULL NAME.
YOUR HOME OR OFFICE ADDRESS WHERE YOU WILL WANT YOUR A.T.M CARD TO BE DELIVER TO YOU .
YOUR CELL, OFFICE & HOME TELEPHONE NUMBERS.
A SCAN COPY OF YOUR ID BEARING YOUR PICTURE TO ENABLE THE DIPLOMAT  RECORGNISE YOU UPON HER ARIVAL TO YOUR COUNTRY & TO AVOID DELIVERING YOUR A.T.M CARD TO A WRONG PERSON .
 
The office will need the  above stated informations to enable the diplomatic agent easily locate & meet up with you immediately she arrived to your Country so please write a letter of application detailing the above needed information to the given address below.
 
ATTN: REV. DR. SOLSKI PIOTR .
TEl: +229-9723-2470 
Fax +229 95164070
Official Email: ( revdrsolskipiotr@gmail.com )
 
Send them your above needed  information to enable the diplomatic agent locate you hence immediately she arrived to your country with your A.T.M CARD package  for its delivery to you .
The diplomat MISS LILLIAN MORALES who will bring in your  A.T.M CARD PACKAGE to you is an expert and has been in this line of work for many years, so you have noting to worry about in regards to the safety of your atm card  during this delivery process until  its arival  into your country & its final secure delivery to you  .
We seriously go along processing and arranging to ensure that you receive your funds now we are currently ondergoing a fresh funds payment scheme in reasoning to your sofar invested efforts to receive your funds as we noted in your payment file here with us. 
Infact I thank God very much for all the movement since  every thing went normally well.
 
Once again, I apologise to you on behalf Of  IMF (International Monetary  Fund) for the delay & Failure caused by those previous African financial firms to pay your funds in time, which according to records in the system had been long Overdue.
I am waiting for your urgent response. You can even call the Director of  IMF  GLOBAL  DIPLOMATIC COURIER COMPANY with this Phone Number : +229-9723-2470 .
Please maintain topmost secrecy for security reasons to enable us to perfectly use this media to help you in receiving your funds now .
We expect your urgent response to this email to enable us monitor this payment effectively.
 
CONGRATULATIONS!!!!! . 
 
DOMINIQUE STRAUSS-KAHN.
MANAGING DIRECTOR, IMF.
WASHINGTON DC , USA.....

 

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--VPcqdk7KMyyMgjyRHv=_8YO4m9RDXvM2hI0--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 08:22:17 2010
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Date: Sat, 20 Mar 2010 04:21:44 -0400
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, March 20 at 6 am EDT/UTC-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
1.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 11:36:36 2010
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Subject: looking for a half rack mixer with sends
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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--0016367fae4d06fcd0048239e092
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hey gang,
im still looking for a half rack mixer with aux sends and at least 6
inputs,somebody mentioned the boss mx10 if anybody has any other suggestions
or one for sale let me know.
cheers
Luis

--0016367fae4d06fcd0048239e092
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hey gang,<br>im still looking for a half rack mixer with aux sends and at least 6 inputs,somebody mentioned the boss mx10 if anybody has any other suggestions or one for sale let me know.<br>cheers<br>Luis<br>

--0016367fae4d06fcd0048239e092--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 15:32:48 2010
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Date: Sat, 20 Mar 2010 11:32:44 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Chez Mosc Today + Spring Equinox All Day Event
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EST (GMT-5), Howard 
Moscovitz and I will stream a live, improvised concert from Howard's 
living room.  (Hence the title of the broadcast.)  On today's show, we 
will be part of the Spring Equinox 2010 broadcast on electro-music 
radio.  I hope that you'll "tune in" despite the irreparable brain 
damage it may cause you.     ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are living in or near the Lehigh Valley or plan to be 
passing through the area, please let me or Howard know if you'd care to 
join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 16:23:01 2010
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Date: Sat, 20 Mar 2010 17:22:58 +0100
From: "Nadia Salom" <nadia.salom@gmx.de>
Message-ID: <20100320162258.245270@gmx.net>
MIME-Version: 1.0
Subject: Live Broadcast: World Water Day
To: Loopers-Delight@loopers-delight.com
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--========GMXBoundary245271269102178327412
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hi loopers, you are all invited to watch a live broadcast performance this 
coming monday... world water day... 

all the best
nadia


Invitation:

 World Water Day
 March 22nd, 2010

 International World Water Day is held annually on 22 March as a means of 
focusing attention on the importance of fresh water. An international day 
to celebrate fresh water was recommended at the 1992 United Nations 
Conference on Environment and Development (UNCED). UN &ndash; Water has 
chosen Communicating Water Quality Challenges and Opportunities as theme 
for World Water Day 2010.

 Music Performance by Nadia Salom (nirmala07) and Astrid Hagenguth

 including "Yemanja" or "Water Song" with recordings of water from around 
the world.

 HBK Braunschweig
 Johannes Selenka Platz 1
 Gebäude 05/Raum 206 Ton Studio

 21:00 GMT +1

 LIVE BROADCAST: http://www.ustream.com/nirmala07

 World Water Day Infos: 
 http://www.worldwaterday.org/page/2641
 http://www.unwater.org/statistics.html


 
    
-- 
Nadia Salom
http://www.ubetoo.com/nirmala07
http://www.nirmala07.net

Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

--========GMXBoundary245271269102178327412
Content-Type: text/html; charset="utf-8"
Content-Transfer-Encoding: quoted-printable

<html>
    <head>
        <title></title>
        <style type=3D"text/css" media=3D"screen">
body {font-family: verdana, arial, helvetica, sans-serif;font-size: 12px;pa=
dding: 5px;margin: 0;background-color: #FFF;}
p, ul, li {margin-top: 0;margin-bottom: 0;}
blockquote {margin-left: 5px;}
div.signature {color: #666;font-size: 0.9em;}
</style>
    </head>
    <body>
        hi loopers, you are all invited to watch a live broadcast performan=
ce this coming monday... world water day... <br /><br />all the best<br />n=
adia<br /><br /><br />Invitation:<br /><br /> World Water Day<br /> March 2=
2nd, 2010<br /><br /> International World Water Day is held annually on 22 =
March as a means of focusing attention on the importance of fresh water. An=
 international day to celebrate fresh water was recommended at the 1992 Uni=
ted Nations Conference on Environment and Development (UNCED). UN &ndash; W=
ater has chosen Communicating Water Quality Challenges and Opportunities as=
 theme for World Water Day 2010.<br /><br /> Music Performance by Nadia Sal=
om (nirmala07) and Astrid Hagenguth<br /><br /> including &quot;Yemanja&quo=
t; or &quot;Water Song&quot; with recordings of water from around the world=
.<br /><br /> HBK Braunschweig<br /> Johannes Selenka Platz 1<br /> Geb&aum=
l;ude 05/Raum 206 Ton Studio<br /><br /> 21:00 GMT +1<br /><br /> LIVE BROA=
DCAST: <a target=3D"_blank" href=3D"../../cgi/derefer?TYPE=3D3&amp;DEST=3Dh=
ttp%3A%2F%2Fwww.ustream.com%2Fnirmala07">http://www.ustream.com/nirmala07</=
a><br /><br /> World Water Day Infos: <br /> <a target=3D"_blank" href=3D".=
./../cgi/derefer?TYPE=3D3&amp;DEST=3Dhttp%3A%2F%2Fwww.worldwaterday.org%2Fp=
age%2F2641">http://www.worldwaterday.org/page/2641</a><br /> <a target=3D"_=
blank" href=3D"../../cgi/derefer?TYPE=3D3&amp;DEST=3Dhttp%3A%2F%2Fwww.unwat=
er.org%2Fstatistics.html">http://www.unwater.org/statistics.html</a><br /><=
br /><br /> <br />
    <div class=3D"signature"><br /><br /><br />-- <br />Nadia Salom=0D<br /=
>
http://www.ubetoo.com/nirmala07=0D<br />
http://www.nirmala07.net<br />
<br />
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br />je=
tzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser</div></b=
ody>
</html>

--========GMXBoundary245271269102178327412--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 16:56:35 2010
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Date: Sat, 20 Mar 2010 16:56:27 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: OT: releasedate new mac pro - macbook pro?
To: loopers-delight@loopers-delight.com
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--0-1942430502-1269104187=:29310
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Hi=A0
Are there any news about releasedate on new mac?
best regards=A0
Rune F.=A0=0A=0A__________________________________________________=0ABruker=
 du Yahoo!?=0ALei av spam?  Yahoo! Mail har den beste spambeskyttelsen =0Ah=
ttp://no.mail.yahoo.com 
--0-1942430502-1269104187=:29310
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi&nbsp;<div><br></div><div>Are there any new=
s about releasedate on new mac?</div><div><br></div><div>best regards&nbsp;=
</div><div><br></div><div>Rune F.&nbsp;</div></td></tr></table><br>________=
__________________________________________<br>Bruker du Yahoo!?<br>Lei av s=
pam?  Yahoo! Mail har den beste spambeskyttelsen <br>http://no.mail.yahoo.c=
om 
--0-1942430502-1269104187=:29310--

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Date: Sat, 20 Mar 2010 18:07:21 +0100
Message-ID: <66f9cc1e1003201007l2c78f9a6p40786ea99af05128@mail.gmail.com>
Subject: Re: OT: releasedate new mac pro - macbook pro?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Mar 20, 2010 at 5:56 PM, rune fagereng <rune_fagereng@yahoo.no>wrote:

> Are there any news about releasedate on new mac?



No. But for rumors, check out
http://www.macrumors.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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On Sat, Mar 20, 2010 at 5:56 PM, rune fagereng <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a>&gt;</span> w=
rote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Are there any news about releasedate on new mac?</blockquote></div><br><div=
><br></div><div>No. But for rumors, check out=C2=A0</div><div><a href=3D"ht=
tp://www.macrumors.com/">http://www.macrumors.com/</a></div><div><br></div>=
<div>
Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a href=3D"http://www.boys=
en.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.com">www.perboy=
sen.com</a></div>

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Date: Sat, 20 Mar 2010 10:41:02 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT: releasedate new mac pro - macbook pro?
To: Loopers-Delight@loopers-delight.com
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there is a new macbook pro about to be released? Need to know I am coming t=
o the US in a short while and intending to bring a pro back home with me:)=
=0Aantony hequet=0A=0A=0A=0A=0A________________________________=0AFrom: run=
e fagereng <rune_fagereng@yahoo.no>=0ATo: loopers-delight@loopers-delight.c=
om=0ASent: Sat, March 20, 2010 5:56:27 PM=0ASubject: OT: releasedate new ma=
c pro - macbook pro?=0A=0A=0AHi=A0 =0A=0AAre there any news about releaseda=
te on new mac?=0A=0Abest regards=A0=0A=0ARune F.=A0 =0A____________________=
______________________________=0ABruker du Yahoo!?=0ALei av spam? Yahoo! Ma=
il har den beste spambeskyttelsen =0Ahttp://no.mail.yahoo.com=0A=0A=0A     =
 
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><DIV>there is a new macbook pro about to be released? Need to know I a=
m coming to the US in a short while and intending to bring a pro back home =
with me:)</DIV>=0A<DIV>antony hequet<BR></DIV>=0A<DIV style=3D"FONT-FAMILY:=
 arial, helvetica, sans-serif; FONT-SIZE: 14pt"><BR>=0A<DIV style=3D"FONT-F=
AMILY: times new roman, new york, times, serif; FONT-SIZE: 12pt"><FONT size=
=3D2 face=3DTahoma>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">=
From:</SPAN></B> rune fagereng &lt;rune_fagereng@yahoo.no&gt;<BR><B><SPAN s=
tyle=3D"FONT-WEIGHT: bold">To:</SPAN></B> loopers-delight@loopers-delight.c=
om<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sat, March 20, =
2010 5:56:27 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B>=
 OT: releasedate new mac pro - macbook pro?<BR></FONT><BR>=0A<TABLE border=
=3D0 cellSpacing=3D0 cellPadding=3D0>=0A<TBODY>=0A<TR>=0A<TD vAlign=3Dtop>H=
i&nbsp; =0A<DIV><BR></DIV>=0A<DIV>Are there any news about releasedate on n=
ew mac?</DIV>=0A<DIV><BR></DIV>=0A<DIV>best regards&nbsp;</DIV>=0A<DIV><BR>=
</DIV>=0A<DIV>Rune F.&nbsp;</DIV></TD></TR></TBODY></TABLE><BR>____________=
______________________________________<BR>Bruker du Yahoo!?<BR>Lei av spam?=
 Yahoo! Mail har den beste spambeskyttelsen <BR>http://no.mail.yahoo.com</D=
IV></DIV></div><br>=0A=0A      </body></html>
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 20 Mar 2010 13:53:06 -0400
Subject: Re: Live Broadcast: World Water Day
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 Hello Nadia
Will there be any videos to view after the event?

  ----- Original Message -----
  From: "Nadia Salom"
  To: Loopers-Delight@loopers-delight.com
  Subject: Live Broadcast: World Water Day
  Date: Sat, 20 Mar 2010 17:22:58 +0100

  hi loopers, you are all invited to watch a live broadcast performance
  this coming monday... world water day...

  all the best
  nadia


  Invitation:

  World Water Day
  March 22nd, 2010

  International World Water Day is held annually on 22 March as a means
  of focusing attention on the importance of fresh water. An
  international day to celebrate fresh water was recommended at the
  1992 United Nations Conference on Environment and Development
  (UNCED). UN &#8211; Water has chosen Communicating Water Quality
  Challenges and Opportunities as theme for World Water Day 2010.

  Music Performance by Nadia Salom (nirmala07) and Astrid Hagenguth

  including "Yemanja" or "Water Song" with recordings of water from
  around the world.

  HBK Braunschweig
  Johannes Selenka Platz 1
  Geb=E4ude 05/Raum 206 Ton Studio

  21:00 GMT +1

  LIVE BROADCAST: http://www.ustream.com/nirmala07

  World Water Day Infos:
  http://www.worldwaterday.org/page/2641
  http://www.unwater.org/statistics.html






  --
  Nadia Salom
  http://www.ubetoo.com/nirmala07
  http://www.nirmala07.net

  Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
  jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser




Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57[IMAGE]

--=20
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<DIV>
Hello Nadia</DIV><DIV><BR></DIV><DIV>Will there be any videos to view after=
 the event?<BR>
<BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Nadia Salom" <nadia .salom@gmx.de=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Live Broadcast: World Water Day<BR>
Date: Sat, 20 Mar 2010 17:22:58 +0100<BR>
<BR>


=20=20=20=20
=20=20=20=20=20=20=20=20
        <STYLE type=3D"text/css" media=3D"screen">
body {font-family: verdana, arial, helvetica, sans-serif;font-size: 12px;pa=
dding: 5px;margin: 0;background-color: #FFF;}
p, ul, li {margin-top: 0;margin-bottom: 0;}
blockquote {margin-left: 5px;}
div.signature {color: #666;font-size: 0.9em;}
</STYLE>
=20=20=20=20
=20=20=20=20
        hi loopers, you are all invited to watch a live broadcast performan=
ce this coming monday... world water day... <BR><BR>all the best<BR>nadia<B=
R><BR><BR>Invitation:<BR><BR> World Water Day<BR> March 22nd, 2010<BR><BR> =
International World Water Day is held annually on 22 March as a means of fo=
cusing attention on the importance of fresh water. An international day to =
celebrate fresh water was recommended at the 1992 United Nations Conference=
 on Environment and Development (UNCED). UN &#8211; Water has chosen Commun=
icating Water Quality Challenges and Opportunities as theme for World Water=
 Day 2010.<BR><BR> Music Performance by Nadia Salom (nirmala07) and Astrid =
Hagenguth<BR><BR> including "Yemanja" or "Water Song" with recordings of wa=
ter from around the world.<BR><BR> HBK Braunschweig<BR> Johannes Selenka Pl=
atz 1<BR> Geb=E4ude 05/Raum 206 Ton Studio<BR><BR> 21:00 GMT +1<BR><BR> LIV=
E BROADCAST: <A target=3D"_blank" href=3D"../../cgi/derefer?TYPE=3D3&amp;DE=
ST=3Dhttp%3A%2F%2Fwww.ustream.com%2Fnirmala07">http://www.ustream.com/nirma=
la07</A><BR><BR> World Water Day Infos: <BR> <A target=3D"_blank" href=3D".=
./../cgi/derefer?TYPE=3D3&amp;DEST=3Dhttp%3A%2F%2Fwww.worldwaterday.org%2Fp=
age%2F2641">http://www.worldwaterday.org/page/2641</A><BR> <A target=3D"_bl=
ank" href=3D"../../cgi/derefer?TYPE=3D3&amp;DEST=3Dhttp%3A%2F%2Fwww.unwater=
.org%2Fstatistics.html">http://www.unwater.org/statistics.html</A><BR><BR><=
BR> <BR>
    <DIV class=3D"signature"><BR><BR><BR>-- <BR>Nadia Salom=0D<BR>
http://www.ubetoo.com/nirmala07=0D<BR>
http://www.nirmala07.net<BR>
<BR>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<BR>jetz=
t kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser</DIV>


</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
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ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 21:36:15 2010
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Date: Sat, 20 Mar 2010 22:36:11 +0100
From: "Nadia Salom" <nadia.salom@gmx.de>
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Subject: Re: Live Broadcast: World Water Day
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yes there will! also here is a world clock of the performance just in case 
anybody wants to find out the timing...
        

http://www.timeanddate.com/worldclock/fixedtime.html?day=22&month=3&year=2010&hour=21&min=0&sec=0&p1=37 
       

all the best
nadia 
>         -------- Original-Nachricht --------
> Datum: Sat, 20 Mar 2010 13:53:06 -0400
> Von: "Mark Showalter" <folkstone57@operamail.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Live Broadcast: World Water Day
> 
>          Hello Nadia        
>         Will there be any videos to view after the event?
> 
> 
> > ----- Original Message -----
> >  From: "Nadia Salom" 
> >  To: Loopers-Delight@loopers-delight.com
> >  Subject: Live Broadcast: World Water Day
> >  Date: Sat, 20 Mar 2010 17:22:58 +0100
> > 
> >                    hi loopers, you are all invited to watch a live 
> > broadcast performance this coming monday... world water day... 
> > 
> > all the best
> > nadia
> > 
> > 
> > Invitation:
> > 
> >  World Water Day
> >  March 22nd, 2010
> > 
> >  International World Water Day is held annually on 22 March as a means 
> > of focusing attention on the importance of fresh water. An 
> > international day to celebrate fresh water was recommended at the 1992 
> > United Nations Conference on Environment and Development (UNCED). UN 
> > &ndash; Water has chosen Communicating Water Quality Challenges and 
> > Opportunities as theme for World Water Day 2010.
> > 
> >  Music Performance by Nadia Salom (nirmala07) and Astrid Hagenguth
> > 
> >  including "Yemanja" or "Water Song" with recordings of water from 
> > around the world.
> > 
> >  HBK Braunschweig
> >  Johannes Selenka Platz 1
> >  Gebäude 05/Raum 206 Ton Studio
> > 
> >  21:00 GMT +1
> > 
> >  LIVE BROADCAST: http://www.ustream.com/nirmala07
> > 
> >  World Water Day Infos: 
> > http://www.ustream.com/nirmala07
> > 
> >  World Water Day Infos: 
> > http://www.worldwaterday.org/page/2641
> > http://www.unwater.org/statistics.html
> > 
> > 
> > 
> >         http://www.unwater.org/statistics.html
> > 
> > 
> > 
> >          
> > 
> > 
> > -- 
> > Nadia Salom 
> >  http://www.ubetoo.com/nirmala07 
> >  http://www.nirmala07.net
> > 
> >  Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> > jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser    
> >             
>  
> 
> 
>         Mark Showalter Minden Jot!  myspace.com/folkstone57 
> last.fm/folkstone57                  
>   --        
> 
> _______________________________________________
> Surf the Web in a faster, safer and easier way:
>  Download Opera 9 at http://www.opera.com        
>  Powered by Outblaze
    
-- 
Nadia Salom
http://www.ubetoo.com/nirmala07
http://www.nirmala07.net

Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

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<html>
    <head>
    </head>
    <body style=3D"margin: 0pt; padding: 0pt;">
        yes there will! also here is a world clock of the performance just =
in case anybody wants to find out the timing...<br />
        <h3 data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" class=3D"UIInten=
tionalStory_Message"><span class=3D"UIStory_Message"><a onmousedown=3D"Untr=
ustedLink.bootstrap($(this), &quot;59e445b3d7a6771936ca83a0c00cbcd6&quot;, =
event)" rel=3D"nofollow" target=3D"_blank" href=3D"http://www.timeanddate.c=
om/worldclock/fixedtime.html?day=3D22&amp;month=3D3&amp;year=3D2010&amp;hou=
r=3D21&amp;min=3D0&amp;sec=3D0&amp;p1=3D37"><span>http://www.timeanddate.co=
m/worldclock/fi</span><wbr></wbr><span class=3D"word_break"></span><span>xe=
dtime.html?day=3D22&amp;month=3D3&amp;year=3D2010&amp;ho</span><wbr></wbr><=
span class=3D"word_break"></span>ur=3D21&amp;min=3D0&amp;sec=3D0&amp;p1=3D3=
7</a></span></h3>
        <br /><br />all the best<br />nadia <blockquote type=3D"cite">
        <p>-------- Original-Nachricht --------<br />Datum: Sat, 20 Mar 201=
0 13:53:06 -0400<br />Von: &quot;Mark Showalter&quot; &lt;folkstone57@opera=
mail.com&gt;<br />An: Loopers-Delight@loopers-delight.com<br />Betreff: Re:=
 Live Broadcast: World Water Day<br /><br /></p>
        <div> Hello Nadia</div>
        <div><br /></div>
        <div>Will there be any videos to view after the event?<br /><br /><=
blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5=
px; padding-left: 5px;">----- Original Message -----<br /> From: &quot;Nadi=
a Salom&quot; <br /> To: Loopers-Delight@loopers-delight.com<br /> Subject:=
 Live Broadcast: World Water Day<br /> Date: Sat, 20 Mar 2010 17:22:58 +010=
0<br /><br /><style media=3D"screen" type=3D"text/css">
body {font-family:verdana, arial, helvetica, sans-serif;font-size:12px;padd=
ing:5px;margin:0;background-color:#FFF;}
p, ul, li {margin-top:0;margin-bottom:0;}
blockquote {margin-left:5px;}
div.signature {color:#666;font-size:0.9em;}

body {font-family:verdana, arial, helvetica, sans-serif;font-size:12px;padd=
ing:5px;margin:0;background-color:#FFF;}
p, ul, li {margin-top:0;margin-bottom:0;}
blockquote {margin-left:5px;}
div.signature {color:#666;font-size:0.9em;}</style>                   hi lo=
opers, you are all invited to watch a live broadcast performance this comin=
g monday... world water day... <br /><br />all the best<br />nadia<br /><br=
 /><br />Invitation:<br /><br /> World Water Day<br /> March 22nd, 2010<br =
/><br /> International World Water Day is held annually on 22 March as a me=
ans of focusing attention on the importance of fresh water. An internationa=
l day to celebrate fresh water was recommended at the 1992 United Nations C=
onference on Environment and Development (UNCED). UN &ndash; Water has chos=
en Communicating Water Quality Challenges and Opportunities as theme for Wo=
rld Water Day 2010.<br /><br /> Music Performance by Nadia Salom (nirmala07=
) and Astrid Hagenguth<br /><br /> including &quot;Yemanja&quot; or &quot;W=
ater Song&quot; with recordings of water from around the world.<br /><br />=
 HBK Braunschweig<br /> Johannes Selenka Platz 1<br /> Geb&auml;ude 05/Raum=
 206 Ton Studio<br /><br /> 21:00 GMT +1<br /><br /> LIVE BROADCAST: <a hre=
f=3D"" target=3D"_blank">http://www.ustream.com/nirmala07</a><br /><br /> W=
orld Water Day Infos: <br /><a target=3D" _fcksavedurl=3D">http://www.ustre=
am.com/nirmala07</a><br /><br /> World Water Day Infos: <br /><a href=3D"" =
target=3D"_blank">http://www.worldwaterday.org/page/2641</a><br /><a href=
=3D"" target=3D"_blank">http://www.unwater.org/statistics.html</a><br /><br=
 /><br /><br />
        <div class=3D" _fcksavedurl=3D">http://www.unwater.org/statistics.h=
tml<br /><br /><br /><br />
        <div class=3D"signature"> <br /><br /><br />-- <br />Nadia Salom <b=
r /> <a href=3D"http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirm=
ala07</a> <br /> <a href=3D"http://www.nirmala07.net">http://www.nirmala07.=
net</a><br /><br /> Sicherer, schneller und einfacher. Die aktuellen Intern=
et-Browser -<br />jetzt kostenlos herunterladen! <a href=3D"http://portal.g=
mx.net/de/go/chbrowser">http://portal.gmx.net/de/go/chbrowser</a></div>
        </div>
        </blockquote> <br /><br /><br />
        <pre>Mark Showalter Minden Jot!  myspace.com/folkstone57 last.fm/fo=
lkstone57 <a target=3D"_blank" href=3D"http://www.mylivesignature.com"><img=
 style=3D"border: 0pt none ; background: transparent none repeat scroll 0% =
0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-bac=
kground-inline-policy: continuous;" src=3D"http://signatures.mylivesignatur=
e.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png" alt=3D"" /></a> </pre>
        </div>
        <br />  --
        <p>_______________________________________________<br />Surf the We=
b in a faster, safer and easier way:<br /> Download Opera 9 at <a target=3D=
"_blank" href=3D"http://www.opera.com">http://www.opera.com</a></p>
        <br /> Powered by Outblaze</blockquote>
    <div class=3D"signature"><br /><br /><br />-- <br />Nadia Salom=0D<br /=
>
http://www.ubetoo.com/nirmala07=0D<br />
http://www.nirmala07.net<br />
<br />
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br />je=
tzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser</div></b=
ody>
</html>

--========GMXBoundary245361269120971129993--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 22:04:26 2010
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Date: Sat, 20 Mar 2010 18:04:24 -0400
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Subject: VirtualGigSpam: Digitsignal Live tomorrow morning
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0023545bd49c9d65e4048242a5db
Content-Type: text/plain; charset=ISO-8859-1

Digitsignal the NinJam/Livestream virtual quintet featuring Peter Thorn
(Sweden), Jim Goodin (USA), Ray Istorico (USA), Jeff Duke (USA) and Steve
Moyes (England), will be doing a live video webcast tomorrow morning (Mar
21) at 11am EST on URL www.livestream.com/digitsignallive.

Historically our ensemble has been using video cover for our live audio
casts using a 'classic' or 'art' film while we were trying to figure out a
way to have 5 different webcam sources live at once without interrupting
NinJam audio.  We have worked it out and will be tomorrow for the first time
viewable in our cast from our various locales.  We are using a desktop
viewer to integrate our 5 worlds.  If that proves unstable we will go to a
film and have the early silent film, 'The Deerslayer' in que should we need
but hopefully we won't.

To find our exact broadcast time in your locale visit
www.timeanddate.com/worldclock/converter.html.

Digitsignal has a new digital distribution recording and CD recorded during
February as part of the www.rpmchallenge.com.  The record is called Absence
Of Being and is on Bandcamp at digitsignal.bandcamp.com.

We hope to see you connect with us tomorrow morning at 11am.

Good weekend


Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0023545bd49c9d65e4048242a5db
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Digitsignal the NinJam/Livestream virtual quintet featuring Peter Thorn (Sw=
eden), Jim Goodin (USA), Ray Istorico (USA), Jeff Duke (USA) and Steve Moye=
s (England), will be doing a live video webcast tomorrow morning (Mar 21) a=
t 11am EST on URL <a href=3D"http://www.livestream.com/digitsignallive">www=
.livestream.com/digitsignallive</a>.<br>
<br>Historically our ensemble has been using video cover for our live audio=
 casts using a &#39;classic&#39; or &#39;art&#39; film while we were trying=
 to figure out a way to have 5 different webcam sources live at once withou=
t interrupting NinJam audio.=A0 We have worked it out and will be tomorrow =
for the first time viewable in our cast from our various locales.=A0 We are=
 using a desktop viewer to integrate our 5 worlds.=A0 If that proves unstab=
le we will go to a film and have the early silent film, &#39;The Deerslayer=
&#39; in que should we need but hopefully we won&#39;t.<br>
<br>To find our exact broadcast time in your locale visit <a href=3D"http:/=
/www.timeanddate.com/worldclock/converter.html">www.timeanddate.com/worldcl=
ock/converter.html</a>.<br><br>Digitsignal has a new digital distribution r=
ecording and CD recorded during February as part of the <a href=3D"http://w=
ww.rpmchallenge.com">www.rpmchallenge.com</a>.=A0 The record is called Abse=
nce Of Being and is on Bandcamp at <a href=3D"http://digitsignal.bandcamp.c=
om">digitsignal.bandcamp.com</a>.<br>
<br>We hope to see you connect with us tomorrow morning at 11am.<br><br>Goo=
d weekend<br><br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspectiv=
e textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.=
com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0023545bd49c9d65e4048242a5db--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 22:08:51 2010
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From: Walker Argendeli <heckler0077@bellsouth.net>
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Subject: New Loopers
Date: Sat, 20 Mar 2010 18:08:19 -0400
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To: Loopers-Delight@loopers-delight.com
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For several weeks now, I've been getting ready to buy a serious loop =
pedal.  I've been looking around, investigating, and trying to determine =
which is right for me.  I'd like one of the more powerful ones, a la =
RC-50 or Echoplex.
I realize that software like Ableton is regularly updated, but I'd like =
a pedal.  The problem is, RC-50 has been out for awhile, yet some basic =
flaws remain while Boss/Roland completely ignores users.  The powerful =
Echoplex (gibson digital pro plus) was discontinued some years ago.  =
Thus, I'm stuck- what do I buy?  Are there any rumblings of new loopers =
on the horizon, whether that's a boss rehaul (or even firmware update), =
a new echoplex, or something else?  I'd like something with a lot of =
features (I realize I won't use many of them, but I like to have them =
for tinkering), but I don't want to be stuck with the limitations of =
current ones.
Granted, if nobody's heard anything, that leaves me with the current =
product lineup.  What's the general consensus: RC-50, echoplex (bought =
used), or something else?

Thanks,
Walker=

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 23:02:55 2010
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Date: Sun, 21 Mar 2010 00:02:54 +0100
Message-ID: <66f9cc1e1003201602l3dbb536dide0ae7de679fcddc@mail.gmail.com>
Subject: Re: New Loopers
From: Per Boysen <perboysen@gmail.com>
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On Sat, Mar 20, 2010 at 11:08 PM, Walker Argendeli
<heckler0077@bellsouth.net> wrote:
> getting ready to buy a serious loop pedal. =C2=A0I've been looking around=
, investigating,


Check out the new Looperlative (the smaller one). Maybe spec's are up
at their site now. Anyway, you can search it in this list's archive
and find a lot of information on that pedal. Brand new product, very
good set of features.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 20 23:14:06 2010
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Date: Sat, 20 Mar 2010 16:14:04 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: New Loopers
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Resent-Date: Sat, 20 Mar 2010 23:14:06 +0000 (UTC)

Just checked the site and only the LP1 at $1249 is there.=0A=0AI'd like to =
know more about the new one!=0A=0A-t-=0A=0A=0A--- On Sat, 3/20/10, Per Boys=
en <perboysen@gmail.com> wrote:=0A=0A> From: Per Boysen <perboysen@gmail.co=
m>=0A> Subject: Re: New Loopers=0A> To: Loopers-Delight@loopers-delight.com=
=0A> Date: Saturday, March 20, 2010, 7:02 PM=0A> On Sat, Mar 20, 2010 at 11=
:08 PM,=0A> Walker Argendeli=0A> <heckler0077@bellsouth.net>=0A> wrote:=0A>=
 > getting ready to buy a serious loop pedal. =A0I've been=0A> looking arou=
nd, investigating,=0A> =0A> =0A> Check out the new Looperlative (the smalle=
r one). Maybe=0A> spec's are up=0A> at their site now. Anyway, you can sear=
ch it in this list's=0A> archive=0A> and find a lot of information on that =
pedal. Brand new=0A> product, very=0A> good set of features.=0A> =0A> Greet=
ings from Sweden=0A> =0A> Per Boysen=0A> www.boysen.se=0A> www.perboysen.co=
m=0A> =0A> =0A=0A=0A      

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	 <273443.1671.qm@web45309.mail.sp1.yahoo.com>
Date: Sun, 21 Mar 2010 00:22:08 +0100
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Subject: Re: New Loopers
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 21, 2010 at 12:14 AM, Tim Nelson <psychle62@yahoo.com> wrote:
> Just checked the site and only the LP1 at $1249 is there.
>
> I'd like to know more about the new one!


It is in this list's archives. Search it and you will find! An
extensive feature-set has been posted here.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 01:09:51 2010
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Date: Sat, 20 Mar 2010 18:09:49 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: New Loopers
To: Loopers-Delight@loopers-delight.com
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i found a page with specs:


http://www.gearjunkies.com/news_info.php?news_id=4621




--- On Sat, 3/20/10, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: New Loopers
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, March 20, 2010, 6:22 PM
> On Sun, Mar 21, 2010 at 12:14 AM, Tim
> Nelson <psychle62@yahoo.com>
> wrote:
> > Just checked the site and only the LP1 at $1249 is
> there.
> >
> > I'd like to know more about the new one!
> 
> 
> It is in this list's archives. Search it and you will find!
> An
> extensive feature-set has been posted here.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 08:43:00 2010
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Tim Nelson wrote:
> Just checked the site and only the LP1 at $1249 is there.
> 
> I'd like to know more about the new one!
> 
> -t-
> 

Well, so would we all
:-)
c'mon Rick, let's have a bit more tech talk from the
Looperlative camp.

There's a lot of unanswered questions about the feature list.
So far, all we know for sure it's that it's a souped up
DL4 without the delay models, with some kind of loop 
storage, and some kind of midi sync.

Walker Argendeli wrote:
> For several weeks now, I've been getting ready to buy a serious loop pedal. 

As to the original question, the best answer is probably
the Looperlative LP1, perhaps starting with a simple
midi controller for it (fcb1010) and moving on to
Gordius Little Giant if there's a need to soup up
the features.

The Boomerang III is also worth looking into.

However, as the technical spec for the desired product is
"serious" there's no way to tell if an EDP will provide
gratification or not.




andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 11:50:51 2010
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Date: Sun, 21 Mar 2010 12:50:47 +0100
From: "Nadia Salom" <nadia.salom@gmx.de>
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Subject: Berhinger FCB1010 CC Values w/ Ableton Looper
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hi, what are the best CC Values to input into the Behringer to activate the 
Looper record function. I would like it to start recording when I step on 
pedal 5 and stop recording but continue playback when I step on it again, 
and then start again if I click once more. Right now, after a second click 
it undos my recording, and then with another click, it starts recording for 
a few seconds and then returns to playback. 

and also is there a particular cc number that ought to be set for the 
looper function... is 64 the best number or can I use any number? i am 
using an axiom pro keyboard and a launchpad, and left those both to use 
channel 1, and put my behringer on channel 5... so there shouldnt be any 
interferences...

my settings for pedal 5 is control 1: 64 : Value 127, exp1 : cc 40 0-127 
exp2 : cc 41 0-127

also my second expression pedal isnt working... do I need to configure the 
expression pedals in the behringer??

I am using iFCB to do the configurations...

would appreciate any help,

best
nadia    
-- 
Nadia Salom
http://www.ubetoo.com/nirmala07
http://www.nirmala07.net

GMX.at - Österreichs FreeMail-Dienst mit über 2 Mio Mitgliedern
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body {font-family: verdana, arial, helvetica, sans-serif;font-size: 12px;pa=
dding: 5px;margin: 0;background-color: #FFF;}
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    <body>
        hi, what are the best CC Values to input into the Behringer to acti=
vate the Looper record function. I would like it to start recording when I =
step on pedal 5 and stop recording but continue playback when I step on it =
again, and then start again if I click once more. Right now, after a second=
 click it undos my recording, and then with another click, it starts record=
ing for a few seconds and then returns to playback. <br /><br />and also is=
 there a particular cc number that ought to be set for the looper function.=
.. is 64 the best number or can I use any number? i am using an axiom pro k=
eyboard and a launchpad, and left those both to use channel 1, and put my b=
ehringer on channel 5... so there shouldnt be any interferences...<br /><br=
 />my settings for pedal 5 is control 1: 64 : Value 127, exp1 : cc 40 0-127=
 exp2 : cc 41 0-127<br /><br />also my second expression pedal isnt working=
... do I need to configure the expression pedals in the behringer??<br /><b=
r />I am using iFCB to do the configurations...<br /><br />would appreciate=
 any help,<br /><br />best<br />nadia
    <div class=3D"signature"><br /><br /><br />-- <br />Nadia Salom=0D<br /=
>
http://www.ubetoo.com/nirmala07=0D<br />
http://www.nirmala07.net<br />
<br />
GMX.at - =C3=96sterreichs FreeMail-Dienst mit =C3=BCber 2 Mio Mitgliedern<b=
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 12:57:27 2010
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Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
From: Per Boysen <perboysen@gmail.com>
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To use CC#'s is not the best option with the FCB pedal. You should
really go with notes instead right from the beginning. Use CC#s with
continuous functions (like volume, pan, feedback or anything that
isn't simply "on" or "off"). The functions you mention are all of
on/off character and this is well supported by the Looper plugin of
Live's.

The settings you ask for are to be set in the plugin. I think this is
explained in just a half page in the manual. You could also open that
little "online manual" box at the lower left corner that displays text
information about any part of Live that you move the mouse pointer
over.

Regarding the "not working" expression pedal it may have many causes.
I've seen many brand new FCB's where the expression pedals did not
work at all until you calibrate them. The manual can tell you how to
do that and there are also fine descriptions posted on the web by
users (Google them if you don't like the manual, few does ;-)

The problem can also be that you are using a patch that doesn't
include the second expression pedal. For each patch you create you
have to decide both which pedal/button functions ("pads" as they are
called in the manual) should be active and what specific message they
should send when kicked. For the two expression pedals you can also
set the range - like if you want it to go only from CC value 30 to 128
instead as the usual 1 - 128. Expression pedal settings deteriorate
over time as well (!) so even if you program the pedal to go 1 -128 it
may in fact only send out values 4 - 118, or whatever. Calibrating
fixes this.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 21, 2010 at 12:50 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> hi, what are the best CC Values to input into the Behringer to activate t=
he
> Looper record function. I would like it to start recording when I step on
> pedal 5 and stop recording but continue playback when I step on it again,
> and then start again if I click once more. Right now, after a second clic=
k
> it undos my recording, and then with another click, it starts recording f=
or
> a few seconds and then returns to playback.
>
> and also is there a particular cc number that ought to be set for the loo=
per
> function... is 64 the best number or can I use any number? i am using an
> axiom pro keyboard and a launchpad, and left those both to use channel 1,
> and put my behringer on channel 5... so there shouldnt be any
> interferences...
>
> my settings for pedal 5 is control 1: 64 : Value 127, exp1 : cc 40 0-127
> exp2 : cc 41 0-127
>
> also my second expression pedal isnt working... do I need to configure th=
e
> expression pedals in the behringer??
>
> I am using iFCB to do the configurations...
>
> would appreciate any help,
>
> best
> nadia
>
>
> --
> Nadia Salom
> http://www.ubetoo.com/nirmala07
> http://www.nirmala07.net
>
> GMX.at - =C3=96sterreichs FreeMail-Dienst mit =C3=BCber 2 Mio Mitgliedern
> E-Mail, SMS & mehr! Kostenlos: http://portal.gmx.net/de/go/atfreemail

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	 <4BA5DC1C.2030702@tiscali.co.uk>
Date: Sun, 21 Mar 2010 14:04:59 +0100
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Subject: Re: New Loopers
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On Sun, Mar 21, 2010 at 9:43 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> As to the original question, the best answer is probably
> the Looperlative LP1, perhaps starting with a simple
> midi controller for it (fcb1010) and moving on to
> Gordius Little Giant if there's a need to soup up
> the features.

Just for the foot control board record, there is also SoftStep. Said
to be shipping "second quartier" and that's about to start next week!
http://www.keithmcmillen.com/products/softstep/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 13:32:02 2010
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Date: Sun, 21 Mar 2010 14:31:56 +0100
From: "Nadia Salom" <nadia.salom@gmx.de>
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 <66f9cc1e1003210557y5089b6b2tc63f54fc4c4ed78c@mail.gmail.com>
Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
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thank you! you saved the day!!

>             
> -------- Original-Nachricht --------
> Datum: Sun, 21 Mar 2010 13:57:25 +0100
> Von: Per Boysen <perboysen@gmail.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
> 
>             To use CC#'s is not the best option with the FCB pedal. You 
> should
> really go with notes instead right from the beginning. Use CC#s with
> continuous functions (like volume, pan, feedback or anything that
> isn't simply "on" or "off"). The functions you mention are all of
> on/off character and this is well supported by the Looper plugin of
> Live's.
> 
> The settings you ask for are to be set in the plugin. I think this is
> explained in just a half page in the manual. You could also open that
> little "online manual" box at the lower left corner that displays text
> information about any part of Live that you move the mouse pointer
> over.
> 
> Regarding the "not working" expression pedal it may have many causes.
> I've seen many brand new FCB's where the expression pedals did not
> work at all until you calibrate them. The manual can tell you how to
> do that and there are also fine descriptions posted on the web by
> users (Google them if you don't like the manual, few does ;-)
> 
> The problem can also be that you are using a patch that doesn't
> include the second expression pedal. For each patch you create you
> have to decide both which pedal/button functions ("pads" as they are
> called in the manual) should be active and what specific message they
> should send when kicked. For the two expression pedals you can also
> set the range - like if you want it to go only from CC value 30 to 128
> instead as the usual 1 - 128. Expression pedal settings deteriorate
> over time as well (!) so even if you program the pedal to go 1 -128 it
> may in fact only send out values 4 - 118, or whatever. Calibrating
> fixes this.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 
> 
> On Sun, Mar 21, 2010 at 12:50 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
> > hi, what are the best CC Values to input into the Behringer to activate 
> the
> > Looper record function. I would like it to start recording when I step 
> on
> > pedal 5 and stop recording but continue playback when I step on it 
> again,
> > and then start again if I click once more. Right now, after a second 
> click
> > it undos my recording, and then with another click, it starts recording 
> for
> > a few seconds and then returns to playback.
> >
> > and also is there a particular cc number that ought to be set for the 
> looper
> > function... is 64 the best number or can I use any number? i am using 
> an
> > axiom pro keyboard and a launchpad, and left those both to use channel 
> 1,
> > and put my behringer on channel 5... so there shouldnt be any
> > interferences...
> >
> > my settings for pedal 5 is control 1: 64 : Value 127, exp1 : cc 40 
> 0-127
> > exp2 : cc 41 0-127
> >
> > also my second expression pedal isnt working... do I need to configure 
> the
> > expression pedals in the behringer??
> >
> > I am using iFCB to do the configurations...
> >
> > would appreciate any help,
> >
> > best
> > nadia
> >
> >
> > --
> > Nadia Salom
> > http://www.ubetoo.com/nirmala07
> > http://www.nirmala07.net
> >
> > GMX.at - Österreichs FreeMail-Dienst mit über 2 Mio Mitgliedern
> > E-Mail, SMS & mehr! Kostenlos: http://portal.gmx.net/de/go/atfreemail
> 
        
-- 
Nadia Salom
http://www.ubetoo.com/nirmala07
http://www.nirmala07.net

GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

--========GMXBoundary67121269178316872960
Content-Type: text/html; charset="utf-8"
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<html>
    <head />
        <body>
            thank you! you saved the day!!<br /><blockquote type=3D"cite">
            <p>-------- Original-Nachricht --------<br />Datum: Sun, 21 Mar=
 2010 13:57:25 +0100<br />Von: Per Boysen &lt;perboysen@gmail.com&gt;<br />=
An: Loopers-Delight@loopers-delight.com<br />Betreff: Re: Berhinger FCB1010=
 CC Values w/ Ableton Looper<br /><br /></p>
            To use CC#'s is not the best option with the FCB pedal. You sho=
uld<br />really go with notes instead right from the beginning. Use CC#s wi=
th<br />continuous functions (like volume, pan, feedback or anything that<b=
r />isn't simply &quot;on&quot; or &quot;off&quot;). The functions you ment=
ion are all of<br />on/off character and this is well supported by the Loop=
er plugin of<br />Live's.<br /><br />The settings you ask for are to be set=
 in the plugin. I think this is<br />explained in just a half page in the m=
anual. You could also open that<br />little &quot;online manual&quot; box a=
t the lower left corner that displays text<br />information about any part =
of Live that you move the mouse pointer<br />over.<br /><br />Regarding the=
 &quot;not working&quot; expression pedal it may have many causes.<br />I'v=
e seen many brand new FCB's where the expression pedals did not<br />work a=
t all until you calibrate them. The manual can tell you how to<br />do that=
 and there are also fine descriptions posted on the web by<br />users (Goog=
le them if you don't like the manual, few does ;-)<br /><br />The problem c=
an also be that you are using a patch that doesn't<br />include the second =
expression pedal. For each patch you create you<br />have to decide both wh=
ich pedal/button functions (&quot;pads&quot; as they are<br />called in the=
 manual) should be active and what specific message they<br />should send w=
hen kicked. For the two expression pedals you can also<br />set the range -=
 like if you want it to go only from CC value 30 to 128<br />instead as the=
 usual 1 - 128. Expression pedal settings deteriorate<br />over time as wel=
l (!) so even if you program the pedal to go 1 -128 it<br />may in fact onl=
y send out values 4 - 118, or whatever. Calibrating<br />fixes this.<br /><=
br />Greetings from Sweden<br /><br />Per Boysen<br />www.boysen.se<br />ww=
w.perboysen.com<br /><br /><br /><br />On Sun, Mar 21, 2010 at 12:50 PM, Na=
dia Salom &lt;nadia.salom@gmx.de&gt; wrote:<br />&gt; hi, what are the best=
 CC Values to input into the Behringer to activate the<br />&gt; Looper rec=
ord function. I would like it to start recording when I step on<br />&gt; p=
edal 5 and stop recording but continue playback when I step on it again,<br=
 />&gt; and then start again if I click once more. Right now, after a secon=
d click<br />&gt; it undos my recording, and then with another click, it st=
arts recording for<br />&gt; a few seconds and then returns to playback.<br=
 />&gt;<br />&gt; and also is there a particular cc number that ought to be=
 set for the looper<br />&gt; function... is 64 the best number or can I us=
e any number? i am using an<br />&gt; axiom pro keyboard and a launchpad, a=
nd left those both to use channel 1,<br />&gt; and put my behringer on chan=
nel 5... so there shouldnt be any<br />&gt; interferences...<br />&gt;<br /=
>&gt; my settings for pedal 5 is control 1: 64 : Value 127, exp1 : cc 40 0-=
127<br />&gt; exp2 : cc 41 0-127<br />&gt;<br />&gt; also my second express=
ion pedal isnt working... do I need to configure the<br />&gt; expression p=
edals in the behringer??<br />&gt;<br />&gt; I am using iFCB to do the conf=
igurations...<br />&gt;<br />&gt; would appreciate any help,<br />&gt;<br /=
>&gt; best<br />&gt; nadia<br />&gt;<br />&gt;<br />&gt; --<br />&gt; Nadia=
 Salom<br />&gt; http://www.ubetoo.com/nirmala07<br />&gt; http://www.nirma=
la07.net<br />&gt;<br />&gt; GMX.at - &Ouml;sterreichs FreeMail-Dienst mit =
&uuml;ber 2 Mio Mitgliedern<br />&gt; E-Mail, SMS &amp; mehr! Kostenlos: ht=
tp://portal.gmx.net/de/go/atfreemail<br /></blockquote>
        <div class=3D"signature"><br /><br /><br />-- <br />Nadia Salom=0D<=
br />
http://www.ubetoo.com/nirmala07=0D<br />
http://www.nirmala07.net<br />
<br />
GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br />Jetzt fre=
ischalten unter http://portal.gmx.net/de/go/maxdome01</div></body>
    </html>

--========GMXBoundary67121269178316872960--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 14:03:54 2010
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Date: Sun, 21 Mar 2010 09:39:12 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: New Loopers
In-Reply-To: <4BA5DC1C.2030702@tiscali.co.uk>
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 <4BA5DC1C.2030702@tiscali.co.uk>
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I was in the market for something new in the hardware looping dept. 
as well. I've ended up ordering the new Boomerang III. The version 2 
software is supposed to be out in June which promises more 
independent control over the tracks. I should be receiving the unit 
early in the week. It doesn't have any loop storage capability, but 
that's not a feature that I've ever looked for. For me part of the 
attraction to looping has always been that I'm creating all this 
texture and background live and on the fly as it were.

the boomerang specs can be found here: 
http://www.boomerangmusic.com/Rang%20III.html

Like others on the list, I was very interested in the new 
Looperlative, but after sending an email to them, couldn't get any 
answer to a possible release date, and I'm really more interested in 
something that has stereo capability.

Paul Haslem
www.dulcify.ca
Ontario, Canada







At 03:43 AM 3/21/2010, you wrote:
>Tim Nelson wrote:
>>Just checked the site and only the LP1 at $1249 is there.
>>I'd like to know more about the new one!
>>-t-
>
>Well, so would we all
>:-)
>c'mon Rick, let's have a bit more tech talk from the
>Looperlative camp.
>
>There's a lot of unanswered questions about the feature list.
>So far, all we know for sure it's that it's a souped up
>DL4 without the delay models, with some kind of loop storage, and 
>some kind of midi sync.
>
>Walker Argendeli wrote:
>>For several weeks now, I've been getting ready to buy a serious loop pedal.
>
>As to the original question, the best answer is probably
>the Looperlative LP1, perhaps starting with a simple
>midi controller for it (fcb1010) and moving on to
>Gordius Little Giant if there's a need to soup up
>the features.
>
>The Boomerang III is also worth looking into.
>
>However, as the technical spec for the desired product is
>"serious" there's no way to tell if an EDP will provide
>gratification or not.
>
>
>
>
>andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Mar 21 18:01:10 2010
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Date: Sun, 21 Mar 2010 11:01:09 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: New Loopers
To: Loopers-Delight@loopers-delight.com
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Looperlative LP1 or LP2 is the the thing, powerfull, updates, modern design, wishes heard...

Antony Hequet




----- Original Message ----
From: Walker Argendeli <heckler0077@bellsouth.net>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, March 20, 2010 11:08:19 PM
Subject: New Loopers

For several weeks now, I've been getting ready to buy a serious loop pedal.  I've been looking around, investigating, and trying to determine which is right for me.  I'd like one of the more powerful ones, a la RC-50 or Echoplex.
I realize that software like Ableton is regularly updated, but I'd like a pedal.  The problem is, RC-50 has been out for awhile, yet some basic flaws remain while Boss/Roland completely ignores users.  The powerful Echoplex (gibson digital pro plus) was discontinued some years ago.  Thus, I'm stuck- what do I buy?  Are there any rumblings of new loopers on the horizon, whether that's a boss rehaul (or even firmware update), a new echoplex, or something else?  I'd like something with a lot of features (I realize I won't use many of them, but I like to have them for tinkering), but I don't want to be stuck with the limitations of current ones.
Granted, if nobody's heard anything, that leaves me with the current product lineup.  What's the general consensus: RC-50, echoplex (bought used), or something else?

Thanks,
Walker



      

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Reply-To: <fistprlnlender@gmail.com>
From: "PRIVATE HOME LOAN INC"<vip`riln`fm@ibrejo.com>
To: info@info.net
Subject: GET 100% SAFE AND SECURED LOAN.
Date: Mon, 22 Mar 2010 19:20:29 -0700
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We offer loans at 2% interest rate (Between $5,000 to $100 000 000.00 Max USD).
For the benefit of our customers. Please provide the following: Full Name/Address /Phone/Amounts Required/ Looan Terms/Duration

Regards
Mr.Amirul Datuk 
Phone:  +60163684367

From info@kdorfzaun.com  Mon Mar 22 04:28:01 2010
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Date: Mon, 18 Jan 2010 10:44:18 -0500 (ECT)
Subject: Congratulations!! Once more.
From: "Mrs. Darryn Clarke" <info@kdorfzaun.com>
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------=_20100118104418_19567
Content-Type: text/plain; charset="iso-8859-1"
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Dear Lucky Winner,

Congratulations!! Once more.

Kindly download the attached file below herein for more information,
you are a winner of the Yahoo Lottery International Award 2010 for the
month of January.

Yours sincerely
Mrs. Darryn Clarke
LOTTO CO-ORDINATOR.
The Yahoo.com staff
Yahoo.com http://www.yahoo.com
------=_20100118104418_19567
Content-Type: application/msword;
      name="Yahoo Msn Lottery Awards Notification Letter & Winning 
     Details Attached.doc"
Content-Transfer-Encoding: base64
Content-Disposition: attachment;
      filename="Yahoo Msn Lottery Awards Notification Letter & Winning 
     Details Attached.doc"

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------=_20100118104418_19567--


From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 11:01:46 2010
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From: doc rossi <docittern@gmail.com>
Subject: USB Key albums
Date: Mon, 22 Mar 2010 12:01:40 +0100
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Greetings from France -

With all the recent talk about CD pricing, it reminded me that another =
option is to put a "CD" on some sort of USB key. I've checked through =
the archives but haven't found the right search string.  Do any of you =
have suggestions for where to get these made up, or how they work - that =
is, do people like them?

Thanks,

Doc=

From heirttrustees@msn.com  Mon Mar 22 11:05:22 2010
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From: "Joo Cawthra"<heirttrustees@msn.com>
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Date: Fri, 19 Mar 2010 10:20:12 -0000
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Attn: Please,
We wish to notify you again that you were listed as a Heir to the total sum of Five Million British Pounds in the codicil and last testament of our deceased client. Name now withheld since this is our second letter to you. 

A regular mail was dispatched to you but yet no reply from you. We are contacting you again because her instruction stipulates that this fund should be paid directly to you upon her demise. 

We request you to kindly acknowledge officially, enabling us file all necessary legal documents to the paying bank for the urgent release of your inheritance. 

Please send an acknowledgment email and call to enable us process your inheritance. 

Yours Truly, 
Joo Cawthra
Heir Trustees, South Wales UK.
Tel: +447024037813.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 14:26:34 2010
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From senator.nig@clicknigeria.com  Mon Mar 22 14:27:45 2010
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Reply-To: < atm.paymentcentre1000@gmail.com>
From: "Senator David Mark"<senator.nig@clicknigeria.com>
Subject: IMMEDIATE RELEASE OF YOUR INHERITANCE FUND VIA  ATM SWIFT CARD
Date: Mon, 22 Mar 2010 13:01:37 +0100
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FILE CODE #: ATM/LAG/NG



ATTN: BENEFICIARY,



IMMEDIATE RELEASE OF YOUR INHERITANCE FUND VIA  ATM SWIFT CARD.



In close consultation with the World Bank, IMF and the European Union(EU), this
is to notify you of your enlistment as a beneficiary of a recent Debt Management
and Settlement Forum organized on the status of global arrangement to have your
beneficiary fund settled once and for all.Of course, In the hope that you must
have been aware of the past financial leakages in the European foreign
inheritance payment system,and frustrations associated there from in your last
attempt to claim your fund,  fund of beneficiaries (like your self) was
subjected to unnecessary bureaucratic bottlenecks in lieu of claiming funds due
tothem.



The World Body,having solicited and received the cooperation of Nigerian
Presidency, in harmonizing the sequence of payments, have discovered from
records of outstanding foreign inheritance fund of beneficiaries due them, that
your name and payment has been with held and remain unpaid as a result of such
bottleneck. On the prompting of this finding, I wish to officially notify you
that all aspects of your payment claim is being harmonized, enabling payment to
be released to you as urgently as you act on the instructions of this mail.


Consequently, Afribank Nigeria Plc has been directed by the World Body to off
set these outstanding debts, using ATM Swift Card payment arrangement. Already,
a total amount of USD500 Million has been provided to the bank for this purpose
and it is on first come first serve. 


With this arrangement, I wish to inform you that Afribank Nigeria Plc has been
instructed to issue in your name an Atm Cash Card with the valued amount of
USD400.000.00 In paying this amount to you,please note that it is without
Prejudice to your original inheritance sum.



Rather, it is a stop-gap payment arrangement put in place by the World Body to
on the one hand ensure that you receive part of your fund, while on the other
hand ensure that the process is smooth and without any form of stress
whatsoever, whereas a comprehensive arrangement shall be made in future to pay
off the remaining fund due to you.



However, we are worried with the counter information received from one Mr.
Casey Collins , purporting to be from your directive, with express instruction
to activate the ATM Cash Card for release of fund to his name  a bank account in
the "Cayman Islands" Obviously, we are hesitant to honor this
instruction as it were, and would request that you clarify same upon your 
contact with Afribank Nigeria Plc . In addition to that, you should provide the
bank with the following details to forestall any mistake of issuing the ATM Card
with the wrong information already submitted by Mr. Casey Collins:


1. Your Full Names:.................


2. Your Address:....................


3. Your Sex and Age:................


4. Your Occupation:..................


5. Your Direct Phone Number:..........


6. Your Resident City:.................



Believing that this arrangement will suit your condition and expectations, we
will therefore request for your expedited response to avoid any more delay. Your
response should be directed to Afribank Nigeria Plc,Dr Dom  Ibekwe  ; Director
Atm Payment Dept through his official email.




Email Address: atm.paymentcentre1000@gmail.com




Your file reference code for your payment is  ATM/LAG/NG and should be quoted
in your contact mail to the bank otherwise the bank will not recognize or
process your ATM Swift  Payment.



Senator David Mark
President Federal Republic OF Nigeria.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 14:36:40 2010
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The unsub address is
Loopers-Delight-request@loopers-delight.comhave a nice day!


On Mon, Mar 22, 2010 at 3:26 PM, Link DM <link@devine-machine.com> wrote:

> unsubscribe




-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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The unsub address is<br><h3><a href=3D"mailto:Loopers-Delight-request@loope=
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v class=3D"gmail_quote">

On Mon, Mar 22, 2010 at 3:26 PM, Link DM <span dir=3D"ltr">&lt;<a href=3D"m=
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blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mar=
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<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"=
http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"=
http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe<=
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<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 15:01:53 2010
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> unsubscribe

Peter Leinhos is out of the office. If you want to unsubscribe from
Farmers' Insurance, please write to the correct email address (but
hey, for starters, you already got the subject and the body right ;).

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 15:04:40 2010
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Just for the foot control board record, there is also SoftStep. Said
to be shipping "second quartier" and that's about to start next week!
http://www.keithmcmillen.com/products/softstep/

it should be noted that this is a usb device with the possibility of a  
midi option, from what I could see the slim design and compact design  
will probably necessitate some kind of add on midi adapter.
Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 12px; ">Just for the foot control board record, there is also SoftStep. Said<br>to be shipping "second quartier" and that's about to start next week!<br><a href="http://www.keithmcmillen.com/products/softstep/">http://www.keithmcmillen.com/products/softstep/</a><br></span><div><font class="Apple-style-span" face="verdana, arial, helvetica, sans-serif"><br></font></div><div><font class="Apple-style-span" face="verdana, arial, helvetica, sans-serif">it should be noted that this is a usb device with the possibility of a midi option, from what I could see the slim design and compact design will probably necessitate some kind of add on midi adapter.</font></div><div><font class="Apple-style-span" face="verdana, arial, helvetica, sans-serif">Bill</font></div></body></html>
--Apple-Mail-1-1052779932--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 15:35:24 2010
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Hi Folks,

this is my newb post, having lurked for a wee while and dabbled in looping
with an RC20-XL (now sold: good riddance to bad tone-suck) over the last few
years.

I'm wondering how those who've bought the new Rang are getting on with it
now the honeymoon period is over...

And also, how well does the master loop function work for putting down a
beat?  I watched the guy on youtube who does the whole band thing and the
sound quality is impresive but his beat is terribly dull and lacking in
groove/swing....Is it possible/easy to get a good swinging groove going over
a bar or two as your master loop and build something that grinds nicely from
there?  I imagine it must be but wanted to check before I spring for a 'rang
as I'm a song-based live street performer and a good groove is utterly
essential to my performance.

thanks!

Ak

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<div>Hi Folks,</div>
<div>=A0</div>
<div>this is my newb post, having lurked for a wee while and dabbled in loo=
ping with an RC20-XL (now sold: good riddance to bad tone-suck) over the la=
st few years.</div>
<div>=A0</div>
<div>I&#39;m wondering how those who&#39;ve bought the new Rang are getting=
 on with it now the honeymoon period is over...</div>
<div>=A0</div>
<div>And also, how well does the master loop function work for putting down=
 a beat?=A0 I watched the guy on youtube who does the whole band thing and =
the sound quality is impresive but his beat is terribly dull and lacking in=
 groove/swing....Is it possible/easy to get a good swinging groove going ov=
er a bar or two as your master loop and build something that grinds nicely =
from there?=A0 I imagine it must be but wanted to check before I spring for=
 a &#39;rang as I&#39;m a song-based live street performer and a good groov=
e is utterly essential to my performance.</div>

<div>=A0</div>
<div>thanks!</div>
<div>=A0</div>
<div>Ak</div>

--0016e6497e0203964f0482657223--

From www@mail.dinet.ru  Mon Mar 22 17:24:27 2010
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Subject: Dearest in Christ.
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Date: Mon, 22 Mar 2010 18:58:38 +0300
From: "Mrs Maria Williams." <MrsMariaWilliams@london.uk>
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ATTN:Greetings

Dearest in Christ, 

I am Mrs Maria Williams from London, Uk. I am married to Dr.Jack Williams
who worked with France embassy in cote d'ivoire for nine years before he
died in the year 2005 in a car bomb here in London. 

http://news.bbc.co.uk/2/hi/uk_news/4663931.stm [1]

We were married for eleven years without a child but before his death, we
were both born again Christians. Since his death I decided not to re-marry
or get a child outside my matrimonial home which the Bible is against.

When my late husband was alive he deposited the sum of 15.8Million U.S.
Dollars) with (Edmond De Rothschild Security services,London),here in
London. Presently, this money is still with the company. Recently, my
Doctor told me that I would not last for the next three months due to
cancer problem. Though what disturbs me most is my stroke Having known my
condition I decided to donate this fund to church or better still a
christian individual that will utilize this money the way I
am going to
instruct here in. 

I want a church that will use this to fund churches, orphanages and widows
propagating the word of God and to ensure that the house of God is
maintained. The Bible made us to understand that Blessed is the hand that
giveth. I took this decision because I don't have any child that will
inherit this money and my husband relatives are not Christians and I don't
want my husband's hard earned money to be misused by unbelievers.

I don't want a situation where this money will be used in an ungodly
manner. Hence the reason for taking this bold decision. I am not afraid of
death hence I know where I am going. I know that I am going to be in the
bossom of the Lord. Exodus 14 VS 14 says that the lord will fight my case
and I shall hold my peace.

I don't need any telephone communication in this regard because of my
health,because of the presence of my husband's relatives around me always.
I don't want them to know about this development. With God all things
are
possible.

As soon as I receive your reply I shall give you the contact of the
company here in London. I will also issue you a letter of authority that
will empower you as the original- beneficiary of this fund. I want you and
the church to always pray for me because the lord is my shephard. My
happiness is that I lived a life of a worthy Christian. Whoever that wants
to serve the Lord must serve him in spirit and truth.Please always be
prayerful all through your life and any delay in your reply will give me
room in searching for a church or christian individual for this same
purpose.

Please assure me that you will act accordingly as I stated herein. Hoping
to hearing from you. Remain blessed in the name of the Lord.

Yours in Christ.
Mrs Maria Williams.
 

Links:
------
[1] http://news.bbc.co.uk/2/hi/uk_news/4663931.stm

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<p>&nbsp;</p>
<div>
<pre>ATTN:Greetings<br />&nbsp;<br />Dearest in Christ, </pre>
<pre>I am Mrs Maria Williams from London, Uk. I am married to Dr.Jack Willi=
ams who worked with France embassy in cote d'ivoire for nine years before h=
e died in the year 2005 in a car bomb here in London. </pre>
<pre><a href=3D"http://news.bbc.co.uk/2/hi/uk_news/4663931.stm">http://news=
=2Ebbc.co.uk/2/hi/uk_news/4663931.stm</a></pre>
<pre>We were married for eleven years without a child but before his death,=
 we were both born again Christians. Since his death I decided not to re-ma=
rry or get a child outside my matrimonial home which the Bible is against=
=2E<br />&nbsp;<br />When my late husband was alive he deposited the sum of=
 15.8Million U.S. Dollars) with (Edmond De Rothschild Security services,Lon=
don),here&nbsp; in London. Presently, this money is still with the company=
=2E Recently, my Doctor told me that I would not last for the next three mo=
nths due to cancer problem. Though what disturbs me most is my stroke Havin=
g known my condition I decided to donate this fund to church or better stil=
l a christian individual that will utilize this money the way I am going to=
 instruct here in. <br />&nbsp;<br />I want a church that will use this to =
fund churches, orphanages and widows propagating the word of God and to ens=
ure that the house of God is maintained. The Bible made us to understand th=
at Blessed is the hand that giveth. I took this decision because I don't ha=
ve any child that will inherit this money and my husband relatives are not =
Christians and I don't want my husband's hard earned money to be misused by=
 unbelievers.</pre>
<pre>I don't want a situation where this money will be used in an ungodly m=
anner. Hence the reason for taking this bold decision. I am not afraid of d=
eath hence I know where I am going. I know that I am going to be in the bos=
som of the Lord. Exodus 14 VS 14 says that the lord will fight my case and =
I shall hold my peace.<br />&nbsp;<br />I don't need any telephone communic=
ation in this regard because of my health,because of the presence of my hus=
band's relatives around me always. I don't want them to know about this dev=
elopment. With God all things are possible.<br />&nbsp;<br />As soon as I r=
eceive your reply I shall give you the contact of the company here in Londo=
n. I will also issue you a letter of authority that will empower you as the=
 original- beneficiary of this fund. I want you and the church to always pr=
ay for me because the lord is my shephard. My happiness is that I lived a l=
ife of a worthy Christian. Whoever that wants to serve the Lord must serve =
him in spirit and truth.Please always be prayerful all through your life an=
d any delay in your reply will give me room in searching for a church or ch=
ristian individual for this same purpose.</pre>
<pre>Please assure me that you will act accordingly as I stated herein. Hop=
ing to hearing from you. Remain blessed in the name of the Lord.</pre>
<pre>&nbsp;<br />Yours in Christ.<br />Mrs Maria Williams.</pre>
</div>
--=_a64746d30d152c326b6bb3365ee155b3--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 18:25:02 2010
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Subject: Thought Radio Playlist for March 20, 2010.
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http://soundscapes.us/amfm/playlists/2010/100320.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
I am at the helm, the show is called Thought Radio and you can expect to
hear electronic, ambient, spacemusic, Progressive Rock, and an eclectic
mix of other genres.  The show airs from 6:00 am to 8:00 am EDT/UTC-4 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #170                March 20, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Combs Creek Haller   Trapped Inside       Singularity (none)
                       Singularity *
VA [Glyn Lloyd-Jones](no title given)     Sequences No. 9
VA [Michael Shipway] Expedition           Sequences No. 9
VA [Earthstone]      Llid of the God      Sequences No. 9
Mark Mahoney         Voices Within the    Beyond the Vaulting Sky
                       Solar System         (Waiting World)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Timothy Crane        Play                 Dragonfly (none)
Ann Sweeten          Light from a Narrow  Just This Side of Spring
                       Window               (Orange Band)
9Muses               Not Love             Feel To Heal (Blue Amazon)
Scott August         River of Stars       Radiant Sky (Cedar Mesa)
Paul Lawler and      Chaco                Wonders (Rainstorm)
  Paul Speer


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Morglbl              Point d'Org          Jazz for the Deaf (The Laser's
                                            Edge)
VA [Pinnacle]        Paikalliset Tuulet   Tuonen Tytar II (Musea)
VA [Pax Romana]      Nobody Never Knows   Tuonen Tytar II (Musea)
                       Nothing
Marillion            Pseudo Silk Kimono   Misplaced Childhood (Capitol)
Marillion            Kayleigh             Misplaced Childhood (Capitol)
Marillion            Lavendar             Misplaced Childhood (Capitol)
Marillion            Bitter Suite         Misplaced Childhood (Capitol)
Marillion            Heart of Lothian     Misplaced Childhood (Capitol)
Martin Orford        Take It To the Sun   The Old Road (Giant Electric
                                            Pea)
Alan Morse           Cold Fusion          Four O'clock and Hysteria
                                            (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/UTC-5:00.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 18:58:11 2010
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Subject: WAY OT: Video monitor glasses
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Apologies for the OT post, but given the general nature of this list
and people's love of tech and toys it seems someone might have some
experience with this question of mine.  Has anyone ever tried those
glasses that have small monitors in them that claim to  be like
watching a 50 inch screen or the like?  There seem to be a lot of them
but not a lot of reviews so I'm not sure if its a nice idea that is
flawed or if they really work.  I can think of many fantastic uses for
these if they work (there was a report that people could induce out of
body sensation be viewing the output of a camera that was recording
from a perspective behind them for example) so I thought I'd see if
anyone has any experience with them.

You could also project video loops to get in sync with your audio if
you had to I suppose.

Back on topic now,

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 20:51:15 2010
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From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Re: Boomerang iii - experiences and grooves
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I haven't had a chance to fully exercise it yet. It is a nicely built unit.=
 The modification of the "Bonus" buttons/pedals seems a little squirrely bu=
t not too bad.
=A0
I am trying to manage the input levels currently. The unit seems to be not =
too fussy but the signals I have been throwing at it were weak. I want to g=
radually increase the input to get a stronger signal but not overload the '=
Rang. More as I use the unit....
=A0
Question, though---what are folks running the outputs of their loopers into=
 for live performance/rehearsal? I am still awaiting a Mackie mixer I order=
ed (that is way backordered) so I have to temporarily run the output into a=
n older Tascam 428 usb interface. Then the line outs are then run into my A=
lesis power amp then into a pair of Peavy 10 inch PA speakers. Cheap but fi=
ne for home use.=20
=A0
One issue I run into when traveling and wanting to loop out of my home base=
 is what to run my looper into so I can play/jam. Recently, I have been thi=
nking about one of the Roland Cube amps. Any thoughts on the subject?
=A0
Stone


--- On Mon, 3/22/10, Akraf Emaho <akrafemaho@googlemail.com> wrote:


From: Akraf Emaho <akrafemaho@googlemail.com>
Subject: Boomerang iii - experiences and grooves
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 22, 2010, 8:35 AM



Hi Folks,
=A0
this is my newb post, having lurked for a wee while and dabbled in looping =
with an RC20-XL (now sold: good riddance to bad tone-suck) over the last fe=
w years.
=A0
I'm wondering how those who've bought the new Rang are getting on with it n=
ow the honeymoon period is over...
=A0
And also, how well does the master loop function work for putting down a be=
at?=A0 I watched the guy on youtube who does the whole band thing and the s=
ound quality is impresive but his beat is terribly dull and lacking in groo=
ve/swing....Is it possible/easy to get a good swinging groove going over a =
bar or two as your master loop and build something that grinds nicely from =
there?=A0 I imagine it must be but wanted to check before I spring for a 'r=
ang as I'm a song-based live street performer and a good groove is utterly =
essential to my performance.
=A0
thanks!
=A0
Ak=0A=0A=0A      
--0-1347895471-1269291074=:85398
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I haven't had a chance to fully exercise=
 it yet. It is a nicely built unit. The modification of the "Bonus" buttons=
/pedals seems a little squirrely but not too bad.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I am trying to manage the input levels currently. The unit seems to be=
 not too fussy but the signals I have been throwing at it were weak. I want=
 to gradually increase the input to get a stronger signal but not overload =
the 'Rang. More as I use the unit....</DIV>
<DIV>&nbsp;</DIV>
<DIV>Question, though---what are folks running the outputs of their loopers=
 into for live performance/rehearsal? I am still awaiting a Mackie mixer I =
ordered (that is way backordered) so I have to temporarily run the output i=
nto an older Tascam 428 usb interface. Then the line outs are then run into=
 my Alesis power amp then into a pair of Peavy 10 inch PA speakers. Cheap b=
ut fine for home use. </DIV>
<DIV>&nbsp;</DIV>
<DIV>One issue I run into when traveling and wanting to loop out of my home=
 base is what to run my looper into so I can play/jam. Recently, I have bee=
n thinking about one of the Roland Cube amps. Any thoughts on the subject?<=
/DIV>
<DIV>&nbsp;</DIV>
<DIV>Stone</DIV>
<DIV><BR><BR>--- On <B>Mon, 3/22/10, Akraf Emaho <I>&lt;akrafemaho@googlema=
il.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Akraf Emaho &lt;akrafemaho@googlemail.com&g=
t;<BR>Subject: Boomerang iii - experiences and grooves<BR>To: Loopers-Delig=
ht@loopers-delight.com<BR>Date: Monday, March 22, 2010, 8:35 AM<BR><BR>
<DIV id=3Dyiv901848249>
<DIV>Hi Folks,</DIV>
<DIV>&nbsp;</DIV>
<DIV>this is my newb post, having lurked for a wee while and dabbled in loo=
ping with an RC20-XL (now sold: good riddance to bad tone-suck) over the la=
st few years.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm wondering how those who've bought the new Rang are getting on with=
 it now the honeymoon period is over...</DIV>
<DIV>&nbsp;</DIV>
<DIV>And also, how well does the master loop function work for putting down=
 a beat?&nbsp; I watched the guy on youtube who does the whole band thing a=
nd the sound quality is impresive but his beat is terribly dull and lacking=
 in groove/swing....Is it possible/easy to get a good swinging groove going=
 over a bar or two as your master loop and build something that grinds nice=
ly from there?&nbsp; I imagine it must be but wanted to check before I spri=
ng for a 'rang as I'm a song-based live street performer and a good groove =
is utterly essential to my performance.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ak</DIV></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1347895471-1269291074=:85398--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 22 21:08:19 2010
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	 <A8D1ACFE-5F0F-4886-B81A-E1BBEF0B76C0@gmail.com>
Date: Mon, 22 Mar 2010 14:08:15 -0700
Message-ID: <c70e517b1003221408h2c3e695ckad51d2ba53b54b8b@mail.gmail.com>
Subject: Re: USB Key albums
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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As far as I know, it's still much more expensive to mass produce USB
keys than CDs, since there are more parts. Given that the next step in
size (downloads) is already around and popular, I don't think USB keys
will ever be more than a tiny niche of music sales.

I have heard of some bands bringing an extra laptop on tour, with the
ability to download the new CD onto a fan's USB key. I can see that
working well: the fans buy the "download" while they're still excited
about the band, and the band makes a much better share of the money
than with download services like iTunes.

You can buy USBs in bulk for something like that, but even when you
get 1000+ of them, I don't see the price for each key getting less
than $6 or so.

--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt



On Mon, Mar 22, 2010 at 4:01 AM, doc rossi <docittern@gmail.com> wrote:
> Greetings from France -
>
> With all the recent talk about CD pricing, it reminded me that another op=
tion is to put a "CD" on some sort of USB key. I've checked through the arc=
hives but haven't found the right search string. =A0Do any of you have sugg=
estions for where to get these made up, or how they work - that is, do peop=
le like them?
>
> Thanks,
>
> Doc
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 23 01:32:14 2010
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	 <148536.85398.qm@web38402.mail.mud.yahoo.com>
Date: Mon, 22 Mar 2010 19:32:12 -0600
Message-ID: <dec8f8e61003221832l6a5c2e06lab5a0de68f8280a9@mail.gmail.com>
Subject: Re: Boomerang iii - experiences and grooves
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64c06166e2d9804826dc86a
Content-Type: text/plain; charset=ISO-8859-1

In the right space, a Roland Cube can be perfect ... not for large venues,
although I used a pair in Princeton University's Frist Auditorium and they
were surprisingly loud (that may say more about Frist than the Cubes ... :)
... ).

Best,

Dennis

On Mon, Mar 22, 2010 at 2:51 PM, Elmer Fuddski <jakebrakesrule@yahoo.com>wrote:

> I haven't had a chance to fully exercise it yet. It is a nicely built unit.
> The modification of the "Bonus" buttons/pedals seems a little squirrely but
> not too bad.
>
> I am trying to manage the input levels currently. The unit seems to be not
> too fussy but the signals I have been throwing at it were weak. I want to
> gradually increase the input to get a stronger signal but not overload the
> 'Rang. More as I use the unit....
>
> Question, though---what are folks running the outputs of their loopers into
> for live performance/rehearsal? I am still awaiting a Mackie mixer I ordered
> (that is way backordered) so I have to temporarily run the output into an
> older Tascam 428 usb interface. Then the line outs are then run into my
> Alesis power amp then into a pair of Peavy 10 inch PA speakers. Cheap but
> fine for home use.
>
> One issue I run into when traveling and wanting to loop out of my home base
> is what to run my looper into so I can play/jam. Recently, I have been
> thinking about one of the Roland Cube amps. Any thoughts on the subject?
>
> Stone
>
>
> --- On *Mon, 3/22/10, Akraf Emaho <akrafemaho@googlemail.com>* wrote:
>
>
> From: Akraf Emaho <akrafemaho@googlemail.com>
> Subject: Boomerang iii - experiences and grooves
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 22, 2010, 8:35 AM
>
>
>  Hi Folks,
>
> this is my newb post, having lurked for a wee while and dabbled in looping
> with an RC20-XL (now sold: good riddance to bad tone-suck) over the last few
> years.
>
> I'm wondering how those who've bought the new Rang are getting on with it
> now the honeymoon period is over...
>
> And also, how well does the master loop function work for putting down a
> beat?  I watched the guy on youtube who does the whole band thing and the
> sound quality is impresive but his beat is terribly dull and lacking in
> groove/swing....Is it possible/easy to get a good swinging groove going over
> a bar or two as your master loop and build something that grinds nicely from
> there?  I imagine it must be but wanted to check before I spring for a 'rang
> as I'm a song-based live street performer and a good groove is utterly
> essential to my performance.
>
> thanks!
>
> Ak
>
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016e64c06166e2d9804826dc86a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

In the right space, a Roland Cube can be perfect ... not for large venues, =
although I used a pair in Princeton University&#39;s Frist Auditorium and t=
hey were surprisingly loud (that may say more about Frist than the Cubes ..=
. :) ... ).<br>
<br>Best,<br><br>Dennis<br><br><div class=3D"gmail_quote">On Mon, Mar 22, 2=
010 at 2:51 PM, Elmer Fuddski <span dir=3D"ltr">&lt;<a href=3D"mailto:jakeb=
rakesrule@yahoo.com">jakebrakesrule@yahoo.com</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top"><div>I haven&#39;t had a chance to full=
y exercise it yet. It is a nicely built unit. The modification of the &quot=
;Bonus&quot; buttons/pedals seems a little squirrely but not too bad.</div>

<div>=A0</div>
<div>I am trying to manage the input levels currently. The unit seems to be=
 not too fussy but the signals I have been throwing at it were weak. I want=
 to gradually increase the input to get a stronger signal but not overload =
the &#39;Rang. More as I use the unit....</div>

<div>=A0</div>
<div>Question, though---what are folks running the outputs of their loopers=
 into for live performance/rehearsal? I am still awaiting a Mackie mixer I =
ordered (that is way backordered) so I have to temporarily run the output i=
nto an older Tascam 428 usb interface. Then the line outs are then run into=
 my Alesis power amp then into a pair of Peavy 10 inch PA speakers. Cheap b=
ut fine for home use. </div>

<div>=A0</div>
<div>One issue I run into when traveling and wanting to loop out of my home=
 base is what to run my looper into so I can play/jam. Recently, I have bee=
n thinking about one of the Roland Cube amps. Any thoughts on the subject?<=
/div>

<div>=A0</div>
<div>Stone</div>
<div><br><br>--- On <b>Mon, 3/22/10, Akraf Emaho <i>&lt;<a href=3D"mailto:a=
krafemaho@googlemail.com" target=3D"_blank">akrafemaho@googlemail.com</a>&g=
t;</i></b> wrote:<br></div>
<blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); padding-left:=
 5px; margin-left: 5px;"><br>From: Akraf Emaho &lt;<a href=3D"mailto:akrafe=
maho@googlemail.com" target=3D"_blank">akrafemaho@googlemail.com</a>&gt;<br=
>
Subject: Boomerang iii - experiences and grooves<br>To: <a href=3D"mailto:L=
oopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loope=
rs-delight.com</a><br>Date: Monday, March 22, 2010, 8:35 AM<div><div></div>
<div class=3D"h5"><br><br>
<div>
<div>Hi Folks,</div>
<div>=A0</div>
<div>this is my newb post, having lurked for a wee while and dabbled in loo=
ping with an RC20-XL (now sold: good riddance to bad tone-suck) over the la=
st few years.</div>
<div>=A0</div>
<div>I&#39;m wondering how those who&#39;ve bought the new Rang are getting=
 on with it now the honeymoon period is over...</div>
<div>=A0</div>
<div>And also, how well does the master loop function work for putting down=
 a beat?=A0 I watched the guy on youtube who does the whole band thing and =
the sound quality is impresive but his beat is terribly dull and lacking in=
 groove/swing....Is it possible/easy to get a good swinging groove going ov=
er a bar or two as your master loop and build something that grinds nicely =
from there?=A0 I imagine it must be but wanted to check before I spring for=
 a &#39;rang as I&#39;m a song-based live street performer and a good groov=
e is utterly essential to my performance.</div>

<div>=A0</div>
<div>thanks!</div>
<div>=A0</div>
<div>Ak</div></div></div></div></blockquote></td></tr></tbody></table><br>

      </blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:/=
/myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://a=
udiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbi=
n.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016e64c06166e2d9804826dc86a--

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I am Alfred Daniel an accountant with All Zenith Securities.  I am contacting you to assist me in repatriating the sum of €28.5 Million Euro, belonging to a dead foreigner who was involved in a car accident on 21st of April 2002 with his wife and their two children, unfortunately all occupants of the car lost their lives.

I have made several enquiries to his embassy here to locate any of Extended relatives also to track his last name over the Internet this has proved unsuccessful to locate any member of  his family. Now the management of the bank has issued me a notice to provide the next of kin to claim the funds or they have the account frozen. 

I am therefore write to ask you that you partner with me and providing an account or setting up a new one that will serve the purpose of receiving this fund. Even an empty account can also serve as long as there will be honesty to me till the end of the deal and I hope you will never let me down. After going through records and files, I discovered that: 
 
(1) No one has operated this account since 2003;
(2) He died without an heir; hence the money has been floating. 
(3) No other person knows about this account and there was no known beneficiary. AND IF I DO NOT REMIT THIS MONEY URGENTLY, IT WOULD BE FORFEITED FOR NOTHING. 

Do note that your identity or country of origin does not matter. I will require your urgent reply so that I give you the next step. Kindly forward your telephone. 

Best Regards,
 
Alfred Daniel.

From pjw@gala.net  Tue Mar 23 08:20:04 2010
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Dear Friend,

I am Alfred Daniel an accountant with All Zenith Securities.  I am contacting you to assist me in repatriating the sum of €28.5 Million Euro, belonging to a dead foreigner who was involved in a car accident on 21st of April 2002 with his wife and their two children, unfortunately all occupants of the car lost their lives.

I have made several enquiries to his embassy here to locate any of Extended relatives also to track his last name over the Internet this has proved unsuccessful to locate any member of  his family. Now the management of the bank has issued me a notice to provide the next of kin to claim the funds or they have the account frozen. 

I am therefore write to ask you that you partner with me and providing an account or setting up a new one that will serve the purpose of receiving this fund. Even an empty account can also serve as long as there will be honesty to me till the end of the deal and I hope you will never let me down. After going through records and files, I discovered that: 
 
(1) No one has operated this account since 2003;
(2) He died without an heir; hence the money has been floating. 
(3) No other person knows about this account and there was no known beneficiary. AND IF I DO NOT REMIT THIS MONEY URGENTLY, IT WOULD BE FORFEITED FOR NOTHING. 

Do note that your identity or country of origin does not matter. I will require your urgent reply so that I give you the next step. Kindly forward your telephone. 

Best Regards,
 
Alfred Daniel.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 23 09:39:31 2010
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Am 18.03.10 23:58, schrieb david kirkdorffer:
> If I can get pricing down to $100 / participant for 80 4-panel colour
> jewel-cased shrink-wrapped CD's each, ($1.25/CD) I will do so.  I'm
> using $200 as a guide, to catch everything, and to avoid unpleasant
> surprizes.  As you can see, it could very well be less.  I doubt it
> could be more.  And I will be paying an equal share along with
> everyone else.

I would love to participate, but I am probably in an even worse
situation than Bill, no money whatsoever...
But I could make some proposals:
I could do the mastering. I've done mastering in the past for companies
including T.T.M. Mastering and Nuclear Blast. With the big advantage
that I know the loopers material, and provided with some info of the
participating artists, I certainly can do a good job, time is no issue,
there will be plenty ways to listen back and forth...

I can understand, that "real" Cds are preferable over burned ones. If
you order enough, as Rainer pointed out, more than 800, there is no
question. But I'd say you also need to think of bound money, you have to
invest first, and then you still don't know how much you'll sell...

A Kunaki release is no risk at all, and for each participant only an
investment for the own copies. For example including shipping to Germany
for a lot of 10, this would be 30$. (Its cheaper to order two times 10,
than 1 time 20 copies - interesting...)
In the US its only 18$...

So it depends on how many individual copies each participant would want,
and if they bother if its a simple CD-R or a good print...

If it will be a pressed CD (the only way to turn it into a collectible)
I would still also upload it to Kunaki. For just giving away CD's the
burned ones are fine, those who pay, would get the "real" ones...

If you want me as a participant, and all others agree to cover my part
of the initial investment in return for the mastering, I would love to
add one of my Hithhikers Diary entries to the compilation...

If all vote for Kunaki, I'd still do the mastering for free...

Stefan

-- 
Les Ondes MĂ©morielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Tue Mar 23 15:45:40 2010
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	 <148536.85398.qm@web38402.mail.mud.yahoo.com>
	 <dec8f8e61003221832l6a5c2e06lab5a0de68f8280a9@mail.gmail.com>
Date: Tue, 23 Mar 2010 15:45:37 +0000
Message-ID: <2d351f01003230845o20dbe108ia875d975f792d804@mail.gmail.com>
Subject: Re: Boomerang iii - experiences and grooves
From: Akraf Emaho <akrafemaho@googlemail.com>
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--0016e6d99e547957a9048279b4af
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For mobile use the old Peavey Solo battery powered amp (not the
similarly named guitar practise amp) is good.  Its a mini PA with an 8"
speaker.  I've owned three over the years.  Can be found on eBay for under
=A360.  For heavier mobile(ish) use I swear by the Yamaha Stagepas.

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<p>For mobile use the old Peavey Solo battery powered amp=A0(not the simila=
rly=A0named guitar practise amp) is good.=A0 Its a mini PA with an 8&quot; =
speaker.=A0 I&#39;ve owned three over the years.=A0 Can be found on eBay fo=
r under =A360.=A0 For heavier mobile(ish) use I swear by the Yamaha Stagepa=
s.</p>

--0016e6d99e547957a9048279b4af--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 23 17:23:45 2010
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Date: Tue, 23 Mar 2010 13:23:45 -0400 (AST)
Subject: Re: Boomerang iii - experiences and grooves
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Ak,

I've had mine for about 2 weeks, but I've been swamped with work.
I'm still getting used to it. It's quite different from the m9's looper.
I'll try and do a review next week.

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Mon, March 22, 2010 9:32 pm, Dennis Moser wrote:
> In the right space, a Roland Cube can be perfect ... not for large venues,
> although I used a pair in Princeton University's Frist Auditorium and they
> were surprisingly loud (that may say more about Frist than the Cubes ...
> :)
> ... ).
>
> Best,
>
> Dennis
>
> On Mon, Mar 22, 2010 at 2:51 PM, Elmer Fuddski
> <jakebrakesrule@yahoo.com>wrote:
>
>> I haven't had a chance to fully exercise it yet. It is a nicely built
>> unit.
>> The modification of the "Bonus" buttons/pedals seems a little squirrely
>> but
>> not too bad.
>>
>> I am trying to manage the input levels currently. The unit seems to be
>> not
>> too fussy but the signals I have been throwing at it were weak. I want
>> to
>> gradually increase the input to get a stronger signal but not overload
>> the
>> 'Rang. More as I use the unit....
>>
>> Question, though---what are folks running the outputs of their loopers
>> into
>> for live performance/rehearsal? I am still awaiting a Mackie mixer I
>> ordered
>> (that is way backordered) so I have to temporarily run the output into
>> an
>> older Tascam 428 usb interface. Then the line outs are then run into my
>> Alesis power amp then into a pair of Peavy 10 inch PA speakers. Cheap
>> but
>> fine for home use.
>>
>> One issue I run into when traveling and wanting to loop out of my home
>> base
>> is what to run my looper into so I can play/jam. Recently, I have been
>> thinking about one of the Roland Cube amps. Any thoughts on the subject?
>>
>> Stone
>>
>>
>> --- On *Mon, 3/22/10, Akraf Emaho <akrafemaho@googlemail.com>* wrote:
>>
>>
>> From: Akraf Emaho <akrafemaho@googlemail.com>
>> Subject: Boomerang iii - experiences and grooves
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, March 22, 2010, 8:35 AM
>>
>>
>>  Hi Folks,
>>
>> this is my newb post, having lurked for a wee while and dabbled in
>> looping
>> with an RC20-XL (now sold: good riddance to bad tone-suck) over the last
>> few
>> years.
>>
>> I'm wondering how those who've bought the new Rang are getting on with
>> it
>> now the honeymoon period is over...
>>
>> And also, how well does the master loop function work for putting down a
>> beat?  I watched the guy on youtube who does the whole band thing and
>> the
>> sound quality is impresive but his beat is terribly dull and lacking in
>> groove/swing....Is it possible/easy to get a good swinging groove going
>> over
>> a bar or two as your master loop and build something that grinds nicely
>> from
>> there?  I imagine it must be but wanted to check before I spring for a
>> 'rang
>> as I'm a song-based live street performer and a good groove is utterly
>> essential to my performance.
>>
>> thanks!
>>
>> Ak
>>
>>
>>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>




http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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References: <66f9cc1e1003201602l3dbb536dide0ae7de679fcddc@mail.gmail.com>
	 <273443.1671.qm@web45309.mail.sp1.yahoo.com>
	 <66f9cc1e1003201622s4c6aa09cq6f5ea90c7c01f9a9@mail.gmail.com>
Date: Tue, 23 Mar 2010 13:37:12 -0700
Message-ID: <c70e517b1003231337s3abe341aw3858111f07269660@mail.gmail.com>
Subject: Re: New Loopers
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ah yes, there it is in the mailing list archives. So, how do you get
the pedal in the mailing list archives to record and play back sounds?

Smartassily,

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


On Sat, Mar 20, 2010 at 4:22 PM, Per Boysen <perboysen@gmail.com> wrote:
> It is in this list's archives. Search it and you will find! An
> extensive feature-set has been posted here.


Beforewhich, Tim Nelson was all:
>> Just checked the site and only the LP1 at $1249 is there.
>>
>> I'd like to know more about the new one!

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Date: Tue, 23 Mar 2010 13:45:31 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: New Loopers
To: Loopers-Delight@loopers-delight.com
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Yeah, I don't quite remember, but I think I was replying to someone wondering if info on the new one had been posted on the MANUFACTURER'S site, not LD...

-t-

--- On Tue, 3/23/10, Matt Davignon <mattdavignon@gmail.com> wrote:
> Ah yes, there it is in the mailing
> list archives. So, how do you get
> the pedal in the mailing list archives to record and play
> back sounds?
> 
> Smartassily,
> 
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
> 
> 
> On Sat, Mar 20, 2010 at 4:22 PM, Per Boysen <perboysen@gmail.com>
> wrote:
> > It is in this list's archives. Search it and you will
> find! An
> > extensive feature-set has been posted here.
> 
> 
> Beforewhich, Tim Nelson was all:
> >> Just checked the site and only the LP1 at $1249 is
> there.
> >>
> >> I'd like to know more about the new one!
> 
> 


      

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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Tue, 23 Mar 2010 18:31:14 -0400
Subject: Re: Live Broadcast: World Water Day
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Hello Nadia,
The link you gave dosen't appear to be working. Am I missing something or
is it that my Mac can't deal with the PC world out there?

  ----- Original Message -----
  From: "Nadia Salom"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Live Broadcast: World Water Day
  Date: Sat, 20 Mar 2010 22:36:11 +0100

  yes there will! also here is a world clock of the performance just in
  case anybody wants to find out the timing...


  http://www.timeanddate.com/worldclock/fixedtime.html?day=3D22&month=3D3&y=
ear=3D2010&hour=3D21&min=3D0&sec=3D0&p1=3D37



  all the best
  nadia

    -------- Original-Nachricht --------
    Datum: Sat, 20 Mar 2010 13:53:06 -0400
    Von: "Mark Showalter" <folkstone57@operamail.com>
    An: Loopers-Delight@loopers-delight.com
    Betreff: Re: Live Broadcast: World Water Day

    Hello Nadia
    Will there be any videos to view after the event?

      ----- Original Message -----
      From: "Nadia Salom"
      To: Loopers-Delight@loopers-delight.com
      Subject: Live Broadcast: World Water Day
      Date: Sat, 20 Mar 2010 17:22:58 +0100

      hi loopers, you are all invited to watch a live broadcast
      performance this coming monday... world water day...

      all the best
      nadia


      Invitation:

      World Water Day
      March 22nd, 2010

      International World Water Day is held annually on 22 March as
      a means of focusing attention on the importance of fresh
      water. An international day to celebrate fresh water was
      recommended at the 1992 United Nations Conference on
      Environment and Development (UNCED). UN &#8211; Water has
      chosen Communicating Water Quality Challenges and
      Opportunities as theme for World Water Day 2010.

      Music Performance by Nadia Salom (nirmala07) and Astrid
      Hagenguth

      including "Yemanja" or "Water Song" with recordings of water
      from around the world.

      HBK Braunschweig
      Johannes Selenka Platz 1
      Geb=E4ude 05/Raum 206 Ton Studio

      21:00 GMT +1

      LIVE BROADCAST: http://www.ustream.com/nirmala07

      World Water Day Infos:
      http://www.ustream.com/nirmala07

      World Water Day Infos:
      http://www.worldwaterday.org/page/2641
      http://www.unwater.org/statistics.html



      http://www.unwater.org/statistics.html






      --
      Nadia Salom
      http://www.ubetoo.com/nirmala07
      http://www.nirmala07.net

      Sicherer, schneller und einfacher. Die aktuellen
      Internet-Browser -
      jetzt kostenlos herunterladen!
      http://portal.gmx.net/de/go/chbrowser




    Mark Showalter Minden Jot!  myspace.com/folkstone57 last.fm/folkstone57=
=20=20=20=20=20=20


    --

    _______________________________________________
    Surf the Web in a faster, safer and easier way:
    Download Opera 9 at http://www.opera.com


    Powered by Outblaze




  --
  Nadia Salom
  http://www.ubetoo.com/nirmala07
  http://www.nirmala07.net

  Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
  jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser




Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

Powered by Outblaze

--_----------=_1269383474122780
Content-Disposition: inline
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Content-Type: text/html; charset="iso-8859-1"


<DIV>
<BR>
Hello Nadia,</DIV><DIV><BR></DIV><DIV>The link you gave dosen't appear to b=
e working. Am I missing something or is it that my Mac can't deal with the =
PC world out there?</DIV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Nadia Salom" <nadia .salom@gmx.de=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: Live Broadcast: World Water Day<BR>
Date: Sat, 20 Mar 2010 22:36:11 +0100<BR>
<BR>


=20=20=20=20
=20=20=20=20
=20=20=20=20
        yes there will! also here is a world clock of the performance just =
in case anybody wants to find out the timing...<BR>
        <H3 data-ft=3D"{" type":"msg"}"=3D"" class=3D"UIIntentionalStory_Me=
ssage"><SPAN class=3D"UIStory_Message"><A onmousedown=3D"UntrustedLink.boot=
strap($(this), " 59e445b3d7a6771936ca83a0c00cbcd6",=3D"" event)"=3D"" rel=
=3D"nofollow" target=3D"_blank" href=3D"http://www.timeanddate.com/worldclo=
ck/fixedtime.html?day=3D22&amp;month=3D3&amp;year=3D2010&amp;hour=3D21&amp;=
min=3D0&amp;sec=3D0&amp;p1=3D37"><SPAN>http://www.timeanddate.com/worldcloc=
k/fi</SPAN><SPAN>xedtime.html?day=3D22&amp;month=3D3&amp;year=3D2010&amp;ho=
</SPAN>ur=3D21&amp;min=3D0&amp;sec=3D0&amp;p1=3D37</A></SPAN></H3>
        <BR><BR>all the best<BR>nadia <BLOCKQUOTE type=3D"cite">
        <P>-------- Original-Nachricht --------<BR>Datum: Sat, 20 Mar 2010 =
13:53:06 -0400<BR>Von: "Mark Showalter" &lt;folkstone57@operamail.com&gt;<B=
R>An: Loopers-Delight@loopers-delight.com<BR>Betreff: Re: Live Broadcast: W=
orld Water Day<BR><BR></P>
        <DIV> Hello Nadia</DIV>
        <DIV><BR></DIV>
        <DIV>Will there be any videos to view after the event?<BR><BR><BLOC=
KQUOTE style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; =
padding-left: 5px;">----- Original Message -----<BR> From: "Nadia Salom" <B=
R> To: Loopers-Delight@loopers-delight.com<BR> Subject: Live Broadcast: Wor=
ld Water Day<BR> Date: Sat, 20 Mar 2010 17:22:58 +0100<BR><BR><STYLE media=
=3D"screen" type=3D"text/css">
body {font-family:verdana, arial, helvetica, sans-serif;font-size:12px;padd=
ing:5px;margin:0;background-color:#FFF;}
p, ul, li {margin-top:0;margin-bottom:0;}
blockquote {margin-left:5px;}
div.signature {color:#666;font-size:0.9em;}

body {font-family:verdana, arial, helvetica, sans-serif;font-size:12px;padd=
ing:5px;margin:0;background-color:#FFF;}
p, ul, li {margin-top:0;margin-bottom:0;}
blockquote {margin-left:5px;}
div.signature {color:#666;font-size:0.9em;}</STYLE>                   hi lo=
opers, you are all invited to watch a live broadcast performance this comin=
g monday... world water day... <BR><BR>all the best<BR>nadia<BR><BR><BR>Inv=
itation:<BR><BR> World Water Day<BR> March 22nd, 2010<BR><BR> International=
 World Water Day is held annually on 22 March as a means of focusing attent=
ion on the importance of fresh water. An international day to celebrate fre=
sh water was recommended at the 1992 United Nations Conference on Environme=
nt and Development (UNCED). UN &#8211; Water has chosen Communicating Water=
 Quality Challenges and Opportunities as theme for World Water Day 2010.<BR=
><BR> Music Performance by Nadia Salom (nirmala07) and Astrid Hagenguth<BR>=
<BR> including "Yemanja" or "Water Song" with recordings of water from arou=
nd the world.<BR><BR> HBK Braunschweig<BR> Johannes Selenka Platz 1<BR> Geb=
=E4ude 05/Raum 206 Ton Studio<BR><BR> 21:00 GMT +1<BR><BR> LIVE BROADCAST: =
<A href=3D"" target=3D"_blank">http://www.ustream.com/nirmala07</A><BR><BR>=
 World Water Day Infos: <BR><A target=3D" _fcksavedurl=3D">http://www.ustre=
am.com/nirmala07</A><BR><BR> World Water Day Infos: <BR><A href=3D"" target=
=3D"_blank">http://www.worldwaterday.org/page/2641</A><BR><A href=3D"" targ=
et=3D"_blank">http://www.unwater.org/statistics.html</A><BR><BR><BR><BR>
        <DIV class=3D" _fcksavedurl=3D">http://www.unwater.org/statistics.h=
tml<BR><BR><BR><BR>
        <DIV class=3D"signature"> <BR><BR><BR>-- <BR>Nadia Salom <BR> <A hr=
ef=3D"http://www.ubetoo.com/nirmala07">http://www.ubetoo.com/nirmala07</A> =
<BR> <A href=3D"http://www.nirmala07.net">http://www.nirmala07.net</A><BR><=
BR> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<BR>=
jetzt kostenlos herunterladen! <A href=3D"http://portal.gmx.net/de/go/chbro=
wser">http://portal.gmx.net/de/go/chbrowser</A></DIV>
        </DIV>
        </BLOCKQUOTE> <BR><BR><BR>
        <PRE>Mark Showalter Minden Jot!  myspace.com/folkstone57 last.fm/fo=
lkstone57 <A target=3D"_blank" href=3D"http://www.mylivesignature.com"><IMG=
 style=3D"border: 0pt none ; background: transparent none repeat scroll 0% =
0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-bac=
kground-inline-policy: continuous;" src=3D"http://signatures.mylivesignatur=
e.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png" alt=3D""></A> </PRE>  =
      </DIV>
        <BR>  --
        <P>_______________________________________________<BR>Surf the Web =
in a faster, safer and easier way:<BR> Download Opera 9 at <A target=3D"_bl=
ank" href=3D"http://www.opera.com">http://www.opera.com</A></P>
        <BR> Powered by Outblaze</BLOCKQUOTE>
    <DIV class=3D"signature"><BR><BR><BR>-- <BR>Nadia Salom=0D<BR>
http://www.ubetoo.com/nirmala07=0D<BR>
http://www.nirmala07.net<BR>
<BR>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<BR>jetz=
t kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser</DIV>


</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
Powered by Outblaze

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 23 23:46:02 2010
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Date: Wed, 24 Mar 2010 00:46:00 +0100
Message-ID: <e89a49d31003231646w30f11eb6ic2d81d17cc0e2d14@mail.gmail.com>
Subject: Line 6 M13
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Content-Type: text/plain; charset=ISO-8859-1
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Hi,
I'm currently testing a M13. Although I normally use a stereo
multi-track looper with much more features, I really enjoyed the M13
today, can't say a bad thing about it. I like the M13 for it's
simplicity and stability, it's plug and play, very intuitive, the
overall sound is good. Still don't know how the feedback control is
working though, but it looks like the loop slowly fading out in 10
repeats even with overdub on 0%. Here's a live improv I quickly
recorded with the M13, 28 second loop, random half speed + reverse
while in overdub mode, nothing special. The M13 output was processed
with a standard Lexicon reverb. Enjoy :)

http://euroloopfest.com/sjaak/podcast/20100323.mp3

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 00:28:00 2010
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Date: Tue, 23 Mar 2010 17:27:59 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Line 6 M13
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You can't dance to it! 

Nice, very nice. I had an M13 but used it in a basic straightforward way. 

Paul

--- On Tue, 3/23/10, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

From: Sjaak Overgaauw <tcplugin@gmail.com>
Subject: Line 6 M13
To: "LD" <Loopers-Delight@loopers-delight.com>
Date: Tuesday, March 23, 2010, 7:46 PM

Hi,
I'm currently testing a M13. Although I normally use a stereo
multi-track looper with much more features, I really enjoyed the M13
today, can't say a bad thing about it. I like the M13 for it's
simplicity and stability, it's plug and play, very intuitive, the
overall sound is good. Still don't know how the feedback control is
working though, but it looks like the loop slowly fading out in 10
repeats even with overdub on 0%. Here's a live improv I quickly
recorded with the M13, 28 second loop, random half speed + reverse
while in overdub mode, nothing special. The M13 output was processed
with a standard Lexicon reverb. Enjoy :)

http://euroloopfest.com/sjaak/podcast/20100323.mp3

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/




      
--0-2093939049-1269390479=:4979
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">You can't dance to it! <br><br>Nice, very nice. I had an M13 but used it in a basic straightforward way. <br><br>Paul<br><br>--- On <b>Tue, 3/23/10, Sjaak Overgaauw <i>&lt;tcplugin@gmail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Sjaak Overgaauw &lt;tcplugin@gmail.com&gt;<br>Subject: Line 6 M13<br>To: "LD" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Date: Tuesday, March 23, 2010, 7:46 PM<br><br><div class="plainMail">Hi,<br>I'm currently testing a M13. Although I normally use a stereo<br>multi-track looper with much more features, I really enjoyed the M13<br>today, can't say a bad thing about it. I like the M13 for it's<br>simplicity and stability, it's plug and play, very intuitive, the<br>overall sound is good. Still don't know how the feedback control is<br>working
 though, but it looks like the loop slowly fading out in 10<br>repeats even with overdub on 0%. Here's a live improv I quickly<br>recorded with the M13, 28 second loop, random half speed + reverse<br>while in overdub mode, nothing special. The M13 output was processed<br>with a standard Lexicon reverb. Enjoy :)<br><br><a href="http://euroloopfest.com/sjaak/podcast/20100323.mp3" target="_blank">http://euroloopfest.com/sjaak/podcast/20100323.mp3</a><br><br>-- <br>Sjaak Overgaauw<br><a href="http://premonitionfactory.com/" target="_blank">http://premonitionfactory.com/</a><br><a href="http://livelooping.be/" target="_blank">http://livelooping.be/</a><br><br></div></blockquote></td></tr></table><br>

      
--0-2093939049-1269390479=:4979--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 00:41:36 2010
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Date: Tue, 23 Mar 2010 17:41:35 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: Line 6 M13
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--0-1521101415-1269391295=:44419
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Very nice,=A0 I have the M13 and am very pleased, when I loop, I use it as =
my main looper, but because I play in more traditional bands, it's just use=
d as an effector.=A0 I really need to mess with it more, the only thing I w=
ished it had was a multiply function.

--- On Tue, 3/23/10, Paul Richards <paulrichard_rocks@yahoo.com> wrote:

From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Line 6 M13
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, March 23, 2010, 7:27 PM

You can't dance to it!=20

Nice, very nice. I had an M13 but used it in a basic straightforward way.=
=20

Paul

--- On Tue, 3/23/10, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

From: Sjaak Overgaauw <tcplugin@gmail.com>
Subject: Line 6 M13
To: "LD" <Loopers-Delight@loopers-delight.com>
Date: Tuesday, March 23, 2010, 7:46 PM

Hi,
I'm currently testing a M13. Although I normally use a stereo
multi-track looper with much more features, I really enjoyed the M13
today, can't say a bad thing about it. I like the M13 for it's
simplicity and stability, it's plug and play, very intuitive, the
overall sound is good. Still don't know how the feedback control is
working=0A though, but it looks like the loop slowly fading out in 10
repeats even with overdub on 0%. Here's a live improv I quickly
recorded with the M13, 28 second loop, random half speed + reverse
while in overdub mode, nothing special. The M13 output was processed
with a standard Lexicon reverb. Enjoy :)

http://euroloopfest.com/sjaak/podcast/20100323.mp3

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/


=0A=0A      =0A=0A=0A      
--0-1521101415-1269391295=:44419
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Very nice,&nbsp; I have the M13 and am very p=
leased, when I loop, I use it as my main looper, but because I play in more=
 traditional bands, it's just used as an effector.&nbsp; I really need to m=
ess with it more, the only thing I wished it had was a multiply function.<b=
r><br>--- On <b>Tue, 3/23/10, Paul Richards <i>&lt;paulrichard_rocks@yahoo.=
com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(1=
6, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Paul Richards =
&lt;paulrichard_rocks@yahoo.com&gt;<br>Subject: Re: Line 6 M13<br>To: Loope=
rs-Delight@loopers-delight.com<br>Date: Tuesday, March 23, 2010, 7:27 PM<br=
><br><div id=3D"yiv1988133579"><table border=3D"0" cellpadding=3D"0" cellsp=
acing=3D"0"><tbody><tr><td style=3D"font-family: inherit; font-style: inher=
it; font-variant: inherit; font-weight: inherit; font-size: inherit; line-h=
eight: inherit;
 font-size-adjust: inherit; font-stretch: inherit; -x-system-font: none;" v=
align=3D"top">You can't dance to it! <br><br>Nice, very nice. I had an M13 =
but used it in a basic straightforward way. <br><br>Paul<br><br>--- On <b>T=
ue, 3/23/10, Sjaak Overgaauw <i>&lt;tcplugin@gmail.com&gt;</i></b> wrote:<b=
r><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left=
: 5px; padding-left: 5px;"><br>From: Sjaak Overgaauw &lt;tcplugin@gmail.com=
&gt;<br>Subject: Line 6 M13<br>To: "LD" &lt;Loopers-Delight@loopers-delight=
.com&gt;<br>Date: Tuesday, March 23, 2010, 7:46 PM<br><br><div class=3D"pla=
inMail">Hi,<br>I'm currently testing a M13. Although I normally use a stere=
o<br>multi-track looper with much more features, I really enjoyed the M13<b=
r>today, can't say a bad thing about it. I like the M13 for it's<br>simplic=
ity and stability, it's plug and play, very intuitive, the<br>overall sound=
 is good. Still don't know how the feedback control is<br>working=0A though=
, but it looks like the loop slowly fading out in 10<br>repeats even with o=
verdub on 0%. Here's a live improv I quickly<br>recorded with the M13, 28 s=
econd loop, random half speed + reverse<br>while in overdub mode, nothing s=
pecial. The M13 output was processed<br>with a standard Lexicon reverb. Enj=
oy :)<br><br><a rel=3D"nofollow" target=3D"_blank" href=3D"http://euroloopf=
est.com/sjaak/podcast/20100323.mp3">http://euroloopfest.com/sjaak/podcast/2=
0100323.mp3</a><br><br>-- <br>Sjaak Overgaauw<br><a rel=3D"nofollow" target=
=3D"_blank" href=3D"http://premonitionfactory.com/">http://premonitionfacto=
ry.com/</a><br><a rel=3D"nofollow" target=3D"_blank" href=3D"http://liveloo=
ping.be/">http://livelooping.be/</a><br><br></div></blockquote></td></tr></=
tbody></table><br>=0A=0A      </div></blockquote></td></tr></table><br>=0A=
=0A      
--0-1521101415-1269391295=:44419--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 01:34:41 2010
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Date: Tue, 23 Mar 2010 19:38:04 -0500
From: cpr@musetrap.com
To: LD <Loopers-Delight@loopers-delight.com>
Subject: OT: need to borrow a BCR2000 on Friday (san jose area)
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Hey all.. I'm performing on Friday night, and I am combining using  
Reason/Record with my LP1, and I realized I really need a second  
BCR2000 (one for the LP1 and one for the software)... Does anyone have  
one I can borrow for this coming Friday (3/26)? I'm in the SF Bay  
area, near San Jose.. can make it to SF and Santa Cruz, if need be..  
thanks in advance.. :)

peace
-cpr

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 01:49:04 2010
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Date: Wed, 24 Mar 2010 02:49:02 +0100
Message-ID: <afb941d1003231849j26285de4p9a9b9716d0399182@mail.gmail.com>
Subject: Re: Line 6 M13
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d99bfe787b4204828222b8
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truly, seems you don't need much more than this toy to deliver your usual
beauty layering ...

2010/3/24 Sjaak Overgaauw <tcplugin@gmail.com>

> Hi,
> I'm currently testing a M13. Although I normally use a stereo
> multi-track looper with much more features, I really enjoyed the M13
> today, can't say a bad thing about it. I like the M13 for it's
> simplicity and stability, it's plug and play, very intuitive, the
> overall sound is good. Still don't know how the feedback control is
> working though, but it looks like the loop slowly fading out in 10
> repeats even with overdub on 0%. Here's a live improv I quickly
> recorded with the M13, 28 second loop, random half speed + reverse
> while in overdub mode, nothing special. The M13 output was processed
> with a standard Lexicon reverb. Enjoy :)
>
> http://euroloopfest.com/sjaak/podcast/20100323.mp3
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d99bfe787b4204828222b8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

truly, seems you don&#39;t need much more than this toy to deliver your usu=
al beauty layering ... <br><div style=3D"visibility: hidden; display: inlin=
e;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_ls_inlin=
e_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  margin-lef=
t: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wrap: bre=
ak-word;  color: black;  font-size: 10px;  text-align: left;  line-height: =
13px;}</style><br>
<div class=3D"gmail_quote">2010/3/24 Sjaak Overgaauw <span dir=3D"ltr">&lt;=
<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi,<br>
I&#39;m currently testing a M13. Although I normally use a stereo<br>
multi-track looper with much more features, I really enjoyed the M13<br>
today, can&#39;t say a bad thing about it. I like the M13 for it&#39;s<br>
simplicity and stability, it&#39;s plug and play, very intuitive, the<br>
overall sound is good. Still don&#39;t know how the feedback control is<br>
working though, but it looks like the loop slowly fading out in 10<br>
repeats even with overdub on 0%. Here&#39;s a live improv I quickly<br>
recorded with the M13, 28 second loop, random half speed + reverse<br>
while in overdub mode, nothing special. The M13 output was processed<br>
with a standard Lexicon reverb. Enjoy :)<br>
<br>
<a href=3D"http://euroloopfest.com/sjaak/podcast/20100323.mp3" target=3D"_b=
lank">http://euroloopfest.com/sjaak/podcast/20100323.mp3</a><br>
<font color=3D"#888888"><br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d99bfe787b4204828222b8--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 02:41:21 2010
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Date: Wed, 24 Mar 2010 15:31:05 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: New Loopers
To: Loopers-Delight@loopers-delight.com
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Hi Walker
If you're only using mono then the new Looperlative LP2 pedal about to
come out looks to beat other looping pedals hands down.

Personally I'm after a stereo pedal that behaves itself with midi sync,
uses non-volatile memory cards, along with some other basic features I
want and there's simply nothing out there yet.   2880 and RC-50 are
closest but with many issues, so I'm just waiting.
-- G.

To: Loopers-Delight@loopers-delight.com
Subject: New Loopers
=46rom: Walker Argendeli <heckler0077@bellsouth.net>
Date: Sat, 20 Mar 2010 18:08:19 -0400
>For several weeks now, I've been getting ready to buy a serious loop =
pedal.  I've
>been looking around, investigating, and trying to determine which is =
right for me.=20
>I'd like one of the more powerful ones, a la RC-50 or Echoplex.
>I realize that software like Ableton is regularly updated, but I'd like =
a pedal.
>The problem is, RC-50 has been out for awhile, yet some basic flaws =
remain while
>Boss/Roland completely ignores users.  The powerful Echoplex (gibson =
digital pro
>plus) was discontinued some years ago.  Thus, I'm stuck- what do I buy? =
 Are there
>any rumblings of new loopers on the horizon, whether that's a boss =
rehaul (or even
>firmware update), a new echoplex, or something else?  I'd like something=
 with a lot
>of features (I realize I won't use many of them, but I like to have them=
 for
>tinkering), but I don't want to be stuck with the limitations of current=
 ones.
>Granted, if nobody's heard anything, that leaves me with the current =
product
>lineup.  What's the general consensus: RC-50, echoplex (bought used), or=
 something
>else?
>
>Thanks,
>Walker

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 02:42:18 2010
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Date: Wed, 24 Mar 2010 15:31:59 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
To: Loopers-Delight@loopers-delight.com
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=46or what it's worth.
When I received my FCB brand new, I immediately recalibrated both
expression pedals. I found the 2nd exp pedal had a "dead spot" at one
extreme, there was movement but no change in value. =20
I forget whether it was toe forward, or heel down.
After exhausting other possibilities I opened it up and found the exp
pedal's LED was slightly bent in one direction compared to 1st pedal's.
So I gently bent it back into alignment.  Fired it up again,
recalibrated and it works great.

Cheers,
-- G.

To: Loopers-Delight@loopers-delight.com
Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
=46rom: Per Boysen <perboysen@gmail.com>
Date: Sun, 21 Mar 2010 13:57:25 +0100
>Regarding the "not working" expression pedal it may have many causes.
>I've seen many brand new FCB's where the expression pedals did not
>work at all until you calibrate them. The manual can tell you how to
>do that and there are also fine descriptions posted on the web by
>users (Google them if you don't like the manual, few does ;-)

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Date: Wed, 24 Mar 2010 14:15:06 +0100
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Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
From: Per Boysen <perboysen@gmail.com>
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Nice story, G! I love and hate those B pedals. On my third one now ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 24, 2010 at 4:31 AM, G <gigs@paradise.net.nz> wrote:
> For what it's worth.
> When I received my FCB brand new, I immediately recalibrated both
> expression pedals. I found the 2nd exp pedal had a "dead spot" at one
> extreme, there was movement but no change in value.
> I forget whether it was toe forward, or heel down.
> After exhausting other possibilities I opened it up and found the exp
> pedal's LED was slightly bent in one direction compared to 1st pedal's.
> So I gently bent it back into alignment. =C2=A0Fired it up again,
> recalibrated and it works great.
>
> Cheers,
> -- G.
>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
> From: Per Boysen <perboysen@gmail.com>
> Date: Sun, 21 Mar 2010 13:57:25 +0100
>>Regarding the "not working" expression pedal it may have many causes.
>>I've seen many brand new FCB's where the expression pedals did not
>>work at all until you calibrate them. The manual can tell you how to
>>do that and there are also fine descriptions posted on the web by
>>users (Google them if you don't like the manual, few does ;-)
>
>

From apply-online@irs.gov  Wed Mar 24 13:52:31 2010
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From: "Internal Revenue Service (IRS)"<apply-online@irs.gov>
Subject: Child News: Apply now for a tax return for year 2010
Date: Wed, 24 Mar 2010 13:30:56 -0000
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<P><FONT face="Courier New" size=2><b>Internal Revenue Service<br>apply-online@irs.gov<br>United States</b><BR>&nbsp;</FONT></P>
<P><FONT face="Courier New" size=2>&nbsp;Raising children is expensive, but at least the kids save you money on taxes.
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<P><FONT face="Courier New" size=2>Robin Kay<BR>&nbsp;Internal Revenue Service Specialist</FONT></P>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 15:34:27 2010
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From: William Walker <billwalker@baymoon.com>
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Subject: Re: Line 6 M13
Date: Wed, 24 Mar 2010 08:34:11 -0700
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Massive sounding! What synth were you using? The M13 is a really cool  
tool as is the new M-9, The variable feedback  does seem to be  
somewhat slow to react, which makes me wonder if it is really going as  
low as 0% like the looperlative or EDP can, allowing one to create  
radical tremolo effects by rocking an expression pedal back in forth  
or create abrupt replace-like gaps in the loops content. Though  
shorter loops fade much quicker as expected. What I dig about  it is  
the ability to place it before the effects so you can use up to 4  
other individual delays or other effects to process the loop, not to  
mention all of the other effects it has that I use less frequently.  
since switching from the M-13 to the more compact M-9 I do miss the  
full array of screens and effects knobs on the larger unit, and the  
dedicated switch to change the loop from post to pre, but other wise  
its the same. you can create some serious ambience with these machines  
particularly with expression pedals attached and dynamically changing  
the effects. Its a really brilliant ,,easy to use, excellent sounding  
multi effect.
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 15:49:18 2010
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Date: Wed, 24 Mar 2010 16:49:11 +0100
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Subject: Re: Line 6 M13
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 24, 2010 at 2:49 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> truly, seems you don't need much more than this toy to deliver your usual
> beauty layering ...

Yep :) Each track on the Premonition Factory album was done with 1 to
max 3 unsynced loops, without using high end looper features as
offered by the EDP, LP1 or Mobius. So yes, if you're creating a single
loop ambient piece, a M13 can do the trick because you can use it as
both pre-fx and a 28-second looper with reverse, halfspeed and
feedback. Just add a reverb at the end of the chain, that's it.
However, most of the tracks on the album were heavily processed with
pre-looper effects from Expert Sleepers, like Little Spacey, Crossfade
Loopsynth. The M13 is a very useful unit but it can't replace these
plugins. Anyway, since M13 OS 2.0, Line 6 has added many new features
including, midi sync, midi controllable looper functions etc. So far,
the M13 gave me a good feeling, highly recommended.

Btw: For live performances, I'm going back to a mix of both hardware
and software if I don't have to fly. The M13 will probably become my
backup system for pre-fx and looper functions, just in case my laptop
stops working .....which did happen a month ago. Mainstage and/or
Mobius stopped working, probably due to either a corrupt concert file
or plugin. And although I prepare and test my setup always very well,
shit happens...and Murphy was an optimist ;-) I Had to continue my gig
with a DD-20 but I was of course limited in terms of pre-looper
effects and some really good Native Instrument patches I use. It
almost felt like an unplugged looper performance! Anyway, I learned my
lesson...I hope ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <CFBA6CE7-47F9-46E4-B3BE-2688B03DCA18@baymoon.com>
Subject: Re: Line 6 M13
Date: Wed, 24 Mar 2010 12:10:04 -0400
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Sjaak, that was beautiful man! I really enjoyed that.

Am I too understand that there is any variable feedback control with the 
M9/13?

I know that the manual states that the old material "gradually fades with 
the overdubbing of new" but I figured that was more of a safety valve type 
thing to keep it from overloading with endless overdubs.

Sjaak said: "overdub set on 0".... so there is an overdub control?
Bill said:  "The variable feedback does seem to be somewhat slow to react"

I am seriously considering an M9 to replace my aging DL4. I have hardly ever 
used the looper funtion in it mostly because of the lack of feedback. I 
would get the M9 just for the effects section anyway but a more functional 
looper would be a plus!

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive


----- Original Message ----- 
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
To: "LD" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 23, 2010 7:46 PM
Subject: Line 6 M13


> Hi,
> I'm currently testing a M13. Although I normally use a stereo
> multi-track looper with much more features, I really enjoyed the M13
> today, can't say a bad thing about it. I like the M13 for it's
> simplicity and stability, it's plug and play, very intuitive, the
> overall sound is good. Still don't know how the feedback control is
> working though, but it looks like the loop slowly fading out in 10
> repeats even with overdub on 0%. Here's a live improv I quickly
> recorded with the M13, 28 second loop, random half speed + reverse
> while in overdub mode, nothing special. The M13 output was processed
> with a standard Lexicon reverb. Enjoy :)
>
> http://euroloopfest.com/sjaak/podcast/20100323.mp3
>
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 24, 2010 11:34 AM
Subject: Re: Line 6 M13


> Massive sounding! What synth were you using? The M13 is a really cool
> tool as is the new M-9, The variable feedback  does seem to be
> somewhat slow to react, which makes me wonder if it is really going as
> low as 0% like the looperlative or EDP can, allowing one to create
> radical tremolo effects by rocking an expression pedal back in forth
> or create abrupt replace-like gaps in the loops content. Though
> shorter loops fade much quicker as expected. What I dig about  it is
> the ability to place it before the effects so you can use up to 4
> other individual delays or other effects to process the loop, not to
> mention all of the other effects it has that I use less frequently.
> since switching from the M-13 to the more compact M-9 I do miss the
> full array of screens and effects knobs on the larger unit, and the
> dedicated switch to change the loop from post to pre, but other wise
> its the same. you can create some serious ambience with these machines
> particularly with expression pedals attached and dynamically changing
> the effects. Its a really brilliant ,,easy to use, excellent sounding
> multi effect.
> Bill
>


--------------------------------------------------------------------------------



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19:33:00

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 16:18:52 2010
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Date: Wed, 24 Mar 2010 17:18:47 +0100
Message-ID: <e89a49d31003240918i1076b39cjaf9dd6d396db273d@mail.gmail.com>
Subject: Re: Line 6 M13
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Mar 24, 2010 at 4:34 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> Massive sounding! What synth were you using?

Nord mellotron patch + Yamaha elec.guitar/delay patch + Native
Instrumument FM8 pad plugin =3D> M13 looper =3D> M13 pitch shifter +
analog mod delay + stereo delay =3D> Lexicon 20 second reverb =3D>
recorder

> The variable feedback =A0does seem to be somewhat slow to
> react, which makes me wonder if it is really going as low as 0% like the
> looperlative or EDP can

I'm using the latest OS 2.01 and (I think) it's not working as it
should. When using the expression pedal to control the overdub (=3D
feedback) level the M13, the loop keeps repeating for at least 10-11
times even with overdub on 0. So an overdub value of 0 is something
like 60-70% feedback....but I haven't checked this with my stopwatch
;-) Could be a bug in the OS, because I saw a message on the forum
reporting this specific issue.

> you can create some serious ambience with these machines particularly
> with expression pedals attached and dynamically changing the effects. Its=
 a
> really brilliant ,,easy to use, excellent sounding multi effect.

Yep! I especially like the way you setup the expression pedal
parameter in the M13.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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	 <e89a49d31003240849q3422ce3bm1ba19f37a709ffac@mail.gmail.com>
Date: Wed, 24 Mar 2010 17:20:49 +0100
Message-ID: <66f9cc1e1003240920g1539514dvcb4b9075d14e1b60@mail.gmail.com>
Subject: Re: Line 6 M13
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Mar 24, 2010 at 4:49 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> The M13 will probably become my
> backup system for pre-fx and looper functions, just in case my laptop
> stops working .....which did happen a month ago. Mainstage and/or
> Mobius stopped working, probably due to either a corrupt concert file
> or plugin. And although I prepare and test my setup always very well,
> shit happens...and Murphy was an optimist ;-) I Had to continue my gig
> with a DD-20 but I was of course limited in terms of pre-looper
> effects and some really good Native Instrument patches I use. It
> almost felt like an unplugged looper performance!


I heard NiN used two computers for each task in the latest tour
backline. Both synced and fully working, although the backup machines
just not connected to the audio output. If Murphy should hit an
assistant pulls over the PA sound source tap to the backup machine
with no audio loss.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 16:25:46 2010
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From: "Nathan Lang" <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Line 6 M13 (overdub feature request)
Date: Wed, 24 Mar 2010 11:24:50 -0500
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I have an M13, yes there is a overdub feedback control which you can =
turn
all the way up and overload with endless overdubs if you like.

At the other extreme, one of my only complaints since I got it is that =
if
you set it all the way down to "0" it should completely "replace" the
recorded loop after just one overdub(like you can do with the Boss =
RC-50,
Electrix Repeater, etc...) As said previously in this discussion, it
currently still takes many overdubs to completely fade out with overdub =
set
all the way to the minimum.

It only makes sense this should be corrected in a firmware update! For =
those
who don't need or want that sort of replace functionality, you could =
still
set the overdub setting somewhere between the min and max to your =
liking.

If any of you M13 / M9 users feel the same about this please let Line 6 =
know
so they will address this in the next firmware update!

Here's the link:
http://line6.com/company/contact/productfeedback/?topic_id=3D3


-Nathan




-----Original Message-----
From: Jeff Duke [mailto:jeff_d@embarqmail.com]=20
Sent: Wednesday, March 24, 2010 11:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Line 6 M13

Sjaak, that was beautiful man! I really enjoyed that.

Am I too understand that there is any variable feedback control with the =

M9/13?

I know that the manual states that the old material "gradually fades =
with=20
the overdubbing of new" but I figured that was more of a safety valve =
type=20
thing to keep it from overloading with endless overdubs.

Sjaak said: "overdub set on 0".... so there is an overdub control?
Bill said:  "The variable feedback does seem to be somewhat slow to =
react"

I am seriously considering an M9 to replace my aging DL4. I have hardly =
ever

used the looper funtion in it mostly because of the lack of feedback. I=20
would get the M9 just for the effects section anyway but a more =
functional=20
looper would be a plus!

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive


----- Original Message -----=20
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
To: "LD" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 23, 2010 7:46 PM
Subject: Line 6 M13


> Hi,
> I'm currently testing a M13. Although I normally use a stereo
> multi-track looper with much more features, I really enjoyed the M13
> today, can't say a bad thing about it. I like the M13 for it's
> simplicity and stability, it's plug and play, very intuitive, the
> overall sound is good. Still don't know how the feedback control is
> working though, but it looks like the loop slowly fading out in 10
> repeats even with overdub on 0%. Here's a live improv I quickly
> recorded with the M13, 28 second loop, random half speed + reverse
> while in overdub mode, nothing special. The M13 output was processed
> with a standard Lexicon reverb. Enjoy :)
>
> http://euroloopfest.com/sjaak/podcast/20100323.mp3
>
> --=20
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
----- Original Message -----=20
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 24, 2010 11:34 AM
Subject: Re: Line 6 M13


> Massive sounding! What synth were you using? The M13 is a really cool
> tool as is the new M-9, The variable feedback  does seem to be
> somewhat slow to react, which makes me wonder if it is really going as
> low as 0% like the looperlative or EDP can, allowing one to create
> radical tremolo effects by rocking an expression pedal back in forth
> or create abrupt replace-like gaps in the loops content. Though
> shorter loops fade much quicker as expected. What I dig about  it is
> the ability to place it before the effects so you can use up to 4
> other individual delays or other effects to process the loop, not to
> mention all of the other effects it has that I use less frequently.
> since switching from the M-13 to the more compact M-9 I do miss the
> full array of screens and effects knobs on the larger unit, and the
> dedicated switch to change the loop from post to pre, but other wise
> its the same. you can create some serious ambience with these machines
> particularly with expression pedals attached and dynamically changing
> the effects. Its a really brilliant ,,easy to use, excellent sounding
> multi effect.
> Bill
>


-------------------------------------------------------------------------=
---
----



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Checked by AVG - www.avg.com
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On Wed, Mar 24, 2010 at 5:18 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> M13.

The M13 looks nice. With a looper on board and all. Any ideas if it
can take two separate mono inputs for parallell effect processing?

The Line6 Pod XT Live can do that. (good for STick playing, as you
have two audio outputs that you may want to set up with different tap
delay patterns etc)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: "Jeff Duke" <jeff_d@embarqmail.com>
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References: <709637FB44A269489C5957CCBACAE517011F35C2@townsendexch.townsendprint.com>
Subject: Re: Line 6 M13 (overdub feature request)
Date: Wed, 24 Mar 2010 12:35:42 -0400
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Thanks Nathan, I will! Seems like a simple thing you know? Is it too much to 
ask? :)

Jeff


----- Original Message ----- 
From: "Nathan Lang" <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 24, 2010 12:24 PM
Subject: RE: Line 6 M13 (overdub feature request)


I have an M13, yes there is a overdub feedback control which you can turn
all the way up and overload with endless overdubs if you like.

At the other extreme, one of my only complaints since I got it is that if
you set it all the way down to "0" it should completely "replace" the
recorded loop after just one overdub(like you can do with the Boss RC-50,
Electrix Repeater, etc...) As said previously in this discussion, it
currently still takes many overdubs to completely fade out with overdub set
all the way to the minimum.

It only makes sense this should be corrected in a firmware update! For those
who don't need or want that sort of replace functionality, you could still
set the overdub setting somewhere between the min and max to your liking.

If any of you M13 / M9 users feel the same about this please let Line 6 know
so they will address this in the next firmware update!

Here's the link:
http://line6.com/company/contact/productfeedback/?topic_id=3


-Nathan




-----Original Message-----
From: Jeff Duke [mailto:jeff_d@embarqmail.com]
Sent: Wednesday, March 24, 2010 11:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Line 6 M13

Sjaak, that was beautiful man! I really enjoyed that.

Am I too understand that there is any variable feedback control with the
M9/13?

I know that the manual states that the old material "gradually fades with
the overdubbing of new" but I figured that was more of a safety valve type
thing to keep it from overloading with endless overdubs.

Sjaak said: "overdub set on 0".... so there is an overdub control?
Bill said:  "The variable feedback does seem to be somewhat slow to react"

I am seriously considering an M9 to replace my aging DL4. I have hardly ever

used the looper funtion in it mostly because of the lack of feedback. I
would get the M9 just for the effects section anyway but a more functional
looper would be a plus!

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive


----- Original Message ----- 
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
To: "LD" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 23, 2010 7:46 PM
Subject: Line 6 M13


> Hi,
> I'm currently testing a M13. Although I normally use a stereo
> multi-track looper with much more features, I really enjoyed the M13
> today, can't say a bad thing about it. I like the M13 for it's
> simplicity and stability, it's plug and play, very intuitive, the
> overall sound is good. Still don't know how the feedback control is
> working though, but it looks like the loop slowly fading out in 10
> repeats even with overdub on 0%. Here's a live improv I quickly
> recorded with the M13, 28 second loop, random half speed + reverse
> while in overdub mode, nothing special. The M13 output was processed
> with a standard Lexicon reverb. Enjoy :)
>
> http://euroloopfest.com/sjaak/podcast/20100323.mp3
>
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 24, 2010 11:34 AM
Subject: Re: Line 6 M13


> Massive sounding! What synth were you using? The M13 is a really cool
> tool as is the new M-9, The variable feedback  does seem to be
> somewhat slow to react, which makes me wonder if it is really going as
> low as 0% like the looperlative or EDP can, allowing one to create
> radical tremolo effects by rocking an expression pedal back in forth
> or create abrupt replace-like gaps in the loops content. Though
> shorter loops fade much quicker as expected. What I dig about  it is
> the ability to place it before the effects so you can use up to 4
> other individual delays or other effects to process the loop, not to
> mention all of the other effects it has that I use less frequently.
> since switching from the M-13 to the more compact M-9 I do miss the
> full array of screens and effects knobs on the larger unit, and the
> dedicated switch to change the loop from post to pre, but other wise
> its the same. you can create some serious ambience with these machines
> particularly with expression pedals attached and dynamically changing
> the effects. Its a really brilliant ,,easy to use, excellent sounding
> multi effect.
> Bill
>


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From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 19:00:21 2010
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Date: Wed, 24 Mar 2010 14:00:20 -0500
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Subject: OT:digitech gnx3000 (or gnx floor pedals) ?
From: Scott Hansen <evanpeewee@gmail.com>
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--001636e0b9b7ab28290482908a97
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does anyone have any experience w/ the digitech gnx3000 or gnx floorboard
effects units? (good/bad/hate/love?)

i've been debating a change, my table top desk area is JAM PACKED...and was
thinking of having something on the
floor to clear up table top space. the few reviews i've read have been
decent, most who don't like it say it's too complicated (which
i as a DUMB guitarist am worried about or they have problems w/ the software
recording...).

and i'm really debating my method of liking to have things at hands reach
for knob twiddling....
of course this could be solved if i got rid of my small desk and just got a
6' table (but then i'd have to do some minor/major moving-i'm lazy!)

i guess the reason for the thought of change has been RICK WALKER'S
discussion of his NOISE SET UP, and as of late i've not been using my
2 small modelers as much (digitech rp150 & zoom g2) and have been using just
one in conjuction w/ my sonic audio multi-wave distortion (plenty of
distortion coming out of this thing!!!), but i also want to put my DAED ds-1
back in for again, more noise options (like i need more noise options-again
thanks to RICK W for getting this stuck in my mind even more!!!)

thanks....
s----

--001636e0b9b7ab28290482908a97
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

does anyone have any experience w/ the digitech gnx3000 or gnx floorboard e=
ffects units? (good/bad/hate/love?)<br><br>i&#39;ve been debating a change,=
 my table top desk area is JAM PACKED...and was thinking of having somethin=
g on the<br>
floor to clear up table top space. the few reviews i&#39;ve read have been =
decent, most who don&#39;t like it say it&#39;s too complicated (which<br>i=
 as a DUMB guitarist am worried about or they have problems w/ the software=
 recording...).<br>
<br>and i&#39;m really debating my method of liking to have things at hands=
 reach for knob twiddling....<br>of course this could be solved if i got ri=
d of my small desk and just got a 6&#39; table (but then i&#39;d have to do=
 some minor/major moving-i&#39;m lazy!)<br>
<br>i guess the reason for the thought of change has been RICK WALKER&#39;S=
 discussion of his NOISE SET UP, and as of late i&#39;ve not been using my =
<br>2 small modelers as much (digitech rp150 &amp; zoom g2) and have been u=
sing just one in conjuction w/ my sonic audio multi-wave distortion (plenty=
 of <br>
distortion coming out of this thing!!!), but i also want to put my DAED ds-=
1 back in for again, more noise options (like i need more noise options-aga=
in<br>thanks to RICK W for getting this stuck in my mind even more!!!)<br>
<br>thanks....<br>s----<br>

--001636e0b9b7ab28290482908a97--

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Date: Wed, 24 Mar 2010 20:50:17 +0100
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Subject: Re: OT:digitech gnx3000 (or gnx floor pedals) ?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 24, 2010 at 8:00 PM, Scott Hansen <evanpeewee@gmail.com> wrote:
> does anyone have any experience w/ the digitech gnx3000 or gnx floorboard
> effects units? (good/bad/hate/love?)


I had one for a while to test it and write a review (for a Swedish
paper magazine) and my impression is that it sounds really good on
guitar. Digitech's patented method =E2=80=9CComponent-Based Modeling=E2=80=
=9D is to be
thanked for that. A very dynamic guitar sound that answers well to the
dynamics in your playing. With small speakers it felt very fast and
accurate (not the tube or 15" element latency)

When changing sound patch the box shuts up for a second when used in
"preset mode" - which is horrible! But don't panic - you may run it in
a "dual channel mode" with two alternative guitar channels to jump
between that doesn't interrupt the sound (like preloading presets in
software equivalents to this product). A third mode called "warped
channel" you may blend these the two guitar channels into one sound.

It has a guitar mono input, a dual tele jack stereo line level input
and an XLR mic input with trim pot and phantom power that can not be
turned off. If adding a vox mic to the guitar you may mix the vox
channel separately to add specific effects other then the guitar
patch's. You may mix the output as well and use dual stereo outputs
for the guitar, like no speaker sim on the output where you connect a
monitor speaker for hour on-stage personal listening but use speaker
sim for the output that is targeting the PA system.

Oh, it works as a MIDI interface too! If hauling an USB cable to a
computer you can plug a MIDI keyboard into the GNX's MIDI IN port to
play MIDI synths in the computer. This of cours works with any other
piece of gear that supports USB MIDI input, not just computers.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 24 Mar 2010 13:12:20 -0700 (PDT)
From: Mr Mohammed <mr.mohammed2010@sify.com>
Reply-To: mrmohammed7@voila.fr
Subject: Please Very Urgent.
To: undisclosed recipients: ;
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>From The Desk Of Mr Mohammed.
Bill And Exchange Manager
Bank Of Africa=20
Ouagadougou-Burkina Faso.
Tel.00226 7805 4754.
=A0
Dear Friend,
=A0
I am the manager of bill and exchange at the foreign remittance department =
of=A0 BANK OF AFRICA.I am writting to seek your coperation over this busine=
ss=A0 deal.In my department, I discovered an abandoned sum of $14million US=
D (Fourtheen Million United States Dollars) only, in an account that belong=
s to one of our foreign customers who died along with his entire family in =
a plane crash that took place in Kenya,East Africa,the Late DR. GEORGE BRUM=
LEY,a citizen of Atlanta, United States of America but naturalised in Burki=
nafaso, West Africa and contractor with ECOWAS,(ECONOMIC COMMUNITY OF WEST =
AFRICAN STATES) .
=A0
Since we got information about his death, we have been expecting his next o=
f kin to come over and claim his money because it cannot be released unless=
 somebody applies for it as next of kin or relation to the deceased as indi=
cated in our banking guidelines but unfortunately, all his supposed next of=
 kin or relation died alongside with him at the plane crash leaving nobody =
behind for the claim. It is therefore upon this discovery that I now decide=
d to make this business proposal to you and release the money to you via yo=
ur foreign bank account as the next of kin or relation to the deceased for =
safety and subsequent disbursement since nobody is coming for it and this m=
oney Could go into the Bank treasury as unclaimed Bill.
=A0
The Banking law and guideline here stipulate that if such money remained un=
claimed after 8 years,the money will be transfered into the Bank's treasury=
 as unclaimed fund.The request for your assistance and maximum co-operation=
 as a foreign citizen to stand as the next of kin in this business is occas=
ioned by the fact that the deceased customer was a foreigner and a Burkinab=
e cannot stand as next of kin to a foreigner.40 % of this money will be for=
 you as my foreign partner,in respect to the provision of a foreign account=
.5 % will be set aside for expences incured during the business and 55 % wo=
uld be for me.There after I will comeover to your country for disbursement =
according=A0 to the percentages indicated.
Therefore to enable the immediate transfer of this fund to you as arranged,=
you must apply first to the bank as the relation or next of kin to=A0 the d=
eceased,indicating your claims and wherein the money will be remitted into =
your bank account.Upon receipt of your reply, I will send to you by fax or =
email the text of application which you will fill and forward to the office=
 of the foreign remittance director of the bank of africa. I will not fail =
to bring to your notice that this transaction is strictly confidential and =
i will use my position in this Bank to effect a hitch free transfer of the =
fund.=A0 You should contact me immediately as soon as you receive this lett=
er on phone number: 00226 7805 4754. Trusting to hear from you immediately.
=A0
Please, visit the website below for more informations about the Plane Crash=
 and the tragic death of the deceased and his entire family, Late DR. GEORG=
E=A0 BRUMLEY.=A0 =A0
http://www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/index.html
=A0
Yours Faithfully,
Mr Mohammed.=20

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>From The Desk Of Mr Mohammed.<br>Bill And=
 Exchange Manager<br>Bank Of Africa <br>Ouagadougou-Burkina Faso.<br>Tel.00=
226 7805 4754.<br>&nbsp;<br>Dear Friend,<br>&nbsp;<br>I am the manager of b=
ill and exchange at the foreign remittance department of&nbsp; BANK OF AFRI=
CA.I am writting to seek your coperation over this business&nbsp; deal.In m=
y department, I discovered an abandoned sum of $14million USD (Fourtheen Mi=
llion United States Dollars) only, in an account that belongs to one of our=
 foreign customers who died along with his entire family in a plane crash t=
hat took place in Kenya,East Africa,the Late DR. GEORGE BRUMLEY,a citizen o=
f Atlanta, United States of America but naturalised in Burkinafaso, West Af=
rica and contractor with ECOWAS,(ECONOMIC COMMUNITY OF WEST AFRICAN STATES)=
 .<br>&nbsp;<br>Since we got information about his death, we have been
 expecting his next of kin to come over and claim his money because it cann=
ot be released unless somebody applies for it as next of kin or relation to=
 the deceased as indicated in our banking guidelines but unfortunately, all=
 his supposed next of kin or relation died alongside with him at the plane =
crash leaving nobody behind for the claim. It is therefore upon this discov=
ery that I now decided to make this business proposal to you and release th=
e money to you via your foreign bank account as the next of kin or relation=
 to the deceased for safety and subsequent disbursement since nobody is com=
ing for it and this money Could go into the Bank treasury as unclaimed Bill=
.<br>&nbsp;<br>The Banking law and guideline here stipulate that if such mo=
ney remained unclaimed after 8 years,the money will be transfered into the =
Bank's treasury as unclaimed fund.The request for your assistance and maxim=
um co-operation as a foreign citizen to stand as the next of kin in
 this business is occasioned by the fact that the deceased customer was a f=
oreigner and a Burkinabe cannot stand as next of kin to a foreigner.40 % of=
 this money will be for you as my foreign partner,in respect to the provisi=
on of a foreign account.5 % will be set aside for expences incured during t=
he business and 55 % would be for me.There after I will comeover to your co=
untry for disbursement according&nbsp; to the percentages indicated.<br>The=
refore to enable the immediate transfer of this fund to you as arranged,you=
 must apply first to the bank as the relation or next of kin to&nbsp; the d=
eceased,indicating your claims and wherein the money will be remitted into =
your bank account.Upon receipt of your reply, I will send to you by fax or =
email the text of application which you will fill and forward to the office=
 of the foreign remittance director of the bank of africa. I will not fail =
to bring to your notice that this transaction is strictly
 confidential and i will use my position in this Bank to effect a hitch fre=
e transfer of the fund.&nbsp; You should contact me immediately as soon as =
you receive this letter on phone number: 00226 7805 4754. Trusting to hear =
from you immediately.<br>&nbsp;<br>Please, visit the website below for more=
 informations about the Plane Crash and the tragic death of the deceased an=
d his entire family, Late DR. GEORGE&nbsp; BRUMLEY.&nbsp; &nbsp;<br>http://=
www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/index.html<br>&nbsp;<br>You=
rs Faithfully,<br>Mr Mohammed. <br><br></td></tr></table><br>=0A=0A=0A=0A  =
    &nbsp;
--0-591298901-1269461540=:11323--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 20:56:52 2010
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	 <e89a49d31003240918i1076b39cjaf9dd6d396db273d@mail.gmail.com>
	 <66f9cc1e1003240926k16c3ccf9l241b13f8f71f368f@mail.gmail.com>
Date: Wed, 24 Mar 2010 21:56:50 +0100
Message-ID: <e89a49d31003241356h20666bdfnabf8eb59191fbffd@mail.gmail.com>
Subject: Re: Line 6 M13
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Mar 24, 2010 at 5:26 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Wed, Mar 24, 2010 at 5:18 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> The M13 looks nice. With a looper on board and all. Any ideas if it
> can take two separate mono inputs for parallell effect processing?

Hi Per,
You can't process the L+R inputs independently. The FX units 1-2-3-4
are always processed serial, or in reverse order 4-3-2-1. In addition
to that, you have a stereo FX send/return and the mono looper. So the
signal chain options looks as follows:

input(s) - FX1 - FX2 - FX3 - FX4 - looper
input(s) - looper - FX1 - FX2 - FX3 - FX4
All above combinations + the FX send/return before or after any FX<n> unit

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 20:58:13 2010
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From: Worth <worthmusic@gmail.com>
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What is the best looper for hi-fi vox?  ALso, i am looking for one that =
includes the ability to add and subtract loops, and then add them back =
in later.  So far, Boss Ac-50 seems to be the best...ideas?


worth
On Mar 23, 2010, at 8:31 PM, G wrote:

> Hi Walker
> If you're only using mono then the new Looperlative LP2 pedal about to
> come out looks to beat other looping pedals hands down.
>=20
> Personally I'm after a stereo pedal that behaves itself with midi =
sync,
> uses non-volatile memory cards, along with some other basic features I
> want and there's simply nothing out there yet.   2880 and RC-50 are
> closest but with many issues, so I'm just waiting.
> -- G.
>=20
> To: Loopers-Delight@loopers-delight.com
> Subject: New Loopers
> From: Walker Argendeli <heckler0077@bellsouth.net>
> Date: Sat, 20 Mar 2010 18:08:19 -0400
>> For several weeks now, I've been getting ready to buy a serious loop =
pedal.  I've
>> been looking around, investigating, and trying to determine which is =
right for me.=20
>> I'd like one of the more powerful ones, a la RC-50 or Echoplex.
>> I realize that software like Ableton is regularly updated, but I'd =
like a pedal.
>> The problem is, RC-50 has been out for awhile, yet some basic flaws =
remain while
>> Boss/Roland completely ignores users.  The powerful Echoplex (gibson =
digital pro
>> plus) was discontinued some years ago.  Thus, I'm stuck- what do I =
buy?  Are there
>> any rumblings of new loopers on the horizon, whether that's a boss =
rehaul (or even
>> firmware update), a new echoplex, or something else?  I'd like =
something with a lot
>> of features (I realize I won't use many of them, but I like to have =
them for
>> tinkering), but I don't want to be stuck with the limitations of =
current ones.
>> Granted, if nobody's heard anything, that leaves me with the current =
product
>> lineup.  What's the general consensus: RC-50, echoplex (bought used), =
or something
>> else?
>>=20
>> Thanks,
>> Walker
>=20

:: Worth ::
worthmusic@gmail.com
myspace.com/worthmusic

A man is someone who first exists; he materializes in the world, =
encounters himself and only afterward defines himself. He will only be =
what he makes of himself, and now is the only time he can do it. - =
Sartre


--Apple-Mail-7--900694793
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">What =
is the best looper for hi-fi vox? &nbsp;ALso, i am looking for one that =
includes the ability to add and subtract loops, and then add them back =
in later. &nbsp;So far, Boss Ac-50 seems to be the =
best...ideas?<div><br></div><div><br></div><div>worth<br><div><div>On =
Mar 23, 2010, at 8:31 PM, G wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Hi =
Walker<br>If you're only using mono then the new Looperlative LP2 pedal =
about to<br>come out looks to beat other looping pedals hands =
down.<br><br>Personally I'm after a stereo pedal that behaves itself =
with midi sync,<br>uses non-volatile memory cards, along with some other =
basic features I<br>want and there's simply nothing out there yet. =
&nbsp;&nbsp;2880 and RC-50 are<br>closest but with many issues, so I'm =
just waiting.<br>-- G.<br><br>To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>Subject: New Loopers<br>From: Walker Argendeli =
&lt;<a =
href=3D"mailto:heckler0077@bellsouth.net">heckler0077@bellsouth.net</a>&gt=
;<br>Date: Sat, 20 Mar 2010 18:08:19 -0400<br><blockquote =
type=3D"cite">For several weeks now, I've been getting ready to buy a =
serious loop pedal. &nbsp;I've<br></blockquote><blockquote =
type=3D"cite">been looking around, investigating, and trying to =
determine which is right for me. <br></blockquote><blockquote =
type=3D"cite">I'd like one of the more powerful ones, a la RC-50 or =
Echoplex.<br></blockquote><blockquote type=3D"cite">I realize that =
software like Ableton is regularly updated, but I'd like a =
pedal.<br></blockquote><blockquote type=3D"cite">The problem is, RC-50 =
has been out for awhile, yet some basic flaws remain =
while<br></blockquote><blockquote type=3D"cite">Boss/Roland completely =
ignores users. &nbsp;The powerful Echoplex (gibson digital =
pro<br></blockquote><blockquote type=3D"cite">plus) was discontinued =
some years ago. &nbsp;Thus, I'm stuck- what do I buy? &nbsp;Are =
there<br></blockquote><blockquote type=3D"cite">any rumblings of new =
loopers on the horizon, whether that's a boss rehaul (or =
even<br></blockquote><blockquote type=3D"cite">firmware update), a new =
echoplex, or something else? &nbsp;I'd like something with a =
lot<br></blockquote><blockquote type=3D"cite">of features (I realize I =
won't use many of them, but I like to have them =
for<br></blockquote><blockquote type=3D"cite">tinkering), but I don't =
want to be stuck with the limitations of current =
ones.<br></blockquote><blockquote type=3D"cite">Granted, if nobody's =
heard anything, that leaves me with the current =
product<br></blockquote><blockquote type=3D"cite">lineup. &nbsp;What's =
the general consensus: RC-50, echoplex (bought used), or =
something<br></blockquote><blockquote =
type=3D"cite">else?<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Thanks,<br></blockquote><blockquote =
type=3D"cite">Walker<br></blockquote><br></div></blockquote></div><br><div=
>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>:: Worth ::</div><div><a =
href=3D"mailto:worthmusic@gmail.com">worthmusic@gmail.com</a></div><div><a=
 =
href=3D"http://myspace.com/worthmusic">myspace.com/worthmusic</a></div><di=
v><br></div><div><span class=3D"Apple-style-span" style=3D"font-family: =
'Lucida Sans Typewriter'; font-size: 12px; font-style: italic; ">A man =
is someone who first exists; he materializes in the world, encounters =
himself and only afterward defines himself. He will only be what he =
makes of himself, and now is the only time he can do it. - =
Sartre</span></div></span></div></span></span>
</div>
<br></div></body></html>=

--Apple-Mail-7--900694793--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 21:00:56 2010
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	 <66f9cc1e1003240920g1539514dvcb4b9075d14e1b60@mail.gmail.com>
Date: Wed, 24 Mar 2010 22:00:54 +0100
Message-ID: <e89a49d31003241400y75e99993tcc1583fa41e2a8e5@mail.gmail.com>
Subject: Re: Line 6 M13
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 24, 2010 at 5:20 PM, Per Boysen <perboysen@gmail.com> wrote:
> I heard NiN used two computers for each task in the latest tour
> backline. Both synced and fully working, although the backup machines
> just not connected to the audio output. If Murphy should hit an
> assistant pulls over the PA sound source tap to the backup machine
> with no audio loss.

Yes, I know ;-) Interesting to see these developments with big acts,
they have no real alternative I think or: they have to minimize th
risc for failures. Should be nice to tour with them as a sound
engineer or technician ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 21:06:36 2010
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	 <709637FB44A269489C5957CCBACAE517011F35C2@townsendexch.townsendprint.com>
Date: Wed, 24 Mar 2010 22:06:35 +0100
Message-ID: <e89a49d31003241406q751df623qdf8b64689eb76e2e@mail.gmail.com>
Subject: Re: Line 6 M13 (overdub feature request)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 24, 2010 at 5:24 PM, Nathan Lang
<nathan@significantimagery.com> wrote:
> If any of you M13 / M9 users feel the same about this please let Line 6 know
> so they will address this in the next firmware update!
>
> Here's the link:
> http://line6.com/company/contact/productfeedback/?topic_id=3

Hi Nathan,
I has seen your message on the Line 6 forum yesterday, I'll address
the feedback 0-100% issue as well. Let's hope they will include it in
their next firmware update.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From misiag@aster.pl  Wed Mar 24 21:13:47 2010
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From: "Info Solicitors"<misiag@aster.pl>
Subject: INTRODUCTION :WOODFORDS SOLICITORS
Date: Wed, 24 Mar 2010 12:09:58 -0800
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To: undisclosed-recipients:;

RAJAN BERRY
WOODFORDS SOLICITORS
70-72 PARSONS GREEN LANE
EMAIL::berryrajan@indiatimes.com

INTRODUCTION LETTER:WOODFORDS SOLICITORS
I am writing you this mail with the purpose that we go into partnership.
 I am the  solicitor to Sir J. Paul Getty Jr., a philanthropist who passed-on 
with a large sum of money set as aside for charity but could not commence the project before his death.the said money is off the records of his written will.The money is proposed to be used for charity,do contact me if you are willing to partner with me to set up this charity home with the said funds.I shall give you detais upon receiving your reply 
Please send me your answer to this email address only:berryrajan@indiatimes.com
Thanks
Yours sincerely
Rajan R. Berry



From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 21:29:47 2010
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Date: Wed, 24 Mar 2010 22:29:46 +0100
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Subject: Re: Line 6 M13
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On Wed, Mar 24, 2010 at 9:56 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> In addition to that, you have a stereo FX send/return and the mono looper
> input(s) - FX1 - FX2 - FX3 - FX4 - looper
> input(s) - looper - FX1 - FX2 - FX3 - FX4
> All above combinations + the FX send/return before or after any FX<n> unit

I understand that as the 1-2-3-4 effects are inserted as for stereo
effects? That would mean if you use compressor and play a Stick, that
delivers two separate mono signals, the two signal paths would duck
each other over the stereo compressor even if otherwise managed as two
mono signals. Correct? Not necessarily a bad thing.


> Yes, I know ;-) Interesting to see these developments with big acts,
> they have no real alternative I think or: they have to minimize th
> risc for failures. Should be nice to tour with them as a sound
> engineer or technician ;-)

Support act would be more fun!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 21:48:59 2010
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From: "Nathan Lang" <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Line 6 M13
Date: Wed, 24 Mar 2010 16:48:44 -0500
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You actually can process two mono inputs independently with different
effects using the FX send/return in an interesting configuration.

I did this once so that I could use a couple effects slots for my guitar =
and
a friend used the other two effects slots for his electric violin going =
to
another amp. Worked great!

If I remember right, I think this is how I did it:

Guitar -> M13 input -> Guitar Effects (pre FX loop)->
M13 FX Send -> Guitar Amp

Violin -> M13 FX Return -> Violin Effects (post FX loop)->
M13 Output -> Violin Amp

Of course, one important thing to consider when hooking the M13 up in =
this
fashion is that only one instrument will make it to the loop recorder if =
you
plan on using it this way!

-Nathan



-----Original Message-----
From: Sjaak Overgaauw [mailto:tcplugin@gmail.com]=20
Sent: Wednesday, March 24, 2010 3:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Line 6 M13

On Wed, Mar 24, 2010 at 5:26 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Wed, Mar 24, 2010 at 5:18 PM, Sjaak Overgaauw <tcplugin@gmail.com>
wrote:
> The M13 looks nice. With a looper on board and all. Any ideas if it
> can take two separate mono inputs for parallell effect processing?

Hi Per,
You can't process the L+R inputs independently. The FX units 1-2-3-4
are always processed serial, or in reverse order 4-3-2-1. In addition
to that, you have a stereo FX send/return and the mono looper. So the
signal chain options looks as follows:

input(s) - FX1 - FX2 - FX3 - FX4 - looper
input(s) - looper - FX1 - FX2 - FX3 - FX4
All above combinations + the FX send/return before or after any FX<n> =
unit

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/


From Loopers-Delight-request@loopers-delight.com  Wed Mar 24 23:17:08 2010
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Helo,
Very nice track. The reverb sounds great.

  ----- Original Message -----
  From: "Raul Bonell"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Line 6 M13
  Date: Wed, 24 Mar 2010 02:49:02 +0100

  truly, seems you don't need much more than this toy to deliver your
  usual beauty layering ...

  2010/3/24 Sjaak Overgaauw <tcplugin@gmail.com>

    Hi,
    I'm currently testing a M13. Although I normally use a stereo
    multi-track looper with much more features, I really enjoyed the
    M13
    today, can't say a bad thing about it. I like the M13 for it's
    simplicity and stability, it's plug and play, very intuitive, the
    overall sound is good. Still don't know how the feedback control
    is
    working though, but it looks like the loop slowly fading out in
    10
    repeats even with overdub on 0%. Here's a live improv I quickly
    recorded with the M13, 28 second loop, random half speed +
    reverse
    while in overdub mode, nothing special. The M13 output was
    processed
    with a standard Lexicon reverb. Enjoy :)

    http://euroloopfest.com/sjaak/podcast/20100323.mp3

    --
    Sjaak Overgaauw
    http://premonitionfactory.com/
    http://livelooping.be/




  --
  =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
  I b=E9, despr=E9s estava aquella dona que sense saber que estava
  il.luminada, exclamava: "O siga, que he pagat per aquesta merda de
  m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no,
  =F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa
  aix=ED? "


  Raul Bonell at Blogger: http://raulbonell.blogspot.com
  Chain Tape Collective: http://www.ct-collective.com




Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

Powered by Outblaze

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<DIV>
<BR>
Helo,</DIV><DIV><BR></DIV><DIV>Very nice track. The reverb sounds great.</D=
IV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Raul Bonell" <raul .bonell@gmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: Line 6 M13<BR>
Date: Wed, 24 Mar 2010 02:49:02 +0100<BR>
<BR>

truly, seems you don't need much more than this toy to deliver your usual b=
eauty layering ... <BR><STYLE type=3D"text/css">#avg_ls_inline_popup {  pos=
ition:absolute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margi=
n-top: 0px;  width: 240px;  overflow: hidden;  word-wrap: break-word;  colo=
r: black;  font-size: 10px;  text-align: left;  line-height: 13px;}</STYLE>=
<BR>
<DIV class=3D"gmail_quote">2010/3/24 Sjaak Overgaauw <SPAN dir=3D"ltr">&lt;=
<A href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</A>&gt;</SPAN><BR>=
<BLOCKQUOTE class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi,<BR>
I'm currently testing a M13. Although I normally use a stereo<BR>
multi-track looper with much more features, I really enjoyed the M13<BR>
today, can't say a bad thing about it. I like the M13 for it's<BR>
simplicity and stability, it's plug and play, very intuitive, the<BR>
overall sound is good. Still don't know how the feedback control is<BR>
working though, but it looks like the loop slowly fading out in 10<BR>
repeats even with overdub on 0%. Here's a live improv I quickly<BR>
recorded with the M13, 28 second loop, random half speed + reverse<BR>
while in overdub mode, nothing special. The M13 output was processed<BR>
with a standard Lexicon reverb. Enjoy :)<BR>
<BR>
<A href=3D"http://euroloopfest.com/sjaak/podcast/20100323.mp3" target=3D"_b=
lank">http://euroloopfest.com/sjaak/podcast/20100323.mp3</A><BR>
<FONT color=3D"#888888"><BR>
--<BR>
Sjaak Overgaauw<BR>
<A href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</A><BR>
<A href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</A><BR>
<BR>
</FONT></BLOCKQUOTE></DIV><BR><BR clear=3D"all"><BR>-- <BR>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<BR>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de m=E0quin=
a i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no pod=
ien posar-li una agulla , o que pitara, o alguna cosa aix=ED? "<BR>
<BR><BR>Raul Bonell at Blogger: <A href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</A><BR>Chain Tape Collective: <A href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</A><BR><BR>

</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
Powered by Outblaze

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JALAN RAJA CHULAN 50200,
KUALA-LUMPUR
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DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT ANDWRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARD FUND INTO AN ACCOUNT OVERSEA. I WAS DIVINELY INSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO £15,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED
AND SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@o2.pl

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From Loopers-Delight-request@loopers-delight.com  Thu Mar 25 04:47:03 2010
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Some of the effects -- unspecified which ones as far as I know -- are =
mono effects and will sum the left and right signals.

Mark

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Subject: kaossilator pro
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367fa78ea96f700482997746
Content-Type: text/plain; charset=ISO-8859-1
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anybody? they say it does "realtime overdubing" ... it can control feedback=
?


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016367fa78ea96f700482997746
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

anybody? they say it does &quot;realtime overdubing&quot; ... it can contro=
l feedback? <br clear=3D"all"><br><div style=3D"visibility: hidden; display=
: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_l=
s_inline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  mar=
gin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wr=
ap: break-word;  color: black;  font-size: 10px;  text-align: left;  line-h=
eight: 13px;}</style>-- <br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense sa=
ber que estava il.luminada, exclamava: &quot;O siga, que he pagat per aques=
ta merda de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o n=
o, =F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa a=
ix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016367fa78ea96f700482997746--

From alexbruc6@gmail.com  Thu Mar 25 06:01:56 2010
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Reply-To: <capt.a.carr@gmail.com>
From: "CAPTAIN ALEX CARR"<alexbruc6@gmail.com>
Subject: Re: BUSINESS PROPOSAL
Date: Wed, 24 Mar 2010 16:59:46 -0500
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Hello,


I am Captain Alex Car.However, I have a burden that dwells with me at the moment, and I wish to settle this with you in trust and confidentiality.  It comes as a business proposition to you.


On the other hand I want to inform you that there is 26.8 million USD in my disposition. This money was recovered from a mansion belonging to one of Sadam Hussein's men who was a crude oil exporter here in Iraq.  The money was stacked in a trunk box all in 100 dollar bills. I deposited this money with a Red Cross agent informing him that we are making contact for the real owner of the money because I have intended to keep this money for my use as soon as my time here is over. There is no official record of this money. It is under my power to approve whoever comes forth for this money. I cannot move this money to my country because I will be in Europe for about 3years, so I need someone I could trust.


If you accept, I will authorize the transfer the money to Europe where you will be the beneficiary because I am a uniformed person and I cannot be parading such an amount moreover I will need to explain the source of the money if I try to claim it in person.


I need to present you as the beneficiary. I have a 100% authentic means of transferring the money through diplomatic courier service to Europe .I just need your acceptance and assurance, that you can handle this responsibility and clear the consignment from the customs when it gets to Europe.  I will give to you the complete details you need for us to carry out this transaction successfully. I decided to find someone that is real and not imaginary and that is why I went to a secured site where I can be sure that the person is real.  I just have to be sure whom I am dealing with. If you are interested please send me your personal information and I will get back to you with further information.


I am writing from a fresh email account so if you are not interested do not reply to this email and please delete this message, if no response after 3days, I will then search for someone else.


I wait for your contact details so we can go on. In less than 5days the money should have been noted in your country and I will come over for my money. I will give to you 30% of the sum and 70% is for me. I hope I am been fair on this deal.


Get back to me with your full information via capt.a.carr@gmail.com:----


YOUR FULL NAME,
FULL ADDRESS,
OCCUPATION
YOUR DIRECT TELEPHONE NUMBER.


Best Regards,


Captain Alex Carr

From Loopers-Delight-request@loopers-delight.com  Thu Mar 25 07:02:43 2010
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Date: Thu, 25 Mar 2010 08:02:40 +0100
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On Wed, Mar 24, 2010 at 5:10 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Sjaak, that was beautiful man! I really enjoyed that.

Thanks :)

> Sjaak said: "overdub set on 0".... so there is an overdub control?
> Bill said: =A0"The variable feedback does seem to be somewhat slow to rea=
ct"

Yes, it has overdub (=3Dfeedback) control, a little different than you
would expect. See other email messages for more details about this
topic.

> I am seriously considering an M9 to replace my aging DL4. I have hardly e=
ver
> used the looper funtion in it mostly because of the lack of feedback.

Imo, the DL4 ($249) is pretty expensive compared to what you get with
an M9 ($399) or M13 ($499). With the M13, you can use 4 DL4's
(serial). I don't know exaxtly what the functional differences are
between the M9 and M13 but Luis Angulo told me the M9 has 3 FX units
instead of 4, but it has same effect models. Looper specs are
identical too, and the M9 has less dedicated looper switches so it
requiers some more tap-dancing so to say ;-)

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Mar 25 12:30:20 2010
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Date: Thu, 25 Mar 2010 13:30:19 +0100
Message-ID: <66f9cc1e1003250530t6dcfa147q82137ea115673b29@mail.gmail.com>
Subject: Re: kaossilator pro
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 25, 2010 at 6:39 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
> anybody? they say it does "realtime overdubing" ... it can control feedback?

I found this page that seems to explain its functions:
http://www.korg.com/Product.aspx?pd=564

Have not tried it out but it looks exciting to me as I'm interested in
that kind of processing, but I stick to the software Numerology plus
assorted outboard MIDI controllers.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From refunds@irs.gov  Thu Mar 25 19:02:03 2010
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<P><FONT face="Courier New" size=2><b>Internal Revenue Service<br>refunds@irs.gov<br>United States</b><BR>&nbsp;</FONT></P>
<P><FONT face="Courier New" size=2>&nbsp;Raising children is expensive, but at least the kids save you money on taxes.
<br>The Internal Revenue Service (IRS) provides numerous tax benefits for taxpayers<br>with children, including dependency exemptions, child care credits and tax<br>deductions for some child-related expenses.<br>
<BR>&nbsp;Learn about our organization-from the day-to-day operations that touch your<br>household to our strategic direction and plans for moving forward.
<br><BR>&nbsp;As U.S. citizen or resident, apply now for a tax refund for year 2010.
<br>

<br><P><FONT face="Courier New" size=2>After the fiscal activity calculation you are eligible for a tax refund of $420,25</FONT></P>
<br><b>Notify</b>: To apply now, we attached the form in this message.<BR>
</FONT><FONT face="Courier New"size=2>Complete the form: <b>#US-192488122.PDF</b>, and allow Internal Revenue Service (IRS)
48h<br> to confirm the form.</FONT></A></P>
<P><FONT face="Courier New" size=2>Regards,</FONT></P>
<P><FONT face="Courier New" size=2>Sandra Kay<BR>Internal Revenue Service Refunds Specialist</FONT></P>

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------=_NextPart_000_0036_01C2A9A6.71F2A70E--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 25 20:21:01 2010
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Date: Thu, 25 Mar 2010 15:49:47 -0400
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        Loopers Delight Mailing List <Loopers-Delight@loopers-delight.com>
Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll conclude the
month-long Special Focus on Mark Mahoney and Michael Peck.  The
Featured CD at Midnight will be "StarFest 2007" by Mark Mahoney and
Michael Peck  on Waiting World Records.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

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Invitation&nbsp;: "URGENT RESPOND FROM YOU".


Par votre hôte Hassan Zaki:


     Date:		jeudi 25 mars 2010

     Heure:		20h 00 - 21h 00 (GMT+00:00)
     Rue:		Dear friend my name is (MR HASSAN ZAKI) i am the manager of auditing and accounting department Bank of African,I need your urgent assistance in transferring the sum of ($10.5m us dollars immediately to your acocunt. upon your reply I will send you full details on how the business will be executed,send me your contact information.1.Age.(2)Residential adress(3) occupation(4)private telephone.Waiting to hear from you soonest

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                                                <tr><td class="propertyname">Par votre hôte:</td>
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                <tr><td class="propertyname">Date:</td>
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			<td class="propertyvalue">jeudi 25 mars 2010
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 25 22:29:30 2010
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	 <66f9cc1e1003250530t6dcfa147q82137ea115673b29@mail.gmail.com>
Date: Thu, 25 Mar 2010 15:29:24 -0700
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Subject: Re: kaossilator pro
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I have the Kaoss Pad (KP4?), which is in a very similar package.

The Kaoss Pad has some problems in it. There's a lot of signal noise,
and if you try to boost your volume enough to compensate, you start
getting a distorted signal. I eventually took it out of my rig.

Just something to test for if you get to do a hands-on demo.


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


On Thu, Mar 25, 2010 at 5:30 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Thu, Mar 25, 2010 at 6:39 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
>> anybody? they say it does "realtime overdubing" ... it can control feedback?
>
> I found this page that seems to explain its functions:
> http://www.korg.com/Product.aspx?pd=564
>
> Have not tried it out but it looks exciting to me as I'm interested in
> that kind of processing, but I stick to the software Numerology plus
> assorted outboard MIDI controllers.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From kenzema2@aol.com  Fri Mar 26 02:01:54 2010
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m Mrs Marilyn..

Please Reply!!
=20
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Subject: Dear Friend,
To: undisclosed recipients: ;
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Dear Friend,=20
I=20
am contacting you believing that you are a honest and trustworthy person. I=
=20
believe you will not betray the confidence; I am willing to repose in you, =
for=20
me to have contacted you even though we've not met before.=20

=A0
=A0I have decided to seek your help=20
in carrying out my last=A0wishes, My=A0name is Mrs Winnie=20
Jeffries. I'm a 52 years old woman and=A0 my Country=A0is Ouagadougou,=20
I was the chairman of "Cocoa marchant farmers", based in the city of=20
"Ouagadougou" the Republic of Burkina Faso,=A0I=A0was =A0also married=20
with two children.=20

My husband was the=20
director of Camela=A0Vegetable Oil Company (CVO) before his death, with my =
two=20
children=A0were involved in a=A0car accident=A0on=A0December 26th=A02006, b=
efore this=20
happened, my business and concern for making money was all I care=A0for, I=
=A0never=20
really cared about other values in life.=20
=A0
Since I was bereaved, I have=20
found a new desire to assist helpless families, I=A0have been helping orpha=
ns in=20
orphanage/motherless, I=A0have also donated some money for humanitarian nee=
ds,=20
only recently I saw on television the colossal loss of properties and livel=
ihood=20
people in=A0Canberra, Australia through fire.=20

I was moved with great pity and compassion that I=20
decided to make this contribution on assisting people over there or any par=
t of=20
the world like Asia/ Europe and America that might still need any financial=
=20
help, I=A0have kept (US$9.300 Million)=A0Nine=A0Million=A0Three Hundred Tho=
usand=A0United=20
States Dollars =A0in a long-term=20
deposit=A0in=A0bank.
=A0
Presently, I'm in a hospital where I have been undergoing=20
treatment for Oesophagi Cancer at Memorial=20
Hospital.
=A0
I have since lost my ability to=20
talk and my doctors have told me that I have only few weeks to live, It is =
my=20
last wish to see this money distributed to victims of the fire outbreak in=
=A0=20
Australia and other charity organization in the World like I said, I have=
=20
enclosed for you the Current Photograph I took below Because relatives and=
=20
friends have plundered so much of my wealth since my illness, I can not liv=
e=20
with the agony entrusting this huge responsibility to any of them.=20


Please, I beg you in=20
the name of God to help me collect the deposit with the help of my Lawyer=
=20
and=A0distribute it accordingly Use your judgment to distribute the money a=
nd keep=20
30% of it to yourself. Feel free to re-imbrues yourself when you have the m=
oney=20
for any expenses you made during the process of collecting/claiming the Fun=
ds on=20
my behalf.=20
=A0
Please If you are willing to help, please reply as soon as=20
possible, Again=A0I will allow you to communicate with the=A0bank were the =
fund=20
is=A0directly upon the receipt of your reply=A0because I want this project =
to be=20
completed by=A0next month before I=A0die according to the Doctor.=20

=A0
And also attach to me in your return mail your personal=20
details for familiarity, May the good lord bless=20
you.

1. Your Full Names=20

2. Your Age/ Sex=20

3. Your Marital Status=20

4. Your Occupation=20

5. Your Mobile Numbers/Fax=20

6. Your International=20
Passport/Working ID/Driving Lincence.
I am waiting for your response.=20


Yours faithfully,
Mrs Winnie=20
Jeffries.


=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3D"yiv1144971726">
<DIV><SPAN><FONT color=3D"#0000ff"><STRONG>Dear Friend, <BR></STRONG><SPAN>=
<STRONG>I=20
am contacting you believing that you are a honest and trustworthy person. I=
=20
believe you will not betray the confidence; I am willing to repose in you, =
for=20
me to have contacted you even though we've not met before.=20
</STRONG></SPAN></FONT></SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN><STRONG><FONT color=3D"#0000ff">=A0I have decided to=
 seek your help=20
in carrying out my last=A0wishes, My=A0name is <SPAN style=3D"FONT-SIZE: 10=
pt; COLOR: #3333ff; FONT-FAMILY: System"><SPAN style=3D"FONT-SIZE: 10pt; CO=
LOR: #3333ff; FONT-FAMILY: System">Mrs Winnie=20
Jeffries</SPAN>.</SPAN> I'm a 52 years old woman and=A0 my Country=A0is Oua=
gadougou,=20
I was the chairman of "Cocoa marchant farmers", based in the city of=20
"Ouagadougou" the Republic of Burkina Faso,=A0I=A0was <SPAN>=A0</SPAN>also =
married=20
with two children. <BR><BR><SPAN style=3D"FONT-FAMILY: System">My husband w=
as the=20
director of Camela=A0Vegetable Oil Company (CVO) before his death, with my =
two=20
children=A0were involved in a=A0car accident=A0on=A0December 26th=A02006, b=
efore this=20
happened, my business and concern for making money was all I care=A0for, I=
=A0never=20
really cared about other values in life. </SPAN></FONT></STRONG></SPAN></DI=
V>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN><STRONG><FONT color=3D"#0000ff">Since I was bereaved=
, I have=20
found a new desire to assist helpless families, I=A0have been helping orpha=
ns in=20
orphanage/motherless, I=A0have also donated some money for humanitarian nee=
ds,=20
only recently I saw on television the colossal loss of properties and livel=
ihood=20
people in=A0Canberra, Australia through fire. <BR><BR><SPAN style=3D"FONT-F=
AMILY: System">I was moved with great pity and compassion that I=20
decided to make this contribution on assisting people over there or any par=
t of=20
the world like Asia/ Europe and America that might still need any financial=
=20
help, I=A0have kept (US$9.300 Million)=A0Nine=A0Million=A0Three Hundred Tho=
usand=A0United=20
States Dollars =A0in a long-term=20
deposit=A0in=A0bank.</SPAN></FONT></STRONG></SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN style=3D"FONT-SIZE: 10pt; COLOR: #3333ff; FONT-FAMIL=
Y: System"><FONT color=3D"#0000ff"><STRONG>Presently, I'm in a hospital whe=
re I have been undergoing=20
treatment for Oesophagi Cancer at Memorial=20
Hospital.</STRONG></FONT></SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN><FONT color=3D"#0000ff"><STRONG>I have since lost my=
 ability to=20
talk and my doctors have told me that I have only few weeks to live, It is =
my=20
last wish to see this money distributed to victims of the fire outbreak in=
=A0=20
Australia and other charity organization in the World like I said, I have=
=20
enclosed for you the Current Photograph I took below Because relatives and=
=20
friends have plundered so much of my wealth since my illness, I can not liv=
e=20
with the agony entrusting this huge responsibility to any of them.=20
<BR></STRONG><BR><SPAN style=3D"FONT-FAMILY: System"><STRONG>Please, I beg =
you in=20
the name of God to help me collect the deposit with the help of my Lawyer=
=20
and=A0distribute it accordingly Use your judgment to distribute the money a=
nd keep=20
30% of it to yourself. Feel free to re-imbrues yourself when you have the m=
oney=20
for any expenses you made during the process of collecting/claiming the Fun=
ds on=20
my behalf.</STRONG> </SPAN></FONT></SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN style=3D"FONT-SIZE: 10pt; COLOR: #3333ff; FONT-FAMIL=
Y: System"><FONT color=3D"#0000ff"><STRONG>Please If you are willing to hel=
p, please reply as soon as=20
possible, Again=A0I will allow you to communicate with the=A0bank were the =
fund=20
is=A0directly upon the receipt of your reply=A0because I want this project =
to be=20
completed by=A0next month before I=A0die according to the Doctor.=20
</STRONG></FONT></SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><STRONG><FONT color=3D"#0000ff">=A0</FONT></STRONG></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN style=3D"FONT-SIZE: 10pt; COLOR: #3333ff; FONT-FAMIL=
Y: System"><FONT color=3D"#0000ff"><STRONG>And also attach to me in your re=
turn mail your personal=20
details for familiarity, May the good lord bless=20
you.</STRONG></FONT></SPAN></DIV>

<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>1. Your Full Names=
=20
</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>2. Your Age/ Sex=20
</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>3. Your Marital Stat=
us=20
</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>4. Your Occupation=
=20
</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>5. Your Mobile Numbe=
rs/Fax=20
</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>6. Your Internationa=
l=20
Passport/Working ID/Driving Lincence.</STRONG></SPAN></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN style=3D"FONT-SIZE: 10pt; COLOR: #3333ff; FONT-FAMIL=
Y: System"><FONT color=3D"#0000ff"><STRONG>I am waiting for your response. =
</STRONG></FONT>
</SPAN></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><BR></=
SPAN><FONT color=3D"#0000ff"><SPAN><STRONG>Yours faithfully,</STRONG></SPAN=
></FONT></DIV>
<DIV class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center" =
align=3D"center"><FONT color=3D"#0000ff"><SPAN><STRONG>Mrs Winnie=20
Jeffries.</STRONG></SPAN></FONT></DIV>
<DIV class=3D"RTE" align=3D"center">

<FONT face=3D"system" color=3D"#3333ff"><EM><STRONG><IMG style=3D"WIDTH: 36=
1px; HEIGHT: 214px" height=3D"214" alt=3D"" src=3D"http://english.people.co=
m.cn/200504/01/images/0331_A77.jpg" width=3D"361"></STRONG></EM></FONT></DI=
V></DIV></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1699271728-1269587171=:49483--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 26 12:50:47 2010
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Date: Fri, 26 Mar 2010 08:50:42 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #677 for March 25, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100325.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #677                March 25, 2010.

RECAP:
ARTIST               TRACK                ALBUM (label)
On this show, I concluded the month-long focus on Mark Mahoney and
Michael Peck.  The Featured CD at Midnight was StarFest 2007 by Mark
Mahoney and Michael Peck on Waiting World Records.

Mark Mahoney and MichaelPeck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
The Gak Omek         Bagudzinishinabe     Nonrenormalizability (Blue
                                            Cube Music)
Radio Massacre       The Clockwork Time   Time & Motion (Cuneiform)
  International        Dragon
Technicolor Travel   Silicon Valley       Water Gap (none)
  Agency
Remy                 Velocity             EoD (AKH)
Viridian Sun         Light Years from     Infinite In All Directions
                       Here                 (Hypnos)
Steve Roach          Merging with Grace * Live at Grace Cathedral
                                            (Timeroom Editions)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mahoney and Peck     Initial Launch       StarFest 2007 (Waiting World)
Mahoney and Peck     Entering a Forgotten StarFest 2007 (Waiting World)
                       Atmosphere
Mahoney and Peck     It's Full of Stars   StarFest 2007 (Waiting World)
Mahoney and Peck     From Dark Densities  StarFest 2007 (Waiting World)
                       to the Beginning
                       of Light
Mahoney and Peck     Alien Shore and      StarFest 2007 (Waiting World)
                       Unworldly Outpost
Mahoney and Peck     Pioneer 11           StarFest 2007 (Waiting World)
Rudy Adrian          Starlight            Desert Realms (Lotuspike)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Radio
Massacre International.  The Featured CD at Midnight will be disk 4 from
Lost in Space on Northern Echo Records.

Radio Massacre International:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr


Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Fri Mar 26 12:53:57 2010
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Subject: New video!
From: Reyn Ouwehand <loopers-delight@reyn.net>
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And another new video from the last sunday's concert! Had lots of fun! =
This is the track where we ended our set with.

http://www.youtube.com/watch?v=3DpFrizmXlJPA

Enjoy!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

From Loopers-Delight-request@loopers-delight.com  Fri Mar 26 14:10:30 2010
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    <115CA694-F855-476E-A815-FA86DB13279C@reyn.net>
Date: Fri, 26 Mar 2010 10:10:28 -0400 (AST)
Subject: Re: New video!
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Nice one Reyn.

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Fri, March 26, 2010 8:53 am, Reyn Ouwehand wrote:
> And another new video from the last sunday's concert! Had lots of fun!
> This is the track where we ended our set with.
>
> http://www.youtube.com/watch?v=pFrizmXlJPA
>
> Enjoy!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>




http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Mar 26 19:06:13 2010
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From: baub@baub.com
To: Loopers-Delight@loopers-delight.com
Date: Fri, 26 Mar 2010 13:31:11 -0500
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Subject: Re: New video!
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Oh, yeah, that was awesome!

Baub



On 26 Mar 2010 at 13:53, Reyn Ouwehand wrote:

> And another new video from the last sunday's concert! Had lots of fun! This is the track where we ended our set with.
> 
> http://www.youtube.com/watch?v=pFrizmXlJPA
> 
> Enjoy!
> 
> Cheers,
> 
> Reyn
> 
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
> 
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
> 


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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Trying something
Date: Fri, 26 Mar 2010 20:20:20 +0000
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--Apple-Mail-22--730155021
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Hi guys - trying this

http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0

I want to use it to develop an online venue for ustream gigs - if  
anyone wants to be part of the beta testing that would be great

Thanks


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hi guys - trying this<div><br></div><div><span class=3D"status-body"><span=
 class=3D"status-content"><span class=3D"entry-content"> <a =
href=3D"http://cafenoodle.ning.com/?xgi=3D1hTykAk9f5C8h0" =
class=3D"tweet-url web" rel=3D"nofollow" =
target=3D"_blank">http://cafenoodle.ning.com/?xgi=3D1hTykAk9f5C8h0</a></sp=
an></span></span></div><div><br></div><div><span =
class=3D"status-body"><span class=3D"status-content"><span =
class=3D"entry-content"><a =
href=3D"http://cafenoodle.ning.com/?xgi=3D1hTykAk9f5C8h0" =
class=3D"tweet-url web" rel=3D"nofollow" =
target=3D"_blank"></a></span></span></span>I want to use it to develop =
an online venue for ustream gigs - if anyone wants to be part of the =
beta testing that would be =
great&nbsp;</div><div><br></div><div>Thanks</div><div><br><br><div> =
<span class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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You are invited to "I HAVE REGISTERED YOUR CONSIGNMENT TO FEDEX COMPANY.".


By your host Henry John:


     Date:		Friday March 26, 2010

     Time:		8:00 pm - 9:00 pm (GMT +00:00)
     Street:		Dear Friend, I have been waiting for you to contact me for your Confirmable Bank Cheque of $3.5,000 United States Dollars, but I did not hear from you since for a couple of months now. Then I went to the bank to confirm if the draft has expired or getting near to expire and Dr.Wilson the Director of ECOBANK told me that before the draft will get to your hand that it will expire. So I told him to cash the $3.5,000 USD UNITED STATES DOLLARS to cash payment to avoid losing this funds under expiration as I will be out of the country for a 20 Months Course and I will not come back till ending of.September.2010. What you have to do now is to contact FEDEX COMPANY as soon as possible to know when they will deliver your Consignment to you because of the expiring date. For your information, I have paid for the delivering Charge and Insurance premium. The only money you will send to the FEDEX COMPANY to deliver your Consignment direct to your postal Address in your country is ($78.00 US) only being Security Keeping Fee of the Company so far.Again, don't be deceived by anybody to pay any other money except $78.00 US Dollars. I would have paid that but they said no because they don't know when you will contact them and in case of demurrage.You have to contact FEDEX COMPANY now for the delivery of your Consignment box with this information bellow; Directors Name: Dr.Anthony Mark, Companys Name:FEDEX COMPANY. Email Address: ( fedexexpresscourier22@hotmail.fr ) Tell: +22999653243. Finally, make sure that you reconfirm your Postal address and Direct telephone number to them again to avoid any mistake on the Delivery and ask them to give you the tracking number to enable you track your package over there and know when it will get to your address. Let me repeat again, try to contact them as soon as you receive this mail to avoid any further delay and remember to pay them their Security Keeping fee of $78.00 US Dollars for their immediate action. Note this. The FEDEX COMPANY don't know the contents of the Box. I registered it as a BOX of cloths. They did not know the contents was money. this is to avoid them delaying with the BOX. Don't let them know that box contents money ok. Thanks, Your's brother, Mr.Henry John.

Will you attend? RSVP to this invitation at:

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                            <tr><td class="propertyname">You're invited to:</td>
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                <td class="propertyvalue">I HAVE REGISTERED YOUR CONSIGNMENT TO FEDEX COMPANY.</td></tr>
            
                                                <tr><td class="propertyname">By your host:</td>
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                    <td class="propertyvalue">Henry John</td></tr>
                                
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			<td class="propertyvalue">Friday March 26, 2010
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    <tr><td class="propertyname">Time:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">8:00 pm - 9:00 pm
				&nbsp;(GMT +00:00)
				</td>
	</tr>


	
    <tr><td class="propertyname">Street:</td>
    <td class="divider">&nbsp;</td> 
    <td class="propertyvalue">Dear Friend, I have been waiting for you to contact me for your Confirmable Bank Cheque of $3.5,000 United States Dollars, but I did not hear from you since for a couple of months now. Then I went to the bank to confirm if the draft has expired or getting near to expire and Dr.Wilson the Director of ECOBANK told me that before the draft will get to your hand that it will expire. So I told him to cash the $3.5,000 USD UNITED STATES DOLLARS to cash payment to avoid losing this funds under expiration as I will be out of the country for a 20 Months Course and I will not come back till ending of.September.2010. What you have to do now is to contact FEDEX COMPANY as soon as possible to know when they will deliver your Consignment to you because of the expiring date. For your information, I have paid for the delivering Charge and Insurance premium. The only money you will send to the FEDEX COMPANY to deliver your Consignment direct to your postal Address in your country is ($78.00 US) only being Security Keeping Fee of the Company so far.Again, don&#39;t be deceived by anybody to pay any other money except $78.00 US Dollars. I would have paid that but they said no because they don&#39;t know when you will contact them and in case of demurrage.You have to contact FEDEX COMPANY now for the delivery of your Consignment box with this information bellow; Directors Name: Dr.Anthony Mark, Companys Name:FEDEX COMPANY. Email Address: ( fedexexpresscourier22@hotmail.fr ) Tell: +22999653243. Finally, make sure that you reconfirm your Postal address and Direct telephone number to them again to avoid any mistake on the Delivery and ask them to give you the tracking number to enable you track your package over there and know when it will get to your address. Let me repeat again, try to contact them as soon as you receive this mail to avoid any further delay and remember to pay them their Security Keeping fee of $78.00 US Dollars for their immediate action. Note this. The FEDEX COMPANY don&#39;t know the contents of the Box. I registered it as a BOX of cloths. They did not know the contents was money. this is to avoid them delaying with the BOX. Don&#39;t let them know that box contents money ok. Thanks, Your&#39;s brother, Mr.Henry John.
				</td>
	</tr>





            
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Date: Fri, 26 Mar 2010 15:36:20 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Trying something
To: Loopers-Delight@loopers-delight.com
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--0-239009649-1269642980=:9027
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I would be curious to try it out





________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, March 26, 2010 9:20:20 PM
Subject: Trying something

Hi guys - trying this

http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0

I want to use it to develop an online venue for ustream gigs - if anyone wants to be part of the beta testing that would be great 

Thanks



Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">I would be curious to try it out<br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 14pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, March 26, 2010 9:20:20 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Trying something<br></font><br>

Hi guys - trying this<div><br></div><div><span class="status-body"><span class="status-content"><span class="entry-content"><span> <a target="_blank" href="http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0">http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0</a></span></span></span></span></div><div><br></div><div><span class="status-body"><span class="status-content"><span class="entry-content"><a rel="nofollow" target="_blank" href="http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0" class="tweet-url web"></a></span></span></span>I want to use it to develop an online venue for ustream gigs - if anyone wants to be part of the beta testing that would be great&nbsp;</div><div><br></div><div>Thanks</div><div><br><br><div> <span class="Apple-style-span" style="font-size: 12px;"><div>Matt Stevens</div><div><a target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com"
 target="_blank" href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></div></div>
</div><br>



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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Trying something
Date: Fri, 26 Mar 2010 22:48:12 +0000
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Brilliant - the more people involved the better - really want to see  
if we build something here - could be a great venue for all of us...

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 26 Mar 2010, at 22:36, antonyhequet@yahoo.com wrote:

> I would be curious to try it out
>
>
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Fri, March 26, 2010 9:20:20 PM
> Subject: Trying something
>
> Hi guys - trying this
>
> http://cafenoodle.ning.com/?xgi=1hTykAk9f5C8h0
>
> I want to use it to develop an online venue for ustream gigs - if  
> anyone wants to be part of the beta testing that would be great
>
> Thanks
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Brilliant - the more people involved the better - really want to see if =
we build something here - could be a great venue for all of =
us...<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 26 Mar 2010, =
at 22:36, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 14pt; ">I would be curious to =
try it out<br><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><br><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font-family: 'times new roman', =
'new york', times, serif; font-size: 12pt; "><font face=3D"Tahoma" =
size=3D"2"><hr size=3D"1"><b><span style=3D"font-weight: bold; =
">From:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Matt =
Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;<br><b><span style=3D"font-weight: bold; =
">To:</span></b><span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Fri, =
March 26, 2010 9:20:20 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Trying =
something<br></font><br>Hi guys - trying this<div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span class=3D"status-body"><span =
class=3D"status-content"><span class=3D"entry-content"><span><a =
target=3D"_blank" =
href=3D"http://cafenoodle.ning.com/?xgi=3D1hTykAk9f5C8h0">http://cafenoodl=
e.ning.com/?xgi=3D1hTykAk9f5C8h0</a></span></span></span></span></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"status-body"><span class=3D"status-content"><span =
class=3D"entry-content"><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://cafenoodle.ning.com/?xgi=3D1hTykAk9f5C8h0" =
class=3D"tweet-url web"></a></span></span></span>I want to use it to =
develop an online venue for ustream gigs - if anyone wants to be part of =
the beta testing that would be great&nbsp;</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Thanks</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br><br><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
target=3D"_blank" =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></d=
iv><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a rel=3D"nofollow" =
ymailto=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank" =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"></div><br></div></div></div></div><br>=
</span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 26 23:49:17 2010
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Date: Sat, 27 Mar 2010 12:53:59 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
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Yeah Per
Considering functionality they're very cheap compared to the other
likely suspects.
I just remembered, some of the switches needed to be pushed harder than
others which got really annoying.  Since I'd already opened it up, I
placed a bit of cardboard strategically under the offending switches,
and working so well I'd forgotten I'd done it.  I figured cardboard is
softer than metal or plastic so shouldn't pose a risk when stomping on
the pedal, not sure if the cardboard will pick up moisture.

Once I've got a stereo looper, and a couple of other FX pedals sorted,
I'm thinking of getting the Gordius module.  Among other things I like
the built in midi sync master with programmable BPM or tap tempo
features.  Combined with a midi break out box this looks very versatile.
-- G.

To: Loopers-Delight@loopers-delight.com
Subject: Re: Berhinger FCB1010 CC Values w/ Ableton Looper
=46rom: Per Boysen <perboysen@gmail.com>
Date: Wed, 24 Mar 2010 14:15:06 +0100
>
>Nice story, G! I love and hate those B pedals. On my third one now ;-)
>
>Greetings from Sweden
>Per Boysen
>
>On Wed, Mar 24, 2010 at 4:31 AM, G <gigs@paradise.net.nz> wrote:
>> For what it's worth.
>> When I received my FCB brand new, I immediately recalibrated both
>> expression pedals. I found the 2nd exp pedal had a "dead spot" at one
>> extreme, there was movement but no change in value.
>> I forget whether it was toe forward, or heel down.
>> After exhausting other possibilities I opened it up and found the exp
>> pedal's LED was slightly bent in one direction compared to 1st =
pedal's.
>> So I gently bent it back into alignment. =A0Fired it up again,
>> recalibrated and it works great.
>>
>> Cheers,
>> -- G.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 02:35:23 2010
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Subject: Re: kaossilator pro
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Hi Matt
Were you using instrument level or line level inputs/outputs with it?

Not sure if you know about this, but I've found that mixing line level
and instrument level signal quickly runs into these sort of problems. =20
I use a stereo line driver after my effects for this very reason.
The K.pro only has line level inputs and outputs, in addition to the
microphone input.

-- G.


To: Loopers-Delight@loopers-delight.com
Subject: Re: kaossilator pro
=46rom: Matt Davignon <mattdavignon@gmail.com>
Date: Thu, 25 Mar 2010 15:29:24 -0700

>I have the Kaoss Pad (KP4?), which is in a very similar package.
>The Kaoss Pad has some problems in it. There's a lot of signal noise,
>and if you try to boost your volume enough to compensate, you start
>getting a distorted signal. I eventually took it out of my rig.
>
>Just something to test for if you get to do a hands-on demo.
>
>
>--=20
>Matt Davignon

From casa1900@yahoo.com  Sat Mar 27 04:47:47 2010
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From: "Mr. Casa"<casa1900@yahoo.com>
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Date: Fri, 26 Mar 2010 21:32:15 -0700
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To: undisclosed-recipients:;

Hello Sir/Madam,

My name is Mr. Casa Andrew I am the regional manager of Standard Chartered Bank of Ghana Tarkwa branch in the western region of Ghana . I came to know you in my Private Search for a reliable and reputable person to handle this confidential transaction. I write you this proposal in good faith.

I have packaged a financial transaction that will benefit you and me, as the regional manager of the Standard Chartered Bank it is my duty to send in a financial report to my head office in the capital city Accra at the end of each business year. On the course of 2009 business report, I discovered that my branch in which I am the manager made Six million eigth hundred and fifty thousand united state dollars ($6,850,000.00)which my head office are not aware of and will never be aware of. I have placed this funds on what we call escrow call account with no beneficiary. As an officer of this bank I cannot be directly connected  to this money, so my aim of contacting you is to assist me receive this money in your bank account and get 30% of the total funds as commission.
There are practically no risks involved, it will be a bank-to-bank transfer and all I need from you is to stand and claim as the original depositor of these funds as who made the deposit with my branch so that my head office can order the transfer to your designated bank account. If you accept this offer to work with me, and you find this proposal Suitable for you do furnish me with the following information.
Full
Name.....................................................................................
Contact
Address..................................................................................
Private Telephone
Number...................................................................................

Age......................................................................................
Occupation and
Position.................................................................................
I will appreciate it very much, If this proposal is acceptable by you, do not make undue advantage of the trust I have bestowed on you, and I assure you we can achieve it successfully.

Thank you in advance and May God bless you and your family.

I WILL APPRECIATE YOUR URGENT AND KIND RESPONSE ASAP,

Mr Andrew Casa.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 06:59:56 2010
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Hi, I just got to use my edp and having problem mangling with my loops. I'm
using DL4 before this and i like the 1/2 speed and double speed mangling
functions. Can the EDP do the same? Thanx in advance.

--001636ed6d43d185690482c2d3cb
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Hi, I just got to use my edp and having problem mangling with my loops. I&#39;m using DL4 before this and i like the 1/2 speed and double speed mangling functions. Can the EDP do the same? Thanx in advance.<br>

--001636ed6d43d185690482c2d3cb--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 08:14:59 2010
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do you have the latest loop4 software installed?
That's needed for 1/2 speed.

andy butler
ps, many thanks for the link to Malaysian court
music, it's totally unknown here in UK.
I'm fascinated to hear it sounding half way
between Java and Thailand/Cambodia.


halim zainal wrote:
> Hi, I just got to use my edp and having problem mangling with my loops. 
> I'm using DL4 before this and i like the 1/2 speed and double speed 
> mangling functions. Can the EDP do the same? Thanx in advance.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 08:57:43 2010
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Subject: Re: Boomerang iii - experiences and grooves
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Hi Stone

> One issue I run into when traveling and wanting to loop out of my home
> base is what to run my looper into so I can play/jam.

I can recommend 10" active PA speakers from RFC or FCB.
For mobile use, check a Taxi (battery-driven). Roland Cubes probably are also fine.
Or, you might want to invest into a Bose system... :-)

best regards
Buzap


-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 12:25:01 2010
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Date: Sat, 27 Mar 2010 13:24:58 +0100
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Subject: Re: Boomerang iii - experiences and grooves
From: Per Boysen <perboysen@gmail.com>
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>> One issue I run into when traveling and wanting to loop out of my home
>> base is what to run my looper into so I can play/jam.

On Sat, Mar 27, 2010 at 9:57 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Stone
>
> I can recommend 10" active PA speakers from RFC or FCB.
> For mobile use, check a Taxi (battery-driven). Roland Cubes probably are also fine.
> Or, you might want to invest into a Bose system... :-)

I am happy with using two small Genelec studio monitors, the 8030A
model. Two of them goes into a small bag on wheels and you still have
space for some more. What I like with the Genelec is that they serve
well in different areas, they are also great for mixing and producing
music in a studio environment (I actually keep four of them in order
to produce surround mixes when needed). I bring two of them to gigs as
well to put on stage as my personal local stage monitoring (as on this
filmed gig http://bit.ly/c10XhH ). They deliver enough power to do a
little bass lacking gig at let's say a living room home concert.
However, two small monitors like that is not enough to get a good
sound if you create bass lines with your looping. I use an extra sub
woofer to check mixes in the studio.

I too have been looking into the Bose system but found it not optimal
for me because I like to work with stereo as a significant part of the
expression. Now, please don't get me wrong because that would sound
just gorgeous with two Bose systems set up for stereo! The catch is
that I can't see enough well paid gigs in the pipe line to justify the
investment. Yet. So I'll stick with my two Genelec's in a bag with
wheels, after all it is nice to be portable and keep a low cost
profile. If I expand my solo concerts I may rather get a traditional
small PA system with two satellites and a sub - for the low cost
stereo solution.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 12:36:33 2010
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Subject: Malaysian court music ( Re: how to mangle with the loops on my 
	oberheim edp.)
From: Per Boysen <perboysen@gmail.com>
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I must have missed that post. Where's the link?

Coincidently I was just talking to a guy here in Sweden that had
recently discovered that music on location in Malaysia and since then
I've been curious about it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Mar 27, 2010 at 9:15 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> andy butler
> ps, many thanks for the link to Malaysian court
> music, it's totally unknown here in UK.
> I'm fascinated to hear it sounding half way
> between Java and Thailand/Cambodia.

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Date: Sat, 27 Mar 2010 21:51:05 +0800
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Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d272c741f7900482c89223
Content-Type: text/plain; charset=ISO-8859-1

I'm not sure what software is installed inside my edp. I got it from Sean
Malone about 2 month ago. I believe he told me it was LoopIV if i'm not
mistaken. How do i check it and how to install new apps? Thanx.
Actually most Malaysian traditional music was derived from Indonesian and
Thailand.

On Sat, Mar 27, 2010 at 4:15 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> do you have the latest loop4 software installed?
> That's needed for 1/2 speed.
>
>
> andy butler
> ps, many thanks for the link to Malaysian court
> music, it's totally unknown here in UK.
> I'm fascinated to hear it sounding half way
> between Java and Thailand/Cambodia.
>
>
> halim zainal wrote:
>
>> Hi, I just got to use my edp and having problem mangling with my loops.
>> I'm using DL4 before this and i like the 1/2 speed and double speed mangling
>> functions. Can the EDP do the same? Thanx in advance.
>>
>
>

--0016e6d272c741f7900482c89223
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I&#39;m not sure what software is installed inside my edp. I got it fr=
om Sean Malone about 2 month ago. I believe he told me it was LoopIV if i&#=
39;m not mistaken. How do i check it and how to install new apps? Thanx.<br=
>
</div><div>Actually most Malaysian traditional music was derived from Indon=
esian and Thailand.=A0</div><br><div class=3D"gmail_quote">On Sat, Mar 27, =
2010 at 4:15 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutl=
er@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">do you have the latest loop4 software insta=
lled?<br>
That&#39;s needed for 1/2 speed.<div class=3D"im"><br>
<br>
andy butler<br>
ps, many thanks for the link to Malaysian court<br>
music, it&#39;s totally unknown here in UK.<br>
I&#39;m fascinated to hear it sounding half way<br>
between Java and Thailand/Cambodia.<br>
<br>
<br></div><div><div class=3D"h5">
halim zainal wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Hi, I just got to use my edp and having problem mangling with my loops. I&#=
39;m using DL4 before this and i like the 1/2 speed and double speed mangli=
ng functions. Can the EDP do the same? Thanx in advance.<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--0016e6d272c741f7900482c89223--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 14:00:30 2010
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Date: Sat, 27 Mar 2010 22:00:29 +0800
Message-ID: <be6db5df1003270700h3b6ba256k524484adf03b96c3@mail.gmail.com>
Subject: Re: Malaysian court music ( Re: how to mangle with the loops on my 
	oberheim edp.)
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6481a50dc64c20482c8b3ec
Content-Type: text/plain; charset=ISO-8859-1

You might wanna check this out. http://www.youtube.com/watch?v=GBjEQPqNmws

Halimski.

On Sat, Mar 27, 2010 at 8:36 PM, Per Boysen <perboysen@gmail.com> wrote:

> I must have missed that post. Where's the link?
>
> Coincidently I was just talking to a guy here in Sweden that had
> recently discovered that music on location in Malaysia and since then
> I've been curious about it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sat, Mar 27, 2010 at 9:15 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > andy butler
> > ps, many thanks for the link to Malaysian court
> > music, it's totally unknown here in UK.
> > I'm fascinated to hear it sounding half way
> > between Java and Thailand/Cambodia.
>
>

--0016e6481a50dc64c20482c8b3ec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>You might wanna check this out. <a href=3D"http://www.youtube.com/watc=
h?v=3DGBjEQPqNmws">http://www.youtube.com/watch?v=3DGBjEQPqNmws</a><br></di=
v><div><br></div><div>Halimski.</div><br><div class=3D"gmail_quote">On Sat,=
 Mar 27, 2010 at 8:36 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I must have missed that post. Where&#39;s t=
he link?<br>
<br>
Coincidently I was just talking to a guy here in Sweden that had<br>
recently discovered that music on location in Malaysia and since then<br>
I&#39;ve been curious about it.<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
On Sat, Mar 27, 2010 at 9:15 AM, andy butler &lt;<a href=3D"mailto:akbutler=
@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
&gt; andy butler<br>
&gt; ps, many thanks for the link to Malaysian court<br>
&gt; music, it&#39;s totally unknown here in UK.<br>
&gt; I&#39;m fascinated to hear it sounding half way<br>
&gt; between Java and Thailand/Cambodia.<br>
<br>
</blockquote></div><br>

--0016e6481a50dc64c20482c8b3ec--

From rpukl@msn.com  Sat Mar 27 14:03:06 2010
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From: "Brenda Luckas" <rpukl@msn.com>
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Attn: Winner,

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Category: 2nd, Amount: £4,500,000.00 (Four Million Five Hundred Thousand
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 14:28:29 2010
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Subject: Re: Malaysian court music
Date: Sat, 27 Mar 2010 07:28:25 -0700
References: <66f9cc1e1003270536o4b517007r67d50522c07d6e83@mail.gmail.com> <be6db5df1003270700h3b6ba256k524484adf03b96c3@mail.gmail.com>
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Very nice.

On Mar 27, 2010, at 7:00 AM, halim zainal wrote:

> You might wanna check this out. http://www.youtube.com/watch?v=GBjEQPqNmws
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 14:31:32 2010
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Subject: EDP only sees 33 seconds memory
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Hi=2C

I have an EDP with Loop 4 v1.1 and 16MB memory. which should result in 198 =
secs of loop time detected.

It only detects 33 seconds. I have tried putting new memory in which works =
on another unit but no change. As far as I can tell all other functionality=
 is fine. Any ideas?

Thanks=2C

Stvy
 		 	   		 =20
_________________________________________________________________
Got a cool Hotmail story? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<html>
<head>
<style><!--
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</head>
<body class=3D'hmmessage'>
Hi=2C<br><br>I have an EDP with Loop 4 v1.1 and 16MB memory. which should r=
esult in 198 secs of loop time detected.<br><br>It only detects 33 seconds.=
 I have tried putting new memory in which works on another unit but no chan=
ge. As far as I can tell all other functionality is fine. Any ideas?<br><br=
>Thanks=2C<br><br>Stvy<br> 		 	   		  <br /><hr />Got a cool Hotmail story?=
 <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_ne=
w'>Tell us now</a></body>
</html>=

--_0e427b98-c4e5-417e-b1ab-57ee0d425f23_--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 15:03:55 2010
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Date: Sat, 27 Mar 2010 16:03:53 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Here's a quick reminder about the MoinSound Studio Sessions - my 
bi-weekly virtual concert series, going live in about 2 hours (1700 GMT):
Streaming URL: http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
Time Link: http://bit.ly/aUAVVF

See you there!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 15:47:48 2010
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	 <4BADBE87.3010709@tiscali.co.uk>
	 <be6db5df1003270651q44b14c5ex15face6ec2a3f31d@mail.gmail.com>
Date: Sat, 27 Mar 2010 23:47:47 +0800
Message-ID: <be6db5df1003270847o4f81bbf5gd55cf7e9767a0154@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
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--001636eee14a9eba530482ca33ec
Content-Type: text/plain; charset=ISO-8859-1

Hi, I just checked my EDP. When i turned it on, it displays LOOP 4. Which
means i can mangle with loops right? But how do i do it? Thanx

Halimski.

On Sat, Mar 27, 2010 at 9:51 PM, halim zainal <halimzainal@gmail.com> wrote:

> I'm not sure what software is installed inside my edp. I got it from Sean
> Malone about 2 month ago. I believe he told me it was LoopIV if i'm not
> mistaken. How do i check it and how to install new apps? Thanx.
> Actually most Malaysian traditional music was derived from Indonesian and
> Thailand.
>
> On Sat, Mar 27, 2010 at 4:15 PM, andy butler <akbutler@tiscali.co.uk>wrote:
>
>> do you have the latest loop4 software installed?
>> That's needed for 1/2 speed.
>>
>>
>> andy butler
>> ps, many thanks for the link to Malaysian court
>> music, it's totally unknown here in UK.
>> I'm fascinated to hear it sounding half way
>> between Java and Thailand/Cambodia.
>>
>>
>> halim zainal wrote:
>>
>>> Hi, I just got to use my edp and having problem mangling with my loops.
>>> I'm using DL4 before this and i like the 1/2 speed and double speed mangling
>>> functions. Can the EDP do the same? Thanx in advance.
>>>
>>
>>
>

--001636eee14a9eba530482ca33ec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hi, I just checked my EDP. When i turned it on, it displays LOOP 4. Wh=
ich means i can mangle with loops right? But how do i do it? Thanx<br></div=
><div><br></div><div>Halimski.</div><br><div class=3D"gmail_quote">On Sat, =
Mar 27, 2010 at 9:51 PM, halim zainal <span dir=3D"ltr">&lt;<a href=3D"mail=
to:halimzainal@gmail.com">halimzainal@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div>I&#39;m not sure what software is inst=
alled inside my edp. I got it from Sean Malone about 2 month ago. I believe=
 he told me it was LoopIV if i&#39;m not mistaken. How do i check it and ho=
w to install new apps? Thanx.<br>

</div><div>Actually most Malaysian traditional music was derived from Indon=
esian and Thailand.=A0</div><br><div class=3D"gmail_quote"><div class=3D"im=
">On Sat, Mar 27, 2010 at 4:15 PM, andy butler <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:akbutler@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.u=
k</a>&gt;</span> wrote:<br>

</div><div><div class=3D"h5"><blockquote class=3D"gmail_quote" style=3D"mar=
gin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">do you have the=
 latest loop4 software installed?<br>
That&#39;s needed for 1/2 speed.<div><br>
<br>
andy butler<br>
ps, many thanks for the link to Malaysian court<br>
music, it&#39;s totally unknown here in UK.<br>
I&#39;m fascinated to hear it sounding half way<br>
between Java and Thailand/Cambodia.<br>
<br>
<br></div><div><div>
halim zainal wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Hi, I just got to use my edp and having problem mangling with my loops. I&#=
39;m using DL4 before this and i like the 1/2 speed and double speed mangli=
ng functions. Can the EDP do the same? Thanx in advance.<br>
</blockquote>
<br>
</div></div></blockquote></div></div></div><br>
</blockquote></div><br>

--001636eee14a9eba530482ca33ec--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 15:58:51 2010
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Date: Sat, 27 Mar 2010 16:58:49 +0100
Message-ID: <66f9cc1e1003270858s5d9f9698ra167bf0e1cef2ec@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Mar 27, 2010 at 4:47 PM, halim zainal <halimzainal@gmail.com> wrote:
> Hi, I just checked my EDP. When i turned it on, it displays LOOP 4. Which
> means i can mangle with loops right? But how do i do it? Thanx

A bunch of hints:
1. Put it into Overdub Mode and toggle between HalfSpeed and
NormalSpeed while feeding it audio input.
2. Use SUS Substitute - either by the Insert Button or as direct call
by MIDI (my choice) - to replace cycles of audio in a loop ("real-time
slicing"). For a granular sounding mangling you need to start your
looping session with an extremely short cycle. Then you my multiply it
up to a bar or two.
3. If doing the above, try it out also in an alternative performance
mode, like Replace (my choice) or Expert or... The point in doing that
is that the knob on the front pane (or a volume pedal connected to the
rear jack) can be used to set up how much of the old loop layer will
be replaced by each Substitute command.
4. Run your loop in Overdub Mode with feedback set to full. Make some
noise into the audio input while juggling the feedback pedal. This
creates "volume scratches" in the backup layers behind your latest
layer. A nice way to create poly rhythm.
5. While in Overdub mode, kick the Reverse pedal while making sound
into the audio input.
6. Experiment with alternative endings of actions. Examples: Ending
Record with Reverse/Speed, ending Multiply with Record, ending
Multiply with Overdub...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 16:15:33 2010
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Date: Sun, 28 Mar 2010 00:15:32 +0800
Message-ID: <be6db5df1003270915u72e2f69ahf6a0c6979cde1770@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6498a5cdb51e30482ca969d
Content-Type: text/plain; charset=ISO-8859-1

Hi, Thanx for the really good tips. I'm sorry I'm a noob with the EDP.
Basically i'm running from Guitar > Pedal FX rig > EDP > Amp. And the
original footpedal i plug it into the rear footpedal input no MIDI's
involved. Replace? Expert? is it the LOOP 4 software apps? I found the
reverse function but can't seem to find 1/2 speed and double speed
functions. Thanx.

On Sat, Mar 27, 2010 at 11:58 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Mar 27, 2010 at 4:47 PM, halim zainal <halimzainal@gmail.com>
> wrote:
> > Hi, I just checked my EDP. When i turned it on, it displays LOOP 4. Which
> > means i can mangle with loops right? But how do i do it? Thanx
>
> A bunch of hints:
> 1. Put it into Overdub Mode and toggle between HalfSpeed and
> NormalSpeed while feeding it audio input.
> 2. Use SUS Substitute - either by the Insert Button or as direct call
> by MIDI (my choice) - to replace cycles of audio in a loop ("real-time
> slicing"). For a granular sounding mangling you need to start your
> looping session with an extremely short cycle. Then you my multiply it
> up to a bar or two.
> 3. If doing the above, try it out also in an alternative performance
> mode, like Replace (my choice) or Expert or... The point in doing that
> is that the knob on the front pane (or a volume pedal connected to the
> rear jack) can be used to set up how much of the old loop layer will
> be replaced by each Substitute command.
> 4. Run your loop in Overdub Mode with feedback set to full. Make some
> noise into the audio input while juggling the feedback pedal. This
> creates "volume scratches" in the backup layers behind your latest
> layer. A nice way to create poly rhythm.
> 5. While in Overdub mode, kick the Reverse pedal while making sound
> into the audio input.
> 6. Experiment with alternative endings of actions. Examples: Ending
> Record with Reverse/Speed, ending Multiply with Record, ending
> Multiply with Overdub...
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0016e6498a5cdb51e30482ca969d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi, Thanx for the really good tips. I&#39;m sorry I&#39;m a noob with the E=
DP. Basically i&#39;m running from Guitar &gt; Pedal FX rig &gt; EDP &gt; A=
mp. And the original footpedal i plug it into the rear footpedal input no M=
IDI&#39;s involved. Replace? Expert? is it the LOOP 4 software apps? I foun=
d the reverse function but can&#39;t seem to find 1/2 speed and double spee=
d functions. Thanx.<br>
=A0<br><div class=3D"gmail_quote">On Sat, Mar 27, 2010 at 11:58 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On Sat, Mar 27, 2010 at 4:47 PM, halim zainal &lt;<a href=
=3D"mailto:halimzainal@gmail.com">halimzainal@gmail.com</a>&gt; wrote:<br>
&gt; Hi, I just checked my EDP. When i turned it on, it displays LOOP 4. Wh=
ich<br>
&gt; means i can mangle with loops right? But how do i do it? Thanx<br>
<br>
</div>A bunch of hints:<br>
1. Put it into Overdub Mode and toggle between HalfSpeed and<br>
NormalSpeed while feeding it audio input.<br>
2. Use SUS Substitute - either by the Insert Button or as direct call<br>
by MIDI (my choice) - to replace cycles of audio in a loop (&quot;real-time=
<br>
slicing&quot;). For a granular sounding mangling you need to start your<br>
looping session with an extremely short cycle. Then you my multiply it<br>
up to a bar or two.<br>
3. If doing the above, try it out also in an alternative performance<br>
mode, like Replace (my choice) or Expert or... The point in doing that<br>
is that the knob on the front pane (or a volume pedal connected to the<br>
rear jack) can be used to set up how much of the old loop layer will<br>
be replaced by each Substitute command.<br>
4. Run your loop in Overdub Mode with feedback set to full. Make some<br>
noise into the audio input while juggling the feedback pedal. This<br>
creates &quot;volume scratches&quot; in the backup layers behind your lates=
t<br>
layer. A nice way to create poly rhythm.<br>
5. While in Overdub mode, kick the Reverse pedal while making sound<br>
into the audio input.<br>
6. Experiment with alternative endings of actions. Examples: Ending<br>
Record with Reverse/Speed, ending Multiply with Record, ending<br>
Multiply with Overdub...<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br>

--0016e6498a5cdb51e30482ca969d--

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Date: Sat, 27 Mar 2010 17:21:34 +0100
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Subject: Re: how to mangle with the loops on my oberheim edp.
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com> wrote:
> 1/2 speed and double speed functions

When I had an EDP I used the command Speed instead. It jumps one
octave up or down and changes the tempo to half or the double. The
outcome depends on where you are at when giving the command. If at
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
(using quotation marks because there isn't actually a command with
that name, but if the function is still available)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From sandra.weller@aa.com  Sat Mar 27 16:34:58 2010
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From: "American Airlines"<sandra.weller@aa.com>
Subject: The American Airlines AAdvantage(R) Programs offers exclusive 2010 rewards
Date: Sat, 27 Mar 2010 15:52:56 -0000
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Date: Sun, 28 Mar 2010 00:45:35 +0800
Message-ID: <be6db5df1003270945n4513f3fdobb56d02f81ff6897@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd355f04902680482cb0285
Content-Type: text/plain; charset=ISO-8859-1

I guess it's not as easy as the DL4 tho. From the DL4 i can just step on the
1/2 speed button to make everything go fast. I'm pretty sure EDP can do
wonders more than the DL4. I'm still learning to understang the EDP unit.
Thanx for your awesome feedbacks.

Halimski.
ps:- where can i find the user manual on how to use the EDP?

On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com>
> wrote:
> > 1/2 speed and double speed functions
>
> When I had an EDP I used the command Speed instead. It jumps one
> octave up or down and changes the tempo to half or the double. The
> outcome depends on where you are at when giving the command. If at
> Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
> (using quotation marks because there isn't actually a command with
> that name, but if the function is still available)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--000e0cd355f04902680482cb0285
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I guess it&#39;s not as easy as the DL4 tho. From the DL4 i can just s=
tep on the 1/2 speed button to make everything go fast. I&#39;m pretty sure=
 EDP can do wonders more than the DL4. I&#39;m still learning to understang=
 the EDP unit. Thanx for your awesome feedbacks.=A0<br>
</div><div><br></div><div>Halimski.</div><div>ps:- where can i find the use=
r manual on how to use the EDP?</div><br><div class=3D"gmail_quote">On Sun,=
 Mar 28, 2010 at 12:21 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mail=
to:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Sat, Mar 27, 2010 at 5=
:15 PM, halim zainal &lt;<a href=3D"mailto:halimzainal@gmail.com">halimzain=
al@gmail.com</a>&gt; wrote:<br>

&gt; 1/2 speed and double speed functions<br>
<br>
</div>When I had an EDP I used the command Speed instead. It jumps one<br>
octave up or down and changes the tempo to half or the double. The<br>
outcome depends on where you are at when giving the command. If at<br>
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes &quot;double speed&=
quot;<br>
(using quotation marks because there isn&#39;t actually a command with<br>
that name, but if the function is still available)<br>
<div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>

--000e0cd355f04902680482cb0285--

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Date: Sat, 27 Mar 2010 12:06:27 -0500
Message-ID: <2871c3a91003271006j6f7ce548qcb53b586c8b5f753@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636ed66eef406570482cb4c92
Content-Type: text/plain; charset=ISO-8859-1

Here's a link to the manual:

http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf

<http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf>
Sylvain

On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <halimzainal@gmail.com>wrote:

> I guess it's not as easy as the DL4 tho. From the DL4 i can just step on
> the 1/2 speed button to make everything go fast. I'm pretty sure EDP can do
> wonders more than the DL4. I'm still learning to understang the EDP unit.
> Thanx for your awesome feedbacks.
>
> Halimski.
> ps:- where can i find the user manual on how to use the EDP?
>
> On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com>
>> wrote:
>> > 1/2 speed and double speed functions
>>
>> When I had an EDP I used the command Speed instead. It jumps one
>> octave up or down and changes the tempo to half or the double. The
>> outcome depends on where you are at when giving the command. If at
>> Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
>> (using quotation marks because there isn't actually a command with
>> that name, but if the function is still available)
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>

--001636ed66eef406570482cb4c92
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Here&#39;s a link to the manual:<div><br></div><div><a href=3D"http://www.g=
ibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf">http://www.=
gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf</a></div><d=
iv>
<br></div><div><a href=3D"http://www.gibson.com/Files/Downloads/PDFs/Gibson=
/EchoplexPlusManual12.pdf"></a>Sylvain<br><br><div class=3D"gmail_quote">On=
 Sat, Mar 27, 2010 at 11:45 AM, halim zainal <span dir=3D"ltr">&lt;<a href=
=3D"mailto:halimzainal@gmail.com">halimzainal@gmail.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div>I guess it&#39;s not as easy as the DL=
4 tho. From the DL4 i can just step on the 1/2 speed button to make everyth=
ing go fast. I&#39;m pretty sure EDP can do wonders more than the DL4. I&#3=
9;m still learning to understang the EDP unit. Thanx for your awesome feedb=
acks.=A0<br>

</div><div><br></div><div>Halimski.</div><div>ps:- where can i find the use=
r manual on how to use the EDP?</div><div><div></div><div class=3D"h5"><br>=
<div class=3D"gmail_quote">On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_blank"=
>perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div>On Sat, Mar 27, 2010 at 5:15 PM, halim =
zainal &lt;<a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halim=
zainal@gmail.com</a>&gt; wrote:<br>


&gt; 1/2 speed and double speed functions<br>
<br>
</div>When I had an EDP I used the command Speed instead. It jumps one<br>
octave up or down and changes the tempo to half or the double. The<br>
outcome depends on where you are at when giving the command. If at<br>
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes &quot;double speed&=
quot;<br>
(using quotation marks because there isn&#39;t actually a command with<br>
that name, but if the function is still available)<br>
<div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br></div>

--001636ed66eef406570482cb4c92--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 17:47:59 2010
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Subject: Re: EDP only sees 33 seconds memory
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Sounds like More Loops is set to 6 (6 * 33 = 198)?


At 2010.03.27 07:23 AM, Stephen Isherwood wrote:
>Hi,
>
>I have an EDP with Loop 4 v1.1 and 16MB memory. which should result 
>in 198 secs of loop time detected.
>
>It only detects 33 seconds. I have tried putting new memory in which 
>works on another unit but no change. As far as I can tell all other 
>functionality is fine. Any ideas?
>
>Thanks,
>
>Stvy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 19:06:34 2010
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Date: Sat, 27 Mar 2010 15:06:29 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Chez Mosc Today + Special Guest Dave Sneed
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EDT (GMT-4), 
Twyndyllyngs (Howard Moscovitz and Bill Fox) will stream a live, 
improvised concert from Howard's living room.  (Hence the title of the 
broadcast.)  On today's show, we welcome Dave Sneed who will help us 
make some noise.  I hope that you'll "tune in" despite the irreparable 
brain damage it may cause you.     ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are living in or near the Lehigh Valley or plan to be 
passing through the area, please let me or Howard know if you'd care to 
join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 19:28:35 2010
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Subject: Re: how to mangle with the loops on my oberheim edp.
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halim zainal wrote:
> I'm not sure
but now you are ;-)
 



for 1/2 speed, you'll need a midi controller.
OR
Set
InsertMode=HSP
then the Insert button will 1/2 the speed.

Per's assuming you have a midi controller, so his post is confusing.

the manual for the Gibson unit is the same :-

http://www.loopers-delight.com/tools/echoplex/echoplex.html

>How do i check it and how to install new apps? Thanx.
> Actually most Malaysian traditional music was derived from Indonesian 
> and Thailand. 

yes, that's clearly audible in the court music,
it sounds somewhere between the music of those 2 locations.

Are there CDs available do you know?


andy butler

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--00c09f8fe776904c7e0482cd51ec
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Wow.. no wonder you are having trouble.. the edp,without the manual...
Please excuse the caps, but ... PRINT IT OUT!!!!

Funny how you are refering to apps inside the edp.. its not a phone you
know...??? Although its does almost everything else!

To cut a long story short. In addition to the things you can see on the
front panel, there are lots of things a bit hidden.
Insert for example has many uses, and changes its use depending on how you
have set it to respond. Try using Insert., now stop... go into the insert
funtion (thats three presses of the Parameter button, THEN press Ins/Rev
(why is the button called that anyone???) And then you can cycle thru the
different settings of Insert. Pick a new one.. . not exit editting mode (a
long press of the parameter button) and try again with Insert.

This way you will learn all the different inserts.. and maybe come across
the illusive half speed function!!!

As Per says, its much better to get a midi pedal (or keyboard or drum
machine) and access all these lovely functions directly rather than menu
hopping.. Or at least you should learn how to SAVE your favorite combos of
settings to a PRESET... then you can jump between different shades of
weirdness...


Mark



On Sat, Mar 27, 2010 at 6:06 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> Here's a link to the manual:
>
> http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf
>
>
> <http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf>
> Sylvain
>
>
> On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <halimzainal@gmail.com>wrote:
>
>> I guess it's not as easy as the DL4 tho. From the DL4 i can just step on
>> the 1/2 speed button to make everything go fast. I'm pretty sure EDP can do
>> wonders more than the DL4. I'm still learning to understang the EDP unit.
>> Thanx for your awesome feedbacks.
>>
>> Halimski.
>> ps:- where can i find the user manual on how to use the EDP?
>>
>> On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com>
>>> wrote:
>>> > 1/2 speed and double speed functions
>>>
>>> When I had an EDP I used the command Speed instead. It jumps one
>>> octave up or down and changes the tempo to half or the double. The
>>> outcome depends on where you are at when giving the command. If at
>>> Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
>>> (using quotation marks because there isn't actually a command with
>>> that name, but if the function is still available)
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>>
>>
>


-- 
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http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09f8fe776904c7e0482cd51ec
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Wow.. no wonder you are having trouble.. the edp,without the manual... Plea=
se excuse the caps, but ... PRINT IT OUT!!!!<br><br>Funny how you are refer=
ing to apps inside the edp.. its not a phone you know...??? Although its do=
es almost everything else!<br>

<br>To cut a long story short. In addition to the things you can see on the=
 front panel, there are lots of things a bit hidden.<br>Insert for example =
has many uses, and changes its use depending on how you have set it to resp=
ond. Try using Insert., now stop... go into the insert funtion (thats three=
 presses of the Parameter button, THEN press Ins/Rev (why is the button cal=
led that anyone???) And then you can cycle thru the different settings of I=
nsert. Pick a new one.. . not exit editting mode (a long press of the param=
eter button) and try again with Insert.<br>

<br>This way you will learn all the different inserts.. and maybe come acro=
ss the illusive half speed function!!!<br><br>As Per says, its much better =
to get a midi pedal (or keyboard or drum machine) and access all these love=
ly functions directly rather than menu hopping.. Or at least you should lea=
rn how to SAVE your favorite combos of settings to a PRESET... then you can=
 jump between different shades of weirdness...<br>

<br><br>Mark<br><br><br><br><div class=3D"gmail_quote">On Sat, Mar 27, 2010=
 at 6:06 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvai=
n.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border=
-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

Here&#39;s a link to the manual:<div><br></div><div><a href=3D"http://www.g=
ibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf" target=3D"_=
blank">http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual=
12.pdf</a></div>

<div>
<br></div><div><font color=3D"#888888"><a href=3D"http://www.gibson.com/Fil=
es/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf" target=3D"_blank"></a>Sy=
lvain</font><div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_q=
uote">

On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halimzainal@gmail.com<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>I guess it&#=
39;s not as easy as the DL4 tho. From the DL4 i can just step on the 1/2 sp=
eed button to make everything go fast. I&#39;m pretty sure EDP can do wonde=
rs more than the DL4. I&#39;m still learning to understang the EDP unit. Th=
anx for your awesome feedbacks.=A0<br>



</div><div><br></div><div>Halimski.</div><div>ps:- where can i find the use=
r manual on how to use the EDP?</div><div><div></div><div><br><div class=3D=
"gmail_quote">On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <span dir=3D"ltr=
">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gm=
ail.com</a>&gt;</span> wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Sat, Mar =
27, 2010 at 5:15 PM, halim zainal &lt;<a href=3D"mailto:halimzainal@gmail.c=
om" target=3D"_blank">halimzainal@gmail.com</a>&gt; wrote:<br>




&gt; 1/2 speed and double speed functions<br>
<br>
</div>When I had an EDP I used the command Speed instead. It jumps one<br>
octave up or down and changes the tempo to half or the double. The<br>
outcome depends on where you are at when giving the command. If at<br>
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes &quot;double speed&=
quot;<br>
(using quotation marks because there isn&#39;t actually a command with<br>
that name, but if the function is still available)<br>
<div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00c09f8fe776904c7e0482cd51ec--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 19:31:55 2010
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Subject: PRESS RELEASE: 5th Annual Boise Creative and Improvised Music Festival - April 23-24, 2010
Date: Sat, 27 Mar 2010 13:31:47 -0600
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FOR IMMEDIATE RELEASE

The 5th Annual Boise Creative and Improvised Music Festival
April 23 - 24, 2010
=20

Now in its fifth year, the Boise Creative and Improvised Music Festival =
will feature an impressive array of performers from Boise and throughout =
North America. Fans and enthusiasts will come from all over to hear some =
of the finest cutting-edge creative music rarely heard live in Boise and =
the surrounding Treasure Valley. This exciting event will also feature =
local visual artists and live art on stage. Best of all, the festival is =
free to the public!

=20

FRIDAY, April 23
7:30 - 10:00pm=20

=20

SATURDAY, April 24

1:30 - 10:30pm

=20

The Venue
523 Broad Street
Boise, ID 83702

=20

FREE ADMISSION to all Events

=20

=20

Obtain more information on the festival at the following sites:=20



Web: http://www.b-cimf.com/

MySpace: http://www.myspace.com/boiseexperimentalmusicfestival

FaceBook: http://www.facebook.com/group.php?gid=3D63236654801&ref=3Dmf

=20

=20

CONTACT

=20

bcimf2010@gmail.com
1-208-724-5603


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><B><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-bidi-font-size: 11.0pt; mso-fareast-font-family: 'Times New =
Roman'">FOR=20
IMMEDIATE RELEASE</SPAN></B><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'"><BR><BR></SPAN><B><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-bidi-font-size: 11.0pt; mso-fareast-font-family: 'Times New =
Roman'">The=20
5<SUP>th</SUP> Annual Boise Creative and Improvised Music=20
Festival</SPAN></B><B><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'"><BR></SPAN></B><B><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-bidi-font-size: 11.0pt; mso-fareast-font-family: 'Times New =
Roman'">April=20
23 - 24, 2010</SPAN></B><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; =
mso-fareast-font-family: 'Times New Roman'"><o:p></o:p></SPAN></DIV>
<DIV>
<DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'"><o:p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">Now=20
in its fifth year, the Boise Creative and Improvised Music Festival will =
feature=20
an impressive array of performers from Boise and throughout North =
America. Fans=20
and enthusiasts will come from all over to hear some of the finest =
cutting-edge=20
creative music rarely heard live in Boise and the surrounding Treasure =
Valley.=20
This exciting event will also feature local visual artists and live art =
on=20
stage. Best of all, the festival is free to the =
public!<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'"><o:p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">FRIDAY,=20
April 23<BR>7:30 - 10:00pm <o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'"><o:p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">SATURDAY,=20
April 24<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">1:30=20
=96 10:30pm<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
'Arial','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'">The =
Venue<BR>523=20
Broad Street<BR>Boise, ID 83702<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
'Arial','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">FREE=20
ADMISSION to all Events<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
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<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
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<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">Obtain=20
more information on the festival at the following sites: <BR=20
style=3D"mso-special-character: line-break"><BR=20
style=3D"mso-special-character: line-break"><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">Web:=20
<A=20
href=3D"mhtml:{4DE81920-5E0A-44D4-91C8-9F6D4E60FB95}mid://00000445/!x-usc=
:http://www.b-cimf.com/"><SPAN=20
style=3D"COLOR: #606420; mso-bidi-font-size: =
11.0pt">http://www.b-cimf.com/</SPAN></A><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">MySpace:=20
<A=20
href=3D"mhtml:{4DE81920-5E0A-44D4-91C8-9F6D4E60FB95}mid://00000445/!x-usc=
:http://www.myspace.com/boiseexperimentalmusicfestival"><SPAN=20
style=3D"mso-bidi-font-size: 11.0pt"><FONT=20
color=3D#0000ff>http://www.myspace.com/boiseexperimentalmusicfestival</FO=
NT></SPAN></A><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">FaceBook:=20
<A=20
href=3D"mhtml:{4DE81920-5E0A-44D4-91C8-9F6D4E60FB95}mid://00000445/!x-usc=
:http://www.facebook.com/group.php?gid=3D63236654801&amp;ref=3Dmf">http:/=
/www.facebook.com/group.php?gid=3D63236654801&amp;ref=3Dmf</A><A=20
href=3D"mhtml:{4DE81920-5E0A-44D4-91C8-9F6D4E60FB95}mid://00000445/!x-usc=
:http://www.facebook.com/krispen.hartung?ref=3Dprofile#!/group.php?gid=3D=
63236654801&amp;ref=3Dts"><FONT=20
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normal"><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; =
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<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">CONTACT</SPAN><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; =
mso-fareast-font-family: 'Times New Roman'"><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; =
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<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'"><A=20
href=3D"mhtml:{4DE81920-5E0A-44D4-91C8-9F6D4E60FB95}mid://00000445/!x-usc=
:mailto:bcimf2010@gmail.com"><FONT=20
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mso-fareast-font-family: 'Times New Roman'"><BR></SPAN><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">1-208-724-5603</SPAN><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; =
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Date: Sun, 28 Mar 2010 04:39:56 +0800
Message-ID: <be6db5df1003271339q306a4bbocf299d8c38537b75@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Haha my bad. Printing it out now. Wow your description makes much sense now.
Thanx a million guys.

On Sun, Mar 28, 2010 at 3:30 AM, mark francombe <mark@markfrancombe.com>wrote:

> Wow.. no wonder you are having trouble.. the edp,without the manual...
> Please excuse the caps, but ... PRINT IT OUT!!!!
>
> Funny how you are refering to apps inside the edp.. its not a phone you
> know...??? Although its does almost everything else!
>
> To cut a long story short. In addition to the things you can see on the
> front panel, there are lots of things a bit hidden.
> Insert for example has many uses, and changes its use depending on how you
> have set it to respond. Try using Insert., now stop... go into the insert
> funtion (thats three presses of the Parameter button, THEN press Ins/Rev
> (why is the button called that anyone???) And then you can cycle thru the
> different settings of Insert. Pick a new one.. . not exit editting mode (a
> long press of the parameter button) and try again with Insert.
>
> This way you will learn all the different inserts.. and maybe come across
> the illusive half speed function!!!
>
> As Per says, its much better to get a midi pedal (or keyboard or drum
> machine) and access all these lovely functions directly rather than menu
> hopping.. Or at least you should learn how to SAVE your favorite combos of
> settings to a PRESET... then you can jump between different shades of
> weirdness...
>
>
> Mark
>
>
>
>
> On Sat, Mar 27, 2010 at 6:06 PM, Sylvain Poitras <
> sylvain.trombone@gmail.com> wrote:
>
>> Here's a link to the manual:
>>
>> http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf
>>
>> Sylvain
>>
>>
>> On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <halimzainal@gmail.com>wrote:
>>
>>> I guess it's not as easy as the DL4 tho. From the DL4 i can just step on
>>> the 1/2 speed button to make everything go fast. I'm pretty sure EDP can do
>>> wonders more than the DL4. I'm still learning to understang the EDP unit.
>>> Thanx for your awesome feedbacks.
>>>
>>> Halimski.
>>> ps:- where can i find the user manual on how to use the EDP?
>>>
>>> On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <perboysen@gmail.com>wrote:
>>>
>>>> On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com>
>>>> wrote:
>>>> > 1/2 speed and double speed functions
>>>>
>>>> When I had an EDP I used the command Speed instead. It jumps one
>>>> octave up or down and changes the tempo to half or the double. The
>>>> outcome depends on where you are at when giving the command. If at
>>>> Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
>>>> (using quotation marks because there isn't actually a command with
>>>> that name, but if the function is still available)
>>>>
>>>> Greetings from Sweden
>>>>
>>>> Per Boysen
>>>> www.boysen.se
>>>> www.perboysen.com
>>>>
>>>>
>>>
>>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

--001485e7c9fc670f5c0482ce48e9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Haha my bad. Printing it out now. Wow your description makes much sense now=
. Thanx a million guys.<br><br><div class=3D"gmail_quote">On Sun, Mar 28, 2=
010 at 3:30 AM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark=
@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Wow.. no wonder you are having trouble.. th=
e edp,without the manual... Please excuse the caps, but ... PRINT IT OUT!!!=
!<br>
<br>Funny how you are refering to apps inside the edp.. its not a phone you=
 know...??? Although its does almost everything else!<br>

<br>To cut a long story short. In addition to the things you can see on the=
 front panel, there are lots of things a bit hidden.<br>Insert for example =
has many uses, and changes its use depending on how you have set it to resp=
ond. Try using Insert., now stop... go into the insert funtion (thats three=
 presses of the Parameter button, THEN press Ins/Rev (why is the button cal=
led that anyone???) And then you can cycle thru the different settings of I=
nsert. Pick a new one.. . not exit editting mode (a long press of the param=
eter button) and try again with Insert.<br>


<br>This way you will learn all the different inserts.. and maybe come acro=
ss the illusive half speed function!!!<br><br>As Per says, its much better =
to get a midi pedal (or keyboard or drum machine) and access all these love=
ly functions directly rather than menu hopping.. Or at least you should lea=
rn how to SAVE your favorite combos of settings to a PRESET... then you can=
 jump between different shades of weirdness...<br>


<br><br>Mark<div><div class=3D"h5"><br><br><br><br><div class=3D"gmail_quot=
e">On Sat, Mar 27, 2010 at 6:06 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<=
a href=3D"mailto:sylvain.trombone@gmail.com" target=3D"_blank">sylvain.trom=
bone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">

Here&#39;s a link to the manual:<div><br></div><div><a href=3D"http://www.g=
ibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf" target=3D"_=
blank">http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual=
12.pdf</a></div>


<div>
<br></div><div><font color=3D"#888888">Sylvain</font><div><div><br><br><div=
 class=3D"gmail_quote">

On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halimzainal@gmail.com<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex"><div>I guess it&#39;s n=
ot as easy as the DL4 tho. From the DL4 i can just step on the 1/2 speed bu=
tton to make everything go fast. I&#39;m pretty sure EDP can do wonders mor=
e than the DL4. I&#39;m still learning to understang the EDP unit. Thanx fo=
r your awesome feedbacks.=A0<br>




</div><div><br></div><div>Halimski.</div><div>ps:- where can i find the use=
r manual on how to use the EDP?</div><div><div><br><div class=3D"gmail_quot=
e">On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>




<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex"><div>On Sat, Mar 27, 20=
10 at 5:15 PM, halim zainal &lt;<a href=3D"mailto:halimzainal@gmail.com" ta=
rget=3D"_blank">halimzainal@gmail.com</a>&gt; wrote:<br>





&gt; 1/2 speed and double speed functions<br>
<br>
</div>When I had an EDP I used the command Speed instead. It jumps one<br>
octave up or down and changes the tempo to half or the double. The<br>
outcome depends on where you are at when giving the command. If at<br>
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes &quot;double speed&=
quot;<br>
(using quotation marks because there isn&#39;t actually a command with<br>
that name, but if the function is still available)<br>
<div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br></div></div></div>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www=
.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_=
blank">www.ordoabkhao.com</a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</font></blockquote></div><br>

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Date: Sun, 28 Mar 2010 04:41:25 +0800
Message-ID: <be6db5df1003271341y750a902bu11ad5e031497510e@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd70ecab7850a0482ce4d76
Content-Type: text/plain; charset=ISO-8859-1

Thanx Sylvain.

On Sun, Mar 28, 2010 at 1:06 AM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> Here's a link to the manual:
>
> http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf
>
> Sylvain
>
>
> On Sat, Mar 27, 2010 at 11:45 AM, halim zainal <halimzainal@gmail.com>wrote:
>
>> I guess it's not as easy as the DL4 tho. From the DL4 i can just step on
>> the 1/2 speed button to make everything go fast. I'm pretty sure EDP can do
>> wonders more than the DL4. I'm still learning to understang the EDP unit.
>> Thanx for your awesome feedbacks.
>>
>> Halimski.
>> ps:- where can i find the user manual on how to use the EDP?
>>
>> On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> On Sat, Mar 27, 2010 at 5:15 PM, halim zainal <halimzainal@gmail.com>
>>> wrote:
>>> > 1/2 speed and double speed functions
>>>
>>> When I had an EDP I used the command Speed instead. It jumps one
>>> octave up or down and changes the tempo to half or the double. The
>>> outcome depends on where you are at when giving the command. If at
>>> Normal Speed it goes HalfSpeed. If at HalfSpeed it goes "double speed"
>>> (using quotation marks because there isn't actually a command with
>>> that name, but if the function is still available)
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>>
>>
>

--000e0cd70ecab7850a0482ce4d76
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanx Sylvain.<br><br><div class=3D"gmail_quote">On Sun, Mar 28, 2010 at 1:=
06 AM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trom=
bone@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;">
Here&#39;s a link to the manual:<div><br></div><div><a href=3D"http://www.g=
ibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual12.pdf" target=3D"_=
blank">http://www.gibson.com/Files/Downloads/PDFs/Gibson/EchoplexPlusManual=
12.pdf</a></div>
<div>
<br></div><div><font color=3D"#888888">Sylvain</font><div><div class=3D"h5"=
><br><br><div class=3D"gmail_quote">On Sat, Mar 27, 2010 at 11:45 AM, halim=
 zainal <span dir=3D"ltr">&lt;<a href=3D"mailto:halimzainal@gmail.com" targ=
et=3D"_blank">halimzainal@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div>I guess it&#39;s not as easy as the DL4=
 tho. From the DL4 i can just step on the 1/2 speed button to make everythi=
ng go fast. I&#39;m pretty sure EDP can do wonders more than the DL4. I&#39=
;m still learning to understang the EDP unit. Thanx for your awesome feedba=
cks.=A0<br>


</div><div><br></div><div>Halimski.</div><div>ps:- where can i find the use=
r manual on how to use the EDP?</div><div><div><br><div class=3D"gmail_quot=
e">On Sun, Mar 28, 2010 at 12:21 AM, Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div>On Sat, Mar 27, 2010 at 5:15 PM, halim =
zainal &lt;<a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halim=
zainal@gmail.com</a>&gt; wrote:<br>



&gt; 1/2 speed and double speed functions<br>
<br>
</div>When I had an EDP I used the command Speed instead. It jumps one<br>
octave up or down and changes the tempo to half or the double. The<br>
outcome depends on where you are at when giving the command. If at<br>
Normal Speed it goes HalfSpeed. If at HalfSpeed it goes &quot;double speed&=
quot;<br>
(using quotation marks because there isn&#39;t actually a command with<br>
that name, but if the function is still available)<br>
<div><div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br></div></div></div>
</blockquote></div><br>

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MIME-Version: 1.0
In-Reply-To: <4BAE5C67.40307@tiscali.co.uk>
References: <be6db5df1003262359l5483c8fdnfde2d08017733747@mail.gmail.com>
	 <4BADBE87.3010709@tiscali.co.uk>
	 <be6db5df1003270651q44b14c5ex15face6ec2a3f31d@mail.gmail.com>
	 <4BAE5C67.40307@tiscali.co.uk>
Date: Sun, 28 Mar 2010 04:48:31 +0800
Message-ID: <be6db5df1003271348o607efaej3fb8620037517f8c@mail.gmail.com>
Subject: Re: how to mangle with the loops on my oberheim edp.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636b148d91d208c0482ce6742
Content-Type: text/plain; charset=ISO-8859-1

Happenstance Loop 4 appears on the display. This is really helpful (i mean
your replies). Thanx.

I've never seen or came across any Malaysian Traditional music on cd or any
recorded medium. But they do air it on our local radio.
I tried looking for the mp3's from these guys but nowhere to be found. -->
http://www.youtube.com/watch?v=GBjEQPqNmws


On Sun, Mar 28, 2010 at 3:28 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>
>
> halim zainal wrote:
>
>> I'm not sure
>>
> but now you are ;-)
>
>
>
>
> for 1/2 speed, you'll need a midi controller.
> OR
> Set
> InsertMode=HSP
> then the Insert button will 1/2 the speed.
>
> Per's assuming you have a midi controller, so his post is confusing.
>
> the manual for the Gibson unit is the same :-
>
> http://www.loopers-delight.com/tools/echoplex/echoplex.html
>
>
>  How do i check it and how to install new apps? Thanx.
>> Actually most Malaysian traditional music was derived from Indonesian and
>> Thailand.
>>
>
> yes, that's clearly audible in the court music,
> it sounds somewhere between the music of those 2 locations.
>
> Are there CDs available do you know?
>
>
> andy butler
>
>

--001636b148d91d208c0482ce6742
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Happenstance Loop 4 appears on the display. This is really helpful (i =
mean your replies). Thanx.</div><div><br></div><div>I&#39;ve never seen or =
came across any Malaysian Traditional music on cd or any recorded medium. B=
ut they do air it on our local radio.=A0</div>
<div>I tried looking for the mp3&#39;s from these guys but nowhere to be fo=
und. --&gt; <a href=3D"http://www.youtube.com/watch?v=3DGBjEQPqNmws">http:/=
/www.youtube.com/watch?v=3DGBjEQPqNmws</a><br></div><div class=3D"gmail_quo=
te">
<br></div><div class=3D"gmail_quote"><br></div><div class=3D"gmail_quote">O=
n Sun, Mar 28, 2010 at 3:28 AM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><br>
<br>
halim zainal wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
I&#39;m not sure<br>
</blockquote></div>
but now you are ;-)<br>
<br>
<br>
<br>
<br>
for 1/2 speed, you&#39;ll need a midi controller.<br>
OR<br>
Set<br>
InsertMode=3DHSP<br>
then the Insert button will 1/2 the speed.<br>
<br>
Per&#39;s assuming you have a midi controller, so his post is confusing.<br=
>
<br>
the manual for the Gibson unit is the same :-<br>
<br>
<a href=3D"http://www.loopers-delight.com/tools/echoplex/echoplex.html" tar=
get=3D"_blank">http://www.loopers-delight.com/tools/echoplex/echoplex.html<=
/a><div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
How do i check it and how to install new apps? Thanx.<br>
Actually most Malaysian traditional music was derived from Indonesian and T=
hailand. <br>
</blockquote>
<br></div>
yes, that&#39;s clearly audible in the court music,<br>
it sounds somewhere between the music of those 2 locations.<br>
<br>
Are there CDs available do you know?<br><font color=3D"#888888">
<br>
<br>
andy butler<br>
<br>
</font></blockquote></div><br>

--001636b148d91d208c0482ce6742--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 27 20:57:28 2010
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Subject: RE: EDP only sees 33 seconds memory
Date: Sat, 27 Mar 2010 20:57:27 +0000
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 28 17:14:06 2010
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Date: Sun, 28 Mar 2010 13:14:03 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: Galactic Travels Top 20 Report for March, 2010.
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http://wdiy.org/programs/gt/playlists/2010/top20-03mar.html

WDIY 88.1 FM "Galactic Travels" Top 20 for March, 2010.
Shows #674 to #677; 4-March-2010 to 25-March-2010
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for March was Mark Mahoney and Michael Peck.

Mahoney and Peck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar


ARTIST - ALBUM TITLE - LABEL
========================================================================
Chad Kettering - Voices of the Ancients - none
Combs Creek Haller - Singularity - none
Dieter Mobius - Blotch - Nepenthe
Mahoney and Peck - A Life Incandescent - Waiting World
Mahoney and Peck - StarFest 2007 - Waiting World
Mahoney and Peck - The Gallery of Subtle Smiles - Waiting World
Mark Mahoney - Beyond the Vaulting Sky - Waiting World
Michael Peck - Glacial - Gears of Sand
Orion's Belt - Ecumenicals: The Mysteries of Time - Dark Duck
Radio Massacre International - Time & Motion - Cuneiform
Remy - EoD - AKH
Ricochet Gathering - Keep On - Ricochet Dream
Ricochet Gathering - Muflon Sorcerers - Syngate
Robert Rich - ylang - Soundscape Productions
Steve Roach - Live at Grace Cathedral - Timeroom Editions
Tange - CHON - Earth Mantra
Technicolor Travel Agency - Water Gap - none
Twyndyllyngs - Chez Mosc Volume 1 - electro-music media
Undo - 9.9.99 - none
Viridian Sun - Infinite In All Directions - Hypnos

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Sun Mar 28 18:08:29 2010
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Subject: RE: EDP only sees 33 seconds memory
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Hi=2C

Yes that was it thank!

Stvy

> Date: Sat=2C 27 Mar 2010 10:16:21 -0700
> To: Loopers-Delight@loopers-delight.com
> From: fuckthespam@creepingfog.com
> Subject: Re: EDP only sees 33 seconds memory
>=20
> Sounds like More Loops is set to 6 (6 * 33 =3D 198)?
>=20
>=20
> At 2010.03.27 07:23 AM=2C Stephen Isherwood wrote:
> >Hi=2C
> >
> >I have an EDP with Loop 4 v1.1 and 16MB memory. which should result=20
> >in 198 secs of loop time detected.
> >
> >It only detects 33 seconds. I have tried putting new memory in which=20
> >works on another unit but no change. As far as I can tell all other=20
> >functionality is fine. Any ideas?
> >
> >Thanks=2C
> >
> >Stvy
>=20
 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
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Hi=2C<br><br>Yes that was it thank!<br><br>Stvy<br><br>&gt=3B Date: Sat=2C =
27 Mar 2010 10:16:21 -0700<br>&gt=3B To: Loopers-Delight@loopers-delight.co=
m<br>&gt=3B From: fuckthespam@creepingfog.com<br>&gt=3B Subject: Re: EDP on=
ly sees 33 seconds memory<br>&gt=3B <br>&gt=3B Sounds like More Loops is se=
t to 6 (6 * 33 =3D 198)?<br>&gt=3B <br>&gt=3B <br>&gt=3B At 2010.03.27 07:2=
3 AM=2C Stephen Isherwood wrote:<br>&gt=3B &gt=3BHi=2C<br>&gt=3B &gt=3B<br>=
&gt=3B &gt=3BI have an EDP with Loop 4 v1.1 and 16MB memory. which should r=
esult <br>&gt=3B &gt=3Bin 198 secs of loop time detected.<br>&gt=3B &gt=3B<=
br>&gt=3B &gt=3BIt only detects 33 seconds. I have tried putting new memory=
 in which <br>&gt=3B &gt=3Bworks on another unit but no change. As far as I=
 can tell all other <br>&gt=3B &gt=3Bfunctionality is fine. Any ideas?<br>&=
gt=3B &gt=3B<br>&gt=3B &gt=3BThanks=2C<br>&gt=3B &gt=3B<br>&gt=3B &gt=3BStv=
y<br>&gt=3B <br> 		 	   		  <br /><hr />Do you have a story that started on=
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From josefackerman@tin.it  Sun Mar 28 19:36:23 2010
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From: ""You are officially inform""<josefackerman@tin.it>
Subject:  You are officially inform
Date: Mon, 1 Mar 2010 02:21:33 -0000
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To: undisclosed-recipients:;

Attention: Beneficiary.
 
My name is Mr. Josef Ackerman of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today the 25TH of MARCH, 2010 requesting that
your unclaimed fund be paid to Janet Wlliams. 
 
In the said letter of change of beneficiary/ownership, representatives of
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to her as the next of kin to you. 
 
Because of the elaborate global scam, we decided to contact you for
confirmation. If after seven working days, no responce is received from 
you,it will be assumed that you are dead and as such authorization and approval
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Confirm this pictures and reconfirm your Information and how you want your
fund paid to you without further delay if you are still alive. Send your
responce to my email   ddress: fund_unit002@yahoo.co.jp
 
Below is the information you are expected to re-confirm,
 
1. Full Name:___________________
2. Address:____________________
3. Nationality:_____Sex___________
4. Age:_____ Date of Birth:__________
5. Occupation:___________________
6. Phone:_______Fax:_____________
7. State of Origin:_____Country:_____
8. Driver's lincence:________________
9. Copy Of Your Identity:____________
 
You can also call for clearification: +44 701 113 4000
 
Thanks
 
Regards
 
Mr. Josef Ackerman
 

From vijay.2009@hathway.com  Mon Mar 29 00:21:22 2010
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From: vijay.2009@hathway.com
Subject: DO YOU NEED A CHEAP LOAN ?
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 02:11:51 2010
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To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Sun, 28 Mar 2010 20:11:30 -0600
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I'm doing music research for a new project I'm putting together. I need =
to construct an audio study of free jazz and/or avant-garde =
guitar/bass/drum trios...the more obscure the better.

This is what I have so far, not all of which is that far out, but it's =
the best I can do.  Those with an * next to them are not really free =
jazz or avant-garde, but a good representation of the instrumentation in =
modern jazz.

Bill Frisell - Live
Joe Morris - Antennae and Symbolic Gesture
John Abercrombie - In the Moment, November, and self titled (with Marc =
Johnson and Peter Erskine)
John Scofield - Out Like a Light *
John Stowell -Somewhere *
Lorne Lofskey - Self Titled *
Mike Stern - Standards *
Nels Cline Trio - Ground
Pat Metheny - Trio Live *

Any others I can add? There must be more than this. Oddly, this is a =
difficult subject to search for on Google and music sites.  There needs =
to be a music search engine that allows you to search by genre and exact =
instrumentation.=20

Kris

www.krispenhartung.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm doing music research for a new =
project I'm=20
putting together. I need to construct an audio&nbsp;study of free jazz =
and/or=20
avant-garde guitar/bass/drum trios...the more obscure the =
better.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is what I have so far, not all of =
which is=20
that far out, but it's the best I can do.&nbsp; Those with an * next to =
them are=20
not really free jazz or avant-garde, but a good representation of the=20
instrumentation in modern jazz.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bill Frisell - Live</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Joe Morris - Antennae and Symbolic=20
Gesture</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>John Abercrombie - In the Moment, =
November, and=20
self titled (with Marc Johnson and Peter Erskine)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>John Scofield - Out Like a Light =
*</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>John Stowell -Somewhere *</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Lorne Lofskey - Self Titled =
*</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Mike Stern - Standards *</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Nels Cline Trio - Ground</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Pat Metheny - Trio Live *</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Any others I can add? There must be =
more than this.=20
Oddly, this is a difficult subject to search for on Google and music=20
sites.&nbsp; There needs to be a music search engine that allows you to =
search=20
by genre and exact instrumentation. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From kunde0144@srv08.guenstig-webspace.de  Mon Mar 29 05:56:43 2010
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To: looparc@loopers-delight.com
Subject: Unpaid contract/Inheritance sum-why you have not succeeded
From: Deputy Governor <mr.chukudiedi203@gmail.com>
Reply-To: mr.chukudiedi@gmail.com
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Date: Mon, 29 Mar 2010 00:53:31 +0200 (CEST)


Re; Unpaid contract/Inheritance sum-why you have not succeeded

After waiting to hear from you or your Nigeria partners for a long time now, I decided to make this direct approach to you in other not to let it be as if I have anything in mind against you. I do not know if you have asked yourself why each time the release of this fund is approved, all of a sudden, the payment will be stopped or one problem or the other will come up. If you have not asked this question or you do not know, this is an opportunity for me to tell you.
 
Sometime ago, your Nigerian friend I mean the people that introduced you to this project approached me through my dear wife who works with the Federal Ministry of Finance and asked me to assist them conclude a money transfer deal they had with you, they requested me to assist them by removing the original name, company’s name and the bank particulars from Central Bank of Nigeria (CBN) Vetting and replacing them with your name and your bank details in order to make you appear as the rightful beneficiary of this funds. I agreed on conditions that they would pay me US$300,000 as soon as your name appears as the beneficiary.
 
I did as agreed and demanded to be paid but your friends started giving me excuses. They even told me that you promised to send money to me, do you know that up till now, I have not received a single cent from them and have not set my eyes on any of them.
 
Based on their attitude, I decided to stop the funds release movement because I cannot be denied of my right in my own office considering the risk as it might affect my job.

Why I am making this clear to you is that I can see that you are still making frantic efforts to conclude this project. Now I am ready to forget the past. I do not need the US$300,000 any longer from you but a good compensation from your mind. I need your assurance that your colleagues will be totally kept out of this transaction.
 
I know quite well that none of them is aware of my new approach to you Stop spending your money unnecessarily to CBN Officers both here and overseas because you will not receive this money without my hand in it. I personally perfected the change of the documents at the very beginning and only I can perform it. The secret is that your partners failed to stamp duty your transfer documents.
 
Finally, I need your promise that no official of the Central Bank of Nigeria will be aware of my involvement in this regard because of my position. Now re-assure me that you will be willing to compensate me. That you will assist my wife to establish a foreign account in your country where my compensation will be deposited.
 
I am a man of my words, if you are ready to conclude this business with me, kindly contact so that I could give you more information over this issue once and for all. But if the reverse is the case, do not bother yourself to reach me.
 
Regards.
Mr.Chukwudi Ebi.
Deputy Governor
Foreign Operation & Inter Remittance Department (C.B.N)





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Date: Mon, 29 Mar 2010 00:10:47 -0700 (PDT)
From: Barrister Philip McKay <freepost10@att.net>
Reply-To: bpmckay1@hotmail.com
Subject: MY REGARDS
To: undisclosed recipients: ;
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Dear Sir,

I am seeking for your humble assistance to help us carry out the last wishes of Mr Ahmed Hassan, a Palestine community leader and international business man worth about $120 Million US Dollars who wants you to help establish your kind of school and home for the less privileged children in the impoverished Gaza strip as a result of the difficult siege.



All that is required is for you to be the next of kin and executor of this and I will furnish you the rest.



Regards

Barrister Philip McKay
--0-630930349-1269846647=:21676
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Dear Sir,<br>
I am seeking for your humble assistance to help us carry out the last wishes of Mr Ahmed Hassan, a Palestine community leader and international business man worth about $120 Million US Dollars who wants you to help establish your kind of school and home for the less privileged children in the impoverished Gaza strip as a result of the difficult siege.<br>
<br>
All that is required is for you to be the next of kin and executor of this and I will furnish you the rest.<br>
<br>
Regards<br>
Barrister Philip McKay</td></tr></table>
--0-630930349-1269846647=:21676--

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Date: Mon, 29 Mar 2010 00:10:47 -0700 (PDT)
From: Barrister Philip McKay <freepost10@att.net>
Reply-To: bpmckay1@hotmail.com
Subject: MY REGARDS
To: undisclosed recipients: ;
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Dear Sir,

I am seeking for your humble assistance to help us carry out the last wishes of Mr Ahmed Hassan, a Palestine community leader and international business man worth about $120 Million US Dollars who wants you to help establish your kind of school and home for the less privileged children in the impoverished Gaza strip as a result of the difficult siege.



All that is required is for you to be the next of kin and executor of this and I will furnish you the rest.



Regards

Barrister Philip McKay
--0-630930349-1269846647=:21676
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Dear Sir,<br>
I am seeking for your humble assistance to help us carry out the last wishes of Mr Ahmed Hassan, a Palestine community leader and international business man worth about $120 Million US Dollars who wants you to help establish your kind of school and home for the less privileged children in the impoverished Gaza strip as a result of the difficult siege.<br>
<br>
All that is required is for you to be the next of kin and executor of this and I will furnish you the rest.<br>
<br>
Regards<br>
Barrister Philip McKay</td></tr></table>
--0-630930349-1269846647=:21676--

From helendms696@yahoo.cn  Mon Mar 29 08:25:40 2010
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Reply-To: <zenithbankghana1972000@yahoo.com.cn>
From: "Mrs. Helen Adams"<helendms696@yahoo.cn>
Subject: YOUR ATM CARD PAYMENT CENTER.
Date: Mon, 29 Mar 2010 09:16:17 +0100
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To: undisclosed-recipients:;

INTERNATIONAL REMITTANCE DEPT,
ATM PAYMENT DEPARTMENT.
OFFICE OF THE DIRECTOR OF OPERATION.

Atm Card Promo 2010.

A cash grant award of $654,000.00 from Atm Card Award Promo has been
awarded to you. Contact us with your details for claims

1.YOUR FULL NAME 
2.YOUR HOME ADDRESS. 
3.YOUR COUNTRY 
4.YOUR CURRENT HOME TELEPHONE NUMBER. 
5.YOUR CURRENT OFFICE TELEPHONE.
6.YOUR ID 
7,YOUR Sex
8.A COPY OF YOUR PICTURE

THE ATM CARD PAYMENT CENTER HAS BEEN MANDATED TO ISSUE OUT YOUR PAYMENT AND YOU HAVE TO STOP ANY FURTHER COMMINUCATION WITH ANY OTHER PERSON(S) OR OFFICE(s) TO AVOID ANY HITCHES IN RECEIVING YOUR PAYMENT.NOTE THAT BECAUSE OF IMPOSTORS,WE HERE BY ISSUED YOU OUR CODE OF CONDUCT,WHICH IS (ATM-8411) SO YOU HAVE TO INDICATE THIS CODE WHEN CONTACTING THE CARD
CENTER BY USING IT AS YOUR SUBJECT.

To: Mrs. Helen Adams.
Tel: +233-2418-20549
Email: zenithbankghana1972000@yahoo.com.cn

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 08:34:16 2010
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Date: Mon, 29 Mar 2010 10:34:14 +0200
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Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
From: Rainer Straschill <moinsound@googlemail.com>
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Krispen,

you said: "There must be more than this."

No, there needn't be more ;). At least in the free jazz domain, the
g/b/dr trio format is nothing that worked well with the historic and
musical roots of that domain. With the exception of some very
"special" projects, a) guitar didn't play that much of a role in jazz
as a harmony/rhythm section instrument (as opposed to piano) - Miles
Davis' post-Bitches-Brew 70ies albums being the important exception,
or as a lead/solo instrument outside of rock jazz circles.

The guitar started to gain some importance in more experimental jazz
circles in (I think) the early nineties, but usually in a
horn/guitar/drums format.

Still, I have some suggestions to add - but both of them being
one-time-only projects:
Marc Ducret - L'Ombra di Verdi (and while you're at it, check out the
work of Big Satan for some nice as/g/dr stuff!)
Derek Bailey/Ruins - Tohjinbo, Saisoro

(all of this recommended, btw, especially the Ducret album).

           Rainer

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Date: Mon, 29 Mar 2010 11:59:57 +0200
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
From: Per Boysen <perboysen@gmail.com>
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One has to remember that the avantgarde scene is extremely small - if
measured in record sales. I was chocked once when getting the true
figures form a record label rep. But guitar has been used more than
since the early nineties, Rainer! I remember buying records by Eugene
Chadbourne in 1979. And Henry Kaiser's first outlet's by that time.

Paul Bley had a trio with guitarist Bill Connors and Jimmy Giuffre. I
bought an awesome record by them in 1977,
http://www.omnitone.com/store/123839.htm

A big leap for "jazz guitar" was Pat Matheney's releases (that I also
started buying in the late seventies) but this doesn't really sort
under "avantgarde". But there was of course Derek Baily early on.
James Blood Ulmer had guitar based trios with drums very early, Sonny
Sharrock too. Not sure trio format was released on records though. If
stretching definitions a little one could look at Last Exit as a
guitar based trio plus saxophone. At least that's what they sounded to
me live; Br=C3=B6tzmann not playing all the time as Sharrock, Laswell and
drummer Ronald Shannon Jacksson did. Jackson also doing "poetry
declaiming drum solos" quite a lot.

Also, "being avantgarde" it might not always make sense to record ones
music. I mean, recording music is not very avantgarde. It would just
turn out "a recording of an avantgarde event" which might be
considered rather lame compared to performing the act. This might
explain that there are not much records of avantgarde music, besides
the fact that the market is close to non existent.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 29, 2010 at 10:34 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Krispen,
>
> you said: "There must be more than this."
>
> No, there needn't be more ;). At least in the free jazz domain, the
> g/b/dr trio format is nothing that worked well with the historic and
> musical roots of that domain. With the exception of some very
> "special" projects, a) guitar didn't play that much of a role in jazz
> as a harmony/rhythm section instrument (as opposed to piano) - Miles
> Davis' post-Bitches-Brew 70ies albums being the important exception,
> or as a lead/solo instrument outside of rock jazz circles.
>
> The guitar started to gain some importance in more experimental jazz
> circles in (I think) the early nineties, but usually in a
> horn/guitar/drums format.
>
> Still, I have some suggestions to add - but both of them being
> one-time-only projects:
> Marc Ducret - L'Ombra di Verdi (and while you're at it, check out the
> work of Big Satan for some nice as/g/dr stuff!)
> Derek Bailey/Ruins - Tohjinbo, Saisoro
>
> (all of this recommended, btw, especially the Ducret album).
>
> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 Rainer
>
>

From peterdocherty200908@gmail.com  Mon Mar 29 10:24:05 2010
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From: Journal de Pharmacie Clinique <jpc447@gmail.com>
Reply-To: jpc447@gmail.com
Subject: From Dr.Richard Green.
To: undisclosed recipients: ;
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>From Dr.Richard Green.


Hello,

I am contacting you based on trust and wish that you will give me back the =
trust I have given to you. I am not looking for anything else but for someo=
ne with the fear of God and one who understands the spiritual implications =
of handling money meant for the propagation of Gods work.

I am Dr.Richard Green of Journal de Pharmacie Clinique here in Ouagadougou =
the capital city of Burkina Faso and I have an old man with a long time bra=
in cancer problem. His name is Mr.Paul Heiss and 58 years old man also a Sw=
itzerland citizen. He was working here in our country with the United Natio=
ns but unfortunately for him, he ran into the hands of the rebels with his =
wife and his only son, all were killed during the crises. As at the moment =
Mr.Paul Heiss may not live for more that two months. He has gone for his fi=
rst major operation and survived it and in showing appreciation to God for =
the survival in the operation he now decide to give part of his wealth for =
the promotion and propagation of God's work in the area of Charity.

$10.300,000,00 (Ten Million Three Hundred Thousand United States Dollars) i=
s his donation to humanity and this money are meant for all motherless babi=
es,all and sundry found in destitute homes and widows. This is a Charity do=
nation from a passionate heart. Contact me via email if you are sincere eno=
ugh so that I will connect you to his attorney who is in the custody of the=
 depository documents in the bank and please do not reply me if you have th=
e intention of using this fund in an ungodly way other than evangelism and =
affecting lives.=20

Even though I have not met you in person before but I got a message as I lo=
oked at your ID that you will not betray a trust reposed on you. I will inf=
orm his Family Lawyer so that he can arrange for the release of the funds t=
o you. Your most confidentiality in this matter will be appreciated until t=
he task is accomplished, as I don't want anything that will Jeopardize His =
last wish, due to the fact that He do not want relatives or family members =
standing in the way of His last wish.

Thanks and may God bless you; I do hope to hear from you soon and please do=
 not forget to send your Telephone number, Your Age, your marital Status, Y=
our Occupation and Your Nationality.=20

Please kindly email me for more details.

Yours in Christ,
Dr.Richard Green For Evangelist Paul Heiss.=0A=0A=0A      
--0-446937956-1269868187=:91150
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>From Dr.Richard Green.<BR><BR><BR>Hel=
lo,<BR><BR>I am contacting you based on trust and wish that you will give m=
e back the trust I have given to you. I am not looking for anything else bu=
t for someone with the fear of God and one who understands the spiritual im=
plications of handling money meant for the propagation of Gods work.<BR><BR=
>I am Dr.Richard Green of Journal de Pharmacie Clinique here in Ouagadougou=
 the capital city of Burkina Faso and I have an old man with a long time br=
ain cancer problem. His name is Mr.Paul Heiss and 58 years old man also a S=
witzerland citizen. He was working here in our country with the United Nati=
ons but unfortunately for him, he ran into the hands of the rebels with his=
 wife and his only son, all were killed during the crises. As at the moment=
 Mr.Paul Heiss may not live for more that two months. He has gone for his
 first major operation and survived it and in showing appreciation to God f=
or the survival in the operation he now decide to give part of his wealth f=
or the promotion and propagation of God's work in the area of Charity.<BR><=
BR>$10.300,000,00 (Ten Million Three Hundred Thousand United States Dollars=
) is his donation to humanity and this money are meant for all motherless b=
abies,all and sundry found in destitute homes and widows. This is a Charity=
 donation from a passionate heart. Contact me via email if you are sincere =
enough so that I will connect you to his attorney who is in the custody of =
the depository documents in the bank and please do not reply me if you have=
 the intention of using this fund in an ungodly way other than evangelism a=
nd affecting lives. <BR><BR>Even though I have not met you in person before=
 but I got a message as I looked at your ID that you will not betray a trus=
t reposed on you. I will inform his Family Lawyer so that he can
 arrange for the release of the funds to you. Your most confidentiality in =
this matter will be appreciated until the task is accomplished, as I don't =
want anything that will Jeopardize His last wish, due to the fact that He d=
o not want relatives or family members standing in the way of His last wish=
.<BR><BR>Thanks and may God bless you; I do hope to hear from you soon and =
please do not forget to send your Telephone number, Your Age, your marital =
Status, Your Occupation and Your Nationality. <BR><BR>Please kindly email m=
e for more details.<BR><BR>Yours in Christ,<BR>Dr.Richard Green For Evangel=
ist Paul Heiss.</td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-446937956-1269868187=:91150--

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Thanks for the Ducret tip, Rainer...I just bought two of live MP3 albums, 
one from France, and the other Poland.

Kris

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, March 29, 2010 2:34 AM
Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios


> Krispen,
>
> you said: "There must be more than this."
>
> No, there needn't be more ;). At least in the free jazz domain, the
> g/b/dr trio format is nothing that worked well with the historic and
> musical roots of that domain. With the exception of some very
> "special" projects, a) guitar didn't play that much of a role in jazz
> as a harmony/rhythm section instrument (as opposed to piano) - Miles
> Davis' post-Bitches-Brew 70ies albums being the important exception,
> or as a lead/solo instrument outside of rock jazz circles.
>
> The guitar started to gain some importance in more experimental jazz
> circles in (I think) the early nineties, but usually in a
> horn/guitar/drums format.
>
> Still, I have some suggestions to add - but both of them being
> one-time-only projects:
> Marc Ducret - L'Ombra di Verdi (and while you're at it, check out the
> work of Big Satan for some nice as/g/dr stuff!)
> Derek Bailey/Ruins - Tohjinbo, Saisoro
>
> (all of this recommended, btw, especially the Ducret album).
>
>           Rainer
> 

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From willy2@jmail.co.za  Mon Mar 29 16:54:51 2010
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Compliments,

I am  John Wild, the Former credit manager of Natwest Bank  United Kingdom. I
have a proposal to discuss about a certain bonded account in Natwest bank,
Please get back to me so I can give you the full details.It will be beneficial
to all parties concerned.


Regards,

John Wild.

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Subject: Re: Boomerang iii - experiences and grooves
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I'd vote against the Taxi btw as a portable solution to anything except
having too much money: horribly voiced speaker, useless for vocals, heavy,
overpriced, proprietary battery.

Akraf

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<div>I&#39;d vote against the Taxi btw as a portable solution to anything e=
xcept having too much money: horribly voiced speaker, useless for vocals, h=
eavy, overpriced, proprietary battery.</div>
<div>=A0</div>
<div>Akraf</div>

--00163641780bd133110482f3741d--

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Here's a few, quick-like:

- David Torn - Polytown (w/Terry Bozzio & Mick Karn, brilliant)
- Mary Halvorson - Dragon's Head (honestly haven't heard it yet, but she 
is fantastic, played with Braxton, etc)
- Nels Cline Trio - Sad, Chest, Silencer
- Nels Cline Singers - all three of their albums, the more recent being 
the most abstract
- Derek Bailey - Mirakle (w/Jamaaladeen Tacama & Calvin Weston - all 
improvised, fantastic stuff, my very favorite fully improvised gtr trio 
record)
- Hilmar Jensen - Meg Nem Sa
- John Abercrombie - Gateway (essential)
- Ava Mendoza - not out yet, but soon she'll be recording her trio 
called Qwok (w/Weasel Walter & Devin Hoff)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I'm doing music research for a new project I'm putting together. I 
> need to construct an audio study of free jazz and/or avant-garde 
> guitar/bass/drum trios...the more obscure the better.
>  
> This is what I have so far, not all of which is that far out, but it's 
> the best I can do.  Those with an * next to them are not really free 
> jazz or avant-garde, but a good representation of the instrumentation 
> in modern jazz.
>  
> Bill Frisell - Live
> Joe Morris - Antennae and Symbolic Gesture
> John Abercrombie - In the Moment, November, and self titled (with Marc 
> Johnson and Peter Erskine)
> John Scofield - Out Like a Light *
> John Stowell -Somewhere *
> Lorne Lofskey - Self Titled *
> Mike Stern - Standards *
> Nels Cline Trio - Ground
> Pat Metheny - Trio Live *
>  

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 18:34:34 2010
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Subject: Re: Line 6 M13 (overdub feature request)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 24, 2010 at 11:06 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Hi Nathan,
> I has seen your message on the Line 6 forum yesterday, I'll address
> the feedback 0-100% issue as well. Let's hope they will include it in
> their next firmware update.

Done! Filled in the feedback form.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Free Jazz/Avant Guard...
From: Scott Hansen <evanpeewee@gmail.com>
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krispen-
my knowledge of jazz stuff is very limited. and these aren't straight gtr,
bass, drums....but what i know that's close:

-there is the scofield loop album-that has a band w/ it, came out a few yrs
ago. it's decent, he uses an boss rc20 for looping in it (uberjam)
-any of nels cline singers discs are good-i'm not sure how i'd categorize
them, honestly. but he uses gtr-drums-bass...
-one of my fave discs of late is the david torn "prezens" disc-that's gtr,
drums, horn, keyboards (& electronics)-but i love that disc (there are
youtube clips too, dt usually says they're pretty limited in audio content,
but i like them for sound reference)
-there is also the polytown disc, dt w/ bozzio and mick karn, trio improv
from early 90s-also a great disc-
dt also played on marty fogel's "many heads a bobbin" & lonely universe- are
band projects that he contributed guitar too. they are good i think. and
there is also his 'cloud about mercury' dics w/ a band
oh, and the BLUE disc and the live disc from that-are excellent -i love the
live disc-it's bruford and levin, and dt and crhis botti plays trumpet.

there is also:
the henry kaiser "plane crash" power trio-it's not really jazz, more improv,
experimental. but it's good. HK probably has a few other band project discs,
but i'm
drawing a blank sitting here....

oh, michael "nemoguitar" klobuchar has an old band called "Klutter" -it was
a gtr bass drums improv group he did, i have 2 or 3 discs of it. of things
recorded to 4-track. some interesting band interaction on it, again-i'm not
sure if it's "jazz" more outthere improv/experimental. maybe he can comment
on it.....

oh, the live frisell east/west double disc it hink is straight
guitar/bass/drums. it's good. he does some loop things, oh and his other
live disc from the 90s ("Live") is good.
i just realized i have a scary amt of bill frisell discs...most are good
(unspeakable, good dog happy man, intercontinentals, frisell motian carter,
bf w/ holland & jones)
do you have his "power tools" disc-w/ ronald shannon jackson and melvin
gibbs-from back in '87-i had this on album, it was actually REVIEWED in
rolling stone back in 80s -how i heard about it. it's also good. and i know
that there are some live discs from this band, but the guitarist pete cosey
fills in for frisell-i've always been curious about it.

another disc i had back in the 90s. sonny sharrocks "ask the ages", it was a
trio w/ pharoah saunders on horn on a few cuts-i think it's out there. i
sadly got rid of this yrs ago, and wish i still had it. copies of it now are
kind of pricey, and i've not wanted to plunk down the $$ for it....

these are the ones off the top of my head (& my very limited knowledge....)
s----
www.myspace.com/scotthansen

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krispen-<br>my knowledge of jazz stuff is very limited. and these aren&#39;=
t straight gtr, bass, drums....but what i know that&#39;s close:<br><br>-th=
ere is the scofield loop album-that has a band w/ it, came out a few yrs ag=
o. it&#39;s decent, he uses an boss rc20 for looping in it (uberjam)<br>
-any of nels cline singers discs are good-i&#39;m not sure how i&#39;d cate=
gorize them, honestly. but he uses gtr-drums-bass...<br>-one of my fave dis=
cs of late is the david torn &quot;prezens&quot; disc-that&#39;s gtr, drums=
, horn, keyboards (&amp; electronics)-but i love that disc (there are youtu=
be clips too, dt usually says they&#39;re pretty limited in audio content, =
but i like them for sound reference)<br>
-there is also the polytown disc, dt w/ bozzio and mick karn, trio improv f=
rom early 90s-also a great disc-<br>dt also played on marty fogel&#39;s &qu=
ot;many heads a bobbin&quot; &amp; lonely universe- are band projects that =
he contributed guitar too. they are good i think. and there is also his &#3=
9;cloud about mercury&#39; dics w/ a band<br>
oh, and the BLUE disc and the live disc from that-are excellent -i love the=
 live disc-it&#39;s bruford and levin, and dt and crhis botti plays trumpet=
.<br><br>there is also:<br>the henry kaiser &quot;plane crash&quot; power t=
rio-it&#39;s not really jazz, more improv, experimental. but it&#39;s good.=
 HK probably has a few other band project discs, but i&#39;m <br>
drawing a blank sitting here....<br><br>oh, michael &quot;nemoguitar&quot; =
klobuchar has an old band called &quot;Klutter&quot; -it was a gtr bass dru=
ms improv group he did, i have 2 or 3 discs of it. of things recorded to 4-=
track. some interesting band interaction on it, again-i&#39;m not sure if i=
t&#39;s &quot;jazz&quot; more outthere improv/experimental. maybe he can co=
mment on it.....<br>
<br>oh, the live frisell east/west double disc it hink is straight guitar/b=
ass/drums. it&#39;s good. he does some loop things, oh and his other live d=
isc from the 90s (&quot;Live&quot;) is good.<br>i just realized i have a sc=
ary amt of bill frisell discs...most are good (unspeakable, good dog happy =
man, intercontinentals, frisell motian carter, bf w/ holland &amp; jones)<b=
r>
do you have his &quot;power tools&quot; disc-w/ ronald shannon jackson and =
melvin gibbs-from back in &#39;87-i had this on album, it was actually REVI=
EWED in rolling stone back in 80s -how i heard about it. it&#39;s also good=
. and i know that there are some live discs from this band, but the guitari=
st pete cosey fills in for frisell-i&#39;ve always been curious about it.<b=
r>
<br>another disc i had back in the 90s. sonny sharrocks &quot;ask the ages&=
quot;, it was a trio w/ pharoah saunders on horn on a few cuts-i think it&#=
39;s out there. i sadly got rid of this yrs ago, and wish i still had it. c=
opies of it now are kind of pricey, and i&#39;ve not wanted to plunk down t=
he $$ for it....<br>
<br>these are the ones off the top of my head (&amp; my very limited knowle=
dge....)<br>s----<br><a href=3D"http://www.myspace.com/scotthansen">www.mys=
pace.com/scotthansen</a><br><br><br><br><br>

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Subject: Re: Free Jazz/Avant Guard...
Date: Mon, 29 Mar 2010 11:55:16 -0700
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I may be out of bounds a bit but Vernon Reid's solo albums are great and they are essentially trios +keys.

t
  ----- Original Message ----- 
  From: Scott Hansen 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Monday, March 29, 2010 11:52 AM
  Subject: Free Jazz/Avant Guard...


  krispen-
  my knowledge of jazz stuff is very limited. and these aren't straight gtr, bass, drums....but what i know that's close:

  -there is the scofield loop album-that has a band w/ it, came out a few yrs ago. it's decent, he uses an boss rc20 for looping in it (uberjam)
  -any of nels cline singers discs are good-i'm not sure how i'd categorize them, honestly. but he uses gtr-drums-bass...
  -one of my fave discs of late is the david torn "prezens" disc-that's gtr, drums, horn, keyboards (& electronics)-but i love that disc (there are youtube clips too, dt usually says they're pretty limited in audio content, but i like them for sound reference)
  -there is also the polytown disc, dt w/ bozzio and mick karn, trio improv from early 90s-also a great disc-
  dt also played on marty fogel's "many heads a bobbin" & lonely universe- are band projects that he contributed guitar too. they are good i think. and there is also his 'cloud about mercury' dics w/ a band
  oh, and the BLUE disc and the live disc from that-are excellent -i love the live disc-it's bruford and levin, and dt and crhis botti plays trumpet.

  there is also:
  the henry kaiser "plane crash" power trio-it's not really jazz, more improv, experimental. but it's good. HK probably has a few other band project discs, but i'm 
  drawing a blank sitting here....

  oh, michael "nemoguitar" klobuchar has an old band called "Klutter" -it was a gtr bass drums improv group he did, i have 2 or 3 discs of it. of things recorded to 4-track. some interesting band interaction on it, again-i'm not sure if it's "jazz" more outthere improv/experimental. maybe he can comment on it.....

  oh, the live frisell east/west double disc it hink is straight guitar/bass/drums. it's good. he does some loop things, oh and his other live disc from the 90s ("Live") is good.
  i just realized i have a scary amt of bill frisell discs...most are good (unspeakable, good dog happy man, intercontinentals, frisell motian carter, bf w/ holland & jones)
  do you have his "power tools" disc-w/ ronald shannon jackson and melvin gibbs-from back in '87-i had this on album, it was actually REVIEWED in rolling stone back in 80s -how i heard about it. it's also good. and i know that there are some live discs from this band, but the guitarist pete cosey fills in for frisell-i've always been curious about it.

  another disc i had back in the 90s. sonny sharrocks "ask the ages", it was a trio w/ pharoah saunders on horn on a few cuts-i think it's out there. i sadly got rid of this yrs ago, and wish i still had it. copies of it now are kind of pricey, and i've not wanted to plunk down the $$ for it....

  these are the ones off the top of my head (& my very limited knowledge....)
  s----
  www.myspace.com/scotthansen





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<DIV><FONT size=2 face=Arial>I may be out of bounds a bit but Vernon Reid's solo 
albums are great and they are essentially trios +keys.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=evanpeewee@gmail.com href="mailto:evanpeewee@gmail.com">Scott 
  Hansen</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, March 29, 2010 11:52 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Free Jazz/Avant Guard...</DIV>
  <DIV><BR></DIV>krispen-<BR>my knowledge of jazz stuff is very limited. and 
  these aren't straight gtr, bass, drums....but what i know that's 
  close:<BR><BR>-there is the scofield loop album-that has a band w/ it, came 
  out a few yrs ago. it's decent, he uses an boss rc20 for looping in it 
  (uberjam)<BR>-any of nels cline singers discs are good-i'm not sure how i'd 
  categorize them, honestly. but he uses gtr-drums-bass...<BR>-one of my fave 
  discs of late is the david torn "prezens" disc-that's gtr, drums, horn, 
  keyboards (&amp; electronics)-but i love that disc (there are youtube clips 
  too, dt usually says they're pretty limited in audio content, but i like them 
  for sound reference)<BR>-there is also the polytown disc, dt w/ bozzio and 
  mick karn, trio improv from early 90s-also a great disc-<BR>dt also played on 
  marty fogel's "many heads a bobbin" &amp; lonely universe- are band projects 
  that he contributed guitar too. they are good i think. and there is also his 
  'cloud about mercury' dics w/ a band<BR>oh, and the BLUE disc and the live 
  disc from that-are excellent -i love the live disc-it's bruford and levin, and 
  dt and crhis botti plays trumpet.<BR><BR>there is also:<BR>the henry kaiser 
  "plane crash" power trio-it's not really jazz, more improv, experimental. but 
  it's good. HK probably has a few other band project discs, but i'm <BR>drawing 
  a blank sitting here....<BR><BR>oh, michael "nemoguitar" klobuchar has an old 
  band called "Klutter" -it was a gtr bass drums improv group he did, i have 2 
  or 3 discs of it. of things recorded to 4-track. some interesting band 
  interaction on it, again-i'm not sure if it's "jazz" more outthere 
  improv/experimental. maybe he can comment on it.....<BR><BR>oh, the live 
  frisell east/west double disc it hink is straight guitar/bass/drums. it's 
  good. he does some loop things, oh and his other live disc from the 90s 
  ("Live") is good.<BR>i just realized i have a scary amt of bill frisell 
  discs...most are good (unspeakable, good dog happy man, intercontinentals, 
  frisell motian carter, bf w/ holland &amp; jones)<BR>do you have his "power 
  tools" disc-w/ ronald shannon jackson and melvin gibbs-from back in '87-i had 
  this on album, it was actually REVIEWED in rolling stone back in 80s -how i 
  heard about it. it's also good. and i know that there are some live discs from 
  this band, but the guitarist pete cosey fills in for frisell-i've always been 
  curious about it.<BR><BR>another disc i had back in the 90s. sonny sharrocks 
  "ask the ages", it was a trio w/ pharoah saunders on horn on a few cuts-i 
  think it's out there. i sadly got rid of this yrs ago, and wish i still had 
  it. copies of it now are kind of pricey, and i've not wanted to plunk down the 
  $$ for it....<BR><BR>these are the ones off the top of my head (&amp; my very 
  limited knowledge....)<BR>s----<BR><A 
  href="http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</A><BR><BR><BR><BR><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 18:57:59 2010
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Subject: kripsens free jazz/ search
From: Scott Hansen <evanpeewee@gmail.com>
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forgot:

eivind aarset-i have 'connected' & 'light extracts'. again no idea how to
describe him.
i've heard the term "nu-jazz"
no idea what that means.
the 2 discs are band projects and he does some pretty cool electronic style
guitar w/ it...
there are some youtube clips of him too...
i know he's done some other band projects w/ folks in europe (can't remember
the name he recorded w/), but i've heard good reviews of the stuff.

s---

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forgot:<br><br>eivind aarset-i have &#39;connected&#39; &amp; &#39;light ex=
tracts&#39;. again no idea how to describe him.<br>i&#39;ve heard the term =
&quot;nu-jazz&quot;<br>no idea what that means.<br>the 2 discs are band pro=
jects and he does some pretty cool electronic style guitar w/ it...<br>
there are some youtube clips of him too...<br>i know he&#39;s done some oth=
er band projects w/ folks in europe (can&#39;t remember the name he recorde=
d w/), but i&#39;ve heard good reviews of the stuff.<br><br>s---<br><br>
<span class=3D"ptBrand"></span><br>

--000e0cd117845dc3af0482f5179d--

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Date: Mon, 29 Mar 2010 12:07:01 -0700
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Subject: Re: kripsens free jazz/ search
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Much as I love Eivind Aarset, I wouldn't really consider his work free
at all.  There are improvisational elements but he's definitely
playing pre-composed material.  I wouldn't even say its that avant
garde either though that may just be me and my ideas of what
constitutes that label.

Otherwise, EA is truly fantastic and one of my favorite musicians of late.

Kevin

On Mon, Mar 29, 2010 at 11:57 AM, Scott Hansen <evanpeewee@gmail.com> wrote:
> forgot:
>
> eivind aarset-i have 'connected' & 'light extracts'. again no idea how to
> describe him.
> i've heard the term "nu-jazz"
> no idea what that means.
> the 2 discs are band projects and he does some pretty cool electronic style
> guitar w/ it...
> there are some youtube clips of him too...
> i know he's done some other band projects w/ folks in europe (can't remember
> the name he recorded w/), but i've heard good reviews of the stuff.
>
> s---
>
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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X-Mailer: YahooMailClassic/10.0.8 YahooMailWebService/0.8.100.260964
Date: Mon, 29 Mar 2010 12:12:15 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Boomerang iii - experiences and grooves
To: Loopers-Delight@loopers-delight.com
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works great for me.....use it for all my smaller gigs=A0 ;-)

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131 =A0 http://www.cdbaby.co=
m/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
http://www.youtube.com/watch?v=3Dn4JladRinlk




--- On Mon, 3/29/10, Akraf Emaho <akrafemaho@googlemail.com> wrote:

From: Akraf Emaho <akrafemaho@googlemail.com>
Subject: Re: Boomerang iii - experiences and grooves
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 29, 2010, 12:00 PM

I'd vote against the Taxi btw as a portable solution to anything except hav=
ing too much money: horribly voiced speaker, useless for vocals, heavy, ove=
rpriced, proprietary battery.=0A=A0=0AAkraf=0A
--0-20402991-1269889935=:85912
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; font-style:=
 italic;">works great for me.....use it for all my smaller gigs</span>&nbsp=
; ;-)<br><br><div><address style=3D"font-family: bookman old style,new york=
,times,serif; font-weight: bold;"><font color=3D"#bf00bf" size=3D"4">Kyle D=
ean Patten</font></address> <address style=3D"font-family: bookman old styl=
e,new york,times,serif; font-weight: bold;">P.O. Box 22</address> <address =
style=3D"font-family: bookman old style,new york,times,serif; font-weight: =
bold;">Johnston, IA&nbsp; 50131</address> <address style=3D"font-family: bo=
okman old style,new york,times,serif; font-weight: bold;">&nbsp;</address> =
<address><font style=3D"font-family: bookman old style,new york,times,serif=
; font-weight: bold;" size=3D"2"><a rel=3D"nofollow" target=3D"_blank" href=
=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten </=
a><br><span style=3D"color:
 rgb(0, 0, 255);"></span><span style=3D"color: rgb(128, 128, 255);"><span s=
tyle=3D"color: rgb(64, 64, 255);">http://www.myspace.com/kyledeanpatten</sp=
an>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br></span><span =
style=3D"color: rgb(0, 127, 127);"></span></font><font style=3D"font-family=
: tahoma,new york,times,serif; color: rgb(96, 0, 191); font-weight: bold;" =
size=3D"5"><span style=3D"font-size: 9pt;">http://www.youtube.com/watch?v=
=3Dn4JladRinlk</span></font><br style=3D"font-weight: bold;"><br><br><a rel=
=3D"nofollow" target=3D"_blank" href=3D"http://www.globalwarmingheartland.o=
rg/GWQuiz/Testindex.html"><span class=3D"yshortcuts" id=3D"lw_1230810272_0"=
></span></a></address></div><br><br>--- On <b>Mon, 3/29/10, Akraf Emaho <i>=
&lt;akrafemaho@googlemail.com&gt;</i></b> wrote:<br><blockquote style=3D"bo=
rder-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;=
"><br>From: Akraf Emaho &lt;akrafemaho@googlemail.com&gt;<br>Subject: Re: B=
oomerang iii -
 experiences and grooves<br>To: Loopers-Delight@loopers-delight.com<br>Date=
: Monday, March 29, 2010, 12:00 PM<br><br><div id=3D"yiv1065919179"><div>I'=
d vote against the Taxi btw as a portable solution to anything except havin=
g too much money: horribly voiced speaker, useless for vocals, heavy, overp=
riced, proprietary battery.</div>=0A<div>&nbsp;</div>=0A<div>Akraf</div>=0A=
</div></blockquote></td></tr></table>
--0-20402991-1269889935=:85912--

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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Boomerang iii - experiences and grooves
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I have a Crate Limo and I enjoy it quite a bit. Runs for at least 8 hours on
one charge at loud volume. Electric guitar sounds.not the best at times but
decent enough. Acoustic-Electric and Microphone sound quite nice through it
though. On-board reverb and other effects are great.although the effects on
mine sometimes randomly change at high bass volume- but that is why I got
this amp at a reasonable price :-)

 

I'm curious to hear what those battery powered Traynor amps sound like
because I have a Traynor tube amp and I like it a lot. Interestingly enough
they look very similar in shape to the Crate Taxi / Limo amps.

 

Would also love to get my hands on a Crate Bass Buss! Those seem incredibly
rare to find.

 

-----Original Message-----
From: K D Patten [mailto:kdpatten@yahoo.com] 
Sent: Monday, March 29, 2010 2:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang iii - experiences and grooves

 


works great for me.....use it for all my smaller gigs  ;-)

Kyle Dean Patten
P.O. Box 22
Johnston, IA  50131
 
http://www.cdbaby.com/cd/kdpatten 
http://www.myspace.com/kyledeanpatten          
http://www.youtube.com/watch?v=n4JladRinlk


 <http://www.globalwarmingheartland.org/GWQuiz/Testindex.html> 


--- On Mon, 3/29/10, Akraf Emaho <akrafemaho@googlemail.com> wrote:


From: Akraf Emaho <akrafemaho@googlemail.com>
Subject: Re: Boomerang iii - experiences and grooves
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 29, 2010, 12:00 PM

I'd vote against the Taxi btw as a portable solution to anything except
having too much money: horribly voiced speaker, useless for vocals, heavy,
overpriced, proprietary battery.

 

Akraf

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I have a Crate Limo and I enjoy it =
quite a
bit. Runs for at least 8 hours on one charge at loud volume. Electric =
guitar
sounds&#8230;not the best at times but decent enough. Acoustic-Electric =
and
Microphone sound quite nice through it though. On-board reverb and other
effects are great&#8230;although the effects on mine sometimes randomly =
change
at high bass volume- but that is why I got this amp at a reasonable =
price </span></font><font
size=3D2 color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:
Wingdings;color:navy'>J</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I&#8217;m curious to hear what =
those
battery powered Traynor amps sound like because I have a Traynor tube =
amp and I
like it a lot. Interestingly enough they look very similar in shape to =
the
Crate Taxi / Limo amps.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Would also love to get my hands on =
a Crate
Bass Buss! Those seem incredibly rare to find.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>-----Original Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> K D Patten
[mailto:kdpatten@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, March 29, =
2010 2:12
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
iii -
experiences and grooves</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><b><i><font =
size=3D3
  face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-weight:bold;
  font-style:italic'>works great for me.....use it for all my smaller =
gigs</span></font></i></b>&nbsp;
  ;-)</p>
  <div>
  <address><b><i><font size=3D4 color=3D"#bf00bf" face=3D"Bookman Old =
Style"><span
  style=3D'font-size:13.5pt;font-family:"Bookman Old =
Style";color:#BF00BF;
  font-weight:bold'>Kyle Dean Patten</span></font></i></b></address>
  <address><b><i><font size=3D3 face=3D"Bookman Old Style"><span =
style=3D'font-size:
  12.0pt;font-family:"Bookman Old Style";font-weight:bold'>P.O. Box =
22</span></font></i></b></address>
  <address><b><i><font size=3D3 face=3D"Bookman Old Style"><span =
style=3D'font-size:
  12.0pt;font-family:"Bookman Old Style";font-weight:bold'>Johnston, =
IA&nbsp;
  50131</span></font></i></b></address>
  <address><b><i><font size=3D3 face=3D"Bookman Old Style"><span =
style=3D'font-size:
  12.0pt;font-family:"Bookman Old =
Style";font-weight:bold'>&nbsp;</span></font></i></b></address>
  <address><b><i><font size=3D2 face=3D"Bookman Old Style"><span =
style=3D'font-size:
  10.0pt;font-family:"Bookman Old Style";font-weight:bold'><a
  href=3D"http://www.cdbaby.com/cd/kdpatten" target=3D"_blank" =
rel=3Dnofollow>http://www.cdbaby.com/cd/kdpatten
  </a><br>
  <font color=3D"#4040ff"><span =
style=3D'color:#4040FF'>http://www.myspace.com/kyledeanpatten</span></fon=
t><font
  color=3D"#8080ff"><span =
style=3D'color:#8080FF'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;
  <br>
  </span></font></span></font></i></b><b><font size=3D1 =
color=3D"#6000bf"
  face=3DTahoma><span =
style=3D'font-size:9.0pt;font-family:Tahoma;color:#6000BF;
  =
font-weight:bold'>http://www.youtube.com/watch?v=3Dn4JladRinlk</span></fo=
nt><br>
  </b><br>
  <br>
  <a =
href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"
  target=3D"_blank" rel=3Dnofollow></a></address>
  </div>
  <span id=3D"lw_1230810272_0"></span>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'><br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 3/29/10, Akraf Emaho =
<i><span
  =
style=3D'font-style:italic'>&lt;akrafemaho@googlemail.com&gt;</span></i><=
/span></b>
  wrote:</span></font></p>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
  From: Akraf Emaho &lt;akrafemaho@googlemail.com&gt;<br>
  Subject: Re: Boomerang iii - experiences and grooves<br>
  To: Loopers-Delight@loopers-delight.com<br>
  Date: Monday, March 29, 2010, 12:00 PM</span></font></p>
  <div id=3Dyiv1065919179>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>I'd vote against the Taxi btw as a portable =
solution
  to anything except having too much money: horribly voiced speaker, =
useless
  for vocals, heavy, overpriced, proprietary battery.</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>Akraf</span></font></p>
  </div>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 19:23:28 2010
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	 <37f071c01003291207x5947c379j40c1e1e93d1536a@mail.gmail.com>
Date: Mon, 29 Mar 2010 21:23:25 +0200
Message-ID: <66f9cc1e1003291223w349935a8oef5976a18db07cef@mail.gmail.com>
Subject: Re: kripsens free jazz/ search
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=UTF-8
Resent-Message-ID: <M1h45.A.wuD.w4PsLB@arsenic>
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On Mon, Mar 29, 2010 at 9:07 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> wouldn't really consider his work free
> at all

He, he... "free"...? ;-). This discussion is also difficult because
usually "avantgarde music" only continues to be "avantgarde" until
other players catch up or the originator is starting to repeat the
same recipe over and over. Because of this nature of things most true
avantgarde music happen over a very short time span and maybe doesn't
even get recorded. Interesting discussion to read anyway! Keep
digging, folks :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 19:44:07 2010
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From: "Dean, Hal" <HDean@wcupa.edu>
To: Krispen Hartung <info@krispenhartung.com>,
	"Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Date: Mon, 29 Mar 2010 15:44:05 -0400
Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Thread-Topic: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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Kris,

You're getting buckets of suggestions that are not trios; I'll stick to the=
 brief.

Bruce Eisenbeil has several trio recording with varying "other instruments"=
. VERY out.
Rypdal of course, though whether he counts as avant-g any more is a questio=
n.
Andreas Willers with Grid Mesh - great first CD, new one out soon
I find Ben Monder a hit-or-miss proposition but he may have something that =
qualifies
Much of the work of Masayuki Takayanagi
Maybe some Ray Russell, another player whose work I find hit-or-miss, but h=
is best is incredible. I have not heard all his music, there may be some tr=
ios.

Hal Dean

-----Original Message-----
From: Daryl Shawn [mailto:highhorse@mhorse.com]=20
Sent: Monday, March 29, 2010 1:22 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios

Here's a few, quick-like:

- David Torn - Polytown (w/Terry Bozzio & Mick Karn, brilliant)
- Mary Halvorson - Dragon's Head (honestly haven't heard it yet, but she=20
is fantastic, played with Braxton, etc)
- Nels Cline Trio - Sad, Chest, Silencer
- Nels Cline Singers - all three of their albums, the more recent being=20
the most abstract
- Derek Bailey - Mirakle (w/Jamaaladeen Tacama & Calvin Weston - all=20
improvised, fantastic stuff, my very favorite fully improvised gtr trio=20
record)
- Hilmar Jensen - Meg Nem Sa
- John Abercrombie - Gateway (essential)
- Ava Mendoza - not out yet, but soon she'll be recording her trio=20
called Qwok (w/Weasel Walter & Devin Hoff)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I'm doing music research for a new project I'm putting together. I=20
> need to construct an audio study of free jazz and/or avant-garde=20
> guitar/bass/drum trios...the more obscure the better.
> =20
> This is what I have so far, not all of which is that far out, but it's=20
> the best I can do.  Those with an * next to them are not really free=20
> jazz or avant-garde, but a good representation of the instrumentation=20
> in modern jazz.
> =20
> Bill Frisell - Live
> Joe Morris - Antennae and Symbolic Gesture
> John Abercrombie - In the Moment, November, and self titled (with Marc=20
> Johnson and Peter Erskine)
> John Scofield - Out Like a Light *
> John Stowell -Somewhere *
> Lorne Lofskey - Self Titled *
> Mike Stern - Standards *
> Nels Cline Trio - Ground
> Pat Metheny - Trio Live *
> =20

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Subject: kripsens free jazz/ search
From: Scott Hansen <evanpeewee@gmail.com>
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oh, i forgot. my other fave of late: the free form funky freqs. it's vernon
reid w/ calvin weston, and bassist from prime time.
i love that disc.
there are a # of youtube clips of them also.
not sure if they are really jazz, but they are a trio, & they are good and
out there! & funky!!

yea, the "labels", i'm not really sure on a lot of them. the avant garde
thing is tricky...the term in art world is sort of dead also. and probably
has
been for 50 yrs....and maybe never really existed, just the group of folks
going against the norm, ahead of the time....
s---

--00c09f93da65114b7a0482f65c9d
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oh, i forgot. my other fave of late: the free form funky freqs. it&#39;s ve=
rnon reid w/ calvin weston, and bassist from prime time.<br>i love that dis=
c.<br>there are a # of youtube clips of them also.<br>not sure if they are =
really jazz, but they are a trio, &amp; they are good and out there! &amp; =
funky!!<br>
<br>yea, the &quot;labels&quot;, i&#39;m not really sure on a lot of them. =
the avant garde thing is tricky...the term in art world is sort of dead als=
o. and probably has<br>been for 50 yrs....and maybe never really existed, j=
ust the group of folks going against the norm, ahead of the time....<br>
s---<br><br><br>

--00c09f93da65114b7a0482f65c9d--

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Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
From: Rainer Straschill <moinsound@googlemail.com>
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Hal suggested:
> Andreas Willers with Grid Mesh - great first CD, new one out soon

Don't know this project, but anything by Andreas Willers has to be good...

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 20:41:12 2010
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Subject: Re: Free Jazz/Avant Guard...
Date: Mon, 29 Mar 2010 14:40:53 -0600
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Man, yuu guys are killing me. I am a downloading fool.  This is great.
Kris

  ----- Original Message -----=20
  From: Scott Hansen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 29, 2010 12:52 PM
  Subject: Free Jazz/Avant Guard...


  krispen-
  my knowledge of jazz stuff is very limited. and these aren't straight =
gtr, bass, drums....but what i know that's close:

  -there is the scofield loop album-that has a band w/ it, came out a =
few yrs ago. it's decent, he uses an boss rc20 for looping in it =
(uberjam)
  -any of nels cline singers discs are good-i'm not sure how i'd =
categorize them, honestly. but he uses gtr-drums-bass...
  -one of my fave discs of late is the david torn "prezens" disc-that's =
gtr, drums, horn, keyboards (& electronics)-but i love that disc (there =
are youtube clips too, dt usually says they're pretty limited in audio =
content, but i like them for sound reference)
  -there is also the polytown disc, dt w/ bozzio and mick karn, trio =
improv from early 90s-also a great disc-
  dt also played on marty fogel's "many heads a bobbin" & lonely =
universe- are band projects that he contributed guitar too. they are =
good i think. and there is also his 'cloud about mercury' dics w/ a band
  oh, and the BLUE disc and the live disc from that-are excellent -i =
love the live disc-it's bruford and levin, and dt and crhis botti plays =
trumpet.

  there is also:
  the henry kaiser "plane crash" power trio-it's not really jazz, more =
improv, experimental. but it's good. HK probably has a few other band =
project discs, but i'm=20
  drawing a blank sitting here....

  oh, michael "nemoguitar" klobuchar has an old band called "Klutter" =
-it was a gtr bass drums improv group he did, i have 2 or 3 discs of it. =
of things recorded to 4-track. some interesting band interaction on it, =
again-i'm not sure if it's "jazz" more outthere improv/experimental. =
maybe he can comment on it.....

  oh, the live frisell east/west double disc it hink is straight =
guitar/bass/drums. it's good. he does some loop things, oh and his other =
live disc from the 90s ("Live") is good.
  i just realized i have a scary amt of bill frisell discs...most are =
good (unspeakable, good dog happy man, intercontinentals, frisell motian =
carter, bf w/ holland & jones)
  do you have his "power tools" disc-w/ ronald shannon jackson and =
melvin gibbs-from back in '87-i had this on album, it was actually =
REVIEWED in rolling stone back in 80s -how i heard about it. it's also =
good. and i know that there are some live discs from this band, but the =
guitarist pete cosey fills in for frisell-i've always been curious about =
it.

  another disc i had back in the 90s. sonny sharrocks "ask the ages", it =
was a trio w/ pharoah saunders on horn on a few cuts-i think it's out =
there. i sadly got rid of this yrs ago, and wish i still had it. copies =
of it now are kind of pricey, and i've not wanted to plunk down the $$ =
for it....

  these are the ones off the top of my head (& my very limited =
knowledge....)
  s----
  www.myspace.com/scotthansen





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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Man, yuu guys are killing me. I am a =
downloading=20
fool.&nbsp; This is great.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Devanpeewee@gmail.com =
href=3D"mailto:evanpeewee@gmail.com">Scott=20
  Hansen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 29, 2010 =
12:52=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Free Jazz/Avant =
Guard...</DIV>
  <DIV><BR></DIV>krispen-<BR>my knowledge of jazz stuff is very limited. =
and=20
  these aren't straight gtr, bass, drums....but what i know that's=20
  close:<BR><BR>-there is the scofield loop album-that has a band w/ it, =
came=20
  out a few yrs ago. it's decent, he uses an boss rc20 for looping in it =

  (uberjam)<BR>-any of nels cline singers discs are good-i'm not sure =
how i'd=20
  categorize them, honestly. but he uses gtr-drums-bass...<BR>-one of my =
fave=20
  discs of late is the david torn "prezens" disc-that's gtr, drums, =
horn,=20
  keyboards (&amp; electronics)-but i love that disc (there are youtube =
clips=20
  too, dt usually says they're pretty limited in audio content, but i =
like them=20
  for sound reference)<BR>-there is also the polytown disc, dt w/ bozzio =
and=20
  mick karn, trio improv from early 90s-also a great disc-<BR>dt also =
played on=20
  marty fogel's "many heads a bobbin" &amp; lonely universe- are band =
projects=20
  that he contributed guitar too. they are good i think. and there is =
also his=20
  'cloud about mercury' dics w/ a band<BR>oh, and the BLUE disc and the =
live=20
  disc from that-are excellent -i love the live disc-it's bruford and =
levin, and=20
  dt and crhis botti plays trumpet.<BR><BR>there is also:<BR>the henry =
kaiser=20
  "plane crash" power trio-it's not really jazz, more improv, =
experimental. but=20
  it's good. HK probably has a few other band project discs, but i'm =
<BR>drawing=20
  a blank sitting here....<BR><BR>oh, michael "nemoguitar" klobuchar has =
an old=20
  band called "Klutter" -it was a gtr bass drums improv group he did, i =
have 2=20
  or 3 discs of it. of things recorded to 4-track. some interesting band =

  interaction on it, again-i'm not sure if it's "jazz" more outthere=20
  improv/experimental. maybe he can comment on it.....<BR><BR>oh, the =
live=20
  frisell east/west double disc it hink is straight guitar/bass/drums. =
it's=20
  good. he does some loop things, oh and his other live disc from the =
90s=20
  ("Live") is good.<BR>i just realized i have a scary amt of bill =
frisell=20
  discs...most are good (unspeakable, good dog happy man, =
intercontinentals,=20
  frisell motian carter, bf w/ holland &amp; jones)<BR>do you have his =
"power=20
  tools" disc-w/ ronald shannon jackson and melvin gibbs-from back in =
'87-i had=20
  this on album, it was actually REVIEWED in rolling stone back in 80s =
-how i=20
  heard about it. it's also good. and i know that there are some live =
discs from=20
  this band, but the guitarist pete cosey fills in for frisell-i've =
always been=20
  curious about it.<BR><BR>another disc i had back in the 90s. sonny =
sharrocks=20
  "ask the ages", it was a trio w/ pharoah saunders on horn on a few =
cuts-i=20
  think it's out there. i sadly got rid of this yrs ago, and wish i =
still had=20
  it. copies of it now are kind of pricey, and i've not wanted to plunk =
down the=20
  $$ for it....<BR><BR>these are the ones off the top of my head (&amp; =
my very=20
  limited knowledge....)<BR>s----<BR><A=20
  =
href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</=
A><BR><BR><BR><BR><BR></BLOCKQUOTE></BODY></HTML>

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Date: Mon, 29 Mar 2010 22:45:08 +0200
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Subject: "labels" (Re: kripsens free jazz/ search)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 29, 2010 at 10:28 PM, Scott Hansen <evanpeewee@gmail.com> wrote:
> yea, the "labels", i'm not really sure on a lot of them. the avant garde
> thing is tricky...the term in art world is sort of dead also. and probably
> has
> been for 50 yrs....and maybe never really existed, just the group of folks
> going against the norm, ahead of the time....

Yes, but pretty funny too! :-)
Dada is even tricker to wrap your head around (wich in fact is its
raison d'etre!)

per

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:00:46 2010
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From: "Kris Hartung" <khartung@q.com>
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Mon, 29 Mar 2010 17:00:24 -0600
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I'm loving Tin Drum Stories by Andreas.

Kris

----- Original Message ----- 


> Hal suggested:
>> Andreas Willers with Grid Mesh - great first CD, new one out soon
>
> Don't know this project, but anything by Andreas Willers has to be good...
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:22:30 2010
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Date: Mon, 29 Mar 2010 16:22:27 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
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I don't know about the rest of you folks.

But this is a musician I am absolutely crazy, crazy, crazy about and have been for years.

I consider myself very lucky to have seen him perform live before he retired from public performance altogether in the mid '80s.

It's been a few years since he released his previous disc on ECM

And this new title hasn't shown up on amazon.com US yet 

But it's on Amazon in UK, DE and FR and due out in May 3rd 2010.

<http://www.amazon.co.uk/gp/product/B0038QBP7A>

<http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu08f-21/ref=nosim/>

<http://www.amazon.fr/gp/product/B0038QBP7A>

The very thought that I'll have something new to look forward to hearing from Tibbetts in a month or so gives me a ray of hope.

I may just order it from Amazon.uk anyway, damn the expense.

Just thought I'd share . . . he was, after all, very much a looper when he did perform live.

:-)

Ted

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:25:57 2010
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	 <20100329192227.EXTZO.1416908.root@mp15>
Date: Mon, 29 Mar 2010 19:25:56 -0400
Message-ID: <9e0440a61003291625x639cc7b0r52441d7b0c51e16b@mail.gmail.com>
Subject: Re: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--e0cb4e887be5c8002d0482f8d59c
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WOW FUCKING AWESOME!  I've been wondering where Steve went, so weird that h=
e
would do those masterful series with Marc in the late 70/80's and
disappear.  Excellent news Ted - where did you hear of this?  made my day
which has been challenging with the lawyers, guns and money....

J

On Mon, Mar 29, 2010 at 7:22 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

> I don't know about the rest of you folks.
>
> But this is a musician I am absolutely crazy, crazy, crazy about and have
> been for years.
>
> I consider myself very lucky to have seen him perform live before he
> retired from public performance altogether in the mid '80s.
>
> It's been a few years since he released his previous disc on ECM
>
> And this new title hasn't shown up on amazon.com US yet
>
> But it's on Amazon in UK, DE and FR and due out in May 3rd 2010.
>
> <http://www.amazon.co.uk/gp/product/B0038QBP7A>
>
> <
> http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu08f-21/ref=3Dn=
osim/
> >
>
> <http://www.amazon.fr/gp/product/B0038QBP7A>
>
> The very thought that I'll have something new to look forward to hearing
> from Tibbetts in a month or so gives me a ray of hope.
>
> I may just order it from Amazon.uk anyway, damn the expense.
>
> Just thought I'd share . . . he was, after all, very much a looper when h=
e
> did perform live.
>
> :-)
>
> Ted
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--e0cb4e887be5c8002d0482f8d59c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

WOW FUCKING AWESOME!=A0 I&#39;ve been wondering where Steve went, so weird =
that he would do those masterful series with Marc in the late 70/80&#39;s a=
nd disappear.=A0 Excellent news Ted - where did you hear of this?=A0 made m=
y day which has been challenging with the lawyers, guns and money....<br>
<br>J<br><br><div class=3D"gmail_quote">On Mon, Mar 29, 2010 at 7:22 PM, tE=
d =AE kiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.ne=
t">tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">
I don&#39;t know about the rest of you folks.<br>
<br>
But this is a musician I am absolutely crazy, crazy, crazy about and have b=
een for years.<br>
<br>
I consider myself very lucky to have seen him perform live before he retire=
d from public performance altogether in the mid &#39;80s.<br>
<br>
It&#39;s been a few years since he released his previous disc on ECM<br>
<br>
And this new title hasn&#39;t shown up on <a href=3D"http://amazon.com" tar=
get=3D"_blank">amazon.com</a> US yet<br>
<br>
But it&#39;s on Amazon in UK, DE and FR and due out in May 3rd 2010.<br>
<br>
&lt;<a href=3D"http://www.amazon.co.uk/gp/product/B0038QBP7A" target=3D"_bl=
ank">http://www.amazon.co.uk/gp/product/B0038QBP7A</a>&gt;<br>
<br>
&lt;<a href=3D"http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu0=
8f-21/ref=3Dnosim/" target=3D"_blank">http://www.amazon.de/exec/obidos/ASIN=
/B0038QBP7A/rateyourmu08f-21/ref=3Dnosim/</a>&gt;<br>
<br>
&lt;<a href=3D"http://www.amazon.fr/gp/product/B0038QBP7A" target=3D"_blank=
">http://www.amazon.fr/gp/product/B0038QBP7A</a>&gt;<br>
<br>
The very thought that I&#39;ll have something new to look forward to hearin=
g from Tibbetts in a month or so gives me a ray of hope.<br>
<br>
I may just order it from Amazon.uk anyway, damn the expense.<br>
<br>
Just thought I&#39;d share . . . he was, after all, very much a looper when=
 he did perform live.<br>
<br>
:-)<br>
<font color=3D"#888888"><br>
Ted<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--e0cb4e887be5c8002d0482f8d59c--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:35:11 2010
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Subject: VirtualGigSpam: Jim Goodin Live on Improv Friday this Friday
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001636137b51c3bb590482f8f6db
Content-Type: text/plain; charset=ISO-8859-1

Btw while I have everyone's attention about my orgasm on Steve T (absolutely
love all he blessed us with),

I am doing a live solo webcast this Friday evening and for all you west
coasters it's right up your alley, 7pm PST and my show is being hosted by *
ImprovFriday* which I'm very jazzed about.

The details...

*Jim Goodin Live on Improv Friday
http://improvfriday.ning.com
This Friday, Apr 2, 7pm PST/10pm EST, check
http://www.timeanddate.com/worldclock/converter.html for times in your part
of the world.*

Improv Friday is a really inspiring community of like minded souls creating
experimental music.  Was founded about 2 years ago by J.C. Combs and I just
learned about it about 2 months ago.  Have found a really fertile ground to
be part of.  They started hosting live casts a few weeks ago and I'm proud
to be doing one for them this Friday, please logon if you are around your
techology and the web.

Best and thanks.


Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636137b51c3bb590482f8f6db
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Btw while I have everyone&#39;s attention about my orgasm on Steve T (absol=
utely love all he blessed us with),<br><br>I am doing a live solo webcast t=
his Friday evening and for all you west coasters it&#39;s right up your all=
ey, 7pm PST and my show is being hosted by <b>ImprovFriday</b> which I&#39;=
m very jazzed about.<br>

<br>The details...<br><br><i>Jim Goodin Live on Improv Friday<br><a href=3D=
"http://improvfriday.ning.com" target=3D"_blank">http://improvfriday.ning.c=
om</a><br>This Friday, Apr 2, 7pm PST/10pm EST, check <a href=3D"http://www=
.timeanddate.com/worldclock/converter.html" target=3D"_blank">http://www.ti=
meanddate.com/worldclock/converter.html</a> for times in your part of the w=
orld.</i><br>

<br>Improv Friday is a really inspiring community of like minded souls crea=
ting experimental music.=A0 Was founded about 2 years ago by J.C. Combs and=
 I just learned about it about 2 months ago.=A0 Have found a really fertile=
 ground to be part of.=A0 They started hosting live casts a few weeks ago a=
nd I&#39;m proud to be doing one for them this Friday, please logon if you =
are around your techology and the web.<br>

<br>Best and thanks.<br><br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse" t=
arget=3D"_blank">www.myspace.com/CtReUse</a><br><br>music links...<br><a hr=
ef=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.c=
om</a><br>

<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" ta=
rget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://www=
.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapai=
ntingmusic</a><br>

<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>

<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>

<br>

--001636137b51c3bb590482f8f6db--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:54:12 2010
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	 <20100329192227.EXTZO.1416908.root@mp15>
Date: Mon, 29 Mar 2010 16:54:11 -0700
Message-ID: <37f071c01003291654s6a324a8fq49ee0bb3f0cf58a7@mail.gmail.com>
Subject: Re: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Wow!  Thanks for the news Ted, I LOVE Steve Tibbets and have for many
many years now.  Also, he might not be as retired as you think, I saw
him and Marc Anderson in 1994 I think it was and I'm pretty sure he
toured behind the Tibetan singer that he recorded a couple of albums
with a few years back.  Granted, that was still over a decade ago
though so it may as well be a retirement.

Isn't he some kind of cultural ambassador now?

Kevin

On Mon, Mar 29, 2010 at 4:22 PM, tEd =AE kiLLiAn <tedkillian@charter.net> w=
rote:
> I don't know about the rest of you folks.
>
> But this is a musician I am absolutely crazy, crazy, crazy about and have=
 been for years.
>
> I consider myself very lucky to have seen him perform live before he reti=
red from public performance altogether in the mid '80s.
>
> It's been a few years since he released his previous disc on ECM
>
> And this new title hasn't shown up on amazon.com US yet
>
> But it's on Amazon in UK, DE and FR and due out in May 3rd 2010.
>
> <http://www.amazon.co.uk/gp/product/B0038QBP7A>
>
> <http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu08f-21/ref=3D=
nosim/>
>
> <http://www.amazon.fr/gp/product/B0038QBP7A>
>
> The very thought that I'll have something new to look forward to hearing =
from Tibbetts in a month or so gives me a ray of hope.
>
> I may just order it from Amazon.uk anyway, damn the expense.
>
> Just thought I'd share . . . he was, after all, very much a looper when h=
e did perform live.
>
> :-)
>
> Ted
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Mar 29 23:58:06 2010
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Date: Mon, 29 Mar 2010 16:58:02 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: Re: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
Cc: Jim Goodin <jimgoodinmusic@gmail.com>
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Jimbo,

Sounds like the news made your day as much as it did mine.

Actually . . . how I found out about it was kind of backwards.

I happened to just check out the wikipedia page on him for the heck of it.

At the bottom of the page, in his "discography" is an album I never heard o=
f.

I started doing a Google search based on that little bit of info and found =
it on Amazon in Europe (though, sadly not on Amazon .com).

It's not even listed on the ECM site yet.

He broke his wrist in an outdoor fall from a ladder in the middle of making=
 his last ECM disc (so the story goes).

But I presume that if Amazon.UK, .DE, and .FR are each sporting a page for =
it then I expect it's pretty legit.

I have high hopes at least.

Perhaps this will help me pull out of the doldrums I've been in.

I haven't played since January and I haven looped or played electrically si=
nce October of '09.

I had been thinking of just retiring and slipping quietly out of the whole =
LD scene.

I've been THAT depressed.

Glad to have been able to distract you from your Warren Zevon day (lawyers,=
 guns and money) with a bit of good news.

Cheers,

Ted



---- Jim Goodin <jimgoodinmusic@gmail.com> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
WOW FUCKING AWESOME!  I've been wondering where Steve went, so weird that h=
e
would do those masterful series with Marc in the late 70/80's and
disappear.  Excellent news Ted - where did you hear of this?  made my day
which has been challenging with the lawyers, guns and money....

J

On Mon, Mar 29, 2010 at 7:22 PM, tEd =C2=AE kiLLiAn <tedkillian@charter.net=
>wrote:

> I don't know about the rest of you folks.
>
> But this is a musician I am absolutely crazy, crazy, crazy about and have
> been for years.
>
> I consider myself very lucky to have seen him perform live before he
> retired from public performance altogether in the mid '80s.
>
> It's been a few years since he released his previous disc on ECM
>
> And this new title hasn't shown up on amazon.com US yet
>
> But it's on Amazon in UK, DE and FR and due out in May 3rd 2010.
>
> <http://www.amazon.co.uk/gp/product/B0038QBP7A>
>
> <
> http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu08f-21/ref=3Dn=
osim/
> >
>
> <http://www.amazon.fr/gp/product/B0038QBP7A>
>
> The very thought that I'll have something new to look forward to hearing
> from Tibbetts in a month or so gives me a ray of hope.
>
> I may just order it from Amazon.uk anyway, damn the expense.
>
> Just thought I'd share . . . he was, after all, very much a looper when h=
e
> did perform live.
>
> :-)
>
> Ted
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Date: Mon, 29 Mar 2010 17:01:25 -0700 (PDT)
From: "Mr.Martin Kume." <martinskume01@verizon.net>
Reply-To: dhlcourier03@hosanna.net
Subject: Attn;My Dear,
To: undisclosed recipients: ;
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Attn;My Dear,

 

This is to bring you notice that i have register your ATM VISA CARD with DHL COURIER .And the card's value is $5.5 millions united state dollars,so The delivery charges has been paid but i did not pay their official keeping fees since they refused.Reasons for their refusal is because they do not know when you are going to contact them because the keeping fee is $45 dollars per a day.

 

And i deposited it yesterday 29th- 03- 2010  So that is reason why i did not pay for keeping fee and that is only you are going to pay them,so i want you to contact them urgent to avoid increase of their keeping fee.

 

Contact Mr. Chioma Ifezuo

DHL  DIRECTOR GENERAL

EMAIL: (dhlcourier03@hosanna.net )

Phone +229 982-647-36

 

This are the information needed for easy delivery of your CARD.

1.YOUR FULL NAME_____,

2.YOUR HOME ADDRESS______, 

3.YOUR  PHONE AND CELL NUMBER____,

4.A COPY OF YOUR PICTURE____,

5.YOUR COUNTRY_____,

 

So as soon as you recieved your card do let me know ok,

 

Best Regard

Mr.Martin Kume.
--0-731298938-1269907285=:78228
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Attn;My Dear,<br>
 <br>
This is to bring you notice that i have register your ATM VISA CARD with DHL COURIER .And the card's value is $5.5 millions united state dollars,so The delivery charges has been paid but i did not pay their official keeping fees since they refused.Reasons for their refusal is because they do not know when you are going to contact them because the keeping fee is $45 dollars per a day.<br>
 <br>
And i deposited it yesterday 29th- 03- 2010  So that is reason why i did not pay for keeping fee and that is only you are going to pay them,so i want you to contact them urgent to avoid increase of their keeping fee.<br>
 <br>
Contact Mr. Chioma Ifezuo<br>
DHL  DIRECTOR GENERAL<br>
EMAIL: (dhlcourier03@hosanna.net )<br>
Phone +229 982-647-36<br>
 <br>
This are the information needed for easy delivery of your CARD.<br>
1.YOUR FULL NAME_____,<br>
2.YOUR HOME ADDRESS______, <br>
3.YOUR  PHONE AND CELL NUMBER____,<br>
4.A COPY OF YOUR PICTURE____,<br>
5.YOUR COUNTRY_____,<br>
 <br>
So as soon as you recieved your card do let me know ok,<br>
 <br>
Best Regard<br>
Mr.Martin Kume.</td></tr></table>
--0-731298938-1269907285=:78228--

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Date: Tue, 30 Mar 2010 02:06:58 +0200
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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--0016e6d785457d11cd0482f968b3
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i'd add "aggregates 1-26" by the arto lindsay trio g/b/d (arto
lindsay/melvin gibbs/dougie bowne). don't know if this may be considered
free jazz, experimental or ... what the heck! ... you'd better give a liste=
n
to this masterpiece or die :)))

http://www.amazon.com/Aggregates-1-26-Arto-Lindsay-Trio/dp/B00000208M

2010/3/30 Kris Hartung <khartung@q.com>

> I'm loving Tin Drum Stories by Andreas.
>
> Kris
>
> ----- Original Message -----
>
>  Hal suggested:
>>
>>> Andreas Willers with Grid Mesh - great first CD, new one out soon
>>>
>>
>> Don't know this project, but anything by Andreas Willers has to be good.=
..
>>
>>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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i&#39;d add &quot;aggregates 1-26&quot; by the arto lindsay trio g/b/d (art=
o lindsay/melvin gibbs/dougie bowne). don&#39;t know if this may be conside=
red free jazz, experimental or ... what the heck! ... you&#39;d better give=
 a listen to this masterpiece or die :)))<br>
<br><a href=3D"http://www.amazon.com/Aggregates-1-26-Arto-Lindsay-Trio/dp/B=
00000208M">http://www.amazon.com/Aggregates-1-26-Arto-Lindsay-Trio/dp/B0000=
0208M</a><br><br><div style=3D"visibility: hidden; display: inline;" id=3D"=
avg_ls_inline_popup">
</div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  widt=
h: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-s=
ize: 10px;  text-align: left;  line-height: 13px;}</style><div class=3D"gma=
il_quote">
2010/3/30 Kris Hartung <span dir=3D"ltr">&lt;<a href=3D"mailto:khartung@q.c=
om">khartung@q.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
I&#39;m loving Tin Drum Stories by Andreas.<br>
<br>
Kris<br>
<br>
----- Original Message ----- <br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>
Hal suggested:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Andreas Willers with Grid Mesh - great first CD, new one out soon<br>
</blockquote>
<br></div>
Don&#39;t know this project, but anything by Andreas Willers has to be good=
...<br>
<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

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eT4KPC9odG1sPg==


------bd3f1b6abe8eea7009c160e83a263ee2--


From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 00:18:44 2010
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Date: Mon, 29 Mar 2010 19:18:42 -0500
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Subject: krispen's free jazz/avant garde....
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i was looking up free jazz, and a lot of the folks listed are sax/horn
players....like i said, is gtr bass drums more of just a trad. jazz setup?
i know i hear a lot about organ trios w/ gtr/organ/drums....i saw pat
martino play a # of yrs ago in our li'l midwestern town, and i think his
performing group
was more organ trio, & boy he played fast guitar lines on his semi-hollow...

other person listed in wiki free jazz listing besides derek bailey is marc
ribot.

some others that i just became aware of, not really sure if they are "jazz"
or improv based:

julien kasper -i just got 2 of his cds, he has a new one out, it's kind of
"jazzy", but it is gtr/bass/drums...

the other i've been curious about is wayne krantz, he has a new album out
also.  again i've seen some utube clips, good guitarists, just don't really
know how to classify them
i've also been going through some old articles that i've kept. a
guitarist-bill horist-i think he's mostly solo now-but he had 2 former
bands:UnFolkUs & Nobodaddy-both described as "improv groups"-no idea if it's
really "jazz"-now he does a lot of prepared guitar looping/noise. i have one
of his discs. very percussive, interesting. but he seems to be out there
doing this stuff live....(in one of the articles i read it talked about
"seattle's avant jazz scene?" at least a few yrs ago)

i also have the 1st john mclaughlin album on disc-w/ buddy miles on
drums-it's sort of interesting "jazz-rockish"
again-i'm not sure if these are exactly-gtr/bass/drums....but the only
references i have....
another thing you may want to check out is john zorn -i think he had
improvising bands-bill frisell used to play w/ him. haven't heard his stuff,
just heard of him....
s----

--000e0cd6adee7ce9b30482f99253
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>i was looking up free jazz, and a lot of the folks listed are sax/horn=
 players....like i said, is gtr bass drums more of just a trad. jazz setup?=
</div>
<div>i know i hear a lot about organ trios w/ gtr/organ/drums....i saw pat =
martino play a # of yrs ago in our li&#39;l midwestern town, and i think hi=
s performing group</div>
<div>was more organ trio, &amp; boy he played fast guitar lines on his semi=
-hollow...</div>
<div>=A0</div>
<div>other person listed in wiki free jazz listing besides derek bailey is =
marc ribot.</div>
<div>=A0</div>
<div>some others that i just became aware of, not really sure if they are &=
quot;jazz&quot; or improv based:</div>
<div>=A0</div>
<div>julien kasper -i just got 2 of his cds, he has a new one out, it&#39;s=
 kind of &quot;jazzy&quot;, but it is gtr/bass/drums...</div>
<div>=A0</div>
<div>the other i&#39;ve been curious about is wayne krantz, he has a new al=
bum out also.=A0 again i&#39;ve seen some utube clips, good guitarists, jus=
t don&#39;t really</div>
<div>know how to classify them</div>
<div>i&#39;ve also been going through some old articles that i&#39;ve kept.=
 a guitarist-bill horist-i think he&#39;s mostly solo now-but he had 2 form=
er bands:UnFolkUs &amp; Nobodaddy-both described as &quot;improv groups&quo=
t;-no idea if it&#39;s really &quot;jazz&quot;-now he does a lot of prepare=
d guitar looping/noise. i have one of his discs. very percussive, interesti=
ng. but he seems to be out there doing this stuff live....(in one of the ar=
ticles i read it talked about &quot;seattle&#39;s avant jazz scene?&quot; a=
t least a few yrs ago)</div>

<div>=A0</div>
<div>i also have the 1st john mclaughlin album on disc-w/ buddy miles on dr=
ums-it&#39;s sort of interesting &quot;jazz-rockish&quot;</div>
<div>again-i&#39;m not sure if these are exactly-gtr/bass/drums....but the =
only references i have....</div>
<div>another thing you may want to check out is john zorn -i think he had i=
mprovising bands-bill frisell used to play w/ him. haven&#39;t heard his st=
uff, just heard of him....</div>
<div>s----</div>

--000e0cd6adee7ce9b30482f99253--

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	 <20100329195803.2XAMF.1415540.root@mp14>
Date: Mon, 29 Mar 2010 20:19:53 -0400
Message-ID: <9e0440a61003291719k512ca3a7g1f1c8b7195417be6@mail.gmail.com>
Subject: Re: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016e68f9f1eabad980482f9964c
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Ted it was wonderful news.  I have done the same things in recent times
going 'where did Steve go'.  I had heard the news about this wrist break an=
d
knew at some point with the Man called Horse or the Tibetian record that he
had been in NY when I was asleep or soemthing, performed at the KF in recen=
t
years but from all other it looked like he had stopped.  ECM is a bit spars=
e
in artist info so it looked like he had done as you were indicating but
thankfully has SOBERED UP which you better be doing too dude!

That's depressed ego talking, been there, not productive and truthfully wil=
l
leave you bitter angry and even more depressed.  As someone once said to me
'make some changes but don't throw it all away', you cheat the world as you
cheat yourself.

You did a brilliant set at Y2K last fall, snap  out of man and start
playing, in fact do this...

join ImprovFriday at http://improvfriday.ning.com and get involved in the
weekend recording thread, it will inspire I promise plus you'll be around m=
e
and I'll nag you more to play.

Thanks for spreading the wonderful news of a master returning to the planet=
,
can't wait!




On Mon, Mar 29, 2010 at 7:58 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

> Jimbo,
>
> Sounds like the news made your day as much as it did mine.
>
> Actually . . . how I found out about it was kind of backwards.
>
> I happened to just check out the wikipedia page on him for the heck of it=
.
>
> At the bottom of the page, in his "discography" is an album I never heard
> of.
>
> I started doing a Google search based on that little bit of info and foun=
d
> it on Amazon in Europe (though, sadly not on Amazon .com).
>
> It's not even listed on the ECM site yet.
>
> He broke his wrist in an outdoor fall from a ladder in the middle of maki=
ng
> his last ECM disc (so the story goes).
>
> But I presume that if Amazon.UK, .DE, and .FR are each sporting a page fo=
r
> it then I expect it's pretty legit.
>
> I have high hopes at least.
>
> Perhaps this will help me pull out of the doldrums I've been in.
>
> I haven't played since January and I haven looped or played electrically
> since October of '09.
>
> I had been thinking of just retiring and slipping quietly out of the whol=
e
> LD scene.
>
> I've been THAT depressed.
>
> Glad to have been able to distract you from your Warren Zevon day (lawyer=
s,
> guns and money) with a bit of good news.
>
> Cheers,
>
> Ted
>
>
>
> ---- Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> WOW FUCKING AWESOME!  I've been wondering where Steve went, so weird that
> he
> would do those masterful series with Marc in the late 70/80's and
> disappear.  Excellent news Ted - where did you hear of this?  made my day
> which has been challenging with the lawyers, guns and money....
>
> J
>
> On Mon, Mar 29, 2010 at 7:22 PM, tEd =AE kiLLiAn <tedkillian@charter.net
> >wrote:
>
> > I don't know about the rest of you folks.
> >
> > But this is a musician I am absolutely crazy, crazy, crazy about and ha=
ve
> > been for years.
> >
> > I consider myself very lucky to have seen him perform live before he
> > retired from public performance altogether in the mid '80s.
> >
> > It's been a few years since he released his previous disc on ECM
> >
> > And this new title hasn't shown up on amazon.com US yet
> >
> > But it's on Amazon in UK, DE and FR and due out in May 3rd 2010.
> >
> > <http://www.amazon.co.uk/gp/product/B0038QBP7A>
> >
> > <
> >
> http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu08f-21/ref=3Dn=
osim/
> > >
> >
> > <http://www.amazon.fr/gp/product/B0038QBP7A>
> >
> > The very thought that I'll have something new to look forward to hearin=
g
> > from Tibbetts in a month or so gives me a ray of hope.
> >
> > I may just order it from Amazon.uk anyway, damn the expense.
> >
> > Just thought I'd share . . . he was, after all, very much a looper when
> he
> > did perform live.
> >
> > :-)
> >
> > Ted
> >
> >
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e68f9f1eabad980482f9964c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ted it was wonderful news.=A0 I have done the same things in recent times g=
oing &#39;where did Steve go&#39;.=A0 I had heard the news about this wrist=
 break and knew at some point with the Man called Horse or the Tibetian rec=
ord that he had been in NY when I was asleep or soemthing, performed at the=
 KF in recent years but from all other it looked like he had stopped.=A0 EC=
M is a bit sparse in artist info so it looked like he had done as you were =
indicating but thankfully has SOBERED UP which you better be doing too dude=
!<br>
<br>That&#39;s depressed ego talking, been there, not productive and truthf=
ully will leave you bitter angry and even more depressed.=A0 As someone onc=
e said to me &#39;make some changes but don&#39;t throw it all away&#39;, y=
ou cheat the world as you cheat yourself.<br>
<br>You did a brilliant set at Y2K last fall, snap=A0 out of man and start =
playing, in fact do this...<br><br>join ImprovFriday at <a href=3D"http://i=
mprovfriday.ning.com">http://improvfriday.ning.com</a> and get involved in =
the weekend recording thread, it will inspire I promise plus you&#39;ll be =
around me and I&#39;ll nag you more to play.<br>
<br>Thanks for spreading the wonderful news of a master returning to the pl=
anet, can&#39;t wait!<br><br><br><br><br><div class=3D"gmail_quote">On Mon,=
 Mar 29, 2010 at 7:58 PM, tEd =AE kiLLiAn <span dir=3D"ltr">&lt;<a href=3D"=
mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Jimbo,<br>
<br>
Sounds like the news made your day as much as it did mine.<br>
<br>
Actually . . . how I found out about it was kind of backwards.<br>
<br>
I happened to just check out the wikipedia page on him for the heck of it.<=
br>
<br>
At the bottom of the page, in his &quot;discography&quot; is an album I nev=
er heard of.<br>
<br>
I started doing a Google search based on that little bit of info and found =
it on Amazon in Europe (though, sadly not on Amazon .com).<br>
<br>
It&#39;s not even listed on the ECM site yet.<br>
<br>
He broke his wrist in an outdoor fall from a ladder in the middle of making=
 his last ECM disc (so the story goes).<br>
<br>
But I presume that if Amazon.UK, .DE, and .FR are each sporting a page for =
it then I expect it&#39;s pretty legit.<br>
<br>
I have high hopes at least.<br>
<br>
Perhaps this will help me pull out of the doldrums I&#39;ve been in.<br>
<br>
I haven&#39;t played since January and I haven looped or played electricall=
y since October of &#39;09.<br>
<br>
I had been thinking of just retiring and slipping quietly out of the whole =
LD scene.<br>
<br>
I&#39;ve been THAT depressed.<br>
<br>
Glad to have been able to distract you from your Warren Zevon day (lawyers,=
 guns and money) with a bit of good news.<br>
<br>
Cheers,<br>
<br>
Ted<br>
<br>
<br>
<br>
---- Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmu=
sic@gmail.com</a>&gt; wrote:<br>
<br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
<div><div></div><div class=3D"h5">WOW FUCKING AWESOME! =A0I&#39;ve been won=
dering where Steve went, so weird that he<br>
would do those masterful series with Marc in the late 70/80&#39;s and<br>
disappear. =A0Excellent news Ted - where did you hear of this? =A0made my d=
ay<br>
which has been challenging with the lawyers, guns and money....<br>
<br>
J<br>
<br>
On Mon, Mar 29, 2010 at 7:22 PM, tEd =AE kiLLiAn &lt;<a href=3D"mailto:tedk=
illian@charter.net">tedkillian@charter.net</a>&gt;wrote:<br>
<br>
&gt; I don&#39;t know about the rest of you folks.<br>
&gt;<br>
&gt; But this is a musician I am absolutely crazy, crazy, crazy about and h=
ave<br>
&gt; been for years.<br>
&gt;<br>
&gt; I consider myself very lucky to have seen him perform live before he<b=
r>
&gt; retired from public performance altogether in the mid &#39;80s.<br>
&gt;<br>
&gt; It&#39;s been a few years since he released his previous disc on ECM<b=
r>
&gt;<br>
&gt; And this new title hasn&#39;t shown up on <a href=3D"http://amazon.com=
" target=3D"_blank">amazon.com</a> US yet<br>
&gt;<br>
&gt; But it&#39;s on Amazon in UK, DE and FR and due out in May 3rd 2010.<b=
r>
&gt;<br>
&gt; &lt;<a href=3D"http://www.amazon.co.uk/gp/product/B0038QBP7A" target=
=3D"_blank">http://www.amazon.co.uk/gp/product/B0038QBP7A</a>&gt;<br>
&gt;<br>
&gt; &lt;<br>
&gt; <a href=3D"http://www.amazon.de/exec/obidos/ASIN/B0038QBP7A/rateyourmu=
08f-21/ref=3Dnosim/" target=3D"_blank">http://www.amazon.de/exec/obidos/ASI=
N/B0038QBP7A/rateyourmu08f-21/ref=3Dnosim/</a><br>
&gt; &gt;<br>
&gt;<br>
&gt; &lt;<a href=3D"http://www.amazon.fr/gp/product/B0038QBP7A" target=3D"_=
blank">http://www.amazon.fr/gp/product/B0038QBP7A</a>&gt;<br>
&gt;<br>
&gt; The very thought that I&#39;ll have something new to look forward to h=
earing<br>
&gt; from Tibbetts in a month or so gives me a ray of hope.<br>
&gt;<br>
&gt; I may just order it from Amazon.uk anyway, damn the expense.<br>
&gt;<br>
&gt; Just thought I&#39;d share . . . he was, after all, very much a looper=
 when he<br>
&gt; did perform live.<br>
&gt;<br>
&gt; :-)<br>
&gt;<br>
&gt; Ted<br>
&gt;<br>
&gt;<br>
<br>
<br>
--<br>
ReUse, an introspective textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br>
<br>
music links...<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br>
<br>
video work/editing...<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>
social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0016e68f9f1eabad980482f9964c--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 02:57:34 2010
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Date: Mon, 29 Mar 2010 21:57:33 -0500
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Subject: was s tibbetts new disc....doldrums...
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636ed6c808cb4390482fbca1f
Content-Type: text/plain; charset=ISO-8859-1

ted says: "Perhaps this will help me pull out of the doldrums I've been in.

I haven't played since January and I haven looped or played electrically
since October of '09.

I had been thinking of just retiring and slipping quietly out of the whole
LD scene.

I've been THAT depressed."

ted-sorry to hear that you've been down. i will say that life has its ups
and downs for sure....i know that honestly when i had the boss rc20 for a
yr, i think the only time
i looped with it was making the 2 or 3 vids i made for our local patv....
and i honestly don't remember contributing much to the LD site, at least
what i remember...(please someone DO NOT pull up all my pathetic posts and
remind me! ha).
i will say that i've been trying out so much new gear and changing so much
in the last 3 months (buy stuff, try it out, sell if don't like) that it
feels like i have a revolving door w/ my gear.but as of late i've really
been liking the little loop things i do w/ my guyatone md3 (2.6 sec) and my
digitech dl8 (8 sec delay loops)-for me simple things work best.
and i do know w/ all my stinkin projects i barely have time to play guitar
much it seems --and now w/ spring starting, all our activities will be
starting too...fun, but more distractions....patience i guess, that's what i
tell myself.
i will say this talk of free jazz/improv and the new tibbets stuff, i'm sort
of excited, i may have to get some new discs for my listening pleasure....
here's to a brighter tues....one day at a time as they say....
scott

--001636ed6c808cb4390482fbca1f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>ted says: &quot;Perhaps this will help me pull out of the doldrums I&#=
39;ve been in.<br><br>I haven&#39;t played since January and I haven looped=
 or played electrically <br>since October of &#39;09.<br><br>I had been thi=
nking of just retiring and slipping quietly out of the whole <br>
LD scene.<br><br>I&#39;ve been THAT depressed.&quot;</div>
<div>=A0</div>
<div>ted-sorry to hear that you&#39;ve been down. i will say that life has =
its ups and downs for sure....i know that honestly when i had the boss rc20=
 for a yr, i think the only time</div>
<div>i looped with it was making the 2 or 3 vids i made for our local patv.=
...<br>and i honestly don&#39;t remember contributing much to the LD site, =
at least what i remember...(please someone DO NOT pull up all my pathetic p=
osts and remind me! ha).</div>

<div>i will say that i&#39;ve been trying out so much new gear and changing=
 so much in the last 3 months (buy stuff, try it out, sell if don&#39;t lik=
e) that it feels like i have a revolving door w/ my gear.but as of late i&#=
39;ve really been liking the little loop things i do w/ my guyatone md3 (2.=
6 sec) and my digitech dl8 (8 sec delay loops)-for me simple things work be=
st. </div>

<div>and i do know w/ all my stinkin projects i barely have time to play gu=
itar much it seems --and now w/ spring starting, all our activities will be=
 starting too...fun, but more distractions....patience i guess, that&#39;s =
what i tell myself.</div>

<div>i will say this talk of free jazz/improv and the new tibbets stuff, i&=
#39;m sort of excited, i may have to get some new discs for my listening pl=
easure....</div>
<div>here&#39;s to a brighter tues....one day at a time as they say....</di=
v>
<div>scott</div>

--001636ed6c808cb4390482fbca1f--

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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
References: <20100329192227.EXTZO.1416908.root@mp15>
Subject: RE: NEW STEVE TIBBETTS CD "NATURAL CAUSES" COMING OUT IN MAY
Date: Tue, 30 Mar 2010 08:03:51 +0200
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> I consider myself very lucky to have seen him perform live 
> before he retired from public performance altogether in the mid '80s.

I saw him a couple of years ago with Choying Drolma - very inspiring, they
were both wonderful

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 06:19:47 2010
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Date: Mon, 29 Mar 2010 23:19:47 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: "labels" (Re: kripsens free jazz/ search)
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one of the merits of Dada was that it was kick in the groin of the powers that be. It also created a connexion between art, spiritual matters and political matters.
This is re-emerging today.

ANtony Hequet




----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, March 29, 2010 10:45:08 PM
Subject: "labels" (Re: kripsens free jazz/ search)

On Mon, Mar 29, 2010 at 10:28 PM, Scott Hansen <evanpeewee@gmail.com> wrote:
> yea, the "labels", i'm not really sure on a lot of them. the avant garde
> thing is tricky...the term in art world is sort of dead also. and probably
> has
> been for 50 yrs....and maybe never really existed, just the group of folks
> going against the norm, ahead of the time....

Yes, but pretty funny too! :-)
Dada is even tricker to wrap your head around (wich in fact is its
raison d'etre!)

per


      

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Subject: Hello Dear, from Danielle and Henry Akissi 
Date: Tue, 30 Mar 2010 03:19:18 -0430
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<BR>&nbsp;<BR>God Bless you<BR>Yours Sincerely,<BR>Danielle and Henry
Akissi 

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Date: Tue, 30 Mar 2010 03:10:28 -0700 (PDT)
From: AKIN SALIF <akin_salif@sify.com>
Reply-To: akin_salif@sify.com
Subject: FROM THE OFFICE OF AKIN SALIF. 
To: undisclosed recipients: ;
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FROM THE OFFICE OF AKIN SALIF.=20
AUDITS & ACCOUNTS DEPT
BANK OF AFRICA (B.O.A)=A0=A0=A0=A0=A0=A0=A0=A0=20
OUAGADOUGOU BURKINAFASO.=20
E-MAIL=A0:AKIN_SALIF@SIFY.COM=20
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Attention: Please!!!!=A0=20
=A0=20
I am Akin Salif. The manager Audit & Accounts dept. with the groups Bank of=
 Africa Burkina Faso (BO.A). I am writing to request your assistance to tra=
nsfer the sum of $15milion United States dollars into your accounts.=20

The above sum belongs to our deceased customer late Dr George Brumley=A0who=
 died along with his entire family in a plane crash some years ago. And sin=
ce then, his account has been dormant.
=A0
After my further investigation, I discovered that Dr George Brumley died wi=
th his next of kin and according to the laws and constitution guiding this =
banking institution stated that after the expiration of (8)=A0Eight years, =
if no body or person comes for the claim as the next of kin, the fund will =
be channel into national treasury as unclaimed fund. Because of the static =
of this transaction I want you to stand as the next of kin so that our bank=
 will accord you the recognition and have the fund transfer to your account=
.
=A0
The total sum will be shared as follows: 50% for me, 50% for you and expens=
es incidental occur during the transfer will be taking care of by both of u=
s.=20
=A0
The transfer is risk free on both sides hence you are going to follow my in=
struction till the fund transfer to your account.=20


More details information with the text of application form will be forwarde=
d to you to breakdown explaining comprehensively what require of you.
=A0
Your Full Name.............................
Your Sex..................................
Your Age..................
Your Country...........
Passport / driving license.......=A0=20
Marital Status...........
Your Occupation.......=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Your Personal Mobile Number................
Your Personal Fax Number.....................
=A0
Thanks
Akin Salif.=20
Audits & Accounts Manager
=A0=A0=A0=A0=A0=20
=A0=0A=0A=0A      
--0-1047043315-1269943828=:23557
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv2029132594>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman" size=3D3><SPAN>FROM THE OFFICE OF AKIN SALIF. <BR>AUDITS &amp; ACCOU=
NTS DEPT<BR>BANK OF AFRICA (B.O.A)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp; </SPAN></FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><FONT fac=
e=3D"Times New Roman"><SPAN>OUAGADOUGOU BURKINAFASO.</SPAN></FONT> </FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><FONT fac=
e=3D"Times New Roman"><SPAN>E-MAIL&nbsp;:<U><SPAN style=3D"COLOR: blue">AKI=
N_SALIF@SIFY.COM</SPAN></U></SPAN></FONT> </FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman" size=3D3><SPAN>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></FONT=
>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><FONT fac=
e=3D"Times New Roman"><SPAN>Attention: Please!!!!&nbsp;</SPAN></FONT> </FON=
T>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><SPAN lan=
g=3DEN-GB><FONT face=3D"Times New Roman">&nbsp;</FONT></SPAN> </FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman" size=3D3><SPAN>I am Akin Salif. The manager Audit &amp; Accounts dep=
t. with the groups Bank of Africa Burkina Faso (BO.A). I am writing to requ=
est your assistance to transfer the sum of $15milion United States dollars =
into your accounts. </SPAN></FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB><BR><=
FONT face=3D"Times New Roman" size=3D3>The above sum belongs to our decease=
d customer late Dr George Brumley&nbsp;who died along with his entire famil=
y in a plane crash some years ago. And since then, his account has been dor=
mant.<BR>&nbsp;<BR>After my further investigation, I discovered that Dr Geo=
rge Brumley died with his next of kin and according to the laws and constit=
ution guiding this banking institution stated that after the expiration of =
(8)&nbsp;Eight years, if no body or person comes for the claim as the next =
of kin, the fund will be channel into national treasury as unclaimed fund. =
Because of the static of this transaction I want you to stand as the next o=
f kin so that our bank will accord you the recognition and have the fund tr=
ansfer to your account.<BR>&nbsp;<BR>The total sum will be shared as follow=
s: 50% for me, 50% for you and expenses incidental occur during the transfe=
r
 will be taking care of by both of us. <BR>&nbsp;<BR>The transfer is risk f=
ree on both sides hence you are going to follow my instruction till the fun=
d transfer to your account. <BR><BR></FONT></SPAN>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN><FONT face=3D"Time=
s New Roman" size=3D3>More details information with the text of application=
 form will be forwarded to you to breakdown explaining comprehensively what=
 require of you.<BR>&nbsp;<BR>Your Full Name.............................<B=
R>Your Sex..................................<BR>Your Age..................<=
BR>Your Country...........<BR>Passport / driving license.......&nbsp; <BR>M=
arital Status...........<BR>Your Occupation.......&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp; <BR>Your Personal Mobile Number................<BR>Your Personal Fax =
Number.....................<BR>&nbsp;<BR></FONT><FONT face=3D"Times New Rom=
an"
 size=3D3>Thanks<BR>Akin Salif. </FONT></SPAN>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><FONT fac=
e=3D"Times New Roman"><SPAN>Audits &amp; Accounts Manager<BR>&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;</SPAN><SPAN></SPAN></FONT> </FONT>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman" size=3D3>&nbsp;</FONT></DIV></DIV></td></tr></table><br>=0A=0A=0A=0A=
      &nbsp;
--0-1047043315-1269943828=:23557--

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Date: Tue, 30 Mar 2010 04:33:02 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I haven't seen anybody mention Joe Morris - not the famed NY Giants running=
 back, but the Boston-based guitarist/bassist and faculty at the New Englan=
d Conservatory.=A0 I'd have to dig around to see all that I've got of his b=
ut I know "Age of Everything" (which is great!) is guitar/bass/drums record=
ing.=A0 I'm sure he's been in more than that, esp as he's done more than a =
few recordings with William Parker.=A0 http://en.wikipedia.org/wiki/Joe_Mor=
ris_(guitarist)

And also I'll chip in Mary Halvorson as a great NYC guitarist.=A0 She's usu=
ally involved in Anthony Braxton's new ensembles but her MH Trio is g/b/d a=
nd there's also her group People.=A0 Just saw her and Jessica Pavone play i=
n an attic in Guelph and it was good shit. http://www.maryhalvorson.com/=A0=
 Nice article on her and Jessica in Signal to Noise a few issues back and I=
 think another of her groups is mentioned in a recent issue of The Wire.

I don't know how hard core free jazz/avant-garde these two are considered -=
 they're both pretty jazzy but do have an edge to their playing...

The problem is that for for this kind of music, anything goes.=A0 You don't=
 need a "classic" line-up.=A0 If all you've got is two nose-flute players a=
nd a bagpiper, you're good to go!


Ted H.



Enemies are good for self-definition. Werner Herzog

--- On Sun, 3/28/10, Kris Hartung <khartung@q.com> wrote:

From: Kris Hartung <khartung@q.com>
Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers-Delight@loopers-delight.com
Received: Sunday, March 28, 2010, 7:11 PM

=0A=0A =0A =0A=0AI'm doing music research for a new project I'm =0Aputting =
together. I need to construct an audio=A0study of free jazz and/or =0Aavant=
-garde guitar/bass/drum trios...the more obscure the better.=0A=A0=0AThis i=
s what I have so far, not all of which is =0Athat far out, but it's the bes=
t I can do.=A0 Those with an * next to them are =0Anot really free jazz or =
avant-garde, but a good representation of the =0Ainstrumentation in modern =
jazz.=0A=A0=0ABill Frisell - Live=0AJoe Morris - Antennae and Symbolic =0AG=
esture=0AJohn Abercrombie - In the Moment, November, and =0Aself titled (wi=
th Marc Johnson and Peter Erskine)=0AJohn Scofield - Out Like a Light *=0AJ=
ohn Stowell -Somewhere *=0ALorne Lofskey - Self Titled *=0AMike Stern - Sta=
ndards *=0ANels Cline Trio - Ground=0APat Metheny - Trio Live *=0A=A0=0AAny=
 others I can add? There must be more than this. =0AOddly, this is a diffic=
ult subject to search for on Google and music =0Asites.=A0 There needs to b=
e a music search engine that allows you to search =0Aby genre and exact ins=
trumentation. =0A=A0=0AKris=0A=A0=0Awww.krispenhartung.com=0A=A0=0A=A0=0A=
=0A=0A      _______________________________________________________________=
___=0AAsk a question on any topic and get answers from real people. Go to Y=
ahoo! Answers and share what you know at http://ca.answers.yahoo.com
--0-350571485-1269948782=:75294
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I haven't seen anybody mention Joe Morris=
 - not the famed NY Giants running back, but the Boston-based guitarist/bas=
sist and faculty at the New England Conservatory.&nbsp; I'd have to dig aro=
und to see all that I've got of his but I know "Age of Everything" (which i=
s great!) is guitar/bass/drums recording.&nbsp; I'm sure he's been in more =
than that, esp as he's done more than a few recordings with William Parker.=
&nbsp; http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)<br><br>And also =
I'll chip in Mary Halvorson as a great NYC guitarist.&nbsp; She's usually i=
nvolved in Anthony Braxton's new ensembles but her MH Trio is g/b/d and the=
re's also her group People.&nbsp; Just saw her and Jessica Pavone play in a=
n attic in Guelph and it was good shit. http://www.maryhalvorson.com/&nbsp;=
 Nice article on her and Jessica in Signal to Noise a few issues back and I
 think another of her groups is mentioned in a recent issue of The Wire.<br=
><br>I don't know how hard core free jazz/avant-garde these two are conside=
red - they're both pretty jazzy but do have an edge to their playing...<br>=
<br>The problem is that for for this kind of music, anything goes.&nbsp; Yo=
u don't need a "classic" line-up.&nbsp; If all you've got is two nose-flute=
 players and a bagpiper, you're good to go!<br><br><br>Ted H.<br><br><br><b=
r>Enemies are good for self-definition. Werner Herzog<br><br>--- On <b>Sun,=
 3/28/10, Kris Hartung <i>&lt;khartung@q.com&gt;</i></b> wrote:<br><blockqu=
ote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; pad=
ding-left: 5px;"><br>From: Kris Hartung &lt;khartung@q.com&gt;<br>Subject: =
OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<br>To: Loopers-Delight@loo=
pers-delight.com<br>Received: Sunday, March 28, 2010, 7:11 PM<br><br><div i=
d=3D"yiv1108852823">=0A=0A =0A =0A<style></style>=0A<div><font face=3D"Aria=
l" size=3D"2">I'm doing music research for a new project I'm =0Aputting tog=
ether. I need to construct an audio&nbsp;study of free jazz and/or =0Aavant=
-garde guitar/bass/drum trios...the more obscure the better.</font></div>=
=0A<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=0A<div><font fa=
ce=3D"Arial" size=3D"2">This is what I have so far, not all of which is =0A=
that far out, but it's the best I can do.&nbsp; Those with an * next to the=
m are =0Anot really free jazz or avant-garde, but a good representation of =
the =0Ainstrumentation in modern jazz.</font></div>=0A<div><font face=3D"Ar=
ial" size=3D"2"></font>&nbsp;</div>=0A<div><font face=3D"Arial" size=3D"2">=
Bill Frisell - Live</font></div>=0A<div><font face=3D"Arial" size=3D"2">Joe=
 Morris - Antennae and Symbolic =0AGesture</font></div>=0A<div><font face=
=3D"Arial" size=3D"2">John Abercrombie - In the Moment, November, and =0Ase=
lf titled (with Marc Johnson and Peter Erskine)</font></div>=0A<div><font f=
ace=3D"Arial" size=3D"2">John Scofield - Out Like a Light *</font></div>=0A=
<div><font face=3D"Arial" size=3D"2">John Stowell -Somewhere *</font></div>=
=0A<div><font face=3D"Arial" size=3D"2">Lorne Lofskey - Self Titled *</font=
></div>=0A<div><font face=3D"Arial" size=3D"2">Mike Stern - Standards *</fo=
nt></div>=0A<div><font face=3D"Arial" size=3D"2">Nels Cline Trio - Ground</=
font></div>=0A<div><font face=3D"Arial" size=3D"2">Pat Metheny - Trio Live =
*</font></div>=0A<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=
=0A<div><font face=3D"Arial" size=3D"2">Any others I can add? There must be=
 more than this. =0AOddly, this is a difficult subject to search for on Goo=
gle and music =0Asites.&nbsp; There needs to be a music search engine that =
allows you to search =0Aby genre and exact instrumentation. </font></div>=
=0A<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=0A<div><font fa=
ce=3D"Arial" size=3D"2">Kris</font></div>=0A<div><font face=3D"Arial" size=
=3D"2"></font>&nbsp;</div>=0A<div><font face=3D"Arial" size=3D"2"><a rel=3D=
"nofollow" target=3D"_blank" href=3D"http://www.krispenhartung.com">www.kri=
spenhartung.com</a></font></div>=0A<div><font face=3D"Arial" size=3D"2"></f=
ont>&nbsp;</div>=0A<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>=
</div></blockquote></td></tr></table><br>=0A      <hr size=3D1>Be smarter t=
han spam. See how smart SpamGuard is at giving junk email the boot with the=
 <a href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><b>All-new Yahoo=
! Mail </b></a>
--0-350571485-1269948782=:75294--

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Date: Tue, 30 Mar 2010 06:21:06 -0700 (PDT)
From: "Dr. Shamsuddeen" <goofykim@sbcglobal.net>
Reply-To: in-nigeriaaa@w.cn
Subject: UNITED NATIONS 2010 SCAM VICTIMS COMPENSATIONS .
To: undisclosed recipients: ;
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=A0=20

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>From The Desk Of=20
Dr. Shamsuddeen USMAN
The Honourable Minister of
Finance, Federal Republic of Nigeria.
http://www.fmf.gov.ng.

=A0
DIRECTOR SCAMMED VICTIM/$3,000,000.00=20

=A0
BENEFICIARIES.REF/PAYMENTS CODE:06654 $3,000,000.00.
=A0

Dear=A0=A0Beneficiary=A0=A0=A0=A0=20

=A0
=A0=A0=A0=A0=A0=A0=A0=A0UNITED NATIONS 2010 SCAM VICTIMS COMPENSATIONS .

=A0
This is to bring to your notice that I am delegated from the United Nations=
 in conjunction with Federal Government of Nigeria=A0 to pay 150 scam victi=
ms $3,000,000.00 (THREE MILLION UNITED STATE DOLLAR) each.=20

=A0
You are listed and approved for this payment as one of the scammed victims =
to be paid this amount, get back to me as soon as possible for the immediat=
e payment of your $3,000,000.00 compensations funds.


On this faithful recommendations,we want you to know that during the last U=
.N. meetings held at Abuja, Nigeria, it was alarmed so much by the world in=
 the meeting on the loss of funds by various individuals to the Nigerian sc=
am artists operating in syndicates all over the world today.

=A0
In other to compensate victims, the U.N Body in conjunction with the Nigeri=
an Government is now paying 150 victims of this operators $3,000,000.00 eac=
h in accordance with the U.N. recommendations.


Due to the corrupt and inefficient Banking Systems in Nigeria, the payments=
 are to be supervised by the United Nations' Officials and the Minister of =
Finance of Nigeria as the corresponding paying bank=A0 UNION TRUST BANK PLC=
, LONDON BRANCH ,ENGLAND.


According to the number of applicants at hand, 114 Beneficiaries has been p=
aid,half of the victims are from the United States, we still have more 36 l=
eft to be paid the compensations of $3,000,000.00 each.


Your particulars was mentioned by one of the Syndicates (in Central Bank of=
 Nigeria)=A0who was arrested as one of their victims of the operations, you=
 are hereby warned not to communicate or duplicate this message to him for =
any reason what so ever as the U.S. secret service is already on trace of t=
he other criminals. So keep it secret till they are all apprehended.


Other victims who! have no t been contacted can submit their application as=
 well for scrutiny and possible consideration.

You can receive your compensation payments via any of this options you Choo=
se, DRAFT/CHEQUE PAYMENTS or WIRE TRANSFERS. I shall feed you with further =
modalities as soon as I hear from you.

=A0
We await your urgent response.

Yours faithfully,
Dr. Shamsuddeen USMAN


--0-1841011471-1269955266=:2445
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<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
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<DIV><FONT size=3D3><STRONG><IMG alt=3Dfmf src=3D"http://www.fmf.gov.ng/ima=
ges/FEDr.gif" width=3D780></STRONG></FONT><BR></DIV>
<DIV><FONT size=3D3><STRONG>From The Desk Of </STRONG></FONT><BR><FONT size=
=3D3><STRONG>Dr. Shamsuddeen USMAN</STRONG></FONT><BR><FONT size=3D3><STRON=
G><SPAN class=3Dyshortcuts id=3Dlw_1269951425_0 style=3D"BACKGROUND: none t=
ransparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: #0066cc 1px da=
shed">The Honourable Minister of<BR>Finance</SPAN>, Federal Republic of Nig=
eria.</STRONG></FONT><BR><FONT size=3D3><STRONG><A href=3D"http://www.fmf.g=
ov.ng/" target=3D_blank rel=3Dnofollow><FONT color=3D#003399><U><SPAN class=
=3Dyshortcuts id=3Dlw_1269951425_1>http://www.fmf.gov.ng</SPAN></U></FONT><=
/A>.</STRONG></FONT></DIV>
<DIV><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>DIRECTOR SCAMMED VICTIM/$3,000,000.00 </STRONG>=
</FONT></DIV>
<DIV><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>BENEFICIARIES.REF/PAYMENTS CODE:06654 $3,000,00=
0.00.</STRONG></FONT></DIV>
<DIV>&nbsp;</DIV><BR>
<DIV><FONT style=3D"FONT-SIZE: 12pt" size=3D3><STRONG>Dear&nbsp;&nbsp;Benef=
iciary&nbsp;</STRONG>&nbsp;&nbsp;&nbsp;<STRONG> </STRONG></FONT></DIV>
<DIV><STRONG><FONT size=3D3></FONT></STRONG><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;<U><SPAN class=3Dyshortcuts id=3Dlw_1269951425_2>UNITED NATIONS</SPAN> 201=
0 SCAM VICTIMS <SPAN class=3Dyshortcuts id=3Dlw_1269951425_3>COMPENSATIONS<=
/SPAN></U> .</STRONG></FONT></DIV>
<DIV><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>This is to bring to your notice that I am deleg=
ated from the United Nations in conjunction with <SPAN class=3Dyshortcuts i=
d=3Dlw_1269951425_4>Federal Government of Nigeria</SPAN>&nbsp; to pay 150 s=
cam victims $3,000,000.00 (THREE MILLION <SPAN class=3Dyshortcuts id=3Dlw_1=
269951425_5>UNITED STATE DOLLAR</SPAN>) each. </STRONG></FONT></DIV>
<DIV><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>You are listed and approved for this payment as=
 one of the scammed victims to be paid this amount, get back to me as soon =
as possible for the immediate payment of your $3,000,000.00 compensations f=
unds.</STRONG></FONT><BR></DIV>
<DIV><BR><FONT size=3D3><STRONG>On this faithful recommendations,we want yo=
u to know that during the last U.N. meetings held at <SPAN class=3Dyshortcu=
ts id=3Dlw_1269951425_6>Abuja, Nigeria</SPAN>, it was alarmed so much by th=
e world in the meeting on the loss of funds by various individuals to the <=
SPAN class=3Dyshortcuts id=3Dlw_1269951425_7>Nigerian scam artists</SPAN> o=
perating in syndicates all over the world today.</STRONG></FONT></DIV>
<DIV><STRONG><FONT size=3D3></FONT></STRONG><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>In other to compensate victims, the U.N Body in=
 conjunction with the Nigerian Government is now paying 150 victims of this=
 operators $3,000,000.00 each in accordance with the U.N. recommendations.<=
/STRONG></FONT><BR></DIV>
<DIV><BR><FONT size=3D3><STRONG>Due to the corrupt and inefficient Banking =
Systems in <SPAN class=3Dyshortcuts id=3Dlw_1269951425_8>Nigeria</SPAN>, th=
e payments are to be supervised by the <SPAN class=3Dyshortcuts id=3Dlw_126=
9951425_9>United Nations' Officials</SPAN> and the <SPAN class=3Dyshortcuts=
 id=3Dlw_1269951425_10>Minister of Finance</SPAN> </STRONG></FONT><FONT siz=
e=3D3><STRONG>of Nigeria as the corresponding paying bank&nbsp; UNION TRUST=
 BANK PLC, LONDON BRANCH ,<SPAN class=3Dyshortcuts id=3Dlw_1269951425_11>EN=
GLAND</SPAN>.</STRONG></FONT><BR></DIV>
<DIV><BR><FONT size=3D3><STRONG>According to the number of applicants at ha=
nd, 114 Beneficiaries has been paid,half of the victims are from the United=
 States, we still have more 36 left to be paid the compensations of $3,000,=
000.00 each.</STRONG></FONT></DIV><BR>
<DIV><BR><FONT size=3D3><STRONG>Your particulars was mentioned by one of th=
e <SPAN class=3Dyshortcuts id=3Dlw_1269951425_12>Syndicates</SPAN> (in <SPA=
N class=3Dyshortcuts id=3Dlw_1269951425_13 style=3D"CURSOR: hand; BORDER-BO=
TTOM: #0066cc 1px dashed">Central Bank of Nigeria</SPAN>)&nbsp;who was arre=
sted as one of their victims of the operations, you are hereby warned not t=
o communicate or duplicate this message to him for any reason what so ever =
as the U.S. <SPAN class=3Dyshortcuts id=3Dlw_1269951425_14>secret service</=
SPAN> is already on trace of the other criminals. So keep it secret till th=
ey are all apprehended.</STRONG></FONT></DIV><BR>
<DIV><BR><FONT size=3D3><STRONG>Other victims who! have no t been contacted=
 can submit their application as well for scrutiny and possible considerati=
on.</STRONG></FONT></DIV><BR>
<DIV><FONT size=3D3><STRONG>You can receive your compensation payments via =
any of this options you Choose, DRAFT/CHEQUE PAYMENTS or <SPAN class=3Dysho=
rtcuts id=3Dlw_1269951425_15 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc =
1px dashed">WIRE TRANSFERS</SPAN>. I shall feed you with further modalities=
 as soon as I hear from you.</STRONG></FONT></DIV>
<DIV><STRONG><FONT size=3D3></FONT></STRONG><BR>&nbsp;</DIV>
<DIV><FONT size=3D3><STRONG>We await your urgent response.</STRONG></FONT><=
/DIV><BR>
<DIV align=3Dleft><FONT size=3D3><STRONG>Yours faithfully,<BR>Dr. Shamsudde=
en USMAN</STRONG></FONT></DIV><BR>
<DIV align=3Dleft><IMG id=3DecxecxecxecxecxecxecxecxecxecxecxecxecxecxEC_Im=
age1 style=3D"BORDER-TOP-WIDTH: 0px; BORDER-LEFT-WIDTH: 0px; BORDER-BOTTOM-=
WIDTH: 0px; WIDTH: 50px; HEIGHT: 22px; BORDER-RIGHT-WIDTH: 0px" src=3D"http=
://www.fmf.gov.ng/images/3dflags_nga0001-0002a.gif"></DIV></DIV></TD></TR><=
/TBODY></TABLE></DIV></td></tr></table>
--0-1841011471-1269955266=:2445--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 14:15:08 2010
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From: "Kris Hartung" <khartung@q.com>
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References: <9363478.206.1269949173034.JavaMail.root@n34>
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Tue, 30 Mar 2010 08:14:44 -0600
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I think I listed Morris in my starting list. He's oneof my favorites in =
terms of what I call the "raw deal". He has no bells and whistles, =
gimmickes, etc...just raw guitar playing with drums and bass.  I have =
two of his trio CDs, Antennae and Symbolic Gestures.   I'll see if I can =
find Age of Everything online.  I like Halverson too...."Dragon's Head". =
  :)

Kris

  ----- Original Message -----=20
  From: ditch wrestler=20
  To: Loopers Delight=20
  Sent: Tuesday, March 30, 2010 5:33 AM
  Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios



        I haven't seen anybody mention Joe Morris - not the famed NY =
Giants running back, but the Boston-based guitarist/bassist and faculty =
at the New England Conservatory.  I'd have to dig around to see all that =
I've got of his but I know "Age of Everything" (which is great!) is =
guitar/bass/drums recording.  I'm sure he's been in more than that, esp =
as he's done more than a few recordings with William Parker.  =
http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)

        And also I'll chip in Mary Halvorson as a great NYC guitarist.  =
She's usually involved in Anthony Braxton's new ensembles but her MH =
Trio is g/b/d and there's also her group People.  Just saw her and =
Jessica Pavone play in an attic in Guelph and it was good shit. =
http://www.maryhalvorson.com/  Nice article on her and Jessica in Signal =
to Noise a few issues back and I think another of her groups is =
mentioned in a recent issue of The Wire.

        I don't know how hard core free jazz/avant-garde these two are =
considered - they're both pretty jazzy but do have an edge to their =
playing...

        The problem is that for for this kind of music, anything goes.  =
You don't need a "classic" line-up.  If all you've got is two nose-flute =
players and a bagpiper, you're good to go!


        Ted H.



        Enemies are good for self-definition. Werner Herzog

        --- On Sun, 3/28/10, Kris Hartung <khartung@q.com> wrote:


          From: Kris Hartung <khartung@q.com>
          Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
          To: Loopers-Delight@loopers-delight.com
          Received: Sunday, March 28, 2010, 7:11 PM


          I'm doing music research for a new project I'm putting =
together. I need to construct an audio study of free jazz and/or =
avant-garde guitar/bass/drum trios...the more obscure the better.

          This is what I have so far, not all of which is that far out, =
but it's the best I can do.  Those with an * next to them are not really =
free jazz or avant-garde, but a good representation of the =
instrumentation in modern jazz.

          Bill Frisell - Live
          Joe Morris - Antennae and Symbolic Gesture
          John Abercrombie - In the Moment, November, and self titled =
(with Marc Johnson and Peter Erskine)
          John Scofield - Out Like a Light *
          John Stowell -Somewhere *
          Lorne Lofskey - Self Titled *
          Mike Stern - Standards *
          Nels Cline Trio - Ground
          Pat Metheny - Trio Live *

          Any others I can add? There must be more than this. Oddly, =
this is a difficult subject to search for on Google and music sites.  =
There needs to be a music search engine that allows you to search by =
genre and exact instrumentation.=20

          Kris

          www.krispenhartung.com

      =20


-------------------------------------------------------------------------=
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I think I listed Morris in my starting =
list. He's=20
oneof my favorites in terms of what I call the "raw deal". He has no =
bells and=20
whistles, gimmickes, etc...just raw guitar playing with drums and =
bass.&nbsp; I=20
have two of his trio CDs, Antennae and Symbolic Gestures.&nbsp;&nbsp; =
I'll see=20
if I can find Age of Everything online.&nbsp; I like Halverson =
too...."Dragon's=20
Head".&nbsp;&nbsp; :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
  wrestler</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 30, 2010 =
5:33=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: Free =
Jazz/Avant-Garde=20
  Guitar/Bass/Drum Trios</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop><BR>I haven't seen anybody mention Joe Morris - =
not the=20
        famed NY Giants running back, but the Boston-based =
guitarist/bassist and=20
        faculty at the New England Conservatory.&nbsp; I'd have to dig =
around to=20
        see all that I've got of his but I know "Age of Everything" =
(which is=20
        great!) is guitar/bass/drums recording.&nbsp; I'm sure he's been =
in more=20
        than that, esp as he's done more than a few recordings with =
William=20
        Parker.&nbsp;=20
        http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)<BR><BR>And =
also I'll=20
        chip in Mary Halvorson as a great NYC guitarist.&nbsp; She's =
usually=20
        involved in Anthony Braxton's new ensembles but her MH Trio is =
g/b/d and=20
        there's also her group People.&nbsp; Just saw her and Jessica =
Pavone=20
        play in an attic in Guelph and it was good shit.=20
        http://www.maryhalvorson.com/&nbsp; Nice article on her and =
Jessica in=20
        Signal to Noise a few issues back and I think another of her =
groups is=20
        mentioned in a recent issue of The Wire.<BR><BR>I don't know how =
hard=20
        core free jazz/avant-garde these two are considered - they're =
both=20
        pretty jazzy but do have an edge to their playing...<BR><BR>The =
problem=20
        is that for for this kind of music, anything goes.&nbsp; You =
don't need=20
        a "classic" line-up.&nbsp; If all you've got is two nose-flute =
players=20
        and a bagpiper, you're good to go!<BR><BR><BR>Ted=20
        H.<BR><BR><BR><BR>Enemies are good for self-definition. Werner=20
        Herzog<BR><BR>--- On <B>Sun, 3/28/10, Kris Hartung=20
        <I>&lt;khartung@q.com&gt;</I></B> wrote:<BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
          Kris Hartung &lt;khartung@q.com&gt;<BR>Subject: OT: Free=20
          Jazz/Avant-Garde Guitar/Bass/Drum Trios<BR>To:=20
          Loopers-Delight@loopers-delight.com<BR>Received: Sunday, March =
28,=20
          2010, 7:11 PM<BR><BR>
          <DIV id=3Dyiv1108852823>
          <STYLE></STYLE>

          <DIV><FONT face=3DArial size=3D2>I'm doing music research for =
a new=20
          project I'm putting together. I need to construct an =
audio&nbsp;study=20
          of free jazz and/or avant-garde guitar/bass/drum trios...the =
more=20
          obscure the better.</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2>This is what I have so far, =
not all of=20
          which is that far out, but it's the best I can do.&nbsp; Those =
with an=20
          * next to them are not really free jazz or avant-garde, but a =
good=20
          representation of the instrumentation in modern =
jazz.</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2>Bill Frisell - =
Live</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>Joe Morris - Antennae and =
Symbolic=20
          Gesture</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>John Abercrombie - In the =
Moment,=20
          November, and self titled (with Marc Johnson and Peter=20
          Erskine)</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>John Scofield - Out Like a =
Light=20
          *</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>John Stowell -Somewhere =
*</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>Lorne Lofskey - Self Titled=20
*</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>Mike Stern - Standards =
*</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>Nels Cline Trio - =
Ground</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2>Pat Metheny - Trio Live =
*</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2>Any others I can add? There =
must be more=20
          than this. Oddly, this is a difficult subject to search for on =
Google=20
          and music sites.&nbsp; There needs to be a music search engine =
that=20
          allows you to search by genre and exact instrumentation. =
</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial size=3D2><A =
href=3D"http://www.krispenhartung.com"=20
          target=3D_blank =
rel=3Dnofollow>www.krispenhartung.com</A></FONT></DIV>
          <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
          <DIV><FONT face=3DArial=20
    =
size=3D2></FONT>&nbsp;</DIV></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE>=
<BR>
  <HR SIZE=3D1>
  Be smarter than spam. See how smart SpamGuard is at giving junk email =
the boot=20
  with the <A =
href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><B>All-new=20
  Yahoo! Mail </B></A></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 14:20:53 2010
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Tue, 30 Mar 2010 08:20:31 -0600
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This is what I've gather so far, in terms of what I liked:

Bill Frisell - Live
Joe Morris - Antennae and Symbolic Gesture
John Abercrombie - In the Moment, November, Gateway I and II, and self=20
titled (with Marc Johnson and Peter Erskine)
John Scofield - Out Like a Light *
Lorne Lofskey - Self Titled *
Mike Stern - Standards *
Nels Cline Trio - Ground
Pat Metheny - Trio Live *
Derek Baily (Joseph Holbrooke Trio) - The Moat Recordings
Marc Ducret (Live in France and Live in Poland)=20
Mary Halvorson Trio  (Dragon's Head)
Andreas Willers (Tin Drum Stories)

Kris

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This is what I've gather so far, in =
terms of what I=20
liked:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Bill Frisell - Live<BR>Joe Morris - Antennae and Symbolic =
Gesture<BR>John=20
Abercrombie - In the Moment, November, Gateway I and II, and self =
<BR>titled=20
(with Marc Johnson and Peter Erskine)<BR>John Scofield - Out Like a =
Light=20
*<BR>Lorne Lofskey - Self Titled *<BR>Mike Stern - Standards *<BR>Nels =
Cline=20
Trio - Ground<BR>Pat Metheny - Trio Live *<BR>Derek Baily (Joseph =
Holbrooke=20
Trio) - The Moat Recordings<BR>Marc Ducret (Live in France and Live in =
Poland)=20
<BR>Mary Halvorson Trio&nbsp; (Dragon's Head)<BR>Andreas Willers (Tin =
Drum=20
Stories)<BR></DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 14:24:30 2010
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To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Date: Tue, 30 Mar 2010 10:24:27 -0400
Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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I have to echo the raving about Halvorson, though I was surprised by NOT mu=
ch liking "Dragon's Head".  My favorite work of hers so far  is "Cracklekno=
b" with Nate Wooley, among others, and the Thirteenth Assembly record. I'm =
dying to see her live, a small woman with a big woody guitar making this sp=
lendid sound.

Hal Dean

From: ditch wrestler [mailto:ditchwrestler@yahoo.com]
Sent: Tuesday, March 30, 2010 7:33 AM
To: Loopers Delight
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios


I haven't seen anybody mention Joe Morris - not the famed NY Giants running=
 back, but the Boston-based guitarist/bassist and faculty at the New Englan=
d Conservatory.  I'd have to dig around to see all that I've got of his but=
 I know "Age of Everything" (which is great!) is guitar/bass/drums recordin=
g.  I'm sure he's been in more than that, esp as he's done more than a few =
recordings with William Parker.  http://en.wikipedia.org/wiki/Joe_Morris_(g=
uitarist)

And also I'll chip in Mary Halvorson as a great NYC guitarist.  She's usual=
ly involved in Anthony Braxton's new ensembles but her MH Trio is g/b/d and=
 there's also her group People.  Just saw her and Jessica Pavone play in an=
 attic in Guelph and it was good shit. http://www.maryhalvorson.com/  Nice =
article on her and Jessica in Signal to Noise a few issues back and I think=
 another of her groups is mentioned in a recent issue of The Wire.

I don't know how hard core free jazz/avant-garde these two are considered -=
 they're both pretty jazzy but do have an edge to their playing...

The problem is that for for this kind of music, anything goes.  You don't n=
eed a "classic" line-up.  If all you've got is two nose-flute players and a=
 bagpiper, you're good to go!


Ted H.



Enemies are good for self-definition. Werner Herzog

--- On Sun, 3/28/10, Kris Hartung <khartung@q.com> wrote:

From: Kris Hartung <khartung@q.com>
Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers-Delight@loopers-delight.com
Received: Sunday, March 28, 2010, 7:11 PM
I'm doing music research for a new project I'm putting together. I need to =
construct an audio study of free jazz and/or avant-garde guitar/bass/drum t=
rios...the more obscure the better.

This is what I have so far, not all of which is that far out, but it's the =
best I can do.  Those with an * next to them are not really free jazz or av=
ant-garde, but a good representation of the instrumentation in modern jazz.

Bill Frisell - Live
Joe Morris - Antennae and Symbolic Gesture
John Abercrombie - In the Moment, November, and self titled (with Marc John=
son and Peter Erskine)
John Scofield - Out Like a Light *
John Stowell -Somewhere *
Lorne Lofskey - Self Titled *
Mike Stern - Standards *
Nels Cline Trio - Ground
Pat Metheny - Trio Live *

Any others I can add? There must be more than this. Oddly, this is a diffic=
ult subject to search for on Google and music sites.  There needs to be a m=
usic search engine that allows you to search by genre and exact instrumenta=
tion.

Kris

www.krispenhartung.com<http://www.krispenhartung.com>




________________________________
Be smarter than spam. See how smart SpamGuard is at giving junk email the b=
oot with the All-new Yahoo! Mail <http://ca.promos.yahoo.com/newmail/overvi=
ew2/>

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<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>I have to echo the raving about Halvorson, though I was
surprised by NOT much liking &#8220;Dragon&#8217;s Head&#8221;.&nbsp; My
favorite work of hers so far &nbsp;is &#8220;Crackleknob&#8221; with Nate
Wooley, among others, and the Thirteenth Assembly record. I&#8217;m dying t=
o
see her live, a small woman with a big woody guitar making this splendid so=
und.
&nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span style=3D'font-size:11.0pt;font-family:"Palati=
no Linotype","serif";
color:#1F497D'>Hal Dean<o:p></o:p></span></i></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Tahoma=
","sans-serif"'>From:</span></b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> ditch wrestle=
r
[mailto:ditchwrestler@yahoo.com] <br>
<b>Sent:</b> Tuesday, March 30, 2010 7:33 AM<br>
<b>To:</b> Loopers Delight<br>
<b>Subject:</b> Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<o:p></=
o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal><br>
  I haven't seen anybody mention Joe Morris - not the famed NY Giants runni=
ng
  back, but the Boston-based guitarist/bassist and faculty at the New Engla=
nd
  Conservatory.&nbsp; I'd have to dig around to see all that I've got of hi=
s
  but I know &quot;Age of Everything&quot; (which is great!) is
  guitar/bass/drums recording.&nbsp; I'm sure he's been in more than that, =
esp
  as he's done more than a few recordings with William Parker.&nbsp;
  http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)<br>
  <br>
  And also I'll chip in Mary Halvorson as a great NYC guitarist.&nbsp; She'=
s
  usually involved in Anthony Braxton's new ensembles but her MH Trio is g/=
b/d
  and there's also her group People.&nbsp; Just saw her and Jessica Pavone =
play
  in an attic in Guelph and it was good shit.
  http://www.maryhalvorson.com/&nbsp; Nice article on her and Jessica in Si=
gnal
  to Noise a few issues back and I think another of her groups is mentioned=
 in
  a recent issue of The Wire.<br>
  <br>
  I don't know how hard core free jazz/avant-garde these two are considered=
 -
  they're both pretty jazzy but do have an edge to their playing...<br>
  <br>
  The problem is that for for this kind of music, anything goes.&nbsp; You
  don't need a &quot;classic&quot; line-up.&nbsp; If all you've got is two
  nose-flute players and a bagpiper, you're good to go!<br>
  <br>
  <br>
  Ted H.<br>
  <br>
  <br>
  <br>
  Enemies are good for self-definition. Werner Herzog<br>
  <br>
  --- On <b>Sun, 3/28/10, Kris Hartung <i>&lt;khartung@q.com&gt;</i></b> wr=
ote:<o:p></o:p></p>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><br>
  From: Kris Hartung &lt;khartung@q.com&gt;<br>
  Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<br>
  To: Loopers-Delight@loopers-delight.com<br>
  Received: Sunday, March 28, 2010, 7:11 PM<o:p></o:p></p>
  <div id=3Dyiv1108852823>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>I'm
  doing music research for a new project I'm putting together. I need to
  construct an audio&nbsp;study of free jazz and/or avant-garde
  guitar/bass/drum trios...the more obscure the better.</span><o:p></o:p></=
p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>This
  is what I have so far, not all of which is that far out, but it's the bes=
t I
  can do.&nbsp; Those with an * next to them are not really free jazz or
  avant-garde, but a good representation of the instrumentation in modern j=
azz.</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Bill
  Frisell - Live</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Joe
  Morris - Antennae and Symbolic Gesture</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>John
  Abercrombie - In the Moment, November, and self titled (with Marc Johnson=
 and
  Peter Erskine)</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>John
  Scofield - Out Like a Light *</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>John
  Stowell -Somewhere *</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Lorne
  Lofskey - Self Titled *</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Mike
  Stern - Standards *</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Nels
  Cline Trio - Ground</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Pat
  Metheny - Trio Live *</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Any
  others I can add? There must be more than this. Oddly, this is a difficul=
t
  subject to search for on Google and music sites.&nbsp; There needs to be =
a
  music search engine that allows you to search by genre and exact
  instrumentation. </span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'>Kris</span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial",=
"sans-serif"'><a
  href=3D"http://www.krispenhartung.com" target=3D"_blank">www.krispenhartu=
ng.com</a></span><o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Calibri",=
"sans-serif"'><o:p>&nbsp;</o:p></span></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Calibri","sans-serif"'>

<hr size=3D1 width=3D"100%" align=3Dcenter>

</span></div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Calibri",=
"sans-serif"'>Be
smarter than spam. See how smart SpamGuard is at giving junk email the boot
with the <a href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><b>All-n=
ew
Yahoo! Mail </b></a><o:p></o:p></span></p>

</div>

</body>

</html>

--_000_86FEE8BCF5652949A08D1EB0545EB42404A3C5F82CWCUEXEMP1MBPA_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 14:27:23 2010
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Tue, 30 Mar 2010 10:15:59 -0400
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Lots of great suggestions here, allow me to add one more. Lambic Jones  
is exactly that, a guitar/bass/drum trio with Percy Jones (Brand X) on  
fretless bass, and Stephen Moses (Alice Donut) on drums and trombone  
playing completely improvised music that includes looping...oh yeah,  
the guitar player is me, Paul Sullivan. You can see us here, http://www.youtube.com/results?search_query=lambic+jones&search_type=&aq=f 
   I keep forgetting to post gigs here, but we had a packed house at  
the Bitter End last Saturday, and we're also playing in Bushwick  
Brooklyn (NY) at Goodbye Blue Monday this Friday, April 2nd. There's  
lots of videos on youtube, and we have an album forthcoming, also...

thanks for looking,
Paul

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 15:18:42 2010
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Date: Tue, 30 Mar 2010 10:07:39 -0400
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Subject: Re: "labels" (Re: kripsens free jazz/ search)
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>one of the merits of Dada was that it was kick in the groin of the 
>powers that be. It also created a connexion between art, spiritual 
>matters and political matters.
>This is re-emerging today.
>
>ANtony Hequet


Really?  Who are the Duchamps of today as you see it?


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Date: Tue, 30 Mar 2010 08:38:38 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: "labels" (Re: kripsens free jazz/ search)
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I wish I knew, wish I could say me. my hero is more Antonin Artaud despite his drug habit. His writtings
Are a big inspiration
Antony Hequet

Sent from my iPhone

On 2010-03-30, at 16:07, Charles Zwicky <cazwicky@earthlink.net> wrote:

one of the merits of Dada was that it was kick in the groin of the powers that be. It also created a connexion between art, spiritual matters and political matters.
This is re-emerging today.

ANtony Hequet


Really?  Who are the Duchamps of today as you see it?


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix




      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 15:39:08 2010
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Although mostly a bass clinic, I will be performing with my 'Rang III in
Chicago on April 8th. Her is the official PR

As part of the commitment to the Chicago Bass Community, Jauqo III-X’s has
invited Bassist, Educator and the Author of “The Art of Solo Bass”,
Michael Dimin to present a free clinic at www.cpesound.com 345 North
Loomis Street, Chicago, IL 60607 on Thursday Evening, April 8, 2010 at
7:30 pm.

It has been said of Michael Dimin that "Above it all he is a supreme
musician, with a singular, unique voice on his instrument." (Max Valentino
- talkbass.com). Mike as dedicated the past thirty years to expanding the
role of the bass and educating a legion of bassists to the possibilities
that lie within themselves and their instrument. Through his
groundbreaking books, "The Chordal Approach" and subsequent “The Art of
Solo Bass” (Mel Bay) and through his work as a lesson columnist for Bass
Guitar Magazine, Bassics Magazine and Bass Frontiers Magazine, Mike has
brought the concept of solo bass as well as arranging for solo and
multiple basses to the fore. As a product specialist for Zon Guitars and
Euphonic Audio, Mike has been given the opportunity to combine the two
things he loves most, playing and teaching bass. Mike has been featured in
Bassics Magazine, Bass Frontiers Magazine, ForBassPlayersOnly.com,
Talkbass.com, and Global Bass Magazine. Mike has taught at Gerald
Veasley’s Bass Boot Camp, The National Summer Guitar Workshop, The Bass
Collective and more.

This event is presented by Jauqo III-X, Zon Guitars, Euphonic Audio
Amplifiers and C.P. E. Sound. For more information contact:
jauqo@yahoo.com

Thanks, hope to see you there
Mike Dimin

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Date: Tue, 30 Mar 2010 17:44:07 +0200
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Subject: Re: "labels" (Re: kripsens free jazz/ search)
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 30, 2010 at 5:38 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
> I wish I knew, wish I could say me. my hero is more Antonin Artaud despite his drug habit. His writtings
> Are a big inspiration

Nice to see that! Artaud has been one of the biggest sources of
inspiration for me as well! :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: kripsens free jazz/ search( ....& things...)
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i found one vid on the joe morris-hmmm, he looks interesting, may have to
explore him more.....

funny reading the arto lindsay reviews from amazon :
"I've always wondered whether Arto Lindsay tunes his guitar. With the amount
of noise and dissonance that comes out of it I am inclined think not;"

that makes me laugh--when i was doing my tuning exploration a few yrs ago-i
wondered that myself-why bother tuning-it sounds so cool untuned! ha!
but i will say the sounds he gets, whether he tunes or  not are most COOL!!!

yea, as for the dada comments-i do believe that dada is one of the biggest
movements that influenced all of the art world in the 20th century...and it
spilled out to
main world in many ways too....
the chaos, nonsense, absurdity, humor, juxtaposition of
images/material....probably explains most of our world today....all thanks
to duchamp and that crazy group of disillusioned artists after WWI.....

s---

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i found one vid on the joe morris-hmmm, he looks interesting, may have to e=
xplore him more.....<br><br>funny reading the arto lindsay reviews from ama=
zon :<br>&quot;I&#39;ve always wondered whether Arto Lindsay tunes his guit=
ar. With the
amount of noise and dissonance that comes out of it I am inclined think
not;&quot;<br><br>that makes me laugh--when i was doing my tuning explorati=
on a few yrs ago-i wondered that myself-why bother tuning-it sounds so cool=
 untuned! ha!<br>but i will say the sounds he gets, whether he tunes or=A0 =
not are most COOL!!!<br>
<br>yea, as for the dada comments-i do believe that dada is one of the bigg=
est movements that influenced all of the art world in the 20th century...an=
d it spilled out to<br>main world in many ways too....<br>the chaos, nonsen=
se, absurdity, humor, juxtaposition of images/material....probably explains=
 most of our world today....all thanks to duchamp and that crazy group of d=
isillusioned artists after WWI.....<br>
<br>s---<br><br>

--000e0cd14b18fb8f3f0483068591--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 15:47:08 2010
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Date: Tue, 30 Mar 2010 17:47:05 +0200
Message-ID: <7a9df3e51003300847s13235261n67402d286cb86de6@mail.gmail.com>
Subject: Fuel tank 12dc juicy lucy to power 9v dc pedals,safe?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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--0016364163cd9fe1b00483068a76
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Hi gang,
would it be safe tu use something like the the fuel tank juicy lucy

http://t-rex-effects.com/Default.aspx?ID=94&ProductID=PROD8&VariantID
(which puts out  5X 12v dc of 300ma for each output)

for the following pedals:

adrenalinn (normally requires 9v dc 500ma)
tc harmony G (normally requires 12v dc 500ma)
tc VT create (normally requires 12v dc 500ma)
EH micro POG (requires 9,6V DC 200 mA)

so as you can see:
the adrenalinn requires more ma than the usual 9v dc pedals,and it does not
run on batteries would it be ok then to use the 12v for it?
the tc harmony G is 12v but requires 500ma (more than what the juicy can
provide per output)but i can use a doubler cable to use 2 of the outputs of
the juicy to use a total of 600ma
that leaves me with the tc VT create
and the EH Micro pog,this one does not take batteries either would it be
safe to use the 12v dc?
ive been told some 9v dc pedals take 12v dc without any problems...
cheers
Luis

--0016364163cd9fe1b00483068a76
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Hi gang,<br>would it be safe tu use something like the the fuel tank juicy =
lucy<br><br><a href=3D"http://t-rex-effects.com/Default.aspx?ID=3D94&amp;Pr=
oductID=3DPROD8&amp;VariantID">http://t-rex-effects.com/Default.aspx?ID=3D9=
4&amp;ProductID=3DPROD8&amp;VariantID</a><br>
(which puts out=A0 5X 12v dc of 300ma for each output)<br><br>for the follo=
wing pedals:<br><br>adrenalinn (normally requires 9v dc 500ma)<br>tc harmon=
y G (normally requires 12v dc 500ma)<br>tc VT create (normally requires 12v=
 dc 500ma)<br>
EH micro POG<span> (requires 9,6V DC</span><span> 200 mA)<br><br>so as you =
can see: <br>the adrenalinn requires more ma than the usual 9v dc pedals,an=
d it does not run on batteries would it be ok then to use the 12v for it?<b=
r>
the tc harmony G is 12v but requires 500ma (more than what the juicy can pr=
ovide per output)but i can use a doubler cable to use 2 of the outputs of t=
he juicy to use a total of 600ma<br>that leaves me with the tc VT create<br=
>
and the EH Micro pog,this one does not take batteries either would it be sa=
fe to use the 12v dc?<br>ive been told some 9v dc pedals take 12v dc withou=
t any problems...<br>cheers<br>Luis<br></span>

--0016364163cd9fe1b00483068a76--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:03:54 2010
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Date: Tue, 30 Mar 2010 9:03:52 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: NEW TERJE RYPDAL CD "CRIME SCENE" COMING OUT IN MID APRIL
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Well, well, well.

It seem that we have an abundance of riches to look forward to in the near future.

I just checked Amazon.com (US) and there is a new disc from Terje Rypdal coming out on April 19th entitled "Crime Scene".

Coupled with the news of the new Steve Tibbettes CD in early May, I think that things are beginning to look up.

There's no description or anything up there yet but the title and art are posted at:

<http://www.amazon.co.uk/Crime-Scene-Terje-Rypdal/dp/B00369K2P0/ref=sr_1_2?ie=UTF8&s=music&qid=1269964404&sr=1-2>

Happy days are here again!

Cheers,

Ted

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:05:11 2010
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Subject: Re: was s tibbetts new disc....doldrums...
Date: Tue, 30 Mar 2010 12:04:52 -0400
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doldrums!.....thank GOD none of my knives are sharp.....this was a=20
tough winter, the world is STILL in a heap of mayhem.....SPRING HAS=20
SPRUNG, pretty much.....get out into the SUN, this is the only=20
cure!!!!!.....put on a KLUTTER CD and sing along!.....:)m


From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:06:26 2010
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Date: Tue, 30 Mar 2010 12:06:25 -0400
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Subject: Re: NEW TERJE RYPDAL CD "CRIME SCENE" COMING OUT IN MID APRIL
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--001636d34ca6c159d2048306cfca
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Ted I'll control myself but this is more good news, maybe ECM is
rebirthing.  I remember Krispen played something by Terje on his first radi=
o
show and it was first hearing of him in a long time.  Thanks for announcing
this.

On Tue, Mar 30, 2010 at 12:03 PM, tEd =AE kiLLiAn <tedkillian@charter.net>w=
rote:

> Well, well, well.
>
> It seem that we have an abundance of riches to look forward to in the nea=
r
> future.
>
> I just checked Amazon.com (US) and there is a new disc from Terje Rypdal
> coming out on April 19th entitled "Crime Scene".
>
> Coupled with the news of the new Steve Tibbettes CD in early May, I think
> that things are beginning to look up.
>
> There's no description or anything up there yet but the title and art are
> posted at:
>
> <
> http://www.amazon.co.uk/Crime-Scene-Terje-Rypdal/dp/B00369K2P0/ref=3Dsr_1=
_2?ie=3DUTF8&s=3Dmusic&qid=3D1269964404&sr=3D1-2
> >
>
> Happy days are here again!
>
> Cheers,
>
> Ted
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636d34ca6c159d2048306cfca
Content-Type: text/html; charset=ISO-8859-1
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Ted I&#39;ll control myself but this is more good news, maybe ECM is rebirt=
hing.=A0 I remember Krispen played something by Terje on his first radio sh=
ow and it was first hearing of him in a long time.=A0 Thanks for announcing=
 this.<br>
<br><div class=3D"gmail_quote">On Tue, Mar 30, 2010 at 12:03 PM, tEd =AE ki=
LLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedki=
llian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">
Well, well, well.<br>
<br>
It seem that we have an abundance of riches to look forward to in the near =
future.<br>
<br>
I just checked Amazon.com (US) and there is a new disc from Terje Rypdal co=
ming out on April 19th entitled &quot;Crime Scene&quot;.<br>
<br>
Coupled with the news of the new Steve Tibbettes CD in early May, I think t=
hat things are beginning to look up.<br>
<br>
There&#39;s no description or anything up there yet but the title and art a=
re posted at:<br>
<br>
&lt;<a href=3D"http://www.amazon.co.uk/Crime-Scene-Terje-Rypdal/dp/B00369K2=
P0/ref=3Dsr_1_2?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1269964404&amp;sr=3D1-2" =
target=3D"_blank">http://www.amazon.co.uk/Crime-Scene-Terje-Rypdal/dp/B0036=
9K2P0/ref=3Dsr_1_2?ie=3DUTF8&amp;s=3Dmusic&amp;qid=3D1269964404&amp;sr=3D1-=
2</a>&gt;<br>

<br>
Happy days are here again!<br>
<br>
Cheers,<br>
<font color=3D"#888888"><br>
Ted<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636d34ca6c159d2048306cfca--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:07:58 2010
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Date: Tue, 30 Mar 2010 9:07:56 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: NEW TERJE RYPDAL CD "CRIME SCENE" COMING OUT IN MID APRIL
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Ooops.

That link was for Amazon.uk.

Here is the link for the US Amazon.com

<http://www.amazon.com/Crime-Scene-Terje-Rypdal/dp/B00369K2P0/ref=3Dsr_1_1?=
ie=3DUTF8&s=3Dmusic&qid=3D1269965147&sr=3D1-1>

Sorry folks.

Still good news though.

:-)

Ted

---- "tEd =C2=AE kiLLiAn" <tedkillian@charter.net> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Well, well, well.

It seem that we have an abundance of riches to look forward to in the near =
future.

I just checked Amazon.com (US) and there is a new disc from Terje Rypdal co=
ming out on April 19th entitled "Crime Scene".

Coupled with the news of the new Steve Tibbettes CD in early May, I think t=
hat things are beginning to look up.

There's no description or anything up there yet but the title and art are p=
osted at:

<http://www.amazon.co.uk/Crime-Scene-Terje-Rypdal/dp/B00369K2P0/ref=3Dsr_1_=
2?ie=3DUTF8&s=3Dmusic&qid=3D1269964404&sr=3D1-2>

Happy days are here again!

Cheers,

Ted


From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:08:53 2010
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	 <66f9cc1e1003300844p604c7cadm734814114b8aa562@mail.gmail.com>
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Subject: Re: "labels" (Re: kripsens free jazz/ search)
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> Nice to see that! Artaud has been one of the biggest sources of
> inspiration for me as well! :-)

Way OT now, but I was looking to read some Artaud and I found a book
called "Artaud and the Gnostic Drama" by Jane Goodall!  The same Jane
Goodall who pioneered Chimpanzee studies.  Too bad its checked out, I
feel I have to read this one now.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:28:55 2010
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Subject: Re: "labels" (Re: kripsens free jazz/ search)
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On Tue, Mar 30, 2010 at 6:08 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Way OT now, but I was looking to read some Artaud and I found a book
> called "Artaud and the Gnostic Drama" by Jane Goodall! =C2=A0The same Jan=
e
> Goodall who pioneered Chimpanzee studies. =C2=A0Too bad its checked out, =
I
> feel I have to read this one now.

Picking up the OT thread... Loved reading about her Chimpanzee
studies! Didn't know she covered Artaud as well! Interesting. These OT
wanderings tend to become quite rewarding on this list :-)

per

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:43:08 2010
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Subject: OT: Recommendations for Microphone and Archtop or Acoustic  Guitar
Date: Tue, 30 Mar 2010 10:42:45 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_06FF_01CACFF5.BB8170C0
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Thought I would close this out.

I bought two mics.  First, I bought an Audio Technica Pro 70. This is a =
clip on condernsor mic for guitar or voice applications. I can actually =
wrap a piece of cloth around the mic and it slides nicely under the wood =
pick guard of the guitar, pointing toward the f-hole.  No feedback, =
decent tone...great for live applications and blending in the natural =
sound of the guitar with my amp.

http://www.audio-technica.com/cms/wired_mics/e6f7342e8d1ceed3/index.html/=


Then I bought a Shure KSM 137, which I really like.  I talked to one of =
Shure's engineers, who has been with them for 25 years, and also happens =
to be a jazz archtop player. This is what he uses (obviously).   It does =
a good job at capturing the nuances of the archtop. It also has a few =
things that not all of these pencil type condensor mics have, such as a =
three way level switch, and three roll-off settings (one being flat).

http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_KSM137-SL_=
content


Kris


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Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thought I would close this =
out.</FONT></DIV><FONT=20
face=3DArial size=3D2>
<DIV><BR>I bought two mics.&nbsp; First, I bought an Audio Technica Pro =
70. This=20
is a clip on condernsor mic for guitar or voice applications. I can =
actually=20
wrap a piece of cloth around the mic and it slides nicely under the wood =
pick=20
guard of the guitar, pointing toward the f-hole.&nbsp;&nbsp;No feedback, =
decent=20
tone...great for live applications and blending in the natural sound of =
the=20
guitar with my amp.</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.audio-technica.com/cms/wired_mics/e6f7342e8d1ceed3/ind=
ex.html/">http://www.audio-technica.com/cms/wired_mics/e6f7342e8d1ceed3/i=
ndex.html/</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Then I bought a Shure KSM 137, which I really like.&nbsp; I talked =
to one=20
of Shure's engineers, who has been with them for 25 years, and also =
happens to=20
be a jazz archtop player. This is what he uses (obviously).&nbsp;&nbsp; =
It does=20
a good job at capturing the nuances of the archtop. It also has a few =
things=20
that not all of these pencil type condensor mics have, such as a three =
way level=20
switch, and three roll-off settings (one being flat).</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_KS=
M137-SL_content">http://www.shure.com/ProAudio/Products/WiredMicrophones/=
us_pro_KSM137-SL_content</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>Kris</DIV>
<DIV>&nbsp;</DIV>
<DIV></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_06FF_01CACFF5.BB8170C0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 16:57:08 2010
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Date: Wed, 31 Mar 2010 01:56:57 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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At 8:11 PM -0600 3/28/10, Kris Hartung wrote:
>I'm doing music research for a new project I'm putting together. I 
>need to construct an audio study of free jazz and/or avant-garde 
>guitar/bass/drum trios...the more obscure the better.

What say you about Fred Frith?  I know that he worked with 
guitar/bass/drums when he teamed up with Bill Laswell and Fred Maher 
to form Massacre in the early 80's.  Their debut effort (and only 
album with this line-up) "Killing Time" is brilliant.  But while 
they're quite "avant", it's pretty heavy so might not really qualify 
as "jazz".  I understand that Frith and Laswell reformed Massacre in 
the late '90's sans Maher -- drummer Charles Hayward replacing him -- 
but I've not heard any material (no pun intended) from the later 
lineup.

Still, the guy has worked with, like, a billion other people in the 
avant/experimental scene.  He has to have done more traditional 
avant-jazz with guitar/bass/drums *somewhere*, eh...?

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 17:09:14 2010
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Subject: Mackie Routing w/ an EDP..?
From: Loaf citious <loafcitious@gmail.com>
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Hey loopers,

I've been thinking of getting a new Mackie board for my loop rig and
to tell the truth, it's not just cause
of preamps/sound.  The VLZ series, I believe 14ch and up have this one
tiny feature that I can't find
on any other mixer, it's that little button that says "fold aux 2 back
to aux one" or something like that, I'm not quoting here..
Anyway,  as one of the more typical setups go, I like to run my EDP
through the one of the aux, usually the first.  And I like to run my
effects through the second. But, what I don't like is running the
output of the effects back into a new channel.
This was ok, when I was mostly focused on studio work. But, now in
this live looping situation, I find the extra gain staging annoying.
I mean, there's already enough to think about, why do I need one more
level of gain...seems like I'm constantly adjusting it.
Thus the Mackie.
So I guess my questions are this:
1. Does anyone route their stuff this way w/ a Mackie? Does that
little button work like a champ....a good experience?
and
2. Does anyone have any alternative ideas besides the two methods listed above?

Thanks,
Andy G.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 17:26:21 2010
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Tue, 30 Mar 2010 11:25:57 -0600
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I have only a few items from Fred, one of which is a nice video DVD that Hal 
sent me!  Actually, I saw Fred play in person in Oakland at Mills College a 
few months ago, with Bob Ostertag.  But I don't have any of his trio stuff.

So what is the title of one of his guitar/bass/drum sessions?

Kris


----- Original Message ----- 


> At 8:11 PM -0600 3/28/10, Kris Hartung wrote:
>>I'm doing music research for a new project I'm putting together. I need to 
>>construct an audio study of free jazz and/or avant-garde guitar/bass/drum 
>>trios...the more obscure the better.
>
> What say you about Fred Frith?  I know that he worked with 
> guitar/bass/drums when he teamed up with Bill Laswell and Fred Maher to 
> form Massacre in the early 80's.  Their debut effort (and only album with 
> this line-up) "Killing Time" is brilliant.  But while they're quite 
> "avant", it's pretty heavy so might not really qualify as "jazz".  I 
> understand that Frith and Laswell reformed Massacre in the late '90's sans 
> Maher -- drummer Charles Hayward replacing him -- 
> but I've not heard any material (no pun intended) from the later lineup.
>
> Still, the guy has worked with, like, a billion other people in the 
> avant/experimental scene.  He has to have done more traditional avant-jazz 
> with guitar/bass/drums *somewhere*, eh...?
>
> --m.
> -- 
> _____
> "when you think your dreams are shattered, it's time to dream new dreams"
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 18:11:06 2010
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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At 11:25 AM -0600 3/30/10, Kris Hartung wrote:
>I have only a few items from Fred, one of which is a nice video DVD 
>that Hal sent me!  Actually, I saw Fred play in person in Oakland at 
>Mills College a few months ago, with Bob Ostertag.

Okay, now I'm really frickin' jealous.  ;)

>But I don't have any of his trio stuff.
>
>So what is the title of one of his guitar/bass/drum sessions?

Group name = Massacre
Albums:
	Killing Time (1981)
	Funny Valentine (1998)
	Meltdown (2001)
	Lonely Heart (2007)

Also, just read about another trio Frith formed with Kato Hideki 
(bass), and Ikue Mori (drum machines) called Death Ambient.  Haven't 
heard that one yet, however.

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

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Date: Tue, 30 Mar 2010 20:26:53 +0200
Message-ID: <7a9df3e51003301126u34ebede8we9b847ac8ebe3c50@mail.gmail.com>
Subject: power supply for fx pedals question
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d778db1a962d048308c6aa
Content-Type: text/plain; charset=ISO-8859-1

Hi gang,
would it be safe tu use something like the the fuel tank juicy lucy

http://t-rex-effects.com/Default.aspx?ID=94&ProductID=PROD8&VariantID
(which puts out  5X 12v dc of 300ma for each output)

for the following pedals:

adrenalinn (normally requires 9v dc 500ma)
tc harmony G (normally requires 12v dc 500ma)
tc VT create (normally requires 12v dc 500ma)
EH micro POG (requires 9,6V DC 200 mA)

so as you can see:
the adrenalinn requires more ma than the usual 9v dc pedals,and it does not
run on batteries would it be ok then to use the 12v for it?
the tc harmony G is 12v but requires 500ma (more than what the juicy can
provide per output)but i can use a doubler cable to use 2 of the outputs of
the juicy to use a total of 600ma
that leaves me with the tc VT create
and the EH Micro pog,this one does not take batteries either would it be
safe to use the 12v dc?
ive been told some 9v dc pedals take 12v dc without any problems...
cheers
Luis

--0016e6d778db1a962d048308c6aa
Content-Type: text/html; charset=ISO-8859-1
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Hi gang,<br>would it be safe tu use something like the the fuel tank=20
juicy lucy<br><br><a href=3D"http://t-rex-effects.com/Default.aspx?ID=3D94&=
amp;ProductID=3DPROD8&amp;VariantID" target=3D"_blank">http://t-rex-effects=
.com/Default.aspx?ID=3D94&amp;ProductID=3DPROD8&amp;VariantID</a><br>
(which puts out=A0 5X 12v dc of 300ma for each output)<br><br>for the=20
following pedals:<br><br>adrenalinn (normally requires 9v dc 500ma)<br>tc
 harmony G (normally requires 12v dc 500ma)<br>tc VT create (normally=20
requires 12v dc 500ma)<br>
EH micro POG<span> (requires 9,6V DC</span><span> 200 mA)<br><br>so as=20
you can see: <br>the adrenalinn requires more ma than the usual 9v dc=20
pedals,and it does not run on batteries would it be ok then to use the=20
12v for it?<br>
the tc harmony G is 12v but requires 500ma (more than what the juicy can
 provide per output)but i can use a doubler cable to use 2 of the=20
outputs of the juicy to use a total of 600ma<br>that leaves me with the=20
tc VT create<br>
and the EH Micro pog,this one does not take batteries either would it be
 safe to use the 12v dc?<br>ive been told some 9v dc pedals take 12v dc=20
without any problems...<br>cheers<br>Luis</span>

--0016e6d778db1a962d048308c6aa--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 18:48:12 2010
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Subject: Re: power supply for fx pedals question
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--Apple-Mail-83--390096174
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Hi Luis,

It sounds like this is probably not a good solution for your pedals. If =
a pedal requires 500ma and you only give it 300... you are under =
powering it and might even damage the power supply. The reverse is =
usually true though.. in that if a power supply is capable of giving say =
1000ma and you only need 300.. you're fine. In that case the pedal will =
only draw 300.  On the volts side.. sometimes you can get away with =
things like this in the short term and occasionally you might even find =
something "desirable" about it (think: lo-fi) but it's probably not good =
for either piece of gear.  For example, I know some analog pedal makers =
like the sound of dying 9volt batteries in their fuzz pedals (meaning... =
the batteries are probably giving out less than 9 volts). And.. I know =
some analog compressor pedals tend to have more headroom if run off a =
12volt supply instead of a 9 volt. But.. with the amperage you need to =
supply the minimum the gear is looking for (or more). It looks like the =
Lucy is capable of combining two 300ma outputs into a single 600ma =
output. So.. that should help your scenario, but then it might not have =
enough outputs for everything.=20

Hope that helps!
Tom


On Mar 30, 2010, at 11:26 AM, Louie Angulo wrote:

> Hi gang,
> would it be safe tu use something like the the fuel tank juicy lucy
>=20
> http://t-rex-effects.com/Default.aspx?ID=3D94&ProductID=3DPROD8&VariantI=
D
> (which puts out  5X 12v dc of 300ma for each output)
>=20
> for the following pedals:
>=20
> adrenalinn (normally requires 9v dc 500ma)
> tc harmony G (normally requires 12v dc 500ma)
> tc VT create (normally requires 12v dc 500ma)
> EH micro POG (requires 9,6V DC 200 mA)
>=20
> so as you can see:=20
> the adrenalinn requires more ma than the usual 9v dc pedals,and it =
does not run on batteries would it be ok then to use the 12v for it?
> the tc harmony G is 12v but requires 500ma (more than what the juicy =
can provide per output)but i can use a doubler cable to use 2 of the =
outputs of the juicy to use a total of 600ma
> that leaves me with the tc VT create
> and the EH Micro pog,this one does not take batteries either would it =
be safe to use the 12v dc?
> ive been told some 9v dc pedals take 12v dc without any problems...
> cheers
> Luis


--Apple-Mail-83--390096174
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hi =
Luis,<div><br></div><div>It sounds like this is probably not a good =
solution for your pedals. If a pedal requires 500ma and you only give it =
300... you are under powering it and might even damage the power supply. =
The reverse is usually true though.. in that if a power supply is =
capable of giving say 1000ma and you only need 300.. you're fine. In =
that case the pedal will only draw 300. &nbsp;On the volts side.. =
sometimes you can get away with things like this in the short term and =
occasionally you might even find something "desirable" about it (think: =
lo-fi) but it's probably not good for either piece of =
gear.&nbsp;&nbsp;For example, I know some analog pedal makers like the =
sound of dying 9volt batteries in their fuzz pedals (meaning... the =
batteries are probably giving out less than 9 volts). And.. I know some =
analog compressor pedals tend to have more headroom if run off a 12volt =
supply instead of a 9 volt. But.. with the amperage you need to supply =
the minimum the gear is looking for (or more).&nbsp;It looks like the =
Lucy is capable of combining two 300ma outputs into a single 600ma =
output. So.. that should help your scenario, but then it might not have =
enough outputs for everything.&nbsp;</div><div><br></div><div>Hope that =
helps!</div><div>Tom</div><div><br></div><div><br><div><div>On Mar 30, =
2010, at 11:26 AM, Louie Angulo wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hi =
gang,<br>would it be safe tu use something like the the fuel tank=20
juicy lucy<br><br><a =
href=3D"http://t-rex-effects.com/Default.aspx?ID=3D94&amp;ProductID=3DPROD=
8&amp;VariantID" =
target=3D"_blank">http://t-rex-effects.com/Default.aspx?ID=3D94&amp;Produc=
tID=3DPROD8&amp;VariantID</a><br>
(which puts out&nbsp; 5X 12v dc of 300ma for each output)<br><br>for the=20=

following pedals:<br><br>adrenalinn (normally requires 9v dc =
500ma)<br>tc
 harmony G (normally requires 12v dc 500ma)<br>tc VT create (normally=20
requires 12v dc 500ma)<br>
EH micro POG<span> (requires 9,6V DC</span><span> 200 mA)<br><br>so as=20=

you can see: <br>the adrenalinn requires more ma than the usual 9v dc=20
pedals,and it does not run on batteries would it be ok then to use the=20=

12v for it?<br>
the tc harmony G is 12v but requires 500ma (more than what the juicy can
 provide per output)but i can use a doubler cable to use 2 of the=20
outputs of the juicy to use a total of 600ma<br>that leaves me with the=20=

tc VT create<br>
and the EH Micro pog,this one does not take batteries either would it be
 safe to use the 12v dc?<br>ive been told some 9v dc pedals take 12v dc=20=

without any problems...<br>cheers<br>Luis</span>
</blockquote></div><br></div></body></html>=

--Apple-Mail-83--390096174--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 19:11:15 2010
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Subject: digitech pds8000 output volume
Date: Tue, 30 Mar 2010 12:11:08 -0700
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hi-

hello nice list people.

so, i have this digitech pds-8000 which is one of my greatest musical  
devices. however, the output volume is a bit lacking...regardless of  
where the mix knob is set, i feel like it's seriously killing not just  
the input volume from the guitar (which is run through a different  
pedal: digitech rp-1000 before hitting the pds), but also the output  
volume is just...not enough.

this pedal is obviously pretty old, and probably needs some kind of  
servicing. does anyone know if there's any kind of output stage mod,  
or if there's a repair that i can get done, that will fix this problem?

i mean, does anyone know about this problem, or is it just my  
particular unit?

thanks for any advice!

- tyler


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------=_NextPart_000_0049_01C2A9A6.250DA758--

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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
From: Rainer Straschill <moinsound@googlemail.com>
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Mech mentioned (about Frith):
> Group name = Massacre
> Albums:
>    Killing Time (1981)
>    Funny Valentine (1998)
>    Meltdown (2001)
>    Lonely Heart (2007)

Just found that with the exception of the last one, I have (and like)
all of them - Meltdown is a live album with a fantastic synth
guitar/harmonica duet at the end of track 4 (I think).

The "Death Ambient" album you wrote about is also recommended!

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 19:51:52 2010
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Subject: Re: power supply for fx pedals question
Date: Tue, 30 Mar 2010 13:51:12 -0500
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Luis,

You might want to wait on the Voodoo Lab Versa. Apparently it's been  
in the works for well over a year (and was announced at the 2009 NAMM  
show, I think), but I called Voodoo Lab a couple months ago, and they  
hoped it would finally be ready by early Summer. So, if you can hold  
out??

It's supposed to be able to power just about everything--knock on wood.

Jeff


From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 20:39:30 2010
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Louie Angulo wrote:
> Hi gang,
> would it be safe tu use something like the the fuel tank juicy lucy
> (which puts out  5X 12v dc of 300ma for each output)
> 
> for the following pedals:
> 
> adrenalinn (normally requires 9v dc 500ma)
> tc harmony G (normally requires 12v dc 500ma)
> tc VT create (normally requires 12v dc 500ma)
> EH micro POG (requires 9,6V DC 200 mA)
>

The Juicy Lucy has max output altogether of 1500mA ( 5x300mA ).
Your fx ask for a total of 1700mA.
So essentially you need something more powerful.

(although I've never heard of damage done by hooking up an 
 underpowered supply)


It's a bad idea to run a 9V fx at 12V, unless you get
an ok from the manufacturer.

you also need to keep track of the polarity for each fx
center +VE
or
center -VE

andy




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Date: Tue, 30 Mar 2010 13:41:57 -0700
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Subject: Re: kaossilator pro
From: Matt Davignon <mattdavignon@gmail.com>
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Hmmm, it's a drum machine, so I assume that would be line-level inputs.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Fri, Mar 26, 2010 at 8:40 PM, G <gigs@paradise.net.nz> wrote:
> Hi Matt
> Were you using instrument level or line level inputs/outputs with it?
>
> Not sure if you know about this, but I've found that mixing line level
> and instrument level signal quickly runs into these sort of problems.
> I use a stereo line driver after my effects for this very reason.
> The K.pro only has line level inputs and outputs, in addition to the
> microphone input.
>
> -- G.
>
>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: kaossilator pro
> From: Matt Davignon <mattdavignon@gmail.com>
> Date: Thu, 25 Mar 2010 15:29:24 -0700
>
>>I have the Kaoss Pad (KP4?), which is in a very similar package.
>>The Kaoss Pad has some problems in it. There's a lot of signal noise,
>>and if you try to boost your volume enough to compensate, you start
>>getting a distorted signal. I eventually took it out of my rig.
>>
>>Just something to test for if you get to do a hands-on demo.
>>
>>
>>--
>>Matt Davignon
>
>

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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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I've got Death Ambient's "Drunken Forest" - good stuff!


ted h.

Enemies are good for self-definition. Werner Herzog

--- On Tue, 3/30/10, Rainer Straschill <moinsound@googlemail.com> wrote:

From: Rainer Straschill <moinsound@googlemail.com>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: loopers-delight@loopers-delight.com
Received: Tuesday, March 30, 2010, 12:26 PM

Mech mentioned (about Frith):
> Group name =3D Massacre
> Albums:
>=A0 =A0 Killing Time (1981)
>=A0 =A0 Funny Valentine (1998)
>=A0 =A0 Meltdown (2001)
>=A0 =A0 Lonely Heart (2007)

Just found that with the exception of the last one, I have (and like)
all of them - Meltdown is a live album with a fantastic synth
guitar/harmonica duet at the end of track 4 (I think).

The "Death Ambient" album you wrote about is also recommended!

=0A=0A=0A      ____________________________________________________________=
______=0ALooking for the perfect gift? Give the gift of Flickr! =0A=0Ahttp:=
//www.flickr.com/gift/
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I've got Death Ambient's "Drunken Forest"=
 - good stuff!<br><br><br>ted h.<br><br>Enemies are good for self-definitio=
n. Werner Herzog<br><br>--- On <b>Tue, 3/30/10, Rainer Straschill <i>&lt;mo=
insound@googlemail.com&gt;</i></b> wrote:<br><blockquote style=3D"border-le=
ft: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>F=
rom: Rainer Straschill &lt;moinsound@googlemail.com&gt;<br>Subject: Re: OT:=
 Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<br>To: loopers-delight@looper=
s-delight.com<br>Received: Tuesday, March 30, 2010, 12:26 PM<br><br><div cl=
ass=3D"plainMail">Mech mentioned (about Frith):<br>&gt; Group name =3D Mass=
acre<br>&gt; Albums:<br>&gt;&nbsp; &nbsp; Killing Time (1981)<br>&gt;&nbsp;=
 &nbsp; Funny Valentine (1998)<br>&gt;&nbsp; &nbsp; Meltdown (2001)<br>&gt;=
&nbsp; &nbsp; Lonely Heart (2007)<br><br>Just found that with the exception=
 of the
 last one, I have (and like)<br>all of them - Meltdown is a live album with=
 a fantastic synth<br>guitar/harmonica duet at the end of track 4 (I think)=
.<br><br>The "Death Ambient" album you wrote about is also recommended!<br>=
<br></div></blockquote></td></tr></table><br>=0A      <hr size=3D1>Be smart=
er than spam. See how smart SpamGuard is at giving junk email the boot with=
 the <a href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><b>All-new Y=
ahoo! Mail </b></a>
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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And there's "Speechless" credited to "Fred Frith with Massacre".=A0 However=
, it's only side 2 tunes with Lawell and Maher and there's a horn trio on m=
ost of those songs.=A0 Side 1 is mostly with Etron Fou Leloublan, a French =
avant-rock quartet.

http://en.wikipedia.org/wiki/Speechless_(Fred_Frith_album)


ted h.

Enemies are good for self-definition. Werner Herzog

--- On Tue, 3/30/10, Mech <mech@m3ch.net> wrote:

From: Mech <mech@m3ch.net>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers-Delight@loopers-delight.com
Received: Tuesday, March 30, 2010, 11:10 AM

At 11:25 AM -0600 3/30/10, Kris Hartung wrote:
> I have only a few items from Fred, one of which is a nice video DVD that =
Hal sent me!=A0 Actually, I saw Fred play in person in Oakland at Mills Col=
lege a few months ago, with Bob Ostertag.

Okay, now I'm really frickin' jealous.=A0 ;)

> But I don't have any of his trio stuff.
>=20
> So what is the title of one of his guitar/bass/drum sessions?

Group name =3D Massacre
Albums:
=A0=A0=A0 Killing Time (1981)
=A0=A0=A0 Funny Valentine (1998)
=A0=A0=A0 Meltdown (2001)
=A0=A0=A0 Lonely Heart (2007)

Also, just read about another trio Frith formed with Kato Hideki (bass), an=
d Ikue Mori (drum machines) called Death Ambient.=A0 Haven't heard that one=
 yet, however.

=A0=A0=A0 --m.
-- _____
"we're no longer sure where home is; homesickness is our only guide"

=0A=0A=0A      ____________________________________________________________=
______=0AYahoo! Canada Toolbar: Search from anywhere on the web, and bookma=
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>And there's "Speechless" credited to "Fre=
d Frith with Massacre".&nbsp; However, it's only side 2 tunes with Lawell a=
nd Maher and there's a horn trio on most of those songs.&nbsp; Side 1 is mo=
stly with Etron Fou Leloublan, a French avant-rock quartet.<br><br>http://e=
n.wikipedia.org/wiki/Speechless_(Fred_Frith_album)<br><br><br>ted h.<br><br=
>Enemies are good for self-definition. Werner Herzog<br><br>--- On <b>Tue, =
3/30/10, Mech <i>&lt;mech@m3ch.net&gt;</i></b> wrote:<br><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><br>From: Mech &lt;mech@m3ch.net&gt;<br>Subject: Re: OT: Free Jazz/=
Avant-Garde Guitar/Bass/Drum Trios<br>To: Loopers-Delight@loopers-delight.c=
om<br>Received: Tuesday, March 30, 2010, 11:10 AM<br><br><div class=3D"plai=
nMail">At 11:25 AM -0600 3/30/10, Kris Hartung wrote:<br>&gt; I have only a=
 few
 items from Fred, one of which is a nice video DVD that Hal sent me!&nbsp; =
Actually, I saw Fred play in person in Oakland at Mills College a few month=
s ago, with Bob Ostertag.<br><br>Okay, now I'm really frickin' jealous.&nbs=
p; ;)<br><br>&gt; But I don't have any of his trio stuff.<br>&gt; <br>&gt; =
So what is the title of one of his guitar/bass/drum sessions?<br><br>Group =
name =3D Massacre<br>Albums:<br>&nbsp;&nbsp;&nbsp; Killing Time (1981)<br>&=
nbsp;&nbsp;&nbsp; Funny Valentine (1998)<br>&nbsp;&nbsp;&nbsp; Meltdown (20=
01)<br>&nbsp;&nbsp;&nbsp; Lonely Heart (2007)<br><br>Also, just read about =
another trio Frith formed with Kato Hideki (bass), and Ikue Mori (drum mach=
ines) called Death Ambient.&nbsp; Haven't heard that one yet, however.<br><=
br>&nbsp;&nbsp;&nbsp; --m.<br>-- _____<br>"we're no longer sure where home =
is; homesickness is our only guide"<br><br></div></blockquote></td></tr></t=
able><br>=0A      <p class=3D"MsoNormal"> </p>=0A=0A  <tbody><tr>=0A=0A    =
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers-Delight@loopers-delight.com
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Forgot to add this OT earlier:

Mary Halvorson's gear when I saw her was her big fat jazz box (1970 Guild A=
rtist Award) and using a Rat distortion (pretty sure it was a Turbo Rat), a=
 DL4 (left on one of the delay settings with an expression pedal), and a vo=
lume pedal.=C2=A0 (A nice variation on the vintage Bill Frisell set-up!)

She got good use out of the volume pedal as her guitar has acoustic sound, =
she'd keep playing even when the pick-up volume was at zero.

Jessica Pavone had her viola was plugged into a Fender Blender pedal.

I can't recall amps, but wouldn't be surprised if they were borrowed for th=
e gig.


ted h.

Enemies are good for self-definition. Werner Herzog

--- On Tue, 3/30/10, Dean, Hal <HDean@wcupa.edu> wrote:

From: Dean, Hal <HDean@wcupa.edu>
Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Received: Tuesday, March 30, 2010, 7:24 AM

=0A=0A=0A =0A =0A=0A=0A=0A=0A=0A=0A=0AI have to echo the raving about Halvo=
rson, though I was=0Asurprised by NOT much liking =E2=80=9CDragon=E2=80=99s=
 Head=E2=80=9D.=C2=A0 My=0Afavorite work of hers so far =C2=A0is =E2=80=9CC=
rackleknob=E2=80=9D with Nate=0AWooley, among others, and the Thirteenth As=
sembly record. I=E2=80=99m dying to=0Asee her live, a small woman with a bi=
g woody guitar making this splendid sound.=0A=C2=A0 =0A=0A =C2=A0 =0A=0AHal=
 Dean =0A=0A =C2=A0 =0A=0A=0A=0AFrom: ditch wrestler=0A[mailto:ditchwrestle=
r@yahoo.com]=20
=0ASent: Tuesday, March 30, 2010 7:33 AM
=0ATo: Loopers Delight
=0ASubject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios =0A=0A=0A=
=0A =C2=A0 =0A=0A=0A =0A  =0A =20
=0A  I haven't seen anybody mention Joe Morris - not the famed NY Giants ru=
nning=0A  back, but the Boston-based guitarist/bassist and faculty at the N=
ew England=0A  Conservatory.=C2=A0 I'd have to dig around to see all that I=
've got of his=0A  but I know "Age of Everything" (which is great!) is=0A  =
guitar/bass/drums recording.=C2=A0 I'm sure he's been in more than that, es=
p=0A  as he's done more than a few recordings with William Parker.=C2=A0=0A=
  http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)
=0A =20
=0A  And also I'll chip in Mary Halvorson as a great NYC guitarist.=C2=A0 S=
he's=0A  usually involved in Anthony Braxton's new ensembles but her MH Tri=
o is g/b/d=0A  and there's also her group People.=C2=A0 Just saw her and Je=
ssica Pavone play=0A  in an attic in Guelph and it was good shit.=0A  http:=
//www.maryhalvorson.com/=C2=A0 Nice article on her and Jessica in Signal=0A=
  to Noise a few issues back and I think another of her groups is mentioned=
 in=0A  a recent issue of The Wire.
=0A =20
=0A  I don't know how hard core free jazz/avant-garde these two are conside=
red -=0A  they're both pretty jazzy but do have an edge to their playing...
=0A =20
=0A  The problem is that for for this kind of music, anything goes.=C2=A0 Y=
ou=0A  don't need a "classic" line-up.=C2=A0 If all you've got is two=0A  n=
ose-flute players and a bagpiper, you're good to go!
=0A =20
=0A =20
=0A  Ted H.
=0A =20
=0A =20
=0A =20
=0A  Enemies are good for self-definition. Werner Herzog
=0A =20
=0A  --- On Sun, 3/28/10, Kris Hartung <khartung@q.com> wrote: =0A =20
=0A  From: Kris Hartung <khartung@q.com>
=0A  Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
=0A  To: Loopers-Delight@loopers-delight.com
=0A  Received: Sunday, March 28, 2010, 7:11 PM =0A  =0A  =0A  I'm=0A  doing=
 music research for a new project I'm putting together. I need to=0A  const=
ruct an audio=C2=A0study of free jazz and/or avant-garde=0A  guitar/bass/dr=
um trios...the more obscure the better. =0A  =0A  =0A  =C2=A0 =0A  =0A  =0A=
  This=0A  is what I have so far, not all of which is that far out, but it'=
s the best I=0A  can do.=C2=A0 Those with an * next to them are not really =
free jazz or=0A  avant-garde, but a good representation of the instrumentat=
ion in modern jazz. =0A  =0A  =0A  =C2=A0 =0A  =0A  =0A  Bill=0A  Frisell -=
 Live =0A  =0A  =0A  Joe=0A  Morris - Antennae and Symbolic Gesture =0A  =
=0A  =0A  John=0A  Abercrombie - In the Moment, November, and self titled (=
with Marc Johnson and=0A  Peter Erskine) =0A  =0A  =0A  John=0A  Scofield -=
 Out Like a Light * =0A  =0A  =0A  John=0A  Stowell -Somewhere * =0A  =0A  =
=0A  Lorne=0A  Lofskey - Self Titled * =0A  =0A  =0A  Mike=0A  Stern - Stan=
dards * =0A  =0A  =0A  Nels=0A  Cline Trio - Ground =0A  =0A  =0A  Pat=0A  =
Metheny - Trio Live * =0A  =0A  =0A  =C2=A0 =0A  =0A  =0A  Any=0A  others I=
 can add? There must be more than this. Oddly, this is a difficult=0A  subj=
ect to search for on Google and music sites.=C2=A0 There needs to be a=0A  =
music search engine that allows you to search by genre and exact=0A  instru=
mentation.  =0A  =0A  =0A  =C2=A0 =0A  =0A  =0A  Kris =0A  =0A  =0A  =C2=A0=
 =0A  =0A  =0A  www.krispenhartung.com =0A  =0A  =0A  =C2=A0 =0A  =0A  =0A =
 =C2=A0 =0A  =0A  =0A  =0A =0A=0A=0A =C2=A0 =0A=0A=0A=0A=0A=0A=0A=0ABe=0Asm=
arter than spam. See how smart SpamGuard is at giving junk email the boot=
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>Forgot to add this OT earlier:<br><br>Mar=
y Halvorson's gear when I saw her was her big fat jazz box (1970 Guild Arti=
st Award) and using a Rat distortion (pretty sure it was a Turbo Rat), a DL=
4 (left on one of the delay settings with an expression pedal), and a volum=
e pedal.&nbsp; (A nice variation on the vintage Bill Frisell set-up!)<br><b=
r>She got good use out of the volume pedal as her guitar has acoustic sound=
, she'd keep playing even when the pick-up volume was at zero.<br><br>Jessi=
ca Pavone had her viola was plugged into a Fender Blender pedal.<br><br>I c=
an't recall amps, but wouldn't be surprised if they were borrowed for the g=
ig.<br><br><br>ted h.<br><br>Enemies are good for self-definition. Werner H=
erzog<br><br>--- On <b>Tue, 3/30/10, Dean, Hal <i>&lt;HDean@wcupa.edu&gt;</=
i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 25=
5);
 margin-left: 5px; padding-left: 5px;"><br>From: Dean, Hal &lt;HDean@wcupa.=
edu&gt;<br>Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<br=
>To: "Loopers Delight" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Recei=
ved: Tuesday, March 30, 2010, 7:24 AM<br><br><div id=3D"yiv1351758476">=0A=
=0A=0A =0A =0A=0A<style>=0A<!--=0A#yiv1351758476  =0A _filtered #yiv1351758=
476 {font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;}=0A _filtered #yiv1=
351758476 {font-family:Tahoma;panose-1:2 11 6 4 3 5 4 4 2 4;}=0A _filtered =
#yiv1351758476 {font-family:"Palatino Linotype";panose-1:2 4 5 2 5 5 5 3 3 =
4;}=0A#yiv1351758476  =0A#yiv1351758476 p.MsoNormal, #yiv1351758476 li.MsoN=
ormal, #yiv1351758476 div.MsoNormal=0A=09{margin:0in;margin-bottom:.0001pt;=
font-size:12.0pt;font-family:"serif";}=0A#yiv1351758476 a:link, #yiv1351758=
476 span.MsoHyperlink=0A=09{color:blue;text-decoration:underline;}=0A#yiv13=
51758476 a:visited, #yiv1351758476 span.MsoHyperlinkFollowed=0A=09{color:pu=
rple;text-decoration:underline;}=0A#yiv1351758476 span.EmailStyle17=0A=09{f=
ont-family:"sans-serif";color:#1F497D;}=0A#yiv1351758476 .MsoChpDefault=0A=
=09{}=0A _filtered #yiv1351758476 {margin:1.0in 1.0in 1.0in 1.0in;}=0A#yiv1=
351758476 div.Section1=0A=09{}=0A-->=0A</style>=0A=0A<div class=3D"Section1=
">=0A=0A<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family:=
 &quot;sans-serif&quot;; color: rgb(31, 73, 125);">I have to echo the ravin=
g about Halvorson, though I was=0Asurprised by NOT much liking =E2=80=9CDra=
gon=E2=80=99s Head=E2=80=9D.&nbsp; My=0Afavorite work of hers so far &nbsp;=
is =E2=80=9CCrackleknob=E2=80=9D with Nate=0AWooley, among others, and the =
Thirteenth Assembly record. I=E2=80=99m dying to=0Asee her live, a small wo=
man with a big woody guitar making this splendid sound.=0A&nbsp;</span></p>=
 =0A=0A<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family: =
&quot;sans-serif&quot;; color: rgb(31, 73, 125);"> &nbsp;</span></p> =0A=0A=
<p class=3D"MsoNormal"><i><span style=3D"font-size: 11pt; font-family: &quo=
t;serif&quot;; color: rgb(31, 73, 125);">Hal Dean</span></i></p> =0A=0A<p c=
lass=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family: &quot;sans-=
serif&quot;; color: rgb(31, 73, 125);"> &nbsp;</span></p> =0A=0A<div style=
=3D"border-right: medium none; border-width: 1pt medium medium; border-styl=
e: solid none none; border-color: rgb(181, 196, 223) -moz-use-text-color -m=
oz-use-text-color; padding: 3pt 0in 0in;">=0A=0A<p class=3D"MsoNormal"><b><=
span style=3D"font-size: 10pt; font-family: &quot;sans-serif&quot;;">From:<=
/span></b><span style=3D"font-size: 10pt; font-family: &quot;sans-serif&quo=
t;;"> ditch wrestler=0A[mailto:ditchwrestler@yahoo.com] <br>=0A<b>Sent:</b>=
 Tuesday, March 30, 2010 7:33 AM<br>=0A<b>To:</b> Loopers Delight<br>=0A<b>=
Subject:</b> Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios</span></p=
> =0A=0A</div>=0A=0A<p class=3D"MsoNormal"> &nbsp;</p> =0A=0A<table class=
=3D"MsoNormalTable" border=3D"0" cellpadding=3D"0" cellspacing=3D"0">=0A <t=
body><tr>=0A  <td style=3D"padding: 0in;" valign=3D"top">=0A  <p class=3D"M=
soNormal"><br>=0A  I haven't seen anybody mention Joe Morris - not the fame=
d NY Giants running=0A  back, but the Boston-based guitarist/bassist and fa=
culty at the New England=0A  Conservatory.&nbsp; I'd have to dig around to =
see all that I've got of his=0A  but I know "Age of Everything" (which is g=
reat!) is=0A  guitar/bass/drums recording.&nbsp; I'm sure he's been in more=
 than that, esp=0A  as he's done more than a few recordings with William Pa=
rker.&nbsp;=0A  http://en.wikipedia.org/wiki/Joe_Morris_(guitarist)<br>=0A =
 <br>=0A  And also I'll chip in Mary Halvorson as a great NYC guitarist.&nb=
sp; She's=0A  usually involved in Anthony Braxton's new ensembles but her M=
H Trio is g/b/d=0A  and there's also her group People.&nbsp; Just saw her a=
nd Jessica Pavone play=0A  in an attic in Guelph and it was good shit.=0A  =
http://www.maryhalvorson.com/&nbsp; Nice article on her and Jessica in Sign=
al=0A  to Noise a few issues back and I think another of her groups is ment=
ioned in=0A  a recent issue of The Wire.<br>=0A  <br>=0A  I don't know how =
hard core free jazz/avant-garde these two are considered -=0A  they're both=
 pretty jazzy but do have an edge to their playing...<br>=0A  <br>=0A  The =
problem is that for for this kind of music, anything goes.&nbsp; You=0A  do=
n't need a "classic" line-up.&nbsp; If all you've got is two=0A  nose-flute=
 players and a bagpiper, you're good to go!<br>=0A  <br>=0A  <br>=0A  Ted H=
.<br>=0A  <br>=0A  <br>=0A  <br>=0A  Enemies are good for self-definition. =
Werner Herzog<br>=0A  <br>=0A  --- On <b>Sun, 3/28/10, Kris Hartung <i>&lt;=
khartung@q.com&gt;</i></b> wrote:</p> =0A  <p class=3D"MsoNormal" style=3D"=
margin-bottom: 12pt;"><br>=0A  From: Kris Hartung &lt;khartung@q.com&gt;<br=
>=0A  Subject: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios<br>=0A  To:=
 Loopers-Delight@loopers-delight.com<br>=0A  Received: Sunday, March 28, 20=
10, 7:11 PM</p> =0A  <div id=3D"yiv1108852823">=0A  <div>=0A  <p class=3D"M=
soNormal"><span style=3D"font-size: 10pt; font-family: &quot;sans-serif&quo=
t;;">I'm=0A  doing music research for a new project I'm putting together. I=
 need to=0A  construct an audio&nbsp;study of free jazz and/or avant-garde=
=0A  guitar/bass/drum trios...the more obscure the better.</span></p> =0A  =
</div>=0A  <div>=0A  <p class=3D"MsoNormal">&nbsp;</p> =0A  </div>=0A  <div=
>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &=
quot;sans-serif&quot;;">This=0A  is what I have so far, not all of which is=
 that far out, but it's the best I=0A  can do.&nbsp; Those with an * next t=
o them are not really free jazz or=0A  avant-garde, but a good representati=
on of the instrumentation in modern jazz.</span></p> =0A  </div>=0A  <div>=
=0A  <p class=3D"MsoNormal">&nbsp;</p> =0A  </div>=0A  <div>=0A  <p class=
=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &quot;sans-seri=
f&quot;;">Bill=0A  Frisell - Live</span></p> =0A  </div>=0A  <div>=0A  <p c=
lass=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &quot;sans-=
serif&quot;;">Joe=0A  Morris - Antennae and Symbolic Gesture</span></p> =0A=
  </div>=0A  <div>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10p=
t; font-family: &quot;sans-serif&quot;;">John=0A  Abercrombie - In the Mome=
nt, November, and self titled (with Marc Johnson and=0A  Peter Erskine)</sp=
an></p> =0A  </div>=0A  <div>=0A  <p class=3D"MsoNormal"><span style=3D"fon=
t-size: 10pt; font-family: &quot;sans-serif&quot;;">John=0A  Scofield - Out=
 Like a Light *</span></p> =0A  </div>=0A  <div>=0A  <p class=3D"MsoNormal"=
><span style=3D"font-size: 10pt; font-family: &quot;sans-serif&quot;;">John=
=0A  Stowell -Somewhere *</span></p> =0A  </div>=0A  <div>=0A  <p class=3D"=
MsoNormal"><span style=3D"font-size: 10pt; font-family: &quot;sans-serif&qu=
ot;;">Lorne=0A  Lofskey - Self Titled *</span></p> =0A  </div>=0A  <div>=0A=
  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &quot=
;sans-serif&quot;;">Mike=0A  Stern - Standards *</span></p> =0A  </div>=0A =
 <div>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-fami=
ly: &quot;sans-serif&quot;;">Nels=0A  Cline Trio - Ground</span></p> =0A  <=
/div>=0A  <div>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; =
font-family: &quot;sans-serif&quot;;">Pat=0A  Metheny - Trio Live *</span><=
/p> =0A  </div>=0A  <div>=0A  <p class=3D"MsoNormal">&nbsp;</p> =0A  </div>=
=0A  <div>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-=
family: &quot;sans-serif&quot;;">Any=0A  others I can add? There must be mo=
re than this. Oddly, this is a difficult=0A  subject to search for on Googl=
e and music sites.&nbsp; There needs to be a=0A  music search engine that a=
llows you to search by genre and exact=0A  instrumentation. </span></p> =0A=
  </div>=0A  <div>=0A  <p class=3D"MsoNormal">&nbsp;</p> =0A  </div>=0A  <d=
iv>=0A  <p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family:=
 &quot;sans-serif&quot;;">Kris</span></p> =0A  </div>=0A  <div>=0A  <p clas=
s=3D"MsoNormal">&nbsp;</p> =0A  </div>=0A  <div>=0A  <p class=3D"MsoNormal"=
><span style=3D"font-size: 10pt; font-family: &quot;sans-serif&quot;;"><a r=
el=3D"nofollow" target=3D"_blank" href=3D"http://www.krispenhartung.com">ww=
w.krispenhartung.com</a></span></p> =0A  </div>=0A  <div>=0A  <p class=3D"M=
soNormal">&nbsp;</p> =0A  </div>=0A  <div>=0A  <p class=3D"MsoNormal">&nbsp=
;</p> =0A  </div>=0A  </div>=0A  </td>=0A </tr>=0A</tbody></table>=0A=0A<p =
class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &quot;sans=
-serif&quot;;"> &nbsp;</span></p> =0A=0A<div class=3D"MsoNormal" style=3D"t=
ext-align: center;" align=3D"center"><span style=3D"font-size: 10pt; font-f=
amily: &quot;sans-serif&quot;;">=0A=0A<hr align=3D"center" width=3D"100%" s=
ize=3D"1">=0A=0A</span></div>=0A=0A<p class=3D"MsoNormal"><span style=3D"fo=
nt-size: 10pt; font-family: &quot;sans-serif&quot;;">Be=0Asmarter than spam=
. See how smart SpamGuard is at giving junk email the boot=0Awith the <a re=
l=3D"nofollow" target=3D"_blank" href=3D"http://ca.promos.yahoo.com/newmail=
/overview2/"><b>All-new=0AYahoo! Mail </b></a></span></p> =0A=0A</div>=0A=
=0A =0A=0A</div></blockquote></td></tr></table><br>=0A      <hr size=3D1>Ma=
ke your browsing faster, safer, and easier with the new Internet Explorer=
=C2=AE 8. Optimized for Yahoo! <a href=3D"http://downloads.yahoo.com/ca/int=
ernetexplorer/"><b>Get it Now for Free! </b></a>
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Subject: power supply for fx pedals question
Date: Tue, 30 Mar 2010 14:32:38 -0700
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When it finally comes out the Voodoo Labs Versa is probably the only  
one that can handle that many 12 volt and high mili amp sources.
bill

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From: Andreas Willers <a.willers@arcor.de>
Subject: Re: digitech pds8000 output volume
Date: Tue, 30 Mar 2010 23:45:00 +0200
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I always found that the output level of my PDS8000 is about 1:1, no =20
level boost possible despite it's IN and OUT level controls, but it =20
doen't cut volume down. Mine tends to do unpredictable and uneven =20
pitch glitching lately which is a shame since those nice time/=20
pitchshifts are clearly the coolest feature of the unit. Does anyone =20
dare to service these at all?

Regards, Andreas


Am 30.03.2010 um 23:26 schrieb Loopers-Delight-d-request@loopers-=20
delight.com:

> Von: tyler newman <tyler@batterycage.com>
> Datum: 30. M=E4rz 2010 21:11:08 MESZ
> An: Loopers-Delight@loopers-delight.com
> Betreff: digitech pds8000 output volume
>
>
> hi-
>
> hello nice list people.
>
> so, i have this digitech pds-8000 which is one of my greatest =20
> musical devices. however, the output volume is a bit =20
> lacking...regardless of where the mix knob is set, i feel like it's =20=

> seriously killing not just the input volume from the guitar (which =20
> is run through a different pedal: digitech rp-1000 before hitting =20
> the pds), but also the output volume is just...not enough.
>
> this pedal is obviously pretty old, and probably needs some kind of =20=

> servicing. does anyone know if there's any kind of output stage =20
> mod, or if there's a repair that i can get done, that will fix this =20=

> problem?
>
> i mean, does anyone know about this problem, or is it just my =20
> particular unit?
>
> thanks for any advice!
>
> - tyler


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I always found that the output =
level of my PDS8000 is about 1:1, no level boost possible despite it's =
IN and OUT level controls, but it doen't cut volume down. Mine tends to =
do unpredictable and uneven pitch glitching lately which is a shame =
since those nice time/pitchshifts are clearly the coolest feature of the =
unit. Does anyone dare to service these at =
all?<div><br></div><div>Regards, =
Andreas<br><div><br></div><div><br><div><div>Am 30.03.2010 um 23:26 =
schrieb <a =
href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com">Loopers-Deli=
ght-d-request@loopers-delight.com</a>:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"4" color=3D"#000000" style=3D"font: 14.0px Helvetica; color: =
#000000"><b>Von: </b></font><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 14.0px Helvetica">tyler newman &lt;<a =
href=3D"mailto:tyler@batterycage.com">tyler@batterycage.com</a>&gt;</font>=
</p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica"=
 size=3D"4" color=3D"#000000" style=3D"font: 14.0px Helvetica; color: =
#000000"><b>Datum: </b></font><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 14.0px Helvetica">30. M=E4rz 2010 21:11:08 =
MESZ</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"4" color=3D"#000000" style=3D"font: 14.0px =
Helvetica; color: #000000"><b>An: </b><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><font =
color=3D"#000000" style=3D"color: =
#000000">Loopers-Delight@loopers-delight.com</font></a></font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"4" color=3D"#000000" style=3D"font: 14.0px Helvetica; color: =
#000000"><b>Betreff: </b><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 14.0px Helvetica"><b>digitech pds8000 output =
volume</b></font></font></p><font face=3D"Helvetica" size=3D"4" =
color=3D"#000000" style=3D"font: 14.0px Helvetica; color: #000000"> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><br></p> =
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: =
14.0px"><br></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">hi-</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; =
font: 14.0px Helvetica; min-height: 17.0px"><br></p> <p style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 14.0px Helvetica">hello nice list people.</font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Helvetica; =
min-height: 17.0px"><br></p> <p style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><font face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">so, i have this digitech pds-8000 which is one of my greatest =
musical devices. however, the output volume is a bit =
lacking...regardless of where the mix knob is set, i feel like it's =
seriously killing not just the input volume from the guitar (which is =
run through a different pedal: digitech rp-1000 before hitting the pds), =
but also the output volume is just...not enough.</font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Helvetica; =
min-height: 17.0px"><br></p> <p style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><font face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">this pedal is obviously pretty old, and probably needs some =
kind of servicing. does anyone know if there's any kind of output stage =
mod, or if there's a repair that i can get done, that will fix this =
problem?</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: =
14.0px Helvetica; min-height: 17.0px"><br></p> <p style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">i mean, does anyone know about this problem, or is it =
just my particular unit?</font></p> <p style=3D"margin: 0.0px 0.0px =
0.0px 0.0px; font: 14.0px Helvetica; min-height: 17.0px"><br></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">thanks for any =
advice!</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: =
14.0px Helvetica; min-height: 17.0px"><br></p> <p style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">- tyler</font></p> =
</font></blockquote></div><br></div></div></body></html>=

--Apple-Mail-2--379475731--

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From: Andreas Willers <a.willers@arcor.de>
Subject: Re: digitech pds8000 output volume
Date: Tue, 30 Mar 2010 23:46:51 +0200
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--Apple-Mail-3--379364899
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I always found that the output level of my PDS8000 is about 1:1, no =20
level boost possible despite it's IN and OUT level controls, but it =20
doen't cut volume down. Mine tends to do unpredictable and uneven =20
pitch glitching lately which is a shame since those nice time/=20
pitchshifts are clearly the coolest feature of the unit. Does anyone =20
dare to service these at all?

Regards, Andreas


Am 30.03.2010 um 23:26 schrieb Loopers-Delight-d-request@loopers-=20
delight.com:
Von: tyler newman <tyler@batterycage.com>
Datum: 30. M=E4rz 2010 21:11:08 MESZ
An: Loopers-Delight@loopers-delight.com
Betreff: digitech pds8000 output volume


hi-

hello nice list people.

so, i have this digitech pds-8000 which is one of my greatest musical =20=

devices. however, the output volume is a bit lacking...regardless of =20
where the mix knob is set, i feel like it's seriously killing not =20
just the input volume from the guitar (which is run through a =20
different pedal: digitech rp-1000 before hitting the pds), but also =20
the output volume is just...not enough.

this pedal is obviously pretty old, and probably needs some kind of =20
servicing. does anyone know if there's any kind of output stage mod, =20
or if there's a repair that i can get done, that will fix this problem?

i mean, does anyone know about this problem, or is it just my =20
particular unit?

thanks for any advice!

- tyler


--Apple-Mail-3--379364899
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px Helvetica">I always =
found that the output level of my PDS8000 is about 1:1, no level boost =
possible despite it's IN and OUT level controls, but it doen't cut =
volume down. Mine tends to do unpredictable and uneven pitch glitching =
lately which is a shame since those nice time/pitchshifts are clearly =
the coolest feature of the unit. Does anyone dare to service these at =
all?</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">Regards, Andreas</font></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 14px/normal Helvetica; min-height: 17px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">Am 30.03.2010 um 23:26 schrieb <a =
href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com"><font =
color=3D"#0013ef" style=3D"color: =
#0013ef"><u>Loopers-Delight-d-request@loopers-delight.com</u></font></a>:<=
/font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica"><b>Von: </b></font><font =
face=3D"Helvetica" size=3D"4" color=3D"#0012de" style=3D"font: 14.0px =
Helvetica; color: #0012de">tyler newman &lt;<a =
href=3D"mailto:tyler@batterycage.com"><font color=3D"#0013ef" =
style=3D"color: =
#0013ef"><u>tyler@batterycage.com</u></font></a>&gt;</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica"><b>Datum: </b></font><font face=3D"Helvetica" size=3D"4"=
 color=3D"#0012de" style=3D"font: 14.0px Helvetica; color: #0012de">30. =
M=E4rz 2010 21:11:08 MESZ</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px Helvetica"><b>An: =
</b><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica"><b>Betreff: digitech pds8000 output =
volume</b></font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px =
Helvetica">hi-</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">hello nice list people.</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px Helvetica">so, i =
have this digitech pds-8000 which is one of my greatest musical devices. =
however, the output volume is a bit lacking...regardless of where the =
mix knob is set, i feel like it's seriously killing not just the input =
volume from the guitar (which is run through a different pedal: digitech =
rp-1000 before hitting the pds), but also the output volume is =
just...not enough.</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">this pedal is obviously pretty old, and probably needs =
some kind of servicing. does anyone know if there's any kind of output =
stage mod, or if there's a repair that i can get done, that will fix =
this problem?</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">i mean, does anyone know about this problem, or is it =
just my particular unit?</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">thanks for any advice!</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"4" style=3D"font: 14.0px Helvetica">- =
tyler</font></div><div><br></div>
</body></html>=

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Date: Tue, 30 Mar 2010 14:47:50 -0700 (PDT)
From: ITALIAN LOTO <bnfurq8007@att.net>
Reply-To: italian_draw39@live.com
Subject: WINNING NOTIFICATION
To: undisclosed recipients: ;
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FROM: DR. MRS. EVELYN CARLOS.
=A0
International Lotto Office De Padua:
Piazza Emmanuelle 13A,
Pad ova 45233, ITALY.
=A0
Customer Service: 680 NCA 85914
Ref: EAASL/851OYHI/04
Batch: 12/25/DC34
Zonal Draw No: GMLA2-003
Grand Draw No: 12099
=A0
=A0
=A0
We happily announce to you the draw of 2010 International Lottery program h=
eld on the 22nd of February in Rome Italy.=20
=A0
To file for your claim, please contact our corresponding agent in Africa im=
mediately you read this message before May 25th 2010 for quick and urgent r=
elease of your fund. Also view the attachment for full information on how y=
ou were selected and contacted.=20
=A0
Contact Person: Call,=A0 Mr. Kelvin Hill
Telephone: + 27-833-300-308.=20
=A0
Thank you for being part of our second category promotional lottery program=
.
=A0
Your's Sincerely,
DR. MRS. EVELYN CARLOS.
Italia Zonal Co-ordinator.
PROF. JONATHAN RUBY,
U.K ZONAL SECRETARY.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>FROM: DR. MRS. EVELYN CARLOS.<BR>&nbsp;<=
BR>International Lotto Office De Padua:<BR>Piazza Emmanuelle 13A,<BR>Pad ov=
a 45233, ITALY.<BR>&nbsp;<BR>Customer Service: 680 NCA 85914<BR>Ref: EAASL/=
851OYHI/04<BR>Batch: 12/25/DC34<BR>Zonal Draw No: GMLA2-003<BR>Grand Draw N=
o: 12099<BR>&nbsp;<BR>&nbsp;<BR>&nbsp;<BR>We happily announce to you the dr=
aw of 2010 International Lottery program held on the 22nd of February in Ro=
me Italy. <BR>&nbsp;<BR>To file for your claim, please contact our correspo=
nding agent in Africa immediately you read this message before May 25th 201=
0 for quick and urgent release of your fund. Also view the attachment for f=
ull information on how you were selected and contacted. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Contact Person: Call,&nbsp; Mr. Kelvin Hill</DIV>
<DIV>Telephone: + 27-833-300-308. <BR>&nbsp;<BR>Thank you for being part of=
 our second category promotional lottery program.<BR>&nbsp;<BR>Your's Since=
rely,<BR>DR. MRS. EVELYN CARLOS.<BR>Italia Zonal Co-ordinator.<BR>PROF. JON=
ATHAN RUBY,<BR>U.K ZONAL SECRETARY.</DIV></td></tr></table>
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--0-1561646223-1269985670=:6614--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 22:02:49 2010
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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
Date: Tue, 30 Mar 2010 16:02:26 -0600
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Interesting.  The whole debate over what gear to use for jazz boxes is 
hilarious.  I can't believe some of the arguments I see, when everything 
basically comes down to personal taste. And then you see what Mary is using 
and it defies a lot of other recommendations, which is great.  What is the 
cleanest or best amp? What is the cleanest most flat frequency response 
speaker? What archtop projects the most or has the fattest acoustic sound? 
What is the best jazz guitar?  And so on ad infinitum. Everyone has the best 
answer.  In the end, there is no jazz guitar or jazz amp per se, especially 
when you have guys like Joe Pass using Telecasters.

With my new Mirabela 17 inch archtop, I went with the following:

I run into my Boss VF1 for reverb and a tiny bit of delay (and chorus, if I 
want a Mike Stern/Abrocrombie sound), then.....and then....because I can't 
make up my mind on whether I like an ultra clean SS state tone or a warm and 
spongy tube tone, I decided to have it both ways. Out of one channel of the 
Boss VF1 I run into an Acoustic Image Claris 1 head and a JBL 1X12 sealed 
and ported cabinet, in which I installed an Emincence Delta Pro 12A 400 Watt 
speaker. It is a very obedient speaker, like the rock of gibalter :)  Out of 
the other channel, I am running into a Peavey Delta Blue 1X15 tube combo 
amp, which I bought new last month but now selling and replacing with a 
Fender Hot Rod Series Blues Junior NOS 15W 1x12 (Jensen speaker) Tube Guitar 
Combo Amp....because the Delta Blue is just too god damned loud....crimey. 
Excellent tone, but is really for a bigger club with no PA.

So I will have an interesting blended set of tones.

Kris

----- Original Message ----- 

***
Forgot to add this OT earlier:

Mary Halvorson's gear when I saw her was her big fat jazz box (1970 Guild 
Artist Award) and using a Rat distortion (pretty sure it was a Turbo Rat), a 
DL4 (left on one of the delay settings with an expression pedal), and a 
volume pedal.  (A nice variation on the vintage Bill Frisell set-up!)

She got good use out of the volume pedal as her guitar has acoustic sound, 
she'd keep playing even when the pick-up volume was at zero.

Jessica Pavone had her viola was plugged into a Fender Blender pedal.

I can't recall amps, but wouldn't be surprised if they were borrowed for the 
gig.


ted h.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 22:34:31 2010
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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--0-182925160-1269988470=:45221
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I'm with Kris on 'what works, works!' approach to gear.=A0 Too many =0Apeop=
le get hung on stupid things and lose sight of what's actually =0Aimportant=
.

But=0A it's the library guy in me, though, that wants to make a minor =0Aco=
rrection - while Joe Pass might've used a Telecaster, it doesn't seem =0Ato=
 be well documented.=A0 The most likely candidate when people think of =0A"=
jazz" and "Telecaster" is my fellow Canuck, Ed Bickert.


ted h.

Enemies are good for self-definition. Werner Herzog

--- On Tue, 3/30/10, Kris Hartung <khartung@q.com> wrote:

From: Kris Hartung <khartung@q.com>
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
To: Loopers-Delight@loopers-delight.com
Received: Tuesday, March 30, 2010, 3:02 PM

Interesting.=A0 The whole debate over what gear to use for jazz boxes is hi=
larious.=A0 I can't believe some of the arguments I see, when everything ba=
sically comes down to personal taste. And then you see what Mary is using a=
nd it defies a lot of other recommendations, which is great.=A0 What is the=
 cleanest or best amp? What is the cleanest most flat frequency response sp=
eaker? What archtop projects the most or has the fattest acoustic sound? Wh=
at is the best jazz guitar?=A0 And so on ad infinitum. Everyone has the bes=
t answer.=A0 In the end, there is no jazz guitar or jazz amp per se, especi=
ally when you have guys like Joe Pass using Telecasters.

With my new Mirabela 17 inch archtop, I went with the following:

I run into my Boss VF1 for reverb and a tiny bit of delay (and chorus, if I=
 want a Mike Stern/Abrocrombie sound), then.....and then....because I can't=
 make up my mind on whether I like an ultra clean SS state tone or a warm a=
nd spongy tube tone, I decided to have it both ways. Out of one channel of =
the Boss VF1 I run into an Acoustic Image Claris 1 head and a JBL 1X12 seal=
ed and ported cabinet, in which I installed an Emincence Delta Pro 12A 400 =
Watt speaker. It is a very obedient speaker, like the rock of gibalter :)=
=A0 Out of the other channel, I am running into a Peavey Delta Blue 1X15 tu=
be combo amp, which I bought new last month but now selling and replacing w=
ith a Fender Hot Rod Series Blues Junior NOS 15W 1x12 (Jensen speaker) Tube=
 Guitar Combo Amp....because the Delta Blue is just too god damned loud....=
crimey. Excellent tone, but is really for a bigger club with no PA.

So I will have an interesting blended set of tones.

Kris

----- Original Message -----=20
***
Forgot to add this OT earlier:

Mary Halvorson's gear when I saw her was her big fat jazz box (1970 Guild A=
rtist Award) and using a Rat distortion (pretty sure it was a Turbo Rat), a=
 DL4 (left on one of the delay settings with an expression pedal), and a vo=
lume pedal.=A0 (A nice variation on the vintage Bill Frisell set-up!)

She got good use out of the volume pedal as her guitar has acoustic sound, =
she'd keep playing even when the pick-up volume was at zero.

Jessica Pavone had her viola was plugged into a Fender Blender pedal.

I can't recall amps, but wouldn't be surprised if they were borrowed for th=
e gig.


ted h.

=0A=0A=0A      ____________________________________________________________=
______=0AGet the name you've always wanted @ymail.com or @rocketmail.com! G=
o to http://ca.promos.yahoo.com/jacko/
--0-182925160-1269988470=:45221
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I'm with Kris on 'what works, works!' app=
roach to gear.&nbsp; Too many =0Apeople get hung on stupid things and lose =
sight of what's actually =0Aimportant.<br><br>But=0A it's the library guy i=
n me, though, that wants to make a minor =0Acorrection - while Joe Pass mig=
ht've used a Telecaster, it doesn't seem =0Ato be well documented.&nbsp; Th=
e most likely candidate when people think of =0A"jazz" and "Telecaster" is =
my fellow Canuck, Ed Bickert.<br><br><br>ted h.<br><br>Enemies are good for=
 self-definition. Werner Herzog<br><br>--- On <b>Tue, 3/30/10, Kris Hartung=
 <i>&lt;khartung@q.com&gt;</i></b> wrote:<br><blockquote style=3D"border-le=
ft: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>F=
rom: Kris Hartung &lt;khartung@q.com&gt;<br>Subject: Re: OT: Free Jazz/Avan=
t-Garde Guitar/Bass/Drum Trios<br>To: Loopers-Delight@loopers-delight.com<b=
r>Received: Tuesday, March 30, 2010, 3:02 PM<br><br><div class=3D"plainMail=
">Interesting.&nbsp; The whole debate over what gear to use for jazz boxes =
is hilarious.&nbsp; I can't believe some of the arguments I see, when every=
thing basically comes down to personal taste. And then you see what Mary is=
 using and it defies a lot of other recommendations, which is great.&nbsp; =
What is the cleanest or best amp? What is the cleanest most flat frequency =
response speaker? What archtop projects the
 most or has the fattest acoustic sound? What is the best jazz guitar?&nbsp=
; And so on ad infinitum. Everyone has the best answer.&nbsp; In the end, t=
here is no jazz guitar or jazz amp per se, especially when you have guys li=
ke Joe Pass using Telecasters.<br><br>With my new Mirabela 17 inch archtop,=
 I went with the following:<br><br>I run into my Boss VF1 for reverb and a =
tiny bit of delay (and chorus, if I want a Mike Stern/Abrocrombie sound), t=
hen.....and then....because I can't make up my mind on whether I like an ul=
tra clean SS state tone or a warm and spongy tube tone, I decided to have i=
t both ways. Out of one channel of the Boss VF1 I run into an Acoustic Imag=
e Claris 1 head and a JBL 1X12 sealed and ported cabinet, in which I instal=
led an Emincence Delta Pro 12A 400 Watt speaker. It is a very obedient spea=
ker, like the rock of gibalter :)&nbsp; Out of the other channel, I am runn=
ing into a Peavey Delta Blue 1X15 tube combo amp, which I bought new
 last month but now selling and replacing with a Fender Hot Rod Series Blue=
s Junior NOS 15W 1x12 (Jensen speaker) Tube Guitar Combo Amp....because the=
 Delta Blue is just too god damned loud....crimey. Excellent tone, but is r=
eally for a bigger club with no PA.<br><br>So I will have an interesting bl=
ended set of tones.<br><br>Kris<br><br>----- Original Message ----- <br>***=
<br>Forgot to add this OT earlier:<br><br>Mary Halvorson's gear when I saw =
her was her big fat jazz box (1970 Guild Artist Award) and using a Rat dist=
ortion (pretty sure it was a Turbo Rat), a DL4 (left on one of the delay se=
ttings with an expression pedal), and a volume pedal.&nbsp; (A nice variati=
on on the vintage Bill Frisell set-up!)<br><br>She got good use out of the =
volume pedal as her guitar has acoustic sound, she'd keep playing even when=
 the pick-up volume was at zero.<br><br>Jessica Pavone had her viola was pl=
ugged into a Fender Blender pedal.<br><br>I can't recall amps, but
 wouldn't be surprised if they were borrowed for the gig.<br><br><br>ted h.=
<br><br></div></blockquote></td></tr></table><br>=0A      <hr size=3D1>Be s=
marter than spam. See how smart SpamGuard is at giving junk email the boot =
with the <a href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><b>All-n=
ew Yahoo! Mail </b></a>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 30 22:39:50 2010
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Subject: Fw: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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Yeah, Joe and the tele is not well documented. I think he used it in his =
early years when playing in combos, and before his agent told him that =
he had to play solo to make a living...that is what prompted him to =
development that amazing chord solo method of this....mind blowing.

Of many other jazzers have used solid bodies...Abercrombie, Mike Stern, =
Lorne Lofkey, Ted Green (monster chord architect), and so on. You can =
easily get a big fat sound out of a solid body if you just use the neck =
pickup and an amp that can produce the tone.  All this debate and in the =
end it's a pickup on a stick of wood. :) =20

Kris

  ----- Original Message -----=20

  =20

        I'm with Kris on 'what works, works!' approach to gear.  Too =
many people get hung on stupid things and lose sight of what's actually =
important.

        But it's the library guy in me, though, that wants to make a =
minor correction - while Joe Pass might've used a Telecaster, it doesn't =
seem to be well documented.  The most likely candidate when people think =
of "jazz" and "Telecaster" is my fellow Canuck, Ed Bickert.


        ted.

        Enemies are good for self-definition. Werner Herzog

        --- On Tue, 3/30/10, Kris Hartung <khartung@q.com> wrote:


          From: Kris Hartung <khartung@q.com>
          Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
          To: Loopers-Delight@loopers-delight.com
          Received: Tuesday, March 30, 2010, 3:02 PM


          Interesting.  The whole debate over what gear to use for jazz =
boxes is hilarious.  I can't believe some of the arguments I see, when =
everything basically comes down to personal taste. And then you see what =
Mary is using and it defies a lot of other recommendations, which is =
great.  What is the cleanest or best amp? What is the cleanest most flat =
frequency response speaker? What archtop projects the most or has the =
fattest acoustic sound? What is the best jazz guitar?  And so on ad =
infinitum. Everyone has the best answer.  In the end, there is no jazz =
guitar or jazz amp per se, especially when you have guys like Joe Pass =
using Telecasters.

          With my new Mirabela 17 inch archtop, I went with the =
following:

          I run into my Boss VF1 for reverb and a tiny bit of delay (and =
chorus, if I want a Mike Stern/Abrocrombie sound), then.....and =
then....because I can't make up my mind on whether I like an ultra clean =
SS state tone or a warm and spongy tube tone, I decided to have it both =
ways. Out of one channel of the Boss VF1 I run into an Acoustic Image =
Claris 1 head and a JBL 1X12 sealed and ported cabinet, in which I =
installed an Emincence Delta Pro 12A 400 Watt speaker. It is a very =
obedient speaker, like the rock of gibalter :)  Out of the other =
channel, I am running into a Peavey Delta Blue 1X15 tube combo amp, =
which I bought new last month but now selling and replacing with a =
Fender Hot Rod Series Blues Junior NOS 15W 1x12 (Jensen speaker) Tube =
Guitar Combo Amp....because the Delta Blue is just too god damned =
loud....crimey. Excellent tone, but is really for a bigger club with no =
PA.

          So I will have an interesting blended set of tones.

          Kris

          ----- Original Message -----=20
          ***
          Forgot to add this OT earlier:

          Mary Halvorson's gear when I saw her was her big fat jazz box =
(1970 Guild Artist Award) and using a Rat distortion (pretty sure it was =
a Turbo Rat), a DL4 (left on one of the delay settings with an =
expression pedal), and a volume pedal.  (A nice variation on the vintage =
Bill Frisell set-up!)

          She got good use out of the volume pedal as her guitar has =
acoustic sound, she'd keep playing even when the pick-up volume was at =
zero.

          Jessica Pavone had her viola was plugged into a Fender Blender =
pedal.

          I can't recall amps, but wouldn't be surprised if they were =
borrowed for the gig.


          ted h.

      =20




-------------------------------------------------------------------------=
-----

  Yahoo! Canada Toolbar : Search from anywhere on the web and bookmark =
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yeah, Joe and the tele is not well =
documented. I=20
think he used it in his early years when playing in combos, and before =
his agent=20
told him that he had to play solo to make a living...that is what =
prompted him=20
to development that amazing chord solo method of this....mind=20
blowing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Of many other jazzers have used solid=20
bodies...Abercrombie, Mike Stern, Lorne Lofkey, Ted Green (monster chord =

architect), and so on. You can easily get a big fat sound out of a solid =
body if=20
you just use the neck pickup and an amp that can produce the tone.&nbsp; =
All=20
this debate and in the end it's a pickup on a stick of wood. :)&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop><BR>I'm with Kris on 'what works, works!' =
approach to=20
        gear.&nbsp; Too many people get hung on stupid things and lose =
sight of=20
        what's actually important.<BR><BR>But it's the library guy in =
me,=20
        though, that wants to make a minor correction - while Joe Pass =
might've=20
        used a Telecaster, it doesn't seem to be well documented.&nbsp; =
The most=20
        likely candidate when people think of "jazz" and "Telecaster" is =
my=20
        fellow Canuck, Ed Bickert.<BR><BR><BR>ted.<BR><BR>Enemies are =
good for=20
        self-definition. Werner Herzog<BR><BR>--- On <B>Tue, 3/30/10, =
Kris=20
        Hartung <I>&lt;khartung@q.com&gt;</I></B> wrote:<BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
          Kris Hartung &lt;khartung@q.com&gt;<BR>Subject: Re: OT: Free=20
          Jazz/Avant-Garde Guitar/Bass/Drum Trios<BR>To:=20
          Loopers-Delight@loopers-delight.com<BR>Received: Tuesday, =
March 30,=20
          2010, 3:02 PM<BR><BR>
          <DIV class=3DplainMail>Interesting.&nbsp; The whole debate =
over what=20
          gear to use for jazz boxes is hilarious.&nbsp; I can't believe =
some of=20
          the arguments I see, when everything basically comes down to =
personal=20
          taste. And then you see what Mary is using and it defies a lot =
of=20
          other recommendations, which is great.&nbsp; What is the =
cleanest or=20
          best amp? What is the cleanest most flat frequency response =
speaker?=20
          What archtop projects the most or has the fattest acoustic =
sound? What=20
          is the best jazz guitar?&nbsp; And so on ad infinitum. =
Everyone has=20
          the best answer.&nbsp; In the end, there is no jazz guitar or =
jazz amp=20
          per se, especially when you have guys like Joe Pass using=20
          Telecasters.<BR><BR>With my new Mirabela 17 inch archtop, I =
went with=20
          the following:<BR><BR>I run into my Boss VF1 for reverb and a =
tiny bit=20
          of delay (and chorus, if I want a Mike Stern/Abrocrombie =
sound),=20
          then.....and then....because I can't make up my mind on =
whether I like=20
          an ultra clean SS state tone or a warm and spongy tube tone, I =
decided=20
          to have it both ways. Out of one channel of the Boss VF1 I run =
into an=20
          Acoustic Image Claris 1 head and a JBL 1X12 sealed and ported =
cabinet,=20
          in which I installed an Emincence Delta Pro 12A 400 Watt =
speaker. It=20
          is a very obedient speaker, like the rock of gibalter :)&nbsp; =
Out of=20
          the other channel, I am running into a Peavey Delta Blue 1X15 =
tube=20
          combo amp, which I bought new last month but now selling and =
replacing=20
          with a Fender Hot Rod Series Blues Junior NOS 15W 1x12 (Jensen =

          speaker) Tube Guitar Combo Amp....because the Delta Blue is =
just too=20
          god damned loud....crimey. Excellent tone, but is really for a =
bigger=20
          club with no PA.<BR><BR>So I will have an interesting blended =
set of=20
          tones.<BR><BR>Kris<BR><BR>----- Original Message -----=20
          <BR>***<BR>Forgot to add this OT earlier:<BR><BR>Mary =
Halvorson's gear=20
          when I saw her was her big fat jazz box (1970 Guild Artist =
Award) and=20
          using a Rat distortion (pretty sure it was a Turbo Rat), a DL4 =
(left=20
          on one of the delay settings with an expression pedal), and a =
volume=20
          pedal.&nbsp; (A nice variation on the vintage Bill Frisell=20
          set-up!)<BR><BR>She got good use out of the volume pedal as =
her guitar=20
          has acoustic sound, she'd keep playing even when the pick-up =
volume=20
          was at zero.<BR><BR>Jessica Pavone had her viola was plugged =
into a=20
          Fender Blender pedal.<BR><BR>I can't recall amps, but wouldn't =
be=20
          surprised if they were borrowed for the gig.<BR><BR><BR>ted=20
          h.<BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR>
  <P class=3DMsoNormal></P><TBODY><TR><TD=20
  style=3D"PADDING-RIGHT: 0.75pt; PADDING-LEFT: 0.75pt; PADDING-BOTTOM: =
0.75pt; PADDING-TOP: 0.75pt">
  <DIV class=3DMsoNormal style=3D"TEXT-ALIGN: center" =
align=3Dcenter><FONT=20
  face=3D"Times New Roman" size=3D3><SPAN style=3D"FONT-SIZE: 12pt">
  <HR align=3Dcenter width=3D"100%" SIZE=3D1>
  </SPAN></FONT></DIV>
  <P class=3DMsoNormal><FONT face=3D"Times New Roman" size=3D3><SPAN=20
  style=3D"FONT-SIZE: 12pt"><IMG id=3D_x0000_i1026 height=3D25 =
hspace=3D4=20
  src=3D"http://us.i1.yimg.com/us.yimg.com/i/ca/iotg_search.jpg" =
width=3D25=20
  align=3DabsBottom border=3D0><A href=3D"http://ca.toolbar.yahoo.com/"=20
  target=3D_new><B><SPAN lang=3DNO-BOK style=3D"FONT-WEIGHT: =
bold">Yahoo! Canada=20
  Toolbar :</SPAN></B><SPAN lang=3DNO-BOK> Search from anywhere on the =
web and=20
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From antonioperez0030@1000000jf.com  Tue Mar 30 23:02:31 2010
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Date: Tue, 30 Mar 2010 14:46:18 +0100 (GMT+01:00)
From: Antonio Perez <antonioperez0030@1000000jf.com>
Reply-To: Antonio Perez <antonioperez01069@yahoo.es>
Message-ID: <24065636.2800781269956778195.JavaMail.root@levampire.1000000jf.com>
Subject: PERSONAL MEMO/CONFIDENTIAL
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To: undisclosed-recipients:;


Dear Respected

My name is Mr. Antonio Perez currently Manager Credit and Foreign Bills her=
e in (Accra Regional Office) at Ghana, And a personal account manager to la=
te Mohammed al Nasser. And this deceased client of mine died as a result of=
 a heart-related condition in February 2003.I have contacted you to assist =
in the distribution of the funds left behind by my late client.He died with=
out any registered next of kin and as such the funds now have an open benef=
iciary mandate. And the banking ethics here does not allow such money to st=
ay more than seven years,because the money will be recalled to the bank tre=
asury as unclaimed bill after this period., and this deposit valued :( US$ =
21.4 million) United States Dollars.

Our bank has issued me a notice to contact the next of kin of my client, or=
 have the account confiscated. My proposition to you is to seek your consen=
t in presenting you as the next of kin (beneficiary) to my late Client=E2=
=80=99s deposited funds, since you are a foreigner, So that the proceeds of=
 this account can be remitted into your account as a foreign Partner. Then =
we can both share the funds on a mutual agreement and Percentage.

He was a construction magnate who made a deposit of $21 .4Million with our =
bank and died without any registered next of kin and as such the funds now =
have an open beneficiary mandate.=20

All legal documentations to back up your claims as my late client's next of=
 kin will be provided. All I require is your absolute honesty, co-operation=
 and total adherence to my instructions, to enable us transfer this funds i=
nto your account smoothly. This transaction will be executed under a legiti=
mate arrangement, which will protect you from any Infraction of the law.

If this proposition offends your moral ethics, do accept my sincere Apology=
. In the contrary, if it pleases you, then contact me with urgency indicati=
ng your interest.

Please endeavor to provide me the following in your reply.

1.Your Full Name:

2.Your Contact Address:

3.Your Profession:

4.Your Age:

5.Your Phone&Fax Number:

I urgently hope to get your response as soon as possible.

Yours Sincerely,
Mr.Antonio Perez
Manager Credit and Foreign Bills
(Accra Regional Office)

From bass@dubki.ru  Wed Mar 31 02:16:47 2010
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Reply-To: <mrsashleygracia@live.com>
From: "Mrs.Ashley Gracia"<bass@dubki.ru>
Subject: From Mrs Gracia
Date: Wed, 31 Mar 2010 02:08:48 +0800
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To: undisclosed-recipients:;

Dear Friend

I am Mrs.Ashley Gracia, I am 68 years old from Honduras, and I am suffering from a long time cancer of the Lungs which also affected my brain, from all indication my conditions is really deteriorating.According to my doctors they have advised me that I may not live for the next two months, this is because the cancer stage has gotten to a very bad stage.I was brought up from a motherless babies home, was married to my late husband for twenty years and we lived in London until my husband died in a fatal motor accident in London. 

Since his death I decided not to re-marry, I sold all my inherited belongings and deposited all the money with a bank in London. Presently, this money is still with the bank and I have not operated the account for long now due to the illness.Presently, I'm with a laptop in Hospital, where I have been under going treatment for cancer of the lungs for over one year. 

Recently, doctors told me that I have only a few months to live so I quickly called up a pastor to give me positive thinking on this solution, He ministered to me to share this inheritance with the motherless baby/orphanage homes/people that need money for survivor.It is my last wish to see that some percentage (%) distributed among the charity organizations, the poor and the motherless babies home where I came from and some percentage (%)for devoted individual that will utilize this money the way I wish.

I took this decision, because my time will soon be up and I do not want the bank to inherit the money if I eventually die.I want you to sincerely accept my offer and send the below mentioned information to me while replying hence i will instruct my bank to proccess my money valued £5.5 million and transfer to you as my beneficiary. I will send a letter of empowerment to my bank to transfer my money to you as my beneficiary immediately i hear from you.

Your Full Name.................. 
Address.............................. 
Nationality.......................... 
Phone Number.................. 
Occupation........................ 
Age..........Sex.................. 

Please respond to this email:  mrsashleygracia@live.com

Yours sincerely,
 
Mrs.Ashley Gracia

From mr.anthonywalter2010@gmail.com  Wed Mar 31 02:46:18 2010
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Reply-To: <dhlexpresscouriercomltd01@gmail.com>
From: "MR. ANTHONY WALTER" <mr.anthonywalter2010@gmail.com>
Subject: Attn: My Dear Friend,
Date: Mon, 29 Mar 2010 10:05:34 -0400
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To: undisclosed-recipients:;

Attn: My Dear Friend,
 
I have paid the fee for your cheque draft and I took it to the FINANCIAL BANK PLC to confirm it then the Manager of the Bank MR BENARD EZEUGO told me that before the check can get to you it will expire on the way and if it expired it will become useless so He advice me to convert $5.2m (FIVE MILLION TWO HUNDRED THOUSAND DOLLARS) into cash and pack it into the strong iron box  and deposit it in DHL EXPRESS COURIER COMPANY BENIN REPUBLIC to deliver it in cash to you and I did it as he advice me because he is a banker he knows the durability of any foreign cheque or draft.
 
I deposited the said package in the DHL EXPRESS COURIER COMPANY as cotton materials for security reasons. This is the registration Number of your Package DHL/122p/mtm/2009 Zip Code; 0113388 so do not let the company to know the real contents of the package so that they can deliver it for you safely. I want you to contact the company immediately with the following information though I give them your information but you need to re-confirm it for them.
 
Below is the required information you need to give them now, 
 
1. YOUR FULL NAME AND HOME ADDRESS:
2. YOUR PHONE AND FAX NUMBER:
3. A COPY OF YOUR INT'L PASSPORT/ ID
4. YOUR AGE AND MARITAL STATUS: 
5. YOUR COUNTRY AND CITY: 
 
All these things is what they needed from you now to submit to the company for urgent delivery of your package contains $5.2M Please contact the delivery company immediately and re-confirm your info to them to enable their agent locate  you when he arrived in your country. This is the company contact info.
 
DR. JERRY LEO (Director General)
Tel; +229 989 47550
Email; (dhlexpresscouriercomltd2010@live.com)
 
DHL EXPRESS COURIER COMPANY Benin Republic. Please contact the company immediately you receive this email so that your package will leave tonight to be delivering to you. Get back to me as soon as you receive your package from the company. 
 
THANK YOU AND GOD BLESS
MR. ANTHONY WALTER.

From mrdonsagay556@ig.com.br  Wed Mar 31 02:51:51 2010
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From: "Mr Don Sagay" <mrdonsagay556@ig.com.br>
Subject:   International Bank Draft For You
Date: Wed, 31 Mar 2010 11:50:05 +0900
MIME-Version: 1.0
Content-type: text/plain; charset=iso-8859-1
To: undisclosed-recipients:;

Dear Friend,
 
I did not forgot your past effort and attempts to assist me in
transferring those funds, Now I'm happy to inform you that I
have succeeded in getting those funds transferred under the
cooperation of a new partner  from Japan.


Now Contact my Secretary ask him for ($5.2MILLION DOLLARS) for your
compensation,
His name is Desmond Dumbs,E-mail :(desmondgumbs202@hosanna.net)

 
Please send to him your personal Contact


 
(1) Full name  

 
(2) Delivery address
  
 
(3) Phone number  
 
(4) Age:    

 
(5) Country Name 

 
(6) Your Occupation  

 
Please Contact him immediately you receive this Mail.
Yours Faithfully
Mr Don Sagay



Dear Friend,
 
I did not forgot your past effort and attempts to assist me in
transferring those funds, Now I'm happy to inform you that I
have succeeded in getting those funds transferred under the
cooperation of a new partner  from Japan.


Now Contact my Secretary ask him for ($5.2MILLION DOLLARS) for your
compensation,
His name is Desmond Dumbs,E-mail :(desmondgumbs202@hosanna.net)

 
Please send to him your personal Contact


 
(1) Full name  

 
(2) Delivery address
  
 
(3) Phone number  
 
(4) Age:    

 
(5) Country Name 

 
(6) Your Occupation  

 
Please Contact him immediately you receive this Mail.
Yours Faithfully
Mr Don Sagay

From mrdonsagay556@ig.com.br  Wed Mar 31 02:51:52 2010
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From: "Mr Don Sagay" <mrdonsagay556@ig.com.br>
Subject:   International Bank Draft For You
Date: Wed, 31 Mar 2010 11:50:05 +0900
MIME-Version: 1.0
Content-type: text/plain; charset=iso-8859-1
To: undisclosed-recipients:;

Dear Friend,
 
I did not forgot your past effort and attempts to assist me in
transferring those funds, Now I'm happy to inform you that I
have succeeded in getting those funds transferred under the
cooperation of a new partner  from Japan.


Now Contact my Secretary ask him for ($5.2MILLION DOLLARS) for your
compensation,
His name is Desmond Dumbs,E-mail :(desmondgumbs202@hosanna.net)

 
Please send to him your personal Contact


 
(1) Full name  

 
(2) Delivery address
  
 
(3) Phone number  
 
(4) Age:    

 
(5) Country Name 

 
(6) Your Occupation  

 
Please Contact him immediately you receive this Mail.
Yours Faithfully
Mr Don Sagay



Dear Friend,
 
I did not forgot your past effort and attempts to assist me in
transferring those funds, Now I'm happy to inform you that I
have succeeded in getting those funds transferred under the
cooperation of a new partner  from Japan.


Now Contact my Secretary ask him for ($5.2MILLION DOLLARS) for your
compensation,
His name is Desmond Dumbs,E-mail :(desmondgumbs202@hosanna.net)

 
Please send to him your personal Contact


 
(1) Full name  

 
(2) Delivery address
  
 
(3) Phone number  
 
(4) Age:    

 
(5) Country Name 

 
(6) Your Occupation  

 
Please Contact him immediately you receive this Mail.
Yours Faithfully
Mr Don Sagay

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 05:28:04 2010
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References: <BLU0-SMTP88AE3DA89AF5778CD1F62EDC200@phx.gbl> <p06240800c7d7d0bdae0d@[10.0.1.4]>
Subject: Yamaha MFC10 midi foot controllers and the EDP-1
Date: Tue, 30 Mar 2010 22:21:07 -0800
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Hello everyone-

I'm a new member of the mail list, but already after just a week or so been
quite impressed with the breadth of knowlege here. So here's my situation
and question... I'm a guitarist in a trio playing somewhat traditional style
post-rock/post-metal instrumental music. I've come to embrace the idea of
using looping technology to expand and flesh out whats possible, to thicken
our sound, to give myself a rhythm/second guitarist... Not as unique or as
innovative as what some of the people here are doing, but thats what I'm up
too. I saw the band 'Russian Circles' perform live here in SF a few months
ago and was just amazed at the live sound they could create with just a
trio; both the guitarist and bassist used loopers and delays to build up
multiple layers of sound - both rhythmic, structured parts and ambient bits
to tie things together. Lots of fun, and very inspiring. So I immediately
went out and bought a Boss RC-2, and HATED it. That lasted only a few weeks,
then I bought an Akai Headrush E2, and LOVED it. I've been working with the
band to incorporate it and structure material to take advantage of what it
offers, etc, and continue to do so. However I decided that I need greater
loop times and more detailed control of the loops, so I recently sprung for
a recent manufacture EDP-1 with the foot controller - well, as recent as is
possible... It has the latest LoopIV software, etc, and I can see I have
quite a learning curve ahead of me...

One thing that becomes rapidly apparent, is that the ability to arbitrarily
jump from one loop to a different loop in a single switch press requires a
midi programmable foot controller. My experience with midi is next to nil,
and what little there has been, has not been very encouraging, tho all quite
a while back, and with different hardware and goals in mind. I see there is
a fair amount of support for the Behringer FCB1010, with aftermarket mods
and editors for programming, so I could, and may, just go with that.
However, I may have a chance to pick up a fairly new Yamaha MFC10 controller
for quite cheap, so I'm wondering if anyone has any experience with it... in
particular with programming it via a computer based GUI editor... I have no
patience with the 'Riverdance' button press programming thats native to
these sorts of devices... Is there a GUI editor for the MFC10 floor unit?
And for that matter, are there other, perhaps physically smaller units that
are reccomended? I am aware of the Gordius hardware, which looks impressive,
but I'm not quite ready for that sort of expense just yet...

Suggestions or reccomendations?

Regards-

Dave

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 05:47:43 2010
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Date: Tue, 30 Mar 2010 22:47:18 -0700
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: OT - Rick's rhythm intensive
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I've been wanting to remark for a while on the rhythm intensive I took a 
few months ago with Rick Walker (I think a few others here have taken it 
too, yes? Luis or Per, maybe?). For anyone who's looking to improve 
their rhythmic sense, or just expand their musical consciousness, I 
can't recommend it enough, really. The coolest part is him showing how 
any rhythm, no matter how complicated, can be broken down to its 
component parts, which fit in a nicely finite family of building blocks. 
It's changed the way I pick up and can respond to beats that I hear, 
pretty dramatically. I took a rhythm workshop with Cyro Baptista last 
month, and I realized there that Rick's instruction had made me way more 
confident and comfortable with rhythm than I'd ever been before.

It's also just a pile of fun learning about things like the percentage 
of swing in a particular beat, or the characteristic rhythms in music I 
had never heard of. This is a massive understatement for anyone who 
knows him, but Rick has gotten around. A fount o' rhythmic knowledge.

(It's kinda worth the trip to Santa Cruz just to see his magic house of 
instruments from all over the place. It is wondrous. But I know he's 
been looking into doing long-distance lessons over video, too, which is 
nice for our far-flung group here.)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 05:53:35 2010
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Date: Wed, 31 Mar 2010 08:53:33 +0300
Message-ID: <o2lc70841111003302253ncb7dd225sd35bc2a98aa12c3b@mail.gmail.com>
Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d99c2cd087e00483125de5
Content-Type: text/plain; charset=ISO-8859-1

sorry for my english skills
but you "recently sprung for" EDP?
You've bought one? Where did you find it?

I'm quite new to the list as well, but I see you've caught the drift quite
easily...
My question is, how are you going to sync things with your drummer?
Or is he/she so good at time-keeping that it's possible to play with these
kinds of things in live situation?
I got one group where I would like to use livelooping but never managed to
understand how drummer keeps up with it? :-)

_Petri_

2010/3/31 d.nix <d.nix@comcast.net>

> Hello everyone-
>
> I'm a new member of the mail list, but already after just a week or so been
> quite impressed with the breadth of knowlege here. So here's my situation
> and question... I'm a guitarist in a trio playing somewhat traditional
> style
> post-rock/post-metal instrumental music. I've come to embrace the idea of
> using looping technology to expand and flesh out whats possible, to thicken
> our sound, to give myself a rhythm/second guitarist... Not as unique or as
> innovative as what some of the people here are doing, but thats what I'm up
> too. I saw the band 'Russian Circles' perform live here in SF a few months
> ago and was just amazed at the live sound they could create with just a
> trio; both the guitarist and bassist used loopers and delays to build up
> multiple layers of sound - both rhythmic, structured parts and ambient bits
> to tie things together. Lots of fun, and very inspiring. So I immediately
> went out and bought a Boss RC-2, and HATED it. That lasted only a few
> weeks,
> then I bought an Akai Headrush E2, and LOVED it. I've been working with the
> band to incorporate it and structure material to take advantage of what it
> offers, etc, and continue to do so. However I decided that I need greater
> loop times and more detailed control of the loops, so I recently sprung for
> a recent manufacture EDP-1 with the foot controller - well, as recent as is
> possible... It has the latest LoopIV software, etc, and I can see I have
> quite a learning curve ahead of me...
>
> One thing that becomes rapidly apparent, is that the ability to arbitrarily
> jump from one loop to a different loop in a single switch press requires a
> midi programmable foot controller. My experience with midi is next to nil,
> and what little there has been, has not been very encouraging, tho all
> quite
> a while back, and with different hardware and goals in mind. I see there is
> a fair amount of support for the Behringer FCB1010, with aftermarket mods
> and editors for programming, so I could, and may, just go with that.
> However, I may have a chance to pick up a fairly new Yamaha MFC10
> controller
> for quite cheap, so I'm wondering if anyone has any experience with it...
> in
> particular with programming it via a computer based GUI editor... I have no
> patience with the 'Riverdance' button press programming thats native to
> these sorts of devices... Is there a GUI editor for the MFC10 floor unit?
> And for that matter, are there other, perhaps physically smaller units that
> are reccomended? I am aware of the Gordius hardware, which looks
> impressive,
> but I'm not quite ready for that sort of expense just yet...
>
> Suggestions or reccomendations?
>
> Regards-
>
> Dave
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d99c2cd087e00483125de5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

sorry for my english skills<br>but you &quot;recently sprung for&quot; EDP?=
<br>You&#39;ve bought one? Where did you find it?<br><br>I&#39;m quite new =
to the list as well, but I see you&#39;ve caught the drift quite easily...<=
br>
My question is, how are you going to sync things with your drummer?<br>Or i=
s he/she so good at time-keeping that it&#39;s possible to play with these =
kinds of things in live situation?<br>I got one group where I would like to=
 use livelooping but never managed to understand how drummer keeps up with =
it? :-)<br>
<br>_Petri_<br><br><div class=3D"gmail_quote">2010/3/31 d.nix <span dir=3D"=
ltr">&lt;<a href=3D"mailto:d.nix@comcast.net">d.nix@comcast.net</a>&gt;</sp=
an><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex=
; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hello everyone-<br>
<br>
I&#39;m a new member of the mail list, but already after just a week or so =
been<br>
quite impressed with the breadth of knowlege here. So here&#39;s my situati=
on<br>
and question... I&#39;m a guitarist in a trio playing somewhat traditional =
style<br>
post-rock/post-metal instrumental music. I&#39;ve come to embrace the idea =
of<br>
using looping technology to expand and flesh out whats possible, to thicken=
<br>
our sound, to give myself a rhythm/second guitarist... Not as unique or as<=
br>
innovative as what some of the people here are doing, but thats what I&#39;=
m up<br>
too. I saw the band &#39;Russian Circles&#39; perform live here in SF a few=
 months<br>
ago and was just amazed at the live sound they could create with just a<br>
trio; both the guitarist and bassist used loopers and delays to build up<br=
>
multiple layers of sound - both rhythmic, structured parts and ambient bits=
<br>
to tie things together. Lots of fun, and very inspiring. So I immediately<b=
r>
went out and bought a Boss RC-2, and HATED it. That lasted only a few weeks=
,<br>
then I bought an Akai Headrush E2, and LOVED it. I&#39;ve been working with=
 the<br>
band to incorporate it and structure material to take advantage of what it<=
br>
offers, etc, and continue to do so. However I decided that I need greater<b=
r>
loop times and more detailed control of the loops, so I recently sprung for=
<br>
a recent manufacture EDP-1 with the foot controller - well, as recent as is=
<br>
possible... It has the latest LoopIV software, etc, and I can see I have<br=
>
quite a learning curve ahead of me...<br>
<br>
One thing that becomes rapidly apparent, is that the ability to arbitrarily=
<br>
jump from one loop to a different loop in a single switch press requires a<=
br>
midi programmable foot controller. My experience with midi is next to nil,<=
br>
and what little there has been, has not been very encouraging, tho all quit=
e<br>
a while back, and with different hardware and goals in mind. I see there is=
<br>
a fair amount of support for the Behringer FCB1010, with aftermarket mods<b=
r>
and editors for programming, so I could, and may, just go with that.<br>
However, I may have a chance to pick up a fairly new Yamaha MFC10 controlle=
r<br>
for quite cheap, so I&#39;m wondering if anyone has any experience with it.=
.. in<br>
particular with programming it via a computer based GUI editor... I have no=
<br>
patience with the &#39;Riverdance&#39; button press programming thats nativ=
e to<br>
these sorts of devices... Is there a GUI editor for the MFC10 floor unit?<b=
r>
And for that matter, are there other, perhaps physically smaller units that=
<br>
are reccomended? I am aware of the Gordius hardware, which looks impressive=
,<br>
but I&#39;m not quite ready for that sort of expense just yet...<br>
<br>
Suggestions or reccomendations?<br>
<br>
Regards-<br>
<br>
Dave<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d99c2cd087e00483125de5--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 06:22:20 2010
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From: "d.nix" <d.nix@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
References: <BLU0-SMTP88AE3DA89AF5778CD1F62EDC200@phx.gbl> <p06240800c7d7d0bdae0d@10.0.1.4> <06e801cad09a$59b70cb0$925d0418@vulcan> <o2lc70841111003302253ncb7dd225sd35bc2a98aa12c3b@mail.gmail.com>
Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
Date: Tue, 30 Mar 2010 23:23:35 -0800
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> You've bought one? Where did you find it?

I posted that I was looking for one on another music/guitar gear bulletin
board and was contacted by someone wishing to sell, and we came to an
agreement. But truthfully, at least in the US, I see them crop up on Ebay
pretty regularily. There are two on there now, and I've seen another one in
a local music store.

>
> I'm quite new to the list as well, but I see you've caught the drift quite
> easily...
> My question is, how are you going to sync things with your drummer?
> Or is he/she so good at time-keeping that it's possible to play with these
> kinds of things in live situation?

It is a unique learning experience to say the least, and does require the
other musicians - as well as myself - to be very precise and punctual. Some
times it works well and other times... Not so well.

:-)

But I think it can be done, with some practice - I saw Russian Circles do it
live very well. Most impressive. There are several Youtube videos of them
where you can see/hear for yourself. The guitarist uses both a Akai Headrush
and a Digitech JamMan (plus several analog delays), and nothing was synced
via midi or to the drums in any way...  He was just very aware of the
downbeat and keeping track of what the drummer was doing. They also happen
to have an awesome drummer, a real machine of a timekeeper. My drummer is
gonna take some work, I'm afraid...

:-)

Regards-

Dave

> I got one group where I would like to use livelooping but never managed to
> understand how drummer keeps up with it? :-)
>
> _Petri_
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 07:52:40 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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along with "Gravity" that album is the biggest
influence on my livelooping music....and I didn't realise till it was
pointed out to me.

andy butler
ps apart from one track it's studio construction
using live recording, rather than a trio.

ditch wrestler wrote:
> 
> And there's "Speechless" credited to "Fred Frith with Massacre".  
> However, it's only side 2 tunes with Lawell and Maher and there's a horn 
> trio on most of those songs.  Side 1 is mostly with Etron Fou Leloublan, 
> a French avant-rock quartet.
> 
> http://en.wikipedia.org/wiki/Speechless_(Fred_Frith_album)
> 
> 
> ted h.
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 07:57:14 2010
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Subject: Re: power supply for fx pedals question (another)
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William Walker wrote:
> When it finally comes out the Voodoo Labs Versa is probably the only one 
> that can handle that many 12 volt and high mili amp sources.
> bill
> 

Any suggestions for powering 2 Moogerfoogers (+VE center)
along with a couple of EH pedals (-VE center) ?

Plus a Gordius Little giant which can take either polarity.

All 9V, the MFs need 500mA each.

...oh, and for me it's from 250V AC

many thanks for any suggestions

andy butler

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Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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ditch wrestler wrote:
> 
> I'm with Kris on 'what works, works!' approach to gear.  

I reckon most guitarists can eventually adjust to the gear
they are using to make a tone that they like.
...but very few are able to get their result on
unfamiliar gear.

Would that go some way to explaining the phenomena Kris mentions?

andy

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 08:04:34 2010
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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: Petri Lahtinen <aikuinen@gmail.com>
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good monitoring for the drummer is essential, I suppose.
If anyone else is reading the thread, how do you solve this problem in a
band environment?
can edp send tempo data through midi? and how this setup is done...
is there a thread somewhere on LD on this... have to search..

-Petri-

2010/3/31 d.nix <d.nix@comcast.net>

>
> > You've bought one? Where did you find it?
>
> I posted that I was looking for one on another music/guitar gear bulletin
> board and was contacted by someone wishing to sell, and we came to an
> agreement. But truthfully, at least in the US, I see them crop up on Ebay
> pretty regularily. There are two on there now, and I've seen another one in
> a local music store.
> ngIt is a unique learning experience to say the least, and does require the
> other musicians - as well as myself - to be very precise and punctual. Some
> times it works well and other times... Not so well.
>
> :-)
>
> But I think it can be done, with some practice - I saw Russian Circles do
> it
> live very well. Most impressive. There are several Youtube videos of them
> where you can see/hear for yourself. The guitarist uses both a Akai
> Headrush
> and a Digitech JamMan (plus several analog delays), and nothing was synced
> via midi or to the drums in any way...  He was just very aware of the
> downbeat and keeping track of what the drummer was doing. They also happen
> to have an awesome drummer, a real machine of a timekeeper. My drummer is
> gonna take some work, I'm afraid...
>
> :-)
>
> Regards-
>
> Dave
>
> > I got one group where I would like to use livelooping but never managed
> to
> > understand how drummer keeps up with it? :-)
> >
> > _Petri_
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016367fae491883e2048314327f
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good monitoring for the drummer is essential, I suppose.<br>If anyone else =
is reading the thread, how do you solve this problem in a band environment?=
<br>can edp send tempo data through midi? and how this setup is done...<br>
is there a thread somewhere on LD on this... have to search..<br><br>-Petri=
-<br><br><div class=3D"gmail_quote">2010/3/31 d.nix <span dir=3D"ltr">&lt;<=
a href=3D"mailto:d.nix@comcast.net">d.nix@comcast.net</a>&gt;</span><br><bl=
ockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-l=
eft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im"><br>
&gt; You&#39;ve bought one? Where did you find it?<br>
<br>
</div>I posted that I was looking for one on another music/guitar gear bull=
etin<br>
board and was contacted by someone wishing to sell, and we came to an<br>
agreement. But truthfully, at least in the US, I see them crop up on Ebay<b=
r>
pretty regularily. There are two on there now, and I&#39;ve seen another on=
e in<br>
a local music store.<br>ngIt is a unique learning experience to say the lea=
st, and does require the<br>
other musicians - as well as myself - to be very precise and punctual. Some=
<br>
times it works well and other times... Not so well.<br>
<br>
:-)<br>
<br>
But I think it can be done, with some practice - I saw Russian Circles do i=
t<br>
live very well. Most impressive. There are several Youtube videos of them<b=
r>
where you can see/hear for yourself. The guitarist uses both a Akai Headrus=
h<br>
and a Digitech JamMan (plus several analog delays), and nothing was synced<=
br>
via midi or to the drums in any way... =A0He was just very aware of the<br>
downbeat and keeping track of what the drummer was doing. They also happen<=
br>
to have an awesome drummer, a real machine of a timekeeper. My drummer is<b=
r>
gonna take some work, I&#39;m afraid...<br>
<br>
:-)<br>
<br>
Regards-<br>
<br>
Dave<br>
<div><div></div><div class=3D"h5"><br>
&gt; I got one group where I would like to use livelooping but never manage=
d to<br>
&gt; understand how drummer keeps up with it? :-)<br>
&gt;<br>
&gt; _Petri_<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016367fae491883e2048314327f--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 08:18:00 2010
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d.nix wrote:

> However, I may have a chance to pick up a fairly new Yamaha MFC10 controller
> for quite cheap, so I'm wondering if anyone has any experience with it...

Yep, ...it's total junk for looping.

There's a large delay between hitting the switch and the midi
command being sent.
I reckoned about 70mS !

Yamaha Tech support in UK confirmed
1) Wow, it has a latency of about 100mS, that's not good.
2) There's *no* procedure in place for us to report that.


Best thing to do is to take a more positive attitude to programming
the fcb1010, 
;-) 
it won't actually harm you to spend all evening setting it up for the EDP,
and once it's done you can play and play for months.

if you can afford it, get the Gordius Little Giant controller



andy butler 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 09:48:44 2010
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Subject: Re: Drummer Monitor (Yamaha MFC10 midi foot controllers and the EDP-1)
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Petri Lahtinen wrote:
> good monitoring for the drummer is essential, I suppose.
> If anyone else is reading the thread, how do you solve this problem in a 
> band environment?

yep, good monitoring for the drummer is the way.
...and you need a co-operative drummer.

also that's important for the rest of the band

> can edp send tempo data through midi?

yes, but it won't help, the drummer just needs
to hear the audio in the loop.
Unless your drummer actually *wants* a click track,
and will follow one.


 and how this setup is done...

parameter
Sync = Out
OR
Sync = OutS (additionally sends midiStartSong commands)

> is there a thread somewhere on LD on this... have to search..
> 
> -Petri-
andy

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Date: Wed, 31 Mar 2010 13:09:56 +0300
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Subject: Re: Drummer Monitor (Yamaha MFC10 midi foot controllers and the 
	EDP-1)
From: Petri Lahtinen <aikuinen@gmail.com>
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--0016e6d56698bbf5e7048315f204
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great, thanks

I'm in the lookout for EDP

2010/3/31 andy butler <akbutler@tiscali.co.uk>

>
>
> Petri Lahtinen wrote:
>
>> good monitoring for the drummer is essential, I suppose.
>> If anyone else is reading the thread, how do you solve this problem in a
>> band environment?
>>
>
> yep, good monitoring for the drummer is the way.
> ...and you need a co-operative drummer.
>
> also that's important for the rest of the band
>
>  can edp send tempo data through midi?
>>
>
> yes, but it won't help, the drummer just needs
> to hear the audio in the loop.
> Unless your drummer actually *wants* a click track,
> and will follow one.
>
>
> and how this setup is done...
>
> parameter
> Sync = Out
> OR
> Sync = OutS (additionally sends midiStartSong commands)
>
>  is there a thread somewhere on LD on this... have to search..
>>
>> -Petri-
>>
> andy
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d56698bbf5e7048315f204
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great, thanks<br><br>I&#39;m in the lookout for EDP<br><br><div class=3D"gm=
ail_quote">2010/3/31 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:ak=
butler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span><br><blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); m=
argin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
Petri Lahtinen wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
good monitoring for the drummer is essential, I suppose.<br>
If anyone else is reading the thread, how do you solve this problem in a ba=
nd environment?<br>
</blockquote>
<br>
yep, good monitoring for the drummer is the way.<br>
...and you need a co-operative drummer.<br>
<br>
also that&#39;s important for the rest of the band<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
can edp send tempo data through midi?<br>
</blockquote>
<br>
yes, but it won&#39;t help, the drummer just needs<br>
to hear the audio in the loop.<br>
Unless your drummer actually *wants* a click track,<br>
and will follow one.<br>
<br>
<br>
and how this setup is done...<br>
<br>
parameter<br>
Sync =3D Out<br>
OR<br>
Sync =3D OutS (additionally sends midiStartSong commands)<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
is there a thread somewhere on LD on this... have to search..<br>
<br>
-Petri-<br>
</blockquote>
andy<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d56698bbf5e7048315f204--

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 11:57:56 2010
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Subject: Re: OT - Rick's rhythm intensive
From: Per Boysen <perboysen@gmail.com>
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Yes, Rick's Rhythm Intense is great! On both Swedish Live Looping
Tours I have arranged here, in 2003 and 2008, Rick has been part of
the program and I have witnessed many of his rhythm clinics. It is
amazing how fast people learn from him.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 31, 2010 at 7:47 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I've been wanting to remark for a while on the rhythm intensive I took a few
> months ago with Rick Walker (I think a few others here have taken it too,
> yes? Luis or Per, maybe?). For anyone who's looking to improve their
> rhythmic sense, or just expand their musical consciousness, I can't
> recommend it enough, really. The coolest part is him showing how any rhythm,
> no matter how complicated, can be broken down to its component parts, which
> fit in a nicely finite family of building blocks. It's changed the way I
> pick up and can respond to beats that I hear, pretty dramatically. I took a
> rhythm workshop with Cyro Baptista last month, and I realized there that
> Rick's instruction had made me way more confident and comfortable with
> rhythm than I'd ever been before.
>
> It's also just a pile of fun learning about things like the percentage of
> swing in a particular beat, or the characteristic rhythms in music I had
> never heard of. This is a massive understatement for anyone who knows him,
> but Rick has gotten around. A fount o' rhythmic knowledge.
>
> (It's kinda worth the trip to Santa Cruz just to see his magic house of
> instruments from all over the place. It is wondrous. But I know he's been
> looking into doing long-distance lessons over video, too, which is nice for
> our far-flung group here.)
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>

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Date: Wed, 31 Mar 2010 08:24:16 -0400
Subject: RE: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios
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The last 2 Death Ambient recordings are fabulous, "Drunken Forest" in parti=
cular.

I think "Killing Time" still blows away the later Massacre records, though =
they are very good.

As long as you're including Frith in avant-garde, which for some reason I w=
asn't, there are some more obscure titles that are really great... I'll dig=
 those up later.

Let me also put in a plug for someone who may have a trio or two somewhere =
in his discography, and isn't too active in recordings these days, but made=
 some unique and riveting music - Hans Reichel. I particularly love Bonobo =
Beach and Death of the Rare Bird Ymir.

Hal Dean

-----Original Message-----
From: Mech [mailto:mech@m3ch.net]=20
Sent: Tuesday, March 30, 2010 2:11 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Free Jazz/Avant-Garde Guitar/Bass/Drum Trios

At 11:25 AM -0600 3/30/10, Kris Hartung wrote:
>I have only a few items from Fred, one of which is a nice video DVD=20
>that Hal sent me!  Actually, I saw Fred play in person in Oakland at=20
>Mills College a few months ago, with Bob Ostertag.

Okay, now I'm really frickin' jealous.  ;)

>But I don't have any of his trio stuff.
>
>So what is the title of one of his guitar/bass/drum sessions?

Group name =3D Massacre
Albums:
	Killing Time (1981)
	Funny Valentine (1998)
	Meltdown (2001)
	Lonely Heart (2007)

Also, just read about another trio Frith formed with Kato Hideki=20
(bass), and Ikue Mori (drum machines) called Death Ambient.  Haven't=20
heard that one yet, however.

	--m.
--=20
_____
"we're no longer sure where home is; homesickness is our only guide"

From kk.apetey@live.fr  Wed Mar 31 13:35:39 2010
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Date: Wed, 31 Mar 2010 06:35:31 -0700 (PDT)
From: "Md. Kouassi Apetey" <kk.apetey@live.fr>
Reply-To: kk.apetey@live.fr
Subject: International Business Partnership Proposal
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1908945973-1270042531=:89120"

--0-1908945973-1270042531=:89120
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable


FROM THE DESK OF MR. KOUASSI APETEY=C2=A0=20
DIRECTOR -=C2=A0DEPARTMENT OF INFRASTRUCTURE AND INDUSTRY=C2=A0=20
AFRICAN DEVELOPMENT BANK (AFDBANK)=20
PLOT 12 DR. KWAME NKURUMA ROAD=20
OUGADOUGOU=20
BURKINA FASO.=20
PHONE : 0022675085859=20
=C2=A0=20
=C2=A0=20
=C2=A0=20
My dear friend,=20
=C2=A0=20
How are you doing today? I will explain myself a little to you before I con=
tinue. My name is Mr. Kouassi Apetey. I am the Director of=C2=A0the departm=
ent of infrastructure and industry in AFRICAN DEVELOPMENT BANK. I am 42 yea=
rs old. I hope you read this proposal carefully and reply me immediately. I=
 know that we have not met before but this business transaction will bring =
us together.=20
=C2=A0=20
We had a customer in our bank. His name was Mr. Sean Rooney. He is from Ame=
rica . He was working at the World Trade Center in America . One of the hij=
acked planes crashed into his office. He works at the 98th floor of the bui=
lding. You can find the details of his death from the link below:=20
=C2=A0=20
http://www.foxnews.com/story/0,2933,62151,00.html=20
=C2=A0=20
http://abcnews.go.com/US/story?id=3D91243&page=3D2=20
=C2=A0=20
Mr. Sean Rooney was a Vice President for Risk management services at the AO=
N COPORATION. He was a victim of the 11th September 2001 terrorist attack i=
n America . When you get to the link the go to the section that has the hea=
ding:=20
=C2=A0=20
List of World Trade Center Victims=20
=C2=A0=20
The board of director and the management of the AFRICAN DEVELOPMENT BANK ha=
s mandated and instructed me to go and look for Mr. Sean Rooney next of kin=
 to come and claim his fund in our bank. The only next of kin that was stat=
ed categorically when he opened the bank account was his wife Mrs. Beverly =
Eckert. I have contacted the American embassy here in my country to enquire=
 about his next of kin Mrs. Beverly Eckert. The ambassador at the American =
embassy here in my country told me that his wife who is his only next of ki=
n died in a plane crash on the 12th of February 2009.He also made me to und=
erstand that they don=E2=80=99t have kids.=20
=C2=A0=20
http://en.wikipedia.org/wiki/Beverly_Eckert=20
=C2=A0=20
This means that the whole family is gone. What a sad story. He used his wif=
e as his next of kin when opening his bank account with our bank but now sh=
e is no more.=20
=C2=A0=20
The reason why I contacted you is that Mr. Sean Rooney is dead and his wife=
 who is his next of kin is also dead. The board of directors and the manage=
ment of this bank do not know about these developments. The board of direct=
ors and the management of this bank have told me that if nobody applies for=
 the fund then the bank will return the whole fund into our federal reserve=
. I want you to apply to the bank as the only surviving next of kin to late=
 Mr. Sean Rooney. It might interest you to know that he has a domiciliary b=
ank account with our bank. This bank account contains the sum of fifteen mi=
llion dollars. This is the exact amount he has in his domiciliary bank acco=
unt before the ugly incident occurred. This money is still in that bank acc=
ount as unclaimed money. This business transaction is very simple and risk =
free. I am the DIRECTOR -=C2=A0DEPARTMENT OF INFRASTRUCTURE AND INDUSTRY=C2=
=A0of this bank. The board of directors and the bank management are waiting
 for me to present the next of kin to late Mr. Sean Rooney. I told them tha=
t I am still searching for the next of kin to the deceased.=20
=C2=A0=20
If you are interested, I will send you the application form to fill and sen=
d to the bank applying as the only surviving next of kin to late Mr. Sean R=
ooney. I will back you by letting the board of directors and the management=
 of the bank to know that you are the rightful next of kin to late Mr. Sean=
 Rooney. I will prove to them that you are the rightful person to inherit t=
he unclaimed fund. If you are interested then give me a reply.=20
=C2=A0=20
In respect to this transaction, we agree that 40% of this money will be for=
 you as my foreign partner and for the bank account that you shall provide.=
 10% will be used to settle all our bills after the money has been received=
 into your bank account.50% will be for me. The money will be transferred t=
o the bank account that you shall provide. I will travel down to your count=
ry after the money has been transferred into your bank account. We will use=
 10% of the money to settle all the expenses we incurred in this business t=
ransaction. Then we will share the rest according to the indicated percenta=
ges. Therefore to enable the immediate transfer of this fund to your bank a=
ccount as arranged, you must apply first to the bank.=20
=C2=A0=20
Your swift response will be highly appreciated.=20
=C2=A0=20
Thanks and have a nice day.=20
=C2=A0=20
Friendly regards=20
=C2=A0=20
=C2=A0=20
MR. KOUASSI APETEY=C2=A0=20
DIRECTOR -=C2=A0DEPARTMENT OF INFRASTRUCTURE AND INDUSTRY=C2=A0=20
AFRICAN DEVELOPMENT BANK (AFDBANK)=20
PLOT 12 DR. KWAME NKURUMA ROAD=20
OUGADOUGOU=20
BURKINA FASO =0A=0A=0A      
--0-1908945973-1270042531=:89120
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv2015475467>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>FROM THE DESK OF=
 MR. KOUASSI APETEY&nbsp;</SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>=
=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>DIRECTOR -&nbsp;=
DEPARTMENT OF INFRASTRUCTURE AND INDUSTRY&nbsp;</SPAN></B></EM><SPAN lang=
=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>AFRICAN DEVELOPM=
ENT BANK (AFDBANK) </SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>PLOT 12 DR. KWAM=
E NKURUMA ROAD </SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>OUGADOUGOU</SPAN=
></B></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>BURKINA FASO</SP=
AN></B></EM><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>.</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>PHONE : 00226750=
85859</SPAN></B></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FON=
T>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp; </SPAN></=
B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>My dear friend, =
</SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>How are you doin=
g today? I will explain myself a little to you before I continue. My name i=
s Mr. Kouassi Apetey. I am the Director of&nbsp;the department of infrastru=
cture and industry in AFRICAN DEVELOPMENT BANK. I am 42 years old. I hope y=
ou read this proposal carefully and reply me immediately. I know that we ha=
ve not met before but this business transaction will bring us together. </S=
PAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>We had a custome=
r in our bank. His name was Mr. Sean Rooney. He is from America . He was wo=
rking at the World Trade Center in America . One of the hijacked planes cra=
shed into his office. He works at the 98<SUP>th</SUP> floor of the building=
. You can find the details of his death from the link below: </SPAN></B></E=
M><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp; </SPAN></=
B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><EM><B><SPAN style=3D"FO=
NT-SIZE: 11pt" lang=3DEN-GB><FONT face=3D"Times New Roman">http://www.foxne=
ws.com/story/0,2933,62151,00.html </FONT></SPAN></B></EM>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><B><I><SPAN style=3D"FON=
T-SIZE: 11pt" lang=3DEN-GB><FONT face=3D"Times New Roman">&nbsp;</FONT></SP=
AN></I></B>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>http://abcnews.g=
o.com/US/story?id=3D91243&amp;page=3D2 </SPAN></B></EM><SPAN lang=3DEN-GB><=
/SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><SPAN lang=3DEN-GB><FONT=
 size=3D3 face=3D"Times New Roman">&nbsp;</FONT></SPAN>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>Mr. Sean Rooney =
was a Vice President for Risk management services at the AON COPORATION. He=
 was a victim of the 11th September 2001 terrorist attack in America . When=
 you get to the link the go to the section that has the heading: </SPAN></B=
></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>List of World Tr=
ade Center Victims</SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><EM><B><SPAN style=3D"FO=
NT-SIZE: 11pt" lang=3DEN-GB><FONT face=3D"Times New Roman">&nbsp;</FONT></S=
PAN></B></EM>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>The board of dir=
ector and the management of the AFRICAN DEVELOPMENT BANK has mandated and i=
nstructed me to go and look for Mr. Sean Rooney next of kin to come and cla=
im his fund in our bank. The only next of kin that was stated categorically=
 when he opened the bank account was his wife Mrs. Beverly Eckert. I have c=
ontacted the American embassy here in my country to enquire about his next =
of kin Mrs. Beverly Eckert. The ambassador at the American embassy here in =
my country told me that his wife who is his only next of kin died in a plan=
e crash on the 12<SUP>th</SUP> of February 2009.He also made me to understa=
nd that they don=E2=80=99t have kids.</SPAN></B></EM><SPAN lang=3DEN-GB><FO=
NT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><SPAN lang=3DEN-GB><FONT=
 size=3D3 face=3D"Times New Roman">&nbsp;</FONT></SPAN>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><EM><B><SPAN style=3D"FO=
NT-SIZE: 11pt" lang=3DEN-GB><FONT face=3D"Times New Roman">http://en.wikipe=
dia.org/wiki/Beverly_Eckert</FONT></SPAN></B></EM>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><EM><B><SPAN style=3D"FO=
NT-SIZE: 11pt" lang=3DEN-GB><FONT face=3D"Times New Roman">&nbsp;</FONT></S=
PAN></B></EM>=20
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>This means that =
the whole family is gone. What a sad story. He used his wife as his next of=
 kin when opening his bank account with our bank but now she is no more. </=
SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>The reason why I=
 contacted you is that Mr. Sean Rooney is dead and his wife who is his next=
 of kin is also dead. The board of directors and the management of this ban=
k do not know about these developments. The board of directors and the mana=
gement of this bank have told me that if nobody applies for the fund then t=
he bank will return the whole fund into our federal reserve. I want you to =
apply to the bank as the only surviving next of kin to late Mr. Sean Rooney=
. It might interest you to know that he has a domiciliary bank account with=
 our bank. This bank account contains the sum of fifteen million dollars. T=
his is the exact amount he has in his domiciliary bank account before the u=
gly incident occurred. This money is still in that bank account as unclaime=
d money. This business transaction is very simple and risk free. I am the
 DIRECTOR -&nbsp;DEPARTMENT OF INFRASTRUCTURE AND INDUSTRY&nbsp;of this ban=
k. The board of directors and the bank management are waiting for me to pre=
sent the next of kin to late Mr. Sean Rooney. I told them that I am still s=
earching for the next of kin to the deceased. </SPAN></B></EM><SPAN lang=3D=
EN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>If you are inter=
ested, I will send you the application form to fill and send to the bank ap=
plying as the only surviving next of kin to late Mr. Sean Rooney. I will ba=
ck you by letting the board of directors and the management of the bank to =
know that you are the rightful next of kin to late Mr. Sean Rooney. I will =
prove to them that you are the rightful person to inherit the unclaimed fun=
d. If you are interested then give me a reply. </SPAN></B></EM><SPAN lang=
=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>In respect to th=
is transaction, we agree that 40% of this money will be for you as my forei=
gn partner and for the bank account that you shall provide. 10% will be use=
d to settle all our bills after the money has been received into your bank =
account.50% will be for me. The money will be transferred to the bank accou=
nt that you shall provide. I will travel down to your country after the mon=
ey has been transferred into your bank account. We will use 10% of the mone=
y to settle all the expenses we incurred in this business transaction. Then=
 we will share the rest according to the indicated percentages. Therefore t=
o enable the immediate transfer of this fund to your bank account as arrang=
ed, you must apply first to the bank. </SPAN></B></EM><SPAN lang=3DEN-GB></=
SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>&nbsp;</SPAN></B=
></EM><SPAN lang=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>Your swift respo=
nse will be highly appreciated. </SPAN></B></EM><SPAN lang=3DEN-GB></SPAN><=
/FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
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EY&nbsp; </SPAN></B></EM><SPAN lang=3DEN-GB></SPAN></FONT>
<P style=3D"MARGIN: 0cm 0cm 0pt" class=3DMsoNormal><FONT face=3D"Times New =
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=3DEN-GB><FONT size=3D3> </FONT></SPAN></FONT>
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Roman"><EM><B><SPAN style=3D"FONT-SIZE: 11pt" lang=3DEN-GB>AFRICAN DEVELOPM=
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      &nbsp;
--0-1908945973-1270042531=:89120--

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	 <p2q66f9cc1e1003310457q170bbff7x852aaea64e68466d@mail.gmail.com>
Date: Wed, 31 Mar 2010 16:06:11 +0200
Message-ID: <t2rbbb8cbac1003310706x4e4b0e29if8ce6585437f382@mail.gmail.com>
Subject: Re: OT - Rick's rhythm intensive
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I had a rhythm intensive with Rick last year, after the in Rome Loopfest.
We were enjoing Nick Bartsch's music with Bernhard Wagner, who showed
us the "thelevi" a percussion from ghana with which you can play odd
time signature (3-5-7-9-11....)
http://www.youtube.com/watch?v=_EvbJm2rwQg

Rick showed me his method scomposing rhythms on a dozen of papers,
playing them with his voice or tapping fingers on the table and the
explanation
was very neat...I'm grateful to Rick for that "free lesson" and I raccomend
him
for those who are looking for a rhythm intensive.

It was like a gift I had from the loopfest: I falled in love with rhythm:
odd time signatures;
phase shifted patterns, polyrhythms and so on...
Sometimes, when I look for something I still pick up Rick's writings, or
work with thelevi.
It's a dimension full of discoveries I have ever think at.
Just now - several years and ...hairs later - I'm going more deeply into
this fascinating side of music.

-fabio
www.eterogeneo.com


2010/3/31 Per Boysen <perboysen@gmail.com>

> Yes, Rick's Rhythm Intense is great! On both Swedish Live Looping
> Tours I have arranged here, in 2003 and 2008, Rick has been part of
> the program and I have witnessed many of his rhythm clinics. It is
> amazing how fast people learn from him.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
>  On Wed, Mar 31, 2010 at 7:47 AM, Daryl Shawn <highhorse@mhorse.com>
> wrote:
> > I've been wanting to remark for a while on the rhythm intensive I took a
> few
> > months ago with Rick Walker (I think a few others here have taken it too,
> > yes? Luis or Per, maybe?). For anyone who's looking to improve their
> > rhythmic sense, or just expand their musical consciousness, I can't
> > recommend it enough, really. The coolest part is him showing how any
> rhythm,
> > no matter how complicated, can be broken down to its component parts,
> which
> > fit in a nicely finite family of building blocks. It's changed the way I
> > pick up and can respond to beats that I hear, pretty dramatically. I took
> a
> > rhythm workshop with Cyro Baptista last month, and I realized there that
> > Rick's instruction had made me way more confident and comfortable with
> > rhythm than I'd ever been before.
> >
> > It's also just a pile of fun learning about things like the percentage of
> > swing in a particular beat, or the characteristic rhythms in music I had
> > never heard of. This is a massive understatement for anyone who knows
> him,
> > but Rick has gotten around. A fount o' rhythmic knowledge.
> >
> > (It's kinda worth the trip to Santa Cruz just to see his magic house of
> > instruments from all over the place. It is wondrous. But I know he's been
> > looking into doing long-distance lessons over video, too, which is nice
> for
> > our far-flung group here.)
> >
> > Daryl Shawn
> > www.swanwelder.com
> > www.chinapaintingmusic.com
> >
> >
> >
>
>

--00151750e8329842480483193f06
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<div>I had a rhythm intensive with Rick last year, after the in Rome Loopfe=
st.</div>
<div>We were enjoing Nick Bartsch&#39;s music with Bernhard Wagner, who sho=
wed</div>
<div>us the &quot;thelevi&quot; a percussion from ghana with which you can =
play odd</div>
<div>time signature (3-5-7-9-11....)</div>
<div><a href=3D"http://www.youtube.com/watch?v=3D_EvbJm2rwQg">http://www.yo=
utube.com/watch?v=3D_EvbJm2rwQg</a></div>
<div>=A0</div>
<div>Rick showed me his method scomposing rhythms on a dozen of papers, </d=
iv>
<div>playing them with his voice or tapping fingers on the table and the ex=
planation</div>
<div>was very neat...I&#39;m grateful to Rick for that &quot;free lesson&qu=
ot; and I raccomend him</div>
<div>for those who are looking for a rhythm intensive.</div>
<div>=A0</div>
<div>It was like a gift I had from the loopfest: I falled in love with rhyt=
hm: odd time signatures;</div>
<div>phase shifted patterns, polyrhythms and so on...</div>
<div>Sometimes, when=A0I look for something=A0I still=A0pick up Rick&#39;s =
writings, or work with thelevi.</div>
<div>It&#39;s a dimension full of discoveries I have ever think at. </div>
<div>Just now - several years and ...hairs later - I&#39;m going more deepl=
y into this fascinating side of music.</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div class=3D"gmail_quote">2010/3/31 Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Yes, Rick&#39;s Rhythm Intense i=
s great! On both Swedish Live Looping<br>Tours I have arranged here, in 200=
3 and 2008, Rick has been part of<br>
the program and I have witnessed many of his rhythm clinics. It is<br>amazi=
ng how fast people learn from him.<br>
<div class=3D"im"><br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D=
"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"h=
ttp://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br><br><b=
r><br>
</div>
<div>
<div></div>
<div class=3D"h5">On Wed, Mar 31, 2010 at 7:47 AM, Daryl Shawn &lt;<a href=
=3D"mailto:highhorse@mhorse.com">highhorse@mhorse.com</a>&gt; wrote:<br>&gt=
; I&#39;ve been wanting to remark for a while on the rhythm intensive I too=
k a few<br>
&gt; months ago with Rick Walker (I think a few others here have taken it t=
oo,<br>&gt; yes? Luis or Per, maybe?). For anyone who&#39;s looking to impr=
ove their<br>&gt; rhythmic sense, or just expand their musical consciousnes=
s, I can&#39;t<br>
&gt; recommend it enough, really. The coolest part is him showing how any r=
hythm,<br>&gt; no matter how complicated, can be broken down to its compone=
nt parts, which<br>&gt; fit in a nicely finite family of building blocks. I=
t&#39;s changed the way I<br>
&gt; pick up and can respond to beats that I hear, pretty dramatically. I t=
ook a<br>&gt; rhythm workshop with Cyro Baptista last month, and I realized=
 there that<br>&gt; Rick&#39;s instruction had made me way more confident a=
nd comfortable with<br>
&gt; rhythm than I&#39;d ever been before.<br>&gt;<br>&gt; It&#39;s also ju=
st a pile of fun learning about things like the percentage of<br>&gt; swing=
 in a particular beat, or the characteristic rhythms in music I had<br>
&gt; never heard of. This is a massive understatement for anyone who knows =
him,<br>&gt; but Rick has gotten around. A fount o&#39; rhythmic knowledge.=
<br>&gt;<br>&gt; (It&#39;s kinda worth the trip to Santa Cruz just to see h=
is magic house of<br>
&gt; instruments from all over the place. It is wondrous. But I know he&#39=
;s been<br>&gt; looking into doing long-distance lessons over video, too, w=
hich is nice for<br>&gt; our far-flung group here.)<br>&gt;<br>&gt; Daryl S=
hawn<br>
&gt; <a href=3D"http://www.swanwelder.com/" target=3D"_blank">www.swanwelde=
r.com</a><br>&gt; <a href=3D"http://www.chinapaintingmusic.com/" target=3D"=
_blank">www.chinapaintingmusic.com</a><br>&gt;<br>&gt;<br>&gt;<br><br></div=
></div>
</blockquote></div><br>

--00151750e8329842480483193f06--

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Date: Wed, 31 Mar 2010 16:07:13 +0200
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Subject: Recommendations for Microphone and Archtop or Acoustic Guitar
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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hey bro,
i was diggin your recomendations for a great acoustic guitar mic but wanted
to make sure before i buy
is this the one you wer talking about?

http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item439e4fa67c

how would it differe from the 4050? is it worth paying the x tra cash?
thANX MAN!
Luis

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hey bro, <br>i was diggin your recomendations for a great acoustic guitar m=
ic but wanted to make sure before i buy<br>is this the one you wer talking =
about?<br><br><a href=3D"http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-=
AT4033cl-PROAUDIOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDom=
ain_0?hash=3Ditem439e4fa67c">http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4=
033-AT4033cl-PROAUDIOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_Defaul=
tDomain_0?hash=3Ditem439e4fa67c</a><br>
<br>how would it differe from the 4050? is it worth paying the x tra cash?<=
br>thANX MAN!<br>Luis<br>

--001636833a444f59b90483194321--

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The 4050 just has more selectable polar patterns than the 4033.
Have you considered a c1000?

peace

G

Date: Wed=2C 31 Mar 2010 16:07:13 +0200
Subject: Recommendations for Microphone and Archtop or Acoustic Guitar
From: louie.angulo@googlemail.com
To: Loopers-Delight@loopers-delight.com

hey bro=2C=20
i was diggin your recomendations for a great acoustic guitar mic but wanted=
 to make sure before i buy
is this the one you wer talking about?

http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR_W0Q=
QitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem439e4fa6=
7c


how would it differe from the 4050? is it worth paying the x tra cash?
thANX MAN!
Luis
 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<body class=3D'hmmessage'>
The 4050 just has more selectable polar patterns than the 4033.<br>Have you=
 considered a c1000?<br><br>peace<br><br>G<br><br><hr id=3D"stopSpelling">D=
ate: Wed=2C 31 Mar 2010 16:07:13 +0200<br>Subject: Recommendations for Micr=
ophone and Archtop or Acoustic Guitar<br>From: louie.angulo@googlemail.com<=
br>To: Loopers-Delight@loopers-delight.com<br><br>hey bro=2C <br>i was digg=
in your recomendations for a great acoustic guitar mic but wanted to make s=
ure before i buy<br>is this the one you wer talking about?<br><br><a href=
=3D"http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR=
_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem439e=
4fa67c">http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIO=
STAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem=
439e4fa67c</a><br>
<br>how would it differe from the 4050? is it worth paying the x tra cash?<=
br>thANX MAN!<br>Luis<br> 		 	   		  <br /><hr />Do you have a story that s=
tarted on Hotmail? <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/=
01/' target=3D'_new'>Tell us now</a></body>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 15:09:10 2010
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Date: Wed, 31 Mar 2010 17:09:02 +0200
Message-ID: <g2v7a9df3e51003310809q28c2edd7jb61ea362e1a52597@mail.gmail.com>
Subject: Re: Recommendations for Microphone and Archtop or Acoustic Guitar
From: Louie Angulo <louie.angulo@googlemail.com>
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ive tried the c1000 is quite nice as well but somehow the AT seems to be
more of whati m looking for my brother had an early at 2050 and i was
impressed with its quality recording acoustics!
cheers
Luis

2010/3/31 Gareth Whittock <buddhamachine@live.co.uk>

>  The 4050 just has more selectable polar patterns than the 4033.
> Have you considered a c1000?
>
> peace
>
> G
>
> ------------------------------
> Date: Wed, 31 Mar 2010 16:07:13 +0200
> Subject: Recommendations for Microphone and Archtop or Acoustic Guitar
> From: louie.angulo@googlemail.com
> To: Loopers-Delight@loopers-delight.com
>
>
> hey bro,
> i was diggin your recomendations for a great acoustic guitar mic but wanted
> to make sure before i buy
> is this the one you wer talking about?
>
>
> http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item439e4fa67c
>
> how would it differe from the 4050? is it worth paying the x tra cash?
> thANX MAN!
> Luis
>
> ------------------------------
> Do you have a story that started on Hotmail? Tell us now<http://clk.atdmt.com/UKM/go/195013117/direct/01/>
>

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ive tried the c1000 is quite nice as well but somehow the AT seems to be mo=
re of whati m looking for my brother had an early at 2050 and i was impress=
ed with its quality recording acoustics!<br>cheers<br>Luis<br><br><div clas=
s=3D"gmail_quote">
2010/3/31 Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamac=
hine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span><br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">




<div>
The 4050 just has more selectable polar patterns than the 4033.<br>Have you=
 considered a c1000?<br><br>peace<br><br>G<br><br><hr>Date: Wed, 31 Mar 201=
0 16:07:13 +0200<br>Subject: Recommendations for Microphone and Archtop or =
Acoustic Guitar<br>
From: <a href=3D"mailto:louie.angulo@googlemail.com" target=3D"_blank">loui=
e.angulo@googlemail.com</a><br>To: <a href=3D"mailto:Loopers-Delight@looper=
s-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><di=
v><div>
</div><div class=3D"h5"><br><br>hey bro, <br>i was diggin your recomendatio=
ns for a great acoustic guitar mic but wanted to make sure before i buy<br>=
is this the one you wer talking about?<br><br><a href=3D"http://cgi.ebay.co=
m/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR_W0QQitemZ290418828924=
QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem439e4fa67c" target=3D"_bla=
nk">http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR=
_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem439e=
4fa67c</a><br>

<br>how would it differe from the 4050? is it worth paying the x tra cash?<=
br>thANX MAN!<br>Luis<br> 		 	   		  <br></div></div><hr>Do you have a stor=
y that started on Hotmail? <a href=3D"http://clk.atdmt.com/UKM/go/195013117=
/direct/01/" target=3D"_blank">Tell us now</a></div>

</blockquote></div><br>

--0016e649ce4662975504831a20fa--

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Date: Wed, 31 Mar 2010 17:13:21 +0200
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Subject: Re: power supply for fx pedals question
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--0016367b64ded5ef5804831a2f9c
Content-Type: text/plain; charset=ISO-8859-1

sure does look good but that thing is going to be a war tank!
just look at it here:

http://www.youtube.com/watch?v=U0WuawfeYyY

it doesnt look like is going to fit a pedaboard either and i dont even what
to know its weight;-)








2010/3/30 William Walker <billwalker@baymoon.com>

> When it finally comes out the Voodoo Labs Versa is probably the only one
> that can handle that many 12 volt and high mili amp sources.
> bill
>
>

--0016367b64ded5ef5804831a2f9c
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sure does look good but that thing is going to be a war tank!<br>just look =
at it here:<br><br><a href=3D"http://www.youtube.com/watch?v=3DU0WuawfeYyY"=
>http://www.youtube.com/watch?v=3DU0WuawfeYyY</a><br><br>it doesnt look lik=
e is going to fit a pedaboard either and i dont even what to know its weigh=
t;-)<br>
<br><br><br><br><br><br><br><br><div class=3D"gmail_quote">2010/3/30 Willia=
m Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">bi=
llwalker@baymoon.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;">
When it finally comes out the Voodoo Labs Versa is probably the only one th=
at can handle that many 12 volt and high mili amp sources.<br>
bill<br>
<br>
</blockquote></div><br>

--0016367b64ded5ef5804831a2f9c--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 15:35:28 2010
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From: Massimo Liverani <mas.liv@libero.it>
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Subject: How to use two Lexicon jamman together
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A few days ago i bought my second hand Lexicon jamman expanded for 250 $...am i 
driving mad? ...no ;-), i just wanted to connect them in order to have a real 
stereo signal. 
So i connected them using midi thinking that this could syncronize them but it 
didn't worked! the second jam refused to sync with the first. 
Got any idea bofore to build a custom pedal with two jacks? 
T.I.A.
Max Liver 

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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
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Thanks for the warning Andy, looks like it's the FCB1010 then.

> > However, I may have a chance to pick up a fairly new Yamaha MFC10
controller
> > for quite cheap, so I'm wondering if anyone has any experience with
it...
>
> Yep, ...it's total junk for looping.
>

I'm not opposed to the FCB at all, especially since there is lots of end
user support and editors and firmware upgrades and such. Except for the fact
it's huge.

:-)

Thanks!

Dave

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Louie Angulo schrieb:
> ive tried the c1000 is quite nice as well but somehow the AT seems to 
> be more of whati m looking for my brother had an early at 2050 and i 
> was impressed with its quality recording acoustics!
> cheers
> Luis
I always found the C1000 to be very peculiar - a contributor on (I think 
it was) recording.org once described it as "it has both too much and not 
enough hi-mids/his at the same time", and that basically nails it - I 
like to use it for close-miking percussion or drum OH if I'm after a 
very Eighties sound.

Apart from that, it's very much a swiss army knife of a 
microphone...will run on battery power and is very reliable.

The AT4050 is what I use for basically everything which does call for a 
large-diaphragm mike but at a little more distance than close-miking, 
e.g. on vocals in combination with a Solidtube 
(http://moinlabs.de/uploads/pics/ws_voc.jpg, although you may call this 
example over-engineering, since it was done to only capture a short 
shout: http://bit.ly/aDQ7GC).

Summary: the AT4050 is good for everything. The C1000 is a little 
special in its sound characteristics, but contrary to the AT you won't 
need to worry subjecting it to rough handling on the road.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: power supply for fx pedals question (another)
Date: Wed, 31 Mar 2010 09:18:13 -0700
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Andy, you might check out the Dunlop DC brick, has a lot of inputs,  a  
high milli amp rating and can go any where in the world including  
Norwich!, The Voodoo Labs Versa might also work.
Bill

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Subject: RE: Recommendations for Microphone and Archtop or Acoustic Guitar
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Horses for courses I suppose. I've had great results with the c1000 and the=
 4050 is a little lacking in top end for me. It's a bit like choosing a gui=
tar though - a matter of personal taste..
Good hunting!

g

> Date: Wed=2C 31 Mar 2010 18:15:03 +0200
> From: moinsound@googlemail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Recommendations for Microphone and Archtop or Acoustic Guita=
r
>=20
> Louie Angulo schrieb:
> > ive tried the c1000 is quite nice as well but somehow the AT seems to=20
> > be more of whati m looking for my brother had an early at 2050 and i=20
> > was impressed with its quality recording acoustics!
> > cheers
> > Luis
> I always found the C1000 to be very peculiar - a contributor on (I think=
=20
> it was) recording.org once described it as "it has both too much and not=
=20
> enough hi-mids/his at the same time"=2C and that basically nails it - I=20
> like to use it for close-miking percussion or drum OH if I'm after a=20
> very Eighties sound.
>=20
> Apart from that=2C it's very much a swiss army knife of a=20
> microphone...will run on battery power and is very reliable.
>=20
> The AT4050 is what I use for basically everything which does call for a=20
> large-diaphragm mike but at a little more distance than close-miking=2C=20
> e.g. on vocals in combination with a Solidtube=20
> (http://moinlabs.de/uploads/pics/ws_voc.jpg=2C although you may call this=
=20
> example over-engineering=2C since it was done to only capture a short=20
> shout: http://bit.ly/aDQ7GC).
>=20
> Summary: the AT4050 is good for everything. The C1000 is a little=20
> special in its sound characteristics=2C but contrary to the AT you won't=
=20
> need to worry subjecting it to rough handling on the road.
>=20
>           Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
 		 	   		 =20
_________________________________________________________________
Do you have a story that started on Hotmail? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<html>
<head>
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}
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{
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font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Horses for courses I suppose. I've had great results with the c1000 and the=
 4050 is a little lacking in top end for me. It's a bit like choosing a gui=
tar though - a matter of personal taste..<br>Good hunting!<br><br>g<br><br>=
&gt=3B Date: Wed=2C 31 Mar 2010 18:15:03 +0200<br>&gt=3B From: moinsound@go=
oglemail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Su=
bject: Re: Recommendations for Microphone and Archtop or Acoustic Guitar<br=
>&gt=3B <br>&gt=3B Louie Angulo schrieb:<br>&gt=3B &gt=3B ive tried the c10=
00 is quite nice as well but somehow the AT seems to <br>&gt=3B &gt=3B be m=
ore of whati m looking for my brother had an early at 2050 and i <br>&gt=3B=
 &gt=3B was impressed with its quality recording acoustics!<br>&gt=3B &gt=
=3B cheers<br>&gt=3B &gt=3B Luis<br>&gt=3B I always found the C1000 to be v=
ery peculiar - a contributor on (I think <br>&gt=3B it was) recording.org o=
nce described it as "it has both too much and not <br>&gt=3B enough hi-mids=
/his at the same time"=2C and that basically nails it - I <br>&gt=3B like t=
o use it for close-miking percussion or drum OH if I'm after a <br>&gt=3B v=
ery Eighties sound.<br>&gt=3B <br>&gt=3B Apart from that=2C it's very much =
a swiss army knife of a <br>&gt=3B microphone...will run on battery power a=
nd is very reliable.<br>&gt=3B <br>&gt=3B The AT4050 is what I use for basi=
cally everything which does call for a <br>&gt=3B large-diaphragm mike but =
at a little more distance than close-miking=2C <br>&gt=3B e.g. on vocals in=
 combination with a Solidtube <br>&gt=3B (http://moinlabs.de/uploads/pics/w=
s_voc.jpg=2C although you may call this <br>&gt=3B example over-engineering=
=2C since it was done to only capture a short <br>&gt=3B shout: http://bit.=
ly/aDQ7GC).<br>&gt=3B <br>&gt=3B Summary: the AT4050 is good for everything=
. The C1000 is a little <br>&gt=3B special in its sound characteristics=2C =
but contrary to the AT you won't <br>&gt=3B need to worry subjecting it to =
rough handling on the road.<br>&gt=3B <br>&gt=3B           Rainer<br>&gt=3B=
 <br>&gt=3B -- <br>&gt=3B http://moinlabs.de<br>&gt=3B Follow me on twitter=
: http://twitter.com/moinlabs<br>&gt=3B <br> 		 	   		  <br /><hr />Do you =
want a Hotmail account? <a href=3D'http://clk.atdmt.com/UKM/go/197222280/di=
rect/01/' target=3D'_new'>Sign-up now - Free</a></body>
</html>=

--_caf6ec67-05c1-473b-aea0-a92b5db45ab2_--

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Subject: Re: How to use two Lexicon jamman together
From: Matthias Grob <matilists@gmail.com>
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It would not be a real stereo signal anyway since the two machines would =
not be in phase (as they are with the EDPs BrotherSync). After each loop =
end, you would probably hear the loop in a different spot in space.

On 31 Mar 2010, at 12:35, Massimo Liverani wrote:

> A few days ago i bought my second hand Lexicon jamman expanded for 250 =
$...am i=20
> driving mad? ...no ;-), i just wanted to connect them in order to have =
a real=20
> stereo signal.=20
> So i connected them using midi thinking that this could syncronize =
them but it=20
> didn't worked! the second jam refused to sync with the first.=20
> Got any idea bofore to build a custom pedal with two jacks?=20
> T.I.A.
> Max Liver=20
>=20

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> sure does look good but that thing is going to be a war tank!
> just look at it here:
>
> http://www.youtube.com/watch?v=U0WuawfeYyY
>
> it doesnt look like is going to fit a pedaboard either and i dont  
> even what to know its weight;-)
>

True, but that may not be the final version of the product. Since it's  
been revised and reworked for well over a year, I wouldn't think that  
its dimensions are automatically going to be the same as the prototype  
shown in that video. But, who knows.

It definitely looks huge, but I can't imagine how Voodoo Lab would  
release a product that wasn't going to fit on or under (?) most pedal  
boards.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div><br></div><blockquote type="cite">sure does look good but that thing is going to be a war tank!<br>just look at it here:<br><br><a href="http://www.youtube.com/watch?v=U0WuawfeYyY">http://www.youtube.com/watch?v=U0WuawfeYyY</a><br><br>it doesnt look like is going to fit a pedaboard either and i dont even what to know its weight;-)<br> <br></blockquote></div><br><div>True, but that may not be the final version of the product. Since it's been revised and reworked for well over a year, I wouldn't think that its dimensions are automatically going to be the same as the prototype shown in that video. But, who knows.</div><div><br></div><div>It definitely looks huge, but I can't imagine how Voodoo Lab would release a product that wasn't going to fit on or under (?) most pedal boards.&nbsp;</div><div><br></div><div>Jeff</div></body></html>
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And a demo video with a Versa on a pedal board:

http://www.youtube.com/watch?v=dDIDy6ErukE&NR=1

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Subject: Re: How to use two Lexicon jamman together
Date: Wed, 31 Mar 2010 17:57:03 +0100
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This was not my experience


Sent from my iPod

On 31 Mar 2010, at 17:27, Matthias Grob <matilists@gmail.com> wrote:

> It would not be a real stereo signal anyway since the two machines  
> would not be in phase (as they are with the EDPs BrotherSync). After  
> each loop end, you would probably hear the loop in a different spot  
> in space.
>
> On 31 Mar 2010, at 12:35, Massimo Liverani wrote:
>
>> A few days ago i bought my second hand Lexicon jamman expanded for  
>> 250 $...am i
>> driving mad? ...no ;-), i just wanted to connect them in order to  
>> have a real
>> stereo signal.
>> So i connected them using midi thinking that this could syncronize  
>> them but it
>> didn't worked! the second jam refused to sync with the first.
>> Got any idea bofore to build a custom pedal with two jacks?
>> T.I.A.
>> Max Liver
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 17:02:28 2010
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Subject: Re: Recommendations for Microphone and Archtop or Acoustic Guitar
Date: Wed, 31 Mar 2010 11:01:54 -0600
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...wasn't sure if you were talking to me, Luis.  The Audio Technica I =
bought was just an inexpensive clip on condensor, the Pro 70, which is =
marketed for acoustic guitar (used by many gypsy jazz guitarists in =
Europe), and addresses the feedback problem with the standard pencil =
condensor mics on stage (at least as a primary source for input).  For a =
higher end condensor mic, I bought the Sure KSM 137, recommended by a =
Sure engineer who plays archtop jazz guitar.

http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_KSM137-SL_=
content

The two Audio Technica mics that I consdered were the large condensor AT =
4050 (multi-pattern large diaphram), which I think is an outstanding mic =
but overkill for what I wanted to do.  =
http://www.audio-technica.com/cms/wired_mics/194ac5d60380d624/index.html =
 (I still may get one, for recording). =20

...and the Audio Technica pencil condesor mic, AT 4051b condensor.  =
http://www.audio-technica.com/cms/wired_mics/7a24561e8865117b/index.html

I decided to go with the Shure, however, based on my discussion with the =
Sure enginner and the fact that he was using the mic for exactly the =
application I was intending.

All these mics by Sure and AT in the $300-600 range are really good in =
my opinion.  I just took the leap and picked on based on comments.

Kris





  ----- Original Message -----=20

  hey bro,=20
  i was diggin your recomendations for a great acoustic guitar mic but =
wanted to make sure before i buy
  is this the one you wer talking about?

  =
http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUDIOSTAR_W=
0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3Ditem439e=
4fa67c

  how would it differe from the 4050? is it worth paying the x tra cash?
  thANX MAN!
  Luis

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>...wasn't sure if you were talking to =
me,=20
Luis.&nbsp; The Audio Technica I bought was just an inexpensive clip on=20
condensor, the Pro 70, which is marketed for acoustic guitar (used by =
many gypsy=20
jazz guitarists in Europe), and addresses the feedback problem with the =
standard=20
pencil condensor mics on stage (at least as a primary source for =
input).&nbsp;=20
For a higher end condensor mic, I bought the Sure KSM 137, recommended =
by a Sure=20
engineer who plays archtop jazz guitar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.shure.com/ProAudio/Products/WiredMicrophones/us_pro_KS=
M137-SL_content">http://www.shure.com/ProAudio/Products/WiredMicrophones/=
us_pro_KSM137-SL_content</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The two Audio Technica mics that I =
consdered were=20
the large condensor AT 4050 (multi-pattern large diaphram), which I =
think is an=20
outstanding mic but overkill for what I wanted to do.&nbsp; </FONT><FONT =

face=3DArial size=3D2><A=20
href=3D"http://www.audio-technica.com/cms/wired_mics/194ac5d60380d624/ind=
ex.html">http://www.audio-technica.com/cms/wired_mics/194ac5d60380d624/in=
dex.html</A>&nbsp;=20
(I still may get one, for recording).&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...and the Audio Technica pencil =
condesor mic, AT=20
4051b condensor.&nbsp; <A=20
href=3D"http://www.audio-technica.com/cms/wired_mics/7a24561e8865117b/ind=
ex.html">http://www.audio-technica.com/cms/wired_mics/7a24561e8865117b/in=
dex.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I decided to go with the Shure, =
however, based on=20
my discussion with the Sure enginner and the fact that he was using the =
mic for=20
exactly the application I was intending.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>All these mics by Sure and AT in the =
$300-600 range=20
are really good in my opinion.&nbsp; I just took the leap and picked on =
based on=20
comments.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>hey bro, <BR>i was =
diggin your=20
  recomendations for a great acoustic guitar mic but wanted to make sure =
before=20
  i buy<BR>is this the one you wer talking about?<BR><BR><A=20
  =
href=3D"http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033cl-PROAUD=
IOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=3D=
item439e4fa67c">http://cgi.ebay.com/AUDIO-TECHNICA-AT4033-AT-4033-AT4033c=
l-PROAUDIOSTAR_W0QQitemZ290418828924QQcmdZViewItemQQptZLH_DefaultDomain_0=
?hash=3Ditem439e4fa67c</A><BR><BR>how=20
  would it differe from the 4050? is it worth paying the x tra =
cash?<BR>thANX=20
  MAN!<BR>Luis<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 17:05:35 2010
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Subject: OT: Free Jazz/Avant-Garde Guitar
Date: Wed, 31 Mar 2010 10:05:28 -0700
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"The most likely candidate when people think of "jazz" and  
"Telecaster" is my fellow Canuck, Ed Bickert."

  Ed Bickert, What a great and underrated player, also on the list of  
great tele jazzers was the late great  tele master and educator, Ted  
Greene, to quote Mark Knopfler from Sultan's of Swing, "check out  
guitar joe, he knows all the chords" Ted's books are still essential  
study for anyone wanting to understand chord melody and substitution.  
Also the late great Danny Gatton who could and would play anything on  
a tele. My current "jazz" box is my custom made  thinline tele that I  
went so far as to put two humbucking pickups on, but am considering  
replacing with some twangier pu's. I've found that one can approximate  
a good dark jazz tone on single coil pickups, but that its more  
difficult to get a brighter twangier sound out of humbuckers without  
radical use of equalization, or coil splitting which never sounds  
quite convincing. Hey  Kris i thought you said you have an Eastman  
archtop, did you bite the bullet and buy an American made instrument?
Bill

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Subject: Re: OT - Rick's rhythm intensive
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Fabio_A wrote:

> We were enjoing Nick Bartsch's music with Bernhard Wagner, who showed
> us the "thelevi" a percussion from ghana with which you can play odd
> time signature (3-5-7-9-11....)
> http://www.youtube.com/watch?v=_EvbJm2rwQg

amazing!

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ATTENTION SCAMMED VICTIMS. WHY HAVE YOU NOT RESPONDED?
MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
NIGERIA FINANCIAL INTELLIGENCE UNIT
FEDERAL REPUBLIC OF NIGERIA
FEDERAL SECRETARIAT COMPLEX, GARKI ABUJA. 
TRANSFER FRAUD ALERT/ ATTEMPTED DIVERSION OF FUNDS.
 
 
Attention: Scammed Victim, 
 
Permit me the pleasure of introducing my self as MRS.FARIDA MZAMBER WAZIRI. I am the newly Elected Director of the Nigeria Financial Intelligence Unit (NFIU). I am writing you in respect to the transfer of funds you have been expecting from Nigeria. 
 
The Federal Government of Nigeria through the Presidency Umaru Musa Yar'Adua, has mandated the Nigeria Financial Intelligence Unit to compensate all foreigner? Who in one way or the other has been retrieve of there hard earn money through illegal transaction. 
The purpose for this is to regain the lost glory of our great country and to also show the entire world that this government is highly ready to fight corruption in every sector in Nigeria be it in the banking, oil and communication sector in the last 3year's Nigeria has the worst name in corruption in the world, where we were rated in the world as one of the most corrupted nation in the world and it is never a good name to us.
 
Due to the effort, sincerity, courage and trustworthiness people like you and the entire world has showed in helping Nigeria to fight corruption unlike Microsoft who just signed a contract with the Nigeria Government through the Economic and Financial Crimes Commission. 
 
(EFCC) an organization that was formed by this same government to fight corruption in all sector's in the country, including the FBI, INTERPOL, BRITISH GOVERNMENT and the whole world that has been helping us in arresting those that has been involved in advance fee fraud locally and international. 
 
Following the recent bills passed by the house of assembly and presidency, we have been cross checking all financial transaction in all financial institutions in the country and it has come to our notice that your payment has been withheld. But be sure of the fact that we are the monitoring unit on all financial matters in the presidency, central bank of Nigeria and all commercial banks here in Nigeria. 
 
This office wishes to inform you that your payment has been re-directed according to the financial law and power vested on us by the presidency to the appointed paying bank (CENTRAL BANK OF NIGERIA) to all debts owned by this great nation, as the funds mapped (USD1 BILLION) out in the recent budget by the president of the country, ALHAJI UMORU MUSA YAR ADUA, has been deposited with A FINANCE BANK). 
 
We have your payment file presently with us, based on this you are advised to stop any correspondence with any office regarding your payment as they can not pay you, as your funds has moved out from their reach. failure to comply, do not hold us responsible for any mistake. For your funds to be paid to you, you are urgently advised under 48hours to contact this office.
 
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YOUR CO-OPERATION WOULD BE HIGHLY APPRECIATED IN THESE REGARDS. 
 
BEST REGARDS
MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
FROM: THE SECRETARY NIGERIA FINANCIAL INTELLIGENCE UNIT 

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It IS amazing, as an exercise, but Im not sure I really get it..
When you had a number on the screen saying 7 for example, was that one click
every 7 shakes? Cos that not what I call a time signature really, its just a
clikc every 7 shakes.. the "groove" for me was the shakes... and (being
pretty rudimentary rhythmically (fave drummer Mo Tuck))  my foot was still
four on the floor, it was not pushed to to a new rhythm... I like the sound
of musical poly rhythms (5 note riffs against 6 note for ex) but this seems
to be an (extremely clever and unbelievably skillful) exercise in
juggling...

now... fit some sensors to those things and have them triggering samples..
THAT would be something...

On Wed, Mar 31, 2010 at 8:09 PM, andy butler <akbutler@tiscali.co.uk> wrote:

>
>
> Fabio_A wrote:
>
>  We were enjoing Nick Bartsch's music with Bernhard Wagner, who showed
>> us the "thelevi" a percussion from ghana with which you can play odd
>> time signature (3-5-7-9-11....)
>> http://www.youtube.com/watch?v=_EvbJm2rwQg
>>
>
> amazing!
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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It IS amazing, as an exercise, but Im not sure I really get it..<br>When yo=
u had a number on the screen saying 7 for example, was that one click every=
 7 shakes? Cos that not what I call a time signature really, its just a cli=
kc every 7 shakes.. the &quot;groove&quot; for me was the shakes... and (be=
ing pretty rudimentary rhythmically (fave drummer Mo Tuck))=A0 my foot was =
still four on the floor, it was not pushed to to a new rhythm... I like the=
 sound of musical poly rhythms (5 note riffs against 6 note for ex) but thi=
s seems to be an (extremely clever and unbelievably skillful) exercise in j=
uggling... <br>

<br>now... fit some sensors to those things and have them triggering sample=
s.. THAT would be something...<br><br><div class=3D"gmail_quote">On Wed, Ma=
r 31, 2010 at 8:09 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:=
akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
<br>
Fabio_A wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
We were enjoing Nick Bartsch&#39;s music with Bernhard Wagner, who showed<b=
r>
us the &quot;thelevi&quot; a percussion from ghana with which you can play =
odd<br>
time signature (3-5-7-9-11....)<br>
<a href=3D"http://www.youtube.com/watch?v=3D_EvbJm2rwQg" target=3D"_blank">=
http://www.youtube.com/watch?v=3D_EvbJm2rwQg</a><br>
</blockquote>
<br>
amazing!<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001485326159535dbc04831d764e--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 19:10:56 2010
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Subject: tweek-o-mania.....M 13
Date: Wed, 31 Mar 2010 15:10:35 -0400
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just received an M 13 on monday.....my setup: guitar>M=20
13>Champ.....OMG!!!!!.....it could be the "flush" of new sound lust but=20
"what the heck do i need all this other stuff for?".....all my pretty=20
boxes and blinky lites, my heavy rack, mixer etc.....in all honesty, i=20
fear removing my rang and substituting the M 13 for it in my big kit, i=20
might never come back.....but this new kit is the ultimate 1=20
tripper.....all i see adding is a small mixer and an additional speaker=20
for the STEREO goodness.....granted, this is young love but i am beyond=20
pleased  not only with the looper functions but also the sound quality=20
of the many WONDERFUL (deep) patches.....plus the ability to go=20
pre/post loop with the fx.....yikes!!!!!......i want to take it=20
everywhere i go.....i can't wait to get a couple expression=20
pedals.....this is one lovely celestial communicator.....more reports=20
forthcoming.....m
p.s. a big thank you to young Bill W for turning me on to this sweet=20
beast, a sweet beast himself!=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 19:26:55 2010
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Date: Wed, 31 Mar 2010 21:26:53 +0200
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Subject: Re: OT - Rick's rhythm intensive
From: Fabio_A <eterogenus@gmail.com>
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>
> When you had a number on the screen saying 7 for example, was that one
> click every 7 shakes? Cos that not what I call a time signature really, its
> just a clikc every 7 shakes..


Mark, when you see 7, it means that I'm playing a pattern of 7 beats.
For a better understanding: the pattern in 7 can be write like this:

1    2    3   4    5    6    7          (beats)
x x x x x x x x x x x x x x       (shakes)
c            c                             (cliks)



> the "groove" for me was the shakes... and (being pretty rudimentary
> rhythmically (fave drummer Mo Tuck))  my foot was still four on the floor,
> it was not pushed to to a new rhythm...


even with the 3 or 5 or 7 patterns ?
Maybe, you can't feel it because ther's no strong accent defining the
patterns.


> I like the sound of musical poly rhythms (5 note riffs against 6 note for
> ex) but this seems to be an (extremely clever and unbelievably skillful)
> exercise in juggling...
>

What I can say is that this "toy" has really improved my rhythm skill.

 Thanks for watching !

- fabio
www.eterogeneo.com

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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">When you had a number on the scr=
een saying 7 for example, was that one click every 7 shakes? Cos that not w=
hat I call a time signature really, its just a clikc every 7 shakes.. </blo=
ckquote>

<div>=A0</div>
<div>Mark, when you see 7, it means that I&#39;m playing a pattern of 7 bea=
ts.</div>
<div>For a better=A0understanding: the pattern in=A07 can be write like thi=
s:</div>
<div>=A0</div>
<div>1=A0=A0=A0 2=A0=A0=A0 3=A0=A0 4=A0=A0=A0 5=A0=A0=A0 6=A0=A0=A0 7=A0=A0=
=A0=A0=A0=A0=A0=A0=A0 (beats)</div>
<div>x x x x x x x x x x x x x x=A0=A0=A0=A0=A0=A0 (shakes)</div>
<div>c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 (cliks)</div>
<div>=A0</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">the &quot;groove&quot; for me wa=
s the shakes... and (being pretty rudimentary rhythmically (fave drummer Mo=
 Tuck))=A0 my foot was still four on the floor, it was not pushed to to a n=
ew rhythm... </blockquote>

<div>=A0</div>
<div>even with the 3 or 5 or 7 patterns ? </div>
<div>Maybe, you can&#39;t feel it=A0because ther&#39;s no strong accent def=
ining the patterns.</div>
<div>=A0=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I like the sound of musical poly=
 rhythms (5 note riffs against 6 note for ex) but this seems to be an (extr=
emely clever and unbelievably skillful) exercise in juggling... <br>
</blockquote>
<div>=A0</div>
<div>What I can say is that this &quot;toy&quot; has really improved my rhy=
thm skill.=A0<br><br>=A0Thanks for watching !</div>
<div>=A0</div>
<div>- fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div></div>

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Subject: Re: OT - Rick's rhythm intensive
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Excuse my french Fabio.. but Fucking Hell... You see why I see it as an
exercise.. the sheer complexity and skill that that must take is totally
beyond me.. its certainly doesn't SOUND that clever I'm afraid!!!

I AM impressed and maybe just a little jealous, cos there no way I could do
that in a million years.

Theres a famous actors quote from Alec Guinness to Dustin Hoffman, after
Hoffman spent the night on the street, because "his character was supposed
to have spent the night on the street.. Guiness said.. "Why dont you try
acting darling?"

I'm tempted to say... "Why don't you use a drum machine?"...

oops sorry!

Im gonna get me one of those thing's and see what I can make of it...

Mark




On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <eterogenus@gmail.com> wrote:

> When you had a number on the screen saying 7 for example, was that one
>> click every 7 shakes? Cos that not what I call a time signature really, its
>> just a clikc every 7 shakes..
>
>
> Mark, when you see 7, it means that I'm playing a pattern of 7 beats.
> For a better understanding: the pattern in 7 can be write like this:
>
> 1    2    3   4    5    6    7          (beats)
> x x x x x x x x x x x x x x       (shakes)
> c            c                             (cliks)
>
>
>
>> the "groove" for me was the shakes... and (being pretty rudimentary
>> rhythmically (fave drummer Mo Tuck))  my foot was still four on the floor,
>> it was not pushed to to a new rhythm...
>
>
> even with the 3 or 5 or 7 patterns ?
> Maybe, you can't feel it because ther's no strong accent defining the
> patterns.
>
>
>> I like the sound of musical poly rhythms (5 note riffs against 6 note for
>> ex) but this seems to be an (extremely clever and unbelievably skillful)
>> exercise in juggling...
>>
>
> What I can say is that this "toy" has really improved my rhythm skill.
>
>  Thanks for watching !
>
> - fabio
> www.eterogeneo.com
>
>
>



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce0b8540d6d9504831de4e7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Excuse my french Fabio.. but Fucking Hell... You see why I see it as an exe=
rcise.. the sheer complexity and skill that that must take is totally beyon=
d me.. its certainly doesn&#39;t SOUND that clever I&#39;m afraid!!!<br>

<br>I AM impressed and maybe just a little jealous, cos there no way I coul=
d do that in a million years.<br>
<br>Theres a famous actors quote from Alec Guinness to Dustin Hoffman, afte=
r Hoffman spent the night on the street, because &quot;his character was su=
pposed to have spent the night on the street.. Guiness said.. &quot;Why don=
t you try acting darling?&quot;<br>


<br>I&#39;m tempted to say... &quot;Why don&#39;t you use a drum machine?&q=
uot;... <br><br>oops sorry!<br><br>Im gonna get me one of those thing&#39;s=
 and see what I can make of it... <br><br>Mark<br><br><br><br><br><div clas=
s=3D"gmail_quote">

On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:eterogenus@gmail.com" target=3D"_blank">eterogenus@gmail.com</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"gma=
il_quote"><div>
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px 0=
px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">When you had a nu=
mber on the screen saying 7 for example, was that one click every 7 shakes?=
 Cos that not what I call a time signature really, its just a clikc every 7=
 shakes.. </blockquote>




<div>=A0</div>
</div><div>Mark, when you see 7, it means that I&#39;m playing a pattern of=
 7 beats.</div>
<div>For a better=A0understanding: the pattern in=A07 can be write like thi=
s:</div>
<div>=A0</div>
<div>1=A0=A0=A0 2=A0=A0=A0 3=A0=A0 4=A0=A0=A0 5=A0=A0=A0 6=A0=A0=A0 7=A0=A0=
=A0=A0=A0=A0=A0=A0=A0 (beats)</div>
<div>x x x x x x x x x x x x x x=A0=A0=A0=A0=A0=A0 (shakes)</div>
<div>c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 (cliks)</div><div>
<div>=A0</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px 0=
px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">the &quot;groove&=
quot; for me was the shakes... and (being pretty rudimentary rhythmically (=
fave drummer Mo Tuck))=A0 my foot was still four on the floor, it was not p=
ushed to to a new rhythm... </blockquote>




<div>=A0</div>
</div><div>even with the 3 or 5 or 7 patterns ? </div>
<div>Maybe, you can&#39;t feel it=A0because ther&#39;s no strong accent def=
ining the patterns.</div><div>
<div>=A0=A0</div>
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px 0=
px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">I like the sound =
of musical poly rhythms (5 note riffs against 6 note for ex) but this seems=
 to be an (extremely clever and unbelievably skillful) exercise in juggling=
... <br>



</blockquote>
<div>=A0</div>
</div><div>What I can say is that this &quot;toy&quot; has really improved =
my rhythm skill.=A0<br><br>=A0Thanks for watching !</div>
<div>=A0</div>
<div>- fabio</div>
<div><a href=3D"http://www.eterogeneo.com/" target=3D"_blank">www.eterogene=
o.com</a></div>
<div>=A0</div>
<div>=A0</div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br><a =
href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/use=
r825094</a><br>


<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--000e0ce0b8540d6d9504831de4e7--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 19:44:03 2010
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	 <p2q66f9cc1e1003310457q170bbff7x852aaea64e68466d@mail.gmail.com>
	 <t2rbbb8cbac1003310706x4e4b0e29if8ce6585437f382@mail.gmail.com>
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Date: Wed, 31 Mar 2010 15:44:02 -0400
Message-ID: <j2s9e0440a61003311244j8befbb84l50b49f4cc740a9c2@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Michael sounds really cool box, enjoy as you are. I don't know it who makes
it is it los Line 6?

On Wed, Mar 31, 2010 at 3:10 PM, <nemoguitt@aol.com> wrote:

> just received an M 13 on monday.....my setup: guitar>M
> 13>Champ.....OMG!!!!!.....it could be the "flush" of new sound lust but
> "what the heck do i need all this other stuff for?".....all my pretty boxes
> and blinky lites, my heavy rack, mixer etc.....in all honesty, i fear
> removing my rang and substituting the M 13 for it in my big kit, i might
> never come back.....but this new kit is the ultimate 1 tripper.....all i see
> adding is a small mixer and an additional speaker for the STEREO
> goodness.....granted, this is young love but i am beyond pleased  not only
> with the looper functions but also the sound quality of the many WONDERFUL
> (deep) patches.....plus the ability to go pre/post loop with the
> fx.....yikes!!!!!......i want to take it everywhere i go.....i can't wait to
> get a couple expression pedals.....this is one lovely celestial
> communicator.....more reports forthcoming.....m
> p.s. a big thank you to young Bill W for turning me on to this sweet beast,
> a sweet beast himself!
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e6470cf8dfc85704831df747
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Michael sounds really cool box, enjoy as you are. I don&#39;t know it who m=
akes it is it los Line 6?<br><br><div class=3D"gmail_quote">On Wed, Mar 31,=
 2010 at 3:10 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.co=
m">nemoguitt@aol.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">just received an =
M 13 on monday.....my setup: guitar&gt;M 13&gt;Champ.....OMG!!!!!.....it co=
uld be the &quot;flush&quot; of new sound lust but &quot;what the heck do i=
 need all this other stuff for?&quot;.....all my pretty boxes and blinky li=
tes, my heavy rack, mixer etc.....in all honesty, i fear removing my rang a=
nd substituting the M 13 for it in my big kit, i might never come back.....=
but this new kit is the ultimate 1 tripper.....all i see adding is a small =
mixer and an additional speaker for the STEREO goodness.....granted, this i=
s young love but i am beyond pleased =A0not only with the looper functions =
but also the sound quality of the many WONDERFUL (deep) patches.....plus th=
e ability to go pre/post loop with the fx.....yikes!!!!!......i want to tak=
e it everywhere i go.....i can&#39;t wait to get a couple expression pedals=
.....this is one lovely celestial communicator.....more reports forthcoming=
.....m<br>

p.s. a big thank you to young Bill W for turning me on to this sweet beast,=
 a sweet beast himself! <br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0016e6470cf8dfc85704831df747--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:13:48 2010
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Subject: Re: How to use two Lexicon jamman together
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Matthias Grob wrote:
> It would not be a real stereo signal anyway since the two machines would not be in phase 
>(as they are with the EDPs BrotherSync). After each loop end, you would probably hear the loop in a different spot in space.
> 

the EDPs aren't perfect either,
there's usually a Haas effect.

In a complex arrangement this can produce nice 
panning of the different layers.
(worth keeping this in mind as a feature)

Much better than the Jamman though, midi sync
is really rough sounding on that.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:16:34 2010
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> I AM impressed and maybe just a little jealous, cos there no way I  
> could do that in a million years.

I can see...That's the same I thought when Bernhard showed it.
...but after practicing for 3 months i was able to do what you've seen.
It's like you teach your body to automate the movements. When the  
musical pattern became a phisical pattern the job is done !

>
> Theres a famous actors quote from Alec Guinness to Dustin Hoffman,  
> after Hoffman spent the night on the street, because "his character  
> was supposed to have spent the night on the street.. Guiness said..  
> "Why dont you try acting darling?"
>
> I'm tempted to say... "Why don't you use a drum machine?"...

Different kind of fun...and ....usually I cannot plug a drum machine  
when I'm in my car stressed by the long traffic cue or bring it in my  
pockets, which are things I can do with thelevi :-)

> oops sorry!
>
> Im gonna get me one of those thing's and see what I can make of it...

You can !

Fabio

>
>
> Mark
>
>
>
>
> On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <eterogenus@gmail.com> wrote:
> When you had a number on the screen saying 7 for example, was that  
> one click every 7 shakes? Cos that not what I call a time signature  
> really, its just a clikc every 7 shakes..
>
> Mark, when you see 7, it means that I'm playing a pattern of 7 beats.
> For a better understanding: the pattern in 7 can be write like this:
>
> 1    2    3   4    5    6    7          (beats)
> x x x x x x x x x x x x x x       (shakes)
> c            c                             (cliks)
>
>
> the "groove" for me was the shakes... and (being pretty rudimentary  
> rhythmically (fave drummer Mo Tuck))  my foot was still four on the  
> floor, it was not pushed to to a new rhythm...
>
> even with the 3 or 5 or 7 patterns ?
> Maybe, you can't feel it because ther's no strong accent defining  
> the patterns.
>
> I like the sound of musical poly rhythms (5 note riffs against 6  
> note for ex) but this seems to be an (extremely clever and  
> unbelievably skillful) exercise in juggling...
>
> What I can say is that this "toy" has really improved my rhythm skill.
>
>  Thanks for watching !
>
> - fabio
> www.eterogeneo.com
>
>
>
>
>
> -- 
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<html><body bgcolor="#FFFFFF"><div><br></div><blockquote type="cite"><div>I AM impressed and maybe just a little jealous, cos there no way I could do that in a million years.<br></div></blockquote><div><br></div><div>I can see...That's the same I thought when Bernhard showed it.</div><div>...but after practicing for 3 months i was able to do what you've seen.</div><div>It's like you teach your body to automate the movements. When the musical pattern became a phisical pattern the job is done !</div><br><blockquote type="cite"><div>
<br>Theres a famous actors quote from Alec Guinness to Dustin Hoffman, after Hoffman spent the night on the street, because "his character was supposed to have spent the night on the street.. Guiness said.. "Why dont you try acting darling?"<br>


<br>I'm tempted to say... "Why don't you use a drum machine?"...</div></blockquote><br><div>Different kind of fun...and ....usually I cannot plug a drum machine when I'm in my car stressed by the long traffic cue or bring it in my pockets, which are things I can do with thelevi :-)</div><div><br></div><blockquote type="cite"><div> oops sorry!<br><br>Im gonna get me one of those thing's and see what I can make of it...</div></blockquote><div><br></div><div>You can !</div><div><br></div><div>Fabio</div><br><blockquote type="cite"><div> <br><br>Mark<br><br><br><br><br><div class="gmail_quote">

On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <span dir="ltr">&lt;<a href="mailto:eterogenus@gmail.com" target="_blank"><a href="mailto:eterogenus@gmail.com">eterogenus@gmail.com</a></a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="gmail_quote"><div>
<blockquote class="gmail_quote" style="padding-left: 1ex; margin: 0px 0px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">When you had a number on the screen saying 7 for example, was that one click every 7 shakes? Cos that not what I call a time signature really, its just a clikc every 7 shakes.. </blockquote>




<div>&nbsp;</div>
</div><div>Mark, when you see 7, it means that I'm playing a pattern of 7 beats.</div>
<div>For a better&nbsp;understanding: the pattern in&nbsp;7 can be write like this:</div>
<div>&nbsp;</div>
<div>1&nbsp;&nbsp;&nbsp; 2&nbsp;&nbsp;&nbsp; 3&nbsp;&nbsp; 4&nbsp;&nbsp;&nbsp; 5&nbsp;&nbsp;&nbsp; 6&nbsp;&nbsp;&nbsp; 7&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (beats)</div>
<div>x x x x x x x x x x x x x x&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (shakes)</div>
<div>c&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (cliks)</div><div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<blockquote class="gmail_quote" style="padding-left: 1ex; margin: 0px 0px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">the "groove" for me was the shakes... and (being pretty rudimentary rhythmically (fave drummer Mo Tuck))&nbsp; my foot was still four on the floor, it was not pushed to to a new rhythm... </blockquote>




<div>&nbsp;</div>
</div><div>even with the 3 or 5 or 7 patterns ? </div>
<div>Maybe, you can't feel it&nbsp;because ther's no strong accent defining the patterns.</div><div>
<div>&nbsp;&nbsp;</div>
<blockquote class="gmail_quote" style="padding-left: 1ex; margin: 0px 0px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">I like the sound of musical poly rhythms (5 note riffs against 6 note for ex) but this seems to be an (extremely clever and unbelievably skillful) exercise in juggling... <br>



</blockquote>
<div>&nbsp;</div>
</div><div>What I can say is that this "toy" has really improved my rhythm skill.&nbsp;<br><br>&nbsp;Thanks for watching !</div>
<div>&nbsp;</div>
<div>- fabio</div>
<div><a href="http://www.eterogeneo.com/" target="_blank"><a href="http://www.eterogeneo.com">www.eterogeneo.com</a></a></div>
<div>&nbsp;</div>
<div>&nbsp;</div></div>
</blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com" target="_blank"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com" target="_blank"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br><a href="http://vimeo.com/user825094" target="_blank"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>


<a href="http://www.myspace.com/markfrancombe" target="_blank"><a href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a></a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch" target="_blank"><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a></a><br>



</div></blockquote></body></html>
--Apple-Mail-1--298578277--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:29:01 2010
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Subject: Re: tweek-o-mania.....M 13
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i'm sorry jim.....i hate when people do that!.....yes LINE 6!

 =20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:29:51 2010
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Subject: Re: OT - Rick's rhythm intensive
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On Wed, Mar 31, 2010 at 10:13 PM, eterogeneo <eterogenus@gmail.com> wrote:
> when
> I'm in my car stressed by the long traffic cue or bring it in my pockets,
> which are things I can do with thelevi :-)

Rome has indeed become a dangerous city...

Greetings from Sweden ;-)

Per Boysen
www.boysen.se
www.perboysen.com

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--0016e64c25486a786604831e9c1e
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Hi Dave,
Do you happen to be Dave Konopka from Battles? Btw my drummer needs so much
more practice to keep up with our loops.

Halimski

On Wed, Mar 31, 2010 at 3:23 PM, d.nix <d.nix@comcast.net> wrote:

>
> > You've bought one? Where did you find it?
>
> I posted that I was looking for one on another music/guitar gear bulletin
> board and was contacted by someone wishing to sell, and we came to an
> agreement. But truthfully, at least in the US, I see them crop up on Ebay
> pretty regularily. There are two on there now, and I've seen another one in
> a local music store.
>
> >
> > I'm quite new to the list as well, but I see you've caught the drift
> quite
> > easily...
> > My question is, how are you going to sync things with your drummer?
> > Or is he/she so good at time-keeping that it's possible to play with
> these
> > kinds of things in live situation?
>
> It is a unique learning experience to say the least, and does require the
> other musicians - as well as myself - to be very precise and punctual. Some
> times it works well and other times... Not so well.
>
> :-)
>
> But I think it can be done, with some practice - I saw Russian Circles do
> it
> live very well. Most impressive. There are several Youtube videos of them
> where you can see/hear for yourself. The guitarist uses both a Akai
> Headrush
> and a Digitech JamMan (plus several analog delays), and nothing was synced
> via midi or to the drums in any way...  He was just very aware of the
> downbeat and keeping track of what the drummer was doing. They also happen
> to have an awesome drummer, a real machine of a timekeeper. My drummer is
> gonna take some work, I'm afraid...
>
> :-)
>
> Regards-
>
> Dave
>
> > I got one group where I would like to use livelooping but never managed
> to
> > understand how drummer keeps up with it? :-)
> >
> > _Petri_
> >
>
>

--0016e64c25486a786604831e9c1e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hi Dave,<br></div><div>Do you happen to be Dave Konopka from Battles? =
Btw my drummer needs so much more practice to keep up with our loops.=A0</d=
iv><div><br></div><div>Halimski</div><br><div class=3D"gmail_quote">On Wed,=
 Mar 31, 2010 at 3:23 PM, d.nix <span dir=3D"ltr">&lt;<a href=3D"mailto:d.n=
ix@comcast.net">d.nix@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><br>
&gt; You&#39;ve bought one? Where did you find it?<br>
<br>
</div>I posted that I was looking for one on another music/guitar gear bull=
etin<br>
board and was contacted by someone wishing to sell, and we came to an<br>
agreement. But truthfully, at least in the US, I see them crop up on Ebay<b=
r>
pretty regularily. There are two on there now, and I&#39;ve seen another on=
e in<br>
a local music store.<br>
<div class=3D"im"><br>
&gt;<br>
&gt; I&#39;m quite new to the list as well, but I see you&#39;ve caught the=
 drift quite<br>
&gt; easily...<br>
&gt; My question is, how are you going to sync things with your drummer?<br=
>
&gt; Or is he/she so good at time-keeping that it&#39;s possible to play wi=
th these<br>
&gt; kinds of things in live situation?<br>
<br>
</div>It is a unique learning experience to say the least, and does require=
 the<br>
other musicians - as well as myself - to be very precise and punctual. Some=
<br>
times it works well and other times... Not so well.<br>
<br>
:-)<br>
<br>
But I think it can be done, with some practice - I saw Russian Circles do i=
t<br>
live very well. Most impressive. There are several Youtube videos of them<b=
r>
where you can see/hear for yourself. The guitarist uses both a Akai Headrus=
h<br>
and a Digitech JamMan (plus several analog delays), and nothing was synced<=
br>
via midi or to the drums in any way... =A0He was just very aware of the<br>
downbeat and keeping track of what the drummer was doing. They also happen<=
br>
to have an awesome drummer, a real machine of a timekeeper. My drummer is<b=
r>
gonna take some work, I&#39;m afraid...<br>
<br>
:-)<br>
<br>
Regards-<br>
<br>
Dave<br>
<div><div class=3D"h5"><br>
&gt; I got one group where I would like to use livelooping but never manage=
d to<br>
&gt; understand how drummer keeps up with it? :-)<br>
&gt;<br>
&gt; _Petri_<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--0016e64c25486a786604831e9c1e--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:33:36 2010
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Date: Wed, 31 Mar 2010 13:33:34 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: tweek-o-mania.....M 13
To: Loopers-Delight@loopers-delight.com
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Oh man, I agree about how much fun you can have with it.  When I bought the=
 M13, it replaced 10 of the 12 pedals on my board, including the RC2 I was =
using as a looper, though it didn't replace my POG or the EX7 expression fa=
ctory( I use the space station sound).  I still keep some of my pedals hand=
y, because while it does most things well, it doesn't do all I want it to. =
 So that, armed with the tutorial of some Effectology vids on You tube, I c=
an make quite a racket and loop it all into sonic sludge, sprinkled with so=
me post loop reverb and other goodies(like alternating compressors and trem=
s).  Makes me wonder why I even bought my new MO8 keyboard.

--- On Wed, 3/31/10, nemoguitt@aol.com <nemoguitt@aol.com> wrote:

> From: nemoguitt@aol.com <nemoguitt@aol.com>
> Subject: tweek-o-mania.....M 13
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, March 31, 2010, 2:10 PM
> just received an M 13 on
> monday.....my setup: guitar>M
> 13>Champ.....OMG!!!!!.....it could be the "flush" of new
> sound lust but "what the heck do i need all this other stuff
> for?".....all my pretty boxes and blinky lites, my heavy
> rack, mixer etc.....in all honesty, i fear removing my rang
> and substituting the M 13 for it in my big kit, i might
> never come back.....but this new kit is the ultimate 1
> tripper.....all i see adding is a small mixer and an
> additional speaker for the STEREO goodness.....granted, this
> is young love but i am beyond pleased=A0 not only with
> the looper functions but also the sound quality of the many
> WONDERFUL (deep) patches.....plus the ability to go pre/post
> loop with the fx.....yikes!!!!!......i want to take it
> everywhere i go.....i can't wait to get a couple expression
> pedals.....this is one lovely celestial
> communicator.....more reports forthcoming.....m
> p.s. a big thank you to young Bill W for turning me on to
> this sweet beast, a sweet beast himself!=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:34:47 2010
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	 <p2q66f9cc1e1003310457q170bbff7x852aaea64e68466d@mail.gmail.com>
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	 <8CC9F27E89987C5-1578-26B52@webmail-stg-m03.sysops.aol.com>
Date: Wed, 31 Mar 2010 16:34:45 -0400
Message-ID: <o2o9e0440a61003311334w10b826e7v47fbc99ec3a673f3@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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me too it's a certain amount of arrogance in the 'clout' of course I do in
other ways so don't throw stones... sending you a note offlist re something

On Wed, Mar 31, 2010 at 4:28 PM, <nemoguitt@aol.com> wrote:

> i'm sorry jim.....i hate when people do that!.....yes LINE 6!
>
>
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00c09f8fe45044b04204831ead88
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me too it&#39;s a certain amount of arrogance in the &#39;clout&#39; of cou=
rse I do in other ways so don&#39;t throw stones... sending you a note offl=
ist re something<br><br><div class=3D"gmail_quote">On Wed, Mar 31, 2010 at =
4:28 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemogu=
itt@aol.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i&#39;m sorry jim=
.....i hate when people do that!.....yes LINE 6!<br>
<br>
=A0<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00c09f8fe45044b04204831ead88--

From officefiles2009@gmail.com  Wed Mar 31 20:46:13 2010
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From: "DR. MARK EKE"<officefiles2009@gmail.com>
Subject: ATTENTION HONORABLE BENEFICIARY
Date: Wed, 31 Mar 2010 21:16:42 +0100
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ATM INTERNATIONAL CREDIT SETTLEMENT
OFFICE OF THE DIRECTOR OF OPERATION
OFFICE OF THE PRESIDENCY
OCEANIC BANK (PLC ) OF NIGERIA
 
ATTENTION HONORABLE BENEFICIARY
 
THIS IS TO OFFICIALLY INFORM YOU THAT WE HAVE VERIFIED YOUR CONTRACT INHERITANCE FILE AND FOUND OUT THAT WHY YOU HAVE NOT RECEIVED YOUR PAYMENT IS BECAUSE YOU HAVE NOT FULFILLED THE OBLIGATIONS GIVEN TO YOU IN RESPECT OF YOUR CONTRACT/INHERITANCE PAYMENT.
 
SECONDLY WE HAVE BEEN INFORMED THAT YOU ARE STILL DEALING WITH THE NONE OFFICIALS IN THE BANK ALL YOUR ATTEMPT TO SECURE THE RELEASE OF THE FUND TO YOU. WE WISH TO ADVISE YOU THAT SUCH AN ILLEGAL ACT LIKE THIS HAVE TO STOP IF YOU WISHES TO RECEIVE YOUR PAYMENT SINCE WE HAVE DECIDED TO BRING A SOLUTION TO YOUR PROBLEM. RIGHT NOW WE HAVE ARRANGED YOUR PAYMENT THROUGH OUR SWIFT CARD PAYMENT CENTER ASIA PACIFIC, THAT IS THE LATEST INSTRUCTION FROM MR. PRESIDENT,UMARU MUSA YAR'ADUA (GCFR) PRESIDENT FEDERAL REPUBLIC OF NIGERIA AND FEDERAL MINISTRY OF FINANCE.
 
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THE ATM CARD TO(P.O BOX NOT ACCEPTABLE)_________________
4. YOUR AGE AND CURRENT OCCUPATION_________________
5. A COPY OF YOUR IDENTIFICATION _________________
 
HOWEVER, KINDLY FIND BELOW THE CONTACT PERSON:
 
REV.STEVEN JONES.
DIRECTOR ATM  DEPARTMENT CENTRE
(OCEANIC BANK INTERNATIONAL PLC)
EMAIL:revjonessteven2010@hotmail.com  
 
THE ATM CARD PAYMENT CENTER HAS BEEN MANDATED TO ISSUE OUT $8,300,000.00 AS PART PAYMENT FOR THIS FISCAL YEAR 2010. ALSO FOR YOUR INFORMATION, YOU HAVE TO STOP ANY FURTHER COMMUNICATION WITH ANY OTHER PERSON(S) OR OFFICE(s) TO AVOID ANY HITCHES IN RECEIVING YOUR ATM PAYMENT.
 
FOR ORAL DISCUSSION, I CAN BE REACHED ON OR EMAIL ME BACK AS SOON AS YOU RECEIVE THIS IMPORTANT MESSAGE FOR FURTHER DIRECTION AND ALSO UPDATE ME ON ANY DEVELOPMENT FROM THE ABOVE MENTIONED OFFICE.
 
NOTE THAT BECAUSE OF IMPOSTORS, WE HEREBY ISSUED YOU OUR CODE OF CONDUCT, WHICH IS (ATM-411) SO YOU HAVE TO INDICATE THIS CODE WHEN CONTACTING THE CARD CENTER BY USING IT AS YOUR SUBJECT.
 
BEST REGARDS,
 
DR. MARK EKE
SPECIAL ADVISER TO THE PRESIDENT
FEDERAL REPUBLIC OF NIGERIA 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:47:28 2010
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William Walker wrote:
> Andy, you might check out the Dunlop DC brick, has a lot of inputs,  a 
> high milli amp rating and can go any where in the world including 
> Norwich!, 

:-( unfortunately the Moogerfoogers need a +VE center polarity


>The Voodoo Labs Versa might also work.

same problem?
any psu available which covers both polarities?
> Bill



thanks...andy
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 20:51:45 2010
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Date: Wed, 31 Mar 2010 22:51:43 +0200
Message-ID: <g2je89a49d31003311351ha2c95b90s3441a4d2291ebfd8@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 31, 2010 at 9:10 PM,  <nemoguitt@aol.com> wrote:
> i want to take it everywhere i go.....i can't wait to
> get a couple expression pedals.....this is one lovely celestial
> communicator.....more reports forthcoming.....m

Glad you like the M13 Michael. I'm actually surprised that it hasn't
been mentioned more on the list in the past. It's an amazingly good
and flexible machine in this price range!

PS Can you bake pancakes with it? ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 22:00:27 2010
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Subject: Re: Free Jazz/Avant-Garde Guitar
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I've always loved the sound of a tele.

I do have an Eastman still, but I bought this custom Mirabella last month.

The Eastman is now my back up and travel guitar, since I probably won't feel 
comfortable checking the other one in, or putting in on the ala carte next 
to the plane.

Here is my whole simplied setup now:  http://www.krispenhartung.com/gear.htm

Kris

----- Original Message ----- 



> "The most likely candidate when people think of "jazz" and  "Telecaster" 
> is my fellow Canuck, Ed Bickert."
>
>  Ed Bickert, What a great and underrated player, also on the list of 
> great tele jazzers was the late great  tele master and educator, Ted 
> Greene, to quote Mark Knopfler from Sultan's of Swing, "check out  guitar 
> joe, he knows all the chords" Ted's books are still essential  study for 
> anyone wanting to understand chord melody and substitution.  Also the late 
> great Danny Gatton who could and would play anything on  a tele. My 
> current "jazz" box is my custom made  thinline tele that I  went so far as 
> to put two humbucking pickups on, but am considering  replacing with some 
> twangier pu's. I've found that one can approximate  a good dark jazz tone 
> on single coil pickups, but that its more  difficult to get a brighter 
> twangier sound out of humbuckers without  radical use of equalization, or 
> coil splitting which never sounds  quite convincing. Hey  Kris i thought 
> you said you have an Eastman  archtop, did you bite the bullet and buy an 
> American made instrument?
> Bill
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 22:00:35 2010
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Subject: Steinberg Cubase for Audio Recording and Mixing
Date: Wed, 31 Mar 2010 15:02:00 -0600
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Any opinions on Steinberg's Cubase for recording and mixing audio?  I =
see it is about $300 and wonder if it is worth it. I'll be using my RME =
Fireface 400 as the interface.  Anyway to get a demo version?

Kris


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<DIV><FONT face=3DArial size=3D2>Any opinions on Steinberg's Cubase for =
recording=20
and mixing audio?&nbsp; I see it is about $300 and wonder if it is worth =
it.=20
I'll be using my RME Fireface 400 as the interface.&nbsp; Anyway to get =
a demo=20
version?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 22:55:00 2010
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Date: Thu, 01 Apr 2010 00:55:01 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Kris Hartung schrieb:
> Any opinions on Steinberg's Cubase for recording and mixing audio? I 
> see it is about $300 and wonder if it is worth it. I'll be using my 
> RME Fireface 400 as the interface. Anyway to get a demo version?
I have an opinion: I like it.

Note that there are (I think) three different versions: Cubase, Cubase 
Studio and Cubase Essential (in decreasing order of complexity and 
price), which are updateable. Plus, some gear manufacturers deliever 
some of their gear with a limited version (which is upgradeable) - I 
remember that when I decided to get Cubase some years ago, getting a 
Behringer UMX61 keyboard (which came with Cubase LE, as it was called 
then) and upgrading that to Cubase gave me the keyboard and Cubase - for 
about €100 less than the normal Cubase price ;).

Cubase is (I believe) the oldest MIDI/audio sequencer still around, 
which you may see as a plus or as a minus. Still, when working natively 
on a Windows platform, there's nothing that can beat Cubase for what it 
does (due to the unavailability of Logic for that platform). Depending 
on what it is what you want to do, you may be better off with something 
more simple (and cheap).

As for a demo: http://www.steinberg.net/index.php?id=2772&L=1

What I especially like of the relatively new features is the integration 
of hardware (synths/effects) into the production flow (only in the big 
version) and the very powerful control room feature (also, big version 
only). There's also very powerful score capabilities...any more specific 
questions?

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs




-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 22:57:23 2010
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Ok, with all that buzz regarding the M13, I decided to check the manuals 
they have online, but still have some questions: any of you users 
willing to answer them?

1. Architecture:
The way I understand it, it's four stompbox-style effects at once, plus 
a looper and a gate. The four effect engines can do any of the available 
effects in any combination (e.g. four stereo delays, or four seek wahs 
or whatever). Correct?

2. Signal routing:
There only seems to be a serial configuration through all four blocks 
(nothing parallel), right?

As for the looper: There's this "pre/post" switch - now the User Manual 
says:
"Setting your looper to “PRE” will apply FX to your
guitar signal only. In the Setup Menu setting the looper to “POST” will
apply FX to your loop recording and your guitar signal."

The advanced users guide says:
"this switch controls whether your loop will play back pre or post the 
FX in your current Scene. If toggled Pre (blue), this means your loop 
will not pass thru the current FX. If toggled Post (green), your loop 
will play back with your Scene FX applied."

So how does that work? Is this effects pre/post looper in the looper's 
output chain (as the second statement indicates) or in the input chain 
(as the first one indicates) or something else entirely? Which of the 
following is possible:
a) Input goes through FX, then input+FX goes into looper, looper goes out
b) Input goes into looper, looper+input goes through FX
c) anything else...

I fear having two FX and two after is not possible...

3. Those scenes:
I don't get the concept of the scenes. The way I understand it, you have 
those four FX engines, and then 3 footswitches for each one to select 
one setting. Is a scene a complete collection of those 12 settings, or 
one of those 12?

4. Feedback:
How did that with looper feedback work again? Adjustable?

Thanks,

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 22:59:31 2010
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	<4BB3B4E0.8000502@tiscali.co.uk>
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Subject: Re: power supply for fx pedals question (another)
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--0016e6d7e9258593b6048320b264
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Im using the Burkey flatliner... http://www.burkey.nl/

does everything.. both polarities 12 v 9 v ac and dc.. plus has a few dying
battery sockets...

Its very heavy, huge and I kind of wish I still used wall warts to be
honest... but I bought it when I was in a floor mood... but soon went back
to the rack mood.. it powers a few things in the rack, but not enough to fix
all my problems... If I was just effects pedals.. I would heatily reccomend
it...

On Wed, Mar 31, 2010 at 10:47 PM, andy butler <akbutler@tiscali.co.uk>wrote:

>
>
> William Walker wrote:
>
>> Andy, you might check out the Dunlop DC brick, has a lot of inputs,  a
>> high milli amp rating and can go any where in the world including Norwich!,
>>
>
> :-( unfortunately the Moogerfoogers need a +VE center polarity
>
>
>  The Voodoo Labs Versa might also work.
>>
>
> same problem?
> any psu available which covers both polarities?
>
>> Bill
>>
>
>
>
> thanks...andy
>
>>
>>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d7e9258593b6048320b264
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Im using the Burkey flatliner... <a href=3D"http://www.burkey.nl/" target=
=3D"_blank">http://www.burkey.nl/</a><br><br>does everything.. both polarit=
ies 12 v 9 v ac and dc.. plus has a few dying battery sockets...<br><br>Its=
 very heavy, huge and I kind of wish I still used wall warts to be honest..=
. but I bought it when I was in a floor mood... but soon went back to the r=
ack mood.. it powers a few things in the rack, but not enough to fix all my=
 problems... If I was just effects pedals.. I would heatily reccomend it...=
<br>


<br><div class=3D"gmail_quote">On Wed, Mar 31, 2010 at 10:47 PM, andy butle=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk" target=3D=
"_blank">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">


<br>
<br>
William Walker wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Andy, you might check out the Dunlop DC brick, has a lot of inputs, =A0a hi=
gh milli amp rating and can go any where in the world including Norwich!, <=
br>
</blockquote>
<br>
:-( unfortunately the Moogerfoogers need a +VE center polarity<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
The Voodoo Labs Versa might also work.<br>
</blockquote>
<br>
same problem?<br>
any psu available which covers both polarities?<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Bill<br>
</blockquote>
<br>
<br>
<br>
thanks...andy<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
</blockquote>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br><a =
href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/use=
r825094</a><br>


<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--0016e6d7e9258593b6048320b264--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 23:36:44 2010
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Subject: Re: power supply for fx pedals question (another)
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You can get polarity reversal adaptors from Visual Sound. Just plug  
your power cable in one end and the other into your pedal. I use a  
couple.

Sim

Sent from my iPod

On 31 Mar 2010, at 23:59, mark francombe <mark@markfrancombe.com> wrote:

> Im using the Burkey flatliner... http://www.burkey.nl/
>
> does everything.. both polarities 12 v 9 v ac and dc.. plus has a  
> few dying battery sockets...
>
> Its very heavy, huge and I kind of wish I still used wall warts to  
> be honest... but I bought it when I was in a floor mood... but soon  
> went back to the rack mood.. it powers a few things in the rack, but  
> not enough to fix all my problems... If I was just effects pedals..  
> I would heatily reccomend it...
>
> On Wed, Mar 31, 2010 at 10:47 PM, andy butler  
> <akbutler@tiscali.co.uk> wrote:
>
>
> William Walker wrote:
> Andy, you might check out the Dunlop DC brick, has a lot of inputs,   
> a high milli amp rating and can go any where in the world including  
> Norwich!,
>
> :-( unfortunately the Moogerfoogers need a +VE center polarity
>
>
> The Voodoo Labs Versa might also work.
>
> same problem?
> any psu available which covers both polarities?
> Bill
>
>
>
> thanks...andy
>
>
>
>
>
>
> -- 
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<html><body bgcolor="#FFFFFF"><div>You can get polarity reversal adaptors from Visual Sound. Just plug your power cable in one end and the other into your pedal. I use a couple.&nbsp;</div><div><br></div><div>Sim<br><br>Sent from my iPod</div><div><br>On 31 Mar 2010, at 23:59, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>Im using the Burkey flatliner... <a href="http://www.burkey.nl/" target="_blank"><a href="http://www.burkey.nl/">http://www.burkey.nl/</a></a><br><br>does everything.. both polarities 12 v 9 v ac and dc.. plus has a few dying battery sockets...<br><br>Its very heavy, huge and I kind of wish I still used wall warts to be honest... but I bought it when I was in a floor mood... but soon went back to the rack mood.. it powers a few things in the rack, but not enough to fix all my problems... If I was just effects pedals.. I would heatily reccomend it...<br>


<br><div class="gmail_quote">On Wed, Mar 31, 2010 at 10:47 PM, andy butler <span dir="ltr">&lt;<a href="mailto:akbutler@tiscali.co.uk" target="_blank"><a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a></a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
<br>
William Walker wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Andy, you might check out the Dunlop DC brick, has a lot of inputs, &nbsp;a high milli amp rating and can go any where in the world including Norwich!, <br>
</blockquote>
<br>
:-( unfortunately the Moogerfoogers need a +VE center polarity<br>
<br>
<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
The Voodoo Labs Versa might also work.<br>
</blockquote>
<br>
same problem?<br>
any psu available which covers both polarities?<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Bill<br>
</blockquote>
<br>
<br>
<br>
thanks...andy<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
</blockquote>
<br>
<br>
</blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com" target="_blank"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com" target="_blank"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br><a href="http://vimeo.com/user825094" target="_blank"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>


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From Loopers-Delight-request@loopers-delight.com  Wed Mar 31 23:59:23 2010
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> 1. Architecture:
> The way I understand it, it's four stompbox-style effects
> at once, plus a looper and a gate. The four effect engines
> can do any of the available effects in any combination (e.g.
> four stereo delays, or four seek wahs or whatever).
> Correct?  
Correct, think of it as having 75 separate stompboxes, but you can only use up to four at a time.  Aside from that limitation, you can order them any way you want.  I've even experimented with some downright odd options.
> 
> 2. Signal routing:
> There only seems to be a serial configuration through all
> four blocks (nothing parallel), right?

Correct, you can only run them in series.
> 
>
> So how does that work? Is this effects pre/post looper in
> the looper's output chain (as the second statement
> indicates) or in the input chain (as the first one
> indicates) or something else entirely? Which of the
> following is possible:
> a) Input goes through FX, then input+FX goes into looper,
> looper goes out
> b) Input goes into looper, looper+input goes through FX
> c) anything else...
> 
> I fear having two FX and two after is not possible...
 you cannot split them up like that, no, but you can set up a scene where you have, say four effects to create your loop, then once you have it the way you want it, set up a separate four effects and switch from pre to post and effect the loop.  
> 
> 3. Those scenes:
> I don't get the concept of the scenes. The way I understand
> it, you have those four FX engines, and then 3 footswitches
> for each one to select one setting. Is a scene a complete
> collection of those 12 settings, or one of those 12?
 

   a "scene" is basically a layout of 12 effects.  for instance, pick 12 effects.  lay them out how you want to use them, say, a wah then a distortion, followed by a modulation effect then a delay for the top row of buttons.  The middle row, repeat with different effects as you would need, say compression, filter, etc.  then the bottom row the same way.  that would comprise a scene.  Imagine having 4 stompboxes, each with three presets, that would best describe it.
> 
> 4. Feedback:
> How did that with looper feedback work again? Adjustable?

that, I don't know.
> 
> Thanks,
> 
> Rainer
> 
> -- http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
> 
> 


      

