From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 03:14:49 2010
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From: Mech <mech@m3ch.net>
Subject: Re: OT was David Torn,Terry Bozzio,Tony Levin,Pat Mastelotto NAMM
 2010
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At 12:50 PM -0800 1/31/10, Toby G wrote:
>>Methinks the souring of his relationship with Chapman has more to 
>>do with Mr Fresno's personality quirks than with Chapman himself.
>
>The lawsuits are long over afaik.  There is objective information 
>available on the internet regarding the legal proceedings as well as 
>less objective bloggage from the parties involved.

I think you're entirely correct here.  FWIW, the primary parties seem 
to have all reached an (albeit uneasy) accord.  And while nobody 
involved are exactly kissing cousins, the vitriol, accusations, and 
name-calling seems to have abated (well, with the possible exception 
of Traktor Topaz; and even Traktor seems much *more* amiable than in 
the past, as long as you don't poke him and force a response.  I've 
even seen him trying to be helpful over on the Stickist list, but 
very few people over there have yet to entirely trust him, it seems).

It seems that, by and large, it's the fanboys and drama-whores who 
keep dragging up this feud, as the major participants themselves have 
long since chilled out.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 03:19:21 2010
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Date: Mon, 1 Feb 2010 12:13:15 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech3@m3ch.net>
Subject: Re: OT was David Torn,Terry Bozzio,Tony Levin,Pat Mastelotto NAMM
 2010
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At 12:50 PM -0800 1/31/10, Toby G wrote:
>>Methinks the souring of his relationship with Chapman has more to 
>>do with Mr Fresno's personality quirks than with Chapman himself.
>
>The lawsuits are long over afaik.  There is objective information 
>available on the internet regarding the legal proceedings as well as 
>less objective bloggage from the parties involved.

I think you're entirely correct here.  FWIW, the primary parties seem 
to have all reached an (albeit uneasy) accord.  And while nobody 
involved are exactly kissing cousins, the vitriol, accusations, and 
name-calling seems to have abated (well, with the possible exception 
of Traktor Topaz; and even Traktor seems much *more* amiable than in 
the past, as long as you don't poke him and force a response.  I've 
even seen him trying to be helpful over on the Stickist list, but 
very few people over there have yet to entirely trust him, it seems).

It seems that, by and large, it's the fanboys and drama-whores who 
keep dragging up this feud, as the major participants themselves have 
long since chilled out.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 04:12:32 2010
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Date: Mon, 1 Feb 2010 13:12:23 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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At 4:32 PM +0100 1/30/10, Rapha=EBl - Mancing Dolecules wrote:
>
>Everyday Looper has noticeable lag too between=20
>the moment when you pull off a finger off the=20
>screen and when the action is effectively=20
>executed. It's due to various things.... [*snip*]
>
>I use a work-around however. I have option in=20
>the looper to generate a click track which is=20
>basically X clicks at Y BPM, and that will act=20
>as an exact loop length setter. Then I use=20
>quantized to loop recording (which is sample=20
>accurate), and all the touch input related=20
>latency is gone. But that solution doesn't fit=20
>to everyone, I know that.
>
>Thank for your savvy and challenging questions Mech :) !

Rapha=EBl,

Thank you so much for your informative and=20
brutally honest reply.  You have a great working=20
attitude, I think I may go and DL your app based=20
on that alone.  :)

Of course, I'm also interested in seeing what=20
kind of damage I can do with Everyday Looper too;=20
as well as finding out where you take it once the=20
upcoming OS releases begin to hit.

Also, have you yet begun considering what=20
permutations may be possible once the new iPad is=20
finally released?  Or is that still too much in=20
the vaporware phase to begin solid planning?

Thanks again for your input here!!!

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From victory2@thaimassage-ging.de  Mon Feb  1 05:08:39 2010
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Reply-To: <mrszahrafamily3@yahoo.fr>
From: "Mrs. Zahra Al-Kamil" <victory2@thaimassage-ging.de>
Subject: Re : PLEASE MY DEAR
Date: Sat, 30 Jan 2010 17:02:05 -0800
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV>
Dear Friend, </DIV>
<DIV>
How are you doing? I would like to first of all introduce myself to you because you don't know me. My name is Zahra Al-Kamil; I'm a widow from Bagdad in Iraq. I got your contact after surfing the internet for a reliable partner, I have been praying and fasting to Allah during the just concluded Ramadan for a reliable partner and decided to contact you for your immediate assistance. </DIV>
<DIV>
Due to the very bad situation here in Iraq, those of us in the business circle are finding it very difficult to cope with the situation, no stable government, bomb explosion at strategic places, sometimes people find it very difficult to go about their normal businesses due to fear of being victim of terrorist attack. Above all, the crisis in Iraq has made business activities totally paralyzed for quite sometime now. For instance, no good telephone facilities, no adequate security, in fact, al most all the basic infrastructure have been destroyed in the on-going war in Iraq and the environment in Iraq have never been conducive business-wise. </DIV>
<DIV>
Why I need your assistance is that I have a very large amount of money ($36.8M) in a bank security vault outside Iraqi. which I inherited from my late husband who was a major general in Iraqi army in charge of purchase and maintenance in the past regime of late Sadam Hussein. </DIV>
<DIV>
My intention is to move the money from the bank security vault and invest the money in stock market or real estate in your country with the help of an honest person who will work with me as my foreign associate. I want to invest most of the money abroad to avoid losing the money, because it is not wise doing business in the atmosphere of fear here in Iraq, that's why I am contacting you. </DIV>
<DIV>
If you can honestly collaborate with me, I am ready to pay you a good percentage of the total amount if you can sincerely assist me to actualize this project soon, because the situation here in Iraq is very critical, the everyday bomb explosion seems to have no end. </DIV>
<DIV>
If you are ready to assist my family, just email me through my private e-mail: mrszahrafamily3@yahoo.fr , please this is in no way a scam, my family is in dear need of help from you and we shall remain grateful to whatever help you render to us. </DIV>
<DIV>
Best regards </DIV>
<DIV>
Mrs. Zahra Al-Kamil </DIV>
<DIV>
&nbsp;</DIV>
</FONT>
</BODY></HTML>

From hullfoster12@att.net  Mon Feb  1 06:22:33 2010
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Date: Sun, 31 Jan 2010 22:22:26 -0800 (PST)
From: Hull Foster <hullfoster12@att.net>
Reply-To: hulfoster003@yahoo.com.hk
Subject: Waiting your reply,
To: undisclosed recipients: ;
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--0-834964921-1265005346=:47672
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Hello dear,



This mail may meet you as a surprise but i have to start by introducing myself to you,i am Hull Foster,a merchant in Dubai,Arab Emirate.I have been diagnosed with Cancer which was discovered very late,due to my laxity in caring for my health.It has defiled all forms of medicine,Right now I have only about a few months to live,according to my Medical Doctor.



I have not particularly lived my life so well,as I never really cared for myself but the oil business.Though I am very rich,I was never generous,I only focused on my business as that was the only thing I cared for.But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the world.I believe when God gives me a second chance and heal me I would live my life a different way from how I have lived it.



I have sowed a seed for my healing I have willed and given most of my properties and assets to my immediate and extended family members and as well as a few close friends.I want God to be merciful to me and accept my soul and so,I have decided to give arms to charity organizations and give succor and comfort to the less privileged of the Tsunami Victims and the Hurricane victims,as I want this to be one of the last good deeds I do on earth.So far,I have distributed money to some charity organizations in India and Malaysia.



Now that my health has deteriorated so badly,I cannot do this my self anymore.I once asked members of my family to close one of my accounts in Saudi Bank and distribute the money which I have there to charity organization and to the less privileged in Bulgaria and Sudan Africa They cashed the money but kept it only to themselves.Hence,I do not trust them anymore,as they seem not to be contended with what I have left for them already.



The last of my money which no one knows of is the huge cash deposit of twenty two million dollars that I have in the Vault of a Financial company for safe keeping.I want you to collect this deposit on my behalf and disburse it to the Tsunami Earth Quake victims in Asia and Haiti victims for the less privileged.I will set aside 20% for you for your time and efforts.I need your urgent reply so that I will not have to go on sourcing for another credible person to handle this project.



If you are okay with the condition,do not hesitate to send me mail(hullfoster003@yahoo.com.hk} so that i can furnish you up with all the information needed.I wish to hear from you soon.



God bless you.



Foster.
--0-834964921-1265005346=:47672
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Hello dear,<br>
<br>
This mail may meet you as a surprise but i have to start by introducing myself to you,i am Hull Foster,a merchant in Dubai,Arab Emirate.I have been diagnosed with Cancer which was discovered very late,due to my laxity in caring for my health.It has defiled all forms of medicine,Right now I have only about a few months to live,according to my Medical Doctor.<br>
<br>
I have not particularly lived my life so well,as I never really cared for myself but the oil business.Though I am very rich,I was never generous,I only focused on my business as that was the only thing I cared for.But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the world.I believe when God gives me a second chance and heal me I would live my life a different way from how I have lived it.<br>
<br>
I have sowed a seed for my healing I have willed and given most of my properties and assets to my immediate and extended family members and as well as a few close friends.I want God to be merciful to me and accept my soul and so,I have decided to give arms to charity organizations and give succor and comfort to the less privileged of the Tsunami Victims and the Hurricane victims,as I want this to be one of the last good deeds I do on earth.So far,I have distributed money to some charity organizations in India and Malaysia.<br>
<br>
Now that my health has deteriorated so badly,I cannot do this my self anymore.I once asked members of my family to close one of my accounts in Saudi Bank and distribute the money which I have there to charity organization and to the less privileged in Bulgaria and Sudan Africa They cashed the money but kept it only to themselves.Hence,I do not trust them anymore,as they seem not to be contended with what I have left for them already.<br>
<br>
The last of my money which no one knows of is the huge cash deposit of twenty two million dollars that I have in the Vault of a Financial company for safe keeping.I want you to collect this deposit on my behalf and disburse it to the Tsunami Earth Quake victims in Asia and Haiti victims for the less privileged.I will set aside 20% for you for your time and efforts.I need your urgent reply so that I will not have to go on sourcing for another credible person to handle this project.<br>
<br>
If you are okay with the condition,do not hesitate to send me mail(hullfoster003@yahoo.com.hk} so that i can furnish you up with all the information needed.I wish to hear from you soon.<br>
<br>
God bless you.<br>
<br>
Foster.</td></tr></table>
--0-834964921-1265005346=:47672--

From diagrama@brunoeditorial.com.pe  Mon Feb  1 06:31:27 2010
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From: Committee On Foreign Payment <diagrama@brunoeditorial.com.pe>
Reply-To: Verification Officer <clark.morgan01@hotmail.co.uk>
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OUR REF: FRN/ATM/437
YOUR REF: CLAIMS/ATM/437


This is to officially inform you that (ATM Card Number 048000101775550) has=
=20
been accredited with your favor. Your Personal Identification Number is 437=
.The=20
ATM Card Value is =C2=A3500,000.00(Five Hundred Thousand,Great British Poun=
ds Sterling).


You are advised to contact Mr.
Clark Morgan via Email:clark.morgan01@hotmail.co.uk) with the following inf=
ormation's;


FULL NAME:=20
DELIVERY ADDRESS:=20
PHONE NUMBER:=20
COUNTRY:=20
OCCUPATION:=20
SEX:=20
AGE:=20


Regards,
Committee On Foreign Payment

From diagrama@brunoeditorial.com.pe  Mon Feb  1 07:09:07 2010
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Date: Mon, 1 Feb 2010 00:08:42 -0500 (PET)
From: Committee On Foreign Payment <diagrama@brunoeditorial.com.pe>
Reply-To: Verification Officer <clark.morgan01@hotmail.co.uk>
Message-ID: <18375690.29071265000922348.JavaMail.root@mail.brunoeditorial.com.pe>
Subject: YOUR REF: CLAIMS/ATM/437, IMMEDIATE PAYMENT NOTIFICATION
MIME-Version: 1.0
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable
X-Originating-IP: [41.138.189.8]
X-Mailer: Zimbra 6.0.1_GA_1816.RHEL5 (zclient/6.0.1_GA_1816.RHEL5)
To: undisclosed-recipients:;

OUR REF: FRN/ATM/437
YOUR REF: CLAIMS/ATM/437


This is to officially inform you that (ATM Card Number 048000101775550) has=
=20
been accredited with your favor. Your Personal Identification Number is 437=
.The=20
ATM Card Value is =C2=A3500,000.00(Five Hundred Thousand,Great British Poun=
ds Sterling).


You are advised to contact Mr.
Clark Morgan via Email:clark.morgan01@hotmail.co.uk) with the following inf=
ormation's;


FULL NAME:=20
DELIVERY ADDRESS:=20
PHONE NUMBER:=20
COUNTRY:=20
OCCUPATION:=20
SEX:=20
AGE:=20


Regards,
Committee On Foreign Payment

From sommai@relationships.com  Mon Feb  1 08:16:10 2010
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Of course 2 EDP can do this... As long as you use 2 footcontrollers too... I
have my signal going into both of miine, and choose which EDP to loop in by
er... looping on it... the tother one goes in synch but doesnt record, THEN
when i reocrd on THAT one it forces its loop length to be the same or a
multiple of the first... Its almost foolprooff... there are glitches.. like
if you Reset the first, and then expect it to go back in synch when you
start a new one, better to just SUB into the loop with silence.....

but belive me... my WHOLE SOUND.. is based on quantised subbing with 2 edps,
insert1 insert 2 insert1 insert2 satmp stamp stamp, as fast as you can
without falling over...


m

On Sun, Jan 31, 2010 at 6:50 PM, TJ Sutherland <mail41@covad.net> wrote:

> Hi, all
>
> I have one EDP and now need to loop in what I think of as a two-track mode,
> with two EDPs:
>
> I need to lay down track 1 of the loop, put down my instrument/pick up
> another, listen to track 1, and then lay down track 2 of the same loop
> without affecting track 1 in any way. I need the two outputs to be
> independent of each other, for volume, panning, and effects reasons.
>
> I know I can MIDI sync two EDPs, but can I control their inputs
> independently, so that I can lay down track 2 without overwriting track 1?
>  (I can reach over and turn the knobs by hand, if need be.)
> I will be panning the output from my mixer hard R or hard L to send the
> sounds to either of the EDPs' inputs.
>
> From there, I think what I need to do is more typical sync--have the two
> EDPs be set to have the same number of multiple loops, respond to the same
> Nextloop/Record command, and shuffling between the multiple loops via
> Nextloop.
>
> I think that what I need is for the Master EDP input setting to not control
>  the Slave input setting, but otherwise have the Slave following the Master
> commands.
>
> Can two synced EDP's do this?  If so, how?
> The more explicit your description, the better off I'll be. I need to know
> stone cold that I can do this before I buy another EDP.
>
>
> (And for the record, I know the Looperlative is an amazing machine, but
> I've been told by folks on their forum that in terms of recording, there is
> no way to treat the stereo loops of the LP1 as two distinct tracks. The best
> I've been told I can do is to Group a pair of loops together to create a
> two-track loop. And it that it may or may not be possible to then shuffle
> between the groups in order to move between loops. So even though the
> fidelity of the LP1 is higher, and it has many other admirable attributes, I
> am still thinking that a pair of EDPs may do the job I need more directly,
> and therefore easily.)
>
> Thanks for your thoughts,
> TJ
>
>


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--001485e997a24a19fd047e85c219
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Of course 2 EDP can do this... As long as you use 2 footcontrollers too... =
I have my signal going into both of miine, and choose which EDP to loop in =
by er... looping on it... the tother one goes in synch but doesnt record, T=
HEN when i reocrd on THAT one it forces its loop length to be the same or a=
 multiple of the first... Its almost foolprooff... there are glitches.. lik=
e if you Reset the first, and then expect it to go back in synch when you s=
tart a new one, better to just SUB into the loop with silence.....<br>

<br>but belive me... my WHOLE SOUND.. is based on quantised subbing with 2 =
edps, insert1 insert 2 insert1 insert2 satmp stamp stamp, as fast as you ca=
n without falling over...<br><br><br>m <br><br><div class=3D"gmail_quote">

On Sun, Jan 31, 2010 at 6:50 PM, TJ Sutherland <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mail41@covad.net">mail41@covad.net</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Hi, all<br>
<br>
I have one EDP and now need to loop in what I think of as a two-track mode,=
 with two EDPs:<br>
<br>
I need to lay down track 1 of the loop, put down my instrument/pick up anot=
her, listen to track 1, and then lay down track 2 of the same loop without =
affecting track 1 in any way. I need the two outputs to be independent of e=
ach other, for volume, panning, and effects reasons.<br>


<br>
I know I can MIDI sync two EDPs, but can I control their inputs independent=
ly, so that I can lay down track 2 without overwriting track 1? =A0(I can r=
each over and turn the knobs by hand, if need be.)<br>
I will be panning the output from my mixer hard R or hard L to send the sou=
nds to either of the EDPs&#39; inputs.<br>
<br>
>From there, I think what I need to do is more typical sync--have the two ED=
Ps be set to have the same number of multiple loops, respond to the same Ne=
xtloop/Record command, and shuffling between the multiple loops via Nextloo=
p.<br>


<br>
I think that what I need is for the Master EDP input setting to not control=
 =A0the Slave input setting, but otherwise have the Slave following the Mas=
ter commands.<br>
<br>
Can two synced EDP&#39;s do this? =A0If so, how?<br>
The more explicit your description, the better off I&#39;ll be. I need to k=
now stone cold that I can do this before I buy another EDP.<br>
<br>
<br>
(And for the record, I know the Looperlative is an amazing machine, but I&#=
39;ve been told by folks on their forum that in terms of recording, there i=
s no way to treat the stereo loops of the LP1 as two distinct tracks. The b=
est I&#39;ve been told I can do is to Group a pair of loops together to cre=
ate a two-track loop. And it that it may or may not be possible to then shu=
ffle between the groups in order to move between loops. So even though the =
fidelity of the LP1 is higher, and it has many other admirable attributes, =
I am still thinking that a pair of EDPs may do the job I need more directly=
, and therefore easily.)<br>


<br>
Thanks for your thoughts,<br><font color=3D"#888888">
TJ<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001485e997a24a19fd047e85c219--

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Subject: Re: Can two EDP's do this? How?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 31, 2010 at 6:50 PM, TJ Sutherland <mail41@covad.net> wrote:
> I know I can MIDI sync two EDPs, but can I control their inputs
> independently


Certainly. But why using MIDI sync? Isn't Brother Sync better suited
for this? Or Pulse Sync? Then you can use some MIDI pedal to address
each EDP specifically by setting them to listen over unique MIDI
channels.

This post was based on the assumption that you by "two track mode"
mean using the two EDPs as two mono tracks in a multi tracking
environment, rather than using the two EDPs as *one linked stereo
track*.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From mrgabril@cantv.net  Mon Feb  1 10:34:25 2010
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From: "Mr Gabril Matias James" <mrgabril@cantv.net>
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Subject: Dear beloved friend,
Date: Mon, 1 Feb 2010 05:25:49 -0430
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<P>Dear beloved friend,<BR>&nbsp;<BR>I know that this letter may be a very
big surprise to you, I am giving you my trust and wish you will give me
back the trust i have given you . I believe that you will be honest to
fulfill my final wish before I will die.</P>
<P>I am Mr.Gabril Matias James, I am 71 years old, I am&nbsp; suffering
from a long time cancer of the brain .From all indication my condition is
really deteriorating, and my doctors have courageously advised me that I
may not live beyond the next two&nbsp; months, this is because the cancer
stage has reached a critical stage. I was brought up&nbsp; in a motherless
babys home, and was married to my late wife for twenty&nbsp; years without
a child . My wife and I are true Christians, but quite&nbsp; unfortunately,
she was killed during the (ABIDJAN- BOUAKE) Crisis some years
back.<BR>&nbsp;<BR>Since her death I decided not to re-marry, I sold all
my&nbsp;&nbsp; belongings and deposited all the sum of $10.2million dollars
with a security company In Ivory Coast where i lived with my late wife all
our lives, as it was pakaged and registered as a personal Valuable.</P>
<P>Presently, this money is still in their custody, and the
management&nbsp; just wrote me as the Legitimate beneficiary to come
forward to receive the Deposit after keeping it for so long or rather issue
a letter of authorization to&nbsp; somebody to receive it on my behalf
since I can not come over as a result of my&nbsp;&nbsp; illness,
Presently,I'm with my laptop in a hospital&nbsp; where I have been
undergoing treatment. I have since lost my ability to walk about or do
anything by myself and my doctors have told me that I have only a few
months to live.</P>
<P>It is my last wish to see that this money is invested in any&nbsp;
business&nbsp; of your choice and&nbsp; the gain made every year or 6
months as the case may be,&nbsp; distributed each year among the charity
organization, the poor and the motherless babys home where I come from. I
want your good&nbsp;&nbsp; humanitarian, to also use this money to fund
churches, orphanages and widows around, 20% for you , I must let you know
that this was a very hard decision, but I had to take a bold step towards
this issue because I have no further option. I hope you will help see my
last wishes come true.</P>
<P>As soon as I receive your reply I shall give you the contact of the
security company. I will also issue you a letter of authority, which will
prove that you&nbsp; are the new beneficiary of my funds. Please assure me
that you will act accordingly as<BR>I stated here in. I will be happy if
you can come down to Ivory Coast if possible<BR>&nbsp;<BR>Hope to hear from
you soonest,<BR>&nbsp;<BR>Awaiting your reply<BR>Yours
Sincerely<BR>Mr.Gabril Matias James </P>

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 10:52:56 2010
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Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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I love it Rapha=EBl! Great work!!

Cheers,

Reyn

www.reyn.net
www.reyn.vs.reyn.net

On Jan 30, 2010, at 12:25 AM, Rapha=EBl - Mancing Dolecules wrote:

> Hi Everyone !
>=20
> I'm Rapha=EBl, indy iPhone developer, amateur guitarist and looper
> lover. I usually and still use an Electrix Repeater and a RC20XL,
> which wonderfully do their job, but when I first get my hands on an
> iPhone, some ideas began to pop up and they eventually came together
> as an app called Everyday Looper.
>=20
> First, when using the Repeater, I always got the frustration of not
> being able to visualize my recordings, as a waveform provides great
> information about the audio signal that it represents : rhythm, tempo,
> envelop of notes, silences, ... . Even more great is that it does it
> in 2D, meaning that wherever the play cursor is, I can view these
> infos for the entire length of my loop, so I have a representation of
> the future before hearing it. Translated into facts, Everyday Looper
> displays its four tracks (yes, like the Repeater ^^) waveform in full
> screen. No buttons or anything to clutter the space.
>=20
> Then I wanted a "joyfull" way to interact with the looper. Real knobs,
> buttons and foot switches are totally cool, but, let's face it, an
> iPhone doesn't have any ... Virtual buttons are off, because of the
> first feature up here and because I don't like them, simply. So I go
> for multi-touch gestures instead. For exemple you can tap with two
> fingers to play/pause, swipe simultaneously over multiple tracks to
> change volume, tap and hold a track and drag it to its destination to
> merge ... That gives a great feeling of interacting directly with
> audio.
>=20
> And last, I wanted it to assist us in every way possible. So you will
> find features as auto-normalisation, a limiter on both merge path and
> final mix path, and quantized to loop recording.
>=20
> As I see it, there is two major family of looper users (and of course
> all the shades in-between). The ambient ones, which extensively use
> feedback, overdubbing and can be quite happy with a single loop track.
> The structural ones, for which multiple track, and quantization are
> vital. As you probably guess it, I'm more in the second category, so
> is the looper too. At least for now ^^.
>=20
> Here is my website if you want more precise information, screenshots,
> videos, ... : http://www.mancingdolecules.com . And here is the direct
> link for download : http://www.itunes.com/app/EverydayLooper .
>=20
> The app is on sale now (2$/1.6=80/1.2=A3) to celebrate the 1.1 update
> which adds track merging. The usual price will be (5$/4=80/3=A3). But =
I
> would like to offer you a few promo codes, to download it for free, if
> you have an iTunes US Store account. I can give away 5. Simply write
> me directly through this mail (raphael@mancingdolecules.com) and I
> will happily send you one if their is some left.
>=20
> Don't hesitate to tell me what you think about it, or ask me questions
> if things are unclear. On this mailing list will be fine as I read it
> regularly :).
>=20
> Cheers !
>=20
> Rapha=EBl
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 11:23:10 2010
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Hi TJ,

I think there's a really simple answer.

Any stereo Looper can be used as dual mono tracks
if you route the input audio with a mixer.

hoewever, here's more info

TJ Sutherland wrote:
> Hi, all
> 
> I have one EDP and now need to loop in what I think of as a two-track 
> mode, with two EDPs:

The question you really need to ask is 
"how can I control 2 edps to behave the way I want".

> I need the two outputs to be 
> independent of each other, for volume, panning, and effects reasons.

why? (just asking)

> I know I can MIDI sync two EDPs, but can I control their inputs independently, 
> so that I can lay down track 2 without overwriting track 1?  
> (I can reach over and turn the knobs by hand, if need be.)
> I will be panning the output from my mixer hard R or hard L to send the sounds to either of the EDPs' inputs.

right, so by routing with the mixer you *already* worked out how to do that.
That'll be better than using the EDP input volume knobs, as these are
used for trimming the input vol.
(you'd have to set them accurately every time, not a problem with a
mixer pan pot )

>  From there, I think what I need to do is more typical sync--have the 
> two EDPs be set to have the same number of multiple loops, respond to 
> the same Nextloop/Record command, and shuffling between the multiple 
> loops via Nextloop.
> 
> I think that what I need is for the Master EDP input setting to not 
> control  the Slave input setting, but otherwise have the Slave following 
> the Master commands.

right, so your plan is to use the 2 edps exactly as if thet were
a stereo pair, but to route the audio to either EDP.

The Input volume on the slave EDP *never* follows the master by the way.


> Can two synced EDP's do this? 

yes

> If so, how?

you can either do it the way you describe.

Or, you could use a sophisticated midi controller to achieve 
the result more efficiently.

> The more explicit your description, the better off I'll be. I need to 
> know stone cold that I can do this before I buy another EDP.

right,
the one possible caveat is that BrotherSync isn't 100% reliable
if you use it in the way you describe.
Occasionally sync will drift.

Midi sync won't drift (unless the slave is in Overdub).


So YES, run 2 EDPs master slave on the same midi channel
EDP 1 > Sync= Out
EDP 2 > Sync= In 
use just an FC7 for control ( or midi)
then route the audio by mixer

and it'll all work


> (And for the record, I know the Looperlative is an amazing machine, but 
> I've been told by folks on their forum that in terms of recording, there 
> is no way to treat the stereo loops of the LP1 as two distinct tracks.

however, for the application as you describe it, there isn't a problem.
If you use your mixer to steer the audio to either channel then
it should work easily.

 
> The best I've been told I can do is to Group a pair of loops together to 
> create a two-track loop. And it that it may or may not be possible to 
> then shuffle between the groups in order to move between loops.

I'm amazed you didn't get a yes/no answer on that.

Still, if you wanted to use the stereo tracks as dual mono
(by using the mixer for routing) then the LP1 is going to be
less hassle than 2 edps.

> So even 
> though the fidelity of the LP1 is higher,
> and it has many other 
> admirable attributes, I am still thinking that a pair of EDPs may do the 
> job I need more directly, and therefore easily.)
> 
> Thanks for your thoughts,
> TJ
> 

andy butler

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http://loopers-delight.com/tools/echoplex/echoplex.html

http://www.gibson.com/en-us/Divisions/Gibson%20Pro%20Audio/Echoplex/

interesting question though,

how to sum up it's uniqueness.


folkstone57@tmo.blackberry.net wrote:
> Hello All
> Could someone give a overview of an EDP for those of us not familliar 
> with this gadget?
> 
> Mark Showalter
> 

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 12:00:09 2010
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Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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Mech >

Thank you so much for your informative and brutally honest reply.
>

You are welcome :).

Of course, I'm also interested in seeing what kind of damage I can do with
> Everyday Looper too; as well as finding out where you take it once the
> upcoming OS releases begin to hit.
>

To remain exact, the OS 3.1 that I have mentioned is already out, I just di=
d
go for the universal way before targeting special OS versions for
improvements.

Also, have you yet begun considering what permutations may be possible once
> the new iPad is finally released?  Or is that still too much in the
> vaporware phase to begin solid planning?
>

Well, I haven't plan anything for the iPad right now and for many reasons.
Once being that I want to make Everyday Looper as good as I can before
diversification. One other is that the design of Everyday Looper is totally
tied to the device it runs on. So I can't design the interactions based
solely on an emulation of the iPad on a non-touch screen. Their is some
obvious things to do, like more space =3D more tracks, but I have to test i=
t
in real world to figure out exactly how many for example. One last would be
more philosophical, I don't want to always run behind novelty to be the
first or "take the market". My own pace is part of my freedom ^^.


Reyn >

I love it Rapha=EBl! Great work!!
>

 Thank for that, and the follow on Twitter :) !


Rapha=EBl

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Mech &gt;<br><br><blockquote style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">=
Thank you so much for your informative and brutally honest reply.<br></bloc=
kquote>
<div>=A0</div>You are welcome :).<br><br><blockquote style=3D"border-left: =
1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;=
" class=3D"gmail_quote">Of course, I&#39;m also interested in seeing what k=
ind of damage I can do
with Everyday Looper too; as well as finding out where you take it once
the upcoming OS releases begin to hit.<br></blockquote><div><br>To remain e=
xact, the OS 3.1 that I have mentioned is already out, I just did go for th=
e universal way before targeting special OS versions for improvements.<br>
</div><br><blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); m=
argin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">
Also, have you yet begun considering what permutations may be possible
once the new iPad is finally released? =A0Or is that still too much in
the vaporware phase to begin solid planning?<br></blockquote><div><br>Well,=
 I haven&#39;t plan anything for the iPad right now and for many reasons. O=
nce being that I want to make Everyday Looper as good as I can before diver=
sification. One other is that the design of Everyday Looper is totally tied=
 to the device it runs on. So I can&#39;t design the interactions based sol=
ely on an emulation of the iPad on a non-touch screen. Their is some obviou=
s things to do, like more space =3D more tracks, but I have to test it in r=
eal world to figure out exactly how many for example. One last would be mor=
e philosophical, I don&#39;t want to always run behind novelty to be the fi=
rst or &quot;take the market&quot;. My own pace is part of my freedom ^^.<b=
r>
<br><br>Reyn &gt;<br><br><blockquote style=3D"border-left: 1px solid rgb(20=
4, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail=
_quote">I love it Rapha=EBl! Great work!!<br></blockquote><div><br>=A0Thank=
 for that, and the follow on Twitter :) !<br>
<br><br>Rapha=EBl<br></div></div>

--0016e65b6164f8c5a1047e88b9ca--

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Subject: a great iPhone looper. Thinking about future development
Date: Mon, 1 Feb 2010 13:30:37 +0100
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Hi guys

After I read a recent post about an application called Everyday Looper I =
went on the AppStore to make some research and I found out another =
application really amazing. It's pretty expensive (4.9 euros), at least =
compared to the usual prices on the AppStore, but it really worths its =
value.

It's called ThumbJam: do not know if somebody here talked about it =
before.=20
It's absolutely going in the right direction: it's basically a looper =
(with multilpy "edp's style"!!!) but it offers the chance of switching =
between many instruments, so one can overdub different sounds (good =
quality). Really great. Give it a try. The only limit I noticed is the =
time necessary to switch from one instrument to the other.

I bought many musical application for iPhone just to check them out and =
see how the possibilities  of a touch interface could lead to =
different/new instruments/musical applications.
I wonder how in future applications like this could work on devices like =
iPad, with more dsp power, a greater working surface and - in a possible =
future - an audio interface so to mix different sound sources.
I guess we'll soon see many interesting new musical tools...

best

b:k=

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From:     Mr Ali Kynfo <kynfo_ali707@live.com>
To:       "." <.>
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 15:57:55 2010
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Thanks to Andy, Per, Mark, and anyone else who may yet post a reply.

I appreciate your taking the time to explain it to me. If I already 
owned a 2nd EDP, I'd just dive in and monkey my way around, the way I 
did with my first EDP. So the need for complete clarity has to do with 
being sure before I buy.

Of course, if Matthias could get a manufacturer to build a Loop V box, 
we could all be in EDP multi-track heaven. . . at least those of us 
who'd want to go there.

Yes, Andy, it had seemed that the LP1 should be able to work in this 
style with the mixer routing to each channel. But the reply I've gotten 
so far said that it can't. "It's not set up to record to a channel as a 
separate track."  If I had one, I'd play with it and see if it is 
possible. It certainly seems worth a try.

Thanks again--you guys are what got me looping in the first place.

TJ

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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.A.
106 FENCHURCH STREET,
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

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SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON,I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-701-114-8096
EMAIL: andrewmcelwee.jr@webmail.co.za

Note: kindly reply to this email address for security reasons: andrewmcelwee.jr@webmail.co.za

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Date: Mon, 1 Feb 2010 17:46:46 +0100
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Subject: Re: a great iPhone looper. Thinking about future development
From: Fabio_A <eterogenus@gmail.com>
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--000325556d1a1bc081047e8cbb24
Content-Type: text/plain; charset=ISO-8859-1

Bruno, I bought it and I had a lot of fun playing it in jams with friends.
Sounds are really good (the sampled cello was made by our dear list member
Zoe Keating, and it's awesome. The same for the electric guitar and...lot of
other timbres.
If I well remember, it was made by Jesse Chappell, the Sooperlooper
developer and also member of this list.
It's a great app. and - as you said - i-Pad can open new possibilities...for
sure ! (but I'd wait for the next generation of I-Pad befor buying it - and
let others discovering bugs ...;-)
http://thumbjam.com/media

fabio
www.eterogeneo.com


2010/2/1 Bruno E. Kleinefeld <bruno.bk@gmail.com>

> Hi guys
>
> After I read a recent post about an application called Everyday Looper I
> went on the AppStore to make some research and I found out another
> application really amazing. It's pretty expensive (4.9 euros), at least
> compared to the usual prices on the AppStore, but it really worths its
> value.
>
> It's called ThumbJam: do not know if somebody here talked about it before.
> It's absolutely going in the right direction: it's basically a looper (with
> multilpy "edp's style"!!!) but it offers the chance of switching between
> many instruments, so one can overdub different sounds (good quality). Really
> great. Give it a try. The only limit I noticed is the time necessary to
> switch from one instrument to the other.
>
> I bought many musical application for iPhone just to check them out and see
> how the possibilities  of a touch interface could lead to different/new
> instruments/musical applications.
> I wonder how in future applications like this could work on devices like
> iPad, with more dsp power, a greater working surface and - in a possible
> future - an audio interface so to mix different sound sources.
> I guess we'll soon see many interesting new musical tools...
>
> best
>
> b:k
>

--000325556d1a1bc081047e8cbb24
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Bruno, I bought it=A0and I had a lot of fun playing it in jams with fr=
iends.</div>
<div>Sounds are really good (the sampled cello was made by our dear list me=
mber Zoe Keating, and it&#39;s awesome. The same for=A0the electric guitar =
and...lot of other timbres. </div>
<div>If I well remember, it was made by Jesse Chappell, the Sooperlooper de=
veloper and also member of this list.</div>
<div>It&#39;s a great app. and - as you said - i-Pad can open new possibili=
ties...for sure ! (but I&#39;d wait for the next generation of I-Pad befor =
buying it - and let others discovering bugs ...;-)</div>
<div><a href=3D"http://thumbjam.com/media">http://thumbjam.com/media</a></d=
iv>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2010/2/1 Bruno E. Kleinefeld <span dir=3D"ltr">&=
lt;<a href=3D"mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</a>&gt;</span><=
br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi guys<br><br>After I read a re=
cent post about an application called Everyday Looper I went on the AppStor=
e to make some research and I found out another application really amazing.=
 It&#39;s pretty expensive (4.9 euros), at least compared to the usual pric=
es on the AppStore, but it really worths its value.<br>
<br>It&#39;s called ThumbJam: do not know if somebody here talked about it =
before.<br>It&#39;s absolutely going in the right direction: it&#39;s basic=
ally a looper (with multilpy &quot;edp&#39;s style&quot;!!!) but it offers =
the chance of switching between many instruments, so one can overdub differ=
ent sounds (good quality). Really great. Give it a try. The only limit I no=
ticed is the time necessary to switch from one instrument to the other.<br>
<br>I bought many musical application for iPhone just to check them out and=
 see how the possibilities =A0of a touch interface could lead to different/=
new instruments/musical applications.<br>I wonder how in future application=
s like this could work on devices like iPad, with more dsp power, a greater=
 working surface and - in a possible future - an audio interface so to mix =
different sound sources.<br>
I guess we&#39;ll soon see many interesting new musical tools...<br><br>bes=
t<br><font color=3D"#888888"><br>b:k<br></font></blockquote></div><br>

--000325556d1a1bc081047e8cbb24--

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Subject: Re: Can two EDP's do this? How?
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TJ Sutherland wrote:

> Yes, Andy, it had seemed that the LP1 should be able to work in this 
> style with the mixer routing to each channel. But the reply I've gotten 
> so far said that it can't. "It's not set up to record to a channel as a 
> separate track."  

:-) who on earth told you that?

Tell them
1) pan audio to Left with mixer
2) Record onto Left Ch
3) pan audio top Right with mixer
4) Overdub onto Right Ch

actually, I'd guess they did not understand
you were going to use the mixer like that.

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Subject: RE: Can two EDP's do =?UTF-8?Q?this=3F=20How=3F?=
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>a little OT.....thinking of individual track looping</div><div><b=
r></div><div>I really like ambiloop, but prefer hardware. are there any uni=
ts that function like or sort of like this software?&nbsp; mainly I like th=
ese features: multitrack with level, solo, mute and panning. the ability to=
 divide, multiply, reverse &amp; slow per each track...all in sync. effects=
 are not needed (never use them in ambiloop)..anyway, just wondering.<br></=
div><div><br></div><div><a href=3D"http://www.ambiloop.com/">http://www.amb=
iloop.com/</a></div><div><br></div><div><br></div><div>thanks, Chris<br></d=
iv><div><br></div><div><br></div>
<blockquote id=3D"replyBlockquote" style=3D"border-left: 2px solid blue; ma=
rgin-left: 8px; padding-left: 8px; font-size: 10pt; color: black; font-fami=
ly: verdana;" mce_style=3D"border-left: 2px solid blue; margin-left: 8px; p=
adding-left: 8px; font-size: 10pt; color: black; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: Re: Can two EDP's do this? How?<br>
From: TJ Sutherland &lt;mail41@covad.net&gt;<br>
Date: Mon, February 01, 2010 10:57 am<br>
To: Loopers-Delight@loopers-delight.com<br>
<br>
Thanks to Andy, Per, Mark, and anyone else who may yet post a reply.<br>
<br>
I appreciate your taking the time to explain it to me. If I already <br>
owned a 2nd EDP, I'd just dive in and monkey my way around, the way I <br>
did with my first EDP. So the need for complete clarity has to do with <br>
being sure before I buy.<br>
<br>
Of course, if Matthias could get a manufacturer to build a Loop V box, <br>
we could all be in EDP multi-track heaven. . . at least those of us <br>
who'd want to go there.<br>
<br>
Yes, Andy, it had seemed that the LP1 should be able to work in this <br>
style with the mixer routing to each channel. But the reply I've gotten <br=
>
so far said that it can't. "It's not set up to record to a channel as a <br=
>
separate track."  If I had one, I'd play with it and see if it is <br>
possible. It certainly seems worth a try.<br>
<br>
Thanks again--you guys are what got me looping in the first place.<br>
<br>
TJ<br>
<br>

</div>
</blockquote></span></body></html>

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Subject: Repeater feeler spam
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016e6d77df557326b047e8f1280
Content-Type: text/plain; charset=ISO-8859-1

chaps - thinking about selling my Electrix Repeater

box
manuals
latest software
128Mb card (all functions possible)
3 button footswitch and cable
minty condition

this is a reluctant sale, but if someone in the UK community really wants it
and makes me a decent offer, then i'd be happy to let it go to a good home,
as i'm really not using it enough to justify keeping it

if you're interested, please get in touch. photos available on request

sim

--0016e6d77df557326b047e8f1280
Content-Type: text/html; charset=ISO-8859-1
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chaps - thinking about selling my Electrix Repeater<br><br>box<br>manuals<b=
r>latest software<br>128Mb card (all functions possible)<br>3 button footsw=
itch and cable<br>minty condition<br><br>this is a reluctant sale, but if s=
omeone in the UK community really wants it and makes me a decent offer, the=
n i&#39;d be happy to let it go to a good home, as i&#39;m really not using=
 it enough to justify keeping it<br>
<br>if you&#39;re interested, please get in touch. photos available on requ=
est<br><br>sim<br>

--0016e6d77df557326b047e8f1280--

From www-data@server101.my-comptrexx.de  Mon Feb  1 19:34:22 2010
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To: looparc@loopers-delight.com
Subject:  Assist me in  transferring us$13,000,000.00
From: anita <anitasipho@ymail.com>
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Hi Dear,

I do understand the concern this letter will bring to you considering the fact that it comes from a stranger but be rest assured for it come with good intentions. I was going on a research, looking for a responsible and trustworthy person that could help and assist me receive some fund from South Africa into his personal or company bank account overseas.

I am Mrs. Anita Sipho the wife of late Mr. Simon Sipho from Zimbabwe. My husband was among the rich black farmers murdered in cold-blooded in Zimbabwe by war veterans of President Robert Mugabe. My main aim of contacting you is to solicit for your assistance in transferring the sum of (US$13,000,000.00) Thirteen million US dollars into your nominated oversea account.

This money was given to my husband by President Mugabe when they were still in good terms for investment purposes. My husband deposited the money in a security company in Johannesburg here in South Africa and made me the beneficiary of the consignment as if foresaw his looming death, he deposited the fund in the security company as a family treasure in order to avoid detection or seizure since South Africa has almost the same laws with Zimbabwe. I am presently residing in Johannesburg with my children as asylum seekers, base on our present status we are deprived of some financial rights of banking activities. Moreover, this money is the only thing my late husband left for us as such the entire life of my family depends on this money coupled with the responsibilities rested on this me, I will be willing to go into partnership on any lucrative business you will suggest in your country provided you assist me actualize the transfer of this fund to your bank account overseas.

The sharing pattern is negotiable between you and me, please do contact me through the above stated e-mail address if my proposal arouse your interest.

Best regards.
Mrs.Anita Sipho
Email:anita_sipho@ymail.com




From monique.lavandier@dbmail.com  Mon Feb  1 20:03:18 2010
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------=_Part_532_5366274.1265052395022
Content-Type: text/plain; charset=utf-8
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Bonjour

Je n'ai pas un autre moyen de communiquer avec vous que de vous faire parve=
nir ce mail. Je suis dans le d=C3=A9sespoir et mon coeur saigne au moment o=
u je vous fais ce message qui j'esp=C3=A8re retiendra votre attention.=20
Mon P=C3=A8re, qui =C3=A9tait un tr=C3=A8s riche et puissant producteur en =
caf=C3=A9/cacao, empoisonn=C3=A9 par ses associ=C3=A9s lors d'un voyage d'a=
ffaires .Apr=C3=A8s la mort de mon p=C3=A8re ma m=C3=A8re d=C3=A9tenait une=
 ATTESTATION DE SOLDE BLOQUEE ET SECURISE =C3=A0 mon nom dans une Compagnie=
 de s=C3=A9curit=C3=A9 de la place.Ma m=C3=A8re ne pouvant plus supporter l=
e d=C3=A9c=C3=A8s de son mari (feu mon p=C3=A8re) mourut 1 mois plus tard d=
'une hypertension art=C3=A9rielle dans une clinique priv=C3=A9 en a abidjan=
. Ainsi au chevet de son lit de mort, elle me fit part de tous les document=
s relatifs justifiant l'existence d'un compte bloqu=C3=A9 d'un montant de (=
4.700.000 EUROS) que mon p=C3=A8re m'a laiss=C3=A9 comme h=C3=A9ritage et e=
lle me conseilla sagement d'ouvrir un compte fiable =C3=A0
l'=C3=A9tranger dans lequel ces fonds doivent =C3=AAtre transf=C3=A9r=C3=A9=
s selon le testament =C3=A9cris par mon p=C3=A8re. Elle me recommande aussi=
 de chercher un associ=C3=A9 =C3=A9tranger qui pourrait honn=C3=AAtement me=
 faire b=C3=A9n=C3=A9ficier de son assistance pour sauver ma vie et assurer=
 mon existence.=20
- Changement de b=C3=A9n=C3=A9ficiaire ;=20
- Servir de gardien ;=20
- Fournir un compte pour le transfert de fonds ;=20
- M'aider =C3=A0 le rejoindre dans son pays ;=20
- Poursuivre mes =C3=A9tudes=20
D'ailleurs, je vous donnerai 15% sur mes fonds, pour l'aide que vous voudri=
ez bien m'apporter Je vous serai reconnaissante de pouvoir b=C3=A9n=C3=A9fi=
cier de vos
aides et conseils utiles. S.V.P veuillez garder la discr=C3=A9tion =C3=A0 c=
ause des probl=C3=A8mes socios-politiques que nous vivons en ce moment en C=
=C3=B4te d'ivoire. Mon p=C3=A8re a =C3=A9t=C3=A9 assassin=C3=A9 et "LES CRI=
MINELS " qui l'ont assassin=C3=A9s en veulent terriblement =C3=A0 ma vie. J=
e compte sur votre bonne foi et votre honn=C3=AAtet=C3=A9 pour que mon h=C3=
=A9ritage soit transf=C3=A9r=C3=A9 le plus vite possible pour que je puisse=
 vous rejoindre.
NB: Je me cache en ce moment dans une Eglise de la place pour des raisons s=
=C3=A9curitaires et des menaces perp=C3=A9tuelles dont je suis victime. S'i=
l vous pla=C3=AEt, contactez moi urgeamment par mail d=C3=A8s r=C3=A9ceptio=
n de ce courrier et surtout veuillez gardez la
discr=C3=A9tion, la confidentialit=C3=A9 et l'honn=C3=AAtet=C3=A9. Dans l'e=
spoir de vous relire et d'une suite
favorable.=20



QUE DIEU VOUS BENISSE ! MERCI POUR VOTRE AIDE
Mlle MONIQUE LAVANDIER=20


Hello=20
I have no other means of communicating with you than to send this email.
I am in despair and my heart bleeds when I write you this message that I
hope will hold your attention.=20
My father, who was a very rich and powerful producer of coffee / cocoa,
poisoned by his associates during a business trip. After the death of my
father,My mother could not bear the death of her husband (my late
father) she died 1 month later of hypertension in a private clinic in
Abidjan. Thus at the bedside of his dying bed, she told me of all the
documents justifying the existence of an escrow account an amount of
(4,700,000 Euros) that my father left for me as an inheritance and she
wisely advised to open an account reliable abroad in which these funds
must be transferred by a will written by my father. She also recommends
looking for a foreign partner who could honestly make me eligible for
assistance to save my life and ensure my existence.=20
- Change of Beneficiary;=20
- Serve as custodian;=20
- Provide an account for the transfer of funds;=20
- Help me to join him in his country;=20
- Continue my education=20
Besides, I will give you 15% on my funds for aid that you would help me
I would be grateful to receive your=20
aid and advice. Please please keep this transaction secret.
NB: I'm hiding right now in a church room for security reasons and
threats which I am perpetual victim. Please contact me Urgently by mail
upon receipt of this letter and please keep the above=20
discretion, confidentiality and honesty. Hoping you read and a suite=20
favorable.=20

GOD BLESS YOU! THANKS FOR YOUR HELP=20
Ms.MONIQUE LAVANDIER=20






------=_Part_532_5366274.1265052395022
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<P style=3D"MARGIN: 0px"><BR>
<P style=3D"MARGIN: 0px"><BR>
<P style=3D"MARGIN: 0px"><BR>Bonjour<BR></P>
<P style=3D"MARGIN: 0px">Je n'ai pas un autre moyen de communiquer avec vou=
s que de vous faire parvenir ce mail. Je suis dans le d=C3=A9sespoir et mon=
 coeur saigne au moment ou je vous fais ce message qui j'esp=C3=A8re retien=
dra votre attention. <BR>Mon P=C3=A8re, qui =C3=A9tait un tr=C3=A8s riche e=
t puissant producteur en caf=C3=A9/cacao, empoisonn=C3=A9 par ses associ=C3=
=A9s lors d'un voyage d'affaires .Apr=C3=A8s la mort de mon p=C3=A8re ma m=
=C3=A8re d=C3=A9tenait une ATTESTATION DE SOLDE BLOQUEE ET SECURISE =C3=A0 =
mon nom dans une Compagnie de s=C3=A9curit=C3=A9 de la place.Ma m=C3=A8re n=
e pouvant plus supporter le d=C3=A9c=C3=A8s de son mari (feu mon p=C3=A8re)=
 mourut 1 mois plus tard d'une hypertension art=C3=A9rielle dans une cliniq=
ue priv=C3=A9 en a abidjan. Ainsi au chevet de son lit de mort, elle me fit=
 part de tous les documents relatifs justifiant l'existence d'un compte blo=
qu=C3=A9 d'un montant de (4.700.000 EUROS) que mon p=C3=A8re m'a laiss=C3=
=A9 comme h=C3=A9ritage et elle me conseilla sagement d'ouvrir un compte fi=
able =C3=A0<BR>l'=C3=A9tranger dans lequel ces fonds doivent =C3=AAtre tran=
sf=C3=A9r=C3=A9s selon le testament =C3=A9cris par mon p=C3=A8re. Elle me r=
ecommande aussi de chercher un associ=C3=A9 =C3=A9tranger qui pourrait honn=
=C3=AAtement me faire b=C3=A9n=C3=A9ficier de son assistance pour sauver ma=
 vie et assurer mon existence. <BR><FONT color=3D#ff00ff>- Changement de b=
=C3=A9n=C3=A9ficiaire ; <BR>- Servir de gardien ; <BR>- Fournir un compte p=
our le transfert de fonds ; <BR>- M'aider =C3=A0 le rejoindre dans son pays=
 ; <BR>- Poursuivre mes =C3=A9tudes</FONT> <BR>D'ailleurs, je vous donnerai=
 15% sur mes fonds, pour l'aide que vous voudriez bien m'apporter Je vous s=
erai reconnaissante de pouvoir b=C3=A9n=C3=A9ficier de vos<BR>aides et cons=
eils utiles. S.V.P veuillez garder la discr=C3=A9tion =C3=A0 cause des prob=
l=C3=A8mes socios-politiques que nous vivons en ce moment en C=C3=B4te d'iv=
oire. Mon p=C3=A8re a =C3=A9t=C3=A9 assassin=C3=A9 et "LES CRIMINELS " qui =
l'ont assassin=C3=A9s en veulent terriblement =C3=A0 ma vie. Je compte sur =
votre bonne foi et votre honn=C3=AAtet=C3=A9 pour que mon h=C3=A9ritage soi=
t transf=C3=A9r=C3=A9 le plus vite possible pour que je puisse vous rejoind=
re.<BR>NB: Je me cache en ce moment dans une Eglise de la place pour des ra=
isons s=C3=A9curitaires et des menaces perp=C3=A9tuelles dont je suis victi=
me. S'il vous pla=C3=AEt, contactez moi urgeamment par mail d=C3=A8s r=C3=
=A9ception de ce courrier et surtout veuillez gardez la<BR>discr=C3=A9tion,=
 la confidentialit=C3=A9 et l'honn=C3=AAtet=C3=A9. Dans l'espoir de vous re=
lire et d'une suite<BR>favorable. <BR><BR><BR><BR>QUE DIEU VOUS BENISSE ! M=
ERCI POUR VOTRE AIDE<BR>Mlle MONIQUE LAVANDIER <BR></P>
<P style=3D"MARGIN: 0px">&nbsp;</P>
<P>Hello </P>
<P>I have no other means of communicating with you than to send this email.=
<BR>I am in despair and my heart bleeds when I write you this message that =
I<BR>hope will hold your attention. <BR>My father, who was a very rich and =
powerful producer of coffee / cocoa,<BR>poisoned by his associates during a=
 business trip. After the death of my<BR>father,My mother could not bear th=
e death of her husband (my late<BR>father) she died 1 month later of hypert=
ension in a private clinic in<BR>Abidjan. Thus at the bedside of his dying =
bed, she told me of all the<BR>documents justifying the existence of an esc=
row account an amount of<BR>(4,700,000 Euros) that my father left for me as=
 an inheritance and she<BR>wisely advised to open an account reliable abroa=
d in which these funds<BR>must be transferred by a will written by my fathe=
r. She also recommends<BR>looking for a foreign partner who could honestly =
make me eligible for<BR>assistance to save my life and ensure my existence.=
 <BR>- Change of Beneficiary; <BR>- Serve as custodian; <BR>- Provide an ac=
count for the transfer of funds; <BR>- Help me to join him in his country; =
<BR>- Continue my education <BR>Besides, I will give you 15% on my funds fo=
r aid that you would help me<BR>I would be grateful to receive your <BR>aid=
 and advice. Please please keep this transaction secret.</P>
<P>NB: I'm hiding right now in a church room for security reasons and<BR>th=
reats which I am perpetual victim. Please contact me Urgently by mail<BR>up=
on receipt of this letter and please keep the above <BR>discretion, confide=
ntiality and honesty. Hoping you read and a suite <BR>favorable. </P>
<P>&nbsp;</P>
<P>GOD BLESS YOU! THANKS FOR YOUR HELP <BR>Ms.MONIQUE LAVANDIER </P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P><BR>&nbsp;</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P></P>
------=_Part_532_5366274.1265052395022--


From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 20:07:46 2010
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Message-ID: <4D765D4AF8A84AB99D46CD71140A681B@MichaelPC>
From: <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT Songs from Wavlet tranforms
Date: Mon, 1 Feb 2010 13:50:32 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0127_01CAA345.85907BF0
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	charset="iso-8859-1"
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Anyone know of software that would allow one to take a picture of a =
wavelet transform (or perhaps a picture that is interpreted as one) and =
make a sound from it?=20

Thanks!

Plish

www.michaelplishka.com
www.scribbledmusings.com
------=_NextPart_000_0127_01CAA345.85907BF0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18882">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Anyone know of software that would =
allow one to=20
take a picture of a wavelet transform (or perhaps a picture that is =
interpreted=20
as one)&nbsp;and make a sound from it?&nbsp;</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks!<BR></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Plish</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</A></FONT><=
/DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.scribbledmusings.com">www.scribbledmusings.com</A></DI=
V></FONT></BODY></HTML>

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Date: Mon, 1 Feb 2010 15:12:01 -0500
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Subject: Re: OT Songs from Wavlet tranforms
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367f93131fdbd3047e8f9994
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http://stevehanov.ca/wavelet/

maybe?

On Mon, Feb 1, 2010 at 2:50 PM, <mike@michaelplishka.com> wrote:

>  Anyone know of software that would allow one to take a picture of a
> wavelet transform (or perhaps a picture that is interpreted as one) and make
> a sound from it?
>
> Thanks!
> Plish
>
> www.michaelplishka.com
> www.scribbledmusings.com
>



-- 
-==-=-=-
Tony

--0016367f93131fdbd3047e8f9994
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Content-Transfer-Encoding: quoted-printable

<a href=3D"http://stevehanov.ca/wavelet/">http://stevehanov.ca/wavelet/</a>=
<br><br>maybe?<br><br><div class=3D"gmail_quote">On Mon, Feb 1, 2010 at 2:5=
0 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:mike@michaelplishka.com">mik=
e@michaelplishka.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Anyone know of software that would all=
ow one to=20
take a picture of a wavelet transform (or perhaps a picture that is interpr=
eted=20
as one)=A0and make a sound from it?=A0</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Thanks!<br></font></div>
<div><font face=3D"Arial" size=3D"2">Plish</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.michaelplishka.c=
om" target=3D"_blank">www.michaelplishka.com</a></font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.scribbledmusings=
.com" target=3D"_blank">www.scribbledmusings.com</a></font></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

--0016367f93131fdbd3047e8f9994--

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Date: Mon, 1 Feb 2010 21:15:25 +0100
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Subject: Re: OT Songs from Wavlet tranforms
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Feb 1, 2010 at 8:50 PM,  <mike@michaelplishka.com> wrote:
> Anyone know of software that would allow one to take a picture of a wavel=
et
> transform (or perhaps a picture that is interpreted as one)=C2=A0and make=
 a sound
> from it?

Maybe....
But please, what is "a wavelet transform"?

Ideas:
Anything graphical that happens on a computer (the "wavelet transform"
again...) can be captured as a screen shot image by very simple key
strokes. The software instrument Alchemy (by Camelaudio) is an example
of a software that can interpret an image as sound. Metasynth is
usually mentioned too, in these type of discussions, but with
Metasynth you actually create an image as a visual interface of actual
sound design. Cameleon 5000 (also by Camelaudio) can also make sound
from images and I guess that's the algorithm Alchemy draws on.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 21:19:15 2010
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Subject: Re: OT Songs from Wavlet tranforms
Date: Mon, 1 Feb 2010 15:19:09 -0600
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Per and Tony K,

thanks!

http://en.wikipedia.org/wiki/Wavelet_series#Wavelet_transform

Wavelet transforms of whale and dolphin song:
http://www.newscientist.com/gallery/whalesong-art

~peace~
Plish
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, February 01, 2010 2:15 PM
Subject: Re: OT Songs from Wavlet tranforms


On Mon, Feb 1, 2010 at 8:50 PM,  <mike@michaelplishka.com> wrote:
> Anyone know of software that would allow one to take a picture of a 
> wavelet
> transform (or perhaps a picture that is interpreted as one) and make a 
> sound
> from it?

Maybe....
But please, what is "a wavelet transform"?

Ideas:
Anything graphical that happens on a computer (the "wavelet transform"
again...) can be captured as a screen shot image by very simple key
strokes. The software instrument Alchemy (by Camelaudio) is an example
of a software that can interpret an image as sound. Metasynth is
usually mentioned too, in these type of discussions, but with
Metasynth you actually create an image as a visual interface of actual
sound design. Cameleon 5000 (also by Camelaudio) can also make sound
from images and I guess that's the algorithm Alchemy draws on.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Feb  1 21:32:10 2010
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Date: Mon, 1 Feb 2010 22:32:00 +0100
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Subject: Re: OT Songs from Wavlet tranforms
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On Mon, Feb 1, 2010 at 10:19 PM,  <mike@michaelplishka.com> wrote:
> http://en.wikipedia.org/wiki/Wavelet_series#Wavelet_transform
>
> Wavelet transforms of whale and dolphin song:
> http://www.newscientist.com/gallery/whalesong-art

Thank you for the interesting links. I wasn't sure if "transform" or
"tranform" was correct since the original post used both words. Made
me think about the game to cover a drum skin with sand and play a note
in the room to watch the pattern forming by sympathetic mechanical
vibrations.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 00:07:27 2010
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I'm going to have to agree with this.  I really love this forum, but can o=
nly check it every few 
days and end up with a ton of email.  I end up filtering it to a folder an=
d usually have 
troubles trying to follow the order of the emails....

My day gig is web developer, if the moderators of the mail list would like=
 to put together a 
forum, I could set it up.  Just contact me at baub@baub.com and I would be=
 happy to help 
out.

Baub


On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:

> 
> Why doesn't loopers delight have a forum rather than this email list?
> 
> 
> Please consider a forum, I'm unsubscribing from the email list.---------=
---------------
> Russell Kirk Pirlo
> 424-757-4756
> 
> 
> 
> On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo <labaloops@yahoo.com> wrote:
>     Hi gang,
>     I once saw a guy in the streets playing guitar and he had some sort =
of foot tamborine 
>     where he could stomp and accompany himself,does anybody know where i=
 can find 
>     something like this?
>     
>     
>     
>     
>     cheers
>     www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen 
> Massenmails.
> http://mail.yahoo.com
> 
> 
> 


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------=_NextPart_000_00FA_01C2A9A6.10657822--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 03:12:06 2010
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Date: Mon, 1 Feb 2010 19:12:05 -0800 (PST)
From: Candc Hoffman/Traxler <candcmesingandplay@yahoo.com>
Subject: LP-2 - Peter Hayes of BRMC (Black Rebel Motorcycle Club) jamming with Rick Walker
To: Loopers-Delight@loopers-delight.com
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Just found this on YouTube

http://www.youtube.com/watch?v=LzDZXwE9GA8

Fun stuff!

Christian Hoffman
www.myspace.com/dramock



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:bookman old style,new york,times,serif;font-size:12pt"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">Just found this on YouTube<br><br><span><a target="_blank" href="http://www.youtube.com/watch?v=LzDZXwE9GA8">http://www.youtube.com/watch?v=LzDZXwE9GA8</a></span><br><br>Fun stuff!<br><br><span class="description"></span>Christian Hoffman<br><span><a target="_blank" href="http://www.myspace.com/dramock">www.myspace.com/dramock</a></span><br>



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From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 03:58:09 2010
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Date: Mon, 1 Feb 2010 22:58:03 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Foot tamborine / Forum Needed!
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I  also think this email list is cumbersome and=20
annoying..  someone starts talking (for instance)=20
about tuning in fifths (which I've done for 20=20
years) and nobody gets  too reply because it=20
becomes old news in a sea of email .. except for=20
two guys who pick a fight about it... and go so=20
far off topic that nobody dares restate the=20
purpose...

But there already IS a Looping Forum...

http://loopingmusic.proboards99.com/index.cgi

  but you know loopers, they tend to like the same=20
old same old same old same old same old same old=20
same old same old same old same old same old same=20
old same old same old same old same old same old=20
same old same old....

>I'm going to have to agree with this.  I really=20
>love this forum, but can only check it every few
>days and end up with a ton of email.  I end up=20
>filtering it to a folder and usually have
>troubles trying to follow the order of the emails....
>
>My day gig is web developer, if the moderators=20
>of the mail list would like to put together a
>forum, I could set it up.  Just contact me at=20
>baub@baub.com and I would be happy to help
>out.
>
>Baub
>
>
>On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>
>>
>>  Why doesn't loopers delight have a forum rather than this email list?
>>
>>
>>  Please consider a forum, I'm unsubscribing=20
>>from the email list.------------------------
>>  Russell Kirk Pirlo
>>  424-757-4756
>>
>>
>>
>>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo <labaloops@yahoo.com> wrote:
>>      Hi gang,
>>      I once saw a guy in the streets playing=20
>>guitar and he had some sort of foot tamborine
>>      where he could stomp and accompany=20
>>himself,does anybody know where i can find
>>      something like this?
>>
>>
>>
>>
>>      cheers
>>      www.myspace.com/luisangulocom
>>
>>  __________________________________________________
>>  Do You Yahoo!?
>>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber=20
>>einen herausragenden Schutz gegen
>>  Massenmails.
>>  http://mail.yahoo.com
>>
>>
>>


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky

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Reply-To: <h.s.b.c.ghana@neu.com.cn>
From: "Dr. Peter Brown" <h.s.b.c.ghana@neu.com.cn>
Subject: SWIFT TRANSFER OF US$ 3 MILLION INTEREST INTO YOUR ACCOUNT.
Date: Mon, 1 Feb 2010 18:19:07 -0000
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From: HSBC BANK GHANA
International transfer
Processing Department
Accra Ghana
1st. Feb 2010

Dear Beneficiary 
RE: SWIFT TRANSFER OF US$ 3 MILLION INTEREST INTO YOUR ACCOUNT.

>From International/Treasury Department HSBC Bank Accra Ghana, your over -due contract/inheritance fund was brought to our bank from Economic Community Of West Africa States (ECOWAS) Foreign Contractor Payment Panel made of with the following countries: Nigeria, Ghana, Togo, Rep. Benin, Senegal, Ivory-coast, Gambia, Mali, etc. (ECOWAS), and after sometime, They call the fund back to their treasury in World Bank. For the period of time, this money was in our bank, it generated an interest of US$ 3 Million, which we considered your long suffering as one of the West African Countries contractor that have not received his/her payment and we decide to pay you via Telegraphic Wire Transfer (TT) for all outstanding contract/inheritance funds.

Be advice to expedite action urgently to ensure the swift transfer of your over-due contract/inheritance fund into your bank account, because the BANK OF GHANA (BOG) wants the accrued interest to be paid to them, but we refused because of the instruction we received from the United Nation monitoring fund.(IMF). 

Note that if the Bank of Ghana (BOG) officials find out that your accrued interest funds is still outstanding in our bank they will like to recall back these fund into Federal Reserve Treasury (FRT) as an Escrow account and unclaimed funds to the Government.

Heed to reconfirm your identification( your full name, country of Origin, age, marital status and occupation), then your telephone and fax number for easy communication with your milling address to ensure immediate transfer of these funds as scheduled without any further impediments.

It is deemed necessary you facilitate swift transfer of these funds into your account, because the (BOG) auditors do come to our bank to cross-check our file and our financial updates.

As a matter of fact we do not have enough time to waist since we are also getting in contact with our respective customers. So try and comply with the necessary remittance requirements to ensure the swift release of these funds into your account by sending you a transfer confirmation slip to enable you notify your bank about the incoming funds.

We await your response to this email address (h.s.b.c.ghana@neu.com.cn) for more clarification.

Best Regards,

Dr. Peter Brown,
Head of Treasury Department
Hsbc Bank Accra Ghana.
Tell:+233-205633682

From h.s.b.c.ghana@neu.com.cn  Tue Feb  2 04:01:41 2010
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Reply-To: <h.s.b.c.ghana@neu.com.cn>
From: "Dr. Peter Brown" <h.s.b.c.ghana@neu.com.cn>
Subject: SWIFT TRANSFER OF US$ 3 MILLION INTEREST INTO YOUR ACCOUNT.
Date: Mon, 1 Feb 2010 18:19:07 -0000
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From: HSBC BANK GHANA
International transfer
Processing Department
Accra Ghana
1st. Feb 2010

Dear Beneficiary 
RE: SWIFT TRANSFER OF US$ 3 MILLION INTEREST INTO YOUR ACCOUNT.

>From International/Treasury Department HSBC Bank Accra Ghana, your over -due contract/inheritance fund was brought to our bank from Economic Community Of West Africa States (ECOWAS) Foreign Contractor Payment Panel made of with the following countries: Nigeria, Ghana, Togo, Rep. Benin, Senegal, Ivory-coast, Gambia, Mali, etc. (ECOWAS), and after sometime, They call the fund back to their treasury in World Bank. For the period of time, this money was in our bank, it generated an interest of US$ 3 Million, which we considered your long suffering as one of the West African Countries contractor that have not received his/her payment and we decide to pay you via Telegraphic Wire Transfer (TT) for all outstanding contract/inheritance funds.

Be advice to expedite action urgently to ensure the swift transfer of your over-due contract/inheritance fund into your bank account, because the BANK OF GHANA (BOG) wants the accrued interest to be paid to them, but we refused because of the instruction we received from the United Nation monitoring fund.(IMF). 

Note that if the Bank of Ghana (BOG) officials find out that your accrued interest funds is still outstanding in our bank they will like to recall back these fund into Federal Reserve Treasury (FRT) as an Escrow account and unclaimed funds to the Government.

Heed to reconfirm your identification( your full name, country of Origin, age, marital status and occupation), then your telephone and fax number for easy communication with your milling address to ensure immediate transfer of these funds as scheduled without any further impediments.

It is deemed necessary you facilitate swift transfer of these funds into your account, because the (BOG) auditors do come to our bank to cross-check our file and our financial updates.

As a matter of fact we do not have enough time to waist since we are also getting in contact with our respective customers. So try and comply with the necessary remittance requirements to ensure the swift release of these funds into your account by sending you a transfer confirmation slip to enable you notify your bank about the incoming funds.

We await your response to this email address (h.s.b.c.ghana@neu.com.cn) for more clarification.

Best Regards,

Dr. Peter Brown,
Head of Treasury Department
Hsbc Bank Accra Ghana.
Tell:+233-205633682

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 04:16:20 2010
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	 <634826.12662.qm@web52803.mail.re2.yahoo.com>
Date: Mon, 1 Feb 2010 20:16:19 -0800
Message-ID: <588ce11d1002012016t53dafe4ex3399a987c1cc3afd@mail.gmail.com>
Subject: Re: LP-2 - Peter Hayes of BRMC (Black Rebel Motorcycle Club) jamming 
	with Rick Walker
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502bcc520f2d2047e965de8
Content-Type: text/plain; charset=ISO-8859-1

Love it!

Thanks, The guys (both of them) got soul.

On Mon, Feb 1, 2010 at 7:12 PM, Candc Hoffman/Traxler <
candcmesingandplay@yahoo.com> wrote:

> Just found this on YouTube
>
> http://www.youtube.com/watch?v=LzDZXwE9GA8
>
> Fun stuff!
>
> Christian Hoffman
> www.myspace.com/dramock
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00504502bcc520f2d2047e965de8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Love it! <br><br>Thanks, The guys (both of them) got soul.<br><br><div clas=
s=3D"gmail_quote">On Mon, Feb 1, 2010 at 7:12 PM, Candc Hoffman/Traxler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:candcmesingandplay@yahoo.com">candcmes=
ingandplay@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: bookman old style,new york,times,serif; font-size: 12pt;">=
<div style=3D"font-family: times new roman,new york,times,serif; font-size:=
 12pt;">
Just found this on YouTube<br><br><span><a href=3D"http://www.youtube.com/w=
atch?v=3DLzDZXwE9GA8" target=3D"_blank">http://www.youtube.com/watch?v=3DLz=
DZXwE9GA8</a></span><br><br>Fun stuff!<br><br><span></span>Christian Hoffma=
n<br>
<span><a href=3D"http://www.myspace.com/dramock" target=3D"_blank">www.mysp=
ace.com/dramock</a></span><br>



      </div>

</div><br>



      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<b=
r><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot]=
 com/artsimon<br>

--00504502bcc520f2d2047e965de8--

From ekwe2011@att.net  Tue Feb  2 05:34:18 2010
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Date: Mon, 1 Feb 2010 21:34:11 -0800 (PST)
From: "MR. JOHN ABBEY" <ekwe2011@att.net>
Reply-To: mrjohnremmvmg@aol.com
Subject: AWAIT FOR YOUR KIND RESPONSE.
To: undisclosed recipients: ;
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--0-1755528476-1265088851=:15007
Content-Type: text/plain; charset=us-ascii



Mr. John Abbey
Branch Manager
Standard Chartered Bank
Takoradi Ghana
My Private Tel: (+233 261 581 596)

Esteemed Compliments,

I anticipate that you read this mail quickly and let me know your opinion or willingness on this classified information that I will release to you.

Firstly, I am a happily married man with 4 kids and therefore I would not want to jeopardize this opportunity to change my financial status that will give my family a secured future.

I am Mr. John Abbey, the branch manager of the Standard Chartered Bank Of Ghana, Takoradi Branch . I got your information during my search through the Internet. I am 47 years of age and married with 4 lovely kids. It may interest you to hear that I am a man of PEACE and don't want any problem, but I don't know how you will feel about this, but I am telling you that this is real and you are not going to regret after doing this transaction with me. I only hope we can assist each other. But If you don't want this business offer kindly forget it as I will not contact you again.

I have packaged a financial transaction that will benefit both of us, as the Regional manager of the Standard Chartered Bank Of Ghana, Takoradi Branch; It is my duty to send in a financial report to my head office in the capital city Accra-Ghana at the end of each year. On the course of the year 2008 end of year report, I discovered that my branch in which I am the Manager made Seven Million Six Hundred and Fifty Thousand Dollar [$7,650.000.00] which my head office are not aware of and they will never be aware of, Nor must they know that I am involved in this transaction.

I have since place this fund on what we call SUSPENSE OR ESCROW ACCOUNT without any beneficiary. As an officer of the bank I can not be directly connected to this money, so this informed my contacting you for us to work so that you can assist receive this money into your bank account for us to SHARE, while you will have 35% of the total fund.

Note there are practically no risk involved, it will be bank to bank transfer, all I need from you is to stand claim as the rightful depositor of this fund who made the deposit with our branch so that my Head office can order the transfer to your designated bank account. If you accept this offer to work with me, I will appreciate it very much. As soon as I receive your kind response, I will give you details on how we can achieve it successfully. Please to proceed with me in this transaction i will appreciate if you provide me this information mentioned below.

1) Full Name
2) Occupation
3) Age:
4) Telephone Number/fax
5) Your Country of Origin:
6) Sex/ Marital Status:
7) Contact Address:

Thank you in advance and bless you and your family.

Yours truly,
Mr. John Abbey.

--0-1755528476-1265088851=:15007
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br><span style="font-weight: bold;">Mr. John Abbey</span><br style="font-weight: bold;"><span style="font-weight: bold;">Branch Manager</span><br style="font-weight: bold;"><span style="font-weight: bold;">Standard Chartered Bank</span><br style="font-weight: bold;"><span style="font-weight: bold;">Takoradi Ghana</span><br style="font-weight: bold;"><span style="font-weight: bold;">My Private Tel: (+233 261 581 596)</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Esteemed Compliments,</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">I anticipate that you read this mail quickly and let me know your opinion or willingness on this classified information that I will release to you.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span
 style="font-weight: bold;">Firstly, I am a happily married man with 4 kids and therefore I would not want to jeopardize this opportunity to change my financial status that will give my family a secured future.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">I am Mr. John Abbey, the branch manager of the Standard Chartered Bank Of Ghana, Takoradi Branch . I got your information during my search through the Internet. I am 47 years of age and married with 4 lovely kids. It may interest you to hear that I am a man of PEACE and don't want any problem, but I don't know how you will feel about this, but I am telling you that this is real and you are not going to regret after doing this transaction with me. I only hope we can assist each other. But If you don't want this business offer kindly forget it as I will not contact you again.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span
 style="font-weight: bold;">I have packaged a financial transaction that will benefit both of us, as the Regional manager of the Standard Chartered Bank Of Ghana, Takoradi Branch; It is my duty to send in a financial report to my head office in the capital city Accra-Ghana at the end of each year. On the course of the year 2008 end of year report, I discovered that my branch in which I am the Manager made Seven Million Six Hundred and Fifty Thousand Dollar [$7,650.000.00] which my head office are not aware of and they will never be aware of, Nor must they know that I am involved in this transaction.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">I have since place this fund on what we call SUSPENSE OR ESCROW ACCOUNT without any beneficiary. As an officer of the bank I can not be directly connected to this money, so this informed my contacting you for us to work so that you can assist receive this
 money into your bank account for us to SHARE, while you will have 35% of the total fund.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Note there are practically no risk involved, it will be bank to bank transfer, all I need from you is to stand claim as the rightful depositor of this fund who made the deposit with our branch so that my Head office can order the transfer to your designated bank account. If you accept this offer to work with me, I will appreciate it very much. As soon as I receive your kind response, I will give you details on how we can achieve it successfully. Please to proceed with me in this transaction i will appreciate if you provide me this information mentioned below.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">1) Full Name</span><br style="font-weight: bold;"><span style="font-weight: bold;">2) Occupation</span><br
 style="font-weight: bold;"><span style="font-weight: bold;">3) Age:</span><br style="font-weight: bold;"><span style="font-weight: bold;">4) Telephone Number/fax</span><br style="font-weight: bold;"><span style="font-weight: bold;">5) Your Country of Origin:</span><br style="font-weight: bold;"><span style="font-weight: bold;">6) Sex/ Marital Status:</span><br style="font-weight: bold;"><span style="font-weight: bold;">7) Contact Address:</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Thank you in advance and bless you and your family.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Yours truly,</span><br style="font-weight: bold;"><span style="font-weight: bold;">Mr. John Abbey.</span><br style="font-weight: bold;"></td></tr></table>
--0-1755528476-1265088851=:15007--

From g54h54@yahoo.com.hk  Tue Feb  2 05:38:24 2010
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Message-ID: <22904.196.46.245.21.1265084595.squirrel@196.46.245.21>
Date: Tue, 2 Feb 2010 11:23:15 +0700 (WIT)
Subject: CONTACT BROWN
From: "Hugh Brown" <g54h54@yahoo.com.hk>
Reply-To: hu_brown35@yahoo.com.hk
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For Your Attention.


Sequel to your non response of our earlier letter to you on behalf Of the
trustees and Executors to the Will of our late client. I wish to notify
you that we are listing you as a beneficiary to the total sum of 10.2M
pounds (Ten Million Two Hundred Thousand pounds) in the codicil and last
testament of the deceased. Until his death he was a major share holder in
big companies which include textile and construction companies.


He was a very great philanthropist during his life time. He died on 28th
January 2007 at the age of 78. Even though he was a foreigner living and
working here he requested before his death that he be buried here in his
words, "I regard here as My home and the people as my people" We therefore
reckoned that you can receive this funds as you are qualified by your name
identity. All the legal papers will be processed on your response.


In your acceptance of this deal, we request that you kindly forward any
proof of identities of yours, your current telephone and fax numbers and
forwarding address to enable us file necessary documents at our high court
probate division for the release of this sum of money.


I await your reply soon.


Yours faithfully,

Hugh Brown

From aticagentdiplom@yahoo.fr  Tue Feb  2 05:45:04 2010
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Attention ,
  
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 Amount: $7000 USD
  
 Be advise that the $110 is a compulsory as they told me that is  only money you will pay until you receive your payment completely,And you hvae to re-confirm your full Name and home address and direct phone number to avoide any wrong depoiste okay.
 I am waiting for your call once you pick up this $7000.00 usd,Please email me your direct telephone number because I need to be calling you once we send any payment for the informations.
 Thank,
Mr Obi Ben.

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Subject: Re: LaFosse about EDP in 2003 (was: Can two EDP's do this? How?)
Date: Tue, 2 Feb 2010 03:17:39 -0300
References: <4B65C2CB.6020707@covad.net><9ab0c76f1002010027r680f7175yecd64e38896ba0d6@mail.gmail.com> <750624581-1265023337-cardhu_decombobulator_blackberry.rim.net-2089880820-@bda118.bisx.prod.on.blackberry> <4B66BF47.2000506@tiscali.co.uk>
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> folkstone57@tmo.blackberry.net wrote:
>> Hello All
>> Could someone give a overview of an EDP for those of us not  
>> familliar with this gadget?
>> Mark Showalter

On 1 Feb 2010, at 08:47, andy butler wrote:

> http://loopers-delight.com/tools/echoplex/echoplex.html
>
> http://www.gibson.com/en-us/Divisions/Gibson%20Pro%20Audio/Echoplex/
>
> interesting question though,
>
> how to sum up it's uniqueness.

yes, I felt I should say something. but I said so much already... I  
will try to sum it up eventually!

but now, looking for other stuff, I stumbled over a text written by  
our genius Andre and I hope he does not mind if I repost it.
the first part describes a EDP typical technique,
the second part is a more general impression:
***************************
11-01-2003 Andre LaFosse at Talkbass

Hello bass-playing people,

MKS said,

I'm a little unclear about what Andre refers to as "Remultiplying" and  
how he achieves "Loop Windowing".

Think of it this way:

1. If you multiply an initial loop, then each multiple of that loop is  
called a "cycle" in EDP-speak. Example: a two-second loop multiplied  
four times creates an 8-second loop, made up of four cycles (multiples  
of the original loop.)

2. "Remultiplying" is the process of altering the number of cycles in  
the loop, after multiplying them out initially. So, the four-cycle  
loop in the example above could be shortened, by remultiplying it back  
down to one, two, or three cycles.

(The loop length could also be increased, by remultiplying it out to a  
number of cycles greater than four. It could basically be any number  
of cycles you like - 16, 11, 39... so long as you have enough memory  
in your given loop.)

3. "Windowing" in its most basic form involves remultiplying a loop  
down to a smaller number of cycles, and then using the "undo" button  
to scroll through material which was contained in the other cycles  
which you got rid of (by remultiplying down).

Windowing might make more sense if you think of sheet music: say  
you've got a four-measure pattern, with a repeat sign at the end of  
the fourth bar (a loop!). Then say that you get rid of measures two  
through four, so that you're just repeating the first measure. That's  
remultiplying.

And by hitting undo on the EDP after you remultiply, you're  
effectively dropping fragments of those other three measures back into  
the loop - hence the name "windowing."


Remultiplying (my guess):
MoreLoops>1, Switchquant=ON
Press Nextloop then use Multiply to select how many cycles to take  
forward into the next loop in the "lame duck" period (their words!).


You're on the right basic track - when you copy a loop into another  
loop location, the EDP does treat it like you're multiplying. So as  
soon as loop copying begins, you can basically think of the process in  
the same way that I described remuliplying above.

(The one caveat is that windowing won't be quite as effective in the  
copied loop, because when you copy a loop you effectively "wipe the  
memory" clean in the new loop. In other words, you get the audio  
content, but you can't undo back beyond whatever is in the loop when  
you make the copy.)


It strikes me that the INSERT and MULTIPLY functions are the ones that  
need most study by an EDP newbie. They're very deep...

They are indeed deep, but whether or not they're priority functions  
depends on what you're interested in accomplishing, both in a  
technical sense and in an aesthetic one.

For instance, Matthias Grob (EDP inventor and Pillow Mountain  
recording artist!) uses feedback all the time - so much so that he  
dedicated 25% of the EDP's processing power just to regulating  
feedback, so that it'll sound smooth and musical. There are lots of  
ways to use feedback - fading an entire loop out is the most obvious  
and common way, but there's all sorts of more subtle ways to change  
the content or development in just one part of a loop, or to evolve  
the loop in different ways.

I hardly ever use feedback, and Matthias never uses the replace  
function (which I use all the time). They're sort of polar opposites  
in terms of the sound they produce, and the differences between what  
Matthias and I (for example) gravitate towards are based on what kind  
of sounds we like to hear, and how we use the EDP to get those musical  
results.

The best recommendation I can give for digging into the EDP is to work  
across the front panel function buttons from left to right. The  
interface isn't just an arbitrary collection of buttons - there's a  
very deep and carefully thought-out order to the controls, and each  
new function builds on concepts and principles that are introduced in  
previous ones, and which permeate the EDP as a whole. There's a load  
of stuff to be had with just record, overdub, and multiply that is  
utterly unique to the Echoplex...

Anyway, I hope this helps clarify things... (And hi to Steve, Michael,  
Max, and any other familiar folks who might be reading....)

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 06:19:54 2010
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	 <p06240804c78d519500bb@192.168.2.3>
Date: Tue, 2 Feb 2010 08:19:52 +0200
Message-ID: <c70841111002012219i119ef80ke79950eb2cf2ac2e@mail.gmail.com>
Subject: Re: Foot tamborine / Forum Needed!
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d77e5efb7048047e9816a0
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Thumbs up here too for the forum! This mailing list definitely confuses the
order of the conversations, which is kind of nice and random sometimes :-)
but would be a bit more 21st century to have a forum :-)

Peace,

-Petri-



2010/2/2 Charles Zwicky <cazwicky@earthlink.net>

> I  also think this email list is cumbersome and annoying..  someone start=
s
> talking (for instance) about tuning in fifths (which I've done for 20 yea=
rs)
> and nobody gets  too reply because it becomes old news in a sea of email =
..
> except for two guys who pick a fight about it... and go so far off topic
> that nobody dares restate the purpose...
>
> But there already IS a Looping Forum...
>
> http://loopingmusic.proboards99.com/index.cgi
>
>  but you know loopers, they tend to like the same old same old same old
> same old same old same old same old same old same old same old same old s=
ame
> old same old same old same old same old same old same old same old....
>
>
>  I'm going to have to agree with this.  I really love this forum, but can
>> only check it every few
>> days and end up with a ton of email.  I end up filtering it to a folder
>> and usually have
>> troubles trying to follow the order of the emails....
>>
>> My day gig is web developer, if the moderators of the mail list would li=
ke
>> to put together a
>> forum, I could set it up.  Just contact me at baub@baub.com and I would
>> be happy to help
>> out.
>>
>> Baub
>>
>>
>> On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>>
>>
>>>  Why doesn't loopers delight have a forum rather than this email list?
>>>
>>>
>>>  Please consider a forum, I'm unsubscribing from the email
>>> list.------------------------
>>>  Russell Kirk Pirlo
>>>  424-757-4756
>>>
>>>
>>>
>>>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo <labaloops@yahoo.com> wrote=
:
>>>     Hi gang,
>>>     I once saw a guy in the streets playing guitar and he had some sort
>>> of foot tamborine
>>>     where he could stomp and accompany himself,does anybody know where =
i
>>> can find
>>>     something like this?
>>>
>>>
>>>
>>>
>>>     cheers
>>>     www.myspace.com/luisangulocom
>>>
>>>  __________________________________________________
>>>  Do You Yahoo!?
>>>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden =
Schutz
>>> gegen
>>>  Massenmails.
>>>  http://mail.yahoo.com
>>>
>>>
>>>
>>>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d77e5efb7048047e9816a0
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Thumbs up here too for the forum! This mailing list definitely confuses the=
 order of the conversations, which is kind of nice and random sometimes :-)=
<br>but would be a bit more 21st century to have a forum :-)<br><br>Peace, =
<br>
<br>-Petri-<br><br><br><br><div class=3D"gmail_quote">2010/2/2 Charles Zwic=
ky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky=
@earthlink.net</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">
I =A0also think this email list is cumbersome and annoying.. =A0someone sta=
rts talking (for instance) about tuning in fifths (which I&#39;ve done for =
20 years) and nobody gets =A0too reply because it becomes old news in a sea=
 of email .. except for two guys who pick a fight about it... and go so far=
 off topic that nobody dares restate the purpose...<br>

<br>
But there already IS a Looping Forum...<br>
<br>
<a href=3D"http://loopingmusic.proboards99.com/index.cgi" target=3D"_blank"=
>http://loopingmusic.proboards99.com/index.cgi</a><br>
<br>
=A0but you know loopers, they tend to like the same old same old same old s=
ame old same old same old same old same old same old same old same old same=
 old same old same old same old same old same old same old same old....<div=
>
<div></div><div class=3D"h5"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I&#39;m going to have to agree with this. =A0I really love this forum, but =
can only check it every few<br>
days and end up with a ton of email. =A0I end up filtering it to a folder a=
nd usually have<br>
troubles trying to follow the order of the emails....<br>
<br>
My day gig is web developer, if the moderators of the mail list would like =
to put together a<br>
forum, I could set it up. =A0Just contact me at <a href=3D"mailto:baub@baub=
.com" target=3D"_blank">baub@baub.com</a> and I would be happy to help<br>
out.<br>
<br>
Baub<br>
<br>
<br>
On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
=A0Why doesn&#39;t loopers delight have a forum rather than this email list=
?<br>
<br>
<br>
=A0Please consider a forum, I&#39;m unsubscribing from the email list.-----=
-------------------<br>
=A0Russell Kirk Pirlo<br>
=A0424-757-4756<br>
<br>
<br>
<br>
=A0On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo &lt;<a href=3D"mailto:labaloo=
ps@yahoo.com" target=3D"_blank">labaloops@yahoo.com</a>&gt; wrote:<br>
 =A0 =A0 Hi gang,<br>
 =A0 =A0 I once saw a guy in the streets playing guitar and he had some sor=
t of foot tamborine<br>
 =A0 =A0 where he could stomp and accompany himself,does anybody know where=
 i can find<br>
 =A0 =A0 something like this?<br>
<br>
<br>
<br>
<br>
 =A0 =A0 cheers<br>
 =A0 =A0 <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank"=
>www.myspace.com/luisangulocom</a><br>
<br>
=A0__________________________________________________<br>
=A0Do You Yahoo!?<br>
=A0Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen<br>
=A0Massenmails.<br>
=A0<a href=3D"http://mail.yahoo.com" target=3D"_blank">http://mail.yahoo.co=
m</a><br>
<br>
<br>
<br>
</blockquote></blockquote>
<br>
<br></div></div><font color=3D"#888888">
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d77e5efb7048047e9816a0--

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Subject: Re: Foot tamborine / Forum Needed!
References: <344240.30040.qm@web24308.mail.ird.yahoo.com> <2495d51b1001172013q2d607022n87d0911f05075f88@mail.gmail.com> <4B67617F.25645.315CD52C@baub.baub.com> <p06240804c78d519500bb@192.168.2.3> <c70841111002012219i119ef80ke79950eb2cf2ac2e@mail.gmail.com>
From: doc rossi <docittern@gmail.com>
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Date: Tue, 2 Feb 2010 07:32:23 +0100
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Someone should just set up a forum on ning.com - easy to use and =
maintain, free...

On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:

> Thumbs up here too for the forum! This mailing list definitely =
confuses the order of the conversations, which is kind of nice and =
random sometimes :-)
> but would be a bit more 21st century to have a forum :-)
>=20
> Peace,=20
>=20
> -Petri-
>=20
>=20
>=20
> 2010/2/2 Charles Zwicky <cazwicky@earthlink.net>
> I  also think this email list is cumbersome and annoying..  someone =
starts talking (for instance) about tuning in fifths (which I've done =
for 20 years) and nobody gets  too reply because it becomes old news in =
a sea of email .. except for two guys who pick a fight about it... and =
go so far off topic that nobody dares restate the purpose...
>=20
> But there already IS a Looping Forum...
>=20
> http://loopingmusic.proboards99.com/index.cgi
>=20
>  but you know loopers, they tend to like the same old same old same =
old same old same old same old same old same old same old same old same =
old same old same old same old same old same old same old same old same =
old....
>=20
>=20
> I'm going to have to agree with this.  I really love this forum, but =
can only check it every few
> days and end up with a ton of email.  I end up filtering it to a =
folder and usually have
> troubles trying to follow the order of the emails....
>=20
> My day gig is web developer, if the moderators of the mail list would =
like to put together a
> forum, I could set it up.  Just contact me at baub@baub.com and I =
would be happy to help
> out.
>=20
> Baub
>=20
>=20
> On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>=20
>=20
>  Why doesn't loopers delight have a forum rather than this email list?
>=20
>=20
>  Please consider a forum, I'm unsubscribing from the email =
list.------------------------
>  Russell Kirk Pirlo
>  424-757-4756
>=20
>=20
>=20
>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo <labaloops@yahoo.com> =
wrote:
>     Hi gang,
>     I once saw a guy in the streets playing guitar and he had some =
sort of foot tamborine
>     where he could stomp and accompany himself,does anybody know where =
i can find
>     something like this?
>=20
>=20
>=20
>=20
>     cheers
>     www.myspace.com/luisangulocom
>=20
>  __________________________________________________
>  Do You Yahoo!?
>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden =
Schutz gegen
>  Massenmails.
>  http://mail.yahoo.com
>=20
>=20
>=20
>=20
>=20
> --=20
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
>=20
>=20
>=20
> --=20
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert =
Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must =
lead." -Charles Bukowski-
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Someone should just set up a forum on <a =
href=3D"http://ning.com">ning.com</a> - easy to use and maintain, =
free...<div><br><div><div>On Feb 2, 2010, at 7:19 AM, Petri Lahtinen =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Thumbs up here too for the forum! This mailing list =
definitely confuses the order of the conversations, which is kind of =
nice and random sometimes :-)<br>but would be a bit more 21st century to =
have a forum :-)<br><br>Peace, <br>
<br>-Petri-<br><br><br><br><div class=3D"gmail_quote">2010/2/2 Charles =
Zwicky <span dir=3D"ltr">&lt;<a =
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</spa=
n><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt =
0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I &nbsp;also think this email list is cumbersome and annoying.. =
&nbsp;someone starts talking (for instance) about tuning in fifths =
(which I've done for 20 years) and nobody gets &nbsp;too reply because =
it becomes old news in a sea of email .. except for two guys who pick a =
fight about it... and go so far off topic that nobody dares restate the =
purpose...<br>

<br>
But there already IS a Looping Forum...<br>
<br>
<a href=3D"http://loopingmusic.proboards99.com/index.cgi" =
target=3D"_blank">http://loopingmusic.proboards99.com/index.cgi</a><br>
<br>
&nbsp;but you know loopers, they tend to like the same old same old same =
old same old same old same old same old same old same old same old same =
old same old same old same old same old same old same old same old same =
old....<div>
<div></div><div class=3D"h5"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I'm going to have to agree with this. &nbsp;I really love this forum, =
but can only check it every few<br>
days and end up with a ton of email. &nbsp;I end up filtering it to a =
folder and usually have<br>
troubles trying to follow the order of the emails....<br>
<br>
My day gig is web developer, if the moderators of the mail list would =
like to put together a<br>
forum, I could set it up. &nbsp;Just contact me at <a =
href=3D"mailto:baub@baub.com" target=3D"_blank">baub@baub.com</a> and I =
would be happy to help<br>
out.<br>
<br>
Baub<br>
<br>
<br>
On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
&nbsp;Why doesn't loopers delight have a forum rather than this email =
list?<br>
<br>
<br>
&nbsp;Please consider a forum, I'm unsubscribing from the email =
list.------------------------<br>
&nbsp;Russell Kirk Pirlo<br>
&nbsp;424-757-4756<br>
<br>
<br>
<br>
&nbsp;On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo &lt;<a =
href=3D"mailto:labaloops@yahoo.com" =
target=3D"_blank">labaloops@yahoo.com</a>&gt; wrote:<br>
 &nbsp; &nbsp; Hi gang,<br>
 &nbsp; &nbsp; I once saw a guy in the streets playing guitar and he had =
some sort of foot tamborine<br>
 &nbsp; &nbsp; where he could stomp and accompany himself,does anybody =
know where i can find<br>
 &nbsp; &nbsp; something like this?<br>
<br>
<br>
<br>
<br>
 &nbsp; &nbsp; cheers<br>
 &nbsp; &nbsp; <a href=3D"http://www.myspace.com/luisangulocom" =
target=3D"_blank">www.myspace.com/luisangulocom</a><br>
<br>
&nbsp;__________________________________________________<br>
&nbsp;Do You Yahoo!?<br>
&nbsp;Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen =
herausragenden Schutz gegen<br>
&nbsp;Massenmails.<br>
&nbsp;<a href=3D"http://mail.yahoo.com/" =
target=3D"_blank">http://mail.yahoo.com</a><br>
<br>
<br>
<br>
</blockquote></blockquote>
<br>
<br></div></div><font color=3D"#888888">
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net/" =
target=3D"_blank">http://www.zmix.net</a><br>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" =
target=3D"_blank">http://www.esession.com/ChuckZwicky</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri =
Lahtinen<br><a =
href=3D"http://www.petrilahtinen.com/">http://www.petrilahtinen.com</a><br=
><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.=
com/</a><br>
<a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a><br><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.=
com/</a><br>
---------------------------------------------------<br>"Only become =
professional musician if there is no choice." -Robert =
Fripp-<br>---------------------------------------------------<br>"Some =
people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-<br>
<br>
</blockquote></div><br></div></body></html>=

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Date: Tue, 2 Feb 2010 01:46:18 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Foot tamborine / Forum Needed!
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But there already IS a Looping Forum...

<http://loopingmusic.proboards99.com/index.cgi>http://loopingmusic.proboards=
99.com/index.cgi



>Someone should just set up a forum on=20
><http://ning.com>ning.com - easy to use and=20
>maintain, free...
>
>On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:
>
>>Thumbs up here too for the forum! This mailing=20
>>list definitely confuses the order of the=20
>>conversations, which is kind of nice and random=20
>>sometimes :-)
>>but would be a bit more 21st century to have a forum :-)
>>
>>Peace,
>>
>>-Petri-
>>
>>
>>2010/2/2 Charles Zwicky=20
>><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net>
>>
>>I  also think this email list is cumbersome and=20
>>annoying..  someone starts talking (for=20
>>instance) about tuning in fifths (which I've=20
>>done for 20 years) and nobody gets  too reply=20
>>because it becomes old news in a sea of email=20
>>.. except for two guys who pick a fight about=20
>>it... and go so far off topic that nobody dares=20
>>restate the purpose...
>>
>>But there already IS a Looping Forum...
>>
>><http://loopingmusic.proboards99.com/index.cgi>http://loopingmusic.proboar=
ds99.com/index.cgi
>>
>>  but you know loopers, they tend to like the=20
>>same old same old same old same old same old=20
>>same old same old same old same old same old=20
>>same old same old same old same old same old=20
>>same old same old same old same old....
>>
>>
>>I'm going to have to agree with this.  I really=20
>>love this forum, but can only check it every few
>>days and end up with a ton of email.  I end up=20
>>filtering it to a folder and usually have
>>troubles trying to follow the order of the emails....
>>
>>My day gig is web developer, if the moderators=20
>>of the mail list would like to put together a
>>forum, I could set it up.  Just contact me at=20
>><mailto:baub@baub.com>baub@baub.com and I would=20
>>be happy to help
>>out.
>>
>>Baub
>>
>>
>>On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>>
>>
>>  Why doesn't loopers delight have a forum rather than this email list?
>>
>>
>>  Please consider a forum, I'm unsubscribing=20
>>from the email list.------------------------
>>  Russell Kirk Pirlo
>>  424-757-4756
>>
>>
>>
>>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo=20
>><<mailto:labaloops@yahoo.com>labaloops@yahoo.com>=20
>>wrote:
>>     Hi gang,
>>     I once saw a guy in the streets playing=20
>>guitar and he had some sort of foot tamborine
>>     where he could stomp and accompany=20
>>himself,does anybody know where i can find
>>     something like this?
>>
>>
>>
>>
>>     cheers
>>     <http://www.myspace.com/luisangulocom>www.myspace.com/luisangulocom
>>
>>  __________________________________________________
>>  Do You Yahoo!?
>>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber=20
>>einen herausragenden Schutz gegen
>>  Massenmails.
>>  <http://mail.yahoo.com/>http://mail.yahoo.com
>>
>>
>>
>>
>>--
>>
>>...
>><http://www.zmix.net/>http://www.zmix.net
>>
>><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>>
>>
>>
>>
>>--
>>Petri Lahtinen
>><http://www.petrilahtinen.com/>http://www.petrilahtinen.com
>><http://petrilahtinen.blogspot.com/>http://petrilahtinen.blogspot.com/
>><http://www.myspace.com/petrilahtinen>http://www.myspace.com/petrilahtinen
>><http://twitter.com/PetriLahtinen>http://twitter.com/PetriLahtinen
>><http://petrilahtinen.bandcamp.com/>http://petrilahtinen.bandcamp.com/
>>---------------------------------------------------
>>"Only become professional musician if there is no choice." -Robert Fripp-
>>---------------------------------------------------
>>"Some people never go crazy. What truly=20
>>horrible lives they must lead." -Charles=20
>>Bukowski-


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-947029308==_ma============
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Foot tamborine / Forum
Needed!</title></head><body>
<blockquote>But there already IS a Looping Forum...</blockquote>
<blockquote><br></blockquote>
<blockquote><a
href=3D"http://loopingmusic.proboards99.com/index.cgi"
>http://loopingmusic.proboards99.com/index.cgi</a></blockquote>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite>Someone should just set up a forum on <a
href=3D"http://ning.com">ning.com</a> - easy to use and maintain,
free...</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>On Feb 2, 2010, at 7:19 AM, Petri
Lahtinen wrote:</blockquote>
<blockquote type=3D"cite" cite><br>
<blockquote type=3D"cite" cite>Thumbs up here too for the forum! This
mailing list definitely confuses the order of the conversations, which
is kind of nice and random sometimes :-)<br>
but would be a bit more 21st century to have a forum :-)<br>
<br>
Peace,<br>
<br>
-Petri-<br>
<br>
</blockquote>
<blockquote type=3D"cite" cite>2010/2/2 Charles Zwicky &lt;<a
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;<br
>
<blockquote>I &nbsp;also think this email list is cumbersome and
annoying.. &nbsp;someone starts talking (for instance) about tuning in
fifths (which I've done for 20 years) and nobody gets &nbsp;too reply
because it becomes old news in a sea of email .. except for two guys
who pick a fight about it... and go so far off topic that nobody dares
restate the purpose...<br>
</blockquote>
<blockquote>But there already IS a Looping Forum...<br>
<br>
<a
href=3D"http://loopingmusic.proboards99.com/index.cgi"
>http://loopingmusic.proboards99.com/index.cgi</a></blockquote>
<blockquote><br>
&nbsp;but you know loopers, they tend to like the same old same old
same old same old same old same old same old same old same old same
old same old same old same old same old same old same old same old
same old same old....</blockquote>
<blockquote><br>
<br>
<blockquote>I'm going to have to agree with this. &nbsp;I really love
this forum, but can only check it every few<br>
days and end up with a ton of email. &nbsp;I end up filtering it to a
folder and usually have<br>
troubles trying to follow the order of the emails....<br>
<br>
My day gig is web developer, if the moderators of the mail list would
like to put together a<br>
forum, I could set it up. &nbsp;Just contact me at <a
href=3D"mailto:baub@baub.com">baub@baub.com</a> and I would be happy to
help<br>
out.<br>
<br>
Baub<br>
<br>
<br>
On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:<br>
<blockquote><br>
&nbsp;Why doesn't loopers delight have a forum rather than this email
list?<br>
<br>
<br>
&nbsp;Please consider a forum, I'm unsubscribing from the email
list.------------------------<br>
&nbsp;Russell Kirk Pirlo<br>
&nbsp;424-757-4756<br>
<br>
<br>
<br>
&nbsp;On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo &lt;<a
href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;
wrote:<br>
&nbsp;&nbsp;&nbsp; Hi gang,<br>
&nbsp;&nbsp;&nbsp; I once saw a guy in the streets playing guitar and
he had some sort of foot tamborine<br>
&nbsp;&nbsp;&nbsp; where he could stomp and accompany himself,does
anybody know where i can find<br>
&nbsp;&nbsp;&nbsp; something like this?<br>
<br>
<br>
<br>
<br>
&nbsp;&nbsp;&nbsp; cheers<br>
&nbsp;&nbsp;&nbsp; <a
href=3D"http://www.myspace.com/luisangulocom"
>www.myspace.com/luisangulocom</a><br>
<br>
&nbsp;__________________________________________________<br>
&nbsp;Do You Yahoo!?<br>
&nbsp;Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen
herausragenden Schutz gegen<br>
&nbsp;Massenmails.<br>
&nbsp;<a href=3D"http://mail.yahoo.com/">http://mail.yahoo.com</a><br>
<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote><br>
<br>
</blockquote>
<blockquote><font color=3D"#888888">--<br>
<br>
=2E..<br>
</font><a href=3D"http://www.zmix.net/"><font
color=3D"#888888">http://www.zmix.net</font></a><font
color=3D"#888888"><br>
<br>
</font><a href=3D"http://www.esession.com/ChuckZwicky"><font
color=3D"#888888">http://www.esession.com/ChuckZwicky</font></a><br>
<font color=3D"#888888"></font></blockquote>
</blockquote>
<blockquote type=3D"cite" cite><br>
<br>
<br>
--<br>
Petri Lahtinen<br>
<a
href=3D"http://www.petrilahtinen.com/">http://www.petrilahtinen.com</a><br
>
<a
href=3D"http://petrilahtinen.blogspot.com/"
>http://petrilahtinen.blogspot.com/</a><br>
<a
href=3D"http://www.myspace.com/petrilahtinen"
>http://www.myspace.com/petrilahtinen</a><br>
<a
href=3D"http://twitter.com/PetriLahtinen"
>http://twitter.com/PetriLahtinen</a><br>
<a
href=3D"http://petrilahtinen.bandcamp.com/"
>http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot;
-Robert Fripp-<br>
---------------------------------------------------<br>
&quot;Some people never go crazy. What truly horrible lives they must
lead.&quot; -Charles Bukowski-</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-947029308==_ma============--

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Subject: Re: Foot tamborine / Forum Needed!
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Re: Foot tamborine / Forum Needed!yeah we caught that the first time.

t
  ----- Original Message -----=20
  From: Charles Zwicky=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, February 01, 2010 10:46 PM
  Subject: Re: Foot tamborine / Forum Needed!


    But there already IS a Looping Forum...


    http://loopingmusic.proboards99.com/index.cgi






    Someone should just set up a forum on ning.com - easy to use and =
maintain, free...


    On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:


      Thumbs up here too for the forum! This mailing list definitely =
confuses the order of the conversations, which is kind of nice and =
random sometimes :-)
      but would be a bit more 21st century to have a forum :-)

      Peace,

      -Petri-


      2010/2/2 Charles Zwicky <cazwicky@earthlink.net>

        I  also think this email list is cumbersome and annoying..  =
someone starts talking (for instance) about tuning in fifths (which I've =
done for 20 years) and nobody gets  too reply because it becomes old =
news in a sea of email .. except for two guys who pick a fight about =
it... and go so far off topic that nobody dares restate the purpose...

        But there already IS a Looping Forum...

        http://loopingmusic.proboards99.com/index.cgi

         but you know loopers, they tend to like the same old same old =
same old same old same old same old same old same old same old same old =
same old same old same old same old same old same old same old same old =
same old....



          I'm going to have to agree with this.  I really love this =
forum, but can only check it every few
          days and end up with a ton of email.  I end up filtering it to =
a folder and usually have
          troubles trying to follow the order of the emails....

          My day gig is web developer, if the moderators of the mail =
list would like to put together a
          forum, I could set it up.  Just contact me at baub@baub.com =
and I would be happy to help
          out.

          Baub


          On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:


             Why doesn't loopers delight have a forum rather than this =
email list?


             Please consider a forum, I'm unsubscribing from the email =
list.------------------------
             Russell Kirk Pirlo
             424-757-4756



             On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo =
<labaloops@yahoo.com> wrote:
                Hi gang,
                I once saw a guy in the streets playing guitar and he =
had some sort of foot tamborine
                where he could stomp and accompany himself,does anybody =
know where i can find
                something like this?




                cheers
                www.myspace.com/luisangulocom

             __________________________________________________
             Do You Yahoo!?
             Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen =
herausragenden Schutz gegen
             Massenmails.
             http://mail.yahoo.com





        --

        ...
        http://www.zmix.net

        http://www.esession.com/ChuckZwicky




      --
      Petri Lahtinen
      http://www.petrilahtinen.com
      http://petrilahtinen.blogspot.com/
      http://www.myspace.com/petrilahtinen
      http://twitter.com/PetriLahtinen
      http://petrilahtinen.bandcamp.com/
      ---------------------------------------------------
      "Only become professional musician if there is no choice." -Robert =
Fripp-
      ---------------------------------------------------
      "Some people never go crazy. What truly horrible lives they must =
lead." -Charles Bukowski-




--=20

  ...
  http://www.zmix.net

  http://www.esession.com/ChuckZwicky=

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<HTML><HEAD><TITLE>Re: Foot tamborine / Forum Needed!</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18372"></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>yeah we caught that the first =
time.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>t</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dcazwicky@earthlink.net =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, February 01, 2010 =
10:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Foot tamborine / =
Forum=20
  Needed!</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE>But there already IS a Looping Forum...</BLOCKQUOTE>
  <BLOCKQUOTE><BR></BLOCKQUOTE>
  <BLOCKQUOTE><A=20
    =
href=3D"http://loopingmusic.proboards99.com/index.cgi">http://loopingmusi=
c.proboards99.com/index.cgi</A></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE cite=3D"" type=3D"cite">Someone should just set up a forum =
on <A=20
    href=3D"http://ning.com">ning.com</A> - easy to use and maintain,=20
  free...</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><BR></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite">On Feb 2, 2010, at 7:19 AM, Petri =
Lahtinen=20
    wrote:</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><BR>
    <BLOCKQUOTE cite=3D"" type=3D"cite">Thumbs up here too for the =
forum! This=20
      mailing list definitely confuses the order of the conversations, =
which is=20
      kind of nice and random sometimes :-)<BR>but would be a bit more =
21st=20
      century to have a forum=20
:-)<BR><BR>Peace,<BR><BR>-Petri-<BR><BR></BLOCKQUOTE>
    <BLOCKQUOTE cite=3D"" type=3D"cite">2010/2/2 Charles Zwicky &lt;<A=20
      =
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</A>&gt;<BR>=

      <BLOCKQUOTE>I &nbsp;also think this email list is cumbersome and=20
        annoying.. &nbsp;someone starts talking (for instance) about =
tuning in=20
        fifths (which I've done for 20 years) and nobody gets &nbsp;too =
reply=20
        because it becomes old news in a sea of email .. except for two =
guys who=20
        pick a fight about it... and go so far off topic that nobody =
dares=20
        restate the purpose...<BR></BLOCKQUOTE>
      <BLOCKQUOTE>But there already IS a Looping Forum...<BR><BR><A=20
        =
href=3D"http://loopingmusic.proboards99.com/index.cgi">http://loopingmusi=
c.proboards99.com/index.cgi</A></BLOCKQUOTE>
      <BLOCKQUOTE><BR>&nbsp;but you know loopers, they tend to like the =
same=20
        old same old same old same old same old same old same old same =
old same=20
        old same old same old same old same old same old same old same =
old same=20
        old same old same old....</BLOCKQUOTE>
      <BLOCKQUOTE><BR><BR>
        <BLOCKQUOTE>I'm going to have to agree with this. &nbsp;I really =
love=20
          this forum, but can only check it every few<BR>days and end up =
with a=20
          ton of email. &nbsp;I end up filtering it to a folder and =
usually=20
          have<BR>troubles trying to follow the order of the=20
          emails....<BR><BR>My day gig is web developer, if the =
moderators of=20
          the mail list would like to put together a<BR>forum, I could =
set it=20
          up. &nbsp;Just contact me at <A=20
          href=3D"mailto:baub@baub.com">baub@baub.com</A> and I would be =
happy to=20
          help<BR>out.<BR><BR>Baub<BR><BR><BR>On 17 Jan 2010 at 23:13, =
Russell=20
          Kirk Pirlo wrote:<BR>
          <BLOCKQUOTE><BR>&nbsp;Why doesn't loopers delight have a forum =

            rather than this email list?<BR><BR><BR>&nbsp;Please =
consider a=20
            forum, I'm unsubscribing from the email=20
            list.------------------------<BR>&nbsp;Russell Kirk=20
            Pirlo<BR>&nbsp;424-757-4756<BR><BR><BR><BR>&nbsp;On Sun, Jan =
17,=20
            2010 at 11:12 PM, L.Angulo &lt;<A=20
            =
href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</A>&gt;=20
            wrote:<BR>&nbsp;&nbsp;&nbsp; Hi gang,<BR>&nbsp;&nbsp;&nbsp; =
I once=20
            saw a guy in the streets playing guitar and he had some sort =
of foot=20
            tamborine<BR>&nbsp;&nbsp;&nbsp; where he could stomp and =
accompany=20
            himself,does anybody know where i can =
find<BR>&nbsp;&nbsp;&nbsp;=20
            something like this?<BR><BR><BR><BR><BR>&nbsp;&nbsp;&nbsp;=20
            cheers<BR>&nbsp;&nbsp;&nbsp; <A=20
            =
href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisanguloc=
om</A><BR><BR>&nbsp;__________________________________________________<BR=
>&nbsp;Do=20
            You Yahoo!?<BR>&nbsp;Sie sind Spam leid? Yahoo! Mail =
verf=FCgt =FCber=20
            einen herausragenden Schutz =
gegen<BR>&nbsp;Massenmails.<BR>&nbsp;<A=20
            =
href=3D"http://mail.yahoo.com/">http://mail.yahoo.com</A><BR><BR></BLOCKQ=
UOTE></BLOCKQUOTE></BLOCKQUOTE>
      <BLOCKQUOTE><BR><BR></BLOCKQUOTE>
      <BLOCKQUOTE><FONT color=3D#888888>--<BR><BR>...<BR></FONT><A=20
        href=3D"http://www.zmix.net/"><FONT=20
        color=3D#888888>http://www.zmix.net</FONT></A><FONT=20
        color=3D#888888><BR><BR></FONT><A=20
        href=3D"http://www.esession.com/ChuckZwicky"><FONT=20
        =
color=3D#888888>http://www.esession.com/ChuckZwicky</FONT></A><BR><FONT=20
        color=3D#888888></FONT></BLOCKQUOTE></BLOCKQUOTE>
    <BLOCKQUOTE cite=3D"" type=3D"cite"><BR><BR><BR>--<BR>Petri =
Lahtinen<BR><A=20
      =
href=3D"http://www.petrilahtinen.com/">http://www.petrilahtinen.com</A><B=
R><A=20
      =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot=
.com/</A><BR><A=20
      =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petr=
ilahtinen</A><BR><A=20
      =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtine=
n</A><BR><A=20
      =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp=
.com/</A><BR>---------------------------------------------------<BR>"Only=
=20
      become professional musician if there is no choice." -Robert=20
      =
Fripp-<BR>---------------------------------------------------<BR>"Some=20
      people never go crazy. What truly horrible lives they must lead." =
-Charles=20
      Bukowski-</BLOCKQUOTE></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV><BR></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/ChuckZ=
wicky</DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_VTzS71pPWeVkobf1+XflPw)--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 11:02:58 2010
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	 <4B67617F.25645.315CD52C@baub.baub.com>
	 <p06240804c78d519500bb@192.168.2.3>
Date: Tue, 2 Feb 2010 12:02:56 +0100
Message-ID: <66f9cc1e1002020302m48dfe872n8937c89e58dd562f@mail.gmail.com>
Subject: Re: Foot tamborine / Forum Needed!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky <cazwicky@earthlink.net> wro=
te:
> I =C2=A0also think this email list is cumbersome and annoying.. =C2=A0som=
eone starts
> talking (for instance) about tuning in fifths (which I've done for 20 yea=
rs)
> and nobody gets =C2=A0too reply because it becomes old news in a sea of e=
mail ..
> except for two guys who pick a fight about it... and go so far off topic
> that nobody dares restate the purpose...


Currently Gmail is a good tool to stay out of that lost message disaster ;-=
))

I use Gmail for fora as well and set my forum account to duplicate
forum posts as emails. Gmail is very fast for sorting on-the-fly and
you only miss the spam mails.

I used Eudora, MS Office and Apples Mail but today Gmail is the one to
save me time that is better enjoyed with the Looper Delight.

For fora that do not support email duplication I use Bloglines Beta
RSS reader in the web browser. It is close to Gmail in speed; you
simply scann recent posts by clicking through the subject lines by the
spacebar. While doing so you get a short intro except text as well. If
something looks worth closer reading you cmd-shift click the subject
line to open the actual forum post/article/webpage as a new background
tab. After having scanned through the new stuff in Bloglines you end
up with about a dozen browser tabs for closer reading. You may read on
right away or keep it up until a free minute comes around later during
the day.

Greetings from Sweden

Per Boysen
- "Delete Button Saves Butt"

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 11:11:35 2010
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Date: Tue, 2 Feb 2010 13:11:32 +0200
Message-ID: <c70841111002020311h2dc2e6c6k297ba3b0e85b55f4@mail.gmail.com>
Subject: Re: Foot tamborine / Forum Needed!
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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"I use Gmail for fora as well and set my forum account to duplicate
forum posts as emails. Gmail is very fast for sorting on-the-fly and
you only miss the spam mails."

I tried to filter or used so-called "labels" but they wont move to a
folder...
every new thread appears in my inbox. the filter or labeling doesnt work.
maybe I just cant handle my gmail :-)

2010/2/2 Per Boysen <perboysen@gmail.com>

> On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky <cazwicky@earthlink.net>
> wrote:
> > I  also think this email list is cumbersome and annoying..  someone
> starts
> > talking (for instance) about tuning in fifths (which I've done for 20
> years)
> > and nobody gets  too reply because it becomes old news in a sea of email
> ..
> > except for two guys who pick a fight about it... and go so far off topic
> > that nobody dares restate the purpose...
>
>
> Currently Gmail is a good tool to stay out of that lost message disaster
> ;-))
>
> I use Gmail for fora as well and set my forum account to duplicate
> forum posts as emails. Gmail is very fast for sorting on-the-fly and
> you only miss the spam mails.
>
> I used Eudora, MS Office and Apples Mail but today Gmail is the one to
> save me time that is better enjoyed with the Looper Delight.
>
> For fora that do not support email duplication I use Bloglines Beta
> RSS reader in the web browser. It is close to Gmail in speed; you
> simply scann recent posts by clicking through the subject lines by the
> spacebar. While doing so you get a short intro except text as well. If
> something looks worth closer reading you cmd-shift click the subject
> line to open the actual forum post/article/webpage as a new background
> tab. After having scanned through the new stuff in Bloglines you end
> up with about a dozen browser tabs for closer reading. You may read on
> right away or keep it up until a free minute comes around later during
> the day.
>
> Greetings from Sweden
>
> Per Boysen
> - "Delete Button Saves Butt"
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6dab08218353a047e9c2aec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;I use Gmail for fora as well and set my forum account to duplicate<br=
>
forum posts as emails. Gmail is very fast for sorting on-the-fly and<br>
you only miss the spam mails.&quot;<br><br>I tried to filter or used so-cal=
led &quot;labels&quot; but they wont move to a folder...<br>every new threa=
d appears in my inbox. the filter or labeling doesnt work.<br>maybe I just =
cant handle my gmail :-)<br>
<br><div class=3D"gmail_quote">2010/2/2 Per Boysen <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky &lt;<a href=3D"mailto:cazwic=
ky@earthlink.net">cazwicky@earthlink.net</a>&gt; wrote:<br>
&gt; I =A0also think this email list is cumbersome and annoying.. =A0someon=
e starts<br>
&gt; talking (for instance) about tuning in fifths (which I&#39;ve done for=
 20 years)<br>
&gt; and nobody gets =A0too reply because it becomes old news in a sea of e=
mail ..<br>
&gt; except for two guys who pick a fight about it... and go so far off top=
ic<br>
&gt; that nobody dares restate the purpose...<br>
<br>
<br>
Currently Gmail is a good tool to stay out of that lost message disaster ;-=
))<br>
<br>
I use Gmail for fora as well and set my forum account to duplicate<br>
forum posts as emails. Gmail is very fast for sorting on-the-fly and<br>
you only miss the spam mails.<br>
<br>
I used Eudora, MS Office and Apples Mail but today Gmail is the one to<br>
save me time that is better enjoyed with the Looper Delight.<br>
<br>
For fora that do not support email duplication I use Bloglines Beta<br>
RSS reader in the web browser. It is close to Gmail in speed; you<br>
simply scann recent posts by clicking through the subject lines by the<br>
spacebar. While doing so you get a short intro except text as well. If<br>
something looks worth closer reading you cmd-shift click the subject<br>
line to open the actual forum post/article/webpage as a new background<br>
tab. After having scanned through the new stuff in Bloglines you end<br>
up with about a dozen browser tabs for closer reading. You may read on<br>
right away or keep it up until a free minute comes around later during<br>
the day.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
- &quot;Delete Button Saves Butt&quot;<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6dab08218353a047e9c2aec--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 11:13:22 2010
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References: <344240.30040.qm@web24308.mail.ird.yahoo.com>
	 <2495d51b1001172013q2d607022n87d0911f05075f88@mail.gmail.com>
	 <4B67617F.25645.315CD52C@baub.baub.com>
	 <p06240804c78d519500bb@192.168.2.3>
	 <66f9cc1e1002020302m48dfe872n8937c89e58dd562f@mail.gmail.com>
	 <c70841111002020311h2dc2e6c6k297ba3b0e85b55f4@mail.gmail.com>
Date: Tue, 2 Feb 2010 13:13:20 +0200
Message-ID: <c70841111002020313o4329103dx7d9f4ad199c59429@mail.gmail.com>
Subject: Re: Foot tamborine / Forum Needed!
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016e6d77d127fdd84047e9c3015
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--0016e6d77d127fdd84047e9c3015
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Matches: from:(Loopers-Delight@loopers-delight.com) to:(my e-mail)
Do this: Skip Inbox, Apply label "LOOPPAAJAT"

I've created this kind of filter in gmail...

On 2 February 2010 13:11, Petri Lahtinen <aikuinen@gmail.com> wrote:

> "I use Gmail for fora as well and set my forum account to duplicate
> forum posts as emails. Gmail is very fast for sorting on-the-fly and
> you only miss the spam mails."
>
> I tried to filter or used so-called "labels" but they wont move to a
> folder...
> every new thread appears in my inbox. the filter or labeling doesnt work.
> maybe I just cant handle my gmail :-)
>
> 2010/2/2 Per Boysen <perboysen@gmail.com>
>
> On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky <cazwicky@earthlink.net>
>> wrote:
>> > I  also think this email list is cumbersome and annoying..  someone
>> starts
>> > talking (for instance) about tuning in fifths (which I've done for 20
>> years)
>> > and nobody gets  too reply because it becomes old news in a sea of email
>> ..
>> > except for two guys who pick a fight about it... and go so far off topic
>> > that nobody dares restate the purpose...
>>
>>
>> Currently Gmail is a good tool to stay out of that lost message disaster
>> ;-))
>>
>> I use Gmail for fora as well and set my forum account to duplicate
>> forum posts as emails. Gmail is very fast for sorting on-the-fly and
>> you only miss the spam mails.
>>
>> I used Eudora, MS Office and Apples Mail but today Gmail is the one to
>> save me time that is better enjoyed with the Looper Delight.
>>
>> For fora that do not support email duplication I use Bloglines Beta
>> RSS reader in the web browser. It is close to Gmail in speed; you
>> simply scann recent posts by clicking through the subject lines by the
>> spacebar. While doing so you get a short intro except text as well. If
>> something looks worth closer reading you cmd-shift click the subject
>> line to open the actual forum post/article/webpage as a new background
>> tab. After having scanned through the new stuff in Bloglines you end
>> up with about a dozen browser tabs for closer reading. You may read on
>> right away or keep it up until a free minute comes around later during
>> the day.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> - "Delete Button Saves Butt"
>>
>>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d77d127fdd84047e9c3015
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Matches: <span class=3D"qW">from:(<a href=3D"mailto:Loopers-Delight@loopers=
-delight.com">Loopers-Delight@loopers-delight.com</a>)
 to:(my e-mail)</span><br>Do this: Skip Inbox, Apply=20
label &quot;LOOPPAAJAT&quot;<br><br>I&#39;ve created this kind of filter in=
 gmail...<br><br><div class=3D"gmail_quote">On 2 February 2010 13:11, Petri=
 Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:aikuinen@gmail.com">aikui=
nen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>&quot;I use Gmail for fora as well and set my forum account to duplicate<b=
r>

forum posts as emails. Gmail is very fast for sorting on-the-fly and<br>
you only miss the spam mails.&quot;<br><br></div>I tried to filter or used =
so-called &quot;labels&quot; but they wont move to a folder...<br>every new=
 thread appears in my inbox. the filter or labeling doesnt work.<br>maybe I=
 just cant handle my gmail :-)<br>

<br><div class=3D"gmail_quote">2010/2/2 Per Boysen <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com<=
/a>&gt;</span><div><div></div><div class=3D"h5"><br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">

On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky &lt;<a href=3D"mailto:cazwic=
ky@earthlink.net" target=3D"_blank">cazwicky@earthlink.net</a>&gt; wrote:<b=
r>
&gt; I =A0also think this email list is cumbersome and annoying.. =A0someon=
e starts<br>
&gt; talking (for instance) about tuning in fifths (which I&#39;ve done for=
 20 years)<br>
&gt; and nobody gets =A0too reply because it becomes old news in a sea of e=
mail ..<br>
&gt; except for two guys who pick a fight about it... and go so far off top=
ic<br>
&gt; that nobody dares restate the purpose...<br>
<br>
<br>
Currently Gmail is a good tool to stay out of that lost message disaster ;-=
))<br>
<br>
I use Gmail for fora as well and set my forum account to duplicate<br>
forum posts as emails. Gmail is very fast for sorting on-the-fly and<br>
you only miss the spam mails.<br>
<br>
I used Eudora, MS Office and Apples Mail but today Gmail is the one to<br>
save me time that is better enjoyed with the Looper Delight.<br>
<br>
For fora that do not support email duplication I use Bloglines Beta<br>
RSS reader in the web browser. It is close to Gmail in speed; you<br>
simply scann recent posts by clicking through the subject lines by the<br>
spacebar. While doing so you get a short intro except text as well. If<br>
something looks worth closer reading you cmd-shift click the subject<br>
line to open the actual forum post/article/webpage as a new background<br>
tab. After having scanned through the new stuff in Bloglines you end<br>
up with about a dozen browser tabs for closer reading. You may read on<br>
right away or keep it up until a free minute comes around later during<br>
the day.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
- &quot;Delete Button Saves Butt&quot;<br>
<br>
</font></blockquote></div></div></div><br><br clear=3D"all"><br>-- <br>Petr=
i Lahtinen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">ht=
tp://www.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.=
com/" target=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>

<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>

---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>

<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d77d127fdd84047e9c3015--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 12:18:25 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
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	id 4B0403BE8F; Tue,  2 Feb 2010 12:18:25 +0000 (UTC)
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From: Chris Sewell <lunamusic@mac.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
In-reply-to: <656A9B7F48CB4FF389581297C2EE6DFD@NORBY11>
X-Mailer: iPod Mail (7D11)
Subject: Re: Foot tamborine / Forum Needed!
Date: Tue, 02 Feb 2010 07:18:22 -0500
References: <344240.30040.qm@web24308.mail.ird.yahoo.com>
 <2495d51b1001172013q2d607022n87d0911f05075f88@mail.gmail.com>
 <4B67617F.25645.315CD52C@baub.baub.com> <p06240804c78d519500bb@192.168.2.3>
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Personally, I would love a Foot Tamborine Forum.

Sent from my iPod

On Feb 2, 2010, at 1:52 AM, Toby G <carpet8@mac.com> wrote:

> yeah we caught that the first time.
>
> t
> ----- Original Message -----
> From: Charles Zwicky
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, February 01, 2010 10:46 PM
> Subject: Re: Foot tamborine / Forum Needed!
>
> But there already IS a Looping Forum...
>
> http://loopingmusic.proboards99.com/index.cgi
>
>
>
>> Someone should just set up a forum on ning.com - easy to use and =20
>> maintain, free...
>
>>
>
>> On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:
>
>>
>>> Thumbs up here too for the forum! This mailing list definitely =20
>>> confuses the order of the conversations, which is kind of nice and =20=

>>> random sometimes :-)
>>> but would be a bit more 21st century to have a forum :-)
>>>
>>> Peace,
>>>
>>> -Petri-
>>>
>>
>>> 2010/2/2 Charles Zwicky <cazwicky@earthlink.net>
>>> I  also think this email list is cumbersome and annoying..  =20
>>> someone starts talking (for instance) about tuning in fifths =20
>>> (which I've done for 20 years) and nobody gets  too reply because =20=

>>> it becomes old news in a sea of email .. except for two guys who =20
>>> pick a fight about it... and go so far off topic that nobody dares =20=

>>> restate the purpose...
>>> But there already IS a Looping Forum...
>>>
>>> http://loopingmusic.proboards99.com/index.cgi
>>>
>>>  but you know loopers, they tend to like the same old same old =20
>>> same old same old same old same old same old same old same old =20
>>> same old same old same old same old same old same old same old =20
>>> same old same old same old....
>>>
>>>
>>> I'm going to have to agree with this.  I really love this forum, =20
>>> but can only check it every few
>>> days and end up with a ton of email.  I end up filtering it to a =20
>>> folder and usually have
>>> troubles trying to follow the order of the emails....
>>>
>>> My day gig is web developer, if the moderators of the mail list =20
>>> would like to put together a
>>> forum, I could set it up.  Just contact me at baub@baub.com and I =20=

>>> would be happy to help
>>> out.
>>>
>>> Baub
>>>
>>>
>>> On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>>>
>>>  Why doesn't loopers delight have a forum rather than this email =20
>>> list?
>>>
>>>
>>>  Please consider a forum, I'm unsubscribing from the =20
>>> email              list.------------------------
>>>  Russell Kirk Pirlo
>>>  424-757-4756
>>>
>>>
>>>
>>>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo <labaloops@yahoo.com> =20=

>>> wrote:
>>>     Hi gang,
>>>     I once saw a guy in the streets playing guitar and he had some =20=

>>> sort of foot tamborine
>>>     where he could stomp and accompany himself,does anybody know =20
>>> where i can find
>>>     something like this?
>>>
>>>
>>>
>>>
>>>     cheers
>>>     www.myspace.com/luisangulocom
>>>
>>>  __________________________________________________
>>>  Do You Yahoo!?
>>>  Sie sind Spam leid? Yahoo! Mail verf=C3=BCgt =C3=BCber einen =
herausragend=20
>>> en Schutz gegen
>>>  Massenmails.
>>>  http://mail.yahoo.com
>>>
>>>
>>>
>>> --
>>>
>>> ...
>>> http://www.zmix.net
>>>
>>> http://www.esession.com/ChuckZwicky
>>
>>>
>>>
>>>
>>> --
>>> Petri Lahtinen
>>> http://www.petrilahtinen.com
>>> http://petrilahtinen.blogspot.com/
>>> http://www.myspace.com/petrilahtinen
>>> http://twitter.com/PetriLahtinen
>>> http://petrilahtinen.bandcamp.com/
>>> ---------------------------------------------------
>>> "Only become professional musician if there is no choice." -Robert =20=

>>> Fripp-
>>> ---------------------------------------------------
>>> "Some people never go crazy. What truly horrible lives they must =20
>>> lead." -Charles Bukowski-
>
>
> --=20
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky

--Boundary_(ID_LqslS7VZLBAX1G5efkEy/w)
Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Personally, I would love a Foot =
Tamborine Forum.<br><br>Sent from my iPod</div><div><br>On Feb 2, 2010, =
at 1:52 AM, Toby G &lt;<a =
href=3D"mailto:carpet8@mac.com">carpet8@mac.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>

<div><font size=3D"2" face=3D"Arial">yeah we caught that the first =
time.</font></div>
<div><font size=3D"2" face=3D"Arial"></font>&nbsp;</div>
<div><font size=3D"2" face=3D"Arial">t</font></div>
<blockquote style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" dir=3D"ltr">
  <div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
  <div style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><b>From:</b>=20
  <a title=3D"cazwicky@earthlink.net" =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</a> </div>
  <div style=3D"FONT: 10pt arial"><b>To:</b> <a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></a>=20
  </div>
  <div style=3D"FONT: 10pt arial"><b>Sent:</b> Monday, February 01, 2010 =
10:46=20
  PM</div>
  <div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: Foot tamborine / =
Forum=20
  Needed!</div>
  <div><br></div>
  <blockquote>But there already IS a Looping Forum...</blockquote>
  <blockquote><br></blockquote>
  <blockquote><a href=3D"http://loopingmusic.proboards99.com/index.cgi"><a=
 =
href=3D"http://loopingmusic.proboards99.com/index.cgi">http://loopingmusic=
.proboards99.com/index.cgi</a></a></blockquote>
  <div><br></div>
  <div><br></div>
  <div><br></div>
  <blockquote cite=3D"" type=3D"cite">Someone should just set up a forum =
on <a href=3D"http://ning.com"><a =
href=3D"http://ning.com">ning.com</a></a> - easy to use and maintain,=20
  free...</blockquote>
  <blockquote cite=3D"" type=3D"cite"><br></blockquote>
  <blockquote cite=3D"" type=3D"cite">On Feb 2, 2010, at 7:19 AM, Petri =
Lahtinen=20
    wrote:</blockquote>
  <blockquote cite=3D"" type=3D"cite"><br>
    <blockquote cite=3D"" type=3D"cite">Thumbs up here too for the =
forum! This=20
      mailing list definitely confuses the order of the conversations, =
which is=20
      kind of nice and random sometimes :-)<br>but would be a bit more =
21st=20
      century to have a forum=20
:-)<br><br>Peace,<br><br>-Petri-<br><br></blockquote>
    <blockquote cite=3D"" type=3D"cite">2010/2/2 Charles Zwicky &lt;<a =
href=3D"mailto:cazwicky@earthlink.net"><a =
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a></a>&gt;<=
br>
      <blockquote>I &nbsp;also think this email list is cumbersome and=20=

        annoying.. &nbsp;someone starts talking (for instance) about =
tuning in=20
        fifths (which I've done for 20 years) and nobody gets &nbsp;too =
reply=20
        because it becomes old news in a sea of email .. except for two =
guys who=20
        pick a fight about it... and go so far off topic that nobody =
dares=20
        restate the purpose...<br></blockquote>
      <blockquote>But there already IS a Looping Forum...<br><br><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi"><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi">http://loopingmusic=
.proboards99.com/index.cgi</a></a></blockquote>
      <blockquote><br>&nbsp;but you know loopers, they tend to like the =
same=20
        old same old same old same old same old same old same old same =
old same=20
        old same old same old same old same old same old same old same =
old same=20
        old same old same old....</blockquote>
      <blockquote><br><br>
        <blockquote>I'm going to have to agree with this. &nbsp;I really =
love=20
          this forum, but can only check it every few<br>days and end up =
with a=20
          ton of email. &nbsp;I end up filtering it to a folder and =
usually=20
          have<br>troubles trying to follow the order of the=20
          emails....<br><br>My day gig is web developer, if the =
moderators of=20
          the mail list would like to put together a<br>forum, I could =
set it=20
          up. &nbsp;Just contact me at <a href=3D"mailto:baub@baub.com"><a=
 href=3D"mailto:baub@baub.com">baub@baub.com</a></a> and I would be =
happy to=20
          help<br>out.<br><br>Baub<br><br><br>On 17 Jan 2010 at 23:13, =
Russell=20
          Kirk Pirlo wrote:<br>
          <blockquote><br>&nbsp;Why doesn't loopers delight have a forum=20=

            rather than this email list?<br><br><br>&nbsp;Please =
consider a=20
            forum, I'm unsubscribing from the email=20
            list.------------------------<br>&nbsp;Russell Kirk=20
            Pirlo<br>&nbsp;424-757-4756<br><br><br><br>&nbsp;On Sun, Jan =
17,=20
            2010 at 11:12 PM, L.Angulo &lt;<a =
href=3D"mailto:labaloops@yahoo.com"><a =
href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a></a>&gt;=20
            wrote:<br>&nbsp;&nbsp;&nbsp; Hi gang,<br>&nbsp;&nbsp;&nbsp; =
I once=20
            saw a guy in the streets playing guitar and he had some sort =
of foot=20
            tamborine<br>&nbsp;&nbsp;&nbsp; where he could stomp and =
accompany=20
            himself,does anybody know where i can =
find<br>&nbsp;&nbsp;&nbsp;=20
            something like this?<br><br><br><br><br>&nbsp;&nbsp;&nbsp;=20=

            cheers<br>&nbsp;&nbsp;&nbsp; <a =
href=3D"http://www.myspace.com/luisangulocom"><a =
href=3D"http://www.myspace.com/luisangulocom">www.myspace.com/luisanguloco=
m</a></a><br><br>&nbsp;__________________________________________________<=
br>&nbsp;Do=20
            You Yahoo!?<br>&nbsp;Sie sind Spam leid? Yahoo! Mail =
verf=C3=BCgt =C3=BCber=20
            einen herausragenden Schutz =
gegen<br>&nbsp;Massenmails.<br>&nbsp;<a href=3D"http://mail.yahoo.com/"><a=
 =
href=3D"http://mail.yahoo.com">http://mail.yahoo.com</a></a><br><br></bloc=
kquote></blockquote></blockquote>
      <blockquote><br><br></blockquote>
      <blockquote><font color=3D"#888888">--<br><br>...<br></font><a =
href=3D"http://www.zmix.net/"><font =
color=3D"#888888">http://www.zmix.net</font></a><font =
color=3D"#888888"><br><br></font><a =
href=3D"http://www.esession.com/ChuckZwicky"><font =
color=3D"#888888">http://www.esession.com/ChuckZwicky</font></a><br><font =
color=3D"#888888"></font></blockquote></blockquote>
    <blockquote cite=3D"" type=3D"cite"><br><br><br>--<br>Petri =
Lahtinen<br><a href=3D"http://www.petrilahtinen.com/"><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/"><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.=
com/</a></a><br><a href=3D"http://www.myspace.com/petrilahtinen"><a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a></a><br><a href=3D"http://twitter.com/PetriLahtinen"><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a></a><br><a href=3D"http://petrilahtinen.bandcamp.com/"><a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.=
com/</a></a><br>---------------------------------------------------<br>"On=
ly=20
      become professional musician if there is no choice." -Robert=20
      =
Fripp-<br>---------------------------------------------------<br>"Some=20=

      people never go crazy. What truly horrible lives they must lead." =
-Charles=20
      Bukowski-</blockquote></blockquote>
  <div><br></div>
  <div><br></div><x-sigsep><pre>--=20
</pre></x-sigsep>
  <div><br>...<br><a =
href=3D"http://www.zmix.net">http://www.zmix.net</a><br><br>http://www.ese=
ssion.com/ChuckZwicky</div></blockquote>
</div></blockquote></body></html>=

--Boundary_(ID_LqslS7VZLBAX1G5efkEy/w)--

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Date: Tue, 2 Feb 2010 15:05:50 +0200
Message-ID: <c70841111002020505y603d8674k387f573bf6dd6b79@mail.gmail.com>
Subject: Re: Foot tamborine / Forum Needed!
From: Petri Lahtinen <aikuinen@gmail.com>
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--0016e6dab0ecd74fd0047e9dc2d0
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Ning.com would be quite a good choice for a platform...
(even for a Foot Tamborine forum :-)

2010/2/2 Chris Sewell <lunamusic@mac.com>

> Personally, I would love a Foot Tamborine Forum.
>
> Sent from my iPod
>
> On Feb 2, 2010, at 1:52 AM, Toby G <carpet8@mac.com> wrote:
>
> yeah we caught that the first time.
>
> t
>
> ----- Original Message -----
> *From:* Charles Zwicky <cazwicky@earthlink.net>
> *To:* <Loopers-Delight@loopers-delight.com>
> Loopers-Delight@loopers-delight.com
> *Sent:* Monday, February 01, 2010 10:46 PM
> *Subject:* Re: Foot tamborine / Forum Needed!
>
> But there already IS a Looping Forum...
>
>
>  <http://loopingmusic.proboards99.com/index.cgi>
> http://loopingmusic.proboards99.com/index.cgi
>
>
>
>
> Someone should just set up a forum on <http://ning.com>ning.com - easy to
> use and maintain, free...
>
>
> On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:
>
>
> Thumbs up here too for the forum! This mailing list definitely confuses t=
he
> order of the conversations, which is kind of nice and random sometimes :-=
)
> but would be a bit more 21st century to have a forum :-)
>
> Peace,
>
> -Petri-
>
> 2010/2/2 Charles Zwicky < <cazwicky@earthlink.net>cazwicky@earthlink.net>
>
> I  also think this email list is cumbersome and annoying..  someone start=
s
> talking (for instance) about tuning in fifths (which I've done for 20 yea=
rs)
> and nobody gets  too reply because it becomes old news in a sea of email =
..
> except for two guys who pick a fight about it... and go so far off topic
> that nobody dares restate the purpose...
>
> But there already IS a Looping Forum...
>
> <http://loopingmusic.proboards99.com/index.cgi>
> http://loopingmusic.proboards99.com/index.cgi
>
>
>  but you know loopers, they tend to like the same old same old same old
> same old same old same old same old same old same old same old same old s=
ame
> old same old same old same old same old same old same old same old....
>
>
>
> I'm going to have to agree with this.  I really love this forum, but can
> only check it every few
> days and end up with a ton of email.  I end up filtering it to a folder a=
nd
> usually have
> troubles trying to follow the order of the emails....
>
> My day gig is web developer, if the moderators of the mail list would lik=
e
> to put together a
> forum, I could set it up.  Just contact me at <baub@baub.com>baub@baub.co=
mand I would be happy to help
> out.
>
> Baub
>
>
> On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>
>
>  Why doesn't loopers delight have a forum rather than this email list?
>
>
>  Please consider a forum, I'm unsubscribing from the email
> list.------------------------
>  Russell Kirk Pirlo
>  424-757-4756
>
>
>
>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo < <labaloops@yahoo.com>
> labaloops@yahoo.com> wrote:
>     Hi gang,
>     I once saw a guy in the streets playing guitar and he had some sort o=
f
> foot tamborine
>     where he could stomp and accompany himself,does anybody know where i
> can find
>     something like this?
>
>
>
>
>     cheers
>     <http://www.myspace.com/luisangulocom>www.myspace.com/luisangulocom
>
>  __________________________________________________
>  Do You Yahoo!?
>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz
> gegen
>  Massenmails.
>   <http://mail.yahoo.com/>http://mail.yahoo.com
>
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
>
>
>
> --
>
> Petri Lahtinen
> <http://www.petrilahtinen.com/>http://www.petrilahtinen.com
> <http://petrilahtinen.blogspot.com/>http://petrilahtinen.blogspot.com/
> <http://www.myspace.com/petrilahtinen>http://www.myspace.com/petrilahtine=
n
> <http://twitter.com/PetriLahtinen>http://twitter.com/PetriLahtinen
> <http://petrilahtinen.bandcamp.com/>http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6dab0ecd74fd0047e9dc2d0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ning.com would be quite a good choice for a platform...<br>(even for a Foot=
 Tamborine forum :-)<br><br><div class=3D"gmail_quote">2010/2/2 Chris Sewel=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:lunamusic@mac.com">lunamusic@mac.=
com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>Personally, I would love a Foot Tamborine Forum.<br><br>Sent f=
rom my iPod</div>
<div><br>On Feb 2, 2010, at 1:52 AM, Toby G &lt;<a href=3D"mailto:carpet8@m=
ac.com" target=3D"_blank">carpet8@mac.com</a>&gt; wrote:<br><br></div><div>=
</div><blockquote type=3D"cite"><div>

<div><font face=3D"Arial" size=3D"2">yeah we caught that the first time.</f=
ont></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">t</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;" dir=3D"ltr">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"cazwicky@earthlink.net" href=3D"mailto:cazwicky@earthlink.net=
" target=3D"_blank">Charles=20
  Zwicky</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank"></a><a href=3D"mailto:Loopers-Delight@loopers-delight.com" t=
arget=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Monday, February 01, 2010 1=
0:46=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Foot tamborine / For=
um=20
  Needed!</div>
  <div><br></div>
  <blockquote>But there already IS a Looping Forum...</blockquote>
  <blockquote><br></blockquote>
  <blockquote><a href=3D"http://loopingmusic.proboards99.com/index.cgi" tar=
get=3D"_blank"></a><a href=3D"http://loopingmusic.proboards99.com/index.cgi=
" target=3D"_blank">http://loopingmusic.proboards99.com/index.cgi</a></bloc=
kquote>

  <div><br></div>
  <div><br></div>
  <div><br></div>
  <blockquote type=3D"cite">Someone should just set up a forum on <a href=
=3D"http://ning.com" target=3D"_blank"></a><a href=3D"http://ning.com" targ=
et=3D"_blank">ning.com</a> - easy to use and maintain,=20
  free...</blockquote>
  <blockquote type=3D"cite"><br></blockquote>
  <blockquote type=3D"cite">On Feb 2, 2010, at 7:19 AM, Petri Lahtinen=20
    wrote:</blockquote>
  <blockquote type=3D"cite"><br>
    <blockquote type=3D"cite">Thumbs up here too for the forum! This=20
      mailing list definitely confuses the order of the conversations, whic=
h is=20
      kind of nice and random sometimes :-)<br>but would be a bit more 21st=
=20
      century to have a forum=20
:-)<br><br>Peace,<br><br>-Petri-<br><br></blockquote>
    <blockquote type=3D"cite">2010/2/2 Charles Zwicky &lt;<a href=3D"mailto=
:cazwicky@earthlink.net" target=3D"_blank"></a><a href=3D"mailto:cazwicky@e=
arthlink.net" target=3D"_blank">cazwicky@earthlink.net</a>&gt;<div class=3D=
"im"><br>

      <blockquote>I =A0also think this email list is cumbersome and=20
        annoying.. =A0someone starts talking (for instance) about tuning in=
=20
        fifths (which I&#39;ve done for 20 years) and nobody gets =A0too re=
ply=20
        because it becomes old news in a sea of email .. except for two guy=
s who=20
        pick a fight about it... and go so far off topic that nobody dares=
=20
        restate the purpose...<br></blockquote>
      </div><blockquote>But there already IS a Looping Forum...<br><br><a h=
ref=3D"http://loopingmusic.proboards99.com/index.cgi" target=3D"_blank"></a=
><a href=3D"http://loopingmusic.proboards99.com/index.cgi" target=3D"_blank=
">http://loopingmusic.proboards99.com/index.cgi</a></blockquote>

      <blockquote><br>=A0but you know loopers, they tend to like the same=
=20
        old same old same old same old same old same old same old same old =
same=20
        old same old same old same old same old same old same old same old =
same=20
        old same old same old....</blockquote>
      <blockquote><br><br>
        <blockquote>I&#39;m going to have to agree with this. =A0I really l=
ove=20
          this forum, but can only check it every few<br>days and end up wi=
th a=20
          ton of email. =A0I end up filtering it to a folder and usually=20
          have<br>troubles trying to follow the order of the=20
          emails....<br><br>My day gig is web developer, if the moderators =
of=20
          the mail list would like to put together a<br>forum, I could set =
it=20
          up. =A0Just contact me at <a href=3D"mailto:baub@baub.com" target=
=3D"_blank"></a><a href=3D"mailto:baub@baub.com" target=3D"_blank">baub@bau=
b.com</a> and I would be happy to=20
          help<br>out.<br><br>Baub<br><br><br>On 17 Jan 2010 at 23:13, Russ=
ell=20
          Kirk Pirlo wrote:<br>
          <blockquote><br>=A0Why doesn&#39;t loopers delight have a forum=
=20
            rather than this email list?<br><br><br>=A0Please consider a=20
            forum, I&#39;m unsubscribing from the email=20
            list.------------------------<br>=A0Russell Kirk=20
            Pirlo<br>=A0424-757-4756<br><br><br><br>=A0On Sun, Jan 17,=20
            2010 at 11:12 PM, L.Angulo &lt;<a href=3D"mailto:labaloops@yaho=
o.com" target=3D"_blank"></a><a href=3D"mailto:labaloops@yahoo.com" target=
=3D"_blank">labaloops@yahoo.com</a>&gt;=20
            wrote:<br>=A0=A0=A0 Hi gang,<br>=A0=A0=A0 I once=20
            saw a guy in the streets playing guitar and he had some sort of=
 foot=20
            tamborine<br>=A0=A0=A0 where he could stomp and accompany=20
            himself,does anybody know where i can find<br>=A0=A0=A0=20
            something like this?<br><br><br><br><br>=A0=A0=A0=20
            cheers<br>=A0=A0=A0 <a href=3D"http://www.myspace.com/luisangul=
ocom" target=3D"_blank"></a><a href=3D"http://www.myspace.com/luisangulocom=
" target=3D"_blank">www.myspace.com/luisangulocom</a><br><br>=A0___________=
_______________________________________<br>
=A0Do=20
            You Yahoo!?<br>=A0Sie sind Spam leid? Yahoo! Mail verf=FCgt =FC=
ber=20
            einen herausragenden Schutz gegen<br>=A0Massenmails.<br>=A0<a h=
ref=3D"http://mail.yahoo.com/" target=3D"_blank"></a><a href=3D"http://mail=
.yahoo.com" target=3D"_blank">http://mail.yahoo.com</a><br><br></blockquote=
></blockquote>
</blockquote>
      <blockquote><br><br></blockquote>
      <blockquote><font color=3D"#888888">--<br><br>...<br></font><a href=
=3D"http://www.zmix.net/" target=3D"_blank"><font color=3D"#888888">http://=
www.zmix.net</font></a><font color=3D"#888888"><br><br></font><a href=3D"ht=
tp://www.esession.com/ChuckZwicky" target=3D"_blank"><font color=3D"#888888=
">http://www.esession.com/ChuckZwicky</font></a><br>
<font color=3D"#888888"></font></blockquote></blockquote>
    <blockquote type=3D"cite"><br><br><br>--<div class=3D"im"><br>Petri Lah=
tinen<br><a href=3D"http://www.petrilahtinen.com/" target=3D"_blank"></a><a=
 href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrila=
htinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank"></a><a hre=
f=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://petrilaht=
inen.blogspot.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen" =
target=3D"_blank"></a><a href=3D"http://www.myspace.com/petrilahtinen" targ=
et=3D"_blank">http://www.myspace.com/petrilahtinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank"></a><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/" target=
=3D"_blank"></a><a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_b=
lank">http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only=20
      become professional musician if there is no choice.&quot; -Robert=20
      Fripp-<br>---------------------------------------------------<br>&quo=
t;Some=20
      people never go crazy. What truly horrible lives they must lead.&quot=
; -Charles=20
      Bukowski-</div></blockquote></blockquote>
  <div><br></div>
  <div><br></div><pre>--=20
</pre>
  <div><br>...<br><a href=3D"http://www.zmix.net" target=3D"_blank">http://=
www.zmix.net</a><br><br><a href=3D"http://www.esession.com/ChuckZwicky" tar=
get=3D"_blank">http://www.esession.com/ChuckZwicky</a></div></blockquote>
</div></blockquote></div></blockquote></div><br><br clear=3D"all"><br>-- <b=
r>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http:/=
/petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Foot tamborine / Forum Needed!
Date: Tue, 2 Feb 2010 13:27:07 +0000
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i'd be up for a ning loopers network

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 2 Feb 2010, at 13:05, Petri Lahtinen wrote:

> Ning.com would be quite a good choice for a platform...
> (even for a Foot Tamborine forum :-)
>
> 2010/2/2 Chris Sewell <lunamusic@mac.com>
> Personally, I would love a Foot Tamborine Forum.
>
> Sent from my iPod
>
> On Feb 2, 2010, at 1:52 AM, Toby G <carpet8@mac.com> wrote:
>
>> yeah we caught that the first time.
>>
>> t
>> ----- Original Message -----
>> From: Charles Zwicky
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Monday, February 01, 2010 10:46 PM
>> Subject: Re: Foot tamborine / Forum Needed!
>>
>> But there already IS a Looping Forum...
>>
>> http://loopingmusic.proboards99.com/index.cgi
>>
>>
>>
>>> Someone should just set up a forum on ning.com - easy to use and =20
>>> maintain, free...
>>>
>>> On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:
>>>
>>>> Thumbs up here too for the forum! This mailing list definitely =20
>>>> confuses the order of the conversations, which is kind of nice =20
>>>> and random sometimes :-)
>>>> but would be a bit more 21st century to have a forum :-)
>>>>
>>>> Peace,
>>>>
>>>> -Petri-
>>>>
>>>> 2010/2/2 Charles Zwicky <cazwicky@earthlink.net>
>>>>
>>>> I  also think this email list is cumbersome and annoying..  =20
>>>> someone starts talking (for instance) about tuning in         =20
>>>> fifths (which I've done for 20 years) and nobody gets  too reply =20=

>>>> because it becomes old news in a sea of email .. except for two =20
>>>> guys who pick a fight about it... and go so far off topic that =20
>>>> nobody dares restate the purpose...
>>>> But there already IS a Looping Forum...
>>>>
>>>> http://loopingmusic.proboards99.com/index.cgi
>>>>
>>>>  but you know loopers, they tend to like the same old same old =20
>>>> same old same old same old same old same old same old same old =20
>>>> same old same old same old same old same old same old same old =20
>>>> same old same old same old....
>>>>
>>>>
>>>> I'm going to have to agree with this.  I really love this forum, =20=

>>>> but can only check it every few
>>>> days and end up with a ton of email.  I end up filtering it to a =20=

>>>> folder and usually have
>>>> troubles trying to follow the order of the emails....
>>>>
>>>> My day gig is web developer, if the moderators of the mail list =20
>>>> would like to put together a
>>>> forum, I could set it up.  Just contact me at baub@baub.com and =20
>>>> I would be happy to help
>>>> out.
>>>>
>>>> Baub
>>>>
>>>>
>>>> On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>>>>
>>>>  Why doesn't loopers delight have a forum rather than this email =20=

>>>> list?
>>>>
>>>>
>>>>  Please consider a forum, I'm unsubscribing from the email =20
>>>> list.------------------------
>>>>  Russell Kirk Pirlo
>>>>  424-757-4756
>>>>
>>>>
>>>>
>>>>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo =20
>>>> <labaloops@yahoo.com> wrote:
>>>>     Hi gang,
>>>>     I once saw a guy in the streets playing guitar and he had =20
>>>> some sort of foot tamborine
>>>>     where he could stomp and accompany himself,does anybody know =20=

>>>> where i can find
>>>>     something like this?
>>>>
>>>>
>>>>
>>>>
>>>>     cheers
>>>>     www.myspace.com/luisangulocom
>>>>
>>>>  __________________________________________________
>>>>  Do You Yahoo!?
>>>>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen =20
>>>> herausragenden Schutz gegen
>>>>  Massenmails.
>>>>  http://mail.yahoo.com
>>>>
>>>>
>>>>
>>>> --
>>>>
>>>> ...
>>>> http://www.zmix.net
>>>>
>>>> http://www.esession.com/ChuckZwicky
>>>>
>>>>
>>>>
>>>> --
>>>>
>>>> Petri Lahtinen
>>>> http://www.petrilahtinen.com
>>>> http://petrilahtinen.blogspot.com/
>>>> http://www.myspace.com/petrilahtinen
>>>> http://twitter.com/PetriLahtinen
>>>> http://petrilahtinen.bandcamp.com/
>>>> ---------------------------------------------------
>>>> "Only become professional musician if there is no choice." -=20
>>>> Robert Fripp-
>>>> ---------------------------------------------------
>>>> "Some people never go crazy. What truly horrible lives they must =20=

>>>> lead." -Charles Bukowski-
>>
>>
>> --=20
>>
>> ...
>> http://www.zmix.net
>>
>> http://www.esession.com/ChuckZwicky
>
>
>
> --=20
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert =20
> Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must =20
> lead." -Charles Bukowski-
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
i'd be up for a ning loopers network<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 2 Feb 2010, =
at 13:05, Petri Lahtinen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Ning.com =
would be quite a good choice for a platform...<br>(even for a Foot =
Tamborine forum :-)<br><br><div class=3D"gmail_quote">2010/2/2 Chris =
Sewell <span dir=3D"ltr">&lt;<a =
href=3D"mailto:lunamusic@mac.com">lunamusic@mac.com</a>&gt;</span><br> =
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div =
bgcolor=3D"#FFFFFF"><div>Personally, I would love a Foot Tamborine =
Forum.<br><br>Sent from my iPod</div> <div><br>On Feb 2, 2010, at 1:52 =
AM, Toby G &lt;<a href=3D"mailto:carpet8@mac.com" =
target=3D"_blank">carpet8@mac.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div> =
<div><font face=3D"Arial" size=3D"2">yeah we caught that the first =
time.</font></div> <div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div> <div><font face=3D"Arial" =
size=3D"2">t</font></div> <blockquote style=3D"border-left: 2px solid =
rgb(0, 0, 0); padding-left: 5px; padding-right: 0px; margin-left: 5px; =
margin-right: 0px;" dir=3D"ltr">  <div style=3D"font: 10pt arial;">----- =
Original Message ----- </div>  <div style=3D"font: 10pt arial; =
background: none repeat scroll 0% 0% rgb(228, 228, 228);"><b>From:</b>   =
<a title=3D"cazwicky@earthlink.net" href=3D"mailto:cazwicky@earthlink.net"=
 target=3D"_blank">Charles   Zwicky</a> </div>  <div style=3D"font: 10pt =
arial;"><b>To:</b> <a title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank"></a><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a>   </div>  <div =
style=3D"font: 10pt arial;"><b>Sent:</b> Monday, February 01, 2010 10:46 =
  PM</div>  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Foot =
tamborine / Forum   Needed!</div>  <div><br></div>  <blockquote>But =
there already IS a Looping Forum...</blockquote>  =
<blockquote><br></blockquote>  <blockquote><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi" =
target=3D"_blank"></a><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi" =
target=3D"_blank">http://loopingmusic.proboards99.com/index.cgi</a></block=
quote>   <div><br></div>  <div><br></div>  <div><br></div>  <blockquote =
type=3D"cite">Someone should just set up a forum on <a =
href=3D"http://ning.com" target=3D"_blank"></a><a href=3D"http://ning.com"=
 target=3D"_blank">ning.com</a> - easy to use and maintain,   =
free...</blockquote>  <blockquote type=3D"cite"><br></blockquote>  =
<blockquote type=3D"cite">On Feb 2, 2010, at 7:19 AM, Petri Lahtinen     =
wrote:</blockquote>  <blockquote type=3D"cite"><br>    <blockquote =
type=3D"cite">Thumbs up here too for the forum! This       mailing list =
definitely confuses the order of the conversations, which is       kind =
of nice and random sometimes :-)<br>but would be a bit more 21st       =
century to have a forum =
:-)<br><br>Peace,<br><br>-Petri-<br><br></blockquote>    <blockquote =
type=3D"cite">2010/2/2 Charles Zwicky &lt;<a =
href=3D"mailto:cazwicky@earthlink.net" target=3D"_blank"></a><a =
href=3D"mailto:cazwicky@earthlink.net" =
target=3D"_blank">cazwicky@earthlink.net</a>&gt;<div class=3D"im"><br>   =
    <blockquote>I &nbsp;also think this email list is cumbersome and     =
    annoying.. &nbsp;someone starts talking (for instance) about tuning =
in         fifths (which I've done for 20 years) and nobody gets =
&nbsp;too reply         because it becomes old news in a sea of email .. =
except for two guys who         pick a fight about it... and go so far =
off topic that nobody dares         restate the =
purpose...<br></blockquote>      </div><blockquote>But there already IS =
a Looping Forum...<br><br><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi" =
target=3D"_blank"></a><a =
href=3D"http://loopingmusic.proboards99.com/index.cgi" =
target=3D"_blank">http://loopingmusic.proboards99.com/index.cgi</a></block=
quote>       <blockquote><br>&nbsp;but you know loopers, they tend to =
like the same         old same old same old same old same old same old =
same old same old same         old same old same old same old same old =
same old same old same old same         old same old same =
old....</blockquote>      <blockquote><br><br>        <blockquote>I'm =
going to have to agree with this. &nbsp;I really love           this =
forum, but can only check it every few<br>days and end up with a         =
  ton of email. &nbsp;I end up filtering it to a folder and usually      =
     have<br>troubles trying to follow the order of the           =
emails....<br><br>My day gig is web developer, if the moderators of      =
     the mail list would like to put together a<br>forum, I could set it =
          up. &nbsp;Just contact me at <a href=3D"mailto:baub@baub.com" =
target=3D"_blank"></a><a href=3D"mailto:baub@baub.com" =
target=3D"_blank">baub@baub.com</a> and I would be happy to           =
help<br>out.<br><br>Baub<br><br><br>On 17 Jan 2010 at 23:13, Russell     =
      Kirk Pirlo wrote:<br>          <blockquote><br>&nbsp;Why doesn't =
loopers delight have a forum             rather than this email =
list?<br><br><br>&nbsp;Please consider a             forum, I'm =
unsubscribing from the email             =
list.------------------------<br>&nbsp;Russell Kirk             =
Pirlo<br>&nbsp;424-757-4756<br><br><br><br>&nbsp;On Sun, Jan 17,         =
    2010 at 11:12 PM, L.Angulo &lt;<a href=3D"mailto:labaloops@yahoo.com" =
target=3D"_blank"></a><a href=3D"mailto:labaloops@yahoo.com" =
target=3D"_blank">labaloops@yahoo.com</a>&gt;             =
wrote:<br>&nbsp;&nbsp;&nbsp; Hi gang,<br>&nbsp;&nbsp;&nbsp; I once       =
      saw a guy in the streets playing guitar and he had some sort of =
foot             tamborine<br>&nbsp;&nbsp;&nbsp; where he could stomp =
and accompany             himself,does anybody know where i can =
find<br>&nbsp;&nbsp;&nbsp;             something like =
this?<br><br><br><br><br>&nbsp;&nbsp;&nbsp;             =
cheers<br>&nbsp;&nbsp;&nbsp; <a =
href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank"></a><a =
href=3D"http://www.myspace.com/luisangulocom" =
target=3D"_blank">www.myspace.com/luisangulocom</a><br><br>&nbsp;_________=
_________________________________________<br> &nbsp;Do             You =
Yahoo!?<br>&nbsp;Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber        =
     einen herausragenden Schutz gegen<br>&nbsp;Massenmails.<br>&nbsp;<a =
href=3D"http://mail.yahoo.com/" target=3D"_blank"></a><a =
href=3D"http://mail.yahoo.com" =
target=3D"_blank">http://mail.yahoo.com</a><br><br></blockquote></blockquo=
te> </blockquote>      <blockquote><br><br></blockquote>      =
<blockquote><font color=3D"#888888">--<br><br>...<br></font><a =
href=3D"http://www.zmix.net/" target=3D"_blank"><font =
color=3D"#888888">http://www.zmix.net</font></a><font =
color=3D"#888888"><br><br></font><a =
href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank"><font =
color=3D"#888888">http://www.esession.com/ChuckZwicky</font></a><br> =
<font color=3D"#888888"></font></blockquote></blockquote>    <blockquote =
type=3D"cite"><br><br><br>--<div class=3D"im"><br>Petri Lahtinen<br><a =
href=3D"http://www.petrilahtinen.com/" target=3D"_blank"></a><a =
href=3D"http://www.petrilahtinen.com" =
target=3D"_blank">http://www.petrilahtinen.com</a><br> <a =
href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank"></a><a =
href=3D"http://petrilahtinen.blogspot.com/" =
target=3D"_blank">http://petrilahtinen.blogspot.com/</a><br><a =
href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank"></a><a =
href=3D"http://www.myspace.com/petrilahtinen" =
target=3D"_blank">http://www.myspace.com/petrilahtinen</a><br> <a =
href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank"></a><a =
href=3D"http://twitter.com/PetriLahtinen" =
target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank"></a><a =
href=3D"http://petrilahtinen.bandcamp.com/" =
target=3D"_blank">http://petrilahtinen.bandcamp.com/</a><br> =
---------------------------------------------------<br>"Only       =
become professional musician if there is no choice." -Robert       =
Fripp-<br>---------------------------------------------------<br>"Some   =
    people never go crazy. What truly horrible lives they must lead." =
-Charles       Bukowski-</div></blockquote></blockquote>  =
<div><br></div>  <div><br></div><pre>--=20
</pre>  <div><br>...<br><a href=3D"http://www.zmix.net" =
target=3D"_blank">http://www.zmix.net</a><br><br><a =
href=3D"http://www.esession.com/ChuckZwicky" =
target=3D"_blank">http://www.esession.com/ChuckZwicky</a></div></blockquot=
e> </div></blockquote></div></blockquote></div><br><br =
clear=3D"all"><br>-- <br>Petri Lahtinen<br><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br>=
<a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.=
com/</a><br> <a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a><br><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.=
com/</a><br> =
---------------------------------------------------<br>"Only become =
professional musician if there is no choice." -Robert =
Fripp-<br>---------------------------------------------------<br>"Some =
people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-<br> <br></blockquote></div><br></div></body></html>=

--Apple-Mail-8--952781594--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 13:42:44 2010
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To: <Loopers-Delight@loopers-delight.com>
References: <5B07CDE2-A631-4443-A441-7911B7C05CA2@gmail.com>
Subject: Re: a great iPhone looper. Thinking about future development
Date: Tue, 2 Feb 2010 07:42:40 -0600
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This is awesome! I just got an ipod touch a few days ago and have been 
looking for good music apps for live performance.

ThumbJam will very likely be my first app purchase! It looks great and most 
importantly sounds great!

Lots of videos on YouTube:
http://www.youtube.com/results?search_query=thumbjam&search_type=&aq=f

Also, I found out that Dunlop makes a iPhone/iPod Touch holder for mounting 
to your guitar, a little pricey perhaps but it's cool someone is making that 
sort of product. I need to mount mine to my guitar but I may come up with a 
homemade solution with magnets instead (afraid my odd guitar might not hold 
a suction cup type design very well)

http://www.jimdunlop.com/index.php?page=products/pip&id=388&pmh=products/accessories

-Nathan
www.significantimagery.com



----- Original Message ----- 
From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, February 01, 2010 6:30 AM
Subject: a great iPhone looper. Thinking about future development


Hi guys

After I read a recent post about an application called Everyday Looper I 
went on the AppStore to make some research and I found out another 
application really amazing. It's pretty expensive (4.9 euros), at least 
compared to the usual prices on the AppStore, but it really worths its 
value.

It's called ThumbJam: do not know if somebody here talked about it before.
It's absolutely going in the right direction: it's basically a looper (with 
multilpy "edp's style"!!!) but it offers the chance of switching between 
many instruments, so one can overdub different sounds (good quality). Really 
great. Give it a try. The only limit I noticed is the time necessary to 
switch from one instrument to the other.

I bought many musical application for iPhone just to check them out and see 
how the possibilities  of a touch interface could lead to different/new 
instruments/musical applications.
I wonder how in future applications like this could work on devices like 
iPad, with more dsp power, a greater working surface and - in a possible 
future - an audio interface so to mix different sound sources.
I guess we'll soon see many interesting new musical tools...

best

b:k


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 13:53:56 2010
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Date: Tue, 2 Feb 2010 08:50:27 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Foot tamborine / Forum Needed!
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Apparently not, as someone recommended setting up completely new forum...

>yeah we caught that the first time.
>
>t
>
>----- Original Message -----
>From: <mailto:cazwicky@earthlink.net>Charles Zwicky
>To:=20
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight=
=2Ecom
>Sent: Monday, February 01, 2010 10:46 PM
>Subject: Re: Foot tamborine / Forum Needed!
>
>But there already IS a Looping Forum...
>
>
><http://loopingmusic.proboards99.com/index.cgi>http://loopingmusic.proboard=
s99.com/index.cgi
>
>
>
>
>>Someone should just set up a forum on=20
>><http://ning.com>ning.com - easy to use and=20
>>maintain, free...
>>
>
>On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:
>
>
>>Thumbs up here too for the forum! This mailing=20
>>list definitely confuses the order of the=20
>>conversations, which is kind of nice and random=20
>>sometimes :-)
>>but would be a bit more 21st century to have a forum :-)
>>
>>Peace,
>>
>>-Petri-
>>
>2010/2/2 Charles Zwicky=20
><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net>
>
>I  also think this email list is cumbersome and=20
>annoying..  someone starts talking (for=20
>instance) about tuning in fifths (which I've=20
>done for 20 years) and nobody gets  too reply=20
>because it becomes old news in a sea of email ..=20
>except for two guys who pick a fight about it...=20
>and go so far off topic that nobody dares=20
>restate the purpose...
>
>But there already IS a Looping Forum...
>
><http://loopingmusic.proboards99.com/index.cgi>http://loopingmusic.proboard=
s99.com/index.cgi
>
>
>  but you know loopers, they tend to like the=20
>same old same old same old same old same old=20
>same old same old same old same old same old=20
>same old same old same old same old same old=20
>same old same old same old same old....
>
>
>
>I'm going to have to agree with this.  I really=20
>love this forum, but can only check it every few
>days and end up with a ton of email.  I end up=20
>filtering it to a folder and usually have
>troubles trying to follow the order of the emails....
>
>My day gig is web developer, if the moderators=20
>of the mail list would like to put together a
>forum, I could set it up.  Just contact me at=20
><mailto:baub@baub.com>baub@baub.com and I would=20
>be happy to help
>out.
>
>Baub
>
>
>On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:
>
>
>  Why doesn't loopers delight have a forum rather than this email list?
>
>
>  Please consider a forum, I'm unsubscribing from=20
>the email list.------------------------
>  Russell Kirk Pirlo
>  424-757-4756
>
>
>
>  On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo=20
><<mailto:labaloops@yahoo.com>labaloops@yahoo.com>=20
>wrote:
>     Hi gang,
>     I once saw a guy in the streets playing=20
>guitar and he had some sort of foot tamborine
>     where he could stomp and accompany=20
>himself,does anybody know where i can find
>     something like this?
>
>
>
>
>     cheers
>     <http://www.myspace.com/luisangulocom>www.myspace.com/luisangulocom
>
>  __________________________________________________
>  Do You Yahoo!?
>  Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber=20
>einen herausragenden Schutz gegen
>  Massenmails.
>  <http://mail.yahoo.com/>http://mail.yahoo.com
>
>
>
>--
>
>...
><http://www.zmix.net/>http://www.zmix.net
>
><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>
>
>
>
>--
>Petri Lahtinen
><http://www.petrilahtinen.com/>http://www.petrilahtinen.com
><http://petrilahtinen.blogspot.com/>http://petrilahtinen.blogspot.com/
><http://www.myspace.com/petrilahtinen>http://www.myspace.com/petrilahtinen
><http://twitter.com/PetriLahtinen>http://twitter.com/PetriLahtinen
><http://petrilahtinen.bandcamp.com/>http://petrilahtinen.bandcamp.com/
>---------------------------------------------------
>"Only become professional musician if there is no choice." -Robert Fripp-
>---------------------------------------------------
>"Some people never go crazy. What truly horrible=20
>lives they must lead." -Charles Bukowski-
>
>
>
>--
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-947003662==_ma============
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Foot tamborine / Forum
Needed!</title></head><body>
<div>Apparently not, as someone recommended setting up completely new
forum...</div>
<div><br></div>
<blockquote type=3D"cite" cite><font face=3D"Arial" size=3D"-1">yeah we
caught that the first time.</font></blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Arial" size=3D"-1">t</font><br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a
href=3D"mailto:cazwicky@earthlink.net">Charles Zwicky</a></blockquote>
<blockquote><b>To:</b> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a></blockquote>
<blockquote><b>Sent:</b> Monday, February 01, 2010 10:46
PM</blockquote>
<blockquote><b>Subject:</b> Re: Foot tamborine / Forum
Needed!</blockquote>
<blockquote><br>
<blockquote>But there already IS a Looping Forum...<br>
</blockquote>
<blockquote><br></blockquote>
<blockquote><a
href=3D"http://loopingmusic.proboards99.com/index.cgi"
>http://loopingmusic.proboards99.com/index.cgi</a><br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><br>
<blockquote type=3D"cite" cite>Someone should just set up a forum on <a
href=3D"http://ning.com">ning.com</a> - easy to use and maintain,
free...<br>
</blockquote>
</blockquote>
<blockquote>
<blockquote><br></blockquote>
<blockquote>On Feb 2, 2010, at 7:19 AM, Petri Lahtinen wrote:<br>
</blockquote>
<blockquote><br>
<blockquote type=3D"cite" cite>Thumbs up here too for the forum! This
mailing list definitely confuses the order of the conversations, which
is kind of nice and random sometimes :-)<br>
but would be a bit more 21st century to have a forum :-)<br>
<br>
Peace,<br>
<br>
-Petri-<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote>
<blockquote>
<blockquote>2010/2/2 Charles Zwicky &lt;<a
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;<br
>
<blockquote>I &nbsp;also think this email list is cumbersome and
annoying.. &nbsp;someone starts talking (for instance) about tuning in
fifths (which I've done for 20 years) and nobody gets &nbsp;too reply
because it becomes old news in a sea of email .. except for two guys
who pick a fight about it... and go so far off topic that nobody dares
restate the purpose...<br>
</blockquote>
<blockquote>But there already IS a Looping Forum...<br>
<br>
<a
href=3D"http://loopingmusic.proboards99.com/index.cgi"
>http://loopingmusic.proboards99.com/index.cgi</a><br>
</blockquote>
<blockquote><br>
&nbsp;but you know loopers, they tend to like the same old same old
same old same old same old same old same old same old same old same
old same old same old same old same old same old same old same old
same old same old....<br>
</blockquote>
<blockquote><br>
<br>
<blockquote>I'm going to have to agree with this. &nbsp;I really love
this forum, but can only check it every few<br>
days and end up with a ton of email. &nbsp;I end up filtering it to a
folder and usually have<br>
troubles trying to follow the order of the emails....<br>
<br>
My day gig is web developer, if the moderators of the mail list would
like to put together a<br>
forum, I could set it up. &nbsp;Just contact me at <a
href=3D"mailto:baub@baub.com">baub@baub.com</a> and I would be happy to
help<br>
out.<br>
<br>
Baub<br>
<br>
<br>
On 17 Jan 2010 at 23:13, Russell Kirk Pirlo wrote:<br>
<blockquote><br>
&nbsp;Why doesn't loopers delight have a forum rather than this email
list?<br>
<br>
<br>
&nbsp;Please consider a forum, I'm unsubscribing from the email
list.------------------------<br>
&nbsp;Russell Kirk Pirlo<br>
&nbsp;424-757-4756<br>
<br>
<br>
<br>
&nbsp;On Sun, Jan 17, 2010 at 11:12 PM, L.Angulo &lt;<a
href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;
wrote:<br>
&nbsp;&nbsp;&nbsp; Hi gang,<br>
&nbsp;&nbsp;&nbsp; I once saw a guy in the streets playing guitar and
he had some sort of foot tamborine<br>
&nbsp;&nbsp;&nbsp; where he could stomp and accompany himself,does
anybody know where i can find<br>
&nbsp;&nbsp;&nbsp; something like this?<br>
<br>
<br>
<br>
<br>
&nbsp;&nbsp;&nbsp; cheers<br>
&nbsp;&nbsp;&nbsp; <a
href=3D"http://www.myspace.com/luisangulocom"
>www.myspace.com/luisangulocom</a><br>
<br>
&nbsp;__________________________________________________<br>
&nbsp;Do You Yahoo!?<br>
&nbsp;Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen
herausragenden Schutz gegen<br>
&nbsp;Massenmails.<br>
&nbsp;<a href=3D"http://mail.yahoo.com/">http://mail.yahoo.com</a><br>
</blockquote>
</blockquote>
</blockquote>
<blockquote><br>
<br>
</blockquote>
<blockquote><font color=3D"#888888">--<br>
<br>
=2E..<br>
</font><a href=3D"http://www.zmix.net/"><font
color=3D"#888888">http://www.zmix.net</font></a><font
color=3D"#888888"><br>
<br>
</font><a href=3D"http://www.esession.com/ChuckZwicky"><font
color=3D"#888888">http://www.esession.com/ChuckZwicky</font></a><br>
</blockquote>
</blockquote>
<blockquote><br>
<br>
<br>
--<br>
Petri Lahtinen<br>
<a
href=3D"http://www.petrilahtinen.com/">http://www.petrilahtinen.com</a><br
>
<a
href=3D"http://petrilahtinen.blogspot.com/"
>http://petrilahtinen.blogspot.com/</a><br>
<a
href=3D"http://www.myspace.com/petrilahtinen"
>http://www.myspace.com/petrilahtinen</a><br>
<a
href=3D"http://twitter.com/PetriLahtinen"
>http://twitter.com/PetriLahtinen</a><br>
<a
href=3D"http://petrilahtinen.bandcamp.com/"
>http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot;
-Robert Fripp-<br>
---------------------------------------------------<br>
&quot;Some people never go crazy. What truly horrible lives they must
lead.&quot; -Charles Bukowski-<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--</tt></blockquote>
<blockquote><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-947003662==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 14:51:40 2010
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References: <344240.30040.qm@web24308.mail.ird.yahoo.com>	 <2495d51b1001172013q2d607022n87d0911f05075f88@mail.gmail.com>	 <4B67617F.25645.315CD52C@baub.baub.com>	 <p06240804c78d519500bb@192.168.2.3> <66f9cc1e1002020302m48dfe872n8937c89e58dd562f@mail.gmail.com>
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> On Tue, Feb 2, 2010 at 4:58 AM, Charles Zwicky <cazwicky@earthlink.net> wrote:
>> I  also think this email list is cumbersome and annoying..  

Per Boysen wrote:
> Currently Gmail is a good tool to stay out of that lost message disaster ;-))

I can't begin to imagine what the Forum would look like
if it got as many pasts as LD.
I think I'd need to set up my account so I could read it
like a mailing list.

;-)

andy

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 14:55:55 2010
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Date: Tue, 2 Feb 2010 09:55:51 -0500
Message-ID: <4759e5741002020655i58ccd0ddk7bd150aae1d5f386@mail.gmail.com>
Subject: RE: a great iphone looper [thumbjam]
From: todd reynolds <toddreyn@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00032555850a43abe1047e9f4c1f
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My friends, if I'm not mistaken, ThumbJam, the iphone looper you've
mentioned, is made by our own Jesse Chappell, the creater of SooperLooper,
which many of us use.



--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--00032555850a43abe1047e9f4c1f
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

My friends, if I&#39;m not mistaken, ThumbJam, the iphone looper you&#39;ve=
 mentioned, is made by our own Jesse Chappell, the creater of SooperLooper,=
 which many of us use.=A0<div><br></div><div><br clear=3D"all"><br>-- <br>=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
=95 In C Remixed now released on iTunes and Amazon! :: =A0Read about it her=
e... <a href=3D"http://bit.ly/3Pm4g3">http://bit.ly/3Pm4g3</a><br><br><br>=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br=
><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><br>
<a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler</=
a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com/t=
oddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com">http://blo=
g.toddreynolds.com</a><br>
<a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreynol=
ds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbnat=
ion.com/toddreynolds</a><br><br>
</div>

--00032555850a43abe1047e9f4c1f--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 18:28:16 2010
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: tmj- tinnitus
Date: Tue, 2 Feb 2010 20:28:12 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_0053_01CAA446.3DC35D40
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	charset="iso-8859-9"
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dear friends,

i have been diagnosed with this disease. tmj - tinnitus
http://www.t-gone.com/tinnitus/tmj-treatment.asp

the major cause is too much stress, too much coffee, problems with the =
jaw ( which mostly happens if you grind your teeth while asleep because =
of stress ). since we all work hard under too much stress and other =
things, wanted to share this with you. could happen to anyone of us.

i know that the cure is not hard and will take around 1 month or so.=20

please be kind to yourself guys.

best.=20

erdem h.

=

=


------=_NextPart_000_0053_01CAA446.3DC35D40
Content-Type: text/html;
	charset="iso-8859-9"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18876">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>dear friends,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>i have been diagnosed with this =
disease. tmj -=20
tinnitus</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.t-gone.com/tinnitus/tmj-treatment.asp">http://www.t-go=
ne.com/tinnitus/tmj-treatment.asp</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>the major cause is too much stress, too =
much=20
coffee, problems with the jaw ( which mostly happens if you grind your =
teeth=20
while asleep because of stress ). since we all work&nbsp;hard under too =
much=20
stress and other things, wanted to share this with you. could =
happen&nbsp;to=20
anyone of us.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>i know that the&nbsp;cure is not hard =
and will take=20
around 1 month or so.</FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>please be kind to yourself =
guys.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>best. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>erdem h.</FONT></DIV>
=

=


</BODY></HTML>

------=_NextPart_000_0053_01CAA446.3DC35D40--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 19:07:36 2010
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Date: Tue, 2 Feb 2010 14:07:35 -0500
Message-ID: <9e0440a61002021107u1a6d8161u6cc49e877619ef47@mail.gmail.com>
Subject: Re: tmj- tinnitus
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001517447f0c86b3b1047ea2d063
Content-Type: text/plain; charset=ISO-8859-1

Erdem I'm sorry.  I have tinnitus or like tinnitus condition in my right ear
where certain frequencies not always dependent on volume, have even been
tripped in more humid situations, will cause crackling breakup or like a
blown speaker distortion.  That ear always for years now has felt like it's
protective layer is a shade less than the left.  The cause was from a stupid
on my part accident many years ago. I've been told that my condition is like
a muscle spamism.  At times I think it's gone and then it will get tripped.
It's not all the time but leads me to be more protective.

TMJ I know of but didn't know of it being related to Tinnitus - what's the
cure for this for you?

Sorry you are experiencing it.

Jim

2010/2/2 Erdem Helvacioglu <erdemhel@tnn.net>

>  dear friends,
>
> i have been diagnosed with this disease. tmj - tinnitus
> http://www.t-gone.com/tinnitus/tmj-treatment.asp
>
> the major cause is too much stress, too much coffee, problems with the jaw
> ( which mostly happens if you grind your teeth while asleep because of
> stress ). since we all work hard under too much stress and other things,
> wanted to share this with you. could happen to anyone of us.
>
> i know that the cure is not hard and will take around 1 month or so.
>
> please be kind to yourself guys.
>
> best.
>
> erdem h.
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517447f0c86b3b1047ea2d063
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Erdem I&#39;m sorry.=A0 I have tinnitus or like tinnitus condition in my ri=
ght ear where certain frequencies not always dependent on volume, have even=
 been tripped in more humid situations, will cause crackling breakup or lik=
e a blown speaker distortion.=A0 That ear always for years now has felt lik=
e it&#39;s protective layer is a shade less than the left.=A0 The cause was=
 from a stupid on my part accident many years ago. I&#39;ve been told that =
my condition is like a muscle spamism.=A0 At times I think it&#39;s gone an=
d then it will get tripped.=A0 It&#39;s not all the time but leads me to be=
 more protective. <br>
<br>TMJ I know of but didn&#39;t know of it being related to Tinnitus - wha=
t&#39;s the cure for this for you?<br><br>Sorry you are experiencing it.<br=
><br>Jim<br><br><div class=3D"gmail_quote">2010/2/2 Erdem Helvacioglu <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</a>&g=
t;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">dear friends,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">i have been diagnosed with this diseas=
e. tmj -=20
tinnitus</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.t-gone.com/tinni=
tus/tmj-treatment.asp" target=3D"_blank">http://www.t-gone.com/tinnitus/tmj=
-treatment.asp</a></font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">the major cause is too much stress, to=
o much=20
coffee, problems with the jaw ( which mostly happens if you grind your teet=
h=20
while asleep because of stress ). since we all work=A0hard under too much=
=20
stress and other things, wanted to share this with you. could happen=A0to=
=20
anyone of us.</font></div>
<div>=A0</div>
<div><font face=3D"Arial" size=3D"2">i know that the=A0cure is not hard and=
 will take=20
around 1 month or so.</font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">please be kind to yourself guys.</font=
></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">best. </font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">erdem h.</font></div>



</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517447f0c86b3b1047ea2d063--

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=0AMR. ALI KYNFO,=20
FINANCIAL INSTITUTION=20
AUDIT/REMITTANCE =0ADEPARTMENT=20
OUAGADOUGOU BURKINA FASO .=20
=A0
=A0
DEAR PARTNER, =0A=0A
(ATTATCH IMPORTANCE) =0A
I WISH THIS MY PROPOSAL MEET YOUR DUE CONSIDERATION AND KIND =0AATTENTION. =
=0A
I HAVE A BUSINESS WHICH WILL BE BENEFICIAL TO BOTH OF US. THE =0AAMOUNT OF =
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=0ATO MY FINANCIAL BENEFIT AND YOURS TOO AND TO ALSO TREATMENT ONE OF MY FA=
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THIS MONEY IS OWNED BY A MAN CALLED JIN SUN, A BUSINESS =0ACOMMERCIALIST IN=
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 =0A
I WANT TO TRANSFER THIS MONEY OUT OF THE COUNTRY BUT SUCH FUND =0ACANNOT BE=
 TRANSFERRED WITHOUT A NEXT OF KIN ATTACHED TO THE FUND.=20
DETAILS =0ASHALL BE THAT YOU ARE THE CARE-TAKER AND A BUSINESS ASSOCIATE TO=
 THE LATE MR. =0AJIN SUN AND HIS PROPERTIES. =0A
I SHALL MAKE AVAILABLE TO YOU ALL MATERIALS AND INFORMATION =0AWITH WHICH A=
 SUCCESSFUL CLAIM SHALL BE PLACED ON THE FUND. I SHALL ALSO BE YOUR =0AGUID=
ANCE AND ADVICE YOU THROUGHOUT THE DURATION OF THIS TRANSACTION SO AS TO =
=0AENSURE A SWIFT TRANSFER OF THE FUND TO YOUR NOMINATED BANK ACCOUNT, ACCO=
RDINGLY. =0A=0A
AS TO YOUR BENEFITS, WE SHALL ARRANGE AND AGREE ON PERCENTAGE =0A(%), OF TH=
E FUND FOR OURSELVES. =0A
I WISH THIS TRANSACTION INTEREST YOU, REPLY TO ME AS SOON AS =0APOSSIBLE, S=
O THAT I WOULD FORWARD TO YOU THE INDEPT DETAILS CONCERNING THIS =0ATRANSAC=
TION AND ALSO THE STEPS TO TAKE FOR A SMOOTH TRANSFER OF THE FUND TO YOUR =
=0ABANK ACCOUNT. I AM SOLIDLY BEHIND YOU AND THE SUCCESS OF THIS TRANSACTIO=
N, =0A=0A
TRY AND CALL ME ON MY DIRECT LINE: +226- 71191557=20
PLEASE, =0ARESPOND THROUGH THIS Email ID. (kynfo_ali707@voila.fr) =0A
=A0
=A0
THANKS AND MY BEST REGARDS, =0AMR. ALI KYNFO.=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv522941584">=0A<div><strong>MR. =
ALI KYNFO, <br>FINANCIAL INSTITUTION <br>AUDIT/REMITTANCE =0ADEPARTMENT <br=
>OUAGADOUGOU BURKINA FASO . <br>&nbsp;<br>&nbsp;<br>DEAR PARTNER, =0A</stro=
ng></div>=0A<div><br><strong>(ATTATCH IMPORTANCE) </strong></div>=0A<div><b=
r><strong>I WISH THIS MY PROPOSAL MEET YOUR DUE CONSIDERATION AND KIND =0AA=
TTENTION. </strong></div>=0A<div><br><strong>I HAVE A BUSINESS WHICH WILL B=
E BENEFICIAL TO BOTH OF US. THE =0AAMOUNT OF MONEY INVOLVED IS ($10.7M US (=
TEN MILLION SEVEN HUNDRED THOUSAND US =0ADOLLARS).WHICH I WANT TO TRANSFER =
OUT OF THE COUNTRY TO YOUR BANK ACCOUNT, ALL =0ATO MY FINANCIAL BENEFIT AND=
 YOURS TOO AND TO ALSO TREATMENT ONE OF MY FAMILY =0AMEMBERS OF HER ILLNESS=
. </strong></div>=0A<div><br><strong>THIS MONEY IS OWNED BY A MAN CALLED JI=
N SUN, A BUSINESS =0ACOMMERCIALIST IN WEST-AFRICAN SUBREGIONS; HE HAS BEEN =
DEAD FOR OVER FOUR YEARS =0AAND SINCE AFTER HIS DEMISE; NO CLAIM HAS BEEN P=
LACED ON HIS BANK ACCOUNT =0ABALANCE. </strong></div>=0A<div><br><strong>I =
WANT TO TRANSFER THIS MONEY OUT OF THE COUNTRY BUT SUCH FUND =0ACANNOT BE T=
RANSFERRED WITHOUT A NEXT OF KIN ATTACHED TO THE FUND. <br>DETAILS =0ASHALL=
 BE THAT YOU ARE THE CARE-TAKER AND A BUSINESS ASSOCIATE TO THE LATE MR. =
=0AJIN SUN AND HIS PROPERTIES. </strong></div>=0A<div><br><strong>I SHALL M=
AKE AVAILABLE TO YOU ALL MATERIALS AND INFORMATION =0AWITH WHICH A SUCCESSF=
UL CLAIM SHALL BE PLACED ON THE FUND. I SHALL ALSO BE YOUR =0AGUIDANCE AND =
ADVICE YOU THROUGHOUT THE DURATION OF THIS TRANSACTION SO AS TO =0AENSURE A=
 SWIFT TRANSFER OF THE FUND TO YOUR NOMINATED BANK ACCOUNT, ACCORDINGLY. =
=0A</strong></div>=0A<div><br><strong>AS TO YOUR BENEFITS, WE SHALL ARRANGE=
 AND AGREE ON PERCENTAGE =0A(%), OF THE FUND FOR OURSELVES. </strong></div>=
=0A<div><br><strong>I WISH THIS TRANSACTION INTEREST YOU, REPLY TO ME AS SO=
ON AS =0APOSSIBLE, SO THAT I WOULD FORWARD TO YOU THE INDEPT DETAILS CONCER=
NING THIS =0ATRANSACTION AND ALSO THE STEPS TO TAKE FOR A SMOOTH TRANSFER O=
F THE FUND TO YOUR =0ABANK ACCOUNT. I AM SOLIDLY BEHIND YOU AND THE SUCCESS=
 OF THIS TRANSACTION, =0A</strong></div>=0A<div><br><strong>TRY AND CALL ME=
 ON MY DIRECT LINE: +226- 71191557 <br>PLEASE, =0ARESPOND THROUGH THIS Emai=
l ID. (</strong><a href=3D"http://us.mc447.mail.yahoo.com/mc/compose?to=3Dk=
ynfo_ali707@voila.fr" target=3D"_blank" rel=3D"nofollow"><strong>kynfo_ali7=
07@voila.fr</strong></a><strong>) =0A<br>&nbsp;<br>&nbsp;<br>THANKS AND MY =
BEST REGARDS, </strong></div>=0A<div><strong>MR. ALI KYNFO.</strong></div><=
/div></td></tr></table><br>=0A=0A=0A=0A      Email slow, clunky, unreliable=
? <a href=3Dhttp://au.rd.yahoo.com/nz/mail/tagline/2009/mailsignup/*http://=
yahoo.co.nz/mail>Switch to Yahoo!Xtra Mail</a>, New Zealand&#39;s new email=
 address.
--0-1900953144-1265138413=:68987--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 19:45:37 2010
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Date: Tue, 2 Feb 2010 14:45:33 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: tmj- tinnitus
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Erdem,

   Thanks for the link... I have a lot of musician and producer 
friends who suffer from this..
  One treatment is to take the amino acid N-Acetyl Cycteine (around 
600mg) and Vitamin C (1-2000mg) together.

Best of luck to you,

-Chuck Zwicky

>dear friends,
>
>i have been diagnosed with this disease. tmj - tinnitus
><http://www.t-gone.com/tinnitus/tmj-treatment.asp>http://www.t-gone.com/tinnitus/tmj-treatment.asp
>
>the major cause is too much stress, too much coffee, problems with 
>the jaw ( which mostly happens if you grind your teeth while asleep 
>because of stress ). since we all work hard under too much stress 
>and other things, wanted to share this with you. could happen to 
>anyone of us.
>
>i know that the cure is not hard and will take around 1 month or so.
>
>please be kind to yourself guys.
>
>best.
>
>erdem h.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-946982559==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: tmj- tinnitus</title></head><body>
<div><br></div>
<div>Erdem,</div>
<div><br></div>
<div>&nbsp; Thanks for the link... I have a lot of musician and
producer friends who suffer from this.. </div>
<div>&nbsp;One treatment is to take the amino acid N-Acetyl Cycteine
(around 600mg) and Vitamin C (1-2000mg) together.</div>
<div><br></div>
<div>Best of luck to you,</div>
<div><br></div>
<div>-Chuck Zwicky</div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial" size="-1">dear
friends,</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1">i have been
diagnosed with this disease. tmj - tinnitus</font></blockquote>
<blockquote type="cite" cite><a
href="http://www.t-gone.com/tinnitus/tmj-treatment.asp"><font
face="Arial"
size="-1">http://www.t-gone.com/tinnitus/tmj-treatment.asp</font></a
></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1">the major
cause is too much stress, too much coffee, problems with the jaw (
which mostly happens if you grind your teeth while asleep because of
stress ). since we all work&nbsp;hard under too much stress and other
things, wanted to share this with you. could happen&nbsp;to anyone of
us.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1">i know that
the&nbsp;cure is not hard and will take around 1 month or
so.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1">please be
kind to yourself guys.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1">best.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1">erdem
h.</font></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-946982559==_ma============--

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Date: Tue, 2 Feb 2010 14:52:43 -0500
Message-ID: <9e0440a61002021152l2d4ceaedjf9fc6686c8364b76@mail.gmail.com>
Subject: Re: tmj- tinnitus
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--000e0ce0b114f818a0047ea3714f
Content-Type: text/plain; charset=ISO-8859-1

Charles out of personal interest do any friends have similar to what I
described?  Wondering if the amino acid and Vitamin which I guess in general
are positive things have improved similar.  I'm guessing your friends might
get the more 'ringing' symthoms.

Thanks

Jim

On Tue, Feb 2, 2010 at 2:45 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

>
> Erdem,
>
>   Thanks for the link... I have a lot of musician and producer friends who
> suffer from this..
>  One treatment is to take the amino acid N-Acetyl Cycteine (around 600mg)
> and Vitamin C (1-2000mg) together.
>
> Best of luck to you,
>
> -Chuck Zwicky
>
> dear friends,
>
>
>
> i have been diagnosed with this disease. tmj - tinnitus
>
> http://www.t-gone.com/tinnitus/tmj-treatment.asp
>
>
>
> the major cause is too much stress, too much coffee, problems with the jaw
> ( which mostly happens if you grind your teeth while asleep because of
> stress ). since we all work hard under too much stress and other things,
> wanted to share this with you. could happen to anyone of us.
>
>
>
> i know that the cure is not hard and will take around 1 month or so.
>
>
>
> please be kind to yourself guys.
>
>
>
> best.
>
>
>
> erdem h.
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0ce0b114f818a0047ea3714f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Charles out of personal interest do any friends have similar to what I desc=
ribed?=A0 Wondering if the amino acid and Vitamin which I guess in general =
are positive things have improved similar.=A0 I&#39;m guessing your friends=
 might get the more &#39;ringing&#39; symthoms.<br>
<br>Thanks<br><br>Jim<br><br><div class=3D"gmail_quote">On Tue, Feb 2, 2010=
 at 2:45 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwick=
y@earthlink.net">cazwicky@earthlink.net</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204);=
 margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div>
<div><br></div>
<div>Erdem,</div>
<div><br></div>
<div>=A0 Thanks for the link... I have a lot of musician and
producer friends who suffer from this.. </div>
<div>=A0One treatment is to take the amino acid N-Acetyl Cycteine
(around 600mg) and Vitamin C (1-2000mg) together.</div>
<div><br></div>
<div>Best of luck to you,</div>
<div><br></div>
<div>-Chuck Zwicky</div><div><div></div><div class=3D"h5">
<div><br></div>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">dear
friends,</font></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">i have been
diagnosed with this disease. tmj - tinnitus</font></blockquote>
<blockquote type=3D"cite"><a href=3D"http://www.t-gone.com/tinnitus/tmj-tre=
atment.asp" target=3D"_blank"><font face=3D"Arial" size=3D"-1">http://www.t=
-gone.com/tinnitus/tmj-treatment.asp</font></a></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">the major
cause is too much stress, too much coffee, problems with the jaw (
which mostly happens if you grind your teeth while asleep because of
stress ). since we all work=A0hard under too much stress and other
things, wanted to share this with you. could happen=A0to anyone of
us.</font></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">i know that
the=A0cure is not hard and will take around 1 month or
so.</font></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">please be
kind to yourself guys.</font></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">best.</font></bl=
ockquote>
<blockquote type=3D"cite">=A0</blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1">erdem
h.</font></blockquote>
<div><br></div>
<div><br></div>
</div></div><font color=3D"#888888"><pre>--=20
</pre>
<div><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a></div>
</font></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--000e0ce0b114f818a0047ea3714f--

From mscarolferguson@gmail.com  Tue Feb  2 20:00:06 2010
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Reply-To: <msscarolferguson@gmail.com>
From: "Ms Caroline Ferguson"<mscarolferguson@gmail.com>
Subject: Re-Profile
Date: Tue, 2 Feb 2010 09:05:07 -0800
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Good Day, 

I am Ms. Caroline Ferguson, I have a business brief which might interest you on the instruction of a businessman in Moscow whose business interest spans crude oil refining, mining, construction, real estate and tourism. 

Over the past years the policies of the Kremlin has not been favourable towards his business and more importantly towards his person who seem to have a different political view from that of the Kremlin. Without boring you with politics of Russia, I will go straight to the point to ask for your cooperation to discreetly re-profile funds worth fifty two million, two hundred thousand euro own by this business tycoon from its present location via a bank in eastern Europe to a new investment location. 

You will be paid eight percent for your 'management consultancy fees',if we are able to reach terms. If you are interested, please write back to me and provide your telephone number and private e-mail address and i will provide further details. 

Write back to me, i wait for your response. 

Regards, 
Ms. Caroline Ferguson. 

From assfd@mac.com  Tue Feb  2 20:00:31 2010
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Reply-To: <vsipho76@yahoo.com.hk>
From: "Mr. V. Thando"<assfd@mac.com>
Subject: THANK YOU
Date: Tue, 2 Feb 2010 20:47:03 +0200
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Dear Friend,
I work in the audit section of a bank where I discovered $17.5M left in an account by a demise client.The funds have never been applied for since the death of the client because they are lodged in an investment account.If you are willing to work with me for us to share the funds 60/40, get back for more details.

Thank You,
S.V.Thando.

From dhollins222@hdrmut.net  Tue Feb  2 23:02:35 2010
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Reply-To: <dhollins2222@hdrmut.net>
From: "Barrister Donald Hollins Esq"<dhollins222@hdrmut.net>
Subject: Reply Immediately
Date: Tue, 2 Feb 2010 23:36:25 +0100
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3><B>Dear Friend,</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>It is indeed my pleasure to write you this letter, which I believe will be a surprise to you as we have never meet before and I am deeply sorry if I have in any manner disturbed your privacy. Please forgive this unusual manner of contacting you, but this particular letter is of exceptional and very private in nature. But I know that there is absolutely going to be a great doubt and distrust in your heart in respect of this letter coupled with the fact that, so many individuals have taken possession of the Internet to facilitate their nefarious deeds, thereby making it extremely difficult for genuine and legitimate business class persons to get attention and recognition from foreigners. There is no way for me to know whether I will be properly understood, but it is my duty to write and reach out to you as a person based on great fidelity, trust and determination to establish a long lasting business relationship with you.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>My name is Barrister. Donald Hollins, an attorney based in Great Britain, I am contacting you in respect of a business relationship. My client Mr. Jurgen Kaltofen and his family died in a AF4590 plane crash on Monday, 31 July, 2000, 13:22 GMT 14:22 UK. You can as well confirm this news at the BBC News website:http://news.bbc.co.uk/1/hi/world/europe/859479.stm and even till now, I have been unable to locate any of his relative.</B></FONT></DIV>
<DIV>
<FONT size=3><B>Before his death, he was an oil merchant and made a Deposit of FORTY EIGHT MILLION, FIVE HUNDRED THOUSAND BRITISH POUNDS (48,500,000.00 British Pounds) with a reputable bank in United Kingdom. This fund was set to be used in setting up a GAS PLANT PROJECT in Asia.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>The fund has remained unclaimed and the Bank will take over this fund if I do not present anyone to claim it. I am seeking for your prompt assistance in helping me receive this fund in your account, I now seek your permission to have you stand as the Next of kin to the deceased as all documentations will be carefully worked out by me for the funds to be released in your favor as the sole beneficiary of the deposited fund. It may interest you to know that I have secured from the probate, an order of mandamus to locate any of deceased families, please acknowledge the receipt of this message in acceptance of our mutual business relationship, and endeavor by furnishing me with your information as follows</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Name: </B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Address:</B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Occupation:</B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Age:</B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Telephone No:</B></FONT></DIV>
<DIV>
<FONT size=3><B>Your Fax No:</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>These requirements will enable me to file letter of claim to the appropriate departments for necessary approvals in your favor before you can personally appear for the claim. I will provide all vital documents to legalize your status in the claim.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>Please note that your share of the fund is negotiable. If this proposal is acceptable to you, do not take undue advantage of the trust I have bestowed in you and also this business should be kept confidential as I would not want anyone to know because of my duty and reputation in UK.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>However if you are willing to assist me in this venture I will establish a verbal telephone communication with you and bring you into a much better picture of the situation. If this business proposition offends your moral values, do accept my apology. Please contact me at once to indicate your interest on my email: dhollins2222@hdrmut.net</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>All I require is your honest Co-operation, Confidentiality and Trust to enable us sees this transaction through. I guarantee you that this will be executed under a legitimate arrangement that will protect you from any breach of the law. (100% risk free) Don't worry how this is going to be done. But if you give me your wiliness to do this with me, then I will now present you to the bank as the next of Kin to my late client and then, the proceedings for the transfer will commence.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>I am waiting for your urgent response in this relationship.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>Yours truly,</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3><B>Barrister Donald Hollins Esq.</B></FONT></DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Feb  2 23:16:59 2010
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Subject: 2 new tracks (free downloads)
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
Content-Type: text/plain; charset=ISO-8859-1
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Hi all,
I have been testing with a new live setup based on Mainstage 2 and
Augustus Loop. Here are two excerpts of the recordings:

http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
http://euroloopfest.com/premonitionfactory/demos/20100203.mp3

Btw: the debut album of the Premonition Factory project will be
released on Feb 20, 2010. It's a limited edition 6 page digisleeve
plus booklet. Stay tuned :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 00:08:54 2010
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Subject: Re: tmj- tinnitus
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This is a multi-part message in MIME format.

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Very sorry to hear about the tinnitus Erdem - so are your doctors sure =
that's what it is?

The following only made sense in retrospect: In 2001 we were subjected =
to a lot of plaster and paint dust from sanding at our flat, and in =
order to clear my nose and hopefully avoid snoring (we were after all =
not married a year at that time) I frankly used enough nasal spray to =
call it abuse.  My sinuses and ears would be totally clogged, and the =
only relief was the spray.  I would administer it, then lie on the floor =
to let it work its way to the back of my sinuses.  I believe in the =
process I may have pushed some of that particulate matter back further =
into my sinuses, to the area of my eustation [sp?] tubes surrounding the =
ear.  Six months after this I began to experience a slight balance =
problem once in a while, but mostly I noticed that if I had the water on =
in the kitchen, I couldn't hear my wife in the next room.  At the same =
time I noticed that the scrapes and banging noises on the Tube in London =
really made me jump, and it wasn't as if they were louder, just that I =
was noticing them a lot more, suddenly.  Several months later I couldn't =
discern what my wife was saying if she was in the kitchen with me and I =
had the water on full.

So, off to the NHS, who with only a single hearing test and my =
description declared it "tinnitus", and sent me to therapy (aka How To =
Deal With Something The Rest Of Your Life, sort of).  I wanted more than =
just a fobbed-off pat answer and my inquiries for several years have =
come to no avail.  The hissing is higher-pitched than a regular hiss, =
like I need a Dolby system in my head, 24/7.  It's worst when I have any =
sinus congestion.  A year ago I fell off a ladder from too far up to be =
good sense because I had a moment of vertigo while at the top, briefly.  =
NHS still has no official opinion as to what it IS, and so it is not a =
problem to them, with the exception of one doctor who studied the =
vertigo and had me sent for cat scans and MRIs, though they were never =
fully followed through or investigated.  I have a CD full of the MRIs =
that I'm going to turn into art at some point; and can generally hear =
through the hissing except when there's a batch of white noise or a =
crackling bag of chips or something, then that noise nearly becomes the =
only noise in the world.  I still hope one of these days I'll encounter =
a doctor who really wants to get to the root of things.  One item I =
discovered was Otosclerosis, a kind of hardening of the tubes round your =
ears, which can cause similar effects, but usually in people who are =
older than me I think.  My search continues, and I hope that I can still =
hear beyond the hissing in another ten years.

So I'm not sure tinnitus is all it's presented as - or perhaps it's the =
catch-all of ear disorders.  My two cents, with part of my senses.


From: Erdem Helvacioglu=20
Sent: Tuesday, February 02, 2010 6:28 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: tmj- tinnitus


dear friends,

i have been diagnosed with this disease. tmj - tinnitus
http://www.t-gone.com/tinnitus/tmj-treatment.asp

the major cause is too much stress, too much coffee, problems with the =
jaw ( which mostly happens if you grind your teeth while asleep because =
of stress ). since we all work hard under too much stress and other =
things, wanted to share this with you. could happen to anyone of us.

i know that the cure is not hard and will take around 1 month or so.=20

please be kind to yourself guys.

best.=20

erdem h.
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<DIV><FONT size=3D2 face=3D"Trebuchet MS">Very sorry to hear about the =
tinnitus=20
Erdem - so are your doctors sure that's what it is?</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">The following only made sense =
in=20
retrospect: In 2001 we were subjected to a lot of plaster and paint dust =
from=20
sanding at our flat, and in order to clear my nose and hopefully avoid =
snoring=20
(we were after all not married a year at that time) I frankly used =
enough nasal=20
spray to call it abuse.&nbsp; My sinuses and ears would be totally =
clogged, and=20
the only relief was the spray.&nbsp; I would administer it, then lie on =
the=20
floor to let it work its way to the back of my sinuses.&nbsp; I believe =
in the=20
process I may have pushed some of that particulate matter back further =
into my=20
sinuses, to the area of my eustation [sp?] tubes surrounding the =
ear.&nbsp; Six=20
months after this I began to experience a slight balance problem once in =
a=20
while, but mostly I noticed that if I had the water on in the kitchen, I =

couldn't hear my wife in the next room.&nbsp; At the same time I noticed =
that=20
the scrapes and banging noises on the Tube in London really made me =
jump, and it=20
wasn't as if they were louder, just that I was noticing them a lot more, =

suddenly.&nbsp; Several months later I couldn't discern what my wife was =
saying=20
if she was in the kitchen with me and I had the water on =
full.</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">So, off to the NHS, who with =
only a single=20
hearing test and my description declared it "tinnitus", and sent me to =
therapy=20
(aka How To Deal With Something The Rest Of Your Life, sort of).&nbsp; I =
wanted=20
more than just a fobbed-off pat answer and my inquiries for several =
years have=20
come to no avail.&nbsp; The hissing is higher-pitched than a regular =
hiss, like=20
I need a Dolby system in my head, 24/7.&nbsp; It's worst when I have any =
sinus=20
congestion.&nbsp; A year ago I fell off a ladder from too far up to be =
good=20
sense because I had a moment of vertigo while at the top, briefly.&nbsp; =
NHS=20
still has no official opinion as to what it IS, and so it is not a =
problem to=20
them, with the exception of one doctor who studied the vertigo and had =
me sent=20
for cat scans and MRIs, though they were never fully followed through or =

investigated.&nbsp; I have a CD full of the MRIs that I'm going to turn =
into art=20
at some point; and can generally hear through the hissing except when =
there's a=20
batch of white noise or a crackling bag of chips or something, then that =
noise=20
nearly becomes the only noise in the world.&nbsp; I still hope one of =
these days=20
I'll encounter a doctor who really wants to get to the root of =
things.&nbsp; One=20
item I discovered was Otosclerosis, a kind of hardening of the tubes =
round your=20
ears, which can cause similar effects, but usually in people who are =
older than=20
me I think.&nbsp; My search continues, and I hope that I can still hear =
beyond=20
the hissing in another ten years.</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">So I'm not sure tinnitus is =
all it's=20
presented as - or perhaps it's the catch-all of ear disorders.&nbsp; My =
two=20
cents, with part of my senses.</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><FONT face=3D"Trebuchet MS"></FONT><FONT=20
face=3D"Trebuchet MS"></FONT><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Derdemhel@tnn.net=20
href=3D"mailto:erdemhel@tnn.net">Erdem Helvacioglu</A> </DIV>
<DIV><B>Sent:</B> Tuesday, February 02, 2010 6:28 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> tmj- tinnitus</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT size=3D2 face=3DArial>dear friends,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>i have been diagnosed with this =
disease. tmj -=20
tinnitus</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.t-gone.com/tinnitus/tmj-treatment.asp">http://www.t-go=
ne.com/tinnitus/tmj-treatment.asp</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>the major cause is too much stress, too =
much=20
coffee, problems with the jaw ( which mostly happens if you grind your =
teeth=20
while asleep because of stress ). since we all work&nbsp;hard under too =
much=20
stress and other things, wanted to share this with you. could =
happen&nbsp;to=20
anyone of us.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>i know that the&nbsp;cure is not hard =
and will take=20
around 1 month or so.</FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>please be kind to yourself =
guys.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>best. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>erdem h.</FONT></DIV></BODY></HTML>

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Date: Tue, 2 Feb 2010 17:08:13 -0800 (PST)
From: "MR.BARRY IKERI" <kerolf@sbcglobal.net>
Subject: YOUR PAYMENT FROM WESTERN UNION
To: undisclosed recipients: ;
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Attention:Beneficiary

I Am Chimma John, secretary to Dr. Timothy Hanson. I'm writing to let you k=
now about your $4.5Million=A0 that my boss issued on your name before his t=
ravel out for his business purpose.Before he travels out he instructed me t=
o send you the total money through Western Union Money Transfer because it =
will be less expensive and reliable for you to be receiving your daily $900=
0 dollar until you receive your tota moneycompletely.

Meanwhile, the manager stated yesterday that, the director administrator tr=
ust funds have already signed and approved your payment, which you will be =
receiving your payment $9000.00 Us Dollars immediately you sent them their =
transfer charge and it will serve as reconfirmation of your file payment fr=
om the office in charge.


So you are to contact them on below information,Vital Finance Bank Western =
Union Department.Location Address; Plot 1261, Adeola Hopewell Street CO/B/R=
EP,Contact Person: Mr Tony WoodsTele phone Number: +229-9867-8910 Email Add=
ress::::=A0 moneywireringtr@hosanna.net Be advise that the transfer charge =
is a compulsory as they told me that is only money you will pay until you r=
eceive your payment completely .So reconfirm your details and to avoid any =
hitches in receiving your full payments.This is what they need from you Rec=
eiver'=20

Name::::::::=20
Country::::::::::::::=20
City:::::::::::::::::=20
Tel::::::::::::::::::=20
Test question::::::::
Answer:::::::::::::::=20
Copy of your id::::::

Also do let me know immediately they have started sending you your money, b=
ut try to comply with them to enable them serve you better.
Thank,secretary=20
Chimma John.
=A0
=A0


=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-style: italic;"><span sty=
le=3D"font-weight: bold;">Attention:Beneficiary<br><br>I Am Chimma John, se=
cretary to Dr. Timothy Hanson. I'm writing to let you know about your $4.5M=
illion&nbsp; that my boss issued on your name before his travel out for his=
 business purpose.Before he travels out he instructed me to send you the to=
tal money through Western Union Money Transfer because it will be less expe=
nsive and reliable for you to be receiving your daily $9000 dollar until yo=
u receive your tota moneycompletely.<br><br>Meanwhile, the manager stated y=
esterday that, the director administrator trust funds have already signed a=
nd approved your payment, which you will be receiving your payment $9000.00=
 Us Dollars immediately you sent them their transfer charge and it will ser=
ve as reconfirmation of your file payment from the office in charge.<br><br=
><br>So
 you are to contact them on below information,Vital Finance Bank Western Un=
ion Department.Location Address; Plot 1261, Adeola Hopewell Street CO/B/REP=
,Contact Person: Mr Tony WoodsTele phone Number: +229-9867-8910 Email Addre=
ss::::&nbsp; moneywireringtr@hosanna.net Be advise that the transfer charge=
 is a compulsory as they told me that is only money you will pay until you =
receive your payment completely .So reconfirm your details and to avoid any=
 hitches in receiving your full payments.This is what they need from you Re=
ceiver' <br><br>Name:::::::: <br>Country:::::::::::::: <br>City::::::::::::=
::::: <br>Tel:::::::::::::::::: <br>Test question::::::::<br>Answer::::::::=
::::::: <br>Copy of your id::::::<br><br>Also do let me know immediately th=
ey have started sending you your money, but try to comply with them to enab=
le them serve you better.<br>Thank,secretary <br>Chimma John.<br>&nbsp;<br>=
&nbsp;<br></span></span><br><br>&nbsp;</td></tr></table>
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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 01:32:25 2010
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Subject: Re: 2 new tracks (free downloads)
Date: Tue, 2 Feb 2010 17:32:24 -0800
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Sjaak,

Listening to thefirst track right now.

Enjoying it immensely.

Thanks for sharing you fine work with the rest of us.

Cheers,

Ted

On Feb 2, 2010, at 3:16 PM, Sjaak Overgaauw wrote:

> Hi all,
> I have been testing with a new live setup based on Mainstage 2 and
> Augustus Loop. Here are two excerpts of the recordings:
>
> http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
> http://euroloopfest.com/premonitionfactory/demos/20100203.mp3
>
> Btw: the debut album of the Premonition Factory project will be
> released on Feb 20, 2010. It's a limited edition 6 page digisleeve
> plus booklet. Stay tuned :)
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/

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Reply-To: <acdwmel@gmail.com>
From: "Dwight Melvin"<wsdm@asc-dex.com>
Subject: PAYMENTS SENT TO OUR BANK
Date: Tue, 2 Feb 2010 23:32:04 -0000
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SWIFT MESSAGE 

Swift Input         : FIN103 CUSTOMER CREDIT
Date of issue       : 07 / 01 / 2009
Maturing at         : 23 / 12 / 2009 
Amount              : 5,390,000.00 USD

              TRANSIT BULK DELIVERY TRANSFER NOTIFICATION:
              REF. S076554920134392, ($5,390,000-00=MILLION) ONLY, 

Hello Dear, 

We refer to thirty- six (36) payments sent to our bank on the 17th of December 2009 under the instructions of the International Centre for Settlement of Contracts & Investments Disputes (ICSID) which is an autonomous international institution established under the United Nations (UN) Convention on the Settlement of Contracts Disputes, Lottery Winnings etc. Value was 23rd December 2009. Twenty-seven payments have since been completed, while nine remained pending.  

Your name has just been submitted to us as the beneficiary to one of the payments under the following transaction references;
         
1) TRN S076554920134392
Amount USD 5,390,000 -00 
Value dated 23 December 2009
By order of ICSID via the Central Bank of France 
Reference: FR/FMF/BCEAO-47/09ST

We advise as status payment arriving our bank and ready for onward transmission to your account as the final beneficiary. The fund transfer will be credited and completed via swift as a 72hrs (3-days) normal banking period is allowed and shall be taking its normal banking routing and clearing system through our correspondent bank, Bank of America, in North Carolina.

This means that funds will be available in your account within 5-days upon receiving your urgent response.

Also attached with this letter is PROVE OF DEPOSIT & STATEMENT.

Should you require any clarifications and/or enquiry, please contact the undersigned at the below telephone, fax or email.

Attn: Dwight Melvin
Wire Services Manager
Fideuram Management Bank (Irelnd) Ltd.
Tel:  +353-7-66060871

Sincerely, 

Dwight Melvin 
Wire Services. 
+353-7-66060871.

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Date: Tue, 2 Feb 2010 17:37:40 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: 2 new tracks (free downloads)
To: Loopers-Delight@loopers-delight.com
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Nice sounds Sjaak! I love the chill vibe!!

--- On Tue, 2/2/10, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

From: Sjaak Overgaauw <tcplugin@gmail.com>
Subject: 2 new tracks (free downloads)
To: "LD" <Loopers-Delight@loopers-delight.com>
Date: Tuesday, February 2, 2010, 3:16 PM

Hi all,
I have been testing with a new live setup based on Mainstage 2 and
Augustus Loop. Here are two excerpts of the recordings:

http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
http://euroloopfest.com/premonitionfactory/demos/20100203.mp3

Btw: the debut album of the Premonition Factory project will be
released on Feb 20, 2010. It's a limited edition 6 page digisleeve
plus booklet. Stay tuned :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/




      
--0-130738286-1265161060=:86700
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Nice sounds Sjaak! I love the chill vibe!!<br><br>--- On <b>Tue, 2/2/10, Sjaak Overgaauw <i>&lt;tcplugin@gmail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Sjaak Overgaauw &lt;tcplugin@gmail.com&gt;<br>Subject: 2 new tracks (free downloads)<br>To: "LD" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Date: Tuesday, February 2, 2010, 3:16 PM<br><br><div class="plainMail">Hi all,<br>I have been testing with a new live setup based on Mainstage 2 and<br>Augustus Loop. Here are two excerpts of the recordings:<br><br><a href="http://euroloopfest.com/premonitionfactory/demos/20100202.mp3" target="_blank">http://euroloopfest.com/premonitionfactory/demos/20100202.mp3</a><br><a href="http://euroloopfest.com/premonitionfactory/demos/20100203.mp3"
 target="_blank">http://euroloopfest.com/premonitionfactory/demos/20100203.mp3</a><br><br>Btw: the debut album of the Premonition Factory project will be<br>released on Feb 20, 2010. It's a limited edition 6 page digisleeve<br>plus booklet. Stay tuned :)<br>-- <br>Sjaak Overgaauw<br><a href="http://premonitionfactory.com/" target="_blank">http://premonitionfactory.com/</a><br><a href="http://livelooping.be/" target="_blank">http://livelooping.be/</a><br><br></div></blockquote></td></tr></table><br>



      
--0-130738286-1265161060=:86700--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 01:50:53 2010
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Many sympathies, and best wishes for a rapid rebound.

2010/2/2 Erdem Helvacioglu <erdemhel@tnn.net>:
> dear friends,
>
> i have been diagnosed with this disease. tmj - tinnitus
> http://www.t-gone.com/tinnitus/tmj-treatment.asp
>
> the major cause is too much stress, too much coffee, problems with the ja=
w (
> which mostly happens if you grind your teeth while asleep because of stre=
ss
> ). since we all work=A0hard under too much stress and other things, wante=
d to
> share this with you. could happen=A0to anyone of us.
>
> i know that the=A0cure is not hard and will take around 1 month or so.
>
> please be kind to yourself guys.
>
> best.
>
> erdem h.



--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 02:11:20 2010
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Erdem,

May you recover quickly and completely.   I can only imagine how =20
distressing tinnitus can be.  Take care of yourself.

-- Kevin

Quoting Warren Sirota <wsirota@wsdesigns.com>:

> Many sympathies, and best wishes for a rapid rebound.
>
> 2010/2/2 Erdem Helvacioglu <erdemhel@tnn.net>:
>> dear friends,
>>
>> i have been diagnosed with this disease. tmj - tinnitus
>> http://www.t-gone.com/tinnitus/tmj-treatment.asp
>>
>> the major cause is too much stress, too much coffee, problems with the ja=
w (
>> which mostly happens if you grind your teeth while asleep because of stre=
ss
>> ). since we all work=A0hard under too much stress and other things, wante=
d to
>> share this with you. could happen=A0to anyone of us.
>>
>> i know that the=A0cure is not hard and will take around 1 month or so.
>>
>> please be kind to yourself guys.
>>
>> best.
>>
>> erdem h.
>
>
>
> --
> Warren
> http://www.warrensirota.com
> NEW CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota
>
>



From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 05:25:51 2010
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Subject: Re: a great iphone looper [thumbjam]
Date: Tue, 2 Feb 2010 20:55:01 -0800
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and all the cello samples in there are me ;-)

long live jesse chappell....

On Feb 2, 2010, at 6:55 AM, todd reynolds wrote:

> My friends, if I'm not mistaken, ThumbJam, the iphone looper you've =20=

> mentioned, is made by our own Jesse Chappell, the creater of =20
> SooperLooper, which many of us use.
>
>
>
> --=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 In C Remixed now released on iTunes and Amazon! ::  Read about it =20=

> here... http://bit.ly/3Pm4g3
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=

> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>


--Apple-Mail-1--897107343
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">and all the cello samples in =
there are me ;-)<div><br></div><div>long live jesse =
chappell....</div><div><br><div><div>On Feb 2, 2010, at 6:55 AM, todd =
reynolds wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">My friends, if I'm not mistaken, ThumbJam, the iphone =
looper you've mentioned, is made by our own Jesse Chappell, the creater =
of SooperLooper, which many of us use.&nbsp;<div><br></div><div><br =
clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br> =95 In C =
Remixed now released on iTunes and Amazon! :: &nbsp;Read about it =
here... <a =
href=3D"http://bit.ly/3Pm4g3">http://bit.ly/3Pm4g3</a><br><br><br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><a =
href=3D"http://toddreynolds.com">http://toddreynolds.com</a><br> <a =
href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler</a>=
<br><a =
href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreyno=
ldsmusic</a><br><a =
href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><br>=
 <a =
href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreynolds=
</a><br><a =
href=3D"http://reverbnation.com/toddreynolds">http://reverbnation.com/todd=
reynolds</a><br><br> </div></blockquote></div><br></div></body></html>=

--Apple-Mail-1--897107343--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 06:38:49 2010
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 you Choose
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Hi all,

I have a client who has a fair amount of money.

He has asked me to recommend him the best stomp box pedal
in one of several different categories.   He is a simple metal player so
he's not interested in a lot of the more esoteric pedals that I normally 
use
for more experimental purposes.

I know that, as an example,  my brother Bill, really loves
his Zen Drive and also a particular light weight but not-inexpensive 
compressor
that he uses.

So,  if you don't mind taking the time,
and you had to pick only one stomp box pedal in each of the following 
categories
what would they be?   
By the way,   he's not at all interested large pedals (double pedals)
 (like the Line 6 or large Boss multi-pedals),  He wants small footprint
stompbox pedals

Finally,  simplicity, small footprint and ease of use are high priorities.

Here are my own recommendations for what it's worth:

*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED hack of a
Boss DS-1 Distortion pedal)

*CHORUS*
Boss CE-2    (just don't know enough about pricier botique ones.....any 
suggestions?)

*FLANGER*
Boss Flanger
*
PHASER*
Electro Harmonix Bad Stone

*COMPRESSOR*
The cool one my brother has but he's not home right now so I can't 
remember it's name
*
DIGITAL DELAY*
?
*
ANALOGUE DELAY*
?
*
PITCH SHIFTER*
Boss P-5 Intellishifter

*TREMELO
*Alesis Ampliton

*WAH WAH*
DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah pedal)

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 06:56:14 2010
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From: john floridis <john@johnfloridis.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Subject: RC 50 output issue
Date: Tue, 2 Feb 2010 23:49:32 -0700
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Does anyone know what might cause a slight distortion in an output  
signal, in this case from an RC 50, enough to be audible in a p.a.  
system, but NOT in the headphones of the RC 50.  All levels seem to be  
normal.  The output distortion is audible in both L and R channels  
when going to the PA.

This is an acoustic guitar going through several stages including a  
Fishman Blender, a POD X3 LIve, and a couple of small pedals to the  
Boss, so several opportunities for clipping, but I don't know why it  
would distort in the main outputs and not in the headphones.

I'm missing something obvious, yes?

John

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Hi John=2C

Have you tried reducing the input gain on the PA? It could be clipping ther=
e.

G

> From: john@johnfloridis.com
> To: Loopers-Delight@loopers-delight.com
> Subject: RC 50 output issue
> Date: Tue=2C 2 Feb 2010 23:49:32 -0700
>=20
> Does anyone know what might cause a slight distortion in an output =20
> signal=2C in this case from an RC 50=2C enough to be audible in a p.a. =20
> system=2C but NOT in the headphones of the RC 50.  All levels seem to be =
=20
> normal.  The output distortion is audible in both L and R channels =20
> when going to the PA.
>=20
> This is an acoustic guitar going through several stages including a =20
> Fishman Blender=2C a POD X3 LIve=2C and a couple of small pedals to the =
=20
> Boss=2C so several opportunities for clipping=2C but I don't know why it =
=20
> would distort in the main outputs and not in the headphones.
>=20
> I'm missing something obvious=2C yes?
>=20
> John
>=20
 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
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Hi John=2C<br><br>Have you tried reducing the input gain on the PA? It coul=
d be clipping there.<br><br>G<br><br>&gt=3B From: john@johnfloridis.com<br>=
&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: RC 50 out=
put issue<br>&gt=3B Date: Tue=2C 2 Feb 2010 23:49:32 -0700<br>&gt=3B <br>&g=
t=3B Does anyone know what might cause a slight distortion in an output  <b=
r>&gt=3B signal=2C in this case from an RC 50=2C enough to be audible in a =
p.a.  <br>&gt=3B system=2C but NOT in the headphones of the RC 50.  All lev=
els seem to be  <br>&gt=3B normal.  The output distortion is audible in bot=
h L and R channels  <br>&gt=3B when going to the PA.<br>&gt=3B <br>&gt=3B T=
his is an acoustic guitar going through several stages including a  <br>&gt=
=3B Fishman Blender=2C a POD X3 LIve=2C and a couple of small pedals to the=
  <br>&gt=3B Boss=2C so several opportunities for clipping=2C but I don't k=
now why it  <br>&gt=3B would distort in the main outputs and not in the hea=
dphones.<br>&gt=3B <br>&gt=3B I'm missing something obvious=2C yes?<br>&gt=
=3B <br>&gt=3B John<br>&gt=3B <br> 		 	   		  <br /><hr />Do you have a sto=
ry that started on Hotmail? <a href=3D'http://clk.atdmt.com/UKM/go/19501311=
7/direct/01/' target=3D'_new'>Tell us now</a></body>
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From williamuba@muzaffarabadak.com  Wed Feb  3 07:13:16 2010
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Dear Friend,

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I have decided to compensate you with the sum of $850,000,00. Eight Hundred and Fifty Thousand United States Dollars in a Cashier's cheque.This is from my own share I did this simply to show appreciation to you for your kind support.

Presently I am in Paraguay for investment project with my own share under the advice of my new partner.I will be sending you e-mail from time to time to know if you have received your own share or not In the light of the above you are therefore to contact my Attorney  Barrister Paul Adams in Accra Ghana and do send him your name,phone number and your contact address where you want your cheque to be sent to you,His e-mail address is: barrpauladams@lawyer.com

Please do let me know immediately you receive it so that we can share the joy together after all the suffering at that time In the moment I am very busy here in Asuncion the capital city of Paraguay because of the investment projects which the new partner and I are having at hand So feel free to get in touch with him to send your cheque to you without any delay.

With My Best Regards,
William Uba.

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THE BMW AUTOMOBILE COMPANY.
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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 07:20:34 2010
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Yep, I have tried that....I tested this out on two different  
P.A.'s, ........one a simple Mackie Mixer going to a powered 450  
speaker, and the other a new Bose system.

Thanks for the suggestion though,
JF

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 07:23:13 2010
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Ok=2C Can you record the output of your pedal into a computer and have a lo=
ok at the waveform?

g

> From: john@johnfloridis.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC 50 output issue
> Date: Wed=2C 3 Feb 2010 00:20:33 -0700
>=20
> Yep=2C I have tried that....I tested this out on two different =20
> P.A.'s=2C ........one a simple Mackie Mixer going to a powered 450 =20
> speaker=2C and the other a new Bose system.
>=20
> Thanks for the suggestion though=2C
> JF
>=20
 		 	   		 =20
_________________________________________________________________
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Ok=2C Can you record the output of your pedal into a computer and have a lo=
ok at the waveform?<br><br>g<br><br>&gt=3B From: john@johnfloridis.com<br>&=
gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: RC 50 =
output issue<br>&gt=3B Date: Wed=2C 3 Feb 2010 00:20:33 -0700<br>&gt=3B <br=
>&gt=3B Yep=2C I have tried that....I tested this out on two different  <br=
>&gt=3B P.A.'s=2C ........one a simple Mackie Mixer going to a powered 450 =
 <br>&gt=3B speaker=2C and the other a new Bose system.<br>&gt=3B <br>&gt=
=3B Thanks for the suggestion though=2C<br>&gt=3B JF<br>&gt=3B <br> 		 	   =
		  <br /><hr />Got a cool Hotmail story? <a href=3D'http://clk.atdmt.com/U=
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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 07:39:39 2010
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Hi Rick!!!

T Rex Replica is a really great sounding delay.  I use it all the  
time.  Some guys buy the delay just for the 'brown' tone switch on it.

http://t-rex-effects.com/Default.aspx?ID=2&ProductID=PROD13&VariantID=

Fulltone Tape Delay is great but expensive, the mechanics of it are  
noisy so can't have in room with you unless doing Blue Cheer volumes.   
But it sounds really fabulous.  But I travel with the T Rex. Last I  
heard Carlos Santana does too.  Due to laziness and because it sounds  
great, I used the Replica on this last record.  But it's just an echo  
- no looping.

The Durham Sex Drive has a kind of cool compressor on it.  Try before  
you buy.  I like the old Dynacomp for clicky nastiness. Sex Drive a  
gentler compressor.  I'd love to learn what Bill uses.

Have a Hip Kitty "Cream" distortion.  Pretty good. Recently got a King  
Of Tone Sunface distortion - expensive, two year waiting list.  The  
little bit I've used it I've liked it pretty much, but you can't get  
that Husqvarna chain saw tone.  Great for blues/bar rock though. I  
used the Hip Kitty a fair bit on this last record and it actually  
sounds really cool.

http://hipkittyproducts.com/pb/wp_5c0b9e9e/wp_5c0b9e9e.html

FOr massive distortion, I miss my old Ibanez Multi Effects Box UE  
400.  Still have it but pedal broken.  Great crunch. Great  
compressor.  Bought it circa 1978 or so.

Use an Area 51 Electronics wah.  I love it.  Mod of a Dunlop 95 I  
think it is.  Cool guy that owns Area 51.

http://area51tubeaudiodesigns.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=001&Product_Code=viwkdropin&Category_Code=cat002

When I used to have to do metal guitar for commercials and stuff, I  
used the Digitech twin tube, which has a convincing Marshall setting  
that can be tweaked. Probably get a used on REAL cheap - but they're  
rack mount.

I don't use chorus, flanger, pedal vibrato.  Use the old Magnatone 213  
amps for vibrato!  Can't be beat.

Now, I was with Paul Smith at this last NAMM, and he has some new amps  
that sound INCREDIBLE without any stomp boxes.  Amazing.  One had a  
wattage control, input gain for bass and treble and then the regular  
tone pots bass mid treble.  It really sounded great I thought.  Can't  
remember the model, but if you want I can find out.  I would just buy  
an amp like this and skip the hassle of pedals.  Nice metal crunch but  
sweet cleans - and you can get the crunch at any level.  At least he  
should check it out.

happy motoring

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 2, 2010, at 10:38 PM, Rick Walker wrote:

> Hi all,
>
> I have a client who has a fair amount of money.
>
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories.   He is a simple metal  
> player so
> he's not interested in a lot of the more esoteric pedals that I  
> normally use
> for more experimental purposes.
>
> I know that, as an example,  my brother Bill, really loves
> his Zen Drive and also a particular light weight but not-inexpensive  
> compressor
> that he uses.
>
> So,  if you don't mind taking the time,
> and you had to pick only one stomp box pedal in each of the  
> following categories
> what would they be?   By the way,   he's not at all interested large  
> pedals (double pedals)
> (like the Line 6 or large Boss multi-pedals),  He wants small  
> footprint
> stompbox pedals
>
> Finally,  simplicity, small footprint and ease of use are high  
> priorities.
>
> Here are my own recommendations for what it's worth:
>
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED hack  
> of a
> Boss DS-1 Distortion pedal)
>
> *CHORUS*
> Boss CE-2    (just don't know enough about pricier botique  
> ones.....any suggestions?)
>
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
>
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't  
> remember it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>
> *TREMELO
> *Alesis Ampliton
>
> *WAH WAH*
> DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah  
> pedal)
>


--Apple-Mail-2--887232566
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi Rick!!!<div><br></div><div>T =
Rex Replica is a really great sounding delay. &nbsp;I use it all the =
time. &nbsp;Some guys buy the delay just for the 'brown' tone switch on =
it. &nbsp;<div><br></div><div><a =
href=3D"http://t-rex-effects.com/Default.aspx?ID=3D2&amp;ProductID=3DPROD1=
3&amp;VariantID=3D">http://t-rex-effects.com/Default.aspx?ID=3D2&amp;Produ=
ctID=3DPROD13&amp;VariantID=3D</a><br><div><br></div><div>Fulltone Tape =
Delay is great but expensive, the mechanics of it are noisy so can't =
have in room with you unless doing Blue Cheer volumes. &nbsp;But it =
sounds really fabulous. &nbsp;But I travel with the T Rex. Last I heard =
Carlos Santana does too. &nbsp;Due to laziness and because it sounds =
great, I used the Replica on this last record. &nbsp;But it's just an =
echo - no looping.&nbsp;</div><div><br></div><div>The Durham Sex Drive =
has a kind of cool compressor on it. &nbsp;Try before you buy. &nbsp;I =
like the old Dynacomp for clicky nastiness. Sex Drive a gentler =
compressor. &nbsp;I'd love to learn what Bill uses. =
&nbsp;</div><div><br></div><div>Have a Hip Kitty "Cream" distortion. =
&nbsp;Pretty good. Recently got a King Of Tone Sunface distortion - =
expensive, two year waiting list. &nbsp;The little bit I've used it I've =
liked it pretty much, but you can't get that Husqvarna chain saw tone. =
&nbsp;Great for blues/bar rock though. I used the Hip Kitty a fair bit =
on this last record and it actually sounds really cool. =
&nbsp;</div><div><br></div><div>http://hipkittyproducts.com/pb/wp_5c0b9e9e=
/wp_5c0b9e9e.html</div><div><br></div><div>FOr massive distortion, I =
miss my old Ibanez Multi Effects Box UE 400. &nbsp;Still have it but =
pedal broken. &nbsp;Great crunch. Great compressor. &nbsp;Bought it =
circa 1978 or so.</div><div><br></div><div>Use an Area 51 Electronics =
wah. &nbsp;I love it. &nbsp;Mod of a Dunlop 95 I think it is. &nbsp;Cool =
guy that owns Area 51. =
&nbsp;</div><div><br></div><div>http://area51tubeaudiodesigns.com/Merchant=
2/merchant.mvc?Screen=3DPROD&amp;Store_Code=3D001&amp;Product_Code=3Dviwkd=
ropin&amp;Category_Code=3Dcat002</div><div><br></div><div>When I used to =
have to do metal guitar for commercials and stuff, I used the Digitech =
twin tube, which has a convincing Marshall setting that can be tweaked. =
Probably get a used on REAL cheap - but they're rack =
mount.</div><div><br></div><div>I don't use chorus, flanger, pedal =
vibrato. &nbsp;Use the old Magnatone 213 amps for vibrato! &nbsp;Can't =
be beat.&nbsp;</div><div><br></div><div>Now, I was with Paul Smith at =
this last NAMM, and he has some new amps that sound INCREDIBLE without =
any stomp boxes. &nbsp;Amazing. &nbsp;One had a wattage control, input =
gain for bass and treble and then the regular tone pots bass mid treble. =
&nbsp;It really sounded great I thought. &nbsp;Can't remember the model, =
but if you want I can find out. &nbsp;I would just buy an amp like this =
and skip the hassle of pedals. &nbsp;Nice metal crunch but sweet cleans =
- and you can get the crunch at any level. &nbsp;At least he should =
check it out.&nbsp;</div><div><br></div><div>happy =
motoring</div><div>&nbsp;<br><div apple-content-edited=3D"true"> <div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 18px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#908E38">www.glasswing.com</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#908E38">www.richardsales.com</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#908E38">www.hayleysales.com</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#908E38">www.goodnaturefarms.com</font></div><div><br></div></div=
></span><br class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div><br =
class=3D"Apple-interchange-newline"></div><br =
class=3D"Apple-interchange-newline"></div><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 2, 2010, =
at 10:38 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Hi =
all,<br><br>I have a client who has a fair amount of money.<br><br>He =
has asked me to recommend him the best stomp box pedal<br>in one of =
several different categories. &nbsp;&nbsp;He is a simple metal player =
so<br>he's not interested in a lot of the more esoteric pedals that I =
normally use<br>for more experimental purposes.<br><br>I know that, as =
an example, &nbsp;my brother Bill, really loves<br>his Zen Drive and =
also a particular light weight but not-inexpensive compressor<br>that he =
uses.<br><br>So, &nbsp;if you don't mind taking the time,<br>and you had =
to pick only one stomp box pedal in each of the following =
categories<br>what would they be? &nbsp;&nbsp;By the way, =
&nbsp;&nbsp;he's not at all interested large pedals (double =
pedals)<br>(like the Line 6 or large Boss multi-pedals), &nbsp;He wants =
small footprint<br>stompbox pedals<br><br>Finally, &nbsp;simplicity, =
small footprint and ease of use are high priorities.<br><br>Here are my =
own recommendations for what it's =
worth:<br><br>*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<br>DAED DS-1 =
DISTORTO SYNTH &nbsp;&nbsp;(very inexpensive and wonderful DAED hack of =
a<br>Boss DS-1 Distortion pedal)<br><br>*CHORUS*<br>Boss CE-2 =
&nbsp;&nbsp;&nbsp;(just don't know enough about pricier botique =
ones.....any suggestions?)<br><br>*FLANGER*<br>Boss =
Flanger<br>*<br>PHASER*<br>Electro Harmonix Bad =
Stone<br><br>*COMPRESSOR*<br>The cool one my brother has but he's not =
home right now so I can't remember it's name<br>*<br>DIGITAL =
DELAY*<br>?<br>*<br>ANALOGUE DELAY*<br>?<br>*<br>PITCH SHIFTER*<br>Boss =
P-5 Intellishifter<br><br>*TREMELO<br>*Alesis Ampliton<br><br>*WAH =
WAH*<br>DAED 'Juicy Wah' &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(DAED's =
inexpensive 'hack of a Crybaby wah =
pedal)<br><br></div></blockquote></div><br></div></div></div></body></html=
>=

--Apple-Mail-2--887232566--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 07:53:24 2010
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Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would
 you Choose
Date: Wed, 03 Feb 2010 00:53:18 -0600
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>
>
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*

Huge, huge category, but for fuzzes, nothing beats Pro Analog. I'm not  
sure if Scotty makes them anymore, though. Z Vex Fuzz Factory is also  
a good one. Lovetone Big Cheese/Cheese Source--if he can find one.  
(You said he had bucks...)

>
> *CHORUS*
> Boss CE-2    (just don't know enough about pricier botique  
> ones.....any suggestions?)

Analogman Chorus...pick your options.

>
> *FLANGER*
>

New A/DA flanger reissue. Or, if you can find one, Paradox TZF Flanger

> *
> PHASER*
>

Maxon PH-350
Diamond Pedals Phaser
Red Witch Deluxe Moon Phaser

>
> *COMPRESSOR*
>

Analogman Bi-Comp.

> DIGITAL DELAY*
>

Eventide Time Factor

> ANALOGUE DELAY*

Echoczar (but, he'll have to wait about 2 or 3 years)
Diamond Pedals Memory Lane 2
Deluxe Memory Man
One of the many Malekko delays


> *
> PITCH SHIFTER*

Eventide PitchFactor

>
> *TREMELO
>
> *WAH WAH*

He could buy separate pedals, or get the Eventide ModFactor to cover  
both sounds. If he's not interested in doing that, then:

Diamond Pedals Tremolo
Empress Tremolo
RMC Wah
Fulltone Clyde Deluxe Wah

Video demos for all of these (I think) are available at  
proguitarshop.com

Jeff


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font><br>*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAI=
N:*<br></div></blockquote><div><br></div>Huge, huge category, but for =
fuzzes, nothing beats Pro Analog. I'm not sure if Scotty makes them =
anymore, though. Z Vex Fuzz Factory is also a good one. Lovetone Big =
Cheese/Cheese Source--if he can find one. (You said he had =
bucks...)</div><div><br><blockquote =
type=3D"cite"><div><br>*CHORUS*<br>Boss CE-2 &nbsp;&nbsp;&nbsp;(just =
don't know enough about pricier botique ones.....any =
suggestions?)<br></div></blockquote><div><br></div>Analogman =
Chorus...pick your options.</div><div><br><blockquote =
type=3D"cite"><div><br>*FLANGER*<br><br></div></blockquote><div><br></div>=
New A/DA flanger reissue. Or, if you can find one, Paradox TZF =
Flanger&nbsp;</div><div><br><blockquote =
type=3D"cite"><div>*<br>PHASER*<br><br></div></blockquote><div><br></div>M=
axon PH-350</div><div>Diamond Pedals Phaser</div><div>Red Witch Deluxe =
Moon Phaser</div><div><br><blockquote =
type=3D"cite"><div><br>*COMPRESSOR*<br><br></div></blockquote><div><br></d=
iv>Analogman Bi-Comp.</div><div><br><blockquote type=3D"cite"><div>DIGITAL=
 DELAY*<br><br></div></blockquote><div><br></div>Eventide Time =
Factor</div><div><br><blockquote type=3D"cite"><div>ANALOGUE =
DELAY*<br></div></blockquote><div><br></div>Echoczar (but, he'll have to =
wait about 2 or 3 years)</div><div>Diamond Pedals Memory Lane =
2</div><div>Deluxe Memory Man</div><div>One of the many Malekko =
delays</div><div><br></div><div><br><blockquote =
type=3D"cite"><div>*<br>PITCH =
SHIFTER*<br></div></blockquote><div><br></div>Eventide =
PitchFactor</div><div><br><blockquote =
type=3D"cite"><div><br>*TREMELO<br><br>*WAH =
WAH*<br></div></blockquote><br></div><div>He could buy separate pedals, =
or get the Eventide ModFactor to cover both sounds. If he's not =
interested in doing that, then:</div><div><br></div><div>Diamond Pedals =
Tremolo</div><div>Empress Tremolo</div><div>RMC Wah</div><div>Fulltone =
Clyde Deluxe Wah</div><div><br></div><div>Video demos for all of these =
(I think) are available at =
proguitarshop.com</div><div><br></div><div>Jeff</div><br></body></html>=

--Apple-Mail-18--890009914--

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Date: Wed, 03 Feb 2010 09:58:01 +0100
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Subject: Re: RC 50 output issue
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Hi John

> This is an acoustic guitar going through several stages including a 
> Fishman Blender, a POD X3 LIve, and a couple of small pedals to the 
> Boss, so several opportunities for clipping, but I don't know why it 
> would distort in the main outputs and not in the headphones.
If the RC50 is the last position before the PA, then use a DI-Box.

If this does not help: does the Guidedrumset also distort? Is the 
distortion also audible at the Sub-Outs?

Florian

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Our forum is ticking over - 861 posts so far. Can't quite imagine how 
people don't find it - it's second on google when you query "looping 
music". All registrations are approved and there's a "one spam and 
you're gone" policy.

http://loopingmusic.proboards.com


Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



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Message-ID: <4B6945C5.4060005@tiscali.co.uk>
Date: Wed, 03 Feb 2010 09:45:41 +0000
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Subject: Re: RC 50 output issue
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john floridis wrote:
> Does anyone know what might cause a slight distortion in an output 
> signal, in this case from an RC 50, enough to be audible in a p.a. 
> system, but NOT in the headphones of the RC 50.  All levels seem to be 
> normal. 

Assuming you're 100% sure it's not that you're overloading the mixer input.
Either
1) that's just how it sounds, try turning the level down. (Roland stuff isn't high quality)
2) there's a faulty component in the RC-50. (e.g. leaky capacitor on the power rail for the output stage)


andy

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 09:57:02 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would you Choose
Date: Wed, 3 Feb 2010 09:56:57 +0000
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For Distortion the Marshall Shredmaster is amazing and for chorus i  
would always go to the Electro Harmonix Small Clone.

Hope this helps.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 3 Feb 2010, at 06:38, Rick Walker wrote:

> Hi all,
>
> I have a client who has a fair amount of money.
>
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories.   He is a simple metal  
> player so
> he's not interested in a lot of the more esoteric pedals that I  
> normally use
> for more experimental purposes.
>
> I know that, as an example,  my brother Bill, really loves
> his Zen Drive and also a particular light weight but not- 
> inexpensive compressor
> that he uses.
>
> So,  if you don't mind taking the time,
> and you had to pick only one stomp box pedal in each of the  
> following categories
> what would they be?   By the way,   he's not at all interested  
> large pedals (double pedals)
> (like the Line 6 or large Boss multi-pedals),  He wants small  
> footprint
> stompbox pedals
>
> Finally,  simplicity, small footprint and ease of use are high  
> priorities.
>
> Here are my own recommendations for what it's worth:
>
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED  
> hack of a
> Boss DS-1 Distortion pedal)
>
> *CHORUS*
> Boss CE-2    (just don't know enough about pricier botique  
> ones.....any suggestions?)
>
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
>
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't  
> remember it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>
> *TREMELO
> *Alesis Ampliton
>
> *WAH WAH*
> DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah  
> pedal)
>


--Apple-Mail-45--878991664
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
For Distortion the Marshall Shredmaster is amazing and for chorus i =
would always go to the Electro Harmonix Small =
Clone.<div><br></div><div>Hope this helps.<br><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 3 Feb 2010, =
at 06:38, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi all,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I have a client who has a fair =
amount of money.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">He has asked me to recommend him the best stomp box =
pedal</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">in one of several different =
categories. <span class=3D"Apple-converted-space">&nbsp; </span>He is a =
simple metal player so</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">he's not interested in a =
lot of the more esoteric pedals that I normally use</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">for more experimental purposes.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I know =
that, as an example,<span class=3D"Apple-converted-space">&nbsp; =
</span>my brother Bill, really loves</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">his Zen Drive =
and also a particular light weight but not-inexpensive =
compressor</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">that he uses.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">So,<span =
class=3D"Apple-converted-space">&nbsp; </span>if you don't mind taking =
the time,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and you had to pick only one =
stomp box pedal in each of the following categories</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">what would they be? <span =
class=3D"Apple-converted-space">&nbsp; </span>By the way, <span =
class=3D"Apple-converted-space">&nbsp; </span>he's not at all interested =
large pedals (double pedals)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">(like the =
Line 6 or large Boss multi-pedals),<span =
class=3D"Apple-converted-space">&nbsp; </span>He wants small =
footprint</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">stompbox pedals</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Finally,<span class=3D"Apple-converted-space">&nbsp; =
</span>simplicity, small footprint and ease of use are high =
priorities.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Here are my own recommendations for what it's =
worth:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; =
">*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">DAED DS-1 DISTORTO SYNTH <span =
class=3D"Apple-converted-space">&nbsp; </span>(very inexpensive and =
wonderful DAED hack of a</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Boss DS-1 =
Distortion pedal)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">*CHORUS*</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Boss =
CE-2<span class=3D"Apple-converted-space">&nbsp; &nbsp; </span>(just =
don't know enough about pricier botique ones.....any =
suggestions?)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">*FLANGER*</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Boss =
Flanger</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">*</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">PHASER*</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Electro Harmonix Bad =
Stone</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">*COMPRESSOR*</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The cool one =
my brother has but he's not home right now so I can't remember it's =
name</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">*</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">DIGITAL =
DELAY*</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">*</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ANALOGUE DELAY*</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">?</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">*</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">PITCH SHIFTER*</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Boss P-5 =
Intellishifter</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">*TREMELO</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">*Alesis =
Ampliton</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">*WAH WAH*</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">DAED 'Juicy =
Wah'<span class=3D"Apple-converted-space">&nbsp; &nbsp; &nbsp; =
</span>(DAED's inexpensive 'hack of a Crybaby wah pedal)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></div></body></html>=

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 <4AEC0D3A-C7D0-4B69-8E44-D69A25AB4148@btinternet.com>
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would
 you Choose
Date: Wed, 03 Feb 2010 02:07:21 -0800
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Coming from a metal background I've got a few ideas:

There's an old Ibanez SC-10 stereo chorus that just sounds wonderful to me.  No, it's not super warm or analog sounding, but a metal player would probably love it.  It's the light blue one.

My black Russian Big Muff with green letters is a favorite for me for crunch sounds.  
There's a Danelectro Grilled Cheese distortion that has a wah circuit built into it that I've been loving lately.  You can really get a nice mid-cut metal sound out of it.  25 bucks.

t
  ----- Original Message ----- 
  From: Matt Stevens 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Wednesday, February 03, 2010 1:56 AM
  Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you Choose


  For Distortion the Marshall Shredmaster is amazing and for chorus i would always go to the Electro Harmonix Small Clone.


  Hope this helps.



  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com







  On 3 Feb 2010, at 06:38, Rick Walker wrote:


    Hi all,


    I have a client who has a fair amount of money.


    He has asked me to recommend him the best stomp box pedal
    in one of several different categories.   He is a simple metal player so
    he's not interested in a lot of the more esoteric pedals that I normally use
    for more experimental purposes.


    I know that, as an example,  my brother Bill, really loves
    his Zen Drive and also a particular light weight but not-inexpensive compressor
    that he uses.


    So,  if you don't mind taking the time,
    and you had to pick only one stomp box pedal in each of the following categories
    what would they be?   By the way,   he's not at all interested large pedals (double pedals)
    (like the Line 6 or large Boss multi-pedals),  He wants small footprint
    stompbox pedals


    Finally,  simplicity, small footprint and ease of use are high priorities.


    Here are my own recommendations for what it's worth:


    *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
    DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED hack of a
    Boss DS-1 Distortion pedal)


    *CHORUS*
    Boss CE-2    (just don't know enough about pricier botique ones.....any suggestions?)


    *FLANGER*
    Boss Flanger
    *
    PHASER*
    Electro Harmonix Bad Stone


    *COMPRESSOR*
    The cool one my brother has but he's not home right now so I can't remember it's name
    *
    DIGITAL DELAY*
    ?
    *
    ANALOGUE DELAY*
    ?
    *
    PITCH SHIFTER*
    Boss P-5 Intellishifter


    *TREMELO
    *Alesis Ampliton


    *WAH WAH*
    DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah pedal)




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</HEAD>
<BODY 
style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space" 
bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>Coming from a metal background I've got a few 
ideas:</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>There's an old Ibanez SC-10 stereo chorus that just 
sounds wonderful to me.&nbsp; No, it's not super warm or analog sounding, but a 
metal player would probably love it.&nbsp; It's the light blue one.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>My black Russian Big Muff with green letters is a 
favorite for me for crunch sounds.&nbsp; </FONT></DIV>
<DIV><FONT size=2 face=Arial>There's a Danelectro Grilled Cheese distortion that 
has a wah circuit built into it that I've been loving lately.&nbsp; You can 
really get a nice mid-cut metal sound out of it.&nbsp; 25 bucks.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=mattstevensguitar@btinternet.com 
  href="mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, February 03, 2010 1:56 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: OT Which Desert Island Stomp 
  Box Pedal in each Category Would you Choose</DIV>
  <DIV><BR></DIV>For Distortion the Marshall Shredmaster is amazing and for 
  chorus i would always go to the Electro Harmonix Small Clone.
  <DIV><BR></DIV>
  <DIV>Hope this helps.<BR>
  <DIV><BR>
  <DIV><SPAN 
  style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0" 
  class=Apple-style-span><SPAN 
  style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" 
  class=Apple-style-span>
  <DIV>Matt Stevens</DIV>
  <DIV><A 
  href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></DIV>
  <DIV><A 
  href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=Apple-interchange-newline></SPAN><BR 
  class=Apple-interchange-newline></DIV><BR>
  <DIV>
  <DIV>On 3 Feb 2010, at 06:38, Rick Walker wrote:</DIV><BR 
  class=Apple-interchange-newline>
  <BLOCKQUOTE type="cite">
    <DIV style="MARGIN: 0px">Hi all,</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">I have a client who has a fair amount of 
    money.</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">He has asked me to recommend him the best stomp box 
    pedal</DIV>
    <DIV style="MARGIN: 0px">in one of several different categories. <SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>He is a simple metal player 
    so</DIV>
    <DIV style="MARGIN: 0px">he's not interested in a lot of the more esoteric 
    pedals that I normally use</DIV>
    <DIV style="MARGIN: 0px">for more experimental purposes.</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">I know that, as an example,<SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>my brother Bill, really 
loves</DIV>
    <DIV style="MARGIN: 0px">his Zen Drive and also a particular light weight 
    but not-inexpensive compressor</DIV>
    <DIV style="MARGIN: 0px">that he uses.</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">So,<SPAN class=Apple-converted-space>&nbsp; 
    </SPAN>if you don't mind taking the time,</DIV>
    <DIV style="MARGIN: 0px">and you had to pick only one stomp box pedal in 
    each of the following categories</DIV>
    <DIV style="MARGIN: 0px">what would they be? <SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>By the way, <SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>he's not at all interested large 
    pedals (double pedals)</DIV>
    <DIV style="MARGIN: 0px">(like the Line 6 or large Boss multi-pedals),<SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>He wants small footprint</DIV>
    <DIV style="MARGIN: 0px">stompbox pedals</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">Finally,<SPAN class=Apple-converted-space>&nbsp; 
    </SPAN>simplicity, small footprint and ease of use are high 
priorities.</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">Here are my own recommendations for what it's 
    worth:</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*</DIV>
    <DIV style="MARGIN: 0px">DAED DS-1 DISTORTO SYNTH <SPAN 
    class=Apple-converted-space>&nbsp; </SPAN>(very inexpensive and wonderful 
    DAED hack of a</DIV>
    <DIV style="MARGIN: 0px">Boss DS-1 Distortion pedal)</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*CHORUS*</DIV>
    <DIV style="MARGIN: 0px">Boss CE-2<SPAN class=Apple-converted-space>&nbsp; 
    &nbsp; </SPAN>(just don't know enough about pricier botique ones.....any 
    suggestions?)</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*FLANGER*</DIV>
    <DIV style="MARGIN: 0px">Boss Flanger</DIV>
    <DIV style="MARGIN: 0px">*</DIV>
    <DIV style="MARGIN: 0px">PHASER*</DIV>
    <DIV style="MARGIN: 0px">Electro Harmonix Bad Stone</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*COMPRESSOR*</DIV>
    <DIV style="MARGIN: 0px">The cool one my brother has but he's not home right 
    now so I can't remember it's name</DIV>
    <DIV style="MARGIN: 0px">*</DIV>
    <DIV style="MARGIN: 0px">DIGITAL DELAY*</DIV>
    <DIV style="MARGIN: 0px">?</DIV>
    <DIV style="MARGIN: 0px">*</DIV>
    <DIV style="MARGIN: 0px">ANALOGUE DELAY*</DIV>
    <DIV style="MARGIN: 0px">?</DIV>
    <DIV style="MARGIN: 0px">*</DIV>
    <DIV style="MARGIN: 0px">PITCH SHIFTER*</DIV>
    <DIV style="MARGIN: 0px">Boss P-5 Intellishifter</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*TREMELO</DIV>
    <DIV style="MARGIN: 0px">*Alesis Ampliton</DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
    <DIV style="MARGIN: 0px">*WAH WAH*</DIV>
    <DIV style="MARGIN: 0px">DAED 'Juicy Wah'<SPAN 
    class=Apple-converted-space>&nbsp; &nbsp; &nbsp; </SPAN>(DAED's inexpensive 
    'hack of a Crybaby wah pedal)</DIV>
    <DIV 
  style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_Xf6YIUGY8WWT630L954ICw)--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 10:44:55 2010
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	 <D5B4CDA50BAD46DCA69B21353A50E8AA@NORBY11>
Date: Wed, 3 Feb 2010 10:44:53 +0000
Message-ID: <5d9904371002030244j4574250dr7acd6f412de891a1@mail.gmail.com>
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you 
	Choose
From: Mark McGlinchey <markmcglinchey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
Skreddy Mayo - Big muff clone that is simply the best available

*CHORUS*
EHX Polychorus - Lots of fun noise making

*FLANGER*
Foxrox - TZF Paradox
*
PHASER*
Blackout Effectors Whetstone - Small Stone clone with loads of tweaking opt=
ions

*COMPRESSOR*
?
*
DIGITAL DELAY*
Eventide Time Factor
*
ANALOGUE DELAY*
Moog MF 104z
*
PITCH SHIFTER*
Boss Ps-3 - though I have not tried the pitchfactor yet so that might
pip it to the post

*TREMELO
Lightfoot labs Goatkeeper

*WAH WAH*
?

On Wed, Feb 3, 2010 at 10:07 AM, Toby G <carpet8@mac.com> wrote:
> Coming from a metal background I've got a few ideas:
>
> There's an old Ibanez SC-10 stereo chorus that just sounds wonderful to m=
e.
> No, it's not super warm or analog sounding, but a metal player would
> probably love it.=A0 It's the light blue one.
>
> My black Russian Big Muff with green letters is a favorite for me for cru=
nch
> sounds.
> There's a Danelectro Grilled Cheese distortion that has a wah circuit bui=
lt
> into it that I've been loving lately.=A0 You can really get a nice mid-cu=
t
> metal sound out of it.=A0 25 bucks.
>
> t
>
> ----- Original Message -----
> From: Matt Stevens
> To: Loopers-Delight@loopers-delight.com
> Sent: Wednesday, February 03, 2010 1:56 AM
> Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Woul=
d
> you Choose
> For Distortion the Marshall Shredmaster is amazing and for chorus i would
> always go to the Electro Harmonix Small Clone.
> Hope this helps.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 3 Feb 2010, at 06:38, Rick Walker wrote:
>
> Hi all,
> I have a client who has a fair amount of money.
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories. =A0 He is a simple metal player s=
o
> he's not interested in a lot of the more esoteric pedals that I normally =
use
> for more experimental purposes.
> I know that, as an example,=A0 my brother Bill, really loves
> his Zen Drive and also a particular light weight but not-inexpensive
> compressor
> that he uses.
> So,=A0 if you don't mind taking the time,
> and you had to pick only one stomp box pedal in each of the following
> categories
> what would they be? =A0 By the way, =A0 he's not at all interested large =
pedals
> (double pedals)
> (like the Line 6 or large Boss multi-pedals),=A0 He wants small footprint
> stompbox pedals
> Finally,=A0 simplicity, small footprint and ease of use are high prioriti=
es.
> Here are my own recommendations for what it's worth:
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH =A0 (very inexpensive and wonderful DAED hack of=
 a
> Boss DS-1 Distortion pedal)
> *CHORUS*
> Boss CE-2=A0 =A0 (just don't know enough about pricier botique ones.....a=
ny
> suggestions?)
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't rememb=
er
> it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
> *TREMELO
> *Alesis Ampliton
> *WAH WAH*
> DAED 'Juicy Wah'=A0 =A0 =A0 (DAED's inexpensive 'hack of a Crybaby wah pe=
dal)
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 11:01:16 2010
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Dearest Erdem,

Many years ago, I had such a bad case of Tinnitus that I couldn't sleep 
at night.

I was so distraught that I'd wake up crying from frustration.

I had access to excellent Western Physicians.  My father was an esteemed 
physician in the Bay Area
and I had what is called 'professional courtesy'  which meant that I 
could go see top specialists who new
my father, personally or by reputation.

The long and short of it was that I was diagnosed with sever Tinnitus 
and that there was really very little
to do for it , except for just ceasing, completely to be around loud 
music.   This was not great news
as I was a successful professional musician as you are now.

Then I asked my acupuncturist about it.

Anyway,  she turned me onto a therapeutic regimen that completely 
changed all of this around.

Chinese medicine is very controversial in the Cartesian oriented Western 
Science field, 
so I don't even feel like getting flamed on this thread for suggesting 
what I will suggest to you,
but if you will contact me offlline,  I'll be happy to share with you 
what I learned from her
and what solved my Tinnitus situation.

There are also Chinese herbal and acupuncture approaches to helping with 
TMJ as well and there
definitely seems to be a correlation between the two.

It might be well worth your while to do a video chat consultation with 
my acupuncturist.
She is phenomenal and the best in this area which is an area known for 
Acupuncture study.

It would not take a lot of money to consult with her and I can't more 
highly recommend that you hear
what she has to day.

Let me know if this interests you.

**********************************
Additionally,  I have discovered that there are many side effects to the 
overuse of caffeine.

I am a coffee addict, myself but now limit myself to 2 strong cups a day 
at the very most
because I started having all kinds of symptoms from drinking to much 
coffee,  including, notably,
stiffness and pre-arthritis conditions in my fingers.

Pulling back off the caffeine had a definite effect.  I even when cold 
turkey for a few months
which was efficacious.

Let  me know if you'd like this info from me and best of luck.
I know your pain around this issue.  It totally tore me up for a while 
15 years ago.

yours,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 11:12:11 2010
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Date: Wed, 3 Feb 2010 12:12:10 +0100
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Subject: Re: 2 new tracks (free downloads)
From: Per Boysen <perboysen@gmail.com>
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I like your music Sjaak. It has developed in an interesting way over
the last year. What I mean is that now I only hear "Sjaak expression"
in the music, while earlier on I also heard "some cool sound patches
being played in a nice way".

Here's a technical point: I'm listening over a full range system here
and for my taste the throbbing sub bass punches of "20100202.mp3" are
too disturbing. If you practice over a non full range system, meaning
you won't hear what's happening in the sub bass domain, you can slap a
Channel EQ over the signal chain as a graphic indicator of what is
going on.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Feb 3, 2010 at 12:16 AM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Hi all,
> I have been testing with a new live setup based on Mainstage 2 and
> Augustus Loop. Here are two excerpts of the recordings:
>
> http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
> http://euroloopfest.com/premonitionfactory/demos/20100203.mp3
>
> Btw: the debut album of the Premonition Factory project will be
> released on Feb 20, 2010. It's a limited edition 6 page digisleeve
> plus booklet. Stay tuned :)
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 11:22:47 2010
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Hi, i got EyDyLooper but if you are talking so well about Thumbjam well, i'll try it! greetings from Florence
Max Liver! 


----Messaggio originale----

Da: eterogenus@gmail.com

Data: 01/02/2010 17.46

A: <Loopers-Delight@loopers-delight.com>

Ogg: Re: a great iPhone looper. Thinking about future development



Bruno, I bought it and I had a lot of fun playing it in jams with friends.
Sounds are really good (the sampled cello was made by our dear list member Zoe Keating, and it's awesome. The same for the electric guitar and...lot of other timbres. 
If I well remember, it was made by Jesse Chappell, the Sooperlooper developer and also member of this list.
It's a great app. and - as you said - i-Pad can open new possibilities...for sure ! (but I'd wait for the next generation of I-Pad befor buying it - and let others discovering bugs ...;-)
http://thumbjam.com/media
 
fabio
www.eterogeneo.com

 
2010/2/1 Bruno E. Kleinefeld <bruno.bk@gmail.com>

Hi guys

After I read a recent post about an application called Everyday Looper I went on the AppStore to make some research and I found out another application really amazing. It's pretty expensive (4.9 euros), at least compared to the usual prices on the AppStore, but it really worths its value.


It's called ThumbJam: do not know if somebody here talked about it before.
It's absolutely going in the right direction: it's basically a looper (with multilpy "edp's style"!!!) but it offers the chance of switching between many instruments, so one can overdub different sounds (good quality). Really great. Give it a try. The only limit I noticed is the time necessary to switch from one instrument to the other.


I bought many musical application for iPhone just to check them out and see how the possibilities  of a touch interface could lead to different/new instruments/musical applications.
I wonder how in future applications like this could work on devices like iPad, with more dsp power, a greater working surface and - in a possible future - an audio interface so to mix different sound sources.

I guess we'll soon see many interesting new musical tools...

best

b:k







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<p>Hi, i got EyDyLooper but if you are talking so well about Thumbjam well, i'll try it! greetings from Florence</p><p>Max Liver! <br></p>
<blockquote>
----Messaggio originale----<br>
Da: eterogenus@gmail.com<br>
Data: 01/02/2010 17.46<br>
A: &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Ogg: Re: a great iPhone looper. Thinking about future development<br>
<br>
<div>Bruno, I bought it&nbsp;and I had a lot of fun playing it in jams with friends.</div>
<div>Sounds are really good (the sampled cello was made by our dear list member Zoe Keating, and it's awesome. The same for&nbsp;the electric guitar and...lot of other timbres. </div>
<div>If I well remember, it was made by Jesse Chappell, the Sooperlooper developer and also member of this list.</div>
<div>It's a great app. and - as you said - i-Pad can open new possibilities...for sure ! (but I'd wait for the next generation of I-Pad befor buying it - and let others discovering bugs ...;-)</div>
<div><a href="http://thumbjam.com/media" mce_href="http://thumbjam.com/media">http://thumbjam.com/media</a><br mce_bogus="1"></div>
<div>&nbsp;</div>
<div>fabio</div>
<div><a href="http://www.eterogeneo.com/" mce_href="http://www.eterogeneo.com/">www.eterogeneo.com</a><br mce_bogus="1"></div>
<div><br>&nbsp;</div>
<div class="gmail_quote">2010/2/1 Bruno E. Kleinefeld <span dir="ltr">&lt;<a href="mailto:bruno.bk@gmail.com" mce_href="mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</a>&gt;</span><br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;" mce_style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi guys<br><br>After I read a recent post about an application called Everyday Looper I went on the AppStore to make some research and I found out another application really amazing. It's pretty expensive (4.9 euros), at least compared to the usual prices on the AppStore, but it really worths its value.<br>
<br>It's called ThumbJam: do not know if somebody here talked about it before.<br>It's absolutely going in the right direction: it's basically a looper (with multilpy "edp's style"!!!) but it offers the chance of switching between many instruments, so one can overdub different sounds (good quality). Really great. Give it a try. The only limit I noticed is the time necessary to switch from one instrument to the other.<br>
<br>I bought many musical application for iPhone just to check them out and see how the possibilities &nbsp;of a touch interface could lead to different/new instruments/musical applications.<br>I wonder how in future applications like this could work on devices like iPad, with more dsp power, a greater working surface and - in a possible future - an audio interface so to mix different sound sources.<br>
I guess we'll soon see many interesting new musical tools...<br><br>best<br><font color="#888888"><br>b:k<br></font></blockquote></div><br>
<br>
</blockquote><p><br></p>
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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 11:34:12 2010
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From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
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Subject: Re: a great iphone looper [thumbjam]
Date: Wed, 3 Feb 2010 12:34:08 +0100
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> Da: Zoe Keating <info@zoekeating.com>
> Data: 03 febbraio 2010 05.55.01 GMT+01.00
> A: Loopers-Delight@loopers-delight.com
> Oggetto: Re: a great iphone looper [thumbjam]
>=20
>=20
> and all the cello samples in there are me ;-)


the very first sound I tried with Thumb Jam was the cello, and it is =
absolutely amazing

I studied cello just one year when I was a kid.... still in love with =
that.=20
If only at the Conservatory of Milan they'd know how to teach it to a =
kid (and my teacher was the first cello of La Scala in that period...).

Greetings from a long time lurker of your music, Zoe .)

b:k=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "></div><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span style=3D"font-family: Helvetica; font-size: =
medium; color: rgb(127, 127, 127); "><b>Da:&nbsp;</b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">Zoe Keating &lt;<a =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt;<br></span>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><span style=3D"font-family: Helvetica; =
font-size: medium; color: rgb(127, 127, 127); =
"><b>Data:&nbsp;</b></span><span style=3D"font-family: Helvetica; =
font-size: medium; ">03 febbraio 2010 05.55.01 =
GMT+01.00<br></span></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgb(127, 127, 127); =
"><b>A:&nbsp;</b></span><span style=3D"font-family: Helvetica; =
font-size: medium; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>Oggetto:&nbsp;</b></span><span style=3D"font-family: =
Helvetica; font-size: medium; "><b>Re: a great iphone looper =
[thumbjam]</b><br></span></div><br><br>and all the cello samples in =
there are me ;-)</blockquote><div><br></div><div><br></div><div>the very =
first sound I tried with Thumb Jam was the cello, and it is absolutely =
amazing</div><div><br></div><div>I studied cello just one year when I =
was a kid.... still in love with that.&nbsp;</div><div>If only at the =
Conservatory of Milan they'd know how to teach it to a kid (and my =
teacher was the first cello of La Scala in that =
period...).</div><div><br></div><div>Greetings from a long time lurker =
of your music, Zoe .)</div><div><br></div><div>b:k</div></body></html>=

--Apple-Mail-22--873159746--

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Yess Sjaak!, with your music... we can realy fly! and all by natural! 
without...artificial helps ;-) 

Max Liver

>----Messaggio originale----
>Da: tcplugin@gmail.com
>Data: 03/02/2010 0.16
>A: "LD"<Loopers-Delight@loopers-delight.com>
>Ogg: 2 new tracks (free downloads)
>
>Hi all,
>I have been testing with a new live setup based on Mainstage 2 and
>Augustus Loop. Here are two excerpts of the recordings:
>
>http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
>http://euroloopfest.com/premonitionfactory/demos/20100203.mp3
>
>Btw: the debut album of the Premonition Factory project will be
>released on Feb 20, 2010. It's a limited edition 6 page digisleeve
>plus booklet. Stay tuned :)
>-- 
>Sjaak Overgaauw
>http://premonitionfactory.com/
>http://livelooping.be/
>
>


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Subject: Re: OT Which Desert Island Stomp Box 
Date: Wed, 3 Feb 2010 12:43:17 +0100
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--Apple-Mail-23--872611301
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On 3 Feb 2010, at 06:38, Rick Walker wrote:

> and you had to pick only one stomp box pedal in each of the following =
categories
> what would they be?

> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*

this needs at least a couple of choices
PROCo Rat
ZVEX Fuzz factory

> *COMPRESSOR*
Tc electronic compressor-sustainer


> PHASER*

TC electronic TC XII

> ANALOGUE DELAY*

Retro Sonic Analog delay


> PITCH SHIFTER*

Whammy


hi rick!

b:k=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">On 3 =
Feb 2010, at 06:38, Rick Walker wrote:<div><br><div><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and you had to pick only one =
stomp box pedal in each of the following categories</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">what would they =
be?</div></blockquote><br></div><div><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; =
">*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*</div></blockquote></div><di=
v>this needs at least a couple of choices</div><div>PROCo =
Rat</div><div>ZVEX Fuzz factory</div><div><br></div><div><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">*COMPRESSOR*</div></blockquote>Tc electronic =
compressor-sustainer</div><div><br></div><div><br></div><div><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">PHASER*</div></blockquote></div><div>TC electronic TC =
XII</div><div><br></div><div><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ANALOGUE DELAY*</div></blockquote></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 11px; =
"><h1 style=3D"font-family: Arial; font-size: 20px; font-weight: bold; =
text-transform: uppercase; color: rgb(51, 51, 51); margin-top: 0px; =
margin-right: 0px; margin-bottom: 15px; margin-left: 0px; width: 450px; =
overflow-x: hidden; overflow-y: hidden; "><span class=3D"Apple-style-span"=
 style=3D"color: rgb(0, 0, 0); font-size: 11px; font-weight: normal; =
text-transform: none; ">Retro Sonic Analog =
delay</span></h1><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">PITCH =
SHIFTER*</div></blockquote></span></div><div><font =
class=3D"Apple-style-span" face=3D"Helvetica"><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;">Whammy</span></font></div></span><div><br></div><div><br></div><d=
iv>hi rick!</div><div><br></div><div>b:k</div></div></div></body></html>=

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Hello

> There are also Chinese herbal and acupuncture approaches to helping with 
> TMJ as well and there definitely seems to be a correlation between the two.
A close friend of mine suffered for a long time a heavy tinitus caused 
mainly by the stress beeing a teacher and also found fundamental help by 
acupuncture (in her case it was a "western trained" physician who had an 
additional education in chinese medicine).

Here in Europe many physicians are meanwhile quite openminded towards 
the methods of chinese medicine (and luckily the health assurances also 
begin to accept these methods also).


Florian

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Rick Walker wrote:
> Dearest Erdem,
> 
> Many years ago, I had such a bad case of Tinnitus that I couldn't sleep 

> Then I asked my acupuncturist about it.
> 
> Anyway,  she turned me onto a therapeutic regimen that completely 
> changed all of this around.
> 
> Chinese medicine is very controversial in the Cartesian oriented Western 
> Science field, s
> 
> 

I can verify that Rick's tinnitus trick does offer some relief.
(don't think it's a cure though)


I'd also suggest that anyone with a TMJ problem should really
avoid anyone sticking needles into the problem area.
It's likely to be *very* uncomfortable with lasting bruising.
(I'm ashamed to admit I tried it, even though I figure that
the theory behind acupuncture is pure imaginationland).




andy butler

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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 13:01:14 2010
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Very nice thanks for sharing.

Is it one take "live" recordings??

=20

Anders

www.soundclick.com/andersbergdahl
=20
> Date: Wed=2C 3 Feb 2010 00:16:57 +0100
> Subject: 2 new tracks (free downloads)
> From: tcplugin@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi all=2C
> I have been testing with a new live setup based on Mainstage 2 and
> Augustus Loop. Here are two excerpts of the recordings:
>=20
> http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
> http://euroloopfest.com/premonitionfactory/demos/20100203.mp3
>=20
> Btw: the debut album of the Premonition Factory project will be
> released on Feb 20=2C 2010. It's a limited edition 6 page digisleeve
> plus booklet. Stay tuned :)
> --=20
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>=20
 		 	   		  =

--_a7659628-7891-46f9-b500-4a34021fdaf4_
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<html>
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font-family:Verdana
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<body class=3D'hmmessage'>
Very nice thanks for sharing.<BR>
Is it one take "live" recordings??<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 3 Feb 2010 00:16:57 +010=
0<BR>&gt=3B Subject: 2 new tracks (free downloads)<BR>&gt=3B From: tcplugin=
@gmail.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>=
&gt=3B Hi all=2C<BR>&gt=3B I have been testing with a new live setup based =
on Mainstage 2 and<BR>&gt=3B Augustus Loop. Here are two excerpts of the re=
cordings:<BR>&gt=3B <BR>&gt=3B http://euroloopfest.com/premonitionfactory/d=
emos/20100202.mp3<BR>&gt=3B http://euroloopfest.com/premonitionfactory/demo=
s/20100203.mp3<BR>&gt=3B <BR>&gt=3B Btw: the debut album of the Premonition=
 Factory project will be<BR>&gt=3B released on Feb 20=2C 2010. It's a limit=
ed edition 6 page digisleeve<BR>&gt=3B plus booklet. Stay tuned :)<BR>&gt=
=3B -- <BR>&gt=3B Sjaak Overgaauw<BR>&gt=3B http://premonitionfactory.com/<=
BR>&gt=3B http://livelooping.be/<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_a7659628-7891-46f9-b500-4a34021fdaf4_--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 13:15:52 2010
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Subject: Proloop iPhone app (no realtime input option though)
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For those who fancy playing live with pre recorded loops on an iPhone
this might be of interest:

http://www.trapcode.com/proloop/proloop.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 13:28:08 2010
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It was a nice evening in the end of June on a grass over an hill with a 
fantastic view of Florence... 
one by one i'll post them all.
 
1 Track of 8:

Enjoy, thnx 

http://www.box.net/shared/hptb39z86y

Max Liver

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 13:55:16 2010
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From: Chris Sewell <lunamusic@mac.com>
Subject: Goodbye RC-50, Hello Rang III
Date: Wed, 03 Feb 2010 08:55:10 -0500
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This new Bommerang is fantastic. Smaller, easier, better sounding, cleaner loops, customizable, not sure if thats a word. Having so much fun with it. First gigs this weekend. With the RC50 I was always stressed about that hiccup at the start of loops. Sometimes it was there, sometimes not. No midi sync, but that didn't work on the RC50 anyway. 
The one thing I love about using Mainstage/Mobius is that the loops sync to effects. I wish this rig could do that, but maybe someday. 


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On Wed, Feb 3, 2010 at 2:55 PM, Chris Sewell <lunamusic@mac.com> wrote:
> The one thing I love about using Mainstage/Mobius is that the loops sync to effects.
> I wish this rig could do that, but maybe someday.


You can do that! Just put a "fx only laptop" besides the 'rang. I
assume you are in for doing the sync the opposite way now; instead of
"syncing loops to effects" you now want to sync effects to loops -
since loops being delivered by the 'rang. No sync needed for this to
work, just making sure the same tempo is running in Mainstage that
hosts your effects. And this is how to efficiently set the temp of
Mainstage by ear/foot:

Open a Loopback plugin i Mainstage and set it to "Sync=OFF" and "Set
Concert Tempo After First Take". Then assign a MIDI pedal to
Loopback's "Record" button/parameter. You don't even need to loop
audio into Loopback, it will work as an on-the-fly-tempo-snagger that
is much, much better then the lousy "tap tempo" function.

1. Make a loop on the Bumerang.
2. Kick the Mainstage Loopback Record pedal.
3. Kick the Mainstage Loopback Record pedal again two bars later.

That's it! Now you have the same tempo for your Mainstage effects as
your 'rang is spinning.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 14:11:19 2010
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Date: Wed, 3 Feb 2010 10:11:18 -0400 (AST)
Subject: Re: 2 new tracks (free downloads)
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Hi Sjaak,

Enjoying the ride.

Thanks,

Andre

On Wed, February 3, 2010 7:12 am, Per Boysen wrote:
> I like your music Sjaak. It has developed in an interesting way over
> the last year. What I mean is that now I only hear "Sjaak expression"
> in the music, while earlier on I also heard "some cool sound patches
> being played in a nice way".
>
> Here's a technical point: I'm listening over a full range system here
> and for my taste the throbbing sub bass punches of "20100202.mp3" are
> too disturbing. If you practice over a non full range system, meaning
> you won't hear what's happening in the sub bass domain, you can slap a
> Channel EQ over the signal chain as a graphic indicator of what is
> going on.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Feb 3, 2010 at 12:16 AM, Sjaak Overgaauw <tcplugin@gmail.com>
> wrote:
>> Hi all,
>> I have been testing with a new live setup based on Mainstage 2 and
>> Augustus Loop. Here are two excerpts of the recordings:
>>
>> http://euroloopfest.com/premonitionfactory/demos/20100202.mp3
>> http://euroloopfest.com/premonitionfactory/demos/20100203.mp3
>>
>> Btw: the debut album of the Premonition Factory project will be
>> released on Feb 20, 2010. It's a limited edition 6 page digisleeve
>> plus booklet. Stay tuned :)
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>>
>
>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 14:19:47 2010
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Goodbye RC-50, Hello Rang III
Date: Wed, 03 Feb 2010 09:19:47 -0500
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Per,
You are truly the mad scientist of looping. But this is my hardware  
rig, used only in grubby bars or daytime gigs outside. If I am going  
to bring a laptop, I am just going to use mobius. The laptop rig is  
still used, but in more upscale establishments where I don't have to  
worry about drunk repub..... er I mean fratboys knocking it over.
But thanks for the tip.

Chris





On Feb 3, 2010, at 9:09 AM, Per Boysen wrote:

> On Wed, Feb 3, 2010 at 2:55 PM, Chris Sewell <lunamusic@mac.com>  
> wrote:
>> The one thing I love about using Mainstage/Mobius is that the  
>> loops sync to effects.
>> I wish this rig could do that, but maybe someday.
>
>
> You can do that! Just put a "fx only laptop" besides the 'rang. I
> assume you are in for doing the sync the opposite way now; instead of
> "syncing loops to effects" you now want to sync effects to loops -
> since loops being delivered by the 'rang. No sync needed for this to
> work, just making sure the same tempo is running in Mainstage that
> hosts your effects. And this is how to efficiently set the temp of
> Mainstage by ear/foot:
>
> Open a Loopback plugin i Mainstage and set it to "Sync=OFF" and "Set
> Concert Tempo After First Take". Then assign a MIDI pedal to
> Loopback's "Record" button/parameter. You don't even need to loop
> audio into Loopback, it will work as an on-the-fly-tempo-snagger that
> is much, much better then the lousy "tap tempo" function.
>
> 1. Make a loop on the Bumerang.
> 2. Kick the Mainstage Loopback Record pedal.
> 3. Kick the Mainstage Loopback Record pedal again two bars later.
>
> That's it! Now you have the same tempo for your Mainstage effects as
> your 'rang is spinning.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 14:25:52 2010
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Date: Wed, 3 Feb 2010 10:25:51 -0400 (AST)
Subject: Re: Goodbye RC-50, Hello Rang III
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Chris,

Where did you get your Rang III?
I tried emailing them but got no reply.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Wed, February 3, 2010 9:55 am, Chris Sewell wrote:
> This new Bommerang is fantastic. Smaller, easier, better sounding, cleaner
> loops, customizable, not sure if thats a word. Having so much fun with it.
> First gigs this weekend. With the RC50 I was always stressed about that
> hiccup at the start of loops. Sometimes it was there, sometimes not. No
> midi sync, but that didn't work on the RC50 anyway.
> The one thing I love about using Mainstage/Mobius is that the loops sync
> to effects. I wish this rig could do that, but maybe someday.
>
>
>





From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 14:25:54 2010
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Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category
 Would you Choose
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------=_Part_170519_1309530982.1265207155140
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Hi Rick, 

What I'm using is: 

*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:* 
Can't have just one! 

Voodoo Lab Sparkle Drive 
Bixonic Expandora (most recent reissue) 
Dallas-Arbiter Fuzz Face 

*PHASER* 

Moogerfooger MF-103 12 stage phaser 

*COMPRESSOR 

JangleBox 

*DIGITAL DELAY 

Boss DD3, DD6 and DD-20 (I'd pick the DD-20 if limited to one) 

*ANALOGUE DELAY* 

Moogerfooger MF-104 

?*WAH WAH* 

Ibanez WD-7 Weeping Demon (hyper adjustable!) 

Chris 


----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com> 
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com> 
Sent: Wednesday, February 3, 2010 1:38:42 AM GMT -05:00 US/Canada Eastern 
Subject: OT Which Desert Island Stomp Box Pedal in each Category Would you Choose 

Hi all, 

I have a client who has a fair amount of money. 

He has asked me to recommend him the best stomp box pedal 
in one of several different categories. He is a simple metal player so 
he's not interested in a lot of the more esoteric pedals that I normally 
use 
for more experimental purposes. 

I know that, as an example, my brother Bill, really loves 
his Zen Drive and also a particular light weight but not-inexpensive 
compressor 
that he uses. 

So, if you don't mind taking the time, 
and you had to pick only one stomp box pedal in each of the following 
categories 
what would they be? 
By the way, he's not at all interested large pedals (double pedals) 
(like the Line 6 or large Boss multi-pedals), He wants small footprint 
stompbox pedals 

Finally, simplicity, small footprint and ease of use are high priorities. 

Here are my own recommendations for what it's worth: 

*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:* 
DAED DS-1 DISTORTO SYNTH (very inexpensive and wonderful DAED hack of a 
Boss DS-1 Distortion pedal) 

*CHORUS* 
Boss CE-2 (just don't know enough about pricier botique ones.....any 
suggestions?) 

*FLANGER* 
Boss Flanger 
* 
PHASER* 
Electro Harmonix Bad Stone 

*COMPRESSOR* 
The cool one my brother has but he's not home right now so I can't 
remember it's name 
* 
DIGITAL DELAY* 
? 
* 
ANALOGUE DELAY* 
? 
* 
PITCH SHIFTER* 
Boss P-5 Intellishifter 

*TREMELO 
*Alesis Ampliton 

*WAH WAH* 
DAED 'Juicy Wah' (DAED's inexpensive 'hack of a Crybaby wah pedal) 


------=_Part_170519_1309530982.1265207155140
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Hi Rick,<=
br><br>What I'm using is:<br><br>*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN=
:*<br>Can't have just one!<br><br>Voodoo Lab Sparkle Drive<br>Bixonic Expan=
dora (most recent reissue)<br>Dallas-Arbiter Fuzz Face<br><br>*PHASER*<br><=
br>Moogerfooger MF-103 12 stage phaser<br><br>*COMPRESSOR<br><br>JangleBox<=
br><br>*DIGITAL DELAY<br><br>Boss DD3, DD6 and DD-20 (I'd pick the DD-20 if=
 limited to one)<br><br>*ANALOGUE DELAY*<br><br>Moogerfooger MF-104<br><br>=
?*WAH WAH*<br><br>Ibanez WD-7 Weeping Demon (hyper adjustable!)<br><br>Chri=
s<br><br><br>----- Original Message -----<br>From: "Rick Walker" &lt;looppo=
ol@cruzio.com&gt;<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-Delight@lo=
opers-delight.com&gt;<br>Sent: Wednesday, February 3, 2010 1:38:42 AM GMT -=
05:00 US/Canada Eastern<br>Subject: OT &nbsp; &nbsp;Which Desert Island Sto=
mp Box Pedal in each Category Would you Choose<br><br>Hi all,<br><br>I have=
 a client who has a fair amount of money.<br><br>He has asked me to recomme=
nd him the best stomp box pedal<br>in one of several different categories. =
&nbsp; He is a simple metal player so<br>he's not interested in a lot of th=
e more esoteric pedals that I normally <br>use<br>for more experimental pur=
poses.<br><br>I know that, as an example, &nbsp;my brother Bill, really lov=
es<br>his Zen Drive and also a particular light weight but not-inexpensive =
<br>compressor<br>that he uses.<br><br>So, &nbsp;if you don't mind taking t=
he time,<br>and you had to pick only one stomp box pedal in each of the fol=
lowing <br>categories<br>what would they be? &nbsp; <br>By the way, &nbsp; =
he's not at all interested large pedals (double pedals)<br>&nbsp;(like the =
Line 6 or large Boss multi-pedals), &nbsp;He wants small footprint<br>stomp=
box pedals<br><br>Finally, &nbsp;simplicity, small footprint and ease of us=
e are high priorities.<br><br>Here are my own recommendations for what it's=
 worth:<br><br>*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<br>DAED DS-1 DI=
STORTO SYNTH &nbsp; (very inexpensive and wonderful DAED hack of a<br>Boss =
DS-1 Distortion pedal)<br><br>*CHORUS*<br>Boss CE-2 &nbsp; &nbsp;(just don'=
t know enough about pricier botique ones.....any <br>suggestions?)<br><br>*=
FLANGER*<br>Boss Flanger<br>*<br>PHASER*<br>Electro Harmonix Bad Stone<br><=
br>*COMPRESSOR*<br>The cool one my brother has but he's not home right now =
so I can't <br>remember it's name<br>*<br>DIGITAL DELAY*<br>?<br>*<br>ANALO=
GUE DELAY*<br>?<br>*<br>PITCH SHIFTER*<br>Boss P-5 Intellishifter<br><br>*T=
REMELO<br>*Alesis Ampliton<br><br>*WAH WAH*<br>DAED 'Juicy Wah' &nbsp; &nbs=
p; &nbsp;(DAED's inexpensive 'hack of a Crybaby wah pedal)<br><br></div></b=
ody></html>
------=_Part_170519_1309530982.1265207155140--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 14:30:27 2010
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Goodbye RC-50, Hello Rang III
Date: Wed, 03 Feb 2010 09:30:29 -0500
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There's a few left on Ebay. There going fast though.




On Feb 3, 2010, at 9:25 AM, Andr=E9 Donawa wrote:

> Hi Chris,
>
> Where did you get your Rang III?
> I tried emailing them but got no reply.
>
> Andre
>
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
> On Wed, February 3, 2010 9:55 am, Chris Sewell wrote:
>> This new Bommerang is fantastic. Smaller, easier, better sounding, =20=

>> cleaner
>> loops, customizable, not sure if thats a word. Having so much fun =20
>> with it.
>> First gigs this weekend. With the RC50 I was always stressed about =20=

>> that
>> hiccup at the start of loops. Sometimes it was there, sometimes =20
>> not. No
>> midi sync, but that didn't work on the RC50 anyway.
>> The one thing I love about using Mainstage/Mobius is that the =20
>> loops sync
>> to effects. I wish this rig could do that, but maybe someday.
>>
>>
>>
>
>
>
>
>

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Date: Wed, 3 Feb 2010 06:37:55 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Goodbye RC-50, Hello Rang III
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--0-1800603549-1265207875=:14002
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Glad to hear you're satisfied. I just ordered one this weekend and should have it on Friday.

--- On Wed, 2/3/10, Chris Sewell <lunamusic@mac.com> wrote:


From: Chris Sewell <lunamusic@mac.com>
Subject: Goodbye RC-50, Hello Rang III
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, February 3, 2010, 8:55 AM


This new Bommerang is fantastic. Smaller, easier, better sounding, cleaner loops, customizable, not sure if thats a word. Having so much fun with it. First gigs this weekend. With the RC50 I was always stressed about that hiccup at the start of loops. Sometimes it was there, sometimes not. No midi sync, but that didn't work on the RC50 anyway. 
The one thing I love about using Mainstage/Mobius is that the loops sync to effects. I wish this rig could do that, but maybe someday. 





      
--0-1800603549-1265207875=:14002
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Glad to hear you're satisfied. I just ordered one this weekend and should have it on Friday.<BR><BR>--- On <B>Wed, 2/3/10, Chris Sewell <I>&lt;lunamusic@mac.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From: Chris Sewell &lt;lunamusic@mac.com&gt;<BR>Subject: Goodbye RC-50, Hello Rang III<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Wednesday, February 3, 2010, 8:55 AM<BR><BR>
<DIV class=plainMail>This new Bommerang is fantastic. Smaller, easier, better sounding, cleaner loops, customizable, not sure if thats a word. Having so much fun with it. First gigs this weekend. With the RC50 I was always stressed about that hiccup at the start of loops. Sometimes it was there, sometimes not. No midi sync, but that didn't work on the RC50 anyway. <BR>The one thing I love about using Mainstage/Mobius is that the loops sync to effects. I wish this rig could do that, but maybe someday. <BR><BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
--0-1800603549-1265207875=:14002--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 15:32:32 2010
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Date: Wed, 3 Feb 2010 09:25:45 -0600 (CST)
Subject: Re: RC 50 output issue
From: "Baub Eis" <baub@baub.com>
To: <Loopers-Delight@loopers-delight.com>
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Try running your main outs to a direct box.  thats seemed to smoothe
things out for me....


> Does anyone know what might cause a slight distortion in an output
> signal, in this case from an RC 50, enough to be audible in a p.a.
> system, but NOT in the headphones of the RC 50.  All levels seem to be
> normal.  The output distortion is audible in both L and R channels
> when going to the PA.
>
> This is an acoustic guitar going through several stages including a
> Fishman Blender, a POD X3 LIve, and a couple of small pedals to the
> Boss, so several opportunities for clipping, but I don't know why it
> would distort in the main outputs and not in the headphones.
>
> I'm missing something obvious, yes?
>
> John


 *´¨ )
 ¸.·´¸.·*´¨) ¸.·*¨)
(¸.·´ (¸.·'*     Baub Eis



From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 16:08:56 2010
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Subject: Koan Loop Ensemble Live @Sassoscritto 2009 2
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2 of 8 

enjoy, thank you

http://apps.facebook.com/files/shared/8hp30dckb8

Max Liver

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 16:27:26 2010
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Thanks for the ideas regarding the output issue.  I'll try the direct  
box option first....

JF

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Since I am trained in Chinese medicine=2C I'm not going to going down the r=
oute of support or non-support. One thing that is important to remember is =
Chinese ginsing is only different from Wisconsin ginsing in the amount of t=
ravel it takes to get from Wisconsin to China. Meaning many herbs can do th=
e same thing no matter where they are from. Also=2C the human mind has the =
expanse to go beyond reality and sometimes do pretty good.

=20

I wanted to say Dr. Michael D. Seidman who's bio is below has a 4 pack nutr=
itional suppliment that is top rated by at least one lab and addresses many=
 other ailments. The pack includes vit/min=2C antioxidents=2C omega 3's=2C =
and a patented anti-aging formula.  He was working on helping tinnitus when=
 he developed the combination.

=20

Scientific Advisory Board
Michael D. Seidman=2C M.D. attained both his B.S. in Human Nutrition and M.=
D. from the University of Michigan. After a five year residency in Otolaryn=
gology-Head and Neck Surgery=2C he completed a fellowship in Otologic / neu=
rotologic and Skull Base Surgery at the Ear Research Foundation in Florida.=
 Dr. Seidman now serves as the Director of the Division of Otologic / neuro=
tologic Surgery in the Department of Otolaryngology- Head and Neck Surgery=
=2C Director of Otolaryngology Research Laboratory=2C Co-Director of the Ti=
nnitus Center=2C the Chair of the Complementary / Integrative Medicine Prog=
ram for a multi-million dollar health center. He is also a past President o=
f the Michigan Otolaryngology Society.

Additionally=2C he is an active scientist and has extramural funding from t=
he National Institute of Health and other major institutions. He is conside=
red an expert on the molecular basis of aging=3B noise induced hearing loss=
=2C otologic / neurotologic skull base surgery=2C all aspects of ear=2C nos=
e=2C throat=2C head and neck surgery=2C tinnitus=2C nutrition/antioxidants =
and their relationship to health and aging=2C and herbal therapies. He lect=
ures around the world on such topics=3B has been featured in more than 80 m=
ajor publications=3B numerous awards including being honored as one of the =
top 1% of Doctors in the USA=2C and has been awarded a US patent on a suppl=
ement that positively effects age-related hearing loss and has several pate=
nts pending on aging=2C mitochondrial function=2C and Alzheimer's disease.

Dr. Seidman is also a Co-Editor for the International Tinnitus Journal and =
is on the Editorial Review Board for seven major Otolaryngology Journals an=
d the Journal for Traditional Chinese Medicine. Additionally he has been ap=
pointed to the Scientific or Medical Advisory Board of the Self Help for Ha=
rd of Hearing People Inc.=2C the Life Extension Foundation=2C Intra Ear=2C =
the Ear Research Foundation=2C Arches Company=2C the American Tinnitus Asso=
ciation=2C Gel Tech=2C BASF (specifically on the work for SAMe) and WebMD (=
work related to anal sis of weight loss/nutrition software). He also serves=
 as a consultant for many professional athletes=2C and is an advisor for se=
veral teams in the NHL=2C NFL MLB=2C and NBA.
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469226/direct/01/=

--_a18e2d65-e993-4835-93ba-152756c18222_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Since I am trained in Chinese medicine=2C I'm not going to going down the r=
oute of support or non-support. One thing that is important to remember is =
Chinese ginsing is only different from Wisconsin ginsing in the amount of t=
ravel it takes to get from Wisconsin to China. Meaning many herbs can do th=
e same thing no matter where they are from. Also=2C the human mind has the =
expanse to go beyond reality and sometimes do pretty good.<BR>
&nbsp=3B<BR>
I wanted to say Dr. Michael D. Seidman who's bio is below has a 4 pack nutr=
itional suppliment that is top rated by at least one lab and addresses many=
 other ailments. The pack includes vit/min=2C antioxidents=2C omega 3's=2C =
and a patented&nbsp=3Banti-aging formula.&nbsp=3B He was working on helping=
 tinnitus when he developed the combination.<BR>
&nbsp=3B<BR>
<H2><SPAN>Scientific Advisory Board</SPAN></H2>
<IMG border=3D0 hspace=3D20 vspace=3D5 align=3Dleft src=3D"../../images/man=
agement/michael-seidman-visalus.jpg" width=3D168 height=3D258>Michael D. Se=
idman=2C M.D. attained both his B.S. in Human Nutrition and M.D. from the U=
niversity of Michigan. After a five year residency in Otolaryngology-Head a=
nd Neck Surgery=2C he completed a fellowship in Otologic / neurotologic and=
 Skull Base Surgery at the Ear Research Foundation in Florida. Dr. Seidman =
now serves as the Director of the Division of Otologic / neurotologic Surge=
ry in the Department of Otolaryngology- Head and Neck Surgery=2C Director o=
f Otolaryngology Research Laboratory=2C Co-Director of the Tinnitus Center=
=2C the Chair of the Complementary / Integrative Medicine Program for a mul=
ti-million dollar health center. He is also a past President of the Michiga=
n Otolaryngology Society.<BR>
Additionally=2C he is an active scientist and has extramural funding from t=
he National Institute of Health and other major institutions. He is conside=
red an expert on the molecular basis of aging=3B noise induced hearing loss=
=2C otologic / neurotologic skull base surgery=2C all aspects of ear=2C nos=
e=2C throat=2C head and neck surgery=2C tinnitus=2C nutrition/antioxidants =
and their relationship to health and aging=2C and herbal therapies. He lect=
ures around the world on such topics=3B has been featured in more than 80 m=
ajor publications=3B numerous awards including being honored as one of the =
top 1% of Doctors in the USA=2C and has been awarded a US patent on a suppl=
ement that positively effects age-related hearing loss and has several pate=
nts pending on aging=2C mitochondrial function=2C and Alzheimer's disease.<=
BR>
Dr. Seidman is also a Co-Editor for the International Tinnitus Journal and =
is on the Editorial Review Board for seven major Otolaryngology Journals an=
d the Journal for Traditional Chinese Medicine. Additionally he has been ap=
pointed to the Scientific or Medical Advisory Board of the Self Help for Ha=
rd of Hearing People Inc.=2C the Life Extension Foundation=2C Intra Ear=2C =
the Ear Research Foundation=2C Arches Company=2C the American Tinnitus Asso=
ciation=2C Gel Tech=2C BASF (specifically on the work for SAMe) and WebMD (=
work related to anal sis of weight loss/nutrition software). He also serves=
 as a consultant for many professional athletes=2C and is an advisor for se=
veral teams in the NHL=2C NFL MLB=2C and NBA.<BR> 		 	   		  <br /><hr />Ho=
tmail: Trusted email with Microsoft=92s powerful SPAM protection. <a href=
=3D'http://clk.atdmt.com/GBL/go/201469226/direct/01/' target=3D'_new'>Sign =
up now.</a></body>
</html>=

--_a18e2d65-e993-4835-93ba-152756c18222_--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 16:54:06 2010
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Date: Wed, 3 Feb 2010 11:54:04 -0500
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Subject: Re: tmj- tinnitus
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174789e8efbedc047eb51099
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Rick your story is interesting as I battle with it a bit  if you saw my
details.  Caffeine pull back is interesting as I consume a lot (4 to 5
straight ice black teas a day) - interesting that limit helped.  I've heard
some possibilities about acupuncture.  It does not plague me as it did
though after playing violin for awhile I'll start to get the breakup in my
right ear so I sometimes plug that ear with tissue paper which baffles it.
I do that most of the time if going to a loud event or here in NY the
constant drone of the subway I'm generally seen plugging my fingers in my
ears as the trains come into the station.  I occasionally play in the system
so the noise is a concern.  My dad was an avid hunter and after years of the
shotgun blast going off it took his toll on his hearing.  Anyhow it is a
'drag' condition that fortunately has not worsened in any way but can be an
annoyance.  Thankfully no one seems to verbalized having the issues that
have taken their toll like Pete Townsend.

Jim

On Wed, Feb 3, 2010 at 6:01 AM, Rick Walker <looppool@cruzio.com> wrote:

> Dearest Erdem,
>
>

--0015174789e8efbedc047eb51099
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Rick your story is interesting as I battle with it a bit=A0 if you saw my d=
etails.=A0 Caffeine pull back is interesting as I consume a lot (4 to 5 str=
aight ice black teas a day) - interesting that limit helped.=A0 I&#39;ve he=
ard some possibilities about acupuncture.=A0 It does not plague me as it di=
d though after playing violin for awhile I&#39;ll start to get the breakup =
in my right ear so I sometimes plug that ear with tissue paper which baffle=
s it.=A0 I do that most of the time if going to a loud event or here in NY =
the constant drone of the subway I&#39;m generally seen plugging my fingers=
 in my ears as the trains come into the station.=A0 I occasionally play in =
the system so the noise is a concern.=A0 My dad was an avid hunter and afte=
r years of the shotgun blast going off it took his toll on his hearing.=A0 =
Anyhow it is a &#39;drag&#39; condition that fortunately has not worsened i=
n any way but can be an annoyance.=A0 Thankfully no one seems to verbalized=
 having the issues that have taken their toll like Pete Townsend.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Wed, Feb 3, 2010 at 6:01 AM, R=
ick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">loo=
ppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;">
Dearest Erdem,<br>
<br></blockquote></div><br>

--0015174789e8efbedc047eb51099--

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Date: Wed, 3 Feb 2010 18:04:47 +0100
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Subject: Re: tmj- tinnitus
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Feb 3, 2010 at 5:38 PM, Capt Turner <joy_top@hotmail.com> wrote:

> patented anti-aging formula


Rather odd, to not say bold, product description!
Makes one wonder how the patent application got proofed ;-)
Did a test group eat it for fifty years and then got examined to proof that
aging really had not occurred?
Not knowing much about US (so I may be off side in my understanding) but
over here any formula or invention up for a patent application has to work
in order to get through into the free market to be exploited.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--0016e6d645143ccffb047eb5370c
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On Wed, Feb 3, 2010 at 5:38 PM, Capt Turner <span dir=3D"ltr">&lt;<a href=
=3D"mailto:joy_top@hotmail.com">joy_top@hotmail.com</a>&gt;</span> wrote:<b=
r><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"mar=
gin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
patented=C2=A0anti-aging formula</blockquote></div><br><div>Rather odd, to =
not say bold, product description!=C2=A0</div><div>Makes one wonder how the=
 patent application got proofed ;-)=C2=A0</div><div>Did a test group eat it=
 for fifty years and then got examined to proof that aging really had not o=
ccurred?=C2=A0</div>
<div>Not knowing much about US (so I may be off side in my understanding) b=
ut over here any formula or invention up for a patent application has to wo=
rk in order to get through into the free market to be exploited.=C2=A0</div=
>
<div><br></div><div>Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a hre=
f=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perbo=
ysen.com">www.perboysen.com</a></div>

--0016e6d645143ccffb047eb5370c--

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	 <66f9cc1e1002030312g3b84568bqecbe2700c9580141@mail.gmail.com>
Date: Wed, 3 Feb 2010 18:08:09 +0100
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Subject: Re: 2 new tracks (free downloads)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Feb 3, 2010 at 12:12 PM, Per Boysen <perboysen@gmail.com> wrote:
> I like your music Sjaak. It has developed in an interesting way over
> the last year. What I mean is that now I only hear "Sjaak expression"
> in the music, while earlier on I also heard "some cool sound patches
> being played in a nice way".

Thanks Per. This is good news for me because your reply confirms that
the project is developing in the right direction. I know exactly what
you mean and you're d*mned right about it ;-) There's still a lot of
work to do though. I think overall, my "sound" is ok, I have my gear
under control but I need to work on my live improv and composition
skills. So I'm currently working different musical themes and looping
strategies to improve the live improvisations. That's a real challenge
and takes a lot of time but so far, it has helped me a finding "the
path" ;-) A good mix of preparation and live improv, that's my goal
for 2010/2011.

> Here's a technical point: I'm listening over a full range system here
> and for my taste the throbbing sub bass punches of "20100202.mp3" are
> too disturbing. If you practice over a non full range system, meaning
> you won't hear what's happening in the sub bass domain, you can slap a
> Channel EQ over the signal chain as a graphic indicator of what is
> going on.

I recorded these tracks with Mainstage and used my HK Audio PA as
monitor while playing, that's the set I normally use on stage for
small gigs. I actually haven't checked the master EQ in detail, but it
sounded OK on my headphones. But I'll fire up Logic again to see
what's wrong with the EQ. Thanks for the tip, I appreciate these kind
of comments :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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	 <SNT114-W575DEF7C45F8E49D4F3754B6560@phx.gbl>
Date: Wed, 3 Feb 2010 18:12:20 +0100
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Subject: Re: 2 new tracks (free downloads)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Feb 3, 2010 at 2:01 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> Very nice thanks for sharing.
> Is it one take "live" recordings??

Thanks! Yes,  these are one take, 2-track studio live recordings, no
editing. All the tracks on the upcoming album "59 airplanes waiting
for New York" have been recorded the same way.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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	 <66f9cc1e1002030904x62d2c63eqcd28e86561f1516b@mail.gmail.com>
Date: Wed, 3 Feb 2010 09:42:42 -0800
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Subject: Re: tmj- tinnitus
From: Art Simon <simart@gmail.com>
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--00504502b2c3cf4eb1047eb5be4e
Content-Type: text/plain; charset=ISO-8859-1

I know where getting way OT here, but In American Law, substances
categorized as "dietary supplements" can make claims of improving general
health without proof, but not claims to the effect of treating specific
diseases.

http://dietary-supplements.info.nih.gov/factsheets/dietarysupplements.asp#h4

Since aging is not a disease, you could claim that your product supports the
structure/function of the body and limits the effects of aging without
testing it. We see claims like that all the time in American advertising.

On Wed, Feb 3, 2010 at 9:04 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Feb 3, 2010 at 5:38 PM, Capt Turner <joy_top@hotmail.com> wrote:
>
>> patented anti-aging formula
>
>
> Rather odd, to not say bold, product description!
> Makes one wonder how the patent application got proofed ;-)
> Did a test group eat it for fifty years and then got examined to proof that
> aging really had not occurred?
> Not knowing much about US (so I may be off side in my understanding) but
> over here any formula or invention up for a patent application has to work
> in order to get through into the free market to be exploited.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00504502b2c3cf4eb1047eb5be4e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I know where getting way OT here, but In American Law, substances categoriz=
ed as &quot;dietary supplements&quot; can make claims of improving general =
health without proof, but not claims to the effect of treating specific dis=
eases.<br>
<br><a href=3D"http://dietary-supplements.info.nih.gov/factsheets/dietarysu=
pplements.asp#h4">http://dietary-supplements.info.nih.gov/factsheets/dietar=
ysupplements.asp#h4</a><br><br>Since aging is not a disease, you could clai=
m that your product supports the structure/function of the body and limits =
the effects of aging without testing it. We see claims like that all the ti=
me in American advertising.<br>
<br><div class=3D"gmail_quote">On Wed, Feb 3, 2010 at 9:04 AM, Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;">
On Wed, Feb 3, 2010 at 5:38 PM, Capt Turner <span dir=3D"ltr">&lt;<a href=
=3D"mailto:joy_top@hotmail.com" target=3D"_blank">joy_top@hotmail.com</a>&g=
t;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">

patented=A0anti-aging formula</blockquote></div><br><div>Rather odd, to not=
 say bold, product description!=A0</div><div>Makes one wonder how the paten=
t application got proofed ;-)=A0</div><div>Did a test group eat it for fift=
y years and then got examined to proof that aging really had not occurred?=
=A0</div>

<div>Not knowing much about US (so I may be off side in my understanding) b=
ut over here any formula or invention up for a patent application has to wo=
rk in order to get through into the free market to be exploited.=A0</div>
<div><div></div><div class=3D"h5">
<div><br></div><div>Greetings from Sweden<br><br>Per Boysen=A0<br><a href=
=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br><a href=3D=
"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a></div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<b=
r><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot]=
 com/artsimon<br>

--00504502b2c3cf4eb1047eb5be4e--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 17:58:27 2010
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Date: Thu, 4 Feb 2010 02:58:12 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category
 Would  you Choose
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At 10:38 PM -0800 2/2/10, Rick Walker wrote:
>
>DISTORTION/FUZZ:

Starting off in *very* subjective territory here.  There are so many 
different types of distortion that it's nearly impossible to nail one 
he'll like without having some idea of his taste.

That said, I'll still recommend the Lastgasp Art Labs (LAL) Super 
Oscillo Fuzz 88 ("Hachijuhachi Shiki Kebadate Hizumaseki Super 
Oscillo Fuzz").  The LAL 88 will do both conventional and bizarre, 
even if it is a little fidgety and works quite differently in every 
setup.

Honorable mention to the Devi Ever US.  It'll cover heavy guitar hero 
stuff, while still able to pull off velcro/zipper fuzz on other 
settings without having to resort to digital bit reduction.

And for totally batshit insane, there's the WMD Geiger Counter.


>OVERDRIVE:

*Keeley-modded* Boss Blues Driver (p.s. do NOT go for the stock 
unmodded Boss model).  Boss put together a great overdrive circuit, 
but ruined it by cheaping-out on crap components when they went to 
manufacture it.  Robert Keeley goes through and replaces the various 
caps, resistors, etc with quality matched components, and the final 
result is just beautiful.  One of the nicest OD's I've ever touched.

Also, I've got a C-Tech Sonny Boy, which does a great job of 
emulating a lot of overdrive and amp effects.  I found it used and 
picked it up super-cheep, thinking I'd try experimenting with some 
circuit-bending on it.  However, I discovered that it's actually a 
really excellent pedal for overdrive sounds.  Not so easy to find, 
but worth it if you can.


>FEEDBACK/SUSTAIN:

Devi Ever Hyperion.  Out-muffs the Big Muff, and will give you 
sustain for days.


>*CHORUS*

For conventional chorus, Maxon CS-550 is the best I've found so far. 
But I've also got a love/hate relationship with the drippiness of 
conventional chorus.  The Maxon can get as goopy as you need it, but 
can also clean up nicely and still fit into a mix.

Since they're so darn cheap, it's just stupid not to pick up a 
Behringer Space-C CC300 (reissue of the original Boss Dimension D) 
and a Behringer Chorus Orchestra CO600 (reissue of the Boss CE-5 BBD 
version with was produced prior to 2001).  The former is essential 
for nailing anything resembling SRV type Leslie/Blues licks, and the 
latter does an excellent emulation of the chorus in Roland's JC-120 
amps.

Also, don't forget that, depending upon your style and tastes, you 
can also get excellent (better?) chorusing by modulating delay lines 
(see digital delays, below) or using a flanger instead (ditto, see 
flangers below).


>*FLANGER*

I'll agree with your recommendation on the good ole' Boss BF-2.  It 
won't get through-zero sweeps or full-blown jet takeoffs like the 
original A/DA's, but the little purple box is a swiss army knife 
capable of most sounds from subtle chorus to squawking howls.  It's 
newbie-easy to set up, too.


>*COMPRESSOR*
>The cool one my brother has but he's not home right now so I can't 
>remember it's name

Pretty sure Bill's using the little Keeley compressor, which is a 
damn fine unit, if a bit pricey.

I also want to throw a plug in for the tiny Guyatone ST-2 
Compressor/Sustainer.  This little green meenie does a great job of 
compressing without killing your dynamics.  Great for pulling that 
"chicken pickin'" tone out of your Tele or Strat.


>DIGITAL DELAY*

Yamaha MagicStomp.  It's f*cking beautiful, and I've never heard any 
other footpedal digital delay which sounds this bloody good (besides 
the original Yamaha UD Stomp -- on which the MagicStomp is partly 
based, but which fails the "footprint test" you set out).  To get 
more gorgeous modulated delays, you're going to have to upgrade to an 
Eventide or TC Electronics rack unit, I think.

If you've ever wanted to do modulated volume swells ala Allan 
Holdsworth, then this is your ticket.  Hell, Holdsworth was the one 
who designed the damn thing in the first place.


>ANALOGUE DELAY*

Black Box Quicksilver.  Okay, okay, I know it's actually digital, but 
you wouldn't bloody know it.  Sounds as good as (better than?) any 
real analog delay I've ever played with.  The filter can swing toward 
low-pass for a more tape-style delay tone, or high-pass to emulate 
the traditional BBD analog delays.  And the I/O loop in the back 
allows you to plug other pedals into the delay's feedback loop for 
utterly sick results.


>PITCH SHIFTER*

You want accuracy or character?  For accuracy, I'd probably go with 
the Eventide (a bit big, though?).  For character, you can't beat the 
Boss PS-3, or maybe even a PS-2 depending upon your taste.


>*TREMELO

I love the Ampliton too, Rick, but I've also got a Lightfoot Labs 
Goatkeeper.  And, trust me, that'll eat the Ampliton for lunch (as 
well as just about anything short of Rainer's regular Nord 
Micro-Modular recommendation).

However, the Goatkeeper doesn't meet your friend's form-factor 
requirements, since it's almost as large as a DL-4.  Failing that, 
you might want to look at the Guyatone VTm5 Veri-Trem.  It's a tiny 
form-factor, simple to use, and it'll get you most of the various 
tremolo sounds that are guitarists favorites.  No, you're not going 
to get polyrhythms like the Ampliton or Goatkeeper, but it'll do the 
job just fine.

Then there's also the Gig-FX Chopper for Tremolo/Gating via pedal control.


>*WAH WAH*

Ugh.  Pet peeve: I hate wah-wahs (except for "parked wah" effects). 
Find a Low-Pass filter in a pedal form factor instead, if you ask me. 
I use an Electrix Filter Queen with an external pedal, but no way 
your friend's gonna go for that.

Hope that helps a little....

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

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Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you 
	Choose
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Content-Type: text/plain; charset=ISO-8859-1

*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*

> DAED DS-1 DISTORTO SYNTH
>
I would like one of these Rick, but I suggest..

EH Big Muff... for that snakefinger sound, or Rat for chugging abd
chrunch...


*CHORUS*
> Boss CE-2    (just don't know enough about pricier botique ones.....any
> suggestions?)
>

dunno, never had one in a stomp..


>
> *FLANGER*
> Boss Flanger
>

EH Electric Mistress YEAH!! for the fact that you can STOP the flange...
that alone makes it unique, but prob not interesting for you
non-experimental friend


> *
> PHASER*
> Electro Harmonix Bad Stone
>

There Ya go.. I have Small Stone, but I bet ist the same sound, just less
controls?

>
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't remember
> it's name
>

no idea..

> *
> DIGITAL DELAY*
> ?
>
The Whilte Boss one with hold, for that Eno change speed settings (slow mid
fast) technique... Dont know it... Shhh... dont tell... its a secret..


> *
>


> ANALOGUE DELAY*
> ?
>
Dunno, used to have a copy cat... lovely... where are they now... There used
to be shelves upon shelves of then for 12 quid in record and tape exchange
in Notting Hill, not there now... sigh... I dont sell stuff any more..
learnt my lesson...



> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>
> Yes Boss p5 actually its called the SUPER shifter, cos its.. well Super!!!


*TREMELO
> *Alesis Ampliton
>

Dunno

>
> *WAH WAH*
> DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah pedal)
>
> I had a phenomenal and very old wah with a terrible distortion built in..
however, when you had another distortion switched on down the line, it
rocked!!! Cant remember the make, and I leant it to someone years ago... how
long is it after you have leant something can you still ask for it back?
Doesnt it become there property after a while?? I hope so.. cos of the stuff
Ive borrowed... But then again... I have to get that wah back....

Mark




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5b985a71823047eb5ffa5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<br><div class=3D"gmail_quote">=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
DAED DS-1 DISTORTO SYNTH=A0 <br></blockquote><div>I would like one of these=
 Rick, but I suggest..<br><br>EH Big Muff... for that snakefinger sound, or=
 Rat for chugging abd chrunch...<br><br><br></div><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">


*CHORUS*<br>
Boss CE-2 =A0 =A0(just don&#39;t know enough about pricier botique ones....=
.any suggestions?)<br></blockquote><div><br>dunno, never had one in a stomp=
.. <br>=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px=
 solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


<br>
*FLANGER*<br>
Boss Flanger<br></blockquote><div><br>EH Electric Mistress YEAH!! for the f=
act that you can STOP the flange... that alone makes it unique, but prob no=
t interesting for you non-experimental friend<br>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


*<br>
PHASER*<br>
Electro Harmonix Bad Stone<br></blockquote><div><br>There Ya go.. I have Sm=
all Stone, but I bet ist the same sound, just less controls? <br></div><blo=
ckquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204,=
 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


<br>
*COMPRESSOR*<br>
The cool one my brother has but he&#39;s not home right now so I can&#39;t =
remember it&#39;s name<br></blockquote><div><br>no idea.. <br></div><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


*<br>
DIGITAL DELAY*<br>
?<br>
</blockquote><div>The Whilte Boss one with hold, for that Eno change speed =
settings (slow mid fast) technique... Dont know it... Shhh... dont tell... =
its a secret..<br>=A0</div><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">

*<br></blockquote><div>=A0</div><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
ANALOGUE DELAY*<br>
?<br></blockquote><div>Dunno, used to have a copy cat... lovely... where ar=
e they now... There used to be shelves upon shelves of then for 12 quid in =
record and tape exchange in Notting Hill, not there now... sigh... I dont s=
ell stuff any more.. learnt my lesson...<br>

<br>=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
*<br>
PITCH SHIFTER*<br>
Boss P-5 Intellishifter<br>
<br></blockquote><div>Yes Boss p5 actually its called the SUPER shifter, co=
s its.. well Super!!!<br><br><br></div><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">


*TREMELO<br>
*Alesis Ampliton<br></blockquote><div><br>Dunno <br></div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
*WAH WAH*<br>
DAED &#39;Juicy Wah&#39; =A0 =A0 =A0(DAED&#39;s inexpensive &#39;hack of a =
Crybaby wah pedal)<br>
<br></blockquote><div>I had a phenomenal and very old wah with a terrible d=
istortion built in.. however, when you had another distortion switched on d=
own the line, it rocked!!! Cant remember the make, and I leant it to someon=
e years ago... how long is it after you have leant something can you still =
ask for it back? Doesnt it become there property after a while?? I hope so.=
. cos of the stuff Ive borrowed... But then again... I have to get that wah=
 back....<br>

<br>Mark<br>=A0</div></div><br><br clear=3D"all"><br>-- <br><a href=3D"http=
://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vi=
meo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk=
.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</=
a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5b985a71823047eb5ffa5--

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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT    Which Desert Island Stomp Box Pedal in each Category
 Would you Choose
Date: Wed, 3 Feb 2010 10:09:22 -0800
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I like and use my Boss ME 50 all the time. It has various distortions and o=
verdrives=2C a nice delay=2C flange-chorus-trem fx=2C compression=2C reverb=
=2C plus the vol pedal doubles with a click to ring mod=2C wah=2C octave up=
 & down/ pitch shift=2C all in one fairly compact pedal. It is my 1st choic=
e when gigging given most of our jobs are in tight quarters where even peda=
l space on the floor can be very limited. Plus you can probably find one ch=
eap on craigslist.

There's my $0.02 worth.

J.D.
=20
> Date: Tue=2C 2 Feb 2010 22:38:42 -0800
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT Which Desert Island Stomp Box Pedal in each Category Would yo=
u Choose
>=20
> Hi all=2C
>=20
> I have a client who has a fair amount of money.
>=20
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories. He is a simple metal player so
> he's not interested in a lot of the more esoteric pedals that I normally=
=20
> use
> for more experimental purposes.
>=20
> I know that=2C as an example=2C my brother Bill=2C really loves
> his Zen Drive and also a particular light weight but not-inexpensive=20
> compressor
> that he uses.
>=20
> So=2C if you don't mind taking the time=2C
> and you had to pick only one stomp box pedal in each of the following=20
> categories
> what would they be?=20
> By the way=2C he's not at all interested large pedals (double pedals)
> (like the Line 6 or large Boss multi-pedals)=2C He wants small footprint
> stompbox pedals
>=20
> Finally=2C simplicity=2C small footprint and ease of use are high priorit=
ies.
>=20
> Here are my own recommendations for what it's worth:
>=20
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH (very inexpensive and wonderful DAED hack of a
> Boss DS-1 Distortion pedal)
>=20
> *CHORUS*
> Boss CE-2 (just don't know enough about pricier botique ones.....any=20
> suggestions?)
>=20
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
>=20
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't=20
> remember it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>=20
> *TREMELO
> *Alesis Ampliton
>=20
> *WAH WAH*
> DAED 'Juicy Wah' (DAED's inexpensive 'hack of a Crybaby wah pedal)
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Free=2C trusted and rich email service.
http://clk.atdmt.com/GBL/go/201469228/direct/01/=

--_c3ec0be8-8388-4943-bca4-4985074bb48f_
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<html>
<head>
<style><!--
.hmmessage P
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padding:0px
}
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font-family:Verdana
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<body class=3D'hmmessage'>
I like and use my Boss ME 50 all the time. It has&nbsp=3Bvarious distortion=
s and overdrives=2C a nice delay=2C&nbsp=3Bflange-chorus-trem fx=2C compres=
sion=2C reverb=2C plus the vol pedal doubles with a click to ring mod=2C wa=
h=2C octave up &amp=3B down/ pitch shift=2C all in one fairly compact pedal=
. It is my 1st choice when gigging given most of our jobs are in tight quar=
ters where even pedal space on the floor can be very limited. Plus you can =
probably find one cheap on craigslist.<BR>
There's my $0.02 worth.<BR>
J.D.<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 2 Feb 2010 22:38:42 -0800<BR>&gt=3B=
 From: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.co=
m<BR>&gt=3B Subject: OT Which Desert Island Stomp Box Pedal in each Categor=
y Would you Choose<BR>&gt=3B <BR>&gt=3B Hi all=2C<BR>&gt=3B <BR>&gt=3B I ha=
ve a client who has a fair amount of money.<BR>&gt=3B <BR>&gt=3B He has ask=
ed me to recommend him the best stomp box pedal<BR>&gt=3B in one of several=
 different categories. He is a simple metal player so<BR>&gt=3B he's not in=
terested in a lot of the more esoteric pedals that I normally <BR>&gt=3B us=
e<BR>&gt=3B for more experimental purposes.<BR>&gt=3B <BR>&gt=3B I know tha=
t=2C as an example=2C my brother Bill=2C really loves<BR>&gt=3B his Zen Dri=
ve and also a particular light weight but not-inexpensive <BR>&gt=3B compre=
ssor<BR>&gt=3B that he uses.<BR>&gt=3B <BR>&gt=3B So=2C if you don't mind t=
aking the time=2C<BR>&gt=3B and you had to pick only one stomp box pedal in=
 each of the following <BR>&gt=3B categories<BR>&gt=3B what would they be? =
<BR>&gt=3B By the way=2C he's not at all interested large pedals (double pe=
dals)<BR>&gt=3B (like the Line 6 or large Boss multi-pedals)=2C He wants sm=
all footprint<BR>&gt=3B stompbox pedals<BR>&gt=3B <BR>&gt=3B Finally=2C sim=
plicity=2C small footprint and ease of use are high priorities.<BR>&gt=3B <=
BR>&gt=3B Here are my own recommendations for what it's worth:<BR>&gt=3B <B=
R>&gt=3B *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<BR>&gt=3B DAED DS-1 D=
ISTORTO SYNTH (very inexpensive and wonderful DAED hack of a<BR>&gt=3B Boss=
 DS-1 Distortion pedal)<BR>&gt=3B <BR>&gt=3B *CHORUS*<BR>&gt=3B Boss CE-2 (=
just don't know enough about pricier botique ones.....any <BR>&gt=3B sugges=
tions?)<BR>&gt=3B <BR>&gt=3B *FLANGER*<BR>&gt=3B Boss Flanger<BR>&gt=3B *<B=
R>&gt=3B PHASER*<BR>&gt=3B Electro Harmonix Bad Stone<BR>&gt=3B <BR>&gt=3B =
*COMPRESSOR*<BR>&gt=3B The cool one my brother has but he's not home right =
now so I can't <BR>&gt=3B remember it's name<BR>&gt=3B *<BR>&gt=3B DIGITAL =
DELAY*<BR>&gt=3B ?<BR>&gt=3B *<BR>&gt=3B ANALOGUE DELAY*<BR>&gt=3B ?<BR>&gt=
=3B *<BR>&gt=3B PITCH SHIFTER*<BR>&gt=3B Boss P-5 Intellishifter<BR>&gt=3B =
<BR>&gt=3B *TREMELO<BR>&gt=3B *Alesis Ampliton<BR>&gt=3B <BR>&gt=3B *WAH WA=
H*<BR>&gt=3B DAED 'Juicy Wah' (DAED's inexpensive 'hack of a Crybaby wah pe=
dal)<BR>&gt=3B <BR> 		 	   		  <br /><hr />Hotmail: Free=2C trusted and ric=
h email service. <a href=3D'http://clk.atdmt.com/GBL/go/201469228/direct/01=
/' target=3D'_new'>Get it now.</a></body>
</html>=

--_c3ec0be8-8388-4943-bca4-4985074bb48f_--

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 18:27:40 2010
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Message-id: <678D6620-6B8F-4A0D-95F7-BC18971CC392@mac.com>
From: Chris Sewell <lunamusic@mac.com>
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would
 you Choose
Date: Wed, 03 Feb 2010 13:27:29 -0500
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My 2 cents.
This might sound crazy, but, as he has lots of money and you are  
clearly getting a different answer from every response. Might I  
suggest he take his fat wallet and go to a good music store and use  
his ears to determine what he wants. He sounds like a big boy. I'm  
sure he's capable.




On Feb 3, 2010, at 1:38 AM, Rick Walker wrote:

> Hi all,
>
> I have a client who has a fair amount of money.
>
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories.   He is a simple metal  
> player so
> he's not interested in a lot of the more esoteric pedals that I  
> normally use
> for more experimental purposes.
>
> I know that, as an example,  my brother Bill, really loves
> his Zen Drive and also a particular light weight but not- 
> inexpensive compressor
> that he uses.
>
> So,  if you don't mind taking the time,
> and you had to pick only one stomp box pedal in each of the  
> following categories
> what would they be?   By the way,   he's not at all interested  
> large pedals (double pedals)
> (like the Line 6 or large Boss multi-pedals),  He wants small  
> footprint
> stompbox pedals
>
> Finally,  simplicity, small footprint and ease of use are high  
> priorities.
>
> Here are my own recommendations for what it's worth:
>
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED  
> hack of a
> Boss DS-1 Distortion pedal)
>
> *CHORUS*
> Boss CE-2    (just don't know enough about pricier botique  
> ones.....any suggestions?)
>
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
>
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't  
> remember it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>
> *TREMELO
> *Alesis Ampliton
>
> *WAH WAH*
> DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah  
> pedal)
>

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 18:54:58 2010
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Subject: Re: tmj- tinnitus
Date: Wed, 3 Feb 2010 10:54:50 -0800
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Recent article in NYT (has relevant hyperlinks):


http://www.nytimes.com/2010/01/05/science/05obhear.html?scp=1&sq=tinnitus&st=cse

http://query.nytimes.com/gst/fullpage.html?res=9407EEDD163CF932A35757C0A96E9C8B63


Not sure if you need to be registered user for the above links to work.


BobC

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Date: Wed, 3 Feb 2010 14:02:24 -0500
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Subject: Re: a great iphone looper [thumbjam]
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d27642de6747047eb6dbb0
Content-Type: text/plain; charset=ISO-8859-1

I thumped and bowed some bass samples for thumb jam. It's soooo much fun to
play. Especially the theremin:)

Todd Matthews

On Wed, Feb 3, 2010 at 6:34 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com>wrote:

> *Da: *Zoe Keating <info@zoekeating.com>
> *Data: *03 febbraio 2010 05.55.01 GMT+01.00
> *A: *Loopers-Delight@loopers-delight.com
> *Oggetto: **Re: a great iphone looper [thumbjam]*
>
>
> and all the cello samples in there are me ;-)
>
>
>
> the very first sound I tried with Thumb Jam was the cello, and it is
> absolutely amazing
>
> I studied cello just one year when I was a kid.... still in love with
> that.
> If only at the Conservatory of Milan they'd know how to teach it to a kid
> (and my teacher was the first cello of La Scala in that period...).
>
> Greetings from a long time lurker of your music, Zoe .)
>
> b:k
>

--0016e6d27642de6747047eb6dbb0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I thumped and bowed some bass samples for thumb jam. It&#39;s soooo much fu=
n to play. Especially the theremin:)<div><br></div><div>Todd Matthews<br><b=
r><div class=3D"gmail_quote">On Wed, Feb 3, 2010 at 6:34 AM, Bruno E. Klein=
efeld <span dir=3D"ltr">&lt;<a href=3D"mailto:bruno.bk@gmail.com">bruno.bk@=
gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><div st=
yle=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px"><=
/div>
<blockquote type=3D"cite"><div style=3D"margin-top:0px;margin-right:0px;mar=
gin-bottom:0px;margin-left:0px"><span style=3D"font-family:Helvetica;font-s=
ize:medium;color:rgb(127, 127, 127)"><b>Da:=A0</b></span><span style=3D"fon=
t-family:Helvetica;font-size:medium">Zoe Keating &lt;<a href=3D"mailto:info=
@zoekeating.com" target=3D"_blank">info@zoekeating.com</a>&gt;<br>
</span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0p=
x;margin-left:0px"><span style=3D"font-family:Helvetica;font-size:medium;co=
lor:rgb(127, 127, 127)"><b>Data:=A0</b></span><span style=3D"font-family:He=
lvetica;font-size:medium">03 febbraio 2010 05.55.01 GMT+01.00<br>
</span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0p=
x;margin-left:0px"><span style=3D"font-family:Helvetica;font-size:medium;co=
lor:rgb(127, 127, 127)"><b>A:=A0</b></span><span style=3D"font-family:Helve=
tica;font-size:medium"><a href=3D"mailto:Loopers-Delight@loopers-delight.co=
m" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
</span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0p=
x;margin-left:0px"><span style=3D"font-family:Helvetica;font-size:medium;co=
lor:rgb(127, 127, 127)"><b>Oggetto:=A0</b></span><span style=3D"font-family=
:Helvetica;font-size:medium"><b>Re: a great iphone looper [thumbjam]</b><br=
>
</span></div><div class=3D"im"><br><br>and all the cello samples in there a=
re me ;-)</div></blockquote><div><br></div><div><br></div><div>the very fir=
st sound I tried with Thumb Jam was the cello, and it is absolutely amazing=
</div>
<div><br></div><div>I studied cello just one year when I was a kid.... stil=
l in love with that.=A0</div><div>If only at the Conservatory of Milan they=
&#39;d know how to teach it to a kid (and my teacher was the first cello of=
 La Scala in that period...).</div>
<div><br></div><div>Greetings from a long time lurker of your music, Zoe .)=
</div><div><br></div><font color=3D"#888888"><div>b:k</div></font></div></b=
lockquote></div><br></div>

--0016e6d27642de6747047eb6dbb0--

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Subject: Re: OT    Which Desert Island Stomp Box Pedal in each CategoryWould  you Choose
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Date: Wed, 3 Feb 2010 21:19:01 +0100
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Subject: Re: 2 new tracks (free downloads)
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Per,
You are right, there was a lot going on between 30-80hz, peaks up to
15 dB ;-) I have applied a low cut and have replaced the mp3 with a
new one.

http://euroloopfest.com/premonitionfactory/demos/20100202.mp3

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 20:25:17 2010
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From: baub@baub.com
To: Loopers-Delight@loopers-delight.com
Date: Wed, 03 Feb 2010 14:25:15 -0600
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Subject: Re: RC 50 output issue
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It initially seemed like my outputs were hot going to the PA.  those are "not" balanced outs 
coming out of the RC50.  Once I ran with a direct box, it seemed to really mellow things out 
and make it easier to control at the PA level.

Hope that helps
Baub




On 3 Feb 2010 at 9:27, john floridis wrote:

> Thanks for the ideas regarding the output issue.  I'll try the direct  
> box option first....
> 
> JF
> 


From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 20:33:14 2010
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To: <loopers-delight@loopers-delight.com>
Subject: RE: OT    Which Desert Island Stomp Box Pedal in each Category
 Would you Choose
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That's what i was thinking..

> From: lunamusic@mac.com
> Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category W=
ould you Choose
> Date: Wed=2C 3 Feb 2010 13:27:29 -0500
> To: Loopers-Delight@loopers-delight.com
>=20
> My 2 cents.
> This might sound crazy=2C but=2C as he has lots of money and you are =20
> clearly getting a different answer from every response. Might I =20
> suggest he take his fat wallet and go to a good music store and use =20
> his ears to determine what he wants. He sounds like a big boy. I'm =20
> sure he's capable.
>=20
>=20
>=20
>=20
> On Feb 3=2C 2010=2C at 1:38 AM=2C Rick Walker wrote:
>=20
> > Hi all=2C
> >
> > I have a client who has a fair amount of money.
> >
> > He has asked me to recommend him the best stomp box pedal
> > in one of several different categories.   He is a simple metal =20
> > player so
> > he's not interested in a lot of the more esoteric pedals that I =20
> > normally use
> > for more experimental purposes.
> >
> > I know that=2C as an example=2C  my brother Bill=2C really loves
> > his Zen Drive and also a particular light weight but not-=20
> > inexpensive compressor
> > that he uses.
> >
> > So=2C  if you don't mind taking the time=2C
> > and you had to pick only one stomp box pedal in each of the =20
> > following categories
> > what would they be?   By the way=2C   he's not at all interested =20
> > large pedals (double pedals)
> > (like the Line 6 or large Boss multi-pedals)=2C  He wants small =20
> > footprint
> > stompbox pedals
> >
> > Finally=2C  simplicity=2C small footprint and ease of use are high =20
> > priorities.
> >
> > Here are my own recommendations for what it's worth:
> >
> > *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> > DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED =20
> > hack of a
> > Boss DS-1 Distortion pedal)
> >
> > *CHORUS*
> > Boss CE-2    (just don't know enough about pricier botique =20
> > ones.....any suggestions?)
> >
> > *FLANGER*
> > Boss Flanger
> > *
> > PHASER*
> > Electro Harmonix Bad Stone
> >
> > *COMPRESSOR*
> > The cool one my brother has but he's not home right now so I can't =20
> > remember it's name
> > *
> > DIGITAL DELAY*
> > ?
> > *
> > ANALOGUE DELAY*
> > ?
> > *
> > PITCH SHIFTER*
> > Boss P-5 Intellishifter
> >
> > *TREMELO
> > *Alesis Ampliton
> >
> > *WAH WAH*
> > DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah =20
> > pedal)
> >
>=20
 		 	   		 =20
_________________________________________________________________
Got a cool Hotmail story? Tell us now
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<body class=3D'hmmessage'>
That's what i was thinking..<br><br>&gt=3B From: lunamusic@mac.com<br>&gt=
=3B Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category=
 Would you Choose<br>&gt=3B Date: Wed=2C 3 Feb 2010 13:27:29 -0500<br>&gt=
=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B My 2 cents=
.<br>&gt=3B This might sound crazy=2C but=2C as he has lots of money and yo=
u are  <br>&gt=3B clearly getting a different answer from every response. M=
ight I  <br>&gt=3B suggest he take his fat wallet and go to a good music st=
ore and use  <br>&gt=3B his ears to determine what he wants. He sounds like=
 a big boy. I'm  <br>&gt=3B sure he's capable.<br>&gt=3B <br>&gt=3B <br>&gt=
=3B <br>&gt=3B <br>&gt=3B On Feb 3=2C 2010=2C at 1:38 AM=2C Rick Walker wro=
te:<br>&gt=3B <br>&gt=3B &gt=3B Hi all=2C<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B=
 I have a client who has a fair amount of money.<br>&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B He has asked me to recommend him the best stomp box pedal<br>&gt=3B=
 &gt=3B in one of several different categories.   He is a simple metal  <br=
>&gt=3B &gt=3B player so<br>&gt=3B &gt=3B he's not interested in a lot of t=
he more esoteric pedals that I  <br>&gt=3B &gt=3B normally use<br>&gt=3B &g=
t=3B for more experimental purposes.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B I kn=
ow that=2C as an example=2C  my brother Bill=2C really loves<br>&gt=3B &gt=
=3B his Zen Drive and also a particular light weight but not- <br>&gt=3B &g=
t=3B inexpensive compressor<br>&gt=3B &gt=3B that he uses.<br>&gt=3B &gt=3B=
<br>&gt=3B &gt=3B So=2C  if you don't mind taking the time=2C<br>&gt=3B &gt=
=3B and you had to pick only one stomp box pedal in each of the  <br>&gt=3B=
 &gt=3B following categories<br>&gt=3B &gt=3B what would they be?   By the =
way=2C   he's not at all interested  <br>&gt=3B &gt=3B large pedals (double=
 pedals)<br>&gt=3B &gt=3B (like the Line 6 or large Boss multi-pedals)=2C  =
He wants small  <br>&gt=3B &gt=3B footprint<br>&gt=3B &gt=3B stompbox pedal=
s<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Finally=2C  simplicity=2C small footpri=
nt and ease of use are high  <br>&gt=3B &gt=3B priorities.<br>&gt=3B &gt=3B=
<br>&gt=3B &gt=3B Here are my own recommendations for what it's worth:<br>&=
gt=3B &gt=3B<br>&gt=3B &gt=3B *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<=
br>&gt=3B &gt=3B DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful=
 DAED  <br>&gt=3B &gt=3B hack of a<br>&gt=3B &gt=3B Boss DS-1 Distortion pe=
dal)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B *CHORUS*<br>&gt=3B &gt=3B Boss CE-2 =
   (just don't know enough about pricier botique  <br>&gt=3B &gt=3B ones...=
..any suggestions?)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B *FLANGER*<br>&gt=3B &=
gt=3B Boss Flanger<br>&gt=3B &gt=3B *<br>&gt=3B &gt=3B PHASER*<br>&gt=3B &g=
t=3B Electro Harmonix Bad Stone<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B *COMPRESS=
OR*<br>&gt=3B &gt=3B The cool one my brother has but he's not home right no=
w so I can't  <br>&gt=3B &gt=3B remember it's name<br>&gt=3B &gt=3B *<br>&g=
t=3B &gt=3B DIGITAL DELAY*<br>&gt=3B &gt=3B ?<br>&gt=3B &gt=3B *<br>&gt=3B =
&gt=3B ANALOGUE DELAY*<br>&gt=3B &gt=3B ?<br>&gt=3B &gt=3B *<br>&gt=3B &gt=
=3B PITCH SHIFTER*<br>&gt=3B &gt=3B Boss P-5 Intellishifter<br>&gt=3B &gt=
=3B<br>&gt=3B &gt=3B *TREMELO<br>&gt=3B &gt=3B *Alesis Ampliton<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B *WAH WAH*<br>&gt=3B &gt=3B DAED 'Juicy Wah'      (DA=
ED's inexpensive 'hack of a Crybaby wah  <br>&gt=3B &gt=3B pedal)<br>&gt=3B=
 &gt=3B<br>&gt=3B <br> 		 	   		  <br /><hr />Got a cool Hotmail story? <a =
href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_new'>T=
ell us now</a></body>
</html>=

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Date: Wed, 03 Feb 2010 21:47:58 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would
 you Choose
References: <4B6919F2.6030200@cruzio.com> <678D6620-6B8F-4A0D-95F7-BC18971CC392@mac.com>
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Chris Sewell schrieb:
> Might I suggest he take his fat wallet and go to a good music store 
> and use his ears to determine what he wants. He sounds like a big boy. 
> I'm sure he's capable.
The value of your time (and this includes your spare time) increases as 
your earnings increase. If you're making $5 an hour, then a three-hour 
trip to the music store costs you $15. If you're making §400/hour to 
fill your fat wallet, then that same trip suddenly costs you $1200 (and 
if you're not earning money at all and plundering the welfare system, 
like the relative majority of people in Germany, then it costs you 
nothing, but you would most probably not go anyway because you're too 
lazy, but I digress).

The solution for this? Hire somebody who has more expertise than you (so 
he might find those pedals in only 1.5h) and/or makes less money (so he 
will be happy if you pay him $50 per hour), try to explain to him what 
you're looking for, and suddenly you've saved yourself $1125. It's 
called "consulting".

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: fh@flatheadband.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: OT Which Desert Island Stomp Box Pedal in each CategoryWould you Choose
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>.</div><div><br>made the mistake of hitting the reply button..sor=
ry folkstone57.</div>
<blockquote id=3D"replyBlockquote" style=3D"border-left: 2px solid blue; ma=
rgin-left: 8px; padding-left: 8px; font-size: 10pt; color: black; font-fami=
ly: verdana;" mce_style=3D"border-left: 2px solid blue; margin-left: 8px; p=
adding-left: 8px; font-size: 10pt; color: black; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: RE: OT Which Desert Island Stomp Box Pedal in each<br>
CategoryWould you Choose<br>
From: fh@flatheadband.com<br>
Date: Wed, February 03, 2010 3:06 pm<br>
To: folkstone57@tmo.blackberry.net<br>
<br>
<span style=3D"font-family: Verdana; color: rgb(0, 0, 0); font-size: 10pt;"=
 mce_style=3D"font-family: Verdana; color: #000000; font-size: 10pt;"><div>=
distortion: keely modded pro co rat</div><div>fuzz: old sovtec green big mu=
ff</div><div>chours: enuough already,I hate chours (but i've never owned a =
good one)</div><div>delay: boss dd-3, boomerang for reverse delay.<br></div=
><div>analogue delay: arion sad1<br></div><div>phaser: ehx small clone</div=
><div>compressor: only for bass for me. demeter compulator. dbx 163x works =
well on vocals too, but I tend to comp vocals after reording with waves plu=
gin in soundforge.<br></div><div>octave: dane chili dog</div><div>tremelo: =
never tried one much, but I have a danelectro tuna melt that does well for =
what it is.<br></div><div>wah: rmc wizard wah</div><div><br></div><div><br>=
</div><div><a href=3D"http://www.flatheadband.com" mce_href=3D"http://www.f=
latheadband.com" target=3D"_blank">http://www.flatheadband.com</a><br mce_b=
ogus=3D"1"></div><div>there's an insturmental at the bottom of the site cal=
ld 'water' that has the keely rat, the dd-3, boomerang in reverse straight =
in a blues junior amp via a g&amp;l legacey strat. the solo (s) exibits thi=
s chain. the nano is on the bass and the drums are just a fruity loop I mad=
e.<br></div><div><br></div><div>fun stuff....thanks, chris<br></div><div><b=
r></div> <blockquote id=3D"replyBlockquote" style=3D"border-left: 2px solid=
 blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: black; =
font-family: verdana;" mce_style=3D"border-left: 2px solid blue; margin-lef=
t: 8px; padding-left: 8px; font-size: 10pt; color: black; font-family: verd=
ana;"> <div id=3D"wmQuoteWrapper"> -------- Original Message --------<br> S=
ubject: Re: OT Which Desert Island Stomp Box Pedal in each<br> CategoryWoul=
d you Choose<br> From: folkstone57@tmo.blackberry.net<br> Date: Wed, Februa=
ry 03, 2010 2:10 pm<br> To: Loopers-Delight@loopers-delight.com<br> <br> He=
llo all<br> <br> I'd like to add for COMP the Pigtronix Philosopher's Tone.=
 It's amazing &amp; rather small plus has a knob to add a little grit. <br>=
 <br> <br> Mark Showalter <br> <br> Minden Jot!<br> <br> <a href=3D"http://=
www.myspace.com/markshowaltermusic" mce_href=3D"http://www.myspace.com/mark=
showaltermusic" target=3D"_blank">www.myspace.com/markshowaltermusic</a> <b=
r> <br> <br> Sent via BlackBerry from T-Mobile<br> <br> -----Original Messa=
ge-----<br> From: Mech &lt;mech@m3ch.net&gt;<br> Date: Thu, 4 Feb 2010 02:5=
8:12 <br> To: &lt;Loopers-Delight@loopers-delight.com&gt;<br> Subject: Re: =
OT Which Desert Island Stomp Box Pedal in each Category<br> Would you Choos=
e<br> <br> At 10:38 PM -0800 2/2/10, Rick Walker wrote:<br> &gt;<br> &gt;DI=
STORTION/FUZZ:<br> <br> Starting off in *very* subjective territory here. T=
here are so many<br> different types of distortion that it's nearly impossi=
ble to nail one<br> he'll like without having some idea of his taste.<br> <=
br> That said, I'll still recommend the Lastgasp Art Labs (LAL) Super<br> O=
scillo Fuzz 88 ("Hachijuhachi Shiki Kebadate Hizumaseki Super<br> Oscillo F=
uzz"). The LAL 88 will do both conventional and bizarre,<br> even if it is =
a little fidgety and works quite differently in every<br> setup.<br> <br> H=
onorable mention to the Devi Ever US. It'll cover heavy guitar hero<br> stu=
ff, while still able to pull off velcro/zipper fuzz on other<br> settings w=
ithout having to resort to digital bit reduction.<br> <br> And for totally =
batshit insane, there's the WMD Geiger Counter.<br> <br> <br> &gt;OVERDRIVE=
:<br> <br> *Keeley-modded* Boss Blues Driver (p.s. do NOT go for the stock<=
br> unmodded Boss model). Boss put together a great overdrive circuit,<br> =
but ruined it by cheaping-out on crap components when they went to<br> manu=
facture it. Robert Keeley goes through and replaces the various<br> caps, r=
esistors, etc with quality matched components, and the final<br> result is =
just beautiful. One of the nicest OD's I've ever touched.<br> <br> Also, I'=
ve got a C-Tech Sonny Boy, which does a great job of<br> emulating a lot of=
 overdrive and amp effects. I found it used and<br> picked it up super-chee=
p, thinking I'd try experimenting with some<br> circuit-bending on it. Howe=
ver, I discovered that it's actually a<br> really excellent pedal for overd=
rive sounds. Not so easy to find,<br> but worth it if you can.<br> <br> <br=
> &gt;FEEDBACK/SUSTAIN:<br> <br> Devi Ever Hyperion. Out-muffs the Big Muff=
, and will give you<br> sustain for days.<br> <br> <br> &gt;*CHORUS*<br> <b=
r> For conventional chorus, Maxon CS-550 is the best I've found so far.<br>=
 But I've also got a love/hate relationship with the drippiness of<br> conv=
entional chorus. The Maxon can get as goopy as you need it, but<br> can als=
o clean up nicely and still fit into a mix.<br> <br> Since they're so darn =
cheap, it's just stupid not to pick up a<br> Behringer Space-C CC300 (reiss=
ue of the original Boss Dimension D)<br> and a Behringer Chorus Orchestra C=
O600 (reissue of the Boss CE-5 BBD<br> version with was produced prior to 2=
001). The former is essential<br> for nailing anything resembling SRV type =
Leslie/Blues licks, and the<br> latter does an excellent emulation of the c=
horus in Roland's JC-120<br> amps.<br> <br> Also, don't forget that, depend=
ing upon your style and tastes, you<br> can also get excellent (better?) ch=
orusing by modulating delay lines<br> (see digital delays, below) or using =
a flanger instead (ditto, see<br> flangers below).<br> <br> <br> &gt;*FLANG=
ER*<br> <br> I'll agree with your recommendation on the good ole' Boss BF-2=
. It<br> won't get through-zero sweeps or full-blown jet takeoffs like the<=
br> original A/DA's, but the little purple box is a swiss army knife<br> ca=
pable of most sounds from subtle chorus to squawking howls. It's<br> newbie=
-easy to set up, too.<br> <br> <br> &gt;*COMPRESSOR*<br> &gt;The cool one m=
y brother has but he's not home right now so I can't<br> &gt;remember it's =
name<br> <br> Pretty sure Bill's using the little Keeley compressor, which =
is a<br> damn fine unit, if a bit pricey.<br> <br> I also want to throw a p=
lug in for the tiny Guyatone ST-2<br> Compressor/Sustainer. This little gre=
en meenie does a great job of<br> compressing without killing your dynamics=
. Great for pulling that<br> "chicken pickin'" tone out of your Tele or Str=
at.<br> <br> <br> &gt;DIGITAL DELAY*<br> <br> Yamaha MagicStomp. It's f*cki=
ng beautiful, and I've never heard any<br> other footpedal digital delay wh=
ich sounds this bloody good (besides<br> the original Yamaha UD Stomp -- on=
 which the MagicStomp is partly<br> based, but which fails the "footprint t=
est" you set out). To get<br> more gorgeous modulated delays, you're going =
to have to upgrade to an<br> Eventide or TC Electronics rack unit, I think.=
<br> <br> If you've ever wanted to do modulated volume swells ala Allan<br>=
 Holdsworth, then this is your ticket. Hell, Holdsworth was the one<br> who=
 designed the damn thing in the first place.<br> <br> <br> &gt;ANALOGUE DEL=
AY*<br> <br> Black Box Quicksilver. Okay, okay, I know it's actually digita=
l, but<br> you wouldn't bloody know it. Sounds as good as (better than?) an=
y<br> real analog delay I've ever played with. The filter can swing toward<=
br> low-pass for a more tape-style delay tone, or high-pass to emulate<br> =
the traditional BBD analog delays. And the I/O loop in the back<br> allows =
you to plug other pedals into the delay's feedback loop for<br> utterly sic=
k results.<br> <br> <br> &gt;PITCH SHIFTER*<br> <br> You want accuracy or c=
haracter? For accuracy, I'd probably go with<br> the Eventide (a bit big, t=
hough?). For character, you can't beat the<br> Boss PS-3, or maybe even a P=
S-2 depending upon your taste.<br> <br> <br> &gt;*TREMELO<br> <br> I love t=
he Ampliton too, Rick, but I've also got a Lightfoot Labs<br> Goatkeeper. A=
nd, trust me, that'll eat the Ampliton for lunch (as<br> well as just about=
 anything short of Rainer's regular Nord<br> Micro-Modular recommendation).=
<br> <br> However, the Goatkeeper doesn't meet your friend's form-factor<br=
> requirements, since it's almost as large as a DL-4. Failing that,<br> you=
 might want to look at the Guyatone VTm5 Veri-Trem. It's a tiny<br> form-fa=
ctor, simple to use, and it'll get you most of the various<br> tremolo soun=
ds that are guitarists favorites. No, you're not going<br> to get polyrhyth=
ms like the Ampliton or Goatkeeper, but it'll do the<br> job just fine.<br>=
 <br> Then there's also the Gig-FX Chopper for Tremolo/Gating via pedal con=
trol.<br> <br> <br> &gt;*WAH WAH*<br> <br> Ugh. Pet peeve: I hate wah-wahs =
(except for "parked wah" effects).<br> Find a Low-Pass filter in a pedal fo=
rm factor instead, if you ask me.<br> I use an Electrix Filter Queen with a=
n external pedal, but no way<br> your friend's gonna go for that.<br> <br> =
Hope that helps a little....<br> <br> --m.<br> --<br> _____<br> "I want to =
keep you alive so there is always the possibility of<br> murder... later"<b=
r> <br> </div> </blockquote></span>=20
</div>
</blockquote></span></body></html>

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From: Capt Turner <joy_top@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: re:  tinnitus
Date: Wed, 3 Feb 2010 12:57:45 -0800
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--_42a805bc-92d2-43be-8c09-40017e306915_
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I think the study involved rats which are used because they have a shorter =
life span=2C which is good because I'd rather not have anything like meds t=
ested on humans.  I think he mentions the tests on a web video.

=20

The wording is mine and I can say it anyway I want=2C but I think that is w=
hat he has used also.  Dr. Siedman can speak for himself=2C and it looks li=
ke he has the background to back it up.

=20

The anti-aging formula my GF uses really makes her skin soft. I don't know =
what it does to a rat.

=20

=20

--Forwarded Message Attachment--
Date: Wed=2C 3 Feb 2010 09:42:42 -0800
From: simart@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: tmj- tinnitus

I know where getting way OT here=2C but In American Law=2C substances categ=
orized as "dietary supplements" can make claims of improving general health=
 without proof=2C but not claims to the effect of treating specific disease=
s.

http://dietary-supplements.info.nih.gov/factsheets/dietarysupplements.asp#h=
4

Since aging is not a disease=2C you could claim that your product supports =
the structure/function of the body and limits the effects of aging without =
testing it. We see claims like that all the time in American advertising.



On Wed=2C Feb 3=2C 2010 at 9:04 AM=2C Per Boysen <perboysen@gmail.com> wrot=
e:

On Wed=2C Feb 3=2C 2010 at 5:38 PM=2C Capt Turner <joy_top@hotmail.com> wro=
te:


patented anti-aging formula

Rather odd=2C to not say bold=2C product description!=20
Makes one wonder how the patent application got proofed =3B-)=20
Did a test group eat it for fifty years and then got examined to proof that=
 aging really had not occurred?=20
Not knowing much about US (so I may be off side in my understanding) but ov=
er here any formula or invention up for a patent application has to work in=
 order to get through into the free market to be exploited.=20





Greetings from Sweden

Per Boysen=20
www.boysen.se
www.perboysen.com
 		 	   		 =20
_________________________________________________________________
Your E-mail and More On-the-Go. Get Windows Live Hotmail Free.
http://clk.atdmt.com/GBL/go/201469229/direct/01/=

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I think the study involved rats which are used because they have a shorter =
life span=2C which is good because I'd rather not have&nbsp=3Banything like=
 meds tested on humans.&nbsp=3B I think he mentions the tests on a web vide=
o.<BR>
&nbsp=3B<BR>
The wording is mine and I can say it anyway I want=2C but I think that is w=
hat he has used also.&nbsp=3B Dr. Siedman can speak for himself=2C&nbsp=3Ba=
nd it looks like&nbsp=3Bhe has the background to back it up.<BR>
&nbsp=3B<BR>
The&nbsp=3Banti-aging formula my GF uses&nbsp=3Breally makes&nbsp=3Bher ski=
n soft. I don't know what it does to a rat.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
--Forwarded Message Attachment--<BR>Date: Wed=2C 3 Feb 2010 09:42:42 -0800<=
BR>From: simart@gmail.com<BR>To: Loopers-Delight@loopers-delight.com<BR>Sub=
ject: Re: tmj- tinnitus<BR><BR>I know where getting way OT here=2C but In A=
merican Law=2C substances categorized as "dietary supplements" can make cla=
ims of improving general health without proof=2C but not claims to the effe=
ct of treating specific diseases.<BR><BR><A href=3D"http://dietary-suppleme=
nts.info.nih.gov/factsheets/dietarysupplements.asp#h4" target=3D_blank><FON=
T color=3D#0068cf>http://dietary-supplements.info.nih.gov/factsheets/dietar=
ysupplements.asp#h4</FONT></A><BR><BR>Since aging is not a disease=2C you c=
ould claim that your product supports the structure/function of the body an=
d limits the effects of aging without testing it. We see claims like that a=
ll the time in American advertising.<BR><BR><BR>
<DIV class=3Decxecxgmail_quote>On Wed=2C Feb 3=2C 2010 at 9:04 AM=2C Per Bo=
ysen <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:perboysen@gmail.com"><FONT col=
or=3D#0068cf>perboysen@gmail.com</FONT></A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 1ex" class=3Decxecxgmail_quote>On Wed=2C=
 Feb 3=2C 2010 at 5:38 PM=2C Capt Turner <SPAN dir=3Dltr>&lt=3B<A href=3D"m=
ailto:joy_top@hotmail.com"><FONT color=3D#0068cf>joy_top@hotmail.com</FONT>=
</A>&gt=3B</SPAN> wrote:<BR>
<DIV class=3Decxecxgmail_quote>
<BLOCKQUOTE style=3D"PADDING-LEFT: 1ex" class=3Decxecxgmail_quote>patented&=
nbsp=3Banti-aging formula</BLOCKQUOTE></DIV><BR>
<DIV>Rather odd=2C to not say bold=2C product description!&nbsp=3B</DIV>
<DIV>Makes one wonder how the patent application got proofed =3B-)&nbsp=3B<=
/DIV>
<DIV>Did a test group eat it for fifty years and then got examined to proof=
 that aging really had not occurred?&nbsp=3B</DIV>
<DIV>Not knowing much about US (so I may be off side in my understanding) b=
ut over here any formula or invention up for a patent application has to wo=
rk in order to get through into the free market to be exploited.&nbsp=3B</D=
IV>
<DIV>
<DIV></DIV>
<DIV class=3Dh5>
<DIV><BR></DIV>
<DIV>Greetings from Sweden<BR><BR>Per Boysen&nbsp=3B<BR><A href=3D"http://w=
ww.boysen.se/" target=3D_blank><FONT color=3D#0068cf>www.boysen.se</FONT></=
A><BR><A href=3D"http://www.perboysen.com/" target=3D_blank><FONT color=3D#=
0068cf>www.perboysen.com</FONT></A></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR=
> 		 	   		  <br /><hr />Your E-mail and More On-the-Go. Get Windows Live H=
otmail Free. <a href=3D'http://clk.atdmt.com/GBL/go/201469229/direct/01/' t=
arget=3D'_new'>Sign up now.</a></body>
</html>=

--_42a805bc-92d2-43be-8c09-40017e306915_--

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> I remember when underground FM radio first started in the hippy days in
> Northern California
> that you could listen to a DJ play Odetta, =A0the Doors, =A0 Joni Mitchel=
l and
> then Ravi Shankar
> on the same program. =A0 There was a sense that you could discover new
> worlds, musically at that time.


Well, this is the unsung song in the whole ongoing "the music business
is going to hell" canon - crappy radio implies crappy CD sales. And we
have almost nothing but crappy radio these days.

--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 22:16:20 2010
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Subject: Re: Goodbye RC-50, Hello Rang III
Date: Wed, 3 Feb 2010 15:16:18 -0700
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Do you find any trouble navigating the pedals of the new boomerang?  I  
confess, I'm pretty used to the buttons on the RC 50 or before that  
the Behringer midi pedal, but the Boomerang looks pretty sexy.

Have I missed if there are any demo videos onine?

John

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It takes some getting used to, but it's going pretty smoothly. One  
minor bitch is the buttons do make a pretty loud click when pushed.  
For me its not a big deal as I play pretty loud in loud places.
One thing I'm loving is the Master loop feature. If you use Loop 3  
first, the other 2 loops can used one at a time in alongside Loop 3,  
in multiples of loop 3's length. There is no feedback control so the  
ambient guys probably have no use for it, but for song forms its  
really great.
I looked for demos and found only one,
http://www.youtube.com/watch?v=yj7-Fwhhrtc





On Feb 3, 2010, at 5:16 PM, john floridis wrote:

> Do you find any trouble navigating the pedals of the new  
> boomerang?  I confess, I'm pretty used to the buttons on the RC 50  
> or before that the Behringer midi pedal, but the Boomerang looks  
> pretty sexy.
>
> Have I missed if there are any demo videos onine?
>
> John
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
It takes some getting used to, but it's going pretty smoothly. One minor =
bitch is the buttons do make a pretty loud click when pushed. For me its =
not a big deal as I play pretty loud in loud places.&nbsp;<div>One thing =
I'm loving is the Master loop feature. If you use Loop 3 first, the =
other 2 loops can used one at a time in alongside Loop 3, in multiples =
of loop 3's length. There is no feedback control so the ambient guys =
probably have no use for it, but for song forms its really =
great.&nbsp;</div><div>I looked for demos and found only =
one,&nbsp;</div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Arial" size=3D"2" =
style=3D"font: 10.0px Arial"><a =
href=3D"http://www.youtube.com/watch?v=3Dyj7-Fwhhrtc">http://www.youtube.c=
om/watch?v=3Dyj7-Fwhhrtc</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Arial" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: =
10px;"><br></span></font></div><div><div>On Feb 3, 2010, at 5:16 PM, =
john floridis wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Do you find any trouble navigating the pedals of the =
new boomerang?<span class=3D"Apple-converted-space">&nbsp; </span>I =
confess, I'm pretty used to the buttons on the RC 50 or before that the =
Behringer midi pedal, but the Boomerang looks pretty sexy.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Have I =
missed if there are any demo videos onine?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">John</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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Date: Wed, 3 Feb 2010 14:30:28 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: tmj- tinnitus
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--0-168023835-1265236228=:60739
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Hi all,

This is timely information for me, thanks much to all who have contributed. 

I have been experiencing ringing in ears ever since as a boy I had a homemade firecracker blow up in my face. But for the past month, after a particularly noisy jam, the level of ringing that is always present has risen to the point of being louder than anything else. But also I do have stress and teeth grinding, so maybe this has something to do with it as well.

The only time I don't notice ringing is when I am playing (easy cure...)

Thanks for the info and I will be trying some of the remedies posted. My sympathies to those experiencing symptoms.


Eric


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi all,<br><br>This is timely information for me, thanks much to all who have contributed. <br><br>I have been experiencing ringing in ears ever since as a boy I had a homemade firecracker blow up in my face. But for the past month, after a particularly noisy jam, the level of ringing that is always present has risen to the point of being louder than anything else. But also I do have stress and teeth grinding, so maybe this has something to do with it as well.<br><br>The only time I don't notice ringing is when I am playing (easy cure...)<br><br>Thanks for the info and I will be trying some of the remedies posted. My sympathies to those experiencing symptoms.<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br>Eric<br><br></div>
<!-- cg28.c3.mail.sp2.yahoo.com compressed/chunked Fri Jan 22 16:44:12 PST 2010 -->
</div><br>



      </body></html>
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	 <101191641002031415m13027e40s744dbefc7d307df8@mail.gmail.com>
Date: Wed, 3 Feb 2010 23:31:21 +0100
Message-ID: <e89a49d31002031431w64eec14eq8d62b7eee6743234@mail.gmail.com>
Subject: Re: Brian Eno about recorded music
From: Sjaak Overgaauw <tcplugin@gmail.com>
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I haven't had time to respond to this long thread but thanks for
posting the story and all the feedback on it, it was very interesting
to read.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 22:37:18 2010
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category Would
 you Choose
Date: Wed, 03 Feb 2010 17:37:19 -0500
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$50 an hour to go online and ask other people for there opinions? =20
Where do I sign up?
My point is anytime you go on any forum, especially music forums, and =20=

ask for opinions, your responses are always so varied and so broad =20
they're almost meaningless.
Try going on the acoustic guitar forum and ask those brainiacs what =20
capo is the best and you'll get 57 different answers. Of course 3/4s =20
of those guys are struggling to get through Mustang Sally. So take =20
any answer you get with a grain of salt.



On Feb 3, 2010, at 3:47 PM, Rainer Straschill wrote:

> Chris Sewell schrieb:
>> Might I suggest he take his fat wallet and go to a good music =20
>> store and use his ears to determine what he wants. He sounds like =20
>> a big boy. I'm sure he's capable.
> The value of your time (and this includes your spare time) =20
> increases as your earnings increase. If you're making $5 an hour, =20
> then a three-hour trip to the music store costs you $15. If you're =20
> making =A7400/hour to fill your fat wallet, then that same trip =20
> suddenly costs you $1200 (and if you're not earning money at all =20
> and plundering the welfare system, like the relative majority of =20
> people in Germany, then it costs you nothing, but you would most =20
> probably not go anyway because you're too lazy, but I digress).
>
> The solution for this? Hire somebody who has more expertise than =20
> you (so he might find those pedals in only 1.5h) and/or makes less =20
> money (so he will be happy if you pay him $50 per hour), try to =20
> explain to him what you're looking for, and suddenly you've saved =20
> yourself $1125. It's called "consulting".
>
>       Rainer
>
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>

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Date: Wed, 3 Feb 2010 14:50:06 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: LP2 & BRMC
To: Loopers-Delight@loopers-delight.com, Loopers-Delight-d@loopers-delight.com
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--0-345972298-1265237406=:96006
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THIS IS AWESOME!=A0 =0A=0A1) BRMC are great=0A2) LP2s will get great exposu=
re from a video like this.=0A=0ANICE NICE NICE=0Ahttp://www.youtube.com/wat=
ch?v=3DLzDZXwE9GA8=0A=0ACongratulations!=0A=0A=A0=0A=0A____________________=
____________=0AFrom: "Loopers-Delight-d-request@loopers-delight.com" <Loope=
rs-Delight-d-request@loopers-delight.com>=0ATo: Loopers-Delight-d@loopers-d=
elight.com=0ASent: Tue, February 2, 2010 1:46:29 AM=0ASubject: Loopers-Deli=
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>THIS IS AWESOME!&nbsp; </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>1) BRMC =
are great</DIV>=0A<DIV>2) LP2s will get great exposure from a video like th=
is.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>NICE NICE NICE<BR><A href=3D"http://ww=
w.youtube.com/watch?v=3DLzDZXwE9GA8">http://www.youtube.com/watch?v=3DLzDZX=
wE9GA8</A></DIV>=0A<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif;=
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a, sans-serif; FONT-SIZE: 10pt">Congratulations!</DIV>=0A<DIV style=3D"FONT=
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From Loopers-Delight-request@loopers-delight.com  Wed Feb  3 23:51:59 2010
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Date: Wed, 3 Feb 2010 15:51:57 -0800 (PST)
Subject: Re: OT    Which Desert Island Stomp Box Pedal in each Category 
     Would you Choose
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Chris Sewell wrote:

> $50 an hour to go online and ask other people for there opinions?
> Where do I sign up?


Well, first, Chris,  you study music for 51 years, teach 3,000 people how
to learn how to play music,  do a few hundred gigs,  a few hundred studio
sessions and dozens of tours as I have.

Then you struggle to eek out a living in a culture that doesn't value your
expertise.

Occasionally,  and I mean, really occasionally,  you get a client who has
enough money
that they are willing to pay your for your time to help them out (because
they don't have as much time on their hands due to their businesses). 
This is not a bad or usurious thing, necessarily.

*******

The fact of the matter is that I have a pretty extensive understanding of
effects processors,
stomp box pedals and DSP processing.  I've run the Stomp Box Pedals at
tribe for several
years and own more foot pedals than is good for anybody.

At the same time,  there are more pedals out there than anyone could ever
experience and I've always had to buy pedals on a professional musicians
budget (not very large) so I've discovered
great pedals that are relative bargains.

I respect my client and I respect the knowledge base of this wonderful
list that I consider
to be part of my extended family in life,  so I wanted to see what else
people have to say, especially when hunting bargains (as I've always done)
is not a priority.

As a professional musician during very, very hard economic times,  this
situation has been a godsend and in this case,   the person hiring me
has provided me with a lot of lucrative work at a time when I desperately
need it.

It's been a godsend and I sincerely hope you haven't been offended by my
thread.

I've learned a lot from it so thanks, everyone.





From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 00:11:02 2010
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Subject: Re: 2 new tracks (free downloads)
Date: Thu, 4 Feb 2010 00:10:55 -0000
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Very nice.  And a very fast server!


From: Sjaak Overgaauw=20
Sent: Wednesday, February 03, 2010 8:19 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: 2 new tracks (free downloads)


Per,
You are right, there was a lot going on between 30-80hz, peaks up to
15 dB ;-) I have applied a low cut and have replaced the mp3 with a
new one.

http://euroloopfest.com/premonitionfactory/demos/20100202.mp3

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
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id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Very nice.&nbsp; And a very =
fast=20
server!</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dtcplugin@gmail.com=20
href=3D"mailto:tcplugin@gmail.com">Sjaak Overgaauw</A> </DIV>
<DIV><B>Sent:</B> Wednesday, February 03, 2010 8:19 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: 2 new tracks (free downloads)</DIV></DIV></DIV>
<DIV><BR></DIV>Per,<BR>You are right, there was a lot going on between =
30-80hz,=20
peaks up to<BR>15 dB ;-) I have applied a low cut and have replaced the =
mp3 with=20
a<BR>new one.<BR><BR><A=20
href=3D"http://euroloopfest.com/premonitionfactory/demos/20100202.mp3">ht=
tp://euroloopfest.com/premonitionfactory/demos/20100202.mp3</A><BR><BR>--=
=20
<BR>Sjaak Overgaauw<BR><A=20
href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</A=
><BR><A=20
href=3D"http://livelooping.be/">http://livelooping.be/</A></BODY></HTML>

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Reply-To: <no.reply@paypal.com>
From: "service@paypal.com"<Security>
Subject: [SPAM] [PHISH] You Have One New Private Message.....!
Date: Sat, 6 Feb 2010 05:42:08 +0800
MIME-Version: 1.0
X-Priority: 3
X-MSMail-Priority: Normal
X-Mailer: Microsoft Outlook Express 6.00.2600.0000
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To: undisclosed-recipients:;

------17925007_060105_1265244078988
Content-Type:text/plain
Content-Transfer-Encoding:7bit

The attached message from "service@paypal.com" <Security> (<Security>)
was determined by the Spam Blocker to be spam based on a score
of 16.6 where anything above 4.3 is spam.

------17925007_060105_1265244078988
Content-Type:message/rfc822
Content-Transfer-Encoding:7bit
Content-Disposition:inline

Reply-To: <no.reply@paypal.com>
From: "service@paypal.com"<Security>
Subject: [PHISH] You Have One New Private Message.....!
Date: Sat, 6 Feb 2010 05:42:08 +0800
MIME-Version: 1.0
X-Priority: 3
X-MSMail-Priority: Normal
X-Mailer: Microsoft Outlook Express 6.00.2600.0000
X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000
Content-Type:multipart/mixed; boundary=----11625638_060105_1265244077624
Content-Transfer-Encoding:7bit

------11625638_060105_1265244077624
Content-Type:text/plain
Content-Transfer-Encoding:7bit

The attached message from "service@paypal.com" <Security>
was determined by the Phish Blocker to be PHISH (a
fraudulent email intended to steal information).  The kind of PHISH that was
found was (104.3) Sanesecurity.Phishing.Cur.773.UNOFFICIAL

------11625638_060105_1265244077624
Content-Type:message/rfc822
Content-Transfer-Encoding:7bit
Content-Disposition:inline

Reply-To: <no.reply@paypal.com>
From: "service@paypal.com"<Security>
Subject: You Have One New Private Message.....!
Date: Sat, 6 Feb 2010 05:42:08 +0800
MIME-Version: 1.0
Content-Type: multipart/mixed;
	boundary="----=_NextPart_000_002C_01C2A9A6.414C17C0"
X-Priority: 3
X-MSMail-Priority: Normal
X-Mailer: Microsoft Outlook Express 6.00.2600.0000
X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000

This is a multi-part message in MIME format.

------=_NextPart_000_002C_01C2A9A6.414C17C0
Content-Type: text/plain;
	charset="Windows-1251"
Content-Transfer-Encoding: 7bit

To view your message, please download the form attached to this email and open it in a web browser.

Thank you

------=_NextPart_000_002C_01C2A9A6.414C17C0
Content-Type: application/octet-stream;
	name="restore account.html"
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From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 01:37:55 2010
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From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=Apple-Mail-1--822541119
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Subject: Re: OT Which Desert Island Stomp Box 
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Rainer sprach:
"The value of your time (and this includes your spare time) increases =20=

as your earnings increase. If you're making $5 an hour, then a three-=20
hour trip to the music store costs you $15. If you're making =A7400/hour =
=20
to fill your fat wallet, then that same trip suddenly costs you $1200 =20=

(and if you're not earning money at all and plundering the welfare =20
system, like the relative majority of people in Germany, then it costs =20=

you nothing, but you would most probably not go anyway because you're =20=

too lazy, but I digress).

The solution for this? Hire somebody who has more expertise than you =20
(so he might find those pedals in only 1.5h) and/or makes less money =20
(so he will be happy if you pay him $50 per hour), try to explain to =20
him what you're looking for, and suddenly you've saved yourself $1125. =20=

It's called "consulting".

I would tend to agree with that point and I know just the =20
guy.....ME!!!!:-)

This is really wide open territory obviously and I would want more  =20
details, must they all be battery op?  or will his desert island =20
include a solar panel array or wind turbine? also by limiting his size =20=

of pedals he really is limiting himself from a whole world of great =20
boxes with a bigger footprint from  Eventide,  line 6 , etc.. that =20
said here goes..


*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
sounds like the Zendrive would be too tame, I'd suggest, if money is =20
no object, the Tone Candy Red Hot which is more of a true distortion =20
box,  but if he want's a great overdrive  the Tone Candy sweet drive =20
is like the Zendrive with slightly better low end. Both are more easy =20=

to obtain than a Zendrive as they are available in stores like Union =20
grove Music. Any of the Keeley modded boss pedals are worth checking =20
out, I had a modded Blues driver which was good but I here the modded =20=

DS-1's are better and maybe more what he's after distortion-wise.

*CHORUS*
TC chorus flanger kill two birds with one stone , no battery option  =20
though, has its own power cable. Boss CE-2

*FLANGER*
see above  or MXR micro flanger
*
PHASER*
mxr phase 90

*COMPRESSOR*
That would be the keeley but I'm also enamored of the pigtronix  =20
philosophers tone  and the carl martin comp/limiter which has its own =20=

ac chord as well
*
DIGITAL DELAY*
Boss DD-7 is hard to beat for features and compact size, can use an =20
expression pedal to control parameters, has tap tempo, lots of delay =20
time. and a nice analog sim. New digitech hardwire delay is also nice =20=

as is the TC nova delay
*
ANALOGUE DELAY*
MXR carbon copy ,velly velly nice. Wage huge aqua pussy also nice but =20=

larger box shorter delay times
*
PITCH SHIFTER*
Boss P-5 Intelli-shifter, about the only small intelligent pitch =20
shifter going, the micro POG is great for parallel harmonies and non =20
diatonic stuff.

*TREMELO
Fulltone tremolo is very nice with a half/full speed switch.  Boss =20
trem is decent

*WAH WAH*

  fulltone,  buddah, RMC, The new Vox satriani is excellent  , several =20=

from dunlop like the Bradshaw designed CAE wah and a gajillion artist =20=

models.,  too many to choose from, I'm a bit over wah wah myself

Bill=

--Apple-Mail-1--822541119
Content-Type: text/html;
	charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Rainer sprach:<div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; ">"The value of your time (and this includes your spare time) =
increases as your earnings increase. If you're making $5 an hour, then a =
three-hour trip to the music store costs you $15. If you're making =
=A7400/hour to fill your fat wallet, then that same trip suddenly costs =
you $1200 (and if you're not earning money at all and plundering the =
welfare system, like the relative majority of people in Germany, then it =
costs you nothing, but you would most probably not go anyway because =
you're too lazy, but I digress).<br><br>The solution for this? Hire =
somebody who has more expertise than you (so he might find those pedals =
in only 1.5h) and/or makes less money (so he will be happy if you pay =
him $50 per hour), try to explain to him what you're looking for, and =
suddenly you've saved yourself $1125. It's called "consulting".<br><br>I =
would tend to agree with that point and I know just the =
guy.....ME!!!!:-)</span></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;">&nbsp;</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">This is really =
wide open territory obviously and I would want more &nbsp;details, must =
they all be battery op? &nbsp;or will his desert island include a solar =
panel array or wind turbine? also by limiting his size of pedals he =
really is limiting himself from a whole world of great boxes with a =
bigger footprint from &nbsp;Eventide, &nbsp;line 6 , etc.. that said =
here goes..</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; "><br>*DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*<br>sounds =
like the Zendrive would be too tame, I'd suggest, if money is no object, =
the Tone Candy Red Hot which is more of a true distortion box, &nbsp;but =
if he want's a great overdrive &nbsp;the Tone Candy sweet drive is like =
the Zendrive with slightly better low end. Both are more easy to obtain =
than a Zendrive as they are available in stores like Union grove Music. =
Any of the Keeley modded boss pedals are worth checking out, I had a =
modded Blues driver which was good but I here the modded DS-1's are =
better and maybe more what he's after =
distortion-wise.<br><br>*CHORUS*<br>TC chorus flanger kill two birds =
with one stone , no battery option &nbsp;though, has its own power =
cable. Boss CE-2&nbsp;<br><br>*FLANGER*<br>see above &nbsp;or MXR micro =
flanger<br>*<br>PHASER*<br>mxr phase 90<br><br>*COMPRESSOR*<br>That =
would be the keeley but I'm also enamored of the pigtronix =
&nbsp;philosophers tone &nbsp;and the carl martin comp/limiter which has =
its own ac chord as well<br>*<br>DIGITAL DELAY*<br>Boss DD-7 is hard to =
beat for features and compact size, can use an expression pedal to =
control parameters, has tap tempo, lots of delay time. and a nice analog =
sim. New digitech hardwire delay is also nice as is the TC nova =
delay<br>*<br>ANALOGUE DELAY*<br>MXR carbon copy ,velly velly nice. Wage =
huge aqua pussy also nice but larger box shorter delay =
times<br>*<br>PITCH SHIFTER*<br>Boss P-5 Intelli-shifter, about the only =
small intelligent pitch shifter going, the micro POG is great for =
parallel harmonies and non diatonic stuff.<br><br>*TREMELO<br>Fulltone =
tremolo is very nice with a half/full speed switch. &nbsp;Boss trem is =
decent<br><br>*WAH =
WAH*</span></span></font></div><div><br></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; ">&nbsp;fulltone, &nbsp;buddah, RMC, The new Vox satriani is =
excellent &nbsp;, several from dunlop like the Bradshaw designed CAE wah =
and a gajillion artist models., &nbsp;too many to choose from, I'm a bit =
over wah wah =
myself</span></span></font></div><div><br></div><div>Bill</div></body></ht=
ml>=

--Apple-Mail-1--822541119--

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 03:08:56 2010
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From: William Walker <billwalker@baymoon.com>
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Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you Choose
Date: Wed, 3 Feb 2010 19:08:47 -0800
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Chris Sprach:
> "$50 an hour to go online and ask other people for there opinions?  
> Where do I sign up?
> My point is anytime you go on any forum, especially music forums,  
> and ask for opinions, your responses are always so varied and so  
> broad they're almost meaningless.
>> Try going on the acoustic guitar forum and ask those brainiacs what  
>> capo is the best and you'll get 57 different answers. Of course  
>> 3/4s of those guys are struggling to get through Mustang Sally. So  
>> take any answer you get with a grain of salt."

Though I agree with you in principle that gear forums are about  
opinions (its why i tend to avoid them) and one should ultimately  
trust one's own opinion and sense of taste, I wouldn't be so quick to  
dismiss hiring a consultant. I for one actually get hired as such a  
consultant on a regular basis to help people get their gear issues  
sorted out. I've never had a client feel like they didn't get good  
advice from me. Its another service that I offer in addition to  
gigging, doing studio work, and  teaching various styles of guitar,  
theory and composition, etc.. I bring more than 30 years of experience  
to the table, not only  as a musician/teacher but also in retail music  
sales. I can't say I've tried every gadget on the market, but I stay  
abreast and read a lot of reviews and I am very good at getting a  
sense of some ones personal style and matching up the right gear with  
them. Busy professionals like some of my clients simply don't have  
time to sift through the sand dune of choices and that's where I come  
in.  In my community I have a excellent and well deserved reputation  
as being a guy in the know about a wide variety of gear related  
issues, be it choosing the right acoustic guitar, amplifier or yes  
even capo. I'm also a person who doesn't pretend to be an expert on  
anything I haven't had hands on experience with and as most of my  
clients would tell you,  I'm the first to say that tone is subjective  
and my opinions are my opinions. I also know musicians in the  
community who would not seek my advice ,who like you Chris,  would  
rather figure it out themselves. And more power to you. But i must say  
in several instances I could have saved these people time and money by  
steering them in a sound direction, and helped them navigate the  
quagmire of BS floating around on the web. People come in to the shop  
all the time with boat loads of  misinformation, or demanding a  
feature (like true bypass, as an example) that they don't really  
understand, just because they have heard the words bandied about on  
the Gear Page.  Again I say, I'm like you Chris in that I'd rather  
make my own choices about my sound, but that doesn't mean I wouldn't  
seek out the advice of people I respect who know more than I do. I'm  
not above hiring a computer consultant to help me improve my DAW  
knowledge or taking the occasional guitar lesson, and if it saves me  
time  then its money well spent.
Bill

PS oh and by the way my hourly rate for consulting is $50 and i do  
have Skype/I-chat....I'll be waiting for your call Chris :-)
--Apple-Mail-2--817081289
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Chris Sprach:<div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">"$50 an hour to go online and ask other =
people for there opinions? Where do I sign up?<br>My point is anytime =
you go on any forum, especially music forums, and ask for opinions, your =
responses are always so varied and so broad they're almost =
meaningless.<br><blockquote type=3D"cite">Try going on the acoustic =
guitar forum and ask those brainiacs what capo is the best and you'll =
get 57 different answers. Of course 3/4s of those guys are struggling to =
get through Mustang Sally. So take any answer you get with a grain of =
salt."<br></blockquote></span></blockquote><br></div><div>Though I agree =
with you in principle that gear forums are about opinions (its why i =
tend to avoid them) and one should ultimately trust one's own opinion =
and sense of taste, I wouldn't be so quick to dismiss hiring a =
consultant. I for one actually get hired as such a consultant on a =
regular basis to help people get their gear issues sorted out. I've =
never had a client feel like they didn't get good advice from me. Its =
another service that I offer in addition to gigging, doing studio work, =
and &nbsp;teaching various styles of guitar, theory and composition, =
etc.. I bring more than 30 years of experience to the table, not only =
&nbsp;as a musician/teacher but also in retail music sales. I can't say =
I've tried every gadget on the market, but I stay abreast and read a lot =
of reviews and I am very good at getting a sense of some ones personal =
style and matching up the right gear with them. Busy professionals like =
some of my clients simply don't have time to sift through the sand dune =
of choices and that's where I come in. &nbsp;In my community I have a =
excellent and well deserved reputation as being a guy in the know about =
a wide variety of gear related issues, be it choosing the right acoustic =
guitar, amplifier or yes even capo. I'm also a person who doesn't =
pretend to be an expert on anything I haven't had hands on experience =
with and as most of my clients would tell you, &nbsp;I'm the first to =
say that tone is subjective and my opinions are my opinions. I also know =
musicians in the community who would not seek my advice ,who like you =
Chris, &nbsp;would rather figure it out themselves. And more power to =
you. But i must say in several instances I could have saved these people =
time and money by steering them in a sound direction, and helped them =
navigate the quagmire of BS floating around on the web. People come in =
to the shop all the time with boat loads of &nbsp;misinformation, or =
demanding a feature (like true bypass, as an example) that they don't =
really understand, just because they have heard the words bandied about =
on the Gear Page. &nbsp;Again I say, I'm like you Chris in that I'd =
rather make my own choices about my sound, but that doesn't mean I =
wouldn't seek out the advice of people I respect who know more than I =
do. I'm not above hiring a computer consultant to help me improve my DAW =
knowledge or taking the occasional guitar lesson, and if it saves me =
time &nbsp;then its money well =
spent.&nbsp;</div><div>Bill</div><div><br></div><div>PS oh and by the =
way my hourly rate for consulting is $50 and i do have =
Skype/I-chat....I'll be waiting for your call Chris =
:-)</div></body></html>=

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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you
 Choose
Date: Wed, 03 Feb 2010 22:42:04 -0500
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So you help them steer clear of the bs on the web by using the web to =
solicit opinions? Wha....?=20
Forgive me if you are not the person who started this thread, but if you =
are charging a person hard earned money and then posting this question =
to god knows who, you are ripping your client off.=20

Really, I don't mean to be harsh. But my bullshit detector is off the =
charts. How do you tell a client what is good? If he asks about an =
overdrive pedal,  do you have a list of bad ones? Because I assure you, =
somebody somewhere has made a beautiful recording with just about =
anything out there.=20

Seriously, nice work if you can get it. But lets be honest, every single =
person posting on any forum is just as full of shit as the next guy. =
Myself included. But I would NEVER ask for money about something so =
subjective.=20

Chris





On Feb 3, 2010, at 10:08 PM, William Walker wrote:

> Chris Sprach:
>> "$50 an hour to go online and ask other people for there opinions? =
Where do I sign up?
>> My point is anytime you go on any forum, especially music forums, and =
ask for opinions, your responses are always so varied and so broad =
they're almost meaningless.
>>> Try going on the acoustic guitar forum and ask those brainiacs what =
capo is the best and you'll get 57 different answers. Of course 3/4s of =
those guys are struggling to get through Mustang Sally. So take any =
answer you get with a grain of salt."
>=20
> Though I agree with you in principle that gear forums are about =
opinions (its why i tend to avoid them) and one should ultimately trust =
one's own opinion and sense of taste, I wouldn't be so quick to dismiss =
hiring a consultant. I for one actually get hired as such a consultant =
on a regular basis to help people get their gear issues sorted out. I've =
never had a client feel like they didn't get good advice from me. Its =
another service that I offer in addition to gigging, doing studio work, =
and  teaching various styles of guitar, theory and composition, etc.. I =
bring more than 30 years of experience to the table, not only  as a =
musician/teacher but also in retail music sales. I can't say I've tried =
every gadget on the market, but I stay abreast and read a lot of reviews =
and I am very good at getting a sense of some ones personal style and =
matching up the right gear with them. Busy professionals like some of my =
clients simply don't have time to sift through the sand dune of choices =
and that's where I come in.  In my community I have a excellent and well =
deserved reputation as being a guy in the know about a wide variety of =
gear related issues, be it choosing the right acoustic guitar, amplifier =
or yes even capo. I'm also a person who doesn't pretend to be an expert =
on anything I haven't had hands on experience with and as most of my =
clients would tell you,  I'm the first to say that tone is subjective =
and my opinions are my opinions. I also know musicians in the community =
who would not seek my advice ,who like you Chris,  would rather figure =
it out themselves. And more power to you. But i must say in several =
instances I could have saved these people time and money by steering =
them in a sound direction, and helped them navigate the quagmire of BS =
floating around on the web. People come in to the shop all the time with =
boat loads of  misinformation, or demanding a feature (like true bypass, =
as an example) that they don't really understand, just because they have =
heard the words bandied about on the Gear Page.  Again I say, I'm like =
you Chris in that I'd rather make my own choices about my sound, but =
that doesn't mean I wouldn't seek out the advice of people I respect who =
know more than I do. I'm not above hiring a computer consultant to help =
me improve my DAW knowledge or taking the occasional guitar lesson, and =
if it saves me time  then its money well spent.=20
> Bill
>=20
> PS oh and by the way my hourly rate for consulting is $50 and i do =
have Skype/I-chat....I'll be waiting for your call Chris :-)


--Boundary_(ID_Ex0e+hEZf5T9lsfJIx3gVQ)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: quoted-printable

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">So =
you help them steer clear of the bs on the web by using the web to =
solicit opinions? Wha....?&nbsp;<div>Forgive me if you are not the =
person who started this thread, but if you are charging a person hard =
earned money and then posting this question to god knows who, you are =
ripping your client off.&nbsp;</div><div><br></div><div>Really, I don't =
mean to be harsh. But my bullshit detector is off the charts. How do you =
tell a client what is good? If he asks about an overdrive pedal, =
&nbsp;do you have a list of bad ones? Because I assure you, somebody =
somewhere has made a beautiful recording with just about anything out =
there.&nbsp;</div><div><br></div><div>Seriously, nice work if you can =
get it. But lets be honest, every single person posting on any forum is =
just as full of shit as the next guy. Myself included. But I would NEVER =
ask for money about something so =
subjective.&nbsp;</div><div><br></div><div>Chris</div><div><br></div><div>=
<br></div><div><div><br></div><div><br></div><div><br><div><div>On Feb =
3, 2010, at 10:08 PM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Chris Sprach:<div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">"$50 an hour to go online and ask other =
people for there opinions? Where do I sign up?<br>My point is anytime =
you go on any forum, especially music forums, and ask for opinions, your =
responses are always so varied and so broad they're almost =
meaningless.<br><blockquote type=3D"cite">Try going on the acoustic =
guitar forum and ask those brainiacs what capo is the best and you'll =
get 57 different answers. Of course 3/4s of those guys are struggling to =
get through Mustang Sally. So take any answer you get with a grain of =
salt."<br></blockquote></span></blockquote><br></div><div>Though I agree =
with you in principle that gear forums are about opinions (its why i =
tend to avoid them) and one should ultimately trust one's own opinion =
and sense of taste, I wouldn't be so quick to dismiss hiring a =
consultant. I for one actually get hired as such a consultant on a =
regular basis to help people get their gear issues sorted out. I've =
never had a client feel like they didn't get good advice from me. Its =
another service that I offer in addition to gigging, doing studio work, =
and &nbsp;teaching various styles of guitar, theory and composition, =
etc.. I bring more than 30 years of experience to the table, not only =
&nbsp;as a musician/teacher but also in retail music sales. I can't say =
I've tried every gadget on the market, but I stay abreast and read a lot =
of reviews and I am very good at getting a sense of some ones personal =
style and matching up the right gear with them. Busy professionals like =
some of my clients simply don't have time to sift through the sand dune =
of choices and that's where I come in. &nbsp;In my community I have a =
excellent and well deserved reputation as being a guy in the know about =
a wide variety of gear related issues, be it choosing the right acoustic =
guitar, amplifier or yes even capo. I'm also a person who doesn't =
pretend to be an expert on anything I haven't had hands on experience =
with and as most of my clients would tell you, &nbsp;I'm the first to =
say that tone is subjective and my opinions are my opinions. I also know =
musicians in the community who would not seek my advice ,who like you =
Chris, &nbsp;would rather figure it out themselves. And more power to =
you. But i must say in several instances I could have saved these people =
time and money by steering them in a sound direction, and helped them =
navigate the quagmire of BS floating around on the web. People come in =
to the shop all the time with boat loads of &nbsp;misinformation, or =
demanding a feature (like true bypass, as an example) that they don't =
really understand, just because they have heard the words bandied about =
on the Gear Page. &nbsp;Again I say, I'm like you Chris in that I'd =
rather make my own choices about my sound, but that doesn't mean I =
wouldn't seek out the advice of people I respect who know more than I =
do. I'm not above hiring a computer consultant to help me improve my DAW =
knowledge or taking the occasional guitar lesson, and if it saves me =
time &nbsp;then its money well =
spent.&nbsp;</div><div>Bill</div><div><br></div><div>PS oh and by the =
way my hourly rate for consulting is $50 and i do have =
Skype/I-chat....I'll be waiting for your call Chris =
:-)</div></div></blockquote></div><br></div></div></body></html>=

--Boundary_(ID_Ex0e+hEZf5T9lsfJIx3gVQ)--

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--Apple-Mail-13--813903194
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Correct, Bill!

Nothing wrong with consultants!

And some of us don't have access to all the stuff that's out there.  I  
tend to buy stuff almost completely on a combination of hunch, past  
experience, reviews, online comments and the recommendations of  
friends who I respect.  Like you guys.

I live on an island off the coast of Canada.  In general, I have to  
know what I want when I walk into a store and order it.  This is  
definitely true of the more rarified, boutique stuff and high end  
studio equipment.

At least 95% of the time this works great for me.  I've bought a few  
pieces that were a waste of money.  Yes, many forums have gone to the  
dogs.  gearslutz.com used to be a great place for experienced  
opinions.  Now you have to come equipped with many grains of salt.   
But recommendations from strong, informed sources are an important  
part of the equation for many of us.
......

Now here's the catch, I think a great player can make not so great  
equipment sound great.  To me, the trick is always about squeezing -  
squeezing the sound out of what you have... learning the limits and  
strengths of what you have - including your talent.  So many folks,  
myself included, have so much gear they don't have time to know its  
potential - to be able to squeeze it.  But the critical pieces I've  
fairly conquered so I can get what I need.

I've seen Roy Buchanan do things with just a Tele and Vibroverb amp  
that would really blow your mind.  People weeping in the audience.  In  
my 40+ years of going to concerts & performing, I've seen that only a  
handful of times.

So... whatever it takes.  There are so many roads to Valhalla.   Don't  
knock the folks that need guides to get there.  Getting there -  
however you can (with honor) - is the hard part.

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 3, 2010, at 7:08 PM, William Walker wrote:

> Chris Sprach:
>> "$50 an hour to go online and ask other people for there opinions?  
>> Where do I sign up?
>> My point is anytime you go on any forum, especially music forums,  
>> and ask for opinions, your responses are always so varied and so  
>> broad they're almost meaningless.
>>> Try going on the acoustic guitar forum and ask those brainiacs  
>>> what capo is the best and you'll get 57 different answers. Of  
>>> course 3/4s of those guys are struggling to get through Mustang  
>>> Sally. So take any answer you get with a grain of salt."
>
> Though I agree with you in principle that gear forums are about  
> opinions (its why i tend to avoid them) and one should ultimately  
> trust one's own opinion and sense of taste, I wouldn't be so quick  
> to dismiss hiring a consultant. I for one actually get hired as such  
> a consultant on a regular basis to help people get their gear issues  
> sorted out. I've never had a client feel like they didn't get good  
> advice from me. Its another service that I offer in addition to  
> gigging, doing studio work, and  teaching various styles of guitar,  
> theory and composition, etc.. I bring more than 30 years of  
> experience to the table, not only  as a musician/teacher but also in  
> retail music sales. I can't say I've tried every gadget on the  
> market, but I stay abreast and read a lot of reviews and I am very  
> good at getting a sense of some ones personal style and matching up  
> the right gear with them. Busy professionals like some of my clients  
> simply don't have time to sift through the sand dune of choices and  
> that's where I come in.  In my community I have a excellent and well  
> deserved reputation as being a guy in the know about a wide variety  
> of gear related issues, be it choosing the right acoustic guitar,  
> amplifier or yes even capo. I'm also a person who doesn't pretend to  
> be an expert on anything I haven't had hands on experience with and  
> as most of my clients would tell you,  I'm the first to say that  
> tone is subjective and my opinions are my opinions. I also know  
> musicians in the community who would not seek my advice ,who like  
> you Chris,  would rather figure it out themselves. And more power to  
> you. But i must say in several instances I could have saved these  
> people time and money by steering them in a sound direction, and  
> helped them navigate the quagmire of BS floating around on the web.  
> People come in to the shop all the time with boat loads of   
> misinformation, or demanding a feature (like true bypass, as an  
> example) that they don't really understand, just because they have  
> heard the words bandied about on the Gear Page.  Again I say, I'm  
> like you Chris in that I'd rather make my own choices about my  
> sound, but that doesn't mean I wouldn't seek out the advice of  
> people I respect who know more than I do. I'm not above hiring a  
> computer consultant to help me improve my DAW knowledge or taking  
> the occasional guitar lesson, and if it saves me time  then its  
> money well spent.
> Bill
>
> PS oh and by the way my hourly rate for consulting is $50 and i do  
> have Skype/I-chat....I'll be waiting for your call Chris :-)


--Apple-Mail-13--813903194
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Correct, =
Bill!<div><br></div><div>Nothing wrong with =
consultants!<br><div><br></div><div>And some of us don't have access to =
all the stuff that's out there. &nbsp;I tend to buy stuff almost =
completely on a combination of hunch, past experience, reviews, online =
comments and the recommendations of friends who I respect. &nbsp;Like =
you guys. &nbsp;</div><div><br></div><div>I live on an island off the =
coast of Canada. &nbsp;In general, I have to know what I want when I =
walk into a store and order it. &nbsp;This is definitely true of the =
more rarified, boutique stuff and high end studio equipment. =
&nbsp;</div><div><br></div><div>At least 95% of the time this works =
great for me. &nbsp;I've bought a few pieces that were a waste of money. =
&nbsp;Yes, many forums have gone to the dogs. &nbsp;gearslutz.com used =
to be a great place for experienced opinions. &nbsp;Now you have to come =
equipped with many grains of salt. &nbsp;But recommendations from =
strong, informed sources are an important part of the equation for many =
of us.</div><div>......</div><div><br></div><div>Now here's the catch, I =
think a great player can make not so great equipment sound great. =
&nbsp;To me, the trick is always about squeezing - squeezing the sound =
out of what you have... learning the limits and strengths of what you =
have - including your talent. &nbsp;So many folks, myself included, have =
so much gear they don't have time to know its potential - to be able to =
squeeze it. &nbsp;But the critical pieces I've fairly conquered so I can =
get what I need.</div><div><br></div><div>I've seen Roy Buchanan do =
things with just a Tele and Vibroverb amp that would really blow your =
mind. &nbsp;People weeping in the audience. &nbsp;In my 40+ years of =
going to concerts &amp; performing, I've seen that only a handful of =
times.</div><div><br></div><div>So... whatever it takes. &nbsp;There are =
so many roads to Valhalla. &nbsp; Don't knock the folks that need guides =
to get there. &nbsp;Getting there - however you can (with honor) - is =
the hard part.&nbsp;</div><div><br></div><div>R</div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 3, 2010, =
at 7:08 PM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Chris Sprach:<div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">"$50 an hour to go online and ask other =
people for there opinions? Where do I sign up?<br>My point is anytime =
you go on any forum, especially music forums, and ask for opinions, your =
responses are always so varied and so broad they're almost =
meaningless.<br><blockquote type=3D"cite">Try going on the acoustic =
guitar forum and ask those brainiacs what capo is the best and you'll =
get 57 different answers. Of course 3/4s of those guys are struggling to =
get through Mustang Sally. So take any answer you get with a grain of =
salt."<br></blockquote></span></blockquote><br></div><div>Though I agree =
with you in principle that gear forums are about opinions (its why i =
tend to avoid them) and one should ultimately trust one's own opinion =
and sense of taste, I wouldn't be so quick to dismiss hiring a =
consultant. I for one actually get hired as such a consultant on a =
regular basis to help people get their gear issues sorted out. I've =
never had a client feel like they didn't get good advice from me. Its =
another service that I offer in addition to gigging, doing studio work, =
and &nbsp;teaching various styles of guitar, theory and composition, =
etc.. I bring more than 30 years of experience to the table, not only =
&nbsp;as a musician/teacher but also in retail music sales. I can't say =
I've tried every gadget on the market, but I stay abreast and read a lot =
of reviews and I am very good at getting a sense of some ones personal =
style and matching up the right gear with them. Busy professionals like =
some of my clients simply don't have time to sift through the sand dune =
of choices and that's where I come in. &nbsp;In my community I have a =
excellent and well deserved reputation as being a guy in the know about =
a wide variety of gear related issues, be it choosing the right acoustic =
guitar, amplifier or yes even capo. I'm also a person who doesn't =
pretend to be an expert on anything I haven't had hands on experience =
with and as most of my clients would tell you, &nbsp;I'm the first to =
say that tone is subjective and my opinions are my opinions. I also know =
musicians in the community who would not seek my advice ,who like you =
Chris, &nbsp;would rather figure it out themselves. And more power to =
you. But i must say in several instances I could have saved these people =
time and money by steering them in a sound direction, and helped them =
navigate the quagmire of BS floating around on the web. People come in =
to the shop all the time with boat loads of &nbsp;misinformation, or =
demanding a feature (like true bypass, as an example) that they don't =
really understand, just because they have heard the words bandied about =
on the Gear Page. &nbsp;Again I say, I'm like you Chris in that I'd =
rather make my own choices about my sound, but that doesn't mean I =
wouldn't seek out the advice of people I respect who know more than I =
do. I'm not above hiring a computer consultant to help me improve my DAW =
knowledge or taking the occasional guitar lesson, and if it saves me =
time &nbsp;then its money well =
spent.&nbsp;</div><div>Bill</div><div><br></div><div>PS oh and by the =
way my hourly rate for consulting is $50 and i do have =
Skype/I-chat....I'll be waiting for your call Chris =
:-)</div></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-13--813903194--

From jamesprivate@maktoob.com  Thu Feb  4 04:08:45 2010
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Reply-To: jamesprivate@maktoob.com
From: "mr james roberts" <jamesprivate@maktoob.com>
Subject: A BUSSINESS LETTER FROM MR JAMES ROBERTS
Date: Wed, 3 Feb 2010 21:50:14 -0600
MIME-Version: 1.0
Content-type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable
To: undisclosed-recipients:;

Dear partner,
=20
I write to request your co-operation in my desire to find a foreign
partner who will assist me in relocating and investing of the sum 0f
(=A315,000,000=2E00) Fifteen million pounds sterling's which is presently
available in my bank and in my possession=2E I am the Executive Auditor
in my Bank here in UK and this money was deposited by my Deceased
Customer who died in an Auto Crash many years ago, and no body has
operated or knew about this fund=2E I have all the files concerning
this fund with me because I was the Account Manager of the Deceased
the owner of the fund=2E
=20
I will be glad if you can stand as beneficiary to receive this money
in your country as this fund can only be paid to any foreigner who
lives outside UK =2E And i would invest my share in your Country=2E I am
offering you 40% of total sum after the transfer while 60% will be my
=20
share=2E And you should call me for more oral briefing with this number
+44 7045 73 8769=2E
The entire plan and documents of this transaction will be processed
by a Government accredited Lawyer and shall be forwarded to you
during the process=2E I also want to assure you that this business is %
100 free from risk=2E You can as well enclose your direct telephone
numbers for discussion of this offer in further details=2E Let me have
your Full Name, Confidential Telephone, Fax and Mobile Numbers and
also your Contact Address in response to this proposal if you are
interested=2E Send your reply through my private email:
jamesprivate1@maktoob=2Ecom

Best Regards
Mr=2E james roberts
Mobile Tell: +44 7045 73 8769




From kjm@accountant.com  Thu Feb  4 04:50:54 2010
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Reply-To: <kjm@accountant.com>
From: "Kuffi John Mensah"<kjm@accountant.com>
Subject: I Wait For Your Reply Or Phone Call ASAP
Date: Wed, 3 Feb 2010 06:54:01 -0800
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To: undisclosed-recipients:;

International Commercial Bank Ghana
Head Office Annex: Makola Shopping Mall
P. O. Box 20057, Accra - Ghana.
Mr.JOHN KUFI MENSAH (Manager)
Website: http://www.icbank-gh.com
Private E-mail: kjm@accountant.com

Dear Friend,             

I know that this mail will come to you as a surprise as we never met before. I am MR. KUFFI JOHN MENSAH, the manager of Auditing and Accounting section of International Commercial Bank Ghana (I.C.B) I Hoped that you will not expose or betray this trust and confident that I am about to repose on you for the mutual benefit of our both families. I need your urgent assistance in transferring the sum of Fifteen Million Five Hundred Thousand united state dollars ($15.5mUSD) Immediately to your account.
 
The fund has been dormant (in-active) for 10 years in our Bank here without any body coming for it. I want to release the fund to you as the nearest person to our deceased customer Mr. Andreas Schranner (the owner of the account) who died a long with his supposed next of kin in air crash since on 31st July 2000. I don't want the fund to go into our Bank treasury as an abandoned fund, so this is the reason why I contacted you, so that my Bank will release the fund to you as the nearest person to the deceased customer.

For more information about the crash you can visit this site: http://news.bbc.co.uk/1/hi/world/europe/859479.stm

Please I would like you to keep this proposal as a top secret and delete it if you are not interested. Upon receipt of your reply, I will give you more details regarding this transaction and also note that you will have 40% of the above mentioned amount if you agree to help me execute this business. And also after the funds has been transfered into your bank account you will take 10% out as a compensation for the expenses you will make in this transaction and 50% is for me. I need to hear from you urgent so that I will give you more information regarding this transaction.

Your Full Name............................?
 
Your Sex..................................?
 
Your Age.................................?
 
Your Country.............................?
 
Marital Status.......................?
 
Your Occupation..........................?
 
Your Personal Mobile N°...................?
 
Your Personal Fax N°...................?
 
 
Waiting for your urgent response so that we will starts immediately.
 
Best Regards,
 
MR. Kuffi John Mensah
Tel: +233-248-364-393
E-mail: kjm@accountant.com

From mrsdeborahhutchinson0@gala.net  Thu Feb  4 07:02:04 2010
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From: "Mrs Deborah Hutchinson"<mrsdeborahhutchinson0@gala.net>
Subject: Dear Beloved Greetings in the name of the lord.
Date: Thu, 4 Feb 2010 01:53:31 +0100
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Greetings in the name of the lord.

A letter from me to you.Mrs. Deborah Hutchinson, 65yrs old from Switzerland. You might be wondering where I got your contacts from but I have really taken my time in searching thoroughly. You came into my mind has the lord has directed me to and am willing to do so. I have noticed that you are God fearing, courageous, fulfilling and ambitious in life. I want you to know that you have been the chosen one and please, try and do my will because each of my words or statements must not go unfulfilled reaching the unprivileged,orphanages and the needy as you are blessed.

Dear Beloved One, I am the above named person but now undergoing medical treatment in Western Africa. I am married to Mr. Williams Dale Hutchinson, who worked as a world contractor for over a decade before he died. We were married for fifteen years without a child. He died after a brief illness that lasted for two weeks. Before his death he made a vow to use his wealth for the down troddenand the less privileged in the society. Since his death I decided not to re-marry or get a child outside my matrimonial home. When my late husband was alive he deposited the sum of ($12.000.00 millions us dollars) with a Vault with a bank in Western Africa. Presently, this money is still there.

Recently, my Doctor told me that I would not last for the next three months due to cancer problem. Though what disturbs me most is my stroke. Having known my condition I decided to donate this fund to an individual or better still a God fearing person who will utilize this money the way I am going to instruct here in. I want an individual that will use this to fund and provide succor I understand that blessed is the hand that giveth. I took this decision because I do not have any child and relatives.

I do not want my husband's hard earned money to be misused or spent in the manner in which my late husband did not specify. I do not want a situation where this money will be used in an ungodly manner,hence the reason for taking this bold decision. I am not afraid of death hence I know where I am going.

I know that I am going to be in the bosom of the Almighty. With God all things are possible. My happiness is that I lived a life worthy of emulation. Whosoever that wants to serve the Almighty must serve him with all his heart and mind and soul and also in truth. Please always be prayerful all through your life.

Please assure me that you will act according to my specification herein. Lastly i want you to also reply me with some vital information of yours such as:

Full Name:
country:
State and Zip Code:
sex:
phone number:
occupation etc......

Hoping to hear from you.
Thank you and May the Almighty bless you.
Yours sincerely,
Mrs. Deborah Hutchinson

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 08:16:25 2010
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	<817285CD-1C49-449F-84EF-5098F788A283@mac.com>
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Date: Thu, 4 Feb 2010 09:10:16 +0100
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--000e0ce0b4a6a7701f047ec1de24
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

There is something wrong with charging people money to do something they
could so themselves, cheaper, and I dont=B4buy the "He=B4s a rich guy so hi=
s
time is worth more bullshit..." If hes a human, his time is worth the same
as mine... maybe he can charge more for it...?

Not the same. If he wants to play an instrument then I think hes putting
some time learning and playing that instrument, for fun...he has to decide
what his time is worth to him, and if hes playing an instrument, he must be
a good guy!

HOWEVER... there is NOTHING wrong in soliciting someone to enquire on your
behalf about a subject you know nothing about to a source (possibly THE
source on the planet) of highly knowledgeable professionals, because you
want to hear what the pros think so you can make your decisions wisely!!!

I just paid someone 10,000 to go away and discuss my back-up needs at my
business to.. well WHOEVER!! As long as HE comes back to me with a good
solution, I will pay the man to do the job... its part of the service...

Not all consultants are good however... YIKES!!

far from it...


Mark

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--000e0ce0b4a6a7701f047ec1de24
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

There is something wrong with charging people money to do something they co=
uld so themselves, cheaper, and I dont=B4buy the &quot;He=B4s a rich guy so=
 his time is worth more bullshit...&quot; If hes a human, his time is worth=
 the same as mine... maybe he can charge more for it...?<br>

<br>Not the same. If he wants to play an instrument then I think hes puttin=
g some time learning and playing that instrument, for fun...he has to decid=
e what his time is worth to him, and if hes playing an instrument, he must =
be a good guy!<br>

<br>HOWEVER... there is NOTHING wrong in soliciting someone to enquire on y=
our behalf about a subject you know nothing about to a source (possibly THE=
 source on the planet) of highly knowledgeable professionals, because you w=
ant to hear what the pros think so you can make your decisions wisely!!!<br=
>

<br>I just paid someone 10,000 to go away and discuss my back-up needs at m=
y business to.. well WHOEVER!! As long as HE comes back to me with a good s=
olution, I will pay the man to do the job... its part of the service...<br>

<br>Not all consultants are good however... YIKES!!<br><br>far from it...<b=
r><br><br>Mark<br><br>-- <br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vime=
o.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--000e0ce0b4a6a7701f047ec1de24--

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 08:59:11 2010
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Message-ID: <d054a9ca1002040059q348b6629v76d2678e55374114@mail.gmail.com>
Subject: 64 bit Logic 9/Mainstage testers sought
From: Os <os@collective.co.uk>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi,

I have a 64 bit AU build of Augustus Loop pretty much ready for
release, and am looking for a couple of beta testers. Let me know if
you can help.


cheers,
os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 09:27:08 2010
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 you Choose
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Chris Sewell wrote:
> So you help them steer clear of the bs on the web by using the web to 
> solicit opinions? Wha....? 
> Forgive me if you are not the person who started this thread, 

No William "Bill" Walker isn't the the person who started the thread.



andy


From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 09:42:24 2010
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 Choose
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It's like using prediction markets.  Wikinomics!

t
----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, February 04, 2010 1:27 AM
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would 
you Choose


> Chris Sewell wrote:
>> So you help them steer clear of the bs on the web by using the web to 
>> solicit opinions? Wha....?

From MAILER-DAEMON  Thu Feb  4 10:18:03 2010
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Reply-To: <joyceh@rediffmail.com>
From: "Joyce Harrison"<"Joyce Harrison"@omr3.networksolutionsemail.com>
To: joyceh@rediffmail.com
Subject: Hello.
Date: Thu, 4 Feb 2010 09:47:59 -0000
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Hello

How are you today? I hope you are fine.My name is Joyce Harrison,24years
from Liberia.I am sincere, considerate, honest, responsible, supportive,
open minded, thoughtful, understanding and confident. I am a woman with
good nature,
I am seeking for a marriage minded, who is serious,
trustworthy, and willing to pursue a serious relation.
I'm looking for someone very special to share my life with. I'm looking
for my Soulmate & best friend, someone I can share all of life's
experiences with, good & bad, side by side.
I need a honest,caring,understanding,good listener,goal oreinted who
knows what he wants and knows how to have fun in life.I am looking
forward to hear from you,Thanks and be blessed.
Love from,
Joyce.

From rose_vaughn@sbcglobal.net  Thu Feb  4 11:11:11 2010
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Date: Thu, 4 Feb 2010 03:04:25 -0800 (PST)
From: Jackson Robert <rose_vaughn@sbcglobal.net>
Reply-To: cambelldeliverc@hosanna.net
Subject: Contact Cambell Company for your package with this code (GL-14160)
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-811813169-1265281465=:27237
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Hello Dear, 



I have Paid the fee for your Cheque Draft but the manager of Eko Bank Benin told me that before the check will get to you that it will expire.So i told him to cash $2.500,000.00 all the necessary arrangement of delivering the $2.500,000.00 in cash was made with Cambell delivering company.This is the information they need to delivery your package to you, contact them now. 



Bellow is the Cambell delivering information's

Contact person: DR. David Aka

(Delivery department managing director)

E-mail (cambelldeliverc@hosanna.net)

Contact numbers;+229-9846-5813



Note,that the entire fee has been paid for your delivery so it's probably ($155.00) that remains that you will send to the Cambell Courier Service Benin Republic which is their Security keeping fee of your consignment box so far.You are advice to forward all your mailling information to them immediately you receive this mail. 



Your country:.....

Your full name:....

Home address:........

Mobil phone number:....

Office number:....... 



In addition to what i said earlier please, don't disclose the content of the box to them to avoid delay and finally endeavor to indicate this code number (GL-14160) this code will prove that you are the rightful owner of the box deposited VIP box in their company, use it as your subject when your contacting them. 



Thanks and remain bless.

Barr. Jackson Robert
--0-811813169-1265281465=:27237
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Hello Dear, <br>
<br>
I have Paid the fee for your Cheque Draft but the manager of Eko Bank Benin told me that before the check will get to you that it will expire.So i told him to cash $2.500,000.00 all the necessary arrangement of delivering the $2.500,000.00 in cash was made with Cambell delivering company.This is the information they need to delivery your package to you, contact them now. <br>
<br>
Bellow is the Cambell delivering information's<br>
Contact person: DR. David Aka<br>
(Delivery department managing director)<br>
E-mail (cambelldeliverc@hosanna.net)<br>
Contact numbers;+229-9846-5813<br>
<br>
Note,that the entire fee has been paid for your delivery so it's probably ($155.00) that remains that you will send to the Cambell Courier Service Benin Republic which is their Security keeping fee of your consignment box so far.You are advice to forward all your mailling information to them immediately you receive this mail. <br>
<br>
Your country:.....<br>
Your full name:....<br>
Home address:........<br>
Mobil phone number:....<br>
Office number:....... <br>
<br>
In addition to what i said earlier please, don't disclose the content of the box to them to avoid delay and finally endeavor to indicate this code number (GL-14160) this code will prove that you are the rightful owner of the box deposited VIP box in their company, use it as your subject when your contacting them. <br>
<br>
Thanks and remain bless.<br>
Barr. Jackson Robert</td></tr></table>
--0-811813169-1265281465=:27237--

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Date: Thu, 4 Feb 2010 11:09:03 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: recording in 32 bit - interface and plugins
To: loopers-delight@loopers-delight.com
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--0-894406915-1265281743=:97649
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Hi!
I have=0A one question. I read about recording and bits. Some books and dvd=
s, recommand the use of 32 bit. This avoid clipping and is suppose to sound=
 better then 24 bit. And its good choice because many softwares uses this a=
s internal architecture (Izhaki, Tischmeyer). I uses Ableton, Motu Travelle=
r, and Oxford plugins. =A0
Whats the relation between the interface, software and bits? Is there any p=
oint of me choosing 32 bit in my Abelton=0A software, if my Motu interface =
preamps is 24 bit?=A0
What about my plugins (Oxford), I think this are made for working in 24 bit=
, can I use 32 bit in Ableons preference?=A0
Does anyone know whats Abletons internal working architecture?=A0
Best=0A regards=A0Rune Fagereng, Norway =A0=0A=0A__________________________=
________________________=0ABruker du Yahoo!?=0ALei av spam?  Yahoo! Mail ha=
r den beste spambeskyttelsen =0Ahttp://no.mail.yahoo.com 
--0-894406915-1265281743=:97649
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv2014800143"><table cellspacing=
=3D"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><=
tr><td id=3D"drftMsgContent" style=3D"font:inherit;"><span class=3D"Apple-s=
tyle-span" style=3D"font-family:arial, helvetica, clean, sans-serif;border-=
collapse:collapse;line-height:15px;"><span class=3D"Apple-style-span" style=
=3D"font-size: small;">Hi!</span><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;pad=
ding-bottom:0px;padding-left:0px;line-height:1.2em;outline-style:none;outli=
ne-color:initial;"><span class=3D"Apple-style-span" style=3D"font-size: sma=
ll;"><br style=3D"line-height:1.2em;outline-style:none;outline-color:initia=
l;"></span></div><div
 style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px=
;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;line=
-height:1.2em;outline-style:none;outline-color:initial;"><span class=3D"App=
le-style-span" style=3D"font-size: small;">I have=0A one question. I read a=
bout recording and bits. Some books and dvds, recommand the use of 32 bit. =
This avoid clipping and is suppose to sound better then 24 bit. And its goo=
d choice because many softwares uses this as internal architecture (Izhaki,=
 Tischmeyer). I uses Ableton, Motu Traveller, and Oxford plugins. &nbsp;</s=
pan></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding=
-left:0px;line-height:1.2em;outline-style:none;outline-color:initial;"><spa=
n class=3D"Apple-style-span" style=3D"font-size: small;"><br></span></div><=
div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:=
0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;l=
ine-height:1.2em;outline-style:none;outline-color:initial;"><span class=3D"=
Apple-style-span" style=3D"font-size: small;">Whats the relation between th=
e interface, software and bits? Is there any point of me
 choosing 32 bit in my Abelton=0A software, if my Motu interface preamps is=
 24 bit?&nbsp;</span></div><div style=3D"margin-top:0px;margin-right:0px;ma=
rgin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-b=
ottom:0px;padding-left:0px;line-height:1.2em;outline-style:none;outline-col=
or:initial;"><span class=3D"Apple-style-span" style=3D"font-size: small;"><=
br></span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom=
:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;p=
adding-left:0px;line-height:1.2em;outline-style:none;outline-color:initial;=
"><span class=3D"Apple-style-span" style=3D"font-size: small;">What about m=
y plugins (Oxford), I think this are made for working in 24 bit, can I use =
32 bit in Ableons preference?&nbsp;</span></div><div style=3D"margin-top:0p=
x;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;paddin=
g-right:0px;padding-bottom:0px;padding-left:0px;line-height:1.2em;outline-s=
tyle:none;outline-color:initial;"><span
 class=3D"Apple-style-span" style=3D"font-size: small;"><br></span></div><d=
iv style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0=
px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;li=
ne-height:1.2em;outline-style:none;outline-color:initial;"><span class=3D"A=
pple-style-span" style=3D"font-size: small;">Does anyone know whats Ableton=
s internal working architecture?&nbsp;</span></div><div style=3D"margin-top=
:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;pad=
ding-right:0px;padding-bottom:0px;padding-left:0px;line-height:1.2em;outlin=
e-style:none;outline-color:initial;"><span class=3D"Apple-style-span" style=
=3D"font-size: small;"><br style=3D"line-height:1.2em;outline-style:none;ou=
tline-color:initial;"></span></div><div
 style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px=
;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;line=
-height:1.2em;outline-style:none;outline-color:initial;"><span class=3D"App=
le-style-span" style=3D"font-size: small;">Best=0A regards&nbsp;</span></di=
v><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-le=
ft:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0p=
x;line-height:1.2em;outline-style:none;outline-color:initial;"><span class=
=3D"Apple-style-span" style=3D"font-size: small;">Rune Fagereng, Norway &nb=
sp;</span></div></span></td></tr></tbody></table></div></td></tr></table><b=
r>__________________________________________________<br>Bruker du Yahoo!?<b=
r>Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen <br>http://no.ma=
il.yahoo.com 
--0-894406915-1265281743=:97649--

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 12:12:44 2010
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Date: Thu, 4 Feb 2010 04:12:43 -0800 (PST)
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would 
     you Choose
From: looppool@cruzio.com
To: "Chris Sewell" <lunamusic@mac.com>
Cc: loopers-delight@loopers-delight.com
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Chris wrote:

"Seriously, nice work if you can get it. But lets be honest, every single
person posting on any forum is just as full of shit as the next guy.
Myself included. But I would NEVER ask for money about something so
subjective."

So,  Chris,  there is no such thing as someone who knows more than someone
else?

.....no such thing as someone who is so well informed and who has worked with
so many people that they can make an educated guess as to what will work
for someone
and someone who won't?

It's all a sea of subjective bullshit to you?

Asking the questions I did, illicited a lot of responses from several
musicians here.
It's frequently easy to ascertain who deeply read what the question was
and what the parameters laid out were.   It's called discernment.

I already had a good idea what to recommend this person based on the gear
he already owns,  his playing ability,  his aspirations as a musician and
his time commitment he's able to make.

By listening to all the recommendations made here,  I learned something
and discovered three pedals that I didn't know about before this thread:
three pedals that I'll recommend and probably three pedals Ill end up
purchasing myself because I highly respect the musicians who made the
recommendations.

They really helped me to make a good choice.

Additionally, I am able to send local music stores the business from my
client purchasing these recommendations (which also helps out the
musicians that they employ in our town that is having such a hard time
economically).

I'm really glad I posed the question.   I learned something and my client
will
get the benefit out of all of it.

Sorry your bullshit meter prevents you from getting the good that came out
of it.

That's your loss,  not mine.

Now I'm going to get back to that most heinous and usurous of all things: 
 making a living by being involved with music, professionally.

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 13:08:40 2010
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	 <59b7afd44072de52cdcd29d7b4f55c61.squirrel@cruziomail.cruzio.com>
Date: Thu, 4 Feb 2010 15:08:38 +0200
Message-ID: <c70841111002040508uff66722ub454d4a66688ccd1@mail.gmail.com>
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you 
	Choose
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e649820c8edaea047ec60882
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That desert island effect list was very informative to me:

LOTS of gear I've never heard of, or have ever played through!

Thanks to everybody for sharing

-Petri-

2010/2/4 <looppool@cruzio.com>

>
> Chris wrote:
>
> "Seriously, nice work if you can get it. But lets be honest, every single
> person posting on any forum is just as full of shit as the next guy.
> Myself included. But I would NEVER ask for money about something so
> subjective."
>
> So,  Chris,  there is no such thing as someone who knows more than someone
> else?
>
> .....no such thing as someone who is so well informed and who has worked
> with
> so many people that they can make an educated guess as to what will work
> for someone
> and someone who won't?
>
> It's all a sea of subjective bullshit to you?
>
> Asking the questions I did, illicited a lot of responses from several
> musicians here.
> It's frequently easy to ascertain who deeply read what the question was
> and what the parameters laid out were.   It's called discernment.
>
> I already had a good idea what to recommend this person based on the gear
> he already owns,  his playing ability,  his aspirations as a musician and
> his time commitment he's able to make.
>
> By listening to all the recommendations made here,  I learned something
> and discovered three pedals that I didn't know about before this thread:
> three pedals that I'll recommend and probably three pedals Ill end up
> purchasing myself because I highly respect the musicians who made the
> recommendations.
>
> They really helped me to make a good choice.
>
> Additionally, I am able to send local music stores the business from my
> client purchasing these recommendations (which also helps out the
> musicians that they employ in our town that is having such a hard time
> economically).
>
> I'm really glad I posed the question.   I learned something and my client
> will
> get the benefit out of all of it.
>
> Sorry your bullshit meter prevents you from getting the good that came out
> of it.
>
> That's your loss,  not mine.
>
> Now I'm going to get back to that most heinous and usurous of all things:
>  making a living by being involved with music, professionally.
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e649820c8edaea047ec60882
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

That desert island effect list was very informative to me:<br><br>LOTS of g=
ear I&#39;ve never heard of, or have ever played through!<br><br>Thanks to =
everybody for sharing<br><br>-Petri-<br><br><div class=3D"gmail_quote">2010=
/2/4  <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool=
@cruzio.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
Chris wrote:<br>
<br>
&quot;Seriously, nice work if you can get it. But lets be honest, every sin=
gle<br>
person posting on any forum is just as full of shit as the next guy.<br>
Myself included. But I would NEVER ask for money about something so<br>
subjective.&quot;<br>
<br>
So, =A0Chris, =A0there is no such thing as someone who knows more than some=
one<br>
else?<br>
<br>
.....no such thing as someone who is so well informed and who has worked wi=
th<br>
so many people that they can make an educated guess as to what will work<br=
>
for someone<br>
and someone who won&#39;t?<br>
<br>
It&#39;s all a sea of subjective bullshit to you?<br>
<br>
Asking the questions I did, illicited a lot of responses from several<br>
musicians here.<br>
It&#39;s frequently easy to ascertain who deeply read what the question was=
<br>
and what the parameters laid out were. =A0 It&#39;s called discernment.<br>
<br>
I already had a good idea what to recommend this person based on the gear<b=
r>
he already owns, =A0his playing ability, =A0his aspirations as a musician a=
nd<br>
his time commitment he&#39;s able to make.<br>
<br>
By listening to all the recommendations made here, =A0I learned something<b=
r>
and discovered three pedals that I didn&#39;t know about before this thread=
:<br>
three pedals that I&#39;ll recommend and probably three pedals Ill end up<b=
r>
purchasing myself because I highly respect the musicians who made the<br>
recommendations.<br>
<br>
They really helped me to make a good choice.<br>
<br>
Additionally, I am able to send local music stores the business from my<br>
client purchasing these recommendations (which also helps out the<br>
musicians that they employ in our town that is having such a hard time<br>
economically).<br>
<br>
I&#39;m really glad I posed the question. =A0 I learned something and my cl=
ient<br>
will<br>
get the benefit out of all of it.<br>
<br>
Sorry your bullshit meter prevents you from getting the good that came out<=
br>
of it.<br>
<br>
That&#39;s your loss, =A0not mine.<br>
<br>
Now I&#39;m going to get back to that most heinous and usurous of all thing=
s:<br>
=A0making a living by being involved with music, professionally.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e649820c8edaea047ec60882--

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Date: Thu, 4 Feb 2010 14:46:39 +0100
Message-ID: <66f9cc1e1002040546m7beb2b60ia5b0615ed73879a6@mail.gmail.com>
Subject: Re: recording in 32 bit - interface and plugins
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d566527da9ee047ec69066
Content-Type: text/plain; charset=UTF-8

Hi Rune,

Don't confuse the digital audio format like 8, 16 (CD standard), 24 and 32
bit with software that can be coded to run under a 32 vs 64 bit operating
system.

Can't check now, but if it's true like you are saying that the user can
chose if Ableton Live should use 32 bit floating point for internal
calculation, then you should definitely go for it. Logic/Mainstage and
Mobius all use 32 bit floating point calculation. It is INTERNAL and doesn't
affect how the DA processing of your audio interface works (except for maybe
delivering a sometimes better sounding stream to be "analogized" for the
speaker output).

Now, if the computer's operating system supports it some applications can be
run by 64 bit software code. Very few third-party plugins still support 64
bit mode and as far as I know only Vista/MS7 and the latest Mac OS (Snow
Leopard) support 64 bit code. I tried running Logic and Mainstage in 64 bit
code and there is absolutely no difference to me (all Logic/Mainstage
"plugins" are 64 bit since they are part of the application rather than
"plugins" and Apple has a 32 bit bridge that allows running 32 bit
third-party plugins inside the host at 64 bit). However, for people that
need to use a lot of RAM the performance of the system is much better at 64.
The magic limit is 4 GB RAM and my Macbook can't physically take more than 4
GB, so for me this hole 64 bit code option is moot. But let's assume you
have a machine loaded with 12 GB RAM and you want to play with sampler
patches that are huuuuu-u-u-u-ge, then 64 bit code mode is your savior.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Thu, Feb 4, 2010 at 12:09 PM, rune fagereng <rune_fagereng@yahoo.no>wrote:

> I have one question. I read about recording and bits. Some books and dvds,
> recommand the use of 32 bit. This avoid clipping and is suppose to sound
> better then 24 bit. And its good choice because many softwares uses this as
> internal architecture (Izhaki, Tischmeyer). I uses Ableton, Motu Traveller,
> and Oxford plugins.
>
> Whats the relation between the interface, software and bits? Is there any
> point of me choosing 32 bit in my Abelton software, if my Motu interface
> preamps is 24 bit?
>
> What about my plugins (Oxford), I think this are made for working in 24
> bit, can I use 32 bit in Ableons preference?
>
> Does anyone know whats Abletons internal working architecture?
>

--0016e6d566527da9ee047ec69066
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>Hi Rune,=C2=A0</div><div><br></div><div>Don&#39;t confuse the digital =
audio format like 8, 16 (CD standard), 24 and 32 bit with software that can=
 be coded to run under a 32 vs 64 bit operating system.=C2=A0</div><div><br=
></div>
<div>Can&#39;t check now, but if it&#39;s true like you are saying that the=
 user can chose if Ableton Live should use 32 bit floating point for intern=
al calculation, then you should definitely go for it. Logic/Mainstage and M=
obius all use 32 bit floating point calculation. It is INTERNAL and doesn&#=
39;t affect how the DA processing of your audio interface works (except for=
 maybe delivering a sometimes better sounding stream to be &quot;analogized=
&quot; for the speaker output). =C2=A0</div>
<div><br></div><div>Now, if the computer&#39;s operating system supports it=
 some applications can be run by 64 bit software code. Very few third-party=
 plugins still support 64 bit mode and as far as I know only Vista/MS7 and =
the latest Mac OS (Snow Leopard) support 64 bit code. I tried running Logic=
 and Mainstage in 64 bit code and there is absolutely no difference to me (=
all Logic/Mainstage &quot;plugins&quot; are 64 bit since they are part of t=
he application rather than &quot;plugins&quot; and Apple has a 32 bit bridg=
e that allows running 32 bit third-party plugins inside the host at 64 bit)=
. However, for people that need to use a lot of RAM the performance of the =
system is much better at 64. The magic limit is 4 GB RAM and my Macbook can=
&#39;t physically take more than 4 GB, so for me this hole 64 bit code opti=
on is moot. But let&#39;s assume you have a machine loaded with 12 GB RAM a=
nd you want to play with sampler patches that are huuuuu-u-u-u-ge, then 64 =
bit code mode is your savior.=C2=A0</div>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br>
<br><br><div class=3D"gmail_quote">On Thu, Feb 4, 2010 at 12:09 PM, rune fa=
gereng <span dir=3D"ltr">&lt;<a href=3D"mailto:rune_fagereng@yahoo.no">rune=
_fagereng@yahoo.no</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"=
>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;=
line-height:1.2em;outline-style:none;outline-color:initial"><span style=3D"=
font-size:small">I have
 one question. I read about recording and bits. Some books and dvds, recomm=
and the use of 32 bit. This avoid clipping and is suppose to sound better t=
hen 24 bit. And its good choice because many softwares uses this as interna=
l architecture (Izhaki, Tischmeyer). I uses Ableton, Motu Traveller, and Ox=
ford plugins. =C2=A0</span></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;=
line-height:1.2em;outline-style:none;outline-color:initial"><span style=3D"=
font-size:small"><br>
</span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0p=
x;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padd=
ing-left:0px;line-height:1.2em;outline-style:none;outline-color:initial">
<span style=3D"font-size:small">Whats the relation between the interface, s=
oftware and bits? Is there any point of me
 choosing 32 bit in my Abelton
 software, if my Motu interface preamps is 24 bit?=C2=A0</span></div><div s=
tyle=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;p=
adding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;line-h=
eight:1.2em;outline-style:none;outline-color:initial">
<span style=3D"font-size:small"><br></span></div><div style=3D"margin-top:0=
px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;paddi=
ng-right:0px;padding-bottom:0px;padding-left:0px;line-height:1.2em;outline-=
style:none;outline-color:initial">
<span style=3D"font-size:small">What about my plugins (Oxford), I think thi=
s are made for working in 24 bit, can I use 32 bit in Ableons preference?=
=C2=A0</span></div><div style=3D"margin-top:0px;margin-right:0px;margin-bot=
tom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0p=
x;padding-left:0px;line-height:1.2em;outline-style:none;outline-color:initi=
al">
<span style=3D"font-size:small"><br></span></div><div style=3D"margin-top:0=
px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;paddi=
ng-right:0px;padding-bottom:0px;padding-left:0px;line-height:1.2em;outline-=
style:none;outline-color:initial">
<span style=3D"font-size:small">Does anyone know whats Abletons internal wo=
rking architecture?</span></div></blockquote></div><br>

--0016e6d566527da9ee047ec69066--

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Date: Thu, 4 Feb 2010 16:00:09 +0200
Message-ID: <3f8d9ee61002040600p52fe69d3g8ebdde259d1cbc7c@mail.gmail.com>
Subject: Re: recording in 32 bit - interface and plugins
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If you are recording & mixing at 24 bit and there is any amount of
clipping or unwanted distortion, then there is something wrong with
your gain structure, not with the 24 bit architecture.

On 2/4/10, rune fagereng <rune_fagereng@yahoo.no> wrote:
> Hi!
> I have
>  one question. I read about recording and bits. Some books and dvds,
> recommand the use of 32 bit. This avoid clipping and is suppose to sound
> better then 24 bit. And its good choice because many softwares uses this as
> internal architecture (Izhaki, Tischmeyer). I uses Ableton, Motu Traveller,
> and Oxford plugins.
> Whats the relation between the interface, software and bits? Is there any
> point of me choosing 32 bit in my Abelton
>  software, if my Motu interface preamps is 24 bit?
> What about my plugins (Oxford), I think this are made for working in 24 bit,
> can I use 32 bit in Ableons preference?
> Does anyone know whats Abletons internal working architecture?
> Best
>  regards Rune Fagereng, Norway
>
> __________________________________________________
> Bruker du Yahoo!?
> Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen
> http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 14:05:11 2010
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Date: Thu, 4 Feb 2010 10:05:10 -0400 (AST)
Subject: Re: 2 new tracks (free downloads)
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Sjaak,

Love the name for your album.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Wed, February 3, 2010 1:12 pm, Sjaak Overgaauw wrote:
> On Wed, Feb 3, 2010 at 2:01 PM, Anders Bergdahl
> <anders_e_bergdahl@hotmail.com> wrote:
>> Very nice thanks for sharing.
>> Is it one take "live" recordings??
>
> Thanks! Yes,  these are one take, 2-track studio live recordings, no
> editing. All the tracks on the upcoming album "59 airplanes waiting
> for New York" have been recorded the same way.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>





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Date: Thu, 4 Feb 2010 16:07:57 +0200
Message-ID: <3f8d9ee61002040607v53336516l46662595ee6bbe2e@mail.gmail.com>
Subject: Re: OT Which Desert Island Stomp Box Pedal in each Category Would you 
	Choose
From: Milo <milo.vuc@gmail.com>
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I can give you some very good advice but first you have to answer
three questions.

1. what kind of "metal player" is he: Doom metal? Thrash? Death?
Heavy? Epic? There are many different sub-genres.

2. what kind of guitar(s) does he usually like to play?

3. what kind of preamp/amp does he usually like to use in the studio
and on stage?


On 2/3/10, Rick Walker <looppool@cruzio.com> wrote:
> Hi all,
>
> I have a client who has a fair amount of money.
>
> He has asked me to recommend him the best stomp box pedal
> in one of several different categories.   He is a simple metal player so
> he's not interested in a lot of the more esoteric pedals that I normally
> use
> for more experimental purposes.
>
> I know that, as an example,  my brother Bill, really loves
> his Zen Drive and also a particular light weight but not-inexpensive
> compressor
> that he uses.
>
> So,  if you don't mind taking the time,
> and you had to pick only one stomp box pedal in each of the following
> categories
> what would they be?
> By the way,   he's not at all interested large pedals (double pedals)
>  (like the Line 6 or large Boss multi-pedals),  He wants small footprint
> stompbox pedals
>
> Finally,  simplicity, small footprint and ease of use are high priorities.
>
> Here are my own recommendations for what it's worth:
>
> *DISTORTION/FUZZOVERDRIVE/FEEDBACK/SUSTAIN:*
> DAED DS-1 DISTORTO SYNTH   (very inexpensive and wonderful DAED hack of a
> Boss DS-1 Distortion pedal)
>
> *CHORUS*
> Boss CE-2    (just don't know enough about pricier botique ones.....any
> suggestions?)
>
> *FLANGER*
> Boss Flanger
> *
> PHASER*
> Electro Harmonix Bad Stone
>
> *COMPRESSOR*
> The cool one my brother has but he's not home right now so I can't
> remember it's name
> *
> DIGITAL DELAY*
> ?
> *
> ANALOGUE DELAY*
> ?
> *
> PITCH SHIFTER*
> Boss P-5 Intellishifter
>
> *TREMELO
> *Alesis Ampliton
>
> *WAH WAH*
> DAED 'Juicy Wah'      (DAED's inexpensive 'hack of a Crybaby wah pedal)
>
>

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Date: Thu, 4 Feb 2010 16:43:49 +0200
Message-ID: <3f8d9ee61002040643gc59889dx22aae040cc6fc006@mail.gmail.com>
Subject: Re: Self-Promotion, Ambient Music and Radio
From: Milo <milo.vuc@gmail.com>
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If your goal is "to help drive on-line sales from suitable exposure",
then you will need something more advanced and serious than a free
MySpace page. Web hosting is very cheap these days, there is no reason
why you shouldn't base your operations on a nice .com website.

It is more probable that a dj/producer will mention your .com website
on air than your MySpace page. For some radio networks, there is also
other less glamorous things involved, living under the table. Not all
media companies like to promote MySpace from their shows. A .com
website belongs to the artist, so there is no business conflict
involved.

On 1/14/10, david kirkdorffer <unstrungone@yahoo.com> wrote:
> Hello -
>
> I am trying to promote a new "ambient" CD I've just released.  And of course
> it's a struggle to find suitable radio stations to send promo copies.
>
> With readers from all around the world, I was wondering if I could tap into
> the collective knowledge-base of Loopers-Delight.
>
> Do you have suggestions as to suitable radio stations / DJ's (online or
> broadcast) who welcome and play Ambient music?  Example of the music can be
> heard here: http://www.myspace.com/undomusic - in particular the tracks
> "9.9.99" and "Home".   My ultimate goal is to help drive on-line sales from
> suitable exposure.
>
> Thank you in advance for your help!  I very much appreciate it!
>
> Kind regards,
>
> David
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 14:52:53 2010
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Date: Thu, 4 Feb 2010 16:52:50 +0200
Message-ID: <3f8d9ee61002040652o22a0337etfe495f2344af6825@mail.gmail.com>
Subject: Re: Video Streaming Services - Status and Survey
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You forgot to mention that none of these businesses pay fees or
royalties to the artists and video producers. At the same time, their
annual profits are going up and up and up...

On 1/14/10, Rainer Straschill <moinsound@googlemail.com> wrote:
> Hi everyone,
>
> those video streaming things have been the #1 cool thing for me in 2009,
> and I continue to do a bi-weekly performance series (first official
> session this Saturday) and have done daily ones this past week since
> Sunday. Also, Rick's festival has been transmitted nearly in full (and
> archived online), so there's even a looping relationship here...on to
> some findings and a call for your inputs to these topics.
>
> My own experience:
> I have worked with three services in total: ustream.tv, justin.tv and
> livestream.com. At least livestream also has a "premium" version with a
> hefty price tag, but all of those offer "free" (meaning ad-financed, no
> charges for viewer or presenter) accounts.
>
> What they have in common:
> They're free, allow you to record your shows and make them available for
> posterity, and allow embedded players to be placed e.g. on your website
> and viewing them does not require registration for the viewer. All of
> them allow you to transmit via a browser-based flash plugin or with the
> free Adobe FME software.
>
> The lowdown on all three of them:
> a) ustream:
> This is the one where I started, and where I have the most experience with.
> Nice:
> *   the system of announcing your own shows, following other people etc.
> seems laid out fine. There also seems to be a large viewer crowd.
> *   there are some basic editing functions for your archived videos
> which are, as I might say, sufficient.
> Not nice:
> *   they have a service which allows cueing in other performers (called
> "co-hosting"), drop in clips form youtube etc. Unfortunately, the last
> time I checked (at the VSV festival in October), these functions were
> flawed or didn't work at all.
> *   even when using the FME encoder, you still need to run the web
> browser plugin, which can be an issue for older computers (and "older"
> here means anything with a passmark below 900).
>
> b) justin:
> Nice:
> *   This is the simplest of the three. Set up your account, download the
> xml file for the FME, fire up the FME.
> Not nice:
> *   Well...doesn't offer that many nifty features as the others do.
>
> c) livestream:
> This seems to be the most powerful one of the three in terms of features.
> Nice:
> *   A nifty wealth of features, including some configurable banners at
> the start of the video etc. There's the so-called "studio", which allows
> you to also upload videos, create an on-demand playlist, define
> storyboards for a live (or archived show), cue in other performers etc.
> Not Nice:
> *   There are some limitations to the free accounts. First one is you
> need to get your channel certified to be allowed to transmit to more
> than 40 viewers. This is not a big issue, as it's just filling out a
> form and waiting for a day or so.
> *   More limitations for free accounts: the biggest is that you are
> limited to a 500kbps stream bandwidth and 4:3 aspect ratio.
>
>
> Ok, now it's your turn. More observations to add? Other services which
> do something like that? Comments? Questions?
>
>
> Yours,
>
>              Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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Date: Thu, 4 Feb 2010 17:02:26 +0200
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Subject: Re: OT: how to get ambient sound in IEM?
From: Milo <milo.vuc@gmail.com>
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I would suggest that you try an approach used by numerous tour crews
around the world:

Buy two cheap condenser mics and ask your sound engineer to set them
up on the two ends of the stage, left and right. The angles of the
mics will have to be determined by the PA setup and throw.

Then have this stereo signal mixed with your IEM feed. You can have a
small cheap mixer next to you, to decide how loud you want the ambient
mics compared to the IEM feed.

This is very easy for a professional sound engineer and it takes
around ten minutes to setup.

On 1/12/10, George Ludwig <georgeludwigmusic@gmail.com> wrote:
> I recently played my first gig where I was playing with an ensemble, and was
> using my looping rig with wireless IEM. I had  a heck of a time not only
> hearing other people, but also trying to judge my stage volume...and if my
> amp was even making noise!
>
> So now I'm thinking about how to get ambient sound in to the system. I am
> using Shure earbuds, and they make a device to let in some ambient noise
> ("push to hear"). And I even have one, but 1. it's a piece of crap, and the
> ambient volume control failed within the first few minutes of use and 2.
> when you engage the ambient mic, it lowers the volume of the main source,
> which causes various problems.
>
> I thought about putting a mini mic in my audio interface, and that would
> give me a lot of control, except for which direction the mic is pointing.
>
> How has everyone else solved this problem?
>
> --
> -George
>
> http://www.myspace.com/georgeludwigmusic
>

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Date: Thu, 4 Feb 2010 17:16:34 +0200
Message-ID: <3f8d9ee61002040716l76724e9bld78216363e8926c9@mail.gmail.com>
Subject: Re: videos and music and music sales
From: Milo <milo.vuc@gmail.com>
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Images (static or moving) can increase sales for pop culture products
and this is why MTV is still doing business. But for the arts, be it
challenging music or challenging dance performance, you have one and
only tool: the art itself. If an image or a video is a sincere
presentation of an art performance, it's a good move and it's also
faithful to the artist and the public. If it is approached with a
"promotional" mentality, then it is doomed to fail. And by failure I
mean that you are not going to see the money you invested coming back
to you as real money (cash). There are lots of companies that make
millions online by exploiting the failures of promotion.

On 12/30/09, david kirkdorffer <unstrungone@yahoo.com> wrote:
> I have a theory I'd like to run by the readers of this list.  In a nutshell
> it goes like this,
>
> "...people can handle more challenging music if it's accompanied by a cool
> video."
>>
> Do you agree?  Have any of you added video to your looping music and
> discovered it helped increase sales?
>
> Kind regards,
>
> UNDO
> http://www.myspace.com/undomusic
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 15:24:19 2010
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Date: Thu, 4 Feb 2010 10:21:49 -0500
Subject: Firewire interface recommendations
Thread-Topic: Firewire interface recommendations
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Hi folks, I'm hoping a few of you can share your thoughts about what to buy=
 to replace my Layla PCIcardbus audio interface, which just can't keep up w=
ith what I'm doing now. It's gain structure is inadequate and it is choking=
 when I get a lot of stuff happening all at once in the computer. And yes, =
I do realize that every audio interface has its limits. Perhaps the problem=
 with the Layla is that the drivers have not been updated for years. It was=
 great for a long time but time to move on.

I have a laptop setup with Mobius running in Bidule, with a bunch of VST ef=
fects and VST instruments. I've been slowly putting together a live rig but=
 have realized I need to replace the Layla and that, for reasons having to =
do with ease of pulling it out of the studio where it will usually live, th=
e audio interface should NOT be mounted in the rack with other stuff.

 The new audio interface will be fed:

=B7         Electric Guitar signal from a floorboard with a few effect peda=
ls and a Framptone switcher that send signal to a guitar amp, bypassing com=
puter, and to the audio interface

=B7         Output from a Grace microphone pre-amp to which is connected an=
 AKG mic that picks up flute and miscellaneous percussion

=B7          Two Belkat contact pickups, running through a stereo =BC" cabl=
e to a TRS, that need to be serious pre-amped.  These are attached to a var=
iety of things - classical guitar body for percussive thwacking, rubbing an=
d the like, and various homemade noisies.  They sound great through the Gra=
ce, so maybe switching the AKG mic to a pre-amp on the audio interface woul=
d be best.

=B7         Mono Output from an Echoplex (for anyone curious about this, I =
am at this point using the Echoplex as a failsafe for when the computer cra=
shes... I have a MIDI box that takes FCB output and sends it to both Mobius=
 and E'plex; the assignments are mostly the same so the E'plex mostly repli=
cates what I'm doing with Mobius, though of course it is not 1:1... makes f=
or some interesting "emergency modulations". Obviously there are more inven=
tive things one could do with this, I just have not gotten around to it.)

=B7         Stereo output from future purchase analog synth

=B7         SPDIF from the Fireface 800 that is my studio audio engine

The audio interface will send mono to the echoplex, stereo to a pair of pow=
ered speakers, and SPDIF to the F'face 800. Being able to send a separate m=
ix to, say, a drummer across the stage would be nice too.

Small and lightweight is good too.

There are obviously a lot of  interfaces for more than $400 that would fit =
the bill.... how about another Fireface?... but I want to keep the cost dow=
n below 400, and it looks like that should not be hard to do. The Focusrite=
 Saffire Pro 24 DSP seems to fit the bill, for instance.

Any input on this would be much appreciated.

Hal

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<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Hi folks, I&#8217;m hoping a few of you can share your thoug=
hts
about what to buy to replace my Layla PCIcardbus audio interface, which jus=
t
can&#8217;t keep up with what I&#8217;m doing now. It&#8217;s gain structur=
e is
inadequate and it is choking when I get a lot of stuff happening all at onc=
e in
the computer. And yes, I do realize that every audio interface has its limi=
ts. Perhaps
the problem with the Layla is that the drivers have not been updated for ye=
ars.
It was great for a long time but time to move on. <o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>I have a laptop setup with Mobius running in Bidule, with a
bunch of VST effects and VST instruments. I&#8217;ve been slowly putting
together a live rig but have realized I need to replace the Layla and that,=
 for
reasons having to do with ease of pulling it out of the studio where it wil=
l
usually live, the audio interface should NOT be mounted in the rack with ot=
her
stuff.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&nbsp;The new audio interface will be fed:<o:p></o:p></span>=
</p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>Electric Guitar signal from a floorboard with a few effect p=
edals
and a Framptone switcher that send signal to a guitar amp, bypassing comput=
er,
and to the audio interface<o:p></o:p></span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>Output from a Grace microphone pre-amp to which is connected=
 an
AKG mic that picks up flute and miscellaneous percussion<o:p></o:p></span><=
/p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>&nbsp;Two Belkat contact pickups, running through a stereo &=
frac14;&#8221;
cable to a TRS, that need to be serious pre-amped.&nbsp; These are attached=
 to
a variety of things &#8211; classical guitar body for percussive thwacking,
rubbing and the like, and various homemade noisies.&nbsp; They sound great
through the Grace, so maybe switching the AKG mic to a pre-amp on the audio
interface would be best.<o:p></o:p></span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>Mono Output from an Echoplex <i>(for anyone curious about th=
is, I
am at this point using the Echoplex as a failsafe for when the computer cra=
shes&#8230;
I have a MIDI box that takes FCB output and sends it to both Mobius and E&#=
8217;plex;
the assignments are mostly the same so the E&#8217;plex mostly replicates w=
hat
I&#8217;m doing with Mobius, though of course it is not 1:1&#8230; makes fo=
r
some interesting &#8220;emergency modulations&#8221;. Obviously there are m=
ore
inventive things one could do with this, I just have not gotten around to i=
t.)</i>
<o:p></o:p></span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>Stereo output from future purchase analog synth<o:p></o:p></=
span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-.25in;mso-list:l0 level1 =
lfo1'><![if !supportLists]><span
style=3D'font-size:11.0pt;font-family:Symbol;color:#1F497D'><span
style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "Times New Roma=
n"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-size:11.0pt;font-family:=
"Calibri","sans-serif";
color:#1F497D'>SPDIF from the Fireface 800 that is my studio audio engine<o=
:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>The audio interface will send mono to the echoplex, stereo t=
o a
pair of powered speakers, and SPDIF to the F&#8217;face 800. Being able to =
send
a separate mix to, say, a drummer across the stage would be nice too.<o:p><=
/o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Small and lightweight is good too.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>There are obviously a lot of &nbsp;interfaces for more than =
$400
that would fit the bill&#8230;. how about another Fireface?... but I want t=
o
keep the cost down below 400, and it looks like that should not be hard to =
do. The
Focusrite Saffire Pro 24 DSP seems to fit the bill, for instance.<o:p></o:p=
></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Any input on this would be much appreciated.<o:p></o:p></spa=
n></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<p class=3DMsoNormal><i><span style=3D'font-size:11.0pt;font-family:"Palati=
no Linotype","serif";
color:#1F497D'>Hal <o:p></o:p></span></i></p>

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	 <86FEE8BCF5652949A08D1EB0545EB42404A0208F1E@WCU-EX-EMP1-MB.PASSHE.LCL>
Date: Thu, 4 Feb 2010 16:29:31 +0100
Message-ID: <66f9cc1e1002040729u65da771at64d988bec3b6ddaa@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Per Boysen <perboysen@gmail.com>
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Why not using the FF800 with pre mixing?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Feb 4, 2010 at 4:21 PM, Dean, Hal <HDean@wcupa.edu> wrote:
> Hi folks, I=E2=80=99m hoping a few of you can share your thoughts about w=
hat to buy
> to replace my Layla PCIcardbus audio interface, which just can=E2=80=99t =
keep up
> with what I=E2=80=99m doing now. It=E2=80=99s gain structure is inadequat=
e and it is choking
> when I get a lot of stuff happening all at once in the computer. And yes,=
 I
> do realize that every audio interface has its limits. Perhaps the problem
> with the Layla is that the drivers have not been updated for years. It wa=
s
> great for a long time but time to move on.
>
>
>
> I have a laptop setup with Mobius running in Bidule, with a bunch of VST
> effects and VST instruments. I=E2=80=99ve been slowly putting together a =
live rig
> but have realized I need to replace the Layla and that, for reasons havin=
g
> to do with ease of pulling it out of the studio where it will usually liv=
e,
> the audio interface should NOT be mounted in the rack with other stuff.
>
>
>
> =C2=A0The new audio interface will be fed:
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Electric Guitar si=
gnal from a floorboard with a few effect pedals
> and a Framptone switcher that send signal to a guitar amp, bypassing
> computer, and to the audio interface
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Output from a Grac=
e microphone pre-amp to which is connected an
> AKG mic that picks up flute and miscellaneous percussion
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 =C2=A0Two Belkat c=
ontact pickups, running through a stereo =C2=BC=E2=80=9D cable to
> a TRS, that need to be serious pre-amped.=C2=A0 These are attached to a v=
ariety
> of things =E2=80=93 classical guitar body for percussive thwacking, rubbi=
ng and the
> like, and various homemade noisies.=C2=A0 They sound great through the Gr=
ace, so
> maybe switching the AKG mic to a pre-amp on the audio interface would be
> best.
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Mono Output from a=
n Echoplex (for anyone curious about this, I am
> at this point using the Echoplex as a failsafe for when the computer
> crashes=E2=80=A6 I have a MIDI box that takes FCB output and sends it to =
both Mobius
> and E=E2=80=99plex; the assignments are mostly the same so the E=E2=80=99=
plex mostly
> replicates what I=E2=80=99m doing with Mobius, though of course it is not=
 1:1=E2=80=A6 makes
> for some interesting =E2=80=9Cemergency modulations=E2=80=9D. Obviously t=
here are more
> inventive things one could do with this, I just have not gotten around to
> it.)
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Stereo output from=
 future purchase analog synth
>
> =C2=B7=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 SPDIF from the Fir=
eface 800 that is my studio audio engine
>
>
>
> The audio interface will send mono to the echoplex, stereo to a pair of
> powered speakers, and SPDIF to the F=E2=80=99face 800. Being able to send=
 a separate
> mix to, say, a drummer across the stage would be nice too.
>
>
>
> Small and lightweight is good too.
>
>
>
> There are obviously a lot of =C2=A0interfaces for more than $400 that wou=
ld fit
> the bill=E2=80=A6. how about another Fireface?... but I want to keep the =
cost down
> below 400, and it looks like that should not be hard to do. The Focusrite
> Saffire Pro 24 DSP seems to fit the bill, for instance.
>
>
>
> Any input on this would be much appreciated.
>
>
>
> Hal

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Date: Thu, 4 Feb 2010 16:35:29 +0100
Message-ID: <e89a49d31002040735v4dc870b3v752abac253875a42@mail.gmail.com>
Subject: Re: 2 new tracks (free downloads)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Feb 4, 2010 at 1:10 AM, Stephen Goodman
<spgoodman@earthlight.net> wrote:
> Very nice.=A0 And a very fast server!

Thanks Stephen. My site should be fast since it's hosted by a
professional company with a good reputation. So it's good to hear it
actually IS fast :)
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 15:48:36 2010
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Date: Thu, 4 Feb 2010 09:48:34 -0600
Message-ID: <216330f31002040748g67d084c6n62108e2a55de14af@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Oldfolks Home Music <oldfolkshomemusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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MOTU makes really great cards with a good chunck of DSP and decent
pres.  I believe the Motu Ultra Lite might be best. I can't remember
how much it is, but it has 2 mic/line inputs, 6 TRS ins and 8 outs.
Look into it, I think it was ADAT in and out too.  I have a Saphire
Pro 40 and it works well, but isn't very portable.

On 2/4/10, Per Boysen <perboysen@gmail.com> wrote:
> Why not using the FF800 with pre mixing?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Feb 4, 2010 at 4:21 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>> Hi folks, I=92m hoping a few of you can share your thoughts about what t=
o
>> buy
>> to replace my Layla PCIcardbus audio interface, which just can=92t keep =
up
>> with what I=92m doing now. It=92s gain structure is inadequate and it is
>> choking
>> when I get a lot of stuff happening all at once in the computer. And yes=
,
>> I
>> do realize that every audio interface has its limits. Perhaps the proble=
m
>> with the Layla is that the drivers have not been updated for years. It w=
as
>> great for a long time but time to move on.
>>
>>
>>
>> I have a laptop setup with Mobius running in Bidule, with a bunch of VST
>> effects and VST instruments. I=92ve been slowly putting together a live =
rig
>> but have realized I need to replace the Layla and that, for reasons havi=
ng
>> to do with ease of pulling it out of the studio where it will usually
>> live,
>> the audio interface should NOT be mounted in the rack with other stuff.
>>
>>
>>
>> =A0The new audio interface will be fed:
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Electric Guitar signal from a floorboard wit=
h a few effect
>> pedals
>> and a Framptone switcher that send signal to a guitar amp, bypassing
>> computer, and to the audio interface
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Output from a Grace microphone pre-amp to wh=
ich is connected an
>> AKG mic that picks up flute and miscellaneous percussion
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 =A0Two Belkat contact pickups, running throu=
gh a stereo =BC=94 cable
>> to
>> a TRS, that need to be serious pre-amped.=A0 These are attached to a var=
iety
>> of things =96 classical guitar body for percussive thwacking, rubbing an=
d
>> the
>> like, and various homemade noisies.=A0 They sound great through the Grac=
e,
>> so
>> maybe switching the AKG mic to a pre-amp on the audio interface would be
>> best.
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Mono Output from an Echoplex (for anyone cur=
ious about this, I
>> am
>> at this point using the Echoplex as a failsafe for when the computer
>> crashes=85 I have a MIDI box that takes FCB output and sends it to both
>> Mobius
>> and E=92plex; the assignments are mostly the same so the E=92plex mostly
>> replicates what I=92m doing with Mobius, though of course it is not 1:1=
=85
>> makes
>> for some interesting =93emergency modulations=94. Obviously there are mo=
re
>> inventive things one could do with this, I just have not gotten around t=
o
>> it.)
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Stereo output from future purchase analog sy=
nth
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 SPDIF from the Fireface 800 that is my studi=
o audio engine
>>
>>
>>
>> The audio interface will send mono to the echoplex, stereo to a pair of
>> powered speakers, and SPDIF to the F=92face 800. Being able to send a
>> separate
>> mix to, say, a drummer across the stage would be nice too.
>>
>>
>>
>> Small and lightweight is good too.
>>
>>
>>
>> There are obviously a lot of =A0interfaces for more than $400 that would=
 fit
>> the bill=85. how about another Fireface?... but I want to keep the cost =
down
>> below 400, and it looks like that should not be hard to do. The Focusrit=
e
>> Saffire Pro 24 DSP seems to fit the bill, for instance.
>>
>>
>>
>> Any input on this would be much appreciated.
>>
>>
>>
>> Hal
>
>

--=20
Sent from my mobile device

Ricardo Lopez-Aguilar
Oldfolks Home / Solomon Records Music
http://www.myspace.com/oldfolkshomemusic
http://www.sonicbids.com/oldfolkshome

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 15:56:45 2010
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Date: Thu, 4 Feb 2010 17:56:43 +0200
Message-ID: <3f8d9ee61002040756k3c6a49adg3904029f80f84869@mail.gmail.com>
Subject: Re: airlines regulations - no instruments on board?
From: Milo <milo.vuc@gmail.com>
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For long trips the best way to transfer instruments and gear is to use
a freight company. They will take your flight cases, load them on a
pallet with other people's cases and stuff, put the pallets on a cargo
plane and ship to the destination. .

You then take the regular passenger plane and when you get to the
destination you go to the freight company's office (or to their local
partner's office) and collect your flight cases. The same can be done
on your way back or with any in between stops, you just have to
arrange this with the company before you start the trip/tour.

This way, your instruments and gear are 100% insured for their value
(whatever happens to them you get the amount that you agreed with the
company), they are transported by professionals who know how to
actually load cargo on a plane (no more guitars destroyed because the
$#@$$@ luggage driver left them on the tarmac) and they are not
exposed to thieves and criminals, because the cargo area is completely
isolated from the passenger area and it is treated as top security by
the airport authorities.

Also, when your gear has a cargo status, it is not exposed to the
incompetent security personnel that you usually meet during check-in.
No more stupid questions, no more "what does this thing do? please
turn it on to see if it's a bomb", no more gear stolen by security
personnel that knows how much a Peterson tuner costs. Only the most
experienced and well trained are allowed to work in air cargo areas
and they are under the 24/7/365 watch of cctv cameras. They like their
job, they treat it with the same respect a musician treats his studio
sessions.

There is a reason why drug and gun dealers and terrorists avoid using
cargo services. They know they will get caught before the pallet even
gets out of the cargo room...

On 12/28/09, Erdem Helvacioglu <erdemhel@tnn.net> wrote:
> hi,
>
> i have read in the news that there are some new regulations regarding the
> airlines security for planes travelling to, from and in usa. the news says
> that the passengers are not allowed to take anything on board. well does
> that mean that we are not allowed to take our instruments and laptops on
> board? do you have any news about that? i will be in usa for various
> productions in june-july2010. and this got me a little worried.
>
> thanks and best. wish everyone the best in 2010.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes
>
>
>
>

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Subject: Re: Self-Promotion, Ambient Music and Radio
Date: Thu, 4 Feb 2010 16:27:55 +0000
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Have you thought approaching the blogging community - a google blogs  
search should bring up relevant blogs or maybe use the hype machine  
to find blogs that write about similar artists.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Feb 2010, at 14:43, Milo wrote:

> If your goal is "to help drive on-line sales from suitable exposure",
> then you will need something more advanced and serious than a free
> MySpace page. Web hosting is very cheap these days, there is no reason
> why you shouldn't base your operations on a nice .com website.
>
> It is more probable that a dj/producer will mention your .com website
> on air than your MySpace page. For some radio networks, there is also
> other less glamorous things involved, living under the table. Not all
> media companies like to promote MySpace from their shows. A .com
> website belongs to the artist, so there is no business conflict
> involved.
>
> On 1/14/10, david kirkdorffer <unstrungone@yahoo.com> wrote:
>> Hello -
>>
>> I am trying to promote a new "ambient" CD I've just released.  And  
>> of course
>> it's a struggle to find suitable radio stations to send promo copies.
>>
>> With readers from all around the world, I was wondering if I could  
>> tap into
>> the collective knowledge-base of Loopers-Delight.
>>
>> Do you have suggestions as to suitable radio stations / DJ's  
>> (online or
>> broadcast) who welcome and play Ambient music?  Example of the  
>> music can be
>> heard here: http://www.myspace.com/undomusic - in particular the  
>> tracks
>> "9.9.99" and "Home".   My ultimate goal is to help drive on-line  
>> sales from
>> suitable exposure.
>>
>> Thank you in advance for your help!  I very much appreciate it!
>>
>> Kind regards,
>>
>> David
>>
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Have you thought approaching the blogging community - a google blogs =
search should bring up relevant blogs or maybe use the hype machine to =
find blogs that write about similar artists.<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Feb 2010, =
at 14:43, Milo wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">If your goal is "to help drive on-line sales from =
suitable exposure",</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">then you will need =
something more advanced and serious than a free</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">MySpace page. Web hosting is very cheap these days, =
there is no reason</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">why you shouldn't base your =
operations on a nice .com website.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">It is more probable that a =
dj/producer will mention your .com website</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">on air =
than your MySpace page. For some radio networks, there is also</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">other less glamorous things involved, living under =
the table. Not all</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">media companies like to =
promote MySpace from their shows. A .com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">website =
belongs to the artist, so there is no business conflict</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">involved.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On 1/14/10, david kirkdorffer =
&lt;<a href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>&gt;=
 wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hello =
-</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I am trying to promote a new "ambient" CD I've just =
released.<span class=3D"Apple-converted-space">&nbsp; </span>And of =
course</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">it's a struggle to find suitable =
radio stations to send promo copies.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">With readers from all around the =
world, I was wondering if I could tap into</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the =
collective knowledge-base of Loopers-Delight.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Do you =
have suggestions as to suitable radio stations / DJ's (online =
or</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">broadcast) who welcome and play Ambient =
music?<span class=3D"Apple-converted-space">&nbsp; </span>Example of the =
music can be</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">heard here: <a =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic=
</a> - in particular the tracks</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"9.9.99" and =
"Home". <span class=3D"Apple-converted-space">&nbsp; </span>My ultimate =
goal is to help drive on-line sales from</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">suitable =
exposure.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thank you in advance for your help!<span =
class=3D"Apple-converted-space">&nbsp; </span>I very much appreciate =
it!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Kind regards,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">David</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-101--769133468--

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 16:50:52 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: recording in 32 bit - interface and plugins
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Hi Rune, 
don't know exactly what you mean by "Choosing 32 bit in...",
but here's some info that might keep you going.

I never heard of any audio software that calculates at 24 bit, but
often audio is stored at 16bit between calculations.


So you'll have to excuse me for considering your 2 alternatives as
16bit and 32bit...if you  have a 24bit option then the theory
is the same, but there's much less sonic difference. 

Also, you can put my info together with Pers for a big picture ;-)

I can tell you that plugins will calculate using 32bit floating
point, unless they either provide a 64bit option, or if they for
some reason run internally at 16bit fixed point to save your processor power.

OK, so you record your files at 24bit, rather than 16bit...can you hear the difference?
Possibly you might if the recording was at low level...or you have
a top notch monitoring system and know what to listen for.


Actually, when you record into Ableton, I expect it straight away
represents your 24bit input as 32bit. (unless it's set to record in 16bit).

Now, you process your 32bit audio in 32bit, keeping it in 32bit.
After each process the audio is kept at 32bit.

The likely alternative that Ableton is offering (and remember I 
don't know Ableton that well) is to make your recording in 16bit,
and store it as 16bit between processes.
Then, the more processing you do, the more quality you'll
lose.


So...stay at 32bit as long as you can.

The only other relevant point is that 32bit audio files 
have options(on save) to use a 24bit representation.
(saves filesize). If you want to spend a lot of time tweaking the
sound of your file, to the extent that you save it to do more
work later, there's an advantage to making sure you saved as actual
32bit. 
...however, I'm not going to claim I could hear the difference.


So, probably your *answer* is..

Stay at 32bit, because audio software doesn't give a 24bit option.


andy butler





rune fagereng wrote:
> Hi!
> 
> I have one question. I read about recording and bits. Some books and 
> dvds, recommand the use of 32 bit. This avoid clipping and is suppose to 
> sound better then 24 bit. And its good choice because many softwares 
> uses this as internal architecture (Izhaki, Tischmeyer). I uses Ableton, 
> Motu Traveller, and Oxford plugins.  
> 
> Whats the relation between the interface, software and bits? Is there 
> any point of me choosing 32 bit in my Abelton software, if my Motu 
> interface preamps is 24 bit? 
> 
> What about my plugins (Oxford), I think this are made for working in 24 
> bit, can I use 32 bit in Ableons preference? 
> 
> Does anyone know whats Abletons internal working architecture? 
> 
> Best regards 
> Rune Fagereng, Norway  
> 
> 
> __________________________________________________
> Bruker du Yahoo!?
> Lei av spam? Yahoo! Mail har den beste spambeskyttelsen
> http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 16:53:11 2010
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	<Loopers-Delight@loopers-delight.com>
Date: Thu, 4 Feb 2010 11:50:43 -0500
Subject: RE: Firewire interface recommendations
Thread-Topic: Firewire interface recommendations
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Per, you are right of course that the FF 800 would be perfect - in fact, fo=
r awhile I had it in the mobile rack. But now I have the Fireface in a rack=
, fully integrated into the studio, and it is a royal pain to pull it out a=
nd incorporate into the mobile rig. I also use a DAW with the Fireface runn=
ing Cubase or Live, while looping in studio is done with a synced laptop. T=
hat works splendidly with the Layla, aside from the issues originally repor=
ted.

I left out two things in the original bill of requirements - MIDI, for the =
purpose of syncing, and another input for the Trace acoustic through which =
I run my classical guitar.  The Focusrite actually falls short in the input=
 department, I have realized, but I could forego the "future analog synth" =
inputs, and make a requirement for that be digital outputs.

As for MOTU, I have to say that I got a bad taste in my mouth about them wh=
en I had an 828 for about 2 weeks and it was a monstrous pain with poor sou=
nd. I returned it to Sweetwater and got the Layla. At the time there was a =
lot of chatter online about pros and cons of the 828.  All that said, I wil=
l indeed look into the Ultra Lite, sonce MOTU get high marks usually, and t=
his is years later with a different computer.

This feedback is appreciated!=20

Hal=20

-----Original Message-----
From: Oldfolks Home Music [mailto:oldfolkshomemusic@gmail.com]=20
Sent: Thursday, February 04, 2010 10:49 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire interface recommendations

MOTU makes really great cards with a good chunck of DSP and decent
pres.  I believe the Motu Ultra Lite might be best. I can't remember
how much it is, but it has 2 mic/line inputs, 6 TRS ins and 8 outs.
Look into it, I think it was ADAT in and out too.  I have a Saphire
Pro 40 and it works well, but isn't very portable.

On 2/4/10, Per Boysen <perboysen@gmail.com> wrote:
> Why not using the FF800 with pre mixing?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Feb 4, 2010 at 4:21 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>> Hi folks, I'm hoping a few of you can share your thoughts about what to
>> buy
>> to replace my Layla PCIcardbus audio interface, which just can't keep up
>> with what I'm doing now. It's gain structure is inadequate and it is
>> choking
>> when I get a lot of stuff happening all at once in the computer. And yes=
,
>> I
>> do realize that every audio interface has its limits. Perhaps the proble=
m
>> with the Layla is that the drivers have not been updated for years. It w=
as
>> great for a long time but time to move on.
>>
>>
>>
>> I have a laptop setup with Mobius running in Bidule, with a bunch of VST
>> effects and VST instruments. I've been slowly putting together a live ri=
g
>> but have realized I need to replace the Layla and that, for reasons havi=
ng
>> to do with ease of pulling it out of the studio where it will usually
>> live,
>> the audio interface should NOT be mounted in the rack with other stuff.
>>
>>
>>
>> =A0The new audio interface will be fed:
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Electric Guitar signal from a floorboard wit=
h a few effect
>> pedals
>> and a Framptone switcher that send signal to a guitar amp, bypassing
>> computer, and to the audio interface
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Output from a Grace microphone pre-amp to wh=
ich is connected an
>> AKG mic that picks up flute and miscellaneous percussion
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 =A0Two Belkat contact pickups, running throu=
gh a stereo =BC" cable
>> to
>> a TRS, that need to be serious pre-amped.=A0 These are attached to a var=
iety
>> of things - classical guitar body for percussive thwacking, rubbing and
>> the
>> like, and various homemade noisies.=A0 They sound great through the Grac=
e,
>> so
>> maybe switching the AKG mic to a pre-amp on the audio interface would be
>> best.
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Mono Output from an Echoplex (for anyone cur=
ious about this, I
>> am
>> at this point using the Echoplex as a failsafe for when the computer
>> crashes. I have a MIDI box that takes FCB output and sends it to both
>> Mobius
>> and E'plex; the assignments are mostly the same so the E'plex mostly
>> replicates what I'm doing with Mobius, though of course it is not 1:1.
>> makes
>> for some interesting "emergency modulations". Obviously there are more
>> inventive things one could do with this, I just have not gotten around t=
o
>> it.)
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 Stereo output from future purchase analog sy=
nth
>>
>> =B7=A0=A0=A0=A0=A0=A0=A0=A0 SPDIF from the Fireface 800 that is my studi=
o audio engine
>>
>>
>>
>> The audio interface will send mono to the echoplex, stereo to a pair of
>> powered speakers, and SPDIF to the F'face 800. Being able to send a
>> separate
>> mix to, say, a drummer across the stage would be nice too.
>>
>>
>>
>> Small and lightweight is good too.
>>
>>
>>
>> There are obviously a lot of =A0interfaces for more than $400 that would=
 fit
>> the bill.. how about another Fireface?... but I want to keep the cost do=
wn
>> below 400, and it looks like that should not be hard to do. The Focusrit=
e
>> Saffire Pro 24 DSP seems to fit the bill, for instance.
>>
>>
>>
>> Any input on this would be much appreciated.
>>
>>
>>
>> Hal
>
>

--=20
Sent from my mobile device

Ricardo Lopez-Aguilar
Oldfolks Home / Solomon Records Music
http://www.myspace.com/oldfolkshomemusic
http://www.sonicbids.com/oldfolkshome

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 16:55:45 2010
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Date: Thu, 04 Feb 2010 08:46:13 -0800
Subject: Re: 64 bit Logic 9/Mainstage testers sought
From: Matt Pogue <mjpogue@csulb.edu>
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Thread-Topic: 64 bit Logic 9/Mainstage testers sought
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I'm running Logic 9 with Snow Leopard 64-bit, and am just getting into
Mainstage 2.  I am unfamiliar with your product, but I'd be willing to
participate.  What are your requirements?

Currently I'm using Logic/Mainstage to control my Echoplex Digital Pro.

Best,
-Matt



On this day of the year of our Lord 2/4/10 12:59 AM, the very honorable "Os"
<os@collective.co.uk> sent this tasty morsel whilst trifling:

> Hi,
> 
> I have a 64 bit AU build of Augustus Loop pretty much ready for
> release, and am looking for a couple of beta testers. Let me know if
> you can help.
> 
> 
> cheers,
> os.

-- 
Matthew J. Pogue
Music Resource Center
Bob Cole Conservatory of Music
California State University, Long Beach
1250 Bellflower Blvd.
Long Beach, CA 90840-7101
562.985.7107 voice
562.985.2490 fax
http://www.csulb.edu/music


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	 <86FEE8BCF5652949A08D1EB0545EB42404A02091B2@WCU-EX-EMP1-MB.PASSHE.LCL>
Date: Thu, 4 Feb 2010 18:45:34 +0100
Message-ID: <e89a49d31002040945h52ab7481j96663afcdbe30e39@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
> As for MOTU, I have to say that I got a bad taste in my mouth about them =
when I had an 828 for about 2 weeks and it was a monstrous pain with poor s=
ound. I returned it to Sweetwater
> and got the Layla. At the time there was a lot of chatter online about pr=
os and cons of the 828. =A0All that said, I will indeed look into the Ultra=
 Lite, sonce MOTU get high marks usually, and
> this is years later with a different computer.

Hal,
I choose the Motu Ultralight because of its portability and the rich
feature set. I have used it for more than a year now with Logic 9 and
Mainstage 2. It's very stable, no hickups. Regarding its sound, really
good I would say considering the concept of the Ultralite.
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 18:16:19 2010
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Date: Thu, 04 Feb 2010 19:16:20 +0100
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Subject: Re: recording in 32 bit - interface and plugins
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rune fagereng schrieb:
> Hi!
>
> I have one question. I read about recording and bits. Some books and 
> dvds, recommand the use of 32 bit. This avoid clipping and is suppose 
> to sound better then 24 bit. And its good choice because many 
> softwares uses this as internal architecture (Izhaki, Tischmeyer). I 
> uses Ableton, Motu Traveller, and Oxford plugins.  
>
> Whats the relation between the interface, software and bits? Is there 
> any point of me choosing 32 bit in my Abelton software, if my Motu 
> interface preamps is 24 bit? 
>
I believe this hasn't been brought up yet, so I'll mention it myself:
The important item is that while the data you get from a (standard) A/D 
converter or from typical (non-computer) digital audio sources like CD, 
SACD, DVD, DAT etc. are integer number formats, the 32bit format used by 
most audio applications is an IEEE-754 floating point format with a 
23-bit mantissa (plus 1 bit sign for the mantissa - similar to normal 
24bit audio) and 8 bit for the exponent (including sign). 
(http://en.wikipedia.org/wiki/IEEE_754)

(Short excursion about exponential float numbers):
Basically, there's two ways to write a number, with and without exponent 
(I stick with float examples here, because it makes the discussion simpler).
With exponent, you first normalize the number, so it only has one digit 
left of the comma, and then compensate for that by multiplying with the 
base to the power of the number of positions you've shifted your number 
while normalizing. Practical example: let's say we're using normal 
(decimal) numbers and we'd like to write 103525,33 - that would be:

Step one: move the comma until it's just right to the leftmost non-zero 
number and keep track of how many places you've shifted it:
1,0352533 (shifted by five steps to the left)
Step two: your exponent is equal to the number of steps you've shifted, 
and positive for shifts to the left and negative for shifts to the right 
(and zero for no shift at all).
1,0352533EXP5 is your number.

(note that that notation does mean 1,0352533*10^5, NOT 1,0352533^5).

This gets really interesting if you only have a limited number of digits 
available for storing your numbers - like with computers. So with 32bit 
(integer) you can go from -2*2^31 to 2 *2^31 or roughly -2*10^9 to 
2*10^9. However, the smallest nonzero absolute value is 1. With IEEE754 
notation, you'd go from -2*2^(2^7) to 2*2^(2^7), which is (-)2*2^127 or 
roughly 2*10^38. Conversely, the smallest nonzero absolute value is 
something in the 10^-38 region, so indeed extremely small.

So, while 32bit integer gives you a dynamic range of roughly 192dB, 
32bit float gives you a range of 1530dB (which is awfully huge).
There's another important item: with an integer format, the precision is 
dependent on the actual maximum value you're using. That means, that 
with a 24bit signal, if (for some reason) you recorded with a headroom 
of 42dB in a specific passage of the music, then the effective bit depth 
is only 17bit, while with the 32bit float format, it's still the whole 
mantissa of 24bit.

Ok, back to the question of interest:
There is no practical application to use more than 24bit (integer) for 
an audio signal which is e.g. recorded somehow from the analog world and 
going into your computer, for two reasons: reason one is that the 
dynamic range and SNR of high-end (not-individually lab-tuned) analog 
gear is below the ~144dB of 24bit data format. The second one is that 
the dynamic range of the human ear is below that, too.
There are however reasons why an application (like Ableton, or Cubase, 
or whatever) would use 32bit float internally, and that has to do with 
the gain structure of your DAW. Let's say you're doing a mix where you 
have numerous tracks set to levels between -24 and -6dB, then send it to 
the 2bus, on which you place a limiter set closely to 0dB (e.g. -0.5dB). 
Now if you used a 24bit int format for that, two things would happen. 
First, of the channel turned down to -24dB, 4bits would get "lost" as 
resolution. Second, everything going above the limiter threshold would 
internally clip (because, in int format, unlike the float format, 
there's no sample value above 0dBFS).

There's another thing, and that refers mostly to processing, especially 
filters and convolution reverbs: while their output signal will of 
course be in a "proper" range sonically, some internal signals used for 
the calculation of the effects algorithm may reach some extremely low or 
high values, and there may be very low or high gains applied. To avoid 
that leading to clipping, quality loss and/or accumulation of rounding 
errors, 32bit float is the way to go.

(In a similar discussion on the Möbius forum, I was pointed to 
applications using a 64bit float format throughoutly. I can't find any 
reason to do that for a host application. This may however make sense 
for specific processing plugins (see above)).

So what could you make of it?

You best not change the way the application processes audio internally 
(if you're even able to do that, that is). As for files you're recording 
to, the only reason I could think of is if you work on a project that's 
going to a 24bit destination, doing a final mix and don't want to check 
levels before you render the file that's going to mastering. Or if 
you're working on a project that's using 32bit float entirely (meaning 
your clients demand that).

Yours,

             Rainer

ps: And, as someone said, this doesn't have anything to do with your OS 
and your application being 64bit native code.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From sgtadambill@msn.com  Thu Feb  4 19:01:46 2010
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From: "SgtAdam Bill"<sgtadambill@msn.com>
Subject: From Sgt.Adam Bill
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<FONT size=2 color=#000000 face="Arial">
<DIV>
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<DIV>
United States Marine Corps. IRAQ </DIV>
</FONT>
</BODY></HTML>

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Subject: Re: OT Which Desert Island Stomp Box
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Hmm..I didn't see the post I made from my phone on here.
Sorry if it's a repeat - I had a lot of LD mail to sort through.
One of my fav classics is the Boss DS-1 (the orange one).
There is just something about that pedal that gives just the right
punch.  It's a classic distortion sound IMHO. Lots of bite and
right on cue in combo w/ a tube amp.

AndyG

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 19:15:38 2010
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Date: Thu, 4 Feb 2010 14:15:36 -0500
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Subject: Re: videos and music and music sales
From: Loaf citious <loafcitious@gmail.com>
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" There are lots of companies that make
millions online by exploiting the failures of promotion."

Milo,
could you give some examples of this? I don't think I'm grasping the
big picture here..

tx,
AndyG

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 19:38:42 2010
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Subject: Re: airlines regulations - no instruments on board?
Date: Thu, 4 Feb 2010 11:04:19 -0800
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in rasputina we used a company called soundmoves...but it was pretty  
darn expensive.

...and stressful...once they left our cellos (in flight cases) on the  
tarmac in LAX...then lost them for 2 days. meanwhile we had to  
scrounge up rental cellos.

we never used them for anything except amps after that.

On Feb 4, 2010, at 7:56 AM, Milo wrote:

> For long trips the best way to transfer instruments and gear is to use
> a freight company. They will take your flight cases, load them on a
> pallet with other people's cases and stuff, put the pallets on a cargo
> plane and ship to the destination. .
>
> You then take the regular passenger plane and when you get to the
> destination you go to the freight company's office (or to their local
> partner's office) and collect your flight cases. The same can be done
> on your way back or with any in between stops, you just have to
> arrange this with the company before you start the trip/tour.
>
> This way, your instruments and gear are 100% insured for their value
> (whatever happens to them you get the amount that you agreed with the
> company), they are transported by professionals who know how to
> actually load cargo on a plane (no more guitars destroyed because the
> $#@$$@ luggage driver left them on the tarmac) and they are not
> exposed to thieves and criminals, because the cargo area is completely
> isolated from the passenger area and it is treated as top security by
> the airport authorities.
>
> Also, when your gear has a cargo status, it is not exposed to the
> incompetent security personnel that you usually meet during check-in.
> No more stupid questions, no more "what does this thing do? please
> turn it on to see if it's a bomb", no more gear stolen by security
> personnel that knows how much a Peterson tuner costs. Only the most
> experienced and well trained are allowed to work in air cargo areas
> and they are under the 24/7/365 watch of cctv cameras. They like their
> job, they treat it with the same respect a musician treats his studio
> sessions.
>
> There is a reason why drug and gun dealers and terrorists avoid using
> cargo services. They know they will get caught before the pallet even
> gets out of the cargo room...
>
> On 12/28/09, Erdem Helvacioglu <erdemhel@tnn.net> wrote:
>> hi,
>>
>> i have read in the news that there are some new regulations  
>> regarding the
>> airlines security for planes travelling to, from and in usa. the  
>> news says
>> that the passengers are not allowed to take anything on board. well  
>> does
>> that mean that we are not allowed to take our instruments and  
>> laptops on
>> board? do you have any news about that? i will be in usa for various
>> productions in june-july2010. and this got me a little worried.
>>
>> thanks and best. wish everyone the best in 2010.
>>
>> Erdem Helvacioglu
>> www.erdemhelvacioglu.com
>> www.myspace.com/erdemhelvacioglu
>> * * * * * * * * * * * * * * * * * * * *
>> "Wounded Breath" album is out now on Aucourant Records:
>> www.aucourantrecords.com
>>
>> "wounded breath album will open you up to new experiences and
>> allow you to explore worlds previously closed to you."
>> Blogcritics, Richard Marcus
>>
>> "wounded breath is an outstanding acousmatic record, period."
>> Massimo Ricci, touching extremes
>>
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 19:47:25 2010
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Date: Thu, 4 Feb 2010 14:44:56 -0500
Subject: RE: Firewire interface recommendations
Thread-Topic: Firewire interface recommendations
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Sjaak,

Thanks for the endorsement of the MOTU UL. I'm going to keep it in mind, bu=
t it turns out the UL is discontinued. I'm trawling at ebay and have an eye=
 out for one there.

I've been looking at what Echo offers now. Lots of positive comments about =
the AudioFire, and the AudioFire 8 looks to be available in my price range,=
 albeit at the top end. I've always felt good about Echo. Th eTC Konnekt24 =
gets a look too.

Hal Dean
Project Manager
Facilities Design and Construction
West Chester University
610-436-2519


-----Original Message-----
From: Sjaak Overgaauw [mailto:tcplugin@gmail.com]=20
Sent: Thursday, February 04, 2010 12:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire interface recommendations

On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
> As for MOTU, I have to say that I got a bad taste in my mouth about them =
when I had an 828 for about 2 weeks and it was a monstrous pain with poor s=
ound. I returned it to Sweetwater
> and got the Layla. At the time there was a lot of chatter online about pr=
os and cons of the 828. =A0All that said, I will indeed look into the Ultra=
 Lite, sonce MOTU get high marks usually, and
> this is years later with a different computer.

Hal,
I choose the Motu Ultralight because of its portability and the rich
feature set. I have used it for more than a year now with Logic 9 and
Mainstage 2. It's very stable, no hickups. Regarding its sound, really
good I would say considering the concept of the Ultralite.
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Feb  4 19:54:34 2010
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--001636c5ba992c550d047ecbb4d6
Content-Type: text/plain; charset=ISO-8859-1

In Cranes we used a company called Rock it Cargo.. Very good, but a few
funny stories,Once they delivered our stuff to us after a tour, and there
was one case (a big one, with ALL the guitars in) missing HELP... !!!  But
wait.. there was one EXTRA case too, one that wasnt ours.. So we look at the
lading document that was afixed to the side...

Sure enough it was some one elses case, they must have ours..

It was infact belonging to The Rolling Stones.

And what was in the case I hear you cry... their guitars??? No.. not
exactly..

On the document is said:

ROLLING STONES - 1(one) X 50 (FIFTY) ft inflatable honky tonk woman.

Did we worry about losing our guitars? not a jot.. we sat back and waited
for the phone call.. " Excuse me, is that the Cranes? Umm.. I wonder... do
you have our 50 foot inflatable honky tonk woman?


http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ba992c550d047ecbb4d6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

In Cranes we used a company called Rock it Cargo.. Very good, but a few fun=
ny stories,Once they delivered our stuff to us after a tour, and there was =
one case (a big one, with ALL the guitars in) missing HELP... !!!=A0 But wa=
it.. there was one EXTRA case too, one that wasnt ours.. So we look at the =
lading document that was afixed to the side... <br>

<br>Sure enough it was some one elses case, they must have ours.. <br><br>I=
t was infact belonging to The Rolling Stones.<br><br>And what was in the ca=
se I hear you cry... their guitars??? No.. not exactly..<br><br>On the docu=
ment is said:<br>

<br>ROLLING STONES - 1(one) X 50 (FIFTY) ft inflatable honky tonk woman.<br=
><br>Did we worry about losing our guitars? not a jot.. we sat back and wai=
ted for the phone call.. &quot; Excuse me, is that the Cranes? Umm.. I wond=
er... do you have our 50 foot inflatable honky tonk woman?<br>

=A0<br><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br><a href=3D"http://www.myspace.c=
om/markfrancombe" target=3D"_blank">http://www.myspace.com/markfrancombe</a=
><br>


<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5ba992c550d047ecbb4d6--

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Date: Thu, 4 Feb 2010 14:58:53 -0500
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Subject: Re: Firewire interface recommendations
From: Todd Matthews <gtmatthews@gmail.com>
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--000feaf190a0ad1923047ecbc320
Content-Type: text/plain; charset=ISO-8859-1

The ultralite is still alive. I think the reason the Ultralite might seem
discontinued is because MOTU just released the "Ultralite mk3 hybrid'. You
can connect it to the computer by firewire or usb2 now.


Todd Matthews

On Thu, Feb 4, 2010 at 2:44 PM, Dean, Hal <HDean@wcupa.edu> wrote:

> Sjaak,
>
> Thanks for the endorsement of the MOTU UL. I'm going to keep it in mind,
> but it turns out the UL is discontinued. I'm trawling at ebay and have an
> eye out for one there.
>
> I've been looking at what Echo offers now. Lots of positive comments about
> the AudioFire, and the AudioFire 8 looks to be available in my price range,
> albeit at the top end. I've always felt good about Echo. Th eTC Konnekt24
> gets a look too.
>
> Hal Dean
> Project Manager
> Facilities Design and Construction
> West Chester University
> 610-436-2519
>
>
> -----Original Message-----
> From: Sjaak Overgaauw [mailto:tcplugin@gmail.com]
> Sent: Thursday, February 04, 2010 12:46 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Firewire interface recommendations
>
> On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
> > As for MOTU, I have to say that I got a bad taste in my mouth about them
> when I had an 828 for about 2 weeks and it was a monstrous pain with poor
> sound. I returned it to Sweetwater
> > and got the Layla. At the time there was a lot of chatter online about
> pros and cons of the 828.  All that said, I will indeed look into the Ultra
> Lite, sonce MOTU get high marks usually, and
> > this is years later with a different computer.
>
> Hal,
> I choose the Motu Ultralight because of its portability and the rich
> feature set. I have used it for more than a year now with Logic 9 and
> Mainstage 2. It's very stable, no hickups. Regarding its sound, really
> good I would say considering the concept of the Ultralite.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--000feaf190a0ad1923047ecbc320
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The ultralite is still alive. I think the reason the Ultralite might seem d=
iscontinued is because MOTU just released the &quot;Ultralite mk3 hybrid&#3=
9;. You can connect it to the computer by firewire or usb2 now.<div><br>
</div><div><br></div><div>Todd Matthews<br><br><div class=3D"gmail_quote">O=
n Thu, Feb 4, 2010 at 2:44 PM, Dean, Hal <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:HDean@wcupa.edu">HDean@wcupa.edu</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc soli=
d;padding-left:1ex;">
Sjaak,<br>
<br>
Thanks for the endorsement of the MOTU UL. I&#39;m going to keep it in mind=
, but it turns out the UL is discontinued. I&#39;m trawling at ebay and hav=
e an eye out for one there.<br>
<br>
I&#39;ve been looking at what Echo offers now. Lots of positive comments ab=
out the AudioFire, and the AudioFire 8 looks to be available in my price ra=
nge, albeit at the top end. I&#39;ve always felt good about Echo. Th eTC Ko=
nnekt24 gets a look too.<br>

<font color=3D"#888888"><br>
Hal Dean<br>
Project Manager<br>
Facilities Design and Construction<br>
West Chester University<br>
610-436-2519<br>
</font><div class=3D"im"><br>
<br>
-----Original Message-----<br>
From: Sjaak Overgaauw [mailto:<a href=3D"mailto:tcplugin@gmail.com">tcplugi=
n@gmail.com</a>]<br>
Sent: Thursday, February 04, 2010 12:46 PM<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
Subject: Re: Firewire interface recommendations<br>
<br>
</div><div><div></div><div class=3D"h5">On Thu, Feb 4, 2010 at 5:50 PM, Dea=
n, Hal &lt;<a href=3D"mailto:HDean@wcupa.edu">HDean@wcupa.edu</a>&gt; wrote=
:<br>
&gt; As for MOTU, I have to say that I got a bad taste in my mouth about th=
em when I had an 828 for about 2 weeks and it was a monstrous pain with poo=
r sound. I returned it to Sweetwater<br>
&gt; and got the Layla. At the time there was a lot of chatter online about=
 pros and cons of the 828. =A0All that said, I will indeed look into the Ul=
tra Lite, sonce MOTU get high marks usually, and<br>
&gt; this is years later with a different computer.<br>
<br>
Hal,<br>
I choose the Motu Ultralight because of its portability and the rich<br>
feature set. I have used it for more than a year now with Logic 9 and<br>
Mainstage 2. It&#39;s very stable, no hickups. Regarding its sound, really<=
br>
good I would say considering the concept of the Ultralite.<br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</div></div></blockquote></div><br></div>

--000feaf190a0ad1923047ecbc320--

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	 <86FEE8BCF5652949A08D1EB0545EB42404A0209601@WCU-EX-EMP1-MB.PASSHE.LCL>
Date: Thu, 4 Feb 2010 14:05:03 -0600
Message-ID: <216330f31002041205ta70fe14p9a6fbea93aacb799@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Oldfolks Home Music <oldfolkshomemusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I had an AudioFire 8 for 3 years.  Great machine, although the pres
aren't the best.  The builtin DSP was amazing though.  In fact, if you
like I have one that, because of my firewire card, has burnt out fw
ports.  I called echo and they said it would cost around 100$ to fix.

I ended up buying the Saphire Pro 40 because it had more options and
better pres, but if you want, I'll sell or trade my AudioFire.  If you
live in the states, I'd be cheaper for you to ship it and it might
cost less to get it repaired.  If you want, its just sitting in my
studio right now.

But still, the UltraLite is a great portable solution.

On 2/4/10, Dean, Hal <HDean@wcupa.edu> wrote:
> Sjaak,
>
> Thanks for the endorsement of the MOTU UL. I'm going to keep it in mind, =
but
> it turns out the UL is discontinued. I'm trawling at ebay and have an eye
> out for one there.
>
> I've been looking at what Echo offers now. Lots of positive comments abou=
t
> the AudioFire, and the AudioFire 8 looks to be available in my price rang=
e,
> albeit at the top end. I've always felt good about Echo. Th eTC Konnekt24
> gets a look too.
>
> Hal Dean
> Project Manager
> Facilities Design and Construction
> West Chester University
> 610-436-2519
>
>
> -----Original Message-----
> From: Sjaak Overgaauw [mailto:tcplugin@gmail.com]
> Sent: Thursday, February 04, 2010 12:46 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Firewire interface recommendations
>
> On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>> As for MOTU, I have to say that I got a bad taste in my mouth about them
>> when I had an 828 for about 2 weeks and it was a monstrous pain with poo=
r
>> sound. I returned it to Sweetwater
>> and got the Layla. At the time there was a lot of chatter online about
>> pros and cons of the 828. =A0All that said, I will indeed look into the
>> Ultra Lite, sonce MOTU get high marks usually, and
>> this is years later with a different computer.
>
> Hal,
> I choose the Motu Ultralight because of its portability and the rich
> feature set. I have used it for more than a year now with Logic 9 and
> Mainstage 2. It's very stable, no hickups. Regarding its sound, really
> good I would say considering the concept of the Ultralite.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--=20
Sent from my mobile device

Ricardo Lopez-Aguilar
Oldfolks Home / Solomon Records Music
http://www.myspace.com/oldfolkshomemusic
http://www.sonicbids.com/oldfolkshome

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From: Milo <milo.vuc@gmail.com>
Date: Fri, 5 Feb 2010 02:17:46 +0200
Message-ID: <3f8d9ee61002041617q7a193089ud2ecf7106549ae0f@mail.gmail.com>
Subject: Re: videos and music and music sales
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--00163641870fb2dc2a047ecf628f
Content-Type: text/plain; charset=UTF-8

Any website that categorizes itself in the "social network" pool and uses
words like "exposure" to draw the attention of musicians.
There is no such thing as "free" in capitalism. You always pay a cost at
some point or another.

On Thu, Feb 4, 2010 at 9:15 PM, Loaf citious <loafcitious@gmail.com> wrote:

> " There are lots of companies that make
> millions online by exploiting the failures of promotion."
>
> Milo,
> could you give some examples of this? I don't think I'm grasping the
> big picture here..
>
> tx,
> AndyG
>
>

--00163641870fb2dc2a047ecf628f
Content-Type: text/html; charset=UTF-8
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Any website that categorizes itself in the &quot;social network&quot; pool =
and uses words like &quot;exposure&quot; to draw the attention of musicians=
.<br>There is no such thing as &quot;free&quot; in capitalism. You always p=
ay a cost at some point or another.<br>

<br><div class=3D"gmail_quote">On Thu, Feb 4, 2010 at 9:15 PM, Loaf citious=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:loafcitious@gmail.com">loafcitious=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">

<div class=3D"im">&quot; There are lots of companies that make<br>
millions online by exploiting the failures of promotion.&quot;<br>
<br>
</div>Milo,<br>
could you give some examples of this? I don&#39;t think I&#39;m grasping th=
e<br>
big picture here..<br>
<br>
tx,<br>
AndyG<br>
<br>
</blockquote></div><br>

--00163641870fb2dc2a047ecf628f--

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Date: Thu, 04 Feb 2010 20:15:00 -0500
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll begin a
month-long Special Focus on E=motion.  The Featured CD at Midnight will
be "Infinite Motion" on Underwater Music.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#feb

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://is.gd/37vNQ on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 02:49:47 2010
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From: richard sales <richard@glasswing.com>
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Subject: Re: Self-Promotion, Ambient Music and Radio
Date: Thu, 4 Feb 2010 18:49:44 -0800
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When I was last involved in this kind of music the big radio stations  
were Hearts Of Space and the Echoes show.

I've been outta the loop (!) for a long while so I don't know what has  
come up or disappeared since then.  Seems like nowadays NPR/Bob Boilen  
is the big fish.  Here in Canada it's CBC - and there's a few  
adventurous programmers n CBC.  Both NPR and CBC are much more  
approachable than Hot Whatever Radio.

Doesn't hurt to go for big fish.  And it can be surprising.  Really,  
what's there to lose? A few bucks postage?  A phone call or two?

Presentation helps. A LOT!

On the less grandiose scale, there's web radio, college radio... all  
kinds.

Here's what I've used in the past:

http://www.radio-locator.com/

Best bet, get it in a movie.  That's the quickest path nowadays.

None of this is impossible, although it might seem so... and some  
folks will tell you that.   But every day new artists get their music  
out there.

It just takes a lot of courage.

r

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Jan 14, 2010, at 11:19 AM, david kirkdorffer wrote:

> Hello -
>
> I am trying to promote a new "ambient" CD I've just released.  And  
> of course it's a struggle to find suitable radio stations to send  
> promo copies.
>
> With readers from all around the world, I was wondering if I could  
> tap into the collective knowledge-base of Loopers-Delight.
>
> Do you have suggestions as to suitable radio stations / DJ's (online  
> or broadcast) who welcome and play Ambient music?  Example of the  
> music can be heard here: http://www.myspace.com/undomusic - in  
> particular the tracks "9.9.99" and "Home".   My ultimate goal is to  
> help drive on-line sales from suitable exposure.
>
> Thank you in advance for your help!  I very much appreciate it!
>
> Kind regards,
>
> David
>
>


--Apple-Mail-30--731824439
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">When I was last involved in =
this kind of music the big radio stations were Hearts Of Space and the =
Echoes show. &nbsp;&nbsp;<div><br></div><div>I've been outta the loop =
(!) for a long while so I don't know what has come up or disappeared =
since then. &nbsp;Seems like nowadays NPR/Bob Boilen is the big fish. =
&nbsp;Here in Canada it's CBC - and there's a few adventurous =
programmers n CBC. &nbsp;Both NPR and CBC are much more approachable =
than Hot Whatever Radio. &nbsp;</div><div><br></div><div>Doesn't hurt to =
go for big fish. &nbsp;And it can be surprising. &nbsp;Really, what's =
there to lose? A few bucks postage? &nbsp;A phone call or =
two?</div><div><br></div><div>Presentation helps. A =
LOT!</div><div><br></div><div>On the less grandiose scale, there's web =
radio, college radio... all kinds.&nbsp;</div><div><br></div><div>Here's =
what I've used in the past:</div><div><br></div><div><a =
href=3D"http://www.radio-locator.com/">http://www.radio-locator.com/</a></=
div><div><br></div><div>Best bet, get it in a movie. &nbsp;That's the =
quickest path nowadays. &nbsp;</div><div><br></div><div>None of this is =
impossible, although it might seem so... and some folks will tell you =
that. &nbsp; But every day new artists get their music out there. =
&nbsp;</div><div><br></div><div>It just takes a lot of =
courage.&nbsp;</div><div><br></div><div>r</div><div><br><div =
apple-content-edited=3D"true"> <div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Jan 14, =
2010, at 11:19 AM, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
font-family: arial, helvetica, sans-serif; font-size: 10pt; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hello -</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I am trying to promote a new =
"ambient" CD I've just released.&nbsp; And of course it's a struggle to =
find suitable radio stations to send promo copies.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">With readers =
from all around the world, I was wondering if I could tap into the =
collective knowledge-base of Loopers-Delight.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Do you have =
suggestions as to suitable radio stations / DJ's (online or broadcast) =
who welcome and play Ambient music?&nbsp; Example of the music can be =
heard here:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic=
</a><span class=3D"Apple-converted-space">&nbsp;</span>- in particular =
the tracks "9.9.99" and "Home".&nbsp;&nbsp; My ultimate goal is to help =
drive on-line sales from suitable exposure.</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Thank you in advance for your =
help!&nbsp; I very much appreciate it!</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Kind regards,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">David</div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

--Apple-Mail-30--731824439--

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Date: Thu, 4 Feb 2010 19:17:41 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: 5 Compositional rules update, here's the student work
To: Loopers-Delight@loopers-delight.com
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Fair use or copyright violation?

Here's their first attempts with compositional guidelines from you! :-)


Classical composers here: http://margaretnoble.net/educator/copy-right-violation-volume-2/

Historical moments from the 1960's here: http://margaretnoble.net/educator/copy-right-violation-volume-1/


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt;color:#000000;">Fair use or copyright violation?<br><br>Here's their first attempts with compositional guidelines from you! :-)<br><br>
<br><span>
Classical composers here: <a target="_blank" href="http://margaretnoble.net/educator/copy-right-violation-volume-2/">http://margaretnoble.net/educator/copy-right-violation-volume-2/</a></span><br>
<br><span>
Historical moments from the 1960's here: <a target="_blank" href="http://margaretnoble.net/educator/copy-right-violation-volume-1/">http://margaretnoble.net/educator/copy-right-violation-volume-1/</a></span><div>&nbsp;<br><br><br></div><span style="font-family: arial,helvetica,sans-serif; font-weight: bold; color: rgb(67, 67, 67);"></span><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"></span><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"></span></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 04:02:07 2010
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    <3f8d9ee61002040643gc59889dx22aae040cc6fc006@mail.gmail.com>
    <29ED8238-FAD1-4E72-BF64-5341118100A0@btinternet.com>
Date: Fri, 5 Feb 2010 00:02:11 -0400 (AST)
Subject: Re: Self-Promotion, Ambient Music and Radio
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Hi David,

Why not start your own blog?

I actually just started mine today.

http://barbadosguitar.com/wordpress/

I'm going to go through the process of how I create my music.
Go to the link if you want to see what motivated me to start this.

Andre

On Thu, February 4, 2010 12:27 pm, Matt Stevens wrote:
> Have you thought approaching the blogging community - a google blogs
> search should bring up relevant blogs or maybe use the hype machine
> to find blogs that write about similar artists.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Feb 2010, at 14:43, Milo wrote:
>
>> If your goal is "to help drive on-line sales from suitable exposure",
>> then you will need something more advanced and serious than a free
>> MySpace page. Web hosting is very cheap these days, there is no reason
>> why you shouldn't base your operations on a nice .com website.
>>
>> It is more probable that a dj/producer will mention your .com website
>> on air than your MySpace page. For some radio networks, there is also
>> other less glamorous things involved, living under the table. Not all
>> media companies like to promote MySpace from their shows. A .com
>> website belongs to the artist, so there is no business conflict
>> involved.
>>
>> On 1/14/10, david kirkdorffer <unstrungone@yahoo.com> wrote:
>>> Hello -
>>>
>>> I am trying to promote a new "ambient" CD I've just released.  And
>>> of course
>>> it's a struggle to find suitable radio stations to send promo copies.
>>>
>>> With readers from all around the world, I was wondering if I could
>>> tap into
>>> the collective knowledge-base of Loopers-Delight.
>>>
>>> Do you have suggestions as to suitable radio stations / DJ's
>>> (online or
>>> broadcast) who welcome and play Ambient music?  Example of the
>>> music can be
>>> heard here: http://www.myspace.com/undomusic - in particular the
>>> tracks
>>> "9.9.99" and "Home".   My ultimate goal is to help drive on-line
>>> sales from
>>> suitable exposure.
>>>
>>> Thank you in advance for your help!  I very much appreciate it!
>>>
>>> Kind regards,
>>>
>>> David
>>>
>>>
>>>
>>
>
>



http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 04:13:23 2010
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Date: Fri, 5 Feb 2010 00:13:27 -0400 (AST)
Subject: RE: Firewire interface recommendations
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I actually got the ultra lite last week to replace my M-Audio 410 in the
studio but also use it for some live looping with my laptop.
I was really looking forward to getting into some tight poly rhythmic
loopage.


Haven't tried the firewire yet but the usb2 makes a lot of noise and
crashes my system.

A major disappointment for me.

>From what I've found on the net the usb only works with older drivers.

I'm hoping it plays nice with the firewire.


Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Thu, February 4, 2010 12:50 pm, Dean, Hal wrote:
> Per, you are right of course that the FF 800 would be perfect - in fact,
> for awhile I had it in the mobile rack. But now I have the Fireface in a
> rack, fully integrated into the studio, and it is a royal pain to pull it
> out and incorporate into the mobile rig. I also use a DAW with the
> Fireface running Cubase or Live, while looping in studio is done with a
> synced laptop. That works splendidly with the Layla, aside from the issues
> originally reported.
>
> I left out two things in the original bill of requirements - MIDI, for the
> purpose of syncing, and another input for the Trace acoustic through which
> I run my classical guitar.  The Focusrite actually falls short in the
> input department, I have realized, but I could forego the "future analog
> synth" inputs, and make a requirement for that be digital outputs.
>
> As for MOTU, I have to say that I got a bad taste in my mouth about them
> when I had an 828 for about 2 weeks and it was a monstrous pain with poor
> sound. I returned it to Sweetwater and got the Layla. At the time there
> was a lot of chatter online about pros and cons of the 828.  All that
> said, I will indeed look into the Ultra Lite, sonce MOTU get high marks
> usually, and this is years later with a different computer.
>
> This feedback is appreciated!
>
> Hal
>
> -----Original Message-----
> From: Oldfolks Home Music [mailto:oldfolkshomemusic@gmail.com]
> Sent: Thursday, February 04, 2010 10:49 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Firewire interface recommendations
>
> MOTU makes really great cards with a good chunck of DSP and decent
> pres.  I believe the Motu Ultra Lite might be best. I can't remember
> how much it is, but it has 2 mic/line inputs, 6 TRS ins and 8 outs.
> Look into it, I think it was ADAT in and out too.  I have a Saphire
> Pro 40 and it works well, but isn't very portable.
>
> On 2/4/10, Per Boysen <perboysen@gmail.com> wrote:
>> Why not using the FF800 with pre mixing?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>
>> On Thu, Feb 4, 2010 at 4:21 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>>> Hi folks, I'm hoping a few of you can share your thoughts about what to
>>> buy
>>> to replace my Layla PCIcardbus audio interface, which just can't keep
>>> up
>>> with what I'm doing now. It's gain structure is inadequate and it is
>>> choking
>>> when I get a lot of stuff happening all at once in the computer. And
>>> yes,
>>> I
>>> do realize that every audio interface has its limits. Perhaps the
>>> problem
>>> with the Layla is that the drivers have not been updated for years. It
>>> was
>>> great for a long time but time to move on.
>>>
>>>
>>>
>>> I have a laptop setup with Mobius running in Bidule, with a bunch of
>>> VST
>>> effects and VST instruments. I've been slowly putting together a live
>>> rig
>>> but have realized I need to replace the Layla and that, for reasons
>>> having
>>> to do with ease of pulling it out of the studio where it will usually
>>> live,
>>> the audio interface should NOT be mounted in the rack with other stuff.
>>>
>>>
>>>
>>>  The new audio interface will be fed:
>>>
>>> ·         Electric Guitar signal from a floorboard with a few effect
>>> pedals
>>> and a Framptone switcher that send signal to a guitar amp, bypassing
>>> computer, and to the audio interface
>>>
>>> ·         Output from a Grace microphone pre-amp to which is connected
>>> an
>>> AKG mic that picks up flute and miscellaneous percussion
>>>
>>> ·          Two Belkat contact pickups, running through a stereo ¼"
>>> cable
>>> to
>>> a TRS, that need to be serious pre-amped.  These are attached to a
>>> variety
>>> of things - classical guitar body for percussive thwacking, rubbing and
>>> the
>>> like, and various homemade noisies.  They sound great through the
>>> Grace,
>>> so
>>> maybe switching the AKG mic to a pre-amp on the audio interface would
>>> be
>>> best.
>>>
>>> ·         Mono Output from an Echoplex (for anyone curious about this,
>>> I
>>> am
>>> at this point using the Echoplex as a failsafe for when the computer
>>> crashes. I have a MIDI box that takes FCB output and sends it to both
>>> Mobius
>>> and E'plex; the assignments are mostly the same so the E'plex mostly
>>> replicates what I'm doing with Mobius, though of course it is not 1:1.
>>> makes
>>> for some interesting "emergency modulations". Obviously there are more
>>> inventive things one could do with this, I just have not gotten around
>>> to
>>> it.)
>>>
>>> ·         Stereo output from future purchase analog synth
>>>
>>> ·         SPDIF from the Fireface 800 that is my studio audio engine
>>>
>>>
>>>
>>> The audio interface will send mono to the echoplex, stereo to a pair of
>>> powered speakers, and SPDIF to the F'face 800. Being able to send a
>>> separate
>>> mix to, say, a drummer across the stage would be nice too.
>>>
>>>
>>>
>>> Small and lightweight is good too.
>>>
>>>
>>>
>>> There are obviously a lot of  interfaces for more than $400 that would
>>> fit
>>> the bill.. how about another Fireface?... but I want to keep the cost
>>> down
>>> below 400, and it looks like that should not be hard to do. The
>>> Focusrite
>>> Saffire Pro 24 DSP seems to fit the bill, for instance.
>>>
>>>
>>>
>>> Any input on this would be much appreciated.
>>>
>>>
>>>
>>> Hal
>>
>>
>
> --
> Sent from my mobile device
>
> Ricardo Lopez-Aguilar
> Oldfolks Home / Solomon Records Music
> http://www.myspace.com/oldfolkshomemusic
> http://www.sonicbids.com/oldfolkshome
>
>





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    <86FEE8BCF5652949A08D1EB0545EB42404A02091B2@WCU-EX-EMP1-MB.PASSHE.LCL>
    <e89a49d31002040945h52ab7481j96663afcdbe30e39@mail.gmail.com>
Date: Fri, 5 Feb 2010 00:16:52 -0400 (AST)
Subject: Re: Firewire interface recommendations
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Hi Sjaak,

I was really looking forward to the ultra lite. Are you using the mk3?
If so usb or fireiwre?

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Thu, February 4, 2010 1:45 pm, Sjaak Overgaauw wrote:
> On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>> As for MOTU, I have to say that I got a bad taste in my mouth about them
>> when I had an 828 for about 2 weeks and it was a monstrous pain with
>> poor sound. I returned it to Sweetwater
>> and got the Layla. At the time there was a lot of chatter online about
>> pros and cons of the 828.  All that said, I will indeed look into the
>> Ultra Lite, sonce MOTU get high marks usually, and
>> this is years later with a different computer.
>
> Hal,
> I choose the Motu Ultralight because of its portability and the rich
> feature set. I have used it for more than a year now with Logic 9 and
> Mainstage 2. It's very stable, no hickups. Regarding its sound, really
> good I would say considering the concept of the Ultralite.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Date: Fri, 5 Feb 2010 02:18:15 +0200 (SAST)
Subject: FROM THE FEDERAL MINISTRY OF WORKS AND HOUSING FEDERAL SECRETARIAT
From: "BAR.RICHARD NZEM ESQ" <alert.gov@eze.co.za>
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FEDERAL MINISTRY OF WORKS AND HOUSING
FEDERAL
SECRETARIAT
ABUJA THE CAPITAL TERETORY
AM:BAR.RICHARD NZEM

/>DATE:4/2/2010

DEAR FRIEND

ASSISTANCE
REQUIRED FOR
ACQUISITION OF ESTATE

I AM BARRISTER RICHARD
NZEM I WRITE TO
INFORM YOU OF OUR DESIRE TO ACQUIRE ESTATES OR LANDED
PROPERTIES IN YOUR
COUNTRY ON BEHALF OF THE DIRECTOR OF CONTRACTS AND
FINANCE ALLOCATIONS OF
THE FEDERAL MINISTRY OF WORKS AND HOUSING IN
NIGERIA. CONSIDERING HIS VERY
STRATEGIC AND INFLUENTIAL POSITION, I
GOT YOU CONTACT  FROM THE INTERNET
WHEN I WAS SEARCHING FOR AN HONEST
PERSON HE WOULD WANT THE TRANSACTION TO
BE AS STRICTLY CONFIDENTIAL
AS POSSIBLE.

 HE FURTHER WANTS HIS
IDENTITY TO REMAIN
UNDISCLOSED AT LEAST FOR NOW,UNTIL THE COMPLETION OF
THE
TRANSACTION.HENCE OUR DESIRE TO HAVE AN OVERSEAS AGENT.I HAVE
THEREFORE BEEN DIRECTED TO INQUIRE IF YOU WOULD AGREE TO ACT AS OUR
OVERSEAS AGENT IN ORDER TO ACTUALIZE THIS TRANSACTION.



/>THE DEAL, IN BRIEF, IS THAT THE FUNDS WITH WHICH WE INTEND TO
CARRY OUT
OUR PROPOSED INVESTMENTS IN YOUR COUNTRY IS PRESENTLY IN A
CODED ACCOUNT
AT THE NIGERIAN APEX BANK (I.E. THE CENTRAL BANK OF
NIGERIA) AND WE NEED
YOUR ASSISTANCE TO TRANSFER THE FUNDS TO YOUR
COUNTRY IN A CONVENIENT BANK
ACCOUNT THAT WILL BE PROVIDED BY YOU
BEFORE WE CAN PUT THE FUNDS INTO USE
IN YOUR COUNTRY.

FOR
THIS, YOU SHALL BE CONSIDERED TO HAVE
EXECUTED A CONTRACT FOR THE
FEDERAL MINISTRY OF WORKS AND HOUSING IN
NIGERIA FOR WHICH PAYMENT
SHOULD BE EFFECTED TO YOU BY THE  MINISTRY, THE
CONTRACT SUM OF WHICH
SHALL RUN INTO US $10 MILLION, OF WHICH YOUR SHARE
SHALL BE 20% IF
YOU AGREE TO BE OUR OVERSEAS AGENT.IF YOU ARE WILLING TO
RENDER US
YOUR ASSISTANCE AS REGARDS THE TRANSFER.

IT WAS ALSO
AGREED THAT 5% SHALL BE SET ASIDE TO OFFSET INCIDENTAL EXPENSES THAT
MIGHT
BE INCURRED BY EITHER OF US OFFSETTING THIS TRANSFER THE
REMAINING % SHALL
BE OUR SHARE ,ALL NECESSARY ARRANGEMENT REQUIRED
FOR A SPEED CONCLUSION OF
THIS TRANSACTION HAVE BEEN PUT IN PLACE
WITH TOP OFFICIAL OF THE  NIGERIA
FEDERAL MINISTRY OF FINANCE AND THE
CENTRAL BANK OF NIGERIA TO ENABLE US
CONCLUDE THE WHOLE TRANSACTION
WITHIN A VERY SHORT SPACE OF TIME.


/>AS SOON AS
PAYMENT IS EFFECTED, AND THE AMOUNT MENTIONED ABOVE IS
SUCCESSFULLY
TRANSFERRED INTO YOUR ACCOUNT, WE INTEND TO USE OUR OWN SHARE
IN
ACQUIRING SOME ESTATES IN YOUR COUNTRY. FOR THIS TOO YOU SHALL ALSO
SERVE AS OUR AGENT.IN THE LIGHT OF THIS, 

YOU ARE REQUESTED
TO
COMMUNICATE YOUR ACCEPTANCE OF THIS PROPOSAL THROUGH MY ABOVE
STATED EMAIL
ADDRESS AFTER WHICH WE SHALL DISCUSS IN DETAILS THE
MODALITIES FOR SEEING
THIS TRANSACTION THROUGH.YOUR QUICK RESPONSE
WILL BE HIGHLY APPRECIATED.
THANK YOU IN ANTICIPATION OF YOUR
COOPERATION.

Please send your
full details as listed
below.

Your Full
Name:.......................................

Your Home
address:..........................................

Your
Private
Telephone:...................................................


/>Your Date of
Birth:.............................................................

/>

THIS IS VERY IMPORTANT BECAUSE THIS DEAL INVOLVES
SOME HIGH
RANKING NIGERIAN GOVERNMENT OFFICIALS WHO WILL NOT BE
INVOLVE IN ANY FORM
OF SCANDAL WE HOWEVER TRUST THAT THIS WILL BE THE
BEGINNING OF A LASTING
BUSINESS RELATIONSHIP BETWEEN YOU AND US AS WE
SHALL APPRECIATE YOUR
ADVICE ON THE INVESTMENT OPPORTUNITY IN YOUR
LINE OF BUSINESS OR ANY OTHER
TYPE OF VIABLE BUSINESS IN YOUR  
COUNTRY IF THIS INTEREST YOU REPLY ME
IMMEDIATELY THROUGH MY
ADDRESS.E-mail:alert.gov@eze.co.za
YOURS
FAITHFULLY,
BAR.RICHARD NZEM

--1411fsu_trap_26068_51812050200102_=----
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<br /><br /><br />FEDERAL MINISTRY OF WORKS AND HOUSING<br />FEDERAL<br
/>SECRETARIAT<br />ABUJA THE CAPITAL TERETORY<br />AM:BAR.RICHARD NZEM<br
/><br />/&gt;DATE:4/2/2010<br /><br />DEAR FRIEND<br /><br />ASSISTANCE
REQUIRED FOR<br />ACQUISITION OF ESTATE<br /><br />I AM BARRISTER RICHARD
NZEM I WRITE TO<br />INFORM YOU OF OUR DESIRE TO ACQUIRE ESTATES OR LANDED
PROPERTIES IN YOUR<br />COUNTRY ON BEHALF OF THE DIRECTOR OF CONTRACTS AND
FINANCE ALLOCATIONS OF<br />THE FEDERAL MINISTRY OF WORKS AND HOUSING IN
NIGERIA. CONSIDERING HIS VERY<br />STRATEGIC AND INFLUENTIAL POSITION, I
GOT YOU CONTACT  FROM THE INTERNET<br />WHEN I WAS SEARCHING FOR AN HONEST
PERSON HE WOULD WANT THE TRANSACTION TO<br />BE AS STRICTLY CONFIDENTIAL
AS POSSIBLE.<br /><br /> HE FURTHER WANTS HIS<br />IDENTITY TO REMAIN
UNDISCLOSED AT LEAST FOR NOW,UNTIL THE COMPLETION OF<br />THE
TRANSACTION.HENCE OUR DESIRE TO HAVE AN OVERSEAS AGENT.I HAVE<br
/>THEREFORE BEEN DIRECTED TO INQUIRE IF YOU WOULD AGREE TO ACT AS OUR<br
/>OVERSEAS AGENT IN ORDER TO ACTUALIZE THIS TRANSACTION.<br /><br /><br
/><br />/&gt;THE DEAL, IN BRIEF, IS THAT THE FUNDS WITH WHICH WE INTEND TO
CARRY OUT<br />OUR PROPOSED INVESTMENTS IN YOUR COUNTRY IS PRESENTLY IN A
CODED ACCOUNT<br />AT THE NIGERIAN APEX BANK (I.E. THE CENTRAL BANK OF
NIGERIA) AND WE NEED<br />YOUR ASSISTANCE TO TRANSFER THE FUNDS TO YOUR
COUNTRY IN A CONVENIENT BANK<br />ACCOUNT THAT WILL BE PROVIDED BY YOU
BEFORE WE CAN PUT THE FUNDS INTO USE<br />IN YOUR COUNTRY.<br /><br />FOR
THIS, YOU SHALL BE CONSIDERED TO HAVE<br />EXECUTED A CONTRACT FOR THE
FEDERAL MINISTRY OF WORKS AND HOUSING IN<br />NIGERIA FOR WHICH PAYMENT
SHOULD BE EFFECTED TO YOU BY THE  MINISTRY, THE<br />CONTRACT SUM OF WHICH
SHALL RUN INTO US $10 MILLION, OF WHICH YOUR SHARE<br />SHALL BE 20% IF
YOU AGREE TO BE OUR OVERSEAS AGENT.IF YOU ARE WILLING TO<br />RENDER US
YOUR ASSISTANCE AS REGARDS THE TRANSFER.<br /><br />IT WAS ALSO<br
/>AGREED THAT 5% SHALL BE SET ASIDE TO OFFSET INCIDENTAL EXPENSES THAT
MIGHT<br />BE INCURRED BY EITHER OF US OFFSETTING THIS TRANSFER THE
REMAINING % SHALL<br />BE OUR SHARE ,ALL NECESSARY ARRANGEMENT REQUIRED
FOR A SPEED CONCLUSION OF<br />THIS TRANSACTION HAVE BEEN PUT IN PLACE
WITH TOP OFFICIAL OF THE  NIGERIA<br />FEDERAL MINISTRY OF FINANCE AND THE
CENTRAL BANK OF NIGERIA TO ENABLE US<br />CONCLUDE THE WHOLE TRANSACTION
WITHIN A VERY SHORT SPACE OF TIME.<br /><br /><br />/&gt;AS SOON AS
PAYMENT IS EFFECTED, AND THE AMOUNT MENTIONED ABOVE IS<br />SUCCESSFULLY
TRANSFERRED INTO YOUR ACCOUNT, WE INTEND TO USE OUR OWN SHARE<br />IN
ACQUIRING SOME ESTATES IN YOUR COUNTRY. FOR THIS TOO YOU SHALL ALSO<br
/>SERVE AS OUR AGENT.IN THE LIGHT OF THIS, <br /><br />YOU ARE REQUESTED
TO<br />COMMUNICATE YOUR ACCEPTANCE OF THIS PROPOSAL THROUGH MY ABOVE
STATED EMAIL<br />ADDRESS AFTER WHICH WE SHALL DISCUSS IN DETAILS THE
MODALITIES FOR SEEING<br />THIS TRANSACTION THROUGH.YOUR QUICK RESPONSE
WILL BE HIGHLY APPRECIATED.<br />THANK YOU IN ANTICIPATION OF YOUR
COOPERATION.<br /><br />Please send your<br />full details as listed
below.<br /><br />Your Full<br
/>Name:.......................................<br /><br />Your Home<br
/>address:..........................................<br /><br />Your
Private<br
/>Telephone:...................................................<br /><br
/><br />/&gt;Your Date of<br
/>Birth:.............................................................<br
/><br />/&gt;<br /><br />THIS IS VERY IMPORTANT BECAUSE THIS DEAL INVOLVES
SOME HIGH<br />RANKING NIGERIAN GOVERNMENT OFFICIALS WHO WILL NOT BE
INVOLVE IN ANY FORM<br />OF SCANDAL WE HOWEVER TRUST THAT THIS WILL BE THE
BEGINNING OF A LASTING<br />BUSINESS RELATIONSHIP BETWEEN YOU AND US AS WE
SHALL APPRECIATE YOUR<br />ADVICE ON THE INVESTMENT OPPORTUNITY IN YOUR
LINE OF BUSINESS OR ANY OTHER<br />TYPE OF VIABLE BUSINESS IN YOUR  
COUNTRY IF THIS INTEREST YOU REPLY ME<br />IMMEDIATELY THROUGH MY
ADDRESS.E-mail:alert.gov@eze.co.za<br />YOURS<br />FAITHFULLY,<br
/>BAR.RICHARD NZEM
--1411fsu_trap_26068_51812050200102_=------

------=_20100205021815_86062
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 8bit






FEDERAL MINISTRY OF WORKS AND HOUSING
FEDERAL
SECRETARIAT
ABUJA THE CAPITAL TERETORY
AM:BAR.RICHARD NZEM
DATE:4/2/2010

DEAR FRIEND

ASSISTANCE REQUIRED FOR
ACQUISITION OF ESTATE

I AM BARRISTER RICHARD NZEM I WRITE TO
INFORM YOU OF OUR DESIRE TO ACQUIRE ESTATES OR LANDED PROPERTIES IN YOUR
COUNTRY ON BEHALF OF THE DIRECTOR OF CONTRACTS AND FINANCE ALLOCATIONS OF
THE FEDERAL MINISTRY OF WORKS AND HOUSING IN NIGERIA. CONSIDERING HIS VERY
STRATEGIC AND INFLUENTIAL POSITION, I GOT YOU CONTACT  FROM THE INTERNET
WHEN I WAS SEARCHING FOR AN HONEST PERSON HE WOULD WANT THE TRANSACTION TO
BE AS STRICTLY CONFIDENTIAL AS POSSIBLE.

 HE FURTHER WANTS HIS
IDENTITY TO REMAIN UNDISCLOSED AT LEAST FOR NOW,UNTIL THE COMPLETION OF
THE TRANSACTION.HENCE OUR DESIRE TO HAVE AN OVERSEAS AGENT.I HAVE
THEREFORE BEEN DIRECTED TO INQUIRE IF YOU WOULD AGREE TO ACT AS OUR
OVERSEAS AGENT IN ORDER TO ACTUALIZE THIS TRANSACTION.


THE DEAL, IN BRIEF, IS THAT THE FUNDS WITH WHICH WE INTEND TO CARRY OUT
OUR PROPOSED INVESTMENTS IN YOUR COUNTRY IS PRESENTLY IN A CODED ACCOUNT
AT THE NIGERIAN APEX BANK (I.E. THE CENTRAL BANK OF NIGERIA) AND WE NEED
YOUR ASSISTANCE TO TRANSFER THE FUNDS TO YOUR COUNTRY IN A CONVENIENT BANK
ACCOUNT THAT WILL BE PROVIDED BY YOU BEFORE WE CAN PUT THE FUNDS INTO USE
IN YOUR COUNTRY.

FOR THIS, YOU SHALL BE CONSIDERED TO HAVE
EXECUTED A CONTRACT FOR THE FEDERAL MINISTRY OF WORKS AND HOUSING IN
NIGERIA FOR WHICH PAYMENT SHOULD BE EFFECTED TO YOU BY THE  MINISTRY, THE
CONTRACT SUM OF WHICH SHALL RUN INTO US $10 MILLION, OF WHICH YOUR SHARE
SHALL BE 20% IF YOU AGREE TO BE OUR OVERSEAS AGENT.IF YOU ARE WILLING TO
RENDER US YOUR ASSISTANCE AS REGARDS THE TRANSFER.

IT WAS ALSO
AGREED THAT 5% SHALL BE SET ASIDE TO OFFSET INCIDENTAL EXPENSES THAT MIGHT
BE INCURRED BY EITHER OF US OFFSETTING THIS TRANSFER THE REMAINING % SHALL
BE OUR SHARE ,ALL NECESSARY ARRANGEMENT REQUIRED FOR A SPEED CONCLUSION OF
THIS TRANSACTION HAVE BEEN PUT IN PLACE WITH TOP OFFICIAL OF THE  NIGERIA
FEDERAL MINISTRY OF FINANCE AND THE CENTRAL BANK OF NIGERIA TO ENABLE US
CONCLUDE THE WHOLE TRANSACTION WITHIN A VERY SHORT SPACE OF TIME.

AS SOON AS PAYMENT IS EFFECTED, AND THE AMOUNT MENTIONED ABOVE IS
SUCCESSFULLY TRANSFERRED INTO YOUR ACCOUNT, WE INTEND TO USE OUR OWN SHARE
IN ACQUIRING SOME ESTATES IN YOUR COUNTRY. FOR THIS TOO YOU SHALL ALSO
SERVE AS OUR AGENT.IN THE LIGHT OF THIS, 

YOU ARE REQUESTED TO
COMMUNICATE YOUR ACCEPTANCE OF THIS PROPOSAL THROUGH MY ABOVE STATED EMAIL
ADDRESS AFTER WHICH WE SHALL DISCUSS IN DETAILS THE MODALITIES FOR SEEING
THIS TRANSACTION THROUGH.YOUR QUICK RESPONSE WILL BE HIGHLY APPRECIATED.
THANK YOU IN ANTICIPATION OF YOUR COOPERATION.

Please send your
full details as listed below.

Your Full
Name:.......................................

Your Home
address:..........................................

Your Private
Telephone:...................................................

Your Date of
Birth:.............................................................


THIS IS VERY IMPORTANT BECAUSE THIS DEAL INVOLVES SOME HIGH
RANKING NIGERIAN GOVERNMENT OFFICIALS WHO WILL NOT BE INVOLVE IN ANY FORM
OF SCANDAL WE HOWEVER TRUST THAT THIS WILL BE THE BEGINNING OF A LASTING
BUSINESS RELATIONSHIP BETWEEN YOU AND US AS WE SHALL APPRECIATE YOUR
ADVICE ON THE INVESTMENT OPPORTUNITY IN YOUR LINE OF BUSINESS OR ANY OTHER
TYPE OF VIABLE BUSINESS IN YOUR   COUNTRY IF THIS INTEREST YOU REPLY ME
IMMEDIATELY THROUGH MY ADDRESS.E-mail:alert.gov@eze.co.za
YOURS
FAITHFULLY,
BAR.RICHARD NZEM

------=_20100205021815_86062
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: 8bit

<br /><br /><br />FEDERAL MINISTRY OF WORKS AND HOUSING<br />FEDERAL
SECRETARIAT<br />ABUJA THE CAPITAL TERETORY<br />AM:BAR.RICHARD NZEM<br
/>DATE:4/2/2010<br /><br />DEAR FRIEND<br /><br />ASSISTANCE REQUIRED FOR
ACQUISITION OF ESTATE<br /><br />I AM BARRISTER RICHARD NZEM I WRITE TO
INFORM YOU OF OUR DESIRE TO ACQUIRE ESTATES OR LANDED PROPERTIES IN YOUR
COUNTRY ON BEHALF OF THE DIRECTOR OF CONTRACTS AND FINANCE ALLOCATIONS OF
THE FEDERAL MINISTRY OF WORKS AND HOUSING IN NIGERIA. CONSIDERING HIS VERY
STRATEGIC AND INFLUENTIAL POSITION, I GOT YOU CONTACT  FROM THE INTERNET
WHEN I WAS SEARCHING FOR AN HONEST PERSON HE WOULD WANT THE TRANSACTION TO
BE AS STRICTLY CONFIDENTIAL AS POSSIBLE.<br /><br /> HE FURTHER WANTS HIS
IDENTITY TO REMAIN UNDISCLOSED AT LEAST FOR NOW,UNTIL THE COMPLETION OF
THE TRANSACTION.HENCE OUR DESIRE TO HAVE AN OVERSEAS AGENT.I HAVE
THEREFORE BEEN DIRECTED TO INQUIRE IF YOU WOULD AGREE TO ACT AS OUR
OVERSEAS AGENT IN ORDER TO ACTUALIZE THIS TRANSACTION.<br /><br /><br
/>THE DEAL, IN BRIEF, IS THAT THE FUNDS WITH WHICH WE INTEND TO CARRY OUT
OUR PROPOSED INVESTMENTS IN YOUR COUNTRY IS PRESENTLY IN A CODED ACCOUNT
AT THE NIGERIAN APEX BANK (I.E. THE CENTRAL BANK OF NIGERIA) AND WE NEED
YOUR ASSISTANCE TO TRANSFER THE FUNDS TO YOUR COUNTRY IN A CONVENIENT BANK
ACCOUNT THAT WILL BE PROVIDED BY YOU BEFORE WE CAN PUT THE FUNDS INTO USE
IN YOUR COUNTRY.<br /><br />FOR THIS, YOU SHALL BE CONSIDERED TO HAVE
EXECUTED A CONTRACT FOR THE FEDERAL MINISTRY OF WORKS AND HOUSING IN
NIGERIA FOR WHICH PAYMENT SHOULD BE EFFECTED TO YOU BY THE  MINISTRY, THE
CONTRACT SUM OF WHICH SHALL RUN INTO US $10 MILLION, OF WHICH YOUR SHARE
SHALL BE 20% IF YOU AGREE TO BE OUR OVERSEAS AGENT.IF YOU ARE WILLING TO
RENDER US YOUR ASSISTANCE AS REGARDS THE TRANSFER.<br /><br />IT WAS ALSO
AGREED THAT 5% SHALL BE SET ASIDE TO OFFSET INCIDENTAL EXPENSES THAT MIGHT
BE INCURRED BY EITHER OF US OFFSETTING THIS TRANSFER THE REMAINING % SHALL
BE OUR SHARE ,ALL NECESSARY ARRANGEMENT REQUIRED FOR A SPEED CONCLUSION OF
THIS TRANSACTION HAVE BEEN PUT IN PLACE WITH TOP OFFICIAL OF THE  NIGERIA
FEDERAL MINISTRY OF FINANCE AND THE CENTRAL BANK OF NIGERIA TO ENABLE US
CONCLUDE THE WHOLE TRANSACTION WITHIN A VERY SHORT SPACE OF TIME.<br /><br
/>AS SOON AS PAYMENT IS EFFECTED, AND THE AMOUNT MENTIONED ABOVE IS
SUCCESSFULLY TRANSFERRED INTO YOUR ACCOUNT, WE INTEND TO USE OUR OWN SHARE
IN ACQUIRING SOME ESTATES IN YOUR COUNTRY. FOR THIS TOO YOU SHALL ALSO
SERVE AS OUR AGENT.IN THE LIGHT OF THIS, <br /><br />YOU ARE REQUESTED TO
COMMUNICATE YOUR ACCEPTANCE OF THIS PROPOSAL THROUGH MY ABOVE STATED EMAIL
ADDRESS AFTER WHICH WE SHALL DISCUSS IN DETAILS THE MODALITIES FOR SEEING
THIS TRANSACTION THROUGH.YOUR QUICK RESPONSE WILL BE HIGHLY APPRECIATED.
THANK YOU IN ANTICIPATION OF YOUR COOPERATION.<br /><br />Please send your
full details as listed below.<br /><br />Your Full
Name:.......................................<br /><br />Your Home
address:..........................................<br /><br />Your Private
Telephone:...................................................<br /><br
/>Your Date of
Birth:.............................................................<br
/><br /><br />THIS IS VERY IMPORTANT BECAUSE THIS DEAL INVOLVES SOME HIGH
RANKING NIGERIAN GOVERNMENT OFFICIALS WHO WILL NOT BE INVOLVE IN ANY FORM
OF SCANDAL WE HOWEVER TRUST THAT THIS WILL BE THE BEGINNING OF A LASTING
BUSINESS RELATIONSHIP BETWEEN YOU AND US AS WE SHALL APPRECIATE YOUR
ADVICE ON THE INVESTMENT OPPORTUNITY IN YOUR LINE OF BUSINESS OR ANY OTHER
TYPE OF VIABLE BUSINESS IN YOUR   COUNTRY IF THIS INTEREST YOU REPLY ME
IMMEDIATELY THROUGH MY ADDRESS.E-mail:alert.gov@eze.co.za<br />YOURS
FAITHFULLY,<br />BAR.RICHARD NZEM
------=_20100205021815_86062--

From claimagentoffice2009@gmail.com  Fri Feb  5 06:02:39 2010
Return-Path: <claimagentoffice2009@gmail.com>
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Reply-to: gordonmorgan@gala.net
From: "Mrs. Rita Hopkins" <claimagentoffice2009@gmail.com>
Subject: PRIZE AWARD NOTICE
Date: Wed, 03 Feb 2010 00:28:55 -0800
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AWARD WINNING NOTICE
Ref No.802/734/756
Batch No.975/7543093
Ticket/Series No.NL7596453
Amount Won: US$2,870,000.00 USD

Attn: Email Bearer,

This is to formally inform and congratulate you on the result of the online Gold Rush Claiming Online Promotions lotto which was conducted from an exclusive list of 1,000.000 email addresses of individual and corporate bodies selected by an advanced automated random computer ballot system from the internet.

Your e-mail address emerged as a winner in the category "E" with the following information enclosed.

You are therefore to receive a cash prize of US$2,870,000.00. (Two Million Eight Hundred and Seventy Thousand United States Dollars).

To file in for the processing of your prize winnings, you are advised to contact our Certified and Accredited claims agent for category "E" winners with the information below:
*************************************
Name: Mr.Gordon Morgan
Tel;+27 83 687 6562
Email:gordonmorgan@gala.net
*************************************
You are advice to provide him with the following informations to began in claming of your prize fund into your account.

Names: 
Telephone/Fax number: 
Residential Address
Nationality:
Age: 
Occupation:
Winning Email:
Ticket/Series No
Ref No
Batch No

NOTE: Ensure to quote your Reference Numbers in all your communication with your claims agent. All winnings must be claimed not later than seven working days, thereafter unclaimed funds would be included in the next stake.

Sincerely Yours,
Mrs.Rita Hopkins
Lottery Coordinator.

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 08:28:17 2010
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Date: Fri, 5 Feb 2010 10:28:15 +0200
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Subject: Re: Video Streaming Services - Status and Survey
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7e03ba60179047ed63bb9
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Milo made a very good point. These are the business ethics = no ethics. You
give us the content, we get the profits.
And the business is unprofitable all the time = there's a paradox to chew on
:-)

"YouTube will lose parent Google $470 million this year as it can't generate
rewarding revenue from advertising. "

http://www.ecommerce-journal.com/news/14514_youtube_to_lose_parent_google_470_million

-Petri-

2010/2/4 Milo <milo.vuc@gmail.com>

> You forgot to mention that none of these businesses pay fees or
> royalties to the artists and video producers. At the same time, their
> annual profits are going up and up and up...
>
> On 1/14/10, Rainer Straschill <moinsound@googlemail.com> wrote:
> > Hi everyone,
> >
> > those video streaming things have been the #1 cool thing for me in 2009,
> > and I continue to do a bi-weekly performance series (first official
> > session this Saturday) and have done daily ones this past week since
> > Sunday. Also, Rick's festival has been transmitted nearly in full (and
> > archived online), so there's even a looping relationship here...on to
> > some findings and a call for your inputs to these topics.
> >
> > My own experience:
> > I have worked with three services in total: ustream.tv, justin.tv and
> > livestream.com. At least livestream also has a "premium" version with a
> > hefty price tag, but all of those offer "free" (meaning ad-financed, no
> > charges for viewer or presenter) accounts.
> >
> > What they have in common:
> > They're free, allow you to record your shows and make them available for
> > posterity, and allow embedded players to be placed e.g. on your website
> > and viewing them does not require registration for the viewer. All of
> > them allow you to transmit via a browser-based flash plugin or with the
> > free Adobe FME software.
> >
> > The lowdown on all three of them:
> > a) ustream:
> > This is the one where I started, and where I have the most experience
> with.
> > Nice:
> > *   the system of announcing your own shows, following other people etc.
> > seems laid out fine. There also seems to be a large viewer crowd.
> > *   there are some basic editing functions for your archived videos
> > which are, as I might say, sufficient.
> > Not nice:
> > *   they have a service which allows cueing in other performers (called
> > "co-hosting"), drop in clips form youtube etc. Unfortunately, the last
> > time I checked (at the VSV festival in October), these functions were
> > flawed or didn't work at all.
> > *   even when using the FME encoder, you still need to run the web
> > browser plugin, which can be an issue for older computers (and "older"
> > here means anything with a passmark below 900).
> >
> > b) justin:
> > Nice:
> > *   This is the simplest of the three. Set up your account, download the
> > xml file for the FME, fire up the FME.
> > Not nice:
> > *   Well...doesn't offer that many nifty features as the others do.
> >
> > c) livestream:
> > This seems to be the most powerful one of the three in terms of features.
> > Nice:
> > *   A nifty wealth of features, including some configurable banners at
> > the start of the video etc. There's the so-called "studio", which allows
> > you to also upload videos, create an on-demand playlist, define
> > storyboards for a live (or archived show), cue in other performers etc.
> > Not Nice:
> > *   There are some limitations to the free accounts. First one is you
> > need to get your channel certified to be allowed to transmit to more
> > than 40 viewers. This is not a big issue, as it's just filling out a
> > form and waiting for a day or so.
> > *   More limitations for free accounts: the biggest is that you are
> > limited to a 500kbps stream bandwidth and 4:3 aspect ratio.
> >
> >
> > Ok, now it's your turn. More observations to add? Other services which
> > do something like that? Comments? Questions?
> >
> >
> > Yours,
> >
> >              Rainer
> >
> > --
> > http://moinlabs.de
> > Follow me on twitter: http://twitter.com/moinlabs
> >
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d7e03ba60179047ed63bb9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Milo made a very good point. These are the business ethics =3D no ethics. Y=
ou give us the content, we get the profits.<br>And the business is unprofit=
able all the time =3D there&#39;s a paradox to chew on :-)<br><br>&quot;You=
Tube will lose parent Google $470 million this year as it can&#39;t=20
generate rewarding revenue from advertising. &quot;<br><br><a href=3D"http:=
//www.ecommerce-journal.com/news/14514_youtube_to_lose_parent_google_470_mi=
llion">http://www.ecommerce-journal.com/news/14514_youtube_to_lose_parent_g=
oogle_470_million</a><br>
<br>-Petri-<br><br><div class=3D"gmail_quote">2010/2/4 Milo <span dir=3D"lt=
r">&lt;<a href=3D"mailto:milo.vuc@gmail.com">milo.vuc@gmail.com</a>&gt;</sp=
an><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex=
; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
You forgot to mention that none of these businesses pay fees or<br>
royalties to the artists and video producers. At the same time, their<br>
annual profits are going up and up and up...<br>
<div><div></div><div class=3D"h5"><br>
On 1/14/10, Rainer Straschill &lt;<a href=3D"mailto:moinsound@googlemail.co=
m">moinsound@googlemail.com</a>&gt; wrote:<br>
&gt; Hi everyone,<br>
&gt;<br>
&gt; those video streaming things have been the #1 cool thing for me in 200=
9,<br>
&gt; and I continue to do a bi-weekly performance series (first official<br=
>
&gt; session this Saturday) and have done daily ones this past week since<b=
r>
&gt; Sunday. Also, Rick&#39;s festival has been transmitted nearly in full =
(and<br>
&gt; archived online), so there&#39;s even a looping relationship here...on=
 to<br>
&gt; some findings and a call for your inputs to these topics.<br>
&gt;<br>
&gt; My own experience:<br>
&gt; I have worked with three services in total: <a href=3D"http://ustream.=
tv" target=3D"_blank">ustream.tv</a>, <a href=3D"http://justin.tv" target=
=3D"_blank">justin.tv</a> and<br>
&gt; <a href=3D"http://livestream.com" target=3D"_blank">livestream.com</a>=
. At least livestream also has a &quot;premium&quot; version with a<br>
&gt; hefty price tag, but all of those offer &quot;free&quot; (meaning ad-f=
inanced, no<br>
&gt; charges for viewer or presenter) accounts.<br>
&gt;<br>
&gt; What they have in common:<br>
&gt; They&#39;re free, allow you to record your shows and make them availab=
le for<br>
&gt; posterity, and allow embedded players to be placed e.g. on your websit=
e<br>
&gt; and viewing them does not require registration for the viewer. All of<=
br>
&gt; them allow you to transmit via a browser-based flash plugin or with th=
e<br>
&gt; free Adobe FME software.<br>
&gt;<br>
&gt; The lowdown on all three of them:<br>
&gt; a) ustream:<br>
&gt; This is the one where I started, and where I have the most experience =
with.<br>
&gt; Nice:<br>
&gt; * =A0 the system of announcing your own shows, following other people =
etc.<br>
&gt; seems laid out fine. There also seems to be a large viewer crowd.<br>
&gt; * =A0 there are some basic editing functions for your archived videos<=
br>
&gt; which are, as I might say, sufficient.<br>
&gt; Not nice:<br>
&gt; * =A0 they have a service which allows cueing in other performers (cal=
led<br>
&gt; &quot;co-hosting&quot;), drop in clips form youtube etc. Unfortunately=
, the last<br>
&gt; time I checked (at the VSV festival in October), these functions were<=
br>
&gt; flawed or didn&#39;t work at all.<br>
&gt; * =A0 even when using the FME encoder, you still need to run the web<b=
r>
&gt; browser plugin, which can be an issue for older computers (and &quot;o=
lder&quot;<br>
&gt; here means anything with a passmark below 900).<br>
&gt;<br>
&gt; b) justin:<br>
&gt; Nice:<br>
&gt; * =A0 This is the simplest of the three. Set up your account, download=
 the<br>
&gt; xml file for the FME, fire up the FME.<br>
&gt; Not nice:<br>
&gt; * =A0 Well...doesn&#39;t offer that many nifty features as the others =
do.<br>
&gt;<br>
&gt; c) livestream:<br>
&gt; This seems to be the most powerful one of the three in terms of featur=
es.<br>
&gt; Nice:<br>
&gt; * =A0 A nifty wealth of features, including some configurable banners =
at<br>
&gt; the start of the video etc. There&#39;s the so-called &quot;studio&quo=
t;, which allows<br>
&gt; you to also upload videos, create an on-demand playlist, define<br>
&gt; storyboards for a live (or archived show), cue in other performers etc=
.<br>
&gt; Not Nice:<br>
&gt; * =A0 There are some limitations to the free accounts. First one is yo=
u<br>
&gt; need to get your channel certified to be allowed to transmit to more<b=
r>
&gt; than 40 viewers. This is not a big issue, as it&#39;s just filling out=
 a<br>
&gt; form and waiting for a day or so.<br>
&gt; * =A0 More limitations for free accounts: the biggest is that you are<=
br>
&gt; limited to a 500kbps stream bandwidth and 4:3 aspect ratio.<br>
&gt;<br>
&gt;<br>
&gt; Ok, now it&#39;s your turn. More observations to add? Other services w=
hich<br>
&gt; do something like that? Comments? Questions?<br>
&gt;<br>
&gt;<br>
&gt; Yours,<br>
&gt;<br>
&gt; =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a=
><br>
&gt; Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=
=3D"_blank">http://twitter.com/moinlabs</a><br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d7e03ba60179047ed63bb9--

From teddy.woods@personal.ro  Fri Feb  5 08:53:44 2010
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From: "Teddy Woods"<teddy.woods@personal.ro>
Subject: Your Concern
Date: Fri, 5 Feb 2010 09:46:51 +0100
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To: undisclosed-recipients:;



Dear Partner,

This is my third time of sending you an e-mail without any reply, I told you about a deal on an investment account total 10.5million USD of late Mr. Alfred who shares the same last name with you.

My proposal to you is that since I have exclusive access to his file, you will be made the beneficiary of these funds. On verification, which will be the details I make available to Bank holding funds, my company through our lawyer will instruct the bank to make payments to you. You do not have to have known him. I know this sounds a bit heavy and complex but believe and trust me as it is achievable. For your assistance, I propose we split the funds in half and share it equally. This practice is not unusual in the banking sector here in the UK. The other option is that the funds will revert back to the state, where it may be shared by State officials.

Nothing ventured is nothing gained and that success and riches never come easy or on a platter of gold. This is the one truth I have learned from my private investment clients, We should act swiftly on this if you are in agreement and please get back to me immediately, I am contacting you independently and no one is informed of this communication. Please do keep this confidential, I await your prompt response. email: ted.wds@gmail.com

Best Regards,
Teddy Woods

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 09:35:50 2010
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Date: Fri, 5 Feb 2010 10:35:44 +0100
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Subject: Personalize your Liquidfoot pro midi footcontroller
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Here's a link I received on the Gordius mailing list :)

http://voes.be/liquidfoot/pro/misc_labels.html

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 09:44:32 2010
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On Fri, Feb 5, 2010 at 5:16 AM, Andr=E9 Donawa <andre@andredonawa.com> wrot=
e:
> I was really looking forward to the ultra lite. Are you using the mk3?
> If so usb or fireiwre?

Hi Andre,
I  have the firewire only version of the Ultralite mk3 running on Mac
OSX 10.6. This combo is rock solid, it never crashes so far, very
stable drivers. USB2 was added my MOTU a few months ago, but the model
is still called mk3 I think.

Regarding noise and USB, that's a common issue on many Windows
laptops. I have used many different Toshiba's for my work and they
were all noisy when I used USB and had the powercable  plugged in. On
batteries, it was fine. A general recommendation is to use a dedicated
laptop for your music, re-install the OS from scratch, and upgrade the
OS and drivers to the latest versions. That's usually a good start for
a stable system. What OS do you use? XP? Vista?
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From angelo@vaticancity.it  Fri Feb  5 10:42:36 2010
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Date: Thu, 4 Feb 2010 22:55:20 +0100 (CET)
Subject: COMPLIMENT OF THE SEASON TO YOU
From: "Angelo Cardinal Sodano" <angelo@vaticancity.it>
Reply-To: cardinal_angelo@yahoo.it
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Treat As Confidential
From: Angelo Cardinal Sodano
Papal Basilica of Saint Peter - Vatican
Private Email :(cardinal_angelo@yahoo.it)

COMPLIMENT OF THE SEASON TO YOU

I am Angelo Cardinal Sodano, the Cardinal Secretary of State of Vatican
City, i have a very sensitive and confidential business transaction at
hand and I am requesting for your partnership in re-profiling funds, in
summary, the funds are deposited with a Bank in Brussels-Belgium and
another deposit was also made in London-England, both deposit are in my
names and i have decided to set-up a private investment with these funds
but my current position here in the  Vatican City does not permit me to
own a private , asset, business or investment.

I decided to contact you so that I can attest that you are the bona-fide
next of kin so that approval will be given for the release and transfer of
the money to an account you will nominate since I have already crossed the
customary retirement age for heads of major Vatican departments.

The account balance with the Bank in Brussels is at Euro €150 million. And
the account balance with the Bank in London is at GBP 55 million, upon
transfer to your account; I have the plan to resign my appointment so that
I can secretly go into business after shearing of the fund with you in the
percentage we will agree on.

I have the capacity to perfect the logistics required to ensure a swift
approval and hitch free transfer under a well arranged risk free
framework.
All I require is your honest co-operation to enable us see this deal
through. I guarantee that this will be executed under a legitimate
arrangement that will protect you from any breach of the law.

Please, note that, because I do not want my pop or the Parish  who have
spies all around me, to know of this latest developments, coupled with the
laws of the central authority of the Roman Catholic Church, I shall not
entertain phone calls and conversations. If you are capable and willing to
go into this partnership, Please write back promptly via this confidential
email address {cardinal_angelo@yahoo.it} for further information.

It is necessary to furnish me with the details below so that all the
paperwork in your name can be processed, to facilitate the arrangement of
the transfer

Full Names:
Address:
Telephone/Fax number:
Age:
Occupation:

Looking forward to hearing from you.

Warm regards,
Angelo Cardinal Sodano


-- 
This message has been scanned for viruses and
dangerous content by MailScanner, and is
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From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 12:44:52 2010
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Date: Fri, 5 Feb 2010 04:44:50 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Personalize your Liquidfoot pro midi footcontroller
To: Loopers-Delight@loopers-delight.com
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if i could only find somebody that could tell me how to control the EDPs su=
s comands with the Liquid foot jr, id be in heaven ive tried just about eve=
rything,it puzzles me because  it works fine with the basic EDP front panel=
 functions like record,overdub,undo,next loop etc. however i havent been ab=
le to control all of the other midi functions specially the sus comands whi=
ch are important for me,ive tried setting it up with the  the LF jr.momenta=
ry stomp mode and nothing happens...=0Awhat puzzles me as well is that with=
 the FCB1010 you just give the note number and the EDP sus commands work,no=
 need to set the FCB1010 switches to be momentary! =0Acheers=0Awww.myspace.=
com/luisangulocom=0A=0A=0A--- Sjaak Overgaauw <tcplugin@gmail.com> schrieb =
am Fr, 5.2.2010:=0A=0A> Von: Sjaak Overgaauw <tcplugin@gmail.com>=0A> Betre=
ff: Personalize your Liquidfoot pro midi footcontroller=0A> An: "LD" <Loope=
rs-Delight@loopers-delight.com>=0A> Datum: Freitag, 5. Februar 2010, 1:35=
=0A> Here's a link I received on the=0A> Gordius mailing list :)=0A> =0A> h=
ttp://voes.be/liquidfoot/pro/misc_labels.html=0A> =0A> -- =0A> Sjaak Overga=
auw=0A> http://premonitionfactory.com/=0A> http://livelooping.be/=0A> =0A> =
=0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From peter@peter.com  Fri Feb  5 13:03:07 2010
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	 Fri, 5 Feb 2010 13:19:48 +0100
Reply-To: <mr.petercole121@gmail.com>
From: "mr peter"<peter@peter.com>
To: info@info.net
Subject: Winning Notification
Date: Fri, 5 Feb 2010 20:19:46 +0800
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X-OriginalArrivalTime: 05 Feb 2010 12:19:48.0724 (UTC) FILETIME=[82A10340:01CAA65D]


 
From:Queen Elizabeth's Foundation
Woodlands Road
Leatherhead Court
Leatherhead
Surrey
KT22 0BN.

Attn:Beneficiary,

Congratulations The Queen Elizabeth's Foundation has chosen you by the board of trustees as one of the final recipients of a cash Grant/Donation for your own personal, educational, and business development. To celebratethe 30th anniversary program, We are giving out a yearly donation of US$500,000.00 (Five Hundred Thousand United States Dollars) to 40lucky recipients,as charity donations/aid from the Queen Elizabeth's Foundation,ECOWAS, EU,UNICEF and the UNO in accordance with the enabling act of Parliament, which is part of our promotion. To file for your claim you are to fill out below information and send it to Mr. Peter Cole The Executive Secretary Via his email contact address:

Claims Requirements: 
[FULLNAME OF WINNER]......
[CURRENTADDRESS]........... 
[COUNTRY/REGION]...... .....
[STATE/PROVINCE]............. 
[AGE]................................. 
[SEX]................................. 
[MARITIAL STATUS]..............
[OCCUPATION]....................
[[PHONE NUMBER/FAX] ......

Best Regards:

Mr.Peter Cole
Woodlands Road
Leatherhead Court
Leatherhead
Surrey
KT22 0BN.
E-mail; mr.petercole121@gmail.com 
Tel;+447010033062******************************************************************************************
Queen Elizabeth's Foundation for Disabled People is a registered
charity No 251051.Registered as a company limited by guarantee in
London No892013.Registered at Leatherhead Court, Woodlands Road, 
Leatherhead,Surrey KT22 0BN.
*******************************************************************************	 



From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 13:51:48 2010
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Subject: Repeater for Sale
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I have finally decided to sell my Repeater since I don't use it much anymore and I thought I'd list it here first before I put it on ebay or the Gear Page. I'm the original owner and it's been mounted in a rack in my smoke free music room the whole time. This is a stock unit, it has NOT had the noise mod done. It's in great shape and I have the box and all manual(s) including the version 2 manual addendum (I also have pdfs of manuals). This Repeater currently has the last version of the software loaded which is commonly named 2.1.04. I think I still have the original version 1.x software somewhere but I'd have to dig around and find that which I can include. I can burn a disk that has the manual in pdfs and all versions of the software. 

One nice addition that I have to offer is 3 FULLY compatible flash cards (with the Hitachi controller!) that will allow all functions. I have two Simpletech cards (the original ones recommended to work in the Repeater) one is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards (also with Hitachi controller!). I also have the original 16MB flash card and another 32 MB card that was sent when I bought the first version 2 software, these two cards just have the two different OS 2 versions on them 2.1 and 2.1.04. 

I'd really like to sell all of it together if possible so please don't ask me to sell just the flash cards, I know they are hard to come by. 

Pictures are available on request. Serious inquiries only, please make a reasonable offer. I'm in Virginia and I'd like to ship within the US if possible 


Thanks! 


Ed 







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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>I have finally decided to sell my Repeater since I don't use it much anymore and I thought I'd list it here first before I put it on ebay or the Gear Page.&nbsp; I'm the original owner and it's been mounted in a rack in my smoke free music room the whole time. This is a stock unit, it has NOT had the noise mod done. It's in great shape and I have the box and all manual(s) including the version 2 manual addendum (I also have pdfs of manuals). This Repeater currently has the last version of the software loaded which is commonly named 2.1.04. I think I still have the original version 1.x software somewhere but I'd 
have to dig around and find that which I can include. I can burn a disk that has the manual in pdfs and all versions of the 
software. <br><br>One nice addition that I have to offer is 3 FULLY compatible flash cards (with the Hitachi controller!) that will allow all functions. I have two Simpletech cards (the original ones recommended to work in the Repeater) one is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards (also with Hitachi controller!). I also have the original 16MB flash card and another 32 MB card that was sent when I bought the first version 2 software, these two cards just have the two different OS 2 versions on them 2.1 and 2.1.04.<br><br>I'd really like to sell all of it together if possible so please don't ask me to sell just the flash cards, I know they are hard to come by.<br><br>Pictures are available on request. Serious inquiries only, please make a reasonable offer. I'm in Virginia and I'd like to ship within the US if possible<br><br><br>Thanks!<br><br><br>Ed<br><br><br><br><br><br><br></div></body></html>
------=_Part_2531_1676548650.1265377421877--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 13:57:09 2010
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	"Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Date: Fri, 5 Feb 2010 08:54:38 -0500
Subject: RE: Firewire interface recommendations
Thread-Topic: Firewire interface recommendations
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I have not done an exhaustive search for the UltraLite mk 3, but all the "b=
ig players" (I guess defined as those whose sites Google throws up first, a=
nd with whom I have done business at one time or another - S'water, MF, Zzo=
unds, etc.) list the UL mk3 as discontinued, or when you search on it they =
present a different Motu.

A place called Abe's has them, or so the site says... but the next issue is=
 that the ULmk3 is outside my budget.

I've now seen enough concerns about the pres on the AudioFire8 that I've be=
en swayed towards the FocusRite Sapphire Pro24.

Thanks to everyone who weighed in on this. I'll let you know how it goes.=20

Hal=20

-----Original Message-----
From: Andr=E9 Donawa [mailto:andre@andredonawa.com]=20
Sent: Thursday, February 04, 2010 11:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire interface recommendations

Hi Sjaak,

I was really looking forward to the ultra lite. Are you using the mk3?
If so usb or fireiwre?

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Thu, February 4, 2010 1:45 pm, Sjaak Overgaauw wrote:
> On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>> As for MOTU, I have to say that I got a bad taste in my mouth about them
>> when I had an 828 for about 2 weeks and it was a monstrous pain with
>> poor sound. I returned it to Sweetwater
>> and got the Layla. At the time there was a lot of chatter online about
>> pros and cons of the 828. =A0All that said, I will indeed look into the
>> Ultra Lite, sonce MOTU get high marks usually, and
>> this is years later with a different computer.
>
> Hal,
> I choose the Motu Ultralight because of its portability and the rich
> feature set. I have used it for more than a year now with Logic 9 and
> Mainstage 2. It's very stable, no hickups. Regarding its sound, really
> good I would say considering the concept of the Ultralite.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 14:23:39 2010
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References: <11501.216.1265343412.squirrel@www.andredonawa.com>
	 <86FEE8BCF5652949A08D1EB0545EB42404A03A51F1@WCU-EX-EMP1-MB.PASSHE.LCL>
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Subject: Re: Firewire interface recommendations
From: Os <os@collective.co.uk>
To: Loopers-Delight@loopers-delight.com
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MOTU have been running a huge advertising campaign for the Ultralite
mk3 for months now, so I find it highly unlikely that it's
discontinued.

Most likely it's the firewire only model that's been dropped, and the
new 'hybrid' model (firewire/USB) isn't showing up in your searches.


os.


On 5 February 2010 13:54, Dean, Hal <HDean@wcupa.edu> wrote:
> I have not done an exhaustive search for the UltraLite mk 3, but all the =
"big players" (I guess defined as those whose sites Google throws up first,=
 and with whom I have done business at one time or another - S'water, MF, Z=
zounds, etc.) list the UL mk3 as discontinued, or when you search on it the=
y present a different Motu.
>
> A place called Abe's has them, or so the site says... but the next issue =
is that the ULmk3 is outside my budget.
>
> I've now seen enough concerns about the pres on the AudioFire8 that I've =
been swayed towards the FocusRite Sapphire Pro24.
>
> Thanks to everyone who weighed in on this. I'll let you know how it goes.
>
> Hal
>
> -----Original Message-----
> From: Andr=E9 Donawa [mailto:andre@andredonawa.com]
> Sent: Thursday, February 04, 2010 11:17 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Firewire interface recommendations
>
> Hi Sjaak,
>
> I was really looking forward to the ultra lite. Are you using the mk3?
> If so usb or fireiwre?
>
> Andre
>
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
> On Thu, February 4, 2010 1:45 pm, Sjaak Overgaauw wrote:
>> On Thu, Feb 4, 2010 at 5:50 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>>> As for MOTU, I have to say that I got a bad taste in my mouth about the=
m
>>> when I had an 828 for about 2 weeks and it was a monstrous pain with
>>> poor sound. I returned it to Sweetwater
>>> and got the Layla. At the time there was a lot of chatter online about
>>> pros and cons of the 828. =A0All that said, I will indeed look into the
>>> Ultra Lite, sonce MOTU get high marks usually, and
>>> this is years later with a different computer.
>>
>> Hal,
>> I choose the Motu Ultralight because of its portability and the rich
>> feature set. I have used it for more than a year now with Logic 9 and
>> Mainstage 2. It's very stable, no hickups. Regarding its sound, really
>> good I would say considering the concept of the Ultralite.
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>>
>
>
>
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From gogvo@mailserver.gogvo.com  Fri Feb  5 14:23:51 2010
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Subject: looparc@loopers-delight.com, thanks for joining our VIP list!
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From gogvo@mailserver.gogvo.com  Fri Feb  5 14:24:34 2010
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Reply-To: "America Opportunities" <gogvo.team@yahoo.com>
To: looparc@loopers-delight.com <looparc@loopers-delight.com>
Subject: The largest ML.M online is about to launch.. HURRY!
Message-Id: <20100205142434.066713BE8B@arsenic.violacea.com>

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Date: Fri, 05 Feb 2010 08:28:32 -0600
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Subject: Re: Personalize your Liquidfoot pro midi footcontroller
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Thanks for the link, Sjaak.  The labels look very nice.  I'm =20
continually impressed with the ingenuity that people bring to panel =20
layouts and labeling.

I'm in the midst of a big DIY synthesizer project -- I'm adding =20
another cabinet of modules to my Aries synth.  Over the last month =20
I've looked into labeling material and settled on a couple of methods =20
-- a "quickie" method for on-the-fly labels and a more time-consuming =20
method to label equipment panels, etc.

For quickie labels I've used a Brother labeling device:

http://www.officemax.com/catalog/sku.jsp?productId=3DARS24820&history=3D43rw=
mw6a|prodPage~15^freeText~brother+label+maker^paramValue~true^refine~1^regio=
n~1^param~return_skus^return_skus~Y

I actually purchased it to make nice looking labels for my storage =20
bins.  However, it works nice to label cables, parts drawers, file =20
folders, patch panels, etc.  The more expensive models allow printing =20
from a computer.  This model is battery-powered, which I wanted so I =20
could label things up in the attic.

For the synthesizer panels I'm going to use aluminum plates and this =20
system to do the graphics:

http://www.pulsarprofx.com/decalpro/Vertical/1_MENU/1b_Overview/Overview.htm=
l

The decalpro system requires some hardware -- a laser printer, paper =20
laminator, and a hot gun.  Since I'm building up to 14 modules, I =20
could justify the initial investment.

The same company (pulsarprofx) also sells Printed Circuit Board (PCB) =20
prototyping material -- I went ahead and ordered that, too.

-- Kevin

p.s. -- Sjaak, I enjoyed your recent musical posts, too.

Quoting Sjaak Overgaauw <tcplugin@gmail.com>:
>
> Here's a link I received on the Gordius mailing list :)
>
> http://voes.be/liquidfoot/pro/misc_labels.html
>
>

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Date: Fri, 05 Feb 2010 10:10:17 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: OT 13 pin routing device
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Hi,

I'm presently in search of a device or someone who could build a 
device that would allow switching between 13 pin equipped guitars 
feeding one device. Sort of the reverse of  the Roland US-20 pedal. I 
spoke to someone from Roland who thought it was an interesting idea, 
but they don't offer anything like that.

There is such a diversity of knowledge here I'm hoping that someone 
here has some across this. I spoke with Wayne Jones, who builds some 
very interesting devices to convert your 24 pin guitar to 13 pin 
devices. ( http://www.joness.com/gr300/DC13.htm ) He tells me that he 
believes there is someone in Europe who makes something like what I'm 
looking for.

Anyone here know of a switching pedal like that? Or do you know of 
anyone that could build something like that, maybe modify a US-20 pedal?

Thanks,

Paul Haslem 

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Resent-Date: Fri,  5 Feb 2010 15:44:52 +0000 (UTC)

UGH!!!  I just donated one to the local salvation army thrift 
store..!  It was an Atari ST monitor switcher, and uses the same 13 
pin connector as the Roland guitar synth

>Hi,
>
>I'm presently in search of a device or someone who could build a 
>device that would allow switching between 13 pin equipped guitars 
>feeding one device. Sort of the reverse of  the Roland US-20 pedal. 
>I spoke to someone from Roland who thought it was an interesting 
>idea, but they don't offer anything like that.
>
>There is such a diversity of knowledge here I'm hoping that someone 
>here has some across this. I spoke with Wayne Jones, who builds some 
>very interesting devices to convert your 24 pin guitar to 13 pin 
>devices. ( http://www.joness.com/gr300/DC13.htm ) He tells me that 
>he believes there is someone in Europe who makes something like what 
>I'm looking for.
>
>Anyone here know of a switching pedal like that? Or do you know of 
>anyone that could build something like that, maybe modify a US-20 
>pedal?
>
>Thanks,
>
>Paul Haslem


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
...

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 15:49:42 2010
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	 <620228263.50331265377421878.JavaMail.root@sz0056a.westchester.pa.mail.comcast.net>
Date: Fri, 5 Feb 2010 10:49:42 -0500
Message-ID: <9ea2f30b1002050749ge9785aavadb394358eb6d968@mail.gmail.com>
Subject: Re: Repeater for Sale
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636ed6b5d5cdf7e047edc66a0
Content-Type: text/plain; charset=ISO-8859-1

Where in Virginia? I'm in Richmond (actually Midlothian to be specific) and
I'm interested. These are easily controllable with an FCB1010 right?
I've been using a laptop with Live and fcb1010 to loop at home but I would
like some hardware for live gigin.

Thanks for the info,

Todd Matthews

On Fri, Feb 5, 2010 at 8:43 AM, <eddrake1@comcast.net> wrote:

> I have finally decided to sell my Repeater since I don't use it much
> anymore and I thought I'd list it here first before I put it on ebay or the
> Gear Page.  I'm the original owner and it's been mounted in a rack in my
> smoke free music room the whole time. This is a stock unit, it has NOT had
> the noise mod done. It's in great shape and I have the box and all manual(s)
> including the version 2 manual addendum (I also have pdfs of manuals). This
> Repeater currently has the last version of the software loaded which is
> commonly named 2.1.04. I think I still have the original version 1.x
> software somewhere but I'd have to dig around and find that which I can
> include. I can burn a disk that has the manual in pdfs and all versions of
> the software.
>
> One nice addition that I have to offer is 3 FULLY compatible flash cards
> (with the Hitachi controller!) that will allow all functions. I have two
> Simpletech cards (the original ones recommended to work in the Repeater) one
> is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards
> (also with Hitachi controller!). I also have the original 16MB flash card
> and another 32 MB card that was sent when I bought the first version 2
> software, these two cards just have the two different OS 2 versions on them
> 2.1 and 2.1.04.
>
> I'd really like to sell all of it together if possible so please don't ask
> me to sell just the flash cards, I know they are hard to come by.
>
> Pictures are available on request. Serious inquiries only, please make a
> reasonable offer. I'm in Virginia and I'd like to ship within the US if
> possible
>
>
> Thanks!
>
>
> Ed
>
>
>
>
>
>
>

--001636ed6b5d5cdf7e047edc66a0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Where in Virginia? I&#39;m in Richmond (actually Midlothian to be specific)=
 and I&#39;m interested. These are easily controllable with an FCB1010 righ=
t?=A0<div>I&#39;ve been using a laptop with Live and fcb1010 to loop at hom=
e but I would like some hardware for live gigin.</div>
<div><br></div><div>Thanks for the info,</div><div><br></div><div>Todd Matt=
hews<br><br><div class=3D"gmail_quote">On Fri, Feb 5, 2010 at 8:43 AM,  <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:eddrake1@comcast.net">eddrake1@comcast=
.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><div style=3D"font-family:Arial;font-s=
ize:12pt;color:#000000">I have finally decided to sell my Repeater since I =
don&#39;t use it much anymore and I thought I&#39;d list it here first befo=
re I put it on ebay or the Gear Page.=A0 I&#39;m the original owner and it&=
#39;s been mounted in a rack in my smoke free music room the whole time. Th=
is is a stock unit, it has NOT had the noise mod done. It&#39;s in great sh=
ape and I have the box and all manual(s) including the version 2 manual add=
endum (I also have pdfs of manuals). This Repeater currently has the last v=
ersion of the software loaded which is commonly named 2.1.04. I think I sti=
ll have the original version 1.x software somewhere but I&#39;d=20
have to dig around and find that which I can include. I can burn a disk tha=
t has the manual in pdfs and all versions of the=20
software. <br><br>One nice addition that I have to offer is 3 FULLY compati=
ble flash cards (with the Hitachi controller!) that will allow all function=
s. I have two Simpletech cards (the original ones recommended to work in th=
e Repeater) one is 128MB and the other is 256MB. I also have one of the 512=
 MB Pretec cards (also with Hitachi controller!). I also have the original =
16MB flash card and another 32 MB card that was sent when I bought the firs=
t version 2 software, these two cards just have the two different OS 2 vers=
ions on them 2.1 and 2.1.04.<br>
<br>I&#39;d really like to sell all of it together if possible so please do=
n&#39;t ask me to sell just the flash cards, I know they are hard to come b=
y.<br><br>Pictures are available on request. Serious inquiries only, please=
 make a reasonable offer. I&#39;m in Virginia and I&#39;d like to ship with=
in the US if possible<br>
<br><br>Thanks!<br><br><br>Ed<br><br><br><br><br><br><br></div></div></bloc=
kquote></div><br></div>

--001636ed6b5d5cdf7e047edc66a0--

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	 <20100205082832.gdt8l3lqsosgo0g4@mail.kevinkissinger.com>
Date: Fri, 5 Feb 2010 16:58:30 +0100
Message-ID: <e89a49d31002050758k63f522e9x19fa562b6d683af5@mail.gmail.com>
Subject: Re: Personalize your Liquidfoot pro midi footcontroller
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Feb 5, 2010 at 3:28 PM,  <kkissinger@kevinkissinger.com> wrote:
> Thanks for the link, Sjaak. =A0The labels look very nice. =A0I'm continua=
lly
> impressed with the ingenuity that people bring to panel layouts and
> labeling.

You're welcome Kevin.

> I'm in the midst of a big DIY synthesizer project -- I'm adding another
> cabinet of modules to my Aries synth.

Aha...a DIY Aries. How difficult is that actually...building this type
of, I suppose, modular synths? I solder my own cables, would that be
sufficient? ;-)

> p.s. -- Sjaak, I enjoyed your recent musical posts, too.

Thanks Kevin, I'm glad you enjoyed them :)

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: AW: Personalize your Liquidfoot pro midi footcontroller
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On Feb 5, 2010, at 6:44 AM, L.Angulo wrote:

> if i could only find somebody that could tell me how to control the  
> EDPs sus comands with the Liquid foot jr,

This is probably a dumb question, but have you emailed Jeff at Liquid  
Foot?

Jeff (not at Liquid Foot)

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 16:00:07 2010
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Subject: Re: Repeater for Sale
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------=_Part_6791_1850302114.1265385608199
Content-Type: text/plain; charset=utf-8
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Hey Todd, 

We're practically neighbors! I'm north across the river in Glen Allen. If you want to talk give me a call at home at 755-6421 or on my Blackberry at 640-1568. I need to run out soon for a few errands but I'll be back home in a little while. I'll have my Blackberry with me. Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I don't own an FCB but I recall other folks using them. 

Thanks! 

Ed 
----- Original Message ----- 
From: "Todd Matthews" <gtmatthews@gmail.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, February 5, 2010 10:49:42 AM GMT -05:00 US/Canada Eastern 
Subject: Re: Repeater for Sale 

Where in Virginia? I'm in Richmond (actually Midlothian to be specific) and I'm interested. These are easily controllable with an FCB1010 right? 
I've been using a laptop with Live and fcb1010 to loop at home but I would like some hardware for live gigin. 


Thanks for the info, 


Todd Matthews 


On Fri, Feb 5, 2010 at 8:43 AM, < eddrake1@comcast.net > wrote: 




I have finally decided to sell my Repeater since I don't use it much anymore and I thought I'd list it here first before I put it on ebay or the Gear Page. I'm the original owner and it's been mounted in a rack in my smoke free music room the whole time. This is a stock unit, it has NOT had the noise mod done. It's in great shape and I have the box and all manual(s) including the version 2 manual addendum (I also have pdfs of manuals). This Repeater currently has the last version of the software loaded which is commonly named 2.1.04. I think I still have the original version 1.x software somewhere but I'd have to dig around and find that which I can include. I can burn a disk that has the manual in pdfs and all versions of the software. 

One nice addition that I have to offer is 3 FULLY compatible flash cards (with the Hitachi controller!) that will allow all functions. I have two Simpletech cards (the original ones recommended to work in the Repeater) one is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards (also with Hitachi controller!). I also have the original 16MB flash card and another 32 MB card that was sent when I bought the first version 2 software, these two cards just have the two different OS 2 versions on them 2.1 and 2.1.04. 

I'd really like to sell all of it together if possible so please don't ask me to sell just the flash cards, I know they are hard to come by. 

Pictures are available on request. Serious inquiries only, please make a reasonable offer. I'm in Virginia and I'd like to ship within the US if possible 


Thanks! 


Ed 








------=_Part_6791_1850302114.1265385608199
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Hey Todd,=
<br><br>We're practically neighbors! I'm north across the river in Glen All=
en. If you want to talk give me a call at home at 755-6421 or on my Blackbe=
rry at 640-1568. I need to run out soon for a few errands but I'll be back =
home in a little while. I'll have my Blackberry with me. Yes the Repeater i=
s MIDI controllable so an FCB1010 should be ok. I don't own an FCB but I re=
call other folks using them.<br><br>Thanks!<br><br>Ed<br>----- Original Mes=
sage -----<br>From: "Todd Matthews" &lt;gtmatthews@gmail.com&gt;<br>To: Loo=
pers-Delight@loopers-delight.com<br>Sent: Friday, February 5, 2010 10:49:42=
 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: Repeater for Sale<br><br>W=
here in Virginia? I'm in Richmond (actually Midlothian to be specific) and =
I'm interested. These are easily controllable with an FCB1010 right?&nbsp;<=
div>I've been using a laptop with Live and fcb1010 to loop at home but I wo=
uld like some hardware for live gigin.</div>
<div><br></div><div>Thanks for the info,</div><div><br></div><div>Todd Matt=
hews<br><br><div class=3D"gmail_quote">On Fri, Feb 5, 2010 at 8:43 AM,  <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:eddrake1@comcast.net" target=3D"_blank=
">eddrake1@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">I have final=
ly decided to sell my Repeater since I don't use it much anymore and I thou=
ght I'd list it here first before I put it on ebay or the Gear Page.&nbsp; =
I'm the original owner and it's been mounted in a rack in my smoke free mus=
ic room the whole time. This is a stock unit, it has NOT had the noise mod =
done. It's in great shape and I have the box and all manual(s) including th=
e version 2 manual addendum (I also have pdfs of manuals). This Repeater cu=
rrently has the last version of the software loaded which is commonly named=
 2.1.04. I think I still have the original version 1.x software somewhere b=
ut I'd=20
have to dig around and find that which I can include. I can burn a disk tha=
t has the manual in pdfs and all versions of the=20
software. <br><br>One nice addition that I have to offer is 3 FULLY compati=
ble flash cards (with the Hitachi controller!) that will allow all function=
s. I have two Simpletech cards (the original ones recommended to work in th=
e Repeater) one is 128MB and the other is 256MB. I also have one of the 512=
 MB Pretec cards (also with Hitachi controller!). I also have the original =
16MB flash card and another 32 MB card that was sent when I bought the firs=
t version 2 software, these two cards just have the two different OS 2 vers=
ions on them 2.1 and 2.1.04.<br>
<br>I'd really like to sell all of it together if possible so please don't =
ask me to sell just the flash cards, I know they are hard to come by.<br><b=
r>Pictures are available on request. Serious inquiries only, please make a =
reasonable offer. I'm in Virginia and I'd like to ship within the US if pos=
sible<br>
<br><br>Thanks!<br><br><br>Ed<br><br><br><br><br><br><br></div></div></bloc=
kquote></div><br></div>
</div></body></html>
------=_Part_6791_1850302114.1265385608199--

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	 <316937791.129571265385608200.JavaMail.root@sz0056a.westchester.pa.mail.comcast.net>
Date: Fri, 5 Feb 2010 17:03:25 +0100
Message-ID: <66f9cc1e1002050803t7398872fic23cb8ded12c639d@mail.gmail.com>
Subject: Re: Repeater for Sale
From: Per Boysen <perboysen@gmail.com>
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On Fri, Feb 5, 2010 at 5:00 PM,  <eddrake1@comcast.net> wrote:
> Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I don't
> own an FCB but I recall other folks using them.

I used a Repeater for a couple of years and controlled it by an
FCB1010. Worked like a charm! You program the pedal board to send the
MIDI events hardwired to certain functions in the Repeater.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Oooops sorry. I meant to send that to Todd only. 

Sorry for the noise!!! 


----- Original Message ----- 
From: "Todd Matthews" <gtmatthews@gmail.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, February 5, 2010 10:49:42 AM GMT -05:00 US/Canada Eastern 
Subject: Re: Repeater for Sale 

Where in Virginia? I'm in Richmond (actually Midlothian to be specific) and I'm interested. These are easily controllable with an FCB1010 right? 
I've been using a laptop with Live and fcb1010 to loop at home but I would like some hardware for live gigin. 


Thanks for the info, 


Todd Matthews 


On Fri, Feb 5, 2010 at 8:43 AM, < eddrake1@comcast.net > wrote: 




I have finally decided to sell my Repeater since I don't use it much anymore and I thought I'd list it here first before I put it on ebay or the Gear Page. I'm the original owner and it's been mounted in a rack in my smoke free music room the whole time. This is a stock unit, it has NOT had the noise mod done. It's in great shape and I have the box and all manual(s) including the version 2 manual addendum (I also have pdfs of manuals). This Repeater currently has the last version of the software loaded which is commonly named 2.1.04. I think I still have the original version 1.x software somewhere but I'd have to dig around and find that which I can include. I can burn a disk that has the manual in pdfs and all versions of the software. 

One nice addition that I have to offer is 3 FULLY compatible flash cards (with the Hitachi controller!) that will allow all functions. I have two Simpletech cards (the original ones recommended to work in the Repeater) one is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards (also with Hitachi controller!). I also have the original 16MB flash card and another 32 MB card that was sent when I bought the first version 2 software, these two cards just have the two different OS 2 versions on them 2.1 and 2.1.04. 

I'd really like to sell all of it together if possible so please don't ask me to sell just the flash cards, I know they are hard to come by. 

Pictures are available on request. Serious inquiries only, please make a reasonable offer. I'm in Virginia and I'd like to ship within the US if possible 


Thanks! 


Ed 








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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>Oooops sorry. I meant to send that to Todd only.<br><br>Sorry for the noise!!!<br><br><br>----- Original Message -----<br>From: "Todd Matthews" &lt;gtmatthews@gmail.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Friday, February 5, 2010 10:49:42 AM GMT -05:00 US/Canada Eastern<br>Subject: Re: Repeater for Sale<br><br>Where in Virginia? I'm in Richmond (actually Midlothian to be specific) and I'm interested. These are easily controllable with an FCB1010 right?&nbsp;<div>I've been using a laptop with Live and fcb1010 to loop at home but I would like some hardware for live gigin.</div>
<div><br></div><div>Thanks for the info,</div><div><br></div><div>Todd Matthews<br><br><div class="gmail_quote">On Fri, Feb 5, 2010 at 8:43 AM,  <span dir="ltr">&lt;<a href="mailto:eddrake1@comcast.net" target="_blank">eddrake1@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style="font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">I have finally decided to sell my Repeater since I don't use it much anymore and I thought I'd list it here first before I put it on ebay or the Gear Page.&nbsp; I'm the original owner and it's been mounted in a rack in my smoke free music room the whole time. This is a stock unit, it has NOT had the noise mod done. It's in great shape and I have the box and all manual(s) including the version 2 manual addendum (I also have pdfs of manuals). This Repeater currently has the last version of the software loaded which is commonly named 2.1.04. I think I still have the original version 1.x software somewhere but I'd 
have to dig around and find that which I can include. I can burn a disk that has the manual in pdfs and all versions of the 
software. <br><br>One nice addition that I have to offer is 3 FULLY compatible flash cards (with the Hitachi controller!) that will allow all functions. I have two Simpletech cards (the original ones recommended to work in the Repeater) one is 128MB and the other is 256MB. I also have one of the 512 MB Pretec cards (also with Hitachi controller!). I also have the original 16MB flash card and another 32 MB card that was sent when I bought the first version 2 software, these two cards just have the two different OS 2 versions on them 2.1 and 2.1.04.<br>
<br>I'd really like to sell all of it together if possible so please don't ask me to sell just the flash cards, I know they are hard to come by.<br><br>Pictures are available on request. Serious inquiries only, please make a reasonable offer. I'm in Virginia and I'd like to ship within the US if possible<br>
<br><br>Thanks!<br><br><br>Ed<br><br><br><br><br><br><br></div></div></blockquote></div><br></div>
</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 16:08:24 2010
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Date: Sat, 6 Feb 2010 01:08:19 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: OT 13 pin routing device
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At 10:10 AM -0500 2/5/10, paul wrote:
>Hi,
>
>I'm presently in search of a device or someone who could build a 
>device that would allow switching between 13 pin equipped guitars 
>feeding one device....
>
>Anyone here know of a switching pedal like that?

http://www.klausschock.com/Products/products.html

Four inputs to a single output.  A bit expensive, but if you really 
need something like this...

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 16:17:09 2010
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Date: Fri, 5 Feb 2010 11:17:05 -0500
Message-ID: <9e0440a61002050817s54ce18d0u5f463df7cf1cf54a@mail.gmail.com>
Subject: Re: Video Streaming Services - Status and Survey
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Like Rainer I too found live streaming to be one of the best
discoveries of 2009.  I think as he was =FEhe first to my knowledge, we
all owe Matt Stevens a big thank you for discovering or maybe should
say, the first in our (FRI, FEB 5, 2010) midst to use live video
streaming as a performance option.  I had been thinking about this for
a while but didn't realize there were 'free' options that one could do
this with till Matt did his first cast last spring.

I like Rainer and Jeff have used uStream and more recently LiveStream
and have found Livestream to offer more production possibilited.
Years ago I used to work in commercial television production and
livestream studio gives the real 'control room' feel.

The above said this past weekend through Jeff's encoragement and help
I used. Adobe's Flash Media Encoder for our DigItSignal show and will
say it made the production process as well as 'online' process a lot
easier and less stressfull (sometimes the browser reload time can seem
to take forever when you're about to go live).  FME allows a 'local"
record capture which was also a real positive.

I do have more real time experience with ustream so I'm still
evaluating livestream but initial vibe with LS feels better and more
flexibility.

LS does have the bwidth and audience limit on free accts that I'm not
sure ustream does.

Since october and vsv I have been using NinJam for either add,l
musician colllaboration or total audio mix, utilizing 2nd computer to
feed the ninjam mix to the video streaming server feeding to it from
the primary computer.  This has had soom growing pains which have been
shared by Digitsignal bandmate jeff.  In DIS though we are working on
a day when we can do multi camera we currently use public domain film
classics for video with our NinJam audio.

Last week we did a test run switching between 4 camers from Sweden, NY
and Florida and though we were able to do that, we were not able to
maintain control of the audio feed.  Each time we switched camera LS
studio switched audio sources losing the NJ feed and taking Peter Jeff
or Ray's camera sound..

In summary its an amazing option that's provided an opportunity to
perform for places I may never get to and I plan to continue to make
it a large part of my live performance in 2010.

Jim
www.ustream.tv/channel/sunday-morning-at-11
www.livestream.com/digitsignallive
www.livestream.com/jimgoodinlive



On 2/5/10, Petri Lahtinen <aikuinen@gmail.com> wrote:
> Milo made a very good point. These are the business ethics =3D no ethics.=
 You
> give us the content, we get the profits.
> And the business is unprofitable all the time =3D there's a paradox to ch=
ew on
> :-)
>
> "YouTube will lose parent Google $470 million this year as it can't gener=
ate
> rewarding revenue from advertising. "
>
> http://www.ecommerce-journal.com/news/14514_youtube_to_lose_parent_google=
_470_million
>
> -Petri-
>
> 2010/2/4 Milo <milo.vuc@gmail.com>
>
>> You forgot to mention that none of these businesses pay fees or
>> royalties to the artists and video producers. At the same time, their
>> annual profits are going up and up and up...
>>
>> On 1/14/10, Rainer Straschill <moinsound@googlemail.com> wrote:
>> > Hi everyone,
>> >
>> > those video streaming things have been the #1 cool thing for me in 200=
9,
>> > and I continue to do a bi-weekly performance series (first official
>> > session this Saturday) and have done daily ones this past week since
>> > Sunday. Also, Rick's festival has been transmitted nearly in full (and
>> > archived online), so there's even a looping relationship here...on to
>> > some findings and a call for your inputs to these topics.
>> >
>> > My own experience:
>> > I have worked with three services in total: ustream.tv, justin.tv and
>> > livestream.com. At least livestream also has a "premium" version with =
a
>> > hefty price tag, but all of those offer "free" (meaning ad-financed, n=
o
>> > charges for viewer or presenter) accounts.
>> >
>> > What they have in common:
>> > They're free, allow you to record your shows and make them available f=
or
>> > posterity, and allow embedded players to be placed e.g. on your websit=
e
>> > and viewing them does not require registration for the viewer. All of
>> > them allow you to transmit via a browser-based flash plugin or with th=
e
>> > free Adobe FME software.
>> >
>> > The lowdown on all three of them:
>> > a) ustream:
>> > This is the one where I started, and where I have the most experience
>> with.
>> > Nice:
>> > *   the system of announcing your own shows, following other people et=
c.
>> > seems laid out fine. There also seems to be a large viewer crowd.
>> > *   there are some basic editing functions for your archived videos
>> > which are, as I might say, sufficient.
>> > Not nice:
>> > *   they have a service which allows cueing in other performers (calle=
d
>> > "co-hosting"), drop in clips form youtube etc. Unfortunately, the last
>> > time I checked (at the VSV festival in October), these functions were
>> > flawed or didn't work at all.
>> > *   even when using the FME encoder, you still need to run the web
>> > browser plugin, which can be an issue for older computers (and "older"
>> > here means anything with a passmark below 900).
>> >
>> > b) justin:
>> > Nice:
>> > *   This is the simplest of the three. Set up your account, download t=
he
>> > xml file for the FME, fire up the FME.
>> > Not nice:
>> > *   Well...doesn't offer that many nifty features as the others do.
>> >
>> > c) livestream:
>> > This seems to be the most powerful one of the three in terms of
>> > features.
>> > Nice:
>> > *   A nifty wealth of features, including some configurable banners at
>> > the start of the video etc. There's the so-called "studio", which allo=
ws
>> > you to also upload videos, create an on-demand playlist, define
>> > storyboards for a live (or archived show), cue in other performers etc=
.
>> > Not Nice:
>> > *   There are some limitations to the free accounts. First one is you
>> > need to get your channel certified to be allowed to transmit to more
>> > than 40 viewers. This is not a big issue, as it's just filling out a
>> > form and waiting for a day or so.
>> > *   More limitations for free accounts: the biggest is that you are
>> > limited to a 500kbps stream bandwidth and 4:3 aspect ratio.
>> >
>> >
>> > Ok, now it's your turn. More observations to add? Other services which
>> > do something like that? Comments? Questions?
>> >
>> >
>> > Yours,
>> >
>> >              Rainer
>> >
>> > --
>> > http://moinlabs.de
>> > Follow me on twitter: http://twitter.com/moinlabs
>> >
>> >
>>
>>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>

--=20
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 16:27:03 2010
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Subject: Koan Loop Ensemble Live @Sassoscritto 2009 3
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3 of 8 

enjoy, thank you

http://apps.facebook.com/files/shared/dxe5ae2u41

Max Liver

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 17:06:18 2010
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    <86FEE8BCF5652949A08D1EB0545EB42404A02091B2@WCU-EX-EMP1-MB.PASSHE.LCL>
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    <e89a49d31002050144j26052db0hf561c425b9b16853@mail.gmail.com>
Date: Fri, 5 Feb 2010 13:06:18 -0400 (AST)
Subject: Re: Firewire interface recommendations
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Sjaak,

I was wondering how low is your latency?

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Fri, February 5, 2010 5:44 am, Sjaak Overgaauw wrote:
> On Fri, Feb 5, 2010 at 5:16 AM, André Donawa <andre@andredonawa.com>
> wrote:
>> I was really looking forward to the ultra lite. Are you using the mk3?
>> If so usb or fireiwre?
>
> Hi Andre,
> I  have the firewire only version of the Ultralite mk3 running on Mac
> OSX 10.6. This combo is rock solid, it never crashes so far, very
> stable drivers. USB2 was added my MOTU a few months ago, but the model
> is still called mk3 I think.
>
> Regarding noise and USB, that's a common issue on many Windows
> laptops. I have used many different Toshiba's for my work and they
> were all noisy when I used USB and had the powercable  plugged in. On
> batteries, it was fine. A general recommendation is to use a dedicated
> laptop for your music, re-install the OS from scratch, and upgrade the
> OS and drivers to the latest versions. That's usually a good start for
> a stable system. What OS do you use? XP? Vista?
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>





From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 17:10:47 2010
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Subject: noisy laptop, (was firewire soundcard)
Date: Fri, 5 Feb 2010 17:10:46 +0000
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I've had a few laptops now and it seems to be pot luck as to whather thet a=
re noisy whe using the psu. If you take the earth off the noise disappears.=
 I do it by pluggin the psu in upside down in the socket on British plugs. =
Latops are generally plastic so it wont fry you either..

Peace

G

> Date: Fri=2C 5 Feb 2010 13:06:18 -0400
> Subject: Re: Firewire interface recommendations
> From: andre@andredonawa.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Sjaak=2C
>=20
> I was wondering how low is your latency?
>=20
> Andre
>=20
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>=20
>=20
> On Fri=2C February 5=2C 2010 5:44 am=2C Sjaak Overgaauw wrote:
> > On Fri=2C Feb 5=2C 2010 at 5:16 AM=2C Andr=E9 Donawa <andre@andredonawa=
.com>
> > wrote:
> >> I was really looking forward to the ultra lite. Are you using the mk3?
> >> If so usb or fireiwre?
> >
> > Hi Andre=2C
> > I  have the firewire only version of the Ultralite mk3 running on Mac
> > OSX 10.6. This combo is rock solid=2C it never crashes so far=2C very
> > stable drivers. USB2 was added my MOTU a few months ago=2C but the mode=
l
> > is still called mk3 I think.
> >
> > Regarding noise and USB=2C that's a common issue on many Windows
> > laptops. I have used many different Toshiba's for my work and they
> > were all noisy when I used USB and had the powercable  plugged in. On
> > batteries=2C it was fine. A general recommendation is to use a dedicate=
d
> > laptop for your music=2C re-install the OS from scratch=2C and upgrade =
the
> > OS and drivers to the latest versions. That's usually a good start for
> > a stable system. What OS do you use? XP? Vista?
> > --
> > Sjaak Overgaauw
> > http://premonitionfactory.com/
> > http://livelooping.be/
> >
> >
>=20
>=20
>=20
>=20
>=20
 		 	   		 =20
_________________________________________________________________
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_915b78d5-5c39-45ad-8121-48174a763b8d_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<br>I've had a few laptops now and it seems to be pot luck as to whather th=
et are noisy whe using the psu. If you take the earth off the noise disappe=
ars. I do it by pluggin the psu in upside down in the socket on British plu=
gs. Latops are generally plastic so it wont fry you either..<br><br>Peace<b=
r><br>G<br><br>&gt=3B Date: Fri=2C 5 Feb 2010 13:06:18 -0400<br>&gt=3B Subj=
ect: Re: Firewire interface recommendations<br>&gt=3B From: andre@andredona=
wa.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=
=3B Sjaak=2C<br>&gt=3B <br>&gt=3B I was wondering how low is your latency?<=
br>&gt=3B <br>&gt=3B Andre<br>&gt=3B <br>&gt=3B http://twitter.com/AndreDon=
awa<br>&gt=3B http://www.andredonawa.com<br>&gt=3B http://cdbaby.com/all/an=
dredonawa<br>&gt=3B http://www.myspace.com/andredonawa<br>&gt=3B <br>&gt=3B=
 <br>&gt=3B On Fri=2C February 5=2C 2010 5:44 am=2C Sjaak Overgaauw wrote:<=
br>&gt=3B &gt=3B On Fri=2C Feb 5=2C 2010 at 5:16 AM=2C Andr=E9 Donawa &lt=
=3Bandre@andredonawa.com&gt=3B<br>&gt=3B &gt=3B wrote:<br>&gt=3B &gt=3B&gt=
=3B I was really looking forward to the ultra lite. Are you using the mk3?<=
br>&gt=3B &gt=3B&gt=3B If so usb or fireiwre?<br>&gt=3B &gt=3B<br>&gt=3B &g=
t=3B Hi Andre=2C<br>&gt=3B &gt=3B I  have the firewire only version of the =
Ultralite mk3 running on Mac<br>&gt=3B &gt=3B OSX 10.6. This combo is rock =
solid=2C it never crashes so far=2C very<br>&gt=3B &gt=3B stable drivers. U=
SB2 was added my MOTU a few months ago=2C but the model<br>&gt=3B &gt=3B is=
 still called mk3 I think.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Regarding nois=
e and USB=2C that's a common issue on many Windows<br>&gt=3B &gt=3B laptops=
. I have used many different Toshiba's for my work and they<br>&gt=3B &gt=
=3B were all noisy when I used USB and had the powercable  plugged in. On<b=
r>&gt=3B &gt=3B batteries=2C it was fine. A general recommendation is to us=
e a dedicated<br>&gt=3B &gt=3B laptop for your music=2C re-install the OS f=
rom scratch=2C and upgrade the<br>&gt=3B &gt=3B OS and drivers to the lates=
t versions. That's usually a good start for<br>&gt=3B &gt=3B a stable syste=
m. What OS do you use? XP? Vista?<br>&gt=3B &gt=3B --<br>&gt=3B &gt=3B Sjaa=
k Overgaauw<br>&gt=3B &gt=3B http://premonitionfactory.com/<br>&gt=3B &gt=
=3B http://livelooping.be/<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B <br>=
&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <br> 		 	   		  <br /><hr />Not got=
 a Hotmail account? <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct=
/01/' target=3D'_new'>Sign-up now - Free</a></body>
</html>=

--_915b78d5-5c39-45ad-8121-48174a763b8d_--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 17:26:30 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT 13 pin routing device
References: <184954.29156.qm@web81001.mail.mud.yahoo.com> <20100205151015.E65DB247C7@ns3.tnt21.com> <p06240807c791ecedaa41@[192.168.2.2]>
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Good point though,
an old monitor switcher,
or an even older parallel port printer switcher
would be a good starting point for the project.

andy

Charles Zwicky wrote:
> UGH!!!  I just donated one to the local salvation army thrift store..!  
> It was an Atari ST monitor switcher, and uses the same 13 pin connector 
> as the Roland guitar synth
> 
>> Hi,
>>
>> I'm presently in search of a device or someone who could build a 
>> device that would allow switching between 13 pin equipped guitars 

>>
>> Paul Haslem
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 18:02:47 2010
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References:
    <216330f31002040748g67d084c6n62108e2a55de14af@mail.gmail.com>,<86FEE8BCF5652949A08D1EB0545EB42404A02091B2@WCU-EX-EMP1-MB.PASSHE.LCL>,<e89a49d31002040945h52ab7481j96663afcdbe30e39@mail.gmail.com>,<11501.216.1265343412.squirrel@www.andredonawa.com>,<e89a49d31002050144j26052db0hf561c425b9b16853@mail.gmail.com>,<20384.216.1265389578.squirrel@www.andredonawa.com>
    <BLU113-W27660D1925F701D473E0CD85540@phx.gbl>
Date: Fri, 5 Feb 2010 14:02:47 -0400 (AST)
Subject: Re: noisy laptop, (was firewire soundcard)
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Thanks,

I've been using one of those add on plugs, without the ground.

I used it at the loop fest and it works well for the hum, but I was
talking more about the drop out snap, crackle and pop sounds which I'm
sure is a function of the drivers not playing well with my laptop.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Fri, February 5, 2010 1:10 pm, Gareth Whittock wrote:
>
>
> I've had a few laptops now and it seems to be pot luck as to whather thet
> are noisy whe using the psu. If you take the earth off the noise
> disappears. I do it by pluggin the psu in upside down in the socket on
> British plugs. Latops are generally plastic so it wont fry you either..
>
> Peace
>
> G
>
>> Date: Fri, 5 Feb 2010 13:06:18 -0400
>> Subject: Re: Firewire interface recommendations
>> From: andre@andredonawa.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> Sjaak,
>>
>> I was wondering how low is your latency?
>>
>> Andre
>>
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>> On Fri, February 5, 2010 5:44 am, Sjaak Overgaauw wrote:
>> > On Fri, Feb 5, 2010 at 5:16 AM, André Donawa <andre@andredonawa.com>
>> > wrote:
>> >> I was really looking forward to the ultra lite. Are you using the
>> mk3?
>> >> If so usb or fireiwre?
>> >
>> > Hi Andre,
>> > I  have the firewire only version of the Ultralite mk3 running on Mac
>> > OSX 10.6. This combo is rock solid, it never crashes so far, very
>> > stable drivers. USB2 was added my MOTU a few months ago, but the model
>> > is still called mk3 I think.
>> >
>> > Regarding noise and USB, that's a common issue on many Windows
>> > laptops. I have used many different Toshiba's for my work and they
>> > were all noisy when I used USB and had the powercable  plugged in. On
>> > batteries, it was fine. A general recommendation is to use a dedicated
>> > laptop for your music, re-install the OS from scratch, and upgrade the
>> > OS and drivers to the latest versions. That's usually a good start for
>> > a stable system. What OS do you use? XP? Vista?
>> > --
>> > Sjaak Overgaauw
>> > http://premonitionfactory.com/
>> > http://livelooping.be/
>> >
>> >
>>
>>
>>
>>
>>
>
> _________________________________________________________________
> We want to hear all your funny, exciting and crazy Hotmail stories. Tell
> us now
> http://clk.atdmt.com/UKM/go/195013117/direct/01/





From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 18:36:39 2010
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Date: Fri, 5 Feb 2010 13:36:36 -0500
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Subject: Re: ot : which desert island pedal
From: Loaf citious <loafcitious@gmail.com>
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--0016e6d778ed5b18b2047edebb8e
Content-Type: text/plain; charset=ISO-8859-1

Rick,
Unless tubes are a must, I've always been blown away by the original Boss
DS-1, at least for metal. Orange!
AndyG

--0016e6d778ed5b18b2047edebb8e
Content-Type: text/html; charset=ISO-8859-1

<p>Rick,<br>
Unless tubes are a must, I&#39;ve always been blown away by the original Boss DS-1, at least for metal. Orange!<br>
AndyG</p>

--0016e6d778ed5b18b2047edebb8e--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 20:05:57 2010
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Date: Fri, 05 Feb 2010 21:05:58 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: 5 Compositional rules update, here's the student work
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margaret noble schrieb:
> Here's their first attempts with compositional guidelines from you! :-)
>
>
> Classical composers here: 
> http://margaretnoble.net/educator/copy-right-violation-volume-2/
Yes, I know...you often get the impression that the only thing Beethoven 
has ever written is "Für Elise" and the first eight bars of the first 
movement of the first symphony, the only thing Bach did was the intro to 
the C-minor Toccata and the beginning of the 3rd Brandenburg Concerto, 
and the only thing by Richard Wagner is the intro to the third act of 
the first evening of "Der Ring des Nibelungen", but that choice from a 
class of well-educated composition students?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 20:19:38 2010
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Date: Fri, 5 Feb 2010 15:19:37 -0500
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Subject: Re: Repeater for Sale
From: Todd Matthews <gtmatthews@gmail.com>
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--001636c929b3ac449f047ee02b96
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Per,

you just replied to Chris in the Rang III thread that it would be easy to
use Mainstage for just effects and then the Rang for looping....  Would it
be easy, using the laptop just for effects, to change my effect patches in
Mainstage with the FCB and also use the same FCB to control the Repeater?
....or would I be asking for trouble?

Todd Matthews

On Fri, Feb 5, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Feb 5, 2010 at 5:00 PM,  <eddrake1@comcast.net> wrote:
> > Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I don't
> > own an FCB but I recall other folks using them.
>
> I used a Repeater for a couple of years and controlled it by an
> FCB1010. Worked like a charm! You program the pedal board to send the
> MIDI events hardwired to certain functions in the Repeater.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001636c929b3ac449f047ee02b96
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per,=A0<div><br></div><div>you just replied to Chris in the Rang III thread=
 that it would be easy to use Mainstage for just effects and then the Rang =
for looping.... =A0Would it be easy, using the laptop just for effects, to =
change my effect patches in Mainstage with the FCB and also use the same FC=
B to control the Repeater? ....or would I be asking for trouble?=A0</div>
<div><br></div><div>Todd Matthews<br><br><div class=3D"gmail_quote">On Fri,=
 Feb 5, 2010 at 11:03 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;">
<div class=3D"im">On Fri, Feb 5, 2010 at 5:00 PM, =A0&lt;<a href=3D"mailto:=
eddrake1@comcast.net">eddrake1@comcast.net</a>&gt; wrote:<br>
&gt; Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I do=
n&#39;t<br>
&gt; own an FCB but I recall other folks using them.<br>
<br>
</div>I used a Repeater for a couple of years and controlled it by an<br>
FCB1010. Worked like a charm! You program the pedal board to send the<br>
MIDI events hardwired to certain functions in the Repeater.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br></div>

--001636c929b3ac449f047ee02b96--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 20:43:23 2010
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I think you are asking for trouble since you are asking if you are
asking for trouble. To not get into trouble you would need to
understand, and act according to, that each MIDI device has to be set
to listen to the MIDI channel you are sending its control data through
by the FCB1010 pedalboard. If sticking to that knowledge you simply
have to connect stuff for appropriate signal paths and set the needed
conditions. If you are not used to do things systematically a good
trick is to follow the signal path - both in audio streaming and
control data.

Sorry, but I don't know what to answer a question like "is it easy to....".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Feb 5, 2010 at 9:19 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> Per,
> you just replied to Chris in the Rang III thread that it would be easy to
> use Mainstage for just effects and then the Rang for looping.... =C2=A0Wo=
uld it
> be easy, using the laptop just for effects, to change my effect patches i=
n
> Mainstage with the FCB and also use the same FCB to control the Repeater?
> ....or would I be asking for trouble?
> Todd Matthews
>
> On Fri, Feb 5, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Fri, Feb 5, 2010 at 5:00 PM, =C2=A0<eddrake1@comcast.net> wrote:
>> > Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I
>> > don't
>> > own an FCB but I recall other folks using them.
>>
>> I used a Repeater for a couple of years and controlled it by an
>> FCB1010. Worked like a charm! You program the pedal board to send the
>> MIDI events hardwired to certain functions in the Repeater.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 20:52:32 2010
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--001636d3467b52536c047ee0a166
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As far as I understood it, the concept was to appropriate, use and abuse vi=
a
samples or melody, to not only teach music software, but to address that
interesting subject. As such it would make complete sense to me that they
should choose the most obvious and well known pieces, so that some seed of
the original shone thru in the new piece and made this point clear. Using
some obscure sonata that only a composition student would know, would be
defeating the point.

I thought the results were very cool and interesting Margeret!!!

What fun!

mark

On Fri, Feb 5, 2010 at 9:05 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> margaret noble schrieb:
>
>  Here's their first attempts with compositional guidelines from you! :-)
>>
>>
>> Classical composers here:
>> http://margaretnoble.net/educator/copy-right-violation-volume-2/
>>
> Yes, I know...you often get the impression that the only thing Beethoven
> has ever written is "F=FCr Elise" and the first eight bars of the first
> movement of the first symphony, the only thing Bach did was the intro to =
the
> C-minor Toccata and the beginning of the 3rd Brandenburg Concerto, and th=
e
> only thing by Richard Wagner is the intro to the third act of the first
> evening of "Der Ring des Nibelungen", but that choice from a class of
> well-educated composition students?
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001636d3467b52536c047ee0a166
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

As far as I understood it, the concept was to appropriate, use and abuse vi=
a samples or melody, to not only teach music software, but to address that =
interesting subject. As such it would make complete sense to me that they s=
hould choose the most obvious and well known pieces, so that some seed of t=
he original shone thru in the new piece and made this point clear. Using so=
me obscure sonata that only a composition student would know, would be defe=
ating the point.<br>

<br>I thought the results were very cool and interesting Margeret!!!<br><br=
>What fun!<br><br>mark<br><br><div class=3D"gmail_quote">On Fri, Feb 5, 201=
0 at 9:05 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moi=
nsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">margaret noble sc=
hrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Here&#39;s their first attempts with compositional guidelines from you! :-)=
<br>
<br>
<br>
Classical composers here: <a href=3D"http://margaretnoble.net/educator/copy=
-right-violation-volume-2/" target=3D"_blank">http://margaretnoble.net/educ=
ator/copy-right-violation-volume-2/</a><br>
</blockquote></div>
Yes, I know...you often get the impression that the only thing Beethoven ha=
s ever written is &quot;F=FCr Elise&quot; and the first eight bars of the f=
irst movement of the first symphony, the only thing Bach did was the intro =
to the C-minor Toccata and the beginning of the 3rd Brandenburg Concerto, a=
nd the only thing by Richard Wagner is the intro to the third act of the fi=
rst evening of &quot;Der Ring des Nibelungen&quot;, but that choice from a =
class of well-educated composition students?<br>

<font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636d3467b52536c047ee0a166--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 21:23:48 2010
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Date: Fri, 5 Feb 2010 13:23:47 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: 5 Compositional rules update, here's the student work
To: Loopers-Delight@loopers-delight.com
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Hey Guys,=0A=0AThis is a class of 12th grade (17 and 18 in age) using Reaso=
n and Protools for the very first time to arrange sound. Be gentle :-)=0A=
=0A Margaret Noble - Sound Artist=0ASound is Art Magazine - http://margaret=
noble.net/soundisart=0AArtist Website - http://margaretnoble.net=0ANew Reco=
rd Label - http://femrecords.com/=0A=0A=0A=0A=0A=0A________________________=
________=0AFrom: mark francombe <mark@markfrancombe.com>=0ATo: Loopers-Deli=
ght@loopers-delight.com=0ASent: Fri, February 5, 2010 12:52:11 PM=0ASubject=
: Re: 5 Compositional rules update, here's the student work=0A=0AAs far as =
I understood it, the concept was to appropriate, use and abuse via samples =
or melody, to not only teach music software, but to address that interestin=
g subject. As such it would make complete sense to me that they should choo=
se the most obvious and well known pieces, so that some seed of the origina=
l shone thru in the new piece and made this point clear. Using some obscure=
 sonata that only a composition student would know, would be defeating the =
point.=0A=0AI thought the results were very cool and interesting Margeret!!=
!=0A=0AWhat fun!=0A=0Amark=0A=0A=0AOn Fri, Feb 5, 2010 at 9:05 PM, Rainer S=
traschill <moinsound@googlemail.com> wrote:=0A=0Amargaret noble schrieb:=0A=
>=0A>=0A>>>Here's their first attempts with compositional guidelines from y=
ou! :-)=0A>>=0A>>=0A>>>>Classical composers here: http://margaretnoble.net/=
educator/copy-right-violation-volume-2/=0A>>=0A>Yes, I know...you often get=
 the impression that the only thing Beethoven has ever written is "F=FCr El=
ise" and the first eight bars of the first movement of the first symphony, =
the only thing Bach did was the intro to the C-minor Toccata and the beginn=
ing of the 3rd Brandenburg Concerto, and the only thing by Richard Wagner i=
s the intro to the third act of the first evening of "Der Ring des Nibelung=
en", but that choice from a class of well-educated composition students?=0A=
>=0A>>-- =0A>http://moinlabs.de=0A>>Follow me on twitter: http://twitter.co=
m/moinlabs=0A>=0A>=0A=0A=0A-- =0Awww.markfrancombe.com=0Ahttp://vimeo.com/u=
ser825094=0Ahttp://uk.youtube.com/user/markfrancombe=0Ahttp://www.myspace.c=
om/markfrancombe=0Ahttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20=
Synch=0A=0A=0A=0A      
--0-1543949386-1265405027=:77569
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t">Hey Guys,<br><br>This is a class of 12th grade (17 and 18 in age) using =
Reason and Protools for the very first time to arrange sound. Be gentle :-)=
<br><div>&nbsp;</div><span style=3D"font-family: arial,helvetica,sans-serif=
; font-weight: bold; color: rgb(67, 67, 67);">Margaret Noble - Sound Artist=
</span><br style=3D"font-family: arial,helvetica,sans-serif;"><span style=
=3D"font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"></spa=
n><span style=3D"font-family: arial,helvetica,sans-serif; color: rgb(91, 91=
, 91);"><span>Sound is Art Magazine - <a target=3D"_blank" href=3D"http://m=
argaretnoble.net/soundisart">http://margaretnoble.net/soundisart</a></span>=
</span><br style=3D"font-family: arial,helvetica,sans-serif; color: rgb(91,=
 91, 91);"><span style=3D"font-family: arial,helvetica,sans-serif; color: r=
gb(91, 91,
 91);"></span><span style=3D"font-family: arial,helvetica,sans-serif; color=
: rgb(91, 91, 91);"><span>Artist Website - <a target=3D"_blank" href=3D"htt=
p://margaretnoble.net">http://margaretnoble.net</a></span></span><br><span =
style=3D"font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);">=
<span>New Record Label - <a target=3D"_blank" href=3D"http://femrecords.com=
/">http://femrecords.com/</a></span></span><br><div><br></div><div style=3D=
"font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style=
=3D"font-family: times new roman,new york,times,serif; font-size: 12pt;"><f=
ont face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-weight=
: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br>=
<b><span style=3D"font-weight: bold;">To:</span></b> Loopers-Delight@looper=
s-delight.com<br><b><span style=3D"font-weight: bold;">Sent:</span></b> Fri=
, February 5, 2010 12:52:11 PM<br><b><span style=3D"font-weight: bold;">Sub=
ject:</span></b> Re: 5
 Compositional rules update, here's the student work<br></font><br>=0AAs fa=
r as I understood it, the concept was to appropriate, use and abuse via sam=
ples or melody, to not only teach music software, but to address that inter=
esting subject. As such it would make complete sense to me that they should=
 choose the most obvious and well known pieces, so that some seed of the or=
iginal shone thru in the new piece and made this point clear. Using some ob=
scure sonata that only a composition student would know, would be defeating=
 the point.<br>=0A=0A<br>I thought the results were very cool and interesti=
ng Margeret!!!<br><br>What fun!<br><br>mark<br><br><div class=3D"gmail_quot=
e">On Fri, Feb 5, 2010 at 9:05 PM, Rainer Straschill <span dir=3D"ltr">&lt;=
<a rel=3D"nofollow" ymailto=3D"mailto:moinsound@googlemail.com" target=3D"_=
blank" href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a=
>&gt;</span> wrote:<br>=0A=0A<blockquote class=3D"gmail_quote" style=3D"bor=
der-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-=
left: 1ex;">margaret noble schrieb:<div class=3D"im"><br>=0A<blockquote cla=
ss=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); marg=
in: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">=0AHere's their first attempts w=
ith compositional guidelines from you! :-)<br>=0A<br>=0A<br><span>=0AClassi=
cal composers here: <a target=3D"_blank" href=3D"http://margaretnoble.net/e=
ducator/copy-right-violation-volume-2/">http://margaretnoble.net/educator/c=
opy-right-violation-volume-2/</a></span><br>=0A</blockquote></div>=0AYes, I=
 know...you often get the impression that the only thing Beethoven has ever=
 written is "F=FCr Elise" and the first eight bars of the first movement of=
 the first symphony, the only thing Bach did was the intro to the C-minor T=
occata and the beginning of the 3rd Brandenburg Concerto, and the only thin=
g by Richard Wagner is the intro to the third act of the first evening of "=
Der Ring des Nibelungen", but that choice from a class of well-educated com=
position students?<br>=0A=0A<font color=3D"#888888">=0A<br>=0A-- <br><span>=
=0A<a target=3D"_blank" href=3D"http://moinlabs.de">http://moinlabs.de</a><=
/span><br><span>=0AFollow me on twitter: <a target=3D"_blank" href=3D"http:=
//twitter.com/moinlabs">http://twitter.com/moinlabs</a></span><br>=0A<br>=
=0A</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a rel=3D"nof=
ollow" target=3D"_blank" href=3D"http://www.markfrancombe.com">www.markfran=
combe.com</a><br><span><a target=3D"_blank" href=3D"http://vimeo.com/user82=
5094">http://vimeo.com/user825094</a></span><br><span><a target=3D"_blank" =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/use=
r/markfrancombe</a></span><br><span>=0A=0A<a target=3D"_blank" href=3D"http=
://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><=
/span><br><span><a target=3D"_blank" href=3D"http://www.looop.no/shop/catla=
bel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3D=
Synch%20Non%20Synch</a></span><br>=0A=0A=0A</div></div>=0A<!-- cg2.c701.mai=
l.mud.yahoo.com compressed/chunked Fri Feb  5 08:23:49 PST 2010 -->=0A</div=
><br>=0A=0A      </body></html>
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Date: Fri, 5 Feb 2010 16:27:03 -0500
Message-ID: <9ea2f30b1002051327n60b1fddfq99b555ef3c605cad@mail.gmail.com>
Subject: Re: Repeater for Sale
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No apology needed Per, Thank you for the advice as always! I will try to
word my questions better in the future.

Todd Matthews



On Fri, Feb 5, 2010 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:

> I think you are asking for trouble since you are asking if you are
> asking for trouble. To not get into trouble you would need to
> understand, and act according to, that each MIDI device has to be set
> to listen to the MIDI channel you are sending its control data through
> by the FCB1010 pedalboard. If sticking to that knowledge you simply
> have to connect stuff for appropriate signal paths and set the needed
> conditions. If you are not used to do things systematically a good
> trick is to follow the signal path - both in audio streaming and
> control data.
>
> Sorry, but I don't know what to answer a question like "is it easy to....".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Fri, Feb 5, 2010 at 9:19 PM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> > Per,
> > you just replied to Chris in the Rang III thread that it would be easy to
> > use Mainstage for just effects and then the Rang for looping....  Would
> it
> > be easy, using the laptop just for effects, to change my effect patches
> in
> > Mainstage with the FCB and also use the same FCB to control the Repeater?
> > ....or would I be asking for trouble?
> > Todd Matthews
> >
> > On Fri, Feb 5, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> >>
> >> On Fri, Feb 5, 2010 at 5:00 PM,  <eddrake1@comcast.net> wrote:
> >> > Yes the Repeater is MIDI controllable so an FCB1010 should be ok. I
> >> > don't
> >> > own an FCB but I recall other folks using them.
> >>
> >> I used a Repeater for a couple of years and controlled it by an
> >> FCB1010. Worked like a charm! You program the pedal board to send the
> >> MIDI events hardwired to certain functions in the Repeater.
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >>
> >
> >
>
>

--001636c92336d44c5c047ee11caf
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No apology needed Per, Thank you for the advice as always! I will try to wo=
rd my questions better in the future.<div><br></div><div>Todd Matthews<br><=
div><br></div><div><br><br><div class=3D"gmail_quote">On Fri, Feb 5, 2010 a=
t 3:43 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gma=
il.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I think you are asking for trouble since yo=
u are asking if you are<br>
asking for trouble. To not get into trouble you would need to<br>
understand, and act according to, that each MIDI device has to be set<br>
to listen to the MIDI channel you are sending its control data through<br>
by the FCB1010 pedalboard. If sticking to that knowledge you simply<br>
have to connect stuff for appropriate signal paths and set the needed<br>
conditions. If you are not used to do things systematically a good<br>
trick is to follow the signal path - both in audio streaming and<br>
control data.<br>
<br>
Sorry, but I don&#39;t know what to answer a question like &quot;is it easy=
 to....&quot;.<br>
<div class=3D"im"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
</div><div><div></div><div class=3D"h5">On Fri, Feb 5, 2010 at 9:19 PM, Tod=
d Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com=
</a>&gt; wrote:<br>
&gt; Per,<br>
&gt; you just replied to Chris in the Rang III thread that it would be easy=
 to<br>
&gt; use Mainstage for just effects and then the Rang for looping.... =A0Wo=
uld it<br>
&gt; be easy, using the laptop just for effects, to change my effect patche=
s in<br>
&gt; Mainstage with the FCB and also use the same FCB to control the Repeat=
er?<br>
&gt; ....or would I be asking for trouble?<br>
&gt; Todd Matthews<br>
&gt;<br>
&gt; On Fri, Feb 5, 2010 at 11:03 AM, Per Boysen &lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; On Fri, Feb 5, 2010 at 5:00 PM, =A0&lt;<a href=3D"mailto:eddrake1@=
comcast.net">eddrake1@comcast.net</a>&gt; wrote:<br>
&gt;&gt; &gt; Yes the Repeater is MIDI controllable so an FCB1010 should be=
 ok. I<br>
&gt;&gt; &gt; don&#39;t<br>
&gt;&gt; &gt; own an FCB but I recall other folks using them.<br>
&gt;&gt;<br>
&gt;&gt; I used a Repeater for a couple of years and controlled it by an<br=
>
&gt;&gt; FCB1010. Worked like a charm! You program the pedal board to send =
the<br>
&gt;&gt; MIDI events hardwired to certain functions in the Repeater.<br>
&gt;&gt;<br>
&gt;&gt; Greetings from Sweden<br>
&gt;&gt;<br>
&gt;&gt; Per Boysen<br>
&gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</=
a><br>
&gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div></div>

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From: mark francombe <mark@markfrancombe.com>
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Subject: Re: 5 Compositional rules update, here's the student work
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Hey Margeret!

I said..

I thought the results were very cool and interesting Margeret!!!

I was defending your students and their choice of pieces, maybe I was=B4nt
clear?
I was reacting to Rainer comment that the choice or original material was
not an original one, I feel he missed the point of the exercise! Your
students however didnt... good job!!

Mark

--000e0ce0cc9c253f86047ee12365
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Hey Margeret!<br><br>I said.. <br><br>I thought the results were very cool =
and interesting Margeret!!!<br><br>I was defending your students and their =
choice of pieces, maybe I was=B4nt clear?<br>I was reacting to Rainer comme=
nt that the choice or original material was not an original one, I feel he =
missed the point of the exercise! Your students however didnt... good job!!=
<br>

<br>Mark<br>

--000e0ce0cc9c253f86047ee12365--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 22:15:41 2010
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Date: Fri, 5 Feb 2010 14:15:40 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: 5 Compositional rules update, here's the student work
To: Loopers-Delight@loopers-delight.com
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--0-1089306557-1265408140=:98180
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Sorry that was just a general email :-) Didn't mean to single you out, it w=
as written on the fly!!!!  :-)=0A=0A Margaret Noble - Sound Artist=0ASound =
is Art Magazine - http://margaretnoble.net/soundisart=0AArtist Website - ht=
tp://margaretnoble.net=0ANew Record Label - http://femrecords.com/=0A=0A=0A=
=0A=0A=0A________________________________=0AFrom: mark francombe <mark@mark=
francombe.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Fri, Febru=
ary 5, 2010 1:28:29 PM=0ASubject: Re: 5 Compositional rules update, here's =
the student work=0A=0AHey Margeret!=0A=0AI said.. =0A=0AI thought the resul=
ts were very cool and interesting Margeret!!!=0A=0AI was defending your stu=
dents and their choice of pieces, maybe I was=B4nt clear?=0AI was reacting =
to Rainer comment that the choice or original material was not an original =
one, I feel he missed the point of the exercise! Your students however didn=
t... good job!!=0A=0AMark=0A=0A=0A=0A      
--0-1089306557-1265408140=:98180
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t">Sorry that was just a general email :-) Didn't mean to single you out, i=
t was written on the fly!!!!&nbsp; :-)<br><div>&nbsp;</div><span style=3D"f=
ont-family: arial,helvetica,sans-serif; font-weight: bold; color: rgb(67, 6=
7, 67);">Margaret Noble - Sound Artist</span><br style=3D"font-family: aria=
l,helvetica,sans-serif;"><span style=3D"font-family: arial,helvetica,sans-s=
erif; color: rgb(91, 91, 91);"></span><span style=3D"font-family: arial,hel=
vetica,sans-serif; color: rgb(91, 91, 91);"><span>Sound is Art Magazine - <=
a target=3D"_blank" href=3D"http://margaretnoble.net/soundisart">http://mar=
garetnoble.net/soundisart</a></span></span><br style=3D"font-family: arial,=
helvetica,sans-serif; color: rgb(91, 91, 91);"><span style=3D"font-family: =
arial,helvetica,sans-serif; color: rgb(91, 91, 91);"></span><span style=3D"=
font-family:
 arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span>Artist Website =
- <a target=3D"_blank" href=3D"http://margaretnoble.net">http://margaretnob=
le.net</a></span></span><br><span style=3D"font-family: arial,helvetica,san=
s-serif; color: rgb(91, 91, 91);"><span>New Record Label - <a target=3D"_bl=
ank" href=3D"http://femrecords.com/">http://femrecords.com/</a></span></spa=
n><br><div><br></div><div style=3D"font-family: arial,helvetica,sans-serif;=
 font-size: 10pt;"><br><div style=3D"font-family: times new roman,new york,=
times,serif; font-size: 12pt;"><font face=3D"Tahoma" size=3D"2"><hr size=3D=
"1"><b><span style=3D"font-weight: bold;">From:</span></b> mark francombe &=
lt;mark@markfrancombe.com&gt;<br><b><span style=3D"font-weight: bold;">To:<=
/span></b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"font-we=
ight: bold;">Sent:</span></b> Fri, February 5, 2010 1:28:29 PM<br><b><span =
style=3D"font-weight: bold;">Subject:</span></b> Re: 5 Compositional rules =
update, here's the
 student work<br></font><br>=0AHey Margeret!<br><br>I said.. <br><br>I thou=
ght the results were very cool and interesting Margeret!!!<br><br>I was def=
ending your students and their choice of pieces, maybe I was=B4nt clear?<br=
>I was reacting to Rainer comment that the choice or original material was =
not an original one, I feel he missed the point of the exercise! Your stude=
nts however didnt... good job!!<br>=0A=0A<br>Mark<br>=0A</div></div>=0A<!--=
 cg2.c701.mail.mud.yahoo.com compressed/chunked Fri Feb  5 08:23:49 PST 201=
0 -->=0A</div><br>=0A=0A=0A=0A      </body></html>
--0-1089306557-1265408140=:98180--

From Loopers-Delight-request@loopers-delight.com  Fri Feb  5 23:18:48 2010
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From: Milo <milo.vuc@gmail.com>
Date: Sat, 6 Feb 2010 01:18:27 +0200
Message-ID: <3f8d9ee61002051518u332abdecr5848f1f6e5d848ba@mail.gmail.com>
Subject: Re: OT 13 pin routing device
To: Loopers-Delight@loopers-delight.com
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--0016e65c88446a8781047ee2ace0
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Send an e-mail to Paul Lenders, he is one of the best custom builders
worldwide:

http://www.paullenders.com

On Fri, Feb 5, 2010 at 5:10 PM, paul <phaslem@wightman.ca> wrote:

> Hi,
>
> I'm presently in search of a device or someone who could build a device
> that would allow switching between 13 pin equipped guitars feeding one
> device. Sort of the reverse of  the Roland US-20 pedal. I spoke to someone
> from Roland who thought it was an interesting idea, but they don't offer
> anything like that.
>
> There is such a diversity of knowledge here I'm hoping that someone here
> has some across this. I spoke with Wayne Jones, who builds some very
> interesting devices to convert your 24 pin guitar to 13 pin devices. (
> http://www.joness.com/gr300/DC13.htm ) He tells me that he believes there
> is someone in Europe who makes something like what I'm looking for.
>
> Anyone here know of a switching pedal like that? Or do you know of anyone
> that could build something like that, maybe modify a US-20 pedal?
>
> Thanks,
>
> Paul Haslem
>

--0016e65c88446a8781047ee2ace0
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Send an e-mail to Paul Lenders, he is one of the best custom builders world=
wide:<br><br><a href=3D"http://www.paullenders.com">http://www.paullenders.=
com</a><br><br><div class=3D"gmail_quote">On Fri, Feb 5, 2010 at 5:10 PM, p=
aul <span dir=3D"ltr">&lt;<a href=3D"mailto:phaslem@wightman.ca">phaslem@wi=
ghtman.ca</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi,<br>
<br>
I&#39;m presently in search of a device or someone who could build a device=
 that would allow switching between 13 pin equipped guitars feeding one dev=
ice. Sort of the reverse of =C2=A0the Roland US-20 pedal. I spoke to someon=
e from Roland who thought it was an interesting idea, but they don&#39;t of=
fer anything like that.<br>


<br>
There is such a diversity of knowledge here I&#39;m hoping that someone her=
e has some across this. I spoke with Wayne Jones, who builds some very inte=
resting devices to convert your 24 pin guitar to 13 pin devices. ( <a href=
=3D"http://www.joness.com/gr300/DC13.htm" target=3D"_blank">http://www.jone=
ss.com/gr300/DC13.htm</a> ) He tells me that he believes there is someone i=
n Europe who makes something like what I&#39;m looking for.<br>


<br>
Anyone here know of a switching pedal like that? Or do you know of anyone t=
hat could build something like that, maybe modify a US-20 pedal?<br>
<br>
Thanks,<br><font color=3D"#888888">
<br>
Paul Haslem <br>
</font></blockquote></div><br>

--0016e65c88446a8781047ee2ace0--

From lawfirm@hotmail.com.hk  Sat Feb  6 02:05:06 2010
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From: "James"<lawfirm@hotmail.com.hk>
Subject: From the Attorney and Please Get Back
Date: Sat, 6 Feb 2010 00:24:59 +0100
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I am a legal practitioner; I saw your contact and profile I decided that you could co-operate with me in this business proposition. Lately, I received a call from the bank notifying me that my late client deposited a sum of (£10.5m) British Pounds Sterling” (name withheld since this is our first letter to you). I was contacted base on information they got from some documents that back-up the depositions in which my name was mentioned as his personal Attorney.

I contacted you because you have the same identity with our client and therefore can present you as the beneficiary to the inheritance since there is no written will, our legal services aim to provide our private clients with a complete service. my late client who died along with his entire family in the Gulf Air Flight Crashes in Persian Gulf near Bahrain Aired August 23, 2000 - 2:50p.m. ET as reported on http://transcripts.cnn.com/TRANSCRIPTS/0008/23/bn.08.html

Since you have the same last name with him the proceeds of his estate would be paid to you as his next of kin or the legitimate beneficiary. All the legal documents to back up your claim as my client’s next-of-kin would be provided by me. The most important thing is your honest co-operation towards this proposal. This would be done under a legitimate arrangement that would protect you from any breach of the law. If you are interested, please contact me at once through my confidential Email; jplawfirm@hotmail.com.hk

Best regards

James.

From piin4@att.net  Sat Feb  6 02:32:55 2010
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Date: Fri, 5 Feb 2010 18:32:48 -0800 (PST)
From: Mr Greg James <piin4@att.net>
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From: Mr.Greg James.
Address: E3 Pelham House,
32-34 Pelham Road, London, GW19 1SX=20
United Kingdom.

Good day.
=20
RE-TRANSFER OF =A352,954,000.00 {Fifty Two Million Nine Hundred and Fifty F=
our Thousand British Pounds Sterling}
=20
I am aware that this is certainly an unconventional approach to starting a =
relationship. I am Mr.Greg James, the personal account officer to the great=
 late Deceased who has an account in one of the top banks here in London, U=
nited Kingdom. The account was opened in 2002 and he died in 2003 without a=
 written or oral WILL and since 2004 nobody has operated on this account ag=
ain hence the money is floating, and if I do not remit this money out urgen=
tly it will be forfeited for nothing, and Government of United Kingdom will=
 confiscate The funds for their personal use which I personally don't want =
such incident to happen being that this is a great opportunity in my life.
=20
My contact is for you to please assist me to transfer the fund {=A352,954,0=
00.00} from a Cooperate Bank here in UK to an oversea account. First, I mus=
t solicit your strictest confidence in this transaction. This is by virtue =
of its nature as being utterly Confidential. I am sure and have confidence =
of your ability and reliability to prosecute a transaction of this great ma=
gnitude. I solicit your assistance to enable us transfer the said amount in=
to your safe account for onward investment. You can either provide us with=
=20
an existing account or to set up a new Bank account immediately to receive =
this money, even an empty a/c can serve to receive this money, as long as y=
ou will remain honest to me till the end of this important business, trusti=
ng in you and believing in God that you will never let me down in future be=
cause this business is my life.
=20
The owner of this account is a foreigner and no other person knows about th=
is account or anything concerning it, the account has no other beneficiary =
and until his death he was the manager of the company. My investigation thr=
ough the National immigration department and Ministries here proved to me a=
s well that he was single as at the time of his entry into the United Kingd=
om. As a matter of fact, I have decided to transfer this fund abroad for in=
vestment.
=20
I had discussed this issue privately with the Top Bank Director and he agre=
ed to help and have instructed me to look for a foreigner who can be truste=
d and capable to handle this transaction so that we can secretly move this =
money out from UK immediately basing on Investments plans in your Country. =
I guarantee that this will be executed under a=20
Concrete special arrangement that will protect us from any breach of law. I=
 will not fail to bring to your notice that this transaction is hitch-free =
and you should not entertain any fears as the required arrangements have be=
en made for the completion of this operation. Your assistance as a foreigne=
r is necessary because the management of the bank will welcome any foreigne=
r who has correct information to this account which I will give to you imme=
diately, We will start the first transfer with Thirty Two Million {=A332,00=
0,000.00}
=20
Upon successful transfer without any disappointment from your side, we shal=
l re-apply for the payment of the remaining balance of {=A320, 954,000.00} =
to your account. I am only contacting you as a foreigner because this money=
 cannot be approved to a local person here due to law in United Kingdom.
=20
At the conclusion of this transaction, your total share will be 40% of the =
total transfer sum, while 60% for me and my partners who is helping in maki=
ng this successful .If you are interested, please forward the following inf=
ormation as below:
=20
{1} Your Name/company's name and full address,
{2} Bank Name:............ ..........
{3} Bank Address.....................
{4} Account No:......................
{5} Swift Code...{if any}
{6} Account Holder's Name: ....................
{7} Your telephone Number. both Home, Office &
Cell/Mobile and fax Numbers.........................
{8} Your Occupation..............
{9} Your Valid ID ...................
=20
Upon the receipt of the above details, payment will be activated by the fee=
ding of your data into payment system, followed by a signal that will be se=
nt to the paying bank to remit the funds into your nominated bank account w=
ithin 7 official working days of receipt of the above information.
=20
Best Regards,
Mr.Greg James.
Tel"+447035953270
    +447035996783

From manager1906@hotmail.com  Sat Feb  6 03:27:43 2010
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Reply-To: <mr.josephkuffo@live.com>
From: "Mr. Joseph Kuffor"<manager1906@hotmail.com>
Subject: FROM JOSEPH KUFFOR
Date: Fri, 5 Feb 2010 23:58:34 -0000
MIME-Version: 1.0
Content-Type: text/html;
	charset="Windows-1251"
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
From: Mr. Joseph kuffor.</DIV>
<DIV>
The Manager International</DIV>
<DIV>
Commercial Bank Ghana</DIV>
<DIV>
First Light Branch</DIV>
<DIV>
Accra, Ghana.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Attn: Sir/Madam, </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Firstly, I must solicit your confidence in this transaction, Although Let me start by&nbsp; introducing myself properly to you. My name is Mr. Joseph Kuffor. I am the manager of the International Commercial Bank Ghana, first light branch Accra Ghana. I am a Ghanaian married with two kids. I came to know of you in my private search for a reliable and reputable person to handle a very confidential transaction, which involves the transfer of a huge sum of money to a foreign account requiring maximum confidence. </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
These funds is part of the excess of what my branch in which I am the manager made as profit during the last year. I have already submitted an approved end of the year report for the year 2009 to my head office here in Accra and they will never know of this excess.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
I have since then placed this amount of us$2,500.000.00 on a suspense account without a beneficiary.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
As an officer of the bank, I cannot be directly connected to this money thus I am impelled to request for your assistance to receive this money into your bank account.</DIV>
<DIV>
 </DIV>
<DIV>
All documents and proves to enable you get this fund have been carefully worked out and I am assuring you 100% risk free involvement. Your share would be 30% of the total amount of $2,500.000.00 which is $750,000:00 while the rest 70% would be for me. If this proposal is okay by you then kindly get back to me immediately via e-mail furnishing me with your most confidential telephone and e-mail, so that I can forward to you the relevant details of this transaction.</DIV>
<DIV>
 </DIV>
<DIV>
I will appreciate your timely response.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Regards,</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Mr. Joseph kuffor</DIV>
</FONT>
</BODY></HTML>

From Security@mail.a-and-1.com.tw  Sat Feb  6 04:32:37 2010
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------=_NextPart_000_00E8_01C2A9A6.5ADF8850--

From forms@syrene.it  Sat Feb  6 04:39:43 2010
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	 Sat, 6 Feb 2010 05:21:55 +0100
Date: Sat, 06 Feb 2010 05:21:55 +0100
Subject: Can i trust you
To: looparc@loopers-delight.com
From: Mrs. Victoria Balli <mrsvickyballi@gmail.com>
Reply-To: mrsvickyballi@gmail.com
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Dearly Beloved.  
 
Greetings in the name of our Lord, I am Mrs. Victoria Balli, a nationality of the Switzerland , and I am presently hospitalized, due to my illness. I am 59 years old and I was diagnosed with Esophageal Cancer for about two years now. I am a widow to Late Mr. Ronald Balli. You see, my husband owned an import/export company which operated in the UK , West Africa , Switzerland and in China , where we spent most of our lives and I have served the Lord all through my life. From all indications, my condition is serious and is quite obvious that I may not live more than six months, because the cancer stage has gotten to a very severe state and my doctor has told me this.
 
My late husband was well to do and after his death, I inherited all his business and wealth. Presently my doctor told me that I may not live for more than six months, though I am not scared about this, I am not afraid of death, hence I will be in the bosom of the Lord forever, any time my God calls me home. So, I now decided to look for an organization or an individual who is God fearing, that will use the funds for charity organization, by contributing to the development of evangelism in the world, assisting motherless baby’s homes and poor churches all over the world.  
 
I selected you after searching the Internet for this purpose and prayed over it, for the fact that I always go to God in prayers in situation like this, because He is the Alpha and Omega. I am willing to donate half of my husband’s wealth to you for the development of evangelism and also as aids for the less privileged around you rather than allow my husbands relatives to use my husband hard earned funds ungodly. You may contact my lawyer, Mr. Johnson Cradland, with the specified address-:
 
Barrister Johnson Cradland
9 Bedford Row London WC1R 4AZ
E-Mail: johnsoncradland@live.com
 
Make sure that you copy this correspondence to his email address above and tell him that I have asked you to reach him. Please, do not reply if you have the intention of using this fund for personal use, you will have a reasonable percentage of the total funds before investing the remainder of the funds for Gods works. Lastly, I want you and your church to keep praying for me regarding my health, because I have come to find out that wealth acquisition without Jesus Christ in ones life, is vanity upon vanity.
Good luck in all your future endeavors and God bless you.
 
Thanks,
 
Mrs. Victoria Balli 


From peterben2@yahoo.cn  Sat Feb  6 04:42:29 2010
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Reply-To: <western.union020@sify.com>
From: "MR PETER BEN"<peterben2@yahoo.cn>
Subject: WESTERN UNION  HEAD OFFICE DEPARTMENT
Date: Fri, 5 Feb 2010 16:00:19 +0100
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WESTERN UNION  HEAD OFFICE DEPARTMENT
 REPUBLIC OF BENIN.
FOREGN CONTRACTOR PAYMENT OFFICE
TELEPHONE +229-98-19-00-86
WEBSITE.www.westernunion.com  http://site.www.westernunion.com/ 
 
ATTENTION BENEFICIARY, 

 
Yes. It is truth that you have payment of $5.000.00 USA Dollars Every Blessing Day here in this Department Western Union,But we wish to inform you our instructions first before our we will release  MTCN payment informations to you, We have nstruction and as soon as you follow our procedure here then your payment will be release to you immediately. 
 
Note: that all the necessary arrangement concern your MTCN NUMBER is ready now but we can not release the payment on hold untill you send our office keeping fee which is $95.00 before we will give you the full informations to pick up the $5.000.00 today through western union in any country.
 
Again. we are working according to our rules and regulations that guiding our Department now to aviod problem be advise to send our office keeping fee which is $95.00 before we will release your Mtcn payment informations to you. please comple with us to aviod any delay.
 
Therefore check yourseif well to know if you can come up with the amount needed today then let us know immediately by forward the payment informations after sending the $95.00 today. you will start receiveing your payment as from tomorrow morning before 11 AM our time tomorrow.
 
So go ahead and send the payment via western union with our cashier informations below.the transfer charge can not be more than $10.00 us dollars ok.
 
Reciever Name: :MRS JENNIFER MICHEAL

Location: :Cotonou, 
Country: :Benin Republic
Text Q: :How much?
Answer::::::$95.00
Mtcn::::
Amount:::::.$95.00
Then the sender's name ok.
Send the money via western union money transfer and forward the payment informations to us for easier pick up.
 
The Agent will start sending  your payment as soon as we got everything done today but any delay will make us to pick up the money back from western union to aviod another person to pick up your payment okay so hurry up.
 
Below: MTCN tracking.I advise to track your payment first so that you will know.
Call me once you send the $95.00 today Number +229-93-96-80-53
 
THIS IS YOUR TRACK PAYMENT INFORMATIONS AND I WILL LIKE YOU TO TRACK IT NOW:  WEB SITE.  www.westernunion.com
 
Sender Name:::SIXTUS CHIJINDU
Text Questions::::::A
Answer::::::::::::::B
MTCN:  9201175900
I am looking forward to receive of $95.00 immediately to enable us to give your the full informations which you will use pick up your payment in any western union but fall to do
Yours in service 
E-MAIL ADDRESS: ( western.union020@sify.com ) 
so you will loose your payment because your have only today and tomorrow after that nomore.
 
I wish you good luck. 
Barr SAM ED, officer incharge
Western Union Department Head office republic of Benin
Western Union® 
Welcome to Western Union 
Send Money Worldwide

From gogvo@mailserver.gogvo.com  Sat Feb  6 06:11:54 2010
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Reply-To: "Joel Therien" <postmaster@gogvo.com>
To: looparc@loopers-delight.com <looparc@loopers-delight.com>
Subject: looparc@loopers-delight.com, as promised here is your Video Secrets Revealed Download!
Message-Id: <20100206061154.149B43BE85@arsenic.violacea.com>

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From Nigelclark@yahoo.com  Sat Feb  6 06:14:56 2010
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	 Sat, 6 Feb 2010 07:01:21 +0100
Reply-To: <nigelclark@ciudad.com.ar>
From: "Nigel Clark"<Nigelclark@yahoo.com>
Subject: Project Funding
Date: Fri, 5 Feb 2010 22:02:17 -0800
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To: undisclosed-recipients:;

Dear   Friend,

My Name is Nigel Clark business Development Director HSBC UK, Managing group of Accounts of some non-resident clients out-side UK, Some of them are in Europe /,Asia and Americas. Are you on trading platforms or need funding of any project or intending to execute any business here? This is an opportunity we can close within 7days  with you are private or personal account in any country of your choice. I have some blank Drafts and Cheques, recently issued to some companies by the account owners for personal deals that was not completed by the database as a result of incomplete information supplied by the clients, it can be seen in Euro Clear both ISIN number etc of the Drafts and Cheque by the benefiting clients whose information was incomplete for the depositing of the bank instrument issued in their interest. My objective is to build profit from the various accounts I have been managing for five years now, There’s  no risk attached. I am an insider who will supervise the transaction to  Final transfer by the

Therefore, The procedure is as follows, The company or person(s) interested for the credit will sign deed  of assignment covering the credit available in the blank spaces of the drafts/cheque, Again, The beneficiary should know that any amount he/she needs to be approved on the draft/ or cheque  is possible and available in the account. The group account where funds were  raised is having a balance sheet of Three Hundred Million Euros, while the dollar account is having Five Billion Dollars depending on any amount your capacity can carry/stand with your bank, It will be written and approved to any interested beneficiary and will be required to pay a draft charge to the ordering bank and the legal dept of the bank will handle the required documentation against money laundry and other related matters, by the client for credit. As soon as this is done cash-backed draft will be Dispatch  within 24hrs to any country the beneficiary will choose, As soon as you receive this mail, confirm your willingness to work wi
 
Sincerely Yours,

Nigel   Clark
B.D.D  HSBC  UK.
Direct Cell # 44 75 93 24 72 60.
nigelclark@ciudad.com.ar

From info@jikei.ac.jp  Sat Feb  6 07:55:31 2010
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Date: Sat, 6 Feb 2010 16:23:55 +0900 (JST)
Subject: Scammed Victims Notification
From: "Mr.Walter Raymond" <info@jikei.ac.jp>
Reply-To: walterr36@yahoo.com.hk
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Greetings To You,
On behalf of the OBAMA'S FOUNDATION and UNITED NATIONS,
we wish to notify you as a beneficiary of $900,000.00 USD
in compensation of scam victims. This is to bring to your
notice that we are delegated from the OBAMA'S FOUNDATION
and UNITED NATIONS in Central Bank to pay 10 victims of
scam $900,000.00 USD (Nine Hundred Thousand Dollars)each.
Your E-mail ID were listed and approved for this payment as one of
the scammed victims to be paid this amount.
You are to fill the appropriate form and submit to the bank.

[1] Full Names:[2] Contact address:
[3] Direct Telephone No:|4| Occupation :

Managing Director of the HSBC BANK,UK
Name:Mr.Walter Raymond
Private Email:walterr36@yahoo.com.hk
Yours Faithfully,


From office@vvs-ltd.crimea.ua  Sat Feb  6 10:00:17 2010
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Reply-To: <sgtdonald@cabanova.com>
From: "sgt.Donald G. Liggett"<office@vvs-ltd.crimea.ua>
Subject: URGENT ASSISTANCE NEEDED
Date: Wed, 3 Feb 2010 17:41:44 +0100
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To: undisclosed-recipients:;

Dear Sir/Madam, 
 
Good day and compliments, I know this letter will definitely come to you as a huge surprise, but I implore you to take the time to go through it carefully as the decision you make will go a long way to determine my future and continued existence. Please allow me to introduce myself.I am Sgt.Mark George, a member of the US 3rd Infantry Division ‘Iron’Brigade Combat Team,remaining at Mahmudiyah in Iraq.I am desperately in need of an assistance hence i summoned up courage to contact you.
 
Also, I do hereby wish to crave your indulgence for your time to visit the BBC website as stated below to enable you have the brief insight as to what I’m intending to share with you, believing that it might interest you one way or the other.
http://news.bbc.co.uk/2/hi/middle_east/2988455.stm
 
Meanwhile,I am presently in Iraq and I found your contact particulars in an internet address journal.I am seeking your assistance to receive the sum of $50 Million(Fifty Million USD) as far as I can be assured that it will be safe in your care until I complete my service here.
This is no stolen money and there are no dangers involved.
 
I have successfully moved the fund through a diplomat to a better secured place.I do not know for how long I will remain here as I have been lucky to have survived two suicide bomb attacks by Pure Divine intervention. This and other reasons put into consideration have prompted me to reach out for help.
 
Get back to me after visiting the e-mail to enable us discuss in details and also do not misconstrue my intention. I’m just being very strict and careful.

Respectfully,
Sgt.Donald G. Liggett

From getrwd@firstclassdepot.com  Sat Feb  6 10:18:34 2010
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	Internet Users Award \251 2010\n
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Reply-To: <dnaldkellysr@rogers.com>
From: "Mrs Esther Moore"<getrwd@firstclassdepot.com>
Subject: Internet Users Award © 2010
Date: Fri, 5 Feb 2010 05:45:46 -0800
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To: undisclosed-recipients:;

Attention: Dear User
 
How are you today? Hope all is well with you and your family? I hope this mail meets you in a perfect condition. This is from a total cashprize of US 500,000.00 dollars, given to the first FIFTY (50) people who will be compensated in this world internet programs.
 
All participants were selected randomly from World Wide Web site Through computer draw system and extracted from over 700.000 companies I am using this opportunity to thank you for using the internet daily.
 
Due to your effort, using internet programs indoor and in your office, We want to compensate you and show our gratitude to you with the sum of $500,000.00 Thousand United States Of America Dollars we have authorized Donald E Kelly Sr to assist you in getting your compensation check across to you.
 
The name and contact address of the Donald E Kelly Sr is as follows;
 
Compensation Head Office
Contact Agent: Donald E Kelly Sr
E-mail : dnaldkellysr@rogers.com
Telephone : +(234) 803 855 3617
 
 
Finally remember that I have forwarded instruction to the Donald E Kelly Sr on your behalf to send the cash prize of Five hundred thousand United State Of America Dollars to you as soon as you contact him without delay . Please I will like you to accept this token with good faith as this is from the bottom of my heart.
 
Thanks and God bless you and your family. Hope to hear from you soon.
 
Hope to hear from you soon.
 
Yours Faithfully,
Mrs. Esther Moore
© 2010
NOTE : You are responsible to pay for the delivery Fees of this draft {E.I $150 USD}

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 10:38:31 2010
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Date: Sat, 6 Feb 2010 10:38:30 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: AW: Personalize your Liquidfoot pro midi footcontroller
To: Loopers-Delight@loopers-delight.com
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yes i have,he has the worst support,never answers,even when i bought it and=
 paid for it i didnt receive it till about 3 weeks later because he had som=
ehow lost my order very chaotic;-)i think because he does everything himsel=
f and is up to his eyeballs also the forums are terrible nobody answers or =
probably nobody knows what im asking for...=0Acheers=0Awww.myspace.com/luis=
angulocom=0A=0A=0A--- Jeff Shirkey <jcshirke@verizon.net> schrieb am Fr, 5.=
2.2010:=0A=0A> Von: Jeff Shirkey <jcshirke@verizon.net>=0A> Betreff: Re: AW=
: Personalize your Liquidfoot pro midi footcontroller=0A> An: Loopers-Delig=
ht@loopers-delight.com=0A> Datum: Freitag, 5. Februar 2010, 6:58=0A> =0A> O=
n Feb 5, 2010, at 6:44 AM, L.Angulo wrote:=0A> =0A> > if i could only find =
somebody that could tell me how=0A> to control the EDPs sus comands with th=
e Liquid foot jr,=0A> =0A> This is probably a dumb question, but have you e=
mailed Jeff=0A> at Liquid Foot?=0A> =0A> Jeff (not at Liquid Foot)=0A> =0A>=
 =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 10:40:08 2010
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Date: Sat, 6 Feb 2010 02:40:07 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: 2 new tracks (free downloads)
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <e89a49d31002021516y722bf276h40d6da61abbf4de4@mail.gmail.com>
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great stuff bro as always keep on loopin like a maniac=0Acheers=0Awww.myspa=
ce.com/luisangulocom=0A=0A=0A--- Sjaak Overgaauw <tcplugin@gmail.com> schri=
eb am Di, 2.2.2010:=0A=0A> Von: Sjaak Overgaauw <tcplugin@gmail.com>=0A> Be=
treff: 2 new tracks (free downloads)=0A> An: "LD" <Loopers-Delight@loopers-=
delight.com>=0A> Datum: Dienstag, 2. Februar 2010, 15:16=0A> Hi all,=0A> I =
have been testing with a new live setup based on=0A> Mainstage 2 and=0A> Au=
gustus Loop. Here are two excerpts of the recordings:=0A> =0A> http://eurol=
oopfest.com/premonitionfactory/demos/20100202.mp3=0A> http://euroloopfest.c=
om/premonitionfactory/demos/20100203.mp3=0A> =0A> Btw: the debut album of t=
he Premonition Factory project=0A> will be=0A> released on Feb 20, 2010. It=
's a limited edition 6 page=0A> digisleeve=0A> plus booklet. Stay tuned :)=
=0A> -- =0A> Sjaak Overgaauw=0A> http://premonitionfactory.com/=0A> http://=
livelooping.be/=0A> =0A> =0A=0A____________________________________________=
______=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber =
einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From a.nicholas58@yahoo.com  Sat Feb  6 11:04:40 2010
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Reply-To: <a_nicholas58@yahoo.com.hk>
From: "MR. A. NICHOLAS"<a.nicholas58@yahoo.com>
Subject: Mutual business partnership
Date: Sat, 6 Feb 2010 21:18:13 +1100
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To: undisclosed-recipients:;

<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman">From the Desk of:</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">MR. A. NICHOLAS</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">PLEASE SEND YOUR REPLY TO alpinichk@aol.com</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I wish to seek your assistance for the transfer of US$25M depository made by a foreign investor for an investment programme that has remained dormant for years now. I discovered that the account holder died without making a WILL on the depository.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">This money cannot be approved to a local bank account holder, but can only be approved to a foreigner. If you will stand as next of kin to the fund, it will be shared 50%/50%, As this is a TWO-man business deal transaction.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp; </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I shall provide you with more details and relevant documents that will help you understand the transaction. I need your assistance and co-operation to this reality as I have done my Home-work and fine tune the best way to create you as the beneficiary of the fund. My position as the branch manager of the bank will be used to advance this deal.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I will like you to provide immediately your full Names and Address, Date of Birth, Occupation, Tel &amp; Fax Numbers so that an Attorney will be able to prepare the necessary documents and affidavit which will put you in place as the next of kin. The Attorney will draft and carry out the notarization of the WILL and also obtain the necessary documents and letter of probate/administration in your favor for the claim.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I will appreciate your early reply for commencement of business. Contact me for acknowledgment by E-mail and whereby you are not interested; please indicate in your reply so that I can seek for the assistance of someone else.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">If this proposal is acceptable by you, I expect that you will not take undue advantage of the trust I Will bestow in you. I await your urgent response.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Thanks with great regards.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">MR. A. NICHOLAS</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">PLEASE SEND YOUR REPLY TO alpinichk@aol.com</FONT></DIV>
</FONT>
</BODY></HTML>

From patrick@freemail.sulinet.hu  Sat Feb  6 11:58:48 2010
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From: "Leti Ayiba" <leti_ayiba@hotmail.fr>
Subject: massage from Ms. Leti Ayiba
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To: undisclosed-recipients:;

My name is Ms. Leti Ayiba
I am from Bouake in northern part
Of Cote dâ€™voire West Africa


My Dear,
I hope this message will not hurt your feeling for telling
you of my desire for seeking your opinion and also to
confide in you for a business partnership, though we have
not met before. well i got your email contact address
during my search for a reliable person to assist me, and
as i came across your contact, i decided to write you for
help hoping that you will not ignore to my message for
help. I am Ms. Leti Ayiba the only child to my late
parents, late (Mr. and Mrs. Pat E Ayiba) from Bouake in
northern part of Cote dâ€™voire West Africa who died years
ago from Political crises.


However, I am contacting you to help me retrieve my
inherited money left for me under a bank in cote dâ€™voire
by my father before his sudden death. Actually he left
behind ($6.5000 000 00US dollars) in one private bank in
(COTE Dâ€™VOIRE) with my name as his next of kin to the
deposit being the only child. Now I seek for a help for
relocation and to secure this money for investment aboard
that is why I contact you for assistance,


The worst part of it, is that my uncles are trying to kill
me over this money because I refused to hand over the
documents covering this money to them, they has sold all
my father's landed properties which rightful belong to me
and has been on my nerves to give them details on the
deposited money, which I refused. My life is now at stake
so I ran away from my city to Abidjan, hiding in a hotel
pending when this money will be released.


I will be pleased to offer you reasonable percentage of
15% of the total fund while the balance will be invested
and also continues my education with your help. NOTE: I
have all the necessary documents backing me up as the next
of kin, If you are willing to assist me, please do not
hesitate to contact me for further details and also hope
you will handle this transaction with almost
confidentiality and transparency it deserves. thanks for
your kind attention and for your concern to assist me. i
will send you more details as soon as you reply to show
your interest for helping me.


I hope to hear from you soon.
Ms. Leti Ayiba.

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 12:19:21 2010
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Message-ID: <4B6D5E3C.1000604@googlemail.com>
Date: Sat, 06 Feb 2010 13:19:08 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: A track from the "An Ambient Manifold" concert series
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Here's the first track I edited from my week-long "An Ambient Manifold" 
virtual concert series back in January (details here: http://bit.ly/8qBVad)

http://soundcloud.com/moinlabs/sporadic-groups

This is the closing track from the Thursday performance, condensed for 
maximum listening enjoyment. "every note played by [me] is present. It 
just happens a bit faster." (to quote the "live at Green Park" liner notes)

Comments welcome!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 13:17:15 2010
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Date: Sat, 6 Feb 2010 13:17:14 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Rang III questions
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,=0Aa couple of questions concerning the new rang III:=0Acan the the=
 panning of the loops be somehow configured if used as stereo?=0Acould thos=
e switches be eventually replaced if desired by quieter ones?=0Athanx=0Ache=
ers=0Awww.myspace.com/luisangulocom=0A=0A__________________________________=
________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FC=
gt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.yah=
oo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 13:24:58 2010
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Message-ID: <1f6442e01002060524r6803e1d6r1a6f8c86709292bd@mail.gmail.com>
Subject: New Eigenharp Pico Video
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f3b90e7c7aae047eee7e4b
Content-Type: text/plain; charset=ISO-8859-1

Hi guys,

I've just uploaded my latest entry to the Eigenharp competition at
http://www.youtube.com/watch?v=RoWr8cvzths - would be most grateful of your
comments and/or ratings as it forms part of the contest judging!

Many thanks,

Kayla

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--001485f3b90e7c7aae047eee7e4b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi guys,<br><br>I&#39;ve just uploaded my latest entry to the Eigenharp com=
petition at <a href=3D"http://www.youtube.com/watch?v=3DRoWr8cvzths">http:/=
/www.youtube.com/watch?v=3DRoWr8cvzths</a> - would be most grateful of your=
 comments and/or ratings as it forms part of the contest judging!<br>
<br>Many thanks,<br><br>Kayla<br><br>--------------------------------------=
---------------------------------------------------------<br>Kayla&#39;s we=
bsite: <a href=3D"http://www.kaylakavanagh.com">http://www.kaylakavanagh.co=
m</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


--001485f3b90e7c7aae047eee7e4b--

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 13:31:11 2010
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Date: Sat, 6 Feb 2010 05:31:09 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Can two EDP's do this? How?
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so Mark are u using 2 FCs?ive never tried that but wouldnt it be possible t=
o control both of them with one footcontroller by just offseting the source=
 number on one of the EDPs?=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=
=0A--- mark francombe <mark@markfrancombe.com> schrieb am Mo, 1.2.2010:=0A=
=0A> Von: mark francombe <mark@markfrancombe.com>=0A> Betreff: Re: Can two =
EDP's do this? How?=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: =
Montag, 1. Februar 2010, 0:27=0A> Of course 2 EDP can do this... As long as=
=0A> you use 2 footcontrollers too... I have my signal going into=0A> both =
of miine, and choose which EDP to loop in by er...=0A> looping on it... the=
 tother one goes in synch but doesnt=0A> record, THEN when i reocrd on THAT=
 one it forces its loop=0A> length to be the same or a multiple of the firs=
t... Its=0A> almost foolprooff... there are glitches.. like if you Reset=0A=
> the first, and then expect it to go back in synch when you=0A> start a ne=
w one, better to just SUB into the loop with=0A> silence.....=0A> =0A> =0A>=
 =0A> but belive me... my WHOLE SOUND.. is based on quantised=0A> subbing w=
ith 2 edps, insert1 insert 2 insert1 insert2 satmp=0A> stamp stamp, as fast=
 as you can without falling over...=0A> =0A> =0A> m =0A> =0A> =0A> =0A> On =
Sun, Jan 31, 2010 at 6:50 PM, TJ Sutherland <mail41@covad.net>=0A> wrote:=
=0A> =0A> =0A> Hi, all=0A> =0A> =0A> =0A> I have one EDP and now need to lo=
op in what I think of as a=0A> two-track mode, with two EDPs:=0A> =0A> =0A>=
 =0A> I need to lay down track 1 of the loop, put down my=0A> instrument/pi=
ck up another, listen to track 1, and then lay=0A> down track 2 of the same=
 loop without affecting track 1 in=0A> any way. I need the two outputs to b=
e independent of each=0A> other, for volume, panning, and effects reasons.=
=0A> =0A> =0A> =0A> =0A> =0A> I know I can MIDI sync two EDPs, but can I co=
ntrol their=0A> inputs independently, so that I can lay down track 2 withou=
t=0A> overwriting track 1? =A0(I can reach over and turn the knobs=0A> by h=
and, if need be.)=0A> =0A> I will be panning the output from my mixer hard =
R or hard L=0A> to send the sounds to either of the EDPs' inputs.=0A> =0A> =
=0A> =0A> From there, I think what I need to do is more typical=0A> sync--h=
ave the two EDPs be set to have the same number of=0A> multiple loops, resp=
ond to the same Nextloop/Record command,=0A> and shuffling between the mult=
iple loops via Nextloop.=0A> =0A> =0A> =0A> =0A> =0A> I think that what I n=
eed is for the Master EDP input=0A> setting to not control =A0the Slave inp=
ut setting, but=0A> otherwise have the Slave following the Master commands.=
=0A> =0A> =0A> =0A> Can two synced EDP's do this? =A0If so, how?=0A> =0A> T=
he more explicit your description, the better off I'll=0A> be. I need to kn=
ow stone cold that I can do this before I=0A> buy another EDP.=0A> =0A> =0A=
> =0A> =0A> =0A> (And for the record, I know the Looperlative is an amazing=
=0A> machine, but I've been told by folks on their forum that=0A> in terms =
of recording, there is no way to treat the stereo=0A> loops of the LP1 as t=
wo distinct tracks. The best I've=0A> been told I can do is to Group a pair=
 of loops together to=0A> create a two-track loop. And it that it may or ma=
y not be=0A> possible to then shuffle between the groups in order to move=
=0A> between loops. So even though the fidelity of the LP1 is=0A> higher, a=
nd it has many other admirable attributes, I am=0A> still thinking that a p=
air of EDPs may do the job I need=0A> more directly, and therefore easily.)=
=0A> =0A> =0A> =0A> =0A> =0A> Thanks for your thoughts,=0A> =0A> TJ=0A> =0A=
> =0A> =0A> =0A> =0A> =0A> -- =0A> www.markfrancombe.com=0A> http://vimeo.c=
om/user825094=0A> http://uk.youtube.com/user/markfrancombe=0A> =0A> =0A> ht=
tp://www.myspace.com/markfrancombe=0A> http://www.looop.no/shop/catlabel.ph=
p?q=3DSynch%20Non%20Synch=0A> =0A> =0A> =0A> =0A=0A________________________=
__________________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Ma=
il verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp:=
//mail.yahoo.com 

From wfdmp2010@yahoo.com  Sat Feb  6 15:37:51 2010
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From: "UN.FUNDS RECOVERY"<wfdmp2010@yahoo.com>
Subject: FROM WORLD FUND DISCOVERY MANAGEMENT AND PAYMENT BUREAU
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FROM: WORLD FUND DISCOVERY MANAGEMENT AND PAYMENT BUREAU.
TEL: +44 7045704575



This letter is from World Fund Discovery Management and Payment Bureau inaugurated by the World Financial Services Authority United States Of America/United Kingdom.


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From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 15:53:17 2010
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Subject: Re: New Eigenharp Pico Video
Date: Sat, 6 Feb 2010 07:53:15 -0800
References: <1f6442e01002060524r6803e1d6r1a6f8c86709292bd@mail.gmail.com>
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Very fine piece and very fine playing Kayla.

On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:

> Hi guys,
>
> I've just uploaded my latest entry to the Eigenharp competition at http://www.youtube.com/watch?v=RoWr8cvzths 
>  - would be most grateful of your comments and/or ratings as it  
> forms part of the contest judging!
>
> Many thanks,
>
> Kayla
>
> -----------------------------------------------------------------------------------------------
> Kayla's website: http://www.kaylakavanagh.com
> Kayla on Twitter: http://www.twitter.com/kaylakavanagh
> MySpace: http://www.myspace.com/kaylakavanagh
> FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 16:21:38 2010
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Date: Sat, 6 Feb 2010 08:21:37 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: akai E2 headrush?
To: Loopers-Delight@loopers-delight.com
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--0-438623965-1265473297=:78209
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does anyone use an akai E2 headrush?
=A0
just curious--stumbled on one looking up stuff and forgot about these...
=A0
just wondered the +/- of them??
=A0
thanks,
s---
www.myspace.com/scotthansen=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>does anyone use an akai E2 headrush?</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>just curious--stumbled on one looking up stuff and forgot about these.=
..</DIV>
<DIV>&nbsp;</DIV>
<DIV>just wondered the +/- of them??</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks,</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A      
--0-438623965-1265473297=:78209--

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 16:52:13 2010
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Date: Sat, 6 Feb 2010 12:52:13 -0400 (AST)
Subject: Re: akai E2 headrush?
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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+'s

small
easy to use
some nice delay's

-'s
not very flexible
undo will take you back to your first track regardless of how many layers
you have.
not a lot of recording time
the foot switches don't last that long.

I use it for my classes, but for live playing I really love the m9, and
I've barely scratched the surface.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sat, February 6, 2010 12:21 pm, scott hansen wrote:
> does anyone use an akai E2 headrush?
>  
> just curious--stumbled on one looking up stuff and forgot about these...
>  
> just wondered the +/- of them??
>  
> thanks,
> s---
> www.myspace.com/scotthansen
>
>
>





From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 17:58:44 2010
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	 <20100205151015.E65DB247C7@ns3.tnt21.com>
	 <p06240801c791f2070513@10.0.1.2>
Date: Sat, 6 Feb 2010 10:58:43 -0700
Message-ID: <dec8f8e61002060958g60538de1k6ff420d995aff4ba@mail.gmail.com>
Subject: Re: OT 13 pin routing device
From: Dennis Moser <sinsofmachaut@gmail.com>
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Actually not all the pricey, compared to the US-20...have you priced a
new US-20 lately? Kind of bums me out...

I'm glad this came up 'cause I'm slowly apporaching the same situation
(multiple 13-pin inputs needed w/ single 13-pin output).

Best,

Dennis

On Fri, Feb 5, 2010 at 9:08 AM, Mech <mech@m3ch.net> wrote:
> At 10:10 AM -0500 2/5/10, paul wrote:
>>
>> Hi,
>>
>> I'm presently in search of a device or someone who could build a device
>> that would allow switching between 13 pin equipped guitars feeding one
>> device....
>>
>> Anyone here know of a switching pedal like that?
>
> http://www.klausschock.com/Products/products.html
>
> Four inputs to a single output. =A0A bit expensive, but if you really nee=
d
> something like this...
>
> =A0 =A0 =A0 =A0--m.
> --
> _____
> "beyond this window, night is shuddering and the earth grinds to a halt
> =A0 beyond this window, something unknown is watching you and me...."
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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------=_NextPart_000_0075_01C2A9A6.458A4D78--

From mariastevensprivate02@o2.pl  Sat Feb  6 18:44:43 2010
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Message-ID: <20100206182805.obotkqe6844ocwc4@webmail.amnetsal.com>
Date: Sat, 06 Feb 2010 18:28:05 +0100
From: Madam Maria Stevens <mariastevensprivate02@o2.pl>
Reply-to: mariasteveprivate1@yahoo.com.hk
To: undisclosed-recipients:;
Subject: FROM MRS.MARIA STEVENS {THE WIDOW}
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Dear Beloved One.


Greetings,


I am Mrs. Maria Del Carmen Stevens from Sweden; I am married to Mr. Michael
Stevens who worked with Czech ambassador to Pakistan for (6th November1960 t=
o
20th September2008) before he died in the year 2008. I am 59 year old =20
without a
Child. We were married for eleven years without a child. He was staying
temporarily in the Marriott Hotel in Islamabad when it was hit by the massiv=
e
truck-bomb that killed him and at 52 other people. Before his death we =20
were both
born again Christian. Since his death, I decide not to remarry or get a chil=
d
outside my matrimonial home which the bible is against. When my late =20
husband was
alive he deposited the sum of  =A314.5M( Fourteen million,Five Hundred Thous=
and
British Pounds) in the Security Company as family Treasure Gold and Diamond.


Presently this money is still in Security Company but even before his death,=
 i
was suffering from lung cancer which has putting me in a dreadful =20
condition all
these days. Recently, my Doctor told me that it is very likely that the canc=
er
problem i am having will not be cured unless by the grace of God that i serv=
e
but i am believing God that i will live. But having known my condition =20
I decided
to donate this fund to a church, organization or good person that will utili=
ze
this money the way I am going to instruct herein. I want a church organizati=
on
or good person that will use this fund for orphanages, widows and other peop=
le
that need help and also promoting the word of God and to endeavor that =20
the house
of God is maintained.

The Bible made us to understand that"Blessed is the hand that giveth" the
blessing bible made mention here is not only financial blessing but =20
blessing in
everything you can think of,spiritually, healthy,financially and otherwise, =
i
pray by so doing that God will heal me from this sickness and restore =20
me me back
to life. l took this decision because I don't have any child that will inher=
it
this money and my husband relatives are not Christians not even good at all
because they are the one that responsible for the death of my husband in oth=
er
to have all my late husband's property and I don't want my husband's =20
efforts to
be used by those that fight against the word of God. I don't want them to kn=
ow
about this development and l know that With God all things are =20
possible, This is
why I am taking this decision.Although it was very painful to hear =20
this kind of
news from my doctor but I am not afraid of death because I know where =20
I am going
even if i die, I know that I am going to be in the bosom of the Lord.


I don't think there is need for any telephone communication in this regard
because of my health but the important thing to me is for you to do =20
what i will
require you in this regard. As soon as I receive your reply I shall =20
give you the
contact of the security Company. I will also issue a letter of =20
authorization to
the bank that will empower you the present beneficiary of this money. I also
want you, the entire whole church to always pray for me because the lord is =
my
shepherd. My happiness is that I lived a life of a worthy =20
Christian,whoever that
Wants to serve the Lord must serve him in spirit and Truth. Please always be
prayerful all through your life.


I have two question to ask?.


1). I can trust You?


2). Can you handle the Mult-Million Dollars?


3). I will offer you 40% of the total Sum({=A314.5Million Pounds)


Please assure me that you will act accordingly as I Stated herein. Hoping to
receive your response immediately.


Thanks and Remain blessed in the Lord.


l remain yours sister in Christ.


Mrs. Maria Stevens

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 18:56:12 2010
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Date: Sat, 6 Feb 2010 19:56:11 +0100
Message-ID: <e89a49d31002061056p4feeeafbt902016ca2a7f9f8b@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Feb 5, 2010 at 6:06 PM, Andr=E9 Donawa <andre@andredonawa.com> wrot=
e:
> I was wondering how low is your latency?

I use long attack and slow release sounds with my Premonition Factory
project so latency it's not an issue for me. Even with high buffer
sizes of 512, I think it's about 25ms. But when I'm playing
rhythmically, a buffer size of 128 is ok, 256 is my limit. What also
helps to get used to latency is to play on stage monitors not to close
to you. I don't know the exact numbers but 1 meter equals to x ms
latency. It's a good training too when you have to prepare for a live
gig.
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 19:20:38 2010
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Date: Sat, 6 Feb 2010 20:20:37 +0100
Message-ID: <66f9cc1e1002061120x699cb3a7i439293de65ed0122@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Per Boysen <perboysen@gmail.com>
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I regularly use three different firewire interfaces and have grown
used to play with a buffer of 128 samples. This is used for tapped and
plucked string instruments, mic amped acoustic wind instruments and
electronic wind instruments. I don't experience any trouble with
latency at 128, as I do when setting the gear to 256 or bigger buffer.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Feb 6, 2010 at 7:56 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Fri, Feb 5, 2010 at 6:06 PM, Andr=C3=A9 Donawa <andre@andredonawa.com>=
 wrote:
>> I was wondering how low is your latency?
>
> I use long attack and slow release sounds with my Premonition Factory
> project so latency it's not an issue for me. Even with high buffer
> sizes of 512, I think it's about 25ms. But when I'm playing
> rhythmically, a buffer size of 128 is ok, 256 is my limit. What also
> helps to get used to latency is to play on stage monitors not to close
> to you. I don't know the exact numbers but 1 meter equals to x ms
> latency. It's a good training too when you have to prepare for a live
> gig.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb  6 19:51:40 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire interface recommendations
References: <216330f31002040748g67d084c6n62108e2a55de14af@mail.gmail.com>	 <86FEE8BCF5652949A08D1EB0545EB42404A02091B2@WCU-EX-EMP1-MB.PASSHE.LCL>	 <e89a49d31002040945h52ab7481j96663afcdbe30e39@mail.gmail.com>	 <11501.216.1265343412.squirrel@www.andredonawa.com>	 <e89a49d31002050144j26052db0hf561c425b9b16853@mail.gmail.com>	 <20384.216.1265389578.squirrel@www.andredonawa.com> <e89a49d31002061056p4feeeafbt902016ca2a7f9f8b@mail.gmail.com>
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Sjaak Overgaauw schrieb:
> rhythmically, a buffer size of 128 is ok, 256 is my limit. What also
> helps to get used to latency is to play on stage monitors not to close
> to you. I don't know the exact numbers but 1 meter equals to x ms
> latency. It's a good training too when you have to prepare for a live
> gig.
>   
Good, point, and it also works the other way round (if we assume a speed 
of sound of 300m/s, then 1m equals 3.3ms) - if you replace the monitors 
which are 4m away from you with in-ears, then you've already saved more 
than 13ms of latency which you've most probably gotten used to anyway - 
and which you can invest in larger buffers ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: paul <phaslem@wightman.ca>
Subject: Re: OT 13 pin routing device
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--=====================_6974765==.ALT
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hi,

Thanks for all the replies! I've sent an email to Klaus 
Schock  inquiring about the availability of his selection pedal and 
cost to ship to Canada, It's about $100.00 more than the Roland US-20 
but for a custom built pedal that doesn't seem unreasonable.

One of the electronic guys that I work with asked if he could have a 
look at the US-20 and perhaps he could modify it. If that looks like 
it may work I'll let you know. He may take orders or be willing to 
share a schematic of what he does.

paul haslem
www.dulcify.ca
Ontario, Canada








At 11:08 AM 2/5/2010, you wrote:
>At 10:10 AM -0500 2/5/10, paul wrote:
>>Hi,
>>
>>I'm presently in search of a device or someone who could build a 
>>device that would allow switching between 13 pin equipped guitars 
>>feeding one device....
>>
>>Anyone here know of a switching pedal like that?
>
>http://www.klausschock.com/Products/products.html
>
>Four inputs to a single output.  A bit expensive, but if you really 
>need something like this...
>
>         --m.
>--
>_____
>"beyond this window, night is shuddering and the earth grinds to a halt
>    beyond this window, something unknown is watching you and me...."

--=====================_6974765==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
hi,<br><br>
Thanks for all the replies! I've sent an email to <font size=2>Klaus
Schock</font>&nbsp; inquiring about the availability of his selection
pedal and cost to ship to Canada, It's about $100.00 more than the Roland
US-20 but for a custom built pedal that doesn't seem unreasonable.
<br><br>
One of the electronic guys that I work with asked if he could have a look
at the US-20 and perhaps he could modify it. If that looks like it may
work I'll let you know. He may take orders or be willing to share a
schematic of what he does.<br><br>
paul haslem<br>
<a href="http://www.dulcify.ca/" eudora="autourl">www.dulcify.ca<br>
</a>Ontario, Canada<br><br>
<br><br>
<br><br>
<br><br>
<br>
At 11:08 AM 2/5/2010, you wrote:<br>
<blockquote type=cite class=cite cite="">At 10:10 AM -0500 2/5/10, paul
wrote:<br>
<blockquote type=cite class=cite cite="">Hi,<br><br>
I'm presently in search of a device or someone who could build a device
that would allow switching between 13 pin equipped guitars feeding one
device....<br><br>
Anyone here know of a switching pedal like that?</blockquote><br>
<a href="http://www.klausschock.com/Products/products.html" eudora="autourl">
http://www.klausschock.com/Products/products.html</a><br><br>
Four inputs to a single output.&nbsp; A bit expensive, but if you really
need something like this...<br><br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>--m.<br>
-- <br>
_____<br>
&quot;beyond this window, night is shuddering and the earth grinds to a
halt<br>
&nbsp;&nbsp; beyond this window, something unknown is watching you and
me....&quot;<br>
</blockquote></body>
</html>

--=====================_6974765==.ALT--

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Date: Sat, 6 Feb 2010 16:16:58 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: MPX4 and RjDj
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Two new technologies I've come across allow music listening to be more of an 'active' rather than a passive listening experience - RjDj and MXP4. 

But two questions come to mind:

As a musician, what do you think about them?
As a music listener, what do you think about them?

Personally, I'm intregued by the possibilities. If I was a 14 year old kid today, I'd be all over this stuff. But, something special about the uniqueness of a mix is surely lost.

What do you think?

About MPX4 - http://www.mxp4.com/
About RjDj - http://www.youtube.com/watch?v=0fxQFly1BQA and http://more.rjdj.me/what/



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><DIV>Two new technologies I've come across allow music listening to be more of an 'active' rather than a passive listening experience - RjDj and MXP4. </DIV>
<DIV>&nbsp;</DIV>
<DIV>But two questions come to mind:</DIV>
<DIV>&nbsp;</DIV>
<DIV>As a musician, what do you think about them?<BR>As a music listener, what do you think about them?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Personally, I'm intregued by the possibilities. If I was a 14 year old kid today, I'd be all over this stuff. But, something special about the uniqueness of a mix is surely lost.</DIV>
<DIV>&nbsp;</DIV>
<DIV>What do you think?</DIV>
<DIV>&nbsp;</DIV>
<DIV>About MPX4 - <A href="http://www.mxp4.com/">http://www.mxp4.com/</A></DIV>
<DIV>About RjDj - <A href="http://www.youtube.com/watch?v=0fxQFly1BQA">http://www.youtube.com/watch?v=0fxQFly1BQA</A> and <A href="http://more.rjdj.me/what/">http://more.rjdj.me/what/</A></DIV>
<DIV>&nbsp;</DIV><!-- cg6.c2.mail.re1.yahoo.com compressed/chunked Sat Feb  6 16:15:46 PST 2010 --></div><br>



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From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 02:27:00 2010
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Date: Sat, 6 Feb 2010 22:27:03 -0400 (AST)
Subject: Re: Firewire interface recommendations
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Thanks Guys,

I'm playing an acoustic guitar, so part of the problem is hearing both the
live sound from the guitar and then the delayed sound from my amp.

I'm going to have another go at the mk3 tomorrow.
I got as far as 512 and then it crashed.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sat, February 6, 2010 3:51 pm, Rainer Straschill wrote:
> Sjaak Overgaauw schrieb:
>> rhythmically, a buffer size of 128 is ok, 256 is my limit. What also
>> helps to get used to latency is to play on stage monitors not to close
>> to you. I don't know the exact numbers but 1 meter equals to x ms
>> latency. It's a good training too when you have to prepare for a live
>> gig.
>>
> Good, point, and it also works the other way round (if we assume a speed
> of sound of 300m/s, then 1m equals 3.3ms) - if you replace the monitors
> which are 4m away from you with in-ears, then you've already saved more
> than 13ms of latency which you've most probably gotten used to anyway -
> and which you can invest in larger buffers ;)
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>





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>a couple of questions concerning the new rang III:
>can the the panning of the loops be somehow configured if used as stereo?

I don't think there is any control over the playback panning but of course
it will maintain any panning done during recording so you could use a mixer
in front of it to pan things as they are being recorded. 

>could those switches be eventually replaced if desired by quieter ones?

If you have some thin foam rubber laying around you might try slipping a sliver
of it under the front edge of the button. Or anything that is soft but compressable.
Just need a tiny bit, not so much it makes the button too hard to press. If you
get it right the switches become almost completely silent. Works great on the older
units and I'm sure it will work as well on the new ones too.

G

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From: Grant <grantmepeace@mindspring.com>
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<HEAD>
<STYLE>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;font-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:0px}</STYLE>

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<P>The thought of someone soloing up my vocal track gives me the willies!! :)</P>
<P>&nbsp;</P>
<P>G<BR><BR><BR></P>
<BLOCKQUOTE style="BORDER-LEFT: #0000ff 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 0px">-----Original Message----- <BR>From: david kirkdorffer <UNSTRUNGONE@YAHOO.COM><BR>Sent: Feb 6, 2010 6:16 PM <BR>To: Loopers-Delight@loopers-delight.com <BR>Subject: MPX4 and RjDj <BR><BR><ZZZHTML><ZZZHEAD>
<STYLE type=text/css><ZZZ!-- DIV {margin:0px;} --></STYLE>
</ZZZHEAD><ZZZBODY>
<DIV style="FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 10pt">
<DIV>Two new technologies I've come across allow music listening to be more of an 'active' rather than a passive listening experience - RjDj and MXP4. </DIV>
<DIV>&nbsp;</DIV>
<DIV>But two questions come to mind:</DIV>
<DIV>&nbsp;</DIV>
<DIV>As a musician, what do you think about them?<BR>As a music listener, what do you think about them?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Personally, I'm intregued by the possibilities. If I was a 14 year old kid today, I'd be all over this stuff. But, something special about the uniqueness of a mix is surely lost.</DIV>
<DIV>&nbsp;</DIV>
<DIV>What do you think?</DIV>
<DIV>&nbsp;</DIV>
<DIV>About MPX4 - <A href="http://www.mxp4.com/">http://www.mxp4.com/</A></DIV>
<DIV>About RjDj - <A href="http://www.youtube.com/watch?v=0fxQFly1BQA">http://www.youtube.com/watch?v=0fxQFly1BQA</A> and <A href="http://more.rjdj.me/what/">http://more.rjdj.me/what/</A></DIV>
<DIV>&nbsp;</DIV><ZZZ!-- -- 2010 PST 16:15:46 6 Feb Sat chunked compressed cg6.c2.mail.re1.yahoo.com></DIV><BR></ZZZBODY></ZZZHTML></BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 03:19:28 2010
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Nice piece,  Kayla!

I love pieces in 14/4, especially when , as you have done,  you have 
compounded
two measures of 6/4 and 8/4............you've composed a piece that 
really flows
considering it's odd time nature.   Nice work!

I have a couple of questions about your performance
if you don't mind sharing.

1) How long did it take you to get the 'lay of the land' of the 
Eigenhard Pico?
I noticed that you were changing midi settings rapidly as well as playing
all the parts in the composition.

2) Also,  what looper are you using or does the Eigenharp Pico itself
have on board looping capabilities?

3) Lastly,   I truly hope you can come grace us with your presence at the
Y2K-X 10th Anniversary International Live Looping Festival
in October.     It would be awesome to have you come play.

We could probably round you up some acoustic instruments to play on
if you wanted to augment your E. Pico performances with some of your
earlier looping compositions so that you wouldn't have to worry about
transportation.    I know a lot of Celtic styled acoustic musicians who
would be able to loan you things to perform on if it would make it
easier for you to come and perform.

yours,  appreciatively,   Rick Walker

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PRIVATE & CONFIDENTIAL BUSINESS PROPOSAL
US$16 MILLION UNITED STATES DOLLARS
Good-Day!

My Name is Mrs. SUREYAH FAHAD. I know this will be a surprise to you. Please consider this message as a request from a family in dares need of your help. I am the Wife of Omar S. Fahad from Sudan Darfour, My husband Mr. Omar S. Fahad was the owner of Omar Sea Food Industry in Darfour region and a Farm Land in Dar four region and supplier of Central African Countries with sea food till the Government find out that Dar four region was rich in Oil and Mineral Resources which was discovered by an individual Group called Organization Rebel Movement.

The Government and Rebel Movement are fighting over who will inherit the Darfour region because of the Oil discovered and Rebel Movement are killing people in Darfour region to enable them inherit the land and my husband was murdered in cold blood and our Farm, Sea Food Industry was burnt down.

Before then, my husband had moved ( US$16 Million) Sixteen Million United States Dollars) to South Africa for establishment of another branch in Southern Africa; the fund  was deposited in a private Security & Finance Company in the name of my son as beneficiary. My husband was killed because the Rebel Movement believed that after his death, they will have no challenge in taking over the land.


Now the Rebel Movement turned against us looking for the remaining existing family of Omar in order to achieve their aims. I and my son decided come to Johannesburg, South Africa to seek Asylum (Refugees) now all the documents issued when the consignment was deposited has been handed over to our family Lawyer in South Africa who assisted my late husband when the consignment was safely deposited.

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SINCERELY YOURS
MRS SUREYAH FAHAD

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From: "Williams Mensah"<mensahwilliam65@gmail.com>
Subject: Emergency
Date: Sat, 6 Feb 2010 11:12:01 -0000
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Good day,

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Telephone +233-246417285

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 10:34:31 2010
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Date: Sun, 7 Feb 2010 11:34:30 +0100
Message-ID: <66f9cc1e1002070234sf3568e4p6e1c561f6c18a9e4@mail.gmail.com>
Subject: Re: Firewire interface recommendations
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Feb 7, 2010 at 3:27 AM, Andr=C3=A9 Donawa <andre@andredonawa.com> w=
rote:
> I'm playing an acoustic guitar, so part of the problem is hearing both th=
e
> live sound from the guitar and then the delayed sound from my amp.


I totally see your point there, Andr=C3=A9. When playing mic amped acoustic
flute I experience this odd phenomenon. With the flute I always have
the real source so close to my ears that it constantly blends with the
amplified tone. The fact that saves me from dreadful phasing blues is
that I use a lot of effects on the amplified flute tone. The massive
effect treatment (compressor, EQ, harmonizer) makes my amplified tone
sonically different from the acoustic tone and thanks to this there is
no annoying phase canceling effect.

In your situation I would also try using a silent DI box instead of
the amp and play by the delayed signal. But I come from a live
performing background and there we get used to different latencies
each night depending on how far from your guitar amp you have to stand
on that particular stage. I know it may not be fun for people coming
from a studio/headphones background, but you can learn to adapt to
latency. Symphony orchestra musicians do that as a crucial part of
their ensemble playing skills (because they sit spread apart and far
from the audience which is regarded as "the sweet spot" where each
each instrumentalist's sound is supposed to arrive at correct musical
timing)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 14:34:11 2010
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Date: Sun, 07 Feb 2010 15:34:15 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: [Fwd: OT: In search for a camera - better than a webcam (proper optics),
 but not a camcorder]
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Hi everyone,

with all the video experts here, I think I may as well ask you:

I'm looking for a video camera which is something like a camcorder 
without recorder/standalone functionality or a webcam with proper optics.

The use case is that for my virtual sessions, I look for a camera with 
higher-quality features (e.g. proper optics with focus) which must not 
run on batteries or record into some internal storage.

Is there something like that? If so, what is this category of cameras 
called? Any recommendations?

Yours,

            Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs




-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 14:44:12 2010
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Subject: Re: [Fwd: OT: In search for a camera - better than a webcam (proper 
	optics), but not a camcorder]
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Rainer,

Google the reviews of Panasonic Lumix DMC-TZ7! I seems to offer the
best bang-for-buck ration. If planning to shot video with it you need
to also pick up a memory card and an extra battery. The only bad side
with this product is that the battery runs out pretty fast (an hour or
so) during filming, so it might be cool to put your second battery on
recharge while shooting and then you swap battery as the first one
goes out of juice.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Feb 7, 2010 at 3:34 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> I'm looking for a video camera which is something like a camcorder without
> recorder/standalone functionality or a webcam with proper optics.
>
> The use case is that for my virtual sessions, I look for a camera with
> higher-quality features (e.g. proper optics with focus) which must not run
> on batteries or record into some internal storage.
>
> Is there something like that? If so, what is this category of cameras
> called? Any recommendation

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 14:48:30 2010
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Date: Sun, 7 Feb 2010 09:48:28 -0500
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Subject: software samplers
From: james fowler <twostroke@gmail.com>
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--000e0cd4d84c1159b7047f03c76a
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i searched the archives to no avail.  so here goes:

i would like a proper (software) sampler.  i would like to not pay $400 for
kontakt (although kontakt seems awesome).  i would like more features than
things like shortcircuit offer (a less-clunky gui would be nice too).  i do
not need a 40gb sample library as i have zero intention of using anything
other than my own samples.

so...anybody out there using a sampler please contribute your opinion.  to
get what i want am i just gonna have to drop some serious $$$?  is there
some top-secret machine that is both affordable and powerful?  any and all
help is appreciated.

thanks.

- jim

--000e0cd4d84c1159b7047f03c76a
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i searched the archives to no avail.=A0 so here goes:<br><br>i would like a=
 proper (software) sampler.=A0 i would like to not pay $400 for kontakt (al=
though kontakt seems awesome).=A0 i would like more features than things li=
ke shortcircuit offer (a less-clunky gui would be nice too).=A0 i do not ne=
ed a 40gb sample library as i have zero intention of using anything other t=
han my own samples.<br>
<br>so...anybody out there using a sampler please contribute your opinion.=
=A0 to get what i want am i just gonna have to drop some serious $$$?=A0 is=
 there some top-secret machine that is both affordable and powerful?=A0 any=
 and all help is appreciated.<br>
<br>thanks.<br><br>- jim<br>

--000e0cd4d84c1159b7047f03c76a--

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Subject: Re: OT: In search for a camera - better than a webcam (proper optics), but not a camcorder]
Date: Sun, 7 Feb 2010 09:57:37 -0500
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Hi Rainer, still a webcam but i use the logitech Pro 9000, a little better 
lense and auto focus/zoom

j

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: "Looper's Delight Mailing List" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, February 07, 2010 9:34 AM
Subject: [Fwd: OT: In search for a camera - better than a webcam (proper 
optics), but not a camcorder]


> Hi everyone,
>
> with all the video experts here, I think I may as well ask you:
>
> I'm looking for a video camera which is something like a camcorder without 
> recorder/standalone functionality or a webcam with proper optics.
>
> The use case is that for my virtual sessions, I look for a camera with 
> higher-quality features (e.g. proper optics with focus) which must not run 
> on batteries or record into some internal storage.
>
> Is there something like that? If so, what is this category of cameras 
> called? Any recommendations?
>
> Yours,
>
>            Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>
>
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 16:06:32 2010
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Power PC Laptop
Date: Sun, 7 Feb 2010 16:06:29 -0000
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Hi Folks,

I'm considering a power pc laptop (i7 Quad core 8GB). I'm looking at the =
HP DV7t quadcore series. Does anyone have any knowledge of any HP as a =
live performance machine?

Best wishes,

Ricky
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<DIV><FONT face=3DArial size=3D2>Hi Folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm considering a power pc laptop (i7 =
Quad core=20
8GB). I'm looking at the HP DV7t quadcore series. Does anyone have any =
knowledge=20
of any HP as a live performance machine?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Best wishes,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

------=_NextPart_000_0012_01CAA80F.81F40830--

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 17:00:33 2010
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Date: Sun, 7 Feb 2010 11:00:28 -0600
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Subject: Re: OT: Power PC Laptop
From: skunk3 <skunk3@gmail.com>
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I have a HP DV7-2040US, not quite as rockin' as that one but still
pretty darn nice. I love it but my main problem is that a lot of
effects and softsynths don't seem to be optimized for multi-core
processing yet... the difference between this laptop and my old
single-core AMD laptop in apps like Ableton Live and Fruity Loops is
very minimal, which sucks. As far as everything else goes, it flies.

On 2/7/10, Ricky Graham <rock.guitar.guru@btinternet.com> wrote:
> Hi Folks,
>
> I'm considering a power pc laptop (i7 Quad core 8GB). I'm looking at the HP
> DV7t quadcore series. Does anyone have any knowledge of any HP as a live
> performance machine?
>
> Best wishes,
>
> Ricky

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 17:21:05 2010
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Subject: Re: OT: Power PC Laptop
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Thanks for that. Can I ask how hard you push Ableton in real-time? You're 
saying that there's no noticable difference between your single core machine 
and  the quad core? I am running Ableton on a dual core machine and it can 
get a little slugish when recording multiple clips in real-time. Do you 
experience this on the quad core?

Best wishes,

Ricky
----- Original Message ----- 
From: "skunk3" <skunk3@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, February 07, 2010 5:00 PM
Subject: Re: OT: Power PC Laptop


>I have a HP DV7-2040US, not quite as rockin' as that one but still
> pretty darn nice. I love it but my main problem is that a lot of
> effects and softsynths don't seem to be optimized for multi-core
> processing yet... the difference between this laptop and my old
> single-core AMD laptop in apps like Ableton Live and Fruity Loops is
> very minimal, which sucks. As far as everything else goes, it flies.
>
> On 2/7/10, Ricky Graham <rock.guitar.guru@btinternet.com> wrote:
>> Hi Folks,
>>
>> I'm considering a power pc laptop (i7 Quad core 8GB). I'm looking at the 
>> HP
>> DV7t quadcore series. Does anyone have any knowledge of any HP as a live
>> performance machine?
>>
>> Best wishes,
>>
>> Ricky
> 

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 17:31:55 2010
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Date: Sun, 07 Feb 2010 18:32:00 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Ricky Graham schrieb:
> I'm considering a power pc laptop (i7 Quad core 8GB). I'm looking at 
> the HP DV7t quadcore series. Does anyone have any knowledge of any HP 
> as a live performance machine?
Guess you're referring to the (Clarkfield) 720QM - which by its 
standalone price in the "processor power per money" is second only to 
the i5-520M, however even beats it in the available notebook systems 
(the performance increase by roughly 45% comes with a price increase in 
the 20% range).

The multicore vs. single core argumentation, as someone else already 
mentioned, is not as simple as suggested I'm afraid; there's a lot of 
things to factor in - apart from the softsynths and effects he mentions, 
also the VST host and the operating system, together with the specific 
kind of processor you're using.

 From a purely theoretical approach, for Windows users the best way to 
go is Windows 7. The reason: Windows 7 is the first (Windows?) OS to 
efficiently make use of the (i7) hyperthreading architecture - with XP 
and Vista, you might end up with not-multicore-optimized applications 
possibly running slower on a i7 architecture than on a i5 (or older) 
one. This however has been addressed in Windows 7.

Another important factor is the VST host: even if the individual plugins 
do not make use of multicore architecture, it is often sufficient if the 
host does: say you're running two softsynths and four effects, then the 
host can easily distribute those evenly among the cores if it has that 
feature.

Finally, the i7 architecture allows to boost cores specifically if 
others are unused: taking again the Clarksfield example of the 720QM, if 
you're only running two cores, you get a 798MHz boost on those - and if 
you assign your (not-multicore-enabled) application to one core and the 
sound driver to another one, you can redline the application core and 
still run extremely low latencies...

This is, basically, all a lengthy email to tell you that I don't have 
any experiences with the dv7 family (or HP notebooks in general). One 
thing to look for for audio hardware (just mentioning that in case 
you're not aware of that) is a characteristic called "DPC latency". 
Basically, it means how long it takes for some procedure calls to be 
processed, and for proper audio stuff, this should be constantly below 1ms.
Alas, only a few sites have started to test for that (e.g. 
notebookcheck.de - German), and typically the manufactures don't. But if 
you have the chance to have a look at the dv7 in a shop, be sure to run 
the following program:
http://www.thesycon.de/deu/latency_check.shtml

And btw, by just looking through some forums, I saw the following 
recommendation:
http://www.adkproaudio.com/laptop2.cfm

Anyone got experience with those?

          Rainer



-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 17:43:41 2010
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Subject: In search for a (cheap, but as long as possible) delay with varispeed
 as a pedal
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I'm looking for a stompbox which has a delay which can be 
pitched/varispeeded.

Basically something like the old Digitech PDS series.

So my question:
    * are there alternatives to them?
    * anyone still has one lying around that he's willing to part with?

Thanks,

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 18:18:10 2010
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Subject: Re: In search for a (cheap, but as long as possible) delay with varispeedas a pedal
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EHX stereo delay Hazarai?
------Original Message------
From: Rainer Straschill
To: Looper's Delight Mailing List
ReplyTo: Loopers-Delight@loopers-delight.com
Sent: Feb 7, 2010 12:43 PM
Subject: In search for a (cheap, but as long as possible) delay with varispeedas a pedal

I'm looking for a stompbox which has a delay which can be
pitched/varispeeded.

Basically something like the old Digitech PDS series.

So my question:
    * are there alternatives to them?
    * anyone still has one lying around that he's willing to part with?

Thanks,

             Rainer

--
http://moinlabs.de
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From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 18:24:41 2010
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <505C4E5F6D3D458B8FF713AC0F9CA6C1@ad9f1e10631784> <4B6EF910.6030508@googlemail.com>
Subject: Re: OT: Power PC Laptop
Date: Sun, 7 Feb 2010 18:24:37 -0000
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Thanks Rainer. That's extremely helpful. I had also read that Windows 7 
appears to be the most stable operating system, especially when running 
Ableton Live. I own a Fireface 400 audio interface and intend to use this 
unit with the chosen laptop system. The ADK laptops certainly look 
interesting. Thanks for the link.

Best wishes,

Ricky


----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, February 07, 2010 5:32 PM
Subject: Re: OT: Power PC Laptop


> Ricky Graham schrieb:
>> I'm considering a power pc laptop (i7 Quad core 8GB). I'm looking at the 
>> HP DV7t quadcore series. Does anyone have any knowledge of any HP as a 
>> live performance machine?
> Guess you're referring to the (Clarkfield) 720QM - which by its standalone 
> price in the "processor power per money" is second only to the i5-520M, 
> however even beats it in the available notebook systems (the performance 
> increase by roughly 45% comes with a price increase in the 20% range).
>
> The multicore vs. single core argumentation, as someone else already 
> mentioned, is not as simple as suggested I'm afraid; there's a lot of 
> things to factor in - apart from the softsynths and effects he mentions, 
> also the VST host and the operating system, together with the specific 
> kind of processor you're using.
>
> From a purely theoretical approach, for Windows users the best way to go 
> is Windows 7. The reason: Windows 7 is the first (Windows?) OS to 
> efficiently make use of the (i7) hyperthreading architecture - with XP and 
> Vista, you might end up with not-multicore-optimized applications possibly 
> running slower on a i7 architecture than on a i5 (or older) one. This 
> however has been addressed in Windows 7.
>
> Another important factor is the VST host: even if the individual plugins 
> do not make use of multicore architecture, it is often sufficient if the 
> host does: say you're running two softsynths and four effects, then the 
> host can easily distribute those evenly among the cores if it has that 
> feature.
>
> Finally, the i7 architecture allows to boost cores specifically if others 
> are unused: taking again the Clarksfield example of the 720QM, if you're 
> only running two cores, you get a 798MHz boost on those - and if you 
> assign your (not-multicore-enabled) application to one core and the sound 
> driver to another one, you can redline the application core and still run 
> extremely low latencies...
>
> This is, basically, all a lengthy email to tell you that I don't have any 
> experiences with the dv7 family (or HP notebooks in general). One thing to 
> look for for audio hardware (just mentioning that in case you're not aware 
> of that) is a characteristic called "DPC latency". Basically, it means how 
> long it takes for some procedure calls to be processed, and for proper 
> audio stuff, this should be constantly below 1ms.
> Alas, only a few sites have started to test for that (e.g. 
> notebookcheck.de - German), and typically the manufactures don't. But if 
> you have the chance to have a look at the dv7 in a shop, be sure to run 
> the following program:
> http://www.thesycon.de/deu/latency_check.shtml
>
> And btw, by just looking through some forums, I saw the following 
> recommendation:
> http://www.adkproaudio.com/laptop2.cfm
>
> Anyone got experience with those?
>
>          Rainer
>
>
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
> 

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 20:17:25 2010
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From: Revfever <revfever@ubergadget.com>
Subject: =?ISO-8859-1?Q?Robert_Fripp=92_UK_Dates_With_The_Humans?=
Date: Sun, 7 Feb 2010 12:17:20 -0800
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--Apple-Mail-2--496168202
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FYI. This may be of some interest to a few UK people on the LD list.

Cheers,
Rev. Fever
Portland, OR

> From: "DGM Live" <webmaster@dgmlive.com>
> Date: February 7, 2010 10:50:32 AM PST
> Subject: Robert Fripp=C2=92s UK Dates With The Humans
>
>
> Robert Fripp=E2=80=99s UK Dates With The Humans
>
> Following on from their gig in Estonia last year, The Humans with =20
> special guest, Robert Fripp undertake a short series of UK dates =20
> later this month.
>
> In case you=E2=80=99ve not been reading Robert=E2=80=99s diary =
recently or =20
> checking the news updates, The Humans are Toyah Willcox, Chris Wong =20=

> and Bill Rieflin with RF joining the band as guest guitarist.
>
> The gigs with Robert take place on
>
> 22 Feb 2010 Assembly, Leamington Spa
> http://www.leamingtonassembly.com/EventInfo.aspx?id=3D145
>
> 23 Feb 2010 The Junction, Cambridge
> http://junction.iristickets.co.uk/tickets/all.php5
>
> 24 Feb 2010 The Scala, London
> http://www.ticketweb.co.uk/user/?=20
> region=3Dgb_london&query=3Ddetail&event=3D350872&interface=3Dscala
>
>
> These concerts will be the first time Robert has appeared in the UK =20=

> as part of a band since King Crimson=E2=80=99s appearance at the =
Shepherds =20
> Bush Empire in 2000.
>
> On Monday 8th February a previously unreleased track of the band =20
> live in Estonia will be made available for downloading at DGMLive.
> http://www.dgmlive.com
>
> Check out The Humans
>
> http://www.myspace.com/wearethehumans
>
>
>
>


--Apple-Mail-2--496168202
Content-Transfer-Encoding: quoted-printable
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	charset=UTF-8

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">FYI. This may be of some =
interest to a few UK people on the LD =
list.<div><br></div><div>Cheers,</div><div>Rev. =
Fever</div><div>Portland, OR<br><div><br><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>From: =
</b></font><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">"DGM Live" &lt;<a =
href=3D"mailto:webmaster@dgmlive.com">webmaster@dgmlive.com</a>&gt;</font>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" =
color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Date: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">February 7, 2010 10:50:32 AM =
PST</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Subject: </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica"><b>Robert Fripp=C2=92s UK Dates With =
The Humans</b></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> <span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font face=3D"Arial"><table =
cellspacing=3D"0" cellpadding=3D"3" bordercolor=3D"#000000" border=3D"0" =
align=3D"center" width=3D"539" style=3D"border-collapse: collapse; =
"><tbody><tr><td width=3D"100%" valign=3D"top"><div><font =
face=3D"Arial"><img width=3D"539" height=3D"140" title=3D"" alt=3D"" =
src=3D"http://app.icontact.com/icp/loadimage.php/mogile/265528/15a1c460077=
b9b5cb7c2c1bcbcf8bed1/image/gif"><br></font></div></td></tr><tr><td =
width=3D"100%" valign=3D"top"><div><h2></h2></div><div><h2>Robert =
Fripp=E2=80=99s UK Dates With The Humans</h2></div><div>Following on =
from their gig in Estonia last year, The Humans with special guest, =
Robert Fripp undertake a short series of UK dates later this month.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>In case you=E2=80=99v=
e not been reading Robert=E2=80=99s diary recently or checking the news =
updates, The Humans are Toyah Willcox, Chris Wong and Bill Rieflin with =
RF joining the band as guest guitarist.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>The gigs with =
Robert take place on<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>22 Feb 2010 =
Assembly, Leamington Spa<br><a =
href=3D"http://click.icptrack.com/icp/relay.php?r=3D26812685&amp;msgid=3D4=
28357&amp;act=3D5H8A&amp;c=3D265528&amp;destination=3Dhttp%3A%2F%2Fwww.lea=
mingtonassembly.com%2FEventInfo.aspx%3Fid%3D145">http://www.leamingtonasse=
mbly.com/EventInfo.aspx?id=3D145</a><br><br>23 Feb 2010 The Junction, =
Cambridge<br><a =
href=3D"http://click.icptrack.com/icp/relay.php?r=3D26812685&amp;msgid=3D4=
28357&amp;act=3D5H8A&amp;c=3D265528&amp;destination=3Dhttp%3A%2F%2Fjunctio=
n.iristickets.co.uk%2Ftickets%2Fall.php5">http://junction.iristickets.co.u=
k/tickets/all.php5</a><br><br>24 Feb 2010 The Scala, London<br><a =
href=3D"http://click.icptrack.com/icp/relay.php?r=3D26812685&amp;msgid=3D4=
28357&amp;act=3D5H8A&amp;c=3D265528&amp;destination=3Dhttp%3A%2F%2Fwww.tic=
ketweb.co.uk%2Fuser%2F%3Fregion%3Dgb_london%26query%3Ddetail%26event%3D350=
872%26interface%3Dscala">http://www.ticketweb.co.uk/user/?region=3Dgb_lond=
on&amp;query=3Ddetail&amp;event=3D350872&amp;interface=3Dscala</a><br><br>=
<br>These concerts will be the first time Robert has appeared in the UK =
as part of a band since King Crimson=E2=80=99s appearance at the =
Shepherds Bush Empire in 2000.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>On Monday 8th =
February a previously unreleased track of the band live in Estonia will =
be made available for downloading at DGMLive.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><a =
href=3D"http://click.icptrack.com/icp/relay.php?r=3D26812685&amp;msgid=3D4=
28357&amp;act=3D5H8A&amp;c=3D265528&amp;destination=3Dhttp%3A%2F%2Fwww.dgm=
live.com%2F">http://www.dgmlive.com</a><br><br>Check out The Humans<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><a =
href=3D"http://click.icptrack.com/icp/relay.php?r=3D26812685&amp;msgid=3D4=
28357&amp;act=3D5H8A&amp;c=3D265528&amp;destination=3Dhttp%3A%2F%2Fwww.mys=
pace.com%2Fwearethehumans">http://www.myspace.com/wearethehumans</a></div>=
</td></tr></tbody></table><br></font><font =
face=3D"Arial"><br></font><br></div><br></span></blockquote></div><br></di=
v></body></html>=

--Apple-Mail-2--496168202--

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 21:48:11 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: Energy XT anyone?
Date: Sun, 7 Feb 2010 21:48:10 +0000
Importance: Normal
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--_6f276b34-a3ea-415e-8087-f7a0be3e26d4_
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Hey guys=2C=20
Is anyone here using energy XT as part of their laptop looping rig?
peace

G

Date: Sat=2C 6 Feb 2010 16:16:58 -0800
From: unstrungone@yahoo.com
Subject: MPX4 and RjDj
To: Loopers-Delight@loopers-delight.com



Two new technologies I've come across allow music listening to be more of a=
n 'active' rather than a passive listening experience - RjDj and MXP4.=20
=20
But two questions come to mind:
=20
As a musician=2C what do you think about them?
As a music listener=2C what do you think about them?
=20
Personally=2C I'm intregued by the possibilities. If I was a 14 year old ki=
d today=2C I'd be all over this stuff. But=2C something special about the u=
niqueness of a mix is surely lost.
=20
What do you think?
=20
About MPX4 - http://www.mxp4.com/
About RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA and http://more.r=
jdj.me/what/
=20
 		 	   		 =20
_________________________________________________________________
Do you have a story that started on Hotmail? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Hey guys=2C <br>Is anyone here using energy XT as part of their laptop loop=
ing rig?<br>peace<br><br>G<br><br><hr id=3D"stopSpelling">Date: Sat=2C 6 Fe=
b 2010 16:16:58 -0800<br>From: unstrungone@yahoo.com<br>Subject: MPX4 and R=
jDj<br>To: Loopers-Delight@loopers-delight.com<br><br>

<style>
.ExternalClass DIV
{=3B}
</style><div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-s=
ize: 10pt=3B"><div>Two new technologies I've come across allow music listen=
ing to be more of an 'active' rather than a passive listening experience - =
RjDj and MXP4. </div>
<div>&nbsp=3B</div>
<div>But two questions come to mind:</div>
<div>&nbsp=3B</div>
<div>As a musician=2C what do you think about them?<br>As a music listener=
=2C what do you think about them?</div>
<div>&nbsp=3B</div>
<div>Personally=2C I'm intregued by the possibilities. If I was a 14 year o=
ld kid today=2C I'd be all over this stuff. But=2C something special about =
the uniqueness of a mix is surely lost.</div>
<div>&nbsp=3B</div>
<div>What do you think?</div>
<div>&nbsp=3B</div>
<div>About MPX4 - <a href=3D"http://www.mxp4.com/">http://www.mxp4.com/</a>=
</div>
<div>About RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA">=
http://www.youtube.com/watch?v=3D0fxQFly1BQA</a> and <a href=3D"http://more=
.rjdj.me/what/">http://more.rjdj.me/what/</a></div>
<div>&nbsp=3B</div></div><br> 		 	   		  <br /><hr />Do you want a Hotmail =
account? <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' targe=
t=3D'_new'>Sign-up now - Free</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 22:03:47 2010
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Date: Sun, 7 Feb 2010 14:03:46 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: In search for a (cheap, but as long as possible) delay with varispeed  pedal, 
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yes, i am searching for one also:
god would some CO.=A0out there make a delay based looper that had maybe 16 =
sec of delay that would hold and capture the sound info and allow you to ma=
nipulate it (i guess sort of like the lexicon pcm 42 that DT demos in tape =
2 of his "painting w/ sound vid from early 90s or i suppose the vids i've s=
een of a belew & nels cline working w/ original eh 16sec DDL--but not have =
it cost 1000$)....
=A0
yes yes yes i want something-
-i have a e-h smm w/ hazarai-the delay mode is ok-doesn't really do variasp=
eed, in the loop mode it will go slow (down 1/2), fast (up 2 times) & rever=
se, but the bummer for me, is you have to hold switch down to capture-i pre=
fer the boss method of taping switch on to record, tapping again to turn of=
f...
=A0
honestly-the best variaspeed delay i've had was an ibanez de7-which i wish =
i wouldn't have sold, and i'm debating buying another one.. nice thing it g=
oes to 2.6 sec, downer-is it doesn't go 100% feedback-most repeats i counte=
d was about 10...but it did a great slow-fast variaspeed-b/c i just saw me =
demo it on one of my old vids that i just turned into our local PATV.
=A0
i'm also looking/debating the guyatone md-3-it also has 2.6 sec...the bad t=
hing the youtube vids i've watched noone really plays w/ the time part of i=
t, they mainly just set time for specific delay & play-so it shows that i u=
se my delay different than most--bummer for me. (ANY ONE HAVE/PLAYED W/A GU=
YATONE MD-3???)
=A0
i know people talk about the old digitech delays-
-i had a digidelay-& it did the variaspeed ok, not great.
-i will say the digitech DL8 works decent in 8 sec mode-not exact, but doab=
le
-i guess the boss dd7 did it ok, but really only has 3.2 sec-the 6.4 sec-yo=
u had to use it in stereo out mode...-and i will say the sound of it starte=
d to annoy me after awhile-i think the DL8 is much better.
-i suppose the DD20 is an option-i also didn't love it-in the 23 sec mode, =
it had a very strange warping sound-like it didn't really hold the informat=
ion at all
-i've been curious about the Boss RE-20, it supposedly has 6 sec of delay-b=
ut none of the vids have shown anyone using 6 sec or doing short loops w/ i=
t...
=A0
i have debated emailing ibanez begging them to take their de7-make it have =
100% feedback and see if they could make it go to 6 sec or longer---that wo=
uld be ideal for me...
oh well...anyone's help in this would be great...as i too am looking....
s---
www.myspace.com/scotthansen
=A0
=A0=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>yes, i am searching for one also:</DIV>
<DIV>god would some CO.&nbsp;out there make a delay based looper that had m=
aybe 16 sec of delay that would hold and capture the sound info and allow y=
ou to manipulate it (i guess sort of like the lexicon pcm 42 that DT demos =
in tape 2 of his "painting w/ sound vid from early 90s or i suppose the vid=
s i've seen of a belew &amp; nels cline working w/ original eh 16sec DDL--b=
ut not have it cost 1000$)....</DIV>
<DIV>&nbsp;</DIV>
<DIV>yes yes yes i want something-</DIV>
<DIV>-i have a e-h smm w/ hazarai-the delay mode is ok-doesn't really do va=
riaspeed, in the loop mode it will go slow (down 1/2), fast (up 2 times) &a=
mp; reverse, but the bummer for me, is you have to hold switch down to capt=
ure-i prefer the boss method of taping switch on to record, tapping again t=
o turn off...</DIV>
<DIV>&nbsp;</DIV>
<DIV>honestly-the best variaspeed delay i've had was an ibanez de7-which i =
wish i wouldn't have sold, and i'm debating buying another one.. nice thing=
 it goes to 2.6 sec, downer-is it doesn't go 100% feedback-most repeats i c=
ounted was about 10...but it did a great slow-fast variaspeed-b/c i just sa=
w me demo it on one of my old vids that i just turned into our local PATV.<=
/DIV>
<DIV>&nbsp;</DIV>
<DIV>i'm also looking/debating the guyatone md-3-it also has 2.6 sec...the =
bad thing the youtube vids i've watched noone really plays w/ the time part=
 of it, they mainly just set time for specific delay &amp; play-so it shows=
 that i use my delay different than most--bummer for me. (ANY ONE HAVE/PLAY=
ED W/A GUYATONE MD-3???)</DIV>
<DIV>&nbsp;</DIV>
<DIV>i know people talk about the old digitech delays-</DIV>
<DIV>-i had a digidelay-&amp; it did the variaspeed ok, not great.</DIV>
<DIV>-i will say the digitech DL8 works decent in 8 sec mode-not exact, but=
 doable</DIV>
<DIV>-i guess the boss dd7 did it ok, but really only has 3.2 sec-the 6.4 s=
ec-you had to use it in stereo out mode...-and i will say the sound of it s=
tarted to annoy me after awhile-i think the DL8 is much better.</DIV>
<DIV>-i suppose the DD20 is an option-i also didn't love it-in the 23 sec m=
ode, it had a very strange warping sound-like it didn't really hold the inf=
ormation at all</DIV>
<DIV>-i've been curious about the Boss RE-20, it supposedly has 6 sec of de=
lay-but none of the vids have shown anyone using 6 sec or doing short loops=
 w/ it...</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have debated emailing ibanez begging them to take their de7-make it =
have 100% feedback and see if they could make it go to 6 sec or longer---th=
at would be ideal for me...</DIV>
<DIV>oh well...anyone's help in this would be great...as i too am looking..=
..</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>=0A=0A=0A=0A      
--0-149911898-1265580226=:22942--

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	 <D6E32E96-3D4A-462A-8EB1-54291F7B7684@charter.net>
Date: Sun, 7 Feb 2010 22:08:49 +0000
Message-ID: <1f6442e01002071408i40bfe3abgd1413a7a51d3baa@mail.gmail.com>
Subject: Re: New Eigenharp Pico Video
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Thank you very much Ted!

K x

On 6 February 2010 15:53, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:

> Very fine piece and very fine playing Kayla.
>
>
> On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:
>
>  Hi guys,
>>
>> I've just uploaded my latest entry to the Eigenharp competition at
>> http://www.youtube.com/watch?v=3DRoWr8cvzths - would be most grateful of
>> your comments and/or ratings as it forms part of the contest judging!
>>
>> Many thanks,
>>
>> Kayla
>>
>>
>> ------------------------------------------------------------------------=
-----------------------
>> Kayla's website: http://www.kaylakavanagh.com
>> Kayla on Twitter: http://www.twitter.com/kaylakavanagh
>> MySpace: http://www.myspace.com/kaylakavanagh
>> FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016
>>
>
>


--=20

---------------------------------------------------------------------------=
--------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--001485f63112eba704047f09edba
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Content-Transfer-Encoding: quoted-printable

Thank you very much Ted!<br><br>K x<br><br><div class=3D"gmail_quote">On 6 =
February 2010 15:53, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Very fine piece and very fine playing Kayla.<div><div></div><div class=3D"h=
5"><br>
<br>
On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi guys,<br>
<br>
I&#39;ve just uploaded my latest entry to the Eigenharp competition at <a h=
ref=3D"http://www.youtube.com/watch?v=3DRoWr8cvzths" target=3D"_blank">http=
://www.youtube.com/watch?v=3DRoWr8cvzths</a>=A0- would be most grateful of =
your comments and/or ratings as it forms part of the contest judging!<br>

<br>
Many thanks,<br>
<br>
Kayla<br>
<br>
---------------------------------------------------------------------------=
--------------------<br>
Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com" target=3D"_bl=
ank">http://www.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh" target=
=3D"_blank">http://www.twitter.com/kaylakavanagh</a><br>
MySpace: <a href=3D"http://www.myspace.com/kaylakavanagh" target=3D"_blank"=
>http://www.myspace.com/kaylakavanagh</a><br>
FaceBook: <a href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032=
129016" target=3D"_blank">http://www.new.facebook.com/pages/Kayla-Kavanagh/=
22032129016</a><br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><br>-------=
---------------------------------------------------------------------------=
-------------<br>Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.c=
om">http://www.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


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Hi everyone,=20

I'm new to this looping game so I have no idea how large this community
is or who the gurus are, but I'm excited to find out.  I'm not sure what
the etiquette is so I thought I would just roll the dice and post my
first question.

I'm confident someone here knows the answer to this:

I now  finally have two echoplex digital pros and I'm really looking
forward to running them in stereo in the effects loop of my mixer. The
problem is that one is an original oberheim with loop 3 v.5 on it that
does not have full memory capacity and the other is a gibson with loop 4
and 16 mb.=20

I ordered the memory today to upgrade the older echoplex to 16mb but I'm
trying to figure out if I can sync the two devices despite the different
software versions.

If not, is loop 4 still available?

Also, any advice any of you could offer about running stereo echoplex
setup would be greatly appreciated.

I have studied the section in the manuals ad nauseum but was hoping for
some tips and tricks.

Thank you,

Ace=20


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<p class=3DMsoNormal>Hi everyone, <o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m new to this looping game so I have no =
idea how large
this community is or who the gurus are, but I&#8217;m excited to find =
out. &nbsp;I&#8217;m
not sure what the etiquette is so I thought I would just roll the dice =
and post
my first question.<o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m confident someone here knows the answer =
to this:<o:p></o:p></p>

<p class=3DMsoNormal>I now &nbsp;finally have two echoplex digital pros =
and I&#8217;m
really looking forward to running them in stereo in the effects loop of =
my
mixer. The problem is that one is an original oberheim with loop 3 v.5 =
on it that
does not have full memory capacity and the other is a gibson with loop 4 =
and 16
mb. <o:p></o:p></p>

<p class=3DMsoNormal>I ordered the memory today to upgrade the older =
echoplex to
16mb but I&#8217;m trying to figure out if I can sync the two devices =
despite the
different software versions.<o:p></o:p></p>

<p class=3DMsoNormal>If not, is loop 4 still available?<o:p></o:p></p>

<p class=3DMsoNormal>Also, any advice any of you could offer about =
running stereo
echoplex setup would be greatly appreciated.<o:p></o:p></p>

<p class=3DMsoNormal>I have studied the section in the manuals ad =
nauseum but was
hoping for some tips and tricks.<o:p></o:p></p>

<p class=3DMsoNormal>Thank you,<o:p></o:p></p>

<p class=3DMsoNormal>Ace <o:p></o:p></p>

</div>

</body>

</html>

------_=_NextPart_001_01CAA843.486772A4--

From Loopers-Delight-request@loopers-delight.com  Sun Feb  7 23:13:52 2010
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Date: Sun, 7 Feb 2010 15:13:49 -0800
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Ace,

Hi there and welcome aboard!

I don't know a thing about synching a "mixed pair" of an older EDP and =20=

a newer one.

I have had the same matched pair since 1996 and for many years ran =20
them as a perfectly matched and synched pair.

But just to let you know that if there is any chance your pair won't =20
"play nice" together in stereo, there are plenty of reasons and ways =20
to still use them as distinct un-synched mono units - which is what I =20=

have been doing with mine for 3-4 years now.

I "stereo-ize" the mono output of each with other FX units (in my case =20=

an Alesis Akira for each) and am able to keep 2 distinct looping =20
patterns going with 2 distinct types of looping.

If I want to keep ambient-ish non rhythmic material going on one while =20=

I slice dice and chop glitchy rhythms up on the other with sus-replace-=20=

insert techniques I can have both worlds going at the same time.

So . . . if it turns out your EDPs are mismatched, don't despair . . . =20=

lots of fun can still be had.

I am by no means any sort of loping guru in this group.

But I have been here a long while - almost as long as the group has =20
existed.

Hope someone can point you in the right direction.

Best,

Ted

On Feb 7, 2010, at 2:16 PM, Ace Ovil wrote:

> Hi everyone,
> I=92m new to this looping game so I have no idea how large this =20
> community is or who the gurus are, but I=92m excited to find out.  I=92m=
 =20
> not sure what the etiquette is so I thought I would just roll the =20
> dice and post my first question.
> I=92m confident someone here knows the answer to this:
> I now  finally have two echoplex digital pros and I=92m really looking =
=20
> forward to running them in stereo in the effects loop of my mixer. =20
> The problem is that one is an original oberheim with loop 3 v.5 on =20
> it that does not have full memory capacity and the other is a gibson =20=

> with loop 4 and 16 mb.
> I ordered the memory today to upgrade the older echoplex to 16mb but =20=

> I=92m trying to figure out if I can sync the two devices despite the =20=

> different software versions.
> If not, is loop 4 still available?
> Also, any advice any of you could offer about running stereo =20
> echoplex setup would be greatly appreciated.
> I have studied the section in the manuals ad nauseum but was hoping =20=

> for some tips and tricks.
> Thank you,
> Ace

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  I finally got a chance to post this to youtube, An intriguing  
product that at I'm very curious to see how well it works. http://www.youtube.com/watch?v=_w7jU8rvm1o
Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><font class="Apple-style-span" face="Arial, Helvetica, sans-serif" size="2"><span class="Apple-style-span" style="font-size: 10px; white-space: pre;"> I finally got a chance to post this to youtube, An intriguing product that at I'm very curious to see how well it works. <a href="http://www.youtube.com/watch?v=_w7jU8rvm1o">http://www.youtube.com/watch?v=_w7jU8rvm1o</a></span></font><div><font class="Apple-style-span" face="Arial, Helvetica, sans-serif" size="2"><span class="Apple-style-span" style="font-size: 10px; white-space: pre;">Bill</span></font></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 00:28:42 2010
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	 <BLU113-W25D91B40D8305D4E261F3085520@phx.gbl>
Date: Sun, 7 Feb 2010 16:28:40 -0800
Message-ID: <588ce11d1002071628wb416714q65c5c6fc6eba5753@mail.gmail.com>
Subject: Re: Energy XT anyone?
From: Art Simon <simart@gmail.com>
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--00504502b08a09ee8e047f0be2d8
Content-Type: text/plain; charset=ISO-8859-1

I have. I used version 1 for a couple of years, and I still like version
2.5. I really like the modular view, and I find EnergyXT easy to set up. I
don't feel like it works as well as Bidule when timing is critical. I found
Bidule to be more reliable when I'm starting and stopping Stylus RMX and I
want everything to be quantized and in sync. If it is working well for your
needs, by all means stick with it. It's a great program and I've found
Jorgen, the programs author, to be very responsive.

On Sun, Feb 7, 2010 at 1:48 PM, Gareth Whittock <buddhamachine@live.co.uk>wrote:

>  Hey guys,
> Is anyone here using energy XT as part of their laptop looping rig?
> peace
>
> G
>
> ------------------------------
> Date: Sat, 6 Feb 2010 16:16:58 -0800
> From: unstrungone@yahoo.com
> Subject: MPX4 and RjDj
> To: Loopers-Delight@loopers-delight.com
>
> Two new technologies I've come across allow music listening to be more of
> an 'active' rather than a passive listening experience - RjDj and MXP4.
>
> But two questions come to mind:
>
> As a musician, what do you think about them?
> As a music listener, what do you think about them?
>
> Personally, I'm intregued by the possibilities. If I was a 14 year old kid
> today, I'd be all over this stuff. But, something special about the
> uniqueness of a mix is surely lost.
>
> What do you think?
>
> About MPX4 - http://www.mxp4.com/
> About RjDj - http://www.youtube.com/watch?v=0fxQFly1BQA and
> http://more.rjdj.me/what/
>
>
>
> ------------------------------
> Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00504502b08a09ee8e047f0be2d8
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I have. I used version 1 for a couple of years, and I still like version 2.=
5. I really like the modular view, and I find EnergyXT easy to set up. I do=
n&#39;t feel like it works as well as Bidule when timing is critical. I fou=
nd Bidule to be more reliable when I&#39;m starting and stopping Stylus RMX=
 and I want everything to be quantized and in sync. If it is working well f=
or your needs, by all means stick with it. It&#39;s a great program and I&#=
39;ve found Jorgen, the programs author, to be very responsive.<br>
<br><div class=3D"gmail_quote">On Sun, Feb 7, 2010 at 1:48 PM, Gareth Whitt=
ock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddh=
amachine@live.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt=
 0.8ex; padding-left: 1ex;">




<div>
Hey guys, <br>Is anyone here using energy XT as part of their laptop loopin=
g rig?<br>peace<br><br>G<br><br><hr>Date: Sat, 6 Feb 2010 16:16:58 -0800<br=
>From: <a href=3D"mailto:unstrungone@yahoo.com" target=3D"_blank">unstrungo=
ne@yahoo.com</a><br>
Subject: MPX4 and RjDj<br>To: <a href=3D"mailto:Loopers-Delight@loopers-del=
ight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br><br>

<div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;"><d=
iv>Two new technologies I&#39;ve come across allow music listening to be mo=
re of an &#39;active&#39; rather than a passive listening experience - RjDj=
 and MXP4. </div>

<div>=A0</div>
<div>But two questions come to mind:</div>
<div>=A0</div>
<div>As a musician, what do you think about them?<br>As a music listener, w=
hat do you think about them?</div>
<div>=A0</div>
<div>Personally, I&#39;m intregued by the possibilities. If I was a 14 year=
 old kid today, I&#39;d be all over this stuff. But, something special abou=
t the uniqueness of a mix is surely lost.</div>
<div>=A0</div>
<div>What do you think?</div>
<div>=A0</div>
<div>About MPX4 - <a href=3D"http://www.mxp4.com/" target=3D"_blank">http:/=
/www.mxp4.com/</a></div>
<div>About RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA" =
target=3D"_blank">http://www.youtube.com/watch?v=3D0fxQFly1BQA</a> and <a h=
ref=3D"http://more.rjdj.me/what/" target=3D"_blank">http://more.rjdj.me/wha=
t/</a></div>

<div>=A0</div></div><br> 		 	   		  <br><hr>Do you want a Hotmail account? =
<a href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_bla=
nk">Sign-up now - Free</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--00504502b08a09ee8e047f0be2d8--

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 02:00:12 2010
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Date: Sun, 7 Feb 2010 18:00:06 -0800 (PST)
Subject: Re: In search for a (cheap,
      but as long as possible) delay with varispeed  pedal,
From: looppool@cruzio.com
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I'm watching the superbowl at a restaurant as I type so I can't remember
the model number, but
Matt Davignon (from this list) uses two old delays (Digitechs, I"m fairly
sure) who's pitch works really well.   I bought mine, used , because of
seeing Matt perform and really like it.

It may not have the times you want, however.


As much as I am really a dedicated hardware fan,  I would say your
solution exists in the
software world alone, unless you are talking about spending a hell of a
lot of money
for a pricey Lexicon or Eventide.

Try a Win laptop with Bidule and some of the many VST effects that are out
there.
I imagine you couldn't get better advice from someone like our own Per
Boysen, Rainer Straschill
or Krispen Hartung about what kind of system would help you with what you
want.

Rick Walker




From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 02:28:39 2010
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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: For sale:  GIBSON ECHOPLEX - LOOP IV 1.1 - FOOT CONTROLLER Near
 NOS/NOS
Date: Sun, 7 Feb 2010 20:23:37 -0600
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--_8afe014a-1fc9-411f-ad76-6aae7dcec04b_
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Looper's Delight=2C
Please note that I have cleared this "spam" with the webmaster of Looper's =
Delight before sending out this email.  I wanted to give this community a c=
hance at this unit before I put it up on Ebay.


I am selling a GIBSON ECHOPLEX with LOOP IV 1.1 software (latest version) a=
nd the FOOT CONTROLLER.  A printed manual comes with it as well.


The Echoplex has never been racked and I believe I can call it near-NOS=2C =
if not NOS.  I am always reluctant to call anything "mint" or "NOS" just in=
 case someone with a keener eye spots something small that I missed.  I thi=
nk it is safe to say it is near-NOS+ and it perhaps warrants a higher ident=
ification. =20


Please click the link below for a number of detailed photographs. =20


The foot controller is nearly blemish-free as well=2C however=2C it does ha=
ve a small blemish that I have tried to point out with a guitar pick.


I am selling this for $900.00.  This includes the Paypal fees and the UPS s=
hipping costs for the continental United States.  I would rather not sell o=
utside of the continental United States=2C but will consider it if the buye=
r picks up all the additional costs for shipping the item.


Please note=2C that I have methodically packed and secured this package.  T=
his package is about as bulletproof as one can make it.  If you actively ma=
il things=2C you should have plenty of packing supplies for the next few mo=
nths after receiving this package.


Please contact me if you are interested in this.  FYI -- After a week or so=
=2C I plan on placing it on Ebay (at the same price).


I have positive seller feedback on Ebay (seller: greggaz) and have referenc=
es at the Harmony Central Forums.


Thank you for your time.


Photos: =20
http://s763.photobucket.com/albums/xx271/itemsforsalebygreg/Gibson%20Echopl=
ex/


-- Greg Gaz=20
greggaz@hotmail.com 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469226/direct/01/=

--_8afe014a-1fc9-411f-ad76-6aae7dcec04b_
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<html>
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</head>
<body class=3D'hmmessage'>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Looper=
's Delight=2C</p><p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0p=
x Verdana"><br></p><p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.=
0px Verdana">Please note that I have cleared this "spam" with the webmaster=
 of Looper's Delight before sending out this email.=A0 I wanted to give thi=
s community a chance at this unit before I put it up on Ebay.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">I am s=
elling a GIBSON ECHOPLEX with LOOP IV 1.1 software (latest version) and the=
 FOOT CONTROLLER.=A0 A printed manual comes with it as well.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">The Ec=
hoplex has never been racked and I believe I can call it near-NOS=2C if not=
 NOS.=A0 I am always reluctant to call anything "mint" or "NOS" just in cas=
e someone with a keener eye spots something small that I missed.=A0 I think=
 it is safe to say it is near-NOS+ and it perhaps warrants a higher identif=
ication. =A0</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Please=
 click the link below for a number of detailed photographs. =A0</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">The fo=
ot controller is nearly blemish-free as well=2C however=2C it does have a s=
mall blemish that I have tried to point out with a guitar pick.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">I am s=
elling this for $900.00.=A0 This includes the Paypal fees and the UPS shipp=
ing costs for the continental United States.=A0 I would rather not sell out=
side of the continental United States=2C but will consider it if the buyer =
picks up all the additional costs for shipping the item.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Please=
 note=2C that I have methodically packed and secured this package.=A0 This =
package is about as bulletproof as one can make it.=A0 If you actively mail=
 things=2C you should have plenty of packing supplies for the next few mont=
hs after receiving this package.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Please=
 contact me if you are interested in this.=A0 FYI -- After a week or so=2C =
I plan on placing it on Ebay (at the same price).</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">I have=
 positive seller feedback on Ebay (seller: greggaz) and have references at =
the Harmony Central Forums.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Thank =
you for your time.</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">Photos=
: =A0</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">http:/=
/s763.photobucket.com/albums/xx271/itemsforsalebygreg/Gibson%20Echoplex/</p=
>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana=3B min-=
height: 16.0px"><br></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">-- Gre=
g Gaz=A0</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px=3B font: 13.0px Verdana">gregga=
z@hotmail.com</p> 		 	   		  <br /><hr />Hotmail: Trusted email with Micros=
oft=92s powerful SPAM protection. <a href=3D'http://clk.atdmt.com/GBL/go/20=
1469226/direct/01/' target=3D'_new'>Sign up now.</a></body>
</html>=

--_8afe014a-1fc9-411f-ad76-6aae7dcec04b_--

From unfgfujduyeurie@poczta.onet.eu  Mon Feb  8 03:08:53 2010
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Reply-To: <andrewwolley113@aol.com>
From:	"FROM UN" <unfgfujduyeurie@poczta.onet.eu>
Subject: WINNING  APPROVAL PAYMENT CODE:(511) FROM UN AND WORLD BANK
Date:	Sun, 7 Feb 2010 19:02:24 +0800
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV>
<FONT size=3 face="Times New Roman">Our Ref: UN/EU/CITIBANK/511 </FONT><BR>
<FONT size=3 face="Times New Roman">=============================================================================================</FONT><BR>
<FONT size=3 face="Times New Roman">WORLD BANK GROUP AND UNITED NATION ORGANIZATION do hereby give this irrevocable approval order with Release Code: GNC/3480/02/00 in your favor for your contract entitlement/award winning payment with the UNITED NATION to your nominated bank account. Now you’re new Payment,United nation Approval No;UN5685P,White House Approved No:WH44CV, Reference No.-35460021, Allocation No: 674632 Password No: 339331 , Pin Code No: 55674 and your Certificate of Merit Payment No : 103 , Released Code No: 0763; Immediate Citibank Telex confirmation No: -1114433 ; Secret Code No: XXTN013, Having received these vital payment number , therefore You are qualified now to received and confirm Your payment with the United Nation immediately within the next 72hrs.</FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">As a matter of fact, you are required to Deal and Communicate only with MR ANDREW WOLLEY, DIRECTOR INTERNATIONAL REMMITTANCE CITIBANK OF UNITED KINGDOM, with the help and monitory team from the CITIBANK OF NEW YORK which is our official remitting bank, Committee On Foreign Payment Matters in United Nation, has look up to make sure you receive your fund valued $8.3m. So contact:MR ANDREW WOLLEY on his contact information,Direct Citibank Telephone No +44-7045700247, Cell/mobile +44-7011172451 or cell/mobile +44-Fax Number:870 28 7323,Email:</FONT><A href="http://us.mc1120.mail.yahoo.com/mc/compose?to=andrewwolley112@aol.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>andrewwolley112@aol.com</U></FONT></A><FONT size=3 face="Times New Roman"> for immediate release of your contract/inheritance/Award Winning claim Be informed that you are not allowed to correspond with any person or office anymore, You are required to send bellow information for your transfer. </FONT><
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">1) YOUR FULL NAME: </FONT><BR>
<FONT size=3 face="Times New Roman">2) FULL ADDRESS OF YOUR CITY,STATE AND COUNTRY: </FONT><BR>
<FONT size=3 face="Times New Roman">3) PHONE,FAX AND MOBILE: </FONT><BR>
<FONT size=3 face="Times New Roman">4) COMPANY NAME,POSITION AND ADDRESS: </FONT><BR>
<FONT size=3 face="Times New Roman">5) BANK INFORMATIONS: </FONT><BR>
<FONT size=3 face="Times New Roman">a) BANK NAME:</FONT><BR>
<FONT size=3 face="Times New Roman">b)BANK ADRESS:</FONT><BR>
<FONT size=3 face="Times New Roman">c)ACCOUNT NUMBER:</FONT><BR>
<FONT size=3 face="Times New Roman">d)SWIFT CODE/ ROUTING NUMBER:</FONT><BR>
<FONT size=3 face="Times New Roman">6) PROFESSION,AGE AND MARITAL STATUS: </FONT><BR>
<FONT size=3 face="Times New Roman">7) A COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE</FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">NOTE: YOUR PERSONAL CONTACT/COMMUNICATIONCODE WITH CITIBANK IS(511),YOU ARE ARE ADVICE TO SEND YOU FULL BANKING INFORMATION TO THE CITIBANK OF LONDON INTERNATIONAL REMMITTANCE DIRECTOR HEADED BY MR ANDREW WOLLEY AND MAKE SURE YOU SPEAK WITH HIM, WITH YOUR NEW PAYMENT CODE FOR RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW. </FONT><BR>
<FONT size=3 face="Times New Roman">CONTACT CODE(511) </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">OFFICER:MR ANDREW WOLLEY. </FONT><BR>
<FONT size=3 face="Times New Roman">POSITION:DIRECTOR,INTL,REMMITTANCE CITIBANK LONDON. </FONT><BR>
<FONT size=3 face="Times New Roman">TELEPHONE OFFICE/BANK:+44-7045700247 , </FONT><BR>
<FONT size=3 face="Times New Roman">FAX NUMBER:+44870 28 7323</FONT><BR>
<FONT size=3 face="Times New Roman">CELL/MOBILE: +44-70111 72451,</FONT><BR>
<FONT size=3 face="Times New Roman">EMAIL:</FONT><A href="http://us.mc1120.mail.yahoo.com/mc/compose?to=andrewwolley112@aol.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>andrewwolley112@aol.com</U></FONT></A><FONT size=3 face="Times New Roman"> </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">SIR FRANK PETERSON.</FONT><BR>
<FONT size=3 face="Times New Roman">(CHAIRMAN COMMITTE ON FOREIGN CONTRACT/AWARD WINING PAYMENT UNITED </FONT><BR>
<FONT size=3 face="Times New Roman">NATION AND USA GOVERNMENT).</FONT></DIV>
</FONT>
</BODY></HTML>

From barr.allanchua2000@live.com.my  Mon Feb  8 05:03:37 2010
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Reply-To: <michael_akume1@sify.com>
From: "Michael Akume."<barr.allanchua2000@live.com.my>
Subject: URGENT NEEDED !!!! aaa
Date: Mon, 8 Feb 2010 12:56:06 +0800
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X-OriginalArrivalTime: 08 Feb 2010 04:52:58.0203 (UTC) FILETIME=[958D6AB0:01CAA87A]
To: undisclosed-recipients:;

Attention, 


We wish to let you know that we are representative of GEMS NEST TRADING SN, a 

local Gold and Diamond Mining Company in Guinea-Conakry/Senegal-Dakar with office Kuala Lumpur , Malaysia . 

We are looking forward to doing good business with you, contact us through our email. (michael_akume1@sify.com) if interested to partnership with us. 

  
Regards 

Michael Akume. 


Below is the commodity specification. 
 

COMMODITY SPECIFICATIONS OF AU METAL (GOLD): 

a) Product: (Au) 

b) Nature Gold Dust/bars 

c) Quantity: 50 - 287kg 

d) Country of Origin: Guinea-Conakry/Senegal-Dakar. 

e) Quality: 99.93 % Purity Gold 

f) Price: negotiable 

g) Freight and handling charges, buyer’s responsibility 

h) Destination: Buyer desired destination 

i) Payment method: Sport sales 

j) Custom Duties 3%


From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 05:20:55 2010
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References: <229066.14696.qm@web55201.mail.re4.yahoo.com>
Date: Mon, 8 Feb 2010 14:20:48 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: MPX4 and RjDj
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/97547
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At 4:16 PM -0800 2/6/10, david kirkdorffer wrote:
>Two new technologies I've come across allow music listening to be 
>more of an 'active' rather than a passive listening experience - 
>RjDj and MXP4.

I haven't played around with these two, but BT put out an app for the 
iPhone/iPodTouch called Sonifi that allows you to remix a track of 
his ("Rose Of Jericho") in a roughly similar manner.  I'll tell you 
that it's a frickin' blast, too!  Every time I boot it up, I lose an 
hour just futzing around with the available remix capabilities.  It's 
got all of BT's signature glitch and stutter-edit effects (just bump 
or shake the iPhone in different directions) which lead to a great 
deal of sonic enjoyment on their own, not to mention filter and 
bit-crush capabilities using the touchscreen.

So, you can probably guess that as a listener/participant, I think 
things like this are a lot of fun.

I am a bit disappointed that you can only use Sonifi with the remix 
stems that come bundled with it.  And as a musician, I actually 
wonder if this might not be a new delivery medium for singles.  There 
are already lots of extended singles and EP's that are nothing more 
than a collection of remixes by different people.

It strikes me as an interesting concept that a single might be 
released as a set of these "stems", with which people can mix and 
match as they play with the application.  Sounds like a great 
value-add for promoting the album; much more than today's standard 
remix EP, which is usually only picked up by collectors and 
completists.

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 05:36:56 2010
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Date: Mon, 8 Feb 2010 06:36:54 +0100
Message-ID: <afb941d1002072136u7e212160v283ce35dd4e841cf@mail.gmail.com>
Subject: Re: In search for a (cheap, but as long as possible) delay with 
	varispeed pedal,
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/mixed; boundary=0016364275a35f1369047f10305f
Resent-Message-ID: <kFx6C.A.rHG.4L6bLB@arsenic>
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--0016364275a35f1369047f10305f
Content-Type: multipart/alternative; boundary=0016364275a35f135c047f10305d

--0016364275a35f135c047f10305d
Content-Type: text/plain; charset=ISO-8859-1

hi there,

to solve the "hold da button while overdubbing" issue on the hazarai, i'd
consider the:- t.i.p. third hand - for adjusting the varispeed pot. not the
most comfortable, but doable.

in the sw side, i'd give a try to the expert sleepers augustus loop, or,
matthias loopV plug when available.

my 0.02

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016364275a35f135c047f10305d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

hi there,<br><br>to solve the &quot;hold da button while overdubbing&quot; =
issue on the hazarai, i&#39;d consider the:- t.i.p. third hand - for adjust=
ing the varispeed pot. not the most comfortable, but doable.<br><br>in the =
sw side, i&#39;d give a try to the expert sleepers augustus loop, or, matth=
ias loopV plug when available.<br>
<br>my 0.02 <br><br>-- <br>Raul Bonell at Blogger: <a href=3D"http://raulbo=
nell.blogspot.com">http://raulbonell.blogspot.com</a><br>Chain Tape Collect=
ive: <a href=3D"http://www.ct-collective.com">http://www.ct-collective.com<=
/a><br>
<br>

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From: "2010 LOTTERY AWARD." <martinsmercy@sify.com>
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--0-1243906211-1265614034=:71194--

From kelvin@office.co.uk  Mon Feb  8 08:03:41 2010
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	 Mon, 8 Feb 2010 08:47:54 +0100
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From: "Kelvin Walter"<kelvin@office.co.uk>
Subject: hello!
Date: Mon, 8 Feb 2010 00:50:55 -0700
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Good day, 

My name is Kelvin Walter I work in the Euro Lottery. I am soliciting your assistance for a swift transfer of 4,528,000 GBP, should you be willing to assist me in this project, and you will be giving me just 25% of your winnings. Just as a brief, you just have to register online; due to my position in the company I can make it happen that you would be a winner of the above stated amount. Naturally, everybody would like to play a lottery if they are assured of winning. I am assuring you today to be a winner, please do not take for granted this once in a life time opportunity as we both stand to collectively gain from this at the success of the transaction. Should you be willing to assist me in this transaction? Do contact me only at my private email address:   kelvin_101@gala.net 

Regards, 

Kelvin Walter


From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 08:10:46 2010
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Subject: Re: Goodbye RC-50, Hello Rang III
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Well, all the best with your Boomarang 3.
I must admit, I'm also seriously thinking about ditching the RC50. But I'll probably just use laptop setup (+ RC2 for small stuff).

best regards
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3.5 -
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 08:12:19 2010
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very nice, Kayla! :)

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From wwf2000@live.cn.com  Mon Feb  8 08:34:16 2010
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 08:46:46 2010
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Subject: Re: In search for a (cheap, but as long as possible) delay with 
	varispeed pedal,
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Rick Walker said:
"I imagine you couldn't get better advice from someone like our own Per
Boysen, Rainer Straschill
or Krispen Hartung about what kind of system would help you with what you
want."

Gosh, that makes me proud Rick, but you know how that is with
schizophrenia - sometimes your multiple personalities refuse to talk
to each other. ;)

To explain a little more about the application:
For performance (as opposed to studio work, which, I have to admit, I
don't do often enough), the multitude of different setups has changed:
Setup One: the computer setup, which uses a computer and nothing else.
This is my main setup, also used for the MoinSound Studio sessions
(and basically the developed version of what I did use in 2008 when we
did perform together).

Setup Two: the noise setup, which consists of stompboxes, a mixer and
nothing else.

(nb: the rack effects are integrated into my modest home studio).

The delay pedal I'm looking for is for setup two, obviously. That
means stompbox (or possibly small tabletop) is a requirement, and
software or fancy rack stuff (e.g. Lexicon PCM42) are out of the
question.
However, long delay time is not so much a requirement (about one
second upward will do).
I'm aware myself of the old (80s) digitech PDS series - I used to own
the small RDS (rack version) and basically, I'm looking for something
like it, only as  pedal. Is it possible that the "old Digitechs" you
were talking about are from this series (I think they came with 1, 2,
4.5 and a whopping 8 seconds)?

Other suggestions by readers here I'd like to summarize:
Digitech DL8 and Ibanez de7...keep 'em coming, guys!

             Rainer

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thanks Bill, that really looks like an interesting pedal !  looking forward
to first reviews ... it doesn't seem to be available yet though ... did he
say anything about a price tag?   -Michael
 

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face=3DArial><FONT=20
size=3D2>t<SPAN class=3D921053409-08022010>hanks Bill, that really looks =
like an=20
interesting pedal !&nbsp; looking forward to first reviews ... it =
doesn't seem=20
to be available yet though ...&nbsp;did he say anything about a price=20
tag?&nbsp;&nbsp; -Michael</SPAN></FONT></FONT></SPAN></DIV>
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Date: Mon, 8 Feb 2010 10:55:57 +0100
Message-ID: <bbb8cbac1002080155x2cedaa25tb276905cc65a6d8c@mail.gmail.com>
Subject: Re: McMillen Instruments Soft Step
From: Fabio_A <eterogenus@gmail.com>
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Todd R. posted a video about that on FB a few days ago....
It looks GREAT, lots of new possibilities for laptop-loopers

Did you test it, Bill ?

-fabio

2010/2/8 William Walker <billwalker@baymoon.com>

> I finally got a chance to post this to youtube, An intriguing product that
> at I'm very curious to see how well it works.
> http://www.youtube.com/watch?v=_w7jU8rvm1o
> Bill
>

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<div>Todd R. posted a video about that on FB a few days ago....<br>It looks=
 GREAT, lots of new possibilities for laptop-loopers</div>
<div>=A0</div>
<div>Did you test it, Bill ?</div>
<div>=A0</div>
<div>-fabio<br><br></div>
<div class=3D"gmail_quote">2010/2/8 William Walker <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word"><font face=3D"Arial, Helvetica, sans-s=
erif" size=3D"2"><span style=3D"FONT-SIZE: 10px; WHITE-SPACE: pre">I finall=
y got a chance to post this to youtube, An intriguing product that at I&#39=
;m very curious to see how well it works. <a href=3D"http://www.youtube.com=
/watch?v=3D_w7jU8rvm1o" target=3D"_blank">http://www.youtube.com/watch?v=3D=
_w7jU8rvm1o</a></span></font>=20
<div><font face=3D"Arial, Helvetica, sans-serif" size=3D"2"><span style=3D"=
FONT-SIZE: 10px; WHITE-SPACE: pre">Bill</span></font></div></div></blockquo=
te></div><br>

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From smtp3@sinochemcompany.com  Mon Feb  8 12:15:11 2010
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Subject: Read And Reply Me
Date: Mon, 8 Feb 2010 07:14:53 -0500
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<DIV>
<B>From Mrs. Rosalinda House&nbsp; </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>I am Mrs. Rosalinda House from Switzerland , I am 68 years old, I am deaf and suffering from a long time cancer of the breast, from all indication my conditions is really deteriorating and it is quite obvious that i can't work or do any stressful thing, according to my doctors they have advised me that i may not live for the next two months, this is because the cancer stage has gotten to a very bad stage. I was brought up from a motherless babies home was married to my late husband for twenty years without a child, My Husband (Mr. Robert House) died in a fatal motor accident Before his death we were true Christians.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Since his death I decided not to re-marry, I sold all my inherited belongings and deposited all the sum of US8.6million with a Security Company in Madrid Spain.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Presently, this money is still with them and the management just wrote me as the true owner to come forward to receive the money for keeping it so long with attract a demurrage fees as the security fees paid by me has expired or rather issue a letter of authorization to somebody to receive it on my behalf since I can not come over because of my illness or they get it confisticated.So instead of getting it confiscated i rather have someone whom i can trust to receive the funds and utilize it according to my wishes. And the best part of it is, the security company told me in the letter that they can have the consignment funds delivered to my approved next of kin in his house if within Spain or transferred to his bank account and if outside Spain then transferred to his or her bank account.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Presently, I'm with my laptop in a hospital in Denmark where I have been undergoing treatment for my sickness. I have since lost my ability to talk and my doctors have told me that I have only 2 months to live. It is my last wish to see that this money is invested/donated to any organisation/buisness of your choice and distributed each year among the charity organization,E.g the poor homes, the motherless babies home where i came from, the deaf homes, and churches etc .All i seek for is a God fearing person like you, who will carry out my last wishes and before i emailed you today i prayed and the holy spirit gave me the confidence to send you this email. I took this decision, before i rest in peace because my time will soon be up.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>As soon as I receive your reply I shall give you the contact of the Security Company in Spain. All i need from you is a confidential assurance that the funds when received by you will be used for the said purpose, Nowadays there are so much scams going on in the internet and it is difficult to trust but i don’t know why the Holy spirit still approved me to email you about this out of few email addresses i have from the internet, yours was the only one that was approved for me to contact.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Waiting for your reply.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Yours In Christ,</B></DIV>
<DIV>
<B>Mrs. Rosalinda House</B></DIV>
<DIV>
<B>Reply to: mrsrosalinda.house6230@gmail.com</B></DIV>
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 13:06:00 2010
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Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed pedal,
Date: Mon, 8 Feb 2010 08:05:59 -0500
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Rainer, I am sure you already have thought of it and of course not cheap but 
the DL 4 is really good at that stuff, add an ex ped and even better + 
looping.

My first analog delay pedal was a Boss DM-3, you could really mangle the 
sound with those. http://www.youtube.com/watch?v=V94max0cFJg might still 
find one around.

The EH Memory Boy looks nice but haven't tried it. Also analog.
http://www.youtube.com/watch?v=TyQ92WzmAaQ

best,

Jeff




----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, February 08, 2010 3:46 AM
Subject: Re: In search for a (cheap, but as long as possible) delay with 
varispeed pedal,


> Rick Walker said:
> "I imagine you couldn't get better advice from someone like our own Per
> Boysen, Rainer Straschill
> or Krispen Hartung about what kind of system would help you with what you
> want."
>
> Gosh, that makes me proud Rick, but you know how that is with
> schizophrenia - sometimes your multiple personalities refuse to talk
> to each other. ;)
>
> To explain a little more about the application:
> For performance (as opposed to studio work, which, I have to admit, I
> don't do often enough), the multitude of different setups has changed:
> Setup One: the computer setup, which uses a computer and nothing else.
> This is my main setup, also used for the MoinSound Studio sessions
> (and basically the developed version of what I did use in 2008 when we
> did perform together).
>
> Setup Two: the noise setup, which consists of stompboxes, a mixer and
> nothing else.
>
> (nb: the rack effects are integrated into my modest home studio).
>
> The delay pedal I'm looking for is for setup two, obviously. That
> means stompbox (or possibly small tabletop) is a requirement, and
> software or fancy rack stuff (e.g. Lexicon PCM42) are out of the
> question.
> However, long delay time is not so much a requirement (about one
> second upward will do).
> I'm aware myself of the old (80s) digitech PDS series - I used to own
> the small RDS (rack version) and basically, I'm looking for something
> like it, only as  pedal. Is it possible that the "old Digitechs" you
> were talking about are from this series (I think they came with 1, 2,
> 4.5 and a whopping 8 seconds)?
>
> Other suggestions by readers here I'd like to summarize:
> Digitech DL8 and Ibanez de7...keep 'em coming, guys!
>
>             Rainer
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 13:17:49 2010
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William Walker wrote:
>   I finally got a chance to post this to youtube, An intriguing product 
> that at I'm very curious to see how well it works. 
> http://www.youtube.com/watch?v=_w7jU8rvm1o
> Bill

Awesome! I want one! Anyone in the UK stocking them yet?
Dave Draper
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No virus found in this outgoing message.
Checked by AVG - www.avg.com 
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 13:38:50 2010
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To: "loopers-delight@loopers-delight.com"
	<loopers-delight@loopers-delight.com>
Date: Mon, 8 Feb 2010 08:36:23 -0500
Subject: RE: Energy XT anyone?
Thread-Topic: Energy XT anyone?
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Just yesterday I looked again at using it as a VST in Bidule to play loops =
of CCs, which would be sent to VST instruments and effects. However, I have=
 to say that I find the program really clumsy. Also, it does not present tr=
ansport controls to the host, so it seemed impossible to use selectively ex=
cept via switching from processing to bypass. But I may decide that is acce=
ptable, in which case my plan as of last night was to create the cc files i=
n Cubase and then load them in EnergyXT.

The potential use of the program for playing MIDI files, in my case solely =
for ccs, is the only purpose I've ever had in mind.

Hal


From: Gareth Whittock [mailto:buddhamachine@live.co.uk]
Sent: Sunday, February 07, 2010 4:48 PM
To: loopers-delight@loopers-delight.com
Subject: Energy XT anyone?

Hey guys,
Is anyone here using energy XT as part of their laptop looping rig?
peace

G
________________________________
Date: Sat, 6 Feb 2010 16:16:58 -0800
From: unstrungone@yahoo.com
Subject: MPX4 and RjDj
To: Loopers-Delight@loopers-delight.com
Two new technologies I've come across allow music listening to be more of a=
n 'active' rather than a passive listening experience - RjDj and MXP4.

But two questions come to mind:

As a musician, what do you think about them?
As a music listener, what do you think about them?

Personally, I'm intregued by the possibilities. If I was a 14 year old kid =
today, I'd be all over this stuff. But, something special about the uniquen=
ess of a mix is surely lost.

What do you think?

About MPX4 - http://www.mxp4.com/
About RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA and http://more.r=
jdj.me/what/


________________________________
Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/=
go/197222280/direct/01/>

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<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Just yesterday I looked again at using it as a VST in Bidule=
 to
play loops of CCs, which would be sent to VST instruments and effects. Howe=
ver,
I have to say that I find the program really clumsy. Also, it does not pres=
ent
transport controls to the host, so it seemed impossible to use selectively =
except
via switching from processing to bypass. But I may decide that is acceptabl=
e,
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>The potential use of the program for playing MIDI files, in =
my
case solely for ccs, is the only purpose I&#8217;ve ever had in mind.<o:p><=
/o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<p class=3DMsoNormal><i><span style=3D'font-size:11.0pt;font-family:"Palati=
no Linotype","serif";
color:#1F497D'>Hal <o:p></o:p></span></i></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Palatino =
Linotype","serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

</div>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Tahoma=
","sans-serif"'>From:</span></b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Gareth Whitto=
ck
[mailto:buddhamachine@live.co.uk] <br>
<b>Sent:</b> Sunday, February 07, 2010 4:48 PM<br>
<b>To:</b> loopers-delight@loopers-delight.com<br>
<b>Subject:</b> Energy XT anyone?<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span style=3D'font-siz=
e:10.0pt;
font-family:"Verdana","sans-serif"'>Hey guys, <br>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G<o:p></o:p></span></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Verdana","sans-serif"'>

<hr size=3D2 width=3D"100%" align=3Dcenter id=3DstopSpelling>

</span></div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span style=3D'font-siz=
e:10.0pt;
font-family:"Verdana","sans-serif"'>Date: Sat, 6 Feb 2010 16:16:58 -0800<br=
>
From: unstrungone@yahoo.com<br>
Subject: MPX4 and RjDj<br>
To: Loopers-Delight@loopers-delight.com<o:p></o:p></span></p>

<div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4. <o:p><=
/o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>But
two questions come to mind:<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>As
a musician, what do you think about them?<br>
As a music listener, what do you think about them?<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>Personally,
I'm intregued by the possibilities. If I was a 14 year old kid today, I'd b=
e
all over this stuff. But, something special about the uniqueness of a mix i=
s
surely lost.<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>What
do you think?<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>About
MPX4 - <a href=3D"http://www.mxp4.com/">http://www.mxp4.com/</a><o:p></o:p>=
</span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA">http://www.=
youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/">http://more.rjdj.me/what/</a><o:p=
></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>&nbsp;<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span style=3D'font-siz=
e:10.0pt;
font-family:"Verdana","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Verdana","sans-serif"'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Verdana",=
"sans-serif"'>Do
you want a Hotmail account? <a
href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_new">S=
ign-up
now - Free</a><o:p></o:p></span></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 13:50:33 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	id 2E23F3BE8D; Mon,  8 Feb 2010 13:50:33 +0000 (UTC)
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Energy XT anyone?
Date: Mon, 8 Feb 2010 13:50:32 +0000
Importance: Normal
In-Reply-To:
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--_565306ba-ae45-47e8-9a94-4f0103bd2016_
Content-Type: text/plain; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable


I'm looking at the live mode in particular. It looks really interesting. I'=
m primarily interested in freely cross fading different pieces spontaneousl=
y live and this feature looks just the ticket with it's midi and audio capa=
bilities "modularised" in this way. I was wondering how stable it was thoug=
h. I've not read of any one havng crashes using it yet.. I've found it very=
 intuitive and I can integrate it into my audiomulch setup.. I'm very tempt=
ed I must say. This could open up possibilities of midi looping as well as =
audio... hmmm

G

From: HDean@wcupa.edu
To: loopers-delight@loopers-delight.com
Date: Mon=2C 8 Feb 2010 08:36:23 -0500
Subject: RE: Energy XT anyone?



















Just yesterday I looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.

=20

The potential use of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.

=20



Hal=20

=20



=20





From: Gareth Whittock
[mailto:buddhamachine@live.co.uk]=20

Sent: Sunday=2C February 07=2C 2010 4:48 PM

To: loopers-delight@loopers-delight.com

Subject: Energy XT anyone?





=20

Hey guys=2C=20

Is anyone here using energy XT as part of their laptop looping rig?

peace



G







Date: Sat=2C 6 Feb 2010 16:16:58 -0800

From: unstrungone@yahoo.com

Subject: MPX4 and RjDj

To: Loopers-Delight@loopers-delight.com





Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4.=20





=20





But
two questions come to mind:





=20





As
a musician=2C what do you think about them?

As a music listener=2C what do you think about them?





=20





Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.





=20





What
do you think?





=20





About
MPX4 - http://www.mxp4.com/





About
RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA
and http://more.rjdj.me/what/





=20





=20







Do
you want a Hotmail account? Sign-up
now - Free

 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_565306ba-ae45-47e8-9a94-4f0103bd2016_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I'm looking at the live mode in particular. It looks really interesting. I'=
m primarily interested in freely cross fading different pieces spontaneousl=
y live and this feature looks just the ticket with it's midi and audio capa=
bilities "modularised" in this way. I was wondering how stable it was thoug=
h. I've not read of any one havng crashes using it yet.. I've found it very=
 intuitive and I can integrate it into my audiomulch setup.. I'm very tempt=
ed I must say. This could open up possibilities of midi looping as well as =
audio... hmmm<br><br>G<br><br><hr id=3D"stopSpelling">From: HDean@wcupa.edu=
<br>To: loopers-delight@loopers-delight.com<br>Date: Mon=2C 8 Feb 2010 08:3=
6:23 -0500<br>Subject: RE: Energy XT anyone?<br><br>







<style>
.ExternalClass .ecxshape
{=3B}
</style>

<style>
.ExternalClass p.ecxMsoNormal=2C .ExternalClass li.ecxMsoNormal=2C .Externa=
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<div class=3D"ecxSection1">

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Just yesterday I =
looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">The potential use=
 of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.</span><=
/p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<div>

<p class=3D"ecxMsoNormal"><i><span style=3D"font-size: 11pt=3B font-family:=
 'Palatino Linotype'=2C'serif'=3B color: rgb(31=2C 73=2C 125)=3B">Hal </spa=
n></i></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'P=
alatino Linotype'=2C'serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</sp=
an></p>

</div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<div>

<div style=3D"border-style: solid none none=3B border-color: rgb(181=2C 196=
=2C 223) -moz-use-text-color -moz-use-text-color=3B border-width: 1pt mediu=
m medium=3B padding: 3pt 0in 0in=3B">

<p class=3D"ecxMsoNormal"><b><span style=3D"font-size: 10pt=3B font-family:=
 'Tahoma'=2C'sans-serif'=3B">From:</span></b><span style=3D"font-size: 10pt=
=3B font-family: 'Tahoma'=2C'sans-serif'=3B"> Gareth Whittock
[mailto:buddhamachine@live.co.uk] <br>
<b>Sent:</b> Sunday=2C February 07=2C 2010 4:48 PM<br>
<b>To:</b> loopers-delight@loopers-delight.com<br>
<b>Subject:</b> Energy XT anyone?</span></p>

</div>

</div>

<p class=3D"ecxMsoNormal">&nbsp=3B</p>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">Hey guys=2C <br=
>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G</span></p>

<div class=3D"ecxMsoNormal" style=3D"text-align: center=3B" align=3D"center=
"><span style=3D"font-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=
=3B">

<hr id=3D"ecxstopSpelling" width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">Date: Sat=2C 6 =
Feb 2010 16:16:58 -0800<br>
From: unstrungone@yahoo.com<br>
Subject: MPX4 and RjDj<br>
To: Loopers-Delight@loopers-delight.com</span></p>

<div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4. </span=
></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">But
two questions come to mind:</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">As
a musician=2C what do you think about them?<br>
As a music listener=2C what do you think about them?</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">What
do you think?</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">About
MPX4 - <a href=3D"http://www.mxp4.com/">http://www.mxp4.com/</a></span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA">http://www.=
youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/">http://more.rjdj.me/what/</a></sp=
an></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

</div>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">&nbsp=3B</span>=
</p>

<div class=3D"ecxMsoNormal" style=3D"text-align: center=3B" align=3D"center=
"><span style=3D"font-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=
=3B">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'V=
erdana'=2C'sans-serif'=3B">Do
you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722228=
0/direct/01/">Sign-up
now - Free</a></span></p>

</div> 		 	   		  <br /><hr />We want to hear all your funny=2C exciting an=
d crazy Hotmail stories. <a href=3D'http://clk.atdmt.com/UKM/go/195013117/d=
irect/01/' target=3D'_new'>Tell us now</a></body>
</html>=

--_565306ba-ae45-47e8-9a94-4f0103bd2016_--

From ihene.jim@gmail.com  Mon Feb  8 13:55:54 2010
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From: "Jim.C Ihene"<ihene.jim@gmail.com>
Subject: Urgent Investment request
Date: Mon, 8 Feb 2010 04:27:48 -0800
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Dear
 
A large project is in the planning for the whole of Eastern Nigeria and its industrialization. For this project, two international cargo airports will be built in two states, and the other existing one will be expanded, in connection with an industrial area, hotels and shopping centres, as well as an expansion of the motorway connection (6 lanes). 
 
The city of Obudu, which is intended to serve as residential and recreational centre for the management,will receive the name "Obudu Ranch International Recreational Centre" in the foreseeable future and has for this reason meanwhile a plot area with a size that corresponds to the half size of Abuja (8000sq km). 
 
Total demand for the projects is currently 350,000,000,000.00 NGN (eqivalent of 2,445,450,400.48 USD).
 
We, thereby, wish to run partnership with you by presenting your company as a foreign Investor, since we are not eligible to apply as investors to these projects due to our past and present political appointments in the government respectively.
 
The 70% of the total sum demand for this project has been mapped out, only if you would be able to present yourself as one of the foreign investors on our behalf.
 
Contact our secretary to discuss the procedures.     
 
Jim .C Ihene     
Secretary     
e-mail: ihene.jim@gmail.com

From alex_deptfin63@op.pl  Mon Feb  8 14:00:19 2010
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<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV>
<B>YOUR REF: CITI/BKL/STB.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>WORLD BANK GROUP AND UNITED NATIONS ORGANIZATION DO HEREBY GIVE THIS IRREVOCABLE APPROVAL ORDER WITH RELEASE CODE: GNC/3480/02/00 IN YOUR FAVOR FOR YOUR CONTRACT ENTITLEMENT/AWARD WINNING PAYMENT WITH THE UNITED NATIONS TO YOUR NOMINATED BANK ACCOUNT. NOW YOUR NEW PAYMENT, UNITED NATIONS APPROVAL NO:UN5685P,WHITE HOUSE APPROVED NO:WH44CV,REFERENCE NO.35460021, ALLOCATION NO: 674632 PASSWORD NO: 339331, PIN CODE NO: 55674 AND YOUR CERTIFICATE OF MERIT PAYMENT NO : 103, RELEASED CODE NO: 0763, IMMEDIATE CITIBANK BANK TELEX CONFIRMATION NO: 1114433, SECRET CODE NO: XXTN013, HAVING RECEIVED THESE VITAL PAYMENT NUMBERS, THEREFORE YOU ARE QUALIFIED NOW TO RECEIVED AND CONFIRM YOUR PAYMENT WITH THE UNITED NATIONS IMMEDIATELY WITHIN THE NEXT 72HRS.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>AS A MATTER OF FACT, YOU ARE REQUIRED TO DEAL AND COMMUNICATE ONLY WITH MR. MARTIN IVAN ROGERS, REGIONAL DIRECTOR OF CITIBANK LONDON UNITED KINGDOM, WITH THE HELP OF OUR MONITORY TEAM FROM THE CITIBANK OF NEW YORK WHICH IS OUR OFFICIAL REMITTING BANK, COMMITTEE ON FOREIGN PAYMENT MATTERS IN UNITED NATION HAS LOOK UP TO MAKE SURE YOU RECEIVE YOUR FUND VALUED $11.3M. SO CONTACT: MR. MARTIN IVAN ROGERS ON HIS CONTACT INFORMATION, REGIONAL DIRECTOR CITIBANK LONDON UNITED KINGDOM, DIRECT TELEPHONE NUMBER: +44-754-699- 4106,&nbsp; FAX NUMBER: +44-700-593-1053, EMAIL: martinrogerscitibk.uk@mail.md&nbsp;&nbsp;&nbsp; OR&nbsp;&nbsp; rev.robertwilliam@yahoo.com&nbsp;&nbsp; FOR IMMEDIATE RELEASE OF YOUR CONTRACT/INHERITANCE/AWARD WINNING CLAIM. BE INFORMED THAT YOU ARE NOT ALLOWED TO CORRESPOND WITH ANY PERSON OR OFFICE ANYMORE, YOU ARE REQUIRED TO SEND BELLOW INFORMATION FOR YOUR TRANSFER.</B></DIV>
<DIV>
<B>&nbsp; </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>1) YOUR FULL NAME: </B></DIV>
<DIV>
<B>2) ADDRESS, CITY, STATE AND COUNTRY:</B></DIV>
<DIV>
<B>3) PHONE, FAX AND MOBILE: </B></DIV>
<DIV>
<B>4) COMPANY NAME (IF ANY) POSITION AND ADDRESS: </B></DIV>
<DIV>
<B>5) BANK DETAILS, ACCOUNT NO, ROUTING NO,/SWIFT CODE AND BANK ADDRESS:</B></DIV>
<DIV>
<B>6) PROFESSION, AGE AND MARITAL STATUS: </B></DIV>
<DIV>
<B>7) COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE:</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>NOTE: YOUR PERSONAL CONTACT/COMMUNICATION CODE WITH CITIBANK UNITED KINGDOM LONDON IS (544), YOU ARE ADVICE TO SEND YOUR FULL BANKING INFORMATION TO THE CITIBANK OF LONDON INTERNATIONAL REMITTANCE DIRECTOR HEADED BY MR. MARTIN IVAN ROGERS AND MAKE SURE YOU SPEAK WITH HIM, WITH YOUR NEW PAYMENT CODE FOR THE RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW. CONTACT CODE (544).</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>OFFICER: MR. MARTIN IVAN ROGERS.</B></DIV>
<DIV>
<B>POSITION: REGIONAL DIRECTOR OF CITIBANK UNITED KINGDOM LONDON. </B></DIV>
<DIV>
<B>DIRECT TELEPHONE NUMBER: +44-754-699-4106.</B></DIV>
<DIV>
<B>FAX NUMBER: +44-700-593-1053.</B></DIV>
<DIV>
<B>EMAIL: rev.robertwilliam@yahoo.com</B></DIV>
<DIV>
<B>EMAIL: martinrogerscitibk.uk@mail.md&nbsp;&nbsp; </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>SIR. ALEX JOHNSON.</B></DIV>
<DIV>
<B>(CHAIRMAN COMMITTEE ON FOREIGN CONTRACT/</B></DIV>
<DIV>
<B>AWARD WINING PAYMENT UNITED NATIONS AND USA GOVERNMENT)</B></DIV>
<DIV>
<B>EMAIL: siralexjohnson_un@mail.md</B></DIV>
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From marciomurillo@terra.com.br  Mon Feb  8 14:33:30 2010
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From: "PRIVATE HOME LOAN FIRM"<marciomurillo@terra.com.br>
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 15:17:11 2010
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From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed pedal,
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Howdy,
 Don't forget that you can buy pretty much any pedal you want and rewire th=
e pot of the desired parameter to an external pedal. In this case, delay ti=
me.
Rig

--- On Mon, 2/8/10, Jeff Duke <jeff_d@embarqmail.com> wrote:

> From: Jeff Duke <jeff_d@embarqmail.com>
> Subject: Re: In search for a (cheap, but as long as possible) delay with =
varispeed pedal,
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, February 8, 2010, 5:05 AM
> Rainer, I am sure you already have
> thought of it and of course not cheap but=20
> the DL 4 is really good at that stuff, add an ex ped and
> even better +=20
> looping.
>=20
> My first analog delay pedal was a Boss DM-3, you could
> really mangle the=20
> sound with those. http://www.youtube.com/watch?v=3DV94max0cFJg might stil=
l
>=20
> find one around.
>=20
> The EH Memory Boy looks nice but haven't tried it. Also
> analog.
> http://www.youtube.com/watch?v=3DTyQ92WzmAaQ
>=20
> best,
>=20
> Jeff
>=20
>=20
>=20
>=20
> ----- Original Message -----=20
> From: "Rainer Straschill" <moinsound@googlemail.com>
> To: <loopers-delight@loopers-delight.com>
> Sent: Monday, February 08, 2010 3:46 AM
> Subject: Re: In search for a (cheap, but as long as
> possible) delay with=20
> varispeed pedal,
>=20
>=20
> > Rick Walker said:
> > "I imagine you couldn't get better advice from someone
> like our own Per
> > Boysen, Rainer Straschill
> > or Krispen Hartung about what kind of system would
> help you with what you
> > want."
> >
> > Gosh, that makes me proud Rick, but you know how that
> is with
> > schizophrenia - sometimes your multiple personalities
> refuse to talk
> > to each other. ;)
> >
> > To explain a little more about the application:
> > For performance (as opposed to studio work, which, I
> have to admit, I
> > don't do often enough), the multitude of different
> setups has changed:
> > Setup One: the computer setup, which uses a computer
> and nothing else.
> > This is my main setup, also used for the MoinSound
> Studio sessions
> > (and basically the developed version of what I did use
> in 2008 when we
> > did perform together).
> >
> > Setup Two: the noise setup, which consists of
> stompboxes, a mixer and
> > nothing else.
> >
> > (nb: the rack effects are integrated into my modest
> home studio).
> >
> > The delay pedal I'm looking for is for setup two,
> obviously. That
> > means stompbox (or possibly small tabletop) is a
> requirement, and
> > software or fancy rack stuff (e.g. Lexicon PCM42) are
> out of the
> > question.
> > However, long delay time is not so much a requirement
> (about one
> > second upward will do).
> > I'm aware myself of the old (80s) digitech PDS series
> - I used to own
> > the small RDS (rack version) and basically, I'm
> looking for something
> > like it, only as=A0 pedal. Is it possible that the
> "old Digitechs" you
> > were talking about are from this series (I think they
> came with 1, 2,
> > 4.5 and a whopping 8 seconds)?
> >
> > Other suggestions by readers here I'd like to
> summarize:
> > Digitech DL8 and Ibanez de7...keep 'em coming, guys!
> >
> >=A0 =A0 =A0 =A0 =A0
> =A0=A0=A0Rainer
> >
> >=20
>=20
> =0A=0A=0A      

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Date: Mon, 8 Feb 2010 07:21:59 -0800
Message-ID: <588ce11d1002080721j4910659fm372b34546e9dd4d5@mail.gmail.com>
Subject: Re: Energy XT anyone?
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502aef7cba60e047f185cfb
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I've found it very easy and intuitive as well, and had no stability issues.
I'm not familiar with "live mode" though.

On Mon, Feb 8, 2010 at 5:50 AM, Gareth Whittock <buddhamachine@live.co.uk>w=
rote:

>  I'm looking at the live mode in particular. It looks really interesting.
> I'm primarily interested in freely cross fading different pieces
> spontaneously live and this feature looks just the ticket with it's midi =
and
> audio capabilities "modularised" in this way. I was wondering how stable =
it
> was though. I've not read of any one havng crashes using it yet.. I've fo=
und
> it very intuitive and I can integrate it into my audiomulch setup.. I'm v=
ery
> tempted I must say. This could open up possibilities of midi looping as w=
ell
> as audio... hmmm
>
> G
>
> ------------------------------
> From: HDean@wcupa.edu
>
> To: loopers-delight@loopers-delight.com
> Date: Mon, 8 Feb 2010 08:36:23 -0500
> Subject: RE: Energy XT anyone?
>
>
>  Just yesterday I looked again at using it as a VST in Bidule to play
> loops of CCs, which would be sent to VST instruments and effects. However=
, I
> have to say that I find the program really clumsy. Also, it does not pres=
ent
> transport controls to the host, so it seemed impossible to use selectivel=
y
> except via switching from processing to bypass. But I may decide that is
> acceptable, in which case my plan as of last night was to create the cc
> files in Cubase and then load them in EnergyXT.
>
>
>
> The potential use of the program for playing MIDI files, in my case solel=
y
> for ccs, is the only purpose I=92ve ever had in mind.
>
>
>
> *Hal *
>
>
>
>
>
> *From:* Gareth Whittock [mailto:buddhamachine@live.co.uk]
> *Sent:* Sunday, February 07, 2010 4:48 PM
> *To:* loopers-delight@loopers-delight.com
> *Subject:* Energy XT anyone?
>
>
>
> Hey guys,
> Is anyone here using energy XT as part of their laptop looping rig?
> peace
>
> G
>  ------------------------------
>
> Date: Sat, 6 Feb 2010 16:16:58 -0800
> From: unstrungone@yahoo.com
> Subject: MPX4 and RjDj
> To: Loopers-Delight@loopers-delight.com
>
> Two new technologies I've come across allow music listening to be more of
> an 'active' rather than a passive listening experience - RjDj and MXP4.
>
>
>
> But two questions come to mind:
>
>
>
> As a musician, what do you think about them?
> As a music listener, what do you think about them?
>
>
>
> Personally, I'm intregued by the possibilities. If I was a 14 year old ki=
d
> today, I'd be all over this stuff. But, something special about the
> uniqueness of a mix is surely lost.
>
>
>
> What do you think?
>
>
>
> About MPX4 - http://www.mxp4.com/
>
> About RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA and
> http://more.rjdj.me/what/
>
>
>
>
>  ------------------------------
>
> Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UK=
M/go/197222280/direct/01/>
>
> ------------------------------
> We want to hear all your funny, exciting and crazy Hotmail stories. Tell
> us now <http://clk.atdmt.com/UKM/go/195013117/direct/01/>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00504502aef7cba60e047f185cfb
Content-Type: text/html; charset=windows-1252
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I&#39;ve found it very easy and intuitive as well, and had no stability iss=
ues. I&#39;m not familiar with &quot;live mode&quot; though.<br><br><div cl=
ass=3D"gmail_quote">On Mon, Feb 8, 2010 at 5:50 AM, Gareth Whittock <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@li=
ve.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
I&#39;m looking at the live mode in particular. It looks really interesting=
. I&#39;m primarily interested in freely cross fading different pieces spon=
taneously live and this feature looks just the ticket with it&#39;s midi an=
d audio capabilities &quot;modularised&quot; in this way. I was wondering h=
ow stable it was though. I&#39;ve not read of any one havng crashes using i=
t yet.. I&#39;ve found it very intuitive and I can integrate it into my aud=
iomulch setup.. I&#39;m very tempted I must say. This could open up possibi=
lities of midi looping as well as audio... hmmm<br>
<br>G<br><br><hr>From: <a href=3D"mailto:HDean@wcupa.edu" target=3D"_blank"=
>HDean@wcupa.edu</a><div class=3D"im"><br>To: <a href=3D"mailto:loopers-del=
ight@loopers-delight.com" target=3D"_blank">loopers-delight@loopers-delight=
.com</a><br>
</div>Date: Mon, 8 Feb 2010 08:36:23 -0500<br>Subject: RE: Energy XT anyone=
?<div><div></div><div class=3D"h5"><br><br>















<div>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">Just yesterday=
 I looked again at using it as a VST in Bidule to
play loops of CCs, which would be sent to VST instruments and effects. Howe=
ver,
I have to say that I find the program really clumsy. Also, it does not pres=
ent
transport controls to the host, so it seemed impossible to use selectively =
except
via switching from processing to bypass. But I may decide that is acceptabl=
e,
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">The potential =
use of the program for playing MIDI files, in my
case solely for ccs, is the only purpose I=92ve ever had in mind.</span></p=
>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<div>

<p><i><span style=3D"font-size: 11pt; font-family: &#39;Palatino Linotype&#=
39;,&#39;serif&#39;; color: rgb(31, 73, 125);">Hal </span></i></p>

<p><span style=3D"font-size: 11pt; font-family: &#39;Palatino Linotype&#39;=
,&#39;serif&#39;; color: rgb(31, 73, 125);">=A0</span></p>

</div>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<div>

<div style=3D"border-style: solid none none; border-color: rgb(181, 196, 22=
3) -moz-use-text-color -moz-use-text-color; border-width: 1pt medium medium=
; padding: 3pt 0in 0in;">

<p><b><span style=3D"font-size: 10pt;">From:</span></b><span style=3D"font-=
size: 10pt;"> Gareth Whittock
[mailto:<a href=3D"mailto:buddhamachine@live.co.uk" target=3D"_blank">buddh=
amachine@live.co.uk</a>] <br>
<b>Sent:</b> Sunday, February 07, 2010 4:48 PM<br>
<b>To:</b> <a href=3D"mailto:loopers-delight@loopers-delight.com" target=3D=
"_blank">loopers-delight@loopers-delight.com</a><br>
<b>Subject:</b> Energy XT anyone?</span></p>

</div>

</div>

<p>=A0</p>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">Hey guys=
, <br>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G</span></p>

<div style=3D"text-align: center;" align=3D"center"><span style=3D"font-siz=
e: 10pt;">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">Date: Sa=
t, 6 Feb 2010 16:16:58 -0800<br>
From: <a href=3D"mailto:unstrungone@yahoo.com" target=3D"_blank">unstrungon=
e@yahoo.com</a><br>
Subject: MPX4 and RjDj<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a></span></p>

<div>

<div>

<p><span style=3D"font-size: 10pt;">Two
new technologies I&#39;ve come across allow music listening to be more of a=
n
&#39;active&#39; rather than a passive listening experience - RjDj and MXP4=
. </span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">But
two questions come to mind:</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">As
a musician, what do you think about them?<br>
As a music listener, what do you think about them?</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">Personally,
I&#39;m intregued by the possibilities. If I was a 14 year old kid today, I=
&#39;d be
all over this stuff. But, something special about the uniqueness of a mix i=
s
surely lost.</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">What
do you think?</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">About
MPX4 - <a href=3D"http://www.mxp4.com/" target=3D"_blank">http://www.mxp4.c=
om/</a></span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA" target=3D"_=
blank">http://www.youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/" target=3D"_blank">http://more.rjd=
j.me/what/</a></span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

</div>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">=A0</spa=
n></p>

<div style=3D"text-align: center;" align=3D"center"><span style=3D"font-siz=
e: 10pt;">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p><span style=3D"font-size: 10pt;">Do
you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722228=
0/direct/01/" target=3D"_blank">Sign-up
now - Free</a></span></p>

</div> 		 	   		  <br></div></div><hr>We want to hear all your funny, excit=
ing and crazy Hotmail stories. <a href=3D"http://clk.atdmt.com/UKM/go/19501=
3117/direct/01/" target=3D"_blank">Tell us now</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--00504502aef7cba60e047f185cfb--

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4 of 8 

enjoy, thank you

http://apps.facebook.com/files/shared/86e9y23x1f

Max Liver




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ok, i quickly looked at this video:

http://www.youtube.com/watch?v=ieYVLRWENZE

towards the end the EH #1 echo-it looks like it can almost do 100% feedback (not quite sure on it-he does rhythm things and sits there)-but when i adjusts time at the end, it sounds to me like it just squishes it and ends, doesn't pitch up (from going from long 2 sec to shortest)-but i am watching this at work, and volume not very high, may have to rewatch 2nite.

it does look like the EH Memory Boy will do it (pitch change), but it's only 550ms of delay-does have expression pedal input from one of the vids that i watched quickly.

the other one i've been curious about is the Line 6 echo park-it has 2.5 sec of delay time-is it infinite, can it do the pitch things?

anyone have experience w/ it????

ug, the search continues....
s---



      
--0-1033264465-1265648320=:98482
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">ok, i quickly looked at this video:<br><br>http://www.youtube.com/watch?v=ieYVLRWENZE<br><br>towards the end the EH #1 echo-it looks like it can almost do 100% feedback (not quite sure on it-he does rhythm things and sits there)-but when i adjusts time at the end, it sounds to me like it just squishes it and ends, doesn't pitch up (from going from long 2 sec to shortest)-but i am watching this at work, and volume not very high, may have to rewatch 2nite.<br><br>it does look like the EH Memory Boy will do it (pitch change), but it's only 550ms of delay-does have expression pedal input from one of the vids that i watched quickly.<br><br>the other one i've been curious about is the Line 6 echo park-it has 2.5 sec of delay time-is it infinite, can it do the pitch things?<br><br>anyone have experience w/ it????<br><br>ug, the search
 continues....<br>s---<br></td></tr></table><br>

      
--0-1033264465-1265648320=:98482--

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$300 clams, and available "late 2nd quarter"...June?

On Feb 8, 2010, at 1:37 AM, Michael Peters wrote:

> thanks Bill, that really looks like an interesting pedal !  looking  
> forward to first reviews ... it doesn't seem to be available yet  
> though ... did he say anything about a price tag?   -Michael
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">$300 clams, and available "late =
2nd quarter"...June?<div><br><div><div>On Feb 8, 2010, at 1:37 AM, =
Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"> <div =
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"> <div dir=3D"ltr" =
align=3D"left"><span class=3D"921053409-08022010"><font =
face=3D"Arial"><font size=3D"2">t<span class=3D"921053409-08022010">hanks =
Bill, that really looks like an interesting pedal !&nbsp; looking =
forward to first reviews ... it doesn't seem to be available yet though =
...&nbsp;did he say anything about a price tag?&nbsp;&nbsp; =
-Michael</span></font></font></span></div> <div dir=3D"ltr" =
align=3D"left"><span class=3D"921053409-08022010"><font =
face=3D"Arial"><font size=3D"2"><span =
class=3D"921053409-08022010"></span></font></font></span>&nbsp;</div></div=
></blockquote></div><br></div></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: VSV 2
Date: Mon, 8 Feb 2010 17:21:27 +0000
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Hey guys

Any thoughts on a second VSV festival - would be very cool!!! It was  
a wonderful day!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey guys&nbsp;<div><br></div><div>Any thoughts on a second VSV festival =
- would be very cool!!! It was a wonderful day!!</div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: McMillen Instruments Soft Step
Date: Mon, 8 Feb 2010 17:22:35 +0000
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So around =A3250 UK - around the same price but with loads more =20
features? Brilliant - anyone wanna buy my dl4?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Feb 2010, at 16:46, Zoe Keating wrote:

> $300 clams, and available "late 2nd quarter"...June?
>
> On Feb 8, 2010, at 1:37 AM, Michael Peters wrote:
>
>> thanks Bill, that really looks like an interesting pedal !  =20
>> looking forward to first reviews ... it doesn't seem to be =20
>> available yet though ... did he say anything about a price tag?   -=20=

>> Michael
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
So around =A3250 UK - around the same price but with loads more =
features? Brilliant - anyone wanna buy my dl4?<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
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0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Feb 2010, =
at 16:46, Zoe Keating wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">$300 =
clams, and available "late 2nd quarter"...June?<div><br><div><div>On Feb =
8, 2010, at 1:37 AM, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"> <div =
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"> <div dir=3D"ltr" =
align=3D"left"><span class=3D"921053409-08022010"><font =
face=3D"Arial"><font size=3D"2">t<span class=3D"921053409-08022010">hanks =
Bill, that really looks like an interesting pedal !&nbsp; looking =
forward to first reviews ... it doesn't seem to be available yet though =
...&nbsp;did he say anything about a price tag?&nbsp;&nbsp; =
-Michael</span></font></font></span></div> <div dir=3D"ltr" =
align=3D"left"><span class=3D"921053409-08022010"><font =
face=3D"Arial"><font size=3D"2"><span =
class=3D"921053409-08022010"></span></font></font></span>&nbsp;</div></div=
></blockquote></div><br></div></blockquote></div><br></div></body></html>=

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Subject: Re: VSV 2
Date: Mon, 8 Feb 2010 12:29:49 -0500
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I was begining to think that it's about time for that myself =
:)....Rainer...Livestream this time? We in DigItSignal have done testing =
with multiple feeds and it works beautifully.

Jeff
  ----- Original Message -----=20
  From: Matt Stevens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, February 08, 2010 12:21 PM
  Subject: VSV 2


  Hey guys=20


  Any thoughts on a second VSV festival - would be very cool!!! It was a =
wonderful day!!


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com









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-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I was begining to think that it's about =
time for=20
that myself :)....Rainer...Livestream this time? We in DigItSignal have =
done=20
testing with multiple feeds and it works beautifully.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmattstevensguitar@btinternet.com=20
  href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, February 08, 2010 =
12:21=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> VSV 2</DIV>
  <DIV><BR></DIV>Hey guys&nbsp;
  <DIV><BR></DIV>
  <DIV>Any thoughts on a second VSV festival - would be very cool!!! It =
was a=20
  wonderful day!!</DIV>
  <DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
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auto; -webkit-text-stroke-width: 0"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px">
  <DIV>Matt Stevens</DIV>
  <DIV><A=20
  =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
  <DIV><A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  class=3DApple-interchange-newline></DIV><BR>
  <DIV>
  <DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 17:43:04 2010
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	 <005701caa8a2$643df1f0$14b2a8c0@mpeserver>
	 <BE3DDEB1-9EF9-4222-BCDF-2AC47A6ECE1D@zoekeating.com>
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	 <001401caa8e4$5136b4b0$66f03747@YOUR08D5303051>
Date: Mon, 8 Feb 2010 12:43:02 -0500
Message-ID: <9e0440a61002080943j48bcdf7ek88b2cf2c3fabc091@mail.gmail.com>
Subject: Re: VSV 2
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015173fe4843e62fe047f1a5590
Content-Type: text/plain; charset=ISO-8859-1

I'd echo that.  Wonder if he might be thinking of it as an annual October
thing?  Think we could justify a spring and fall one.

On Mon, Feb 8, 2010 at 12:29 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  I was begining to think that it's about time for that myself
> :)....Rainer...Livestream this time? We in DigItSignal have done testing
> with multiple feeds and it works beautifully.
>
> Jeff
>
> ----- Original Message -----
> *From:* Matt Stevens <mattstevensguitar@btinternet.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Monday, February 08, 2010 12:21 PM
> *Subject:* VSV 2
>
> Hey guys
>
> Any thoughts on a second VSV festival - would be very cool!!! It was a
> wonderful day!!
>
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015173fe4843e62fe047f1a5590
Content-Type: text/html; charset=ISO-8859-1
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I&#39;d echo that.=A0 Wonder if he might be thinking of it as an annual Oct=
ober thing?=A0 Think we could justify a spring and fall one.<br><br><div cl=
ass=3D"gmail_quote">On Mon, Feb 8, 2010 at 12:29 PM, Jeff Duke <span dir=3D=
"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a=
>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div style=3D"word-wrap: break-word;" bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I was begining to think that it&#39;s =
about time for=20
that myself :)....Rainer...Livestream this time? We in DigItSignal have don=
e=20
testing with multiple feeds and it works beautifully.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">Jeff</font></div></font><div><div></di=
v><div class=3D"h5">
<blockquote dir=3D"ltr" style=3D"border-left: 2px solid rgb(0, 0, 0); paddi=
ng-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: border; -moz-background-origin: padding; -moz-backgroun=
d-inline-policy: continuous; font-family: arial; font-style: normal; font-v=
ariant: normal; font-weight: normal; font-size: 10pt; line-height: normal; =
font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"mattstevensguitar@btinternet.com" href=3D"mailto:mattstevensg=
uitar@btinternet.com" target=3D"_blank">Matt Stevens</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Monday, February 08, 2010 12=
:21=20
  PM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> VSV 2</div>
  <div><br></div>Hey guys=A0
  <div><br></div>
  <div>Any thoughts on a second VSV festival - would be very cool!!! It was=
 a=20
  wonderful day!!</div>
  <div><br>
  <div><span style=3D"word-spacing: 0px; font-family: Helvetica; font-style=
: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-=
height: normal; font-size-adjust: none; font-stretch: normal; text-transfor=
m: none; color: rgb(0, 0, 0); text-indent: 0px; white-space: normal; letter=
-spacing: normal; border-collapse: separate;"><span style=3D"word-spacing: =
0px; font-family: Helvetica; font-style: normal; font-variant: normal; font=
-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: no=
ne; font-stretch: normal; text-transform: none; color: rgb(0, 0, 0); text-i=
ndent: 0px; white-space: normal; letter-spacing: normal; border-collapse: s=
eparate;">
  <div>Matt Stevens</div>
  <div><a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.m=
attstevensguitar.com</a></div>
  <div><a href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank=
">mattstevensguitar@btinternet.com</a></div>
  <div><br></div></span><br></span><br></div><br>
  <div>
  <div><br></div></div></div></blockquote></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015173fe4843e62fe047f1a5590--

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 17:47:25 2010
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Subject: Re: VSV 2
Date: Mon, 8 Feb 2010 17:47:23 -0000
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Yes, but not just yet please!


From: Jeff Duke=20
Sent: Monday, February 08, 2010 5:29 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: VSV 2


I was begining to think that it's about time for that myself =
:)....Rainer...Livestream this time? We in DigItSignal have done testing =
with multiple feeds and it works beautifully.

Jeff
  ----- Original Message -----=20
  From: Matt Stevens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, February 08, 2010 12:21 PM
  Subject: VSV 2


  Hey guys =20


  Any thoughts on a second VSV festival - would be very cool!!! It was a =
wonderful day!!


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com









------=_NextPart_000_000D_01CAA8E6.C51F7CC0
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<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490">
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; WORD-WRAP: break-word; =
PADDING-TOP: 15px; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 bgColor=3D#ffffff=20
CanvasTabStop=3D"true" name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Yes, but not just yet =
please!</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Djeff_d@embarqmail.com=20
href=3D"mailto:jeff_d@embarqmail.com">Jeff Duke</A> </DIV>
<DIV><B>Sent:</B> Monday, February 08, 2010 5:29 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: VSV 2</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT size=3D2 face=3DArial>I was begining to think that it's about =
time for=20
that myself :)....Rainer...Livestream this time? We in DigItSignal have =
done=20
testing with multiple feeds and it works beautifully.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmattstevensguitar@btinternet.com=20
  href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, February 08, 2010 =
12:21=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> VSV 2</DIV>
  <DIV><BR></DIV>Hey guys&nbsp;=20
  <DIV><BR></DIV>
  <DIV>Any thoughts on a second VSV festival - would be very cool!!! It =
was a=20
  wonderful day!!</DIV>
  <DIV><BR>
  <DIV><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0"=20
  class=3DApple-style-span><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV>Matt Stevens</DIV>
  <DIV><A=20
  =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
  <DIV><A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  class=3DApple-interchange-newline></DIV><BR>
  <DIV>
  <DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <ACEA7994-F433-4D7F-BB32-C9303DCCBC92@baymoon.com> <005701caa8a2$643df1f0$14b2a8c0@mpeserver> <BE3DDEB1-9EF9-4222-BCDF-2AC47A6ECE1D@zoekeating.com> <CDF588D7-42FA-4F36-AE10-669B4C61DDA5@btinternet.com> <001401caa8e4$5136b4b0$66f03747@YOUR08D5303051> <9e0440a61002080943j48bcdf7ek88b2cf2c3fabc091@mail.gmail.com>
Subject: Re: VSV 2
Date: Mon, 8 Feb 2010 13:12:41 -0500
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The more the merrier!

  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, February 08, 2010 12:43 PM
  Subject: Re: VSV 2


  I'd echo that.  Wonder if he might be thinking of it as an annual =
October thing?  Think we could justify a spring and fall one.


  On Mon, Feb 8, 2010 at 12:29 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

    I was begining to think that it's about time for that myself =
:)....Rainer...Livestream this time? We in DigItSignal have done testing =
with multiple feeds and it works beautifully.

    Jeff
      ----- Original Message -----=20
      From: Matt Stevens=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Monday, February 08, 2010 12:21 PM
      Subject: VSV 2


      Hey guys =20


      Any thoughts on a second VSV festival - would be very cool!!! It =
was a wonderful day!!


      Matt Stevens
      www.mattstevensguitar.com
      mattstevensguitar@btinternet.com












  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_000D_01CAA8C0.64F893C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The more the merrier!</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, February 08, 2010 =
12:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: VSV 2</DIV>
  <DIV><BR></DIV>I'd echo that.&nbsp; Wonder if he might be thinking of =
it as an=20
  annual October thing?&nbsp; Think we could justify a spring and fall=20
  one.<BR><BR>
  <DIV class=3Dgmail_quote>On Mon, Feb 8, 2010 at 12:29 PM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV style=3D"WORD-WRAP: break-word" bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>I was begining to think that it's =
about time=20
    for that myself :)....Rainer...Livestream this time? We in =
DigItSignal have=20
    done testing with multiple feeds and it works =
beautifully.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT =
color=3D#888888>
    <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV></FONT>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
      Original Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228); FONT: 10pt arial; =
font-size-adjust: none; font-stretch: normal; -moz-background-clip: =
border; -moz-background-origin: padding; -moz-background-inline-policy: =
continuous"><B>From:</B>=20
      <A title=3Dmattstevensguitar@btinternet.com=20
      href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D_blank>Matt=20
      Stevens</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
      <A title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
      Monday, February 08, 2010 12:21 PM</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
      VSV 2</DIV>
      <DIV><BR></DIV>Hey guys&nbsp;=20
      <DIV><BR></DIV>
      <DIV>Any thoughts on a second VSV festival - would be very cool!!! =
It was=20
      a wonderful day!!</DIV>
      <DIV><BR>
      <DIV><SPAN=20
      style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; font-size-adjust: =
none; font-stretch: normal"><SPAN=20
      style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; font-size-adjust: =
none; font-stretch: normal">
      <DIV>Matt Stevens</DIV>
      <DIV><A href=3D"http://www.mattstevensguitar.com"=20
      target=3D_blank>www.mattstevensguitar.com</A></DIV>
      <DIV><A href=3D"mailto:mattstevensguitar@btinternet.com"=20
      target=3D_blank>mattstevensguitar@btinternet.com</A></DIV>
      <DIV><BR></DIV></SPAN><BR></SPAN><BR></DIV><BR>
      <DIV>
      =
<DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></=
DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000D_01CAA8C0.64F893C0--

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 18:13:50 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed
 pedal,
References: <7334ca1b1002080046g7914520eg314b806d0c991aed@mail.gmail.com> <003501caa8bf$75f4d540$66f03747@YOUR08D5303051>
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Jeff Duke wrote:
> Rainer, I am sure you already have thought of it and of course not cheap 
> but the DL 4 is really good at that stuff, add an ex ped and even better 
> + looping.
> 


DL4, like most microprocessor based pedals, does not actually
have varispeed.
When you get those pitch bends the DL4 is not modelling varispeed
of tape, but position of playback head.

If we think of the delay of the DL4 as a small loop then:-
With the DL4, the "warble" you make by changing delay time
gets into the "loop".
With varispeed, it's like the loop speeds up.


andy butler

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To: Loopers-Delight@loopers-delight.com
Subject: Re: McMillen Instruments Soft Step
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before Christmas ;-)

Zoe Keating wrote:
> $300 clams, and available "late 2nd quarter"...June?
> 
> On Feb 8, 2010, at 1:37 AM, Michael Peters wrote:
> 
>> thanks Bill, that really looks like an interesting pedal !  looking 
>> forward to first reviews ... it doesn't seem to be available yet 
>> though ... did he say anything about a price tag?   -Michael
>>  
> 

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Studio work, life, habits: very interesting !
http://www.synthtopia.com/content/2010/02/08/must-see-brian-eno-interview/

fabio
www.eterogeneo.com

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<div>Studio work, life, habits: very interesting !</div>
<div><a href=3D"http://www.synthtopia.com/content/2010/02/08/must-see-brian=
-eno-interview/">http://www.synthtopia.com/content/2010/02/08/must-see-bria=
n-eno-interview/</a></div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>

--0003255566568d3b79047f1adcc3--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: VSV 2
Date: Mon, 8 Feb 2010 18:23:40 +0000
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2  a year sounds good to me. Lets do it!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Feb 2010, at 18:12, Jeff Duke wrote:

> The more the merrier!
>
> ----- Original Message -----
> From: Jim Goodin
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, February 08, 2010 12:43 PM
> Subject: Re: VSV 2
>
> I'd echo that.  Wonder if he might be thinking of it as an annual  
> October thing?  Think we could justify a spring and fall one.
>
> On Mon, Feb 8, 2010 at 12:29 PM, Jeff Duke <jeff_d@embarqmail.com>  
> wrote:
> I was begining to think that it's about time for that  
> myself :)....Rainer...Livestream this time? We in DigItSignal have  
> done testing with multiple feeds and it works beautifully.
>
> Jeff
> ----- Original Message -----
> From: Matt Stevens
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, February 08, 2010 12:21 PM
> Subject: VSV 2
>
> Hey guys
>
> Any thoughts on a second VSV festival - would be very cool!!! It  
> was a wonderful day!!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-40--416588569
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
2 &nbsp;a year sounds good to me. Lets do it!<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Feb 2010, =
at 18:12, Jeff Duke wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font face=3D"Arial" =
size=3D"2">The more the =
merrier!</font></div><div>&nbsp;</div><blockquote style=3D"padding-right: =
0px; padding-left: 5px; margin-left: 5px; border-left-color: rgb(0, 0, =
0); border-left-width: 2px; border-left-style: solid; margin-right: 0px; =
"><div style=3D"font: normal normal normal 10pt/normal arial; ">----- =
Original Message -----</div><div style=3D"background-image: initial; =
background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(228, 228, 228); font: normal normal normal =
10pt/normal arial; background-position: initial initial; =
"><b>From:</b><span class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"jimgoodinmusic@gmail.com" =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim Goodin</a></div><div =
style=3D"font: normal normal normal 10pt/normal arial; "><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Monday, February 08, 2010 =
12:43 PM</div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: VSV =
2</div><div><br></div>I'd echo that.&nbsp; Wonder if he might be =
thinking of it as an annual October thing?&nbsp; Think we could justify =
a spring and fall one.<br><br><div class=3D"gmail_quote">On Mon, Feb 8, =
2010 at 12:29 PM, Jeff Duke<span =
class=3D"Apple-converted-space">&nbsp;</span><span dir=3D"ltr">&lt;<a =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span>=
<span class=3D"Apple-converted-space">&nbsp;</span>wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"padding-left: 1ex; margin-top: 0pt; =
margin-right: 0pt; margin-bottom: 0pt; margin-left: 0.8ex; =
border-left-color: rgb(204, 204, 204); border-left-width: 1px; =
border-left-style: solid; "><div bgcolor=3D"#ffffff" style=3D"word-wrap: =
break-word; "><div><font face=3D"Arial" size=3D"2">I was begining to =
think that it's about time for that myself :)....Rainer...Livestream =
this time? We in DigItSignal have done testing with multiple feeds and =
it works beautifully.</font></div><div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div><font color=3D"#888888"><div><font =
face=3D"Arial" size=3D"2">Jeff</font></div></font><div><div></div><div =
class=3D"h5"><blockquote dir=3D"ltr" style=3D"padding-right: 0px; =
padding-left: 5px; margin-left: 5px; border-left-color: rgb(0, 0, 0); =
border-left-width: 2px; border-left-style: solid; margin-right: 0px; =
"><div style=3D"font: normal normal normal 10pt/normal arial; ">----- =
Original Message -----</div><div style=3D"background-image: initial; =
background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(228, 228, 228); font: normal normal normal =
10pt/normal arial; background-position: initial initial; =
"><b>From:</b><span class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"mattstevensguitar@btinternet.com" =
href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">Matt =
Stevens</a></div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>To:</b><span class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a></div><div =
style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Sent:</b><span class=3D"Apple-converted-space">&nbsp;</span>Monday, =
February 08, 2010 12:21 PM</div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>VSV =
2</div><div><br></div>Hey guys&nbsp;<div><br></div><div>Any thoughts on =
a second VSV festival - would be very cool!!! It was a wonderful =
day!!</div><div><br><div><span style=3D"word-spacing: 0px; font: normal =
normal normal 12px/normal Helvetica; text-transform: none; color: rgb(0, =
0, 0); text-indent: 0px; white-space: normal; letter-spacing: normal; =
border-collapse: separate; "><span style=3D"word-spacing: 0px; font: =
normal normal normal 12px/normal Helvetica; text-transform: none; color: =
rgb(0, 0, 0); text-indent: 0px; white-space: normal; letter-spacing: =
normal; border-collapse: separate; "><div>Matt Stevens</div><div><a =
href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div><div><br></div=
></span><br></span><br></div><br><div><div><br></div></div></div></blockqu=
ote></div></div></div></blockquote></div><br><br clear=3D"all"><br>--<span=
 class=3D"Apple-converted-space">&nbsp;</span><br>ReUse, an =
introspective textural aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></blockquote></span></blockquote></div><br></div></body></h=
tml>=

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Andy wrote:


>> " before Christmas ;-)"


Ah yes, a man who understands corporate product launch  speak!!!
Bill

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--0-726295932-1265661045=:84294
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i just saw this:

http://www.youtube.com/watch?v=rDKsPGAmI8M

it's the line 6 echo park,

& i sent a message to a guy who commented on his guyatone md3, and he said this:

"Yeah it will shift pitch when changing time and oscillate and feedback
on itself at full feedback. I'm sorry I don't understand what you mean
by short loops man. These are really cool little digital delays. I like
it much more than the Boss delays I've had even with the different
feature sets."

more research i guess....i suppose this tells me that i should borrow my son's flip vid camera and start demoing my gear the way i use things, b/c it isn't usually like how i see in most youtube vids....ha.....
s---
www.myspace.com/scotthansen



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i just saw this:<br><br>http://www.youtube.com/watch?v=rDKsPGAmI8M<br><br>it's the line 6 echo park,<br><br>&amp; i sent a message to a guy who commented on his guyatone md3, and he said this:<br><br>"Yeah it will shift pitch when changing time and oscillate and feedback
on itself at full feedback. I'm sorry I don't understand what you mean
by short loops man. These are really cool little digital delays. I like
it much more than the Boss delays I've had even with the different
feature sets."<br><br>more research i guess....i suppose this tells me that i should borrow my son's flip vid camera and start demoing my gear the way i use things, b/c it isn't usually like how i see in most youtube vids....ha.....<br>s---<br>www.myspace.com/scotthansen<br></td></tr></table><br>



      
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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:00:41 2010
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Date: Mon, 08 Feb 2010 22:00:49 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed
 pedal - update
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I'd just like to update/correct/clarify my original post here:

by "delay with varispeed pedal", I meant a delay pedal with varispeed, 
not a delay device with a pedal-controlled varispeed (note to self: 
language is not an abelian group).
by "cheap", I mean "below Eventide or TC Electronic" kinda cheap - the 
up to €250 range is acceptable.
"as long as possible" is the most "flexible" one in my description: hard 
to tell, most of the time, I use either a DD20 or D2 ;). Ok, one second 
should be enough, more would be cool, less not so much...

Ok, back to the actual topic:
Scott, it does not become apparent from that video (at least not to me) 
if that effect heard while changing delay time is varispeed or the 
"tape-head-moving" effect which you get e.g. on the DL4 (the difference 
between both was already explained by andy butler in response to Jeff 
Duke's post), but it seems to be the latter - alas. I'm not looking for 
that, I'm looking for the real digitech PDS-style thing ;).

Btw, anybody knows a "Digitech Time Bender" pedal? Rather pricey, but 
has some "variable speed tape delay" function...

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:11:53 2010
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Date: Mon, 8 Feb 2010 13:11:53 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: cheap delays to do pitch shifting thing...
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ok, i just saw the danelectro reel echo....
guess i'll have to watch some vids of that tonight.

it sounds interesting....in the musicians friends reviews, someone said:

As far as I know its the cheapest echo you can get ANYWHERE that is capable of doing the pitch deviations in the echo..

it goes to 1.5 sec...sort of looks cool....

why can they make the fripp revox version of this w/ 20 sec or16 sec or however long fripps tape loops were back in the 70s.....
oh well...
s---



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">ok, i just saw the danelectro reel echo....<br>guess i'll have to watch some vids of that tonight.<br><br>it sounds interesting....in the musicians friends reviews, someone said:<br><br>As far as I know its the cheapest echo you can get ANYWHERE that is capable of doing the pitch deviations in the echo..<br><br>it goes to 1.5 sec...sort of looks cool....<br><br>why can they make the fripp revox version of this w/ 20 sec or16 sec or however long fripps tape loops were back in the 70s.....<br>oh well...<br>s---<br></td></tr></table><br>

      
--0-1240833948-1265663513=:80055--

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:23:59 2010
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scott hansen schrieb:
> ok, i just saw the danelectro reel echo....
> guess i'll have to watch some vids of that tonight.
>
>
The first youtube one starts with a comment like "Despite [...] the fact 
that it doesn't pitchshift when you alter the delaytime..."
not what I'm looking for, or so it seems...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:25:44 2010
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Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed
  pedal,
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The new Digitech DL-8 pedal does varispeed, and has 8 secs of delay, for 
about $160 US. Also has 20 secs looping, and reverse, some lo-fi modes, 
etc.

I'm thinking about picking one up as an all-systems-fail backup if both 
my tape decks ever go down on tour. (The EH 2880 works beautifully, but 
is too big for what I want).

There's a couple of 'em on Ebay right now for $125, Buy It Now...

hth,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:37:55 2010
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Oh drat, sorry that the Digitech DL8 was already mentioned this thread.

However, I did once own the Ibanez DE-7, and I did want to point out 
that it does have 100% feedback if you switch to the Echo (analog sim) 
model. However, if you let it go at 100% for a minute or two the 
fidelity begins to decrease. I LOVED this about it. It self-oscillates 
very easily too- you have to be careful about where you set the Repeats 
(feedback) if you want simply 100%, not more.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:41:45 2010
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Date: Mon, 8 Feb 2010 16:41:40 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: In search for a (cheap, but as long as possible) delay with
 varispeed   pedal,
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I have an Electro Harmonix 16 second Delay pedal (actually has 4 
minutes of memory) for sale which does both varispeed and can change 
pitch... let me know if you're interested.

-Chuck
-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:44:03 2010
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Content-class: urn:content-classes:message
Subject: Echoplex vs. Boomerang 3
Date: Mon, 8 Feb 2010 16:42:13 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Hi all,

I need a stereo setup for what I'm doing nowadays. I'm torn about
whether to fiddle with trying to get two echoplex units to work together
(currently have one working one) or to just sell it and get the
boomerang three.=20

What would be the advantages of the considerably more expensive option
(stereo echoplex)?

I could use some help making my mind up.

Thank you,

Ace


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<p class=3DMsoNormal>Hi all,<o:p></o:p></p>

<p class=3DMsoNormal>I need a stereo setup for what I&#8217;m doing =
nowadays. I&#8217;m
torn about whether to fiddle with trying to get two echoplex units to =
work
together (currently have one working one) or to just sell it and get the
boomerang three. <o:p></o:p></p>

<p class=3DMsoNormal>What would be the advantages of the considerably =
more
expensive option (stereo echoplex)?<o:p></o:p></p>

<p class=3DMsoNormal>I could use some help making my mind =
up.<o:p></o:p></p>

<p class=3DMsoNormal>Thank you,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 21:46:59 2010
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Subject: Re: In search for a (cheap, but as long as possible) delay with varispeed
 pedal - update
References: <954593.84294.qm@web33107.mail.mud.yahoo.com> <4B707B81.5010208@googlemail.com>
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Rainer Straschill wrote:

> Ok, back to the actual topic:
> Scott, it does not become apparent from that video (at least not to me) 
> if that effect heard while changing delay time is varispeed or the 
> "tape-head-moving" effect which you get e.g. on the DL4 (the difference 
> between both was already explained by andy butler in response to Jeff 
> Duke's post), but it seems to be the latter - alas. I'm not looking for 
> that, I'm looking for the real digitech PDS-style thing ;).
> 

Yep, it's hard to tell from that vid, but I reckon it's
a "head mover". There's no smooth pitch change, and once
the sound is mangled it never returns to anything like it's original sound.


The Electro Harmonix Memory Boy does varispeed.
but only 550mS.
..but you'd like the modulation options.

The relevant MoogerFooger MF-104z does a full second,
but is pricey (would hold it's value for re-sale tho).

those are both "analog" delays ( bbd chips).

With digital delays nowadays there tends to be a dsp chip
doing all the work. To do varispeed means you have to
interpolate twice, to do the moving tape head thing only
needs one interpolation....so unless varispeed is a 
specification of the device it's unlikely to be implemented.

I kind of think that some of the older digital delays just
wired up the AD/DA converters to memory doing without 
the (then expensive) dsp chip.  Then it was easy to 
change the clock frequency of the whole device to change 
the delay time.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 22:01:51 2010
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Subject: Galactic Travels Playlist #670 for February 4, 2009.
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http://wdiy.org/programs/gt/playlists/2010/100204.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #670                February 4, 2010.

RECAP:
On this show, I started a month-long focus on E=motion.  The Featured CD
at Midnight was Infinite Motion on Underwater Music.

E=motion: http://wdiy.org/programs/gt/playlists/2010/focus.html#feb


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Terje Winther        Over and Over        Electronic Regions (Bajkal)
                       (Again)
Rene van der Wouden  Recreation 2         Recreation (Rewo)
Lord of the Ants     Quantum Voodoo       Quantum Voodoo (A.D. Music)
Nunc Stans and       One Thousand Dreams  One Thousand Dreams
  Mystified            Part 1               (DataObscura)
Nunc Stans and       One Thousand Dreams  One Thousand Dreams
  Mystified            Part 2               (DataObscura)
Dan Pound            Dawn of Man          Living Planet (Pound Sounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
E=motion             Hesitation           Infinite Motion (Underwater)
E=motion             Circular Movement    Infinite Motion (Underwater)
E=motion             American Dream       Infinite Motion (Underwater)
E=motion             Motif                Infinite Motion (Underwater)
E=motion             Audio Freak          Infinite Motion (Underwater)
E=motion             Alex                 Infinite Motion (Underwater)
E=motion             New Sound of ESP     Infinite Motion (Underwater)
E=motion             Beyond the History   Infinite Motion (Underwater)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
E=motion.  The Featured CD at Midnight will be Telepath on Underwater
Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: VSV 2
Date: Mon, 8 Feb 2010 22:44:46 +0000
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April/May ?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Feb 2010, at 17:47, Stephen Goodman wrote:

> Yes, but not just yet please!
>
> From: Jeff Duke
> Sent: Monday, February 08, 2010 5:29 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: VSV 2
>
> I was begining to think that it's about time for that  
> myself :)....Rainer...Livestream this time? We in DigItSignal have  
> done testing with multiple feeds and it works beautifully.
>
> Jeff
> ----- Original Message -----
> From: Matt Stevens
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, February 08, 2010 12:21 PM
> Subject: VSV 2
>
> Hey guys
>
> Any thoughts on a second VSV festival - would be very cool!!! It  
> was a wonderful day!!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
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April/May ?<div><br><div> <span class=3D"Apple-style-span" =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Feb 2010, =
at 17:47, Stephen Goodman wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font size=3D"2" =
face=3D"Trebuchet MS">Yes, but not just yet please!</font></div><div =
style=3D"font: normal normal normal 10pt/normal Tahoma; =
"><div><br></div><div style=3D"background-image: initial; =
background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(245, 245, 245); background-position: initial =
initial; "><div><b>From:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"jeff_d@embarqmail.com" href=3D"mailto:jeff_d@embarqmail.com">Jeff=
 Duke</a></div><div><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Monday, February 08, 2010 =
5:29 PM</div><div><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: VSV =
2</div></div></div><div><br></div><div><font size=3D"2" face=3D"Arial">I =
was begining to think that it's about time for that myself =
:)....Rainer...Livestream this time? We in DigItSignal have done testing =
with multiple feeds and it works beautifully.</font></div><div><font =
size=3D"2" face=3D"Arial"></font>&nbsp;</div><div><font size=3D"2" =
face=3D"Arial">Jeff</font></div><blockquote dir=3D"ltr" =
style=3D"border-left-color: rgb(0, 0, 0); border-left-width: 2px; =
border-left-style: solid; padding-left: 5px; padding-right: 0px; =
margin-left: 5px; margin-right: 0px; "><div style=3D"font: normal normal =
normal 10pt/normal arial; ">----- Original Message -----</div><div =
style=3D"font: normal normal normal 10pt/normal arial; background-image: =
initial; background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(228, 228, 228); background-position: initial =
initial; "><b>From:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"mattstevensguitar@btinternet.com" =
href=3D"mailto:mattstevensguitar@btinternet.com">Matt =
Stevens</a></div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>To:</b><span class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Monday, February 08, 2010 =
12:21 PM</div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>VSV =
2</div><div><br></div>Hey guys&nbsp;<div><br></div><div>Any thoughts on =
a second VSV festival - would be very cool!!! It was a wonderful =
day!!</div><div><br><div><span class=3D"Apple-style-span" style=3D"widows:=
 2; text-transform: none; text-indent: 0px; border-collapse: separate; =
font: normal normal normal 12px/normal Helvetica; white-space: normal; =
orphans: 2; letter-spacing: normal; color: rgb(0, 0, 0); word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"widows: 2; text-transform: none; text-indent: 0px; =
border-collapse: separate; font: normal normal normal 12px/normal =
Helvetica; white-space: normal; orphans: 2; letter-spacing: normal; =
color: rgb(0, 0, 0); word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt Stevens</div><div><a =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></d=
iv><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"></div><br><div><div><br></div></div></=
div></blockquote></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

--Apple-Mail-45--400922441--

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 23:13:16 2010
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Date: Mon, 8 Feb 2010 15:13:14 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: New Eigenharp Pico Video
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <1f6442e01002071408i40bfe3abgd1413a7a51d3baa@mail.gmail.com>
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very nice Kayla!
cheers
www.myspace.com/luisangulocom


--- Kayla Kavanagh <irishkayla@googlemail.com> schrieb am So, 7.2.2010:

> Von: Kayla Kavanagh <irishkayla@googlemail.com>
> Betreff: Re: New Eigenharp Pico Video
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 7. Februar 2010, 14:08
> Thank you very much Ted!
>=20
> K x
>=20
> On 6 February 2010 15:53, tEd =AE
> KiLLiAn <tedkillian@charter.net>
> wrote:
>=20
> Very fine piece and very fine playing
> Kayla.
>=20
>=20
>=20
> On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:
>=20
>=20
>=20
>=20
> Hi guys,
>=20
>=20
>=20
> I've just uploaded my latest entry to the Eigenharp
> competition at http://www.youtube.com/watch?v=3DRoWr8cvzths=A0-
> would be most grateful of your comments and/or ratings as it
> forms part of the contest judging!
>=20
>=20
>=20
>=20
> Many thanks,
>=20
>=20
>=20
> Kayla
>=20
>=20
>=20
> -------------------------------------------------------------------------=
----------------------
>=20
> Kayla's website: http://www.kaylakavanagh.com
>=20
> Kayla on Twitter: http://www.twitter.com/kaylakavanagh
>=20
> MySpace: http://www.myspace.com/kaylakavanagh
>=20
> FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> --=20
>=20
> -------------------------------------------------------------------------=
----------------------
> Kayla's website: http://www.kaylakavanagh.com
>=20
> Kayla on Twitter: http://www.twitter.com/kaylakavanagh
> MySpace: http://www.myspace.com/kaylakavanagh
> FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016
>=20
>=20
> =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

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Message-ID: <37f071c01002081516h4aad9b61o52300b81a8546c07@mail.gmail.com>
Subject: Re: New Eigenharp Pico Video
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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You make it look easy.

Nicely done.

Kevin


>> On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:
>>
>>
>>
>>
>> Hi guys,
>>
>>
>>
>> I've just uploaded my latest entry to the Eigenharp
>> competition at http://www.youtube.com/watch?v=3DRoWr8cvzths=A0-
>> would be most grateful of your comments and/or ratings as it
>> forms part of the contest judging!
>>
>>
>>
>>
>> Many thanks,
>>
>>
>>
>> Kayla
>>
>>

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 23:17:34 2010
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	<840491.25418.qm@web24307.mail.ird.yahoo.com> <37f071c01002081516h4aad9b61o52300b81a8546c07@mail.gmail.com>
From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Mon, 8 Feb 2010 18:17:07 -0500
Message-ID: <91d8478b1002081517k25e2d45fk55d17ef5d049462e@mail.gmail.com>
Subject: Re: New Eigenharp Pico Video
To: Loopers-Delight@loopers-delight.com
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Now I want one!  Very nice!

On Mon, Feb 8, 2010 at 6:16 PM, Kevin Cheli-Colando <kevin@minds-eye.org> w=
rote:
> You make it look easy.
>
> Nicely done.
>
> Kevin
>
>
>>> On Feb 6, 2010, at 5:24 AM, Kayla Kavanagh wrote:
>>>
>>>
>>>
>>>
>>> Hi guys,
>>>
>>>
>>>
>>> I've just uploaded my latest entry to the Eigenharp
>>> competition at http://www.youtube.com/watch?v=3DRoWr8cvzths=A0-
>>> would be most grateful of your comments and/or ratings as it
>>> forms part of the contest judging!
>>>
>>>
>>>
>>>
>>> Many thanks,
>>>
>>>
>>>
>>> Kayla
>>>
>>>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: =A0http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>



--=20
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

Check out the stop animation music video for "Fix"!
http://bit.ly/fixvideo

From Loopers-Delight-request@loopers-delight.com  Mon Feb  8 23:18:10 2010
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Date: Mon, 08 Feb 2010 23:17:59 +0000
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To: Daryl Shawn <highhorse@mhorse.com>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: In search for a (cheap, but as long as possible) delay with
 varispeed  pedal,
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--=======AVGMAIL-1B8B474C=======
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Daryl Shawn wrote:
> <div class="moz-text-flowed" style="font-family: -moz-fixed">The new 
> Digitech DL-8 pedal does varispeed, and has 8 secs of delay, for about 
> $160 US. Also has 20 secs looping, and reverse, some lo-fi modes, etc.
> 
> I'm thinking about picking one up as an all-systems-fail backup if both 
> my tape decks ever go down on tour. (The EH 2880 works beautifully, but 
> is too big for what I want).
> 
> There's a couple of 'em on Ebay right now for $125, Buy It Now...
> 
> hth,
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> </div>
> 

Not 'varispeed' the way I understand it; it doesn't shift the frequency 
the way tape does (or old analogue kit), just sort of glitches when you 
tweak the delay time knob & repeats a shorter bit of signal at the same 
pitch.
Dave Draper
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From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 00:17:28 2010
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Subject: RE: Hi everybody.
Date: Mon, 8 Feb 2010 19:15:30 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Thanks for the response Ted,
I know what you mean but I'm really hoping to at least be able to get
the clocks to sync because my output goes into both a guitar amp and
small pa so I need the separation offered by two channels. My main
concern is somehow being able to separate out the guitar signal from the
rest of my stuff. I run bass into the board, mic hand drums and also use
vinyl and a scratch mixer to drop beats into the mix. Vocal harmony
would also not sound quite right going through my twin. I suppose I
could just mic the guitar amp but it never ends up sounding quite right
to me when I do it this way.
I'm just not a big fan of the modelling stuff so guitar into the board
is out.
I had a 2880 fo a while and it worked great because it handled stereo,
but the "multiply" feature is what eventually made me go to the
echoplex.
I'm debating whether to just sell the echoplex setup and get a boomerang
3.
Has anyone played with one? It seems to do everything I need but the
echoplex learning curve was just so long I'm reluctant to give it up.
Thanks,
Ace

-----Original Message-----
From: tEd (r) KiLLiAn [mailto:tedkillian@charter.net]=20
Sent: Sunday, February 07, 2010 6:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hi everybody.

Ace,

Hi there and welcome aboard!

I don't know a thing about synching a "mixed pair" of an older EDP and =20
a newer one.

I have had the same matched pair since 1996 and for many years ran =20
them as a perfectly matched and synched pair.

But just to let you know that if there is any chance your pair won't =20
"play nice" together in stereo, there are plenty of reasons and ways =20
to still use them as distinct un-synched mono units - which is what I =20
have been doing with mine for 3-4 years now.

I "stereo-ize" the mono output of each with other FX units (in my case =20
an Alesis Akira for each) and am able to keep 2 distinct looping =20
patterns going with 2 distinct types of looping.

If I want to keep ambient-ish non rhythmic material going on one while =20
I slice dice and chop glitchy rhythms up on the other with sus-replace-=20
insert techniques I can have both worlds going at the same time.

So . . . if it turns out your EDPs are mismatched, don't despair . . . =20
lots of fun can still be had.

I am by no means any sort of loping guru in this group.

But I have been here a long while - almost as long as the group has =20
existed.

Hope someone can point you in the right direction.

Best,

Ted

On Feb 7, 2010, at 2:16 PM, Ace Ovil wrote:

> Hi everyone,
> I'm new to this looping game so I have no idea how large this =20
> community is or who the gurus are, but I'm excited to find out.  I'm =20
> not sure what the etiquette is so I thought I would just roll the =20
> dice and post my first question.
> I'm confident someone here knows the answer to this:
> I now  finally have two echoplex digital pros and I'm really looking =20
> forward to running them in stereo in the effects loop of my mixer. =20
> The problem is that one is an original oberheim with loop 3 v.5 on =20
> it that does not have full memory capacity and the other is a gibson =20
> with loop 4 and 16 mb.
> I ordered the memory today to upgrade the older echoplex to 16mb but =20
> I'm trying to figure out if I can sync the two devices despite the =20
> different software versions.
> If not, is loop 4 still available?
> Also, any advice any of you could offer about running stereo =20
> echoplex setup would be greatly appreciated.
> I have studied the section in the manuals ad nauseum but was hoping =20
> for some tips and tricks.
> Thank you,
> Ace

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 00:42:22 2010
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In-Reply-To: <6BA44367-A878-49F2-9B4F-5E689D45990C@btinternet.com>
Subject: Re: VSV 2
Date: Tue, 9 Feb 2010 00:42:16 -0000
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I vote for May.


From: Matt Stevens=20
Sent: Monday, February 08, 2010 10:44 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: VSV 2


April/May ?=20


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com







On 8 Feb 2010, at 17:47, Stephen Goodman wrote:


  Yes, but not just yet please!


  From: Jeff Duke
  Sent: Monday, February 08, 2010 5:29 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: VSV 2


  I was begining to think that it's about time for that myself =
:)....Rainer...Livestream this time? We in DigItSignal have done testing =
with multiple feeds and it works beautifully.

  Jeff
    ----- Original Message -----
    From: Matt Stevens
    To: Loopers-Delight@loopers-delight.com
    Sent: Monday, February 08, 2010 12:21 PM
    Subject: VSV 2


    Hey guys =20


    Any thoughts on a second VSV festival - would be very cool!!! It was =
a wonderful day!!


    Matt Stevens
    www.mattstevensguitar.com
    mattstevensguitar@btinternet.com













------=_NextPart_000_005D_01CAA920.BA462FD0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY=20
style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; WORD-WRAP: break-word; =
PADDING-TOP: 15px; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">I vote for May.</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3Dmattstevensguitar@btinternet.com=20
href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> </DIV>
<DIV><B>Sent:</B> Monday, February 08, 2010 10:44 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: VSV 2</DIV></DIV></DIV>
<DIV><BR></DIV>April/May ?=20
<DIV><BR>
<DIV><SPAN=20
style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0"=20
class=3DApple-style-span><SPAN=20
style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
class=3DApple-style-span>
<DIV>Matt Stevens</DIV>
<DIV><A=20
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
<DIV><A=20
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
<DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR=20
class=3DApple-interchange-newline></DIV><BR>
<DIV>
<DIV>On 8 Feb 2010, at 17:47, Stephen Goodman wrote:</DIV><BR=20
class=3DApple-interchange-newline>
<BLOCKQUOTE type=3D"cite"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV><FONT size=3D2 face=3D"Trebuchet MS">Yes, but not just yet=20
  please!</FONT></DIV>
  <DIV style=3D"FONT: 10pt Tahoma">
  <DIV><BR></DIV>
  <DIV=20
  style=3D"BACKGROUND-COLOR: rgb(245,245,245); -webkit-background-clip: =
initial; -webkit-background-origin: initial">
  <DIV><B>From:</B><SPAN class=3DApple-converted-space>&nbsp;</SPAN><A=20
  title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A></DIV>
  <DIV><B>Sent:</B><SPAN =
class=3DApple-converted-space>&nbsp;</SPAN>Monday,=20
  February 08, 2010 5:29 PM</DIV>
  <DIV><B>To:</B><SPAN class=3DApple-converted-space>&nbsp;</SPAN><A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></DIV>
  <DIV><B>Subject:</B><SPAN =
class=3DApple-converted-space>&nbsp;</SPAN>Re: VSV=20
  2</DIV></DIV></DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2 face=3DArial>I was begining to think that it's =
about time for=20
  that myself :)....Rainer...Livestream this time? We in DigItSignal =
have done=20
  testing with multiple feeds and it works beautifully.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>Jeff</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(0,0,0) 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
  dir=3Dltr>
    <DIV style=3D"FONT: 10pt arial">----- Original Message -----</DIV>
    <DIV=20
    style=3D"BACKGROUND-COLOR: rgb(228,228,228); FONT: 10pt arial; =
-webkit-background-clip: initial; -webkit-background-origin: =
initial"><B>From:</B><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN><A=20
    title=3Dmattstevensguitar@btinternet.com=20
    href=3D"mailto:mattstevensguitar@btinternet.com">Matt =
Stevens</A></DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN><A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN>Monday, February 08, 2010 =
12:21=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B><SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN>VSV 2</DIV>
    <DIV><BR></DIV>Hey guys&nbsp;=20
    <DIV><BR></DIV>
    <DIV>Any thoughts on a second VSV festival - would be very cool!!! =
It was a=20
    wonderful day!!</DIV>
    <DIV><BR>
    <DIV><SPAN=20
    style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
    class=3DApple-style-span><SPAN=20
    style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
    class=3DApple-style-span>
    <DIV>Matt Stevens</DIV>
    <DIV><A=20
    =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
    <DIV><A=20
    =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
    <DIV><BR></DIV></SPAN><BR =
class=3DApple-interchange-newline></SPAN><BR=20
    class=3DApple-interchange-newline></DIV><BR>
    <DIV>
    <DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></SPAN><BR=20
  =
class=3DApple-interchange-newline></BLOCKQUOTE></DIV><BR></DIV></BODY></H=
TML>

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Date: Mon, 8 Feb 2010 17:31:54 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: Hi everybody.
To: Loopers-Delight@loopers-delight.com
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Hi Ace! I'm Steve Uccello (Uccello Project) and I'm pretty new here as well=
-I can't offer much tech info, but if you have any quez relating to upright=
 bass-I'll try to help out :) welcome and good luck w/ the looping-it's suc=
h and amazing art! Steve Uccello

www.steveuccello.com

--- On Sun, 2/7/10, Ace Ovil <aovil@wfubmc.edu> wrote:

From: Ace Ovil <aovil@wfubmc.edu>
Subject: Hi everybody.
To: Loopers-Delight@loopers-delight.com
Date: Sunday, February 7, 2010, 2:16 PM

=0A=0A=0A =0A =0A=0A=0A=0A=0A=0A=0AHi everyone,  =0A=0AI=E2=80=99m new to t=
his looping game so I have no idea how large=0Athis community is or who the=
 gurus are, but I=E2=80=99m excited to find out. =C2=A0I=E2=80=99m=0Anot su=
re what the etiquette is so I thought I would just roll the dice and post=
=0Amy first question. =0A=0AI=E2=80=99m confident someone here knows the an=
swer to this: =0A=0AI now =C2=A0finally have two echoplex digital pros and =
I=E2=80=99m=0Areally looking forward to running them in stereo in the effec=
ts loop of my=0Amixer. The problem is that one is an original oberheim with=
 loop 3 v.5 on it that=0Adoes not have full memory capacity and the other i=
s a gibson with loop 4 and 16=0Amb.  =0A=0AI ordered the memory today to up=
grade the older echoplex to=0A16mb but I=E2=80=99m trying to figure out if =
I can sync the two devices despite the=0Adifferent software versions. =0A=
=0AIf not, is loop 4 still available? =0A=0AAlso, any advice any of you cou=
ld offer about running stereo=0Aechoplex setup would be greatly appreciated=
. =0A=0AI have studied the section in the manuals ad nauseum but was=0Ahopi=
ng for some tips and tricks. =0A=0AThank you, =0A=0AAce  =0A=0A=0A=0A =0A=
=0A=0A=0A=0A      
--0-2080458003-1265679114=:96638
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi Ace! I'm Steve Uccello (Uccello Project) a=
nd I'm pretty new here as well-I can't offer much tech info, but if you hav=
e any quez relating to upright bass-I'll try to help out :) welcome and goo=
d luck w/ the looping-it's such and amazing art! Steve Uccello<br><br><a hr=
ef=3D"http://steveuccello.com/">www.steveuccello.com</a><br><br>--- On <b>S=
un, 2/7/10, Ace Ovil <i>&lt;aovil@wfubmc.edu&gt;</i></b> wrote:<br><blockqu=
ote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; pad=
ding-left: 5px;"><br>From: Ace Ovil &lt;aovil@wfubmc.edu&gt;<br>Subject: Hi=
 everybody.<br>To: Loopers-Delight@loopers-delight.com<br>Date: Sunday, Feb=
ruary 7, 2010, 2:16 PM<br><br><div id=3D"yiv114947539">=0A=0A=0A =0A =0A<st=
yle>=0A<!--=0A#yiv114947539  =0A _filtered #yiv114947539 {font-family:"Camb=
ria Math";panose-1:2 4 5 3 5 4 6 3 2 4;}=0A _filtered #yiv114947539 {font-f=
amily:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;}=0A#yiv114947539  =0A#yiv11494=
7539 p.MsoNormal, #yiv114947539 li.MsoNormal, #yiv114947539 div.MsoNormal=
=0A=09{margin:0in;margin-bottom:.0001pt;font-size:11.0pt;font-family:"Calib=
ri", "sans-serif";}=0A#yiv114947539 a:link, #yiv114947539 span.MsoHyperlink=
=0A=09{color:blue;text-decoration:underline;}=0A#yiv114947539 a:visited, #y=
iv114947539 span.MsoHyperlinkFollowed=0A=09{color:purple;text-decoration:un=
derline;}=0A#yiv114947539 span.EmailStyle17=0A=09{font-family:"Calibri", "s=
ans-serif";color:windowtext;}=0A#yiv114947539 .MsoChpDefault=0A=09{}=0A _fi=
ltered #yiv114947539 {margin:1.0in 1.0in 1.0in 1.0in;}=0A#yiv114947539 div.=
Section1=0A=09{}=0A-->=0A</style>=0A=0A<div class=3D"Section1">=0A=0A<p cla=
ss=3D"MsoNormal">Hi everyone, </p> =0A=0A<p class=3D"MsoNormal">I=E2=80=99m=
 new to this looping game so I have no idea how large=0Athis community is o=
r who the gurus are, but I=E2=80=99m excited to find out. &nbsp;I=E2=80=99m=
=0Anot sure what the etiquette is so I thought I would just roll the dice a=
nd post=0Amy first question.</p> =0A=0A<p class=3D"MsoNormal">I=E2=80=99m c=
onfident someone here knows the answer to this:</p> =0A=0A<p class=3D"MsoNo=
rmal">I now &nbsp;finally have two echoplex digital pros and I=E2=80=99m=0A=
really looking forward to running them in stereo in the effects loop of my=
=0Amixer. The problem is that one is an original oberheim with loop 3 v.5 o=
n it that=0Adoes not have full memory capacity and the other is a gibson wi=
th loop 4 and 16=0Amb. </p> =0A=0A<p class=3D"MsoNormal">I ordered the memo=
ry today to upgrade the older echoplex to=0A16mb but I=E2=80=99m trying to =
figure out if I can sync the two devices despite the=0Adifferent software v=
ersions.</p> =0A=0A<p class=3D"MsoNormal">If not, is loop 4 still available=
?</p> =0A=0A<p class=3D"MsoNormal">Also, any advice any of you could offer =
about running stereo=0Aechoplex setup would be greatly appreciated.</p> =0A=
=0A<p class=3D"MsoNormal">I have studied the section in the manuals ad naus=
eum but was=0Ahoping for some tips and tricks.</p> =0A=0A<p class=3D"MsoNor=
mal">Thank you,</p> =0A=0A<p class=3D"MsoNormal">Ace </p> =0A=0A</div>=0A=
=0A =0A=0A</div></blockquote></td></tr></table><br>=0A=0A      
--0-2080458003-1265679114=:96638--

From chukwudima1@thaimassage-ging.de  Tue Feb  9 01:39:48 2010
Return-Path: <chukwudima1@thaimassage-ging.de>
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	with esmtp id 1Nedme-0bNH8q0; Tue, 9 Feb 2010 01:16:52 +0100
Reply-To: <mszahrafamily@yahoo.com.br>
From: "Mrs. Zahra Al-Kamil" <chukwudima1@thaimassage-ging.de>
Subject: Re  : PLEASE MY DEAR
Date: Mon, 8 Feb 2010 16:16:51 -0800
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</HEAD>
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<DIV>
<FONT size=3 color=#000000>Dear Friend, </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>How are you doing? I would like to first of all introduce myself to you because you don't know me. My name is Zahra Al-Kamil; I'm a widow from Bagdad in Iraq. I got your contact after surfing the internet for a reliable partner, I have been praying and fasting to Allah during the just concluded Ramadan for a reliable partner and decided to contact you for your immediate assistance. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>Due to the very bad situation here in Iraq, those of us in the business circle are finding it very difficult to cope with the situation, no stable government, bomb explosion at strategic places, sometimes people find it very difficult to go about their normal businesses due to fear of being victim of terrorist attack. Above all, the crisis in Iraq has made business activities totally paralyzed for quite sometime now. For instance, no good telephone facilities, no adequate security, in fact, al most all the basic infrastructure have been destroyed in the on-going war in Iraq and the environment in Iraq have never been conducive business-wise. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>Why I need your assistance is that I have a very large amount of money ($36.8M) in a bank security vault outside Iraqi. which I inherited from my late husband who was a major general in Iraqi army in charge of purchase and maintenance in the past regime of late Sadam Hussein. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>My intention is to move the money from the bank security vault and invest the money in stock market or real estate in your country with the help of an honest person who will work with me as my foreign associate. I want to invest most of the money abroad to avoid losing the money, because it is not wise doing business in the atmosphere of fear here in Iraq, that's why I am contacting you. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>If you can honestly collaborate with me, I am ready to pay you a good percentage of the total amount if you can sincerely assist me to actualize this project soon, because the situation here in Iraq is very critical, the everyday bomb explosion seems to have no end. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>If you are ready to assist my family, just email me through my private e-mail: mszahrafamily@yahoo.com.br , please this is in no way a scam, my family is in dear need of help from you and we shall remain grateful to whatever help you render to us. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>Best regards </FONT></DIV>
<DIV>
<FONT size=3 color=#000000>Mrs. Zahra Al-Kamil </FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 03:10:05 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Subject: RE: Hi everybody.
Date: Mon, 8 Feb 2010 22:08:46 -0500
Message-ID: <F160BE32A2E5E04497668BBDFE83FEDF3A8CB1FC@EXCHVS1.medctr.ad.wfubmc.edu>
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References: <F160BE32A2E5E04497668BBDFE83FEDF3A7B9052@EXCHVS1.medctr.ad.wfubmc.edu> <782925.96638.qm@web30405.mail.mud.yahoo.com>
From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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------_=_NextPart_001_01CAA935.3B26D3EA--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 03:21:57 2010
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From: Greg Gaz <greggaz@hotmail.com>
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Subject: RE: Hi everybody.
Date: Mon, 8 Feb 2010 21:21:56 -0600
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Wow!  There is some GREAT stuff on Symmetria.  Holy cow.
-- Greg Gaz

Subject: RE: Hi everybody.
Date: Mon=2C 8 Feb 2010 22:08:46 -0500
From: aovil@wfubmc.edu
To: Loopers-Delight@loopers-delight.com
















Steve=2C

=20

I just got through listening to Symmetria and I have to say it
is downright inspiring. This is no idle flattery or sycophantic complement=
=2C  just
ernest recognition by a fellow musician.  It is completely captivating and
sounds for lack of a better descriptor=2C =93complete=94. Those overtones w=
ill haunt
my sleep tonight.

I love the textures and movement you have created=2C but most of
all=2C I love how well crafted it is as an elegant =93finished=94 compositi=
on. I have
honestly not been this impressed  with a piece of music since I heard =93et=
hnic
stew and brew=94 by the Roy Campbell pyramid Trio. (With William Parker and=
 Hamid
Drake laying it down). Your playing actually bears a striking resemblance t=
o
Parker=92s if you don=92t mind my saying=2C but with its own unique spice.=
=20

I am going to make a point of flying out to see one of your
shows in person.  Bravo!

=20

To all the rest of you aficionados =2C this is likely not news=2C
but if  by some shortsight you have not already heard this masterpiece=2C c=
hange
your plans for the evening and sit down with a good pair of headphones or
monitors.  Get ready to be blown away. (www.steveuccello.com)

=20

Ace

=20

www.steveuccello.com

=20

=20

=20

=20



From: Steve Uccello
[mailto:stevebassbird@yahoo.com]=20

Sent: Monday=2C February 08=2C 2010 8:32 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: Hi everybody.



=20


=20
 =20
  Hi Ace! I'm Steve Uccello (Uccello Project) and I'm pretty
  new here as well-I can't offer much tech info=2C but if you have any quez
  relating to upright bass-I'll try to help out :) welcome and good luck w/=
 the
  looping-it's such and amazing art! Steve Uccello

 =20

  www.steveuccello.com

 =20

  --- On Sun=2C 2/7/10=2C Ace Ovil <aovil@wfubmc.edu> wrote:
 =20

  From: Ace Ovil <aovil@wfubmc.edu>

  Subject: Hi everybody.

  To: Loopers-Delight@loopers-delight.com

  Date: Sunday=2C February 7=2C 2010=2C 2:16 PM
 =20
 =20
  Hi
  everyone=2C=20
  I=92m
  new to this looping game so I have no idea how large this community is or=
 who
  the gurus are=2C but I=92m excited to find out.  I=92m not sure what the
  etiquette is so I thought I would just roll the dice and post my first
  question.
  I=92m
  confident someone here knows the answer to this:
  I
  now  finally have two echoplex digital pros and I=92m really looking
  forward to running them in stereo in the effects loop of my mixer. The
  problem is that one is an original oberheim with loop 3 v.5 on it that do=
es
  not have full memory capacity and the other is a gibson with loop 4 and 1=
6
  mb.=20
  I
  ordered the memory today to upgrade the older echoplex to 16mb but I=92m =
trying
  to figure out if I can sync the two devices despite the different softwar=
e
  versions.
  If
  not=2C is loop 4 still available?
  Also=2C
  any advice any of you could offer about running stereo echoplex setup wou=
ld
  be greatly appreciated.
  I
  have studied the section in the manuals ad nauseum but was hoping for som=
e
  tips and tricks.
  Thank
  you=2C
  Ace
 =20
 =20
 =20
 =20
=20


=20

 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469226/direct/01/=

--_95e507a4-c0b1-427d-9e5e-0dacea280dd9_
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{
font-size: 10pt=3B
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</head>
<body class=3D'hmmessage'>
Wow! =A0There is some GREAT stuff on Symmetria. =A0Holy cow.<div><br></div>=
<div>-- Greg Gaz<br><br><hr id=3D"stopSpelling">Subject: RE: Hi everybody.<=
br>Date: Mon=2C 8 Feb 2010 22:08:46 -0500<br>From: aovil@wfubmc.edu<br>To: =
Loopers-Delight@loopers-delight.com<br><br>






<style>
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<div class=3D"ecxSection1">

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">Steve=2C</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">I just got through listening to Symm=
etria and I have to say it
is downright inspiring. This is no idle flattery or sycophantic complement=
=2C =A0just
ernest recognition by a fellow musician. =A0It is completely captivating an=
d
sounds for lack of a better descriptor=2C =93complete=94. Those overtones w=
ill haunt
my sleep tonight.</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">I love the textures and movement you=
 have created=2C but most of
all=2C I love how well crafted it is as an elegant =93finished=94 compositi=
on. I have
honestly not been this impressed =A0with a piece of music since I heard =93=
ethnic
stew and brew=94 by the Roy Campbell pyramid Trio. (With William Parker and=
 Hamid
Drake laying it down). Your playing actually bears a striking resemblance t=
o
Parker=92s if you don=92t mind my saying=2C but with its own unique spice. =
</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">I am going to make a point of flying=
 out to see one of your
shows in person. =A0Bravo!</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">To all the rest of you aficionados =
=2C this is likely not news=2C
but if =A0by some shortsight you have not already heard this masterpiece=2C=
 change
your plans for the evening and sit down with a good pair of headphones or
monitors. =A0Get ready to be blown away. (</span><a href=3D"http://steveucc=
ello.com/">www.steveuccello.com</a>)<span style=3D"font-size:11.0pt=3Bfont-=
family:'Calibri'=2C'sans-serif'=3Bcolor:#1F497D"></span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">Ace</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><a href=3D"http://steveuccello.com/">www.steveucc=
ello.com</a></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:11.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'=3Bcolor:#1F497D">=A0</span></p>

<div style=3D"border:none=3Bborder-top:solid #B5C4DF 1.0pt=3Bpadding:3.0pt =
0in 0in 0in">

<p class=3D"ecxMsoNormal"><b><span style=3D"font-size:10.0pt=3Bfont-family:=
'Tahoma'=2C'sans-serif'">From:</span></b><span style=3D"font-size:10.0pt=3B=
font-family:'Tahoma'=2C'sans-serif'"> Steve Uccello
[mailto:stevebassbird@yahoo.com] <br>
<b>Sent:</b> Monday=2C February 08=2C 2010 8:32 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Hi everybody.</span></p>

</div>

<p class=3D"ecxMsoNormal">=A0</p>

<table class=3D"ecxMsoNormalTable" border=3D"0" cellspacing=3D"0" cellpaddi=
ng=3D"0">
 <tbody><tr>
  <td valign=3D"top" style=3D"padding:0in 0in 0in 0in">
  <p class=3D"ecxMsoNormal">Hi Ace! I'm Steve Uccello (Uccello Project) and=
 I'm pretty
  new here as well-I can't offer much tech info=2C but if you have any quez
  relating to upright bass-I'll try to help out :) welcome and good luck w/=
 the
  looping-it's such and amazing art! Steve Uccello<br>
  <br>
  <a href=3D"http://steveuccello.com/">www.steveuccello.com</a><br>
  <br>
  --- On <b>Sun=2C 2/7/10=2C Ace Ovil <i>&lt=3Baovil@wfubmc.edu></i></b> wr=
ote:</p>
  <p class=3D"ecxMsoNormal" style=3D"margin-bottom:12.0pt"><br>
  From: Ace Ovil &lt=3Baovil@wfubmc.edu><br>
  Subject: Hi everybody.<br>
  To: Loopers-Delight@loopers-delight.com<br>
  Date: Sunday=2C February 7=2C 2010=2C 2:16 PM</p>
  <div id=3D"ecxyiv114947539">
  <div>
  <p class=3D"ecxMsoNormal" style=3D"">Hi
  everyone=2C </p>
  <p class=3D"ecxMsoNormal" style=3D"">I=92m
  new to this looping game so I have no idea how large this community is or=
 who
  the gurus are=2C but I=92m excited to find out. =A0I=92m not sure what th=
e
  etiquette is so I thought I would just roll the dice and post my first
  question.</p>
  <p class=3D"ecxMsoNormal" style=3D"">I=92m
  confident someone here knows the answer to this:</p>
  <p class=3D"ecxMsoNormal" style=3D"">I
  now =A0finally have two echoplex digital pros and I=92m really looking
  forward to running them in stereo in the effects loop of my mixer. The
  problem is that one is an original oberheim with loop 3 v.5 on it that do=
es
  not have full memory capacity and the other is a gibson with loop 4 and 1=
6
  mb. </p>
  <p class=3D"ecxMsoNormal" style=3D"">I
  ordered the memory today to upgrade the older echoplex to 16mb but I=92m =
trying
  to figure out if I can sync the two devices despite the different softwar=
e
  versions.</p>
  <p class=3D"ecxMsoNormal" style=3D"">If
  not=2C is loop 4 still available?</p>
  <p class=3D"ecxMsoNormal" style=3D"">Also=2C
  any advice any of you could offer about running stereo echoplex setup wou=
ld
  be greatly appreciated.</p>
  <p class=3D"ecxMsoNormal" style=3D"">I
  have studied the section in the manuals ad nauseum but was hoping for som=
e
  tips and tricks.</p>
  <p class=3D"ecxMsoNormal" style=3D"">Thank
  you=2C</p>
  <p class=3D"ecxMsoNormal" style=3D"">Ace
  </p>
  </div>
  </div>
  </td>
 </tr>
</tbody></table>

<p class=3D"ecxMsoNormal"><span style=3D"font-size:10.0pt=3Bfont-family:'Ca=
libri'=2C'sans-serif'">=A0</span></p>

</div></div> 		 	   		  <br /><hr />Hotmail: Trusted email with Microsoft=
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Date: Mon, 8 Feb 2010 20:30:01 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject:  In search for a (cheap, but as long as possible) delay withvarispeed pedal...
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--0-355868482-1265689801=:4992
Content-Type: text/plain; charset=iso-8859-1
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yes, i watched a bunch of vids of the dano reel echo-and although it looks =
like it has 1.5 sec of some sound on sound, it doesn't pitch shift.
then i scanned reviews of it on H-C.com, and someone said the same thing, m=
ost bummer.
the idea of that pedal sounds intriguing and layout of it....guess most peo=
ple want to sound like elvis in the 50s w/ it....
=A0
the echo park looks like it does something close (maybe? maybenot?) in one =
of the vids,
=A0
i will 2nd the digitech DL8 does a bit of pitchshifting, not exact, creates=
 some warble glitches in the long 8 sec delay, but the short tape delays it=
 works to an extant. i do like it for just the 8 sec delay and then to sort=
 of glitch it,=20
=A0
honestly i do think the ibanez de7 does it about the best. and yes i think =
i remember the echo side did do almost a 100% feedback, but the digital sid=
e did a great pitchshift, but wasn't 100% feedback-odd, but it's also prett=
y cheap....
=A0
i may investigate the guyatone md3-since someone on the gear page said it d=
id it...and see....the search continues....i'm also watching a bunch of old=
 digitech pds delays on ebay....
s---
www.myspace.com/scotthansen=0A=0A=0A      
--0-355868482-1265689801=:4992
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>yes, i watched a bunch of vids of the da=
no reel echo-and although it looks like it has 1.5 sec of some sound on sou=
nd, it doesn't pitch shift.</DIV>
<DIV>then i scanned reviews of it on H-C.com, and someone said the same thi=
ng, most bummer.</DIV>
<DIV>the idea of that pedal sounds intriguing and layout of it....guess mos=
t people want to sound like elvis in the 50s w/ it....</DIV>
<DIV>&nbsp;</DIV>
<DIV>the echo park looks like it does something close (maybe? maybenot?) in=
 one of the vids,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will 2nd the digitech DL8 does a bit of pitchshifting, not exact, cr=
eates some warble glitches in the long 8 sec delay, but the short tape dela=
ys it works to an extant. i do like it for just the 8 sec delay and then to=
 sort of glitch it, </DIV>
<DIV>&nbsp;</DIV>
<DIV>honestly i do think the ibanez de7 does it about the best. and yes i t=
hink i remember the echo side did do almost a 100% feedback, but the digita=
l side did a great pitchshift, but wasn't 100% feedback-odd, but it's also =
pretty cheap....</DIV>
<DIV>&nbsp;</DIV>
<DIV>i may investigate the guyatone md3-since someone on the gear page said=
 it did it...and see....the search continues....i'm also watching a bunch o=
f old digitech pds delays on ebay....</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A=0A=0A      
--0-355868482-1265689801=:4992--

From mraliibrahimmm@army.mod.uk  Tue Feb  9 05:19:37 2010
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From: "ALI IBRAHIM"<mraliibrahimmm@army.mod.uk>
Subject: KINDLY RESPOND. AM IN IRAQ.(CONFIDENTIAL),
Date: Tue, 9 Feb 2010 05:55:54 +0100
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Dear Friend,
 With a very desperate need for assistance, I have summed up courage to contact you. I am from(will disclose this later), presently working in Iraq with an international organization that I will also disclose later, I found your contact particulars in an address journal.I am seeking your assistance to evacuate the sum of(US$18.523 Million Dollars) Eighteen Million, five Hundred And Twenty Three Thousand US Dollars to your country or any other safe country of your choice, as far as I can be assured that my share will be safe in your care until I complete my service here,this is no stolen money,and there are no dangers involved.
 SOURCE OF MONEY:
http://news.bbc.co.uk/2/hi/middle_east/2988455.stm
 Some money in various currencies was discovered concealed in barrels with piles of weapons and ammunitions at a location near one of Saddam,sold palaces during a rescue operation, and it was agreed by all party present that the money be shared amongst us, this was quite an illegal thing to do, but I tell you what? no compensation can make up for the risks we have taken with our lives in this hell hole The above figure was given to me as my share, and to conceal this kind of money became a problem for me, so with the help of a German contact working here, and his office enjoys some immunity, I was able to get the package out to a safe cation entirely out of trouble spot. He does not know the real contents of the package,and believes that it belongs to an Asian/American who died in an air raid, and before giving up, trusted me to hand over the package to his business associate. I have now found a secured way of getting the package out to a safer country for you to pick up, and! will discuss this with you I do
Respectfully,
Ali Ibrahim .
 Your full name:
 Your country:
 Contact phone number:
 Age:
 Occupation:
 I await your urgent reply
 Regards,
 Ali Ibrahim
20 Armd BDE in Basrah

From result@live.com  Tue Feb  9 05:45:17 2010
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From: "Visa Card /Msn Mega Jackpot" <result@live.com>
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Visa Card / Msn INTERNATIONAL MEGA JACKPOT
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From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 05:46:11 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance  02.13.10 Lowell MA and upcoming series at Outpost
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations at 119 Gallery (my favorite 
perfomance space) with two of my favorite musicians, the duet of 
Kevin Frenette, guitar and Forbes Graham, trumpet. Here is what Kevin 
has to say about the duet.

At 7:41 PM +0000 2/8/10, kevin.frenette@comcast.net wrote:
>
>Boston area guitarist Kevin Frenette has performed throughout the 
>Northeast USA making music that is inspired by both avant-garde jazz 
>and contemporary improvisation. He studied guitar, composition, and 
>music theory at UMASS-Dartmouth where he received a BA in 
>Theory/Composition. He has performed and/or recorded with such 
>artists as Tatsuya Nakatani, Jack Wright, Joe Giardullo, Pandelis 
>Karayorgis, Daniel Levin, Luther Gray and Harvey Sorgen. In 2007, 
>Fuller Street Music released Kevin's first date as a leader: 
>CONNECTIONS. That album featured Frenette with Tatsuya Nakatani on 
>percussion, Andy McWain on piano and Todd Keating on bass.
>
><http://www.myspace.com/kevinfrenette>http://www.myspace.com/kevinfrenette
>
>
>
>"Kevin Frenette's 'Connections' is a dazzling display of sympathetic 
>interactions with truly spontaneous results. Frenette and company 
>combine for a powerful force of open-minded creative energy."
>
>--- John Barron/JazzReview.com
>
>
>
>Forbes Graham is a composer, trumpet player, and electronic musician 
>currently based in the Boston area. He has appeared on over 30 
>recordings, including studio appearances on such labels as Metal 
>Blade, Tzadik, and Troubleman. Forbes has performed and recorded 
>with a very diverse group of artists, including Erase Errata, 
>Rakalam Bob Moses, Steve Lantner, Daughters, Raqib Hassan, Jim 
>Hobbs, The One Am Radio, and Luther Gray. His composition 
>"Variations on the Fibonacci Sequence" was commissioned by the 
>Greenwall Foundation and world premiered at the 2007 Festival of New 
>Trumpet. Forbes has also written music for the new music/rock 
>ensemble Normal Love. He has appeared at numerous festivals 
>including High Zero and The Wire's Adventures in Modern Music. His 
>work incorporates many genres including drum n' bass, jazz, 
>contemporary classical, noise, and hip-hop.
><>www.polyrhythmatics.net


The opening act will be Robot Monkey Arm.

http://www.myspace.com/robotmonkeyarm
<http://www.robotmonkeyarm.com/>http://www.robotmonkeyarm.com/


I have an upcoming series at The Outpost called Visual Music LIVE, 
which will happen at 8 PM at the Outpost Gallery in Cambridge on the 
third Sunday of each month.

Feb 21 -- Dr. T Video with Dave Bryant, Piano, and Curt Newton, Drums.
March 21  Duets Plus --  Dr. T Video with Kevin  Frenette, Forbes 
Graham, Glynis Lomon, and Todd Brunel playing duets in different 
configurations.
April 18 -- Dr. T Video with  Eric Zinman, solo piano.


Suggested donation, $10.00
119 Chelmsford St
Lowell, MA 01851
8:00 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 06:17:24 2010
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I have an M147 that is very noisy (sounds like the ocean)...I'm  
guessing it needs a new tube, but really I don't know.
Anyone know a place that repairs Neumann mics?
Hoping for somewhere in California, but I suppose I could ship it  
farther.

thanks, Zoe

From result@live.com  Tue Feb  9 06:24:33 2010
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Visa Card / Msn INTERNATIONAL MEGA JACKPOT
Promotion/Claims Department
Po Box 1030 London Wc2r 0qs
England,United Kingdom
(Customer Services)

Attn:Winner
Winning No:VCard/877/798/2010
Email Ref No:VCard/659/33/2010
Notification Date:02/09/2010
AMOUNT WON:¢G500,000.00GBP (Five Hundred Thousand Great Britain Pounds).
This email address has brought you an unexpected luck,Your e-mail address was 
selected and confirmed by our co-sponsor Msn International,through their 
latest Internet software.You are therefore been approved by Visa Card Int./
Msn UK the sum of ¢G500,000.00 (Five Hundred Thousand Great Britain Pounds).
===================================
CONTACT CLAIMS ADMINISTRATOR
===================================
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Email 1: vcard.team2010@live.com
Email 2: vcardmsnteam2010@gmail.com
Phone # : +44 703 593 8507
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Visa Card /Msn Promotion Department
Do email the above Claims Administrator, at once with all the claims 
requirements below.To avoid unnecessary delay.They are needed to proceed.
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Date: Mon, 8 Feb 2010 23:11:12 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: RE: Hi everybody (Symmetria)
To: Loopers-Delight@loopers-delight.com
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Ace, Greg, I couldn't be happier right now! -it really means a lot to me to=
 get such encouraging feedback from fellow musos!! :) :) I look forward to =
talking/meeting in the future!=C2=A0 -Steve

--- On Mon, 2/8/10, Greg Gaz <greggaz@hotmail.com> wrote:

From: Greg Gaz <greggaz@hotmail.com>
Subject: RE: Hi everybody.
To: loopers-delight@loopers-delight.com
Date: Monday, February 8, 2010, 7:21 PM

=0A=0A=0AWow! =C2=A0There is some GREAT stuff on Symmetria. =C2=A0Holy cow.
-- Greg Gaz

Subject: RE: Hi everybody.
Date: Mon, 8 Feb 2010 22:08:46 -0500
From: aovil@wfubmc.edu
To: Loopers-Delight@loopers-delight.com

=0A=0A=0A=0A=0A=0A=0A=0A#yiv447257428 .ExternalClass p.ecxMsoNormal, #yiv44=
7257428 .ExternalClass li.ecxMsoNormal, #yiv447257428 .ExternalClass div.ec=
xMsoNormal=0A{margin-bottom:.0001pt;font-size:12.0pt;font-family:'Times New=
 Roman', 'serif';}=0A#yiv447257428 .ExternalClass span.ecxemailstyle17=0A{}=
=0A#yiv447257428 .ExternalClass span.ecxemailstyle171=0A{font-family:'Calib=
ri', 'sans-serif';color:windowtext;}=0A#yiv447257428 .ExternalClass span.ec=
xEmailStyle19=0A{font-family:'Calibri', 'sans-serif';color:#1F497D;}=0A#yiv=
447257428 .ExternalClass .ecxMsoChpDefault=0A{}=0A _filtered #yiv447257428 =
{}=0A#yiv447257428 .ExternalClass div.ecxSection1=0A{}=0A=0A=0A=0A=0A=0A=0A=
=0A=0ASteve,=0A=0A=C2=A0=0A=0AI just got through listening to Symmetria and=
 I have to say it=0Ais downright inspiring. This is no idle flattery or syc=
ophantic complement, =C2=A0just=0Aernest recognition by a fellow musician. =
=C2=A0It is completely captivating and=0Asounds for lack of a better descri=
ptor, =E2=80=9Ccomplete=E2=80=9D. Those overtones will haunt=0Amy sleep ton=
ight.=0A=0AI love the textures and movement you have created, but most of=
=0Aall, I love how well crafted it is as an elegant =E2=80=9Cfinished=E2=80=
=9D composition. I have=0Ahonestly not been this impressed =C2=A0with a pie=
ce of music since I heard =E2=80=9Cethnic=0Astew and brew=E2=80=9D by the R=
oy Campbell pyramid Trio. (With William Parker and Hamid=0ADrake laying it =
down). Your playing actually bears a striking resemblance to=0AParker=E2=80=
=99s if you don=E2=80=99t mind my saying, but with its own unique spice. =
=0A=0AI am going to make a point of flying out to see one of your=0Ashows i=
n person. =C2=A0Bravo!=0A=0A=C2=A0=0A=0ATo all the rest of you aficionados =
, this is likely not news,=0Abut if =C2=A0by some shortsight you have not a=
lready heard this masterpiece, change=0Ayour plans for the evening and sit =
down with a good pair of headphones or=0Amonitors. =C2=A0Get ready to be bl=
own away. (www.steveuccello.com)=0A=0A=C2=A0=0A=0AAce=0A=0A=C2=A0=0A=0Awww.=
steveuccello.com=0A=0A=C2=A0=0A=0A=C2=A0=0A=0A=C2=A0=0A=0A=C2=A0=0A=0A=0A=
=0AFrom: Steve Uccello=0A[mailto:stevebassbird@yahoo.com]=20
=0ASent: Monday, February 08, 2010 8:32 PM
=0ATo: Loopers-Delight@loopers-delight.com
=0ASubject: Re: Hi everybody.=0A=0A=0A=0A=C2=A0=0A=0A=0A =0A  =0A  Hi Ace! =
I'm Steve Uccello (Uccello Project) and I'm pretty=0A  new here as well-I c=
an't offer much tech info, but if you have any quez=0A  relating to upright=
 bass-I'll try to help out :) welcome and good luck w/ the=0A  looping-it's=
 such and amazing art! Steve Uccello
=0A =20
=0A  www.steveuccello.com
=0A =20
=0A  --- On Sun, 2/7/10, Ace Ovil <aovil@wfubmc.edu> wrote:=0A =20
=0A  From: Ace Ovil <aovil@wfubmc.edu>
=0A  Subject: Hi everybody.
=0A  To: Loopers-Delight@loopers-delight.com
=0A  Date: Sunday, February 7, 2010, 2:16 PM=0A  =0A  =0A  Hi=0A  everyone,=
 =0A  I=E2=80=99m=0A  new to this looping game so I have no idea how large =
this community is or who=0A  the gurus are, but I=E2=80=99m excited to find=
 out. =C2=A0I=E2=80=99m not sure what the=0A  etiquette is so I thought I w=
ould just roll the dice and post my first=0A  question.=0A  I=E2=80=99m=0A =
 confident someone here knows the answer to this:=0A  I=0A  now =C2=A0final=
ly have two echoplex digital pros and I=E2=80=99m really looking=0A  forwar=
d to running them in stereo in the effects loop of my mixer. The=0A  proble=
m is that one is an original oberheim with loop 3 v.5 on it that does=0A  n=
ot have full memory capacity and the other is a gibson with loop 4 and 16=
=0A  mb. =0A  I=0A  ordered the memory today to upgrade the older echoplex =
to 16mb but I=E2=80=99m trying=0A  to figure out if I can sync the two devi=
ces despite the different software=0A  versions.=0A  If=0A  not, is loop 4 =
still available?=0A  Also,=0A  any advice any of you could offer about runn=
ing stereo echoplex setup would=0A  be greatly appreciated.=0A  I=0A  have =
studied the section in the manuals ad nauseum but was hoping for some=0A  t=
ips and tricks.=0A  Thank=0A  you,=0A  Ace=0A  =0A  =0A  =0A  =0A =0A=0A=0A=
=C2=A0=0A=0A =09=09 =09   =09=09 =20
Hotmail: Trusted email with Microsoft=E2=80=99s powerful SPAM protection. S=
ign up now. =0A=0A=0A=0A      
--0-333156213-1265699472=:83503
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Ace, Greg, I couldn't be happier right now! -=
it really means a lot to me to get such encouraging feedback from fellow mu=
sos!! :) :) I look forward to talking/meeting in the future!&nbsp; -Steve<b=
r><br>--- On <b>Mon, 2/8/10, Greg Gaz <i>&lt;greggaz@hotmail.com&gt;</i></b=
> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); m=
argin-left: 5px; padding-left: 5px;"><br>From: Greg Gaz &lt;greggaz@hotmail=
.com&gt;<br>Subject: RE: Hi everybody.<br>To: loopers-delight@loopers-delig=
ht.com<br>Date: Monday, February 8, 2010, 7:21 PM<br><br><div id=3D"yiv4472=
57428">=0A=0A<style><!--=0A#yiv447257428 .hmmessage P=0A{=0Amargin:0px;padd=
ing:0px;}=0A#yiv447257428 {=0Afont-size:10pt;font-family:Verdana;}=0A--></s=
tyle>=0AWow! &nbsp;There is some GREAT stuff on Symmetria. &nbsp;Holy cow.<=
div><br></div><div>-- Greg Gaz<br><br><hr id=3D"stopSpelling">Subject: RE: =
Hi everybody.<br>Date: Mon, 8 Feb 2010 22:08:46 -0500<br>From: aovil@wfubmc=
.edu<br>To: Loopers-Delight@loopers-delight.com<br><br>=0A=0A=0A=0A=0A=0A=
=0A<style>=0A#yiv447257428 .ExternalClass p.ecxMsoNormal, #yiv447257428 .Ex=
ternalClass li.ecxMsoNormal, #yiv447257428 .ExternalClass div.ecxMsoNormal=
=0A{margin-bottom:.0001pt;font-size:12.0pt;font-family:'Times New Roman', '=
serif';}=0A#yiv447257428 .ExternalClass span.ecxemailstyle17=0A{}=0A#yiv447=
257428 .ExternalClass span.ecxemailstyle171=0A{font-family:'Calibri', 'sans=
-serif';color:windowtext;}=0A#yiv447257428 .ExternalClass span.ecxEmailStyl=
e19=0A{font-family:'Calibri', 'sans-serif';color:#1F497D;}=0A#yiv447257428 =
.ExternalClass .ecxMsoChpDefault=0A{}=0A _filtered #yiv447257428 {}=0A#yiv4=
47257428 .ExternalClass div.ecxSection1=0A{}=0A</style>=0A=0A=0A=0A=0A=0A<d=
iv class=3D"ecxSection1">=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"fon=
t-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 125);=
">Steve,</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"font-size=
: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 125);">&nbs=
p;</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=
; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 125);">I just got=
 through listening to Symmetria and I have to say it=0Ais downright inspiri=
ng. This is no idle flattery or sycophantic complement, &nbsp;just=0Aernest=
 recognition by a fellow musician. &nbsp;It is completely captivating and=
=0Asounds for lack of a better descriptor, =E2=80=9Ccomplete=E2=80=9D. Thos=
e overtones will haunt=0Amy sleep tonight.</span></p>=0A=0A<p class=3D"ecxM=
soNormal"><span style=3D"font-size: 11pt; font-family: 'Calibri','sans-seri=
f'; color: rgb(31, 73, 125);">I love the textures and movement you have cre=
ated, but most of=0Aall, I love how well crafted it is as an elegant =E2=80=
=9Cfinished=E2=80=9D composition. I have=0Ahonestly not been this impressed=
 &nbsp;with a piece of music since I heard =E2=80=9Cethnic=0Astew and brew=
=E2=80=9D by the Roy Campbell pyramid Trio. (With William Parker and Hamid=
=0ADrake laying it down). Your playing actually bears a striking resemblanc=
e to=0AParker=E2=80=99s if you don=E2=80=99t mind my saying, but with its o=
wn unique spice. </span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"=
font-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 12=
5);">I am going to make a point of flying out to see one of your=0Ashows in=
 person. &nbsp;Bravo!</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=
=3D"font-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73=
, 125);">&nbsp;</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"fo=
nt-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 125)=
;">To all the rest of you aficionados , this is likely not news,=0Abut if &=
nbsp;by some shortsight you have not already heard this masterpiece, change=
=0Ayour plans for the evening and sit down with a good pair of headphones o=
r=0Amonitors. &nbsp;Get ready to be blown away. (</span><a rel=3D"nofollow"=
 target=3D"_blank" href=3D"http://steveuccello.com/">www.steveuccello.com</=
a>)<span style=3D"font-size: 11pt; font-family: 'Calibri','sans-serif'; col=
or: rgb(31, 73, 125);"></span></p>=0A=0A<p class=3D"ecxMsoNormal"><span sty=
le=3D"font-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, =
73, 125);">&nbsp;</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"=
font-size: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 12=
5);">Ace</span></p>=0A=0A<p class=3D"ecxMsoNormal"><span style=3D"font-size=
: 11pt; font-family: 'Calibri','sans-serif'; color: rgb(31, 73, 125);">&nbs=
p;</span></p>=0A=0A<p class=3D"ecxMsoNormal"><a rel=3D"nofollow" target=3D"=
_blank" href=3D"http://steveuccello.com/">www.steveuccello.com</a></p>=0A=
=0A<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt; font-family: '=
Calibri','sans-serif'; color: rgb(31, 73, 125);">&nbsp;</span></p>=0A=0A<p =
class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt; font-family: 'Calibr=
i','sans-serif'; color: rgb(31, 73, 125);">&nbsp;</span></p>=0A=0A<p class=
=3D"ecxMsoNormal"><span style=3D"font-size: 11pt; font-family: 'Calibri','s=
ans-serif'; color: rgb(31, 73, 125);">&nbsp;</span></p>=0A=0A<p class=3D"ec=
xMsoNormal"><span style=3D"font-size: 11pt; font-family: 'Calibri','sans-se=
rif'; color: rgb(31, 73, 125);">&nbsp;</span></p>=0A=0A<div style=3D"border=
-style: solid none none; border-color: rgb(181, 196, 223) -moz-use-text-col=
or -moz-use-text-color; border-width: 1pt medium medium; padding: 3pt 0in 0=
in;">=0A=0A<p class=3D"ecxMsoNormal"><b><span style=3D"font-size: 10pt; fon=
t-family: 'Tahoma','sans-serif';">From:</span></b><span style=3D"font-size:=
 10pt; font-family: 'Tahoma','sans-serif';"> Steve Uccello=0A[mailto:steveb=
assbird@yahoo.com] <br>=0A<b>Sent:</b> Monday, February 08, 2010 8:32 PM<br=
>=0A<b>To:</b> Loopers-Delight@loopers-delight.com<br>=0A<b>Subject:</b> Re=
: Hi everybody.</span></p>=0A=0A</div>=0A=0A<p class=3D"ecxMsoNormal">&nbsp=
;</p>=0A=0A<table class=3D"ecxMsoNormalTable" border=3D"0" cellpadding=3D"0=
" cellspacing=3D"0">=0A <tbody><tr>=0A  <td style=3D"padding: 0in;" valign=
=3D"top">=0A  <p class=3D"ecxMsoNormal">Hi Ace! I'm Steve Uccello (Uccello =
Project) and I'm pretty=0A  new here as well-I can't offer much tech info, =
but if you have any quez=0A  relating to upright bass-I'll try to help out =
:) welcome and good luck w/ the=0A  looping-it's such and amazing art! Stev=
e Uccello<br>=0A  <br>=0A  <a rel=3D"nofollow" target=3D"_blank" href=3D"ht=
tp://steveuccello.com/">www.steveuccello.com</a><br>=0A  <br>=0A  --- On <b=
>Sun, 2/7/10, Ace Ovil <i>&lt;aovil@wfubmc.edu&gt;</i></b> wrote:</p>=0A  <=
p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt;"><br>=0A  From: Ace =
Ovil &lt;aovil@wfubmc.edu&gt;<br>=0A  Subject: Hi everybody.<br>=0A  To: Lo=
opers-Delight@loopers-delight.com<br>=0A  Date: Sunday, February 7, 2010, 2=
:16 PM</p>=0A  <div id=3D"ecxyiv114947539">=0A  <div>=0A  <p class=3D"ecxMs=
oNormal" style=3D"">Hi=0A  everyone, </p>=0A  <p class=3D"ecxMsoNormal" sty=
le=3D"">I=E2=80=99m=0A  new to this looping game so I have no idea how larg=
e this community is or who=0A  the gurus are, but I=E2=80=99m excited to fi=
nd out. &nbsp;I=E2=80=99m not sure what the=0A  etiquette is so I thought I=
 would just roll the dice and post my first=0A  question.</p>=0A  <p class=
=3D"ecxMsoNormal" style=3D"">I=E2=80=99m=0A  confident someone here knows t=
he answer to this:</p>=0A  <p class=3D"ecxMsoNormal" style=3D"">I=0A  now &=
nbsp;finally have two echoplex digital pros and I=E2=80=99m really looking=
=0A  forward to running them in stereo in the effects loop of my mixer. The=
=0A  problem is that one is an original oberheim with loop 3 v.5 on it that=
 does=0A  not have full memory capacity and the other is a gibson with loop=
 4 and 16=0A  mb. </p>=0A  <p class=3D"ecxMsoNormal" style=3D"">I=0A  order=
ed the memory today to upgrade the older echoplex to 16mb but I=E2=80=99m t=
rying=0A  to figure out if I can sync the two devices despite the different=
 software=0A  versions.</p>=0A  <p class=3D"ecxMsoNormal" style=3D"">If=0A =
 not, is loop 4 still available?</p>=0A  <p class=3D"ecxMsoNormal" style=3D=
"">Also,=0A  any advice any of you could offer about running stereo echople=
x setup would=0A  be greatly appreciated.</p>=0A  <p class=3D"ecxMsoNormal"=
 style=3D"">I=0A  have studied the section in the manuals ad nauseum but wa=
s hoping for some=0A  tips and tricks.</p>=0A  <p class=3D"ecxMsoNormal" st=
yle=3D"">Thank=0A  you,</p>=0A  <p class=3D"ecxMsoNormal" style=3D"">Ace=0A=
  </p>=0A  </div>=0A  </div>=0A  </td>=0A </tr>=0A</tbody></table>=0A=0A<p =
class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt; font-family: 'Calibr=
i','sans-serif';">&nbsp;</span></p>=0A=0A</div></div> =09=09 =09   =09=09  =
<br><hr>Hotmail: Trusted email with Microsoft=E2=80=99s powerful SPAM prote=
ction. <a rel=3D"nofollow" target=3D"_blank" href=3D"http://clk.atdmt.com/G=
BL/go/201469226/direct/01/">Sign up now.</a> =0A</div></blockquote></td></t=
r></table><br>=0A=0A=0A=0A      
--0-333156213-1265699472=:83503--

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Date: Tue, 09 Feb 2010 09:10:32 +0000
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Ace Ovil wrote:
> Hi everyone,
> 
> I’m new to this looping game so I have no idea how large this community 
> is or who the gurus are, but I’m excited to find out.  I’m not sure what 
> the etiquette is so I thought I would just roll the dice and post my 
> first question.
> 
> I’m confident someone here knows the answer to this:
> 
> I now  finally have two echoplex digital pros and I’m really looking 
> forward to running them in stereo in the effects loop of my mixer. The 
> problem is that one is an original oberheim with loop 3 v.5 on it that 
> does not have full memory capacity and the other is a gibson with loop 4 
> and 16 mb.

there's no problem to sync loop 3 with loop 4.

What might happen is that the brothersync won't lock up between the 2 units.
In that case
1) there's a component that can be replaced to ensure they lock up
2) Midi sync will still work perfectly. Use loop3 as master for best results
   as loop4 has improved midisync


> 
> I ordered the memory today to upgrade the older echoplex to 16mb but I’m 
> trying to figure out if I can sync the two devices despite the different 
> software versions.
> 
> If not, is loop 4 still available?

should be

> 
> Also, any advice any of you could offer about running stereo echoplex 
> setup would be greatly appreciated.
> 
> I have studied the section in the manuals ad nauseum but was hoping for 
> some tips and tricks.

put second edp into reverse,
or HSP   :-)


> 
> Thank you,
welcome

andy butler
> 
> Ace
> 

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"Ace Ovil wrote:
Hi everyone,

I=92m new to this looping game so I have no idea how large this community i=
s "



I was pondering the same question, how many subscribers there are to the
list?
And is there a thread where I could find all the artists that contribute to
this list.
So far I've found so much interesting music through this list, its
contributors, thanks a lot!!

--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen

--0016e6d7ec6ca057fa047f276c46
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<br>&quot;Ace Ovil wrote:<br>

Hi everyone,<br>
<br>
I=92m new to this looping game so I have no idea how large this community i=
s &quot;<br clear=3D"all"><br><br><br>I was pondering the same question, ho=
w many subscribers there are to the list?<br>And is there a thread where I =
could find all the artists that contribute to this list.<br>
So far I&#39;ve found so much interesting music through this list, its cont=
ributors, thanks a lot!!<br><br>-- <br>Petri Lahtinen<br><a href=3D"http://=
www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a href=3D"http:=
//petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><br><br>

--0016e6d7ec6ca057fa047f276c46--

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Date: Tue, 9 Feb 2010 11:25:09 +0100
Message-ID: <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com>
Subject: Re: Artists?
From: Fabio_A <eterogenus@gmail.com>
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Hi Ace and Petri,
this is a large community involving member from all over the world and the
best place where to be if you use looping in your setup.

For World-Wide Index of Loop Artists check here:
http://www.loopers-delight.com/cgi-bin/profiles.cgi

Or you can surf in the mailing list archive to get answers to your
questions.
http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

Enjoy

-fabio
www.eterogeneo.com


2010/2/9 Petri Lahtinen <aikuinen@gmail.com>
>
> "Ace Ovil wrote:
> Hi everyone,
>
> I=92m new to this looping game so I have no idea how large this community=
 is
"
>
>
>
> I was pondering the same question, how many subscribers there are to the
list?
> And is there a thread where I could find all the artists that contribute
to this list.
> So far I've found so much interesting music through this list, its
contributors, thanks a lot!!
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
>
>

--00151747927a184ddd047f285536
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<div>Hi Ace and Petri,</div>
<div>this is a large community involving member from all over the world and=
 the best place where to be if you use looping in your setup.</div>
<div>=A0</div>
<div>For World-Wide Index of Loop Artists check here: </div>
<div><a href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi">http:/=
/www.loopers-delight.com/cgi-bin/profiles.cgi</a></div>
<div>=A0</div>
<div>Or you can surf in the mailing list archive to get=A0answers to=A0your=
 questions.</div>
<div><a href=3D"http://www.loopers-delight.com/cgi-bin/wilma/LDarchive">htt=
p://www.loopers-delight.com/cgi-bin/wilma/LDarchive</a></div>
<div>=A0</div>
<div>Enjoy</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div>2010/2/9 Petri Lahtinen &lt;<a href=3D"mailto:aikuinen@gmail.com">aiku=
inen@gmail.com</a>&gt;</div>
<div>&gt;</div>
<div>&gt; &quot;Ace Ovil wrote:</div>
<div>&gt; Hi everyone,</div>
<div>&gt;</div>
<div>&gt; I=92m new to this looping game so I have no idea how large this c=
ommunity is &quot;</div>
<div>&gt;</div>
<div>&gt;</div>
<div>&gt;</div>
<div>&gt; I was pondering the same question, how many subscribers there are=
 to the list?</div>
<div>&gt; And is there a thread where I could find all the artists that con=
tribute to this list.</div>
<div>&gt; So far I&#39;ve found so much interesting music through this list=
, its contributors, thanks a lot!!</div>
<div>&gt;</div>
<div>&gt; --</div>
<div>&gt; Petri Lahtinen</div>
<div>&gt; <a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen=
.com</a></div>
<div>&gt; <a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtin=
en.blogspot.com/</a></div>
<div>&gt; <a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspa=
ce.com/petrilahtinen</a></div>
<div>&gt;</div>
<div>&gt;</div>
<div>=A0</div>
<div>=A0</div>

--00151747927a184ddd047f285536--

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	 <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com>
Date: Tue, 9 Feb 2010 13:36:45 +0200
Message-ID: <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com>
Subject: Re: Artists?
From: Petri Lahtinen <aikuinen@gmail.com>
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Wonderful, thanks a lot Fabio_A !

-Petri-

2010/2/9 Fabio_A <eterogenus@gmail.com>

> Hi Ace and Petri,
> this is a large community involving member from all over the world and th=
e
> best place where to be if you use looping in your setup.
>
> For World-Wide Index of Loop Artists check here:
> http://www.loopers-delight.com/cgi-bin/profiles.cgi
>
> Or you can surf in the mailing list archive to get answers to your
> questions.
> http://www.loopers-delight.com/cgi-bin/wilma/LDarchive
>
> Enjoy
>
> -fabio
> www.eterogeneo.com
>
>
> 2010/2/9 Petri Lahtinen <aikuinen@gmail.com>
> >
> > "Ace Ovil wrote:
> > Hi everyone,
> >
> > I=92m new to this looping game so I have no idea how large this communi=
ty
> is "
> >
> >
> >
> > I was pondering the same question, how many subscribers there are to th=
e
> list?
> > And is there a thread where I could find all the artists that contribut=
e
> to this list.
> > So far I've found so much interesting music through this list, its
> contributors, thanks a lot!!
> >
> > --
> > Petri Lahtinen
> > http://www.petrilahtinen.com
> > http://petrilahtinen.blogspot.com/
> > http://www.myspace.com/petrilahtinen
> >
> >
>
>
>

--0016e6d7ea681ceb54047f295542
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Content-Transfer-Encoding: quoted-printable

Wonderful, thanks a lot Fabio_A !<br><br>-Petri-<br><br><div class=3D"gmail=
_quote">2010/2/9 Fabio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eterogenus=
@gmail.com">eterogenus@gmail.com</a>&gt;</span><br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">
<div>Hi Ace and Petri,</div>
<div>this is a large community involving member from all over the world and=
 the best place where to be if you use looping in your setup.</div>
<div>=A0</div>
<div>For World-Wide Index of Loop Artists check here: </div>
<div><a href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi" target=
=3D"_blank">http://www.loopers-delight.com/cgi-bin/profiles.cgi</a></div>
<div>=A0</div>
<div>Or you can surf in the mailing list archive to get=A0answers to=A0your=
 questions.</div>
<div><a href=3D"http://www.loopers-delight.com/cgi-bin/wilma/LDarchive" tar=
get=3D"_blank">http://www.loopers-delight.com/cgi-bin/wilma/LDarchive</a></=
div>
<div>=A0</div>
<div>Enjoy</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/" target=3D"_blank">www.eterogene=
o.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div>2010/2/9 Petri Lahtinen &lt;<a href=3D"mailto:aikuinen@gmail.com" targ=
et=3D"_blank">aikuinen@gmail.com</a>&gt;</div><div><div></div><div class=3D=
"h5">
<div>&gt;</div>
<div>&gt; &quot;Ace Ovil wrote:</div>
<div>&gt; Hi everyone,</div>
<div>&gt;</div>
<div>&gt; I=92m new to this looping game so I have no idea how large this c=
ommunity is &quot;</div>
<div>&gt;</div>
<div>&gt;</div>
<div>&gt;</div>
<div>&gt; I was pondering the same question, how many subscribers there are=
 to the list?</div>
<div>&gt; And is there a thread where I could find all the artists that con=
tribute to this list.</div>
<div>&gt; So far I&#39;ve found so much interesting music through this list=
, its contributors, thanks a lot!!</div>
<div>&gt;</div>
<div>&gt; --</div>
<div>&gt; Petri Lahtinen</div>
<div>&gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http:/=
/www.petrilahtinen.com</a></div>
<div>&gt; <a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">=
http://petrilahtinen.blogspot.com/</a></div>
<div>&gt; <a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank=
">http://www.myspace.com/petrilahtinen</a></div>
<div>&gt;</div>
<div>&gt;</div>
<div>=A0</div>
<div>=A0<br>
</div></div></div></blockquote></div>

--0016e6d7ea681ceb54047f295542--

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	 <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com>
	 <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com>
Date: Tue, 9 Feb 2010 12:41:36 +0100
Message-ID: <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com>
Subject: Re: Artists?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Petri,
I'm maintaining a list of musicians on last.fm using live looping
technology. It's a nice way to discover new music in any style you
like. And welcome on board :)

http://www.last.fm/group/Live+Looping

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From claimfundses@terra.es  Tue Feb  9 14:00:03 2010
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 |auth_email="claimfundses@terra.es"
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From: "Mrs.Joy Saria Francisco"<claimfundses@terra.es>
Subject: CONGRATULATIONS
Date: Tue, 9 Feb 2010 14:54:22 +0100
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To: undisclosed-recipients:;

Attention Recipient,
Your e-mail address have just won you Nine Hundred and Eight Four Thousand Euro only (€984,000). 
Contact this office for more details Dr.Heerema Peter John send an Email to  speuroinfosp1@aol.es , 
Tel:  +34 634 100 980. Once again congratulations. Your email address has brought to you this expected luck. 
Mrs.Joy Saria Francisco.
(Lottery coordinator) 

From mensahwilliam65@ymail.com  Tue Feb  9 14:17:03 2010
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From: "Williams Mensah"<mensahwilliam65@ymail.com>
Subject: Emergency
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Good day,

I apologize as we do not know before, but let me start by introducing myself. My name is Barrister Williams Mensah ,a resident bank attorney in Ghana west Africa.I am contacting you seeking your partnership in this important project which involves Twelve Million United States Dollars ($12,000,000) .I need your quick reply so that I will give you more details.

Please reply to my private Email box here:  mensahwilliams65@gmail.com

Best regards,
Honorable Barr.Williams Mensah
Telephone +233-246417285

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 14:27:24 2010
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com> <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com> <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com> <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com>
In-Reply-To: <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com>
Subject: Re: Artists?
Date: Tue, 9 Feb 2010 14:27:18 -0000
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http://www.last.fm/user/SPGoodman


From: Sjaak Overgaauw=20
Sent: Tuesday, February 09, 2010 11:41 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Artists?


Hi Petri,
I'm maintaining a list of musicians on last.fm using live looping
technology. It's a nice way to discover new music in any style you
like. And welcome on board :)

http://www.last.fm/group/Live+Looping

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
------=_NextPart_000_001E_01CAA993.FBE53670
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS"><A=20
href=3D"http://www.last.fm/user/SPGoodman">http://www.last.fm/user/SPGood=
man</A></FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dtcplugin@gmail.com=20
href=3D"mailto:tcplugin@gmail.com">Sjaak Overgaauw</A> </DIV>
<DIV><B>Sent:</B> Tuesday, February 09, 2010 11:41 AM</DIV>
<DIV><B>To:</B> <A=20
title=3D"mailto:Loopers-Delight@loopers-delight.com&#10;CTRL + Click to =
follow link"=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Artists?</DIV></DIV></DIV>
<DIV><BR></DIV>Hi Petri,<BR>I'm maintaining a list of musicians on =
last.fm using=20
live looping<BR>technology. It's a nice way to discover new music in any =
style=20
you<BR>like. And welcome on board :)<BR><BR><A=20
href=3D"http://www.last.fm/group/Live+Looping">http://www.last.fm/group/L=
ive+Looping</A><BR><BR>--=20
<BR>Sjaak Overgaauw<BR><A=20
href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</A=
><BR><A=20
href=3D"http://livelooping.be/">http://livelooping.be/</A></BODY></HTML>

------=_NextPart_000_001E_01CAA993.FBE53670--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 14:32:50 2010
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	 <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com>
	 <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com>
	 <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com>
	 <F39C911E69324BB3BB4474BB435C3668@ELUK1>
Date: Tue, 9 Feb 2010 15:32:49 +0100
Message-ID: <e89a49d31002090632g7b64376ax4917edd2b9d88749@mail.gmail.com>
Subject: Re: Artists?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
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> On Tue, Feb 9, 2010 at 3:27 PM, Stephen Goodman <spgoodman@earthlight.net> wrote:

Hi Stephen,
Funny, there's also http://www.last.fm/music/Stephen+Goodman  and this
is the one I used to link your page with the live looping group. Which
one do you prefer?

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 15:23:48 2010
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com> <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com> <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com> <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com> <F39C911E69324BB3BB4474BB435C3668@ELUK1> <e89a49d31002090632g7b64376ax4917edd2b9d88749@mail.gmail.com>
In-Reply-To: <e89a49d31002090632g7b64376ax4917edd2b9d88749@mail.gmail.com>
Subject: Re: Artists?
Date: Tue, 9 Feb 2010 15:23:43 -0000
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Yep, sorry!


From: Sjaak Overgaauw=20
Sent: Tuesday, February 09, 2010 2:32 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Artists?


> On Tue, Feb 9, 2010 at 3:27 PM, Stephen Goodman =
<spgoodman@earthlight.net> wrote:

Hi Stephen,
Funny, there's also http://www.last.fm/music/Stephen+Goodman  and this
is the one I used to link your page with the live looping group. Which
one do you prefer?

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Yep, sorry!</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dtcplugin@gmail.com=20
href=3D"mailto:tcplugin@gmail.com">Sjaak Overgaauw</A> </DIV>
<DIV><B>Sent:</B> Tuesday, February 09, 2010 2:32 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Artists?</DIV></DIV></DIV>
<DIV><BR></DIV>&gt; On Tue, Feb 9, 2010 at 3:27 PM, Stephen Goodman =
&lt;<A=20
href=3D"mailto:spgoodman@earthlight.net">spgoodman@earthlight.net</A>&gt;=
=20
wrote:<BR><BR>Hi Stephen,<BR>Funny, there's also <A=20
href=3D"http://www.last.fm/music/Stephen+Goodman">http://www.last.fm/musi=
c/Stephen+Goodman</A>&nbsp;=20
and this<BR>is the one I used to link your page with the live looping =
group.=20
Which<BR>one do you prefer?<BR><BR>-- <BR>Sjaak Overgaauw<BR><A=20
href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</A=
><BR><A=20
href=3D"http://livelooping.be/">http://livelooping.be/</A></BODY></HTML>

------=_NextPart_000_0046_01CAA99B.DD3A2200--

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Date: Tue, 9 Feb 2010 10:34:48 -0500
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Subject: RE: Hi Everybody
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ace -

"I'm just not a big fan of the modelling stuff so guitar into the board
is out."

 - Man, I had the same problem but, finally found an older tube based
pedal - really brings out the best of my guitar.  I couldn't stand the
sound of amp over there and then it's in the looper over there.  And I
don't like the modeling either.  Just thought I'd chime in to say that
I've recently been very happy w/ the tube based stomp pedal.

AndyG

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 15:45:27 2010
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Subject: NYC gig spam: Lambic Jones live at Barbes this Saturday 2/13 in Park Slope, Brooklyn.
Date: Tue, 9 Feb 2010 10:45:26 -0500
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HI, everyone

we're looking forward to playing at Barbes in Park Slope on Saturday  
February 13th at 8 pm. We'll be doing one show at 8 pm until about  
9:30. Barbes is in Park Slope on 6th ave at 9th street (718  
965-9177) . http://barbesbrooklyn.com

There is much loopage from Boomerangs, DL-4, Headrush, and the  
varispeed champ, the PDS-8000...

Lambic Jones is Lambic (Paul Sullivan-guitar and Stephen Moses-drums  
and trombone) plus the legendary Percy Jones on bass.

Here's our latest video, there are lots of others listed there, also. http://www.youtube.com/watch?v=N9QikJahe54

Hope to see you there, and thanks from Lambic Jones!

http://www.myspace.com/lambic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">HI, =
everyone<div><br></div><div>we're looking forward to playing =
at&nbsp;Barbes in Park Slope on Saturday February 13th at 8 pm. We'll be =
doing one show&nbsp;at 8 pm until about 9:30.&nbsp;Barbes is in Park =
Slope on 6th ave at 9th street (718 965-9177) .&nbsp;<a =
href=3D"http://barbesbrooklyn.com">http://barbesbrooklyn.com</a></div><div=
><br></div><div>There is much loopage from Boomerangs, DL-4, Headrush, =
and the varispeed champ, the PDS-8000...</div><div><br></div><div>Lambic =
Jones is Lambic (Paul Sullivan-guitar and Stephen Moses-drums and =
trombone) plus the legendary Percy Jones on =
bass.</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'lucida grande', tahoma, verdana, arial, =
sans-serif; color: rgb(128, 128, 128); font-size: 11px; "><h3 =
class=3D"GenericStory_Message" =
data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" style=3D"font-size: 13px =
!important; color: rgb(51, 51, 51); margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; =
overflow-x: hidden; overflow-y: hidden; "><font class=3D"Apple-style-span"=
 color=3D"#808080" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><font class=3D"Apple-style-span" =
color=3D"#333333" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><span class=3D"Apple-style-span" =
style=3D"color: rgb(128, 128, 128); font-size: 11px; "><h3 =
class=3D"GenericStory_Message" =
data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" style=3D"font-size: 13px =
!important; color: rgb(51, 51, 51); margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; =
overflow-x: hidden; overflow-y: hidden; ">Here's our latest video, there =
are lots of others listed there, also.&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3DN9QikJahe54">http://www.youtube.c=
om/watch?v=3DN9QikJahe54</a></h3><div><br></div></span></span></font></spa=
n></font></h3><div><span class=3D"Apple-style-span" style=3D"color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; ">Hope to see =
you there, and thanks from Lambic Jones! &nbsp;</span></div><div><font =
class=3D"Apple-style-span" color=3D"#000000" face=3D"Helvetica, tahoma, =
verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: medium; "><br></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#000000" face=3D"Helvetica, tahoma, =
verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: medium; "><a =
href=3D"http://www.myspace.com/lambic">http://www.myspace.com/lambic</a></=
span></font></div><font class=3D"Apple-style-span" face=3D"Helvetica, =
tahoma, verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: =
medium;"><br></span></font></span></div></body></html>=

--Apple-Mail-19--339682313--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 15:58:10 2010
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Subject: RE: Hi Everybody
Date: Tue, 9 Feb 2010 10:56:18 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Sounds interesting. What kind of pedal are you using?
Are they pricey?

-----Original Message-----
From: Loaf citious [mailto:loafcitious@gmail.com]=20
Sent: Tuesday, February 09, 2010 10:35 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Hi Everybody

Ace -

"I'm just not a big fan of the modelling stuff so guitar into the board
is out."

 - Man, I had the same problem but, finally found an older tube based
pedal - really brings out the best of my guitar.  I couldn't stand the
sound of amp over there and then it's in the looper over there.  And I
don't like the modeling either.  Just thought I'd chime in to say that
I've recently been very happy w/ the tube based stomp pedal.

AndyG

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:09:24 2010
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From: =?WINDOWS-1252?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
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Subject: Re: Artists?
Date: Tue, 9 Feb 2010 08:09:21 -0800
References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com>
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Petri,

Loopers' Delight has been going since around the Spring of 1996.

People have wandered in and out of it over the years.

ECM recording artist David Torn was once a frequent poster in the =20
early years.

He's probably the highest profile guitarist to grace this group.

Other musicians were little known when they started here but now are =20
quite popular - thinking of cellist Zoe Keating.

Most of us labor in various levels of obscurity.

I think people who have really "made it" in the wider music biz =20
wouldn't have the time to maintain too much of a relationship with =20
this list in the long run.

It's hard enough to have and maintain a "life" of any sort of =20
normality as it is.

The internet just makes things more difficult.

Though most folks here are "lesser known" there are still many, many =20
that are my "heros" and major influences.

I could name names, but soon as I did I'd forget and leave someone out.

Let's just say that there are "world class" people here that are as =20
good at what they do and anybody on the planet.

I'm pleased to have met a great many in person and can call an awful =20
lot of them friends.

Our moderator, Kim Flint, and our guiding spirit and looping sage =20
Matthias Grob could tell you more.

Best regards,

tEd =AE KiLLiAn

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

On Feb 9, 2010, at 1:20 AM, Petri Lahtinen wrote:

> "Ace Ovil wrote:
> Hi everyone,
>
> I=92m new to this looping game so I have no idea how large this =20
> community is "
>
> I was pondering the same question, how many subscribers there are to =20=

> the list?
> And is there a thread where I could find all the artists that =20
> contribute to this list.
> So far I've found so much interesting music through this list, its =20
> contributors, thanks a lot!!
>
> --=20
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen



From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:13:41 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Artists?
Date: Tue, 9 Feb 2010 16:13:33 +0000
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--Apple-Mail-68--337995115
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Hi

We're all proudly obscure here!!! And I second everything Ted says.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 9 Feb 2010, at 16:09, tEd =AE KiLLiAn wrote:

> Petri,
>
> Loopers' Delight has been going since around the Spring of 1996.
>
> People have wandered in and out of it over the years.
>
> ECM recording artist David Torn was once a frequent poster in the =20
> early years.
>
> He's probably the highest profile guitarist to grace this group.
>
> Other musicians were little known when they started here but now =20
> are quite popular - thinking of cellist Zoe Keating.
>
> Most of us labor in various levels of obscurity.
>
> I think people who have really "made it" in the wider music biz =20
> wouldn't have the time to maintain too much of a relationship with =20
> this list in the long run.
>
> It's hard enough to have and maintain a "life" of any sort of =20
> normality as it is.
>
> The internet just makes things more difficult.
>
> Though most folks here are "lesser known" there are still many, =20
> many that are my "heros" and major influences.
>
> I could name names, but soon as I did I'd forget and leave someone =20
> out.
>
> Let's just say that there are "world class" people here that are as =20=

> good at what they do and anybody on the planet.
>
> I'm pleased to have met a great many in person and can call an =20
> awful lot of them friends.
>
> Our moderator, Kim Flint, and our guiding spirit and looping sage =20
> Matthias Grob could tell you more.
>
> Best regards,
>
> tEd =AE KiLLiAn
>
> http://www.myspace.com/tedkillian
> http://www.reverbnation.com/tedkillian
> http://www.pfmentum.com/PFMCD007.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768
>
> Ted Killian's "Flux Aeterna" is also available at Apple iTunes
>
> On Feb 9, 2010, at 1:20 AM, Petri Lahtinen wrote:
>
>> "Ace Ovil wrote:
>> Hi everyone,
>>
>> I=92m new to this looping game so I have no idea how large this =20
>> community is "
>>
>> I was pondering the same question, how many subscribers there are =20
>> to the list?
>> And is there a thread where I could find all the artists that =20
>> contribute to this list.
>> So far I've found so much interesting music through this list, its =20=

>> contributors, thanks a lot!!
>>
>> --=20
>> Petri Lahtinen
>> http://www.petrilahtinen.com
>> http://petrilahtinen.blogspot.com/
>> http://www.myspace.com/petrilahtinen
>
>
>


--Apple-Mail-68--337995115
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hi<div><br></div><div>We're all proudly obscure here!!! And I second =
everything Ted says.</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 9 Feb 2010, =
at 16:09, tEd =AE KiLLiAn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Petri,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Loopers' Delight has been going =
since around the Spring of 1996.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">People have wandered in and out =
of it over the years.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ECM recording artist David Torn =
was once a frequent poster in the early years.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">He's =
probably the highest profile guitarist to grace this group.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Other =
musicians were little known when they started here but now are quite =
popular - thinking of cellist Zoe Keating.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Most of us =
labor in various levels of obscurity.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I think =
people who have really "made it" in the wider music biz wouldn't have =
the time to maintain too much of a relationship with this list in the =
long run.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's hard enough to have and maintain a "life" of =
any sort of normality as it is.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">The internet just makes things =
more difficult.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Though most folks here are "lesser known" there are =
still many, many that are my "heros" and major influences.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I could =
name names, but soon as I did I'd forget and leave someone =
out.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Let's just say that there are "world class" people =
here that are as good at what they do and anybody on the =
planet.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm pleased to have met a great many in person and =
can call an awful lot of them friends.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Our =
moderator, Kim Flint, and our guiding spirit and looping sage Matthias =
Grob could tell you more.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Best regards,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">tEd =AE =
KiLLiAn</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.myspace.com/tedkillian">http://www.myspace.com/tedkilli=
an</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.reverbnation.com/tedkillian">http://www.reverbnation.co=
m/tedkillian</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.pfmentum.com/PFMCD007.html">http://www.pfmentum.com/PFM=
CD007.html</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.CDbaby.com/cd/tedkillian">http://www.CDbaby.com/cd/tedk=
illian</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.guitar9.com/fluxaeterna.html">http://www.guitar9.com/fl=
uxaeterna.html</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193">=
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://guitarplayer.com/article/y2k6-international-live/Jun-07/277=
68">http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768</=
a></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Ted Killian's "Flux Aeterna" is also available at =
Apple iTunes</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Feb 9, 2010, at 1:20 AM, Petri Lahtinen =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">"Ace Ovil wrote:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi everyone,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I=92m new to this looping game =
so I have no idea how large this community is "</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I was =
pondering the same question, how many subscribers there are to the =
list?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">And is there a thread where I =
could find all the artists that contribute to this list.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">So far I've found so much interesting music through =
this list, its contributors, thanks a lot!!</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Petri Lahtinen</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://petrilahtinen.blogspot.com">http://petrilahtinen.blogspot.c=
om</a>/</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a></div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-68--337995115--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:22:47 2010
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Date: Tue, 9 Feb 2010 11:22:42 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: neumann repair in California?
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Hi Zoe,

Some of these new Neumann mics are built using surface mounted 
components, and actually require a board swap from Neumann, so 
prepare yourself....

In the meantime talk to David Bock:

http://www.bockaudiodesigns.com/

or Klaus Heyne

http://www.GermanMasterworks.com/

(503) 695-3410

Or James Gangwer:

http://www.jamesgangwer.com/

(510) 912-0515



-Chuck Zwicky



>I have an M147 that is very noisy (sounds like the ocean)...I'm 
>guessing it needs a new tube, but really I don't know.
>Anyone know a place that repairs Neumann mics?
>Hoping for somewhere in California, but I suppose I could ship it farther.
>
>thanks, Zoe


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-946389930==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: neumann repair in
California?</title></head><body>
<div><br></div>
<div>Hi Zoe,</div>
<div><br></div>
<div>Some of these new Neumann mics are built using surface mounted
components, and actually require a board swap from Neumann, so prepare
yourself....</div>
<div><br></div>
<div>In the meantime talk to David Bock:</div>
<div><br></div>
<div>http://www.bockaudiodesigns.com/</div>
<div><br></div>
<div>or Klaus Heyne</div>
<div><br></div>
<div>http://www.GermanMasterworks.com/</div>
<div><br></div>
<div><font face="Times" size="-4" color="#000000">(503)
695-3410</font></div>
<div><br></div>
<div>Or James Gangwer:</div>
<div><br></div>
<div>http://www.jamesgangwer.com/</div>
<div><br></div>
<div><font face="Arial" size="-4" color="#000000">(510)
912-0515</font></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>-Chuck Zwicky</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>I have an M147 that is very noisy (sounds
like the ocean)...I'm guessing it needs a new tube, but really I don't
know.<br>
Anyone know a place that repairs Neumann mics?<br>
Hoping for somewhere in California, but I suppose I could ship it
farther.<br>
<br>
thanks, Zoe</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-946389930==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:44:26 2010
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Date: Tue, 09 Feb 2010 10:37:40 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Artists?
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Many of us here are among the best-known of the many unknown performers.

Quoting Matt Stevens <mattstevensguitar@btinternet.com>:

> Hi
>
> We're all proudly obscure here!!! And I second everything Ted says.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 9 Feb 2010, at 16:09, tEd =C2=AE KiLLiAn wrote:
>
>> Petri,
>>
>> Loopers' Delight has been going since around the Spring of 1996.
>>
>> People have wandered in and out of it over the years.
>>
>> ECM recording artist David Torn was once a frequent poster in the   =20
>> early years.
>>
>> He's probably the highest profile guitarist to grace this group.
>>
>> Other musicians were little known when they started here but now   =20
>> are quite popular - thinking of cellist Zoe Keating.
>>
>> Most of us labor in various levels of obscurity.
>>
>> I think people who have really "made it" in the wider music biz   =20
>> wouldn't have the time to maintain too much of a relationship with  =20
>>  this list in the long run.
>>
>> It's hard enough to have and maintain a "life" of any sort of   =20
>> normality as it is.
>>
>> The internet just makes things more difficult.
>>
>> Though most folks here are "lesser known" there are still many,   =20
>> many that are my "heros" and major influences.
>>
>> I could name names, but soon as I did I'd forget and leave someone  out.
>>
>> Let's just say that there are "world class" people here that are as =20
>>   good at what they do and anybody on the planet.
>>
>> I'm pleased to have met a great many in person and can call an   =20
>> awful lot of them friends.
>>
>> Our moderator, Kim Flint, and our guiding spirit and looping sage   =20
>> Matthias Grob could tell you more.
>>
>> Best regards,
>>
>> tEd =C2=AE KiLLiAn
>>
>> http://www.myspace.com/tedkillian
>> http://www.reverbnation.com/tedkillian
>> http://www.pfmentum.com/PFMCD007.html
>> http://www.CDbaby.com/cd/tedkillian
>> http://www.guitar9.com/fluxaeterna.html
>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>> http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768
>>
>> Ted Killian's "Flux Aeterna" is also available at Apple iTunes
>>
>> On Feb 9, 2010, at 1:20 AM, Petri Lahtinen wrote:
>>
>>> "Ace Ovil wrote:
>>> Hi everyone,
>>>
>>> I=E2=80=99m new to this looping game so I have no idea how large this   =
=20
>>> community is "
>>>
>>> I was pondering the same question, how many subscribers there are  =20
>>>  to the list?
>>> And is there a thread where I could find all the artists that   =20
>>> contribute to this list.
>>> So far I've found so much interesting music through this list, its =20
>>>   contributors, thanks a lot!!
>>>
>>> --=20
>>> Petri Lahtinen
>>> http://www.petrilahtinen.com
>>> http://petrilahtinen.blogspot.com/
>>> http://www.myspace.com/petrilahtinen
>>
>>
>>



From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:45:13 2010
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On Feb 9, 2010, at 9:34 AM, Loaf citious wrote:

> Ace -
>
> "I'm just not a big fan of the modelling stuff so guitar into the  
> board
> is out."

I missed the context of your post, but I just wanted to chime in real  
quickly, in case you may give a rat's ass. lol

The new Line 6 stuff is simply superb--and I'm a complete tube amp,  
bootek pedal snob. The drive fx on the Line 6 M13/M9 are excellent. I  
mean truly, truly great. The other fx are very nice, too, in the vast  
majority of cases. The delays lack a little bit of warmth, so I'm  
sticking to my Eventide gear for those--although the Line 6 Memory Man  
model is fantastic.

My point? Don't rule out an M13 or M9, depending on your needs.

Jeff

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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Artists?
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LOL

tEd =C2=AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902)

http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- kkissinger@kevinkissinger.com wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Many of us here are among the best-known of the many unknown performers.

Quoting Matt Stevens <mattstevensguitar@btinternet.com>:

> Hi
>
> We're all proudly obscure here!!! And I second everything Ted says.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 9 Feb 2010, at 16:09, tEd =C2=AE KiLLiAn wrote:
>
>> Petri,
>>
>> Loopers' Delight has been going since around the Spring of 1996.
>>
>> People have wandered in and out of it over the years.
>>
>> ECM recording artist David Torn was once a frequent poster in the   =20
>> early years.
>>
>> He's probably the highest profile guitarist to grace this group.
>>
>> Other musicians were little known when they started here but now   =20
>> are quite popular - thinking of cellist Zoe Keating.
>>
>> Most of us labor in various levels of obscurity.
>>
>> I think people who have really "made it" in the wider music biz   =20
>> wouldn't have the time to maintain too much of a relationship with  =20
>>  this list in the long run.
>>
>> It's hard enough to have and maintain a "life" of any sort of   =20
>> normality as it is.
>>
>> The internet just makes things more difficult.
>>
>> Though most folks here are "lesser known" there are still many,   =20
>> many that are my "heros" and major influences.
>>
>> I could name names, but soon as I did I'd forget and leave someone  out.
>>
>> Let's just say that there are "world class" people here that are as =20
>>   good at what they do and anybody on the planet.
>>
>> I'm pleased to have met a great many in person and can call an   =20
>> awful lot of them friends.
>>
>> Our moderator, Kim Flint, and our guiding spirit and looping sage   =20
>> Matthias Grob could tell you more.
>>
>> Best regards,
>>
>> tEd =C2=AE KiLLiAn
>>
>> http://www.myspace.com/tedkillian
>> http://www.reverbnation.com/tedkillian
>> http://www.pfmentum.com/PFMCD007.html
>> http://www.CDbaby.com/cd/tedkillian
>> http://www.guitar9.com/fluxaeterna.html
>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>> http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768
>>
>> Ted Killian's "Flux Aeterna" is also available at Apple iTunes
>>
>> On Feb 9, 2010, at 1:20 AM, Petri Lahtinen wrote:
>>
>>> "Ace Ovil wrote:
>>> Hi everyone,
>>>
>>> I=E2=80=99m new to this looping game so I have no idea how large this  =
 =20
>>> community is "
>>>
>>> I was pondering the same question, how many subscribers there are  =20
>>>  to the list?
>>> And is there a thread where I could find all the artists that   =20
>>> contribute to this list.
>>> So far I've found so much interesting music through this list, its =20
>>>   contributors, thanks a lot!!
>>>
>>> --=20
>>> Petri Lahtinen
>>> http://www.petrilahtinen.com
>>> http://petrilahtinen.blogspot.com/
>>> http://www.myspace.com/petrilahtinen
>>
>>
>>




From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 16:55:11 2010
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Thanks Jeff,
Sounds like some sage advice. I wil certainly continue to keep an open
mind.

Here is the post you are referring to for context:=20

I know what you mean but I'm really hoping to at least be able to get
the clocks to sync because my output goes into both a guitar amp and
small pa so I need the separation offered by two channels. My main
concern is somehow being able to separate out the guitar signal from the
rest of my stuff. I run bass into the board, mic hand drums and also use
vinyl and a scratch mixer to drop beats into the mix. Vocal harmony
would also not sound quite right going through my twin. I suppose I
could just mic the guitar amp but it never ends up sounding quite right
to me when I do it this way.
I'm just not a big fan of the modelling stuff so guitar into the board
is out.
I had a 2880 fo a while and it worked great because it handled stereo,
but the "multiply" feature is what eventually made me go to the
echoplex.
I'm debating whether to just sell the echoplex setup and get a boomerang
3.
Has anyone played with one? It seems to do everything I need but the
echoplex learning curve was just so long I'm reluctant to give it up.

Thanks,
Ace



On Feb 9, 2010, at 9:34 AM, Loaf citious wrote:

> Ace -
>
> "I'm just not a big fan of the modelling stuff so guitar into the =20
> board
> is out."

I missed the context of your post, but I just wanted to chime in real =20
quickly, in case you may give a rat's ass. lol

The new Line 6 stuff is simply superb--and I'm a complete tube amp, =20
bootek pedal snob. The drive fx on the Line 6 M13/M9 are excellent. I =20
mean truly, truly great. The other fx are very nice, too, in the vast =20
majority of cases. The delays lack a little bit of warmth, so I'm =20
sticking to my Eventide gear for those--although the Line 6 Memory Man =20
model is fantastic.

My point? Don't rule out an M13 or M9, depending on your needs.

Jeff

From anonymous@u15354108.onlinehome-server.com  Tue Feb  9 17:06:16 2010
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Ace -

I lucked out and was "loaned" an old Dean Markley "Overlord".  Vintage
boutique, at least I think so, haven't seen one around and I've been
looking.  That one is prob a bit too metal for me but, I dial it down
and I'm happy; sounds great w/ humbuckers.
There are several pedals on the market today that have tubes in them.
But, I like the one's w/ the classic tube that all guitarists love -
12ax7 - mini vacuum tube, I believe from Russia but, any major guitar
parts store would carry them.
On a side note, although multi-board pedals have always scared me, I
almost drove to the store to try out the VOX Tonelab:
"The Valve Reactor circuit uses a 12AX7 dual triode vacuum tube, a
virtual output transformer and a dummy speaker circuit that simulates
the reactive load of a real speaker."
http://www.voxamps.com/pedals/tonelable/

Now that I read that again, I think I may still go to the store and
ask if they'll let me try one out.

AndyG

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>
>
> On a side note, although multi-board pedals have always scared me, I
> almost drove to the store to try out the VOX Tonelab:
> "/
>
> Now that I read that again, I think I may still go to the store and
> ask if they'll let me try one out.


I can't help myself...although I don't mean to butt in necessarily.  
You really owe it to yourself to try the Line 6 M9 (or M13) also. It  
basically kicks the crap out of the Tonelab, imho.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><blockquote type="cite"><div><br><font class="Apple-style-span" color="#000000"><br></font>On a side note, although multi-board pedals have always scared me, I<br>almost drove to the store to try out the VOX Tonelab:<br>"/<br><br>Now that I read that again, I think I may still go to the store and<br>ask if they'll let me try one out.<br></div></blockquote></div><div><br></div><div>I can't help myself...although I don't mean to butt in necessarily. You really owe it to yourself to try the Line 6 M9 (or M13) also. It basically kicks the crap out of the Tonelab, imho.&nbsp;</div><div><br></div><div>Jeff</div></body></html>
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From poste@italiane.it  Tue Feb  9 17:50:10 2010
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Date: Tue, 9 Feb 2010 14:08:02 -0400 (AST)
Subject: Re: Hi Everybody
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Lot's more ++++++++++++++++++++++'s for me on the line 6 m9.
I've just been using it for my guitar gigs,and I've barely scratched the
surface.
This is a really underrated pedal.
Amazed more people aren't raving about it.
I'm looking forward to using it with my bass.

Andre

http://www.barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa



On Tue, February 9, 2010 1:25 pm, Jeff Shirkey wrote:
>
>>
>>
>> On a side note, although multi-board pedals have always scared me, I
>> almost drove to the store to try out the VOX Tonelab:
>> "/
>>
>> Now that I read that again, I think I may still go to the store and
>> ask if they'll let me try one out.
>
>
> I can't help myself...although I don't mean to butt in necessarily.
> You really owe it to yourself to try the Line 6 M9 (or M13) also. It
> basically kicks the crap out of the Tonelab, imho.
>
> Jeff



http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Re: OT: neumann repair in California?
Date: Tue, 9 Feb 2010 10:12:02 -0800
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If the M 147 is anything like the M149, that's true!  Klaus I don't  
think will touch it - I tried to get him to work on my M149.  Don't  
know about David Bock.  I've sent a note to a friend at Neumann to see  
who could do this without refinancing your home.  Should get an answer  
back in the next day or so if that's okay.

R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 9, 2010, at 8:22 AM, Charles Zwicky wrote:

>
> Hi Zoe,
>
> Some of these new Neumann mics are built using surface mounted  
> components, and actually require a board swap from Neumann, so  
> prepare yourself....
>
> In the meantime talk to David Bock:
>
> http://www.bockaudiodesigns.com/
>
> or Klaus Heyne
>
> http://www.GermanMasterworks.com/
>
> (503) 695-3410
>
> Or James Gangwer:
>
> http://www.jamesgangwer.com/
>
> (510) 912-0515
>
>
>
> -Chuck Zwicky
>
>
>
>> I have an M147 that is very noisy (sounds like the ocean)...I'm  
>> guessing it needs a new tube, but really I don't know.
>> Anyone know a place that repairs Neumann mics?
>> Hoping for somewhere in California, but I suppose I could ship it  
>> farther.
>>
>> thanks, Zoe
>
>
> -- 
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky


--Apple-Mail-4--330886062
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">If the M 147 is anything like =
the M149, that's true! &nbsp;Klaus I don't think will touch it - I tried =
to get him to work on my M149. &nbsp;Don't know about David Bock. =
&nbsp;I've sent a note to a friend at Neumann to see who could do this =
without refinancing your home. &nbsp;Should get an answer back in the =
next day or so if that's okay.<div><br></div><div>R<br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 9, 2010, =
at 8:22 AM, Charles Zwicky wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><br =
class=3D"Apple-interchange-newline">Hi =
Zoe,</div><div><br></div><div>Some of these new Neumann mics are built =
using surface mounted components, and actually require a board swap from =
Neumann, so prepare yourself....</div><div><br></div><div>In the =
meantime talk to David Bock:</div><div><br></div><div><a =
href=3D"http://www.bockaudiodesigns.com/">http://www.bockaudiodesigns.com/=
</a></div><div><br></div><div>or Klaus Heyne</div><div><br></div><div><a =
href=3D"http://www.GermanMasterworks.com/">http://www.GermanMasterworks.co=
m/</a></div><div><br></div><div><font face=3D"Times" size=3D"-4" =
color=3D"#000000">(503) 695-3410</font></div><div><br></div><div>Or =
James Gangwer:</div><div><br></div><div><a =
href=3D"http://www.jamesgangwer.com/">http://www.jamesgangwer.com/</a></di=
v><div><br></div><div><font face=3D"Arial" size=3D"-4" =
color=3D"#000000">(510) =
912-0515</font></div><div><br></div><div><br></div><div><br></div><div>-Ch=
uck Zwicky</div><div><br></div><div><br></div><div><br></div><blockquote =
type=3D"cite" cite=3D"" style=3D"padding-top: 0px; padding-bottom: 0px; =
">I have an M147 that is very noisy (sounds like the ocean)...I'm =
guessing it needs a new tube, but really I don't know.<br>Anyone know a =
place that repairs Neumann mics?<br>Hoping for somewhere in California, =
but I suppose I could ship it farther.<br><br>thanks, =
Zoe</blockquote><div><br></div><div><br></div><x-sigsep><pre>--=20
</pre></x-sigsep><div><br>...<br><a =
href=3D"http://www.zmix.net">http://www.zmix.net</a><br><br><a =
href=3D"http://www.esession.com/ChuckZwicky">http://www.esession.com/Chuck=
Zwicky</a></div></span></blockquote></div><br></div></body></html>=

--Apple-Mail-4--330886062--

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 20:37:25 2010
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Date: Tue, 9 Feb 2010 15:36:26 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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How many of you use forums for real time conversations. I have found
this proboard so far but it seems to move VERY slowly.
http://loopingmusic.proboards.com/index.cgi

Where do you go when you have a technical question (for the functionally
retarded like myself) or need advice about looping?

I guess I just feel kind of bad bombarding all your inboxes because I
have a LOT of questions. Could someone please explain the etiquette of
what is acceptable and/or uncool here?

There doesn't seem to be a whole lot of interest on harmony central
beyond the occasional glutinous gear purchases for the sake of bragging
rights rather than expression.=20
(sarcasm!, it's a fun forum but "geared" towards something else
entirely, if you know what I mean).

Am I missing the hot spot or are we just a really small community?

Thank you in advance for shepherding the noob around the internet.
Ace

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 20:46:13 2010
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Ace Ovil schrieb:
> Could someone please explain the etiquette of
> what is acceptable and/or uncool here?
>   
If people cease to respond to your messages, they were probably not 
exactly cool. If people actually tell you to stop, you did something 
self-ionization uncool ;).

There's just no more strictly defined etiquette. There aren't ranks like 
in a forum, gained by writing a certain number of messages or so. Just 
assume you joined a merry round in a pub....
> Am I missing the hot spot or are we just a really small community?
>   
Depends on what you mean by "small". Subscriber-wise: don't know, really 
- may very well be. Knowledge-wise: definitely not.

For a beginner:
There's some info collected, both on the loopers-deligh.com site and on 
Matthias Grob's site: http://livelooping.org/
Of course, on the LD site, all the archives from this group are archived 
- if you know what you look for, you may find it there.

Apart from that: ask (and see above).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 21:03:55 2010
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Subject: RE: What is the appropriate forum?
Date: Tue, 9 Feb 2010 16:02:56 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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Thank you Rainer,
I have been preforming "live looping" (not even sure if that is the
correct term) semi professionally for about 6 years now, but I have
recently come to realize that the rate of progress I am making
artistically and technically is exponentially declining.=20
I feel like I have taken all I can from the EDP manuals which thus far
have been my bible. This is why I am finally seeking out others like me
or similar for advice and inspiration. I have been so engrossed in my
own learning of the process until now, that I haven't really had time
for this sort of thing before.=20
This is likely why I am behind the times on who and what exactly is out
there, but I can already tell there is a seriously endowed brain-trust
here.
Thank you for clearing up the "etiquette". How exactly does one search
the archives so I can stop pestering everyone?
Looking forward to chatting with you all soon.
Ace

-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com]=20
Sent: Tuesday, February 09, 2010 3:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: What is the appropriate forum?

Ace Ovil schrieb:
> Could someone please explain the etiquette of
> what is acceptable and/or uncool here?
>  =20
If people cease to respond to your messages, they were probably not=20
exactly cool. If people actually tell you to stop, you did something=20
self-ionization uncool ;).

There's just no more strictly defined etiquette. There aren't ranks like

in a forum, gained by writing a certain number of messages or so. Just=20
assume you joined a merry round in a pub....
> Am I missing the hot spot or are we just a really small community?
>  =20
Depends on what you mean by "small". Subscriber-wise: don't know, really

- may very well be. Knowledge-wise: definitely not.

For a beginner:
There's some info collected, both on the loopers-deligh.com site and on=20
Matthias Grob's site: http://livelooping.org/
Of course, on the LD site, all the archives from this group are archived

- if you know what you look for, you may find it there.

Apart from that: ask (and see above).

          Rainer

--=20
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 21:27:17 2010
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Ace Ovil schrieb:
> I feel like I have taken all I can from the EDP manuals which thus far
> have been my bible. This is why I am finally seeking out others like me
> or similar for advice and inspiration. I have been so engrossed in my
> own learning of the process until now, that I haven't really had time
> for this sort of thing before. 
>   
Generally, it's hard to start putting you in some direction without 
knowing what your general goal in EDP usage is...there are two EDP users 
(which very much focus on guitar+amp+EDP) which I respect very much and 
regard as the capacity for odd EDP use: Andreas Willers 
(www.andreaswillers.de) and Andre LaFosse (www.altruistmusic.com). You 
most probably read Andre's name in the "thanks" section of your bible 
;). Unfortunately, I just found that Andre is currently restructuring 
his website, and so his "Echoplex Analysis Pages" are unavailable at the 
moment (but you might try to check at archive.org: http://bit.ly/dfkbtn)

Furthermore, Matthias' site (www.livelooping.org) also links to his 
youtube collection which has some "tutorial" subsection.

To simply watch and listen to some most diverse looping performances - 
from abstract noise to singer/songwriter stylings (and all the places in 
between) - you find a link to the video archives of the Y29loopfest at 
http://y2kloopfest.com/.
(This festival is the biggest looping festival in the world...simply 
check out the videos and be inspired ;).
> Thank you for clearing up the "etiquette". How exactly does one search
> the archives so I can stop pestering everyone?
> Looking forward to chatting with you all soon.
There's a link on the website which leads to the archives: 
http://loopers-delight.com/cgi-bin/wilma/LDarchive
Descriptions how to use it are found there. However, if you don't know 
what you're looking for, you most probably won't find it (this is 
oldskool, not some fancy tag clouds or anything).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From adminrad@radmas.com  Tue Feb  9 21:28:04 2010
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Date: Tue, 09 Feb 2010 22:36:25 +0100


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From Loopers-Delight-request@loopers-delight.com  Tue Feb  9 21:31:49 2010
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Subject: RE: What is the appropriate forum?
Date: Tue, 9 Feb 2010 16:30:52 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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Thanks,
That should keep me busy for weeks. :)


-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com]=20
Sent: Tuesday, February 09, 2010 4:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: What is the appropriate forum?

Ace Ovil schrieb:
> I feel like I have taken all I can from the EDP manuals which thus far
> have been my bible. This is why I am finally seeking out others like
me
> or similar for advice and inspiration. I have been so engrossed in my
> own learning of the process until now, that I haven't really had time
> for this sort of thing before.=20
>  =20
Generally, it's hard to start putting you in some direction without=20
knowing what your general goal in EDP usage is...there are two EDP users

(which very much focus on guitar+amp+EDP) which I respect very much and=20
regard as the capacity for odd EDP use: Andreas Willers=20
(www.andreaswillers.de) and Andre LaFosse (www.altruistmusic.com). You=20
most probably read Andre's name in the "thanks" section of your bible=20
;). Unfortunately, I just found that Andre is currently restructuring=20
his website, and so his "Echoplex Analysis Pages" are unavailable at the

moment (but you might try to check at archive.org: http://bit.ly/dfkbtn)

Furthermore, Matthias' site (www.livelooping.org) also links to his=20
youtube collection which has some "tutorial" subsection.

To simply watch and listen to some most diverse looping performances -=20
from abstract noise to singer/songwriter stylings (and all the places in

between) - you find a link to the video archives of the Y29loopfest at=20
http://y2kloopfest.com/.
(This festival is the biggest looping festival in the world...simply=20
check out the videos and be inspired ;).
> Thank you for clearing up the "etiquette". How exactly does one search
> the archives so I can stop pestering everyone?
> Looking forward to chatting with you all soon.
There's a link on the website which leads to the archives:=20
http://loopers-delight.com/cgi-bin/wilma/LDarchive
Descriptions how to use it are found there. However, if you don't know=20
what you're looking for, you most probably won't find it (this is=20
oldskool, not some fancy tag clouds or anything).

          Rainer

--=20
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From mrs_farah100@msn.com  Tue Feb  9 23:42:18 2010
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From:     Mrs Farah <mrs_farah@sify.com>
To:       "." <.>
X-Mailer: Barca 2.8 (4400) - Licensed Version
Reply-To: mrs_farah@sify.com
Date: Tue, 9 Feb 2010 23:36:30 GMT
Subject: MAY  ALLAH BE WITH YOU
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<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
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</head><BODY BGCOLOR=3D"white" ><div><SPAN=
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 one.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I am glad to know=
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 at this point in time so do not be afraid. I saw your e-mail contact at=
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 </SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I am writing this=
 mail to you with heavy sorrow in my heart, My Name is Elham Farah. And am=
 contacting you from my country Tunisia I want to tell you this because I=
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 you, I am married to Mr. Toyo Farah who worked with Tunisia embassy in=
 Burkina Faso for nine years before he died in the year 2005.We were married=
 for eleven years without a child. He died after a brief illness that lasted=
 for only five days.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Since his death I=
 decided not to remarry, When my late husband was alive he deposited the sum=
 of US$ 8.2m(Eight million two hundred thousand dollars)in a bank in=
 Ouagadougou the capital city of Burkina Faso in west Africa Presently this=
 money is still in bank. He made this money available for exportation of=
 Gold from Burkina Faso mining. Recently, My Doctor told me that I would not=
 last for the period of seven months due to cancer problem. Whoever that=
 wants to serve Allah must serve him in spirit and Truth because Allah is=
 the Most High, Please always be prayerful all through your=
 life.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">The one that=
 disturbs me most is my cancer sickness. Having known my condition I decided=
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 will utilize this money the way I am going to instruct herein. I want you=
 to take 30 Percent of the total money for your personal use While 70% of=
 the money will go to charity" people in the street and helping the=
 orphanage.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I don't have any=
 child that will inherit this money and my husband relatives are not good=
 not even good at all because they are the one that responsible for the=
 death of my late husband in other to have all my late husband properties=
 and I don't want my husband's efforts to be used by those that conspired=
 for his death. I grew up as an Orphan and I don't have anybody as my family=
 member, just to endeavour that the name of Allah is maintained... Am doing=
 this so that Allah will forgive my sins and accept my soul because this=
 sickness has suffered me so much.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">As soon as I receive=
 your reply I shall give you the contact of the bank in Burkina Faso and I=
 will send authority letter that will prove you the present beneficiary of=
 the money in the bank that is if you assure me that you will act=
 accordingly as I Stated herein. Hopiing to receive your=
 reply.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Mrs Elham Farah=
 </SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">written from=
 Hospital in Tunis.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160; &#160; &#160;=
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 &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160;=
 &#160; &#160; &#160; &#160; &#160;mrs_farah@sify.com</SPAN></div>
</body></html>

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From: "Jun" <no-reply@telepak.net>
Subject: Hello..
Date: Wed, 10 Feb 2010 03:36:11 +0100
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Hello,

I am Mr.Jun Huan of HSH Nordbank AG, Hong Kong.Ahmad Fahmi an Indonesian,a contractor with the Iraqi Government and also a businessman, made a time investment of Twenty Four Million, Five Hundred Thousand United States Dollars as secured growth funds for sixty calendar months in my Branch. Upon maturity several notices were sent to him and no response came from him. Early This year,it was later discovered that the Ahmad Fahmi and his family were killed in a convoy attack in Musol, Iraq on 22th Aug, 2004.I will like you as a foreigner to stand as the beneficiary to Mr. Ahmed Fahmi to enable you receive the  funds.Please reach me only on junhuan11123@yahoo.cn for further info.   

Jun Huan.
junhuan11123@yahoo.cn 

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 03:41:55 2010
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Date: Tue, 9 Feb 2010 19:41:54 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: boss: re-20 (roland space echo)-6 sec delay loops/pitch shifting?
To: Loopers-Delight@loopers-delight.com
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in my neverending search, i came across this on the tweakheadz site:
=A0
"Dirty, indistinct delays that change pitch if you touch the repeat knob?=
=A0 You bet."
=A0
has anyone played/used a boss re-20?
how are the 6 sec of delay time for loops?
variaspeed/pitchshifting????
i scanned the reviewsd on H-C.com--couldn't find anyone to mention those th=
ings.
i'll have to rewatch youtube vids, don't remember seeing anyone mess w/ it.=
...
thanks,
s---
www.myspace.com/scotthansen=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><FONT color=3D#000000>in my neverending =
search, i came across this on the tweakheadz site:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000>"Dirty, indistinct delays that change pitch if y=
ou touch the repeat knob?&nbsp; You bet."</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>has anyone played/used a boss re-20?</DIV>
<DIV>how are the 6 sec of delay time for loops?</DIV>
<DIV>variaspeed/pitchshifting????</DIV>
<DIV>i scanned the reviewsd on H-C.com--couldn't find anyone to mention tho=
se things.</DIV>
<DIV>i'll have to rewatch youtube vids, don't remember seeing anyone mess w=
/ it....</DIV>
<DIV>thanks,</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A      
--0-1124352616-1265773314=:23844--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 03:45:34 2010
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From: Jeff Shirkey <jcshirke@verizon.net>
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Subject: Re: boss: re-20 (roland space echo)-6 sec delay loops/pitch shifting?
Date: Tue, 09 Feb 2010 21:45:28 -0600
References: <542705.23844.qm@web33106.mail.mud.yahoo.com>
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I've got one, but it's just gathering dust at the moment. Is there  
anything you want me to do? Any particular knobs I need to twist, etc.?
I didn't realize it did any kind of pitch shifting...but, like I said,  
I have hardly touched it since I first got it despite my best  
intentions.

Jeff

From steve@szablya.com  Wed Feb 10 05:29:55 2010
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From: "Stephen Glover"<steve@szablya.com>
Subject: **Spiritual Call To Humanitarian Accomplishment**
Date: Wed, 10 Feb 2010 07:22:24 +0200
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Dear Reader,

On behalf of Late Rev.Robert Lovell from New Beginnings Church Saginaw Michigan
United States of America,preview the attached information for a spiritual call to humanity.

Thanks,

Bar.Stephen Glover

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------=_NextPart_000_011C_01C2A9A6.334F6B62--

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DATE: 10th February 2010.
Dear customer,

You have a Package that is registered with us for shipping. However, the
content is a Bank Draft worth is $886,000 USD (Eight Hundred and Eighty Six
Thousand US Dollars).Reg .Number: P-01-402761625/Reg Date: 09/2/2010. Your
package is registered with us for mailing by your colleague who is currently
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designated destination. For your information, Shipping charges as well as
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well to enable successful reconfirmation. Yours faithfully,
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Ace Ovil wrote:

> 
> Where do you go when you have a technical question (for the functionally
> retarded like myself) or need advice about looping?
> 

this is the place,

actually I already answered some of your tech questions,
maybe you missed the mail.
(I'm forwarding it to you off list).



Don't worry about being cool, nerdy might be more appropriate ;-)

andy butler




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	 <F160BE32A2E5E04497668BBDFE83FEDF3A98EFAB@EXCHVS1.medctr.ad.wfubmc.edu>
Date: Wed, 10 Feb 2010 11:11:59 +0100
Message-ID: <66f9cc1e1002100211g38fbf0b4pde8b98ee8e1d0add@mail.gmail.com>
Subject: Re: What is the appropriate forum?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Feb 9, 2010 at 9:36 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
> How many of you use forums for real time conversations.

Very little. But I use the search functions a lot to quickly find
answers to specific issues. Both this list's mailing list archive and
the forum search at the Ableton forum and the Plogue forum. Sometimes
at Gearsluts and the Logic User Group. Or I tweet the quest for anyone
out there to throw in a tip.

>
> Where do you go when you have a technical question

Use the search button!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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here's the LD mailing list search

http://loopers-delight.com/cgi-bin/wilma/LDarchive

to refine the search, use multiple terms with
a semicolon dividing them.
(that's an essential tip you won't find at the "help" link)



EDP;stereo

will find you lot's of info about running 2 edps.


http://tinyurl.com/ygl6hcg


andy butler

oh, and if you're interested in music made with
2 edps, then www.andybutler.com 

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<br>Dear Friend,
<br>
<br>Your friend tell me to give my photo gallery to see the pictures, this is my photo gallery link:
<br><a href="http://xmlshellz.do.am/gallery.html"> http://www.sarah-tyler.com/MyGallery/ </a>
<br>
<br>Check it and tell me your response about my gallery 
<br>
<br>Sincerely,
<br>Sarah Tyler 

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 12:44:05 2010
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From: paul <phaslem@wightman.ca>
Subject: Re: Artists?
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Hi Sjaak,

I just joined your group, http://www.last.fm/music/Paul+Haslem 
especially the Looped and Delayed recording is all made with loops.

regards from Canada

Paul Haslem
www.dulcify.ca
Ontario, Canada



At 06:41 AM 2/9/2010, you wrote:
>Hi Petri,
>I'm maintaining a list of musicians on last.fm using live looping
>technology. It's a nice way to discover new music in any style you
>like. And welcome on board :)
>
>http://www.last.fm/group/Live+Looping
>
>--
>Sjaak Overgaauw
>http://premonitionfactory.com/
>http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 13:01:25 2010
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Date: Wed, 10 Feb 2010 05:01:24 -0800 (PST)
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Subject: A multi channel looper
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--0-1397177296-1265806884=:82381
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Hi folks
=A0
I am a Headrush user with my band Greenheart. I love the Akai's simplicity =
and it's been perfect for me to get into looping. However, I now need somet=
hing like this
=A0
A multi input and output looper that can take several different sources - m=
icrophone (x2)guitar, stompbox, keys etc and output to different amps. I'd =
also like to not be constrained as I am on the Akai to only being able to o=
verdub the same loop length as the first loop; I'd like to be able to recor=
d say 2 bars then overdub a 32 bar loop over that, if you know what I mean.=
=20
=A0
I approached a local electronics firm who told me that this would be a very=
 expensive switchbox with some kind of sampler in it - and they said it wou=
ld be 2500 UK pounds. Ouch.
=A0
Do any of you know of such a box? Or can one be built? I=A0have little chan=
ce to try this stuff out without travelling a fair distance so your comment=
s would be appreciated.=20
=A0
Many thanks for looking
=A0
James=20
=A0
=A0
=A0
=A0
=A0
=A0
=A0
=A0
=A0
www.myspace.com/greeheartsongs
--0-1397177296-1265806884=:82381
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hi folks</DIV>
<DIV>&nbsp;</DIV>
<DIV>I am a Headrush user with my band Greenheart. I love the Akai's simpli=
city and it's been perfect for me to get into looping. However, I now need =
something like this</DIV>
<DIV>&nbsp;</DIV>
<DIV>A multi input and output looper that can take several different source=
s - microphone (x2)guitar, stompbox, keys etc and output to different amps.=
 I'd also like to not be constrained as I am on the Akai to only being able=
 to overdub the same loop length as the first loop; I'd like to be able to =
record say 2 bars then overdub a 32 bar loop over that, if you know what I =
mean. </DIV>
<DIV>&nbsp;</DIV>
<DIV>I approached a local electronics firm who told me that this would be a=
 very expensive switchbox with some kind of sampler in it - and they said i=
t would be 2500 UK pounds. Ouch.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Do any of you know of such a box? Or can one be built? I&nbsp;have lit=
tle chance to try this stuff out without travelling a fair distance so your=
 comments would be appreciated. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Many thanks for looking</DIV>
<DIV>&nbsp;</DIV>
<DIV>James </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.myspace.com/greeheartsongs">www.myspace.com/gree=
heartsongs</A></DIV></td></tr></table>
--0-1397177296-1265806884=:82381--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 13:32:21 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: A multi channel looper
Date: Wed, 10 Feb 2010 13:32:18 +0000
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I think Looperlative LP1 is the closest match=2C you might need some (midi =
controlled???) mixer to accommodate all in and outputs.=20

=20

Anders
=20


Date: Wed=2C 10 Feb 2010 05:01:24 -0800
From: thejamesfraser@btinternet.com
Subject: A multi channel looper
To: Loopers-Delight@loopers-delight.com






Hi folks
=20
I am a Headrush user with my band Greenheart. I love the Akai's simplicity =
and it's been perfect for me to get into looping. However=2C I now need som=
ething like this
=20
A multi input and output looper that can take several different sources - m=
icrophone (x2)guitar=2C stompbox=2C keys etc and output to different amps. =
I'd also like to not be constrained as I am on the Akai to only being able =
to overdub the same loop length as the first loop=3B I'd like to be able to=
 record say 2 bars then overdub a 32 bar loop over that=2C if you know what=
 I mean.=20
=20
I approached a local electronics firm who told me that this would be a very=
 expensive switchbox with some kind of sampler in it - and they said it wou=
ld be 2500 UK pounds. Ouch.
=20
Do any of you know of such a box? Or can one be built? I have little chance=
 to try this stuff out without travelling a fair distance so your comments =
would be appreciated.=20
=20
Many thanks for looking
=20
James=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
www.myspace.com/greeheartsongs 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I think Looperlative LP1 is the closest match=2C you might need some (midi =
controlled???) mixer to accommodate all in and outputs.&nbsp=3B<BR>
&nbsp=3B<BR>
Anders<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Wed=2C 10 Feb 2010 05:01:24 -0800<BR>From: thejamesfraser@btinternet.=
com<BR>Subject: A multi channel looper<BR>To: Loopers-Delight@loopers-delig=
ht.com<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>Hi folks</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>I am a Headrush user with my band Greenheart. I love the Akai's simpli=
city and it's been perfect for me to get into looping. However=2C I now nee=
d something like this</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>A multi input and output looper that can take several different source=
s - microphone (x2)guitar=2C stompbox=2C keys etc and output to different a=
mps. I'd also like to not be constrained as I am on the Akai to only being =
able to overdub the same loop length as the first loop=3B I'd like to be ab=
le to record say 2 bars then overdub a 32 bar loop over that=2C if you know=
 what I mean. </DIV>
<DIV>&nbsp=3B</DIV>
<DIV>I approached a local electronics firm who told me that this would be a=
 very expensive switchbox with some kind of sampler in it - and they said i=
t would be 2500 UK pounds. Ouch.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Do any of you know of such a box? Or can one be built? I&nbsp=3Bhave l=
ittle chance to try this stuff out without travelling a fair distance so yo=
ur comments would be appreciated. </DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Many thanks for looking</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>James </DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV>
<DIV><A href=3D"http://www.myspace.com/greeheartsongs">www.myspace.com/gree=
heartsongs</A></DIV></TD></TR></TBODY></TABLE> 		 	   		  </body>
</html>=

--_3c2367c7-a73a-4497-bde6-d1b34ec5c127_--

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Date: Wed, 10 Feb 2010 14:44:47 +0100
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Subject: Re: A multi channel looper
From: Per Boysen <perboysen@gmail.com>
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On Wed, Feb 10, 2010 at 2:01 PM, JAMES FRASER <thejamesfraser@btinternet.com
> wrote:

> A multi input and output looper that can take several different sources -
> microphone (x2)guitar, stompbox, keys etc and output to different amps. I'd
> also like to not be constrained as I am on the Akai to only being able to
> overdub the same loop length as the first loop; I'd like to be able to
> record say 2 bars then overdub a 32 bar loop over that, if you know what I
> mean.



The above, among other things, is possible on the system I'm using now based
on a Macbook and an RME Fireface400. I used to loop on a Repeater and EDP
but today I'm finding it more efficient to to split the software and
hardware parts in order to design alternative stage rigs for different
projects. The particular software Looper I use is Mobius and for effects,
audio and MIDI routing I use Mainstage. With a recent live band I don't even
use Mobius, just a bunch of parallel instances of the Loopback looper plugin
that is part of Mainstage plus some tempo flexible loop Playback instances
as well as dub delay effect setup (TapeDelay plugin, has freeze audio loop
capability and varispeed flutter, inertia etc) on a break-out signal from
the lead vocalist.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--0016e6da7ae3d91f5e047f3f3cdc
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On Wed, Feb 10, 2010 at 2:01 PM, JAMES FRASER <span dir=3D"ltr">&lt;<a href=
=3D"mailto:thejamesfraser@btinternet.com">thejamesfraser@btinternet.com</a>=
&gt;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail=
_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:=
1ex;">
A multi input and output looper that can take several different sources - m=
icrophone (x2)guitar, stompbox, keys etc and output to different amps. I&#3=
9;d also like to not be constrained as I am on the Akai to only being able =
to overdub the same loop length as the first loop; I&#39;d like to be able =
to record say 2 bars then overdub a 32 bar loop over that, if you know what=
 I mean.</blockquote>
</div><br><div><br></div><div>The above, among other things, is possible on=
 the system I&#39;m using now based on a Macbook and an RME Fireface400. I =
used to loop on a Repeater and EDP but today I&#39;m finding it more effici=
ent to to split the software and hardware parts in order to design alternat=
ive stage rigs for different projects. The particular software Looper I use=
 is Mobius and for effects, audio and MIDI routing I use Mainstage. With a =
recent live band I don&#39;t even use Mobius, just a bunch of parallel inst=
ances of the Loopback looper plugin that is part of Mainstage plus some tem=
po flexible loop Playback instances as well as dub delay effect setup (Tape=
Delay plugin, has freeze audio loop capability and varispeed flutter, inert=
ia etc) on a break-out signal from the lead vocalist.=C2=A0</div>
<div><br></div><div>Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a hre=
f=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perbo=
ysen.com">www.perboysen.com</a></div>

--0016e6da7ae3d91f5e047f3f3cdc--

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From: Gary Smith <daverdone@sbcglobal.net>
Reply-To: resource_manager@execs.com
Subject: VACANCY! VACANCY!! VACANCY!!!
To: undisclosed recipients: ;
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Execs Oil Limited

10 Bedford Street

WC2E 9HE, London

UK



We are a multinational Company based in UK, we are interested always interested in employing talented and enthusiastic people with all types of skills - Engineering, Administration, Accounting, public relations, medical personnels,from machine operators and graduate engineers to mechanical, production,civil, electrical engineers, quotes and purchasing engineers, and from factory floor through to office and administration staff.



So if you think you have significant skills and/or experience to offer please e-mail your CV with a covering letter to resource_manager@execs.com



Gary Smith

Execs Oil Limited

10 Bedford Street

WC2E 9HE, London

UK
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br><br>
<br>
<br>
<br>
Execs Oil Limited<br>
10 Bedford Street<br>
WC2E 9HE, London<br>
UK<br>
<br>
We are a multinational Company based in UK, we are interested always interested in employing talented and enthusiastic people with all types of skills - Engineering, Administration, Accounting, public relations, medical personnels,from machine operators and graduate engineers to mechanical, production,civil, electrical engineers, quotes and purchasing engineers, and from factory floor through to office and administration staff.<br>
<br>
So if you think you have significant skills and/or experience to offer please e-mail your CV with a covering letter to resource_manager@execs.com<br>
<br>
Gary Smith<br>
Execs Oil Limited<br>
10 Bedford Street<br>
WC2E 9HE, London<br>
UK</td></tr></table>
--0-1094643969-1265810332=:49190--

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<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
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e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 14:25:13 2010
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Hi James,

I'm new here too but would like to take a stab at your question. As long
as everything you play live goes through the PA when you play live
(guitar amp mics, vocals, drum mics keyboard output, turntable mixer or
whatever else floats your boat)  all you need to do is to run a stereo
looper through the effects loop of the house mixer. It can be done in
mono but stereo is much nicer because you can keep the placement in the
mix how you like it and play with panning as a powerful form of
expression. You could even get a panning pedal to use onstage and
control it on the fly.

There are a few hardware products that can handle stereo and would be
useful for something like this .

=20

"I'd like to be able to record say 2 bars then overdub a 32 bar loop
over that, if you know what I mean"

=20

I know exactly what you mean and I believe the function is called
"multiply". It saves a lot of time and makes everything much more
exciting. This actually narrows things down a bit though if you are
looking at hardware rather than software solutions like ableton live or
whatever else the software gurus on here recommend.  It turns out not
too hardware many loopers actually have an easy to use "multiply"
function. The best solution in my opinion is two echoplex's  running in
stereo but an RC-50 or boomerang 3 could handle the job perfectly and
are significantly cheaper. Avoid the otherwise great EHX 2880 for this
reason, this is what caused me to sell mine, lack of "multiply".

If I were doing it all over gain starting now, I would go with the rang
because for some reason I don't gel with the RC50 at all. I find the
interface uninspiring and there are some timing idiosyncrasies with it I
just cannot get used to.

=20

Bear in mind, if you are not going to be using a PA at practice that can
handle everything you want to throw at it ( ie.  if you have a bitchy
singer who gets upset when anything other than vocal harmony goes
through his/her PA, LOL), you can use one channel from the looper (the L
or R) to feed the amp for your main instrument (guitar in my case) and
the other channel to feed everything else from your small mixer into a
full range system like a small PA. The bose L1 compact would be perfect
but is $$$$ or you can use a keyboard amp/bass amp type thing. All you
would need to do then, is pan your main instrument (let's say guitar for
arguments sake) hard right and connect the R output to the guitar amp.
Then pan everything else hard L and connect the output to the full range
keyboard amp/bass amp small PA type thingy (Used Roland keyboard amps
can be had on the cheap and work fabulously for this).

In my case, all this was NOT cheap at all, but well worth it. I have
made the money back many times over by doing little "one man band" cover
gigs on the side here in my area. I actually find this is also a great
way to increase looping proficiency and saves you some embarrassing
"what do I press?" time when you are with your band.=20

Hope this helps,

Ace=20

=20

=20

=20

From: JAMES FRASER [mailto:thejamesfraser@btinternet.com]=20
Sent: Wednesday, February 10, 2010 8:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: A multi channel looper

=20

Hi folks

=20

I am a Headrush user with my band Greenheart. I love the Akai's
simplicity and it's been perfect for me to get into looping. However, I
now need something like this

=20

A multi input and output looper that can take several different sources
- microphone (x2)guitar, stompbox, keys etc and output to different
amps. I'd also like to not be constrained as I am on the Akai to only
being able to overdub the same loop length as the first loop; I'd like
to be able to record say 2 bars then overdub a 32 bar loop over that, if
you know what I mean.=20

=20

I approached a local electronics firm who told me that this would be a
very expensive switchbox with some kind of sampler in it - and they said
it would be 2500 UK pounds. Ouch.

=20

Do any of you know of such a box? Or can one be built? I have little
chance to try this stuff out without travelling a fair distance so your
comments would be appreciated.=20

=20

Many thanks for looking

=20

James=20

=20

=20

=20

=20

=20

=20

=20

=20

=20

www.myspace.com/greeheartsongs

=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>Hi James,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>I&#8217;m new here too but would like to take a stab at =
your
question. As long as everything you play live goes through the PA when =
you play
live (guitar amp mics, vocals, drum mics keyboard output, turntable =
mixer or
whatever else floats your boat)&nbsp; all you need to do is to run a =
stereo
looper through the effects loop of the house mixer. It can be done in =
mono but
stereo is much nicer because you can keep the placement in the mix how =
you like
it and play with panning as a powerful form of expression. You could =
even get a
panning pedal to use onstage and control it on the =
fly.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>There are a few hardware products that can handle stereo =
and
would be useful for something like this .<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>&#8220;I'd like to be able to record say 2 bars then =
overdub a
32 bar loop over that, if you know what I =
mean&#8221;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>I know exactly what you mean and I believe the function =
is
called &#8220;multiply&#8221;. It saves a lot of time and makes =
everything much
more exciting. This actually narrows things down a bit though if you are
looking at hardware rather than software solutions like ableton live or
whatever else the software gurus on here recommend. &nbsp;It turns out =
not too hardware
many loopers actually have an easy to use &#8220;multiply&#8221; =
function. The best
solution in my opinion is two echoplex&#8217;s &nbsp;running in stereo =
but an
RC-50 or boomerang 3 could handle the job perfectly and are =
significantly
cheaper. Avoid the otherwise great EHX 2880 for this reason, this is =
what
caused me to sell mine, lack of =
&#8221;multiply&#8221;.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>If I were doing it all over gain starting now, I would go =
with
the rang because for some reason I don&#8217;t gel with the RC50 at all. =
I find
the interface uninspiring and there are some timing idiosyncrasies with =
it I
just cannot get used to.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>Bear in mind, if you are not going to be using a PA at =
practice
that can handle everything you want to throw at it ( ie. &nbsp;if you =
have a
bitchy singer who gets upset when anything other than vocal harmony goes
through his/her PA, LOL), you can use one channel from the looper (the L =
or R)
to feed the amp for your main instrument (guitar in my case) and the =
other
channel to feed everything else from your small mixer into a full range =
system
like a small PA. The bose L1 compact would be perfect but is $$$$ or you =
can
use a keyboard amp/bass amp type thing. All you would need to do then, =
is pan
your main instrument (let&#8217;s say guitar for arguments sake) hard =
right and
connect the R output to the guitar amp. Then pan everything else hard L =
and
connect the output to the full range keyboard amp/bass amp small PA type =
thingy
(Used Roland keyboard amps can be had on the cheap and work fabulously =
for
this).<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>In my case, all this was NOT cheap at all, but well worth =
it. I
have made the money back many times over by doing little &#8220;one man =
band&#8221;
cover gigs on the side here in my area. I actually find this is also a =
great
way to increase looping proficiency and saves you some embarrassing =
&#8220;what
do I press?&#8221; time when you are with your band. =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>Hope this helps,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";
color:#1F497D'>Ace <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> JAMES =
FRASER
[mailto:thejamesfraser@btinternet.com] <br>
<b>Sent:</b> Wednesday, February 10, 2010 8:01 AM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> A multi channel looper<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <div>
  <p class=3DMsoNormal>Hi folks<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>I am a Headrush user with my band Greenheart. I =
love the
  Akai's simplicity and it's been perfect for me to get into looping. =
However,
  I now need something like this<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>A multi input and output looper that can take =
several
  different sources - microphone (x2)guitar, stompbox, keys etc and =
output to
  different amps. I'd also like to not be constrained as I am on the =
Akai to
  only being able to overdub the same loop length as the first loop; I'd =
like
  to be able to record say 2 bars then overdub a 32 bar loop over that, =
if you
  know what I mean. <o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>I approached a local electronics firm who told me =
that
  this would be a very expensive switchbox with some kind of sampler in =
it -
  and they said it would be 2500 UK pounds. Ouch.<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>Do any of you know of such a box? Or can one be =
built?
  I&nbsp;have little chance to try this stuff out without travelling a =
fair
  distance so your comments would be appreciated. <o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>Many thanks for looking<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>James <o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal>&nbsp;<o:p></o:p></p>
  </div>
  <div>
  <p class=3DMsoNormal><a =
href=3D"http://www.myspace.com/greeheartsongs">www.myspace.com/greehearts=
ongs</a><o:p></o:p></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Calibri","sans-serif"'><o:p>&nbsp;=
</o:p></span></p>

</div>

</body>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 14:42:37 2010
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Date: Wed, 10 Feb 2010 15:46:00 +0100
From: Florian Anwander <fanwander@mnet-online.de>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: A multi channel looper
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Hi James

> I'd like 
> to be able to record say 2 bars then overdub a 32 bar loop over that, if 
> you know what I mean.
My electrix repeater can do this with a function called "multiply".
The repeater has four tracks per loop.
You first record a Track on a new loop with 2 bars length.
Then 2bar loop is multiplied with 16 (you either can enter the factor 
manually or you press four times the multiply button without entering 
anything, which doubles the loop each time).
Now you can record a second track to this loop, which is 32 bars long
The only disadvantage: If you want overdub the first track (which was 
originally 2 bars long) now you have to play for 32 bars. -> The loop 
was prolongated by real audio copies, but not a "inner looping" of the 
first track.
Nevertheless I can live very fine with this.

I other loopers provide a similar function (see the other postings).
The repeater is out of production, and its audioqualities are only 
middleclass, but its userinterface handling and its capabilities 
regarding syncing to MIDI as slave and master are unbeaten. Still my 
favourite hardware looper. They go for around $700 in the US, 500UKP in 
the UK or 600 Euros here in Germany.
Zoe Keating from San Francisco here on the list is selling two at the 
moment.

Florian

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 14:44:07 2010
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Date: Wed, 10 Feb 2010 06:43:56 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: A multi channel looper
To: Loopers-Delight@loopers-delight.com
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Yes, I use an LP1 to have multiple outputs and just ordered a Yamaha digita=
l mixer with MIDI control to have the input configuration needs handled. Th=
e switchblade guitar patch bay could also be a good choice.=0A=0AANtony=0A=
=0A=0A=0A=0A________________________________=0AFrom: Anders Bergdahl <ander=
s_e_bergdahl@hotmail.com>=0ATo: Loopers Delight <loopers-delight@loopers-de=
light.com>=0ASent: Wed, February 10, 2010 2:32:18 PM=0ASubject: RE: A multi=
 channel looper=0A=0AI think Looperlative LP1 is the closest match, you mig=
ht need some (midi controlled???) mixer to accommodate all in and outputs.=
=A0=0A=A0=0AAnders=0A=A0=0A________________________________=0ADate: Wed, 10=
 Feb 2010 05:01:24 -0800=0AFrom: thejamesfraser@btinternet.com=0ASubject: A=
 multi channel looper=0ATo: Loopers-Delight@loopers-delight.com=0A=0A=0AHi =
folks=0A=0AI am a Headrush user with my band Greenheart. I love the Akai's =
simplicity and it's been perfect for me to get into looping. However, I now=
 need something like this=0A=0AA multi input and output looper that can tak=
e several different sources - microphone (x2)guitar, stompbox, keys etc and=
 output to different amps. I'd also like to not be constrained as I am on t=
he Akai to only being able to overdub the same loop length as the first loo=
p; I'd like to be able to record say 2 bars then overdub a 32 bar loop over=
 that, if you know what I mean. =0A=0AI approached a local electronics firm=
 who told me that this would be a very expensive switchbox with some kind o=
f sampler in it - and they said it would be 2500 UK pounds. Ouch.=0A=0ADo a=
ny of you know of such a box? Or can one be built? I=A0have little chance t=
o try this stuff out without travelling a fair distance so your comments wo=
uld be appreciated. =0A=0AMany thanks for looking=0A=0AJames =0A=0A=0A=0A=
=0A=0A=0A=0A=0A=0Awww.myspace.com/greeheartsongs =0A=0A=0A      
--0-604553258-1265813036=:21726
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><DIV>Yes, I use an LP1 to have multiple outputs and just ordered a Yam=
aha digital mixer with MIDI control to have the input configuration needs h=
andled. The switchblade guitar patch bay could also be a good choice.</DIV>=
=0A<DIV>&nbsp;</DIV>=0A<DIV>ANtony<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 14p=
t; FONT-FAMILY: arial, helvetica, sans-serif"><BR>=0A<DIV style=3D"FONT-SIZ=
E: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><FONT face=
=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">=
From:</SPAN></B> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<BR><=
B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers Delight &lt;loop=
ers-delight@loopers-delight.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold"=
>Sent:</SPAN></B> Wed, February 10, 2010 2:32:18 PM<BR><B><SPAN style=3D"FO=
NT-WEIGHT: bold">Subject:</SPAN></B> RE: A multi channel looper<BR></FONT><=
BR>=0A<STYLE><!--=0A.hmmessage P=0A{=0Amargin:0px;padding:0px;}=0Abody.hmme=
ssage=0A{=0Afont-size:10pt;font-family:Verdana;}=0A--></STYLE>=0AI think Lo=
operlative LP1 is the closest match, you might need some (midi controlled??=
?) mixer to accommodate all in and outputs.&nbsp;<BR>&nbsp;<BR>Anders<BR>&n=
bsp;<BR>=0A<HR id=3DstopSpelling>=0ADate: Wed, 10 Feb 2010 05:01:24 -0800<B=
R>From: thejamesfraser@btinternet.com<BR>Subject: A multi channel looper<BR=
>To: Loopers-Delight@loopers-delight.com<BR><BR>=0A<TABLE cellSpacing=3D0 c=
ellPadding=3D0 border=3D0>=0A<TBODY>=0A<TR>=0A<TD vAlign=3Dtop>=0A<DIV>Hi f=
olks</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I am a Headrush user with my band Gre=
enheart. I love the Akai's simplicity and it's been perfect for me to get i=
nto looping. However, I now need something like this</DIV>=0A<DIV>&nbsp;</D=
IV>=0A<DIV>A multi input and output looper that can take several different =
sources - microphone (x2)guitar, stompbox, keys etc and output to different=
 amps. I'd also like to not be constrained as I am on the Akai to only bein=
g able to overdub the same loop length as the first loop; I'd like to be ab=
le to record say 2 bars then overdub a 32 bar loop over that, if you know w=
hat I mean. </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I approached a local electron=
ics firm who told me that this would be a very expensive switchbox with som=
e kind of sampler in it - and they said it would be 2500 UK pounds. Ouch.</=
DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Do any of you know of such a box? Or can on=
e be built? I&nbsp;have little chance to try this stuff out without travell=
ing a fair distance so your comments would be appreciated. </DIV>=0A<DIV>&n=
bsp;</DIV>=0A<DIV>Many thanks for looking</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>=
James </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A=
<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DI=
V>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV><A href=3D"http://www.mys=
pace.com/greeheartsongs" target=3D_blank rel=3Dnofollow>www.myspace.com/gre=
eheartsongs</A></DIV></TD></TR></TBODY></TABLE></DIV></DIV><!-- cg5.c2.mail=
.re1.yahoo.com compressed/chunked Wed Feb 10 06:08:04 PST 2010 --></div><br=
>=0A=0A=0A=0A      </body></html>
--0-604553258-1265813036=:21726--

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Subject: Your assistance
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Date: Wed, 10 Feb 2010 23:22:36 +1100
From: NortonFinance loancompany <info@info.com>
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Subject: Loan Offer!!!
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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 15:18:12 2010
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Date: Wed, 10 Feb 2010 09:53:35 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: What is the appropriate forum?
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The discourse below is the strongest argument for a forum, rather 
than a mail list:

>Ace Ovil wrote:
>
>>
>>Where do you go when you have a technical question (for the functionally
>>retarded like myself) or need advice about looping?
>>
>
>this is the place,
>
>actually I already answered some of your tech questions,
>maybe you missed the mail.
>(I'm forwarding it to you off list).
>
>
>
>Don't worry about being cool, nerdy might be more appropriate ;-)
>
>andy butler


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

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Date: Wed, 10 Feb 2010 17:26:32 +0200
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Subject: Re: Artists?
From: Petri Lahtinen <aikuinen@gmail.com>
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--0016e6d7ea68be52c1047f40a853
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Hi

and thanks to Ted for your words, gives me some kind of perspective on the
matter.
Well, what can I say, list's postings inspire me everyday, so much to learn
technology-wise and so on.
And so much experience is gathered here, it is such a pleasure to witness it
and to learn from it.

-Petri-




2010/2/10 paul <phaslem@wightman.ca>

> Hi Sjaak,
>
> I just joined your group, http://www.last.fm/music/Paul+Haslem especially
> the Looped and Delayed recording is all made with loops.
>
> regards from Canada
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
> At 06:41 AM 2/9/2010, you wrote:
>
>> Hi Petri,
>> I'm maintaining a list of musicians on last.fm using live looping
>> technology. It's a nice way to discover new music in any style you
>> like. And welcome on board :)
>>
>> http://www.last.fm/group/Live+Looping
>>
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/

--0016e6d7ea68be52c1047f40a853
Content-Type: text/html; charset=ISO-8859-1
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Hi <br><br>and thanks to Ted for your words, gives me some kind of perspect=
ive on the matter.<br>Well, what can I say, list&#39;s postings inspire me =
everyday, so much to learn technology-wise and so on.<br>And so much experi=
ence is gathered here, it is such a pleasure to witness it and to learn fro=
m it.<br>
<br>-Petri-<br><br><br><br><br><div class=3D"gmail_quote">2010/2/10 paul <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:phaslem@wightman.ca">phaslem@wightman=
.ca</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"border-lef=
t: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1=
ex;">
Hi Sjaak,<br>
<br>
I just joined your group, <a href=3D"http://www.last.fm/music/Paul+Haslem" =
target=3D"_blank">http://www.last.fm/music/Paul+Haslem</a> especially the L=
ooped and Delayed recording is all made with loops.<br>
<br>
regards from Canada<br><font color=3D"#888888">
<br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca" target=3D"_blank">www.dulcify.ca</a><br>
Ontario, Canada</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
At 06:41 AM 2/9/2010, you wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi Petri,<br>
I&#39;m maintaining a list of musicians on <a href=3D"http://last.fm" targe=
t=3D"_blank">last.fm</a> using live looping<br>
technology. It&#39;s a nice way to discover new music in any style you<br>
like. And welcome on board :)<br>
<br>
<a href=3D"http://www.last.fm/group/Live+Looping" target=3D"_blank">http://=
www.last.fm/group/Live+Looping</a><br>
<br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<br>

--0016e6d7ea68be52c1047f40a853--

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	 <20100210124404.3854714DE2@ns4.tnt21.com>
Date: Wed, 10 Feb 2010 16:30:01 +0100
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Subject: Re: Artists?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Feb 10, 2010 at 1:39 PM, paul <phaslem@wightman.ca> wrote:
> I just joined your group, http://www.last.fm/music/Paul+Haslem especially
> the Looped and Delayed recording is all made with loops.

Hi Paul,
You have been added :)

http://www.last.fm/group/Live+Looping/connections

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 15:33:06 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Where were you when the Google Maps Car drove past?
Date: Wed, 10 Feb 2010 07:33:01 -0800
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FYI:
http://tinyurl.com

:-)

Cheers,
Rev. Fever
Portland,OR

On Feb 10, 2010, at 6:19 AM, mark francombe wrote:

> http://maps.google.no/maps?f=q&source=s_q&hl=en&q=Frognerveien+2, 
> +0257 
> +Oslo&sll=37.784471,-122.409599&sspn=0.010667,0.021243&ie=UTF8&cd=1&ge 
> ocode=FVg7kgMdDomjAA&split=0&hq=&hnear=Frognerveien+2,+0257 
> +Oslo&ll=59.914986,10.717606&spn=0.000423,0.001328&t=h&z=20&layer=c&cb 
> ll=59.914986,10.717606&panoid=6Wb6t49- 
> EE0SdBdwPiBcdQ&cbp=12,62.97,,1,11.84
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
FYI:<div><a =
href=3D"http://tinyurl.com">http://tinyurl.com</a></div><div><br></div><di=
v>:-)</div><div><br></div><div>Cheers,</div><div>Rev. =
Fever</div><div>Portland,OR</div><div><br><div><div>On Feb 10, 2010, at =
6:19 AM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><a =
href=3D"http://maps.google.no/maps?f=3Dq&amp;source=3Ds_q&amp;hl=3Den&amp;=
q=3DFrognerveien+2,+0257+Oslo&amp;sll=3D37.784471,-122.409599&amp;sspn=3D0=
.010667,0.021243&amp;ie=3DUTF8&amp;cd=3D1&amp;geocode=3DFVg7kgMdDomjAA&amp=
;split=3D0&amp;hq=3D&amp;hnear=3DFrognerveien+2,+0257+Oslo&amp;ll=3D59.914=
986,10.717606&amp;spn=3D0.000423,0.001328&amp;t=3Dh&amp;z=3D20&amp;layer=3D=
c&amp;cbll=3D59.914986,10.717606&amp;panoid=3D6Wb6t49-EE0SdBdwPiBcdQ&amp;c=
bp=3D12,62.97,,1,11.84">http://maps.google.no/maps?f=3Dq&amp;source=3Ds_q&=
amp;hl=3Den&amp;q=3DFrognerveien+2,+0257+Oslo&amp;sll=3D37.784471,-122.409=
599&amp;sspn=3D0.010667,0.021243&amp;ie=3DUTF8&amp;cd=3D1&amp;geocode=3DFV=
g7kgMdDomjAA&amp;split=3D0&amp;hq=3D&amp;hnear=3DFrognerveien+2,+0257+Oslo=
&amp;ll=3D59.914986,10.717606&amp;spn=3D0.000423,0.001328&amp;t=3Dh&amp;z=3D=
20&amp;layer=3Dc&amp;cbll=3D59.914986,10.717606&amp;panoid=3D6Wb6t49-EE0Sd=
BdwPiBcdQ&amp;cbp=3D12,62.97,,1,11.84</a><br clear=3D"all"> <br>-- =
<br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br> <a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-3--254027622--

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References:
  <F160BE32A2E5E04497668BBDFE83FEDF3A7B9052@EXCHVS1.medctr.ad.wfubmc.edu>
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Date: Thu, 11 Feb 2010 00:41:20 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: What is the appropriate forum?
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At 9:53 AM -0500 2/10/10, Charles Zwicky wrote:
>The discourse below is the strongest argument for a forum, rather 
>than a mail list:

Then, by all means: go forth, be fruitful, and multiply.  In 
diversity there is strength.

Me?  I like it just fine 'round these parts.  So I think I'll stay.  ;)

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

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Date: Wed, 10 Feb 2010 15:42:01 +0000 (GMT)
From: JAMES FRASER <thejamesfraser@btinternet.com>
Subject: RE: A multi channel looper
To: Loopers-Delight@loopers-delight.com
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That's brilliant Ace
=C2=A0
thanks so much for taking the time to do this - I will look into the Boomer=
ang 3 definitely
=C2=A0
cheers
=C2=A0
James=20
=C2=A0
www.myspace.com/greenheartsongs=20

--- On Wed, 10/2/10, Ace Ovil <aovil@wfubmc.edu> wrote:


From: Ace Ovil <aovil@wfubmc.edu>
Subject: RE: A multi channel looper
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, 10 February, 2010, 14:24








Hi James,
I=E2=80=99m new here too but would like to take a stab at your question. As=
 long as everything you play live goes through the PA when you play live (g=
uitar amp mics, vocals, drum mics keyboard output, turntable mixer or whate=
ver else floats your boat)=C2=A0 all you need to do is to run a stereo loop=
er through the effects loop of the house mixer. It can be done in mono but =
stereo is much nicer because you can keep the placement in the mix how you =
like it and play with panning as a powerful form of expression. You could e=
ven get a panning pedal to use onstage and control it on the fly.
There are a few hardware products that can handle stereo and would be usefu=
l for something like this .
=C2=A0
=E2=80=9CI'd like to be able to record say 2 bars then overdub a 32 bar loo=
p over that, if you know what I mean=E2=80=9D
=C2=A0
I know exactly what you mean and I believe the function is called =E2=80=9C=
multiply=E2=80=9D. It saves a lot of time and makes everything much more ex=
citing. This actually narrows things down a bit though if you are looking a=
t hardware rather than software solutions like ableton live or whatever els=
e the software gurus on here recommend. =C2=A0It turns out not too hardware=
 many loopers actually have an easy to use =E2=80=9Cmultiply=E2=80=9D funct=
ion. The best solution in my opinion is two echoplex=E2=80=99s =C2=A0runnin=
g in stereo but an RC-50 or boomerang 3 could handle the job perfectly and =
are significantly cheaper. Avoid the otherwise great EHX 2880 for this reas=
on, this is what caused me to sell mine, lack of =E2=80=9Dmultiply=E2=80=9D=
..
If I were doing it all over gain starting now, I would go with the rang bec=
ause for some reason I don=E2=80=99t gel with the RC50 at all. I find the i=
nterface uninspiring and there are some timing idiosyncrasies with it I jus=
t cannot get used to.
=C2=A0
Bear in mind, if you are not going to be using a PA at practice that can ha=
ndle everything you want to throw at it ( ie. =C2=A0if you have a bitchy si=
nger who gets upset when anything other than vocal harmony goes through his=
/her PA, LOL), you can use one channel from the looper (the L or R) to feed=
 the amp for your main instrument (guitar in my case) and the other channel=
 to feed everything else from your small mixer into a full range system lik=
e a small PA. The bose L1 compact would be perfect but is $$$$ or you can u=
se a keyboard amp/bass amp type thing. All you would need to do then, is pa=
n your main instrument (let=E2=80=99s say guitar for arguments sake) hard r=
ight and connect the R output to the guitar amp. Then pan everything else h=
ard L and connect the output to the full range keyboard amp/bass amp small =
PA type thingy (Used Roland keyboard amps can be had on the cheap and work =
fabulously for this).
In my case, all this was NOT cheap at all, but well worth it. I have made t=
he money back many times over by doing little =E2=80=9Cone man band=E2=80=
=9D cover gigs on the side here in my area. I actually find this is also a =
great way to increase looping proficiency and saves you some embarrassing =
=E2=80=9Cwhat do I press?=E2=80=9D time when you are with your band.=20
Hope this helps,
Ace=20
=C2=A0
=C2=A0
=C2=A0

From: JAMES FRASER [mailto:thejamesfraser@btinternet.com]=20
Sent: Wednesday, February 10, 2010 8:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: A multi channel looper
=C2=A0





Hi folks

=C2=A0

I am a Headrush user with my band Greenheart. I love the Akai's simplicity =
and it's been perfect for me to get into looping. However, I now need somet=
hing like this

=C2=A0

A multi input and output looper that can take several different sources - m=
icrophone (x2)guitar, stompbox, keys etc and output to different amps. I'd =
also like to not be constrained as I am on the Akai to only being able to o=
verdub the same loop length as the first loop; I'd like to be able to recor=
d say 2 bars then overdub a 32 bar loop over that, if you know what I mean.=
=20

=C2=A0

I approached a local electronics firm who told me that this would be a very=
 expensive switchbox with some kind of sampler in it - and they said it wou=
ld be 2500 UK pounds. Ouch.

=C2=A0

Do any of you know of such a box? Or can one be built? I=C2=A0have little c=
hance to try this stuff out without travelling a fair distance so your comm=
ents would be appreciated.=20

=C2=A0

Many thanks for looking

=C2=A0

James=20

=C2=A0

=C2=A0

=C2=A0

=C2=A0

=C2=A0

=C2=A0

=C2=A0

=C2=A0

=C2=A0

www.myspace.com/greeheartsongs
=C2=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>That's brilliant Ace</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks so much for taking the time to do this - I will look into the B=
oomerang 3 definitely</DIV>
<DIV>&nbsp;</DIV>
<DIV>cheers</DIV>
<DIV>&nbsp;</DIV>
<DIV>James </DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.myspace.com/greenheartsongs">www.myspace.com/gre=
enheartsongs</A> <BR><BR>--- On <B>Wed, 10/2/10, Ace Ovil <I>&lt;aovil@wfub=
mc.edu&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Ace Ovil &lt;aovil@wfubmc.edu&gt;<BR>Subjec=
t: RE: A multi channel looper<BR>To: Loopers-Delight@loopers-delight.com<BR=
>Date: Wednesday, 10 February, 2010, 14:24<BR><BR>
<DIV id=3Dyiv1897479048>
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<DIV class=3DSection1>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">Hi James,</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">I=E2=80=99m new here too but would like to ta=
ke a stab at your question. As long as everything you play live goes throug=
h the PA when you play live (guitar amp mics, vocals, drum mics keyboard ou=
tput, turntable mixer or whatever else floats your boat)&nbsp; all you need=
 to do is to run a stereo looper through the effects loop of the house mixe=
r. It can be done in mono but stereo is much nicer because you can keep the=
 placement in the mix how you like it and play with panning as a powerful f=
orm of expression. You could even get a panning pedal to use onstage and co=
ntrol it on the fly.</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">There are a few hardware products that can ha=
ndle stereo and would be useful for something like this .</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">&nbsp;</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">=E2=80=9CI'd like to be able to record say 2 =
bars then overdub a 32 bar loop over that, if you know what I mean=E2=80=9D=
</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">&nbsp;</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">I know exactly what you mean and I believe th=
e function is called =E2=80=9Cmultiply=E2=80=9D. It saves a lot of time and=
 makes everything much more exciting. This actually narrows things down a b=
it though if you are looking at hardware rather than software solutions lik=
e ableton live or whatever else the software gurus on here recommend. &nbsp=
;It turns out not too hardware many loopers actually have an easy to use =
=E2=80=9Cmultiply=E2=80=9D function. The best solution in my opinion is two=
 echoplex=E2=80=99s &nbsp;running in stereo but an RC-50 or boomerang 3 cou=
ld handle the job perfectly and are significantly cheaper. Avoid the otherw=
ise great EHX 2880 for this reason, this is what caused me to sell mine, la=
ck of =E2=80=9Dmultiply=E2=80=9D.</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">If I were doing it all over gain starting now=
, I would go with the rang because for some reason I don=E2=80=99t gel with=
 the RC50 at all. I find the interface uninspiring and there are some timin=
g idiosyncrasies with it I just cannot get used to.</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">&nbsp;</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">Bear in mind, if you are not going to be usin=
g a PA at practice that can handle everything you want to throw at it ( ie.=
 &nbsp;if you have a bitchy singer who gets upset when anything other than =
vocal harmony goes through his/her PA, LOL), you can use one channel from t=
he looper (the L or R) to feed the amp for your main instrument (guitar in =
my case) and the other channel to feed everything else from your small mixe=
r into a full range system like a small PA. The bose L1 compact would be pe=
rfect but is $$$$ or you can use a keyboard amp/bass amp type thing. All yo=
u would need to do then, is pan your main instrument (let=E2=80=99s say gui=
tar for arguments sake) hard right and connect the R output to the guitar a=
mp. Then pan everything else hard L and connect the output to the full rang=
e keyboard amp/bass amp small PA type thingy (Used Roland keyboard amps can=
 be
 had on the cheap and work fabulously for this).</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">In my case, all this was NOT cheap at all, bu=
t well worth it. I have made the money back many times over by doing little=
 =E2=80=9Cone man band=E2=80=9D cover gigs on the side here in my area. I a=
ctually find this is also a great way to increase looping proficiency and s=
aves you some embarrassing =E2=80=9Cwhat do I press?=E2=80=9D time when you=
 are with your band. </SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">Hope this helps,</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Arial', 'sans-serif'">Ace </SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Calibri', 'sans-serif'">&nbsp;</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Calibri', 'sans-serif'">&nbsp;</SPAN></DIV>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-F=
AMILY: 'Calibri', 'sans-serif'">&nbsp;</SPAN></DIV>
<DIV style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: #b=
5c4df 1pt solid; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; BORDER-LEFT: mediu=
m none; PADDING-TOP: 3pt; BORDER-BOTTOM: medium none">
<P class=3DMsoNormal><B><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Tahom=
a', 'sans-serif'">From:</SPAN></B><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMI=
LY: 'Tahoma', 'sans-serif'"> JAMES FRASER [mailto:thejamesfraser@btinternet=
..com] <BR><B>Sent:</B> Wednesday, February 10, 2010 8:01 AM<BR><B>To:</B> L=
oopers-Delight@loopers-delight.com<BR><B>Subject:</B> A multi channel loope=
r</SPAN></DIV></DIV>
<P class=3DMsoNormal>&nbsp;</DIV>
<TABLE class=3DMsoNormalTable cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-RIGHT: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<DIV>
<P class=3DMsoNormal>Hi folks</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>I am a Headrush user with my band Greenheart. I love t=
he Akai's simplicity and it's been perfect for me to get into looping. Howe=
ver, I now need something like this</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>A multi input and output looper that can take several =
different sources - microphone (x2)guitar, stompbox, keys etc and output to=
 different amps. I'd also like to not be constrained as I am on the Akai to=
 only being able to overdub the same loop length as the first loop; I'd lik=
e to be able to record say 2 bars then overdub a 32 bar loop over that, if =
you know what I mean. </DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>I approached a local electronics firm who told me that=
 this would be a very expensive switchbox with some kind of sampler in it -=
 and they said it would be 2500 UK pounds. Ouch.</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>Do any of you know of such a box? Or can one be built?=
 I&nbsp;have little chance to try this stuff out without travelling a fair =
distance so your comments would be appreciated. </DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>Many thanks for looking</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>James </DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal>&nbsp;</DIV></DIV>
<DIV>
<P class=3DMsoNormal><A href=3D"http://www.myspace.com/greeheartsongs" targ=
et=3D_blank rel=3Dnofollow>www.myspace.com/greeheartsongs</A></DIV></DIV></=
TD></TR></TBODY></TABLE>
<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Calibri'=
, 'sans-serif'">&nbsp;</SPAN></DIV></DIV></DIV></BLOCKQUOTE></td></tr></tab=
le>
--0-487569411-1265816521=:95313--

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Date: Wed, 10 Feb 2010 18:27:14 +0100
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Subject: Any tips for an ultra small MIDI control pedal?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Looking for a small and light weight pedal that can send three
different MIDI notes. Any suggestions?

I already have a Behringer FCB1010 and that model is total overkill
for these gigs. I do have a Roland MC303 that I can stomp on to swap
my software parameter values, but I'm hoping I will be able to find
something even smaller.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 17:34:20 2010
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Date: Wed, 10 Feb 2010 09:34:19 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: A multi channel looper
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--0-817399735-1265823259=:46328
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i'm not sure i would call it a multi-channel looper,
but when i had my original boss RC-20 (the one w/ the 4 min of looping time=
, the xl has 16 min), it has an input for instrument (your choice-i used a =
guitar) & it has a microphone input. there was an input level for each (mic=
 & instr).

whether this would be considered "mutli-channel" i don't know. i never did =
use the mic option, i just used it for guitar.=A0 but i think the idea for =
it is solo performer (or band) could record guitar/voice things (or anythin=
g w/ microphone) and then layer on top, etc. so if you just needed it to su=
pplement live stuff, guitar/voice (or keyboards) it would probably work. an=
d it does reverse nice and easy. the original one like i had (the 4 min rec=
ording time) you can get pretty cheap and try it out. i think i got mine a =
yr ago for 150$, so they're in that range or cheaper now.... obviously if y=
ou need lots of recording time, the rc20xl is newer, & last i checked them,=
 they were still going a bit higher-they were out of my price range when i =
was looking....
i know a few people i've seen in past use one was kaki king, john scofield,=
 i'm sure there are more out there...
some thoughts. good luck,
s---
www.myspace.com/scotthansen
=0A=0A=0A      
--0-817399735-1265823259=:46328
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">i'm not sure i would call it a multi-channel =
looper,<br>but when i had my original boss RC-20 (the one w/ the 4 min of l=
ooping time, the xl has 16 min), it has an input for instrument (your choic=
e-i used a guitar) &amp; it has a microphone input. there was an input leve=
l for each (mic &amp; instr).<br><br>whether this would be considered "mutl=
i-channel" i don't know. i never did use the mic option, i just used it for=
 guitar.&nbsp; but i think the idea for it is solo performer (or band) coul=
d record guitar/voice things (or anything w/ microphone) and then layer on =
top, etc. so if you just needed it to supplement live stuff, guitar/voice (=
or keyboards) it would probably work. and it does reverse nice and easy. th=
e original one like i had (the 4 min recording time) you can get pretty che=
ap and try it out. i think i got mine a yr ago for 150$, so they're in that
 range or cheaper now.... obviously if you need lots of recording time, the=
 rc20xl is newer, &amp; last i checked them, they were still going a bit hi=
gher-they were out of my price range when i was looking....<br>i know a few=
 people i've seen in past use one was kaki king, john scofield, i'm sure th=
ere are more out there...<br>some thoughts. good luck,<br>s---<br>www.myspa=
ce.com/scotthansen<br></td></tr></table><br>=0A=0A      
--0-817399735-1265823259=:46328--

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Date: Wed, 10 Feb 2010 18:47:43 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Repeater (was: A multi channel looper)
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Florian Anwander schrieb:
> The repeater is out of production, and its audioqualities are only 
> middleclass,
There were some issues with the Repeater's audio, some being design 
flaws (mainly relating to the front-side instrument input), some were 
production parameter spread issues (meaning it only affected specific 
units). As someone who had a "blessed" unit and who never used the 
front-side input I was quite happy with it (when I was still using it), 
and there were some professional mods to solve the problems.
> but its userinterface handling and its capabilities regarding syncing 
> to MIDI as slave and master are unbeaten. 
The user interface may be a matter of taste, the MIDI sync capabilities 
are not:
The Repeater (as of the pre-2 OS version) as a MIDI master had a clock 
that was highly jitter-ridden. This would result in synced delays 
clicking, drum machines using sync etc. I did never come to use the 
Repeater as a MIDI master (although it worked with relative stability as 
a slave).
All of those MIDI clock issues have been addressed in the OS2.0 software 
update - but I didn't find time to toy with that.
> Zoe Keating from San Francisco here on the list is selling two at the 
> moment.
That says it all, doesn't it?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 17:58:47 2010
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Subject: Can I sell a cheap EDP? 
Date: Wed, 10 Feb 2010 12:57:48 -0500
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Hi everyone,

Since I'm new here and don't quite know what is cracking yet , is it
okay to send an e-mail about my EDP for sale?

I would prefer it to go to someone who will actually use it to preform
and promote our art. There are too few of these left in nice shape for
them to accumulate dust in a closet. I figured, "what could possibly be
a better venue than here?"=20

I'm wanting to get rid of it fast so I can buy the more shallow
boomerang III for stereo work. This means I am willing to sell it quite
cheap.  I'm not including any info about it because if it is in fact a
faux pax to do business on here, I don't want to squirm my advertisement
into an e-mail in the guise of a question.

Please advise as to whether or not I can do this or just e-mail me
personally if you are interested in a good deal on an echoplex and I
will give you my telephone number for further discussion.

Ace


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<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>Hi
everyone,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>Since
I&#8217;m new here and don&#8217;t quite know what is cracking yet , is =
it okay to send an
e-mail about my EDP for sale?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>I
would prefer it to go to someone who will actually use it to preform and
promote our art. There are too few of these left in nice shape for them =
to
accumulate dust in a closet. I figured, &#8220;what could possibly be a =
better venue
than here?&#8221; <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>I&#8217;m
wanting to get rid of it fast so I can buy the more shallow boomerang =
III for stereo
work. This means I am willing to sell it quite cheap. &nbsp;I&#8217;m =
not including any
info about it because if it is in fact a faux pax to do business on =
here, I don&#8217;t
want to squirm my advertisement into an e-mail in the guise of a =
question.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>Please
advise as to whether or not I can do this or just e-mail me personally =
if you
are interested in a good deal on an echoplex and I will give you my =
telephone
number for further discussion.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>Ace<o:p></o:p>=
</span></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 18:30:06 2010
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Subject: RE: A multi channel looper
Date: Wed, 10 Feb 2010 13:11:01 -0500
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Yes, that would work great, but I think a multiply function was pretty
important to him if I recall. I'm not sure about the twenty but I know
the RC-2 will not do this because I have one. I think the Rc-20's cannot
either, but I could be wrong on this. For me, that would be a deal
breaker and it's the main reason I sold my otherwise awesome 2880.

If there is anything I have learned from pouring money into this
bottomless pit of looping gear over the last few years, it is to get
what you want right off the bat because you will end up spending more
money in the long run if you don't. For me at least, it is a  pretty bad
disease. =20

Once I get a piece of gear that can't do what I envision musically, all
I think about when I'm playing is "it sure would be nice if it could do
X".  I don't feel the same way about other instruments though, I can
live with a guitar, bass,  sax or drum kit  that doesn't have "quite the
right tone" I envision but as soon as a  looper limits my creativity I
get annoyed with it,=20

Maybe I'm just a glass half empty kind of guy but would any of you agree
with this?

Ace

=20

From: scott hansen [mailto:evanpeewee@yahoo.com]=20
Sent: Wednesday, February 10, 2010 12:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: A multi channel looper

=20

i'm not sure i would call it a multi-channel looper,
but when i had my original boss RC-20 (the one w/ the 4 min of looping
time, the xl has 16 min), it has an input for instrument (your choice-i
used a guitar) & it has a microphone input. there was an input level for
each (mic & instr).

whether this would be considered "mutli-channel" i don't know. i never
did use the mic option, i just used it for guitar.  but i think the idea
for it is solo performer (or band) could record guitar/voice things (or
anything w/ microphone) and then layer on top, etc. so if you just
needed it to supplement live stuff, guitar/voice (or keyboards) it would
probably work. and it does reverse nice and easy. the original one like
i had (the 4 min recording time) you can get pretty cheap and try it
out. i think i got mine a yr ago for 150$, so they're in that range or
cheaper now.... obviously if you need lots of recording time, the rc20xl
is newer, & last i checked them, they were still going a bit higher-they
were out of my price range when i was looking....
i know a few people i've seen in past use one was kaki king, john
scofield, i'm sure there are more out there...
some thoughts. good luck,
s---
www.myspace.com/scotthansen

=20


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Yes, that would work great, but I think a multiply =
function was pretty
important to him if I recall. I&#8217;m not sure about the twenty but I =
know the
RC-2 will not do this because I have one. I think the Rc-20&#8217;s =
cannot
either, but I could be wrong on this. For me, that would be a deal =
breaker and
it&#8217;s the main reason I sold my otherwise awesome =
2880.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>If there is anything I have learned from pouring money =
into this
bottomless pit of looping gear over the last few years, it is to get =
what you
want right off the bat because you will end up spending more money in =
the long
run if you don&#8217;t. For me at least, it is a &nbsp;pretty bad =
disease. &nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Once I get a piece of gear that can&#8217;t do what I =
envision
musically, all I think about when I&#8217;m playing is &#8220;it sure =
would be
nice if it could do X&#8221;. &nbsp;I don&#8217;t feel the same way =
about other
instruments though, I can live with a guitar, bass, &nbsp;sax or drum =
kit &nbsp;that
doesn&#8217;t have &#8220;quite the right tone&#8221; I envision but as =
soon as
a &nbsp;looper limits my creativity I get annoyed with it, =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Maybe I&#8217;m just a glass half empty kind of guy but =
would
any of you agree with this?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Ace<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> scott =
hansen
[mailto:evanpeewee@yahoo.com] <br>
<b>Sent:</b> Wednesday, February 10, 2010 12:34 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> A multi channel looper<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal>i'm not sure i would call it a multi-channel =
looper,<br>
  but when i had my original boss RC-20 (the one w/ the 4 min of looping =
time,
  the xl has 16 min), it has an input for instrument (your choice-i used =
a
  guitar) &amp; it has a microphone input. there was an input level for =
each
  (mic &amp; instr).<br>
  <br>
  whether this would be considered &quot;mutli-channel&quot; i don't =
know. i
  never did use the mic option, i just used it for guitar.&nbsp; but i =
think
  the idea for it is solo performer (or band) could record guitar/voice =
things
  (or anything w/ microphone) and then layer on top, etc. so if you just =
needed
  it to supplement live stuff, guitar/voice (or keyboards) it would =
probably
  work. and it does reverse nice and easy. the original one like i had =
(the 4
  min recording time) you can get pretty cheap and try it out. i think i =
got
  mine a yr ago for 150$, so they're in that range or cheaper now.... =
obviously
  if you need lots of recording time, the rc20xl is newer, &amp; last i =
checked
  them, they were still going a bit higher-they were out of my price =
range when
  i was looking....<br>
  i know a few people i've seen in past use one was kaki king, john =
scofield,
  i'm sure there are more out there...<br>
  some thoughts. good luck,<br>
  s---<br>
  www.myspace.com/scotthansen<o:p></o:p></p>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Calibri","sans-serif"'><o:p>&nbsp;=
</o:p></span></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 18:35:33 2010
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	 <F160BE32A2E5E04497668BBDFE83FEDF3AA227D0@EXCHVS1.medctr.ad.wfubmc.edu>
Date: Wed, 10 Feb 2010 18:35:31 +0000
Message-ID: <5d9904371002101035t298c478ev39d05d213b3ef0f9@mail.gmail.com>
Subject: Re: A multi channel looper
From: Mark McGlinchey <markmcglinchey@gmail.com>
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I agree, I am loving my Rang III but everytime I use it I find a point wher=
e
I want to use some of the as of yet unreleased full feature set. Very
annoying, I can't complain though I was aware of what the implications of
buying a pre-prod model were when I did it.

On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

>  Yes, that would work great, but I think a multiply function was pretty
> important to him if I recall. I=92m not sure about the twenty but I know =
the
> RC-2 will not do this because I have one. I think the Rc-20=92s cannot ei=
ther,
> but I could be wrong on this. For me, that would be a deal breaker and it=
=92s
> the main reason I sold my otherwise awesome 2880.
>
> If there is anything I have learned from pouring money into this bottomle=
ss
> pit of looping gear over the last few years, it is to get what you want
> right off the bat because you will end up spending more money in the long
> run if you don=92t. For me at least, it is a  pretty bad disease.
>
> Once I get a piece of gear that can=92t do what I envision musically, all=
 I
> think about when I=92m playing is =93it sure would be nice if it could do=
 X=94.  I
> don=92t feel the same way about other instruments though, I can live with=
 a
> guitar, bass,  sax or drum kit  that doesn=92t have =93quite the right to=
ne=94 I
> envision but as soon as a  looper limits my creativity I get annoyed with
> it,
>
> Maybe I=92m just a glass half empty kind of guy but would any of you agre=
e
> with this?
>
> Ace
>
>
>
> *From:* scott hansen [mailto:evanpeewee@yahoo.com]
> *Sent:* Wednesday, February 10, 2010 12:34 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* A multi channel looper
>
>
>
> i'm not sure i would call it a multi-channel looper,
> but when i had my original boss RC-20 (the one w/ the 4 min of looping
> time, the xl has 16 min), it has an input for instrument (your choice-i u=
sed
> a guitar) & it has a microphone input. there was an input level for each
> (mic & instr).
>
> whether this would be considered "mutli-channel" i don't know. i never di=
d
> use the mic option, i just used it for guitar.  but i think the idea for =
it
> is solo performer (or band) could record guitar/voice things (or anything=
 w/
> microphone) and then layer on top, etc. so if you just needed it to
> supplement live stuff, guitar/voice (or keyboards) it would probably work=
.
> and it does reverse nice and easy. the original one like i had (the 4 min
> recording time) you can get pretty cheap and try it out. i think i got mi=
ne
> a yr ago for 150$, so they're in that range or cheaper now.... obviously =
if
> you need lots of recording time, the rc20xl is newer, & last i checked th=
em,
> they were still going a bit higher-they were out of my price range when i
> was looking....
> i know a few people i've seen in past use one was kaki king, john scofiel=
d,
> i'm sure there are more out there...
> some thoughts. good luck,
> s---
> www.myspace.com/scotthansen
>
>
>

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I agree, I am loving my Rang III but everytime I use it I find a point wher=
e I want to use some of the as of yet unreleased full feature set. Very ann=
oying, I can&#39;t complain though I was aware of what the implications of =
buying a pre-prod model were when I did it. <br>
<br>
<div class=3D"gmail_quote">On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil <span =
dir=3D"ltr">&lt;<a href=3D"mailto:aovil@wfubmc.edu">aovil@wfubmc.edu</a>&gt=
;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div lang=3D"EN-US" vlink=3D"purple" link=3D"blue">
<div>
<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">Yes,=
 that would work great, but I think a multiply function was pretty importan=
t to him if I recall. I=92m not sure about the twenty but I know the RC-2 w=
ill not do this because I have one. I think the Rc-20=92s cannot either, bu=
t I could be wrong on this. For me, that would be a deal breaker and it=92s=
 the main reason I sold my otherwise awesome 2880.</span></p>

<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">If t=
here is anything I have learned from pouring money into this bottomless pit=
 of looping gear over the last few years, it is to get what you want right =
off the bat because you will end up spending more money in the long run if =
you don=92t. For me at least, it is a =A0pretty bad disease. =A0</span></p>

<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">Once=
 I get a piece of gear that can=92t do what I envision musically, all I thi=
nk about when I=92m playing is =93it sure would be nice if it could do X=94=
. =A0I don=92t feel the same way about other instruments though, I can live=
 with a guitar, bass, =A0sax or drum kit =A0that doesn=92t have =93quite th=
e right tone=94 I envision but as soon as a =A0looper limits my creativity =
I get annoyed with it, </span></p>

<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">Mayb=
e I=92m just a glass half empty kind of guy but would any of you agree with=
 this?</span></p>
<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">Ace<=
/span></p>
<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 11pt; COLOR: #1f497d">=A0<=
/span></p>
<div style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: #b=
5c4df 1pt solid; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; BORDER-LEFT: mediu=
m none; PADDING-TOP: 3pt; BORDER-BOTTOM: medium none">
<p class=3D"MsoNormal"><b><span style=3D"FONT-SIZE: 10pt">From:</span></b><=
span style=3D"FONT-SIZE: 10pt"> scott hansen [mailto:<a href=3D"mailto:evan=
peewee@yahoo.com" target=3D"_blank">evanpeewee@yahoo.com</a>] <br><b>Sent:<=
/b> Wednesday, February 10, 2010 12:34 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br><b>Subject:</b> A multi=
 channel looper</span></p></div>
<div>
<div></div>
<div class=3D"h5">
<p class=3D"MsoNormal">=A0</p>
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0">
<tbody>
<tr>
<td style=3D"PADDING-RIGHT: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; PA=
DDING-TOP: 0in" valign=3D"top">
<p class=3D"MsoNormal">i&#39;m not sure i would call it a multi-channel loo=
per,<br>but when i had my original boss RC-20 (the one w/ the 4 min of loop=
ing time, the xl has 16 min), it has an input for instrument (your choice-i=
 used a guitar) &amp; it has a microphone input. there was an input level f=
or each (mic &amp; instr).<br>
<br>whether this would be considered &quot;mutli-channel&quot; i don&#39;t =
know. i never did use the mic option, i just used it for guitar.=A0 but i t=
hink the idea for it is solo performer (or band) could record guitar/voice =
things (or anything w/ microphone) and then layer on top, etc. so if you ju=
st needed it to supplement live stuff, guitar/voice (or keyboards) it would=
 probably work. and it does reverse nice and easy. the original one like i =
had (the 4 min recording time) you can get pretty cheap and try it out. i t=
hink i got mine a yr ago for 150$, so they&#39;re in that range or cheaper =
now.... obviously if you need lots of recording time, the rc20xl is newer, =
&amp; last i checked them, they were still going a bit higher-they were out=
 of my price range when i was looking....<br>
i know a few people i&#39;ve seen in past use one was kaki king, john scofi=
eld, i&#39;m sure there are more out there...<br>some thoughts. good luck,<=
br>s---<br><a href=3D"http://www.myspace.com/scotthansen" target=3D"_blank"=
>www.myspace.com/scotthansen</a></p>
</td></tr></tbody></table>
<p class=3D"MsoNormal"><span style=3D"FONT-SIZE: 10pt">=A0</span></p></div>=
</div></div></div></blockquote></div><br>

--0016e6d9a23ba17611047f434cc3--

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On 10 Feb 2010 at 18:27, Per Boysen wrote:

> Looking for a small and light weight pedal that can send three
> different MIDI notes. Any suggestions?

I've long sought something like this and in the end have built my 
own, based on the amazing (and cheap) arduino chip. Mine sends 
verious midi CC messages to control my rack jamman, but it can send 
notes just as easily. The real beauty is that once you've sussed how 
to program the thing, you can make it do what you like! There's a 
photo of the project in progress here

http://www.nickrobinson.info/music/tech/arduino.htm


Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



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On 9 Feb 2010 at 15:36, Ace Ovil wrote:

> How many of you use forums for real time conversations. I have found
> this proboard so far but it seems to move VERY slowly.
> http://loopingmusic.proboards.com/index.cgi

There is a section there devoted to the EDP and many others about the
aspects of looping and NO question is too dumb! If you posted a 
question there, someone would answer. It's certainly slow compared to 
the torrents (no pun intended) on this list, but that, hopefully, is 
it's appeal. 



Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



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Subject: RE: A multi channel looper
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Mark,=20

I would love to pick your brain on the rang 3. I'm currently debating on
whether to get a second working echoplex to run them in stereo or sell
the one working EDP I have to buy the rang 3. I am ashamed to say I am
not tech savvy enough to even attempt something like ableton or another
software solution. When it comes to computers, I can only describe
myself as functionally illiterate. I write patient reports on them , get
e-mail and browse the web. I'm perfectly content with that even though
my sweetwater sales rep has been trying to get me to do that for at
least two years now (they can be pushy you know).=20

=20

I seem to change my mind on the subject every day. On the one hand, I
have spent tons of time learning and getting proficient with the
echoplex and don't want to admit the technology may be getting outdated
(please don't all flame me at once). On the other hand, the rang seems
on paper to do everything I need, runs in stereo, has more recording
time etc. =20

=20

Not carrying a rack to gigs once or twice a week would also be a major
bonus for my lazy ass. LOL

I do a "one man band" type thing with multiple instruments. My setup is
similar to Arthur Lee Land (hand drums, bass, guitars etc.) except I mic
amps rather than use modelling into the board. I also have a turntable
and scratch mixer plugged into the board which I use as a percussion
instrument either inside the loop or against it and a sax I solo with
occasionally because I won't admit I'm just not very good at it LOL.
Long story short, I have so much gear to carry by myself that I have
found myself wondering if I should just hire someone else to do it and
hand over the check from the bars to them for their effort. Lame right?

=20

What I want to do is  run the stereo effects loop of my mixer through a
stereo looper so I can start experimenting with expressing myself
through sweeping and panning with a pedal and also so I can place
different instruments in different parts of the PA mix. I think that
would really expand my sound options and I wish I had set up this way to
begin with.

=20

Obviously the Rang option is the cheaper and lighter way to go stereo.=20

Do you have experience with both the EDP and the Rang?

What sort of functionality do you think  I would lose by doing this?

Of course, advice from any of you other mythical gods of looping would
be greatly appreciated.

Ace=20

=20

From: Mark McGlinchey [mailto:markmcglinchey@gmail.com]=20
Sent: Wednesday, February 10, 2010 1:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: A multi channel looper

=20

I agree, I am loving my Rang III but everytime I use it I find a point
where I want to use some of the as of yet unreleased full feature set.
Very annoying, I can't complain though I was aware of what the
implications of buying a pre-prod model were when I did it.=20

On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

Yes, that would work great, but I think a multiply function was pretty
important to him if I recall. I'm not sure about the twenty but I know
the RC-2 will not do this because I have one. I think the Rc-20's cannot
either, but I could be wrong on this. For me, that would be a deal
breaker and it's the main reason I sold my otherwise awesome 2880.

If there is anything I have learned from pouring money into this
bottomless pit of looping gear over the last few years, it is to get
what you want right off the bat because you will end up spending more
money in the long run if you don't. For me at least, it is a  pretty bad
disease. =20

Once I get a piece of gear that can't do what I envision musically, all
I think about when I'm playing is "it sure would be nice if it could do
X".  I don't feel the same way about other instruments though, I can
live with a guitar, bass,  sax or drum kit  that doesn't have "quite the
right tone" I envision but as soon as a  looper limits my creativity I
get annoyed with it,=20

Maybe I'm just a glass half empty kind of guy but would any of you agree
with this?

Ace

=20

From: scott hansen [mailto:evanpeewee@yahoo.com]=20
Sent: Wednesday, February 10, 2010 12:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: A multi channel looper

=20

i'm not sure i would call it a multi-channel looper,
but when i had my original boss RC-20 (the one w/ the 4 min of looping
time, the xl has 16 min), it has an input for instrument (your choice-i
used a guitar) & it has a microphone input. there was an input level for
each (mic & instr).

whether this would be considered "mutli-channel" i don't know. i never
did use the mic option, i just used it for guitar.  but i think the idea
for it is solo performer (or band) could record guitar/voice things (or
anything w/ microphone) and then layer on top, etc. so if you just
needed it to supplement live stuff, guitar/voice (or keyboards) it would
probably work. and it does reverse nice and easy. the original one like
i had (the 4 min recording time) you can get pretty cheap and try it
out. i think i got mine a yr ago for 150$, so they're in that range or
cheaper now.... obviously if you need lots of recording time, the rc20xl
is newer, & last i checked them, they were still going a bit higher-they
were out of my price range when i was looking....
i know a few people i've seen in past use one was kaki king, john
scofield, i'm sure there are more out there...
some thoughts. good luck,
s---
www.myspace.com/scotthansen

=20

=20


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Mark, <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I would love to pick your brain on the rang 3. I&#8217;m
currently debating on whether to get a second working echoplex to run =
them in
stereo or sell the one working EDP I have to buy the rang 3. I am =
ashamed to
say I am not tech savvy enough to even attempt something like ableton or
another software solution. When it comes to computers, I can only =
describe
myself as functionally illiterate. I write patient reports on them , get =
e-mail
and browse the web. I&#8217;m perfectly content with that even though my
sweetwater sales rep has been trying to get me to do that for at least =
two
years now (they can be pushy you know). <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I seem to change my mind on the subject every day. On the =
one
hand, I have spent tons of time learning and getting proficient with the
echoplex and don&#8217;t want to admit the technology may be getting =
outdated
(please don&#8217;t all flame me at once). On the other hand, the rang =
seems on
paper to do everything I need, runs in stereo, has more recording time =
etc. &nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Not carrying a rack to gigs once or twice a week would =
also be a
major bonus for my lazy ass. LOL<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I do a &#8220;one man band&#8221; type thing with =
multiple
instruments. My setup is similar to Arthur Lee Land (hand drums, bass, =
guitars
etc.) except I mic amps rather than use modelling into the board. I also =
have a
turntable and scratch mixer plugged into the board which I use as a =
percussion
instrument either inside the loop or against it and a sax I solo with
occasionally because I won&#8217;t admit I&#8217;m just not very good at =
it LOL.
&nbsp;Long story short, I have so much gear to carry by myself that I =
have
found myself wondering if I should just hire someone else to do it and =
hand
over the check from the bars to them for their effort. Lame =
right?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>What I want to do is &nbsp;run the stereo effects loop of =
my
mixer through a stereo looper so I can start experimenting with =
expressing
myself through sweeping and panning with a pedal and also so I can place
different instruments in different parts of the PA mix. I think that =
would
really expand my sound options and I wish I had set up this way to begin =
with.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Obviously the Rang option is the cheaper and lighter way =
to go
stereo. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Do you have experience with both the EDP and the =
Rang?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>What sort of functionality do you think &nbsp;I would =
lose by
doing this?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Of course, advice from any of you other mythical gods of =
looping
would be greatly appreciated.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Ace <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Mark =
McGlinchey
[mailto:markmcglinchey@gmail.com] <br>
<b>Sent:</b> Wednesday, February 10, 2010 1:36 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: A multi channel looper<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>I agree, I am loving =
my Rang
III but everytime I use it I find a point where I want to use some of =
the as of
yet unreleased full feature set. Very annoying, I can't complain though =
I was
aware of what the implications of buying a pre-prod model were when I =
did it. <o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil &lt;<a
href=3D"mailto:aovil@wfubmc.edu">aovil@wfubmc.edu</a>&gt; =
wrote:<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Yes, that would work great, but =
I think
a multiply function was pretty important to him if I recall. I&#8217;m =
not sure
about the twenty but I know the RC-2 will not do this because I have =
one. I
think the Rc-20&#8217;s cannot either, but I could be wrong on this. For =
me,
that would be a deal breaker and it&#8217;s the main reason I sold my =
otherwise
awesome 2880.</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>If there is anything I have =
learned from
pouring money into this bottomless pit of looping gear over the last few =
years,
it is to get what you want right off the bat because you will end up =
spending
more money in the long run if you don&#8217;t. For me at least, it is a
&nbsp;pretty bad disease. &nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Once I get a piece of gear that
can&#8217;t do what I envision musically, all I think about when =
I&#8217;m
playing is &#8220;it sure would be nice if it could do X&#8221;. &nbsp;I
don&#8217;t feel the same way about other instruments though, I can live =
with a
guitar, bass, &nbsp;sax or drum kit &nbsp;that doesn&#8217;t have =
&#8220;quite
the right tone&#8221; I envision but as soon as a &nbsp;looper limits my
creativity I get annoyed with it, </span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Maybe I&#8217;m just a glass =
half empty
kind of guy but would any of you agree with this?</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Ace</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><span
style=3D'font-size:10.0pt'>From:</span></b><span =
style=3D'font-size:10.0pt'> scott
hansen [mailto:<a href=3D"mailto:evanpeewee@yahoo.com" =
target=3D"_blank">evanpeewee@yahoo.com</a>]
<br>
<b>Sent:</b> Wednesday, February 10, 2010 12:34 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Subject:</b> A multi channel looper</span><o:p></o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>i'm
  not sure i would call it a multi-channel looper,<br>
  but when i had my original boss RC-20 (the one w/ the 4 min of looping =
time,
  the xl has 16 min), it has an input for instrument (your choice-i used =
a
  guitar) &amp; it has a microphone input. there was an input level for =
each
  (mic &amp; instr).<br>
  <br>
  whether this would be considered &quot;mutli-channel&quot; i don't =
know. i
  never did use the mic option, i just used it for guitar.&nbsp; but i =
think
  the idea for it is solo performer (or band) could record guitar/voice =
things
  (or anything w/ microphone) and then layer on top, etc. so if you just =
needed
  it to supplement live stuff, guitar/voice (or keyboards) it would =
probably
  work. and it does reverse nice and easy. the original one like i had =
(the 4
  min recording time) you can get pretty cheap and try it out. i think i =
got
  mine a yr ago for 150$, so they're in that range or cheaper now.... =
obviously
  if you need lots of recording time, the rc20xl is newer, &amp; last i =
checked
  them, they were still going a bit higher-they were out of my price =
range when
  i was looking....<br>
  i know a few people i've seen in past use one was kaki king, john =
scofield,
  i'm sure there are more out there...<br>
  some thoughts. good luck,<br>
  s---<br>
  <a href=3D"http://www.myspace.com/scotthansen" =
target=3D"_blank">www.myspace.com/scotthansen</a><o:p></o:p></p>
  </td>
 </tr>
</table>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:10.0pt'>&nbsp;</span><o:p></o:p></p>

</div>

</div>

</div>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

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Really cool!

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 10, 2010, at 6:19 AM, mark francombe wrote:

> http://maps.google.no/maps?f=q&source=s_q&hl=en&q=Frognerveien+2,+0257+Oslo&sll=37.784471,-122.409599&sspn=0.010667,0.021243&ie=UTF8&cd=1&geocode=FVg7kgMdDomjAA&split=0&hq=&hnear=Frognerveien+2,+0257+Oslo&ll=59.914986,10.717606&spn=0.000423,0.001328&t=h&z=20&layer=c&cbll=59.914986,10.717606&panoid=6Wb6t49-EE0SdBdwPiBcdQ&cbp=12,62.97,,1,11.84
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Really cool!<div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 10, =
2010, at 6:19 AM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><a =
href=3D"http://maps.google.no/maps?f=3Dq&amp;source=3Ds_q&amp;hl=3Den&amp;=
q=3DFrognerveien+2,+0257+Oslo&amp;sll=3D37.784471,-122.409599&amp;sspn=3D0=
.010667,0.021243&amp;ie=3DUTF8&amp;cd=3D1&amp;geocode=3DFVg7kgMdDomjAA&amp=
;split=3D0&amp;hq=3D&amp;hnear=3DFrognerveien+2,+0257+Oslo&amp;ll=3D59.914=
986,10.717606&amp;spn=3D0.000423,0.001328&amp;t=3Dh&amp;z=3D20&amp;layer=3D=
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Subject: RE: A multi channel looper & software
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That's why I've gone the software route. If an idea occurs to you=2C you ca=
n always find a way of doing it with software=2C (so far anyway).=20
What this should mean is that software loopers produce more innovative musi=
c than hardware since they have more options.
Sadly however=2C too many options can be a bad thing - too much technology=
=2C too little input from the player etc. I find myself nowadays doing a lo=
t of knob twiddling in one track and almost none in the next.=20
Keeps me off the streets though eh?

peace

G

ps is James Sidlo still on this list? I've been listening to Pseudobuddha a=
 lot recently - V COOL!

Subject: RE: A multi channel looper
Date: Wed=2C 10 Feb 2010 13:11:01 -0500
From: aovil@wfubmc.edu
To: Loopers-Delight@loopers-delight.com
















Yes=2C that would work great=2C but I think a multiply function was pretty
important to him if I recall. I=92m not sure about the twenty but I know th=
e
RC-2 will not do this because I have one. I think the Rc-20=92s cannot
either=2C but I could be wrong on this. For me=2C that would be a deal brea=
ker and
it=92s the main reason I sold my otherwise awesome 2880.

If there is anything I have learned from pouring money into this
bottomless pit of looping gear over the last few years=2C it is to get what=
 you
want right off the bat because you will end up spending more money in the l=
ong
run if you don=92t. For me at least=2C it is a  pretty bad disease. =20

Once I get a piece of gear that can=92t do what I envision
musically=2C all I think about when I=92m playing is =93it sure would be
nice if it could do X=94.  I don=92t feel the same way about other
instruments though=2C I can live with a guitar=2C bass=2C  sax or drum kit =
 that
doesn=92t have =93quite the right tone=94 I envision but as soon as
a  looper limits my creativity I get annoyed with it=2C=20

Maybe I=92m just a glass half empty kind of guy but would
any of you agree with this?

Ace

=20



From: scott hansen
[mailto:evanpeewee@yahoo.com]=20

Sent: Wednesday=2C February 10=2C 2010 12:34 PM

To: Loopers-Delight@loopers-delight.com

Subject: A multi channel looper



=20


=20
 =20
  i'm not sure i would call it a multi-channel looper=2C

  but when i had my original boss RC-20 (the one w/ the 4 min of looping ti=
me=2C
  the xl has 16 min)=2C it has an input for instrument (your choice-i used =
a
  guitar) & it has a microphone input. there was an input level for each
  (mic & instr).

 =20

  whether this would be considered "mutli-channel" i don't know. i
  never did use the mic option=2C i just used it for guitar.  but i think
  the idea for it is solo performer (or band) could record guitar/voice thi=
ngs
  (or anything w/ microphone) and then layer on top=2C etc. so if you just =
needed
  it to supplement live stuff=2C guitar/voice (or keyboards) it would proba=
bly
  work. and it does reverse nice and easy. the original one like i had (the=
 4
  min recording time) you can get pretty cheap and try it out. i think i go=
t
  mine a yr ago for 150$=2C so they're in that range or cheaper now.... obv=
iously
  if you need lots of recording time=2C the rc20xl is newer=2C & last i che=
cked
  them=2C they were still going a bit higher-they were out of my price rang=
e when
  i was looking....

  i know a few people i've seen in past use one was kaki king=2C john scofi=
eld=2C
  i'm sure there are more out there...

  some thoughts. good luck=2C

  s---

  www.myspace.com/scotthansen
 =20
=20


=20

 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
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--_3c25dd88-8400-4828-af48-6df26be51338_
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<head>
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}
body.hmmessage
{
font-size: 10pt=3B
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<body class=3D'hmmessage'>
That's why I've gone the software route. If an idea occurs to you=2C you ca=
n always find a way of doing it with software=2C (so far anyway). <br>What =
this should mean is that software loopers produce more innovative music tha=
n hardware since they have more options.<br>Sadly however=2C too many optio=
ns can be a bad thing - too much technology=2C too little input from the pl=
ayer etc. I find myself nowadays doing a lot of knob twiddling in one track=
 and almost none in the next. <br>Keeps me off the streets though eh?<br><b=
r>peace<br><br>G<br><br>ps is James Sidlo still on this list? I've been lis=
tening to Pseudobuddha a lot recently - V COOL!<br><br><hr id=3D"stopSpelli=
ng">Subject: RE: A multi channel looper<br>Date: Wed=2C 10 Feb 2010 13:11:0=
1 -0500<br>From: aovil@wfubmc.edu<br>To: Loopers-Delight@loopers-delight.co=
m<br><br>






<style>
.ExternalClass p.ecxMsoNormal=2C .ExternalClass li.ecxMsoNormal=2C .Externa=
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<div class=3D"ecxSection1">

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Yes=2C that would=
 work great=2C but I think a multiply function was pretty
important to him if I recall. I=92m not sure about the twenty but I know th=
e
RC-2 will not do this because I have one. I think the Rc-20=92s cannot
either=2C but I could be wrong on this. For me=2C that would be a deal brea=
ker and
it=92s the main reason I sold my otherwise awesome 2880.</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">If there is anyth=
ing I have learned from pouring money into this
bottomless pit of looping gear over the last few years=2C it is to get what=
 you
want right off the bat because you will end up spending more money in the l=
ong
run if you don=92t. For me at least=2C it is a &nbsp=3Bpretty bad disease. =
&nbsp=3B</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Once I get a piec=
e of gear that can=92t do what I envision
musically=2C all I think about when I=92m playing is =93it sure would be
nice if it could do X=94. &nbsp=3BI don=92t feel the same way about other
instruments though=2C I can live with a guitar=2C bass=2C &nbsp=3Bsax or dr=
um kit &nbsp=3Bthat
doesn=92t have =93quite the right tone=94 I envision but as soon as
a &nbsp=3Blooper limits my creativity I get annoyed with it=2C </span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Maybe I=92m just =
a glass half empty kind of guy but would
any of you agree with this?</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Ace</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<div style=3D"border-style: solid none none=3B border-color: rgb(181=2C 196=
=2C 223) -moz-use-text-color -moz-use-text-color=3B border-width: 1pt mediu=
m medium=3B padding: 3pt 0in 0in=3B">

<p class=3D"ecxMsoNormal"><b><span style=3D"font-size: 10pt=3B font-family:=
 'Tahoma'=2C'sans-serif'=3B">From:</span></b><span style=3D"font-size: 10pt=
=3B font-family: 'Tahoma'=2C'sans-serif'=3B"> scott hansen
[mailto:evanpeewee@yahoo.com] <br>
<b>Sent:</b> Wednesday=2C February 10=2C 2010 12:34 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> A multi channel looper</span></p>

</div>

<p class=3D"ecxMsoNormal">&nbsp=3B</p>

<table class=3D"ecxMsoNormalTable" border=3D"0" cellpadding=3D"0" cellspaci=
ng=3D"0">
 <tbody><tr>
  <td style=3D"padding: 0in=3B" valign=3D"top">
  <p class=3D"ecxMsoNormal">i'm not sure i would call it a multi-channel lo=
oper=2C<br>
  but when i had my original boss RC-20 (the one w/ the 4 min of looping ti=
me=2C
  the xl has 16 min)=2C it has an input for instrument (your choice-i used =
a
  guitar) &amp=3B it has a microphone input. there was an input level for e=
ach
  (mic &amp=3B instr).<br>
  <br>
  whether this would be considered "mutli-channel" i don't know. i
  never did use the mic option=2C i just used it for guitar.&nbsp=3B but i =
think
  the idea for it is solo performer (or band) could record guitar/voice thi=
ngs
  (or anything w/ microphone) and then layer on top=2C etc. so if you just =
needed
  it to supplement live stuff=2C guitar/voice (or keyboards) it would proba=
bly
  work. and it does reverse nice and easy. the original one like i had (the=
 4
  min recording time) you can get pretty cheap and try it out. i think i go=
t
  mine a yr ago for 150$=2C so they're in that range or cheaper now.... obv=
iously
  if you need lots of recording time=2C the rc20xl is newer=2C &amp=3B last=
 i checked
  them=2C they were still going a bit higher-they were out of my price rang=
e when
  i was looking....<br>
  i know a few people i've seen in past use one was kaki king=2C john scofi=
eld=2C
  i'm sure there are more out there...<br>
  some thoughts. good luck=2C<br>
  s---<br>
  www.myspace.com/scotthansen</p>
  </td>
 </tr>
</tbody></table>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div> 		 	   		  <br /><hr />Do you have a story that started on Hotmail? =
<a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_new=
'>Tell us now</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 20:22:20 2010
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Date: Wed, 10 Feb 2010 15:05:25 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: A multi channel looper
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Hi James,

I've been doing exactly that for several years now. just get yourself =20
a small mixer, or whatever size you need, that has an effects loop, or =20
you can send your main outs through the looper and then on to your =20
main mixing board. I've had quite favorable results using the RC 50 =20
but more recently have been going the computer route and running =20
everything through mobius. I believe you'll find there are quite a few =20
different solutions, you just need to sit down and figure out exactly =20
what your needs for the looper are and then allow yourself some extra =20
features for your own future development.

Good luck,

Paul Haslem
www.dulcify.ca
Ontario, Canada






Quoting JAMES FRASER <thejamesfraser@btinternet.com>:

> Hi folks
> =A0
> I am a Headrush user with my band Greenheart. I love the Akai's =20
> simplicity and it's been perfect for me to get into looping. =20
> However, I now need something like this
> =A0
> A multi input and output looper that can take several different =20
> sources - microphone (x2)guitar, stompbox, keys etc and output to =20
> different amps. I'd also like to not be constrained as I am on the =20
> Akai to only being able to overdub the same loop length as the first =20
> loop; I'd like to be able to record say 2 bars then overdub a 32 bar =20
> loop over that, if you know what I mean.
> =A0
> I approached a local electronics firm who told me that this would be =20
> a very expensive switchbox with some kind of sampler in it - and =20
> they said it would be 2500 UK pounds. Ouch.
> =A0
> Do any of you know of such a box? Or can one be built? I=A0have little =20
> chance to try this stuff out without travelling a fair distance so =20
> your comments would be appreciated.
> =A0
> Many thanks for looking
> =A0
> James
> =A0
> =A0
> =A0
> =A0
> =A0
> =A0
> =A0
> =A0
> =A0
> www.myspace.com/greeheartsongs


From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 20:23:27 2010
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> Zoe Keating from San Francisco here on the list is selling two at the
>> moment.
>>
> That says it all, doesn't it?
>
> --
> http://moinlabs.de



Er.. Nope.. people sell stuff all the time, it doesnt mean all of us a on
that constant battle for the latest and greatest... it is a never ending
journey and one that I have given up trying to win.

Zoe is probably the most road weary of us all, and lugging a huge hunk of
wood around would mena she is def gonna go for the most compact looping unit
around...

And there is no doubt that there exists various multi track loopers in
software that out perform the Repeater now... But I have yet to hear time
stretch like the repeaters in any form, and the ability to have a delay that
comes back transposed (in 2 pitches at once) is something Im not sure the
software versions do yet...

Its a clunky beast however, and the amount of trouble they went to to
implement the ability to save onto a out moded disk format wasted some time
they could have spent programming the midi implementation better and putting
more things on the front panel... (How do you un mute a chanel if you did it
via CC anybody??)

I still love my repeater.. but as a reliable song-loopers machine, I think
its a bit frightening...





www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09f7f9f2983fa1d047f44cecf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>
<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;"><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


Zoe Keating from San Francisco here on the list is selling two at the momen=
t.<br>
</blockquote>
That says it all, doesn&#39;t it?<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a></fo=
nt></blockquote><div><br><br>Er.. Nope.. people sell stuff all the time, it=
 doesnt mean all of us a on that constant battle for the latest and greates=
t... it is a never ending journey and one that I have given up trying to wi=
n.<br>

<br>Zoe is probably the most road weary of us all, and lugging a huge hunk =
of wood around would mena she is def gonna go for the most compact looping =
unit around...<br><br>And there is no doubt that there exists various multi=
 track loopers in software that out perform the Repeater now... But I have =
yet to hear time stretch like the repeaters in any form, and the ability to=
 have a delay that comes back transposed (in 2 pitches at once) is somethin=
g Im not sure the software versions do yet...<br>

<br>Its a clunky beast however, and the amount of trouble they went to to i=
mplement the ability to save onto a out moded disk format wasted some time =
they could have spent programming the midi implementation better and puttin=
g more things on the front panel... (How do you un mute a chanel if you did=
 it via CC anybody??)<br>

<br>I still love my repeater.. but as a reliable song-loopers machine, I th=
ink its a bit frightening... <br><br><br><br><br>=A0</div></div><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--00c09f7f9f2983fa1d047f44cecf--

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From: mark francombe <mark@markfrancombe.com>
Date: Wed, 10 Feb 2010 21:25:39 +0100
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Message-ID: <9ab0c76f1002101225u2aee4594n29057702cd1abf2@mail.gmail.com>
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--001636c5bc02a38175047f44d73a
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You can sell it here, hell.. you can sell Viagra here if its a new looping
variety I have tried yet!

How much? what version?


On Wed, Feb 10, 2010 at 6:57 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

>  Hi everyone,
>
> Since I=92m new here and don=92t quite know what is cracking yet , is it =
okay
> to send an e-mail about my EDP for sale?
>

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001636c5bc02a38175047f44d73a
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

You can sell it here, hell.. you can sell Viagra here if its a new looping =
variety I have tried yet!<br><br>How much? what version?<br><br><br><div cl=
ass=3D"gmail_quote">On Wed, Feb 10, 2010 at 6:57 PM, Ace Ovil <span dir=3D"=
ltr">&lt;<a href=3D"mailto:aovil@wfubmc.edu">aovil@wfubmc.edu</a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">








<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p class=3D"MsoNormal"><span style=3D"color: rgb(31, 73, 125);">Hi
everyone,</span></p>

<p class=3D"MsoNormal"><span style=3D"color: rgb(31, 73, 125);">Since
I=92m new here and don=92t quite know what is cracking yet , is it okay to =
send an
e-mail about my EDP for sale?</span><br clear=3D"all"></p></div></div></blo=
ckquote></div><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markf=
rancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.co=
m/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--001636c5bc02a38175047f44d73a--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 20:27:21 2010
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Date: Wed, 10 Feb 2010 16:27:22 -0400 (AST)
Subject: OT:Andre's Island Funk Blog
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
To: "Loopers-Delight Loopers-Delight" <Loopers-Delight@loopers-delight.com>
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Hi,

I just posted my first video blog.
There's no live looping as yet but there will be at some point.
Thought some of you might be interested in the process even though it's
not your style of music.

Andre


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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--000e0cdfd7d2223315047f44ebda
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FYI

I am aware of this sevice.. but.. to be completely honest.. Ive never seen
the point of it!!
OK so I posted a REALLY LONG URL.. but what did you have to do? Er.. click
it... I really didnt expect you to memorize it or type it in by hand...

But anyway, I realise you were trying to help.. thanks for that, it was nic=
e
of you.

:-))



On Wed, Feb 10, 2010 at 4:33 PM, Revfever <revfever@ubergadget.com> wrote:

> FYI:
> http://tinyurl.com
>
> :-)
>
> Cheers,
> Rev. Fever
> Portland,OR
>
> On Feb 10, 2010, at 6:19 AM, mark francombe wrote:
>
>
> http://maps.google.no/maps?f=3Dq&source=3Ds_q&hl=3Den&q=3DFrognerveien+2,=
+0257+Oslo&sll=3D37.784471,-122.409599&sspn=3D0.010667,0.021243&ie=3DUTF8&c=
d=3D1&geocode=3DFVg7kgMdDomjAA&split=3D0&hq=3D&hnear=3DFrognerveien+2,+0257=
+Oslo&ll=3D59.914986,10.717606&spn=3D0.000423,0.001328&t=3Dh&z=3D20&layer=
=3Dc&cbll=3D59.914986,10.717606&panoid=3D6Wb6t49-EE0SdBdwPiBcdQ&cbp=3D12,62=
.97,,1,11.84
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>
>
>

--000e0cdfd7d2223315047f44ebda
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

FYI<br><br>I am aware of this sevice.. but.. to be completely honest.. Ive =
never seen the point of it!!<br>OK so I posted a REALLY LONG URL.. but what=
 did you have to do? Er.. click it... I really didnt expect you to memorize=
 it or type it in by hand...<br>

<br>But anyway, I realise you were trying to help.. thanks for that, it was=
 nice of you.<br><br>:-))<br><br><br><br><div class=3D"gmail_quote">On Wed,=
 Feb 10, 2010 at 4:33 PM, Revfever <span dir=3D"ltr">&lt;<a href=3D"mailto:=
revfever@ubergadget.com">revfever@ubergadget.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
FYI:<div><a href=3D"http://tinyurl.com" target=3D"_blank">http://tinyurl.co=
m</a></div><div><br></div><div>:-)</div><div><br></div><div>Cheers,</div><d=
iv>Rev. Fever</div><div>Portland,OR</div><div><div></div><div class=3D"h5">=
<div>

<br><div><div>On Feb 10, 2010, at 6:19 AM, mark francombe wrote:</div><br><=
blockquote type=3D"cite"><a href=3D"http://maps.google.no/maps?f=3Dq&amp;so=
urce=3Ds_q&amp;hl=3Den&amp;q=3DFrognerveien+2,+0257+Oslo&amp;sll=3D37.78447=
1,-122.409599&amp;sspn=3D0.010667,0.021243&amp;ie=3DUTF8&amp;cd=3D1&amp;geo=
code=3DFVg7kgMdDomjAA&amp;split=3D0&amp;hq=3D&amp;hnear=3DFrognerveien+2,+0=
257+Oslo&amp;ll=3D59.914986,10.717606&amp;spn=3D0.000423,0.001328&amp;t=3Dh=
&amp;z=3D20&amp;layer=3Dc&amp;cbll=3D59.914986,10.717606&amp;panoid=3D6Wb6t=
49-EE0SdBdwPiBcdQ&amp;cbp=3D12,62.97,,1,11.84" target=3D"_blank">http://map=
s.google.no/maps?f=3Dq&amp;source=3Ds_q&amp;hl=3Den&amp;q=3DFrognerveien+2,=
+0257+Oslo&amp;sll=3D37.784471,-122.409599&amp;sspn=3D0.010667,0.021243&amp=
;ie=3DUTF8&amp;cd=3D1&amp;geocode=3DFVg7kgMdDomjAA&amp;split=3D0&amp;hq=3D&=
amp;hnear=3DFrognerveien+2,+0257+Oslo&amp;ll=3D59.914986,10.717606&amp;spn=
=3D0.000423,0.001328&amp;t=3Dh&amp;z=3D20&amp;layer=3Dc&amp;cbll=3D59.91498=
6,10.717606&amp;panoid=3D6Wb6t49-EE0SdBdwPiBcdQ&amp;cbp=3D12,62.97,,1,11.84=
</a><br clear=3D"all">

 <br>-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.=
markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094" target=3D"=
_blank">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com=
/user/markfrancombe" target=3D"_blank">http://uk.youtube.com/user/markfranc=
ombe</a><br>

 <a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://=
www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/ca=
tlabel.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/s=
hop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

 </blockquote></div><br></div></div></div></div></blockquote></div><br><br>

--000e0cdfd7d2223315047f44ebda--

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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Can I sell a cheap EDP?
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Ace,

Ace,

This is as good of a place as any.

Gear sales "spam" is only really mildly annoying if the poster is a total p=
erfect stranger and has never posted before and suddenly appears from nowhe=
re with some sort of "fire sale" of non-looping gear to unload.

But, in truth, there is no rule (or netiquette that I know of) I suppose to=
 say that's really "wrong" either.

Don't worry about it - post away

We're all pretty low key here.

I put stuff on Ebay myself from time to time and alert the good folks here =
if I think it might be of interest.

tEd =C2=AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902)

http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- Ace Ovil <aovil@wfubmc.edu> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Hi everyone,

Since I'm new here and don't quite know what is cracking yet , is it
okay to send an e-mail about my EDP for sale?

I would prefer it to go to someone who will actually use it to preform
and promote our art. There are too few of these left in nice shape for
them to accumulate dust in a closet. I figured, "what could possibly be
a better venue than here?"=20

I'm wanting to get rid of it fast so I can buy the more shallow
boomerang III for stereo work. This means I am willing to sell it quite
cheap.  I'm not including any info about it because if it is in fact a
faux pax to do business on here, I don't want to squirm my advertisement
into an e-mail in the guise of a question.

Please advise as to whether or not I can do this or just e-mail me
personally if you are interested in a good deal on an echoplex and I
will give you my telephone number for further discussion.

Ace


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Date: Wed, 10 Feb 2010 21:07:25 +0000
Message-ID: <5d9904371002101307g24cae129x8ea900311d4128c3@mail.gmail.com>
Subject: Re: A multi channel looper
From: Mark McGlinchey <markmcglinchey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Content-Type: text/plain; charset=windows-1252
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Unfortunatly Ace I don't have any experience with the EDP to do comparisons
but I can tell you my impressions of the rang III.

The first thing I noticed when I got it was it is much smaller than I
expected which some people find a huge plus, for me it's no big deal but
could be handy on occasion for throwing in a back pack. I find the sound
quality to be very good, very little noise, even when boosting the incoming
signal, and it replicates what I am playing absolutely fine (I too use amps=
,
in my case Twin Reverbs).

The pedals are well separated but in truth I find the 2nd bonus button a
little awkward, it is placed in the top right and I have to use the tip of
my toe to press it, it would be fine if I sat down playing but standing up
and with my big clown feet it took a little getting used to. The buttons do
have an audible click when pressed but again it isn't a problem for me as I
play quite loud. I do however wish there were more bonus buttons. I find
stack, erase, undo and redo are core features that I want to have at all
times. Add to that the fact that loop four is also a "bonus" option and the
need for more buttons becomes more obvious. The reverse/fade/reverse solo
and octave features are cool but I don't use them as often as I would due t=
o
the limited real estate for bonus buttons. As for the loop 4 thing I never
use it as currently only serial play and master play for 2 of the loops is
implemented and I find that without being able to play even the 3 other
loops simultaneously I personally have no use for a 4th.

The build quality is very sturdy so I don't expect any problems there.

All in all, I think it is a great unit at the price point even now without
the full implementation. When the full implementation is released I expect =
I
will find a marked increase in the flexibility of it but I am not holding m=
y
breath on that yet. Strangely I get the feeling that were the software to
have the full feature set I would find the bonus button situation even more
frustrating as I will know the possibilities of the unit but still have to
work around what features I can use and when.

Hope that helps a bit,

Mark.



On Wed, Feb 10, 2010 at 7:06 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

>  Mark,
>
> I would love to pick your brain on the rang 3. I=92m currently debating o=
n
> whether to get a second working echoplex to run them in stereo or sell th=
e
> one working EDP I have to buy the rang 3. I am ashamed to say I am not te=
ch
> savvy enough to even attempt something like ableton or another software
> solution. When it comes to computers, I can only describe myself as
> functionally illiterate. I write patient reports on them , get e-mail and
> browse the web. I=92m perfectly content with that even though my sweetwat=
er
> sales rep has been trying to get me to do that for at least two years now
> (they can be pushy you know).
>
>
>
> I seem to change my mind on the subject every day. On the one hand, I hav=
e
> spent tons of time learning and getting proficient with the echoplex and
> don=92t want to admit the technology may be getting outdated (please don=
=92t all
> flame me at once). On the other hand, the rang seems on paper to do
> everything I need, runs in stereo, has more recording time etc.
>
>
>
> Not carrying a rack to gigs once or twice a week would also be a major
> bonus for my lazy ass. LOL
>
> I do a =93one man band=94 type thing with multiple instruments. My setup =
is
> similar to Arthur Lee Land (hand drums, bass, guitars etc.) except I mic
> amps rather than use modelling into the board. I also have a turntable an=
d
> scratch mixer plugged into the board which I use as a percussion instrume=
nt
> either inside the loop or against it and a sax I solo with occasionally
> because I won=92t admit I=92m just not very good at it LOL.  Long story s=
hort, I
> have so much gear to carry by myself that I have found myself wondering i=
f I
> should just hire someone else to do it and hand over the check from the b=
ars
> to them for their effort. Lame right?
>
>
>
> What I want to do is  run the stereo effects loop of my mixer through a
> stereo looper so I can start experimenting with expressing myself through
> sweeping and panning with a pedal and also so I can place different
> instruments in different parts of the PA mix. I think that would really
> expand my sound options and I wish I had set up this way to begin with.
>
>
>
> Obviously the Rang option is the cheaper and lighter way to go stereo.
>
> Do you have experience with both the EDP and the Rang?
>
> What sort of functionality do you think  I would lose by doing this?
>
> Of course, advice from any of you other mythical gods of looping would be
> greatly appreciated.
>
> Ace
>
>
>
> *From:* Mark McGlinchey [mailto:markmcglinchey@gmail.com]
> *Sent:* Wednesday, February 10, 2010 1:36 PM
>
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: A multi channel looper
>
>
>
> I agree, I am loving my Rang III but everytime I use it I find a point
> where I want to use some of the as of yet unreleased full feature set. Ve=
ry
> annoying, I can't complain though I was aware of what the implications of
> buying a pre-prod model were when I did it.
>
> On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
>
> Yes, that would work great, but I think a multiply function was pretty
> important to him if I recall. I=92m not sure about the twenty but I know =
the
> RC-2 will not do this because I have one. I think the Rc-20=92s cannot ei=
ther,
> but I could be wrong on this. For me, that would be a deal breaker and it=
=92s
> the main reason I sold my otherwise awesome 2880.
>
> If there is anything I have learned from pouring money into this bottomle=
ss
> pit of looping gear over the last few years, it is to get what you want
> right off the bat because you will end up spending more money in the long
> run if you don=92t. For me at least, it is a  pretty bad disease.
>
> Once I get a piece of gear that can=92t do what I envision musically, all=
 I
> think about when I=92m playing is =93it sure would be nice if it could do=
 X=94.  I
> don=92t feel the same way about other instruments though, I can live with=
 a
> guitar, bass,  sax or drum kit  that doesn=92t have =93quite the right to=
ne=94 I
> envision but as soon as a  looper limits my creativity I get annoyed with
> it,
>
> Maybe I=92m just a glass half empty kind of guy but would any of you agre=
e
> with this?
>
> Ace
>
>
>
> *From:* scott hansen [mailto:evanpeewee@yahoo.com]
> *Sent:* Wednesday, February 10, 2010 12:34 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* A multi channel looper
>
>
>
> i'm not sure i would call it a multi-channel looper,
> but when i had my original boss RC-20 (the one w/ the 4 min of looping
> time, the xl has 16 min), it has an input for instrument (your choice-i u=
sed
> a guitar) & it has a microphone input. there was an input level for each
> (mic & instr).
>
> whether this would be considered "mutli-channel" i don't know. i never di=
d
> use the mic option, i just used it for guitar.  but i think the idea for =
it
> is solo performer (or band) could record guitar/voice things (or anything=
 w/
> microphone) and then layer on top, etc. so if you just needed it to
> supplement live stuff, guitar/voice (or keyboards) it would probably work=
.
> and it does reverse nice and easy. the original one like i had (the 4 min
> recording time) you can get pretty cheap and try it out. i think i got mi=
ne
> a yr ago for 150$, so they're in that range or cheaper now.... obviously =
if
> you need lots of recording time, the rc20xl is newer, & last i checked th=
em,
> they were still going a bit higher-they were out of my price range when i
> was looking....
> i know a few people i've seen in past use one was kaki king, john scofiel=
d,
> i'm sure there are more out there...
> some thoughts. good luck,
> s---
> www.myspace.com/scotthansen
>
>
>
>
>

--0016e6d56652d9ec25047f456b1a
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Unfortunatly Ace I don&#39;t have any experience with the EDP to do compari=
sons but I can tell you my impressions of the rang III.<div><br></div><div>=
The first thing I noticed when I got it was it is much smaller than I expec=
ted which some people find a huge plus, for me it&#39;s no big deal but cou=
ld be handy on occasion for throwing in a back pack.=A0I find the sound qua=
lity to be very good, very little noise, even when boosting the incoming si=
gnal, and it replicates what I am playing=A0absolutely=A0fine (I too use am=
ps, in my case Twin Reverbs).<div>
<div><br></div><div>The pedals are well=A0separated=A0but in truth I find t=
he 2nd bonus button a little awkward, it is placed in the top right and I h=
ave to use the tip of my toe to press it, it would be fine if I sat down pl=
aying but standing up and with my big clown feet it took a little getting u=
sed to. The buttons do have an audible click when pressed but again it isn&=
#39;t a problem for me as I play quite loud. I do however wish there were m=
ore bonus buttons. I find stack, erase, undo and redo are core features tha=
t I want to have at all times. Add to that the fact that loop four is also =
a &quot;bonus&quot; option and the need for more buttons becomes more obvio=
us. The reverse/fade/reverse solo and octave features are cool but I don&#3=
9;t use them as often as I would due to the limited real estate for bonus b=
uttons. As for the loop 4 thing I never use it as currently only serial pla=
y and master play for 2 of the loops is implemented and I find that without=
 being able to play even the 3 other loops simultaneously I personally have=
 no use for a 4th.</div>
<div><br></div><div>The build quality is very sturdy so I don&#39;t expect =
any problems there.</div><div><br></div><div>All in all, I think it is a gr=
eat unit at the price point even now without the full implementation. When =
the full implementation is released I expect I will find a marked increase =
in the=A0flexibility=A0of it but I am not holding my breath on that yet.=A0=
Strangely=A0I get the feeling that were the software to have the full featu=
re set I would find the bonus button situation even more frustrating as I w=
ill know the possibilities of the unit but still have to work around what f=
eatures I can use and when.</div>
<div><br></div><div>Hope that helps a bit,</div><div><br></div><div>Mark.<b=
r><div><div><br></div><div><br><br><div class=3D"gmail_quote">On Wed, Feb 1=
0, 2010 at 7:06 PM, Ace Ovil <span dir=3D"ltr">&lt;<a href=3D"mailto:aovil@=
wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">








<div lang=3D"EN-US" link=3D"blue" vlink=3D"purple">

<div>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Mark,=
 </span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">I wou=
ld love to pick your brain on the rang 3. I=92m
currently debating on whether to get a second working echoplex to run them =
in
stereo or sell the one working EDP I have to buy the rang 3. I am ashamed t=
o
say I am not tech savvy enough to even attempt something like ableton or
another software solution. When it comes to computers, I can only describe
myself as functionally illiterate. I write patient reports on them , get e-=
mail
and browse the web. I=92m perfectly content with that even though my
sweetwater sales rep has been trying to get me to do that for at least two
years now (they can be pushy you know). </span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">I see=
m to change my mind on the subject every day. On the one
hand, I have spent tons of time learning and getting proficient with the
echoplex and don=92t want to admit the technology may be getting outdated
(please don=92t all flame me at once). On the other hand, the rang seems on
paper to do everything I need, runs in stereo, has more recording time etc.=
 =A0</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Not c=
arrying a rack to gigs once or twice a week would also be a
major bonus for my lazy ass. LOL</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">I do =
a =93one man band=94 type thing with multiple
instruments. My setup is similar to Arthur Lee Land (hand drums, bass, guit=
ars
etc.) except I mic amps rather than use modelling into the board. I also ha=
ve a
turntable and scratch mixer plugged into the board which I use as a percuss=
ion
instrument either inside the loop or against it and a sax I solo with
occasionally because I won=92t admit I=92m just not very good at it LOL.
=A0Long story short, I have so much gear to carry by myself that I have
found myself wondering if I should just hire someone else to do it and hand
over the check from the bars to them for their effort. Lame right?</span></=
p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">What =
I want to do is =A0run the stereo effects loop of my
mixer through a stereo looper so I can start experimenting with expressing
myself through sweeping and panning with a pedal and also so I can place
different instruments in different parts of the PA mix. I think that would
really expand my sound options and I wish I had set up this way to begin wi=
th.</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Obvio=
usly the Rang option is the cheaper and lighter way to go
stereo. </span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Do yo=
u have experience with both the EDP and the Rang?</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">What =
sort of functionality do you think =A0I would lose by
doing this?</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Of co=
urse, advice from any of you other mythical gods of looping
would be greatly appreciated.</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Ace <=
/span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<div style=3D"border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in">

<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt">From:</span></b>=
<span style=3D"font-size:10.0pt"> Mark McGlinchey
[mailto:<a href=3D"mailto:markmcglinchey@gmail.com" target=3D"_blank">markm=
cglinchey@gmail.com</a>] <br>
<b>Sent:</b> Wednesday, February 10, 2010 1:36 PM</span></p><div><br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br>
</div><b>Subject:</b> Re: A multi channel looper<p></p>

</div><div><div></div><div>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt">I agree, I am loving =
my Rang
III but everytime I use it I find a point where I want to use some of the a=
s of
yet unreleased full feature set. Very annoying, I can&#39;t complain though=
 I was
aware of what the implications of buying a pre-prod model were when I did i=
t. </p>

<div>

<p class=3D"MsoNormal">On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil &lt;<a hre=
f=3D"mailto:aovil@wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt; wr=
ote:</p>

<div>

<div>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Yes, =
that would work great, but I think
a multiply function was pretty important to him if I recall. I=92m not sure
about the twenty but I know the RC-2 will not do this because I have one. I
think the Rc-20=92s cannot either, but I could be wrong on this. For me,
that would be a deal breaker and it=92s the main reason I sold my otherwise
awesome 2880.</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">If th=
ere is anything I have learned from
pouring money into this bottomless pit of looping gear over the last few ye=
ars,
it is to get what you want right off the bat because you will end up spendi=
ng
more money in the long run if you don=92t. For me at least, it is a
=A0pretty bad disease. =A0</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Once =
I get a piece of gear that
can=92t do what I envision musically, all I think about when I=92m
playing is =93it sure would be nice if it could do X=94. =A0I
don=92t feel the same way about other instruments though, I can live with a
guitar, bass, =A0sax or drum kit =A0that doesn=92t have =93quite
the right tone=94 I envision but as soon as a =A0looper limits my
creativity I get annoyed with it, </span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Maybe=
 I=92m just a glass half empty
kind of guy but would any of you agree with this?</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">Ace</=
span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;color:#1F497D">=A0</=
span></p>

<div style=3D"border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in">

<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt">From:</span></b>=
<span style=3D"font-size:10.0pt"> scott
hansen [mailto:<a href=3D"mailto:evanpeewee@yahoo.com" target=3D"_blank">ev=
anpeewee@yahoo.com</a>]
<br>
<b>Sent:</b> Wednesday, February 10, 2010 12:34 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D=
"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Subject:</b> A multi channel looper</span></p>

</div>

<div>

<div>

<p class=3D"MsoNormal">=A0</p>

<table border=3D"0" cellspacing=3D"0" cellpadding=3D"0">
 <tbody><tr>
  <td valign=3D"top" style=3D"padding:0in 0in 0in 0in">
  <p class=3D"MsoNormal">i&#39;m
  not sure i would call it a multi-channel looper,<br>
  but when i had my original boss RC-20 (the one w/ the 4 min of looping ti=
me,
  the xl has 16 min), it has an input for instrument (your choice-i used a
  guitar) &amp; it has a microphone input. there was an input level for eac=
h
  (mic &amp; instr).<br>
  <br>
  whether this would be considered &quot;mutli-channel&quot; i don&#39;t kn=
ow. i
  never did use the mic option, i just used it for guitar.=A0 but i think
  the idea for it is solo performer (or band) could record guitar/voice thi=
ngs
  (or anything w/ microphone) and then layer on top, etc. so if you just ne=
eded
  it to supplement live stuff, guitar/voice (or keyboards) it would probabl=
y
  work. and it does reverse nice and easy. the original one like i had (the=
 4
  min recording time) you can get pretty cheap and try it out. i think i go=
t
  mine a yr ago for 150$, so they&#39;re in that range or cheaper now.... o=
bviously
  if you need lots of recording time, the rc20xl is newer, &amp; last i che=
cked
  them, they were still going a bit higher-they were out of my price range =
when
  i was looking....<br>
  i know a few people i&#39;ve seen in past use one was kaki king, john sco=
field,
  i&#39;m sure there are more out there...<br>
  some thoughts. good luck,<br>
  s---<br>
  <a href=3D"http://www.myspace.com/scotthansen" target=3D"_blank">www.mysp=
ace.com/scotthansen</a></p>
  </td>
 </tr>
</tbody></table>

<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt">=A0</span></p>

</div>

</div>

</div>

</div>

</div>

<p class=3D"MsoNormal">=A0</p>

</div></div></div>

</div>


</blockquote></div><br>
</div></div></div></div></div>

--0016e6d56652d9ec25047f456b1a--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 21:11:16 2010
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Date: Wed, 10 Feb 2010 22:11:14 +0100
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Subject: Re: Where were you when the Google Maps Car drove past?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Feb 10, 2010 at 9:31 PM, mark francombe <mark@markfrancombe.com> wrote:
> I am aware of this sevice.. but.. to be completely honest.. Ive never seen
> the point of it!!

It is useful in forums where messages has to stay short, like for
example Twitter.

>  I really didnt expect you to memorize it or type it in by hand...

LOL, that was funny!  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From info@yahoo.com  Wed Feb 10 21:12:39 2010
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Date: Wed, 10 Feb 2010 20:15:04 +0800
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I am Mr. Vincent Cheng Hoi Chuen, GBS, JP Chairman of the Hong Kong and
Shanghai Banking Corporation Limited.i have a business proposal of Twenty Two
million Five Hundred Thousand United State Dollars only for you to  transact
with me from my bank to your country.

All confirmable documents to back up the claims will be made available to you
prior to your acceptance and as soon as I receive your return mail Via  
my email
address:choi_chu505@yahoo.co.jp and I will let you know what is  
required of you.

Your earliest response to this letter will be appreciated.

Best Regards,
Mr. Vincent Cheng





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--00504502c5ffaaff6c047f4583f7
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> It is useful in forums where messages has to stay short, like for
> example Twitter


OMG Per.. dont get me started on Twatter!!!


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502c5ffaaff6c047f4583f7
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<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;"><div class=3D"im">
<br>
</div>It is useful in forums where messages has to stay short, like for<br>
example Twitter</blockquote><div><br>OMG Per.. dont get me started on Twatt=
er!!! <br></div></div><br clear=3D"all"><br>-- <br><a href=3D"http://www.ma=
rkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/u=
ser825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--00504502c5ffaaff6c047f4583f7--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 21:31:29 2010
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Subject: Re: Where were you when the Google Maps Car drove past?
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On Wed, Feb 10, 2010 at 10:13 PM, mark francombe <mark@markfrancombe.com> wrote:
>>
>> It is useful in forums where messages has to stay short, like for
>> example Twitter

> OMG Per.. dont get me started on Twatter!!!


Don't worry, Mark. The Twats won't let you in since dressed in such
longish URLs anyway! ;-))  It is a strict
less-than-140-characters-only sect.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 10 22:20:45 2010
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 on the varispeed front!)
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By accident, I visited Eventide's website and found that there is a 
v4.01 software for the Eventide Eclipse - including some minor fixes, 
some functional improvements, a bunch of fancy new presets and - now 
wait for it - all the algorithms from their two stompboxes.

Which means, this device which has been developed about a decade ago 
suddenly discovered it can do varispeed very nicely - and it also has a 
full-fledged looper (with varispeed and, contrary to the TimeFactor, a 
full 160 seconds of delay time).

I need to go to bed now, or otherwise I won't do it at all tonight...;)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Wed, 10 Feb 2010 17:25:57 -0500
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Subject: Re: Accidental findings regarding Eventide Eclipse (and guess what? 
	news on the varispeed front!)
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i heart eventide.

- jim

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i heart eventide.<br><br>- jim<br>

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From 90@yahoo.com  Wed Feb 10 23:19:29 2010
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Reply-To: <rbrtjhnsn@rediffmail.com>
From: "ROBERT JOHNSON"<90@yahoo.com>
Subject: RE:FEDERAL RESERVE BANK
Date: Wed, 10 Feb 2010 23:06:23 -0000
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To: undisclosed-recipients:;

FEDERAL RESERVE BANK
NEW YORK,33,LIBERTY STREET
NEW YORK NY 10038 
Our Ref : FRB/FOD/FBX/0174/10 
 
 Attn:Bnenficary
 
RE:UNPAID CONTRACT/INHERITANCE WINNING FUND- WHY YOU HAVE NOT SUCCEEDED.
 
After waiting to hear from your partners for a long time, I decided to make this direct approach to you in other not to let it be as if I have anything in mind against you. I do not know if you have asked yourself why each time the release of this fund is approved, all of a sudden,the payment will be delayed/stopped or one problem or the other will come up. If you have not asked this question or you do not know, this is an opportunity for me to tell you.
 
Some time ago, your friends, I mean the people that introduced you to this project approached me through my dear wife who works with the Treasury Department and requested me to assist them conclude a  money transfer deal they had with you, they requested me to assist them by removing the original beneficiary/contractors name, company?? name and bank particulars from the Federal Reserve Bank(FRB) Vetting and replacing them with your name and your bank details in order to make you appear as the rightful beneficiary of this fund. I agreed on conditions that they would pay me US$300,000 as soon as your name appears as the beneficiary. I did as agreed and demanded to be paid but your greedy friends started telling me stories and avoiding me. They even told me that you promised to send money to me, do you know that up till this moment, I have not receive a single cent from them and have not set my eyes on any of them.
 
Based on their attitude, I decided to stop the funds release movementbecause I cannot be denied of my right in my own office considering the risk as it might affect my job. Secondly, I know the source of the funds that you did not execute any contract or Next of Kin, although I am the only person privileged to know this information and it is a fact. Why I am making this clear to you is that I can see that you are still making efforts in order to conclude this project. Now I am ready to forget the past provided you co-operate with me. I do not need the US$300,000 any longer from you but a good compensation from your mind when you have the fund in your account. I need your assurance that your colleagues will be totally kept out of this transaction. I know that none of them is aware of my new approach to you, therefore, stop spending your money unnecessarily to officers both here and overseas because you will not receive this money without my hand in it.I personally did the work at the beginning and on.
 
Finally, I need your promise that no official of the Federal Reserve Bank will be aware of my involvement in this regard because of my position. Now re-assure that you will be willing to compensate me. A KTT FUND RELEASE APPROVALS DOCUMENTS will be sent to you for endorsement after which I will remit the money within 48 hours. Look, I am man of my word, if you are ready to conclude this business with me, kindly contact me on my direct phone ,so that we can have a chat over this issue, if the reverse is the case, do not bother yourself to reach me and forget about the fund.Contact me via this email: thomasbaxter@rediffmail.com 
 

Thomas Baxter
Finance Sector Surveillance Directorate
Federal Reserve Bank New York

From infoe@hotmailnet.eu  Wed Feb 10 23:22:26 2010
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------=_NextPart_001_0113_01C2A9A6.70C321CE--

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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Repeater
References: <113403.82381.qm@web87116.mail.ird.yahoo.com> <4B72C6A8.5020200@mnet-online.de> <4B72F13F.9080807@googlemail.com>
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Hallo Rainer

> All of those MIDI clock issues have been addressed in the OS2.0 software 
> update - but I didn't find time to toy with that.
You should. I searched for a long long time for a looper that does 
reliable act as MIDI-Slave and handles all jitter or tempo changes of 
external clocks without any troubles, the repeater does. Do you know any 
other hardware looper that does timestretching as a clock slave that 
smooth as the repeater?

To my opinion all loopers are intended for solo artist. As soon as you 
have to play in a dependency on other musicians regarding clock and 
tuning, then you are lost with all other hardware loopers which I 
checked out.

Name another looper which can do this: prerecorded Loop on SD Card, your 
clarinetist is 40 cent to high. No trouble: press "pitch", turn up by 40 
cent, press pitch again, your done - in real time while playing!

Florian

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 00:54:38 2010
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Subject: RE: A multi channel looper
Date: Wed, 10 Feb 2010 19:53:37 -0500
Message-ID: <F160BE32A2E5E04497668BBDFE83FEDF3AA5B5FA@EXCHVS1.medctr.ad.wfubmc.edu>
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Thanks for the well though out review Mark,

I hope you make all these points to the texas people too of course.

I'm curious , do you use the twins as your PA  (plenty clean headroom
and a nice warm sound) or do you mic them and go to a house PA?

How do they handle bass?

I have a twin too, but I'm always afraid I'll blow a speaker with my
jazz bass.

=20

Has anyone here used both an EDP and RANG 3? How do they compare?
Seriously.

=20

From: Mark McGlinchey [mailto:markmcglinchey@gmail.com]=20
Sent: Wednesday, February 10, 2010 4:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: A multi channel looper

=20

Unfortunatly Ace I don't have any experience with the EDP to do
comparisons but I can tell you my impressions of the rang III.

=20

The first thing I noticed when I got it was it is much smaller than I
expected which some people find a huge plus, for me it's no big deal but
could be handy on occasion for throwing in a back pack. I find the sound
quality to be very good, very little noise, even when boosting the
incoming signal, and it replicates what I am playing absolutely fine (I
too use amps, in my case Twin Reverbs).

=20

The pedals are well separated but in truth I find the 2nd bonus button a
little awkward, it is placed in the top right and I have to use the tip
of my toe to press it, it would be fine if I sat down playing but
standing up and with my big clown feet it took a little getting used to.
The buttons do have an audible click when pressed but again it isn't a
problem for me as I play quite loud. I do however wish there were more
bonus buttons. I find stack, erase, undo and redo are core features that
I want to have at all times. Add to that the fact that loop four is also
a "bonus" option and the need for more buttons becomes more obvious. The
reverse/fade/reverse solo and octave features are cool but I don't use
them as often as I would due to the limited real estate for bonus
buttons. As for the loop 4 thing I never use it as currently only serial
play and master play for 2 of the loops is implemented and I find that
without being able to play even the 3 other loops simultaneously I
personally have no use for a 4th.

=20

The build quality is very sturdy so I don't expect any problems there.

=20

All in all, I think it is a great unit at the price point even now
without the full implementation. When the full implementation is
released I expect I will find a marked increase in the flexibility of it
but I am not holding my breath on that yet. Strangely I get the feeling
that were the software to have the full feature set I would find the
bonus button situation even more frustrating as I will know the
possibilities of the unit but still have to work around what features I
can use and when.

=20

Hope that helps a bit,

=20

Mark.

=20

=20

On Wed, Feb 10, 2010 at 7:06 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

Mark,=20

I would love to pick your brain on the rang 3. I'm currently debating on
whether to get a second working echoplex to run them in stereo or sell
the one working EDP I have to buy the rang 3. I am ashamed to say I am
not tech savvy enough to even attempt something like ableton or another
software solution. When it comes to computers, I can only describe
myself as functionally illiterate. I write patient reports on them , get
e-mail and browse the web. I'm perfectly content with that even though
my sweetwater sales rep has been trying to get me to do that for at
least two years now (they can be pushy you know).=20

=20

I seem to change my mind on the subject every day. On the one hand, I
have spent tons of time learning and getting proficient with the
echoplex and don't want to admit the technology may be getting outdated
(please don't all flame me at once). On the other hand, the rang seems
on paper to do everything I need, runs in stereo, has more recording
time etc. =20

=20

Not carrying a rack to gigs once or twice a week would also be a major
bonus for my lazy ass. LOL

I do a "one man band" type thing with multiple instruments. My setup is
similar to Arthur Lee Land (hand drums, bass, guitars etc.) except I mic
amps rather than use modelling into the board. I also have a turntable
and scratch mixer plugged into the board which I use as a percussion
instrument either inside the loop or against it and a sax I solo with
occasionally because I won't admit I'm just not very good at it LOL.
Long story short, I have so much gear to carry by myself that I have
found myself wondering if I should just hire someone else to do it and
hand over the check from the bars to them for their effort. Lame right?

=20

What I want to do is  run the stereo effects loop of my mixer through a
stereo looper so I can start experimenting with expressing myself
through sweeping and panning with a pedal and also so I can place
different instruments in different parts of the PA mix. I think that
would really expand my sound options and I wish I had set up this way to
begin with.

=20

Obviously the Rang option is the cheaper and lighter way to go stereo.=20

Do you have experience with both the EDP and the Rang?

What sort of functionality do you think  I would lose by doing this?

Of course, advice from any of you other mythical gods of looping would
be greatly appreciated.

Ace=20

=20

From: Mark McGlinchey [mailto:markmcglinchey@gmail.com]=20
Sent: Wednesday, February 10, 2010 1:36 PM


To: Loopers-Delight@loopers-delight.com

Subject: Re: A multi channel looper

=20

I agree, I am loving my Rang III but everytime I use it I find a point
where I want to use some of the as of yet unreleased full feature set.
Very annoying, I can't complain though I was aware of what the
implications of buying a pre-prod model were when I did it.=20

On Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil <aovil@wfubmc.edu> wrote:

Yes, that would work great, but I think a multiply function was pretty
important to him if I recall. I'm not sure about the twenty but I know
the RC-2 will not do this because I have one. I think the Rc-20's cannot
either, but I could be wrong on this. For me, that would be a deal
breaker and it's the main reason I sold my otherwise awesome 2880.

If there is anything I have learned from pouring money into this
bottomless pit of looping gear over the last few years, it is to get
what you want right off the bat because you will end up spending more
money in the long run if you don't. For me at least, it is a  pretty bad
disease. =20

Once I get a piece of gear that can't do what I envision musically, all
I think about when I'm playing is "it sure would be nice if it could do
X".  I don't feel the same way about other instruments though, I can
live with a guitar, bass,  sax or drum kit  that doesn't have "quite the
right tone" I envision but as soon as a  looper limits my creativity I
get annoyed with it,=20

Maybe I'm just a glass half empty kind of guy but would any of you agree
with this?

Ace

=20

From: scott hansen [mailto:evanpeewee@yahoo.com]=20
Sent: Wednesday, February 10, 2010 12:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: A multi channel looper

=20

i'm not sure i would call it a multi-channel looper,
but when i had my original boss RC-20 (the one w/ the 4 min of looping
time, the xl has 16 min), it has an input for instrument (your choice-i
used a guitar) & it has a microphone input. there was an input level for
each (mic & instr).

whether this would be considered "mutli-channel" i don't know. i never
did use the mic option, i just used it for guitar.  but i think the idea
for it is solo performer (or band) could record guitar/voice things (or
anything w/ microphone) and then layer on top, etc. so if you just
needed it to supplement live stuff, guitar/voice (or keyboards) it would
probably work. and it does reverse nice and easy. the original one like
i had (the 4 min recording time) you can get pretty cheap and try it
out. i think i got mine a yr ago for 150$, so they're in that range or
cheaper now.... obviously if you need lots of recording time, the rc20xl
is newer, & last i checked them, they were still going a bit higher-they
were out of my price range when i was looking....
i know a few people i've seen in past use one was kaki king, john
scofield, i'm sure there are more out there...
some thoughts. good luck,
s---
www.myspace.com/scotthansen

=20

=20

=20


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Thanks for the well though out review =
Mark,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I hope you make all these points to the texas people too =
of
course.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I&#8217;m curious , do you use the twins as your PA =
&nbsp;(plenty clean headroom
and a nice warm sound) or do you mic them and go to a house =
PA?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>How do they handle bass?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I have a twin too, but I&#8217;m always afraid I&#8217;ll =
blow a speaker
with my jazz bass.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Has anyone here used both an EDP and RANG 3? How do they
compare? Seriously.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Mark =
McGlinchey
[mailto:markmcglinchey@gmail.com] <br>
<b>Sent:</b> Wednesday, February 10, 2010 4:07 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: A multi channel looper<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Unfortunatly Ace I don't have any experience with =
the EDP to
do comparisons but I can tell you my impressions of the rang =
III.<o:p></o:p></p>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>The first thing I noticed when I got it was it is =
much
smaller than I expected which some people find a huge plus, for me it's =
no big
deal but could be handy on occasion for throwing in a back pack.&nbsp;I =
find
the sound quality to be very good, very little noise, even when boosting =
the
incoming signal, and it replicates what I am =
playing&nbsp;absolutely&nbsp;fine
(I too use amps, in my case Twin Reverbs).<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>The pedals are well&nbsp;separated&nbsp;but in =
truth I find
the 2nd bonus button a little awkward, it is placed in the top right and =
I have
to use the tip of my toe to press it, it would be fine if I sat down =
playing
but standing up and with my big clown feet it took a little getting used =
to.
The buttons do have an audible click when pressed but again it isn't a =
problem
for me as I play quite loud. I do however wish there were more bonus =
buttons. I
find stack, erase, undo and redo are core features that I want to have =
at all
times. Add to that the fact that loop four is also a &quot;bonus&quot; =
option
and the need for more buttons becomes more obvious. The =
reverse/fade/reverse solo
and octave features are cool but I don't use them as often as I would =
due to
the limited real estate for bonus buttons. As for the loop 4 thing I =
never use
it as currently only serial play and master play for 2 of the loops is
implemented and I find that without being able to play even the 3 other =
loops
simultaneously I personally have no use for a 4th.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>The build quality is very sturdy so I don't expect =
any
problems there.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>All in all, I think it is a great unit at the price =
point
even now without the full implementation. When the full implementation =
is
released I expect I will find a marked increase in =
the&nbsp;flexibility&nbsp;of
it but I am not holding my breath on that yet.&nbsp;Strangely&nbsp;I get =
the
feeling that were the software to have the full feature set I would find =
the
bonus button situation even more frustrating as I will know the =
possibilities
of the unit but still have to work around what features I can use and =
when.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Hope that helps a bit,<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Mark.<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal>On Wed, Feb 10, 2010 at 7:06 PM, Ace Ovil &lt;<a
href=3D"mailto:aovil@wfubmc.edu" =
target=3D"_blank">aovil@wfubmc.edu</a>&gt; wrote:<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Mark, </span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>I would love to pick your brain =
on the
rang 3. I&#8217;m currently debating on whether to get a second working =
echoplex to
run them in stereo or sell the one working EDP I have to buy the rang 3. =
I am
ashamed to say I am not tech savvy enough to even attempt something like
ableton or another software solution. When it comes to computers, I can =
only
describe myself as functionally illiterate. I write patient reports on =
them ,
get e-mail and browse the web. I&#8217;m perfectly content with that =
even though my
sweetwater sales rep has been trying to get me to do that for at least =
two
years now (they can be pushy you know). </span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>I seem to change my mind on the =
subject
every day. On the one hand, I have spent tons of time learning and =
getting
proficient with the echoplex and don&#8217;t want to admit the =
technology may be
getting outdated (please don&#8217;t all flame me at once). On the other =
hand, the
rang seems on paper to do everything I need, runs in stereo, has more =
recording
time etc. &nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Not carrying a rack to gigs =
once or
twice a week would also be a major bonus for my lazy ass. =
LOL</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>I do a &#8220;one man =
band&#8221; type thing with
multiple instruments. My setup is similar to Arthur Lee Land (hand =
drums, bass,
guitars etc.) except I mic amps rather than use modelling into the =
board. I
also have a turntable and scratch mixer plugged into the board which I =
use as a
percussion instrument either inside the loop or against it and a sax I =
solo
with occasionally because I won&#8217;t admit I&#8217;m just not very =
good at it LOL.
&nbsp;Long story short, I have so much gear to carry by myself that I =
have
found myself wondering if I should just hire someone else to do it and =
hand
over the check from the bars to them for their effort. Lame =
right?</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>What I want to do is &nbsp;run =
the
stereo effects loop of my mixer through a stereo looper so I can start
experimenting with expressing myself through sweeping and panning with a =
pedal
and also so I can place different instruments in different parts of the =
PA mix.
I think that would really expand my sound options and I wish I had set =
up this
way to begin with.</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Obviously the Rang option is =
the cheaper
and lighter way to go stereo. </span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Do you have experience with =
both the EDP
and the Rang?</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>What sort of functionality do =
you think
&nbsp;I would lose by doing this?</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Of course, advice from any of =
you other
mythical gods of looping would be greatly =
appreciated.</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Ace </span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><span
style=3D'font-size:10.0pt'>From:</span></b><span =
style=3D'font-size:10.0pt'> Mark
McGlinchey [mailto:<a href=3D"mailto:markmcglinchey@gmail.com" =
target=3D"_blank">markmcglinchey@gmail.com</a>]
<br>
<b>Sent:</b> Wednesday, February 10, 2010 1:36 PM</span><o:p></o:p></p>

<div>

<p class=3DMsoNormal><br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><o:p></o:p></p>

</div>

<p class=3DMsoNormal><b>Subject:</b> Re: A multi channel =
looper<o:p></o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt'>I
agree, I am loving my Rang III but everytime I use it I find a point =
where I
want to use some of the as of yet unreleased full feature set. Very =
annoying, I
can't complain though I was aware of what the implications of buying a =
pre-prod
model were when I did it. <o:p></o:p></p>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>On
Wed, Feb 10, 2010 at 6:11 PM, Ace Ovil &lt;<a =
href=3D"mailto:aovil@wfubmc.edu"
target=3D"_blank">aovil@wfubmc.edu</a>&gt; wrote:<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Yes, that would work great, but =
I think
a multiply function was pretty important to him if I recall. I&#8217;m =
not sure about
the twenty but I know the RC-2 will not do this because I have one. I =
think the
Rc-20&#8217;s cannot either, but I could be wrong on this. For me, that =
would be a
deal breaker and it&#8217;s the main reason I sold my otherwise awesome =
2880.</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>If there is anything I have =
learned from
pouring money into this bottomless pit of looping gear over the last few =
years,
it is to get what you want right off the bat because you will end up =
spending
more money in the long run if you don&#8217;t. For me at least, it is a =
&nbsp;pretty
bad disease. &nbsp;</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Once I get a piece of gear that =
can&#8217;t do
what I envision musically, all I think about when I&#8217;m playing is =
&#8220;it sure would
be nice if it could do X&#8221;. &nbsp;I don&#8217;t feel the same way =
about other
instruments though, I can live with a guitar, bass, &nbsp;sax or drum =
kit
&nbsp;that doesn&#8217;t have &#8220;quite the right tone&#8221; I =
envision but as soon as a
&nbsp;looper limits my creativity I get annoyed with it, =
</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Maybe I&#8217;m just a glass =
half empty kind
of guy but would any of you agree with this?</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>Ace</span><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><span
style=3D'font-size:10.0pt'>From:</span></b><span =
style=3D'font-size:10.0pt'> scott
hansen [mailto:<a href=3D"mailto:evanpeewee@yahoo.com" =
target=3D"_blank">evanpeewee@yahoo.com</a>]
<br>
<b>Sent:</b> Wednesday, February 10, 2010 12:34 PM<br>
<b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Subject:</b> A multi channel looper</span><o:p></o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>i'm
  not sure i would call it a multi-channel looper,<br>
  but when i had my original boss RC-20 (the one w/ the 4 min of looping =
time,
  the xl has 16 min), it has an input for instrument (your choice-i used =
a
  guitar) &amp; it has a microphone input. there was an input level for =
each
  (mic &amp; instr).<br>
  <br>
  whether this would be considered &quot;mutli-channel&quot; i don't =
know. i
  never did use the mic option, i just used it for guitar.&nbsp; but i =
think
  the idea for it is solo performer (or band) could record guitar/voice =
things
  (or anything w/ microphone) and then layer on top, etc. so if you just =
needed
  it to supplement live stuff, guitar/voice (or keyboards) it would =
probably
  work. and it does reverse nice and easy. the original one like i had =
(the 4
  min recording time) you can get pretty cheap and try it out. i think i =
got
  mine a yr ago for 150$, so they're in that range or cheaper now.... =
obviously
  if you need lots of recording time, the rc20xl is newer, &amp; last i =
checked
  them, they were still going a bit higher-they were out of my price =
range when
  i was looking....<br>
  i know a few people i've seen in past use one was kaki king, john =
scofield,
  i'm sure there are more out there...<br>
  some thoughts. good luck,<br>
  s---<br>
  <a href=3D"http://www.myspace.com/scotthansen" =
target=3D"_blank">www.myspace.com/scotthansen</a><o:p></o:p></p>
  </td>
 </tr>
</table>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style=3D'font-size:10.0pt'>&nbsp;</span><o:p></o:p></p>

</div>

</div>

</div>

</div>

</div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

</div>

</div>

</div>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</div>

</div>

</div>

</div>

</div>

</body>

</html>

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From: <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
References: <113403.82381.qm@web87116.mail.ird.yahoo.com> <4B72C6A8.5020200@mnet-online.de> <4B72F13F.9080807@googlemail.com> <9ab0c76f1002101223o202dbc09s3a2f64cc577ed357@mail.gmail.com>
Subject: Re: Repeater (was: A multi channel looper)
Date: Wed, 10 Feb 2010 20:29:17 -0600
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I bought my first Repeater when they first came out...(after months of =
delays!)

Years later I sold it. After that I had a boomerang, then a DL-4, then =
an Echo Pro, then RC-20XL...still missed the Repeater....

Bought my second repeater, then years later I sold it again and ended up =
with the Boss RC-50 awhile. Sold the RC-50, bought a Line-6 M13 (which I =
still use and absolutely love!) but of course...still missed the =
repeater.

Then I bought my third repeater! Then found another cheap one and went =
ahead and bought my fourth as well....what can I say...I love the =
repeater.

So I have two at the moment, and for me at least, I think that says it =
all, with all the looping devices I've used over the years (all of them =
quite good in their own rite) but I just can't get away from the =
Repeater. It's not perfect of course, but it's one of my favorites for =
sure.

I'd say the only reason I ever sold the first two repeaters I owned, was =
just due to how expensive they are....even after all these years they =
still normally sell for more $ than they did brand new 9 years ago!!!

-Nathan
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, February 10, 2010 2:23 PM
  Subject: Re: Repeater (was: A multi channel looper)




      Zoe Keating from San Francisco here on the list is selling two at =
the moment.

    That says it all, doesn't it?

    --=20
    http://moinlabs.de


  Er.. Nope.. people sell stuff all the time, it doesnt mean all of us a =
on that constant battle for the latest and greatest... it is a never =
ending journey and one that I have given up trying to win.

  Zoe is probably the most road weary of us all, and lugging a huge hunk =
of wood around would mena she is def gonna go for the most compact =
looping unit around...

  And there is no doubt that there exists various multi track loopers in =
software that out perform the Repeater now... But I have yet to hear =
time stretch like the repeaters in any form, and the ability to have a =
delay that comes back transposed (in 2 pitches at once) is something Im =
not sure the software versions do yet...

  Its a clunky beast however, and the amount of trouble they went to to =
implement the ability to save onto a out moded disk format wasted some =
time they could have spent programming the midi implementation better =
and putting more things on the front panel... (How do you un mute a =
chanel if you did it via CC anybody??)

  I still love my repeater.. but as a reliable song-loopers machine, I =
think its a bit frightening...=20




  =20
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 9.0.733 / Virus Database: 271.1.1/2678 - Release Date: =
02/09/10 13:35:00

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16674" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I bought my first Repeater when they =
first came=20
out...(after months of delays!)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Years later I sold it. After that I had =
a=20
boomerang, then a DL-4, then an&nbsp;Echo Pro, then RC-20XL...still =
missed the=20
Repeater....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bought my second repeater, then years =
later I sold=20
it again&nbsp;and ended up with&nbsp;the Boss RC-50 awhile. Sold the =
RC-50,=20
bought a Line-6 M13 (which I still use and absolutely love!) but of=20
course...still missed the repeater.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Then&nbsp;I&nbsp;bought my third =
repeater! Then=20
found another cheap one and went ahead and bought my fourth as =
well....what can=20
I say...I love the repeater.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So I have two at the moment, and for me =
at least, I=20
think that says it all,&nbsp;with all the looping devices I've used over =
the=20
years (all of them quite good in their own rite) but I just can't get =
away from=20
the Repeater. It's not perfect of course, but it's one of my favorites =
for=20
sure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'd say the only reason I ever sold the =
first two=20
repeaters I owned,&nbsp;was just due to how expensive they are....even =
after all=20
these years they still normally&nbsp;sell for&nbsp;more $ than they did =
brand=20
new 9 years ago!!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>-Nathan</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February 10, =
2010 2:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Repeater (was: A =
multi=20
  channel looper)</DIV>
  <DIV><BR></DIV><BR>
  <DIV class=3Dgmail_quote>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Zoe=20
      Keating from San Francisco here on the list is selling two at the=20
      moment.<BR></BLOCKQUOTE>That says it all, doesn't it?<BR><FONT=20
    color=3D#888888><BR>-- <BR><A href=3D"http://moinlabs.de"=20
    target=3D_blank>http://moinlabs.de</A></FONT></BLOCKQUOTE>
  <DIV><BR><BR>Er.. Nope.. people sell stuff all the time, it doesnt =
mean all of=20
  us a on that constant battle for the latest and greatest... it is a =
never=20
  ending journey and one that I have given up trying to win.<BR><BR>Zoe =
is=20
  probably the most road weary of us all, and lugging a huge hunk of =
wood around=20
  would mena she is def gonna go for the most compact looping unit=20
  around...<BR><BR>And there is no doubt that there exists various multi =
track=20
  loopers in software that out perform the Repeater now... But I have =
yet to=20
  hear time stretch like the repeaters in any form, and the ability to =
have a=20
  delay that comes back transposed (in 2 pitches at once) is something =
Im not=20
  sure the software versions do yet...<BR><BR>Its a clunky beast =
however, and=20
  the amount of trouble they went to to implement the ability to save =
onto a out=20
  moded disk format wasted some time they could have spent programming =
the midi=20
  implementation better and putting more things on the front panel... =
(How do=20
  you un mute a chanel if you did it via CC anybody??)<BR><BR>I still =
love my=20
  repeater.. but as a reliable song-loopers machine, I think its a bit=20
  frightening... <BR><BR><BR><BR><BR>&nbsp;</DIV></DIV><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 9.0.733 / Virus Database: 271.1.1/2678 - =
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  Date: 02/09/10 13:35:00<BR></BLOCKQUOTE></BODY></HTML>

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From: Zoe Keating <info@zoekeating.com>
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Subject: Re: Repeater (was: A multi channel looper)
Date: Wed, 10 Feb 2010 19:19:41 -0800
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i still love the repeaters! i used them synced to clock, so they were  
stable.
however, mark is right...as a solo lady, i just can't carry them and  
my cello and everything else on tour. i can do it all on a computer  
now and fit my entire rig in my carry on.
also, my studio is 10 x 10 and it bugs me that all the space is taken  
up with paperwork and gear i never use anymore!


On Feb 10, 2010, at 12:23 PM, mark francombe wrote:

>
> Zoe Keating from San Francisco here on the list is selling two at  
> the moment.
> That says it all, doesn't it?
>
> -- 
> http://moinlabs.de
>
>
> Er.. Nope.. people sell stuff all the time, it doesnt mean all of us  
> a on that constant battle for the latest and greatest... it is a  
> never ending journey and one that I have given up trying to win.
>
> Zoe is probably the most road weary of us all, and lugging a huge  
> hunk of wood around would mena she is def gonna go for the most  
> compact looping unit around...
>
> And there is no doubt that there exists various multi track loopers  
> in software that out perform the Repeater now... But I have yet to  
> hear time stretch like the repeaters in any form, and the ability to  
> have a delay that comes back transposed (in 2 pitches at once) is  
> something Im not sure the software versions do yet...
>
> Its a clunky beast however, and the amount of trouble they went to  
> to implement the ability to save onto a out moded disk format wasted  
> some time they could have spent programming the midi implementation  
> better and putting more things on the front panel... (How do you un  
> mute a chanel if you did it via CC anybody??)
>
> I still love my repeater.. but as a reliable song-loopers machine, I  
> think its a bit frightening...
>
>
>
>
>
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i still love the repeaters! i =
used them synced to clock, so they were stable.<div>however, mark is =
right...as a solo lady, i just can't carry them and my cello and =
everything else on tour. i can do it all on a computer now and fit my =
entire rig in my carry on.</div><div>also, my studio is 10 x 10 and it =
bugs me that all the space is taken up with paperwork and gear i never =
use anymore!</div><div><br></div><div><br><div><div>On Feb 10, 2010, at =
12:23 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><br> <div =
class=3D"gmail_quote"><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"> Zoe Keating from San Francisco here on the =
list is selling two at the moment.<br> </blockquote> That says it all, =
doesn't it?<br><font color=3D"#888888"> <br> -- <br> <a =
href=3D"http://moinlabs.de" =
target=3D"_blank">http://moinlabs.de</a></font></blockquote><div><br><br>E=
r.. Nope.. people sell stuff all the time, it doesnt mean all of us a on =
that constant battle for the latest and greatest... it is a never ending =
journey and one that I have given up trying to win.<br> <br>Zoe is =
probably the most road weary of us all, and lugging a huge hunk of wood =
around would mena she is def gonna go for the most compact looping unit =
around...<br><br>And there is no doubt that there exists various multi =
track loopers in software that out perform the Repeater now... But I =
have yet to hear time stretch like the repeaters in any form, and the =
ability to have a delay that comes back transposed (in 2 pitches at =
once) is something Im not sure the software versions do yet...<br> =
<br>Its a clunky beast however, and the amount of trouble they went to =
to implement the ability to save onto a out moded disk format wasted =
some time they could have spent programming the midi implementation =
better and putting more things on the front panel... (How do you un mute =
a chanel if you did it via CC anybody??)<br> <br>I still love my =
repeater.. but as a reliable song-loopers machine, I think its a bit =
frightening... <br><br><br><br><br>&nbsp;</div></div><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br> =
<a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br><a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--211627680--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 03:52:07 2010
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Date: Wed, 10 Feb 2010 19:52:06 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: variaspeed pitch delay search...
To: Loopers-Delight@loopers-delight.com
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well, i ended up purchasing a guyatone md3 delay off ebay. i look fwd to it=
 arriving...
so i'll see how that compares to my past experiences w/ the ibanez de7.
=A0
i will say if the guyatone didn't work out, i watched a vid of the line 6 e=
cho park, and it looked promising as an interesting noisemaker...and there =
was someone on the gear page selling one for 75$, so that was my backup pla=
n....one guy i emailed who had a guyatone md3 said he really liked it as a =
simple small delay pedal. so i'll report after i get it....
=A0
last nite when i was playing i decided to mess around w/ what i had: decide=
d to use the tape delay option in my digitech rp150 and the tape setting on=
 the digitech DL8--I will say that i played w/ having both on and got some =
crazy looped madness going, playing w/ the pitch. the DL8 i think only has =
a second of time in tape mode, and the RP150 does have 5 sec-but it's not p=
erfect, but between using both at the same time--it created some fun madnes=
s...
=A0
one other option i just thought about-i believe my lexicon mx200 has tape d=
elay option-i'll have to investigate that some more tonight. i played w/ it=
 a while back and i remember it seemed somewhat interesting,....
s---
www.myspace.com/scotthansen=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>well, i ended up purchasing a guyatone m=
d3 delay off ebay. i look fwd to it arriving...</DIV>
<DIV>so i'll see how that compares to my past experiences w/ the ibanez de7=
.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will say if the guyatone didn't work out, i watched a vid of the lin=
e 6 echo park, and it looked promising as an interesting noisemaker...and t=
here was someone on the gear page selling one for 75$, so that was my backu=
p plan....one guy i emailed who had a guyatone md3 said he really liked it =
as a simple small delay pedal. so i'll report after i get it....</DIV>
<DIV>&nbsp;</DIV>
<DIV>last nite when i was playing i decided to mess around w/ what i had: d=
ecided to use the tape delay option in my digitech rp150 and the tape setti=
ng on the digitech DL8--I will say that i played w/ having both on and got =
some crazy looped madness going, playing w/ the pitch. the DL8 i think only=
 has a second of time in tape mode, and the RP150 does have 5 sec-but it's =
not perfect, but between using both at the same time--it created some fun m=
adness...</DIV>
<DIV>&nbsp;</DIV>
<DIV>one other option i just thought about-i believe my lexicon mx200 has t=
ape delay option-i'll have to investigate that some more tonight. i played =
w/ it a while back and i remember it seemed somewhat interesting,....</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A      
--0-1828502176-1265860326=:45298--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 05:54:30 2010
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Subject: Re: A multi channel looper
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The looperlative LP-1 is a true stereo hardware looper with a total of  
8 tracks that can be routed to any of three stereo output pairs and  
panned in the stereo field individually.. I use it in the effects loop  
of a Rane SM-82 mixer as the last thing in my signal chain, I either  
run into tube amps like yourself in stereo or direct in to a full  
range rig.  When going direct I have been using a mesa formula pre-amp  
for the last few years, but recently bought an Ethos preamp from  
Custom Tones which sounds even better direct or through amps than the  
boogie ever did.  Back to the looperlative, it is currently the most  
sophisticated hardware looper made,  and the only current production  
rack mount looper. it won't  go as deep as Abelton or Mobius or any  
software looper, but I've been using it for over 3 years now and i  
still haven't exhausted its options, and yet it is  easy to program  
and offers a really deep set of features. I'm still not really  
interested in going the lap top route though i can certainly  
understand the appeal of a more open ended system. The Lp-1 is a  
different animal than the EDP and it will take some time to dial it  
in, but it does have a few features inspired by and similar to the EDP  
like quantize replace and the ability to switch between loops to  
create song forms. I've been very happy with the LP-1 and even more so  
since switching from a behringer FCB1010  to a Gordius little giant  
for midi control of the LP-1's functions. I like the way it performs  
and sounds and I rarely have to reboot it,  but when I do it takes  
less than 30 seconds to come back on line. Name a Lap top than can  
make that claim. When I perform with it, it also never looks like I'm  
watching TV :-). If I was needing more automation of record and  
playback functions or was wanting to write complex scripts to control  
effects and map out song forms then I would go the lap top route but  
since the nature of my music is open ended and improvisational, I  
haven't yet felt the urge to go software.  someday when i have a lot  
of free time to devote to it I will...someday.
Bill

From nolte-gmbh@osnanet.de  Thu Feb 11 06:30:53 2010
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Reply-To: <jjhuan15@yahoo.com.hk>
From: "Mr. Jun Huan" <nolte-gmbh@osnanet.de>
Subject: Business Proposal.
Date: Thu, 11 Feb 2010 06:48:41 +0100
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To: undisclosed-recipients: ;

Good Day To You, 

I am Mr.Jun Huan of HSH Nordbank AG, Hong Kong. I have an obscured business suggestion for you.In November, 1999, Ahmad Fahmi an Indonesian,a contractor with the Iraqi Government and also a businessman, made a time investment of US$24.5M as secured growth funds for (72) seventy two calendar months in my Branch.

This investment has matured and has been lying in our Bank reserve for the past two years,and under the Hong Kong banking laws,any time Investment unclaimed after three years will be turned over to the Hong Kong Government purse. 

Upon maturity several notices were sent to him and no response came from him. Early This year,it was later discovered that the Ahmad Fahmiand his family were killed in a convoy attack in Musol, Iraqi on 22th Aug, 2004 After further investigation it was also discovered that Ahmad Fahmi did not declare any next of kin in his official papers including the paper work of his Bank deposit.And he also confided in me the last time he was in my Office that no one except me knew of his deposit in my Bank. 

Against this backdrop,I will like you as a foreigner to stand as the next of kin to Ahmad Fahmi so that you will be able to receive this funds I have contacted an Attorney that will prepare the necessary document that will back you up as the next of kin to Ahmad Fahmi and also the rightful beneficiary to the funds. 

Please endeavour to observe utmost discretion in all matters concerning this issue. What is required from you at this stage is for you to provide me with your Full names,Address, direct telephone and fax numbers, age so that the Attorney can commence his job.Reply strictly if you areinterested with the requested information via my personal email;  jjhuan116@yahoo.com.hk  to enable the Attorney commences his job immediately. 

Sincerely, 

Mr.Jun Huan.
jjhuan116@yahoo.com.hk

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 06:37:37 2010
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Subject: Accidental findings regarding Eventide Eclipse (and guess what? news on the varispeed front!)
Date: Wed, 10 Feb 2010 22:37:30 -0800
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way cool, Have you got an Eclipse Rainer? James? keep us posted.
Bill

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 06:38:25 2010
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Does anyone on this list own a TC Fireworx?  I've heard its possible  
to use a modifier controlling the audio input to create a ducking  
effect for various effects but I haven't taken the time to figure it  
out and the manual is no help, I believe it has to do with using the  
envelope detection modifier assigned to effects mix, but if any one  
knows how and can save me some time I would be most appreciative. What  
I'm trying to do is ducking delay, and i think I have to assign an  
envelope detection modifier to the delay mix. Anyone know?
Thanks
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 07:11:06 2010
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I have a fireworx Bill, An altho Ive never made a ducking delay i would
imagine its not too tricky. Yes I imagine its possibe to do it using the
envelope. Im not sure what you are asking however... If you understand how
the patching matrix works then i guess its just to connect from the envelope
to a gain modifier somewhere, maybe you can plug it directly in to a delay
level?

On Thu, Feb 11, 2010 at 7:38 AM, William Walker <billwalker@baymoon.com>wrote:

> Does anyone on this list own a TC Fireworx?  I've heard its possible to use
> a modifier controlling the audio input to create a ducking effect for
> various effects but I haven't taken the time to figure it out and the manual
> is no help, I believe it has to do with using the envelope detection
> modifier assigned to effects mix, but if any one knows how and can save me
> some time I would be most appreciative. What I'm trying to do is ducking
> delay, and i think I have to assign an envelope detection modifier to the
> delay mix. Anyone know?
> Thanks
>  Bill
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000feaf26727b212a3047f4ddad4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have a fireworx Bill, An altho Ive never made a ducking delay i would ima=
gine its not too tricky. Yes I imagine its possibe to do it using the envel=
ope. Im not sure what you are asking however... If you understand how the p=
atching matrix works then i guess its just to connect from the envelope to =
a gain modifier somewhere, maybe you can plug it directly in to a delay lev=
el?<br>

<br><div class=3D"gmail_quote">On Thu, Feb 11, 2010 at 7:38 AM, William Wal=
ker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwal=
ker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8=
ex; padding-left: 1ex;">

Does anyone on this list own a TC Fireworx? =A0I&#39;ve heard its possible =
to use a modifier controlling the audio input to create a ducking effect fo=
r various effects but I haven&#39;t taken the time to figure it out and the=
 manual is no help, I believe it has to do with using the envelope detectio=
n modifier assigned to effects mix, but if any one knows how and can save m=
e some time I would be most appreciative. What I&#39;m trying to do is duck=
ing delay, and i think I have to assign an envelope detection modifier to t=
he delay mix. Anyone know?<br>


Thanks<br>
=A0Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000feaf26727b212a3047f4ddad4--

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Date: Thu, 11 Feb 2010 09:23:02 +0000
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Subject: Re: Accidental findings regarding Eventide Eclipse (and guess what? 
	news on the varispeed front!)
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f20b7698f9af047f4fb2c4
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i've got one with v4

i havn't had much time to check out the new presets, but i'll have a look at
the looper later today and see what's what

sim

On Thu, Feb 11, 2010 at 6:37 AM, William Walker <billwalker@baymoon.com>wrote:

> way cool, Have you got an Eclipse Rainer? James? keep us posted.
> Bill
>
>

--001485f20b7698f9af047f4fb2c4
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i&#39;ve got one with v4<br><br>i havn&#39;t had much time to check out the=
 new presets, but i&#39;ll have a look at the looper later today and see wh=
at&#39;s what<br><br>sim<br><br><div class=3D"gmail_quote">On Thu, Feb 11, =
2010 at 6:37 AM, William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:bil=
lwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">way cool, Have yo=
u got an Eclipse Rainer? James? keep us posted.<br>
Bill<br>
<br>
</blockquote></div><br>

--001485f20b7698f9af047f4fb2c4--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 09:39:45 2010
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Subject: Re: A multi channel looper-with scripts
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William Walker wrote:
>  I've been very happy with 
> the LP-1 and even more so since switching from a behringer FCB1010  to a 
> Gordius little giant for midi control of the LP-1's functions. 

> If I was needing more automation of record and 
> playback functions or was wanting to write complex scripts to control 
> effects and map out song forms then I would go the lap top route but 
> since the nature of my music is open ended and improvisational, I 
> haven't yet felt the urge to go software.  someday when i have a lot of 
> free time to devote to it I will...someday.
> Bill
> 

hi Bill, (and loopers)
no need to go laptop.
You can do the equivalent of scripts with the Little Giant.
The LG can run long sequences of commands, with the timing
fixed or synced to tap time.
The LG can run as Midi clock master, or it can slave the
timing of it's commands to Midi clock from the looper that
it's controlling.
These scripts can even have loops in them, for a fixed
number of times, or until another switch is pressed.



andy




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	 <4B73D082.6020600@tiscali.co.uk>
Date: Thu, 11 Feb 2010 11:23:23 +0100
Message-ID: <66f9cc1e1002110223i522be4e7ud1aec6e60396e6fe@mail.gmail.com>
Subject: Re: A multi channel looper-with scripts
From: Per Boysen <perboysen@gmail.com>
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On Thu, Feb 11, 2010 at 10:40 AM, andy butler <akbutler@tiscali.co.uk> wrot=
e:
>> If I was needing more automation of record and playback functions or was
>> wanting to write complex scripts to control effects and map out song for=
ms
>> then I would go the lap top route but since the nature of my music is op=
en
>> ended and improvisational, I haven't yet felt the urge to go software.
>> =C2=A0someday when i have a lot of free time to devote to it I will...so=
meday.
>> Bill

This is funny, Bill, but the reason I started using software loopers
more than my EDP/Repeater setup was actually that I want to improvise
more in my music! ;-))

When you improvise live looping music the looper becomes the ultimate
instrument you play and I strongly felt that I would like to tune my
own instrument rather than adapting to whatever functionality knobs
some manufacturer had decided to put on the front plate of the box.

Bottomline: Using software based tools is not about "getting more
options". It is about getting down focusing on a few tools that YOU
chose and keeping them optimally sharp for your praxis.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 11 Feb 2010 11:38:14 +0100
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Subject: Re: TC Fireworx question
From: Per Boysen <perboysen@gmail.com>
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On Thu, Feb 11, 2010 at 7:38 AM, William Walker <billwalker@baymoon.com> wr=
ote:
> Does anyone on this list own a TC Fireworx? =C2=A0I've heard its possible=
 to use
> a modifier controlling the audio input to create a ducking effect for
> various effects but I haven't taken the time to figure it out and the man=
ual
> is no help, I believe it has to do with using the envelope detection
> modifier assigned to effects mix, but if any one knows how and can save m=
e
> some time I would be most appreciative. What I'm trying to do is ducking
> delay, and i think I have to assign an envelope detection modifier to the
> delay mix. Anyone know?


Hi Bill,

I used a FireworX for a couple of years (you may recall it from Santa
Cruz loopfest 2006) and I can tell you that the
envelope-follower-on-the-input-signal was my favorit trick for my
patches!

Your assumption about it is correct. For example I used it in one
patch to control delay feedback negatively by the input level. That
means I kept the delay at full feedback ("infinite repeat") as long as
I did not make any sound in the mic. As soon as I made a sound the
input signal would activate the envelope follow module that would
lower the delay's feedback, resulting in "a pocket" created in the
infinite loop where my sound was placed. It's like an organic "instant
sus substitute stuff fix", to talk EDP-ish.

I think the FireworX is well designed and a lot of the processing
techniques I use today in software signal and control data routing I
actually learned by programming fun patches on the FireworX.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 10:52:32 2010
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Per Boysen wrote:

> I used it in one
> patch to control delay feedback negatively by the input level. That
> means I kept the delay at full feedback ("infinite repeat") as long as
> I did not make any sound in the mic. As soon as I made a sound the
> input signal would activate the envelope follow module that would
> lower the delay's feedback, resulting in "a pocket" created in the
> infinite loop where my sound was placed. It's like an organic "instant
> sus substitute stuff fix", to talk EDP-ish.
> 
 
that's Flip Mode in EDP=ish ;-)
...but that's a rather obscure piece of dialect...no-body used it.

...but really I think that idea first got well known with the
Lexicon Vortex, which has something very close to your
patch in one of it's presets (Deja Vu B, I think).
The Vortex also kept the loop input turned down when there
wasn't much of a signal present...so there wasn't a build
up of noise in the loop.

andy

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 17:16:25 2010
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 news on the varispeed front!)
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William Walker schrieb:
> way cool, Have you got an Eclipse Rainer? James? keep us posted.
Yes, I do (and I also have a FireworX, that's why I'm gonna comment on 
your next email right away):

It's interesting to compare those two, which were released about at the 
same time and were in the same price range. Both are still available 
new, but while the street price for the FireworX has fallen to nearly a 
third of its original price, the Eclipse still costs the same.
On the other hand, the Eclipse gave you three major software releases, 
while the FireworX only gave you a bunch of new presets...

The Eclipse may be the effects device in my setup which has been 
underused and underexplored the most. This came because I got it about 
that time when I removed all the "big stuff" from my ensemble 
performance rig and started to play solo using a computer as the only 
processor. But this new software just gave me an impetus to really play 
with this thing some more...

Now on to your FireworX question:
"I've heard its possible to use a modifier controlling the audio input 
to create a ducking effect for various effects but I haven't taken the 
time to figure it out"

I guess the best starting point is the factory preset #96 "TC Walrus 
2290". It's a rather complex effect, but turn off all processing blocks 
except for the delay, and then have a look at the "mod" section.

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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To: undisclosed-recipients:;

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 17:41:20 2010
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Subject: Reyn vs La Kidda - Hyperballad
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Hello all,

Here's a new video I recently put up. It's recorded at one of my monthly =
gigs I now do in this amazing venue in Hoorn, The Netherlands. The idea =
is that we don't rehearse and we let things happen on stage. We do go =
through the songs roughly just before the show and during the weeks =
prior to the concert I send some QuickTime movies of how I think we can =
do the particular song and then we just let it happen. I really like =
this approach, makes you play on the edge.. very healthy adrenaline...

This is a song I did with a singer I worked with some years ago called =
La Kidda. Even though she quitted her singing career I persuade her to =
go on stage once more. It's a cover from Bj=F6rk called Hyperballad:

http://www.youtube.com/watch?v=3DgPc0KMv69z0

You kinda need some speakers or headphones since I'm playing this =
reallly low Sub Bass with my left hand.

Enjoy,

Reyn.

www.reyn.net
www.reyn.vs.reyn.net=

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 17:52:28 2010
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Date: Thu, 11 Feb 2010 09:52:27 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: discovering my gear (was variaspeed delays)
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--0-2116584969-1265910747=:90459
Content-Type: text/plain; charset=iso-8859-1
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ok, so last nite i'm thinking of all the gear i've researched in the last f=
ew days in trying to find this "ellusive variaspeed delay"-and the videos i=
've watched on youtube....ug.....

so i sit down in my guitar area w/ all my gear, and start playing w/ the Di=
gitech DL8, which i've had since xmas. and wow, was i blown away w/ the sou=
nds you could get. crap, i think every mode basically does some type of var=
ispeed option (is it the greatest/does it sound as good as when i was using=
 my tascam 4 track w/ 20 sec tape loop-no, but it was EASIER!). the tape is=
 decent, the lo-fi is decent, the one that sort of blew me away was the mod=
ulated delay-which i never used on my old boss dd7 or b/4 that on my old di=
gidelay-so i'm playing w/ it, and lo & behold the sound is sort of tape-ish=
 i think trying to emulate the roland space echo. now how do i know this? w=
ell, BECAUSE I WATCHED A MILLION VIDEOS OF PEOPLE PLAYING THEIR RE-20 SPACE=
 ECHOS (ok, not a million, but a lot). ok, is it exact-no. does it sound ex=
actly like an original space echo w/ tape in it-NO. but the sounds are vagu=
ely similar to what people were doing on the Boss RE20, more
 simplified, less knobs....but,=A0 i was sort of amazed.

i was sort of amazed at what my gear can do, i think i just had it sitting =
and wasn't using it to it's potential...i will say that i still love the 8 =
sec delay mode in the dl8-it's probably my main looper for now, need to get=
 my behringer tweakalizer back in too-love it's simple sample mode....
happy looping....
s---
www.myspace.com/scotthansen

ps-i will have to say that i think i'm probably the dumbest looper out ther=
e-when people are talking about MULTI-CHANNEL LOOPERS or HAVING 3 INDIVIDUA=
L LOOPS GOING AT ONCE, i think , sh*t, crap, i can barely keep one going an=
d knowing which end is up...oh well.....9 yrs of doing this, and i still do=
n't know crap-ola....
pps-WAY OT-got the jeff beck live at ronni scott's-some great stuff on ther=
e-great watching, great listening...just an OT plug there....
=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">ok, so last nite i'm thinking of all the gear=
 i've researched in the last few days in trying to find this "ellusive vari=
aspeed delay"-and the videos i've watched on youtube....ug.....<br><br>so i=
 sit down in my guitar area w/ all my gear, and start playing w/ the Digite=
ch DL8, which i've had since xmas. and wow, was i blown away w/ the sounds =
you could get. crap, i think every mode basically does some type of varispe=
ed option (is it the greatest/does it sound as good as when i was using my =
tascam 4 track w/ 20 sec tape loop-no, but it was EASIER!). the tape is dec=
ent, the lo-fi is decent, the one that sort of blew me away was the modulat=
ed delay-which i never used on my old boss dd7 or b/4 that on my old digide=
lay-so i'm playing w/ it, and lo &amp; behold the sound is sort of tape-ish=
 i think trying to emulate the roland space echo. now how do i know this?
 well, BECAUSE I WATCHED A MILLION VIDEOS OF PEOPLE PLAYING THEIR RE-20 SPA=
CE ECHOS (ok, not a million, but a lot). ok, is it exact-no. does it sound =
exactly like an original space echo w/ tape in it-NO. but the sounds are va=
guely similar to what people were doing on the Boss RE20, more simplified, =
less knobs....but,&nbsp; i was sort of amazed.<br><br>i was sort of amazed =
at what my gear can do, i think i just had it sitting and wasn't using it t=
o it's potential...i will say that i still love the 8 sec delay mode in the=
 dl8-it's probably my main looper for now, need to get my behringer tweakal=
izer back in too-love it's simple sample mode....<br>happy looping....<br>s=
---<br>www.myspace.com/scotthansen<br><br>ps-i will have to say that i thin=
k i'm probably the dumbest looper out there-when people are talking about M=
ULTI-CHANNEL LOOPERS or HAVING 3 INDIVIDUAL LOOPS GOING AT ONCE, i think , =
sh*t, crap, i can barely keep one going and knowing which end is
 up...oh well.....9 yrs of doing this, and i still don't know crap-ola....<=
br>pps-WAY OT-got the jeff beck live at ronni scott's-some great stuff on t=
here-great watching, great listening...just an OT plug there....<br></td></=
tr></table><br>=0A=0A      
--0-2116584969-1265910747=:90459--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 18:22:46 2010
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Date: Thu, 11 Feb 2010 10:22:45 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Reyn vs La Kidda - Hyperballad
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Heej,=0AThat sounds like fun, I am on Zwolle for the winter and I can sing,=
 play percussion, and blues harp.=0AAntony Hequet=0A=0ASent from my iPhone=
=0A=0AOn Feb 11, 2010, at 6:25 PM, Reyn Ouwehand <loopers-delight@reyn.net>=
 wrote:=0A=0AHello all,=0A=0AHere's a new video I recently put up. It's rec=
orded at one of my monthly gigs I now do in this amazing venue in Hoorn, Th=
e Netherlands. The idea is that we don't rehearse and we let things happen =
on stage. We do go through the songs roughly just before the show and durin=
g the weeks prior to the concert I send some QuickTime movies of how I thin=
k we can do the particular song and then we just let it happen. I really li=
ke this approach, makes you play on the edge.. very healthy adrenaline...=
=0A=0AThis is a song I did with a singer I worked with some years ago calle=
d La Kidda. Even though she quitted her singing career I persuade her to go=
 on stage once more. It's a cover from Bj=F6rk called Hyperballad:=0A=0Ahtt=
p://www.youtube.com/watch?v=3DgPc0KMv69z0=0A=0AYou kinda need some speakers=
 or headphones since I'm playing this reallly low Sub Bass with my left han=
d.=0A=0AEnjoy,=0A=0AReyn.=0A=0Awww.reyn.net=0Awww.reyn.vs.reyn.net=0A=0A=0A=
=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Feb 11 19:51:19 2010
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Subject: OP-1..?!
From: Loaf citious <loafcitious@gmail.com>
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is anyone talking about this little thing?! holy cow this thing looks
cool. Control, synth, and sampler all in one little package.  Plus
it's got a "tape" looper on it. Just makes your eyes light up when you
see it.

"Make a loop or record a section with Tape Step Recording. You have
twelve minutes recording time in normal tape speed and 4 tracks to put
your magic on."

http://www.teenageengineering.com/products/op-1/


AG

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Subject: Recent DigItSignal archive posted
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--00151747be246de602047f5bb64d
Content-Type: text/plain; charset=ISO-8859-1
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I have a relatively new collective that I share with some other members of
our community called
'*DigItSignal*<http://www.livestream.com/digitsignallive>'.
It's a 'virtual' NinJam band but we stream live to the web via the video
site, www.livestream.com.

In that we are coming from multiple locales on two continents and still
working on how to all be live on camera, we have continued to support our
NinJam performance with a public domain 'classic' film for our video portio=
n
each show.  We've used the early Dracula, The Last Man on Earth, The New
World and this past Sunday's feature, Fritz Lang's
'M<http://www.archive.org/details/M_>'
which was great.  Due to the film's length we split it over two performance=
s
with this past Sunday being the concluding hour.

DigItSignal began officially as part of the Virtual Sound & Vision festival
which took place last October and it's grown from a then trio to a quartet.
Sunday morning were a sextet and about cleared the bandwidth gates except
for one crosswind that got us 2/3rd's in to the hour for a few minutes.  Th=
e
NinJam as it was a separate feed stayed in tact during the Livestream loss.
I went back this week, repackaged our video, remixed our NinJam, added a fe=
w
still images from the previous week's episode and posted on Vimeo at
http://www.vimeo.com/9384909.

As mentioned there are loopers and loopage in DigItSignal.  They are Jeff
Duke, Steve Moyes and myself.  Non-LDer's from other walks of life I've com=
e
to know are Ray Istorico (electronic drums - USA), Peter Th=F0rn (soprano/a=
lto
sax/nykelharpa/found things - Sweden).  The regular band has been Peter,
Jeff, Ray and myself.  Jeff is going to take a few weeks off from our
project to go to work on a film for George Lucas (okay seeing if anybody is
reading this!) and the ably bodied Steve will be filling his shoes with a
cello bow among other things.  So Sunday was Steve's indoctrination into ou=
r
midst.  And jumping on our NinJam, friend of Peter's from the Canary
Islands, David Perreko on drums/percussion/acoustic guitar.

I'm still in the process of porting a Flash version for our Livestream
channel which is http://www.livestream.com/digitsignallive but in the
meantime the high-q QT version is up on Vimeo at the above link.

The next DigItSignal live show will be either this Sunday or next, stay
tuned for an announcement.

Thanks for listening/watching/reading about this project.

Jim



--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747be246de602047f5bb64d
Content-Type: text/html; charset=ISO-8859-1
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I have a relatively new collective that I share with some other members of =
our community called &#39;<a href=3D"http://www.livestream.com/digitsignall=
ive"><b>DigItSignal</b></a>&#39;.=A0 It&#39;s a &#39;virtual&#39; NinJam ba=
nd but we stream live to the web via the video site, <a href=3D"http://www.=
livestream.com">www.livestream.com</a>.<br>
<br>In that we are coming from multiple locales on two continents and still=
 working on how to all be live on camera, we have continued to support our =
NinJam performance with a public domain &#39;classic&#39; film for our vide=
o portion each show.=A0 We&#39;ve used the early Dracula, The Last Man on E=
arth, The New World and this past Sunday&#39;s feature, Fritz Lang&#39;s &#=
39;<a href=3D"http://www.archive.org/details/M_">M</a>&#39; which was great=
.=A0 Due to the film&#39;s length we split it over two performances with th=
is past Sunday being the concluding hour.<br>
<br>DigItSignal began officially as part of the Virtual Sound &amp; Vision =
festival which took place last October and it&#39;s grown from a then trio =
to a quartet.=A0 Sunday morning were a sextet and about cleared the bandwid=
th gates except for one crosswind that got us 2/3rd&#39;s in to the hour fo=
r a few minutes.=A0 The NinJam as it was a separate feed stayed in tact dur=
ing the Livestream loss. I went back this week, repackaged our video, remix=
ed our NinJam, added a few still images from the previous week&#39;s episod=
e and posted on Vimeo at <a href=3D"http://www.vimeo.com/9384909">http://ww=
w.vimeo.com/9384909</a>.<br>
<br>As mentioned there are loopers and loopage in DigItSignal.=A0 They are =
Jeff Duke, Steve Moyes and myself.=A0 Non-LDer&#39;s from other walks of li=
fe I&#39;ve come to know are Ray Istorico (electronic drums - USA), Peter T=
h=F0rn (soprano/alto sax/nykelharpa/found things - Sweden).=A0 The regular =
band has been Peter, Jeff, Ray and myself.=A0 Jeff is going to take a few w=
eeks off from our project to go to work on a film for George Lucas (okay se=
eing if anybody is reading this!) and the ably bodied Steve will be filling=
 his shoes with a cello bow among other things.=A0 So Sunday was Steve&#39;=
s indoctrination into our midst.=A0 And jumping on our NinJam, friend of Pe=
ter&#39;s from the Canary Islands, David Perreko on drums/percussion/acoust=
ic guitar.<br>
<br>I&#39;m still in the process of porting a Flash version for our Livestr=
eam channel which is <a href=3D"http://www.livestream.com/digitsignallive">=
http://www.livestream.com/digitsignallive</a> but in the meantime the high-=
q QT version is up on Vimeo at the above link.<br>
<br>The next DigItSignal live show will be either this Sunday or next, stay=
 tuned for an announcement.<br><br>Thanks for listening/watching/reading ab=
out this project.<br><br>Jim<br><br><br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic=
.com" target=3D"_blank">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" ta=
rget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://www=
.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapai=
ntingmusic</a><br>

<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>

<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>

<br>

--00151747be246de602047f5bb64d--

From info1@info.com  Thu Feb 11 23:54:33 2010
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Dear Friend,
I have a secured business proposal for you.l will like to know if you are
willing to assist me as a partner. Contact me on my private email address
(dav_211wksinh@yahoo.com.hk) for more information.
YOUR SWIFT RESPONSE WILL BE APPRECIATED!!!

From info1@info.com  Thu Feb 11 23:54:33 2010
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Dear Friend,
I have a secured business proposal for you.l will like to know if you are
willing to assist me as a partner. Contact me on my private email address
(dav_211wksinh@yahoo.com.hk) for more information.
YOUR SWIFT RESPONSE WILL BE APPRECIATED!!!

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 00:20:12 2010
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That does look insanely cool.

-----Original Message-----
From: Loaf citious [mailto:loafcitious@gmail.com]=20
Sent: Thursday, February 11, 2010 2:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: OP-1..?!

is anyone talking about this little thing?! holy cow this thing looks
cool. Control, synth, and sampler all in one little package.  Plus
it's got a "tape" looper on it. Just makes your eyes light up when you
see it.

"Make a loop or record a section with Tape Step Recording. You have
twelve minutes recording time in normal tape speed and 4 tracks to put
your magic on."

http://www.teenageengineering.com/products/op-1/


AG

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 00:35:39 2010
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll begin a
month-long Special Focus on E=motion.  The Featured CD at Midnight will
be "Telepath" on Underwater Music.  For details, see the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2010/focus.html#feb

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 00:39:08 2010
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Date: Thu, 11 Feb 2010 17:39:03 -0700
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Subject: Re: OP-1..?!
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Ah, jeez ...vaporware ... "we'll ship when ready, price when ready"
... a Who song's coming to mind ...

On Thu, Feb 11, 2010 at 5:19 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
> That does look insanely cool.
>
> -----Original Message-----
> From: Loaf citious [mailto:loafcitious@gmail.com]
> Sent: Thursday, February 11, 2010 2:51 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: OP-1..?!
>
> is anyone talking about this little thing?! holy cow this thing looks
> cool. Control, synth, and sampler all in one little package. =A0Plus
> it's got a "tape" looper on it. Just makes your eyes light up when you
> see it.
>
> "Make a loop or record a section with Tape Step Recording. You have
> twelve minutes recording time in normal tape speed and 4 tracks to put
> your magic on."
>
> http://www.teenageengineering.com/products/op-1/
>
>
> AG
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 00:43:13 2010
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I thought they were at NAMM this year and the price was about $1,000.
Not sure where I read that though.

http://www.engadget.com/2010/01/19/teenage-engineering-op-1-synth-gets-the-=
hands-on-treatment-vide/

Maybe?

Kevin

On Thu, Feb 11, 2010 at 4:39 PM, Dennis Moser <sinsofmachaut@gmail.com> wro=
te:
> Ah, jeez ...vaporware ... "we'll ship when ready, price when ready"
> ... a Who song's coming to mind ...
>
> On Thu, Feb 11, 2010 at 5:19 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
>> That does look insanely cool.
>>
>> -----Original Message-----
>> From: Loaf citious [mailto:loafcitious@gmail.com]
>> Sent: Thursday, February 11, 2010 2:51 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: OP-1..?!
>>
>> is anyone talking about this little thing?! holy cow this thing looks
>> cool. Control, synth, and sampler all in one little package. =A0Plus
>> it's got a "tape" looper on it. Just makes your eyes light up when you
>> see it.
>>
>> "Make a loop or record a section with Tape Step Recording. You have
>> twelve minutes recording time in normal tape speed and 4 tracks to put
>> your magic on."
>>
>> http://www.teenageengineering.com/products/op-1/
>>
>>
>> AG
>>
>>

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From ins.presidency@indiatimes.com  Fri Feb 12 06:18:18 2010
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/Inheritance File And Found Out That Why You Have Not Received Your Payment
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Nigeria.

This Card Center Will Send You An Atm Card Which You Will Use To Withdraw
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Thousand Five Hundred Dollars Per Day, So If You Will Like To Receive Your
Fund This Way Please Let Us Know By Contacting The Card Payment Center And Also
Send The Following Information:

1.Your Full Name
2. Phone And Fax Number,
3. Address Were You Want To Receive The Atm Card
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Hi=A0
My MacBook Pro has one expresscard slot. But I would like to use two expres=
scard-units. Is it possible to get this done in a smart way? I would like t=
o use Apogee Symphony Mobile expresscard and UAD2 Solo/laptop expresscard.=
=A0
Thanks for all help regarding "bits and Interfaces".
Best regards=A0Rune Fagereng =A0=0A=0A_____________________________________=
_____________=0ABruker du Yahoo!?=0ALei av spam?  Yahoo! Mail har den beste=
 spambeskyttelsen =0Ahttp://no.mail.yahoo.com 
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi&nbsp;<div><br></div><div>My MacBook Pro ha=
s one expresscard slot. But I would like to use two expresscard-units. Is i=
t possible to get this done in a smart way? I would like to use Apogee Symp=
hony Mobile expresscard and UAD2 Solo/laptop expresscard.&nbsp;</div><div><=
br></div><div>Thanks for all help regarding "bits and Interfaces".</div><di=
v><br></div><div>Best regards&nbsp;</div><div>Rune Fagereng &nbsp;</div></t=
d></tr></table><br>__________________________________________________<br>Br=
uker du Yahoo!?<br>Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen=
 <br>http://no.mail.yahoo.com 
--0-1407390528-1265972281=:90477--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 11:57:30 2010
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I will be out of the office starting  02/11/2010 and will not return until
02/15/2010.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

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advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From adekunle@gmail.com  Fri Feb 12 13:23:28 2010
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From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 14:05:23 2010
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Date: Fri, 12 Feb 2010 09:03:14 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: MacBook Pro - one expresscard slot - needs two
 expresscard-units (OT)
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Rune,

  If you are in the US you should call Apogee and / or UA directly... 
they both have very good tech support..

-CZ


>Hi
>
>My MacBook Pro has one expresscard slot. But I would like to use two 
>expresscard-units. Is it possible to get this done in a smart way? I 
>would like to use Apogee Symphony Mobile expresscard and UAD2 
>Solo/laptop expresscard.
>
>Thanks for all help regarding "bits and Interfaces".
>
>Best regards
>Rune Fagereng
>
>__________________________________________________
>Bruker du Yahoo!?
>Lei av spam? Yahoo! Mail har den beste spambeskyttelsen
>http://no.mail.yahoo.com


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 15:29:27 2010
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Date: Fri, 12 Feb 2010 07:29:25 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: pedalboard for pedals and rack effects
To: Loopers Delight <loopers-delight@loopers-delight.com>
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hi gang,=0AIm looking for a system that has a section for all my pedals but=
 also for my rack EDPs all on the pedaboard to have in front of me, sort of=
 like a folding rack,is there such a thing? this would solve running so man=
y cables to the rack from my pedalboard and always looking for a table to s=
it my rack on,plus i can shoegaze them all at once;-)=0Athanx=0Acheers=0A=
=0Awww.myspace.com/luisangulocom=0A=0A_____________________________________=
_____________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =
=FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.=
com 

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 15:41:38 2010
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From: "Nathan Lang" <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: pedalboard for pedals and rack effects
Date: Fri, 12 Feb 2010 09:31:36 -0600
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Folding rack pedal boards:
http://pedalboards.com/more_pedalboards.htm


-Nathan
http://www.significantimagery.com



-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com]=20
Sent: Friday, February 12, 2010 9:29 AM
To: Loopers Delight
Subject: pedalboard for pedals and rack effects

hi gang,
Im looking for a system that has a section for all my pedals but also =
for my
rack EDPs all on the pedaboard to have in front of me, sort of like a
folding rack,is there such a thing? this would solve running so many =
cables
to the rack from my pedalboard and always looking for a table to sit my =
rack
on,plus i can shoegaze them all at once;-)
thanx
cheers

www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden =
Schutz
gegen Massenmails.=20
http://mail.yahoo.com=20


From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 15:45:23 2010
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Date: Fri, 12 Feb 2010 16:45:19 +0100
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Subject: Re: pedalboard for pedals and rack effects
From: Per Boysen <perboysen@gmail.com>
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On Fri, Feb 12, 2010 at 4:29 PM, L.Angulo <labaloops@yahoo.com> wrote:
> looking for a system that has a section for all my pedals but also for my rack EDPs

I used this one (before gotten laptop addicted)
http://www.perboysen.com/wp-content/looping_rack_hardwarre.jpg

Stomp box pedals could be stored inside the case from the rear during
transportation. Cheap and sturdy case.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 15:46:05 2010
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Subject: Re: pedalboard for pedals and rack effects
Date: Fri, 12 Feb 2010 07:45:59 -0800
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You might try to find an SKB PS-100 pedalboard/rack combo.

Something like: =
<http://cgi.ebay.com/SKB-PS-100-PS-100-Pedal-Board-Rack_W0QQitemZ140381687=
007QQcmdZViewItemQQptZGuitar_Accessories?hash=3Ditem20af668cdf#ht_500wt_11=
82=20
 >

I had one once upon a time - and wish I still did.

It was in perfect shape when I sold it.

I could use it again I think.

Ahhhh . . . buy, sell, buy again, sell again.

All I do is spend money I don't really have.

I'd do better to get creative and cobble something together with =20
cardboard and duct tape.

LOL

Cheers,

Good lick in your search.

Best regards,

tEd =AE KiLLiAn

"If a dog jumps in your lap, it is because he is fond of you; but if a =20=

cat does the same thing, it is because your lap is warmer." =96 Alfred =20=

North Whitehead (1861 - 1947)

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes


On Feb 12, 2010, at 7:29 AM, L.Angulo wrote:

> hi gang,
> Im looking for a system that has a section for all my pedals but =20
> also for my rack EDPs all on the pedaboard to have in front of me, =20
> sort of like a folding rack,is there such a thing? this would solve =20=

> running so many cables to the rack from my pedalboard and always =20
> looking for a table to sit my rack on,plus i can shoegaze them all =20
> at once;-)
> thanx
> cheers
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden =20=

> Schutz gegen Massenmails.
> http://mail.yahoo.com



From mr.nemarnaya7@neu.com.cn  Fri Feb 12 17:32:31 2010
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Subject: THIS IS FOR YOUR ATTENTION
From: "Mr Naya Lemar." <mr.nemarnaya7@neu.com.cn>
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Sir,

My name is Mr Naya Lemar and I work with the International Operation
Department of a Security & Finance firm in Europe. Actually, I must say
that I feel safe to deal with you as regards this business proposal.
Though this correspondence is unofficial but private and must be treated
as such. However, I want to assure you that this transaction is 100% risk
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outside Europe. Please note that the fund is of a clean origin. Precisely,
the owner of the fund was a foreigner named Mr. Rafik Hariri the late
former Prime Minister of Lebanon who has huge investment both at Saudi
Arabia and all over the world. Incidentally, the fund was lodged in
disguise as family treasure/valuables and it was so confidential that even
his family members did not know about this fund but luckily, while on
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While we scan the box with our x-ray machine, we then observed that the
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a foreigner who will come as next of kin to the deceased to claim the
funds, therefore your cooperation will be needed to claim this money from
our vault believing that you will remain faithful to all agreement.

Please, if you are interested, do furnish me with your contact details
such as your full name, address, phone and fax numbers and email address.
We have agreed to offer you 30% while 5% will be mapped out for both local
and international expenses. The remaining 65% will be for me and my
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while I will be counting on your good performance business wise to
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the trunk and transfer the content out of Europe to any given account of
your choice. You can contact me privately on this Email Address:
mr.nemarnaya7@neu.com.cn I await your prompt response.

Best regards.
Mr Naya Lemar.
Director International Operations.

From booknews-bounces@earthtrek-trilogy.com  Fri Feb 12 17:34:36 2010
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--=_47806f6f5871c98e127c136dc96ea74d
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[4]
http://www.amazon.com/gp/legacy-handle-buy-box.html/ref=cm_sw_em_r_dp_atw?ie=UTF8&asin.1439239304=1&tag-value=tellafriend-20&submit.add-to-registry.wishlist=submit&offering-id.g09BL1yeWUDxoCRm2MAez%252FDvmZmcaAwiYVD7Dq%252FnlKJKtn2L5wVKBPjhP8MlRzXlyENEL5uwCy0KZ4rnHbIukGaS8aAbm%252Fh%252F=1

--=_47806f6f5871c98e127c136dc96ea74d
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset=UTF-8

<table style=3D"width: 662px;" border=3D"0">
<tbody>
<tr>
<td colspan=3D"2"><img src=3D"http://g-ecx.images-amazon.com/images/G/01/x-=
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<tr>
<td colspan=3D"2">
<p style=3D"font-family: Tahoma, sans-serif; font-size: 11pt; -webkit-borde=
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t: 16px;" align=3D"justify">Here is a new book that may relate to your inte=
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<p style=3D"font-family: Tahoma, sans-serif; font-size: 11pt; -webkit-borde=
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<p style=3D"font-family: Tahoma, sans-serif; font-size: 11pt; -webkit-borde=
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<td style=3D"border-left: #7187a8 2px solid;" width=3D"14px">&nbsp;</td>
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<table style=3D"width: 615px;" border=3D"0">
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<td rowspan=3D"2" valign=3D"top"><a href=3D"http://www.amazon.com/EarthTrek=
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<td style=3D"border-left: #FFFFFF 16px solid;" width=3D"100%">
<p>&nbsp;</p>
<div style=3D"font-weight: bold; font-size: small;"><a href=3D"http://www=
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<p><span style=3D"font-size: small;">by Anita Herawati Moormann</span></p>
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</td>
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<td style=3D"border-left: #FFFFFF 16px solid;"><a href=3D"http://www.amazon=
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</tbody>
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<p style=3D"font-size:9pt; font-family:">Amazon.com 1200 12th Ave. S. Suite=
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</td>
</tr>
</tbody>
</table>
--=_47806f6f5871c98e127c136dc96ea74d--


From prof_andsmi@live.com  Fri Feb 12 18:54:04 2010
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Reply-To: <prof_andsmith@mail.kz>
From: "prof.Andrew Smith"<prof_andsmi@live.com>
Subject: WAITING FOR YOUR RESPONSE
Date: Mon, 8 Feb 2010 10:15:56 -0000
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To: undisclosed-recipients:;

Attention:

Dear Friend,

I am a Diplomat named prof.Andrew Smith,mandated to deliver your inheritance to you in your country of residence.

The funds total US$7.5M and you were made the beneficiary of these funds by a benefactor whose details will be revealed
to you after handing over the funds to you in accordance with the Agreement I signed with the benefactor when he
enlisted my assistance in delivering the funds to you.

I am presently at JFK Airport in the United States of America,before I can deliver the funds to you,re-confirm -:

1.Full Name,
2.Residential Address
3.Age
4.Occupation
5.Direct Telephone Numbers

So as to ensure that I am dealing with the right person. Send the requested information to my email  indicated below so
that we can proceed.

Regards
prof.Andrew Smith

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 19:42:55 2010
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From: richard sales <richard@glasswing.com>
To: Loopers-Delight@loopers-delight.com
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Damn I love these things!  Gotta run out and rob a bank so I can buy  
one!

http://www.hakenaudio.com/Continuum/html/examples/ex247.html

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com




--Apple-Mail-9--66251018
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Damn I love these things! =
&nbsp;Gotta run out and rob a bank so I can buy =
one!<div><br></div><div><a =
href=3D"http://www.hakenaudio.com/Continuum/html/examples/ex247.html">http=
://www.hakenaudio.com/Continuum/html/examples/ex247.html</a></div><div><br=
><div apple-content-edited=3D"true"> <div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
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font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span></div></span></div></span=
></div></span></div></span></div></div><br></div></body></html>=

--Apple-Mail-9--66251018--

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From: mark francombe <mark@markfrancombe.com>
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--001636c5ba99746b50047f6cf9f8
Content-Type: text/plain; charset=ISO-8859-1

Damn! I was just thinking of getting me some farm insurance too!!

Mark!

On Fri, Feb 12, 2010 at 12:50 PM, <peter.leinhos@farmersinsurance.com>wrote:

>
>
>
>
> I will be out of the office starting  02/11/2010 and will not return until
> 02/15/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
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> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ba99746b50047f6cf9f8
Content-Type: text/html; charset=ISO-8859-1
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Damn! I was just thinking of getting me some farm insurance too!!<br><br>Ma=
rk!<br><br><div class=3D"gmail_quote">On Fri, Feb 12, 2010 at 12:50 PM,  <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:peter.leinhos@farmersinsurance.com">p=
eter.leinhos@farmersinsurance.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
<br>
<br>
<br>
I will be out of the office starting =A002/11/2010 and will not return unti=
l<br>
02/15/2010.<br>
<br>
For telecom issues, Genesys, Video or Audio Conferencing contact Greg<br>
Bouffard @ 323 932 3793.<br>
<br>
***** PLEASE NOTE ***** This E-Mail/telefax message and any<br>
documents accompanying this transmission may contain privileged<br>
and/or confidential information and is intended solely for the<br>
addressee(s) named above. If you are not the intended<br>
addressee/recipient, you are hereby notified that any use of,<br>
disclosure, copying, distribution, or reliance on the contents of<br>
this E-Mail/telefax information is strictly prohibited and may<br>
result in legal action against you. Please reply to the sender<br>
advising of the error in transmission and immediately<br>
delete/destroy the message and any accompanying documents. Thank<br>
you.*****<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5ba99746b50047f6cf9f8--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Leinhos, Peter is out of the office.
Date: Fri, 12 Feb 2010 20:21:20 +0000
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Damn that Pig is causing CHAOS in here!!!!


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Feb 2010, at 20:18, mark francombe wrote:

> Damn! I was just thinking of getting me some farm insurance too!!
>
> Mark!
>
> On Fri, Feb 12, 2010 at 12:50 PM,  
> <peter.leinhos@farmersinsurance.com> wrote:
>
>
>
>
> I will be out of the office starting  02/11/2010 and will not  
> return until
> 02/15/2010.
>
> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
> Bouffard @ 323 932 3793.
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>
>
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


--Apple-Mail-14--63927826
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Damn that Pig is causing CHAOS in here!!!!<div><br></div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Feb 2010, =
at 20:18, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Damn! I =
was just thinking of getting me some farm insurance =
too!!<br><br>Mark!<br><br><div class=3D"gmail_quote">On Fri, Feb 12, =
2010 at 12:50 PM,  <span dir=3D"ltr">&lt;<a =
href=3D"mailto:peter.leinhos@farmersinsurance.com">peter.leinhos@farmersin=
surance.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><br> <br> <br> <br> I will be out of the =
office starting &nbsp;02/11/2010 and will not return until<br> =
02/15/2010.<br> <br> For telecom issues, Genesys, Video or Audio =
Conferencing contact Greg<br> Bouffard @ 323 932 3793.<br> <br> ***** =
PLEASE NOTE ***** This E-Mail/telefax message and any<br> documents =
accompanying this transmission may contain privileged<br> and/or =
confidential information and is intended solely for the<br> addressee(s) =
named above. If you are not the intended<br> addressee/recipient, you =
are hereby notified that any use of,<br> disclosure, copying, =
distribution, or reliance on the contents of<br> this E-Mail/telefax =
information is strictly prohibited and may<br> result in legal action =
against you. Please reply to the sender<br> advising of the error in =
transmission and immediately<br> delete/destroy the message and any =
accompanying documents. Thank<br> you.*****<br> <br> =
</blockquote></div><br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br> <a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br> =
</blockquote></div><br></div></body></html>=

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From: mark francombe <mark@markfrancombe.com>
Date: Fri, 12 Feb 2010 21:24:39 +0100
X-Google-Sender-Auth: 9864a09ada26561d
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--00148531a846c30d34047f6d0fc4
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OMG.. MY DREAM SITE!!!!!!!!!!!

On Fri, Feb 12, 2010 at 4:31 PM, Nathan Lang
<nathan@significantimagery.com>wrote:

> Folding rack pedal boards:
> http://pedalboards.com/more_pedalboards.htm
>
>
> -Nathan
> http://www.significantimagery.com
>
>
>

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00148531a846c30d34047f6d0fc4
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OMG.. MY DREAM SITE!!!!!!!!!!! <br><br><div class=3D"gmail_quote">On Fri, F=
eb 12, 2010 at 4:31 PM, Nathan Lang <span dir=3D"ltr">&lt;<a href=3D"mailto=
:nathan@significantimagery.com">nathan@significantimagery.com</a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Folding rack peda=
l boards:<br>
<a href=3D"http://pedalboards.com/more_pedalboards.htm" target=3D"_blank">h=
ttp://pedalboards.com/more_pedalboards.htm</a><br>
<br>
<br>
-Nathan<br>
<a href=3D"http://www.significantimagery.com" target=3D"_blank">http://www.=
significantimagery.com</a><br>
<div><div></div><div class=3D"h5"><br><br></div></div></blockquote></div><b=
r clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.mar=
kfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.=
com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--00148531a846c30d34047f6d0fc4--

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	<9ab0c76f1002121218q7c373b7cpa217910cc9e72098@mail.gmail.com> 
	<3EE4D25F-D8BA-436D-9A01-ECD96A0B81D8@btinternet.com>
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I mean.. is my FCB1010 covered?? If damage is caused by swine in the studio?

On Fri, Feb 12, 2010 at 9:21 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Damn that Pig is causing CHAOS in here!!!!
>
>
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 12 Feb 2010, at 20:18, mark francombe wrote:
>
> Damn! I was just thinking of getting me some farm insurance too!!
>
> Mark!
>
> On Fri, Feb 12, 2010 at 12:50 PM, <peter.leinhos@farmersinsurance.com>wrote:
>
>>
>>
>>
>>
>> I will be out of the office starting  02/11/2010 and will not return until
>> 02/15/2010.
>>
>> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>> Bouffard @ 323 932 3793.
>>
>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> documents accompanying this transmission may contain privileged
>> and/or confidential information and is intended solely for the
>> addressee(s) named above. If you are not the intended
>> addressee/recipient, you are hereby notified that any use of,
>> disclosure, copying, distribution, or reliance on the contents of
>> this E-Mail/telefax information is strictly prohibited and may
>> result in legal action against you. Please reply to the sender
>> advising of the error in transmission and immediately
>> delete/destroy the message and any accompanying documents. Thank
>> you.*****
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00148531b7e46ef9d6047f6d17a9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I mean.. is my FCB1010 covered?? If damage is caused by swine in the studio=
?<br><br><div class=3D"gmail_quote">On Fri, Feb 12, 2010 at 9:21 PM, Matt S=
tevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet=
.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Damn that Pig is causing CHAOS in here!!!!<div><br></div><div><br><div> <sp=
an style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: He=
lvetica; font-size: 12px; font-style: normal; font-variant: normal; font-we=
ight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px=
; text-transform: none; white-space: normal; word-spacing: 0px;"><span styl=
e=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica=
; font-size: 12px; font-style: normal; font-variant: normal; font-weight: n=
ormal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-=
transform: none; white-space: normal; word-spacing: 0px;"><div>

Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>

<div><br></div></span><br></span><br> </div><br><div><div>On 12 Feb 2010, a=
t 20:18, mark francombe wrote:</div><br><blockquote type=3D"cite">Damn! I w=
as just thinking of getting me some farm insurance too!!<br><br>Mark!<br>

<br><div class=3D"gmail_quote">On Fri, Feb 12, 2010 at 12:50 PM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:peter.leinhos@farmersinsurance.com" target=
=3D"_blank">peter.leinhos@farmersinsurance.com</a>&gt;</span> wrote:<br> <b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br> <br> <br> <br> I will be out of the office starting =A002/11/2010 and =
will not return until<br> 02/15/2010.<br> <br> For telecom issues, Genesys,=
 Video or Audio Conferencing contact Greg<br> Bouffard @ 323 932 3793.<br>

 <br> ***** PLEASE NOTE ***** This E-Mail/telefax message and any<br> docum=
ents accompanying this transmission may contain privileged<br> and/or confi=
dential information and is intended solely for the<br> addressee(s) named a=
bove. If you are not the intended<br>

 addressee/recipient, you are hereby notified that any use of,<br> disclosu=
re, copying, distribution, or reliance on the contents of<br> this E-Mail/t=
elefax information is strictly prohibited and may<br> result in legal actio=
n against you. Please reply to the sender<br>

 advising of the error in transmission and immediately<br> delete/destroy t=
he message and any accompanying documents. Thank<br> you.*****<br> <br> </b=
lockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mark=
francombe.com" target=3D"_blank">www.markfrancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe" targ=
et=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br> <a href=3D"h=
ttp://www.myspace.com/markfrancombe" target=3D"_blank">http://www.myspace.c=
om/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br> </blockquote></div><br></div></div></blockquote></div><br><br c=
lear=3D"all">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00148531b7e46ef9d6047f6d17a9--

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mark francombe schrieb:
> OMG.. MY DREAM SITE!!!!!!!!!!!
>
>     http://pedalboards.com/more_pedalboards.htm
>
And roughly 1/4th of those boards have a looper or at least a powerful 
dedicated delay on it...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From mrsrose.williams@microsoft.co.uk  Fri Feb 12 21:17:39 2010
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From: "Microsoft Promotion Award Team" <Mrsrose.williams@microsoft.co.uk>
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Subject: Re: MICROSOFT WINNING NOTIFICATION 2010..
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Yahoo/Msn Lottery Incorporation
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We are pleased to inform you of the result of the just concluded draws
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From: Miles Ward <miles932@gmail.com>
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Ok seriously, that is so COOL.

Miles

On Feb 12, 2010, at 11:42 AM, richard sales <richard@glasswing.com>  
wrote:

> Damn I love these things!  Gotta run out and rob a bank so I can buy  
> one!
>
> http://www.hakenaudio.com/Continuum/html/examples/ex247.html
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> www.goodnaturefarms.com
>
>
>

--Apple-Mail-36--58982873
Content-Type: text/html;
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<html><body bgcolor=3D"#FFFFFF"><div>Ok seriously, that is so =
COOL.<br><br>Miles</div><div><br>On Feb 12, 2010, at 11:42 AM, richard =
sales &lt;<a =
href=3D"mailto:richard@glasswing.com">richard@glasswing.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Damn I =
love these things! &nbsp;Gotta run out and rob a bank so I can buy =
one!<div><br></div><div><a =
href=3D"http://www.hakenaudio.com/Continuum/html/examples/ex247.html"><a =
href=3D"http://www.hakenaudio.com/Continuum/html/examples/ex247.html">http=
://www.hakenaudio.com/Continuum/html/examples/ex247.html</a></a></div><div=
><br><div apple-content-edited=3D"true"> <div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></a></font></=
div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></a></font></di=
v><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></a></f=
ont></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></div></span></div></span></div></span=
></div></span></div></span></div></div><br></div></div></blockquote></body=
></html>=

--Apple-Mail-36--58982873--

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http://wdiy.org/programs/gt/playlists/2010/100211.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #671                February 11, 2010.

RECAP:
On this show, I continued the month-long focus on E=motion.  The
Featured CD at Midnight was Telepath on Underwater Music.

E=motion: http://wdiy.org/programs/gt/playlists/2010/focus.html#feb


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Free System Projekt  Arrival              Passenger 4 (Quantum)
  and Dweller at the Threshold
Dreamwind            Star Dancer          Seventh Phase (Jennica)
Remy                 Entering the Dream   EoD (AKH)
David Wright         All Good Things      Sines of Life (A.D. Music)
Asnazzy              Galaxy's Edge *      Voyage To Andromeda (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
E=motion             Impulse              Telepath (Underwater)
E=motion             Brain Connection     Telepath (Underwater)
E=motion             Mind Transmission    Telepath (Underwater)
E=motion             Distant Vision       Telepath (Underwater)
E=motion             Close-up             Telepath (Underwater)
E=motion             Mental Delight       Telepath (Underwater)
E=motion             Disconnection        Telepath (Underwater)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
E=motion.  The Featured CD at Midnight will be Hypnotic Sequences on
Underwater Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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Good Day!!!

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Date: Fri, 12 Feb 2010 14:35:57 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Cool, Affordable, Contact Mics!
To: Loopers-Delight@loopers-delight.com
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--0-262229292-1266014157=:13448
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Hey Loopers!=20

Steve Uccello here just letting you all know about these really cool, affor=
dable, durable, and great sounding contact mics I found online. They are ma=
de and sold by Noise artist 'Crank Sturgeon' he's based in Maine (USA) They=
 are very inexpensive (around $20!!) and they work great. These mics are pe=
rfect for 'found sound' or acoustic artists who might=0Anot want to invest =
tons of $ into pickups on every instrument, (I used to just use a conventio=
nal mic but got tired of external sounds bleeding their way into my loops).=
=A0=20

=A0 Here's a little video of an improv jam I did yesterday just to see how =
the mic sounded on a recording.=A0 I'm using his 'Plug Ugly' mic on a littl=
e frame drum (a Pakistani made Pandiero ;) A little 'quake hold' gum and it=
's good to go!

Hope you enjoy:

http://vimeo.com/9397598

Here's a link to Crank's website (he's very nice & sends 'em out fast!

http://www.cranksturgeon.com/PIEZOCRANK.html

Be well everyone-


=0A=0A=0A      
--0-262229292-1266014157=:13448
Content-Type: text/html; charset=iso-8859-1
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hey Loopers! <br><br>Steve Uccello here just =
letting you all know about these really cool, affordable, durable, and grea=
t sounding contact mics I found online. They are made and sold by Noise art=
ist 'Crank Sturgeon' he's based in Maine (USA) They are very inexpensive (a=
round $20!!) and they work great. These mics are perfect for 'found sound' =
or acoustic artists who might=0Anot want to invest tons of $ into pickups o=
n every instrument, (I used to just use a conventional mic but got tired of=
 external sounds bleeding their way into my loops).&nbsp; <br><br>&nbsp; He=
re's a little video of an improv jam I did yesterday just to see how the mi=
c sounded on a recording.&nbsp; I'm using his 'Plug Ugly' mic on a little f=
rame drum (a Pakistani made Pandiero ;) A little 'quake hold' gum and it's =
good to go!<br><br>Hope you enjoy:<br><br><a href=3D"http://vimeo.com/93975=
98">http://vimeo.com/9397598</a><br><br>Here's a link to Crank's website (h=
e's very nice &amp; sends 'em out fast!<br><br><a href=3D"http://www.cranks=
turgeon.com/PIEZOCRANK.html">http://www.cranksturgeon.com/PIEZOCRANK.html</=
a><br><br>Be well everyone-<br><br><br></td></tr></table><br>=0A=0A      
--0-262229292-1266014157=:13448--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 23:34:26 2010
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Date: Sat, 13 Feb 2010 00:34:20 +0100
Message-ID: <e89a49d31002121534v400154f3na3a4ab6279be7478@mail.gmail.com>
Subject: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi all,
I'm happy to announce that "59 airplanes waiting for New York" is now
available from the Premonition Factory store
http://premonitionfactory.com/ All tracks have been recorded in one
take with my live looping setup, so no overdubs, no editing. The
credits say

"Thanks to all my friends@Loopers-Delight"

This is my way to thank all the people I know of this wonderful
community, my partner Ingrid, Andrew Ostler for creating the fantastic
Expert Sleepers plugins and Dirk Serries for his advice and guidance
during the project. Keep on looping, I hope you will enjoy the album.

PS  You can listen to full previews of 3 of 6 tracks in total on
http://www.last.fm/music/Premonition+Factory and
http://www.myspace.com/premonitionfactory
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 23:43:04 2010
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References: <714828.41566.qm@web24307.mail.ird.yahoo.com>
	 <27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>
	 <27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>
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Date: Fri, 12 Feb 2010 15:43:03 -0800
Message-ID: <c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>
Subject: Re: Continuum
From: Matt Davignon <mattdavignon@gmail.com>
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$5000 - do they make them all from scratch?
Out of diamonds?


>  richard sales <richard@glasswing.com> was all:
>
> Damn I love these things! =A0Gotta run out and rob a bank so I can buy on=
e!
> http://www.hakenaudio.com/Continuum/html/examples/ex247.html


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Fri Feb 12 23:54:53 2010
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Date: Sat, 13 Feb 2010 00:54:52 +0100
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Subject: Re: Continuum
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On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon <mattdavignon@gmail.com> wrote:
> $5000 - do they make them all from scratch?
> Out of diamonds?

As long as it sounds good, that's ok with me ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Fri, 12 Feb 2010 23:57:58 +0000
Message-ID: <d302e3571002121557v4905c6abtf812e21bbceeeadf@mail.gmail.com>
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f90f0c746f64047f7009a0
Content-Type: text/plain; charset=ISO-8859-1

i've been lucky enough to have an advance copy of this and i can tell you
it's fantastic

best of luck with it sjaak!

sim

On Fri, Feb 12, 2010 at 11:34 PM, Sjaak Overgaauw <tcplugin@gmail.com>wrote:

> Hi all,
> I'm happy to announce that "59 airplanes waiting for New York" is now
> available from the Premonition Factory store
>
>

--001485f90f0c746f64047f7009a0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;ve been lucky enough to have an advance copy of this and i can tell y=
ou it&#39;s fantastic<br><br>best of luck with it sjaak!<br><br>sim<br><br>=
<div class=3D"gmail_quote">On Fri, Feb 12, 2010 at 11:34 PM, Sjaak Overgaau=
w <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmai=
l.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi all,<br>
I&#39;m happy to announce that &quot;59 airplanes waiting for New York&quot=
; is now<br>
available from the Premonition Factory store<br><br></blockquote></div>

--001485f90f0c746f64047f7009a0--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 00:23:01 2010
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for
 New  York
Cc: Simeon Harris <simeonharris40@googlemail.com>
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I just bought a copy myself.

Thanks Sjaak!

tEd =C2=AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902)

http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- Simeon Harris <simeonharris40@googlemail.com> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
i've been lucky enough to have an advance copy of this and i can tell you
it's fantastic

best of luck with it sjaak!

sim

On Fri, Feb 12, 2010 at 11:34 PM, Sjaak Overgaauw <tcplugin@gmail.com>wrote=
:

> Hi all,
> I'm happy to announce that "59 airplanes waiting for New York" is now
> available from the Premonition Factory store
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 00:37:15 2010
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Date: Sat, 13 Feb 2010 01:37:14 +0100
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Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
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On Sat, Feb 13, 2010 at 1:22 AM, tEd =AE kiLLiAn <tedkillian@charter.net> w=
rote:
> I just bought a copy myself.
> Thanks Sjaak!

I just packed a CD for you, it will be shipped first thing tomorrow
morning. Thanks Ted! :)

PS The US are by far no.1 on the sales ranking. Must be an ambient
loving country
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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From MAILER-DAEMON  Sat Feb 13 02:34:23 2010
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From: "YAGO."<"YAGO."@omr17.networksolutionsemail.com>
To: doualakeita@rediffmail.com
Subject: YAGO.
Date: Sat, 13 Feb 2010 02:34:08 -0000
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NOTE THAT THIS IS AN OPPORTUNITY FOR THIS SPECIAL SEASON..
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EMAIL:doualakeita@rediffmail.com
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VICE PRESIDENT
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From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 04:58:36 2010
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Subject: Cool, Affordable, Contact Mics from bass Yogi Uccello
Date: Fri, 12 Feb 2010 23:57:16 -0500
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Hey Steve,

Thanks for the awesome link. Hooray for $20 piezos.  You offered some
assistance with bass last time we chatted , so I assume you are happy to
share your wisdom. Thought I would take you up on it.

I was thinking of sticking one of those piezos on my new (to me)upright
and I figured you might have some pointers being a bass demi-god and
all. The brand of the bass is engelhardt.  It's a student type bass I
think and is made of some kind of laminate. I can't afford a real carved
one unfortunately.  The fretboard is definitely not real ebony. Looks
like dyed basswood, poplar or whatever the dirt cheap white tonewood du
jour was when they made it. =20

I installed a  maple despaux bridge with the little  aluminum height
wheels on it and  I invested some serious time and effort into getting
the curvature of the bridge to match the top of the bass. The book I
have on bass setup really stressed making good contact between the wood
pieces. It's actually pretty amazing how much of a difference something
that simple makes. The bass is significantly louder now and I can really
feel the vibrations up the neck which was not the case when I got this
poor abused instrument. =20

About the fretboard though, do people epoxy these like jaco did with his
J bass? Is there a good reason to do this? I'm also really unhappy with
the strings that are on it, but this may simply be because I am not all
that used to uprights. The tension seems quite a bit higher to me than
most uprights I have tried though and they are REALLY squeaky. I use
roundwounds on my Jazz bass and they don't sound nearly as "catlike" or
feel as . Could you maybe recommend a set of strings for a noobie that
are good for pizzicato and some rockabilly slap bass ?( I would like to
try my hand at this because it looks insanely fun) .

Upright strings are pretty pricey so I would prefer to keep the
experimenting to a minimum if possible but I'm okay with spending a
little more to get the right set.

If I mount one of those $20 piezo mics you recommended, does it have to
go between the bridge and body, inside the f-holes, by the tailpiece or
somewhere else? Are these types of mics sufficient to plug the upright
into my amp or into the mixer and looper directly? My amp is an 83
rivera era bassman 20 tube amp. 18 watts all tube 1x15. Not very loud
but KICK ASS bass tone (with my electric at least) so I use the line out
from it into the board. It sounds MUCH better and richer than going
direct to me.

I have noticed that all the jazz players I like to watch use some sort
of a preamp, is this necessary? Also, how do I go about getting those
awesome finger and slap sounds from the fretboard?  I don't imagine the
piezo  would pick those up, correct?

Sorry about the length of this thing and thanks in advance for your
help. =20

Ace

=20

P.S. I'm replying to the whole list just in case there are any other
upright loopers who might benefit from the discussion too.

=20

From: Steve Uccello [mailto:stevebassbird@yahoo.com]=20
Sent: Friday, February 12, 2010 5:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Cool, Affordable, Contact Mics!

=20

Hey Loopers!=20

Steve Uccello here just letting you all know about these really cool,
affordable, durable, and great sounding contact mics I found online.
They are made and sold by Noise artist 'Crank Sturgeon' he's based in
Maine (USA) They are very inexpensive (around $20!!) and they work
great. These mics are perfect for 'found sound' or acoustic artists who
might not want to invest tons of $ into pickups on every instrument, (I
used to just use a conventional mic but got tired of external sounds
bleeding their way into my loops). =20

  Here's a little video of an improv jam I did yesterday just to see how
the mic sounded on a recording.  I'm using his 'Plug Ugly' mic on a
little frame drum (a Pakistani made Pandiero ;) A little 'quake hold'
gum and it's good to go!

Hope you enjoy:

http://vimeo.com/9397598

Here's a link to Crank's website (he's very nice & sends 'em out fast!

http://www.cranksturgeon.com/PIEZOCRANK.html

Be well everyone-



=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Hey Steve,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Thanks for the awesome link. Hooray for $20 piezos. =
&nbsp;You
offered some assistance with bass last time we chatted , so I assume you =
are
happy to share your wisdom. Thought I would take you up on =
it.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I was thinking of sticking one of those piezos on my new =
(to me)upright
and I figured you might have some pointers being a bass demi-god and =
all. The
brand of the bass is engelhardt. &nbsp;It&#8217;s a student type bass I =
think and
is made of some kind of laminate. I can&#8217;t afford a real carved one
unfortunately. &nbsp;The fretboard is definitely not real ebony. Looks =
like dyed
basswood, poplar or whatever the dirt cheap white tonewood du jour was =
when
they made it. &nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I installed a &nbsp;maple despaux bridge with the little =
&nbsp;aluminum
height wheels on it and &nbsp;I invested some serious time and effort =
into getting
the curvature of the bridge to match the top of the bass. The book I =
have on
bass setup really stressed making good contact between the wood pieces. =
It&#8217;s
actually pretty amazing how much of a difference something that simple =
makes. The
bass is significantly louder now and I can really feel the vibrations up =
the
neck which was not the case when I got this poor abused instrument. =
&nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>About the fretboard though, do people epoxy these like =
jaco did
with his J bass? Is there a good reason to do this? I&#8217;m also =
really
unhappy with the strings that are on it, but this may simply be because =
I am
not all that used to uprights. The tension seems quite a bit higher to =
me than
most uprights I have tried though and they are REALLY squeaky. I use
roundwounds on my Jazz bass and they don&#8217;t sound nearly as =
&#8220;catlike&#8221;
or feel as . Could you maybe recommend a set of strings for a noobie =
that are
good for pizzicato and some rockabilly slap bass ?( I would like to try =
my hand
at this because it looks insanely fun) .<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Upright strings are pretty pricey so I would prefer to =
keep the
experimenting to a minimum if possible but I&#8217;m okay with spending =
a little
more to get the right set.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>If I mount one of those $20 piezo mics you recommended, =
does it
have to go between the bridge and body, inside the f-holes, by the =
tailpiece or
somewhere else? Are these types of mics sufficient to plug the upright =
into my
amp or into the mixer and looper directly? My amp is an 83 rivera era =
bassman
20 tube amp. 18 watts all tube 1x15. Not very loud but KICK ASS bass =
tone (with
my electric at least) so I use the line out from it into the board. It =
sounds
MUCH better and richer than going direct to me.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I have noticed that all the jazz players I like to watch =
use
some sort of a preamp, is this necessary? Also, how do I go about =
getting those
awesome finger and slap sounds from the fretboard? &nbsp;I don&#8217;t =
imagine
the piezo &nbsp;would pick those up, correct?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Sorry about the length of this thing and thanks in =
advance for
your help. &nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Ace<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>P.S. I&#8217;m replying to the whole list just in case =
there are
any other upright loopers who might benefit from the discussion =
too.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Steve =
Uccello
[mailto:stevebassbird@yahoo.com] <br>
<b>Sent:</b> Friday, February 12, 2010 5:36 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Cool, Affordable, Contact Mics!<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Hey Loopers! <br>
  <br>
  Steve Uccello here just letting you all know about these really cool,
  affordable, durable, and great sounding contact mics I found online. =
They are
  made and sold by Noise artist 'Crank Sturgeon' he's based in Maine =
(USA) They
  are very inexpensive (around $20!!) and they work great. These mics =
are
  perfect for 'found sound' or acoustic artists who might not want to =
invest
  tons of $ into pickups on every instrument, (I used to just use a
  conventional mic but got tired of external sounds bleeding their way =
into my
  loops).&nbsp; <br>
  <br>
  &nbsp; Here's a little video of an improv jam I did yesterday just to =
see how
  the mic sounded on a recording.&nbsp; I'm using his 'Plug Ugly' mic on =
a
  little frame drum (a Pakistani made Pandiero ;) A little 'quake hold' =
gum and
  it's good to go!<br>
  <br>
  Hope you enjoy:<br>
  <br>
  <a href=3D"http://vimeo.com/9397598">http://vimeo.com/9397598</a><br>
  <br>
  Here's a link to Crank's website (he's very nice &amp; sends 'em out =
fast!<br>
  <br>
  <a =
href=3D"http://www.cranksturgeon.com/PIEZOCRANK.html">http://www.crankstu=
rgeon.com/PIEZOCRANK.html</a><br>
  <br>
  Be well everyone-<br>
  <br>
  <o:p></o:p></p>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Calibri","sans-serif"'><o:p>&nbsp;=
</o:p></span></p>

</div>

</body>

</html>

------_=_NextPart_001_01CAAC69.290212A8--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 05:38:48 2010
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	id 9F7EB3BE80; Sat, 13 Feb 2010 05:38:48 +0000 (UTC)
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Date: Fri, 12 Feb 2010 21:38:45 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: re:    Cool, Affordable, Contact Mics!  
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Hey Steve,
Thanks so much for forwarding the link to Crank Sturgeon's really
wonderful and creative site.

I had so much fun perusing it and am going to buy several things from him
because of your recommendation.

I have always made my own contact mics
out of Radio Shack Peizo Buzzers,  some line chord,  a female 1/4" plug
and some Liquid Handle latex covering and some truly lame soldering skills,
 but it costs well over $10 to make one,  takes time and the time it takes
to go purchase parts.

$20 for PLUG UGLY contact mic is a steal given all of that.

Okay,  thanks,  finding this site tonight just made my day.

Running some of this stuff through my newly invented Walker Manual 
Glitch Pedal,
Boss Slicer and a host of fuzzes/distortions/feedback and filtering 
effects boxes
is going to provide hours of creative fun.

yours,  Rick Walker


Once again,   check out Crank Sturgeon's creative, chaotic and noisy 
world here and
buy some stuff from him.

http://cranksturgeon.com/PIEZOCRANK.html

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 05:46:51 2010
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Cool, Affordable, Contact Mics!
Date: Fri, 12 Feb 2010 21:46:51 -0800
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Have you tested a prototype of your pedal invention yet?  I've built double 
interruption boxes (2 kill switches in series) and they behave a little 
differently than expected.

t
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Friday, February 12, 2010 9:38 PM
Subject: re: Cool, Affordable, Contact Mics!


> Hey Steve,
> Thanks so much for forwarding the link to Crank Sturgeon's really
> wonderful and creative site.
>
> I had so much fun perusing it and am going to buy several things from him
> because of your recommendation.
>
> I have always made my own contact mics
> out of Radio Shack Peizo Buzzers,  some line chord,  a female 1/4" plug
> and some Liquid Handle latex covering and some truly lame soldering 
> skills,
> but it costs well over $10 to make one,  takes time and the time it takes
> to go purchase parts.
>
> $20 for PLUG UGLY contact mic is a steal given all of that.
>
> Okay,  thanks,  finding this site tonight just made my day.
>
> Running some of this stuff through my newly invented Walker Manual Glitch 
> Pedal,
> Boss Slicer and a host of fuzzes/distortions/feedback and filtering 
> effects boxes
> is going to provide hours of creative fun.
>
> yours,  Rick Walker
>
>
> Once again,   check out Crank Sturgeon's creative, chaotic and noisy world 
> here and
> buy some stuff from him.
>
> http://cranksturgeon.com/PIEZOCRANK.html
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 05:56:33 2010
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Subject: OT   SF gig spam   William Taylor Prichard Trio with Stu Hamm - bass
 and Rick Walker - drumset
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Wow!  I'm stoked that I just booked a trio gig with
our own live looper,   William Taylor Prichard on guitar
and the venerable Stu Hamm on bass.

We're playing Bill's music (he just performed at the Y2K9 Loopfestival)
at the ROCKET ROOM in San FRANCISCO (Clement Street).
The gig is from 9 to 10 p.m.

I hope some of you SF/Bay Area loopers can make it to the gig.
I don't think there will be a lot of live looping but it should be 
pretty fun, anyway.

I'm very stoked and honored to be asked to do the gig.


From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 07:19:06 2010
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Date: Fri, 12 Feb 2010 23:19:05 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: OT   SF gig spam   William Taylor Prichard Trio with Stu Hamm - bass and Rick Walker - drumset
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4B763F0E.5020101@cruzio.com>
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Rick, That's awesome man! Quite the line up! I wish you a wonderful gig!=20

-Steve

--- On Fri, 2/12/10, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: OT   SF gig spam   William Taylor Prichard Trio with Stu Hamm - ba=
ss and Rick Walker - drumset
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Date: Friday, February 12, 2010, 9:56 PM

Wow!=A0 I'm stoked that I just booked a trio gig with
our own live looper,=A0=A0=A0William Taylor Prichard on guitar
and the venerable Stu Hamm on bass.

We're playing Bill's music (he just performed at the Y2K9 Loopfestival)
at the ROCKET ROOM in San FRANCISCO (Clement Street).
The gig is from 9 to 10 p.m.

I hope some of you SF/Bay Area loopers can make it to the gig.
I don't think there will be a lot of live looping but it should be pretty f=
un, anyway.

I'm very stoked and honored to be asked to do the gig.


=0A=0A=0A      
--0-566672287-1266045545=:58119
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Rick, That's awesome man! Quite the line up! =
I wish you a wonderful gig! <br><br>-Steve<br><br>--- On <b>Fri, 2/12/10, R=
ick Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote sty=
le=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-le=
ft: 5px;"><br>From: Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject: OT =
  SF gig spam   William Taylor Prichard Trio with Stu Hamm - bass and Rick =
Walker - drumset<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-Delight@loo=
pers-delight.com&gt;<br>Date: Friday, February 12, 2010, 9:56 PM<br><br><di=
v class=3D"plainMail">Wow!&nbsp; I'm stoked that I just booked a trio gig w=
ith<br>our own live looper,&nbsp;&nbsp;&nbsp;William Taylor Prichard on gui=
tar<br>and the venerable Stu Hamm on bass.<br><br>We're playing Bill's musi=
c (he just performed at the Y2K9 Loopfestival)<br>at the ROCKET ROOM in San
 FRANCISCO (Clement Street).<br>The gig is from 9 to 10 p.m.<br><br>I hope =
some of you SF/Bay Area loopers can make it to the gig.<br>I don't think th=
ere will be a lot of live looping but it should be pretty fun, anyway.<br><=
br>I'm very stoked and honored to be asked to do the gig.<br><br><br></div>=
</blockquote></td></tr></table><br>=0A=0A=0A=0A      
--0-566672287-1266045545=:58119--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 07:38:52 2010
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References: <OF312D0FA0.59D0CECE-ON862576C8.00410A50-862576C8.00410A50@farmersinsurance.com>
	 <9ab0c76f1002121218q7c373b7cpa217910cc9e72098@mail.gmail.com>
	 <3EE4D25F-D8BA-436D-9A01-ECD96A0B81D8@btinternet.com>
	 <9ab0c76f1002121226y1c4625a6w6c436ff51291f37d@mail.gmail.com>
Date: Sat, 13 Feb 2010 09:38:50 +0200
Message-ID: <c70841111002122338q5379bfa2y8dde9d4b4623b2f@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d784ecaa25f7047f767959
Content-Type: text/plain; charset=ISO-8859-1

:-D

2010/2/12 mark francombe <mark@markfrancombe.com>

> I mean.. is my FCB1010 covered?? If damage is caused by swine in the
> studio?
>
>
> On Fri, Feb 12, 2010 at 9:21 PM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> Damn that Pig is causing CHAOS in here!!!!
>>
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 12 Feb 2010, at 20:18, mark francombe wrote:
>>
>> Damn! I was just thinking of getting me some farm insurance too!!
>>
>> Mark!
>>
>> On Fri, Feb 12, 2010 at 12:50 PM, <peter.leinhos@farmersinsurance.com>wrote:
>>
>>>
>>>
>>>
>>>
>>> I will be out of the office starting  02/11/2010 and will not return
>>> until
>>> 02/15/2010.
>>>
>>> For telecom issues, Genesys, Video or Audio Conferencing contact Greg
>>> Bouffard @ 323 932 3793.
>>>
>>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>> documents accompanying this transmission may contain privileged
>>> and/or confidential information and is intended solely for the
>>> addressee(s) named above. If you are not the intended
>>> addressee/recipient, you are hereby notified that any use of,
>>> disclosure, copying, distribution, or reliance on the contents of
>>> this E-Mail/telefax information is strictly prohibited and may
>>> result in legal action against you. Please reply to the sender
>>> advising of the error in transmission and immediately
>>> delete/destroy the message and any accompanying documents. Thank
>>> you.*****
>>>
>>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen

--0016e6d784ecaa25f7047f767959
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:-D<br><br><div class=3D"gmail_quote">2010/2/12 mark francombe <span dir=3D=
"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com<=
/a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
>
I mean.. is my FCB1010 covered?? If damage is caused by swine in the studio=
?<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Fr=
i, Feb 12, 2010 at 9:21 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar=
@btinternet.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Damn that Pig is causing CHAOS in here!!!!<div><br></div><div><br><div> <sp=
an style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: He=
lvetica; font-size: 12px; font-style: normal; font-variant: normal; font-we=
ight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px=
; text-transform: none; white-space: normal; word-spacing: 0px;"><span styl=
e=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica=
; font-size: 12px; font-style: normal; font-variant: normal; font-weight: n=
ormal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-=
transform: none; white-space: normal; word-spacing: 0px;"><div>


Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>


<div><br></div></span><br></span><br> </div><br><div><div>On 12 Feb 2010, a=
t 20:18, mark francombe wrote:</div><br><blockquote type=3D"cite">Damn! I w=
as just thinking of getting me some farm insurance too!!<br><br>Mark!<br>


<br><div class=3D"gmail_quote">On Fri, Feb 12, 2010 at 12:50 PM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:peter.leinhos@farmersinsurance.com" target=
=3D"_blank">peter.leinhos@farmersinsurance.com</a>&gt;</span> wrote:<br> <b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


<br> <br> <br> <br> I will be out of the office starting =A002/11/2010 and =
will not return until<br> 02/15/2010.<br> <br> For telecom issues, Genesys,=
 Video or Audio Conferencing contact Greg<br> Bouffard @ 323 932 3793.<br>


 <br> ***** PLEASE NOTE ***** This E-Mail/telefax message and any<br> docum=
ents accompanying this transmission may contain privileged<br> and/or confi=
dential information and is intended solely for the<br> addressee(s) named a=
bove. If you are not the intended<br>


 addressee/recipient, you are hereby notified that any use of,<br> disclosu=
re, copying, distribution, or reliance on the contents of<br> this E-Mail/t=
elefax information is strictly prohibited and may<br> result in legal actio=
n against you. Please reply to the sender<br>


 advising of the error in transmission and immediately<br> delete/destroy t=
he message and any accompanying documents. Thank<br> you.*****<br> <br> </b=
lockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mark=
francombe.com" target=3D"_blank">www.markfrancombe.com</a><br>


<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe" targ=
et=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br> <a href=3D"h=
ttp://www.myspace.com/markfrancombe" target=3D"_blank">http://www.myspace.c=
om/markfrancombe</a><br>


<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br> </blockquote></div><br></div></div></blockquote></div><br><br c=
lear=3D"all">


<br>-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.m=
arkfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094" target=3D"_=
blank">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/=
user/markfrancombe" target=3D"_blank">http://uk.youtube.com/user/markfranco=
mbe</a><br>


<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><br>

--0016e6d784ecaa25f7047f767959--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 08:54:59 2010
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Date: Sat, 13 Feb 2010 00:54:58 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: Cool, Affordable, Contact Mics from bass Yogi Uccello
To: Loopers-Delight@loopers-delight.com
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Ace, Wow, you did your own bridge install-that's a hard job! Sounds like a =
cool bass-just needs some love.=C2=A0 If you're on a small budget and want =
to get into slapping upright, here are a couple links that might help:

Strings:
http://www.gollihurmusic.com/product/1858-STRING_SET_INNOVATION_SILVERSLAPS=
_140SLP_SILVER_SLAP.html

http://www.gollihurmusic.com/product/1859-STRING_SET_INNOVATION_GOLDENSLAPS=
_140GLP_GOLDEN_SLAP.html

Pickup:
http://www.gollihurmusic.com/product_details.cfm?ProdID=3D1309

Here's pretty cool talk bass forum relating to cheap finger board repair:

http://www.talkbass.com/forum/archive/index.php/t-66028.html

As far as using Crank's piezo contact mics on upright bass, I'm not sure ho=
w it would sound, if I were to put one on my upright bass I would go for ei=
ther the front or back surface of the bridge and try to clip it on firmly (=
def needs experimenting) you could probably find some light weight, small, =
clips at your local hardware store, or some kind of U shaped clip would wor=
k, may be. I would imagine you could then plug it right into looper/mixer/a=
mp.=C2=A0 On the drum in my video, it was plugged into a little tiny mixer =
then to the looper.=20

=C2=A0In regards to why Jaco put epoxy on his fret board, I think it was to=
 fill the fret slots, no need on an upright. Usually a really beat finger b=
oard can benefit hugely from a re-plane by someone who knows their stuff, b=
ut if you're the DIY type, you could look into sanding, acrylics, dyes, ect=
. to revitalize the finger board.=C2=A0 I don't know much in that departmen=
t.=C2=A0 Also, if you want lower tension, the first thing is to lower the a=
ction, and make sure the nut is not to high. Another thing you might need t=
o do is 'crown' the bridge, basically round it all out so the string trough=
s do not have corners on either side, this lets the string move around the =
bridge and lessens any 'stiffness'.=C2=A0 Aside from structural/setup issue=
s, all you can really do is get light tension strings to increase playabili=
ty.=C2=A0 And lastly, preamps are nice, especially if you're playing into a=
 pa w/ no bass amp. Not always necessary depending on how your amp sounds a=
lone,
 though.=C2=A0 Here's a link to a few preamps over at the bass store: Lemur=
 Music.

http://shop5.mailordercentral.com/lemurmusic/Upright-Bass-Preamps--EQs/prod=
ucts/59/

Good luck and keep me posted!=20




--- On Fri, 2/12/10, Ace Ovil <aovil@wfubmc.edu> wrote:

From: Ace Ovil <aovil@wfubmc.edu>
Subject: Cool, Affordable, Contact Mics from bass Yogi Uccello
To: Loopers-Delight@loopers-delight.com
Date: Friday, February 12, 2010, 8:57 PM

=0A=0A=0A =0A =0A=0A=0A=0A=0A=0A=0AHey Steve, =0A=0AThanks for the awesome =
link. Hooray for $20 piezos. =C2=A0You=0Aoffered some assistance with bass =
last time we chatted , so I assume you are=0Ahappy to share your wisdom. Th=
ought I would take you up on it. =0A=0AI was thinking of sticking one of th=
ose piezos on my new (to me)upright=0Aand I figured you might have some poi=
nters being a bass demi-god and all. The=0Abrand of the bass is engelhardt.=
 =C2=A0It=E2=80=99s a student type bass I think and=0Ais made of some kind =
of laminate. I can=E2=80=99t afford a real carved one=0Aunfortunately. =C2=
=A0The fretboard is definitely not real ebony. Looks like dyed=0Abasswood, =
poplar or whatever the dirt cheap white tonewood du jour was when=0Athey ma=
de it. =C2=A0 =0A=0AI installed a =C2=A0maple despaux bridge with the littl=
e =C2=A0aluminum=0Aheight wheels on it and =C2=A0I invested some serious ti=
me and effort into getting=0Athe curvature of the bridge to match the top o=
f the bass. The book I have on=0Abass setup really stressed making good con=
tact between the wood pieces. It=E2=80=99s=0Aactually pretty amazing how mu=
ch of a difference something that simple makes. The=0Abass is significantly=
 louder now and I can really feel the vibrations up the=0Aneck which was no=
t the case when I got this poor abused instrument. =C2=A0 =0A=0AAbout the f=
retboard though, do people epoxy these like jaco did=0Awith his J bass? Is =
there a good reason to do this? I=E2=80=99m also really=0Aunhappy with the =
strings that are on it, but this may simply be because I am=0Anot all that =
used to uprights. The tension seems quite a bit higher to me than=0Amost up=
rights I have tried though and they are REALLY squeaky. I use=0Aroundwounds=
 on my Jazz bass and they don=E2=80=99t sound nearly as =E2=80=9Ccatlike=E2=
=80=9D=0Aor feel as . Could you maybe recommend a set of strings for a noob=
ie that are=0Agood for pizzicato and some rockabilly slap bass ?( I would l=
ike to try my hand=0Aat this because it looks insanely fun) . =0A=0AUpright=
 strings are pretty pricey so I would prefer to keep the=0Aexperimenting to=
 a minimum if possible but I=E2=80=99m okay with spending a little=0Amore t=
o get the right set. =0A=0AIf I mount one of those $20 piezo mics you recom=
mended, does it=0Ahave to go between the bridge and body, inside the f-hole=
s, by the tailpiece or=0Asomewhere else? Are these types of mics sufficient=
 to plug the upright into my=0Aamp or into the mixer and looper directly? M=
y amp is an 83 rivera era bassman=0A20 tube amp. 18 watts all tube 1x15. No=
t very loud but KICK ASS bass tone (with=0Amy electric at least) so I use t=
he line out from it into the board. It sounds=0AMUCH better and richer than=
 going direct to me. =0A=0AI have noticed that all the jazz players I like =
to watch use=0Asome sort of a preamp, is this necessary? Also, how do I go =
about getting those=0Aawesome finger and slap sounds from the fretboard? =
=C2=A0I don=E2=80=99t imagine=0Athe piezo =C2=A0would pick those up, correc=
t? =0A=0ASorry about the length of this thing and thanks in advance for=0Ay=
our help. =C2=A0 =0A=0AAce =0A=0A =C2=A0 =0A=0AP.S. I=E2=80=99m replying to=
 the whole list just in case there are=0Aany other upright loopers who migh=
t benefit from the discussion too. =0A=0A =C2=A0 =0A=0A=0A=0AFrom: Steve Uc=
cello=0A[mailto:stevebassbird@yahoo.com]=20
=0ASent: Friday, February 12, 2010 5:36 PM
=0ATo: Loopers-Delight@loopers-delight.com
=0ASubject: Cool, Affordable, Contact Mics! =0A=0A=0A=0A =C2=A0 =0A=0A=0A =
=0A  =0A  Hey Loopers!=20
=0A =20
=0A  Steve Uccello here just letting you all know about these really cool,=
=0A  affordable, durable, and great sounding contact mics I found online. T=
hey are=0A  made and sold by Noise artist 'Crank Sturgeon' he's based in Ma=
ine (USA) They=0A  are very inexpensive (around $20!!) and they work great.=
 These mics are=0A  perfect for 'found sound' or acoustic artists who might=
 not want to invest=0A  tons of $ into pickups on every instrument, (I used=
 to just use a=0A  conventional mic but got tired of external sounds bleedi=
ng their way into my=0A  loops).=C2=A0=20
=0A =20
=0A  =C2=A0 Here's a little video of an improv jam I did yesterday just to =
see how=0A  the mic sounded on a recording.=C2=A0 I'm using his 'Plug Ugly'=
 mic on a=0A  little frame drum (a Pakistani made Pandiero ;) A little 'qua=
ke hold' gum and=0A  it's good to go!
=0A =20
=0A  Hope you enjoy:
=0A =20
=0A  http://vimeo.com/9397598
=0A =20
=0A  Here's a link to Crank's website (he's very nice & sends 'em out fast!
=0A =20
=0A  http://www.cranksturgeon.com/PIEZOCRANK.html
=0A =20
=0A  Be well everyone-
=0A =20
=0A   =0A  =0A =0A=0A=0A =C2=A0 =0A=0A=0A=0A =0A=0A=0A=0A=0A      
--0-293251527-1266051298=:33895
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Ace, Wow, you did your own bridge install-tha=
t's a hard job! Sounds like a cool bass-just needs some love.&nbsp; If you'=
re on a small budget and want to get into slapping upright, here are a coup=
le links that might help:<br><br>Strings:<br><a href=3D"http://www.gollihur=
music.com/product/1858-STRING_SET_INNOVATION_SILVERSLAPS_140SLP_SILVER_SLAP=
.html">http://www.gollihurmusic.com/product/1858-STRING_SET_INNOVATION_SILV=
ERSLAPS_140SLP_SILVER_SLAP.html</a><br><br><a href=3D"http://www.gollihurmu=
sic.com/product/1859-STRING_SET_INNOVATION_GOLDENSLAPS_140GLP_GOLDEN_SLAP.h=
tml">http://www.gollihurmusic.com/product/1859-STRING_SET_INNOVATION_GOLDEN=
SLAPS_140GLP_GOLDEN_SLAP.html</a><br><br>Pickup:<br><a href=3D"http://www.g=
ollihurmusic.com/product_details.cfm?ProdID=3D1309">http://www.gollihurmusi=
c.com/product_details.cfm?ProdID=3D1309</a><br><br>Here's pretty cool talk =
bass forum
 relating to cheap finger board repair:<br><br><a href=3D"http://www.talkba=
ss.com/forum/archive/index.php/t-66028.html">http://www.talkbass.com/forum/=
archive/index.php/t-66028.html</a><br><br>As far as using Crank's piezo con=
tact mics on upright bass, I'm not sure how it would sound, if I were to pu=
t one on my upright bass I would go for either the front or back surface of=
 the bridge and try to clip it on firmly (def needs experimenting) you coul=
d probably find some light weight, small, clips at your local hardware stor=
e, or some kind of U shaped clip would work, may be. I would imagine you co=
uld then plug it right into looper/mixer/amp.&nbsp; On the drum in my video=
, it was plugged into a little tiny mixer then to the looper. <br><br>&nbsp=
;In regards to why Jaco put epoxy on his fret board, I think it was to fill=
 the fret slots, no need on an upright. Usually a really beat finger board =
can benefit hugely from a re-plane by someone who knows their stuff,
 but if you're the DIY type, you could look into sanding, acrylics, dyes, e=
ct. to revitalize the finger board.&nbsp; I don't know much in that departm=
ent.&nbsp; Also, if you want lower tension, the first thing is to lower the=
 action, and make sure the nut is not to high. Another thing you might need=
 to do is 'crown' the bridge, basically round it all out so the string trou=
ghs do not have corners on either side, this lets the string move around th=
e bridge and lessens any 'stiffness'.&nbsp; Aside from structural/setup iss=
ues, all you can really do is get light tension strings to increase playabi=
lity.&nbsp; And lastly, preamps are nice, especially if you're playing into=
 a pa w/ no bass amp. Not always necessary depending on how your amp sounds=
 alone, though.&nbsp; Here's a link to a few preamps over at the bass store=
: Lemur Music.<br><br><a
 href=3D"http://shop5.mailordercentral.com/lemurmusic/Upright-Bass-Preamps-=
-EQs/products/59/">http://shop5.mailordercentral.com/lemurmusic/Upright-Bas=
s-Preamps--EQs/products/59/</a><br><br>Good luck and keep me posted! <br><b=
r><br><br><br>--- On <b>Fri, 2/12/10, Ace Ovil <i>&lt;aovil@wfubmc.edu&gt;<=
/i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 2=
55); margin-left: 5px; padding-left: 5px;"><br>From: Ace Ovil &lt;aovil@wfu=
bmc.edu&gt;<br>Subject: Cool, Affordable, Contact Mics from bass Yogi Uccel=
lo<br>To: Loopers-Delight@loopers-delight.com<br>Date: Friday, February 12,=
 2010, 8:57 PM<br><br><div id=3D"yiv855284673">=0A=0A=0A =0A =0A<style>=0A<=
!--=0A#yiv855284673  =0A _filtered #yiv855284673 {font-family:"Cambria Math=
";panose-1:2 4 5 3 5 4 6 3 2 4;}=0A _filtered #yiv855284673 {font-family:Ca=
libri;panose-1:2 15 5 2 2 2 4 3 2 4;}=0A _filtered #yiv855284673 {font-fami=
ly:Tahoma;panose-1:2 11 6 4 3 5 4 4 2 4;}=0A#yiv855284673  =0A#yiv855284673=
 p.MsoNormal, #yiv855284673 li.MsoNormal, #yiv855284673 div.MsoNormal=0A=09=
{margin:0in;margin-bottom:.0001pt;font-size:12.0pt;font-family:"Times New R=
oman", "serif";}=0A#yiv855284673 a:link, #yiv855284673 span.MsoHyperlink=0A=
=09{color:blue;text-decoration:underline;}=0A#yiv855284673 a:visited, #yiv8=
55284673 span.MsoHyperlinkFollowed=0A=09{color:purple;text-decoration:under=
line;}=0A#yiv855284673 span.EmailStyle17=0A=09{font-family:"Calibri", "sans=
-serif";color:#1F497D;}=0A#yiv855284673 .MsoChpDefault=0A=09{}=0A _filtered=
 #yiv855284673 {margin:1.0in 1.0in 1.0in 1.0in;}=0A#yiv855284673 div.Sectio=
n1=0A=09{}=0A-->=0A</style>=0A=0A<div class=3D"Section1">=0A=0A<p class=3D"=
MsoNormal"><span style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;=
,&quot;sans-serif&quot;; color: rgb(31, 73, 125);">Hey Steve,</span></p> =
=0A=0A<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family: &=
quot;Calibri&quot;,&quot;sans-serif&quot;; color: rgb(31, 73, 125);">Thanks=
 for the awesome link. Hooray for $20 piezos. &nbsp;You=0Aoffered some assi=
stance with bass last time we chatted , so I assume you are=0Ahappy to shar=
e your wisdom. Thought I would take you up on it.</span></p> =0A=0A<p class=
=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family: &quot;Calibri&q=
uot;,&quot;sans-serif&quot;; color: rgb(31, 73, 125);">I was thinking of st=
icking one of those piezos on my new (to me)upright=0Aand I figured you mig=
ht have some pointers being a bass demi-god and all. The=0Abrand of the bas=
s is engelhardt. &nbsp;It=E2=80=99s a student type bass I think and=0Ais ma=
de of some kind of laminate. I can=E2=80=99t afford a real carved one=0Aunf=
ortunately. &nbsp;The fretboard is definitely not real ebony. Looks like dy=
ed=0Abasswood, poplar or whatever the dirt cheap white tonewood du jour was=
 when=0Athey made it. &nbsp;</span></p> =0A=0A<p class=3D"MsoNormal"><span =
style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&quot;sans-serif=
&quot;; color: rgb(31, 73, 125);">I installed a &nbsp;maple despaux bridge =
with the little &nbsp;aluminum=0Aheight wheels on it and &nbsp;I invested s=
ome serious time and effort into getting=0Athe curvature of the bridge to m=
atch the top of the bass. The book I have on=0Abass setup really stressed m=
aking good contact between the wood pieces. It=E2=80=99s=0Aactually pretty =
amazing how much of a difference something that simple makes. The=0Abass is=
 significantly louder now and I can really feel the vibrations up the=0Anec=
k which was not the case when I got this poor abused instrument. &nbsp;</sp=
an></p> =0A=0A<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; font-f=
amily: &quot;Calibri&quot;,&quot;sans-serif&quot;; color: rgb(31, 73, 125);=
">About the fretboard though, do people epoxy these like jaco did=0Awith hi=
s J bass? Is there a good reason to do this? I=E2=80=99m also really=0Aunha=
ppy with the strings that are on it, but this may simply be because I am=0A=
not all that used to uprights. The tension seems quite a bit higher to me t=
han=0Amost uprights I have tried though and they are REALLY squeaky. I use=
=0Aroundwounds on my Jazz bass and they don=E2=80=99t sound nearly as =E2=
=80=9Ccatlike=E2=80=9D=0Aor feel as . Could you maybe recommend a set of st=
rings for a noobie that are=0Agood for pizzicato and some rockabilly slap b=
ass ?( I would like to try my hand=0Aat this because it looks insanely fun)=
 .</span></p> =0A=0A<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
font-family: &quot;Calibri&quot;,&quot;sans-serif&quot;; color: rgb(31, 73,=
 125);">Upright strings are pretty pricey so I would prefer to keep the=0Ae=
xperimenting to a minimum if possible but I=E2=80=99m okay with spending a =
little=0Amore to get the right set.</span></p> =0A=0A<p class=3D"MsoNormal"=
><span style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&quot;san=
s-serif&quot;; color: rgb(31, 73, 125);">If I mount one of those $20 piezo =
mics you recommended, does it=0Ahave to go between the bridge and body, ins=
ide the f-holes, by the tailpiece or=0Asomewhere else? Are these types of m=
ics sufficient to plug the upright into my=0Aamp or into the mixer and loop=
er directly? My amp is an 83 rivera era bassman=0A20 tube amp. 18 watts all=
 tube 1x15. Not very loud but KICK ASS bass tone (with=0Amy electric at lea=
st) so I use the line out from it into the board. It sounds=0AMUCH better a=
nd richer than going direct to me.</span></p> =0A=0A<p class=3D"MsoNormal">=
<span style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&quot;sans=
-serif&quot;; color: rgb(31, 73, 125);">I have noticed that all the jazz pl=
ayers I like to watch use=0Asome sort of a preamp, is this necessary? Also,=
 how do I go about getting those=0Aawesome finger and slap sounds from the =
fretboard? &nbsp;I don=E2=80=99t imagine=0Athe piezo &nbsp;would pick those=
 up, correct?</span></p> =0A=0A<p class=3D"MsoNormal"><span style=3D"font-s=
ize: 11pt; font-family: &quot;Calibri&quot;,&quot;sans-serif&quot;; color: =
rgb(31, 73, 125);">Sorry about the length of this thing and thanks in advan=
ce for=0Ayour help. &nbsp;</span></p> =0A=0A<p class=3D"MsoNormal"><span st=
yle=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&quot;sans-serif&q=
uot;; color: rgb(31, 73, 125);">Ace</span></p> =0A=0A<p class=3D"MsoNormal"=
><span style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&quot;san=
s-serif&quot;; color: rgb(31, 73, 125);"> &nbsp;</span></p> =0A=0A<p class=
=3D"MsoNormal"><span style=3D"font-size: 11pt; font-family: &quot;Calibri&q=
uot;,&quot;sans-serif&quot;; color: rgb(31, 73, 125);">P.S. I=E2=80=99m rep=
lying to the whole list just in case there are=0Aany other upright loopers =
who might benefit from the discussion too.</span></p> =0A=0A<p class=3D"Mso=
Normal"><span style=3D"font-size: 11pt; font-family: &quot;Calibri&quot;,&q=
uot;sans-serif&quot;; color: rgb(31, 73, 125);"> &nbsp;</span></p> =0A=0A<d=
iv style=3D"border-style: solid none none; border-color: rgb(181, 196, 223)=
 -moz-use-text-color -moz-use-text-color; border-width: 1pt medium medium; =
padding: 3pt 0in 0in;">=0A=0A<p class=3D"MsoNormal"><b><span style=3D"font-=
size: 10pt; font-family: &quot;Tahoma&quot;,&quot;sans-serif&quot;;">From:<=
/span></b><span style=3D"font-size: 10pt; font-family: &quot;Tahoma&quot;,&=
quot;sans-serif&quot;;"> Steve Uccello=0A[mailto:stevebassbird@yahoo.com] <=
br>=0A<b>Sent:</b> Friday, February 12, 2010 5:36 PM<br>=0A<b>To:</b> Loope=
rs-Delight@loopers-delight.com<br>=0A<b>Subject:</b> Cool, Affordable, Cont=
act Mics!</span></p> =0A=0A</div>=0A=0A<p class=3D"MsoNormal"> &nbsp;</p> =
=0A=0A<table class=3D"MsoNormalTable" border=3D"0" cellpadding=3D"0" cellsp=
acing=3D"0">=0A <tbody><tr>=0A  <td style=3D"padding: 0in;" valign=3D"top">=
=0A  <p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;">Hey Loopers! <br=
>=0A  <br>=0A  Steve Uccello here just letting you all know about these rea=
lly cool,=0A  affordable, durable, and great sounding contact mics I found =
online. They are=0A  made and sold by Noise artist 'Crank Sturgeon' he's ba=
sed in Maine (USA) They=0A  are very inexpensive (around $20!!) and they wo=
rk great. These mics are=0A  perfect for 'found sound' or acoustic artists =
who might not want to invest=0A  tons of $ into pickups on every instrument=
, (I used to just use a=0A  conventional mic but got tired of external soun=
ds bleeding their way into my=0A  loops).&nbsp; <br>=0A  <br>=0A  &nbsp; He=
re's a little video of an improv jam I did yesterday just to see how=0A  th=
e mic sounded on a recording.&nbsp; I'm using his 'Plug Ugly' mic on a=0A  =
little frame drum (a Pakistani made Pandiero ;) A little 'quake hold' gum a=
nd=0A  it's good to go!<br>=0A  <br>=0A  Hope you enjoy:<br>=0A  <br>=0A  <=
a rel=3D"nofollow" target=3D"_blank" href=3D"http://vimeo.com/9397598">http=
://vimeo.com/9397598</a><br>=0A  <br>=0A  Here's a link to Crank's website =
(he's very nice &amp; sends 'em out fast!<br>=0A  <br>=0A  <a rel=3D"nofoll=
ow" target=3D"_blank" href=3D"http://www.cranksturgeon.com/PIEZOCRANK.html"=
>http://www.cranksturgeon.com/PIEZOCRANK.html</a><br>=0A  <br>=0A  Be well =
everyone-<br>=0A  <br>=0A  </p> =0A  </td>=0A </tr>=0A</tbody></table>=0A=
=0A<p class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: &quo=
t;Calibri&quot;,&quot;sans-serif&quot;;"> &nbsp;</span></p> =0A=0A</div>=0A=
=0A =0A=0A</div></blockquote></td></tr></table><br>=0A=0A      
--0-293251527-1266051298=:33895--

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Winning numbers: 1 2 26 30 40 21=0D=0A =0D=0A Congratulations, you =
won  $ 400,000 in the  Australian  lottery.=0D=0A For more informat=
ion and a claim please contact your agent with this  e-mail address=
 below=0D=0A and bring your winnings numbers.Ticket Number: 6750617=
25=0D=0A 9356460902, Ref: 575061725, parties: cash, credit file, se=
e: ILP / HW 46704 / 08=0D=0A Mr.Edward Samuel=0D=0A E-mail:edwardsa=
muel@live.com=0D=0A Phone: +447031838781=0D=0A
----------=0D=0A
Share your pictures on www.zonerama.com

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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "htt=
p://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"><html xmlns=3D=
"http://www.w3.org/1999/xhtml"><head><meta http-equiv=3D"content-ty=
pe" content=3D"text/html; charset=3Dutf-8" /></head><body>Winning n=
umbers: 1 2 26 30 40 21<br />=0D=0A&nbsp;<br />=0D=0A&nbsp;Congratu=
lations, you won&nbsp; $ 400,000 in the&nbsp; Australian&nbsp; lott=
ery.<br />=0D=0A&nbsp;For more information and a claim please conta=
ct your agent with this&nbsp; e-mail address below<br />=0D=0A&nbsp=
;and bring your winnings numbers.Ticket Number: 675061725<br />=0D=0A=
&nbsp;9356460902, Ref: 575061725, parties: cash, credit file, see: =
ILP / HW 46704 / 08<br />=0D=0A&nbsp;Mr.Edward Samuel<br />=0D=0A&n=
bsp;E-mail:edwardsamuel@live.com<br />=0D=0A&nbsp;Phone: +447031838=
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<br>=
----------<br>=0D=0A
Share your pictures on <a href=3D"http://www.zonerama.com/">www.zonerama.com<=
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<br>=
</body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 09:17:06 2010
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Date: Sat, 13 Feb 2010 04:16:56 -0500
From: Bill Fox <billyfox@soundscapes.us>
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, February 13 at 6 am (EST/GMT-5/ITZ-5).  I will
continue the special on Sequences Electronic Music Magazine's sampler
CDs in Phase 1.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 09:24:33 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Continuum
Date: Sat, 13 Feb 2010 09:24:34 +0000
Importance: Normal
In-Reply-To: <e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com>
References:
 <714828.41566.qm@web24307.mail.ird.yahoo.com>,<27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>,<27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>,<5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com>,<c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>,<e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com>
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--_a123c0bc-ad47-462b-b5b0-f59e414fe485_
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"The Continuum Fingerboard tracks and updates data values for the x=2C y=2C=
 and z position of one to sixteen fingers continuously"

Out of this world!



> Date: Sat=2C 13 Feb 2010 00:54:52 +0100
> Subject: Re: Continuum
> From: tcplugin@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Sat=2C Feb 13=2C 2010 at 12:43 AM=2C Matt Davignon <mattdavignon@gmail=
.com> wrote:
> > $5000 - do they make them all from scratch?
> > Out of diamonds?
>=20
> As long as it sounds good=2C that's ok with me =3B-)
> --=20
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>=20
 		 	   		 =20
_________________________________________________________________
Got a cool Hotmail story? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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{
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font-family:Verdana
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--></style>
</head>
<body class=3D'hmmessage'>
<font style=3D"font-size: 8pt=3B" color=3D"black" face=3D"Verdana" size=3D"=
1">"The Continuum Fingerboard tracks and updates data values for the x=2C y=
=2C and z position of one to sixteen fingers continuously"<br><br>Out of th=
is world!<br><br><br></font><br>&gt=3B Date: Sat=2C 13 Feb 2010 00:54:52 +0=
100<br>&gt=3B Subject: Re: Continuum<br>&gt=3B From: tcplugin@gmail.com<br>=
&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B On Sat=
=2C Feb 13=2C 2010 at 12:43 AM=2C Matt Davignon &lt=3Bmattdavignon@gmail.co=
m&gt=3B wrote:<br>&gt=3B &gt=3B $5000 - do they make them all from scratch?=
<br>&gt=3B &gt=3B Out of diamonds?<br>&gt=3B <br>&gt=3B As long as it sound=
s good=2C that's ok with me =3B-)<br>&gt=3B -- <br>&gt=3B Sjaak Overgaauw<b=
r>&gt=3B http://premonitionfactory.com/<br>&gt=3B http://livelooping.be/<br=
>&gt=3B <br> 		 	   		  <br /><hr />Got a cool Hotmail story? <a href=3D'ht=
tp://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_new'>Tell us now=
</a></body>
</html>=

--_a123c0bc-ad47-462b-b5b0-f59e414fe485_--

From michael_abba@rediffmail.com  Sat Feb 13 09:49:43 2010
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Subject: =?utf-8?B?TXkgRGVhciBCZWxvdmVkIE1hci9TaXIsICA=?=
From: "Michael abba" <michael_abba@rediffmail.com>
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&nbsp;My Dear ,&nbsp; 
Here writes Madam Michael Aabba widow of late Sir Celestine Aabba, suffering from cancerous ailment. We were married for eleven years and no issue; we are both cocoa and coffee farmers. My husband was poisoned to death by his business colleagues during their summit held in Ghana. My late husband deposited the sum of Eight million Dollars during his existence with one of the prime-bank here in Republic of Togo before he gave up to death, my doctor told me that I have limited days to live due to the cancerous problems I am suffering from. With this harsh reality that has befallen my family, I have decided to donate this fund to you and want you to help me use this gift which comes from I and my husband effort to fund the upkeep of widows, orphans, and the needy. 
I have decided to donate this fund to you, I do hope you would be able to utilize this money for the said purpose just as I am going to instruct herein. I want you to utilize the funds by creating a charitable foundation called "C.M.A. FOUNDATION" to assist widows and help accident victims worldwide. 
This deposit is a secret deposit which only I, our family lawyer and now you know about. Contact our family lawyer with this specified email address or Phone Number. Barrister Wilson Edo (ESQ) Email (barrister.wilsonedo204@lawyer.com / edo@consultant.com) Tel: +228-7423774 +233 -543343450, Call my family Lawyer . 
Tell him that I have WILLED USD$8,000,000 to you by quoting my personal reference number Law/chamber/solicitors/sh/cao/WILL/983 4520012 and I have also notified him that I am WILLING that amount to you for a specific and good work. 
Remain blessed. 
Youre Sister, 
Madam Michael Aabba.N/B: Pls. Do contact me on my private email in your return mail to me.(michael_abba11@whitianga.com ) 
&nbsp; 
--=_112fd4d6e1bd8bc71b7c285d66456f50
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<P>&nbsp;<BR>My Dear ,&nbsp; </P>
<P>Here writes Madam Michael Aabba widow of late Sir Celestine Aabba, suffe=
ring from cancerous ailment. We were married for eleven years and no issue;=
 we are both cocoa and coffee farmers. My husband was poisoned to death by =
his business colleagues during their summit held in Ghana. <BR><BR>My late =
husband deposited the sum of Eight million Dollars during his existence wit=
h one of the prime-bank here in Republic of Togo before he gave up to death=
, my doctor told me that I have limited days to live due to the cancerous p=
roblems I am suffering from. <BR><BR>With this harsh reality that has befal=
len my family, I have decided to donate this fund to you and want you to he=
lp me use this gift which comes from I and my husband effort to fund the up=
keep of widows, orphans, and the needy. </P>
<P>I have decided to donate this fund to you, I do hope you would be able t=
o utilize this money for the said purpose just as I am going to instruct he=
rein. I want you to utilize the funds by creating a charitable foundation c=
alled "C.M.A. FOUNDATION" to assist widows and help accident victims worldw=
ide. </P>
<P>This deposit is a secret deposit which only I, our family lawyer and now=
 you know about. Contact our family lawyer with this specified email addres=
s or Phone Number. Barrister Wilson Edo (ESQ) Email (<A href=3D"mailto:barr=
ister.wilsonedo204@lawyer.com">barrister.wilsonedo204@lawyer.com</A> / <A h=
ref=3D"mailto:edo@consultant.com">edo@consultant.com</A>) Tel: +228-7423774=
 +233 -543343450, Call my family Lawyer . </P>
<P>Tell him that I have WILLED USD$8,000,000 to you by quoting my personal =
reference number Law/chamber/solicitors/sh/cao/WILL/983 4520012 and I have =
also notified him that I am WILLING that amount to you for a specific and g=
ood work. </P>
<P>Remain blessed. </P>
<P>Youre Sister, </P>
<P>Madam Michael Aabba.<BR>N/B: Pls. Do contact me on my private email in y=
our return mail to me.<BR>(<A href=3D"mailto:michael_abba11@whitianga.com">=
michael_abba11@whitianga.com</A> ) </P>
<P><BR>&nbsp; <BR></P><br>
--=_112fd4d6e1bd8bc71b7c285d66456f50--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 10:31:55 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Energy XT anyone?
Date: Sat, 13 Feb 2010 10:31:55 +0000
Importance: Normal
In-Reply-To:
 <86FEE8BCF5652949A08D1EB0545EB42404A03A5DE1@WCU-EX-EMP1-MB.PASSHE.LCL>
References:
 <BLU113-W25D91B40D8305D4E261F3085520@phx.gbl>,<86FEE8BCF5652949A08D1EB0545EB42404A03A5DE1@WCU-EX-EMP1-MB.PASSHE.LCL>
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--_eef5a5bf-c54d-4488-a77d-d66ded0d4d3c_
Content-Type: text/plain; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable


In case anyone's interested. I've taken the plunge with EnergyXT and I musi=
t say I'm delighted with it.=20
I can now run a number of instances of XT with different tempi as VST plugi=
ns within audiomulch giving me massive midi capability.  It allows me to cr=
oss fade between compltetely differnt pieces easily. It lends itself very n=
icely to midi control of playback etc and it's very stable despite me throw=
ing all I can at it. Changing loop lengths crazily etc. I've hardly looked =
at the manual too - very intuitive..

G


From: HDean@wcupa.edu
To: loopers-delight@loopers-delight.com
Date: Mon=2C 8 Feb 2010 08:36:23 -0500
Subject: RE: Energy XT anyone?



















Just yesterday I looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.

=20

The potential use of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.

=20



Hal=20

=20



=20





From: Gareth Whittock
[mailto:buddhamachine@live.co.uk]=20

Sent: Sunday=2C February 07=2C 2010 4:48 PM

To: loopers-delight@loopers-delight.com

Subject: Energy XT anyone?





=20

Hey guys=2C=20

Is anyone here using energy XT as part of their laptop looping rig?

peace



G







Date: Sat=2C 6 Feb 2010 16:16:58 -0800

From: unstrungone@yahoo.com

Subject: MPX4 and RjDj

To: Loopers-Delight@loopers-delight.com





Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4.=20





=20





But
two questions come to mind:





=20





As
a musician=2C what do you think about them?

As a music listener=2C what do you think about them?





=20





Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.





=20





What
do you think?





=20





About
MPX4 - http://www.mxp4.com/





About
RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA
and http://more.rjdj.me/what/





=20





=20







Do
you want a Hotmail account? Sign-up
now - Free

 		 	   		 =20
_________________________________________________________________
Send us your Hotmail stories and be featured in our newsletter
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_eef5a5bf-c54d-4488-a77d-d66ded0d4d3c_
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</head>
<body class=3D'hmmessage'>
In case anyone's interested. I've taken the plunge with EnergyXT and I musi=
t say I'm delighted with it. <br>I can now run a number of instances of XT =
with different tempi as VST plugins within audiomulch giving me massive mid=
i capability.&nbsp=3B It allows me to cross fade between compltetely differ=
nt pieces easily. It lends itself very nicely to midi control of playback e=
tc and it's very stable despite me throwing all I can at it. Changing loop =
lengths crazily etc. I've hardly looked at the manual too - very intuitive.=
.<br><br>G<br><br><br><hr id=3D"stopSpelling">From: HDean@wcupa.edu<br>To: =
loopers-delight@loopers-delight.com<br>Date: Mon=2C 8 Feb 2010 08:36:23 -05=
00<br>Subject: RE: Energy XT anyone?<br><br>







<style>
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<div class=3D"ecxSection1">

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">Just yesterday I =
looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.</span></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">The potential use=
 of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.</span><=
/p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<div>

<p class=3D"ecxMsoNormal"><i><span style=3D"font-size: 11pt=3B font-family:=
 'Palatino Linotype'=2C'serif'=3B color: rgb(31=2C 73=2C 125)=3B">Hal </spa=
n></i></p>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'P=
alatino Linotype'=2C'serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</sp=
an></p>

</div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 11pt=3B font-family: 'C=
alibri'=2C'sans-serif'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span></=
p>

<div>

<div style=3D"border-style: solid none none=3B border-color: rgb(181=2C 196=
=2C 223) -moz-use-text-color -moz-use-text-color=3B border-width: 1pt mediu=
m medium=3B padding: 3pt 0in 0in=3B">

<p class=3D"ecxMsoNormal"><b><span style=3D"font-size: 10pt=3B font-family:=
 'Tahoma'=2C'sans-serif'=3B">From:</span></b><span style=3D"font-size: 10pt=
=3B font-family: 'Tahoma'=2C'sans-serif'=3B"> Gareth Whittock
[mailto:buddhamachine@live.co.uk] <br>
<b>Sent:</b> Sunday=2C February 07=2C 2010 4:48 PM<br>
<b>To:</b> loopers-delight@loopers-delight.com<br>
<b>Subject:</b> Energy XT anyone?</span></p>

</div>

</div>

<p class=3D"ecxMsoNormal">&nbsp=3B</p>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">Hey guys=2C <br=
>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G</span></p>

<div class=3D"ecxMsoNormal" style=3D"text-align: center=3B" align=3D"center=
"><span style=3D"font-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=
=3B">

<hr id=3D"ecxstopSpelling" width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">Date: Sat=2C 6 =
Feb 2010 16:16:58 -0800<br>
From: unstrungone@yahoo.com<br>
Subject: MPX4 and RjDj<br>
To: Loopers-Delight@loopers-delight.com</span></p>

<div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4. </span=
></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">But
two questions come to mind:</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">As
a musician=2C what do you think about them?<br>
As a music listener=2C what do you think about them?</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">What
do you think?</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">About
MPX4 - <a href=3D"http://www.mxp4.com/">http://www.mxp4.com/</a></span></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA">http://www.=
youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/">http://more.rjdj.me/what/</a></sp=
an></p>

</div>

<div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'A=
rial'=2C'sans-serif'=3B">&nbsp=3B</span></p>

</div>

</div>

<p class=3D"ecxMsoNormal" style=3D"margin-bottom: 12pt=3B"><span style=3D"f=
ont-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=3B">&nbsp=3B</span>=
</p>

<div class=3D"ecxMsoNormal" style=3D"text-align: center=3B" align=3D"center=
"><span style=3D"font-size: 10pt=3B font-family: 'Verdana'=2C'sans-serif'=
=3B">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p class=3D"ecxMsoNormal"><span style=3D"font-size: 10pt=3B font-family: 'V=
erdana'=2C'sans-serif'=3B">Do
you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722228=
0/direct/01/">Sign-up
now - Free</a></span></p>

</div> 		 	   		  <br /><hr />Do you have a story that started on Hotmail? =
<a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=3D'_new=
'>Tell us now</a></body>
</html>=

--_eef5a5bf-c54d-4488-a77d-d66ded0d4d3c_--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 10:37:58 2010
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Date: Sat, 13 Feb 2010 11:37:56 +0100
Message-ID: <afb941d1002130237x6d447db3x2970c85b01b9f9b4@mail.gmail.com>
Subject: Re: Energy XT anyone?
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7ee57265168047f78faa3
Content-Type: text/plain; charset=windows-1252
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hi gareth,

energy xt in vst form is not compiled for osx, only windows, isn't?
i might have read that somewhere ...

i arrived to a similar port with thesys, a kind of step sequencer in
steroids.

ra=FCl.

2010/2/13 Gareth Whittock <buddhamachine@live.co.uk>

>  In case anyone's interested. I've taken the plunge with EnergyXT and I
> musit say I'm delighted with it.
> I can now run a number of instances of XT with different tempi as VST
> plugins within audiomulch giving me massive midi capability.  It allows m=
e
> to cross fade between compltetely differnt pieces easily. It lends itself
> very nicely to midi control of playback etc and it's very stable despite =
me
> throwing all I can at it. Changing loop lengths crazily etc. I've hardly
> looked at the manual too - very intuitive..
>
>
> G
>
>
> ------------------------------
> From: HDean@wcupa.edu
> To: loopers-delight@loopers-delight.com
> Date: Mon, 8 Feb 2010 08:36:23 -0500
> Subject: RE: Energy XT anyone?
>
>  Just yesterday I looked again at using it as a VST in Bidule to play
> loops of CCs, which would be sent to VST instruments and effects. However=
, I
> have to say that I find the program really clumsy. Also, it does not pres=
ent
> transport controls to the host, so it seemed impossible to use selectivel=
y
> except via switching from processing to bypass. But I may decide that is
> acceptable, in which case my plan as of last night was to create the cc
> files in Cubase and then load them in EnergyXT.
>
>
>
> The potential use of the program for playing MIDI files, in my case solel=
y
> for ccs, is the only purpose I=92ve ever had in mind.
>
>
>
> *Hal *
>
>
>
>
>
> *From:* Gareth Whittock [mailto:buddhamachine@live.co.uk]
> *Sent:* Sunday, February 07, 2010 4:48 PM
> *To:* loopers-delight@loopers-delight.com
> *Subject:* Energy XT anyone?
>
>
>
> Hey guys,
> Is anyone here using energy XT as part of their laptop looping rig?
> peace
>
> G
>  ------------------------------
>
> Date: Sat, 6 Feb 2010 16:16:58 -0800
> From: unstrungone@yahoo.com
> Subject: MPX4 and RjDj
> To: Loopers-Delight@loopers-delight.com
>
> Two new technologies I've come across allow music listening to be more of
> an 'active' rather than a passive listening experience - RjDj and MXP4.
>
>
>
> But two questions come to mind:
>
>
>
> As a musician, what do you think about them?
> As a music listener, what do you think about them?
>
>
>
> Personally, I'm intregued by the possibilities. If I was a 14 year old ki=
d
> today, I'd be all over this stuff. But, something special about the
> uniqueness of a mix is surely lost.
>
>
>
> What do you think?
>
>
>
> About MPX4 - http://www.mxp4.com/
>
> About RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA and
> http://more.rjdj.me/what/
>
>
>
>
>  ------------------------------
>
> Do you want a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UK=
M/go/197222280/direct/01/>
>
> ------------------------------
> Do you have a story that started on Hotmail? Tell us now<http://clk.atdmt=
.com/UKM/go/195013117/direct/01/>
>



--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d7ee57265168047f78faa3
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

hi gareth,<br><br>energy xt in vst form is not compiled for osx, only windo=
ws, isn&#39;t?<br>i might have read that somewhere ...<br><br>i arrived to =
a similar port with thesys, a kind of step sequencer in steroids.<br><br>
ra=FCl.<br><br><div class=3D"gmail_quote">2010/2/13 Gareth Whittock <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@li=
ve.co.uk</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">




<div>
In case anyone&#39;s interested. I&#39;ve taken the plunge with EnergyXT an=
d I musit say I&#39;m delighted with it. <br>I can now run a number of inst=
ances of XT with different tempi as VST plugins within audiomulch giving me=
 massive midi capability.=A0 It allows me to cross fade between compltetely=
 differnt pieces easily. It lends itself very nicely to midi control of pla=
yback etc and it&#39;s very stable despite me throwing all I can at it. Cha=
nging loop lengths crazily etc. I&#39;ve hardly looked at the manual too - =
very intuitive..<div class=3D"im">
<br><br>G<br><br><br><hr>From: <a href=3D"mailto:HDean@wcupa.edu" target=3D=
"_blank">HDean@wcupa.edu</a><br></div><div class=3D"im">To: <a href=3D"mail=
to:loopers-delight@loopers-delight.com" target=3D"_blank">loopers-delight@l=
oopers-delight.com</a><br>
</div><div class=3D"im">Date: Mon, 8 Feb 2010 08:36:23 -0500<br>Subject: RE=
: Energy XT anyone?<br><br>















</div><div><div></div><div class=3D"h5"><div>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">Just yesterday=
 I looked again at using it as a VST in Bidule to
play loops of CCs, which would be sent to VST instruments and effects. Howe=
ver,
I have to say that I find the program really clumsy. Also, it does not pres=
ent
transport controls to the host, so it seemed impossible to use selectively =
except
via switching from processing to bypass. But I may decide that is acceptabl=
e,
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">The potential =
use of the program for playing MIDI files, in my
case solely for ccs, is the only purpose I=92ve ever had in mind.</span></p=
>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<div>

<p><i><span style=3D"font-size: 11pt; font-family: &#39;Palatino Linotype&#=
39;,&#39;serif&#39;; color: rgb(31, 73, 125);">Hal </span></i></p>

<p><span style=3D"font-size: 11pt; font-family: &#39;Palatino Linotype&#39;=
,&#39;serif&#39;; color: rgb(31, 73, 125);">=A0</span></p>

</div>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<div>

<div style=3D"border-style: solid none none; border-color: rgb(181, 196, 22=
3) -moz-use-text-color -moz-use-text-color; border-width: 1pt medium medium=
; padding: 3pt 0in 0in;">

<p><b><span style=3D"font-size: 10pt;">From:</span></b><span style=3D"font-=
size: 10pt;"> Gareth Whittock
[mailto:<a href=3D"mailto:buddhamachine@live.co.uk" target=3D"_blank">buddh=
amachine@live.co.uk</a>] <br>
<b>Sent:</b> Sunday, February 07, 2010 4:48 PM<br>
<b>To:</b> <a href=3D"mailto:loopers-delight@loopers-delight.com" target=3D=
"_blank">loopers-delight@loopers-delight.com</a><br>
<b>Subject:</b> Energy XT anyone?</span></p>

</div>

</div>

<p>=A0</p>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">Hey guys=
, <br>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G</span></p>

<div style=3D"text-align: center;" align=3D"center"><span style=3D"font-siz=
e: 10pt;">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">Date: Sa=
t, 6 Feb 2010 16:16:58 -0800<br>
From: <a href=3D"mailto:unstrungone@yahoo.com" target=3D"_blank">unstrungon=
e@yahoo.com</a><br>
Subject: MPX4 and RjDj<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a></span></p>

<div>

<div>

<p><span style=3D"font-size: 10pt;">Two
new technologies I&#39;ve come across allow music listening to be more of a=
n
&#39;active&#39; rather than a passive listening experience - RjDj and MXP4=
. </span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">But
two questions come to mind:</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">As
a musician, what do you think about them?<br>
As a music listener, what do you think about them?</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">Personally,
I&#39;m intregued by the possibilities. If I was a 14 year old kid today, I=
&#39;d be
all over this stuff. But, something special about the uniqueness of a mix i=
s
surely lost.</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">What
do you think?</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">About
MPX4 - <a href=3D"http://www.mxp4.com/" target=3D"_blank">http://www.mxp4.c=
om/</a></span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA" target=3D"_=
blank">http://www.youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/" target=3D"_blank">http://more.rjd=
j.me/what/</a></span></p>

</div>

<div>

<p><span style=3D"font-size: 10pt;">=A0</span></p>

</div>

</div>

<p style=3D"margin-bottom: 12pt;"><span style=3D"font-size: 10pt;">=A0</spa=
n></p>

<div style=3D"text-align: center;" align=3D"center"><span style=3D"font-siz=
e: 10pt;">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p><span style=3D"font-size: 10pt;">Do
you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722228=
0/direct/01/" target=3D"_blank">Sign-up
now - Free</a></span></p>

</div> 		 	   		  <br></div></div><hr>Do you have a story that started on H=
otmail? <a href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" target=
=3D"_blank">Tell us now</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger:=
 <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com<=
/a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http=
://www.ct-collective.com</a><br>
<br>

--0016e6d7ee57265168047f78faa3--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 11:51:39 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Energy XT anyone?
Date: Sat, 13 Feb 2010 11:51:39 +0000
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Content-Type: text/plain; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable


Hi Raul=2C=20
EnergyXt is windows=2Cmac and linux. Another good feature is that you can p=
op it onto a memory stick and carry the whole program with data around with=
 you to run on othr peoples machines - cool feature. It loads incredibly qu=
ickly too. I'm actually thinking of dumping Cubase as a platform for record=
ed compositions in favour of XT. The developers are quick to respond to use=
rs requests too..

Peace

G

Date: Sat=2C 13 Feb 2010 11:37:56 +0100
Subject: Re: Energy XT anyone?
From: raul.bonell@gmail.com
To: Loopers-Delight@loopers-delight.com

hi gareth=2C

energy xt in vst form is not compiled for osx=2C only windows=2C isn't?
i might have read that somewhere ...

i arrived to a similar port with thesys=2C a kind of step sequencer in ster=
oids.


ra=FCl.

2010/2/13 Gareth Whittock <buddhamachine@live.co.uk>






In case anyone's interested. I've taken the plunge with EnergyXT and I musi=
t say I'm delighted with it.=20
I can now run a number of instances of XT with different tempi as VST plugi=
ns within audiomulch giving me massive midi capability.  It allows me to cr=
oss fade between compltetely differnt pieces easily. It lends itself very n=
icely to midi control of playback etc and it's very stable despite me throw=
ing all I can at it. Changing loop lengths crazily etc. I've hardly looked =
at the manual too - very intuitive..


G


From: HDean@wcupa.edu
To: loopers-delight@loopers-delight.com

Date: Mon=2C 8 Feb 2010 08:36:23 -0500
Subject: RE: Energy XT anyone?



















Just yesterday I looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.


=20


The potential use of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.


=20




Hal=20


=20




=20






From: Gareth Whittock
[mailto:buddhamachine@live.co.uk]=20

Sent: Sunday=2C February 07=2C 2010 4:48 PM

To: loopers-delight@loopers-delight.com

Subject: Energy XT anyone?






=20


Hey guys=2C=20

Is anyone here using energy XT as part of their laptop looping rig?

peace



G







Date: Sat=2C 6 Feb 2010 16:16:58 -0800

From: unstrungone@yahoo.com

Subject: MPX4 and RjDj

To: Loopers-Delight@loopers-delight.com





Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4.=20






=20






But
two questions come to mind:






=20






As
a musician=2C what do you think about them?

As a music listener=2C what do you think about them?






=20






Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.






=20






What
do you think?






=20






About
MPX4 - http://www.mxp4.com/






About
RjDj - http://www.youtube.com/watch?v=3D0fxQFly1BQA
and http://more.rjdj.me/what/






=20






=20







Do
you want a Hotmail account? Sign-up
now - Free


 		 	   		 =20
Do you have a story that started on Hotmail? Tell us now


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com


 		 	   		 =20
_________________________________________________________________
Do you have a story that started on Hotmail? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

--_bbe1f01a-977c-4104-9e7e-cb32fe2ca364_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Hi Raul=2C <br>EnergyXt is windows=2Cmac and linux. Another good feature is=
 that you can pop it onto a memory stick and carry the whole program with d=
ata around with you to run on othr peoples machines - cool feature. It load=
s incredibly quickly too. I'm actually thinking of dumping Cubase as a plat=
form for recorded compositions in favour of XT. The developers are quick to=
 respond to users requests too..<br><br>Peace<br><br>G<br><br><hr id=3D"sto=
pSpelling">Date: Sat=2C 13 Feb 2010 11:37:56 +0100<br>Subject: Re: Energy X=
T anyone?<br>From: raul.bonell@gmail.com<br>To: Loopers-Delight@loopers-del=
ight.com<br><br>hi gareth=2C<br><br>energy xt in vst form is not compiled f=
or osx=2C only windows=2C isn't?<br>i might have read that somewhere ...<br=
><br>i arrived to a similar port with thesys=2C a kind of step sequencer in=
 steroids.<br><br>
ra=FCl.<br><br><div class=3D"ecxgmail_quote">2010/2/13 Gareth Whittock <spa=
n dir=3D"ltr">&lt=3B<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachi=
ne@live.co.uk</a>&gt=3B</span><br><blockquote class=3D"ecxgmail_quote" styl=
e=3D"padding-left: 1ex=3B">




<div>
In case anyone's interested. I've taken the plunge with EnergyXT and I musi=
t say I'm delighted with it. <br>I can now run a number of instances of XT =
with different tempi as VST plugins within audiomulch giving me massive mid=
i capability.&nbsp=3B It allows me to cross fade between compltetely differ=
nt pieces easily. It lends itself very nicely to midi control of playback e=
tc and it's very stable despite me throwing all I can at it. Changing loop =
lengths crazily etc. I've hardly looked at the manual too - very intuitive.=
.<div class=3D"ecxim">
<br><br>G<br><br><br><hr>From: <a href=3D"mailto:HDean@wcupa.edu">HDean@wcu=
pa.edu</a><br></div><div class=3D"ecxim">To: <a href=3D"mailto:loopers-deli=
ght@loopers-delight.com">loopers-delight@loopers-delight.com</a><br>
</div><div class=3D"ecxim">Date: Mon=2C 8 Feb 2010 08:36:23 -0500<br>Subjec=
t: RE: Energy XT anyone?<br><br>















</div><div><div></div><div class=3D"h5"><div>

<span style=3D"font-size: 11pt=3B color: rgb(31=2C 73=2C 125)=3B">Just yest=
erday I looked again at using it as a VST in Bidule to
play loops of CCs=2C which would be sent to VST instruments and effects. Ho=
wever=2C
I have to say that I find the program really clumsy. Also=2C it does not pr=
esent
transport controls to the host=2C so it seemed impossible to use selectivel=
y except
via switching from processing to bypass. But I may decide that is acceptabl=
e=2C
in which case my plan as of last night was to create the cc files in Cubase=
 and
then load them in EnergyXT.</span><BR>

<span style=3D"font-size: 11pt=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B<=
/span><BR>

<span style=3D"font-size: 11pt=3B color: rgb(31=2C 73=2C 125)=3B">The poten=
tial use of the program for playing MIDI files=2C in my
case solely for ccs=2C is the only purpose I=92ve ever had in mind.</span><=
BR>

<span style=3D"font-size: 11pt=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B<=
/span><BR>

<div>

<i><span style=3D"font-size: 11pt=3B font-family: 'Palatino Linotype'=2C'se=
rif'=3B color: rgb(31=2C 73=2C 125)=3B">Hal </span></i><BR>

<span style=3D"font-size: 11pt=3B font-family: 'Palatino Linotype'=2C'serif=
'=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B</span><BR>

</div>

<span style=3D"font-size: 11pt=3B color: rgb(31=2C 73=2C 125)=3B">&nbsp=3B<=
/span><BR>

<div>

<div style=3D"border-style: solid none none=3B border-color: rgb(181=2C 196=
=2C 223) -moz-use-text-color -moz-use-text-color=3B border-width: 1pt mediu=
m medium=3B padding: 3pt 0in 0in=3B">

<b><span style=3D"font-size: 10pt=3B">From:</span></b><span style=3D"font-s=
ize: 10pt=3B"> Gareth Whittock
[mailto:<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.u=
k</a>] <br>
<b>Sent:</b> Sunday=2C February 07=2C 2010 4:48 PM<br>
<b>To:</b> <a href=3D"mailto:loopers-delight@loopers-delight.com">loopers-d=
elight@loopers-delight.com</a><br>
<b>Subject:</b> Energy XT anyone?</span><BR>

</div>

</div>

&nbsp=3B<BR>

<p style=3D"margin-bottom: 12pt=3B"><span style=3D"font-size: 10pt=3B">Hey =
guys=2C <br>
Is anyone here using energy XT as part of their laptop looping rig?<br>
peace<br>
<br>
G</span></p>

<div style=3D"text-align: center=3B" align=3D"center"><span style=3D"font-s=
ize: 10pt=3B">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<p style=3D"margin-bottom: 12pt=3B"><span style=3D"font-size: 10pt=3B">Date=
: Sat=2C 6 Feb 2010 16:16:58 -0800<br>
From: <a href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a><br=
>
Subject: MPX4 and RjDj<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a></span></p>

<div>

<div>

<span style=3D"font-size: 10pt=3B">Two
new technologies I've come across allow music listening to be more of an
'active' rather than a passive listening experience - RjDj and MXP4. </span=
><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">But
two questions come to mind:</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">As
a musician=2C what do you think about them?<br>
As a music listener=2C what do you think about them?</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">Personally=2C
I'm intregued by the possibilities. If I was a 14 year old kid today=2C I'd=
 be
all over this stuff. But=2C something special about the uniqueness of a mix=
 is
surely lost.</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">What
do you think?</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">About
MPX4 - <a href=3D"http://www.mxp4.com/">http://www.mxp4.com/</a></span><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">About
RjDj - <a href=3D"http://www.youtube.com/watch?v=3D0fxQFly1BQA">http://www.=
youtube.com/watch?v=3D0fxQFly1BQA</a>
and <a href=3D"http://more.rjdj.me/what/">http://more.rjdj.me/what/</a></sp=
an><BR>

</div>

<div>

<span style=3D"font-size: 10pt=3B">&nbsp=3B</span><BR>

</div>

</div>

<p style=3D"margin-bottom: 12pt=3B"><span style=3D"font-size: 10pt=3B">&nbs=
p=3B</span></p>

<div style=3D"text-align: center=3B" align=3D"center"><span style=3D"font-s=
ize: 10pt=3B">

<hr width=3D"100%" align=3D"center" size=3D"2">

</span></div>

<span style=3D"font-size: 10pt=3B">Do
you want a Hotmail account? <a href=3D"http://clk.atdmt.com/UKM/go/19722228=
0/direct/01/">Sign-up
now - Free</a></span><BR>

</div> 		 	   		  <br></div></div><hr>Do you have a story that started on H=
otmail? <a href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/">Tell u=
s now</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger:=
 <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com<=
/a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http=
://www.ct-collective.com</a><br>
<br> 		 	   		  <br /><hr />Do you want a Hotmail account? <a href=3D'http:=
//clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>Sign-up now - =
Free</a></body>
</html>=

--_bbe1f01a-977c-4104-9e7e-cb32fe2ca364_--

From richardeze@lawyer.com  Sat Feb 13 12:01:46 2010
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Date: Fri, 12 Feb 2010 14:18:30 -0000 (GMT)
Subject: Dear Sir/Madam
From: "Richard Eze" <richardeze@lawyer.com>
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Dear Sir/Madam

I am Richard Eze a solicitor at law. I am the Personal Attorney to
Mr.James Kim, a National of your Country, who has lived in Nigeria for
the past fifty years, and whom here in after shall be referred to as my
client. In April 2002, my client was involved in a fatal car accident
along Lagos/shagamu express road.
All occupants of the vehicle unfortunately lost their lives; my client
was one of them.

I have contacted you to assist in repatriating most especially, the money
left behind by my client before they get confiscated or declared
unserviceable by the bank where this huge deposits were lodged.
Particularly, EcoBank Nigeria Plc,where the deceased had an account
valued at about $14.7 million dollars, his bank has issued me a notice to
provide the Next of kin, or have the account confiscated.

I seek your consent to present you as the Next of kin of the deceased
since you have the same surname with him so that the proceeds of this
account valued at $14.7 million dollars can be paid to you as my
clientsNext of Kin, and then we can share the amount on a mutual agreed
percentage.
All legal documents to back up your claim as the deceased Next of Kin
will be provided by me since I am his personal attorney,all I require is
your honest cooperation to enable us see this deal through. I guarantee
you that this transaction will be executed under a legitimate arrangement
that will protect you from any breach of the law.
Please get in touch with me, For further correspondence along with the
following information:

1. Your Full Name:
2. Your Contact Cell Phone Number:
3. Your Age:
4. Your Sex/Status:
5. Your Occupations:
6. Your Country and City:
7. Your Full Home/Office Address:.
Warmest Regards,
Richard Eze


From anonymous@u15354108.onlinehome-server.com  Sat Feb 13 13:44:41 2010
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To: looparc@loopers-delight.com
Subject: GOOD NEWS TO YOU
From: Mr.Austin Peterson <fastworld20@yahoo.com.hk>
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MIME-Version: 1.0
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Dear Beneficiary 

This is an official notification of (US$7.5M) Seven Million, Five Hundred Thousand United States Dollars deposited in your name.A benefactor whose identity can not be disclosed till we received the following information from you to enable us confirm that we are dealing with the right person. 


Do provide the following information to enable us confirm with the one we have on our database to ensure that we are dealing with the right person to aviod impersonators.Send the needed information to the dispatch personnel to enable us dispatch a diplomat with your luggage as sealed to your receiving address immediately. 


Your full name: 
Your direct phone number: 
Your receiving address: 
Your occupation: 
Your sex: 
Your age: 


Contact Head of Dispatch for more details: 
Head Of Dispatch:Rev.Smith Paul 
Company Name:World Fast Security Services
E-Mail:fastworld20@yahoo.com.hk 
Phone:44-7024057919 

Note:The delivery fee of this luggage has been paid for by the depositor.

Yours faithfully. 

Mr Austin Peterson 



From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 14:05:23 2010
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Date: Sat, 13 Feb 2010 06:05:20 -0800
From: Rick Walker <looppool@cruzio.com>
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT   best powered nearfield monitors sub $500 and sub $1,000
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I'm curious if there are any killer choices for powered near field 
monitors in the
sub $500 range  (that is, a piece)  for serious album mixing in a home 
studio.

How about in the sub $1000 range?


From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 14:23:35 2010
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Date: Sat, 13 Feb 2010 15:23:31 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: OT   best powered nearfield monitors sub $500 and sub $1,000
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Rick Walker schrieb:
> I'm curious if there are any killer choices for powered near field 
> monitors in the
> sub $500 range  (that is, a piece)  for serious album mixing in a home 
> studio.
>
> How about in the sub $1000 range?
Speakers are always a somewhat subjective choice. My personal killer 
choice would be the Dynaudio BM5A (which musiciansfriend lists at $499).

Their biggest disadvantage may be that for very long listening sessions 
at elevated volume levels (say, the AES-specified 83db SPL), several 
people claim that listening fatigue is a bigger problem than with the 
direct competitors, the Genelecs (don't know the exact model #).

Interestingly, to me (and I've confirmed that in discussion with several 
other people), the BM5A sounds better than the more expensive BM6A.

Note that they rollof below 50Hz (as all nearfields do), so for proper 
mixing/mastering with material with lots of very low frequency content, 
a subwoofer is advisable (Dynaudio makes one that is matched to that pair).

Are you contemplating that for your personal use, or for another client?

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Sat, 13 Feb 2010 14:42:22 +0000
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Subject: Re: OT best powered nearfield monitors sub $500 and sub $1,000
From: Mark McGlinchey <markmcglinchey@gmail.com>
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I really like my Adam A7s.

On Sat, Feb 13, 2010 at 2:23 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Rick Walker schrieb:
>>
>> I'm curious if there are any killer choices for powered near field
>> monitors in the
>> sub $500 range =A0(that is, a piece) =A0for serious album mixing in a ho=
me
>> studio.
>>
>> How about in the sub $1000 range?
>
> Speakers are always a somewhat subjective choice. My personal killer choi=
ce
> would be the Dynaudio BM5A (which musiciansfriend lists at $499).
>
> Their biggest disadvantage may be that for very long listening sessions a=
t
> elevated volume levels (say, the AES-specified 83db SPL), several people
> claim that listening fatigue is a bigger problem than with the direct
> competitors, the Genelecs (don't know the exact model #).
>
> Interestingly, to me (and I've confirmed that in discussion with several
> other people), the BM5A sounds better than the more expensive BM6A.
>
> Note that they rollof below 50Hz (as all nearfields do), so for proper
> mixing/mastering with material with lots of very low frequency content, a
> subwoofer is advisable (Dynaudio makes one that is matched to that pair).
>
> Are you contemplating that for your personal use, or for another client?
>
> Yours,
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 14:52:42 2010
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Date: Sat, 13 Feb 2010 06:52:41 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: OT   best powered nearfield monitors sub $500 and sub $1,000
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I will second that, the BM5A are great and I disagree about fatigue.  I find the Genelec fatigue enducing because the sound is processed. 
Another choice is PMC but they are expensive.
Antony Hequet

Sent from my iPhone

On Feb 13, 2010, at 3:23 PM, Rainer Straschill <moinsound@googlemail.com> wrote:

Rick Walker schrieb:
I'm curious if there are any killer choices for powered near field monitors in the
sub $500 range  (that is, a piece)  for serious album mixing in a home studio.

How about in the sub $1000 range?
Speakers are always a somewhat subjective choice. My personal killer choice would be the Dynaudio BM5A (which musiciansfriend lists at $499).

Their biggest disadvantage may be that for very long listening sessions at elevated volume levels (say, the AES-specified 83db SPL), several people claim that listening fatigue is a bigger problem than with the direct competitors, the Genelecs (don't know the exact model #).

Interestingly, to me (and I've confirmed that in discussion with several other people), the BM5A sounds better than the more expensive BM6A.

Note that they rollof below 50Hz (as all nearfields do), so for proper mixing/mastering with material with lots of very low frequency content, a subwoofer is advisable (Dynaudio makes one that is matched to that pair).

Are you contemplating that for your personal use, or for another client?

Yours,

        Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs




      

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 15:40:38 2010
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Date: Sat, 13 Feb 2010 16:40:37 +0100
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Subject: Re: OT best powered nearfield monitors sub $500 and sub $1,000
From: Per Boysen <perboysen@gmail.com>
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On Sat, Feb 13, 2010 at 3:05 PM, Rick Walker <looppool@cruzio.com> wrote:
> I'm curious if there are any killer choices for powered near field monito=
rs
> in the
> sub $500 range =C2=A0(that is, a piece) =C2=A0for serious album mixing in=
 a home
> studio.


I'm not very good at "prices" but I am very pleased with my Genelec
8030A's. The often win tests in mags. You need a sub as well to mix
and a room with good acoustics to put them in. Rainers suggested
Dynaudio is also known as a good choice.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 15:43:56 2010
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Date: Sat, 13 Feb 2010 10:42:57 -0500
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Subject: Re: OT best powered nearfield monitors sub $500 and sub $1,000
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+1 on the Adam A7 (and the A5)  I've heard them both and they are 
quite good....  the Event Opals are getting a bit of a buzz these 
days, too...

>I really like my Adam A7s.
>
>On Sat, Feb 13, 2010 at 2:23 PM, Rainer Straschill
><moinsound@googlemail.com> wrote:
>>  Rick Walker schrieb:
>>>
>>>  I'm curious if there are any killer choices for powered near field
>>>  monitors in the
>>>  sub $500 range  (that is, a piece)  for serious album mixing in a home
>>>  studio.
>>>
>>>  How about in the sub $1000 range?
>>
>>  Speakers are always a somewhat subjective choice. My personal killer choice
>>  would be the Dynaudio BM5A (which musiciansfriend lists at $499).
>>
>>  Their biggest disadvantage may be that for very long listening sessions at
>>  elevated volume levels (say, the AES-specified 83db SPL), several people
>>  claim that listening fatigue is a bigger problem than with the direct
>>  competitors, the Genelecs (don't know the exact model #).
>>
>>  Interestingly, to me (and I've confirmed that in discussion with several
>>  other people), the BM5A sounds better than the more expensive BM6A.
>>
>>  Note that they rollof below 50Hz (as all nearfields do), so for proper
>>  mixing/mastering with material with lots of very low frequency content, a
>>  subwoofer is advisable (Dynaudio makes one that is matched to that pair).
>>
>>  Are you contemplating that for your personal use, or for another client?
>>
>>  Yours,
>>
>>          Rainer
>>
>>  --
>>  http://moinlabs.de
>>  Follow me on twitter: http://twitter.com/moinlabs
>>
>>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 15:44:54 2010
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hi Rick,
well...you could always check out the ones Bill uses ;-)

You couldn't go much wrong by just getting the biggest Genelecs
you can afford.


That's a rather small budget for serious speakers.
What'll make a lot of difference is if you spend a lot
of time listening to music you like on whatever speakers
before starting to rely on them.



I'd wouldn't recommend a sub, as I'm guessing you've
got zero budget for acoustic treatment of your room,
...and in any case good subs are *very* pricey,
while a bad one won't help you at all.


andy

Rick Walker wrote:
> I'm curious if there are any killer choices for powered near field 
> monitors in the
> sub $500 range  (that is, a piece)  for serious album mixing in a home 
> studio.
> 
> How about in the sub $1000 range?
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 15:50:52 2010
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	 <d302e3571002121557v4905c6abtf812e21bbceeeadf@mail.gmail.com>
Date: Sat, 13 Feb 2010 16:50:50 +0100
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Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Per Boysen <perboysen@gmail.com>
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On Sat, Feb 13, 2010 at 12:57 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> fantastic


I too dig this album!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 16:00:43 2010
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Date: Sat, 13 Feb 2010 12:00:43 -0400 (AST)
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for 
     New  York
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Sjaak,

You just got your first sale from Barbados.
Looking forward to hearing it.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Fri, February 12, 2010 7:34 pm, Sjaak Overgaauw wrote:
> Hi all,
> I'm happy to announce that "59 airplanes waiting for New York" is now
> available from the Premonition Factory store
> http://premonitionfactory.com/ All tracks have been recorded in one
> take with my live looping setup, so no overdubs, no editing. The
> credits say
>
> "Thanks to all my friends@Loopers-Delight"
>
> This is my way to thank all the people I know of this wonderful
> community, my partner Ingrid, Andrew Ostler for creating the fantastic
> Expert Sleepers plugins and Dirk Serries for his advice and guidance
> during the project. Keep on looping, I hope you will enjoy the album.
>
> PS  You can listen to full previews of 3 of 6 tracks in total on
> http://www.last.fm/music/Premonition+Factory and
> http://www.myspace.com/premonitionfactory
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>





From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 16:05:49 2010
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Date: Sat, 13 Feb 2010 12:05:49 -0400 (AST)
Subject: Re: OT   SF gig spam   William Taylor Prichard Trio with Stu Hamm 
     - bass and Rick Walker - drumset
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Congrats Rick,

Wish I could be there to hear you guys.
Sounds like a really great combination.
Interested in hearing your glitch pedal.
Have a good one.

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sat, February 13, 2010 1:56 am, Rick Walker wrote:
> Wow!  I'm stoked that I just booked a trio gig with
> our own live looper,   William Taylor Prichard on guitar
> and the venerable Stu Hamm on bass.
>
> We're playing Bill's music (he just performed at the Y2K9 Loopfestival)
> at the ROCKET ROOM in San FRANCISCO (Clement Street).
> The gig is from 9 to 10 p.m.
>
> I hope some of you SF/Bay Area loopers can make it to the gig.
> I don't think there will be a lot of live looping but it should be
> pretty fun, anyway.
>
> I'm very stoked and honored to be asked to do the gig.
>
>
>





From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 19:05:02 2010
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	 <9ea2f30b1002031102u1811c24bu7871ac5b5b0f4b1f@mail.gmail.com>
Date: Sat, 13 Feb 2010 14:05:01 -0500
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Subject: Re: a great iphone looper [thumbjam]
From: Jesse Chappell <essejlc@gmail.com>
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I'm glad some of you finally found ThumbJam, I posted an announcement
here when it first came out but it was met with crickets :)

The next version will be coming out soon which includes
interoperability with other apps via Sonoma's AudioCopy/Paste and
BeatMaker's pasteboard.  It also lets you more easily create your own
instruments by sampling them onboard or importing them from your own
files via WiFi.  Import and export of loops to start from was already
there.

Some people have requested being able to live-loop from the microphone
(vs. just the instruments) and this was a feature long in the
pre-release version.  But when Apple released the iphone OS 3.x
something in it changed the low-latency performance when in the
full-duplex audio mode and it was no longer usable at the buffer sizes
I demanded for good instrument playability (256 sample buffers at
44100, eg: 5-10 ms).  I'm hoping to revive it sometime in the near
future.

The next version will also feature some new instrument samples
provided by Jordan Rudess (keyboardist from Dream Theater), who is a
big iphone music app supporter.

jlc

On Wed, Feb 3, 2010 at 2:02 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I thumped and bowed some bass samples for thumb jam. It's soooo much fun =
to
> play. Especially the theremin:)
> Todd Matthews
>
> On Wed, Feb 3, 2010 at 6:34 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com>
> wrote:
>>
>> Da:=A0Zoe Keating <info@zoekeating.com>
>> Data:=A003 febbraio 2010 05.55.01 GMT+01.00
>> A:=A0Loopers-Delight@loopers-delight.com
>> Oggetto:=A0Re: a great iphone looper [thumbjam]
>>
>>
>> and all the cello samples in there are me ;-)
>>
>> the very first sound I tried with Thumb Jam was the cello, and it is
>> absolutely amazing
>> I studied cello just one year when I was a kid.... still in love with
>> that.
>> If only at the Conservatory of Milan they'd know how to teach it to a ki=
d
>> (and my teacher was the first cello of La Scala in that period...).
>> Greetings from a long time lurker of your music, Zoe .)
>> b:k
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 19:36:40 2010
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	 <27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>
	 <27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>
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	 <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl>
Date: Sat, 13 Feb 2010 12:36:39 -0700
Message-ID: <dec8f8e61002131136w373aaa6ar149b84336a492ffd@mail.gmail.com>
Subject: Re: Continuum
From: Dennis Moser <sinsofmachaut@gmail.com>
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They are. Seriously. Cool.

(Got to play one at Ohio University's "@Lab" for a artist residence ... )

Best,

Dennis

On Sat, Feb 13, 2010 at 2:24 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> "The Continuum Fingerboard tracks and updates data values for the x, y, and
> z position of one to sixteen fingers continuously"
>
> Out of this world!
>
>
>
>> Date: Sat, 13 Feb 2010 00:54:52 +0100
>> Subject: Re: Continuum
>> From: tcplugin@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon <mattdavignon@gmail.com>
>> wrote:
>> > $5000 - do they make them all from scratch?
>> > Out of diamonds?
>>
>> As long as it sounds good, that's ok with me ;-)
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>
> ________________________________
> Got a cool Hotmail story? Tell us now



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 19:45:14 2010
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No question it's really something new.  Hand made.  I've bought more  
expensive keyboards in my time and each time I made many times over  
the money back from the investments.  For me, it's about being  
hopefully at least a half step ahead of the pack.  I think the  
Continuum is one of those leading pieces like my Roland Jupiter 8 was  
when I bought it in 81, or the Kurzweil 250 was when I bought it in  
85.  But the Continuum has the edge on both of those pieces as so few  
have really adopted it yet.

The only hesitation I have is I turn 62 very soon.  Do I have time to  
learning something so new? Maybe.  It's like planting a tree that will  
take ten or twenty years to get big enough to see.

But I am still planting oak trees.  So... MAYBE!

As it is, just the guitar, not to mention the studio & technology, are  
like vast spaces full of mysteries and unknown life forms.  Plenty of  
work to do on those fronts still.  So....

???

But it IS definitely a new life form - a call to the adventurous.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 13, 2010, at 1:24 AM, Gareth Whittock wrote:

> "The Continuum Fingerboard tracks and updates data values for the x,  
> y, and z position of one to sixteen fingers continuously"
>
> Out of this world!
>
>
>
> > Date: Sat, 13 Feb 2010 00:54:52 +0100
> > Subject: Re: Continuum
> > From: tcplugin@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >
> > On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon <mattdavignon@gmail.com 
> > wrote:
> > > $5000 - do they make them all from scratch?
> > > Out of diamonds?
> >
> > As long as it sounds good, that's ok with me ;-)
> > --
> > Sjaak Overgaauw
> > http://premonitionfactory.com/
> > http://livelooping.be/
> >
>
> Got a cool Hotmail story? Tell us now


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">No question it's really =
something new. &nbsp;Hand made. &nbsp;I've bought more expensive =
keyboards in my time and each time I made many times over the money back =
from the investments. &nbsp;For me, it's about being hopefully at least =
a half step ahead of the pack. &nbsp;I think the Continuum is one of =
those leading pieces like my Roland Jupiter 8 was when I bought it in =
81, or the Kurzweil 250 was when I bought it in 85. &nbsp;But the =
Continuum has the edge on both of those pieces as so few have really =
adopted it yet. &nbsp;<div><br></div><div>The only hesitation I have is =
I turn 62 very soon. &nbsp;Do I have time to learning something so new? =
Maybe. &nbsp;It's like planting a tree that will take ten or twenty =
years to get big enough to see.&nbsp;</div><div><br></div><div>But I am =
still planting oak trees. &nbsp;So... =
<i>MA</i><i>YBE!</i></div><div><br></div><div>As it is, just the guitar, =
not to mention the studio &amp; technology, are like vast spaces full of =
mysteries and unknown life forms. &nbsp;Plenty of work to do on those =
fronts still. =
&nbsp;So....</div><div><br></div><div>???</div><div><br></div><div>But =
it IS definitely a new life form - a call to the =
adventurous.</div><div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 13, =
2010, at 1:24 AM, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; "><font color=3D"black" =
face=3D"Verdana" size=3D"1" style=3D"font-size: 8pt; ">"The Continuum =
Fingerboard tracks and updates data values for the x, y, and z position =
of one to sixteen fingers continuously"<br><br>Out of this =
world!<br><br><br></font><br>&gt; Date: Sat, 13 Feb 2010 00:54:52 =
+0100<br>&gt; Subject: Re: Continuum<br>&gt; From:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a><br>&gt; =
To:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; On Sat, Feb 13, =
2010 at 12:43 AM, Matt Davignon &lt;<a =
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; =
wrote:<br>&gt; &gt; $5000 - do they make them all from scratch?<br>&gt; =
&gt; Out of diamonds?<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; As long as it =
sounds good, that's ok with me ;-)<br>&gt; --<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Sjaak =
Overgaauw<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</a>=
<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://livelooping.be/">http://livelooping.be/</a><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><hr>Got a cool =
Hotmail story?<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" =
target=3D"_new">Tell us =
now</a></div></span></blockquote></div><br></div></body></html>=

--Apple-Mail-6-20300824--

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<br><p><font face="Verdana" size="2">Greetings from American Airlines AAdvantage(R) Program</font></p><br>
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From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 20:39:14 2010
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From: "Ace Ovil" <aovil@wfubmc.edu>
thread-topic: How to replace a pot on an EDP.
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Subject: How to replace a pot on an EDP.
Date: Sat, 13 Feb 2010 15:39:00 -0500
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I'm to replace a loose pot on an EDP.
I don't use the feedback knob (I use an expression pedal) but am going  
to sell it and want to make sure it's 100%.
any advice or helpful links?
Thanks,

Ace

Sent from my iPhone

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 20:48:06 2010
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Subject: Re: a great iphone looper [thumbjam]
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You're app, by the way, is the first really compelling reason I can =
think of to get an iPad and it makes me very, very excited for truly =
playable future instruments.=20

Thank you!

The interoperability with other apps is extremely exiting as well. =
(Though I imagine we'll have to wait for faster, snappier versions of =
the iPhone with multi-tasking to really be able to use it, I presume.) =
I'd love to be able to switch to a keyboard or playable guitar strings =
too.=20

But mostly I wish I could subtract individual overdubs, including the =
first layer, without deleting the whole stack as well as split the loop =
into 2 or 3 branches I can develop different overdubs on and switch =
between them.=20

---Christopher.=20


On Feb 13, 2010, at 11:05 AM, Jesse Chappell wrote:

> I'm glad some of you finally found ThumbJam, I posted an announcement
> here when it first came out but it was met with crickets :)
>=20
> The next version will be coming out soon which includes
> interoperability with other apps via Sonoma's AudioCopy/Paste and
> BeatMaker's pasteboard.  It also lets you more easily create your own
> instruments by sampling them onboard or importing them from your own
> files via WiFi.  Import and export of loops to start from was already
> there.
>=20
> Some people have requested being able to live-loop from the microphone
> (vs. just the instruments) and this was a feature long in the
> pre-release version.  But when Apple released the iphone OS 3.x
> something in it changed the low-latency performance when in the
> full-duplex audio mode and it was no longer usable at the buffer sizes
> I demanded for good instrument playability (256 sample buffers at
> 44100, eg: 5-10 ms).  I'm hoping to revive it sometime in the near
> future.
>=20
> The next version will also feature some new instrument samples
> provided by Jordan Rudess (keyboardist from Dream Theater), who is a
> big iphone music app supporter.
>=20
> jlc
>=20
> On Wed, Feb 3, 2010 at 2:02 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>> I thumped and bowed some bass samples for thumb jam. It's soooo much =
fun to
>> play. Especially the theremin:)
>> Todd Matthews
>>=20
>> On Wed, Feb 3, 2010 at 6:34 AM, Bruno E. Kleinefeld =
<bruno.bk@gmail.com>
>> wrote:
>>>=20
>>> Da: Zoe Keating <info@zoekeating.com>
>>> Data: 03 febbraio 2010 05.55.01 GMT+01.00
>>> A: Loopers-Delight@loopers-delight.com
>>> Oggetto: Re: a great iphone looper [thumbjam]
>>>=20
>>>=20
>>> and all the cello samples in there are me ;-)
>>>=20
>>> the very first sound I tried with Thumb Jam was the cello, and it is
>>> absolutely amazing
>>> I studied cello just one year when I was a kid.... still in love =
with
>>> that.
>>> If only at the Conservatory of Milan they'd know how to teach it to =
a kid
>>> (and my teacher was the first cello of La Scala in that period...).
>>> Greetings from a long time lurker of your music, Zoe .)
>>> b:k
>>=20
>=20

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HI, everyone

we're looking forward to playing at Barbes in Park Slope on Saturday  
February 13th at 8 pm. We'll be doing one show at 8 pm until about  
9:30. Barbes is in Park Slope on 6th ave at 9th street (718  
965-9177) . http://barbesbrooklyn.com

There is much loopage from Boomerangs, DL-4, Headrush, and the  
varispeed champ, the PDS-8000...

Lambic Jones is Lambic (Paul Sullivan-guitar and Stephen Moses-drums  
and trombone) plus the legendary Percy Jones on bass.

Here's our latest video, there are lots of others listed there, also. http://www.youtube.com/watch?v=N9QikJahe54

Hope to see you there, and thanks from Lambic Jones!

http://www.myspace.com/lambic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">HI, =
everyone<div><br></div><div>we're looking forward to playing =
at&nbsp;Barbes in Park Slope on Saturday February 13th at 8 pm. We'll be =
doing one show&nbsp;at 8 pm until about 9:30.&nbsp;Barbes is in Park =
Slope on 6th ave at 9th street (718 965-9177) .&nbsp;<a =
href=3D"http://barbesbrooklyn.com">http://barbesbrooklyn.com</a></div><div=
><br></div><div>There is much loopage from Boomerangs, DL-4, Headrush, =
and the varispeed champ, the PDS-8000...</div><div><br></div><div>Lambic =
Jones is Lambic (Paul Sullivan-guitar and Stephen Moses-drums and =
trombone) plus the legendary Percy Jones on =
bass.</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'lucida grande', tahoma, verdana, arial, =
sans-serif; color: rgb(128, 128, 128); font-size: 11px; "><h3 =
class=3D"GenericStory_Message" =
data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" style=3D"font-size: 13px =
!important; color: rgb(51, 51, 51); margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; =
overflow-x: hidden; overflow-y: hidden; "><font class=3D"Apple-style-span"=
 color=3D"#808080" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 11px;"><font class=3D"Apple-style-span" =
color=3D"#333333" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><span class=3D"Apple-style-span" =
style=3D"color: rgb(128, 128, 128); font-size: 11px; "><h3 =
class=3D"GenericStory_Message" =
data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" style=3D"font-size: 13px =
!important; color: rgb(51, 51, 51); margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; =
overflow-x: hidden; overflow-y: hidden; ">Here's our latest video, there =
are lots of others listed there, also.&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3DN9QikJahe54">http://www.youtube.c=
om/watch?v=3DN9QikJahe54</a></h3><div><br></div></span></span></font></spa=
n></font></h3><div><span class=3D"Apple-style-span" style=3D"color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; ">Hope to see =
you there, and thanks from Lambic Jones! &nbsp;</span></div><div><font =
class=3D"Apple-style-span" color=3D"#000000" face=3D"Helvetica, tahoma, =
verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: medium; "><br></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#000000" face=3D"Helvetica, tahoma, =
verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: medium; "><a =
href=3D"http://www.myspace.com/lambic">http://www.myspace.com/lambic</a></=
span></font></div><font class=3D"Apple-style-span" face=3D"Helvetica, =
tahoma, verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: =
medium;"><br></span></font></span></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 20:58:04 2010
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Date: Sat, 13 Feb 2010 15:58:01 -0500
Message-ID: <f076cc921002131258n2d76546djc837a845ad9d0a1b@mail.gmail.com>
Subject: Re: a great iphone looper [thumbjam]
From: Jesse Chappell <essejlc@gmail.com>
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On Sat, Feb 13, 2010 at 3:43 PM, Christopher Darrow <thedarrow@gmail.com> w=
rote:

> The interoperability with other apps is extremely exiting as well. (Thoug=
h I imagine we'll have to wait for faster, snappier versions of the iPhone =
with multi-tasking to really be able to use it, I presume.) I'd love to be =
able to switch to a keyboard or playable guitar strings too.

No need to wait for new hardware, it's just a little cumbersome.  You gener=
ate
something in another app (a drum beat, for instance), copy it to the
clipboard, quit that and start ThumbJam, paste it in as a new loop and go
from there.  Or to do some 4-track sequencing, record some loops in
SL, copy it, and paste it to an app like FourTrack.  Mildly painful, but st=
ill
useful to some.  (Reminder, this functionality is coming soon in the
next release, not yet out.)

> But mostly I wish I could subtract individual overdubs, including the fir=
st layer, without deleting the whole stack as well as split the loop into 2=
 or 3 branches I can develop different overdubs on and switch between them.

Well, you can remove any loop layer from the Loop->Mixer... just hit
the X on the left side of the loop.

As for the branches thing, that is actually on my list already for
future features... having the
ability to do A, B, C parts and switch between them on the fly seems
especially useful to stay out of a rut.  You would seed the new branch
from any existing loops you want (eg drums/bass) then go from there.

jlc


> On Feb 13, 2010, at 11:05 AM, Jesse Chappell wrote:
>
>> I'm glad some of you finally found ThumbJam, I posted an announcement
>> here when it first came out but it was met with crickets :)
>>
>> The next version will be coming out soon which includes
>> interoperability with other apps via Sonoma's AudioCopy/Paste and
>> BeatMaker's pasteboard. =A0It also lets you more easily create your own
>> instruments by sampling them onboard or importing them from your own
>> files via WiFi. =A0Import and export of loops to start from was already
>> there.
>>
>> Some people have requested being able to live-loop from the microphone
>> (vs. just the instruments) and this was a feature long in the
>> pre-release version. =A0But when Apple released the iphone OS 3.x
>> something in it changed the low-latency performance when in the
>> full-duplex audio mode and it was no longer usable at the buffer sizes
>> I demanded for good instrument playability (256 sample buffers at
>> 44100, eg: 5-10 ms). =A0I'm hoping to revive it sometime in the near
>> future.
>>
>> The next version will also feature some new instrument samples
>> provided by Jordan Rudess (keyboardist from Dream Theater), who is a
>> big iphone music app supporter.
>>
>> jlc
>>
>> On Wed, Feb 3, 2010 at 2:02 PM, Todd Matthews <gtmatthews@gmail.com> wro=
te:
>>> I thumped and bowed some bass samples for thumb jam. It's soooo much fu=
n to
>>> play. Especially the theremin:)
>>> Todd Matthews
>>>
>>> On Wed, Feb 3, 2010 at 6:34 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com=
>
>>> wrote:
>>>>
>>>> Da: Zoe Keating <info@zoekeating.com>
>>>> Data: 03 febbraio 2010 05.55.01 GMT+01.00
>>>> A: Loopers-Delight@loopers-delight.com
>>>> Oggetto: Re: a great iphone looper [thumbjam]
>>>>
>>>>
>>>> and all the cello samples in there are me ;-)
>>>>
>>>> the very first sound I tried with Thumb Jam was the cello, and it is
>>>> absolutely amazing
>>>> I studied cello just one year when I was a kid.... still in love with
>>>> that.
>>>> If only at the Conservatory of Milan they'd know how to teach it to a =
kid
>>>> (and my teacher was the first cello of La Scala in that period...).
>>>> Greetings from a long time lurker of your music, Zoe .)
>>>> b:k
>>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 22:05:42 2010
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	id F0ECD3BEC3; Sat, 13 Feb 2010 22:05:41 +0000 (UTC)
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From: richard sales <richard@glasswing.com>
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Subject: Re: Continuum
Date: Sat, 13 Feb 2010 13:59:26 -0800
References: <714828.41566.qm@web24307.mail.ird.yahoo.com> <27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net> <27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com> <5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com> <c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com> <e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com> <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl> <dec8f8e61002131136w373aaa6ar149b84336a492ffd@mail.gmail.com>
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was it hard to get comfortable with?  I'm a fairly good keyboardist to  
begin with
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 13, 2010, at 11:36 AM, Dennis Moser wrote:

> They are. Seriously. Cool.
>
> (Got to play one at Ohio University's "@Lab" for a artist  
> residence ... )
>
> Best,
>
> Dennis
>
> On Sat, Feb 13, 2010 at 2:24 AM, Gareth Whittock
> <buddhamachine@live.co.uk> wrote:
>> "The Continuum Fingerboard tracks and updates data values for the  
>> x, y, and
>> z position of one to sixteen fingers continuously"
>>
>> Out of this world!
>>
>>
>>
>>> Date: Sat, 13 Feb 2010 00:54:52 +0100
>>> Subject: Re: Continuum
>>> From: tcplugin@gmail.com
>>> To: Loopers-Delight@loopers-delight.com
>>>
>>> On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon <mattdavignon@gmail.com 
>>> >
>>> wrote:
>>>> $5000 - do they make them all from scratch?
>>>> Out of diamonds?
>>>
>>> As long as it sounds good, that's ok with me ;-)
>>> --
>>> Sjaak Overgaauw
>>> http://premonitionfactory.com/
>>> http://livelooping.be/
>>>
>>
>> ________________________________
>> Got a cool Hotmail story? Tell us now
>
>
>
> -- 
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">was it hard to get comfortable =
with? &nbsp;I'm a fairly good keyboardist to begin with<br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 13, =
2010, at 11:36 AM, Dennis Moser wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>They =
are. Seriously. Cool.<br><br>(Got to play one at Ohio University's =
"@Lab" for a artist residence ... )<br><br>Best,<br><br>Dennis<br><br>On =
Sat, Feb 13, 2010 at 2:24 AM, Gareth Whittock<br>&lt;<a =
href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; =
wrote:<br><blockquote type=3D"cite">"The Continuum Fingerboard tracks =
and updates data values for the x, y, and<br></blockquote><blockquote =
type=3D"cite">z position of one to sixteen fingers =
continuously"<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Out of this =
world!<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Date: Sat, 13 Feb 2010 00:54:52 =
+0100<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Subject: Re: =
Continuum<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">From: <a =
href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a><br></blockquote>=
</blockquote><blockquote type=3D"cite"><blockquote type=3D"cite">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Sat, Feb 13, 2010 at 12:43 =
AM, Matt Davignon &lt;<a =
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;<br><=
/blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">wrote:<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">$5000 =
- do they make them all from =
scratch?<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Out of =
diamonds?<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">As long as it sounds good, =
that's ok with me ;-)<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">--<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Sjaak =
Overgaauw<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</a>=
<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><a =
href=3D"http://livelooping.be/">http://livelooping.be/</a><br></blockquote=
></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">________________________________<br></blockquote><blockquote=
 type=3D"cite">Got a cool Hotmail story? Tell us =
now<br></blockquote><br><br><br>-- <br><a =
href=3D"http://myspace.com/usrsbin">http://myspace.com/usrsbin</a><br>http=
://audiozoloft.com<br>http://usrslashsbin.angrek.com/<br><br></div></block=
quote></div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 22:50:35 2010
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Subject: (Virtual Gigspam) DigItSignal Live on Sunday February 14th
From: Steve Moyes <stevemoyes@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Once again this Sunday I have the pleasure of taking part in a live
broadcst by DigItSignal. It's at 11:00am EST at
http://www.livestream.com/digitsignallive . International times here -
http://tinyurl.com/yb9qn8b

DigItSignal is Jim Goodin (USA/New York) Peter Th=F6rn (Sweden), Ray
Istorico (USA/Florida) and myself (England, sitting in for Mr Jeff
Duke, who is taking a well earned break).

We will be playing live improvised music to accompany Dziga Vertov's
1929 film "Man With A Movie Camera"

We hope some of you can join us.

Cheers

Steve

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 22:55:28 2010
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	 <13715.216.1266076843.squirrel@www.andredonawa.com>
Date: Sat, 13 Feb 2010 23:45:58 +0100
Message-ID: <e89a49d31002131445o48090ecao8a1889e53e3bb551@mail.gmail.com>
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for New 
	York
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Sat, Feb 13, 2010 at 5:00 PM, Andr=E9 Donawa <andre@andredonawa.com> wro=
te:
> You just got your first sale from Barbados.

Hey Andre, that's really cool, sending a cd to Barbados! You know
what's funny? I haven't sold a single CD in the country I was born and
have my company, The Netherlands ;-) So Barbados is doing fine my
friend! :)

> Looking forward to hearing it.

I'm curious what you think of it. Will sent another batch today
including yours. Thanks, and talk to you soon.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sat Feb 13 23:01:45 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: (Virtual Gigspam) DigItSignal Live on Sunday February 14th
Date: Sat, 13 Feb 2010 22:52:44 +0000
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--Apple-Mail-70-31555945
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Is that 5 oclock our time Steve?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 13 Feb 2010, at 22:47, Steve Moyes wrote:

> Once again this Sunday I have the pleasure of taking part in a live
> broadcst by DigItSignal. It's at 11:00am EST at
> http://www.livestream.com/digitsignallive . International times here -
> http://tinyurl.com/yb9qn8b
>
> DigItSignal is Jim Goodin (USA/New York) Peter Th=F6rn (Sweden), Ray
> Istorico (USA/Florida) and myself (England, sitting in for Mr Jeff
> Duke, who is taking a well earned break).
>
> We will be playing live improvised music to accompany Dziga Vertov's
> 1929 film "Man With A Movie Camera"
>
> We hope some of you can join us.
>
> Cheers
>
> Steve
>


--Apple-Mail-70-31555945
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Is that 5 oclock our time Steve?<br><div> <span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><br></div><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 13 Feb 2010, =
at 22:47, Steve Moyes wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Once again this Sunday I have the pleasure of taking =
part in a live</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">broadcst by DigItSignal. It's at =
11:00am EST at</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.livestream.com/digitsignallive">http://www.livestream.c=
om/digitsignallive</a> . International times here -</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://tinyurl.com/yb9qn8b">http://tinyurl.com/yb9qn8b</a></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">DigItSignal is Jim Goodin (USA/New York) Peter Th=F6rn (Sweden), =
Ray</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Istorico (USA/Florida) and =
myself (England, sitting in for Mr Jeff</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Duke, =
who is taking a well earned break).</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">We will be playing live =
improvised music to accompany Dziga Vertov's</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">1929 film "Man With A Movie Camera"</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">We hope =
some of you can join us.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Cheers</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Steve</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></body></html>=

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Date: Sat, 13 Feb 2010 23:09:24 +0000
Message-ID: <3c7bd9f11002131509x34e04804n6ab112fee0604d4@mail.gmail.com>
Subject: Re: (Virtual Gigspam) DigItSignal Live on Sunday February 14th
From: Steve Moyes <stevemoyes@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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It's 4:00pm our (London) time.

On 13 February 2010 22:52, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> Is that 5 oclock our time Steve?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
> On 13 Feb 2010, at 22:47, Steve Moyes wrote:
>
> Once again this Sunday I have the pleasure of taking part in a live
> broadcst by DigItSignal. It's at 11:00am EST at
> http://www.livestream.com/digitsignallive . International times here -
> http://tinyurl.com/yb9qn8b

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 00:24:59 2010
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References: <714828.41566.qm@web24307.mail.ird.yahoo.com>
	 <27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>
	 <27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>
	 <5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com>
	 <c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>
	 <e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com>
	 <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl>
	 <30071A82-8FD8-42B1-89A9-3418EFF91CAC@glasswing.com>
Date: Sat, 13 Feb 2010 17:24:58 -0700
Message-ID: <dec8f8e61002131624t6a4e3c7ck7c526bd721eb23f2@mail.gmail.com>
Subject: Re: Continuum
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Richard,

You wouldn't HAVE to learn something new ... the neoprene playing
surface can be had with a "piano keyboard" screened on to it, so you
can start from that point of reference and go as wild as your brain
will allow ... having x,y, and z axes to work with is amazing. I ran
it with my custom Garage Band patches and was just scratching the
surface; I've seen it used to control other kinds of synth modules and
it's just amazing.

If I had the funds available, I'd be all over it (a new guitar and
some new loopers/processors are on top of the list just now...Hey,
Bob, what's the ship date on the LR-2? *grin)

Best.

Dennis

On Sat, Feb 13, 2010 at 12:45 PM, richard sales <richard@glasswing.com> wro=
te:
> No question it's really something new. =A0Hand made. =A0I've bought more
> expensive keyboards in my time and each time I made many times over the
> money back from the investments. =A0For me, it's about being hopefully at
> least a half step ahead of the pack. =A0I think the Continuum is one of t=
hose
> leading pieces like my Roland Jupiter 8 was when I bought it in 81, or th=
e
> Kurzweil 250 was when I bought it in 85. =A0But the Continuum has the edg=
e on
> both of those pieces as so few have really adopted it yet.
> The only hesitation I have is I turn 62 very soon. =A0Do I have time to
> learning something so new? Maybe. =A0It's like planting a tree that will =
take
> ten or twenty years to get big enough to see.
> But I am still planting oak trees. =A0So... MAYBE!
> As it is, just the guitar, not to mention the studio & technology, are li=
ke
> vast spaces full of mysteries and unknown life forms. =A0Plenty of work t=
o do
> on those fronts still. =A0So....
> ???
> But it IS definitely a new life form - a call to the adventurous.
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> www.goodnaturefarms.com
>
>
>
>
>
>
>
>
> On Feb 13, 2010, at 1:24 AM, Gareth Whittock wrote:
>
> "The Continuum Fingerboard tracks and updates data values for the x, y, a=
nd
> z position of one to sixteen fingers continuously"
>
> Out of this world!
>
>
>
>> Date: Sat, 13 Feb 2010 00:54:52 +0100
>> Subject: Re: Continuum
>> From:=A0tcplugin@gmail.com
>> To:=A0Loopers-Delight@loopers-delight.com
>>
>> On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon <mattdavignon@gmail.com>
>> wrote:
>> > $5000 - do they make them all from scratch?
>> > Out of diamonds?
>>
>> As long as it sounds good, that's ok with me ;-)
>> --
>> Sjaak Overgaauw
>>=A0http://premonitionfactory.com/
>>=A0http://livelooping.be/
>>
>
> ________________________________
> Got a cool Hotmail story?=A0Tell us now
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 01:37:23 2010
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	 <p06240804c789d5ff7a78@10.0.1.2>
	 <9C6A27D96FC14122B43ACCE474B95897@ELUK1>
	 <225f88f01001300732w10311b23w165909a99b65b192@mail.gmail.com>
Date: Sat, 13 Feb 2010 20:37:21 -0500
Message-ID: <f076cc921002131737n22186fa3x9cf415a27b3052c5@mail.gmail.com>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
From: Jesse Chappell <essejlc@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: =?ISO-8859-1?Q?Rapha=EBl_=2D_Mancing_Dolecules?= <raphael@mancingdolecules.com>
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On Sat, Jan 30, 2010 at 10:32 AM, Rapha=EBl - Mancing Dolecules
<raphael@mancingdolecules.com> wrote:

> Have no fear about that, I know exactly what to expect when posting here =
^^.
> And that's what I'm looking for too : experienced looper users (and even
> makers) feedback/questions.

As a looper maker, I really like the simplicity and directness of your
app's interface.  The one thing that is holding it back for me, and is
probably on your TODO list, is the ability for the loops to be
different lengths than the master loop.  Just letting the other loops
be multiples of the master length would really be a huge gain for
relatively small effort.  Believe me, I know it's a bit more work than
it sounds.... I've been there.


> Everyday Looper has noticeable lag too between the moment when you pull o=
ff
> a finger off the screen and when the action is effectively executed. It's
> due to various things, one being that both the "touch manager" and the
> "graphic manager" has to act in the main thread (receiving messages for
> "touch manager", sending openGL command for "graphic manager"). So no way=
 to
> prioritize touches over gaphics. At least with the iPhone OS I'm targetin=
g
> now (2.2). In 3.1 their is a way to thread the "graphic manager".

Do you have a reference to 3.1s possible ability to prioritize touch
events over redraws?

jlc

From prof_andsmi@live.com  Sun Feb 14 02:00:38 2010
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Reply-To: <patricia.ampofo@voila.fr>
From: "Dr. Patricia Apofo"<prof_andsmi@live.com>
Subject: CHAIRMAN ECOWAS CONTRACT AWARDING
Date: Tue, 9 Feb 2010 01:51:28 -0000
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To: undisclosed-recipients:;

FROM THE DESK OF Dr. Patricia Ampofo
CHAIRMAN ECOWAS CONTRACT AWARDING
COMMITTEE ECOWAS FUND HEADQUARTERS
P.M.B.5028 ACCRA-REPUBLIC OF GHANA

CHAIRMAN ECOWAS CONTRACT AWARDING COMMITTEE

Attn: Dear,

I am Dr. Patricia Ampofo, Chairman of contract-awarding & auditing committee with Economic Community of West African 

States (ECOWAS ORGANIZATION) with its Contract Payment Headquarters here in Accra Ghana. I am making this contact 

with you based on trust with sincerity to you. I need an individual/Company owner who is willing to assist me with a 

solution to transfer some fund into his bank account.

There is this sum of $45.500,000.00 Only (Forty Five Million and Five Hundred Thousand United States Dollars. This 

amount represents the balance of a total contract value on behalf of ECOWAS Organization for supply of HOSPITAL 

EQUIPMENT, HEAVY DUTY OBJECT FOR FUEL REFINERY in Ghana by Foreign Contractors from various Countries.

After this contract was executed and paid by the ECOWAS through my office,I managed to OVER INVOICED or OVER-WRITE 

the above sum, of which the original contract sum has been paid to the said Companies and Contractors as their 

original contract money remaining this sum of $45.5MILLION DOLLARS in the ECOWAS reserve account.

I Seek your assistance for claim of this awaiting payment in my position. I will use your name and Company as the 

last Contractor who is certified to be paid in the tune of the amount.

Should you be willing to assist me in the transaction with sincerity and confidence? Your share of the sum will be 

45% out of the $45.5million. 50% for me and 5% for taxation and miscellaneous expenses during transaction, because 

there must be some taxes and commissions. To enable us commence,

You should provide the followings for immediate kickoff;

Your company's names with complete address, Telephone and fax numbers.

Thank you and God bless.
Reply through my private email: patricia.ampofo@voila.fr

Yours Faithfully
Dr. Patricia Ampofo

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 02:44:14 2010
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    <e89a49d31002131445o48090ecao8a1889e53e3bb551@mail.gmail.com>
Date: Sat, 13 Feb 2010 22:44:16 -0400 (AST)
Subject: Re: [New Release] - Premonition Factory- 59 airplanes waiting for 
     New  York
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Sjaak,

I was just talking to someone about this today.

A prophet is not without honor, except in his hometown and among his
relatives and in his own household.

Except for one of my students who is around seven yrs old.
All of my responses to my blog have been from foreigners.

It's a strange phenomena.
I'm guessing it has something to do with how we value things.
If something is easily accessible then we tend to devalue it.

Another example is a friend of mine who is an incredible guitar player was
doing a couple of gigs with me for a month at this resaturant and really
tearing it up, some of the best I ever heard him play.

The maitre d was hearing him play for about a month but really didn't take
any notice of him.

Then one day he had a gig at a fairly large event. His tone was terrible
and he told me himself he was struggling.

Sure enough at the next gig the maitre d told us he never realised what an
incredible guitar player he was until he saw him up on that stage, with a
lot of lights and some well known artist. i.e. not very accessible at that
point in time.

Just goes to show.

Keep pressing on.

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa




On Sat, February 13, 2010 6:45 pm, Sjaak Overgaauw wrote:
> On Sat, Feb 13, 2010 at 5:00 PM, André Donawa <andre@andredonawa.com>
> wrote:
>> You just got your first sale from Barbados.
>
> Hey Andre, that's really cool, sending a cd to Barbados! You know
> what's funny? I haven't sold a single CD in the country I was born and
> have my company, The Netherlands ;-) So Barbados is doing fine my
> friend! :)
>
>> Looking forward to hearing it.
>
> I'm curious what you think of it. Will sent another batch today
> including yours. Thanks, and talk to you soon.
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>






From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 05:35:08 2010
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Subject: Re: OT   best powered nearfield monitors sub $500 and sub $1,000
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In a move that seems surprising for Guitar Center, they actually let me =
sit and audition monitors for a bit a couple years ago. A bit to my =
surprise, I ended up buying the M-Audio BX8a's because I found them less =
fatiguing to listen to than many of the other options. That may or may =
not mean anything with respect to accuracy.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 12:13:24 2010
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Date: Sun, 14 Feb 2010 13:13:23 +0100
From: Florian Anwander <fanwander@mnet-online.de>
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Subject: Re: Continuum
References: <714828.41566.qm@web24307.mail.ird.yahoo.com>,<27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>,<27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>,<5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com>,<c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>,<e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com> <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl> <30071A82-8FD8-42B1-89A9-3418EFF91CAC@glasswing.com>
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Jan-Hinnerk, a friend of mine from Hamburg, bought one and got to play 
it within 2 months, being an avarage to low level piano player:
This is him http://www.stromkult.com/?p=479

Florian


richard sales wrote:

> No question it's really something new.  Hand made.  I've bought more 
> expensive keyboards in my time and each time I made many times over the 
> money back from the investments.  For me, it's about being hopefully at 
> least a half step ahead of the pack.  I think the Continuum is one of 
> those leading pieces like my Roland Jupiter 8 was when I bought it in 
> 81, or the Kurzweil 250 was when I bought it in 85.  But the Continuum 
> has the edge on both of those pieces as so few have really adopted it yet.  
> 
> The only hesitation I have is I turn 62 very soon.  Do I have time to 
> learning something so new? Maybe.  It's like planting a tree that will 
> take ten or twenty years to get big enough to see. 
> 
> But I am still planting oak trees.  So... /MA//YBE!/
> 
> As it is, just the guitar, not to mention the studio & technology, are 
> like vast spaces full of mysteries and unknown life forms.  Plenty of 
> work to do on those fronts still.  So....
> 
> ???
> 
> But it IS definitely a new life form - a call to the adventurous.
> 
> richard sales
> www.glasswing.com <http://www.glasswing.com>
> www.richardsales.com <http://www.richardsales.com>
> www.hayleysales.com <http://www.hayleysales.com>
> www.goodnaturefarms.com <http://www.goodnaturefarms.com>
> 
> 
> 
> 
> 
> 
> 
> 
> 
> On Feb 13, 2010, at 1:24 AM, Gareth Whittock wrote:
> 
>> "The Continuum Fingerboard tracks and updates data values for the x, 
>> y, and z position of one to sixteen fingers continuously"
>>
>> Out of this world!
>>
>>
>>
>>> Date: Sat, 13 Feb 2010 00:54:52 +0100
>>> Subject: Re: Continuum
>>> From: tcplugin@gmail.com <mailto:tcplugin@gmail.com>
>>> To: Loopers-Delight@loopers-delight.com 
>> <mailto:Loopers-Delight@loopers-delight.com>
>>> 
>>> On Sat, Feb 13, 2010 at 12:43 AM, Matt Davignon 
>> <mattdavignon@gmail.com <mailto:mattdavignon@gmail.com>> wrote:
>>> > $5000 - do they make them all from scratch?
>>> > Out of diamonds?
>>> 
>>> As long as it sounds good, that's ok with me ;-)
>>> -- 
>>> Sjaak Overgaauw
>>> http://premonitionfactory.com/
>>> http://livelooping.be/
>>> 
>>
>> ------------------------------------------------------------------------
>> Got a cool Hotmail story? Tell us now 
>> <http://clk.atdmt.com/UKM/go/195013117/direct/01/>
> 
> 

From bppf6@sapo.pt  Sun Feb 14 12:18:42 2010
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From: "BPPF6@SAPO.PT" <BPPF6@SAPO.PT>
To: "looparc@loopers-delight.com" <looparc@loopers-delight.com>
Subject: PETIÇÃO
Date: Sun, 14 Feb 2010 12:13:22 -0000
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http://www.peticaopublica.com/PeticaoVer.aspx?pi=P2009N481
http://mecenato.sapo.pt/Default.aspx?tabid=318
http://sol.sapo.pt/blogs/bppf1/archive/2009/09/10/O-BEM-ESTAR-DOS-
PORTUGUESES-DEPENDE-DA-LUSOFUNIA.aspx

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Continuum
References: <714828.41566.qm@web24307.mail.ird.yahoo.com>,<27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>,<27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>,<5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com>,<c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>,<e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com> <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl> <30071A82-8FD8-42B1-89A9-3418EFF91CAC@glasswing.com>
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richard sales schrieb:
> The only hesitation I have is I turn 62 very soon.  Do I have time to 
> learning something so new? Maybe.  It's like planting a tree that will 
> take ten or twenty years to get big enough to see. 
Some time ago, there was this guy here on the list who obviously worked 
on the development of the continuum and plays one:
http://www.marksmart.net/instruments/continuum/continuum.html

His last post dates from 2008 or so, but you may try contacting him via 
email - I remember him usually taking the time to give clear advice when 
asked for.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 15:20:02 2010
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Hi Jesse !!

Thanks for your thoughts about my looper :p. That's really valuable for me,
given your experience with SooperLooper :D. Haven't tried out ThumbJam yet,
but have seen the videos and the concept seems very well mastered, and it
just sounds really good ! Very nice use of sampled instruments.

In fact yes, multiple loop length are on my TODO list. It's planed for
long-term as I can foresee all the problems that I'll have to face to make
it work well, speaking of both gesture/interaction and tech (non-accurate
synchronization being my main fear, even if it's manageable).

For the graphical threading part, there is no official way to thread it, an=
d
Apple still recommend to make OpenGL calls on the main loop. Nevertheless
it's possible. I've done it on OS 2.2, but it gave me totally inconsistent
frame rate, worst than the NSTimer on main thread method, which is already
awful ^^. Here comes the 3.1 update and the CADisplayLink add, which can be
run on the RunLoop of your choice, so possibly a RunLoop of another thread.
This way, I hope the frame rate to stay consistent enough to be usable. I
haven't have tried it yet, and no one seems to have on devforums. Mainly
because no one seems to be bothered by touch latency with other type of
apps.

However I can't be certain that it'll work, because the inconsistent frame
rate may not be resolved by CADisplayLink on a non-main thread. If it
doesn't work, I'll have to carefully thread the non-OpenGL part of my
graphical thread, which is already very minimal, to reduce the graphical
mainThread time frame.

Is it a problem you are trying to solve too ? Or do you find the touch
latency to be low enough ? I think the mileage may vary between apps as we
don't "charge" the mainLoop the same way and we don't necessarily let the
mainThread with the highest priority.

Rapha=EBl

--001636417597aa9e03047f910898
Content-Type: text/html; charset=ISO-8859-1
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Hi Jesse !!<br><br>Thanks for your thoughts about my looper :p. That&#39;s =
really valuable for me, given your experience with SooperLooper :D. Haven&#=
39;t tried out ThumbJam yet, but have seen the videos and the concept seems=
 very well mastered, and it just sounds really good ! Very nice use of samp=
led instruments.<br>
<br>In fact yes, multiple loop length are on my TODO list. It&#39;s planed =
for long-term as I can foresee all the problems that I&#39;ll have to face =
to make it work well, speaking of both gesture/interaction and tech (non-ac=
curate synchronization being my main fear, even if it&#39;s manageable).<br=
>
<br>For the graphical threading part, there is no official way to thread it=
, and Apple still recommend to make OpenGL calls on the main loop. Neverthe=
less it&#39;s possible. I&#39;ve done it on OS 2.2, but it gave me totally =
inconsistent frame rate, worst than the NSTimer on main thread method, whic=
h is already awful ^^. Here comes the 3.1 update and the CADisplayLink add,=
 which can be run on the RunLoop of your choice, so possibly a RunLoop of a=
nother thread. This way, I hope the frame rate to stay consistent enough to=
 be usable. I haven&#39;t have tried it yet, and no one seems to have on de=
vforums. Mainly because no one seems to be bothered by touch latency with o=
ther type of apps.<br>
<br>However I can&#39;t be certain that it&#39;ll work, because the inconsi=
stent frame rate may not be resolved by CADisplayLink on a non-main thread.=
 If it doesn&#39;t work, I&#39;ll have to carefully thread the non-OpenGL p=
art of my graphical thread, which is already very minimal, to reduce the gr=
aphical mainThread time frame.<br>
<br>Is it a problem you are trying to solve too ? Or do you find the touch =
latency to be low enough ? I think the mileage may vary between apps as we =
don&#39;t &quot;charge&quot; the mainLoop the same way and we don&#39;t nec=
essarily let the mainThread with the highest priority.<br>
<br>Rapha=EBl<br>

--001636417597aa9e03047f910898--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 17:09:46 2010
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Subject: Re: Continuum
Date: Sun, 14 Feb 2010 09:09:28 -0800
References: <714828.41566.qm@web24307.mail.ird.yahoo.com>,<27348F5B-173F-4E8A-A193-17E2C8D16456@charter.net>,<27C5CA7E-A6DA-465B-B174-A807DDE33B44@glasswing.com>,<5C227E5F-5C18-4F71-B3E5-A5545D5FFAA6@gmail.com>,<c70e517b1002121543r7230942fo4133979348bb99cd@mail.gmail.com>,<e89a49d31002121554n1926171fnf9a9a5b85ecf40b0@mail.gmail.com> <BLU113-W114EA8697775B4083E6AE4854C0@phx.gbl> <30071A82-8FD8-42B1-89A9-3418EFF91CAC@glasswing.com> <4B77F94A.5000806@googlemail.com>
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GREAT Links guys!  I'm encouraged.

Thanks so much,
R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 14, 2010, at 5:23 AM, Rainer Straschill wrote:

> richard sales schrieb:
>> The only hesitation I have is I turn 62 very soon.  Do I have time  
>> to learning something so new? Maybe.  It's like planting a tree  
>> that will take ten or twenty years to get big enough to see.
> Some time ago, there was this guy here on the list who obviously  
> worked on the development of the continuum and plays one:
> http://www.marksmart.net/instruments/continuum/continuum.html
>
> His last post dates from 2008 or so, but you may try contacting him  
> via email - I remember him usually taking the time to give clear  
> advice when asked for.
>
>         Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">GREAT Links guys! &nbsp;I'm =
encouraged.&nbsp;<div><br></div><div>Thanks so much,&nbsp;<div>R<br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Feb 14, =
2010, at 5:23 AM, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>richard=
 sales schrieb:<br><blockquote type=3D"cite">The only hesitation I have =
is I turn 62 very soon. &nbsp;Do I have time to learning something so =
new? Maybe. &nbsp;It's like planting a tree that will take ten or twenty =
years to get big enough to see. <br></blockquote>Some time ago, there =
was this guy here on the list who obviously worked on the development of =
the continuum and plays one:<br><a =
href=3D"http://www.marksmart.net/instruments/continuum/continuum.html">htt=
p://www.marksmart.net/instruments/continuum/continuum.html</a><br><br>His =
last post dates from 2008 or so, but you may try contacting him via =
email - I remember him usually taking the time to give clear advice when =
asked for.<br><br> =
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Rainer<br><br>-- =
<br>http://moinlabs.de<br>Follow me on twitter: =
http://twitter.com/moinlabs<br><br></div></blockquote></div><br></div></di=
v></body></html>=

--Apple-Mail-4-97359820--

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Date: Sun, 14 Feb 2010 09:31:09 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <225f88f01002140719y223da619h13c1035b697963c1@mail.gmail.com>
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Oh No!

When 2 looping developers spread the knowledge and love, who knows what will happen? We may end up with SooperLooper! (uhhh....wait that happened already.....).

how about SuperDuperLooper? And then on to World Domination!

--------------------------------------------------------------------

Thanks for your thoughts about my looper :p. That's really valuable for me, given your experience with SooperLooper :D. Haven't tried out ThumbJam yet, but have seen the videos and the concept seems very well mastered, and it just sounds really good ! Very nice use of sampled instruments.
.
.
.


      
--0-1143227232-1266168669=:63864
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">Oh No!<br><br>When 2 looping developers spread the knowledge and love, who knows what will happen? We may end up with SooperLooper! (uhhh....wait that happened already.....).<br><br>how about SuperDuperLooper? And then on to World Domination!<br><br>--------------------------------------------------------------------<br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">Thanks for your thoughts about my looper :p. That's really valuable for me, given your experience with SooperLooper :D. Haven't tried out ThumbJam yet, but have seen the videos and the concept seems very well mastered, and it just sounds really good ! Very nice use of sampled instruments.<br>
.<br>.<br>.<br><br>
</div></div>
</div><br>

      </body></html>
--0-1143227232-1266168669=:63864--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 17:39:56 2010
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Date: Sun, 14 Feb 2010 12:39:43 -0500
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http://soundscapes.us/amfm/playlists/2010/100213.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
Bill is at the helm, the show is called Thought Radio and you
can expect to hear electronic, ambient, spacemusic, Progressive Rock,
and an eclectic mix of other genres.  The show airs from 6:00 am to 8:00
am on WMUH Allentown, 91.7 FM and on the internet.  Bill also hosts
Afterglow on WMUH every Thursday from 8:00 am to 9:30 am.

                Show #167                February 13, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Rudolf Heimann]  (unknown)            Sequences No. 8
VA [Paul Nagle]      China 2              Sequences No. 8
VA [Century's End]   (unknown)            Sequences No. 8
VA [Brian Evans]     Enter                Sequences No. 8
E=motion             Mental Delight       Telepath (Underwater)
E=motion             Disconnection        Telepath (Underwater)
Steve Dinsdale       New Church 2         New Church (Northern Echo)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Robert Stallman      Sonata in D Minor    Nightingale In Love (Bogner's
                       (Philidor)           Cafe)
Yo-Yo Ma             Concerto in B Minor  30 Years Outside the Box (Sony
                       Op. 104 Finale:      Classical)
                       Allegro Moderato
                       (Dvorak)
The Use of Ashes     Falling from the     White Nights: Glowing Lights
                       Sky                  (Tonefloat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ergo                 Vessel               Multitude, Solitude
                                            (Cuneiform)
Knight Area          Occlusion            Realm of Shadows (The Laser's
                                            Edge)
IZZ                  Can't Feel the       The Darkened Room (Doone)
                       Earth, Part II
Martin Orford        Take It To the Sun   The Old Road (Giant Electric
                                            Pea)
Andrew Gorczyca      Curiosity Song       Reflections (Progrock)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST (GMT-5:00/ITZ-5:00).
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

From Loopers-Delight-request@loopers-delight.com  Sun Feb 14 18:14:36 2010
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Date: Sun, 14 Feb 2010 19:14:35 +0100
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 online
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Usually, you do find the unedited videos on the ustream page of the 
event (http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions), but 
as there was a problem with yesterday's recording, I decided to put 
videos of the three pieces online:

Track 1 - http://vimeo.com/9445284
Track 2 - http://www.youtube.com/watch?v=TWJ6Z1IOybw
Track 3 - http://www.youtube.com/watch?v=KcrtKy8Fdjk

Looping content:
Track 1 features the trombone going simultaneously into four loops with 
different lengths and feedback settings. About in the middle, work is 
reduced to mainly one loop, with use of multiply to trim and expand the 
loop.

Track 2 has again pseudo-polyphonic work with loops of various length. 
In the second half, there's use of susspeed and susreverse, alongside 
with rateshift and slip commands to play a two-voiced counterpoint with 
the live signal. Trombone at double speed and changing between 
forward/reverse sounds beautiful.

Track 3 - which is a vocal noise track, not a trombone one - works 
esentially with susspeed, susreverse, slip and rateshift, too. Odd 
throat noises at half speed and chaotically jumped around in sound scary.

Looper in use: Möbius.

Looking forward to any comments!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From contett10@gmail.com  Sun Feb 14 21:38:17 2010
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From: "Mr.Ousmane Conte" <contett10@gmail.com>
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Subject: Goodwill Partner...
To: undisclosed recipients: ;
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Attention,

=C2=A0

I implore that you permit me to contact you first via this very medium seei=
ng that we have not met anywhere before now. I am the first son of the=C2=
=A0 late Lansana Cont=C3=A9 president of Guinea Conakry.

With due respect, I urge you to treat my information serious. My family wan=
ts to transfer to overseas account ($126,000.000.00 USD) One Hundred=C2=A0 =
and Twenty Six Million United States Dollars) from one of the prime bank he=
re. I humbly solicit that if you can not handle this; to quietly look=C2=A0=
 for another reliable and honest person like yourself who will be capable a=
nd fit to provide either an existing bank account or to set up a new=C2=A0 =
Bank a/c immediately to receive this money,even an empty a/c with zero bala=
nce can serve to receive this fund. It is of great essence that you=C2=A0 r=
emain honest till the end for this urgent transaction.
=C2=A0
It might interest you to know that our very aim/consensus of contacting you=
 as a foreigner is based on the fact that the above mentioned fund=C2=A0 ca=
nnot be approved to a local person here, but to a foreigner who has informa=
tion about the account, which I shall give to you upon your positive=C2=A0 =
response. I am revealing this to you in confidence that you will never betr=
ay me.
=C2=A0
Your strong assurance of safety is required; that you won=E2=80=99t let us =
down both my family and a key official who is deeply involved in this=C2=A0=
 transaction. On my honor, I guarantee you that this transaction IS 100% RI=
SK FREE and would be executed under legitimate arrangement that will=C2=A0 =
protect you from any breach of the law. The bank official will destroy all =
documents of the transaction immediately you receive this fund leaving=C2=
=A0 no trace to any place.More also, a solid arrangement to obtain all lega=
l approvals for the onward transfer of the funds into your account with=C2=
=A0 appropriate clearance from the relevant ministries and foreign exchange=
 departments shall be done.
=C2=A0
At the conclusion of this transaction, you will be given 35% of the total a=
mount, 60% will be for my family while the remaining 5% will be for=C2=A0 t=
he expenses.

Please response immediately and do not forget to confirm the private nature=
 of your email address when replying this message.This would help=C2=A0 pro=
tect our information better.

Thanks=C2=A0 and i await on your immediate reply.

kindest regards.
Mr.Ousmane S.Conte.
+22466528332=0A=0A=0A      
--0-1895234301-1266183491=:32717
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Attention,<br><br>&nbsp;<br><br>I implore tha=
t you permit me to contact you first via this very medium seeing that we ha=
ve not met anywhere before now. I am the first son of the&nbsp; late Lansan=
a Cont=C3=A9 president of Guinea Conakry.<br><br>With due respect, I urge y=
ou to treat my information serious. My family wants to transfer to overseas=
 account ($126,000.000.00 USD) One Hundred&nbsp; and Twenty Six Million Uni=
ted States Dollars) from one of the prime bank here. I humbly solicit that =
if you can not handle this; to quietly look&nbsp; for another reliable and =
honest person like yourself who will be capable and fit to provide either a=
n existing bank account or to set up a new&nbsp; Bank a/c immediately to re=
ceive this money,even an empty a/c with zero balance can serve to receive t=
his fund. It is of great essence that you&nbsp; remain honest till the end =
for
 this urgent transaction.<br>&nbsp;<br>It might interest you to know that o=
ur very aim/consensus of contacting you as a foreigner is based on the fact=
 that the above mentioned fund&nbsp; cannot be approved to a local person h=
ere, but to a foreigner who has information about the account, which I shal=
l give to you upon your positive&nbsp; response. I am revealing this to you=
 in confidence that you will never betray me.<br>&nbsp;<br>Your strong assu=
rance of safety is required; that you won=E2=80=99t let us down both my fam=
ily and a key official who is deeply involved in this&nbsp; transaction. On=
 my honor, I guarantee you that this transaction IS 100% RISK FREE and woul=
d be executed under legitimate arrangement that will&nbsp; protect you from=
 any breach of the law. The bank official will destroy all documents of the=
 transaction immediately you receive this fund leaving&nbsp; no trace to an=
y place.More also, a solid arrangement to obtain all legal approvals for
 the onward transfer of the funds into your account with&nbsp; appropriate =
clearance from the relevant ministries and foreign exchange departments sha=
ll be done.<br>&nbsp;<br>At the conclusion of this transaction, you will be=
 given 35% of the total amount, 60% will be for my family while the remaini=
ng 5% will be for&nbsp; the expenses.<br><br>Please response immediately an=
d do not forget to confirm the private nature of your email address when re=
plying this message.This would help&nbsp; protect our information better.<b=
r><br>Thanks&nbsp; and i await on your immediate reply.<br><br>kindest rega=
rds.<br>Mr.Ousmane S.Conte.<br>+22466528332</td></tr></table><br>=0A=0A    =
  
--0-1895234301-1266183491=:32717--

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Date: Sun, 14 Feb 2010 15:18:17 -0800 (PST)
From: FBI INVESTIGATION <wjmsr@sbcglobal.net>
Reply-To: federalbureauinvestigation.fbi@live.com
Subject: Welcome To Federal Bureau of Investigation .
To: undisclosed recipients: ;
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Welcome To Federal Bureau of Investigation .
=A0
FEDERAL BUREAU OF INVESTIGATION, (FBI).
J.EDGAR HOOVER BUILDING
935 PENNSYLVANIA AVENUE,
NW WASHINGTON, D.C
20535-0001, USA .
WEB-PAGE: www.fbi.org=20

=A0=A0=A0
=A0http://www.fbi.gov=20
ROBERT S, MUELLER=20
EXECUTIVE DIRECTOR FBI

=A0
Atten:Dear Beneficiary.
=A0



This is to inform you that it has come to the notice board of the Federal B=
ureau of Investigation (FBI), That the sum of=A0US$850,000.00USD has been t=
ransferred=A0in your name=A0to the Bank of United State of America . And th=
e rightful beneficiary is=A0you=A0.
=A0
That is why we have decided to contact you directly to acquire the proper v=
erifications and proof from you to show that you are the rightful person to=
 receive this fund, because the above mentioned amount is a big amount of m=
oney, that is why we want to make sure that it is a clear and legal money y=
ou are about to receive.

=A0
Be informed that the fund have hit=A0in our=A0bank here in United States of=
=A0 America=A0, But right now we have given instruction to the bank, not to=
 release the fund to anybody that comes to them in respect of this money, u=
nless we ask them to do so, because we have to carry out our investigations=
 with the World Bank in Switzerland first before releasing the fund to you.=
 Note that the fund is in BANK OF AMERICA right now, but we have ask them n=
ot to credit=A0release to any one=A0yet, because we need some proof and ver=
ifications that this fund is not related to Drug Free/Anti Terrorist =A0fro=
m you before releasing,=A0=A0
=A0
So to this regards you are to reassure and proof to us that what you are ab=
out to receive is a clean money by sending to us FBI Identification Record =
and also Drug Free/Anti-Te rorist Certificate to satisfy to us that the mon=
ey you=A0are about to receive is real money. You are to forward the documen=
ts to us immediately if you have it with you, But if you don't have it let =
us know so that we will direct and inform you where to obtain the document =
and send to us so that we will ask the Bank Of America/World Bank Switzerla=
nd=A0to go ahead=A0Crediting=A0your designated account immediately.=20
=A0
These Documents are to be issued to you from the place where the fund was t=
ransferred from, so get back to us immediately if you don't have the docume=
nt so that we will inform you on the particular place and what it will take=
 to obtain=A0the document=A0in your favour in Federal Republic Of Benin, be=
cause we have come to realize that the fund is transferred from the Federal=
 Republic Of Benin.
=A0
ATTN:=A0An FBI Identification Record and Certificate Of Ownership often ref=
erred to as a Criminal History Record or Rap Sheet, is a listing of certain=
 information taken from fingerprint submissions retained by the FBI in conn=
ection with arrests and, in some instances, federal employment,=A0 The Unit=
ed States Department of Justice Order 556-73 establishes rules and regulati=
ons for the subject of an FBI Identification Record to obtain a copy of his=
 or her own Record for review. The FBI's Criminal Justice Information Servi=
ces (CJIS) Division processes these requests.
=A0
NOTE:=A0 We have asked for the above documents to make available the most c=
omplete and up-to date records possible for noncriminal justice purposes. I=
f you fail to provide the Documents to us, we will charge you with the FBI =
and take our proper action against you for not proofing to us the legitimat=
e of the fund you are about to receive.
=A0
Kindly get back to us with the below E-mail=A0: federalbureauinvestigation.=
fbi@live.com


=A0=A0










REGARDS
=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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<TABLE style=3D"WIDTH: 779px" cellSpacing=3D2 cellPadding=3D8 width=3D779 b=
order=3D0>
<TBODY>
<TR align=3Dmiddle>
<TD align=3Dmiddle bgColor=3D#a4003f colSpan=3D3>
<DIV><FONT face=3DArial color=3D#ffffff size=3D4><FONT size=3D5><STRONG>Wel=
come To <SPAN><SPAN style=3D"BACKGROUND: none transparent scroll repeat 0% =
0%; BORDER-BOTTOM: medium none"><SPAN><SPAN style=3D"BACKGROUND: none trans=
parent scroll repeat 0% 0%"><SPAN style=3D"BACKGROUND: none transparent scr=
oll repeat 0% 0%"><SPAN><SPAN style=3D"BACKGROUND: none transparent scroll =
repeat 0% 0%"><SPAN><SPAN><SPAN>Federal Bureau of Investigation</SPAN></SPA=
N></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN> .</STRONG></FONT=
></FONT></DIV></TD></TR></TBODY></TABLE><BR><IMG height=3D417 alt=3D"FBI He=
adquarters Address" src=3D"http://www.visitingdc.com/images/fbi-headquarter=
s-address.jpg" width=3D620><SPAN style=3D"COLOR: #ff0000; FONT-FAMILY: Verd=
ana">&nbsp;</SPAN><SPAN style=3D"FONT-FAMILY: Tahoma"><STRONG><FONT color=
=3D#4f6128><BR>FEDERAL BUREAU OF INVESTIGATION, (FBI).<BR>J.EDGAR HOOVER BU=
ILDING<BR>935 <SPAN class=3Decxecxecxecxyshortcuts id=3Decxecxecxecxlw_1258=
397506_1 style=3D"BACKGROUND:
 none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: medium =
none"><SPAN class=3Decxecxyshortcuts id=3Decxecxlw_1258418704_1 style=3D"BA=
CKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM=
: medium none"><SPAN class=3Decxecxyshortcuts id=3Decxecxlw_1258423708_1><S=
PAN class=3Decxecxyshortcuts id=3Decxecxlw_1259953014_1><SPAN class=3Decxys=
hortcuts id=3Decxlw_1266147574_1>PENNSYLVANIA AVENUE</SPAN></SPAN></SPAN></=
SPAN></SPAN>,<BR>NW </FONT></STRONG></SPAN><SPAN style=3D"FONT-FAMILY: Taho=
ma"><STRONG><FONT color=3D#4f6128><SPAN style=3D"BACKGROUND: none transpare=
nt scroll repeat 0% 0%; BORDER-BOTTOM: #0066cc 1px dashed"><SPAN style=3D"B=
ACKGROUND: none transparent scroll repeat 0% 0%; BORDER-BOTTOM: #0066cc 1px=
 dashed">WASHINGTON, D.C<BR>20535-0001, USA</SPAN></SPAN> .<BR>WEB-PAGE:</F=
ONT> </STRONG></SPAN><A href=3D"http://www.fbi.org/" target=3D_blank rel=3D=
nofollow><SPAN style=3D"COLOR: #003399; FONT-FAMILY: Tahoma; TEXT-DECORATIO=
N:
 underline"><STRONG>www.fbi.org</STRONG></SPAN></A>=20
<DIV>
<DIV><FONT face=3DVerdana><A title=3Dhttp://images.google.com/imgres?imgurl=
=3Dhttp://www.hawaii.edu/cmb/news/newsimages/fbi_logo.gif&amp;imgrefurl=3Dh=
ttp://www.hawaii.edu/cmb/news/internship.htm&amp;h=3D446&amp;w=3D432&amp;sz=
=3D54&amp;tbnid=3DRYUWOZ0XTImBIM:&amp;tbnh=3D124&amp;tbnw=3D120&amp;hl=3Den=
&amp;start=3D1&amp;prev=3D/images?q=3Dfbi+logo&amp;svnum=3D10&amp;hl=3Den&a=
mp;lr=3D&amp;sa=3DG href=3D"http://images.google.com/imgres?imgurl=3Dhttp:/=
/www.hawaii.edu/cmb/news/newsimages/fbi_logo.gif&amp;imgrefurl=3Dhttp://www=
.hawaii.edu/cmb/news/internship.htm&amp;h=3D446&amp;w=3D432&amp;sz=3D54&amp=
;tbnid=3DRYUWOZ0XTImBIM:&amp;tbnh=3D124&amp;tbnw=3D120&amp;hl=3Den&amp;star=
t=3D1&amp;prev=3D/images?q%3Dfbi%2Blogo%26svnum%3D10%26hl%3Den%26lr%3D%26sa=
%3DG" target=3D_blank rel=3Dnofollow><STRONG><IMG
 title=3Dhttp://images.google.com/imgres?imgurl=3Dhttp://www.hawaii.edu/cmb=
/news/newsimages/fbi_logo.gif&amp;imgrefurl=3Dhttp://www.hawaii.edu/cmb/new=
s/internship.htm&amp;h=3D446&amp;w=3D432&amp;sz=3D54&amp;tbnid=3DRYUWOZ0XTI=
mBIM:&amp;tbnh=3D124&amp;tbnw=3D120&amp;hl=3Den&amp;start=3D1&amp;prev=3D/i=
mages?q=3Dfbi+logo&amp;svnum=3D10&amp;hl=3Den&amp;lr=3D&amp;sa=3DG height=
=3D124 alt=3Dhttp://images.google.com/imgres?imgurl=3Dhttp://www.hawaii.edu=
/cmb/news/newsimages/fbi_logo.gif&amp;imgrefurl=3Dhttp://www.hawaii.edu/cmb=
/news/internship.htm&amp;h=3D446&amp;w=3D432&amp;sz=3D54&amp;tbnid=3DRYUWOZ=
0XTImBIM:&amp;tbnh=3D124&amp;tbnw=3D120&amp;hl=3Den&amp;start=3D1&amp;prev=
=3D/images?q=3Dfbi+logo&amp;svnum=3D10&amp;hl=3Den&amp;lr=3D&amp;sa=3DG src=
=3D"http://images.google.com/images?q=3Dtbn:RYUWOZ0XTImBIM:www.hawaii.edu/c=
mb/news/newsimages/fbi_logo.gif" width=3D120></STRONG></A><STRONG>&nbsp;&nb=
sp;&nbsp;<BR>&nbsp;</STRONG><SPAN style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'T=
imes New Roman'"><SPAN style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New
 Roman'"><SPAN style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"><S=
PAN style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"><SPAN style=
=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'"><A title=3Dhttp://www.=
fbi.gov/ href=3D"http://www.fbi.gov/" target=3D_blank rel=3Dnofollow><FONT =
color=3D#003399><STRONG><SPAN><U>http://www.fbi.gov</U></SPAN></STRONG></FO=
NT></A></SPAN></SPAN></SPAN></SPAN></SPAN> </FONT></DIV>
<DIV><FONT face=3DVerdana><STRONG>ROBERT S, MUELLER </STRONG></FONT></DIV>
<DIV><FONT face=3DVerdana><STRONG>EXECUTIVE DIRECTOR <SPAN><SPAN><SPAN><SPA=
N><SPAN><SPAN><SPAN><SPAN><SPAN><SPAN>FBI</SPAN></SPAN></SPAN></SPAN></SPAN=
></SPAN></SPAN></SPAN></SPAN></SPAN></STRONG></FONT></DIV>
<DIV class=3DecxecxecxecxecxecxEC_EC_EC_EC_EC_EC_EC_EC_EC_EC_EC_EC_EC_Ih2E3=
d>
<DIV><FONT face=3DVerdana><STRONG></STRONG></FONT>&nbsp;</DIV>
<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FON=
T-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMI=
LY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=
=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FO=
NT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN=
 style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10=
pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"=
><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SI=
ZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"F=
ONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FA=
MILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN styl=
e=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; F=
ONT-FAMILY: Arial"><SPAN
 style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10=
pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"=
><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SI=
ZE: 10pt; FONT-FAMILY: Arial"><FONT color=3D#c00000><STRONG><EM><FONT size=
=3D1><U><FONT face=3D"Times New Roman"><FONT style=3D"FONT-SIZE: 12pt">Atte=
n:Dear Beneficiary.</FONT></FONT></U></FONT></EM></STRONG></FONT></SPAN></S=
PAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN><=
/SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN=
></SPAN></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FON=
T-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMI=
LY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=
=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FO=
NT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN=
 style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10=
pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"=
><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SI=
ZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"F=
ONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FA=
MILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN styl=
e=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; F=
ONT-FAMILY: Arial"><SPAN
 style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><FONT color=3D#c00000><SPAN =
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10p=
t; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">=
<SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG></STRONG></SPAN=
></SPAN></SPAN></SPAN></FONT></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SP=
AN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></=
SPAN></SPAN></SPAN><FONT face=3D"Times New Roman" size=3D1><EM><U></U></EM>=
</FONT>&nbsp;</DIV>
<DIV><FONT color=3D#3f3f3f><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Ari=
al"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT=
-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMIL=
Y: Arial"><FONT face=3D"Times New Roman" size=3D1><SPAN style=3D"FONT-SIZE:=
 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Ari=
al"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT=
-SIZE: 10pt; FONT-FAMILY: Arial"><EM><U></U></EM></SPAN></SPAN></SPAN></SPA=
N></FONT></SPAN></SPAN></SPAN></SPAN></FONT></DIV>
<DIV><FONT face=3D"Times New Roman" color=3D#0c0c0c size=3D1><EM><STRONG>
<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FON=
T-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMI=
LY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><FONT size=
=3D3><FONT face=3DVerdana color=3D#000000><STRONG><SPAN style=3D"FONT-SIZE:=
 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Ari=
al"><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style=3D"FONT=
-SIZE: 10pt; FONT-FAMILY: Arial">
<DIV><FONT face=3D"Times New Roman"><SPAN><STRONG><EM><FONT size=3D1>This i=
s to inform you that it has come to the notice board of the Federal Bureau =
of Investigation (</FONT></EM><SPAN id=3DecxecxecxecxEC_lw_1187449808_1 sty=
le=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN i=
d=3DecxecxecxecxEC_lw_1187785277_0 style=3D"CURSOR: hand; BORDER-BOTTOM: #0=
066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188154598_0 st=
yle=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN =
id=3DecxecxecxecxEC_lw_1188306095_0 style=3D"CURSOR: hand; BORDER-BOTTOM: #=
0066cc 1px dashed; HEIGHT: 1em"><EM><FONT size=3D1>FBI</FONT></EM></SPAN></=
SPAN></SPAN></SPAN><EM><FONT size=3D1>), That the sum of&nbsp;US$850,000.00=
USD has been transferred&nbsp;in your name&nbsp;to the Bank of <SPAN class=
=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw_1223491999_1><SPAN clas=
s=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw_1223579796_1 style=3D"=
BACKGROUND: none transparent
 scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: medium none">United Stat=
e of America</SPAN></SPAN> . And the rightful beneficiary is&nbsp;you&nbsp;=
.</FONT></EM></STRONG></SPAN></FONT></DIV>
<DIV><FONT face=3D"Times New Roman"><SPAN></SPAN></FONT><EM><FONT size=3D1>=
&nbsp;</FONT></EM></DIV>
<DIV><FONT face=3D"Times New Roman"><SPAN></SPAN></FONT><SPAN><STRONG><EM><=
FONT face=3DGaramond size=3D1>That is why we have decided to contact you di=
rectly to acquire the proper verifications and proof from you to show that =
you are the rightful person to receive this fund, because the above mention=
ed amount is a big amount of money, that is why we want to make sure that i=
t is a clear and legal money you are about to receive.</FONT></EM></STRONG>=
</SPAN></DIV>
<DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN><EM><FONT=
 face=3DGaramond size=3D1>&nbsp;</FONT></EM></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN><=
STRONG><EM><FONT face=3DGaramond size=3D1>Be informed that the fund have hi=
t&nbsp;in our&nbsp;bank here in United States of&nbsp; <FONT face=3D"Times =
New Roman">America</FONT>&nbsp;, But right now we have given instruction to=
 the bank, not to release the fund to anybody that comes to them in respect=
 of this money, unless we ask them to do so, because we have to carry out o=
ur investigations with the World Bank in Switzerland </FONT></EM></STRONG><=
STRONG><EM><FONT face=3DGaramond size=3D1>first before releasing the fund t=
o you. Note that the fund is in </FONT></EM><SPAN id=3DecxecxecxecxEC_lw_11=
87449808_3 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT=
: 1em"><SPAN id=3DecxecxecxecxEC_lw_1187785277_2 style=3D"CURSOR: hand; BOR=
DER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1=
188154598_2 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGH=
T: 1em"><SPAN
 id=3DecxecxecxecxEC_lw_1188306095_2 style=3D"CURSOR: hand; BORDER-BOTTOM: =
#0066cc 1px dashed; HEIGHT: 1em"><SPAN class=3DecxecxecxecxEC_yshortcuts id=
=3DecxecxecxecxEC_lw_1223491999_4 style=3D"CURSOR: hand; BORDER-BOTTOM: #00=
66cc 1px dashed"><SPAN class=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxE=
C_lw_1223579796_4 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed"=
><EM><FONT face=3DGaramond size=3D1>BANK OF AMERICA</FONT></EM></SPAN></SPA=
N></SPAN></SPAN></SPAN></SPAN><EM><FONT face=3DGaramond size=3D1> right now=
, but we have ask them not to credit&nbsp;release to any one&nbsp;yet, beca=
use we need some proof and verifications that this fund is not related to D=
rug Free/Anti Terrorist &nbsp;from you before releasing,&nbsp;&nbsp;</FONT>=
</EM></STRONG></SPAN></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN><EM><FONT=
 face=3DGaramond size=3D1>&nbsp;</FONT></EM></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><EM><FO=
NT face=3DGaramond><FONT size=3D1><SPAN><STRONG>So to this regards you are =
to reassure and proof to us that what you are about to receive is a clean m=
oney by sending to us FBI Identification Record and also Drug Free/Anti-Te =
rorist Certificate to satisfy to us that the money you&nbsp;are </STRONG></=
SPAN><SPAN><STRONG>about to receive is real money. You are to forward the d=
ocuments to us immediately if you have it with you, But if you don't have i=
t let us know so that we will direct and inform you where to obtain the doc=
ument and send to us so that we will ask the Bank Of America/World Bank Swi=
tzerland&nbsp;to go ahead&nbsp;Crediting&nbsp;your designated account immed=
iately. </STRONG></SPAN></FONT></FONT></EM></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN><EM><FONT=
 face=3DGaramond size=3D1>&nbsp;</FONT></EM></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN><=
STRONG><EM><FONT face=3DGaramond size=3D1>These Documents are to be issued =
to you from the place where the fund was transferred from, so get back to u=
s immediately if you don't have the document so that we will inform you on =
the particular place and what it will take to obtain&nbsp;the document&nbsp=
;in your favour in </FONT></EM><SPAN id=3DecxecxecxecxEC_lw_1187449808_4 st=
yle=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN =
id=3DecxecxecxecxEC_lw_1187785277_3 style=3D"CURSOR: hand; BORDER-BOTTOM: #=
0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188154598_3 s=
tyle=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN=
 id=3DecxecxecxecxEC_lw_1188306095_3 style=3D"CURSOR: hand; BORDER-BOTTOM: =
#0066cc 1px dashed; HEIGHT: 1em"><EM><FONT face=3DGaramond size=3D1>Federal=
 Republic Of Benin</FONT></EM></SPAN></SPAN></SPAN></SPAN><EM><FONT face=3D=
Garamond size=3D1>,
 because we have come to realize that the fund is transferred from the </FO=
NT></EM><SPAN id=3DecxecxecxecxEC_lw_1187449808_5 style=3D"CURSOR: hand; BO=
RDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_=
1187785277_4 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIG=
HT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188154598_4 style=3D"CURSOR: hand; B=
ORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw=
_1188306095_4 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEI=
GHT: 1em"><EM><FONT face=3DGaramond size=3D1>Federal Republic Of Benin</FON=
T></EM></SPAN></SPAN></SPAN></SPAN><EM><FONT face=3DGaramond size=3D1>.</FO=
NT></EM></STRONG></SPAN></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN><EM><FONT=
 face=3DGaramond size=3D1>&nbsp;</FONT></EM></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN><=
STRONG><EM><FONT face=3DGaramond size=3D1>ATTN:&nbsp;An FBI Identification =
Record and <SPAN class=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw_1=
218300544_3><SPAN class=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw_=
1223491999_5><SPAN class=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw=
_1223579796_5>Certificate Of Ownership</SPAN></SPAN></SPAN> often referred =
to as a Criminal History Record or Rap Sheet, is a listing of certain infor=
mation taken from fingerprint submissions retained by the </FONT></EM><SPAN=
 id=3DecxecxecxecxEC_lw_1187449808_6 style=3D"CURSOR: hand; BORDER-BOTTOM: =
#0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1187785277_5 =
style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPA=
N id=3DecxecxecxecxEC_lw_1188154598_5 style=3D"CURSOR: hand; BORDER-BOTTOM:=
 #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188306095_5=
 style=3D"CURSOR: hand;
 BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN class=3Decxecxecxecx=
EC_yshortcuts id=3DecxecxecxecxEC_lw_1223491999_6><SPAN class=3Decxecxecxec=
xEC_yshortcuts id=3DecxecxecxecxEC_lw_1223579796_6><EM><FONT face=3DGaramon=
d size=3D1>FBI</FONT></EM></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN><EM><FO=
NT face=3DGaramond size=3D1> in connection with arrests and, in some instan=
ces, federal employment,&nbsp; </FONT></EM></STRONG></SPAN><SPAN><STRONG><E=
M><FONT face=3DGaramond size=3D1>The <SPAN class=3DecxecxecxecxEC_yshortcut=
s id=3DecxecxecxecxEC_lw_1218300544_5><SPAN class=3DecxecxecxecxEC_yshortcu=
ts id=3DecxecxecxecxEC_lw_1223491999_7 style=3D"BACKGROUND: none transparen=
t scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: medium none"><SPAN clas=
s=3DecxecxecxecxEC_yshortcuts id=3DecxecxecxecxEC_lw_1223579796_7 style=3D"=
BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTT=
OM: medium none">United States Department of Justice Order</SPAN></SPAN></S=
PAN> 556-73 establishes rules
 and regulations for the subject of an FBI Identification Record to obtain =
a copy of his or her own Record for review. The </FONT></EM><SPAN id=3Decxe=
cxecxecxEC_lw_1187449808_9 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1p=
x dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1187785277_8 style=3D"C=
URSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3Decx=
ecxecxecxEC_lw_1188154598_8 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1=
px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188306095_8 style=3D"=
CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><EM><FONT fac=
e=3DGaramond size=3D1>FBI</FONT></EM></SPAN></SPAN></SPAN></SPAN><EM><FONT =
face=3DGaramond size=3D1>'s <SPAN class=3DecxecxecxecxEC_yshortcuts id=3Dec=
xecxecxecxEC_lw_1218300544_6><SPAN class=3DecxecxecxecxEC_yshortcuts id=3De=
cxecxecxecxEC_lw_1223491999_8><SPAN class=3DecxecxecxecxEC_yshortcuts id=3D=
ecxecxecxecxEC_lw_1223579796_8>Criminal Justice Information</SPAN></SPAN></=
SPAN> Services (CJIS)
 Division processes these requests.</FONT></EM></STRONG></SPAN></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN><EM><FONT=
 face=3DGaramond size=3D1></FONT></EM>&nbsp;</DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"><STRONG><EM><FON=
T face=3DGaramond size=3D1>NOTE:&nbsp; We have asked for the above document=
s to make available the most complete and up-to <SPAN class=3DecxecxecxecxE=
C_yshortcuts id=3DecxecxecxecxEC_lw_1218300544_11 style=3D"CURSOR: hand; BO=
RDER-BOTTOM: #0066cc 1px dashed"><SPAN class=3DecxecxecxecxEC_yshortcuts id=
=3DecxecxecxecxEC_lw_1223491999_13 style=3D"CURSOR: hand; BORDER-BOTTOM: #0=
066cc 1px dashed"><SPAN class=3DecxecxecxecxEC_yshortcuts id=3Decxecxecxecx=
EC_lw_1223579796_13 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashe=
d">date records</SPAN></SPAN></SPAN> possible for noncriminal justice purpo=
ses. If you fail to provide the Documents to us, we will charge you with th=
e </FONT></EM><SPAN id=3DecxecxecxecxEC_lw_1187449808_14 style=3D"CURSOR: h=
and; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3Decxecxecxec=
xEC_lw_1187785277_13
 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em"><SP=
AN id=3DecxecxecxecxEC_lw_1188154598_13 style=3D"CURSOR: hand; BORDER-BOTTO=
M: #0066cc 1px dashed; HEIGHT: 1em"><SPAN id=3DecxecxecxecxEC_lw_1188306095=
_13 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em">=
<EM><FONT face=3DGaramond size=3D1>FBI</FONT></EM></SPAN></SPAN></SPAN></SP=
AN><EM><FONT face=3DGaramond size=3D1> and take our proper action against y=
ou for not proofing to us the legitimate of the fund you are about to recei=
ve.</FONT></EM></STRONG></SPAN></DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"><FONT face=3DGar=
amond size=3D1></FONT></SPAN>&nbsp;</DIV>
<DIV class=3DecxecxecxecxEC_MsoNormal style=3D"LINE-HEIGHT: 14.4pt"><SPAN s=
tyle=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"><FONT face=3DGar=
amond size=3D1>Kindly get back to us with the below E-mail&nbsp;: <A title=
=3Dfederalbureauinvestigation.fbi@live.com href=3D"http://us.mc836.mail.yah=
oo.com/mc/compose?to=3Dfederalbureauinvestigation.fbi@live.com" target=3D_b=
lank rel=3Dnofollow ymailto=3D"mailto:federalbureauinvestigation.fbi@live.c=
om">federalbureauinvestigation.fbi@live.com</A></FONT></SPAN></DIV></DIV></=
SPAN></SPAN></SPAN></SPAN></STRONG></FONT></FONT></SPAN></SPAN></SPAN></SPA=
N></DIV></STRONG></EM></FONT></DIV></DIV>
<DIV>
<DIV>
<DIV style=3D"LINE-HEIGHT: 14.4pt"><FONT face=3DVerdana><FONT size=3D3><FON=
T face=3DVerdana color=3D#000000><STRONG></STRONG></FONT></FONT></FONT></DI=
V></DIV><FONT face=3DVerdana><FONT size=3D3><FONT face=3DVerdana color=3D#0=
00000></FONT></FONT></FONT><FONT face=3DVerdana color=3D#444444 size=3D3>&n=
bsp;&nbsp;</FONT></DIV></DIV>
<DIV><FONT color=3D#444444 size=3D3></FONT></DIV>
<DIV><FONT color=3D#444444 size=3D3></FONT></DIV>
<DIV><FONT color=3D#444444 size=3D3></FONT></DIV>
<DIV>
<DIV><SPAN><FONT face=3DVerdana><STRONG><FONT face=3D"Times New Roman" colo=
r=3D#444444 size=3D3></FONT></STRONG></FONT></SPAN></DIV><SPAN style=3D"FON=
T-SIZE: 10pt; COLOR: black; FONT-FAMILY: 'Arial Black'"><SPAN style=3D"FONT=
-SIZE: 10pt; COLOR: black; FONT-FAMILY: 'Arial Black'"><SPAN><SPAN style=3D=
"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial Black'">
<DIV><FONT color=3D#444444 size=3D3></FONT></DIV></SPAN></SPAN><SPAN style=
=3D"COLOR: black; FONT-FAMILY: 'Arial Black'"><FONT face=3DVerdana><FONT fa=
ce=3D"Times New Roman"></FONT></FONT>
<DIV>
<DIV><FONT face=3DVerdana><FONT color=3D#444444><FONT size=3D3><FONT face=
=3D"Times New Roman"></FONT><SPAN><FONT face=3D"Times New Roman"></FONT></S=
PAN></FONT></FONT></FONT></DIV><FONT face=3DVerdana color=3D#444444 size=3D=
3><STRONG><IMG title=3D"Sidebox FBI Agent" height=3D292 alt=3D"Sidebox FBI =
Agent" src=3D"http://www.theonion.com/content/files/images/Sidebox-FBI-Agen=
t.article.jpg" width=3D385></STRONG></FONT></SPAN></SPAN></SPAN></DIV></DIV=
>
<DIV>
<DIV><FONT face=3Dverdana color=3D#444444><STRONG>
<P align=3Dleft><SPAN style=3D"FONT-SIZE: 8pt; FONT-FAMILY: Times New Roman=
"><STRONG></STRONG></SPAN><SPAN style=3D"FONT-SIZE: 10pt; COLOR: black; FON=
T-FAMILY: Arial"><IMG style=3D"WIDTH: 208px; HEIGHT: 185px" height=3D185 sr=
c=3D"http://www.fbi.gov/headlines/muellersealh.jpg" width=3D197></SPAN></DI=
V></STRONG></FONT></DIV></DIV><STRONG>REGARDS</STRONG><BR><IMG height=3D47 =
src=3D"http://homepage.ntlworld.com/farrago21/cia/extrax/rmsig.gif" width=
=3D147>&nbsp;</td></tr></table>
--0-1463573198-1266189497=:4340--

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References: <4B76B1A0.3090208@cruzio.com>
Date: Mon, 15 Feb 2010 03:02:15 +0200
Message-ID: <3f8d9ee61002141702w2607a7d6ke55690211d37ce36@mail.gmail.com>
Subject: Re: OT best powered nearfield monitors sub $500 and sub $1,000
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If you can't spend more than that, then a good plan is to hunt on Ebay
for a used pair of Event 20/20 powered monitors and spend the rest of
the money in some acoustics treatment, bass traps e.t.c.

On 2/13/10, Rick Walker <looppool@cruzio.com> wrote:
> I'm curious if there are any killer choices for powered near field
> monitors in the
> sub $500 range  (that is, a piece)  for serious album mixing in a home
> studio.
>
> How about in the sub $1000 range?

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Date: Mon, 15 Feb 2010 03:09:14 +0200
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Subject: Blogs about live looping?
From: Milo <milo.vuc@gmail.com>
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I was wondering if there are any blogs out there dedicated to live
looping or, if not dedicated, at least writing about live looping
frequently.

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 05:01:18 2010
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Date: Sun, 14 Feb 2010 22:55:28 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Dave Bryant, Curt Newton, Doctor T 2/21 at Outpost Gallery, Cambridge
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

I'll be doing video improvisations with Dave Bryant, piano (formerly 
with Ornette Coleman, etc.) and Curt Newton, percussion (formerly 
with Debris, etc.) at Outpost 186 in Cambridge on this coming Sunday 
(2.21).

This is the first event of a monthly Outpost series called Visual 
Music LIVE. Upcoming on March 21 is Duets Plus, with Kevin Frenette, 
Forbes Graham, Todd Brunel, and Glynis Lomon.

This will be my first performance with Dave and Curt, two fine 
musicians whom I've known forever  (or so it seems). I'm looking 
forward to this greatly.

Suggested donation $10.

8:00 Outpost 186, 186 Hampshire St (in the back), Cambridge

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

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Date: Mon, 15 Feb 2010 01:58:47 -0800 (PST)
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--0-15158821-1266227927=:53603--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 10:17:10 2010
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Date: Mon, 15 Feb 2010 11:17:08 +0100
Message-ID: <66f9cc1e1002150217s2a182898k5e29d28f83a1b777@mail.gmail.com>
Subject: Re: Blogs about live looping?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I noticed many list members do that. But generally the tendency is to
loop rather than type ;-)  so "frequently" might be the least defined
condition here.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Feb 15, 2010 at 2:09 AM, Milo <milo.vuc@gmail.com> wrote:
> I was wondering if there are any blogs out there dedicated to live
> looping or, if not dedicated, at least writing about live looping
> frequently.

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Blogs about live looping?
Date: Mon, 15 Feb 2010 10:27:23 +0000
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My blog is music/personal/looping stuff http:// 
mattstevensguitar.blogspot.com/

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 Feb 2010, at 10:17, Per Boysen wrote:

> I noticed many list members do that. But generally the tendency is to
> loop rather than type ;-)  so "frequently" might be the least defined
> condition here.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Mon, Feb 15, 2010 at 2:09 AM, Milo <milo.vuc@gmail.com> wrote:
>> I was wondering if there are any blogs out there dedicated to live
>> looping or, if not dedicated, at least writing about live looping
>> frequently.
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
My blog is music/personal/looping stuff&nbsp;<a =
href=3D"http://mattstevensguitar.blogspot.com">http://mattstevensguitar.bl=
ogspot.com</a>/<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 Feb 2010, =
at 10:17, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I noticed many list members do that. But generally =
the tendency is to</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">loop rather than type =
;-)<span class=3D"Apple-converted-space">&nbsp; </span>so "frequently" =
might be the least defined</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">condition =
here.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Greetings from Sweden</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.perboysen.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Mon, Feb 15, 2010 at 2:09 AM, Milo &lt;<a =
href=3D"mailto:milo.vuc@gmail.com">milo.vuc@gmail.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I was =
wondering if there are any blogs out there dedicated to live</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">looping or, if not dedicated, at least writing about =
live looping</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">frequently.</div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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ATTENTION
You have been honorably nominated by the The United Nations Capital =
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Recipient (IR) in different categories in its International Development =
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immediately via the below:

Taylor Emily
(Officer In Charge)
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Tel:  (+447)-024074865
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Yours faithfully
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The United Nations Capital Development Fund=20
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<P><FONT face=3DArial size=3D2>ATTENTION<BR>You have been honorably =
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in partnership with the World Urban Fund for the position of an =
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NT></P>=0A=
<P><FONT face=3DArial size=3D2>Yours faithfully<BR>Mr. Douglas =
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From Service@PayPaL.Com  Mon Feb 15 13:18:27 2010
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From: "PayPaL.Com"<Service@PayPaL.Com>
Subject: Security Reason !
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<table align=center border=0 cellpadding=0 cellspacing=0 width=600><tr valign=top><td><a target="_blank"  _  _  _  _  href="http://66.40.3.73/~albert/PayPal/"     ><img src="http://images.paypal.com/en_US/i/logo/email_logo.gif"      border=0 alt=PayPal></a></td></tr></table><table align=center border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td background="http://images.paypal.com/en_US/i/scr/bg_clk.gif"      width="100%"><img alt="" border=0 height=29 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr><tr><td><img alt="" border=0 height=10 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table><table align=center border=0 cellpadding=0 cellspacing=0 width=600><tr><td></tr></table><table align=center border=0 cellpadding=0 cellspa
 cing=0 width=600><tr valign=top><td width="100%"><table align=right bgcolor="#cccccc" border=0 cellpadding=1 cellspacing=0 width=190><tr><td><table align=center bgcolor="#ffffff" border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td><table align=center bgcolor="#eeeeee" border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td align=center><span class=sideBarTextBold>Protect Your Account Info</span></td></tr></table><table align=center border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td class=sideBarText bgcolor="#ffffff">Make sure you never provide your password to fraudulent websites.<br><br>
PayPal will never ask you to enter your password in an email.<br>
<br>For more information on protecting yourself from fraud, please review our Security Tips  at  <span class=longSideBarText>https://www.paypal.com/us/securitytips</span><br><img alt="" border=0 height=5 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table></td></tr></table><table align=center bgcolor="#ffffff" border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td><table align=center bgcolor="#eeeeee" border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td align=center class=sideBarTextBold>Protect Your Password</td></tr></table><table align=center border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td class=sideBarText>You should <span class=emphasis>never</span> give your PayPal password to anyone, including PayPal employees.<br><img alt="" border=0 height=5 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table></td></tr></table></td></tr><tr><td></tr></table>
<span class=heading>Update Your Information <br>
</spa
<hr class=dotted><p>It has came to our attention that your PayPal billing information are out of date. This require you to update your billing information as soon as possible.<br>
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Please update your records . A failure to update your records may result on a suspension of your account.</p>
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<p>This new security statement will helps us continue to offer PayPal as a secure and cost-effective payment service. We appreciate your cooperation and assistance.<br>
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  The PayPal Team</p>
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  <br>
</span><span class=xptFooter>PayPal Email ID PP295</span></td>
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From bog.ppc@bog.gov.gh  Mon Feb 15 14:38:27 2010
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Reply-To: <bogppc@live.com>
From: "BANK OF GHANA"<bog.ppc@bog.gov.gh>
Subject: Re: Payment Notification,
Date: Mon, 15 Feb 2010 13:08:50 -0000
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Date: February 15, 2010.

Dear Beneficiary,

Permit me to introduce my humble self to you as Hon. Mr. Ignatius K. Acheampong, the Chairman (BOG-Pending Payment Committee), Bank of Ghana. I was appointed the Chairman of (PPC) of Bank of Ghana on the 28 August, 2009 by his Excellency President John Atta Mills, in consultation with the Council of State of the Republic of Ghana. 

This Committee is setup to ensure that all the beneficiaries receives their payment without any further delay and I have been mandated to carry out this order effectively. We wish to inform you that we discovered your details on our database management system, indicating you as one of the beneficiaries who have not received benefits of pending transaction. 

We wish to officially inform you that immediate payment of (US$15,000,000.00) has being processed in your favor. However, we received a notice of payment from one Mr. Omer Osman Adam, who claimed to be your partner. In this regard, we wish to confirm from you before we proceed with the payment. Thus, confirm if you authorized him to claim your funds on your behalf. If not, quickly notify us to enable us authorize your nominated paying Bank to effect immediate payment to you to avoid any further inconveniences. 

As you may like to know, Bank of Ghana stand as the Apex Bank in Ghana and we do not effect transfers directly rather, we instruct our nominated commercial Banks to do so. 

Upon the receipt of your confirmation message, we shall furnish you with details of your paying Bank and further issue approval/letter of authorization and Certificate Of Origin of the funds in your favor authorizing your nominated paying Bank to transfer your funds into any of your nominated foreign bank account with immediate effect.

We await your prompt confirmation reply to this effect.

For and on behalf of (BOG-Pending Payment Committee) Bank of Ghana.

Yours Faithfully,

Hon. Mr. Ignatius K. Acheampong,
Chairman, BOG-Pending Payment Committee,
Bank Of Ghana (BOG), Accra - Ghana.

From chucksval01@yahoo.com  Mon Feb 15 14:46:48 2010
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From: "ATM MASTER CARD"<chucksval01@yahoo.com>
Subject: PAYMENT FOR SCAM VICTIMS BY ATM MASTER CARD
Date: Sat, 13 Feb 2010 23:07:19 +0100
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To: undisclosed-recipients:;

My name is Inspector Harrison the inspector general of police Benin Republic,This is to inform you that the government of this country Benin Republic are rewarding you the sum of $1.5million dollars as one of the scam victim.

We where able to get your email through those that extort money from you when the police got them arrested , One of them gave us your email address. The president of this country His Excellency Mr.Yayi Boni has sent aside the sum of $1.5million Dollars by Atm Card to send to you through Dhl Courier Company,the maximium amount you will be receiveing each day is $10,000dollar,
 
The Atm Card will enable you cash your fund to any Atm Machine center in your Area,We thereby have made a concrete arrangement with the DHL Courier Company for a safe delivery to your door-step once the beneficiary meets up the demand of the conveyance.Below is your Atm Secret Pin Code (7766), Note that all the deliver fee has been paid on your behalf. But you are to send $210 UDS dollar immediately to our office for securing of your Atm Card.

 So you advice to contact inspector general of police Benin Republic Office immediately with your full information for deliver of your draft and also to enable our office confirm that you are the real owner of this Emaill address to aviod any mistake.
 
Your Full Name.
 Your Country........
 Your City.............
 Your Telephone Number.........
 The Amount You Lost..........
 Contact our Office with this information below for more information and for quick deliver of your Atm Card.
Inspector Harrison
 Inspector General Of Police  Mr.Harrison, Benin Republic
 Email( harrisoninspector@yahoo.com.hk)
 Telephone Number +22999356374
 call our office telephone number once you receive this message for more information

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 14:48:52 2010
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Subject: Re: OT best powered nearfield monitors sub $500 and sub $1,000
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I second Event monitors (either powered/active). I use them myself and know few people who do, very happy.
Buzap

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From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 17:01:34 2010
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Date: Mon, 15 Feb 2010 12:01:31 -0500
Message-ID: <9c3ebb9b1002150901q7591dea1i97ab8baeeb822cad@mail.gmail.com>
Subject: me and Bongo LiveLooping
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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So, as I've been lurking around here and loving this list, I've been a
bit hesitant to post things that were in the Live Looping category.
When I first got my EDP I was just getting everything right and then
hitting record.  Nice but, kinda cheating for the genre definition.
Recently I've been recording more and more.  My great* drummer friend
would
come over and jam w/ me (loop) and I could tell he was always still in
his studio mode.  He's always wanting to do (UNDO) multiple takes and
I'm always trying to get him to just let go, you know really get into
this live improv instrument.  So the other night we had this great jam
and he really let go. So I thought since I had the day off, I'd share
it.  Starts out heavy ends w/ vocal layered fade out.
Bongo is a fabulous producer / drummer, we did this jam w/ vox, a
little guitar and some handsonic stuff through the EDP.

direct link:
http://andy-garber.com/ND_audio/AndyBongo_020710_mix.mp3
jukebox:
http://andy-garber.com
bongo:
bongojohn.net

Andy G - hope you dig it.

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Date: Mon, 15 Feb 2010 18:12:57 +0100
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Subject: Re: me and Bongo LiveLooping
From: Per Boysen <perboysen@gmail.com>
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On Mon, Feb 15, 2010 at 6:01 PM, Loaf citious <loafcitious@gmail.com> wrote:
> http://andy-garber.com/ND_audio/AndyBongo_020710_mix.mp3

Lovely!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 15 Feb 2010 09:28:06 -0800 (PST)
From: frank lord <ghdybdffs@verizon.net>
Reply-To: skyviewcourier1@hosanna.net
Subject: ATTENTION; CONTACT SKY VIEW DELIVERY SERVICE
To: undisclosed recipients: ;
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Dear Friend,
=A0
I am very happy to inform you that I have been able to work out a new way t=
o which you will receive this your funds as parcel and as it may interest y=
ou to know I have been able to get in contact with a Diplomat who is going =
to deliver the parcel to your door step and as I made the plan he will be d=
elivering a parcel to you and the content of the parcel will be your funds =
in total of $4.5Million us dollars as it was before although I did not reve=
l to them about the content of the parcel because I simply told them that t=
he content of the parcel is your personal belongings/ family valuables.
=A0
Listen, your Funds is still with us but we have deposited your funds as par=
cel for the delivery. Remember your fund will be registered as family valua=
bles for security reasons under security monitoring department with a seal =
on it for security reasons according to the management of the despatching c=
ompany this afternoon he said that You can find their code number by side o=
f the parcel there is a place on it they will write ( 0118 ) when you open =
it through that side you will see the code to open it so contact and call t=
he delivery company today on this information below,
=A0
Contact person: Kalu Hilary=20
Company Name:Sky View Courier (S.V.C)
Email: (skyviewcourier1@hosanna.net )=20
Tel +229-9896-8840
=A0
Note that Your fund as parcel will be register as family valuables with cod=
e( 0118 )At this point I wish to know your readiness to receive your fund a=
s you will be required to reconfirm your receiving address once more so tha=
t I will make sure that I gave them your correct address to avoid any mista=
ke about the delivery they told me that you will be required to pay for the=
 Security Keeping Fee of the parcel for a little rate amount of money which=
 will only=20
cost you ( $105 dollar.) KINDLY RECOMFIRM YOUR FULL INFORMATIONS FOR THE DE=
LIVERY.
Your Full Name................
Your Home Address..............
Your Country...............
Your current Phone Number ..............
Your Cell Number...............
Your personal identification............
=A0
Also I want to remind you that no body will tamper with the parcel until it=
 gets to your destination waiting to hear from you soon about this and dont=
 fail to indicate your direct and current phone number as well.
Mrs. Frank Lord.

=A0


--0-548405766-1266254886=:19606
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold;">Dear Frien=
d,</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;=
">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight:=
 bold;">I am very happy to inform you that I have been able to work out a n=
ew way to which you will receive this your funds as parcel and as it may in=
terest you to know I have been able to get in contact with a Diplomat who i=
s going to deliver the parcel to your door step and as I made the plan he w=
ill be delivering a parcel to you and the content of the parcel will be you=
r funds in total of $4.5Million us dollars as it was before although I did =
not revel to them about the content of the parcel because I simply told the=
m that the content of the parcel is your personal belongings/ family valuab=
les.</span><br style=3D"font-weight: bold;"><span style=3D"font-weight:
 bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">Listen, your Funds is still with us but we have deposited you=
r funds as parcel for the delivery. Remember your fund will be registered a=
s family valuables for security reasons under security monitoring departmen=
t with a seal on it for security reasons according to the management of the=
 despatching company this afternoon he said that You can find their code nu=
mber by side of the parcel there is a place on it they will write ( 0118 ) =
when you open it through that side you will see the code to open it so cont=
act and call the delivery company today on this information below,</span><b=
r style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</s=
pan><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Con=
tact person: Kalu Hilary </span><br style=3D"font-weight: bold;"><span styl=
e=3D"font-weight: bold;">Company Name:Sky View Courier (S.V.C)</span><br
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Email: (sk=
yviewcourier1@hosanna.net ) </span><br style=3D"font-weight: bold;"><span s=
tyle=3D"font-weight: bold;">Tel +229-9896-8840</span><br style=3D"font-weig=
ht: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"fon=
t-weight: bold;"><span style=3D"font-weight: bold;">Note that Your fund as =
parcel will be register as family valuables with code( 0118 )At this point =
I wish to know your readiness to receive your fund as you will be required =
to reconfirm your receiving address once more so that I will make sure that=
 I gave them your correct address to avoid any mistake about the delivery t=
hey told me that you will be required to pay for the Security Keeping Fee o=
f the parcel for a little rate amount of money which will only </span><br s=
tyle=3D"font-weight: bold;"><span style=3D"font-weight: bold;">cost you ( $=
105 dollar.) KINDLY RECOMFIRM YOUR FULL INFORMATIONS FOR THE DELIVERY.</spa=
n><br
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Your Full =
Name................</span><br style=3D"font-weight: bold;"><span style=3D"=
font-weight: bold;">Your Home Address..............</span><br style=3D"font=
-weight: bold;"><span style=3D"font-weight: bold;">Your Country............=
...</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold=
;">Your current Phone Number ..............</span><br style=3D"font-weight:=
 bold;"><span style=3D"font-weight: bold;">Your Cell Number...............<=
/span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Y=
our personal identification............</span><br style=3D"font-weight: bol=
d;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weigh=
t: bold;"><span style=3D"font-weight: bold;">Also I want to remind you that=
 no body will tamper with the parcel until it gets to your destination wait=
ing to hear from you soon about this and dont fail to indicate your direct =
and current phone number
 as well.</span><br style=3D"font-weight: bold;"><span style=3D"font-weight=
: bold;">Mrs. Frank Lord.</span><br style=3D"font-weight: bold;"><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;"><br></span=
></td></tr></table>
--0-548405766-1266254886=:19606--

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Subject: Ry-ding from A to E > sort of a Ry Cooder inspired improv
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I have always loved Ry's slide plying and tone=2C inspired bu the tone i fi=
red upp Jessie May (a Mystic Blues D-style amp) and took my Soloway Cygnus =
guitar.. EDP in the amps loop.. all "live" som reverb added in the mix...

NOt you're most typical Live looping perhaps.. Not to much EDP mannerism in=
 this.. i hope :-)

http://soundclick.com/share?songid=3D8750126

=20

I hope you guys enjoy listning....=20

=20

Cheers=2C


Anders
 		 	   		  =

--_17dce602-dde4-4ff2-8ada-9a1c4974e01f_
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<html>
<head>
<style><!--
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padding:0px
}
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{
font-size: 10pt=3B
font-family:Verdana
}
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</head>
<body class=3D'hmmessage'>
I have always loved Ry's slide plying and tone=2C inspired bu the tone i fi=
red upp Jessie May (a Mystic Blues D-style amp) and took my Soloway Cygnus =
guitar.. EDP in the amps loop.. all "live" som reverb added in the mix...<B=
R>
NOt you're most typical Live looping perhaps.. Not to much EDP mannerism in=
 this.. i hope :-)<BR>
<A href=3D"http://soundclick.com/share?songid=3D8750126">http://soundclick.=
com/share?songid=3D8750126</A><BR>
&nbsp=3B<BR>
I hope you guys enjoy listning.... <BR>
&nbsp=3B<BR>
Cheers=2C<BR>
<BR>Anders<BR> 		 	   		  </body>
</html>=

--_17dce602-dde4-4ff2-8ada-9a1c4974e01f_--

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Date: Mon, 15 Feb 2010 09:34:04 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Anyone buy a Boomerang III lately?
To: Loopers-Delight@loopers-delight.com
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--0-1519744156-1266255244=:72229
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=A0
I was awaiting the unit which I paid for (via eBay from a vendor selling th=
e 'Rang III's) around 1-28-10. When I inquired, I was told:
=A0
(It has not yet shipped..htey are currently in production at boomerang and =
due to ship end of this week i am told..no dealers have them untill then..o=
riginally they were due on the 29th on jan but it changed..i was sure i ema=
iled you..if you can hang in there it will be woth it for the free included=
 items..sorry again for the delay.)
=A0
I was wondering why they are selling gear they don't have and accepting pay=
ment. Strange.
=A0
Paul
=A0
=A0=0A=0A=0A      
--0-1519744156-1266255244=:72229
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>I was awaiting the unit which I paid for (via eBay from a vendor selli=
ng the 'Rang III's) around 1-28-10. When I inquired, I was told:</DIV>
<DIV>&nbsp;</DIV>
<DIV>(It has not yet shipped..htey are currently in production at boomerang=
 and due to ship end of this week i am told..no dealers have them untill th=
en..originally they were due on the 29th on jan but it changed..i was sure =
i emailed you..if you can hang in there it will be woth it for the free inc=
luded items..sorry again for the delay.)</DIV>
<DIV>&nbsp;</DIV>
<DIV>I was wondering why they are selling gear they don't have and acceptin=
g payment. Strange.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>=0A=0A      
--0-1519744156-1266255244=:72229--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 17:40:09 2010
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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Anyone buy a Boomerang III lately?
Date: Mon, 15 Feb 2010 11:40:09 -0600
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It has to be "pedalspluseffectswarehouse=94 on Ebay right?=20
=20
They sell EXPECTED stock=2C instead of stock they actually had.  Even thoug=
h they list the item as =93in stock.=94
=20
They pulled this crap on me in December.  I got a refund and went with Tone=
factor.  If Tonefactor says it is in stock=2C it is in stock.
=20
-- Greg
=20

Date: Mon=2C 15 Feb 2010 09:34:04 -0800
From: paulrichard_rocks@yahoo.com
Subject: Anyone buy a Boomerang III lately?
To: Loopers-Delight@loopers-delight.com






=20
I was awaiting the unit which I paid for (via eBay from a vendor selling th=
e 'Rang III's) around 1-28-10. When I inquired=2C I was told:
=20
(It has not yet shipped..htey are currently in production at boomerang and =
due to ship end of this week i am told..no dealers have them untill then..o=
riginally they were due on the 29th on jan but it changed..i was sure i ema=
iled you..if you can hang in there it will be woth it for the free included=
 items..sorry again for the delay.)
=20
I was wondering why they are selling gear they don't have and accepting pay=
ment. Strange.
=20
Paul
=20
=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469227/direct/01/=

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<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">It has to be&nbsp=3B"ped=
alspluseffectswarehouse=94 on Ebay right? <?xml:namespace prefix =3D o ns =
=3D "urn:schemas-microsoft-com:office:office" /><o:p></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p>&nbsp=3B</o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">They sell EXPECTED stock=
=2C instead of stock they actually had.<SPAN style=3D"mso-spacerun: yes">&n=
bsp=3B </SPAN>Even though they list the item as =93in stock.=94<o:p></o:p><=
/P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p>&nbsp=3B</o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">They pulled this crap on=
 me in December.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B </SPAN>I got a r=
efund and went with Tonefactor.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B <=
/SPAN>If Tonefactor says it is in stock=2C it is in stock.<o:p></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">&nbsp=3B<o:p></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">-- Greg<o:p></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"></FONT>&nbsp=3B</P>
<HR id=3DstopSpelling>
Date: Mon=2C 15 Feb 2010 09:34:04 -0800<BR>From: paulrichard_rocks@yahoo.co=
m<BR>Subject: Anyone buy a Boomerang III lately?<BR>To: Loopers-Delight@loo=
pers-delight.com<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>&nbsp=3B</DIV>
<DIV>I was awaiting the unit which I paid for (via eBay from a vendor selli=
ng the 'Rang III's) around 1-28-10. When I inquired=2C I was told:</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>(It has not yet shipped..htey are currently in production at boomerang=
 and due to ship end of this week i am told..no dealers have them untill th=
en..originally they were due on the 29th on jan but it changed..i was sure =
i emailed you..if you can hang in there it will be woth it for the free inc=
luded items..sorry again for the delay.)</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>I was wondering why they are selling gear they don't have and acceptin=
g payment. Strange.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Paul</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>&nbsp=3B</DIV></TD></TR></TBODY></TABLE><BR> 		 	   		  <br /><hr />Ho=
tmail: Trusted email with powerful SPAM protection. <a href=3D'http://clk.a=
tdmt.com/GBL/go/201469227/direct/01/' target=3D'_new'>Sign up now.</a></bod=
y>
</html>=

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Details please!!


Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> my newly invented Walker Manual Glitch Pedal

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 17:50:55 2010
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From: "Nathan Lang" <nathan@significantimagery.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Anyone buy a Boomerang III lately?
Date: Mon, 15 Feb 2010 11:50:31 -0600
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This actually can happen quite a bit. They were expecting them to arrive =
on
a certain date and began sales based on that expectation.

=20

When the Electrix repeater first hit the market, I bought one early from =
an
online retailer but Electrix kept pushing back the release date (for =
nearly
a year if I remember correctly!) To keep customers happy, sellers should
specify when an item is not actually in stock yet but "expected" to be =
in
and make it clear that it's a pre-order and the manufacturer's ship date
could be subject to change, as setbacks can happen sometimes.

=20

Nathan

=20

=20

-----Original Message-----
From: Paul Richards [mailto:paulrichard_rocks@yahoo.com]=20
Sent: Monday, February 15, 2010 11:34 AM
To: Loopers-Delight@loopers-delight.com
Subject: Anyone buy a Boomerang III lately?

=20


=20

I was awaiting the unit which I paid for (via eBay from a vendor selling =
the
'Rang III's) around 1-28-10. When I inquired, I was told:

=20

(It has not yet shipped..htey are currently in production at boomerang =
and
due to ship end of this week i am told..no dealers have them untill
then..originally they were due on the 29th on jan but it changed..i was =
sure
i emailed you..if you can hang in there it will be woth it for the free
included items..sorry again for the delay.)

=20

I was wondering why they are selling gear they don't have and accepting
payment. Strange.

=20

Paul

=20

=20

=20


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>This actually can happen quite a =
bit. They
were expecting them to arrive on a certain date and began sales based on =
that
expectation.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>When the Electrix repeater first =
hit the
market, I bought one early from an online retailer but Electrix kept =
pushing
back the release date (for nearly a year if I remember correctly!) To =
keep
customers happy, sellers should specify when an item is not actually in =
stock
yet but &#8220;expected&#8221; to be in and make it clear that =
it&#8217;s a
pre-order and the manufacturer&#8217;s ship date could be subject to =
change, as
setbacks can happen sometimes.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
 10.0pt;font-family:Arial;color:navy'>Nathan</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>-----Original Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Paul Richards
[mailto:paulrichard_rocks@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, February =
15, 2010
11:34 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Anyone buy a =
Boomerang
III lately?</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>I was awaiting the unit which I paid for =
(via eBay
  from a vendor selling the 'Rang III's) around 1-28-10. When I =
inquired, I was
  told:</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>(It has not yet shipped..htey are currently =
in
  production at boomerang and due to ship end of this week i am told..no
  dealers have them untill then..originally they were due on the 29th on =
jan
  but it changed..i was sure i emailed you..if you can hang in there it =
will be
  woth it for the free included items..sorry again for the =
delay.)</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>I was wondering why they are selling gear =
they don't
  have and accepting payment. Strange.</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>Paul</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;</span></font></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

</div>

</body>

</html>

------=_NextPart_000_005B_01CAAE35.151A3820--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 18:44:35 2010
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References: <4B763AE5.2070709@cruzio.com> <4B7987C3.1090606@mhorse.com>
Date: Mon, 15 Feb 2010 13:44:33 -0500
Message-ID: <9e0440a61002151044q3aed5bedud3c679b427f48dd4@mail.gmail.com>
Subject: Re: Cool, Affordable, Contact Mics!
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
Resent-Message-ID: <QpIRZB.A.gX.TYZeLB@arsenic>
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The crank stuff is really cool and go figure from a Mainer no doubt!
Thx for passing along steve.

On 2/15/10, Daryl Shawn <highhorse@mhorse.com> wrote:
> Details please!!
>
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> my newly invented Walker Manual Glitch Pedal
>
>

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From cherylrichmond@att.net  Mon Feb 15 19:13:24 2010
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Date: Mon, 15 Feb 2010 11:13:16 -0800 (PST)
From: Cheryl Richmond <cherylrichmond@att.net>
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Subject: Compliment Your ATM CARD has been processed and ready for shipment
To: undisclosed recipients: ;
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Compliment Your ATM CARD has been processed and ready for shipment=C2=A0 =
=C2=A0
=0A
=0ADear Sir/Madam,
=0A=C2=A0
=0AThis is to bring to your notice that your compensation check which my=0A=
boss left in my custody to be delivered to you is about to expire, as=0Ait =
has only 3 days left I decided to contact the issuing bank which=0Aafter i =
talked to the bank manager he helped and converted your check=0Amoney into =
cash and then load it to an ATM CARD, I have paid the=0Are-activation fee a=
nd delivery of your ATM Card. I paid it because the=0AATM Card with pin no =
8119 valued to the sum of $1.5m will go into=0AGovernment purse if i have l=
eft it to expire. With this I decided to=0Ahelp you make this arrangement t=
o avoid the money going into the=0Agovernment purse after it expires, becau=
se I know when you get your ATM=0ACard definitely you must pay me back my m=
oney and even compensate me=0Afor helping you.=20
=0A=C2=A0
=0ANow i want you to contact=20
=0AFEDEX Courier Company with your Full Contact information=E2=80=99s so th=
at they=0Acan deliver your Card to your designated address without any dela=
y.=0ALike i stated earlier, the delivery charges has been paid but i did no=
t=0Apay their official keeping fees since they do not know when you will be=
=0Acontacting them.
=0A=C2=A0
=0AI asked them for me to pay the keeping charges but they refused and the=
=0Areason is that they do not know when you are going to contact them and=
=0Ademurrage might have increased by then.
=0A=C2=A0
=0AThey told me that their keeping fees is $25 per day and i deposited it=
=0Aon Friday Last week and i have been trying to reach you, by no avail as=
=0Aeach time i send an email to you it will bounce back, I hope you will=0A=
receive this email and then contact the FEDEX Courier agent with there=0Ain=
formation=E2=80=99s below.=20
=0A=C2=A0
=0ABelow is their Contact Information=E2=80=99s,=20
=0AContact Person: Dr.Mike Borry Fedex Courier Company
=0AEmail: (fedexdeliverycom.panyc@hotmail.fr)=20
=0ATel: +22998734449 Contact Today to avoid increase of their keeping fees =
and let me know once you receive your card.
=0A=C2=A0
=0ABest Regards.=20
=0AMrs.Jona Edward.
=0A
=0A
=0ACompliment Your ATM CARD has been processed and ready for shipment
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Compliment Your ATM CARD has been processed a=
nd ready for shipment&nbsp; &nbsp;<br>=0A<br>=0ADear Sir/Madam,<br>=0A&nbsp=
;<br>=0AThis is to bring to your notice that your compensation check which =
my=0Aboss left in my custody to be delivered to you is about to expire, as=
=0Ait has only 3 days left I decided to contact the issuing bank which=0Aaf=
ter i talked to the bank manager he helped and converted your check=0Amoney=
 into cash and then load it to an ATM CARD, I have paid the=0Are-activation=
 fee and delivery of your ATM Card. I paid it because the=0AATM Card with p=
in no 8119 valued to the sum of $1.5m will go into=0AGovernment purse if i =
have left it to expire. With this I decided to=0Ahelp you make this arrange=
ment to avoid the money going into the=0Agovernment purse after it expires,=
 because I know when you get your ATM=0ACard definitely you must pay me bac=
k my money and even compensate me=0Afor helping you. <br>=0A&nbsp;<br>=0ANo=
w i want you to contact <br>=0AFEDEX Courier Company with your Full Contact=
 information=E2=80=99s so that they=0Acan deliver your Card to your designa=
ted address without any delay.=0ALike i stated earlier, the delivery charge=
s has been paid but i did not=0Apay their official keeping fees since they =
do not know when you will be=0Acontacting them.<br>=0A&nbsp;<br>=0AI asked =
them for me to pay the keeping charges but they refused and the=0Areason is=
 that they do not know when you are going to contact them and=0Ademurrage m=
ight have increased by then.<br>=0A&nbsp;<br>=0AThey told me that their kee=
ping fees is $25 per day and i deposited it=0Aon Friday Last week and i hav=
e been trying to reach you, by no avail as=0Aeach time i send an email to y=
ou it will bounce back, I hope you will=0Areceive this email and then conta=
ct the FEDEX Courier agent with there=0Ainformation=E2=80=99s below. <br>=
=0A&nbsp;<br>=0ABelow is their Contact Information=E2=80=99s, <br>=0AContac=
t Person: Dr.Mike Borry Fedex Courier Company<br>=0AEmail: (fedexdeliveryco=
m.panyc@hotmail.fr) <br>=0ATel: +22998734449 Contact Today to avoid increas=
e of their keeping fees and let me know once you receive your card.<br>=0A&=
nbsp;<br>=0ABest Regards. <br>=0AMrs.Jona Edward.<br>=0A<br>=0A<br>=0ACompl=
iment Your ATM CARD has been processed and ready for shipment</td></tr></ta=
ble>
--0-184222605-1266261196=:83234--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 19:56:10 2010
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Date: Mon, 15 Feb 2010 11:56:09 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: scott hansen's loop-based improv show #3
To: Loopers-Delight@loopers-delight.com
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--0-840178681-1266263769=:16490
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

here's a link:

http://www.mefeedia.com/watch/28102613

to my latest, show i turned in to our local patv, show #3 (has funny puppet=
 snippets too).

i think i did it over=A0 a yr ago, and it sat in my studio, never got aroun=
d to delivering it.
playing my last headless guitar (which is now dismantled and awaits to be t=
urned into my next guitar project). i 'm using pedal wise: zoom g2-digitech=
 rp150-boss dd7-behringer tweakalizer-boss rc20-out to my kustom 12A tube a=
mp.

enjoy....
s---
www.myspace.com/scotthansen
=0A=0A=0A      
--0-840178681-1266263769=:16490
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">here's a link:<br><br>http://www.mefeedia.com=
/watch/28102613<br><br>to my latest, show i turned in to our local patv, sh=
ow #3 (has funny puppet snippets too).<br><br>i think i did it over&nbsp; a=
 yr ago, and it sat in my studio, never got around to delivering it.<br>pla=
ying my last headless guitar (which is now dismantled and awaits to be turn=
ed into my next guitar project). i 'm using pedal wise: zoom g2-digitech rp=
150-boss dd7-behringer tweakalizer-boss rc20-out to my kustom 12A tube amp.=
<br><br>enjoy....<br>s---<br>www.myspace.com/scotthansen<br></td></tr></tab=
le><br>=0A=0A      
--0-840178681-1266263769=:16490--

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Buona giornata, 
Il mio nome è Gerard Robbert Martinus Sebastiaan, io lavoro con la Finanza monetario Control Unit qui in 
Paesi Bassi, siamo responsabili per il controllo titolari di un conto estero in tutte le banche diverse qui in 
Paesi Bassi. Ho trovato il vostro contatto e-mail tramite la directory del mio paese Web internazionale. 
Durante la nostra ultima ispezioni annuali di tutti i vari conti bancari qui in Olanda, il mio reparto 
trovato un conto da regolare con una ingente somma di US $ 6.500.000,00 (sei milioni di cinquecento 
US Dollar) che è stato depositato da un ormai defunto signor Jerry R. Williams, un cittadino australiano. 
Da mie ricerche ho scoperto che il compianto Jerry R. Williams non ha alcun beneficiario o di un parente 
prossimo di credito i suoi fondi (US $ 6.500.000,00) e la legge del mio paese qui in Olanda è che quando 
un account è inattivo per più di otto 8 anni l'Autorità ha il diritto di confisticate i fondi. Questo i fondi stanno 
per essere confiscato se non approfittarne. È per questo che io sono a contatto con partner di me in 
questo, una volta in un vita-opportunità del tempo. Tutto quello che devi fare è quella di presentarsi come il 
parente più prossimo al decesso, il mio avvocato processo e fornire tutti i documenti pertinenti in questo 
senso e il denaro sarà trasferito a te, il tuo account nel vostro paese in modo che possiamo condividere e 
di investire in un'attività redditizia. 
Ho bisogno di tutti voi, è per noi di lavorare insieme - basta seguire la mia istruzione e la strategia, l fornirà 
tutte le pertinenti informazioni e la documentazione che permetterà a questo trasferimento di fondi sul tuo 
conto bancario legalmente con uno intoppo o un problema. Spiegherò meglio dopo aver risposto questa 
email. Non vedo l'ora di sentire da A presto. 
Gentilmente di scrivere direttamente a me con i tuoi contatti alla mia email privata: robbertgerardnl@aol.com 
Con i migliori saluti, 
Gerard Sebastiaan 

From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 21:56:44 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Slight OT - Looping content on podcast(Bit spammy?)
Date: Mon, 15 Feb 2010 21:56:39 +0000
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Hey guys

Myself, Rainer and Pseudo Ambient feature on this podcast http:// 
nicktann.podbean.com/ - all good.

Thanks


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hey =
guys<div><br></div><div>Myself, Rainer and Pseudo Ambient feature on =
this podcast&nbsp;<a =
href=3D"http://nicktann.podbean.com">http://nicktann.podbean.com</a>/ - =
all good.</div><div><br></div><div>Thanks</div><div><br><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Feb 15 22:53:25 2010
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Date: Mon, 15 Feb 2010 23:53:18 +0100
Message-ID: <afb941d1002151453g63219ea6hec3291aed3cf2b94@mail.gmail.com>
Subject: Re: scott hansen's loop-based improv show #3
From: Raul Bonell <raul.bonell@gmail.com>
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nicely done!
i may get some funny costumes too ...

:-)


2010/2/15 scott hansen <evanpeewee@yahoo.com>

> here's a link:
>
> http://www.mefeedia.com/watch/28102613
>
> to my latest, show i turned in to our local patv, show #3 (has funny puppet
> snippets too).
>
> i think i did it over  a yr ago, and it sat in my studio, never got around
> to delivering it.
> playing my last headless guitar (which is now dismantled and awaits to be
> turned into my next guitar project). i 'm using pedal wise: zoom g2-digitech
> rp150-boss dd7-behringer tweakalizer-boss rc20-out to my kustom 12A tube
> amp.
>
> enjoy....
> s---
> www.myspace.com/scotthansen
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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nicely done!<br>i may get some funny costumes too ... <br><br>:-)<br><br><b=
r><div class=3D"gmail_quote">2010/2/15 scott hansen <span dir=3D"ltr">&lt;<=
a href=3D"mailto:evanpeewee@yahoo.com">evanpeewee@yahoo.com</a>&gt;</span><=
br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><table border=3D"=
0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font-family:=
 inherit; font-style: inherit; font-variant: inherit; font-weight: inherit;=
 font-size: inherit; line-height: inherit; font-size-adjust: inherit; font-=
stretch: inherit;" valign=3D"top">
here&#39;s a link:<br><br><a href=3D"http://www.mefeedia.com/watch/28102613=
" target=3D"_blank">http://www.mefeedia.com/watch/28102613</a><br><br>to my=
 latest, show i turned in to our local patv, show #3 (has funny puppet snip=
pets too).<br>
<br>i think i did it over=A0 a yr ago, and it sat in my studio, never got a=
round to delivering it.<br>playing my last headless guitar (which is now di=
smantled and awaits to be turned into my next guitar project). i &#39;m usi=
ng pedal wise: zoom g2-digitech rp150-boss dd7-behringer tweakalizer-boss r=
c20-out to my kustom 12A tube amp.<br>
<br>enjoy....<br>s---<br><a href=3D"http://www.myspace.com/scotthansen" tar=
get=3D"_blank">www.myspace.com/scotthansen</a><br></td></tr></tbody></table=
><br>

      </blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Bl=
ogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspo=
t.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com=
">http://www.ct-collective.com</a><br>
<br>

--0016e649c9e8b9de73047fab7b93--

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References: <FDEF23E2-D4EB-413B-8B8C-27FABCD99AD3@btinternet.com>
Subject: Re: Slight OT - Looping content on podcast(Bit spammy?)
Date: Mon, 15 Feb 2010 18:24:52 -0500
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Hey Matt, thanks for posting this! Really nice show there. Love the =
remix thing you have going also.=20

onward,

Jeff

http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke

  ----- Original Message -----=20
  From: Matt Stevens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, February 15, 2010 4:56 PM
  Subject: Slight OT - Looping content on podcast(Bit spammy?)


  Hey guys


  Myself, Rainer and Pseudo Ambient feature on this podcast =
http://nicktann.podbean.com/ - all good.


  Thanks



  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com







------=_NextPart_000_000B_01CAAE6C.2A558870
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Matt, thanks for posting this! =
Really nice show=20
there. Love the remix thing you have going also. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>onward,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
/FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmattstevensguitar@btinternet.com=20
  href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, February 15, 2010 =
4:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Slight OT - Looping =
content on=20
  podcast(Bit spammy?)</DIV>
  <DIV><BR></DIV>Hey guys
  <DIV><BR></DIV>
  <DIV>Myself, Rainer and Pseudo Ambient feature on this podcast&nbsp;<A =

  href=3D"http://nicktann.podbean.com">http://nicktann.podbean.com</A>/ =
- all=20
  good.</DIV>
  <DIV><BR></DIV>
  <DIV>Thanks</DIV>
  <DIV><BR><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px">
  <DIV>Matt Stevens</DIV>
  <DIV><A=20
  =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
  <DIV><A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  =
class=3DApple-interchange-newline></DIV><BR></DIV></BLOCKQUOTE></BODY></H=
TML>

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From: Abu Hussain <abu1880@mail.az>
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To: undisclosed-recipients:;
Subject: a cry for help
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Dear Friend,

My name is Abu Hussain, a merchant in Dubai in U.A.E, but presently =20
receiving treatment in the United Kingdom. I have been diagnose with =20
Oesophageal cancer which was discovered very late, due to my laxity  =20
in caring for my health.
It has defiled all forms of medicine, and right now I have only about =20
few months to live, according to medical experts.

I have never particularly lived my live so well, as I have never =20
really cared for anyone not even myself but business. Though I am very =20
rich, but not generous, I was always hostile to people and only focus =20
on my business as that was the only thing I cared for.
But now I regret all this as I now know that there is more to life =20
than just wanting to have or make all the money in the world. I =20
believe when God gives me a second chance to come to this world I will =20
live my life in a different way from how I have lived before, now that =20
God has called me through this way, I have willed and given Most of my =20
properties assets to my immediate and extended family and As well as =20
few close friends.

Now that my health has deteriorated so badly, I can not do this my =20
self anymore, I once asked my family members to close one of my =20
accounts and distribute the fund to charity organisations but they =20
refused and kept the money for themselves, hence I do not trust them =20
anymore as they seem not to be contented with what I have left for =20
them the last of  my funds which no one knows about is a huge cash =20
deposit of Thirty five million dollars($35,000,000,00) in a security =20
vault presently  managed by a private security firm.

I want to know if you can be of good help to dispatch this fund to =20
charity organisation and for the developments of poor community and =20
aid for the less privileged people.
For helping me to do this 30% percent of the total amount will be for =20
you for your time and patience and 5% will be for any expenses =20
incurred in the course of executing my wish.
Is this proposition attainable? if it is, kindly contact me on my =20
private  emailaddress  abuh1880@hotmail.com for further instructions.

May God be with you as you have decided to Take a bold step to help =20
and heal the world with me.

Best regards

Abu Hussain

From gerardrobbertnl1@yahoo.cn  Tue Feb 16 03:33:33 2010
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Buona giornata, 
Il mio nome è Gerard Robbert Martinus Sebastiaan, io lavoro con la Finanza monetario Control Unit qui in 
Paesi Bassi, siamo responsabili per il controllo titolari di un conto estero in tutte le banche diverse qui in 
Paesi Bassi. Ho trovato il vostro contatto e-mail tramite la directory del mio paese Web internazionale. 
Durante la nostra ultima ispezioni annuali di tutti i vari conti bancari qui in Olanda, il mio reparto 
trovato un conto da regolare con una ingente somma di US $ 6.500.000,00 (sei milioni di cinquecento 
US Dollar) che è stato depositato da un ormai defunto signor Jerry R. Williams, un cittadino australiano. 
Da mie ricerche ho scoperto che il compianto Jerry R. Williams non ha alcun beneficiario o di un parente 
prossimo di credito i suoi fondi (US $ 6.500.000,00) e la legge del mio paese qui in Olanda è che quando 
un account è inattivo per più di otto 8 anni l'Autorità ha il diritto di confisticate i fondi. Questo i fondi stanno 
per essere confiscato se non approfittarne. È per questo che io sono a contatto con partner di me in 
questo, una volta in un vita-opportunità del tempo. Tutto quello che devi fare è quella di presentarsi come il 
parente più prossimo al decesso, il mio avvocato processo e fornire tutti i documenti pertinenti in questo 
senso e il denaro sarà trasferito a te, il tuo account nel vostro paese in modo che possiamo condividere e 
di investire in un'attività redditizia. 
Ho bisogno di tutti voi, è per noi di lavorare insieme - basta seguire la mia istruzione e la strategia, l fornirà 
tutte le pertinenti informazioni e la documentazione che permetterà a questo trasferimento di fondi sul tuo 
conto bancario legalmente con uno intoppo o un problema. Spiegherò meglio dopo aver risposto questa 
email. Non vedo l'ora di sentire da A presto. 
Gentilmente di scrivere direttamente a me con i tuoi contatti alla mia email privata: gerardrobbertnl@yahoo.cn 
Con i migliori saluti, 
Gerard Sebastiaan 

From MAILER-DAEMON  Tue Feb 16 12:20:38 2010
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Reply-To: <ronaldmorris@live.nl>
From: "SNS BANK THE NETHERLANDS"<"SNS BANK THE NETHERLANDS"@omr6.networksolutionsemail.com>
To: ronaldmorris@live.nl
Subject: FINAL NOTIFICATION
Date: Tue, 16 Feb 2010 12:20:29 -0000
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REF:EGS/3662367114/13

FINAL NOTIFICATION:

With respect to the above reference number, be informed for the last time that
i want to list you as a beneficiary to a total sum of US$10,620.000 (Ten
Million, Six Hundred And Twenty Thousand United States Dollars) in the codicil and last
testament of a deceased client.(Name now withheld since we have sent several
letters to you).

We are contacting you based on the fact that you bear the same last name
identity with the deceased. 

Legally you are qualified to receive these funds as the beneficiary with your
surname identity. All the legal papers will be processed to facilitate the
release of this money to you in line with our bank inheritance policies. 

In your acceptance of claim of this money, we require you to send to us
immediately, your full names as they are in your international passport, your
current mobile telephone number, your fax number (must be a confidential fax)
and your contact address to enable us file necessary documents at any probate
court for the release of this money. 

Kindly contact me so we can get this deal started and concluded immediately. 

As soon as we get your details, we will turn update you with your claim
proceedings.

Yours Faithfully,
Ronald Morris.

Note: This message is strictly for the addressed email bearer. if you have
received in error kindly delete immediately and dis regard.We thank you for your
cooperation.

From victorial@bradshaws.com  Tue Feb 16 13:43:04 2010
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From: "Victoria L. Bradshaw"<victorial@bradshaws.com>
Subject: Workforce Development Agency!
Date: Tue, 16 Feb 2010 05:30:29 -0800
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To: undisclosed-recipients:;

 First of all we would like to thank you for taking the time to read our job offer. My name is Victoria L. Bradshaw, California Labor and Workforce Development Agency. We have recently initiated a project in collaboration with all private sector companies and set up an employment plan and new business strategies. In the progress of creating a new Multi Level e-commerce strategy, I am looking forward to establish a business relationship with you. With your efforts and our knowledge, this opportunity can become everything from a means of earning a little extra cash to building an international business. As a business, it offers the greatest flexibility and personal freedom of time. A few hours a week can earn a significant supplemental income and may grow to a very large income, making other work unnecessary. If you show interest in our offer please contact us at vecagent@consultant.com for more information.

Looking forward in doing business together!

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 13:57:33 2010
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Hi folks

I'm looking for a Windows alternative to Mainstage (for looping with Mobius).

Recently, I've found the DAW Reaper (http://reaper.fm) pretty impressive.  I wonder if this would also be a flexible audio routing tool for live performances (custom actions assigned to midi controllers)?

best regards
Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 14:17:21 2010
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Date: Tue, 16 Feb 2010 15:17:20 +0100
Message-ID: <66f9cc1e1002160617i2cb36178h9105f8181d518edf@mail.gmail.com>
Subject: Re: Reaper instead of Bidule/Mainstage?
From: Per Boysen <perboysen@gmail.com>
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On Tue, Feb 16, 2010 at 2:57 PM, Buzap Buzap <buzap@gmx.net> wrote:
> I'm looking for a Windows alternative to Mainstage (for looping with Mobi=
us).
>
> Recently, I've found the DAW Reaper (http://reaper.fm) pretty impressive.=
 =C2=A0I wonder if this would also be a flexible audio routing tool for liv=
e performances (custom actions assigned to midi controllers)?

Yes, I'm wondering about that too. Do you have a change to check out
Reaper and report here?

Generally DAW applications are not as good a host application choice
for live looping plug-ins as dedicated performance applications are. A
DAW typically allocates a lot of recourses for latency compensation
and sync regarding playback of recorded files, something that is
totally moot for live looping performance (where stability and user
customization are more important).

As a good live looping performance host application for Windows I can
merrily recommend Bidule! I used it for many years together with
Mobius and today I still use the same Bidule session on OS X that I
built on XP in 2005. When Mainstage was released for Mac I found it to
be almost a replica of my Windows XP looping plug-in host session!
IMHO Bidule still does patch shifting with reverb tail preservation
better than Mainstage 2. The point with Bidule is that it is module
based, meaning you can fix stuff that you want to work differently.
That degree of user customization is not even on the horizon for big
players like Apple, that rather bring a plug-n-play philosophy.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 14:22:02 2010
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Subject: Re: Reaper instead of Bidule/Mainstage?
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502965108d53b047fb87519
Content-Type: text/plain; charset=ISO-8859-1

Any reason not to use Bidule or AudioMulch?  Besides not being free like
Reaper.

On Tue, Feb 16, 2010 at 8:57 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Hi folks
>
> I'm looking for a Windows alternative to Mainstage (for looping with
> Mobius).
>
> Recently, I've found the DAW Reaper (http://reaper.fm) pretty impressive.
>  I wonder if this would also be a flexible audio routing tool for live
> performances (custom actions assigned to midi controllers)?
>
> best regards
> Buzap
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser
>
>


-- 
-==-=-=-
Tony

--00504502965108d53b047fb87519
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Any reason not to use Bidule or AudioMulch?=A0 Besides not being free like =
Reaper.<br><br><div class=3D"gmail_quote">On Tue, Feb 16, 2010 at 8:57 AM, =
Buzap Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gm=
x.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi folks<br>
<br>
I&#39;m looking for a Windows alternative to Mainstage (for looping with Mo=
bius).<br>
<br>
Recently, I&#39;ve found the DAW Reaper (<a href=3D"http://reaper.fm" targe=
t=3D"_blank">http://reaper.fm</a>) pretty impressive. =A0I wonder if this w=
ould also be a flexible audio routing tool for live performances (custom ac=
tions assigned to midi controllers)?<br>

<br>
best regards<br>
Buzap<br>
<font color=3D"#888888">--<br>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br>
jetzt kostenlos herunterladen! <a href=3D"http://portal.gmx.net/de/go/chbro=
wser" target=3D"_blank">http://portal.gmx.net/de/go/chbrowser</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--00504502965108d53b047fb87519--

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Date: Tue, 16 Feb 2010 06:39:45 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: RE: Anyone buy a Boomerang III lately?
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--0-1132949795-1266331185=:9033
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Hello from frozen Virginia:
=C2=A0
It is a seller called 'trickedoutguitar'. I just checked the eBay ad and th=
e ad states "three available". This is a fradulent claim, IMHO. Why not jus=
t state 100 available? Or 1000? Because, in actuality, there are NONE avail=
able.=20
=C2=A0
Regards, Paul

--- On Mon, 2/15/10, Greg Gaz <greggaz@hotmail.com> wrote:


From: Greg Gaz <greggaz@hotmail.com>
Subject: RE: Anyone buy a Boomerang III lately?
To: loopers-delight@loopers-delight.com
Date: Monday, February 15, 2010, 12:40 PM





It has to be=C2=A0"pedalspluseffectswarehouse=E2=80=9D on Ebay right?=20
=C2=A0
They sell EXPECTED stock, instead of stock they actually had.=C2=A0 Even th=
ough they list the item as =E2=80=9Cin stock.=E2=80=9D
=C2=A0
They pulled this crap on me in December.=C2=A0 I got a refund and went with=
 Tonefactor.=C2=A0 If Tonefactor says it is in stock, it is in stock.
=C2=A0
-- Greg
=C2=A0

Date: Mon, 15 Feb 2010 09:34:04 -0800
From: paulrichard_rocks@yahoo.com
Subject: Anyone buy a Boomerang III lately?
To: Loopers-Delight@loopers-delight.com






=C2=A0
I was awaiting the unit which I paid for (via eBay from a vendor selling th=
e 'Rang III's) around 1-28-10. When I inquired, I was told:
=C2=A0
(It has not yet shipped..htey are currently in production at boomerang and =
due to ship end of this week i am told..no dealers have them untill then..o=
riginally they were due on the 29th on jan but it changed..i was sure i ema=
iled you..if you can hang in there it will be woth it for the free included=
 items..sorry again for the delay.)
=C2=A0
I was wondering why they are selling gear they don't have and accepting pay=
ment. Strange.
=C2=A0
Paul
=C2=A0
=C2=A0



Hotmail: Trusted email with powerful SPAM protection. Sign up now. =0A=0A=
=0A      
--0-1132949795-1266331185=:9033
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hello from frozen Virginia:</DIV>
<DIV>&nbsp;</DIV>
<DIV>It is a seller called 'trickedoutguitar'. I just checked the eBay ad a=
nd the ad states "three available". This is a fradulent claim, IMHO. Why no=
t just state 100 available? Or 1000? Because, in actuality, there are NONE =
available. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul<BR><BR>--- On <B>Mon, 2/15/10, Greg Gaz <I>&lt;greggaz@h=
otmail.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Greg Gaz &lt;greggaz@hotmail.com&gt;<BR>Sub=
ject: RE: Anyone buy a Boomerang III lately?<BR>To: loopers-delight@loopers=
-delight.com<BR>Date: Monday, February 15, 2010, 12:40 PM<BR><BR>
<DIV id=3Dyiv304460658>
<STYLE><!--
#yiv304460658 .hmmessage P
{
margin:0px;padding:0px;}
#yiv304460658 {
font-size:10pt;font-family:Verdana;}
--></STYLE>
<FONT face=3D"Times New Roman" size=3D3>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">It has to be&nbsp;"pedal=
spluseffectswarehouse=E2=80=9D on Ebay right? </DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">&nbsp;</DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">They sell EXPECTED stock=
, instead of stock they actually had.<SPAN>&nbsp; </SPAN>Even though they l=
ist the item as =E2=80=9Cin stock.=E2=80=9D</DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">&nbsp;</DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">They pulled this crap on=
 me in December.<SPAN>&nbsp; </SPAN>I got a refund and went with Tonefactor=
.<SPAN>&nbsp; </SPAN>If Tonefactor says it is in stock, it is in stock.</DI=
V>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">&nbsp;</DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt">-- Greg</DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"></FONT>&nbsp;</DIV>
<HR id=3DstopSpelling>
Date: Mon, 15 Feb 2010 09:34:04 -0800<BR>From: paulrichard_rocks@yahoo.com<=
BR>Subject: Anyone buy a Boomerang III lately?<BR>To: Loopers-Delight@loope=
rs-delight.com<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>&nbsp;</DIV>
<DIV>I was awaiting the unit which I paid for (via eBay from a vendor selli=
ng the 'Rang III's) around 1-28-10. When I inquired, I was told:</DIV>
<DIV>&nbsp;</DIV>
<DIV>(It has not yet shipped..htey are currently in production at boomerang=
 and due to ship end of this week i am told..no dealers have them untill th=
en..originally they were due on the 29th on jan but it changed..i was sure =
i emailed you..if you can hang in there it will be woth it for the free inc=
luded items..sorry again for the delay.)</DIV>
<DIV>&nbsp;</DIV>
<DIV>I was wondering why they are selling gear they don't have and acceptin=
g payment. Strange.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR></TBODY></TABLE><BR><BR>
<HR>
Hotmail: Trusted email with powerful SPAM protection. <A href=3D"http://clk=
.atdmt.com/GBL/go/201469227/direct/01/" target=3D_blank rel=3Dnofollow>Sign=
 up now.</A> </DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1132949795-1266331185=:9033--

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Subject: RE: FreeLotto Prize Award!!!
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Attn...

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Subject: Re: me and Bongo LiveLooping
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--005045016333ef225e047fb8cce3
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I enjoyed this too. Nice and relaxed and groovy

On Mon, Feb 15, 2010 at 12:12 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Feb 15, 2010 at 6:01 PM, Loaf citious <loafcitious@gmail.com>
> wrote:
> > http://andy-garber.com/ND_audio/AndyBongo_020710_mix.mp3
>
> Lovely!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--005045016333ef225e047fb8cce3
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I enjoyed this too. Nice and relaxed and groovy<br><br><div class=3D"gmail_=
quote">On Mon, Feb 15, 2010 at 12:12 PM, Per Boysen <span dir=3D"ltr">&lt;<=
a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Mon, Feb 15, 2010 at 6:01 PM, Loaf citious &lt;<a href=3D"mailto:loafci=
tious@gmail.com">loafcitious@gmail.com</a>&gt; wrote:<br>

&gt; <a href=3D"http://andy-garber.com/ND_audio/AndyBongo_020710_mix.mp3" t=
arget=3D"_blank">http://andy-garber.com/ND_audio/AndyBongo_020710_mix.mp3</=
a><br>
<br>
</div>Lovely!<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD=
: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota=
">http://www.cdbaby.com/cd/warrensirota</a><br>


--005045016333ef225e047fb8cce3--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 15:23:20 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Reaper instead of Bidule/Mainstage?
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Well, there are several considerations:

First of all, I'm still waiting for an Apple MBP update (once they stop playing around with the ipad stuff...), so I'd like to consider an alternative setup on Windows.

Then, I have moved basically all my other software (besides audio sw) to open source/freeware and I'm happy about the flexibility and platform indepdendence.

I have considered Reaper because it seems an innovative, flexible, high-performant platform. 
I'm considering Repeater over  obvious choices like Bidule/Audiomulch, because I like to have the same environment for looping _and_ recording(DAW). This works great on LogicPro+Mainstage and I was wondering if I could pull something like that off with Reaper and i.e. same NI Kore instruments/effects.

I don't need too sophisticated stuff, not even visual feedback. Just some audio routing and some fx parameters I can control via midi.
Reaper seems to be quite flexible here, i.e. when I look at these examples:
http://forum.cockos.com/showthread.php?t=37407

best regards
Buzap

-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 15:27:42 2010
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I'm a sucker for Ry-style slide work too.

Very nice.

Thanks for sharing.

Ted

On Feb 15, 2010, at 9:34 AM, Anders Bergdahl wrote:

> I have always loved Ry's slide plying and tone, inspired bu the tone  
> i fired upp Jessie May (a Mystic Blues D-style amp) and took my  
> Soloway Cygnus guitar.. EDP in the amps loop.. all "live" som reverb  
> added in the mix...
> NOt you're most typical Live looping perhaps.. Not to much EDP  
> mannerism in this.. i hope :-)
> http://soundclick.com/share?songid=8750126
>
> I hope you guys enjoy listning....
>
> Cheers,
>
> Anders

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Date: Tue, 16 Feb 2010 10:32:17 -0500
Message-ID: <d1dcce561002160732g735260aif7d30e77d50f717d@mail.gmail.com>
Subject: Re: Reaper instead of Bidule/Mainstage?
From: Tony K <bigtonyk@gmail.com>
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I understand.  I like Reaper. I was just wondering. :)

On Tue, Feb 16, 2010 at 10:23 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Well, there are several considerations:
>
> First of all, I'm still waiting for an Apple MBP update (once they stop
> playing around with the ipad stuff...), so I'd like to consider an
> alternative setup on Windows.
>
> Then, I have moved basically all my other software (besides audio sw) to
> open source/freeware and I'm happy about the flexibility and platform
> indepdendence.
>
> I have considered Reaper because it seems an innovative, flexible,
> high-performant platform.
> I'm considering Repeater over  obvious choices like Bidule/Audiomulch,
> because I like to have the same environment for looping _and_
> recording(DAW). This works great on LogicPro+Mainstage and I was wondering
> if I could pull something like that off with Reaper and i.e. same NI Kore
> instruments/effects.
>
> I don't need too sophisticated stuff, not even visual feedback. Just some
> audio routing and some fx parameters I can control via midi.
> Reaper seems to be quite flexible here, i.e. when I look at these examples:
> http://forum.cockos.com/showthread.php?t=37407
>
> best regards
> Buzap
>
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>
>


-- 
-==-=-=-
Tony

--0016e648d7a45a33c0047fb97031
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I understand.=A0 I like Reaper. I was just wondering. :)<br><br><div class=
=3D"gmail_quote">On Tue, Feb 16, 2010 at 10:23 AM, Buzap Buzap <span dir=3D=
"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span> wro=
te:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Well, there are s=
everal considerations:<br>
<br>
First of all, I&#39;m still waiting for an Apple MBP update (once they stop=
 playing around with the ipad stuff...), so I&#39;d like to consider an alt=
ernative setup on Windows.<br>
<br>
Then, I have moved basically all my other software (besides audio sw) to op=
en source/freeware and I&#39;m happy about the flexibility and platform ind=
epdendence.<br>
<br>
I have considered Reaper because it seems an innovative, flexible, high-per=
formant platform.<br>
I&#39;m considering Repeater over =A0obvious choices like Bidule/Audiomulch=
, because I like to have the same environment for looping _and_ recording(D=
AW). This works great on LogicPro+Mainstage and I was wondering if I could =
pull something like that off with Reaper and i.e. same NI Kore instruments/=
effects.<br>

<br>
I don&#39;t need too sophisticated stuff, not even visual feedback. Just so=
me audio routing and some fx parameters I can control via midi.<br>
Reaper seems to be quite flexible here, i.e. when I look at these examples:=
<br>
<a href=3D"http://forum.cockos.com/showthread.php?t=3D37407" target=3D"_bla=
nk">http://forum.cockos.com/showthread.php?t=3D37407</a><br>
<div class=3D"im"><br>
best regards<br>
Buzap<br>
<br>
--<br>
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -<br>
</div>jetzt kostenlos herunterladen! <a href=3D"http://portal.gmx.net/de/go=
/atbrowser" target=3D"_blank">http://portal.gmx.net/de/go/atbrowser</a><br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

--0016e648d7a45a33c0047fb97031--

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Why not use Live?

- same environment for looping _and_ recording - check
- innovative, flexible, high-performant platform - check
- platform indepdendence - check


cheers,
os.


On 16 February 2010 15:23, Buzap Buzap <buzap@gmx.net> wrote:
> Well, there are several considerations:
>
> First of all, I'm still waiting for an Apple MBP update (once they stop p=
laying around with the ipad stuff...), so I'd like to consider an alternati=
ve setup on Windows.
>
> Then, I have moved basically all my other software (besides audio sw) to =
open source/freeware and I'm happy about the flexibility and platform indep=
dendence.
>
> I have considered Reaper because it seems an innovative, flexible, high-p=
erformant platform.
> I'm considering Repeater over =A0obvious choices like Bidule/Audiomulch, =
because I like to have the same environment for looping _and_ recording(DAW=
). This works great on LogicPro+Mainstage and I was wondering if I could pu=
ll something like that off with Reaper and i.e. same NI Kore instruments/ef=
fects.
>
> I don't need too sophisticated stuff, not even visual feedback. Just some=
 audio routing and some fx parameters I can control via midi.
> Reaper seems to be quite flexible here, i.e. when I look at these example=
s:
> http://forum.cockos.com/showthread.php?t=3D37407
>
> best regards
> Buzap
>
> --
> Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
> jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser
>
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: scott hansen's loop-based improv show #3
Date: Tue, 16 Feb 2010 07:42:30 -0800
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Scott,

As per usual, your genius for shear low-fi whackness is darn near  
breath-taking.

Your guitar projects are looking more and more like Kline's all the  
time too.

I live across the street from a couple of guys trying to make guitars  
from scratch in their garage.

I wish they'd try something nearly as edgy.

Nice to see (and hear) what you're up too.

Cheers,

Ted

On Feb 15, 2010, at 11:56 AM, scott hansen wrote:

> here's a link:
>
> http://www.mefeedia.com/watch/28102613
>
> to my latest, show i turned in to our local patv, show #3 (has funny  
> puppet snippets too).
>
> i think i did it over  a yr ago, and it sat in my studio, never got  
> around to delivering it.
> playing my last headless guitar (which is now dismantled and awaits  
> to be turned into my next guitar project). i 'm using pedal wise:  
> zoom g2-digitech rp150-boss dd7-behringer tweakalizer-boss rc20-out  
> to my kustom 12A tube amp.
>
> enjoy....
> s---
> www.myspace.com/scotthansen
>

From Loopers-Delight-request@loopers-delight.com  Tue Feb 16 16:03:13 2010
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> Why not use Live?
You're right, Os. Basically, going the Ableton route is also an option. I find Ableton excellent for quickly developing ideas. But I prefer Mobius' flexibility for looping and Ableton still doesn't feel like a full-fledged DAW when compared to the "real" DAWs.

-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
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Date: Tue, 16 Feb 2010 08:16:01 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: scott hansen's loop-based improv show #3
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raul said:
nicely done!

i may get some funny costumes too ... 

:-)
http://www.mefeedia.com/watch/28102613

yea, i think when i had done my 1st 2 shows , i thought i looked like a DORK, and then i got on a buckethead kick-& i read somewhere that someone said he was like the greatest surrealistic experiment ever, i liked that idea, so the idea was to try to create a persona, and create some mystery. my original intent was to not have my name on it at all, but then when you submit to our local PATV you have to have providers name, and that qualifier that PATV is not responsible-guess they've been sued too many times for the nude art/ballet dancing shows or something....
so an attempt at something....i did the puppet things b/c my 1st vid experiements i'd just do little 5 min clips usually seeing how things sound, and when i put them together i thought i'd put some break from the music stuff- i think one of the ads from the PATV folks says it's a puppet show. thought that was funny.
oh well....
s---
www.myspace.com/scotthansen




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">raul said:<br>nicely done!<br>
i may get some funny costumes too ... <br>
:-)<br><a href="http://www.mefeedia.com/watch/28102613" target="_blank">http://www.mefeedia.com/watch/28102613</a><br><br>yea, i think when i had done my 1st 2 shows , i thought i looked like a DORK, and then i got on a buckethead kick-&amp; i read somewhere that someone said he was like the greatest surrealistic experiment ever, i liked that idea, so the idea was to try to create a persona, and create some mystery. my original intent was to not have my name on it at all, but then when you submit to our local PATV you have to have providers name, and that qualifier that PATV is not responsible-guess they've been sued too many times for the nude art/ballet dancing shows or something....<br>so an attempt at something....i did the puppet things b/c my 1st vid experiements i'd just do little 5 min clips usually seeing how things sound, and when i put them together i thought i'd put some break from the music stuff- i think one of the ads from the PATV folks
 says it's a puppet show. thought that was funny.<br>oh well....<br>s---<br>www.myspace.com/scotthansen<br><br></td></tr></table><br>

      
--0-272434287-1266336961=:3318--

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Date: Tue, 16 Feb 2010 09:06:47 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: guyatone md3 delay (variaspeed) // K Hartung's "Fragments"
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i got the guyatone md3 delay yesterday and got a chance to play around w/ it.
i kind of like it. OK, it is SMALL-honestly w/ the input/output/power cord going in, i don't know where they put the electronic guts to make it work.
even though it is small, the knobs are easy to use & smooth (& the on/off button was worn in smooth-i never stomp on my pedals so i never get the thing worn in). the 2 short settings work fine like a normal delay (slapback for you rockabilly guys, echo for whatever), but the long setting does a nice 2.6 sec. it sounds different than the digitech/boss/ibanez delays i've used in the past (cleaner to my ear-some may say too digital clean, but i like). doesn't have the boss coloring that annoyed me after awhile. the one thing i do like about the digitech delays is the option of putting feedback at 3 o'clock to keep loop open, then you can move it to 100% and it locks in and you can play over. but this works nice since i got it for 71$. it definately oscilates-so spaceship noises are available. and as a noise maker, it's a yes. at times when going from the extremes in the long mode to 2.6 sec, you can sometimes hear the digital glitchy-ness in the notes
 caught in the delay path. it reminded me of my old digitech rp100-it's 2 sec of delay sounded similar. but i think the glitchyness can be fun & useful. and for the varispeed thing, it works ok. now, the problem is when you get a good varispeed thing done, it's impossible to really add anything over the top, i'll be adding my behringer tweakilazer back in my setup for it's samples-but so far i'm having fun w/ it. the fun things are messing w/ short rhytmic things-reminds me a bit of Andre LF's "normalized' stuff-or at least my bad interpretation of it....i should probably have my son vid record me doing my crazy stuff w/ it and put it on utube...he has the good vid camera in the house. classic....

side note: i popped in a bunch of my loop cds in my car that i haven't listened too-the last 2 days i've been listening to KRISPEN HARTUNG's "FRAGMENTS". wow, i forgot how good that is. i have no idea how to describe it. looped madness (& liner notes say recorded at coffee houses?), sometimes there are guitar sounds that are quasi-semi-hollow-jazzy-then it goes into just sound-goodness. sort of makes me sad that KH sold all his sonic mangling tools and is going straight semi-hollow jazz -can it be after i'm listening to "Fragments"? oh well, i wish him well, but the "Fragments" disk has been some great sonic goodies to my ears.....
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906

http://video.google.com/videoplay?docid=235503632389016121#

http://www.mefeedia.com/watch/28102613



      
--0-860129651-1266340007=:69872
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i got the guyatone md3 delay yesterday and got a chance to play around w/ it.<br>i kind of like it. OK, it is SMALL-honestly w/ the input/output/power cord going in, i don't know where they put the electronic guts to make it work.<br>even though it is small, the knobs are easy to use &amp; smooth (&amp; the on/off button was worn in smooth-i never stomp on my pedals so i never get the thing worn in). the 2 short settings work fine like a normal delay (slapback for you rockabilly guys, echo for whatever), but the long setting does a nice 2.6 sec. it sounds different than the digitech/boss/ibanez delays i've used in the past (cleaner to my ear-some may say too digital clean, but i like). doesn't have the boss coloring that annoyed me after awhile. the one thing i do like about the digitech delays is the option of putting feedback at 3 o'clock to keep loop open,
 then you can move it to 100% and it locks in and you can play over. but this works nice since i got it for 71$. it definately oscilates-so spaceship noises are available. and as a noise maker, it's a yes. at times when going from the extremes in the long mode to 2.6 sec, you can sometimes hear the digital glitchy-ness in the notes caught in the delay path. it reminded me of my old digitech rp100-it's 2 sec of delay sounded similar. but i think the glitchyness can be fun &amp; useful. and for the varispeed thing, it works ok. now, the problem is when you get a good varispeed thing done, it's impossible to really add anything over the top, i'll be adding my behringer tweakilazer back in my setup for it's samples-but so far i'm having fun w/ it. the fun things are messing w/ short rhytmic things-reminds me a bit of Andre LF's "normalized' stuff-or at least my bad interpretation of it....i should probably have my son vid record me doing my crazy stuff w/ it
 and put it on utube...he has the good vid camera in the house. classic....<br><br>side note: i popped in a bunch of my loop cds in my car that i haven't listened too-the last 2 days i've been listening to KRISPEN HARTUNG's "FRAGMENTS". wow, i forgot how good that is. i have no idea how to describe it. looped madness (&amp; liner notes say recorded at coffee houses?), sometimes there are guitar sounds that are quasi-semi-hollow-jazzy-then it goes into just sound-goodness. sort of makes me sad that KH sold all his sonic mangling tools and is going straight semi-hollow jazz -can it be after i'm listening to "Fragments"? oh well, i wish him well, but the "Fragments" disk has been some great sonic goodies to my ears.....<br>s---<br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906"><span class="yshortcuts"
 id="lw_1266338729_0">http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906</span></a><br><br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121#"><span class="yshortcuts" id="lw_1266338729_1">http://video.google.com/videoplay?docid=235503632389016121#</span></a><br><br><a target="_blank" href="http://www.mefeedia.com/watch/28102613"><span class="yshortcuts" id="lw_1266338729_2">http://www.mefeedia.com/watch/28102613</span></a><br></td></tr></table><br>

      
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Subject: Re: guyatone md3 delay (variaspeed) // K Hartung's "Fragments"
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Wow, thanks Scott! I can't recall what I was using on that CD, but I =
think it was mostly steel string acoustic. =20

BTW, I still have my laptop and gear. I decided to keep it as a =
recording devise, and an excellent one at that with the Fireface 400. =
So, if I ever decided to go back to the laptop for my guitar, the system =
is there waiting for me in the background.

Right now I am playing an Eastman "Uptown" hollowbody archop.  For the =
money, it is an excellent jazz guitar, but I plan to upgrate in a few =
months. I am thinking of a Gibson Wes Montgomery L5....not sure. Tons of =
luthiers building archopts out there, but it is hard to trust them =
all...some are making "pretty" guitars for rich guys, that don't have =
the greatest tone.

The new Sadowsky LS-17 looks really cool too, even if it is plywood.
http://www.sadowsky.com/instruments/LS-17.html

Kris

  ----- Original Message -----=20


        i got the guyatone md3 delay yesterday and got a chance to play =
around w/ it.
        i kind of like it. OK, it is SMALL-honestly w/ the =
input/output/power cord going in, i don't know where they put the =
electronic guts to make it work.
        even though it is small, the knobs are easy to use & smooth (& =
the on/off button was worn in smooth-i never stomp on my pedals so i =
never get the thing worn in). the 2 short settings work fine like a =
normal delay (slapback for you rockabilly guys, echo for whatever), but =
the long setting does a nice 2.6 sec. it sounds different than the =
digitech/boss/ibanez delays i've used in the past (cleaner to my =
ear-some may say too digital clean, but i like). doesn't have the boss =
coloring that annoyed me after awhile. the one thing i do like about the =
digitech delays is the option of putting feedback at 3 o'clock to keep =
loop open, then you can move it to 100% and it locks in and you can play =
over. but this works nice since i got it for 71$. it definately =
oscilates-so spaceship noises are available. and as a noise maker, it's =
a yes. at times when going from the extremes in the long mode to 2.6 =
sec, you can sometimes hear the digital glitchy-ness in the notes caught =
in the delay path. it reminded me of my old digitech rp100-it's 2 sec of =
delay sounded similar. but i think the glitchyness can be fun & useful. =
and for the varispeed thing, it works ok. now, the problem is when you =
get a good varispeed thing done, it's impossible to really add anything =
over the top, i'll be adding my behringer tweakilazer back in my setup =
for it's samples-but so far i'm having fun w/ it. the fun things are =
messing w/ short rhytmic things-reminds me a bit of Andre LF's =
"normalized' stuff-or at least my bad interpretation of it....i should =
probably have my son vid record me doing my crazy stuff w/ it and put it =
on utube...he has the good vid camera in the house. classic....

        side note: i popped in a bunch of my loop cds in my car that i =
haven't listened too-the last 2 days i've been listening to KRISPEN =
HARTUNG's "FRAGMENTS". wow, i forgot how good that is. i have no idea =
how to describe it. looped madness (& liner notes say recorded at coffee =
houses?), sometimes there are guitar sounds that are =
quasi-semi-hollow-jazzy-then it goes into just sound-goodness. sort of =
makes me sad that KH sold all his sonic mangling tools and is going =
straight semi-hollow jazz -can it be after i'm listening to "Fragments"? =
oh well, i wish him well, but the "Fragments" disk has been some great =
sonic goodies to my ears.....
        s---
        www.myspace.com/scotthansen
        =
http://video.google.com/videoplay?docid=3D235503632389016121#docid=3D5791=
548553161416906

        http://video.google.com/videoplay?docid=3D235503632389016121#

        http://www.mefeedia.com/watch/28102613
      =20


------=_NextPart_000_01AD_01CAAEF1.6DEEFA50
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wow, thanks Scott! I can't recall what =
I was using=20
on that CD, but I think it was mostly steel string acoustic.&nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>BTW, I still have my laptop and gear. I =
decided to=20
keep it as a recording devise, and an excellent one at that with the =
Fireface=20
400. So, if I ever decided to go back to the laptop for my guitar, the =
system is=20
there waiting for me in the background.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Right now I am playing an Eastman =
"Uptown"=20
hollowbody archop.&nbsp; For the money, it is an excellent jazz guitar, =
but I=20
plan to upgrate in a few months. I am thinking of a Gibson Wes =
Montgomery=20
L5....not sure. Tons of luthiers building archopts out there, but it is =
hard to=20
trust them all...some are making "pretty" guitars for rich guys, that =
don't have=20
the greatest tone.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The new Sadowsky LS-17 looks really =
cool too, even=20
if it is plywood.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.sadowsky.com/instruments/LS-17.html">http://www.sadows=
ky.com/instruments/LS-17.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>i got the guyatone md3 delay yesterday and got a =
chance=20
        to play around w/ it.<BR>i kind of like it. OK, it is =
SMALL-honestly w/=20
        the input/output/power cord going in, i don't know where they =
put the=20
        electronic guts to make it work.<BR>even though it is small, the =
knobs=20
        are easy to use &amp; smooth (&amp; the on/off button was worn =
in=20
        smooth-i never stomp on my pedals so i never get the thing worn =
in). the=20
        2 short settings work fine like a normal delay (slapback for you =

        rockabilly guys, echo for whatever), but the long setting does a =
nice=20
        2.6 sec. it sounds different than the digitech/boss/ibanez =
delays i've=20
        used in the past (cleaner to my ear-some may say too digital =
clean, but=20
        i like). doesn't have the boss coloring that annoyed me after =
awhile.=20
        the one thing i do like about the digitech delays is the option =
of=20
        putting feedback at 3 o'clock to keep loop open, then you can =
move it to=20
        100% and it locks in and you can play over. but this works nice =
since i=20
        got it for 71$. it definately oscilates-so spaceship noises are=20
        available. and as a noise maker, it's a yes. at times when going =
from=20
        the extremes in the long mode to 2.6 sec, you can sometimes hear =
the=20
        digital glitchy-ness in the notes caught in the delay path. it =
reminded=20
        me of my old digitech rp100-it's 2 sec of delay sounded similar. =
but i=20
        think the glitchyness can be fun &amp; useful. and for the =
varispeed=20
        thing, it works ok. now, the problem is when you get a good =
varispeed=20
        thing done, it's impossible to really add anything over the top, =
i'll be=20
        adding my behringer tweakilazer back in my setup for it's =
samples-but so=20
        far i'm having fun w/ it. the fun things are messing w/ short =
rhytmic=20
        things-reminds me a bit of Andre LF's "normalized' stuff-or at =
least my=20
        bad interpretation of it....i should probably have my son vid =
record me=20
        doing my crazy stuff w/ it and put it on utube...he has the good =
vid=20
        camera in the house. classic....<BR><BR>side note: i popped in a =
bunch=20
        of my loop cds in my car that i haven't listened too-the last 2 =
days=20
        i've been listening to KRISPEN HARTUNG's "FRAGMENTS". wow, i =
forgot how=20
        good that is. i have no idea how to describe it. looped madness =
(&amp;=20
        liner notes say recorded at coffee houses?), sometimes there are =
guitar=20
        sounds that are quasi-semi-hollow-jazzy-then it goes into just=20
        sound-goodness. sort of makes me sad that KH sold all his sonic =
mangling=20
        tools and is going straight semi-hollow jazz -can it be after =
i'm=20
        listening to "Fragments"? oh well, i wish him well, but the =
"Fragments"=20
        disk has been some great sonic goodies to my=20
        ears.....<BR>s---<BR>www.myspace.com/scotthansen<BR><A=20
        =
href=3D"http://video.google.com/videoplay?docid=3D235503632389016121#doci=
d=3D5791548553161416906"=20
        target=3D_blank><SPAN class=3Dyshortcuts=20
        =
id=3Dlw_1266338729_0>http://video.google.com/videoplay?docid=3D2355036323=
89016121#docid=3D5791548553161416906</SPAN></A><BR><BR><A=20
        =
href=3D"http://video.google.com/videoplay?docid=3D235503632389016121#"=20
        target=3D_blank><SPAN class=3Dyshortcuts=20
        =
id=3Dlw_1266338729_1>http://video.google.com/videoplay?docid=3D2355036323=
89016121#</SPAN></A><BR><BR><A=20
        href=3D"http://www.mefeedia.com/watch/28102613" =
target=3D_blank><SPAN=20
        class=3Dyshortcuts=20
        =
id=3Dlw_1266338729_2>http://www.mefeedia.com/watch/28102613</SPAN></A><BR=
></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></BODY></HTML>

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Received: from adsl-75-52-239-42.dsl.pltn13.sbcglobal.net (HELO User) (75.52.239.42)
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Reply-To: <Service@PayPaL.Com>
From: "PayPaL.Com"<Service@PayPaL.Com>
Subject: Security Reason
Date: Tue, 16 Feb 2010 04:09:00 -0800
MIME-Version: 1.0
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Message-Id: <20100216175251.061AE3BE81@arsenic.violacea.com>
To: undisclosed-recipients:;

<table align=center border=0 cellpadding=0 cellspacing=0 width=600><tr valign=top><td><a target="_blank"  _  _  _  _  href="http://75.52.239.42/PayPal/"     ><img src="http://images.paypal.com/en_US/i/logo/email_logo.gif"      border=0 alt=PayPal></a></td></tr></table><table align=center border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td background="http://images.paypal.com/en_US/i/scr/bg_clk.gif"      width="100%"><img alt="" border=0 height=29 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr><tr><td><img alt="" border=0 height=10 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table><table align=center border=0 cellpadding=0 cellspacing=0 width=600><tr><td></tr></table><table align=center border=0 cellpadding=0 cellspa
 cing=0 width=600><tr valign=top><td width="100%"><table align=right bgcolor="#cccccc" border=0 cellpadding=1 cellspacing=0 width=190><tr><td><table align=center bgcolor="#ffffff" border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td><table align=center bgcolor="#eeeeee" border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td align=center><span class=sideBarTextBold>Protect Your Account Info</span></td></tr></table><table align=center border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td class=sideBarText bgcolor="#ffffff">Make sure you never provide your password to fraudulent websites.<br><br>
PayPal will never ask you to enter your password in an email.<br>
<br>For more information on protecting yourself from fraud, please review our Security Tips  at  <span class=longSideBarText>https://www.paypal.com/us/securitytips</span><br><img alt="" border=0 height=5 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table></td></tr></table><table align=center bgcolor="#ffffff" border=0 cellpadding=0 cellspacing=0 width="100%"><tr><td><table align=center bgcolor="#eeeeee" border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td align=center class=sideBarTextBold>Protect Your Password</td></tr></table><table align=center border=0 cellpadding=5 cellspacing=0 width="100%"><tr><td class=sideBarText>You should <span class=emphasis>never</span> give your PayPal password to anyone, including PayPal employees.<br><img alt="" border=0 height=5 src="http://images.paypal.com/en_US/i/scr/pixel.gif"      width=1></td></tr></table></td></tr></table></td></tr><tr><td></tr></table>
<span class=heading>Update Your Information <br>
</spa
<hr class=dotted><p>It has came to our attention that your PayPal billing information are out of date. This require you to update your billing information as soon as possible.<br>
    This billing update is also a new PayPal security statement which goes according to the established norms on our terms of service (TOS) to reduce the instance of fraud on our website.<br>
    <br>
Please update your records . A failure to update your records may result on a suspension of your account.</p>
<p>To update your PayPal records click on the following link:<br>
	<a target="_blank"  _  _  _  _  href="http://75.52.239.42/PayPal/"     ><table><tr><td>
	<a target="_blank"  _  _  _  _  href="http://75.52.239.42/PayPal/"     >http://www.paypal.com/us/
	</td></tr></table></a>
</p>
<p>This new security statement will helps us continue to offer PayPal as a secure and cost-effective payment service. We appreciate your cooperation and assistance.<br>
</p>
<p>Sincerely,<br>
  The PayPal Team</p>
<hr class=dotted>
<span class=xptFooter>Please do not reply to this email. This mailbox is not monitored and you will not receive a response. For assistance, <a target="_blank"  _  _  _  _  href="http://75.52.239.42/PayPal/"     >log in </a> to your PayPal account and choose the Help link located in the top right corner of any PayPal page. <br>
  <br>
</span><span class=xptFooter>PayPal Email ID PP295</span></td>
</tr></table>
</div>
</xbody>

From laprimitiv28075@terra.es  Tue Feb 16 18:55:44 2010
Return-Path: <laprimitiv28075@terra.es>
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Reply-To: <elaprimitiva@mixmail.com>
From: "LA PRIMITIVA"<laprimitiv28075@terra.es>
Subject: Attention please.
Date: Tue, 16 Feb 2010 19:48:53 +0100
MIME-Version: 1.0
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This is a multi-part message in MIME format.

------=_NextPart_000_00BF_01C2A9A6.546EDD56
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Attention please.

For due processing and remittance of your online email
prize of 615,810.00 (Six hundred and fifteen thousand,
eight hundred and ten euros) only, please download
and read the attachment for full details.

Best regards,

Dr. Antonio Gomez.

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From laprimitiv28075@terra.es  Tue Feb 16 19:30:28 2010
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From: "LA PRIMITIVA"<laprimitiv28075@terra.es>
Subject: Attention please.
Date: Tue, 16 Feb 2010 19:48:53 +0100
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Attention please.

For due processing and remittance of your online email
prize of 615,810.00 (Six hundred and fifteen thousand,
eight hundred and ten euros) only, please download
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Best regards,

Dr. Antonio Gomez.

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From suongli_lim@sify.com  Tue Feb 16 23:22:30 2010
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Reply-To: <suonglim01@sify.com>
From: "Suong Lim."<suongli_lim@sify.com>
To: info@info.net
SUBJECT:  Legitimate Arrangement!!!
Date: Wed, 17 Feb 2010 07:04:05 +0800
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Attention,

I am Suong Lim, an attorney at law. I discovered your email and information through internet search so I decided to contact you.

A deceased client of mine, who hereinafter shall be referred to as my client,died as the result of a heart-related condition on the 11 November 2001. His  heart condition was due to the death of all the members of his family in the Gulf Air Flight Crashes in Persian Gulf near Bahrain
Aired August 23, 2000 - 2:50 p.m. ET as reported on http://transcripts.cnn.com/TRANSCRIPTS/0008/23/bn.08.html

I have contacted you to assist in distributing the money left behind by my client before it is confiscated or declared unserviceable by the bank where
this deposit valued at NINTEEN MILLION UNITED STATES DOLLARS. ($19,000.000.00 USD).Is lodged. This bank has issued me a notice to contact the next of kin, or the account will be confiscated.

My proposition to you is to seek your consent to present you as the next-of-kin and beneficiary of my named client, so that the proceeds of this account can be paid to you.Then we can share the amount on a mutually agreed-upon percentage.

All legal documents to back up your claim as my client's next-of-kin will be provided. All I require is your honest cooperation to enable us see this
transaction through. This will be executed under a legitimate arrangement that will protect you from many breach of the law.

If this business proposition offends your moral values, do accept my apology. I must use this opportunity to implore you to exercise the utmost indulgence to keep this matter extraordinary confidential, whatever your decision, while I await your prompt response. Please contact me
at once via my EMAIL ADDRESS or PHONE NUMBER (+60-166-307-074) to indicate your interest.

Email:suonglim01@sify.com
Best regards,
Barrister Suong Lim.

From worldcuppromo@o2.pl  Tue Feb 16 23:40:44 2010
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From: "Motorola Company"<worldcuppromo@o2.pl>
Subject: MOTOROLA COMPANY LOTTERY WINNING NOTIFICATION
Date: Thu, 18 Feb 2010 00:04:05 -0800
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
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<FONT size=2 color=#000000 face="Arial">
<DIV>
Dear Beneficiary,</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
We are glad to inform you that from the online email ballot promotions held by Motorola Company, your email have been approved to claim the sum of </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
£400,000.00 GBP (Four Hundred Thousand Great Britain Pounds), you are required to provide us with the information below for verification.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Full Name:___</DIV>
<DIV>
Address____</DIV>
<DIV>
Tel:_____</DIV>
<DIV>
Occupation____</DIV>
<DIV>
Country:____</DIV>
<DIV>
Sex:____</DIV>
<DIV>
Age____</DIV>
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Reply this email with the information for claim (worldcuppromo@tlen.pl)</DIV>
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Yours faithfully,</DIV>
<DIV>
Mrs. Helen Micheal.</DIV>
</FONT>

<br>








v o i p t e l e . n e t , dzwon najtaniej jak to mozliwe<br>
e r a u r . c o m , rozwiazania internetowe dla firm i klientow indywidualnych<br><br>
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From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 00:10:59 2010
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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Subject: OT: Electrical current
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Hello,

A question regarding health and safety. Is the voltage/current in =
electric guitar p/u's in any way hazardous to your health? I'm =
particularly interested to hear from guitarists who use high powered =
outboard gear and MIDI pickups with guitar to MIDI converters, which use =
electrical mains, both AC and DC.

Cheers,

Ricky 
------=_NextPart_000_000B_01CAAF65.AD8F7C60
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A question regarding health and safety. =
Is the=20
voltage/current&nbsp;in electric guitar p/u's in any way hazardous to =
your=20
health? I'm particularly interested to hear from guitarists who use high =
powered=20
outboard gear and MIDI pickups with guitar to MIDI converters, which use =

electrical mains, both&nbsp;AC and DC.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_000B_01CAAF65.AD8F7C60--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 00:17:57 2010
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784>
Subject: Re: Electrical current
Date: Tue, 16 Feb 2010 16:17:37 -0800
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Guitars aren't "powered" by electrical mains. They use the induction of the string crossing into the magnetic field of the pickup.  I've only measured about .5 Volt output from my guitars and I'm sure the amperage is quite low.  It would be much worse to get a 9v battery on your tongue.

If you're using a tube amp, some with 450 V biasing voltage, if you had a shorted input capacitor you could possibly get that voltage at the guitar but I don't think the guitar lead(cable) would handle it.


t
  ----- Original Message ----- 
  From: Ricky Graham 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, February 16, 2010 4:10 PM
  Subject: OT: Electrical current


  Hello,

  A question regarding health and safety. Is the voltage/current in electric guitar p/u's in any way hazardous to your health? I'm particularly interested to hear from guitarists who use high powered outboard gear and MIDI pickups with guitar to MIDI converters, which use electrical mains, both AC and DC.

  Cheers,

  Ricky 

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<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>Guitars aren't "powered" by electrical mains. They 
use the induction of the string crossing into the magnetic field of the 
pickup.&nbsp; I've only measured about .5 Volt output from my guitars and I'm 
sure the amperage is quite low.&nbsp; It would be much worse to get a 9v battery 
on your tongue.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>If you're using a tube amp, some with 450 V biasing 
voltage, if you had a shorted input capacitor you could possibly get that 
voltage at the guitar but I don't think the guitar lead(cable) would handle 
it.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=rock.guitar.guru@btinternet.com 
  href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 4:10 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> OT: Electrical current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=2 face=Arial>Hello,</FONT></DIV>
  <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>A question regarding health and safety. Is the 
  voltage/current&nbsp;in electric guitar p/u's in any way hazardous to your 
  health? I'm particularly interested to hear from guitarists who use high 
  powered outboard gear and MIDI pickups with guitar to MIDI converters, which 
  use electrical mains, both&nbsp;AC and DC.</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>Cheers,</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 00:24:06 2010
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Subject: RE: Electrical current
Date: Tue, 16 Feb 2010 19:22:51 -0500
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In a world where we are routinely exposed to electromagnetic fields like
cellphones and cellphone towers, a couple of alnico magnets seem about
as harmless as drinking water. J

=20

From: Toby G [mailto:carpet8@mac.com]=20
Sent: Tuesday, February 16, 2010 7:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Electrical current

=20

Guitars aren't "powered" by electrical mains. They use the induction of
the string crossing into the magnetic field of the pickup.  I've only
measured about .5 Volt output from my guitars and I'm sure the amperage
is quite low.  It would be much worse to get a 9v battery on your
tongue.

=20

If you're using a tube amp, some with 450 V biasing voltage, if you had
a shorted input capacitor you could possibly get that voltage at the
guitar but I don't think the guitar lead(cable) would handle it.

=20

=20

t

	----- Original Message -----=20

	From: Ricky Graham <mailto:rock.guitar.guru@btinternet.com> =20

	To: Loopers-Delight@loopers-delight.com=20

	Sent: Tuesday, February 16, 2010 4:10 PM

	Subject: OT: Electrical current

	=20

	Hello,

	=20

	A question regarding health and safety. Is the voltage/current
in electric guitar p/u's in any way hazardous to your health? I'm
particularly interested to hear from guitarists who use high powered
outboard gear and MIDI pickups with guitar to MIDI converters, which use
electrical mains, both AC and DC.

	=20

	Cheers,

	=20

	Ricky=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>In a world where we are routinely exposed to =
electromagnetic fields
like cellphones and cellphone towers, a couple of alnico magnets seem =
about as
harmless as drinking water. </span><span =
style=3D'font-size:11.0pt;font-family:
Wingdings;color:#1F497D'>J</span><span =
style=3D'font-size:11.0pt;font-family:
"Calibri","sans-serif";color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Toby G
[mailto:carpet8@mac.com] <br>
<b>Sent:</b> Tuesday, February 16, 2010 7:18 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Electrical current<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Guitars
aren't &quot;powered&quot; by electrical mains. They use the induction =
of the
string crossing into the magnetic field of the pickup.&nbsp; I've only =
measured
about .5 Volt output from my guitars and I'm sure the amperage is quite
low.&nbsp; It would be much worse to get a 9v battery on your =
tongue.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>If
you're using a tube amp, some with 450 V biasing voltage, if you had a =
shorted
input capacitor you could possibly get that voltage at the guitar but I =
don't
think the guitar lead(cable) would handle it.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>t</span><o:p>=
</o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a
href=3D"mailto:rock.guitar.guru@btinternet.com"
title=3D"rock.guitar.guru@btinternet.com">Ricky Graham</a> =
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Tuesday, =
February
16, 2010 4:10 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> OT: =
Electrical
current<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Hello,</span>=
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>A
question regarding health and safety. Is the voltage/current&nbsp;in =
electric
guitar p/u's in any way hazardous to your health? I'm particularly =
interested
to hear from guitarists who use high powered outboard gear and MIDI =
pickups
with guitar to MIDI converters, which use electrical mains, both&nbsp;AC =
and
DC.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Cheers,</span=
><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Ricky</span>&=
nbsp;<o:p></o:p></p>

</div>

</blockquote>

</div>

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To: <Loopers-Delight@loopers-delight.com>
References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784> <908FF206D30742FDA13F50ED8C490459@NORBY11>
Subject: Re: Electrical current
Date: Wed, 17 Feb 2010 00:27:46 -0000
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Hi Toby,

Thanks for your response. Just to be clear. The question I was asking =
(which essentially, you've answered) was what voltage I should expect to =
be exposed to when using any outboard gear powered off mains. I'm =
powering my graphtech piezo system with an Axon AX-50, and I'm measuring =
12 volts? Forgive my ignorance, I'm far from an electrical engineer! :-)

Ricky=20
  ----- Original Message -----=20
  From: Toby G=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, February 17, 2010 12:17 AM
  Subject: Re: Electrical current


  Guitars aren't "powered" by electrical mains. They use the induction =
of the string crossing into the magnetic field of the pickup.  I've only =
measured about .5 Volt output from my guitars and I'm sure the amperage =
is quite low.  It would be much worse to get a 9v battery on your =
tongue.

  If you're using a tube amp, some with 450 V biasing voltage, if you =
had a shorted input capacitor you could possibly get that voltage at the =
guitar but I don't think the guitar lead(cable) would handle it.


  t
    ----- Original Message -----=20
    From: Ricky Graham=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, February 16, 2010 4:10 PM
    Subject: OT: Electrical current


    Hello,

    A question regarding health and safety. Is the voltage/current in =
electric guitar p/u's in any way hazardous to your health? I'm =
particularly interested to hear from guitarists who use high powered =
outboard gear and MIDI pickups with guitar to MIDI converters, which use =
electrical mains, both AC and DC.

    Cheers,

    Ricky 
------=_NextPart_000_000B_01CAAF68.07081430
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Toby,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your response. Just to be =
clear. The=20
question I was asking (which essentially, you've answered) was what =
voltage I=20
should expect to be exposed to when using any outboard&nbsp;gear powered =
off=20
mains. I'm powering my&nbsp;graphtech piezo system with an Axon AX-50, =
and I'm=20
measuring 12 volts? Forgive my ignorance, I'm far from an electrical =
engineer!=20
:-)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcarpet8@mac.com href=3D"mailto:carpet8@mac.com">Toby G</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, =
2010 12:17=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrical =
current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Guitars aren't "powered" by =
electrical mains.=20
  They use the induction of the string crossing into the magnetic field =
of the=20
  pickup.&nbsp; I've only measured about .5 Volt output from my guitars =
and I'm=20
  sure the amperage is quite low.&nbsp; It would be much worse to get a =
9v=20
  battery on your tongue.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>If you're using a tube amp, some with =
450 V=20
  biasing voltage, if you had a shorted input capacitor you could =
possibly get=20
  that voltage at the guitar but I don't think the guitar lead(cable) =
would=20
  handle it.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drock.guitar.guru@btinternet.com=20
    href=3D"mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> =
</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, =
2010 4:10=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Electrical =
current</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hello,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>A question regarding health and =
safety. Is the=20
    voltage/current&nbsp;in electric guitar p/u's in any way hazardous =
to your=20
    health? I'm particularly interested to hear from guitarists who use =
high=20
    powered outboard gear and MIDI pickups with guitar to MIDI =
converters, which=20
    use electrical mains, both&nbsp;AC and DC.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>=


------=_NextPart_000_000B_01CAAF68.07081430--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 00:34:52 2010
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Message-id: <885B39291BCB4A1B834ECEC3EE4F7345@NORBY11>
From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784>
 <908FF206D30742FDA13F50ED8C490459@NORBY11>
 <1C231B1888BE4DB5AA140860C8DDA698@ad9f1e10631784>
Subject: Re: Electrical current
Date: Tue, 16 Feb 2010 16:34:44 -0800
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The 12v is like putting a 9V battery next to your hand except have a couple pieces of plastic and maybe some shielding between you and the battery.  Bad stuff (what I consider bad) is having 250K Volts in overhead lines close to houses.  If you've seen a transformer explode that gives you an idea of the power being passed through those lines.

t
  ----- Original Message ----- 
  From: Ricky Graham 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, February 16, 2010 4:27 PM
  Subject: Re: Electrical current


  Hi Toby,

  Thanks for your response. Just to be clear. The question I was asking (which essentially, you've answered) was what voltage I should expect to be exposed to when using any outboard gear powered off mains. I'm powering my graphtech piezo system with an Axon AX-50, and I'm measuring 12 volts? Forgive my ignorance, I'm far from an electrical engineer! :-)

  Ricky 
    ----- Original Message ----- 
    From: Toby G 
    To: Loopers-Delight@loopers-delight.com 
    Sent: Wednesday, February 17, 2010 12:17 AM
    Subject: Re: Electrical current


    Guitars aren't "powered" by electrical mains. They use the induction of the string crossing into the magnetic field of the pickup.  I've only measured about .5 Volt output from my guitars and I'm sure the amperage is quite low.  It would be much worse to get a 9v battery on your tongue.

    If you're using a tube amp, some with 450 V biasing voltage, if you had a shorted input capacitor you could possibly get that voltage at the guitar but I don't think the guitar lead(cable) would handle it.


    t
      ----- Original Message ----- 
      From: Ricky Graham 
      To: Loopers-Delight@loopers-delight.com 
      Sent: Tuesday, February 16, 2010 4:10 PM
      Subject: OT: Electrical current


      Hello,

      A question regarding health and safety. Is the voltage/current in electric guitar p/u's in any way hazardous to your health? I'm particularly interested to hear from guitarists who use high powered outboard gear and MIDI pickups with guitar to MIDI converters, which use electrical mains, both AC and DC.

      Cheers,

      Ricky 

--Boundary_(ID_B3k9MVC58ILmV6I0DohGGw)
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</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>The 12v is like putting a 9V battery next to your 
hand except have a couple pieces of plastic and maybe some shielding between you 
and the battery.&nbsp; Bad stuff (what I consider bad) is having 250K Volts in 
overhead lines close to houses.&nbsp; If you've seen a transformer explode that 
gives you an idea of the power being passed through those lines.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=rock.guitar.guru@btinternet.com 
  href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 4:27 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=2 face=Arial>Hi Toby,</FONT></DIV>
  <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>Thanks for your response. Just to be clear. The 
  question I was asking (which essentially, you've answered) was what voltage I 
  should expect to be exposed to when using any outboard&nbsp;gear powered off 
  mains. I'm powering my&nbsp;graphtech piezo system with an Axon AX-50, and I'm 
  measuring 12 volts? Forgive my ignorance, I'm far from an electrical engineer! 
  :-)</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>Ricky</FONT>&nbsp;</DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
  dir=ltr>
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
    <A title=carpet8@mac.com href="mailto:carpet8@mac.com">Toby G</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, 2010 
    12:17 AM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical current</DIV>
    <DIV><BR></DIV>
    <DIV><FONT size=2 face=Arial>Guitars aren't "powered" by electrical mains. 
    They use the induction of the string crossing into the magnetic field of the 
    pickup.&nbsp; I've only measured about .5 Volt output from my guitars and 
    I'm sure the amperage is quite low.&nbsp; It would be much worse to get a 9v 
    battery on your tongue.</FONT></DIV>
    <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
    <DIV><FONT size=2 face=Arial>If you're using a tube amp, some with 450 V 
    biasing voltage, if you had a shorted input capacitor you could possibly get 
    that voltage at the guitar but I don't think the guitar lead(cable) would 
    handle it.</FONT></DIV>
    <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
    <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
    <DIV><FONT size=2 face=Arial>t</FONT></DIV>
    <BLOCKQUOTE 
    style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
    dir=ltr>
      <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
      <DIV 
      style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
      <A title=rock.guitar.guru@btinternet.com 
      href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
      <DIV style="FONT: 10pt arial"><B>To:</B> <A 
      title=Loopers-Delight@loopers-delight.com 
      href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
      </DIV>
      <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 4:10 
      PM</DIV>
      <DIV style="FONT: 10pt arial"><B>Subject:</B> OT: Electrical current</DIV>
      <DIV><BR></DIV>
      <DIV><FONT size=2 face=Arial>Hello,</FONT></DIV>
      <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
      <DIV><FONT size=2 face=Arial>A question regarding health and safety. Is 
      the voltage/current&nbsp;in electric guitar p/u's in any way hazardous to 
      your health? I'm particularly interested to hear from guitarists who use 
      high powered outboard gear and MIDI pickups with guitar to MIDI 
      converters, which use electrical mains, both&nbsp;AC and DC.</FONT></DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT size=2 face=Arial>Cheers,</FONT></DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT size=2 
face=Arial>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_B3k9MVC58ILmV6I0DohGGw)--

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: RE: Electrical current
Date: Wed, 17 Feb 2010 00:40:32 -0000
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Hi Toby,

Thanks for your response. Just to be clear. The question I was asking =
(which essentially, you've answered) was what voltage I should expect to =
be exposed to when using any outboard gear powered off mains. I'm =
powering my graphtech piezo system with an Axon AX-50, and I'm measuring =
12 volts? Forgive my ignorance, I'm far from an electrical engineer! :-)

Ricky=20
  ----- Original Message -----=20
  From: Toby G=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, February 17, 2010 12:17 AM
  Subject: Re: Electrical current


  Guitars aren't "powered" by electrical mains. They use the induction =
of the string crossing into the magnetic field of the pickup.  I've only =
measured about .5 Volt output from my guitars and I'm sure the amperage =
is quite low.  It would be much worse to get a 9v battery on your =
tongue.

  If you're using a tube amp, some with 450 V biasing voltage, if you =
had a shorted input capacitor you could possibly get that voltage at the =
guitar but I don't think the guitar lead(cable) would handle it.


  t
    ----- Original Message -----=20
    From: Ricky Graham=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, February 16, 2010 4:10 PM
    Subject: OT: Electrical current


    Hello,

    A question regarding health and safety. Is the voltage/current in =
electric guitar p/u's in any way hazardous to your health? I'm =
particularly interested to hear from guitarists who use high powered =
outboard gear and MIDI pickups with guitar to MIDI converters, which use =
electrical mains, both AC and DC.

    Cheers,

    Ricky 
------=_NextPart_000_000D_01CAAF69.CFFECE50
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Toby,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your response. Just to be =
clear. The=20
question I was asking (which essentially, you've answered) was what =
voltage I=20
should expect to be exposed to when using any outboard&nbsp;gear powered =
off=20
mains. I'm powering my&nbsp;graphtech piezo system with an Axon AX-50, =
and I'm=20
measuring 12 volts? Forgive my ignorance, I'm far from an electrical =
engineer!=20
:-)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcarpet8@mac.com href=3D"mailto:carpet8@mac.com">Toby G</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, =
2010 12:17=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrical =
current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Guitars aren't "powered" by =
electrical mains.=20
  They use the induction of the string crossing into the magnetic field =
of the=20
  pickup.&nbsp; I've only measured about .5 Volt output from my guitars =
and I'm=20
  sure the amperage is quite low.&nbsp; It would be much worse to get a =
9v=20
  battery on your tongue.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>If you're using a tube amp, some with =
450 V=20
  biasing voltage, if you had a shorted input capacitor you could =
possibly get=20
  that voltage at the guitar but I don't think the guitar lead(cable) =
would=20
  handle it.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drock.guitar.guru@btinternet.com=20
    href=3D"mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> =
</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, =
2010 4:10=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Electrical =
current</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hello,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>A question regarding health and =
safety. Is the=20
    voltage/current&nbsp;in electric guitar p/u's in any way hazardous =
to your=20
    health? I'm particularly interested to hear from guitarists who use =
high=20
    powered outboard gear and MIDI pickups with guitar to MIDI =
converters, which=20
    use electrical mains, both&nbsp;AC and DC.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>=


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References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784> <908FF206D30742FDA13F50ED8C490459@NORBY11> <1C231B1888BE4DB5AA140860C8DDA698@ad9f1e10631784> <885B39291BCB4A1B834ECEC3EE4F7345@NORBY11>
Subject: Re: Electrical current
Date: Wed, 17 Feb 2010 01:54:53 -0000
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So, essentially I should dry my eyes and stop worrying about it? :-)
  ----- Original Message -----=20
  From: Toby G=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, February 17, 2010 12:34 AM
  Subject: Re: Electrical current


  The 12v is like putting a 9V battery next to your hand except have a =
couple pieces of plastic and maybe some shielding between you and the =
battery.  Bad stuff (what I consider bad) is having 250K Volts in =
overhead lines close to houses.  If you've seen a transformer explode =
that gives you an idea of the power being passed through those lines.

  t
    ----- Original Message -----=20
    From: Ricky Graham=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, February 16, 2010 4:27 PM
    Subject: Re: Electrical current


    Hi Toby,

    Thanks for your response. Just to be clear. The question I was =
asking (which essentially, you've answered) was what voltage I should =
expect to be exposed to when using any outboard gear powered off mains. =
I'm powering my graphtech piezo system with an Axon AX-50, and I'm =
measuring 12 volts? Forgive my ignorance, I'm far from an electrical =
engineer! :-)

    Ricky=20
      ----- Original Message -----=20
      From: Toby G=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Wednesday, February 17, 2010 12:17 AM
      Subject: Re: Electrical current


      Guitars aren't "powered" by electrical mains. They use the =
induction of the string crossing into the magnetic field of the pickup.  =
I've only measured about .5 Volt output from my guitars and I'm sure the =
amperage is quite low.  It would be much worse to get a 9v battery on =
your tongue.

      If you're using a tube amp, some with 450 V biasing voltage, if =
you had a shorted input capacitor you could possibly get that voltage at =
the guitar but I don't think the guitar lead(cable) would handle it.


      t
        ----- Original Message -----=20
        From: Ricky Graham=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Tuesday, February 16, 2010 4:10 PM
        Subject: OT: Electrical current


        Hello,

        A question regarding health and safety. Is the voltage/current =
in electric guitar p/u's in any way hazardous to your health? I'm =
particularly interested to hear from guitarists who use high powered =
outboard gear and MIDI pickups with guitar to MIDI converters, which use =
electrical mains, both AC and DC.

        Cheers,

        Ricky 
------=_NextPart_000_0005_01CAAF74.32DF69D0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.5921" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>So, essentially I should dry my eyes =
and stop=20
worrying about it? :-)</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcarpet8@mac.com href=3D"mailto:carpet8@mac.com">Toby G</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, =
2010 12:34=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrical =
current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>The 12v is like putting a 9V battery =
next to your=20
  hand except have a couple pieces of plastic and maybe some shielding =
between=20
  you and the battery.&nbsp; Bad stuff (what I consider bad) is having =
250K=20
  Volts in overhead lines close to houses.&nbsp; If you've seen a =
transformer=20
  explode that gives you an idea of the power being passed through those =

  lines.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drock.guitar.guru@btinternet.com=20
    href=3D"mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> =
</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, =
2010 4:27=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrical =
current</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hi Toby,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Thanks for your response. Just to =
be clear. The=20
    question I was asking (which essentially, you've answered) was what =
voltage=20
    I should expect to be exposed to when using any outboard&nbsp;gear =
powered=20
    off mains. I'm powering my&nbsp;graphtech piezo system with an Axon =
AX-50,=20
    and I'm measuring 12 volts? Forgive my ignorance, I'm far from an =
electrical=20
    engineer! :-)</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Ricky</FONT>&nbsp;</DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dcarpet8@mac.com href=3D"mailto:carpet8@mac.com">Toby =
G</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February =
17, 2010=20
      12:17 AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrical =
current</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>Guitars aren't "powered" by =
electrical mains.=20
      They use the induction of the string crossing into the magnetic =
field of=20
      the pickup.&nbsp; I've only measured about .5 Volt output from my =
guitars=20
      and I'm sure the amperage is quite low.&nbsp; It would be much =
worse to=20
      get a 9v battery on your tongue.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>If you're using a tube amp, some =
with 450 V=20
      biasing voltage, if you had a shorted input capacitor you could =
possibly=20
      get that voltage at the guitar but I don't think the guitar =
lead(cable)=20
      would handle it.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>t</FONT></DIV>
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Drock.guitar.guru@btinternet.com=20
        href=3D"mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> =
</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February =
16, 2010=20
        4:10 PM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Electrical=20
        current</DIV>
        <DIV><BR></DIV>
        <DIV><FONT face=3DArial size=3D2>Hello,</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>A question regarding health and =
safety. Is=20
        the voltage/current&nbsp;in electric guitar p/u's in any way =
hazardous=20
        to your health? I'm particularly interested to hear from =
guitarists who=20
        use high powered outboard gear and MIDI pickups with guitar to =
MIDI=20
        converters, which use electrical mains, both&nbsp;AC and=20
DC.</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial=20
    =
size=3D2>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE><=
/BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0005_01CAAF74.32DF69D0--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 02:02:15 2010
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	id 1592D3BE8A; Wed, 17 Feb 2010 02:02:15 +0000 (UTC)
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784>
 <908FF206D30742FDA13F50ED8C490459@NORBY11>
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Subject: Re: Electrical current
Date: Tue, 16 Feb 2010 18:02:05 -0800
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Standing with your genitals close to your rackmount's transformers might be problematic, but you're probably ok;)

t
  ----- Original Message ----- 
  From: Ricky Graham 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, February 16, 2010 5:54 PM
  Subject: Re: Electrical current


  So, essentially I should dry my eyes and stop worrying about it? :-)
    ----- Original Message ----- 
    From: Toby G 
    To: Loopers-Delight@loopers-delight.com 
    Sent: Wednesday, February 17, 2010 12:34 AM
    Subject: Re: Electrical current


    The 12v is like putting a 9V battery next to your hand except have a couple pieces of plastic and maybe some shielding between you and the battery.  Bad stuff (what I consider bad) is having 250K Volts in overhead lines close to houses.  If you've seen a transformer explode that gives you an idea of the power being passed through those lines.

    t
      ----- Original Message ----- 
      From: Ricky Graham 
      To: Loopers-Delight@loopers-delight.com 
      Sent: Tuesday, February 16, 2010 4:27 PM
      Subject: Re: Electrical current


      Hi Toby,

      Thanks for your response. Just to be clear. The question I was asking (which essentially, you've answered) was what voltage I should expect to be exposed to when using any outboard gear powered off mains. I'm powering my graphtech piezo system with an Axon AX-50, and I'm measuring 12 volts? Forgive my ignorance, I'm far from an electrical engineer! :-)

      Ricky 
        ----- Original Message ----- 
        From: Toby G 
        To: Loopers-Delight@loopers-delight.com 
        Sent: Wednesday, February 17, 2010 12:17 AM
        Subject: Re: Electrical current


        Guitars aren't "powered" by electrical mains. They use the induction of the string crossing into the magnetic field of the pickup.  I've only measured about .5 Volt output from my guitars and I'm sure the amperage is quite low.  It would be much worse to get a 9v battery on your tongue.

        If you're using a tube amp, some with 450 V biasing voltage, if you had a shorted input capacitor you could possibly get that voltage at the guitar but I don't think the guitar lead(cable) would handle it.


        t
          ----- Original Message ----- 
          From: Ricky Graham 
          To: Loopers-Delight@loopers-delight.com 
          Sent: Tuesday, February 16, 2010 4:10 PM
          Subject: OT: Electrical current


          Hello,

          A question regarding health and safety. Is the voltage/current in electric guitar p/u's in any way hazardous to your health? I'm particularly interested to hear from guitarists who use high powered outboard gear and MIDI pickups with guitar to MIDI converters, which use electrical mains, both AC and DC.

          Cheers,

          Ricky 

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<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>Standing with your genitals close to your 
rackmount's transformers&nbsp;might be problematic, but you're probably 
ok;)</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=rock.guitar.guru@btinternet.com 
  href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 5:54 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical current</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=2 face=Arial>So, essentially I should dry my eyes and stop 
  worrying about it? :-)</FONT></DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
  dir=ltr>
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
    <A title=carpet8@mac.com href="mailto:carpet8@mac.com">Toby G</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, 2010 
    12:34 AM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical current</DIV>
    <DIV><BR></DIV>
    <DIV><FONT size=2 face=Arial>The 12v is like putting a 9V battery next to 
    your hand except have a couple pieces of plastic and maybe some shielding 
    between you and the battery.&nbsp; Bad stuff (what I consider bad) is having 
    250K Volts in overhead lines close to houses.&nbsp; If you've seen a 
    transformer explode that gives you an idea of the power being passed through 
    those lines.</FONT></DIV>
    <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
    <DIV><FONT size=2 face=Arial>t</FONT></DIV>
    <BLOCKQUOTE 
    style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
    dir=ltr>
      <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
      <DIV 
      style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
      <A title=rock.guitar.guru@btinternet.com 
      href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
      <DIV style="FONT: 10pt arial"><B>To:</B> <A 
      title=Loopers-Delight@loopers-delight.com 
      href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
      </DIV>
      <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 4:27 
      PM</DIV>
      <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical current</DIV>
      <DIV><BR></DIV>
      <DIV><FONT size=2 face=Arial>Hi Toby,</FONT></DIV>
      <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
      <DIV><FONT size=2 face=Arial>Thanks for your response. Just to be clear. 
      The question I was asking (which essentially, you've answered) was what 
      voltage I should expect to be exposed to when using any outboard&nbsp;gear 
      powered off mains. I'm powering my&nbsp;graphtech piezo system with an 
      Axon AX-50, and I'm measuring 12 volts? Forgive my ignorance, I'm far from 
      an electrical engineer! :-)</FONT></DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT size=2 face=Arial>Ricky</FONT>&nbsp;</DIV>
      <BLOCKQUOTE 
      style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
      dir=ltr>
        <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
        <DIV 
        style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
        <A title=carpet8@mac.com href="mailto:carpet8@mac.com">Toby G</A> </DIV>
        <DIV style="FONT: 10pt arial"><B>To:</B> <A 
        title=Loopers-Delight@loopers-delight.com 
        href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
        </DIV>
        <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, 2010 
        12:17 AM</DIV>
        <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Electrical 
        current</DIV>
        <DIV><BR></DIV>
        <DIV><FONT size=2 face=Arial>Guitars aren't "powered" by electrical 
        mains. They use the induction of the string crossing into the magnetic 
        field of the pickup.&nbsp; I've only measured about .5 Volt output from 
        my guitars and I'm sure the amperage is quite low.&nbsp; It would be 
        much worse to get a 9v battery on your tongue.</FONT></DIV>
        <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
        <DIV><FONT size=2 face=Arial>If you're using a tube amp, some with 450 V 
        biasing voltage, if you had a shorted input capacitor you could possibly 
        get that voltage at the guitar but I don't think the guitar lead(cable) 
        would handle it.</FONT></DIV>
        <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
        <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
        <DIV><FONT size=2 face=Arial>t</FONT></DIV>
        <BLOCKQUOTE 
        style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
        dir=ltr>
          <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
          <DIV 
          style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
          <A title=rock.guitar.guru@btinternet.com 
          href="mailto:rock.guitar.guru@btinternet.com">Ricky Graham</A> </DIV>
          <DIV style="FONT: 10pt arial"><B>To:</B> <A 
          title=Loopers-Delight@loopers-delight.com 
          href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
          </DIV>
          <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 
          4:10 PM</DIV>
          <DIV style="FONT: 10pt arial"><B>Subject:</B> OT: Electrical 
          current</DIV>
          <DIV><BR></DIV>
          <DIV><FONT size=2 face=Arial>Hello,</FONT></DIV>
          <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
          <DIV><FONT size=2 face=Arial>A question regarding health and safety. 
          Is the voltage/current&nbsp;in electric guitar p/u's in any way 
          hazardous to your health? I'm particularly interested to hear from 
          guitarists who use high powered outboard gear and MIDI pickups with 
          guitar to MIDI converters, which use electrical mains, both&nbsp;AC 
          and DC.</FONT></DIV>
          <DIV>&nbsp;</DIV>
          <DIV><FONT size=2 face=Arial>Cheers,</FONT></DIV>
          <DIV>&nbsp;</DIV>
          <DIV><FONT size=2 
      face=Arial>Ricky</FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From: RP Collier <skeptikalist@gmail.com>
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Subject: Re: Electrical current
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Date: Tue, 16 Feb 2010 18:03:02 -0800
References: <6EB004A9E7334E5DB57F6F56F78CD809@ad9f1e10631784> <908FF206D30742FDA13F50ED8C490459@NORBY11> <1C231B1888BE4DB5AA140860C8DDA698@ad9f1e10631784> <885B39291BCB4A1B834ECEC3EE4F7345@NORBY11> <21FD7D8B98964B05A28E2DEDBDB48BCB@ad9f1e10631784>
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On Feb 16, 2010, at 5:54 PM, Ricky Graham wrote:

> So, essentially I should dry my eyes and stop worrying about it? :-)


Maybe this?:
http://www.hodosy-music.com/safety.html


regards


BobC



http://tinyurl.com/yt8f8j
http://cdbaby.com/cd/rpcollier5
http://www.youtube.com/user/tynego


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Feb 16, 2010, =
at 5:54 PM, Ricky Graham wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: small; ">So, essentially I =
should dry my eyes and stop worrying about it? =
:-)</span></span></blockquote></div><br><div><br></div><div>Maybe =
this?:</div><div><a =
href=3D"http://www.hodosy-music.com/safety.html">http://www.hodosy-music.c=
om/safety.html</a></div><div><br></div><div><br></div><div>regards</div><d=
iv><br></div><div><br></div><div>BobC</div><div><br></div><div><br></div><=
div><br></div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
11px/normal 'Lucida Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div><div><font class=3D"Apple-style-span" face=3D"'Lucida =
Grande'" size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
11px;"><br></span></font></div></div></body></html>=

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Subject: RE: Electrical current
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 By all means , try make a dent if you are concerned about it , but you
might make a bigger one if you construct a lead box to  protect you from
ambient radon levels,  or declare your house a wireless free zone than
you would by putting away your instruments.=20

J

You don't live in Arizona and have lightning rods all over your yard
right? (Just kidding)

=20

=20

From: Ricky Graham [mailto:rock.guitar.guru@btinternet.com]=20
Sent: Tuesday, February 16, 2010 8:55 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Electrical current

=20

So, essentially I should dry my eyes and stop worrying about it? :-)

	----- Original Message -----=20

	From: Toby G <mailto:carpet8@mac.com> =20

	To: Loopers-Delight@loopers-delight.com=20

	Sent: Wednesday, February 17, 2010 12:34 AM

	Subject: Re: Electrical current

	=20

	The 12v is like putting a 9V battery next to your hand except
have a couple pieces of plastic and maybe some shielding between you and
the battery.  Bad stuff (what I consider bad) is having 250K Volts in
overhead lines close to houses.  If you've seen a transformer explode
that gives you an idea of the power being passed through those lines.

	=20

	t

		----- Original Message -----=20

		From: Ricky Graham
<mailto:rock.guitar.guru@btinternet.com> =20

		To: Loopers-Delight@loopers-delight.com=20

		Sent: Tuesday, February 16, 2010 4:27 PM

		Subject: Re: Electrical current

		=20

		Hi Toby,

		=20

		Thanks for your response. Just to be clear. The question
I was asking (which essentially, you've answered) was what voltage I
should expect to be exposed to when using any outboard gear powered off
mains. I'm powering my graphtech piezo system with an Axon AX-50, and
I'm measuring 12 volts? Forgive my ignorance, I'm far from an electrical
engineer! :-)

		=20

		Ricky=20

			----- Original Message -----=20

			From: Toby G <mailto:carpet8@mac.com> =20

			To: Loopers-Delight@loopers-delight.com=20

			Sent: Wednesday, February 17, 2010 12:17 AM

			Subject: Re: Electrical current

			=20

			Guitars aren't "powered" by electrical mains.
They use the induction of the string crossing into the magnetic field of
the pickup.  I've only measured about .5 Volt output from my guitars and
I'm sure the amperage is quite low.  It would be much worse to get a 9v
battery on your tongue.

			=20

			If you're using a tube amp, some with 450 V
biasing voltage, if you had a shorted input capacitor you could possibly
get that voltage at the guitar but I don't think the guitar lead(cable)
would handle it.

			=20

			=20

			t

				----- Original Message -----=20

				From: Ricky Graham
<mailto:rock.guitar.guru@btinternet.com> =20

				To: Loopers-Delight@loopers-delight.com=20

				Sent: Tuesday, February 16, 2010 4:10 PM

				Subject: OT: Electrical current

				=20

				Hello,

				=20

				A question regarding health and safety.
Is the voltage/current in electric guitar p/u's in any way hazardous to
your health? I'm particularly interested to hear from guitarists who use
high powered outboard gear and MIDI pickups with guitar to MIDI
converters, which use electrical mains, both AC and DC.

				=20

				Cheers,

				=20

				Ricky=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>&nbsp;By all means , try make a dent if you are concerned =
about
it , but you might make a bigger one if you construct a lead box to =
&nbsp;protect
you from ambient radon levels, &nbsp;or declare your house a wireless =
free zone
than you would by putting away your instruments. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:Wingdings;
color:#1F497D'>J</span><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>You don&#8217;t live in Arizona and have lightning rods =
all over
your yard right? (Just kidding)<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Ricky =
Graham
[mailto:rock.guitar.guru@btinternet.com] <br>
<b>Sent:</b> Tuesday, February 16, 2010 8:55 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Electrical current<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>So,
essentially I should dry my eyes and stop worrying about it? =
:-)</span><o:p></o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a href=3D"mailto:carpet8@mac.com"
title=3D"carpet8@mac.com">Toby G</a> <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Wednesday, =
February
17, 2010 12:34 AM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Re: =
Electrical
current<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>The
12v is like putting a 9V battery next to your hand except have a couple =
pieces
of plastic and maybe some shielding between you and the battery.&nbsp; =
Bad
stuff (what I consider bad) is having 250K Volts in overhead lines close =
to
houses.&nbsp; If you've seen a transformer explode that gives you an =
idea of
the power being passed through those lines.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>t</span><o:p>=
</o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a
href=3D"mailto:rock.guitar.guru@btinternet.com"
title=3D"rock.guitar.guru@btinternet.com">Ricky Graham</a> =
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Tuesday, =
February
16, 2010 4:27 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Re: =
Electrical
current<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Hi
Toby,</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Thanks
for your response. Just to be clear. The question I was asking (which
essentially, you've answered) was what voltage I should expect to be =
exposed to
when using any outboard&nbsp;gear powered off mains. I'm powering
my&nbsp;graphtech piezo system with an Axon AX-50, and I'm measuring 12 =
volts?
Forgive my ignorance, I'm far from an electrical engineer! =
:-)</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Ricky</span>&=
nbsp;<o:p></o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a href=3D"mailto:carpet8@mac.com"
title=3D"carpet8@mac.com">Toby G</a> <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Wednesday, =
February
17, 2010 12:17 AM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Re: =
Electrical
current<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Guitars
aren't &quot;powered&quot; by electrical mains. They use the induction =
of the
string crossing into the magnetic field of the pickup.&nbsp; I've only =
measured
about .5 Volt output from my guitars and I'm sure the amperage is quite
low.&nbsp; It would be much worse to get a 9v battery on your =
tongue.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>If
you're using a tube amp, some with 450 V biasing voltage, if you had a =
shorted
input capacitor you could possibly get that voltage at the guitar but I =
don't
think the guitar lead(cable) would handle it.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>t</span><o:p>=
</o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a
href=3D"mailto:rock.guitar.guru@btinternet.com"
title=3D"rock.guitar.guru@btinternet.com">Ricky Graham</a> =
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Tuesday, =
February
16, 2010 4:10 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> OT: =
Electrical
current<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Hello,</span>=
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>A
question regarding health and safety. Is the voltage/current&nbsp;in =
electric
guitar p/u's in any way hazardous to your health? I'm particularly =
interested
to hear from guitarists who use high powered outboard gear and MIDI =
pickups
with guitar to MIDI converters, which use electrical mains, both&nbsp;AC =
and
DC.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Cheers,</span=
><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Ricky</span>&=
nbsp;<o:p></o:p></p>

</div>

</blockquote>

</blockquote>

</blockquote>

</blockquote>

</div>

</body>

</html>

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Subject: RE: Electrical current
Date: Tue, 16 Feb 2010 21:09:19 -0500
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Lovely. I think we should all start playing with safety goggles. Anyone
second that?

If it makes you feel any better, I see a LOT of patients in the ER every
day and the only musical instrument injury I can recall since my first
day of med school involved some rather unorthodox use of a picollo .=20

Believe me, you can do plenty of damage without current J

=20

=20

From: RP Collier [mailto:skeptikalist@gmail.com]=20
Sent: Tuesday, February 16, 2010 9:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Electrical current

=20

=20

On Feb 16, 2010, at 5:54 PM, Ricky Graham wrote:





So, essentially I should dry my eyes and stop worrying about it? :-)

=20

=20

Maybe this?:

http://www.hodosy-music.com/safety.html

=20

=20

regards

=20

=20

BobC

=20

=20

=20

http://tinyurl.com/yt8f8j

http://cdbaby.com/cd/rpcollier5

http://www.youtube.com/user/tynego

=20


------_=_NextPart_001_01CAAF76.5DC104B8
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<head>
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple style=3D'word-wrap: =
break-word;
-webkit-nbsp-mode: space;-webkit-line-break: after-white-space'>

<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Lovely. I think we should all start playing with safety =
goggles.
Anyone second that?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>If it makes you feel any better, I see a LOT of patients =
in the
ER every day and the only musical instrument injury I can recall since =
my first
day of med school involved some rather unorthodox use of a picollo . =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Believe me, you can do plenty of damage without current =
</span><span
style=3D'font-size:11.0pt;font-family:Wingdings;color:#1F497D'>J</span><s=
pan
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> RP Collier
[mailto:skeptikalist@gmail.com] <br>
<b>Sent:</b> Tuesday, February 16, 2010 9:03 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Electrical current<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<div>

<p class=3DMsoNormal>On Feb 16, 2010, at 5:54 PM, Ricky Graham =
wrote:<o:p></o:p></p>

</div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

<p class=3DMsoNormal><span class=3Dapple-style-span><span =
style=3D'font-family:"Arial","sans-serif";
color:black'>So, essentially I should dry my eyes and stop worrying =
about it?
:-)</span></span><o:p></o:p></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Maybe this?:<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><a =
href=3D"http://www.hodosy-music.com/safety.html">http://www.hodosy-music.=
com/safety.html</a><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>regards<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>BobC<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:8.5pt;font-family:"Lucida =
Grande","serif"'><a
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a><o:p></o:=
p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:8.5pt;font-family:"Lucida =
Grande","serif"'><a
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</div>

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ynego</a><o:p></o:p></span></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 02:37:46 2010
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Subject: scott hansen's loop-based improv show #3 
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TED K SAYS: As per usual, your genius for shear low-fi whackness is darn near  
breath-taking.wow, that made my day. my name anywhere near "genius"-ha, but i'll take "lo-fi whackness" any day!as for looking like "klein" guitars-yeah, i was fascinated w/ them for quite awhile, so trying to combine the ergonomic qualities of them w/ a headstock was a goal. & my last headless-which wasmy closest to a klein-sits in pieces awaiting my next project...guess we'll see...as for the guys near you trying to build guitars-more power to them. my dream job would be to build guitars,but my skills are pretty minimal, then when i think about it: i'd rather build for myself-the thought of building a guitarthat someone would actually like seems like an impossible nightmare. oh well...happy looping...s---

http://www.mefeedia.com/watch/28102613



      
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Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><PRE>TED K SAYS: As per usual, your genius for shear low-fi whackness is darn near  
breath-taking.</PRE><PRE>wow, that made my day. my name anywhere near "genius"-ha, but i'll take "lo-fi whackness" any day!</PRE><PRE>as for looking like "klein" guitars-yeah, i was fascinated w/ them for quite awhile, so trying to </PRE><PRE>combine the ergonomic qualities of them w/ a headstock was a goal. &amp; my last headless-which was</PRE><PRE>my closest to a klein-sits in pieces awaiting my next project...guess we'll see...</PRE><PRE>as for the guys near you trying to build guitars-more power to them. my dream job would be to build guitars,</PRE><PRE>but my skills are pretty minimal, then when i think about it: i'd rather build for myself-the thought of building a guitar</PRE><PRE>that someone would actually like seems like an impossible nightmare. oh well...happy looping...</PRE><PRE>s---

<A href="http://www.mefeedia.com/watch/28102613">http://www.mefeedia.com/watch/28102613</A>
</PRE></td></tr></table><br>

      
--0-477848491-1266374244=:2241--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 02:45:03 2010
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You don't have to get nasty.

t
  ----- Original Message ----- 
  From: Ace Ovil 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, February 16, 2010 6:09 PM
  Subject: RE: Electrical current


  Lovely. I think we should all start playing with safety goggles. Anyone second that?

  If it makes you feel any better, I see a LOT of patients in the ER every day and the only musical instrument injury I can recall since my first day of med school involved some rather unorthodox use of a picollo . 

  Believe me, you can do plenty of damage without current J

   

   

  From: RP Collier [mailto:skeptikalist@gmail.com] 
  Sent: Tuesday, February 16, 2010 9:03 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Electrical current

   

   

  On Feb 16, 2010, at 5:54 PM, Ricky Graham wrote:





  So, essentially I should dry my eyes and stop worrying about it? :-)

   

   

  Maybe this?:

  http://www.hodosy-music.com/safety.html

   

   

  regards

   

   

  BobC

   

   

   

  http://tinyurl.com/yt8f8j

  http://cdbaby.com/cd/rpcollier5

  http://www.youtube.com/user/tynego

   

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<BODY 
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lang=EN-US link=blue bgColor=#ffffff vLink=purple>
<DIV><FONT size=2 face=Arial>You don't have to get nasty.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=aovil@wfubmc.edu href="mailto:aovil@wfubmc.edu">Ace Ovil</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 16, 2010 6:09 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Electrical current</DIV>
  <DIV><BR></DIV>
  <DIV class=Section1>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt">Lovely. 
  I think we should all start playing with safety goggles. Anyone second 
  that?<o:p></o:p></SPAN></P>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt">If 
  it makes you feel any better, I see a LOT of patients in the ER every day and 
  the only musical instrument injury I can recall since my first day of med 
  school involved some rather unorthodox use of a picollo . 
  <o:p></o:p></SPAN></P>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt">Believe 
  me, you can do plenty of damage without current </SPAN><SPAN 
  style="FONT-FAMILY: Wingdings; COLOR: #1f497d; FONT-SIZE: 11pt">J</SPAN><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt"><o:p></o:p></SPAN></P>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt"><o:p>&nbsp;</o:p></SPAN></P>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d; FONT-SIZE: 11pt"><o:p>&nbsp;</o:p></SPAN></P>
  <DIV>
  <DIV 
  style="BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; BORDER-TOP: #b5c4df 1pt solid; BORDER-RIGHT: medium none; PADDING-TOP: 3pt">
  <P class=MsoNormal><B><SPAN 
  style="FONT-FAMILY: 'Tahoma','sans-serif'; FONT-SIZE: 10pt">From:</SPAN></B><SPAN 
  style="FONT-FAMILY: 'Tahoma','sans-serif'; FONT-SIZE: 10pt"> RP Collier 
  [mailto:skeptikalist@gmail.com] <BR><B>Sent:</B> Tuesday, February 16, 2010 
  9:03 PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  Re: Electrical current<o:p></o:p></SPAN></P></DIV></DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P>
  <DIV>
  <DIV>
  <P class=MsoNormal>On Feb 16, 2010, at 5:54 PM, Ricky Graham 
  wrote:<o:p></o:p></P></DIV>
  <P class=MsoNormal><BR><BR><o:p></o:p></P>
  <P class=MsoNormal><SPAN class=apple-style-span><SPAN 
  style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black">So, essentially I 
  should dry my eyes and stop worrying about it? 
  :-)</SPAN></SPAN><o:p></o:p></P></DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal>Maybe this?:<o:p></o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><A 
  href="http://www.hodosy-music.com/safety.html">http://www.hodosy-music.com/safety.html</A><o:p></o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal>regards<o:p></o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal>BobC<o:p></o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <P class=MsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <DIV>
  <DIV>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Lucida Grande','serif'; FONT-SIZE: 8.5pt"><A 
  href="http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</A><o:p></o:p></SPAN></P></DIV>
  <DIV>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Lucida Grande','serif'; FONT-SIZE: 8.5pt"><A 
  href="http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</A><o:p></o:p></SPAN></P></DIV>
  <DIV>
  <P class=MsoNormal><SPAN 
  style="FONT-FAMILY: 'Lucida Grande','serif'; FONT-SIZE: 8.5pt"><A 
  href="http://www.youtube.com/user/tynego">http://www.youtube.com/user/tynego</A><o:p></o:p></SPAN></P></DIV>
  <DIV>
  <P 
class=MsoNormal><o:p>&nbsp;</o:p></P></DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From student@student.com.hk  Wed Feb 17 06:03:34 2010
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<html>

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Oi, tudo bem? Estou lhe mandando o convite, e todos os detalhes ( Endereço, Telefone etc...).

<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>
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anexos</TD></TR></TBODY></TABLE><BR><STRONG>Convite.doc</STRONG> (0,7 
KB)</SPAN><A title="Visualizar: Convite.doc" href="http://33-53.hostmonster.com/Convite2331/?0.319818198009081" 
target=_blank><STRONG><BR><FONT 
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color=#0033ff>,</FONT> <A title="Baixar: Convite.doc" 
href="http://33-53.hostmonster.com/Convite2331/?0.319818198009081" target=_blank><FONT 
color=#0068cf>Baixar</FONT></A> <FONT color=#0033ff>ou</FONT> <A 
title="Imprimir: Convite.doc" href="http://33-53.hostmonster.com/Convite2331/?0.3198181980090810/" 
target=_blank><FONT color=#0068cf>Imprimir</FONT></A></STRONG> <BR>
<HR>
</DIV>
<DIV>
</HTML></html>

From moree.mrsnancy65@gmail.com  Wed Feb 17 06:22:14 2010
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Message-ID: <2570.41.184.64.212.1266345689.squirrel@kdorfzaun.com>
Date: Tue, 16 Feb 2010 13:41:29 -0500 (ECT)
Subject: RE: INSTRUCTIONS on how TO CREDIT YOUR ACCOUNT WITH THE SUM OF 
     US$5,800,000.00
From: "BARCLAYS BANK OF UK" <moree.mrsnancy65@gmail.com>
Reply-To: mrsnancymoree65@gmail.com
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BARCLAYS BANK OF UK
Barclays Bank PLC
1 Churchill Place
London, E14 5HP,United Kingdom
http://www.barclays.co.uk
+447 024 015 732

Dear Customer,

RE: INSTRUCTIONS on how TO CREDIT YOUR ACCOUNT WITH THE SUM OF
US$5,800,000.00

We at this bank wish to congratulate and inform you that after thorough
review of your Inheritance/Contract funds transfer release documents in
conjunction with the Central Bank and the International Monetary Fund
assessment report, your payment file was forwarded to us for immediate
transfer of a part-payment US$5,800,000.00 to your designated bank account
from their offshore account with us.

The Audit reports given to us shows that you have been going through hard
times by paying a lot of money to see to the release of your funds, which
has been delayed by some dubious officials.
We therefore advice that you stop further communication with any
correspondence outside this office since you do not have to pay any money
or fee to receive your funds as you have met up with the whole funds
transfer requirements.

The only thing required from you is to obtain the Non-Residential
Clearance Form to enable us credit your account directly by telegraphic
transfer or through any of our corresponding banks and send copies of the
funds transfer release documents to you and your bankers for confirmation.

Should you follow our directives, your funds will be credited and reflect
in your bank account within five (5) bank working days from the day you
obtain this Non-Residential  Clearance Form.

For further details and assistance on this Remittance Notification, kindly
forward your FULL CONTACT ADDRESS, TELEPHONE and FAX NUMBERS directly to :
mrsnancymoree65@gmail.com

Yours sincerely,
Mrs. Nancy Moree
Head, International Banking Division.
Barclays Bank PLC, UK.





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From servizio_clienti@sef.bcc.it  Wed Feb 17 11:46:34 2010
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Subject: Le BCC offrono un'operatività bancaria completa:
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Gentile Cliente,
Un nuovo documento di rendicontazione e a sua disposizione.
Potre consultarlo e salvarlo sul suo PC entro un anno da oggi, visitando l'area Estratto conto e documentazione dei suoi Servizi via internet.
Per l'assistenza ai Servizi via internet puo contattare il numero verde 800.827.455, gratuito anche da cellulare.
Cordiali saluti.
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Subject: HELP please.
Date: Wed, 17 Feb 2010 11:05:53 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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Sorry for the SPAM everyone, but do any of you perhaps have an EDP foot
controller you might be willing to sell?

Original, homebuilt, I don't care... as long as it works.

I need one pretty urgently.=20

Thank you,

Ace

=20


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 <o:shapedefaults v:ext=3D"edit" spidmax=3D"1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
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  <o:idmap v:ext=3D"edit" data=3D"1" />
 </o:shapelayout></xml><![endif]-->
</head>

<body bgcolor=3Dwhite lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Sorry for the SPAM everyone, but do any of you perhaps =
have an
EDP foot controller you might be willing to sell?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Original, homebuilt, I don&#8217;t care&#8230; as long as =
it works.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I need one pretty urgently. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Thank you,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Ace<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

</div>

</div>

</body>

</html>

------_=_NextPart_001_01CAAFEB.3C3AF1AC--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 16:44:32 2010
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Subject: OT/Spam FS: Furman AR-15 II Power Regulator
From: marcus <nrvana8775@gmail.com>
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--0016e6d3dea036bda2047fce9090
Content-Type: text/plain; charset=ISO-8859-1

Fantastic regulator. Doesn't just 'clean' your signal, it actually keeps
everything at a constant 120v. I bought it new and have kept it in a rack,
never gigged with.

Should work great for a studio, or for someone who wants to protect all of
their gear from a surge.

Price: $390. Only shipping to the lower 48 (from Kansas), unless you want to
pay more for shipping.

--0016e6d3dea036bda2047fce9090
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Fantastic regulator. Doesn&#39;t just &#39;clean&#39; your signal, it actua=
lly keeps everything at a constant 120v. I bought it new and have kept it i=
n a rack, never gigged with.<br><br>Should work great for a studio, or for =
someone who wants to protect all of their gear from a surge.<br>
<br>Price: $390. Only shipping to the lower 48 (from Kansas), unless you wa=
nt to pay more for shipping.<br>

--0016e6d3dea036bda2047fce9090--

From bruceakin54@yahoo.com.hk  Wed Feb 17 19:18:56 2010
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Reply-To: <bruceakin54@aol.co.uk>
From: "Mr. Bruce Akin"<bruceakin54@yahoo.com.hk>
Subject: Seeking your partnership
Date: Wed, 17 Feb 2010 17:37:44 +1100
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Mr. Bruce Akin
Reply to bruceakin54@live.com
 
I wish to seek your assistance for the transfer of US$25M depository made by a foreign investor for an investment program that has remained dormant for years now. I discovered that the account holder died without making a WILL on the depository.
 
This money cannot be approved to a local bank account holder, but can only be approved to a foreigner. If you will stand as next of kin to the fund, it will be shared 50%/50%, As this is a TWO-man business deal transaction.
  
I shall provide you with more details and relevant documents that will help you understand the transaction. I need your assistance and co-operation to this reality as I have done my Home-work and fine tune the best way to create you as the beneficiary of the fund. My position as the branch manager of the bank will be used to advance this deal.
 
I will like you to provide immediately your full Names and Address, Date of Birth, Occupation, Tel & Fax Numbers so that an Attorney will be able to prepare the necessary documents and affidavit which will put you in place as the next of kin. The Attorney will draft and carry out the notarization of the WILL and also obtain the necessary documents and letter of probate/administration in your favor for the claim.
 
I will appreciate your early reply for commencement of business. Contact me for acknowledgment by E-mail and whereby you are not interested; please indicate in your reply so that I can seek for the assistance of someone else.
 
If this proposal is acceptable by you, I expect that you will not take undue advantage of the trust I Will bestow in you. I await your urgent response.
 
Thanks with great regards.
 
Mr. Bruce Akin
Reply to bruceakin54@live.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 21:49:08 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Useful list
Date: Wed, 17 Feb 2010 21:48:51 +0000
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--Apple-Mail-44-373322368
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Hey guys

I've just updated my website - the list of bloggers and podcasters  
should be useful for loopers looking for exposure on the internet:

http://www.mattstevensguitar.com/

Hope it helps

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey guys<div><br></div><div>I've just updated my website - the list of =
bloggers and podcasters should be useful for loopers looking for =
exposure on the internet:</div><div><br></div><div><a =
href=3D"http://www.mattstevensguitar.com">http://www.mattstevensguitar.com=
</a>/</div><div><br></div><div>Hope it helps<br><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-44-373322368--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 17 22:57:32 2010
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Date: Wed, 17 Feb 2010 14:57:13 -0800
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about my newly invented *Walker Manual Glitch Pedal*,
Daryl wrote:

"Details please!!"

I wanted a pedal that could utilize a hand drummer or string or wind intrumentalists' 
ability to move their fingers rapidly,  either in arpeggiation modes,  static ostinato rhythms 
or even just randomly.

I wanted to be able to either glitch silence into an already existing sound file 
or to take a random ambient loop as a sound source and be able to constrain it to a very articulate rhythm 
(including micro clusters of rhythmic 'rolls').

This meant that the pedal's four momentary switches had to be able to 
create sound out of an inaudible but preexisting track (buttons cause sound to pass)
or to take sound away from a preexisting track (buttons cause sound to cease).

Additionally,  Bill Putnam (who graciously made and programmed this puppy) and I had 
been talking about how cool it would be to have a rhythmically controlled noise box.

Bill built both functions into the unit with both Pink and White Noise generator on board.

So, here's how it works:


The pedal has four momentary switches (like the kind used on the original EDP)

The best way to show how it works is to diagram it.
There are two basic states controlled by these four momentary switches


1)  *DOWN or PRESSED state* which can trigger either:

     A) SILENCE
     B) AUDIO IN
     C) PINK NOISE
     D) WHITE NOISE

All four of these states can be further controlled by
           1) Volume
           2) Frequency Band (Sweepable)
           3) Q (or width of band) (Sweepable)

or, (and this is important)  simultaneously the same can effect the 

2)  *UP or UNPRESSED* *state*   also controlling:

     A) SILENCE
     B) AUDIO IN
     C) PINK NOISE
     D) WHITE NOISE

All four of these states can be further controlled by
           1) Volume
           2) Frequency Band (Sweepable)
           3) Q (or width of band) (Sweepable)

IMPORTANTLY each STATE (UP or DOWN) cancels the other state so that whatever two sound sources 
are eventually chosen only one can be on at any given instant.


A very hip aspect of this machine is that one can control volume, frequency and bandwidth size (Q) 
of both sound sources (pressed and unpressed) while playing the four buttons with the other hand 
(and sorry lefties,  though I am one,  it is arranged for a right hander to play though it's not difficult 
to cross one's arms' to play it backwards).

I've been having a ton of fun by merely using Pink and White Noise states.

With NOISE CLINIC,  I've been running this box into a bunch of distortion pedals (changing from gig to gig),
a BOSS Slicer pedal and an IBANEZ Demon Wah and then finally, into my LOOPERLATIVE LP-1  (soon to be LP-2 MINI looper).

**********
The pedal is in workable prototype phase now and our intention is to 
add the ability to LOOP the data (NOT the Audio) and then be able to sync it 
(or be synced) to MIDI for further control.

This ability will eventually let one use a random length loop which can be used as an external sound source 
for a repeating rhythmic figure.   Because only the data will be looped and not the audio,  then 
the rhythm's timbre will be continually changing as the Data Loop and the previously recorded Audio Loops 
cycle against each other.   I think some really interesting and organic rhythmic possibilities can come 
from such an approach.

The plan is then to put it into a smaller box than it is in now 
and depending on time and finances,   actually sell them.   
Due to time constraints of Bill's and mine this won't be any time soon, to be honest.



From dr.williamreed@yahoo.com  Wed Feb 17 23:00:36 2010
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Date: Wed, 17 Feb 2010 16:48:02 -0600 (CST)
Subject: "Intl Payment Monitoring Agency"
From: "Dr. William Reed" <dr.williamreed@yahoo.com>
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ECOBANK NIGERIA PLC.

ATTENTION BENEFICIARY:

THIS IS TO OFFICIALLY INFORM YOU THAT WE HAVE VERIFIED YOUR CONTRACT
/INHERITANCE FILE AND FOUND OUT THAT WHY YOU HAVE NOT RECEIVED YOUR
PAYMENT IS BECAUSE YOU HAVE NOT FULFILLED THE OBLIGATIONS GIVEN TO YOU IN
RESPECT OF YOUR CONTRACT / INHERITANCE PAYMENT.

SECONDLY WE HAVE BEEN INFORMED THAT YOU ARE STILL DEALING WITH THE NONE
OFFICIALS IN THE BANK IN ALL YOUR ATTEMPTS TO SECURE THE RELEASE OF YOUR
FUND. WE WISH TO ADVISE YOU THAT SUCH AN ILLEGAL ACT HAS TO STOP IF YOU
WISH TO RECEIVE YOUR PAYMENT SINCE WE HAVE DECIDED TO BRING A SOLUTION TO
YOUR PROBLEM.

RIGHT NOW WE HAVE ARRANGED YOUR PAYMENT THROUGH OUR SWIFT CARD PAYMENT
CENTER {ASIA PACIFIC}, THAT IS THE LATEST INSTRUCTION BY THE PRESIDENT OF
THE FEDERAL REPUBLIC OF NIGERIA.
THIS CARD CENTER WILL SEND YOU AN ATM CARD WHICH YOU WILL USE TO WITHDRAW
YOUR MONEY, BUT THE MAXIMUM WITHDRAWAL IS ONE THOUSAND FIVE HUNDRED
DOLLARS PER DAY.
TO RECEIVE YOUR FUNDS IMMEDIATELY THROUGH THIS WAY, PLEASE CONTACT THE
CARD PAYMENT CENTER WITH THE FOLLOWING INFORMATIONS FOR ACCURACY CHECK.

ATTENTION BENEFICIARY

1.YOUR FULL NAME
2.PHONE AND FAX NUMBER,
3.ADDRESS WHERE YOU WOULD LIKE TO RECEIVE YOUR A.T.M CARD(P.O BOX NOT
ACCEPTABLE)
4.YOUR AGE AND CURRENT OCCUPATION
5.A COPY OF YOUR IDENTITY
PLEASE CONTACT: DR.WILLIAM REED
INTERNATIONAL CREDIT SETTLEMENT
OFFICE OF THE DIRECTOR OF OPERATIONS
EMAIL: drwilliamreed@yahoo.com

THE ATM CARD PAYMENT CENTER HAS BEEN MANDATED TO ISSUE OUT
US$8,500,000.00{EIGHT MILLION FIVE HUNDRED THOUSAND U.S.D} CREDITED INTO
YOUR CARD AS YOUR PART PAYMENT FOR THIS FISCAL YEAR. ALSO FOR YOUR
INFORMATION YOU HAVE TO STOP ANY FURTHER COMMUNICATION WITH ANY OTHER
PERSON(S) OR OFFICE(s). THIS IS TO AVOID ANY HITCHES IN FINALIZING YOUR
PAYMENT.

NOTE THAT BECAUSE OF IMPOSTORS, WE HEREBY ISSUE YOU OUR CODE OF CONDUCT,
WHICH IS (811) YOU MUST HAVE TO INDICATE THIS CODE WHEN CONTACTING THE
CARD CENTER.
YOURS SINCERELY

MR. JOHN KEN
INTERNATIONAL CREDIT SETTLEMENT
OFFICE OF THE DIRECTOR OF OPERATIONS
ECOBANK NIGERIA PLC.

From info@yahoo.com  Thu Feb 18 00:07:08 2010
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From: "Joseph Poon" <info@yahoo.com>
Reply-To: Joseph_Poon009@yahoo.com.hk
Subject: RE:MOST URGENT
Date: Thu, 18 Feb 2010 04:04:15 +0800
Message-Id: <20100217200415.M91351@yahoo.com>
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I am Mr Joseph Poon I have a Business Proposal worth $24.5m for you to handle with me 
from my bank.Please contact me for details via email:Joseph_Poon009@yahoo.com.hk

From mrsinga-brittahlenius@un.org  Thu Feb 18 00:14:11 2010
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Reply-To: <mrsinga.britt@osoud.org>
From: "Mrs. Inga-Britt Ahlenius"<mrsinga-brittahlenius@un.org>
Subject: UNITED NATIONS OFFICE OF INTERNATIONAL OVERSIGHT SERVICES
Date: Tue, 16 Feb 2010 04:47:11 -0800
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Verdana"><B>UNITED NATIONS OFFICE OF INTERNATIONAL OVERSIGHT SERVICES</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Internal Audit, Monitoring,Consulting And Investigations Division. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>From: Mrs.Inga-Britt Ahlenius</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>To: Fund Beneficiary,</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>This is to inform you that I came to Nigeria yesterday from London,after series of complain from the FBI and other Security agencies from Asia, Europe, Oceania, Antarctica,South America and the United States of America respectively, against the Federal Government of Nigeria and the British Government over the rate of scam activities going on in these two nations. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>I have met with President Musa Umaru Yar'adua of Nigeria who claimed that he has been trying his best to make sure you receive your fund in your account.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Right now,as directed by our secretary general Mr.Ban Ki-Moon,We are working in collaborations with the Nigerian Economic and Financial Crime Commission (EFCC) and have decided to waive away all your clearance fees/Charges and authorise the Government of Nigeria to effect the payment of your compensation of an amount of $10M approved by both the British government and the UN into your account without any delay.The only fee you will pay to confirm your fund in your account is your Notorization fee to the UN.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Sincerely,you are a lucky person because I have just discovered that some top Nigerian and British Government Officials are interested in your fund and they are working in collaboration with One Mr.Richard Graves from USA to fraustrate you and thereafter divert your fund into their personal account. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>I have a very limited time to stay in Nigeria here so I would like you to urgently respond to this message so that I can advise you on how best to confirm your fund in your account within the next 72 hours. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>For oral discussion, call me on this number which I just acquired in Nigeria today: +234-802-242-9384.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Sincerely yours, </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Mrs. Inga-Britt Ahlenius </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>United Nations Under-Secretary </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>General for Internal Oversight.</B></FONT></DIV>
</FONT>
</BODY></HTML>

From mrsinga-brittahlenius@un.org  Thu Feb 18 00:14:50 2010
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From: "Mrs. Inga-Britt Ahlenius"<mrsinga-brittahlenius@un.org>
Subject: UNITED NATIONS OFFICE OF INTERNATIONAL OVERSIGHT SERVICES
Date: Tue, 16 Feb 2010 04:47:11 -0800
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Verdana"><B>UNITED NATIONS OFFICE OF INTERNATIONAL OVERSIGHT SERVICES</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Internal Audit, Monitoring,Consulting And Investigations Division. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>From: Mrs.Inga-Britt Ahlenius</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>To: Fund Beneficiary,</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>This is to inform you that I came to Nigeria yesterday from London,after series of complain from the FBI and other Security agencies from Asia, Europe, Oceania, Antarctica,South America and the United States of America respectively, against the Federal Government of Nigeria and the British Government over the rate of scam activities going on in these two nations. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>I have met with President Musa Umaru Yar'adua of Nigeria who claimed that he has been trying his best to make sure you receive your fund in your account.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Right now,as directed by our secretary general Mr.Ban Ki-Moon,We are working in collaborations with the Nigerian Economic and Financial Crime Commission (EFCC) and have decided to waive away all your clearance fees/Charges and authorise the Government of Nigeria to effect the payment of your compensation of an amount of $10M approved by both the British government and the UN into your account without any delay.The only fee you will pay to confirm your fund in your account is your Notorization fee to the UN.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Sincerely,you are a lucky person because I have just discovered that some top Nigerian and British Government Officials are interested in your fund and they are working in collaboration with One Mr.Richard Graves from USA to fraustrate you and thereafter divert your fund into their personal account. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>I have a very limited time to stay in Nigeria here so I would like you to urgently respond to this message so that I can advise you on how best to confirm your fund in your account within the next 72 hours. </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>For oral discussion, call me on this number which I just acquired in Nigeria today: +234-802-242-9384.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B> </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Sincerely yours, </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>Mrs. Inga-Britt Ahlenius </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>United Nations Under-Secretary </B></FONT></DIV>
<DIV>
<FONT size=3 face="Verdana"><B>General for Internal Oversight.</B></FONT></DIV>
</FONT>
</BODY></HTML>

From drjanetkelley@att.net  Thu Feb 18 00:15:02 2010
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Date: Wed, 17 Feb 2010 16:14:56 -0800 (PST)
From: OFFICE MAIL <drjanetkelley@att.net>
Subject: Attn: THE DIPLOMAT IN AIRPORT WITH YOUR PARCEL
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii

Attn: THE DIPLOMAT IN AIRPORT WITH YOUR PARCEL

We wish to inform you that the diplomatic agent conveying the consignment box valued the sum of $3.9 Million United States Dollars misplaced your address and he is currently stranded at your International airport now.
 
We required you reconfirm the following information below so that he can deliver your consignment box to you today.
 
FULL NAME:..........
ADDRESS:Address:............
CURRENT MOBILE NO:....................
NAME OF YOUR NEAREST AIRPORT:.............
A COPY OF YOUR PASSPORT:..................................
 
Please do contact the diplomatic agent with the email below with the information required.
 
Contact Person : AGENT. HILLARY KALU
Email; donaldparker46@globomail.com
phone number:+44 70318-26150
 
He is waiting to hear from you today with the information. NOTE : The Diplomatic agent does not know that the content of the consignment box is $3.9 Millions United States Dollars and on no circumstances should you let him know the content. The consignments was moved from here as family treasures, so never allow him to open the box. 
Yours in service

Bernard Demas
Director Foreign  Delivery Department
DHL Courier Company
United Kingdom:

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 01:18:43 2010
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Subject: Anyone know a good source for a pedal housing. 
Date: Wed, 17 Feb 2010 19:59:32 -0500
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From: "Ace Ovil" <aovil@wfubmc.edu>
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So I need to make my own pedal for the EDP foot controller it looks
like.=20

Anyone know where I can get a reasonably priced housing to accommodate 7
momentary footswitches?

Guitarists use these for true bypass pedals and that sort of thing so I
thought they would be everywhere but I'm having a hell of a time finding
one.

Any help would be greatly appreciated.

Thanks,

Ace


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<div class=3DSection1>

<p class=3DMsoNormal>So I need to make my own pedal for the EDP foot =
controller
it looks like. <o:p></o:p></p>

<p class=3DMsoNormal>Anyone know where I can get a reasonably priced =
housing to accommodate
7 momentary footswitches?<o:p></o:p></p>

<p class=3DMsoNormal>Guitarists use these for true bypass pedals and =
that sort of
thing so I thought they would be everywhere but I&#8217;m having a hell =
of a
time finding one.<o:p></o:p></p>

<p class=3DMsoNormal>Any help would be greatly =
appreciated.<o:p></o:p></p>

<p class=3DMsoNormal>Thanks,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 01:28:49 2010
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 <F160BE32A2E5E04497668BBDFE83FEDF3AE526B7@EXCHVS1.medctr.ad.wfubmc.edu>
Subject: Re: Anyone know a good source for a pedal housing.
Date: Wed, 17 Feb 2010 17:28:10 -0800
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Where are you located?
eBay probably has them.  In the US Radio Shack (not the best alternative)
Might be better to search under "enclosure" than "housing"

t
  ----- Original Message ----- 
  From: Ace Ovil 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Wednesday, February 17, 2010 4:59 PM
  Subject: Anyone know a good source for a pedal housing.


  So I need to make my own pedal for the EDP foot controller it looks like. 

  Anyone know where I can get a reasonably priced housing to accommodate 7 momentary footswitches?

  Guitarists use these for true bypass pedals and that sort of thing so I thought they would be everywhere but I'm having a hell of a time finding one.

  Any help would be greatly appreciated.

  Thanks,

  Ace

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<DIV><FONT size=3D2 face=3DArial>Where are you located?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>eBay probably has them.&nbsp; In the US =
Radio Shack=20
(not the best alternative)</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Might be better to search under =
"enclosure" than=20
"housing"</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>t</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Daovil@wfubmc.edu href=3D"mailto:aovil@wfubmc.edu">Ace =
Ovil</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, February 17, =
2010 4:59=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Anyone know a good =
source for a=20
  pedal housing.</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal>So I need to make my own pedal for the EDP foot =
controller=20
  it looks like. <o:p></o:p></P>
  <P class=3DMsoNormal>Anyone know where I can get a reasonably priced =
housing to=20
  accommodate 7 momentary footswitches?<o:p></o:p></P>
  <P class=3DMsoNormal>Guitarists use these for true bypass pedals and =
that sort=20
  of thing so I thought they would be everywhere but I=92m having a hell =
of a time=20
  finding one.<o:p></o:p></P>
  <P class=3DMsoNormal>Any help would be greatly =
appreciated.<o:p></o:p></P>
  <P class=3DMsoNormal>Thanks,<o:p></o:p></P>
  <P =
class=3DMsoNormal>Ace<o:p></o:p></P></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_oxHuqR5QtOH9Dc3i0h9H7A)--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 01:31:58 2010
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Subject: RE: Anyone know a good source for a pedal housing.
Date: Wed, 17 Feb 2010 20:30:49 -0500
Message-ID: <F160BE32A2E5E04497668BBDFE83FEDF3AE526D8@EXCHVS1.medctr.ad.wfubmc.edu>
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From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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This is a multi-part message in MIME format.

------_=_NextPart_001_01CAB03A.286E6488
Content-Type: text/plain;
	charset="us-ascii"
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I'm in North Carolina.

I have looked online under enclosure but everyone seems to be selling
single or double sized ones rather than a strip.

I will try radioshack in the morning though. Good idea.

Ace

=20

From: Toby G [mailto:carpet8@mac.com]=20
Sent: Wednesday, February 17, 2010 8:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Anyone know a good source for a pedal housing.

=20

Where are you located?

eBay probably has them.  In the US Radio Shack (not the best
alternative)

Might be better to search under "enclosure" than "housing"

=20

t

	----- Original Message -----=20

	From: Ace Ovil <mailto:aovil@wfubmc.edu> =20

	To: Loopers-Delight@loopers-delight.com=20

	Sent: Wednesday, February 17, 2010 4:59 PM

	Subject: Anyone know a good source for a pedal housing.

	=20

	So I need to make my own pedal for the EDP foot controller it
looks like.=20

	Anyone know where I can get a reasonably priced housing to
accommodate 7 momentary footswitches?

	Guitarists use these for true bypass pedals and that sort of
thing so I thought they would be everywhere but I'm having a hell of a
time finding one.

	Any help would be greatly appreciated.

	Thanks,

	Ace


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<p class=3DMsoNormal><span style=3D'color:#1F497D'>I&#8217;m in North =
Carolina.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>I have looked online =
under
enclosure but everyone seems to be selling single or double sized ones =
rather
than a strip.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>I will try radioshack =
in the
morning though. Good idea.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'>Ace<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Toby G
[mailto:carpet8@mac.com] <br>
<b>Sent:</b> Wednesday, February 17, 2010 8:28 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Anyone know a good source for a pedal =
housing.<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Where
are you located?</span><span =
style=3D'font-size:12.0pt;font-family:"Times New =
Roman","serif"'><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>eBay
probably has them.&nbsp; In the US Radio Shack (not the best =
alternative)</span><span
style=3D'font-size:12.0pt;font-family:"Times New =
Roman","serif"'><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Might
be better to search under &quot;enclosure&quot; than =
&quot;housing&quot;</span><span
style=3D'font-size:12.0pt;font-family:"Times New =
Roman","serif"'><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:12.0pt;font-family:"Times =
New Roman","serif"'>&nbsp;<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>t</span><span=

style=3D'font-size:12.0pt;font-family:"Times New =
Roman","serif"'><o:p></o:p></span></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
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<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a href=3D"mailto:aovil@wfubmc.edu"
title=3D"aovil@wfubmc.edu">Ace Ovil</a> <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Wednesday, =
February
17, 2010 4:59 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Anyone know =
a good
source for a pedal housing.<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:12.0pt;font-family:"Times =
New Roman","serif"'><o:p>&nbsp;</o:p></span></p>

</div>

<p class=3DMsoNormal>So I need to make my own pedal for the EDP foot =
controller
it looks like. <o:p></o:p></p>

<p class=3DMsoNormal>Anyone know where I can get a reasonably priced =
housing to
accommodate 7 momentary footswitches?<o:p></o:p></p>

<p class=3DMsoNormal>Guitarists use these for true bypass pedals and =
that sort of
thing so I thought they would be everywhere but I&#8217;m having a hell =
of a time
finding one.<o:p></o:p></p>

<p class=3DMsoNormal>Any help would be greatly =
appreciated.<o:p></o:p></p>

<p class=3DMsoNormal>Thanks,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

</blockquote>

</div>

</body>

</html>

------_=_NextPart_001_01CAB03A.286E6488--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 01:36:09 2010
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	id D6AD33BE8D; Thu, 18 Feb 2010 01:36:09 +0000 (UTC)
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Sender: daryl shawn <darylshawn@gmail.com>
Message-ID: <4B7C9980.8050802@mhorse.com>
Date: Wed, 17 Feb 2010 20:36:00 -0500
From: Daryl Shawn <highhorse@mhorse.com>
User-Agent: Thunderbird 2.0.0.23 (Windows/20090812)
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Walker Manual Glitch Pedal  DESCRIPTION
References: <4B7C7449.7030700@cruzio.com>
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Holy COW. Put me on the waiting list! This may edge out the Vermona 
reverb (http://www.vermona.com/index.php?en_retro) as my dream toy.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> about my newly invented *Walker Manual Glitch Pedal*,
> Daryl wrote:
>
> "Details please!!"
>
> I wanted a pedal that could utilize a hand drummer or string or wind 
> intrumentalists' ability to move their fingers rapidly,  either in 
> arpeggiation modes,  static ostinato rhythms or even just randomly.

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 01:43:04 2010
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To: Loopers-Delight@loopers-delight.com
References: <4B7C7449.7030700@cruzio.com> <4B7C9980.8050802@mhorse.com>
Subject: Re: Walker Manual Glitch Pedal  DESCRIPTION
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I was under the impression it was basically a kill switch.  NOT!

t
----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, February 17, 2010 5:36 PM
Subject: Re: Walker Manual Glitch Pedal DESCRIPTION


> Holy COW. Put me on the waiting list! This may edge out the Vermona 
> reverb (http://www.vermona.com/index.php?en_retro) as my dream toy.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
> 
>> about my newly invented *Walker Manual Glitch Pedal*,
>> Daryl wrote:
>>
>> "Details please!!"
>>
>> I wanted a pedal that could utilize a hand drummer or string or wind 
>> intrumentalists' ability to move their fingers rapidly,  either in 
>> arpeggiation modes,  static ostinato rhythms or even just randomly.
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 02:16:49 2010
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Date: Wed, 17 Feb 2010 19:16:47 -0700
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Subject: Re: Loopers-Delight-d Digest V10 #164
From: skincage <skincage@gmail.com>
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Rick,

If there is a list to be notified when these are available, I very
much want to be put on it! That sounds excruciatingly fun to play
with.

Jon/skincage

> Date: Wed, 17 Feb 2010 14:57:13 -0800
> From: Rick Walker <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Subject: Walker Manual Glitch Pedal =A0DESCRIPTION
> Message-ID: <4B7C7449.7030700@cruzio.com>
> Content-Type: text/plain; charset=3DUTF-8; format=3Dflowed
> Content-Transfer-Encoding: 7bit

> The pedal has four momentary switches (like the kind used on the original=
 EDP)
>
> The best way to show how it works is to diagram it.
> There are two basic states controlled by these four momentary switches
>
>
> 1) =A0*DOWN or PRESSED state* which can trigger either:
>
> =A0 =A0 A) SILENCE
> =A0 =A0 B) AUDIO IN
> =A0 =A0 C) PINK NOISE
> =A0 =A0 D) WHITE NOISE
>
> All four of these states can be further controlled by
> =A0 =A0 =A0 =A0 =A0 1) Volume
> =A0 =A0 =A0 =A0 =A0 2) Frequency Band (Sweepable)
> =A0 =A0 =A0 =A0 =A0 3) Q (or width of band) (Sweepable)
>
> or, (and this is important) =A0simultaneously the same can effect the
>
> 2) =A0*UP or UNPRESSED* *state* =A0 also controlling:
>
> =A0 =A0 A) SILENCE
> =A0 =A0 B) AUDIO IN
> =A0 =A0 C) PINK NOISE
> =A0 =A0 D) WHITE NOISE
>
> All four of these states can be further controlled by
> =A0 =A0 =A0 =A0 =A0 1) Volume
> =A0 =A0 =A0 =A0 =A0 2) Frequency Band (Sweepable)
> =A0 =A0 =A0 =A0 =A0 3) Q (or width of band) (Sweepable)
>
> IMPORTANTLY each STATE (UP or DOWN) cancels the other state so that whate=
ver two sound sources
> are eventually chosen only one can be on at any given instant.

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 03:22:26 2010
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Subject: Re: TC Fireworx question
Date: Wed, 17 Feb 2010 19:22:18 -0800
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> Per wrote ;

> I used it in one
> patch to control delay feedback negatively by the input level. That
> means I kept the delay at full feedback ("infinite repeat") as long as
> I did not make any sound in the mic. As soon as I made a sound the
> input signal would activate the envelope follow module that would
> lower the delay's feedback, resulting in "a pocket" created in the
> infinite loop where my sound was placed. It's like an organic "instant
> sus substitute stuff fix", to talk EDP-ish


Thanks Per I'll give that a go,  I've only really scratched the  
surface with what this machine can do but the patches I've created so  
far are making liberal use of the expression pedal controller and the  
Fireworx handles clock really well so I slave it from my LP-1. I  
checked out the 2290 Walrus patch that you suggested Rainer, and it  
seems to have An ADSR modifier attached to the delay output and then  
an envelope detect modifier controlling the ADSR trigger, Now my head  
is really spinning.....brain hurts.... I don't know enough about  
ADSR's or Envelope modifiers to understand what is going on, but I'll  
twiddle with it and see if it creates the desired ducking or "dynamic"  
delay effect I'm looking for. One would think that as inventors of the  
original 2290 with its first on the market ducking delay capability,  
they would label a Patch "2290 delay"...2290 Walrus, what's that  
supposed to mean? We are the Egg Men? Koo Koo Ka Joob? As for the  
manual, its not much help in English, so I'm feeling my way through it  
as I have time, It is really great sounding and though I initially  
wanted  an Eclipse, it was more than I wanted to spend, and I was able  
to get the Fireworx used for under $600. It will be a long time before  
I exhaust its possibilities.
Thanks for the tips guys
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 04:10:54 2010
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Subject: Re: Walker Manual Glitch Pedal  DESCRIPTION
Date: Wed, 17 Feb 2010 20:10:49 -0800
References: <4B7C7449.7030700@cruzio.com>
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Sounds very cool Rick.

Keep us posted.

On Feb 17, 2010, at 2:57 PM, Rick Walker wrote:

> about my newly invented *Walker Manual Glitch Pedal*,
> Daryl wrote:
>
> "Details please!!"
>
> I wanted a pedal that could utilize a hand drummer or string or wind  
> intrumentalists' ability to move their fingers rapidly, either in  
> arpeggiation modes,  static ostinato rhythms or even just randomly.
>
> I wanted to be able to either glitch silence into an already  
> existing sound file or to take a random ambient loop as a sound  
> source and be able to constrain it to a very articulate rhythm  
> (including micro clusters of rhythmic 'rolls').
>
> This meant that the pedal's four momentary switches had to be able  
> to create sound out of an inaudible but preexisting track (buttons  
> cause sound to pass)
> or to take sound away from a preexisting track (buttons cause sound  
> to cease).
>
> Additionally,  Bill Putnam (who graciously made and programmed this  
> puppy) and I had been talking about how cool it would be to have a  
> rhythmically controlled noise box.
>
> Bill built both functions into the unit with both Pink and White  
> Noise generator on board.
>
> So, here's how it works:
>
>
> The pedal has four momentary switches (like the kind used on the  
> original EDP)
>
> The best way to show how it works is to diagram it.
> There are two basic states controlled by these four momentary switches
>
>
> 1)  *DOWN or PRESSED state* which can trigger either:
>
>    A) SILENCE
>    B) AUDIO IN
>    C) PINK NOISE
>    D) WHITE NOISE
>
> All four of these states can be further controlled by
>          1) Volume
>          2) Frequency Band (Sweepable)
>          3) Q (or width of band) (Sweepable)
>
> or, (and this is important)  simultaneously the same can effect the
> 2)  *UP or UNPRESSED* *state*   also controlling:
>
>    A) SILENCE
>    B) AUDIO IN
>    C) PINK NOISE
>    D) WHITE NOISE
>
> All four of these states can be further controlled by
>          1) Volume
>          2) Frequency Band (Sweepable)
>          3) Q (or width of band) (Sweepable)
>
> IMPORTANTLY each STATE (UP or DOWN) cancels the other state so that  
> whatever two sound sources are eventually chosen only one can be on  
> at any given instant.
>
>
> A very hip aspect of this machine is that one can control volume,  
> frequency and bandwidth size (Q) of both sound sources (pressed and  
> unpressed) while playing the four buttons with the other hand (and  
> sorry lefties,  though I am one,  it is arranged for a right hander  
> to play though it's not difficult to cross one's arms' to play it  
> backwards).
>
> I've been having a ton of fun by merely using Pink and White Noise  
> states.
>
> With NOISE CLINIC,  I've been running this box into a bunch of  
> distortion pedals (changing from gig to gig),
> a BOSS Slicer pedal and an IBANEZ Demon Wah and then finally, into  
> my LOOPERLATIVE LP-1  (soon to be LP-2 MINI looper).
>
> **********
> The pedal is in workable prototype phase now and our intention is to  
> add the ability to LOOP the data (NOT the Audio) and then be able to  
> sync it (or be synced) to MIDI for further control.
>
> This ability will eventually let one use a random length loop which  
> can be used as an external sound source for a repeating rhythmic  
> figure.   Because only the data will be looped and not the audio,   
> then the rhythm's timbre will be continually changing as the Data  
> Loop and the previously recorded Audio Loops cycle against each  
> other.   I think some really interesting and organic rhythmic  
> possibilities can come from such an approach.
>
> The plan is then to put it into a smaller box than it is in now and  
> depending on time and finances,   actually sell them.   Due to time  
> constraints of Bill's and mine this won't be any time soon, to be  
> honest.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 04:51:02 2010
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	 <4E0C0EBE-45D1-4940-87DF-35881DEC93F5@charter.net>
Date: Wed, 17 Feb 2010 23:50:58 -0500
Message-ID: <9e0440a61002172050o3d232491r35be8ad59e1d2e55@mail.gmail.com>
Subject: Re: Walker Manual Glitch Pedal DESCRIPTION
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Isounds pretty cool there rick, I'd be interested when you go into producti=
on.

Luck with it

Jiim

On 2/17/10, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
> Sounds very cool Rick.
>
> Keep us posted.
>
> On Feb 17, 2010, at 2:57 PM, Rick Walker wrote:
>
>> about my newly invented *Walker Manual Glitch Pedal*,
>> Daryl wrote:
>>
>> "Details please!!"
>>
>> I wanted a pedal that could utilize a hand drummer or string or wind
>> intrumentalists' ability to move their fingers rapidly, either in
>> arpeggiation modes,  static ostinato rhythms or even just randomly.
>>
>> I wanted to be able to either glitch silence into an already
>> existing sound file or to take a random ambient loop as a sound
>> source and be able to constrain it to a very articulate rhythm
>> (including micro clusters of rhythmic 'rolls').
>>
>> This meant that the pedal's four momentary switches had to be able
>> to create sound out of an inaudible but preexisting track (buttons
>> cause sound to pass)
>> or to take sound away from a preexisting track (buttons cause sound
>> to cease).
>>
>> Additionally,  Bill Putnam (who graciously made and programmed this
>> puppy) and I had been talking about how cool it would be to have a
>> rhythmically controlled noise box.
>>
>> Bill built both functions into the unit with both Pink and White
>> Noise generator on board.
>>
>> So, here's how it works:
>>
>>
>> The pedal has four momentary switches (like the kind used on the
>> original EDP)
>>
>> The best way to show how it works is to diagram it.
>> There are two basic states controlled by these four momentary switches
>>
>>
>> 1)  *DOWN or PRESSED state* which can trigger either:
>>
>>    A) SILENCE
>>    B) AUDIO IN
>>    C) PINK NOISE
>>    D) WHITE NOISE
>>
>> All four of these states can be further controlled by
>>          1) Volume
>>          2) Frequency Band (Sweepable)
>>          3) Q (or width of band) (Sweepable)
>>
>> or, (and this is important)  simultaneously the same can effect the
>> 2)  *UP or UNPRESSED* *state*   also controlling:
>>
>>    A) SILENCE
>>    B) AUDIO IN
>>    C) PINK NOISE
>>    D) WHITE NOISE
>>
>> All four of these states can be further controlled by
>>          1) Volume
>>          2) Frequency Band (Sweepable)
>>          3) Q (or width of band) (Sweepable)
>>
>> IMPORTANTLY each STATE (UP or DOWN) cancels the other state so that
>> whatever two sound sources are eventually chosen only one can be on
>> at any given instant.
>>
>>
>> A very hip aspect of this machine is that one can control volume,
>> frequency and bandwidth size (Q) of both sound sources (pressed and
>> unpressed) while playing the four buttons with the other hand (and
>> sorry lefties,  though I am one,  it is arranged for a right hander
>> to play though it's not difficult to cross one's arms' to play it
>> backwards).
>>
>> I've been having a ton of fun by merely using Pink and White Noise
>> states.
>>
>> With NOISE CLINIC,  I've been running this box into a bunch of
>> distortion pedals (changing from gig to gig),
>> a BOSS Slicer pedal and an IBANEZ Demon Wah and then finally, into
>> my LOOPERLATIVE LP-1  (soon to be LP-2 MINI looper).
>>
>> **********
>> The pedal is in workable prototype phase now and our intention is to
>> add the ability to LOOP the data (NOT the Audio) and then be able to
>> sync it (or be synced) to MIDI for further control.
>>
>> This ability will eventually let one use a random length loop which
>> can be used as an external sound source for a repeating rhythmic
>> figure.   Because only the data will be looped and not the audio,
>> then the rhythm's timbre will be continually changing as the Data
>> Loop and the previously recorded Audio Loops cycle against each
>> other.   I think some really interesting and organic rhythmic
>> possibilities can come from such an approach.
>>
>> The plan is then to put it into a smaller box than it is in now and
>> depending on time and finances,   actually sell them.   Due to time
>> constraints of Bill's and mine this won't be any time soon, to be
>> honest.
>>
>>
>
>

--=20
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 07:16:34 2010
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Date: Thu, 18 Feb 2010 07:15:58 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Three looping videos from yesterday's MoinSound Studio Session now online
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nice post delay rainer,what are u using,plugins,hardware?=0Acheers=0Awww.my=
space.com/luisangulocom=0A=0A=0A--- Rainer Straschill <moinsound@googlemail=
.com> schrieb am So, 14.2.2010:=0A=0A> Von: Rainer Straschill <moinsound@go=
oglemail.com>=0A> Betreff: Three looping videos from yesterday's MoinSound =
Studio Session now online=0A> An: "Looper's Delight Mailing List" <Loopers-=
Delight@loopers-delight.com>=0A> Datum: Sonntag, 14. Februar, 2010 10:14 Uh=
r=0A> Usually, you do find the unedited=0A> videos on the ustream page of t=
he event (http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions),=0A>=
 but as there was a problem with yesterday's recording, I=0A> decided to pu=
t videos of the three pieces online:=0A> =0A> Track 1 - http://vimeo.com/94=
45284=0A> Track 2 - http://www.youtube.com/watch?v=3DTWJ6Z1IOybw=0A> Track =
3 - http://www.youtube.com/watch?v=3DKcrtKy8Fdjk=0A> =0A> Looping content:=
=0A> Track 1 features the trombone going simultaneously into=0A> four loops=
 with different lengths and feedback settings.=0A> About in the middle, wor=
k is reduced to mainly one loop,=0A> with use of multiply to trim and expan=
d the loop.=0A> =0A> Track 2 has again pseudo-polyphonic work with loops of=
=0A> various length. In the second half, there's use of susspeed=0A> and su=
sreverse, alongside with rateshift and slip commands=0A> to play a two-voic=
ed counterpoint with the live signal.=0A> Trombone at double speed and chan=
ging between=0A> forward/reverse sounds beautiful.=0A> =0A> Track 3 - which=
 is a vocal noise track, not a trombone one=0A> - works esentially with sus=
speed, susreverse, slip and=0A> rateshift, too. Odd throat noises at half s=
peed and=0A> chaotically jumped around in sound scary.=0A> =0A> Looper in u=
se: M=F6bius.=0A> =0A> Looking forward to any comments!=0A> =0A> =A0 =A0 =
=A0 =A0 =A0 =A0 Rainer=0A> =0A> -- http://moinlabs.de=0A> Follow me on twit=
ter: http://twitter.com/moinlabs=0A> =0A> =0A=0A___________________________=
_______________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail =
verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://m=
ail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 08:57:40 2010
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	<9e0440a61002172050o3d232491r35be8ad59e1d2e55@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
Date: Thu, 18 Feb 2010 09:56:53 +0100
X-Google-Sender-Auth: d870036def79fba3
Message-ID: <9ab0c76f1002180056i433768ccl5fc27ac08b3448a4@mail.gmail.com>
Subject: Re: Walker Manual Glitch Pedal DESCRIPTION
To: Loopers-Delight@loopers-delight.com
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--000e0cdf6d8a268083047fdc2758
Content-Type: text/plain; charset=ISO-8859-1

Gimme Gimme Gimme!

>> about my newly invented *Walker Manual Glitch Pedal*,
>
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cdf6d8a268083047fdc2758
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Gimme Gimme Gimme!<br><br><div class=3D"gmail_quote"><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div class=3D"h5">
&gt;&gt; about my newly invented *Walker Manual Glitch Pedal*,<br></div></d=
iv></blockquote></div>-- <br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vime=
o.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--000e0cdf6d8a268083047fdc2758--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 10:53:03 2010
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Date: Thu, 18 Feb 2010 02:52:46 -0800
From: Rick Walker <looppool@cruzio.com>
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People asked about a mailing list if we put this thing out commercially.

If you are interested,   please send me an email to this email address
with this specifically in the SUBJECT line in CAPITAL LETTERS

Subject:  * "YOUR NAME HERE":   WALKER MANUAL GLITCH PEDAL MAILING LIST*

I"ll keep everyone's email list in a folder and let you all know if we 
release it.
I'm loving it playing live.  There's so much you can do with it and it's 
very visceral
and playable as opposed to, say,  the BOSS Slice pedal ,  which I like 
but which I wish
had more player customizeability.

yours,   Rick Walker

*looppool(at sign)cruzio(dot sign)com*

From kagomehadji42@yahoo.in  Thu Feb 18 12:25:05 2010
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Date: Thu, 18 Feb 2010 17:54:57 +0530 (IST)
From: Kagome Hadji <kagomehadji42@yahoo.in>
Reply-To: kagomehadji42@yahoo.in
Subject: CONFIDENTIAL BUSINESS PROPOSAL.
To: undisclosed recipients: ;
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CONFIDENTIAL BUSINESS PROPOSAL.
=A0=20
FROM: MR.HADJI KAGOME.=A0=A0=A0=A0=A0=A0=20
This message might meet you in utmost surprise. However, it all just my urg=
ent need for a foreign partner that made me to contact you for this transac=
tion. I am assured of your capability and reliability to champion this busi=
ness opportunity when i prayed to God about you.
=A0=20
I.am a banker by profession in BURKINA-FASO, WEST AFRICA and currently hold=
ing the post of assistant foreign remittance director in our bank. I have t=
he opportunity of transferring the left over funds ($9 Million Dollars) of =
one of my bank clients who died along with his entire family in a plane cra=
sh.
=A0=20
Hence; i am inviting you for a business deal where this money can be shared=
 between us in the ratio of 60/40 if you agree to my business proposal. Fur=
ther details of the transfer will be forwarded to you as soon as i receive =
your return mail immediately=A0 you receive this letter.
Please indicate your willingness by sending the below information for more =
clarification and easy communication.
full names:
phone line:
country of origin:
age:
occupation:
marital status:
your bank information
account name:
account type:
account number:
bank address and phone/fax:
Trusting to hear from you immediately.
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Thanks &=20
Best Regards,
FROM: MR.HADJI KAGOME.=0A=0A=0A      Your Mail works best with the New Yaho=
o Optimized IE8. Get it NOW! http://downloads.yahoo.com/in/internetexplorer=
/
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">CONFIDENTIAL BUSINESS PROPOSAL.<BR>&nbsp; <BR=
>FROM: MR.HADJI KAGOME.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>This messag=
e might meet you in utmost surprise. However, it all just my urgent need fo=
r a foreign partner that made me to contact you for this transaction. I am =
assured of your capability and reliability to champion this business opport=
unity when i prayed to God about you.<BR>&nbsp; <BR>I.am a banker by profes=
sion in BURKINA-FASO, WEST AFRICA and currently holding the post of assista=
nt foreign remittance director in our bank. I have the opportunity of trans=
ferring the left over funds ($9 Million Dollars) of one of my bank clients =
who died along with his entire family in a plane crash.<BR>&nbsp; <BR>Hence=
; i am inviting you for a business deal where this money can be shared betw=
een us in the ratio of 60/40 if you agree to my business proposal. Further
 details of the transfer will be forwarded to you as soon as i receive your=
 return mail immediately&nbsp; you receive this letter.<BR>Please indicate =
your willingness by sending the below information for more clarification an=
d easy communication.<BR>full names:<BR>phone line:<BR>country of origin:<B=
R>age:<BR>occupation:<BR>marital status:<BR>your bank information<BR>accoun=
t name:<BR>account type:<BR>account number:<BR>bank address and phone/fax:<=
BR>Trusting to hear from you immediately.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>Thanks &am=
p; <BR>Best Regards,<BR>FROM: MR.HADJI KAGOME.</td></tr></table><br>=0A    =
  <!--1--><hr size=3D1></hr> =0AYour Mail works best with the New Yahoo Opt=
imized IE8. <a href=3D"http://in.rd.yahoo.com/tagline_ie8_new/*http://downl=
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From: "CENTRAL BANK OF NIGERIA"<lnfo@cenbank.org>
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------=_NextPart_000_0009_01C2A9A6.34486CE6--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 16:40:41 2010
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Date: Thu, 18 Feb 2010 08:33:59 -0800 (PST)
Subject: Re: Walker Manual Glitch Pedal DESCRIPTION
From: mrbotty@whiterobotrecords.com
To: Loopers-Delight@loopers-delight.com
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JIM KONEN: WALKER MANUAL GLITCH PEDAL MAILING LIST


On Thu, February 18, 2010 2:52 am, Rick Walker wrote:
> People asked about a mailing list if we put this thing out commercially.
>
> If you are interested,   please send me an email to this email address
> with this specifically in the SUBJECT line in CAPITAL LETTERS
>
> Subject:  * "YOUR NAME HERE":   WALKER MANUAL GLITCH PEDAL MAILING LIST*
>
> I"ll keep everyone's email list in a folder and let you all know if we
> release it.
> I'm loving it playing live.  There's so much you can do with it and it's
> very visceral
> and playable as opposed to, say,  the BOSS Slice pedal ,  which I like
> but which I wish
> had more player customizeability.
>
> yours,   Rick Walker
>
> *looppool(at sign)cruzio(dot sign)com*
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 17:44:15 2010
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Date: Thu, 18 Feb 2010 09:44:04 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: Walker Manual Glitch Pedal DESCRIPTION
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--0-848351816-1266515044=:90981
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ok this thing sounds interesing---are there any vids of you using it? (i know it may still be top secret)

or pics of the prototype? (or again is this still a secret? see i'm not big business so i don't think big business secretive stuff)

wow, i will just say it sounds cool.
if it goes into production...do you have a ballpark price range? just curious if it will even be a possibility for us "LOW-BUDGET" folks.....ha!

s---



      
--0-848351816-1266515044=:90981
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">ok this thing sounds interesing---are there any vids of you using it? (i know it may still be top secret)<br><br>or pics of the prototype? (or again is this still a secret? see i'm not big business so i don't think big business secretive stuff)<br><br>wow, i will just say it sounds cool.<br>if it goes into production...do you have a ballpark price range? just curious if it will even be a possibility for us "LOW-BUDGET" folks.....ha!<br><br>s---<br></td></tr></table><br>



      
--0-848351816-1266515044=:90981--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Looper Fro Reaktor 5
Date: Thu, 18 Feb 2010 17:44:42 +0000
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--Apple-Mail-1-445074224
Content-Transfer-Encoding: quoted-printable
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	charset=WINDOWS-1252;
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Free Looping Effect Inspired By Steve Reich
Free Windows Music Software: Reichatron is a free phase shifting =20
looper effect for Reaktor 5, inspired by Steve Reich and his early =20
loop pieces.

It was created by Matt Mower:

Reichatron is a sample playing instrument that grew out of my desire =20
to experiment with phase-shifted looping (a la Steve Reich=92s early =20
works It=92s Gonna Rain and Piano Phase) and as an homage to =20
Metaphysical Function which is, I think, one of the most interesting =20
Reaktor ensembles.

Reichatron allows you to mix together the phase-shifted blending of =20
two samples and then modulate that mixture using a block of six =20
effects that can be independently controlled. Reichatron also offers =20
stochastic control of the effects block and sample selection. You can =20=

take as much, or as little, control over how the sound evolves over =20
time as you like.

See also Phase Shifter, another audio effect inspired by Reich

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





--Apple-Mail-1-445074224
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<br>Free Looping Effect Inspired By Steve Reich<p><a =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/">Fr=
ee Windows Music Software</a>: <a =
href=3D"https://co.native-instruments.com/index.php?id=3Duserlibrary&amp;t=
ype=3D0&amp;ulbr=3D1&amp;plview=3Ddetail&amp;patchid=3D9199">Reichatron</a=
> is a free phase shifting looper effect for <strong>Reaktor 5,</strong> =
inspired by <strong>Steve Reich</strong> and his early loop =
pieces.</p><p>It was created by Matt Mower:</p><p style=3D"padding-left: =
30px;">Reichatron is a sample playing instrument that grew out of my =
desire to experiment with phase-shifted looping (a la Steve Reich=92s =
early works <em>It=92s Gonna Rain</em> and <em>Piano Phase</em>) and as =
an homage to Metaphysical Function which is, I think, one of the most =
interesting Reaktor ensembles.</p><p style=3D"padding-left: =
30px;">Reichatron allows you to mix together the phase-shifted blending =
of two samples and then modulate that mixture using a block of six =
effects that can be independently controlled. Reichatron also offers =
stochastic control of the effects block and sample selection. You can =
take as much, or as little, control over how the sound evolves over time =
as you like.</p><p>See also <a =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/">Ph=
ase Shifter</a>, another audio effect inspired by Reich</p><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-1-445074224--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Walker Manual Glitch Pedal DESCRIPTION
Date: Thu, 18 Feb 2010 17:45:23 +0000
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I'd love to see a video - and the price is a big thing for me 2

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 18 Feb 2010, at 17:44, scott hansen wrote:

> ok this thing sounds interesing---are there any vids of you using  
> it? (i know it may still be top secret)
>
> or pics of the prototype? (or again is this still a secret? see i'm  
> not big business so i don't think big business secretive stuff)
>
> wow, i will just say it sounds cool.
> if it goes into production...do you have a ballpark price range?  
> just curious if it will even be a possibility for us "LOW-BUDGET"  
> folks.....ha!
>
> s---
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I'd love to see a video - and the price is a big thing for me =
2<div><br><div> <span class=3D"Apple-style-span" style=3D"border-collapse:=
 separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 18 Feb 2010, =
at 17:44, scott hansen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><table =
cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td =
valign=3D"top" style=3D"font: inherit;">ok this thing sounds =
interesing---are there any vids of you using it? (i know it may still be =
top secret)<br><br>or pics of the prototype? (or again is this still a =
secret? see i'm not big business so i don't think big business secretive =
stuff)<br><br>wow, i will just say it sounds cool.<br>if it goes into =
production...do you have a ballpark price range? just curious if it will =
even be a possibility for us "LOW-BUDGET" =
folks.....ha!<br><br>s---<br></td></tr></tbody></table><br>       =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2-445115013--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 17:51:26 2010
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Date: Thu, 18 Feb 2010 17:51:03 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: my version of "Helter Skelter" using the mathons plugin
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,=0Aheres my version of Helter Skelter i arranged produced played an=
d sang a while ago,i played a minor guitar backward loop at the begining as=
 an intro and at the very end i used the great Matthias/Andy chop pitch mat=
hons plugin creation for that "warped" vinyl sound,now that really came out=
 of my complete incompetence and ignorance about the plugin,i was trying it=
 out and it just happened by mistake so i left it that way;-)=0Ajust though=
t id share it with you=0A=0Awww.myspace.com/luisangulocom=0A=0Acheers=0ALui=
s=0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 18:05:20 2010
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Date: Thu, 18 Feb 2010 10:05:18 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Looper Fro Reaktor 5
To: Loopers-Delight@loopers-delight.com
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--0-1152931059-1266516318=:15281
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=0A=0A=0A=0A=0A________________________________=0AFrom: Matt Stevens <matts=
tevensguitar@btinternet.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASe=
nt: Thu, February 18, 2010 12:44:42 PM=0ASubject: Looper Fro Reaktor 5=0A=
=0A=0AFree Looping Effect Inspired By Steve Reich =0AFree Windows Music Sof=
tware: Reichatron is a free phase shifting looper effect for Reaktor 5, ins=
pired by Steve Reich and his early loop pieces.=0AIt was created by Matt Mo=
wer:=0AReichatron is a sample playing instrument that grew out of my desire=
 to experiment with phase-shifted looping (a la Steve Reich=E2=80=99s early=
 works It=E2=80=99s Gonna Rain and Piano Phase) and as an homage to Metaphy=
sical Function which is, I think, one of the most interesting Reaktor ensem=
bles.=0AReichatron allows you to mix together the phase-shifted blending of=
 two samples and then modulate that mixture using a block of six effects th=
at can be independently controlled. Reichatron also offers stochastic contr=
ol of the effects block and sample selection. You can take as much, or as l=
ittle, control over how the sound evolves over time as you like.=0ASee also=
 Phase Shifter, another audio effect inspired by Reich=0AMatt Stevens=0Awww=
.mattstevensguitar.com=0Amattstevensguitar@btinternet.com=0A=0A=0A      
--0-1152931059-1266516318=:15281
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV><BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMIL=
Y: times new roman, new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE:=
 12pt; FONT-FAMILY: times new roman, new york, times, serif"><FONT face=3DT=
ahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From=
:</SPAN></B> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<BR><B><S=
PAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-deli=
ght.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Thu, Febru=
ary 18, 2010 12:44:42 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</=
SPAN></B> Looper Fro Reaktor 5<BR></FONT><BR><BR>Free Looping Effect Inspir=
ed By Steve Reich =0A<P><A href=3D"http://www.synthtopia.com/content/free-w=
indows-music-software/" target=3D_blank rel=3Dnofollow>Free Windows Music S=
oftware</A>: <A href=3D"https://co.native-instruments.com/index.php?id=3Dus=
erlibrary&amp;type=3D0&amp;ulbr=3D1&amp;plview=3Ddetail&amp;patchid=3D9199"=
 target=3D_blank rel=3Dnofollow>Reichatron</A> is a free phase shifting loo=
per effect for <STRONG>Reaktor 5,</STRONG> inspired by <STRONG>Steve Reich<=
/STRONG> and his early loop pieces.</P>=0A<P>It was created by Matt Mower:<=
/P>=0A<P style=3D"PADDING-LEFT: 30px">Reichatron is a sample playing instru=
ment that grew out of my desire to experiment with phase-shifted looping (a=
 la Steve Reich=E2=80=99s early works <EM>It=E2=80=99s Gonna Rain</EM> and =
<EM>Piano Phase</EM>) and as an homage to Metaphysical Function which is, I=
 think, one of the most interesting Reaktor ensembles.</P>=0A<P style=3D"PA=
DDING-LEFT: 30px">Reichatron allows you to mix together the phase-shifted b=
lending of two samples and then modulate that mixture using a block of six =
effects that can be independently controlled. Reichatron also offers stocha=
stic control of the effects block and sample selection. You can take as muc=
h, or as little, control over how the sound evolves over time as you like.<=
/P>=0A<P>See also <A href=3D"http://www.synthtopia.com/content/free-windows=
-music-software/" target=3D_blank rel=3Dnofollow>Phase Shifter</A>, another=
 audio effect inspired by Reich</P>=0A<DIV><SPAN class=3DApple-style-span s=
tyle=3D"FONT-SIZE: 12px">=0A<DIV>Matt Stevens</DIV>=0A<DIV><A href=3D"http:=
//www.mattstevensguitar.com/" target=3D_blank>www.mattstevensguitar.com</A>=
</DIV>=0A<DIV><A href=3D"mailto:mattstevensguitar@btinternet.com" target=3D=
_blank rel=3Dnofollow ymailto=3D"mailto:mattstevensguitar@btinternet.com">m=
attstevensguitar@btinternet.com</A></DIV>=0A<DIV><BR></DIV></SPAN><BR class=
=3DApple-interchange-newline><BR class=3DApple-interchange-newline></DIV><B=
R></DIV></DIV></div><br>=0A=0A      </body></html>
--0-1152931059-1266516318=:15281--

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Subject: Re: Looper Fro Reaktor 5
Date: Thu, 18 Feb 2010 11:12:12 -0700
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FYI. First link is broken. What are the features?
  ----- Original Message -----=20


  Free Looping Effect Inspired By Steve Reich=20
  Free Windows Music Software: Reichatron is a free phase shifting =
looper effect for Reaktor 5, inspired by Steve Reich and his early loop =
pieces.

  It was created by Matt Mower:

  Reichatron is a sample playing instrument that grew out of my desire =
to experiment with phase-shifted looping (a la Steve Reich=E2=80=99s =
early works It=E2=80=99s Gonna Rain and Piano Phase) and as an homage to =
Metaphysical Function which is, I think, one of the most interesting =
Reaktor ensembles.

  Reichatron allows you to mix together the phase-shifted blending of =
two samples and then modulate that mixture using a block of six effects =
that can be independently controlled. Reichatron also offers stochastic =
control of the effects block and sample selection. You can take as much, =
or as little, control over how the sound evolves over time as you like.

  See also Phase Shifter, another audio effect inspired by Reich

  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com









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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>FYI. First link is broken. What are the =

features?</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR><BR>Free=20
  Looping Effect Inspired By Steve Reich </DIV>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, =
times, serif">
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, =
times, serif">
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, =
times, serif">
  <P><A =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/"=20
  target=3D_blank rel=3Dnofollow>Free Windows Music Software</A>: <A=20
  =
href=3D"https://co.native-instruments.com/index.php?id=3Duserlibrary&amp;=
type=3D0&amp;ulbr=3D1&amp;plview=3Ddetail&amp;patchid=3D9199"=20
  target=3D_blank rel=3Dnofollow>Reichatron</A> is a free phase shifting =
looper=20
  effect for <STRONG>Reaktor 5,</STRONG> inspired by <STRONG>Steve=20
  Reich</STRONG> and his early loop pieces.</P>
  <P>It was created by Matt Mower:</P>
  <P style=3D"PADDING-LEFT: 30px">Reichatron is a sample playing =
instrument that=20
  grew out of my desire to experiment with phase-shifted looping (a la =
Steve=20
  Reich=E2=80=99s early works <EM>It=E2=80=99s Gonna Rain</EM> and =
<EM>Piano Phase</EM>) and as=20
  an homage to Metaphysical Function which is, I think, one of the most=20
  interesting Reaktor ensembles.</P>
  <P style=3D"PADDING-LEFT: 30px">Reichatron allows you to mix together =
the=20
  phase-shifted blending of two samples and then modulate that mixture =
using a=20
  block of six effects that can be independently controlled. Reichatron =
also=20
  offers stochastic control of the effects block and sample selection. =
You can=20
  take as much, or as little, control over how the sound evolves over =
time as=20
  you like.</P>
  <P>See also <A=20
  =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/"=20
  target=3D_blank rel=3Dnofollow>Phase Shifter</A>, another audio effect =
inspired by=20
  Reich</P>
  <DIV><SPAN class=3DApple-style-span style=3D"FONT-SIZE: 12px">
  <DIV>Matt Stevens</DIV>
  <DIV><A href=3D"http://www.mattstevensguitar.com/"=20
  target=3D_blank>www.mattstevensguitar.com</A></DIV>
  <DIV><A href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D_blank=20
  rel=3Dnofollow=20
  =
ymailto=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@bti=
nternet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline><BR=20
  =
class=3DApple-interchange-newline></DIV><BR></DIV></DIV></DIV><BR></BLOCK=
QUOTE></BODY></HTML>

------=_NextPart_000_0210_01CAB08B.380EB0B0--


From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 18:22:34 2010
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made me want to grab my butter knife and go out and find famous=20
people!.....sweet.....:)m


From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 18:22:50 2010
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Date: Thu, 18 Feb 2010 19:22:35 +0100
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Thanks, Luis.
Normally, my MSSS work is all-software ("normally" meaning that for the 
"An Ambient Manifold" week, I resurrected all those old hardware boxes 
and had a gas!). The main delay in use is OhmBoyz - and for all of you 
who don't know it: check it out!
http://www.ohmforce.com/ViewProduct.do?p=OhmBoyz

It's four predelay taps, followed by two main delays, which include 
filters and distortion.
The really nice thing, however, is that every parameter can be 
controlled by various LFOs (one LFO per parameter! yes!) and also your 
host app if you like to do so.

This is my #1 delay - if there was a hardware version, I'd want it, too ;).

And yes, it does varispeed...

          Rainer


L.Angulo schrieb:
> nice post delay rainer,what are u using,plugins,hardware?
> cheers
> www.myspace.com/luisangulocom
>
>
> --- Rainer Straschill <moinsound@googlemail.com> schrieb am So, 14.2.2010:
>
>   
>> Von: Rainer Straschill <moinsound@googlemail.com>
>> Betreff: Three looping videos from yesterday's MoinSound Studio Session now online
>> An: "Looper's Delight Mailing List" <Loopers-Delight@loopers-delight.com>
>> Datum: Sonntag, 14. Februar, 2010 10:14 Uhr
>> Usually, you do find the unedited
>> videos on the ustream page of the event (http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions),
>> but as there was a problem with yesterday's recording, I
>> decided to put videos of the three pieces online:
>>
>> Track 1 - http://vimeo.com/9445284
>> Track 2 - http://www.youtube.com/watch?v=TWJ6Z1IOybw
>> Track 3 - http://www.youtube.com/watch?v=KcrtKy8Fdjk
>>
>> Looping content:
>> Track 1 features the trombone going simultaneously into
>> four loops with different lengths and feedback settings.
>> About in the middle, work is reduced to mainly one loop,
>> with use of multiply to trim and expand the loop.
>>
>> Track 2 has again pseudo-polyphonic work with loops of
>> various length. In the second half, there's use of susspeed
>> and susreverse, alongside with rateshift and slip commands
>> to play a two-voiced counterpoint with the live signal.
>> Trombone at double speed and changing between
>> forward/reverse sounds beautiful.
>>
>> Track 3 - which is a vocal noise track, not a trombone one
>> - works esentially with susspeed, susreverse, slip and
>> rateshift, too. Odd throat noises at half speed and
>> chaotically jumped around in sound scary.
>>
>> Looper in use: Möbius.
>>
>> Looking forward to any comments!
>>
>>             Rainer
>>
>> -- http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>>
>>     
>
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verfügt über einen herausragenden Schutz gegen Massenmails. 
> http://mail.yahoo.com 
>
>
>   


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Thu, 18 Feb 2010 10:28:46 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: dream pedal
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--0-1135518780-1266517726=:76309
Content-Type: text/plain; charset=iso-8859-1
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=A0
With=A0visions of the Walker Glitcha-riffic pedal now dancing in our heads,=
 I started thinking about my ideal pedal (which doesn't yet exist).
=A0
I'd like=A0a=A0multi-effect unit that has a switch on it to randomly run th=
rough presets with a knob controlling how long an effect stays on for (with=
 an option to randomize the time, too...)

=A0
ted h.

Enemies are good for self-definition. Werner Herzog=0A=0A=0A      _________=
_________________________________________________________=0AThe new Interne=
t Explorer=AE 8 - Faster, safer, easier.  Optimized for Yahoo!  Get it Now =
for Free! at http://downloads.yahoo.com/ca/internetexplorer/
--0-1135518780-1266517726=:76309
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>With&nbsp;visions of the Walker Glitcha-riffic pedal now dancing in ou=
r heads, I started thinking about my ideal pedal (which doesn't yet exist).=
</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'd like&nbsp;a&nbsp;multi-effect unit that has a switch on it to rand=
omly run through presets with a knob controlling how long an effect stays o=
n for (with an option to randomize the time, too...)</DIV>
<DIV><BR>&nbsp;</DIV>
<DIV>ted h.</DIV>
<DIV><BR>Enemies are good for self-definition. Werner Herzog</DIV></td></tr=
></table><br>=0A      <hr size=3D1>=0ALooking for the perfect gift?<a href=
=3D"http://www.flickr.com/gift/"><b> Give the gift of Flickr!</b></a>
--0-1135518780-1266517726=:76309--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 18:39:02 2010
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L.Angulo schrieb:
> Hi gang,
> heres my version of Helter Skelter i arranged produced played and sang a while ago,i played a minor guitar backward loop at the begining as an intro 
getting away from there - but do by all means check out the version of 
"Dazed and Confused" on Luis's site! http://www.myspace.com/luisangulocom

It's a crozz between Canto De Osanha (Baden-Powell), King of the Bongo 
(Mano Negra)...and yes, there's even a hint of Led Zeppeling there ;).

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Thu, 18 Feb 2010 20:42:25 +0200
Message-ID: <c70841111002181042y640a4789mf53d6daeadcf6503@mail.gmail.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
From: Petri Lahtinen <aikuinen@gmail.com>
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--0016e6d7eaebfd63ac047fe453eb
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"Nadie como tu"... great tune!
thanks for sharing!

2010/2/18 Rainer Straschill <moinsound@googlemail.com>

> L.Angulo schrieb:
>
>> Hi gang,
>> heres my version of Helter Skelter i arranged produced played and sang a
>> while ago,i played a minor guitar backward loop at the begining as an intro
>>
> getting away from there - but do by all means check out the version of
> "Dazed and Confused" on Luis's site! http://www.myspace.com/luisangulocom
>
> It's a crozz between Canto De Osanha (Baden-Powell), King of the Bongo
> (Mano Negra)...and yes, there's even a hint of Led Zeppeling there ;).
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen

--0016e6d7eaebfd63ac047fe453eb
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&quot;Nadie como tu&quot;... great tune!<br>thanks for sharing!<br><br><div class="gmail_quote">2010/2/18 Rainer Straschill <span dir="ltr">&lt;<a href="mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span><br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">L.Angulo schrieb:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi gang,<br>
heres my version of Helter Skelter i arranged produced played and sang a while ago,i played a minor guitar backward loop at the begining as an intro <br>
</blockquote>
getting away from there - but do by all means check out the version of &quot;Dazed and Confused&quot; on Luis&#39;s site! <a href="http://www.myspace.com/luisangulocom" target="_blank">http://www.myspace.com/luisangulocom</a><br>

<br>
It&#39;s a crozz between Canto De Osanha (Baden-Powell), King of the Bongo (Mano Negra)...and yes, there&#39;s even a hint of Led Zeppeling there ;).<br><font color="#888888">
<br>
-- <br>
<a href="http://moinlabs.de" target="_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href="http://twitter.com/moinlabs" target="_blank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>Petri Lahtinen<br><a href="http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a href="http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a><br>
<a href="http://www.myspace.com/petrilahtinen">http://www.myspace.com/petrilahtinen</a><br><br><br><br>

--0016e6d7eaebfd63ac047fe453eb--

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Date: Thu, 18 Feb 2010 12:25:19 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: dream pedal
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I'm just waiting for the day that they make a pedal that'll pretty much pla=
y the guitar for me and make me a nice capuccino while it plays.

--- On Thu, 2/18/10, ditch wrestler <ditchwrestler@yahoo.com> wrote:

> From: ditch wrestler <ditchwrestler@yahoo.com>
> Subject: dream pedal
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Date: Thursday, February 18, 2010, 12:28 PM
> =A0
> With=A0visions of the Walker Glitcha-riffic pedal
> now dancing in our heads, I started thinking about my ideal
> pedal (which doesn't yet exist).
> =A0
> I'd like=A0a=A0multi-effect unit that has a
> switch on it to randomly run through presets with a knob
> controlling how long an effect stays on for (with an option
> to randomize the time, too...)
>=20
> =A0
> ted h.
>=20
> Enemies are good for self-definition. Werner
> Herzog
>=20
>      =20
> Looking for the perfect gift? Give
> the gift of Flickr!=0A=0A=0A      

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Looper Fro Reaktor 5
Date: Thu, 18 Feb 2010 20:34:01 +0000
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Working link

http://www.synthtopia.com/content/2010/02/18/free-phase-shifting-=20
looper-inspired-by-steve-reich/

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 18 Feb 2010, at 18:05, E Gross wrote:

>
>
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, February 18, 2010 12:44:42 PM
> Subject: Looper Fro Reaktor 5
>
>
> Free Looping Effect Inspired By Steve Reich
> Free Windows Music Software: Reichatron is a free phase shifting =20
> looper effect for Reaktor 5, inspired by Steve Reich and his early =20
> loop pieces.
>
> It was created by Matt Mower:
>
> Reichatron is a sample playing instrument that grew out of my =20
> desire to experiment with phase-shifted looping (a la Steve Reich=92s =20=

> early works It=92s Gonna Rain andPiano Phase) and as an homage to =20
> Metaphysical Function which is, I think, one of the most =20
> interesting Reaktor ensembles.
>
> Reichatron allows you to mix together the phase-shifted blending of =20=

> two samples and then modulate that mixture using a block of six =20
> effects that can be independently controlled. Reichatron also =20
> offers stochastic control of the effects block and sample =20
> selection. You can take as much, or as little, control over how the =20=

> sound evolves over time as you like.
>
> See also Phase Shifter, another audio effect inspired by Reich
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


--Apple-Mail-4-455232472
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Working =
link<div><br></div><div><a =
href=3D"http://www.synthtopia.com/content/2010/02/18/free-phase-shifting-l=
ooper-inspired-by-steve-reich/">http://www.synthtopia.com/content/2010/02/=
18/free-phase-shifting-looper-inspired-by-steve-reich/</a></div><div><br><=
div> <span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 18 Feb 2010, =
at 18:05, E Gross wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
'times new roman', 'new york', times, serif; font-size: 12pt; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-size: 12pt; font-family: 'times new roman', 'new =
york', times, serif; "><br class=3D"Apple-interchange-newline"><br><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-size: 12pt; font-family: 'times new roman', 'new =
york', times, serif; "><font face=3D"Tahoma" size=3D"2"><hr =
size=3D"1"><b><span style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;<br><b><span style=3D"font-weight: bold; =
">To:</span></b><span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Thu, =
February 18, 2010 12:44:42 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Looper Fro Reaktor =
5<br></font><br><br>Free Looping Effect Inspired By Steve Reich<p><a =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/" =
target=3D"_blank" rel=3D"nofollow">Free Windows Music Software</a>:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"https://co.native-instruments.com/index.php?id=3Duserlibrary&amp;t=
ype=3D0&amp;ulbr=3D1&amp;plview=3Ddetail&amp;patchid=3D9199" =
target=3D"_blank" rel=3D"nofollow">Reichatron</a><span =
class=3D"Apple-converted-space">&nbsp;</span>is a free phase shifting =
looper effect for<span =
class=3D"Apple-converted-space">&nbsp;</span><strong>Reaktor =
5,</strong><span class=3D"Apple-converted-space">&nbsp;</span>inspired =
by<span class=3D"Apple-converted-space">&nbsp;</span><strong>Steve =
Reich</strong><span class=3D"Apple-converted-space">&nbsp;</span>and his =
early loop pieces.</p><p>It was created by Matt Mower:</p><p =
style=3D"padding-left: 30px; ">Reichatron is a sample playing instrument =
that grew out of my desire to experiment with phase-shifted looping (a =
la Steve Reich=92s early works<span =
class=3D"Apple-converted-space">&nbsp;</span><em>It=92s Gonna =
Rain</em><span class=3D"Apple-converted-space">&nbsp;</span>and<em>Piano =
Phase</em>) and as an homage to Metaphysical Function which is, I think, =
one of the most interesting Reaktor ensembles.</p><p =
style=3D"padding-left: 30px; ">Reichatron allows you to mix together the =
phase-shifted blending of two samples and then modulate that mixture =
using a block of six effects that can be independently controlled. =
Reichatron also offers stochastic control of the effects block and =
sample selection. You can take as much, or as little, control over how =
the sound evolves over time as you like.</p><p>See also<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.synthtopia.com/content/free-windows-music-software/" =
target=3D"_blank" rel=3D"nofollow">Phase Shifter</a>, another audio =
effect inspired by Reich</p><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.mattstevensguitar.com/" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank" rel=3D"nofollow" =
ymailto=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btin=
ternet.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"></div><br></div></div></div><br></span=
><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

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Date: Thu, 18 Feb 2010 12:38:47 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <525044.60960.qm@web29017.mail.ird.yahoo.com>
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That was very clever, definitely made it sound pop, I dug the riff, but wha=
t won me over was the cowbell...more cowbell.

--- On Thu, 2/18/10, L.Angulo <labaloops@yahoo.com> wrote:

> From: L.Angulo <labaloops@yahoo.com>
> Subject: my version of "Helter Skelter" using the mathons plugin
> To: "Loopers Delight" <loopers-delight@loopers-delight.com>
> Date: Thursday, February 18, 2010, 11:51 AM
> Hi gang,
> heres my version of Helter Skelter i arranged produced
> played and sang a while ago,i played a minor guitar backward
> loop at the begining as an intro and at the very end i used
> the great Matthias/Andy chop pitch mathons plugin creation
> for that "warped" vinyl sound,now that really came out of my
> complete incompetence and ignorance about the plugin,i was
> trying it out and it just happened by mistake so i left it
> that way;-)
> just thought id share it with you
>=20
> www.myspace.com/luisangulocom
>=20
> cheers
> Luis
>=20
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen
> herausragenden Schutz gegen Massenmails.=20
> http://mail.yahoo.com
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 21:24:28 2010
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Date: Thu, 18 Feb 2010 13:24:06 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: dream pedals (was RW's glitch pedal)
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ok-that sounds cool too!!!! that sounds like a circuit bend something--wond=
er if they can do it to multi-effect boxes--i do think that would be cool.
on side note-i sort of explored this manually yrs ago w/ my old digitech rp=
100-i would be recording a delay loop (12 sec on my dod d12)-and i would sc=
roll down to the effects module part and then do the select of effects (cho=
rus-flange etc to the pitch/whammy at end) and it would make a cool sound--=
it was real glitchy--
it would also sort of work w/ the reverb section-not as well, and it also w=
orked decent w/ the amps section-it worked the best w/ the effects.

i do think that is an interesting concept. i think the whole thing should b=
e random option-different amps w/ effects w/ delays w/ reverbs.....most imp=
ressive....

i just got done talking w/ an electrical engineering student-he said it cou=
ld be done....
s---



With=A0visions of the Walker Glitcha-riffic pedal now dancing in our=0Ahead=
s, I started thinking about my ideal pedal (which doesn't yet=0Aexist).=0A=
=A0=0AI'd like=A0a=A0multi-effect unit that has a switch on it to randomly=
=0Arun through presets with a knob controlling how long an effect stays on=
=0Afor (with an option to randomize the time, too...)=0A=0A=0A      
--0-202279807-1266528246=:29312
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div>ok-that sounds cool too!!!! that sounds =
like a circuit bend something--wonder if they can do it to multi-effect box=
es--i do think that would be cool.<br>on side note-i sort of explored this =
manually yrs ago w/ my old digitech rp100-i would be recording a delay loop=
 (12 sec on my dod d12)-and i would scroll down to the effects module part =
and then do the select of effects (chorus-flange etc to the pitch/whammy at=
 end) and it would make a cool sound--it was real glitchy--<br>it would als=
o sort of work w/ the reverb section-not as well, and it also worked decent=
 w/ the amps section-it worked the best w/ the effects.<br><br>i do think t=
hat is an interesting concept. i think the whole thing should be random opt=
ion-different amps w/ effects w/ delays w/ reverbs.....most impressive....<=
br><br>i just got done talking w/ an electrical engineering student-he said=
 it
 could be done....<br>s---<br><br><br><br>With&nbsp;visions of the Walker G=
litcha-riffic pedal now dancing in our=0Aheads, I started thinking about my=
 ideal pedal (which doesn't yet=0Aexist).</div>=0A<div>&nbsp;</div>=0A<div>=
I'd like&nbsp;a&nbsp;multi-effect unit that has a switch on it to randomly=
=0Arun through presets with a knob controlling how long an effect stays on=
=0Afor (with an option to randomize the time, too...)</div></td></tr></tabl=
e><br>=0A=0A=0A=0A      
--0-202279807-1266528246=:29312--

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Date: Thu, 18 Feb 2010 22:28:27 +0100
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Subject: Re: dream pedal
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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you don't need to wait for that pedal to be build ... why don't build it in
the computer? it's easily done with bidule, audiomulch, numerology, etc. add
your controller of choice, and you're done.

2010/2/18 ditch wrestler <ditchwrestler@yahoo.com>

>
> With visions of the Walker Glitcha-riffic pedal now dancing in our heads, I
> started thinking about my ideal pedal (which doesn't yet exist).
>
> I'd like a multi-effect unit that has a switch on it to randomly run
> through presets with a knob controlling how long an effect stays on for
> (with an option to randomize the time, too...)
>
>
> ted h.
>
> Enemies are good for self-definition. Werner Herzog
>
> ------------------------------
> Looking for the perfect gift?* Give the gift of Flickr!*<http://www.flickr.com/gift/>




-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e649820ccab973047fe6a5b7
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you don&#39;t need to wait for that pedal to be build ... why don&#39;t bui=
ld it in the computer? it&#39;s easily done with bidule, audiomulch, numero=
logy, etc. add your controller of choice, and you&#39;re done.<br><br><div =
class=3D"gmail_quote">
2010/2/18 ditch wrestler <span dir=3D"ltr">&lt;<a href=3D"mailto:ditchwrest=
ler@yahoo.com">ditchwrestler@yahoo.com</a>&gt;</span><br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font-family: inherit; font-style: inherit; font-variant: inherit; font=
-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjus=
t: inherit; font-stretch: inherit;" valign=3D"top">
<div>=A0</div>
<div>With=A0visions of the Walker Glitcha-riffic pedal now dancing in our h=
eads, I started thinking about my ideal pedal (which doesn&#39;t yet exist)=
.</div>
<div>=A0</div>
<div>I&#39;d like=A0a=A0multi-effect unit that has a switch on it to random=
ly run through presets with a knob controlling how long an effect stays on =
for (with an option to randomize the time, too...)</div>
<div><br>=A0</div>
<div>ted h.</div>
<div><br>Enemies are good for self-definition. Werner Herzog</div></td></tr=
></tbody></table><br>
      <hr size=3D"1">
Looking for the perfect gift?<a href=3D"http://www.flickr.com/gift/" target=
=3D"_blank"><b> Give the gift of Flickr!</b></a></blockquote></div><br><br =
clear=3D"all"><br>-- <br>Raul Bonell at Blogger: <a href=3D"http://raulbone=
ll.blogspot.com">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.=
ct-collective.com</a><br><br>

--0016e649820ccab973047fe6a5b7--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 21:50:45 2010
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Wow, what a cool topic. I think a company already has this, but it's a =
pedal where you can load your own VST effects.  It has a set of knobs =
that you can map to parameters, etc.  A pedal like this that could run 5 =
VST effects in parallel or seriel, in stereo, and an expression pedal =
input, would be awesome.

Hell, I think these guys about have it:

http://www.smproaudio.com/english/products/v-machines/v-concepts-future-p=
roducts/v-pedal.html

Not out yet. =20

Kris

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<HTML><HEAD>
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Wow, what a cool topic. I think a =
company already=20
has this, but it's a pedal where you can load your own VST =
effects.&nbsp; It has=20
a set of knobs that you can map to parameters, etc.&nbsp; A pedal like =
this that=20
could run 5 VST effects in parallel or seriel, in stereo, and an =
expression=20
pedal input, would be awesome.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hell, I think these guys about have=20
it:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.smproaudio.com/english/products/v-machines/v-concepts-=
future-products/v-pedal.html">http://www.smproaudio.com/english/products/=
v-machines/v-concepts-future-products/v-pedal.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Not out yet.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 22:03:43 2010
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Date: Thu, 18 Feb 2010 23:02:56 +0100
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Subject: Re: dream pedal
From: Per Boysen <perboysen@gmail.com>
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Me too wants The Dream Pedal!
I'm still stuck with having to sleep to get into the flow...

Greetings from Sweden

Per Boysen ;-)
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Feb 18 22:29:10 2010
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Been there, done that, to the fullest extent beyond some folks' wildest =
imaginations.  I don't want to have to touch or look at a computer while =
performing, boot it up, launch software, connect wires to it, setup it =
up, pack it around, find a table for it, maintain it, hook up the =
interface, etc.  Pressing a button on a foot pedal is bad enough and =
distracts my attention  from the music and those I am playing with. :)

Kris

  ----- Original Message -----=20

  you don't need to wait for that pedal to be build ... why don't build =
it in the computer? it's easily done with bidule, audiomulch, =
numerology, etc. add your controller of choice, and you're done.


  2010/2/18 ditch wrestler <ditchwrestler@yahoo.com>


          With visions of the Walker Glitcha-riffic pedal now dancing in =
our heads, I started thinking about my ideal pedal (which doesn't yet =
exist).

          I'd like a multi-effect unit that has a switch on it to =
randomly run through presets with a knob controlling how long an effect =
stays on for (with an option to randomize the time, too...)

          =20
          ted h.

          Enemies are good for self-definition. Werner Herzog=20


-------------------------------------------------------------------------=
---
    Looking for the perfect gift? Give the gift of Flickr!



  --=20
  Raul Bonell at Blogger: http://raulbonell.blogspot.com
  Chain Tape Collective: http://www.ct-collective.com


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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18167" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Been there, done that, to the fullest =
extent beyond=20
some folks' wildest imaginations.&nbsp; I don't want to have to touch or =
look at=20
a computer while performing, boot it up, launch software, connect wires =
to it,=20
setup it up, pack it around, find a table for it, maintain it, hook up =
the=20
interface, etc.&nbsp; Pressing a button on a foot pedal is bad enough =
and=20
distracts my attention&nbsp; from the music and those I am playing with. =

:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>you don't need to =
wait for=20
  that pedal to be build ... why don't build it in the computer? it's =
easily=20
  done with bidule, audiomulch, numerology, etc. add your controller of =
choice,=20
  and you're done.<BR><BR>
  <DIV class=3Dgmail_quote>2010/2/18 ditch wrestler <SPAN =
dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</A>&gt;</=
SPAN><BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
      <TBODY>
      <TR>
        <TD=20
        style=3D"FONT-FAMILY: inherit; font-size-adjust: inherit; =
font-stretch: inherit"=20
        vAlign=3Dtop>
          <DIV>&nbsp;</DIV>
          <DIV>With&nbsp;visions of the Walker Glitcha-riffic pedal now =
dancing=20
          in our heads, I started thinking about my ideal pedal (which =
doesn't=20
          yet exist).</DIV>
          <DIV>&nbsp;</DIV>
          <DIV>I'd like&nbsp;a&nbsp;multi-effect unit that has a switch =
on it to=20
          randomly run through presets with a knob controlling how long =
an=20
          effect stays on for (with an option to randomize the time,=20
          too...)</DIV>
          <DIV><BR>&nbsp;</DIV>
          <DIV>ted h.</DIV>
          <DIV><BR>Enemies are good for self-definition. Werner=20
      Herzog</DIV></TD></TR></TBODY></TABLE><BR>
    <HR SIZE=3D1>
    Looking for the perfect gift?<A href=3D"http://www.flickr.com/gift/" =

    target=3D_blank><B> Give the gift of =
Flickr!</B></A></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>Raul Bonell at Blogger: <A=20
  =
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</A=
><BR>Chain=20
  Tape Collective: <A=20
  =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
><BR></BLOCKQUOTE></BODY></HTML>

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From GlennRF@TSU.EDU  Thu Feb 18 22:51:25 2010
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Subject: Contact UPS
Date: Thu, 18 Feb 2010 16:31:28 -0600
Message-ID: <946D27130CE73D4281AFA9B97B5D49FDA65D92@tsuhhex2.tsu.edu>
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Thread-topic: Contact UPS
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From: "Glenn, Regenia" <GlennRF@TSU.EDU>
To: undisclosed-recipients:;

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Greetings,
  =20
  I have been waiting for you since to contact me for your=20
Bank Check of ($2,000, 000. 00 USD) I did not hear from you=20
since then, so i deposited the Check with UPS Delivery Service=20
in West Africa, I've travelled out of the country. Contact UPS=20
for the delivery of your Check immediately to avoid reaching=20
the expiring date. Contact them with your full names, address=20
and telephone numbers.


Dispatch Director
Mr.Daniel J. Cole
Email Address: upxpress.ng@googlemail.com
Telephone Number: +234 -807-063-5272=20
=20
I have paid for the Insurance and delivery charge. The only=20
money you will send to them is $265 USD, being the security=20
keeping fee of the company so far, I would have paid that but=20
they said no because they were not sure of when you will be
 contacting them for the delivery should incase of demurrage.=20
So contact them right away and rememberto send them their=20
$265 USD for immediate action.


Regards.=20
Mrs. Regina Glenn

=20


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<HTML dir=3Dltr><HEAD>=0A=
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<META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR></HEAD>=0A=
<BODY>=0A=
<P><BR><BR>Greetings,<BR>&nbsp;&nbsp; <BR>&nbsp; I have been waiting for =
you since to contact me for your <BR>Bank Check of ($2,000, 000. 00 USD) =
I did not hear from you <BR>since then, so i deposited the Check with =
UPS Delivery Service <BR>in West Africa, I've travelled out of the =
country. Contact UPS <BR>for the delivery of your Check immediately to =
avoid reaching <BR>the expiring date. Contact them with your full names, =
address <BR>and telephone numbers.</P>=0A=
<P><BR>Dispatch Director<BR>Mr.Daniel J. Cole<BR>Email Address: <A =
href=3D"mailto:upxpress.ng@googlemail.com">upxpress.ng@googlemail.com</A>=
<BR>Telephone Number: +234 -807-063-5272 <BR>&nbsp;<BR>I have paid for =
the Insurance and delivery charge. The only <BR>money you will send to =
them is $265 USD, being the security <BR>keeping fee of the company so =
far, I would have paid that but <BR>they said no because they were not =
sure of when you will be<BR>&nbsp;contacting them for the delivery =
should incase of demurrage. <BR>So contact them right away and =
rememberto send them their <BR>$265 USD for immediate action.</P>=0A=
<P><BR>Regards. <BR>Mrs. Regina Glenn</P>=0A=
<P>&nbsp;</P></BODY></HTML>
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Date: Thu, 18 Feb 2010 15:11:03 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Some AMBIENT blogs and online radio...
To: Loopers-Delight@loopers-delight.com
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A month ago or so I asked if anyone had some info to share about ambient bl=
oggers and online radio outlets.=A0 Response from the group was muted.=A0 S=
o, here's some of what I've been able to pull together.=0A=0AI hope this ca=
n help you also.=0A=0ARegards,=0A=0ADavid=0AUNDO =0A=0A=0AJohn Shanahan =0A=
Hypnagogue=0A318 Franklin St.=0AWhitman, MA 02382 John Dilberto =0AECHOES, =
=0AP.O. Box 256, =0AChester Springs, PA =0A19425=0A=A0=0APeter van Cooten=
=0AKlaverstraat 78=0A3572 VG Utrecht=0AHolland=0A=A0=0AAttention: Jordan La=
ik=0ASuite 200=0A3190 Gateway Road=0ABrookfield, WI=0A53045=0A=A0=0AHEARTS =
of SPACE =0A454 Las Gallinas #333=0ASAN RAFAEL, CA 94903=0A=A0Ultima Thule=
=0APO Box 633=0APotts Point NSW 1335=0AAUSTRALIASTAR'S END / Chuck van Zyl=
=0AP.O. Box 22=0AUpper Darby, PA =0A19082-0022=0A=0ASomaFM=0AAttn: Rusty Ho=
dge=0A1890 Bryant Street, Suite 303=0ASan Francisco, CA 94110=0A=A0=0ADarre=
ll Burgan=0AStillStream.com=0A10517 Ambergate Lane=0AFrisco, Texas =0A75035=
=0A=0ADaniel Crossley=0AGround Floor=0A17 Victoria Road=0AClevedon=0ANorth =
Somerset=0ABS21 7RU=0AUK=A0=0A=0A__________________________________________=
________=0ADo You Yahoo!?=0ATired of spam?  Yahoo! Mail has the best spam p=
rotection around =0Ahttp://mail.yahoo.com 
--0-587376463-1266534663=:61034
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>A month ago or so I asked if anyone had some info to share about =
ambient bloggers and online radio outlets.&nbsp; Response from the group wa=
s muted.&nbsp; So, here's some of what I've been able to pull together.</DI=
V>=0A<DIV>&nbsp;</DIV>=0A<DIV>I hope this can help you also.</DIV>=0A<DIV>&=
nbsp;</DIV>=0A<DIV>Regards,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV>=0A=
<DIV>UNDO </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<P style=3D"MARG=
IN: 0in 0in 10pt" class=3DMsoNormal><SPAN style=3D"LINE-HEIGHT: 115%; FONT-=
FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT face=3D"arial, helveti=
ca, sans-serif"><FONT size=3D2>John Shanahan <?xml:namespace prefix =3D o n=
s =3D "urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></FONT>=
</SPAN></P>=0A<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN sty=
le=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt=
"><FONT size=3D2 face=3D"arial, helvetica, sans-serif">Hypnagogue<BR>318 Fr=
anklin St.<BR>Whitman, MA 02382 </FONT></SPAN></P><SPAN style=3D"LINE-HEIGH=
T: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p>=0A<P sty=
le=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><SPAN sty=
le=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: NL" lang=3DNL><FONT face=3D"a=
rial, helvetica, sans-serif"><FONT size=3D2>John Dilberto <o:p></o:p></FONT=
></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"=
 class=3DMsoNormal><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-S=
IZE: 12pt"><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2>ECHOE=
S, <o:p></o:p></FONT></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; =
MARGIN: 0in 0in 0pt" class=3DMsoNormal><SPAN style=3D"FONT-FAMILY: 'Arial',=
'sans-serif'; FONT-SIZE: 12pt"><FONT face=3D"arial, helvetica, sans-serif">=
<FONT size=3D2>P.O. Box 256, <o:p></o:p></FONT></FONT></SPAN></P>=0A<P styl=
e=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><SPAN styl=
e=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT face=3D"aria=
l, helvetica, sans-serif"><FONT size=3D2>Chester Springs, PA <o:p></o:p></F=
ONT></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0=
pt" class=3DMsoNormal><FONT face=3D"arial, helvetica, sans-serif"><FONT siz=
e=3D2><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">19=
425</SPAN><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt=
; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NL" lang=
=3DNL><o:p></o:p></SPAN></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 10=
pt" class=3DMsoNormal><FONT size=3D2 face=3D"arial, helvetica, sans-serif">=
</FONT>&nbsp;</P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" c=
lass=3DMsoNormal><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2=
><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-far=
east-font-family: 'Times New Roman'; mso-ansi-language: NL" lang=3DNL>Peter=
 van Cooten</SPAN><SPAN style=3D"FONT-FAMILY: 'Times New Roman','serif'; FO=
NT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-languag=
e: NL" lang=3DNL><o:p></o:p></SPAN></FONT></FONT></P>=0A<P style=3D"LINE-HE=
IGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><FONT face=3D"arial, h=
elvetica, sans-serif"><FONT size=3D2><SPAN style=3D"FONT-FAMILY: 'Arial','s=
ans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; ms=
o-ansi-language: NL" lang=3DNL>Klaverstraat 78</SPAN><SPAN style=3D"FONT-FA=
MILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-fareast-font-family: =
'Times New Roman'; mso-ansi-language: NL" lang=3DNL><o:p></o:p></SPAN></FON=
T></FONT></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=
=3DMsoNormal><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2><SP=
AN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast=
-font-family: 'Times New Roman'; mso-ansi-language: NL" lang=3DNL>3572 VG U=
trecht</SPAN><SPAN style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SI=
ZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: NL=
" lang=3DNL><o:p></o:p></SPAN></FONT></FONT></P>=0A<P style=3D"LINE-HEIGHT:=
 normal; MARGIN: 0in 0in 7.5pt" class=3DMsoNormal><FONT face=3D"arial, helv=
etica, sans-serif"><FONT size=3D2><SPAN style=3D"FONT-FAMILY: 'Arial','sans=
-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-a=
nsi-language: NL" lang=3DNL>Holland</SPAN><SPAN style=3D"FONT-FAMILY: 'Time=
s New Roman','serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New =
Roman'; mso-ansi-language: NL" lang=3DNL><o:p></o:p></SPAN></FONT></FONT></=
P>=0A<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><FONT size=3D2 fac=
e=3D"arial, helvetica, sans-serif"></FONT>&nbsp;</P>=0A<P style=3D"LINE-HEI=
GHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><FONT face=3D"arial, he=
lvetica, sans-serif"><FONT size=3D2><SPAN>Attention: Jordan Laik<o:p></o:p>=
</SPAN></FONT></FONT></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0i=
n 0pt" class=3DMsoNormal><FONT face=3D"arial, helvetica, sans-serif"><FONT =
size=3D2><SPAN>Suite 200<o:p></o:p></SPAN></FONT></FONT></P>=0A<P style=3D"=
LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><FONT face=3D"a=
rial, helvetica, sans-serif"><FONT size=3D2><SPAN>3190 Gateway Road<o:p></o=
:p></SPAN></FONT></FONT></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in=
 0in 0pt" class=3DMsoNormal><FONT face=3D"arial, helvetica, sans-serif"><FO=
NT size=3D2><SPAN>Brookfield, WI<o:p></o:p></SPAN></FONT></FONT></P>=0A<P s=
tyle=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><FONT f=
ace=3D"arial, helvetica, sans-serif"><FONT size=3D2><SPAN>53045<o:p></o:p><=
/SPAN></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNor=
mal><FONT size=3D2 face=3D"arial, helvetica, sans-serif"></FONT>&nbsp;</P>=
=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal>=
<SPAN><FONT size=3D2 face=3D"arial, helvetica, sans-serif">HEARTS of SPACE =
</FONT><BR><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2><SPAN=
 style=3D"FONT-FAMILY: 'Arial','sans-serif'">454 Las Gallinas #333</SPAN><B=
R><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'">SAN RAFAEL, CA 94903</S=
PAN></FONT></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0i=
n 0in 0pt" class=3DMsoNormal><B><SPAN style=3D"FONT-FAMILY: 'Arial','sans-s=
erif'; FONT-SIZE: 12pt"><STRONG><SPAN style=3D"FONT-FAMILY: 'Arial','sans-s=
erif'"><FONT size=3D2 face=3D"arial, helvetica, sans-serif"></FONT></SPAN><=
/STRONG></SPAN></B>&nbsp;</P><SPAN><SPAN style=3D"FONT-FAMILY: 'Arial','san=
s-serif'">=0A<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN styl=
e=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"=
><FONT size=3D2 face=3D"arial, helvetica, sans-serif">Ultima Thule<BR>PO Bo=
x 633<BR>Potts Point NSW 1335<BR>AUSTRALIA</FONT></SPAN></P><SPAN style=3D"=
LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">=0A<=
P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN style=3D"LINE-HEIG=
HT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT face=3D=
"arial, helvetica, sans-serif"><FONT size=3D2>STAR'S END / Chuck van Zyl<BR=
>P.O. Box 22<BR>Upper Darby, PA </FONT></FONT></SPAN></P>=0A<P style=3D"MAR=
GIN: 0in 0in 10pt" class=3DMsoNormal><SPAN style=3D"LINE-HEIGHT: 115%; FONT=
-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT face=3D"arial, helvet=
ica, sans-serif"><FONT size=3D2>19082-0022<BR></FONT></FONT></SPAN><o:p><FO=
NT size=3D2 face=3D"arial, helvetica, sans-serif"></FONT></o:p></SPAN></SPA=
N><o:p></o:p></P><o:p>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in 0=
pt" class=3DMsoNormal><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; COL=
OR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><FO=
NT face=3D"arial, helvetica, sans-serif"><FONT size=3D2>SomaFM<o:p></o:p></=
FONT></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; MARGIN: 0in 0in =
0pt" class=3DMsoNormal><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; CO=
LOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><F=
ONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2>Attn: Rusty Hodge<=
o:p></o:p></FONT></FONT></SPAN></P>=0A<P style=3D"LINE-HEIGHT: normal; MARG=
IN: 0in 0in 0pt" class=3DMsoNormal><SPAN style=3D"FONT-FAMILY: 'Arial','san=
s-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times Ne=
w Roman'"><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2>1890 B=
ryant Street, Suite 303<o:p></o:p></FONT></FONT></SPAN></P>=0A<P style=3D"L=
INE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=3DMsoNormal><SPAN style=3D"F=
ONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareas=
t-font-family: 'Times New Roman'"><FONT face=3D"arial, helvetica, sans-seri=
f"><FONT size=3D2>San Francisco, CA 94110<o:p></o:p></FONT></FONT></SPAN></=
P>=0A<P><FONT size=3D2 face=3D"arial, helvetica, sans-serif"></FONT>&nbsp;<=
/P>=0A<P style=3D"MARGIN: 0in 0in 10pt; tab-stops: 4.5pt" class=3DMsoNormal=
><SPAN style=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-=
SIZE: 12pt"><FONT size=3D2 face=3D"arial, helvetica, sans-serif">Darrell Bu=
rgan<BR></FONT></SPAN><A href=3D"http://stillstream.com/" target=3D_blank><=
SPAN class=3Dyshortcuts><SPAN style=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Ari=
al','sans-serif'; COLOR: #0066cc; FONT-SIZE: 12pt"><FONT size=3D2 face=3D"a=
rial, helvetica, sans-serif">StillStream.com</FONT></SPAN></SPAN></A><SPAN =
style=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 1=
2pt"><BR><FONT size=3D2 face=3D"arial, helvetica, sans-serif">10517 Amberga=
te Lane<BR>Frisco, Texas </FONT></SPAN></P>=0A<P style=3D"MARGIN: 0in 0in 1=
0pt; tab-stops: 4.5pt" class=3DMsoNormal><SPAN style=3D"LINE-HEIGHT: 115%; =
FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT size=3D2 face=3D"=
arial, helvetica, sans-serif">75035<BR></FONT></SPAN><SPAN style=3D"LINE-HE=
IGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><SPAN style=
=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT size=3D2 face=
=3D"arial, helvetica, sans-serif"></FONT></SPAN></SPAN></P>=0A<P style=3D"M=
ARGIN: 0in 0in 10pt; tab-stops: 4.5pt" class=3DMsoNormal><SPAN style=3D"LIN=
E-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><SPAN s=
tyle=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><FONT size=3D2 =
face=3D"arial, helvetica, sans-serif">Daniel Crossley</FONT></SPAN></SPAN><=
/P>=0A<P style=3D"MARGIN: 0in 0in 10pt; tab-stops: 4.5pt" class=3DMsoNormal=
><SPAN style=3D"LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-=
SIZE: 12pt"><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12=
pt"></SPAN><SPAN style=3D"FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12p=
t"><FONT face=3D"arial, helvetica, sans-serif"><FONT size=3D2>Ground Floor<=
BR>17 Victoria Road<BR>Clevedon<BR><SPAN class=3Dyshortcuts>North Somerset<=
/SPAN><BR>BS21 7RU<BR>UK<o:p></o:p></FONT></FONT></SPAN></P>=0A<P style=3D"=
MARGIN: 0in 0in 10pt; tab-stops: 4.5pt" class=3DMsoNormal>&nbsp;</P>=0A<P s=
tyle=3D"MARGIN: 0in 0in 10pt; tab-stops: 4.5pt" class=3DMsoNormal></SPAN><S=
PAN style=3D"LINE-HEIGHT: 115%; FONT-SIZE: 12pt"><o:p></o:p></SPAN>&nbsp;</=
P></o:p></SPAN></o:p></SPAN></div><br>_____________________________________=
_____________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best=
 spam protection around <br>http://mail.yahoo.com </body></html>
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Some AMBIENT blogs and online radio...
Date: Thu, 18 Feb 2010 23:13:39 +0000
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Hello mate

Thats great thanks for posting that - if you want some bloggers and  
podcasters theres list on my site www.mattstevensguitar.com - on the  
community page

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 18 Feb 2010, at 23:11, david kirkdorffer wrote:

> A month ago or so I asked if anyone had some info to share about  
> ambient bloggers and online radio outlets.  Response from the group  
> was muted.  So, here's some of what I've been able to pull together.
>
> I hope this can help you also.
>
> Regards,
>
> David
> UNDO
>
>
> John Shanahan
>
> Hypnagogue
> 318 Franklin St.
> Whitman, MA 02382
>
> John Dilberto
> ECHOES,
> P.O. Box 256,
> Chester Springs, PA
> 19425
>
> Peter van Cooten
> Klaverstraat 78
> 3572 VG Utrecht
> Holland
>
>
> Attention: Jordan Laik
> Suite 200
> 3190 Gateway Road
> Brookfield, WI
> 53045
>
> HEARTS of SPACE
> 454 Las Gallinas #333
> SAN RAFAEL, CA 94903
>
> Ultima Thule
> PO Box 633
> Potts Point NSW 1335
> AUSTRALIA
>
> STAR'S END / Chuck van Zyl
> P.O. Box 22
> Upper Darby, PA
>
> 19082-0022
>
> SomaFM
> Attn: Rusty Hodge
> 1890 Bryant Street, Suite 303
> San Francisco, CA 94110
>
> Darrell Burgan
> StillStream.com
> 10517 Ambergate Lane
> Frisco, Texas
>
> 75035
>
> Daniel Crossley
>
> Ground Floor
> 17 Victoria Road
> Clevedon
> North Somerset
> BS21 7RU
> UK
>
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hello mate&nbsp;<div><br></div><div>Thats great thanks for posting that =
- if you want some bloggers and podcasters theres list on my site <a =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a> =
- on the community page</div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 18 Feb 2010, =
at 23:11, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 10pt; "><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A month =
ago or so I asked if anyone had some info to share about ambient =
bloggers and online radio outlets.&nbsp; Response from the group was =
muted.&nbsp; So, here's some of what I've been able to pull =
together.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I hope this can help you also.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Regards,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">David</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">UNDO</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><p class=3D"MsoNormal" =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
margin-left: 0in; "><span style=3D"line-height: 18px; font-family: =
Arial, sans-serif; font-size: 12pt; "><font face=3D"arial, helvetica, =
sans-serif"><font size=3D"2">John =
Shanahan<o:p></o:p></font></font></span></p><p class=3D"MsoNormal" =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
margin-left: 0in; "><span style=3D"line-height: 18px; font-family: =
Arial, sans-serif; font-size: 12pt; "><font size=3D"2" face=3D"arial, =
helvetica, sans-serif">Hypnagogue<br>318 Franklin St.<br>Whitman, MA =
02382</font></span></p><span style=3D"line-height: 18px; font-family: =
Arial, sans-serif; font-size: 12pt; "><o:p><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><span lang=3D"NL" style=3D"font-family: Arial, =
sans-serif; font-size: 12pt; "><font face=3D"arial, helvetica, =
sans-serif"><font size=3D"2">John =
Dilberto<o:p></o:p></font></font></span></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><span style=3D"font-family: Arial, sans-serif; =
font-size: 12pt; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2">ECHOES,<o:p></o:p></font></font></span></div><div =
style=3D"line-height: normal; margin-top: 0in; margin-right: 0in; =
margin-bottom: 0pt; margin-left: 0in; "><span style=3D"font-family: =
Arial, sans-serif; font-size: 12pt; "><font face=3D"arial, helvetica, =
sans-serif"><font size=3D"2">P.O. Box =
256,<o:p></o:p></font></font></span></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><span style=3D"font-family: Arial, sans-serif; =
font-size: 12pt; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2">Chester Springs, PA<o:p></o:p></font></font></span></div><div =
style=3D"line-height: normal; margin-top: 0in; margin-right: 0in; =
margin-bottom: 0pt; margin-left: 0in; "><font face=3D"arial, helvetica, =
sans-serif"><font size=3D"2"><span style=3D"font-family: Arial, =
sans-serif; font-size: 12pt; ">19425</span><span lang=3D"NL" =
style=3D"font-family: Arial, sans-serif; font-size: 12pt; =
"><o:p></o:p></span></font></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 10pt; margin-left: 0in; "><font =
size=3D"2" face=3D"arial, helvetica, sans-serif"></font>&nbsp;<br =
class=3D"khtml-block-placeholder"></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span lang=3D"NL" style=3D"font-family: Arial, sans-serif; =
font-size: 12pt; ">Peter van Cooten</span><span lang=3D"NL" =
style=3D"font-family: 'Times New Roman', serif; font-size: 12pt; =
"><o:p></o:p></span></font></font></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span lang=3D"NL" style=3D"font-family: Arial, sans-serif; =
font-size: 12pt; ">Klaverstraat 78</span><span lang=3D"NL" =
style=3D"font-family: 'Times New Roman', serif; font-size: 12pt; =
"><o:p></o:p></span></font></font></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span lang=3D"NL" style=3D"font-family: Arial, sans-serif; =
font-size: 12pt; ">3572 VG Utrecht</span><span lang=3D"NL" =
style=3D"font-family: 'Times New Roman', serif; font-size: 12pt; =
"><o:p></o:p></span></font></font></div><p class=3D"MsoNormal" =
style=3D"line-height: normal; margin-top: 0in; margin-right: 0in; =
margin-bottom: 7.5pt; margin-left: 0in; "><font face=3D"arial, =
helvetica, sans-serif"><font size=3D"2"><span lang=3D"NL" =
style=3D"font-family: Arial, sans-serif; font-size: 12pt; =
">Holland</span><span lang=3D"NL" style=3D"font-family: 'Times New =
Roman', serif; font-size: 12pt; =
"><o:p></o:p></span></font></font></p><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 10pt; margin-left: 0in; "><font =
size=3D"2" face=3D"arial, helvetica, sans-serif"></font>&nbsp;<br =
class=3D"khtml-block-placeholder"></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span>Attention: Jordan =
Laik<o:p></o:p></span></font></font></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span>Suite 200<o:p></o:p></span></font></font></div><div =
style=3D"line-height: normal; margin-top: 0in; margin-right: 0in; =
margin-bottom: 0pt; margin-left: 0in; "><font face=3D"arial, helvetica, =
sans-serif"><font size=3D"2"><span>3190 Gateway =
Road<o:p></o:p></span></font></font></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span>Brookfield, =
WI<o:p></o:p></span></font></font></div><div style=3D"line-height: =
normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
margin-left: 0in; "><font face=3D"arial, helvetica, sans-serif"><font =
size=3D"2"><span>53045<o:p></o:p></span></font></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
margin-left: 0in; "><font size=3D"2" face=3D"arial, helvetica, =
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22<br>Upper Darby, PA</font></font></span></p><p class=3D"MsoNormal" =
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Arial, sans-serif; font-size: 12pt; "><font face=3D"arial, helvetica, =
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normal; margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; =
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color: black; font-size: 12pt; "><font face=3D"arial, helvetica, =
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face=3D"arial, helvetica, sans-serif"></font>&nbsp;<br =
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class=3D"yshortcuts"><span style=3D"line-height: 18px; font-family: =
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sans-serif">StillStream.com</font></span></span></a><span =
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12pt; "><br><font size=3D"2" face=3D"arial, helvetica, sans-serif">10517 =
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style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
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style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
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sans-serif; font-size: 12pt; "><font size=3D"2" face=3D"arial, =
helvetica, sans-serif">Daniel Crossley</font></span></span></p><p =
class=3D"MsoNormal" style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 10pt; margin-left: 0in; "><span style=3D"line-height: =
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Somerset</span><br>BS21 =
7RU<br>UK<o:p></o:p></font></font></span></span></p><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 10pt; =
margin-left: 0in; ">&nbsp;<br class=3D"khtml-block-placeholder"></div><p =
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18px; font-size: 12pt; =
"><o:p></o:p></span>&nbsp;</p></o:p></span></span></span></o:p></span></di=
v><br>__________________________________________________<br>Do You =
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e></div><br></div></body></html>=

--Apple-Mail-6-464811279--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 01:27:11 2010
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Date: Thu, 18 Feb 2010 20:27:04 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll Continue
the month-long Special Focus on E=motion.  The Featured CD at Midnight
will be "Hypnotic Sequences" on Underwater Music.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#feb

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://is.gd/37vNQ on the internet.

From malex69@sbcglobal.net  Fri Feb 19 02:12:19 2010
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Date: Thu, 18 Feb 2010 18:12:08 -0800 (PST)
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--0-546356086-1266545528=:6637
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>From Ms.Tricia Smith

Dakar Senegal,West Africa.



Please forgive me if my letter is not acceptable to you but i decided to write you because I have no other alternative.Since after the death of my father and 



my mother, I have been in a very big difficulty of how to claim and invest $7.3Million Dollars which my father left in the bank for me before his 



death.please if you can be able to help me tranfer it to your costudy,reply me and i will explain more to you.



yours sincerely

Ms.Tricia Smith
--0-546356086-1266545528=:6637
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>From Ms.Tricia Smith<br>
Dakar Senegal,West Africa.<br>
<br>
Please forgive me if my letter is not acceptable to you but i decided to write you because I have no other alternative.Since after the death of my father and <br>
<br>
my mother, I have been in a very big difficulty of how to claim and invest $7.3Million Dollars which my father left in the bank for me before his <br>
<br>
death.please if you can be able to help me tranfer it to your costudy,reply me and i will explain more to you.<br>
<br>
yours sincerely<br>
Ms.Tricia Smith</td></tr></table>
--0-546356086-1266545528=:6637--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 03:10:16 2010
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Date: Thu, 18 Feb 2010 19:10:10 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: fripp & eh16ddl (original) ?
To: Loopers-Delight@loopers-delight.com
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--0-602329649-1266549010=:28367
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Content-Transfer-Encoding: quoted-printable

ok-for some reason i was thinking of this from last week, when for a couple=
 of hrs it seemed like i might be getting a reissue eh 16secDDL-but then it=
 fell through...my question: did robert fripp ever play the original "EH 16=
 sec digital delay"? i know it was originally billed as a "fripp in a box",=
 did he actually use one? i was just curious...i know little to nothing of =
fripps loop tool history (i just have 3 of his discs....)
=A0
damn all this talk of "dream pedals" & the random multi-effects options swi=
tch, now all
i think about is "dream pedals"
=A0
honestly-i'd just love a digital version of an actual tape loop option-some=
thing that would actually model what an analog tape loop could do. (i had s=
uch hope for that danelectro reel echo even @ 1.5 sec)....ok, i got to get =
off this dream pedal thing....darn you RICK for getting me on this....
s----
http://video.google.com/videoplay?docid=3D235503632389016121#docid=3D579154=
8553161416906

http://video.google.com/videoplay?docid=3D235503632389016121#

http://www.mefeedia.com/watch/28102613=0A=0A=0A      
--0-602329649-1266549010=:28367
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>ok-for some reason i was thinking of thi=
s from last week, when for a couple of hrs it seemed like i might be gettin=
g a reissue eh 16secDDL-but then it fell through...my question: did robert =
fripp ever play the original "EH 16 sec digital delay"? i know it was origi=
nally billed as a "fripp in a box", did he actually use one? i was just cur=
ious...i know little to nothing of fripps loop tool history (i just have 3 =
of his discs....)</DIV>
<DIV>&nbsp;</DIV>
<DIV>damn all this talk of "dream pedals" &amp; the random multi-effects op=
tions switch, now all</DIV>
<DIV>i think about is "dream pedals"</DIV>
<DIV>&nbsp;</DIV>
<DIV>honestly-i'd just love a digital version of an actual tape loop option=
-something that would actually model what an analog tape loop could do. (i =
had such hope for that danelectro reel echo even @ 1.5 sec)....ok, i got to=
 get off this dream pedal thing....darn you RICK for getting me on this....=
</DIV>
<DIV>s----</DIV>
<DIV><A href=3D"http://video.google.com/videoplay?docid=3D23550363238901612=
1#docid=3D5791548553161416906" target=3D_blank><SPAN class=3Dyshortcuts id=
=3Dlw_1266548664_0>http://video.google.com/videoplay?docid=3D23550363238901=
6121#docid=3D5791548553161416906</SPAN></A><BR><BR><A href=3D"http://video.=
google.com/videoplay?docid=3D235503632389016121#" target=3D_blank><SPAN cla=
ss=3Dyshortcuts id=3Dlw_1266548664_1>http://video.google.com/videoplay?doci=
d=3D235503632389016121#</SPAN></A><BR><BR><A href=3D"http://www.mefeedia.co=
m/watch/28102613" target=3D_blank><SPAN class=3Dyshortcuts id=3Dlw_12665486=
64_2>http://www.mefeedia.com/watch/28102613</SPAN></A></DIV></td></tr></tab=
le><br>=0A=0A      
--0-602329649-1266549010=:28367--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 03:46:46 2010
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Date: Thu, 18 Feb 2010 22:46:45 -0500 (EST)
From: stanitarium@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: Re: fripp & eh16ddl (original) ?
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never heard that fripp used the 16secddl. i know he sued EH for using his name in the ad.i just got the new dvd  of NelsCline http://mx.smartleydunn.com/12all/lt.php?c=111&m=273&nl=1&s=cf3fc737f08f3760bef11ac88da1a7a1&lid=861&l=-http--wilcoworld.net/news/   and the box is all over the place in his solo playing. it is such an integral part of his rig-its sometimes hard to tell when he has it on-but i do think its always on. anyway glad i still have mine-i hope the day comes when the music i play would be enhanced by its use-and there still is no unit in the world that does what it do.


-----Original Message-----

From: scott hansen 

Sent: Feb 18, 2010 10:10 PM

To: Loopers-Delight@loopers-delight.com

Subject: fripp & eh16ddl (original) ?



ok-for some reason i was thinking of this from last week, when for a couple of hrs it seemed like i might be getting a reissue eh 16secDDL-but then it fell through...my question: did robert fripp ever play the original "EH 16 sec digital delay"? i know it was originally billed as a "fripp in a box", did he actually use one? i was just curious...i know little to nothing of fripps loop tool history (i just have 3 of his discs....)
 
damn all this talk of "dream pedals" & the random multi-effects options switch, now all
i think about is "dream pedals"
 
honestly-i'd just love a digital version of an actual tape loop option-something that would actually model what an analog tape loop could do. (i had such hope for that danelectro reel echo even @ 1.5 sec)....ok, i got to get off this dream pedal thing....darn you RICK for getting me on this....
s----
http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906

http://video.google.com/videoplay?docid=235503632389016121#

http://www.mefeedia.com/watch/28102613

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From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 04:22:06 2010
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Date: Thu, 18 Feb 2010 23:19:22 -0500
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Subject: Re: fripp & eh16ddl (original) ?
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Yes.  Robert Fripp used the EH 16 second DDL prominently on David 
Sylvian's "Gone to Earth" as textural loops.. They would leave it 
running while they took a dinner break and print the decrepid mess 
when they returned...!

>ok-for some reason i was thinking of this from last week, when for a 
>couple of hrs it seemed like i might be getting a reissue eh 
>16secDDL-but then it fell through...my question: did robert fripp 
>ever play the original "EH 16 sec digital delay"? i know it was 
>originally billed as a "fripp in a box", did he actually use one? i 
>was just curious...i know little to nothing of fripps loop tool 
>history (i just have 3 of his discs....)
>
>damn all this talk of "dream pedals" & the random multi-effects 
>options switch, now all
>i think about is "dream pedals"
>
>honestly-i'd just love a digital version of an actual tape loop 
>option-something that would actually model what an analog tape loop 
>could do. (i had such hope for that danelectro reel echo even @ 1.5 
>sec)....ok, i got to get off this dream pedal thing....darn you RICK 
>for getting me on this....
>s----
><http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906>http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906
>
><http://video.google.com/videoplay?docid=235503632389016121#>http://video.google.com/videoplay?docid=235503632389016121#
>
><http://www.mefeedia.com/watch/28102613>http://www.mefeedia.com/watch/28102613


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-945569171==_ma============
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: fripp &amp; eh16ddl (original)
?</title></head><body>
<div><br></div>
<div>Yes.&nbsp; Robert Fripp used the EH 16 second DDL prominently on
David Sylvian's &quot;Gone to Earth&quot; as textural loops.. They
would leave it running while they took a dinner break and print the
decrepid mess when they returned...!</div>
<div><br></div>
<blockquote type="cite" cite>ok-for some reason i was thinking of this
from last week, when for a couple of hrs it seemed like i might be
getting a reissue eh 16secDDL-but then it fell through...my question:
did robert fripp ever play the original &quot;EH 16 sec digital
delay&quot;? i know it was originally billed as a &quot;fripp in a
box&quot;, did he actually use one? i was just curious...i know little
to nothing of fripps loop tool history (i just have 3 of his
discs....)</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>damn all this talk of &quot;dream pedals&quot;
&amp; the random multi-effects options switch, now all</blockquote>
<blockquote type="cite" cite>i think about is &quot;dream
pedals&quot;</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>honestly-i'd just love a digital version
of an actual tape loop option-something that would actually model what
an analog tape loop could do. (i had such hope for that danelectro
reel echo even @ 1.5 sec)....ok, i got to get off this dream pedal
thing....darn you RICK for getting me on this....</blockquote>
<blockquote type="cite" cite>s----</blockquote>
<blockquote type="cite" cite><a
href=
"http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906"><span
></span
>http://video.google.com/videoplay?docid=235503632389016121#docid=579<span
></span>1548553161416906</a><br>
<br>
<a
href="http://video.google.com/videoplay?docid=235503632389016121#"
>http://video.google.com/videoplay?docid=235503632389016121#</a><br>
<br>
<a
href="http://www.mefeedia.com/watch/28102613"
>http://www.mefeedia.com/watch/28102613</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-945569171==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 05:31:20 2010
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Subject: Re: fripp & eh16ddl (original) ?
Date: Fri, 19 Feb 2010 00:31:19 -0500
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This from an ETwiki: "I would run the tape back and improvise on top of it.
The original form was with two Revox tape recorders, but now I'm working
with the Electro-Harmonix 16 second Digital Delay. It was advertised as a
Fripp In The Box. It's far smaller, quicker, and easier to set up than two
Revoxes. Although, the sounds one gets are quite different. The quality I
nowhere near the same as the two Revoxes."

http://www.elephant-talk.com/wiki/Interview_with_Robert_Fripp_in_Guitar_Player_(sidebar_article)


j

----- Original Message ----- 
From: <stanitarium@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, February 18, 2010 10:46 PM
Subject: Re: fripp & eh16ddl (original) ?


> never heard that fripp used the 16secddl. i know he sued EH for using his 
> name in the ad.i just got the new dvd  of NelsCline 
> http://mx.smartleydunn.com/12all/lt.php?c=111&m=273&nl=1&s=cf3fc737f08f3760bef11ac88da1a7a1&lid=861&l=-http--wilcoworld.net/news/ 
> and the box is all over the place in his solo playing. it is such an 
> integral part of his rig-its sometimes hard to tell when he has it on-but 
> i do think its always on. anyway glad i still have mine-i hope the day 
> comes when the music i play would be enhanced by its use-and there still 
> is no unit in the world that does what it do.
>
>
> -----Original Message-----
>
> From: scott hansen
>
> Sent: Feb 18, 2010 10:10 PM
>
> To: Loopers-Delight@loopers-delight.com
>
> Subject: fripp & eh16ddl (original) ?
>
>
>
> ok-for some reason i was thinking of this from last week, when for a 
> couple of hrs it seemed like i might be getting a reissue eh 16secDDL-but 
> then it fell through...my question: did robert fripp ever play the 
> original "EH 16 sec digital delay"? i know it was originally billed as a 
> "fripp in a box", did he actually use one? i was just curious...i know 
> little to nothing of fripps loop tool history (i just have 3 of his 
> discs....)
>
> damn all this talk of "dream pedals" & the random multi-effects options 
> switch, now all
> i think about is "dream pedals"
>
> honestly-i'd just love a digital version of an actual tape loop 
> option-something that would actually model what an analog tape loop could 
> do. (i had such hope for that danelectro reel echo even @ 1.5 sec)....ok, 
> i got to get off this dream pedal thing....darn you RICK for getting me on 
> this....
> s----
> http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906
>
> http://video.google.com/videoplay?docid=235503632389016121#
>
> http://www.mefeedia.com/watch/28102613
>
> 

From heleen.kimman@kpnplanet.nl  Fri Feb 19 09:15:58 2010
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Date: Fri, 19 Feb 2010 10:09:21 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <604875.68859.qm@web34305.mail.mud.yahoo.com>
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yeah Brian long live cows thanx!=0Acheers=0Awww.myspace.com/luisangulocom=
=0A=0A=0A--- Brian Kupferschmid <apparitionapparition@yahoo.com> schrieb am=
 Do, 18.2.2010:=0A=0A> Von: Brian Kupferschmid <apparitionapparition@yahoo.=
com>=0A> Betreff: Re: my version of "Helter Skelter" using the mathons plug=
in=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Donnerstag, 18. F=
ebruar, 2010 12:38 Uhr=0A> That was very clever, definitely made=0A> it sou=
nd pop, I dug the riff, but what won me over was the=0A> cowbell...more cow=
bell.=0A> =0A> --- On Thu, 2/18/10, L.Angulo <labaloops@yahoo.com>=0A> wrot=
e:=0A> =0A> > From: L.Angulo <labaloops@yahoo.com>=0A> > Subject: my versio=
n of "Helter Skelter" using the=0A> mathons plugin=0A> > To: "Loopers Delig=
ht" <loopers-delight@loopers-delight.com>=0A> > Date: Thursday, February 18=
, 2010, 11:51 AM=0A> > Hi gang,=0A> > heres my version of Helter Skelter i =
arranged=0A> produced=0A> > played and sang a while ago,i played a minor gu=
itar=0A> backward=0A> > loop at the begining as an intro and at the very en=
d i=0A> used=0A> > the great Matthias/Andy chop pitch mathons plugin=0A> cr=
eation=0A> > for that "warped" vinyl sound,now that really came out=0A> of =
my=0A> > complete incompetence and ignorance about the plugin,i=0A> was=0A>=
 > trying it out and it just happened by mistake so i=0A> left it=0A> > tha=
t way;-)=0A> > just thought id share it with you=0A> > =0A> > www.myspace.c=
om/luisangulocom=0A> > =0A> > cheers=0A> > Luis=0A> > =0A> > ______________=
____________________________________=0A> > Do You Yahoo!?=0A> > Sie sind Sp=
am leid? Yahoo! Mail verf=FCgt =FCber einen=0A> > herausragenden Schutz geg=
en Massenmails. =0A> > http://mail.yahoo.com=0A> > =0A> > =0A> =0A> =0A> =
=0A> =0A> =0A=0A__________________________________________________=0ADo You=
 Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausrag=
enden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

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Date: Fri, 19 Feb 2010 10:10:37 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
To: Loopers-Delight@loopers-delight.com
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thanx =0Ajust be careful with that axe!=0A=0Acheers=0Awww.myspace.com/luisa=
ngulocom=0A=0A=0A--- nemoguitt@aol.com <nemoguitt@aol.com> schrieb am Do, 1=
8.2.2010:=0A=0A> Von: nemoguitt@aol.com <nemoguitt@aol.com>=0A> Betreff: Re=
: my version of "Helter Skelter" using the mathons plugin=0A> An: Loopers-D=
elight@loopers-delight.com=0A> Datum: Donnerstag, 18. Februar, 2010 10:21 U=
hr=0A> made me want to grab my butter knife=0A> and go out and find famous =
people!.....sweet.....:)m=0A> =0A> =0A> =0A=0A_____________________________=
_____________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail ve=
rf=FCgt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://mai=
l.yahoo.com 

From news@markvoxx.com  Fri Feb 19 10:36:34 2010
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From 9561618@jgps.tpc.edu.tw  Fri Feb 19 11:57:44 2010
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From: "Ehab Elbalawi" <9561618@jgps.tpc.edu.tw>
Reply-To: ehab010@live.com
Subject: GET IN TOUCH
Date: Fri, 19 Feb 2010 18:52:12 +0800
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Dear Beloveth,

Goodday to you and your family, i am sorry to disturb you but i just i felt 
deeply in my heart that you are that individual that i have been looking for 
and so i can contact you for a blessing that you are about to recieve and 
also share with people that need it ,my name is Mr. Ehab Elbalawi a merchant 
in Dubai, in the U.A.E.I have been diagnosed with Esophageal cancer .It has 
defile all forms of medical treatment, and right now I have only about a few 
months to live, according to medical experts.I have not particularly lived my 
life so well, as I never really cared for anyone (not even myself) but my 
business. Though I am very rich, I was never Generous, I was always hostile 
to people and only focused on my business as that was the only thing I cared 
for. But now I regret all this as I now know that there is more to life than 
just wanting to have or make all the money in the world. I believe when God 
gives me a second chance to come to this world I would live my life a 
different way from how i have lived it.

Please contact me on my personal email:ehab010@live.com

Warmest Regards,
Ehab Elbalawi

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 12:14:07 2010
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Date: Fri, 19 Feb 2010 13:13:53 +0100
Message-ID: <e89a49d31002190413n4e3cabfeg1db36de140f2103f@mail.gmail.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Fri, Feb 19, 2010 at 11:09 AM, L.Angulo <labaloops@yahoo.com> wrote:
> yeah Brian long live cows thanx!

Nice song Luis. And bring the cows with you to the Antwerp Loopfest ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 12:24:00 2010
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Date: Fri, 19 Feb 2010 13:23:36 +0100
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Subject: Antwerp Live Looping Festival March 6, 2010
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi,
Just a reminder, for those of you living not too far away, like The
Netherlands, Belgium, UK, Germany and France: we have a fantastic line
up and a beautiful theatre. Tickets are 10 euro's only and can be
ordered online.

Line up
- Steve Lawson
- Dirk Serries
- Luis Angulo
- N (D)
- Signals Under Tests
- Premonition Factory

For detailed information, go to the website http://livelooping.be/

Thanks and I hope to see you on March 6
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 12:35:35 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Antwerp Live Looping Festival March 6, 2010
Date: Fri, 19 Feb 2010 12:35:19 +0000
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wow - great line up - i'd love to go but i have a back injury at the  
moment.  Hope i can play one day.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 19 Feb 2010, at 12:23, Sjaak Overgaauw wrote:

> Hi,
> Just a reminder, for those of you living not too far away, like The
> Netherlands, Belgium, UK, Germany and France: we have a fantastic line
> up and a beautiful theatre. Tickets are 10 euro's only and can be
> ordered online.
>
> Line up
> - Steve Lawson
> - Dirk Serries
> - Luis Angulo
> - N (D)
> - Signals Under Tests
> - Premonition Factory
>
> For detailed information, go to the website http://livelooping.be/
>
> Thanks and I hope to see you on March 6
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>


--Apple-Mail-16-512910526
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
wow - great line up - i'd love to go but i have a back injury at the =
moment. &nbsp;Hope i can play one day.<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 19 Feb 2010, =
at 12:23, Sjaak Overgaauw wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Just a =
reminder, for those of you living not too far away, like The</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Netherlands, Belgium, UK, Germany and France: we =
have a fantastic line</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">up and a beautiful theatre. =
Tickets are 10 euro's only and can be</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ordered =
online.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Line up</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Steve =
Lawson</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Dirk Serries</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">- Luis Angulo</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- N =
(D)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Signals Under Tests</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">- Premonition Factory</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For detailed =
information, go to the website <a =
href=3D"http://livelooping.be">http://livelooping.be</a>/</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Thanks =
and I hope to see you on March 6</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sjaak Overgaauw</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://premonitionfactory.com">http://premonitionfactory.com</a>/<=
/div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><a =
href=3D"http://livelooping.be">http://livelooping.be</a>/</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-16-512910526--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 13:21:39 2010
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Date: Fri, 19 Feb 2010 14:21:32 +0100 (CET)
From: Massimo Liverani <mas.liv@libero.it>
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To:  <loopers-delight@loopers-delight.com>
Subject: Koan Loop Ensemble Live @Sassoscritto 2009 4
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5 of 8 

enjoy, thank you

http://apps.facebook.com/files/shared/9fhkrmauig

Max Liver







From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 13:55:51 2010
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enjoy, thank you

6 of 8:
http://apps.facebook.com/files/shared/1ki1cd7i4h

7 of 8:
http://apps.facebook.com/files/shared/yzu79kcgxd

Max Liver

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 15:06:18 2010
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Date: Fri, 19 Feb 2010 07:06:08 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Nels & eh16ddl (was: fripp & eh16ddl (original) ?)
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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--0-1554217218-1266591968=:52033
Content-Type: text/plain; charset=utf-8
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=C2=A0
>From memory (maybe the GP cover story a little while back), Nels talks abou=
t running the EH unit constantly and just bringing the volume up or down..
=C2=A0
And from http://jazztimes.com/articles/20153-nels-cline-have-guitar-will-de=
stroy,=20
=C2=A0
=E2=80=9CI became aware of that pedal through Frisell when we toured Europe=
 together in Julius Hemphill=E2=80=99s band in 1985,=E2=80=9D he says. =E2=
=80=9CI saw Bill manipulating that thing and thought, =E2=80=98My god, what=
 is that?!=E2=80=99 I went back to LA after that tour and found one, so I=
=E2=80=99ve had this particular box since 1985. It=E2=80=99s pretty trashed=
 now but I it=E2=80=99s like the ultimate crutch for me.=E2=80=9D

Enemies are good for self-definition. Werner Herzog

--- On Thu, 2/18/10, stanitarium@earthlink.net <stanitarium@earthlink.net> =
wrote:


From: stanitarium@earthlink.net <stanitarium@earthlink.net>
Subject: Re: fripp & eh16ddl (original) ?
To: Loopers-Delight@loopers-delight.com
Received: Thursday, February 18, 2010, 7:46 PM


never heard that fripp used the 16secddl. i know he sued EH for using his n=
ame in the ad.i just got the new dvd=C2=A0 of NelsCline http://mx.smartleyd=
unn.com/12all/lt.php?c=3D111&m=3D273&nl=3D1&s=3Dcf3fc737f08f3760bef11ac88da=
1a7a1&lid=3D861&l=3D-http--wilcoworld.net/news/=C2=A0=C2=A0=C2=A0and the bo=
x is all over the place in his solo playing. it is such an integral part of=
 his rig-its sometimes hard to tell when he has it on-but i do think its al=
ways on. anyway glad i still have mine-i hope the day comes when the music =
i play would be enhanced by its use-and there still is no unit in the world=
 that does what it do.


-----Original Message-----

From: scott hansen=20

Sent: Feb 18, 2010 10:10 PM

To: Loopers-Delight@loopers-delight.com

Subject: fripp & eh16ddl (original) ?



ok-for some reason i was thinking of this from last week, when for a couple=
 of hrs it seemed like i might be getting a reissue eh 16secDDL-but then it=
 fell through...my question: did robert fripp ever play the original "EH 16=
 sec digital delay"? i know it was originally billed as a "fripp in a box",=
 did he actually use one? i was just curious...i know little to nothing of =
fripps loop tool history (i just have 3 of his discs....)

damn all this talk of "dream pedals" & the random multi-effects options swi=
tch, now all
i think about is "dream pedals"

honestly-i'd just love a digital version of an actual tape loop option-some=
thing that would actually model what an analog tape loop could do. (i had s=
uch hope for that danelectro reel echo even @ 1.5 sec)....ok, i got to get =
off this dream pedal thing....darn you RICK for getting me on this....
s----
http://video.google.com/videoplay?docid=3D235503632389016121#docid=3D579154=
8553161416906

http://video.google.com/videoplay?docid=3D235503632389016121#

http://www.mefeedia.com/watch/28102613

=0A=0A=0A      ____________________________________________________________=
______=0ABe smarter than spam. See how smart SpamGuard is at giving junk em=
ail the boot with the All-new Yahoo! Mail.  Click on Options in Mail and sw=
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--0-1554217218-1266591968=:52033
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>From memory (maybe the GP cover story a little while back), Nels talks=
 about running the EH unit constantly and just bringing the volume up or do=
wn..</DIV>
<DIV>&nbsp;</DIV>
<DIV>And from <A href=3D"http://jazztimes.com/articles/20153-nels-cline-hav=
e-guitar-will-destroy" target=3D_blank rel=3Dnofollow><U>http://jazztimes.c=
om/articles/20153-nels-cline-have-guitar-will-destroy</U></A>, </DIV>
<DIV>&nbsp;</DIV>
<DIV>=E2=80=9CI became aware of that pedal through Frisell when we toured E=
urope together in Julius Hemphill=E2=80=99s band in 1985,=E2=80=9D he says.=
 =E2=80=9CI saw Bill manipulating that thing and thought, =E2=80=98My god, =
what is that?!=E2=80=99 I went back to LA after that tour and found one, so=
 I=E2=80=99ve had this particular box since 1985. It=E2=80=99s pretty trash=
ed now but I it=E2=80=99s like the ultimate crutch for me.=E2=80=9D</DIV><B=
R><BR>Enemies are good for self-definition. Werner Herzog<BR><BR>--- On <B>=
Thu, 2/18/10, stanitarium@earthlink.net <I>&lt;stanitarium@earthlink.net&gt=
;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: stanitarium@earthlink.net &lt;stanitarium@e=
arthlink.net&gt;<BR>Subject: Re: fripp &amp; eh16ddl (original) ?<BR>To: Lo=
opers-Delight@loopers-delight.com<BR>Received: Thursday, February 18, 2010,=
 7:46 PM<BR><BR>
<DIV class=3DplainMail>never heard that fripp used the 16secddl. i know he =
sued EH for using his name in the ad.i just got the new dvd&nbsp; of NelsCl=
ine <A href=3D"http://mx.smartleydunn.com/12all/lt.php?c=3D111&amp;m=3D273&=
amp;nl=3D1&amp;s=3Dcf3fc737f08f3760bef11ac88da1a7a1&amp;lid=3D861&amp;l=3D-=
http--wilcoworld.net/news/" target=3D_blank>http://mx.smartleydunn.com/12al=
l/lt.php?c=3D111&amp;m=3D273&amp;nl=3D1&amp;s=3Dcf3fc737f08f3760bef11ac88da=
1a7a1&amp;lid=3D861&amp;l=3D-http--wilcoworld.net/news/</A>&nbsp;&nbsp;&nbs=
p;and the box is all over the place in his solo playing. it is such an inte=
gral part of his rig-its sometimes hard to tell when he has it on-but i do =
think its always on. anyway glad i still have mine-i hope the day comes whe=
n the music i play would be enhanced by its use-and there still is no unit =
in the world that does what it do.<BR><BR><BR>-----Original Message-----<BR=
><BR>From: scott hansen <BR><BR>Sent: Feb 18, 2010 10:10 PM<BR><BR>To: <A
 href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loo=
pers-delight.com" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Lo=
opers-Delight@loopers-delight.com</A><BR><BR>Subject: fripp &amp; eh16ddl (=
original) ?<BR><BR><BR><BR>ok-for some reason i was thinking of this from l=
ast week, when for a couple of hrs it seemed like i might be getting a reis=
sue eh 16secDDL-but then it fell through...my question: did robert fripp ev=
er play the original "EH 16 sec digital delay"? i know it was originally bi=
lled as a "fripp in a box", did he actually use one? i was just curious...i=
 know little to nothing of fripps loop tool history (i just have 3 of his d=
iscs....)<BR><BR>damn all this talk of "dream pedals" &amp; the random mult=
i-effects options switch, now all<BR>i think about is "dream pedals"<BR><BR=
>honestly-i'd just love a digital version of an actual tape loop option-som=
ething that would actually model what an analog tape loop could do. (i had
 such hope for that danelectro reel echo even @ 1.5 sec)....ok, i got to ge=
t off this dream pedal thing....darn you RICK for getting me on this....<BR=
>s----<BR><A href=3D"http://video.google.com/videoplay?docid=3D235503632389=
016121#docid=3D5791548553161416906" target=3D_blank>http://video.google.com=
/videoplay?docid=3D235503632389016121#docid=3D5791548553161416906</A><BR><B=
R><A href=3D"http://video.google.com/videoplay?docid=3D235503632389016121#"=
 target=3D_blank>http://video.google.com/videoplay?docid=3D2355036323890161=
21#</A><BR><BR><A href=3D"http://www.mefeedia.com/watch/28102613" target=3D=
_blank>http://www.mefeedia.com/watch/28102613</A><BR><BR></DIV></BLOCKQUOTE=
></td></tr></table><br>=0A      <hr size=3D1>Make your browsing faster, saf=
er, and easier with the new Internet Explorer=C2=AE 8. Optimized for Yahoo!=
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--0-1554217218-1266591968=:52033--

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Date: Fri, 19 Feb 2010 08:02:49 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ncline dvd/eh16ddl/dream pedal
To: Loopers-Delight@loopers-delight.com
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--0-253404900-1266595369=:10581
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

stan-MUCHO thanks on pting out the new nels cline dvd-i just ordered it. th=
e perfect bday gift for me this month. can't wait to see more of him in act=
ion-and w/ painting in the background....
=A0
thanks for the info on fripp & eh16ddl...interesting....
=A0
i will do some more checking w/ the electrical engineer student about the w=
hacked out randomizer multi-effects pedal...to see it's plausibilty and w/ =
a student's time,etc...
=A0
as for dream pedals--i've been going to town w/ the guyatone md3 and my dig=
itech dl8, making little loops and playing w/ them-i've done more looping i=
n the last few weeks than i ever did w/ my boss rc20 when i had it for a yr=
, honestly i think the only time i used the rc20 was when i made my videos =
for PATV....something about the md3 that i just love, probably b/c it's sim=
ple. and i was also messing around w/ short loops w/ it, then further proce=
ssing it w/ my roland ef303-mainly the slicer thing in it. crazy stuff.....=
i'm also awaiting a korg kaoss pad 2---i did love the mini kp i got back in=
 dec, but had some issues w/ it, so decided to try the kp2. it's almost lik=
e christmas in feb for me....nuts...
and then this talk of the "DREAM PEDALS"-damn it seems like gear heaven....=
oh well...
guess i should focus more....
s---
http://video.google.com/videoplay?docid=3D235503632389016121#docid=3D579154=
8553161416906

http://video.google.com/videoplay?docid=3D235503632389016121#

http://www.mefeedia.com/watch/28102613=0A=0A=0A      
--0-253404900-1266595369=:10581
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>stan-MUCHO thanks on pting out the new n=
els cline dvd-i just ordered it. the perfect bday gift for me this month. c=
an't wait to see more of him in action-and w/ painting in the background...=
.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks for the info on fripp &amp; eh16ddl...interesting....</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will do some more checking w/ the electrical engineer student about =
the whacked out randomizer multi-effects pedal...to see it's plausibilty an=
d w/ a student's time,etc...</DIV>
<DIV>&nbsp;</DIV>
<DIV>as for dream pedals--i've been going to town w/ the guyatone md3 and m=
y digitech dl8, making little loops and playing w/ them-i've done more loop=
ing in the last few weeks than i ever did w/ my boss rc20 when i had it for=
 a yr, honestly i think the only time i used the rc20 was when i made my vi=
deos for PATV....something about the md3 that i just love, probably b/c it'=
s simple. and i was also messing around w/ short loops w/ it, then further =
processing it w/ my roland ef303-mainly the slicer thing in it. crazy stuff=
.....i'm also awaiting a korg kaoss pad 2---i did love the mini kp i got ba=
ck in dec, but had some issues w/ it, so decided to try the kp2. it's almos=
t like christmas in feb for me....nuts...</DIV>
<DIV>and then this talk of the "DREAM PEDALS"-damn it seems like gear heave=
n....oh well...</DIV>
<DIV>guess i should focus more....</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://video.google.com/videoplay?docid=3D23550363238901612=
1#docid=3D5791548553161416906" target=3D_blank><SPAN class=3Dyshortcuts id=
=3Dlw_1266594865_0>http://video.google.com/videoplay?docid=3D23550363238901=
6121#docid=3D5791548553161416906</SPAN></A><BR><BR><A href=3D"http://video.=
google.com/videoplay?docid=3D235503632389016121#" target=3D_blank><SPAN cla=
ss=3Dyshortcuts id=3Dlw_1266594865_1>http://video.google.com/videoplay?doci=
d=3D235503632389016121#</SPAN></A><BR><BR><A href=3D"http://www.mefeedia.co=
m/watch/28102613" target=3D_blank><SPAN class=3Dyshortcuts id=3Dlw_12665948=
65_2>http://www.mefeedia.com/watch/28102613</SPAN></A></DIV></td></tr></tab=
le><br>=0A=0A=0A=0A      
--0-253404900-1266595369=:10581--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 16:20:23 2010
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Date: Fri, 19 Feb 2010 17:20:13 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: ncline dvd/eh16ddl/dream pedal
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scott hansen schrieb:
> i will do some more checking w/ the electrical engineer student about 
> the whacked out randomizer multi-effects pedal...to see it's 
> plausibilty and w/ a student's time,etc...
>
>
Now if you got yourself your own EE student, that's a different 
story...tell him this:

You need the following components:
* a proper case (the "pedal") - DL4-size is sufficient.
* a micro motherboard for the hw platform you're targeting - I would 
suggest x86 because I know more about this, but other things would also 
work.
* the UI components you will require (display, knobs, buttons) - I 
suggest using a USB kit for DIYing something and go from there.
* Gentoo (linux distribution)
* pure data
* small parts (depending on your connectivity needs, this may be just a 
few 1/4 connectors or a full-blown micpre w/ pp etc.)
* SSD drive
* power supply.
* battery

The short version:
1. Use either a computer with similar hardware architecture or this 
computer with keyboard/screen connected to install gentoo onto the ssd 
and configure it to boot and be accessible via LAN.
2. Install motherboard, UI components, battery and powersupply (if 
there's room) into the pedal.
3. Install the connectivity options you need. You can make use of the 
onboard sound chipset, possibly with the aid of a few small circuit 
components (like a DI or something).
4. Build your dream effect in pure data.
5. Install pure data and your dream effect on the pedal via LAN.
6. Configure Gentoo in a way that it will wake on power and hibernate on 
poweroff.
7. Have fun!

          Rainer

ps: you see, Krispen - it IS possible. This pedal doesn't even have that 
button to step on which you dread so much ;)


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 20:08:43 2010
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Date: Fri, 19 Feb 2010 15:08:21 -0500
Message-ID: <9e0440a61002191208y3246a17ejd83bbca2ecb3fecd@mail.gmail.com>
Subject: neat 'noise' setup
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001517447a4229af1c047ff9a576
Content-Type: text/plain; charset=ISO-8859-1

This guy posted this on the ImprovFriday gathering.  Really love his setup,
sort of looping but more noise floor.  http://vimeo.com/9560214

Btw if you don't know  about the ImprovFriday community highly recommend.
http://improvfriday.ning.com

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517447a4229af1c047ff9a576
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This guy posted this on the ImprovFriday gathering.=A0 Really love his setu=
p, sort of looping but more noise floor.=A0 <a href=3D"http://vimeo.com/956=
0214">http://vimeo.com/9560214</a><br><br>Btw if you don&#39;t know=A0 abou=
t the ImprovFriday community highly recommend. <a href=3D"http://improvfrid=
ay.ning.com">http://improvfriday.ning.com</a><br>
<br>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural<=
br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><b=
r><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgo=
odinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517447a4229af1c047ff9a576--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 21:33:31 2010
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Date: Fri, 19 Feb 2010 13:33:09 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ncline/et al...looping
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yes, i do believe that n cline said in one of his GP interviews from the la=
st few yrs that a lot of times he leaves the eh16ddl on and then will "turn=
 up the volume/level"(?) and run loops that way. i know i have the article =
saved in my archives somewhere (his interview is one of the few from GP of =
the last few yrs i've kept)...i also believe that in an interview (maybe it=
 was also from GP?) e aarset said that w/ his boss dd-something pedal, he h=
as it on the longest delay setting (i'm thinking it was 2 sec-i don't think=
 it was the dd7) but keeps the level down to zero, then will randomly=A0 tu=
rn it up to 100% and it creates interesting noise from all the playing....i=
 did play w/ that=A0quite a bit awhile back(never recorded anything) and it=
 is a different approach to my normal mentality of playing (damn them pros-=
always changing the paradigm for me)...also in the last week i think i was =
reading some older (few yrs ago) short blip on terje rydpal (i'm
 spelling it wrong i know!!) and it said his he used an old boss delay peda=
l (i'm thinking it was like a dd2-who can keep track of those #s?) & and ol=
d zoom 508 delay-that floored me. i hadn't heard one of those mentioned for=
ever!!!!
oh well, happy looping....
s----
=A0
=A0
http://video.google.com/videoplay?docid=3D235503632389016121#docid=3D579154=
8553161416906

http://video.google.com/videoplay?docid=3D235503632389016121#

http://www.mefeedia.com/watch/28102613=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>yes, i do believe that n cline said in o=
ne of his GP interviews from the last few yrs that a lot of times he leaves=
 the eh16ddl on and then will "turn up the volume/level"(?) and run loops t=
hat way. i know i have the article saved in my archives somewhere (his inte=
rview is one of the few from GP of the last few yrs i've kept)...i also bel=
ieve that in an interview (maybe it was also from GP?) e aarset said that w=
/ his boss dd-something pedal, he has it on the longest delay setting (i'm =
thinking it was 2 sec-i don't think it was the dd7) but keeps the level dow=
n to zero, then will randomly&nbsp; turn it up to 100% and it creates inter=
esting noise from all the playing....i did play w/ that&nbsp;quite a bit aw=
hile back(never recorded anything) and it is a different approach to my nor=
mal mentality of playing (damn them pros-always changing the paradigm for
 me)...also in the last week i think i was reading some older (few yrs ago)=
 short blip on terje rydpal (i'm spelling it wrong i know!!) and it said hi=
s he used an old boss delay pedal (i'm thinking it was like a dd2-who can k=
eep track of those #s?) &amp; and old zoom 508 delay-that floored me. i had=
n't heard one of those mentioned forever!!!!</DIV>
<DIV>oh well, happy looping....</DIV>
<DIV>s----</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://video.google.com/videoplay?docid=3D23550363238901612=
1#docid=3D5791548553161416906" target=3D_blank><SPAN class=3Dyshortcuts id=
=3Dlw_1266614568_0>http://video.google.com/videoplay?docid=3D23550363238901=
6121#docid=3D5791548553161416906</SPAN></A><BR><BR><A href=3D"http://video.=
google.com/videoplay?docid=3D235503632389016121#" target=3D_blank><SPAN cla=
ss=3Dyshortcuts id=3Dlw_1266614568_1>http://video.google.com/videoplay?doci=
d=3D235503632389016121#</SPAN></A><BR><BR><A href=3D"http://www.mefeedia.co=
m/watch/28102613" target=3D_blank><SPAN class=3Dyshortcuts id=3Dlw_12666145=
68_2>http://www.mefeedia.com/watch/28102613</SPAN></A></DIV></td></tr></tab=
le><br>=0A=0A      
--0-228706490-1266615189=:79209--

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Date: Fri, 19 Feb 2010 14:13:23 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Band Spam: Uccello Project's "Symmetria" reviewed on Foxy Digitalis
To: Loopers-Delight@loopers-delight.com
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Hi loopers,=20

Steve Uccello here saying hi to you all and, hopefully not too annoyingly, =
spamming you all in regards to my record, Symmetria, getting reviewed on th=
e Foxy Digitalis web site.=A0 Though it wasn't completely to the reviewers =
taste, I was never the less very pleased by the attention to the record and=
 the 6/10 rating.=A0 So if you're curious to read it here's a link to the r=
eview:

Symmetria review on Foxy D

Next I'm planning on sending Foxy Digitalis a copy of my latest (Dec 09) re=
lease, "Clarified Birds: The Forest That Hears And The Field That Sees" -mu=
ch less 'polished' and way more ambient, trance, drone, lo-fi styled (plus =
recorded using Live Looping in the studio)
If any of you are interested to check out the bowed bass mellowness of Clar=
ified Birds, here's a link to the Sound Cloud profile, where you can downlo=
ad all the music FREE! Enjoy :) -and I gotta say, though I don't post too m=
uch, I really enjoy the LD community, a large group of top notch folks-Than=
ks! Steve Uccello

www.steveuccello.com

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi loopers, <br><br>Steve Uccello here saying=
 hi to you all and, hopefully not too annoyingly, spamming you all in regar=
ds to my record, Symmetria, getting reviewed on the Foxy Digitalis web site=
.&nbsp; Though it wasn't completely to the reviewers taste, I was never the=
 less very pleased by the attention to the record and the 6/10 rating.&nbsp=
; So if you're curious to read it here's a link to the review:<br><br><a hr=
ef=3D"http://www.foxydigitalis.com/foxyd/reviews.php?which=3D5284">Symmetri=
a review on Foxy D</a><br><br>Next I'm planning on sending Foxy Digitalis a=
 copy of my latest (Dec 09) release, "Clarified Birds: The Forest That Hear=
s And The Field That Sees" -much less 'polished' and way more ambient, tran=
ce, drone, lo-fi styled (plus recorded using Live Looping in the studio)<br=
>If any of you are interested to check out the bowed bass mellowness of Cla=
rified
 Birds, here's a link to the Sound Cloud profile, where you can download al=
l the music FREE! Enjoy :) -and I gotta say, though I don't post too much, =
I really enjoy the LD community, a large group of top notch folks-Thanks! S=
teve Uccello<br><br><a href=3D"http://steveuccello.com/">www.steveuccello.c=
om</a><br><br></td></tr></table><br>=0A=0A=0A=0A      
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From mrjames.c@btinternet.com  Fri Feb 19 22:23:05 2010
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Reply-To: <mrjamescrow@btinternet.com>
From: "JAMES CROW" <mrjames.c@btinternet.com>
Subject: My regards to you!
Date: Fri, 19 Feb 2010 13:43:52 -0000
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Hello Dear,

I`m Mr James Crow from England. With hope that this mail finds you in good health, really I came across your profile on internet magazine, which I finally gone through your profile. To me I think it will be necessary to get in touch with you for a long-lasting relationship also want to know more about your country culture. Actually, I am manager at Barclays Bank plc London, I do manage client accounts for investment also give advice to new to clients that is willing to open a new bank account with our bank.

I want you to tell me more about your country, because any moment from now I will be going for my retirement, I want to see if I can invest in your country. I want you to advice me on what business I can invest in your country. Note i am contacting you independently base on my own investigation and no one is informed of this communication. I need your urgent assistance in transferring the sum of Ten Million Great Britain Pounds (GBP 10 M) to your private account in your country. This money has been here in our Bank lying dormant for pass eight good years now without anybody coming for the claim of the fund. Note is better we use this money for a profitable investment in your country because i don't want this money to go back into the government treasury account as unclaimed fund.

The bank policy here in England does not allow such kind of deposit to stay more than 9 years, by next year 2010 the fund will be automatically be transferred into the bank treasury account as unclaimed fund. This money can be shared between us in the ratio of 50/50.

Presently am the bill and exchange manager department of Barclays Bank Plc London.  Please indicate your interest to receive the transfer of Ten Million Great Britain Pounds (GBP 10 M) Note 50% for me and 50% for you. You will stand as the next of kin to late Eng. Christian Eich, who died on a plane crash living no body behind to make claim of the said fund. Late Eng. Christian Eich, died with his entire family. Bear this at the back of your mind that this transaction has nothing to do with your professional or your personality is a secure transaction. You shall read more about the crash by visiting this website below :

http://news.bbc.co.uk/1/hi/world/europe/859479.stm

I want to remind you to send me your entire personal information list below.

Your Full Name..........................
Your Sex.................................
Your Age..................................
Your Country..............................
Your Occupation..........................
Your Personal Mobile Number.........

Once I receive your positive respond along side with the needed information’s I shall proceed on the bank database programming immediately. Hope you will be with me dear? Looking forward to have the needed information from you soon.

bye for now and take good care of yourself.

Thanks for your co-operation.
Mr. James Crow.

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 22:28:15 2010
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References: <e89a49d31002190423s27554216k9e4d459403301601@mail.gmail.com> <3CC49E50-3CEE-48B7-B3C3-31F036401C2B@btinternet.com>
Date: Fri, 19 Feb 2010 14:28:14 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Antwerp Live Looping Festival March 6, 2010
To: Loopers-Delight@loopers-delight.com
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I'm in Holland at the moment, hope to be there.

Antony Hequet
poet composer performer
www.antonyhequet.com
www.mund.fr





________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, February 19, 2010 1:35:19 PM
Subject: Re: Antwerp Live Looping Festival March 6, 2010

wow - great line up - i'd love to go but i have a back injury at the moment.  Hope i can play one day.


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 19 Feb 2010, at 12:23, Sjaak Overgaauw wrote:

Hi,
>Just a reminder, for those of you living not too far away, like The
>Netherlands, Belgium, UK, Germany and France: we have a fantastic line
>up and a beautiful theatre. Tickets are 10 euro's only and can be
>ordered online.
>
>
>Line up
>- Steve Lawson
>- Dirk Serries
>- Luis Angulo
>- N (D)
>- Signals Under Tests
>- Premonition Factory
>
>
>For detailed information, go to the website http://livelooping.be/
>
>
>Thanks and I hope to see you on March 6
>-- 
>Sjaak Overgaauw
>http://premonitionfactory.com/
>http://livelooping.be/
>
>



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">I'm in Holland at the moment, hope to be there.<br><br>Antony Hequet<br>poet composer performer<br><span><a target="_blank" href="http://www.antonyhequet.com">www.antonyhequet.com</a></span><br><span><a target="_blank" href="http://www.mund.fr">www.mund.fr</a></span><br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 14pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, February 19, 2010 1:35:19 PM<br><b><span style="font-weight:
 bold;">Subject:</span></b> Re: Antwerp Live Looping Festival March 6, 2010<br></font><br>

wow - great line up - i'd love to go but i have a back injury at the moment. &nbsp;Hope i can play one day.<div><br><div> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div>Matt Stevens</div><div><a target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com" target="_blank"
 href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"></span><br class="Apple-interchange-newline"> </div><br><div><div>On 19 Feb 2010, at 12:23, Sjaak Overgaauw wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div style="margin: 0px;">Hi,</div><div style="margin: 0px;">Just a reminder, for those of you living not too far away, like The</div><div style="margin: 0px;">Netherlands, Belgium, UK, Germany and France: we have a fantastic line</div><div style="margin: 0px;">up and a beautiful theatre. Tickets are 10 euro's only and can be</div><div style="margin: 0px;">ordered online.</div><div style="margin: 0px; min-height: 14px;"><br></div><div style="margin: 0px;">Line up</div><div style="margin: 0px;">- Steve Lawson</div><div style="margin: 0px;">- Dirk Serries</div><div style="margin: 0px;">- Luis Angulo</div><div style="margin:
 0px;">- N (D)</div><div style="margin: 0px;">- Signals Under Tests</div><div style="margin: 0px;">- Premonition Factory</div><div style="margin: 0px; min-height: 14px;"><br></div><div style="margin: 0px;"><span>For detailed information, go to the website <a target="_blank" href="http://livelooping.be/">http://livelooping.be/</a></span></div><div style="margin: 0px; min-height: 14px;"><br></div><div style="margin: 0px;">Thanks and I hope to see you on March 6</div><div style="margin: 0px;">--<span class="Apple-converted-space">&nbsp;</span></div><div style="margin: 0px;">Sjaak Overgaauw</div><div style="margin: 0px;"><span><a target="_blank" href="http://premonitionfactory.com/">http://premonitionfactory.com/</a></span></div><div style="margin: 0px;"><a rel="nofollow" target="_blank" href="http://livelooping.be">http://livelooping.be</a>/</div><div style="margin: 0px; min-height: 14px;"><br></div> </blockquote></div><br></div></div></div>
</div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 22:36:12 2010
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Subject: More EDP foot controller drama.
Date: Fri, 19 Feb 2010 17:34:25 -0500
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Does anyone know of an economical midi controller that works with the
echoplex?=20

I have not been able to find a foot controller on short notice.=20

Thanks,

Ace


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<p class=3DMsoNormal>Does anyone know of an economical midi controller =
that works
with the echoplex? <o:p></o:p></p>

<p class=3DMsoNormal>I have not been able to find a foot controller on =
short
notice. <o:p></o:p></p>

<p class=3DMsoNormal>Thanks,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 22:39:46 2010
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Subject: RE: Band Spam: Uccello Project's "Symmetria" reviewed on Foxy Digitalis
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I don't know the reviewer but he is a tasteless hack IMHO.=20

He couldn't be further from reality. 9/10 in my book.=20

"dungeons and dragons"? get a life jackass.

J

=20

From: Steve Uccello [mailto:stevebassbird@yahoo.com]=20
Sent: Friday, February 19, 2010 5:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Band Spam: Uccello Project's "Symmetria" reviewed on Foxy
Digitalis

=20

Hi loopers,=20

Steve Uccello here saying hi to you all and, hopefully not too
annoyingly, spamming you all in regards to my record, Symmetria, getting
reviewed on the Foxy Digitalis web site.  Though it wasn't completely to
the reviewers taste, I was never the less very pleased by the attention
to the record and the 6/10 rating.  So if you're curious to read it
here's a link to the review:

Symmetria review on Foxy D
<http://www.foxydigitalis.com/foxyd/reviews.php?which=3D5284>=20

Next I'm planning on sending Foxy Digitalis a copy of my latest (Dec 09)
release, "Clarified Birds: The Forest That Hears And The Field That
Sees" -much less 'polished' and way more ambient, trance, drone, lo-fi
styled (plus recorded using Live Looping in the studio)
If any of you are interested to check out the bowed bass mellowness of
Clarified Birds, here's a link to the Sound Cloud profile, where you can
download all the music FREE! Enjoy :) -and I gotta say, though I don't
post too much, I really enjoy the LD community, a large group of top
notch folks-Thanks! Steve Uccello

www.steveuccello.com <http://steveuccello.com/>=20

=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I don&#8217;t know the reviewer but he is a tasteless =
hack IMHO. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>He couldn&#8217;t be further from reality. 9/10 in my =
book. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>&#8220;dungeons and dragons&#8221;? get a life =
jackass.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:Wingdings;
color:#1F497D'>J</span><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Steve =
Uccello
[mailto:stevebassbird@yahoo.com] <br>
<b>Sent:</b> Friday, February 19, 2010 5:13 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Band Spam: Uccello Project's &quot;Symmetria&quot; =
reviewed on
Foxy Digitalis<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Hi loopers, <br>
  <br>
  Steve Uccello here saying hi to you all and, hopefully not too =
annoyingly,
  spamming you all in regards to my record, Symmetria, getting reviewed =
on the
  Foxy Digitalis web site.&nbsp; Though it wasn't completely to the =
reviewers
  taste, I was never the less very pleased by the attention to the =
record and
  the 6/10 rating.&nbsp; So if you're curious to read it here's a link =
to the
  review:<br>
  <br>
  <a =
href=3D"http://www.foxydigitalis.com/foxyd/reviews.php?which=3D5284">Symm=
etria
  review on Foxy D</a><br>
  <br>
  Next I'm planning on sending Foxy Digitalis a copy of my latest (Dec =
09)
  release, &quot;Clarified Birds: The Forest That Hears And The Field =
That
  Sees&quot; -much less 'polished' and way more ambient, trance, drone, =
lo-fi
  styled (plus recorded using Live Looping in the studio)<br>
  If any of you are interested to check out the bowed bass mellowness of
  Clarified Birds, here's a link to the Sound Cloud profile, where you =
can
  download all the music FREE! Enjoy :) -and I gotta say, though I don't =
post
  too much, I really enjoy the LD community, a large group of top notch
  folks-Thanks! Steve Uccello<br>
  <br>
  <a =
href=3D"http://steveuccello.com/">www.steveuccello.com</a><o:p></o:p></p>=

  </td>
 </tr>
</table>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Calibri","sans-serif"'><o:p>&nbsp;=
</o:p></span></p>

</div>

</body>

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From richardharry718@gmail.com  Fri Feb 19 22:59:16 2010
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Reply-To: <richardharry01@yahoo.co.jp>
From: "RICHARD HARRY"<richardharry718@gmail.com>
Subject: I am presently at JFK International Airport
Date: Sat, 20 Feb 2010 08:05:38 -0600
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To: undisclosed-recipients:;

Attention:Beneficiary, 

I am a Diplomat named Richard Harry, I am presently at JFK mandated to deliver your inheritance to you in your country of residence.

The funds total US$8.3 Million and you were made the beneficiary of these funds by a benefactor whose details will be revealed to you after handing over 
the funds to you in accordance with the Agreement I signed with the benefactor when he enlisted my assistance in delivering the funds to you.

I am presently at JFK International Airport here in the United States of America and before I can deliver the package (funds) to you, you have to
reconfirm the following information so as to ensure that I am dealing with the right person:

1. Full Name
2. Residential Address
3. Age
4. Occupation
5. Direct Telephone Numbers
6. A Copy of Your Identification

After verification of the information with what I have on file, I shall contact you so that we can make arrangements on the exact time I will be bringing your package to your residential address.

Send the requested information so that we can proceed.

Regards
Diplomat Richard Harry
JFK International Airport,New York
Tel 718 690 9783

From Loopers-Delight-request@loopers-delight.com  Fri Feb 19 23:53:32 2010
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Date: Fri, 19 Feb 2010 18:52:26 -0500
Message-ID: <44e368751002191552p71083868k2abf5a43ac6d9702@mail.gmail.com>
Subject: Re: More EDP foot controller drama.
From: james fowler <twostroke@gmail.com>
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--001517511b468dd1c0047ffcc6c7
Content-Type: text/plain; charset=ISO-8859-1

rocktron midimate.  i love mine.  very flexible, easy to program, etc.

- jim

--001517511b468dd1c0047ffcc6c7
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rocktron midimate.=A0 i love mine.=A0 very flexible, easy to program, etc.<=
br><br>- jim<br>

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From kaitlyn_morgal@mynet.com  Sat Feb 20 00:16:20 2010
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Subject: INTERNATIONAL SUMMIT INVITATION!!!
From: "Ms Kaitlyn Morgan" <kaitlyn_morgal@mynet.com>
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INTERNATIONAL SUMMIT INVITATION!!!

Dear Friend / Colleagues

On behalf of the 2ND CAHT 2010 Summit Organizing Committee, I am
privileged indeed to extend a warm invitation to you to participate in the
2ND Summit on Child Abuse & Human Trafficking (2ND CAHT 2010) to be held
in New York, United States of America and Senegal from April 26th – 29 and
May 3rd – 6th 2010.

The summit will bring together professionals and researchers to unravel
different aspects of the theme “Child Abuse and human trafficking: Looking
Through the Lens of Prevention’ in recognition of the need to focus
attention on the creation of holistic approaches that engage children and
families, communities, professionals, business and governments in
preventing child abuse and human trafficking” The Conference will also
provide an opportunity for the delegates to network and share ideas.

Your participation at this summit will contribute to the fulfillment of
this need and to achieving your Section Strategic Plan Objectives, and is
therefore greatly appreciated.

In order to facilitate your logistical and administrative preparations,
please contact the secretariat for more information. Below you will find
the contact E-mail address of the secretariat. E-mail: caht2010@mynet.com

We look forward to welcoming you to the CAHT 2010 summit, and to what will
prove to be an unforgettable event.

Yours sincerely

Ms Kaitlyn Morgan
 kaitlyn_morgal@mynet.com

From remittance_ubanigplc@live.com  Sat Feb 20 01:07:43 2010
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From: "United Bank For Africa"<remittance_ubanigplc@live.com>
Subject: Re:Your Payment Via Certified Inter.Bank Draft
Date: Tue, 20 Feb 2001 00:25:08 -0800
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United Bank For Africa
Head Office Address 
UBA House 
57, Marina 
Lagos,Nigeria



                   RE:YOUR PAYMENT VIA CERTIFIED INTER.BANK DRAFT

This is to notify you about the out come of our meeting with The President, Finance 
Minister, The Senators, House of Representatives and The Central Bank Governor and we came to a conclusion that we have to pay you the sum of $10.5 M. The payment will be made via  CERTIFIED INTER.BANK DRAFT, therefore send your name address and telephone number,your age and occupation.Urgent response is needed.

Best Regards,

Mr Tony Elumelu
United Bank For Africa

From billjohnson101@ymail.com  Sat Feb 20 03:46:42 2010
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From: "BILL JOHNSON"<billjohnson101@ymail.com>
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From: Mr. Bill Johnson

Dear Friend,

My name is Mr. Bill Johnson I am the regional manager of Standard chartered bank of Ghana Osu branch in the greater Accra region of Ghana. I got your information when I was searching for an oversea partner among other names. I write you this proposal in good faith; I am 56 years old married with two lovely kids. I am a devoted Christian and a man of peace.

I have packaged a financial transaction that will benefit you and me, as the regional manager of the Standard chartered bank it is my duty to send in a financial report to my head office in the capital city Accra at the end of each business year. On the course of the last year 2009 business report, I discovered that my branch in which I am the manager made four million two hundred thousand united state dollars (4.2m)USD which my head office are not aware of and will never be aware of. I have placed this funds on what we call escrow call account with no beneficiary.

As an officer of this bank I cannot be directly connected to this money, so my aim of contacting you is to assist me receive this money in your bank account and get 50% of the total funds as commission.

There are practically no risks involved, it will be a bank-to-bank transfer, and all I need from you is to stand as the original depositor of these funds who made the deposit with my branch so that my head office can order the transfer to your designated bank account.
If you accept to work with me I will appreciate it very much. Email me with the email address billjohnson101@live.com so that we can go over the details and I will give you my full information. Remember there is no risk involved I promise.

Thank you in advance and May God bless you and your family.
 
I await your positive response towards my message.
 
Yours Sincerely,

Mr. Bill Johnson.

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 04:11:11 2010
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Subject: Slightly OT: Behrington UB802 question
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0015174920c8882ee00480006392
Content-Type: text/plain; charset=ISO-8859-1

Tonight suddenly my Behringer UB802 mixer ceases to get power.  From all
rights the input power is good and yes have tried separate jacks.  The
supply feels warm so seems power is coming in.  The connector to the back of
the mixer, does anyone know if there are protruding pins coming out beyond
what appears to be a single pole and sleeve.  Wondering if I bent something
though it was working last eveninig.  It does not look like bent pins but
additionally does not seat in the female socket solidly.  This mixer is now
5 years old so I guess it's possible it has expired.  Input appreciated so
to speak.

Thanks.

Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174920c8882ee00480006392
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Tonight suddenly my Behringer UB802 mixer ceases to get power.=A0 From all =
rights the input power is good and yes have tried separate jacks.=A0 The su=
pply feels warm so seems power is coming in.=A0 The connector to the back o=
f the mixer, does anyone know if there are protruding pins coming out beyon=
d what appears to be a single pole and sleeve.=A0 Wondering if I bent somet=
hing though it was working last eveninig.=A0 It does not look like bent pin=
s but additionally does not seat in the female socket solidly.=A0 This mixe=
r is now 5 years old so I guess it&#39;s possible it has expired.=A0 Input =
appreciated so to speak.<br clear=3D"all">
<br>Thanks.<br><br>Jim<br>-- <br>ReUse, an introspective textural aural<br>=
<a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><=
br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodi=
nmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015174920c8882ee00480006392--

From info@yahoo.com  Sat Feb 20 05:10:27 2010
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Reply-To: <asiapacific005@yahoo.com.hk>
From: "Asia Pacific Int'l Lottery Organization"<info@yahoo.com>
Subject: CONGRATULATIONS!!!                         
Date: Sat, 20 Feb 2010 12:05:06 -0800
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To: undisclosed-recipients:;

 ASIA PACIFIC LOTTERY  AWARD WINNING NOTIFICATION   

                                                      
CONGRATULATIONS !!! DEAR LUCKY WINNER

This is to inform you of the release of the ASIA PACIFIC INTERNATIONAL LOTTERY PROMOTION PRIZE DRAW.

Your email Address attached to ticket number 085-12876077-09 with serial number 51390-0 that drew the lucky numbers of 03-06-08-10-12-16-27, which consequently won the lottery and Qualified you among Twenty five international Winners in the 5th category. You have therefore been approved for a lump sum pay of US$ 1,000, 000.00 (ONE MILLION UNITED STATE DOLLARS ONLY), in cash credited to file with REF: N.EGS/3662367114/13. 
 
The Lucky Numbers. 
03-06-08-10-12-16-27


 CONGRATULATIONS!!!
 
All 25 winning email addresses were selected randomly from the World Wide Website through a computer draw system and extracted from over 50,000 email addresses & official addresses, that are listed online from Asia, Australia, New Zealand, Europe, North and South America, Middle East and Africa, as part of our International Promotion Programme. This promotion takes place yearly.

 
This Lottery was promoted and sponsored by a conglomerate of some multinational companies as part of their social responsibility to the citizens in the communities where they have operational base. 

Please note that your lucky winning number falls within our South east asia regional representative Bangkok Thailand as indicated in your play coupon. In view of this, your US$ 1,000,000.00 would be released to you through our payment office in Bangkok Thailand.
 
To begin your prize claim, You are advised to contact our  co-ordinator in charge below as follows, for further instructions and directives on how to receive your cash prize.


Name: Rev. Kane Iva  
Asia Pacific Lottery Organization
Soi Nui Klong Toei klm 15 wattana Bangkok Thailand10200
Email : asia_pacificlottery2010@yahoo.com.hk
Tal :+(66)870834834

 
Provide him the informations below:
1. Name:
2. Address:
3. Marital Status:
4. Occupation:
5. Age:
6. Sex:
7. Nationality:
8. Country Of Residence:
9. Telephone Number:
10. Fax Number:
11. Draw Number above:
 
In order to avoid unnecessary delays and complications, please remember to quote your reference  numbers in all correspondences with us, Furthermore, should there be any change of address, please do inform our Co-ordinator as soon as possible.


 Note that all winners prize fund is being insured in such a manner to avoid misappropriation.  For security reasons, you are advised to keep your winning information confidential till your claims is processed and your prize remitted to you. This is part of our precautionary measure to avoid double claiming and unwarranted abuse of this program. Please be warned.

Remember, all prize money must be claimed within 20 days to the date of notification. Any claim not made by this date will be returned to HER MAJESTYS DEPARTMENT OF THE TREASURY. 
 
CONGRATULATIONS !!! Once again from all members of staff of the ASIA PACIFIC INTERNATIONAL LOTTERY ORGANIZATION and thank you for being a part of our International Promotion program.
 
We wish you continued good fortunes.
Announcer !!!
Dr Helen Chew loon
President 
Asia Pacific Lottery Organization.



Yours sincerly
Chinawat Pinn
Vice President
Asia Pacific Lottery Organization

                                Asia Pacific Int'l Lottery Organization 
               All Right Reserved Terms of Service - Guideline 
                                 
                                      776353 476328 258426

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 06:34:39 2010
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Date: Fri, 19 Feb 2010 22:34:24 -0800
From: Rick Walker <looppool@cruzio.com>
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Great Current Resource for Digital Mixing
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I teach a lot of digital music production students
and just this past week I discovered that the
latest special edition (on the stands, currently) of
the UK magaizine,  Computer Music is just a fantastic resource for anyone
who wants to learn more about  how to create sophisticated mixes
on a computer.

*COMPUTER MUSIC (UK)
CM Special 39: Fix Your Mix!*
with 38 step-by-step mixing techniques

This is a wonderful single resource and even though I've been producing
for 30 years  I learned several things by reading it.

I just thought peeps might want to know.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 06:44:04 2010
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http://www.wimp.com/carrotclarinet/

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 07:27:08 2010
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Tasty playing indeed!



> Date: Fri=2C 19 Feb 2010 22:43:50 -0800
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Live Looping Carrot Clarinet
>=20
> http://www.wimp.com/carrotclarinet/
>=20
 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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</head>
<body class=3D'hmmessage'>
Tasty playing indeed!<br><br><br><br>&gt=3B Date: Fri=2C 19 Feb 2010 22:43:=
50 -0800<br>&gt=3B From: looppool@cruzio.com<br>&gt=3B To: Loopers-Delight@=
loopers-delight.com<br>&gt=3B Subject: Live Looping Carrot Clarinet<br>&gt=
=3B <br>&gt=3B http://www.wimp.com/carrotclarinet/<br>&gt=3B <br> 		 	   		=
  <br /><hr />We want to hear all your funny=2C exciting and crazy Hotmail =
stories. <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' targe=
t=3D'_new'>Tell us now</a></body>
</html>=

--_44a7eff5-adba-46e2-86f9-0fb30d3ec796_--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 07:48:41 2010
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Subject: Re: Live Looping Carrot Clarinet
Date: Fri, 19 Feb 2010 23:29:53 -0800
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too funny. i went to chamber music camp when i was a teenager, and we  
participated in the zucchini festival in keene, NH. made all kinds of  
instruments out of zucchini.

On Feb 19, 2010, at 10:43 PM, Rick Walker wrote:

> http://www.wimp.com/carrotclarinet/
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 11:16:07 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: More EDP foot controller drama.
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The Behringer fcb1010 works great with the EDP.
Actually, for the price it's better than the FC7 for edp,
and more reliable.
Some people have found they stop working after 2-3 years.

The Gordius Little Giant is "economical" in the sense of
"features/$" when used with EDP... but costs about 3x
That really opens up some possibilities ( demos on the way).



andy



Ace Ovil wrote:
> Does anyone know of an economical midi controller that works with the 
> echoplex?
> 
> I have not been able to find a foot controller on short notice.
> 
> Thanks,
> 
> Ace
> 

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wow really? does it send note on/off and can you control all of the other m=
idi functions? i always thogut the rocktron only sent simple program change=
s!=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- james fowler <twost=
roke@gmail.com> schrieb am Fr, 19.2.2010:=0A=0A> Von: james fowler <twostro=
ke@gmail.com>=0A> Betreff: Re: More EDP foot controller drama.=0A> An: Loop=
ers-Delight@loopers-delight.com=0A> Datum: Freitag, 19. Februar, 2010 15:52=
 Uhr=0A> rocktron midimate.=A0 i love mine.=A0 very=0A> flexible, easy to p=
rogram, etc.=0A> =0A> - jim=0A> =0A> =0A=0A________________________________=
__________________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=
=FCgt =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.=
yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 12:00:00 2010
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Date: Sat, 20 Feb 2010 06:59:45 -0500
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I thought some here may enjoy this.

Cheers,

Bill

-------- Original Message --------

Hey folks. Here's the link to my most intensive and outlandish 
undertaking to date - my first-ever podcast show that is equal parts 
information and parody. I created it, wrote the dialogue, performed the 
vocal characterizations and recorded/edited it. It began as an absurd 
lark, fueled by a theoretical dare in the heat of a highly jovial 
discussion.


http://haydenhochs.podbean.com/


It's called Vortextures, with charming genial host Hayden Hochs. The 
object was to somehow make ambient music a truly entertaining topic, 
with special focus on the equipment involved and prominent contributors 
to the genre. The task was considered to be both futile and unthinkable. 
If not a bit Quixotic. Despite the seemingly insurmountable odds, I 
pushed forward and polished that turd. The results, what some might call 
the 'first season' with 6 glorious episodes, is now preserved for 
posterity and finally available in its entirety at the website provided 
above. Got the first inaugural episode uploaded now, with the remaining 
5 to be uploaded momentarily. Enjoy. But not too much, mind you. Before 
you know it, you'll be overdosing on it and developing an effective 
tolerance. But by then, it'll be too late because the psychological 
damage will have already been permanent and irreversible.

Again...enjoy.



Rus Foster
(aka Hayden Hochs, etc.)

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 12:02:03 2010
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Subject: Galactic Travels Playlist #672 for February 18, 2009.
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http://wdiy.org/programs/gt/playlists/2010/100218.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #672                February 18, 2010.

RECAP:
On this show, I continued the month-long focus on E=motion.  The
Featured CD at Midnight was Hypnotic Sequences on Underwater Music.

E=motion: http://wdiy.org/programs/gt/playlists/2010/focus.html#feb


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Nemesis              Kopernikus           Gigaherz (Origo Sound)
Nemesis              Gigaherz             Gigaherz (Origo Sound)
Remy                 Into the Dreaam      Exhibition of Dreams (AKH)
Redshift             Redshift 08          RW Three (A Distant Sun)
Interconnected       Deepestsespeed       CurrentFlow (VU-US)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Between Interval     The Great Void       The Edge of a Fairytale
                                            (Spotted Peccary)
E=motion             Electronic Delight   Hypnotic Sequences(Underwater)
E=motion             Sea Explorer         Hypnotic Sequences(Underwater)
E=motion             Mind Accelerator     Hypnotic Sequences(Underwater)
E=motion             Escaping to          Hypnotic Sequences(Underwater)
                       Tranquility
E=motion             Mysterious Voices    Hypnotic Sequences(Underwater)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
E=motion.  The Featured CD at Midnight will be E-termity on Underwater
Music.  Steve Dinsdale of Radio Massacre International will make a
special appearance on Galactic Travels.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From daniel@gastromedia.ro  Sat Feb 20 12:29:19 2010
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From: e-lot promo award <daniel@gastromedia.ro>
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ATTENTION TO THE OWNER OF THIS EMAIL ADDRESS

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Date: Sat, 20 Feb 2010 13:48:34 +0100
Message-ID: <66f9cc1e1002200448y3303a51dhac501b518315b6d4@mail.gmail.com>
Subject: Re: Slightly OT: Behrington UB802 question
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Jim, five years is already a very long life time for a Behringer
product. My own Behringer mixer lost one output after the first month.
If it didn't sound like crap I would give it to someone ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Feb 20, 2010 at 5:11 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Tonight suddenly my Behringer UB802 mixer ceases to get power.=C2=A0 From=
 all
> rights the input power is good and yes have tried separate jacks.=C2=A0 T=
he
> supply feels warm so seems power is coming in.=C2=A0 The connector to the=
 back of
> the mixer, does anyone know if there are protruding pins coming out beyon=
d
> what appears to be a single pole and sleeve.=C2=A0 Wondering if I bent so=
mething
> though it was working last eveninig.=C2=A0 It does not look like bent pin=
s but
> additionally does not seat in the female socket solidly.=C2=A0 This mixer=
 is now
> 5 years old so I guess it's possible it has expired.=C2=A0 Input apprecia=
ted so
> to speak.
>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 13:42:43 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: neat 'noise' setup
References: <9e0440a61002191208y3246a17ejd83bbca2ecb3fecd@mail.gmail.com>
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Interesting! - thanks for the link / post.<br>
<br>
Jim Goodin wrote:
<blockquote
 cite="mid:9e0440a61002191208y3246a17ejd83bbca2ecb3fecd@mail.gmail.com"
 type="cite">This guy posted this on the ImprovFriday gathering.&nbsp;
Really love his setup, sort of looping but more noise floor.&nbsp; <a
 moz-do-not-send="true" href="http://vimeo.com/9560214">http://vimeo.com/9560214</a><br>
  <br>
Btw if you don't know&nbsp; about the ImprovFriday community highly
recommend. <a moz-do-not-send="true"
 href="http://improvfriday.ning.com">http://improvfriday.ning.com</a><br>
  <br>
Jim<br clear="all">
  <br>
-- <br>
ReUse, an introspective textural aural<br>
  <a moz-do-not-send="true" href="http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br>
  <br>
music links...<br>
  <a moz-do-not-send="true" href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
  <a moz-do-not-send="true" href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
  <a moz-do-not-send="true" href="http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmusic</a><br>
  <a moz-do-not-send="true"
 href="http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapaintingmusic</a><br>
  <a moz-do-not-send="true"
 href="http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
  <a moz-do-not-send="true" href="http://www.myspace.com/jindream">www.myspace.com/jindream</a><br>
  <a moz-do-not-send="true" href="http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmusic</a><br>
  <br>
video work/editing...<br>
  <a moz-do-not-send="true" href="http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
  <br>
social networking...<br>
  <a moz-do-not-send="true" href="http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic</a><br>
  <br>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 13:50:59 2010
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Date: Sat, 20 Feb 2010 08:50:52 -0500
From: Bill Fox <billyfox@soundscapes.us>
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To: Cityskies Yahoogroups Mailing List <cityskies@yahoogroups.com>,
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CC: Howard Moscovitz <h@mosc.com>
Subject: Chez Mosc
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Greetings EM Fans,

This is to announce a new weekly webcast called Chez Mosc.  Each 
Saturday at 6:00 pm EST (GMT-5), Howard Moscovitz and I will stream a 
live, improvised concert from Howard's living room.  (Hence the title of 
the broadcast.)  Tonight will be the third installment and I hope that 
you'll "tune in" despite the irreparable brain damage it may cause 
you.    ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are living in or near the Lehigh Valley or plan to be 
passing through the area, please let me (or Howard) know if you'd care 
to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 13:54:22 2010
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Greetings EM Fans,

This is to announce a new weekly webcast called Chez Mosc.  Each 
Saturday at 6:00 pm EST (GMT-5), Howard Moscovitz and I will stream a 
live, improvised concert from Howard's living room.  (Hence the title of 
the broadcast.)  Tonight will be the third installment and I hope that 
you'll "tune in" despite the irreparable brain damage it may cause 
you.    ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are living in or near the Lehigh Valley or plan to be 
passing through the area, please let me (or Howard) know if you'd care 
to join us for a broadcast.

From cultura@ivoti.rs.gov.br  Sat Feb 20 14:12:30 2010
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From: "Mr. Alexis Simon" <cultura@ivoti.rs.gov.br>
Subject: Hello!
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<div id="_htmlarea_default_style_" style="font:10pt arial,helvetica,sans-serif"><BR>-- <BR><STRONG>Dear Friend,<BR>My name is Mr. Alexis Simon I am
merchant of Omani nationality.I have been diagnosed with Esophageal cancer .It has defiled all forms of medical treatment, and right now I have only
about a few months to live, according to medical experts.I have not particularly lived my life so well, as I never really cared for anyone(not even
myself)but my business. Though I am very rich, I was never generous, I was always hostile to people and only focused on my business as that was the
only thing I cared for. But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the
world.<BR> <BR>I believe when God gives me a second chance to come to this world I would live my life a different way from how I have lived it. Now
that God has called me, I have willed and given most of my property and assets to my immediate and extended family members as well as a few close
friends.I want God to be merciful to me and accept my soul so, I have decided to give alms to charity organizations, as I want this to be one of the
last good deeds I do on earth. So far, I have distributed money to some charity organizations in the Oman,Algeria and Malaysia. Now that my health has
deteriorated so badly, I cannot do this myself anymore. I once asked members of my family to close one of my accounts and distribute the money which I
have there to charity organization in Bulgaria and Pakistan, they refused and kept the money to themselves. Hence, I do not trust them anymore,the
Bible made us to understand that Blessed is the hand that giveth and  as they seem not to be contended with what I have left for them. <BR> <BR>The
last of my money which no one knows of is the huge cash deposit of eighteen million dollars 18,000,000.000 that I have with a finance/Security Company
abroad. I will want you to help me collect this deposit and dispatch it to charity organizations. I took this decision because I don't have any child
that will inherit this money and my  relatives and my late wife relatives are not Christians and I don't want my  hard earned money to be misused by
unbelievers . I lost my late wife 3years ago and we were married for eleven years without a child she died after a brief illness that lasted for only
four days.<BR> <BR> Before his death we were both born again Christians. As soon as I receive your reply I shall give you the contact of the
Finance/Security Company Europe. I will also issue you a letter of authority that will empower you as the original- beneficiary of this fund. I will
want you to email me via my private email :mr.alexis55555@yahoo.com.hk<BR> <BR>I have set aside 20% for you and for your time.<BR>God be with
you.<BR>Mr. Alexis Simon<BR></STRONG></div>
<pre>

Prefeitura Municipal Ivoti

Av. Presidente Lucena, 3527

Fone: 3563-8800

Fax: 3563-1111

www.ivoti.rs.gov.br</pre>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 14:39:16 2010
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	 <15328.99936.qm@web29020.mail.ird.yahoo.com>
Date: Sat, 20 Feb 2010 09:39:04 -0500
Message-ID: <44e368751002200639u6a5230abw75a5c7a3382e3833@mail.gmail.com>
Subject: Re: More EDP foot controller drama.
From: james fowler <twostroke@gmail.com>
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no note info, but it does program change, control change and
continuous controller messages. it can send any combination of these
on multiple channels...up to six per preset, I think. has three
different modes depending on how your rig is configured and you can
have five "permanent" buttons which works well for basic looper
control. plus one expression pedal jack. built like a tank and dirt
cheap on ebay. other pedals offer more but I've never felt like I need
more control than this offers.

- jim

On Saturday, February 20, 2010, L.Angulo <labaloops@yahoo.com> wrote:
> wow really? does it send note on/off and can you control all of the other=
 midi functions? i always thogut the rocktron only sent simple program chan=
ges!
> cheers
> www.myspace.com/luisangulocom
>
>
> --- james fowler <twostroke@gmail.com> schrieb am Fr, 19.2.2010:
>
>> Von: james fowler <twostroke@gmail.com>
>> Betreff: Re: More EDP foot controller drama.
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Freitag, 19. Februar, 2010 15:52 Uhr
>> rocktron midimate.=A0 i love mine.=A0 very
>> flexible, easy to program, etc.
>>
>> - jim
>>
>>
>
>

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	 <66f9cc1e1002200448y3303a51dhac501b518315b6d4@mail.gmail.com>
Date: Sat, 20 Feb 2010 10:05:16 -0500
Message-ID: <9e0440a61002200705i646451aem67a92e16fb4dafce@mail.gmail.com>
Subject: Re: Slightly OT: Behrington UB802 question
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Per thanks yeah it's held up well which is why I don't think they are so bad
and it was a mystery but maybe as you say in a sense 'not built to last'.
I've heard similar re their sound which I know is not pristine but I've
always thought for the cash that they were pretty decent.  I'm sure spend a
bit more for a Mackie and they are probably better I've just been usually on
a budget hence the Behringer.

Best

Jim

On Sat, Feb 20, 2010 at 7:48 AM, Per Boysen <perboysen@gmail.com> wrote:

> Jim, five years is already a very long life time for a Behringer
> product. My own Behringer mixer lost one output after the first month.
> If it didn't sound like crap I would give it to someone ;-))
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sat, Feb 20, 2010 at 5:11 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > Tonight suddenly my Behringer UB802 mixer ceases to get power.  From all
> > rights the input power is good and yes have tried separate jacks.  The
> > supply feels warm so seems power is coming in.  The connector to the back
> of
> > the mixer, does anyone know if there are protruding pins coming out
> beyond
> > what appears to be a single pole and sleeve.  Wondering if I bent
> something
> > though it was working last eveninig.  It does not look like bent pins but
> > additionally does not seat in the female socket solidly.  This mixer is
> now
> > 5 years old so I guess it's possible it has expired.  Input appreciated
> so
> > to speak.
> >
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Per thanks yeah it&#39;s held up well which is why I don&#39;t think they a=
re so bad and it was a mystery but maybe as you say in a sense &#39;not bui=
lt to last&#39;.=A0 I&#39;ve heard similar re their sound which I know is n=
ot pristine but I&#39;ve always thought for the cash that they were pretty =
decent.=A0 I&#39;m sure spend a bit more for a Mackie and they are probably=
 better I&#39;ve just been usually on a budget hence the Behringer.<br>
<br>Best<br><br>Jim<br><br><div class=3D"gmail_quote">On Sat, Feb 20, 2010 =
at 7:48 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gm=
ail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;">
Jim, five years is already a very long life time for a Behringer<br>
product. My own Behringer mixer lost one output after the first month.<br>
If it didn&#39;t sound like crap I would give it to someone ;-))<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Sat, Feb 20, 2010 at 5:11 AM, Jim Goodin &lt;<a href=3D"mailto:jimgoodin=
music@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>
&gt; Tonight suddenly my Behringer UB802 mixer ceases to get power.=A0 From=
 all<br>
&gt; rights the input power is good and yes have tried separate jacks.=A0 T=
he<br>
&gt; supply feels warm so seems power is coming in.=A0 The connector to the=
 back of<br>
&gt; the mixer, does anyone know if there are protruding pins coming out be=
yond<br>
&gt; what appears to be a single pole and sleeve.=A0 Wondering if I bent so=
mething<br>
&gt; though it was working last eveninig.=A0 It does not look like bent pin=
s but<br>
&gt; additionally does not seat in the female socket solidly.=A0 This mixer=
 is now<br>
&gt; 5 years old so I guess it&#39;s possible it has expired.=A0 Input appr=
eciated so<br>
&gt; to speak.<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

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Date: Sat, 20 Feb 2010 18:08:03 +0200
Message-ID: <c70841111002200808l2451151ck5ccef284d422183d@mail.gmail.com>
Subject: Re: ncline/et al...looping
From: Petri Lahtinen <aikuinen@gmail.com>
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Interested about that article on Terje Rypdal, can you remember where you
found it??

2010/2/19 scott hansen <evanpeewee@yahoo.com>

> yes, i do believe that n cline said in one of his GP interviews from the
> last few yrs that a lot of times he leaves the eh16ddl on and then will
> "turn up the volume/level"(?) and run loops that way. i know i have the
> article saved in my archives somewhere (his interview is one of the few from
> GP of the last few yrs i've kept)...i also believe that in an interview
> (maybe it was also from GP?) e aarset said that w/ his boss dd-something
> pedal, he has it on the longest delay setting (i'm thinking it was 2 sec-i
> don't think it was the dd7) but keeps the level down to zero, then will
> randomly  turn it up to 100% and it creates interesting noise from all the
> playing....i did play w/ that quite a bit awhile back(never recorded
> anything) and it is a different approach to my normal mentality of playing
> (damn them pros-always changing the paradigm for me)...also in the last week
> i think i was reading some older (few yrs ago) short blip on terje rydpal
> (i'm spelling it wrong i know!!) and it said his he used an old boss delay
> pedal (i'm thinking it was like a dd2-who can keep track of those #s?) & and
> old zoom 508 delay-that floored me. i hadn't heard one of those mentioned
> forever!!!!
> oh well, happy looping....
> s----
>
>
>
> http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906
>
> http://video.google.com/videoplay?docid=235503632389016121#
>
> http://www.mefeedia.com/watch/28102613
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen

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Interested about that article on Terje Rypdal, can you remember where you f=
ound it??<br><br><div class=3D"gmail_quote">2010/2/19 scott hansen <span di=
r=3D"ltr">&lt;<a href=3D"mailto:evanpeewee@yahoo.com">evanpeewee@yahoo.com<=
/a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><table border=3D"=
0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font: inheri=
t;" valign=3D"top">
<div>yes, i do believe that n cline said in one of his GP interviews from t=
he last few yrs that a lot of times he leaves the eh16ddl on and then will =
&quot;turn up the volume/level&quot;(?) and run loops that way. i know i ha=
ve the article saved in my archives somewhere (his interview is one of the =
few from GP of the last few yrs i&#39;ve kept)...i also believe that in an =
interview (maybe it was also from GP?) e aarset said that w/ his boss dd-so=
mething pedal, he has it on the longest delay setting (i&#39;m thinking it =
was 2 sec-i don&#39;t think it was the dd7) but keeps the level down to zer=
o, then will randomly=A0 turn it up to 100% and it creates interesting nois=
e from all the playing....i did play w/ that=A0quite a bit awhile back(neve=
r recorded anything) and it is a different approach to my normal mentality =
of playing (damn them pros-always changing the paradigm for
 me)...also in the last week i think i was reading some older (few yrs ago)=
 short blip on terje rydpal (i&#39;m spelling it wrong i know!!) and it sai=
d his he used an old boss delay pedal (i&#39;m thinking it was like a dd2-w=
ho can keep track of those #s?) &amp; and old zoom 508 delay-that floored m=
e. i hadn&#39;t heard one of those mentioned forever!!!!</div>

<div>oh well, happy looping....</div>
<div>s----</div>
<div>=A0</div>
<div>=A0</div>
<div><a href=3D"http://video.google.com/videoplay?docid=3D23550363238901612=
1#docid=3D5791548553161416906" target=3D"_blank"><span>http://video.google.=
com/videoplay?docid=3D235503632389016121#docid=3D5791548553161416906</span>=
</a><br>
<br><a href=3D"http://video.google.com/videoplay?docid=3D235503632389016121=
#" target=3D"_blank"><span>http://video.google.com/videoplay?docid=3D235503=
632389016121#</span></a><br><br><a href=3D"http://www.mefeedia.com/watch/28=
102613" target=3D"_blank"><span>http://www.mefeedia.com/watch/28102613</spa=
n></a></div>
</td></tr></tbody></table><br>

      </blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br=
><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><=
br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blog=
spot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><br><br>

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Date: Sat, 20 Feb 2010 11:13:34 -0500
Message-ID: <9ea2f30b1002200813x2584325cw3461e9137acc490e@mail.gmail.com>
Subject: Re: Live Looping Carrot Clarinet
From: Todd Matthews <gtmatthews@gmail.com>
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So awesome. Great music making. He should write a Beta Carotene Concerto.




On Sat, Feb 20, 2010 at 1:43 AM, Rick Walker <looppool@cruzio.com> wrote:

> http://www.wimp.com/carrotclarinet/
>
>

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So awesome. Great music making. He should write a Beta Carotene Concerto. =
=A0 =A0 =A0<div><br></div><div><br><br><div class=3D"gmail_quote">On Sat, F=
eb 20, 2010 at 1:43 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto=
:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><a href=3D"http://www.wimp.com/carrotclarin=
et/" target=3D"_blank">http://www.wimp.com/carrotclarinet/</a><br>
<br>
</blockquote></div><br></div>

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Subject: Re: Live Looping Carrot Clarinet
Date: Sat, 20 Feb 2010 08:19:14 -0800
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Loved it.

I had to go grab my wife (a former clarinetist) and bring her in to  
watch it.

Thanks for sharing that Zoe.

Ted


On Feb 19, 2010, at 11:29 PM, Zoe Keating wrote:

> too funny. i went to chamber music camp when i was a teenager, and  
> we participated in the zucchini festival in keene, NH. made all  
> kinds of instruments out of zucchini.
>
> On Feb 19, 2010, at 10:43 PM, Rick Walker wrote:
>
>> http://www.wimp.com/carrotclarinet/
>>
>

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Subject: Re: ncline/et al...looping
Date: Sat, 20 Feb 2010 08:21:38 -0800
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As an acquaintance of Nels and having seen him play many, many times  
at very close range I can confirm this as ONE of his techniques.

On Feb 19, 2010, at 1:33 PM, scott hansen wrote:

> yes, i do believe that n cline said in one of his GP interviews from  
> the last few yrs that a lot of times he leaves the eh16ddl on and  
> then will "turn up the volume/level"(?) and run loops that way. i  
> know i have the article saved in my archives somewhere (his  
> interview is one of the few from GP of the last few yrs i've kept

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From: JT Platt <jtpsavage25@yahoo.com>
Subject: All help is appreciated: I found looper's delight by...
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--0-264758909-1266683407=:82057
Content-Type: text/plain; charset=iso-8859-1
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...googling "choosing a loop machine". I just began researching loop machin=
es last night so I have no idea what to look for. I came across the followi=
ng archive which helped me learn the lingo and give me a starting base:

""Hello there!=A0 This is my first posting, though I've long been a=0Afrequ=
ent visitor to Looper's Delight.=A0 I'm interested in purchasing a=0Alooper=
, as I'm a guitarist looking to build soundscapes via volume=0Aswells, ster=
eo panning, etc.=A0 I'm looking to spend around $600.=A0=0AI'd=A0like a dev=
ice that=A0allows for=A0the following:=0A=A0=0A1-STEREO loops.=A0 This is c=
rucial.=A0 I'm not remotely interested in a machine that plays back loops i=
n mono=0A2-Reverse capability.=A0 Though not essential, I'd like a device t=
hat allows for loops to be played in reverse.=0A3-Loop time.=A0 This is mor=
e of a query than anything else.=A0 I see=0Asome machines that seem to have=
 good qualities, yet only 15-30 seconds=0Aof time per loop.=A0 On the surfa=
ce, this seems a bit short.=A0 Is there=0Aanything on the market that allow=
s for more time without much=0Adegradation in the original signal?=0A4-Abil=
ity to save loops.=A0 =0A=A0=0AA friend has the DigiTech JamMan, which has =
many of the features=0AI'm interested in, with one major drawback: no stere=
o loops!=A0 With=0Athese thoughts in mind (which are admittedly a bit clutt=
ered), what=0Adevices would you recommend?=A0 Many many thanks in advance, =
fellow=0Aloopers!!=0A=A0=0ABill""
How do I choose a loop machine?

1. I am looking for quality sound which I'm guessing is STEREO.
2. I do not NEED reverse.
3. I'm not sure what loop time would be desirable. Any suggestions?
4. I am DEFINITELY looking to save loops.

Since this is something new to me, I want to spend just enough to be happy.=
 I don't want to be overwhelmed with complication, but on the other hand, I=
 don't want to be disappointed in the quality.

All help is appreciated~

Take care and God bless,
=0A
=0AJT=0A=0A=0A      
--0-264758909-1266683407=:82057
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div>...googling "choosing a loop machine". I=
 just began researching loop machines last night so I have no idea what to =
look for. I came across the following archive which helped me learn the lin=
go and give me a starting base:<br><br>""Hello there!&nbsp; This is my firs=
t posting, though I've long been a=0Afrequent visitor to Looper's Delight.&=
nbsp; I'm interested in purchasing a=0Alooper, as I'm a guitarist looking t=
o build soundscapes via volume=0Aswells, stereo panning, etc.&nbsp; I'm loo=
king to spend around $600.&nbsp;=0AI'd&nbsp;like a device that&nbsp;allows =
for&nbsp;the following:</div>=0A<div>&nbsp;</div>=0A<div>1-STEREO loops.&nb=
sp; This is crucial.&nbsp; I'm not remotely interested in a machine that pl=
ays back loops in mono</div>=0A<div>2-Reverse capability.&nbsp; Though not =
essential, I'd like a device that allows for loops to be played in reverse.=
</div>=0A<div>3-Loop time.&nbsp; This is more of a query than anything else=
.&nbsp; I see=0Asome machines that seem to have good qualities, yet only 15=
-30 seconds=0Aof time per loop.&nbsp; On the surface, this seems a bit shor=
t.&nbsp; Is there=0Aanything on the market that allows for more time withou=
t much=0Adegradation in the original signal?</div>=0A<div>4-Ability to save=
 loops.&nbsp; </div>=0A<div>&nbsp;</div>=0A<div>A friend has the DigiTech J=
amMan, which has many of the features=0AI'm interested in, with one major d=
rawback: no stereo loops!&nbsp; With=0Athese thoughts in mind (which are ad=
mittedly a bit cluttered), what=0Adevices would you recommend?&nbsp; Many m=
any thanks in advance, fellow=0Aloopers!!</div>=0A<div>&nbsp;</div>=0A<div>=
Bill""</div><br>How do I choose a loop machine?<br><br>1. I am looking for =
quality sound which I'm guessing is STEREO.<br>2. I do not NEED reverse.<br=
>3. I'm not sure what loop time would be desirable. Any suggestions?<br>4. =
I am DEFINITELY looking to save loops.<br><br>Since this is something new t=
o me, I want to spend just enough to be happy. I don't want to be overwhelm=
ed with complication, but on the other hand, I don't want to be disappointe=
d in the quality.<br><br>All help is appreciated~<br><br>Take care and God =
bless,<br>=0A<br>=0AJT</td></tr></table><br>=0A=0A      
--0-264758909-1266683407=:82057--

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JT Platt schrieb:
> ...googling "choosing a loop machine". I just began researching loop 
> machines last night so I have no idea what to look for. I came across 
> the following archive which helped me learn the lingo and give me a 
> starting base:
>
> [...]
>
> How do I choose a loop machine?
>
> 1. I am looking for quality sound which I'm guessing is STEREO.
> 2. I do not NEED reverse.
> 3. I'm not sure what loop time would be desirable. Any suggestions?
> 4. I am DEFINITELY looking to save loops.
>
> Since this is something new to me, I want to spend just enough to be 
> happy. I don't want to be overwhelmed with complication, but on the 
> other hand, I don't want to be disappointed in the quality.
>
>
There are two routes you can take, and they can be somewhat combined:
1. Define your requirements, then search for a looper
2. Get a looper, play with it and find out what you like or don't like 
about it.

A few resources:
1. Per Boysen's looper comparison chart: 
http://www.looproom.com/looperchart.php
This is not up-to-date (some newer devices e.g. the looping plugin for 
Ableton Live are not covered), but still a good starting point, also to 
see what features to look for.
2. The LD archives:
Search them some more (as you already did)
3. An old survey about looper use by the people on this list: 
http://loopers-delight.com/LDarchive/200709/msg01183.html
A few years old, this gives you a hint what people are using...

Regarding your first requirements:
ad 1: you need stereo if you want to loop stereo signal sources (where 
"stereo" is important). That means that if you want to loop your guitar 
or a single vocal mic, you wouldn't need stereo.
ad 2: think about this - there's a lot of people (me included) who 
really enjoy reverse. This may be the most important transport-related 
functionality to me in a looper (except for record obviously).
ad 3: again, depends on what you want to use it for. Short noise 
textures: 1-2 seconds are sufficient. Grooves: they're typically 1-2, 
sometimes 4 bars, so that would put you in the 2-20 second range. 
Complete song parts: 25 seconds and upwards.
ad 4: means that the looper needs to be able to store loops in internal 
memory or on a memory card. Although e.g. the EDP allows for 
transferring loops to a computer via MIDI sample dump, this is not what 
you usually want to do.

Prehaps one more important point: two of the really important features 
are the so-called "first loop capability" (i.e. you set the loop length 
by clicking "record" twice, and that defines your loop length, as 
opposed to define "16 beats at 110bpm" and then hit record) and 
"overdub" (that you can infinitely add new material to an existing 
loop). Depending on your application, you may or may not need them - 
actually, most of the people here do.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From mrsfredibe@hosanna.net  Sat Feb 20 18:05:59 2010
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ATTENTION,
 
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Date: Sat, 20 Feb 2010 19:10:35 +0100
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Subject: Re: All help is appreciated: I found looper's delight by...
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Feb 20, 2010 at 5:30 PM, JT Platt <jtpsavage25@yahoo.com> wrote:
>
> 3-Loop time.=C2=A0 This is more of a query than anything else.
> I see some machines that seem to have good qualities, yet only
> 15-30 seconds of time per loop.=C2=A0 On the surface, this seems a bit sh=
ort.
> Is there anything on the market that allows for more time without much
> degradation in the original signal?

One reason many musicians are happy with rather short loop time is
that they tend to use the looper a bit like an instrument rather than
as a recording device. When you do that, ie "play" the looper, you
don't just "record something and let it repeat"; you may instantly
change all your loops as they spin side by side and the resulting
music becomes a texture that is something else than a chunk of
performed music that repeats.

Players that like also long looping time might chose a system based on
configurable hardware as a computer running looping software and an
appropriate audio interface.

> 4-Ability to save loops.
That's convenient if you want to create loops in order to make actual
music of them later on. But if you play live looping music as
performance you may be more interested in catching your performance
and then a simple stereo recorder would do the job well.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 18:25:37 2010
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Subject: Looperlative & Novation Remote Zero?
Date: Sat, 20 Feb 2010 10:25:34 -0800
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Any recommendations on controllers to use with the Looperlative? I've =
been eyeing the Novation Remote Zero, but I figure actual experience is =
better than just reading specs. I probably need some level of foot =
control, but the big thing for me is ease of exploiting the mixing and =
other capabilities on the Looperlative.

Coming from the EDP, it's interesting how the Looperlative though =
technically very controllable feels relatively difficult to control =
without a dedicated controller.

Thanks.
Mark

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 19:24:45 2010
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hi there Mark

Mark Hamburg wrote:
> Any recommendations on controllers to use with the Looperlative? 

Gordius Little Giant 
(I use it for the EDPs, but Bill Walker has one for the LP1)

...but, I understand the LP1 is capable to do complex things
which just a simple midi command (programming the LP1 rather than the
controller)

> 
> Coming from the EDP, it's interesting how the Looperlative though 
>technically very controllable feels relatively difficult to
> control without a dedicated controller.
> 

Matthias put a lot of effort into designing the EDP user interface
so users could have the maximum usefulness from just a few buttons.

It's not something that's usually high on people's wanted feature lists,
but it makes a whole lot of difference.

andy butler

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Subject: Re: Live Looping Carrot Clarinet
Date: Sat, 20 Feb 2010 16:39:16 -0300
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we talked about Linsey Pollak here 3 August 2009

he is also in the fun playlist of http://youtube.com/livelooping

I have seen him giving such a workshop for kids here in Salvador
And I saw his show with Tunji Beier and was blown away by his serious  
inventions:
http://www.linseypollak.com/instruments.html
he is one of the few musicians who really go the way of the pickup  
(electrorganic instruments?)
he even sticks it to a stick he scratches his head with and it all  
turns into music!

later he also sent me pictures about spaces he creates for self  
experience in festivals - absolutely amazing!

really new concepts and a nice guy, a modest genius


On 20 Feb 2010, at 03:43, Rick Walker wrote:

> http://www.wimp.com/carrotclarinet/
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">we talked about Linsey Pollak =
here&nbsp;<span class=3D"Apple-style-span" style=3D"font-family: =
Helvetica; font-size: 16px; ">3 August 2009</span><div><span =
class=3D"Apple-style-span" style=3D"font-size: 16px; "></span><font =
class=3D"Apple-style-span" face=3D"Helvetica"><br></font><div><font =
class=3D"Apple-style-span" face=3D"Helvetica">he is also in the fun =
playlist of <a =
href=3D"http://youtube.com/livelooping">http://youtube.com/livelooping</a>=
</font></div><div><font class=3D"Apple-style-span" =
face=3D"Helvetica"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Helvetica">I have seen him giving such a workshop for kids here =
in Salvador</font></div><div><font class=3D"Apple-style-span" =
face=3D"Helvetica">And I saw his show with Tunji Beier and was blown =
away by his serious inventions:</font></div><div><font =
class=3D"Apple-style-span" face=3D"Helvetica"><span =
class=3D"Apple-style-span" style=3D"font-family: Geneva; "><a =
href=3D"http://www.linseypollak.com/instruments.html">http://www.linseypol=
lak.com/instruments.html</a><br></span></font></div><div>he is one of =
the few musicians who really go the way of the pickup (electrorganic =
instruments?)</div><div>he even sticks it to a stick he scratches his =
head with and it all turns into music!</div><div><br></div><div>later he =
also sent me pictures about spaces he creates for self experience in =
festivals - absolutely amazing!</div><div><br></div><div>really new =
concepts and a nice guy, a modest =
genius</div><div><br></div><div><br></div><div><div><div>On 20 Feb 2010, =
at 03:43, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><a =
href=3D"http://www.wimp.com/carrotclarinet/">http://www.wimp.com/carrotcla=
rinet/</a><br><br></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-91-624747922--

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Subject: Re: Live Looping Carrot Clarinet
Date: Sat, 20 Feb 2010 19:49:06 -0000
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Stunning.  The design of it is so beautifully simple.


From: Matthias Grob=20
Sent: Saturday, February 20, 2010 7:39 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Live Looping Carrot Clarinet


we talked about Linsey Pollak here 3 August 2009=20


he is also in the fun playlist of http://youtube.com/livelooping


I have seen him giving such a workshop for kids here in Salvador
And I saw his show with Tunji Beier and was blown away by his serious =
inventions:
http://www.linseypollak.com/instruments.html

he is one of the few musicians who really go the way of the pickup =
(electrorganic instruments?)
he even sticks it to a stick he scratches his head with and it all turns =
into music!


later he also sent me pictures about spaces he creates for self =
experience in festivals - absolutely amazing!


really new concepts and a nice guy, a modest genius




On 20 Feb 2010, at 03:43, Rick Walker wrote:


  http://www.wimp.com/carrotclarinet/




------=_NextPart_000_0009_01CAB265.C2A191D0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16490"></HEAD>
<BODY=20
style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; WORD-WRAP: break-word; =
PADDING-TOP: 15px; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Stunning.&nbsp; The design of =
it is so=20
beautifully simple.</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dmatilists@gmail.com=20
href=3D"mailto:matilists@gmail.com">Matthias Grob</A> </DIV>
<DIV><B>Sent:</B> Saturday, February 20, 2010 7:39 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Live Looping Carrot Clarinet</DIV></DIV></DIV>
<DIV><BR></DIV>we talked about Linsey Pollak here&nbsp;<SPAN=20
style=3D"FONT-FAMILY: Helvetica; FONT-SIZE: 16px" =
class=3DApple-style-span>3 August=20
2009</SPAN>=20
<DIV><SPAN style=3D"FONT-SIZE: 16px" =
class=3DApple-style-span></SPAN><FONT=20
class=3DApple-style-span face=3DHelvetica><BR></FONT>
<DIV><FONT class=3DApple-style-span face=3DHelvetica>he is also in the =
fun playlist=20
of <A=20
href=3D"http://youtube.com/livelooping">http://youtube.com/livelooping</A=
></FONT></DIV>
<DIV><FONT class=3DApple-style-span face=3DHelvetica><BR></FONT></DIV>
<DIV><FONT class=3DApple-style-span face=3DHelvetica>I have seen him =
giving such a=20
workshop for kids here in Salvador</FONT></DIV>
<DIV><FONT class=3DApple-style-span face=3DHelvetica>And I saw his show =
with Tunji=20
Beier and was blown away by his serious inventions:</FONT></DIV>
<DIV><FONT class=3DApple-style-span face=3DHelvetica><SPAN=20
style=3D"FONT-FAMILY: Geneva" class=3DApple-style-span><A=20
href=3D"http://www.linseypollak.com/instruments.html">http://www.linseypo=
llak.com/instruments.html</A><BR></SPAN></FONT></DIV>
<DIV>he is one of the few musicians who really go the way of the pickup=20
(electrorganic instruments?)</DIV>
<DIV>he even sticks it to a stick he scratches his head with and it all =
turns=20
into music!</DIV>
<DIV><BR></DIV>
<DIV>later he also sent me pictures about spaces he creates for self =
experience=20
in festivals - absolutely amazing!</DIV>
<DIV><BR></DIV>
<DIV>really new concepts and a nice guy, a modest genius</DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV>
<DIV>
<DIV>On 20 Feb 2010, at 03:43, Rick Walker wrote:</DIV><BR=20
class=3DApple-interchange-newline>
<BLOCKQUOTE type=3D"cite">
  <DIV><A=20
  =
href=3D"http://www.wimp.com/carrotclarinet/">http://www.wimp.com/carrotcl=
arinet/</A><BR><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML=
>

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From willy1@jmail.co.za  Sat Feb 20 21:33:04 2010
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From: "John Wild"<willy1@jmail.co.za>
Subject: Attn:Reply.....
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To: undisclosed-recipients:;

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I await your response so that we can commence this project as soon as possible if you are ready to embark on this transaction with me, we will both exchange our phone numbers for easy communication
 
Regards,
John Wild.


From daniel@gastromedia.ro  Sat Feb 20 22:08:09 2010
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From: e-lot promo award <daniel@gastromedia.ro>
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ATTENTION TO THE OWNER OF THIS EMAIL ADDRESS

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 20 22:20:37 2010
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Date: Sat, 20 Feb 2010 14:19:54 -0800 (PST)
Subject: Looperlative & Novation Remote Zero?
From: looppool@cruzio.com
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Mark Hamburg wrote:
"Coming from the EDP, it's interesting how the Looperlative though
technically very
controllable feels relatively difficult to control without a dedicated
controller."

Gosh, Mark, you seem to have missed one of the absolutely hippest features
about
the Looperlative.

The fact that it doesn't have a dedicated controller was created specifically
so that one could have a choice in how their virtual 'dedicated'
controller could
be laid out.

You take any midi pedal on the market.........and instantaneously assign
it to
whatever function you want it to me on the Looperlative.

It means, in an incredible simple way (it takes all of 30 seconds to learn
how to program
any midi pedals on the market and instantaneously),  that YOU become part
of the design
team of the unit.

You functions can be laid out simply and quickly in any order you wish
them to be laid out.

I had a malfunction of my midi pedals at NAMM a couple of years back and
it took me
a mere 5 minutes to program 4 complex banks of functions on a
Berhringer FCB1010.

I didn't worry about any programming on the FCB whatsoever.

That being said and done,   the FCB  does a great job with the
Looperlative but
many, including myself, don't like what a large footprint it has.

Here is a good comparison chart of Midi pedals that are out there.

The amazing thing is that whichever one appeals to you (and if you can
find some of the cooler
now out of print models)  will work easily with the Looperlative.

That was one of Bob's strokes of genius in inventing the LP-1 in my opinion.

Feel free to write me or call me off list if you would like some help with
getting to know it better.
I have to say I"m very, very happy with mine.


From agueda@thinktankdigital.com  Sat Feb 20 22:30:49 2010
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From: "Mrs. Agueda Carlos"<agueda@thinktankdigital.com>
Subject: You Are Favoured. Contact Bermuda bank immediately.
Date: Sat, 20 Feb 2010 03:03:00 +0100
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
I am sure this mail would be coming to you as a surprise since we have never met before and you would also be asking why I have decided to chose you amongst the numerous people in the world, precisely I cannot say why I have chosen you</DIV>
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I am sorry to inform you that you will never have the chance to know me because I have just concluded the assignment which my husband and I have agreed upon before his sudden death and you happened to be the beneficiary of our last WILL(which is a sum of money deposited in (<FONT size=3 face="Times New Roman">Bermuda Bank London uk) </FONT>hence I need you to do me a favor by accepting our offer.</DIV>
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 We have some fund in the sum of £800,000.00 (Eight Hundred Thousand British Pounds) with <FONT size=3 face="Times New Roman">Bermuda Bank London uk</FONT>; I have not made any transaction with my account for over 1year now because of my illness and other charity work. Right now I want to give you the said sum for you to help the less privileged in your country and for your own personal use.</DIV>
<DIV>
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<DIV>
<FONT size=3 face="Times New Roman">I also deposited £5.000.00 pounds sterling to western union outlet on your behalf. The information is with Bermuda bank London UK if you contact them they will guide you on how you can contact the western union outlet for your payment. The reason why i deposited this £5.000.00 separately is in order to settle all the tax and charges which may come up due to your countrys taxation law.</FONT></DIV>
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&nbsp;</DIV>
<DIV>
When contacting the bank, please state that I sent you to contact them as my Next of Kin and send them your information like.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Full Names: </DIV>
<DIV>
Postal address;</DIV>
<DIV>
Direct telephone number;</DIV>
<DIV>
Age:</DIV>
<DIV>
Occupation:</DIV>
<DIV>
Gender:</DIV>
<DIV>
Country:</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 When contacting them, also include this code number: (/44/0433/F/hh/) <FONT size=3 face="Times New Roman">this code is the security code of my account</FONT></DIV>
<DIV>
, you are to also present it to them for verification. Please, try to contact them as soon as you receive this mail to avoid any further delay.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; Be also notified that I will no longer be reading my emails or surfing the internet as I have retired completely from the outside world to my&nbsp; ranch, at this moment I have nothing to do with cars, emails and other luxuries, all further correspondence should be forwarded to the Bank for the transfer of the fund to you.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Yours Faithfully,</DIV>
<DIV>
Mrs. Agueda Carlos</DIV>
</FONT>
</BODY></HTML>

From engineerbarkindo09_gmdnnpc@yahoo.com  Sat Feb 20 22:34:11 2010
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Subject: FROM THE OFFICE OF:ENGINEER M.S.BARKINDO
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<DIV>
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<FONT size=1>MY DEAR,</FONT></DIV>
<DIV>
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<DIV>
<FONT size=1>I am ENGR.M.S BARKINDO,the Group Managing Director of the Nigerian National Petroleum Corporation (NNPC).Please i need your assistance/corperation involving a very strict and confidential transaction, which involves the transfer of a reasonable sum of money to your account. </FONT></DIV>
<DIV>
<FONT size=1> </FONT></DIV>
<DIV>
<FONT size=1>The amount is $36,700,000.00 US Dollars(Thirty Six Million Seven Hundred Thousand United States Dollars Only),this money represent the surplus of an over invoiced valued contract awarded by my office and executed for our corporation, which has since been completed and the original contractor fully paid. I now seek your assistance towards the transfer of this surplus amount as stated above to your personal /company,s account so that the money to be remitted would be mutually invested to our benefit in your country and could be shared as will be agreed upon. I assure you that this transaction is risk free.</FONT></DIV>
<DIV>
<FONT size=1> </FONT></DIV>
<DIV>
<FONT size=1>Every machinery has been set in motion for a smooth and quick transfer of this fund to your account.However, I would wish to receive your personal assurance that you are not going to sit on this money when you take possession of this money. More importantly,you are to keep this transaction very confidential.For formal processing of necessary papers,i shall need as urgent,your personal phone/fax number and house address and copy of either your driving license or passport.Please you are only required to respond if you are sure of carrying out this transaction and you can be trusted regarding the confidentiality this transaction requires and please note that you will be expected to deal directly with me and no other person and you are please advised to respond if you are sure that you will give this transaction the sincerity and urgency it deserves.</FONT></DIV>
<DIV>
<FONT size=1> </FONT></DIV>
<DIV>
<FONT size=1>Your urgent reply is awaited.</FONT></DIV>
<DIV>
<FONT size=1> </FONT></DIV>
<DIV>
<FONT size=1>Yours faithfully, </FONT></DIV>
<DIV>
<FONT size=1>Engr.M.S Barkindo</FONT></DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 00:03:17 2010
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Subject: re:Looperlative & Novation Remote Zero?
Date: Sat, 20 Feb 2010 16:03:10 -0800
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"Any recommendations on controllers to use with the Looperlative? I've  
been eyeing the Novation Remote Zero, but I figure actual experience  
is better than just reading specs. I probably need some level of foot  
control, but the big thing for me is ease of exploiting the mixing and  
other capabilities on the Looperlative.

Coming from the EDP, it's interesting how the Looperlative though  
technically very controllable feels relatively difficult to control  
without a dedicated controller.

Thanks.
Mark"

I'm curious as to why you are exploring this option  instead of a good  
foot controller, for hands free operation. I deal with mixing using  
track next and track previous switches on  my foot controller and a  
dedicated expression pedal assigned to volume to control volume for  
individual tracks or do an all tracks press and then use the volume  
control.  Though i keep my expression pedals fixed from bank to bank  
and don't use panning live, any decent midi controller that is  
programmable starting with the much maligned but very functional  
FCB1010 , can be programed to control any parameter.
Bill

From info@chevron-texaco.com  Sun Feb 21 01:23:29 2010
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Reply-To: <elizabeteatter@w.cn>
From: "Chevron Texaco (COEFA)"<info@chevron-texaco.com>
Subject: Chevron Texaco Needs Your Urgent Attention
Date: Sat, 20 Feb 2010 21:55:30 +0100
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Dear Sir/Madam,

I am Ms.Elizabeth Eatters. the Company's Secretary Of Chevron Texaco Oil and Gas
Company In Singapore (ASIA DISTRICT). Please, If this Email Address Is For
You,I wish to Congratulate and Inform you that your urgent attention Is needed
at our Branch Office in the United Kingdom as We Have Good News For You. I
advise you get back to me Within the Next 48hrs to Get the News
Of this Life Transforming Offer Coming to You From this Great Company. 
I want to Congratulate you in Advance and Please do not forget to help the
needy in your Society when Chevron Texaco makes you a Beneficiary of our World
Of Wealth.

Yours Faithfully,
Ms.Elizabeth Eatters
Chevron Texaco Oil and Gas Company

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Date: Sun, 21 Feb 2010 02:03:04 +0000
Message-ID: <d302e3571002201803y52b3a5if00ec6098d0732eb@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f63082922213048012b7a3
Content-Type: text/plain; charset=ISO-8859-1

i use the novation and a footcontroller. the footcontroller (nobels mf1) is
for rec/dub, next loop etc and the novation is for hands on stuff like
volume controls, aux assigns and a multitude of other functions (i even use
the drum pads like piano keys to re-pitch loops). every fader, button and
pad on the novation is used for something. i'd be happy to expand more, if
you're interested.

sim

On Sun, Feb 21, 2010 at 12:03 AM, William Walker <billwalker@baymoon.com>wrote:

>
> "Any recommendations on controllers to use with the Looperlative? I've been
> eyeing the Novation Remote Zero, but I figure actual experience is better
> than just reading specs. I probably need some level of foot control, but the
> big thing for me is ease of exploiting the mixing and other capabilities on
> the Looperlative.
>

--001485f63082922213048012b7a3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i use the novation and a footcontroller. the footcontroller (nobels mf1) is=
 for rec/dub, next loop etc and the novation is for hands on stuff like vol=
ume controls, aux assigns and a multitude of other functions (i even use th=
e drum pads like piano keys to re-pitch loops). every fader, button and pad=
 on the novation is used for something. i&#39;d be happy to expand more, if=
 you&#39;re interested.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Sun, Feb 21, 2010 at 12:03 AM,=
 William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.=
com">billwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
&quot;Any recommendations on controllers to use with the Looperlative? I&#3=
9;ve been eyeing the Novation Remote Zero, but I figure actual experience i=
s better than just reading specs. I probably need some level of foot contro=
l, but the big thing for me is ease of exploiting the mixing and other capa=
bilities on the Looperlative.<br>
</blockquote></div>

--001485f63082922213048012b7a3--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 02:55:42 2010
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Date: Sat, 20 Feb 2010 18:55:41 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: TERJE RYPDAL interview...was in GP
To: Loopers-Delight@loopers-delight.com
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--0-417898211-1266720941=:12303
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

interview is here:
=A0
http://www.guitarplayer.com/article/terje-rypdal/August-2006/22086
=A0
=A0
his effects (excerpt from interview, so this would have been as of 2006);
=A0
"I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 delay, and ei=
ther a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer for compress=
ion. Additionally, I have a Boss DD-1 delay that I sometimes hook up so I c=
an switch between two delay sounds quickly without having to change program=
s. At one time, I used Roland RE-301 and Vox Echo Machine tape delays, but =
those are too bulky and delicate to use live. I also use a Yamaha volume pe=
dal, which is small and easy to travel with, though I can get the same soun=
d using any volume pedal. "=0A=0A=0A      
--0-417898211-1266720941=:12303
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>interview is here:</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.guitarplayer.com/article/terje-rypdal/August-200=
6/22086">http://www.guitarplayer.com/article/terje-rypdal/August-2006/22086=
</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>his effects (excerpt from interview, so this would have been as of 200=
6);</DIV>
<DIV>&nbsp;</DIV>
<DIV>"I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 delay, a=
nd either a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer for com=
pression. Additionally, I have a Boss DD-1 delay that I sometimes hook up s=
o I can switch between two delay sounds quickly without having to change pr=
ograms. At one time, I used Roland RE-301 and Vox Echo Machine tape delays,=
 but those are too bulky and delicate to use live. I also use a Yamaha volu=
me pedal, which is small and easy to travel with, though I can get the same=
 sound using any volume pedal. "</DIV></td></tr></table><br>=0A=0A=0A=0A   =
   
--0-417898211-1266720941=:12303--

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Date: Sat, 20 Feb 2010 20:57:29 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: RE: Anyone know a good source for a pedal housing.
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <F160BE32A2E5E04497668BBDFE83FEDF3AE526D8@EXCHVS1.medctr.ad.wfubmc.edu>
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Howdy,

 lLok for Lincoln, Hobart, Miller, etc.arc welder control pedals. Especiall=
y non-funtional ones. Your local manufacturers that do any kind of quantity=
 welding will have some they throw away. built in pot and footswitch, lots =
of room for knobs on the back, and BULLETPROOF.=20
rig

--- On Wed, 2/17/10, Ace Ovil <aovil@wfubmc.edu> wrote:

> From: Ace Ovil <aovil@wfubmc.edu>
> Subject: RE: Anyone know a good source for a pedal housing.
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, February 17, 2010, 5:30 PM
>=20
>=20
>=20
> =20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
> I=E2=80=99m
> in North Carolina.=20
>=20
> I have
> looked online under
> enclosure but everyone seems to be selling single or double
> sized ones rather
> than a strip.=20
>=20
> I will
> try radioshack in the
> morning though. Good idea.=20
>=20
> Ace=20
>=20
>=20
> =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> From: Toby G
> [mailto:carpet8@mac.com]=20
>=20
> Sent: Wednesday, February 17, 2010 8:28 PM
>=20
> To: Loopers-Delight@loopers-delight.com
>=20
> Subject: Re: Anyone know a good source for a pedal
> housing.=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
> Where
> are you located?=20
>=20
>=20
>=20
>=20
>=20
> eBay
> probably has them.=C2=A0 In the US Radio Shack (not the
> best alternative)=20
>=20
>=20
>=20
>=20
>=20
> Might
> be better to search under "enclosure" than
> "housing"=20
>=20
>=20
>=20
>=20
>=20
> =C2=A0=20
>=20
>=20
>=20
>=20
>=20
> t=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> -----
> Original Message ----- =20
>=20
>=20
>=20
>=20
>=20
> From:
> Ace Ovil =20
>=20
>=20
>=20
>=20
>=20
> To: Loopers-Delight@loopers-delight.com
> =20
>=20
>=20
>=20
>=20
>=20
> Sent: Wednesday, February
> 17, 2010 4:59 PM=20
>=20
>=20
>=20
>=20
>=20
> Subject: Anyone know a good
> source for a pedal housing.=20
>=20
>=20
>=20
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
> So I need to make my own pedal for the
> EDP foot controller
> it looks like. =20
>=20
> Anyone know where I can get a
> reasonably priced housing to
> accommodate 7 momentary footswitches?=20
>=20
> Guitarists use these for true bypass
> pedals and that sort of
> thing so I thought they would be everywhere but I=E2=80=99m
> having a hell of a time
> finding one.=20
>=20
> Any help would be greatly
> appreciated.=20
>=20
> Thanks,=20
>=20
> Ace=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 05:21:22 2010
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To: <Loopers-Delight@loopers-delight.com>
References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com> <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com> <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com> <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com> <20100210124404.3854714DE2@ns4.tnt21.com> <e89a49d31002100730x364eec2cn9a10ae1bd23467b4@mail.gmail.com>
In-Reply-To: <e89a49d31002100730x364eec2cn9a10ae1bd23467b4@mail.gmail.com>
Subject: Rang III reviews
Date: Sat, 20 Feb 2010 23:21:18 -0600
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Anyone know of any Rang III reviews?  If it looks good I may unload my 
Echoplex and it's case, etc.

Thanks!

Plish
www.michaelplishka.com

From susabecky1@sify.com  Sun Feb 21 06:08:53 2010
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Reply-To: <susabecky@cantv.net>
From: "Susan Becknell"<susabecky1@sify.com>
Subject: READ CAREFULLY MY BELOVED
Date: Sun, 21 Feb 2010 03:19:24 -0000
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To: undisclosed-recipients:;

READ CAREFULLY MY BELOVED

Dear beloved friend. I know that this letter may be a very big surprise to you, I came across your email contact from my personal search and I instructed the doctor here in this hospital to help me email you and I believe that you will be honest to fulfill my final wish before I will die.

I am Mrs. Susan Becknell, from Australia, I am 68 years old, I am deaf and suffering from a long time cancer of the breast, which also affected my brain. From all indication my condition is really deteriorating, and my doctors have courageously advised me that I may not live beyond the next two months; this is because the cancer stage has reached a critical stage. I was brought up in a motherless baby's home, and was married to my late husband for twenty years without a child. My husband and I are true Christians, but quite unfortunately, he died in a fatal motor accident.

Since his death I decided not to re-marry, I sold all my inherited belongings and deposited all the sum of $12.8million dollars with a BANK in Ivory Coast. Presently, this money is still in their custody, and the management just wrote me as the Legitimate beneficiary to come forward to receive the money after keeping it for so long or rather issue a letter of authorization to somebody to receive it on my behalf since I can not come over as a result of my illness, or they get it confiscated. Presently, I'm with my laptop in a hospital where I have been undergoing treatment. I have since lost my ability to talk and my doctors have told me that I have only a few months to live.

It is my last wish to see that this money is invested in any organization of your choice and distributed each year among the charity organization, the poor and the motherless baby?s home where I come from. I want your good humanitarian, to also use this money to fund churches, orphanages and widows around. I must let you know that this was a very hard decision, but I had to take a bold step towards this issue because I have no further option. I hope you will help see my last wishes come true. And i want you to please be sure that everything is handle perfect and legitimately.

As soon as I receive your reply I shall give you the contact of the BANK in Ivory Coast. I will also issue you a letter of authority, which will prove that you are the new beneficiary of my funds. Please assure me that you will act accordingly as I stated herein. Hope to hear from you soonest I have to rest now till i hear from you. Am very tired.

Awaiting your reply

Yours in Christ,
Mrs. Susan Becknell. 

From info.mmgrouphandling@gmail.com  Sun Feb 21 07:40:39 2010
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From: "Richmond Caterina" <info.mmgrouphandling@gmail.com>
Reply-To: fedexcourier03@dishmail.net
Subject: Parcel Reg. No. NIG/34021/234
Date: Sun, 21 Feb 2010 06:15:11 +0100
Message-Id: <20100221051318.M26978@gmail.com>
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Attention,

I have been waiting for you to contact me for the Bank Draft 
of $800,000.00 United States Dollars, I did not hear from you. 
Then I had to deposit the draft with Federal Express Courier (FedEx).

I have paid part of the charges for the safe delivery of the 
Bank Draft, the only money you are to pay to FedEx, is the 
Demurrage Fee,which is amounted to $65. You have to contact 
them now for the delivery of your Bank Draft. You are to
reconfirm your Name, postal address(s) and direct phone number 
to them.

Below is the information of FedEx office in West Africa.
The parcel registration number is NIG/34021/234

Contact Person:  Patrick Gomez
Email: fedexcourier03@dishmail.net
          fedexcourier03@gmail.com
Telephone: +234-805-947-0976

Note: Contact FedEX Courier as soon as possible for I will be 
out of both phone and emails.

Yours Faithfully,
Richmond Caterina.

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 08:55:56 2010
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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Terje Rypdal - Arild Andersen (youtube) 
To: loopers-delight@loopers-delight.com
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Hi=A0
This clip is good. Nice ambience, looping, guitarplaying....etc. =A0
http://www.youtube.com/watch?v=3DZ-210ELLl7Y
Best regards=A0Rune Fagereng=0A=0A_________________________________________=
_________=0ABruker du Yahoo!?=0ALei av spam?  Yahoo! Mail har den beste spa=
mbeskyttelsen =0Ahttp://no.mail.yahoo.com 
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div>Hi&nbsp;</div><div><br></div><div>This c=
lip is good. Nice ambience, looping, guitarplaying....etc. &nbsp;</div><div=
><br></div>http://www.youtube.com/watch?v=3DZ-210ELLl7Y<div><br></div><div>=
Best regards&nbsp;</div><div>Rune Fagereng</div></td></tr></table><br>_____=
_____________________________________________<br>Bruker du Yahoo!?<br>Lei a=
v spam?  Yahoo! Mail har den beste spambeskyttelsen <br>http://no.mail.yaho=
o.com 
--0-1685177483-1266742554=:72608--

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Date: Sun, 21 Feb 2010 08:59:42 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Arve Henriksen - Arild Andersen - looping (youtube)
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--0-1385481369-1266742782=:58133
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Hi=A0
Arild Anderse looping, with Arve Henriksen and Elin Rosseland.=A0http://www=
.youtube.com/watch?v=3DwTOJGGdr_Hs&feature=3Drelated
Rune F.=0A=0A__________________________________________________=0ABruker du=
 Yahoo!?=0ALei av spam?  Yahoo! Mail har den beste spambeskyttelsen =0Ahttp=
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi&nbsp;<div><br></div><div>Arild Anderse loo=
ping, with Arve Henriksen and Elin Rosseland.&nbsp;</div><div>http://www.yo=
utube.com/watch?v=3DwTOJGGdr_Hs&amp;feature=3Drelated</div><div><br></div><=
div>Rune F.</div></td></tr></table><br>____________________________________=
______________<br>Bruker du Yahoo!?<br>Lei av spam?  Yahoo! Mail har den be=
ste spambeskyttelsen <br>http://no.mail.yahoo.com 
--0-1385481369-1266742782=:58133--

From info@info.com  Sun Feb 21 10:36:46 2010
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Message-ID: <20100221213304.e849lxcaqsw804o8@webmail.quij.net>
Date: Sun, 21 Feb 2010 21:33:04 +1100
From: Barclays Bank of Ghana Ltd <info@info.com>
Reply-to: mr_dabraben@yahoo.com.hk
To: undisclosed-recipients: ;
Subject: Compliment of the Day
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Barclays Bank of Ghana Ltd.
PO Box GP 69
Barclays House
High St., Accra,  , Ghana
tel+233 240277617

Dearest
,

Compliment of the Day
First of all, let me start by introducing myself. My name is Mr. Benjamin T.
Dabra ,the Managing Director for Barclays Bank of Ghana. I have an urgent an=
d
very
confidential business proposition for you.I am the accounting officer of Mr.
Ken Lay, Enron founder, who died on July, 5th 2006, at the age of 64 and his
friend and partner Mr. Jeffrey Schilling, Ex-Enron CEO who was recently
convicted 24 years for his involvement on the collapse of Enron, the energy
trading
giant in America.It will interest to know that on Wednesday, 7th =20
February 2001,
Mr. Ken Lay deposited a total sum of 20M dollars and on Tuesday, 24th April
2001, Mr Jeffrey Schilling deposited 17.5dollars in our Bank. These funds we=
re
deposited into a non-existing company's account which I opened in our bank
(Barclays Bank of Ghana Ltd) under their instructions, to avoid raising an
eyebrow but unfortunately for them and fortunately for me, the 2 men are gon=
e.
You can read more about the sentence by visiting the below websites:

http://www.chron.com/news /specials/Enron/
http://www.accountancyage.com /accountancy age/news/2171002 =20
/Enron-CEO-sentence-
slashed
http://www.economist.com /business/displaystory.cfm ?story_id=3D8082101

So right now, we have the sum of 37.5M dollars lying in the 2 accounts witho=
ut
any proof of ownership as it was opened with non-existing companies name and
the bank is not aware of the real beneficiaries as the accounts did not bear
any name. As their accounting officer and financial adviser in charge of the=
se
accounts, I can comfortable present you to the Bank as the real beneficiary =
of
the funds and they have no right to deny the application.
Consequently, my proposal is that I want to seek your consent as a =20
foreigner to
stand as the owner of any of these accounts, since it has no trace or
beneficiary which makes it easier and fine to transfer to your designated ba=
nk
account as the beneficiary. The nature of my work as a staff of the Bank wil=
l
not allow me lay claim on the funds, hence this proposal to you and be =20
informed
that as long as you are ready to cooperate and be truthful to me, I can
assure you that the sky will be our limit.All documents and proves to enable
you get any of the money will be carefully worked out and more so, I =20
assure you
that the business is risk free, as everything will be handled in accordance
with the International Monetary Guidelines.
I am offering you 40% for your cooperation in achieving this =20
aim.Please, if you
are interested in working with me, I will like you to send the below
information's to enable me procure the necessary documents that will back up
the transfer to your account:

1. YOUR FULL NAMES AND ADDRESS...........................................
2. AGE AND MARITAL STATUS.............................
3. OCCUPATION...........................................
4. NATIONALITY...........................................
5. TELEPHONE AND FAX NUMBERS FOR EASY COMMUNICATIONS

As soon as I receive your acceptance mail by forwarding the above
information's, I will prepare the paper works in your name for onward
remittance of the
funds into your designated account.
Lastly, I want you to understand that this transaction requires trust,honest
and above all, utmost confidentiality, to avoid escalating.

Regards.
Mr. Benjamin T. Dabra
Managing Director
Barclays Bank of Ghana.



From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 11:26:44 2010
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Date: Sun, 21 Feb 2010 12:26:43 +0100
Message-ID: <66f9cc1e1002210326x1a47026ej2b5df9b9c6490888@mail.gmail.com>
Subject: SoftStep - almost ultimate MIDI foot control pedal board
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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The amazing SoftStep weights in at only 12 percent of my Bulky
Behringer tank pedal. "Shipping second quartier", has anyone heard of
pre ordering options?
http://www.keithmcmillen.com/products/softstep/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 11:28:54 2010
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Date: Sun, 21 Feb 2010 12:28:52 +0100
Message-ID: <66f9cc1e1002210328p6f3a5a51ub98110c540ce74a0@mail.gmail.com>
Subject: Re: Terje Rypdal - Arild Andersen (youtube)
From: Per Boysen <perboysen@gmail.com>
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On Sun, Feb 21, 2010 at 9:55 AM, rune fagereng <rune_fagereng@yahoo.no> wrote:
>
> This clip is good. Nice ambience, looping, guitarplaying....etc.
> http://www.youtube.com/watch?v=Z-210ELLl7Y


Lovely! Thanks.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 11:29:59 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: TERJE RYPDAL interview...was in GP
Date: Sun, 21 Feb 2010 06:29:40 -0500
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----------MB_8CC81004A8D93EC_22F8_3E369_webmail-d058.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
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I had a Zoom 508. It was a great pedal that was extremely versatile. Kind=
 of like having a mini delay rack on the floor.=20


PJ





-----Original Message-----
From: scott hansen <evanpeewee@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, Feb 20, 2010 9:55 pm
Subject: TERJE RYPDAL interview...was in GP




interview is here:
=20
http://www.guitarplayer.com/article/terje-rypdal/August-2006/22086
=20
=20
his effects (excerpt from interview, so this would have been as of 2006);
=20
"I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 delay, and=
 either a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer for comp=
ression. Additionally, I have a Boss DD-1 delay that I sometimes hook up=
 so I can switch between two delay sounds quickly without having to change=
 programs. At one time, I used Roland RE-301 and Vox Echo Machine tape del=
ays, but those are too bulky and delicate to use live. I also use a Yamaha=
 volume pedal, which is small and easy to travel with, though I can get th=
e same sound using any volume pedal. "



     =20
=20

----------MB_8CC81004A8D93EC_22F8_3E369_webmail-d058.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style=
-span" color=3D"#228B22"><span class=3D"Apple-style-span" style=3D"font-si=
ze: large;"><font class=3D"Apple-style-span" face=3D"Georgia, 'Times New=
 Roman', Times, serif">I had a Zoom 508. It was a great pedal that was ext=
remely versatile. Kind of like having a mini delay rack on the floor.&nbsp=
;</font></span></font>
<div><font class=3D"Apple-style-span" color=3D"#228B22"><span class=3D"App=
le-style-span" style=3D"font-size: large;"><font class=3D"Apple-style-span=
" face=3D"Georgia, 'Times New Roman', Times, serif"><br>
</font></span></font></div>

<div><font class=3D"Apple-style-span" color=3D"#228B22"><span class=3D"App=
le-style-span" style=3D"font-size: large;"><font class=3D"Apple-style-span=
" face=3D"Georgia, 'Times New Roman', Times, serif">PJ</font></span></font=
><br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">----=
-Original Message-----<br>
From: scott hansen &lt;evanpeewee@yahoo.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Sat, Feb 20, 2010 9:55 pm<br>
Subject: TERJE RYPDAL interview...was in GP<br>
<br>







<div id=3D"AOLMsgPart_2_798bff55-d4e4-4682-ae4c-b639c7ead9a8">

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td val=
ign=3D"top" style=3D"font: inherit;">
<div>interview is here:</div>


<div>&nbsp;</div>


<div><a target=3D"_blank" href=3D"http://www.guitarplayer.com/article/terj=
e-rypdal/August-2006/22086">http://www.guitarplayer.com/article/terje-rypd=
al/August-2006/22086</a></div>


<div>&nbsp;</div>


<div>&nbsp;</div>


<div>his effects (excerpt from interview, so this would have been as of 20=
06);</div>


<div>&nbsp;</div>


<div>"I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 delay,=
 and either a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer for=
 compression. Additionally, I have a Boss DD-1 delay that I sometimes hook=
 up so I can switch between two delay sounds quickly without having to cha=
nge programs. At one time, I used Roland RE-301 and Vox Echo Machine tape=
 delays, but those are too bulky and delicate to use live. I also use a Ya=
maha volume pedal, which is small and easy to travel with, though I can ge=
t the same sound using any volume pedal. "</div>
</td></tr></tbody></table><br>




     =20

</div>
 <!-- end of AOLMsgPart_2_798bff55-d4e4-4682-ae4c-b639c7ead9a8 -->



</div>
</div>
</font>

----------MB_8CC81004A8D93EC_22F8_3E369_webmail-d058.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 11:39:17 2010
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Date: Sun, 21 Feb 2010 12:39:20 +0100
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>
> This clip is good. Nice ambience, looping, guitarplaying....etc.  
>
> http://www.youtube.com/watch?v=Z-210ELLl7Y
>
What really blows me away is not the work of the genre-typical looping 
people, but the sound of Markus Stockhausen (around 4 minutes into the 
video). This sounds like the most expressive mellow synth lead sound ever!

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 11:52:24 2010
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> Mark Hamburg wrote:
> "Coming from the EDP, it's interesting how the Looperlative though
> technically very
> controllable feels relatively difficult to control without a dedicated
> controller."

Rick wrote:
> 
> The amazing thing is that whichever one appeals to you (and if you can
> find some of the cooler
> now out of print models)  will work easily with the Looperlative.
> 

Yep, as the LP1 doesn't have SUS functions and longpress (like the edp) it means
the simplest midi controller works fine.
.. but I wouldn't rule out that a more complicated foot controller is needed to
do *some* things on the LP1.

Beware though...a lot of midi controllers out there have clunky switches that
don't respond fast enough for accurate loops.
...and some just have a slow response time.

What we really need is some kind of "Loop Compatible Standard" for midi controllers.
With accurately tested response times, and minimum requirements for features.

andy butler

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To: Loopers-Delight@loopers-delight.com
Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
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you don't wanna check out the latency first?

Per Boysen wrote:
> The amazing SoftStep weights in at only 12 percent of my Bulky
> Behringer tank pedal. "Shipping second quartier", has anyone heard of
> pre ordering options?
> http://www.keithmcmillen.com/products/softstep/

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 12:00:42 2010
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Date: Sun, 21 Feb 2010 13:00:41 +0100
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Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
From: Per Boysen <perboysen@gmail.com>
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No, I won't use it for timing critical processing control through MIDI anyway.

Per


On Sun, Feb 21, 2010 at 12:53 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> you don't wanna check out the latency first?
>
> Per Boysen wrote:
>>
>> The amazing SoftStep weights in at only 12 percent of my Bulky
>> Behringer tank pedal. "Shipping second quartier", has anyone heard of
>> pre ordering options?
>> http://www.keithmcmillen.com/products/softstep/
>
>

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Subject: Re: Live Looping Carrot Clarinet
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Geez, I didn't know Jean Luc Picard could do that AND captain the USS Enter=
prise... ;-)


ted.

Enemies are good for self-definition. Werner Herzog

--- On Fri, 2/19/10, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: Live Looping Carrot Clarinet
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Received: Friday, February 19, 2010, 10:43 PM

http://www.wimp.com/carrotclarinet/

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>Geez, I didn't know Jean Luc Picard could=
 do that AND captain the USS Enterprise... ;-)<br><br><br>ted.<br><br>Enemi=
es are good for self-definition. Werner Herzog<br><br>--- On <b>Fri, 2/19/1=
0, Rick Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote=
 style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; paddin=
g-left: 5px;"><br>From: Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject:=
 Live Looping Carrot Clarinet<br>To: "LOOPERS DELIGHT (posting)" &lt;Looper=
s-Delight@loopers-delight.com&gt;<br>Received: Friday, February 19, 2010, 1=
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On 21 Feb 2010 at 12:26, Per Boysen wrote:

> The amazing SoftStep weights in at only 12 percent of my Bulky
> Behringer tank pedal. 

but appear to have no midi option ;(
Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



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SAMSUNG INTERNATIONAL PROMOTION
118 MIDDLE ROAD RUSSEL
MIDLEVEL BIRMIGHAM
CENTRAL LONDON
 
                                 CONGRATULATION
                 
YOU ARE SELECTED AS ONE  OF OUR PRODUCT BENEFICIARY IN OUR GENERAL INTERNET MARKETING 
ON OUR PRODUCTS WHICH WE WANT TO PUT INTO THE HAND OF MILLIONS ALL OVER THE WORLD AS PART OF OUR MARKETING 
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3.SAMSUNG NIXON170 CAMERA
4.SAMSUNG TOUCH SCREEN MOBILE PHONE Jack? (SGH-i637
5. SAMSUNG HOME THEATHER SYSTEMS
TO CLAIM YOUR WINNING ITEMS 
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ANN ONG
SAMSUNG INTERNATIONAL PROMOTION
118 MIDDLE ROAD RUSSEL
MIDLEVEL BIRMIGHAM
CENTRAL LONDON
ann_ong@yahoo.cn

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SAMSUNG INTERNATIONAL PROMOTION
118 MIDDLE ROAD RUSSEL
MIDLEVEL BIRMIGHAM
CENTRAL LONDON
 
                                 CONGRATULATION
                 
YOU ARE SELECTED AS ONE  OF OUR PRODUCT BENEFICIARY IN OUR GENERAL INTERNET MARKETING 
ON OUR PRODUCTS WHICH WE WANT TO PUT INTO THE HAND OF MILLIONS ALL OVER THE WORLD AS PART OF OUR MARKETING 
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TO ACHIEVE IT OUR LONDON OFFICE HAVE GIVEN OUT MILLIONS OF GIFT AND YOU ARE AMONG THE 
SECOND CATEGORY WINNERS  WHICH INCLUDE
1.SAMSUNG LAPTOP COMPUTER  
2.SAMSUNG  2010 LATEST PLASMA TV 29INCH
3.SAMSUNG NIXON170 CAMERA
4.SAMSUNG TOUCH SCREEN MOBILE PHONE Jack? (SGH-i637
5. SAMSUNG HOME THEATHER SYSTEMS
TO CLAIM YOUR WINNING ITEMS 
YOU HAVE TO SEND THE FOLLOWING DETAILS FOR OUR CONFIRMATION
1;YOUR FULL NAME
2.YOUR ADDRESSE
3.TELEPHONE 
4.DATE OF OF BIRTH
5;PROFFESION
6;RELIGION
7;EDUCATION
8;ANY SAMSUNG PRODUCT IN YOUR HOUSE ; GIVE DETAILS IF ANY
9;HAVE YOU USE  ANY SAMSUNG PRODUCTS
10;WHICH MEDIA DID YOU HEAR ABOUT SAMSUNG
PLEASE ANSWER THE FOLLOWING DETAIL TO THE BEST OF YOUR ABILITY AND NOTE THAT OUR OFFICE HAVE THE RIGHT 
TO REFUSE OR CANCEL ANY CLAIM WITHOUT NOTICE AS THIS IS JUST FOR MARKETING PURPOSE 
THANK YOU FOR BEING PART OF THIS PROMOTION
AND REPORT ANY UNOFFICIAL OR MISGIVING 
YOU  OBSERVE IN THIS PROMOTION
SAMSUNG  YOUR PARTNER IN PROGRESS
 
ANN ONG
SAMSUNG INTERNATIONAL PROMOTION
118 MIDDLE ROAD RUSSEL
MIDLEVEL BIRMIGHAM
CENTRAL LONDON
ann_ong@yahoo.cn

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	 <4B814CAF.7133.17B9864@nick.1957.me.uk>
	 <66f9cc1e1002210720g3b44138epcbb9f42d799afea9@mail.gmail.com>
Date: Sun, 21 Feb 2010 16:21:25 +0100
Message-ID: <66f9cc1e1002210721p31fa10b2nddd7b8402a12eac5@mail.gmail.com>
Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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A MIDI pedal is indeed what it is! :-))

It uses USB to send MIDI into a computer.
The same USB cable also feeds it with electric power.
Watch the info videos at http://www.keithmcmillen.com/,
they are very descriptive.

Per


On Sun, Feb 21, 2010 at 4:09 PM, nick@12testing.net <nick@1957.me.uk> wrote:
> On 21 Feb 2010 at 12:26, Per Boysen wrote:
>
>> The amazing SoftStep weights in at only 12 percent of my Bulky
>> Behringer tank pedal.
>
> but appear to have no midi option ;(
> Nick Robinson

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 15:25:10 2010
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Date: Sun, 21 Feb 2010 11:25:10 -0400 (AST)
Subject: Re: Terje Rypdal - Arild Andersen (youtube)
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Beautiful.
Love the vocals and the string loopage.

Thanks,

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sun, February 21, 2010 4:55 am, rune fagereng wrote:
> Hi 
> This clip is good. Nice ambience, looping, guitarplaying....etc.  
> http://www.youtube.com/watch?v=Z-210ELLl7Y
> Best regards Rune Fagereng
>
> __________________________________________________
> Bruker du Yahoo!?
> Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen
> http://no.mail.yahoo.com






From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 15:57:55 2010
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Date: Sun, 21 Feb 2010 17:57:51 +0200
Message-ID: <c70841111002210757y89a4e9eh9d45d5c099916517@mail.gmail.com>
Subject: Re: TERJE RYPDAL interview...was in GP
From: Petri Lahtinen <aikuinen@gmail.com>
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Great! that was interesting reading! admire Rypdal so much! great guitarist

2010/2/21 <pjbmhb@aol.com>

> I had a Zoom 508. It was a great pedal that was extremely versatile. Kind
> of like having a mini delay rack on the floor.
>
>  PJ
>
>
>
>
> -----Original Message-----
> From: scott hansen <evanpeewee@yahoo.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sat, Feb 20, 2010 9:55 pm
> Subject: TERJE RYPDAL interview...was in GP
>
>  interview is here:
>
> http://www.guitarplayer.com/article/terje-rypdal/August-2006/22086
>
>
> his effects (excerpt from interview, so this would have been as of 2006);
>
> "I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 delay, and
> either a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer for
> compression. Additionally, I have a Boss DD-1 delay that I sometimes hook up
> so I can switch between two delay sounds quickly without having to change
> programs. At one time, I used Roland RE-301 and Vox Echo Machine tape
> delays, but those are too bulky and delicate to use live. I also use a
> Yamaha volume pedal, which is small and easy to travel with, though I can
> get the same sound using any volume pedal. "
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen

--0016e6d6455902f96704801e6105
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Great! that was interesting reading! admire Rypdal so much! great guitarist=
<br><br><div class=3D"gmail_quote">2010/2/21  <span dir=3D"ltr">&lt;<a href=
=3D"mailto:pjbmhb@aol.com">pjbmhb@aol.com</a>&gt;</span><br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">
<font color=3D"black" face=3D"arial" size=3D"2"><font color=3D"#228b22"><sp=
an style=3D"font-size: large;"><font face=3D"Georgia, &#39;Times New Roman&=
#39;, Times, serif">I had a Zoom 508. It was a great pedal that was extreme=
ly versatile. Kind of like having a mini delay rack on the floor.=A0</font>=
</span></font>
<div><font color=3D"#228b22"><span style=3D"font-size: large;"><font face=
=3D"Georgia, &#39;Times New Roman&#39;, Times, serif"><br>
</font></span></font></div>

<div><font color=3D"#228b22"><span style=3D"font-size: large;"><font face=
=3D"Georgia, &#39;Times New Roman&#39;, Times, serif">PJ</font></span></fon=
t><div><div></div><div class=3D"h5"><br>
<br>

<div style=3D"clear: both;"></div>
<br>
<br>

<div style=3D"font-family: helvetica,arial; font-size: 10pt; color: black;"=
>-----Original Message-----<br>
From: scott hansen &lt;<a href=3D"mailto:evanpeewee@yahoo.com" target=3D"_b=
lank">evanpeewee@yahoo.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
Sent: Sat, Feb 20, 2010 9:55 pm<br>
Subject: TERJE RYPDAL interview...was in GP<br>
<br>







<div>

<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top">
<div>interview is here:</div>


<div>=A0</div>


<div><a href=3D"http://www.guitarplayer.com/article/terje-rypdal/August-200=
6/22086" target=3D"_blank">http://www.guitarplayer.com/article/terje-rypdal=
/August-2006/22086</a></div>


<div>=A0</div>


<div>=A0</div>


<div>his effects (excerpt from interview, so this would have been as of 200=
6);</div>


<div>=A0</div>


<div>&quot;I use a Boss SD-1 Super OverDrive for distortion, a Zoom 508 del=
ay, and either a Marshall ED-1 or a T.C. Electronic Sustainer/ Equalizer fo=
r compression. Additionally, I have a Boss DD-1 delay that I sometimes hook=
 up so I can switch between two delay sounds quickly without having to chan=
ge programs. At one time, I used Roland RE-301 and Vox Echo Machine tape de=
lays, but those are too bulky and delicate to use live. I also use a Yamaha=
 volume pedal, which is small and easy to travel with, though I can get the=
 same sound using any volume pedal. &quot;</div>

</td></tr></tbody></table><br>




     =20

</div>
=20



</div>
</div></div></div>
</font>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><br><br>

--0016e6d6455902f96704801e6105--

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Date: Sun, 21 Feb 2010 11:09:29 -0500
Message-ID: <9ea2f30b1002210809k72074829mcd326403472bf1c0@mail.gmail.com>
Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016369f9e37a1373304801e8a4c
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"Each of the ten keys have five degrees of motion that can be preprogrammed
to control effects,

software, or multimedia via USB. *Once programmed, SoftStep can function
disconnected from the *

*computer for more freedom*. "


So it seems that you don't even need the usb cable after you've programmed
it....... maybe it sends the midi to  the computer through bluetooth?


Todd Matthews

On Sun, Feb 21, 2010 at 10:21 AM, Per Boysen <perboysen@gmail.com> wrote:

> A MIDI pedal is indeed what it is! :-))
>
> It uses USB to send MIDI into a computer.
> The same USB cable also feeds it with electric power.
> Watch the info videos at http://www.keithmcmillen.com/,
> they are very descriptive.
>
> Per
>
>
> On Sun, Feb 21, 2010 at 4:09 PM, nick@12testing.net <nick@1957.me.uk>
> wrote:
> > On 21 Feb 2010 at 12:26, Per Boysen wrote:
> >
> >> The amazing SoftStep weights in at only 12 percent of my Bulky
> >> Behringer tank pedal.
> >
> > but appear to have no midi option ;(
> > Nick Robinson
>
>

--0016369f9e37a1373304801e8a4c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial">&quot;Each=
 of the ten keys have five degrees of motion that can be preprogrammed to c=
ontrol effects,=A0</p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial">software, =
or multimedia via USB. <i>Once programmed, SoftStep can function disconnect=
ed from the=A0</i></p>
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"><i>compute=
r for more freedom</i>.=A0&quot;</p><p style=3D"margin: 0.0px 0.0px 0.0px 0=
.0px; font: 12.0px Arial"><br></p><p style=3D"margin: 0.0px 0.0px 0.0px 0.0=
px; font: 12.0px Arial">
So it seems that you don&#39;t even need the usb cable after you&#39;ve pro=
grammed it....... maybe it sends the midi to =A0the computer through blueto=
oth?=A0</p><div><br></div><div><br></div>Todd Matthews<div><br><div class=
=3D"gmail_quote">
On Sun, Feb 21, 2010 at 10:21 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:=
1px #ccc solid;padding-left:1ex;">
A MIDI pedal is indeed what it is! :-))<br>
<br>
It uses USB to send MIDI into a computer.<br>
The same USB cable also feeds it with electric power.<br>
Watch the info videos at <a href=3D"http://www.keithmcmillen.com/" target=
=3D"_blank">http://www.keithmcmillen.com/</a>,<br>
they are very descriptive.<br>
<font color=3D"#888888"><br>
Per<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
On Sun, Feb 21, 2010 at 4:09 PM, <a href=3D"mailto:nick@12testing.net">nick=
@12testing.net</a> &lt;<a href=3D"mailto:nick@1957.me.uk">nick@1957.me.uk</=
a>&gt; wrote:<br>
&gt; On 21 Feb 2010 at 12:26, Per Boysen wrote:<br>
&gt;<br>
&gt;&gt; The amazing SoftStep weights in at only 12 percent of my Bulky<br>
&gt;&gt; Behringer tank pedal.<br>
&gt;<br>
&gt; but appear to have no midi option ;(<br>
&gt; Nick Robinson<br>
<br>
</div></div></blockquote></div><br></div>

--0016369f9e37a1373304801e8a4c--

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	 <9ea2f30b1002210809k72074829mcd326403472bf1c0@mail.gmail.com>
Date: Sun, 21 Feb 2010 17:39:48 +0100
Message-ID: <66f9cc1e1002210839p121572bcm9e3fb1091225ecc@mail.gmail.com>
Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hey Todd, that would be neat! We should suggest that they also
manufacture a BlueTooth Receiver/MIDI Socket! Would be useful when not
putting a computer at the other end of the "virtual MIDI cable".

Their battery power metering gadget is also a very useful thing, BTW.
I have to buy all new batteries before every gig so the Batt-O-Meter
could would soon pay for itself in my rig ;-)

Per



On Sun, Feb 21, 2010 at 5:09 PM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
> "Each of the ten keys have five degrees of motion that can be preprogramm=
ed
> to control effects,
>
> software, or multimedia via USB. Once programmed, SoftStep can function
> disconnected from the
>
> computer for more freedom.=C2=A0"
>
> So it seems that you don't even need the usb cable after you've programme=
d
> it....... maybe it sends the midi to =C2=A0the computer through bluetooth=
?
>
> Todd Matthews
> On Sun, Feb 21, 2010 at 10:21 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> A MIDI pedal is indeed what it is! :-))
>>
>> It uses USB to send MIDI into a computer.
>> The same USB cable also feeds it with electric power.
>> Watch the info videos at http://www.keithmcmillen.com/,
>> they are very descriptive.
>>
>> Per
>>
>>
>> On Sun, Feb 21, 2010 at 4:09 PM, nick@12testing.net <nick@1957.me.uk>
>> wrote:
>> > On 21 Feb 2010 at 12:26, Per Boysen wrote:
>> >
>> >> The amazing SoftStep weights in at only 12 percent of my Bulky
>> >> Behringer tank pedal.
>> >
>> > but appear to have no midi option ;(
>> > Nick Robinson
>>
>
>

From mattinffo2101r@advir.com  Sun Feb 21 16:41:26 2010
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Subject: [spam] Re; immense benefit
From: "Mr Matthew Clayton" <mattinffo2101r@advir.com>
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From ericfreeman@live.co.za  Sun Feb 21 17:02:34 2010
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From: "Mr Eric Freeman"<ericfreeman@live.co.za>
Subject: Profitable business proposal from Mr. Eric Freeman
Date: Sun, 21 Feb 2010 18:22:37 +0200
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Date: Sun, 21 Feb 2010 17:42:41 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: SoftStep - almost ultimate MIDI foot control pedal board
To: Loopers-Delight@loopers-delight.com
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this is a midi software only designed footcontroller right? or will it be a=
ble to also control hardware like the EDP?=0Acheers=0Awww.myspace.com/luisa=
ngulocom=0A=0A=0A--- Per Boysen <perboysen@gmail.com> schrieb am So, 21.2.2=
010:=0A=0A> Von: Per Boysen <perboysen@gmail.com>=0A> Betreff: SoftStep - a=
lmost ultimate MIDI foot control pedal board=0A> An: "Loopers-Delight" <Loo=
pers-Delight@loopers-delight.com>=0A> Datum: Sonntag, 21. Februar, 2010 03:=
26 Uhr=0A> The amazing SoftStep weights in at=0A> only 12 percent of my Bul=
ky=0A> Behringer tank pedal. "Shipping second quartier", has=0A> anyone hea=
rd of=0A> pre ordering options?=0A> http://www.keithmcmillen.com/products/s=
oftstep/=0A> =0A> Greetings from Sweden=0A> =0A> Per Boysen=0A> www.boysen.=
se=0A> www.perboysen.com=0A> =0A> =0A=0A___________________________________=
_______________=0ADo You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCg=
t =FCber einen herausragenden Schutz gegen Massenmails. =0Ahttp://mail.yaho=
o.com 

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 17:55:55 2010
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Subject: Re: Live Looping Carrot Clarinet
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Well, we knew the Captain was good with that tiny metal flute...


From: ditch wrestler=20
Sent: Sunday, February 21, 2010 1:59 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Live Looping Carrot Clarinet



      Geez, I didn't know Jean Luc Picard could do that AND captain the =
USS Enterprise... ;-)


      ted.

      Enemies are good for self-definition. Werner Herzog

      --- On Fri, 2/19/10, Rick Walker <looppool@cruzio.com> wrote:


        From: Rick Walker <looppool@cruzio.com>
        Subject: Live Looping Carrot Clarinet
        To: "LOOPERS DELIGHT (posting)" =
<Loopers-Delight@loopers-delight.com>
        Received: Friday, February 19, 2010, 10:43 PM


        http://www.wimp.com/carrotclarinet/

    =20


-------------------------------------------------------------------------=
-------
Make your browsing faster, safer, and easier with the new Internet =
Explorer=AE 8. Optimized for Yahoo! Get it Now for Free! 
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<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
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id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Well, we knew the Captain was =
good with=20
that tiny metal flute...</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dditchwrestler@yahoo.com=20
href=3D"mailto:ditchwrestler@yahoo.com">ditch wrestler</A> </DIV>
<DIV><B>Sent:</B> Sunday, February 21, 2010 1:59 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Live Looping Carrot Clarinet</DIV></DIV></DIV>
<DIV><BR></DIV>
<TABLE border=3D0 cellSpacing=3D0 cellPadding=3D0>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop><BR>Geez, I didn't know Jean Luc Picard could do =
that AND=20
      captain the USS Enterprise... ;-)<BR><BR><BR>ted.<BR><BR>Enemies =
are good=20
      for self-definition. Werner Herzog<BR><BR>--- On <B>Fri, 2/19/10, =
Rick=20
      Walker <I>&lt;<A=20
      =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A>&gt;</I></B>=20
      wrote:<BR>
      <BLOCKQUOTE=20
      style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; =
MARGIN-LEFT: 5px"><BR>From:=20
        Rick Walker &lt;<A=20
        =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A>&gt;<BR>Subjec=
t:=20
        Live Looping Carrot Clarinet<BR>To: "LOOPERS DELIGHT (posting)" =
&lt;<A=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Received:=20
        Friday, February 19, 2010, 10:43 PM<BR><BR>
        <DIV class=3DplainMail><A =
href=3D"http://www.wimp.com/carrotclarinet/"=20
        =
target=3D_blank>http://www.wimp.com/carrotclarinet/</A><BR><BR></DIV></BL=
OCKQUOTE></TD></TR></TBODY></TABLE><BR>
<HR SIZE=3D1>
Make your browsing faster, safer, and easier with the new Internet =
Explorer=AE 8.=20
Optimized for Yahoo! <A=20
href=3D"http://downloads.yahoo.com/ca/internetexplorer/"><B>Get it Now =
for Free!=20
</B></A></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 18:58:08 2010
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	charset=us-ascii

That sounds about like what I was looking to do. Some things are better =
handled with foot switches, but for adjusting things like mixes and =
panning seems better handled with faders. I've got an Akai MPK49 that I =
was going to try this way, but it has a strong bias toward working as a =
USB controller unless one can track down an appropriate external power =
adapter. Presumably I'll have to do the same with the Novation. Does the =
Novation + Looperlative provide reasonable front panel feedback? For =
example, could I set it up so that I could see which tracks had been set =
for scramble or reverse, etc.? Is it possible to have a mute function =
for the track in addition to the volume control?

Having touched off the Looperlative v EDP debate, I must say that the =
EDP wasn't that hard to configure for MIDI control either though it =
isn't as flexible as the Looperlative. Andy's discussion of issues like =
long presses and the tuning on the behavior of the various modes is what =
makes the EDP seem more immediately controllable whereas the =
Looperlative is a high-quality core that needs to be configured to =
really be exploited.

One challenging area I've distinctly seen with the Looperlative is that =
the internal state machine seems at times harder to manipulate than the =
EDP. For example, having set up a basic cycle on one loop/looper, I like =
to have another loop/looper running with 0% feedback so that it just =
gives me a single repeat, but I then want to be able to transition into =
an overdub mode or even a hold (i.e., feedback =3D 100%, input =3D 0%). =
That's fairly easy in some configurations on the EDP. The =
Replace+Original function on the Looperlative seems to be the way to do =
it there, but it seems harder to set commands for "now I'm replacing", =
"now I'm overdubbing", "now I'm holding" that will work from any of the =
states. Maybe I've just missed some subtleties in the Looperlative =
programming and/or I'm using the wrong function. But I'll note, for =
example, that there aren't enough steps in a command to create a =
"Feedback =3D 0%" button.

Mark

On Feb 20, 2010, at 6:03 PM, Simeon Harris wrote:

> i use the novation and a footcontroller. the footcontroller (nobels =
mf1) is for rec/dub, next loop etc and the novation is for hands on =
stuff like volume controls, aux assigns and a multitude of other =
functions (i even use the drum pads like piano keys to re-pitch loops). =
every fader, button and pad on the novation is used for something. i'd =
be happy to expand more, if you're interested.
>=20
> sim
>=20
> On Sun, Feb 21, 2010 at 12:03 AM, William Walker =
<billwalker@baymoon.com> wrote:
>=20
> "Any recommendations on controllers to use with the Looperlative? I've =
been eyeing the Novation Remote Zero, but I figure actual experience is =
better than just reading specs. I probably need some level of foot =
control, but the big thing for me is ease of exploiting the mixing and =
other capabilities on the Looperlative.


--Apple-Mail-322-708675080
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">That =
sounds about like what I was looking to do. Some things are better =
handled with foot switches, but for adjusting things like mixes and =
panning seems better handled with faders. I've got an Akai MPK49 that I =
was going to try this way, but it has a strong bias toward working as a =
USB controller unless one can track down an appropriate external power =
adapter. Presumably I'll have to do the same with the Novation. Does the =
Novation + Looperlative provide reasonable front panel feedback? For =
example, could I set it up so that I could see which tracks had been set =
for scramble or reverse, etc.? Is it possible to have a mute function =
for the track in addition to the volume =
control?<div><br></div><div>Having touched off the Looperlative v EDP =
debate, I must say that the EDP wasn't that hard to configure for MIDI =
control either though it isn't as flexible as the Looperlative. Andy's =
discussion of issues like long presses and the tuning on the behavior of =
the various modes is what makes the EDP seem more immediately =
controllable whereas the Looperlative is a high-quality core that needs =
to be configured to really be exploited.</div><div><br></div><div>One =
challenging area I've distinctly seen with the Looperlative is that the =
internal state machine seems at times harder to manipulate than the EDP. =
For example, having set up a basic cycle on one loop/looper, I like to =
have another loop/looper running with 0% feedback so that it just gives =
me a single repeat, but I then want to be able to transition into an =
overdub mode or even a hold (i.e., feedback =3D 100%, input =3D 0%). =
That's fairly easy in some configurations on the EDP. The =
Replace+Original function on the Looperlative seems to be the way to do =
it there, but it seems harder to set commands for "now I'm replacing", =
"now I'm overdubbing", "now I'm holding" that will work from any of the =
states. Maybe I've just missed some subtleties in the Looperlative =
programming and/or I'm using the wrong function. But I'll note, for =
example, that there aren't enough steps in a command to create a =
"Feedback =3D 0%" =
button.</div><div><br></div><div>Mark<br><div><div><div><br><div><div>On =
Feb 20, 2010, at 6:03 PM, Simeon Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">i use the =
novation and a footcontroller. the footcontroller (nobels mf1) is for =
rec/dub, next loop etc and the novation is for hands on stuff like =
volume controls, aux assigns and a multitude of other functions (i even =
use the drum pads like piano keys to re-pitch loops). every fader, =
button and pad on the novation is used for something. i'd be happy to =
expand more, if you're interested.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Sun, Feb 21, 2010 at 12:03 =
AM, William Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</spa=
n> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">
<br>
"Any recommendations on controllers to use with the Looperlative? I've =
been eyeing the Novation Remote Zero, but I figure actual experience is =
better than just reading specs. I probably need some level of foot =
control, but the big thing for me is ease of exploiting the mixing and =
other capabilities on the Looperlative.<br>
</blockquote></div>
</blockquote></div><br></div></div></div></div></body></html>=

--Apple-Mail-322-708675080--

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	 <82CEEEBF-BB6F-45CF-890B-6AADEC5FDF45@grubmah.com>
Date: Sun, 21 Feb 2010 19:31:08 +0000
Message-ID: <d302e3571002211131p5f517260s240a7691fbca3ccb@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f62994c6e7000480215bec
Content-Type: text/plain; charset=ISO-8859-1

i've inserted my replies below...

Presumably I'll have to do the same with the Novation.
>

the novation will run off any 9v power adaptor that's centre positive (you
can get a polarity invertor from visual sound if you only have centre
negative ones)


> Does the Novation + Looperlative provide reasonable front panel feedback?
> For example, could I set it up so that I could see which tracks had been set
> for scramble or reverse, etc.?
>

unfortunately, the screen is quite small and only shows which function
you've selected when you actually send the command. you've just got to use
your ears, really

Is it possible to have a mute function for the track in addition to the
> volume control?
>

yes - the stop commands are effectively mutes. you can unmute a track
immediately with a "play now", or use "play" to unmute from the beginning of
the cycle

>
> Having touched off the Looperlative v EDP debate, I must say that the EDP
> wasn't that hard to configure for MIDI control either though it isn't as
> flexible as the Looperlative. Andy's discussion of issues like long presses
> and the tuning on the behavior of the various modes is what makes the EDP
> seem more immediately controllable whereas the Looperlative is a
> high-quality core that needs to be configured to really be exploited.
>

that's part of the beauty of the machine - everyone's different and work in
different ways, so you can configure the lp-1 to do what YOU want it to do

>
> One challenging area I've distinctly seen with the Looperlative is that the
> internal state machine seems at times harder to manipulate than the EDP. For
> example, having set up a basic cycle on one loop/looper, I like to have
> another loop/looper running with 0% feedback so that it just gives me a
> single repeat, but I then want to be able to transition into an overdub mode
> or even a hold (i.e., feedback = 100%, input = 0%). That's fairly easy in
> some configurations on the EDP. The Replace+Original function on the
> Looperlative seems to be the way to do it there, but it seems harder to set
> commands for "now I'm replacing", "now I'm overdubbing", "now I'm holding"
> that will work from any of the states. Maybe I've just missed some
> subtleties in the Looperlative programming and/or I'm using the wrong
> function.
>

you've got to get your head out of edp-ville. you simply need to configure a
knob or fader to control feedback level. in overdub mode, with feedback set
to zero, you've got a single "delay". turn feedback up and you're
overdubbing. close the loop with 100% feedback and you're in "hold" mode

But I'll note, for example, that there aren't enough steps in a command to
> create a "Feedback = 0%" button.
>

not sure what you mean here. there's no feedback = 0 command, but once you
have set up a continuous controller for feedback, then all you have to do is
configure a button to send a value of zero for that cc number. if you create
the button as a toggle, then you can toggle between whatever two feedback
values you like

sim

--001485f62994c6e7000480215bec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;ve inserted my replies below...<br><br><div class=3D"gmail_quote"><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"word-w=
rap: break-word;">
Presumably I&#39;ll have to do the same with the Novation. </div></blockquo=
te><div><br>the novation will run off any 9v power adaptor that&#39;s centr=
e positive (you can get a polarity invertor from visual sound if you only h=
ave centre negative ones)<br>
=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div sty=
le=3D"word-wrap: break-word;">Does the Novation + Looperlative provide reas=
onable front panel feedback? For example, could I set it up so that I could=
 see which tracks had been set for scramble or reverse, etc.? </div>
</blockquote><div><br>unfortunately, the screen is quite small and only sho=
ws which function you&#39;ve selected when you actually send the command. y=
ou&#39;ve just got to use your ears, really</div><div><br></div><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">Is it possible to have a mute functio=
n for the track in addition to the volume control?</div></blockquote><div><=
br>yes - the stop commands are effectively mutes. you can unmute a track im=
mediately with a &quot;play now&quot;, or use &quot;play&quot; to unmute fr=
om the beginning of the cycle<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=
=3D"word-wrap: break-word;"><div><br></div><div>Having touched off the Loop=
erlative v EDP debate, I must say that the EDP wasn&#39;t that hard to conf=
igure for MIDI control either though it isn&#39;t as flexible as the Looper=
lative. Andy&#39;s discussion of issues like long presses and the tuning on=
 the behavior of the various modes is what makes the EDP seem more immediat=
ely controllable whereas the Looperlative is a high-quality core that needs=
 to be configured to really be exploited.</div>
</div></blockquote><div><br>that&#39;s part of the beauty of the machine - =
everyone&#39;s different and work in different ways, so you can configure t=
he lp-1 to do what YOU want it to do<br></div><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">
<div style=3D"word-wrap: break-word;"><div><br></div><div>One challenging a=
rea I&#39;ve distinctly seen with the Looperlative is that the internal sta=
te machine seems at times harder to manipulate than the EDP. For example, h=
aving set up a basic cycle on one loop/looper, I like to have another loop/=
looper running with 0% feedback so that it just gives me a single repeat, b=
ut I then want to be able to transition into an overdub mode or even a hold=
 (i.e., feedback =3D 100%, input =3D 0%). That&#39;s fairly easy in some co=
nfigurations on the EDP. The Replace+Original function on the Looperlative =
seems to be the way to do it there, but it seems harder to set commands for=
 &quot;now I&#39;m replacing&quot;, &quot;now I&#39;m overdubbing&quot;, &q=
uot;now I&#39;m holding&quot; that will work from any of the states. Maybe =
I&#39;ve just missed some subtleties in the Looperlative programming and/or=
 I&#39;m using the wrong function. </div>
</div></blockquote><div><br>you&#39;ve got to get your head out of edp-vill=
e. you simply need to
configure a knob or fader to control feedback level. in overdub mode,
with feedback set to zero, you&#39;ve got a single &quot;delay&quot;. turn =
feedback
up and you&#39;re overdubbing. close the loop with 100% feedback and you&#3=
9;re
in &quot;hold&quot; mode=A0 <br><br></div><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;"><div style=3D"word-wrap: break-word;"><div>But I&#=
39;ll note, for example, that there aren&#39;t enough steps in a command to=
 create a &quot;Feedback =3D 0%&quot; button.</div>
</div></blockquote><div><br>not sure what you mean here. there&#39;s no fee=
dback =3D 0 command, but once you have set up a continuous controller for f=
eedback, then all you have to do is configure a button to send a value of z=
ero for that cc number. if you create the button as a toggle, then you can =
toggle between whatever two feedback values you like<br>
<br>sim <br></div><div><br><br></div></div>

--001485f62994c6e7000480215bec--

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Date: Sun, 21 Feb 2010 11:38:43 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Ambient friendly USA college radio...
To: Loopers-Delight@loopers-delight.com
MIME-Version: 1.0
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((I don't think this actually appeared in email the first time I sent it a =
few days ago....))=0A=0A=0AHi - I've been working my new UNDO CD, entitlted=
 "9.9.99" on college radio.=C2=A0 The music is kind of ambient.=C2=A0 As yo=
u can imagine, it's not everyone's cup of tea. But some stations have been =
playing it.=C2=A0 So, based on my result, here is a listing of stations tha=
t one might call "ambient-music" friendly.=C2=A0 =0A=0AI hope this listing =
may be helpful to you if you also would like to promote your ambient music =
to US college radio.=C2=A0 Good luck!=0A=0AKind regards,=0A=0ADavid=0A=0AP.=
S. I know Loopers-Delight is well read in the Santa Cruz area.=C2=A0 Please=
 feel free to request UNDO from KZSC.=C2=A0 It's actually charting quite we=
ll there!=0A=0AAK - Anchorage - KRUA - COL=0ACA=C2=A0- Santa Cruz=C2=A0- KZ=
SC -CORE / MG=0ACA=C2=A0- San Luis Obispo - KCPR - COL=0AGA=C2=A0- Atlanta =
- WREK - CORE / MG=0AGA=C2=A0- Savannah - Scad Radio / WRFS - COL=0AIL=C2=
=A0- Monmouth - WMCR-2 - COL=0AIN=C2=A0- Terre Haute - WMHD - COL=0AIN=C2=
=A0 - Muncie - WCRD - COL=0AMD - Towson - XTSR - COL=0AME - East Orland - W=
ERU-2 - COL=0AME=C2=A0- Farmington=C2=A0- WUMF -COL=0AME=C2=A0- Lewiston - =
WRBC - COL=0AMI=C2=A0- Marquette - WUPX - col=0AMI=C2=A0- Mt. Pleasant - WM=
HW - COL=0ANF=C2=A0 - St John=E2=80=99s - CHMR - COL=0ANJ=C2=A0- Glassboro =
- WGLS - COL=0ANY - Dix Hills - WFTU=C2=A0- COL=0ANY - Garden City - WHPC=
=0ANY=C2=A0- Fredonia - WCVF - COL=0ANY - Oneonta - WONY - COL=0ANY=C2=A0- =
Hamilton - WRCU - COL=0AOR - Gresham - KMHD2 - COL=0APA=C2=A0- Millersville=
=C2=A0- WIXQ - COL=0APA=C2=A0- Reading=C2=A0- WXAC - COL=0APA=C2=A0- Scrant=
on - WVMW -COL=0APA=C2=A0- Mansfield=C2=A0- WNTE - COL=0ARI=C2=A0- Providen=
ce - WXIN - COL=0ATX=C2=A0- College Station - KANM - COLVA=C2=A0- Richmond =
- WDCE - COL=0AWI - Platteville - WSUP - COL=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>=0A<DIV><FONT size=3D2 face=3DTahoma>((I don't think this actuall=
y appeared in email the first time I sent it a few days ago....))<BR></FONT=
><BR></DIV>=0A<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT=
-SIZE: 10pt">=0A<DIV style=3D"FONT-FAMILY: times new roman, new york, times=
, serif; FONT-SIZE: 12pt">=0A<DIV style=3D"FONT-FAMILY: arial, helvetica, s=
ans-serif; FONT-SIZE: 10pt">=0A<DIV>Hi - I've been working my new UNDO CD, =
entitlted "9.9.99" on college radio.&nbsp; The music is kind of ambient.&nb=
sp; As you can imagine, it's not everyone's cup of tea. But some stations h=
ave been playing it.&nbsp; So, based on my result, <STRONG>here is a listin=
g of stations that one might call "ambient-music" friendly</STRONG>.&nbsp; =
</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I hope this listing may be helpful to you=
 if you also would like to promote your ambient music to US college radio.&=
nbsp; Good luck!</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Kind regards,</DIV>=0A<DI=
V>&nbsp;</DIV>=0A<DIV>David</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>P.S. I know Lo=
opers-Delight is well read in the <STRONG>Santa Cruz </STRONG>area.&nbsp; P=
lease feel free to request UNDO from KZSC.&nbsp; It's actually charting qui=
te well there!</DIV></DIV></DIV></DIV></DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>=0A=
<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT =
face=3DConsolas>AK - Anchorage - KRUA - COL<?xml:namespace prefix =3D o ns =
=3D "urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></FONT></=
P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><=
FONT face=3DConsolas>CA&nbsp;- Santa Cruz&nbsp;- KZSC -CORE / MG<o:p></o:p>=
</FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText>=
<FONT size=3D3><FONT face=3DConsolas>CA&nbsp;- San Luis Obispo - KCPR - COL=
<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMs=
oPlainText><FONT size=3D3><FONT face=3DConsolas>GA&nbsp;- Atlanta - WREK - =
CORE / MG<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" c=
lass=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>GA&nbsp;- Savannah=
 - Scad Radio / WRFS - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGI=
N: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>I=
L&nbsp;- Monmouth - WMCR-2 - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D=
"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DCons=
olas>IN&nbsp;- Terre Haute - WMHD - COL<o:p></o:p></FONT></FONT></P>=0A<P s=
tyle=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=
=3DConsolas>IN&nbsp; - Muncie - WCRD - COL<o:p></o:p></FONT></FONT></P>=0A<=
P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT f=
ace=3DConsolas>MD - Towson - XTSR - COL<o:p></o:p></FONT></FONT></P>=0A<P s=
tyle=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=
=3DConsolas>ME - East Orland - WERU-2 - COL<o:p></o:p></FONT></FONT></P>=0A=
<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT =
face=3DConsolas>ME&nbsp;- Farmington&nbsp;- WUMF -COL<o:p></o:p></FONT></FO=
NT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=
=3D3><FONT face=3DConsolas>ME&nbsp;- Lewiston - WRBC - COL<o:p></o:p></FONT=
></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT =
size=3D3><FONT face=3DConsolas>MI&nbsp;- Marquette - WUPX - col<o:p></o:p><=
/FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><=
FONT size=3D3><FONT face=3DConsolas>MI&nbsp;- Mt. Pleasant - WMHW - COL<o:p=
></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPla=
inText><FONT size=3D3><FONT face=3DConsolas>NF&nbsp; - St John=E2=80=99s - =
CHMR - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" =
class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NJ&nbsp;- Glassbo=
ro - WGLS - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in =
0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NY - Dix Hil=
ls - WFTU&nbsp;- COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in=
 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NY - Ga=
rden City - WHPC<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in=
 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NY&nbsp;- F=
redonia - WCVF - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in=
 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NY - On=
eonta - WONY - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0=
in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>NY&nbsp;-=
 Hamilton - WRCU - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0=
in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>OR - =
Gresham - KMHD2 - COL<o:p></o:p></FONT></FONT></P>=0A<P style=3D"MARGIN: 0i=
n 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DConsolas>PA&nbs=
p;- Millersville&nbsp;- WIXQ - COL<o:p></o:p></FONT></FONT></P>=0A<P style=
=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT face=3DC=
onsolas>PA&nbsp;- Reading&nbsp;- WXAC - COL<o:p></o:p></FONT></FONT></P>=0A=
<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FONT =
face=3DConsolas>PA&nbsp;- Scranton - WVMW -COL<o:p></o:p></FONT></FONT></P>=
=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT size=3D3><FO=
NT face=3DConsolas>PA&nbsp;- Mansfield&nbsp;- WNTE - COL<o:p></o:p></FONT><=
/FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><FONT si=
ze=3D3><FONT face=3DConsolas>RI&nbsp;- Providence - WXIN - COL<o:p></o:p></=
FONT></FONT></P>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoPlainText><F=
ONT size=3D3><FONT face=3DConsolas>TX&nbsp;- College Station - KANM - COL<o=
:p></o:p></FONT></FONT></P><SPAN style=3D"FONT-FAMILY: 'Calibri','sans-seri=
f'; FONT-SIZE: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-fa=
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inor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: m=
inor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-=
language: AR-SA">VA&nbsp;- Richmond - WDCE - COL</SPAN><FONT size=3D3 face=
=3D"Times New Roman"> </FONT>=0A<P style=3D"MARGIN: 0in 0in 0pt" class=3DMs=
oNormal><SPAN style=3D"FONT-FAMILY: 'Calibri','sans-serif'; FONT-SIZE: 11pt=
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-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">WI=
 - Platteville - WSUP - COL</SPAN></P></DIV></div><br>=0A=0A=0A=0A      </b=
ody></html>
--0-2146415612-1266781123=:23764--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 20:07:42 2010
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Subject: Re: Looperlative & Novation Remote Zero?
Date: Sun, 21 Feb 2010 12:07:34 -0800
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On Feb 21, 2010, at 11:31 AM, Simeon Harris wrote:

> But I'll note, for example, that there aren't enough steps in a =
command to create a "Feedback =3D 0%" button.
>=20
> not sure what you mean here. there's no feedback =3D 0 command, but =
once you have set up a continuous controller for feedback, then all you =
have to do is configure a button to send a value of zero for that cc =
number. if you create the button as a toggle, then you can toggle =
between whatever two feedback values you like

And there's the need for sophistication on the controller side as well I =
guess. I can teach the Looperlative to execute a sequence of commands in =
response to a simple controller message, but I need a controller that I =
can teach to send particular control values as the result of button =
presses.

(You can create Looperlative buttons to get to 100% feedback, 90%, 80%, =
70%, 60%, 50%, 40%, and 30% by setting to 100% and then working down in =
steps of 10%.)

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br><div><div>On Feb 21, 2010, at 11:31 AM, Simeon Harris =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><blockquote class=3D"gmail_quote" =
style=3D"border-left-width: 1px; border-left-style: solid; =
border-left-color: rgb(204, 204, 204); margin-top: 0pt; margin-right: =
0pt; margin-bottom: 0pt; margin-left: 0.8ex; padding-left: 1ex; "><div =
style=3D"word-wrap: break-word; "><div>But I'll note, for example, that =
there aren't enough steps in a command to create a "Feedback =3D 0%" =
button.</div></div></blockquote><div><br>not sure what you mean here. =
there's no feedback =3D 0 command, but once you have set up a continuous =
controller for feedback, then all you have to do is configure a button =
to send a value of zero for that cc number. if you create the button as =
a toggle, then you can toggle between whatever two feedback values you =
like<br></div></span></blockquote></div><br><div>And there's the need =
for sophistication on the controller side as well I guess. I can teach =
the Looperlative to execute a sequence of commands in response to a =
simple controller message, but I need a controller that I can teach to =
send particular control values as the result of button =
presses.</div><div><br></div><div>(You can create Looperlative buttons =
to get to 100% feedback, 90%, 80%, 70%, 60%, 50%, 40%, and 30% by =
setting to 100% and then working down in steps of =
10%.)</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-340-712845798--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 20:19:47 2010
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From: William Walker <billwalker@baymoon.com>
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Subject: RE: SoftStep - almost ultimate MIDI foot
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did you see this demo of the soft step i took at NAMM? To reiterate,   
my only concerns with this really cool device is the feel and possible  
latency of this type of soft style controller, the potential for false  
triggering if assigning different XYZ access functions to a single  
pedal, the fact that the second row of pedals is the same height  as  
the first and that it has one measly expression port with an 1/8th trs  
jack and midi only as an option, not an issue with a lap dog like  
yourself. Other than that it sure is one sexy beast and super  
powerful. Of course all of these concerns could evaporate if the thing  
works great. They didn't really have it working to the point that one  
could actually play with it but it sure looked impressive. I imagine  
Zoe will be the first to get her mitts on it when available. Zoe, any  
news? have you got hold of a working prototype?
http://www.youtube.com/user/BillWalkerGuitar

Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">did you see this demo of the =
soft step i took at NAMM? To reiterate, &nbsp;my only concerns with this =
really cool device is the feel and possible latency of this type of soft =
style controller, the potential for false triggering if assigning =
different XYZ access functions to a single pedal, the fact that the =
second row of pedals is the same height &nbsp;as the first and that it =
has one measly expression port with an 1/8th trs jack and midi only as =
an option, not an issue with a lap dog like yourself. Other than that it =
sure is one sexy beast and super powerful. Of course all of these =
concerns could evaporate if the thing works great. They didn't really =
have it working to the point that one could actually play with it but it =
sure looked impressive. I imagine Zoe will be the first to get her mitts =
on it when available. Zoe, any news? have you got hold of a working =
prototype?<div><a =
href=3D"http://www.youtube.com/user/BillWalkerGuitar">http://www.youtube.c=
om/user/BillWalkerGuitar</a></div><div><br></div><div>Bill</div></body></h=
tml>=

--Apple-Mail-1-713564597--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 20:33:32 2010
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Date: Sun, 21 Feb 2010 21:33:31 +0100
Message-ID: <66f9cc1e1002211233l78b73c3o6b64af0a2efe950c@mail.gmail.com>
Subject: Re: SoftStep - almost ultimate MIDI foot control pedal board
From: Per Boysen <perboysen@gmail.com>
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On Sun, Feb 21, 2010 at 6:42 PM, L.Angulo <labaloops@yahoo.com> wrote:
> this is a midi software only designed footcontroller right?
> or will it be able to also control hardware like the EDP?


Does the EDP have a USB port? No. Gives this pedal can not directly
control an EDP. Unless you put a computer in between of course. Like
this:

Pedal -->(via USB)--> laptop -->(via MIDI jack port)--> EDP MIDI in port.

Or, hypothetically, if Keith McMillen would follow up with a new
product like "BlueTooth wireless USB MIDI to physical MIDI jack
converter". That would be immensely useful.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sun, 21 Feb 2010 15:52:30 -0500
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Subject: GigSpam: Chinapainting LIVE NYC tonight 7
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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For any in NYC area, Chinapainting is performing this evening at 7 at
ABC Norio, 156 Rivington (Delancy area F train) in Manhattan.

Have a great night.

Jim
www.chinapaintingmusic.com

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Date: Sun, 21 Feb 2010 22:00:08 +0100
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Subject: Re: GigSpam: Chinapainting LIVE NYC tonight 7
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On Sun, Feb 21, 2010 at 9:52 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> For any in NYC area, Chinapainting is performing this evening at 7 at
> ABC Norio, 156 Rivington (Delancy area F train) in Manhattan.


Dammit, too late to catch the evening flight!!! Will you young
whippersnapper ever learn to advertise in time!!!! ;-)  Rock the
house, break a leg etc etc...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: SoftStep - almost ultimate MIDI foot
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Nope, believe me, I've tried. But my attempts at getting a prototype  
have failed
Seems like I have to wait like everyone else ;-)


On Feb 21, 2010, at 12:19 PM, William Walker wrote:

> did you see this demo of the soft step i took at NAMM? To  
> reiterate,  my only concerns with this really cool device is the  
> feel and possible latency of this type of soft style controller, the  
> potential for false triggering if assigning different XYZ access  
> functions to a single pedal, the fact that the second row of pedals  
> is the same height  as the first and that it has one measly  
> expression port with an 1/8th trs jack and midi only as an option,  
> not an issue with a lap dog like yourself. Other than that it sure  
> is one sexy beast and super powerful. Of course all of these  
> concerns could evaporate if the thing works great. They didn't  
> really have it working to the point that one could actually play  
> with it but it sure looked impressive. I imagine Zoe will be the  
> first to get her mitts on it when available. Zoe, any news? have you  
> got hold of a working prototype?
> http://www.youtube.com/user/BillWalkerGuitar
>
> Bill


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Nope, believe me, I've tried. =
But my attempts at getting a prototype have failed<div>Seems like I have =
to wait like everyone else =
;-)</div><div><br></div><div><br></div><div><div><div>On Feb 21, 2010, =
at 12:19 PM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">did you see this demo of the =
soft step i took at NAMM? To reiterate, &nbsp;my only concerns with this =
really cool device is the feel and possible latency of this type of soft =
style controller, the potential for false triggering if assigning =
different XYZ access functions to a single pedal, the fact that the =
second row of pedals is the same height &nbsp;as the first and that it =
has one measly expression port with an 1/8th trs jack and midi only as =
an option, not an issue with a lap dog like yourself. Other than that it =
sure is one sexy beast and super powerful. Of course all of these =
concerns could evaporate if the thing works great. They didn't really =
have it working to the point that one could actually play with it but it =
sure looked impressive. I imagine Zoe will be the first to get her mitts =
on it when available. Zoe, any news? have you got hold of a working =
prototype?<div><a =
href=3D"http://www.youtube.com/user/BillWalkerGuitar">http://www.youtube.c=
om/user/BillWalkerGuitar</a></div><div><br></div><div>Bill</div></div></bl=
ockquote></div><br></div></body></html>=

--Apple-Mail-1-716891400--

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Subject: Re: GigSpam: Chinapainting LIVE NYC tonight 7
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Ahh Rivington... I used to live in an apartment right there... spitting
distance from the good ole CBGBs.. Have a good one!

mark

On Sun, Feb 21, 2010 at 10:00 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Feb 21, 2010 at 9:52 PM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > For any in NYC area, Chinapainting is performing this evening at 7 at
> > ABC Norio, 156 Rivington (Delancy area F train) in Manhattan.
>
>
> Dammit, too late to catch the evening flight!!! Will you young
> whippersnapper ever learn to advertise in time!!!! ;-)  Rock the
> house, break a leg etc etc...
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cdfd7d29853810480235579
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Ahh Rivington... I used to live in an apartment right there... spitting dis=
tance from the good ole CBGBs.. Have a good one!<br><br>mark<br><br><div cl=
ass=3D"gmail_quote">On Sun, Feb 21, 2010 at 10:00 PM, Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Sun, Feb 21, 2010 at 9:52 PM, Jim Goodin &lt;<a href=3D"mailto:jimgoodi=
nmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>


&gt; For any in NYC area, Chinapainting is performing this evening at 7 at<=
br>
&gt; ABC Norio, 156 Rivington (Delancy area F train) in Manhattan.<br>
<br>
<br>
</div>Dammit, too late to catch the evening flight!!! Will you young<br>
whippersnapper ever learn to advertise in time!!!! ;-) =A0Rock the<br>
house, break a leg etc etc...<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cdfd7d29853810480235579--

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Subject: Re: Looperlative & Novation Remote Zero?
Date: Sun, 21 Feb 2010 22:07:31 +0000
References: <628E012C-EBC2-4B6D-A6C9-75A7F0CA8B14@baymoon.com> <d302e3571002201803y52b3a5if00ec6098d0732eb@mail.gmail.com> <82CEEEBF-BB6F-45CF-890B-6AADEC5FDF45@grubmah.com> <d302e3571002211131p5f517260s240a7691fbca3ccb@mail.gmail.com> <8E0EAF6F-6950-4694-86C3-E374CD8A03E6@grubmah.com>
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Yes that's right. The Novation is great as that kind of programming is  
easy, especially with the software editor.


On 21 Feb 2010, at 20:07, Mark Hamburg <mark@grubmah.com> wrote:

>
> On Feb 21, 2010, at 11:31 AM, Simeon Harris wrote:
>
>> But I'll note, for example, that there aren't enough steps in a  
>> command to create a "Feedback = 0%" button.
>>
>> not sure what you mean here. there's no feedback = 0 command, but  
>> once you have set up a continuous controller for feedback, then all  
>> you have to do is configure a button to send a value of zero for  
>> that cc number. if you create the button as a toggle, then you can  
>> toggle between whatever two feedback values you like
>
> And there's the need for sophistication on the controller side as  
> well I guess. I can teach the Looperlative to execute a sequence of  
> commands in response to a simple controller message, but I need a  
> controller that I can teach to send particular control values as the  
> result of button presses.
>
> (You can create Looperlative buttons to get to 100% feedback, 90%,  
> 80%, 70%, 60%, 50%, 40%, and 30% by setting to 100% and then working  
> down in steps of 10%.)
>
> Mark
>

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<html><body bgcolor=3D"#FFFFFF"><div><br>Yes that's right. The Novation =
is great as that kind of programming is easy, especially with the =
software editor.</div><div><br></div><div><br>On 21 Feb 2010, at 20:07, =
Mark Hamburg &lt;<a =
href=3D"mailto:mark@grubmah.com">mark@grubmah.com</a>&gt; =
wrote:<br><br></div><div><span></span></div><blockquote =
type=3D"cite"><div><br><div><div>On Feb 21, 2010, at 11:31 AM, Simeon =
Harris wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><blockquote class=3D"gmail_quote" =
style=3D"border-left-width: 1px; border-left-style: solid; =
border-left-color: rgb(204, 204, 204); margin-top: 0pt; margin-right: =
0pt; margin-bottom: 0pt; margin-left: 0.8ex; padding-left: 1ex; "><div =
style=3D"word-wrap: break-word; "><div>But I'll note, for example, that =
there aren't enough steps in a command to create a "Feedback =3D 0%" =
button.</div></div></blockquote><div><br>not sure what you mean here. =
there's no feedback =3D 0 command, but once you have set up a continuous =
controller for feedback, then all you have to do is configure a button =
to send a value of zero for that cc number. if you create the button as =
a toggle, then you can toggle between whatever two feedback values you =
like<br></div></span></blockquote></div><br><div>And there's the need =
for sophistication on the controller side as well I guess. I can teach =
the Looperlative to execute a sequence of commands in response to a =
simple controller message, but I need a controller that I can teach to =
send particular control values as the result of button =
presses.</div><div><br></div><div>(You can create Looperlative buttons =
to get to 100% feedback, 90%, 80%, 70%, 60%, 50%, 40%, and 30% by =
setting to 100% and then working down in steps of =
10%.)</div><div><br></div><div>Mark</div><div><br></div></div></blockquote=
></body></html>=

--Apple-Mail-1-720043008--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 22:13:52 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: my version of "Helter Skelter" using the mathons plugin
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L.Angulo wrote:
> Hi gang,
> heres my version of Helter Skelter 
Playing it noe.  Very cool version of the song!

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Feb 21 22:49:27 2010
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Subject: Re: GigSpam: Chinapainting LIVE NYC tonight 7
From: Jim Goodin <jimgoodinmusic@gmail.com>
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You guys are great!  Per so funny yeah figured you'd not let the
'pond+ stand in your way (grins).  Mark that's wild to know you had
time in ny.  Thanks for your joveial and supportive words, we'll
dedicate our set to you guys.

On 2/21/10, mark francombe <mark@markfrancombe.com> wrote:
> Ahh Rivington... I used to live in an apartment right there... spitting
> distance from the good ole CBGBs.. Have a good one!
>
> mark
>
> On Sun, Feb 21, 2010 at 10:00 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Sun, Feb 21, 2010 at 9:52 PM, Jim Goodin <jimgoodinmusic@gmail.com>
>> wrote:
>> > For any in NYC area, Chinapainting is performing this evening at 7 at
>> > ABC Norio, 156 Rivington (Delancy area F train) in Manhattan.
>>
>>
>> Dammit, too late to catch the evening flight!!! Will you young
>> whippersnapper ever learn to advertise in time!!!! ;-)  Rock the
>> house, break a leg etc etc...
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From m.hudson1@orange.fr  Mon Feb 22 00:22:13 2010
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Fund Manager: MR. Martin Hudson
The Mercantile Investment Trust plc.

I am MR. Martin Hudson one of The Portfolio manager of The Mercantile Investment Trust plc.a group of JP Morgan INVESTMENT INTERNATIONAL. I handle all Investor’s within my management portfolio Direct Capital Funds (there investment funds).

As a routine every investor gets the percentage profit or dividend from the total cash he or she invested into the company annually.. Last year it was announced that the profit margin was 18.9% after calculating carefully I found out that the profit margin was 20.1% that is an excess of 1.2% on each investor so I secretly extracted 1.2% Excess Maximum Return Capital Profit (EMRCP) per annum on each of the Investor's Marginal Capital Fund and created a separate account where the total sum of the extraction was kept As an expert, the account has a valued for 37,600,000.00.pounds (thirty seven million, six hundred thousand Pounds)

Now, I am looking for someone who I can trust to stand as an Investor to receive the fund as Annual Investment Proceeds from The Mercantile Investment Trust plc. All legal documents to back up the claims will be made available to you prior to your acceptance.

Meanwhile, I have worked out the modalities and technicalities whereby the funds can be claimed in any of our 6 Clearing Houses without any hitches. Our sharing ratio will be 50-50. If you are interested, you should send your direct phone number so we could discuss more on phone as regard the transaction.
 
 
Sincerely.
Martin Hudson


From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 02:20:26 2010
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Date: Sun, 21 Feb 2010 21:12:44 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looperlative & Novation Remote Zero?
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Hey!! By sheer coincidence I have a Novation remote zero for sale in 
the original box and including fully functional plugins for the  the 
PPG wave 2.2, the Waldorf filter, etc..  anyone here interested?
-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

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>> "(You can create Looperlative buttons to get to 100% feedback, 90%,  
>> 80%, 70%, 60%, 50%, 40%, and 30% by setting to 100% and then  
>> working down in steps of 10%.)"



hey Mark do what Simeon sez and what I also do,  have feedback on a  
continuous controller pedal, easy to get any amount of feedback you  
want that way, great for morphing loops while in overdub ,way fun  
happy happy, P.S. it is also possible with the LP-1 to emulate to a  
degree, sus type commands in  quantize replace mode simply, by  
duplicating the command on one preset switch for example: a command I  
use a lot is is  quantize replace/ quantize replace with quantize set  
to 16. one button press replaces a 16th of the overall loop length.   
This is great for creating percolating sequencer-like patterns and  
glitchy stuff. The fact that you can set a different quantize function  
for each of the eight tracks can conjure up some interesting an near  
limitless combinations of  polyrhythms.
Bill

From ritamorgan1@gmail.com  Mon Feb 22 07:50:58 2010
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From: "Mrs.Rita Morgan"<ritamorgan1@gmail.com>
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My Good Friend,

I will like you to help me see my final wish come true,i am very sick and have
some fund to donate to the orpanage($18.5M)in the Security Company.I want you to act as my new beneficiary to receive the fund and put it in good use by using it to fund the less priviledged.

May God Bless You,

Mrs.Rita Morgan,

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Date: Mon, 22 Feb 2010 00:13:36 -0800
Message-ID: <333287c31002220013v59df433cs1c99994d9ffd4a74@mail.gmail.com>
Subject: Re: Ambient friendly USA college radio...
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00163630f1a78e150e04802c0253
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This is a great kind of resource to share with other "fringe" type
musicians, or so I think.

Perhaps we could all share where we get airplay, whether it be am/fm/web
based/physical locations that play cds/singles, etc?  Seems it could be
beneficial for all.

-nn
happyhumans.org

On Sun, Feb 21, 2010 at 11:38 AM, david kirkdorffer
<unstrungone@yahoo.com>wrote:

> ((I don't think this actually appeared in email the first time I sent it =
a
> few days ago....))
>
>   Hi - I've been working my new UNDO CD, entitlted "9.9.99" on college
> radio.  The music is kind of ambient.  As you can imagine, it's not
> everyone's cup of tea. But some stations have been playing it.  So, based=
 on
> my result, *here is a listing of stations that one might call
> "ambient-music" friendly*.
>
> I hope this listing may be helpful to you if you also would like to promo=
te
> your ambient music to US college radio.  Good luck!
>
> Kind regards,
>
> David
>
> P.S. I know Loopers-Delight is well read in the *Santa Cruz *area.  Pleas=
e
> feel free to request UNDO from KZSC.  It's actually charting quite well
> there!
>
>
> AK - Anchorage - KRUA - COL
>
> CA - Santa Cruz - KZSC -CORE / MG
>
> CA - San Luis Obispo - KCPR - COL
>
> GA - Atlanta - WREK - CORE / MG
>
> GA - Savannah - Scad Radio / WRFS - COL
>
> IL - Monmouth - WMCR-2 - COL
>
> IN - Terre Haute - WMHD - COL
>
> IN  - Muncie - WCRD - COL
>
> MD - Towson - XTSR - COL
>
> ME - East Orland - WERU-2 - COL
>
> ME - Farmington - WUMF -COL
>
> ME - Lewiston - WRBC - COL
>
> MI - Marquette - WUPX - col
>
> MI - Mt. Pleasant - WMHW - COL
>
> NF  - St John=92s - CHMR - COL
>
> NJ - Glassboro - WGLS - COL
>
> NY - Dix Hills - WFTU - COL
>
> NY - Garden City - WHPC
>
> NY - Fredonia - WCVF - COL
>
> NY - Oneonta - WONY - COL
>
> NY - Hamilton - WRCU - COL
>
> OR - Gresham - KMHD2 - COL
>
> PA - Millersville - WIXQ - COL
>
> PA - Reading - WXAC - COL
>
> PA - Scranton - WVMW -COL
>
> PA - Mansfield - WNTE - COL
>
> RI - Providence - WXIN - COL
>
> TX - College Station - KANM - COL
> VA - Richmond - WDCE - COL
>
> WI - Platteville - WSUP - COL
>
>

--00163630f1a78e150e04802c0253
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This is a great kind of resource to share with other &quot;fringe&quot; typ=
e musicians, or so I think.=A0 <br><br>Perhaps we could all share where we =
get airplay, whether it be am/fm/web based/physical locations that play cds=
/singles, etc?=A0 Seems it could be beneficial for all.=A0 <br>
<br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br><d=
iv class=3D"gmail_quote">On Sun, Feb 21, 2010 at 11:38 AM, david kirkdorffe=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:unstrungone@yahoo.com">unstrungon=
e@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div>
<div><font size=3D"2" face=3D"Tahoma">((I don&#39;t think this actually app=
eared in email the first time I sent it a few days ago....))<br></font><br>=
</div>
<div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;">
<div style=3D"font-family: times new roman,new york,times,serif; font-size:=
 12pt;">
<div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;">
<div>Hi - I&#39;ve been working my new UNDO CD, entitlted &quot;9.9.99&quot=
; on college radio.=A0 The music is kind of ambient.=A0 As you can imagine,=
 it&#39;s not everyone&#39;s cup of tea. But some stations have been playin=
g it.=A0 So, based on my result, <b>here is a listing of stations that one =
might call &quot;ambient-music&quot; friendly</b>.=A0 </div>

<div>=A0</div>
<div>I hope this listing may be helpful to you if you also would like to pr=
omote your ambient music to US college radio.=A0 Good luck!</div>
<div>=A0</div>
<div>Kind regards,</div>
<div>=A0</div>
<div>David</div>
<div>=A0</div>
<div>P.S. I know Loopers-Delight is well read in the <b>Santa Cruz </b>area=
.=A0 Please feel free to request UNDO from KZSC.=A0 It&#39;s actually chart=
ing quite well there!</div></div></div></div></div>
<div>=A0</div>
<div>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
AK - Anchorage - KRUA - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
CA=A0- Santa Cruz=A0- KZSC -CORE / MG</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
CA=A0- San Luis Obispo - KCPR - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
GA=A0- Atlanta - WREK - CORE / MG</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
GA=A0- Savannah - Scad Radio / WRFS - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
IL=A0- Monmouth - WMCR-2 - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
IN=A0- Terre Haute - WMHD - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
IN=A0 - Muncie - WCRD - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
MD - Towson - XTSR - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
ME - East Orland - WERU-2 - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
ME=A0- Farmington=A0- WUMF -COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
ME=A0- Lewiston - WRBC - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
MI=A0- Marquette - WUPX - col</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
MI=A0- Mt. Pleasant - WMHW - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NF=A0 - St John=92s - CHMR - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NJ=A0- Glassboro - WGLS - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NY - Dix Hills - WFTU=A0- COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NY - Garden City - WHPC</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NY=A0- Fredonia - WCVF - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NY - Oneonta - WONY - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
NY=A0- Hamilton - WRCU - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
OR - Gresham - KMHD2 - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
PA=A0- Millersville=A0- WIXQ - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
PA=A0- Reading=A0- WXAC - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
PA=A0- Scranton - WVMW -COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
PA=A0- Mansfield=A0- WNTE - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
RI=A0- Providence - WXIN - COL</font></font></p>
<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">=
TX=A0- College Station - KANM - COL</font></font></p><span style=3D"font-si=
ze: 11pt;">VA=A0- Richmond - WDCE - COL</span><font size=3D"3" face=3D"Time=
s New Roman"> </font>
<p style=3D"margin: 0in 0in 0pt;" class=3D"MsoNormal"><span style=3D"font-s=
ize: 11pt;">WI - Platteville - WSUP - COL</span></p></div></div><br>



      </div></blockquote></div><br>

--00163630f1a78e150e04802c0253--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 09:06:17 2010
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Date: Mon, 22 Feb 2010 10:05:49 +0100
Message-ID: <e89a49d31002220105l214b191aw1d73a1b0ab59725e@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I've used several controllers in combination with the LP1, including
the Gordius LG, Korg Nano control, Novation Zero, Roland FC-300. For
me as a keyboardist, a combination of foot and hand controllers work
the best. In terms of building complex midi patches and flexibility,
the Gordius is king.

The Novation is my main controller to control panning, feedback,
volume, reverse and half speed of the looper. The Novation is very
reliable, easy to program, well built, multiple input's/outputs. The
BIG difference with the Gordius is that you can handle maximum 1 midi
command to a function, eg button, fader, pot etc. However, you can
assign up to 8 (I think) functions on the LP1 to 1 midi CC or PC.

A few things you have to keep in mind:
- The LP1 handles midi CC's a bit different than other loopers. It
expects momentary midi CC with start value 127 and end value 000. This
means you have to program the Novation to use momentary buttons in
stead of toggle buttons (ON/OFF). The disadvantage is that your button
LED will always be switched off. So you can't use the buttons as an
indicator for reverse, half speed etc. That's a pity, but perhaps Bob
is willing to enhance the midi CC implementation
- The Novation does not respond to incoming midi CC's, so you can't
remotely control a rotary LED knob to keep it in sync with the looper
if something changes there.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Sjaak Overgaauw wrote:

> A few things you have to keep in mind:
> - The LP1 handles midi CC's a bit different than other loopers. It
> expects momentary midi CC with start value 127 and end value 000. This
> means you have to program the Novation to use momentary buttons in
> stead of toggle buttons (ON/OFF). 

??
that's pretty confusing Sjaak.
If that's true then it contradicts everything we heard about the LP1


andy

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<br><p><font face="Verdana" size="2">Greetings from American Airlines AAdvantage(R) Program</font></p><br>
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Date: Mon, 22 Feb 2010 10:43:09 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: my version of "Helter Skelter" using the mathons plugin
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4B81B018.9060608@soundscapes.us>
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cheers Bill thanx!=0A=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- =
Bill Fox <billyfox@soundscapes.us> schrieb am So, 21.2.2010:=0A=0A> Von: Bi=
ll Fox <billyfox@soundscapes.us>=0A> Betreff: Re: my version of "Helter Ske=
lter" using the mathons plugin=0A> An: Loopers-Delight@loopers-delight.com=
=0A> Datum: Sonntag, 21. Februar, 2010 14:13 Uhr=0A> L.Angulo wrote:=0A> > =
Hi gang,=0A> > heres my version of Helter Skelter =0A> Playing it noe.=A0 V=
ery cool version of the song!=0A> =0A> Cheers,=0A> =0A> Bill=0A> =0A> =0A=
=0A__________________________________________________=0ADo You Yahoo!?=0ASi=
e sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz =
gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 10:55:08 2010
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Date: Mon, 22 Feb 2010 11:54:48 +0100
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: AutoIt Automation with Ableton Live?
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Hi folks

has anyone used an automation tool like AutoIt (Win) http://www.autoitscript.com/  along i.e. Ableton Live?

I could imagine you could do neat things on GUI level (like consolidate/delete clips etc.) and assign them to midi via Bome etc....

best regards
Buzap
-- 
NEU: Mit GMX DSL über 1000,- ¿ sparen!
http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 10:55:47 2010
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Date: Mon, 22 Feb 2010 10:54:43 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: flying within europe,gear on board etc.
To: Loopers Delight <loopers-delight@loopers-delight.com>
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for all u europeans,=0Aim flying this time to the Antwerp fstival but im sk=
eptical about checking in my equipment,id be basically checking in my guita=
r and my pedalboard any tips or experiences with this? are they as strict a=
s flying international by opening up luggage etc? is it neccesary to insure=
 anything?=0Aflying international has become very risky with gear,ive had t=
hings opened and overal it seems they ve become really careless!=0Athanx fo=
r all the tips=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A______________=
____________________________________=0ADo You Yahoo!?=0ASie sind Spam leid?=
 Yahoo! Mail verf=FCgt =FCber einen herausragenden Schutz gegen Massenmails=
. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 11:49:19 2010
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	 <e89a49d31002220105l214b191aw1d73a1b0ab59725e@mail.gmail.com>
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Date: Mon, 22 Feb 2010 12:49:08 +0100
Message-ID: <e89a49d31002220349v40e1a77an6ae104e1fc78249f@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Mon, Feb 22, 2010 at 11:06 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Sjaak Overgaauw wrote:
> that's pretty confusing Sjaak.
> If that's true then it contradicts everything we heard about the LP1

I just tested it, and checked the midi CC values in Bidule with a midi
monitor just to be sure. This is how it works here:

The Novation has 3 different types of CC buttons (CC values itself are
configurable)
- normal: Press=127
- momentary: Press=127 Release=0
- toggle: Press=127 (LED ON) Release=0 (LED OFF)

LP1 behaviour with normal buttons:
- nothing happens, it does not recognize the midi CC

LP1 behaviour with momentary buttons:
- works fine, but the LED of the Novation button stays OFF (which is
logical for a momentary button)

LP1 behaviour with toggle buttons:
- You press the button once. The LED switches ON on the Novation, LP1
receives CC 127, reverse is enabled => OK
- Now, to disable reverse again, you have to press the button TWICE.
Why? The LP1 waits for CC value 0 first and then for CC value 127
disable it.

If I remember it well, this has been confirmed by Bob. I think it's
not really a big issue for many lp1 users because most of them use the
FCB and that pedal is often used in combination with PC's or Notes.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 12:03:21 2010
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Date: Mon, 22 Feb 2010 13:02:43 +0100
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Subject: Re: flying within europe,gear on board etc.
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Mon, Feb 22, 2010 at 11:54 AM, L.Angulo <labaloops@yahoo.com> wrote:
> for all u europeans,
> im flying this time to the Antwerp fstival but im skeptical about checkin=
g in my equipment,id be basically checking in my guitar and my pedalboard a=
ny tips or experiences with this? are they as strict as flying internationa=
l by opening up luggage etc? is it neccesary to insure anything?
> flying international has become very risky with gear,ive had things opene=
d and overal it seems they ve become really careless!

Hi Luis,
The best advice I can give you to be sure: call your flight operator
and check with them.

My personal experience from the Y2K festival flying with KLM: you can
take 1 instrument with you in the plane in stead of 1 piece of hand
luggage as long as it fits in the cutboard , so I took my Nord synth
with me. Ingrid had my laptop, the Motu and Novation controller as
hand luggage and the rest like my Gordius and cables were in my
suitcase. O yes, the keyboard stand have been handled as special
luggage (free), you need to check that in seperately, it was too big.

Here's the text from the KLM website


1 As hold baggage
Your musical instrument must be packed in a hard case. We are not
liable for damage if your instrument is not properly packed. The
standard excess baggage fees apply if your total baggage including
instrument and packaging exceed the maximum free allowance.

If your baggage comes under the piece concept, a musical instrument
with a length of up to 100 cm ( 39 inches) can be transported as a
single item of baggage. If your instrument with packaging is larger
than 203 cm (80 inches) (l + w + h), or is heavier than 32 kg (70
lbs), then you should request permission.

2 As hand baggage
You can carry a musical instrument instead of a piece of hand baggage
if it fits in the overhead baggage compartment or under your seat.

3 On an extra seat
Larger instruments which do not fit in the overhead baggage
compartment or under the seat can be taken into the cabin to be
transported on a seat booked in advance. This is only possible if your
instrument is not longer than 140 cm (55 inches) and does not weigh
more than 46 kg (100 lbs). You can only book an extra seat by
telephone or via your travel agent.

4 As freight
If your musical instrument weighs in excess of 46 kilograms (100 lbs)
or is larger than 406 cm (160 inches) (l + w + h) you may only
transport your instrument as freight using Air France-KLM Cargo.



Source: http://www.klm.com/travel/nl_en/prepare_for_travel/baggage/exceptio=
nal_baggage/index.htm

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 12:32:58 2010
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Date: Mon, 22 Feb 2010 13:32:57 +0100
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Subject: Re: flying within europe,gear on board etc.
From: Per Boysen <perboysen@gmail.com>
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Hi Luis,

You have to get used to the thought that clerks open your bags for
security checks. Here's how you can help them to save your stuff:

Inside each case you should put a paper on top of the stuff where you
(1) politely ask the reader to "go gentle with these delicate music
instruments". Next on that paper you should put (2) a list of all
gadgets inside the case (example: "guitar, 2 cables, battery powered
tuner, pink tie"), (3) your cell phone number, (4) photo copy of your
passport, (5) flight numbers for your complete trip.

You should of course have an insurance for your instruments. That's
not just for traveling but common sense if you ever use your
instruments outside your living room.

For guitars, or any instrument I would guess, you need to use a save
flight case with foam inside in order to be compensated by the flight
company if your gear get damaged during transportation. Was it on this
list Steve Lawson reported this after having a bass guitar punched?

Be early on site to check in. I have been called in to open my bags
for security clerks and explain to them what it is I keep in the
cases. This happened when traveling with Genelec near field monitors.
Anything you have that can not be scanned may result in a cell phone
call to you at the airport asking you to come and show off your
luggage. You rather do that once in a while than explode on the plane
because some weirdo brought a bomb.

Read the regulations on WHAT THINGS and HOW MUCH WEIGHT you are
allowed to bring with you in the cabin! Don't bring "sharp objects" in
your cabin bag. I use to fly with military style pants that has huge
pockets on the legs where I can put cables, sound card and stuff that
is heavy but small. You will have to empty your pockets at the
security control where you enter stand by area but the stuff you put
on the table from your pockets are not going to be counted as your
"cabin bag weight". So plan the trip at home by carefully measuring
the weight of all your stuff and have a detailed plan on which pocket
vs cabin luggage bag each gadget goes to. Memorize that, because you
may get stressed at the security and you don't want to forget
something at a transfer.

Generally you are allowed to bring less weight within Europe compared
to the cross Atlantic flights. Go to the flight companies web site and
read up on the regulations. Then adapt your planning.

I once had to through away a sleeping bag at the check in for
returning from a festival because people had given me CD's. My mistake
was to not keep track on exactly how much allowed weight I had left.
Another time I asked the staff at the airport about the weight of my
luggage and they said it was ok. But when going home I suddenly had to
pay a huuuuge over weight fee! That was because the staff on my
out-flight were kind and having a good day with not so crowded planes
while the flight back was crowded and forcing the staff to go strictly
by the rules. So don't ask personel only, make sure you also read the
regulation and know the exact weight limits in both directions.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Feb 22, 2010 at 11:54 AM, L.Angulo <labaloops@yahoo.com> wrote:
> for all u europeans,
> im flying this time to the Antwerp fstival but im skeptical about checkin=
g in my equipment,id be basically checking in my guitar and my pedalboard a=
ny tips or experiences with this? are they as strict as flying internationa=
l by opening up luggage etc? is it neccesary to insure anything?
> flying international has become very risky with gear,ive had things opene=
d and overal it seems they ve become really careless!
> thanx for all the tips

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 12:38:35 2010
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Subject: (additional note) Re: flying within europe,gear on board etc.
From: Per Boysen <perboysen@gmail.com>
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On Mon, Feb 22, 2010 at 1:32 PM, Per Boysen <perboysen@gmail.com> wrote:
> Inside each case you should put a paper on top of the stuff where you
> (1) politely ask the reader to "go gentle with these delicate music
> instruments". Next on that paper you should put (2) a list of all
> gadgets inside the case (example: "guitar, 2 cables, battery powered
> tuner, pink tie"), (3) your cell phone number, (4) photo copy of your
> passport, (5) flight numbers for your complete trip.


I forgot to mention that you should also put down on that paper (6)
the address where you are staying during your visit.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 12:45:47 2010
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Subject: Projectors
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Hi guys

As usual i need your advice!! I need a projector for a gig in london  
- small venue - what do you recommend - i have a budget of very  
little - what good? I know we have some multi media experts here and  
any help would(as usual) greatly appreciated.

Thanks in advance


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
 <br>Hi guys<div><br></div><div>As usual i need your advice!! I need a =
projector for a gig in london - small venue - what do you recommend - i =
have a budget of very little - what good? I know we have some multi =
media experts here and any help would(as usual) greatly =
appreciated.</div><div><br></div><div>Thanks in =
advance&nbsp;</div><div><br></div><div>&nbsp;<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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	 <e89a49d31002220105l214b191aw1d73a1b0ab59725e@mail.gmail.com>
Date: Mon, 22 Feb 2010 15:21:05 +0100
Message-ID: <afb941d1002220621rd94ec02rffda1407596e3549@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6dab059c9fc950480312499
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2010/2/22 Sjaak Overgaauw <tcplugin@gmail.com>

>
> - The Novation does not respond to incoming midi CC's, so you can't
> remotely control a rotary LED knob to keep it in sync with the looper
> if something changes there.
>
>
? i think this is possible with the last automap sw included in most of
their recent controllers ... i can remotely control those rotary leds on the
nocturn (USB not regular MIDI interface). don't know if novation zero comes
with automap though...



-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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<br><br><div class=3D"gmail_quote">2010/2/22 Sjaak Overgaauw <span dir=3D"l=
tr">&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</s=
pan><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
- The Novation does not respond to incoming midi CC&#39;s, so you can&#39;t=
<br>
remotely control a rotary LED knob to keep it in sync with the looper<br>
if something changes there.<br>
<font color=3D"#888888"><br></font></blockquote><div><br>? i think this is =
possible with the last automap sw included in most of their recent controll=
ers ... i can remotely control those rotary leds on the nocturn (USB not re=
gular MIDI interface). don&#39;t know if novation zero comes with automap t=
hough...<br>
</div></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger: <a hre=
f=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>=
Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.=
ct-collective.com</a><br>
<br>

--0016e6dab059c9fc950480312499--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 14:35:05 2010
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Subject: Re: Looperlative & Novation Remote Zero?
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hi Sjaak
most likely the LP1 simply ignores the 0 data values.

What you describe below seems inconsistent 

Sjaak Overgaauw wrote:

> 
> LP1 behaviour with normal buttons:
> - nothing happens, it does not recognize the midi CC
> 

> 
> LP1 behaviour with toggle buttons:
> - You press the button once. The LED switches ON on the Novation, LP1
> receives CC 127, reverse is enabled => OK

...but think about it :-)

surely pressing the Toggle button just once is no different to pressing a normal button,
in both cases just the CC with data 127 is sent. 

andy

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 14:41:20 2010
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Date: Mon, 22 Feb 2010 14:40:58 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: (additional note) Re: flying within europe,gear on board etc.
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ok great info guys thanx a million!=0Acheers=0Awww.myspace.com/luisanguloco=
m=0A=0A=0A--- Per Boysen <perboysen@gmail.com> schrieb am Mo, 22.2.2010:=0A=
=0A> Von: Per Boysen <perboysen@gmail.com>=0A> Betreff: (additional note) R=
e: flying within europe,gear on board etc.=0A> An: Loopers-Delight@loopers-=
delight.com=0A> Datum: Montag, 22. Februar, 2010 04:38 Uhr=0A> On Mon, Feb =
22, 2010 at 1:32 PM, Per=0A> Boysen <perboysen@gmail.com>=0A> wrote:=0A> > =
Inside each case you should put a paper on top of the=0A> stuff where you=
=0A> > (1) politely ask the reader to "go gentle with these=0A> delicate mu=
sic=0A> > instruments". Next on that paper you should put (2) a=0A> list of=
 all=0A> > gadgets inside the case (example: "guitar, 2 cables,=0A> battery=
 powered=0A> > tuner, pink tie"), (3) your cell phone number, (4)=0A> photo=
 copy of your=0A> > passport, (5) flight numbers for your complete trip.=0A=
> =0A> =0A> I forgot to mention that you should also put down on that=0A> p=
aper (6)=0A> the address where you are staying during your visit.=0A> =0A> =
Greetings from Sweden=0A> =0A> Per Boysen=0A> www.boysen.se=0A> www.perboys=
en.com=0A> =0A> =0A=0A__________________________________________________=0A=
Do You Yahoo!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen her=
ausragenden Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From u.nation@gmail.com  Mon Feb 22 14:46:02 2010
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Reply-To: <jfletcher0147@gmail.com>
From: "United Nations" <u.nation@gmail.com>
Subject: YOUR PAYMENT IS READY !
Date: Mon, 22 Feb 2010 02:45:30 -1200
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UNITED NATIONS/ WORLD BANK COMPENSATION PROGRAM, IN CONJUNCTION WITH THE UNION BANK PLC.



ATTN:Sir/Madam,



How are you today? Hope all is well with you and family?. Well, I assume that you may not understand why this message was sent to you. But I wish to inform
you that the UNITED NATIONS/WORLD BANK ORGANIZATION facilitated a round-table meeting which just ended 2 days ago, and it has been agreed upon by both
organizations that a compensation payment of US$250,000.00 should be paid to 350 individuals whose Name and E-mail were selected randomly through an E-mail
ballot system.

Your name was among the lists of individual selected to benefit at this end of the year compensation program, and that is why we have contacted you. The UNITED NATIONS & WORLD BANK ORGANIZATION have agreed to compensate you and other listed 350 individuals with a sum of US$250,000.00 each to compensate you for your loss which you might have had in the past in the hands of unscrupulous/Fraudulent officials.

This includes all foreign contractors that may have not received their contract payment, and people that have had an unfinished transaction or international
businesses that failed in the past due to corrupt Government officials e.t.c.

Therefore, we are glad to inform you that a suitable arrangement has been put to place for you to receive your payment in good condition without any delay.

However,it is my pleasure to announce to you that an A.T.M CARD no; 5456 7264 1959 0754 has been reserved for you which will be funded with your compensation payment of US$250,000.00, and sent to your door-step.

You are hereby advised to contact MR. JOHN FLETCHER, the CEO, UNION BANK PLC for immediate issuance and delivery of your A.T.M card at the address listed below:

CONTACT PERSON: Mr. John Fletcher

E-MAIL:    j.fletcher@blumail.org

PHONE: +234-703-557-8881.

You are required to contact the above person for your A.T.M Card, and furnish him with the following of your information that will be required to set-up the card in your name.

1. Your Full Name:
2. Mailing Address:
3. Your Age,Occupation & Marital Status:
4. Phone Number:

Meanwhile, you will receive your Pin Code which you will require to gain access to your card as soon as you have confirmed the receipt of your A.T.M Card in your custody. Congratulations, and we are sorry for whatsoever trouble you might have gone through in the past.

I look forward to hearing from you as soon as you confirm your payment. Making the world a better place.

Regards,

Dr. Ban Ki moon.
U.N Secretary (UNITED NATIONS).

From asmam811@gmail.com  Mon Feb 22 15:04:22 2010
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Date: Mon, 22 Feb 2010 12:28:07 -0200
Subject: URGENT RESPONSE NEEDED
From: "Miss Asma Mohd Yunus" <asmam811@gmail.com>
Reply-To: asmam888@gmail.com
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To: undisclosed-recipients:;




Miss Asma Mohd Yunus
Associate
Thomas Philip (Advocates & Solicitors)
5-1, Jalan 22A/70A, Wisma CKL
Desa Sri Hartamas
Kuala Lumpur 50480
Malaysia
PRIVATE TEL: 0012-2413760 or +6012 2413760
PRIVATE EMAIL:asmam888@gmail.com


I am Miss Asma Mohd Yunus,an attorney at law and i would love to share
with you a very important business proposition that will be of mutual
benefit to both of us.

A deceased client of mine,that shares the same last name as yours, who
here in after shall be referred to as my late client, died as the result
of a heart-related condition . His heart condition was due to the death of
all the members of his family in the tsunami disaster on the 26th December
2004 in Sumatra Indonesia .

http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake

My late Client has a deposit of Nineteen Million Dollars ( US$19 Million
Dollars) left behind.

I can be reached on (asmam888@gmail.com) for more information.

Email: asmam888@gmail.com

Best regards,
Miss Asma Mohd Yunus
Attorney at Law



From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 15:34:11 2010
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Date: Mon, 22 Feb 2010 10:32:04 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looperlative & Novation Remote Zero?
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--============_-945269651==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"


Yes, this functionality is available using automap, which was 
included with my (now for sale) Zero.

>2010/2/22 Sjaak Overgaauw <<mailto:tcplugin@gmail.com>tcplugin@gmail.com>
>
>
>- The Novation does not respond to incoming midi CC's, so you can't
>remotely control a rotary LED knob to keep it in sync with the looper
>if something changes there.
>
>
>? i think this is possible with the last automap sw included in most 
>of their recent controllers ... i can remotely control those rotary 
>leds on the nocturn (USB not regular MIDI interface). don't know if 
>novation zero comes with automap though...
>
>
>
>
>--
>Raul Bonell at Blogger: 
><http://raulbonell.blogspot.com>http://raulbonell.blogspot.com
>Chain Tape Collective: 
><http://www.ct-collective.com>http://www.ct-collective.com


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-945269651==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Looperlative &amp; Novation Remote
Zero?</title></head><body>
<div><br></div>
<div>Yes, this functionality is available using automap, which was
included with my (now for sale) Zero.</div>
<div><br></div>
<blockquote type="cite" cite>2010/2/22 Sjaak Overgaauw &lt;<a
href="mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;<br>
<blockquote><br>
- The Novation does not respond to incoming midi CC's, so you
can't<br>
remotely control a rotary LED knob to keep it in sync with the
looper<br>
if something changes there.<br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
? i think this is possible with the last automap sw included in most
of their recent controllers ... i can remotely control those rotary
leds on the nocturn (USB not regular MIDI interface). don't know if
novation zero comes with automap though...<br>
</blockquote>
<blockquote type="cite" cite><br>
<br>
<br>
--<br>
Raul Bonell at Blogger: <a
href="http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a
><br>
Chain Tape Collective: <a
href="http://www.ct-collective.com">http://www.ct-collective.com</a
></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-945269651==_ma============--

From barbkozak@shaw.ca  Mon Feb 22 15:44:29 2010
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Date: Mon, 22 Feb 2010 20:29:45 +0500
From: BARB KOZAK <barbkozak@shaw.ca>
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CONTACT US FOR ALL KINDS OF LOANS 



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<br><br>CONTACT US FOR ALL KINDS OF LOANS <br><br>

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From bdschummer2@googlemail.com  Mon Feb 22 16:16:58 2010
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From: "Barrister Donald Schummer"<bdschummer2@googlemail.com>
Subject: ATTENTION,ATTENTION SIR/MA
Date: Mon, 22 Feb 2010 12:41:48 -0000
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=1 face="Courier New Baltic">DONALD SCHUMMER AND ASSOCIATES. </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">LEGAL PRACTITIONERS AND SOLICITORS. </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic"> </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">CONFIDENTIAL BUSINESS RELATIONSHIP.</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">IT IS WITH HEARTFELT HOPE THAT I WRITE TO SEEK YOUR CO-OPERATION AND ASSISTANCE IN THE CONTEXT STATED BELOW. I KNOW A DEAL OF THIS MAGNITUDE WILL MAKE ANYONE WORRIED AND APPREHENSIVE, BUT I AM ASSURING YOU NOT, AS ALL WILL BE WELL AT THE END OF THIS ENDEAVOR.</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic"> </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">I AM DONALD SCHUMMER, ESQ. (BARRISTER), A SOLICITOR AT LAW, THE PERSONAL ATTORNEY TO A LATE. MR. NICHOLAS P. CHE II, A FOREIGN EXPATRIATE WHO HAILS FROM YOUR COUNTRY. ON THE 4TH OF JULY 2001, IT WAS REPORTED TO US, THAT MY CLIENT, WHILE RETURNING FROM VACATION WITH HIS FAMILY FROM RUSSIA, ALL DIED IN THE TUPOLEV-154 CRASH LEAVING FROM BLACK SEA HOLIDAY RESORT OF ANAPA TO ST.PETERSBURG FOR MORE INFORMATION ABOUT THIS CRASH AND PEOPLE, VISIT THIS&nbsp; http://news.bbc.co.uk/1/hi/world/europe/5274958.stm</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic"> </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">PARTICULARLY, THE BANK HAS GIVEN ME A MANDATE AS HIS ATTORNEY; TO PROVIDE HIS NEXT OF KIN OR THE FUNDS (IN EXCESS OF 6.2 MILLION US DOLLARS) WILL BE REVOKED WITHIN THE NEXT 15 WORKING DAYS. HENCE THE REASON I ESTABLISH CONTACT WITH YOU TO ASSIST ME BY STANDING AS HIS NEXT OF KIN SO THAT THE PROCEEDS OF HIS ACCOUNT WILL BE TRANSFERRED TO YOU. </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic"> </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">SINCE I HAVE BEEN UNSUCCESSFUL IN LOCATING THE RELATIVES FOR OVER 4YEARS NOW, I SEEK YOUR CONSENT TO PRESENT YOU AS THE NEXT OF KIN OF THE DECEASED SINCE YOU ARE A FOREIGNER. YOU WILL BE REMUNERATED WITH 40% OF THE TOTAL FUNDS FOR YOUR ASSISTANCE. IF AFFIRMATIVE, KINDLY FURNISH ME WITH YOUR FOLLOWING DETAILS,</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">* YOUR FULL NAMES, </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">* RESIDENTIAL/OFFICE ADDRESS, </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">* TELEPHONE / FAX NUMBERS,</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">*AGE, </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">*OCCUPATION,</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">*MARITAL STATUS, </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">*SEX,</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">SO THAT I WILL COMMENCE WORK SECURING OF ALL THE LEGAL DOCUMENTS TO PUT YOU IN PLACE AS THE HEIR TO MY LATE CLIENTS ESTATE. </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic"> </FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">DONALD SCHUMMER, ESQ. (BARR.)</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">LEGAL PRACTITIONER &amp; SOLICITOR.</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=1 face="Courier New Baltic">&nbsp;</FONT></DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 17:37:07 2010
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Date: Mon, 22 Feb 2010 18:37:07 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: flying within europe,gear on board etc.
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L.Angulo schrieb:
> im flying this time to the Antwerp fstival but im skeptical about checking in my equipment,id be basically checking in my guitar and my pedalboard any tips or experiences with this? are they as strict as flying international by opening up luggage etc? is it neccesary to insure anything?
>   
Here's my tip: avoid going by plane if at all possible.

        Rainer

-- 
http://moinlabs.de
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From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 17:41:09 2010
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Date: Mon, 22 Feb 2010 09:41:00 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Ambient friendly USA college radio...
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--0-201644960-1266860460=:94642
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Let's not forget our own Bill Fox who runs his ambient shows out of WMUH in=
 Allentown, PA.=0A=0AThursdays I take the long way to work so I can hear as=
 much as possible ;)=0A=0AEric=0A=0A=0A________________________________=0AF=
rom: Nevyn Nowhere <nevynnowhere@gmail.com>=0ATo: Loopers-Delight@loopers-d=
elight.com=0ASent: Mon, February 22, 2010 3:13:36 AM=0ASubject: Re: Ambient=
 friendly USA college radio...=0A=0AThis is a great kind of resource to sha=
re with other "fringe" type musicians, or so I think.  =0A=0APerhaps we cou=
ld all share where we get airplay, whether it be am/fm/web based/physical l=
ocations that play cds/singles, etc?  Seems it could be beneficial for all.=
  =0A=0A-nn=0Ahappyhumans.org=0A=0A=0AOn Sun, Feb 21, 2010 at 11:38 AM, dav=
id kirkdorffer <unstrungone@yahoo.com> wrote:=0A=0A((I don't think this act=
ually appeared in email the first time I sent it a few days ago....))=0A>=
=0A>=0A>Hi - I've been working my new UNDO CD, entitlted "9.9.99" on colleg=
e radio.  The music is kind of ambient.  As you can imagine, it's not every=
one's cup of tea. But some stations have been playing it.  So, based on my =
result, here is a listing of stations that one might call "ambient-music" f=
riendly.  =0A> =0A>I hope this listing may be helpful to you if you also wo=
uld like to promote your ambient music to US college radio.  Good luck!=0A>=
 =0A>Kind regards,=0A> =0A>David=0A> =0A>P.S. I know Loopers-Delight is wel=
l read in the Santa Cruz area.  Please feel free to request UNDO from KZSC.=
  It's actually charting quite well there!=0A> =0A>AK - Anchorage - KRUA - =
COL=0A>CA - Santa Cruz - KZSC -CORE / MG=0A>CA - San Luis Obispo - KCPR - C=
OL=0A>GA - Atlanta - WREK - CORE / MG=0A>GA - Savannah - Scad Radio / WRFS =
- COL=0A>IL - Monmouth - WMCR-2 - COL=0A>IN - Terre Haute - WMHD - COL=0A>I=
N  - Muncie - WCRD - COL=0A>MD - Towson - XTSR - COL=0A>ME - East Orland - =
WERU-2 - COL=0A>ME - Farmington - WUMF -COL=0A>ME - Lewiston - WRBC - COL=
=0A>MI - Marquette - WUPX - col=0A>MI - Mt. Pleasant - WMHW - COL=0A>NF  - =
St John=E2=80=99s - CHMR - COL=0A>NJ - Glassboro - WGLS - COL=0A>NY - Dix H=
ills - WFTU - COL=0A>NY - Garden City - WHPC=0A>NY - Fredonia - WCVF - COL=
=0A>NY - Oneonta - WONY - COL=0A>NY - Hamilton - WRCU - COL=0A>OR - Gresham=
 - KMHD2 - COL=0A>PA - Millersville - WIXQ - COL=0A>PA - Reading - WXAC - C=
OL=0A>PA - Scranton - WVMW -COL=0A>PA - Mansfield - WNTE - COL=0A>RI - Prov=
idence - WXIN - COL=0A>TX - College Station - KANM - COLVA - Richmond - WDC=
E - COL =0A>WI - Platteville - WSUP - COL=0A>=0A=0A=0A=0A      
--0-201644960-1266860460=:94642
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman,new york,times,serif;fon=
t-size:12pt"><div style=3D"font-family: times new roman,new york,times,seri=
f; font-size: 12pt;">Let's not forget our own Bill Fox who runs his ambient=
 shows out of WMUH in Allentown, PA.<br><br>Thursdays I take the long way t=
o work so I can hear as much as possible ;)<br><br>Eric<br><div style=3D"fo=
nt-family: times new roman,new york,times,serif; font-size: 12pt;"><font fa=
ce=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-weight: bold=
;">From:</span></b> Nevyn Nowhere &lt;nevynnowhere@gmail.com&gt;<br><b><spa=
n style=3D"font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delig=
ht.com<br><b><span style=3D"font-weight: bold;">Sent:</span></b> Mon, Febru=
ary 22, 2010 3:13:36 AM<br><b><span style=3D"font-weight: bold;">Subject:</=
span></b> Re: Ambient friendly USA college radio...<br></font><br>=0AThis i=
s a great kind of resource to share with other "fringe" type musicians, or =
so I think.&nbsp; <br><br>Perhaps we could all share where we get airplay, =
whether it be am/fm/web based/physical locations that play cds/singles, etc=
?&nbsp; Seems it could be beneficial for all.&nbsp; <br>=0A<br>-nn<br><a re=
l=3D"nofollow" target=3D"_blank" href=3D"http://happyhumans.org">happyhuman=
s.org</a><br><br><div class=3D"gmail_quote">On Sun, Feb 21, 2010 at 11:38 A=
M, david kirkdorffer <span dir=3D"ltr">&lt;<a rel=3D"nofollow" ymailto=3D"m=
ailto:unstrungone@yahoo.com" target=3D"_blank" href=3D"mailto:unstrungone@y=
ahoo.com">unstrungone@yahoo.com</a>&gt;</span> wrote:<br>=0A<blockquote cla=
ss=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); marg=
in: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=3D"font-family: =
arial,helvetica,sans-serif; font-size: 10pt;"><div>=0A<div><font face=3D"Ta=
homa" size=3D"2">((I don't think this actually appeared in email the first =
time I sent it a few days ago....))<br></font><br></div>=0A<div style=3D"fo=
nt-family: arial,helvetica,sans-serif; font-size: 10pt;">=0A<div style=3D"f=
ont-family: times new roman,new york,times,serif; font-size: 12pt;">=0A<div=
 style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;">=0A<di=
v>Hi - I've been working my new UNDO CD, entitlted "9.9.99" on college radi=
o.&nbsp; The music is kind of ambient.&nbsp; As you can imagine, it's not e=
veryone's cup of tea. But some stations have been playing it.&nbsp; So, bas=
ed on my result, <b>here is a listing of stations that one might call "ambi=
ent-music" friendly</b>.&nbsp; </div>=0A=0A<div>&nbsp;</div>=0A<div>I hope =
this listing may be helpful to you if you also would like to promote your a=
mbient music to US college radio.&nbsp; Good luck!</div>=0A<div>&nbsp;</div=
>=0A<div>Kind regards,</div>=0A<div>&nbsp;</div>=0A<div>David</div>=0A<div>=
&nbsp;</div>=0A<div>P.S. I know Loopers-Delight is well read in the <b>Sant=
a Cruz </b>area.&nbsp; Please feel free to request UNDO from KZSC.&nbsp; It=
's actually charting quite well there!</div></div></div></div></div>=0A<div=
>&nbsp;</div>=0A<div>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3">=
<font face=3D"Consolas">AK - Anchorage - KRUA - COL</font></font></p>=0A<p =
style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">CA&=
nbsp;- Santa Cruz&nbsp;- KZSC -CORE / MG</font></font></p>=0A<p style=3D"ma=
rgin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">CA&nbsp;- San =
Luis Obispo - KCPR - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0p=
t;"><font size=3D"3"><font face=3D"Consolas">GA&nbsp;- Atlanta - WREK - COR=
E / MG</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"=
3"><font face=3D"Consolas">GA&nbsp;- Savannah - Scad Radio / WRFS - COL</fo=
nt></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font f=
ace=3D"Consolas">IL&nbsp;- Monmouth - WMCR-2 - COL</font></font></p>=0A<p s=
tyle=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">IN&n=
bsp;- Terre Haute - WMHD - COL</font></font></p>=0A<p style=3D"margin: 0in =
0in 0pt;"><font size=3D"3"><font face=3D"Consolas">IN&nbsp; - Muncie - WCRD=
 - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"=
3"><font face=3D"Consolas">MD - Towson - XTSR - COL</font></font></p>=0A<p =
style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">ME =
- East Orland - WERU-2 - COL</font></font></p>=0A<p style=3D"margin: 0in 0i=
n 0pt;"><font size=3D"3"><font face=3D"Consolas">ME&nbsp;- Farmington&nbsp;=
- WUMF -COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font siz=
e=3D"3"><font face=3D"Consolas">ME&nbsp;- Lewiston - WRBC - COL</font></fon=
t></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"C=
onsolas">MI&nbsp;- Marquette - WUPX - col</font></font></p>=0A<p style=3D"m=
argin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">MI&nbsp;- Mt.=
 Pleasant - WMHW - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;=
"><font size=3D"3"><font face=3D"Consolas">NF&nbsp; - St John=E2=80=99s - C=
HMR - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=
=3D"3"><font face=3D"Consolas">NJ&nbsp;- Glassboro - WGLS - COL</font></fon=
t></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"C=
onsolas">NY - Dix Hills - WFTU&nbsp;- COL</font></font></p>=0A<p style=3D"m=
argin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">NY - Garden C=
ity - WHPC</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=
=3D"3"><font face=3D"Consolas">NY&nbsp;- Fredonia - WCVF - COL</font></font=
></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Co=
nsolas">NY - Oneonta - WONY - COL</font></font></p>=0A<p style=3D"margin: 0=
in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">NY&nbsp;- Hamilton - =
WRCU - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=
=3D"3"><font face=3D"Consolas">OR - Gresham - KMHD2 - COL</font></font></p>=
=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consola=
s">PA&nbsp;- Millersville&nbsp;- WIXQ - COL</font></font></p>=0A<p style=3D=
"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">PA&nbsp;- R=
eading&nbsp;- WXAC - COL</font></font></p>=0A<p style=3D"margin: 0in 0in 0p=
t;"><font size=3D"3"><font face=3D"Consolas">PA&nbsp;- Scranton - WVMW -COL=
</font></font></p>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><fo=
nt face=3D"Consolas">PA&nbsp;- Mansfield&nbsp;- WNTE - COL</font></font></p=
>=0A<p style=3D"margin: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consol=
as">RI&nbsp;- Providence - WXIN - COL</font></font></p>=0A<p style=3D"margi=
n: 0in 0in 0pt;"><font size=3D"3"><font face=3D"Consolas">TX&nbsp;- College=
 Station - KANM - COL</font></font></p><span style=3D"font-size: 11pt;">VA&=
nbsp;- Richmond - WDCE - COL</span><font face=3D"Times New Roman" size=3D"3=
"> </font>=0A<p style=3D"margin: 0in 0in 0pt;" class=3D"MsoNormal"><span st=
yle=3D"font-size: 11pt;">WI - Platteville - WSUP - COL</span></p></div></di=
v><br>=0A=0A=0A=0A      </div></blockquote></div><br>=0A</div></div>=0A</di=
v><br>=0A=0A      </body></html>
--0-201644960-1266860460=:94642--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 17:42:42 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: flying within europe,gear on board etc.
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Per Boysen schrieb:
> Another time I asked the staff at the airport about the weight of my
> luggage and they said it was ok. But when going home I suddenly had to
> pay a huuuuge over weight fee! That was because the staff on m
What you suggested above - being polite - can (or could) bring you a 
long way here. Some years ago (don't know if they didn't change this by 
now), many airlines had a policy that would allow the check-in clerk to 
let you check a certain amount of overweight without paying a fee up to 
his/her own discretion.

I can also second the experience you describe here - happened to me 
twice during my 2008 world tour (incidentially, both times flying from 
MÃ¼nchen it was ok...).
One time, I was able (as there wasn't a queue on the counter), I was 
able to talk the clerk into voiding the additional fee...the other time, 
it didn't work (but that's those people in Scandinavia ;-P )

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 18:22:19 2010
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Date: Mon, 22 Feb 2010 19:22:00 +0100
Message-ID: <bbb8cbac1002221022u6444fd4fg4dbd184231ad08bc@mail.gmail.com>
Subject: Re: Arve Henriksen - Arild Andersen - looping (youtube)
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Beautifull !
The beginning reminds me Arild's set at the Y2K7: a great sense of melody,
his playing is a conversation just like on this video.

Thanks for posting it

fabio
www.eterogeneo.com

2010/2/21 rune fagereng <rune_fagereng@yahoo.no>

>   Hi
>
> Arild Anderse looping, with Arve Henriksen and Elin Rosseland.
> http://www.youtube.com/watch?v=wTOJGGdr_Hs&feature=related
>
> Rune F.
>
> __________________________________________________
> Bruker du Yahoo!?
> Lei av spam? Yahoo! Mail har den beste spambeskyttelsen
> http://no.mail.yahoo.com
>

--00032555bc1e5880030480348269
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Beautifull ! </div>
<div>The beginning reminds me Arild&#39;s set at the Y2K7: a great sense of=
 melody, his playing is a conversation just like on this video.</div>
<div>=A0</div>
<div>Thanks for posting it</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"gmail_quote">2010/2/21 rune fagereng <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0">
<tbody>
<tr>
<td valign=3D"top">Hi=A0=20
<div><br></div>
<div>Arild Anderse looping, with Arve Henriksen and Elin Rosseland.=A0</div=
>
<div><a href=3D"http://www.youtube.com/watch?v=3DwTOJGGdr_Hs&amp;feature=3D=
related" target=3D"_blank">http://www.youtube.com/watch?v=3DwTOJGGdr_Hs&amp=
;feature=3Drelated</a></div>
<div><br></div>
<div>Rune F.</div></td></tr></tbody></table><br>
<div class=3D"hm">__________________________________________________<br>Bru=
ker du Yahoo!?<br>Lei av spam? Yahoo! Mail har den beste spambeskyttelsen <=
br><a href=3D"http://no.mail.yahoo.com/" target=3D"_blank">http://no.mail.y=
ahoo.com</a> </div>
</blockquote></div><br>

--00032555bc1e5880030480348269--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 18:50:37 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Looping - surfing a blank mind -? (music content..)
Date: Mon, 22 Feb 2010 18:50:36 +0000
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I recently recorded about 30 minutes of live looping without any "normal" m=
usical intent. I mainly tried to keep my mind blank and just play "somethin=
g" and the try to react to that without reverting to standard phrases or sc=
ales.

So is this a "typical" looping peice? Is it to experimental? Do all/most lo=
opers at one stage get into such sound/noise making rather than the traditi=
onal rock/jazz music making?

To me looping in this style is more like "classical" music=2C longer and te=
nsion and release is not necessarily an issue of chord and harmony=2C just =
as much of intensity and calm and development over time without verse and c=
horus.. looping sort of frees my mind. Or making it blank.. same thing sort=
 of..

I have been looping with the EDP for just about a year now and to ME these =
types of things sound sort of normal..

My clip that started my thinking is here:

http://soundclick.com/share?songid=3D8787270=20

=20

=20

So am I just crazy..

=20

Anders
 		 	   		  =

--_16703c71-290e-4cad-87d3-d693f099f353_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I recently recorded about 30 minutes of live looping without any "normal" m=
usical intent. I mainly tried to keep my mind blank and just play "somethin=
g" and the try to react to that without reverting to standard phrases or sc=
ales.<BR>
So is this a "typical" looping peice? Is it to experimental? Do all/most lo=
opers at one stage get into such sound/noise making rather than the traditi=
onal rock/jazz music making?<BR>
To me looping in this style is more like "classical" music=2C longer and te=
nsion and release is not necessarily an issue of chord and harmony=2C just =
as much of intensity and calm and development over time without verse and c=
horus.. looping sort of frees my mind. Or making it blank.. same thing sort=
 of..<BR>
I have been looping with the EDP for just about a year now and to ME these =
types of things sound sort of normal..<BR>
My clip that started my thinking is here:<BR>
<A href=3D"http://soundclick.com/share?songid=3D8787270" target=3D_blank><F=
ONT color=3D#22229c>http://soundclick.com/share?songid=3D8787270</FONT></A>=
 <BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
So am I just crazy..<BR>
&nbsp=3B<BR>
Anders<BR> 		 	   		  </body>
</html>=

--_16703c71-290e-4cad-87d3-d693f099f353_--

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Subject: Re: Looping - surfing a blank mind -? (music content..)
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Interesting piece.  I think, like all forms of music, looping is what you m=
ake it.  Some people will either like it, some will not.  I do something si=
milar to what you did, basically, make a few notes and sounds, and react ac=
cordingly, not paying attention to chords or melody, though at times, I hea=
r a passage and have to harmonize with it.  Sometimes, I start with a rando=
m noise, chop it up rhythmically, then play to that, depends on my mood.  I=
 guess what I'm trying to say is, if it sounds good to you, then it is good=
, chances are, someone else out there will think it's good too.=0A=0A--- On=
 Mon, 2/22/10, Anders Bergdahl <anders_e_bergdahl@hotmail.com> wrote:=0A=0A=
> From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>=0A> Subject: Loopin=
g - surfing a blank mind -? (music content..)=0A> To: "Loopers Delight" <lo=
opers-delight@loopers-delight.com>=0A> Date: Monday, February 22, 2010, 12:=
50 PM=0A> =0A> =0A> =0A> =0A>  =0A> I recently recorded about 30 minutes of=
 live looping=0A> without any "normal" musical intent. I mainly=0A> tried t=
o keep my mind blank and just play=0A> "something" and the try to react to =
that without=0A> reverting to standard phrases or scales.=0A> =0A> So is th=
is a "typical" looping peice? Is it to=0A> experimental? Do all/most looper=
s at one stage get into such=0A> sound/noise making rather than the traditi=
onal rock/jazz=0A> music making?=0A> =0A> To me looping in this style is mo=
re like=0A> "classical" music, longer and tension and release=0A> is not ne=
cessarily an issue of chord and harmony, just as=0A> much of intensity and =
calm and development over time without=0A> verse and chorus.. looping sort =
of frees my mind. Or making=0A> it blank.. same thing sort of..=0A> =0A> I =
have been looping with the EDP for just about a year now=0A> and to ME thes=
e types of things sound sort of normal..=0A> =0A> My clip that started my t=
hinking is here:=0A> =0A> http://soundclick.com/share?songid=3D8787270=0A> =
=0A> =0A> =A0=0A> =0A> =A0=0A> =0A> So am I just crazy..=0A> =0A> =A0=0A> =
=0A> Anders=0A>  =09=09 =09   =09=09  =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 19:35:06 2010
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Date: Mon, 22 Feb 2010 20:34:59 +0100
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Subject: Sending program changes from Bidule to external midi devices
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Have been looking in the manual but can't find it. Is it possible to
send program changes from Bidule to external midi devices?

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Mon, 22 Feb 2010 20:57:48 +0100
Message-ID: <66f9cc1e1002221157k18884a91gdbcda79c5405ec2a@mail.gmail.com>
Subject: Re: Sending program changes from Bidule to external midi devices
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d46d7dfc2ff5048035d8a3
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On Mon, Feb 22, 2010 at 8:34 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Have been looking in the manual but can't find it. Is it possible to
> send program changes from Bidule to external midi devices?

I checked the manual now and found the MIDI File player. If you create a
MIDI file containing a PC message I guess it would work.

Other ideas:

Message Creator


> Create MIDI messages directly (Note: there is no validation on the
> resulting MIDI message) by specifying the 3 data bytes.


> data0, data1, data2 Inputs: value for the 3 data bytes of a MIDI message

Trigger Input: to force the creation of a message event (otherwise only
> created when an input has changed)

Auto-detect value changes parameter: keep track of the incoming values and
> create new events when there is change if this is off, events are only
> created when a trigger is received.



Or use the Step Sequencer and cable it through a Message Converter that
changes the output note into a PC event!

There you have a copule of alternate ways. Last step is to open the MIDI Out
port you want to use from MIDI Devices. Drag a cable to it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--0016e6d46d7dfc2ff5048035d8a3
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

On Mon, Feb 22, 2010 at 8:34 PM, Sjaak Overgaauw &lt;<a href=3D"mailto:tcpl=
ugin@gmail.com">tcplugin@gmail.com</a>&gt; wrote:<br>&gt; Have been looking=
 in the manual but can&#39;t find it. Is it possible to<br>&gt; send progra=
m changes from Bidule to external midi devices?<br>
<br>I checked the manual now and found the MIDI File player. If you create =
a MIDI file containing a PC message I guess it would work. <br><br>Other id=
eas: <br><br><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; ma=
rgin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width:=
 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; padd=
ing-left: 1ex; ">
Message Creator</blockquote><blockquote class=3D"gmail_quote" style=3D"marg=
in-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; bor=
der-left-width: 1px; border-left-color: rgb(204, 204, 204); border-left-sty=
le: solid; padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
Create MIDI messages directly (Note: there is no validation on the resultin=
g MIDI message) by specifying the 3 data bytes.</blockquote><blockquote cla=
ss=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0px; margin-bott=
om: 0px; margin-left: 0.8ex; border-left-width: 1px; border-left-color: rgb=
(204, 204, 204); border-left-style: solid; padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
data0, data1, data2 Inputs: value for the 3 data bytes of a MIDI message</b=
lockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margi=
n-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1p=
x; border-left-color: rgb(204, 204, 204); border-left-style: solid; padding=
-left: 1ex; ">
Trigger Input: to force the creation of a message event (otherwise only cre=
ated when an input has changed)</blockquote><blockquote class=3D"gmail_quot=
e" style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-=
left: 0.8ex; border-left-width: 1px; border-left-color: rgb(204, 204, 204);=
 border-left-style: solid; padding-left: 1ex; ">
Auto-detect value changes parameter: keep track of the incoming values and =
create new events when there is change if this is off, events are only crea=
ted when a trigger is received.</blockquote><br><br><div>Or use the Step Se=
quencer and cable it through a Message Converter that changes the output no=
te into a PC event!</div>
<div><br></div><div>There you have a copule of alternate ways. Last step is=
 to open the MIDI Out port you want to use from MIDI Devices. Drag a cable =
to it.=C2=A0</div><div><br></div><div>Greetings from Sweden<br><br>Per Boys=
en <br>
<a href=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www=
.perboysen.com">www.perboysen.com</a></div>

--0016e6d46d7dfc2ff5048035d8a3--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:02:12 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Sending program changes from Bidule to external midi devices
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yes,
just drop the midi Out device onto the Bidule layout
and run a cable to it


Sjaak Overgaauw wrote:
> Have been looking in the manual but can't find it. Is it possible to
> send program changes from Bidule to external midi devices?
> 

From joseokes005@admin.in.th  Mon Feb 22 20:03:44 2010
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From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:03:45 2010
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Date: Mon, 22 Feb 2010 21:03:33 +0100
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Subject: Re: Looperlative & Novation Remote Zero?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Mon, Feb 22, 2010 at 3:34 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> most likely the LP1 simply ignores the 0 data values.
> ...but think about it :-)

Hi Andy,
Strange isn't it? But I think the LP1 does not ignore the 0 data
values, it uses it as a "end of message" value. If you look at it this
way, it's "logical" behavior, although not what you want. But that's
the only explanation I could think of.

Normal buttons: only send 127, nothing happens
Momentary buttons: send 127 when pressed, 0 when released
Toggle buttons: send 127 on press1, 0 on press2

But Dr.Bob knows the answer ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:12:45 2010
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Date: Mon, 22 Feb 2010 21:07:01 +0100
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Subject: Re: Looperlative & Novation Remote Zero?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Gents,
Thanks for the Automap idea. But unfortunately that doesn't work for
the LP1. I tried Mobius before, didn't work as well. The manual is
unclear about incoming midi CC's. Technically the Novation Zero can do
it because they have a special template for Ableton Live....and that
one seems to work according to internet forums and the Novation
support site. It's not documented how to set it up for anything
else........hmmmm ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:14:33 2010
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Date: Mon, 22 Feb 2010 21:14:26 +0100
Message-ID: <e89a49d31002221214i17edd835y2a9a5bab0701e08c@mail.gmail.com>
Subject: Re: Sending program changes from Bidule to external midi devices
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks, I'm going to try that :)

PS Setting up Bidule now as alternative for Mainstage because it
crashed last Saturday on stage...not funny. Didn't work anymore after
a reboot. Looks like a corrupt concert file, bizarre problem. The main
outs and output 3-4 sometimes stop working after a very loud
spikes/clicks. It's not 100% re-producable but it's not reliable
system enough for the Loopfest. Btw: had to continue my performance
last Saturday with my DD-20...the first time I ever used it as a
backup.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:17:43 2010
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Subject: Re: Looperlative & Novation Remote Zero?
From: Mark Hamburg <mark@grubmah.com>
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On Feb 22, 2010, at 1:05 AM, Sjaak Overgaauw wrote:

> I've used several controllers in combination with the LP1, including
> the Gordius LG, Korg Nano control, Novation Zero, Roland FC-300. For
> me as a keyboardist, a combination of foot and hand controllers work
> the best. In terms of building complex midi patches and flexibility,
> the Gordius is king.

How did you use the Korg Nano since it seems to only have USB connectivity?

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:23:11 2010
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	 <4B82E2AA.4020603@tiscali.co.uk>
	 <e89a49d31002221214i17edd835y2a9a5bab0701e08c@mail.gmail.com>
Date: Mon, 22 Feb 2010 21:22:59 +0100
Message-ID: <66f9cc1e1002221222x384b806ej7c0af52e8a22228@mail.gmail.com>
Subject: Re: Sending program changes from Bidule to external midi devices
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7eb680c90330480363304
Content-Type: text/plain; charset=UTF-8

Whatever you are creating in software you should save several identical
copies of your working document under different names. For example xxx,
xxxbackup1, xxxbackup2. It is common that a document gets corrupted of an
application crashes when in use.

Hope you get a stable setup with Bidule! It served me and Mobius excellently
under Windows XP two years ago but today my recent Macbook is stable
with Mainstage 2.1 while Bidule crashes and delivers an inferior fidelity.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Mon, Feb 22, 2010 at 9:14 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

> Thanks, I'm going to try that :)
>
> PS Setting up Bidule now as alternative for Mainstage because it
> crashed last Saturday on stage...not funny. Didn't work anymore after
> a reboot. Looks like a corrupt concert file, bizarre problem. The main
> outs and output 3-4 sometimes stop working after a very loud
> spikes/clicks. It's not 100% re-producable but it's not reliable
> system enough for the Loopfest. Btw: had to continue my performance
> last Saturday with my DD-20...the first time I ever used it as a
> backup.
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--0016e6d7eb680c90330480363304
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>Whatever you are creating in software you should save several identica=
l copies of your working document under different names. For example xxx, x=
xxbackup1, xxxbackup2. It is common that a document gets corrupted of an ap=
plication crashes when in use.=C2=A0</div>
<div><br></div><div>Hope you get a stable setup with Bidule! It served me a=
nd Mobius excellently under Windows XP two years ago but today my recent Ma=
cbook is stable with=C2=A0Mainstage 2.1=C2=A0while Bidule crashes and deliv=
ers an inferior fidelity.=C2=A0</div>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br>
<br><br><div class=3D"gmail_quote">On Mon, Feb 22, 2010 at 9:14 PM, Sjaak O=
vergaauw <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplug=
in@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Thanks, I&#39;m going to try that :)<br>
<br>
PS Setting up Bidule now as alternative for Mainstage because it<br>
crashed last Saturday on stage...not funny. Didn&#39;t work anymore after<b=
r>
a reboot. Looks like a corrupt concert file, bizarre problem. The main<br>
outs and output 3-4 sometimes stop working after a very loud<br>
spikes/clicks. It&#39;s not 100% re-producable but it&#39;s not reliable<br=
>
system enough for the Loopfest. Btw: had to continue my performance<br>
last Saturday with my DD-20...the first time I ever used it as a<br>
backup.<br>
<font color=3D"#888888"><br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</font></blockquote></div><br>

--0016e6d7eb680c90330480363304--

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:25:41 2010
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Date: Mon, 22 Feb 2010 21:24:21 +0100
Message-ID: <e89a49d31002221224t7ccd784eh1924880bfc7a7100@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Feb 22, 2010 at 9:17 PM, Mark Hamburg <mark@grubmah.com> wrote:
> On Feb 22, 2010, at 1:05 AM, Sjaak Overgaauw wrote:
> How did you use the Korg Nano since it seems to only have USB connectivity?

Hi Mark,
You are right, can't use the Nano directly. But I also use a Mac and
my Motu Ultralite has midi out which is connected to the LP1. I have
been looking for a USB to midi out adapter but haven't find it, but
otherwise the Nano could be a great controller for volume and feedback
etc.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:30:36 2010
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Subject: Re: Looperlative & Novation Remote Zero?
From: Mark Hamburg <mark@grubmah.com>
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On Feb 22, 2010, at 12:24 PM, Sjaak Overgaauw wrote:

> On Mon, Feb 22, 2010 at 9:17 PM, Mark Hamburg <mark@grubmah.com> =
wrote:
>> On Feb 22, 2010, at 1:05 AM, Sjaak Overgaauw wrote:
>> How did you use the Korg Nano since it seems to only have USB =
connectivity?
>=20
> Hi Mark,
> You are right, can't use the Nano directly. But I also use a Mac and
> my Motu Ultralite has midi out which is connected to the LP1. I have
> been looking for a USB to midi out adapter but haven't find it, but
> otherwise the Nano could be a great controller for volume and feedback
> etc.

If only the Looperlative had USB instead of Ethernet...

It would be nice to have something as small as the Nano, but adding in =
more boxes basically defeats the point.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 20:33:27 2010
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Date: Mon, 22 Feb 2010 21:32:49 +0100
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Subject: Re: Sending program changes from Bidule to external midi devices
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Mon, Feb 22, 2010 at 9:22 PM, Per Boysen <perboysen@gmail.com> wrote:
> Whatever you are creating in software you should save several identical
> copies of your working document under different names. For example xxx,
> xxxbackup1, xxxbackup2. It is common that a document gets corrupted of an
> application crashes when in use.

Good point. I do but the backup appears to corrupt too...if that is the pro=
blem.

> Hope you get a stable setup with Bidule! It served me and Mobius excellen=
tly
> under Windows XP two years ago but today my recent Macbook is stable
> with=A0Mainstage 2.1=A0while Bidule crashes and delivers an inferior fide=
lity.

That's good news....not ;-) Mainstage 2.1 is not stable here at the
moment, it was so-so for a while but not good enough, I'm sure now.
2.0 was stable, did Y2K with that, 1.0 was ok too. We'll see, I'm
building a "safe my ass" rig now if things go wrong, partly hardware,
partly software. Nord Wave as synth, Bidule for some FX and
softsynths, a Lexicon for reverbs and the LP1 as looper. If the Mac
fails, you won't hear "the sound of silence".

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From joseokes005@admin.in.th  Mon Feb 22 20:49:06 2010
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From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 22:27:22 2010
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From: Massimo Liverani <mas.liv@libero.it>
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yes, very nice! 
Max liver


----Messaggio originale----

Da: rune_fagereng@yahoo.no

Data: 21/02/2010 9.59

A: <loopers-delight@loopers-delight.com>

Ogg: Arve Henriksen - Arild Andersen - looping (youtube)



Hi 
Arild Anderse looping, with Arve Henriksen and Elin Rosseland. http://www.youtube.com/watch?v=wTOJGGdr_Hs&amp;feature=related
Rune F.
__________________________________________________
Bruker du Yahoo!?
Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen 
http://no.mail.yahoo.com




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<p>yes, very nice! </p><p>Max liver<br></p>
<blockquote>
----Messaggio originale----<br>
Da: rune_fagereng@yahoo.no<br>
Data: 21/02/2010 9.59<br>
A: &lt;loopers-delight@loopers-delight.com&gt;<br>
Ogg: Arve Henriksen - Arild Andersen - looping (youtube)<br>
<br>
<table class="mceItemTable" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="font-family: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjust: inherit; font-stretch: inherit; -x-system-font: none;" mce_style="font: inherit;" valign="top">Hi&nbsp;<div><br></div><div>Arild Anderse looping, with Arve Henriksen and Elin Rosseland.&nbsp;</div><div>http://www.youtube.com/watch?v=wTOJGGdr_Hs&amp;feature=related</div><div><br></div><div>Rune F.</div></td></tr></tbody></table><br>__________________________________________________<br>Bruker du Yahoo!?<br>Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen <br>http://no.mail.yahoo.com<br>
</blockquote><p><br></p>
------=_Part_256508_891228.1266877611134--

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	 <e89a49d31002221207w8c96d4cte49e64521c5fb54a@mail.gmail.com>
Date: Tue, 23 Feb 2010 00:16:58 +0100
Message-ID: <afb941d1002221516w13ab9f6bm42c99b9c826e61ca@mail.gmail.com>
Subject: Re: Looperlative & Novation Remote Zero?
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i've not used any template from them since i wasn't intending to use the
nocturn, only as a regular DAW controller, unless kind of mangler/tweaker
and other obscurer functions like: varispeed (eclectic looper), rateshift
(mobius), quasi-blindly selecting track (mobius), etc.

again, it'd be worth trying the zero as controller for the mobius plugin.
just a bit too big for my taste ... the nocturn is of a perfect size.



2010/2/22 Sjaak Overgaauw <tcplugin@gmail.com>

> Gents,
> Thanks for the Automap idea. But unfortunately that doesn't work for
> the LP1. I tried Mobius before, didn't work as well. The manual is
> unclear about incoming midi CC's. Technically the Novation Zero can do
> it because they have a special template for Ableton Live....and that
> one seems to work according to internet forums and the Novation
> support site. It's not documented how to set it up for anything
> else........hmmmm ;-)
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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i&#39;ve not used any template from them since i wasn&#39;t intending to us=
e the nocturn, only as a regular DAW controller, unless kind of mangler/twe=
aker and other obscurer functions like: varispeed (eclectic looper), ratesh=
ift (mobius), quasi-blindly selecting track (mobius), etc.<br>
<br>again, it&#39;d be worth trying the zero as controller for the mobius p=
lugin.<br>just a bit too big for my taste ... the nocturn is of a perfect s=
ize.<br><br><br><br><div class=3D"gmail_quote">2010/2/22 Sjaak Overgaauw <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.co=
m</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Gents,<br>
Thanks for the Automap idea. But unfortunately that doesn&#39;t work for<br=
>
the LP1. I tried Mobius before, didn&#39;t work as well. The manual is<br>
unclear about incoming midi CC&#39;s. Technically the Novation Zero can do<=
br>
it because they have a special template for Ableton Live....and that<br>
one seems to work according to internet forums and the Novation<br>
support site. It&#39;s not documented how to set it up for anything<br>
else........hmmmm ;-)<br>
<div><div></div><div class=3D"h5"><br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell=
 at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.b=
logspot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collecti=
ve.com">http://www.ct-collective.com</a><br>
<br>

--001485f44d1836acab048038a19a--

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Subject: Re: Sending program changes from Bidule to external midi devices
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... time to update statistics on sw vs.hw failures on stage.

thinking of feeding the eh.w.hazarai from the master stereo bus of the sw
setup. can record 30 sec. of stereo material, which may be enough to
entertain them during some minutes if doing the varispeed thing. :-)

2010/2/22 Sjaak Overgaauw <tcplugin@gmail.com>

> On Mon, Feb 22, 2010 at 9:22 PM, Per Boysen <perboysen@gmail.com> wrote:
> > Whatever you are creating in software you should save several identical
> > copies of your working document under different names. For example xxx,
> > xxxbackup1, xxxbackup2. It is common that a document gets corrupted of an
> > application crashes when in use.
>
> Good point. I do but the backup appears to corrupt too...if that is the
> problem.
>
> > Hope you get a stable setup with Bidule! It served me and Mobius
> excellently
> > under Windows XP two years ago but today my recent Macbook is stable
> > with Mainstage 2.1 while Bidule crashes and delivers an inferior
> fidelity.
>
> That's good news....not ;-) Mainstage 2.1 is not stable here at the
> moment, it was so-so for a while but not good enough, I'm sure now.
> 2.0 was stable, did Y2K with that, 1.0 was ok too. We'll see, I'm
> building a "safe my ass" rig now if things go wrong, partly hardware,
> partly software. Nord Wave as synth, Bidule for some FX and
> softsynths, a Lexicon for reverbs and the LP1 as looper. If the Mac
> fails, you won't hear "the sound of silence".
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d99acece1fd8048038cb94
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

... time to update statistics on sw vs.hw failures on stage.<br><br>thinkin=
g of feeding the eh.w.hazarai from the master stereo bus of the sw setup. c=
an record 30 sec. of stereo material, which may be enough to entertain them=
 during some minutes if doing the varispeed thing. :-)<br>
<br><div class=3D"gmail_quote">2010/2/22 Sjaak Overgaauw <span dir=3D"ltr">=
&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</span>=
<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Mon, Feb 22, 2010 at 9:22 PM, Per Boysen &lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt; Whatever you are creating in software you should save several identica=
l<br>
&gt; copies of your working document under different names. For example xxx=
,<br>
&gt; xxxbackup1, xxxbackup2. It is common that a document gets corrupted of=
 an<br>
&gt; application crashes when in use.<br>
<br>
</div>Good point. I do but the backup appears to corrupt too...if that is t=
he problem.<br>
<div class=3D"im"><br>
&gt; Hope you get a stable setup with Bidule! It served me and Mobius excel=
lently<br>
&gt; under Windows XP two years ago but today my recent Macbook is stable<b=
r>
&gt; with=A0Mainstage 2.1=A0while Bidule crashes and delivers an inferior f=
idelity.<br>
<br>
</div>That&#39;s good news....not ;-) Mainstage 2.1 is not stable here at t=
he<br>
moment, it was so-so for a while but not good enough, I&#39;m sure now.<br>
2.0 was stable, did Y2K with that, 1.0 was ok too. We&#39;ll see, I&#39;m<b=
r>
building a &quot;safe my ass&quot; rig now if things go wrong, partly hardw=
are,<br>
partly software. Nord Wave as synth, Bidule for some FX and<br>
softsynths, a Lexicon for reverbs and the LP1 as looper. If the Mac<br>
fails, you won&#39;t hear &quot;the sound of silence&quot;.<br>
<font color=3D"#888888"><br>
--<br>
</font><div><div></div><div class=3D"h5">Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell=
 at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.b=
logspot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collecti=
ve.com">http://www.ct-collective.com</a><br>
<br>

--0016e6d99acece1fd8048038cb94--

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From:     "mr.ayisa amengo" <ayisaamengo@yahoo.com>
To:       "." <.>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
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Date: Mon, 22 Feb 2010 13:35:16 +0100
Subject: I NEED YOUR ASSISTANCE FOR THIS TRANSACTION
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<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
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 trust and confident that i am about to establish with you for the mutual=
 benefit of me and you. I need your urgent assistance in transferring the=
 sum of ($10.5)millions usd into your account within 7working banking days.=
 This money has been dormant for years in our Bank without claim due to the=
 owner of this fund died along with his entire family and supposed next of=
 kin in an air crash since July 31st 2000. </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">I want our bank to release this funds to you as the=
 nearest person to our deceased customer while i come over to your country=
 to share this fund with you as soon as you confirm this fund into your=
 account and ask me to come over. I don't want the money to go into our Bank=
 treasure as an abandoned fund. So this is the reason why i contacted you so=
 that our bank will release this money to you as the next of kin to the=
 deceased customer. Please I would like you to keep this proposal as a top=
 secret and delete it if you are not interesting. </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">Upon the receipt of your reply and indication of=
 your capability, i will give you full details on how the business will be=
 executed and also note that you will have 45% of the above mentioned sum if=
 you agree to handle this business with me while 50% will be for me and 5%=
 for any expenses that may arise on the process, Because i don't want anyone=
 here in our bank to know my involvement until you confirm this fund into=
 your account and ask me to come over for the sharing as i indicated. If you=
 agree to my business proposal. please reply me to this address.=
 </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">Am looking forward hearing from you immediately,=
 </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">Thanks with my best regards </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">Mr Ayisa Amengo</SPAN></div>
<div>&nbsp;</div>
</body></html>

From Loopers-Delight-request@loopers-delight.com  Mon Feb 22 23:54:00 2010
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Date: Mon, 22 Feb 2010 15:53:23 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Guitar Center Boston - black EDP Pro for sale
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--0-1897872594-1266882803=:62023
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

If you're in the Boston area, Guitar Center on Boylston Street has a black =
EDP Pro.=A0 Coincidently, the same store has a tape Echoplex as well.=0A=0A=
=0A      
--0-1897872594-1266882803=:62023
Content-Type: text/html; charset=iso-8859-1
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>If you're in the Boston area, Guitar Center on Boylston Street ha=
s a black EDP Pro.&nbsp; Coincidently, the same store has a tape Echoplex a=
s well.</DIV></div><br>=0A=0A=0A=0A      </body></html>
--0-1897872594-1266882803=:62023--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 01:09:02 2010
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Message-ID: <20111.216.1266887340.squirrel@www.andredonawa.com>
Date: Mon, 22 Feb 2010 21:09:00 -0400 (AST)
Subject: Live Looping with my M9
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi,

Here's my first Live Looping video blog. I used my laptop for video and
all the crazy audio and looping is me going through my line 6 M9 pedal.

http://barbadosguitar.com/wordpress/?p=36

There’s some strange pitch shifting going on in the middle of the video,
none of this is orchestrated by myself just the laptop freaking out on
it’s own.

I’m hoping to get a dedicated camera for this in a couple of months.

The strange noises around 12:40 started as a happy accident. I made some
adjustments to a setting I had from a gig the night before not realising
that my speed was now set to my controller.

Anyone know what I can do to stop the video from speeding up and slowing
down when I record. I've done shorter clips with no problems.

Andre





http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 01:54:27 2010
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Subject: OT Pre-spring cleaning gear sale
Date: Mon, 22 Feb 2010 17:54:15 -0800
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Hi Gang thought I'd let you know of some gear I'm letting go of that  
is redundant to me and I need to free up some money. I'd rather deal  
with someone directly on this list before turning to Craig's list or E- 
Bay. I've researched  what these items are going for and to the best  
of my knowledge I'm asking very fair prices. Though I'm reluctant to  
ship outside the continental US I would consider it. Please contact me  
off list.
  Thanks
Bill

Lexicon MPX-100, just like Bill Frisell still uses ,  in excellent   
working condition with power supply and manual.  An oldie but goody.
  $50 + shipping

Duncan twin tube classic with two power supplies and manual, an  
excellent sounding versatile two channel  real tube overdrive/ 
distortion, I have too many overdrives, this one has to go.
  $100+shipping

Line 6 M-13,  with powers supply and manual,.  These are really  
amazing sounding flexible multi effects that are a delay freak/ effect  
tweaker/ loopers wet dream. I just needed a smaller footprint pedal so  
I could fit other stuff on my pedal board so I bought an M-9,  Purely  
a real estate issue. Well taken care of with a bunch of my custom  
presets that take full advantage of the M-13's expression pedal  
capability. You will ned to get your own Ex pedals though, I'm keeping  
mine.
$300 + shipping

Keeley looper  aka "japanese apartment", This Is Not a Looping pedal,   
It is a high quality tiny foot print mono true bypass  loop selector  
for  switching noisy effects in and out of the signal path. Its  
passive but can have its bright status LEDs powered by any boss style  
power supply or multi source PS.
$50 + shipping

TC Electronics G-minor with power supply small foot print midi foot  
controller for basic patch change and one cc switch, originally  
designed to control the G-major
$70 + shipping

TC G-switch a three button  momentary foot switch with  trs cable that  
can control  The G sharp and M-300 effects but also other 3 switch  
devices from Digitech  and Electrix Repeater, robust steel chassis,  
like new
$30 +shipping

digitech FS3X three button foot switch with  trs cable, like new
$30 +shipping

Fender Champion Lap Steel circa 1954, with gig bag, When I got this in  
trade from my friend, it was missing its pickup, (these student lap  
steels are some what famous for having their hot tele style pickups  
pirated because they are similar to tele bridge pickups of the day)  
Instead of trying to replicate the noise of those early single coils I  
had Seymour Duncan custom wind a stacked single coil pu overwound to  
be hot but without the 60 cycle hum.  When instruments go for long  
periods of time without getting played in my house, I feel obligated  
to set them free.  I have two amazing lap steels that see all the work  
and this baby needs a  goodhome.
   In addition to the pickup i have replaced the white tuner buttons  
which were crumbling off, as well as well as the potentiometers and  
input jack which were shot..  made of swamp ash. Someone wrote "Given  
to me by Mom" on the back,   great sound and vibe
$500+shipping

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 02:19:23 2010
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Date: Mon, 22 Feb 2010 18:19:08 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: dream pedal: the random multi-effects thing
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--0-819174904-1266891548=:29354
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

well, i talked to my electrical engineering student today (well i wish he w=
as mine: build me this NOW!) he said taking an original cheap multi-effects=
 box and modding it would be hard (or harder)...he said it is something tha=
t he could do in software (he said he'd rather design his own effects in co=
de), and build it separately--it seemed a bit over my head. he said it woul=
dn't be anything too hard (for him!). the main hangup is time (he graduates=
 in may).i told him to tell me how much the parts of this "project" would c=
ost and give me a figure...so i may have to wait until may when he's a bit =
more free w/ his time.
he said it's feasible. this all came from him working on this internet radi=
o frequency analyzer that he's building in one of his classes-so he says th=
is isn't out of the question-as to building it, it mainly is figuring out t=
he cost for materials, etc....i'll keep on him....
=A0
i told him, can't you just take a cheap digitech rp100, hook a couple of wi=
res and a switch to something inside and away we go? he looked at me and la=
ughed. oh well....guess it's not circuit bending....
=A0
you know the one thing,honestly, roland and korg have come out w/ some whac=
ky effects in the last 10 yrs (slicer, kaoss pad?)-i can't believe that the=
y haven't come up w/ a switch option on one of their effects devices that j=
ust made it go all random and cylced through different presets/effects opti=
ons....i'm sure they're thinking-we gotta cater to the vintange snobs who w=
ant the amps to sound like something from the 1950s when buddy holly was pl=
aying....ohwell.....
=A0
s---=0A=0A=0A      
--0-819174904-1266891548=:29354
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>well, i talked to my electrical engineer=
ing student today (well i wish he was mine: build me this NOW!) he said tak=
ing an original cheap multi-effects box and modding it would be hard (or ha=
rder)...he said it is something that he could do in software (he said he'd =
rather design his own effects in code), and build it separately--it seemed =
a bit over my head. he said it wouldn't be anything too hard (for him!). th=
e main hangup is time (he graduates in may).i told him to tell me how much =
the parts of this "project" would cost and give me a figure...so i may have=
 to wait until may when he's a bit more free w/ his time.</DIV>
<DIV>he said it's feasible. this all came from him working on this internet=
 radio frequency analyzer that he's building in one of his classes-so he sa=
ys this isn't out of the question-as to building it, it mainly is figuring =
out the cost for materials, etc....i'll keep on him....</DIV>
<DIV>&nbsp;</DIV>
<DIV>i told him, can't you just take a cheap digitech rp100, hook a couple =
of wires and a switch to something inside and away we go? he looked at me a=
nd laughed. oh well....guess it's not circuit bending....</DIV>
<DIV>&nbsp;</DIV>
<DIV>you know the one thing,honestly, roland and korg have come out w/ some=
 whacky effects in the last 10 yrs (slicer, kaoss pad?)-i can't believe tha=
t they haven't come up w/ a switch option on one of their effects devices t=
hat just made it go all random and cylced through different presets/effects=
 options....i'm sure they're thinking-we gotta cater to the vintange snobs =
who want the amps to sound like something from the 1950s when buddy holly w=
as playing....ohwell.....</DIV>
<DIV>&nbsp;</DIV>
<DIV>s---</DIV></td></tr></table><br>=0A=0A      
--0-819174904-1266891548=:29354--

From m.hudson1@orange.fr  Tue Feb 23 03:00:57 2010
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	 Tue, 23 Feb 2010 03:50:42 +0100
Reply-To: <m1hudson1@yahoo.com.hk>
From: "MARTIN HUDSON"<m.hudson1@orange.fr>
Subject: CAN I TRUST YOU???
Date: Tue, 23 Feb 2010 09:50:50 +0700
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X-OriginalArrivalTime: 23 Feb 2010 02:50:42.0944 (UTC) FILETIME=[FD97F800:01CAB432]
To: undisclosed-recipients:;

Fund Manager: MR. Martin Hudson
The Mercantile Investment Trust plc.

I am MR. Martin Hudson one of The Portfolio manager of The Mercantile Investment Trust plc.a group of JP Morgan INVESTMENT INTERNATIONAL. I handle all Investor’s within my management portfolio Direct Capital Funds (there investment funds).

As a routine every investor gets the percentage profit or dividend from the total cash he or she invested into the company annually.. Last year it was announced that the profit margin was 18.9% after calculating carefully I found out that the profit margin was 20.1% that is an excess of 1.2% on each investor so I secretly extracted 1.2% Excess Maximum Return Capital Profit (EMRCP) per annum on each of the Investor's Marginal Capital Fund and created a separate account where the total sum of the extraction was kept As an expert, the account has a valued for 37,600,000.00.pounds (thirty seven million, six hundred thousand Pounds)

Now, I am looking for someone who I can trust to stand as an Investor to receive the fund as Annual Investment Proceeds from The Mercantile Investment Trust plc. All legal documents to back up the claims will be made available to you prior to your acceptance.

Meanwhile, I have worked out the modalities and technicalities whereby the funds can be claimed in any of our 6 Clearing Houses without any hitches. Our sharing ratio will be 50-50. If you are interested, you should send your direct phone number so we could discuss more on phone as regard the transaction.
 
 
Sincerely.
Martin Hudson


From pbc@info.org  Tue Feb 23 05:04:07 2010
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Subject: YOUR SINCERELY!!!
From: "Mr Su Ning" <pbc@info.org>
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Peoples Bank of China.

Private Email: pbc.mrsuning@gmail.com

Tel: (861) 2745-8399
Fax:  (861) 2744-6937

Request for  business services,
I would highly appreciate if you could respond to this email due to the
urgency of this matter,  if you are not in position to represent us at the
moment kindly advice immediately.
After a careful review, I decided to contact you to represent me as my
business partner in Overseas.

I have a very urgent business proposal for your consideration and
acceptance. Please don't be offended about this email as it is only a
request to go into partnership over a business deal.

This will be done immediately I receive your letter of acceptance, Your
consideration of my request is highly anticipated, and i look forward to
your prompt response to this request.
Your questions regarding this Proposal are welcome.

Once more, thanks for taking time from your busy Schedule to read this email.

Yours sincerely,

Mr Su Ning


From pbc@info.org  Tue Feb 23 05:04:30 2010
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Date: Tue, 23 Feb 2010 02:52:33 -0200 (BRST)
Subject: YOUR SINCERELY!!!
From: "Mr Su Ning" <pbc@info.org>
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Peoples Bank of China.

Private Email: pbc.mrsuning@gmail.com

Tel: (861) 2745-8399
Fax:  (861) 2744-6937

Request for  business services,
I would highly appreciate if you could respond to this email due to the
urgency of this matter,  if you are not in position to represent us at the
moment kindly advice immediately.
After a careful review, I decided to contact you to represent me as my
business partner in Overseas.

I have a very urgent business proposal for your consideration and
acceptance. Please don't be offended about this email as it is only a
request to go into partnership over a business deal.

This will be done immediately I receive your letter of acceptance, Your
consideration of my request is highly anticipated, and i look forward to
your prompt response to this request.
Your questions regarding this Proposal are welcome.

Once more, thanks for taking time from your busy Schedule to read this email.

Yours sincerely,

Mr Su Ning


From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 05:42:20 2010
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Date: Tue, 23 Feb 2010 00:32:59 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T @ XFest,  Firiday, 119 Gallery, Lowell MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations with five(!) different groups of 
improvisors at XFest 2010, this coming Friday from 8 - 10:30 PM.

XFest is an annual event put on by 119 Gallery -- a multi-stylistic 
festival of improvisation including music, video and movement. The 
event includes 60 local artists and 12 visiting artists. Admission is 
free.

For more info, go to http://www.119gallery.org/?p=3439

119 Gallery
119 Chelmsford St
Lowell, MA 01851
8:00 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 05:43:21 2010
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Message-ID: <afb941d1002222143r47f1952ldc22735e14b4b419@mail.gmail.com>
Subject: ik multimedia stealthboard (midi controller)
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d643fae75ff604803e061f
Content-Type: text/plain; charset=ISO-8859-1

http://www.ikmultimedia.com/Main.html?stealthboard/index.php

any good?
are those 4 rear inputs suitable for adding expression pedals?

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d643fae75ff604803e061f
Content-Type: text/html; charset=ISO-8859-1

<a href="http://www.ikmultimedia.com/Main.html?stealthboard/index.php">http://www.ikmultimedia.com/Main.html?stealthboard/index.php</a><br clear="all"><br>any good?<br>are those 4 rear inputs suitable for adding expression pedals?<br>
<br>-- <br>Raul Bonell at Blogger: <a href="http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d643fae75ff604803e061f--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 06:21:45 2010
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Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 01:21:26 -0500
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References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com> <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com> <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com> <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com> <20100210124404.3854714DE2@ns4.tnt21.com> <e89a49d31002100730x364eec2cn9a10ae1bd23467b4@mail.gmail.com> <836F6994F5164F199D443FC62D0AC030@MichaelPC>
From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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Did you end up finding any reviews?
I'm curious to read these myself.

-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]=20
Sent: Sunday, February 21, 2010 12:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: Rang III reviews

Anyone know of any Rang III reviews?  If it looks good I may unload my=20
Echoplex and it's case, etc.

Thanks!

Plish
www.michaelplishka.com

From johnsonada02@latinmail.com  Tue Feb 23 07:03:23 2010
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From: "JOHNSON  ADA"<johnsonada02@latinmail.com>
Subject: GOOD DAY SIR/MADAM
Date: Mon, 22 Feb 2010 03:16:24 -0800
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<FONT color=#000000>johnsonada001@googlemail.com</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>MY NAME IS JOHNSON ADA.&nbsp; A TEMPORAL POLITICAL STAFF WITH HON. GODWIN ELUMELU, CHAIRMAN POWER &amp; ENERGY PROBE PANEL. IN THE PROCESS OF THE PROBE, AN ACCOUNT WAS OPENED IN MY NAME AND SOME MONEY (US$9.5M) WAS PAID IN TO SETTLE THE PANEL. BUT WHEN HE AND OTHER TOP MEMBERS WERE COUGHT AND TAKEN TO COURT, I WAS TOLD NEVER TO REVEAL THIS AMOUNT TO ANYBODY.&nbsp; AS I WRITE THIS MESSAGE, THE MONEY IS STILL IN MY NAME AND I NEED A GOD FEARING PARTNER INTO WHOSE ACCOUNT THIS MONEY WILL BE REMITTED INTO SO THAT WE SHARE IT 40% FOR YOU AND 60% FOR ME BECAUSE I WANT TO LEAVE THE COUNTRY FOR BETTER LIFE OUTSIDE MY COUNTRY NIGERIA.&nbsp; THIS IS A GOLDEN OPPORTUNITY FOR ME WHICH I NEVER EXPECTED. </FONT></DIV>
<DIV>
<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>NOTE:&nbsp; THE CHOICE IS YOUR AND KNOW THAT I AM NOT IN ANYWAY FORCING YOU INTO THIS RATHER IT IS FOR OUR MUTUAL BENEFIT.&nbsp; AGAIN, YOU HAVE TO GIVE ME EVERY ASSURANCE THAT YOU WILL BE SINCERE TO ME BECAUSE I DON'T IN ANYWAY KNOW YOU EXCEPT YOUR EMAIL CONTACT WHICH WAS HURRIEDLY GOTTEN ON THE NET.</FONT></DIV>
<DIV>
<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>ONLY WHEN I AM CONVINCED YOU WILL BE SINCERE TO ME THAT I WILL RELEASE THE DEPOSIT CERTIFICATE AND MY CELL PHONE NUMBER TO YOU AND OTHER VITAL INFORMATION.</FONT></DIV>
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<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>IF YOU ARE INTERESTED THEN SEND THE FOLLOWING:</FONT></DIV>
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<FONT color=#000000> </FONT></DIV>
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<FONT color=#000000>1.&nbsp; YOUR FULL NAMES</FONT></DIV>
<DIV>
<FONT color=#000000>2.&nbsp; CONTACT ADDRESS</FONT></DIV>
<DIV>
<FONT color=#000000>3.&nbsp; AGE</FONT></DIV>
<DIV>
<FONT color=#000000>4.&nbsp; OCCUPATION</FONT></DIV>
<DIV>
<FONT color=#000000>5.&nbsp; POSITION</FONT></DIV>
<DIV>
<FONT color=#000000>6.&nbsp; PRIVATE PHONE NUMBER</FONT></DIV>
<DIV>
<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>RESPOND URGENTLY TO ENABLE ME FURNISH YOU WITH THE REQUIREMENTS.</FONT></DIV>
<DIV>
<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>FINALLY,&nbsp; PLEASE KEEP THIS CONFIDENTIAL PLEASE.</FONT></DIV>
<DIV>
<FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>JOHNSON ADA</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 08:39:41 2010
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References: <c70841111002090120lfac6935x61f2c29583ef7504@mail.gmail.com> <bbb8cbac1002090225o7b974833qb0306fba3df5a6bd@mail.gmail.com> <c70841111002090336n657c8ccchff9ea7c512dce5fe@mail.gmail.com> <e89a49d31002090341l27dd7651x2a32b7649046db25@mail.gmail.com> <20100210124404.3854714DE2@ns4.tnt21.com> <e89a49d31002100730x364eec2cn9a10ae1bd23467b4@mail.gmail.com> <836F6994F5164F199D443FC62D0AC030@MichaelPC> <F160BE32A2E5E04497668BBDFE83FEDF3B146DD9@EXCHVS1.medctr.ad.wfubmc.edu>
In-Reply-To: <F160BE32A2E5E04497668BBDFE83FEDF3B146DD9@EXCHVS1.medctr.ad.wfubmc.edu>
Subject: Re: Rang III reviews
Date: Tue, 23 Feb 2010 02:39:26 -0600
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Nothing yet!  Found some preproduction reviews but they don't say anything I 
hadn't heard before.

I'll keep looking and let you know if I find anything.
----- Original Message ----- 
From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, February 23, 2010 12:21 AM
Subject: RE: Rang III reviews


Did you end up finding any reviews?
I'm curious to read these myself.

-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]
Sent: Sunday, February 21, 2010 12:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: Rang III reviews

Anyone know of any Rang III reviews?  If it looks good I may unload my
Echoplex and it's case, etc.

Thanks!

Plish
www.michaelplishka.com

From neha2015@vsnl.net  Tue Feb 23 09:17:21 2010
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Date: Tue, 23 Feb 2010 13:46:05 +0530
From: Rekha <neha2015@vsnl.net>
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Hai,=20
I have come across a neat blog  http://womensworld.net.in <http://wome=
nsworld.net.in>   covering topics on women=E2=80=99s health, fitness, =
lifestyle, caring, parenting etc and many more.

If you have an interesting topic, you can also post at this blog. Real=
ly interesting !!!

Regards

Neha =20

**********************************************************=20

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+91-9420818377

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    <div><font size="2" face="Arial"><font size="2" face="Arial">Hai,</font><font face="Arial"><font size="2"> 
            <p class="MsoNormal"><font size="2">I have come across a neat blog &nbsp;</font><a href="http://womensworld.net.in" rel="nofollow" target="_blank"><font size="2">http://womensworld.net.in</font></a><font size="2">&nbsp;&nbsp; covering topics on women&rsquo;s health, fitness, lifestyle, caring, parenting etc and many more.</font></p>
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        <p><font size="2" face="Arial">Regards</font></p>
        <p><font size="2" face="Arial">Neha&nbsp;</font> </p>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 11:00:28 2010
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Hey all

This is REALY useful (for me anyway)

http://www.notreble.com/buzz/2010/02/22/looping-lesson-programming- 
the-behringer-fcb1010-for-use-with-mobius-live-looping-software/

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
 Hey all<div><br></div><div>This is REALY useful (for me anyway)</div><div><br></div><div><a href="http://www.notreble.com/buzz/2010/02/22/looping-lesson-programming-the-behringer-fcb1010-for-use-with-mobius-live-looping-software/">http://www.notreble.com/buzz/2010/02/22/looping-lesson-programming-the-behringer-fcb1010-for-use-with-mobius-live-looping-software/</a><br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 11:58:44 2010
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Date: Tue, 23 Feb 2010 12:58:37 +0100
Message-ID: <66f9cc1e1002230358t6130f836y6cfe94f8407e2d7e@mail.gmail.com>
Subject: Re: ik multimedia stealthboard (midi controller)
From: Per Boysen <perboysen@gmail.com>
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On Tue, Feb 23, 2010 at 6:43 AM, Raul Bonell <raul.bonell@gmail.com> wrote:
>
> http://www.ikmultimedia.com/Main.html?stealthboard/index.php
>
> any good?

Would guess so, by these first look. The box's weight is still murky area.

> are those 4 rear inputs suitable for adding expression pedals?

The video doesn't cover them and it is still a bit unclear. But there
should be a fair chance since they are marked "External Control
(Pedals/Switches)". If four continuous voltage pedals are instantly
digitized into MIDI CC#'s the Stealthboard looks very powerful! :-)

KeithMcMillan's SoftStep only has one expansion port for expression
pedal. But I think I'm more inclined towards SoftStep anyway, since
each one of the ten stepping pads can be used to send CC# data for
expression in four different ways (except the simple step-on-it
function). And that pedal seems so small and light that you may
actually bring two to have a backup instantly available on stage.

If you add a Stealth Pedal to the Stealthboard you get the same
capabilities as with the Apogee Gio. Plus the expression pedal. I like
IK's solution better than Apogee's because if you don't what to use it
as an audio interface but only as a MIDI control pedal you would have
to pay for the audio input as well if going with the Gio.

However, neither Stealthboard+Steath Pedal nor Gio will let you plug
in two parallell audio inputs. This is the reason I will stay with a
dedicated box interface from RME and use MIDI only control pedals
(need dual inputs for Chapman Stick as well as for processing other
band members).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 15:45:33 2010
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Date: Tue, 23 Feb 2010 07:45:26 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Rang III reviews
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I'll write one when I get the unit. I canceled my original order with the e=
Bay vendor. Coincidentally, I received an e-mail the same time from Mike at=
 Boomerang indicating I could purchase one from him. I did so and am awaiti=
ng the unit.=20
=A0
Regards, Paul

--- On Tue, 2/23/10, mike@michaelplishka.com <mike@michaelplishka.com> wrot=
e:


From: mike@michaelplishka.com <mike@michaelplishka.com>
Subject: Re: Rang III reviews
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, February 23, 2010, 3:39 AM


Nothing yet!=A0 Found some preproduction reviews but they don't say anythin=
g I hadn't heard before.

I'll keep looking and let you know if I find anything.
----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, February 23, 2010 12:21 AM
Subject: RE: Rang III reviews


Did you end up finding any reviews?
I'm curious to read these myself.

-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]
Sent: Sunday, February 21, 2010 12:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: Rang III reviews

Anyone know of any Rang III reviews?=A0 If it looks good I may unload my
Echoplex and it's case, etc.

Thanks!

Plish
www.michaelplishka.com

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I'll write one when I get the unit. I ca=
nceled my original order with the eBay vendor. Coincidentally, I received a=
n e-mail the same time from Mike at Boomerang indicating I could purchase o=
ne from him. I did so and am awaiting the unit. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul<BR><BR>--- On <B>Tue, 2/23/10, mike@michaelplishka.com <=
I>&lt;mike@michaelplishka.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: mike@michaelplishka.com &lt;mike@michaelpli=
shka.com&gt;<BR>Subject: Re: Rang III reviews<BR>To: Loopers-Delight@looper=
s-delight.com<BR>Date: Tuesday, February 23, 2010, 3:39 AM<BR><BR>
<DIV class=3DplainMail>Nothing yet!&nbsp; Found some preproduction reviews =
but they don't say anything I hadn't heard before.<BR><BR>I'll keep looking=
 and let you know if I find anything.<BR>----- Original Message ----- From:=
 "Ace Ovil" &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3D=
aovil@wfubmc.edu" ymailto=3D"mailto:aovil@wfubmc.edu">aovil@wfubmc.edu</A>&=
gt;<BR>To: &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DL=
oopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loopers-Delight@loope=
rs-delight.com">Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent: Tuesda=
y, February 23, 2010 12:21 AM<BR>Subject: RE: Rang III reviews<BR><BR><BR>D=
id you end up finding any reviews?<BR>I'm curious to read these myself.<BR>=
<BR>-----Original Message-----<BR>From: <A href=3D"http://us.mc1102.mail.ya=
hoo.com/mc/compose?to=3Dmike@michaelplishka.com" ymailto=3D"mailto:mike@mic=
haelplishka.com">mike@michaelplishka.com</A> [mailto:<A
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dmike@michaelplishk=
a.com" ymailto=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</=
A>]<BR>Sent: Sunday, February 21, 2010 12:21 AM<BR>To: <A href=3D"http://us=
.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com"=
 ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</A><BR>Subject: Rang III reviews<BR><BR>Anyone know of any=
 Rang III reviews?&nbsp; If it looks good I may unload my<BR>Echoplex and i=
t's case, etc.<BR><BR>Thanks!<BR><BR>Plish<BR>www.michaelplishka.com<BR><BR=
></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-72398773-1266939926=:99501--

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	 <748270.99501.qm@web110212.mail.gq1.yahoo.com>
Date: Tue, 23 Feb 2010 15:55:37 +0000
Message-ID: <5d9904371002230755k4ad6c51avf68ba475ba5981f8@mail.gmail.com>
Subject: Re: Rang III reviews
From: Mark McGlinchey <markmcglinchey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364163cdb0b8e604804694ce
Content-Type: text/plain; charset=ISO-8859-1

It isn't very thoughrough but a quick run through I did for Ace a few weeks
back, also Ace I realised when I searched for this I didn't answer a
question you had, yeah I'd avoid running a bass through my twin at all
costs, also I don't use them as the PA, I only play live in a band context
and at the moment I am only running guitar and occasionally a synth through
them:

"Unfortunatly Ace I don't have any experience with the EDP to do comparisons
but I can tell you my impressions of the rang III.

The first thing I noticed when I got it was it is much smaller than I
expected which some people find a huge plus, for me it's no big deal but
could be handy on occasion for throwing in a back pack. I find the sound
quality to be very good, very little noise, even when boosting the incoming
signal, and it replicates what I am playing absolutely fine (I too use amps,
in my case Twin Reverbs).

The pedals are well separated but in truth I find the 2nd bonus button a
little awkward, it is placed in the top right and I have to use the tip of
my toe to press it, it would be fine if I sat down playing but standing up
and with my big clown feet it took a little getting used to. The buttons do
have an audible click when pressed but again it isn't a problem for me as I
play quite loud. I do however wish there were more bonus buttons. I find
stack, erase, undo and redo are core features that I want to have at all
times. Add to that the fact that loop four is also a "bonus" option and the
need for more buttons becomes more obvious. The reverse/fade/reverse solo
and octave features are cool but I don't use them as often as I would due to
the limited real estate for bonus buttons. As for the loop 4 thing I never
use it as currently only serial play and master play for 2 of the loops is
implemented and I find that without being able to play even the 3 other
loops simultaneously I personally have no use for a 4th.

The build quality is very sturdy so I don't expect any problems there.

All in all, I think it is a great unit at the price point even now without
the full implementation. When the full implementation is released I expect I
will find a marked increase in the flexibility of it but I am not holding my
breath on that yet. Strangely I get the feeling that were the software to
have the full feature set I would find the bonus button situation even more
frustrating as I will know the possibilities of the unit but still have to
work around what features I can use and when.

Hope that helps a bit,"

On Tue, Feb 23, 2010 at 3:45 PM, Paul Richards
<paulrichard_rocks@yahoo.com>wrote:

>   I'll write one when I get the unit. I canceled my original order with
> the eBay vendor. Coincidentally, I received an e-mail the same time from
> Mike at Boomerang indicating I could purchase one from him. I did so and am
> awaiting the unit.
>
> Regards, Paul
>
> --- On *Tue, 2/23/10, mike@michaelplishka.com <mike@michaelplishka.com>*wrote:
>
>
> From: mike@michaelplishka.com <mike@michaelplishka.com>
> Subject: Re: Rang III reviews
>
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, February 23, 2010, 3:39 AM
>
>
> Nothing yet!  Found some preproduction reviews but they don't say anything
> I hadn't heard before.
>
> I'll keep looking and let you know if I find anything.
> ----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu<http://us.mc1102.mail.yahoo.com/mc/compose?to=aovil@wfubmc.edu>
> >
> To: <Loopers-Delight@loopers-delight.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
> >
> Sent: Tuesday, February 23, 2010 12:21 AM
> Subject: RE: Rang III reviews
>
>
> Did you end up finding any reviews?
> I'm curious to read these myself.
>
> -----Original Message-----
> From: mike@michaelplishka.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=mike@michaelplishka.com>[mailto:
> mike@michaelplishka.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=mike@michaelplishka.com>
> ]
> Sent: Sunday, February 21, 2010 12:21 AM
> To: Loopers-Delight@loopers-delight.com<http://us.mc1102.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
> Subject: Rang III reviews
>
> Anyone know of any Rang III reviews?  If it looks good I may unload my
> Echoplex and it's case, etc.
>
> Thanks!
>
> Plish
> www.michaelplishka.com
>
>
>

--0016364163cdb0b8e604804694ce
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>It isn&#39;t very thoughrough but a quick run through I did for Ace a =
few weeks back, also Ace I realised when I searched for this I didn&#39;t a=
nswer a question you had, yeah I&#39;d avoid running a bass through my twin=
 at all costs, also I don&#39;t use them as the PA, I only play live in a b=
and context and at the moment I am only running guitar and occasionally a s=
ynth through them:</div>

<div>=A0</div>
<div>&quot;Unfortunatly Ace I don&#39;t have any experience with the EDP to=
 do comparisons but I can tell you my impressions of the rang III.</div>
<div><br>The first thing I noticed when I got it was it is much smaller tha=
n I expected which some people find a huge plus, for me it&#39;s no big dea=
l but could be handy on occasion for throwing in a back pack. I find the so=
und quality to be very good, very little noise, even when boosting the inco=
ming signal, and it replicates what I am playing absolutely fine (I too use=
 amps, in my case Twin Reverbs).</div>

<div><br>The pedals are well separated but in truth I find the 2nd bonus bu=
tton a little awkward, it is placed in the top right and I have to use the =
tip of my toe to press it, it would be fine if I sat down playing but stand=
ing up and with my big clown feet it took a little getting used to. The but=
tons do have an audible click when pressed but again it isn&#39;t a problem=
 for me as I play quite loud. I do however wish there were more bonus butto=
ns. I find stack, erase, undo and redo are core features that I want to hav=
e at all times. Add to that the fact that loop four is also a &quot;bonus&q=
uot; option and the need for more buttons becomes more obvious. The reverse=
/fade/reverse solo and octave features are cool but I don&#39;t use them as=
 often as I would due to the limited real estate for bonus buttons. As for =
the loop 4 thing I never use it as currently only serial play and master pl=
ay for 2 of the loops is implemented and I find that without being able to =
play even the 3 other loops simultaneously I personally have no use for a 4=
th.</div>

<div><br>The build quality is very sturdy so I don&#39;t expect any problem=
s there.</div>
<div><br>All in all, I think it is a great unit at the price point even now=
 without the full implementation. When the full implementation is released =
I expect I will find a marked increase in the flexibility of it but I am no=
t holding my breath on that yet. Strangely I get the feeling that were the =
software to have the full feature set I would find the bonus button situati=
on even more frustrating as I will know the possibilities of the unit but s=
till have to work around what features I can use and when.</div>

<div><br>Hope that helps a bit,&quot;<br><br></div>
<div class=3D"gmail_quote">On Tue, Feb 23, 2010 at 3:45 PM, Paul Richards <=
span dir=3D"ltr">&lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com">paulric=
hard_rocks@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0">
<tbody>
<tr>
<td valign=3D"top">
<div>I&#39;ll write one when I get the unit. I canceled my original order w=
ith the eBay vendor. Coincidentally, I received an e-mail the same time fro=
m Mike at Boomerang indicating I could purchase one from him. I did so and =
am awaiting the unit. </div>

<div>=A0</div>
<div>Regards, Paul<br><br>--- On <b>Tue, 2/23/10, <a href=3D"mailto:mike@mi=
chaelplishka.com" target=3D"_blank">mike@michaelplishka.com</a> <i>&lt;<a h=
ref=3D"mailto:mike@michaelplishka.com" target=3D"_blank">mike@michaelplishk=
a.com</a>&gt;</i></b> wrote:<br>
</div>
<blockquote style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><br>From: <a href=3D"mailto:mike@michaelplishka.com" =
target=3D"_blank">mike@michaelplishka.com</a> &lt;<a href=3D"mailto:mike@mi=
chaelplishka.com" target=3D"_blank">mike@michaelplishka.com</a>&gt;<br>
Subject: Re: Rang III reviews=20
<div class=3D"im"><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight=
.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br></div>Da=
te: Tuesday, February 23, 2010, 3:39 AM=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div>Nothing yet!=A0 Found some preproduction reviews but they don&#39;t sa=
y anything I hadn&#39;t heard before.<br><br>I&#39;ll keep looking and let =
you know if I find anything.<br>----- Original Message ----- From: &quot;Ac=
e Ovil&quot; &lt;<a href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=
=3Daovil@wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt;<br>
To: &lt;<a href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-=
Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-deli=
ght.com</a>&gt;<br>Sent: Tuesday, February 23, 2010 12:21 AM<br>Subject: RE=
: Rang III reviews<br>
<br><br>Did you end up finding any reviews?<br>I&#39;m curious to read thes=
e myself.<br><br>-----Original Message-----<br>From: <a href=3D"http://us.m=
c1102.mail.yahoo.com/mc/compose?to=3Dmike@michaelplishka.com" target=3D"_bl=
ank">mike@michaelplishka.com</a> [mailto:<a href=3D"http://us.mc1102.mail.y=
ahoo.com/mc/compose?to=3Dmike@michaelplishka.com" target=3D"_blank">mike@mi=
chaelplishka.com</a>]<br>
Sent: Sunday, February 21, 2010 12:21 AM<br>To: <a href=3D"http://us.mc1102=
.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>Subject: Rang III re=
views<br>
<br>Anyone know of any Rang III reviews?=A0 If it looks good I may unload m=
y<br>Echoplex and it&#39;s case, etc.<br><br>Thanks!<br><br>Plish<br><a hre=
f=3D"http://www.michaelplishka.com/" target=3D"_blank">www.michaelplishka.c=
om</a><br>
<br></div></div></div></blockquote></td></tr></tbody></table><br></blockquo=
te></div><br>

--0016364163cdb0b8e604804694ce--

From jerryntai@mail.hodaka.com.tw  Tue Feb 23 16:01:06 2010
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From: "Mr. Jerry Ntai" <jerryntai@mail.hodaka.com.tw>
Reply-To: jerryntai1990@qatar.io
Subject: 1 NEW MESSAGE!!!!
Date: Tue, 23 Feb 2010 18:11:34 +0800
Message-Id: <20100223083221.M33181@mail.hodaka.com.tw>
X-Mailer: OpenWebMail 2.53 
X-OriginatingIP: 41.205.161.208 (kiwi)
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	charset=utf-8
To: undisclosed-recipients:;

Good Day,

I do not know how familier you are with invents, but
my aim of contacting you is to introduce to you this
lifetime opportunity of mutual benefit, this however
does not mean I am compelling you to honor against
your will but I will like you to read on and consider
the value I offer.

My name is Mr. Jerry Ntai, I am the Head of Operations
in Mevas Bank, Hong Kong. I have a business proposal
in the tune of $25.2m to be transferred to an offshore
account with your assistace.

After the successful transfer, we shall share in
ratio of 30% for you and 70% for me. Should you be
interested, please respond to my letter immediately,
so we can commence all arrangements and I will give
you more information on the project and how we would
handle it.

Please fill the following information for documentation purpose:
(1)Full names
(2)private phone number
(3)current residential address
(4)Occupation
(5)Age and Sex.

I look forward to hearing from you.

Kind Regards,
Mr. Jerry Ntai

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 16:03:11 2010
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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 10:03:05 -0600
Importance: Normal
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References:
 <81648EC53BE940F0B4B8D4CA5B9BB6FD@MichaelPC>,<748270.99501.qm@web110212.mail.gq1.yahoo.com>,<5d9904371002230755k4ad6c51avf68ba475ba5981f8@mail.gmail.com>
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--_428706dd-cc0e-4d92-95de-678579290772_
Content-Type: text/plain; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable


I am swamped right now=2C but I will try to post some thoughts soon.  I own=
ed a Gibson Echoplex=2C but sold it once I had the Boomerang III and realiz=
e it would suit MY NEEDS.

=20

I would note that the Boomerang III produces less white noise than the Gibs=
on=2C and I found that its input is less finky than the Gibson.

=20

I would note however=2C the Boomerang does a ramp up and down of the volume=
 of the loop where the end and beginning meet.  This makes seamless Ebow ov=
erdubs impossible.  There is a glitch/dropout.  I have spoken with the comp=
any=2C and it seems like they will make an effort to address this=2C but no=
 promises.

=20

-- Greg
=20


Date: Tue=2C 23 Feb 2010 15:55:37 +0000
Subject: Re: Rang III reviews
From: markmcglinchey@gmail.com
To: Loopers-Delight@loopers-delight.com


It isn't very thoughrough but a quick run through I did for Ace a few weeks=
 back=2C also Ace I realised when I searched for this I didn't answer a que=
stion you had=2C yeah I'd avoid running a bass through my twin at all costs=
=2C also I don't use them as the PA=2C I only play live in a band context a=
nd at the moment I am only running guitar and occasionally a synth through =
them:
=20
"Unfortunatly Ace I don't have any experience with the EDP to do comparison=
s but I can tell you my impressions of the rang III.

The first thing I noticed when I got it was it is much smaller than I expec=
ted which some people find a huge plus=2C for me it's no big deal but could=
 be handy on occasion for throwing in a back pack. I find the sound quality=
 to be very good=2C very little noise=2C even when boosting the incoming si=
gnal=2C and it replicates what I am playing absolutely fine (I too use amps=
=2C in my case Twin Reverbs).

The pedals are well separated but in truth I find the 2nd bonus button a li=
ttle awkward=2C it is placed in the top right and I have to use the tip of =
my toe to press it=2C it would be fine if I sat down playing but standing u=
p and with my big clown feet it took a little getting used to. The buttons =
do have an audible click when pressed but again it isn't a problem for me a=
s I play quite loud. I do however wish there were more bonus buttons. I fin=
d stack=2C erase=2C undo and redo are core features that I want to have at =
all times. Add to that the fact that loop four is also a "bonus" option and=
 the need for more buttons becomes more obvious. The reverse/fade/reverse s=
olo and octave features are cool but I don't use them as often as I would d=
ue to the limited real estate for bonus buttons. As for the loop 4 thing I =
never use it as currently only serial play and master play for 2 of the loo=
ps is implemented and I find that without being able to play even the 3 oth=
er loops simultaneously I personally have no use for a 4th.

The build quality is very sturdy so I don't expect any problems there.

All in all=2C I think it is a great unit at the price point even now withou=
t the full implementation. When the full implementation is released I expec=
t I will find a marked increase in the flexibility of it but I am not holdi=
ng my breath on that yet. Strangely I get the feeling that were the softwar=
e to have the full feature set I would find the bonus button situation even=
 more frustrating as I will know the possibilities of the unit but still ha=
ve to work around what features I can use and when.

Hope that helps a bit=2C"


On Tue=2C Feb 23=2C 2010 at 3:45 PM=2C Paul Richards <paulrichard_rocks@yah=
oo.com> wrote:






I'll write one when I get the unit. I canceled my original order with the e=
Bay vendor. Coincidentally=2C I received an e-mail the same time from Mike =
at Boomerang indicating I could purchase one from him. I did so and am awai=
ting the unit.=20
=20
Regards=2C Paul

--- On Tue=2C 2/23/10=2C mike@michaelplishka.com <mike@michaelplishka.com> =
wrote:


From: mike@michaelplishka.com <mike@michaelplishka.com>
Subject: Re: Rang III reviews=20

To: Loopers-Delight@loopers-delight.com
Date: Tuesday=2C February 23=2C 2010=2C 3:39 AM=20





Nothing yet!  Found some preproduction reviews but they don't say anything =
I hadn't heard before.

I'll keep looking and let you know if I find anything.
----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday=2C February 23=2C 2010 12:21 AM
Subject: RE: Rang III reviews


Did you end up finding any reviews?
I'm curious to read these myself.

-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]
Sent: Sunday=2C February 21=2C 2010 12:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: Rang III reviews

Anyone know of any Rang III reviews?  If it looks good I may unload my
Echoplex and it's case=2C etc.

Thanks!

Plish
www.michaelplishka.com



 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469226/direct/01/=

--_428706dd-cc0e-4d92-95de-678579290772_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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--></style>
</head>
<body class=3D'hmmessage'>
I&nbsp=3Bam swamped right now=2C but I will try to post some thoughts soon.=
&nbsp=3B I owned a Gibson Echoplex=2C but sold it once I had the Boomerang =
III and realize it would suit MY NEEDS.<BR>
&nbsp=3B<BR>
I would note that the Boomerang III&nbsp=3Bproduces&nbsp=3Bless white noise=
 than the Gibson=2C and I found that its input is less finky than the Gibso=
n.<BR>
&nbsp=3B<BR>
I would note however=2C the Boomerang does a ramp up and down of the volume=
 of the loop where the end and beginning meet.&nbsp=3B This makes seamless =
Ebow overdubs impossible.&nbsp=3B There is a glitch/dropout.&nbsp=3B I have=
 spoken with the company=2C and it seems like they will make an effort to a=
ddress this=2C but no promises.<BR>
&nbsp=3B<BR>
-- Greg<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 23 Feb 2010 15:55:37 +0000<BR>Subject: Re: Rang III reviews<BR=
>From: markmcglinchey@gmail.com<BR>To: Loopers-Delight@loopers-delight.com<=
BR><BR>
<DIV>It isn't very thoughrough but a quick run through I did for Ace a few =
weeks back=2C also Ace I realised when I searched for this I didn't answer =
a question you had=2C yeah I'd avoid running a bass through my twin at all =
costs=2C also I don't use them as the PA=2C I only play live in a band cont=
ext and at the moment I am only running guitar and occasionally a synth thr=
ough them:</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>"Unfortunatly Ace I don't have any experience with the EDP to do compa=
risons but I can tell you my impressions of the rang III.</DIV>
<DIV><BR>The first thing I noticed when I got it was it is much smaller tha=
n I expected which some people find a huge plus=2C for me it's no big deal =
but could be handy on occasion for throwing in a back pack. I find the soun=
d quality to be very good=2C very little noise=2C even when boosting the in=
coming signal=2C and it replicates what I am playing absolutely fine (I too=
 use amps=2C in my case Twin Reverbs).</DIV>
<DIV><BR>The pedals are well separated but in truth I find the 2nd bonus bu=
tton a little awkward=2C it is placed in the top right and I have to use th=
e tip of my toe to press it=2C it would be fine if I sat down playing but s=
tanding up and with my big clown feet it took a little getting used to. The=
 buttons do have an audible click when pressed but again it isn't a problem=
 for me as I play quite loud. I do however wish there were more bonus butto=
ns. I find stack=2C erase=2C undo and redo are core features that I want to=
 have at all times. Add to that the fact that loop four is also a "bonus" o=
ption and the need for more buttons becomes more obvious. The reverse/fade/=
reverse solo and octave features are cool but I don't use them as often as =
I would due to the limited real estate for bonus buttons. As for the loop 4=
 thing I never use it as currently only serial play and master play for 2 o=
f the loops is implemented and I find that without being able to play even =
the 3 other loops simultaneously I personally have no use for a 4th.</DIV>
<DIV><BR>The build quality is very sturdy so I don't expect any problems th=
ere.</DIV>
<DIV><BR>All in all=2C I think it is a great unit at the price point even n=
ow without the full implementation. When the full implementation is release=
d I expect I will find a marked increase in the flexibility of it but I am =
not holding my breath on that yet. Strangely I get the feeling that were th=
e software to have the full feature set I would find the bonus button situa=
tion even more frustrating as I will know the possibilities of the unit but=
 still have to work around what features I can use and when.</DIV>
<DIV><BR>Hope that helps a bit=2C"<BR><BR></DIV>
<DIV class=3Decxgmail_quote>On Tue=2C Feb 23=2C 2010 at 3:45 PM=2C Paul Ric=
hards <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:paulrichard_rocks@yahoo.com">=
paulrichard_rocks@yahoo.com</A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3Decxgmail_quote style=3D"PADDING-LEFT: 1ex=3B BORDER-LEF=
T: #ccc 1px solid">
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>I'll write one when I get the unit. I canceled my original order with =
the eBay vendor. Coincidentally=2C I received an e-mail the same time from =
Mike at Boomerang indicating I could purchase one from him. I did so and am=
 awaiting the unit. </DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Regards=2C Paul<BR><BR>--- On <B>Tue=2C 2/23/10=2C <A href=3D"mailto:m=
ike@michaelplishka.com">mike@michaelplishka.com</A> <I>&lt=3B<A href=3D"mai=
lto:mike@michaelplishka.com">mike@michaelplishka.com</A>&gt=3B</I></B> wrot=
e:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px=3B MARGIN-LEFT: 5px=3B BORDER-LEFT: =
rgb(16=2C16=2C255) 2px solid"><BR>From: <A href=3D"mailto:mike@michaelplish=
ka.com">mike@michaelplishka.com</A> &lt=3B<A href=3D"mailto:mike@michaelpli=
shka.com">mike@michaelplishka.com</A>&gt=3B<BR>Subject: Re: Rang III review=
s=20
<DIV class=3Decxim><BR>To: <A href=3D"mailto:Loopers-Delight@loopers-deligh=
t.com">Loopers-Delight@loopers-delight.com</A><BR></DIV>Date: Tuesday=2C Fe=
bruary 23=2C 2010=2C 3:39 AM=20
<DIV>
<DIV></DIV>
<DIV class=3Dh5><BR><BR>
<DIV>Nothing yet!&nbsp=3B Found some preproduction reviews but they don't s=
ay anything I hadn't heard before.<BR><BR>I'll keep looking and let you kno=
w if I find anything.<BR>----- Original Message ----- From: "Ace Ovil" &lt=
=3B<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Daovil@wfubmc.=
edu">aovil@wfubmc.edu</A>&gt=3B<BR>To: &lt=3B<A href=3D"http://us.mc1102.ma=
il.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com">Loopers-D=
elight@loopers-delight.com</A>&gt=3B<BR>Sent: Tuesday=2C February 23=2C 201=
0 12:21 AM<BR>Subject: RE: Rang III reviews<BR><BR><BR>Did you end up findi=
ng any reviews?<BR>I'm curious to read these myself.<BR><BR>-----Original M=
essage-----<BR>From: <A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?=
to=3Dmike@michaelplishka.com">mike@michaelplishka.com</A> [mailto:<A href=
=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dmike@michaelplishka.com=
">mike@michaelplishka.com</A>]<BR>Sent: Sunday=2C February 21=2C 2010 12:21=
 AM<BR>To: <A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoope=
rs-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>=
Subject: Rang III reviews<BR><BR>Anyone know of any Rang III reviews?&nbsp=
=3B If it looks good I may unload my<BR>Echoplex and it's case=2C etc.<BR><=
BR>Thanks!<BR><BR>Plish<BR><A href=3D"http://www.michaelplishka.com/">www.m=
ichaelplishka.com</A><BR><BR></DIV></DIV></DIV></BLOCKQUOTE></TD></TR></TBO=
DY></TABLE><BR></BLOCKQUOTE></DIV><BR> 		 	   		  <br /><hr />Hotmail: Trus=
ted email with Microsoft=92s powerful SPAM protection. <a href=3D'http://cl=
k.atdmt.com/GBL/go/201469226/direct/01/' target=3D'_new'>Sign up now.</a></=
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 16:50:29 2010
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Subject: RE: Sending program changes from Bidule to external midi devices
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I'm doing the same hardware failsafe  approach - if Bidule/ Mobius crashes =
(in all likelihood due to the "bypass from nowhere" phenomenon that 3 of us=
 have reported about over at Circ. Labs), I have an EDP receiving the same =
audio and same button presses from my FCB. When brought up in the mix, it i=
sn't the same lop, but doesn't usually sound like TOO much of a jump cat.

Hal Dean

From: Raul Bonell [mailto:raul.bonell@gmail.com]
Sent: Monday, February 22, 2010 6:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sending program changes from Bidule to external midi devices

... time to update statistics on sw vs.hw failures on stage.

thinking of feeding the eh.w.hazarai from the master stereo bus of the sw s=
etup. can record 30 sec. of stereo material, which may be enough to enterta=
in them during some minutes if doing the varispeed thing. :-)
2010/2/22 Sjaak Overgaauw <tcplugin@gmail.com<mailto:tcplugin@gmail.com>>
On Mon, Feb 22, 2010 at 9:22 PM, Per Boysen <perboysen@gmail.com<mailto:per=
boysen@gmail.com>> wrote:
> Whatever you are creating in software you should save several identical
> copies of your working document under different names. For example xxx,
> xxxbackup1, xxxbackup2. It is common that a document gets corrupted of an
> application crashes when in use.
Good point. I do but the backup appears to corrupt too...if that is the pro=
blem.

> Hope you get a stable setup with Bidule! It served me and Mobius excellen=
tly
> under Windows XP two years ago but today my recent Macbook is stable
> with Mainstage 2.1 while Bidule crashes and delivers an inferior fidelity=
.
That's good news....not ;-) Mainstage 2.1 is not stable here at the
moment, it was so-so for a while but not good enough, I'm sure now.
2.0 was stable, did Y2K with that, 1.0 was ok too. We'll see, I'm
building a "safe my ass" rig now if things go wrong, partly hardware,
partly software. Nord Wave as synth, Bidule for some FX and
softsynths, a Lexicon for reverbs and the LP1 as looper. If the Mac
fails, you won't hear "the sound of silence".

--
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/



--
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>I&#8217;m doing the same hardware failsafe &nbsp;approach &#=
8211; if Bidule/
Mobius crashes (in all likelihood due to the &#8220;bypass from nowhere&#82=
21; phenomenon that
3 of us have reported about over at Circ. Labs), I have an EDP receiving th=
e
same audio and same button presses from my FCB. When brought up in the mix,=
 it isn&#8217;t
the same lop, but doesn&#8217;t usually sound like TOO much of a jump cat.<=
o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span style=3D'font-size:11.0pt;font-family:"Palati=
no Linotype","serif";
color:#1F497D'>Hal Dean</span></i><span style=3D'font-size:11.0pt;font-fami=
ly:
"Palatino Linotype","serif";color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Tahoma=
","sans-serif"'>From:</span></b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Raul Bonell
[mailto:raul.bonell@gmail.com] <br>
<b>Sent:</b> Monday, February 22, 2010 6:29 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Sending program changes from Bidule to external midi
devices<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>... time to update stat=
istics
on sw vs.hw failures on stage.<br>
<br>
thinking of feeding the eh.w.hazarai from the master stereo bus of the sw
setup. can record 30 sec. of stereo material, which may be enough to entert=
ain
them during some minutes if doing the varispeed thing. :-)<o:p></o:p></p>

<div>

<p class=3DMsoNormal>2010/2/22 Sjaak Overgaauw &lt;<a
href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;<o:p></o:p></p=
>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>On Mon, Feb 22, 2010 at=
 9:22
PM, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.c=
om</a>&gt;
wrote:<br>
&gt; Whatever you are creating in software you should save several identica=
l<br>
&gt; copies of your working document under different names. For example xxx=
,<br>
&gt; xxxbackup1, xxxbackup2. It is common that a document gets corrupted of=
 an<br>
&gt; application crashes when in use.<o:p></o:p></p>

</div>

<p class=3DMsoNormal>Good point. I do but the backup appears to corrupt too=
...if
that is the problem.<o:p></o:p></p>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><br>
&gt; Hope you get a stable setup with Bidule! It served me and Mobius
excellently<br>
&gt; under Windows XP two years ago but today my recent Macbook is stable<b=
r>
&gt; with&nbsp;Mainstage 2.1&nbsp;while Bidule crashes and delivers an infe=
rior
fidelity.<o:p></o:p></p>

</div>

<p class=3DMsoNormal>That's good news....not ;-) Mainstage 2.1 is not stabl=
e here
at the<br>
moment, it was so-so for a while but not good enough, I'm sure now.<br>
2.0 was stable, did Y2K with that, 1.0 was ok too. We'll see, I'm<br>
building a &quot;safe my ass&quot; rig now if things go wrong, partly hardw=
are,<br>
partly software. Nord Wave as synth, Bidule for some FX and<br>
softsynths, a Lexicon for reverbs and the LP1 as looper. If the Mac<br>
fails, you won't hear &quot;the sound of silence&quot;.<br>
<span style=3D'color:#888888'><br>
--</span><o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><o:p></o:p></p>

</div>

</div>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><br>
<br clear=3Dall>
<br>
-- <br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://r=
aulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.=
ct-collective.com</a><o:p></o:p></p>

</div>

</body>

</html>

--_000_86FEE8BCF5652949A08D1EB0545EB42404A2C59BBBWCUEXEMP1MBPA_--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 17:07:21 2010
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Subject: Self Promotion and Free Music!
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636d338c930013c0480479570
Content-Type: text/plain; charset=ISO-8859-1

Hey Everyone! Been reading for a while, posting to the list for the first
time! I have a project called Rafa's One Man Band, using an acoustic, an
Axiom 49, and a guitar rig usb controller to run Ableton live and loop in
real time. I play several covers, originals and lots of instrumentals. I got
word yesterday that I will be lucky enough to open up for The Bridge tonight
in San Francisco at the Boom Boom Room! If you have a chance, stop on by,
$10 cover, music from 9:30-2 AM! As an incentive, I'm putting up here
several of my live tracks, recorded using the live setup I described!
Seriously though, if you live in the Bay Area, or are in the city tonight,
come on out and have a good time!!

The Bridge and Rafa's One Man Band
Start Time:
Tuesday, February 23, 2010 at 9:00pm
End Time:
Wednesday, February 24, 2010 at 2:00am
Location:
The Boom Boom Room San Francisco, CA


http://www.sendspace.com/file/udzrhm  The Ones(original)
http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage Fan Club
Cover)
http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna Newsom Cover)
http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/jam)
http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/jam)
http://www.sendspace.com/file/bz4f3g      Morning(Instrumental improv/jam)
http://www.sendspace.com/file/8i3a03      Evening(Instrumental improv/jam)

You can also check out my Facebook band page, with a bunch of songs from my
studio album too:
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239

Thanks everyone and keep on looping on!!
Rafa

--001636d338c930013c0480479570
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Everyone! Been reading for a while, posting to the list for the first t=
ime! I have a project called Rafa&#39;s One Man Band, using an acoustic, an=
 Axiom 49, and a guitar rig usb controller to run Ableton live and loop in =
real time. I play several covers, originals and lots of instrumentals. I go=
t word yesterday that I will be lucky enough to open up for The Bridge toni=
ght in San Francisco at the Boom Boom Room! If you have a chance, stop on b=
y, $10 cover, music from 9:30-2 AM! As an incentive, I&#39;m putting up her=
e several of my live tracks, recorded using the live setup I described! Ser=
iously though, if you live in the Bay Area, or are in the city tonight, com=
e on out and have a good time!!<div>
<br></div><div>The Bridge and Rafa&#39;s One Man Band</div><div><span class=
=3D"Apple-style-span" style=3D"font-family: &#39;lucida grande&#39;, tahoma=
, verdana, arial, sans-serif; font-size: 11px; color: rgb(51, 51, 51); "><t=
able id=3D"Time and Place" class=3D"profileTable info_table" cellpadding=3D=
"0" cellspacing=3D"0" style=3D"margin-top: 0px; margin-right: 0px; margin-b=
ottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; paddin=
g-bottom: 0px; padding-left: 0px; ">
<tbody><tr><td class=3D"label" style=3D"font-size: 11px; text-align: left; =
vertical-align: top; line-height: 13px; margin-top: 0px; margin-right: 0px;=
 margin-bottom: 0px; margin-left: 0px; padding-top: 1px; padding-right: 0px=
; padding-bottom: 1px; padding-left: 0px; width: 100px; color: rgb(128, 128=
, 128); ">
Start Time:</td><td class=3D"data" style=3D"font-size: 11px; text-align: le=
ft; vertical-align: top; line-height: 13px; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; padding-top: 1px; padding-right:=
 0px; padding-bottom: 1px; padding-left: 0px; ">
<div class=3D"datawrap" style=3D"word-wrap: break-word; ">Tuesday, February=
 23, 2010 at 9:00pm</div></td></tr><tr><td class=3D"label" style=3D"font-si=
ze: 11px; text-align: left; vertical-align: top; line-height: 13px; margin-=
top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-=
top: 1px; padding-right: 0px; padding-bottom: 1px; padding-left: 0px; width=
: 100px; color: rgb(128, 128, 128); ">
End Time:</td><td class=3D"data" style=3D"font-size: 11px; text-align: left=
; vertical-align: top; line-height: 13px; margin-top: 0px; margin-right: 0p=
x; margin-bottom: 0px; margin-left: 0px; padding-top: 1px; padding-right: 0=
px; padding-bottom: 1px; padding-left: 0px; ">
<div class=3D"datawrap" style=3D"word-wrap: break-word; ">Wednesday, Februa=
ry 24, 2010 at 2:00am</div></td></tr><tr><td class=3D"label" style=3D"font-=
size: 11px; text-align: left; vertical-align: top; line-height: 13px; margi=
n-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; paddin=
g-top: 1px; padding-right: 0px; padding-bottom: 1px; padding-left: 0px; wid=
th: 100px; color: rgb(128, 128, 128); ">
Location:</td><td class=3D"data" style=3D"font-size: 11px; text-align: left=
; vertical-align: top; line-height: 13px; margin-top: 0px; margin-right: 0p=
x; margin-bottom: 0px; margin-left: 0px; padding-top: 1px; padding-right: 0=
px; padding-bottom: 1px; padding-left: 0px; ">
<div class=3D"datawrap" style=3D"word-wrap: break-word; ">The Boom Boom Roo=
m San Francisco, CA</div></td></tr></tbody></table><br></span></div><div><s=
pan class=3D"Apple-style-span" style=3D"font-family: &#39;lucida grande&#39=
;, tahoma, verdana, arial, sans-serif; font-size: 11px; color: rgb(51, 51, =
51); "><br>
</span></div><div><span class=3D"Apple-style-span" style=3D"font-family: &#=
39;lucida grande&#39;, tahoma, verdana, arial, sans-serif; font-size: 11px;=
 color: rgb(51, 51, 51); "><span class=3D"Apple-style-span" style=3D"color:=
 rgb(80, 0, 80); font-family: arial, sans-serif; font-size: 16px; border-co=
llapse: collapse; "><a href=3D"http://www.sendspace.com/file/udzrhm" target=
=3D"_blank" style=3D"color: rgb(64, 100, 128); ">http://www.sendspace.com/f=
ile/udzrhm</a>=A0 The Ones(original)<div style=3D"color: rgb(80, 0, 80); ">
<a href=3D"http://www.sendspace.com/file/u9d6zj" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/u9d6zj</a>=A0=A0=
=A0 Fallin(De La Soul/Teenage Fan Club Cover)<br><a href=3D"http://www.send=
space.com/file/4xd156" target=3D"_blank" style=3D"color: rgb(64, 100, 128);=
 ">http://www.sendspace.com/file/4xd156</a>=A0=A0 Book Of Right On(Joanna N=
ewsom Cover)<br>
<a href=3D"http://www.sendspace.com/file/rk9uhn" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/rk9uhn</a>=A0=A0=
=A0=A0 Alef (Instrumental improv/jam)<br><a href=3D"http://www.sendspace.co=
m/file/vcb55o" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">http:=
//www.sendspace.com/file/vcb55o</a>=A0=A0=A0 Dublike(Instrumental improv/ja=
m)<br>
<a href=3D"http://www.sendspace.com/file/bz4f3g" target=3D"_blank" style=3D=
"color: rgb(64, 100, 128); ">http://www.sendspace.com/file/bz4f3g</a>=A0=A0=
=A0=A0=A0 Morning(Instrumental improv/jam)<br><a href=3D"http://www.sendspa=
ce.com/file/8i3a03" target=3D"_blank" style=3D"color: rgb(64, 100, 128); ">=
http://www.sendspace.com/file/8i3a03</a>=A0=A0=A0=A0=A0 Evening(Instrumenta=
l improv/jam)</div>
<div style=3D"color: rgb(80, 0, 80); "><br></div><div style=3D"color: rgb(8=
0, 0, 80); ">You can also check out my Facebook band page, with a bunch of =
songs from my studio album too:</div><div class=3D"im" style=3D"color: rgb(=
80, 0, 80); ">
<div style=3D"color: rgb(80, 0, 80); "><a href=3D"http://www.facebook.com/p=
ages/Rafas-One-Man-Band/33261753239" target=3D"_blank" style=3D"color: rgb(=
64, 100, 128); ">http://www.facebook.com/pages/Rafas-One-Man-Band/332617532=
39</a></div>
<div><br></div><div>Thanks everyone and keep on looping on!!</div><div>Rafa=
</div></div></span></span></div>

--001636d338c930013c0480479570--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 17:52:29 2010
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Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 12:52:19 -0500
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Just to tide you over. I enjoyed watching this one.

http://www.youtube.com/watch?v=3Dyj7-Fwhhrtc


-----Original Message-----
From: mike@michaelplishka.com [mailto:mike@michaelplishka.com]=20
Sent: Sunday, February 21, 2010 12:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: Rang III reviews

Anyone know of any Rang III reviews?  If it looks good I may unload my=20
Echoplex and it's case, etc.

Thanks!

Plish
www.michaelplishka.com

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Subject: Re: Rang III reviews
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This is a multi-part message in MIME format.

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"I would note however, the Boomerang does a ramp up and down of the =
volume of the loop where the end and beginning meet. "
ughhhhh~~~

You're kidding.  That alone may be enough for me to not buy this.=20

I was so psyched!  Small footprint, ease of setup, I thought I could get =
away from the Echoplex which I think is a great tool but a wee bit =
overkill for live performances.

Plish
  ----- Original Message -----=20
  From: Greg Gaz=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Tuesday, February 23, 2010 10:03 AM
  Subject: RE: Rang III reviews


  I am swamped right now, but I will try to post some thoughts soon.  I =
owned a Gibson Echoplex, but sold it once I had the Boomerang III and =
realize it would suit MY NEEDS.
  =20
  I would note that the Boomerang III produces less white noise than the =
Gibson, and I found that its input is less finky than the Gibson.
  =20
   This makes seamless Ebow overdubs impossible.  There is a =
glitch/dropout.  I have spoken with the company, and it seems like they =
will make an effort to address this, but no promises.
  =20
  -- Greg
  =20
   
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<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18882"></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>"I would note however, the Boomerang does a ramp =
up and=20
down of the volume of the loop where the end and beginning=20
meet.&nbsp;"</FONT></DIV>
<DIV><FONT face=3DArial>ughhhhh~~~</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>You're kidding.&nbsp; That alone&nbsp;may =
be&nbsp;enough=20
for me to not buy this.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I was so psyched!&nbsp; Small footprint, ease of =
setup, I=20
thought I could get away from the Echoplex which I think is a great tool =
but a=20
wee bit overkill for live performances.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Plish</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dgreggaz@hotmail.com =
href=3D"mailto:greggaz@hotmail.com">Greg Gaz</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February 23, =
2010 10:03=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Rang III =
reviews</DIV>
  <DIV><BR></DIV>I&nbsp;am swamped right now, but I will try to post =
some=20
  thoughts soon.&nbsp; I owned a Gibson Echoplex, but sold it once I had =
the=20
  Boomerang III and realize it would suit MY NEEDS.<BR>&nbsp;<BR>I would =
note=20
  that the Boomerang III&nbsp;produces&nbsp;less white noise than the =
Gibson,=20
  and I found that its input is less finky than the =
Gibson.<BR>&nbsp;<BR> This=20
  makes seamless Ebow overdubs impossible.&nbsp; There is a=20
  glitch/dropout.&nbsp; I have spoken with the company, and it seems =
like they=20
  will make an effort to address this, but no promises.<BR>&nbsp;<BR>--=20
  Greg<BR>&nbsp;<BR> </BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_01E8_01CAB47F.D8FD84E0--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Self Promotion and Free Music!
Date: Tue, 23 Feb 2010 18:55:07 +0000
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Hello mate - just having a listen nice - what acoustic are you using???

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 23 Feb 2010, at 17:07, Rafael Nunes wrote:

> Hey Everyone! Been reading for a while, posting to the list for the  
> first time! I have a project called Rafa's One Man Band, using an  
> acoustic, an Axiom 49, and a guitar rig usb controller to run  
> Ableton live and loop in real time. I play several covers,  
> originals and lots of instrumentals. I got word yesterday that I  
> will be lucky enough to open up for The Bridge tonight in San  
> Francisco at the Boom Boom Room! If you have a chance, stop on by,  
> $10 cover, music from 9:30-2 AM! As an incentive, I'm putting up  
> here several of my live tracks, recorded using the live setup I  
> described! Seriously though, if you live in the Bay Area, or are in  
> the city tonight, come on out and have a good time!!
>
> The Bridge and Rafa's One Man Band
> Start Time:	
> Tuesday, February 23, 2010 at 9:00pm
> End Time:	
> Wednesday, February 24, 2010 at 2:00am
> Location:	
> The Boom Boom Room San Francisco, CA
>
>
> http://www.sendspace.com/file/udzrhm  The Ones(original)
> http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage  
> Fan Club Cover)
> http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna  
> Newsom Cover)
> http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/ 
> jam)
> http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/ 
> jam)
> http://www.sendspace.com/file/bz4f3g      Morning(Instrumental  
> improv/jam)
> http://www.sendspace.com/file/8i3a03      Evening(Instrumental  
> improv/jam)
>
> You can also check out my Facebook band page, with a bunch of songs  
> from my studio album too:
> http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
>
> Thanks everyone and keep on looping on!!
> Rafa


--Apple-Mail-145-881298906
Content-Transfer-Encoding: quoted-printable
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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
 Hello mate - just having a listen nice - what acoustic are you =
using???<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 23 Feb 2010, =
at 17:07, Rafael Nunes wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hey =
Everyone! Been reading for a while, posting to the list for the first =
time! I have a project called Rafa's One Man Band, using an acoustic, an =
Axiom 49, and a guitar rig usb controller to run Ableton live and loop =
in real time. I play several covers, originals and lots of =
instrumentals. I got word yesterday that I will be lucky enough to open =
up for The Bridge tonight in San Francisco at the Boom Boom Room! If you =
have a chance, stop on by, $10 cover, music from 9:30-2 AM! As an =
incentive, I'm putting up here several of my live tracks, recorded using =
the live setup I described! Seriously though, if you live in the Bay =
Area, or are in the city tonight, come on out and have a good =
time!!<div> <br></div><div>The Bridge and Rafa's One Man =
Band</div><div><span class=3D"Apple-style-span" style=3D"font-family: =
'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; =
color: rgb(51, 51, 51); "><table id=3D"Time and Place" =
class=3D"profileTable info_table" cellpadding=3D"0" cellspacing=3D"0" =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 10px; =
margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: =
0px; padding-left: 0px; "> <tbody><tr><td class=3D"label" =
style=3D"font-size: 11px; text-align: left; vertical-align: top; =
line-height: 13px; margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; padding-top: 1px; padding-right: 0px; =
padding-bottom: 1px; padding-left: 0px; width: 100px; color: rgb(128, =
128, 128); "> Start Time:</td><td class=3D"data" style=3D"font-size: =
11px; text-align: left; vertical-align: top; line-height: 13px; =
margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: =
0px; padding-top: 1px; padding-right: 0px; padding-bottom: 1px; =
padding-left: 0px; "> <div class=3D"datawrap" style=3D"word-wrap: =
break-word; ">Tuesday, February 23, 2010 at =
9:00pm</div></td></tr><tr><td class=3D"label" style=3D"font-size: 11px; =
text-align: left; vertical-align: top; line-height: 13px; margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
padding-top: 1px; padding-right: 0px; padding-bottom: 1px; padding-left: =
0px; width: 100px; color: rgb(128, 128, 128); "> End Time:</td><td =
class=3D"data" style=3D"font-size: 11px; text-align: left; =
vertical-align: top; line-height: 13px; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; padding-top: 1px; =
padding-right: 0px; padding-bottom: 1px; padding-left: 0px; "> <div =
class=3D"datawrap" style=3D"word-wrap: break-word; ">Wednesday, February =
24, 2010 at 2:00am</div></td></tr><tr><td class=3D"label" =
style=3D"font-size: 11px; text-align: left; vertical-align: top; =
line-height: 13px; margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; padding-top: 1px; padding-right: 0px; =
padding-bottom: 1px; padding-left: 0px; width: 100px; color: rgb(128, =
128, 128); "> Location:</td><td class=3D"data" style=3D"font-size: 11px; =
text-align: left; vertical-align: top; line-height: 13px; margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
padding-top: 1px; padding-right: 0px; padding-bottom: 1px; padding-left: =
0px; "> <div class=3D"datawrap" style=3D"word-wrap: break-word; ">The =
Boom Boom Room San Francisco, =
CA</div></td></tr></tbody></table><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'lucida grande', =
tahoma, verdana, arial, sans-serif; font-size: 11px; color: rgb(51, 51, =
51); "><br> </span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'lucida grande', tahoma, verdana, arial, =
sans-serif; font-size: 11px; color: rgb(51, 51, 51); "><span =
class=3D"Apple-style-span" style=3D"color: rgb(80, 0, 80); font-family: =
arial, sans-serif; font-size: 16px; border-collapse: collapse; "><a =
href=3D"http://www.sendspace.com/file/udzrhm" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/udzrhm</a>&nbsp; The Ones(original)<div =
style=3D"color: rgb(80, 0, 80); "> <a =
href=3D"http://www.sendspace.com/file/u9d6zj" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/u9d6zj</a>&nbsp;&nbsp;&nbsp; Fallin(De =
La Soul/Teenage Fan Club Cover)<br><a =
href=3D"http://www.sendspace.com/file/4xd156" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/4xd156</a>&nbsp;&nbsp; Book Of Right =
On(Joanna Newsom Cover)<br> <a =
href=3D"http://www.sendspace.com/file/rk9uhn" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/rk9uhn</a>&nbsp;&nbsp;&nbsp;&nbsp; Alef =
(Instrumental improv/jam)<br><a =
href=3D"http://www.sendspace.com/file/vcb55o" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/vcb55o</a>&nbsp;&nbsp;&nbsp; =
Dublike(Instrumental improv/jam)<br> <a =
href=3D"http://www.sendspace.com/file/bz4f3g" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/bz4f3g</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Morning(Instrumental improv/jam)<br><a =
href=3D"http://www.sendspace.com/file/8i3a03" target=3D"_blank" =
style=3D"color: rgb(64, 100, 128); =
">http://www.sendspace.com/file/8i3a03</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Evening(Instrumental improv/jam)</div> <div style=3D"color: rgb(80, 0, =
80); "><br></div><div style=3D"color: rgb(80, 0, 80); ">You can also =
check out my Facebook band page, with a bunch of songs from my studio =
album too:</div><div class=3D"im" style=3D"color: rgb(80, 0, 80); "> =
<div style=3D"color: rgb(80, 0, 80); "><a =
href=3D"http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239" =
target=3D"_blank" style=3D"color: rgb(64, 100, 128); =
">http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239</a></div> =
<div><br></div><div>Thanks everyone and keep on looping =
on!!</div><div>Rafa</div></div></span></span></div></blockquote></div><br>=
</div></body></html>=

--Apple-Mail-145-881298906--

From agueda@thinktankdigital.com  Tue Feb 23 19:03:21 2010
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Reply-To: <kubanotto1@live.com>
From: "Mrs. Agueda Carlos"<agueda@thinktankdigital.com>
Subject: You Are Favoured. Contact Bermuda bank immediately.
Date: Tue, 23 Feb 2010 19:46:44 +0100
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
I am sure this mail would be coming to you as a surprise since we have never met before and you would also be asking why I have decided to chose you amongst the numerous people in the world, precisely I cannot say why I have chosen you</DIV>
<DIV>
but I know I am making the right choice.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Before I move further, permit me to give you a little of my biography, I am Agueda Carlos, 89 Years old woman and the wife of Late Sir Mendo Carlos who died in a Plane crash on Monday the 7th of September 1998 GMT 14:22 UK while they were flying from New York to Geneva. Please see site below for more information. http://www.cnn.com/WORLD/9809/swissair.victims.list/index.html</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 Presently, I have willed out almost half of our assets to several charity homes and to some of the less privilege in different countries. Despite the agreement between my late husband and I to give aid to the deprived, we also agreed to render support to an individual we have not meet before in life due to the fact when we were still young in life we receive an anonymous help from an</DIV>
<DIV>
individual we did not know and which we have not being able to know till date,the impact we got from such gesture made us to do same.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
I am sorry to inform you that you will never have the chance to know me because I have just concluded the assignment which my husband and I have agreed upon before his sudden death and you happened to be the beneficiary of our last WILL(which is a sum of money deposited in (<FONT size=3 face="Times New Roman">Bermuda Bank London uk) </FONT>hence I need you to do me a favor by accepting our offer.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 We have some fund in the sum of £800,000.00 (Eight Hundred Thousand British Pounds) with <FONT size=3 face="Times New Roman">Bermuda Bank London uk</FONT>; I have not made any transaction with my account for over 1year now because of my illness and other charity work. Right now I want to give you the said sum for you to help the less privileged in your country and for your own personal use.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
<FONT size=3 face="Times New Roman">I also deposited £5.000.00 pounds sterling to western union outlet on your behalf. The information is with Bermuda bank London UK if you contact them they will guide you on how you can contact the western union outlet for your payment. The reason why i deposited this £5.000.00 separately is in order to settle all the tax and charges which may come up due to your countrys taxation law.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Note: after receiving the said&nbsp;&nbsp; £5.000.00 from the western union you can proceed to claim the inheritance sum of: </FONT>£800,000.00 (Eight Hundred Thousand British Pounds).</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
You have to contact <FONT size=3 face="Times New Roman">Bermuda Bank London UK </FONT>with this information below </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
<FONT size=3><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#800000><B>Contact Person: Dr. Brain Holland</B></FONT></DIV>
<DIV>
<FONT size=3 color=#800000><B>Email Address: </B></FONT><FONT size=3 color=#008000><B>bermudauk2009@live.co.uk</B></FONT></DIV>
<DIV>
<FONT size=3 color=#000080><B>Tel+ 44 7024062162</B></FONT></DIV>
<DIV>
<FONT size=3 color=#000080><B>Fax: + 44 8704952245</B></FONT></DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
When contacting the bank, please state that I sent you to contact them as my Next of Kin and send them your information like.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Full Names: </DIV>
<DIV>
Postal address;</DIV>
<DIV>
Direct telephone number;</DIV>
<DIV>
Age:</DIV>
<DIV>
Occupation:</DIV>
<DIV>
Gender:</DIV>
<DIV>
Country:</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 When contacting them, also include this code number: (/44/0433/F/hh/) <FONT size=3 face="Times New Roman">this code is the security code of my account</FONT></DIV>
<DIV>
, you are to also present it to them for verification. Please, try to contact them as soon as you receive this mail to avoid any further delay.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; Be also notified that I will no longer be reading my emails or surfing the internet as I have retired completely from the outside world to my&nbsp; ranch, at this moment I have nothing to do with cars, emails and other luxuries, all further correspondence should be forwarded to the Bank for the transfer of the fund to you.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Yours Faithfully,</DIV>
<DIV>
Mrs. Agueda Carlos</DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 19:12:34 2010
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Date: Tue, 23 Feb 2010 14:12:08 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Rang III reviews
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I hope that you realize that this is only an issue on the first loop, 
any overdub will be seamless over the 'splice point'.
All loopers do this to some degree, otherwise you would have a nasty 
"click" or "pop" over the splice point.



>"I would note however, the Boomerang does a ramp up and down of the 
>volume of the loop where the end and beginning meet. "
>ughhhhh~~~
>
>You're kidding.  That alone may be enough for me to not buy this. 
>
>I was so psyched!  Small footprint, ease of setup, I thought I could 
>get away from the Echoplex which I think is a great tool but a wee 
>bit overkill for live performances.
>
>Plish
>
>----- Original Message -----
>From: <mailto:greggaz@hotmail.com>Greg Gaz
>To: 
><mailto:loopers-delight@loopers-delight.com>loopers-delight@loopers-delight.com
>Sent: Tuesday, February 23, 2010 10:03 AM
>Subject: RE: Rang III reviews
>
>I am swamped right now, but I will try to post some thoughts soon. 
>I owned a Gibson Echoplex, but sold it once I had the Boomerang III 
>and realize it would suit MY NEEDS.
>
>I would note that the Boomerang III produces less white noise than 
>the Gibson, and I found that its input is less finky than the Gibson.
>
>This makes seamless Ebow overdubs impossible.  There is a 
>glitch/dropout.  I have spoken with the company, and it seems like 
>they will make an effort to address this, but no promises.
>
>-- Greg
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
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 --></style><title>Re: Rang III reviews</title></head><body>
<div>I hope that you realize that this is only an issue on the first
loop, any overdub will be seamless over the 'splice point'.</div>
<div>All loopers do this to some degree, otherwise you would have a
nasty &quot;click&quot; or &quot;pop&quot; over the splice
point.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial">&quot;I would note
however, the Boomerang does a ramp up and down of the volume of the
loop where the end and beginning meet.&nbsp;&quot;</font></blockquote>
<blockquote type="cite" cite><font
face="Arial">ughhhhh~~~</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial">You're kidding.&nbsp;
That alone&nbsp;may be&nbsp;enough for me to not buy
this.&nbsp;</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial">I was so psyched!&nbsp;
Small footprint, ease of setup, I thought I could get away from the
Echoplex which I think is a great tool but a wee bit overkill for live
performances.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial">Plish</font><br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a href="mailto:greggaz@hotmail.com">Greg
Gaz</a></blockquote>
<blockquote><b>To:</b> <a
href="mailto:loopers-delight@loopers-delight.com"
>loopers-delight@loopers-delight.com</a></blockquote>
<blockquote><b>Sent:</b> Tuesday, February 23, 2010 10:03
AM</blockquote>
<blockquote><b>Subject:</b> RE: Rang III reviews</blockquote>
<blockquote><br></blockquote>
<blockquote>I&nbsp;am swamped right now, but I will try to post some
thoughts soon.&nbsp; I owned a Gibson Echoplex, but sold it once I had
the Boomerang III and realize it would suit MY NEEDS.<br>
&nbsp;<br>
I would note that the Boomerang III&nbsp;produces&nbsp;less white
noise than the Gibson, and I found that its input is less finky than
the Gibson.<br>
&nbsp;<br>
This makes seamless Ebow overdubs impossible.&nbsp; There is a
glitch/dropout.&nbsp; I have spoken with the company, and it seems
like they will make an effort to address this, but no promises.<br>
&nbsp;<br>
-- Greg<br>
&nbsp;</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
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Re: Rang III reviewsCharles,
The test that I use is can I drone something (voice or instrument) and =
get a clean sound continuously.  I can do it with the Echoplex.  I would =
want to hear how bad it is on the Rang III.

Plish
  ----- Original Message -----=20
  From: Charles Zwicky=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, February 23, 2010 1:12 PM
  Subject: Re: Rang III reviews


  I hope that you realize that this is only an issue on the first loop, =
any overdub will be seamless over the 'splice point'.
  All loopers do this to some degree, otherwise you would have a nasty =
"click" or "pop" over the splice point.






    "I would note however, the Boomerang does a ramp up and down of the =
volume of the loop where the end and beginning meet. "
    ughhhhh~~~

    You're kidding.  That alone may be enough for me to not buy this.=20

    I was so psyched!  Small footprint, ease of setup, I thought I could =
get away from the Echoplex which I think is a great tool but a wee bit =
overkill for live performances.

    Plish

      ----- Original Message -----
      From: Greg Gaz
      To: loopers-delight@loopers-delight.com
      Sent: Tuesday, February 23, 2010 10:03 AM
      Subject: RE: Rang III reviews


      I am swamped right now, but I will try to post some thoughts soon. =
 I owned a Gibson Echoplex, but sold it once I had the Boomerang III and =
realize it would suit MY NEEDS.
      =20
      I would note that the Boomerang III produces less white noise than =
the Gibson, and I found that its input is less finky than the Gibson.
      =20
      This makes seamless Ebow overdubs impossible.  There is a =
glitch/dropout.  I have spoken with the company, and it seems like they =
will make an effort to address this, but no promises.
      =20
      -- Greg
      =20




--=20

  ...
  http://www.zmix.net

  http://www.esession.com/ChuckZwicky
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<META content=3D"text/html; charset=3Diso-8859-1" =
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<DIV><FONT size=3D2 face=3DArial>Charles,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>The test that I use is can I drone =
something (voice=20
or instrument) and get a clean sound continuously.&nbsp; I can do it =
with the=20
Echoplex.&nbsp; I would want to hear how bad it is on the Rang =
III.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Plish</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dcazwicky@earthlink.net =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, February 23, =
2010 1:12=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Rang III =
reviews</DIV>
  <DIV><BR></DIV>
  <DIV>I hope that you realize that this is only an issue on the first =
loop, any=20
  overdub will be seamless over the 'splice point'.</DIV>
  <DIV>All loopers do this to some degree, otherwise you would have a =
nasty=20
  "click" or "pop" over the splice point.</DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3DArial>"I would note =
however, the=20
    Boomerang does a ramp up and down of the volume of the loop where =
the end=20
    and beginning meet.&nbsp;"</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT=20
face=3DArial>ughhhhh~~~</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite">&nbsp;</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3DArial>You're =
kidding.&nbsp; That=20
    alone&nbsp;may be&nbsp;enough for me to not buy=20
this.&nbsp;</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite">&nbsp;</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3DArial>I was so =
psyched!&nbsp;=20
    Small footprint, ease of setup, I thought I could get away from the =
Echoplex=20
    which I think is a great tool but a wee bit overkill for live=20
    performances.</FONT></BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite">&nbsp;</BLOCKQUOTE>
  <BLOCKQUOTE cite=3D"" type=3D"cite"><FONT =
face=3DArial>Plish</FONT><BR>
    <BLOCKQUOTE>----- Original Message -----</BLOCKQUOTE>
    <BLOCKQUOTE><B>From:</B> <A href=3D"mailto:greggaz@hotmail.com">Greg =

    Gaz</A></BLOCKQUOTE>
    <BLOCKQUOTE><B>To:</B> <A=20
      =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A></BLOCKQUOTE>
    <BLOCKQUOTE><B>Sent:</B> Tuesday, February 23, 2010 10:03 =
AM</BLOCKQUOTE>
    <BLOCKQUOTE><B>Subject:</B> RE: Rang III reviews</BLOCKQUOTE>
    <BLOCKQUOTE><BR></BLOCKQUOTE>
    <BLOCKQUOTE>I&nbsp;am swamped right now, but I will try to post some =

      thoughts soon.&nbsp; I owned a Gibson Echoplex, but sold it once I =
had the=20
      Boomerang III and realize it would suit MY NEEDS.<BR>&nbsp;<BR>I =
would=20
      note that the Boomerang III&nbsp;produces&nbsp;less white noise =
than the=20
      Gibson, and I found that its input is less finky than the=20
      Gibson.<BR>&nbsp;<BR>This makes seamless Ebow overdubs =
impossible.&nbsp;=20
      There is a glitch/dropout.&nbsp; I have spoken with the company, =
and it=20
      seems like they will make an effort to address this, but no=20
      promises.<BR>&nbsp;<BR>-- Greg<BR>&nbsp;</BLOCKQUOTE></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV><BR></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/ChuckZ=
wicky</DIV></BLOCKQUOTE></BODY></HTML>

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Subject: looper ableton beginner - foot pedal?
To: Loopers-Delight@loopers-delight.com
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Hello,
I have a performance in around 3 weeks in front of a lot people... and I am 
thinking about using ableton looper. Could anyone recommend me a good foot 
pedal that is easy to use and has the basic functions??? 

And also i have some questions:

I have done some live loop sessions while simultaneously recording in 
arrangement view , and I wanted to export the audio, but the audio did not 
export the sound coming from looper, only from the recorded track which did 
not include the layered loops. how come it's so complicated? does anyone 
know how to export looper's sound???

and also this has not much to do with looping... but is there way to edit 
samples in ableton without using an external editor program...? I haven't 
figured that out.

I am still a beginner but I'm diving in!

thank you,
Nadia
    
-- 
---
Nadia Salom
http://www.nirmala07.net

GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
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        <title>Re: Rang III reviews</title>
    </head>
    <body style=3D"margin: 0pt; padding: 0pt;">
        Hello,<br />I have a performance in around 3 weeks in front of a lo=
t people... <img alt=3D"" src=3D"cid:20100223194042.7721maild0@gmx.net" />a=
nd I am thinking about using ableton looper. Could anyone recommend me a go=
od foot pedal that is easy to use and has the basic functions??? <br /><br =
/>And also i have some questions:<br /><br />I have done some live loop ses=
sions while simultaneously recording in arrangement view , and I wanted to =
export the audio, but the audio did not export the sound coming from looper=
, only from the recorded track which did not include the layered loops. how=
 come it's so complicated? does anyone know how to export looper's sound???=
<br /><br />and also this has not much to do with looping... but is there w=
ay to edit samples in ableton without using an external editor program...? =
I haven't figured that out.<br /><br />I am still a beginner but I'm diving=
 in!<br /><br />thank you,<br />Nadia<br />
    <div class=3D"signature"><br /><br /><br />-- <br />---=0D<br />
Nadia Salom=0D<br />
http://www.nirmala07.net<br />
<br />
GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br />Jetzt fre=
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I enjoyed this too. What a shame that jazz fans see the need to clap in the=
 middle of the music. They do in my local jazz club too. It's one of the re=
asons I don't go anymore. It spoils the delicate atmos to my mind.=20
I'd rather they shut t.f. up till the end - It's not supposed to be a sport=
.
Anyway=2C thanks for posting it mate.

Peace

G


Date: Mon=2C 22 Feb 2010 19:22:00 +0100
Subject: Re: Arve Henriksen - Arild Andersen - looping (youtube)
From: eterogenus@gmail.com
To: Loopers-Delight@loopers-delight.com

Beautifull !=20
The beginning reminds me Arild's set at the Y2K7: a great sense of melody=
=2C his playing is a conversation just like on this video.
=20
Thanks for posting it
=20
fabio
www.eterogeneo.com


2010/2/21 rune fagereng <rune_fagereng@yahoo.no>





Hi =20


Arild Anderse looping=2C with Arve Henriksen and Elin Rosseland.=20
http://www.youtube.com/watch?v=3DwTOJGGdr_Hs&feature=3Drelated


Rune F.

__________________________________________________
Bruker du Yahoo!?
Lei av spam? Yahoo! Mail har den beste spambeskyttelsen=20
http://no.mail.yahoo.com=20

 		 	   		 =20
_________________________________________________________________
Do you have a story that started on Hotmail? Tell us now
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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<html>
<head>
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font-family:Verdana
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</head>
<body class=3D'hmmessage'>
I enjoyed this too. What a shame that jazz fans see the need to clap in the=
 middle of the music. They do in my local jazz club too. It's one of the re=
asons I don't go anymore. It spoils the delicate atmos to my mind. <br>I'd =
rather they shut t.f. up till the end - It's not supposed to be a sport.<br=
>Anyway=2C thanks for posting it mate.<br><br>Peace<br><br>G<br><br><br><hr=
 id=3D"stopSpelling">Date: Mon=2C 22 Feb 2010 19:22:00 +0100<br>Subject: Re=
: Arve Henriksen - Arild Andersen - looping (youtube)<br>From: eterogenus@g=
mail.com<br>To: Loopers-Delight@loopers-delight.com<br><br><div>Beautifull =
! </div>
<div>The beginning reminds me Arild's set at the Y2K7: a great sense of mel=
ody=2C his playing is a conversation just like on this video.</div>
<div>&nbsp=3B</div>
<div>Thanks for posting it</div>
<div>&nbsp=3B</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"ecxgmail_quote">2010/2/21 rune fagereng <span dir=3D"ltr">&lt=
=3B<a href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a>&gt=
=3B</span><br>
<blockquote class=3D"ecxgmail_quote" style=3D"border-left: 1px solid rgb(20=
4=2C 204=2C 204)=3B padding-left: 1ex=3B">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
<tbody>
<tr>
<td valign=3D"top">Hi&nbsp=3B=20
<div><br></div>
<div>Arild Anderse looping=2C with Arve Henriksen and Elin Rosseland.&nbsp=
=3B</div>
<div><a href=3D"http://www.youtube.com/watch?v=3DwTOJGGdr_Hs&amp=3Bfeature=
=3Drelated">http://www.youtube.com/watch?v=3DwTOJGGdr_Hs&amp=3Bfeature=3Dre=
lated</a></div>
<div><br></div>
<div>Rune F.</div></td></tr></tbody></table><br>
<div class=3D"ecxhm">__________________________________________________<br>=
Bruker du Yahoo!?<br>Lei av spam? Yahoo! Mail har den beste spambeskyttelse=
n <br><a href=3D"http://no.mail.yahoo.com/">http://no.mail.yahoo.com</a> </=
div>
</blockquote></div><br> 		 	   		  <br /><hr />Do you want a Hotmail accoun=
t? <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_=
new'>Sign-up now - Free</a></body>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 22:03:51 2010
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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 16:03:29 -0600
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Respectfully=2C this is not true.  As I said=2C you cannot get seamless ove=
rdubs.  It is not an issue with just the first loop.

=20

Boomerang itself will confirm this.

=20

I still use my DL-4 for my seamless=2C overdubbed Ebow antics=2C as the Boo=
merang III cannot do this.

=20

-- Greg
=20


Date: Tue=2C 23 Feb 2010 14:12:08 -0500
To: Loopers-Delight@loopers-delight.com
From: cazwicky@earthlink.net
Subject: Re: Rang III reviews




I hope that you realize that this is only an issue on the first loop=2C any=
 overdub will be seamless over the 'splice point'.
All loopers do this to some degree=2C otherwise you would have a nasty "cli=
ck" or "pop" over the splice point.






"I would note however=2C the Boomerang does a ramp up and down of the volum=
e of the loop where the end and beginning meet. "
ughhhhh~~~
=20
You're kidding.  That alone may be enough for me to not buy this.=20
=20
I was so psyched!  Small footprint=2C ease of setup=2C I thought I could ge=
t away from the Echoplex which I think is a great tool but a wee bit overki=
ll for live performances.
=20
Plish

----- Original Message -----
From: Greg Gaz
To: loopers-delight@loopers-delight.com
Sent: Tuesday=2C February 23=2C 2010 10:03 AM
Subject: RE: Rang III reviews


I am swamped right now=2C but I will try to post some thoughts soon.  I own=
ed a Gibson Echoplex=2C but sold it once I had the Boomerang III and realiz=
e it would suit MY NEEDS.
=20
I would note that the Boomerang III produces less white noise than the Gibs=
on=2C and I found that its input is less finky than the Gibson.
=20
This makes seamless Ebow overdubs impossible.  There is a glitch/dropout.  =
I have spoken with the company=2C and it seems like they will make an effor=
t to address this=2C but no promises.
=20
-- Greg
=20



--=20


...
http://www.zmix.net

http://www.esession.com/ChuckZwicky 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/201469226/direct/01/=

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<html>
<head>
<style><!--
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{
font-size: 10pt=3B
font-family:Verdana
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--></style>
</head>
<body class=3D'hmmessage'>
<SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: Verdana">Respectfully=2C thi=
s is not true.&nbsp=3B As I said=2C you cannot get seamless overdubs.&nbsp=
=3B It is not an issue with just the first loop.<?xml:namespace prefix =3D =
o ns =3D "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN><BR>
<SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: Verdana"><o:p>&nbsp=3B</o:p>=
</SPAN><BR>
<SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: Verdana">Boomerang itself wi=
ll confirm this.<o:p></o:p></SPAN><BR>
<SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: Verdana">&nbsp=3B<o:p></o:p>=
</SPAN><BR>
<SPAN style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: Verdana">I still use my DL-4=
 for my seamless=2C overdubbed Ebow antics=2C as the Boomerang III cannot d=
o this.<o:p></o:p></SPAN><BR>
&nbsp=3B<BR>
-- Greg<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 23 Feb 2010 14:12:08 -0500<BR>To: Loopers-Delight@loopers-deli=
ght.com<BR>From: cazwicky@earthlink.net<BR>Subject: Re: Rang III reviews<BR=
><BR>
<STYLE>
.ExternalClass blockquote=2C .ExternalClass dl=2C .ExternalClass ul=2C .Ext=
ernalClass ol=2C .ExternalClass li
{padding-top:0=3Bpadding-bottom:0=3B}
</STYLE>

<DIV>I hope that you realize that this is only an issue on the first loop=
=2C any overdub will be seamless over the 'splice point'.</DIV>
<DIV>All loopers do this to some degree=2C otherwise you would have a nasty=
 "click" or "pop" over the splice point.</DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<BLOCKQUOTE><FONT face=3DArial>"I would note however=2C the Boomerang does =
a ramp up and down of the volume of the loop where the end and beginning me=
et.&nbsp=3B"</FONT></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>ughhhhh~~~</FONT></BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B</BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>You're kidding.&nbsp=3B That alone&nbsp=3Bma=
y be&nbsp=3Benough for me to not buy this.&nbsp=3B</FONT></BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B</BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>I was so psyched!&nbsp=3B Small footprint=2C=
 ease of setup=2C I thought I could get away from the Echoplex which I thin=
k is a great tool but a wee bit overkill for live performances.</FONT></BLO=
CKQUOTE>
<BLOCKQUOTE>&nbsp=3B</BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>Plish</FONT><BR>
<BLOCKQUOTE>----- Original Message -----</BLOCKQUOTE>
<BLOCKQUOTE><B>From:</B> <A href=3D"mailto:greggaz@hotmail.com">Greg Gaz</A=
></BLOCKQUOTE>
<BLOCKQUOTE><B>To:</B> <A href=3D"mailto:loopers-delight@loopers-delight.co=
m">loopers-delight@loopers-delight.com</A></BLOCKQUOTE>
<BLOCKQUOTE><B>Sent:</B> Tuesday=2C February 23=2C 2010 10:03 AM</BLOCKQUOT=
E>
<BLOCKQUOTE><B>Subject:</B> RE: Rang III reviews</BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE>I&nbsp=3Bam swamped right now=2C but I will try to post some th=
oughts soon.&nbsp=3B I owned a Gibson Echoplex=2C but sold it once I had th=
e Boomerang III and realize it would suit MY NEEDS.<BR>&nbsp=3B<BR>I would =
note that the Boomerang III&nbsp=3Bproduces&nbsp=3Bless white noise than th=
e Gibson=2C and I found that its input is less finky than the Gibson.<BR>&n=
bsp=3B<BR>This makes seamless Ebow overdubs impossible.&nbsp=3B There is a =
glitch/dropout.&nbsp=3B I have spoken with the company=2C and it seems like=
 they will make an effort to address this=2C but no promises.<BR>&nbsp=3B<B=
R>-- Greg<BR>&nbsp=3B</BLOCKQUOTE></BLOCKQUOTE>
<DIV><BR></DIV>
<DIV><BR></DIV><PRE>--=20
</PRE>
<DIV><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/ChuckZwi=
cky</DIV> 		 	   		  <br /><hr />Hotmail: Trusted email with Microsoft=92s =
powerful SPAM protection. <a href=3D'http://clk.atdmt.com/GBL/go/201469226/=
direct/01/' target=3D'_new'>Sign up now.</a></body>
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From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 22:25:14 2010
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Date: Tue, 23 Feb 2010 23:24:37 +0100
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Subject: Re: looper ableton beginner - foot pedal?
From: Per Boysen <perboysen@gmail.com>
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On Tue, Feb 23, 2010 at 8:44 PM, Nadia Salom <nadia.salom@gmx.de> wrote:
>
> thinking about using ableton looper. Could anyone recommend me a good foo=
t pedal that is easy to use and has the basic functions???

You can use any pedal that sends MIDI when stomped on. The
functionality is in Ableton Live where you assign ("MIDI learn") the
MIDI events to functions.


> I have done some live loop sessions while simultaneously recording in arr=
angement view , and I wanted to export the audio, but the audio did not exp=
ort the sound coming from looper, only from the recorded track which did no=
t include the layered loops. how come it's so complicated? does anyone know=
 how to export looper's sound???

You can grab the graphic loop icon out of the Looper plug-in, drag it
and drop it into a slot on an audio track. Then it becomes a normal
audio clip (that will be part of exporting).


> and also this has not much to do with looping... but is there way to edit=
 samples in ableton without using an external editor program...? I haven't =
figured that out.

No, Live has no sample editor. But you can do a lot with playback
parameters (warp markers, clip envelopes...) and then simply assign
the track output to another audio track where you record it. That
technique creates a new file on the drive.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From mrsluauraalex@cooltoda.com  Tue Feb 23 23:37:17 2010
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Date: Wed, 24 Feb 2010 00:25:57 +0700 (ICT)
Subject: STOP CONTACTING THEM,THEY ARE FRAUDSTERS,
From: "Mrs. Laura Alex," <mrsluauraalex@cooltoda.com>
Reply-To: mr.izumichael@mail.md
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To: undisclosed-recipients:;




Mrs. Laura Alex,
320 First Street, NW
Washington, District of Columbia 20534
USA.


Hello Dear,

I am Mrs. Laura Alex, I am a US citizen, 48 years Old. I reside in
District of Columbia 20534. My residential address is as follows 320 First
Street, NW Washington, District of Columbia 20534, United States, am
thinking of moving since I am now wealthy. I am one of those that took
part in the Compensation in Nigeria many years ago and they refused to pay
me, I had paid over $42,000 while in the US, trying to get my payment all
to no avail.

So I decided to travel down to Nigeria with all my compensation documents,
and I was directed to meet Mr. Izu Michael, who is the member of
COMPENSATION AWARD COMMITTEE and a Human Rights Activist (Lawyer), and I
contacted him and he explained everything to me. He said whoever is
contacting us through emails are fake.

He took me to the paying bank for the claim of my Compensation payment.
Right now I am the most happiest woman on earth because I have received my
compensation funds amounting to $15,000,000.00 Moreover, Mr. Izu Michael,
showed me the full information of those that are yet to receive their
payments and I saw your email as one of the scam victims, that is why I
decided to email you to stop dealing with those people, they are not with
your fund, they are only making money out of you. I will advise you to
contact Mr. Izu Michael

You have to contact him directly on this information below.

COMPENSATION AWARD HOUSE
Name : Mr. Izu Michael (Barrister)
Email: ( mr.izumichael@mail.md )

You really have to stop dealing with those people that are contacting you
and telling you that your fund is with them, it is not in anyway with
them, they are only taking advantage of you and they will dry you up until
you have nothing.

The only money I paid after I met Mr. Izu Michael was just $580 for the
paper works, take note of that.

Thank You and Be Blessed.......

Mrs. Laura Alex
320 First Street, NW
Washington, District of Columbia 20534
USA.

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 23:39:36 2010
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Date: Tue, 23 Feb 2010 18:39:00 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: Rang III reviews
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Perhaps we are referring to different aspects of the same thing... 
after the initial loop, any additional layer will have it's own in / 
out points and you can elect to punch out at any point.  No 
interruption in the signal till you decide to stop recording.  Same 
as any looper.

>Respectfully, this is not true.  As I said, you cannot get seamless 
>overdubs.  It is not an issue with just the first loop.
>
>Boomerang itself will confirm this.
>
>I still use my DL-4 for my seamless, overdubbed Ebow antics, as the 
>Boomerang III cannot do this.
>
>-- Greg
>
>
>Date: Tue, 23 Feb 2010 14:12:08 -0500
>To: Loopers-Delight@loopers-delight.com
>From: cazwicky@earthlink.net
>Subject: Re: Rang III reviews
>
>.ExternalClass blockquote, .ExternalClass dl, .ExternalClass ul, 
>.ExternalClass ol, .ExternalClass li 
>{padding-top:0;padding-bottom:0;}
>I hope that you realize that this is only an issue on the first 
>loop, any overdub will be seamless over the 'splice point'.
>All loopers do this to some degree, otherwise you would have a nasty 
>"click" or "pop" over the splice point.
>
>
>
>"I would note however, the Boomerang does a ramp up and down of the 
>volume of the loop where the end and beginning meet. "
>
>ughhhhh~~~
>
>
>
>You're kidding.  That alone may be enough for me to not buy this. 
>
>
>
>I was so psyched!  Small footprint, ease of setup, I thought I could 
>get away from the Echoplex which I think is a great tool but a wee 
>bit overkill for live performances.
>
>
>
>Plish
>
>----- Original Message -----
>
>From: <mailto:greggaz@hotmail.com>Greg Gaz
>
>To: 
><mailto:loopers-delight@loopers-delight.com>loopers-delight@loopers-delight.com
>
>Sent: Tuesday, February 23, 2010 10:03 AM
>
>Subject: RE: Rang III reviews
>
>
>I am swamped right now, but I will try to post some thoughts soon. 
>I owned a Gibson Echoplex, but sold it once I had the Boomerang III 
>and realize it would suit MY NEEDS.
>
>I would note that the Boomerang III produces less white noise than 
>the Gibson, and I found that its input is less finky than the Gibson.
>
>This makes seamless Ebow overdubs impossible.  There is a 
>glitch/dropout.  I have spoken with the company, and it seems like 
>they will make an effort to address this, but no promises.
>
>-- Greg
>
>
>
>
>--
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky
>
>
>Hotmail: Trusted email with Microsoft's powerful SPAM protection. 
><http://clk.atdmt.com/GBL/go/201469226/direct/01/>Sign up now.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: Rang III reviews</title></head><body>
<div>Perhaps we are referring to different aspects of the same
thing...&nbsp; after the initial loop, any additional layer will have
it's own in / out points and you can elect to punch out at any point.&nbsp;
No interruption in the signal till you decide to stop recording.&nbsp;
Same as any looper.</div>
<div><br></div>
<blockquote type="cite" cite>Respectfully, this is not true.&nbsp; As
I said, you cannot get seamless overdubs.&nbsp; It is not an issue
with just the first loop.<br>
&nbsp;<br>
Boomerang itself will confirm this.<br>
&nbsp;<br>
I still use my DL-4 for my seamless, overdubbed Ebow antics, as the
Boomerang III cannot do this.<br>
&nbsp;<br>
-- Greg<br>
&nbsp;</blockquote>
<blockquote type="cite" cite>
<hr></blockquote>
<blockquote type="cite" cite>Date: Tue, 23 Feb 2010 14:12:08 -0500<br>
To: Loopers-Delight@loopers-delight.com<br>
From: cazwicky@earthlink.net<br>
Subject: Re: Rang III reviews<br>
<br>
.ExternalClass blockquote, .ExternalClass dl, .ExternalClass ul,
.ExternalClass ol, .ExternalClass li
{padding-top:0;padding-bottom:0;}</blockquote>
<blockquote type="cite" cite>I hope that you realize that this is only
an issue on the first loop, any overdub will be seamless over the
'splice point'.</blockquote>
<blockquote type="cite" cite>All loopers do this to some degree,
otherwise you would have a nasty &quot;click&quot; or &quot;pop&quot;
over the splice point.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br>
<blockquote><font face="Arial">&quot;I would note however, the
Boomerang does a ramp up and down of the volume of the loop where the
end and beginning meet.&nbsp;&quot;</font><br>
</blockquote>
<blockquote><font face="Arial">ughhhhh~~~</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face="Arial">You're kidding.&nbsp; That
alone&nbsp;may be&nbsp;enough for me to not buy this.&nbsp;</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face="Arial">I was so psyched!&nbsp; Small
footprint, ease of setup, I thought I could get away from the Echoplex
which I think is a great tool but a wee bit overkill for live
performances.</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face="Arial">Plish</font><br>
<blockquote>----- Original Message -----<br>
</blockquote>
<blockquote><b>From:</b> <a href="mailto:greggaz@hotmail.com">Greg
Gaz</a><br>
</blockquote>
<blockquote><b>To:</b> <a
href="mailto:loopers-delight@loopers-delight.com"
>loopers-delight@loopers-delight.com</a><br>
</blockquote>
<blockquote><b>Sent:</b> Tuesday, February 23, 2010 10:03 AM<br>
</blockquote>
<blockquote><b>Subject:</b> RE: Rang III reviews<br>
</blockquote>
<blockquote><br></blockquote>
<blockquote>I&nbsp;am swamped right now, but I will try to post some
thoughts soon.&nbsp; I owned a Gibson Echoplex, but sold it once I had
the Boomerang III and realize it would suit MY NEEDS.<br>
&nbsp;<br>
I would note that the Boomerang III&nbsp;produces&nbsp;less white
noise than the Gibson, and I found that its input is less finky than
the Gibson.<br>
&nbsp;<br>
This makes seamless Ebow overdubs impossible.&nbsp; There is a
glitch/dropout.&nbsp; I have spoken with the company, and it seems
like they will make an effort to address this, but no promises.<br>
&nbsp;<br>
-- Greg<br>
&nbsp;<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><tt>--</tt></blockquote>
<blockquote type="cite" cite><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</blockquote>
<blockquote type="cite"
cite><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></blockquote>
<blockquote type="cite" cite>
<hr></blockquote>
<blockquote type="cite" cite>Hotmail: Trusted email with Microsoft's
powerful SPAM protection. <a
href="http://clk.atdmt.com/GBL/go/201469226/direct/01/">Sign up
now.</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-945154152==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 23:49:08 2010
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Date: Tue, 23 Feb 2010 23:48:17 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Rang III reviews
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <3DE00ED58B1F423DB9F1355604F74542@MichaelPC>
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that is really ashame i would not buy it for that reason either! any review=
s on the LP2 yet?
cheers
www.myspace.com/luisangulocom


--- mike@michaelplishka.com <mike@michaelplishka.com> schrieb am Di, 23.2.2=
010:

> Von: mike@michaelplishka.com <mike@michaelplishka.com>
> Betreff: Re: Rang III reviews
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 23. Februar, 2010 10:00 Uhr
>=20
>=20
> =20
> #yiv1858094165 .hmmessage P {
> PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-=
TOP:0px;}
> #yiv1858094165 {
> FONT-FAMILY:Verdana;FONT-SIZE:10pt;}
>=20
>=20
> =20
> =20
> "I would note however, the
> Boomerang does a ramp up and=20
> down of the volume of the loop where the end and beginning=20
> meet.=A0"
> ughhhhh~~~
> =A0
> You're kidding.=A0 That
> alone=A0may be=A0enough=20
> for me to not buy this.=A0
> =A0
> I was so psyched!=A0 Small
> footprint, ease of setup, I=20
> thought I could get away from the Echoplex which I think is
> a great tool but a=20
> wee bit overkill for live performances.
> =A0
> Plish
>=20
>   ----- Original Message
> -----=20
>   From:=20
>   Greg Gaz=20
>  =20
>   To: loopers-delight@loopers-delight.com
>=20
>  =20
>   Sent: Tuesday,
> February 23, 2010 10:03=20
>   AM
>   Subject: RE: Rang
> III reviews
>  =20
> I=A0am swamped right now, but I will try to post
> some=20
>   thoughts soon.=A0 I owned a Gibson Echoplex, but sold
> it once I had the=20
>   Boomerang III and realize it would suit MY NEEDS.
> =A0
> I would note=20
>   that the Boomerang III=A0produces=A0less white
> noise than the Gibson,=20
>   and I found that its input is less finky than the
> Gibson.
> =A0
>  This=20
>   makes seamless Ebow overdubs impossible.=A0 There is a
>=20
>   glitch/dropout.=A0 I have spoken with the company, and
> it seems like they=20
>   will make an effort to address this, but no promises.
> =A0
> --=20
>   Greg
> =A0
>  =20
> =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Feb 23 23:52:28 2010
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Date: Wed, 24 Feb 2010 00:25:14 +0100
From: Nadia Salom <nadia.salom@gmx.de>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: looper ableton beginner - foot pedal?
References: <81648EC53BE940F0B4B8D4CA5B9BB6FD@MichaelPC>	 <SNT107-W1024534E06EF27FB6B406AA4420@phx.gbl>	 <3DE00ED58B1F423DB9F1355604F74542@MichaelPC>	 <p0624080dc7a9d8b35a45@192.168.2.2> <20100223194453.52100@gmx.net> <66f9cc1e1002231424y6493dbf9l949abf12ff8eb2a8@mail.gmail.com>
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this is fabulous thank you!! got it. is there a particular foot pedal 
that can be recommended??

Am 2/23/10 11:24 PM, schrieb Per Boysen:
> On Tue, Feb 23, 2010 at 8:44 PM, Nadia Salom<nadia.salom@gmx.de>  wrote:
>    
>> thinking about using ableton looper. Could anyone recommend me a good foot pedal that is easy to use and has the basic functions???
>>      
> You can use any pedal that sends MIDI when stomped on. The
> functionality is in Ableton Live where you assign ("MIDI learn") the
> MIDI events to functions.
>
>
>    
>> I have done some live loop sessions while simultaneously recording in arrangement view , and I wanted to export the audio, but the audio did not export the sound coming from looper, only from the recorded track which did not include the layered loops. how come it's so complicated? does anyone know how to export looper's sound???
>>      
> You can grab the graphic loop icon out of the Looper plug-in, drag it
> and drop it into a slot on an audio track. Then it becomes a normal
> audio clip (that will be part of exporting).
>
>    

>    
>> and also this has not much to do with looping... but is there way to edit samples in ableton without using an external editor program...? I haven't figured that out.
>>      
> No, Live has no sample editor. But you can do a lot with playback
> parameters (warp markers, clip envelopes...) and then simply assign
> the track output to another audio track where you record it. That
> technique creates a new file on the drive.
>    
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>    


-- 
Nadia Salom
http://www.nirmala07.net
http://www.ubetoo.com/nirmala07

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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 17:53:45 -0600
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References:
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Here is what I am referring to:
=20
After laying down an initial loop=2C I like to build layers and layers of E=
bow.  If you leave overdub on=2C never turning it off=85say for 10-15 passe=
s=85just building and building=85every time the overdub passes over the ini=
tial start/end point of the loop=2C the overdub itself will also drop out i=
n time with the initial loop. =20
=20
It is like there is a wall that no audio shall pass through.  Your initial =
loop creates this wall=2C and all the overdubs are affected by it.  You can=
 also think of it like an audible speedbump on a racing track.  Each time y=
ou go around the track=2C you will hit that speedbump.
=20
With the DL-4=2C I can leave overdub on=2C and building a wall of Ebow and =
there is no dropout to the overdubs.  They are perfectly seamless and if do=
ne right=2C there is no ending or beginning to the overdub=2C just a wall o=
f sound.
=20
-- Greg

=20


Date: Tue=2C 23 Feb 2010 18:39:00 -0500
To: Loopers-Delight@loopers-delight.com
From: cazwicky@earthlink.net
Subject: RE: Rang III reviews




Perhaps we are referring to different aspects of the same thing...  after t=
he initial loop=2C any additional layer will have it's own in / out points =
and you can elect to punch out at any point.  No interruption in the signal=
 till you decide to stop recording.  Same as any looper.


Respectfully=2C this is not true.  As I said=2C you cannot get seamless ove=
rdubs.  It is not an issue with just the first loop.
=20
Boomerang itself will confirm this.
=20
I still use my DL-4 for my seamless=2C overdubbed Ebow antics=2C as the Boo=
merang III cannot do this.
=20
-- Greg
=20



Date: Tue=2C 23 Feb 2010 14:12:08 -0500
To: Loopers-Delight@loopers-delight.com
From: cazwicky@earthlink.net
Subject: Re: Rang III reviews

.ExternalClass blockquote=2C .ExternalClass dl=2C .ExternalClass ul=2C .Ext=
ernalClass ol=2C .ExternalClass li {padding-top:0=3Bpadding-bottom:0=3B}
I hope that you realize that this is only an issue on the first loop=2C any=
 overdub will be seamless over the 'splice point'.
All loopers do this to some degree=2C otherwise you would have a nasty "cli=
ck" or "pop" over the splice point.






"I would note however=2C the Boomerang does a ramp up and down of the volum=
e of the loop where the end and beginning meet. "

ughhhhh~~~

=20

You're kidding.  That alone may be enough for me to not buy this.=20

=20

I was so psyched!  Small footprint=2C ease of setup=2C I thought I could ge=
t away from the Echoplex which I think is a great tool but a wee bit overki=
ll for live performances.

=20

Plish

----- Original Message -----

From: Greg Gaz

To: loopers-delight@loopers-delight.com

Sent: Tuesday=2C February 23=2C 2010 10:03 AM

Subject: RE: Rang III reviews



I am swamped right now=2C but I will try to post some thoughts soon.  I own=
ed a Gibson Echoplex=2C but sold it once I had the Boomerang III and realiz=
e it would suit MY NEEDS.
=20
I would note that the Boomerang III produces less white noise than the Gibs=
on=2C and I found that its input is less finky than the Gibson.
=20
This makes seamless Ebow overdubs impossible.  There is a glitch/dropout.  =
I have spoken with the company=2C and it seems like they will make an effor=
t to address this=2C but no promises.
=20
-- Greg
=20





--

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky
                                       =20



Hotmail: Trusted email with Microsoft's powerful SPAM protection. Sign up n=
ow.



--=20


...
http://www.zmix.net

http://www.esession.com/ChuckZwicky 		 	   		 =20
_________________________________________________________________
Hotmail: Free=2C trusted and rich email service.
http://clk.atdmt.com/GBL/go/201469228/direct/01/=

--_744eb8c5-c73d-439a-b2b0-0231b9b9fde7_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>Here is what I am referring to:</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><?xml:namespace prefix =
=3D o ns =3D "urn:schemas-microsoft-com:office:office" /><o:p><FONT face=3D=
"Times New Roman" size=3D3>&nbsp=3B</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT size=3D3><FONT fac=
e=3D"Times New Roman">After laying down an initial loop=2C I like to build =
layers and layers of Ebow.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B </SPAN=
>If you leave overdub on=2C never turning it off=85say for 10-15 passes=85j=
ust building and building=85every time the overdub passes over the initial =
start/end point of the loop=2C the overdub itself will also drop out in tim=
e with the initial loop.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B </SPAN><=
/FONT></FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT face=3D"Times=
 New Roman" size=3D3>&nbsp=3B</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>It is like there is a wall that no audio shall pass through=
.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B </SPAN>Your initial loop create=
s this wall=2C and all the overdubs are affected by it.&nbsp=3B You can als=
o think of it like an audible speedbump on a racing track.&nbsp=3B Each tim=
e you go around the track=2C you will hit that speedbump.</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT face=3D"Times=
 New Roman" size=3D3>&nbsp=3B</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>With the DL-4=2C I can leave overdub on=2C and building a w=
all of Ebow and there is no dropout to the overdubs.<SPAN style=3D"mso-spac=
erun: yes">&nbsp=3B </SPAN>They are perfectly seamless and if done right=2C=
 there is no ending or beginning to the overdub=2C just a wall of sound.</F=
ONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT face=3D"Times=
 New Roman" size=3D3>&nbsp=3B</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>-- Greg</FONT></P>
<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 23 Feb 2010 18:39:00 -0500<BR>To: Loopers-Delight@loopers-deli=
ght.com<BR>From: cazwicky@earthlink.net<BR>Subject: RE: Rang III reviews<BR=
><BR>
<STYLE>
.ExternalClass blockquote=2C .ExternalClass dl=2C .ExternalClass ul=2C .Ext=
ernalClass ol=2C .ExternalClass li
{padding-top:0=3Bpadding-bottom:0=3B}
</STYLE>

<DIV>Perhaps we are referring to different aspects of the same thing...&nbs=
p=3B after the initial loop=2C any additional layer will have it's own in /=
 out points and you can elect to punch out at any point.&nbsp=3B No interru=
ption in the signal till you decide to stop recording.&nbsp=3B Same as any =
looper.</DIV>
<DIV><BR></DIV>
<BLOCKQUOTE>Respectfully=2C this is not true.&nbsp=3B As I said=2C you cann=
ot get seamless overdubs.&nbsp=3B It is not an issue with just the first lo=
op.<BR>&nbsp=3B<BR>Boomerang itself will confirm this.<BR>&nbsp=3B<BR>I sti=
ll use my DL-4 for my seamless=2C overdubbed Ebow antics=2C as the Boomeran=
g III cannot do this.<BR>&nbsp=3B<BR>-- Greg<BR>&nbsp=3B</BLOCKQUOTE>
<BLOCKQUOTE>
<HR>
</BLOCKQUOTE>
<BLOCKQUOTE>Date: Tue=2C 23 Feb 2010 14:12:08 -0500<BR>To: Loopers-Delight@=
loopers-delight.com<BR>From: cazwicky@earthlink.net<BR>Subject: Re: Rang II=
I reviews<BR><BR>.ExternalClass blockquote=2C .ExternalClass dl=2C .Externa=
lClass ul=2C .ExternalClass ol=2C .ExternalClass li {padding-top:0=3Bpaddin=
g-bottom:0=3B}</BLOCKQUOTE>
<BLOCKQUOTE>I hope that you realize that this is only an issue on the first=
 loop=2C any overdub will be seamless over the 'splice point'.</BLOCKQUOTE>
<BLOCKQUOTE>All loopers do this to some degree=2C otherwise you would have =
a nasty "click" or "pop" over the splice point.</BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE><BR>
<BLOCKQUOTE><FONT face=3DArial>"I would note however=2C the Boomerang does =
a ramp up and down of the volume of the loop where the end and beginning me=
et.&nbsp=3B"</FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>ughhhhh~~~</FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B<BR></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>You're kidding.&nbsp=3B That alone&nbsp=3Bma=
y be&nbsp=3Benough for me to not buy this.&nbsp=3B</FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B<BR></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>I was so psyched!&nbsp=3B Small footprint=2C=
 ease of setup=2C I thought I could get away from the Echoplex which I thin=
k is a great tool but a wee bit overkill for live performances.</FONT><BR><=
/BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B<BR></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=3DArial>Plish</FONT><BR>
<BLOCKQUOTE>----- Original Message -----<BR></BLOCKQUOTE>
<BLOCKQUOTE><B>From:</B> <A href=3D"mailto:greggaz@hotmail.com">Greg Gaz</A=
><BR></BLOCKQUOTE>
<BLOCKQUOTE><B>To:</B> <A href=3D"mailto:loopers-delight@loopers-delight.co=
m">loopers-delight@loopers-delight.com</A><BR></BLOCKQUOTE>
<BLOCKQUOTE><B>Sent:</B> Tuesday=2C February 23=2C 2010 10:03 AM<BR></BLOCK=
QUOTE>
<BLOCKQUOTE><B>Subject:</B> RE: Rang III reviews<BR></BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE>I&nbsp=3Bam swamped right now=2C but I will try to post some th=
oughts soon.&nbsp=3B I owned a Gibson Echoplex=2C but sold it once I had th=
e Boomerang III and realize it would suit MY NEEDS.<BR>&nbsp=3B<BR>I would =
note that the Boomerang III&nbsp=3Bproduces&nbsp=3Bless white noise than th=
e Gibson=2C and I found that its input is less finky than the Gibson.<BR>&n=
bsp=3B<BR>This makes seamless Ebow overdubs impossible.&nbsp=3B There is a =
glitch/dropout.&nbsp=3B I have spoken with the company=2C and it seems like=
 they will make an effort to address this=2C but no promises.<BR>&nbsp=3B<B=
R>-- Greg<BR>&nbsp=3B<BR></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE><BR></BLOCKQUOTE>
<BLOCKQUOTE><TT>--</TT></BLOCKQUOTE>
<BLOCKQUOTE><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/C=
huckZwicky</BLOCKQUOTE>
<BLOCKQUOTE>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B &nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B &nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B &nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B &nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B </BLOCKQUOTE>
<BLOCKQUOTE>
<HR>
</BLOCKQUOTE>
<BLOCKQUOTE>Hotmail: Trusted email with Microsoft's powerful SPAM protectio=
n. <A href=3D"http://clk.atdmt.com/GBL/go/201469226/direct/01/">Sign up now=
.</A></BLOCKQUOTE>
<DIV><BR></DIV>
<DIV><BR></DIV><PRE>--=20
</PRE>
<DIV><BR>...<BR>http://www.zmix.net<BR><BR>http://www.esession.com/ChuckZwi=
cky</DIV> 		 	   		  <br /><hr />Hotmail: Free=2C trusted and rich email se=
rvice. <a href=3D'http://clk.atdmt.com/GBL/go/201469228/direct/01/' target=
=3D'_new'>Get it now.</a></body>
</html>=

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From: Greg Gaz <greggaz@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Rang III reviews
Date: Tue, 23 Feb 2010 17:55:19 -0600
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--_4f8f84da-a84b-458f-bbf5-d17fed13c84e_
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Content-Transfer-Encoding: quoted-printable


Once again=2C when I have more time=2C I will try to cover other things abo=
ut the Rang III.  Despite this issue=2C there is still lots to like=2C and =
I did keep mine.  I just have to keep the DL-4 on hand for some things
=20
Whether you can accept this dropout of course=2C is up to the end user.
=20
-- Greg

=20
> Date: Tue=2C 23 Feb 2010 23:48:17 +0000
> From: labaloops@yahoo.com
> Subject: Re: Rang III reviews
> To: Loopers-Delight@loopers-delight.com
>=20
> that is really ashame i would not buy it for that reason either! any revi=
ews on the LP2 yet?
> cheers
> www.myspace.com/luisangulocom
>=20
>=20
> --- mike@michaelplishka.com <mike@michaelplishka.com> schrieb am Di=2C 23=
.2.2010:
>=20
> > Von: mike@michaelplishka.com <mike@michaelplishka.com>
> > Betreff: Re: Rang III reviews
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Dienstag=2C 23. Februar=2C 2010 10:00 Uhr
> >=20
> >=20
> >=20
> > #yiv1858094165 .hmmessage P {
> > PADDING-BOTTOM:0px=3BMARGIN:0px=3BPADDING-LEFT:0px=3BPADDING-RIGHT:0px=
=3BPADDING-TOP:0px=3B}
> > #yiv1858094165 {
> > FONT-FAMILY:Verdana=3BFONT-SIZE:10pt=3B}
> >=20
> >=20
> >=20
> >=20
> > "I would note however=2C the
> > Boomerang does a ramp up and=20
> > down of the volume of the loop where the end and beginning=20
> > meet. "
> > ughhhhh~~~
> > =20
> > You're kidding.  That
> > alone may be enough=20
> > for me to not buy this.=20
> > =20
> > I was so psyched!  Small
> > footprint=2C ease of setup=2C I=20
> > thought I could get away from the Echoplex which I think is
> > a great tool but a=20
> > wee bit overkill for live performances.
> > =20
> > Plish
> >=20
> > ----- Original Message
> > -----=20
> > From:=20
> > Greg Gaz=20
> >=20
> > To: loopers-delight@loopers-delight.com
> >=20
> >=20
> > Sent: Tuesday=2C
> > February 23=2C 2010 10:03=20
> > AM
> > Subject: RE: Rang
> > III reviews
> >=20
> > I am swamped right now=2C but I will try to post
> > some=20
> > thoughts soon.  I owned a Gibson Echoplex=2C but sold
> > it once I had the=20
> > Boomerang III and realize it would suit MY NEEDS.
> > =20
> > I would note=20
> > that the Boomerang III produces less white
> > noise than the Gibson=2C=20
> > and I found that its input is less finky than the
> > Gibson.
> > =20
> > This=20
> > makes seamless Ebow overdubs impossible.  There is a
> >=20
> > glitch/dropout.  I have spoken with the company=2C and
> > it seems like they=20
> > will make an effort to address this=2C but no promises.
> > =20
> > --=20
> > Greg
> > =20
> >=20
> >=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sch=
utz gegen Massenmails.=20
> http://mail.yahoo.com=20
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Powerful Free email with security by Microsoft.
http://clk.atdmt.com/GBL/go/201469230/direct/01/=

--_4f8f84da-a84b-458f-bbf5-d17fed13c84e_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
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}
--></style>
</head>
<body class=3D'hmmessage'>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>Once again=2C when I have more time=2C I will try to cover =
other things about the Rang III.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B =
</SPAN>Despite this issue=2C there is still lots to like=2C and I did keep =
mine.<SPAN style=3D"mso-spacerun: yes">&nbsp=3B </SPAN>I just have to keep =
the DL-4 on hand for some things</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3></FONT>&nbsp=3B</P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>Whether you can accept this dropout of course=2C is up to t=
he end user.</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3></FONT>&nbsp=3B</P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT face=3D"Times New =
Roman" size=3D3>-- Greg</FONT></P>
<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 23 Feb 2010 23:48:17 +0000<BR>&gt=3B Fr=
om: labaloops@yahoo.com<BR>&gt=3B Subject: Re: Rang III reviews<BR>&gt=3B T=
o: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B that is really =
ashame i would not buy it for that reason either! any reviews on the LP2 ye=
t?<BR>&gt=3B cheers<BR>&gt=3B www.myspace.com/luisangulocom<BR>&gt=3B <BR>&=
gt=3B <BR>&gt=3B --- mike@michaelplishka.com &lt=3Bmike@michaelplishka.com&=
gt=3B schrieb am Di=2C 23.2.2010:<BR>&gt=3B <BR>&gt=3B &gt=3B Von: mike@mic=
haelplishka.com &lt=3Bmike@michaelplishka.com&gt=3B<BR>&gt=3B &gt=3B Betref=
f: Re: Rang III reviews<BR>&gt=3B &gt=3B An: Loopers-Delight@loopers-deligh=
t.com<BR>&gt=3B &gt=3B Datum: Dienstag=2C 23. Februar=2C 2010 10:00 Uhr<BR>=
&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B #yiv185=
8094165 .hmmessage P {<BR>&gt=3B &gt=3B PADDING-BOTTOM:0px=3BMARGIN:0px=3BP=
ADDING-LEFT:0px=3BPADDING-RIGHT:0px=3BPADDING-TOP:0px=3B}<BR>&gt=3B &gt=3B =
#yiv1858094165 {<BR>&gt=3B &gt=3B FONT-FAMILY:Verdana=3BFONT-SIZE:10pt=3B}<=
BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>=
&gt=3B &gt=3B "I would note however=2C the<BR>&gt=3B &gt=3B Boomerang does =
a ramp up and <BR>&gt=3B &gt=3B down of the volume of the loop where the en=
d and beginning <BR>&gt=3B &gt=3B meet.&nbsp=3B"<BR>&gt=3B &gt=3B ughhhhh~~=
~<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B You're kidding.&nbsp=3B That<B=
R>&gt=3B &gt=3B alone&nbsp=3Bmay be&nbsp=3Benough <BR>&gt=3B &gt=3B for me =
to not buy this.&nbsp=3B<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B I was s=
o psyched!&nbsp=3B Small<BR>&gt=3B &gt=3B footprint=2C ease of setup=2C I <=
BR>&gt=3B &gt=3B thought I could get away from the Echoplex which I think i=
s<BR>&gt=3B &gt=3B a great tool but a <BR>&gt=3B &gt=3B wee bit overkill fo=
r live performances.<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B Plish<BR>&g=
t=3B &gt=3B <BR>&gt=3B &gt=3B ----- Original Message<BR>&gt=3B &gt=3B -----=
 <BR>&gt=3B &gt=3B From: <BR>&gt=3B &gt=3B Greg Gaz <BR>&gt=3B &gt=3B <BR>&=
gt=3B &gt=3B To: loopers-delight@loopers-delight.com<BR>&gt=3B &gt=3B <BR>&=
gt=3B &gt=3B <BR>&gt=3B &gt=3B Sent: Tuesday=2C<BR>&gt=3B &gt=3B February 2=
3=2C 2010 10:03 <BR>&gt=3B &gt=3B AM<BR>&gt=3B &gt=3B Subject: RE: Rang<BR>=
&gt=3B &gt=3B III reviews<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B I&nbsp=3Bam sw=
amped right now=2C but I will try to post<BR>&gt=3B &gt=3B some <BR>&gt=3B =
&gt=3B thoughts soon.&nbsp=3B I owned a Gibson Echoplex=2C but sold<BR>&gt=
=3B &gt=3B it once I had the <BR>&gt=3B &gt=3B Boomerang III and realize it=
 would suit MY NEEDS.<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B I would no=
te <BR>&gt=3B &gt=3B that the Boomerang III&nbsp=3Bproduces&nbsp=3Bless whi=
te<BR>&gt=3B &gt=3B noise than the Gibson=2C <BR>&gt=3B &gt=3B and I found =
that its input is less finky than the<BR>&gt=3B &gt=3B Gibson.<BR>&gt=3B &g=
t=3B &nbsp=3B<BR>&gt=3B &gt=3B This <BR>&gt=3B &gt=3B makes seamless Ebow o=
verdubs impossible.&nbsp=3B There is a<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B g=
litch/dropout.&nbsp=3B I have spoken with the company=2C and<BR>&gt=3B &gt=
=3B it seems like they <BR>&gt=3B &gt=3B will make an effort to address thi=
s=2C but no promises.<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B -- <BR>&gt=
=3B &gt=3B Greg<BR>&gt=3B &gt=3B &nbsp=3B<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=
=3B <BR>&gt=3B <BR>&gt=3B _________________________________________________=
_<BR>&gt=3B Do You Yahoo!?<BR>&gt=3B Sie sind Spam leid? Yahoo! Mail verf=
=FCgt =FCber einen herausragenden Schutz gegen Massenmails. <BR>&gt=3B http=
://mail.yahoo.com <BR>&gt=3B <BR> 		 	   		  <br /><hr />Hotmail: Powerful =
Free email with security by Microsoft. <a href=3D'http://clk.atdmt.com/GBL/=
go/201469230/direct/01/' target=3D'_new'>Get it now.</a></body>
</html>=

--_4f8f84da-a84b-458f-bbf5-d17fed13c84e_--

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Date: Tue, 23 Feb 2010 23:56:12 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: OT Pre-spring cleaning gear sale
To: Loopers-Delight@loopers-delight.com
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hey bro i thought you were pretty happy with your M13!
cheers
www.myspace.com/luisangulocom


--- William Walker <billwalker@baymoon.com> schrieb am Mo, 22.2.2010:

> Von: William Walker <billwalker@baymoon.com>
> Betreff: OT Pre-spring cleaning gear sale
> An: loopers-Delight@loopers-delight.com
> Datum: Montag, 22. Februar, 2010 17:54 Uhr
> Hi Gang thought I'd let you know of
> some gear I'm letting go of that is redundant to me and I
> need to free up some money. I'd rather deal with someone
> directly on this list before turning to Craig's list or
> E-Bay. I've researched=A0 what these items are going for
> and to the best of my knowledge I'm asking very fair prices.
> Though I'm reluctant to ship outside the continental US I
> would consider it. Please contact me off list.
>  Thanks
> Bill
>=20
> Lexicon MPX-100, just like Bill Frisell still uses ,=A0
> in excellent=A0 working condition with power supply and
> manual.=A0 An oldie but goody.
>  $50 + shipping
>=20
> Duncan twin tube classic with two power supplies and
> manual, an excellent sounding versatile two channel=A0
> real tube overdrive/distortion, I have too many overdrives,
> this one has to go.
>  $100+shipping
>=20
> Line 6 M-13,=A0 with powers supply and manual,.=A0
> These are really amazing sounding flexible multi effects
> that are a delay freak/ effect tweaker/ loopers wet dream. I
> just needed a smaller footprint pedal so I could fit other
> stuff on my pedal board so I bought an M-9,=A0 Purely a
> real estate issue. Well taken care of with a bunch of my
> custom presets that take full advantage of the M-13's
> expression pedal capability. You will ned to get your own Ex
> pedals though, I'm keeping mine.
> $300 + shipping
>=20
> Keeley looper=A0 aka "japanese apartment", This Is Not a
> Looping pedal,=A0 It is a high quality tiny foot print
> mono true bypass=A0 loop selector for=A0 switching
> noisy effects in and out of the signal path. Its passive but
> can have its bright status LEDs powered by any boss style
> power supply or multi source PS.
> $50 + shipping
>=20
> TC Electronics G-minor with power supply small foot print
> midi foot controller for basic patch change and one cc
> switch, originally designed to control the G-major
> $70 + shipping
>=20
> TC G-switch a three button=A0 momentary foot switch
> with=A0 trs cable that can control=A0 The G sharp and
> M-300 effects but also other 3 switch devices from
> Digitech=A0 and Electrix Repeater, robust steel chassis,
> like new
> $30 +shipping
>=20
> digitech FS3X three button foot switch with=A0 trs
> cable, like new
> $30 +shipping
>=20
> Fender Champion Lap Steel circa 1954, with gig bag, When I
> got this in trade from my friend, it was missing its pickup,
> (these student lap steels are some what famous for having
> their hot tele style pickups pirated because they are
> similar to tele bridge pickups of the day) Instead of trying
> to replicate the noise of those early single coils I had
> Seymour Duncan custom wind a stacked single coil pu
> overwound to be hot but without the 60 cycle hum.=A0 When
> instruments go for long periods of time without getting
> played in my house, I feel obligated to set them free.=A0
> I have two amazing lap steels that see all the work and this
> baby needs a=A0 goodhome.
> =A0 In addition to the pickup i have replaced the white
> tuner buttons which were crumbling off, as well as well as
> the potentiometers and input jack which were shot..=A0
> made of swamp ash. Someone wrote "Given to me by Mom" on the
> back,=A0=A0=A0great sound and vibe
> $500+shipping
>=20
> =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 00:01:23 2010
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Date: Wed, 24 Feb 2010 00:00:45 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: flying within europe,gear on board etc.
To: Loopers-Delight@loopers-delight.com
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Id love to but is actually cheaper to fly than to go by train
and less time!
Luis


> >=A0=A0=A0
> Here's my tip: avoid going by plane if at all possible.
>=20
> =A0 =A0 =A0=A0=A0Rainer
>=20
> -- http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
> =0A=0A__________________________________________________=0ADo You Yahoo!?=
=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden Sc=
hutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

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References: <81648EC53BE940F0B4B8D4CA5B9BB6FD@MichaelPC>,<748270.99501.qm@web110212.m,a,il.gq1.yahoo.com>,<5d9904371002230755k4ad6c51avf68ba475ba5981f8@mail.gma,il,.com>,<SNT107-W1024534E06EF27FB6B406AA4420@phx.gbl>,<3DE00ED58B1F423DB9F1355604F,74542@MichaelPC>,<p0624080dc7a9d8b35a45@[192.168.2.2]>,<SNT107-W2114F415E88428A86BCE04A4420@phx.gbl>,<p06240811c7aa127b8db4@[192.168.2.2]><SNT107-W19C6B708A5C45AD47BB33DA4420@phx.gbl>
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Sensitivity: Normal
Importance: Normal
To: Loopers-Delight@loopers-delight.com
Subject: Re: Rang III reviews
From: folkstone57@tmo.blackberry.net
Date: Wed, 24 Feb 2010 00:01:28 +0000
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TC9nby8yMDE0NjkyMjgvZGlyZWN0LzAxLycgdGFyZ2V0PSdfbmV3Jz5HZXQgaXQgbm93LjwvYT48
L2JvZHk+DQo8L2h0bWw+DQo=

--part36992-boundary-2104145445-1323287882--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 00:40:12 2010
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References:
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 ,a,il.gq1.yahoo.com>,<5d9904371002230755k4ad6c51avf68ba475ba5981f8@mail.gm
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 ]> <SNT107-W19C6B708A5C45AD47BB33DA4420@phx.gbl>
Date: Tue, 23 Feb 2010 19:39:06 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: Rang III reviews
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Ahh... well that is certainly F%^%'ed up... wow...!!


>Here is what I am referring to:
>
>
>
>After laying down an initial loop, I like to=20
>build layers and layers of Ebow.  If you leave=20
>overdub on, never turning it off=8Asay for 10-15=20
>passes=8Ajust building and building=8Aevery time the=20
>overdub passes over the initial start/end point=20
>of the loop, the overdub itself will also drop=20
>out in time with the initial loop. 
>
>
>
>It is like there is a wall that no audio shall=20
>pass through.  Your initial loop creates this=20
>wall, and all the overdubs are affected by it.=20
>You can also think of it like an audible=20
>speedbump on a racing track.  Each time you go=20
>around the track, you will hit that speedbump.
>
>
>
>With the DL-4, I can leave overdub on, and=20
>building a wall of Ebow and there is no dropout=20
>to the overdubs.  They are perfectly seamless=20
>and if done right, there is no ending or=20
>beginning to the overdub, just a wall of sound.
>
>
>
>-- Greg
>
>
>
>
>Date: Tue, 23 Feb 2010 18:39:00 -0500
>To: Loopers-Delight@loopers-delight.com
>From: cazwicky@earthlink.net
>Subject: RE: Rang III reviews
>
>.ExternalClass blockquote, .ExternalClass dl,=20
>.ExternalClass ul, .ExternalClass ol,=20
>.ExternalClass li=20
>{padding-top:0;padding-bottom:0;}
>Perhaps we are referring to different aspects of=20
>the same thing...  after the initial loop, any=20
>additional layer will have it's own in / out=20
>points and you can elect to punch out at any=20
>point.  No interruption in the signal till you=20
>decide to stop recording.  Same as any looper.
>
>Respectfully, this is not true.  As I said, you=20
>cannot get seamless overdubs.  It is not an=20
>issue with just the first loop.
>
>Boomerang itself will confirm this.
>
>I still use my DL-4 for my seamless, overdubbed=20
>Ebow antics, as the Boomerang III cannot do this.
>
>-- Greg
>
>
>
>Date: Tue, 23 Feb 2010 14:12:08 -0500
>To: Loopers-Delight@loopers-delight.com
>From: cazwicky@earthlink.net
>Subject: Re: Rang III reviews
>
>.ExternalClass blockquote, .ExternalClass dl,=20
>.ExternalClass ul, .ExternalClass ol,=20
>.ExternalClass li=20
>{padding-top:0;padding-bottom:0;}
>
>I hope that you realize that this is only an=20
>issue on the first loop, any overdub will be=20
>seamless over the 'splice point'.
>
>All loopers do this to some degree, otherwise=20
>you would have a nasty "click" or "pop" over the=20
>splice point.
>
>
>
>
>"I would note however, the Boomerang does a ramp=20
>up and down of the volume of the loop where the=20
>end and beginning meet. "
>
>ughhhhh~~~
>
>
>
>You're kidding.  That alone may be enough for me to not buy this. 
>
>
>
>I was so psyched!  Small footprint, ease of=20
>setup, I thought I could get away from the=20
>Echoplex which I think is a great tool but a wee=20
>bit overkill for live performances.
>
>
>
>Plish
>
>----- Original Message -----
>
>From: <mailto:greggaz@hotmail.com>Greg Gaz
>
>To:=20
><mailto:loopers-delight@loopers-delight.com>loopers-delight@loopers-delight=
=2Ecom
>
>Sent: Tuesday, February 23, 2010 10:03 AM
>
>Subject: RE: Rang III reviews
>
>
>I am swamped right now, but I will try to post=20
>some thoughts soon.  I owned a Gibson Echoplex,=20
>but sold it once I had the Boomerang III and=20
>realize it would suit MY NEEDS.
>
>I would note that the Boomerang=20
>III produces less white noise than the Gibson,=20
>and I found that its input is less finky than=20
>the Gibson.
>
>This makes seamless Ebow overdubs impossible.=20
>There is a glitch/dropout.  I have spoken with=20
>the company, and it seems like they will make an=20
>effort to address this, but no promises.
>
>-- Greg
>
>
>
>
>--
>
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky
>
>                                       
>
>
>Hotmail: Trusted email with Microsoft's powerful=20
>SPAM protection.=20
><http://clk.atdmt.com/GBL/go/201469226/direct/01/>Sign=20
>up now.
>
>
>
>--
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky
>
>
>Hotmail: Free, trusted and rich email service.=20
><http://clk.atdmt.com/GBL/go/201469228/direct/01/>Get=20
>it now.


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky
--============_-945150486==_ma============
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: Rang III reviews</title></head><body>
<div><br></div>
<div><br></div>
<div><br></div>
<div>Ahh... well that is certainly F%^%'ed up... wow...!!</div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite><font face=3D"Times New Roman">Here is what
I am referring to:</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font
face=3D"Times New Roman">&nbsp;</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Times New Roman">After laying
down an initial loop, I like to build layers and layers of Ebow.&nbsp;
If you leave overdub on, never turning it off=8Asay for 10-15
passes=8Ajust building and building=8Aevery time the overdub passes over
the initial start/end point of the loop, the overdub itself will also
drop out in time with the initial loop.&nbsp;</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font
face=3D"Times New Roman">&nbsp;</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Times New Roman">It is like
there is a wall that no audio shall pass through.&nbsp; Your initial
loop creates this wall, and all the overdubs are affected by it.&nbsp;
You can also think of it like an audible speedbump on a racing track.&nbsp;
Each time you go around the track, you will hit that
speedbump.</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font
face=3D"Times New Roman">&nbsp;</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Times New Roman">With the
DL-4, I can leave overdub on, and building a wall of Ebow and there is
no dropout to the overdubs.&nbsp; They are perfectly seamless and if
done right, there is no ending or beginning to the overdub, just a
wall of sound.</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font
face=3D"Times New Roman">&nbsp;</font><br>
</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Times New Roman">--
Greg</font><br>
</blockquote>
<blockquote type=3D"cite" cite><br>
&nbsp;</blockquote>
<blockquote type=3D"cite" cite>
<hr></blockquote>
<blockquote type=3D"cite" cite>Date: Tue, 23 Feb 2010 18:39:00 -0500<br>
To: Loopers-Delight@loopers-delight.com<br>
=46rom: cazwicky@earthlink.net<br>
Subject: RE: Rang III reviews<br>
<br>
=2EExternalClass blockquote, .ExternalClass dl, .ExternalClass ul,
=2EExternalClass ol, .ExternalClass li
{padding-top:0;padding-bottom:0;}</blockquote>
<blockquote type=3D"cite" cite>Perhaps we are referring to different
aspects of the same thing...&nbsp; after the initial loop, any
additional layer will have it's own in / out points and you can elect
to punch out at any point.&nbsp; No interruption in the signal till
you decide to stop recording.&nbsp; Same as any looper.</blockquote>
<blockquote type=3D"cite" cite><br>
<blockquote>Respectfully, this is not true.&nbsp; As I said, you
cannot get seamless overdubs.&nbsp; It is not an issue with just the
first loop.<br>
&nbsp;<br>
Boomerang itself will confirm this.<br>
&nbsp;<br>
I still use my DL-4 for my seamless, overdubbed Ebow antics, as the
Boomerang III cannot do this.<br>
&nbsp;<br>
-- Greg<br>
&nbsp;<br>
</blockquote>
<blockquote>
<hr></blockquote>
<blockquote>Date: Tue, 23 Feb 2010 14:12:08 -0500<br>
To: Loopers-Delight@loopers-delight.com<br>
=46rom: cazwicky@earthlink.net<br>
Subject: Re: Rang III reviews<br>
<br>
=2EExternalClass blockquote, .ExternalClass dl, .ExternalClass ul,
=2EExternalClass ol, .ExternalClass li
{padding-top:0;padding-bottom:0;}<br>
</blockquote>
<blockquote>I hope that you realize that this is only an issue on the
first loop, any overdub will be seamless over the 'splice point'.<br>
</blockquote>
<blockquote>All loopers do this to some degree, otherwise you would
have a nasty &quot;click&quot; or &quot;pop&quot; over the splice
point.<br>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><br>
<blockquote><font face=3D"Arial">&quot;I would note however, the
Boomerang does a ramp up and down of the volume of the loop where the
end and beginning meet.&nbsp;&quot;</font><br>
</blockquote>
<blockquote><font face=3D"Arial">ughhhhh~~~</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face=3D"Arial">You're kidding.&nbsp; That
alone&nbsp;may be&nbsp;enough for me to not buy this.&nbsp;</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face=3D"Arial">I was so psyched!&nbsp; Small
footprint, ease of setup, I thought I could get away from the Echoplex
which I think is a great tool but a wee bit overkill for live
performances.</font><br>
</blockquote>
<blockquote>&nbsp;<br>
</blockquote>
<blockquote><font face=3D"Arial">Plish</font><br>
<blockquote>----- Original Message -----<br>
</blockquote>
<blockquote><b>From:</b> <a href=3D"mailto:greggaz@hotmail.com">Greg
Gaz</a><br>
</blockquote>
<blockquote><b>To:</b> <a
href=3D"mailto:loopers-delight@loopers-delight.com"
>loopers-delight@loopers-delight.com</a><br>
</blockquote>
<blockquote><b>Sent:</b> Tuesday, February 23, 2010 10:03 AM<br>
</blockquote>
<blockquote><b>Subject:</b> RE: Rang III reviews<br>
</blockquote>
<blockquote><br></blockquote>
<blockquote>I&nbsp;am swamped right now, but I will try to post some
thoughts soon.&nbsp; I owned a Gibson Echoplex, but sold it once I had
the Boomerang III and realize it would suit MY NEEDS.<br>
&nbsp;<br>
I would note that the Boomerang III&nbsp;produces&nbsp;less white
noise than the Gibson, and I found that its input is less finky than
the Gibson.<br>
&nbsp;<br>
This makes seamless Ebow overdubs impossible.&nbsp; There is a
glitch/dropout.&nbsp; I have spoken with the company, and it seems
like they will make an effort to address this, but no promises.<br>
&nbsp;<br>
-- Greg<br>
&nbsp;<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--</tt><br>
</blockquote>
<blockquote><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
</blockquote>
<blockquote
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>
</blockquote>
<blockquote>
<hr></blockquote>
<blockquote>Hotmail: Trusted email with Microsoft's powerful SPAM
protection. <a
href=3D"http://clk.atdmt.com/GBL/go/201469226/direct/01/">Sign up
now.</a><br>
</blockquote>
</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><tt>--</tt></blockquote>
<blockquote type=3D"cite" cite><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</blockquote>
<blockquote type=3D"cite"
cite><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></blockquote>
<blockquote type=3D"cite" cite>
<hr></blockquote>
<blockquote type=3D"cite" cite>Hotmail: Free, trusted and rich email
service. <a
href=3D"http://clk.atdmt.com/GBL/go/201469228/direct/01/">Get it
now.</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky</div>
</body>
</html>
--============_-945150486==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 00:44:28 2010
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	 <4B8463DA.9030903@gmx.de>
Date: Tue, 23 Feb 2010 19:44:28 -0500
Message-ID: <44e368751002231644o30fcd4fak512b8f461bb59f31@mail.gmail.com>
Subject: Re: looper ableton beginner - foot pedal?
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd359d4fb842f04804df798
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i don't know didley-dick about ableton, but i really like the rocktron midi
mate.  small and compact, pretty versatile.  folks like the fcb1010 too.
these are both on the lower end of the $$$ range, so if they don't suit your
needs you aren't out a pile of cash money.

- jim

--000e0cd359d4fb842f04804df798
Content-Type: text/html; charset=ISO-8859-1
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i don&#39;t know didley-dick about ableton, but i really like the rocktron =
midi mate.=A0 small and compact, pretty versatile.=A0 folks like the fcb101=
0 too.=A0 these are both on the lower end of the $$$ range, so if they don&=
#39;t suit your needs you aren&#39;t out a pile of cash money.<br>
<br>- jim<br>

--000e0cd359d4fb842f04804df798--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 02:28:40 2010
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<HEAD><TITLE>RE: Rang III reviews</TITLE>
<STYLE>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;f=
ont-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:=
0px}</STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18876"></HEAD>
<BODY id=3DcompText>
<P>&nbsp; If an arbitrary section of audio is spliced into a loop there is =
a very high probability that there will be a 'pop' at the splice point unle=
ss something is done to insure the starting and ending samples are at zero.=
 Even just starting playback or letting a loop stop at its end would create=
 a'pop' if it didn't start and end at zero and this would be true of the in=
itial loop as well as any signal that was added to it via overdubbing, etc.=
 And imagine two loops that had been overdubbed without ramps and one ended=
 on a high positive signal value and the other started on a high negative v=
alue. If you then segued from the first to the second there would be a huge=
 pop because the audio would be going from a high positive value to a high =
negative value in just one sample period! The result of all this would be t=
o have pops and clicks all over the place (during normal looping activities=
) and I think most would find this totally unacceptable.</P>
<P>&nbsp; BTW, you could possibly create two parallel loops with different =
lengths that could play simultaneously so they would only very rarely be al=
igned at the loop boundries and this might make the splices less noticeable=
 although still not as invisible maybe as all the overdubs on that DL-4.</P=
>
<P>Or so I am thinking.........</P>
<P>G<BR><BR><BR></P>
<BLOCKQUOTE style=3D"BORDER-LEFT: #0000ff 2px solid; PADDING-LEFT: 5px; MAR=
GIN-LEFT: 0px">-----Original Message----- <BR>From: Charles Zwicky <CAZWICK=
Y@EARTHLINK.NET><BR>Sent: Feb 23, 2010 6:39 PM <BR>To: Loopers-Delight@loop=
ers-delight.com <BR>Subject: RE: Rang III reviews <BR><BR><ZZZHTML><ZZZHEAD=
>
<STYLE type=3Dtext/css><ZZZ!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></STYLE>
</ZZZHEAD><ZZZBODY>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV>Ahh... well that is certainly F%^%'ed up... wow...!!</DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman">Here is =
what I am referring to:</FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman"></FONT><=
BR>&nbsp;</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman">After la=
ying down an initial loop, I like to build layers and layers of Ebow.&nbsp;=
 If you leave overdub on, never turning it off=C2=8Asay for 10-15 passes=C2=
=8Ajust building and building=C2=8Aevery time the overdub passes over the i=
nitial start/end point of the loop, the overdub itself will also drop out i=
n time with the initial loop.&nbsp;</FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman"></FONT><=
BR>&nbsp;</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman">It is li=
ke there is a wall that no audio shall pass through.&nbsp; Your initial loo=
p creates this wall, and all the overdubs are affected by it.&nbsp; You can=
 also think of it like an audible speedbump on a racing track.&nbsp; Each t=
ime you go around the track, you will hit that speedbump.</FONT><BR></BLOCK=
QUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman"></FONT><=
BR>&nbsp;</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman">With the=
 DL-4, I can leave overdub on, and building a wall of Ebow and there is no =
dropout to the overdubs.&nbsp; They are perfectly seamless and if done righ=
t, there is no ending or beginning to the overdub, just a wall of sound.</F=
ONT><BR></BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman"></FONT><=
BR>&nbsp;</BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite"><FONT face=3D"Times New Roman">-- Greg<=
/FONT><BR></BLOCKQUOTE>
<BLOCKQUOTE cite=3D"" type=3D"cite">&nbsp;</BLOCKQUOTE></ZZZBODY></ZZZHTML>=
</BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 02:59:33 2010
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Date: Tue, 23 Feb 2010 18:59:25 -0800
Message-ID: <588ce11d1002231859g61d504bi48e1f3ad579d4c5@mail.gmail.com>
Subject: Re: looper ableton beginner - foot pedal?
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Nadia,

This might be overkill, but this is the pedal I use with the ableton looper:

http://simart.googlepages.com/StealthPedal.html

If you have a portable keyboard with midi out and a damper pedal you can use
that. You really only need one footswitch that's connected to your computer.
The one button multi function works well with one foot switch.

On Tue, Feb 23, 2010 at 4:44 PM, james fowler <twostroke@gmail.com> wrote:

> i don't know didley-dick about ableton, but i really like the rocktron midi
> mate.  small and compact, pretty versatile.  folks like the fcb1010 too.
> these are both on the lower end of the $$$ range, so if they don't suit your
> needs you aren't out a pile of cash money.
>
> - jim
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001636e0b601a3c95804804fda4f
Content-Type: text/html; charset=ISO-8859-1
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Hi Nadia,<br><br>This might be overkill, but this is the pedal I use with t=
he ableton looper:<br><br><a href=3D"http://simart.googlepages.com/StealthP=
edal.html">http://simart.googlepages.com/StealthPedal.html</a><br><br>If yo=
u have a portable keyboard with midi out and a damper pedal you can use tha=
t. You really only need one footswitch that&#39;s connected to your compute=
r. The one button multi function works well with one foot switch.<br>
<br><div class=3D"gmail_quote">On Tue, Feb 23, 2010 at 4:44 PM, james fowle=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:twostroke@gmail.com">twostroke@gm=
ail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D=
"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padd=
ing-left: 1ex;">
i don&#39;t know didley-dick about ableton, but i really like the rocktron =
midi mate.=A0 small and compact, pretty versatile.=A0 folks like the fcb101=
0 too.=A0 these are both on the lower end of the $$$ range, so if they don&=
#39;t suit your needs you aren&#39;t out a pile of cash money.<br>

<br>- jim<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--001636e0b601a3c95804804fda4f--

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Date: Tue, 23 Feb 2010 19:14:25 -0800 (PST)
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Sir,
=A0
This proposal is capital intensive project but you do not need to worry abo=
ut the funding what is required is your honesty and commitment,=20

I am Mr. Mark Farrell, a United Kingdom citizen and auditor with A financia=
l institution in London England, =A0

In my Department I discovered an abandoned sum of GBP26Million belonging to=
 one of our=20

foreign client who is late now with no beneficiary as Next of Kin.
=A0
I am seeking for your Co-operation to present you as the beneficiary to our=
 late client.
=A0
This transaction will be executed under legitimate arrangement that will pr=
otect all=20

parties involve and for your assistance you will be giving 15% from the tot=
al sum of GBP26Million.=20

"Do not bother about the financial part of the project I have a financier w=
ho will assist=20

us financially. All we need is your company's account details or good perso=
nal account=20

details to enbale the financier assist us with Loan to execute this project=
"
The information below will be required of you for the claim and loan proces=
s:-=20
=A0
Name: .............................................
Residential Address:...............................
Phone Number:......................................
Fax Number:........................................
A copy of identification...........................
Bank name where the fund will be transfered........

I do email me the above information for further details to :- mr_markfarrel=
l@hotmail.com

Sincerely,
Mr. Mark Farrell
mr_markfarrell@hotmail.com
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><font style=3D"font-family: comic san=
s ms;" size=3D"4">Sir,<br>&nbsp;<br>This proposal is capital intensive proj=
ect but you do not need to worry about the funding what is required is your=
 honesty and commitment, <br><br>I am Mr. Mark Farrell, a United Kingdom ci=
tizen and auditor with A financial institution in London England, &nbsp;<br=
><br>In my Department I discovered an abandoned sum of GBP26Million belongi=
ng to one of our <br><br>foreign client who is late now with no beneficiary=
 as Next of Kin.<br>&nbsp;<br>I am seeking for your Co-operation to present=
 you as the beneficiary to our late client.<br>&nbsp;<br>This transaction w=
ill be executed under legitimate arrangement that will protect all <br><br>=
parties involve and for your assistance you will be giving 15% from the tot=
al sum of GBP26Million. <br><br>"Do not bother about the financial part of =
the
 project I have a financier who will assist <br><br>us financially. All we =
need is your company's account details or good personal account <br><br>det=
ails to enbale the financier assist us with Loan to execute this project"<b=
r>The information below will be required of you for the claim and loan proc=
ess:- <br>&nbsp;<br>Name: .............................................<br>=
Residential Address:...............................<br>Phone Number:.......=
...............................<br>Fax Number:.............................=
...........<br>A copy of identification...........................<br>Bank =
name where the fund will be transfered........<br><br>I do email me the abo=
ve information for further details to :- mr_markfarrell@hotmail.com<br><br>=
Sincerely,<br>Mr. Mark Farrell<br>mr_markfarrell@hotmail.com</font></td></t=
r></table>
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Subject: interesting DIY loop pedal
From: michael noble <looplog@gmail.com>
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Doesn't seem to have a lot of loop time but the varispeed sounds decent and
it has enough features to make it fun. Plus its DIY:

http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal

<http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal>-m

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Doesn&#39;t seem to have a lot of loop time but the varispeed sounds decent=
 and it has enough features to make it fun. Plus its DIY:<div><br></div><di=
v><a href=3D"http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal=
">http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal</a></div>
<div><br></div><div><a href=3D"http://www.instructables.com/id/Homebrew-Dig=
ital-Effects-Pedal"></a>-m
</div>

--0016e649404484347e04805072de--

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From: Jeff Larson <jeff@zonemobius.com>
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Subject: Re: Rang III reviews
Date: Tue, 23 Feb 2010 20:57:47 -0600
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 > On Feb 23, 2010, at 8:28 PM, Grant wrote:
 > If an arbitrary section of audio is spliced into a loop there
 > is a very high probability that there will be a 'pop' at the splice
 > point unless something is done to insure the starting and ending  
samples
 > are at zero.

If I understand correctly, that's not what people are complaining about.

When people say "seamless overdub" this doesn't apply to the start and
end which as you say need to be properly faded from/to zero.  The
problem is what happens to the overdub when you cross the loop start
point.  For example make a silent loop 4 seconds long, start
overdubbing something audible at second 3 and overdub for 4 seconds.
With loopers that don't support seamless overdub you will hear a
"fade bump" in the middle of the overdub because the looper fades the
overdub to zero at the start point, then back up from zero after
the start point.

Does the Rang III support undo?  If so I can understand why it works
that way. Seamless overdub isn't very hard if you're just recording
over the same memory, but if you're accumulating several "layers" for
undo, then you have to be careful about the loop edges when you start
yanking the top layers off.  If an overdub spanned a layer they will
have to retroactively fade the end of it after the undo since the
second half is now gone.  The easy way out is to just always have
the edges of every layer fade to zero, but then you lose seamless  
overdub.

Jeff

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Date: Tue, 23 Feb 2010 23:02:25 -0700
Message-ID: <96fa00ec1002232202p6c4e3096l233cb5abff86e4b4@mail.gmail.com>
Subject: Re: Ambient friendly USA college radio...
From: Myke Atkinson <mykeatkinson@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Don't forget Canada!

A listing of campus/community radio stations can be found here:
http://earshot-online.com/stations.cfm

-Myke



On Mon, Feb 22, 2010 at 10:41 AM, E Gross <slapbandjam@yahoo.com> wrote:
> Let's not forget our own Bill Fox who runs his ambient shows out of WMUH =
in
> Allentown, PA.
>
> Thursdays I take the long way to work so I can hear as much as possible ;=
)
>
> Eric
> ________________________________
> From: Nevyn Nowhere <nevynnowhere@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, February 22, 2010 3:13:36 AM
> Subject: Re: Ambient friendly USA college radio...
>
> This is a great kind of resource to share with other "fringe" type
> musicians, or so I think.
>
> Perhaps we could all share where we get airplay, whether it be am/fm/web
> based/physical locations that play cds/singles, etc?=A0 Seems it could be
> beneficial for all.
>
> -nn
> happyhumans.org
>
> On Sun, Feb 21, 2010 at 11:38 AM, david kirkdorffer <unstrungone@yahoo.co=
m>
> wrote:
>>
>> ((I don't think this actually appeared in email the first time I sent it=
 a
>> few days ago....))
>>
>> Hi - I've been working my new UNDO CD, entitlted "9.9.99" on college
>> radio.=A0 The music is kind of ambient.=A0 As you can imagine, it's not
>> everyone's cup of tea. But some stations have been playing it.=A0 So, ba=
sed on
>> my result, here is a listing of stations that one might call "ambient-mu=
sic"
>> friendly.
>>
>> I hope this listing may be helpful to you if you also would like to
>> promote your ambient music to US college radio.=A0 Good luck!
>>
>> Kind regards,
>>
>> David
>>
>> P.S. I know Loopers-Delight is well read in the Santa Cruz area.=A0 Plea=
se
>> feel free to request UNDO from KZSC.=A0 It's actually charting quite wel=
l
>> there!
>>
>>
>> AK - Anchorage - KRUA - COL
>>
>> CA=A0- Santa Cruz=A0- KZSC -CORE / MG
>>
>> CA=A0- San Luis Obispo - KCPR - COL
>>
>> GA=A0- Atlanta - WREK - CORE / MG
>>
>> GA=A0- Savannah - Scad Radio / WRFS - COL
>>
>> IL=A0- Monmouth - WMCR-2 - COL
>>
>> IN=A0- Terre Haute - WMHD - COL
>>
>> IN=A0 - Muncie - WCRD - COL
>>
>> MD - Towson - XTSR - COL
>>
>> ME - East Orland - WERU-2 - COL
>>
>> ME=A0- Farmington=A0- WUMF -COL
>>
>> ME=A0- Lewiston - WRBC - COL
>>
>> MI=A0- Marquette - WUPX - col
>>
>> MI=A0- Mt. Pleasant - WMHW - COL
>>
>> NF=A0 - St John=92s - CHMR - COL
>>
>> NJ=A0- Glassboro - WGLS - COL
>>
>> NY - Dix Hills - WFTU=A0- COL
>>
>> NY - Garden City - WHPC
>>
>> NY=A0- Fredonia - WCVF - COL
>>
>> NY - Oneonta - WONY - COL
>>
>> NY=A0- Hamilton - WRCU - COL
>>
>> OR - Gresham - KMHD2 - COL
>>
>> PA=A0- Millersville=A0- WIXQ - COL
>>
>> PA=A0- Reading=A0- WXAC - COL
>>
>> PA=A0- Scranton - WVMW -COL
>>
>> PA=A0- Mansfield=A0- WNTE - COL
>>
>> RI=A0- Providence - WXIN - COL
>>
>> TX=A0- College Station - KANM - COL
>>
>> VA=A0- Richmond - WDCE - COL
>>
>> WI - Platteville - WSUP - COL
>
>
>

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Subject: Re: looper ableton beginner - foot pedal?
Date: Tue, 23 Feb 2010 22:33:25 -0800
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i use the FCB1010...which is a beast to program but works well if  
you're sitting down.


On Feb 23, 2010, at 3:25 PM, Nadia Salom wrote:

> this is fabulous thank you!! got it. is there a particular foot  
> pedal that can be recommended??
>
> Am 2/23/10 11:24 PM, schrieb Per Boysen:
>> On Tue, Feb 23, 2010 at 8:44 PM, Nadia Salom<nadia.salom@gmx.de>   
>> wrote:
>>
>>> thinking about using ableton looper. Could anyone recommend me a  
>>> good foot pedal that is easy to use and has the basic functions???
>>>
>> You can use any pedal that sends MIDI when stomped on. The
>> functionality is in Ableton Live where you assign ("MIDI learn") the
>> MIDI events to functions.
>>
>>
>>
>>> I have done some live loop sessions while simultaneously recording  
>>> in arrangement view , and I wanted to export the audio, but the  
>>> audio did not export the sound coming from looper, only from the  
>>> recorded track which did not include the layered loops. how come  
>>> it's so complicated? does anyone know how to export looper's  
>>> sound???
>>>
>> You can grab the graphic loop icon out of the Looper plug-in, drag it
>> and drop it into a slot on an audio track. Then it becomes a normal
>> audio clip (that will be part of exporting).
>>
>>
>
>>
>>> and also this has not much to do with looping... but is there way  
>>> to edit samples in ableton without using an external editor  
>>> program...? I haven't figured that out.
>>>
>> No, Live has no sample editor. But you can do a lot with playback
>> parameters (warp markers, clip envelopes...) and then simply assign
>> the track output to another audio track where you record it. That
>> technique creates a new file on the drive.
>>   Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
> -- 
> Nadia Salom
> http://www.nirmala07.net
> http://www.ubetoo.com/nirmala07
>

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>
> > On Feb 23, 2010, at 8:28 PM, Grant wrote:
> > If an arbitrary section of audio is spliced into a loop there
> > is a very high probability that there will be a 'pop' at the splice
> > point unless something is done to insure the starting and ending  
>samples
> > are at zero.
>
>If I understand correctly, that's not what people are complaining about.

   I think it actually is because there are tiny ramps at the loop boundries
(in the original loop as well as any overdubs) so the loops will always begin
and end at a zero signal level to prevent any clicks if the loop is started or
ends at these places. And, as I mentioned, there could be additional problems
if one loop is set to start at the end of a currently playing loop and both loops
don't end and begin at zero. Anyway I guess there are many ways these machines can
work and the designers have to make choices based on many various factors. It all
comes down to the details and we all know where the Devil lives.


>
>Does the Rang III support undo?
>

  Yes

G

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Date: Wed, 24 Feb 2010 09:54:39 +0800
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National Agency Espagnol 
Dr.Pauly  Ulrich 
Address: Avda .Del Petroleo 222 
Poling Madrid Spain. 

SERIAL No:MUOTI/82536
REF No: ES5687SPL876S
TICKET No: 20511465463-7644
BATCH No: SPYU6868

You have just been awarded the sum of  950,000,00 Euros (Nine Hundred And 
Fifty Thousand Euro ) Only which was won by your E-mail Address in our EURO 
MILLIONS LUCKY STAR Winning No: 7112946504y7 contact the   Claim 
agent with your requirement via Email Or Tel For more information.

Name: Dr. Philip Weeks
Tel:   +34-672-877-516
Email: apexremittance@aol.com
    
Fill The Details For Verification

Names :............
Address :.................
Country :...............
Phone No :..............
Occupation :..............
Age :.....................
Sex :...............

Mrs.Emily Simon,
(Lottery coordinator)

From groupfunds@go2.pl  Wed Feb 24 09:16:10 2010
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Reply-To: <fundreleasedept@stargatesg1.com>
From: "FOREIGN PAYMENT RELEASE DEPT"<groupfunds@go2.pl>
Subject: Reply Urgently To Claim Your Pending/Winning Fund...
Date: Tue, 23 Feb 2010 16:08:06 -0000
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman"><B>Mrs. J.G. Dowling</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>606 The Chandlery, 50 Westminster Bridge Road,</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>London SE1 7QY</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Tel: +44 7035-949-230</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Fax: +44 8701332635</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Email:gordonmwparry@stargatesg1.com</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>DEAR; BENEFICIARY.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>I'm Mr. Gordo.N.W.Parry the foreign verification and payment sectary to the British Government and Chairman House committee Payment and verification on foreign contractors and Foreign Affairs office of the British Prime Minister.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>He told me to Contact all the Foreigners that are waiting for their Payment, with regards to series of petition we are receiving from unpaid (Foreign contractors, Inheritance,next of kin, Uk National lotto and all other sort of Lotteries beneficiaries, that originated from America, Europe, Asia, especially Africa government that usually don't pay their contract funds, and other Debts owned to foreigners, and most especially the new 11 lucky beneficiary/winners selected through our computer ballot and e-mail scratchier system from over 50,000,000 e-mails.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>So theretofore both foreigners that are waiting for their Payment and the new selected lucky beneficiary has been allocated with and approved to receive ?2.8 Million Pounds (Two Million Eight Hundred Thousand Pounds Sterling) each.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Based on this fact the British/African Government undergo thorough investigation to ascertain the cause and find out that there are some officials that co-operate with outsiders to extort money from foreigners without releasing their funds to them.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>So the United Nations then held a meeting and made a resolution that all foreigners contractors and those that are waiting their Bank draft payment and ATM Payment to be paid by Cash through Online Banking system, which is the fastest and reliable way of receiving payment, in other to beat those fraudsters in Africa that export money from Foreigners without releasing their Fund to them.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Be informed that all the Bank Drafts, ATM, and other Funds that was on hold by Customs, Drug Law Enforcement Agency, I.M.F and others asking for not ending charges from Africa, Europe, America has been re-called back and converted to Cash payment system and channeled to Northern Bank Ltd UK, which will now be paid out through Northern Bank Ltd UK guarantee trust and secure online banking system.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>So if your are among the foreigners that are waiting for their Payment, you are to immediately stop any further communication regards to your fund with any office in Africa, or any were else.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>If you are receiving this letter of notification for the first time and you are not waiting for any payment yet, it means you are among the 11 new beneficiary/winners recently selected through our computer ballot and e-mail scratchier system from over 50,000,000 e-mails worldwide web, initiated for the circulation of funds to help guide against the negative effect of the present Global Financial Crisis on our society.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>To file your Two Million Eight Hundred Thousand Pounds Sterling claim, as soon as you received this e-mail, you are to re-confirm your current full contact information as shown below to the right payment release Chairman House committee Payment and verification on foreign contractors and Foreign Affairs office;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Beneficiary Full Name:_______________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Age:_________________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Sex__________________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Occupation::_________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Tel No:______________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Fax No:______________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>City:________________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>State:_______________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Country:_____________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Zip Code:____________________________________</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Mode OF Payment: Online Bank Transfer.</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>E-mail Address;fundreleasedept@stargatesg1.com</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Best Regards,</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>Mr. Gordo.N.W.Parry</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>verification and foreign payment sectary to the British Government and</B></FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"><B>The Chairman House committee Payment and verification on Contracts and Foreign Affairs Office to the Prime Minister.</B></FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 11:42:38 2010
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From: "Michael Peters" <mp@mpeters.de>
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References: <20100224004429.156B63BEC7@arsenic.violacea.com>
Subject: using the Axon AX-50 midi input
Date: Wed, 24 Feb 2010 12:42:25 +0100
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does anyone have an AX-50 guitar-midi converter and could help me with this?


I connected the midi out from my PMC-10 footpedal to the midi in of the
AX-50, hoping that the PMC-10 would turn up as a midi-in device in Bidule.
But it didn't. Actually I think this should be possible (the Axon website
says that a footpedal can be connected to the AX-50 midi input to control a
Kontakt sampler). I'm not sure where the problem is.

I used a Steinberg USB-2-Midi to plug the PMC-10 into the USB of my notebook
but for some reason, this suddenly doesn't work either.

-Michael


From brownwl@student.swosu.edu  Wed Feb 24 12:08:47 2010
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Date: Wed, 24 Feb 2010 03:08:11 -0800
From: Winston Brown <brownwl@student.swosu.edu>
Subject: Contact UPS
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To: undisclosed-recipients:;

Greetings,
   
  I have been waiting for you since to contact me for your 
Bank Check of ($2,000, 000. 00 USD) I did not hear from you 
since then, so i deposited the Check with UPS Delivery Service 
in West Africa, I've travelled out of the country. Contact UPS 
for the delivery of your Check immediately to avoid reaching 
the expiring date. Contact them with your full names, address 
and telephone numbers.


Dispatch Director
Mr.Daniel J. Cole
Email Address: ups.service2@hotmail.com
Telephone Number: +234 -807-063-5272 
 
I have paid for the Insurance and delivery charge. The only 
money you will send to them is $265 USD, being the security 
keeping fee of the company so far, I would have paid that but 
they said no because they were not sure of when you will be
 contacting them for the delivery should incase of demurrage. 
So contact them right away and rememberto send them their 
$265 USD for immediate action.

Regards. 
Mrs. Winston Brown 




From barclays@bank6.tk  Wed Feb 24 13:31:41 2010
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Date: Wed, 24 Feb 2010 04:34:59 -0500
Subject: RE: INSTRUCTIONS on how TO CREDIT YOUR ACCOUNT WITH THE SUM OF 
 US$5,800,000.00  
From: "Barclay bank foreign transfer division" <barclays@bank6.tk>
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BARCLAYS BANK OF UK
Barclays Bank PLC
1 Churchill Place
London, E14 5HP, United Kingdom
http://www.barclays.co.uk
Barclay bank foreign transfer division
+447 024 046 761

Dear Customer,

RE: INSTRUCTIONS on how TO CREDIT YOUR ACCOUNT WITH THE SUM OF
US$5,800,000.00

We at this bank wish to congratulate and inform you that after thorough
review of your Inheritance/Contract funds transfer release documents in
conjunction with the Central Bank and the International Monetary Fund
assessment report, your payment file was forwarded to us for immediate
transfer of a part-payment US$5,800,000.00 to your designated bank account
from their offshore account with us.
The Audit reports given to us shows that you have been going through hard
times by paying a lot of money to see to the release of your funds, which
has been delayed by some dubious officials.
We therefore advice that you stop further communication with any
correspondence outside this office since you do not have to pay any money
or fee to receive your funds as you have met up with the whole funds
transfer requirements.
The only thing required from you is to obtain the Non-Residential
Clearance Form to enable us credit your account directly by telegraphic
transfer or through any of our corresponding banks and send copies of the
funds transfer release documents to you and your bankers for confirmation.

Should you follow our directives, your funds will be credited and reflect
in your bank account within five (5) bank working days from the day you
obtain this Non-Residential  Clearance Form.

For further details and assistance on this Remittance Notification, kindly
forward your FULL CONTACT ADDRESS, TELEPHONE and FAX NUMBERS directly
to:mrsnancymoree@gmail.com

Yours sincerely,
Mrs. Nancy Moree
Head, International Banking Division.
Barclays Bank PLC, UK.





From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 13:44:48 2010
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From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: using the Axon AX-50 midi input
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Hi Michael,

I use the AX50, I'm not certain and won't be able to test it till the  
weekend, but I believe that you can do that but your pmc-10 will be  
one of the four usb inputs that show up as coming from the Axon.

regards,

Paul Haslem
www.dulcify
Ontario, Canada





Quoting Michael Peters <mp@mpeters.de>:

> does anyone have an AX-50 guitar-midi converter and could help me with this?
>
>
> I connected the midi out from my PMC-10 footpedal to the midi in of the
> AX-50, hoping that the PMC-10 would turn up as a midi-in device in Bidule.
> But it didn't. Actually I think this should be possible (the Axon website
> says that a footpedal can be connected to the AX-50 midi input to control a
> Kontakt sampler). I'm not sure where the problem is.
>
> I used a Steinberg USB-2-Midi to plug the PMC-10 into the USB of my notebook
> but for some reason, this suddenly doesn't work either.
>
> -Michael
>
>
>



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References: <20100224004429.156B63BEC7@arsenic.violacea.com> <010f01cab546$75e99160$14b2a8c0@mpeserver>
Subject: Re: using the Axon AX-50 midi input
Date: Wed, 24 Feb 2010 13:45:37 -0000
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That is odd, Michael. Are you using the USB cable or the MIDI out of the 
AX-50?

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, February 24, 2010 11:42 AM
Subject: using the Axon AX-50 midi input


> does anyone have an AX-50 guitar-midi converter and could help me with 
> this?
>
>
> I connected the midi out from my PMC-10 footpedal to the midi in of the
> AX-50, hoping that the PMC-10 would turn up as a midi-in device in Bidule.
> But it didn't. Actually I think this should be possible (the Axon website
> says that a footpedal can be connected to the AX-50 midi input to control 
> a
> Kontakt sampler). I'm not sure where the problem is.
>
> I used a Steinberg USB-2-Midi to plug the PMC-10 into the USB of my 
> notebook
> but for some reason, this suddenly doesn't work either.
>
> -Michael
>
> 

From annamariano@indiatimes.com  Wed Feb 24 13:49:50 2010
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From: "MRS. MARIA EMILO"<annamariano@indiatimes.com>
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FROM: THE DESK OF MANAGING DIRECTOR 
CLAIM FILE NUMBER: ES/D-24145190086                                                                               
         BATCH NUMBER: 02233766                                                                               

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                 DIRECTOR

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 14:34:03 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: OT: Self-varying FX Chain? (sidechain,gate,split..)
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Hi folks

as an alternative to switching FX patches while looping, I was thinking about using one "self-varying" FX chain:
- Vocal Chain:
   - "Normal Vocals" (eq/compr/reverb)
   - High Pitch: add more reverb
   - Lo Pitch: add octaver
- Guitar Chain:
   - Quiet to Normal Volume: RhythmGuitarFX
   - Loud Volume: LeadGuitarFX

First of all: Any experience with this? How is this called at all?

Next I was thinking of realizing this in Mainstage like this:

VOCALS
======
MICIN > VOX1 / VOXLO / VOXHI (split)
VOX1 > EQ/PASS > COMPR > REVERB > VOXMIX 
VOXHI > HI-PASS/EQ > MOREREVERB > VOXMIX
VOXLO > LO-PASS/EQ > OCTAVER > COMPR > VOXMIX

or:
MICIN > VOX1 / VOXLO / VOXHI (split)
VOXHI > HI-PASS/EQ > VOXSIDECHAIN
VOX1 > EQ > COMPR > REVERB[VOXSIDECHAIN] > VOXALL 
VOXLO > LO-PASS/EQ > OCTAVER > COMPR > VOXMIX

GUITAR
======
GUITARIN > GUITARQUIET / GUITARLOUD / GUITARSIDECHAIN (split)
GUITARQUIET > COMPR/DUCK[GUITARSIDECHAIN] > guitarfx1 > GUITARMIX
GUITARLOUD > GATE > EQ > guitarfx2 > GUITARMIX

or:
GUITARIN > GUITARQUIET / GUITARLOUD / GUITARSIDECHAIN (split)
GUITARQUIET > GATE/HYSTERESIS > guitarfx1 > GUITARMIX
GUITARLOUD > GATE > guitarfx2 > GUITARMIX

Does this make sense? Better ideas?
Appreciate your feedback and experience

Buzap
-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 14:39:56 2010
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Subject: Re: OT: Self-varying FX Chain? (sidechain,gate,split..)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Feb 24, 2010 at 3:33 PM, Buzap Buzap <buzap@gmx.net> wrote:
> as an alternative to switching FX patches while looping,
> I was thinking about using one "self-varying" FX chai
> Appreciate your feedback and experience


That's a clever and interesting idea! I'd love to hear the musical outcome.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 15:43:38 2010
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Subject: Re: OT: Self-varying FX Chain? (sidechain,gate,split..)
From: Raul Bonell <raul.bonell@gmail.com>
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--0016e6d9a321e154ee04805a8675
Content-Type: text/plain; charset=ISO-8859-1

i'm into something similar to this, but using the audiomulch paradigm
instead, along with some midi plugin tools for automating certain fx
parameters that, as cage himself could have said: "irrelevant so as to give
them a second thought" on that particular "determined" chaos. examples?
panning looped background stuff, adjusting the freq.cut of a wah filter when
in "solo" mode, tweaking the speed rate of the tremolo while introducing
"harmonic" material, but also, riskier ones like selecting the mobius track
or eclectic looper instance where the replacing action will take place ...

i think there are some loopers here doing things alike.

the "audio switcher" on plogue bidule should work great for self-varying
setups. anybody there?


2010/2/24 Per Boysen <perboysen@gmail.com>

> On Wed, Feb 24, 2010 at 3:33 PM, Buzap Buzap <buzap@gmx.net> wrote:
> > as an alternative to switching FX patches while looping,
> > I was thinking about using one "self-varying" FX chai
> > Appreciate your feedback and experience
>
>
> That's a clever and interesting idea! I'd love to hear the musical outcome.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d9a321e154ee04805a8675
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;m into something similar to this, but using the audiomulch paradigm i=
nstead, along with some midi plugin tools for automating certain fx paramet=
ers that, as cage himself could have said: &quot;irrelevant so as to give t=
hem a second thought&quot; on that particular &quot;determined&quot; chaos.=
 examples? panning looped background stuff, adjusting the freq.cut of a wah=
 filter when in &quot;solo&quot; mode, tweaking the speed rate of the tremo=
lo while introducing &quot;harmonic&quot; material, but also, riskier ones =
like selecting the mobius track or eclectic looper instance where the repla=
cing action will take place ...<br>
<br>i think there are some loopers here doing things alike.<br><br>the &quo=
t;audio switcher&quot; on plogue bidule should work great for self-varying =
setups. anybody there?<br><br><br><div class=3D"gmail_quote">2010/2/24 Per =
Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboys=
en@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Wed, Feb 24, 2010 at 3:33 PM, Buzap Buzap &lt;<a href=3D"mailto:buzap@g=
mx.net">buzap@gmx.net</a>&gt; wrote:<br>

&gt; as an alternative to switching FX patches while looping,<br>
&gt; I was thinking about using one &quot;self-varying&quot; FX chai<br>
</div><div class=3D"im">&gt; Appreciate your feedback and experience<br>
<br>
<br>
</div>That&#39;s a clever and interesting idea! I&#39;d love to hear the mu=
sical outcome.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at B=
logger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogsp=
ot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">http://www.ct-collective.com</a><br>
<br>

--0016e6d9a321e154ee04805a8675--

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Subject: Re: OT: Self-varying FX Chain? (sidechain,gate,split..)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Feb 24, 2010 at 4:43 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> the "audio switcher" on plogue bidule should work great for self-varying
> setups. anybody there?

Yes, when hosting stuff in Bidule I always take to the "audio
switcher" - but manually, no random scripting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 15:54:45 2010
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Subject: 19" USB Hub for Ableton Live
From: Reyn Ouwehand <loopers-delight@reyn.net>
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I'm really getting more and more happy with Ableton's Looper inside Live =
8. Thing is that I'm shifting more and more from MIDI with the EDP's to =
USB interfaces like the Gorgious Footpedal, a USB MIDI interface and now =
also the Novation Launchpad. A really nice combination I must say and =
I'll post some video's soon of how it can work..

BUT, of course now I don't have enough USB ports on my Mac any more and =
have a really shabby solution right now. Is there like a really good =
(AND fast) 19" USB Hub around? There are a lot of USB Hubs on the net, =
but there doesn't seem to be a 19" version I can put in my rack. Maybe =
some of you guys have some expertise on this, including the speed of the =
Hugs since I don't want any delays in the looping process.

Cheers,

Reyn

www.reyn.net
www.reyn.vs.reyn.net=

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Subject: Macbook Pro 2.26GHz OK for Audio Recording?
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Hi:
=A0
I have an opportunity to get a Macbook Pro 2.26Ghz version for a reasonable=
 price / payment arrangement through my workplace. would that be an accepta=
ble machine to use for audio needs? i.e. recording audio, possible looping,=
 virtual synthesizer use?=20
=A0
I'm currently a PC user and my desktop is getting old (although it's pretty=
 functional) but I need to add memory and don't necessarily want to keep sp=
ending money on a soon-to-be-obsolete machine (Dell 4600 desktop). Plus my =
disk dives are getting full. I had already replaced my power supply and gra=
phics card - both of which died.
=A0
Thanks for any comments/advice.
=A0
Regards, Paul=0A=0A=0A      
--0-11391800-1267027298=:81144
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hi:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I have an opportunity to get a Macbook Pro 2.26Ghz version for a reaso=
nable price / payment arrangement through my workplace. would that be an ac=
ceptable machine to use for audio needs? i.e. recording audio, possible loo=
ping, virtual synthesizer use? </DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm currently a PC user and my desktop is getting old (although it's p=
retty functional) but I need to add memory and don't necessarily want to ke=
ep spending money on a soon-to-be-obsolete machine (Dell 4600 desktop). Plu=
s my disk dives are getting full. I had already replaced my power supply an=
d graphics card - both of which died.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks for any comments/advice.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul</DIV></td></tr></table><br>=0A=0A      
--0-11391800-1267027298=:81144--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
Date: Wed, 24 Feb 2010 16:03:36 +0000
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My 2ghz White macbook is fine so this should be OK.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 24 Feb 2010, at 16:01, Paul Richards wrote:

> Hi:
>
> I have an opportunity to get a Macbook Pro 2.26Ghz version for a  
> reasonable price / payment arrangement through my workplace. would  
> that be an acceptable machine to use for audio needs? i.e.  
> recording audio, possible looping, virtual synthesizer use?
>
> I'm currently a PC user and my desktop is getting old (although  
> it's pretty functional) but I need to add memory and don't  
> necessarily want to keep spending money on a soon-to-be-obsolete  
> machine (Dell 4600 desktop). Plus my disk dives are getting full. I  
> had already replaced my power supply and graphics card - both of  
> which died.
>
> Thanks for any comments/advice.
>
> Regards, Paul
>


--Apple-Mail-178-957407859
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
My 2ghz White macbook is fine so this should be OK.<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 24 Feb 2010, =
at 16:01, Paul Richards wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><table =
cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td =
valign=3D"top" style=3D"font: inherit;"><div>Hi:</div> <div>&nbsp;</div> =
<div>I have an opportunity to get a Macbook Pro 2.26Ghz version for a =
reasonable price / payment arrangement through my workplace. would that =
be an acceptable machine to use for audio needs? i.e. recording audio, =
possible looping, virtual synthesizer use? </div> <div>&nbsp;</div> =
<div>I'm currently a PC user and my desktop is getting old (although =
it's pretty functional) but I need to add memory and don't necessarily =
want to keep spending money on a soon-to-be-obsolete machine (Dell 4600 =
desktop). Plus my disk dives are getting full. I had already replaced my =
power supply and graphics card - both of which died.</div> =
<div>&nbsp;</div> <div>Thanks for any comments/advice.</div> =
<div>&nbsp;</div> <div>Regards, Paul</div></td></tr></tbody></table><br> =
      </blockquote></div><br></div></body></html>=

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Subject: Chapman Stick looping
From: Per Boysen <perboysen@gmail.com>
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I just pressed "record" while playing stick into Mobius/Mainstage and
uploaded a short clip at
http://www.perboysen.com/archives/608

It is fun to play an instrument that can take on many simultaneous
musical roles and also perform live looping, which is also a kind of
instrument that makes previously difficult tasks possible. There no
chance anyone could ever use such a combo "to its full potential" so I
stay humbly content with just tapping a fragment of the musical
possibilities, letting the emotion of sound direct the musical
direction as I drift...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
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On Wed, Feb 24, 2010 at 5:03 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> My 2ghz White macbook is fine so this should be OK.


My Fine Macbook is also White!
(runs 2.2Ghz though)

Macbook Pro 2.26Ghz is even better!

per

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On Wed, Feb 24, 2010 at 5:03 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.c=
om</a>&gt;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D=
"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding=
-left:1ex;">
My 2ghz White macbook is fine so this should be OK.</blockquote></div><br><=
div>My Fine Macbook is also White!=C2=A0</div><div>(runs 2.2Ghz though)</di=
v><div><br></div><div><span class=3D"Apple-style-span" style=3D"font-family=
: arial, sans-serif; font-size: 13px; ">Macbook Pro 2.26Ghz is even better!=
=C2=A0</span></div>
<div><br></div><div>per</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:14:58 2010
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Hi Per

thanks for the clip - like it! :)
Always loved the instrument and I'm happy you picked it up - wish you'd show it to me in Stockholm!! ;-)

Buzap

-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:17:05 2010
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Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
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Hi 

there is a MBP update expected any time soon.
Since Apple hardly changes the price tag, just the specs, I would highly recommend waiting just a little bit longer (possibly End of March?) for new MBPs (maybe with i7 Quadro core 64bit? we'll see...)

best regards
Buzap

-- 
GMX DSL: Internet, Telefon und Entertainment für nur 19,99 EUR/mtl.!
http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:20:12 2010
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Date: Wed, 24 Feb 2010 11:20:05 -0500
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Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
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Paul that sounds like the same machine I use which has been excellent (also
bought used) except for one display issue that I'm told comes with the
territory of 17" MBP's which mine is.  I've lived with it but the lower 1/3
of the display lost picture, which it's either an invertor board (does the
back light) or it's time and separation between the display element and the
backing which I've also been told.  Sometimes it pops in and goes off again.

Re the machine stability otherwise has been excellent and is my baby,
probably too much.  I use it for Final Cut work, all audio production which
includes Audacity, Reaper as post and the NinJam and I've used iSight for
many of my webcast projects.  I also ran Mobius on it for a while which did
great though I have since returned to a hardware looper.  I'm very dedicated
to OSX though I use Windows in my work work and part of our household is
Windows based but I find the Apple quite at home for all my music and video
production needs.  Actually I think mine which is the first gen Intel Mac is
2.16Gz.  It is limited to 2 gig of ram which is one drag but beyond that
very stable.

I'd go for it.

Jim Goodin
www.jimgoodinmusic.com
www.chinapaintingmusic.com


On Wed, Feb 24, 2010 at 11:01 AM, Paul Richards <paulrichard_rocks@yahoo.com
> wrote:

> Hi:
>
> I have an opportunity to get a Macbook Pro 2.26Ghz version for a reasonable
> price / payment arrangement through my workplace. would that be an
> acceptable machine to use for audio needs? i.e. recording audio, possible
> looping, virtual synthesizer use?
>
> I'm currently a PC user and my desktop is getting old (although it's pretty
> functional) but I need to add memory and don't necessarily want to keep
> spending money on a soon-to-be-obsolete machine (Dell 4600 desktop). Plus my
> disk dives are getting full. I had already replaced my power supply and
> graphics card - both of which died.
>
> Thanks for any comments/advice.
>
> Regards, Paul
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0ce0f42a0687ee04805b0a65
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Paul that sounds like the same machine I use which has been excellent (also=
 bought used) except for one display issue that I&#39;m told comes with the=
 territory of 17&quot; MBP&#39;s which mine is.=A0 I&#39;ve lived with it b=
ut the lower 1/3 of the display lost picture, which it&#39;s either an inve=
rtor board (does the back light) or it&#39;s time and separation between th=
e display element and the backing which I&#39;ve also been told.=A0 Sometim=
es it pops in and goes off again.<br>
<br>Re the machine stability otherwise has been excellent and is my baby, p=
robably too much.=A0 I use it for Final Cut work, all audio production whic=
h includes Audacity, Reaper as post and the NinJam and I&#39;ve used iSight=
 for many of my webcast projects.=A0 I also ran Mobius on it for a while wh=
ich did great though I have since returned to a hardware looper.=A0 I&#39;m=
 very dedicated to OSX though I use Windows in my work work and part of our=
 household is Windows based but I find the Apple quite at home for all my m=
usic and video production needs.=A0 Actually I think mine which is the firs=
t gen Intel Mac is 2.16Gz.=A0 It is limited to 2 gig of ram which is one dr=
ag but beyond that very stable.<br>
<br>I&#39;d go for it.<br><br>Jim Goodin<br><a href=3D"http://www.jimgoodin=
music.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintin=
gmusic.com">www.chinapaintingmusic.com</a><br><br><br><div class=3D"gmail_q=
uote">
On Wed, Feb 24, 2010 at 11:01 AM, Paul Richards <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left:=
 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex=
;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font-family: inherit; font-style: inherit; font-variant: inherit; font=
-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjus=
t: inherit; font-stretch: inherit;" valign=3D"top">
<div>Hi:</div>
<div>=A0</div>
<div>I have an opportunity to get a Macbook Pro 2.26Ghz version for a reaso=
nable price / payment arrangement through my workplace. would that be an ac=
ceptable machine to use for audio needs? i.e. recording audio, possible loo=
ping, virtual synthesizer use? </div>

<div>=A0</div>
<div>I&#39;m currently a PC user and my desktop is getting old (although it=
&#39;s pretty functional) but I need to add memory and don&#39;t necessaril=
y want to keep spending money on a soon-to-be-obsolete machine (Dell 4600 d=
esktop). Plus my disk dives are getting full. I had already replaced my pow=
er supply and graphics card - both of which died.</div>

<div>=A0</div>
<div>Thanks for any comments/advice.</div>
<div>=A0</div>
<div>Regards, Paul</div></td></tr></tbody></table><br>

      </blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introsp=
ective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.mys=
pace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgood=
inmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--000e0ce0f42a0687ee04805b0a65--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:30:23 2010
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Subject: RE: using the Axon AX-50 midi input
Date: Wed, 24 Feb 2010 17:30:10 +0100
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> That is odd, Michael. Are you using the USB cable or the MIDI out of the
AX-50?

I use the USB

-m

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:36:43 2010
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Date: Wed, 24 Feb 2010 11:36:33 -0500
Message-ID: <9e0440a61002240836m7e915eeak51555647bf230207@mail.gmail.com>
Subject: Re: Chapman Stick looping
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Per that's really neat, posted you a comment on your page.  Good tapping.
Jim

On Wed, Feb 24, 2010 at 11:07 AM, Per Boysen <perboysen@gmail.com> wrote:

> I just pressed "record" while playing stick into Mobius/Mainstage and
> uploaded a short clip at
> http://www.perboysen.com/archives/608
>
> It is fun to play an instrument that can take on many simultaneous
> musical roles and also perform live looping, which is also a kind of
> instrument that makes previously difficult tasks possible. There no
> chance anyone could ever use such a combo "to its full potential" so I
> stay humbly content with just tapping a fragment of the musical
> possibilities, letting the emotion of sound direct the musical
> direction as I drift...
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015173fe484f1c0b504805b4447
Content-Type: text/html; charset=ISO-8859-1
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Per that&#39;s really neat, posted you a comment on your page.=A0 Good tapp=
ing.=A0 Jim<br><br><div class=3D"gmail_quote">On Wed, Feb 24, 2010 at 11:07=
 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I just pressed &q=
uot;record&quot; while playing stick into Mobius/Mainstage and<br>
uploaded a short clip at<br>
<a href=3D"http://www.perboysen.com/archives/608" target=3D"_blank">http://=
www.perboysen.com/archives/608</a><br>
<br>
It is fun to play an instrument that can take on many simultaneous<br>
musical roles and also perform live looping, which is also a kind of<br>
instrument that makes previously difficult tasks possible. There no<br>
chance anyone could ever use such a combo &quot;to its full potential&quot;=
 so I<br>
stay humbly content with just tapping a fragment of the musical<br>
possibilities, letting the emotion of sound direct the musical<br>
direction as I drift...<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015173fe484f1c0b504805b4447--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:50:21 2010
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Date: Wed, 24 Feb 2010 10:50:19 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Chapman Stick looping
References: <66f9cc1e1002240807u372d5474kc860b9c4905c8f6e@mail.gmail.com>
	<9e0440a61002240836m7e915eeak51555647bf230207@mail.gmail.com>
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Very fun to hear.  At times it sounds like a stick, at other times =20
like a synth.

-- Kevin

Quoting Jim Goodin <jimgoodinmusic@gmail.com>:

> Per that's really neat, posted you a comment on your page.  Good tapping.
> Jim
>
> On Wed, Feb 24, 2010 at 11:07 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> I just pressed "record" while playing stick into Mobius/Mainstage and
>> uploaded a short clip at
>> http://www.perboysen.com/archives/608
>>
>> It is fun to play an instrument that can take on many simultaneous
>> musical roles and also perform live looping, which is also a kind of
>> instrument that makes previously difficult tasks possible. There no
>> chance anyone could ever use such a combo "to its full potential" so I
>> stay humbly content with just tapping a fragment of the musical
>> possibilities, letting the emotion of sound direct the musical
>> direction as I drift...
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>



From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:53:03 2010
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Subject: Re: looper ableton beginner
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Hi -
As far as wave editing goes - if you're on a mac there's a free
program called Audicity:

http://audacity.sourceforge.net/

It's not my fav old Cool Edit, which is now Audition. But, it's free
and works well.

Hope that helps.

AndyG.

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 16:57:29 2010
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Subject: Re: using the Axon AX-50 midi input
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Michael Peters schrieb:
> does anyone have an AX-50 guitar-midi converter and could help me with this?
>   
Hey Michael,

I don't use an Axon AX-50, but considering this observation, I wonder:
> I used a Steinberg USB-2-Midi to plug the PMC-10 into the USB of my notebook
> but for some reason, this suddenly doesn't work either
Can you confirm that the PCM-10 sill works? (E.g. by connecting it to 
another MIDI device and looking if that device can be controlled by the 
PCM-10)?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 17:05:25 2010
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Date: Wed, 24 Feb 2010 09:05:18 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: interesting DIY loop pedal
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--0-376020783-1267031118=:97046
Content-Type: text/plain; charset=us-ascii

about 2 yrs ago (or was it 3?) there was a "simple" diy 20 loop/sampler that someone had boasted. based on some little chip thing that would do 20 sec of sound capture (it seemed to be a bit like the zvex lo-fi loop junky thing-only simpler). well i tried it, i think it cost me about 20$ in parts-and.....IT DIDN'T WORK FOR ME!!! it was a bummer, b/c it did look easy....but after this failure, i had no problems in tackling my guitar re-wiring for my projects...they are relatively easy (and i will say that my work is better than every "pro local job i've had done & paid for"--every guitar i've had done "professionally"-has a loose wire, messed up sound somewhere....)

but in looking at this-the pedal looks cool, but it does not look SIMPLE. 
that's my feeble estimation.
s---


Doesn't seem to have a lot of loop time but the varispeed sounds decent and it has enough features to make it fun. Plus its DIY:
http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal

-m



      
--0-376020783-1267031118=:97046
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">about 2 yrs ago (or was it 3?) there was a "simple" diy 20 loop/sampler that someone had boasted. based on some little chip thing that would do 20 sec of sound capture (it seemed to be a bit like the zvex lo-fi loop junky thing-only simpler). well i tried it, i think it cost me about 20$ in parts-and.....IT DIDN'T WORK FOR ME!!! it was a bummer, b/c it did look easy....but after this failure, i had no problems in tackling my guitar re-wiring for my projects...they are relatively easy (and i will say that my work is better than every "pro local job i've had done &amp; paid for"--every guitar i've had done "professionally"-has a loose wire, messed up sound somewhere....)<br><br>but in looking at this-the pedal looks cool, but it does not look SIMPLE. <br>that's my feeble estimation.<br>s---<br><br><br>Doesn't seem to have a lot of loop time but the varispeed
 sounds decent and it has enough features to make it fun. Plus its DIY:<div><br></div><div><a href="http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal">http://www.instructables.com/id/Homebrew-Digital-Effects-Pedal</a></div>
<div><br></div><div>-m
</div></td></tr></table><br>

      
--0-376020783-1267031118=:97046--

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Subject: Midi Sync LiveLooping: EDP/Live
From: Loaf citious <loafcitious@gmail.com>
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Just wanna share this,  this is the second time I got together w/ some
friends and hooked up all this gear.
It's really super fun to link the EDP up w/ Ableton. And
I learn so much more about it every time.  Anyways, featured on these
recordings (a whole albums worth!) are
Chris on keys/Live, Bongo on his SPD15 sampler thingy (far out man),
Sarah on Vox and me playing the Handsonic thru the EDP which, not to
be redundant, is synced to Live.

I love this sync stuff and want to do more. I'm even starting to stare
at a used MOTU MIDI time piece on Ebay; wondering how cool it would be
to have 8 IN/OUT MIDI ports...imagine getting that many people and
crazy machines all hooked up and jammin'!!  If anybody has exp doing
something like that I'd love to hear about.

Here's a bunch of LiveLooping jams, hope ya dig it:

http://andy-garber.com/ND_audio/ElectricOctopus/Live1/

Best,
AndyG

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	 <478E76B6-3B9D-4F62-9316-C2CC15158AE9@btinternet.com>
Date: Wed, 24 Feb 2010 09:16:51 -0800
Message-ID: <4cdf3b971002240916v3530a008gb64e83e71c0626ac@mail.gmail.com>
Subject: Re: Self Promotion and Free Music!
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I use a Takamine, it's a dreadnought, but I put a damper in the f-hole, to
get more gain out of it, without feeding back.
Rafa

On Tue, Feb 23, 2010 at 10:55 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Hello mate - just having a listen nice - what acoustic are you using???
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 23 Feb 2010, at 17:07, Rafael Nunes wrote:
>
> Hey Everyone! Been reading for a while, posting to the list for the first
> time! I have a project called Rafa's One Man Band, using an acoustic, an
> Axiom 49, and a guitar rig usb controller to run Ableton live and loop in
> real time. I play several covers, originals and lots of instrumentals. I got
> word yesterday that I will be lucky enough to open up for The Bridge tonight
> in San Francisco at the Boom Boom Room! If you have a chance, stop on by,
> $10 cover, music from 9:30-2 AM! As an incentive, I'm putting up here
> several of my live tracks, recorded using the live setup I described!
> Seriously though, if you live in the Bay Area, or are in the city tonight,
> come on out and have a good time!!
>
> The Bridge and Rafa's One Man Band
>  Start Time:
> Tuesday, February 23, 2010 at 9:00pm
> End Time:
> Wednesday, February 24, 2010 at 2:00am
> Location:
> The Boom Boom Room San Francisco, CA
>
>
> http://www.sendspace.com/file/udzrhm  The Ones(original)
> http://www.sendspace.com/file/u9d6zj    Fallin(De La Soul/Teenage Fan Club
> Cover)
> http://www.sendspace.com/file/4xd156   Book Of Right On(Joanna Newsom
> Cover)
> http://www.sendspace.com/file/rk9uhn     Alef (Instrumental improv/jam)
> http://www.sendspace.com/file/vcb55o    Dublike(Instrumental improv/jam)
> http://www.sendspace.com/file/bz4f3g      Morning(Instrumental improv/jam)
> http://www.sendspace.com/file/8i3a03      Evening(Instrumental improv/jam)
>
> You can also check out my Facebook band page, with a bunch of songs from my
> studio album too:
> http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
>
> Thanks everyone and keep on looping on!!
> Rafa
>
>
>

--001485ec0cc20bd5a904805bd53c
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I use a Takamine, it&#39;s a dreadnought, but I put a damper in the f-hole,=
 to get more gain out of it, without feeding back.<div>Rafa<br><br><div cla=
ss=3D"gmail_quote">On Tue, Feb 23, 2010 at 10:55 AM, Matt Stevens <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mattsteven=
sguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
 Hello mate - just having a listen nice - what acoustic are you using???<di=
v><br><font color=3D"#888888"><div> <span style=3D"border-collapse:separate=
;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;=
font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:no=
rmal;text-align:auto;text-indent:0px;text-transform:none;white-space:normal=
;word-spacing:0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:norm=
al;font-weight:normal;letter-spacing:normal;line-height:normal;text-indent:=
0px;text-transform:none;white-space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div></font><div><div></div><div cla=
ss=3D"h5"><br><div><div>On 23 Feb 2010, at 17:07, Rafael Nunes wrote:</div>=
<br><blockquote type=3D"cite">Hey Everyone! Been reading for a while, posti=
ng to the list for the first time! I have a project called Rafa&#39;s One M=
an Band, using an acoustic, an Axiom 49, and a guitar rig usb controller to=
 run Ableton live and loop in real time. I play several covers, originals a=
nd lots of instrumentals. I got word yesterday that I will be lucky enough =
to open up for The Bridge tonight in San Francisco at the Boom Boom Room! I=
f you have a chance, stop on by, $10 cover, music from 9:30-2 AM! As an inc=
entive, I&#39;m putting up here several of my live tracks, recorded using t=
he live setup I described! Seriously though, if you live in the Bay Area, o=
r are in the city tonight, come on out and have a good time!!<div>
 <br></div><div>The Bridge and Rafa&#39;s One Man Band</div><div><span styl=
e=3D"font-family:&#39;lucida grande&#39;, tahoma, verdana, arial, sans-seri=
f;font-size:11px;color:rgb(51, 51, 51)"><table cellpadding=3D"0" cellspacin=
g=3D"0" style=3D"margin-top:0px;margin-right:0px;margin-bottom:10px;margin-=
left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:=
0px">
 <tbody><tr><td style=3D"font-size:11px;text-align:left;vertical-align:top;=
line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;margin-l=
eft:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;padding-left:0=
px;width:100px;color:rgb(128, 128, 128)">
 Start Time:</td><td style=3D"font-size:11px;text-align:left;vertical-align=
:top;line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;mar=
gin-left:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;padding-l=
eft:0px">
 <div style=3D"word-wrap:break-word">Tuesday, February 23, 2010 at 9:00pm</=
div></td></tr><tr><td style=3D"font-size:11px;text-align:left;vertical-alig=
n:top;line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;ma=
rgin-left:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;padding-=
left:0px;width:100px;color:rgb(128, 128, 128)">
 End Time:</td><td style=3D"font-size:11px;text-align:left;vertical-align:t=
op;line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;margi=
n-left:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;padding-lef=
t:0px">
 <div style=3D"word-wrap:break-word">Wednesday, February 24, 2010 at 2:00am=
</div></td></tr><tr><td style=3D"font-size:11px;text-align:left;vertical-al=
ign:top;line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;=
margin-left:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;paddin=
g-left:0px;width:100px;color:rgb(128, 128, 128)">
 Location:</td><td style=3D"font-size:11px;text-align:left;vertical-align:t=
op;line-height:13px;margin-top:0px;margin-right:0px;margin-bottom:0px;margi=
n-left:0px;padding-top:1px;padding-right:0px;padding-bottom:1px;padding-lef=
t:0px">
 <div style=3D"word-wrap:break-word">The Boom Boom Room San Francisco, CA</=
div></td></tr></tbody></table><br></span></div><div><span style=3D"font-fam=
ily:&#39;lucida grande&#39;, tahoma, verdana, arial, sans-serif;font-size:1=
1px;color:rgb(51, 51, 51)"><br>
 </span></div><div><span style=3D"font-family:&#39;lucida grande&#39;, taho=
ma, verdana, arial, sans-serif;font-size:11px;color:rgb(51, 51, 51)"><span =
style=3D"color:rgb(80, 0, 80);font-family:arial, sans-serif;font-size:16px;=
border-collapse:collapse"><a href=3D"http://www.sendspace.com/file/udzrhm" =
style=3D"color:rgb(64, 100, 128)" target=3D"_blank">http://www.sendspace.co=
m/file/udzrhm</a>=A0 The Ones(original)<div style=3D"color:rgb(80, 0, 80)">
 <a href=3D"http://www.sendspace.com/file/u9d6zj" style=3D"color:rgb(64, 10=
0, 128)" target=3D"_blank">http://www.sendspace.com/file/u9d6zj</a>=A0=A0=
=A0 Fallin(De La Soul/Teenage Fan Club Cover)<br><a href=3D"http://www.send=
space.com/file/4xd156" style=3D"color:rgb(64, 100, 128)" target=3D"_blank">=
http://www.sendspace.com/file/4xd156</a>=A0=A0 Book Of Right On(Joanna News=
om Cover)<br>
 <a href=3D"http://www.sendspace.com/file/rk9uhn" style=3D"color:rgb(64, 10=
0, 128)" target=3D"_blank">http://www.sendspace.com/file/rk9uhn</a>=A0=A0=
=A0=A0 Alef (Instrumental improv/jam)<br><a href=3D"http://www.sendspace.co=
m/file/vcb55o" style=3D"color:rgb(64, 100, 128)" target=3D"_blank">http://w=
ww.sendspace.com/file/vcb55o</a>=A0=A0=A0 Dublike(Instrumental improv/jam)<=
br>
 <a href=3D"http://www.sendspace.com/file/bz4f3g" style=3D"color:rgb(64, 10=
0, 128)" target=3D"_blank">http://www.sendspace.com/file/bz4f3g</a>=A0=A0=
=A0=A0=A0 Morning(Instrumental improv/jam)<br><a href=3D"http://www.sendspa=
ce.com/file/8i3a03" style=3D"color:rgb(64, 100, 128)" target=3D"_blank">htt=
p://www.sendspace.com/file/8i3a03</a>=A0=A0=A0=A0=A0 Evening(Instrumental i=
mprov/jam)</div>
 <div style=3D"color:rgb(80, 0, 80)"><br></div><div style=3D"color:rgb(80, =
0, 80)">You can also check out my Facebook band page, with a bunch of songs=
 from my studio album too:</div><div style=3D"color:rgb(80, 0, 80)"> <div s=
tyle=3D"color:rgb(80, 0, 80)">
<a href=3D"http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239" st=
yle=3D"color:rgb(64, 100, 128)" target=3D"_blank">http://www.facebook.com/p=
ages/Rafas-One-Man-Band/33261753239</a></div> <div><br></div><div>Thanks ev=
eryone and keep on looping on!!</div>
<div>Rafa</div></div></span></span></div></blockquote></div><br></div></div=
></div></div></blockquote></div><br></div>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ambient friendly USA college radio...
Date: Wed, 24 Feb 2010 19:54:16 +0000
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Not sure if i have posted this before - a list of loop friendly =20
podcasters and bloggers

http://www.mattstevensguitar.com/page15.htm

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 24 Feb 2010, at 06:02, Myke Atkinson wrote:

> Don't forget Canada!
>
> A listing of campus/community radio stations can be found here:
> http://earshot-online.com/stations.cfm
>
> -Myke
>
>
>
> On Mon, Feb 22, 2010 at 10:41 AM, E Gross <slapbandjam@yahoo.com> =20
> wrote:
>> Let's not forget our own Bill Fox who runs his ambient shows out =20
>> of WMUH in
>> Allentown, PA.
>>
>> Thursdays I take the long way to work so I can hear as much as =20
>> possible ;)
>>
>> Eric
>> ________________________________
>> From: Nevyn Nowhere <nevynnowhere@gmail.com>
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Mon, February 22, 2010 3:13:36 AM
>> Subject: Re: Ambient friendly USA college radio...
>>
>> This is a great kind of resource to share with other "fringe" type
>> musicians, or so I think.
>>
>> Perhaps we could all share where we get airplay, whether it be am/=20
>> fm/web
>> based/physical locations that play cds/singles, etc?  Seems it =20
>> could be
>> beneficial for all.
>>
>> -nn
>> happyhumans.org
>>
>> On Sun, Feb 21, 2010 at 11:38 AM, david kirkdorffer =20
>> <unstrungone@yahoo.com>
>> wrote:
>>>
>>> ((I don't think this actually appeared in email the first time I =20
>>> sent it a
>>> few days ago....))
>>>
>>> Hi - I've been working my new UNDO CD, entitlted "9.9.99" on college
>>> radio.  The music is kind of ambient.  As you can imagine, it's not
>>> everyone's cup of tea. But some stations have been playing it.  =20
>>> So, based on
>>> my result, here is a listing of stations that one might call =20
>>> "ambient-music"
>>> friendly.
>>>
>>> I hope this listing may be helpful to you if you also would like to
>>> promote your ambient music to US college radio.  Good luck!
>>>
>>> Kind regards,
>>>
>>> David
>>>
>>> P.S. I know Loopers-Delight is well read in the Santa Cruz area.  =20=

>>> Please
>>> feel free to request UNDO from KZSC.  It's actually charting =20
>>> quite well
>>> there!
>>>
>>>
>>> AK - Anchorage - KRUA - COL
>>>
>>> CA - Santa Cruz - KZSC -CORE / MG
>>>
>>> CA - San Luis Obispo - KCPR - COL
>>>
>>> GA - Atlanta - WREK - CORE / MG
>>>
>>> GA - Savannah - Scad Radio / WRFS - COL
>>>
>>> IL - Monmouth - WMCR-2 - COL
>>>
>>> IN - Terre Haute - WMHD - COL
>>>
>>> IN  - Muncie - WCRD - COL
>>>
>>> MD - Towson - XTSR - COL
>>>
>>> ME - East Orland - WERU-2 - COL
>>>
>>> ME - Farmington - WUMF -COL
>>>
>>> ME - Lewiston - WRBC - COL
>>>
>>> MI - Marquette - WUPX - col
>>>
>>> MI - Mt. Pleasant - WMHW - COL
>>>
>>> NF  - St John=92s - CHMR - COL
>>>
>>> NJ - Glassboro - WGLS - COL
>>>
>>> NY - Dix Hills - WFTU - COL
>>>
>>> NY - Garden City - WHPC
>>>
>>> NY - Fredonia - WCVF - COL
>>>
>>> NY - Oneonta - WONY - COL
>>>
>>> NY - Hamilton - WRCU - COL
>>>
>>> OR - Gresham - KMHD2 - COL
>>>
>>> PA - Millersville - WIXQ - COL
>>>
>>> PA - Reading - WXAC - COL
>>>
>>> PA - Scranton - WVMW -COL
>>>
>>> PA - Mansfield - WNTE - COL
>>>
>>> RI - Providence - WXIN - COL
>>>
>>> TX - College Station - KANM - COL
>>>
>>> VA - Richmond - WDCE - COL
>>>
>>> WI - Platteville - WSUP - COL
>>
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Not sure if i have posted this before - a list of loop friendly =
podcasters and bloggers<div><br></div><div><a =
href=3D"http://www.mattstevensguitar.com/page15.htm">http://www.mattsteven=
sguitar.com/page15.htm</a></div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 24 Feb 2010, =
at 06:02, Myke Atkinson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Don't forget Canada!</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A listing of =
campus/community radio stations can be found here:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://earshot-online.com/stations.cfm">http://earshot-online.com/=
stations.cfm</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">-Myke</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Mon, =
Feb 22, 2010 at 10:41 AM, E Gross &lt;<a =
href=3D"mailto:slapbandjam@yahoo.com">slapbandjam@yahoo.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Let's not =
forget our own Bill Fox who runs his ambient shows out of WMUH =
in</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">Allentown, PA.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Thursdays I =
take the long way to work so I can hear as much as possible ;)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Eric</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">________________________________</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">From: Nevyn =
Nowhere &lt;<a =
href=3D"mailto:nevynnowhere@gmail.com">nevynnowhere@gmail.com</a>&gt;</div=
><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sent: Mon, February 22, 2010 =
3:13:36 AM</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Subject: Re: Ambient friendly =
USA college radio...</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">This is a great kind of resource =
to share with other "fringe" type</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">musicians, or =
so I think.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Perhaps we could all share where we get airplay, =
whether it be am/fm/web</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">based/physical locations that play cds/singles, etc?&nbsp; Seems it =
could be</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">beneficial for all.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">-nn</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">happyhumans.org</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Sun, =
Feb 21, 2010 at 11:38 AM, david kirkdorffer &lt;<a =
href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>&gt;</div><=
div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">((I =
don't think this actually appeared in email the first time I sent it =
a</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">few days ago....))</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hi - I've =
been working my new UNDO CD, entitlted "9.9.99" on college</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">radio.&nbsp; The music is kind of ambient.&nbsp; As =
you can imagine, it's not</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">everyone's =
cup of tea. But some stations have been playing it.&nbsp; So, based =
on</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">my result, here is a listing of stations that =
one might call "ambient-music"</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">friendly.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I hope this listing may be helpful to you if you =
also would like to</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">promote your ambient music =
to US college radio.&nbsp; Good luck!</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Kind =
regards,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">David</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">P.S. I know Loopers-Delight is =
well read in the Santa Cruz area.&nbsp; Please</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">feel free to request UNDO from KZSC.&nbsp; It's =
actually charting quite well</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">there!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">AK - =
Anchorage - KRUA - COL</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">CA&nbsp;- Santa Cruz&nbsp;- KZSC =
-CORE / MG</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">CA&nbsp;- San Luis Obispo - KCPR - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">GA&nbsp;- Atlanta - WREK - CORE / MG</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">GA&nbsp;- =
Savannah - Scad Radio / WRFS - COL</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">IL&nbsp;- Monmouth - WMCR-2 - =
COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">IN&nbsp;- Terre Haute - WMHD - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">IN&nbsp; =
- Muncie - WCRD - COL</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">MD - Towson - XTSR - =
COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ME - East Orland - WERU-2 - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">ME&nbsp;- Farmington&nbsp;- WUMF -COL</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ME&nbsp;- =
Lewiston - WRBC - COL</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">MI&nbsp;- Marquette - WUPX - =
col</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">MI&nbsp;- Mt. Pleasant - WMHW - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">NF&nbsp; =
- St John=92s - CHMR - COL</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">NJ&nbsp;- Glassboro - WGLS - =
COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">NY - Dix Hills - WFTU&nbsp;- COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">NY - =
Garden City - WHPC</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">NY&nbsp;- Fredonia - WCVF - =
COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">NY - Oneonta - WONY - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">NY&nbsp;- Hamilton - WRCU - COL</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">OR - Gresham - KMHD2 - =
COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">PA&nbsp;- Millersville&nbsp;- WIXQ - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">PA&nbsp;- Reading&nbsp;- WXAC - COL</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">PA&nbsp;- =
Scranton - WVMW -COL</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">PA&nbsp;- Mansfield&nbsp;- WNTE =
- COL</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">RI&nbsp;- Providence - WXIN - COL</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">TX&nbsp;- College Station - KANM - COL</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">VA&nbsp;- =
Richmond - WDCE - COL</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">WI - Platteville - WSUP - =
COL</div> </blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-181-971247521--

From talk2patman05@yahoo.com  Wed Feb 24 20:31:07 2010
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Date: Tue, 23 Feb 2010 23:17:25 +0300 (MSK)
Subject: From Juliet
From: "Miss Juliet Akidi" <talk2patman05@yahoo.com>
Reply-To: julietj001@hotmail.com
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To: undisclosed-recipients:;




>From Juliet
I am Juliet 24 years old ),the only Daughter of late Mr Akidi krumah
My father was a very wealthy Gold/Diamond dealer in Freetown, the
economic capital of Sierra Leone.My father was poisoned to death by his close
business associates on one of their outings on a business trip.

My mother died when I was 15 years old and since then my father took me so
special As the only Chid.Before the death of my father last year on  march
19th 2008, in a private hospital in Freetown, he secretly called me by his
bed side and told me of a deposit of 6 million united state dollars ( Six
MILLION DOLLARS)he concealed in a Bank on the 2nd of JANUARY 2007 that he
used my name been the only Daughter as the next of kin when he deposited
the money.

He warned me that because of the enemy that was poisoned him.He also
advised me to seek for an honest foreigner in a country of my choice those
associates will not hurt me as they have succeeded in poisoning him. For
your information , it has been difficult to know who is an honest
person to assist me in this transaction , and for me to continue silent over
looking for assistance while my money is in the bank i decided to make a try
from you, I arrived here (ABIDJAN) in a nearby country on the 28RD of
November 2009, since my uncle wants to kill me because of this certificate
of deposit as he have succeded in collecting all my late father's property
left with this money;
They continuously maltreated me, and have made life very unbearable for
me.The wife serve me a delicious poisoned rice meal last time,but for the
Divine mercy of the God the daughter secretly whispered to me not to eat
the meal; i wasted the meal to the bin only to find two dead rat on the
bin the following morning and that made me to run away immediately from
our house.
And i don't want to stay long here since i know nobody or much money to
pay for hotel bill.
Dear, I honourably seek your assistance in the following ways:
1.To stand as my late father's foreign partner since my late father deposited
it to be claim by his foreign partner and no name was mentioned,

2.To help me come over to your country to further my education.Please my
intention is not to disturb your Peace,but because l am sincerely in need,And
desperately need a solution before my life is wasted because there is war in
this country. Among all, the most important thing is for you to be aiding
me as
parent who will directing all my affairs and doings in your country.
Lastly ,you will promise me that you will not betray or deny me if this my
money gets into your bank account,
I am ready to offer you 30% of the total money for your help while  you
will take care of the transfer expenses,if you are capable to handle this
transation then send me all your details i sent you some of my nice pics.
Looking forward to your posetive reply with your informations soonest and
may God bless you.
Sincerely

Yours.
Miss Juliet Akidi

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 20:49:16 2010
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	<Loopers-Delight@loopers-delight.com>
Date: Wed, 24 Feb 2010 15:48:45 -0500
Subject: RE: Loopers-Delight-d Digest V10 #190
Thread-Topic: Loopers-Delight-d Digest V10 #190
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For anyone interested in what I think is a well-argued counter to the famou=
s Trent Reznor "get over the death of income from selling music" treatise, =
see http://stretta.blogspot.com/2010/02/myth-of-merch.html

Hal


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<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>For anyone interested in=
 what I think
is a well-argued counter to the famous Trent Reznor &#8220;get over the dea=
th of income
from selling music&#8221; treatise, see <a
href=3D"http://stretta.blogspot.com/2010/02/myth-of-merch.html">http://stre=
tta.blogspot.com/2010/02/myth-of-merch.html</a><o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span>=
</p>

<p class=3DMsoNormal><i><span style=3D'font-family:"Palatino Linotype","ser=
if";
color:#1F497D'>Hal</span></i></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Loopers-Delight-d Digest V10 #190
Date: Wed, 24 Feb 2010 21:05:38 +0000
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Really if people want to support an artist they will - i know lots of =20=

people who sell lots of music at a pay what you want price and people =20=

pay because they WANT to support the artist. Also various people are =20
building subscription models such as Matthew Ebel etc


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 24 Feb 2010, at 20:48, Dean, Hal wrote:

> For anyone interested in what I think is a well-argued counter to =20
> the famous Trent Reznor =93get over the death of income from selling =20=

> music=94 treatise, seehttp://stretta.blogspot.com/2010/02/myth-of-=20
> merch.html
>
> Hal
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; line-height: 17px; "><font face=3D"Arial" size=3D"3" =
style=3D"font: 12.0px Arial">Really if people want to support an artist =
they will - i know lots of people who sell lots of music at a pay what =
you want price and people pay because they WANT to support the artist. =
Also various people are building subscription models such as Matthew =
Ebel etc</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; line-height: 17px; "><font =
class=3D"Apple-style-span" face=3D"Arial"><span class=3D"Apple-style-span"=
 style=3D"line-height: normal;"><br></span></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; line-height: 17px; "><font class=3D"Apple-style-span" =
face=3D"Arial"><span class=3D"Apple-style-span" style=3D"line-height: =
normal;"><br></span></font></div><div> <span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 24 Feb 2010, =
at 20:48, Dean, Hal wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"Section1"><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 11pt; font-family: Calibri, sans-serif; =
"><span style=3D"color: rgb(31, 73, 125); ">For anyone interested in =
what I think is a well-argued counter to the famous Trent Reznor =93get =
over the death of income from selling music=94 treatise, see<a =
href=3D"http://stretta.blogspot.com/2010/02/myth-of-merch.html" =
style=3D"color: blue; text-decoration: underline; =
">http://stretta.blogspot.com/2010/02/myth-of-merch.html</a><o:p></o:p></s=
pan></div><div style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 0.0001pt; margin-left: 0in; font-size: 11pt; font-family: =
Calibri, sans-serif; "><span style=3D"color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
11pt; font-family: Calibri, sans-serif; "><i><span style=3D"font-family: =
'Palatino Linotype', serif; color: rgb(31, 73, 125); =
">Hal</span></i></div><div style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 0.0001pt; margin-left: 0in; font-size: 11pt; font-family: =
Calibri, sans-serif; =
"><o:p>&nbsp;</o:p></div></div></span></blockquote></div><br></body></html=
>=

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From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 21:16:42 2010
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Date: Wed, 24 Feb 2010 16:16:18 -0500
Message-ID: <9e0440a61002241316ma73e4des2b7e22a948fb4f9b@mail.gmail.com>
Subject: Re: Chapman Stick looping
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Per is your Stick new to you or have you had a while?  If I hadn't taken on
the violin and oud in muli-instrumentalist world the Stick would have been
on the list.  They are pretty neat and just a great texture.  Maybe I'll put
one on the list for someday.  Good piece Per.

On Wed, Feb 24, 2010 at 11:50 AM, <kkissinger@kevinkissinger.com> wrote:

> Very fun to hear.  At times it sounds like a stick, at other times like a
> synth.
>
> -- Kevin
>
>
> Quoting Jim Goodin <jimgoodinmusic@gmail.com>:
>
>  Per that's really neat, posted you a comment on your page.  Good tapping.
>> Jim
>>
>> On Wed, Feb 24, 2010 at 11:07 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>  I just pressed "record" while playing stick into Mobius/Mainstage and
>>> uploaded a short clip at
>>> http://www.perboysen.com/archives/608
>>>
>>> It is fun to play an instrument that can take on many simultaneous
>>> musical roles and also perform live looping, which is also a kind of
>>> instrument that makes previously difficult tasks possible. There no
>>> chance anyone could ever use such a combo "to its full potential" so I
>>> stay humbly content with just tapping a fragment of the musical
>>> possibilities, letting the emotion of sound direct the musical
>>> direction as I drift...
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>>
>>>
>>
>> --
>> ReUse, an introspective textural aural
>> www.myspace.com/CtReUse
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>>
>>
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747671a5eedb204805f2d45
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Per is your Stick new to you or have you had a while?=A0 If I hadn&#39;t ta=
ken on the violin and oud in muli-instrumentalist world the Stick would hav=
e been on the list.=A0 They are pretty neat and just a great texture.=A0 Ma=
ybe I&#39;ll put one on the list for someday.=A0 Good piece Per.<br>
<br><div class=3D"gmail_quote">On Wed, Feb 24, 2010 at 11:50 AM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:kkissinger@kevinkissinger.com">kkissinger@ke=
vinkissinger.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;">
Very fun to hear. =A0At times it sounds like a stick, at other times like a=
 synth.<br>
<br>
-- Kevin<div><div></div><div class=3D"h5"><br>
<br>
Quoting Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com" target=
=3D"_blank">jimgoodinmusic@gmail.com</a>&gt;:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Per that&#39;s really neat, posted you a comment on your page. =A0Good tapp=
ing.<br>
Jim<br>
<br>
On Wed, Feb 24, 2010 at 11:07 AM, Per Boysen &lt;<a href=3D"mailto:perboyse=
n@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I just pressed &quot;record&quot; while playing stick into Mobius/Mainstage=
 and<br>
uploaded a short clip at<br>
<a href=3D"http://www.perboysen.com/archives/608" target=3D"_blank">http://=
www.perboysen.com/archives/608</a><br>
<br>
It is fun to play an instrument that can take on many simultaneous<br>
musical roles and also perform live looping, which is also a kind of<br>
instrument that makes previously difficult tasks possible. There no<br>
chance anyone could ever use such a combo &quot;to its full potential&quot;=
 so I<br>
stay humbly content with just tapping a fragment of the musical<br>
possibilities, letting the emotion of sound direct the musical<br>
direction as I drift...<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
</blockquote>
<br>
<br>
--<br>
ReUse, an introspective textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br>
<br>
music links...<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br>
<br>
video work/editing...<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>
social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br>
<br>
</blockquote>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00151747671a5eedb204805f2d45--

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 21:27:02 2010
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Subject: Re: looper ableton beginner
From: folkstone57@tmo.blackberry.net
Date: Wed, 24 Feb 2010 21:26:50 +0000
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Hello
I use Sound Studio & it's a great prg. 
------Original Message------
From: Loaf citious
To: Loopers-Delight@loopers-delight.com
ReplyTo: Loopers-Delight@loopers-delight.com
Sent: Feb 24, 2010 11:53 AM
Subject: Re: looper ableton beginner

Hi -
As far as wave editing goes - if you're on a mac there's a free
program called Audicity:

http://audacity.sourceforge.net/

It's not my fav old Cool Edit, which is now Audition. But, it's free
and works well.

Hope that helps.

AndyG.



Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 21:27:10 2010
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Date: Wed, 24 Feb 2010 22:26:54 +0100
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Subject: Re: Chapman Stick looping
From: Per Boysen <perboysen@gmail.com>
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On Wed, Feb 24, 2010 at 10:16 PM, Jim Goodin <jimgoodinmusic@gmail.com> wro=
te:
> Per is your Stick new to you or have you had a while?

Think I've hade two or three weeks. But not much practice time since
I've had an important gig with a new band that swallowed most time
recently.

> If I hadn't taken on
> the violin and oud in muli-instrumentalist world the Stick would have bee=
n
> on the list.=C2=A0 They are pretty neat and just a great texture.=C2=A0 M=
aybe I'll put
> one on the list for someday.

Coolest point in my opinion is that you can improvise two lines
simultaneously. The Stick is very easy to play, technically, bit the
challenge is to rewire your brain. Most other instruments require both
hands to be trimmed together ("dependent" two hand technique) while
the stick lets you make each hand its own musician and have them jam
together ("independent" two hand technique). That's all new for me as
I have never really played the piano much (or the harp).

> Good piece Per.

Thanks. Just a one-shot improvisation. I'll film some video later on
when I've learned to play it properly.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Feb 24 22:50:23 2010
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Date: Wed, 24 Feb 2010 23:50:16 +0100
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Subject: Re: Chapman Stick looping
From: Raul Bonell <raul.bonell@gmail.com>
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2010/2/24 Per Boysen <perboysen@gmail.com>

>
> Coolest point in my opinion is that you can improvise two lines
> simultaneously. The Stick is very
> easy to play, technically, bit the
> challenge is to rewire your brain.


i could not disagree more with you (at last! :-).

for a newcomer to music, two-handed tapping instruments are even harder than
the piano itself. and i use to play them both actually.

movements take place in a plane (2D), which expands as the number of strings
increases (12!), and, as in guitarworld, intervals are not the same length
if moving onto another range. while in the piano, jumps are performed mainly
on a line (1D), and, for instance, once you learn how to keep an octave
straight on a single hand, then, it's going to work all over the keyboard as
well.

you can point some advantages out, i know, but the above reason is enough to
be taken as a serious arduousness.

well, all of that if you plan to play some difficult music, but for loud
noise or quite ambient stuff there's nothing like them.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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<br><div class=3D"gmail_quote">2010/2/24 Per Boysen <span dir=3D"ltr">&lt;<=
a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br=
><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204,=
 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Coolest point in my opinion is that you can improvise two lines<br>
simultaneously. The Stick is very<br> easy to play, technically, bit the<br=
>
challenge is to rewire your brain. </blockquote><div><span id=3D"result_box=
" class=3D"short_text"><span style=3D"background-color: rgb(255, 255, 255);=
" title=3D"no podr=EDa estar en mayor desacuerdo contigo"><br>i could not d=
isagree more with you (at last! :-).<br>
</span></span><br>for a newcomer to music, two-handed tapping instruments a=
re even harder than the piano itself. and i use to play them both actually.=
<br><br>movements take place in a plane (2D), which expands as the number o=
f strings increases (12!), and, as in guitarworld, intervals are not the sa=
me length if moving onto another range. while in the piano, jumps are perfo=
rmed mainly on a line (1D), and, for instance, once you learn how to keep a=
n octave straight on a single hand, then, it&#39;s going to work all over t=
he keyboard as well.<br>
<br>you can point some advantages out, i know, but the above reason is enou=
gh to be taken as a serious arduousness.<br><br>well, all of that if you pl=
an to play some difficult music, but for loud noise or quite ambient stuff =
there&#39;s nothing like them.</div>
</div><br>-- <br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogs=
pot.com">http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a hr=
ef=3D"http://www.ct-collective.com">http://www.ct-collective.com</a><br><br=
>


--0016e6d7e06c682b480480607df8--

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From: Toby Graves <carpet8@mac.com>
Subject: Re: Chapman Stick looping
Date: Wed, 24 Feb 2010 14:52:30 -0800
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What Per said was the basic technique is easy, not the 2 hand  
coordination.  Basic tech=push string down to fretboard.

t
On Feb 24, 2010, at 2:50 PM, Raul Bonell wrote:

>
> 2010/2/24 Per Boysen <perboysen@gmail.com>
>
> Coolest point in my opinion is that you can improvise two lines
> simultaneously. The Stick is very
> easy to play, technically, bit the
> challenge is to rewire your brain.
>
> i could not disagree more with you (at last! :-).
>
> for a newcomer to music, two-handed tapping instruments are even  
> harder than the piano itself. and i use to play them both actually.
>
> movements take place in a plane (2D), which expands as the number  
> of strings increases (12!), and, as in guitarworld, intervals are  
> not the same length if moving onto another range. while in the  
> piano, jumps are performed mainly on a line (1D), and, for  
> instance, once you learn how to keep an octave straight on a single  
> hand, then, it's going to work all over the keyboard as well.
>
> you can point some advantages out, i know, but the above reason is  
> enough to be taken as a serious arduousness.
>
> well, all of that if you plan to play some difficult music, but for  
> loud noise or quite ambient stuff there's nothing like them.
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
What Per said was the basic technique is easy, not the 2 hand =
coordination. &nbsp;Basic tech=3Dpush string down to fretboard. =
&nbsp;<div><br></div><div>t<br><div><div>On Feb 24, 2010, at 2:50 PM, =
Raul Bonell wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><br><div =
class=3D"gmail_quote">2010/2/24 Per Boysen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> <br> =
Coolest point in my opinion is that you can improvise two lines<br> =
simultaneously. The Stick is very<br> easy to play, technically, bit =
the<br> challenge is to rewire your brain. </blockquote><div><span =
id=3D"result_box" class=3D"short_text"><span style=3D"background-color: =
rgb(255, 255, 255);" title=3D"no podr=EDa estar en mayor desacuerdo =
contigo"><br>i could not disagree more with you (at last! :-).<br> =
</span></span><br>for a newcomer to music, two-handed tapping =
instruments are even harder than the piano itself. and i use to play =
them both actually.<br><br>movements take place in a plane (2D), which =
expands as the number of strings increases (12!), and, as in =
guitarworld, intervals are not the same length if moving onto another =
range. while in the piano, jumps are performed mainly on a line (1D), =
and, for instance, once you learn how to keep an octave straight on a =
single hand, then, it's going to work all over the keyboard as well.<br> =
<br>you can point some advantages out, i know, but the above reason is =
enough to be taken as a serious arduousness.<br><br>well, all of that if =
you plan to play some difficult music, but for loud noise or quite =
ambient stuff there's nothing like them.</div> </div><br>-- <br>Raul =
Bonell at Blogger: <a =
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a>=
<br>Chain Tape Collective: <a =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</a><br>=
<br> </blockquote></div><br></div></body></html>=

--Boundary_(ID_ExkpDDmaTA2gJKpu1l3HOg)--

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Date: Thu, 25 Feb 2010 00:09:57 +0100
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Subject: Re: Chapman Stick looping
From: Raul Bonell <raul.bonell@gmail.com>
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the basic technic uses to be easy on the majority of instruments. well,
there's the didjeridoo ...

2010/2/24 Toby Graves <carpet8@mac.com>

> What Per said was the basic technique is easy, not the 2 hand coordination.
>  Basic tech=push string down to fretboard.
>
> t
>
> On Feb 24, 2010, at 2:50 PM, Raul Bonell wrote:
>
>
> 2010/2/24 Per Boysen <perboysen@gmail.com>
>
>>
>> Coolest point in my opinion is that you can improvise two lines
>> simultaneously. The Stick is very
>> easy to play, technically, bit the
>> challenge is to rewire your brain.
>
>
> i could not disagree more with you (at last! :-).
>
> for a newcomer to music, two-handed tapping instruments are even harder
> than the piano itself. and i use to play them both actually.
>
> movements take place in a plane (2D), which expands as the number of
> strings increases (12!), and, as in guitarworld, intervals are not the same
> length if moving onto another range. while in the piano, jumps are performed
> mainly on a line (1D), and, for instance, once you learn how to keep an
> octave straight on a single hand, then, it's going to work all over the
> keyboard as well.
>
> you can point some advantages out, i know, but the above reason is enough
> to be taken as a serious arduousness.
>
> well, all of that if you plan to play some difficult music, but for loud
> noise or quite ambient stuff there's nothing like them.
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6db2d81d4c81a048060c3e7
Content-Type: text/html; charset=ISO-8859-1
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the basic technic uses to be easy on the majority of instruments. well, the=
re&#39;s the didjeridoo ...<br><br><div class=3D"gmail_quote">2010/2/24 Tob=
y Graves <span dir=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">carpet8@m=
ac.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
What Per said was the basic technique is easy, not the 2 hand coordination.=
 =A0Basic tech=3Dpush string down to fretboard. =A0<div><br></div><div><fon=
t color=3D"#888888">t</font><div><div></div><div class=3D"h5"><br><div><div=
>On Feb 24, 2010, at 2:50 PM, Raul Bonell wrote:</div>
<br><blockquote type=3D"cite"><br><div class=3D"gmail_quote">2010/2/24 Per =
Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
 <br> Coolest point in my opinion is that you can improvise two lines<br> s=
imultaneously. The Stick is very<br> easy to play, technically, bit the<br>=
 challenge is to rewire your brain. </blockquote><div><span><span style=3D"=
background-color: rgb(255, 255, 255);" title=3D"no podr=EDa estar en mayor =
desacuerdo contigo"><br>
i could not disagree more with you (at last! :-).<br> </span></span><br>for=
 a newcomer to music, two-handed tapping instruments are even harder than t=
he piano itself. and i use to play them both actually.<br><br>movements tak=
e place in a plane (2D), which expands as the number of strings increases (=
12!), and, as in guitarworld, intervals are not the same length if moving o=
nto another range. while in the piano, jumps are performed mainly on a line=
 (1D), and, for instance, once you learn how to keep an octave straight on =
a single hand, then, it&#39;s going to work all over the keyboard as well.<=
br>
 <br>you can point some advantages out, i know, but the above reason is eno=
ugh to be taken as a serious arduousness.<br><br>well, all of that if you p=
lan to play some difficult music, but for loud noise or quite ambient stuff=
 there&#39;s nothing like them.</div>
 </div><br>-- <br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blog=
spot.com" target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tap=
e Collective: <a href=3D"http://www.ct-collective.com" target=3D"_blank">ht=
tp://www.ct-collective.com</a><br>
<br> </blockquote></div><br></div></div></div></div></blockquote></div><br>=
<br clear=3D"all"><br>-- <br>Raul Bonell at Blogger: <a href=3D"http://raul=
bonell.blogspot.com">http://raulbonell.blogspot.com</a><br>Chain Tape Colle=
ctive: <a href=3D"http://www.ct-collective.com">http://www.ct-collective.co=
m</a><br>
<br>

--0016e6db2d81d4c81a048060c3e7--

From Mohamme.dp15@autograf.pl  Wed Feb 24 23:28:42 2010
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Attn: Consignor.
 

This is to inform you that arrangements have been concluded as regards to the shipment of your consignment of funds to your country. I found out that this consignment has been lying here because of non-payment of shipment fees. I have used my discretion as the Shipment officer in charge of the Union Bank Vault/Security warehouse of Nigeria to dispatch the consignment. 

 
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Alhaji Mohammed Amar

 
Union Bank Vault/Security warehouse of Nigeria.
Call Me on +234-7033-448-436
Email: alhaji-mahammed45@hotmail.com

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 07:14:56 2010
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Subject: Digitech JamMan and loss of signal
From: Petri Lahtinen <aikuinen@gmail.com>
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I know that the forementioned pedal is not the looper pedal in any
professional way, but.
I was wondering, just to ask from other JamMan users, that how much do you
notice it affecting the guitar signal?
It never promised to be a true-bypass pedal, though. Not sure but there
arent any looping pedals out there with true-bypass?

Are there any workarounds for this. Sorry if this is too amateur question to
bother this list with.

-- 
Petri

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I know that the forementioned pedal is not the looper pedal in any professi=
onal way, but.<br>I was wondering, just to ask from other JamMan users, tha=
t how much do you notice it affecting the guitar signal?<br>It never promis=
ed to be a true-bypass pedal, though. Not sure but there arent any looping =
pedals out there with true-bypass?<br>
<br>Are there any workarounds for this. Sorry if this is too amateur questi=
on to bother this list with.<br clear=3D"all"><br>-- <br>Petri <br>

--0016e6d9773534c3a10480678a92--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 07:19:47 2010
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From: Toby Graves <carpet8@mac.com>
Subject: Re: Digitech JamMan and loss of signal
Date: Wed, 24 Feb 2010 23:17:11 -0800
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Any device can be made into true bypass if you have an external dpdt  
switch.

t
On Feb 24, 2010, at 11:14 PM, Petri Lahtinen wrote:

> I know that the forementioned pedal is not the looper pedal in any  
> professional way, but.
> I was wondering, just to ask from other JamMan users, that how much  
> do you notice it affecting the guitar signal?
> It never promised to be a true-bypass pedal, though. Not sure but  
> there arent any looping pedals out there with true-bypass?
>
> Are there any workarounds for this. Sorry if this is too amateur  
> question to bother this list with.
>
> -- 
> Petri

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 10:21:50 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Digitech JamMan and loss of signal
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hi Petri,
Digitech make so many of those pedals, so I expect
they follow the Boss/Roland philosophy of using 
cheaper components in the signal path in order to 
maximise profits. They know the average user will 
only compare the bypass sound with the sound of the effect
switched on...so a poor bypass just makes the effect sound
"even better". 

If the Digi-JamMan can run 100% wet then you can use it on an
fx send of a mixer. That solves your problem, in theory anyway.
If you're not using a mixer, then some kind of signal
splitter might work with what you have.
Or if you're using an amp with a parallel fx loop.


The EH Stereo Memory Man has true bypass.

Actually, you don't *need* hard bypass, you just need
*good* bypass, it could even end up sounding better.
Ironically the Dry part of the sound in most of the Electro Harmonix
stuff usually sounds (to me anyway) to be indistinguishable
to the hard bypassed sound, but they always have hard bypass anyway.

andy butler 

Petri Lahtinen wrote:
> I know that the forementioned pedal is not the looper pedal in any 
> professional way, but.
> I was wondering, just to ask from other JamMan users, that how much do 
> you notice it affecting the guitar signal?
> It never promised to be a true-bypass pedal, though. Not sure but there 
> arent any looping pedals out there with true-bypass?
> 
> Are there any workarounds for this. Sorry if this is too amateur 
> question to bother this list with.
> 
> -- 
> Petri

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 10:34:04 2010
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Subject: Re: Digitech JamMan and loss of signal
Date: Thu, 25 Feb 2010 05:33:43 -0500
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I don't notice any signal loss and you can set it up to actually boost you=
r signal if you want to so it shouldn't be an issue.


PJ





-----Original Message-----
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Feb 25, 2010 2:14 am
Subject: Digitech JamMan and loss of signal


I know that the forementioned pedal is not the looper pedal in any profess=
ional way, but.
I was wondering, just to ask from other JamMan users, that how much do you=
 notice it affecting the guitar signal?
It never promised to be a true-bypass pedal, though. Not sure but there ar=
ent any looping pedals out there with true-bypass?

Are there any workarounds for this. Sorry if this is too amateur question=
 to bother this list with.

--=20
Petri=20

=20

----------MB_8CC841D233BA136_35D8_18BC4_webmail-d052.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'>I don't notice any signal=
 loss and you can set it up to actually boost your signal if you want to=
 so it shouldn't be an issue.
<div><br>
</div>

<div>PJ<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">----=
-Original Message-----<br>
From: Petri Lahtinen &lt;aikuinen@gmail.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Thu, Feb 25, 2010 2:14 am<br>
Subject: Digitech JamMan and loss of signal<br>
<br>







<div id=3D"AOLMsgPart_2_8e4def1a-6578-4703-af3f-1df985098338">

I know that the forementioned pedal is not the looper pedal in any profess=
ional way, but.<br>
I was wondering, just to ask from other JamMan users, that how much do you=
 notice it affecting the guitar signal?<br>
It never promised to be a true-bypass pedal, though. Not sure but there ar=
ent any looping pedals out there with true-bypass?<br>

<br>
Are there any workarounds for this. Sorry if this is too amateur question=
 to bother this list with.<br clear=3D"all"><br>
-- <br>
Petri <br>


</div>
 <!-- end of AOLMsgPart_2_8e4def1a-6578-4703-af3f-1df985098338 -->



</div>
</div>
</font>

----------MB_8CC841D233BA136_35D8_18BC4_webmail-d052.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 10:34:53 2010
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From: Toby Graves <carpet8@mac.com>
Subject: Re: Digitech JamMan and loss of signal
Date: Thu, 25 Feb 2010 02:32:25 -0800
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There's also the problem of impedance matching, which may be  
partially solved by the effects loop as Andy mentioned.  If you have  
a real low impedance pedal following the Jam Man that can darken the  
signal.  But I'll draw you a bypass circuit with a switch if you want.


t



On Feb 25, 2010, at 2:22 AM, andy butler wrote:

> hi Petri,
> Digitech make so many of those pedals, so I expect
> they follow the Boss/Roland philosophy of using cheaper components  
> in the signal path in order to maximise profits. They know the  
> average user will only compare the bypass sound with the sound of  
> the effect
> switched on...so a poor bypass just makes the effect sound
> "even better".
> If the Digi-JamMan can run 100% wet then you can use it on an
> fx send of a mixer. That solves your problem, in theory anyway.
> If you're not using a mixer, then some kind of signal
> splitter might work with what you have.
> Or if you're using an amp with a parallel fx loop.
>
>
> The EH Stereo Memory Man has true bypass.
>
> Actually, you don't *need* hard bypass, you just need
> *good* bypass, it could even end up sounding better.
> Ironically the Dry part of the sound in most of the Electro Harmonix
> stuff usually sounds (to me anyway) to be indistinguishable
> to the hard bypassed sound, but they always have hard bypass anyway.
>
> andy butler
> Petri Lahtinen wrote:
>> I know that the forementioned pedal is not the looper pedal in any  
>> professional way, but.
>> I was wondering, just to ask from other JamMan users, that how  
>> much do you notice it affecting the guitar signal?
>> It never promised to be a true-bypass pedal, though. Not sure but  
>> there arent any looping pedals out there with true-bypass?
>> Are there any workarounds for this. Sorry if this is too amateur  
>> question to bother this list with.
>> -- 
>> Petri
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 12:11:43 2010
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Date: Thu, 25 Feb 2010 20:11:42 +0800
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Subject: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--005045013d2e91deef04806baf25
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Hi,
I just got the oberheim echoplex from the US. The only problem i'm facing is
that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
there any voltage selector on the oberheim echoplex so i can change it?
Thanx.
Halimski.

--005045013d2e91deef04806baf25
Content-Type: text/html; charset=ISO-8859-1
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<div>Hi,<br></div><div>I just got the oberheim echoplex from the US. The on=
ly problem i&#39;m facing is that the voltage in Malaysia is 240v and the e=
choplex i got is 120v. Is there any voltage selector on the oberheim echopl=
ex so i can change it? Thanx.</div>
<div></div><div>Halimski.</div>

--005045013d2e91deef04806baf25--

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Subject: subscribe Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
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--001636c92c89e969e604806bdb02
Content-Type: text/plain; charset=ISO-8859-1

Hi,
I just got the oberheim echoplex from the US. The only problem i'm facing is
that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
there any voltage selector on the oberheim echoplex so i can change it?
Thanx.
Halimski.

--001636c92c89e969e604806bdb02
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div>Hi,<br></div><div>I just got the oberheim echoplex from the US. Th=
e only problem i&#39;m facing is that the voltage in Malaysia is 240v and t=
he echoplex i got is 120v. Is there any voltage selector on the oberheim ec=
hoplex so i can change it? Thanx.</div>

<div>Halimski.</div>
<br>

--001636c92c89e969e604806bdb02--

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	 <4B864F48.7040805@tiscali.co.uk>
	 <5B0609DE-01AA-410E-96C8-927B17EE011C@mac.com>
Date: Thu, 25 Feb 2010 14:33:34 +0200
Message-ID: <c70841111002250433y56d5005fl958f8370b0a6c14e@mail.gmail.com>
Subject: Re: Digitech JamMan and loss of signal
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d46d7dcbaf3b04806bfda5
Content-Type: text/plain; charset=ISO-8859-1

I've been recommended these:

http://www.lehle.com/frameset.php?country=fi&lang=en

or:

http://www.robertkeeley.com/product.php?id=23

--0016e6d46d7dcbaf3b04806bfda5
Content-Type: text/html; charset=ISO-8859-1

I&#39;ve been recommended these:<br><br><a href="http://www.lehle.com/frameset.php?country=fi&amp;lang=en" target="_blank">http://www.lehle.com/frameset.php?country=fi&amp;lang=en</a><br>
<br>
or:<br>
<br>
<a href="http://www.robertkeeley.com/product.php?id=23" target="_blank">http://www.robertkeeley.com/product.php?id=23</a><br>

--0016e6d46d7dcbaf3b04806bfda5--

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Date: Thu, 25 Feb 2010 14:34:38 +0200
Message-ID: <c70841111002250434v76a38470hccf3279c9ccb4284@mail.gmail.com>
Subject: Re: Digitech JamMan and loss of signal
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7ee579df2a904806c0185
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I have the same instrument level going through the jamman, but something
gets lost in the way.
Warmth, lower end. But, maybe its just my imagination :-D

2010/2/25 <pjbmhb@aol.com>

> I don't notice any signal loss and you can set it up to actually boost your
> signal if you want to so it shouldn't be an issue.
>
>  PJ
>
>
>
>
> -----Original Message-----
> From: Petri Lahtinen <aikuinen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, Feb 25, 2010 2:14 am
> Subject: Digitech JamMan and loss of signal
>
>  I know that the forementioned pedal is not the looper pedal in any
> professional way, but.
> I was wondering, just to ask from other JamMan users, that how much do you
> notice it affecting the guitar signal?
> It never promised to be a true-bypass pedal, though. Not sure but there
> arent any looping pedals out there with true-bypass?
>
> Are there any workarounds for this. Sorry if this is too amateur question
> to bother this list with.
>
> --
> Petri
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d7ee579df2a904806c0185
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have the same instrument level going through the jamman, but something ge=
ts lost in the way.<br>Warmth, lower end. But, maybe its just my imaginatio=
n :-D<br><br><div class=3D"gmail_quote">2010/2/25  <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:pjbmhb@aol.com">pjbmhb@aol.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><font color=3D"bl=
ack" face=3D"arial" size=3D"2">I don&#39;t notice any signal loss and you c=
an set it up to actually boost your signal if you want to so it shouldn&#39=
;t be an issue.
<div><br>
</div>

<div>PJ<div class=3D"im"><br>
<br>

<div style=3D"clear: both;"></div>
<br>
<br>

<div style=3D"font-family: helvetica,arial; font-size: 10pt; color: black;"=
>-----Original Message-----<br>
From: Petri Lahtinen &lt;<a href=3D"mailto:aikuinen@gmail.com" target=3D"_b=
lank">aikuinen@gmail.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
Sent: Thu, Feb 25, 2010 2:14 am<br>
Subject: Digitech JamMan and loss of signal<br>
<br>







<div>

I know that the forementioned pedal is not the looper pedal in any professi=
onal way, but.<br>
I was wondering, just to ask from other JamMan users, that how much do you =
notice it affecting the guitar signal?<br>
It never promised to be a true-bypass pedal, though. Not sure but there are=
nt any looping pedals out there with true-bypass?<br>

<br>
Are there any workarounds for this. Sorry if this is too amateur question t=
o bother this list with.<br clear=3D"all"><br>
-- <br>
Petri <br>


</div>
=20



</div>
</div></div>
</font>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d7ee579df2a904806c0185--

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Date: Thu, 25 Feb 2010 20:38:20 +0800
Message-ID: <be6db5df1002250438h726f4b66m72c8584f93840871@mail.gmail.com>
Subject: re: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=001636d34fdcda9bbb04806c0e9e
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--001636d34fdcda9bbb04806c0e9e
Content-Type: text/plain; charset=ISO-8859-1

Hi,
I just got the oberheim echoplex from the US. The only problem i'm facing is
that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
there any voltage selector on the oberheim echoplex so i can change it?
Thanx.
Halimski.

--001636d34fdcda9bbb04806c0e9e
Content-Type: text/html; charset=ISO-8859-1

Hi,<br><div>I just got the oberheim echoplex from the US. The only problem i&#39;m facing is that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is there any voltage selector on the oberheim echoplex so i can change it? Thanx.</div>


<div>Halimski.</div>
<br>
<br>

--001636d34fdcda9bbb04806c0e9e--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:07:48 2010
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Date: Thu, 25 Feb 2010 07:07:45 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
To: Loopers-Delight@loopers-delight.com
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--0-459768556-1267110465=:35162
Content-Type: text/plain; charset=iso-8859-1
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I know more memory is better, generally speaking. I was going with the MB P=
ro configured with 2GB memory. What the be an issue in the immediate future=
? I know the rough memory requirements per O/S for Windows to function but =
have no clue as to the Mac.
=A0
Btw, thanks for the responses.
=A0
Regards, Paul

--- On Wed, 2/24/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:


From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, February 24, 2010, 11:03 AM


My 2ghz White macbook is fine so this should be OK.



Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com






On 24 Feb 2010, at 16:01, Paul Richards wrote:






Hi:
=A0
I have an opportunity to get a Macbook Pro 2.26Ghz version for a reasonable=
 price / payment arrangement through my workplace. would that be an accepta=
ble machine to use for audio needs? i.e. recording audio, possible looping,=
 virtual synthesizer use?=20
=A0
I'm currently a PC user and my desktop is getting old (although it's pretty=
 functional) but I need to add memory and don't necessarily want to keep sp=
ending money on a soon-to-be-obsolete machine (Dell 4600 desktop). Plus my =
disk dives are getting full. I had already replaced my power supply and gra=
phics card - both of which died.
=A0
Thanks for any comments/advice.
=A0
Regards, Paul

=0A=0A=0A      
--0-459768556-1267110465=:35162
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I know more memory is better, generally =
speaking. I was going with the MB Pro configured with 2GB memory. What the =
be an issue in the immediate future? I know the rough memory requirements p=
er O/S for Windows to function but have no clue as to the Mac.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Btw, thanks for the responses.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul<BR><BR>--- On <B>Wed, 2/24/10, Matt Stevens <I>&lt;matts=
tevensguitar@btinternet.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Matt Stevens &lt;mattstevensguitar@btintern=
et.com&gt;<BR>Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?<BR>T=
o: Loopers-Delight@loopers-delight.com<BR>Date: Wednesday, February 24, 201=
0, 11:03 AM<BR><BR>
<DIV id=3Dyiv1427321804>My 2ghz White macbook is fine so this should be OK.
<DIV><BR>
<DIV><SPAN class=3DApple-style-span style=3D"WORD-SPACING: 0px; FONT: 12px =
Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE=
-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans:=
 2; widows: 2"><SPAN class=3DApple-style-span style=3D"WORD-SPACING: 0px; F=
ONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: =
0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate=
; orphans: 2; widows: 2">
<DIV>Matt Stevens</DIV>
<DIV>www.mattstevensguitar.com</DIV>
<DIV><A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dmattstevens=
guitar@btinternet.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:mat=
tstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</A></DIV>
<DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR clas=
s=3DApple-interchange-newline></DIV><BR>
<DIV>
<DIV>On 24 Feb 2010, at 16:01, Paul Richards wrote:</DIV><BR class=3DApple-=
interchange-newline>
<BLOCKQUOTE type=3D"cite">
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>Hi:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I have an opportunity to get a Macbook Pro 2.26Ghz version for a reaso=
nable price / payment arrangement through my workplace. would that be an ac=
ceptable machine to use for audio needs? i.e. recording audio, possible loo=
ping, virtual synthesizer use? </DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm currently a PC user and my desktop is getting old (although it's p=
retty functional) but I need to add memory and don't necessarily want to ke=
ep spending money on a soon-to-be-obsolete machine (Dell 4600 desktop). Plu=
s my disk dives are getting full. I had already replaced my power supply an=
d graphics card - both of which died.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks for any comments/advice.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul</DIV></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></DIV><B=
R></DIV></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-459768556-1267110465=:35162--

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Date: Thu, 25 Feb 2010 07:12:35 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: looping computer
To: Loopers-Delight@loopers-delight.com
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hello,=0A=0AI am a poet composer and performer, both French and American. I=
 have been lurking and interjecting on this list for a while. I am now faci=
ng some serious engagements which will call for looping and must make some =
choices; would appreciate some help and feed back.=0A=0AMy main looping too=
ls=A0are a Loperlative=A0LP1 and a Big Little Giant footpedal. Input come f=
rom : voice, various acoustic and electronic percussion and chapman stick.=
=0A=0AI have excluded an older=A0PowerBook laptop with Ableton Live from my=
 set up, because at the time, looping tools in software were too rigid. Als=
o, I have an aversion to looking at screens on stage; I am a performer I wa=
nt to look at people when I perform, not screens!=0A=0AAnyway, getting to t=
he point after this digression: I am faced with the necessity of using wind=
ows to edit the Gordius foot pedal and other synths and devices in my setup=
. I have been offered a used ACER Aspire 5672 WLMi for 200eu (300 us dollar=
s) but was also told his is not a reliable computer. Being a=A0Mac user for=
 a quarter of a century, I am immediately drawn to getting a 13 inch MacBoo=
k pro. Not the same price but a better investment, I believe.=0A=0ACan I re=
ly on Paralells to give me a good windows environment : Gordius editor, Spe=
ctralis editor, etc... Should I use Windows XP pro or will a lesser system =
do the trick=0A=0AI have a Yamaha board with a MLan card in it, this MacBoo=
k could also be my recording machine on stage.=0A=0AAnyway, that's the stor=
y-)=0A=0AAntony Hequet=0A=0Awww.antonyhequet.com=0Awww.mund.fr=0A=0A=0A    =
  

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:22:17 2010
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Date: Thu, 25 Feb 2010 09:21:11 -0600
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On Feb 25, 2010, at 9:07 AM, Paul Richards wrote:

> I know more memory is better, generally speaking. I was going with  
> the MB Pro configured with 2GB memory. What the be an issue in the  
> immediate future? I know t

I just bought a 13" MBP with a 2.53 GHz processor. It comes standard  
with 4 GB of memory. I think you might consider doing the same. It's  
worth the extra cash for the extra processor speed and memory, imho.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On Feb 25, 2010, at 9:07 AM, Paul Richards wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"><div>I know more memory is better, generally speaking. I was going with the MB Pro configured with 2GB memory. What the be an issue in the immediate future? I know t</div></td></tr></tbody></table></blockquote><div><br></div><div>I just bought a 13" MBP with a 2.53 GHz processor. It comes standard with 4 GB of memory. I think you might consider doing the same. It's worth the extra cash for the extra processor speed and memory, imho.</div><div><br></div><div>Jeff</div></div></body></html>
--Apple-Mail-13-1041262437--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:27:25 2010
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--000e0cdf6d8851864904806e6bad
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I wouldnt rely on Parralels.. it gave me some surprisingly GOOD results, but
I wouldnt rely on it Maybe a widows partition on your mac with bootcamp
would be ok tho...,do you need both running at once (win and mac) or can you
reboot?

Mark

On Thu, Feb 25, 2010 at 4:12 PM, <antonyhequet@yahoo.com> wrote:

> hello,
>
> I am a poet composer and performer, both French and American. I have been
> lurking and interjecting on this list for a while. I am now facing some
> serious engagements which will call for looping and must make some choices;
> would appreciate some help and feed back.
>
> My main looping tools are a Loperlative LP1 and a Big Little Giant
> footpedal. Input come from : voice, various acoustic and electronic
> percussion and chapman stick.
>
> I have excluded an older PowerBook laptop with Ableton Live from my set up,
> because at the time, looping tools in software were too rigid. Also, I have
> an aversion to looking at screens on stage; I am a performer I want to look
> at people when I perform, not screens!
>
> Anyway, getting to the point after this digression: I am faced with the
> necessity of using windows to edit the Gordius foot pedal and other synths
> and devices in my setup. I have been offered a used ACER Aspire 5672 WLMi
> for 200eu (300 us dollars) but was also told his is not a reliable computer.
> Being a Mac user for a quarter of a century, I am immediately drawn to
> getting a 13 inch MacBook pro. Not the same price but a better investment, I
> believe.
>
> Can I rely on Paralells to give me a good windows environment : Gordius
> editor, Spectralis editor, etc... Should I use Windows XP pro or will a
> lesser system do the trick
>
> I have a Yamaha board with a MLan card in it, this MacBook could also be my
> recording machine on stage.
>
> Anyway, that's the story-)
>
> Antony Hequet
>
> www.antonyhequet.com
> www.mund.fr
>
>
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cdf6d8851864904806e6bad
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I wouldnt rely on Parralels.. it gave me some surprisingly GOOD results, bu=
t I wouldnt rely on it Maybe a widows partition on your mac with bootcamp w=
ould be ok tho...,do you need both running at once (win and mac) or can you=
 reboot?<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Thu, Feb 25, 2010 at 4:12 PM,=
  <span dir=3D"ltr">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyheq=
uet@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">

hello,<br>
<br>
I am a poet composer and performer, both French and American. I have been l=
urking and interjecting on this list for a while. I am now facing some seri=
ous engagements which will call for looping and must make some choices; wou=
ld appreciate some help and feed back.<br>


<br>
My main looping tools=A0are a Loperlative=A0LP1 and a Big Little Giant foot=
pedal. Input come from : voice, various acoustic and electronic percussion =
and chapman stick.<br>
<br>
I have excluded an older=A0PowerBook laptop with Ableton Live from my set u=
p, because at the time, looping tools in software were too rigid. Also, I h=
ave an aversion to looking at screens on stage; I am a performer I want to =
look at people when I perform, not screens!<br>


<br>
Anyway, getting to the point after this digression: I am faced with the nec=
essity of using windows to edit the Gordius foot pedal and other synths and=
 devices in my setup. I have been offered a used ACER Aspire 5672 WLMi for =
200eu (300 us dollars) but was also told his is not a reliable computer. Be=
ing a=A0Mac user for a quarter of a century, I am immediately drawn to gett=
ing a 13 inch MacBook pro. Not the same price but a better investment, I be=
lieve.<br>


<br>
Can I rely on Paralells to give me a good windows environment : Gordius edi=
tor, Spectralis editor, etc... Should I use Windows XP pro or will a lesser=
 system do the trick<br>
<br>
I have a Yamaha board with a MLan card in it, this MacBook could also be my=
 recording machine on stage.<br>
<br>
Anyway, that&#39;s the story-)<br>
<br>
Antony Hequet<br>
<br>
<a href=3D"http://www.antonyhequet.com" target=3D"_blank">www.antonyhequet.=
com</a><br>
<a href=3D"http://www.mund.fr" target=3D"_blank">www.mund.fr</a><br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cdf6d8851864904806e6bad--

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<br> Dear HSBC Online Customer,<br>
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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:36:04 2010
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Subject: RE: Voltage Selector For Oberheim Echoplex
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is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine

Date: Thu=2C 25 Feb 2010 20:38:20 +0800
Subject: re: Voltage Selector For Oberheim Echoplex
From: halimzainal@gmail.com
To: Loopers-Delight@loopers-delight.com

Hi=2C
I just got the oberheim echoplex from the US. The only problem i'm facing i=
s that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is t=
here any voltage selector on the oberheim echoplex so i can change it? Than=
x.


Halimski.



 		 	   		 =20
_________________________________________________________________
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
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<body class=3D'hmmessage'>
is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine<br><br><hr id=3D"sto=
pSpelling">Date: Thu=2C 25 Feb 2010 20:38:20 +0800<br>Subject: re: Voltage =
Selector For Oberheim Echoplex<br>From: halimzainal@gmail.com<br>To: Looper=
s-Delight@loopers-delight.com<br><br>Hi=2C<br><div>I just got the oberheim =
echoplex from the US. The only problem i'm facing is that the voltage in Ma=
laysia is 240v and the echoplex i got is 120v. Is there any voltage selecto=
r on the oberheim echoplex so i can change it? Thanx.</div>


<div>Halimski.</div>
<br>
<br> 		 	   		  <br /><hr />Not got a Hotmail account? <a href=3D'http://cl=
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Date: Thu, 25 Feb 2010 07:36:26 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: looping computer
To: Loopers-Delight@loopers-delight.com
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--0-419404841-1267112186=:45077
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it is more convenient=A0to have both running but I can reboot no problem, b=
oot camp more reliable? I am really worried about spending hours configurin=
g these things. My last experience in this area is very old (1999) but opai=
nful enough that I still remember it;) That's why I am seeking advice...=0A=
=0A=0A=0A=0A________________________________=0AFrom: mark francombe <mark@m=
arkfrancombe.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Thu, Fe=
bruary 25, 2010 4:27:02 PM=0ASubject: Re: looping computer=0A=0AI wouldnt r=
ely on Parralels.. it gave me some surprisingly GOOD results, but I wouldnt=
 rely on it Maybe a widows partition on your mac with bootcamp would be ok =
tho...,do you need both running at once (win and mac) or can you reboot?=0A=
=0AMark=0A=0A=0AOn Thu, Feb 25, 2010 at 4:12 PM, <antonyhequet@yahoo.com> w=
rote:=0A=0Ahello,=0A>=0A>I am a poet composer and performer, both French an=
d American. I have been lurking and interjecting on this list for a while. =
I am now facing some serious engagements which will call for looping and mu=
st make some choices; would appreciate some help and feed back.=0A>=0A>My m=
ain looping tools=A0are a Loperlative=A0LP1 and a Big Little Giant footpeda=
l. Input come from : voice, various acoustic and electronic percussion and =
chapman stick.=0A>=0A>I have excluded an older=A0PowerBook laptop with Able=
ton Live from my set up, because at the time, looping tools in software wer=
e too rigid. Also, I have an aversion to looking at screens on stage; I am =
a performer I want to look at people when I perform, not screens!=0A>=0A>An=
yway, getting to the point after this digression: I am faced with the neces=
sity of using windows to edit the Gordius foot pedal and other synths and d=
evices in my setup. I have been offered a used ACER Aspire 5672 WLMi for 20=
0eu (300 us dollars) but was also told his is not a reliable computer. Bein=
g a=A0Mac user for a quarter of a century, I am immediately drawn to gettin=
g a 13 inch MacBook pro. Not the same price but a better investment, I beli=
eve.=0A>=0A>Can I rely on Paralells to give me a good windows environment :=
 Gordius editor, Spectralis editor, etc... Should I use Windows XP pro or w=
ill a lesser system do the trick=0A>=0A>I have a Yamaha board with a MLan c=
ard in it, this MacBook could also be my recording machine on stage.=0A>=0A=
>Anyway, that's the story-)=0A>=0A>Antony Hequet=0A>=0A>www.antonyhequet.co=
m=0A>www.mund.fr=0A>=0A>=0A>=0A>=0A>=0A=0A=0A-- =0Awww.markfrancombe.com=0A=
http://vimeo.com/user825094=0Ahttp://uk.youtube.com/user/markfrancombe=0Aht=
tp://www.myspace.com/markfrancombe=0Ahttp://www.looop.no/shop/catlabel.php?=
q=3DSynch%20Non%20Synch=0A=0A=0A=0A      
--0-419404841-1267112186=:45077
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><DIV>it is more convenient&nbsp;to have both running but I can reboot =
no problem, boot camp more reliable? I am really worried about spending hou=
rs configuring these things. My last experience in this area is very old (1=
999) but opainful enough that I still remember it;) That's why I am seeking=
 advice...<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 14pt; FONT-FAMILY: arial, h=
elvetica, sans-serif"><BR>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: ti=
mes new roman, new york, times, serif"><FONT face=3DTahoma size=3D2>=0A<HR =
SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> mark fran=
combe &lt;mark@markfrancombe.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold=
">To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"F=
ONT-WEIGHT: bold">Sent:</SPAN></B> Thu, February 25, 2010 4:27:02 PM<BR><B>=
<SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: looping computer<=
BR></FONT><BR>I wouldnt rely on Parralels.. it gave me some surprisingly GO=
OD results, but I wouldnt rely on it Maybe a widows partition on your mac w=
ith bootcamp would be ok tho...,do you need both running at once (win and m=
ac) or can you reboot?<BR><BR>Mark<BR><BR>=0A<DIV class=3Dgmail_quote>On Th=
u, Feb 25, 2010 at 4:12 PM, <SPAN dir=3Dltr>&lt;<A href=3D"mailto:antonyheq=
uet@yahoo.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:antonyheque=
t@yahoo.com">antonyhequet@yahoo.com</A>&gt;</SPAN> wrote:<BR>=0A<BLOCKQUOTE=
 class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex;=
 BORDER-LEFT: rgb(204,204,204) 1px solid">hello,<BR><BR>I am a poet compose=
r and performer, both French and American. I have been lurking and interjec=
ting on this list for a while. I am now facing some serious engagements whi=
ch will call for looping and must make some choices; would appreciate some =
help and feed back.<BR><BR>My main looping tools&nbsp;are a Loperlative&nbs=
p;LP1 and a Big Little Giant footpedal. Input come from : voice, various ac=
oustic and electronic percussion and chapman stick.<BR><BR>I have excluded =
an older&nbsp;PowerBook laptop with Ableton Live from my set up, because at=
 the time, looping tools in software were too rigid. Also, I have an aversi=
on to looking at screens on stage; I am a performer I want to look at peopl=
e when I perform, not screens!<BR><BR>Anyway, getting to the point after th=
is digression: I am faced with the necessity of using windows
 to edit the Gordius foot pedal and other synths and devices in my setup. I=
 have been offered a used ACER Aspire 5672 WLMi for 200eu (300 us dollars) =
but was also told his is not a reliable computer. Being a&nbsp;Mac user for=
 a quarter of a century, I am immediately drawn to getting a 13 inch MacBoo=
k pro. Not the same price but a better investment, I believe.<BR><BR>Can I =
rely on Paralells to give me a good windows environment : Gordius editor, S=
pectralis editor, etc... Should I use Windows XP pro or will a lesser syste=
m do the trick<BR><BR>I have a Yamaha board with a MLan card in it, this Ma=
cBook could also be my recording machine on stage.<BR><BR>Anyway, that's th=
e story-)<BR><BR>Antony Hequet<BR><BR><A href=3D"http://www.antonyhequet.co=
m/" target=3D_blank rel=3Dnofollow>www.antonyhequet.com</A><BR><A href=3D"h=
ttp://www.mund.fr/" target=3D_blank rel=3Dnofollow>www.mund.fr</A><BR><BR><=
BR><BR><BR></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- <BR><A
 href=3D"http://www.markfrancombe.com/" target=3D_blank rel=3Dnofollow>www.=
markfrancombe.com</A><BR>http://vimeo.com/user825094<BR>http://uk.youtube.c=
om/user/markfrancombe<BR>http://www.myspace.com/markfrancombe<BR>http://www=
.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch<BR></DIV></DIV></div><b=
r>=0A=0A      </body></html>
--0-419404841-1267112186=:45077--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:43:46 2010
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Subject: Re: looping computer
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antonyhequet@yahoo.com wrote:
> Can I rely on Paralells to give me a good windows environment : Gordius editor, Spectralis editor, etc...

Latest word on the Gordius list seemed to cast some doubt about parallels.
...check with Xavier.


> Should I use Windows XP pro or will a lesser system do the trick

Windows XP Home shouldn't have any disadvantages
(as long as you put password on the hidden admin account, or don't go online)

andy


From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 15:58:31 2010
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Date: Thu, 25 Feb 2010 10:58:19 -0500
Message-ID: <9e0440a61002250758y6a5451bdv440e291878f6e75@mail.gmail.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174785ec017e7504806eda30
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Paul probably good idea re a new one the 13" I think is @1400 if you can
swing.  At the time I was limited to a 1K budget and this 17 came along
which has been great as verbalized save the screen.  However it is as
pointed out limited to 2 gig which OS X has been better mem manager for my
money prior to Win 7.  NOw that MS has released a 64 bit OS given the
hardware for it it's a better world for them.  My son has a new PC we buitl
over Xmas with 64 bit compliant parts and it's pretty cool box with Win 7
64.  That said I still favor OS X with my 2 gig however the newer INtel
MBP's as Jeff pointed come with and can handle I think up to 8 gig correct
me if wrong here.

In end all depends on much cash you can budget for this box.

Jim

On Thu, Feb 25, 2010 at 10:21 AM, Jeff Shirkey <jcshirke@verizon.net> wrote:

>
> On Feb 25, 2010, at 9:07 AM, Paul Richards wrote:
>
> I know more memory is better, generally speaking. I was going with the MB
> Pro configured with 2GB memory. What the be an issue in the immediate
> future? I know t
>
>
> I just bought a 13" MBP with a 2.53 GHz processor. It comes standard with 4
> GB of memory. I think you might consider doing the same. It's worth the
> extra cash for the extra processor speed and memory, imho.
>
> Jeff
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174785ec017e7504806eda30
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Paul probably good idea re a new one the 13&quot; I think is @1400 if you c=
an swing.=A0 At the time I was limited to a 1K budget and this 17 came alon=
g which has been great as verbalized save the screen.=A0 However it is as p=
ointed out limited to 2 gig which OS X has been better mem manager for my m=
oney prior to Win 7.=A0 NOw that MS has released a 64 bit OS given the hard=
ware for it it&#39;s a better world for them.=A0 My son has a new PC we bui=
tl over Xmas with 64 bit compliant parts and it&#39;s pretty cool box with =
Win 7 64.=A0 That said I still favor OS X with my 2 gig however the newer I=
Ntel MBP&#39;s as Jeff pointed come with and can handle I think up to 8 gig=
 correct me if wrong here.<br>
<br>In end all depends on much cash you can budget for this box.<br><br>Jim=
<br><br><div class=3D"gmail_quote">On Thu, Feb 25, 2010 at 10:21 AM, Jeff S=
hirkey <span dir=3D"ltr">&lt;<a href=3D"mailto:jcshirke@verizon.net">jcshir=
ke@verizon.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;"><br><div><div class=3D"im"><div>On Feb 25, 2010, at 9:=
07 AM, Paul Richards wrote:</div>
<br><blockquote type=3D"cite"><table border=3D"0" cellpadding=3D"0" cellspa=
cing=3D"0"><tbody><tr><td style=3D"font-family: inherit; font-style: inheri=
t; font-variant: inherit; font-weight: inherit; font-size: inherit; line-he=
ight: inherit; font-size-adjust: inherit; font-stretch: inherit;" valign=3D=
"top">
<div>I know more memory is better, generally speaking. I was going with the=
 MB Pro configured with 2GB memory. What the be an issue in the immediate f=
uture? I know t</div></td></tr></tbody></table></blockquote><div><br></div>
</div><div>I just bought a 13&quot; MBP with a 2.53 GHz processor. It comes=
 standard with 4 GB of memory. I think you might consider doing the same. I=
t&#39;s worth the extra cash for the extra processor speed and memory, imho=
.</div>
<div><br></div><font color=3D"#888888"><div>Jeff</div></font></div></div></=
blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective t=
extural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com=
/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
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g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0015174785ec017e7504806eda30--

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 16:12:03 2010
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Date: Thu, 25 Feb 2010 17:11:59 +0100
Message-ID: <66f9cc1e1002250811l142ab3ci714b566905a99344@mail.gmail.com>
Subject: Re: looping computer
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I agree with former speakers that XP is fine on a Mac's bootcamp
partition. I replaced my old looping rig PC with a Macbook running XP
by Bootcamp and it was perfect! Parallels is recommended to stay away
from by digital audio authorities. When I created my XP installation
partition on my Macbook I formatted it as FAT32 which makes it
possible to use the Windows partition just as any folder on the Mac
when working in OS X.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Feb 25, 2010 at 4:12 PM,  <antonyhequet@yahoo.com> wrote:
> hello,
>
> I am a poet composer and performer, both French and American. I have been=
 lurking and interjecting on this list for a while. I am now facing some se=
rious engagements which will call for looping and must make some choices; w=
ould appreciate some help and feed back.
>
> My main looping tools=C2=A0are a Loperlative=C2=A0LP1 and a Big Little Gi=
ant footpedal. Input come from : voice, various acoustic and electronic per=
cussion and chapman stick.
>
> I have excluded an older=C2=A0PowerBook laptop with Ableton Live from my =
set up, because at the time, looping tools in software were too rigid. Also=
, I have an aversion to looking at screens on stage; I am a performer I wan=
t to look at people when I perform, not screens!
>
> Anyway, getting to the point after this digression: I am faced with the n=
ecessity of using windows to edit the Gordius foot pedal and other synths a=
nd devices in my setup. I have been offered a used ACER Aspire 5672 WLMi fo=
r 200eu (300 us dollars) but was also told his is not a reliable computer. =
Being a=C2=A0Mac user for a quarter of a century, I am immediately drawn to=
 getting a 13 inch MacBook pro. Not the same price but a better investment,=
 I believe.
>
> Can I rely on Paralells to give me a good windows environment : Gordius e=
ditor, Spectralis editor, etc... Should I use Windows XP pro or will a less=
er system do the trick
>
> I have a Yamaha board with a MLan card in it, this MacBook could also be =
my recording machine on stage.
>
> Anyway, that's the story-)
>
> Antony Hequet
>
> www.antonyhequet.com
> www.mund.fr
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 16:22:59 2010
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Date: Thu, 25 Feb 2010 17:22:57 +0100
Message-ID: <66f9cc1e1002250822y27ad1b4dw28b7cf82e794cb86@mail.gmail.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
From: Per Boysen <perboysen@gmail.com>
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On Thu, Feb 25, 2010 at 4:07 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
>
> I know more memory is better, generally speaking. I was going with the MB Pro configured with 2GB memory. What the be an issue in the immediate future? I know the rough memory requirements per O/S for Windows to function but have no clue as to the Mac.


Two GB should do fine for audio recoding, if going moderately. You
would need more RAM if for example running heavy sampler plugins while
carrying out your audio recordings. More than 4 GB RAM is only
possible to utilize if you run a 64 bit OS with 64 bit compliant
software. I tried that on my Mac (with 4 GB RAM) and found no positive
effect at all. But as said, producer colleges that run dense sample
libraries do indeed report a huge relief from using 8 or more.

For live looping application it seems RAM is less important. I looped
a lot on a windows xp box with only 1 GB RAM and I was creating many
parallel loops of several minute's length in Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From info@compensation.com  Thu Feb 25 16:24:22 2010
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Reply-To: <paulnelson112@yahoo.co.jp>
From: "ECONOMIC & FINANCIAL CRIME COMMISSION (EFCC)"<info@compensation.com>
Subject: Attn: Beneficiary... Your Compesnation of US$2.5Million (Recovery Fund)
Date: Wed, 24 Feb 2010 15:26:05 -0800
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To: undisclosed-recipients:;

ECONOMIC & FINANCIAL CRIME COMMISSION
(EFCC) FOREIGN OPERATIONS DEPT,

Attn: Beneficiary,

I am Mrs. Farida Waziri the chairman of ECONOMIC & FINANCIAL CRIME COMMISSION (EFCC). EFCC in alliance with economic community of West African states (ECOWAS) with head Office here in Nigeria. We have been working towards the eradication of fraudsters and scam Artists in Western part of Africa With the help of United States Government and the United Nations.

We have been able to track down so many of this scam artist in various parts of west African countries which includes (NIGERIA, REPUBLIC OF BENIN, TOGO, GHANA CAMEROUN AND SENEGAL) and they are all in our custody here in Lagos Nigeria.

We have been able to recover so much money from these scam artists. The United Nation Anti-crime commission and the United State Government have ordered the money recovered from the Scammers to be shared among 100 Lucky people around the globe.

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CONTACT PERSON: MR. PAUL NELSON.

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CONTACT TELEPHONE: +234-8034600663.

Provide the information bellow to enable the processing of your Online Banking Account for deposition of your total compensated fund.

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Best Regard,

Mrs. Farida Waziri
CHAIRMAN ECONOMIC & FINANCIAL CRIME COMMISSION
(EFCC) FOREIGN OPERATIONS DEPT, NIGERIA PLC,
LAGOS-NIGERIA.

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 16:28:30 2010
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Date: Thu, 25 Feb 2010 08:28:22 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: looping computer
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Thanks I will check with Xavier.
Antony Hequet

Sent from my iPhone

On Feb 25, 2010, at 4:43 PM, andy butler <akbutler@tiscali.co.uk> wrote:

antonyhequet@yahoo.com wrote:
Can I rely on Paralells to give me a good windows environment : Gordius editor, Spectralis editor, etc...

Latest word on the Gordius list seemed to cast some doubt about parallels.
...check with Xavier.


Should I use Windows XP pro or will a lesser system do the trick

Windows XP Home shouldn't have any disadvantages
(as long as you put password on the hidden admin account, or don't go online)

andy





      

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Date: Thu, 25 Feb 2010 08:29:30 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: looping computer
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That sounds perfect then Per
Antony

Sent from my iPhone

On Feb 25, 2010, at 5:11 PM, Per Boysen <perboysen@gmail.com> wrote:

I agree with former speakers that XP is fine on a Mac's bootcamp
partition. I replaced my old looping rig PC with a Macbook running XP
by Bootcamp and it was perfect! Parallels is recommended to stay away
from by digital audio authorities. When I created my XP installation
partition on my Macbook I formatted it as FAT32 which makes it
possible to use the Windows partition just as any folder on the Mac
when working in OS X.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Feb 25, 2010 at 4:12 PM,  <antonyhequet@yahoo.com> wrote:
hello,

I am a poet composer and performer, both French and American. I have been lurking and interjecting on this list for a while. I am now facing some serious engagements which will call for looping and must make some choices; would appreciate some help and feed back.

My main looping tools are a Loperlative LP1 and a Big Little Giant footpedal. Input come from : voice, various acoustic and electronic percussion and chapman stick.

I have excluded an older PowerBook laptop with Ableton Live from my set up, because at the time, looping tools in software were too rigid. Also, I have an aversion to looking at screens on stage; I am a performer I want to look at people when I perform, not screens!

Anyway, getting to the point after this digression: I am faced with the necessity of using windows to edit the Gordius foot pedal and other synths and devices in my setup. I have been offered a used ACER Aspire 5672 WLMi for 200eu (300 us dollars) but was also told his is not a reliable computer. Being a Mac user for a quarter of a century, I am immediately drawn to getting a 13 inch MacBook pro. Not the same price but a better investment, I believe.

Can I rely on Paralells to give me a good windows environment : Gordius editor, Spectralis editor, etc... Should I use Windows XP pro or will a lesser system do the trick

I have a Yamaha board with a MLan card in it, this MacBook could also be my recording machine on stage.

Anyway, that's the story-)

Antony Hequet

www.antonyhequet.com
www.mund.fr









      

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 16:43:24 2010
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Date: Fri, 26 Feb 2010 00:43:23 +0800
Message-ID: <be6db5df1002250843k6609c781i113c029f825079f1@mail.gmail.com>
Subject: Re: Voltage Selector For Oberheim Echoplex
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi,
Yeah it's on the back. I'm a bit scared to touch it. But might as well try.
Mine was originally set to 115v when i received it (is yours the same? 115v
and 240v). Thanx a lot for your help.

On Thu, Feb 25, 2010 at 11:31 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  is there not a simple switch on the back marked as 120 that you slide over
> with a small screwdriver to read 240? there is on mine
>
> ------------------------------
> Date: Thu, 25 Feb 2010 20:38:20 +0800
> Subject: re: Voltage Selector For Oberheim Echoplex
> From: halimzainal@gmail.com
>
> To: Loopers-Delight@loopers-delight.com
>
> Hi,
> I just got the oberheim echoplex from the US. The only problem i'm facing
> is that the voltage in Malaysia is 240v and the echoplex i got is 120v. Is
> there any voltage selector on the oberheim echoplex so i can change it?
> Thanx.
> Halimski.
>
>
>
> ------------------------------
> Not got a Hotmail account? Sign-up now - Free<http://clk.atdmt.com/UKM/go/197222280/direct/01/>
>

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<div>Hi,<br></div><div>Yeah it&#39;s on the back. I&#39;m a bit scared to t=
ouch it. But might as well try. Mine was originally set to 115v when i rece=
ived it (is yours the same? 115v and 240v). Thanx a lot for your help.</div=
>
<br><div class=3D"gmail_quote">On Thu, Feb 25, 2010 at 11:31 PM, phillip wi=
lson <span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilson@hotmail.com">phill=
wilson@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"=
>




<div>
is there not a simple switch on the back marked as 120 that you slide over =
with a small screwdriver to read 240? there is on mine<br><br><hr>Date: Thu=
, 25 Feb 2010 20:38:20 +0800<br>Subject: re: Voltage Selector For Oberheim =
Echoplex<br>
From: <a href=3D"mailto:halimzainal@gmail.com" target=3D"_blank">halimzaina=
l@gmail.com</a><div class=3D"im"><br>To: <a href=3D"mailto:Loopers-Delight@=
loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com<=
/a><br>
<br></div><div class=3D"im">Hi,<br><div>I just got the oberheim echoplex fr=
om the US. The only problem i&#39;m facing is that the voltage in Malaysia =
is 240v and the echoplex i got is 120v. Is there any voltage selector on th=
e oberheim echoplex so i can change it? Thanx.</div>



<div>Halimski.</div>
<br>
<br> 		 	   		  <br></div><div class=3D"hm"><hr>Not got a Hotmail account? =
<a href=3D"http://clk.atdmt.com/UKM/go/197222280/direct/01/" target=3D"_bla=
nk">Sign-up now - Free</a></div></div>
</blockquote></div><br>

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Date: Thu, 25 Feb 2010 12:09:11 -0500
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll conclude
the month-long Special Focus on E=motion.  The Featured CD at Midnight
will be "E-ternity" on Underwater Music.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#feb

In the first hour of the show, Radio Massacre International's Steve
Dinsdale (UK) will pay a visit for an interview and a live performance
with the assistance of two musicians from the local band Xeroid Entity.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 17:39:20 2010
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Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
Date: Thu, 25 Feb 2010 10:37:49 -0600
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>
> Two GB should do fine for audio recoding, if going moderately. You
> would need more RAM if for example running heavy sampler plugins while
> carrying out your audio recordings.

On a somewhat related note, someone told me that I should probably  
replace my MBP's internal 5400 rpm drive with a 7200 rpm/500 GB drive  
because I have 3 or 4 large sample libraries on my machine. I'm sure I  
will need to stream some of those samples in Live 8, but I'm not going  
to be using huge, multi-layered tracks live. I would say my usage of  
samples and audio would be moderate. Do any other Mac users think I  
should take his advice and swap out my drive, or is my 5400/320 GB  
drive most likely fine for my needs?

Thanks,

Jeff
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font>Two GB should do fine for audio recoding, =
if going moderately. You<br>would need more RAM if for example running =
heavy sampler plugins while<br>carrying out your audio =
recordings.&nbsp;</div></blockquote><br></div><div>On a somewhat related =
note, someone told me that I should probably replace my MBP's internal =
5400 rpm drive with a 7200 rpm/500 GB drive because I have 3 or 4 large =
sample libraries on my machine. I'm sure I will need to stream some of =
those samples in Live 8, but I'm not going to be using huge, =
multi-layered tracks live. I would say my usage of samples and audio =
would be moderate. Do any other Mac users think I should take his advice =
and swap out my drive, or is my 5400/320 GB drive most likely fine for =
my =
needs?</div><div><br></div><div>Thanks,</div><div><br></div><div>Jeff</div=
></body></html>=

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 .headerBanner {font-size: 18px; font-weight: bold;}
 td {font-family: verdana;}
 a:link {
	text-decoration: none;
	color: #4F352C;
}
a:visited {
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a:hover {
	text-decoration: none;
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a:active {
	text-decoration: none;
}
-->
</style>

<table cellSpacing=3D0 cellPadding=3D0 width=3D"100%" bgColor=3D#ffffff>
  <tbody>
  <tr>
    <td vAlign=3Dtop align=3Dmiddle>
      <center>
      <table cellSpacing=3D0 cellPadding=3D0 width=3D670 align=3Dcenter =
border=3D0>
        <tbody>
        <tr>
          <td align=3Dmiddle width=3D650 bgColor=3D#eaeff2><font =
face=3DArial=20
            size=3D2>Wenn diese E-Mail nicht richtig angezeigt wird, =
klicken Sie=20
            bitte <a=20
            =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mJEm&amp;e=3Dlooparc=
@loopers-delight.com"=20
            target=3D_blank>hier</a>.</font><br>            =
</td></tr></tbody></table>
      <table cellSpacing=3D0 cellPadding=3D0 width=3D670 align=3Dcenter =
border=3D0>
        <tbody>
        <tr>
          <td vAlign=3Dcenter><span class=3Ddate><a=20
            =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mJEm&amp;e=3Dlooparc=
@loopers-delight.com"=20
            target=3D_blank><img=20
            =
src=3D"http://www.oxford-business-news.com/images/obntitlec.gif"=20
            border=3D0></a></span></td>
        </tr></tbody></table>
      <table cellSpacing=3D0 cellPadding=3D0 width=3D670 align=3Dcenter =
bgColor=3D#ffffff=20
      border=3D0>
        <tbody>
        <tr>
          <td vAlign=3Dtop width=3D20 bgColor=3D#eaeff2 =
rowSpan=3D2>&nbsp;</td>
          <td vAlign=3Dtop width=3D385>
            <p><font face=3DArial size=3D2><br><a =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKX3&amp;e=3Dlooparc=
@loopers-delight.com"=20
           > Seit Januar 2010 ist es nach dem B=FCrgerentlastungsgesetzes =
allen Krankenversicherten erlaubt Ihre Kranken - und =
Pflegeversicherungsbeitr=E4ge als Sonderausgaben von der Steuer =
abzusetzen. Das bedeutet jeden Monat im ersten Moment ein monet=E4res Plus =
in der Geldb=F6rse.&gt;&gt;&gt;mehr </a></font><font face=3DArial =
size=3D2></a></font>       </p>
            <p><img=20
            =
src=3D"http://www.oxford-business-news.com/images/mhsignature.gif"><br><fon=
t=20
            face=3DArial size=3D2>Ihr Matthew Holmes =
<br>(Chefredakteur)</font></p>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D"100%" border=3D0>
              <tbody>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKaF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/capitalconsult_n=
eu_thumb.jpg.thumb.jpg" width=3D80=20
                  border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKaF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>3.808 =80 Steuerersparnis j=E4hrlich bei =
einem Ledigen mit 4.167 =80 brutto Monatseinkommen, so =
geht's!</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Denkt man an die =
letzten Jahre zur=FCck, gab es nicht gerade viele gute Nachrichten f=FCr =
Steuerzahler. Die Steuerlast wurde immer mehr, und die M=F6glichkeiten =
Steuern zu sparen wurden immer weniger. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKaF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4DwuF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/sodexo_thumb_0.j=
pg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4DwuF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Genussvolles =
Gehaltsextra</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Das Thema ist in =
aller Munde: Mehr Netto vom Brutto. Allerdings haben viele der   bislang =
von der Bundesregierung auf den Weg gebrachten Steuergesetz=E4nderungen   =
und Konjunkturpakete ein wesentliches Ziel nicht erreicht: Die Vorteile =
kommen   kaum bei den Arbeitnehmern an und sorgen nicht f=FCr den =
erhofften   Motivationskick. Doch der ist gerade in der Talsohle der =
Konjunkturkrise besonders wichtig.  <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4DwuF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 > &gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKGV&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/axa2_thumb.jpg.t=
humb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKGV&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Risiken fr=FCh =
erkennen, vermeiden und clever absichern!</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Bei =
Virenschutzprogrammen f=FChren die meisten Unternehmen regelm=E4=DFige =
Updates durch, um Gefahren abzuwenden - beim elementaren =
Versicherungsschutz herrscht jedoch gef=E4hrliche Nachl=E4ssigkeit. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKGV&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKX3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/pkv1_thumb.jpg.t=
humb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKX3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Eine =
Hiobsbotschaft jagt die n=E4chste bei den =
Krankenversicherungsbeitr=E4gen</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Seit Januar 2010 =
ist es nach dem B=FCrgerentlastungsgesetzes allen Krankenversicherten =
erlaubt Ihre Kranken - und Pflegeversicherungsbeitr=E4ge als =
Sonderausgaben von der Steuer abzusetzen. Das bedeutet jeden Monat im =
ersten Moment ein monet=E4res Plus in der Geldb=F6rse. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKX3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLdb&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/werbung1_thumb.j=
pg.thumb.jpg" width=3D"80" height=3D"80"=20
                  border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLdb&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Werbung einfach g=FCnstiger kaufen =96 =
so geht=B4s!</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Viele Unternehmen =
drosseln derzeit ihr Marketingbudget, um ihre Ausgaben zu senken - und =
wundern sich, dass dabei gleichzeitig ihre Einnahmen sinken. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLdb&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLtj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/tikara_thumb_0.j=
pg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLtj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Die gef=FChlte Marke =96 der =
umsatzsteigernde Werbetrend</a></strong></font> </p>
                    <p class=3D"style1"><font size=3D2>Die st=E4ndig =
steigende Informationsflut f=FChrt dazu, dass teure Fernsehwerbung einfach =
weggezappt wird, dass aufwendiggestaltete Anzeigen in Tageszeitungen =
sofort =FCberbl=E4ttert werden. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLtj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLJr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/hbsgmbh_thumb_0.=
jpg.thumb.jpg"=20
                  width=3D80 border=3D0></a><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D1YpeY&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLJr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Messest=E4nde, Promotionaktionen und =
Gro=DFveranstaltungen - alles mit einem Zeltsystem</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Die n=E4chste =
wichtige Messe, das Sommerfest auf dem Firmengel=E4nde oder eine =
wirkungsvolle Pr=E4sentation im Foyer Ihres Hauptgeb=E4udes - drei Dinge, =
die scheinbar wenig miteinander zu tun haben. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLJr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKqN&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/acn_thumb.jpg.th=
umb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKqN&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Businesstaugliche =
Videotelefonie im Praxistest mit Baul=F6we Donald =
Trump</strong></font></a></p>
                  <p class=3D"style1"><font size=3D2>Hand aufs Herz: =
Wirklich wichtige Gespr=E4che f=FChrt man auch im Zeitalter von E-Mail und =
Web 2.0 immer noch von Angesicht zu Angesicht. Gerade, wenn es um komplexe =
Vertragsverhandlungen, Erstkundengespr=E4che und Abschl=FCsse geht, ist es =
wichtig, seinem Gesch=E4ftspartner in die Augen schauen zu k=F6nnen. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKqN&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tbody></tbody></table></td>
          <td vAlign=3Dtop width=3D20 bgColor=3D#eaeff2 =
rowSpan=3D2>&nbsp;</td>
          <td vAlign=3Dtop align=3Dmiddle width=3D250 bgColor=3D#eaeff2 =
rowSpan=3D2>
            <div align=3Dleft> <br>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D231 =
align=3Dleft border=3D0>
              <tbody>
              <tr>
                <td vAlign=3Dtop width=3D231>
                  <p><strong><font face=3DArial size=3D2>In dieser=20
                  Ausgabe:</font></strong></p>
                  <table cellSpacing=3D0 cellPadding=3D0 width=3D"100%" =
border=3D0>
                    <tbody>
                   =20
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKaF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"=20
                       ><font size=3D2><strong>3.808 =80 Steuerersparnis =
j=E4hrlich bei einem Ledigen mit 4.167 =80 brutto Monatseinkommen, so =
geht's!</strong></font></a></td>
                    </tr>
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4DwuF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"=20
                       ><font size=3D2><strong>Genussvolles =
Gehaltsextra</strong></font></a></td>
                    </tr>
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKGV&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"=20
                       ><font size=3D2><strong>Risiken fr=FCh erkennen, =
vermeiden und clever absichern!</strong></font></a></td>
                    </tr>
                    <tr>
                      <td width=3D"5%" vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td width=3D"95%" vAlign=3Dtop><span =
class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mKX3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Eine =
Hiobsbotschaft jagt die n=E4chste bei den =
Krankenversicherungsbeitr=E4gen</strong></font></a></span></td>
                    </tr>
                  =20
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><span class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLdb&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Werbung einfach g=FCnstiger kaufen =96 =
so geht=B4s!</a></strong></font></span></td>
                    </tr>
                    <tr>
                      <td vAlign=3Dtop><img height=3D13=20
                        src=3D"http://oxford-business-news.com/arrow.gif"=20
                      width=3D10></td>
                      <td vAlign=3Dtop><span class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D4mLtj&amp;e=3Dlooparc=
@loopers-delight.com"=20
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umsatzsteigernde Werbetrend</a></strong></font></span></td>
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Oxford Business=20
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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 18:09:32 2010
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Date: Thu, 25 Feb 2010 13:09:22 -0500
Message-ID: <9e0440a61002251009n41621340od4818f57f3203c41@mail.gmail.com>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747671ab3b6db048070aed1
Content-Type: text/plain; charset=ISO-8859-1

I have a 7200 drive but mine is 120 GB.  I do a lot of Audacity and
Reaper/NinJam tracking (recording) and pulling edits as well as I do Final
Cut work on it.  For that latter the drive speed is more critical/beneficial
and I think is always not a bad thing.  Like memory or storage the more you
can afford the better.

While on this note of MBP's have any of you had the display issue I've
briefly described where it loses video in my case getting nothing but
vertical banding across the bottom 1/3.  Initiialy this started as a flicker
that I could squeeze the sides and it would settle down.  I had read online
that the MBP displays were known to have some kind of separation issue
between the display element and the physical backing.  I've also been told
it's probably worht opening and reseating the invertor board connection
which I'm actually about to do.

On Thu, Feb 25, 2010 at 11:37 AM, Jeff Shirkey <jcshirke@verizon.net> wrote:

>
> Two GB should do fine for audio recoding, if going moderately. You
> would need more RAM if for example running heavy sampler plugins while
> carrying out your audio recordings.
>
>
> On a somewhat related note, someone told me that I should probably replace
> my MBP's internal 5400 rpm drive with a 7200 rpm/500 GB drive because I have
> 3 or 4 large sample libraries on my machine. I'm sure I will need to stream
> some of those samples in Live 8, but I'm not going to be using huge,
> multi-layered tracks live. I would say my usage of samples and audio would
> be moderate. Do any other Mac users think I should take his advice and swap
> out my drive, or is my 5400/320 GB drive most likely fine for my needs?
>
> Thanks,
>
> Jeff
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747671ab3b6db048070aed1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have a 7200 drive but mine is 120 GB.=A0 I do a lot of Audacity and Reape=
r/NinJam tracking (recording) and pulling edits as well as I do Final Cut w=
ork on it.=A0 For that latter the drive speed is more critical/beneficial a=
nd I think is always not a bad thing.=A0 Like memory or storage the more yo=
u can afford the better.<br>
<br>While on this note of MBP&#39;s have any of you had the display issue I=
&#39;ve briefly described where it loses video in my case getting nothing b=
ut vertical banding across the bottom 1/3.=A0 Initiialy this started as a f=
licker that I could squeeze the sides and it would settle down.=A0 I had re=
ad online that the MBP displays were known to have some kind of separation =
issue between the display element and the physical backing.=A0 I&#39;ve als=
o been told it&#39;s probably worht opening and reseating the invertor boar=
d connection which I&#39;m actually about to do.<br>
<br><div class=3D"gmail_quote">On Thu, Feb 25, 2010 at 11:37 AM, Jeff Shirk=
ey <span dir=3D"ltr">&lt;<a href=3D"mailto:jcshirke@verizon.net">jcshirke@v=
erizon.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<div style=3D"word-wrap: break-word;"><div class=3D"im"><div><blockquote ty=
pe=3D"cite"><div><font color=3D"#000000"><br></font>Two GB should do fine f=
or audio recoding, if going moderately. You<br>would need more RAM if for e=
xample running heavy sampler plugins while<br>
carrying out your audio recordings.=A0</div></blockquote><br></div></div><d=
iv>On a somewhat related note, someone told me that I should probably repla=
ce my MBP&#39;s internal 5400 rpm drive with a 7200 rpm/500 GB drive becaus=
e I have 3 or 4 large sample libraries on my machine. I&#39;m sure I will n=
eed to stream some of those samples in Live 8, but I&#39;m not going to be =
using huge, multi-layered tracks live. I would say my usage of samples and =
audio would be moderate. Do any other Mac users think I should take his adv=
ice and swap out my drive, or is my 5400/320 GB drive most likely fine for =
my needs?</div>
<div><br></div><div>Thanks,</div><div><br></div><font color=3D"#888888"><di=
v>Jeff</div></font></div></blockquote></div><br><br clear=3D"all"><br>-- <b=
r>ReUse, an introspective textural aural<br><a href=3D"http://www.myspace.c=
om/CtReUse">www.myspace.com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00151747671ab3b6db048070aed1--

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Date: Thu, 25 Feb 2010 10:15:42 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Antwerp festival
To: Loopers-Delight@loopers-delight.com
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I am in Holland for the winter and caught a glimpse of the Antwerp loop festival. Would like to attend; what do I need to do, make a reservation, show up/ What is the exact date and time?
Antony Hequet


      

From rjohnson03@live.com  Thu Feb 25 20:10:42 2010
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Date: Thu, 25 Feb 2010 22:13:27 +0330
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This is for your attention,

We wish to notify you again that you were listed as a beneficiary to =20
the total sum of 4,600,000.00 GBP (Four million Six hundred thousand =20
british pounds) in the intent of the deceased .

We contacted you because you bear the surname identity and therefore =20
can present you as the beneficiary to the inheritance since there is =20
no written will. Our legal services aim to provide our private clients =20
with a complete service. We are happy to set-up all Modalities and =20
administer Trusts,carry out the administration of estates.

All the papers will be processed in your acceptance. In your =20
acceptance of  this deal,we request that you kindly forward to us your =20
current telephone and fax numbers and a forwarding address to enable =20
us file necessary documents at our high court probate division for the =20
release of this sum  of money.


Yours faithfully

Robert Johnson.

----------------------------------------------------------------
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Date: Thu, 25 Feb 2010 22:19:25 +0200
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wrong address, the correct is

Loopers-Delight-request@loopers-delight.com



2010/2/25 Jojo Hahn <jojo@jojohahn.com>

>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--0016e6d99f29ca82c90480727f37
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

wrong address, the correct is<br><br><font><a href=3D"mailto:Loopers-Deligh=
t-request@loopers-delight.com"><font size=3D"2">Loopers-Delight-request@loo=
pers-delight.com</font></a></font><br><br><br><br><div class=3D"gmail_quote=
">2010/2/25 Jojo Hahn <span dir=3D"ltr">&lt;<a href=3D"mailto:jojo@jojohahn=
.com">jojo@jojohahn.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--0016e6d99f29ca82c90480727f37--

From awahdamaru24@yahoo.co.uk  Thu Feb 25 21:09:31 2010
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	Thu, 25 Feb 2010 11:51:29 +0800
Reply-To: <awahdamaru77@yahoo.co.jp>
From: "Awah Damaru"<awahdamaru24@yahoo.co.uk>
Subject: URGENT INFORMATION TO READ IMMEDIATELY
Date: Thu, 25 Feb 2010 03:51:30 -0000
MIME-Version: 1.0
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	charset="Windows-1251"
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Greetings from Awah, </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">With all due respect, I want you to read my letter with one mind and help me. I am Awah Damaru the only child of late Mr. and Mrs. Damaru, My Late father was a very wealthy cocoa dealer in Abidjan, the economic capital of Cote D'Ivoire before he was poisoned to death by his business associates on one of their outing to discuss on a business deal. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">When my mother died when I was a baby since then my father took me so special because I am motherless, before the death of my father on 22nd October, 2009 in a private hospital here in Abidjan.</FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">He secretly called me on his bedside and told me that he has a sum of USD10, 500,000.00 Ten million Five Hundred United States dollars left in a suspense account in a local bank here in Abidjan, that he used my name as his only daughter for the next of kin in deposit of the fund. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">He also explained to me that it was because of this wealth that he was poisoned by his business associates, that I should seek for a foreign partner in a country of my choice where I will transfer this money and use it for investment purpose ,(such real estate agent), Am 19year old.</FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Dear, I am honorably seeking your assistance in the following ways. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">To provide any bank account where this money would be transferred into. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">To serve as the guardian of this fund. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">To make arrangement for me to come over to your country to further my education and to secure a residential permit for me in your country. Moreover, dear, I am willing to offer you twenty percent of the total sum as compensation for your effort input after the successful transfer of this fund to your nominated account oversea. I want you to help me not because of the twenty percent of my inheritance of USD10, 500,000.00 but because of my life to live better life in your country. I will be waiting urgently for your respond for more details to proceed to receive my inheritance in your account.</FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Hope to hear from you immediately </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Thanks And GOD Blessing, Best regards, </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Awah Damaru</FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 22:01:02 2010
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Date: Thu, 25 Feb 2010 23:00:58 +0100
Message-ID: <e89a49d31002251400j67acedbaj9b35dab3fb46bfc4@mail.gmail.com>
Subject: Re: Antwerp festival
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Feb 25, 2010 at 7:15 PM,  <antonyhequet@yahoo.com> wrote:
> I am in Holland for the winter and caught a glimpse of the Antwerp loop f=
estival. Would like to attend;
> what do I need to do, make a reservation, show up/ What is the exact date=
 and time?

Hi Anthony,
You can buy a ticket at the door of the venue. Here are the details:

Antwerp Live Looping Festival
Sat March 6, 20:00
Arenbergschouwburg
Arenbergstraat 28, Antwerp =96 Belgium
Tickets: 10 Euro
Artists: Steve Lawson, Dirk Serries, Luis Angulo, Signals Under Tests,
N (Hellmut Neidhardt), Premonition Factory
website: http://livelooping.be/

There will be people from the mailing list as well, and all I can say
is that we are trying to be a professionally organised festival. You
can support the community by getting the train, or drive by car to
Antwerp. You will get in return a fantastic evening, good live looping
music, a good atmosphere and a beautiful theatre for this kind of
"listening" music. And last but not least, excellent Belgian beer :)

Hope to cu you in Antwerp on March 6!

Thanks,
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 22:04:30 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
From: folkstone57@tmo.blackberry.net
Date: Thu, 25 Feb 2010 21:53:35 +0000
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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 22:08:54 2010
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 <318920455-1267134822-cardhu_decombobulator_blackberry.rim.net-1478883795-@bda118.bisx.prod.on.blackberry>
Subject: Re: Macbook Pro 2.26GHz OK for Audio Recording?
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On Feb 25, 2010, at 3:53 PM, folkstone57@tmo.blackberry.net wrote:

> Hello
> I've found for audio faster drives perform better.

I ordered a 7200 rpm/500 GB drive from OWC today. Should be here  
tomorrow. For $132, it's hard to beat.

Thanks for the advice.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 22:27:10 2010
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Date: Thu, 25 Feb 2010 14:27:09 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Antwerp festival
To: Loopers-Delight@loopers-delight.com
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Hi Sjaak,

Will there be a live stream for the festival?

(I only ask because I would love to enjoy a virtual Belgian beer)   ;)

Have fun and good luck, with that lineup it is sure to sound great!

Eric




________________________________


There will be people from the mailing list as well, and all I can say
is that we are trying to be a professionally organised festival. You
can support the community by getting the train, or drive by car to
Antwerp. You will get in return a fantastic evening, good live looping
music, a good atmosphere and a beautiful theatre for this kind of
"listening" music. And last but not least, excellent Belgian beer :)

Hope to cu you in Antwerp on March 6!

Thanks,
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Sjaak,<br><br>Will there be a live stream for the festival?<br><br>(I only ask because I would love to enjoy a virtual Belgian beer)&nbsp;&nbsp; ;)<br><br>Have fun and good luck, with that lineup it is sure to sound great!<br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"></font><br><br>There will be people from the mailing list as well, and all I can say<br>is that we are trying to be a professionally organised festival. You<br>can support the community by getting the train, or drive by car to<br>Antwerp. You will get in return a fantastic evening, good live looping<br>music, a good atmosphere and a beautiful theatre for
 this kind of<br>"listening" music. And last but not least, excellent Belgian beer :)<br><br>Hope to cu you in Antwerp on March 6!<br><br>Thanks,<br>-- <br>Sjaak Overgaauw<br><span><a target="_blank" href="http://premonitionfactory.com/">http://premonitionfactory.com/</a></span><br><a href="http://livelooping.be/" target="_blank">http://livelooping.be/</a><br><br></div></div>
</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 22:31:44 2010
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Bought one the other day myself.  Seems to work well under extreme =
pressure - Pro Tools HD3 40 or 50 tracks with lots of edits.  When =
idling it makes an odd truck letting out its air brakes sound - which =
could impact quiet recording when it's close by, other than that, it's =
great!

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com









On Feb 25, 2010, at 2:07 PM, Jeff Shirkey wrote:

>=20
> On Feb 25, 2010, at 3:53 PM, folkstone57@tmo.blackberry.net wrote:
>=20
>> Hello
>> I've found for audio faster drives perform better.
>=20
> I ordered a 7200 rpm/500 GB drive from OWC today. Should be here =
tomorrow. For $132, it's hard to beat.
>=20
> Thanks for the advice.
>=20
> Jeff
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Bought one the other day myself. &nbsp;Seems to work well under =
extreme pressure - Pro Tools HD3 40 or 50 tracks with lots of edits. =
&nbsp;When idling it makes an odd truck letting out its air brakes sound =
- which could impact quiet recording when it's close by, other than =
that, it's great!<div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
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font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
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class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Feb 25, 2010, at 2:07 PM, Jeff Shirkey wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><br>On =
Feb 25, 2010, at 3:53 PM, <a =
href=3D"mailto:folkstone57@tmo.blackberry.net">folkstone57@tmo.blackberry.=
net</a> wrote:<br><br><blockquote =
type=3D"cite">Hello<br></blockquote><blockquote type=3D"cite">I've found =
for audio faster drives perform better.<br></blockquote><br>I ordered a =
7200 rpm/500 GB drive from OWC today. Should be here tomorrow. For $132, =
it's hard to beat.<br><br>Thanks for the =
advice.<br><br>Jeff<br><br></div></blockquote></div><br></div></body></htm=
l>=

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Subject: Interesting
Date: Thu, 25 Feb 2010 22:38:48 +0000
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Interesting looping related info from Steve Lawson about the  
looperlative http://solobasssteve.posterous.com/improv-tune-no-2- 
explainedexplored

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
 Interesting looping related info from Steve Lawson about the =
looperlative&nbsp;<a =
href=3D"http://solobasssteve.posterous.com/improv-tune-no-2-explainedexplo=
red">http://solobasssteve.posterous.com/improv-tune-no-2-explainedexplored=
</a><br><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
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References: <8EEDFF75-4519-417C-80C3-2D0948018D4C@btinternet.com><665018.35162.qm@web110204.mail.gq1.yahoo.com><66f9cc1e1002250822y27ad1b4dw28b7cf82e794cb86@mail.gmail.com><A929B341-7251-45B1-805C-F6ED46EE0002@verizon.net> <318920455-1267134822-cardhu_decombobulator_blackberry.rim.net-1478883795-@bda118.bisx.prod.on.blackberry> <8EDBC888-0D8C-4A9B-8C89-DBE23F1600A1@verizon.net> <4D4D4F62-417F-4F5E-A960-F0BB81E88D67@glasswing.com>
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From: Miles Ward <miles932@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Disable the DVD drive, it'll stop doing that :)

Miles

On Feb 25, 2010, at 12:31 PM, richard sales <richard@glasswing.com>  
wrote:

> Bought one the other day myself.  Seems to work well under extreme  
> pressure - Pro Tools HD3 40 or 50 tracks with lots of edits.  When  
> idling it makes an odd truck letting out its air brakes sound -  
> which could impact quiet recording when it's close by, other than  
> that, it's great!
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> www.goodnaturefarms.com
>
>
>
>
>
>
>
>
>
> On Feb 25, 2010, at 2:07 PM, Jeff Shirkey wrote:
>
>>
>> On Feb 25, 2010, at 3:53 PM, folkstone57@tmo.blackberry.net wrote:
>>
>>> Hello
>>> I've found for audio faster drives perform better.
>>
>> I ordered a 7200 rpm/500 GB drive from OWC today. Should be here  
>> tomorrow. For $132, it's hard to beat.
>>
>> Thanks for the advice.
>>
>> Jeff
>>
>

--Apple-Mail-58-1069071690
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<html><body bgcolor=3D"#FFFFFF"><div>Disable the DVD drive, it'll stop =
doing that :)<br><br>Miles</div><div><br>On Feb 25, 2010, at 12:31 PM, =
richard sales &lt;<a =
href=3D"mailto:richard@glasswing.com">richard@glasswing.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Bought one =
the other day myself. &nbsp;Seems to work well under extreme pressure - =
Pro Tools HD3 40 or 50 tracks with lots of edits. &nbsp;When idling it =
makes an odd truck letting out its air brakes sound - which could impact =
quiet recording when it's close by, other than that, it's =
great!<div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></a></font></=
div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></a></font></di=
v><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></a></f=
ont></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Feb 25, 2010, at 2:07 PM, Jeff Shirkey wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><br>On =
Feb 25, 2010, at 3:53 PM, <a =
href=3D"mailto:folkstone57@tmo.blackberry.net"><a =
href=3D"mailto:folkstone57@tmo.blackberry.net">folkstone57@tmo.blackberry.=
net</a></a> wrote:<br><br><blockquote =
type=3D"cite">Hello<br></blockquote><blockquote type=3D"cite">I've found =
for audio faster drives perform better.<br></blockquote><br>I ordered a =
7200 rpm/500 GB drive from OWC today. Should be here tomorrow. For $132, =
it's hard to beat.<br><br>Thanks for the =
advice.<br><br>Jeff<br><br></div></blockquote></div><br></div></div></bloc=
kquote></body></html>=

--Apple-Mail-58-1069071690--

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From Loopers-Delight-request@loopers-delight.com  Thu Feb 25 23:23:29 2010
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Subject: EDP tempo question
From: Kenn Lowy <kennlowy@me.com>
In-reply-to: <20100225223144.9D9A33BE97@arsenic.violacea.com>
Date: Thu, 25 Feb 2010 18:23:11 -0500
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does anyone know how the EDP sends tempo info? I want to do it through a pedal but can't seem to get it right. I tried cc 6 and a tempo of 118. is this correct??

klowy

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 00:24:03 2010
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Subject: Re: EDP tempo question
From: Per Boysen <perboysen@gmail.com>
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The EDP can send MIDI Clock, a sync pulse or the custom system Brother
Sync. Brother Sync is designed for interaction between several EDPs.
Each protocol has its dedicated port on the rear panel.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Feb 26, 2010 at 12:23 AM, Kenn Lowy <kennlowy@me.com> wrote:
> does anyone know how the EDP sends tempo info? I want to do it through a pedal but can't seem to get it right. I tried cc 6 and a tempo of 118. is this correct??
>
> klowy
>
>

From nana_boatengs@yahoo.com  Fri Feb 26 03:33:54 2010
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Good day,

Forgive my indignation if this message comes to you as a surprise and may offend your personality for contacting you without your prior consent and writing through this unofficial channel. My name is Mr.Nana Boateng, chairman of the contract-awarding & auditing committee of the economic community of West African states (Ecowas) with its fund headquarters in Accra Ghana. I have a very important business proposal for you that involves safeguarding of funds $USD 25.5,000,000.00 (twenty five million five hundred thousand united states dollars only) into your personal or company account and subsequent investment of same in lucrative ventures in your country. We will share 50-50, there are no risk involve,

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I wait for your quick reply in my private email address (nanaboateng4@hotmail.com) for more details of this project.

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Mr.Nana Boateng

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just a reminder that I'll play with Craig Green and Michael Frank in
Cologne's LOFT this Saturday evening.
http://bit.ly/d7awQg

-Michael Peters

From peterwoe8@lineone.net  Fri Feb 26 08:04:08 2010
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From: "CITI BANK OF NEW YORK."<peterwoe8@lineone.net>
Subject: DID  YOU GET THIS MY IMPORTANT MAIL VIA UN / IMF/HSBC  MEMO ?CONFIRM ASAP..
Date: Thu, 25 Feb 2010 12:13:57 -0800
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<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp; </B></FONT></DIV>
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<FONT size=1><B>After series of findings of adverse reports and numerous complaints of corruption in the Payment release Departments of the numerous institutes, this bureau (UN / IMF/HSBC Collective Memorandum Payment Bureau/ Citi Bank of New York) has decided to take over and supervised the payment of all profound foreign beneficiaries that executed contracts / inheritance in Africa, America Europe, Asia, and Australia.</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
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<FONT size=1><B>Therefore, this bureau has reached a perfect understanding with the International Government and IMF / UNITED NATION/HSBC in collaboration with Citi Bank to pay all legible beneficiaries, which includes those that have been denied access to receive their rightful entitlement and those that suffered several years in this immeasurable and callous act in the pursuit of their funds. As your name has been short listed among beneficiaries schedule for payment, you will be directed to contact the Pay-Master General with Citi Bank New York with your personal / Banking details for immediate remittance of your funds. I now use this medium to urge you to comply with the payment procedures of this bureau to enable you receive your substantial entitlement.</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>Finally as soon as you receive this memo you are please advice to fill the below application for claim of your fund to this bureau.</B></FONT><FONT size=1> </FONT><FONT size=1><B>Note that all approved beneficiaries will be paid promptly through Citi Bank New York.</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>Beneficiarys Name:……, Beneficiarys Add:………,Beneficiarys Amt:……,</B></FONT></DIV>
<DIV align=justify>
<FONT size=1><B>Phone and Fax No.:……….</B></FONT></DIV>
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<FONT size=1><B>Thank you for your cooperation,</B></FONT></DIV>
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<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>DR.PETER OWEN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </B></FONT></DIV>
</FONT>
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From de.smurfen@hetnet.nl  Fri Feb 26 09:58:44 2010
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Data File Number: F1267-2010
We pleased to inform you that You Emerged the Winner of =A3750,000 GBP =
from the Yahoo Msn Lottery? in the last concluded online draws held on =
26th February,2010.Contact our agent below with your filled out details. =
Name: Mr. Clinton Howard.  Tel: +447010032632  E-mail Address:  =
mrclintonhoward_2010@ciudad.com.ar =
<mailto:mrclintonhoward_2010@ciudad.com.ar> =20
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Mrs. Maria James.
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From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 10:35:08 2010
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Date: Fri, 26 Feb 2010 02:34:22 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Antwerp festival
To: Loopers-Delight@loopers-delight.com
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sounds fun will do=0A=0AAntony Hequet=0A=0A=0A=0A----- Original Message ---=
-=0AFrom: Sjaak Overgaauw <tcplugin@gmail.com>=0ATo: Loopers-Delight@looper=
s-delight.com=0ASent: Thu, February 25, 2010 11:00:58 PM=0ASubject: Re: Ant=
werp festival=0A=0AOn Thu, Feb 25, 2010 at 7:15 PM,=C2=A0 <antonyhequet@yah=
oo.com> wrote:=0A> I am in Holland for the winter and caught a glimpse of t=
he Antwerp loop festival. Would like to attend;=0A> what do I need to do, m=
ake a reservation, show up/ What is the exact date and time?=0A=0AHi Anthon=
y,=0AYou can buy a ticket at the door of the venue. Here are the details:=
=0A=0AAntwerp Live Looping Festival=0ASat March 6, 20:00=0AArenbergschouwbu=
rg=0AArenbergstraat 28, Antwerp =E2=80=93 Belgium=0ATickets: 10 Euro=0AArti=
sts: Steve Lawson, Dirk Serries, Luis Angulo, Signals Under Tests,=0AN (Hel=
lmut Neidhardt), Premonition Factory=0Awebsite: http://livelooping.be/=0A=
=0AThere will be people from the mailing list as well, and all I can say=0A=
is that we are trying to be a professionally organised festival. You=0Acan =
support the community by getting the train, or drive by car to=0AAntwerp. Y=
ou will get in return a fantastic evening, good live looping=0Amusic, a goo=
d atmosphere and a beautiful theatre for this kind of=0A"listening" music. =
And last but not least, excellent Belgian beer :)=0A=0AHope to cu you in An=
twerp on March 6!=0A=0AThanks,=0A-- =0ASjaak Overgaauw=0Ahttp://premonition=
factory.com/=0Ahttp://livelooping.be/=0A=0A=0A      

From lawallen@yahoo.com  Fri Feb 26 10:43:36 2010
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Reply-To: <lawallen@blumail.org>
From: "allen"<lawallen@yahoo.com>
Subject: Compliments!
Date: Fri, 26 Feb 2010 05:30:18 -0000
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24 Metro Business Center
Kangley Bridge Road
London SE26 5BW

Good day,
 
This is a personal email directed to you and I request that it is  treated as such. My name is Martin Allen,a solicitor at law.
 
I am the personal attorney/sole executor to a client of mine, now deceased, and who worked as an independent oil magnate in my country. He died in a car crash with his immediate family on the 4th of October,1998.Since the death of my client in Oct,1998,I have written several letters to the embassy with intent to locate any of his extended relatives whom shall be claimants/beneficiaries of his abandoned personal estate,and all such efforts have been to no avail.
 
More so,I have received official letters in the last few weeks suggesting a likely proceeding for confiscation of his abandoned personal assets in line with existing laws by the bank in which my client deposited the sum of 3.8 million British Pounds On this note, I decided to search for a credible person who can handle this claim, that I may, with your consent, present you to the "trustee" bank as my late client's surviving family member so as to enable you put up a claim to the bank in that capacity as a next of kin of my client.
 
Therefore,to facilitate the immediate transfer of this fund, you need, first to contact me signifying your interest, and as soon as I obtain your confidence, I will immediately appraise you with the complete details as well as fax or e-mail you the documents, with which you are to proceed and I shall direct on how to put up an application to the bank and I propose that 35% of the net sum will accrue to you at the conclusion of this deal in so far as I do not incur further expenses.
 
However,you will have to accent to an express agreement which I will forward to you in order to bind us in this transaction. Upon the receipt of your reply, I will send you by fax or E-mail the next step to take. I will not fail to bring to your notice that this proposal is hitch-free and that you should not entertain any fears as the required arrangements have been made for the completion of this transfer. Like I said, I require only a solemn confidentiality on this.
 
Sincerely,

Martin Allen,

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 11:21:30 2010
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Date: Fri, 26 Feb 2010 11:21:22 +0000
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Subject: Syncing Eigenharp Pico with Boss RC-50
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f90fc672ccd604807f19fb
Content-Type: text/plain; charset=ISO-8859-1

My first attempt at using the new MIDI clock feature on the Eigenharp Pico
to sync it with the RC-50. This is also my fourth entry to the Eigenharp
"Win an Alpha" competition which closes this weekend.

http://www.youtube.com/watch?v=uaPlx-7Vqw4

Thank you for viewing!

Kayla x

-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--001485f90fc672ccd604807f19fb
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My first attempt at using the new MIDI clock feature on the Eigenharp Pico =
to sync it with the RC-50. This is also my fourth entry to the Eigenharp &q=
uot;Win an Alpha&quot; competition which closes this weekend. <br><br><a hr=
ef=3D"http://www.youtube.com/watch?v=3DuaPlx-7Vqw4">http://www.youtube.com/=
watch?v=3DuaPlx-7Vqw4</a><br>
<br>Thank you for viewing!<br><br>Kayla x<br><br>-- <br><br>---------------=
---------------------------------------------------------------------------=
-----<br>Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com">http=
://www.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
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--001485f90fc672ccd604807f19fb--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 12:55:04 2010
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Date: Fri, 26 Feb 2010 14:55:01 +0200
Message-ID: <616a981d1002260455h2ef40e5m8c646fff39f90ca7@mail.gmail.com>
Subject: Confusion with AKG pickup
From: Niel van Zyl <nielvanzyl@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi everyone,

I was wondering if anybody could help me with the following: I have an AKG C
411 pickup, and I just got the AKG Phantom power adapter that goes with it
(MPA V L). The pickup has a lockable male mini-jack output, and the phantom
power adapter has a male 3-pin mini XLR receiver-----i was a bit pissed
cause I assumed the two would fit together. So do I need to buy a
converter/adapter now? what kind? Where would you recommend i order it from
(dont think the shops in South Africa would stock such a specific
converter)?

thanks for the help!

Niel van Zyl

--000e0cd32f4c50b2f00480806899
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi everyone,<br><br>I was wondering if anybody could help me with the follo=
wing: I have an AKG C 411 pickup, and I just got the AKG Phantom power adap=
ter that goes with it (MPA V L). The pickup has a lockable male mini-jack o=
utput, and the phantom power adapter has a male 3-pin mini XLR receiver----=
-i was a bit pissed cause I assumed the two would fit together. So do I nee=
d to buy a converter/adapter now? what kind? Where would you recommend i or=
der it from (dont think the shops in South Africa would stock such a specif=
ic converter)? <br>
=A0<br>thanks for the help!<br><br>Niel van Zyl<br><br>

--000e0cd32f4c50b2f00480806899--

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 13:18:32 2010
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Subject: Re: EDP tempo question
References: <20100225223144.9D9A33BE97@arsenic.violacea.com>	 <7B6378B8-0705-4CFC-B355-E3EF9512532A@me.com> <66f9cc1e1002251624h56e4b944u88a4b26fc2b4fae7@mail.gmail.com>
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and you'll need to be running a loop in order to send sync.


Per Boysen wrote:
> The EDP can send MIDI Clock, a sync pulse or the custom system Brother
> Sync. Brother Sync is designed for interaction between several EDPs.
> Each protocol has its dedicated port on the rear panel.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 
> 
> On Fri, Feb 26, 2010 at 12:23 AM, Kenn Lowy <kennlowy@me.com> wrote:
>> does anyone know how the EDP sends tempo info? I want to do it through a pedal but can't seem to get it right. I tried cc 6 and a tempo of 118. is this correct??
>>
>> klowy
>>
>>
> 
> 

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From: WESTERN UNION <tanchiro58@sbcglobal.net>
Reply-To: western_customerservice@yahoo.fr
Subject: WESTERN UNION PAYMENT
To: undisclosed recipients: ;
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Attention:=20
=A0=A0=A0=A0=A0=A0=A0 There is an issue with the Western Union Money Tran f=
er in the amount of ($400.000.00 USDA)=A0 four hundred thousand united stat=
e dollars directed in cash credited to file KT/9023118308 at the owner of t=
his email address.=20
=A0
The INTERNATIONAL MONETARY=A0 FUND contacted us for your compensation a cou=
ple of hours ago due to your allocated security code. They said that they c=
hoose to send it to an email address instead of a name.=20
=A0
We are unable to complete a transfer directed at an email address, so we re=
quire some more information in order to complete this transfer.=20
=A0
=A01.) FULL NAME:=A0=20
2.) AGE:=A0=20
3.) SEX:=A0=A0=20
4.) ADDRESS:=A0=20
5.) ZIP/POSTAL CODE:=A0=20
6.) STATE/PROVINCE:=A0=20
7.) COUNTRY:=A0=20
8.) PHONE:=A0=20
9.) OCCUPATION/POSITION:=A0=20
10.) COMPANY:=A0=20
11.) EMAIL ADDRESS:
=A0=A0=A0=A0=A0=A0=A0=A0=A0 In order to resolve this ,please email us via W=
estern Union Solicitors Fund Verification Department: Contact phone ;+229-9=
9198140 .
(western_customerservice@yahoo.fr ) As soon as this information is received=
,and you=A0 complied=A0 with the requirements of payment of the western uni=
on charges $150 USDA, payment will be made to your nominated bank account o=
r at the counter directly from The Western Union Transferring Bank.=20
=A0
Management of Western Union Money Transfer United Kingdom Head Office and o=
ur Motto is To Serve You Better. Contact us on our website on www.westernun=
ion.com also note that you would be responsible for any payment that is nee=
ded for the transfer of your funds into your nominated bank account or at t=
he counter directly from the Western Union Transfer Bank.=20
=A0
THE MANAGEMENT OF WESTERN UNION MONEY TRANSFER, UNITED KINGDOM HEAD OFFICE.=
 DISPATCHED THIS DAY .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Yours sincerely,=20
=A0=A0=A0=A0=A0=A0=A0=A0=A0 Mr. Pasha Williams=20

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><p><br>Attention: <br>&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; There is an issue with the Western Union Money =
Tran fer in the amount of ($400.000.00 USDA)&nbsp; four hundred thousand un=
ited state dollars directed in cash credited to file KT/9023118308 at the o=
wner of this email address. <br>&nbsp;<br>The INTERNATIONAL MONETARY&nbsp; =
FUND contacted us for your compensation a couple of hours ago due to your a=
llocated security code. They said that they choose to send it to an email a=
ddress instead of a name. <br>&nbsp;<br>We are unable to complete a transfe=
r directed at an email address, so we require some more information in orde=
r to complete this transfer. <br>&nbsp;<br>&nbsp;1.) FULL NAME:&nbsp; <br>2=
.) AGE:&nbsp; <br>3.) SEX:&nbsp;&nbsp; <br>4.) ADDRESS:&nbsp; <br>5.) ZIP/P=
OSTAL CODE:&nbsp; <br>6.) STATE/PROVINCE:&nbsp; <br>7.) COUNTRY:&nbsp; <br>=
8.)
 PHONE:&nbsp; <br>9.) OCCUPATION/POSITION:&nbsp; <br>10.) COMPANY:&nbsp; <b=
r>11.) EMAIL ADDRESS:<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp; In order to resolve this ,please email us via Western Union Solicitors=
 Fund Verification Department: Contact phone ;+229-99198140 .<br>(western_c=
ustomerservice@yahoo.fr ) As soon as this information is received,and you&n=
bsp; complied&nbsp; with the requirements of payment of the western union c=
harges $150 USDA, payment will be made to your nominated bank account or at=
 the counter directly from The Western Union Transferring Bank. <br>&nbsp;<=
br>Management of Western Union Money Transfer United Kingdom Head Office an=
d our Motto is To Serve You Better. Contact us on our website on www.wester=
nunion.com also note that you would be responsible for any payment that is =
needed for the transfer of your funds into your nominated bank account or a=
t the counter directly from the Western Union Transfer Bank.
 <br>&nbsp;<br>THE MANAGEMENT OF WESTERN UNION MONEY TRANSFER, UNITED KINGD=
OM HEAD OFFICE. DISPATCHED THIS DAY .<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yours sincerely, <=
br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mr. Pasha William=
s <br></p></td></tr></table>
--0-1716121275-1267192603=:55405--

From bobbetmackan73@sify.com  Fri Feb 26 13:58:38 2010
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From: "BOBBET  MACKAN"<bobbetmackan73@sify.com>
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Date: Wed, 24 Feb 2010 23:29:41 -0800
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Attorney Bobbet Mackan 
and Associates.
9 Woodland Rd.,
Bristol BS8 1TB,
United Kingdom.

Email: bobbetmackan73@sify.com,


Dear Sir/Madam,


We wish to notify you again that you were listed as a beneficiary to the total sum of $27,400,000.00USD (Twenty Seven Million, four hundred thousand U.S. Dollars) in the intent of the deceased (name now withheld since this is our second letter to you).


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Please respond to this email using my personal confidential mail at 
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Yours faithfully,


Bobbet Mackan (LLM)

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From: "UNITED NATION DEPT RECONCILIATION OFFICE"<marlowe.jim@gmail.com>
Subject: Payment Release Instruction / CONTACT CODE(543)
Date: Fri, 26 Feb 2010 05:58:23 -0800
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<DIV>
<FONT face="Verdana">U.S.A&nbsp; GOVERNMENT,WORLD BANK,UNITED NATION ORGANIZATION OFFICIAL APPROVAL PAYMENT VALUED $8.3M</FONT></DIV>
<DIV>
<FONT face="Verdana"> </FONT></DIV>
<DIV>
<FONT face="Verdana">&nbsp;</FONT></DIV>
<DIV>
<FONT face="Verdana">The British Prime Minister in conjunction with U.S.A&nbsp; GOVERNMENT,WORLD BANK,UNITED NATIONORGANIZATION do hereby give this irrevocable approval order with Release Code: GNC/3480/02/00 in your favor for your contract entitlement/award winning payment with the UNITED NATION to your nominated bank account.</FONT></DIV>
<DIV>
<FONT face="Verdana">&nbsp;</FONT></DIV>
<DIV>
<FONT face="Verdana">Now you’re new Payment,United nation Approval No;UN5685P,White House Approved No:WH44CV, Reference No.-35460021, Allocation No: 674632 Password No: 339331 , Pin Code No: 55674 and your Certificate of Merit Payment No : 103 , Released Code No: 0763; Immediate Citibank Telex confirmation No: -1114433 ; Secret Code No: XXTN013, Having received these vital payment number , therefore You are qualified now to received and confirm Your payment with the United Nation immediately within the next 72hrs.</FONT></DIV>
<DIV>
<FONT face="Verdana">&nbsp;</FONT></DIV>
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<FONT face="Verdana">&nbsp;</FONT></DIV>
<DIV>
<FONT face="Verdana">As a matter of fact, you are required to Deal and Communicate only with MR ROBERT STEWART, DIRECTOR INTERNATIONAL REMMITTANCE CITIBANK OF UNITED KINGDOM, with the help and monitory team from the CITIBANK OF NEW YORK which is our official remitting bank, Committee On Foreign Payment Matters in United Nation, has look up to make sure you receive your money. SO contact: MR ROBERT STEWART on his contact information,Direct Citibank Telephone No +44-700-5964577, Cell/mobile +44-7011138970 or cell/mobile +44-7011138970 Fax Number:+44 870 288 7329, Telephone Number:+44 870 288 7101, for immediate release: robe of your contract/inheritance/Award Winning claim Be informed that you are not allowed to correspond with any person or office anymore, You are required to send bellow information for your transfer.</FONT></DIV>
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<FONT face="Verdana">1) Your Full name;</FONT><BR>
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<FONT face="Verdana">NOTE: YOUR PERSONAL CONTACT/COMMUNICATIONCODE WITH CITIBANK IS(543),YOU ARE ARE ADVICE TO SEND YOU FULL BANKING INFORMATION TO THE CITIBANK OF LONDON INTERNATIONAL REMMITTANCE DIRECTOR HEADED BY MR ROBERT STEWART AND MAKE SURE YOU SPEAK WITH HIM, WITH YOUR NEW PAYMENT CODE FOR RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW. </FONT></DIV>
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<DIV>
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<DIV>
<FONT face="Verdana">&nbsp;</FONT></DIV>
<DIV>
<FONT face="Verdana">CHAIRMAN COMMITTE ON FOREIGN CONTRACT/AWARD WINING PAYMENT UNITED NATION AND USA GOVERNMENT.</FONT></DIV>
<DIV>
<FONT face="Verdana">SIR SCOTT MILLS.</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 14:38:54 2010
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
Date: Fri, 26 Feb 2010 06:38:47 -0800
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Great song.

On Feb 26, 2010, at 3:21 AM, Kayla Kavanagh wrote:

> My first attempt at using the new MIDI clock feature on the  
> Eigenharp Pico to sync it with the RC-50. This is also my fourth  
> entry to the Eigenharp "Win an Alpha" competition which closes this  
> weekend.
>
> http://www.youtube.com/watch?v=uaPlx-7Vqw4
>
> Thank you for viewing!
>
> Kayla x
>
> -- 
>
> -----------------------------------------------------------------------------------------------
> Kayla's website: http://www.kaylakavanagh.com
> Kayla on Twitter: http://www.twitter.com/kaylakavanagh
> MySpace: http://www.myspace.com/kaylakavanagh
> FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 16:29:04 2010
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	 <002f01cab6b9$c6bcfe00$14b2a8c0@mpeserver>
Date: Fri, 26 Feb 2010 11:29:00 -0500
Message-ID: <9e0440a61002260829p37c7c0endc15b71eb1aad2b6@mail.gmail.com>
Subject: Re: Experimental Guitar Evening (Cologne)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174a1004969b6d04808365b3
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Michael wish I could be there, this looks really cool.  Page is interesting,
hope it's a great show  and best wishes

Jim

On Fri, Feb 26, 2010 at 3:00 AM, Michael Peters <mp@mpeters.de> wrote:

> just a reminder that I'll play with Craig Green and Michael Frank in
> Cologne's LOFT this Saturday evening.
> http://bit.ly/d7awQg
>
> -Michael Peters
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174a1004969b6d04808365b3
Content-Type: text/html; charset=ISO-8859-1
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Michael wish I could be there, this looks really cool.=A0 Page is interesti=
ng, hope it&#39;s a great show=A0 and best wishes<br><br>Jim<br><br><div cl=
ass=3D"gmail_quote">On Fri, Feb 26, 2010 at 3:00 AM, Michael Peters <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">just a reminder t=
hat I&#39;ll play with Craig Green and Michael Frank in<br>
Cologne&#39;s LOFT this Saturday evening.<br>
<a href=3D"http://bit.ly/d7awQg" target=3D"_blank">http://bit.ly/d7awQg</a>=
<br>
<font color=3D"#888888"><br>
-Michael Peters<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015174a1004969b6d04808365b3--

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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
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--000e0ce0d7e49b374a048086edeb
Content-Type: text/plain; charset=ISO-8859-1

@ Kayla...

I have been watching your YouTube videos for a while now, and the Pico has
gone from a gimmick version of the Alpha (An instrument I have been lusting
after since I first saw it but put out of mind due to the impossible price
tag) to being a very interesting prospect for me.

I have one major gripe that I have to get over, and that is software. Maybe
it matters less with the Pico than the 5000 pound Alpha, but having an
instument that relys on its company continuing to support it for the rest of
my life (A cello for example stays working after the company that made it
goes bankrupt) If ONLY it had a midi socket, then all my fears would vanish.

But I have some questions regarding the Pico that maybe you can answer:

Firstly, I can see the playing technique and scale choosing is excellent, I
love instruments where you can make no musical mistakes, especially when the
scale can be quite weird. But... how close do you have to have the manual to
hand for selecting all the other features, changing sound patches, and
whatnot.. is it quick and easy? Or can I accidentally hit a key combo that
stops the loop?

Your example where you looped voice on a RC 50? Is the loopers following the
midi synch of the Pico or the other way round? I would LOVE it if you could
play something on the Pico, loop it.. (on the looper) as an audio loop, and
this looper was then sending synch back to the Pico so that IT then played
in time.

Also, what of the looper capabilities of the Pico? Is possible to use
without the click track? or drum loop? Do you HAVE to choose a "loop length"
(one bar , two bars etc - as seen on a vid tut, but not completely sure if
that was BEFORE the loop was made? Can you "multiply" over the original loop
length, can you "insert" into, or on top of a loop, are you always
"stacking" or can you "erase" holes into your previous performances? Can you
"quantize" theses performances,  come on Kayla!!

Tell us about the in built looper???

I have to say that I'm not interested in the one man band variety of
songster loopers, however the 5 seconds of "using the ribbon controllers to
play like a cello" that I saw on one tut vid, made me go... now wait a
minute!!!

I have SHITLOADS of other questions, but they are mostly about the Alpha (or
more likely for me) the Tau. But I will hold off asking YOU these questions,
at least until after the weekend, when I'm sure you will be the first owner
of an Alpha on this list..

Good Luck Kayla!

Mark


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce0d7e49b374a048086edeb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

@ Kayla...<br><br>I have been watching your YouTube videos for a while now,=
 and the Pico has gone from a gimmick version of the Alpha (An instrument I=
 have been lusting after since I first saw it but put out of mind due to th=
e impossible price tag) to being a very interesting prospect for me.<br>

<br>I have one major gripe that I have to get over, and that is software. M=
aybe it matters less with the Pico than the 5000 pound Alpha, but having an=
 instument that relys on its company continuing to support it for the rest =
of my life (A cello for example stays working after the company that made i=
t goes bankrupt) If ONLY it had a midi socket, then all my fears would vani=
sh.<br>

<br>But I have some questions regarding the Pico that maybe you can answer:=
<br><br>Firstly, I can see the playing technique and scale choosing is exce=
llent, I love instruments where you can make no musical mistakes, especiall=
y when the scale can be quite weird. But... how close do you have to have t=
he manual to hand for selecting all the other features, changing sound patc=
hes, and whatnot.. is it quick and easy? Or can I accidentally hit a key co=
mbo that stops the loop?<br>

<br>Your example where you looped voice on a RC 50? Is the loopers followin=
g the midi synch of the Pico or the other way round? I would LOVE it if you=
 could play something on the Pico, loop it.. (on the looper) as an audio lo=
op, and this looper was then sending synch back to the Pico so that IT then=
 played in time.<br>

<br>Also, what of the looper capabilities of the Pico? Is possible to use w=
ithout the click track? or drum loop? Do you HAVE to choose a &quot;loop le=
ngth&quot; (one bar , two bars etc - as seen on a vid tut, but not complete=
ly sure if that was BEFORE the loop was made? Can you &quot;multiply&quot; =
over the original loop length, can you &quot;insert&quot; into, or on top o=
f a loop, are you always &quot;stacking&quot; or can you &quot;erase&quot; =
holes into your previous performances? Can you &quot;quantize&quot; theses =
performances,=A0 come on Kayla!!<br>

<br>Tell us about the in built looper???<br><br>I have to say that I&#39;m =
not interested in the one man band variety of songster loopers, however the=
 5 seconds of &quot;using the ribbon controllers to play like a cello&quot;=
 that I saw on one tut vid, made me go... now wait a minute!!!<br>

<br>I have SHITLOADS of other questions, but they are mostly about the Alph=
a (or more likely for me) the Tau. But I will hold off asking YOU these que=
stions, at least until after the weekend, when I&#39;m sure you will be the=
 first owner of an Alpha on this list..<br>

<br>Good Luck Kayla!<br><br>Mark<br><br clear=3D"all"><br>-- <br><a href=3D=
"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http=
://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http=
://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfranco=
mbe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0d7e49b374a048086edeb--

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From: "Capt Bruce Macdonald"<test@sanguillermo.com.ar>
Subject: MY trust
Date: Fri, 26 Feb 2010 06:05:03 -0700
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To: undisclosed-recipients:;

Hello



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find attach copy of my pictures in Iraq.



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I deposited this money with a red cross agent informing him that we are making contact for the real owner of the money.It is under my power to approve whoever comes 

forth for this money.I want to invest the money in your country as soon as I am deployed into your conutry for a good bussines, anyway you will advice me on that since I 

am not a bussiness person. I cannot move this money to the United states because I will be in europe for about 3years,so I need someone I could trust.If you accept,I will 

transfer the money to europe where you will be the beneficiary because I am a uniformed person and I cannot be parading such an amount so I need to present someone 

as the beneficiary.



I am an American and an intelligence officer for that so I have a 100% authentic means of transferring the money through diplomatic courier service .I just need your 

acceptance and all is done.



Please if you are interested in this transaction I will give to you the complete details you need for us to carry out this transaction successfully.



I decided to find someone that is real and not imaginary and that is why I went to a secured car site where I can be sure that the person is real. I believe I can trust you. 

where we are now we can only communicate through our military communication facilities which is secured so nobody can monitor our emails,then I can explain in details 

to you.I will only reach you through email,because our calls might be monitored,I just have to be sure whom I am dealing with.



If you are interested please send me your personal mobile number so I can call you for further enquiries when I am out of our military network.I am writing from a fresh 

email account so if you are not interested do not reply to this email and please delete this message,if no response after 3days I will then search for someone else.



I wait for your contact deatils so we can go on.In less than 5 days the money should have been noted on your account and I will come over for my money.I will give to you 

30% of the sum and 70% is for me.



I hope I am been fair on this deal.



Get back to me with your full information:



YOUR FULL NAME.........
YOUR FULL ADDRESS....................
YOUR DIRECT TELEPHONE NUMBER.........



Regards,
Capt, Bruce Macdonald.

From Loopers-Delight-request@loopers-delight.com  Fri Feb 26 22:17:29 2010
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Subject: Re: Confusion with AKG pickup
Date: Fri, 26 Feb 2010 13:46:52 -0800
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I use an AKG C 411 with the MPA VL

AKG made 2 models of the C411 - one terminating in regular XLR, and  
one terminating in mini XLR.

If you have the C411 mini XLR model - the mini end of the MPA VL  
connects to the mini end of the C411 and the regular XLR end of the  
MPA VL connects to your phantom power supply.

so, unless I misunderstood, you should be good to go!

with the old model C411  (I have one of these too) you just connect  
the XLR end into the power supply and you don't need the MPA VL in  
between

best, Zoe


On Feb 26, 2010, at 4:55 AM, Niel van Zyl wrote:

> Hi everyone,
>
> I was wondering if anybody could help me with the following: I have  
> an AKG C 411 pickup, and I just got the AKG Phantom power adapter  
> that goes with it (MPA V L). The pickup has a lockable male mini- 
> jack output, and the phantom power adapter has a male 3-pin mini XLR  
> receiver-----i was a bit pissed cause I assumed the two would fit  
> together. So do I need to buy a converter/adapter now? what kind?  
> Where would you recommend i order it from (dont think the shops in  
> South Africa would stock such a specific converter)?
>
> thanks for the help!
>
> Niel van Zyl
>

From gibsondaniel@btinternet.com  Fri Feb 26 22:27:25 2010
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Date: Fri, 26 Feb 2010 22:26:57 +0000 (GMT)
From: Gibson Daniel <gibsondaniel@btinternet.com>
Reply-To: gibdan1@yahoo.com
Subject: From: Gibson Daniels
To: undisclosed recipients: ;
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--0-1275752697-1267223217=:12679
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From: Gibson Daniels
Ave 7 rue16 St. Andrew, Agboville,
Abidjan, REPUBLIC OF COTE D'IVOIRE.
=A0
Good day
=A0
Permit me to inform you of my desire of going into business relationship wi=
th you. I got your contact from the International web site directory. I pra=
yed over it and selected your name among other names due to what my mind to=
ld me to me that you are a reputable and trust worthy person I can expose m=
y ordeal to and do business with. So I must not hesitate to confide in you =
for this simple and sincere business.
=A0
I am Gibson Daniels, the only son of late Mr and Mrs ROBERT DANIELS. My fat=
her was a very wealthy cocoa merchant in Abidjan, the economic capital of I=
vory Coast, before he was poisoned to death by his business associates on o=
ne of their outing to discus on a business deal.
=A0
When my mother died on the 6th August 1996, my father took me special becau=
se I am the only child and motherless. Before the death of my father on 30t=
h June 2008 in a private hospital here in Abidjan, he secretly called me on=
 his bedside and told me that he has a sum of $12.500.000 (Twelve Million, =
five hundred thousand dollars) left in a suspense account in a local Bank h=
ere in Abidjan, that he used my name as his only child for the next of kin =
in deposit of the fund. He explained to me that it was because of this weal=
th and some huge amount of money his business associates supposed to balanc=
e him from the deal they had, that he was poisoned by his business associat=
es, that I should seek for a God fearing foreign partner in a country of my=
 choice where I will transfer this money and use it for investment purpose,=
 (such as real estate management).
=A0
Please, I am honourably seeking your assistance in the following ways.
1) To receive the money for me in your account by providing a Bank account =
where this money would be transferred to.
2) To serve as the guardian of this since I am a boy of 19 years and I do n=
ot have business experience.
3) To help me come over to your country as soon as the money is transferred=
 to your account so that I will continue my education and a new life.
=A0
I am willing to give you 20% of the sum as compensation for effort input af=
ter the successful transfer of this fund to your designate account overseas=
. Anticipating to hear from you quick please. Thanks and God Bless.
=A0
yours faithfully
Gibson Daniels
--0-1275752697-1267223217=:12679
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">From: Gibson Daniels<BR>Ave 7 rue16 St. Andre=
w, Agboville,<BR>Abidjan, REPUBLIC OF COTE D'IVOIRE.<BR>&nbsp;<BR>Good day<=
BR>&nbsp;<BR>Permit me to inform you of my desire of going into business re=
lationship with you. I got your contact from the International web site dir=
ectory. I prayed over it and selected your name among other names due to wh=
at my mind told me to me that you are a reputable and trust worthy person I=
 can expose my ordeal to and do business with. So I must not hesitate to co=
nfide in you for this simple and sincere business.<BR>&nbsp;<BR>I am Gibson=
 Daniels, the only son of late Mr and Mrs ROBERT DANIELS. My father was a v=
ery wealthy cocoa merchant in Abidjan, the economic capital of Ivory Coast,=
 before he was poisoned to death by his business associates on one of their=
 outing to discus on a business deal.<BR>&nbsp;<BR>When my mother died on t=
he
 6th August 1996, my father took me special because I am the only child and=
 motherless. Before the death of my father on 30th June 2008 in a private h=
ospital here in Abidjan, he secretly called me on his bedside and told me t=
hat he has a sum of $12.500.000 (Twelve Million, five hundred thousand doll=
ars) left in a suspense account in a local Bank here in Abidjan, that he us=
ed my name as his only child for the next of kin in deposit of the fund. He=
 explained to me that it was because of this wealth and some huge amount of=
 money his business associates supposed to balance him from the deal they h=
ad, that he was poisoned by his business associates, that I should seek for=
 a God fearing foreign partner in a country of my choice where I will trans=
fer this money and use it for investment purpose, (such as real estate mana=
gement).<BR>&nbsp;<BR>Please, I am honourably seeking your assistance in th=
e following ways.<BR>1) To receive the money for me in your account
 by providing a Bank account where this money would be transferred to.<BR>2=
) To serve as the guardian of this since I am a boy of 19 years and I do no=
t have business experience.<BR>3) To help me come over to your country as s=
oon as the money is transferred to your account so that I will continue my =
education and a new life.<BR>&nbsp;<BR>I am willing to give you 20% of the =
sum as compensation for effort input after the successful transfer of this =
fund to your designate account overseas. Anticipating to hear from you quic=
k please. Thanks and God Bless.<BR>&nbsp;<BR>yours faithfully<BR>Gibson Dan=
iels</td></tr></table>
--0-1275752697-1267223217=:12679--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 01:18:28 2010
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	 <9e0440a61002260829p37c7c0endc15b71eb1aad2b6@mail.gmail.com>
Date: Sat, 27 Feb 2010 02:18:21 +0100
Message-ID: <afb941d1002261718u3eee9ee4i8b3c7ac35e376f48@mail.gmail.com>
Subject: Re: Experimental Guitar Evening (Cologne)
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f44ff8bb4da204808aca51
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don't forget the edirol, michael.

2010/2/26 Jim Goodin <jimgoodinmusic@gmail.com>

> Michael wish I could be there, this looks really cool.  Page is
> interesting, hope it's a great show  and best wishes
>
> Jim
>
>
> On Fri, Feb 26, 2010 at 3:00 AM, Michael Peters <mp@mpeters.de> wrote:
>
>> just a reminder that I'll play with Craig Green and Michael Frank in
>> Cologne's LOFT this Saturday evening.
>> http://bit.ly/d7awQg
>>
>> -Michael Peters
>>
>>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001485f44ff8bb4da204808aca51
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

don&#39;t forget the edirol, michael.<br><br><div class=3D"gmail_quote">201=
0/2/26 Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gm=
ail.com">jimgoodinmusic@gmail.com</a>&gt;</span><br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">
Michael wish I could be there, this looks really cool.=A0 Page is interesti=
ng, hope it&#39;s a great show=A0 and best wishes<br><br>Jim<div><div></div=
><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Fri, Feb 26, 2010 =
at 3:00 AM, Michael Peters <span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpete=
rs.de" target=3D"_blank">mp@mpeters.de</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">just a reminder t=
hat I&#39;ll play with Craig Green and Michael Frank in<br>
Cologne&#39;s LOFT this Saturday evening.<br>
<a href=3D"http://bit.ly/d7awQg" target=3D"_blank">http://bit.ly/d7awQg</a>=
<br>
<font color=3D"#888888"><br>
-Michael Peters<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br>ReUs=
e, an introspective textural aural<br><a href=3D"http://www.myspace.com/CtR=
eUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><br>music links...<b=
r>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" ta=
rget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://www=
.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapai=
ntingmusic</a><br>

<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>

<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>

<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--001485f44ff8bb4da204808aca51--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 02:11:03 2010
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Date: Sat, 27 Feb 2010 03:10:57 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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This is just a quick reminder that, as usual,

The MoinSound Studio Sessions

will be transmitted live this Saturday (audio/video) on 
http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions

Time is 1700 GMT (timezone conversion: http://bit.ly/c0GNZw), expected 
to last for something like 40 minutes.

This will be the first proper test run for my new laptop - apart from 
that everything more or less stays the same: trombone, processing - and 
loops.

See you there!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 04:27:33 2010
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: nels cline pedals - w/Akai headrush
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--0-51185558-1267244852=:55185
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Here's a picture of Nel's pedal board -=0Ahttp://www.urb.com/2010/02/26/sta=
ined-radiance-nels-cline-on-dvd/=A0 The=0Apage is about his recent Stained =
Radiance dvd, so not sure if these are=0Athe pedals he used for that show.
=0A
=0AOf note: an Akai Headrush E2, two Keeley modded Boss pedals, and a Behri=
nger!
=0A

=0Ated h.
=0A
Enemies are good for self-definition. Werner Herzog

=0A=0A=0A      ____________________________________________________________=
______=0ALooking for the perfect gift? Give the gift of Flickr! =0A=0Ahttp:=
//www.flickr.com/gift/
--0-51185558-1267244852=:55185
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>Here's a picture of Nel's pedal board -=
=0Ahttp://www.urb.com/2010/02/26/stained-radiance-nels-cline-on-dvd/&nbsp; =
The=0Apage is about his recent Stained Radiance dvd, so not sure if these a=
re=0Athe pedals he used for that show.<br>=0A<br>=0AOf note: an Akai Headru=
sh E2, two Keeley modded Boss pedals, and a Behringer!<br>=0A<br><br>=0Ated=
 h.<br>=0A<br>Enemies are good for self-definition. Werner Herzog<br><br></=
td></tr></table><br>=0A      <hr size=3D1><a href=3D"http://ca.promos.yahoo=
.com/newmail/overview2/"><b>All new Yahoo! Mail - </b></a>Get a sneak peak =
at messages with a handy reading pane.
--0-51185558-1267244852=:55185--

From kufour212@windowslive.com  Sat Feb 27 04:57:49 2010
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From: "Mr. John Addo Kufour"<kufour212@windowslive.com>
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Date: Fri, 26 Feb 2010 09:40:03 -0800
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To: undisclosed-recipients:;

Co-Operation
I write to request your co-operation in my desire to find a foreign partner who will assist me in the relocation and Transfer of $20,000.000 which is presently available for investment purpose, I will like you to state categorically any business that will worth investing in your home country will be welcome by me after, balancing the income rate and also percentage for investing through you. Please state terms and conditions for me and also laws binding for a foreigner to invest in your country, the entire plan of investment will be forwarded to you as soon as I receive your positive response.

Kind Regards,
Mr. John Addo Kufour.

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 09:23:36 2010
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, February 27 at 6 am (EST/GMT-5/ITZ-5).  I will
continue the special on Sequences Electronic Music Magazine's sampler
CDs in Phase 1.  I will also play a recording of a live radio concert
given on Thursday past by Radio Massacre International's Steve Dinsdale
and me.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.  This week, Phase 1 will be extended to almost the entire show.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From peace_planet@libero.it  Sat Feb 27 10:10:12 2010
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Reply-To: <kab1970@gawab.com>
From: "Khalid Abdul-aziz"<peace_planet@libero.it>
Subject: Dear Beloved 
Date: Sat, 27 Feb 2010 00:26:46 -0800
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To: undisclosed-recipients:;

Dear Beloved 

Assalamu alaikum!!!

My contacting you is based on trust. I have seen war and I have seen peace, I have seen riches and I have seen people die of hunger on daily bases. And I am quite certain that life is vanity; the only life worth living is a life of service to the almighty One God, most merciful, most compassionate and most benevolent. This is the reason for my present decision based absolutely on taqwa. 

I am Khalid the only surviving child of the Gen. Abdulaziz Shihab, one of the UNITA rebel leaders of Angola. My late father fought the agonising protected Angolan civil war from the very scratch, and was in charge of selling diamonds and other solid minerals of the rebel strong hood area, as well as purchasing arms and am munitions in return. This position made him very rich and powerful. So powerful that the late Dr. Jonas Malheiro Savimbi the head and founder of the UNITA guerrillas felt threatened that he planned to get rid of my father.

As much as I can remember, one Sunday I was away with my mother when a handful of soldiers obviously sent by the late Dr. Jonas Malheiro Savimbi went to our house and killed my father, my two sisters and brother. They also executed everyone that bear ed the same surname with us in my village, thus making sure that we were completely wiped out the surface of the earth. An aid loyal to my father met with me and my mother and sneaked us to Zambia a neighbouring country, from where we travelled to London, My mother died of extreme cancer a month ago here and here am I on my sick diagnosed of HIV 1 & 2 i.e. full blown AIDS and I have a few months to live. Three months ago my late mother took me to the Bank Finance Company where my late father deposited large sum of money ($2.5m) he acquired during the war, and I took posses ion. I do not want this money to get into wrong hands by means of intestate laws. 

My late father probably did not do thing right and fate has dealt with us decisively, but lying here on my dying bed I am determined to do thing right to enable me die in a state of Taahir, by passing this fund on to a God fearing person not minding his or her religion or an Organisation that will use it to pro gate Peace to the glory of the almighty One God, take care of the wakes of the earth ( the widows, old and orphans) . If you know and believe in your heart that you stand up for a good course and bring glory to the name of Allah, distinguish yourself in this world full of evil and corruption and use this money just as I have said, then get in touch with me immediately forwarding the following details. 

(1) Your full contact detail
(2) Your telephone and fax number(s)
(3) Your Date and place of birth
(4) Your Occupation

So that I can forward to the security company to contact you, Time is of the essence, because it is imperative that you pull this fund to your bank account now that I am still alive to avoid eminent confrontation and refusal by the Finance company when I am gone.

Note: My mother told me before she died that my father did not disclose to the security company that he was depositing money with the fear that they might run away with it, he deposited it as FAMILY TREASURE, So they dint know the content is in a TRUCK BOX which I only have the UNLOCK CODE. 

Awaiting your immediate reply. 

Yours in faith, 

Khalid Abdulaziz

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 11:08:19 2010
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Date: Fri, 26 Feb 2010 23:28:42 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #673 for February 25, 2009.
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http://wdiy.org/programs/gt/playlists/2010/focus.html#feb

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #673                February 25, 2010.

RECAP:
On this show, I continued the month-long focus on E=motion.  The
Featured CD at Midnight was E-ternity on Underwater Music.  Steve
Dinsdale of Radio Massacre International made a special appearance.

E=motion: http://wdiy.org/programs/gt/playlists/2010/focus.html#feb


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Inteview with Steve Dinsdale
Steve Dinsdale       New Church 2 --      New Church (Northern Echo)
Radio Massacre       Kairos --            Time & Motion (Northern Echo)
  International
Live in-studio concert with Steve Dinsdale and Bill Fox.

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
E=motion             Reunion              E-ternity (Underwater)
E=motion             Blue Road            E-ternity (Underwater)
E=motion             Mother               E-ternity (Underwater)
E=motion             Anxiety              E-ternity (Underwater)
E=motion             Wanderer             E-ternity (Underwater)
E=motion             New Gate             E-ternity (Underwater)
E=motion             American Dream       E-ternity (Underwater)
                       part 2
Steve Roach          Embracing the        Live at Grace Cathedral
                       Space *              (Timeroom Editions)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Mark
Mahoney and Michael Peck.  The Featured CD at Midnight will be The
Gallery of Subtle Smiles.

Mark Mahoney and Michael Peck:
http://wdiy.org/programs/gt/playlists/2010/focus.html#mar


Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 11:22:09 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Gig Reminder: MoinSound Studio Sessions, Sat Feb 27 2009, 1700 GMT
Date: Sat, 27 Feb 2010 11:21:44 +0000
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Brilliant - see you at 5 - tweet it so I can retweet it.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 27 Feb 2010, at 02:10, Rainer Straschill wrote:

> This is just a quick reminder that, as usual,
>
> The MoinSound Studio Sessions
>
> will be transmitted live this Saturday (audio/video) on http:// 
> www.ustream.tv/channel/The-MoinSound-Studio-Sessions
>
> Time is 1700 GMT (timezone conversion: http://bit.ly/c0GNZw),  
> expected to last for something like 40 minutes.
>
> This will be the first proper test run for my new laptop - apart  
> from that everything more or less stays the same: trombone,  
> processing - and loops.
>
> See you there!
>
>             Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Brilliant - see you at 5 - tweet it so I can retweet it.<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 27 Feb 2010, =
at 02:10, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">This is just a quick reminder that, as =
usual,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">The MoinSound Studio Sessions</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">will be =
transmitted live this Saturday (audio/video) on <a =
href=3D"http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions">http:=
//www.ustream.tv/channel/The-MoinSound-Studio-Sessions</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Time is =
1700 GMT (timezone conversion: <a =
href=3D"http://bit.ly/c0GNZw">http://bit.ly/c0GNZw</a>), expected to =
last for something like 40 minutes.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">This will be the first proper =
test run for my new laptop - apart from that everything more or less =
stays the same: trombone, processing - and loops.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">See you =
there!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">&nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; </span>Rainer</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 11:24:09 2010
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Date: Sat, 27 Feb 2010 11:53:59 +0100
From: van Sinn <vansinn@post.cybercity.dk>
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To:  Loopers-Delight@loopers-delight.com
Subject: SSD disks (mostly)  [was: Macbook Pro 2.26GHz OK for Audio Recording?]
References: <8EEDFF75-4519-417C-80C3-2D0948018D4C@btinternet.com><665018.35162.qm@web110204.mail.gq1.yahoo.com><66f9cc1e1002250822y27ad1b4dw28b7cf82e794cb86@mail.gmail.com><A929B341-7251-45B1-805C-F6ED46EE0002@verizon.net> <318920455-1267134822-cardhu_decombobulator_blackberry.rim.net-1478883795-@bda118.bisx.prod.on.blackberry> <8EDBC888-0D8C-4A9B-8C89-DBE23F1600A1@verizon.net> <4D4D4F62-417F-4F5E-A960-F0BB81E88D67@glasswing.com> <55C38CDE-5657-49FD-8277-B47E5D2076E9@gmail.com>
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Or, if the DVD is using SATA, replace it with an SSD drive (using a 
cheap adapter) and place the big soundlibs there.

Admittedly, SSD technology isn't fully matured as yet; probably looking 
at another ½ year of development.
However, most issues have been resolved, and drives like Patriot Torqx 
or the new Kingston Value V are valid players.

I'm about making the decision of going laptop or building a stationary.
If going laptop, I'll use two smaller SSD's; one for OS and applicaions, 
one for soundlibs, and an external 5400rpm drive via firewire for the 
tracs and mixing.

WRT cpu power and memory, I believe it's very much down to how many 
soundsamples are used and stacked at the same time, and how much 
convolution technology is used, i.e. for reverb modeling and emulating 
real environments (like impulse-based emulation of guitar amp/cap/mics).

Some lappies can be had with fairly fast dualcore cpu's. According to 
talks I've had with people doing studio works, this is enough for most 
tasks, but a quadcore will feel much more alive and allow a lot more 
convolution.

Do note that (AFAIK) most Macbook Pro's can handle 6GB ram, i.e. 2+4GB 
sticks, meaning that the first 4GB are dual-channel, with the remaining 
2GB running singlechannel.  No problem with this scheme..
For this reason it may be less expensive buying a model with 2GB, and 
visit Kingston's site to find a somewhat cheaper matching 4GB stick.

Also do note it's been reported that SSD's certified for Apple are 
exactly the same as for any other PC, just with a different sticker - 
and a niftier pricetag.
And worse, a few certified models are reportedly of an earlier type 
which doesn't handle garbage collection too well, resulting in poor 
write performance as the drive starts to get filled up with data.

If interested in going the SSD route, do note that many (especially 
earlier) reviews didn't focus enough on real-life performance, and most 
certainly not on performance with a used drive (filled with data).
Do read anandtec's two lengthy articles on SSD technology (2x25+ pages).



Miles Ward wrote:
> Disable the DVD drive, it'll stop doing that :)
> 
> Miles
> 
> On Feb 25, 2010, at 12:31 PM, richard sales <richard@glasswing.com 
> <mailto:richard@glasswing.com>> wrote:
> 
>> Bought one the other day myself.  Seems to work well under extreme 
>> pressure - Pro Tools HD3 40 or 50 tracks with lots of edits.  When 
>> idling it makes an odd truck letting out its air brakes sound - which 
>> could impact quiet recording when it's close by, other than that, it's 
>> great!
>>
>> richard sales
>>
>> On Feb 25, 2010, at 2:07 PM, Jeff Shirkey wrote:
>>
>>>
>>> On Feb 25, 2010, at 3:53 PM, 
>>> <mailto:folkstone57@tmo.blackberry.net>folkstone57@tmo.blackberry.net 
>>> <mailto:folkstone57@tmo.blackberry.net> wrote:
>>>
>>>> Hello
>>>
>>>> I've found for audio faster drives perform better.
>>>
>>>
>>> I ordered a 7200 rpm/500 GB drive from OWC today. Should be here 
>>> tomorrow. For $132, it's hard to beat.
>>>
>>> Thanks for the advice.
>>>
>>> Jeff


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 12:20:33 2010
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Subject: Re: Syncing Eigenharp Pico with Boss RC-50
From: Kayla Kavanagh <irishkayla@googlemail.com>
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Hi Mark,

Wow, that is officially the longest email response I've ever had to a video
:) I've tried to answer all of your questions below as well as I can!

But I have some questions regarding the Pico that maybe you can answer:
>
> Firstly, I can see the playing technique and scale choosing is excellent, I
> love instruments where you can make no musical mistakes, especially when the
> scale can be quite weird. But... how close do you have to have the manual to
> hand for selecting all the other features, changing sound patches, and
> whatnot.. is it quick and easy? Or can I accidentally hit a key combo that
> stops the loop?
>

The initial learning curve on the Pico is quite steep, as there are no
visual guides on the instrument or software browser as to which buttons to
press to arm record, choose instruments, drum loops etc. - however to put it
into context, I had the Pico in hand for about half an hour and was able to
do this: http://www.youtube.com/watch?v=P6XsTuK2vpk&feature=related

So to answer your question, it does become very quick and easy to change
instruments, arm new loops, and fortunately there is no way to
'accidentally' stop the loop as it is two separate key presses!


>
> Your example where you looped voice on a RC 50? Is the loopers following
> the midi synch of the Pico or the other way round? I would LOVE it if you
> could play something on the Pico, loop it.. (on the looper) as an audio
> loop, and this looper was then sending synch back to the Pico so that IT
> then played in time.
>

In that particular video the Pico was following the MIDI clock of the RC-50,
something which is a new feature in the software. The guys at Eigenlabs are
fantastic at listening to customer feedback and are constantly creating new
things that the Pico can do in response to that - MIDI clock was one of the
most recent and is fantastic.


>
> Also, what of the looper capabilities of the Pico? Is possible to use
> without the click track? or drum loop? Do you HAVE to choose a "loop length"
> (one bar , two bars etc - as seen on a vid tut, but not completely sure if
> that was BEFORE the loop was made? Can you "multiply" over the original loop
> length, can you "insert" into, or on top of a loop, are you always
> "stacking" or can you "erase" holes into your previous performances? Can you
> "quantize" theses performances,  come on Kayla!!
>

Lol! The one limitation of the Pico is (unlike the Tau/Alpha) there is no
headphone out, meaning that a metronome or drumbeat is required to keep in
time. You do have to choose a loop length of one, two, four, eight bars etc.
You are able to remove elements from the loop as you can hear at about 2:50
here http://www.youtube.com/watch?v=uaPlx-7Vqw4&feature=channel, where I
switch off the piano and bass, which then return at the end of the song.


>
> Tell us about the in built looper???
>

You can at present only do one loop per instrument, although this is
something they are looking at expanding. You can erase the loop (or all the
loops) and start again, but they are not quantized; just kept within the
boundaries of the prescribed loop bars' length.

>
> I have to say that I'm not interested in the one man band variety of
> songster loopers,


None taken :P


> however the 5 seconds of "using the ribbon controllers to play like a
> cello" that I saw on one tut vid, made me go... now wait a minute!!!
>

I was really excited by that as well - it's a great addition to the
instrument (you can hear at about 2:00 here
http://www.youtube.com/watch?v=RoWr8cvzths) and is something I've never seen
on any other!

>
> I have SHITLOADS of other questions, but they are mostly about the Alpha
> (or more likely for me) the Tau. But I will hold off asking YOU these
> questions, at least until after the weekend, when I'm sure you will be the
> first owner of an Alpha on this list..
>
> Good Luck Kayla!
>
> Mark
>

Thank you so much Mark! I've got some really stiff competition so I'm just
crossing my fingers on the off chance that the judges might like an Irish
girl's interpretation of what has been to date a male-dominated instrument
... either way I'm having great fun and look forward to keeping looping with
both it and my other electronic band members :)

Hope that has been of help and do feel free to email any time! Thank you for
your helpful feedback,

Kayla

-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

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Hi Mark,<br><br>Wow, that is officially the longest email response I&#39;ve=
 ever had to a video :) I&#39;ve tried to answer all of your questions belo=
w as well as I can!<br><div class=3D"gmail_quote"><br><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;">


But I have some questions regarding the Pico that maybe you can answer:<br>=
<br>Firstly, I can see the playing technique and scale choosing is excellen=
t, I love instruments where you can make no musical mistakes, especially wh=
en the scale can be quite weird. But... how close do you have to have the m=
anual to hand for selecting all the other features, changing sound patches,=
 and whatnot.. is it quick and easy? Or can I accidentally hit a key combo =
that stops the loop?<br>
</blockquote><div><br>The initial learning curve on the Pico is quite steep=
, as there are no visual guides on the instrument or software browser as to=
 which buttons to press to arm record, choose instruments, drum loops etc. =
- however to put it into context, I had the Pico in hand for about half an =
hour and was able to do this: <a href=3D"http://www.youtube.com/watch?v=3DP=
6XsTuK2vpk&amp;feature=3Drelated">http://www.youtube.com/watch?v=3DP6XsTuK2=
vpk&amp;feature=3Drelated</a> <br>
<br>So to answer your question, it does become very quick and easy to chang=
e instruments, arm new loops, and fortunately there is no way to &#39;accid=
entally&#39; stop the loop as it is two separate key presses!<br>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>Your example where you looped voice on a RC 50? Is the loopers followin=
g the midi synch of the Pico or the other way round? I would LOVE it if you=
 could play something on the Pico, loop it.. (on the looper) as an audio lo=
op, and this looper was then sending synch back to the Pico so that IT then=
 played in time.<br>
</blockquote><div><br>In that particular video the Pico was following the M=
IDI clock of the RC-50, something which is a new feature in the software. T=
he guys at Eigenlabs are fantastic at listening to customer feedback and ar=
e constantly creating new things that the Pico can do in response to that -=
 MIDI clock was one of the most recent and is fantastic.<br>
=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>Also, what of the looper capabilities of the Pico? Is possible to use w=
ithout the click track? or drum loop? Do you HAVE to choose a &quot;loop le=
ngth&quot; (one bar , two bars etc - as seen on a vid tut, but not complete=
ly sure if that was BEFORE the loop was made? Can you &quot;multiply&quot; =
over the original loop length, can you &quot;insert&quot; into, or on top o=
f a loop, are you always &quot;stacking&quot; or can you &quot;erase&quot; =
holes into your previous performances? Can you &quot;quantize&quot; theses =
performances,=A0 come on Kayla!!<br>
</blockquote><div><br>Lol! The one limitation of the Pico is (unlike the Ta=
u/Alpha) there is no headphone out, meaning that a metronome or drumbeat is=
 required to keep in time. You do have to choose a loop length of one, two,=
 four, eight bars etc. You are able to remove elements from the loop as you=
 can hear at about 2:50 here <a href=3D"http://www.youtube.com/watch?v=3Dua=
Plx-7Vqw4&amp;feature=3Dchannel">http://www.youtube.com/watch?v=3DuaPlx-7Vq=
w4&amp;feature=3Dchannel</a>, where I switch off the piano and bass, which =
then return at the end of the song. <br>
=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>Tell us about the in built looper???<br></blockquote><div><br>You can a=
t present only do one loop per instrument, although this is
something they are looking at expanding. You can erase the loop (or all
the loops) and start again, but they are not quantized; just kept
within the boundaries of the prescribed loop bars&#39; length. <br></div><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>I have to say t=
hat I&#39;m not interested in the one man band variety of songster loopers,=
 </blockquote>
<div><br>None taken :P<br>=A0</div><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">however the 5 seconds of &quot;using the ribbon controll=
ers to play like a cello&quot; that I saw on one tut vid, made me go... now=
 wait a minute!!!<br>
</blockquote><div><br>I was really excited by that as well - it&#39;s a gre=
at addition to the instrument (you can hear at about 2:00 here <a href=3D"h=
ttp://www.youtube.com/watch?v=3DRoWr8cvzths">http://www.youtube.com/watch?v=
=3DRoWr8cvzths</a>) and is something I&#39;ve never seen on any other!<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>I have SHITLOADS of other questions, but they are mostly about the Alph=
a (or more likely for me) the Tau. But I will hold off asking YOU these que=
stions, at least until after the weekend, when I&#39;m sure you will be the=
 first owner of an Alpha on this list..<br>


<br>Good Luck Kayla!<br><br>Mark<br></blockquote><div><br>Thank you so much=
 Mark! I&#39;ve got some really stiff competition so I&#39;m just crossing =
my fingers on the off chance that the judges might like an Irish girl&#39;s=
 interpretation of what has been to date a male-dominated instrument ... ei=
ther way I&#39;m having great fun and look forward to keeping looping with =
both it and my other electronic band members :)<br>
<br>Hope that has been of help and do feel free to email any time! Thank yo=
u for your helpful feedback,<br><br>Kayla <br></div></div><br>-- <br><br>--=
---------------------------------------------------------------------------=
------------------<br>
Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com">http://www.ka=
ylakavanagh.com</a><br>Kayla on Twitter: <a href=3D"http://www.twitter.com/=
kaylakavanagh">http://www.twitter.com/kaylakavanagh</a><br>MySpace: <a href=
=3D"http://www.myspace.com/kaylakavanagh">http://www.myspace.com/kaylakavan=
agh</a><br>
FaceBook: <a href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032=
129016">http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br=
>

--00163649a1fbd17c2e04809409d8--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 13:58:32 2010
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Date: Sat, 27 Feb 2010 14:58:26 +0100
Message-ID: <66f9cc1e1002270558y7a23f724y578493cd0c411971@mail.gmail.com>
Subject: New looping video published, "This Is No Magic"
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Hi friends in the loop,

I just uploaded a live looping performance video:
http://www.youtube.com/user/perboysen

As usual I was too lazy to compose anything so I just improvised sound
and music while the camera was shooting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From lirabeauty@live.com  Sat Feb 27 14:37:43 2010
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FROM: SOUTH AFRICAN 2010 WORLD CUP LOTTERY OFFICE.=20
=0AHEADQUARTERS 31 BRITON RD COLTON BUILDING RM 108=20
=0AJOHANNESBURG SOUTH AFRICA=20
=0AWINNING BATCH NUMBER: (13/26/DC36.) &=20
=0AREFERENCE NUMBER: (06 08 010 19 30 42=20
=0A=20
=0AToday your e-mail id was selected through the computer ballot system, as=
 a winner of SOUTH AFRICAN 2010 WORLD CUP LOTTERY. =20
=0A=20
=0AYou have to contact your claim agent for your payment process and includ=
e your personal information for smooth transaction.=20
=0A=20
=0AClaim Agent: Mr. Jerrynathi
=0Ajerrynathi20@gala.net =20
=0ATel/: +27 =E2=80=93 73 =E2=80=93 4052 - 461=20
=0A=20
=0Afor verification purpose, forward to him your claim details below;=20
=0A(1) Your Tel (Mobile ):=20
=0A(2) Your Nationality/Country:=20
=0A{3} Your Full Names:=20
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=0ARef No.06 08 010 19 30 42=20
=0ABatch number: 13/26/DC36.=20
=0ASecurity code: 676=20
=0A=20
=0AAmount Won: US $2,000,000.00 (Two million United States Dollars)=20
=0A  =20
=0ACongratulations once again.=20
=0ARegards,=20
=0Ajerrynathi
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>FROM: SOUTH AFRICAN 2010 WORLD CUP LO=
TTERY OFFICE. <br>=0AHEADQUARTERS 31 BRITON RD COLTON BUILDING RM 108 <br>=
=0AJOHANNESBURG SOUTH AFRICA <br>=0AWINNING BATCH NUMBER: (13/26/DC36.) &am=
p; <br>=0AREFERENCE NUMBER: (06 08 010 19 30 42 <br>=0A <br>=0AToday your e=
-mail id was selected through the computer ballot system, as a winner of SO=
UTH AFRICAN 2010 WORLD CUP LOTTERY.  <br>=0A <br>=0AYou have to contact you=
r claim agent for your payment process and include your personal informatio=
n for smooth transaction. <br>=0A <br>=0AClaim Agent: Mr. Jerrynathi<br>=0A=
jerrynathi20@gala.net  <br>=0ATel/: +27 =E2=80=93 73 =E2=80=93 4052 - 461 <=
br>=0A <br>=0Afor verification purpose, forward to him your claim details b=
elow; <br>=0A(1) Your Tel (Mobile ): <br>=0A(2) Your Nationality/Country: <=
br>=0A{3} Your Full Names: <br>=0A{4} Your Occupation <br>=0A{5} Your Age. =
<br>=0ARef No.06 08 010 19 30 42 <br>=0ABatch number: 13/26/DC36. <br>=0ASe=
curity code: 676 <br>=0A <br>=0AAmount Won: US $2,000,000.00 (Two million U=
nited States Dollars) <br>=0A   <br>=0ACongratulations once again. <br>=0AR=
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From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 15:23:43 2010
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Date: Sat, 27 Feb 2010 15:23:42 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: re. New looping video published, "This Is No Magic"
To: Loopers-Delight@loopers-delight.com
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Cool!
Rune F.

=0A=0A__________________________________________________=0ABruker du Yahoo!=
?=0ALei av spam?  Yahoo! Mail har den beste spambeskyttelsen =0Ahttp://no.m=
ail.yahoo.com 
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Cool!<div><br></div><div>Rune F.<br><br></div=
></td></tr></table><br>__________________________________________________<b=
r>Bruker du Yahoo!?<br>Lei av spam?  Yahoo! Mail har den beste spambeskytte=
lsen <br>http://no.mail.yahoo.com 
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Lazy=2C I don't know I sometimes=2C often actually=2C prefer improvisations=
.. What instruments did you use=2C at one point it sounded a lot lika an el=
ctric guitar.

=20

And how did you acheive the cool affects in the video=2C i have been search=
ing for a tool to animate audio...

=20

Ver=FD cool to listen to and to view=2C like it a lot Per :-)

=20

Anders
=20
> Date: Sat=2C 27 Feb 2010 14:58:26 +0100
> Subject: New looping video published=2C "This Is No Magic"
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi friends in the loop=2C
>=20
> I just uploaded a live looping performance video:
> http://www.youtube.com/user/perboysen
>=20
> As usual I was too lazy to compose anything so I just improvised sound
> and music while the camera was shooting.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20
 		 	   		  =

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Lazy=2C&nbsp=3BI don't know&nbsp=3BI sometimes=2C often actually=2C prefer =
improvisations.. What instruments did you&nbsp=3Buse=2C at one point it sou=
nded a lot lika an elctric guitar.<BR>
&nbsp=3B<BR>
And how did you acheive the cool affects in the video=2C i have been&nbsp=
=3Bsearching for a tool to animate audio...<BR>
&nbsp=3B<BR>
Ver=FD cool&nbsp=3Bto listen to and to view=2C like it a lot Per :-)<BR>
&nbsp=3B<BR>
Anders<BR>&nbsp=3B<BR>&gt=3B Date: Sat=2C 27 Feb 2010 14:58:26 +0100<BR>&gt=
=3B Subject: New looping video published=2C "This Is No Magic"<BR>&gt=3B Fr=
om: perboysen@gmail.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<B=
R>&gt=3B <BR>&gt=3B Hi friends in the loop=2C<BR>&gt=3B <BR>&gt=3B I just u=
ploaded a live looping performance video:<BR>&gt=3B http://www.youtube.com/=
user/perboysen<BR>&gt=3B <BR>&gt=3B As usual I was too lazy to compose anyt=
hing so I just improvised sound<BR>&gt=3B and music while the camera was sh=
ooting.<BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=3B <BR>&gt=3B Per=
 Boysen<BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.com<BR>&gt=3B <BR> =
		 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 16:33:42 2010
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Date: Sat, 27 Feb 2010 17:33:14 +0100
Message-ID: <66f9cc1e1002270833q5020ccfdxad4aa228802e4a89@mail.gmail.com>
Subject: Re: New looping video published, "This Is No Magic"
From: Per Boysen <perboysen@gmail.com>
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On Sat, Feb 27, 2010 at 5:03 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> Lazy,=C2=A0I don't know=C2=A0I sometimes, often actually, prefer improvis=
ations..

Well, I was joking a bit ;-))  Actually I am quite ambitious regarding
extended improvisational techniques and put a lot of time into
developing such.

> What
> instruments did you=C2=A0use,

Akai EWI 4000s ("Electric Wind Instrument").

> at one point it sounded a lot lika an elctric
> guitar.

It is! I have sampled my single coil low output Stratocaster so I can
use my own guitar sound with the EWI. Musically it comes out a bit
differently when blowing compared to plucking physical strings, and
I'm finding that quite interesting! This sample set uses two
recordings for each note; one with a straight thick jazz pick attack
into a overdriven Sovtek MIG-60 tube amp with one Marshall Lead Series
1x12" cabinet. The other sample is the same rig but with a Big Muff
between guitar and amp, and these fuzz tones all go into "singing"
acoustic feedback in a couple of seconds (neighbors went crazy the day
I recorded all that). The feedback tone samples are set in the sampler
to a slow attack, so they only join in if I hold a long note.

> And how did you acheive the cool affects in the video, i have been=C2=A0s=
earching
> for a tool to animate audio...

Graphic effect is dirt simple: iTune's graphic plugin!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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 <br><a href="http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions">http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions</a><div><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
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From: "ACCU COMMISSION"<promo@acculotto.com>
Subject: CONGRATULATIONS!PLEASE CONTACT YOUR CLAIM AGENT IMMEDIATELY
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Date: Sat, 27 Feb 2010 15:03:43 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: nels cline: stained radiance DVD
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--0-62132540-1267311823=:52108
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OMG-i have watched the 1st performance and the extras, will probably watch the 2nd performance tonight, it is amazing.
as i was watching it, i thought: crap, back to the drawing board for me on making more weird noises. it is inspiring stuff.
(note: although my wife thought it was atonal noise!)
if you're a nels c fan, or like experimental sounds-it is a great dvd of stuff.
if i was still teaching drawing/painting it is also a great look into the creative process.
(thank F***ING god i'm still not teaching), but it is still a great dvd and inspirational.
from what i've watched it is hard to see all the pedals he uses-AND MAN he uses A LOT of stuff!!!! he does some great stuff w/ the korg kaoss pad 2 and seems like a lot is the 
electro harmonix 16 sec digital delay....but during it all he's banging on the neck, scraping the strings, etc etc....i mean the sounds he coaxes out i think are inspiring. if you want to see some "out of the box playing" this is it....
i don't think i can say enough about this dvd....except thanks to those who made it, and thanks to stan for pointing it out last week!!!!
s---


      
--0-62132540-1267311823=:52108
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><DIV>OMG-i have watched the 1st performance and the extras, will probably watch the 2nd performance tonight, it is amazing.</DIV>
<DIV>as i was watching it, i thought: crap, back to the drawing board for me on making more weird noises. it is inspiring stuff.</DIV>
<DIV>(note: although my wife thought it was atonal noise!)</DIV>
<DIV>if you're a nels c fan, or like experimental sounds-it is a great dvd of stuff.</DIV>
<DIV>if i was still teaching drawing/painting it is also a great look into the creative process.</DIV>
<DIV>(thank F***ING god i'm still not teaching), but it is still a great dvd and inspirational.</DIV>
<DIV>from what i've watched it is hard to see all the pedals he uses-AND MAN he uses A LOT of stuff!!!! he does some great stuff w/ the korg kaoss pad 2 and seems like a lot is the </DIV>
<DIV>electro harmonix 16 sec digital delay....but during it all he's banging on the neck, scraping the strings, etc etc....i mean the sounds he coaxes out i think are inspiring. if you want to see some "out of the box playing" this is it....</DIV>
<DIV>i don't think i can say enough about this dvd....except thanks to those who made it, and thanks to stan for pointing it out last week!!!!</DIV>
<DIV>s---</DIV></td></tr></table><br>

      
--0-62132540-1267311823=:52108--

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 23:24:47 2010
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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;font-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:0px}</style></head><body id="compText">wott he said :-)<br><br><br><blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message-----
<br>From: scott hansen <evanpeewee@yahoo.com>
<br>Sent: Feb 27, 2010 6:03 PM
<br>To: Loopers-Delight@loopers-delight.com
<br>Subject: nels cline: stained radiance DVD

<br><br><table cellspacing="0" cellpadding="0" border="0"><tbody><tr><td valign="top" style="font: inherit;"><div>OMG-i have watched the 1st performance and the extras, will probably watch the 2nd performance tonight, it is amazing.</div>
<div>as i was watching it, i thought: crap, back to the drawing board for me on making more weird noises. it is inspiring stuff.</div>
<div>(note: although my wife thought it was atonal noise!)</div>
<div>if you're a nels c fan, or like experimental sounds-it is a great dvd of stuff.</div>
<div>if i was still teaching drawing/painting it is also a great look into the creative process.</div>
<div>(thank F***ING god i'm still not teaching), but it is still a great dvd and inspirational.</div>
<div>from what i've watched it is hard to see all the pedals he uses-AND MAN he uses A LOT of stuff!!!! he does some great stuff w/ the korg kaoss pad 2 and seems like a lot is the </div>
<div>electro harmonix 16 sec digital delay....but during it all he's banging on the neck, scraping the strings, etc etc....i mean the sounds he coaxes out i think are inspiring. if you want to see some "out of the box playing" this is it....</div>
<div>i don't think i can say enough about this dvd....except thanks to those who made it, and thanks to stan for pointing it out last week!!!!</div>
<div>s---</div></td></tr></tbody></table><br>

      </evanpeewee@yahoo.com></blockquote></body>

From Loopers-Delight-request@loopers-delight.com  Sat Feb 27 23:37:38 2010
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Date: Sat, 27 Feb 2010 15:37:30 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: nels cline: stained radiance DVD
To: Loopers-Delight@loopers-delight.com
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I sent the link to a friend who is 1) a professional artiste and 2) a looping guitarist who would (in theory) truly appreciate the pedalboard and Nels's comments thereupon, and his only comment was (and I cut and paste): "Are those huge pot plants at 2:39?"

The link for those who've not seen it: <http://www.urb.com/2010/02/26/stained-radiance-nels-cline-on-dvd/>

-t-




--- On Sat, 2/27/10, scott hansen <evanpeewee@yahoo.com> wrote:

> From: scott hansen <evanpeewee@yahoo.com>
> Subject: nels cline: stained radiance DVD
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, February 27, 2010, 6:03 PM
> OMG-i have watched the 1st
> performance and the extras, will probably watch the 2nd
> performance tonight, it is amazing.
> as i was watching it, i thought: crap, back to the
> drawing board for me on making more weird noises. it is
> inspiring stuff.
> (note: although my wife thought it was atonal
> noise!)
> if you're a nels c fan, or like experimental
> sounds-it is a great dvd of stuff.
> if i was still teaching drawing/painting it is also a
> great look into the creative process.
> (thank F***ING god i'm still not teaching), but it
> is still a great dvd and inspirational.
> from what i've watched it is hard to see all the
> pedals he uses-AND MAN he uses A LOT of stuff!!!! he does
> some great stuff w/ the korg kaoss pad 2 and seems like a
> lot is the 
> electro harmonix 16 sec digital delay....but during it
> all he's banging on the neck, scraping the strings, etc
> etc....i mean the sounds he coaxes out i think are
> inspiring. if you want to see some "out of the box
> playing" this is it....
> i don't think i can say enough about this
> dvd....except thanks to those who made it, and thanks to
> stan for pointing it out last week!!!!
> s---
> 
> 
>       


      

From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 02:01:04 2010
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Subject: Re: nels cline: stained radiance DVD
Date: Sat, 27 Feb 2010 18:00:57 -0800
References: <387422.52108.qm@web33102.mail.mud.yahoo.com>
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Scott,

My copy came the other day.

Of course I loved it immediately.

But my wife was loudly bored after 2 minutes, so I had to turn it off  
to watch at a later time.

I still haven't gotten to watch all of it yet - but I'm looking  
forward to it.

It's tough living in a mixed, artist/non-artist household.

Cheers,

Ted

On Feb 27, 2010, at 3:03 PM, scott hansen wrote:

> OMG-i have watched the 1st performance and the extras, will probably  
> watch the 2nd performance tonight, it is amazing.
> as i was watching it, i thought: crap, back to the drawing board for  
> me on making more weird noises. it is inspiring stuff.
> (note: although my wife thought it was atonal noise!)
> if you're a nels c fan, or like experimental sounds-it is a great  
> dvd of stuff.
> if i was still teaching drawing/painting it is also a great look  
> into the creative process.
> (thank F***ING god i'm still not teaching), but it is still a great  
> dvd and inspirational.
> from what i've watched it is hard to see all the pedals he uses-AND  
> MAN he uses A LOT of stuff!!!! he does some great stuff w/ the korg  
> kaoss pad 2 and seems like a lot is the
> electro harmonix 16 sec digital delay....but during it all he's  
> banging on the neck, scraping the strings, etc etc....i mean the  
> sounds he coaxes out i think are inspiring. if you want to see some  
> "out of the box playing" this is it....
> i don't think i can say enough about this dvd....except thanks to  
> those who made it, and thanks to stan for pointing it out last  
> week!!!!
> s---
>

From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 02:07:27 2010
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i luv the dvd-but i kinda know what she means-i have seen Nels w/ BANYAN an=
d that painter a couple times-and in person in the room w/ all that creativ=
ity happening in real time is a different experience. as good as the dvd is=
-its far away from the live room show - the sound and art imo


-----Original Message-----
>From: tEd =C2=AE KiLLiAn <tedkillian@charter.net>
>Sent: Feb 27, 2010 9:00 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: nels cline: stained radiance DVD
>
>Scott,
>
>My copy came the other day.
>
>Of course I loved it immediately.
>
>But my wife was loudly bored after 2 minutes, so I had to turn it off =20
>to watch at a later time.
>
>I still haven't gotten to watch all of it yet - but I'm looking =20
>forward to it.
>
>It's tough living in a mixed, artist/non-artist household.
>
>Cheers,
>
>Ted
>
>On Feb 27, 2010, at 3:03 PM, scott hansen wrote:
>
>> OMG-i have watched the 1st performance and the extras, will probably =20
>> watch the 2nd performance tonight, it is amazing.
>> as i was watching it, i thought: crap, back to the drawing board for =20
>> me on making more weird noises. it is inspiring stuff.
>> (note: although my wife thought it was atonal noise!)
>> if you're a nels c fan, or like experimental sounds-it is a great =20
>> dvd of stuff.
>> if i was still teaching drawing/painting it is also a great look =20
>> into the creative process.
>> (thank F***ING god i'm still not teaching), but it is still a great =20
>> dvd and inspirational.
>> from what i've watched it is hard to see all the pedals he uses-AND =20
>> MAN he uses A LOT of stuff!!!! he does some great stuff w/ the korg =20
>> kaoss pad 2 and seems like a lot is the
>> electro harmonix 16 sec digital delay....but during it all he's =20
>> banging on the neck, scraping the strings, etc etc....i mean the =20
>> sounds he coaxes out i think are inspiring. if you want to see some =20
>> "out of the box playing" this is it....
>> i don't think i can say enough about this dvd....except thanks to =20
>> those who made it, and thanks to stan for pointing it out last =20
>> week!!!!
>> s---
>>
>

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We are a company that conduct surveys and evaluate other companies. We get hired
 to go to other peoples companies and act like customers in order to know how the
 staffs are handling their services in relation to their customers. once we have
 a contract to do so, you would be directed to the company or outlet, and you
 would be given the funds you need to do the job(either purchase things or
 require services), after which you would write a comment on the staffs
 activities and give a detailed record of your experience.

 Examples of details you would forward to us are:

 1) How long it took you to get services.
 2) Smartness of the attendant
 3)Customer service professionalism
 4)Sometimes you might be required to upset the attendant, to see how they react
 to clients why they get tensed.

 And we turn the information over to the company executives and they would carry
 out their own duties in improving there services. Most companies employ our
 assistance when people give complains about their services, or when they feel
 there are needs for them to improve their customer service. your Identity would
 be kept confidential as the job states (secret shopper) you would be paid $500
 for every duty you carry out, and bonus on your transportation allowance, and
 funds would be given to you if you have to dine as part of the duty.

 Your job will be to evaluate and comment on customer service in a wide variety
 of shops, stores, restaurant and services in your area.

 No commitment is made on this job, and you would have flexible hours as it suits
 you. If you are interested do send in these information:

 FULL NAME:
 CONTACT ADDRESS:(NO P O BOX)
 CITY:
 STATE:
 ZIP-CODE:
 TELEPHONE NUMBER:
 MOBILE NUMBER:
 AGE:
 OCCUPATION:
 EMAIL:

 So we can look at your distance from the locations which you have to put your
 service into, and your address would also be need for your payments.

 Yours Sincerely
 Rohde Dale

 Zagat Survey, LLC

From bankimoon@un.org  Sun Feb 28 02:56:29 2010
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From: "Ban Ki-Moon UN Secretary-General"<bankimoon@un.org>
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UNITED NATIONS (UNITED NATIONS ASSISTED PROGRAMME) 
DIRECTORATE OF INTERNATIONAL PAYMENT AND TRANSFERS. UNITED NATIONS LIASION OFFICE 
 
COMPENSATION UNIT, IN AFFILIATION WITH THE UNITED NATION. Send a copy of your response to official email: 
mrs.celenibru@gmail.com
 
 
Strictly Attn: Beneficiary,   
 
 
Good day, from our records here we were able to find out  that up till this very moment you have not received your payment. 
 
You are hereby advice to stop further communication with any person or Office regards to these and do take immediate contact with Dr. Mrs. Celen Ibru of Oceanic Bank  London  for immediate release of your Compensation Payment of $450,000.00 by ATM CARD.  Oceanic Bank is the only authorized Bank we are operating with if you get any mail from any other Banks regards to these please disregard it to avoid Scam.
 
You have 3 days to do these or forget all about it. Adhear with the advice given to you by her as she is our Representative over there.
 
If in any way this message did not related to you, please do not take any further step.
 
Your payment File Number UN-005-009, give it to her during the event of your contact with her. 
 
Her direct contact Email  mrs.celenibru@gmail.com
 
Making the world a better place for all. 
 
 
With Kind Regards,
 
Ban Ki-Moon
UN Secretary-General
 
 
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From j.kad135@msn.com  Sun Feb 28 05:25:07 2010
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From:     Mrs Juliet Kadiogo <j.kad@msn.com>
To:       ".FROM MR HAMED MAIGA." <.FROM MR HAMED MAIGA.>
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<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
<style type=3D"text/css"><!--
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<div><SPAN style=3D"font-family:'Times New Roman';font-size:10pt;"><I><B>I am=
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<div>&nbsp;</div>
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From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 05:29:31 2010
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Subject: Re: New looping video published, "This Is No Magic"
From: Art Simon <simart@gmail.com>
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Wonderful stuff, that's lazy in a good way! I love how you channel Terje
Rypdal! Thanks!

On Sat, Feb 27, 2010 at 8:33 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Feb 27, 2010 at 5:03 PM, Anders Bergdahl
> <anders_e_bergdahl@hotmail.com> wrote:
> > Lazy, I don't know I sometimes, often actually, prefer improvisations..
>
> Well, I was joking a bit ;-))  Actually I am quite ambitious regarding
> extended improvisational techniques and put a lot of time into
> developing such.
>
> > What
> > instruments did you use,
>
> Akai EWI 4000s ("Electric Wind Instrument").
>
> > at one point it sounded a lot lika an elctric
> > guitar.
>
> It is! I have sampled my single coil low output Stratocaster so I can
> use my own guitar sound with the EWI. Musically it comes out a bit
> differently when blowing compared to plucking physical strings, and
> I'm finding that quite interesting! This sample set uses two
> recordings for each note; one with a straight thick jazz pick attack
> into a overdriven Sovtek MIG-60 tube amp with one Marshall Lead Series
> 1x12" cabinet. The other sample is the same rig but with a Big Muff
> between guitar and amp, and these fuzz tones all go into "singing"
> acoustic feedback in a couple of seconds (neighbors went crazy the day
> I recorded all that). The feedback tone samples are set in the sampler
> to a slow attack, so they only join in if I hold a long note.
>
> > And how did you acheive the cool affects in the video, i have
> been searching
> > for a tool to animate audio...
>
> Graphic effect is dirt simple: iTune's graphic plugin!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001636e0b483b8fc360480a26ad4
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Wonderful stuff, that&#39;s lazy in a good way! I love how you channel Terj=
e Rypdal! Thanks!<br><br><div class=3D"gmail_quote">On Sat, Feb 27, 2010 at=
 8:33 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Sat, Feb 27, 2010 at 5:03 PM, Anders Bergdahl<br>
&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.com">anders_e_bergdahl@hotm=
ail.com</a>&gt; wrote:<br>
&gt; Lazy,=A0I don&#39;t know=A0I sometimes, often actually, prefer improvi=
sations..<br>
<br>
</div>Well, I was joking a bit ;-)) =A0Actually I am quite ambitious regard=
ing<br>
extended improvisational techniques and put a lot of time into<br>
developing such.<br>
<div class=3D"im"><br>
&gt; What<br>
&gt; instruments did you=A0use,<br>
<br>
</div>Akai EWI 4000s (&quot;Electric Wind Instrument&quot;).<br>
<div class=3D"im"><br>
&gt; at one point it sounded a lot lika an elctric<br>
&gt; guitar.<br>
<br>
</div>It is! I have sampled my single coil low output Stratocaster so I can=
<br>
use my own guitar sound with the EWI. Musically it comes out a bit<br>
differently when blowing compared to plucking physical strings, and<br>
I&#39;m finding that quite interesting! This sample set uses two<br>
recordings for each note; one with a straight thick jazz pick attack<br>
into a overdriven Sovtek MIG-60 tube amp with one Marshall Lead Series<br>
1x12&quot; cabinet. The other sample is the same rig but with a Big Muff<br=
>
between guitar and amp, and these fuzz tones all go into &quot;singing&quot=
;<br>
acoustic feedback in a couple of seconds (neighbors went crazy the day<br>
I recorded all that). The feedback tone samples are set in the sampler<br>
to a slow attack, so they only join in if I hold a long note.<br>
<div class=3D"im"><br>
&gt; And how did you acheive the cool affects in the video, i have been=A0s=
earching<br>
&gt; for a tool to animate audio...<br>
<br>
</div>Graphic effect is dirt simple: iTune&#39;s graphic plugin!<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<b=
r><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot]=
 com/artsimon<br>

--001636e0b483b8fc360480a26ad4--

From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 13:17:07 2010
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Date: Sun, 28 Feb 2010 08:16:55 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Thought Radio Playlist for February 27, 2010.
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http://soundscapes.us/amfm/playlists/2010/100227.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
I am at the helm, the show is called Thought Radio and you can expect to
hear electronic, ambient, spacemusic, Progressive Rock, and an eclectic
mix of other genres.  The show airs from 6:00 am to 8:00 am on WMUH
Allentown, 91.7 FM and on the internet.  I also host Afterglow every
Thursday from 8:00 am to 9:30 am.

                Show #168                February 27, 2010.

On this program, I changed up the format and did an all Phase I show,
nothing but electronic music, starting off with a recently recorded
radio concert given by Radio Massacre International's Steve Dinsdale
and me.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Dinsdale and   Andromeda Junket     none (none)
  Bill Fox
Radio Massacre       Aeon                 Time & Motion (Cuneiform)
  International
Robert Rich          kalyani              ylang (Soundscape Productions)
Steve Roach          Embracing the        Live At Grace Cathedral
                       Space *              (Timeroom Editions)
Premonition Factory  Needless To Say      59 Airplanes Waiting for New
                       Anything             York (Longstreet)
Dovnia               Perelin (Forest of   Analog Impressions (none)
                       the Night)
Wave World           El Niño              Species (Quantum)
Thomas Fanger and    Berlin Lunch         Analog Overdose 4+ (Manikin)
  Mario Schonwalder


Phase II/Eclectic:
Preempted


Phase III/Progressive Rock:
Preempted


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST (GMT-5:00/ITZ-5:00).
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
MySpace: http://myspace.com/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

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Subject: digitech jamman(speed function) ?/new one ?/ nels DVD
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--0-1361051052-1267372027=:37587
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? re: the digitech jamman-does this slow down the audio w/o changing the pi=
tch-is this a worthwhile feature? i'm thinking from my experience w/ digita=
l delays and tape loops-i love the fact of slowing down thing=A0 and it get=
s all low and growly (or speed up and it's mickey mouse land)-is this somet=
hing people exploit a lot?
and vid links of this in action?
=A0
? re: jamman stereo-any date when it comes out?
i've sort of been interesting in this-just curious if anyone knew
=A0
nels cline dvd-yea, i know the dvd is not like being there-it never is, but=
 the best close approximation i can get....we all live in a simulacrum. and=
 i know from my painting background seeing him work in real w/ the texture =
scale would be much better.
i'm just glad they put it out.
and yes the dual household living w/ a non-looper (my wife did play flute l=
ong ago)--she's accepted most of my loop listenings (dt & his splattercell =
stuff), some of the out there folks she still can't grasp...oh well....
s---=0A=0A=0A      
--0-1361051052-1267372027=:37587
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>? re: the digitech jamman-does this slow=
 down the audio w/o changing the pitch-is this a worthwhile feature? i'm th=
inking from my experience w/ digital delays and tape loops-i love the fact =
of slowing down thing&nbsp; and it gets all low and growly (or speed up and=
 it's mickey mouse land)-is this something people exploit a lot?</DIV>
<DIV>and vid links of this in action?</DIV>
<DIV>&nbsp;</DIV>
<DIV>? re: jamman stereo-any date when it comes out?</DIV>
<DIV>i've sort of been interesting in this-just curious if anyone knew</DIV=
>
<DIV>&nbsp;</DIV>
<DIV>nels cline dvd-yea, i know the dvd is not like being there-it never is=
, but the best close approximation i can get....we all live in a simulacrum=
. and i know from my painting background seeing him work in real w/ the tex=
ture scale would be much better.</DIV>
<DIV>i'm just glad they put it out.</DIV>
<DIV>and yes the dual household living w/ a non-looper (my wife did play fl=
ute long ago)--she's accepted most of my loop listenings (dt &amp; his spla=
ttercell stuff), some of the out there folks she still can't grasp...oh wel=
l....</DIV>
<DIV>s---</DIV></td></tr></table><br>=0A=0A      
--0-1361051052-1267372027=:37587--

From huynam@saigonnet.vn  Sun Feb 28 16:07:33 2010
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From: "Dr Richard" <josama106@rocketmail.com>
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Subject: Thanks for your corporation
Date: Sun, 28 Feb 2010 22:37:26 +0700
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NIGERIA NATIONAL PETROLEUM CORPORATION
7 KOFO ABAYOMI STREET VICTORIAN ISLAND
LAGOS-NIGERIA
Private E-Mail: ricgarid1@yahoo.com.hk 

Dear Partner, 

I will like you to read this mail with all seriousness. I am Dr. J. C. 
Richard the Account Manager of COMD (CRUDE OIL MARKETING DIVISION), a 
subsidiary of Nigerian National Petroleum Corporation (NNPC) here in Lagos. 

Am in the position to transfer the sum of TWENTY FIVE MILLION UNITED STATE 
DOLLARS to your country for investment, as a director in the NNPC I need 
someone whom I can trust. As soon as the fund gets to your account I shall 
be coming to your country for the sharing.  Please note that these is not a 
fraudulent fund and are not drug related funds as well, these money came as 
a result of the rise in petroleum price world wide under my department and 
as the senior manager in charge of COMD finance, I was able to fiscally safe 
this fund in the government account I know all the methods on how funds goes 
into and out of the NNPC. This funds will be transfer out to your account as 
contract funds and we are presenting your company as one which has done a 
contract with the COMD. Note also that it will be transfer to you as an 
honest fund as all the document to legitimize the transfer will be obtain 
legally. 


As a senior manager under the NNPC and as a civil servant our constitution 
does not allow me to operate a foreign account these was just why I have to 
contact you. I beg you to cover my identity and help me in achieving this 
long life dream. All I am sincerely asking from you is to provide the 
following details in which we shall need to execute the transfer 
successfully. 

(1) Your company name and address. 

(2) Your Bank name and address including the beneficiary account where the 
fund will be wired. 

(3) Your Private telephone and fax number were I could reach you. 


Sharing Method: 

Account owner (You) 40%, we the beneficiary 60%, reply to me urgently 
through my email address with all the details that I needed to commence the 
transaction. Note that I have not contacted any body on these matters except 
you alone. I wait sincerely to hear from you so that I can give you more 
details and clear your fear. 

Thanks for your corporation. 

 

Yours truly,
Dr.J. C. Richard 


From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 16:31:53 2010
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Date: Sun, 28 Feb 2010 17:31:46 +0100
Message-ID: <66f9cc1e1002280831l77fc4au375601121af8c9d1@mail.gmail.com>
Subject: Re: digitech jamman(speed function) ?/new one ?/ nels DVD
From: Per Boysen <perboysen@gmail.com>
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On Sun, Feb 28, 2010 at 4:47 PM, scott hansen <evanpeewee@yahoo.com> wrote:
>
> ? re: the digitech jamman-does this slow down the audio w/o changing
> the pitch-is this a worthwhile feature?

No. It sounds to crappy IMHO. I had a Digi Jamman for a couple of days
and this function really sounds bad.

> i'm thinking from my experience w/ digital delays and tape loops-i love
> the fact of slowing down thing=C2=A0 and it gets all low and growly
> (or speed up and it's mickey mouse land)-is this something people exploit=
 a lot?

That is something completely different! Not the same functionality.
What you are talking about is the tape simulating digital effect, like
"speed" on an EDP or "rate shift" in software looping; when you change
both pitch and loop length.
(Yes, I see many people exploiting this a lot. Filmed it on a video
yesterday myself
http://bit.ly/9YM5uc )

But what the Digi Jamman tries to do is "time stretching plus pitch
shifting". The point in this is that it makes pitch transposition
possible without changing the length of the loop. But I doubt you'd
like what it sounds like ;-))  Audio artifacts all over the place...
not even close to the cool sound Electrixpro Repeater delivered from
the same type of processing.

BTW, I just checked my notes form a phone interview I did with Nels
Cline and he says that the basic foundation of his sound and all his
use of stomp box effects is to "have an amp that doesn't give too much
treble". To crate treble he uses the effects. Also, his -59 Jazzmaster
gives a fatter and less sharp output compared to later Jazzmaster
guitars. Plus that he plays with a Dunlop pick that is hard, heavy and
fat on quite thick strings (0.012 set). For looping he uses two
Electro Harmonix 16 sec delays, "not because modern looping boxes are
less good but they just don't work the way I like them too; I want to
be able to add more sound to a loop without trashing the initial loop
and also to change the speed and pitch of the loop" (tape sim style
technique, as mentioned above). Nels doesn't like to answer endless
questions on gear so he put up this web page for people to check out
themselves what he is using:
http://www.nelscline.com/tech.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 21:02:31 2010
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Date: Sun, 28 Feb 2010 15:32:34 -0500
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http://wdiy.org/programs/gt/playlists/2010/top20-02feb.html

WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2010.
Shows #670 to #673; 4-February-2010 to 25-February-2010
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for February was E=motion.
http://wdiy.org/programs/gt/playlists/2010/focus.html#feb



ARTIST - ALBUM TITLE - LABEL
========================================================================
Asnazzy - Voyage To Andromeda - none
Between Interval - The Edge of a Fairytale - Spotted Peccary
Dan Pound - Living Planet - Pound Sounds
David Wright - Sines of Life - A.D. Music
Dreamwind - Seventh Phase - Jennica
E=motion - E-ternity - Underwater
E=motion - Hypnotic Sequences - Underwater
E=motion - Infinite Motion - Underwater
E=motion - Telepath - Underwater
Free System Projekt and Dweller at the Threshold - Passenger 4 - Quantum
Interconnected - CurrentFlow - VU-US
Nemesis - Gigaherz - Origo Sound
Nunc Stans and Mystified - One Thousand Dreams - DataObscura
Radio Massacre International - Time & Motion - Northern Echo
Redshift - RW Three - A Distant Sun
Remy - EoD - AKH
Rene van der Wouden - Recreation - Rewo
Steve Dinsdale - New Church - Northern Echo
Steve Roach - Live at Grace Cathedral - Timeroom Editions
Terje Winther - Electronic Regions - Bajkal

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From mrpatrick01@w.cn  Sun Feb 28 21:13:27 2010
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From: "Mr Patrick K.W Chan" <mrpatrick01@w.cn>
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Subject: Re:
Date: Mon, 1 Mar 2010 02:21:26 +0800
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I am Mr.patrick chan,Director of the Hang Seng Bank Ltd, hong kong. Aniraqi 
man made a fixed deposit of (30,millionUSD) and he died with hisentire family 
leaving behind no next of kin, am ready to share 65% for me, 5% will be use 
to settle any expenses and 30% for you if you choose to stand as my deceased 
client next of kin.if  you areinterested please notify to send to me this 
information.

1. YOUR NAME:
2. YOUR RESIDENT ADDRESS:
3. YOUR OCCUPATION:
4. YOUR PHONE NUMBER:
5. DATE OF BIRTH:
6. COUNTRY OF RESIDENT:

Mind you your names and address will be used by my Attorney to prepare the 
needed documents that will back you up as the sole beneficiary of my deceased 
client funds. I wait to hear from you anyway, I have spoken myhonest mind t0 
you this day.

Best Regards,

Mr.PatrickChan,

From Loopers-Delight-request@loopers-delight.com  Sun Feb 28 21:18:47 2010
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Subject: RE: New looping video published, "This Is No Magic"
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"any sufficient advanced technology is indistinguishable from magic"
 
I'd say this is magic Per
 
-Michael

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.5700.7" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D421171721-28022010><FONT =
face=3DArial=20
size=3D2><FONT face=3D"Times New Roman" size=3D3>"any =
<EM>sufficient</EM> advanced=20
technology is indistinguishable from magic"</FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D421171721-28022010></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D421171721-28022010><FONT =
face=3DArial=20
size=3D2>I'd say this is magic Per</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D421171721-28022010><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D421171721-28022010><FONT =
face=3DArial=20
size=3D2>-Michael</FONT></SPAN></DIV></BODY></HTML>

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