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Michael,

I spent some time tweaking the signal levels out and back on the POD  
X3 Pro and got it so that I have no level change when I have the loop,  
and therefore the miniKP or KP3, in or out of the patch. That made the  
noise floor disappear, as well.

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there

On Nov 30, 2009, at 4:00 AM, Michael Peters wrote:

> there's a ton of wild stuff in there. Big fun, definitely give it a  
> try. Only drawback is that it seems to reduce the level - it sounds  
> quite different to have it in your signal chain compared to not  
> having it. Does anyone know a remedy for that?
>
> -Michael






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>Michael,</div><div><br></div><div>I spent some time tweaking the =
signal levels out and back on the POD X3 Pro and got it so that I have =
no level change when I have the loop, and therefore the miniKP or KP3, =
in or out of the patch. That made the noise floor disappear, as =
well.</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div>All the =
best,</div><div><br></div><div>Loren =
Claypool</div><div>genre-indifferent instrumental guitar =
music</div><div><a =
href=3D"http://www.lorenclaypool.com">www.lorenclaypool.com</a> and =
links from there</div></span></div><br><div><div>On Nov 30, 2009, at =
4:00 AM, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"> <div> =
<div dir=3D"ltr" align=3D"left"><span =
class=3D"828415809-30112009"></span><font face=3D"Arial"><font =
size=3D"2">t<span class=3D"828415809-30112009">here's a ton of wild =
stuff in there. Big fun, definitely give it a try. Only drawback is that =
it seems to reduce the level - it sounds quite different to have it in =
your signal chain compared to not having it. Does anyone know a remedy =
for that?</span></font></font></div> <div><font face=3D"Arial"><font =
size=3D"2"><span =
class=3D"828415809-30112009"></span></font></font>&nbsp;</div> =
<div><font face=3D"Arial"><font size=3D"2"><span =
class=3D"828415809-30112009">-Michael</span></font></font></div></div></bl=
ockquote></div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; =
"><div><div><br></div></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 01:51:06 2009
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Subject: Dear friends:
Date: Tue, 1 Dec 2009 12:45:21 +1100
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<html>
<head>
<style><!--
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body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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--></style>
</head>
<body class=3D'hmmessage'>
Dear friends:<BR>I am willing to give you a big surprise: http://www.skpric=
e.com/<BR>&nbsp=3B I bought an Apple laptop a week ago from this site. Now=
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--_ba44aaf3-d7b6-468c-80bd-b0ddaffa566c_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 02:26:46 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Nasoalmo
Date: Mon, 30 Nov 2009 21:28:48 -0500
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Hey gang,

just a note to let you know my Nasoalmo release is finished and up for your 
listening if you care to.

I did the naming and arrangement after reading that cracked item on prog so 
I give you

The Inconsistency Principal

1st Shard
I Bad Monks Lament
2nd Shard
II Hatshepsut
3rd Shard
III L-tryptophan
4th Shard
IV Diencephalon
5th Shard
V Phylterz
6th Shard
VI Visions (slight return)
VII The Void that Binds
credits
released 30 November 2009
Jeff Duke - guitar, loops and electronics
license cc Some rights reserved

Get it free at Bandcamp!
http://jeffduke.bandcamp.com/album/the-inconsistency-principle


peace out,

Jeff


From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 03:00:52 2009
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Subject: Re: OT: Prog Rock in 5 minutes ;-)
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I used an FB01 until I moved north.  Used it a LOT for music for video/ 
film!  If you run some of the patches through guitar distortion/ 
compression it can be a real screamer.  I think it was called PlukBas  
or something like that.  Haven't plugged it in in six or seven years  
but I refuse to pitch it.  The cheapest little thrill I ever bought!

Most old keyboards/modules have batteries.  I've learned the hard way  
they have to be replaced or they can damage the circuit boards.   
LinnDrums are famous for this.

And, I did see Soft Machine with Jimi Hendrix way back.  Small room.  
Incredible show.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com









On Nov 30, 2009, at 1:46 PM, Brian Kupferschmid wrote:

> what's funny about this thread, is after recently purchasing(if you  
> can call getting it for free a purchase), an 80s Yamaha FB01 tone  
> module and building a pedalboard with stompboxes that'll help create  
> some interesting tones, I was going to set up and record a live  
> looping movement based heavily in Prog, granted, there's ony so much  
> you can do while looping, but I kept the term epic, nay, overblown  
> in mind.
>
> --- On Mon, 11/30/09, Miko Biffle <biffoz@gmail.com> wrote:
>
>> From: Miko Biffle <biffoz@gmail.com>
>> Subject: Re: OT: Prog Rock in 5 minutes ;-)
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, November 30, 2009, 3:23 PM
>> Despite the bulky, byzantine, laughable
>> facade of Prog, therein lies the ongoing quest for creating
>> entire worlds in sound (and sometimes theatre). Gentle
>> Giant, Hatfield and the North, Van Der Graff Generator? Not
>> gathering dust in my collection!  I consider Soft Machine,
>> Matching Mole, Carla Bley's "Escalator Over The
>> Hill" to be bastard offspring of Prog. Even Magma seems
>> closely linked, if only in spirit.  The Lunar Asylum?
>> Alien Bipolar Prog!!!
>>
>> -- 
>> Mikko Biffle
>> Biffoz@Gmail.com
>> http://www.reverbnation.com/biffoz
>> "Running scared from all the usual
>> distractions!"
>>
>>
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I used an FB01 until I moved =
north. &nbsp;Used it a LOT for music for video/film! &nbsp;If you run =
some of the patches through guitar distortion/compression it can be a =
real screamer. &nbsp;I think it was called PlukBas or something like =
that. &nbsp;Haven't plugged it in in six or seven years but I refuse to =
pitch it. &nbsp;The cheapest little thrill I ever =
bought!<div><br></div><div>Most old keyboards/modules have batteries. =
&nbsp;I've learned the hard way they have to be replaced or they can =
damage the circuit boards. &nbsp;LinnDrums are famous for this. =
&nbsp;<br><div><br></div><div>And, I did see Soft Machine with Jimi =
Hendrix way back. &nbsp;Small room. Incredible show.</div><div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Nov 30, =
2009, at 1:46 PM, Brian Kupferschmid wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>what's =
funny about this thread, is after recently purchasing(if you can call =
getting it for free a purchase), an 80s Yamaha FB01 tone module and =
building a pedalboard with stompboxes that'll help create some =
interesting tones, I was going to set up and record a live looping =
movement based heavily in Prog, granted, there's ony so much you can do =
while looping, but I kept the term epic, nay, overblown in =
mind.<br><br>--- On Mon, 11/30/09, Miko Biffle &lt;<a =
href=3D"mailto:biffoz@gmail.com">biffoz@gmail.com</a>&gt; =
wrote:<br><br><blockquote type=3D"cite">From: Miko Biffle &lt;<a =
href=3D"mailto:biffoz@gmail.com">biffoz@gmail.com</a>&gt;<br></blockquote>=
<blockquote type=3D"cite">Subject: Re: OT: Prog Rock in 5 minutes =
;-)<br></blockquote><blockquote type=3D"cite">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></blockquote><blockquote type=3D"cite">Date: =
Monday, November 30, 2009, 3:23 PM<br></blockquote><blockquote =
type=3D"cite">Despite the bulky, byzantine, =
laughable<br></blockquote><blockquote type=3D"cite">facade of Prog, =
therein lies the ongoing quest for creating<br></blockquote><blockquote =
type=3D"cite">entire worlds in sound (and sometimes theatre). =
Gentle<br></blockquote><blockquote type=3D"cite">Giant, Hatfield and the =
North, Van Der Graff Generator? Not<br></blockquote><blockquote =
type=3D"cite">gathering dust in my collection!&nbsp; I consider Soft =
Machine,<br></blockquote><blockquote type=3D"cite">Matching Mole, Carla =
Bley's "Escalator Over The<br></blockquote><blockquote type=3D"cite">Hill"=
 to be bastard offspring of Prog. Even Magma =
seems<br></blockquote><blockquote type=3D"cite">closely linked, if only =
in spirit.&nbsp; The Lunar Asylum?&nbsp;<br></blockquote><blockquote =
type=3D"cite">Alien Bipolar Prog!!!<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">-- =
<br></blockquote><blockquote type=3D"cite">Mikko =
Biffle<br></blockquote><blockquote type=3D"cite"><a =
href=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</a><br></blockquote><blo=
ckquote type=3D"cite"><a =
href=3D"http://www.reverbnation.com/biffoz">http://www.reverbnation.com/bi=
ffoz</a><br></blockquote><blockquote type=3D"cite">"Running scared from =
all the usual<br></blockquote><blockquote =
type=3D"cite">distractions!"<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br><br><br><br></div></blockquote></div><b=
r></div></div></body></html>=

--Apple-Mail-7-8891216--

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Date: Mon, 30 Nov 2009 19:08:31 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: prog rock in 5 minutes
To: Loopers-Delight@loopers-delight.com
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Howdy,
 Yes, Ihave 3 FB-01s, and 4 Cx5m computers to  program them and the dx-21, and tx TX-7. They're all ahoot. the CX5-M is still grat for the old DX stuff, if you can find the cartridges


      

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Subject: Re: OT: Prog Rock in 5 minutes ;-)
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I bet.

> And, I did see Soft Machine with Jimi Hendrix way back. =A0Small room.
> Incredible show.

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Mon, 30 Nov 2009 20:14:30 -0800
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Subject: Re: OT: Prog Rock in 5 minutes ;-)
From: Art Simon <simart@gmail.com>
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Definitely Gladys Knight!

I enjoyed the Focus video clip entirely too much. In '75 or '76 my
brother told me "you'll like this, it's weird." And I did like it,
though I'm not proud of the fact today. David Bowie was weird too, but
he aged much better.

Just for the record, Jan Akkerman is a great. In the video, he keeps
his cool despite the yodeling hysteria. I think Thijs Van Leer
eventually got on his nerves too. His self titled album on Epic in
1977 is still a favorite. More recent stuff like C.U. is killer.

On Mon, Nov 30, 2009 at 11:51 AM, john floridis <john@johnfloridis.com> wrote:
> "Wasn't that a youthful Della Reese introducing them? "
>
> I was thinking it was maybe Gladys Night......
>
> John
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Mon, 30 Nov 2009 20:30:22 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
To: Loopers-Delight@loopers-delight.com
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So far since I acquired it, I test ran it through my Line 6 M13 into a 5 wa=
tt Crate tube amp.  I ran the organ sound through a tube comp, rotary sim a=
nd a hall reverb, and it growled like the B3 through Leslie, then I kept th=
e tube comp, but swapped out the rotary sim for a nice trem for that No Qua=
rter Rhodes sound, then ran a couple bass presets through the sub octave fu=
zz and chorus...wow, but the real kicker was running the strings preset thr=
ough a high pass filter and had instant Mellotron, pure Prog magic.  I'm re=
ally a guitarist, so Rick Wakeman I'm not, but I DO have his "Six Wives of =
Henry VIII" album...does that count?=0A=0A--- On Mon, 11/30/09, richard sal=
es <richard@glasswing.com> wrote:=0A=0A> From: richard sales <richard@glass=
wing.com>=0A> Subject: Re: OT: Prog Rock in 5 minutes ;-)=0A> To: Loopers-D=
elight@loopers-delight.com=0A> Date: Monday, November 30, 2009, 9:00 PM=0A>=
 I used an FB01 until I moved north.=0A> =A0Used it a LOT for music for vid=
eo/film! =A0If you=0A> run some of the patches through guitar=0A> distortio=
n/compression it can be a real screamer. =A0I=0A> think it was called PlukB=
as or something like that.=0A> =A0Haven't plugged it in in six or seven yea=
rs but I=0A> refuse to pitch it. =A0The cheapest little thrill I ever=0A> b=
ought!=0A> Most old keyboards/modules have batteries.=0A> =A0I've learned t=
he hard way they have to be replaced=0A> or they can damage the circuit boa=
rds. =A0LinnDrums are=0A> famous for this. =A0=0A> =0A> And, I did see Soft=
 Machine with Jimi Hendrix=0A> way back. =A0Small room. Incredible show.=0A=
>  richard=0A> saleswww.glasswing.comwww.richardsales.comwww.hayleysales.co=
m=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A>  =0A> On Nov 30, 2009, at 1:46 PM,=
 Brian Kupferschmid=0A> wrote:=0A> what's funny about this thread, is=0A> a=
fter recently purchasing(if you can call getting it for=0A> free a purchase=
), an 80s Yamaha FB01 tone module and=0A> building a pedalboard with stompb=
oxes that'll help=0A> create some interesting tones, I was going to set up =
and=0A> record a live looping movement based heavily in Prog,=0A> granted, =
there's ony so much you can do while looping,=0A> but I kept the term epic,=
 nay, overblown in mind.=0A> =0A> --- On Mon, 11/30/09, Miko Biffle <biffoz=
@gmail.com>=0A> wrote:=0A> =0A> From: Miko Biffle <biffoz@gmail.com>=0A> Su=
bject: Re: OT: Prog=0A> Rock in 5 minutes ;-)=0A> To: Loopers-Delight@loope=
rs-delight.com=0A> Date: Monday, November=0A> 30, 2009, 3:23 PM=0A> Despite=
 the bulky,=0A> byzantine, laughable=0A> facade of Prog,=0A> therein lies t=
he ongoing quest for creating=0A> entire worlds in sound=0A> (and sometimes=
 theatre). Gentle=0A> Giant, Hatfield and=0A> the North, Van Der Graff Gene=
rator? Not=0A> gathering dust in my=0A> collection!=A0 I consider Soft Mach=
ine,=0A> Matching Mole, Carla=0A> Bley's "Escalator Over The=0A> Hill" to b=
e=0A> bastard offspring of Prog. Even Magma seems=0A> closely linked, if=0A=
> only in spirit.=A0 The Lunar Asylum?=A0=0A> Alien Bipolar Prog!!!=0A> =0A=
> -- =0A> Mikko Biffle=0A> Biffoz@Gmail.com=0A> http://www.reverbnation.com=
/biffoz=0A> "Running scared=0A> from all the usual=0A> distractions!"=0A> =
=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A=0A=0A      

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References: <476282.88605.qm@web34304.mail.mud.yahoo.com>
	 <67F2ED5C-F792-4D9B-8C72-7167550F449F@glasswing.com>
Date: Mon, 30 Nov 2009 21:14:15 -0800
Message-ID: <3fa302e30911302114r200a600fse2b91c9ff5b03d0c@mail.gmail.com>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hendrix w/Soft Machine and The Animals @ Anaheim Convention Center! Changed
my life . . .  -m

On Mon, Nov 30, 2009 at 7:00 PM, richard sales <richard@glasswing.com>wrote:

>
> And, I did see Soft Machine with Jimi Hendrix way back.  Small room.
> Incredible show.
>
> richard sales
>

-- 
Mikko Biffle
Biffoz@Gmail.com
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

--0016e648d0b64acc370479a3d46c
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Hendrix w/Soft Machine and The Animals @ Anaheim Convention Center! Changed=
 my life . . .=A0 -m<br><br><div class=3D"gmail_quote">On Mon, Nov 30, 2009=
 at 7:00 PM, richard sales <span dir=3D"ltr">&lt;<a href=3D"mailto:richard@=
glasswing.com">richard@glasswing.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D""><=
div><br><div>And, I did see Soft Machine with Jimi Hendrix way back. =A0Sma=
ll room. Incredible show.</div>
<div><br><font color=3D"#888888"><div> <span style=3D"border-collapse: sepa=
rate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-=
style: normal; font-variant: normal; font-weight: normal; letter-spacing: n=
ormal; line-height: normal; text-indent: 0px; text-transform: none; white-s=
pace: normal; word-spacing: 0px;"><div style=3D"">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: medium; font-style: normal; font-variant: normal; fo=
nt-weight: normal; letter-spacing: normal; line-height: normal; text-indent=
: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div =
style=3D"">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 18px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 18px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"">
<div><font face=3D"Arial">richard sales</font></div></div></span></div></sp=
an></div></span></div></span></div></span></div></span></div></font></div><=
/div></div></blockquote></div><br>-- <br>Mikko Biffle<br>Biffoz@Gmail.com<b=
r>
<a href=3D"http://www.reverbnation.com/biffoz">http://www.reverbnation.com/=
biffoz</a><br>&quot;Running scared from all the usual distractions!&quot;<b=
r>

--0016e648d0b64acc370479a3d46c--

From ins.presidency@indiatimes.com  Tue Dec  1 05:50:08 2009
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Presidency
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Atm Card Payment For Fund Beneficiaries
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This Is To Officially Inform You That We Have Verified Your Contract
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Presidency
Office Of The Paymaster General
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Atm Card Payment For Fund Beneficiaries
International Credit Settlement
Office Of The Director Of Operations
Central Bank Of Nigeria.

Attention Beneficiary:

This Is To Officially Inform You That We Have Verified Your Contract
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Fund This Way Please Let Us Know By Contacting The Card Payment Center And Also
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Contact Person:
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The Atm Card Payment Center Has Been Mandated To Issue Out $8,300,000.00 As
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(Mr. Sadiq Alman)
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References: <476282.88605.qm@web34304.mail.mud.yahoo.com> <67F2ED5C-F792-4D9B-8C72-7167550F449F@glasswing.com> <3fa302e30911302114r200a600fse2b91c9ff5b03d0c@mail.gmail.com>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
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Hendrix, The Mothers of Invention and Iron Butterfly among many others, =
1969 Denver Pop Festival!

j
  ----- Original Message -----=20
  From: Miko Biffle=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, December 01, 2009 12:14 AM
  Subject: Re: OT: Prog Rock in 5 minutes ;-)


  Hendrix w/Soft Machine and The Animals @ Anaheim Convention Center! =
Changed my life . . .  -m


  On Mon, Nov 30, 2009 at 7:00 PM, richard sales <richard@glasswing.com> =
wrote:



    And, I did see Soft Machine with Jimi Hendrix way back.  Small room. =
Incredible show.


    richard sales

  --=20
  Mikko Biffle
  Biffoz@Gmail.com
  http://www.reverbnation.com/biffoz
  "Running scared from all the usual distractions!"

------=_NextPart_000_0020_01CA7225.1E909A30
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hendrix, The Mothers of Invention and =
Iron=20
Butterfly among many others, 1969 Denver Pop Festival!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbiffoz@gmail.com href=3D"mailto:biffoz@gmail.com">Miko =
Biffle</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 01, =
2009 12:14=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: Prog Rock in 5 =
minutes=20
  ;-)</DIV>
  <DIV><BR></DIV>Hendrix w/Soft Machine and The Animals @ Anaheim =
Convention=20
  Center! Changed my life . . .&nbsp; -m<BR><BR>
  <DIV class=3Dgmail_quote>On Mon, Nov 30, 2009 at 7:00 PM, richard =
sales <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:richard@glasswing.com">richard@glasswing.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV>
    <DIV><BR>
    <DIV>And, I did see Soft Machine with Jimi Hendrix way back. =
&nbsp;Small=20
    room. Incredible show.</DIV>
    <DIV><BR><FONT color=3D#888888>
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: 18px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: 18px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV><SPAN=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate">
    <DIV>
    <DIV><FONT face=3DArial>richard=20
    =
sales</FONT></DIV></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN></D=
IV></SPAN></DIV></SPAN></DIV></FONT></DIV></DIV></DIV></BLOCKQUOTE></DIV>=
<BR>--=20
  <BR>Mikko Biffle<BR><A=20
  href=3D"mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR><A=20
  =
href=3D"http://www.reverbnation.com/biffoz">http://www.reverbnation.com/b=
iffoz</A><BR>"Running=20
  scared from all the usual =
distractions!"<BR></BLOCKQUOTE></BODY></HTML>

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Subject: Re: OT: Prog Rock in 5 minutes ;-)
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I was -1 years old.

t
  ----- Original Message ----- 
  From: Jeff Duke 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Monday, November 30, 2009 10:25 PM
  Subject: Re: OT: Prog Rock in 5 minutes ;-)


  Hendrix, The Mothers of Invention and Iron Butterfly among many others, 1969 Denver Pop Festival!

  j
    ----- Original Message ----- 
    From: Miko Biffle 
    To: Loopers-Delight@loopers-delight.com 
    Sent: Tuesday, December 01, 2009 12:14 AM
    Subject: Re: OT: Prog Rock in 5 minutes ;-)


    Hendrix w/Soft Machine and The Animals @ Anaheim Convention Center! Changed my life . . .  -m


    On Mon, Nov 30, 2009 at 7:00 PM, richard sales <richard@glasswing.com> wrote:



      And, I did see Soft Machine with Jimi Hendrix way back.  Small room. Incredible show.


      richard sales

    -- 
    Mikko Biffle
    Biffoz@Gmail.com
    http://www.reverbnation.com/biffoz
    "Running scared from all the usual distractions!"

--Boundary_(ID_IP6rqw2sThb/ftkDCbHBhg)
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<DIV><FONT size=2 face=Arial>I was&nbsp;-1 years old.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=jeff_d@embarqmail.com href="mailto:jeff_d@embarqmail.com">Jeff 
  Duke</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, November 30, 2009 10:25 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: OT: Prog Rock in 5 minutes 
  ;-)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=2 face=Arial>Hendrix, The Mothers of Invention and Iron 
  Butterfly among many others, 1969 Denver Pop Festival!</FONT></DIV>
  <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>j</FONT></DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
    <A title=biffoz@gmail.com href="mailto:biffoz@gmail.com">Miko Biffle</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, December 01, 2009 12:14 
    AM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: OT: Prog Rock in 5 minutes 
    ;-)</DIV>
    <DIV><BR></DIV>Hendrix w/Soft Machine and The Animals @ Anaheim Convention 
    Center! Changed my life . . .&nbsp; -m<BR><BR>
    <DIV class=gmail_quote>On Mon, Nov 30, 2009 at 7:00 PM, richard sales <SPAN 
    dir=ltr>&lt;<A 
    href="mailto:richard@glasswing.com">richard@glasswing.com</A>&gt;</SPAN> 
    wrote:<BR>
    <BLOCKQUOTE 
    style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
    class=gmail_quote>
      <DIV>
      <DIV><BR>
      <DIV>And, I did see Soft Machine with Jimi Hendrix way back. &nbsp;Small 
      room. Incredible show.</DIV>
      <DIV><BR><FONT color=#888888>
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 18px Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 18px Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV><SPAN 
      style="TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
      <DIV>
      <DIV><FONT face=Arial>richard 
      sales</FONT></DIV></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></FONT></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR>-- 
    <BR>Mikko Biffle<BR><A 
    href="mailto:Biffoz@Gmail.com">Biffoz@Gmail.com</A><BR><A 
    href="http://www.reverbnation.com/biffoz">http://www.reverbnation.com/biffoz</A><BR>"Running 
    scared from all the usual 
distractions!"<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_IP6rqw2sThb/ftkDCbHBhg)--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 06:43:23 2009
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Date: Tue, 1 Dec 2009 15:43:10 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
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At 8:14 PM -0800 11/30/09, Art Simon wrote:
>
>Just for the record, Jan Akkerman is a great. In the video, he keeps
>his cool despite the yodeling hysteria. I think Thijs Van Leer
>eventually got on his nerves too. His self titled album on Epic in
>1977 is still a favorite. More recent stuff like C.U. is killer.

I was big into prog rock during the first couple of years of 
high-school (until I discovered punk -- seemingly the anti-thesis of 
prog).  I'll heartily agree that Akkerman was always way(!) 
underrated.  I'd heard and enjoyed "Hocus Pocus" on the radio, but 
didn't actually own a copy until Focus released their first 
compilation album.  Also on that albun is an alternate mix of "Hocus 
Pocus" where they allow Akkerman to actually stretch out and solo 
during the break.  That one cut shows that, for the time period, his 
speed and technical accuracy are truly amazing -- pre-dating sweep 
picking and speed artists like Yngwie Malmsteen by at least a decade.

I wasn't so impressed with Jan Akkerman's first solo album.  Merely a 
matter of opinion: like much of Steve Howe's early solo work, he went 
too far off into baroque tangents for my tastes. although i did like 
his solo stuff more than Howe's.  And, to his credit, he restrained 
himself from further speed exercises, IIRC.  However, those fireworks 
were what I was hoping for when I bought the album, so I was certain 
to be disappointed <*shrug*>.

On the other hand, there is one other prog gem from Focus, if you can 
find it.  There was a later album named "Hamburger Concerto".  Not 
only is it a fine piece of prog rock, but it also contains liberal 
amounts of that one vital element missing from many prog bands: a 
sense of humor.  Unfortunately, I think it was a commercial flop, but 
it's actually quite enjoyable.  I'd actually place it about halfway 
on the scale between traditional prog and avant-prog artists like 
Henry Cow (which is another conversation in itself).

Would love to hear later Akkerman releases.  You say he's still 
recording, eh?  Gonna have to do a search on that...

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 06:53:41 2009
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Subject: Re: OT: Prog Rock in 5 minutes ;-)
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On Nov 30, 2009, at 10:43 PM, Mech wrote:

> I was big into prog rock during the first couple of years of =
high-school (until I discovered punk -- seemingly the anti-thesis of =
prog).=20

The Stranglers: Prog or punk?

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 09:48:56 2009
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Hi ambient loopers ;-)

glad you took the thread with humor. I was slightly worried there would be an outrage, people feeling attacked in their narcistic prog pride... ;-)

My earliest musical memories go back to both playing an Edgar Varese LP on the record player when I was 4years.
Then again, I have been mostly "healed" from complex/experimental/progressive music - going back to basics...

best regards
Buzap





-- 
Sarah Kreuz, die DSDS-Siegerin der Herzen, mit ihrem eindrucksvollen           
Debütalbum "One Moment in Time". http://portal.gmx.net/de/go/musik

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 INTERNATIONAL MONETARY FUND INVESTIGATION UNIT. 
 
My name is Raymound John of the International Monetary Fund investigation unit. Attached pictures was received and forewarded to our office here in London UK today the 30th of Nov ,2009 requesting that your unclaimed fund be paid to Messers Jacobs Enterprises.
 
In the said letter of change of beneficiary/ownership, representatives of messers Jacobs enterprises states that you are dead and as such your fund should be paid to him as the next of kin to you.

Because of the elaborate global scam, we decided to contact you for confirmation. If after two working days, no responce is received from you, it will be assumed that you are dead and as such authorisation and approval will be granted on behalf of Messers Jacobs enterprises to claim/receive your fund.
 
Confirm this pictures and reconfirm your Information and how you want your fund paid to you without further delay if you are still alive. Send your responce to my email address: my private box ; j _raymound9@yahoo.com.hk
 
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From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 11:24:17 2009
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--=====================_2089609==.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed

Hi ther
if you are into softmachine then I would take a look at
http://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml 
which is GONGs website.
I went to see them last week and it was like stepping back in time 30 
years to the Roundhouse in London. Currently doing a uk tour. No 
connection to the band just thought I would spread the word. If you 
are into listening to some of the all time great concerts for free then goto

Excellent visuals and superb musicianship. Daevid Allen and steve 
hillage still going for it. Excellent.

Also I would strongly recommend

The ultimate live music archive of concert recordings of rock, jazz, 
country, blues, indie with free streaming, downloads, collectible 
posters, rock photos, ...
www.wolfgangsvault.com/

For those that weren't there at the time most of the great concerts 
are there.

regards
roger parker

--=====================_2089609==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
Hi ther<br>
if you are into softmachine then I would take a look at<br>
<a href="http://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml" eudora="autourl">
http://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml</a>
which is GONGs website. <br>
I went to see them last week and it was like stepping back in time 30
years to the Roundhouse in London. Currently doing a uk tour. No
connection to the band just thought I would spread the word. If you are
into listening to some of the all time great concerts for free then
goto<br><br>
Excellent visuals and superb musicianship. Daevid Allen and steve hillage
still going for it. Excellent.<br><br>
Also I would strongly recommend <br><br>
The ultimate live music archive of <i>concert</i> recordings of rock,
jazz, country, blues, indie with free streaming, downloads, collectible
posters, rock photos, <b>...<br>
</b><a href="http://www.wolfgangsvault.com/" eudora="autourl">www.</a><b>
wolfgang</b><a href="http://www.wolfgangsvault.com/" eudora="autourl">
svault.com/</a> <br><br>
For those that weren't there at the time most of the great concerts are
there.&nbsp; <br><br>
regards<br>
roger parker<br>
</body>
</html>

--=====================_2089609==.ALT--

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I saw Gong in bristol a couple of weeks ago - amazing! A feast of musicians=
hip and amazing stage presence along with some excellent visuals. Gong is n=
ot just a band=2C it's a sub-culture...

peace

=20

G
=20


Date: Tue=2C 1 Dec 2009 11:24:17 +0000
To: Loopers-Delight@loopers-delight.com
From: roger@brecon.co.uk
Subject: soft-machine=20

Hi ther
if you are into softmachine then I would take a look at
http://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml which=
 is GONGs website.=20
I went to see them last week and it was like stepping back in time 30 years=
 to the Roundhouse in London. Currently doing a uk tour. No connection to t=
he band just thought I would spread the word. If you are into listening to =
some of the all time great concerts for free then goto

Excellent visuals and superb musicianship. Daevid Allen and steve hillage s=
till going for it. Excellent.

Also I would strongly recommend=20

The ultimate live music archive of concert recordings of rock=2C jazz=2C co=
untry=2C blues=2C indie with free streaming=2C downloads=2C collectible pos=
ters=2C rock photos=2C ...
www. wolfgang svault.com/=20

For those that weren't there at the time most of the great concerts are the=
re. =20

regards
roger parker
 		 	   		 =20
_________________________________________________________________
Got more than one Hotmail account? Save time by linking them together
 http://clk.atdmt.com/UKM/go/186394591/direct/01/=

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<head>
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}
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{
font-size: 10pt=3B
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<body class=3D'hmmessage'>
I saw Gong in bristol a couple of weeks ago - amazing! A feast of&nbsp=3Bmu=
sicianship and amazing stage presence along with some excellent visuals. Go=
ng is not just a band=2C it's a sub-culture...<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 1 Dec 2009 11:24:17 +0000<BR>To: Loopers-Delight@loopers-delig=
ht.com<BR>From: roger@brecon.co.uk<BR>Subject: soft-machine <BR><BR>Hi ther=
<BR>if you are into softmachine then I would take a look at<BR><A href=3D"h=
ttp://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml">http:=
//www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml</A> which =
is GONGs website. <BR>I went to see them last week and it was like stepping=
 back in time 30 years to the Roundhouse in London. Currently doing a uk to=
ur. No connection to the band just thought I would spread the word. If you =
are into listening to some of the all time great concerts for free then got=
o<BR><BR>Excellent visuals and superb musicianship. Daevid Allen and steve =
hillage still going for it. Excellent.<BR><BR>Also I would strongly recomme=
nd <BR><BR>The ultimate live music archive of <I>concert</I> recordings of =
rock=2C jazz=2C country=2C blues=2C indie with free streaming=2C downloads=
=2C collectible posters=2C rock photos=2C <B>...<BR></B><A href=3D"http://w=
ww.wolfgangsvault.com/">www.</A><B> wolfgang</B><A href=3D"http://www.wolfg=
angsvault.com/"> svault.com/</A> <BR><BR>For those that weren't there at th=
e time most of the great concerts are there.&nbsp=3B <BR><BR>regards<BR>rog=
er parker<BR> 		 	   		  <br /><hr />New! Receive and respond to mail from =
other email accounts from within Hotmail <a href=3D'http://clk.atdmt.com/UK=
M/go/186394593/direct/01/ ' target=3D'_new'>Find out how.</a></body>
</html>=

--_4d1cb706-6deb-4c35-b9e8-aab20869b7fc_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 11:44:17 2009
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Subject: RE: soft-machine 
Date: Tue, 1 Dec 2009 12:44:12 +0100
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> Excellent visuals and superb musicianship. Daevid Allen and steve hillage
still going for it. Excellent. 
 
saw Gong and Steve Hillage 2 weeks ago too - breathtaking !!

Here's my impressions:
http://veloopity.blogspot.com/2009/11/wise-old-men.html
 

> The ultimate live music archive of concert recordings  
> http://www.wolfgangsvault.com

I know from the Crimson folks that they never paid a single cent to King
Crimson, so - nice as it is for fans, it essentially seems to be a rip-off
that should be avoided.


-Michael


 
 

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 12:07:21 2009
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Subject: Re: soft-machine 
Date: Tue, 1 Dec 2009 12:07:19 -0000
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On the subject of Soft Machine, don't forget that that bassist Hugh Hopper, 
who sadly died earlier this year, was a pioneer of looping. I just found 
this recording, which must be one of the last examples:
http://www.youtube.com/watch?v=brApFbwZMwE

Steve

----- Original Message ----- 
From: roger
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, December 01, 2009 11:24 AM
Subject: soft-machine


Hi ther
if you are into softmachine then I would take a look at
http://www.planetgong.co.uk/cgi-bin/gasmains/bazaar.cgi?cd/2032.shtml which 
is GONGs website.
I went to see them last week and it was like stepping back in time 30 years 
to the Roundhouse in London. Currently doing a uk tour. No connection to the 
band just thought I would spread the word. If you are into listening to some 
of the all time great concerts for free then goto

Excellent visuals and superb musicianship. Daevid Allen and steve hillage 
still going for it. Excellent.

Also I would strongly recommend

The ultimate live music archive of concert recordings of rock, jazz, 
country, blues, indie with free streaming, downloads, collectible posters, 
rock photos, ...
www. wolfgang svault.com/

For those that weren't there at the time most of the great concerts are 
there.

regards
roger parker 


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Date: Tue, 1 Dec 2009 06:57:28 -0700
Message-ID: <dec8f8e60912010557m7272d322ofd6f19045138872@mail.gmail.com>
Subject: Re: Nasoalmo
From: Dennis Moser <sinsofmachaut@gmail.com>
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Yep, mine, too ... http://soundcloud.com/usrsbin/sets   "Hrvatsko
Putovanje (Croatian Journey)"

There's even some looping!

Best,

Dennis

On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Hey gang,
>
> just a note to let you know my Nasoalmo release is finished and up for your
> listening if you care to.
>
> I did the naming and arrangement after reading that cracked item on prog so
> I give you
>
> The Inconsistency Principal
>
> 1st Shard
> I Bad Monks Lament
> 2nd Shard
> II Hatshepsut
> 3rd Shard
> III L-tryptophan
> 4th Shard
> IV Diencephalon
> 5th Shard
> V Phylterz
> 6th Shard
> VI Visions (slight return)
> VII The Void that Binds
> credits
> released 30 November 2009
> Jeff Duke - guitar, loops and electronics
> license cc Some rights reserved
>
> Get it free at Bandcamp!
> http://jeffduke.bandcamp.com/album/the-inconsistency-principle
>
>
> peace out,
>
> Jeff
>
>
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Tue, 1 Dec 2009 05:59:18 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
To: Loopers-Delight@loopers-delight.com
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That's the Zappa in all of us, having a sense of humor about it while creat=
ing stunning music.  I personally grew up a Beatles fan thanks to my dad, b=
ut being a teen in the 80s hair farmer stage, I missed out on prog in it's =
prime, so my first recollections were Kansas and Yes, then Dream Theater an=
d Tool, but soon after, discovered all the others and while I do enjoy a go=
od Prog album more than I should, it is funny to see it being made fun of, =
because, let's face it, they went to extremes to be over the top.  Now for =
my real challenge, let's see if I can get two totally different loopers to =
play nice together without being sync'd up, this ought to be interesting.=
=0A=0A--- On Tue, 12/1/09, Buzap Buzap <buzap@gmx.net> wrote:=0A=0A> From: =
Buzap Buzap <buzap@gmx.net>=0A> Subject: Re: OT: Prog Rock in 5 minutes ;-)=
=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Tuesday, December 1,=
 2009, 3:48 AM=0A> Hi ambient loopers ;-)=0A> =0A> glad you took the thread=
 with humor. I was slightly worried=0A> there would be an outrage, people f=
eeling attacked in their=0A> narcistic prog pride... ;-)=0A> =0A> My earlie=
st musical memories go back to both playing an=0A> Edgar Varese LP on the r=
ecord player when I was 4years.=0A> Then again, I have been mostly "healed"=
 from=0A> complex/experimental/progressive music - going back to=0A> basics=
...=0A> =0A> best regards=0A> Buzap=0A> =0A> =0A> =0A> =0A> =0A> -- =0A> Sa=
rah Kreuz, die DSDS-Siegerin der Herzen, mit ihrem=0A> eindrucksvollen=A0 =
=A0 =A0 =A0=0A> =A0=A0=A0=0A> Deb=FCtalbum "One Moment in Time". http://por=
tal.gmx.net/de/go/musik=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 14:40:39 2009
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	 <dec8f8e60912010557m7272d322ofd6f19045138872@mail.gmail.com>
Date: Tue, 1 Dec 2009 09:40:35 -0500
Message-ID: <9e0440a60912010640o1a12321ev7293d14261056124@mail.gmail.com>
Subject: Re: Nasoalmo
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--00151747690eb4588d0479abbd41
Content-Type: text/plain; charset=ISO-8859-1

Is this something like the RPM Challenge in February?  Jeff I haven't  had
the chance to check out the site yet is it a que time of a month like RPM?

On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> Yep, mine, too ... http://soundcloud.com/usrsbin/sets   "Hrvatsko
> Putovanje (Croatian Journey)"
>
> There's even some looping!
>
> Best,
>
> Dennis
>
> On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> > Hey gang,
> >
> > just a note to let you know my Nasoalmo release is finished and up for
> your
> > listening if you care to.
> >
> > I did the naming and arrangement after reading that cracked item on prog
> so
> > I give you
> >
> > The Inconsistency Principal
> >
> > 1st Shard
> > I Bad Monks Lament
> > 2nd Shard
> > II Hatshepsut
> > 3rd Shard
> > III L-tryptophan
> > 4th Shard
> > IV Diencephalon
> > 5th Shard
> > V Phylterz
> > 6th Shard
> > VI Visions (slight return)
> > VII The Void that Binds
> > credits
> > released 30 November 2009
> > Jeff Duke - guitar, loops and electronics
> > license cc Some rights reserved
> >
> > Get it free at Bandcamp!
> > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
> >
> >
> > peace out,
> >
> > Jeff
> >
> >
> >
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747690eb4588d0479abbd41
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Is this something like the RPM Challenge in February?=A0 Jeff I haven&#39;t=
=A0 had the chance to check out the site yet is it a que time of a month li=
ke RPM?<br><br><div class=3D"gmail_quote">On Tue, Dec 1, 2009 at 8:57 AM, D=
ennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com=
">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Yep, mine, too ..=
. <a href=3D"http://soundcloud.com/usrsbin/sets" target=3D"_blank">http://s=
oundcloud.com/usrsbin/sets</a> =A0 &quot;Hrvatsko<br>

Putovanje (Croatian Journey)&quot;<br>
<br>
There&#39;s even some looping!<br>
<br>
Best,<br>
<br>
Dennis<br>
<div><div></div><div class=3D"h5"><br>
On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke &lt;<a href=3D"mailto:jeff_d@emb=
arqmail.com">jeff_d@embarqmail.com</a>&gt; wrote:<br>
&gt; Hey gang,<br>
&gt;<br>
&gt; just a note to let you know my Nasoalmo release is finished and up for=
 your<br>
&gt; listening if you care to.<br>
&gt;<br>
&gt; I did the naming and arrangement after reading that cracked item on pr=
og so<br>
&gt; I give you<br>
&gt;<br>
&gt; The Inconsistency Principal<br>
&gt;<br>
&gt; 1st Shard<br>
&gt; I Bad Monks Lament<br>
&gt; 2nd Shard<br>
&gt; II Hatshepsut<br>
&gt; 3rd Shard<br>
&gt; III L-tryptophan<br>
&gt; 4th Shard<br>
&gt; IV Diencephalon<br>
&gt; 5th Shard<br>
&gt; V Phylterz<br>
&gt; 6th Shard<br>
&gt; VI Visions (slight return)<br>
&gt; VII The Void that Binds<br>
&gt; credits<br>
&gt; released 30 November 2009<br>
&gt; Jeff Duke - guitar, loops and electronics<br>
&gt; license cc Some rights reserved<br>
&gt;<br>
&gt; Get it free at Bandcamp!<br>
&gt; <a href=3D"http://jeffduke.bandcamp.com/album/the-inconsistency-princi=
ple" target=3D"_blank">http://jeffduke.bandcamp.com/album/the-inconsistency=
-principle</a><br>
&gt;<br>
&gt;<br>
&gt; peace out,<br>
&gt;<br>
&gt; Jeff<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
<a href=3D"http://myspace.com/usrsbin" target=3D"_blank">http://myspace.com=
/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00151747690eb4588d0479abbd41--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 16:52:26 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Nasoalmo
Date: Tue, 1 Dec 2009 11:52:24 -0500
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Hey Jim,

It's very similar to Rpm only in November instead of February.

http://nasoalmo.org=20
National Solo Album Month is a fun, free annual competition in which =
musicians write and record an entire album during the month of November =
- all by themselves. It was inspired by NaNoWriMo, National Novel =
Writing Month, in which writers attempt to write a novel during the same =
thirty days.
NaSoAlMo favors enthusiasm and perseverance rather than perfectionism. =
It's meant to encourage musicians and would-be songwriters to silence =
their internal critic for thirty days in order to inspire and maximize =
productivity. The albums are likely to be hastily written, off-time, and =
out of tune; the main objective is to just do it.

J

  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, December 01, 2009 9:40 AM
  Subject: Re: Nasoalmo


  Is this something like the RPM Challenge in February?  Jeff I haven't  =
had the chance to check out the site yet is it a que time of a month =
like RPM?


  On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sinsofmachaut@gmail.com> =
wrote:

    Yep, mine, too ... http://soundcloud.com/usrsbin/sets   "Hrvatsko
    Putovanje (Croatian Journey)"

    There's even some looping!

    Best,

    Dennis


    On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:
    > Hey gang,
    >
    > just a note to let you know my Nasoalmo release is finished and up =
for your
    > listening if you care to.
    >
    > I did the naming and arrangement after reading that cracked item =
on prog so
    > I give you
    >
    > The Inconsistency Principal
    >
    > 1st Shard
    > I Bad Monks Lament
    > 2nd Shard
    > II Hatshepsut
    > 3rd Shard
    > III L-tryptophan
    > 4th Shard
    > IV Diencephalon
    > 5th Shard
    > V Phylterz
    > 6th Shard
    > VI Visions (slight return)
    > VII The Void that Binds
    > credits
    > released 30 November 2009
    > Jeff Duke - guitar, loops and electronics
    > license cc Some rights reserved
    >
    > Get it free at Bandcamp!
    > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
    >
    >
    > peace out,
    >
    > Jeff
    >
    >
    >




    --
    http://myspace.com/usrsbin
    http://audiozoloft.com
    http://usrslashsbin.angrek.com/





  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0081_01CA727C.BF7D6DE0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Jim,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's very similar to Rpm only in =
November instead=20
of February.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://nasoalmo.org">http://nasoalmo.org</A> </FONT></DIV>
<DIV><FONT face=3DArial size=3D2><B>Na</B>tional <B>So</B>lo =
<B>Al</B>bum=20
<B>Mo</B>nth is a fun, free annual competition in which musicians write =
and=20
record an entire album during the month of November - all by themselves. =
It was=20
inspired by <A href=3D"http://www.nanowrimo.org/">NaNoWriMo</A>, =
National Novel=20
Writing Month, in which writers attempt to write a novel during the same =
thirty=20
days.</DIV>
<DIV>
<P>NaSoAlMo favors enthusiasm and perseverance rather than =
perfectionism. It's=20
meant to encourage musicians and would-be songwriters to silence their =
internal=20
critic for thirty days in order to inspire and maximize productivity. =
The albums=20
are likely to be hastily written, off-time, and out of tune; the main =
objective=20
is to just do it.</P>
<P>J</P></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 01, =
2009 9:40=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Nasoalmo</DIV>
  <DIV><BR></DIV>Is this something like the RPM Challenge in =
February?&nbsp;=20
  Jeff I haven't&nbsp; had the chance to check out the site yet is it a =
que time=20
  of a month like RPM?<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</A>&gt;</=
SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Yep,=20
    mine, too ... <A href=3D"http://soundcloud.com/usrsbin/sets"=20
    target=3D_blank>http://soundcloud.com/usrsbin/sets</A> &nbsp;=20
    "Hrvatsko<BR>Putovanje (Croatian Journey)"<BR><BR>There's even some=20
    looping!<BR><BR>Best,<BR><BR>Dennis<BR>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><BR>On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke =
&lt;<A=20
    href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;=20
    wrote:<BR>&gt; Hey gang,<BR>&gt;<BR>&gt; just a note to let you know =
my=20
    Nasoalmo release is finished and up for your<BR>&gt; listening if =
you care=20
    to.<BR>&gt;<BR>&gt; I did the naming and arrangement after reading =
that=20
    cracked item on prog so<BR>&gt; I give you<BR>&gt;<BR>&gt; The =
Inconsistency=20
    Principal<BR>&gt;<BR>&gt; 1st Shard<BR>&gt; I Bad Monks =
Lament<BR>&gt; 2nd=20
    Shard<BR>&gt; II Hatshepsut<BR>&gt; 3rd Shard<BR>&gt; III=20
    L-tryptophan<BR>&gt; 4th Shard<BR>&gt; IV Diencephalon<BR>&gt; 5th=20
    Shard<BR>&gt; V Phylterz<BR>&gt; 6th Shard<BR>&gt; VI Visions =
(slight=20
    return)<BR>&gt; VII The Void that Binds<BR>&gt; credits<BR>&gt; =
released 30=20
    November 2009<BR>&gt; Jeff Duke - guitar, loops and =
electronics<BR>&gt;=20
    license cc Some rights reserved<BR>&gt;<BR>&gt; Get it free at=20
    Bandcamp!<BR>&gt; <A=20
    =
href=3D"http://jeffduke.bandcamp.com/album/the-inconsistency-principle"=20
    =
target=3D_blank>http://jeffduke.bandcamp.com/album/the-inconsistency-prin=
ciple</A><BR>&gt;<BR>&gt;<BR>&gt;=20
    peace out,<BR>&gt;<BR>&gt;=20
    Jeff<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR><BR><BR></DIV></DIV><FONT=20
    color=3D#888888>--<BR><A href=3D"http://myspace.com/usrsbin"=20
    target=3D_blank>http://myspace.com/usrsbin</A><BR><A=20
    href=3D"http://audiozoloft.com" =
target=3D_blank>http://audiozoloft.com</A><BR><A=20
    href=3D"http://usrslashsbin.angrek.com/"=20
    =
target=3D_blank>http://usrslashsbin.angrek.com/</A><BR><BR></FONT></BLOCK=
QUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0081_01CA727C.BF7D6DE0--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 17:20:19 2009
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Date: Tue, 1 Dec 2009 17:11:59 +0000 (UTC)
From: loopbozo@comcast.net
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Subject: Some Holiday Fun
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Dear Loopers, 
For your amusement I offer a link to a student film my oldest son made in 2006 that he's just recently posted on-line. I did the music( 2 looped pieces). Please be forewarned this film features puppet on puppet violence. Happy Holidaze! 

http://fusedmuse.com/?page_id=21 


bryan helm 
at-the-helm.us 



"What do you do for a living, cut down trees?" 
Robert Fripp-March 1985-Remark made upon seeing my delicate 
little hands closeup for the first time. 








------=_Part_406886_57279060.1259687519881
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Dear Loop=
ers,<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp; For your amusement I offer a link to a student film my=
 oldest son made in 2006 that he's just recently posted on-line. I did the =
music( 2 looped pieces). Please be forewarned this film features puppet on =
puppet violence. Happy Holidaze!<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp; http://fusedmuse.com/?page_id=3D21<br><br><br>&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm<br>&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; at-the-helm.us<br><br><br><br=
>"What do you do for a living, cut down trees?"<br>Robert Fripp-March 1985-=
Remark made upon seeing my delicate<br>little hands closeup for the first t=
ime. <br><br><br><br><br><br><br><br></div></body></html>
------=_Part_406886_57279060.1259687519881--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 17:23:07 2009
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	 <dec8f8e60912010557m7272d322ofd6f19045138872@mail.gmail.com>
	 <9e0440a60912010640o1a12321ev7293d14261056124@mail.gmail.com>
	 <008401ca72a6$a8d1cda0$32f63747@YOUR08D5303051>
Date: Tue, 1 Dec 2009 12:23:05 -0500
Message-ID: <9e0440a60912010923v312252edudbef8d629a857f87@mail.gmail.com>
Subject: Re: Nasoalmo
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747690ecef97c0479ae021e
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Jeff thanks that's actually verbatim RPM for my 2 cents which I suspect that
RPM spun out of NSAM as they [RPM] quote the writers movement .  But I think
the whole idea is marvelous and I've done 4 RPM Challenges and will do one
this Feb, it's a great way to break the 'ice' of the winter darkness.  Good
to know about this one and assuming cutoff was end of November.
Congratulations on making it.  Will stream your stuff today maybe if the
lawyers don't get me...

On Tue, Dec 1, 2009 at 11:52 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Hey Jim,
>
> It's very similar to Rpm only in November instead of February.
>
> http://nasoalmo.org
> *Na*tional *So*lo *Al*bum *Mo*nth is a fun, free annual competition in
> which musicians write and record an entire album during the month of
> November - all by themselves. It was inspired by NaNoWriMo<http://www.nanowrimo.org/>,
> National Novel Writing Month, in which writers attempt to write a novel
> during the same thirty days.
>
> NaSoAlMo favors enthusiasm and perseverance rather than perfectionism. It's
> meant to encourage musicians and would-be songwriters to silence their
> internal critic for thirty days in order to inspire and maximize
> productivity. The albums are likely to be hastily written, off-time, and out
> of tune; the main objective is to just do it.
>
> J
>
> ----- Original Message -----
> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, December 01, 2009 9:40 AM
> *Subject:* Re: Nasoalmo
>
> Is this something like the RPM Challenge in February?  Jeff I haven't  had
> the chance to check out the site yet is it a que time of a month like RPM?
>
> On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:
>
>> Yep, mine, too ... http://soundcloud.com/usrsbin/sets   "Hrvatsko
>> Putovanje (Croatian Journey)"
>>
>> There's even some looping!
>>
>> Best,
>>
>> Dennis
>>
>> On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>> > Hey gang,
>> >
>> > just a note to let you know my Nasoalmo release is finished and up for
>> your
>> > listening if you care to.
>> >
>> > I did the naming and arrangement after reading that cracked item on prog
>> so
>> > I give you
>> >
>> > The Inconsistency Principal
>> >
>> > 1st Shard
>> > I Bad Monks Lament
>> > 2nd Shard
>> > II Hatshepsut
>> > 3rd Shard
>> > III L-tryptophan
>> > 4th Shard
>> > IV Diencephalon
>> > 5th Shard
>> > V Phylterz
>> > 6th Shard
>> > VI Visions (slight return)
>> > VII The Void that Binds
>> > credits
>> > released 30 November 2009
>> > Jeff Duke - guitar, loops and electronics
>> > license cc Some rights reserved
>> >
>> > Get it free at Bandcamp!
>> > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
>> >
>> >
>> > peace out,
>> >
>> > Jeff
>> >
>> >
>> >
>>
>>
>>
>> --
>> http://myspace.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747690ecef97c0479ae021e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeff thanks that&#39;s actually verbatim RPM for my 2 cents which I suspect=
 that RPM spun out of NSAM as they [RPM] quote the writers movement .=A0 Bu=
t I think the whole idea is marvelous and I&#39;ve done 4 RPM Challenges an=
d will do one this Feb, it&#39;s a great way to break the &#39;ice&#39; of =
the winter darkness.=A0 Good to know about this one and assuming cutoff was=
 end of November.=A0 Congratulations on making it.=A0 Will stream your stuf=
f today maybe if the lawyers don&#39;t get me...<br>
<br>
<div class=3D"gmail_quote">On Tue, Dec 1, 2009 at 11:52 AM, Jeff Duke <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail=
.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">Hey Jim,</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">It&#39;s very similar to Rpm only in N=
ovember instead of February.</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial"><a href=3D"http://nasoalmo.org/" targe=
t=3D"_blank">http://nasoalmo.org</a> </font></div>
<div><font size=3D"2" face=3D"Arial"><b>Na</b>tional <b>So</b>lo <b>Al</b>b=
um <b>Mo</b>nth is a fun, free annual competition in which musicians write =
and record an entire album during the month of November - all by themselves=
. It was inspired by <a href=3D"http://www.nanowrimo.org/" target=3D"_blank=
">NaNoWriMo</a>, National Novel Writing Month, in which writers attempt to =
write a novel during the same thirty days.</font></div>

<div>
<p>NaSoAlMo favors enthusiasm and perseverance rather than perfectionism. I=
t&#39;s meant to encourage musicians and would-be songwriters to silence th=
eir internal critic for thirty days in order to inspire and maximize produc=
tivity. The albums are likely to be hastily written, off-time, and out of t=
une; the main objective is to just do it.</p>

<p>J</p></div>
<div>
<div></div>
<div class=3D"h5">
<blockquote style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PAD=
DING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4"><b>From:</b> <a title=
=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail.com" targ=
et=3D"_blank">Jim Goodin</a> </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loop=
ers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a> </div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Tuesday, December 01, 2009 9:4=
0 AM</div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: Nasoalmo</div>
<div><br></div>Is this something like the RPM Challenge in February?=A0 Jef=
f I haven&#39;t=A0 had the chance to check out the site yet is it a que tim=
e of a month like RPM?<br><br>
<div class=3D"gmail_quote">On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_bl=
ank">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">Yep, mine, too ... <=
a href=3D"http://soundcloud.com/usrsbin/sets" target=3D"_blank">http://soun=
dcloud.com/usrsbin/sets</a> =A0 &quot;Hrvatsko<br>
Putovanje (Croatian Journey)&quot;<br><br>There&#39;s even some looping!<br=
><br>Best,<br><br>Dennis<br>
<div>
<div></div>
<div><br>On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke &lt;<a href=3D"mailto:j=
eff_d@embarqmail.com" target=3D"_blank">jeff_d@embarqmail.com</a>&gt; wrote=
:<br>&gt; Hey gang,<br>&gt;<br>&gt; just a note to let you know my Nasoalmo=
 release is finished and up for your<br>
&gt; listening if you care to.<br>&gt;<br>&gt; I did the naming and arrange=
ment after reading that cracked item on prog so<br>&gt; I give you<br>&gt;<=
br>&gt; The Inconsistency Principal<br>&gt;<br>&gt; 1st Shard<br>&gt; I Bad=
 Monks Lament<br>
&gt; 2nd Shard<br>&gt; II Hatshepsut<br>&gt; 3rd Shard<br>&gt; III L-trypto=
phan<br>&gt; 4th Shard<br>&gt; IV Diencephalon<br>&gt; 5th Shard<br>&gt; V =
Phylterz<br>&gt; 6th Shard<br>&gt; VI Visions (slight return)<br>&gt; VII T=
he Void that Binds<br>
&gt; credits<br>&gt; released 30 November 2009<br>&gt; Jeff Duke - guitar, =
loops and electronics<br>&gt; license cc Some rights reserved<br>&gt;<br>&g=
t; Get it free at Bandcamp!<br>&gt; <a href=3D"http://jeffduke.bandcamp.com=
/album/the-inconsistency-principle" target=3D"_blank">http://jeffduke.bandc=
amp.com/album/the-inconsistency-principle</a><br>
&gt;<br>&gt;<br>&gt; peace out,<br>&gt;<br>&gt; Jeff<br>&gt;<br>&gt;<br>&gt=
;<br><br><br><br></div></div><font color=3D"#888888">--<br><a href=3D"http:=
//myspace.com/usrsbin" target=3D"_blank">http://myspace.com/usrsbin</a><br>=
<a href=3D"http://audiozoloft.com/" target=3D"_blank">http://audiozoloft.co=
m</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br><br></font></blockquote></div><br><br clear=3D"al=
l"><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://w=
ww.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com/" target=3D"=
_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmu=
sic.com/" target=3D"_blank">www.chinapaintingmusic.com</a><br><a href=3D"ht=
tp://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.myspace.com/jimg=
oodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ji=
mgoodinviolinelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelec=
tro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br><br>social networking...<br><a href=3D"http:=
//www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgood=
inmusic</a><br>
<br></blockquote></div></div></div></blockquote></div><br><br clear=3D"all"=
><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www=
.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00151747690ecef97c0479ae021e--

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	 <dec8f8e60912010557m7272d322ofd6f19045138872@mail.gmail.com>
	 <9e0440a60912010640o1a12321ev7293d14261056124@mail.gmail.com>
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	 <9e0440a60912010923v312252edudbef8d629a857f87@mail.gmail.com>
Date: Tue, 1 Dec 2009 11:06:18 -0700
Message-ID: <dec8f8e60912011006h31ce2f81i912fd831a65deb45@mail.gmail.com>
Subject: Re: Nasoalmo
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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RPM spun out of NaSoAlMo ... RPM is only about four years old. I was
shocked to see how long I'd been doing the NaSoAlMo and then realized
that it had been around at least two years earlier!

Tim Nelson was also in on this year's NaSoAlMo, so there are a couple
of us Loopers in the mix of projects ...

Best,

Dennis

"Hrvatsko Putovanje (Croatian Journey) "
http://soundcloud.com/usrsbin/sets/nasoalmo2009


On Tue, Dec 1, 2009 at 10:23 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Jeff thanks that's actually verbatim RPM for my 2 cents which I suspect t=
hat
> RPM spun out of NSAM as they [RPM] quote the writers movement .=A0 But I =
think
> the whole idea is marvelous and I've done 4 RPM Challenges and will do on=
e
> this Feb, it's a great way to break the 'ice' of the winter darkness.=A0 =
Good
> to know about this one and assuming cutoff was end of November.
> Congratulations on making it.=A0 Will stream your stuff today maybe if th=
e
> lawyers don't get me...
>
> On Tue, Dec 1, 2009 at 11:52 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>
>> Hey Jim,
>>
>> It's very similar to Rpm only in November instead of February.
>>
>> http://nasoalmo.org
>> National Solo Album Month is a fun, free annual competition in which
>> musicians write and record an entire album during the month of November =
-
>> all by themselves. It was inspired by NaNoWriMo, National Novel Writing
>> Month, in which writers attempt to write a novel during the same thirty
>> days.
>>
>> NaSoAlMo favors enthusiasm and perseverance rather than perfectionism.
>> It's meant to encourage musicians and would-be songwriters to silence th=
eir
>> internal critic for thirty days in order to inspire and maximize
>> productivity. The albums are likely to be hastily written, off-time, and=
 out
>> of tune; the main objective is to just do it.
>>
>> J
>>
>> ----- Original Message -----
>> From: Jim Goodin
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Tuesday, December 01, 2009 9:40 AM
>> Subject: Re: Nasoalmo
>> Is this something like the RPM Challenge in February?=A0 Jeff I haven't=
=A0 had
>> the chance to check out the site yet is it a que time of a month like RP=
M?
>>
>> On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sinsofmachaut@gmail.com>
>> wrote:
>>>
>>> Yep, mine, too ... http://soundcloud.com/usrsbin/sets =A0 "Hrvatsko
>>> Putovanje (Croatian Journey)"
>>>
>>> There's even some looping!
>>>
>>> Best,
>>>
>>> Dennis
>>>
>>> On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com> wrot=
e:
>>> > Hey gang,
>>> >
>>> > just a note to let you know my Nasoalmo release is finished and up fo=
r
>>> > your
>>> > listening if you care to.
>>> >
>>> > I did the naming and arrangement after reading that cracked item on
>>> > prog so
>>> > I give you
>>> >
>>> > The Inconsistency Principal
>>> >
>>> > 1st Shard
>>> > I Bad Monks Lament
>>> > 2nd Shard
>>> > II Hatshepsut
>>> > 3rd Shard
>>> > III L-tryptophan
>>> > 4th Shard
>>> > IV Diencephalon
>>> > 5th Shard
>>> > V Phylterz
>>> > 6th Shard
>>> > VI Visions (slight return)
>>> > VII The Void that Binds
>>> > credits
>>> > released 30 November 2009
>>> > Jeff Duke - guitar, loops and electronics
>>> > license cc Some rights reserved
>>> >
>>> > Get it free at Bandcamp!
>>> > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
>>> >
>>> >
>>> > peace out,
>>> >
>>> > Jeff
>>> >
>>> >
>>> >
>>>
>>>
>>>
>>> --
>>> http://myspace.com/usrsbin
>>> http://audiozoloft.com
>>> http://usrslashsbin.angrek.com/
>>>
>>
>>
>>
>> --
>> ReUse, an introspective textural aural
>> www.myspace.com/CtReUse
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>>
>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 18:16:57 2009
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	 <dec8f8e60912011006h31ce2f81i912fd831a65deb45@mail.gmail.com>
Date: Tue, 1 Dec 2009 13:16:55 -0500
Message-ID: <9e0440a60912011016s59618978h632f8907e7328865@mail.gmail.com>
Subject: Re: Nasoalmo
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174483dc552b370479aec397
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That's cool.  Tim is the guy who clued me to RPM in 2007 - good to learn of
this other one as I like the website look better.  RPM sort of fills like
you're throwing your stuff on the wall just to see if it stick though I
still get some networking from it but NaSoAIMo feels more cottage like, will
bookmark for next year, assuming they are a once a year project, no?

On Tue, Dec 1, 2009 at 1:06 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> RPM spun out of NaSoAlMo ... RPM is only about four years old. I was
> shocked to see how long I'd been doing the NaSoAlMo and then realized
> that it had been around at least two years earlier!
>
> Tim Nelson was also in on this year's NaSoAlMo, so there are a couple
> of us Loopers in the mix of projects ...
>
> Best,
>
> Dennis
>
> "Hrvatsko Putovanje (Croatian Journey) "
> http://soundcloud.com/usrsbin/sets/nasoalmo2009
>
>
> On Tue, Dec 1, 2009 at 10:23 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > Jeff thanks that's actually verbatim RPM for my 2 cents which I suspect
> that
> > RPM spun out of NSAM as they [RPM] quote the writers movement .  But I
> think
> > the whole idea is marvelous and I've done 4 RPM Challenges and will do
> one
> > this Feb, it's a great way to break the 'ice' of the winter darkness.
> Good
> > to know about this one and assuming cutoff was end of November.
> > Congratulations on making it.  Will stream your stuff today maybe if the
> > lawyers don't get me...
> >
> > On Tue, Dec 1, 2009 at 11:52 AM, Jeff Duke <jeff_d@embarqmail.com>
> wrote:
> >>
> >> Hey Jim,
> >>
> >> It's very similar to Rpm only in November instead of February.
> >>
> >> http://nasoalmo.org
> >> National Solo Album Month is a fun, free annual competition in which
> >> musicians write and record an entire album during the month of November
> -
> >> all by themselves. It was inspired by NaNoWriMo, National Novel Writing
> >> Month, in which writers attempt to write a novel during the same thirty
> >> days.
> >>
> >> NaSoAlMo favors enthusiasm and perseverance rather than perfectionism.
> >> It's meant to encourage musicians and would-be songwriters to silence
> their
> >> internal critic for thirty days in order to inspire and maximize
> >> productivity. The albums are likely to be hastily written, off-time, and
> out
> >> of tune; the main objective is to just do it.
> >>
> >> J
> >>
> >> ----- Original Message -----
> >> From: Jim Goodin
> >> To: Loopers-Delight@loopers-delight.com
> >> Sent: Tuesday, December 01, 2009 9:40 AM
> >> Subject: Re: Nasoalmo
> >> Is this something like the RPM Challenge in February?  Jeff I haven't
> had
> >> the chance to check out the site yet is it a que time of a month like
> RPM?
> >>
> >> On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser <sinsofmachaut@gmail.com>
> >> wrote:
> >>>
> >>> Yep, mine, too ... http://soundcloud.com/usrsbin/sets   "Hrvatsko
> >>> Putovanje (Croatian Journey)"
> >>>
> >>> There's even some looping!
> >>>
> >>> Best,
> >>>
> >>> Dennis
> >>>
> >>> On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke <jeff_d@embarqmail.com>
> wrote:
> >>> > Hey gang,
> >>> >
> >>> > just a note to let you know my Nasoalmo release is finished and up
> for
> >>> > your
> >>> > listening if you care to.
> >>> >
> >>> > I did the naming and arrangement after reading that cracked item on
> >>> > prog so
> >>> > I give you
> >>> >
> >>> > The Inconsistency Principal
> >>> >
> >>> > 1st Shard
> >>> > I Bad Monks Lament
> >>> > 2nd Shard
> >>> > II Hatshepsut
> >>> > 3rd Shard
> >>> > III L-tryptophan
> >>> > 4th Shard
> >>> > IV Diencephalon
> >>> > 5th Shard
> >>> > V Phylterz
> >>> > 6th Shard
> >>> > VI Visions (slight return)
> >>> > VII The Void that Binds
> >>> > credits
> >>> > released 30 November 2009
> >>> > Jeff Duke - guitar, loops and electronics
> >>> > license cc Some rights reserved
> >>> >
> >>> > Get it free at Bandcamp!
> >>> > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
> >>> >
> >>> >
> >>> > peace out,
> >>> >
> >>> > Jeff
> >>> >
> >>> >
> >>> >
> >>>
> >>>
> >>>
> >>> --
> >>> http://myspace.com/usrsbin
> >>> http://audiozoloft.com
> >>> http://usrslashsbin.angrek.com/
> >>>
> >>
> >>
> >>
> >> --
> >> ReUse, an introspective textural aural
> >> www.myspace.com/CtReUse
> >>
> >> music links...
> >> www.jimgoodinmusic.com
> >> www.chinapaintingmusic.com
> >> www.myspace.com/jimgoodinmusic
> >> www.myspace.com/chinapaintingmusic
> >> www.myspace.com/jimgoodinviolinelectro
> >> www.myspace.com/jindream
> >> www.youtube.com/jimgoodinmusic
> >>
> >> video work/editing...
> >> www.vimeo.com/jimgoodindigital
> >>
> >> social networking...
> >> www.twitter.com/jimgoodinmusic
> >>
> >
> >
> >
> > --
> > ReUse, an introspective textural aural
> > www.myspace.com/CtReUse
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
> >
>
>
>
> --
>  http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174483dc552b370479aec397
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

That&#39;s cool.=A0 Tim is the guy who clued me to RPM in 2007 - good to le=
arn of this other one as I like the website look better.=A0 RPM sort of fil=
ls like you&#39;re throwing your stuff on the wall just to see if it stick =
though I still get some=A0networking from it but NaSoAIMo feels more cottag=
e like, will bookmark for next year, assuming they are a once a year projec=
t, no?<br>
<br>
<div class=3D"gmail_quote">On Tue, Dec 1, 2009 at 1:06 PM, Dennis Moser <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut=
@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">RPM spun out of NaSoAlMo ... RPM=
 is only about four years old. I was<br>shocked to see how long I&#39;d bee=
n doing the NaSoAlMo and then realized<br>
that it had been around at least two years earlier!<br><br>Tim Nelson was a=
lso in on this year&#39;s NaSoAlMo, so there are a couple<br>of us Loopers =
in the mix of projects ...<br><br>Best,<br><br>Dennis<br><br>&quot;Hrvatsko=
 Putovanje (Croatian Journey) &quot;<br>
<a href=3D"http://soundcloud.com/usrsbin/sets/nasoalmo2009" target=3D"_blan=
k">http://soundcloud.com/usrsbin/sets/nasoalmo2009</a><br>
<div>
<div></div>
<div class=3D"h5"><br><br>On Tue, Dec 1, 2009 at 10:23 AM, Jim Goodin &lt;<=
a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;=
 wrote:<br>&gt; Jeff thanks that&#39;s actually verbatim RPM for my 2 cents=
 which I suspect that<br>
&gt; RPM spun out of NSAM as they [RPM] quote the writers movement .=A0 But=
 I think<br>&gt; the whole idea is marvelous and I&#39;ve done 4 RPM Challe=
nges and will do one<br>&gt; this Feb, it&#39;s a great way to break the &#=
39;ice&#39; of the winter darkness.=A0 Good<br>
&gt; to know about this one and assuming cutoff was end of November.<br>&gt=
; Congratulations on making it.=A0 Will stream your stuff today maybe if th=
e<br>&gt; lawyers don&#39;t get me...<br>&gt;<br>&gt; On Tue, Dec 1, 2009 a=
t 11:52 AM, Jeff Duke &lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@e=
mbarqmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>&gt;&gt; Hey Jim,<br>&gt;&gt;<br>&gt;&gt; It&#39;s very similar=
 to Rpm only in November instead of February.<br>&gt;&gt;<br>&gt;&gt; <a hr=
ef=3D"http://nasoalmo.org/" target=3D"_blank">http://nasoalmo.org</a><br>&g=
t;&gt; National Solo Album Month is a fun, free annual competition in which=
<br>
&gt;&gt; musicians write and record an entire album during the month of Nov=
ember -<br>&gt;&gt; all by themselves. It was inspired by NaNoWriMo, Nation=
al Novel Writing<br>&gt;&gt; Month, in which writers attempt to write a nov=
el during the same thirty<br>
&gt;&gt; days.<br>&gt;&gt;<br>&gt;&gt; NaSoAlMo favors enthusiasm and perse=
verance rather than perfectionism.<br>&gt;&gt; It&#39;s meant to encourage =
musicians and would-be songwriters to silence their<br>&gt;&gt; internal cr=
itic for thirty days in order to inspire and maximize<br>
&gt;&gt; productivity. The albums are likely to be hastily written, off-tim=
e, and out<br>&gt;&gt; of tune; the main objective is to just do it.<br>&gt=
;&gt;<br>&gt;&gt; J<br>&gt;&gt;<br>&gt;&gt; ----- Original Message -----<br=
>
&gt;&gt; From: Jim Goodin<br>&gt;&gt; To: <a href=3D"mailto:Loopers-Delight=
@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt;&gt; S=
ent: Tuesday, December 01, 2009 9:40 AM<br>&gt;&gt; Subject: Re: Nasoalmo<b=
r>
&gt;&gt; Is this something like the RPM Challenge in February?=A0 Jeff I ha=
ven&#39;t=A0 had<br>&gt;&gt; the chance to check out the site yet is it a q=
ue time of a month like RPM?<br>&gt;&gt;<br>&gt;&gt; On Tue, Dec 1, 2009 at=
 8:57 AM, Dennis Moser &lt;<a href=3D"mailto:sinsofmachaut@gmail.com">sinso=
fmachaut@gmail.com</a>&gt;<br>
&gt;&gt; wrote:<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; Yep, mine, too ... <a href=
=3D"http://soundcloud.com/usrsbin/sets" target=3D"_blank">http://soundcloud=
.com/usrsbin/sets</a> =A0 &quot;Hrvatsko<br>&gt;&gt;&gt; Putovanje (Croatia=
n Journey)&quot;<br>
&gt;&gt;&gt;<br>&gt;&gt;&gt; There&#39;s even some looping!<br>&gt;&gt;&gt;=
<br>&gt;&gt;&gt; Best,<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; Dennis<br>&gt;&gt;&g=
t;<br>&gt;&gt;&gt; On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke &lt;<a href=
=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt; wrote:<br>
&gt;&gt;&gt; &gt; Hey gang,<br>&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt; &gt; just =
a note to let you know my Nasoalmo release is finished and up for<br>&gt;&g=
t;&gt; &gt; your<br>&gt;&gt;&gt; &gt; listening if you care to.<br>&gt;&gt;=
&gt; &gt;<br>
&gt;&gt;&gt; &gt; I did the naming and arrangement after reading that crack=
ed item on<br>&gt;&gt;&gt; &gt; prog so<br>&gt;&gt;&gt; &gt; I give you<br>=
&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt; &gt; The Inconsistency Principal<br>&gt;&=
gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt; 1st Shard<br>&gt;&gt;&gt; &gt; I Bad Monks Lament<br>&gt;=
&gt;&gt; &gt; 2nd Shard<br>&gt;&gt;&gt; &gt; II Hatshepsut<br>&gt;&gt;&gt; =
&gt; 3rd Shard<br>&gt;&gt;&gt; &gt; III L-tryptophan<br>&gt;&gt;&gt; &gt; 4=
th Shard<br>
&gt;&gt;&gt; &gt; IV Diencephalon<br>&gt;&gt;&gt; &gt; 5th Shard<br>&gt;&gt=
;&gt; &gt; V Phylterz<br>&gt;&gt;&gt; &gt; 6th Shard<br>&gt;&gt;&gt; &gt; V=
I Visions (slight return)<br>&gt;&gt;&gt; &gt; VII The Void that Binds<br>
&gt;&gt;&gt; &gt; credits<br>&gt;&gt;&gt; &gt; released 30 November 2009<br=
>&gt;&gt;&gt; &gt; Jeff Duke - guitar, loops and electronics<br>&gt;&gt;&gt=
; &gt; license cc Some rights reserved<br>&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt;=
 &gt; Get it free at Bandcamp!<br>
&gt;&gt;&gt; &gt; <a href=3D"http://jeffduke.bandcamp.com/album/the-inconsi=
stency-principle" target=3D"_blank">http://jeffduke.bandcamp.com/album/the-=
inconsistency-principle</a><br>&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt; &gt;<br>&g=
t;&gt;&gt; &gt; peace out,<br>
&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt; &gt; Jeff<br>&gt;&gt;&gt; &gt;<br>&gt;&gt=
;&gt; &gt;<br>&gt;&gt;&gt; &gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;=
&gt;<br>&gt;&gt;&gt; --<br>&gt;&gt;&gt; <a href=3D"http://myspace.com/usrsb=
in" target=3D"_blank">http://myspace.com/usrsbin</a><br>
&gt;&gt;&gt; <a href=3D"http://audiozoloft.com/" target=3D"_blank">http://a=
udiozoloft.com</a><br>&gt;&gt;&gt; <a href=3D"http://usrslashsbin.angrek.co=
m/" target=3D"_blank">http://usrslashsbin.angrek.com/</a><br>&gt;&gt;&gt;<b=
r>&gt;&gt;<br>
&gt;&gt;<br>&gt;&gt;<br>&gt;&gt; --<br>&gt;&gt; ReUse, an introspective tex=
tural aural<br>&gt;&gt; <a href=3D"http://www.myspace.com/CtReUse" target=
=3D"_blank">www.myspace.com/CtReUse</a><br>&gt;&gt;<br>&gt;&gt; music links=
...<br>
&gt;&gt; <a href=3D"http://www.jimgoodinmusic.com/" target=3D"_blank">www.j=
imgoodinmusic.com</a><br>&gt;&gt; <a href=3D"http://www.chinapaintingmusic.=
com/" target=3D"_blank">www.chinapaintingmusic.com</a><br>&gt;&gt; <a href=
=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.myspace.co=
m/jimgoodinmusic</a><br>
&gt;&gt; <a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_b=
lank">www.myspace.com/chinapaintingmusic</a><br>&gt;&gt; <a href=3D"http://=
www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.myspace.com/j=
imgoodinviolinelectro</a><br>
&gt;&gt; <a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.=
myspace.com/jindream</a><br>&gt;&gt; <a href=3D"http://www.youtube.com/jimg=
oodinmusic" target=3D"_blank">www.youtube.com/jimgoodinmusic</a><br>&gt;&gt=
;<br>
&gt;&gt; video work/editing...<br>&gt;&gt; <a href=3D"http://www.vimeo.com/=
jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br>&=
gt;&gt;<br>&gt;&gt; social networking...<br>&gt;&gt; <a href=3D"http://www.=
twitter.com/jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgoodinmusi=
c</a><br>
&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; --<br>&gt; ReUse, an introspective=
 textural aural<br>&gt; <a href=3D"http://www.myspace.com/CtReUse" target=
=3D"_blank">www.myspace.com/CtReUse</a><br>&gt;<br>&gt; music links...<br>&=
gt; <a href=3D"http://www.jimgoodinmusic.com/" target=3D"_blank">www.jimgoo=
dinmusic.com</a><br>
&gt; <a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank">www.c=
hinapaintingmusic.com</a><br>&gt; <a href=3D"http://www.myspace.com/jimgood=
inmusic" target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br>&gt; <a hr=
ef=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www.mysp=
ace.com/chinapaintingmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>&gt; <a href=3D"http://=
www.myspace.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br=
>&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">w=
ww.youtube.com/jimgoodinmusic</a><br>
&gt;<br>&gt; video work/editing...<br>&gt; <a href=3D"http://www.vimeo.com/=
jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br>&=
gt;<br>&gt; social networking...<br>&gt; <a href=3D"http://www.twitter.com/=
jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br>
&gt;<br>&gt;<br><br><br><br></div></div>--<br>
<div>
<div></div>
<div class=3D"h5"><a href=3D"http://myspace.com/usrsbin" target=3D"_blank">=
http://myspace.com/usrsbin</a><br><a href=3D"http://audiozoloft.com/" targe=
t=3D"_blank">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.a=
ngrek.com/" target=3D"_blank">http://usrslashsbin.angrek.com/</a><br>
<br></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, =
an introspective textural aural<br><a href=3D"http://www.myspace.com/CtReUs=
e">www.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://w=
ww.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015174483dc552b370479aec397--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 18:18:02 2009
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Subject: RE: Some Holiday Fun
Date: Tue, 1 Dec 2009 19:17:58 +0100
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> "What do you do for a living, cut down trees?"
> Robert Fripp-March 1985-Remark made upon seeing my delicate little hands
closeup for the first time. 


LOL. Reminds me of the first German Guitar Craft course in 1987 ... he
walked around looking at all these wildly different guitars and picks and
remarked that many of the picks in use were probably made to change tires,
not to play guitar

-Michael


	
	
	
	
	
	
	
	


From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 18:37:20 2009
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Subject: Re: Nasoalmo
Date: Tue, 1 Dec 2009 13:37:18 -0500
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I will add that there is another event for February known as FAWM =
http://fawm.org/ that I have participated in although I did not finish =
that year.

peace,

Jeff
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, December 01, 2009 1:16 PM
  Subject: Re: Nasoalmo


  That's cool.  Tim is the guy who clued me to RPM in 2007 - good to =
learn of this other one as I like the website look better.  RPM sort of =
fills like you're throwing your stuff on the wall just to see if it =
stick though I still get some networking from it but NaSoAIMo feels more =
cottage like, will bookmark for next year, assuming they are a once a =
year project, no?


  On Tue, Dec 1, 2009 at 1:06 PM, Dennis Moser <sinsofmachaut@gmail.com> =
wrote:

    RPM spun out of NaSoAlMo ... RPM is only about four years old. I was
    shocked to see how long I'd been doing the NaSoAlMo and then =
realized
    that it had been around at least two years earlier!

    Tim Nelson was also in on this year's NaSoAlMo, so there are a =
couple
    of us Loopers in the mix of projects ...

    Best,

    Dennis

    "Hrvatsko Putovanje (Croatian Journey) "
    http://soundcloud.com/usrsbin/sets/nasoalmo2009



    On Tue, Dec 1, 2009 at 10:23 AM, Jim Goodin =
<jimgoodinmusic@gmail.com> wrote:
    > Jeff thanks that's actually verbatim RPM for my 2 cents which I =
suspect that
    > RPM spun out of NSAM as they [RPM] quote the writers movement .  =
But I think
    > the whole idea is marvelous and I've done 4 RPM Challenges and =
will do one
    > this Feb, it's a great way to break the 'ice' of the winter =
darkness.  Good
    > to know about this one and assuming cutoff was end of November.
    > Congratulations on making it.  Will stream your stuff today maybe =
if the
    > lawyers don't get me...
    >
    > On Tue, Dec 1, 2009 at 11:52 AM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:
    >>
    >> Hey Jim,
    >>
    >> It's very similar to Rpm only in November instead of February.
    >>
    >> http://nasoalmo.org
    >> National Solo Album Month is a fun, free annual competition in =
which
    >> musicians write and record an entire album during the month of =
November -
    >> all by themselves. It was inspired by NaNoWriMo, National Novel =
Writing
    >> Month, in which writers attempt to write a novel during the same =
thirty
    >> days.
    >>
    >> NaSoAlMo favors enthusiasm and perseverance rather than =
perfectionism.
    >> It's meant to encourage musicians and would-be songwriters to =
silence their
    >> internal critic for thirty days in order to inspire and maximize
    >> productivity. The albums are likely to be hastily written, =
off-time, and out
    >> of tune; the main objective is to just do it.
    >>
    >> J
    >>
    >> ----- Original Message -----
    >> From: Jim Goodin
    >> To: Loopers-Delight@loopers-delight.com
    >> Sent: Tuesday, December 01, 2009 9:40 AM
    >> Subject: Re: Nasoalmo
    >> Is this something like the RPM Challenge in February?  Jeff I =
haven't  had
    >> the chance to check out the site yet is it a que time of a month =
like RPM?
    >>
    >> On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser =
<sinsofmachaut@gmail.com>
    >> wrote:
    >>>
    >>> Yep, mine, too ... http://soundcloud.com/usrsbin/sets   =
"Hrvatsko
    >>> Putovanje (Croatian Journey)"
    >>>
    >>> There's even some looping!
    >>>
    >>> Best,
    >>>
    >>> Dennis
    >>>
    >>> On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke =
<jeff_d@embarqmail.com> wrote:
    >>> > Hey gang,
    >>> >
    >>> > just a note to let you know my Nasoalmo release is finished =
and up for
    >>> > your
    >>> > listening if you care to.
    >>> >
    >>> > I did the naming and arrangement after reading that cracked =
item on
    >>> > prog so
    >>> > I give you
    >>> >
    >>> > The Inconsistency Principal
    >>> >
    >>> > 1st Shard
    >>> > I Bad Monks Lament
    >>> > 2nd Shard
    >>> > II Hatshepsut
    >>> > 3rd Shard
    >>> > III L-tryptophan
    >>> > 4th Shard
    >>> > IV Diencephalon
    >>> > 5th Shard
    >>> > V Phylterz
    >>> > 6th Shard
    >>> > VI Visions (slight return)
    >>> > VII The Void that Binds
    >>> > credits
    >>> > released 30 November 2009
    >>> > Jeff Duke - guitar, loops and electronics
    >>> > license cc Some rights reserved
    >>> >
    >>> > Get it free at Bandcamp!
    >>> > http://jeffduke.bandcamp.com/album/the-inconsistency-principle
    >>> >
    >>> >
    >>> > peace out,
    >>> >
    >>> > Jeff
    >>> >
    >>> >
    >>> >
    >>>
    >>>
    >>>
    >>> --
    >>> http://myspace.com/usrsbin
    >>> http://audiozoloft.com
    >>> http://usrslashsbin.angrek.com/
    >>>
    >>
    >>
    >>
    >> --
    >> ReUse, an introspective textural aural
    >> www.myspace.com/CtReUse
    >>
    >> music links...
    >> www.jimgoodinmusic.com
    >> www.chinapaintingmusic.com
    >> www.myspace.com/jimgoodinmusic
    >> www.myspace.com/chinapaintingmusic
    >> www.myspace.com/jimgoodinviolinelectro
    >> www.myspace.com/jindream
    >> www.youtube.com/jimgoodinmusic
    >>
    >> video work/editing...
    >> www.vimeo.com/jimgoodindigital
    >>
    >> social networking...
    >> www.twitter.com/jimgoodinmusic
    >>
    >
    >
    >
    > --
    > ReUse, an introspective textural aural
    > www.myspace.com/CtReUse
    >
    > music links...
    > www.jimgoodinmusic.com
    > www.chinapaintingmusic.com
    > www.myspace.com/jimgoodinmusic
    > www.myspace.com/chinapaintingmusic
    > www.myspace.com/jimgoodinviolinelectro
    > www.myspace.com/jindream
    > www.youtube.com/jimgoodinmusic
    >
    > video work/editing...
    > www.vimeo.com/jimgoodindigital
    >
    > social networking...
    > www.twitter.com/jimgoodinmusic
    >
    >




    --

    http://myspace.com/usrsbin
    http://audiozoloft.com
    http://usrslashsbin.angrek.com/





  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I will add that there is another event =
for February=20
known as FAWM <A =
href=3D"http://fawm.org/">http://fawm.org/</A>&nbsp;that I have=20
participated in although I did not finish that year.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 01, =
2009 1:16=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Nasoalmo</DIV>
  <DIV><BR></DIV>That's cool.&nbsp; Tim is the guy who clued me to RPM =
in 2007 -=20
  good to learn of this other one as I like the website look =
better.&nbsp; RPM=20
  sort of fills like you're throwing your stuff on the wall just to see =
if it=20
  stick though I still get some&nbsp;networking from it but NaSoAIMo =
feels more=20
  cottage like, will bookmark for next year, assuming they are a once a =
year=20
  project, no?<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Dec 1, 2009 at 1:06 PM, Dennis Moser =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</A>&gt;</=
SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">RPM=20
    spun out of NaSoAlMo ... RPM is only about four years old. I =
was<BR>shocked=20
    to see how long I'd been doing the NaSoAlMo and then =
realized<BR>that it had=20
    been around at least two years earlier!<BR><BR>Tim Nelson was also =
in on=20
    this year's NaSoAlMo, so there are a couple<BR>of us Loopers in the =
mix of=20
    projects ...<BR><BR>Best,<BR><BR>Dennis<BR><BR>"Hrvatsko Putovanje =
(Croatian=20
    Journey) "<BR><A =
href=3D"http://soundcloud.com/usrsbin/sets/nasoalmo2009"=20
    =
target=3D_blank>http://soundcloud.com/usrsbin/sets/nasoalmo2009</A><BR>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><BR><BR>On Tue, Dec 1, 2009 at 10:23 AM, Jim Goodin =
&lt;<A=20
    =
href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</A>&gt;=
=20
    wrote:<BR>&gt; Jeff thanks that's actually verbatim RPM for my 2 =
cents which=20
    I suspect that<BR>&gt; RPM spun out of NSAM as they [RPM] quote the =
writers=20
    movement .&nbsp; But I think<BR>&gt; the whole idea is marvelous and =
I've=20
    done 4 RPM Challenges and will do one<BR>&gt; this Feb, it's a great =
way to=20
    break the 'ice' of the winter darkness.&nbsp; Good<BR>&gt; to know =
about=20
    this one and assuming cutoff was end of November.<BR>&gt; =
Congratulations on=20
    making it.&nbsp; Will stream your stuff today maybe if the<BR>&gt; =
lawyers=20
    don't get me...<BR>&gt;<BR>&gt; On Tue, Dec 1, 2009 at 11:52 AM, =
Jeff Duke=20
    &lt;<A =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;=20
    wrote:<BR>&gt;&gt;<BR>&gt;&gt; Hey Jim,<BR>&gt;&gt;<BR>&gt;&gt; It's =
very=20
    similar to Rpm only in November instead of =
February.<BR>&gt;&gt;<BR>&gt;&gt;=20
    <A href=3D"http://nasoalmo.org/"=20
    target=3D_blank>http://nasoalmo.org</A><BR>&gt;&gt; National Solo =
Album Month=20
    is a fun, free annual competition in which<BR>&gt;&gt; musicians =
write and=20
    record an entire album during the month of November -<BR>&gt;&gt; =
all by=20
    themselves. It was inspired by NaNoWriMo, National Novel =
Writing<BR>&gt;&gt;=20
    Month, in which writers attempt to write a novel during the same=20
    thirty<BR>&gt;&gt; days.<BR>&gt;&gt;<BR>&gt;&gt; NaSoAlMo favors =
enthusiasm=20
    and perseverance rather than perfectionism.<BR>&gt;&gt; It's meant =
to=20
    encourage musicians and would-be songwriters to silence =
their<BR>&gt;&gt;=20
    internal critic for thirty days in order to inspire and =
maximize<BR>&gt;&gt;=20
    productivity. The albums are likely to be hastily written, off-time, =
and=20
    out<BR>&gt;&gt; of tune; the main objective is to just do=20
    it.<BR>&gt;&gt;<BR>&gt;&gt; J<BR>&gt;&gt;<BR>&gt;&gt; ----- Original =
Message=20
    -----<BR>&gt;&gt; From: Jim Goodin<BR>&gt;&gt; To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;&gt;=20
    Sent: Tuesday, December 01, 2009 9:40 AM<BR>&gt;&gt; Subject: Re:=20
    Nasoalmo<BR>&gt;&gt; Is this something like the RPM Challenge in=20
    February?&nbsp; Jeff I haven't&nbsp; had<BR>&gt;&gt; the chance to =
check out=20
    the site yet is it a que time of a month like =
RPM?<BR>&gt;&gt;<BR>&gt;&gt;=20
    On Tue, Dec 1, 2009 at 8:57 AM, Dennis Moser &lt;<A=20
    =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</A>&gt;<B=
R>&gt;&gt;=20
    wrote:<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; Yep, mine, too ... <A=20
    href=3D"http://soundcloud.com/usrsbin/sets"=20
    target=3D_blank>http://soundcloud.com/usrsbin/sets</A> &nbsp;=20
    "Hrvatsko<BR>&gt;&gt;&gt; Putovanje (Croatian=20
    Journey)"<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; There's even some=20
    looping!<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;=20
    Best,<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; =
Dennis<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;=20
    On Mon, Nov 30, 2009 at 7:28 PM, Jeff Duke &lt;<A=20
    href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;=20
    wrote:<BR>&gt;&gt;&gt; &gt; Hey gang,<BR>&gt;&gt;&gt; =
&gt;<BR>&gt;&gt;&gt;=20
    &gt; just a note to let you know my Nasoalmo release is finished and =
up=20
    for<BR>&gt;&gt;&gt; &gt; your<BR>&gt;&gt;&gt; &gt; listening if you =
care=20
    to.<BR>&gt;&gt;&gt; &gt;<BR>&gt;&gt;&gt; &gt; I did the naming and=20
    arrangement after reading that cracked item on<BR>&gt;&gt;&gt; &gt; =
prog=20
    so<BR>&gt;&gt;&gt; &gt; I give you<BR>&gt;&gt;&gt; =
&gt;<BR>&gt;&gt;&gt; &gt;=20
    The Inconsistency Principal<BR>&gt;&gt;&gt; &gt;<BR>&gt;&gt;&gt; =
&gt; 1st=20
    Shard<BR>&gt;&gt;&gt; &gt; I Bad Monks Lament<BR>&gt;&gt;&gt; &gt; =
2nd=20
    Shard<BR>&gt;&gt;&gt; &gt; II Hatshepsut<BR>&gt;&gt;&gt; &gt; 3rd=20
    Shard<BR>&gt;&gt;&gt; &gt; III L-tryptophan<BR>&gt;&gt;&gt; &gt; 4th =

    Shard<BR>&gt;&gt;&gt; &gt; IV Diencephalon<BR>&gt;&gt;&gt; &gt; 5th=20
    Shard<BR>&gt;&gt;&gt; &gt; V Phylterz<BR>&gt;&gt;&gt; &gt; 6th=20
    Shard<BR>&gt;&gt;&gt; &gt; VI Visions (slight =
return)<BR>&gt;&gt;&gt; &gt;=20
    VII The Void that Binds<BR>&gt;&gt;&gt; &gt; credits<BR>&gt;&gt;&gt; =
&gt;=20
    released 30 November 2009<BR>&gt;&gt;&gt; &gt; Jeff Duke - guitar, =
loops and=20
    electronics<BR>&gt;&gt;&gt; &gt; license cc Some rights=20
    reserved<BR>&gt;&gt;&gt; &gt;<BR>&gt;&gt;&gt; &gt; Get it free at=20
    Bandcamp!<BR>&gt;&gt;&gt; &gt; <A=20
    =
href=3D"http://jeffduke.bandcamp.com/album/the-inconsistency-principle"=20
    =
target=3D_blank>http://jeffduke.bandcamp.com/album/the-inconsistency-prin=
ciple</A><BR>&gt;&gt;&gt;=20
    &gt;<BR>&gt;&gt;&gt; &gt;<BR>&gt;&gt;&gt; &gt; peace =
out,<BR>&gt;&gt;&gt;=20
    &gt;<BR>&gt;&gt;&gt; &gt; Jeff<BR>&gt;&gt;&gt; &gt;<BR>&gt;&gt;&gt;=20
    &gt;<BR>&gt;&gt;&gt;=20
    &gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; =

    --<BR>&gt;&gt;&gt; <A href=3D"http://myspace.com/usrsbin"=20
    target=3D_blank>http://myspace.com/usrsbin</A><BR>&gt;&gt;&gt; <A=20
    href=3D"http://audiozoloft.com/"=20
    target=3D_blank>http://audiozoloft.com</A><BR>&gt;&gt;&gt; <A=20
    href=3D"http://usrslashsbin.angrek.com/"=20
    =
target=3D_blank>http://usrslashsbin.angrek.com/</A><BR>&gt;&gt;&gt;<BR>&g=
t;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;=20
    --<BR>&gt;&gt; ReUse, an introspective textural aural<BR>&gt;&gt; <A =

    href=3D"http://www.myspace.com/CtReUse"=20
    target=3D_blank>www.myspace.com/CtReUse</A><BR>&gt;&gt;<BR>&gt;&gt; =
music=20
    links...<BR>&gt;&gt; <A href=3D"http://www.jimgoodinmusic.com/"=20
    target=3D_blank>www.jimgoodinmusic.com</A><BR>&gt;&gt; <A=20
    href=3D"http://www.chinapaintingmusic.com/"=20
    target=3D_blank>www.chinapaintingmusic.com</A><BR>&gt;&gt; <A=20
    href=3D"http://www.myspace.com/jimgoodinmusic"=20
    target=3D_blank>www.myspace.com/jimgoodinmusic</A><BR>&gt;&gt; <A=20
    href=3D"http://www.myspace.com/chinapaintingmusic"=20
    target=3D_blank>www.myspace.com/chinapaintingmusic</A><BR>&gt;&gt; =
<A=20
    href=3D"http://www.myspace.com/jimgoodinviolinelectro"=20
    =
target=3D_blank>www.myspace.com/jimgoodinviolinelectro</A><BR>&gt;&gt; =
<A=20
    href=3D"http://www.myspace.com/jindream"=20
    target=3D_blank>www.myspace.com/jindream</A><BR>&gt;&gt; <A=20
    href=3D"http://www.youtube.com/jimgoodinmusic"=20
    =
target=3D_blank>www.youtube.com/jimgoodinmusic</A><BR>&gt;&gt;<BR>&gt;&gt=
;=20
    video work/editing...<BR>&gt;&gt; <A=20
    href=3D"http://www.vimeo.com/jimgoodindigital"=20
    =
target=3D_blank>www.vimeo.com/jimgoodindigital</A><BR>&gt;&gt;<BR>&gt;&gt=
;=20
    social networking...<BR>&gt;&gt; <A=20
    href=3D"http://www.twitter.com/jimgoodinmusic"=20
    =
target=3D_blank>www.twitter.com/jimgoodinmusic</A><BR>&gt;&gt;<BR>&gt;<BR=
>&gt;<BR>&gt;<BR>&gt;=20
    --<BR>&gt; ReUse, an introspective textural aural<BR>&gt; <A=20
    href=3D"http://www.myspace.com/CtReUse"=20
    target=3D_blank>www.myspace.com/CtReUse</A><BR>&gt;<BR>&gt; music=20
    links...<BR>&gt; <A href=3D"http://www.jimgoodinmusic.com/"=20
    target=3D_blank>www.jimgoodinmusic.com</A><BR>&gt; <A=20
    href=3D"http://www.chinapaintingmusic.com/"=20
    target=3D_blank>www.chinapaintingmusic.com</A><BR>&gt; <A=20
    href=3D"http://www.myspace.com/jimgoodinmusic"=20
    target=3D_blank>www.myspace.com/jimgoodinmusic</A><BR>&gt; <A=20
    href=3D"http://www.myspace.com/chinapaintingmusic"=20
    target=3D_blank>www.myspace.com/chinapaintingmusic</A><BR>&gt; <A=20
    href=3D"http://www.myspace.com/jimgoodinviolinelectro"=20
    target=3D_blank>www.myspace.com/jimgoodinviolinelectro</A><BR>&gt; =
<A=20
    href=3D"http://www.myspace.com/jindream"=20
    target=3D_blank>www.myspace.com/jindream</A><BR>&gt; <A=20
    href=3D"http://www.youtube.com/jimgoodinmusic"=20
    target=3D_blank>www.youtube.com/jimgoodinmusic</A><BR>&gt;<BR>&gt; =
video=20
    work/editing...<BR>&gt; <A =
href=3D"http://www.vimeo.com/jimgoodindigital"=20
    target=3D_blank>www.vimeo.com/jimgoodindigital</A><BR>&gt;<BR>&gt; =
social=20
    networking...<BR>&gt; <A =
href=3D"http://www.twitter.com/jimgoodinmusic"=20
    =
target=3D_blank>www.twitter.com/jimgoodinmusic</A><BR>&gt;<BR>&gt;<BR><BR=
><BR><BR></DIV></DIV>--<BR>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><A href=3D"http://myspace.com/usrsbin"=20
    target=3D_blank>http://myspace.com/usrsbin</A><BR><A=20
    href=3D"http://audiozoloft.com/"=20
    target=3D_blank>http://audiozoloft.com</A><BR><A=20
    href=3D"http://usrslashsbin.angrek.com/"=20
    =
target=3D_blank>http://usrslashsbin.angrek.com/</A><BR><BR></DIV></DIV></=
BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0070_01CA728B.66F58EF0--

From charlzhart@yahoo.co.jp  Tue Dec  1 18:41:17 2009
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Reply-To: <mr_tommyedwards@yahoo.co.jp>
From: "Mrs. Lisa Williams"<charlzhart@yahoo.co.jp>
Subject: Re-Congratulation.  
Date: Tue, 1 Dec 2009 19:24:02 -0800
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To: undisclosed-recipients:;

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From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 19:01:37 2009
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Subject: Re: semi-OT: korg mini-kaoss pad??
From: Loaf citious <loafcitious@gmail.com>
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Sorry for the late topic, just catching up on some mail.
Recently, I've had a lot of fun MIDI locking the EDP to a RC20 boss
slicer. =A0Really cool experience (sorta dance clubby exp that is).
Then just the other night I got lost in a bunch of vids featuring the
KP3.

Has anyone every linked this unit up w/ some MIDI like Live, EDP or
some sequencer?

Good results? I'm just looking for some feedback as I really think the
KP3 is my next gear junkie fix.

Thanks,
AndyG

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 19:21:14 2009
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Subject: RE: semi-OT: korg mini-kaoss pad??
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--_3a0b0818-11a8-443c-85e2-3439004b3160_
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I have midi locked the KP3 to the EDP=2C quite fun. Especially if you sampl=
e on the KP3 and change tempo on the EDP=2C sort of STRANGE pitch shifting =
on the EDP samples..
=20
> Date: Tue=2C 1 Dec 2009 14:01:35 -0500
> Subject: Re: semi-OT: korg mini-kaoss pad??
> From: loafcitious@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Sorry for the late topic=2C just catching up on some mail.
> Recently=2C I've had a lot of fun MIDI locking the EDP to a RC20 boss
> slicer.  Really cool experience (sorta dance clubby exp that is).
> Then just the other night I got lost in a bunch of vids featuring the
> KP3.
>=20
> Has anyone every linked this unit up w/ some MIDI like Live=2C EDP or
> some sequencer?
>=20
> Good results? I'm just looking for some feedback as I really think the
> KP3 is my next gear junkie fix.
>=20
> Thanks=2C
> AndyG
>=20
 		 	   		  =

--_3a0b0818-11a8-443c-85e2-3439004b3160_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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--></style>
</head>
<body class=3D'hmmessage'>
I have midi&nbsp=3Blocked the KP3 to the EDP=2C quite fun. Especially if yo=
u sample on the KP3 and change tempo on the EDP=2C sort of&nbsp=3BSTRANGE p=
itch shifting&nbsp=3Bon the EDP&nbsp=3Bsamples..<BR>&nbsp=3B<BR>&gt=3B Date=
: Tue=2C 1 Dec 2009 14:01:35 -0500<BR>&gt=3B Subject: Re: semi-OT: korg min=
i-kaoss pad??<BR>&gt=3B From: loafcitious@gmail.com<BR>&gt=3B To: Loopers-D=
elight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Sorry for the late topic=2C=
 just catching up on some mail.<BR>&gt=3B Recently=2C I've had a lot of fun=
 MIDI locking the EDP to a RC20 boss<BR>&gt=3B slicer. &nbsp=3BReally cool =
experience (sorta dance clubby exp that is).<BR>&gt=3B Then just the other =
night I got lost in a bunch of vids featuring the<BR>&gt=3B KP3.<BR>&gt=3B =
<BR>&gt=3B Has anyone every linked this unit up w/ some MIDI like Live=2C E=
DP or<BR>&gt=3B some sequencer?<BR>&gt=3B <BR>&gt=3B Good results? I'm just=
 looking for some feedback as I really think the<BR>&gt=3B KP3 is my next g=
ear junkie fix.<BR>&gt=3B <BR>&gt=3B Thanks=2C<BR>&gt=3B AndyG<BR>&gt=3B <B=
R> 		 	   		  </body>
</html>=

--_3a0b0818-11a8-443c-85e2-3439004b3160_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 21:32:47 2009
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Date: Tue, 1 Dec 2009 22:32:45 +0100
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Subject: Re: semi-OT: korg mini-kaoss pad??
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Tue, Dec 1, 2009 at 8:01 PM, Loaf citious <loafcitious@gmail.com> wrote:
> Then just the other night I got lost in a bunch of vids featuring the
> KP3. Has anyone every linked this unit up w/ some MIDI like Live, EDP or
> some sequencer?

Yes, I have used it with an LP1. The effect are good, the user
interface is excellent, midi sync is good, it's looping capabilities
are limited. Issue: some effects are noisy. For me, it was a DJ toy
box I used less and less and less so after a while I sold it again.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Date: Tue, 1 Dec 2009 14:04:52 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Nasal Elmo
To: Loopers-Delight@loopers-delight.com
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--- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com> wrote:

> Tim Nelson was also in on this year's NaSoAlMo, so there
> are a couple of us Loopers in the mix of projects ...

Indeed I was and it can be heard (with the exception of an 18-minute track that was too long for the jukething) at 
<http://www.reverbnation.com/timothynelson>

Loopcontent on maybe 60-70% of it... The only instruments used were a clarinet and a viola. I'd never played either instrument before...

-t-



      

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 22:17:51 2009
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Date: Tue, 1 Dec 2009 14:17:50 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: New Looping Bowed Bass Piece on great site: Sound Cloud
To: LOOPER <Loopers-Delight@loopers-delight.com>
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--0-280221533-1259705870=:4497
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

There is a wonderful site called SoundCloud that allows you to put up any l=
ength piece you want-a perfect home for those REALLY long ambient songs!!

Here's a link to the music:=20

=A0Clarified Birds: The Forest That Hears And The Field That Sees

This one's for you folks into the extended chill out music! it's two parts,=
 The Forest That Hears is 1st and The Field That Sees is 2nd.=A0 The both f=
eature bowed Double Bass, and the 2nd features Acoustic Guitar and Dobro Sl=
ide Bass. They both were created live in the studio with Live Looping.=A0 T=
he band 'Clarified Birds' is sort of my ambient alter ego.

This piece is my attempt to 'score' the Hieronymus Bosch painting "The Fore=
st That Hears And The Field That Sees" this is just the audio and the album=
 cover, a limited run of 25 will be done with beautiful letter pressed art =
& alchemical poetry.=A0 So for now just pour a glass of wine, push play and=
 get ready to trance out to some bowed droned and dreaming landscapes.=A0=
=20
=0A=0A=0A      
--0-280221533-1259705870=:4497
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">There is a wonderful site called <a href=3D"h=
ttp://soundcloud.com/">SoundCloud</a> that allows you to put up any length =
piece you want-a perfect home for those REALLY long ambient songs!!<br><br>=
Here's a link to the music: <br><br><div style=3D"text-align: center;">&nbs=
p;<a href=3D"http://soundcloud.com/clarified_birds">Clarified Birds: The Fo=
rest That Hears And The Field That Sees</a><br></div><br>This one's for you=
 folks into the extended chill out music! it's two parts, The Forest That H=
ears is 1st and The Field That Sees is 2nd.&nbsp; The both feature bowed Do=
uble Bass, and the 2nd features Acoustic Guitar and Dobro Slide Bass. They =
both were created live in the studio with Live Looping.&nbsp; The band 'Cla=
rified Birds' is sort of my ambient alter ego.<br><br>This piece is my atte=
mpt to 'score' the Hieronymus Bosch painting "The Forest That Hears And The=
 Field
 That Sees" this is just the audio and the album cover, a limited run of 25=
 will be done with beautiful letter pressed art &amp; alchemical poetry.&nb=
sp; So for now just pour a glass of wine, push play and get ready to trance=
 out to some bowed droned and dreaming landscapes.&nbsp; <br></td></tr></ta=
ble><br>=0A=0A      
--0-280221533-1259705870=:4497--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 22:41:30 2009
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	 <862074.67757.qm@web45310.mail.sp1.yahoo.com>
Date: Tue, 1 Dec 2009 15:41:29 -0700
Message-ID: <dec8f8e60912011441m5672a0blacbe0313bcf822d@mail.gmail.com>
Subject: Re: Nasal Elmo
From: Dennis Moser <sinsofmachaut@gmail.com>
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Hey, Tim!

Any chance we can hear that other track? (Try soundcloud ...)


Dennis

On Tue, Dec 1, 2009 at 3:04 PM, Tim Nelson <psychle62@yahoo.com> wrote:
> --- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com> wrote:
>
>> Tim Nelson was also in on this year's NaSoAlMo, so there
>> are a couple of us Loopers in the mix of projects ...
>
> Indeed I was and it can be heard (with the exception of an 18-minute track that was too long for the jukething) at
> <http://www.reverbnation.com/timothynelson>
>
> Loopcontent on maybe 60-70% of it... The only instruments used were a clarinet and a viola. I'd never played either instrument before...
>
> -t-
>
>
>
>
>
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 23:14:43 2009
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Subject: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
Date: Tue, 1 Dec 2009 15:02:34 -0800
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Hey Loopers,

I'm playing with Imogen Heap in at the Music Hall in Brooklyn on  
Thursday. The show is sold out, but Billboard is streaming the concert  
live.
I'm not writing to tell you to watch my little bit (although that  
would be awesome too), but to tune in and enjoy looping sorceress Immi  
herself and one of her opening artists Tim Exile. Tim puts on an  
incredible live improvised looping show, I think Rick Walker, you'd  
particularly enjoy his set. At the SF Fillmore a few weeks ago, it  
involved a song constructed out of an audience member crunching potato  
chips.

The show starts at 8:30 Eastern.
Thursday, Dec 3rd

Here are the details about how to stream the concert...

http://imogenheap.fanbridge.com/campaigns/show.php?id=570277&src=twitter

best!

Zoe

p.s. I'm doing another "Cello For Airports" at San Francisco Airport  
the following day, Dec 4th. From 11am to 2pm on the Mezzanine of  
Terminal 1.

"Cello For Airports"
Dec 4
11am to 2pm
SFO
Terminal 1, mezzanine
pre-security

From Loopers-Delight-request@loopers-delight.com  Tue Dec  1 23:21:50 2009
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Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
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At the Fillmore show, Tim also passed his microphone out into the =20
audience and looped various things they were doing! Interestingly, Tim =20
does all his looping/processing/etc using Reaktor.. :)

Zoe, you were amazing, as always, at that show! I went with friends =20
who told me it was the hi-light of the night for them!! :)

peace
-cpr

Quoting Zoe Keating <info@zoekeating.com>:

> Hey Loopers,
>
> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on
> Thursday. The show is sold out, but Billboard is streaming the concert
> live.
> I'm not writing to tell you to watch my little bit (although that would
> be awesome too), but to tune in and enjoy looping sorceress Immi
> herself and one of her opening artists Tim Exile. Tim puts on an
> incredible live improvised looping show, I think Rick Walker, you'd
> particularly enjoy his set. At the SF Fillmore a few weeks ago, it
> involved a song constructed out of an audience member crunching potato
> chips.
>
> The show starts at 8:30 Eastern.
> Thursday, Dec 3rd
>
> Here are the details about how to stream the concert...
>
> http://imogenheap.fanbridge.com/campaigns/show.php?id=3D570277&src=3Dtwitt=
er
>
> best!
>
> Zoe
>
> p.s. I'm doing another "Cello For Airports" at San Francisco Airport
> the following day, Dec 4th. From 11am to 2pm on the Mezzanine of
> Terminal 1.
>
> "Cello For Airports"
> Dec 4
> 11am to 2pm
> SFO
> Terminal 1, mezzanine
> pre-security


From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 00:43:01 2009
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Date: Tue, 1 Dec 2009 16:42:59 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Nasal Elmo
To: Loopers-Delight@loopers-delight.com
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Hi Dennis,

I'm dead in the water for the immediate future as my main machine just crashed, but the missing almost-19-minute-long track ("a shroud of deep violet blue") is very similar to track 6 ("swarm") which is actually just a more concise edit of the same piece... The album is about 41 minutes without it!

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


--- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com> wrote:

> From: Dennis Moser <sinsofmachaut@gmail.com>
> Subject: Re: Nasal Elmo
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, December 1, 2009, 5:41 PM
> Hey, Tim!
> 
> Any chance we can hear that other track? (Try soundcloud
> ...)
> 
> 
> Dennis
> 
> On Tue, Dec 1, 2009 at 3:04 PM, Tim Nelson <psychle62@yahoo.com>
> wrote:
> > --- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
> >
> >> Tim Nelson was also in on this year's NaSoAlMo, so
> there
> >> are a couple of us Loopers in the mix of projects
> ...
> >
> > Indeed I was and it can be heard (with the exception
> of an 18-minute track that was too long for the jukething)
> at
> > <http://www.reverbnation.com/timothynelson>
> >
> > Loopcontent on maybe 60-70% of it... The only
> instruments used were a clarinet and a viola. I'd never
> played either instrument before...
> >
> > -t-
> >
> >
> >
> >
> >
> >
> 
> 
> 
> -- 
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 01:38:06 2009
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Date: Wed, 2 Dec 2009 10:37:52 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: OT: Stranglers (was: Prog Rock in 5 minutes ;-)
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At 10:53 PM -0800 11/30/09, Mark Hamburg wrote:
>On Nov 30, 2009, at 10:43 PM, Mech wrote:
>
>>  I was big into prog rock during the first=20
>>couple of years of high-school (until I=20
>>discovered punk -- seemingly the anti-thesis of=20
>>prog).
>
>The Stranglers: Prog or punk?

Holy cheese!  Either you're psychic, Mark, or I'm=20
once again forgetting which stories I've told=20
here on LD (loop de loop, eh?).

But whatever the circumstance, it does turn out=20
that it was The Stranglers that ushered me into=20
Punk in the first place.  As a teenage Prog=20
keyboardist wannabe, I'd spent the past couple of=20
years dissecting the playing of artists like=20
Wakeman and Emerson (don't be impressed; I sucked=20
then, and I still do), when a friend of mine=20
introduced me to an advance single of The=20
Strangler's "Nice & Sleazy", from Black & White.=20
If you've not heard it before, the break section=20
features a keyboard solo that sounds like Dave=20
Greenfield is literally strangling a synthesizer=20
to death (brilliant!!!).

It just happened to be that moment I had an=20
epiphany: music could be just as potent (or more=20
even) by focusing solely on the raw emotion=20
behind the playing, rather than the technical=20
skill and placement of every=20
hemi-semi-demi-quaver.  I started shotgunning my=20
ELP records right after that, and haven't really=20
looked back since.

Now, as to whether The Stranglers are actually Prog or Punk....

=46irst, it does seem that the established Music=20
Critics [sic] do generally consider their debut=20
album, Rattus Norvegicus, to have the distinction=20
of being the first actual LP released from the UK=20
Punk scene (it supposedly pre-dated The Damned's=20
debut by a couple of weeks and Sex Pistol's Never=20
Mind The Bollocks by several months).  That said,=20
all the individual members of The Stranglers were=20
accomplished musicians long before they became=20
associated with Punk, and I think the fact that=20
they could actually pull out some chops when they=20
wished caused them to be viewed with some=20
skepticism by many in the scene at the time.  In=20
true Punk fashion, I really don't think they gave=20
a f*ck, though, and could actually play well if=20
it was called for within the song.

IMNSHO, I'd say that their first 3 albums --=20
Rattus Norvegicus, No More Heroes, and Black &=20
White -- should certainly be considered Punk.=20
However, the demise (ne=E9 suicide) of Punk and the=20
birth of Post-Punk created a very open and=20
"anything goes" environment in the music scene=20
for a number of years.  Their subsequent albums=20
were thus free of ideological constraints, since=20
the very movement had shot itself in the head.=20
Like other musicians of the time -- PIL,=20
Sandinista-era Clash, or the US post-punk scenes,=20
for example -- their work from that point scoped=20
out in many different directions, doubtlessly=20
dovetailing into Prog Rock as well (<*cough*>=20
Meninblack <*cough*><*cough*>).

So, I guess a better answer the the question=20
would be, "depends on which album you're talking=20
about."

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 01:58:59 2009
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Subject: RE: OT: Stranglers (was: Prog Rock in 5 minutes ;-)
Date: Tue, 1 Dec 2009 20:58:56 -0500
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I figured with the Fripp connection they'd be branded prog.  Isn't that
automatic?

m.

-----Original Message-----
At 10:53 PM -0800 11/30/09, Mark Hamburg wrote:
>On Nov 30, 2009, at 10:43 PM, Mech wrote:
>
>>  I was big into prog rock during the first 
>>couple of years of high-school (until I 
>>discovered punk -- seemingly the anti-thesis of 
>>prog).
>
>The Stranglers: Prog or punk?


Mark Christensen
www.TwistedAppleRecords.com
tinyurl.com/MarkChristensen
www.stonedocumentmusic.com
 

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 02:00:46 2009
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From: Daniel Berkman <danielberkman@mac.com>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
Date: Tue, 01 Dec 2009 18:00:41 -0800
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I also saw you and Imogen at the Fillmore show. I was playing guitar  
for Essence in the Fillmore Lounge that night.
You guys were incredible. It was also great to see one of my heroes,  
Tim Exile!

That was the best I'd ever seen you play, Zoe. Fantastic!

I first saw you play at a loft space on Natoma St. in San Francisco  
about 5 years ago. You were using a Repeater back then!

Kudos!

-Daniel


On Dec 1, 2009, at 2:35 PM, cpr@musetrap.com wrote:

> At the Fillmore show, Tim also passed his microphone out into the  
> audience and looped various things they were doing! Interestingly,  
> Tim does all his looping/processing/etc using Reaktor.. :)
>
> Zoe, you were amazing, as always, at that show! I went with friends  
> who told me it was the hi-light of the night for them!! :)
>
> peace
> -cpr
>
> Quoting Zoe Keating <info@zoekeating.com>:
>
>> Hey Loopers,
>>
>> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on
>> Thursday. The show is sold out, but Billboard is streaming the  
>> concert
>> live.
>> I'm not writing to tell you to watch my little bit (although that  
>> would
>> be awesome too), but to tune in and enjoy looping sorceress Immi
>> herself and one of her opening artists Tim Exile. Tim puts on an
>> incredible live improvised looping show, I think Rick Walker, you'd
>> particularly enjoy his set. At the SF Fillmore a few weeks ago, it
>> involved a song constructed out of an audience member crunching  
>> potato
>> chips.
>>
>> The show starts at 8:30 Eastern.
>> Thursday, Dec 3rd
>>
>> Here are the details about how to stream the concert...
>>
>> http://imogenheap.fanbridge.com/campaigns/show.php? 
>> id=570277&src=twitter
>>
>> best!
>>
>> Zoe
>>
>> p.s. I'm doing another "Cello For Airports" at San Francisco Airport
>> the following day, Dec 4th. From 11am to 2pm on the Mezzanine of
>> Terminal 1.
>>
>> "Cello For Airports"
>> Dec 4
>> 11am to 2pm
>> SFO
>> Terminal 1, mezzanine
>> pre-security
>
>

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Date: Tue, 1 Dec 2009 18:27:51 -0800 (PST)
From: Abdel Ibrahim <abdel_ibrahim07@sify.com>
Reply-To: abdel_ibrahim07@sify.com
Subject: REPLY URGENT AND CALL ME.
To: undisclosed recipients: ;
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--0-1630661372-1259720871=:18968
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Dear,
=C2=A0
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0 Greeting's to you and your entire family!
=C2=A0
I am MR ABDEL IBRAHIM, a banker with the above mentioned bank in Ouagadougo=
u Burkina Faso in West Africa, holding the post of the Audit & Accounts dep=
t. On December, 25, 2003, one Mr. Lech=C2=A0 Phillip,a Lebanese National, A=
n Astute Business man of international repute, a contract with ecowas count=
ry, whose endeavours spans various areas of Business interest, (Real estate=
, contract and Farming .etc) made a numbered time (Fixed) Deposit, valued a=
t $15.8M (Fifteen Million And Eight hundred Thousand United State Dollars) =
for twelve calendar months in my Bank Branch.=20
=C2=A0
Upon Maturity, we sent a routine notification to his forwarding address but=
 got no reply. After a month, we sent a reminder and finally we discovered =
from his company that Mr. Lech=C2=A0 Phillip.=C2=A0 was aboard the AF4590 p=
lane, which crashed December, 25=C2=A0 2003. After further investigation, i=
t was discovered that he died without making a WILL and all attempts to tra=
ce his next of kin proved fruitless. On further investigation, it was disco=
vered that Late Mr. Lech=C2=A0 Phillip, did not declare any next of kin or =
relatives in all his official documents, including his Bank Deposit paper w=
ork here in our Bank. The total sum, $15.8M=C2=A0 is still in my bank and t=
he interest is being rolled over with the principal sum at the end of each =
year. All efforts to trace and locate his next of kin proved abortive.
=C2=A0
In accordance with the country=E2=80=99s=C2=A0 banking laws and constitutio=
n guiding this banking institution stated that=C2=A0 after=C2=A0 the expira=
tion of 5=C2=A0 years, if no body or person comes for the claim as the next=
 of kin , such=C2=A0 money will be revert to the Burkina Faso government=C2=
=A0 treasury if nobody applies as the next of Kin to claim of the fund. Con=
sequently, It is upon this respect, I seek to present you as a foreign part=
ner to stand in as the next of kin to the late Mr. Lech=C2=A0 Phillip, sinc=
e no one will come up for the claim.
=C2=A0
Upon acceptance of this proposal, I shall send to you by mail the ADB Bank =
"Next of Kin Payment Application Text Form" as well as detailed information=
 on how this busine=20
TEL (+226) 753 412 94ss would be carried out. And you will be in possition =
of 40% after the deal is done, I guarantee that this will be executed under=
 legitimate arrangement that will protect you from any breach of the law, a=
s I will use my position in the Bank's here to perfect this business transa=
ction & secure Approvals and guarantee the successful execution of this tra=
nsaction.
=C2=A0
Please be informed that your utmost confidentiality is required. If this in=
terests you, I want to remind you of the confidentiality of this Transactio=
n at hand whatever your decision is. I await your urgent response,and fill =
those question below to enable us proceed this business onward.=20
=C2=A0
Your Full Name..........................
Your Sex.................................
Your Age.................................
Your Country..............................
Your pass or photo......................
Your Occupation..........................
Your Personal Mobile Number.........
Your Personal Fax Number.............
=C2=A0
As soon as i receive your positive respond i will send you the text of appl=
ication which you will use to apply in my bank as next of kin.=C2=A0=20
=C2=A0
thanks.
MR ABDEL IBRAHIM.
TEL (+226) 753 412 94=C2=A0 =0A=0A=0A      
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Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Dear,<BR>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Greeting's to you=
 and your entire family!<BR>&nbsp;<BR>I am MR ABDEL IBRAHIM, a banker with =
the above mentioned bank in Ouagadougou Burkina Faso in West Africa, holdin=
g the post of the Audit &amp; Accounts dept. On December, 25, 2003, one Mr.=
 Lech&nbsp; Phillip,a Lebanese National, An Astute Business man of internat=
ional repute, a contract with ecowas country, whose endeavours spans variou=
s areas of Business interest, (Real estate, contract and Farming .etc) made=
 a numbered time (Fixed) Deposit, valued at $15.8M (Fifteen Million And Eig=
ht hundred Thousand United State Dollars) for twelve calendar months in my =
Bank Branch. <BR>&nbsp;<BR>Upon Maturity, we sent a routine notification to=
 his forwarding address but got no reply. After a month, we sent a reminder
 and finally we discovered from his company that Mr. Lech&nbsp; Phillip.&nb=
sp; was aboard the AF4590 plane, which crashed December, 25&nbsp; 2003. Aft=
er further investigation, it was discovered that he died without making a W=
ILL and all attempts to trace his next of kin proved fruitless. On further =
investigation, it was discovered that Late Mr. Lech&nbsp; Phillip, did not =
declare any next of kin or relatives in all his official documents, includi=
ng his Bank Deposit paper work here in our Bank. The total sum, $15.8M&nbsp=
; is still in my bank and the interest is being rolled over with the princi=
pal sum at the end of each year. All efforts to trace and locate his next o=
f kin proved abortive.<BR>&nbsp;<BR>In accordance with the country=E2=80=99=
s&nbsp; banking laws and constitution guiding this banking institution stat=
ed that&nbsp; after&nbsp; the expiration of 5&nbsp; years, if no body or pe=
rson comes for the claim as the next of kin , such&nbsp; money will be
 revert to the Burkina Faso government&nbsp; treasury if nobody applies as =
the next of Kin to claim of the fund. Consequently, It is upon this respect=
, I seek to present you as a foreign partner to stand in as the next of kin=
 to the late Mr. Lech&nbsp; Phillip, since no one will come up for the clai=
m.<BR>&nbsp;<BR>Upon acceptance of this proposal, I shall send to you by ma=
il the ADB Bank "Next of Kin Payment Application Text Form" as well as deta=
iled information on how this busine <BR>TEL (+226) 753 412 94ss would be ca=
rried out. And you will be in possition of 40% after the deal is done, I gu=
arantee that this will be executed under legitimate arrangement that will p=
rotect you from any breach of the law, as I will use my position in the Ban=
k's here to perfect this business transaction &amp; secure Approvals and gu=
arantee the successful execution of this transaction.<BR>&nbsp;<BR>Please b=
e informed that your utmost confidentiality is required. If this
 interests you, I want to remind you of the confidentiality of this Transac=
tion at hand whatever your decision is. I await your urgent response,and fi=
ll those question below to enable us proceed this business onward. <BR>&nbs=
p;<BR>Your Full Name..........................<BR>Your Sex.................=
.................<BR>Your Age.................................<BR>Your Count=
ry..............................<BR>Your pass or photo.....................=
..<BR>Your Occupation..........................<BR>Your Personal Mobile Numb=
er.........<BR>Your Personal Fax Number.............<BR>&nbsp;<BR>As soon a=
s i receive your positive respond i will send you the text of application w=
hich you will use to apply in my bank as next of kin.&nbsp; <BR>&nbsp;<BR>t=
hanks.</DIV>
<DIV>MR ABDEL IBRAHIM.<BR>TEL (+226) 753 412 94&nbsp; </DIV></td></tr></tab=
le><br>=0A=0A=0A      Email slow, clunky, unreliable? <a href=3Dhttp://au.r=
d.yahoo.com/nz/mail/tagline/2009/mailsignup/*http://yahoo.co.nz/mail>Switch=
 to Yahoo!Xtra Mail</a>, New Zealand&#39;s new email address.
--0-1630661372-1259720871=:18968--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 02:34:23 2009
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References: <20091130081106.323100@gmx.net>	
 <8B95EFC6-FAE3-42FD-893E-FDB078638E1D@charter.net>	
 <5FB0756A-C4B3-4E80-BD5E-FA686E1777A8@johnfloridis.com>	
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 <588ce11d0911302014l4444d11x1dcc68ad26dfbdc7@mail.gmail.com>
 <p06240801c73a6721e29d@[10.0.1.3]>
 <DA23CB6E-1879-4897-81C7-156785159E2C@grubmah.com>
 <p06240800c73b6128181d@[10.0.1.4]>
 <C2D3AFEAE6684BD2AA924351D48732DE@middlebury.edu>
Date: Wed, 2 Dec 2009 11:34:10 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: RE: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 minutes
 ;-)
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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At 8:58 PM -0500 12/1/09, murkie wrote:
>I figured with the Fripp connection they'd be branded prog.  Isn't that
>automatic?

Well, if we start doing "guilt by association" then we're going to 
end up with a whole world full of Prog artists, now aren't we?  ;)

Which actually gives me an idea....

I propose a game: The Six Degrees of Robert Fripp.

Like the 'Kevin Bacon' game, it presupposes every living (and a lot 
of dead) musicians can be linked to Robert Fripp within six steps.

For instance, here's an easy one: Mike Oldfield.

Oldfield had a cover of his song "Family Man" recorded by Hall & Oates.
Daryll Hall's first solo album, Sacred Songs, was recorded/produced by Fripp.

Two steps.

Any takers....?

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 03:16:07 2009
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	 <639059.10912.qm@web45301.mail.sp1.yahoo.com>
Date: Tue, 1 Dec 2009 20:16:06 -0700
Message-ID: <dec8f8e60912011916s5ce2c38fqe324db5398d257e7@mail.gmail.com>
Subject: Re: Nasal Elmo
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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OUCH! I hope you can recover it okay. I've enjoyed listening to your
album ... and it's cool that you were playing those instruments for
the first time!

Best,

Dennis

On Tue, Dec 1, 2009 at 5:42 PM, Tim Nelson <psychle62@yahoo.com> wrote:
> Hi Dennis,
>
> I'm dead in the water for the immediate future as my main machine just cr=
ashed, but the missing almost-19-minute-long track ("a shroud of deep viole=
t blue") is very similar to track 6 ("swarm") which is actually just a more=
 concise edit of the same piece... The album is about 41 minutes without it=
!
>
> -t-
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
> http://www.youtube.com/speleman62
>
>
> --- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com> wrote:
>
>> From: Dennis Moser <sinsofmachaut@gmail.com>
>> Subject: Re: Nasal Elmo
>> To: Loopers-Delight@loopers-delight.com
>> Date: Tuesday, December 1, 2009, 5:41 PM
>> Hey, Tim!
>>
>> Any chance we can hear that other track? (Try soundcloud
>> ...)
>>
>>
>> Dennis
>>
>> On Tue, Dec 1, 2009 at 3:04 PM, Tim Nelson <psychle62@yahoo.com>
>> wrote:
>> > --- On Tue, 12/1/09, Dennis Moser <sinsofmachaut@gmail.com>
>> wrote:
>> >
>> >> Tim Nelson was also in on this year's NaSoAlMo, so
>> there
>> >> are a couple of us Loopers in the mix of projects
>> ...
>> >
>> > Indeed I was and it can be heard (with the exception
>> of an 18-minute track that was too long for the jukething)
>> at
>> > <http://www.reverbnation.com/timothynelson>
>> >
>> > Loopcontent on maybe 60-70% of it... The only
>> instruments used were a clarinet and a viola. I'd never
>> played either instrument before...
>> >
>> > -t-
>> >
>> >
>> >
>> >
>> >
>> >
>>
>>
>>
>> --
>> http://myspace.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>
>
>
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 07:15:19 2009
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Subject: Re: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 minutes ;-)
From: Mark Hamburg <mark@grubmah.com>
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Fripp actually guested in the Stranglers while Hugh Cornwell was in =
jail. So, how many degrees does that count for?

The band I was in in high school played the school talent show with a =
Stranglers song (Toiler on the Sea) and a Mike Oldfield song (Moonlight =
Shadow). Is that worth anything as a linkage?

Mark

From info@icq.com  Wed Dec  2 08:03:25 2009
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To: undisclosed-recipients:;

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From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 08:38:29 2009
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Subject: Re: semi-OT: korg mini-kaoss pad??
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if an fx has cheap electronics that degrade the sound quality,
which seems to be what you are describing here, then
1) use it in an fx send, on 100% wet mix setting...although that
  obviously doesn't work for filters, tremolo, etc
2)hard bypass it when not in use

there isn't any way to get back lost quality

andy

Michael Peters wrote:
> there's a ton of wild stuff in there. Big fun, definitely give it a try. 
> Only drawback is that it seems to reduce the level - it sounds quite 
> different to have it in your signal chain compared to not having it. 
> Does anyone know a remedy for that?
>  
> -Michael

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 08:51:01 2009
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Very very nice video! and also the music, but... did you move the
muppets with your 'delicate little hands' ? eh! eh!<br>
<br>
Max Liver<br>
<br>
Michael Peters ha scritto:
<blockquote cite="mid:00e701ca72b2$9c9adb60$14b2a8c0@mpeserver"
 type="cite">
  <blockquote type="cite">
    <pre wrap="">"What do you do for a living, cut down trees?"
Robert Fripp-March 1985-Remark made upon seeing my delicate little hands
    </pre>
  </blockquote>
  <pre wrap=""><!---->closeup for the first time. 


LOL. Reminds me of the first German Guitar Craft course in 1987 ... he
walked around looking at all these wildly different guitars and picks and
remarked that many of the picks in use were probably made to change tires,
not to play guitar

-Michael


	
	
	
	
	
	
	
	




  </pre>
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Subject: OT: New MOTU Ultralite MK3 Hybrid
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Motu has launched a USB + firewire version of the Ultralite mk3.

http://www.motu.com/products/motuaudio/ultralite-mk3/

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 13:32:37 2009
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Subject: Question from Dutch forum about RC20XL vs RC-50 phrases
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi,
I have started a live looping thread on the big Dutch synthforum and I
got the following question about an RC20XL.

I'm looking for a hardware looper which can switch from verse, chorus,
brigde and use record, overdub etc. This is possible with the rc-50
(within 1 preset) but can this also be done with just 1 rc20xl? Is has
11 phrases.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 14:58:50 2009
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Date: Wed, 2 Dec 2009 06:58:48 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 minutes ;-)
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6 degrees of Fripp...hmm...how about this?  Metallica...Kirk Hammet grew up in the same area as Primus' Les Claypool, who headed up a band called the Flying Frog Brigade, to which one Adrian Belew has perfomed live onstage with Les, Adrian has worked with Fripp in King Crimson...that's only 3 degrees.  But I was trying to go the route where I connect Adrian to the Talking Heads, which for some reason, I thought Brian Eno produced one of their albums, but I could be mistaken, Now Brian Eno as we know, produced a solo Fripp album that saw use of Frippertronics.  Isn't that an early form of looping?  So would it stand to reason that Looping is actually a one man Prog band?  Wait, what did I just type?

Bri

--- On Wed, 12/2/09, Mark Hamburg <mark@grubmah.com> wrote:

> From: Mark Hamburg <mark@grubmah.com>
> Subject: Re: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 minutes ;-)
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, December 2, 2009, 1:15 AM
> Fripp actually guested in the
> Stranglers while Hugh Cornwell was in jail. So, how many
> degrees does that count for?
> 
> The band I was in in high school played the school talent
> show with a Stranglers song (Toiler on the Sea) and a Mike
> Oldfield song (Moonlight Shadow). Is that worth anything as
> a linkage?
> 
> Mark
> 
> 


      

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Shorter path via the Talking Heads. Fripp played on Fear of Music =
(produced by Brian Eno who also produced More Songs About Buildings And =
Food and Remain in Light).

Mark

On Dec 2, 2009, at 6:58 AM, Brian Kupferschmid wrote:

> 6 degrees of Fripp...hmm...how about this?  Metallica...Kirk Hammet =
grew up in the same area as Primus' Les Claypool, who headed up a band =
called the Flying Frog Brigade, to which one Adrian Belew has perfomed =
live onstage with Les, Adrian has worked with Fripp in King =
Crimson...that's only 3 degrees.  But I was trying to go the route where =
I connect Adrian to the Talking Heads, which for some reason, I thought =
Brian Eno produced one of their albums, but I could be mistaken, Now =
Brian Eno as we know, produced a solo Fripp album that saw use of =
Frippertronics.  Isn't that an early form of looping?  So would it stand =
to reason that Looping is actually a one man Prog band?  Wait, what did =
I just type?
>=20
> Bri
>=20
> --- On Wed, 12/2/09, Mark Hamburg <mark@grubmah.com> wrote:
>=20
>> From: Mark Hamburg <mark@grubmah.com>
>> Subject: Re: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 =
minutes ;-)
>> To: Loopers-Delight@loopers-delight.com
>> Date: Wednesday, December 2, 2009, 1:15 AM
>> Fripp actually guested in the
>> Stranglers while Hugh Cornwell was in jail. So, how many
>> degrees does that count for?
>>=20
>> The band I was in in high school played the school talent
>> show with a Stranglers song (Toiler on the Sea) and a Mike
>> Oldfield song (Moonlight Shadow). Is that worth anything as
>> a linkage?
>>=20
>> Mark
>>=20
>>=20
>=20
>=20
>=20
>=20
>=20

From mai-de@yiliazhang.com  Wed Dec  2 15:13:27 2009
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From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 15:23:29 2009
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Subject: OT:  And I mean way OT: 6 Degrees... (was: Prog Rock in 5 minutes ;-)
Date: Wed, 2 Dec 2009 10:23:28 -0500
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This is way off topic and we can move this thread elsewhere (Facebook group
anyone?) but 6 degrees of Fripp is a game at which some of my friends would
try to stump me.  Sad isn't it?

There's several ways to get from Metallica to Fripp.

Hammet -> Claypool (they played together at Bonarro)...

Then from Claypool you could go:

-> Warren Haynes (LC played on From the Deep End and so did...) -> Tony
Levin -> F (Crimso)

Or -> Stewart Copeland (played together in Oysterhead)-> Andy Summers
(Police) -> F (Summers/Fripp)

Or - -> Bernie Worrell (played in Colonel Claypool's Bucket of Bernie
Brains) -> Talking Heads -> F (Fear of Music)

Or if you want to cover more prog ground -> Alex Lifeson (LC played on solo
album) -> Procupine Tree (played on Fear of a Blank Planet, as did...) -> F

m

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 15:28:39 2009
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Date: Thu, 3 Dec 2009 00:28:25 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: OT: Stranglers --> 6 Degrees... (was: Prog Rock in 5 minutes
 ;-)
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And possibly: Metallica played the same North Stage immediately 
following Nine Inch Nails at the Woodstock revival in '94.  NIN's 
"Ghosts I-IV" recently featured Adrian guesting on guitar.  And of 
course, Adrian and Fripp in KC....?

	--m.

At 7:04 AM -0800 12/2/09, Mark Hamburg wrote:
>Shorter path via the Talking Heads. Fripp played on Fear of Music 
>(produced by Brian Eno who also produced More Songs About Buildings 
>And Food and Remain in Light).
>
>Mark
>
>On Dec 2, 2009, at 6:58 AM, Brian Kupferschmid wrote:
>
>  > 6 degrees of Fripp...hmm...how about this?  Metallica...Kirk 
>Hammet grew up in the same area as Primus' Les Claypool, who headed 
>up a band called the Flying Frog Brigade, to which one Adrian Belew 
>has perfomed live onstage with Les, Adrian has worked with Fripp in 
>King Crimson...that's only 3 degrees.  But I was trying to go the 
>route where I connect Adrian to the Talking Heads, which for some 
>reason, I thought Brian Eno produced one of their albums, but I 
>could be mistaken, Now Brian Eno as we know, produced a solo Fripp 
>album that saw use of Frippertronics.  Isn't that an early form of 
>looping?  So would it stand to reason that Looping is actually a one 
>man Prog band?  Wait, what did I just type?

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 15:35:07 2009
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 what fun!.....m

=20

=20





=20

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<font color=3D'black' size=3D'2' face=3D'arial'>
<div> <font size=3D"2"><font face=3D"Arial, Helvetica, sans-serif">what fu=
n!.....m</font></font><br>
</div>

<div> <br>
</div>

<div> <br>
</div>

<div style=3D"font-family: arial; font-size: 10pt; color: black;"><br>

<div style=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);"><=
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From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 19:37:58 2009
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yup, I was checking out his setup in SF. He makes it all seem so  
simple, I was very impressed. I know nothing about Reaktor, but now  
I'm all curious about it.
I liked the way he used a game controller to do the sampling, although  
it does look, ahem, a bit like a, um, sex toy ;-)


On Dec 1, 2009, at 2:35 PM, cpr@musetrap.com wrote:

> Tim does all his looping/processing/etc using Reaktor.. :)

From Loopers-Delight-request@loopers-delight.com  Wed Dec  2 20:50:15 2009
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the sex toy look isn't helped any by how he holds it!! :)

Quoting Zoe Keating <info@zoekeating.com>:

> yup, I was checking out his setup in SF. He makes it all seem so
> simple, I was very impressed. I know nothing about Reaktor, but now I'm
> all curious about it.
> I liked the way he used a game controller to do the sampling, although
> it does look, ahem, a bit like a, um, sex toy ;-)
>
>
> On Dec 1, 2009, at 2:35 PM, cpr@musetrap.com wrote:
>
>> Tim does all his looping/processing/etc using Reaktor.. :)


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Date: Wed, 2 Dec 2009 22:11:11 +0100
Message-ID: <e89a49d30912021311w1de27d2dp49f83b3c60a2e5b7@mail.gmail.com>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Dec 2, 2009 at 12:02 AM, Zoe Keating <info@zoekeating.com> wrote:
> Hey Loopers,
> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on Thursday.

All the little looping smurfs wish the big uber-looping-smurf good
luck with this gig :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From loto.usa@verify.com  Thu Dec  3 01:05:06 2009
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<html>
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From chris@online.co.uk  Thu Dec  3 01:10:28 2009
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Reply-To: <jl_griestins11@yahoo.co.jp>
From: "Mr. Chris Godson"<chris@online.co.uk>
Subject: Re: Your Compensation: CONTACT AGENT : Mr. John Griestins
Date: Mon, 30 Nov 2009 04:05:55 -0800
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To: undisclosed-recipients:;

My Dear Friend.

Due to your effort, sincerity, courage and trust worthiness you showed at the course of the Uk Online Lotto winning cheque shipment to your location, I want
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Yours Sincerely,

Mr. Chris Godson
UK LOTTERY ORGANIZATION

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 01:50:32 2009
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Date: Wed, 02 Dec 2009 20:50:07 -0500
From: Bill Fox <billyfox@soundscapes.us>
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To: Kathleen Monahan <kdmpromo@mc-kdm.com>,
        Musik International <radio@musikinternational.com>,
        Peter Koniuto <peter@RedSunSoundroom.com>,
        Paul Bryan <charts@radio-media.com>,
        Canyon Records <canyon@canyonrecords.com>,
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        Daniel Pipitone <daniel@lotuspike.com>,
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Subject: Galactic Travels Playlist #660 for November 26, 2009.
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http://wdiy.org/programs/gt/playlists/2009/091126.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #660                November 26, 2009.

RECAP:
On this show, I concluded the month-long focus on Fanger and
Schonwalder.  The Featured CD at Midnight was disk two from Analog
Overdose 2 on Manikin Records.

Fanger and Schonwalder:
http://wdiy.org/programs/gt/playlists/2009/focus.html#nov


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Arcane               Tomorrow's Wasteland Tomorrow's Wasteland (none)
SYNTH.NL             Balaenoptera         OceanoGraphy (Groove)
Andreas Akwara       Parts 3 - 4          Quantum (Groove)
Fanger & Schonwalder Gallatin Field       Stromschlag (Manikin)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Fanger & Schonwalder Liquidrom Tape 1     Analog Overdose 2 (Manikin)
Fanger & Schonwalder Within A Real Dream  Analog Overdose 2 (Manikin)
Fanger & Schonwalder Liquidrom Tape 2     Analog Overdose 2 (Manikin)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Indra.
The Featured CD at Midnight will be Kali, CD 1 of the Special Edition
series.

Indra: http://wdiy.org/programs/gt/playlists/2009/focus.html#dec


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 05:30:59 2009
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To: Loopers-Delight@loopers-delight.com
From: Revfever <revfever@ubergadget.com>
Subject: OT: Revox A77 weird smoke inquiry
Date: Wed, 2 Dec 2009 21:30:56 -0800
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Sorry for some more OT stuff, but I have a little bit of dilemma and  
need to toss this out there for some help. I have long had a  
wonderful Revox A77 reel tape recorder and awhile back,
I went to power it up again (and use it for creating some new music)  
and when I turned on the power switch a *puff of smoke* shot up out  
of the back! (Yow!)  I immediately turned it off. but have been  
wondering what may have happened? I have a good tech friend of mine  
who is going to be looking into this weirdness, but he has never   
dealt with a Revox A77,
and so far, has not determined the root of what caused this happen?  
Does anyone on the LD list have a Revox A77 and who can tell what  
happened, and / or know of anyone else,
or anywhere on the Web to go to to ask? So far, we have done a little  
websearching, but have yet to find anything useful to solve this  
mystery so that the problem can be fixed.
Any help is *greatly* appreciated! TIA!

Cheers,
Rev. Fever
Portland, OR

From centralconsign@live.com  Thu Dec  3 05:59:16 2009
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Date: Thu, 03 Dec 2009 06:33:14 +0200
From: Edwin <centralconsign@live.com>
Reply-to: contactcustomer@hosanna.net
To: undisclosed-recipients:;
Subject:  YOUR PAYMENT APPROVAL
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The Board of federal ministry of finance benin republic. are here to =20
notify you
of your payment inherited funds of 900 thousand dollars . after the meeting
held on 15th of Nov 2009. His Exelence the PRESIDENT OF FEDERAL REPUBLIC OF
BENIN DR YAYEE BONI. has Instructed this Department to send your funds throu=
gh
western union money transfer for easier receive of your inherinted funds
without any further delay. to avoid paying money to the fraud stars that is
going on through the global.

You are required to send your name and address were you want your fund to be
send through western union the maximium amount you will be receiving each da=
y
starting from tomorrow is the sum of $6000.00.



bellow.Beneficiarey
Name---
Address-------
Tel phone-------
CONTACT  Mr Hassan Usman with this informations
He is incharge of your payment.

EMAIL: contactcustomer@hosanna.net

Thanks.

Federal Minister of Finance  Angela Edwin.


----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 05:59:37 2009
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Date: Wed, 2 Dec 2009 23:59:35 -0600
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Subject: Re: OT: Revox A77 weird smoke inquiry
From: marcus <nrvana8775@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502e2bb1c157e0479ccb289
Content-Type: text/plain; charset=ISO-8859-1

Probably different...but I had that happen to an amp. It was a big capacitor
of some sort.

On Wed, Dec 2, 2009 at 11:30 PM, Revfever <revfever@ubergadget.com> wrote:

> Sorry for some more OT stuff, but I have a little bit of dilemma and need
> to toss this out there for some help. I have long had a wonderful Revox A77
> reel tape recorder and awhile back,
> I went to power it up again (and use it for creating some new music) and
> when I turned on the power switch a *puff of smoke* shot up out of the back!
> (Yow!)  I immediately turned it off. but have been wondering what may have
> happened? I have a good tech friend of mine who is going to be looking into
> this weirdness, but he has never  dealt with a Revox A77,
> and so far, has not determined the root of what caused this happen? Does
> anyone on the LD list have a Revox A77 and who can tell what happened, and /
> or know of anyone else,
> or anywhere on the Web to go to to ask? So far, we have done a little
> websearching, but have yet to find anything useful to solve this mystery so
> that the problem can be fixed.
> Any help is *greatly* appreciated! TIA!
>
> Cheers,
> Rev. Fever
> Portland, OR
>
>

--00504502e2bb1c157e0479ccb289
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Probably different...but I had that happen to an amp. It was a big capacito=
r of some sort.<br><br><div class=3D"gmail_quote">On Wed, Dec 2, 2009 at 11=
:30 PM, Revfever <span dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadge=
t.com">revfever@ubergadget.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Sorry for some mo=
re OT stuff, but I have a little bit of dilemma and need to toss this out t=
here for some help. I have long had a wonderful Revox A77 reel tape recorde=
r and awhile back,<br>

I went to power it up again (and use it for creating some new music) and wh=
en I turned on the power switch a *puff of smoke* shot up out of the back! =
(Yow!) =A0I immediately turned it off. but have been wondering what may hav=
e happened? I have a good tech friend of mine who is going to be looking in=
to this weirdness, but he has never =A0dealt with a Revox A77,<br>

and so far, has not determined the root of what caused this happen? Does an=
yone on the LD list have a Revox A77 and who can tell what happened, and / =
or know of anyone else,<br>
or anywhere on the Web to go to to ask? So far, we have done a little webse=
arching, but have yet to find anything useful to solve this mystery so that=
 the problem can be fixed.<br>
Any help is *greatly* appreciated! TIA!<br>
<br>
Cheers,<br>
Rev. Fever<br>
Portland, OR<br>
<br>
</blockquote></div><br>

--00504502e2bb1c157e0479ccb289--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 06:16:55 2009
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To: Loopers-Delight@loopers-delight.com
References: <5F76CE1D-5A2D-415F-A6B7-953E85C28695@ubergadget.com>
Subject: Re: Revox A77 weird smoke inquiry
Date: Wed, 02 Dec 2009 22:16:55 -0800
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Coming from an electronics background I can tell you this:  It could be 
anything.   First thing I do is open it up and look for a smoked component.

toby
----- Original Message ----- 
From: "Revfever" <revfever@ubergadget.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, December 02, 2009 9:30 PM
Subject: OT: Revox A77 weird smoke inquiry


> Sorry for some more OT stuff, but I have a little bit of dilemma and  need 
> to toss this out there for some help. I have long had a  wonderful Revox 
> A77 reel tape recorder and awhile back,
> I went to power it up again (and use it for creating some new music)  and 
> when I turned on the power switch a *puff of smoke* shot up out  of the 
> back! (Yow!)  I immediately turned it off. but have been  wondering what 
> may have happened? I have a good tech friend of mine  who is going to be 
> looking into this weirdness, but he has never   dealt with a Revox A77,
> and so far, has not determined the root of what caused this happen?  Does 
> anyone on the LD list have a Revox A77 and who can tell what  happened, 
> and / or know of anyone else,
> or anywhere on the Web to go to to ask? So far, we have done a little 
> websearching, but have yet to find anything useful to solve this  mystery 
> so that the problem can be fixed.
> Any help is *greatly* appreciated! TIA!
>
> Cheers,
> Rev. Fever
> Portland, OR
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 06:42:29 2009
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Subject: Re: OT: Revox A77 weird smoke inquiry
Date: Wed, 2 Dec 2009 22:42:25 -0800
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I think I would ask Jennifer Crock who lives in the Portland area.  I  
think she would know.  John LeMay could fix it too, but he lives in  
Nebraska now.  If you need email me offlist and I'll send you contact  
info.

Wait! Easier still, you can also call the guys at Jackpot Studio.   
They're right there in town.

It's a good old machine.  Worth taking care of.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com









On Dec 2, 2009, at 9:30 PM, Revfever wrote:

> Sorry for some more OT stuff, but I have a little bit of dilemma and  
> need to toss this out there for some help. I have long had a  
> wonderful Revox A77 reel tape recorder and awhile back,
> I went to power it up again (and use it for creating some new music)  
> and when I turned on the power switch a *puff of smoke* shot up out  
> of the back! (Yow!)  I immediately turned it off. but have been  
> wondering what may have happened? I have a good tech friend of mine  
> who is going to be looking into this weirdness, but he has never   
> dealt with a Revox A77,
> and so far, has not determined the root of what caused this happen?  
> Does anyone on the LD list have a Revox A77 and who can tell what  
> happened, and / or know of anyone else,
> or anywhere on the Web to go to to ask? So far, we have done a  
> little websearching, but have yet to find anything useful to solve  
> this mystery so that the problem can be fixed.
> Any help is *greatly* appreciated! TIA!
>
> Cheers,
> Rev. Fever
> Portland, OR
>


--Apple-Mail-1-194987492
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I think I would ask Jennifer =
Crock who lives in the Portland area. &nbsp;I think she would know. =
&nbsp;John LeMay could fix it too, but he lives in Nebraska now. =
&nbsp;If you need email me offlist and I'll send you contact =
info.&nbsp;<div><br></div><div>Wait! Easier still, you can also call the =
guys at Jackpot Studio. &nbsp;They're right there in =
town.<br><div><br></div><div>It's a good old machine. &nbsp;Worth taking =
care of.</div><div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Dec 2, 2009, =
at 9:30 PM, Revfever wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Sorry =
for some more OT stuff, but I have a little bit of dilemma and need to =
toss this out there for some help. I have long had a wonderful Revox A77 =
reel tape recorder and awhile back,<br>I went to power it up again (and =
use it for creating some new music) and when I turned on the power =
switch a *puff of smoke* shot up out of the back! (Yow!) &nbsp;I =
immediately turned it off. but have been wondering what may have =
happened? I have a good tech friend of mine who is going to be looking =
into this weirdness, but he has never &nbsp;dealt with a Revox =
A77,<br>and so far, has not determined the root of what caused this =
happen? Does anyone on the LD list have a Revox A77 and who can tell =
what happened, and / or know of anyone else,<br>or anywhere on the Web =
to go to to ask? So far, we have done a little websearching, but have =
yet to find anything useful to solve this mystery so that the problem =
can be fixed.<br>Any help is *greatly* appreciated! =
TIA!<br><br>Cheers,<br>Rev. Fever<br>Portland, =
OR<br><br></div></blockquote></div><br></div></div></body></html>=

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Par votre hôte Ali Billah:


     Date:		jeudi 3 décembre 2009

     Heure:		9h 00 - 10h 00 (GMT+02:00 Égypte)
     Rue:		Dear Friend. I am Mr Ali Billah. The Auditing and Accounting Manager Bank Of Africa in Burkina Faso West Africa.I want to seek for your assistance in my department we discovered an abandoned sum of (USD$22.5 Million Dollars.) in an account that belongs to one of our foreign customers who died along with his entire family in plane Crash,Since his death, we have been expecting his next of Kin to come over and claim his money because our bank can't release it unless somebody applies for it as his next of Kin, please I want you to stand for me as his next of kin so that the bank will transfer the fund into your account then I will come over to meet you in your country for my own share, reply me to my private Email Address (mr.alibillah96@live.fr) for more details. send me your details information .1.Full Name ...........2. Address .............3. private tel.............4.your Age................ 5.Your profession.................6.Your country................. Thanks Best Regard. Mr Ali Billah.

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    <td class="propertyvalue">Dear Friend. I am Mr Ali Billah. The Auditing and Accounting Manager Bank Of Africa in Burkina Faso West Africa.I want to seek for your assistance in my department we discovered an abandoned sum of (USD$22.5 Million Dollars.) in an account that belongs to one of our foreign customers who died along with his entire family in plane Crash,Since his death, we have been expecting his next of Kin to come over and claim his money because our bank can&#39;t release it unless somebody applies for it as his next of Kin, please I want you to stand for me as his next of kin so that the bank will transfer the fund into your account then I will come over to meet you in your country for my own share, reply me to my private Email Address (mr.alibillah96@live.fr) for more details. send me your details information .1.Full Name ...........2. Address .............3. private tel.............4.your Age................ 5.Your profession.................6.Your country................. Thanks Best Regard. Mr Ali Billah.
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From info@icq.com  Thu Dec  3 13:27:06 2009
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 15:33:33 2009
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Subject: EDP, Axon Guitar to MIDI, and Ground Control Pro For Sale.
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--Apple-Mail-16-226982396
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Hi Gang. I'm trading around some things from my loop station:

Echoplex Digital Pro w/ Footswtich - $749
http://portland.craigslist.org/mlt/msg/1492754374.html

Axon AX 100 mkII Guitar to Midi Converter & Sound Source - $575
http://portland.craigslist.org/mlt/msg/1492753319.html

(I also have a two space rack mount that the two above items fit in  
for sale.)

Voodoo Lab Ground Control Pro Midi Footswitch - $299
http://portland.craigslist.org/mlt/msg/1492753975.html


Buyer pays shipping. I have no idea what shipping costs and usually  
just sell locally but in this case I thought you folks should get a  
crack at 'em too. So if you're (seriously) interested let me know your  
zip and I'll try to get that number.

If you think my pricing is out of line let me know too, but  
everything's in excellent shape and this is what I came up with.

Happy Looping!

Christopher Darrow
503.327.9329
Portland, OR, USA


--Apple-Mail-16-226982396
Content-Type: text/html;
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>Hi Gang. =
I'm trading around some things from my loop station:</div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Times; "><br>Echoplex =
Digital Pro w/ Footswtich - $749&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492754374.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492754374.html</a=
>&nbsp;<br><br>Axon AX 100 mkII Guitar to Midi Converter &amp; Sound =
Source - $575&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492753319.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492753319.html</a=
>&nbsp;<br><br>(I also have a two space rack mount that the two above =
items fit in for sale.)&nbsp;<br><br>Voodoo Lab Ground Control Pro Midi =
Footswitch - $299&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492753975.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492753975.html</a=
>&nbsp;<br></span></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">Buyer pays shipping. I have no idea what shipping costs =
and usually just sell locally but in this case I thought you folks =
should get a crack at 'em too. So if you're (seriously) interested let =
me know your zip and I'll try to get that number.</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">If you think my pricing is out =
of line let me know too, but everything's in excellent shape and this is =
what I came up with.</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">Happy Looping!&nbsp;</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">Christopher =
Darrow</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">503.327.9329</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">Portland, OR, =
USA</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div></body></html>=

--Apple-Mail-16-226982396--

From info@greetings.com  Thu Dec  3 16:06:35 2009
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 18:40:32 2009
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From: baub@baub.com
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Date: Thu, 03 Dec 2009 12:18:20 -0600
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Howdy, all, this is my first post!

Normally when my band plays I just run a mono 1/4 inch cable from the output of the looper 
to our sound system.  Nothing elaborate just a powered mixer head. 

But sometimes we play on bigger stages with a sound crew/PA.  Should I just use a 1/4" to 
XLR adapter to hook to the PA or should I use a direct box?

Thanks in advance
Baub
www.baub.com

From infohqoc@w7r9hmn9p.homepage.t-online.de  Thu Dec  3 18:44:25 2009
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Subject: RE: YOUR FUND IS OK NOW CALL +44 702 408 7552.
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YOUR REF: NO.WH44CV
 
WORLD BANK GROUP AND UNITED NATION ORGANIZATION DO HEREBY GIVE THIS IRREVOCABLE APPROVAL ORDER WITH RELEASE CODE: GNC/3480/02/00 IN YOUR FAVOR FOR YOUR CONTRACT ENTITLEMENT/AWARD WINNING PAYMENT WITH THE UNITED NATION TO YOUR NOMINATED BANK ACCOUNT. NOW YOUR NEW PAYMENT, UNITED NATIONS APPROVAL NO;UN5685P, WHITE HOUSE APPROVED NO:WH44CV,REFERENCE NO.-35460021, ALLOCATION NO: 674632 PASSWORD NO: 339331, PIN CODE NO: 55674 AND YOUR CERTIFICATE OF MERIT PAYMENT NO : 103, RELEASED CODE NO: 0763; IMMEDIATE H.S.B.C. BANK TELEX CONFIRMATION NO: -1114433 ; SECRET CODE NO: XXTN013, HAVING RECEIVED THESE VITAL PAYMENT NUMBER,THEREFORE YOU ARE QUALIFIED NOW TO RECEIVED AND CONFIRM YOUR PAYMENT WITH THE UNITED NATION IMMEDIATELY WITHIN THE NEXT 72HRS.
 
AS A MATTER OF FACT, YOU ARE REQUIRED TO DEAL AND COMMUNICATE ONLY WITH DR. DALLAS LEE WILLIAMS, REGIONAL DIRECTOR OF H.S.B.C BANK UNITED KINGDOM LONDON, WITH THE HELP OF OUR MONITORY TEAM FROM THE H.S.B.C BANK OF NEW YORK WHICH IS OUR OFFICIAL REMITTING BANK. COMMITTEE ON FOREIGN PAYMENT MATTERS IN UNITED NATION HAS LOOK UP TO MAKE SURE YOU RECEIVE YOUR FUND VALUED $11.3M. SO CONTACT: DR. DALLAS LEE WILLIAMS, ON HIS CONTACT INFORMATION, REGIONAL DIRECTOR
H.S.B.C BANK UNITED KINGDOM LONDON, TELEPHONE NO: +44 702 408 7552, FAX NUMBER: +44 871 900 7585, EMAIL: dallas.lee.williams.h.s.b.c.bak@gmail.com  FOR IMMEDIATE RELEASE OF YOUR CONTRACT/INHERITANCE/AWARD WINNING CLAIM. BE INFORMED THAT YOU ARE NOT ALLOWED TO CORRESPOND WITH ANY PERSON OR OFFICE ANYMORE, YOU ARE REQUIRED TO SEND BELLOW INFORMATION FOR YOUR TRANSFER. 
 
1) YOUR FULL NAME: 
2) ADDRESS, CITY, STATE AND COUNTRY:
3) PHONE, FAX AND MOBILE: 
4) COMPANY NAME (IF ANY) POSITION AND ADDRESS: 
5) BANK DETAILS: 
6) PROFESSION, AGE AND MARITAL STATUS: 
7) COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE:
 
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 19:08:07 2009
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Date: Thu, 03 Dec 2009 12:53:23 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Attaching Boss RC-50 to Sound System
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Quoting baub@baub.com:

> Howdy, all, this is my first post!
>
> Normally when my band plays I just run a mono 1/4 inch cable from   
> the output of the looper
> to our sound system.  Nothing elaborate just a powered mixer head.
>
> But sometimes we play on bigger stages with a sound crew/PA.  Should  
>  I just use a 1/4" to
> XLR adapter to hook to the PA or should I use a direct box?
>
> Thanks in advance
> Baub
> www.baub.com
>
>

Use a 1/4" TRS to Male XLR and you should be ok.  The RC-50 has  
balanced outputs.

You most likely won't need a direct box.

-- Kevin


From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 20:50:18 2009
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Message-ID: <1265.70.130.189.36.1259872994.squirrel@webmail.cdoc.net>
Date: Thu, 3 Dec 2009 14:43:14 -0600 (CST)
Subject: Re: Attaching Boss RC-50 to Sound System
From: "Baub Eis" <baub@baub.com>
To: <Loopers-Delight@loopers-delight.com>
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Cool Thanks.  That's kind of what I thought.  Although Sweetwater told
they weren't balanced.  Oh, well, it seemed to be working and sounding ok.
 Just wanted someone to back up my thinking.

thanks a lot
Baub


> Quoting baub@baub.com:
>
>> Howdy, all, this is my first post!
>>
>> Normally when my band plays I just run a mono 1/4 inch cable from
>> the output of the looper
>> to our sound system.  Nothing elaborate just a powered mixer head.
>>
>> But sometimes we play on bigger stages with a sound crew/PA.  Should
>>  I just use a 1/4" to
>> XLR adapter to hook to the PA or should I use a direct box?
>>
>> Thanks in advance
>> Baub
>> www.baub.com
>>
>>
>
> Use a 1/4" TRS to Male XLR and you should be ok.  The RC-50 has
> balanced outputs.
>
> You most likely won't need a direct box.
>
> -- Kevin


 *´¨ )
 ¸.·´¸.·*´¨) ¸.·*¨)
(¸.·´ (¸.·'*     Baub Eis



From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 21:10:58 2009
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Date: Thu, 3 Dec 2009 23:10:56 +0200
Message-ID: <3f8d9ee60912031310l6dde59daxe40718bc5fcdf3e0@mail.gmail.com>
Subject: Re: Attaching Boss RC-50 to Sound System
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Yes, you should use a direct box when you want to connect your gear to
a PA. The main reasons for this are (in no particular order):

# Adapters don't make unbalanced signals into balanced unless they are
designed for this task. If the RC-50 manual doesn't clearly state that
the outputs are balanced, providing a clear technical specification,
then you should assume that they are unbalanced. You will need a di
box for this task.

# Not all PA systems are created equal. If you have a good di box,
your setup is one less thing to blame for ground loops, static, hum
e.t.c. This will save you valuable soundcheck time and energy from
having to troubleshoot something that was not even broken to begin
with.

# Not all live rigs and setups are created equal, you never know when
another musician's gear will become problematic on stage. If you are
feeding the PA with a good di box, you will save the tech crew
valuable time from checking one more possible source of noise.

# Other musicians' power supplies and gear parts may introduce noise
in the stage setup. Having a di box means you and your gear are
isolated.

# Some live companies and club crews out there have the bad habit of
feeding the light setup from the same circuit that the audio setup is
on. In other cases, the audio setup itself is powered from different
circuits/phases. A di box will give you the option of switching the
ground of your signal, eliminating any ground loops.

Palmer and Radial make fantastic products. Buy a stereo di box from
either company and you are set for life. It will also be very useful
in the studio.

On 12/3/09, baub@baub.com <baub@baub.com> wrote:
> Howdy, all, this is my first post!
>
> Normally when my band plays I just run a mono 1/4 inch cable from the output
> of the looper
> to our sound system.  Nothing elaborate just a powered mixer head.
>
> But sometimes we play on bigger stages with a sound crew/PA.  Should I just
> use a 1/4" to
> XLR adapter to hook to the PA or should I use a direct box?
>
> Thanks in advance
> Baub
> www.baub.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 21:19:38 2009
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	 <3f8d9ee60912031310l6dde59daxe40718bc5fcdf3e0@mail.gmail.com>
Date: Thu, 3 Dec 2009 22:19:37 +0100
Message-ID: <e89a49d30912031319w48ee1e8r58d08f6f691cec49@mail.gmail.com>
Subject: Re: Attaching Boss RC-50 to Sound System
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi,
The RC-50 has unbalanced outputs so you have to use a DI or mixer with
balanced outputs before you hook it up to the FOH.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 21:24:13 2009
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Date: Thu, 3 Dec 2009 23:24:12 +0200
Message-ID: <3f8d9ee60912031324r4eafaa1erb9bbe7f5a62f1623@mail.gmail.com>
Subject: Re: pci interface
From: Milo <milo.vuc@gmail.com>
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RME is a very good choice, too: Good quality, good designs,
knowledgeable and very responsive support crew.

On 11/18/09, james fowler <twostroke@gmail.com> wrote:
> hi.  i'm planning on building my own pc for live audio processing and am
> curious if anybody has any experience with pci interfaces.  i need 2-4 i/o
> and midi would be a nice addition and it looks like m-audio is my #1 pick.
> any and all advice or experience would be appreciated.
>
> thx.
>
> - jim
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 21:47:46 2009
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Date: Thu, 3 Dec 2009 23:47:44 +0200
Message-ID: <3f8d9ee60912031347l62bf11adhfb7da88232fef898@mail.gmail.com>
Subject: Re: OT: 1/2 U Flight Case
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Buy a small Pelican case, fill it with foam and cut the foam in the
shape of the RME Fireface 400. This will protect it for normal travel,
when you carry the case yourself.

If the case has to travel alone because of transport regulations
(airlines e.t.c.), buy a cheap flight case slightly bigger than the
Pelican, fill it with foam and cut the foam in the shape of the
Pelican case. This way, you have a box-in-a-box shock protection when
you need it, for a good price. But, pay attention to the foam, it has
to be able to withstand the weight of the Pelican with the RME card
inside. Otherwise, it will just transfer the shock inside.

On 11/29/09, Ricky Graham <rock.guitar.guru@btinternet.com> wrote:
> Hi Folks,
>
> Did anyone ever have any luck finding a half U hard/soft flight case? I'm
> looking for one that'll fit my RME Fireface 400.
>
> Best,
>
> Ricky

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Date: Fri, 4 Dec 2009 00:08:57 +0200
Message-ID: <3f8d9ee60912031408v17f837bdwca0d661af6080c76@mail.gmail.com>
Subject: Re: power supply for pedalboard with both DC and AC
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You could ask Paul Lenders to make you a custom power supply that
gives you exactly what you need. He is a great tech:
www.paullenders.com

On 10/13/09, L.Angulo <labaloops@yahoo.com> wrote:
> hi gang,
> im still frustrated looking for a power brick to power all these pedals,b=
ut
> i cant seem to find one
>
> i have the following:
>
> Line 6 DL4 - 9V AC
> Digitech vocalist live 2 - 9 Volt AC, 1300 mA
> Boss OC3 9V DC
> Adrenalinn - 9V DC 500mA  center pin positive
> id also like to add as well the
> Eventide timefactor - 9 Volt DC 1200 mA Middle contact (+), outside (-)
>
> but there is no more space for this anoying bulky power suipplies!
>
>
> right now i have:
> I have 2 godlyke power all adaptors
> one to power the line 6
> one to power the adrenalinn and boss OC3
> and a dedicated power supply for the digitech
> but they are still bulky and would prefer a power brick,is there one that
> would work out there?
>
> ive tried the vodoolab pedalpower plus,and t rex fuel tank classic but id
> still need an x tra adapter which kills the purpose!
>
> any power all solutions out there?
> thanx
>
>
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Sie sind Spam leid? Yahoo! Mail verf=C3=BCgt =C3=BCber einen herausragend=
en Schutz
> gegen Massenmails.
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 22:23:27 2009
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Date: Fri, 4 Dec 2009 00:23:26 +0200
Message-ID: <3f8d9ee60912031423q65f54ba6h4e22fed0cb60844d@mail.gmail.com>
Subject: Re: analyzes - writing - info regarding Jon Hassells music and 
	improvisation
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Rent an Eventide H series model from a local sound company for a few
days. You will understand a lot more things in depth if you have such
a tool in your hands, even with the usual presets running. Words don't
mean a lot if you can't hear their meaning.

On 10/13/09, rune fagereng <rune_fagereng@yahoo.no> wrote:
> Hi
> Does anyone have analyzes - interview - notes - or any information regarding
> Jon Hassells music and improvations? -Whats this "strange music" really? -Is
> there any rules? -What is Hassel doing and whats his bands doing? -Whats
> prerecorded and whats played live? -Where is Hassell position in jazzhistory
> or music history?
> best regards Rune Fagereng
>
> __________________________________________________
> Bruker du Yahoo!?
> Lei av spam?  Yahoo! Mail har den beste spambeskyttelsen
> http://no.mail.yahoo.com

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	 <588ce11d0910041219p78cc98c5q6654d0c6349f409d@mail.gmail.com>
	 <20091009215427.246930@gmx.net>
Date: Fri, 4 Dec 2009 00:45:28 +0200
Message-ID: <3f8d9ee60912031445k3bf7d7fbu838b658e76c8eeb8@mail.gmail.com>
Subject: Re: Why Amanda Palmer is Not Afraid to Take Your Money
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=UTF-8
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Most musicians have PayPal accounts, so anyone in the world can e-mail
them and ask to send some money. You don't need an official authority
to take care of this.

On 10/9/09, Buzap Buzap <buzap@gmx.net> wrote:
> Amen.
>
>
> I think there should be a music donation database where you can donate to
> any musician/band (indie or major) you like easily.
>
> best regards
> Buzap

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 22:52:09 2009
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Date: Fri, 4 Dec 2009 00:52:07 +0200
Message-ID: <3f8d9ee60912031452j13de5e33ka985ea6f27d3aded@mail.gmail.com>
Subject: Re: Does anyone make a Rack for 1/2 rack gear.
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Any respectable case builder can make you a custom rack. Some builders
can also make the custom panel for you. It is also quite easy to make
it yourself, the parts are available in various shops online. Don't
try to save money with cheap connectors, you will pay more when the
time comes to replace them. Neutrik and Switchcraft are great.

On 10/22/09, Chris Sewell <lunamusic@mac.com> wrote:
> I know, just mount it in one rack space. But thats too big. I'm
> looking for a small case to contain about 3 small 1/2 rack sized
> devices. You would think this would be manufactured somewhere with
> all the 1/2 rack stuff out there. But no. I have yet to find one.
>
> While I'm at it, why don't manufacturers make back panels with power
> jacks built in? The panel could have 2 or 3 plugs on the inside
> connected to a 3 prong female jack. Oh and a fan and firewire and usb
> outlets as well.
>
> Thats all I'm looking for. Simple really. I don't understand why this
> isn't readily available. :)
>
> Chris
>
>

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Date: Fri, 4 Dec 2009 00:59:17 +0200
Message-ID: <3f8d9ee60912031459y49156d2dua52ef14d341de4f5@mail.gmail.com>
Subject: Re: another foot-controller by moog
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I hope some day a manufacturer will understand the market potential of
a controller with smooth switches that don't *CLICK* when you step on
them.

On 10/29/09, Raul Bonell <raul.bonell@gmail.com> wrote:
> http://www.moogmusic.com/controllers/?section=product&product_id=21141
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 23:52:59 2009
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From: "Jim Atwood" <ricoche@axel.ocn.ne.jp>
To: <Loopers-Delight@loopers-delight.com>
References: <CCB22ACC-D0C6-4629-8597-E44F92360B9F@gmail.com>
Subject: Re: EDP, Axon Guitar to MIDI, and Ground Control Pro For Sale.
Date: Thu, 3 Dec 2009 15:25:24 -0800
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This is a multi-part message in MIME format.

------=_NextPart_000_09BC_01CA742C.D5CC75D0
Content-Type: text/plain;
	charset="iso-8859-1"
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Hi Christopher,

I'm curious what you are using to Loop with right now if you don't mind. =
 I already have a couple of things listed below which work quite well =
and was curious what was next for you.

Thanks!

Jim
  ----- Original Message -----=20
  From: Christopher Darrow=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, December 03, 2009 7:35 AM
  Subject: EDP, Axon Guitar to MIDI, and Ground Control Pro For Sale.




  Hi Gang. I'm trading around some things from my loop station:

  Echoplex Digital Pro w/ Footswtich - $749=20
  http://portland.craigslist.org/mlt/msg/1492754374.html=20

  Axon AX 100 mkII Guitar to Midi Converter & Sound Source - $575=20
  http://portland.craigslist.org/mlt/msg/1492753319.html=20

  (I also have a two space rack mount that the two above items fit in =
for sale.)=20

  Voodoo Lab Ground Control Pro Midi Footswitch - $299=20
  http://portland.craigslist.org/mlt/msg/1492753975.html=20





  Buyer pays shipping. I have no idea what shipping costs and usually =
just sell locally but in this case I thought you folks should get a =
crack at 'em too. So if you're (seriously) interested let me know your =
zip and I'll try to get that number.


  If you think my pricing is out of line let me know too, but =
everything's in excellent shape and this is what I came up with.


  Happy Looping!=20


  Christopher Darrow
  503.327.9329
  Portland, OR, USA




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.426 / Virus Database: 270.14.92/2543 - Release Date: =
12/03/09 19:36:00

------=_NextPart_000_09BC_01CA742C.D5CC75D0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi Christopher,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I'm curious what you are using to Loop =
with right=20
now if you don't mind.&nbsp; I already have a couple of things listed =
below=20
which work quite well and was curious what was next for =
you.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Jim</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dthedarrow@gmail.com =
href=3D"mailto:thedarrow@gmail.com">Christopher=20
  Darrow</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 03, =
2009 7:35=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EDP, Axon Guitar to =
MIDI, and=20
  Ground Control Pro For Sale.</DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV>Hi Gang. I'm trading around some things from my loop =
station:</DIV>
  <DIV><SPAN style=3D"FONT-FAMILY: Times" =
class=3DApple-style-span><BR>Echoplex=20
  Digital Pro w/ Footswtich - $749&nbsp;<BR><A=20
  href=3D"http://portland.craigslist.org/mlt/msg/1492754374.html"=20
  =
rel=3Dnofollow>http://portland.craigslist.org/mlt/msg/1492754374.html</A>=
&nbsp;<BR><BR>Axon=20
  AX 100 mkII Guitar to Midi Converter &amp; Sound Source - =
$575&nbsp;<BR><A=20
  href=3D"http://portland.craigslist.org/mlt/msg/1492753319.html"=20
  =
rel=3Dnofollow>http://portland.craigslist.org/mlt/msg/1492753319.html</A>=
&nbsp;<BR><BR>(I=20
  also have a two space rack mount that the two above items fit in for=20
  sale.)&nbsp;<BR><BR>Voodoo Lab Ground Control Pro Midi Footswitch -=20
  $299&nbsp;<BR><A =
href=3D"http://portland.craigslist.org/mlt/msg/1492753975.html"=20
  =
rel=3Dnofollow>http://portland.craigslist.org/mlt/msg/1492753975.html</A>=
&nbsp;<BR></SPAN></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes>Buyer pays shipping. =
I have no=20
  idea what shipping costs and usually just sell locally but in this =
case I=20
  thought you folks should get a crack at 'em too. So if you're =
(seriously)=20
  interested let me know your zip and I'll try to get that =
number.</FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes>If you think my =
pricing is out of=20
  line let me know too, but everything's in excellent shape and this is =
what I=20
  came up with.</FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes>Happy =
Looping!&nbsp;</FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes>Christopher =
Darrow</FONT></DIV>
  <DIV><FONT class=3DApple-style-span =
face=3DTimes>503.327.9329</FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes>Portland, OR, =
USA</FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3DTimes><BR></FONT></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.426 / Virus Database: 270.14.92/2543 - =
Release=20
  Date: 12/03/09 19:36:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_09BC_01CA742C.D5CC75D0--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  3 23:56:12 2009
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References: <370ED109-6385-4C58-A4D7-FCB86344FD24@zoekeating.com>
 <20091201163537.gexr196hskcsw80s@webmail.musetrap.com>
 <F6C58652-67FB-4009-A53D-161EF7975B3E@zoekeating.com>
Date: Fri, 4 Dec 2009 08:55:57 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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At 11:16 AM -0800 12/2/09, Zoe Keating wrote:
>On Dec 1, 2009, at 2:35 PM, cpr@musetrap.com wrote:
>>
>>Tim does all his looping/processing/etc using Reaktor.. :)
>
>yup, I was checking out his setup in SF. He makes it all seem so 
>simple, I was very impressed. I know nothing about Reaktor, but now 
>I'm all curious about it.

Gleep!  Talk about lousy timing, Zoe.  NI *just* ran a four-day 
special this past holiday weekend.  The price of Reaktor was cut to a 
mere $99 (currently ~$200 savings, if I'm not mistaken).

Although you can get a good taste of Tim's Reaktor setup by 
purchasing his "The Finger" package, for the free-of-charge Kore 
Player:

http://www.native-instruments.com/#/en/products/producer/powered-by-kore/the-finger/

The Finger is only about $79, IIRC.  The package also includes his 
Reaktor ensemble should you ever want to upgrade to the full deal.

Including the Reaktor version makes it far more useful, in my 
opinion.  The Kore version of The Finger is really cool, make no 
mistake about that.  However, it's also a bit random, since you don't 
really know ahead of time which effects are on which MIDI notes 
(without a LOT of experimentation).  You can often get some nice 
combinations merely by pressing 3 or 4 keys by total chance. 
However, just as often it'll sound like you're merely f*ing around 
with the presets on a new effects unit.  This is especially obvious 
if you're playing more structured pieces.

The Reaktor ensemble lets you actually define which effect is on 
which key (as well as its parameters) so that you know which is where 
and you're totally in control of what happens to the sound.

And, in general, Reaktor can be as easy or as tough as you want it to 
be.  If you don't feel like learning how to wire things together at 
the lowest level, don't sweat it.  I know lots of people who merely 
use the thousands of already-constructed ensembles from the Reaktor 
User Library, and spend most of their time playing rather than 
editing code.

If you really like the kind of thing that Tim Exile's doing, you 
might consider starting with a copy of The Finger (aka "Tim In A 
Box"), then moving up to full-blown Reaktor if you like the results. 
Your initial purchase wouldn't be a waste if you decided to upgrade 
later.

FWIW, Tim's product is really cool, regardless.  ;)

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 00:35:53 2009
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Date: Thu, 03 Dec 2009 19:33:45 -0500
From: Bill Fox <billyfox@soundscapes.us>
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To: undisclosed-recipients:;
Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll begin a
month-long Special Focus on Indra.  The Featured CD at Midnight will be
"Kali," the first of the Special Edition Tantric Celebration albums.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://is.gd/37vNQ on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 01:14:51 2009
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	 <20091201163537.gexr196hskcsw80s@webmail.musetrap.com>
	 <F6C58652-67FB-4009-A53D-161EF7975B3E@zoekeating.com>
	 <p06240804c73dfa1e109a@10.0.1.3>
Date: Thu, 3 Dec 2009 20:14:50 -0500
Message-ID: <9ea2f30b0912031714r302365d4sc898894a4406e5a5@mail.gmail.com>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636b2b0cda0fe5e0479dcd598
Content-Type: text/plain; charset=ISO-8859-1

Hey Mech,

I just bought the Finger to use with Reaktor and it seems there isn't a
looper like in Tim's videos, but instead there's a looping 'effect' where it
just loops a sound while you hold a midi note down and then it stops looping
once you let the key up. In the videos he does full blown looping where he
starts looping with a midi message then presses a button again to seamlessly
start looping. Do you know of any ensembles that are already made out there
that loop like this?
I browsed around the Finger ensemble's structure to see if I could see how
the looper effect worked but I couldn't make one lick of sense about any of
the wiring:) I guess that means I need to do some homework.

Todd Matthews


I'm super excited to check out the concert! Have a great show Zoe



On Thu, Dec 3, 2009 at 6:55 PM, Mech <mech@m3ch.net> wrote:

> At 11:16 AM -0800 12/2/09, Zoe Keating wrote:
>
>> On Dec 1, 2009, at 2:35 PM, cpr@musetrap.com wrote:
>>
>>>
>>> Tim does all his looping/processing/etc using Reaktor.. :)
>>>
>>
>> yup, I was checking out his setup in SF. He makes it all seem so simple, I
>> was very impressed. I know nothing about Reaktor, but now I'm all curious
>> about it.
>>
>
> Gleep!  Talk about lousy timing, Zoe.  NI *just* ran a four-day special
> this past holiday weekend.  The price of Reaktor was cut to a mere $99
> (currently ~$200 savings, if I'm not mistaken).
>
> Although you can get a good taste of Tim's Reaktor setup by purchasing his
> "The Finger" package, for the free-of-charge Kore Player:
>
>
> http://www.native-instruments.com/#/en/products/producer/powered-by-kore/the-finger/
>
> The Finger is only about $79, IIRC.  The package also includes his Reaktor
> ensemble should you ever want to upgrade to the full deal.
>
> Including the Reaktor version makes it far more useful, in my opinion.  The
> Kore version of The Finger is really cool, make no mistake about that.
>  However, it's also a bit random, since you don't really know ahead of time
> which effects are on which MIDI notes (without a LOT of experimentation).
>  You can often get some nice combinations merely by pressing 3 or 4 keys by
> total chance. However, just as often it'll sound like you're merely f*ing
> around with the presets on a new effects unit.  This is especially obvious
> if you're playing more structured pieces.
>
> The Reaktor ensemble lets you actually define which effect is on which key
> (as well as its parameters) so that you know which is where and you're
> totally in control of what happens to the sound.
>
> And, in general, Reaktor can be as easy or as tough as you want it to be.
>  If you don't feel like learning how to wire things together at the lowest
> level, don't sweat it.  I know lots of people who merely use the thousands
> of already-constructed ensembles from the Reaktor User Library, and spend
> most of their time playing rather than editing code.
>
> If you really like the kind of thing that Tim Exile's doing, you might
> consider starting with a copy of The Finger (aka "Tim In A Box"), then
> moving up to full-blown Reaktor if you like the results. Your initial
> purchase wouldn't be a waste if you decided to upgrade later.
>
> FWIW, Tim's product is really cool, regardless.  ;)
>
>        --m.
> --
> _____
> "beyond this window, night is shuddering and the earth grinds to a halt
>   beyond this window, something unknown is watching you and me...."
>
>

--001636b2b0cda0fe5e0479dcd598
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Mech,<br><br>I just bought the Finger to use with Reaktor and it seems =
there isn&#39;t a looper like in Tim&#39;s videos, but instead there&#39;s =
a looping &#39;effect&#39; where it just loops a sound while you hold a mid=
i note down and then it stops looping once you let the key up. In the video=
s he does full blown looping where he starts looping with a midi message th=
en presses a button again to seamlessly start looping. Do you know of any e=
nsembles that are already made out there that loop like this?<br>
I browsed around the Finger ensemble&#39;s structure to see if I could see =
how the looper effect worked but I couldn&#39;t make one lick of sense abou=
t any of the wiring:) I guess that means I need to do some homework.<br>
<br>Todd Matthews<br><br><br>I&#39;m super excited to check out the concert=
! Have a great show Zoe<br><br><br><br><div class=3D"gmail_quote">On Thu, D=
ec 3, 2009 at 6:55 PM, Mech <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m3=
ch.net">mech@m3ch.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>At 11:16 AM -0800 12/2/09, Zoe Keating wrote:<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=
=3D"im">
On Dec 1, 2009, at 2:35 PM, <a href=3D"mailto:cpr@musetrap.com" target=3D"_=
blank">cpr@musetrap.com</a> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Tim does all his looping/processing/etc using Reaktor.. :)<br>
</blockquote>
<br></div><div class=3D"im">
yup, I was checking out his setup in SF. He makes it all seem so simple, I =
was very impressed. I know nothing about Reaktor, but now I&#39;m all curio=
us about it.<br>
</div></blockquote>
<br>
Gleep! =A0Talk about lousy timing, Zoe. =A0NI *just* ran a four-day special=
 this past holiday weekend. =A0The price of Reaktor was cut to a mere $99 (=
currently ~$200 savings, if I&#39;m not mistaken).<br>
<br>
Although you can get a good taste of Tim&#39;s Reaktor setup by purchasing =
his &quot;The Finger&quot; package, for the free-of-charge Kore Player:<br>
<br>
<a href=3D"http://www.native-instruments.com/#/en/products/producer/powered=
-by-kore/the-finger/" target=3D"_blank">http://www.native-instruments.com/#=
/en/products/producer/powered-by-kore/the-finger/</a><br>
<br>
The Finger is only about $79, IIRC. =A0The package also includes his Reakto=
r ensemble should you ever want to upgrade to the full deal.<br>
<br>
Including the Reaktor version makes it far more useful, in my opinion. =A0T=
he Kore version of The Finger is really cool, make no mistake about that. =
=A0However, it&#39;s also a bit random, since you don&#39;t really know ahe=
ad of time which effects are on which MIDI notes (without a LOT of experime=
ntation). =A0You can often get some nice combinations merely by pressing 3 =
or 4 keys by total chance. However, just as often it&#39;ll sound like you&=
#39;re merely f*ing around with the presets on a new effects unit. =A0This =
is especially obvious if you&#39;re playing more structured pieces.<br>

<br>
The Reaktor ensemble lets you actually define which effect is on which key =
(as well as its parameters) so that you know which is where and you&#39;re =
totally in control of what happens to the sound.<br>
<br>
And, in general, Reaktor can be as easy or as tough as you want it to be. =
=A0If you don&#39;t feel like learning how to wire things together at the l=
owest level, don&#39;t sweat it. =A0I know lots of people who merely use th=
e thousands of already-constructed ensembles from the Reaktor User Library,=
 and spend most of their time playing rather than editing code.<br>

<br>
If you really like the kind of thing that Tim Exile&#39;s doing, you might =
consider starting with a copy of The Finger (aka &quot;Tim In A Box&quot;),=
 then moving up to full-blown Reaktor if you like the results. Your initial=
 purchase wouldn&#39;t be a waste if you decided to upgrade later.<br>

<br>
FWIW, Tim&#39;s product is really cool, regardless. =A0;)<br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;beyond this window, night is shuddering and the earth grinds to a hal=
t<br>
 =A0 beyond this window, something unknown is watching you and me....&quot;=
<br>
<br>
</font></blockquote></div><br>

--001636b2b0cda0fe5e0479dcd598--

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References: <370ED109-6385-4C58-A4D7-FCB86344FD24@zoekeating.com>
Date: Thu, 3 Dec 2009 20:32:44 -0500
Message-ID: <9ea2f30b0912031732l25735b5ex2d1d19dd6fe9630b@mail.gmail.com>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The countdown is saying that the show won't start till 930pm with Imogen. I
hope that doesn't mean I missing Zoe.

On Tue, Dec 1, 2009 at 6:02 PM, Zoe Keating <info@zoekeating.com> wrote:

> Hey Loopers,
>
> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on Thursday.
> The show is sold out, but Billboard is streaming the concert live.
> I'm not writing to tell you to watch my little bit (although that would be
> awesome too), but to tune in and enjoy looping sorceress Immi herself and
> one of her opening artists Tim Exile. Tim puts on an incredible live
> improvised looping show, I think Rick Walker, you'd particularly enjoy his
> set. At the SF Fillmore a few weeks ago, it involved a song constructed out
> of an audience member crunching potato chips.
>
> The show starts at 8:30 Eastern.
> Thursday, Dec 3rd
>
> Here are the details about how to stream the concert...
>
> http://imogenheap.fanbridge.com/campaigns/show.php?id=570277&src=twitter
>
> best!
>
> Zoe
>
> p.s. I'm doing another "Cello For Airports" at San Francisco Airport the
> following day, Dec 4th. From 11am to 2pm on the Mezzanine of Terminal 1.
>
> "Cello For Airports"
> Dec 4
> 11am to 2pm
> SFO
> Terminal 1, mezzanine
> pre-security
>
>

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The countdown is saying that the show won&#39;t start till 930pm with Imoge=
n. I hope that doesn&#39;t mean I missing Zoe.<br><br><div class=3D"gmail_q=
uote">On Tue, Dec 1, 2009 at 6:02 PM, Zoe Keating <span dir=3D"ltr">&lt;<a =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey Loopers,<br>
<br>
I&#39;m playing with Imogen Heap in at the Music Hall in Brooklyn on Thursd=
ay. The show is sold out, but Billboard is streaming the concert live.<br>
I&#39;m not writing to tell you to watch my little bit (although that would=
 be awesome too), but to tune in and enjoy looping sorceress Immi herself a=
nd one of her opening artists Tim Exile. Tim puts on an incredible live imp=
rovised looping show, I think Rick Walker, you&#39;d particularly enjoy his=
 set. At the SF Fillmore a few weeks ago, it involved a song constructed ou=
t of an audience member crunching potato chips.<br>

<br>
The show starts at 8:30 Eastern.<br>
Thursday, Dec 3rd<br>
<br>
Here are the details about how to stream the concert...<br>
<br>
<a href=3D"http://imogenheap.fanbridge.com/campaigns/show.php?id=3D570277&a=
mp;src=3Dtwitter" target=3D"_blank">http://imogenheap.fanbridge.com/campaig=
ns/show.php?id=3D570277&amp;src=3Dtwitter</a><br>
<br>
best!<br>
<br>
Zoe<br>
<br>
p.s. I&#39;m doing another &quot;Cello For Airports&quot; at San Francisco =
Airport the following day, Dec 4th. From 11am to 2pm on the Mezzanine of Te=
rminal 1.<br>
<br>
&quot;Cello For Airports&quot;<br>
Dec 4<br>
11am to 2pm<br>
SFO<br>
Terminal 1, mezzanine<br>
pre-security<br>
<br>
</blockquote></div><br>

--0016e6d260d5a57b1a0479dd1511--

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From: Christopher Darrow <thedarrow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: EDP, Axon Guitar to MIDI, and Ground Control Pro For Sale.
X-Priority: 3
Date: Thu, 3 Dec 2009 18:32:34 -0800
References: <CCB22ACC-D0C6-4629-8597-E44F92360B9F@gmail.com> <06752203501F4FC992063770DE97CB27@graphix9f928a3>
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Hi Jim!

I'm going software-based. Still working out the details. Have been for  
a long time. Setting up proper midi foot control has been the real  
hang up. I'm selling these things to get a Gordious LG to help with  
that (on Andy Butler's recommendation--maximum flexibility and library  
software to manage it.)

After 10+ years of looping with the EDP, I just need the expansion of  
sounds and beats and the true sync of having it all on the computer.

The key looping component will likely be the new software version of  
the EDP, LoopV. As to the host... still trying to figure out what I  
like best but probably Ableton, possibly MainStage.

The software learning curve is just really high and things don't  
always hook up as advertised. But I am sure that, someday, I will have  
worked through all this complexity to get back to a simple way of  
making music again.


On Dec 3, 2009, at 3:25 PM, Jim Atwood wrote:

> Hi Christopher,
>
> I'm curious what you are using to Loop with right now if you don't  
> mind.  I already have a couple of things listed below which work  
> quite well and was curious what was next for you.
>
> Thanks!
>
> Jim
> ----- Original Message -----
> From: Christopher Darrow
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, December 03, 2009 7:35 AM
> Subject: EDP, Axon Guitar to MIDI, and Ground Control Pro For Sale.
>
>
> Hi Gang. I'm trading around some things from my loop station:
>
> Echoplex Digital Pro w/ Footswtich - $749
> http://portland.craigslist.org/mlt/msg/1492754374.html
>
> Axon AX 100 mkII Guitar to Midi Converter & Sound Source - $575
> http://portland.craigslist.org/mlt/msg/1492753319.html
>
> (I also have a two space rack mount that the two above items fit in  
> for sale.)
>
> Voodoo Lab Ground Control Pro Midi Footswitch - $299
> http://portland.craigslist.org/mlt/msg/1492753975.html
>
>
> Buyer pays shipping. I have no idea what shipping costs and usually  
> just sell locally but in this case I thought you folks should get a  
> crack at 'em too. So if you're (seriously) interested let me know  
> your zip and I'll try to get that number.
>
> If you think my pricing is out of line let me know too, but  
> everything's in excellent shape and this is what I came up with.
>
> Happy Looping!
>
> Christopher Darrow
> 503.327.9329
> Portland, OR, USA
>
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.426 / Virus Database: 270.14.92/2543 - Release Date:  
> 12/03/09 19:36:00


--Apple-Mail-2-266396263
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>Hi =
Jim!&nbsp;</div><div><br></div><div>I'm going software-based. Still =
working out the details. Have been for a long time. Setting up proper =
midi foot control has been the real hang up. I'm selling these things to =
get a Gordious LG to help with that&nbsp;(on Andy Butler's =
recommendation--maximum flexibility and library software to manage =
it.)&nbsp;</div><div><br></div><div>After 10+ years of looping with the =
EDP, I just need the expansion of sounds and beats and the true sync of =
having it all on the computer.</div><div><br></div><div>The key looping =
component will likely be the new software version of the EDP, LoopV. As =
to the host... still trying to figure out what I like best but probably =
Ableton, possibly MainStage.&nbsp;</div><div><br></div><div>The software =
learning curve is just really high and things don't always hook up as =
advertised. But I am sure that, someday, I will have worked through all =
this complexity to get back to a simple way of making music =
again.&nbsp;</div><div><br></div><br><div><div>On Dec 3, 2009, at 3:25 =
PM, Jim Atwood wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div bgcolor=3D"#ffffff" =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><font size=3D"2" =
face=3D"Arial">Hi Christopher,</font></div><div><font size=3D"2" =
face=3D"Arial"></font>&nbsp;</div><div><font size=3D"2" face=3D"Arial">I'm=
 curious what you are using to Loop with right now if you don't =
mind.&nbsp; I already have a couple of things listed below which work =
quite well and was curious what was next for you.</font></div><div><font =
size=3D"2" face=3D"Arial"></font>&nbsp;</div><div><font size=3D"2" =
face=3D"Arial">Thanks!</font></div><div><font size=3D"2" =
face=3D"Arial"></font>&nbsp;</div><div><font size=3D"2" =
face=3D"Arial">Jim</font></div><blockquote style=3D"border-left-color: =
rgb(0, 0, 0); border-left-width: 2px; border-left-style: solid; =
padding-left: 5px; padding-right: 0px; margin-left: 5px; margin-right: =
0px; "><div style=3D"font: normal normal normal 10pt/normal arial; =
">----- Original Message -----</div><div style=3D"font: normal normal =
normal 10pt/normal arial; background-image: initial; background-repeat: =
initial; background-attachment: initial; -webkit-background-clip: =
initial; -webkit-background-origin: initial; background-color: rgb(228, =
228, 228); background-position: initial initial; "><b>From:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"thedarrow@gmail.com" =
href=3D"mailto:thedarrow@gmail.com">Christopher Darrow</a></div><div =
style=3D"font: normal normal normal 10pt/normal arial; "><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Thursday, December 03, 2009 =
7:35 AM</div><div style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Subject:</b><span class=3D"Apple-converted-space">&nbsp;</span>EDP, =
Axon Guitar to MIDI, and Ground Control Pro For =
Sale.</div><div><br></div><div><br></div><div>Hi Gang. I'm trading =
around some things from my loop station:</div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Times; "><br>Echoplex =
Digital Pro w/ Footswtich - $749&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492754374.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492754374.html</a=
>&nbsp;<br><br>Axon AX 100 mkII Guitar to Midi Converter &amp; Sound =
Source - $575&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492753319.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492753319.html</a=
>&nbsp;<br><br>(I also have a two space rack mount that the two above =
items fit in for sale.)&nbsp;<br><br>Voodoo Lab Ground Control Pro Midi =
Footswitch - $299&nbsp;<br><a =
href=3D"http://portland.craigslist.org/mlt/msg/1492753975.html" =
rel=3D"nofollow">http://portland.craigslist.org/mlt/msg/1492753975.html</a=
>&nbsp;<br></span></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">Buyer pays shipping. I have no idea what shipping costs =
and usually just sell locally but in this case I thought you folks =
should get a crack at 'em too. So if you're (seriously) interested let =
me know your zip and I'll try to get that number.</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">If you think my pricing is out =
of line let me know too, but everything's in excellent shape and this is =
what I came up with.</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">Happy Looping!&nbsp;</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">Christopher =
Darrow</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times">503.327.9329</font></div><div><font =
class=3D"Apple-style-span" face=3D"Times">Portland, OR, =
USA</font></div><div><font class=3D"Apple-style-span" =
face=3D"Times"><br></font></div><div><br =
class=3D"webkit-block-placeholder"></div><hr><div><br =
class=3D"webkit-block-placeholder"></div><br>No virus found in this =
incoming message.<br>Checked by AVG -<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.avg.com">www.avg.com</a><span =
class=3D"Apple-converted-space">&nbsp;</span><br>Version: 8.5.426 / =
Virus Database: 270.14.92/2543 - Release Date: 12/03/09 =
19:36:00<br></blockquote></div></span></blockquote></div><br></body></html=
>=

--Apple-Mail-2-266396263--

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Subject: Leinhos, Peter is out of the office.
From: peter.leinhos@farmersinsurance.com
To: Loopers-Delight@loopers-delight.com
Message-ID: <OF46E5DD5D.02DB478B-ON86257682.00122A08-86257682.00122A08@farmersinsurance.com>
Date: Thu, 3 Dec 2009 21:18:24 -0600
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I will be out of the office starting  12/03/2009 and will not return until
12/07/2009.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
addressee(s) named above. If you are not the intended
addressee/recipient, you are hereby notified that any use of,
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this E-Mail/telefax information is strictly prohibited and may
result in legal action against you. Please reply to the sender
advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 05:07:43 2009
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Subject: cantabile, anyone?
From: james fowler <twostroke@gmail.com>
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recently ditched my receptor (thanks for nothing, muse) and will need
a host. i don't hear much about this one...anybody using/used it? it's
cheap enough and looks promising...

thanks.

- jim

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 05:47:25 2009
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From: Revfever <revfever@ubergadget.com>
Subject: OT: FS: Ibanez IMG2010 Midi guitar and MC1 controller and Foot controller
Date: Thu, 3 Dec 2009 21:47:22 -0800
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I am just passing this on for a long time friend who lives outside of  
Eugene, Oregon and who is a decades long amazing mural painter and  
good musician,
but who now has a need to raise some additional funds for himself and  
his family. Like I said, I am just passing the link along and I know  
ZERO about this gear
and whether the price is average or not, so please NO DISCUSSIONS ON  
THE LIST, OK? That is not my intention. I am just hoping to help out  
a long time friend.
Thank you for any interest and consideration.

Cheers,
Rev. Fever
Portland, OR

> Subject: Ibanez IMG2010 Midi guitar and MC1 controller and Foot  
> controller
>
> http://portland.craigslist.org/mlt/msg/1493609114.html


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I am just passing this on for a long time friend who lives outside of =
Eugene, Oregon and who is a decades long amazing mural painter and good =
musician,&nbsp;<div>but who now has a need to raise some additional =
funds for himself and his family. Like I said, I am just passing the =
link along and I know ZERO about this gear</div><div>and whether the =
price is average or not, so please NO DISCUSSIONS ON THE LIST, OK? That =
is not my intention. I am just hoping to help out a long time =
friend.</div><div>Thank you for any interest and =
consideration.</div><div><br></div><div>Cheers,</div><div>Rev. =
Fever</div><div>Portland, OR<br><div><br><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>Subject: =
</b></font><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica"><b>Ibanez IMG2010 Midi guitar and MC1 controller and Foot =
controller</b></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div>  <font id=3D"role_document" face=3D"Arial" color=3D"#000000" =
size=3D"2"> <div><a =
href=3D"http://portland.craigslist.org/mlt/msg/1493609114.html">http://por=
tland.craigslist.org/mlt/msg/1493609114.html</a></div></font></blockquote>=
</div><br></div></body></html>=

--Apple-Mail-5-278084888--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 08:11:10 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Prog Rock in 5 minutes ;-)
References: <20091130081106.323100@gmx.net>	 <8B95EFC6-FAE3-42FD-893E-FDB078638E1D@charter.net>	 <5FB0756A-C4B3-4E80-BD5E-FA686E1777A8@johnfloridis.com>	 <C0A0D5CD5FC844AA8F069D655E1E489B@ELUK1>	 <1133B3C4-4450-46BE-A9E0-7153BB3D9F11@johnfloridis.com> <588ce11d0911302014l4444d11x1dcc68ad26dfbdc7@mail.gmail.com> <p06240801c73a6721e29d@[10.0.1.3]> <DA23CB6E-1879-4897-81C7-156785159E2C@grubmah.com>
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nice one Mark :-)

Mark Hamburg wrote:
> On Nov 30, 2009, at 10:43 PM, Mech wrote:
> 
>> I was big into prog rock during the first couple of years of high-school (until I discovered punk -- seemingly the anti-thesis of prog). 
> 
> The Stranglers: Prog or punk?
> 
> Mark
> 
> 

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From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 08:36:44 2009
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From: Toby Graves <carpet8@mac.com>
Subject: Re: OT: Prog Rock in 5 minutes ;-)
Date: Fri, 04 Dec 2009 00:35:11 -0800
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The Refused--prog or punk?


On Dec 4, 2009, at 12:11 AM, andy butler wrote:

> nice one Mark :-)
>
> Mark Hamburg wrote:
>> On Nov 30, 2009, at 10:43 PM, Mech wrote:
>>> I was big into prog rock during the first couple of years of high- 
>>> school (until I discovered punk -- seemingly the anti-thesis of  
>>> prog).
>> The Stranglers: Prog or punk?
>> Mark
>

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"clever metal"

Toby Graves wrote:
> The Refused--prog or punk?
> 
> 
> On Dec 4, 2009, at 12:11 AM, andy butler wrote:
> 
>> nice one Mark :-)
>>
>> Mark Hamburg wrote:
>>> On Nov 30, 2009, at 10:43 PM, Mech wrote:
>>>> I was big into prog rock during the first couple of years of 
>>>> high-school (until I discovered punk -- seemingly the anti-thesis of 
>>>> prog).
>>> The Stranglers: Prog or punk?
>>> Mark
>>
> 
> 

From info@googleworld.com  Fri Dec  4 09:45:41 2009
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To: undisclosed-recipients:;


Internet Technology Research Center
London SW1W 9TQ United Kingdom
Date Dec-04-2009

Your email account has been picked as a winner of (£120,000.00) in cash by
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Contact Agent: Mr. Terry Owen (Foreign Services Directorate)
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From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 13:00:07 2009
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Date: Fri, 04 Dec 2009 06:53:26 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Attaching Boss RC-50 to Sound System
References: <4B17AC8C.1995.25FC39CB@baub.baub.com>
	<3f8d9ee60912031310l6dde59daxe40718bc5fcdf3e0@mail.gmail.com>
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Quoting Sjaak Overgaauw <tcplugin@gmail.com>:
>
> Hi,
> The RC-50 has unbalanced outputs so you have to use a DI or mixer with
> balanced outputs before you hook it up to the FOH.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/
>
>
Well, I am writing this with some egg on my face here...

Until a couple of months ago, I owned an RC-50 (I sold it because I  
really didn't use it very much) and I don't know why I thought it had  
balanced outputs.  So, my bad.

I've always used on-stage mixers (either my Mackie or RME800) and  
since they supply balanced outputs I've never needed a DI box.

Having said this, I usually carry an Ebtech hum-eliminator with me --  
just in case.  I've never had to use it for my stuff but I have used  
it for others' stuff a few times.

However, I must now do penance for passing on incorrect information  
about the RC-50 outputs.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 15:42:32 2009
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Date: Fri, 04 Dec 2009 08:55:51 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, james fowler <twostroke@gmail.com>
Subject: Re: cantabile, anyone?
References: <44e368750912032107h304b7753l62f7f10f6c308aeb@mail.gmail.com>
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James, what prompted the ditching?

-cpr

Quoting james fowler <twostroke@gmail.com>:

> recently ditched my receptor (thanks for nothing, muse) and will need
> a host. i don't hear much about this one...anybody using/used it? it's
> cheap enough and looks promising...
>
> thanks.
>
> - jim
>
>


From diegomiranda@burningmusic.net  Fri Dec  4 17:28:27 2009
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From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 17:57:54 2009
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Date: Fri, 04 Dec 2009 11:11:14 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, Zoe Keating <info@zoekeating.com>
Subject: Re: Gigspam: Imogen Heap, Tim Exile & Cello For Airports
References: <370ED109-6385-4C58-A4D7-FCB86344FD24@zoekeating.com>
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Hey Zoe! Great to see you on Imi's streamed concert last night! :)

-cpr

Quoting Zoe Keating <info@zoekeating.com>:

> Hey Loopers,
>
> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on
> Thursday. The show is sold out, but Billboard is streaming the concert
> live.
> I'm not writing to tell you to watch my little bit (although that would
> be awesome too), but to tune in and enjoy looping sorceress Immi
> herself and one of her opening artists Tim Exile. Tim puts on an
> incredible live improvised looping show, I think Rick Walker, you'd
> particularly enjoy his set. At the SF Fillmore a few weeks ago, it
> involved a song constructed out of an audience member crunching potato
> chips.
>
> The show starts at 8:30 Eastern.
> Thursday, Dec 3rd
>
> Here are the details about how to stream the concert...
>
> http://imogenheap.fanbridge.com/campaigns/show.php?id=3D570277&src=3Dtwitt=
er
>
> best!
>
> Zoe
>
> p.s. I'm doing another "Cello For Airports" at San Francisco Airport
> the following day, Dec 4th. From 11am to 2pm on the Mezzanine of
> Terminal 1.
>
> "Cello For Airports"
> Dec 4
> 11am to 2pm
> SFO
> Terminal 1, mezzanine
> pre-security


From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 19:05:48 2009
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To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Piece in group show  12.05.09 Lowell MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I have a DVD entitled "Three Video Works" in a group show at 119 
Gallery. The opening reception is tomorrow, from 6  - 10 PM. There is 
an excellent Cambodian restaurant next door to the gallery.


EXHIBITS

MATERIAL IS LANGUAGE
Reception Saturday December 5, 6 -10pm

Congratulations to the Artists selected by Juror Nick Capasso, Senior Curator,
deCordova Sculpture Park+ Museum, to exhibit in  "MATERIAL IS LANGUAGE,"
119 Gallery's 5th Annual Juried Exhibit, on view through December 19th.

Thanks to everyone who submitted. The response to Material is 
Language was phenomenal, with twice as many artists submitting as 
last year.  This is our largest exhibit ever, with 32 artists and 
over 40 pieces!

The juror's selection of "Best in Show" is to be announced at the reception!
Thanks to all the artists who joined and continue to support the gallery.

Mitchel K Ahern, Betul Arin,
Sarah Bennett, Deborah Brown,
Kathleen Cammarata, Anne Cavanaugh,
Jim Coates, Michael F. Dailey Jr.,
Empire S.N.A.F.U. Restoration Project,
Nicole Ratos Enerson, Charles Gallagher,
Amy Geise, Jane Fox Hipple,
Dian Hosmer, Anna Isaak-Ross,
Jim Jeffers, Jan Johnson,
Kyeong Kim, Craig Lupien,
Denise Manseau, Stephen Mishol,
Andy Moerlein, Alicia Renadette,
Yolanda Rios, Dan Rocha,
Lynda Schlosberg, Laurie Simko,
Emile Tobenfeld, Brenda van der Beek,
Katherine Vetne, Charlies Win,
					Dei Xhrist

119 Gallery | 119 Chelmsford St. | Lowell | MA | 01851
www.119gallery.org
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From us-fbigov@fbi.gov  Fri Dec  4 19:32:52 2009
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From: "Robert S. Mueller III"<us-fbigov@fbi.gov>
Subject: FROM FBI WASHINGTON, CHANGE OF ACCOUNT.....
Date: Fri, 4 Dec 2009 20:31:51 -0000
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<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV>
<FONT size=3 face="Times New Roman"><B>ATTENTION: SIR/MADAM.</B></FONT><FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman"><B>Date: 12/4/2009</B></FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman"><B>This is an official advice from the FBI foreign Remittance / telegraphic dept, it has come to our notice that the C..B.N Bank Nigeria district has released 10,500,000.00 US dollars into bank of America in your name as the beneficiary, by inheritance means. The C.B.N Bank Nigeria knowing fully well that they do not have Enough facilities to effect this payment from the united kingdom to your account, used what we know as a secret diplomatic transit payment (S.T.D.P) to pay this fund through wire transfer, they used this means to complete the payment.</B></FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman"><B>They are still, waiting for confirmation from you on the already Transferred funds which was made through direct transfer so that they can do final crediting to your account. Secret diplomatic payments are not made unless the funds are related to terrorist activities why must your payment be made in secret transfer, if your transaction is legitimate, if you are not a terrorist, thenwhy did you not receive the money directly into your account; this is a pure coded, means of payment?</B></FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman"><B>Records which we have had with this method of payment in the past has always been related to terrorist acts, we do not want you to get into trouble as soon as these funds reflect in your account in the U.S.A, so it is our duty as a world wide commission to correct this little problem before this fund will be credited into your personal account.</B></FONT><FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT color=#000000><B>Due to the increased difficulty and unnecessary security by the American authorities when funds come from outside of Europe, and the Middle East, the FBI bank commission for Europe has stopped the transfer on its way to deliver payment of $10,500,000.00- to debit your reserve account and pay you through a secured diplomatic transit account (S.D.T.A). We govern and oversee funds transfer for the World Bank and the rest of the world.</B></FONT><BR>
<FONT color=#000000><B>&nbsp;</B></FONT><BR>
<FONT color=#000000><B>We advice you contact us immediately, as the funds have been Stopped and are being held in our custody, until you can be able to provide us with a diplomatic immunity seal of transfer (dist) within 3 days from the world local bank that authorize the transfer from where the funds was transferred from to certify that the funds that you are about to receive from Nigeria are antiterrorist/drug free or we shall have cause to cross and impound the Payment, we shall release the funds immediately we receive this legal documents.</B></FONT><BR>
<FONT color=#000000><B>&nbsp;</B></FONT><BR>
<FONT color=#000000><B>We have decided to contact you directly to acquire the proper Verifications and proof from you to show that you are the rightful person to receive this fund, because of the amount involve, we want to make sure is a clean and legal money you are about to receive. Be informed that the fund is now in United State in your name, but right now we have ask the bank not to release the fund to anybody that comes to them, unless we ask them to do so, because we have to carry out our investigations first before releasing the fund to you. Note that the fund is in the BANK OF AMERICA right now, but we have ask them not to credit the fund to you yet, because! we need a solid proof and Verifications from you before releasing the funds.</B></FONT><BR>
<FONT color=#000000><B>&nbsp;</B></FONT><BR>
<FONT color=#000000><B>So to this regards you are to re-assure and proof to us that what you are about to receive is a clean money by sending to us FBI Identification Record and also Diplomatic Immunity Seal of Transfer (DIST) to satisfy to us that the money your about to receive is legitimate and real money. You are to forward the documents to us immediately if you have it in your possession, if you don’t have it let us know so that we will direct and inform you where to obtain the document and send to us so that we will ask the bank holding the funds, the Bank Of America to go ahead Crediting your account immediately.These Documents are to be issued to you from the World Local Bank that Authorized the transfer, so get back to us immediately if you don’t have the document so that we will inform you the particular place to obtain the document in United Kingdom (U.K) because we have come to realize that the fund was Authorized by (H.S.B.C) Bank in London.</B></FONT><BR>
<FONT color=#000000><B>&nbsp;</B></FONT><BR>
<FONT color=#000000><B>This conditions is valid until 11th of Dec. 2009 after we shall take actions on canceling the payment and then charge you for illegally moving of funds out of Nigeria. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman"><B>Guarantee: Funds will be released on confirmation of the document..</B></FONT><BR>
<FONT color=#000000>&nbsp;</FONT><BR>
<FONT size=3 color=#000000 face="Times New Roman"><B>ROBERT MUELLER</B></FONT><FONT size=3 color=#000000 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=5 color=#FF0000 face="Times New Roman">Anti-Terrorist and Monetary Crimes Division</FONT><BR>
<FONT size=5 color=#FF0000 face="Times New Roman">Fbi Headquarters In Washington, D.C..</FONT><BR>
<FONT size=5 color=#FF0000 face="Times New Roman">Federal Bureau Of Investigation</FONT><BR>
<FONT size=5 face="Times New Roman">&nbsp;</FONT></DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 20:37:36 2009
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http://wdiy.org/programs/gt/playlists/2009/091203.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #661                December 3, 2009.

RECAP:
On this show, I started a month-long focus on Indra.  The Featured CD at
Midnight was Kali from the Tantric Celebration series.

Indra: http://wdiy.org/programs/gt/playlists/2009/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
John Christian       Los Ashes            Susbarbatus (none)
Fanger + Schonwalder Berlin Lunch         Analog Overdose 4+ (Manikin)
Max Corbacho         Narthex              Ars Lucis (ad21)
Indra                True Heart           Kali (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Indra                Initiation           Kali (none)
Indra                Ritual Night Dancer  Kali (none)
Indra                U Hunger             Kali (none)
Indra                Fearless             Kali (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Indra.  The Featured CD at Midnight will be Tara, CD 2 of the Special
Edition Tantric Celebration series.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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Date: Fri, 4 Dec 2009 13:45:52 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: New Music-Free Download-Bowed Double Bass-Dobro Bass W/Slide-Ac. Guitar-Looping
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--0-1470482316-1259963152=:57703
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Hello again you all-

Steve Uccello here letting you know that I just finished a new piece of mus=
ic that's due to come out in a very artistic, letter pressed package, compl=
ete w/ alchemical poetry and burned to high quality, Taiyo Yuden CDR's, we'=
re doing a limited run of 25-coming soon! =A0=20

BUT...in the mean time I'm letting people download the music for FREE!=A0 T=
here are two parts to the new release, called:

Clarified Birds: 1. The Forest That Hears And=A0 2. The Field That Sees

They are extended length, super chilled out acoustic ambient, drone, trance=
 styled songs.=A0 I performed them live in the studio, with live looping, t=
hen went in and added some things over the top, it features lots of bowed u=
pright bass, dobro slide bass, acoustic guitar, and gong-definitely meant f=
or chilling out to-

Please feel free to visit the wonderful site Sound Cloud (the only site aro=
und that seems cool enough to cater to long ambient pieces such as these!) =
where you can download these pieces, FREE:

http://soundcloud.com/clarified_birds=A0=A0 ENJOY!


=0A=0A=0A      
--0-1470482316-1259963152=:57703
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hello again you all-<br><br>Steve Uccello her=
e letting you know that I just finished a new piece of music that's due to =
come out in a very artistic, letter pressed package, complete w/ alchemical=
 poetry and burned to high quality, Taiyo Yuden CDR's, we're doing a limite=
d run of 25-coming soon! &nbsp; <br><br>BUT...in the mean time I'm letting =
people download the music for FREE!&nbsp; There are two parts to the new re=
lease, called:<br><br>Clarified Birds: 1. The Forest That Hears And&nbsp; 2=
. The Field That Sees<br><br>They are extended length, super chilled out ac=
oustic ambient, drone, trance styled songs.&nbsp; I performed them live in =
the studio, with live looping, then went in and added some things over the =
top, it features lots of bowed upright bass, dobro slide bass, acoustic gui=
tar, and gong-definitely meant for chilling out to-<br><br>Please feel free=
 to
 visit the wonderful site Sound Cloud (the only site around that seems cool=
 enough to cater to long ambient pieces such as these!) where you can downl=
oad these pieces, FREE:<br><br>http://soundcloud.com/clarified_birds&nbsp;&=
nbsp; ENJOY!<br><br><br></td></tr></table><br>=0A=0A      
--0-1470482316-1259963152=:57703--

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Date: Fri, 4 Dec 2009 13:49:53 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Uccello Project loopy house concert Seaside, CA Dec 12th 7:30pm
To: LOOPER <Loopers-Delight@loopers-delight.com>
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--0-487095116-1259963393=:42706
Content-Type: text/plain; charset=iso-8859-1
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=A0-Steve Uccello here, again, sending out yet another reminder that I will=
=0Abe performing at a house concert in Seaside on December 12th, 7:30 pm=0A=
and I'd love to see you there!

=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 I'll be playing=0AUpright Bass, Dobro =
Slide Bass, Acoustic Guitar, 5 String Fretless=0AElectric Bass, and a bit o=
f percussion.=A0 This show will feature the art=0Aof Live Looping, which is=
 the process of recording oneself and playing=0Ait back on the spot to be l=
ayered up upon. There will also be a couple=0Aspecial guests playing a few =
songs with me, including my wife, Kathy,=0AMandolin.=A0 The show will be mo=
stly instrumental with a few vocal tunes=0Apeppered in.=A0 If you're curiou=
s to hear/see some of the music you'll be=0Ain for, you can check out some =
of my videos here:

Guitar & pizzed Upright Bass:=A0=20

http://www.youtube.com/user/UccelloProject#p/u/3/63XmxPl8fDo

Electric Bass w/ lots of harmonics & bowed Upright Bass:

http://www.youtube.com/user/UccelloProject#p/u/4/xK9oOzruAT4

=A0=A0=A0=A0=A0=A0=A0=A0=A0=0AThe show will be at our midwife, Maggie Benne=
tt's, house in Seaside,=0ACA, near Monterey on the central coast.=A0 Maggie=
 delivered our daughter=0AViola, and is an amazing woman-here's a link to h=
er website-definitely=0Aworth a look:=A0 http://www.gentlebirth.net/

=A0=A0=A0=A0 Show details:=0Athere is a suggested donation of $12 (which in=
cludes refreshments too)=0ATo get the address please RSVP by replying to th=
is email or calling me=0Aat 831-801-4920.=A0=20

Thanks for your time and I hope this email finds you all well!! -Steve=0A U=
ccello

http://www.steveuccello.com
http://www.uccelloprojects.blogspot.com/

Thanks to all of you for your time, and sorry if these are getting repetiti=
ve-have a great holiday season!
=0A=0A=0A      
--0-487095116-1259963393=:42706
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">&nbsp;-Steve Uccello here, again, sending out=
 yet another reminder that I will=0Abe performing at a house concert in Sea=
side on December 12th, 7:30 pm=0Aand I'd love to see you there!<br><br>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I'll b=
e playing=0AUpright Bass, Dobro Slide Bass, <span style=3D"border-bottom: 1=
px dashed rgb(0, 102, 204); cursor: pointer;" class=3D"yshortcuts" id=3D"lw=
_1259963183_0">Acoustic Guitar</span>, 5 String Fretless=0A<span style=3D"b=
order-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class=3D"yshor=
tcuts" id=3D"lw_1259963183_1">Electric Bass</span>, and a bit of percussion=
.&nbsp; This show will feature the art=0Aof Live Looping, which is the proc=
ess of recording oneself and playing=0Ait back on the spot to be layered up=
 upon. There will also be a couple=0Aspecial guests playing a few songs wit=
h me, including my wife, Kathy,=0AMandolin.&nbsp; The show will be mostly i=
nstrumental with a few vocal tunes=0Apeppered in.&nbsp; If you're curious t=
o hear/see some of the music you'll be=0Ain for, you can check out some of =
my videos here:<br><br>Guitar &amp; pizzed Upright Bass:&nbsp; <br><br><a t=
arget=3D"_blank" href=3D"http://www.youtube.com/user/UccelloProject#p/u/3/6=
3XmxPl8fDo"><span class=3D"yshortcuts" id=3D"lw_1259963183_2">http://www.yo=
utube.com/user/UccelloProject#p/u/3/63XmxPl8fDo</span></a><br><br><span sty=
le=3D"background: transparent none repeat scroll 0% 0%; cursor: pointer; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial;" class=3D"yshortcuts" id=3D"lw_12=
59963183_3">Electric Bass w/ lots</span> of harmonics &amp; bowed Upright B=
ass:<br><br><a target=3D"_blank" href=3D"http://www.youtube.com/user/Uccell=
oProject#p/u/4/xK9oOzruAT4"><span class=3D"yshortcuts" id=3D"lw_1259963183_=
4">http://www.youtube.com/user/UccelloProject#p/u/4/xK9oOzruAT4</span></a><=
br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=0AThe show wi=
ll be at our midwife, Maggie Bennett's, house in Seaside,=0ACA, near Monter=
ey on the central coast.&nbsp; Maggie delivered our daughter=0AViola, and i=
s an amazing woman-here's a link to her website-definitely=0Aworth a look:&=
nbsp; <a target=3D"_blank" href=3D"http://www.gentlebirth.net/"><span class=
=3D"yshortcuts" id=3D"lw_1259963183_5">http://www.gentlebirth.net/</span></=
a><br><br>&nbsp;&nbsp;&nbsp;&nbsp; Show details:=0Athere is a suggested don=
ation of $12 (which includes refreshments too)=0ATo get the address please =
RSVP by replying to this email or calling me=0Aat <span style=3D"border-bot=
tom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class=3D"yshortcuts" id=
=3D"lw_1259963183_6">831-801-4920</span>.&nbsp; <br><br>Thanks for your tim=
e and I hope this email finds you all well!! -Steve=0A Uccello<br><br><a ta=
rget=3D"_blank" href=3D"http://www.steveuccello.com"><span class=3D"yshortc=
uts" id=3D"lw_1259963183_7">http://www.steveuccello.com</span></a><br><a ta=
rget=3D"_blank" href=3D"http://www.uccelloprojects.blogspot.com/"><span cla=
ss=3D"yshortcuts" id=3D"lw_1259963183_8">http://www.uccelloprojects.blogspo=
t.com/</span></a><br><br>Thanks to all of you for your time, and sorry if t=
hese are getting repetitive-have a great holiday season!<br></td></tr></tab=
le><br>=0A=0A      
--0-487095116-1259963393=:42706--

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Date: Fri, 4 Dec 2009 17:04:50 -0500
Message-ID: <9c3ebb9b0912041404q66dd12f7ld8b22c2c1d7816f2@mail.gmail.com>
Subject: Re: pci interface
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
Resent-Message-ID: <UfNG2.A._qB.DeYGLB@arsenic>
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Hi-
I believe someone (Per ?) was talking awhile ago about having the MIDI
and the audio on separate components.  I think it was about having the
most flexibility.  Just a thought if it doesn't throw off your plans
or your budget.

AG

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 22:08:27 2009
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Subject: Subject: Re: another foot-controller("CLICK")
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I have really enjoyed the metal switches I got from Brittish Audio
Service.  Used them to replace the little red buttons on the EDP foot
controller.  Haven't had one glitch since and I loves the feel for my
Fred Flinstone feet! (No Clicks!)

AG
>>>>>
I hope some day a manufacturer will understand the market potential of
a controller with smooth switches that don't *CLICK* when you step on
them.

From adusf33@sbcglobal.net  Fri Dec  4 22:18:22 2009
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Date: Fri, 4 Dec 2009 14:18:13 -0800 (PST)
From: Larry Martin <adusf33@sbcglobal.net>
Reply-To: larry.martin01@ymail.com
Subject: CAN YOU ASSIST AND BENEFIT AS WELL?
To: undisclosed recipients: ;
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Dear Sir/Madam,
=0A
=0ABefore I start, I must first apologize for this=0Aunsolicited mail to yo=
u. I am aware that this is certainly an=0Aunconventional approach to starti=
ng a relationship, but as time goes on=0Ayou will realize the need for my a=
ction.
=0A
=0AMy name is Barrister=0ALarry Martin, a solicitor and the personal attorn=
ey to Mr. John Canal,=0Aa citizen of your country, who worked with an oil c=
ompany in=0ANiger-Delta area of Nigeria. Here-in-after referred to as my cl=
ient. On=0Athe 21st of October 2009, my client, his wife and their three ch=
ildren=0Awere kidnapped/adopted by the Niger-Delta militants for a ransom o=
f=0AUS$10,000,000 (Ten Million United States Dollars). for your=0Aconfirmat=
ion, visit http://www.nairaland.com/nigeria/topic-7959.0.html
=0A
=0ASince=0Athen I have made several inquiries to your embassy and demanded =
that=0Athey come to the rescue of my client, but all my effort to actualize=
=0Athis was to no avail.
=0A
=0AAnd the irony is that my client has a=0Afixed sum of Fifteen Million Uni=
ted States Dollars (US$15M) deposited=0Awith the Intercontinental Bank Plc.=
 Nigeria which can not be withdrawn=0Awithout due legal processes.
=0AThough the said bank has summoned me=0Aand issued me an order to provide=
 the next of kin of my client in the=0Aabsence of his other family members =
who were all kidnapped alongside.
=0A
=0AMy=0Amain reason for contacting you is to assist me by giving me your=0A=
consent to present you as the next of kin to Mr. John Canal, which will=0Am=
ake you automatic beneficiary to these funds so that you can further=0Ainst=
ruct the Intercontinental Bank Plc. Nigeria to release=0AUS$10,000,000 (Ten=
 Million United States Dollars) to me to enable me=0Apay the ransom to the =
kidnappers and remit the remaining US$5,000,000=0A(Five Million United Stat=
es Dollars) to your account.
=0A
=0AOnce this=0Ais concluded and the US$5,000,000 (Five Million United State=
s Dollars)=0Aremitted to your account, you shall withhold US$1,000,000 (One=
 Million=0AUnited States Dollars) to yourself and keep US$4,000,000 (Four M=
illion=0AUnited States Dollars) till my client comes back to his country ho=
me.
=0AShould you be interested please send me your,
=0A
=0A=A0=A0=A01. Full names,
=0A=A0=A0=A02. Private phone number,
=0A=A0=A0=A03. Current residential address.
=0A
=0AAnd I will prefer you to reach me on my private email address below: (la=
rry.martin01@ymail.com)
=0AAnd finally, after that I shall provide you with more details of this op=
eration.
=0AYour earliest response to this letter will be appreciated.
=0A
=0AKind regards,
=0A
=0ABarr. Larry Martin.
=0ATel: + 234-8052029147
=0AAKARAKA CHAMBERS
=0ABARRISTER AND SOLICITOR
=0ANO 24 CANAL STREET WUSE
=0AABUJA- NIGERIA .
=0ATEL: + 234-8052029147
--0-980833416-1259965093=:56026
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Dear Sir/Madam,<br>=0A<br>=0ABefore I start, =
I must first apologize for this=0Aunsolicited mail to you. I am aware that =
this is certainly an=0Aunconventional approach to starting a relationship, =
but as time goes on=0Ayou will realize the need for my action.<br>=0A<br>=
=0AMy name is Barrister=0ALarry Martin, a solicitor and the personal attorn=
ey to Mr. John Canal,=0Aa citizen of your country, who worked with an oil c=
ompany in=0ANiger-Delta area of Nigeria. Here-in-after referred to as my cl=
ient. On=0Athe 21st of October 2009, my client, his wife and their three ch=
ildren=0Awere kidnapped/adopted by the Niger-Delta militants for a ransom o=
f=0AUS$10,000,000 (Ten Million United States Dollars). for your=0Aconfirmat=
ion, visit <a href=3D"http://www.nairaland.com/nigeria/topic-7959.0.html" t=
arget=3D"_blank">http://www.nairaland.com/nigeria/topic-7959.0.html</a><br>=
=0A<br>=0ASince=0Athen I have made several inquiries to your embassy and de=
manded that=0Athey come to the rescue of my client, but all my effort to ac=
tualize=0Athis was to no avail.<br>=0A<br>=0AAnd the irony is that my clien=
t has a=0Afixed sum of Fifteen Million United States Dollars (US$15M) depos=
ited=0Awith the Intercontinental Bank Plc. Nigeria which can not be withdra=
wn=0Awithout due legal processes.<br>=0AThough the said bank has summoned m=
e=0Aand issued me an order to provide the next of kin of my client in the=
=0Aabsence of his other family members who were all kidnapped alongside.<br=
>=0A<br>=0AMy=0Amain reason for contacting you is to assist me by giving me=
 your=0Aconsent to present you as the next of kin to Mr. John Canal, which =
will=0Amake you automatic beneficiary to these funds so that you can furthe=
r=0Ainstruct the Intercontinental Bank Plc. Nigeria to release=0AUS$10,000,=
000 (Ten Million United States Dollars) to me to enable me=0Apay the ransom=
 to the kidnappers and remit the remaining US$5,000,000=0A(Five Million Uni=
ted States Dollars) to your account.<br>=0A<br>=0AOnce this=0Ais concluded =
and the US$5,000,000 (Five Million United States Dollars)=0Aremitted to you=
r account, you shall withhold US$1,000,000 (One Million=0AUnited States Dol=
lars) to yourself and keep US$4,000,000 (Four Million=0AUnited States Dolla=
rs) till my client comes back to his country home.<br>=0AShould you be inte=
rested please send me your,<br>=0A<br>=0A&nbsp;&nbsp;&nbsp;1. Full names,<b=
r>=0A&nbsp;&nbsp;&nbsp;2. Private phone number,<br>=0A&nbsp;&nbsp;&nbsp;3. =
Current residential address.<br>=0A<br>=0AAnd I will prefer you to reach me=
 on my private email address below: (<a ymailto=3D"mailto:larry.martin01@ym=
ail.com" href=3D"http://uk.mc278.mail.yahoo.com/mc/compose?to=3Dlarry.marti=
n01@ymail.com">larry.martin01@ymail.com</a>)<br>=0AAnd finally, after that =
I shall provide you with more details of this operation.<br>=0AYour earlies=
t response to this letter will be appreciated.<br>=0A<br>=0AKind regards,<b=
r>=0A<br>=0ABarr. Larry Martin.<br>=0ATel: + 234-8052029147<br>=0AAKARAKA C=
HAMBERS<br>=0ABARRISTER AND SOLICITOR<br>=0ANO 24 CANAL STREET WUSE<br>=0AA=
BUJA- NIGERIA .<br>=0ATEL: + 234-8052029147</td></tr></table>
--0-980833416-1259965093=:56026--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  4 22:42:51 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Subject: Re: another foot-controller("CLICK")
Date: Fri, 04 Dec 2009 17:42:56 -0500
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.753.1)
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FCB?
On Dec 4, 2009, at 5:08 PM, Loaf citious wrote:

> I have really enjoyed the metal switches I got from Brittish Audio
> Service.  Used them to replace the little red buttons on the EDP foot
> controller.  Haven't had one glitch since and I loves the feel for my
> Fred Flinstone feet! (No Clicks!)
>
> AG
>>>>>>
> I hope some day a manufacturer will understand the market potential of
> a controller with smooth switches that don't *CLICK* when you step on
> them.
>

From harikunda20003@msn.com  Sat Dec  5 01:13:14 2009
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	 Fri, 4 Dec 2009 17:07:41 -0800
From:     hari kunda <harikunda25@gmail.com>
To:       ".." <..>
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Date: Sat, 5 Dec 2009 02:07:07 +0100
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X-OriginalArrivalTime: 05 Dec 2009 01:07:41.0943 (UTC) FILETIME=[58621070:01CA7547]

Dear Friend,
I Am Mr. Hari A. Kunda
 
However, It's Just my urgent need For foreign partner that made me to=
 contact you for this transaction.I am currently holding the post Of manager=
 foreign affairs the bank where I work (Bank of Africa,Ouagadougou. Burkina=
 Faso.


I got your contact when i was searching for an overseas partner to assist me=
 through banker's seminar held recently in UK I have the opportunity of=
 transferring the left over funds ($10.5million) abandoned in an account for=
 years.


Hence, i am inviting you for a business deal where this money can betransfer=
 to a foreign account shared between us in the ratio of 50% for me,40% for=
 you and 10% for any income expenses that will come during the transfer, if=
 you agree to my business proposal. Further details of the transfer will be=
 forwarded to you as soon as I receive your return mail.


your Full name
your country
your Telephone
your Occupation
your Status
your Age
Best regards
MR. HARI A. KUNDA.

 

 













































































































From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 02:49:17 2009
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To: <Loopers-Delight@loopers-delight.com>
Subject: Lake Butler Sound - Midi Mitigator CFC-4
Date: Fri, 4 Dec 2009 20:42:36 -0600
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I just bought a Lake Butler Sound - Midi Mitigator CFC-4 off Ebay.

I've had trouble finding any information about it...I can only assume =
because these were made so long ago...and must be somewhat rare.

I figured that I would likely never see one of these ever again! So I =
bid and now I've got one coming to me soon...

I was wondering if anyone was familiar with the CFC-4 and how it =
works?...particularly how to program it since from the photos I didn't =
see any buttons or displays on it...is there something I'm not seeing or =
do you program it with incoming midi commands from a computer or other =
device?

The CFC-4 looks awesome, and I couldn't pass it up because I just got an =
Electrix Repeater the other day too and I have no foot controls for it =
yet, (this is actually my 3rd time owning a Repeater) When I saw the =
CFC-4 I immediately thought...4 loop tracks and 4 midi expression =
pedals...I could control the volume for each track independently if =
nothing else. Might be pretty cool.

-Nathan
http://www.significantimagery.com

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<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2>I just bought a =
<SPAN=20
class=3Dpostbody>Lake Butler Sound - Midi Mitigator CFC-4 off=20
Ebay.</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN =
class=3Dpostbody>I've had=20
trouble finding any information about it...I can only assume because =
these were=20
made so long ago...and must be somewhat rare.</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN =
class=3Dpostbody>I figured=20
that I would likely never see one of these ever again! So I bid and now =
I've got=20
one coming to me soon...</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN =
class=3Dpostbody>I was=20
wondering if anyone was familiar with the CFC-4 and how it =
works?...particularly=20
how to program it since from the photos I didn't see any buttons or =
displays on=20
it...is there something I'm not seeing or do you program it with =
incoming midi=20
commands from a computer or other device?</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN =
class=3Dpostbody>The CFC-4=20
looks awesome, and I couldn't pass it up&nbsp;because I just got an =
Electrix=20
Repeater the other day too and I have no foot controls for it yet, (this =
is=20
actually my 3rd time owning a Repeater)&nbsp;When I saw the CFC-4&nbsp;I =

immediately thought...4 loop tracks and&nbsp;4 midi expression =
pedals...I could=20
control the volume for each track independently if nothing else. Might =
be pretty=20
cool.</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody>-Nathan</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN =
class=3Dpostbody><A=20
href=3D"http://www.significantimagery.com">http://www.significantimagery.=
com</A></SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=3Dpostbody><FONT face=3DArial size=3D2><SPAN=20
class=3Dpostbody></SPAN></FONT></SPAN>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 04:52:11 2009
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From: Kenn Lowy <kennlowy@me.com>
Subject: echoplex dieing?
Date: Fri, 04 Dec 2009 22:52:08 -0500
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I have two (echoplex) units. Unit two is older - today when I turned it on I could not get any sound. The left light (sound input) is lit up as if there is sound coming in (even when no sound source is plugged in). Any thoughts?

Also, any idea what stereo unit can replace the echoplex?

thanks -

klowy (aka wrinklemuzik)

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 05:39:35 2009
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Date: Sat, 5 Dec 2009 00:39:33 -0500
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Subject: Re: echoplex dieing?
From: james fowler <twostroke@gmail.com>
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looperlative lp1

On Friday, December 4, 2009, Kenn Lowy <kennlowy@me.com> wrote:
> I have two (echoplex) units. Unit two is older - today when I turned it on I could not get any sound. The left light (sound input) is lit up as if there is sound coming in (even when no sound source is plugged in). Any thoughts?
>
> Also, any idea what stereo unit can replace the echoplex?
>
> thanks -
>
> klowy (aka wrinklemuzik)
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 06:34:56 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Livestream gig spam
Date: Sat, 5 Dec 2009 01:34:55 -0500
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I am coming out of my semi retirement, lol, for a live looping improv show 
tomorrow on Livestream.

I really hope all of you can make it.

where:
http://livestream.com/jeffdukelive

when:
http://tinyurl.com/ykzpn4y

peace,

Jeff 

From sylvia1955@sify.com  Sat Dec  5 08:43:25 2009
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From: "Mrs Sylvia Stroher" <sylvia1955@sify.com>
Reply-To: shealyasso@hotmail.com
Subject: BLESS YOU
Date: Fri, 4 Dec 2009 20:11:24 -1200
Message-Id: <20091205075804.M90797@sify.com>
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From:Lady Sylvia Ströher
23-16  street, Berlin,Germany.

I am Lady Sylvia Ströher suffering from cancerous ailment.
I am married to Lord Stroher,a German shipping tycoon notable
for his great wealth,influential extended family,and charitable
activities all his life before his death.Our life together as man
and wife lasted for three decades without child.My husband died
after a protracted illness in August 22,2007.My husband and I made
a vow to uplift the down-trodden and the less-privileged individuals
as he had passion for persons who can not help themselves due to
physical disability or financial predicament.I can adduce this to
the fact that he needed a Child from this relationship,which never
came.

When my late husband was alive he deposited the sum of 20.000.000.00
(Twenty Million Great Britain Pounds Sterling) which were derived from his
vast estates and investment in capital market with his bank in United
Kingdom and named me as the beneficiary of this trust fund.
Presently,this money is still with the Bank.

Recently, my Doctor told me that I have limited days to live due to
the cancerous problems I am suffering from.Though what bothers me
most is the stroke that I have in addition to the cancer.
With this hard reality that has befallen my family,and me I have
decided to donate this fund to you and want you to use this gift
which comes from my husbands effort to fund the upkeep of widows,
widowers,orphans,destitute, the down- trodden, physically challenged
children,barren-women and persons who prove to be genuinely
handicapped financially.

It is often said that blessed is the hand that giveth. I took this
decision because Ido not have any child that will inherit this
money and my husband relatives are bourgeois and very wealthy
persons and I do not want my husband's hard earned money to be
misused or invested into ill perceived ventures.I do not want a
situation where this money will be used in a worldly manner, hence
the reason for taking this bold decision.I am not afraid of death
hence I know where I am going.I do not need any telephone
communication in this regard due to my deteriorating health and
because of the presence of my husbands relatives around me as
i am currently bed ridden in the Family house here in 23-16  street,
Berlin,Germany.

and do not receive any visitors unless approved
by Huwer Stroher who is the immediate younger brother to my late
husband.I do not want them to know about this development in order
to safeguard this bequest.I will also authorise my Private Attorney
in the UK whom i communicate with via emails all the time,to issue
a Letter of Authority that will empower you as the new beneficiary
of this fund, he would also endorse my WILL where i will name you
as the beneficiary of the 20.000.000.Million GBP.You can contact my
personal Lawyer through his email address only on this email below please:

Barrister Jones Shealy
Email: shealyjon@hotmail.com

Tell him that I have WILLED the said sum to you and the reason for
doing this is best known to me.My happiness is that I lived a life
worthy of emulation. Please always be kindhearted all through your
life.Please assure me that you will act just as I have stated herein.

Your's Sincerely
Lady Sylvia Ströher

From mrjohnsonmoo@live.com  Sat Dec  5 09:11:56 2009
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Reply-To: <mrjohnsonmoore@live.com>
From: "Marion" <mrjohnsonmoo@live.com>
Subject: FOR YOUR ATTENTION. 
Date: Fri, 4 Dec 2009 23:02:28 -0000
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My Dear Friend,
I'm happy to inform you about my success in getting those funds transferred under the cooperation of a new partner from holland. Presently I'm in holland for investment projects with my own share of the total sum.meanwhile,I didn't forget your past efforts and attempts to assist me in transferring those funds despite that it failed us some how.
Now contact my secretary in Senegal Dakar his name is Mr.Johnson Moore,E-mail- (mrjohnsonmoore@live.com)ask him to send you the total$1.3Million United State Dollars, which i kept for your compensation for all the past efforts and attempts to assist me in this matter.
I appreciated your efforts at that time very much. So feel free and get in contact with my secretary Mr.Johnson Moore instruct him where to send the amount to you. Please do let me know immediately you receive it so that we can share the joy after all the sufferness at that time. In the moment, I am very busy here because of the investment projects Which me and the new partner are having at hand, finally, remember that I had forwarded instruction to the secretary on your behalf to receive that money,so feel free to get in touch with Mr.Johnson he will sends the amount to you without any delay.

Best Regards
Hon.Barrister Marion

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 09:18:15 2009
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Date: Sat, 05 Dec 2009 04:18:04 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Listen To The AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, December 5 at 6 am
(EST/GMT-5/ITZ-5).  I will continue the special on Sequences Electronic
Music Magazine's sampler CDs in Phase 1.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 09:28:36 2009
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>> Also, any idea what stereo unit can replace the echoplex?
james fowler wrote:
> looperlative lp1

the LP1 is a good option,
...but significantly different in it's capabilities to the EDP.

a setup with both would be really cool ;-)



> 
> On Friday, December 4, 2009, Kenn Lowy <kennlowy@me.com> wrote:
>> I have two (echoplex) units. Unit two is older - today when I turned it on I could not get any sound. 

>The left light (sound input) is lit up as if there is sound coming in (even when no sound source is plugged in). Any thoughts?

take it to your local electronic repair guy


>>
>> klowy (aka wrinklemuzik)
>>
>>
andy butler

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Subject: Re: Livestream gig spam
References: <000501ca7575$0f1f3f90$53f33747@YOUR08D5303051>
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And when are you going to do that, please? (date/time)

Jeff Duke schrieb:
> I am coming out of my semi retirement, lol, for a live looping improv 
> show tomorrow on Livestream.
>
> I really hope all of you can make it.
>
> where:
> http://livestream.com/jeffdukelive
>
> when:
> http://tinyurl.com/ykzpn4y
>
> peace,
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 11:05:20 2009
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Sorry Jeff and gang, please ignore. It's early in the morning ;)

-------- Original-Nachricht --------
Betreff: 	Re: Livestream gig spam
Datum: 	Sat, 05 Dec 2009 11:52:12 +0100
Von: 	Rainer Straschill <moinsound@googlemail.com>
An: 	Loopers-Delight@loopers-delight.com
Referenzen: 	<000501ca7575$0f1f3f90$53f33747@YOUR08D5303051>



And when are you going to do that, please? (date/time)

Jeff Duke schrieb:
> I am coming out of my semi retirement, lol, for a live looping improv 
> show tomorrow on Livestream.
>
> I really hope all of you can make it.
>
> where:
> http://livestream.com/jeffdukelive
>
> when:
> http://tinyurl.com/ykzpn4y
>
> peace,
>
> Jeff
>


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	 <44e368750912042139tdbe3afdpd1d750570645a089@mail.gmail.com>
	 <4B1A27DB.4080205@tiscali.co.uk>
Date: Sat, 5 Dec 2009 08:34:01 -0500
Message-ID: <44e368750912050534s18666c69nf71a7b2e1b59c277@mail.gmail.com>
Subject: Re: echoplex dieing?
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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true, nothing will ever "replace" the edp...

On Saturday, December 5, 2009, andy butler <akbutler@tiscali.co.uk> wrote:
>
>
> Also, any idea what stereo unit can replace the echoplex?
>
> james fowler wrote:
>
> looperlative lp1
>
>
> the LP1 is a good option,
> ...but significantly different in it's capabilities to the EDP.
>
> a setup with both would be really cool ;-)
>
>
>
>
>
> On Friday, December 4, 2009, Kenn Lowy <kennlowy@me.com> wrote:
>
> I have two (echoplex) units. Unit two is older - today when I turned it on I could not get any sound.
>
>
>
> The left light (sound input) is lit up as if there is sound coming in (even when no sound source is plugged in). Any thoughts?
>
>
> take it to your local electronic repair guy
>
>
>
>
> klowy (aka wrinklemuzik)
>
>
>
> andy butler
>
>

From info@staatsloterij.nl  Sat Dec  5 14:26:49 2009
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From: "NEDERLANDSE STAATSLOTERIJ"<info@staatsloterij.nl>
Subject: NEDERLANDSE STAATSLOTERIJ XMAS & NEW -YEAR  BONANZA  
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From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 15:17:34 2009
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Subject: Re: echoplex dieing?
Date: Sat, 5 Dec 2009 10:17:32 -0500
References: <913537B0-7034-4472-B02C-E89AA36E5D34@me.com> <44e368750912042139tdbe3afdpd1d750570645a089@mail.gmail.com> <4B1A27DB.4080205@tiscali.co.uk> <44e368750912050534s18666c69nf71a7b2e1b59c277@mail.gmail.com>
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James, Andy,

Could you please expand on your own experiences (difference)  between  
the Looperative Lp and the EDP?
I have an EDP, which I do love. However, I use it in my own studio  
environment and cannot imagine using it live, since sometimes it seems  
that it has a mind of its own.

Thanks
Todd




On Dec 5, 2009, at 8:34 AM, james fowler wrote:

> true, nothing will ever "replace" the edp...
>
> On Saturday, December 5, 2009, andy butler <akbutler@tiscali.co.uk>  
> wrote:
>>
>>
>> Also, any idea what stereo unit can replace the echoplex?
>>
>> james fowler wrote:
>>
>> looperlative lp1
>>
>>
>> the LP1 is a good option,
>> ...but significantly different in it's capabilities to the EDP.
>>
>> a setup with both would be really cool ;-)
>>
>>
>>
>>
>>
>> On Friday, December 4, 2009, Kenn Lowy <kennlowy@me.com> wrote:
>>
>> I have two (echoplex) units. Unit two is older - today when I  
>> turned it on I could not get any sound.
>>
>>
>>
>> The left light (sound input) is lit up as if there is sound coming  
>> in (even when no sound source is plugged in). Any thoughts?
>>
>>
>> take it to your local electronic repair guy
>>
>>
>>
>>
>> klowy (aka wrinklemuzik)
>>
>>
>>
>> andy butler
>>
>>
>

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	 <44e368750912042139tdbe3afdpd1d750570645a089@mail.gmail.com>
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Date: Sat, 5 Dec 2009 16:53:21 +0100
Message-ID: <66f9cc1e0912050753k642cc07k56e006491304f874@mail.gmail.com>
Subject: Re: echoplex dieing?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 5, 2009 at 4:17 PM, Todd Chambeau <tchambeau@comcast.net> wrote=
:
> Could you please expand on your own experiences (difference) =C2=A0betwee=
n the
> Looperative Lp and the EDP?

I have only used EDP and Repeater, so my knowledge about the
Looperlative comes from reading the manual and discussions on the
Looperlative forum. A feature I like in the EDP, that lacks in the
Looperlative, is the option to cue many loops on a track. A
Looperlative would be more like having eight stereo pairs of EDPs all
set to "MoreLoops =3D 1", i.e. only one loop each.  You can fake loop
cuing on a Looperlative by using a "Next Loop" pedal to mute the
playing track and un-mute another track. The sounding result would
then be the same as with the EDP, except for the stereo/mono
difference and the fact that an EDP offers up to 16 loops.

A great thing with the Looperlative is that it offers up to eight
simultaneously sounding stereo loops. When you are not forced to layer
all musical parts into the same loop, as with the EDP, you can have
fun with parallel loops of different length etc.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 16:04:08 2009
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Date: Sat, 5 Dec 2009 08:04:07 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: echoplex dieing?
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
MIME-Version: 1.0
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I have using a LP1, it is very powerfull and easy to use. The only other similar tool I know is Kyma with looper software emulating EDP
Antony
Sent from my iPhone

On Dec 5, 2009, at 4:53 PM, Per Boysen <perboysen@gmail.com> wrote:

On Sat, Dec 5, 2009 at 4:17 PM, Todd Chambeau <tchambeau@comcast.net> wrote:
Could you please expand on your own experiences (difference)  between the
Looperative Lp and the EDP?

I have only used EDP and Repeater, so my knowledge about the
Looperlative comes from reading the manual and discussions on the
Looperlative forum. A feature I like in the EDP, that lacks in the
Looperlative, is the option to cue many loops on a track. A
Looperlative would be more like having eight stereo pairs of EDPs all
set to "MoreLoops = 1", i.e. only one loop each.  You can fake loop
cuing on a Looperlative by using a "Next Loop" pedal to mute the
playing track and un-mute another track. The sounding result would
then be the same as with the EDP, except for the stereo/mono
difference and the fact that an EDP offers up to 16 loops.

A great thing with the Looperlative is that it offers up to eight
simultaneously sounding stereo loops. When you are not forced to layer
all musical parts into the same loop, as with the EDP, you can have
fun with parallel loops of different length etc.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




      

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Date: Sat, 5 Dec 2009 17:20:15 +0100
Message-ID: <66f9cc1e0912050820k44ca6b54jcd65a64bfb3013e0@mail.gmail.com>
Subject: Re: echoplex dieing?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 5, 2009 at 5:04 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
> The only other similar tool I know is Kyma with looper software emulating EDP

If software solutions are also of interest I myself have since five
years ago moved from EDP/Repeater into Mobius. It doesn't need Kyma
but runs on any computer with an audio interface. Mobius started out
emulating the EDP but have evolved into a unique looping platform
thanks to an active user community and a developer that understands to
pick up the best parts of user requests, put them into context and
take it all one step further. One area where Mobius differs from the
EDP and Looperlative is in its scripting capability. Back when I used
my EDP I sometimes hooked it up to a sequencer where I could trigger
sequences of commands, as opposed to tap dancing over the foot control
pedals. With Mobius I can do this much more efficiently by assembling
a sequence of commands as a script and trigger the whole shebang from
just one pedal.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 17:15:59 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4B1A3E6A.9000308@googlemail.com>
Subject: Re: Re: Livestream gig spam]
Date: Sat, 5 Dec 2009 12:15:57 -0500
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Rainer and all, I am going live now
http://livestream.com/jeffdukelive 


J

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: "Looper's Delight Mailing List" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, December 05, 2009 6:05 AM
Subject: [Fwd: Re: Livestream gig spam]


> Sorry Jeff and gang, please ignore. It's early in the morning ;)
> 
> -------- Original-Nachricht --------
> Betreff: Re: Livestream gig spam
> Datum: Sat, 05 Dec 2009 11:52:12 +0100
> Von: Rainer Straschill <moinsound@googlemail.com>
> An: Loopers-Delight@loopers-delight.com
> Referenzen: <000501ca7575$0f1f3f90$53f33747@YOUR08D5303051>
> 
> 
> 
> And when are you going to do that, please? (date/time)
> 
> Jeff Duke schrieb:
>> I am coming out of my semi retirement, lol, for a live looping improv 
>> show tomorrow on Livestream.
>>
>> I really hope all of you can make it.
>>
>> where:
>> http://livestream.com/jeffdukelive
>>
>> when:
>> http://tinyurl.com/ykzpn4y
>>
>> peace,
>>
>> Jeff
>>
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 17:50:48 2009
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Date: Sat, 5 Dec 2009 09:50:47 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: echoplex dieing?
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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M=F6bius sounds very powerfull. You can also chain commands or create group=
s of loops which respond to a command with Looperlative LP1, but I do not k=
now how far Mobius carries the scripting thing.=0AAntony Hequet=0APoet comp=
oser performer=0A=0ASent from my iPhone=0A=0AOn Dec 5, 2009, at 5:20 PM, Pe=
r Boysen <perboysen@gmail.com> wrote:=0A=0AOn Sat, Dec 5, 2009 at 5:04 PM, =
Antony Hequet <antonyhequet@yahoo.com> wrote:=0AThe only other similar tool=
 I know is Kyma with looper software emulating EDP=0A=0AIf software solutio=
ns are also of interest I myself have since five=0Ayears ago moved from EDP=
/Repeater into Mobius. It doesn't need Kyma=0Abut runs on any computer with=
 an audio interface. Mobius started out=0Aemulating the EDP but have evolve=
d into a unique looping platform=0Athanks to an active user community and a=
 developer that understands to=0Apick up the best parts of user requests, p=
ut them into context and=0Atake it all one step further. One area where Mob=
ius differs from the=0AEDP and Looperlative is in its scripting capability.=
 Back when I used=0Amy EDP I sometimes hooked it up to a sequencer where I =
could trigger=0Asequences of commands, as opposed to tap dancing over the f=
oot control=0Apedals. With Mobius I can do this much more efficiently by as=
sembling=0Aa sequence of commands as a script and trigger the whole shebang=
 from=0Ajust one pedal.=0A=0AGreetings from Sweden=0A=0APer Boysen=0Awww.bo=
ysen.se=0Awww.perboysen.com=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 18:09:55 2009
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Date: Sat, 5 Dec 2009 19:09:54 +0100
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Subject: Re: echoplex dieing?
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On Sat, Dec 5, 2009 at 6:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
> I do not know how far Mobius carries the scripting thing.

Same as the non scripted interface. Anything that you can do with the
application can as well be put into a script.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sat, 5 Dec 2009 10:50:35 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: echoplex dieing?
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But can you delay actions or put logic arguments, meaning conditions for an event to happen or not to happen?
Sent from my iPhone

On Dec 5, 2009, at 7:09 PM, Per Boysen <perboysen@gmail.com> wrote:

On Sat, Dec 5, 2009 at 6:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
I do not know how far Mobius carries the scripting thing.

Same as the non scripted interface. Anything that you can do with the
application can as well be put into a script.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




      

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 19:19:28 2009
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Date: Sat, 05 Dec 2009 20:23:48 +0100
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Subject: Re: Subject: Re: another foot-controller("CLICK")
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If by "FCB" you mean so say FCB1010 switches are comfi, I beg to differ:
To be sure they engage right at the right time, I have to step on them 
on the frontedge.
Because they're hinged, stepping on the mid part isn't reliable, and my 
foot tends to follow the signalstream from my brain, which relies on an 
optical image of the hinged rectangular button, fed to it by my eyes.
In this special case (i.e. me), interpolated pattern recognition just 
doesn't do it :D

I'll take nice pointy metal buttons any day!
BTW, do the ones referred have a clearly 'felt' activation point?


Chris Sewell wrote:
> FCB?

> On Dec 4, 2009, at 5:08 PM, Loaf citious wrote:
> 
>> I have really enjoyed the metal switches I got from Brittish Audio
>> Service.  Used them to replace the little red buttons on the EDP foot
>> controller.  Haven't had one glitch since and I loves the feel for my
>> Fred Flinstone feet! (No Clicks!)
>>
>> AG
>>
>>>>>>>
>> I hope some day a manufacturer will understand the market potential of
>> a controller with smooth switches that don't *CLICK* when you step on
>> them.
>>
> 
> 


-- 
rgds,
van Sinn

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Date: Sat, 5 Dec 2009 20:29:29 +0100
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Subject: Re: echoplex dieing?
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Well, I use a lot of "if" statements. Of course combined with an
"else" statement. This is setting conditions for alternate actions.
Conditions can be the general mode/state the loop is in ("overdub",
"multiply", "rate shift", "reverse" etc) or a condition can be just
the value of some parameter.

Delay of actions work similar to the EDP's Quantize setting. But in
Mobius scripting you can define an exact number of "time units" to
wait until executing a certain script line. There are three such "time
units":
1. Cycle (the length of the first loop you recorded)
2. Loop (the present length of the active/selected loop; it may have
been multiplied or divided since recorded i.e. setting the cycle
value)
3. Sub Cycle (a division of a Cycle, set by a "8thsPerCycle" parameter.

Random statements can also be used in scripting.
http://www.circularlabs.com/scripts.htm

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Dec 5, 2009 at 7:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
> But can you delay actions or put logic arguments, meaning conditions for an event to happen or not to happen?
> Sent from my iPhone
>
> On Dec 5, 2009, at 7:09 PM, Per Boysen <perboysen@gmail.com> wrote:
>
> On Sat, Dec 5, 2009 at 6:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
> I do not know how far Mobius carries the scripting thing.
>
> Same as the non scripted interface. Anything that you can do with the
> application can as well be put into a script.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
>
>
>
>

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About foot controllers, van sinn said:

 > I'll take nice pointy metal buttons any day!

See, different requirements for every performer. I tend to like to play 
barefoot when at home (or wearing very soft Budo-kinda shoes when 
playing a concert), and for that use cases, anything pointy is not what 
I prefer...


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Date: Sat, 5 Dec 2009 11:57:47 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: echoplex dieing?
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Well that is pretty powerfull. LP1 nowhere that sophisticated. Antony

Sent from my iPhone

On Dec 5, 2009, at 8:29 PM, Per Boysen <perboysen@gmail.com> wrote:

Well, I use a lot of "if" statements. Of course combined with an
"else" statement. This is setting conditions for alternate actions.
Conditions can be the general mode/state the loop is in ("overdub",
"multiply", "rate shift", "reverse" etc) or a condition can be just
the value of some parameter.

Delay of actions work similar to the EDP's Quantize setting. But in
Mobius scripting you can define an exact number of "time units" to
wait until executing a certain script line. There are three such "time
units":
1. Cycle (the length of the first loop you recorded)
2. Loop (the present length of the active/selected loop; it may have
been multiplied or divided since recorded i.e. setting the cycle
value)
3. Sub Cycle (a division of a Cycle, set by a "8thsPerCycle" parameter.

Random statements can also be used in scripting.
http://www.circularlabs.com/scripts.htm

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Dec 5, 2009 at 7:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
But can you delay actions or put logic arguments, meaning conditions for an event to happen or not to happen?
Sent from my iPhone

On Dec 5, 2009, at 7:09 PM, Per Boysen <perboysen@gmail.com> wrote:

On Sat, Dec 5, 2009 at 6:50 PM, Antony Hequet <antonyhequet@yahoo.com> wrote:
I do not know how far Mobius carries the scripting thing.

Same as the non scripted interface. Anything that you can do with the
application can as well be put into a script.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com











      

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From: van Sinn <vansinn@post.cybercity.dk>
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
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Sjaak Overgaauw wrote:
> Motu has launched a USB + firewire version of the Ultralite mk3.
> 
> http://www.motu.com/products/motuaudio/ultralite-mk3/


Thanks a lot for the attention, Shaak ;)
Looks very sexy, and can be used standalone in a rig without a PC/Mac..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 21:23:35 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Subject: Re: another foot-controller("CLICK")
References: <9c3ebb9b0912041408t7038648fg3f3f38390a82251f@mail.gmail.com> <F71E4D31-904D-4A23-908C-3BDDD1708F8E@mac.com> <4B1AB344.5070102@post.cybercity.dk> <4B1AB9F2.6090904@googlemail.com>
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Rainer Straschill wrote:
> About foot controllers, van sinn said:
> 
>  > I'll take nice pointy metal buttons any day!
> 
> See, different requirements for every performer. I tend to like to play 
> barefoot when at home (or wearing very soft Budo-kinda shoes when 
> playing a concert), and for that use cases, anything pointy is not what 
> I prefer...

Hehe, I get your point ;)  I actually wear the same things at home, and 
yes, pointy buttons are less comfi with those.
I was actually thinking of replacing my FCB hinged buttons with pointy 
metal ones, and gluing a larger rounded 'thingy' onto those..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 21:36:08 2009
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Subject: Re: echoplex dieing?
Date: Sat, 5 Dec 2009 15:36:03 -0600
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 > Delay of actions work similar to the EDP's Quantize setting. But in
 > Mobius scripting you can define an exact number of "time units" to
 > wait until executing a certain script line. There are three such  
"time
 > units":
 > 1. Cycle...
 > 2. Loop...
 > 3. Sub Cycle...

There are a few other time units but they are not used as often.

"Wait msec N" waits a certain number of milliseconds.  This can be
useful when implementing a gradual fade in or out.

"Wait frame N" waits a certain number of frames (samples).

"Wait last" waits for the last function to complete, if the function
was itself delayed due to quantization.

"Wait switch" waits until a loop switch finishes.

"Wait beat" waits until the next beat as defined by the external sync  
master
(MIDI beat or plugin host transport beat).

"Wait bar" waits until the next bar as defined by the external sync  
master
(MIDI bar or plugin host transport bar).

"Wait externalStart" waits until the first beat of the external sync
master pattern.

There are a few others but they are only used for testing.

Waits can be combined with expressions using built-in variables that  
contain
information about the loop, for example this will wait until the exact  
middle
of the loop.

    Wait until frame loopFrames / 2

The "until" keywoard makes this an absolute time wait rather than  
relative
to the current loop position.  "frame" says the wait unit is frames  
(think of
these as the same as samples).  "loopFrames" is an internal variable  
that holds
the size of the loop.  "loopFrames / 2" divides the size by 2.   So  
for a 2 second
loop of 88200 frames, the script would wait until frame 44100, then  
continue.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Dec  5 21:54:48 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Subject: Re: another foot-controller("CLICK")
Date: Sat, 05 Dec 2009 16:54:05 -0500
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Wow. I just push the buttons with my feet. Works everytime.
On Dec 5, 2009, at 2:23 PM, van Sinn wrote:

> If by "FCB" you mean so say FCB1010 switches are comfi, I beg to  
> differ:
> To be sure they engage right at the right time, I have to step on  
> them on the frontedge.
> Because they're hinged, stepping on the mid part isn't reliable,  
> and my foot tends to follow the signalstream from my brain, which  
> relies on an optical image of the hinged rectangular button, fed to  
> it by my eyes.
> In this special case (i.e. me), interpolated pattern recognition  
> just doesn't do it :D
>
> I'll take nice pointy metal buttons any day!
> BTW, do the ones referred have a clearly 'felt' activation point?
>
>
> Chris Sewell wrote:
>> FCB?
>
>> On Dec 4, 2009, at 5:08 PM, Loaf citious wrote:
>>> I have really enjoyed the metal switches I got from Brittish Audio
>>> Service.  Used them to replace the little red buttons on the EDP  
>>> foot
>>> controller.  Haven't had one glitch since and I loves the feel  
>>> for my
>>> Fred Flinstone feet! (No Clicks!)
>>>
>>> AG
>>>
>>>>>>>>
>>> I hope some day a manufacturer will understand the market  
>>> potential of
>>> a controller with smooth switches that don't *CLICK* when you  
>>> step on
>>> them.
>>>
>
>
> -- 
> rgds,
> van Sinn
>

From www@mail.dinet.ru  Sun Dec  6 02:47:53 2009
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<p>&nbsp;</p>
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On Sat, Dec 5, 2009 at 10:54 PM, Chris Sewell <lunamusic@mac.com> wrote:

> Wow. I just push the buttons with my feet. Works everytime.
>
>
Ha ha!  me too.. !!
As for the clicking noise some buttons make ... play louder! THAT works for
me!
oh.. and I play bare foot... even on stage...
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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On Sat, Dec 5, 2009 at 10:54 PM, Chris Sewell <span dir=3D"ltr">&lt;<a href=
=3D"mailto:lunamusic@mac.com">lunamusic@mac.com</a>&gt;</span> wrote:<br><d=
iv class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"border-=
left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left=
: 1ex;">

Wow. I just push the buttons with my feet. Works everytime.<div><div></div>=
<br></div></blockquote><div><br>Ha ha!=A0 me too.. !! <br>As for the clicki=
ng noise some buttons make ... play louder! THAT works for me!<br>oh.. and =
I play bare foot... even on stage... <br>

</div></div>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancom=
be.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user=
825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://u=
k.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c123acd7b4f047a0abadd--

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Date: Sun, 6 Dec 2009 11:47:27 +0100
Message-ID: <66f9cc1e0912060247jc71766bqd7f833144f951291@mail.gmail.com>
Subject: Re: Subject: Re: another foot-controller("CLICK")
From: Per Boysen <perboysen@gmail.com>
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> On Sat, Dec 5, 2009 at 10:54 PM, Chris Sewell <lunamusic@mac.com> wrote:
>>
>> Wow. I just push the buttons with my feet. Works everytime.

On Sun, Dec 6, 2009 at 8:59 AM, mark francombe <mark@markfrancombe.com> wro=
te:
> Ha ha!=C2=A0 me too.. !!
> As for the clicking noise some buttons make ... play louder! THAT works f=
or
> me!
> oh.. and I play bare foot... even on stage...


Apple used to manufacture these cute small socks for iPods. You could
ask Behringer to manufacture a big fluffy sock for the FCB1010! Thick
enough to muffle the CLICK sound but still soft to let you manipulate
the button controls through the texture.

Greetings from Sweden

Per Boysen
(just following the trend in this exciting thread ;-)

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 10:49:24 2009
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From: Toby Graves <carpet8@mac.com>
Subject: Re: Subject: Re: another foot-controller("CLICK")
Date: Sun, 06 Dec 2009 02:47:50 -0800
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I've implemented the "drinking bird" to do my pedal switching for me.

t
On Dec 6, 2009, at 2:47 AM, Per Boysen wrote:

>> On Sat, Dec 5, 2009 at 10:54 PM, Chris Sewell <lunamusic@mac.com>  
>> wrote:
>>>
>>> Wow. I just push the buttons with my feet. Works everytime.
>
> On Sun, Dec 6, 2009 at 8:59 AM, mark francombe  
> <mark@markfrancombe.com> wrote:
>> Ha ha!  me too.. !!
>> As for the clicking noise some buttons make ... play louder! THAT  
>> works for
>> me!
>> oh.. and I play bare foot... even on stage...
>
>
> Apple used to manufacture these cute small socks for iPods. You could
> ask Behringer to manufacture a big fluffy sock for the FCB1010! Thick
> enough to muffle the CLICK sound but still soft to let you manipulate
> the button controls through the texture.
>
> Greetings from Sweden
>
> Per Boysen
> (just following the trend in this exciting thread ;-)
>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 14:40:01 2009
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Subject: Galactic Travels Top 20 Report for November, 2009.
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http://wdiy.org/programs/gt/playlists/2009/top20-11nov.html

WDIY 88.1 FM "Galactic Travels" Top 20 for November, 2009.
Shows #657 to #660; 5-November-2009 to 26-November-2009
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for November was Fanger and Schonwalder.



ARTIST - ALBUM TITLE - LABEL
===========================================================
ARC - Arcturus - DiN
Andreas Akwara - Quantum - Groove
Arcane - Tomorrow's Wasteland - none
Create - Words Just Get In the Way - none
Deborah Martin and Erik Wollo - between worlds - Spotted Peccary
Dreamwind - Seventh Phase - Jennica
Erik Wollo and Bernhard Wostheinrich - Arcadia Borealis - DiN
Fanger and Schonwalder - Analog Overdose - The Ricochet Dream Edition 
disk 1 - Ricochet Dream
Fanger and Schonwalder - Analog Overdose - The Ricochet Dream Edition 
disk 2 - Ricochet Dream
Fanger and Schonwalder - Analog Overdose 2 disk 1 - Manikin
Fanger and Schonwalder - Analog Overdose 2 disk 2 - Manikin
Fanger and Schonwalder - Stromschlag - Manikin
Free System Projekt, Brendan Pollard, and Hashtronaut - Time Out of Mind 
- Acoustic Wave
Jeff Greinke - Virga - Lotuspike
Nunc Stans and Mystified - One Thousand Dreams - Dataobscura
Redshift - RE Three - Distant Sun
Remy - Exhibition of Dreams - AKH
Ron Boots, Frank Dorittke, Harold van der Heijden - Derby! - Groove
SYNTH.NL - OceanoGraphy - Groove
Terje Winther - Electronic Regions - Bajkal

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From tinajosemaoks@terra.es  Sun Dec  6 15:33:41 2009
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From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 16:49:17 2009
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Subject: Re: Subject: Re: another foot-controller("CLICK")
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Ok, I geddit.. ;)
enough of those foot-smelling jokes, haha :D
from now on I'll just press the sweat out of my socks and suffer..



Toby Graves wrote:
> I've implemented the "drinking bird" to do my pedal switching for me.
> 
> t
> On Dec 6, 2009, at 2:47 AM, Per Boysen wrote:
> 
>>> On Sat, Dec 5, 2009 at 10:54 PM, Chris Sewell <lunamusic@mac.com>  
>>> wrote:
>>>
>>>>
>>>> Wow. I just push the buttons with my feet. Works everytime.
>>
>>
>> On Sun, Dec 6, 2009 at 8:59 AM, mark francombe  
>> <mark@markfrancombe.com> wrote:
>>
>>> Ha ha!  me too.. !!
>>> As for the clicking noise some buttons make ... play louder! THAT  
>>> works for
>>> me!
>>> oh.. and I play bare foot... even on stage...
>>
>>
>>
>> Apple used to manufacture these cute small socks for iPods. You could
>> ask Behringer to manufacture a big fluffy sock for the FCB1010! Thick
>> enough to muffle the CLICK sound but still soft to let you manipulate
>> the button controls through the texture.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> (just following the trend in this exciting thread ;-)


-- 
rgds,
van Sinn

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Subject: OT: Logic Zoom HELP!!!
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Quick one to the group that knows..

Im about to throw Logic out of the window with frustration and go back to a
cassete recorder, when life was fun!
Ive got a deadline to do a stupid bit of music, and I idiotically switched
to Logic for it (its the sounds man... lovig the libraby sounds threw
swathes of weird eq and delay)

BUT for the love of GOD!!! Can someone PLEASE let me in on the secret that
is Logics Idea of functionaliy in the Piano roll view???
*PART ONE*
Why the F*** does it make some kinda new "clip" (maybe this a what logic
calls a region???) EVERYTIME I hit record??? Im just over dubbing man!!!!! =
I
dont need a new clip.. I just gotta select ALL on the track and do a merge.=
.
EVERYTIME... Im trying to SEE my music and make corrections... how can I do
that when every thing i record goes into a new window????

OR AM I MISSING SOMETHING?

*PART TWO*
Please.. pretty please... with a cherry.. can somebody please explain what
Im supposed to do about Zooooooooming in the Piano Roll? Why cant Apple jus=
t
have me press Z to get the zoom tool in plus and then ZZ for the Zomm tool
=EDn minus..  (Like in their other product Final Cut Pro) What does Z do he=
re?
oh? It zooms in on what ever is selected... usually ONE note... Oh and
please nobody point me to the HELL that is the keyboard shortcut window? I
have a Norsk eyboard and it relates not AT ALL to anything.. (Well ok Apple
C X and V work.. but.. )

So again.. I ask.. what do Apple mean me to do?? Im spending ALL my time on
those stupid arrow at the end of the track anclicking small increments just
in case I.. Oh shit... now I zoomed it right out again...

AM I MISSING SOMETHING?

Are Apple so damn clever that they want to not use the standard Adobe zoom
methods... at least they could have stuck to the same concepts between
products...

I know I know Im supposed to read the manual, do a million tutorials and on=
e
day.. Ill find out that its brilliant... Sorry.. doesnt work.. Ive learnt
dozens of programs in my time, none have given me this much frustration wit=
h
such a simple thing...

Rant over... sorry guys.. guess I just needed time away from Logic

M


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00504502c4697a4cec047a14cdcf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Quick one to the group that knows.. <br><br>Im about to throw Logic out of =
the window with frustration and go back to a cassete recorder, when life wa=
s fun!<br>Ive got a deadline to do a stupid bit of music, and I idiotically=
 switched to Logic for it (its the sounds man... lovig the libraby sounds t=
hrew swathes of weird eq and delay)<br>

<br>BUT for the love of GOD!!! Can someone PLEASE let me in on the secret t=
hat is Logics Idea of functionaliy in the Piano roll view??? <br><b>PART ON=
E</b><br>Why the F*** does it make some kinda new &quot;clip&quot; (maybe t=
his a what logic calls a region???) EVERYTIME I hit record??? Im just over =
dubbing man!!!!! I dont need a new clip.. I just gotta select ALL on the tr=
ack and do a merge.. EVERYTIME... Im trying to SEE my music and make correc=
tions... how can I do that when every thing i record goes into a new window=
????<br>

<br>OR AM I MISSING SOMETHING?<br><br><b>PART TWO</b><br>Please.. pretty pl=
ease... with a cherry.. can somebody please explain what Im supposed to do =
about Zooooooooming in the Piano Roll? Why cant Apple just have me press Z =
to get the zoom tool in plus and then ZZ for the Zomm tool =EDn minus..=A0 =
(Like in their other product Final Cut Pro) What does Z do here? oh? It zoo=
ms in on what ever is selected... usually ONE note... Oh and please nobody =
point me to the HELL that is the keyboard shortcut window? I have a Norsk e=
yboard and it relates not AT ALL to anything.. (Well ok Apple C X and V wor=
k.. but.. )<br>

<br>So again.. I ask.. what do Apple mean me to do?? Im spending ALL my tim=
e on those stupid arrow at the end of the track anclicking small increments=
 just in case I.. Oh shit... now I zoomed it right out again...<br><br>

AM I MISSING SOMETHING?<br><br>Are Apple so damn clever that they want to n=
ot use the standard Adobe zoom methods... at least they could have stuck to=
 the same concepts between products... <br><br>I know I know Im supposed to=
 read the manual, do a million tutorials and one day.. Ill find out that it=
s brilliant... Sorry.. doesnt work.. Ive learnt dozens of programs in my ti=
me, none have given me this much frustration with such a simple thing... <b=
r>

<br>Rant over... sorry guys.. guess I just needed time away from Logic<br><=
br>M<br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.co=
m">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">htt=
p://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--00504502c4697a4cec047a14cdcf--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 20:17:53 2009
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Subject: Re: OT: Logic Zoom HELP!!!
Date: Sun, 6 Dec 2009 12:17:45 -0800
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On Dec 6, 2009, at 12:00 PM, mark francombe wrote:

> PART ONE
> Why the F*** does it make some kinda new "clip" (maybe this a what =20
> logic calls a region???) EVERYTIME I hit record??? Im just over =20
> dubbing man!!!!! I dont need a new clip..

I think you have to make sure cycle mode is turned on, the loop button =20=

- check under the settings icon above left for record midi should show =20=

merge for cycle otherwise you get "takes".

> PART TWO
> Please.. pretty please... with a cherry.. can somebody please =20
> explain what Im supposed to do about Zooooooooming in the Piano =20
> Roll? Why cant Apple just have me press Z to get the zoom tool in =20
> plus and then ZZ for the Zomm tool =EDn minus..  (Like in their other =20=

> product Final Cut Pro) What does Z do here? oh? It zooms in on what =20=

> ever is selected... usually ONE note...

I use Control -Left arrow/Right Arrow. There is a zoom tool - click on =20=

the arrow at the top right of the window for the tools, zoom is down =20
midway.


b


http://cdbaby.com/cd/rpcollier5=

--Apple-Mail-4-503107818
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 6, 2009, =
at 12:00 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><b>PART ONE</b><br>Why the F*** =
does it make some kinda new "clip" (maybe this a what logic calls a =
region???) EVERYTIME I hit record??? Im just over dubbing man!!!!! I =
dont need a new =
clip..&nbsp;<br></span></blockquote><div><br></div><div>I think you have =
to make sure cycle mode is turned on, the loop button - check under the =
settings icon above left for record midi should show merge for cycle =
otherwise you get "takes".</div><br><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><b>PART TWO</b><br>Please.. =
pretty please... with a cherry.. can somebody please explain what Im =
supposed to do about Zooooooooming in the Piano Roll? Why cant Apple =
just have me press Z to get the zoom tool in plus and then ZZ for the =
Zomm tool =EDn minus..&nbsp; (Like in their other product Final Cut Pro) =
What does Z do here? oh? It zooms in on what ever is selected... usually =
ONE note...</span></blockquote></div><br><div>I use Control -Left =
arrow/Right Arrow. There is a zoom tool - click on the arrow at the top =
right of the window for the tools, zoom is down =
midway.</div><div><br></div><div><br></div><div>b</div><div><br></div><div=
><br></div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
11px/normal 'Lucida Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></body></html>=

--Apple-Mail-4-503107818--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 20:28:08 2009
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Date: Sun, 6 Dec 2009 21:28:07 +0100
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Subject: Re: OT: Logic Zoom HELP!!!
From: Per Boysen <perboysen@gmail.com>
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On Sun, Dec 6, 2009 at 9:00 PM, mark francombe <mark@markfrancombe.com> wrote:
> PART ONE
> Why the F*** does it make some kinda new "clip" (maybe this a what logic
> calls a region???) EVERYTIME I hit record???

Could be because you are recording over another region ("clip") on the
same track. What happens then is that Logic assumes you are recording
alternate takes of the same musical part. Logic's reaction to that is
to create a "Takes Folder", one graphic container for all alternate
takes. After your tracking session you are supposed to open the Takes
Folder, monitor and review all alternate tracks and chose one or
compile a final version with bits and pieces from many different
takes. But all this is still happening on just one track and two audio
files can not play back over one and the same track.

If you want to avoid the Takes Folder hysteria (that's what I usually
do) you should create a bunch of tracks to record on and stay away
from recording over an earlier recording on the same track. When you
create tracks, hit 7 instead of 1 and just jump down one step fore
each new recording. You can mover them around on tracks later if you
want to gue them together (like "overdubbing" as you wrote, which is a
looping term that doesn't exist in the DAW world)


> PART TWO
> Please.. pretty please... with a cherry.. can somebody please explain what
> Im supposed to do about Zooooooooming in the Piano Roll?

I zoom like in a web browser, with the scroll mouse wheel while
holding down the "ctrl" key. I think there's an additional or other
modifier key to zoom the other direction (I never remember cause it
takes a second to try out every time ;-)

If you notice that you often zoom in a certain way it may be a good
idea to save your preferred zooming and window setup as a screen set.
Then you only have to hit a number key to call up that screen set.
Much faster and more convenient than zooming, if you ask me. To save a
window setup that you like as a screen set you hit "shift-L" (or mouse
the top menu for it). Lock the screen set to keep it come up exactly
the same in the future. When the screen set is locked you see a small
black dot up at the menu before the screen set's number.

When thinking about it I realize that I almost never zoom in Logic.
You are really right about zooming being extremely hard on our fragile
patience! Locked screen sets are the way to go!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 21:01:43 2009
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Subject: Re: OT: Logic Zoom HELP!!!
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--0016e6407e2cd82c0b047a15a5fb
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my favorite Logic zoom method is opt-cmd-drag. you drag over the area you
want to fill the screen while holding those keys. and you know you can also
drag the ends of the scroll bars to expand and contract the view.

--0016e6407e2cd82c0b047a15a5fb
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my favorite Logic zoom method is opt-cmd-drag. you drag over the area you want to fill the screen while holding those keys. and you know you can also drag the ends of the scroll bars to expand and contract the view.<br>

--0016e6407e2cd82c0b047a15a5fb--

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Date: Sun, 06 Dec 2009 22:33:00 +0100
From: van Sinn <vansinn@post.cybercity.dk>
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Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
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Sjaak Overgaauw wrote:
> Motu has launched a USB + firewire version of the Ultralite mk3.
> 
> http://www.motu.com/products/motuaudio/ultralite-mk3/


Sorry about cont. being OT, but do I have the correct observation that 
obtaining the manual has to cost $20?  (+ having to create a login)


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 22:10:56 2009
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	 <101191640912061301r14b2e021o864598fc38da4f86@mail.gmail.com>
Date: Sun, 6 Dec 2009 23:10:55 +0100
Message-ID: <66f9cc1e0912061410l1413e99bl12fc31858193fbe9@mail.gmail.com>
Subject: Re: OT: Logic Zoom HELP!!!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Dec 6, 2009 at 10:01 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
> my favorite Logic zoom method is opt-cmd-drag.

Pressing the cmn key is default for calling up the "Secondary Tool",
as chosen in the upper right corner of whatever window you are working
in. So if you have the Zoom Tool as secondary it should behave as you
describe. Except for the cmd key... maybe that's a modification you
have done to the default key commands?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: OT: Logic Zoom HELP!!!
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If and when you come back to Logic you can check out YouTube tutorials =20=

from my dear friend Dave (aka SFLogicNinja).
He covers just about everything you'd need to know about Logic on his =20=

many free tutorials!

Just search SFLogicNinja on YouTube.

Good luck!

Daniel

Sent from my iPhone

On Dec 6, 2009, at 12:00 PM, mark francombe <mark@markfrancombe.com> =20
wrote:

> Quick one to the group that knows..
>
> Im about to throw Logic out of the window with frustration and go =20
> back to a cassete recorder, when life was fun!
> Ive got a deadline to do a stupid bit of music, and I idiotically =20
> switched to Logic for it (its the sounds man... lovig the libraby =20
> sounds threw swathes of weird eq and delay)
>
> BUT for the love of GOD!!! Can someone PLEASE let me in on the =20
> secret that is Logics Idea of functionaliy in the Piano roll view???
> PART ONE
> Why the F*** does it make some kinda new "clip" (maybe this a what =20
> logic calls a region???) EVERYTIME I hit record??? Im just over =20
> dubbing man!!!!! I dont need a new clip.. I just gotta select ALL on =20=

> the track and do a merge.. EVERYTIME... Im trying to SEE my music =20
> and make corrections... how can I do that when every thing i record =20=

> goes into a new window????
>
> OR AM I MISSING SOMETHING?
>
> PART TWO
> Please.. pretty please... with a cherry.. can somebody please =20
> explain what Im supposed to do about Zooooooooming in the Piano =20
> Roll? Why cant Apple just have me press Z to get the zoom tool in =20
> plus and then ZZ for the Zomm tool =C3=ADn minus..  (Like in their =
other =20
> product Final Cut Pro) What does Z do here? oh? It zooms in on what =20=

> ever is selected... usually ONE note... Oh and please nobody point m=20=

> e to the HELL that is the keyboard shortcut window? I have a Norsk e=20=

> yboard and it relates not AT ALL to anything.. (Well ok Apple C X an=20=

> d V work.. but.. )
>
> So again.. I ask.. what do Apple mean me to do?? Im spending ALL my =20=

> time on those stupid arrow at the end of the track anclicking small =20=

> increments just in case I.. Oh shit... now I zoomed it right out =20
> again...
>
> AM I MISSING SOMETHING?
>
> Are Apple so damn clever that they want to not use the standard =20
> Adobe zoom methods... at least they could have stuck to the same =20
> concepts between products...
>
> I know I know Im supposed to read the manual, do a million tutorials =20=

> and one day.. Ill find out that its brilliant... Sorry.. doesnt =20
> work.. Ive learnt dozens of programs in my time, none have given me =20=

> this much frustration with such a simple thing...
>
> Rant over... sorry guys.. guess I just needed time away from Logic
>
> M
>
>
> --=20
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>If and when you come back to Logic =
you can check out YouTube tutorials from my dear friend Dave (aka =
SFLogicNinja).</div><div>He covers just about everything you'd need to =
know about Logic on his many free =
tutorials!</div><div><br></div><div>Just search SFLogicNinja on =
YouTube.</div><div><br></div><div>Good =
luck!</div><div><br></div><div>Daniel&nbsp;<br></div><div><br>Sent from =
my iPhone</div><div><br>On Dec 6, 2009, at 12:00 PM, mark francombe =
&lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Quick one =
to the group that knows.. <br><br>Im about to throw Logic out of the =
window with frustration and go back to a cassete recorder, when life was =
fun!<br>Ive got a deadline to do a stupid bit of music, and I =
idiotically switched to Logic for it (its the sounds man... lovig the =
libraby sounds threw swathes of weird eq and delay)<br>

<br>BUT for the love of GOD!!! Can someone PLEASE let me in on the =
secret that is Logics Idea of functionaliy in the Piano roll view??? =
<br><b>PART ONE</b><br>Why the F*** does it make some kinda new "clip" =
(maybe this a what logic calls a region???) EVERYTIME I hit record??? Im =
just over dubbing man!!!!! I dont need a new clip.. I just gotta select =
ALL on the track and do a merge.. EVERYTIME... Im trying to SEE my music =
and make corrections... how can I do that when every thing i record goes =
into a new window????<br>

<br>OR AM I MISSING SOMETHING?<br><br><b>PART TWO</b><br>Please.. pretty =
please... with a cherry.. can somebody please explain what Im supposed =
to do about Zooooooooming in the Piano Roll? Why cant Apple just have me =
press Z to get the zoom tool in plus and then ZZ for the Zomm tool =C3=ADn=
 minus..&nbsp; (Like in their other product Final Cut Pro) What does Z =
do here? oh? It zooms in on what ever is selected... usually ONE note... =
Oh and please nobody point me to the HELL that is the keyboard shortcut =
window? I have a Norsk eyboard and it relates not AT ALL to anything.. =
(Well ok Apple C X and V work.. but.. )<br>

<br>So again.. I ask.. what do Apple mean me to do?? Im spending ALL my =
time on those stupid arrow at the end of the track anclicking small =
increments just in case I.. Oh shit... now I zoomed it right out =
again...<br><br>

AM I MISSING SOMETHING?<br><br>Are Apple so damn clever that they want =
to not use the standard Adobe zoom methods... at least they could have =
stuck to the same concepts between products... <br><br>I know I know Im =
supposed to read the manual, do a million tutorials and one day.. Ill =
find out that its brilliant... Sorry.. doesnt work.. Ive learnt dozens =
of programs in my time, none have given me this much frustration with =
such a simple thing... <br>

<br>Rant over... sorry guys.. guess I just needed time away from =
Logic<br><br>M<br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com"><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a =
href=3D"http://vimeo.com/user825094"><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><b=
r>

<a href=3D"http://uk.youtube.com/user/markfrancombe"><a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a></a><br><a =
href=3D"http://www.myspace.com/markfrancombe"><a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a></a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a></a><br>


</div></blockquote></body></html>=

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--001636d347478f4fbb047a176f2a
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What happens then is that Logic assumes you are recording

> alternate takes of the same musical part. Logic's reaction to that is
> to create a "Takes Folder", one graphic container for all alternate
> takes.
>

I guessed this Per.. But its odd that it works the same way on the midi
side!!!!  In Audio recording.. sure.. youll prob wanna record a few bars..
but with midi, Im almost always dropping in 3 notes.. dropping in!! Isnt
this supposed to be an emulation of an old school tape recording studio? I
just wanna drop in.. on the same track.. and look at the midi nots Ive
created, Quantise them if ness, and move on!


> You can mover them around on tracks later if you
> want to gue them together (like "overdubbing" as you wrote, which is a
> looping term that doesn't exist in the DAW world)
>

HUH? Per.. where have you been..? Overdubbing is and has ALWAYS been a
recording studio term, and absolutely NOTHING to do with looping... apart
from the fact that OVERDUB is mentioned on certain loopers...
Overdubbing is recording on top of a previous recording, without erasing the
last... usually by being on a different track...








> PART TWO
> Please.. pretty please... with a cherry.. can somebody please explain what
> Im supposed to do about Zooooooooming in the Piano Roll?

 I zoom like in a web browser, with the scroll mouse wheel while
> holding down the "ctrl" key. I think there's an additional or other
> modifier key to zoom the other direction (I never remember cause it
> takes a second to try out every time ;-)
>
>
Tried this.. OK.. funky but I can get used to it.. Thanks Per... Ill
practice this one...

FYI Its a combination of ctrl and shift I NOW figured out... ctrl is a vert
zoom, and shift ctrl is a horiz zoom... nice... finally!!!


> If you notice that you often zoom---SNIP---Lock the screen set to keep it
> come up exactly
> the same in the future.
>

Nope I CANT be bother with this... I have no idea what a screen set is.. as
far as Im concerned, Logics MAIN fault is that its TOO user configurable...
half the interface is taken up with what combinations of tabs and windows I
want to show... Try to find Normalise.. or Reverse.. then you have a
battle..!!! Want to rearrange the windows for

>
> When thinking about it I realize that I almost never zoom in Logic.
> You are really right about zooming being extremely hard on our fragile
> patience! Locked screen sets are the way to go!
>


Waht?? you dont zoom??? Personaly I need to be at the note level and the bar
level, I need to be able to grab across multiple tracks and grab sections of
All instruments, and copy paste, and move.. Nope of this is easy in Logic..
or not out of the box in any rate... no they make you choose your own
keyboard shortcuts first.. lazy buggers!!

Whats the key combo to switch between pencil (create a midi note) and the
arrow... I cant find it... Now if they had bothered to program the keys for
you, then a nice simple hover tool-tip would teach me... but.. alas...

But anyway.. music out of logic sounds lovely... so thats nice!

Bed time... the deadline has flown by...

Mark
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636d347478f4fbb047a176f2a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

What happens then is that Logic assumes you are recording<br><div class=3D"=
gmail_quote"><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
alternate takes of the same musical part. Logic&#39;s reaction to that is<b=
r>
to create a &quot;Takes Folder&quot;, one graphic container for all alterna=
te<br>
takes.<br></blockquote><div><br>I guessed this Per.. But its odd that it wo=
rks the same way on the midi side!!!!=A0 In Audio recording.. sure.. youll =
prob wanna record a few bars.. but with midi, Im almost always dropping in =
3 notes.. dropping in!! Isnt this supposed to be an emulation of an old sch=
ool tape recording studio? I just wanna drop in.. on the same track.. and l=
ook at the midi nots Ive created, Quantise them if ness, and move on!<br>

=A0<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
You can mover them around on tracks later if you<br>
want to gue them together (like &quot;overdubbing&quot; as you wrote, which=
 is a<br>
looping term that doesn&#39;t exist in the DAW world)<br></blockquote><div =
class=3D"im"><br>HUH? Per.. where have you been..? Overdubbing is and has A=
LWAYS been a recording studio term, and absolutely NOTHING to do with loopi=
ng... apart from the fact that OVERDUB is mentioned on certain loopers...<b=
r>

Overdubbing is recording on top of a previous recording, without erasing th=
e last... usually by being on a different track... <br><br><br><br><br><br>=
<br><br><br>
&gt; PART TWO<br>
&gt; Please.. pretty please... with a cherry.. can somebody please explain =
what<br>
&gt; Im supposed to do about Zooooooooming in the Piano Roll?<br>
<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I zoom like in a web browser, with the scroll mouse wheel while<br>
holding down the &quot;ctrl&quot; key. I think there&#39;s an additional or=
 other<br>
modifier key to zoom the other direction (I never remember cause it<br>
takes a second to try out every time ;-)<br>
<br></blockquote><div><br>Tried this.. OK.. funky but I can get used to it.=
. Thanks Per... Ill practice this one...<br><br>FYI Its a combination of ct=
rl and shift I NOW figured out... ctrl is a vert zoom, and shift ctrl is a =
horiz zoom... nice... finally!!!<br>

=A0<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
If you notice that you often zoom---SNIP---Lock the screen set to keep it c=
ome up exactly<br>
the same in the future. <br></blockquote><div><br>Nope I CANT be bother wit=
h this... I have no idea what a screen set is.. as far as Im concerned, Log=
ics MAIN fault is that its TOO user configurable... half the interface is t=
aken up with what combinations of tabs and windows I want to show... Try to=
 find Normalise.. or Reverse.. then you have a battle..!!! Want to rearrang=
e the windows for <br>

</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
When thinking about it I realize that I almost never zoom in Logic.<br>
You are really right about zooming being extremely hard on our fragile<br>
patience! Locked screen sets are the way to go!<br></blockquote><div><br><b=
r>Waht?? you dont zoom??? Personaly I need to be at the note level and the =
bar level, I need to be able to grab across multiple tracks and grab sectio=
ns of All instruments, and copy paste, and move.. Nope of this is easy in L=
ogic.. or not out of the box in any rate... no they make you choose your ow=
n keyboard shortcuts first.. lazy buggers!! <br>

<br>Whats the key combo to switch between pencil (create a midi note) and t=
he arrow... I cant find it... Now if they had bothered to program the keys =
for you, then a nice simple hover tool-tip would teach me... but.. alas...<=
br>

<br>But anyway.. music out of logic sounds lovely... so thats nice!<br><br>=
Bed time... the deadline has flown by...<br><br>Mark<br></div></div>-- <br>=
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a hr=
ef=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--001636d347478f4fbb047a176f2a--

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	 <66f9cc1e0912061228n7774e42ib2f2e96a6254a6e1@mail.gmail.com>
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Date: Sun, 6 Dec 2009 23:17:10 +0000
Message-ID: <d302e3570912061517m445708f7x242a38355ea16aec@mail.gmail.com>
Subject: Re: OT: Logic Zoom HELP!!!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d7e89a53570a047a178a70
Content-Type: text/plain; charset=ISO-8859-1

i zoom by holding down ctrl and dragging a box over the area i want to look
at. then to go back to your original view, just hold down ctrl and click -
easy

> PART TWO
> > Please.. pretty please... with a cherry.. can somebody please explain
> what
> > Im supposed to do about Zooooooooming in the Piano Roll?
>
>

--0016e6d7e89a53570a047a178a70
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i zoom by holding down ctrl and dragging a box over the area i want to look=
 at. then to go back to your original view, just hold down ctrl and click -=
 easy<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" s=
tyle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8e=
x; padding-left: 1ex;">
<div class=3D"gmail_quote"><div><div class=3D"im">
&gt; PART TWO<br>
&gt; Please.. pretty please... with a cherry.. can somebody please explain =
what<br>
&gt; Im supposed to do about Zooooooooming in the Piano Roll?<br><br></div>=
</div></div></blockquote></div>

--0016e6d7e89a53570a047a178a70--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  6 23:53:28 2009
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Date: Mon, 7 Dec 2009 00:53:27 +0100
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Subject: Re: OT: Logic Zoom HELP!!!
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On Mon, Dec 7, 2009 at 12:09 AM, mark francombe <mark@markfrancombe.com> wrote:

> I guessed this Per.. But its odd that it works the same way on the midi
> side!!!!

Oops... I thought you were talking audio. Sorry. Merging MIDI in Cycle
recording is essential! Look up to the left and open the menu
"Settings/Recording". In that window you can set your preferences for
how Logic will deal with overlapping MIDI recordings. I personally
like it best to "Merge only in Cycle record".



> Nope I CANT be bother with this... I have no idea what a screen set is..

Oh, I thought I just told you? ;-)


> Waht?? you dont zoom???

Noop. Or rather, I zoom once and then I lock that zoom level to a new
screen set, like at key "2" if I ususally work in screen set "1". So I
just hit the 1 and 2 keys instead of bothering with the tedious zoom
function. It's just because work so much in Logic and have to stay
sane... ;-)


> Whats the key combo to switch between pencil (create a midi note) and the
> arrow...

Pressing down "cmd" calls up Secondary Tool. This is the tool you
chose in the little box and drop-down menu at the upper right corner
of any window (arrange, piano roll, score etc....) After you have
chosen your preferred Secondary Tool you should lock the screen set
for Logic to remember that setting. (shift L, or top menu with mouse).
You may have different tools pre configured as your Secondary Tool of
choice for different work spaces to make it easier as you work.

You may also use the right mouse button to drop down a context menu
with the tools available for the window you are working in. If you
want that you go to "Preferences/General/Editing" and chose what to
drop down under the right mouse button. One useful setting there is
"Assignable to a tool", because then you get three quick access tools
when working in the windows.

Tool 1: Simply press down left mouse button (pointer tool, maybe?)
Tool 2: Pen tool
Tool 3: Scissors tool

...or just change them three tools and lock the screen set for
whatever the working situation is.

>
> But anyway.. music out of logic sounds lovely... so thats nice!

Some people believe that is the purpose of the application.

Nighty nighty...

per

From mazsi@doc.kozut.hu  Mon Dec  7 00:26:04 2009
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<p>Crazy Baby thinks you will really like this YouTube Video.</p>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec  7 10:30:05 2009
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Hi Mark

> HUH? Per.. where have you been..? Overdubbing is and has ALWAYS been a 
> recording studio term, and absolutely NOTHING to do with looping... 
> apart from the fact that OVERDUB is mentioned on certain loopers...
> Overdubbing is recording on top of a previous recording, without erasing 
> the last... usually by being on a different track...
In the classic analogue tape based recording world overdubbing means: 
record a second track, with the same instrument. Analogue tapes never 
were able to record on the same track twice without deleting  the first 
take. (ok, in 1974 when I was a highschool boy I glued aluminium foil on 
the erase head of my cassette recorder and made overdubbing that way, 
but this is another story...)



Florian

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On Sun, Dec 6, 2009 at 10:33 PM, van Sinn <vansinn@post.cybercity.dk> wrote=
:
> Sorry about cont. being OT, but do I have the correct observation that
> obtaining the manual has to cost $20? =A0(+ having to create a login)

I only have a hard copy, I don't think Motu offers free PDF manuals.
If there is anything you want to know, just ask ok? :)
--
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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	<4B1CD986.4060304@mnet-online.de>
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--001636d34747aa6e9d047a219662
Content-Type: text/plain; charset=ISO-8859-1

You are right of course, but Just to be picky the first album I recorded was
done on a Tascam somethig DS.. and it had something called SOS, Sound on
Sound... this WAS overdubbing with the Erase head off... if you made a
mistake you could do it again (cos really it was bounceing from left to
right.. or something...) but once you were happy you couldnt go back... so..
scary, but I never knew anyother way at the time... so I er.. wasnt scared!!
ha ha!

mark

On Mon, Dec 7, 2009 at 11:31 AM, Florian Anwander
<fanwander@mnet-online.de>wrote:

> Hi Mark
>
>  HUH? Per.. where have you been..? Overdubbing is and has ALWAYS been a
>> recording studio term, and absolutely NOTHING to do with looping... apart
>> from the fact that OVERDUB is mentioned on certain loopers...
>> Overdubbing is recording on top of a previous recording, without erasing
>> the last... usually by being on a different track...
>>
> In the classic analogue tape based recording world overdubbing means:
> record a second track, with the same instrument. Analogue tapes never were
> able to record on the same track twice without deleting  the first take.
> (ok, in 1974 when I was a highschool boy I glued aluminium foil on the erase
> head of my cassette recorder and made overdubbing that way, but this is
> another story...)
>
>
>
> Florian
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636d34747aa6e9d047a219662
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

You are right of course, but Just to be picky the first album I recorded wa=
s done on a Tascam somethig DS.. and it had something called SOS, Sound on =
Sound... this WAS overdubbing with the Erase head off... if you made a mist=
ake you could do it again (cos really it was bounceing from left to right..=
 or something...) but once you were happy you couldnt go back... so.. scary=
, but I never knew anyother way at the time... so I er.. wasnt scared!!<br>

ha ha!<br><br>mark<br><br><div class=3D"gmail_quote">On Mon, Dec 7, 2009 at=
 11:31 AM, Florian Anwander <span dir=3D"ltr">&lt;<a href=3D"mailto:fanwand=
er@mnet-online.de">fanwander@mnet-online.de</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Hi Mark<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
HUH? Per.. where have you been..? Overdubbing is and has ALWAYS been a reco=
rding studio term, and absolutely NOTHING to do with looping... apart from =
the fact that OVERDUB is mentioned on certain loopers...<br>
Overdubbing is recording on top of a previous recording, without erasing th=
e last... usually by being on a different track...<br>
</blockquote>
In the classic analogue tape based recording world overdubbing means: recor=
d a second track, with the same instrument. Analogue tapes never were able =
to record on the same track twice without deleting =A0the first take. (ok, =
in 1974 when I was a highschool boy I glued aluminium foil on the erase hea=
d of my cassette recorder and made overdubbing that way, but this is anothe=
r story...)<br>

<font color=3D"#888888">
<br>
<br>
<br>
Florian<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636d34747aa6e9d047a219662--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  7 11:39:49 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Logic Zoom HELP!!!--bouncing tape
References: <9ab0c76f0912061200o3d823dbdi9c77084a2b5c9d1b@mail.gmail.com> 	<66f9cc1e0912061228n7774e42ib2f2e96a6254a6e1@mail.gmail.com> 	<9ab0c76f0912061509l2f1390f6g4e472fddde6b1cc7@mail.gmail.com> 	<4B1CD986.4060304@mnet-online.de> <9ab0c76f0912070316l4480613avf444b1bfaaf5f316@mail.gmail.com>
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Indeed, "bouncing" is the technical term.
On a 2 track reel to reel machine you would record on track 1,
then play that back and re-record it onto track 2,
while mixing in the "overdub".
There was no chance to drop in for mistakes, so you
had to play the whole take perfectly in one go.
Luckily, track 1 was left intact by the process,
so you could do take after take.
Once track 2 was perfect, it was tempting to
bounce back onto track 1 again...and so on.

there's more....
andy butler





mark francombe wrote:
> You are right of course, but Just to be picky the first album I recorded 
> was done on a Tascam somethig DS.. and it had something called SOS, 
> Sound on Sound... this WAS overdubbing with the Erase head off... if you 
> made a mistake you could do it again (cos really it was bounceing from 
> left to right.. or something...) but once you were happy you couldnt go 
> back... so.. scary, but I never knew anyother way at the time... so I 
> er.. wasnt scared!!
> ha ha!
> 
> mark
> 

From Loopers-Delight-request@loopers-delight.com  Mon Dec  7 11:45:39 2009
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Is there a recording of Zoes appearence available for download?

Florian

>> I'm playing with Imogen Heap in at the Music Hall in Brooklyn on
>> Thursday. The show is sold out, but Billboard is streaming the concert
>> live[...]

From Loopers-Delight-request@loopers-delight.com  Mon Dec  7 13:05:03 2009
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    <4B1C230C.4040903@post.cybercity.dk>
    <e89a49d30912070313ifc498e5y9d001980f3c70c58@mail.gmail.com>
Date: Mon, 7 Dec 2009 09:05:02 -0400 (AST)
Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Sjaak,

Thanks for the update, I've been looking for something like this that
supports usb2, for a while now.
Anyone on the list tried it yet?

Andre

On Mon, December 7, 2009 7:13 am, Sjaak Overgaauw wrote:
> On Sun, Dec 6, 2009 at 10:33 PM, van Sinn <vansinn@post.cybercity.dk>
> wrote:
>> Sorry about cont. being OT, but do I have the correct observation that
>> obtaining the manual has to cost $20?  (+ having to create a login)
>
> I only have a hard copy, I don't think Motu offers free PDF manuals.
> If there is anything you want to know, just ask ok? :)
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/
>
>


Andre Donawa

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From admin@vkontakte.ru  Mon Dec  7 14:24:03 2009
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looparc,

Ð¡ÐµÑ€Ð³ÐµÐ¹ Ð‘ÐµÐ»Ð¾Ð² has added you as a friend on the website VK.com

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We give out loan in low interest rate of 4%. For more information on our =
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From anonymous@cybernetique2.com  Mon Dec  7 16:21:40 2009
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Dear Friend,

This letter may come to you as a surprise due to the fact that we have not yet met.

After searching through the internet. I am contacting you to let us assist children of conflict, to help children affected by war and disaster, I don't want you to feel sorry for me, because, I believe everyone will Die someday. Let me start by introducing my humble self, I am James Carl, a merchant here in London, presently taking medical treatment. Now, I have been diagnosed with Prostate cancer that was discovered very late due to my uncaring attitude for my health.

It has defiled all form of medicine and right now, I have only about a few months to live according to medical experts. To be sincere with you, I have not particularly lived my life so well, as I never really cared for anyone not even myself but my business and money. Though I am wealthy, I was never generous, I was always hostile to people and only focused on my business as that was the only thing I cared for. But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the world.

 I believe when God gives me a second chance to come to this world I would live my life a different way from how I have lived it. Now that I know my time is almost up, I have willed and given most of my properties and assets to my immediate and extended family members and as well as a few close friends. I have decided to give alms to charity organizations, as I want this to be one of the last good deeds I do on earth.
So far, I have distributed money to some charity organizations in
Myanmar, Indonesia, China, and Africa at large.

Now that my health has Deteriorated so badly, I cannot do this my self any more. I once asked Members of my family to close one of my accounts and donate the money Which I have there to some charity organizations in Myanmar,Indonesia,China and Africa at large, they refused and kept the Money to themselves. Hence, I do not trust them anymore, as they seem not to be content with what I have left for them.


The last of my money is the huge cash deposit ($400,000) that I have
With a security firm. I will want you to help me collect this deposit and dispatch it to charity organizations and let them know that it is I, Mr.James Carl . That is making this generous donation.
I am writing this from my laptop computer in my hospital bed where I wait for my time to come. You can reply me through my private email address: jamescarl001@gmail.com

As soon as I receive your sincere response, I will hence give you all the Necessary details of how this can be done. I pray that you will support And assist me with good heart so that I can be able to achieve my goal. If you accept to help me do this, I promise you a reward of 30% of the ($400,000).

Thank you for understanding.
James Carl .
I own the under listed companies
James Carl and associates
James Carl Logistics (Removals, Relocation, Delivery and Storage).




From mai-de@yiliazhang.com  Mon Dec  7 16:26:42 2009
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From: "Maide Machine Co.,Ltd" <info@mai-de.com.hk>
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>Dear sir,<br><br>We wish to retain your services to facilitate in=
 the retrieval of delinquent accounts and holdings from our customers in Un=
ited States.These accounts have been delinquent for a while, due to the cur=
rent issues posed by the current economic status affecting business owners =
around the world, and we have been lenient enough to give a credit period o=
f 3 months, which started in the month of November in the year, 2008, befor=
e requesting payments. We would like for the accounts to be mediated and cl=
osed before the end of the incoming quarter. We believe that all owed funds=
 to our company will be made payable contingent upon acquiring the assistan=
ce of your office. Also, the companies that have disarray with have been le=
gitimate to our company for years so we believe and hope that the need for =
litigation will not arise. We would like to receive your retainer agreement=
, rates and all other essential material regarding your firm's (your) compe=
nsation policies. These, and all other material can be communicated true me=
 for secretarial references.<br><br>I look forward to your prompt response.=
<br><br>Yilia Zhang<br>Vice President<br>Company:Maide machine Co.,Ltd<br>A=
dd: Dongou Industrial Park,Oubei,Wenzhou,<br>Zhejiang,325105,China<br>Tel :=
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	linux@linux.ucla.edu,u00a21-ibe.ln1@busse.user.cis.dfn.de,37fc8d9f.6ff74f60@catskill.net,hrtucz1t9@4ax.com,john.morris@ualberta.ca,1@zeus.polsl.gliwice.pl,wwrobel22@aol.com,propatria@3w3.net,mjw@bahnhof.se,denisp@cs.ucla.edu,fahmad@mum.edu,johnwenger@earthlink.net,87k78tlzla.fsf@web.de,goran.krampe@bluefish.se,dway@riskmetrics.com,jdrg@egroups.com,squeak@yahoogroups.com,jdrozdowski@my-deja.com,ru8xx@aol.com,1@readme.uio.no,helmut@sdf-eu.org,jenny@sdf-eu.org,diegogomezdeck@consultar.com,martin.drautzburg@web.de,mhz@sdf-eu.org,mattw@xtc.net,name@some.host,odonnell@heron.tc.clarkson.edu,polradko@ix.netcom.com,bluecyberpunk@worldnet.att.net,jonhel5@ozemail.com.au,rfigenbaum@rational.com,ithelp-lex@rational.com,brandon@pirate4x4.com,no-clue@mindless.com,ed.wong@astramerck.com,ellinger@holly.colostate.edu,bwiencek@kcnet.com,siralf@cyberramp.net,kemasa@silicon.net,adickenson@kpmg.com,f92f@egroups.com,brentvukmer@yahoo.com,87he3wbpem.fsf@web.de,87d6ekbp41.fsf@web.de,tschwarzkopf@t-online.de,vdqb21-n3v.ln1@busse.user.cis.dfn.de,fritsche.markus@gmx.net,piratecorsair@hotmail.com,butterbrodt@centurytel.net,ltrapp@nwidevelopers.com,j.passarelli@comcast.net,news@greenparty.org,rstarley@eastersealsutah.org,c47ba8c0@lndn.phub.net.cable.rogers.com,joel@ikestrel.com,dfarber@numenor.com,tjfc21-usv.ln1@busse.user.cis.dfn.de,ian.piumarta@inria.fr,dimator@linux.ucla.edu,kfe@cs.ucla.edu,3aa19f5a.a87a2e89@mrball.net,t13@linux-ide.org,t13@tgi.com,hlandis@indra.com,jonathan@xcorps.net,cfowler@outpostsentinel.com,dfloen@tbaytel.net,ncfs@gv.net,rogerb@pisco.engr.sgi.com,rogerb@sgi.com,rjstein@lawtonok.net,rrbbs@juno.com,rjstein@wolverine.cameron.edu,tdziechowski@xionics.com,djstracher@bbn.com,pnh@dana.ucc.nau.edu,blanchet@cnx.net,srutledge@ictj.org,smallbiz@applebiz.com,kristine@ccit.arizona.edu,vwakeman@library.berkeley.edu,wyldechylde@geocities.com,mark.j.mccready.1@nd.edu,mccready.1@nd.edu,3.camel@archimedes.localnetsolutions.com,webmaster@oneidadispatch.com,3@www15.gmx.net,simonmweaver@msn.com,2ae2c90a@hosting.microsoft.com,2ae2c90a@hosting.micro,rkaraff@emory.edu,matthew.brown@cordata.com,86he3uvzm6.fsf@blade-runner.mit.edu,lorenzo.giaquinto@infoboard.be,prelo@arcadis.be,ross@soi.city.ac.uk,87oesi43cr.wl@lain.lindows.com,kh@dcs.st-and.ac.uk,shostko@ureach.com,pia_rose.trias@up.edu.ph,mschulz@webgis.de,berend.veldkamp@aris.nl,thfischer@mapmedia.de,klaus.zahradnik@sysinet.com,daniel.berstein@dmapas.com,georef@tie.cl,webmaster@change-this-to-your.domain.tld,admin@domain.tld,sarahjbuckley@uqconnect.net,simonmar@microsoft.com,sven_panne@betaresearch.de,70808@aedion.de,cvs-all@haskell.org,moran@galois.com,glasgow-haskell-bugs-bounces@haskell.org,bounces@haskell.org,sven.panne@aedion.de,vhs-ufpe@cin.ufpe.br,glasgow-haskell-users@haskell.org,owner-pdftex@tug.org,daemon@tug.org,beebe@math.uta,gorte@itc.nl,ryladog@earthlink.net,llocke@dcc.edu,scp_sulli@sals.edu,web4lib@webjunction.org,valiente@lsi.upc.edu,chiur@latcs1.cs.latrobe.edu.au,ray@cs.umb.edu,xys-friends@superprism.net,sfang@aim.salk.edu,echeng@holmium.cchem.berkeley.edu,xianchua@ecn.purdue.edu,mdg@wanadoo.fr,alms@cin.ufpe.br,andrewilsonfurtado@yahoo.com.br,bugs@haskell.org,mloffler@students.cs.uu.nl,marcov@stack.nl,srahtz@srahtz.elsevier.co.uk,s.rahtz@elsevier.co.uk,carmenes@biosun.quimica.uniovi.es,juanmi@satec.es,garyv@example.com,lfilak@medinaco.org,germangutierrezg@yahoo.es,t_lalla20@yahoo.com,r000t@adelphia.net,3dt_lalla20@yahoo.com,assefa@dmsolutions.ca,dbarron@ddive.com,dana@nextbus.com,katarina.kobesova@chello.at,bennettt@am.appstate.edu,gmasters@tamiu.edu,courtois@gwu.edu,ian.winship@unn.ac.uk,hr@dominican.edu,nagusrom@aol.com,gibur@webtv.net,amanda_king@district.sjrwmd.state.fl.us,jdelaney@coj.net,properties@harris-realty.com,bocc@gbso.net,flcircle@gator.net,henry_dean@district.sjrwmd.state.fl.us,busswp@jea.com,dando@coj.net,chamber@tcity.com,ernest.frey@dep.state.fl.us,jeff_goldhagen@doh.state.fl.us,hamann@law.ufl.edu,hutchrk@ns1.co.alachua.fl.us,flagbcc@bestnet.com,jmanning@coj.net,dlm@mediaone.net,d_ottenstroer@msn.com,richardsodm@gru.com,remzey@aol.com,scottlawfa@aol.com,mayortimsmith@hotmail.com,pnorthey@co.volusia.fl.us,jmills@burkebalesmills.com,heritage@atlantic.ne,gballeng@stetson.edu,cbatterson@peconlive.com,ctyclerk@intersrv.com,schipps@ccwebnet.com,carol.conner@mscwinc.com,paramores@aol.com,debaryhl@betstorm.net,diana-ferrell@urscorp.com,jeff@flowerslabs.com,roxane_kennedy@fpl.com,fljesup@aol.com,saneng@mail.state.fl.us,ahatch@co.seminole.fl.us,george.rodon@ocfl.net,l.strickler@bridge.bellsouth.com,biosphere5@aol.com,jwalter@gnv.ifas.ufl.edu,robert@ecfrpc.org,c-upi@clari.net,shadowfangs@netscape.net,hiddukel@rebeldev.net,rom-admin@rom.org,m@rom.org,yzhang@xi.com,yihua@guomai.sh.cn,nxie@oucsace.cs.ohiou.edu,zafosx@hotmail.com,kyong@laboratories.com,ambshqip@mt.net.mk,skopje-ob@bmaa.gv.at,jaume@nualart.com,pdesoto@wewearbuildings.cc,dionisescorsa@gmail.com,wah@rotorrr.org,galerija.skuc@guest.arnes.si,snewman@cessi.net,snewman@neweditions.net,janina@freestandards.org,wmchisholm@bcconline.com,blaplant@mindspring.com,samar@paradigmsolutionscorp.com,chrisl@muskox.alaska.edu,rfelkner@ala.org,rsteffes@carroll1.cc.edu,dan@84.com,drewwe@morrisville.edu,drewwe@wedrew.lib.morrisville.edu,htwd@tln.lib.mi.us,pliskowbj@hiram.edu,msauers@bcr.org,fox@cs.vt.edu,french@virginia.edu,gene@pal.xerox.com,rba@glue.umd.edu,jfurner@ucla.edu,freeston@alexandria.ucsb.edu,ihw@rata.cs.waikato.ac.nz,schauble@eurospider.ch,decaheximal@teamworksmedia.com,chris@mageslair.net,earmstr@erols.com,florian.leitner@imp.univie.ac.at,neel@almaden.ibm.com,fox@vt.edu,ds52@umail.umd.edu,meng@panda.cs.binghamton.edu,tabrams@umaryland.edu,ealbreach@umaryland.edu,test@example.com,rparsons@ircc.cc.fl.us,jedyang@comcast.net,e33ce60c@attbi.com,5sb1nk@mk-ironport-3.mail.uk.tiscali.com,specialoperationsgroup@comcast.net,justforcrystle@aol.com,kcisco1@msn.com,kmueller@udnet.net,rcooper@mun.ca,richardsimonian@msn.com,flafoo@aol.com,fisheries@candw.ag,mcronnie1@hotmail.com,acfa@ozemail.com.au,national.office@afg.asn.au,forestry@anu.edu.au,enquiries@ffp.csiro.au,firstname.surname@clw.csiro.au,firstname.surname@cse.csiro.au,ifa@forestry.org.au,enquiries@nafi.com.au,web@tfrc.csiro.au,qldreferee@hotmail.com,qtb@qldtimber.com.au,tradac@uq.net.au,woodart@woodart.com.au,firstname.surname@ffp.csiro.au,forestry.tasmania@forestrytas.com.au,firstname.surname@mel.dbcee.csiro.au,firstname.surname@dbce.csiro.au,pine.aust@occan.comm.auinfo,postmaster@example.net,besquire@netquest.com,greenberet03e@aol.com,martn88@yahoo.com,gnormand@pt.lu,gv-wight@attbi.com,logicalboy21@aol.com,hollykien3@aol.com,wfpratt84@yahoo.com,airbisket91@yahoo.com,jhookersr@earthlink.net,iogodme@hotmail.com,hopekeepr@aol.com,a33slavegirl@hotmail.com,txprnces@hotmail.com,fike3@marshall.edu,loivill@hotmail.com,mabsmart@yahoo.co.uk,awitisalwa@yahoo.com,witisalwa@yahoo.com,stuartpar4@aol.com,lhill@alexandria.ucsb.edu,hara@ccrl.sj.nec.com,oard@glue.umd.edu,bleiner@cnri.reston.va.us,rma@ks.com,yarmando@clc.lib.oh.us,eric@kclibrary.org,initial.surname@landfood.unimelb.edu.au,vtitc@netconnect.com.au,firstname.surname@per.itsffp.csiro.au,iufro@forvie.ac.at,heytubeguy@worldnet.att.net,clemenso@gmail.com,ebkco10ss2@enews2.newsguy.com,his@spam.net,stanb45@dial.pipex.com,jeepp@adelphia.net,nantucketbound@yahoo.com,bg998@freenet.carleton.ca,1@theodyn.ncf.ca,mikea@mikea.ath.cx,1@puck.litech.org,water@unep.org,halfton@halftonclass-europe.net,ppl@rtbf.be,oliviergodard1@wanadoo.fr,juliano@kewcomputers.com,gthursfield@telco4u.net,jean.verwest@pandora.be,f.tougeron@free.fr,jeanluc.courbon@wanadoo.fr,pascal.morquin@wanaodoo.fr,david@yachtrigging.plus.com,paddy.prunty@btinternet.com,kinnego.marina@craigavon.org.uk,t.peron@free.fr,gdobrien@eircom.net,jpxcelnt@aol.com,jpxcelnt@aol.co.uk,elipsky@free.fr,benardje@aol.com,heldeck.1@btinternet.com,tony@clarkeandcarter.co.uk,alfa@tripnet.se,aso@telecable.es,boats@boatshedportsmouth.com,marine.selection@wanadoo.fr,mike@mike-kay.co.uk,brigitte.laden@laposte.net,heldeck.1@btopenworld.com,takehiro-nakamura@unep.org,ealbuque@umaryland.edu,angburto@indiana.edu,dany.savelli@wanadoo.fr,bczerny@aol.com,mnaegele@osi.hu,ssultan@ictj.org,jsb02@fss.org.uk,cch03@fss.org.uk,iwe@fss.org.uk,curran@stats.waikato.ac.nz,laforeman@compuserve.com,itsecurity@fss.org.uk,bi492@scn.org,cbasten@statgen.ncsu.edu,h.de.moel@nfi.minjus.nl,prgormley@aol.com,jcrippin@attbi.com,eccm@swbell.net,brendad@shinbiro.com,1@news2.kornet.net,paul.hinman@shaw.ca,zs5actremovethis@mweb.co.za,1@ctb-nnrp2.saix.net,w1mce@comcast.net,gsm@mendelson.com,slrnee3d6g.dmj.gsm@cable.mendelson.com,microtv@umich.edu,doldridg@leavethisoutshaw.ca,ariann.stern-gottschalk@asu.edu,cli@asu.edu,joness@indiana.edu,mitchell@indiana.edu,noreply@yourdomain.com,5joo19@mk-ironport-4.mail.uk.tiscali.com,richard.adams@ed.ac.uk,natg@shore.net,uneprcu@seychelles.net,kaba@cro.orstom.ci,reei@indiana.edu,jgeiss@hotmail.com,jkhanaz@aol.com,johnlachina@adelphia.net,danasturm@hotmail.com,gentazzie@yahoo.com,mugu@mugu.com,ofingsatur63@yahoo.com,ratair33@hotmail.com,bobbiekayc@wmconnect.com,jlovercheck@alltel.net,bim@yhti.net,uzoagba@yahoo.com,ciara_keeling@hotmail.com,kain_raven83@yahoo.com,rt@domain.tld,balger@umaryland.edu,jeffhold@indiana.edu,nzimmer@scn1.com
Subject: CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''
X-PHP-Script: www.servelpeya.ns11-wistee.fr/france1.php for 41.218.206.217
From:  <info@fifa.com>
Reply-To: fifa2010@sify.com
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Date: Mon, 07 Dec 2009 05:54:04 +0100

CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''YOU .$1.000,000 00 MILLION UNITED STATE DOLLARS & A VIP TICKET TO WATCH THE-OPENING MATCH OF FIFA 2010 WORLD CUP PROUDLY HOST IN SOUTH AFRICA. YOUR EMAIL ADDRESS IS ONE OF THE LUCKY EMAIL PICKED AT RANDOM & ATTACHED TO TICKET#:FIN880002/587/20IKK OF REF#: UN/95123 THAT DREW#: 44-02-31-04& LUCKY#NUM: 77 WON U A DIVIDEND USD $1.000,000 00 OF 100 WINNERS IN THE ONGOING  FIFA PROMOTION 2009 WATCH CABLE TV STATION EVERY MONDAY 9.PM FOR MORE DETAILS TO CLAIM YOUR WON PRIZE FILL THE FORM BELOW AND SEND TO FIFA  LOTTERY BOARD:

NAME........................

SEX.........................

AGE.........................

COUNTRY.....................

ADDRESS.....................

OCCUPATION.................. 

TICKET# NUMBER:.............

TELEPHONE/MOBILE............


TO FIFA CLAIMS OFFICE:
Mr.MORRIS BENSON
MOBILE: +233543685278
EMAIL: FIFA2010@SIFY.COM/SFIFA122@AOL.COM

AND CALL FOR YOUR PAYMENT IMMEDIATELY. NOTE. CLAIM IS VALID FOR SEVEN (7) DAYS
STARTING FROM 7TH/DEC/2009



From anonymous@cybernetique2.com  Mon Dec  7 18:27:15 2009
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To: looparc@loopers-delight.com
Subject: Please help.
From: James Carl. <jamescarl@mail.com>
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Dear Friend,

This letter may come to you as a surprise due to the fact that we have not yet met.

After searching through the internet. I am contacting you to let us assist children of conflict, to help children affected by war and disaster, I don't want you to feel sorry for me, because, I believe everyone will Die someday. Let me start by introducing my humble self, I am James Carl, a merchant here in London, presently taking medical treatment. Now, I have been diagnosed with Prostate cancer that was discovered very late due to my uncaring attitude for my health.

It has defiled all form of medicine and right now, I have only about a few months to live according to medical experts. To be sincere with you, I have not particularly lived my life so well, as I never really cared for anyone not even myself but my business and money. Though I am wealthy, I was never generous, I was always hostile to people and only focused on my business as that was the only thing I cared for. But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the world.

 I believe when God gives me a second chance to come to this world I would live my life a different way from how I have lived it. Now that I know my time is almost up, I have willed and given most of my properties and assets to my immediate and extended family members and as well as a few close friends. I have decided to give alms to charity organizations, as I want this to be one of the last good deeds I do on earth.
So far, I have distributed money to some charity organizations in
Myanmar, Indonesia, China, and Africa at large.

Now that my health has Deteriorated so badly, I cannot do this my self any more. I once asked Members of my family to close one of my accounts and donate the money Which I have there to some charity organizations in Myanmar,Indonesia,China and Africa at large, they refused and kept the Money to themselves. Hence, I do not trust them anymore, as they seem not to be content with what I have left for them.


The last of my money is the huge cash deposit ($400,000) that I have
With a security firm. I will want you to help me collect this deposit and dispatch it to charity organizations and let them know that it is I, Mr.James Carl . That is making this generous donation.
I am writing this from my laptop computer in my hospital bed where I wait for my time to come. You can reply me through my private email address: jamescarl001@gmail.com

As soon as I receive your sincere response, I will hence give you all the Necessary details of how this can be done. I pray that you will support And assist me with good heart so that I can be able to achieve my goal. If you accept to help me do this, I promise you a reward of 30% of the ($400,000).

Thank you for understanding.
James Carl .
I own the under listed companies
James Carl and associates
James Carl Logistics (Removals, Relocation, Delivery and Storage).




From Loopers-Delight-request@loopers-delight.com  Mon Dec  7 18:49:49 2009
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Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
References: <e89a49d30912020336m1cd4e9f8tfc8bd3bd14300eeb@mail.gmail.com>	 <4B1C230C.4040903@post.cybercity.dk> <e89a49d30912070313ifc498e5y9d001980f3c70c58@mail.gmail.com>
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Sjaak Overgaauw wrote:
> On Sun, Dec 6, 2009 at 10:33 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> 
>>Sorry about cont. being OT, but do I have the correct observation that
>>obtaining the manual has to cost $20?  (+ having to create a login)
> 
> 
> I only have a hard copy, I don't think Motu offers free PDF manuals.
> If there is anything you want to know, just ask ok? :)

Actually, there is:

Basically, what it has to offer, which normal soundcards don't have:

Since it can be operated standalone, setups might be stored and MIDI 
controlled, i.e. as presets, but I guess that's too much to ask for..

The reason is of course that with build-in mixer, EQ and reverb, this 
would allow hooking up two preamps, mixing them, and apply EQ + reverb, 
all without the need for an additional mixer.
And of course, having a sound card in the rig is pretty neat too :)

I understand it can also provide 7.5VDC on all outputs, and wanted to 
know if this is a controlable continuously variable voltage, or a 
zero/or/7.5v, i.e. 'on/off' voltage?  AFAIK, it's 0-7.5 volts.



-- 
rgds,
van Sinn

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Date: Mon, 07 Dec 2009 15:36:39 -0500
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Subject: Thought Experiment Radio Playlist for December 5, 2009.
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http://soundscapes.us/amfm/playlists/2009/091205.html

The Saturday edition of The AM/FM Show< has two alternating hosts.  When
Bill is at the helm, the show is called Thought Experiment Radio and you
can expect to hear electronic, ambient, spacemusic, Progressive Rock,
and an eclectic mix of other genres.  The show airs from 6:00 am to 8:00
am on WMUH Allentown, 91.7 FM and on the internet.  Bill also hosts
Afterglow every Thursday from 8:00 am to 9:30 am.

                Show #162                December 5, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Century's End]   Intro                Sequences No. 8
VA [John Dyson]      Tudor Rose           Sequences No. 8
VA [Electric Orange] Back In Strangeworld Sequences No. 8
John Christian       Antiquark            Susbarbatus (none)
Wollo & Wostheinrich Airship              Arcadia Borealis (DiN)
Max Corbacho         Mirabilis Structura  Ars Lucis (ad21)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Sterling & Haslip    Senegal Suite        Migration (Helikon Sound)
Terry Oldfield       Spiral Waves         Tears for Tibet (New Earth)
Terry Oldfield       Drifting Moon        Tears for Tibet (New Earth)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Vecteur K            Le Pouls de Ma       Le Peur de Desert (Unicorn)
                       Colere
Knight Area          Occlusion            Realm of Shadows(Laser's Edge)
IZZ                  Can't Feel the Earth The Darkened Room (Doone)
                       Part I
IZZ                  Ticking Away         The Darkened Room (Doone)
IZZ                  Can't Feel the Earth The Darkened Room (Doone)
                       Part II


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
MySpace: http://myspace.com/thoughtexperimentradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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Date: Mon, 7 Dec 2009 22:01:16 +0100
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Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
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On Mon, Dec 7, 2009 at 8:54 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> Since it can be operated standalone, setups might be stored and MIDI
> controlled, i.e. as presets, but I guess that's too much to ask for..

It does not support remote midi control. It a standard 1x1 midi
interface, and the midi out can be used as a midi thru when using it
standalone. The idea of the Ultralite is that you store your settings
in one of the 16 presets using the Cuemix software. A preset contains
all the settings of the inputs, outputs, monitoring, eq, comp, reverb
limiter etc You can select one of the 16 presets when using it
standalone and you also can change above settings using the frontpanel
menu. Although this works, it's of course less user friendly.

Bottom line: prepare your setup at home with a laptop or pc. On stage:
soundcheck: change the input gain, eq, reverb.... and you're ready to
play. If this method works ok for you, the Ultralite is your friend.
If you want a live mixer with dedicated knobs for each function,
you're not going to love it when using it standalone :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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--001636c5a5180a091e047a2ac086
Content-Type: text/plain; charset=ISO-8859-1

It's in great condition, functions flawlessly, comes with box and power
supply. I also removed the stupid roll-bar (no longer have it).

Price: $315 ship/pp

--001636c5a5180a091e047a2ac086
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It&#39;s in great condition, functions flawlessly, comes with box and power
supply. I also removed the stupid roll-bar (no longer have it).<br>
<br>
Price: $315 ship/pp

--001636c5a5180a091e047a2ac086--

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Subject: Re: echoplex dieing?@Todd
From: Loaf citious <loafcitious@gmail.com>
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Hey Todd,
My EDP also seemed to have a mind of it's own. Drove me crazy the
second I used it right out the box - brand new.

But, I changed the buttons on the foot controller and haven't had one
glitch yet!  I'm now extremely happy w/ the results and have even
recently found more functionality in it playing live with other
people.

I bought the metal (and sturdy) replacement switches from British Audio Service.

Andy G.

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Subject: Re: another foot-controller("CLICK")@van Sinn
From: Loaf citious <loafcitious@gmail.com>
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van Sinn,

Sorry just catching up w/ the mail from the weekend.
No, the metal buttons in question do not have any point
that you know the mechanism has kicked over, it's truly no click..
But, that's what I like about it - it's a sturdy button and I can
stomp it w/ the force of say, a standard boss pedal w/out
any fear of breaking anything.
I've been known to play the drum kit as well so, tapping lightly
always makes me think I'm gonna miss the downbeat.

If you're stepping so lightly on the buttons that you feel the
point of no return, perhaps you might stay w/ the little red plastic ones.

But, take the advice of those here that I learned from and be sure to
prime those little red buttons before plugging in the 1/4 jack.  It
seemed to help.

Otherwise you'll end up like me (perhaps) and start beating the thing
senseless, desperately trying to understand why it worked earlier that
day, before your performance.

I got tired of replacement buttons.

AG

>>>
If by "FCB" you mean so say FCB1010 switches are comfi, I beg to differ:
To be sure they engage right at the right time, I have to step on them
on the frontedge.
Because they're hinged, stepping on the mid part isn't reliable, and my
foot tends to follow the signalstream from my brain, which relies on an
optical image of the hinged rectangular button, fed to it by my eyes.
In this special case (i.e. me), interpolated pattern recognition just
doesn't do it :D

I'll take nice pointy metal buttons any day!
BTW, do the ones referred have a clearly 'felt' activation point?

From servelpeya@ns11-wistee.fr  Mon Dec  7 22:47:00 2009
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Subject: CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''
X-PHP-Script: www.servelpeya.ns11-wistee.fr/france1.php for 41.218.213.158
From: FIFA 2010 WORLD CUP ORGANIZATION BOARD <info@fifa.com>
Reply-To: fifa2010@sify.com
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Date: Mon, 07 Dec 2009 21:30:30 +0100

CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''YOU .$1.000,000 00 MILLION UNITED STATE DOLLARS & A VIP TICKET TO WATCH THE-OPENING MATCH OF FIFA 2010 WORLD CUP PROUDLY HOST IN SOUTH AFRICA. YOUR EMAIL ADDRESS IS ONE OF THE LUCKY EMAIL PICKED AT RANDOM & ATTACHED TO TICKET#:FIN880002/587/20IKK OF REF#: UN/95123 THAT DREW#: 44-02-31-04& LUCKY#NUM: 77 WON U A DIVIDEND USD $1.000,000 00 OF 100 WINNERS IN THE ONGOING  FIFA PROMOTION 2009 WATCH CABLE TV STATION EVERY MONDAY 9.PM FOR MORE DETAILS TO CLAIM YOUR WON PRIZE FILL THE FORM BELOW AND SEND TO FIFA  LOTTERY BOARD:

NAME........................

SEX.........................

AGE.........................

COUNTRY.....................

ADDRESS.....................

OCCUPATION.................. 

TICKET# NUMBER:.............

TELEPHONE/MOBILE............


TO FIFA CLAIMS OFFICE:
Mr.MORRIS BENSON
MOBILE: +233543685278
EMAIL: FIFA2010@SIFY.COM/SFIFA122@AOL.COM

AND CALL FOR YOUR PAYMENT IMMEDIATELY. NOTE. CLAIM IS VALID FOR SEVEN (7) DAYS
STARTING FROM 7TH/DEC/2009



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Date: Mon, 7 Dec 2009 14:50:26 -0800
Message-ID: <3fa302e30912071450q2b7f28cby5c2d7e7d9a5687d6@mail.gmail.com>
Subject: Re: echoplex dieing?@Todd
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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This may have been covered before, but how silent are the BAS switches? Any
click-clack?

I replace my RECORD, INSERT, MUTE fairly regularly.  The upside is the
original model is el-cheapo and you can just have a big bag of them ready to
replace. Downside is you get lazy and sorta deal with replacement only after
it's been bugging you for a couple months (slowly getting worse and worse).
-m

On Mon, Dec 7, 2009 at 2:16 PM, Loaf citious <loafcitious@gmail.com> wrote:

> Hey Todd,
> My EDP also seemed to have a mind of it's own. Drove me crazy the
> second I used it right out the box - brand new.
>
> But, I changed the buttons on the foot controller and haven't had one
> glitch yet!  I'm now extremely happy w/ the results and have even
> recently found more functionality in it playing live with other
> people.
>
> I bought the metal (and sturdy) replacement switches from British Audio
> Service.
>
> Andy G.
>

--00504502e14a972d9e047a2b4874
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This may have been covered before, but how silent are the BAS switches? Any=
 click-clack?=A0 <br><br>I replace my RECORD, INSERT, MUTE fairly regularly=
.=A0 The upside is the original model is el-cheapo and you can just have a =
big bag of them ready to replace. Downside is you get lazy and sorta deal w=
ith replacement only after it&#39;s been bugging you for a couple months (s=
lowly getting worse and worse).=A0 -m<br>
<br><div class=3D"gmail_quote">On Mon, Dec 7, 2009 at 2:16 PM, Loaf citious=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:loafcitious@gmail.com">loafcitious=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
Hey Todd,<br>
My EDP also seemed to have a mind of it&#39;s own. Drove me crazy the<br>
second I used it right out the box - brand new.<br>
<br>
But, I changed the buttons on the foot controller and haven&#39;t had one<b=
r>
glitch yet! =A0I&#39;m now extremely happy w/ the results and have even<br>
recently found more functionality in it playing live with other<br>
people.<br>
<br>
I bought the metal (and sturdy) replacement switches from British Audio Ser=
vice.<br>
<br>
Andy G.<br>
</blockquote></div>

--00504502e14a972d9e047a2b4874--

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Date: Mon, 7 Dec 2009 14:51:39 -0800
Message-ID: <3fa302e30912071451n32c048dcv4bbc798f15badd50@mail.gmail.com>
Subject: Re: another foot-controller("CLICK")@van Sinn
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Damn . . . here's the answer to my just-posted question. So sorry . . . -m

On Mon, Dec 7, 2009 at 2:29 PM, Loaf citious <loafcitious@gmail.com> wrote:

> van Sinn,
>
> Sorry just catching up w/ the mail from the weekend.
> No, the metal buttons in question do not have any point
> that you know the mechanism has kicked over, it's truly no click..
> But, that's what I like about it - it's a sturdy button and I can
> stomp it w/ the force of say, a standard boss pedal w/out
> any fear of breaking anything.
> I've been known to play the drum kit as well so, tapping lightly
> always makes me think I'm gonna miss the downbeat.
>
> If you're stepping so lightly on the buttons that you feel the
> point of no return, perhaps you might stay w/ the little red plastic ones.
>
> But, take the advice of those here that I learned from and be sure to
> prime those little red buttons before plugging in the 1/4 jack.  It
> seemed to help.
>
> Otherwise you'll end up like me (perhaps) and start beating the thing
> senseless, desperately trying to understand why it worked earlier that
> day, before your performance.
>
> I got tired of replacement buttons.
>
> AG
>
> >>>
> If by "FCB" you mean so say FCB1010 switches are comfi, I beg to differ:
> To be sure they engage right at the right time, I have to step on them
> on the frontedge.
> Because they're hinged, stepping on the mid part isn't reliable, and my
> foot tends to follow the signalstream from my brain, which relies on an
> optical image of the hinged rectangular button, fed to it by my eyes.
> In this special case (i.e. me), interpolated pattern recognition just
> doesn't do it :D
>
> I'll take nice pointy metal buttons any day!
> BTW, do the ones referred have a clearly 'felt' activation point?
>
>


-- 
Mikko Biffle
Biffoz@Gmail.com
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

--0016e64ce526ea62a6047a2b4cbf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Damn . . . here&#39;s the answer to my just-posted question. So sorry . . .=
 -m<br><br><div class=3D"gmail_quote">On Mon, Dec 7, 2009 at 2:29 PM, Loaf =
citious <span dir=3D"ltr">&lt;<a href=3D"mailto:loafcitious@gmail.com">loaf=
citious@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">van Sinn,<br>
<br>
Sorry just catching up w/ the mail from the weekend.<br>
No, the metal buttons in question do not have any point<br>
that you know the mechanism has kicked over, it&#39;s truly no click..<br>
But, that&#39;s what I like about it - it&#39;s a sturdy button and I can<b=
r>
stomp it w/ the force of say, a standard boss pedal w/out<br>
any fear of breaking anything.<br>
I&#39;ve been known to play the drum kit as well so, tapping lightly<br>
always makes me think I&#39;m gonna miss the downbeat.<br>
<br>
If you&#39;re stepping so lightly on the buttons that you feel the<br>
point of no return, perhaps you might stay w/ the little red plastic ones.<=
br>
<br>
But, take the advice of those here that I learned from and be sure to<br>
prime those little red buttons before plugging in the 1/4 jack. =A0It<br>
seemed to help.<br>
<br>
Otherwise you&#39;ll end up like me (perhaps) and start beating the thing<b=
r>
senseless, desperately trying to understand why it worked earlier that<br>
day, before your performance.<br>
<br>
I got tired of replacement buttons.<br>
<br>
AG<br>
<br>
&gt;&gt;&gt;<br>
If by &quot;FCB&quot; you mean so say FCB1010 switches are comfi, I beg to =
differ:<br>
To be sure they engage right at the right time, I have to step on them<br>
on the frontedge.<br>
Because they&#39;re hinged, stepping on the mid part isn&#39;t reliable, an=
d my<br>
foot tends to follow the signalstream from my brain, which relies on an<br>
optical image of the hinged rectangular button, fed to it by my eyes.<br>
In this special case (i.e. me), interpolated pattern recognition just<br>
doesn&#39;t do it :D<br>
<br>
I&#39;ll take nice pointy metal buttons any day!<br>
BTW, do the ones referred have a clearly &#39;felt&#39; activation point?<b=
r>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Mikko Biffle<br>Biffoz@=
Gmail.com<br><a href=3D"http://www.reverbnation.com/biffoz">http://www.reve=
rbnation.com/biffoz</a><br>&quot;Running scared from all the usual distract=
ions!&quot;<br>


--0016e64ce526ea62a6047a2b4cbf--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 00:22:10 2009
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Subject: Re: echoplex dieing?@Todd
Date: Mon, 7 Dec 2009 19:22:07 -0500
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Thanks Andy

I just checked out their website and will contact them. Did you refer  
to the EDP when ordering them, or are they just standard button/ 
switches?
I have a feeling that you are right about the switches being the  
culprit with the EDP's unpredictability.

Thanks Again
Todd

On Dec 7, 2009, at 5:16 PM, Loaf citious wrote:

> Hey Todd,
> My EDP also seemed to have a mind of it's own. Drove me crazy the
> second I used it right out the box - brand new.
>
> But, I changed the buttons on the foot controller and haven't had one
> glitch yet!  I'm now extremely happy w/ the results and have even
> recently found more functionality in it playing live with other
> people.
>
> I bought the metal (and sturdy) replacement switches from British  
> Audio Service.
>
> Andy G.
>

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Date: Mon, 7 Dec 2009 19:39:40 -0800 (PST)
From: "Mr Tony Bill, Finance Minister" <radd08@att.net>
Reply-To: western_unionplcbenin@yahoo.com
Subject: PICK UP YOUR MONEY IMMEDIATELY MTCN:560-172-3417
To: undisclosed recipients: ;
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--0-355174361-1260243580=:50910
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=A0Attention,
=A0
How are you today?I write to inform you that we have already sent you $5000=
.00 usd dollars through Western union as we have been given the mandate to =
transfer your full compensation payment total sum of $1.5Million USD,via we=
stern union by this governemnt.I was calling your telephone number to give =
you the information through phone but you did not pick up my calls through =
out that yesterday even this morning.Now,I decided to email you the MTCN an=
d sender name so that you will pick up the $5000.00 usd to enable us send a=
nother $5000.00 usd today as you know we will be sending you only $5000.00 =
usd per day.and it was agreed that you will pay the sum of $105 before they=
 will realease the payment to you.
=A0
Please pick up this information and run to western union to pick up the $50=
00.00 usd and call Director of Opration Dr. Douglas Hall because he is the =
person incharge for your payment so that he can send you another payment to=
day,phone line +229-980-821-13,Email:( western_unionplcbenin@yahoo.com ) em=
ail Him once you picked up the $5000.00 USD today.Here is the western union=
 information to pick up the $5000.00; which you will be receiving your paym=
ent $5000.00 Us Dollars immediately you sent them their transfer charge of =
$105 and it will serve as re-confirmation of your file payment from the off=
ice in charge.
=A0
So you are to re-confirm to them the below information,
Your. Receiver----------
Your. Country-------
Your. City-----------
Your. Tel----------
Your. Test question------
Your. Answer-----------
Your. Passport-----------
=A0
Here Is The Senders Information
Senders First Name:ABUCHI=A0=A0=A0=A0=A0=A0 =A0
Senders Second Name: EKWEGBLI=20
MTCN: 560-172-3417
Text Question----Pets Name?
Answer----------Mezino
Website:www.westernunion.com
=A0
And We Are Waitng For You To Send The $105 Today
RECEIVER-------------ABUCHI EKWEGBLI
LOCATION CITY---------COTONOU-BENIN
COUNTRY-----------------BENIN
TEXT QUESTION--HOW LONG?
ANSWER-----------TODAY
AMOUNT--------------$105.Only
=A0
Be advise that the $105 is a compulsory as they told me that is=A0 only mon=
ey you will pay until you receive your payment completely I am waiting for =
your call once you pick up this $5000.00 usd,Please email me your direct te=
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r the informations..
=A0
Thanks and Remain Blessed,
Yours Rev Johnson Lala


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">&nbsp;Attention,<br>&nbsp;<br>How are you tod=
ay?I write to inform you that we have already sent you $5000.00 usd dollars=
 through Western union as we have been given the mandate to transfer your f=
ull compensation payment total sum of $1.5Million USD,via western union by =
this governemnt.I was calling your telephone number to give you the informa=
tion through phone but you did not pick up my calls through out that yester=
day even this morning.Now,I decided to email you the MTCN and sender name s=
o that you will pick up the $5000.00 usd to enable us send another $5000.00=
 usd today as you know we will be sending you only $5000.00 usd per day.and=
 it was agreed that you will pay the sum of $105 before they will realease =
the payment to you.<br>&nbsp;<br>Please pick up this information and run to=
 western union to pick up the $5000.00 usd and call Director of Opration Dr=
.
 Douglas Hall because he is the person incharge for your payment so that he=
 can send you another payment today,phone line +229-980-821-13,Email:( west=
ern_unionplcbenin@yahoo.com ) email Him once you picked up the $5000.00 USD=
 today.Here is the western union information to pick up the $5000.00; which=
 you will be receiving your payment $5000.00 Us Dollars immediately you sen=
t them their transfer charge of $105 and it will serve as re-confirmation o=
f your file payment from the office in charge.<br>&nbsp;<br>So you are to r=
e-confirm to them the below information,<br>Your. Receiver----------<br>You=
r. Country-------<br>Your. City-----------<br>Your. Tel----------<br>Your. =
Test question------<br>Your. Answer-----------<br>Your. Passport-----------=
<br>&nbsp;<br>Here Is The Senders Information<br>Senders First Name:ABUCHI&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br>Senders Second Name: EKWEGBLI=
 <br>MTCN: 560-172-3417<br>Text Question----Pets
 Name?<br>Answer----------Mezino<br>Website:www.westernunion.com<br>&nbsp;<=
br>And We Are Waitng For You To Send The $105 Today<br>RECEIVER------------=
-ABUCHI EKWEGBLI<br>LOCATION CITY---------COTONOU-BENIN<br>COUNTRY---------=
--------BENIN<br>TEXT QUESTION--HOW LONG?<br>ANSWER-----------TODAY<br>AMOU=
NT--------------$105.Only<br>&nbsp;<br>Be advise that the $105 is a compuls=
ory as they told me that is&nbsp; only money you will pay until you receive=
 your payment completely I am waiting for your call once you pick up this $=
5000.00 usd,Please email me your direct telephone number because I need to =
be calling you once we send any payment for the informations..<br>&nbsp;<br=
>Thanks and Remain Blessed,<br>Yours Rev Johnson Lala<br><br></td></tr></ta=
ble>
--0-355174361-1260243580=:50910--

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Subject: Amazing !!! | Payment Are Made 6 Time per Month.
From: lupita berliani sy <lupita.berliani@gmail.com>
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--000e0cd17286038053047a3094ef
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--000e0cd17286038053047a3094ef
Content-Type: text/html; charset=ISO-8859-1
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--000e0cd17286038053047a3094ef--

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Message-ID: <4B1E3CAD.8030704@tiscali.co.uk>
Date: Tue, 08 Dec 2009 11:46:53 +0000
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win XP processor usage trick.

This may work to reduce audio clicks at low latency.
I'm using a Focusrite Saffire Pro 40, and Bidule.

disclaimer....I'm still a hardware user, this is for testing plugins,
so I may not know what I'm talking about.


Needs a Dual core machine (at least).

1) Start pc without audio interface.
2) Ctl-Alt-Del for task manager, select Performance, and compare CPU 
Usage history for both cores.
   View>CPU History>
3) Start up audio interface.
4) I see regular spikes on cpu 0, when cpu 1 is more or less dormant ( 
seems to be audio interface )
5) Go to Processes tab, find your audio app (PlogueBidule.exe in my 
case) and right click.
6) Select "Set Affinity" and uncheck cpu 0 ,  Ok it.

so that puts Bidule, and presumably it's animated graphics, onto a 
different cpu
to the audio interface. Seems to help.


andy butler

From hsbclondon@btinternet.com  Tue Dec  8 14:36:07 2009
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Subject: Attn: Beneficiary,
Date: Tue, 8 Dec 2009 00:39:44 -0800
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<FONT size=3 color=#000000 face="Times New Roman">The World Bank and United Nations Organization have officially approved to pay you part payment of your contract/inheritance/award funds.This decision was made last week.With this development,a woman by name (MRS. JANET WHITE) came to our office with an application stating that you gave her the power of attorney to be the beneficiary of your outstanding contract/Inheritance/award funds.She made us to believe that you are dead and that she is your next of kin.We got your email address and decided to send an email through this address hoping to find out if you are dead or alive and also to find out if you at any time give this woman the power of attorney to represent you.</FONT><BR>
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<FONT size=3 color=#000000 face="Times New Roman">Please let us know also if you are aware of this development,hence we are almost ready to transfer part payment of $1.3m USD of your outstanding funds to her nominated bank account stated below:</FONT><BR>
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<FONT size=3 color=#000000 face="Times New Roman">Address:1723 Palmdale Bulv.</FONT><BR>
<FONT size=3 color=#000000 face="Times New Roman">Palmdale Ca. 93550</FONT><BR>
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<FONT size=3 color=#000000 face="Times New Roman">Beneficiary:JANET WHITE</FONT><BR>
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<FONT size=3 color=#000000 face="Times New Roman">immediately by contacting the head of the International remittance department (Mr.Michael Geoghegan).</FONT><BR>
<FONT color=#000000>&nbsp;</FONT><BR>
<FONT size=3 color=#000000 face="Times New Roman">His contact informations are written below:</FONT><BR>
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<FONT size=3 color=#000000 face="Times New Roman">FOR HSBC BANK LONDON</FONT><FONT size=3 face="Times New Roman"> </FONT></DIV>
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Subject: RE: echoplex dieing?
Date: Tue, 8 Dec 2009 15:24:17 +0000
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crazy..........ive just hadthesame here.....is there a sell by date on thes=
e things lol.

i have a gig tonight and im down to two from my usual 3 could be tricky

input light is on but nothing going into the loop

it happened a month ago too but seemed to resurrect itself



> From: kennlowy@me.com
> Subject: echoplex dieing?
> Date: Fri=2C 4 Dec 2009 22:52:08 -0500
> To: Loopers-Delight@loopers-delight.com
>=20
> I have two (echoplex) units. Unit two is older - today when I turned it o=
n I could not get any sound. The left light (sound input) is lit up as if t=
here is sound coming in (even when no sound source is plugged in). Any thou=
ghts?
>=20
> Also=2C any idea what stereo unit can replace the echoplex?
>=20
> thanks -
>=20
> klowy (aka wrinklemuzik)
>=20
 		 	   		 =20
_________________________________________________________________
View your other email accounts from your Hotmail inbox. Add them now.
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crazy..........ive just hadthesame here.....is there a sell by date on thes=
e things lol.<br><br>i have a gig tonight and im down to two from my usual =
3 could be tricky<br><br>input light is on but nothing going into the loop<=
br><br>it happened a month ago too but seemed to resurrect itself<br><br><b=
r><br>&gt=3B From: kennlowy@me.com<br>&gt=3B Subject: echoplex dieing?<br>&=
gt=3B Date: Fri=2C 4 Dec 2009 22:52:08 -0500<br>&gt=3B To: Loopers-Delight@=
loopers-delight.com<br>&gt=3B <br>&gt=3B I have two (echoplex) units. Unit =
two is older - today when I turned it on I could not get any sound. The lef=
t light (sound input) is lit up as if there is sound coming in (even when n=
o sound source is plugged in). Any thoughts?<br>&gt=3B <br>&gt=3B Also=2C a=
ny idea what stereo unit can replace the echoplex?<br>&gt=3B <br>&gt=3B tha=
nks -<br>&gt=3B <br>&gt=3B klowy (aka wrinklemuzik)<br>&gt=3B <br> 		 	   	=
	  <br /><hr />View your other email accounts from your Hotmail inbox. <a h=
ref=3D'http://clk.atdmt.com/UKM/go/186394592/direct/01/' target=3D'_new'>Ad=
d them now.</a></body>
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From hmtreasury7@gmail.com  Tue Dec  8 15:29:48 2009
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Payment Transfer Notification of GBP3, 500.000.00 Pounds

The treasury directorate division of the UK Financial Monetary Service Authority writes to inform you that we have credit advice documentary evidence in your favor to authorize the release of GBP3,500,000.00(Three Million Five hundred Thousand Pounds Only) to you being an outstanding payment accrued interest on your contract/inheritance payment. As the only authorized officer saddle with the responsibility of making sure you get and confirm the transaction, you are hereby advised to carefully confirm to us your receiving banking details for verification, so that upon clearance confirmation of your details, we shall direct the paying institution in London to immediately release and remit your payment without any further delay .
As soon as we receive and confirm this information, your credit advice confirmation evidence will be sent to our paying institution for the immediate release of the fund to your nominated account. Await your response.
Kindest regards
Chief Frank Williams
Chief Executive Officer
HM Treasury London
1 Horse guards Road, London
SW1A 2HQ; London UK
Office Tel:  447024071708.
Direct all reply to: hmtreasury2@gmail.com

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Subject: RE: semi-OT: korg mini-kaoss pad??
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is there any way you could youtube up a video of how closly linked you can =
get the edp and slicer?? this would be a real winner for me as i have tried=
 it with the adrenalinn but was less then impressed with the results.

ta

Phill

> Date: Tue=2C 1 Dec 2009 14:01:35 -0500
> Subject: Re: semi-OT: korg mini-kaoss pad??
> From: loafcitious@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Sorry for the late topic=2C just catching up on some mail.
> Recently=2C I've had a lot of fun MIDI locking the EDP to a RC20 boss
> slicer.  Really cool experience (sorta dance clubby exp that is).
> Then just the other night I got lost in a bunch of vids featuring the
> KP3.
>=20
> Has anyone every linked this unit up w/ some MIDI like Live=2C EDP or
> some sequencer?
>=20
> Good results? I'm just looking for some feedback as I really think the
> KP3 is my next gear junkie fix.
>=20
> Thanks=2C
> AndyG
>=20
 		 	   		 =20
_________________________________________________________________
Have more than one Hotmail account? Link them together to easily access bot=
h
 http://clk.atdmt.com/UKM/go/186394591/direct/01/=

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is there any way you could youtube up a video of how closly linked you can =
get the edp and slicer?? this would be a real winner for me as i have tried=
 it with the adrenalinn but was less then impressed with the results.<br><b=
r>ta<br><br>Phill<br><br>&gt=3B Date: Tue=2C 1 Dec 2009 14:01:35 -0500<br>&=
gt=3B Subject: Re: semi-OT: korg mini-kaoss pad??<br>&gt=3B From: loafcitio=
us@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <b=
r>&gt=3B Sorry for the late topic=2C just catching up on some mail.<br>&gt=
=3B Recently=2C I've had a lot of fun MIDI locking the EDP to a RC20 boss<b=
r>&gt=3B slicer. &nbsp=3BReally cool experience (sorta dance clubby exp tha=
t is).<br>&gt=3B Then just the other night I got lost in a bunch of vids fe=
aturing the<br>&gt=3B KP3.<br>&gt=3B <br>&gt=3B Has anyone every linked thi=
s unit up w/ some MIDI like Live=2C EDP or<br>&gt=3B some sequencer?<br>&gt=
=3B <br>&gt=3B Good results? I'm just looking for some feedback as I really=
 think the<br>&gt=3B KP3 is my next gear junkie fix.<br>&gt=3B <br>&gt=3B T=
hanks=2C<br>&gt=3B AndyG<br>&gt=3B <br> 		 	   		  <br /><hr />Add other em=
ail accounts to Hotmail in 3 easy steps. <a href=3D'http://clk.atdmt.com/UK=
M/go/186394593/direct/01/ ' target=3D'_new'>Find out how.</a></body>
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From dr_patrickaziz_atmcard811@live.com  Tue Dec  8 16:19:20 2009
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From: "John Quest"<dr_patrickaziz_atmcard811@live.com>
Subject: Re Urgent Reply Needed From You..
Date: Sat, 25 Jan 2003 13:19:02 +0800
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To: undisclosed-recipients:;

My name is Mr. John Quest.
Am working with (NNPC)
Nigeria National Petroleum Company
Number: 27 Oniru Street Logos Island.   

I have a business that will be of great benefit to both of us at the end.


This business is not related to arms or drugs, it is money we got as gratification from contracts we awarded toward technical assistance analysis, supervision and the components of the optimized computer system, also the supply and erection of the computerized control network by some foreign contractors.

The contract has been completed and the contractor has since been paid remaining the balance of $25.2 million US dollars (Twenty Five million and two hundred thousand US dollars), which is our 10% commission for our numerous assistance to some contractors.

Now this money is ready for payment by transfer to an account that would be provided by you.


We want this money to be transfer into a foreign account because of the Political situation in my country.

Now our problem lies that we do not have a foreign account as such foreign account is against the civil service law in my country, and the money cannot go into an indigenous account as the contract was executed by foreign Firm.

With this reason my colleagues have given me go ahead to seek your assistance.

We have made a perfect homework for a hitch free transfer of this fund to an account that you will provide and I am promising you 100% risk free in this transaction. 

In smooth conclusion of this transaction you will be entitled to 30% for providing an account where the funds will be deposited, while 10% is mapped out for contingencies expenses and 60% will be for my self and my colleagues.

If you can assist in this regard, include your Phone and fax number for easy communication.

Finally, this Business will be carried out in the Following terms.

1. That our share of the fund remitted into your Account will be disbursed, as we so desire immediately your Account is credited.

2. You will maintain absolute sincerity and confidentiality of the transaction.


If you are satisfied with the above conditions send me a reply immediately to my private mailbox (johnq200484@yahoo.fr)

This project will take us 14 Banking Days from the day of the receipt of your account details to the day of Remittance into your account.

Thanks expecting your prompt Reply

Regards,

Mr. John Quest

From dr_patrickaziz_atmcard811@live.com  Tue Dec  8 16:49:05 2009
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From: "John Quest"<dr_patrickaziz_atmcard811@live.com>
Subject: Re Urgent Reply Needed From You..
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To: undisclosed-recipients:;

My name is Mr. John Quest.
Am working with (NNPC)
Nigeria National Petroleum Company
Number: 27 Oniru Street Logos Island.   

I have a business that will be of great benefit to both of us at the end.


This business is not related to arms or drugs, it is money we got as gratification from contracts we awarded toward technical assistance analysis, supervision and the components of the optimized computer system, also the supply and erection of the computerized control network by some foreign contractors.

The contract has been completed and the contractor has since been paid remaining the balance of $25.2 million US dollars (Twenty Five million and two hundred thousand US dollars), which is our 10% commission for our numerous assistance to some contractors.

Now this money is ready for payment by transfer to an account that would be provided by you.


We want this money to be transfer into a foreign account because of the Political situation in my country.

Now our problem lies that we do not have a foreign account as such foreign account is against the civil service law in my country, and the money cannot go into an indigenous account as the contract was executed by foreign Firm.

With this reason my colleagues have given me go ahead to seek your assistance.

We have made a perfect homework for a hitch free transfer of this fund to an account that you will provide and I am promising you 100% risk free in this transaction. 

In smooth conclusion of this transaction you will be entitled to 30% for providing an account where the funds will be deposited, while 10% is mapped out for contingencies expenses and 60% will be for my self and my colleagues.

If you can assist in this regard, include your Phone and fax number for easy communication.

Finally, this Business will be carried out in the Following terms.

1. That our share of the fund remitted into your Account will be disbursed, as we so desire immediately your Account is credited.

2. You will maintain absolute sincerity and confidentiality of the transaction.


If you are satisfied with the above conditions send me a reply immediately to my private mailbox (johnq200484@yahoo.fr)

This project will take us 14 Banking Days from the day of the receipt of your account details to the day of Remittance into your account.

Thanks expecting your prompt Reply

Regards,

Mr. John Quest

From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 17:16:18 2009
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From: van Sinn <vansinn@post.cybercity.dk>
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Subject: Re: OT: New MOTU Ultralite MK3 Hybrid
References: <e89a49d30912020336m1cd4e9f8tfc8bd3bd14300eeb@mail.gmail.com>	 <4B1C230C.4040903@post.cybercity.dk>	 <e89a49d30912070313ifc498e5y9d001980f3c70c58@mail.gmail.com>	 <4B1D5D90.5030304@post.cybercity.dk> <e89a49d30912071301h5eef67abgebfbfc0290429baf@mail.gmail.com>
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Sjaak Overgaauw wrote:
> On Mon, Dec 7, 2009 at 8:54 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> 
>>Since it can be operated standalone, setups might be stored and MIDI
>>controlled, i.e. as presets, but I guess that's too much to ask for..
> 
> 
> It does not support remote midi control. It a standard 1x1 midi
> interface, and the midi out can be used as a midi thru when using it
> standalone. The idea of the Ultralite is that you store your settings
> in one of the 16 presets using the Cuemix software. A preset contains
> all the settings of the inputs, outputs, monitoring, eq, comp, reverb
> limiter etc You can select one of the 16 presets when using it
> standalone and you also can change above settings using the frontpanel
> menu. Although this works, it's of course less user friendly.
> 
> Bottom line: prepare your setup at home with a laptop or pc. On stage:
> soundcheck: change the input gain, eq, reverb.... and you're ready to
> play. If this method works ok for you, the Ultralite is your friend.
> If you want a live mixer with dedicated knobs for each function,
> you're not going to love it when using it standalone :)


Pity..  since presets can actually be stored, being able to select them 
via MIDI would be such a small thing to implement, and greatly boost 
it's usability.
Still, having manually selectable presets for different situations isn't 
too bad either; I know people who use a standalone programmable 
equalizer with presets for different types of venues..

Think I'll write them a feature-add suggestion - you never know.. ;)


-- 
rgds,
van Sinn

From rbqlvq@yahoo.co.uk  Tue Dec  8 21:30:30 2009
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Reply-To: rbqlvq@yahoo.co.uk
From: Abbey National plc<rbqlvq@yahoo.co.uk>
Subject: Please review your Abbey Online Account soon as possible
Date: Tue, 8 Dec 2009 14:22:50 -0700
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Dear Abbey National customer,

During our regularly scheduled account maintenance and verification procedure we have detected a slight error in your billing information.

This might be due to the following reasons:

1. A recent change in your personal information (ie. change of address, email address)

2. An inability to accurately verify your selected option of payment due to an internal error within our systems.

Please verify your information. To do this we have attached a form to this email. Please download the form and follow the instructions on your screen.

NOTE: The form needs to be opened in a modern browser which has javascript enabled (ex: Internet Explorer 7, Firefox 3, Safari 3, Opera 9)

We are requesting this information to verify and protect your identity. This is in order to prevent the illegal activity of Abbey National Online accounts.

Please do not reply to this email.

We apologize for any inconvenience this may have caused.

Sincerely,
Abbey National PLC. Security Team.

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------=_NextPart_000_00D5_01C2A9A6.6F06BB5E--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 22:10:02 2009
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thread-index: Acp3Ms3II/9K871bTyuHsdGdEdbstw==
Thread-Topic: George Grant gone until DEC 6
Reply-To: <george@drumtalk.com>
From: <george@drumtalk.com>
To: < Loopers-Delight@loopers-delight.com>
Subject: Re: George Grant gone until DEC 6
Date: Mon, 7 Dec 2009 05:45:41 -0600
Message-ID: <0ED001C496BE43978CEEF4B00FE1A632@plesk1>
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Resent-Date: Tue,  8 Dec 2009 22:10:02 +0000 (UTC)

Hi 

I will be in a remote location without email or cell phone
from NOV 1 to DEC 6.  I look forward to contact you
at that time.

thx

George


From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 22:10:10 2009
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Thread-Topic: George Grant gone until DEC 6
Reply-To: <george@drumtalk.com>
From: <george@drumtalk.com>
To: < Loopers-Delight@loopers-delight.com>
Subject: Re: George Grant gone until DEC 6
Date: Mon, 7 Dec 2009 07:05:06 -0600
Message-ID: <721737EE67D44364A9E7E49C8D994C54@plesk1>
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Resent-Date: Tue,  8 Dec 2009 22:10:10 +0000 (UTC)

Hi 

I will be in a remote location without email or cell phone
from NOV 1 to DEC 6.  I look forward to contact you
at that time.

thx

George


From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 22:10:11 2009
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Thread-Topic: George Grant gone until DEC 6
Reply-To: <george@drumtalk.com>
From: <george@drumtalk.com>
To: < Loopers-Delight@loopers-delight.com>
Subject: Re: George Grant gone until DEC 6
Date: Mon, 7 Dec 2009 12:49:51 -0600
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Resent-Date: Tue,  8 Dec 2009 22:10:10 +0000 (UTC)

Hi 

I will be in a remote location without email or cell phone
from NOV 1 to DEC 6.  I look forward to contact you
at that time.

thx

George


From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 22:10:11 2009
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Thread-Topic: George Grant gone until DEC 6
Reply-To: <george@drumtalk.com>
From: <george@drumtalk.com>
To: < Loopers-Delight@loopers-delight.com>
Subject: Re: George Grant gone until DEC 6
Date: Mon, 7 Dec 2009 04:30:07 -0600
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Resent-Date: Tue,  8 Dec 2009 22:10:10 +0000 (UTC)

Hi 

I will be in a remote location without email or cell phone
from NOV 1 to DEC 6.  I look forward to contact you
at that time.

thx

George


From Loopers-Delight-request@loopers-delight.com  Tue Dec  8 22:10:18 2009
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Thread-Topic: George Grant gone until DEC 6
Reply-To: <george@drumtalk.com>
From: <george@drumtalk.com>
To: < Loopers-Delight@loopers-delight.com>
Subject: Re: George Grant gone until DEC 6
Date: Mon, 7 Dec 2009 05:16:32 -0600
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Resent-Date: Tue,  8 Dec 2009 22:10:18 +0000 (UTC)

Hi 

I will be in a remote location without email or cell phone
from NOV 1 to DEC 6.  I look forward to contact you
at that time.

thx

George


From servelpeya@ns11-wistee.fr  Tue Dec  8 23:36:56 2009
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Subject: CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''
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From: SOUTH AFRICA  FIFA WORLD COUP 2010 ORGANIZATION BOARD <info@fifa.com>
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Date: Tue, 08 Dec 2009 23:41:38 +0100

CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''YOU.$500,000.00 FIVE THOUSAND UNITED STATE DOLLARS & A VIP TICKET TO WATCH THE-OPENING MATCH OF FIFA 2010 WORLD CUP PROUDLY HOST IN SOUTH AFRICA. YOUR EMAIL ADDRESS IS ONE OF THE LUCKY EMAIL PICKED AT RANDOM & ATTACHED TO TICKET#:FIN880002/587/20IKK OF REF#: UN/95123 THAT DREW#: 44-02-31-04& LUCKY#NUM: 77 WON U A DIVIDEND USD $500,000.00 OF 100 WINNERS IN THE ONGOING FIFA PROMOTION 2009 WATCH CABLE TV STATION EVERY MONDAY 9.PM FOR MORE DETAILS TO CLAIM YOUR WON PRIZE FILL THE FORM BELOW AND SEND TO FIFA LOTTERY BOARD:

NAME........................

SEX.........................

AGE.........................

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ADDRESS.....................

OCCUPATION.................. 

TICKET# NUMBER:.............

TELEPHONE/MOBILE............


TO FIFA CLAIMS OFFICE:
Mr.MORRIS BENSON
MOBILE: +233543026675
EMAIL:FIFA2010@SIFY.COM or SFIFA122@AOL.COM 

AND CALL FOR YOUR PAYMENT IMMEDIATELY. NOTE. CLAIM IS VALID FOR SEVEN (7) DAYS STARTING FROM 8TH/DEC/2009 FOR SEVEN (7) DAYS STARTING FROM 8TH/DEC/20099



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,kedgecombe@chesapeake.net,grassam@fisheries.org,amrivers@amrivers.org,dick@awra.org,nick@amwhitewater.org,jlelacheur@wmata.com,join@purepop.com.au,fallline@nospam.operamail.com,nmerriam@artboy.org,danette@uwmvax.uwm.edu,damon@anacostiariverkeeper.org,jgalli@mwcog.org,robert@anacostiaws.org,stevecarr@toad.net,jsmarkusic@hotmail.com,general@atconf.org,pwolfe@glccu.com,3f0c94c5.bdd4cc50@cppa.utah.edu,mitchelcohen@mindspring.com,editor@greenparty.org,wsmuir@islandnet.com,umilll02@umail.ucsb.edu,ldivinag@barney.sbe.csuhayward.edu,dinoc@express-news.net,ldivinag@csuhayward.edu,ksigel@scs.unr.edu,jcalvert@specialized.com,mjohnson@benson.mckenna.edu,hillmanchris@hotmail.com,dsoh@iastate.edu,swilson@off-road.com,ldwalls@freewwweb.com,roland.h@bigfoot.com,daves8@juno.com,runars@isbank.is,tankgirl1@valint.net,thunder90@email.msn.com,65lr1i@ironport2.bredband.com,65mjof@ironport2.bredband.com,mastp@cnw.com,klw@advge.magwien.gv.at,klaering@ping.at,moomba@worldnet.att.net,tyghe@junction.net,ctravers@ieee.org,jcristof@adobe.com,dstyerwa@adobe.com,lvacante@adobe.com,ablatchf@adobe.com,skrueger@adobe.com,gbabbit@adobe.com,wsaso@adobe.com,jwarnock@adobe.com,cgeschke@adobe.com,bchizen@adobe.com,snarayen@adobe.com,mdemo@adobe.com,gfreeman@adobe.com,cpouliot@adobe.com,jstephens@adobe.com,mdyrdahl@adobe.com,lepstein@adobe.com,lsellers@adobe.com,blamkin@adobe.com,jchokey@mindspring.com,conrad.dunkerson@worldnet.att.net,vmordax@geocities.com,1@www.planet.nl,5qqvjp@mk-ironport-3.mail.uk.tiscali.com,yaneyla@oregonpeaceworks.org,smgcfam@aol.com,polinhis@catskill.net,yl64wrmn1qzk.dzsjxdxp@pop-smtp.bt.mail.yahoo.com,
	linux@linux.ucla.edu,u00a21-ibe.ln1@busse.user.cis.dfn.de,37fc8d9f.6ff74f60@catskill.net,hrtucz1t9@4ax.com,john.morris@ualberta.ca,1@zeus.polsl.gliwice.pl,wwrobel22@aol.com,propatria@3w3.net,mjw@bahnhof.se,denisp@cs.ucla.edu,fahmad@mum.edu,johnwenger@earthlink.net,87k78tlzla.fsf@web.de,goran.krampe@bluefish.se,dway@riskmetrics.com,jdrg@egroups.com,squeak@yahoogroups.com,jdrozdowski@my-deja.com,ru8xx@aol.com,1@readme.uio.no,helmut@sdf-eu.org,jenny@sdf-eu.org,diegogomezdeck@consultar.com,martin.drautzburg@web.de,mhz@sdf-eu.org,mattw@xtc.net,name@some.host,odonnell@heron.tc.clarkson.edu,polradko@ix.netcom.com,bluecyberpunk@worldnet.att.net,jonhel5@ozemail.com.au,rfigenbaum@rational.com,ithelp-lex@rational.com,brandon@pirate4x4.com,no-clue@mindless.com,ed.wong@astramerck.com,ellinger@holly.colostate.edu,bwiencek@kcnet.com,siralf@cyberramp.net,kemasa@silicon.net,adickenson@kpmg.com,f92f@egroups.com,brentvukmer@yahoo.com,87he3wbpem.fsf@web.de,87d6ekbp41.fsf@web.de,tschwarzkopf@t-online.de,vdqb21-n3v.ln1@busse.user.cis.dfn.de,fritsche.markus@gmx.net,piratecorsair@hotmail.com,butterbrodt@centurytel.net,ltrapp@nwidevelopers.com,j.passarelli@comcast.net,news@greenparty.org,rstarley@eastersealsutah.org,c47ba8c0@lndn.phub.net.cable.rogers.com,joel@ikestrel.com,dfarber@numenor.com,tjfc21-usv.ln1@busse.user.cis.dfn.de,ian.piumarta@inria.fr,dimator@linux.ucla.edu,kfe@cs.ucla.edu,3aa19f5a.a87a2e89@mrball.net,t13@linux-ide.org,t13@tgi.com,hlandis@indra.com,jonathan@xcorps.net,cfowler@outpostsentinel.com,dfloen@tbaytel.net,ncfs@gv.net,rogerb@pisco.engr.sgi.com,rogerb@sgi.com,rjstein@lawtonok.net,rrbbs@juno.com,rjstein@wolverine.cameron.edu,tdziechowski@xionics.com,djstracher@bbn.com,pnh@dana.ucc.nau.edu,blanchet@cnx.net,srutledge@ictj.org,smallbiz@applebiz.com,kristine@ccit.arizona.edu,vwakeman@library.berkeley.edu,wyldechylde@geocities.com,mark.j.mccready.1@nd.edu,mccready.1@nd.edu,3.camel@archimedes.localnetsolutions.com,webmaster@oneidadispatch.com,3@www15.gmx.net,simonmweaver@msn.com,2ae2c90a@hosting.microsoft.com,2ae2c90a@hosting.micro,rkaraff@emory.edu,matthew.brown@cordata.com,86he3uvzm6.fsf@blade-runner.mit.edu,lorenzo.giaquinto@infoboard.be,prelo@arcadis.be,ross@soi.city.ac.uk,87oesi43cr.wl@lain.lindows.com,kh@dcs.st-and.ac.uk,shostko@ureach.com,pia_rose.trias@up.edu.ph,mschulz@webgis.de,berend.veldkamp@aris.nl,thfischer@mapmedia.de,klaus.zahradnik@sysinet.com,daniel.berstein@dmapas.com,georef@tie.cl,webmaster@change-this-to-your.domain.tld,admin@domain.tld,sarahjbuckley@uqconnect.net,simonmar@microsoft.com,sven_panne@betaresearch.de,70808@aedion.de,cvs-all@haskell.org,moran@galois.com,glasgow-haskell-bugs-bounces@haskell.org,bounces@haskell.org,sven.panne@aedion.de,vhs-ufpe@cin.ufpe.br,glasgow-haskell-users@haskell.org,owner-pdftex@tug.org,daemon@tug.org,beebe@math.uta,gorte@itc.nl,ryladog@earthlink.net,llocke@dcc.edu,scp_sulli@sals.edu,web4lib@webjunction.org,valiente@lsi.upc.edu,chiur@latcs1.cs.latrobe.edu.au,ray@cs.umb.edu,xys-friends@superprism.net,sfang@aim.salk.edu,echeng@holmium.cchem.berkeley.edu,xianchua@ecn.purdue.edu,mdg@wanadoo.fr,alms@cin.ufpe.br,andrewilsonfurtado@yahoo.com.br,bugs@haskell.org,mloffler@students.cs.uu.nl,marcov@stack.nl,srahtz@srahtz.elsevier.co.uk,s.rahtz@elsevier.co.uk,carmenes@biosun.quimica.uniovi.es,juanmi@satec.es,garyv@example.com,lfilak@medinaco.org,germangutierrezg@yahoo.es,t_lalla20@yahoo.com,r000t@adelphia.net,3dt_lalla20@yahoo.com,assefa@dmsolutions.ca,dbarron@ddive.com,dana@nextbus.com,katarina.kobesova@chello.at,bennettt@am.appstate.edu,gmasters@tamiu.edu,courtois@gwu.edu,ian.winship@unn.ac.uk,hr@dominican.edu,nagusrom@aol.com,gibur@webtv.net,amanda_king@district.sjrwmd.state.fl.us,jdelaney@coj.net,properties@harris-realty.com,bocc@gbso.net,flcircle@gator.net,henry_dean@district.sjrwmd.state.fl.us,busswp@jea.com,dando@coj.net,chamber@tcity.com,ernest.frey@dep.state.fl.us,jeff_goldhagen@doh.state.fl.us,hamann@law.ufl.edu,hutchrk@ns1.co.alachua.fl.us,flagbcc@bestnet.com,jmanning@coj.net,dlm@mediaone.net,d_ottenstroer@msn.com,richardsodm@gru.com,remzey@aol.com,scottlawfa@aol.com,mayortimsmith@hotmail.com,pnorthey@co.volusia.fl.us,jmills@burkebalesmills.com,heritage@atlantic.ne,gballeng@stetson.edu,cbatterson@peconlive.com,ctyclerk@intersrv.com,schipps@ccwebnet.com,carol.conner@mscwinc.com,paramores@aol.com,debaryhl@betstorm.net,diana-ferrell@urscorp.com,jeff@flowerslabs.com,roxane_kennedy@fpl.com,fljesup@aol.com,saneng@mail.state.fl.us,ahatch@co.seminole.fl.us,george.rodon@ocfl.net,l.strickler@bridge.bellsouth.com,biosphere5@aol.com,jwalter@gnv.ifas.ufl.edu,robert@ecfrpc.org,c-upi@clari.net,shadowfangs@netscape.net,hiddukel@rebeldev.net,rom-admin@rom.org,m@rom.org,yzhang@xi.com,yihua@guomai.sh.cn,nxie@oucsace.cs.ohiou.edu,zafosx@hotmail.com,kyong@laboratories.com,ambshqip@mt.net.mk,skopje-ob@bmaa.gv.at,jaume@nualart.com,pdesoto@wewearbuildings.cc,dionisescorsa@gmail.com,wah@rotorrr.org,galerija.skuc@guest.arnes.si,snewman@cessi.net,snewman@neweditions.net,janina@freestandar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Subject: CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''
X-PHP-Script: www.servelpeya.ns11-wistee.fr/france1.php for 41.218.207.114
From: SOUTH AFRICA  FIFA WORLD COUP 2010 ORGANIZATION BOARD <info@fifa.com>
Reply-To: fifa2010@sify.com
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Date: Wed, 09 Dec 2009 00:26:15 +0100

CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''YOU.$500,000.00 FIVE THOUSAND UNITED STATE DOLLARS & A VIP TICKET TO WATCH THE-OPENING MATCH OF FIFA 2010 WORLD CUP PROUDLY HOST IN SOUTH AFRICA. YOUR EMAIL ADDRESS IS ONE OF THE LUCKY EMAIL PICKED AT RANDOM & ATTACHED TO TICKET#:FIN880002/587/20IKK OF REF#: UN/95123 THAT DREW#: 44-02-31-04& LUCKY#NUM: 77 WON U A DIVIDEND USD $500,000.00 OF 100 WINNERS IN THE ONGOING FIFA PROMOTION 2009 WATCH CABLE TV STATION EVERY MONDAY 9.PM FOR MORE DETAILS TO CLAIM YOUR WON PRIZE FILL THE FORM BELOW AND SEND TO FIFA LOTTERY BOARD:

NAME........................

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TICKET# NUMBER:.............

TELEPHONE/MOBILE............


TO FIFA CLAIMS OFFICE:
Mr.MORRIS BENSON
MOBILE: +233543026675
EMAIL:FIFA2010@SIFY.COM or SFIFA122@AOL.COM 

AND CALL FOR YOUR PAYMENT IMMEDIATELY. NOTE. CLAIM IS VALID FOR SEVEN (7) DAYS STARTING FROM 8TH/DEC/2009 FOR SEVEN (7) DAYS STARTING FROM 8TH/DEC/20099



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Date: Wed, 09 Dec 2009 12:31:39 +0100

CONGRATULATIONS! YOUR EMAIL ADDRESS HAVE JUST WON''YOU.$500,000.00 FIVE THOUSAND UNITED STATE DOLLARS & A VIP TICKET TO WATCH THE-OPENING MATCH OF FIFA 2010 WORLD CUP PROUDLY HOST IN SOUTH AFRICA. YOUR EMAIL ADDRESS IS ONE OF THE LUCKY EMAIL PICKED AT RANDOM & ATTACHED TO TICKET#:FIN880002/587/20IKK OF REF#: UN/95123 THAT DREW#: 44-02-31-04& LUCKY#NUM: 77 WON U A DIVIDEND USD $500,000.00 OF 100 WINNERS IN THE ONGOING FIFA PROMOTION 2009 WATCH CABLE TV STATION EVERY MONDAY 9.PM FOR MORE DETAILS TO CLAIM YOUR WON PRIZE FILL THE FORM BELOW AND SEND TO FIFA LOTTERY BOARD:

NAME........................

SEX.........................

AGE.........................

COUNTRY.....................

ADDRESS.....................

OCCUPATION.................. 

TICKET# NUMBER:.............

TELEPHONE/MOBILE............


TO FIFA CLAIMS OFFICE:
Mr.MORRIS BENSON
MOBILE: +233543026675
EMAIL:FIFA2010@SIFY.COM or SFIFA122@AOL.COM 

AND CALL FOR YOUR PAYMENT IMMEDIATELY. NOTE. CLAIM IS VALID FOR SEVEN (7) DAYS STARTING FROM 9TH/DEC/2009



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From Loopers-Delight-request@loopers-delight.com  Wed Dec  9 14:02:42 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Anyone know where George Grant is??
Date: Wed, 09 Dec 2009 09:02:36 -0500
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Where the f is this guy?

From Loopers-Delight-request@loopers-delight.com  Wed Dec  9 15:12:15 2009
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Date: Wed, 9 Dec 2009 10:12:11 -0500
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Subject: A 2nd Y2K Sampler Video
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--00235453068c6772fb047a4d1ded
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Some of you have already seen this via the update on Facebook last night
[fell asleep before I could get out the list announcement].  I'm following
up on the heels of Michael [Peters] excellent Y2K sampler video and finally
releasing my highlights on this year's Loopfest.  I've been editing on this
off and on for the last several weeks since being home, was delayed a few
times due to ideas, tweaks and other distractions but it's finally up at
http://www.youtube.com/watch?v=YsAS-ilHtqM.

My capturing is a retrospective of Saturday, October 17th, as that was the
only day I was there.  My apologies to the first few folks I missed as we
arrived there mid afternoon.  I was able to shoot Glenn and Rick and then
missed Ty due to prepping for my set, sorry guys, I know you were wonderful.

Special thanks to Bob [Amstadt] for his additional footage who was recording
that day from my set on.  I used his for my segment, the Chinapainting piece
and Travis John's set when my batteries were exhausted.  Re the video
quality, some of the footage was with my camcorder which was better original
resolution and some of the footage was shot with my Blackberry which was
lower and I raised in FC so it gets a bit more fuzzy in the video.

Here's again to Rick the 'wing commander' for keeping this event alive and
for all he does to 'make it happen' for all of us who go.

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00235453068c6772fb047a4d1ded
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Some of you have already seen this via the update on Facebook last night [f=
ell asleep before I could get out the list announcement].=A0 I&#39;m follow=
ing up on the heels of Michael [Peters] excellent Y2K sampler video and fin=
ally releasing my highlights on this year&#39;s Loopfest.=A0 I&#39;ve been =
editing on this off and on for the last several weeks since being home, was=
 delayed a few times due to ideas, tweaks and other distractions but it&#39=
;s finally up at <a href=3D"http://www.youtube.com/watch?v=3DYsAS-ilHtqM">h=
ttp://www.youtube.com/watch?v=3DYsAS-ilHtqM</a>.<br>
<br>My capturing is a retrospective of Saturday, October 17th, as that was =
the only day I was there.=A0 My apologies to the first few folks I missed a=
s we arrived there mid afternoon.=A0 I was able to shoot Glenn and Rick and=
 then missed Ty due to prepping for my set, sorry guys, I know you were won=
derful.<br>
<br>Special thanks to Bob [Amstadt] for his additional footage who was reco=
rding that day from my set on.=A0 I used his for my segment, the Chinapaint=
ing piece and Travis John&#39;s set when my batteries were exhausted.=A0 Re=
 the video quality, some of the footage was with my camcorder which was bet=
ter original resolution and some of the footage was shot with my Blackberry=
 which was lower and I raised in FC so it gets a bit more fuzzy in the vide=
o.<br>
<br>Here&#39;s again to Rick the &#39;wing commander&#39; for keeping this =
event alive and for all he does to &#39;make it happen&#39; for all of us w=
ho go.<br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspective textu=
ral aural<br>
<a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><=
br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodi=
nmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--00235453068c6772fb047a4d1ded--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  9 15:23:25 2009
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Date: Wed, 9 Dec 2009 16:23:23 +0100
Message-ID: <66f9cc1e0912090723w9522da3s365f2b1d20b3f3b1@mail.gmail.com>
Subject: Re: A 2nd Y2K Sampler Video
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Dec 9, 2009 at 4:12 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> finally up at http://www.youtube.com/watch?v=YsAS-ilHtqM.

Awesome, Jim. Thanks a bunch!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec  9 15:35:54 2009
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	 <66f9cc1e0912090723w9522da3s365f2b1d20b3f3b1@mail.gmail.com>
Date: Wed, 9 Dec 2009 10:35:51 -0500
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Subject: Re: A 2nd Y2K Sampler Video
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174792d6113601047a4d723e
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Per thanks much, sorry you weren't there this year, would have been great to
hear and see you again.  As I've been NinJaming a lot with a fellow
countryman of yours I hope that at some point I make a trip to Sweden.

*Also to everyone in the piece I meant to add if you would like the raw
video that I shot of your set (varies from about 1 minute to a complete
piece) let me know and I'll send it to you for later editing.*

Jim

On Wed, Dec 9, 2009 at 10:23 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Dec 9, 2009 at 4:12 PM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > finally up at http://www.youtube.com/watch?v=YsAS-ilHtqM.
>
> Awesome, Jim. Thanks a bunch!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174792d6113601047a4d723e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per thanks much, sorry you weren&#39;t there this year, would have been gre=
at to hear and see you again.=A0 As I&#39;ve been NinJaming a lot with a fe=
llow countryman of yours I hope that at some point I make a trip to Sweden.=
<br>
<br><i>Also to everyone in the piece I meant to add if you would like the r=
aw video that I shot of your set (varies from about 1 minute to a complete =
piece) let me know and I&#39;ll send it to you for later editing.</i><br>
<br>Jim<br><br><div class=3D"gmail_quote">On Wed, Dec 9, 2009 at 10:23 AM, =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;">
<div class=3D"im">On Wed, Dec 9, 2009 at 4:12 PM, Jim Goodin &lt;<a href=3D=
"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<b=
r>
&gt; finally up at <a href=3D"http://www.youtube.com/watch?v=3DYsAS-ilHtqM"=
 target=3D"_blank">http://www.youtube.com/watch?v=3DYsAS-ilHtqM</a>.<br>
<br>
</div>Awesome, Jim. Thanks a bunch!<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015174792d6113601047a4d723e--

From napoleonninth.bank@insing.com  Wed Dec  9 15:43:11 2009
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Date: Wed, 9 Dec 2009 19:58:11 +0530 (IST)
Subject: From: Napoleon Ninth (Dr.) 
From: "NAPOLEON NINTH" <napoleonninth.bank@insing.com>
Reply-To: napoleonninth.absabank@insing.com
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From: Napoleon Ninth (Dr.)
Director of Audit & Project Implementation
Department of Minerals & Energy
Cape Town, South Africa.

Reply E-mail: napoleonninth.absabank@insing.com
Tel: + 27 735 527 793

REQUEST FOR CONFIDENTIAL BUSINESS RELATIONSHIP

First I must solicit your confidence in this transaction and it’s in the
light of our search for a trustworthy individual to work with us on a very
important project, that we decided using this medium to reach you for a
transaction/business of this magnitude, as it’s due to the confidentiality
and prompt access reposed on it.

Am a Civil Servant working with Department of Minerals & Energy, Cape Town
South Africa . I and two other colleagues are currently in need of a
silent foreign partner whose identity we can use to transfer the sum of
Twenty Six Million Five Hundred Thousand Dollars. This fund accrued
legitimately to us as commission from foreign contracts, through our
private connections.

The fund is presently waiting to be remitted from Amalgamated Bank of
South Africa (A.B.S.A) here in South Africa to any overseas beneficiary
confirmed by us as associate/receiver. By virtue of our positions as civil
servants in my country, we cannot acquire this money in our names. 
Because as high placed civil servants, we are not allowed by the civil
service code of conduct to own or operate bank accounts outside of our
shores. On the other hand, it is not safe for us to keep the money here
due to unstable political environment.

I have been mandated as a matter of trust by my colleagues, to look for an
overseas silent partner who could work with us to facilitate transfer of
this fund for our mutual benefit, hence the reason for this email. What I
am requesting from you is: (1) to be our silent partner and receive the
funds as the sole benefactor to the contract amount which we shall secure
all legal documentation to authenticate our claim. (2) Provide a private
telephone and fax number for easy communication under your control.
(3)Receive the funds as the beneficiary, take out your commission and keep
the rest of the money until I arrive there to meet you after the transfer
is completed.

My proposal is that after you receive the funds, it would be shared as
follows: (1) 15% to you as commission for your co-operation and assistance
in facilitating the transfer, while the remaining 85% belongs to me and
two colleagues. You will be free to take out your commission immediately
after the money hits your country. Since our objective is to invest the
money in a foreign country, it would be appreciated if you could also help
us with advices and direction on investing into profitable/lucrative
ventures in your country for an additional 3%.

However, this is optional, and if it is not convenient for you to further
assist us with investing the money, we can end our cooperation after you
make available to us our part of the money.

The transaction, although discrete, is legitimate and the money will be
transferred successful with all necessary back-up official documents
showing legitimate source/origin of fund. The transfer will be affected
within a period not longer than two weeks as soon as we reach an agreement
and you furnish me with a suitable response indicating your interest for
processing the transfer. I plead with you on one issue, whether you are
interested or not, kindly do not expose this information to any one else.

I confirm that the transaction is legitimate and without any risks either
to yourself or us. Please, give me your response immediately by return
mail through my alternate email: napoleonninth.absabank@insing.com

Yours Faithfully,
Napoleon Ninth(Dr.)
South Africa.





From cynthia.morris2@btinternet.com  Wed Dec  9 16:05:06 2009
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Date: Wed, 9 Dec 2009 16:04:55 +0000 (GMT)
From: CYNTHIA MORRIS <cynthia.morris2@btinternet.com>
Reply-To: cynthia_o1morris@hotmail.fr
Subject: Donation From cynthia morris,
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1268356383-1260374695=:55738"

--0-1268356383-1260374695=:55738
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Donation From cynthia morris,
=A0
May our good Lord bless you,reward you for your going out and your coming i=
n through Jesus Christ our Lord. Amen.
I am mrs cynthia morris=A0 of Kuwait,I am married to late Mr williams morri=
s who worked with Kuwait embassy here in Ivory Coast for nine years before =
he died in the year 2004.
=A0
We were married for eleven years without a child.He died after a brief illn=
ess that lasted for only four days.Before his death we were both born again=
 Christian. Since his death i decided not to remarry or get a child outside=
 my matrimonial home which the bible is against.When my late husband was al=
ive he left the sum of $2.5 Million (Two million five hundred thousand U.S.=
 Dollars) in a general trust account with a Bank here in Abidjan, Cote d'Iv=
oire West Africa, Recently, following my ill health my doctor told me that =
i would not last for the next Eight months due to my cancer problem.=20
=A0
He told me that in the next 2 months there is going to be a spread of this =
cancer to my bones and i will not live again,the one that disturbs me most =
is my stroke sickness.Having known my condition i decided to donate this fu=
nd to a Christian, Individual,and Organization or church that i know may ne=
ed it and that will utilize this money the way i am going to instruct herei=
n according to the desire of my late husband before his death.=20
=A0
Presently,this money is still with the Bank.I want this fund to be used in =
liberation work Activities like,help to Pastors families, Orphanages,less p=
rivileged in the society and Christian schools,poor people in your amidst a=
nd up keeping of the Churches and for propagating the word of God and to en=
deavour that the house of God is maintained.
=A0
I took this decision because i don't have any child that will inherit this =
money and my husband relatives are not Christians and i don't want my husba=
nd's efforts to be used by unbelievers.I don? want a situation where this m=
oney will be used in an ungodly way.This is why i am taking this decision.
=A0
The Bible made us to understand that "Blessed is the hand that giveth".I am=
 not afraid of death hence i know where I am going.I know that i am going t=
o be in the bosom of the Lord.Exodus 14 vs 14 says that ?he lord will fight=
 my case and I shall hold my peaceI don? need any telephone communication i=
n this regard because of my health.With God all things are possible.=20
=A0
As soon as i receive your reply i shall give you the contact of the bank fo=
r you to contact with them directly for onward transfer.I will also issue y=
ou an authority letter that will prove you as the present beneficiary of my=
 funds.I want you and your family to always pray for me because the lord is=
 my shepherd.My happiness is that i lived a life of a worthy Christian.Whoe=
ver that wants to serve the Lord must serve him in spirit and truth.
=A0
Please, always be prayerful all through your life,any delay in your reply w=
ill give me room in sourcing another person for this same purpose.Please as=
sure me that you will act accordingly as I stated herein.
=A0
Hoping to receive your reply, remain blessed in the Lord.
=A0
Yours in Christ,
mrs cynthia morris . 
--0-1268356383-1260374695=:55738
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Donation From cynthia morris,<BR>&nbsp;<BR>Ma=
y our good Lord bless you,reward you for your going out and your coming in =
through Jesus Christ our Lord. Amen.<BR>I am mrs cynthia morris&nbsp; of Ku=
wait,I am married to late Mr williams morris who worked with Kuwait embassy=
 here in Ivory Coast for nine years before he died in the year 2004.<BR>&nb=
sp;<BR>We were married for eleven years without a child.He died after a bri=
ef illness that lasted for only four days.Before his death we were both bor=
n again Christian. Since his death i decided not to remarry or get a child =
outside my matrimonial home which the bible is against.When my late husband=
 was alive he left the sum of $2.5 Million (Two million five hundred thousa=
nd U.S. Dollars) in a general trust account with a Bank here in Abidjan, Co=
te d'Ivoire West Africa, Recently, following my ill health my doctor told m=
e
 that i would not last for the next Eight months due to my cancer problem. =
<BR>&nbsp;<BR>He told me that in the next 2 months there is going to be a s=
pread of this cancer to my bones and i will not live again,the one that dis=
turbs me most is my stroke sickness.Having known my condition i decided to =
donate this fund to a Christian, Individual,and Organization or church that=
 i know may need it and that will utilize this money the way i am going to =
instruct herein according to the desire of my late husband before his death=
. <BR>&nbsp;<BR>Presently,this money is still with the Bank.I want this fun=
d to be used in liberation work Activities like,help to Pastors families, O=
rphanages,less privileged in the society and Christian schools,poor people =
in your amidst and up keeping of the Churches and for propagating the word =
of God and to endeavour that the house of God is maintained.<BR>&nbsp;<BR>I=
 took this decision because i don't have any child that will inherit
 this money and my husband relatives are not Christians and i don't want my=
 husband's efforts to be used by unbelievers.I don? want a situation where =
this money will be used in an ungodly way.This is why i am taking this deci=
sion.<BR>&nbsp;<BR>The Bible made us to understand that "Blessed is the han=
d that giveth".I am not afraid of death hence i know where I am going.I kno=
w that i am going to be in the bosom of the Lord.Exodus 14 vs 14 says that =
?he lord will fight my case and I shall hold my peaceI don? need any teleph=
one communication in this regard because of my health.With God all things a=
re possible. <BR>&nbsp;<BR>As soon as i receive your reply i shall give you=
 the contact of the bank for you to contact with them directly for onward t=
ransfer.I will also issue you an authority letter that will prove you as th=
e present beneficiary of my funds.I want you and your family to always pray=
 for me because the lord is my shepherd.My happiness is that i lived
 a life of a worthy Christian.Whoever that wants to serve the Lord must ser=
ve him in spirit and truth.<BR>&nbsp;<BR>Please, always be prayerful all th=
rough your life,any delay in your reply will give me room in sourcing anoth=
er person for this same purpose.Please assure me that you will act accordin=
gly as I stated herein.<BR>&nbsp;<BR>Hoping to receive your reply, remain b=
lessed in the Lord.<BR>&nbsp;<BR>Yours in Christ,<BR>mrs cynthia morris . <=
/td></tr></table>
--0-1268356383-1260374695=:55738--

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Date: Wed, 9 Dec 2009 08:59:25 -0800 (PST)
From: Mrs Mariam <ma4587@btopenworld.com>
Reply-To: mrsmariam2007@voila.fr
Subject: Please Very Urgent.
To: undisclosed recipients: ;
MIME-Version: 1.0
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Please Very Urgent.
>From The Desk Of Mrs Mariam Kenzo.
Bill And Exchange Manager
Bank Of Africa=20
Ouagadougou-Burkina Faso.
Tel.00226 7805 4754.
=A0
Dear Friend,
=A0
I am the manager of bill and exchange at the foreign remittance department =
of=A0 BANK OF AFRICA.I am writting to seek your coperation over this busine=
ss=A0 deal.In my department, I discovered an abandoned sum of $14million US=
D (Fourtheen Million United States Dollars) only, in an acount that belongs=
 to one of our foreign customers who died along with his entire family in a=
 plane crash that took place in Kenya,East Africa,the Late DR. GEORGE BRUML=
EY,a citizen of Atlanta, United States of America but naturalised in Burkin=
afaso, West Africa and contractor with ECOWAS,(ECONOMIC COMMUNITY OF WEST A=
FRICAN STATES) .
=A0
Since we got information about his death, we have been expecting his next o=
f kin to come over and claim his money because it cannot be releasedunless =
somebody applies for it as next of kin or relation to the deceased asindica=
ted in our banking guidelines but unfortunately, all his supposed next of k=
in or relation died alongside with him at the plane crashleaving nobody beh=
ind for the claim. It is therefore upon this discovery that Inow decided to=
 make this businness proposal to you and release the money to you via your =
foreign bank account as the next of kin or relation to thedeceased for safe=
ty and subsequent disbursement since nobody is coming for it and this money=
 Could go into the Bank treasury as unclaimed Bill.
=A0
The Banking law and guideline here stipulate that if such money remained un=
claimed after=A0 8 years, the money will be transfered into the Bank's trea=
sury as unclaimed fund.The request for your assistance and maximumco-operat=
ion as a foreign citizen to stand as the next of kin in this business is oc=
casioned by the fact that the deceased customer was aforeigner and a Burkin=
abe cannot stand as next of kin to a foreigner.40 % of this money will be f=
or you as my foreign partner,in respect tothe provision of a foreign accoun=
t. 5 % will be set aside for expencesincured during the business and 55 % w=
ould be for me.There after I will comeover to your country for disbursement=
 accoding=A0 the percentages indicated.
Therefore to enable the immediate trnansfer of this fund to you as arranged=
,you must apply first to the bank as the relation or next of kin to=A0 the =
deceased,indicating your claims and wherein the money will be remitted.=20
Upon receipt of your reply, I will send to you by fax or email the text of =
application which you will fill and forward to the office of the foreign re=
mittance director of the bank of africa. I will not fail to bring to your n=
otice that this transaction is strictly confidential and i will use my posi=
tion in this Bank to effect a hitch free transfer of the fund.=A0 You shoul=
d contact me immediately as soon as you receive this letter on phone number=
: 00226 7805 4754. Trusting to hear from you immediately.
=A0
Please, visit the website below for more informations about the Plane Crash=
 and the tragic death of the deceased and his entire family, Late DR. GEORG=
E=A0 BRUMLEY.=A0=A0=20
http://www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/index.html
=A0
=A0 Yours Faithfully,
Mrs Mariam.=20

=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Please Very Urgent.<BR>From The Desk Of =
Mrs Mariam Kenzo.<BR>Bill And Exchange Manager<BR>Bank Of Africa <BR>Ouagad=
ougou-Burkina Faso.<BR>Tel.00226 7805 4754.<BR>&nbsp;<BR>Dear Friend,<BR>&n=
bsp;<BR>I am the manager of bill and exchange at the foreign remittance dep=
artment of&nbsp; BANK OF AFRICA.I am writting to seek your coperation over =
this business&nbsp; deal.In my department, I discovered an abandoned sum of=
 $14million USD (Fourtheen Million United States Dollars) only, in an acoun=
t that belongs to one of our foreign customers who died along with his enti=
re family in a plane crash that took place in Kenya,East Africa,the Late DR=
. GEORGE BRUMLEY,a citizen of Atlanta, United States of America but natural=
ised in Burkinafaso, West Africa and contractor with ECOWAS,(ECONOMIC COMMU=
NITY OF WEST AFRICAN STATES) .<BR>&nbsp;<BR>Since we got information about =
his
 death, we have been expecting his next of kin to come over and claim his m=
oney because it cannot be releasedunless somebody applies for it as next of=
 kin or relation to the deceased asindicated in our banking guidelines but =
unfortunately, all his supposed next of kin or relation died alongside with=
 him at the plane crashleaving nobody behind for the claim. It is therefore=
 upon this discovery that Inow decided to make this businness proposal to y=
ou and release the money to you via your foreign bank account as the next o=
f kin or relation to thedeceased for safety and subsequent disbursement sin=
ce nobody is coming for it and this money Could go into the Bank treasury a=
s unclaimed Bill.<BR>&nbsp;<BR>The Banking law and guideline here stipulate=
 that if such money remained unclaimed after&nbsp; 8 years, the money will =
be transfered into the Bank's treasury as unclaimed fund.The request for yo=
ur assistance and maximumco-operation as a foreign citizen to stand
 as the next of kin in this business is occasioned by the fact that the dec=
eased customer was aforeigner and a Burkinabe cannot stand as next of kin t=
o a foreigner.40 % of this money will be for you as my foreign partner,in r=
espect tothe provision of a foreign account. 5 % will be set aside for expe=
ncesincured during the business and 55 % would be for me.There after I will=
 comeover to your country for disbursement accoding&nbsp; the percentages i=
ndicated.<BR>Therefore to enable the immediate trnansfer of this fund to yo=
u as arranged,you must apply first to the bank as the relation or next of k=
in to&nbsp; the deceased,indicating your claims and wherein the money will =
be remitted. <BR>Upon receipt of your reply, I will send to you by fax or e=
mail the text of application which you will fill and forward to the office =
of the foreign remittance director of the bank of africa. I will not fail t=
o bring to your notice that this transaction is strictly
 confidential and i will use my position in this Bank to effect a hitch fre=
e transfer of the fund.&nbsp; You should contact me immediately as soon as =
you receive this letter on phone number: 00226 7805 4754. Trusting to hear =
from you immediately.<BR>&nbsp;<BR>Please, visit the website below for more=
 informations about the Plane Crash and the tragic death of the deceased an=
d his entire family, Late DR. GEORGE&nbsp; BRUMLEY.&nbsp;&nbsp; </DIV>
<DIV><A href=3D"http://www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/inde=
x.html">http://www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/index.html</=
A><BR>&nbsp;<BR>&nbsp; Yours Faithfully,<BR>Mrs Mariam. </DIV>
<DIV><BR>&nbsp;</DIV></td></tr></table>
--0-1407938884-1260377965=:59241--

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Date: Wed, 9 Dec 2009 21:53:20 +0000 (GMT)
From: FLORENCE THOMPSON <florencethoms020@btinternet.com>
Reply-To: florencethoms02@yahoo.co.jp
Subject: Donation From Mrs Florence Thompson
To: undisclosed recipients: ;
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From=A0=A0Mrs=A0Florence thompson,
Rue 6 Lot 12 Cocody=A0=A0=A0=A0=A0=A0
=A0Abidjan=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=20
=A0
Dearest in Christ,
=A0
Greetings in the name of our Lord Jesus Christ, I am=A0 Mrs=A0Florence thom=
pson=A0from republic of Kuwait. I am married to Mr=A0Micheal Thompson . who=
 worked with Kuwait embassy in for nine years before he died in the year 20=
03. We were married for eleven years without a child. He died after a brief=
 illness that lasted for only fourteen days. Before his death we were both =
born again christian and he was posted to Abidjan Cote D Ivoire and he took=
 me along.
=A0
Since his death I decided not to remarry or get a child outside my matrimon=
ial home which the=A0word of God=A0is against. When my late husband was ali=
ve he deposited the sum of US$8million dollars in a (Finance and Storrage C=
ompany) while we were in Cote d'ivoire . Presently, this money is still in =
the Company in Cote d'ivoire and I don't want to leave it there because of =
my illness. Recently, my Doctor told me that I would not last for the next =
Eight months due to cancer problem. The one that disturbs me most is my str=
oke sickness.=20
=A0
Having known my condition I decided to donate this fund to a charity organi=
zation that will utilize this money the way I am going to instruct herein. =
I want an organization that will use this fund for orphanages, school and c=
hurch, widows, propagating the word of God and to endeavor that the house o=
f God is maintained. The Bible made us to understand that "Blessed is the h=
and that giveth".I took this decision because I don't have any child that w=
ill inherit this money and my husband relatives are not Christians and I do=
n't want my husband's efforts to be used by unbelievers.=20
=A0
I don't want a situation where this money will be used in an ungodly way. T=
his is why I am taking this decision. I am not afraid of death hence I know=
 where I am going. I know that I am going to be in the bosom of the Lord.Ex=
odus 14 VS 14 says that "the lord will fight my case and I shall hold my pe=
ace". I don't need any telephone communication in this regard because of my=
 health hence the presence of my husband's relatives around me always. I do=
n't want them to know about this development.With God all things are possib=
le. As soon as I receive your reply I shall give you the contact of the Com=
pany in Cote d'ivoire to enble you contact them and=A0ask them on how to re=
treave the money from their Company and deliver it to you in your Country..=
=20
=A0
I will also issue you a power of attorney and letter of authorization that =
will prove you the present beneficiary of this fund. I want you and the chu=
rch to always pray for me because the lord is my shephard. My happiness is =
that I lived a life of a worthy Christian. Whoever that Wants to serve the =
Lord must serve him in spirit and Truth. Please always be prayerful all thr=
ough your life.
=A0
please get back to me =A0as soon as you receive this massage so that i will=
 give you the Contact of the Company.=A0delay in your reply will not give m=
e room in sourcing another person or church for this same purpose. Please a=
ssure me that you will act accordingly as I Stated herein. Hoping to receiv=
e your reply. Remain blessed in the Lord.
=A0
Yours in Christ,

Sister Florence Thompson
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<DIV><STRONG><EM>From&nbsp;&nbsp;Mrs&nbsp;Florence thompson,<BR>Rue 6 Lot 1=
2 Cocody&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</EM></STRONG></DIV>
<DIV><STRONG><EM>&nbsp;<SPAN id=3Dlw_1180696185_0 style=3D"CURSOR: hand; BO=
RDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em">Abidjan</SPAN>&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </EM></STRONG></DIV>
<DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV>
<DIV><STRONG><EM>Dearest in Christ,<BR>&nbsp;<BR>Greetings in the name of o=
ur Lord Jesus Christ, I am&nbsp; Mrs&nbsp;Florence thompson&nbsp;from repub=
lic of <SPAN id=3Dlw_1180696185_1 style=3D"CURSOR: hand; BORDER-BOTTOM: #00=
66cc 1px dashed; HEIGHT: 1em">Kuwait</SPAN>. I am married to Mr&nbsp;Michea=
l Thompson . who worked with Kuwait embassy in for nine years before he die=
d in the year 2003. We were married for eleven years without a child. He di=
ed after a brief illness that lasted for only fourteen days. Before his dea=
th we were both born again christian and he was posted to <SPAN id=3Dlw_118=
0696185_2 style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT:=
 1em">Abidjan Cote D Ivoire</SPAN> and he took me along.<BR>&nbsp;<BR>Since=
 his death I decided not to remarry or get a child outside my matrimonial h=
ome which the&nbsp;word of God&nbsp;is against. When my late husband was al=
ive he deposited the sum of US$8million dollars in a (Finance and Storrage
 Company) while we were in <SPAN id=3Dlw_1180696185_3 style=3D"CURSOR: hand=
; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em">Cote d'ivoire</SPAN> . Pr=
esently, this money is still in the Company in <SPAN id=3Dlw_1180696185_4 s=
tyle=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em">Cote =
d'ivoire</SPAN> and I don't want to leave it there because of my illness. R=
ecently, my Doctor told me that I would not last for the next Eight months =
due to cancer problem. The one that disturbs me most is my stroke sickness.=
 <BR>&nbsp;<BR>Having known my condition I decided to donate this fund to a=
 charity organization that will utilize this money the way I am going to in=
struct herein. I want an organization that will use this fund for orphanage=
s, school and church, widows, propagating the word of God and to endeavor t=
hat the house of God is maintained. The Bible made us to understand that "B=
lessed is the hand that giveth".I took this decision because I don't have
 any child that will inherit this money and my husband relatives are not Ch=
ristians and I don't want my husband's efforts to be used by unbelievers. <=
BR>&nbsp;<BR>I don't want a situation where this money will be used in an u=
ngodly way. This is why I am taking this decision. I am not afraid of death=
 hence I know where I am going. I know that I am going to be in the bosom o=
f the Lord.Exodus 14 VS 14 says that "the lord will fight my case and I sha=
ll hold my peace". I don't need any telephone communication in this regard =
because of my health hence the presence of my husband's relatives around me=
 always. I don't want them to know about this development.With God all thin=
gs are possible. As soon as I receive your reply I shall give you the conta=
ct of the Company in <SPAN id=3Dlw_1180696185_5 style=3D"CURSOR: hand; BORD=
ER-BOTTOM: #0066cc 1px dashed; HEIGHT: 1em">Cote d'ivoire</SPAN> to enble y=
ou contact them and&nbsp;ask them on how to retreave the money from
 their Company and deliver it to you in your Country.. </EM></STRONG></DIV>
<DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV>
<DIV><STRONG><EM>I will also issue you a power of attorney and letter of au=
thorization that will prove you the present beneficiary of this fund. I wan=
t you and the church to always pray for me because the lord is my shephard.=
 My happiness is that I lived a life of a worthy Christian. Whoever that Wa=
nts to serve the Lord must serve him in spirit and Truth. Please always be =
prayerful all through your life.<BR>&nbsp;<BR>please get back to me &nbsp;a=
s soon as you receive this massage so that i will give you the Contact of t=
he Company.&nbsp;delay in your reply will not give me room in sourcing anot=
her person or church for this same purpose. Please assure me that you will =
act accordingly as I Stated herein. Hoping to receive your reply. Remain bl=
essed in the Lord.<BR>&nbsp;<BR>Yours in Christ,<BR></EM></STRONG></DIV>
<DIV><STRONG><EM>Sister Florence Thompson</EM></STRONG></DIV></DIV></td></t=
r></table>
--0-1728171743-1260395600=:69323--

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From: richard sales <richard@glasswing.com>
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--Apple-Mail-6-770288098
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making toys at the North Pole?

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com









On Dec 9, 2009, at 6:02 AM, Chris Sewell wrote:

> Where the f is this guy?
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">making toys at the North =
Pole?<div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Dec 9, 2009, =
at 6:02 AM, Chris Sewell wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Where =
the f is this =
guy?<br><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-6-770288098--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  9 22:39:10 2009
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Date: Wed, 9 Dec 2009 17:39:07 -0500
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Subject: WOT but for Mac users
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0015174757a4cc893b047a535b54
Content-Type: text/plain; charset=ISO-8859-1

I've had great luck the last year with a used MBP I bought on Craigslist
here in NY.   I'm wanting to upg my daughter's aging Macbook white 13.3 to
either same vintage of mine which is @2007 first gen of the Intel Mac's in a
15" or get her last year's black/aluminum MBP 13.3 which Apple has on it's
refurb list.

Anybody here had a good experience from a used Mac reseller like
Gainsaver.com which eopinion.com reports mixed about it or sloopdog I think
it's called or lowend Mac or Powermax?  I'm trying to stay below 1K on this.

Thx

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174757a4cc893b047a535b54
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;ve had great luck the last year with a used MBP I bought on Craigslis=
t here in NY.=A0=A0 I&#39;m wanting to upg my daughter&#39;s aging Macbook =
white 13.3 to either same vintage of mine which is @2007 first gen of the I=
ntel Mac&#39;s in a 15&quot; or get her last year&#39;s black/aluminum MBP =
13.3 which Apple has on it&#39;s refurb list.<br>
<br>Anybody here had a good experience from a used Mac reseller like Gainsa=
ver.com which <a href=3D"http://eopinion.com">eopinion.com</a> reports mixe=
d about it or sloopdog I think it&#39;s called or lowend Mac or Powermax?=
=A0 I&#39;m trying to stay below 1K on this.<br>
<br>Thx<br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspective text=
ural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/Ct=
ReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com=
">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0015174757a4cc893b047a535b54--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 02:34:10 2009
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Date: Wed, 09 Dec 2009 18:34:05 -0800
From: Daryl Shawn <highhorse@mhorse.com>
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Nice work, Jim, thanks for doing this! Reminds me what an musically 
amazing day that was. Love Stanosaur's opening music too!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Some of you have already seen this via the update on Facebook last 
> night [fell asleep before I could get out the list announcement].  I'm 
> following up on the heels of Michael [Peters] excellent Y2K sampler 
> video and finally releasing my highlights on this year's Loopfest.  
> I've been editing on this off and on for the last several weeks since 
> being home, was delayed a few times due to ideas, tweaks and other 
> distractions but it's finally up at 
> http://www.youtube.com/watch?v=YsAS-ilHtqM.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 02:54:01 2009
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>CONCUR<

-----Original Message-----
>From: Daryl Shawn <highhorse@mhorse.com>
>Sent: Dec 9, 2009 9:34 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: A 2nd Y2K Sampler Video
>
>Nice work, Jim, thanks for doing this! Reminds me what an musically 
>amazing day that was. Love Stanosaur's opening music too!
>
>Daryl Shawn
>www.swanwelder.com
>www.chinapaintingmusic.com
>
>> Some of you have already seen this via the update on Facebook last 
>> night [fell asleep before I could get out the list announcement].  I'm 
>> following up on the heels of Michael [Peters] excellent Y2K sampler 
>> video and finally releasing my highlights on this year's Loopfest.  
>> I've been editing on this off and on for the last several weeks since 
>> being home, was delayed a few times due to ideas, tweaks and other 
>> distractions but it's finally up at 
>> http://www.youtube.com/watch?v=YsAS-ilHtqM.
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 03:09:36 2009
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Date: Wed, 9 Dec 2009 19:09:34 -0800
Message-ID: <588ce11d0912091909u7242b2ccq6e375a1b6974bc3c@mail.gmail.com>
Subject: Re: A 2nd Y2K Sampler Video
From: Art Simon <simart@gmail.com>
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Thanks Jim, I really enjoyed it. Cool Night, I wish I'd been there!

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 05:22:07 2009
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Subject: Re: WOT but for Mac users
Date: Thu, 10 Dec 2009 06:21:39 +0100
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Try Small Dog - http://www.smalldog.com/

On Dec 9, 2009, at 11:39 PM, Jim Goodin wrote:

> I've had great luck the last year with a used MBP I bought on  
> Craigslist here in NY.   I'm wanting to upg my daughter's aging  
> Macbook white 13.3 to either same vintage of mine which is @2007  
> first gen of the Intel Mac's in a 15" or get her last year's black/ 
> aluminum MBP 13.3 which Apple has on it's refurb list.
>
> Anybody here had a good experience from a used Mac reseller like  
> Gainsaver.com which eopinion.com reports mixed about it or sloopdog  
> I think it's called or lowend Mac or Powermax?  I'm trying to stay  
> below 1K on this.
>
> Thx
>
> Jim
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-90-794941466
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Try Small Dog -&nbsp;<a =
href=3D"http://www.smalldog.com/">http://www.smalldog.com/</a><div><br><di=
v><div>On Dec 9, 2009, at 11:39 PM, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I've had =
great luck the last year with a used MBP I bought on Craigslist here in =
NY.&nbsp;&nbsp; I'm wanting to upg my daughter's aging Macbook white =
13.3 to either same vintage of mine which is @2007 first gen of the =
Intel Mac's in a 15" or get her last year's black/aluminum MBP 13.3 =
which Apple has on it's refurb list.<br> <br>Anybody here had a good =
experience from a used Mac reseller like Gainsaver.com which <a =
href=3D"http://eopinion.com">eopinion.com</a> reports mixed about it or =
sloopdog I think it's called or lowend Mac or Powermax?&nbsp; I'm trying =
to stay below 1K on this.<br> <br>Thx<br><br>Jim<br clear=3D"all"><br>-- =
<br>ReUse, an introspective textural aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br> <a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br> <br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br> <br></blockquote></div><br></div></body></html>=

--Apple-Mail-90-794941466--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 14:05:25 2009
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	 <12F0E355-251C-455A-B6AC-719F2624AF95@gmail.com>
Date: Thu, 10 Dec 2009 07:05:23 -0700
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Subject: Re: WOT but for Mac users
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ditto on that ... I've been doing business w/Small Dog for over 15
years ... you can take your chances and find a better price with other
used Mac businesses (possibly, but not likely) but Small Dog is
consistently outstanding and stands behind every unit that they ship
out the door.

They are also a very "good" business: they have been rated as one of
the best businesses to work for in the state of Vermont and support
their employees.

You simply won't go wrong with them, Jim.

Best,

Dennis

On Wed, Dec 9, 2009 at 10:21 PM, doc rossi <docittern@gmail.com> wrote:
> Try Small Dog -=A0http://www.smalldog.com/
> On Dec 9, 2009, at 11:39 PM, Jim Goodin wrote:
>
> I've had great luck the last year with a used MBP I bought on Craigslist
> here in NY.=A0=A0 I'm wanting to upg my daughter's aging Macbook white 13=
.3 to
> either same vintage of mine which is @2007 first gen of the Intel Mac's i=
n a
> 15" or get her last year's black/aluminum MBP 13.3 which Apple has on it'=
s
> refurb list.
>
> Anybody here had a good experience from a used Mac reseller like
> Gainsaver.com which eopinion.com reports mixed about it or sloopdog I thi=
nk
> it's called or lowend Mac or Powermax?=A0 I'm trying to stay below 1K on =
this.
>
> Thx
>
> Jim
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 14:36:11 2009
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Date: Thu, 10 Dec 2009 09:36:08 -0500
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Subject: Re: WOT but for Mac users
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--000e0cdfd7045c7a73047a60ba79
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Guys thanks very much.  I've checked out SD before but glad to know you are
both positive.  Right now they don't have anything in the range I need.  It
looks like the best right now is Apple Refurb.  I was curious if anyone had
had any interaction with Gainsaver which is a southern CA web store.  On
eopinion they get a lot of good scores but a few really bad ones.  I almost
bought from them a year ago and then found my 17" MBP on Craigslist which
has been absolutely fabulous.

Jim

On Thu, Dec 10, 2009 at 9:05 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> Ditto on that ... I've been doing business w/Small Dog for over 15
>

--000e0cdfd7045c7a73047a60ba79
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Guys thanks very much.=A0 I&#39;ve checked out SD before but glad to know y=
ou are both positive.=A0 Right now they don&#39;t have anything in the rang=
e I need.=A0 It looks like the best right now is Apple Refurb.=A0 I was cur=
ious if anyone had had any interaction with Gainsaver which is a southern C=
A web store.=A0 On eopinion they get a lot of good scores but a few really =
bad ones.=A0 I almost bought from them a year ago and then found my 17&quot=
; MBP on Craigslist which has been absolutely fabulous.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Thu, Dec 10, 2009 at 9:05 AM, =
Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.co=
m">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">
Ditto on that ... I&#39;ve been doing business w/Small Dog for over 15<br>
</blockquote></div>

--000e0cdfd7045c7a73047a60ba79--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 10 15:42:50 2009
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Subject: What public is attracted by a Y2K Sampler Video?
Date: Thu, 10 Dec 2009 12:42:23 -0300
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Thank you, Jim!

I sure added the video to the youtube.com/livelooping Demo collection

while watching, I asked myself and would like to ask you all:

Who is going to watch this?
Put yourself into the skin of someone who does not know much about  
Livelooping and thinks about coming to the festival.
Imagine some reasonably open/curious kind of person, not a loop addict.
How far into the video would you watch?
Which bits would look or sound attractive enough to make you travel to  
watch such a festival?
What impression would you get about the festival in general (being  
that Rick says in the end that it was a top day)?
Then maybe compare to other videos of the livelooping collection...

I really dont want to be negative or disrespect the artistic efforts.  
I love the y2k festival, I will go to the next!
But I also would like to know what you really feel about it, how you  
situate it in the real world,
how you see the publics desires... I am far away, I don't know  
anything about it...

thank you
Matthias

On 9 Dec 2009, at 12:12, Jim Goodin wrote:

> Some of you have already seen this via the update on Facebook last  
> night [fell asleep before I could get out the list announcement].   
> I'm following up on the heels of Michael [Peters] excellent Y2K  
> sampler video and finally releasing my highlights on this year's  
> Loopfest.  I've been editing on this off and on for the last several  
> weeks since being home, was delayed a few times due to ideas, tweaks  
> and other distractions but it's finally up at http://www.youtube.com/watch?v=YsAS-ilHtqM 
> .
>
> My capturing is a retrospective of Saturday, October 17th, as that  
> was the only day I was there.  My apologies to the first few folks I  
> missed as we arrived there mid afternoon.  I was able to shoot Glenn  
> and Rick and then missed Ty due to prepping for my set, sorry guys,  
> I know you were wonderful.
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Thank you, =
Jim!<div><br></div><div>I sure added the video to the =
youtube.com/livelooping Demo collection</div><div><br></div><div>while =
watching, I asked myself and would like to ask you =
all:</div><div><br></div><div>Who is going to watch this?</div><div>Put =
yourself into the skin of someone who does not know much about =
Livelooping and thinks about coming to the festival.</div><div>Imagine =
some reasonably open/curious kind of person, not a loop =
addict.</div><div>How far into the video would you =
watch?</div><div>Which bits would look or sound attractive enough to =
make you travel to watch such a festival?</div><div>What impression =
would you get about the festival in general (being that Rick says in the =
end that it was a top day)?</div><div>Then maybe compare to other videos =
of the livelooping collection...</div><div><br></div><div>I really dont =
want to be negative or disrespect the artistic efforts. I love the y2k =
festival, I will go to the next!</div><div>But I also would like to know =
what you really feel about it, how you situate it in the real =
world,</div><div>how you see the publics desires... I am far away, I =
don't know anything about it...</div><div><br></div><div>thank =
you&nbsp;</div><div>Matthias</div><div><br><div><div>On 9 Dec 2009, at =
12:12, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Some of =
you have already seen this via the update on Facebook last night [fell =
asleep before I could get out the list announcement].&nbsp; I'm =
following up on the heels of Michael [Peters] excellent Y2K sampler =
video and finally releasing my highlights on this year's Loopfest.&nbsp; =
I've been editing on this off and on for the last several weeks since =
being home, was delayed a few times due to ideas, tweaks and other =
distractions but it's finally up at <a =
href=3D"http://www.youtube.com/watch?v=3DYsAS-ilHtqM">http://www.youtube.c=
om/watch?v=3DYsAS-ilHtqM</a>.<br> <br>My capturing is a retrospective of =
Saturday, October 17th, as that was the only day I was there.&nbsp; My =
apologies to the first few folks I missed as we arrived there mid =
afternoon.&nbsp; I was able to shoot Glenn and Rick and then missed Ty =
due to prepping for my set, sorry guys, I know you were wonderful.<br> =
<br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-174-832185949--

From remittancedept@ubagroup.net  Thu Dec 10 16:05:21 2009
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United Bank For Africa
Head Office Address 
UBA House 
57, Marina 
Lagos,Nigeria



                   RE:YOUR PAYMENT VIA CERTIFIED INTER.BANK DRAFT

This is to notify you about the out come of our meeting with The President, Finance 
Minister, The Senators, House of Representatives and The Central Bank Governor and we came to a conclusion that we have to pay you the sum of $10.5 M. The payment will be made via  CERTIFIED INTER.BANK DRAFT, therefore send your name address and telephone number,your age and occupation.Urgent response is needed.

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Mr Tony Elumelu
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*

PARTNERSHIP/TRUSTEE*. Please see attached and read through the letter in
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<b><u>
<p>PARTNERSHIP/TRUSTEE</p></u></b>. Please see attached and read through the letter in details: From: Madam Bridget Everbright Moyo and family

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--0016e645b8ca7c5dae047a627a6c--

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Subject: Partnership
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*

PARTNERSHIP/TRUSTEE*. Please see attached and read through the letter in
details: From: Madam Bridget Everbright Moyo and family

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<b><u>
<p>PARTNERSHIP/TRUSTEE</p></u></b>. Please see attached and read through the letter in details: From: Madam Bridget Everbright Moyo and family

--0016e645b8ca3db69f047a627dc5--
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--0016e645b8ca3db6a8047a627dc7--

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Great question Matthias!

I have had consistent philosophical problems aligning myself with the
"mechanics" of looping. I HAVE a looper, which I may or may not use,
depending on the landscape.  (I use it a lot.)  But I resent feeling an
obligation to loop=97or to somehow "feature" looping as a premise for doing
what I do. (really ill-defined and uncertain even to ME.)

For me, it's always the question of ART vs. PROCESS, and I don't want to be
reminded of HOW the experience is being generated.  Of course, knowing the
underlying principles can give one insight into what's happening, but is it
lyrical? Is it moving? Did the performer emote, or simply execute? I have n=
o
particular allegiance to genre either=97I can be moved by folk music, rock,
classical, 20th century, noise.

I haven't yet watched this sampler (though I will), but I have viewed a
large percentage of what went down at Y2K9 and while I'm very interested
because I have a history with some great and inspiring people here at LD,
I'm not particularly drawn to the results generated collectively.  There ar=
e
some I would pay to go see if they were playing a gig, and I would hope tha=
t
fact is encouraging.

I personally feel that the Y2K events and other "looping" gatherings are
more of an industry thing=97a tooltime, insider deal . . . and each perform=
er
involved still needs to take their process back into the real, world withou=
t
a net and function independently and artistically without explanation.  It
ultimately has to come back to making art and moving hearts.

Mikko Biffle
Biffoz@Gmail.com
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

On Thu, Dec 10, 2009 at 7:42 AM, Matthias Grob <matilists@gmail.com> wrote:

> Thank you, Jim!
>
> I sure added the video to the youtube.com/livelooping Demo collection
>
> while watching, I asked myself and would like to ask you all:
>
> Who is going to watch this? Put yourself into the skin of someone who doe=
s
> not know much about Livelooping and thinks about coming to the festival.
> Imagine some reasonably open/curious kind of person, not a loop addict.Ho=
w
> far into the video would you watch?Which bits would look or sound attract=
ive
> enough to make you travel to watch such a festival?What impression would =
you
> get about the festival in general (being that Rick says in the end that i=
t
> was a top day)?Then maybe compare to other videos of the livelooping
> collection...
>
> I really dont want to be negative or disrespect the artistic efforts. I
> love the y2k festival, I will go to the next!But I also would like to kno=
w
> what you really feel about it, how you situate it in the real world, how =
you
> see the publics desires... I am far away, I don't know anything about it.=
..
>
> thank you
> Matthias
>
> On 9 Dec 2009, at 12:12, Jim Goodin wrote:
>
> Some of you have already seen this via the update on Facebook last night
> [fell asleep before I could get out the list announcement].  I'm followin=
g
> up on the heels of Michael [Peters] excellent Y2K sampler video and final=
ly
> releasing my highlights on this year's Loopfest.  I've been editing on th=
is
> off and on for the last several weeks since being home, was delayed a few
> times due to ideas, tweaks and other distractions but it's finally up at
> http://www.youtube.com/watch?v=3DYsAS-ilHtqM.
>
>

--0016e64c2664c24569047a636e65
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Great question Matthias!<br><br>I have had consistent philosophical problem=
s aligning myself with the &quot;mechanics&quot; of looping. I HAVE a loope=
r, which I may or may not use, depending on the landscape.=A0 (I use it a l=
ot.)=A0 But I resent feeling an obligation to loop=97or to somehow &quot;fe=
ature&quot; looping as a premise for doing what I do. (really ill-defined a=
nd uncertain even to ME.)<br>
<br>For me, it&#39;s always the question of ART vs. PROCESS, and I don&#39;=
t want
to be reminded of HOW the experience is being generated.=A0 Of course,
knowing the underlying principles can give one insight into what&#39;s
happening, but is it lyrical? Is it moving? Did the performer emote, or
simply execute? I have no particular allegiance to genre either=97I can
be moved by folk music, rock, classical, 20th century, noise. <br><br>I hav=
en&#39;t yet watched this sampler (though I will), but I have viewed a larg=
e percentage of what went down at Y2K9 and while I&#39;m very interested be=
cause I have a history with some great and inspiring people here at LD, I&#=
39;m not particularly drawn to the results generated collectively.=A0 There=
 are some I would pay to go see if they were playing a gig, and I would hop=
e that fact is encouraging. <br>
<br>I personally feel that the Y2K events and other &quot;looping&quot; gat=
herings are more of an industry thing=97a tooltime, insider deal . . . and =
each performer involved still needs to take their process back into the rea=
l, world without a net and function independently and artistically without =
explanation.=A0 It ultimately has to come back to making art and moving hea=
rts.<br>
<br>Mikko Biffle<br>Biffoz@Gmail.com<br><a href=3D"http://www.reverbnation.=
com/biffoz">http://www.reverbnation.com/biffoz</a><br>&quot;Running scared =
from all the usual distractions!&quot;<br><br><div class=3D"gmail_quote">On=
 Thu, Dec 10, 2009 at 7:42 AM, Matthias Grob <span dir=3D"ltr">&lt;<a href=
=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"">T=
hank you, Jim!<div><br></div><div>I sure added the video to the <a href=3D"=
http://youtube.com/livelooping" target=3D"_blank">youtube.com/livelooping</=
a> Demo collection</div>
<div><br></div><div>while watching, I asked myself and would like to ask yo=
u all:</div><div><br></div><div>Who is going to watch this? Put yourself in=
to the skin of someone who does not know much about Livelooping and thinks =
about coming to the festival. Imagine some reasonably open/curious kind of =
person, not a loop addict.How far into the video would you watch?Which bits=
 would look or sound attractive enough to make you travel to watch such a f=
estival?What impression would you get about the festival in general (being =
that Rick says in the end that it was a top day)?Then maybe compare to othe=
r videos of the livelooping collection...</div>
<div><br></div><div>I really dont want to be negative or disrespect the art=
istic efforts. I love the y2k festival, I will go to the next!But I also wo=
uld like to know what you really feel about it, how you situate it in the r=
eal world, how you see the publics desires... I am far away, I don&#39;t kn=
ow anything about it...</div>
<div><br></div><div>thank you=A0</div><div>Matthias</div><div><br><div><div=
>On 9 Dec 2009, at 12:12, Jim Goodin wrote:</div><blockquote type=3D"cite">=
Some of you have already seen this via the update on Facebook last night [f=
ell asleep before I could get out the list announcement].=A0 I&#39;m follow=
ing up on the heels of Michael [Peters] excellent Y2K sampler video and fin=
ally releasing my highlights on this year&#39;s Loopfest.=A0 I&#39;ve been =
editing on this off and on for the last several weeks since being home, was=
 delayed a few times due to ideas, tweaks and other distractions but it&#39=
;s finally up at <a href=3D"http://www.youtube.com/watch?v=3DYsAS-ilHtqM" t=
arget=3D"_blank">http://www.youtube.com/watch?v=3DYsAS-ilHtqM</a>.</blockqu=
ote>
</div></div></div></blockquote></div>

--0016e64c2664c24569047a636e65--

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Date: Thu, 10 Dec 2009 13:00:32 -0500
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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Matthias thanks very mcuh for adding to the YT page.  You poise a good start
to a productive thread I think.  I'm rushing now and really I don't know
that my 2 cents are the most value here as I've kind of given the 'fodder'
it seems for this.  I do want to say that please everyone realize that my
video spin here was not meant to rep the whole festival but only the 1 day
that I could be there.  I also feel badly that I could not capture the
initial beginning of the day acts but I arrived about an hour prior to my
set so there were 3 or 4 before and I also was not able to video Ty who was
playikng just before me as I was setting up.  So for those folks please
understand why you were not included in this video.

I do appreciate everyone's thoughts and input.  Now let the thread
continue...

Jim

On Thu, Dec 10, 2009 at 10:42 AM, Matthias Grob <matilists@gmail.com> wrote:

> Thank you, Jim!
>

--0015174762a456ba3f047a639543
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Matthias thanks very mcuh for adding to the YT page.=A0 You poise a good st=
art to a productive thread I think.=A0 I&#39;m rushing now and really I don=
&#39;t know that my 2 cents are the most value here as I&#39;ve kind of giv=
en the &#39;fodder&#39; it seems for this.=A0 I do want to say that please =
everyone realize that my video spin here was not meant to rep the whole fes=
tival but only the 1 day that I could be there.=A0 I also feel badly that I=
 could not capture the initial beginning of the day acts but I arrived abou=
t an hour prior to my set so there were 3 or 4 before and I also was not ab=
le to video Ty who was playikng just before me as I was setting up.=A0 So f=
or those folks please understand why you were not included in this video.<b=
r>
<br>I do appreciate everyone&#39;s thoughts and input.=A0 Now let the threa=
d continue...<br><br>Jim<br><br><div class=3D"gmail_quote">On Thu, Dec 10, =
2009 at 10:42 AM, Matthias Grob <span dir=3D"ltr">&lt;<a href=3D"mailto:mat=
ilists@gmail.com">matilists@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">Thank you, Jim!<br>
</div></blockquote></div>

--0015174762a456ba3f047a639543--

From www@mail.dinet.ru  Thu Dec 10 18:52:13 2009
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To: undisclosed-recipients:;
Subject: Immediate fund transfer!
MIME-Version: 1.0
Date: Thu, 10 Dec 2009 21:30:23 +0300
From: "Mr. Brady Dougan" <foas34q986@yahoo.com>
Organization: Credit Suisse
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--=_8b32b990e119f2f18890060cf23a0b71
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Credit Suisse Cie SA
Wire Department
Paradeplatz 8
8070 Zurich,
Switzerland

Attn: Beneficiary,

This department of Credit Suisse Cie SA was instructed to remit the total
contract sum of ,000,000.00 on your behalf as your payment hold by African
Union.

 The transfer effects immediately as we confirm the following.
(i) The receiving bank account information of yours.
(ii) The direct telephone numbers of your account manager who will confirm
the receipt of the twelve millions US Dollars in your account.

Lastly, you are advice to make payment of .00 (Ninety-eight dollars) for
transfer assessment code to African Union, send the fees via money gram or
western union, through data below.

 Name: Zecharia Ego-Madu
 Abuja, Nigeria.

(iii)Forward the payment receipt with the receiving bank account
information of yours to us for immediate transfer of your fund. The fund
will confirm in your account within two days.

Regards,

Brady W. Dougan
Director
Credit Suisse Cie SA
Paradeplatz 8
8070
Zurich,
Switzerland
 
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<p>&nbsp;</p>
<div>
<pre>Credit Suisse Cie SA
Wire  Department
Paradeplatz 8
8070 Zurich,
Switzerland

Attn: Beneficiary,
=20
This department of Credit Suisse Cie SA was instructed to remit the total c=
ontract sum of $12,000,000.00 on your behalf as your payment hold by Africa=
n Union.
=20
 The transfer effects immediately as we confirm the following.
(i)  The receiving bank account information of yours.
(ii) The direct telephone numbers of your account manager who will confirm =
the receipt of the twelve millions US Dollars in      your account.
=20
Lastly, you are advice to make payment of $98.00 (Ninety-eight dollars) for=
 transfer assessment code to African Union, send the fees via money gram or=
 western union, through data below.

       Name: Zecharia Ego-Madu
             Abuja, Nigeria.
=20
(iii)Forward the payment receipt with the receiving bank account informatio=
n of yours to us for immediate transfer of your fund.  The fund will confir=
m in your account within two days.

Regards,
=20
Brady W. Dougan
Director
Credit Suisse Cie SA
Paradeplatz 8
8070 Zurich,
Switzerland</pre>
</div>
--=_8b32b990e119f2f18890060cf23a0b71--

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Jim,

I can recommend the Small Dog refurbs, too ... having had 1st hand
experience with those!

On Thu, Dec 10, 2009 at 7:36 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Guys thanks very much.=A0 I've checked out SD before but glad to know you=
 are
> both positive.=A0 Right now they don't have anything in the range I need.=
=A0 It
> looks like the best right now is Apple Refurb.=A0 I was curious if anyone=
 had
> had any interaction with Gainsaver which is a southern CA web store.=A0 O=
n
> eopinion they get a lot of good scores but a few really bad ones.=A0 I al=
most
> bought from them a year ago and then found my 17" MBP on Craigslist which
> has been absolutely fabulous.
>
> Jim
>
> On Thu, Dec 10, 2009 at 9:05 AM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>>
>> Ditto on that ... I've been doing business w/Small Dog for over 15
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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	for looparc@loopers-delight.com; Fri, 11 Dec 2009 04:04:27 +0530
From: "Neha" <sneha@dh-ww.com>
Subject: Awarness General Life Facts
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Hai,
=20
I have a site on web which has got several unknown facts of life. I am=
 inviting you to visit http://dhristionline.com <http://dhristionline.=
com/>
=20
Regards
=20
Dhristi Team
=20
**********************************************************=20
=20
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If you do not intend to receive this type of e-mails in future and thi=
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rted> or forward a copy to reportedspam@dhristionline.com <mailto:repo=
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=20
The following physical address associated with mailling list:-
=20
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+91-9420818377
=20

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    <div><font size=3D"2" face=3D"Arial">Hai,</font></div>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 01:13:41 2009
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Date: Thu, 10 Dec 2009 20:13:11 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll continue
the month-long Special Focus on Indra.  The Featured CD at Midnight
will be "Tara," the second of the Special Edition Tantric Celebration
albums.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://is.gd/37vNQ on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 01:52:52 2009
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Date: Thu, 10 Dec 2009 17:52:49 -0800
Message-ID: <c70e517b0912101752w71e47afau93cbaadc2ef2dc00@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Matt Davignon <mattdavignon@gmail.com>
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It's possible someone could stumble on that video because they're
looking for videos featuring one of the artists.

But the question you ask is the big question about the validity of
YouTube and the whole web2.0 thing. I guess my answer is "You never
know". I've gotten some nice positive comments from people I don't
know who watched the "Rigs" series.

I often find myself watching odd things like people demonstrating how
to do the mashed potato, unusual animals, watching people play through
video games I'll probably never buy, equipment demonstrations, etc. I
especially like watching different people's reviews of products I may
be interested in, as well as tutorial videos.

The "Rigs" movies I'm working on were inspired by tutorials I found on
how to create hip hop beats from samples. (Btw, "Rigs" is currently on
hold until I upgrade my computer to the capability of editing video
clips.)

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


Matthias Grob <matilists@gmail.com> was all:
> Thank you, Jim!
> I sure added the video to the youtube.com/livelooping Demo collection
> while watching, I asked myself and would like to ask you all:
> Who is going to watch this?

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 02:40:47 2009
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Date: Thu, 10 Dec 2009 18:40:45 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
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--0-1279960165-1260499245=:19588
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

It seems to ask the question who's really going to want to watch such a vid=
eo is a good way to start a spiral of thinking it's pointless. =A0I know fo=
r me when I start thinking that way, I want to quit whatever it is that I'm=
 questioning, that could've happened to the last 2 records of mine, I asked=
 myself who's really going to enjoy this music, but they turned out to be w=
orth it and folks seem to dig them. =A0So take heart-you'll be pleasantly s=
urprised at some point when someone comes up and says they really like what=
 you did, also I think it's a great promo for the fest itself! one can get =
the idea of the diversity of genres for one thing. a little experience I ha=
d like that was when I first started looping a few years ago, I had no vide=
os of myself playing live, so I made one of me playing at home in my living=
 room (I felt so lame) and stuck it up on youtube, at some poit Rick W. saw=
 it and sent out an email helping me get some exposure, & I think it,
 indirectly, that little vid got me a slot at Y2K9! =A0Also I think there's=
 a lot to the idea that you've just got to keep trying and forging ahead, i=
f you're not failing sometimes, it means you're not really trying, and it a=
lso translates into investing time into internet presence as well as offlin=
e life, it just seems one has to put in as much work as possible into as ma=
ny different areas as possible. I hope this is the kind of input you're loo=
king for-I hope I''m not too rambling-=A0
ps: Matt: I really liked the "Rigs" w/=A0Marielle Jakobsons -very cool!

--- On Thu, 12/10/09, Matt Davignon <mattdavignon@gmail.com> wrote:

From: Matt Davignon <mattdavignon@gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
To: Loopers-Delight@loopers-delight.com
Date: Thursday, December 10, 2009, 5:52 PM

It's possible someone could stumble on that video because they're
looking for videos featuring one of the artists.

But the question you ask is the big question about the validity of
YouTube and the whole web2.0 thing. I guess my answer is "You never
know". I've gotten some nice positive comments from people I don't
know who watched the "Rigs" series.

I often find myself watching odd things like people demonstrating how
to do the mashed potato, unusual animals, watching people play through
video games I'll probably never buy, equipment demonstrations, etc. I
especially like watching different people's reviews of products I may
be interested in, as well as tutorial videos.

The "Rigs" movies I'm working on were inspired by tutorials I found on
how to create hip hop beats from samples. (Btw, "Rigs" is currently on
hold until I upgrade my computer to the capability of editing video
clips.)

--=20
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


Matthias Grob <matilists@gmail.com> was all:
> Thank you, Jim!
> I sure added the video to the youtube.com/livelooping Demo collection
> while watching, I asked myself and would like to ask you all:
> Who is going to watch this?

=0A=0A=0A      
--0-1279960165-1260499245=:19588
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div>It seems to ask the question who's reall=
y going to want to watch such a video is a good way to start a spiral of th=
inking it's pointless. &nbsp;I know for me when I start thinking that way, =
I want to quit whatever it is that I'm questioning, that could've happened =
to the last 2 records of mine, I asked myself who's really going to enjoy t=
his music, but they turned out to be worth it and folks seem to dig them. &=
nbsp;So take heart-you'll be pleasantly surprised at some point when someon=
e comes up and says they really like what you did, also I think it's a grea=
t promo for the fest itself! one can get the idea of the diversity of genre=
s for one thing. a little experience I had like that was when I first start=
ed looping a few years ago, I had no videos of myself playing live, so I ma=
de <a href=3D"http://www.youtube.com/watch?v=3DcWw0ox1_21g">one of me playi=
ng at
 home in my living room</a> (I felt so lame) and stuck it up on youtube, at=
 some poit Rick W. saw it and sent out an email helping me get some exposur=
e, &amp; I think it, indirectly, that little vid got me a slot at Y2K9! &nb=
sp;Also I think there's a lot to the idea that you've just got to keep tryi=
ng and forging ahead, if you're not failing sometimes, it means you're not =
really trying, and it also translates into investing time into internet pre=
sence as well as offline life, it just seems one has to put in as much work=
 as possible into as many different areas as possible. I hope this is the k=
ind of input you're looking for-I hope I''m not too rambling-&nbsp;</div><d=
iv><br></div>ps: Matt: I really liked the "Rigs" w/&nbsp;Marielle Jakobsons=
 -very cool!<br><br>--- On <b>Thu, 12/10/09, Matt Davignon <i>&lt;mattdavig=
non@gmail.com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px s=
olid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From:
 Matt Davignon &lt;mattdavignon@gmail.com&gt;<br>Subject: Re: What public i=
s attracted by a Y2K Sampler Video?<br>To: Loopers-Delight@loopers-delight.=
com<br>Date: Thursday, December 10, 2009, 5:52 PM<br><br><div class=3D"plai=
nMail">It's possible someone could stumble on that video because they're<br=
>looking for videos featuring one of the artists.<br><br>But the question y=
ou ask is the big question about the validity of<br>YouTube and the whole w=
eb2.0 thing. I guess my answer is "You never<br>know". I've gotten some nic=
e positive comments from people I don't<br>know who watched the "Rigs" seri=
es.<br><br>I often find myself watching odd things like people demonstratin=
g how<br>to do the mashed potato, unusual animals, watching people play thr=
ough<br>video games I'll probably never buy, equipment demonstrations, etc.=
 I<br>especially like watching different people's reviews of products I may=
<br>be interested in, as well as tutorial videos.<br><br>The "Rigs"
 movies I'm working on were inspired by tutorials I found on<br>how to crea=
te hip hop beats from samples. (Btw, "Rigs" is currently on<br>hold until I=
 upgrade my computer to the capability of editing video<br>clips.)<br><br>-=
- <br>Matt Davignon<br>www.ribosomemusic.com<br>Rigs! www.youtube.com/user/=
ribosomematt<br><br><br>Matthias Grob &lt;<a ymailto=3D"mailto:matilists@gm=
ail.com" href=3D"/mc/compose?to=3Dmatilists@gmail.com">matilists@gmail.com<=
/a>&gt; was all:<br>&gt; Thank you, Jim!<br>&gt; I sure added the video to =
the youtube.com/livelooping Demo collection<br>&gt; while watching, I asked=
 myself and would like to ask you all:<br>&gt; Who is going to watch this?<=
br><br></div></blockquote></td></tr></table><br>=0A=0A      
--0-1279960165-1260499245=:19588--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 03:02:37 2009
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Subject: Leinhos, Peter is out of the office.
From: peter.leinhos@farmersinsurance.com
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Date: Thu, 10 Dec 2009 20:57:24 -0600
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I will be out of the office starting  12/10/2009 and will not return until
12/14/2009.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
addressee(s) named above. If you are not the intended
addressee/recipient, you are hereby notified that any use of,
disclosure, copying, distribution, or reliance on the contents of
this E-Mail/telefax information is strictly prohibited and may
result in legal action against you. Please reply to the sender
advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 06:08:24 2009
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Date: Thu, 10 Dec 2009 22:08:27 -0800
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What public is attracted by a Y2K Sampler Video?

Or better yet,  what public is attracted to attend a Live Looping Festival?

After having worked my ass off over the past 10 years to try and make it 
so that
the dozens of artists who've performed without pay could made this 
festival a reality,
I've had to ask myself these questions over and over again.

The deeper question is even:   what is important or meaningful about 
this festival at all?

Why do it?    Why play it?


Well, honestly,  I have to admit  that apart from the fact that all the 
people who live in this immediate area, geographically
and all the people who participate at Loopers Delight (well, the mailing 
members at least) know about the festival,  
the general population popularity of live looping has not increased 
dramatically from the presence of these festivals in the last ten years.

We faced an analogous situation when we worked so hard to make the World 
Beat scene happen in the early
80's.    On some level,  the general public NEVER got it on a mass scale 
(re:  dollars spent,  CDs purchased)
After 3 or 4 years, however,   the influence of that movement began to 
show up on pop records;  on car commercial soundtracks;
in movie soundtracks;  in production techniques;  in the acceptance of 
new grooves,  instruments and even scales in
popular music in general.     The bands who aligned themselves with the 
movement were never hugely successful (aside
from several sold out shows in regional clubs)...............This can be 
said of the live looping movement as well.

Two things DID occur, however:      A great deal of excitement was 
generated and a genuine community
was created around a particular metaphor that was really engaging and fun.

Did everybody love it?     No!       Did some people resent it and feel 
boxed in by it's confines?   Absolutely.
But this can be said about any style of music at all.

So why do it? Why work so hard for this community?

Well, with the looping festivals I have noticed the following positive 
effects and they have emboldened me
to work hard to promote the festival.    Some of these positive effects 
are small and some of these are larger and
effect more people:

1)  a group of really interesting and original musicians from around the 
world have become good friends and have
traveled to each other's countries to perform, exchange techniques, 
philosophies and musical influences.

2)  some of these musicians have created live looping festivals in their 
own countries,  that have generated interest in
press, radio and some small percentage of the public pushing the 
movement modestly further as has Y2K.

3)  many, many newbies were enthralled with the concept of being in a 
movement that wasn't exclusive due
to style or genre or even experience (and this may be singular in the 
history of popular music if very modest in effect)    They now are 
actively involved
with live looping and innovating on a continual basis.   People like 
Bill Putnam of Universal Audio,   Bob Amstadt of Looperlative, etc., etc.

4)  Many people who have not performed before or recorded albums of all 
original creative music were inspired enough
to perform for the first time................to record 
records................to collaborate with other artists who they would 
never
have stumbled upon if it weren't for the 'vibe' of the festival.   The 
artists in this movement have initiated cross planet
looping 'jams' and concerts, some of the first of this kind in history.

5)  Artist after artist have written me, thanking me profusely for the 
inspiration they received by attending the festivals.
Many have told me that the festivals completely turned around their own 
artistic lives because they now felt that they
had a place where they belong.

6)  Many professional artists felt inspired to put out recordings of all 
original music that they might not have
put out because they felt that there was a sense of people appreciating 
their work

7) Much innovation in technology, including technology that was 
specifically designed to create new modes of
expression that couldn't be accomplished without the innovation has 
occurred.     Bob Amstadt of Looperlative,
as an example, started his company because he was inspired by going to 
the Bass Looping Festival at the San
Jose Museum of Art.   

8)  Specific innovation in software and concepts have been created 
because artists
who were aggressive and progressive in their use of live looping 
technology pushed for changes in the software and
hardware being created.    A lot of features in the EDP,  the 
Looperlative,  the Boomerang and Mobius, and others
were artist driven, and, even more importantly,  were frequently driven 
by artists who have attended the festivals.

9)  Many musicians have changed loopers they've used because they saw 
artists using them at festivals.   As an example,
I would never have gotten into the EDP if I hadn't seen the magic that 
Andre LaFosse created with it...................

***********
***********

So, does everyone dig it?    NO!!!!!    Do some people feel put off by 
it?   Absolutely!

Really strong artists like Andre LaFosse,  Miko B.  Lucio Menegon, Steve 
Lawson have not wanted to participate or
to be confined by the definition of Live Looping.     That's not only 
cool,  but it is to be expected.    A lot of artists by
their very emotional nature don't feel comfortable with belonging to ANY 
movement.    A lot of very important and influential
artists have felt this way with this and with past musical movements,  
styles or genres.

Many really famous artists are too big for us to attract to the 
festival:    Kellar Williams,  David Torn,   Imogen Heap,  Katy Tunstill ,
Robert Fripp, etc., etc.

So is it perfect?   No!         Is it universally appealing?    Hell no!

Is it a blessing in many people's lives even if we only preach to the 
'converted'     Absolutely!

***************************

So maybe Jim Goodin's work in putting together this small not even 
completely inclusive video sampler
is merely to make the small number of artists  who have wonderful 
memories of a fantastic and inspiring weekend, smile.
That's not an insignificant consequence of putting it up.

Also,  to be fair (and this I send in particular to Miko B for his 
previous comments)
watching the vids on youtube  just doesn't get what it felt like to 
attend the festival..............what is missed
was the interaction between the sets, much of the magical moments that 
didn't make it onto media and the serious hangs
and jams that occurred between the performances.

So,  Matthias,  I say,  if putting this stuff up brings more people to 
this non style/non genre oriented community
that's a huge plus,   but it doesn't lack value if it doesn't.

Come hang out and perform at Y2K-X  next year:      You'll get why it's 
a cool thing to do.   I promise you
you'll want to see the highlights when it's over. 

And if you decide not to,  more power to you!    Truly!

Rick Walker
Y2K Live Looping Festivals

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Office of the Bill & Exchange Manager.
United Bank for Africa (UBA)
Ambassadorial Enclave, Ridge
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                                 STRICTLY CONFIDENTIAL AND PRIVATE

Dear Friend,

I am Mr. JK Morrison, Bill and Exchange Manager of United Bank for Africa (UBA) Accra - Ghana. I write to solicit your kind assistance for business investment of mutual benefit.

In November 2005, one Mr. Hussien Omar Iraq National, who deal on gold business in Ghana and Asia, whom I was his funds manager, he made a bill and treasury fix deposit now valued at US$20,500,000.00 (Twenty Million, Five Hundred Thousand United States dollars) for twelve calendar months in our bank. Upon Maturity, we sent a routine notification to his forwarding address but got no reply. After a month, we sent a reminder and finally we discovered that Mr. Hussien Omar from Iraq, his wife and two children and wife's parents died in a suicide bomb blast attack in Iraq. 

My investigation proved that he died with his supposed next of kin in the bomb blast. The funds which he deposited as fix deposit are still in our bank unclaimed and the funds have been deposited in our bank suspense account with the principal interest at the end of each year. No one has come forward to claim it. Consequently, I shall present you to stand in as the next of kin to late Mr.Hussien Omar. Thus, upon acceptance of this proposal, I will give you detailed information on how this deal would be carried out. I guarantee that this will be executed under legitimate arrangement that will protect you from any breach of the law as I will use my position as the bill and exchange manager to secure approvals and guarantee the successful execution of this transaction as you apply for the release.

I want you to handle everything for me. I have the trust in you and I know that you will not disappoint me; I don't need to know you for many years to trust you it's all about successful business deal. If you have an idea of what should be done to transfer the funds out of Africa, please tell me I need your advice seriously and I have the impression that you are a nice gentle personality. Please reply directly to my private email address: j.kmorrison@hotmail.com

Awaiting your urgent reply.

Kind regards,
JK Morrison.

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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Per Boysen <perboysen@gmail.com>
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I tend to agree with Matt that no restrictions should ever be applied
to what you throw up into the lovely gigantic trash can we call The
Internetz.

"The web 2.0 thing" means that attraction of public etc is self
generating by the ways people watch and link to stuff. You can never
know in advance who will like what, so why not offer it all to
everyone!

Specific matters of branding or marketing might crave different
concerns though.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: CITOYENNETEE ET IMMIGRATION CANADA(CIC)
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CITOYENNETEE ET IMMIGRATION CANADA(CIC)
240 - 9700 Jasper Ave=C2=A0 Edmonton
QUEBEC=C2=A0 CANADA
Direction des Ressources Humaines CIC
E-MAIL: drhcic.canada@minister.com
Direction g=C3=A9n=C3=A9rale de selection
=C2=A0E-MAIL: honorablerenald.dussault@gmail.com=20
Service Courriel

=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0 E-MAIL: servicecourielcic.gc.ca@gmail.com=C2=A0 / ser=
vcie.courielcic@consultant.com=C2=A0=20

Repr=C3=A9sentation Afrique:BENIN

RUE 310 Avenue du Commandant Decoeur
PARAKOU/BENIN
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 E-MAIL: representationcic.gc.ca@=
live.fr =C2=A0/ representationcic.gc.ca@gmail.com=20
=C2=A0
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0 Accord de publication N=C2=B0 001/GC/DRH/GOV-CA-CIC-2009=
.=C2=A0=C2=A0
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Dans le souci de lutter co=
ntre le voyage clandestin, la pauvret=C3=A9,=20
de promouvoir l'emploi et =C3=A0 l'int=C3=A9gration Africaine au processus =
de la mondialisation, le gouvernement CANADIEN en collaboration avec la SOC=
IETE CANADIENNE DE CONSULTANTS EN IMMIGRATION(SCCI) lance un projet sp=C3=
=A9cial=C2=A0 par le biais de la=C2=A0 CIC (CITOYENNETE ET IMMIGRATION CANA=
DA) qui a pour but de favoriser l'immigration de toutes personnes d=C3=A9si=
reuses =C3=A0 venir vivre ou travailler au CANADA. Apr=C3=A8s une longue =
=C3=A9tude dynamique du ph=C3=A9nom=C3=A8ne de pauvret=C3=A9 dans les pays =
en voie de d=C3=A9veloppement notamment les pays d'Afrique,des Cara=C3=AFbe=
s et du pacifique, en collaboration avec le gouvernement CANADIEN et le pla=
n =C3=A0 long terme du MINISTERE CANADIEN=C2=A0 des affaires =C3=A9trang=C3=
=A8res.=20
A cet effet toutes personnes d=C3=A9sirant postuler pour travailler ou pour=
 continuer les =C3=A9tudes au CANADA sont la bienvenue.Nous recherchons ava=
nt tout des personnes capables sans distinction de sexe qui pourront s'adap=
ter =C3=A0 notre environnement de travail.Par ailleurs le service C.I.C a d=
es repr=C3=A9sentations partout dans le monde qui assure la liaison entre l=
eur pays et la Direction principalement celle de l'Afrique-Europe qui a =C3=
=A9t=C3=A9 choisi par le conseil d'administration pour se charger de v=C3=
=A9rifier l'authenticit=C3=A9 et l'originalit=C3=A9 des dossiers qui nous p=
arviendront de l'Afrique=C2=A0ainsi que de l'Europe=C2=A0et d'autres sujets=
 portant sur l'int=C3=A9r=C3=AAt de notre projet=20
Ci-apr=C3=A8s toutes les informations dont vous aurez besoin pour nous fair=
e parvenir votre candidature.=20
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=20

CONDITIONS A REMPLIR POUR TOUTE PERSONNE INTERESSEE=20

- Etre =C3=A2g=C3=A9(e) entre 25 et 58 ans
- Etre titulaire au moins du BEPC ou autres Dipl=C3=B4mes Professionnels=20
- Savoir parler le fran=C3=A7ais ou=C2=A0 l'anglais=20
- Avoir de bonnes qualit=C3=A9s relationnelles=20
- Avoir une bonne moralit=C3=A9

DOSSIERS DE CANDIDATURE

-Une lettre de motivation dans laquelel vous mentionnez le but de votre imm=
igration.
-Un curriculum vitae(CV) bien d=C3=A9taill=C3=A9
-Un acte de naissance ou toute autre pi=C3=A8ce pouvant attest=C3=A9e votre=
 identit=C3=A9
-Dipl=C3=B4mes obtenus=20
-Une photo d'identit=C3=A9=20
-Votre passeport pour v=C3=A9rification de votre disponibilit=C3=A9 =C3=A0 =
voyager.
-Dans le cas o=C3=B9 vous ne disposez pas de passeport vous le signalez dan=
s votre lettre de motivation pour que nous puissions vous aider =C3=A0 rent=
rer en possession de ce dernier.=20
=C2=A0En outre apr=C3=A8s =C3=A9tude de dossiers et si votre demande=C2=A0 =
a =C3=A9t=C3=A9 accept=C3=A9e nous serons en mesure de vous fournir des doc=
uments n=C3=A9cessaires qui suivront votre immigration en terre Canadienne.
=C2=A0=C2=A0Ces documents =C2=A0vous seront=C2=A0d=C3=A9livr=C3=A9s dans un=
 d=C3=A9lai rentrant dans le cadre de votre immigration et ceci par courrie=
r DHL=C2=A0=C3=A0 votre adresse de residence.=C2=A0=20

LES DOCUMENTS
1-=C2=A0 Votre carte de r=C3=A9sidence
2-=C2=A0 Votre permis de travail=C2=A0
3-=C2=A0 Votre certificat d'h=C3=A9bergement=C2=A0=C2=A0
4-=C2=A0 Votre assurance=C2=A0 vie et famille=C2=A0
5-=C2=A0 Votre visa canadien
6-=C2=A0 Votre billet d'avion

=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=20

Le comit=C3=A9 envoy=C3=A9 pour se charger de la zone Afrique est compos=C3=
=A9 de:=20

=C2=A0Mr ALLAN Vandereck=C2=A0 :Repr=C3=A9sentant =C2=A0Mme C=C3=A9lestine=
=C2=A0 Klein=C2=A0=C2=A0 : Secr=C3=A9taire=20
=C2=A0Mr Didier Mentheson=C2=A0=C2=A0=C2=A0: Charg=C3=A9 des dossiers suivi=
e de quelques membres du service =C2=A0
=C2=A0 Si vous =C3=AAtes int=C3=A9ress=C3=A9s veuillez envoyer votre dossie=
r =C3=A0 n'importe quelle adresse de notre SERVICE COURRIEL par Email suiva=
nts: servcie.courielcic@consultant.com=C2=A0 OU servicecourielcic.gc.ca@gma=
il.com=20
et contactez par la suite la Repr=C3=A9sentation pour lui faire part de vot=
re d=C3=A9p=C3=B4t de demande d'immigration .
=C2=A0NB: VEUILLEZ NOUS FAIRE PARVENIR VOS DEMANDES SOUS LA REFERENCE R=C3=
=A9f : 001/GC/DRH/GOV-CA-CIC-2009.=C2=A0=20
=C2=A0=20
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0Dr.Christ=C2=A0=C2=A0BENOIT=20

=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Le charg=C3=A9=
 de l'information
=C2=A0

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<p style=3D"margin: 0px; padding: 0px; text-align: center"><strong><font si=
ze=3D"2"><u><font style=3D"background-color: #0000ff">CITOYENNETEE ET IMMIG=
RATION CANADA(CIC)</font><br /></u><span>240 - 9700 Jasper Ave</span>&nbsp;=
 <span>Edmonton</span><br />    QUEBEC&nbsp; CANADA<br /><span></span><u>Di=
rection des Ressources Humaines CIC</u><br /><u>E-MAIL</u>: <span><a rel=3D=
"nofollow" href=3D"http://fr.mc261.mail.yahoo.com/mc/compose?to=3Ddrhcic.gc=
.ca@minister.com" target=3D"_blank"><font color=3D"#0000ff">drhcic.canada@m=
inister.com</font></a></span><br />    <u>Direction g&eacute;n&eacute;rale =
de selection</u></font></strong></p>  <p style=3D"margin: 0px; padding: 0px=
; text-align: center"><strong>&nbsp;<font size=3D"2"><u>E-MAIL</u>: <a styl=
e=3D"color: #0000ff" rel=3D"nofollow"><u>honorablerenald.dussault@gmail.com=
</u></a></font></strong>  </p><p style=3D"margin: 0pt; padding: 0pt" align=
=3D"center"> <strong><font size=3D"2"><u>Service Courriel</u></font><br /><=
/strong></p><p style=3D"margin: 0px; padding: 0px; text-align: center"><str=
ong><font size=3D"2">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <u>E-MAIL</u>: </font></strong><=
u><strong><font size=3D"2"><a style=3D"color: #0000ff" rel=3D"nofollow"><u>=
servicecourielcic.gc.ca@gmail.com</u></a></font></strong></u><strong><font =
size=3D"2">&nbsp; </font></strong><strong><font size=3D"2">/</font></strong=
><strong><font size=3D"2"> <a style=3D"color: #0000ff" rel=3D"nofollow"><u>=
servcie.courielcic@consultant.com</u>&nbsp;</a><a rel=3D"nofollow"> <br /><=
/a></font></strong></p><p style=3D"margin: 0pt; padding: 0pt" align=3D"cent=
er"><strong><u><font size=3D"2">Repr&eacute;sentation Afrique:BENIN</font><=
/u><br /></strong></p><p style=3D"margin: 0px; padding: 0px; color: #000000=
; text-align: center"><strong><a rel=3D"nofollow"><font size=3D"2">RUE 310 =
Avenue du Commandant Decoeur</font></a></strong></p> <p style=3D"margin: 0p=
x; padding: 0px; text-align: center"> <strong><a style=3D"color: #0000ff" r=
el=3D"nofollow"><font size=3D"2"><span style=3D"color: #000000">PARAKOU/BEN=
IN</span><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style=3D"color: #000000"=
>&nbsp;&nbsp; </span><u style=3D"color: #000000">E-MAIL</u><span style=3D"c=
olor: #000000">:</span> </font></a><font size=3D"2"><a rel=3D"nofollow" hre=
f=3D"http://fr.mc261.mail.yahoo.com/mc/compose?to=3Drepresentationcic.gc.ca=
@live.fr%20gmail.com" target=3D"_blank"><u>representationcic.gc.ca@live.fr =
</u></a>&nbsp;/ <span style=3D"color: #0000ff"><a rel=3D"nofollow"><u>repre=
sentationcic.gc.ca@gmail.com</u></a></span></font></strong> </p>    <p styl=
e=3D"margin: 0px; padding: 0px; text-align: center"><strong>&nbsp;</strong>=
</p> <p style=3D"margin: 0px; padding: 0px; text-align: center"><strong><fo=
nt size=3D"2"><font color=3D"#0000ff">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br />=
    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp; Accord de publication <font color=3D"#40007f"><font =
color=3D"#0000bf">N&deg; 001/GC/DRH/GOV-CA-CIC-2009</font><font color=3D"#0=
00000">.</font>&nbsp;&nbsp;</font><br />&nbsp;&nbsp;&nbsp;</font>&nbsp;&nbs=
p;&nbsp;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dans le souc=
i de lutter contre le voyage clandestin, la pauvret&eacute;, </font></stron=
g> </p>  <p style=3D"margin: 0pt; padding: 0pt; text-align: center"><strong=
><font size=3D"2">de promouvoir l'emploi et &agrave; l'int&eacute;gration A=
fricaine au processus de la mondialisation, le gouvernement CANADIEN en col=
laboration avec la SOCIETE CANADIENNE DE CONSULTANTS EN IMMIGRATION(SCCI) l=
ance un projet sp&eacute;cial&nbsp; par le biais de la&nbsp; CIC (CITOYENNE=
TE ET IMMIGRATION CANADA) qui a pour but de favoriser l'immigration de tout=
es personnes d&eacute;sireuses &agrave; venir vivre ou travailler au CANADA=
. Apr&egrave;s une longue &eacute;tude dynamique du ph&eacute;nom&egrave;ne=
 de pauvret&eacute; dans les pays en voie de d&eacute;veloppement notamment=
 les pays d'Afrique,des Cara&iuml;bes et du pacifique, en collaboration ave=
c le gouvernement CANADIEN et le plan &agrave; long terme du MINISTERE CANA=
DIEN&nbsp; des affaires &eacute;trang&egrave;res. </font></strong></p>  <p =
style=3D"margin: 0pt; padding: 0pt; text-align: center"><strong><font size=
=3D"2">A cet effet toutes personnes d&eacute;sirant postuler pour travaille=
r ou pour continuer les &eacute;tudes au CANADA sont la bienvenue.Nous rech=
erchons avant tout des personnes capables sans distinction de sexe qui pour=
ront s'adapter &agrave; notre environnement de travail.Par ailleurs le serv=
ice C.I.C a des repr&eacute;sentations partout dans le monde qui assure la =
liaison entre leur pays et la Direction principalement celle de l'Afrique-E=
urope qui a &eacute;t&eacute; choisi par le conseil d'administration pour s=
e charger de v&eacute;rifier l'authenticit&eacute; et l'originalit&eacute; =
des dossiers qui nous parviendront de l'Afrique&nbsp;ainsi que de l'Europe&=
nbsp;et d'autres sujets portant sur l'int&eacute;r&ecirc;t de notre projet<=
/font></strong>  </p>    <p style=3D"margin: 0pt; padding: 0pt; text-align:=
 center"><strong><font size=3D"2">Ci-apr&egrave;s toutes les informations d=
ont vous aurez besoin pour nous faire parvenir votre candidature. <br />&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <u><br /> </u></f=
ont></strong></p> <p style=3D"margin: 0pt; padding: 0pt; text-align: center=
"><strong><font size=3D"2"><u>CONDITIONS A REMPLIR POUR TOUTE PERSONNE INTE=
RESSEE <br /></u></font></strong></p>  <p style=3D"text-align: left"><stron=
g><font size=3D"2"><font color=3D"#ff007f">- Etre &acirc;g&eacute;(e) entre=
 25 et 58 ans</font></font><br /><font size=3D"2"><font color=3D"#ff007f">-=
 Etre titulaire au moins du BEPC ou autres Dipl&ocirc;mes Professionnels </=
font></font><br /><font size=3D"2"><font color=3D"#ff007f">- Savoir parler =
le fran&ccedil;ais ou&nbsp; l'anglais </font></font><br /><font size=3D"2">=
<font color=3D"#ff007f">    - Avoir de bonnes qualit&eacute;s relationnelle=
s  </font></font><br /><font size=3D"2"><font color=3D"#ff007f">- Avoir une=
 bonne moralit&eacute;</font></font><br /></strong>     </p> <p style=3D"ma=
rgin: 0pt; padding: 0pt; text-align: center"><strong><font size=3D"2"><u>DO=
SSIERS DE CANDIDATURE<br /></u></font></strong></p> <p style=3D"text-align:=
 left"><strong><font size=3D"2" color=3D"#ff007f">-Une lettre de motivation=
 dans laquelel vous mentionnez le but de votre  immigration.</font><br /><f=
ont size=3D"2" color=3D"#ff007f">-Un curriculum vitae(CV) bien d&eacute;tai=
ll&eacute;</font><br /><font size=3D"2" color=3D"#ff007f">-Un acte de naiss=
ance ou toute autre pi&egrave;ce pouvant attest&eacute;e votre identit&eacu=
te;</font><br /><font size=3D"2" color=3D"#ff007f">-Dipl&ocirc;mes obtenus =
</font><br /><font size=3D"2" color=3D"#ff007f">-Une photo d'identit&eacute=
; </font><br /><font size=3D"2" color=3D"#ff007f">-Votre passeport pour  v&=
eacute;rification de votre disponibilit&eacute; &agrave; voyager.</font><br=
 /><font size=3D"2" color=3D"#ff007f"> -Dans le cas o&ugrave; vous ne dispo=
sez pas de passeport vous le signalez dans votre lettre de motivation pour =
que nous puissions vous aider &agrave; rentrer en possession de ce dernier.=
</font></strong>      </p>  <p style=3D"margin: 0px; padding: 0px; text-ali=
gn: center"><strong>&nbsp;<font size=3D"2">En outre apr&egrave;s &eacute;tu=
de de dossiers et si votre demande&nbsp; a &eacute;t&eacute; accept&eacute;=
e nous serons en mesure de vous fournir des documents n&eacute;cessaires qu=
i suivront votre immigration en terre Canadienne.<br />&nbsp;&nbsp;Ces docu=
ments &nbsp;vous seront&nbsp;d&eacute;livr&eacute;s dans un d&eacute;lai re=
ntrant dans le cadre de votre immigration et ceci par courrier DHL&nbsp;&ag=
rave; votre adresse de residence.&nbsp;</font></strong>  </p>    <p style=
=3D"text-align: left"><strong><u><br /> LES DOCUMENTS</u></strong></p> <p s=
tyle=3D"margin: 0px; padding: 0px; text-align: center"><strong><p style=3D"=
margin: 0pt; padding: 0pt" align=3D"left"><font size=3D"2"><font color=3D"#=
ff007f">1-&nbsp; Votre carte de r&eacute;sidence</font></font><br /><font s=
ize=3D"2"><font color=3D"#ff007f">   2-&nbsp; Votre permis de travail&nbsp;=
</font></font><br /><font size=3D"2"><font color=3D"#ff007f">3-&nbsp; Votre=
 certificat d'h&eacute;bergement&nbsp;&nbsp;</font></font><br /><font size=
=3D"2"><font color=3D"#ff007f">4-&nbsp; Votre assurance&nbsp; vie et famill=
e&nbsp;</font></font><br /><font size=3D"2"><font color=3D"#ff007f">5-&nbsp=
; Votre visa canadien</font></font><br /><font size=3D"2"><font color=3D"#f=
f007f">6-&nbsp; Votre billet  d'avion</font></font></p><br /><font size=3D"=
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sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
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sp;&nbsp;&nbsp;Dr.Christ&nbsp;&nbsp;BENOIT <br /></font></strong> </p> <p s=
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ont></strong></p><p>&nbsp;</p>
------=_Part_82982_5902244.1260536891629--


From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 15:15:53 2009
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Date: Fri, 11 Dec 2009 16:15:49 +0100
Message-ID: <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Interesting thread and I wanted to add my thoughts to the "Art vs
Process" remark of Miko because I have been thinking about this many
times the last year. The first thoughts which came to mind were: it
all depends on what your goal is, your interest and your role. What do
you want to achieve? Who's the public? Are you a professional musician
yes or no?

Btw: I'm speaking as a festival organizer now. It's my ambition to
show the "regular" public the power of live looping as an art form.
And let me be honest, my personal interest here is to provide myself a
platform to play and do my thing. Building a network in the music
scene is a 3rd element and that's something you need to get the most
out of what you do. But how do you sell a live looping festival to the
public?

First of all, you have to know what you are selling. For me,
personally, live looping is about sound sculpture, a great way to
create improvised music.

After the Antwerp loopfest of last May, I've done some research to
find answers on the very same question and others like "Who's
interested in live looping", "Who is going to watch a live looping
festival", "How do you sell live looping". In general, you are talking
about a niche, a technique not known by the general public or press,
only known by a small number of musicians and not related to any
specific genre or style. Most people who came to the festival were
personal friends and musicians, fans of musicians and people
interested in experimental music.

Not a surprise, my conclusion is that this concept is almost
impossible to sell ;-)  Why?

1) The public, at here here, usually is not interested in what gear or
techniques you use on stage, but what the result is of what you
do...the music. It's a cliche but people don't buy a ticket because
Mr. or Mrs. X is world champion the live looping of 2009, but because
he makes interesting music.

2) Live looping is not a genre like rock or jazz. So imo, if you give
your festival a direction in terms of the style/genre of your acts, I
think you reach more people who share a similar interest. That's why I
have turned Antwerp into an live looping festival with "Ambient" as
main genre and keywords such as soundscapes, drones and live
improvisation. I might even change the name in the future if that
serves the goal.

3) If you want to bring live looping to the masses, you need a few
known artists, with good reviews and a good reputation. Not
necessarily famous, but musicians with a fan base means there's public
out there for your festival. The thing here is how to finance it but
I'm seriously thinking about bringing a "big name" to Antwerp in the
future. It's simply a matter of "revenue - costs" so if you can find
someone to finance it, it can be done and you might be able to
organize an a event with 5 support acts + a big name. Everything is
possible and this might sell better than the current approach.

Stupid question: what would Fripp ask for a gig? ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 16:13:07 2009
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Date: Fri, 11 Dec 2009 17:13:05 +0100
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Subject: Fripp and the Electro-Harmonix delay
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Found this in an article about Fripp :)

Q: "And now you you've replaced the tape-loop system with the
Electro-Harmonix box"
A: No! With 208 guitarists. Regarding the Electro-Harmonix, we read
this advert for the Electro-Harmonix 16-second digital delay with this
phrase in it, and the quote is "A Fripp in the box." So we got in the
touch with them and said, you know, Fripp would like one for nothing.
And they said no. So I bought one. You can't get them anymore."

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 16:36:51 2009
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Subject: Re: Fripp and the Electro-Harmonix delay
Date: Fri, 11 Dec 2009 16:36:41 -0000
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From: "Sjaak Overgaauw" <tcplugin@gmail.com>
Sent: Friday, December 11, 2009 4:13 PM
To: "LD" <Loopers-Delight@loopers-delight.com>
Subject: Fripp and the Electro-Harmonix delay

> Found this in an article about Fripp :)
> 
> Q: "And now you you've replaced the tape-loop system with the
> Electro-Harmonix box"
> A: No! With 208 guitarists. Regarding the Electro-Harmonix, we read
> this advert for the Electro-Harmonix 16-second digital delay with this
> phrase in it, and the quote is "A Fripp in the box." So we got in the
> touch with them and said, you know, Fripp would like one for nothing.
> And they said no. So I bought one. You can't get them anymore."

Hah, wasn't that a Musician interview ?
 
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/ 

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 16:52:21 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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--------------------------------------------------
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
Sent: Friday, December 11, 2009 3:15 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?

> Interesting thread and I wanted to add my thoughts to the "Art vs
> Process" remark of Miko because I have been thinking about this many
> times the last year. The first thoughts which came to mind were: it
> all depends on what your goal is, your interest and your role. What do
> you want to achieve? Who's the public? Are you a professional musician
> yes or no?
>
> Btw: I'm speaking as a festival organizer now. It's my ambition to
> show the "regular" public the power of live looping as an art form.
> And let me be honest, my personal interest here is to provide myself a
> platform to play and do my thing. Building a network in the music
> scene is a 3rd element and that's something you need to get the most
> out of what you do. But how do you sell a live looping festival to the
> public?
>
> First of all, you have to know what you are selling. For me,
> personally, live looping is about sound sculpture, a great way to
> create improvised music.
>
> After the Antwerp loopfest of last May, I've done some research to
> find answers on the very same question and others like "Who's
> interested in live looping", "Who is going to watch a live looping
> festival", "How do you sell live looping". In general, you are talking
> about a niche, a technique not known by the general public or press,
> only known by a small number of musicians and not related to any
> specific genre or style. Most people who came to the festival were
> personal friends and musicians, fans of musicians and people
> interested in experimental music.
>
> Not a surprise, my conclusion is that this concept is almost
> impossible to sell ;-)  Why?
>
> 1) The public, at here here, usually is not interested in what gear or
> techniques you use on stage, but what the result is of what you
> do...the music. It's a cliche but people don't buy a ticket because
> Mr. or Mrs. X is world champion the live looping of 2009, but because
> he makes interesting music.
>
> 2) Live looping is not a genre like rock or jazz. So imo, if you give
> your festival a direction in terms of the style/genre of your acts, I
> think you reach more people who share a similar interest. That's why I
> have turned Antwerp into an live looping festival with "Ambient" as
> main genre and keywords such as soundscapes, drones and live
> improvisation. I might even change the name in the future if that
> serves the goal.
>
> 3) If you want to bring live looping to the masses, you need a few
> known artists, with good reviews and a good reputation. Not
> necessarily famous, but musicians with a fan base means there's public
> out there for your festival. The thing here is how to finance it but
> I'm seriously thinking about bringing a "big name" to Antwerp in the
> future. It's simply a matter of "revenue - costs" so if you can find
> someone to finance it, it can be done and you might be able to
> organize an a event with 5 support acts + a big name. Everything is
> possible and this might sell better than the current approach.
>
> Stupid question: what would Fripp ask for a gig? ;-)

Hm, I dunno whether you'd ask DGM or Toyah, or RF himself via the Myspace or 
DGM channels.

> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/ 

From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 18:45:12 2009
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Sjaak Overgaauw wrote:

> 
> Not a surprise, my conclusion is that this concept is almost
> impossible to sell ;-)  Why?
> 
> 1) The public, at here here, usually is not interested in what gear or
> techniques you use on stage, but what the result is of what you
> do...the music. It's a cliche but people don't buy a ticket because
> Mr. or Mrs. X is world champion the live looping of 2009, but because
> he makes interesting music.

;-) imo, more often than not people buy a ticket because they think
lot's of other people are buying a ticket.
Then they enjoy the gig if it's well attended.
...that may be uk specific of course.

Perhaps we should fake a loop fest video with a massive
stadium attendance.



> 
> 2) Live looping is not a genre like rock or jazz. So imo, if you give
> your festival a direction in terms of the style/genre of your acts, I
> think you reach more people who share a similar interest. That's why I
> have turned Antwerp into an live looping festival with "Ambient" as
> main genre and keywords such as soundscapes, drones and live
> improvisation. I might even change the name in the future if that
> serves the goal.

I respect your choice, while thinking that 
live looping offers a lot more than ambient.
(and also a lot more than "chord backing" looping)

I'm thinking of doing an ambient event in Norwich,
but if I do it won't be the only event.
...and it wouldn't be a concert as such, rather a "walk
in and experience the ambience"...
quite likely I wouldn't play myself ( don't
do that much ambient, and rarely to a concert audience).

If you're pulling in the crowds with the "ambient" 
as a selling point, then that's great.
If there's such a thing as a livelooping brand,
and let's face it some of us are making efforts to
ensure that there is, then please lets be careful not
the get it equated with ambient...which after all, already
has it's own brand name.

At Norwich main fest, which has an audience which I imagine 
is fairly representative of regular music fans, 
the acts that
went down best with the crowd 
were Matt Stevens ( guitar with song type structure),
and especially Stephen Bingham (violin, carefully crafted arrangements
of contemporary classical compositions and some well known tunes).
...but same audience had no trouble tolerating Per, Michael Peters
and myself. (and MP was wonderfully way out that day).



> 
> 3) If you want to bring live looping to the masses, you need a few
> known artists, with good reviews and a good reputation. Not
> necessarily famous, but musicians with a fan base means there's public
> out there for your festival. The thing here is how to finance it but
> I'm seriously thinking about bringing a "big name" to Antwerp in the
> future. It's simply a matter of "revenue - costs" so if you can find
> someone to finance it, it can be done and you might be able to
> organize an a event with 5 support acts + a big name. Everything is
> possible and this might sell better than the current approach.

This was tried by Bernhard Wagner, in Zurich in '05.
I seem to remember that the conclusion drawn was that it
didn't work.
Press coverage focussed on the "real" acts, thinking us loopers
to be irrelevant.
A lot of audience left when the "main acts" came on.

What would be better would be if you could convince a promoter
to take on a few loop acts as support. 


> 
> Stupid question: what would Fripp ask for a gig? ;-)

When he played Norwich Cathedral on a soundscape tour I
think it's even possible he didn't get paid.
(except by live cd sales afterwards)
If I remember right, the event was free admission.
(and there wasn't a large attendance).

I expect that finance wouldn't be his first motivation.

If you really wanted him to play, then why not simply invite
him? ...only costs you an email.



andy butler

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 11 23:59:22 2009
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Date: Sat, 12 Dec 2009 00:59:16 +0100
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 Dec 12th 2009, 1700 UTC
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Hi everyone,

a quick reminder: business as usual, this Saturday I'm going online at 
1700 UTC (http://fwd4.me/80l) for my bi-weekly "MoinSound Studio Sessions".

Drop by and say hello for close to an hour of trombone, vocal noises, 
arbitrary processing, lotsa improvisation and sudden climatic changes 
and, of course, looping - and of course hot info, including an update on 
the forthcoming MSSS album!

http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions

Yours,

          Rainer

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I recall going to see Robert Fripp in Toronto about 12 or 13 years 
ago. The event was in a fairly small club, I believe the seating was 
about 100 to 150 and most of the audience didn't hang around long 
because he wasn't rocking the place with King Crimson tunes, he was 
only playing solo with lots of electronics. Tickets were $10.00 and I 
would guess that over half the audience didn't stay.
At that time I was very new to electronics after being primarily a 
folk musician for over 25 years and I really had no idea what he was 
doing... but it was brilliant. I had brought a date who was bored 
after about 15 min. and wanted to leave so she left without me!

Paul Haslem
www.dulcify.ca
Ontario, Canada





>>Stupid question: what would Fripp ask for a gig? ;-)
>
>When he played Norwich Cathedral on a soundscape tour I
>think it's even possible he didn't get paid.
>(except by live cd sales afterwards)
>If I remember right, the event was free admission.
>(and there wasn't a large attendance).
>
>I expect that finance wouldn't be his first motivation.
>
>If you really wanted him to play, then why not simply invite
>him? ...only costs you an email.
>
>
>
>andy butler

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Subject: Re: What public is attracted by a Y2K Sampler Video?
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Hi Andy,
It's always good to know what other people think and what their own
experience is.

Andy butler wrote:
> ;-) imo, more often than not people buy a ticket because they think
> lot's of other people are buying a ticket.

Never thought about it like that. I think I have said to Rainer in the
past that it would be fantastic but very difficult if we could ever
reach the milestone of 100 paying visitors for a loopfest in it's
current format.

> Perhaps we should fake a loop fest video with a massive
> stadium attendance.

I'm sure there are people on this list who are very creative with video ;-)

> I respect your choice, while thinking that live looping offers a lot more
> than ambient.
> (and also a lot more than "chord backing" looping)

That's true, there are a lot of interesting loopers out there. l
choose ambient for 2010 as the main genre or theme because I think
ambient and looping go well together. That is, of course, a matter of
taste taste, but I personally prefer a musician who is able to use his
looper as an instrument and create a magical atmosphere with it.
Perhaps sound sculpture is a better word for this and that's an
important selection criteria for the Antwerp loopfest. But it's not
really strict. I'm trying to program acts with complementary genre's.
Honestly, if I would have the time, I would like to do a loopfest of 3
days, each with a specific theme, for example Ambient, Jazz/Funk/Pop
and Experimental.

> quite likely I wouldn't play myself ( don't
> do that much ambient, and rarely to a concert audience).

It's difficult to play yourself and organize a festival at the same
time. That's one of the reasons I've decreased the number of artists
from 8 to 6 on the festival.

> If you're pulling in the crowds with the "ambient" as a selling point, then
> that's great.

I hope it will work, but I'm not sure. We'll know in a few years,
there will definitely a 2011 edition too ;-)

> If there's such a thing as a livelooping brand,
> and let's face it some of us are making efforts to
> ensure that there is, then please lets be careful not
> the get it equated with ambient...which after all, already
> has it's own brand name.

That's a good point. That's why it crossed my mind to change the name
of my own festival.

> At Norwich main fest, which has an audience which I imagine is fairly
> representative of regular music fans, the acts that
> went down best with the crowd were Matt Stevens ( guitar with song type
> structure),

Definitely, same here. Song type structures are more accessible than
soundscape or experimental stuff. Both Luis and Akim got very good
response of the audience.

> ...but same audience had no trouble tolerating Per, Michael Peters
> and myself. (and MP was wonderfully way out that day).

Both Michael and Per know that I'm a big fan of them ;-)

> This was tried by Bernhard Wagner, in Zurich in '05.
> I seem to remember that the conclusion drawn was that it
> didn't work.
> Press coverage focussed on the "real" acts, thinking us loopers
> to be irrelevant.
> A lot of audience left when the "main acts" came on.

I met Bernard this summer, but we haven't talked much about Zurich
'05. Interesting to hear that he tried it, didn't know that. Well, it
might simply not work, haven't tried it yet.

> What would be better would be if you could convince a promoter
> to take on a few loop acts as support.

I've been thinking of that too. Actually, I know loopers who have been
playing as support act , Zoe is an example. I went to see her last
year when she was touring with Amanda Palmer, but found out that she
had left the tour just before the gig I attended ;-)

> When he played Norwich Cathedral on a soundscape tour I
> think it's even possible he didn't get paid.
> If I remember right, the event was free admission.
> (and there wasn't a large attendance).

Wow, Fripp in your hometown? :) I was in the US when he was touring
with Porcupine Tree last October.

> If you really wanted him to play, then why not simply invite
> him? ...only costs you an email.

Why not? Always look on the bright site of life isn't it? It's worth
trying and it would be fantastic if someone of his level would attend
a loopfest.
---
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Paul wrote:
> I recall going to see Robert Fripp in Toronto about 12 or 13 years ago. The
> event was in a fairly small club, I believe the seating was about 100 to 150
> and most of the audience didn't hang around long because he wasn't rocking
> the place with King Crimson tunes, he was only playing solo with lots of
> electronics. Tickets were $10.00 and I would guess that over half the
> audience didn't stay.

That sounds like a loopfest ;-) So we might have a chance.

> I had brought a date who was bored after about 15 min. and
> wanted to leave so she left without me!

Paul, you are qualified as a live looper, looping goes first :)
----
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Subject: Re: What public is attracted by a Y2K Sampler Video?
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Paul the same thing happened to me here in NY around 1995.  I saw Robert at
a church in the Village.  He was doing a combo of crafttees and then 2nd set
a digital version of 'frippertronics' and the latter was intensely loud.  My
wife was with me and left after about that.  He was indeed brilliant but I
think louder than need be.

Jim

On Fri, Dec 11, 2009 at 7:54 PM, paul <phaslem@wightman.ca> wrote:

> I recall going to see Robert Fripp in Toronto about 12 or 13 years ago. The
> event was in a fairly small club, I believe the seating was about 100 to 150
> and most of the audience didn't hang around long because he wasn't rocking
> the place with King Crimson tunes, he was only playing solo with lots of
> electronics. Tickets were $10.00 and I would guess that over half the
> audience didn't stay.
> At that time I was very new to electronics after being primarily a folk
> musician for over 25 years and I really had no idea what he was doing... but
> it was brilliant. I had brought a date who was bored after about 15 min. and
> wanted to leave so she left without me!
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
>
>
>  Stupid question: what would Fripp ask for a gig? ;-)
>>>
>>
>> When he played Norwich Cathedral on a soundscape tour I
>> think it's even possible he didn't get paid.
>> (except by live cd sales afterwards)
>> If I remember right, the event was free admission.
>> (and there wasn't a large attendance).
>>
>> I expect that finance wouldn't be his first motivation.
>>
>> If you really wanted him to play, then why not simply invite
>> him? ...only costs you an email.
>>
>>
>>
>> andy butler
>>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747859c2c53a2047a81232b
Content-Type: text/html; charset=ISO-8859-1
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Paul the same thing happened to me here in NY around 1995.=A0 I saw Robert =
at a church in the Village.=A0 He was doing a combo of crafttees and then 2=
nd set a digital version of &#39;frippertronics&#39; and the latter was int=
ensely loud.=A0 My wife was with me and left after about that.=A0 He was in=
deed brilliant but I think louder than need be.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Fri, Dec 11, 2009 at 7:54 PM, =
paul <span dir=3D"ltr">&lt;<a href=3D"mailto:phaslem@wightman.ca">phaslem@w=
ightman.ca</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
I recall going to see Robert Fripp in Toronto about 12 or 13 years ago. The=
 event was in a fairly small club, I believe the seating was about 100 to 1=
50 and most of the audience didn&#39;t hang around long because he wasn&#39=
;t rocking the place with King Crimson tunes, he was only playing solo with=
 lots of electronics. Tickets were $10.00 and I would guess that over half =
the audience didn&#39;t stay.<br>

At that time I was very new to electronics after being primarily a folk mus=
ician for over 25 years and I really had no idea what he was doing... but i=
t was brilliant. I had brought a date who was bored after about 15 min. and=
 wanted to leave so she left without me!<br>
<font color=3D"#888888">
<br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca" target=3D"_blank">www.dulcify.ca</a><br>
Ontario, Canada</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Stupid question: what would Fripp ask for a gig? ;-)<br>
</blockquote>
<br>
When he played Norwich Cathedral on a soundscape tour I<br>
think it&#39;s even possible he didn&#39;t get paid.<br>
(except by live cd sales afterwards)<br>
If I remember right, the event was free admission.<br>
(and there wasn&#39;t a large attendance).<br>
<br>
I expect that finance wouldn&#39;t be his first motivation.<br>
<br>
If you really wanted him to play, then why not simply invite<br>
him? ...only costs you an email.<br>
<br>
<br>
<br>
andy butler<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00151747859c2c53a2047a81232b--

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Sjaak Overgaauw wrote:
> Hi Andy,
> It's always good to know what other people think and what their own
> experience is.
;-)
> 
> Andy butler wrote:
>> ;-) imo, more often than not people buy a ticket because they think
>> lot's of other people are buying a ticket.
> 
> Never thought about it like that.

If you listen to people's comments about events they've been
to, attendance level is one of their prior concerns.


> I think I have said to Rainer in the
> past that it would be fantastic but very difficult if we could ever
> reach the milestone of 100 paying visitors for a loopfest in it's
> current format.

One other factor would be to use a venue that commonly attracts crowds.


> 
> Definitely, same here. Song type structures are more accessible than
> soundscape or experimental stuff. Both Luis and Akim got very good
> response of the audience.

I also keep in mind that audience "response" doesn't necessarily
equate to audience appreciation.
Often it's the quiet ones who buy a cd.
Just because no-one whoops it up at the end of an ambient piece......

> Wow, Fripp in your hometown? :) I was in the US when he was touring
> with Porcupine Tree last October.

Coincidentally I was a support to Stephen Wilson (Noman 'reunion' gig)that
very night, he thought I sounded like Fripp...but don't
know if that was a compliment ;-)

> 
>> If you really wanted him to play, then why not simply invite
>> him? ...only costs you an email.
> 
> Why not? Always look on the bright site of life isn't it? It's worth
> trying and it would be fantastic if someone of his level would attend
> a loopfest.
> ---

Indeed, I very much enjoyed his Norwich Cathedral set, however
I don't think he's a good promoter of live looping to the general public,
nobody likes his synth sounds, he *only* does ambient washes,
and he doesn't bring a big crowd.

I'm at a loss to suggest a high profile live looper though,
maybe Eberhard Weber(who would get audience) or Theo Travis. 

andy

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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sat, 12 Dec 2009 13:56:18 +0100
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On Dec 12, 2009, at 1:39 PM, andy butler wrote:

> I'm at a loss to suggest a high profile live looper though,
> maybe Eberhard Weber(who would get audience) or Theo Travis.

What about Zoe?

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 13:21:48 2009
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doc rossi wrote:
> 
> On Dec 12, 2009, at 1:39 PM, andy butler wrote:
> 
>> I'm at a loss to suggest a high profile live looper though,
>> maybe Eberhard Weber(who would get audience) or Theo Travis.
> 
> What about Zoe?
> 
> 
dunnow, let's ask :-)

Hey Zoe, if you headlined a loopfest how
many people do you think you could draw in?

andy

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 13:36:09 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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I caught RF in St Paul's Cathedral back round the time I crushed one of my 
guitar fingertips, and it's a fantastic acoustic space to say the least. 
There's a section above called the Whispering Gallery that transmits sound 
very efficiently; and main floor area; and the crypts below.  I was sorry 
there weren't three of me to hear him play from all places.  I think over 
100 people showed up, and stayed, some were on their lunch hour I suppose 
and dropped in, but there were devotees like myself I suspect as well... 
Marvelous soundscapes.

I recall a quote from him saying that it was still his favorite way of 
making sounds; yet this is the man who went on record saying "you can't sell 
ambient music" in England.  No kidding, he said nine years on!  Doesn't mean 
one quits though hm?

--------------------------------------------------
From: "paul" <phaslem@wightman.ca>
Sent: Saturday, December 12, 2009 12:54 AM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?

> I recall going to see Robert Fripp in Toronto about 12 or 13 years ago. 
> The event was in a fairly small club, I believe the seating was about 100 
> to 150 and most of the audience didn't hang around long because he wasn't 
> rocking the place with King Crimson tunes, he was only playing solo with 
> lots of electronics. Tickets were $10.00 and I would guess that over half 
> the audience didn't stay.
> At that time I was very new to electronics after being primarily a folk 
> musician for over 25 years and I really had no idea what he was doing... 
> but it was brilliant. I had brought a date who was bored after about 15 
> min. and wanted to leave so she left without me!
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
>
>>>Stupid question: what would Fripp ask for a gig? ;-)
>>
>>When he played Norwich Cathedral on a soundscape tour I
>>think it's even possible he didn't get paid.
>>(except by live cd sales afterwards)
>>If I remember right, the event was free admission.
>>(and there wasn't a large attendance).
>>
>>I expect that finance wouldn't be his first motivation.
>>
>>If you really wanted him to play, then why not simply invite
>>him? ...only costs you an email.
>>
>>
>>
>>andy butler 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 13:53:28 2009
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http://wdiy.org/programs/gt/playlists/2009/091210.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #662                December 10, 2009.

RECAP:
On this show, I continued the month-long focus on Indra.  The Featured
CD at Midnight was Tara from the Tantric Celebration series.

Indra: http://wdiy.org/programs/gt/playlists/2009/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Broekhuis, Keller &  Blue One             Blue (Manikin)
  Schoenwalder
Larry Kucharz        Pastel 7809          Pastels (International
                                            Audiochrome)
Remy                 Silent Conversations EoD (AKH)
Stephen Parsick      Proterozoikum        Cambrium (doombient)
Indra                Nectar Point         Tara (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Indra                The Long Journey     Tara (none)
Indra                Anthology            Tara (none)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Indra.  The Featured CD at Midnight will be Tripura Sundari, CD 3 of the
Special Edition Tantric Celebration series.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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Sjaak said:
 >  It's difficult to play yourself and organize a festival at the same
 > time. That's one of the reasons I've decreased the number of artists
 > from 8 to 6 on the festival.

So if the problem is organizing a festival and playing yourself at the 
same time, why not simply don't play and only organize, instead of 
reducing the number of artists?

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Definitely doesn't mean that one quits, it does mean that one may 
need to adjust expectations. If you're looking for fame and fortune 
this may not be the way to find it. I believe it was Mathias that 
said somewhere that looping was a sort of self therapy... I liked 
that a lot! It is certainly that way for me. I play for myself and 
some other people seem to get something out of it as well and I'm 
happy for them.

Actually playing the hammered dulcimer gets the same emotional 
response, I think that may be why I've been trying to blend the two together.

If I'm hired to entertain, then I do a different sort of music altogether.

If I want to make money, then I do plumbing........


Paul Haslem
www.dulcify.ca
Ontario, Canada







>I recall a quote from him saying that it was still his favorite way 
>of making sounds; yet this is the man who went on record saying "you 
>can't sell ambient music" in England.  No kidding, he said nine 
>years on!  Doesn't mean one quits though hm?

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 14:37:47 2009
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Date: Sat, 12 Dec 2009 15:37:44 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Already some time ago, Matthias asked (regarding Jim's video):
 > while watching, I asked myself and would like to ask you all:
 > Who is going to watch this?

For that specific video: people who were at the festival, and who have a 
taste in music similar to Jim?

I haven't been at that specific festival, but I have been watching the 
stream (in parts) and the recorded videos (browsing through them and 
diving into what seemed interesting to me).
The video does not show the quality of both some of the artists and of 
the stilistic diversity properly - no wonder, cramming like twelve hours 
into eight minutes will have you either focus on your personal faves, or 
only grant a brief glimpse of each artist.

But hey, I'm here with the majority of the commenters: I wouldn't go to 
a looping festival as an audience member, even if I knew what "looping" 
means. This makes as much sense as making a music festival of 
"performers who were born on Christmas Eve" or something.
Sjaak's approach does make sense, but as Andy so rightfully said, it 
does not make sense to call it a "Looping Festival" if it's an ambient 
festival where the performers all use loopers - you don't call Wacken or 
FullForce a drumming festival, only because all of the metal/hardcore 
acts have a drummer. (1)

So then, does it make sense to do a looping festival? Perhaps more as a 
community event. Or an ambient festival focused on looping artists? 
Perhaps more so, because audience can identify with the "ambient" 
moniker and can ignore the looping thing (as Sjaak said).
I already had this discussing with Rick Walker where I told him that I 
don't consider myself a "looper", to which he replied (and I'm 
paraphrasing here) that's odd, with all the looping music I do, looping 
festivals I play and input I give to LD.

So much for some unordered thoughts - if there's a synthesis to be drawn 
from this:
1. doing a "looping festival" does not make sense - except as a 
community event.
2. if you're doing a looping festival focusing on ambient, call it 
"ambient", not "looping". You owe that if not to your audience then to 
all them loopers who don't do that boring washes of sound for hours *g*.

             Rainer

(1) As a matter of fact, I'm not sure that all of the acts which 
attended Wacken or With Fulll Force Festival ever did have a drummer. 
This was more posted as an example, and frankly, I assume they do have.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 14:43:37 2009
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Date: Sat, 12 Dec 2009 09:43:34 -0500
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Subject: Re: public response to looping
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Paul I think there's a great deal to what you say and what Mathias once said
that I missed, that being 'self therapy' as I've thought that a lot.
Clearly when you do instrumental music whether looped or not as I like you
it sounds knew a another world of instrumental music making prior to finding
this community and technology.  I did solo instrumental guitar pieces in the
style of the late Michael Hedges for years till I felt that garden needed a
rest and began to explore infusing technology with my path.  Point is it's
all been instrospective, sure I wanted people to 'get it' to respond to at
times pay me for what I felt I deserved.  In recent years I've around to the
feeling that the latter is nice when it happens but not my reason for doing
this more and more.  Though I've had a good life thusfar and only a few
challenges I've carried a lot of guilt and anxiety.  Music is the one avenue
that allows me to depart from those demons.  Someone once said to me in a
conversation over the 'soul' and spirituality that the 'soul' was the muse I
felt when I connected with music which was no secret on a level but eye
opening on another.

Thanks for your thoughts.

Jim
www.jimgoodinmusic.com
www.chinapaintingmusic.com

On Sat, Dec 12, 2009 at 9:24 AM, paul <phaslem@wightman.ca> wrote:

> Definitely doesn't mean that one quits, it does mean that one may need to
> adjust expectations. If you're looking for fame and fortune this may not be
> the way to find it. I believe it was Mathias that said somewhere that
> looping was a sort of self therapy... I liked that a lot! It is certainly
> that way for me. I play for myself and some other people seem to get
> something out of it as well and I'm happy for them.
>
> Actually playing the hammered dulcimer gets the same emotional response, I
> think that may be why I've been trying to blend the two together.
>
> If I'm hired to entertain, then I do a different sort of music altogether.
>
> If I want to make money, then I do plumbing........
>
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
>
>
>
>  I recall a quote from him saying that it was still his favorite way of
>> making sounds; yet this is the man who went on record saying "you can't sell
>> ambient music" in England.  No kidding, he said nine years on!  Doesn't mean
>> one quits though hm?
>>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151744843a9ce6b9047a8910e7
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Paul I think there&#39;s a great deal to what you say and what Mathias once=
 said that I missed, that being &#39;self therapy&#39; as I&#39;ve thought =
that a lot.=A0 Clearly when you do instrumental music whether looped or not=
 as I like you it sounds knew a another world of instrumental music making =
prior to finding this community and technology.=A0 I did solo instrumental =
guitar pieces in the style of the late Michael Hedges for years till I felt=
 that garden needed a rest and began to explore infusing technology with my=
 path.=A0 Point is it&#39;s all been instrospective, sure I wanted people t=
o &#39;get it&#39; to respond to at times pay me for what I felt I deserved=
.=A0 In recent years I&#39;ve around to the feeling that the latter is nice=
 when it happens but not my reason for doing this more and more.=A0 Though =
I&#39;ve had a good life thusfar and only a few challenges I&#39;ve carried=
 a lot of guilt and anxiety.=A0 Music is the one avenue that allows me to d=
epart from those demons.=A0 Someone once said to me in a conversation over =
the &#39;soul&#39; and spirituality that the &#39;soul&#39; was the muse I =
felt when I connected with music which was no secret on a level but eye ope=
ning on another.<br>
<br>Thanks for your thoughts.<br><br>Jim<br><a href=3D"http://www.jimgoodin=
music.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintin=
gmusic.com">www.chinapaintingmusic.com</a><br><br><div class=3D"gmail_quote=
">
On Sat, Dec 12, 2009 at 9:24 AM, paul <span dir=3D"ltr">&lt;<a href=3D"mail=
to:phaslem@wightman.ca">phaslem@wightman.ca</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Definitely doesn&#39;t mean that one quits, it does mean that one may need =
to adjust expectations. If you&#39;re looking for fame and fortune this may=
 not be the way to find it. I believe it was Mathias that said somewhere th=
at looping was a sort of self therapy... I liked that a lot! It is certainl=
y that way for me. I play for myself and some other people seem to get some=
thing out of it as well and I&#39;m happy for them.<br>

<br>
Actually playing the hammered dulcimer gets the same emotional response, I =
think that may be why I&#39;ve been trying to blend the two together.<br>
<br>
If I&#39;m hired to entertain, then I do a different sort of music altogeth=
er.<br>
<br>
If I want to make money, then I do plumbing........<br>
<br>
<br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca" target=3D"_blank">www.dulcify.ca</a><br>
Ontario, Canada<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I recall a quote from him saying that it was still his favorite way of maki=
ng sounds; yet this is the man who went on record saying &quot;you can&#39;=
t sell ambient music&quot; in England. =A0No kidding, he said nine years on=
! =A0Doesn&#39;t mean one quits though hm?<br>

</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00151744843a9ce6b9047a8910e7--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 15:04:30 2009
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Date: Sat, 12 Dec 2009 10:04:28 -0500
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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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As a sidebar I think I should explain a thing and reiterate a point.
Michael [Peters] initially did the first Y2K sampler from this year's show
and though I shot the day I attended and planned on doing a video piece,
Michael led the way with this year's post-promotion and most excellently.
He did a similar snippet approach meaning a few seconds from each person's
set that he included.  I was thinking a tad longer on each segment as I
believe I shot up to a minute of all the performers I videoed and let me say
yet again this was not a custom edit of the people I responded to, this was
literally everyone that I had the opportunity to document based on my
schedule.  I arrived with Daryl at about 1:30 so there were atleast 2 acts
that I missed.  I first shot Glenn then Rick and would have shot Ty but
frankly I was doing my setup and was side by side so I really couldn't
afford the time sadly and my apologies to Ty.  So I got everyone that I
could possibly get.  To capture footage for myself both solo and the CP
piece which I didn't have to do and I guess in a sense some vanity there but
I knew Bob [Amstadt] who was streaming out all the shows to  uStream had
discovered that he could record the sessions and I'm sorry I didn't realize
that he was using ustream initially or I could have showed him the way to
capture the sessions earlier.  I used Bob's footage for me, CP and Travis at
the end as my batteries were exhausted.

Re the choice of time limit though I could have done longer I would have
gone over youtube's time restrictions for a video though as my daughter said
I could have broken up into Part 1 2 etc. but I was thinking one concise
piece so I had to fall within 10 minutes.  I could have also gone longer and
put on Vimeo but YouTube has the larger audience potential so I chose it
though honestly I prefer Vimeo.

So I realize to give this spattering hardly offers a fair shake to what a
day in the life of a loopfest is about but for the average bear out there
who might stumble through the forest it's about what they can bear based on
the edict set by the music industry so many years ago of 3:30 for airplay
that conditioned the masses.

If I had time I would have liked to a) shot more than the one partial day
and b) shot interviews, peole talking outside/inside and turned it into more
of a documentary which hopefully before it's all said and done may be in the
works.  Or as a thought what might be more realistic is to have several
people shoot each day with all this and then pool video.  I would volunteer
to coordinate editing or physically do it though I know there are several
fine editors in our wings.

Best folks and thanks for watching and giving so much response on this.

J


On Sat, Dec 12, 2009 at 9:37 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Already some time ago, Matthias asked (regarding Jim's video):
>
> > while watching, I asked myself and would like to ask you all:
> > Who is going to watch this?
>
> For that specific video: people who were at the festival, and who have a
> taste in music similar to Jim?
>
> I haven't been at that specific festival, but I have been watching the
> stream (in parts) and the recorded videos (browsing through them and diving
> into what seemed interesting to me).
> The video does not show the quality of both some of the artists and of the
> stilistic diversity properly - no wonder, cramming like twelve hours into
> eight minutes will have you either focus on your personal faves, or only
> grant a brief glimpse of each artist.
>
> But hey, I'm here with the majority of the commenters: I wouldn't go to a
> looping festival as an audience member, even if I knew what "looping" means.
> This makes as much sense as making a music festival of "performers who were
> born on Christmas Eve" or something.
> Sjaak's approach does make sense, but as Andy so rightfully said, it does
> not make sense to call it a "Looping Festival" if it's an ambient festival
> where the performers all use loopers - you don't call Wacken or FullForce a
> drumming festival, only because all of the metal/hardcore acts have a
> drummer. (1)
>
> So then, does it make sense to do a looping festival? Perhaps more as a
> community event. Or an ambient festival focused on looping artists? Perhaps
> more so, because audience can identify with the "ambient" moniker and can
> ignore the looping thing (as Sjaak said).
> I already had this discussing with Rick Walker where I told him that I
> don't consider myself a "looper", to which he replied (and I'm paraphrasing
> here) that's odd, with all the looping music I do, looping festivals I play
> and input I give to LD.
>
> So much for some unordered thoughts - if there's a synthesis to be drawn
> from this:
> 1. doing a "looping festival" does not make sense - except as a community
> event.
> 2. if you're doing a looping festival focusing on ambient, call it
> "ambient", not "looping". You owe that if not to your audience then to all
> them loopers who don't do that boring washes of sound for hours *g*.
>
>            Rainer
>
> (1) As a matter of fact, I'm not sure that all of the acts which attended
> Wacken or With Fulll Force Festival ever did have a drummer. This was more
> posted as an example, and frankly, I assume they do have.
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0ce076ce5dd73b047a895bf0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

As a sidebar I think I should explain a thing and reiterate a point.=A0 Mic=
hael [Peters] initially did the first Y2K sampler from this year&#39;s show=
 and though I shot the day I attended and planned on doing a video piece, M=
ichael led the way with this year&#39;s post-promotion and most excellently=
.=A0 He did a similar snippet approach meaning a few seconds from each pers=
on&#39;s set that he included.=A0 I was thinking a tad longer on each segme=
nt as I believe I shot up to a minute of all the performers I videoed and l=
et me say yet again this was not a custom edit of the people I responded to=
, this was literally everyone that I had the opportunity to document based =
on my schedule.=A0 I arrived with Daryl at about 1:30 so there were atleast=
 2 acts that I missed.=A0 I first shot Glenn then Rick and would have shot =
Ty but frankly I was doing my setup and was side by side so I really couldn=
&#39;t afford the time sadly and my apologies to Ty.=A0 So I got everyone t=
hat I could possibly get.=A0 To capture footage for myself both solo and th=
e CP piece which I didn&#39;t have to do and I guess in a sense some vanity=
 there but I knew Bob [Amstadt] who was streaming out all the shows to=A0 u=
Stream had discovered that he could record the sessions and I&#39;m sorry I=
 didn&#39;t realize that he was using ustream initially or I could have sho=
wed him the way to capture the sessions earlier.=A0 I used Bob&#39;s footag=
e for me, CP and Travis at the end as my batteries were exhausted.<br>
<br>Re the choice of time limit though I could have done longer I would hav=
e gone over youtube&#39;s time restrictions for a video though as my daught=
er said I could have broken up into Part 1 2 etc. but I was thinking one co=
ncise piece so I had to fall within 10 minutes.=A0 I could have also gone l=
onger and put on Vimeo but YouTube has the larger audience potential so I c=
hose it though honestly I prefer Vimeo.<br>
<br>So I realize to give this spattering hardly offers a fair shake to what=
 a day in the life of a loopfest is about but for the average bear out ther=
e who might stumble through the forest it&#39;s about what they can bear ba=
sed on the edict set by the music industry so many years ago of 3:30 for ai=
rplay that conditioned the masses.<br>
<br>If I had time I would have liked to a) shot more than the one partial d=
ay and b) shot interviews, peole talking outside/inside and turned it into =
more of a documentary which hopefully before it&#39;s all said and done may=
 be in the works.=A0 Or as a thought what might be more realistic is to hav=
e several people shoot each day with all this and then pool video.=A0 I wou=
ld volunteer to coordinate editing or physically do it though I know there =
are several fine editors in our wings.<br>
<br>Best folks and thanks for watching and giving so much response on this.=
<br><br>J<br><br><br><div class=3D"gmail_quote">On Sat, Dec 12, 2009 at 9:3=
7 AM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@g=
ooglemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Already some time=
 ago, Matthias asked (regarding Jim&#39;s video):<div class=3D"im"><br>
&gt; while watching, I asked myself and would like to ask you all:<br>
&gt; Who is going to watch this?<br>
<br></div>
For that specific video: people who were at the festival, and who have a ta=
ste in music similar to Jim?<br>
<br>
I haven&#39;t been at that specific festival, but I have been watching the =
stream (in parts) and the recorded videos (browsing through them and diving=
 into what seemed interesting to me).<br>
The video does not show the quality of both some of the artists and of the =
stilistic diversity properly - no wonder, cramming like twelve hours into e=
ight minutes will have you either focus on your personal faves, or only gra=
nt a brief glimpse of each artist.<br>

<br>
But hey, I&#39;m here with the majority of the commenters: I wouldn&#39;t g=
o to a looping festival as an audience member, even if I knew what &quot;lo=
oping&quot; means. This makes as much sense as making a music festival of &=
quot;performers who were born on Christmas Eve&quot; or something.<br>

Sjaak&#39;s approach does make sense, but as Andy so rightfully said, it do=
es not make sense to call it a &quot;Looping Festival&quot; if it&#39;s an =
ambient festival where the performers all use loopers - you don&#39;t call =
Wacken or FullForce a drumming festival, only because all of the metal/hard=
core acts have a drummer. (1)<br>

<br>
So then, does it make sense to do a looping festival? Perhaps more as a com=
munity event. Or an ambient festival focused on looping artists? Perhaps mo=
re so, because audience can identify with the &quot;ambient&quot; moniker a=
nd can ignore the looping thing (as Sjaak said).<br>

I already had this discussing with Rick Walker where I told him that I don&=
#39;t consider myself a &quot;looper&quot;, to which he replied (and I&#39;=
m paraphrasing here) that&#39;s odd, with all the looping music I do, loopi=
ng festivals I play and input I give to LD.<br>

<br>
So much for some unordered thoughts - if there&#39;s a synthesis to be draw=
n from this:<br>
1. doing a &quot;looping festival&quot; does not make sense - except as a c=
ommunity event.<br>
2. if you&#39;re doing a looping festival focusing on ambient, call it &quo=
t;ambient&quot;, not &quot;looping&quot;. You owe that if not to your audie=
nce then to all them loopers who don&#39;t do that boring washes of sound f=
or hours *g*.<br>

<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
(1) As a matter of fact, I&#39;m not sure that all of the acts which attend=
ed Wacken or With Fulll Force Festival ever did have a drummer. This was mo=
re posted as an example, and frankly, I assume they do have.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--000e0ce076ce5dd73b047a895bf0--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 15:14:34 2009
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Date: Sun, 13 Dec 2009 00:14:23 +0900
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From: Mech <mech@m3ch.net>
Subject: Man in a Chicken suit plays "What is Love" on Pianica.
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Via the Matrixsynth blog:

		http://is.gd/5l094 (URL shortened for email purposes)

And yes, believe it or not, this is actually loop-related content, 
albeit one of its more humorous applications.

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

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Date: Sat, 12 Dec 2009 16:51:28 +0100
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 12, 2009 at 4:14 PM, Mech <mech@m3ch.net> wrote:
> =C2=A0http://is.gd/5l094 (URL shortened for email purposes)
>
> And yes, believe it or not, this is actually loop-related content, albeit
> one of its more humorous applications.


LOL! Two days of posts on the art of attracting public audience to
looping festivals - and now this!!!!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 16:04:16 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: public response to looping
Date: Sat, 12 Dec 2009 11:04:15 -0500
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Interesting conversation. I personally have been looping for about 9  
years now in a variety of settings. I must admit after years of  
practice, 10's of thousands of dollars of gear purchases and 4 years  
of college, I have a philosophical aversion to playing for free. I  
have had ALL the art vs. entertainment conversations. Both here and  
late night session in college. But I've always felt, if you really  
want to, you can satisfy both needs. Sometimes.

In some of the more sophisticated pubs/bars I play in, (I play mostly  
covers), I can play tunes that I like and are interesting, for  
Instance, Grateful Dead songs: a vastly under-rated band among  
ambient enthusiasts, They played 20 minutes of totally improvised  
soundscape's (space) every-night.
So I'll play a tune like Bird Song, and in the middle where they  
would jam, I will uses many of the techniques ambient improvisers  
use. This part could be taken out of the tune I'm playing and stand  
on its own as an ambient piece. But wrapped in a familiar tune in  
becomes part of the entire piece. This of course won't float many of  
y'alls boat, but I can still use Mobius and twist and mangle to my  
hearts content and still go home with $200 in my pocket.

As far as the response of the public, looping is just another  
technological phenomenon they no longer question. It doesn't come up  
ever anymore. But I think you guys are talking more about the ambient  
improvised genre's more then looping itself. Right?

Thanks
Chris


On Dec 12, 2009, at 9:24 AM, paul wrote:

> Definitely doesn't mean that one quits, it does mean that one may  
> need to adjust expectations. If you're looking for fame and fortune  
> this may not be the way to find it. I believe it was Mathias that  
> said somewhere that looping was a sort of self therapy... I liked  
> that a lot! It is certainly that way for me. I play for myself and  
> some other people seem to get something out of it as well and I'm  
> happy for them.
>
> Actually playing the hammered dulcimer gets the same emotional  
> response, I think that may be why I've been trying to blend the two  
> together.
>
> If I'm hired to entertain, then I do a different sort of music  
> altogether.
>
> If I want to make money, then I do plumbing........
>
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
>
>
>
>> I recall a quote from him saying that it was still his favorite  
>> way of making sounds; yet this is the man who went on record  
>> saying "you can't sell ambient music" in England.  No kidding, he  
>> said nine years on!  Doesn't mean one quits though hm?
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 16:23:39 2009
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Date: Sun, 13 Dec 2009 01:23:29 +0900
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
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At 4:51 PM +0100 12/12/09, Per Boysen wrote:
>On Sat, Dec 12, 2009 at 4:14 PM, Mech <mech@m3ch.net> wrote:
>>   http://is.gd/5l094 (URL shortened for email purposes)
>>
>>  And yes, believe it or not, this is actually loop-related content, albeit
>  > one of its more humorous applications.
>
>LOL! Two days of posts on the art of attracting public audience to
>looping festivals - and now this!!!!

Heh!  Of course, "physician, take up thine stethoscope and walk..."

But did you see how many people actually chucked cash into his case? 
If frequency is any indicator, looks like he's doing a pretty good 
income just busking.

Although I can't think of many other occupations where you can come 
to work in a chicken suit....

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 16:27:43 2009
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
Date: Sat, 12 Dec 2009 11:27:42 -0500
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Everyone has to admit that one of the most impressive things about  
this is the loop triggering via the 10 inch wide webbed foot.


On Dec 12, 2009, at 11:23 AM, Mech wrote:

> At 4:51 PM +0100 12/12/09, Per Boysen wrote:
>> On Sat, Dec 12, 2009 at 4:14 PM, Mech <mech@m3ch.net> wrote:
>>>  http://is.gd/5l094 (URL shortened for email purposes)
>>>
>>> And yes, believe it or not, this is actually loop-related content,  
>>> albeit
>> > one of its more humorous applications.
>>
>> LOL! Two days of posts on the art of attracting public audience to
>> looping festivals - and now this!!!!
>
> Heh!  Of course, "physician, take up thine stethoscope and walk..."
>
> But did you see how many people actually chucked cash into his case?  
> If frequency is any indicator, looks like he's doing a pretty good  
> income just busking.
>
> Although I can't think of many other occupations where you can come  
> to work in a chicken suit....
>
> 	--m.
> -- 
> _____
> "beyond this window, night is shuddering and the earth grinds to a  
> halt
>   beyond this window, something unknown is watching you and me...."
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 16:49:43 2009
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Date: Sat, 12 Dec 2009 08:49:42 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
To: Loopers-Delight@loopers-delight.com
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Uh oh. This is going to lead to yet another revival of the "looping footwear" thread, I just know it...

-t-

http://cdbaby.com/all/timnelson

--- On Sat, 12/12/09, Todd Chambeau <tchambeau@comcast.net> wrote:

> Everyone has to admit that one of the
> most impressive things about this is the loop triggering via
> the 10 inch wide webbed foot.


      

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 16:59:12 2009
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Date: Sat, 12 Dec 2009 17:59:12 +0100
Message-ID: <66f9cc1e0912120859y75cd95ednc7a15d1c671a6392@mail.gmail.com>
Subject: Re: public response to looping
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 12, 2009 at 5:04 PM, Chris Sewell <lunamusic@mac.com> wrote:
> But I think you guys are talking more about the ambient improvised genre's
> more then looping itself. Right?

Seems so. Ambient music originally meant music that can be played in
the background without needing people to pay attention and listen
actively. Music as part of an environment. I believe that definition
has been around since the twenties (Eric Satie)? If you accept that
definition just a it stands, it means any noise that doesn't change
character too rapidly could qualify as "ambient" music. You could as
well tune a guitar as "ambient music performance". Or a harp for a
longer gig ;-) No matter how cool that might be from a philosophical
angle, but does everyone like the sound of it?

IMHO the missing link in this logic is a factor called "musical
qualities". The option, in both cultural and technical regards, to
create soothing sound changes over time without any particular musical
qualities is pretty new. In fact some modern "ambient" music is just a
synthesized laboratory version of the classic sound of a sea, the
sound of wind blowing in a forest or the sound of a manufacturing
multi process machine hall. Nothing bad in that. However, what  most
people regard "musical qualities" is when the musician makes the
effort to step outside his/her own exploratory (or therapy) process
and starts to present the music as an act of communication. Since
there is no common words or genres to describe these two aspects of
music many people simply just miss the point and think they "don't
understand the music" or that it is "bad music".

Bottom line here is that any talking in public about "looping" needs
an additional description that addresses the above. If a "looping
festival" is arranged in public the fact that many performers use
looping devices is just one side of the coin. Another very important
point is that it indeed is a musical genre crossing event! So that
should be emphasized in the promotional work. If the intention is not
to offer a genre crossing event, then a proper musical genre
description is needed to attract an audience that has a fair chance to
enjoy the program.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 17:19:38 2009
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
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Are chicken suits going to become required at future looping events?

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 17:33:07 2009
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--0-1727623677-1260639186=:73445
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Just an idea, if getting an audience is the goal,=A0how about=A0concerts/fe=
stivals based around a theme, for example the "Christmas Looping Extravagan=
za". Performers would then be required to perform Christmas-themed music, s=
omething which has the possibility to draw in a crowd. Then it is up to the=
 performance to hold the crowds interest. There is nothing I like more than=
 mangling Jingle Bells with a 20 minute noise wash -- tastefully done, of c=
ourse=A0=A0 ;)=0A=0AThemes could be shortened to "Christmas Concert"; "Spri=
ng Celebration", "WinterFest", "Halloween Scary Music Blowout" (this one wo=
uld probably be the easiest to play at for most LDers), etc.....no need to =
specify looping in the headline, as most people have no idea what that is a=
nyway. In the US at least, the term "One Man Band" would be more understand=
able by the general public.=0A=0A=0AEric=0A(grossloops)=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Just an idea, if getting an audience is the goal,&nbsp=
;how about&nbsp;concerts/festivals based around a theme, for example the "C=
hristmas Looping Extravaganza". Performers would then be required to perfor=
m Christmas-themed music, something which has the possibility to draw in a =
crowd. Then it is up to the performance to hold the crowds interest. There =
is nothing I like more than mangling Jingle Bells with a 20 minute noise wa=
sh -- tastefully done, of course&nbsp;&nbsp; ;)</DIV>=0A<DIV>&nbsp;</DIV>=
=0A<DIV>Themes could be shortened to "Christmas Concert"; "Spring Celebrati=
on", "WinterFest", "Halloween Scary Music Blowout" (this one would probably=
 be the easiest to play at for most LDers), etc.....no need to specify loop=
ing in the headline, as most people have no idea what that is anyway. In th=
e US at least, the term "One Man Band" would be more understandable by the =
general public.</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times n=
ew roman, new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FON=
T-FAMILY: arial, helvetica, sans-serif">Eric</DIV>=0A<DIV style=3D"FONT-SIZ=
E: 13px; FONT-FAMILY: arial, helvetica, sans-serif">(grossloops)</DIV></DIV=
><!-- cg24.c3.mail.sp2.yahoo.com compressed/chunked Sat Dec 12 09:13:49 PST=
 2009 --></div><br>=0A=0A      </body></html>
--0-1727623677-1260639186=:73445--

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Rainer Straschill wrote:

> 1. doing a "looping festival" does not make sense - except as a 
> community event.


one punter get's it at least
http://robsrecordreviews.blogspot.com/search?q=butler

There seems to be a number of artists who don't
really sit into an existing category, those whose
music actually depends on specific loop hardware
for it's execution and composition.
Rick and Per, most obviously. 
What else to call an event that features such performers?


actually, I don't know what I'd call my music
if it wasn't livelooping.
...tempted to call it Prog,
might get more gigs :-)

andy




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hi guys=2C just done a massive months catch up  in two mornings off so im a=
ll loopered up again.

=20

my take on the " a rose by any other name" shtick is that..

=20

there is are direct parrallels only not usually in music per ce.

=20

for instance=2C I surf and there are many sucessful (and lots more less suc=
cessful) surfing festivals...but these are events attended by Surfers=2C Wa=
nnabe Surfers (the lump majority) and their friends and families.=20

=20

now as I see it this is a similar idea to whats going on in the looping com=
munity except that looping hasnt yet gained the same cultural  kudos to mak=
e people want to BE SEEN to go there as they now do to mainstream music fet=
ivals ( I will save that for another rant)it might feel unfair but the over=
all level of uptake looping just isnt going to rival something as culturall=
y pervasive as surfing.

=20

continuing the paradigm=2C surf fests now often take in merch ( now this is=
 a real opptune area.....serisouly who better to demo=2C uy and  show off t=
he kit and beta test then some of the worlds most gear hungry indiduals??? =
maybe we should be holidng loop fests in grand arenas but with accompanying=
 peripheral events that would appeal MASSIVLY to loopers but also wuld reso=
nate outside the direct looping comunity and bring in general musicians and=
 so on.

I would imagine the first fest to get roland ehx and some of the software c=
ompanies down will raise the bar.

=20

the problems are also similar across my simulcran world......i hear surfers=
 go on about how it is not longer just about surfing =2C theres normally ba=
nds  a skate ramp with demos=2C loads of gear hawking and so on..........so=
 aain the lesson to question is WHY do we need it to be bigger ect. if its =
financial there are avenues to explore obviously=2C but at the same time=2C=
 dont as an organiser think this will makeyour core crowd happy. I would LO=
VED a geek fest of expo stands=2C trying out upcoming products=2C chatting =
to the designers and even looking as other works form parrallel  arts such =
ar photo exhibits or performance art.but others will think this dilutes the=
 message.

=20

if you want ot keep it pure to just looping im sure you can =2C and im sure=
 over time it will grow... but it will always just be us loopers there and =
those with a direct interest...but thats on=2C cos what we do may have more=
 in comparason to surinf=2C craft making=2C fishing =2C cooking=2C car modd=
ifying then music in general as it is a persuilt that is enjoyed passionatl=
y by few rather then taken on by cultural ossmosis by the many.

=20

Phill Wilson (MyOneManBand)
 		 	   		 =20
_________________________________________________________________
Have more than one Hotmail account? Link them together to easily access bot=
h
 http://clk.atdmt.com/UKM/go/186394591/direct/01/=

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font-size: 10pt=3B
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<body class=3D'hmmessage'>
hi guys=2C just done a massive months catch up&nbsp=3B in two mornings off =
so im all loopered up again.<BR>
&nbsp=3B<BR>
my take on the " a rose by any other name" shtick is that..<BR>
&nbsp=3B<BR>
there is are direct parrallels only not&nbsp=3Busually in music per ce.<BR>
&nbsp=3B<BR>
for instance=2C I surf and there are many sucessful (and lots more less suc=
cessful) surfing festivals...but these are events attended by Surfers=2C Wa=
nnabe Surfers (the lump majority) and their friends and families. <BR>
&nbsp=3B<BR>
now as I see it this is a similar idea to whats going on in the looping com=
munity except that looping hasnt yet gained the same cultural&nbsp=3B kudos=
 to make people want to BE SEEN to go there as they now do to mainstream mu=
sic fetivals ( I will save that for another rant)it might feel unfair but&n=
bsp=3Bthe overall level of uptake looping just isnt going to rival&nbsp=3Bs=
omething as&nbsp=3Bculturally pervasive&nbsp=3Bas surfing.<BR>
&nbsp=3B<BR>
continuing the paradigm=2C surf fests now often take in merch ( now this is=
 a real opptune area.....serisouly who better to demo=2C uy and &nbsp=3Bsho=
w off the kit and beta test then some of the worlds most gear hungry indidu=
als??? maybe we should be holidng loop fests in grand arenas but with accom=
panying peripheral events that would appeal MASSIVLY to loopers but also wu=
ld resonate outside the direct looping comunity and bring in general musici=
ans and so on.<BR>
I would imagine the first fest to get roland ehx and some of the software c=
ompanies down will raise the bar.<BR>
&nbsp=3B<BR>
the problems are also similar across my simulcran world......i hear surfers=
 go on about how it is not longer just about surfing =2C theres normally ba=
nds&nbsp=3B a skate ramp with demos=2C loads of gear hawking and so on.....=
.....so aain the lesson to question is WHY do we need it to be bigger ect. =
if its financial there are avenues to explore obviously=2C but at the same =
time=2C dont as an organiser think this will makeyour core crowd happy. I w=
ould LOVED a geek fest of expo stands=2C trying out upcoming products=2C ch=
atting to the designers and even looking as other works form parrallel&nbsp=
=3B arts such ar photo exhibits or performance art.but others will think th=
is dilutes the message.<BR>
&nbsp=3B<BR>
if you want ot keep it pure to just looping im sure you can =2C and im sure=
 over time it will grow... but it will always just be us loopers there and =
those with a direct interest...but thats on=2C cos what we do may have more=
 in comparason to surinf=2C craft making=2C fishing =2C cooking=2C car modd=
ifying then music in general as it is a persuilt that is enjoyed passionatl=
y by few rather then taken on by cultural ossmosis by the many.<BR>
&nbsp=3B<BR>
Phill Wilson (MyOneManBand)<BR> 		 	   		  <br /><hr />Add other email acco=
unts to Hotmail in 3 easy steps. <a href=3D'http://clk.atdmt.com/UKM/go/186=
394593/direct/01/ ' target=3D'_new'>Find out how.</a></body>
</html>=

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Date: Sat, 12 Dec 2009 13:04:49 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Hello again!!!
To: Loopers-Delight@loopers-delight.com
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Hello again!=0A=A0=0AAfter a few years away from this fine and wonderful re=
source, I thought I'd rejoin the "digest" and check in on the looping conve=
rsation. =0A=A0=0AKind regards,=0A=A0=0ADavid=0AUNDO=0Ahttp://www.myspace.c=
om/undomusic=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV><SPAN class=3Dyshortcuts>Hello again!</SPAN></DIV>=0A<DIV><SPAN c=
lass=3Dyshortcuts></SPAN>&nbsp;</DIV>=0A<DIV><SPAN class=3Dyshortcuts>After=
 a few years away from this fine and wonderful resource, I thought I'd rejo=
in the "digest" and check in on the looping conversation. </SPAN></DIV>=0A<=
DIV><SPAN class=3Dyshortcuts></SPAN>&nbsp;</DIV>=0A<DIV><SPAN class=3Dyshor=
tcuts>Kind regards,</SPAN></DIV>=0A<DIV><SPAN class=3Dyshortcuts></SPAN>&nb=
sp;</DIV>=0A<DIV><SPAN class=3Dyshortcuts>David</SPAN></DIV>=0A<DIV><SPAN c=
lass=3Dyshortcuts>UNDO</SPAN></DIV>=0A<DIV><SPAN class=3Dyshortcuts><A href=
=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</A><=
/SPAN></DIV>=0A<DIV><SPAN class=3Dyshortcuts></SPAN>&nbsp;</DIV><!-- cg17.c=
2.mail.re1.yahoo.com compressed/chunked Sat Dec 12 12:16:06 PST 2009 --></d=
iv><br>=0A=0A      </body></html>
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From snieboer@can.rogers.com  Sat Dec 12 21:43:57 2009
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Dear Email Address Owner,

Your Email address won you the sum of £300,000.00GBP and a Peugeot 407 car in
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 12 21:51:30 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sat, 12 Dec 2009 13:39:00 -0800
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>	 <3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>	 <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>	 <4B229336.4050206@tiscali.co.uk> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk>
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um, I see high profile people looping all the time. they are just not  
billed as "loopers"

as for my audience...depends on the city.  my last major solo show in  
SF, with only me on the bill....sold out a 475 capacity hall and they  
let people in to sit on the floor.
but i expect a tiny, tiny fraction of my fans care about "looping".  
just like a tiny fraction of people who look at a web site care  
whether it was done in bbedit or dreamweaver.

i still think of looping as a technical term. interesting to those of  
us who care about technical things.


On Dec 12, 2009, at 5:21 AM, andy butler wrote:

>
>
> doc rossi wrote:
>> On Dec 12, 2009, at 1:39 PM, andy butler wrote:
>>> I'm at a loss to suggest a high profile live looper though,
>>> maybe Eberhard Weber(who would get audience) or Theo Travis.
>> What about Zoe?
> dunnow, let's ask :-)
>
> Hey Zoe, if you headlined a loopfest how
> many people do you think you could draw in?
>
> andy
>

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Date: Sat, 12 Dec 2009 14:11:19 -0800
Message-ID: <1318f21d0912121411x86248a2n2c7966a9baa69927@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: George Ludwig <georgeludwigmusic@gmail.com>
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Zoe, I couldn't agree more. I like the idea of looping festivals etc., but
were I to run one, I would not bill it as a looping festival. I would find
some other theme, and then book appropriate looping artists. The whole
looping tag would be a secondary detail, nothing more. Something journalists
could write about.

As a consumer of music, I could care about looping about as much as I care
about a guitarists choice of picks.

-George

On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating <info@zoekeating.com> wrote:

> um, I see high profile people looping all the time. they are just not
> billed as "loopers"
>
> as for my audience...depends on the city.  my last major solo show in SF,
> with only me on the bill....sold out a 475 capacity hall and they let people
> in to sit on the floor.
> but i expect a tiny, tiny fraction of my fans care about "looping". just
> like a tiny fraction of people who look at a web site care whether it was
> done in bbedit or dreamweaver.
>
> i still think of looping as a technical term. interesting to those of us
> who care about technical things.
>
>
>
> On Dec 12, 2009, at 5:21 AM, andy butler wrote:
>
>
>>
>> doc rossi wrote:
>>
>>> On Dec 12, 2009, at 1:39 PM, andy butler wrote:
>>>
>>>> I'm at a loss to suggest a high profile live looper though,
>>>> maybe Eberhard Weber(who would get audience) or Theo Travis.
>>>>
>>> What about Zoe?
>>>
>> dunnow, let's ask :-)
>>
>> Hey Zoe, if you headlined a loopfest how
>> many people do you think you could draw in?
>>
>> andy
>>
>>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--00151774123ee32e53047a8f51ad
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Zoe, I couldn&#39;t agree more. I like the idea of looping festivals e=
tc., but were I to run one, I would not bill it as a looping festival. I wo=
uld find some other theme, and then book appropriate looping artists. The w=
hole looping tag would be a secondary detail, nothing more. Something journ=
alists could write about.</div>

<div>=A0</div>
<div>As a consumer of music, I could care about looping about as much as I =
care about a guitarists choice of picks.</div>
<div>=A0</div>
<div>-George<br><br></div>
<div class=3D"gmail_quote">On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:info@zoekeating.com">info@zoekeating.c=
om</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">um, I see high profile people lo=
oping all the time. they are just not billed as &quot;loopers&quot;<br><br>
as for my audience...depends on the city. =A0my last major solo show in SF,=
 with only me on the bill....sold out a 475 capacity hall and they let peop=
le in to sit on the floor.<br>but i expect a tiny, tiny fraction of my fans=
 care about &quot;looping&quot;. just like a tiny fraction of people who lo=
ok at a web site care whether it was done in bbedit or dreamweaver.<br>
<br>i still think of looping as a technical term. interesting to those of u=
s who care about technical things.=20
<div>
<div></div>
<div class=3D"h5"><br><br><br>On Dec 12, 2009, at 5:21 AM, andy butler wrot=
e:<br><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote"><br><br>doc rossi wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">On Dec 12, 2009, at 1:39 PM, and=
y butler wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">I&#39;m at a loss to suggest a h=
igh profile live looper though,<br>maybe Eberhard Weber(who would get audie=
nce) or Theo Travis.<br>
</blockquote>What about Zoe?<br></blockquote>dunnow, let&#39;s ask :-)<br><=
br>Hey Zoe, if you headlined a loopfest how<br>many people do you think you=
 could draw in?<br><br>andy<br><br></blockquote><br></div></div></blockquot=
e>
</div><br><br clear=3D"all"><br>-- <br>-George<br><br><a href=3D"http://www=
.myspace.com/georgeludwigmusic">http://www.myspace.com/georgeludwigmusic</a=
><br>

--00151774123ee32e53047a8f51ad--

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Subject: Re: Hello again!!!
Date: Sat, 12 Dec 2009 17:41:49 -0500
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hi david!




 =20

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Subject: Re: What public is attracted by a Y2K Sampler Video?
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--Apple-Mail-1-1030897381
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	charset=us-ascii;
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Re: What public is attracted by a Y2K Sampler Video?

To echo what has already been said, those who are interested in  
learning the series of techniques surrounding 'live looping' are the  
most likely canditates to be interested in the paradigm. But it is a  
little beyond that, given the cultural phenomenon that extends beyond  
this mailing list. It's extremely analogous to those who are  
interested in any musical performance or compositional technique, like  
the 'shred heads' on guitar forums or the 'code monkeys' on  
supercollider forums. It is all very much the of the same Ilk.  It's  
underground, geeky, idiosyncratic etc. It will not break into  
mainstream music as a genre, that I hear maybe some would like, it's  
just not in the nature of the phenomenon. But it is common amongst  
many, a technique among many, a valuable resource that should be  
celebrated and explored. Kudos to Rick, Sjaak, and all for their  
efforts. I find this community rather facinating and a valuable  
resource, and the festivals are a good opportunity for people to share  
knowledge, which is great in my book. Happy holidays.

Ricky

Sent from my iPhone

On Dec 12, 2009, at 9:39 PM, Zoe Keating <info@zoekeating.com> wrote:

> um, I see high profile people looping all the time. they are just  
> not billed as "loopers"
>
> as for my audience...depends on the city.  my last major solo show  
> in SF, with only me on the bill....sold out a 475 capacity hall and  
> they let people in to sit on the floor.
> but i expect a tiny, tiny fraction of my fans care about "looping".  
> just like a tiny fraction of people who look at a web site care  
> whether it was done in bbedit or dreamweaver.
>
> i still think of looping as a technical term. interesting to those  
> of us who care about technical things.
>
>
> On Dec 12, 2009, at 5:21 AM, andy butler wrote:
>
>>
>>
>> doc rossi wrote:
>>> On Dec 12, 2009, at 1:39 PM, andy butler wrote:
>>>> I'm at a loss to suggest a high profile live looper though,
>>>> maybe Eberhard Weber(who would get audience) or Theo Travis.
>>> What about Zoe?
>> dunnow, let's ask :-)
>>
>> Hey Zoe, if you headlined a loopfest how
>> many people do you think you could draw in?
>>
>> andy
>>
>

--Apple-Mail-1-1030897381
Content-Type: text/html;
	charset=utf-8
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<html><body bgcolor=3D"#FFFFFF"><div><span class=3D"Apple-style-span" =
style=3D"font-size: 16px; -webkit-tap-highlight-color: rgba(26, 26, 26, =
0.296875); -webkit-composition-fill-color: rgba(175, 192, 227, =
0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.230469); font-weight: bold; line-height: 18px; ">Re: What public is =
attracted by a Y2K Sampler Video?</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 16px; font-weight: bold; =
line-height: 18px; -webkit-tap-highlight-color: rgba(26, 26, 26, =
0.289062); -webkit-composition-fill-color: rgba(175, 192, 227, =
0.222656); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.222656);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 16px; font-weight: bold; line-height: 18px; =
-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.226562); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.226562);">To echo =
what has already been said, those who are interested in learning the =
series of techniques surrounding 'live looping' are the most likely =
canditates to be interested in the paradigm. But it is a little beyond =
that, given the cultural phenomenon that extends beyond this mailing =
list. It's extremely analogous to those who are interested in any =
musical performance or compositional technique, like the 'shred heads' =
on guitar forums or the 'code monkeys' on supercollider forums. It is =
all very much the of the same Ilk. &nbsp;It's underground, geeky, =
idiosyncratic etc. It will not break into mainstream music as a genre, =
that I hear maybe some would like, it's just not in the nature of the =
phenomenon. But it is common amongst many, a technique among many, a =
valuable resource that should be celebrated and explored. Kudos to Rick, =
Sjaak, and all for their efforts. I find this community rather =
facinating and a valuable resource, and the festivals are a good =
opportunity for people to share knowledge, which is great in my book. =
Happy holidays.&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 16px; font-weight: bold; line-height: 18px; =
-webkit-tap-highlight-color: rgba(26, 26, 26, 0.289062); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.222656); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.222656);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 16px; font-weight: bold; line-height: 18px; =
-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.226562); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.226562);">Ricky =
&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 16px; font-weight: bold; line-height: 18px; =
-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.226562); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.226562);"><br></span>Sent from my iPhone</div><div><br>On Dec 12, =
2009, at 9:39 PM, Zoe Keating &lt;<a =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><span>um, =
I see high profile people looping all the time. they are just not billed =
as "loopers"</span><br><span></span><br><span>as for my =
audience...depends on the city. &nbsp;my last major solo show in SF, =
with only me on the bill....sold out a 475 capacity hall and they let =
people in to sit on the floor.</span><br><span>but i expect a tiny, tiny =
fraction of my fans care about "looping". just like a tiny fraction of =
people who look at a web site care whether it was done in bbedit or =
dreamweaver.</span><br><span></span><br><span>i still think of looping =
as a technical term. interesting to those of us who care about technical =
things.</span><br><span></span><br><span></span><br><span>On Dec 12, =
2009, at 5:21 AM, andy butler =
wrote:</span><br><span></span><br><blockquote =
type=3D"cite"><span></span><br></blockquote><blockquote =
type=3D"cite"><span></span><br></blockquote><blockquote =
type=3D"cite"><span>doc rossi wrote:</span><br></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><span>On Dec 12, 2009, at 1:39 =
PM, andy butler wrote:</span><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><span>I'm at a loss to suggest a high profile live looper =
though,</span><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><span>maybe Eberhard Weber(who would get audience) or Theo =
Travis.</span><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><span>What about =
Zoe?</span><br></blockquote></blockquote><blockquote =
type=3D"cite"><span>dunnow, let's ask =
:-)</span><br></blockquote><blockquote =
type=3D"cite"><span></span><br></blockquote><blockquote =
type=3D"cite"><span>Hey Zoe, if you headlined a loopfest =
how</span><br></blockquote><blockquote type=3D"cite"><span>many people =
do you think you could draw in?</span><br></blockquote><blockquote =
type=3D"cite"><span></span><br></blockquote><blockquote =
type=3D"cite"><span>andy</span><br></blockquote><blockquote =
type=3D"cite"><span></span><br></blockquote><span></span><br></div></block=
quote></body></html>=

--Apple-Mail-1-1030897381--

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Date: Sat, 12 Dec 2009 15:00:57 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Twitter and Looping...
To: Loopers-Delight@loopers-delight.com
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--0-1866801865-1260658857=:90714
Content-Type: text/plain; charset=iso-8859-1
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Sorry if this is a subject that has alrady been broached (and beaten flat w=
ith your older brother's Ampeg SVT stack), but how are you finding TWITTER =
as a tool to serve your music promotion and sales needs?=0A=0AI've not had =
the best of luck from it so far...=A0 and you?=0A=0ADavid=0A=0A=0ATwitter =
=3D undude=0A=0A=0A      
--0-1866801865-1260658857=:90714
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>Sorry if this is a subject that has alrady been broached (and bea=
ten flat with your older brother's Ampeg SVT stack), but how are you findin=
g TWITTER as a tool to serve your music promotion and sales needs?</DIV>=0A=
<DIV>&nbsp;</DIV>=0A<DIV>I've not had the best of luck from it so far...&nb=
sp; and you?</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV>=0A<DIV>=0A<DIV>&n=
bsp;</DIV>=0A<DIV>Twitter =3D undude</DIV></DIV><!-- cg5.c2.mail.ac4.yahoo.=
com compressed/chunked Sat Dec 12 14:56:39 PST 2009 --></div><br>=0A=0A    =
  </body></html>
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Twitter and Looping...
Date: Sat, 12 Dec 2009 23:02:44 +0000
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Very useful for spreading the word about  about Ustream gigs,]


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Dec 2009, at 23:00, david kirkdorffer wrote:

> Sorry if this is a subject that has alrady been broached (and  
> beaten flat with your older brother's Ampeg SVT stack), but how are  
> you finding TWITTER as a tool to serve your music promotion and  
> sales needs?
>
> I've not had the best of luck from it so far...  and you?
>
> David
>
> Twitter = undude
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Very useful for spreading the =
word about &nbsp;about Ustream gigs,]<div><br></div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Dec 2009, =
at 23:00, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 10pt; "><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sorry =
if this is a subject that has alrady been broached (and beaten flat with =
your older brother's Ampeg SVT stack), but how are you finding TWITTER =
as a tool to serve your music promotion and sales needs?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I've not had =
the best of luck from it so far...&nbsp; and you?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">David</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Twitter =3D =
undude</div></div></div><br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

--Apple-Mail-2-1031407035--

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Date: Sun, 13 Dec 2009 01:50:06 +0100
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
From: Sjaak Overgaauw <tcplugin@gmail.com>
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We are out of business guys, the chickens are taking over. And I think
I have the headliner for 2011 loopfest ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 01:22:54 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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to go back to where i think this thread started....are videos of Y2K  
on YouTube useful?

YES

every person who wants to learn how to do what i do...i send them to  
loopers-delight (and tell them that's where i got all my tool info &  
support when i was starting out) and i tell them to look on YouTube  
for looping videos.

i don't send them to the ableton boards unless they're already versed  
in hardware looping..



On Dec 12, 2009, at 2:11 PM, George Ludwig wrote:

> Zoe, I couldn't agree more. I like the idea of looping festivals  
> etc., but were I to run one, I would not bill it as a looping  
> festival. I would find some other theme, and then book appropriate  
> looping artists. The whole looping tag would be a secondary detail,  
> nothing more. Something journalists could write about.
>
> As a consumer of music, I could care about looping about as much as  
> I care about a guitarists choice of picks.
>
> -George
>
> On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating <info@zoekeating.com>  
> wrote:
> um, I see high profile people looping all the time. they are just  
> not billed as "loopers"
>
> as for my audience...depends on the city.  my last major solo show  
> in SF, with only me on the bill....sold out a 475 capacity hall and  
> they let people in to sit on the floor.
> but i expect a tiny, tiny fraction of my fans care about "looping".  
> just like a tiny fraction of people who look at a web site care  
> whether it was done in bbedit or dreamweaver.
>
> i still think of looping as a technical term. interesting to those  
> of us who care about technical things.
>
>
>
> On Dec 12, 2009, at 5:21 AM, andy butler wrote:
>
>
>
> doc rossi wrote:
> On Dec 12, 2009, at 1:39 PM, andy butler wrote:
> I'm at a loss to suggest a high profile live looper though,
> maybe Eberhard Weber(who would get audience) or Theo Travis.
> What about Zoe?
> dunnow, let's ask :-)
>
> Hey Zoe, if you headlined a loopfest how
> many people do you think you could draw in?
>
> andy
>
>
>
>
>
> -- 
> -George
>
> http://www.myspace.com/georgeludwigmusic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>to go back =
to where i think this thread started....are videos of Y2K on YouTube =
useful?&nbsp;</div><div><br></div><div>YES</div><div><br></div><div>every =
person who wants to learn how to do what i do...i send them to =
loopers-delight (and tell them that's where i got all my tool info &amp; =
support when i was starting out) and i tell them to look on YouTube for =
looping videos.</div><div><br></div><div>i don't send them to the =
ableton boards unless they're already versed in hardware =
looping..</div><div><br></div><div><br></div><div><br><div><div>On Dec =
12, 2009, at 2:11 PM, George Ludwig wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Zoe, =
I couldn't agree more. I like the idea of looping festivals etc., but =
were I to run one, I would not bill it as a looping festival. I would =
find some other theme, and then book appropriate looping artists. The =
whole looping tag would be a secondary detail, nothing more. Something =
journalists could write about.</div> <div>&nbsp;</div> <div>As a =
consumer of music, I could care about looping about as much as I care =
about a guitarists choice of picks.</div> <div>&nbsp;</div> =
<div>-George<br><br></div> <div class=3D"gmail_quote">On Sat, Dec 12, =
2009 at 1:39 PM, Zoe Keating <span dir=3D"ltr">&lt;<a =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt;</span> =
wrote:<br> <blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px =
0px 0px 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">um, I see high =
profile people looping all the time. they are just not billed as =
"loopers"<br><br> as for my audience...depends on the city. &nbsp;my =
last major solo show in SF, with only me on the bill....sold out a 475 =
capacity hall and they let people in to sit on the floor.<br>but i =
expect a tiny, tiny fraction of my fans care about "looping". just like =
a tiny fraction of people who look at a web site care whether it was =
done in bbedit or dreamweaver.<br> <br>i still think of looping as a =
technical term. interesting to those of us who care about technical =
things. <div> <div></div> <div class=3D"h5"><br><br><br>On Dec 12, 2009, =
at 5:21 AM, andy butler wrote:<br><br> <blockquote style=3D"BORDER-LEFT: =
#ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" =
class=3D"gmail_quote"><br><br>doc rossi wrote:<br> <blockquote =
style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; =
PADDING-LEFT: 1ex" class=3D"gmail_quote">On Dec 12, 2009, at 1:39 PM, =
andy butler wrote:<br> <blockquote style=3D"BORDER-LEFT: #ccc 1px solid; =
MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">I'm =
at a loss to suggest a high profile live looper though,<br>maybe =
Eberhard Weber(who would get audience) or Theo Travis.<br> =
</blockquote>What about Zoe?<br></blockquote>dunnow, let's ask =
:-)<br><br>Hey Zoe, if you headlined a loopfest how<br>many people do =
you think you could draw =
in?<br><br>andy<br><br></blockquote><br></div></div></blockquote> =
</div><br><br clear=3D"all"><br>-- <br>-George<br><br><a =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/g=
eorgeludwigmusic</a><br></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 01:25:51 2009
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In-Reply-To: <734753.73445.qm@web45907.mail.sp1.yahoo.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sun, 13 Dec 2009 01:25:42 -0000
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I understand the fervor but why include the word "looping" in a =
promotion at all?  It would be about as potentially fatal to use some =
intellectualistic-sounding phrase like Pentatonic Guitar - well maybe =
not as fatal, as you might get some pseuds and unknowing Goths etc. =
showing up.  In a similar way I believe I remember us discussing the =
word "ambient" some years ago: Poison or Accurate Description?  Don't =
throw anything.

Far more accessible Eric's idea is (sorry, just played some Clone Wars =
here) where the music is promoted, and subtitled to be "looping" or =
other music.  I don't want to call my work a statistical norm of any =
kind, but I don't get any more play on any of my music sites just =
because I put the word "looping" in as a keyword.


From: E Gross=20
Sent: Saturday, December 12, 2009 5:33 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: What public is attracted by a Y2K Sampler Video?


Just an idea, if getting an audience is the goal, how about =
concerts/festivals based around a theme, for example the "Christmas =
Looping Extravaganza". Performers would then be required to perform =
Christmas-themed music, something which has the possibility to draw in a =
crowd. Then it is up to the performance to hold the crowds interest. =
There is nothing I like more than mangling Jingle Bells with a 20 minute =
noise wash -- tastefully done, of course   ;)

Themes could be shortened to "Christmas Concert"; "Spring Celebration", =
"WinterFest", "Halloween Scary Music Blowout" (this one would probably =
be the easiest to play at for most LDers), etc.....no need to specify =
looping in the headline, as most people have no idea what that is =
anyway. In the US at least, the term "One Man Band" would be more =
understandable by the general public.


Eric
(grossloops)

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<STYLE type=3Dtext/css><!-- DIV {margin:0px;} --></STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16466"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">I understand the fervor but =
why include=20
the word "looping" in a promotion at all?&nbsp; It would be about as =
potentially=20
fatal to use some intellectualistic-sounding phrase like Pentatonic =
Guitar -=20
well maybe not as fatal, as you might get some pseuds and unknowing =
Goths etc.=20
showing up.&nbsp; In a similar way I believe I remember us discussing =
the word=20
"ambient" some years ago: Poison or Accurate Description?&nbsp; Don't =
throw=20
anything.</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Far more accessible Eric's =
idea is (sorry,=20
just played some Clone Wars here) where the music is promoted, and =
subtitled to=20
be "looping" or other music.&nbsp; I don't want to call my work a =
statistical=20
norm of any kind, but I don't get any more play on any of my music sites =
just=20
because I put the word "looping" in as a keyword.</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dslapbandjam@yahoo.com=20
href=3D"mailto:slapbandjam@yahoo.com">E Gross</A> </DIV>
<DIV><B>Sent:</B> Saturday, December 12, 2009 5:33 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: What public is attracted by a Y2K Sampler=20
Video?</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">
<DIV>Just an idea, if getting an audience is the goal,&nbsp;how=20
about&nbsp;concerts/festivals based around a theme, for example the =
"Christmas=20
Looping Extravaganza". Performers would then be required to perform=20
Christmas-themed music, something which has the possibility to draw in a =
crowd.=20
Then it is up to the performance to hold the crowds interest. There is =
nothing I=20
like more than mangling Jingle Bells with a 20 minute noise wash -- =
tastefully=20
done, of course&nbsp;&nbsp; ;)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Themes could be shortened to "Christmas Concert"; "Spring =
Celebration",=20
"WinterFest", "Halloween Scary Music Blowout" (this one would probably =
be the=20
easiest to play at for most LDers), etc.....no need to specify looping =
in the=20
headline, as most people have no idea what that is anyway. In the US at =
least,=20
the term "One Man Band" would be more understandable by the general=20
public.</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt"><BR>
<DIV=20
style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
13px">Eric</DIV>
<DIV=20
style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
13px">(grossloops)</DIV></DIV><!-- cg24.c3.mail.sp2.yahoo.com =
compressed/chunked Sat Dec 12 09:13:49 PST 2009 =
--></DIV><BR></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 01:34:43 2009
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
Date: Sun, 13 Dec 2009 01:34:32 -0000
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I'm torn between admiration for the guy/gal in the chicken suit, and 
remembering the bit in that Simpsons episode where the old guy gets his own 
show singing "The Old Grey Mare"... but talk about breaking out of the box!

--------------------------------------------------
From: "Per Boysen" <perboysen@gmail.com>
Sent: Saturday, December 12, 2009 3:51 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.

> On Sat, Dec 12, 2009 at 4:14 PM, Mech <mech@m3ch.net> wrote:
>>  http://is.gd/5l094 (URL shortened for email purposes)
>>
>> And yes, believe it or not, this is actually loop-related content, albeit
>> one of its more humorous applications.
>
>
> LOL! Two days of posts on the art of attracting public audience to
> looping festivals - and now this!!!!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com 

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I believe you misunderstand me, I'm not talking about art vs 
entertainment or playing for free. I always charge something 
depending on the event, my regular fee is $400.00 and then I 
negotiate from there. In fact if I'm asked to play for some sort of 
benefit concert at minimum I ask that they give me a tax receipt for 
my regular fee since what they're doing is asking me to donate my fee 
and perform for free.

I'm referring to my motivations for playing what I play, which is not 
ambient but instrumental. I mostly turn down gigs that want me to 
come and do covers, but that is strictly my choice and no criticism 
of others who do. If I can't do music that moves me somehow, I'd 
really rather not do the gig at all. So I've been asking myself, just 
what is it that moves me? Why do I have this emotional response to 
instrumental music?

I remembered a gallery show I was playing at some years ago and there 
was this woman who kept asking the artist what she should feel when 
she looked at various paintings.... I've had people ask me the same 
sort of question, what made me write a particular piece of music, 
what sort of thing did I envision when I played this tune. It's as if 
without the song story line there a large number of people just can't 
allow themselves to go the journey the music will take them. To me 
every piece of music is a story or a journey, it doesn't matter if 
it's a traditional fiddle tune, an orchestral work, an instrumental 
guitar or harp tune. What is the story, where does it take me.

I do agree, looping is all about the technology, and yet it is more 
than that.... It's about what you do with that technology. I often 
think that musicians are a lot like photographers. We're always into 
the gear.... what camera, what lens, how was this photo manipulated, 
colours enhanced, etc, etc. I was at photo exhibition and this woman 
had done incredible landscape photography, won all sorts of 
awards.... with a kodak 126 instamatic.

I like structure in my dulcimer melodies which are mostly written in 
the celtic/traditional fiddle style (aa/bb/cc and repeat till you 
can't stand it any longer) So initially my looping has been the 
accompaniment sort, play some guitar or create some sort of counter 
melody that loops while I play my tune on the dulcimer. Lately what 
I've been playing with is more drone oriented and leaning more 
towards the ambient sound for my background sounds and then the 
dulcimer over top. It's sort of like the old photography trick of 
putting the background out of focus so the central subject stands out 
more clearly. In my case, the simple beauty of the solo hammered 
dulcimer melody being played over whatever looped background I can 
create at that moment.


I'm sorry if this has been somewhat long winded and rambeling, this 
conversation has really got me thinking again about what I'm doing and why.

Paul Haslem
www.dulcify.ca
Ontario, Canada


At 11:04 AM 12/12/2009, you wrote:
>Interesting conversation. I personally have been looping for about 9
>years now in a variety of settings. I must admit after years of
>practice, 10's of thousands of dollars of gear purchases and 4 years
>of college, I have a philosophical aversion to playing for free. I
>have had ALL the art vs. entertainment conversations. Both here and
>late night session in college. But I've always felt, if you really
>want to, you can satisfy both needs. Sometimes.
>
>In some of the more sophisticated pubs/bars I play in, (I play mostly
>covers), I can play tunes that I like and are interesting, for
>Instance, Grateful Dead songs: a vastly under-rated band among
>ambient enthusiasts, They played 20 minutes of totally improvised
>soundscape's (space) every-night.
>So I'll play a tune like Bird Song, and in the middle where they
>would jam, I will uses many of the techniques ambient improvisers
>use. This part could be taken out of the tune I'm playing and stand
>on its own as an ambient piece. But wrapped in a familiar tune in
>becomes part of the entire piece. This of course won't float many of
>y'alls boat, but I can still use Mobius and twist and mangle to my
>hearts content and still go home with $200 in my pocket.
>
>As far as the response of the public, looping is just another
>technological phenomenon they no longer question. It doesn't come up
>ever anymore. But I think you guys are talking more about the ambient
>improvised genre's more then looping itself. Right?
>
>Thanks
>Chris

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--Alternative__boundary__1260679462405
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Unghh!! =C2=A0Awww yeah baby. =C2=A0You know an asyncd pair of loops make=
 me hawt.

-- Sent from my Palm Pr=C4=93

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<span style=3D"color:navy; font-family:Prelude, Verdana, san-serif; "><span=
 style=3D"font-family:Prelude, Verdana, san-serif;">Unghh!! =C2=A0Awww yeah=
 baby. =C2=A0You know an asyncd pair of loops make me hawt.<br><br></span><=
span id=3D"signature"><div style=3D"font-family: arial, sans-serif; font-si=
ze: 12px;color: #999999;">-- Sent from my Palm Pr=C4=93</div></span></span>

--Alternative__boundary__1260679462405--

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Zoe Keating wrote:

> 
> i still think of looping as a technical term. 

like "cello"

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 08:13:07 2009
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Date: Sun, 13 Dec 2009 17:12:56 +0900
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Subject: Re: Man in a Chicken suit plays "What is Love" on Pianica.
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At 9:19 AM -0800 12/12/09, Mark Hamburg wrote:
>Are chicken suits going to become required at future looping events?

Huh?  You mean they're not already?!?

Oh... crap.

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 08:13:42 2009
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Date: Sun, 13 Dec 2009 17:13:31 +0900
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Subject: Re: Twitter and Looping...
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At 11:02 PM +0000 12/12/09, Matt Stevens wrote:
>On 12 Dec 2009, at 23:00, david kirkdorffer wrote:
>>
>>Sorry if this is a subject that has alrady been broached (and 
>>beaten flat with your older brother's Ampeg SVT stack), but how are 
>>you finding TWITTER as a tool to serve your music promotion and 
>>sales needs?
>>
>>I've not had the best of luck from it so far...  and you?
>>
>>David
>>
>>Twitter = undude
>
>Very useful for spreading the word about  about Ustream gigs,]

These days, I spend as much (or more) time on Twitter as I do on LD. 
So it's one of my primary forms of online interaction.

I'll agree with Matt; Twitter is extremely useful for promoting or 
sending reminders about online performances.  I've tuned in to a 
couple of his that I wouldn't have known about otherwise.

Also, it's due to Twitter that I've jumped on to one or two of the 
MoinSound sessions that Rainer hosts.  If not for the Twitter 
reminder, I would've messed up the time (again!) and missed them.

Twitter has also been a fantastic source of information that I 
would've never come across otherwise.  In a single day, I usually 
collect more interesting links to resources than I'm able to sort 
through.  And I only save about a tenth of those that cross my 
Twitter feed.

Additionally, and more to the point of the original post: I've been 
able to hook up with a pretty good core group of people that I 
interact with regularly -- not unlike this list here.  And while it's 
never a guarantee for anything, I believe I can safely say that 
if/when I actually release something, I think I have the attention of 
quite a few people that will listen, help promote, and perhaps even 
buy it.  Some of these are also heavily involved with the Netlabel 
scene, so perhaps the chance might also exist to sign on to a 
bona-fide release.  Maybe....

IMNSO, the key to Twitter is the same as many new media outlets.  You 
can't just splattercast an announcement and then expect people to 
come.  You've got to work on building a community and interacting as 
part of it.

I think I've said it here previously, but I believe the key to 
surviving in this new and changing world is that you have to be aware 
of this fact: people are not buying your product any longer; they are 
buying you.  You don't promote an object for sale.  Instead, you 
promote yourself by interacting and connecting with your audience. 
Then, if your product dovetails with any interest to these online 
friends and acquaintances, they'll follow-up with their wallets.

Just the same as here on LD, there are lots of releases that I never 
would've been aware of (or acquired) had I not already had some sort 
of online relationship with the artist.

Twitter is no different.  However, it's not easy, either.  There are 
a lot of these online marketers that preach getting tons of followers 
as a way to promote success.  But if you look at all the followers 
these guys have, they're all other marketers that are only interested 
in bumping up their follow numbers.  That's nothing more than an 
online circle-jerk.

To be successful with Twitter, at least at the beginning, I believe 
you have to try to actually connect on a personal level with the 
people you follow.  And that can be a lot of work.

But I'm still at a reasonably low level of followers too.  So maybe 
Matt or Steve or Zoe can speak more to the challenges once you get 
past the 1000 follower mark.  :)

(BTW, my Twitter ID = Dust_Bunnies )

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sun, 13 Dec 2009 09:16:17 +0100
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Instruments, software, hardware all fall into the category of "tools",  
so one can think of them as technical terms, and maybe a technique  
like looping, which combines all three, is also really a technical  
term. Maybe "Live Looping" is also a musical genre, but if it is, not  
too many people know about it or what it is - I think a lot of people  
would look for some other label, like Ambient, or Trip Hop or  
whatever. I use looping within traditional music, or folk or ethnic or  
whatever the devil you might want to call it, so for me looping  
describes a technique rather than a genre.

On Dec 13, 2009, at 9:06 AM, andy butler wrote:

>
>
> Zoe Keating wrote:
>
>> i still think of looping as a technical term.
>
> like "cello"
>

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That's exactly what I meant.

If anyone feels in any way misrepresented by being called
a loop artist, or whatever, and if I've in any way contributed
to that then I apologise wholeheartedly.

It's not really feasible to be a performing musician without
some kind of label, whether it's one of those modern tightly
defined genres that can be exited by adding the wrong kind of
vocal sample, or something more nebulous, as is often the
nature of genres.


If I'm playing Renaissance Lute, it's "Renaissance Lute Music",
albeit not played very well (and not in public).

If I'm using new musical tools that haven't previously been
used to their full potential, or simply haven't been
used by anyone else, then I'm not going to use them to
conform to some pre-existing genre. 

That being explained, it's rather simple minded of me,
and perhaps somewhat unimaginative to call the particular
music that emerges "livelooping".
It's just a label, if someone hasn't heard of it, and let's
face it no-one has, then at least it's not misleading.

I can well appreciate that anyone who uses the new technology
to work within an existing genre is naturally going to present themselves
by reference to that genre, that's what I'd do.
...however I don't have that option.

hope that's not too much rant ;-)
andy butler 


doc rossi wrote:
> Instruments, software, hardware all fall into the category of "tools", 
> so one can think of them as technical terms, and maybe a technique like 
> looping, which combines all three, is also really a technical term. 
> Maybe "Live Looping" is also a musical genre, but if it is, not too many 
> people know about it or what it is - I think a lot of people would look 
> for some other label, like Ambient, or Trip Hop or whatever. I use 
> looping within traditional music, or folk or ethnic or whatever the 
> devil you might want to call it, so for me looping describes a technique 
> rather than a genre.
> 
> On Dec 13, 2009, at 9:06 AM, andy butler wrote:
> 
>>
>>
>> Zoe Keating wrote:
>>
>>> i still think of looping as a technical term.
>>
>> like "cello"
>>
> 
> 

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Zoe said:
 >>>um, I see high profile people looping all the time. they are just  
not billed as "loopers"<<<

Too true. Looping is mainstream. Most people just enjoy what it does  
rather than what it is... If what you do with it is 'good' then the  
explanation of how you do it is 'value added' for the geeks.

I've consciously moved away from playing to rooms full of bassists and  
music tech-heads - not by excluding them (I'm more than happy when  
anyone shows up to hear me play! :) ) but by not explicitly favouring  
them in how I talk about and market what I do. I'm having a whole lot  
more fun playing to people who see looping as 'that thing that KT  
Tunstall does', and saving the occasional conversation about looping  
geekiness as a special treat after a house concert when some nerds  
have snuck in unannounced ;)

Gimme a house concert that's all about the stories and the sharing  
over a gig in a music store any day. Though ideally, I'm happy to play  
the store during the day and the house concert in the evening ;)

Steve
  _______________________
*********************************
*** www.stevelawson.net
*** www.solobasssteve.com
*** www.beyondbasscamp.com
*** www.officegigs.co.uk
*** www.twitter.com/solobasssteve


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said:</div>&gt;&gt;&gt;<span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">um, I see high profile =
people looping all the time. they are just not billed as =
"loopers"&lt;&lt;&lt;</span><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; "><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">Too true. Looping =
is mainstream. Most people just enjoy what it does rather than what it =
is... If what you do with it is 'good' then the explanation of how you =
do it is 'value added' for the =
geeks.&nbsp;</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; "><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">I've consciously =
moved away from playing to rooms full of bassists and music tech-heads - =
not by excluding them (I'm more than happy when anyone shows up to hear =
me play! :) ) but by not explicitly favouring them in how I talk about =
and market what I do. I'm having a whole lot more fun playing to people =
who see looping as 'that thing that KT Tunstall does', and saving the =
occasional conversation about looping geekiness as a special treat after =
a house concert when some nerds have snuck in unannounced =
;)&nbsp;</span></font></div><div><font class=3D"Apple-style-span" =
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class=3D"Apple-style-span" style=3D"font-size: 13px; ">Gimme a house =
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References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>	 <3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>	 <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>	 <4B229336.4050206@tiscali.co.uk> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <4B24A06E.3080500@tiscali.co.uk> <8945DE77-B24C-415D-A2DA-8E2AA77438D2@gmail.com> <4B24DB3A.4030406@tiscali.co.uk>
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My agent surprised me a couple of years back when we were talking  
about some new shows I wanted to present. He only books trad acts, but  
I asked how looping would go over with the usual trad audience in  
France, and he said something like "As long as you're not staring at  
your feet or the laptop the whole time, it should be fine," so he  
actually knew what I was talking about. That's not so surprising,  
really, since he's a lot hipper than I am...

On Dec 13, 2009, at 1:16 PM, andy butler wrote:

> That's exactly what I meant.
>
> If anyone feels in any way misrepresented by being called
> a loop artist, or whatever, and if I've in any way contributed
> to that then I apologise wholeheartedly.
>
> It's not really feasible to be a performing musician without
> some kind of label, whether it's one of those modern tightly
> defined genres that can be exited by adding the wrong kind of
> vocal sample, or something more nebulous, as is often the
> nature of genres.
>
>
> If I'm playing Renaissance Lute, it's "Renaissance Lute Music",
> albeit not played very well (and not in public).
>
> If I'm using new musical tools that haven't previously been
> used to their full potential, or simply haven't been
> used by anyone else, then I'm not going to use them to
> conform to some pre-existing genre.
> That being explained, it's rather simple minded of me,
> and perhaps somewhat unimaginative to call the particular
> music that emerges "livelooping".
> It's just a label, if someone hasn't heard of it, and let's
> face it no-one has, then at least it's not misleading.
>
> I can well appreciate that anyone who uses the new technology
> to work within an existing genre is naturally going to present  
> themselves
> by reference to that genre, that's what I'd do.
> ...however I don't have that option.
>
> hope that's not too much rant ;-)
> andy butler
>
> doc rossi wrote:
>> Instruments, software, hardware all fall into the category of  
>> "tools", so one can think of them as technical terms, and maybe a  
>> technique like looping, which combines all three, is also really a  
>> technical term. Maybe "Live Looping" is also a musical genre, but  
>> if it is, not too many people know about it or what it is - I think  
>> a lot of people would look for some other label, like Ambient, or  
>> Trip Hop or whatever. I use looping within traditional music, or  
>> folk or ethnic or whatever the devil you might want to call it, so  
>> for me looping describes a technique rather than a genre.
>> On Dec 13, 2009, at 9:06 AM, andy butler wrote:
>>>
>>>
>>> Zoe Keating wrote:
>>>
>>>> i still think of looping as a technical term.
>>>
>>> like "cello"
>>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 13:17:13 2009
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Subject: VirtualGigSpam: VSV ensemble now Dig It Signal Live - Live Sunday 
	Morning
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0015174483dc921fa6047a9bf9f5
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This morning at 11am EST / 1600 UTC, the ensemble of Peter Thorn, Jim
Goodin, Jeff Duke & Ray Istorico now collectively under the moniker, 'Dig It
Signal' will be performing live on the Net.  We are doing our webcast on a
new host, livestream.com which Jeff will be orchestrating.  I will be
simulcasting us to uStream.

The new host URL on LiveStream is http://www.livestream.com/digitsignallive.
The simulcast will be on my Sunday Morning at 11 uStream at
http://www.ustream.tv/channel/sunday-morning-at-11.

This performance as with the others will be audio from NinJam and combined
with video content over each host channel.  On Livestream we will be using
movie footage from a silent movie from a pub domain film about Dracula
called Nosferatu <http://www.archive.org/details/nosferatu>.  Special thanks
to Jeff for producing the content for our morning's cast.  On uStream,
images of Emile [Tobenfelds].

Dig It Signal comes at you via NinJam from Sweden, Florida and New York.
For time conversion in your area visit http://www.timeanddate.com/worldclock.
If you are around this morning tune in at 11am EST.

Happy Sunday.

Jim



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174483dc921fa6047a9bf9f5
Content-Type: text/html; charset=ISO-8859-1
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This morning at 11am EST / 1600 UTC, the ensemble of Peter Thorn, Jim Goodi=
n, Jeff Duke &amp; Ray Istorico now collectively under the moniker, &#39;Di=
g It Signal&#39; will be performing live on the Net.=A0 We are doing our we=
bcast on a new host, <a href=3D"http://livestream.com" target=3D"_blank">li=
vestream.com</a> which Jeff will be orchestrating.=A0 I will be simulcastin=
g us to uStream.<br>


<br>The new host URL on LiveStream is <a href=3D"http://www.livestream.com/=
digitsignallive" target=3D"_blank">http://www.livestream.com/digitsignalliv=
e</a>.=A0 The simulcast will be on my Sunday Morning at 11 uStream at <a hr=
ef=3D"http://www.ustream.tv/channel/sunday-morning-at-11" target=3D"_blank"=
>http://www.ustream.tv/channel/sunday-morning-at-11</a>.<br>


<br>This performance as with the others will be audio from NinJam and combi=
ned with video content over each host channel.=A0 On Livestream we will be =
using movie footage from a silent movie from a pub domain film about Dracul=
a called <a href=3D"http://www.archive.org/details/nosferatu">Nosferatu</a>=
.=A0 Special thanks to Jeff for producing the content for our morning&#39;s=
 cast.=A0 On uStream, images of Emile [Tobenfelds].<br>

<br>Dig It Signal comes at you via NinJam from Sweden, Florida and New York=
.=A0 For time conversion in your area visit <a href=3D"http://www.timeandda=
te.com/worldclock" target=3D"_blank">http://www.timeanddate.com/worldclock<=
/a>.=A0 If you are around this morning tune in at 11am EST.<br>

<br>Happy Sunday.<br><br>Jim<br><br><br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br><a href=3D"http://www.myspace.com/CtReUse" =
target=3D"_blank">www.myspace.com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_=
blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmus=
ic.com" target=3D"_blank">www.chinapaintingmusic.com</a><br><a href=3D"http=
://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.myspace.com/jimgoo=
dinmusic</a><br>


<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ji=
mgoodinviolinelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelec=
tro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br><br>video work/editing...<br><a href=3D"http=
://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodi=
ndigital</a><br>

<br>social networking...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twi=
tter.com/jimgoodinmusic</a><br><br>

--0015174483dc921fa6047a9bf9f5--

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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Dec 13, 2009 at 2:11 PM, doc rossi <docittern@gmail.com> wrote:
> "As long as you're not staring at your feet or the laptop the whole time, it
> should be fine,"


That was a fun story! I've spotted "shoe gazing" in some genre
listings but not "mail checking".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 13:38:02 2009
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Subject: RE: Hello again!!!
Date: Sun, 13 Dec 2009 13:37:59 +0000
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Hi David=2C

=20

I still have your cds here in the uk and i did give the second copy of deux=
 to the guy at my local music club...he sometmies still uses it as a way of=
 keeping voices down in between solo female guitar acts. it seems to have f=
ound lovely form of function as such=2C if the audience is given room to ta=
lk they do but your music keeps them happily whispering.........good eh!!

=20

Phill Wilson ne Blackface ne testtubemicro (now known as MyOneManBand) lol
=20


Date: Sat=2C 12 Dec 2009 13:04:49 -0800
From: unstrungone@yahoo.com
Subject: Hello again!!!
To: Loopers-Delight@loopers-delight.com





Hello again!
=20
After a few years away from this fine and wonderful resource=2C I thought I=
'd rejoin the "digest" and check in on the looping conversation.=20
=20
Kind regards=2C
=20
David
UNDO
http://www.myspace.com/undomusic
=20
 		 	   		 =20
_________________________________________________________________
Add your Gmail and Yahoo! Mail email accounts into Hotmail - it's easy
http://clk.atdmt.com/UKM/go/186394592/direct/01/=

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{
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<body class=3D'hmmessage'>
Hi David=2C<BR>
&nbsp=3B<BR>
I still have your cds here in the uk and i did give&nbsp=3Bthe second copy =
of deux to the guy at my local music club...he sometmies still uses it as a=
 way of keeping voices down in between solo&nbsp=3Bfemale guitar acts. it s=
eems to have found lovely form of function as such=2C if the audience is gi=
ven room to talk they do but your music keeps&nbsp=3Bthem happily whisperin=
g.........good eh!!<BR>
&nbsp=3B<BR>
Phill Wilson ne Blackface ne testtubemicro (now known as MyOneManBand) lol<=
BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Sat=2C 12 Dec 2009 13:04:49 -0800<BR>From: unstrungone@yahoo.com<BR>S=
ubject: Hello again!!!<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<STYLE>
.ExternalClass DIV
{=3B}
</STYLE>

<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2C helvetica=2C sans-se=
rif">
<DIV><SPAN class=3Decxyshortcuts>Hello again!</SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts></SPAN>&nbsp=3B</DIV>
<DIV><SPAN class=3Decxyshortcuts>After a few years away from this fine and =
wonderful resource=2C I thought I'd rejoin the "digest" and check in on the=
 looping conversation. </SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts></SPAN>&nbsp=3B</DIV>
<DIV><SPAN class=3Decxyshortcuts>Kind regards=2C</SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts></SPAN>&nbsp=3B</DIV>
<DIV><SPAN class=3Decxyshortcuts>David</SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts>UNDO</SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts><A href=3D"http://www.myspace.com/undomusi=
c">http://www.myspace.com/undomusic</A></SPAN></DIV>
<DIV><SPAN class=3Decxyshortcuts></SPAN>&nbsp=3B</DIV></DIV><BR> 		 	   		 =
 <br /><hr />Have more than one Hotmail account? <a href=3D' http://clk.atd=
mt.com/UKM/go/186394591/direct/01/' target=3D'_new'>Link them together to e=
asily access both.</a></body>
</html>=

--_7865324d-e16d-404e-870b-5f2a77d6f63e_--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 15:17:41 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Metheny - The Orchestrion Tour
Date: Sun, 13 Dec 2009 16:05:54 +0100
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Hi,
did anyone see Pat Metheny on his Orchestrion-Tour ?
Is it interesting for both loopers and "normal" people?
I=B4m thinking about buying a ticket for me and my wife, but
not sure if it=B4s something for both of us.
I read on Metheny=B4s website that it=B4s a solo-performance
using devices to replace other instruments, which sounds
to me like he=B4s been using kind of a looping device.=20
Certainly a custom made device built especially for Metheny...
Anyone there who knows more about it?
Best,
Christo
www.christojota.de


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>did anyone see Pat Metheny on his =
Orchestrion-Tour=20
?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Is it interesting for both loopers and =
"normal"=20
people?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I=B4m thinking about buying a ticket =
for me and my=20
wife, but</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>not sure if it=B4s something for both =
of=20
us.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I read on Metheny=B4s website that =
it=B4s a=20
solo-performance</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>using devices to replace other =
instruments, which=20
sounds</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>to me like he=B4s been using kind of a =
looping=20
device. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Certainly a custom made device built =
especially for=20
Metheny...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Anyone there who knows more about =
it?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 16:07:00 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: VirtualGigSpam: VSV ensemble now Dig It Signal Live - Live Sunday  Morning
Date: Sun, 13 Dec 2009 16:06:51 +0000
To: Loopers-Delight@loopers-delight.com
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Hey all

These guys are live now !!!

Me and my my friend sonny are streaming in 4 hours here if you fancy  
some more looping action

http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room

Thanks


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 13 Dec 2009, at 13:17, Jim Goodin wrote:

> This morning at 11am EST / 1600 UTC, the ensemble of Peter Thorn,  
> Jim Goodin, Jeff Duke & Ray Istorico now collectively under the  
> moniker, 'Dig It Signal' will be performing live on the Net.  We  
> are doing our webcast on a new host, livestream.com which Jeff will  
> be orchestrating.  I will be simulcasting us to uStream.


--Apple-Mail-3--1054630260
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey all&nbsp;<div><br></div><div>These guys are live now =
!!!</div><div><br></div><div>Me and my my friend sonny are streaming in =
4 hours here if you fancy some more looping =
action&nbsp;</div><div><br></div><div><a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></div><div><br=
></div><div>Thanks</div><div><br></div><div><br></div><div><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 13 Dec 2009, =
at 13:17, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">This morning at 11am EST / =
1600 UTC, the ensemble of Peter Thorn, Jim Goodin, Jeff Duke &amp; Ray =
Istorico now collectively under the moniker, 'Dig It Signal' will be =
performing live on the Net.&nbsp; We are doing our webcast on a new =
host, <a href=3D"http://livestream.com/"><font color=3D"#001de0" =
style=3D"color: #001de0"><u>livestream.com</u></font></a> which Jeff =
will be orchestrating.&nbsp; I will be simulcasting us to =
uStream.</font></p> </blockquote></div><br></div></body></html>=

--Apple-Mail-3--1054630260--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 16:32:39 2009
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Reply-To: <david.saganey@comcast.net>
From: "David Saganey" <david.saganey@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: For Sale: Lexicon Jamman (Mint!)
Date: Sun, 13 Dec 2009 11:24:28 -0500
Message-ID: <C78EF6EC64314BCD94B7792F37C96F61@XPS>
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This MINT condition Lexicon Jamman has been sitting in an used rack for over
a decade!   

 

It has the 32 second memory upgrade, and Bob Sellon's Special software
installed. 

 

Included: 

(1) Power Transformer

(2) Original Footswitches

(2) Footswitch Cables

 

$400 Firm

 


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<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>This MINT condition Lexicon Jamman has been sitting =
in an
used rack for over a decade! &nbsp;&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>It has the 32 second memory upgrade, and Bob =
Sellon&#8217;s
Special software installed. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>Included: <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(1) Power Transformer<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Original =
Footswitches<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Footswitch Cables<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>$400 Firm<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

</div>

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From KENNETH.BROOKS@det.nsw.edu.au  Sun Dec 13 17:07:29 2009
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From: "Brooks, Ken" <KENNETH.BROOKS@det.nsw.edu.au>
To: "info@notice.com" <info@notice.com>
Date: Sun, 13 Dec 2009 23:07:28 +1100
Subject: Confirmation ReferenceNumber:UK/2551256008/07
Thread-Topic: Confirmation ReferenceNumber:UK/2551256008/07
Thread-Index: AQHKe+zWD5c3aIgulEuIzPWZLwj3hQ==
Message-ID: <E6473876311E0143B726DE648D2AD36F216E683117@SLPPEXCCR07.central.det.win>
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Confirmation ReferenceNumber:UK/2551256008/07
You have won =A3850,000.00 in free lotto email program held 7th
December 2009 in In Liverpool.
Email Ticket Number X-3007893284-Z ReferenceNumber:UK/2551256008/07
Draw Lucky Number:09-22-37-39-41-49-2-7
BatchNumber:JPK14/0115/IP,Serial Number: HMML3214-07
Please note that the validity period of the winning is 24th of
December 2009.
Contact: Mr. Frank Arthur with your Full Name, Home Address, Age,Gender,
Occupation,Country Of Residence,Nationality & Telephone Number.
Email: claims-office@nl.rogers.com<mailto:claims-office@nl.rogers.com>
Tel: +4470111 83202+, 4470111 83206
+447031994752, +447031978650
NB Please Note do mail back through the alert email contact Mr. Frank Art=
hur
via email:claims-office@nl.rogers.com
Sincerely,
Brooks, Ken
For The British National Lottery
**********************************************************************
This message is intended for the addressee named and may contain
privileged information or confidential information or both. If you
are not the intended recipient please delete it and notify the sender.
**********************************************************************

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 17:29:40 2009
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Subject: OT: New Firewire Interface TC Impact Twin
From: Raul Bonell <raul.bonell@gmail.com>
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--0016e6d7858b511d86047a9f80bf
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http://www.tcelectronic.com/impacttwintechspecs.asp

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<a href="http://www.tcelectronic.com/impacttwintechspecs.asp">http://www.tcelectronic.com/impacttwintechspecs.asp</a><br clear="all"><br><br><br>

--0016e6d7858b511d86047a9f80bf--

From uklottos@uklottery.co.uk  Sun Dec 13 18:11:26 2009
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Reply-To: <martinlee_67@yahoo.co.jp>
From: "UK LOTTERY ORGANIZATION."<uklottos@uklottery.co.uk>
Subject: Your email address has won you $4.6M from the UK Lotto
Date: Fri, 11 Dec 2009 18:53:52 +0100
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To: undisclosed-recipients:;

UK LOTTERY ORGANIZATION
TICKET FREE/ONLINE E-MAIL ADDRESS WINNINGS DEPARTMENT.


If you are the correct owner of this email address then be glad this  day as the result of the UK lotto online e-mail address free-ticket winning draws of 1st December 2009 held in Bangkok Thailand has just been released and we are glad to announce to you that your email address won you the sweeptakes in the  first category and you are entitled to claim the sum of US$4.6Million

Your email address was entered for the online draw on this Ticket  Number: GFEKALDHE749KE and won on this Lucky Number: 849YA39GHMWQ

 You are  to contact Mr.Martin Lee on the below email address for quick  delivery of your won cheque of US$4.6M. Know that all winners cheque are certified cashiers  and when delivered and received by you, you can cash it in any bank of  any country. To enable Mr. Martin Lee ascertain you as the rightful winner and receiver of the $4.6Million cheque, MAKE SURE you include  the below listed information in your contact mail to him.Your country of origin and country of residence/work, complete official  names, amount won, free ticket and lucky numbers, date of draw, address where your wish to receive your winnings cheque, contact telephone and mobile numbers. OPTIONAL :- [Sex, age, occupation and job title].
 
Mr. Martin Lee
Email-Address:martinlee_1966@yahoo.co.jp 
 
Just incase you are thinking of how you won without entering then know again that this very draw of the UK Lottery Organization in which you  have emerged as a winner was a free ticket online email address draws where thousands of email addresses was collected from almost all world wide websites and used for the online draws/sweeptakes and during winners selection your email address came out among the first ten which won  you the lottery in the first winnings category and entitles you to claim the cheque of $4,600,000.

From:Ambrose Michael
Online Winning Notification Department

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 18:47:56 2009
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From: "David Saganey" <david.saganey@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: For Sale: Lexicon Jamman (Mint!)
Date: Sun, 13 Dec 2009 13:47:49 -0500
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This MINT condition Lexicon Jamman has been sitting in a rack (unused) for
over a decade!   

 

It has the 32 second memory upgrade, and Bob Sellon's Special software
installed. 

 

Included: 

(1) Power Transformer

(2) Original Footswitches

(2) Footswitch Cables

 

$400 Firm

 


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<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>This MINT condition Lexicon Jamman has been sitting =
in a rack
(unused) for over a decade! &nbsp;&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>It has the 32 second memory upgrade, and Bob
Sellon&#8217;s Special software installed. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>Included: <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(1) Power Transformer<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Original =
Footswitches<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Footswitch Cables<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>$400 Firm<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

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</body>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 19:54:45 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (looping technology or artform)
Date: Sun, 13 Dec 2009 16:54:17 -0300
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I am overwhelmed by all the posts about my question!
It brought up very different aspects, so I will try to split them up a  
bit...

On 12 Dec 2009, at 18:39, Zoe Keating wrote:

> i still think of looping as a technical term. interesting to those  
> of us who care about technical things.

this amazes me.
your music would not be done in any other way, would it?
to hear many layers of the same instrument and the same player with  
the same expression is an experience that goes far beyond technology.
Don't you think listeners are fascinated by such sound clusters?

and musicians are driven into very different inspiration channels by  
looping!
Don't you think a public could be able to understand this and search  
for it?

so back to my question, I might reformulate:
can we show in a a short video collection what the fascination about  
livelooping is?
Did we even try?

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 19:59:15 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (attractive artists)
Date: Sun, 13 Dec 2009 16:58:48 -0300
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>>> If you really wanted him to play, then why not simply invite
>>> him? ...only costs you an email.
>> Why not? Always look on the bright site of life isn't it? It's worth
>> trying and it would be fantastic if someone of his level would attend
>> a loopfest.
>> ---
>
> Indeed, I very much enjoyed his Norwich Cathedral set, however
> I don't think he's a good promoter of live looping to the general  
> public,
> nobody likes his synth sounds, he *only* does ambient washes,
> and he doesn't bring a big crowd.
>
> I'm at a loss to suggest a high profile live looper though,
> maybe Eberhard Weber(who would get audience) or Theo Travis.
> andy

I agree that Fripp is not amongst the most attractive

the youtube number of views certainly are not an accurate way to  
measure popularity, mainly because some artists don't care to appear  
on youtube while others make a huge effort to become popular. Also,  
older pieces have more views naturally. But since the views go from  
some hundred (for guys like me and most of this list) up to millions,  
let me list the ones above 30'000 (this may also be distorted because  
the same artist may have another video with more views):

As expected, the most popular do Songs:

Battles: 		2 million
	http://www.youtube.com/watch?v=IpGp-22t0lU&feature=PlayList&p=D86300BF0EADBCDF&index=0
Imogen Heap 	1,7 million
	http://www.youtube.com/watch?v=25VGdNU3nrU&feature=PlayList&p=D86300BF0EADBCDF&index=1
Theresa Andersen 1million	(swedish singer)
	http://www.youtube.com/watch?v=n2eD4GcLohE&feature=PlayList&p=D86300BF0EADBCDF&index=3
Beardyman	600'000	(beat boxing)
	http://www.youtube.com/watch?v=6fC65sy9tzY&feature=PlayList&p=D86300BF0EADBCDF&index=2
Andrew Bird	450'000	(romantic violin and voice)
	http://www.youtube.com/watch?v=wRk2iHkOcNE&feature=PlayList&p=D86300BF0EADBCDF&index=4
Final Fantasy	300'000
	http://www.youtube.com/watch?v=0O_yyEA72HE&feature=PlayList&p=D86300BF0EADBCDF&index=5
Phil Keagy		250'000	
	http://www.youtube.com/watch?v=nV3bLZLpqTQ&feature=PlayList&p=D86300BF0EADBCDF&index=17
Juana Molina 	80'000
	http://www.youtube.com/watch?v=Pia0JCQCcjs&feature=PlayList&p=9378D88E0A15B929&index=7
Reyn			70'000 (one man band)
	http://www.youtube.com/watch?v=v8UBY8Yj9c0&feature=PlayList&p=8DA227728ABEC508&index=0
Mich Gerber	60'000 (a swiss friend of mine and early adopter of Loop  
Delay!)
	http://www.youtube.com/watch?v=bA1srd_bczs&feature=PlayList&p=D86300BF0EADBCDF&index=7
Mal Web		40'000	(australian humorous voice)
	http://www.youtube.com/watch?v=7dgHebJTfho&feature=PlayList&p=A800DAE39E17995E&index=10
Kid Beyond	30'000	(beat boxing)
	http://www.youtube.com/watch?v=nVusmB-iMEA&feature=PlayList&p=A800DAE39E17995E&index=7

but we also have popular instrumentalists, interestingly the violin on  
top:

(Phil Keagy		320'000 (ebow tutorial, does not count maybe?)
	http://www.youtube.com/watch?v=wwq0i6jP7dQ&feature=PlayList&p=0FBA7B60562CF034&index=3)
Stephanie Valentin	250'000	(traditional violin)
	http://www.youtube.com/watch?v=CN2JTPvWN0s&feature=PlayList&p=0FBA7B60562CF034&index=2
Mathieu Schneider 	220'000	(playing Piazzolla on flute)
	http://www.youtube.com/watch?v=HtMMc4DNIZ8&feature=PlayList&p=0FBA7B60562CF034&index=17
Ritsu				 215'000 (playing Hendrix on violin, has been on LD)
	http://www.youtube.com/watch?v=aqMY_s-SxW0&feature=PlayList&p=0FBA7B60562CF034&index=7
Matthias Loibner 	 170'000 (amazing instrument and Mobius setup, he  
played LiveLooping Festivals!)
	http://www.youtube.com/watch?v=oZKQf-JIvRU&feature=PlayList&p=0FBA7B60562CF034&index=8
Keller Wiliams		140'000	(amazing guitar, looping less important)
	http://www.youtube.com/watch?v=dMONzLf8VvA&feature=PlayList&p=8DA227728ABEC508&index=18
Zoe Keating 		62'000	(yeah!)
	http://www.youtube.com/watch?v=rJiybW81mXA&feature=PlayList&p=0FBA7B60562CF034&index=9
Tilmann Dehnhards	42'000 (german flute soloist)
	http://www.youtube.com/watch?v=BiqPn3d_dKM&feature=PlayList&p=0FBA7B60562CF034&index=14
Dosh				38'000	(unique keyboard and drum music)
	http://www.youtube.com/watch?v=E3CGWOw9LHI&feature=PlayList&p=0FBA7B60562CF034&index=38
Matthew Schoening  33'000	(Cello)
	http://www.youtube.com/watch?v=3QEE2HzYbPQ&feature=PlayList&p=0FBA7B60562CF034&index=18

genious players like Eberhard Weber, Arild Anderson, Genie, Bill  
Walker... dont make it to this list :-(


This one made success by being funny and educative. I met Linsey here  
in Brasil and maintain contact, he is a marvelous and wise creator of  
events and instruments and music and education methods! :
Linsey Pollak 	400'000
	http://www.youtube.com/watch?v=LWbj7FYEi3M&feature=PlayList&p=CC3807AD49DD9830&index=0


some tutorials reach very high numbers as well, but I dont list them,  
because we talk about music here.
For example our friend Steve Lawson reaches 33'000 with a tutorial,  
while his pieces are way below and some Roland tutorials are far more  
popular even :-(
	
Robert Fripp reached 190'000 with a video that is not available any  
more.

It took me 2 hours to do this, but I also rearranged the site and had  
my insights...

So what do you say?
do these numbers mean anything?
why has almost none of these guys ever played on a festival?
some of them did appear on this mailing list...

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Subject: Re: What public is attracted by a Y2K Sampler Video? (one man band, no style)
Date: Sun, 13 Dec 2009 17:08:25 -0300
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I think its a good idea to give a theme to a festival.
Jazz is almost as versatile as LiveLooping is. A Jazz festival usually  
needs a further direction/definition, too.

I completely disagree about the One Man Band definition for  
LiveLooping though: Even though it may be more understandable, its not  
very attractive. I think its the artistically least interesting and  
most economical aspect of LiveLooping: * manage to do the same cheaper  
as a bigger band would do better *.
To equal LiveLooping and One Man Band kills what sounds unique with  
LiveLooping and disrespects what all the musicians playing just one or  
two instruments discovered with LiveLooping!

On 12 Dec 2009, at 14:33, E Gross wrote:

> Just an idea, if getting an audience is the goal, how about concerts/ 
> festivals based around a theme, for example the "Christmas Looping  
> Extravaganza". Performers would then be required to perform  
> Christmas-themed music, something which has the possibility to draw  
> in a crowd. Then it is up to the performance to hold the crowds  
> interest. There is nothing I like more than mangling Jingle Bells  
> with a 20 minute noise wash -- tastefully done, of course   ;)
>
> Themes could be shortened to "Christmas Concert"; "Spring  
> Celebration", "WinterFest", "Halloween Scary Music Blowout" (this  
> one would probably be the easiest to play at for most LDers),  
> etc.....no need to specify looping in the headline, as most people  
> have no idea what that is anyway. In the US at least, the term "One  
> Man Band" would be more understandable by the general public.
>
> Eric
> (grossloops)
>
>

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Subject: Re: What public is attracted by a Y2K Sampler Video? (LiveLooping Tag)
Date: Sun, 13 Dec 2009 17:28:39 -0300
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On 12 Dec 2009, at 19:11, George Ludwig wrote:

> Zoe, I couldn't agree more. I like the idea of looping festivals  
> etc., but were I to run one, I would not bill it as a looping  
> festival. I would find some other theme, and then book appropriate  
> looping artists. The whole looping tag would be a secondary detail,  
> nothing more. Something journalists could write about.

thats not a detail! To promote something you mainly need a hook for  
the journalists!
>
> As a consumer of music, I could care about looping about as much as  
> I care about a guitarists choice of picks.

the public will never hear what pick you use, nor whether you play an  
original american guitar or a chinese copy, thats only for the players  
comfort (same goes for most amp, effect... gear) - which then may  
result in a feeling and indirectly perceived by the public...
very different with looping: its obvious, it calls attention, it  
sounds different!

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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sun, 13 Dec 2009 17:33:54 -0300
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On 13 Dec 2009, at 05:06, andy butler wrote:

> Zoe Keating wrote:
>
>> i still think of looping as a technical term.
>
> like "cello"
>

I bet for the public, looped or not looped sounds more different than  
cello or violin

in other words: looped cello music sounds more similar to looped  
violin than to not looped cello

:-)

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Subject: RE: public response to looping 
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When ever I do a public or private performance, even in a background/  
sonic wall paper situation, like a wedding dinner, I invariably get  
approached by the person or persons who are really listening above the  
din of conversation and silver and china tinkling.  In all cases they  
are drawn to the music first, but they do show interest in the tools  
as well, particularly if I'm using a looping technique that does  
something dramatic, like change the track speed or reverse the track,  
or they simply notice that there is a lot of music coming out of one  
person. I'm more than happy to oblige them by explaining what's going  
on. And sometimes they actually act interested :-)    I think we all  
get caught up to some degree in trying to figure out how to describe  
what we do to non musicians, particularly if we are eclectic in our  
approach and use the technology to create music in a way that couldn't  
be rendered without it.  I'm certainly wrestling with how to market  
myself in this brave new world.  Any feedback would be welcome because  
I haven't a clue!  I've gotten a lot out of the Looping festivals year  
in and year out and wether they are  ready for prime time mass appeal  
or not, they are certainly interesting and enriching for me, even if  
its an insider event. I like to think we are on the cutting edge of  
new musical possibilities even at the risk of sounding like a wind  
bag.  Live Looping has really expanded my palette, and options as a  
solo performer. I'm pretty tethered to it at this point in some form  
or another, which is not to say I don't still enjoy playing in a group  
situation, or playing solo sans looper, I'm doing that as much as I  
ever have.  I'm not uncomfortable with the term live looper, but as it  
has been pointed out, it doesn't really tell the public at large  
what's going on without further explanation, and it certainly doesn't  
explain what I'm about musically.  Getting back to Matthias' original  
topic about whether or not a video such as the one Jim posted on  
Youtube would serve to draw people in., I would say maybe not as much  
as a well performed and recorded performance of someone playing a  
whole tune, but who really knows????.  Snippets of a variety of  
performers are cool, but you do run the risk of capturing a moment of  
music out of context,  .. , a paragraph  rather than the whole  
book, .I'm personally making a point to upgrade the production values  
of the stuff I put out on Youtube. lets face it, there is a lot of  
stuff out there, including some of my own stuff,  with poor sound  
quality and weird camera angles which in itself isn't bad per se, just  
not very captivating. I'm quite flattered that someone would take  
photos or video of my performance,  but not always crazy about it  
popping up on youtube. There is one of me from an afternoon gig a few  
years ago played in 90 degree heat,  where the camera seems to be  
placed at the back of the hall of a local college. Lets just say that  
footage hasn't exactly gone viral :-)
Bill

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Subject: Re: What public is attracted by a Y2K Sampler Video? (one man band, 
	no style)
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On 12 Dec 2009, at 14:33, E Gross wrote:
>> .no need to specify looping in the headline, as most people have no idea
>> what that is anyway. In the US at least, the term "One Man Band" would be
>> more understandable by the general public.

Might be so, but my guess is that it would keep people away rather
than attracting an audience - because nothing can beat a band when it
comes to sounding like a band.

"Cello Cloning", as when one single instrument is used to drive
looping gear, would be more attractive then, I guess.

Then we also have the kind of live looping where the looping take the
role of a music instrument and I think this can attract some public
curiosity. The resulting music may sound very different compared to
what the live source instrument normally sounds like. In this context
"improvisation" can become "instant composing" since the improvising
loopist is not only reacting to sound in the moment but also
manipulating looping based sound processing and the building of longer
musical structures.

To repeat, I see three main ways "live looping" can be interpreted:
1. As a "One Man Band".
2. To clone an instrument.
3. As a (meta) instrument.

If going public (talking to media etc) it's good to know where on this
list ones activities are to be placed.

pboy

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Subject: Re: What public is attracted by a Y2K Sampler Video? (antipaganda)
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Date: Sun, 13 Dec 2009 18:51:46 -0300
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Its interesting that I did not read any doubt, not the slightest  
thought, that a non pleasant recording can harm a brand or festival or  
musicians name.
I know they say that bad propaganda is better than none, but I imagine  
that someone can simply turn away and not look at a subject any more  
just because the first experience was not enjoyed/understood.
This happens easily when picking sentences out of o speech or sound  
sample out of a trance experience.

Let me start with an example of my own experience:

I have mainly been playing with non musicians in a group of up to 25  
improvising happy noise making people.
It worked amazingly well! For those who did it regularly, it was like  
a spiritual shower, leaving us fresh and optimistic, with a different  
body feeling and so on, while others came the first time and in the  
end had a huge smile on the face, saying: "I did not know I was able  
to play music!"
but:
I never recorded that music. Many asked me to, but in the middle of  
the trance I sometimes put my daily ears back on, just to realize that  
we were mostly making noise, out of tune, boring... so I did not want  
to disappoint anyone about it and left the great impression we had  
when the REAL energy was flowing and bringing us together, which is  
the essence, much more important than the recording.

I then learned from it, that with solo looping I went through a  
similar process. I liked my first recordings and the trance went on  
all day while designing the looping tools, I did not care/notice that  
my friends did not like the recordings so much.
Doing it live, I sometimes managed to spread the trance over some  
public and they became fascinated. After years even over a bigger  
public. Then, finally, a few people went off with my recordings - also  
because I carefully edited them all, taking out wrong notes, boring  
parts, and more and more the "experimental" parts, too, observing that  
the fans did not like them (a big advantage of selling cassette tapes:  
you can visit a client and look where he stopped your music :-)
But after all those years of free music of mine on the net and a CD on  
CD baby and what not, the word of mouth is still not spreading my  
music - because its not good enough!

So:
there is a very long way from serious trance producing art to  
something that people actually buy.
we have been talking a lot about commercial music and how bad it is  
and how successful musicians have to bend...
I see it different now:
don't bend your personality, play your real trance thing, but so well  
that people can understand and follow it, even if they are not in a  
room with you!
or accept that it only works live
or only with a few friends
or only by yourself
BUT: enjoy that it DOES work, its an amazing gift to be able to  
produce your own trance !!

(I am using "trance" in a more open way, following http://trance.org)


back to the y2k video:
it probably brings back the trance to those who were in it there at  
the venue.
it may give some little sparks to people who understand about music
but I suspect that the other 99% of the listeners have no chance to  
get into the trance and for them it sounds bad and crazy and looks  
like there was no public and the musicians did not shine...
...and to some, the video may confirm that they are not interested in  
LiveLooping.
And thats why I think its worth the effort to be self critical and se  
whether I am totally exaggerating here. :-)

[ careful: politeness does not allow anyone to say he does not like  
your music. even good friends and very honest people usually lie in  
this situation, so create your own criteria to judge whether what you  
do really helps the others. ]

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Per Boysen said:
> To repeat, I see three main ways "live looping" can be interpreted:
> 1. As a "One Man Band".
> 2. To clone an instrument.
> 3. As a (meta) instrument.
>   
Then, there's other possibilities:
4. a DJ/dance music producer, who fires up loops he cut from vintage 
records and does this in front of an audience.
5. repetitive music forms played "normally" (e.g. minimal music)
6. an artiste riding on a monowheel through a looping while playing an 
instrument
7. any other weird ideas none of us educated people might ever have.

Still, I don't believe it matters to the audience if you do looping or 
not. They are interested mostly in specific styles, or in specific 
artists and artists similar to them. To stay with my ridiculous example, 
somebody who goes to a looping event because he believes it's choice 6 
above couldn't care less if the performers actually did "live 
corkscrewing" or "live flaminghooping".

Let's take something similar as an example (and this goes away from 
Per's line of thought, and more to Sjaak's): a "DJ festival". Similar 
thing: some acts put together and what they share is the use of 
turntables (or today, not even those anymore). Google a little bit, and 
you'll find that the vast majority of those events feature more or less 
exhaustive subtitles, e.g.: "Hungarian Electronic Music DJ Festival" - 
"Summer DJ Festival ZÃ¼rich - Douse, Deep-House, Tech-House 
Progressive-House, Balkan-House Latin-House" - "DJ Festival @ 
afrofestivals" etc.
So you definitely can choose the right festival based on the music style 
(although the Zurich event seems to feature a huge diversity of styles ;).

           Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 22:36:54 2009
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From: Zoe Keating <info@zoekeating.com>
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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sun, 13 Dec 2009 14:12:07 -0800
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both my cellos, Ariege and Sebastian, insisted that i respond to this.  
(um, if anything, i am their tool)

a looping tool does nothing for me but record and repeat.  i can have  
all the looping gear in the world, but it will just record and repeat  
silence until i actually play music into it. when you say "cello" to  
someone, it conjures up an image of specific tonal, musical and even  
emotive characteristics. what analogous characteristics does "ableton  
live" conjure up in my mind? nothing. its a blank canvas. if all the  
electricity disappeared tomorrow, i could still perform, but i'd have  
to hire 8+ cellists to play the music (which is actually how looping  
started for me, i couldn't find enough cellists).

i know there are a lot of people on this list who do things  
differently: you might make a piece by manipulating static, or like  
tim exile use a single sample of a person crunching a potato chip.  
some of you play my definition of a musical instrument and also play  
your loopers like an instruments. in those cases your looper is an  
instrument and i totally respect it. but i think of it as a whole  
other world.

(p.s. interestingly, cello music, does seem to be a genre. people find  
me for projects because they go on iTunes seeking "cello music" for  
their ballets or films. i've wanted to drop the "one cello x 16" label  
from my next album, but so many people find new music by searching for  
the word "cello" that i feel like i need to leave it on there)


On Dec 13, 2009, at 12:16 AM, doc rossi wrote:

> Instruments, software, hardware all fall into the category of  
> "tools", so one can think of them as technical terms, and maybe a  
> technique like looping, which combines all three, is also really a  
> technical term. Maybe "Live Looping" is also a musical genre, but if  
> it is, not too many people know about it or what it is - I think a  
> lot of people would look for some other label, like Ambient, or Trip  
> Hop or whatever. I use looping within traditional music, or folk or  
> ethnic or whatever the devil you might want to call it, so for me  
> looping describes a technique rather than a genre.
>
> On Dec 13, 2009, at 9:06 AM, andy butler wrote:
>
>>
>>
>> Zoe Keating wrote:
>>
>>> i still think of looping as a technical term.
>>
>> like "cello"
>>
>

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Date: Sun, 13 Dec 2009 23:28:00 +0100
From: Florian Anwander <fanwander@mnet-online.de>
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Subject: Who was the german distributor of electrix?
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Hi,

does anyone know, who distributed electrix gear (vulgo the repeater) in 
Germany?
I am looking for a service manual, so I hope, the former distributor 
still might have a copy.

Florian

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 22:39:32 2009
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From: Zoe Keating <info@zoekeating.com>
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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Sun, 13 Dec 2009 14:27:21 -0800
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <4B24A06E.3080500@tiscali.co.uk> <8945DE77-B24C-415D-A2DA-8E2AA77438D2@gmail.com> <4B24DB3A.4030406@tiscali.co.uk> <5FFC2507-B028-4284-872E-9FD932133B14@gmail.com> <66f9cc1e0912130520u30386dd0n6d15a6a4164117da@mail.gmail.com>
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That reminds me of one of the worst gigs I've ever had.

It was a festival style gig where you have to setup your gear right  
before you play (as opposed to what i think of as a normal gig:  
soundcheck, leave gear setup onstage for a few hours, perform later)

I hardly get nervous performing anymore, but I do get nervous setting  
up my equipment while a silent audience stares at me. At this gig  
there was a clueless presenter who I'd never seen before, and she had  
no idea what I did. She thought I'd just waltz on and start playing  
the cello and didn't get the memo that I needed to setup my gear. She  
stayed onstage chattering inanely with the audience, who rather than  
talking amongst themselves, looked up at her and I expectantly.

With shaky hands I frantically connected everything. I was almost  
ready to go, and starting up my computer.

The presenter (who the whole time kept asking every 30 seconds into  
the microphone, "are you ready yet?") then said...

"this lady, Zo" (she mispronounced my name) ...."will play you some  
beautiful cello music just as soon as she's finished checking her email"

I almost walked off!

I think the gig was probably alright, but I was so steamed that I  
don't remember any of it. I played for the minimum amount of time,  
collected my payment and left immediately.



On Dec 13, 2009, at 5:20 AM, Per Boysen wrote:

> On Sun, Dec 13, 2009 at 2:11 PM, doc rossi <docittern@gmail.com>  
> wrote:
>> "As long as you're not staring at your feet or the laptop the whole  
>> time, it
>> should be fine,"
>
>
> That was a fun story! I've spotted "shoe gazing" in some genre
> listings but not "mail checking".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 23:04:46 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (one man band, no style)
Date: Sun, 13 Dec 2009 14:57:13 -0800
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OMG i'm breaking one of my own rules:

#51 never get involved in looping "philosophy" debates on loopers  
delight


i'm stopping now. my bad.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 23:11:30 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (looping technology or artform)
Date: Sun, 13 Dec 2009 14:51:00 -0800
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it would sound different because its not me, but an ensemble of  
cellists could easily play my music. no electricity needed. i've  
already heard 2 groups do it.

i also know of two high profile cellists who perform music with pre- 
recorded cello tracks and them solo'ing in front. (i.e. no live looping)

most people think that we all do the same thing (including their  
publicists). it irritates me, but tells me that its not the live  
looping that people are hearing.



On Dec 13, 2009, at 11:54 AM, Matthias Grob wrote:

> your music would not be done in any other way, would it?

From Loopers-Delight-request@loopers-delight.com  Sun Dec 13 23:58:19 2009
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From: doc rossi <docittern@gmail.com>
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Subject: Re: What public is attracted by a Y2K Sampler Video?
Date: Mon, 14 Dec 2009 00:57:46 +0100
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <4B24A06E.3080500@tiscali.co.uk> <8945DE77-B24C-415D-A2DA-8E2AA77438D2@gmail.com> <4B24DB3A.4030406@tiscali.co.uk> <5FFC2507-B028-4284-872E-9FD932133B14@gmail.com> <66f9cc1e0912130520u30386dd0n6d15a6a4164117da@mail.gmail.com> <5A25D177-1732-45B7-BF28-70E4170AEF75@zoekeating.com>
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That's hilarious

On Dec 13, 2009, at 11:27 PM, Zoe Keating wrote:

> That reminds me of one of the worst gigs I've ever had.
>
> It was a festival style gig where you have to setup your gear right  
> before you play (as opposed to what i think of as a normal gig:  
> soundcheck, leave gear setup onstage for a few hours, perform later)
>
> I hardly get nervous performing anymore, but I do get nervous  
> setting up my equipment while a silent audience stares at me. At  
> this gig there was a clueless presenter who I'd never seen before,  
> and she had no idea what I did. She thought I'd just waltz on and  
> start playing the cello and didn't get the memo that I needed to  
> setup my gear. She stayed onstage chattering inanely with the  
> audience, who rather than talking amongst themselves, looked up at  
> her and I expectantly.
>
> With shaky hands I frantically connected everything. I was almost  
> ready to go, and starting up my computer.
>
> The presenter (who the whole time kept asking every 30 seconds into  
> the microphone, "are you ready yet?") then said...
>
> "this lady, Zo" (she mispronounced my name) ...."will play you some  
> beautiful cello music just as soon as she's finished checking her  
> email"
>
> I almost walked off!
>
> I think the gig was probably alright, but I was so steamed that I  
> don't remember any of it. I played for the minimum amount of time,  
> collected my payment and left immediately.
>
>
>
> On Dec 13, 2009, at 5:20 AM, Per Boysen wrote:
>
>> On Sun, Dec 13, 2009 at 2:11 PM, doc rossi <docittern@gmail.com>  
>> wrote:
>>> "As long as you're not staring at your feet or the laptop the  
>>> whole time, it
>>> should be fine,"
>>
>>
>> That was a fun story! I've spotted "shoe gazing" in some genre
>> listings but not "mail checking".
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 00:49:26 2009
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Subject: Re: What public is attracted by a Y2
Date: Sun, 13 Dec 2009 16:49:19 -0800
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>> "the youtube number of views certainly are not an accurate way to  
>> measure popularity, mainly because some artists don't care to  
>> appear on youtube while others make a huge effort to become  
>> popular. Also, older pieces have more views naturally. But since  
>> the views go from some hundred (for guys like me and most of this  
>> list) up to millions, let me list the ones above 30'000 (this may  
>> also be distorted because the same artist may have another video  
>> with more views):

  My tutorials on the  Line 6 M-13  that were were  recorded in one  
session and posted by my friend Jason Gellis have nearly crested   
10,000 hits  Woo Hoo! Let the money roll in..............
with 9838 hits for this one
http://www.youtube.com/watch?v=_9b1CFpMumM&feature=related
5498 hits for this one,
  http://www.youtube.com/watch?v=O4rRF-989Qw&feature=related,
4599 hits for this one where I miss pronounce the word abstract,  
sheesh...
http://www.youtube.com/watch?v=DLory1tkueI&feature=related
4105 hits for this one
http://www.youtube.com/watch?v=Qsy3LHTaoBQ&feature=related
only 1308 hits for this one where I talk about using track speed  
toggling to create odd meters
http://www.youtube.com/watch?v=UDhSu6HgKhM&feature=related
and a comparatively low 2496 hits for this one which is the only one  
where i"m playing a longer improv with lots of looperlative looping.
http://www.youtube.com/watch?v=Zz47SBYcxgs&feature=related
   there are other M-13 demos that have far more hits than mine do but  
I think that may well have to do with the nature of those demos like  
the guy demoing  U2 songs or stuff from Line 6's in house guys or  
guitar rag journalists. The fact that the one with the most playing on  
it has nearly the fewest hits doesn't surprise me at all, as Jason  
labeled it "An original composition by Bill Walker" whereas the other  
videos have the words Line 6, and M-13 in them making them more  
accessible to search. Which gets me to wondering if the next time I  
post to youtubeI would help my search chances by listing popular brand  
names , or the names of who every is at the center of fame and  
controversy at the moment.  Be on the look out for my next youtube  
song  release intitled "Tiger Woods Sex Scandal caught on I- 
Phone"!!!!!!!  As it stands, anyone calling up the name  Bill Walker  
on You Tube is more likely to see tons of highlight footage of a  
former College turned NBA basketball star Bill Walker  taking it to  
the house.  but if you add up  the hits from all 6 sessions,  it adds  
up to 27,844 hits, not that I'm keeping score or anything, but watch  
your backs Keating, and Lawson............ I'm closing in on you.....

Bill
  

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 03:47:45 2009
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Date: Sun, 13 Dec 2009 19:47:39 -0800
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hey Paul I just responded to an e-mail you sent me off list that got  
rejected for spamming, would you check and see if my response wound up  
in your spam folder?
  Thanks
  Bill

From bill.nicholson@mail.com  Mon Dec 14 07:09:54 2009
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Reply-To: <mr.crisjames1@gmail.com>
From: "Mr.Bill Nicholson."<bill.nicholson@mail.com>
Subject: Urgent Mail From FBI.
Date: Mon, 14 Dec 2009 02:07:38 +0100
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Anti-Terrorist And Monetory Crimes Division
FBI Headquarters In Washington, D.C.
Federal Bureau Of Investigation
J. Edgar Hoover Building
Washington, D.C. 20535-0001
Telephone:206-905-9145

ATTN: BENEFICIARY

This is to Officially inform you that it has come to our notice and we have thoroughly completed an Investigation with 

the help of our Intelligence Monitoring Network System that you legally won the sum of $800,000.00 USD from a Lottery 

Company outside the United States of America. During our investigation we discovered that your e-mail won the money 

from an Online Balloting System and we have authorized this winning to be paid to you via a Certified Cashier's Check 

or by wire transfer.


Normally, it will take up to 10 business days for an International Check to be cashed by your local bank. We have 

successfully notified this company on your behalf that funds are to be drawn from a registered bank within your country 

and so as to enable you cash the check instantly without any delay, henceforth the stated amount of $800,000.00 USD has 

been deposited with Natwest Bank Plc London.


We have completed this investigation and you are hereby approved to receive the winning prize as we have verified the 

entire transaction to be Safe and 100% risk free, due to the fact that the funds have been deposited at Natwest Bank 

Plc London you will be required to settle the following bills directly to the Lottery Agent in-charge of this 

transaction whom is located in Uk,London. According to our discoveries, you were required to pay for the following -


(1) Deposit Fee's ( Fee's paid by the company for the deposit into London Bank which is - Natwest Bank Plc London )
(2) Cashier's Check Conversion Fee ( Fee for converting the Wire Transfer payment into a Certified Cashier's Check )
(3) Shipping Fee's ( This is the charge for shipping the Cashier's Check to your home address )


In order to proceed with this transaction, you will be required to contact the agent in-charge ( Mr. Cris James ) via 

e-mail. Kindly look below to find appropriate contact information:


CONTACT AGENT NAME: MR. CRIS JAMES

E-MAIL ADDRESS: mr.crisjames1@gmail.com
PHONE NUMBER: +447011121135


You will be required to e-mail him with the following information:

FULL NAME:
ADDRESS:
CITY:
STATE:
COUNTRY:
ZIP CODE:
DIRECT CONTACT NUMBER:

You will also be required to request Western Union details on how to send the required $675.00 USD in order to 

immediately ship your prize of 800,000.00 USD via Certified Cashier's Check drawn from Natwest Bank Plc London, also 

include the following transaction code in order for him to immediately identify this transaction : EA2948-910.

This letter will serve as proof that the Federal Bureau Of Investigation is authorizing you to pay the required $675.00 

ONLY to Mr. Cris James via information in which he shall send to you.


Mr. Bill Nicholson
Special Agent.
Federal Bureau Of Investigation
J. Edgar Hoover Building
Washington DC FBI.

NOTE: In order to ensure your check gets delivered to you ASAP, you are advised to immediately contact Mr. Cris James 

via contact information provided above and make the required payment of $675.00 to information in which he shall 

provide to you.

From anonymous@tina.netpivotal.com  Mon Dec 14 07:21:46 2009
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To: looparc@loopers-delight.com
Subject: Christmas Discount up to 40%
From: eBay Discounts <eBay@discouts.com>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 09:06:47 2009
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References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>
	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>
	 <4B23AAB8.4090907@googlemail.com>
	 <734753.73445.qm@web45907.mail.sp1.yahoo.com>
	 <7F561197-BFEA-474A-9947-8287D3243196@gmail.com>
	 <66f9cc1e0912131338u4fd25224q28eef3491c037a8a@mail.gmail.com>
Date: Mon, 14 Dec 2009 10:06:46 +0100
Message-ID: <e89a49d30912140106u5f827802waa6a7c60ea1d19b1@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video? (one man band, 
	no style)
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
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On Sun, Dec 13, 2009 at 10:38 PM, Per Boysen <perboysen@gmail.com> wrote:
> To repeat, I see three main ways "live looping" can be interpreted:
> 1. As a "One Man Band".
> 2. To clone an instrument.
> 3. As a (meta) instrument.
>
> If going public (talking to media etc) it's good to know where on this
> list ones activities are to be placed.

Per,
That's a good way to categorize it.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 09:10:09 2009
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References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>
	 <4B2398EE.9030201@tiscali.co.uk>
	 <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com>
	 <4B24A06E.3080500@tiscali.co.uk>
	 <8945DE77-B24C-415D-A2DA-8E2AA77438D2@gmail.com>
	 <4B24DB3A.4030406@tiscali.co.uk>
	 <5FFC2507-B028-4284-872E-9FD932133B14@gmail.com>
	 <66f9cc1e0912130520u30386dd0n6d15a6a4164117da@mail.gmail.com>
	 <5A25D177-1732-45B7-BF28-70E4170AEF75@zoekeating.com>
	 <4F7FB528-1B73-4FDC-8583-A32740C82209@gmail.com>
Date: Mon, 14 Dec 2009 10:10:08 +0100
Message-ID: <66f9cc1e0912140110k7d1ff065t1b638c74e76f9c5c@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=UTF-8
Resent-Message-ID: <0png3C.A.DcF.wDgJLB@arsenic>
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On Mon, Dec 14, 2009 at 12:57 AM, doc rossi <docittern@gmail.com> wrote:
> That's hilarious
>
> On Dec 13, 2009, at 11:27 PM, Zoe Keating wrote:
///
>> "this lady, Zo" (she mispronounced my name) ...."will play you some
>> beautiful cello music just as soon as she's finished checking her email"
>>
>> I almost walked off!


I was in a quartet that got booked to play before a big handball cup
and we were advised to set up instruments on the floor right in the
playing field. What the sports cup admin had not thought about was
that the handball players were to come in and "warm up" their goal
keepers during our concert. As usual at handball warm-ups they use
many dozen of balls and the awesome goal keepers punched them off
these balls came raining over us and the instruments. We had to stop
playing immediately and save our gear starting with the most expensive
stuff.

Another time I played with a seven piece band by an indoors swimming
pool for a swimming audience. The slap-back echo in there was badder
than a 1962 German Sci-Fi, causing severe musical timing
deterioration... YOu had to watch your band mates hands-on-instruments
closely to be able to tell original playing from the echo. I felt
sorry for the poor bastards in the water; an armada of floating heads
with ruined haircuts. When someone panicked and followed the healthy
impulse to cover ears with hands the act just made that head dip down
under the water only to come back for a new chock when listening the
noise through ears filled with gulping water. In this situation of
outstanding comic potential NO ONE WAS LAUGHING! ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 10:37:16 2009
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	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>
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Date: Mon, 14 Dec 2009 11:37:14 +0100
Message-ID: <e89a49d30912140237n652d9938g96c23aecab2089fa@mail.gmail.com>
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 12, 2009 at 3:16 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> So if the problem is organizing a festival and playing yourself at the same
> time, why not simply don't play and only organize, instead of reducing the
> number of artists?

I could of course organize a bigger event with 10 or more artists but
I prefer to organize a festival where quality plays an important role.
That's of course subjective, but I believe more in quality than in
quantity. Also, the venue we hire is a professional and well known
theatre, and you can't hire it for free. This venue has the benefit
that's it's located in the middle of the old city centre and that's a
lot more attractive than playing in an old shed in my own home town
;-) Anyway, organizing an event the way I do it simply requires a
budget, and that automatically has an impact on the number of artists
you can invite.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 11:41:16 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (antipaganda)
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Matthias Grob wrote:

>  (a big advantage of selling cassette tapes: you can visit 
> a client and look where he stopped your music :-)

If your online stats have bandwidth for the files you can
tell if many listened to the end.



andy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 11:58:53 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: I just made some requests for Line 6 M9 updates
Date: Mon, 14 Dec 2009 11:56:59 +0000
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--_75632a46-23d2-4675-8b0e-140b4e548c26_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


Hi all=2C

I dont know how many of you=2C if any use or own the Line 6 M9=2C I have ju=
st got mine to begin developing a set that I am capable of perfroming at ne=
w years loopstock on it ( I could never afford to bring my 3 echoplexs plus=
 stupid amounts of fx to the states!!)

the M9 is simply stunning as a technological feat=2C to put so many top qua=
lity sounds in one small box and then nail a useable looper too is just mag=
nificent.

however as the kind of person I am=2C I do see a few things that Im sure th=
e M9 is capable of but isnt yet doing=2C on of which is variable feedback a=
nd the other is kind of a Multiply command by using one of the delay models=
 as a "delay hold" style sub looper to get a short rhythem going before eng=
aging the main looper for recording this short sub loop AND longer passages=
 such as your main chords.

the thread is here...

http://line6.com/community/thread/24588


I am REALLY keen on getting this update made=2C Line 6 support their produc=
ts fantastically and marketing wise if they could do this=2C they would be =
the first cheap floorbased looper to do so and Im sure it would earnthem pr=
ise amongst us=20

I would love anyone who is on the Line 6 forums and feels they can support =
this cause to add their agreement to my post to try and get it more attenti=
on by the development team over there.

I will be brutally honest and ask you kindly to just support or not support=
 my currant idea and not ask for more/similar etc..the reason bein that I a=
m 99.9% sure what I am asking for is achievable within the currant DSP wher=
e as other ideas while nice may end up moving out of the relms of the possi=
ble and make the tech team over at line6 not want to attempt this.

Thanks

Phill Wilson
 		 	   		 =20
_________________________________________________________________
Have more than one Hotmail account? Link them together to easily access bot=
h
 http://clk.atdmt.com/UKM/go/186394591/direct/01/=

--_75632a46-23d2-4675-8b0e-140b4e548c26_
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</head>
<body class=3D'hmmessage'>
Hi all=2C<br><br>I dont know how many of you=2C if any use or own the Line =
6 M9=2C I have just got mine to begin developing a set that I am capable of=
 perfroming at new years loopstock on it ( I could never afford to bring my=
 3 echoplexs plus stupid amounts of fx to the states!!)<br><br>the M9 is si=
mply stunning as a technological feat=2C to put so many top quality sounds =
in one small box and then nail a useable looper too is just magnificent.<br=
><br>however as the kind of person I am=2C I do see a few things that Im su=
re the M9 is capable of but isnt yet doing=2C on of which is variable feedb=
ack and the other is kind of a Multiply command by using one of the delay m=
odels as a "delay hold" style sub looper to get a short rhythem going befor=
e engaging the main looper for recording this short sub loop AND longer pas=
sages such as your main chords.<br><br>the thread is here...<br><br>http://=
line6.com/community/thread/24588<br><br><br>I am REALLY keen on getting thi=
s update made=2C Line 6 support their products fantastically and marketing =
wise if they could do this=2C they would be the first cheap floorbased loop=
er to do so and Im sure it would earnthem prise amongst us <br><br>I would =
love anyone who is on the Line 6 forums and feels they can support this cau=
se to add their agreement to my post to try and get it more attention by th=
e development team over there.<br><br>I will be brutally honest and ask you=
 kindly to just support or not support my currant idea and not ask for more=
/similar etc..the reason bein that I am 99.9% sure what I am asking for is =
achievable within the currant DSP where as other ideas while nice may end u=
p moving out of the relms of the possible and make the tech team over at li=
ne6 not want to attempt this.<br><br>Thanks<br><br>Phill Wilson<br> 		 	   =
		  <br /><hr />Add other email accounts to Hotmail in 3 easy steps. <a hre=
f=3D'http://clk.atdmt.com/UKM/go/186394593/direct/01/ ' target=3D'_new'>Fin=
d out how.</a></body>
</html>=

--_75632a46-23d2-4675-8b0e-140b4e548c26_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 13:46:45 2009
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Date: Mon, 14 Dec 2009 05:46:44 -0800 (PST)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: I just made some requests for Line 6 M9 updates
To: Loopers-Delight@loopers-delight.com
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I'd actually thought the same thing on the M13, I think I'll mention it as well, I thought it would be nice to be able to multiply a loop, as well as do reverse while dubbing(I think when I tried to do a reverse, it shut off overdub and went into play mode).  One other function I thought would be cool is if you weere able to use the Pre/Post button to process a loop, then could re-record the results, thus making the processed loop the new loop, you could really mangle the crap out of a loop that way.

--- On Mon, 12/14/09, phillip wilson <phillwilson@hotmail.com> wrote:

> From: phillip wilson <phillwilson@hotmail.com>
> Subject: I just made some requests for Line 6 M9 updates
> To: loopers-delight@loopers-delight.com
> Date: Monday, December 14, 2009, 5:56 AM
> 
> 
> 
> 
>  
> Hi all,
> 
> I dont know how many of you, if any use or own the Line 6
> M9, I have just got mine to begin developing a set that I am
> capable of perfroming at new years loopstock on it ( I could
> never afford to bring my 3 echoplexs plus stupid amounts of
> fx to the states!!)
> 
> the M9 is simply stunning as a technological feat, to put
> so many top quality sounds in one small box and then nail a
> useable looper too is just magnificent.
> 
> however as the kind of person I am, I do see a few things
> that Im sure the M9 is capable of but isnt yet doing, on of
> which is variable feedback and the other is kind of a
> Multiply command by using one of the delay models as a
> "delay hold" style sub looper to get a short
> rhythem going before engaging the main looper for recording
> this short sub loop AND longer passages such as your main
> chords.
> 
> the thread is here...
> 
> http://line6.com/community/thread/24588
> 
> 
> I am REALLY keen on getting this update made, Line 6
> support their products fantastically and marketing wise if
> they could do this, they would be the first cheap floorbased
> looper to do so and Im sure it would earnthem prise amongst
> us 
> 
> I would love anyone who is on the Line 6 forums and feels
> they can support this cause to add their agreement to my
> post to try and get it more attention by the development
> team over there.
> 
> I will be brutally honest and ask you kindly to just
> support or not support my currant idea and not ask for
> more/similar etc..the reason bein that I am 99.9% sure what
> I am asking for is achievable within the currant DSP where
> as other ideas while nice may end up moving out of the relms
> of the possible and make the tech team over at line6 not
> want to attempt this.
> 
> Thanks
> 
> Phill Wilson
>  		 	   		  
> Add other email accounts to Hotmail
> in 3 easy steps. Find out how. 
> 


      

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Subject: Re: What public is attracted by a Y2K Sampler Video? (looping technology or artform)
Date: Mon, 14 Dec 2009 10:47:54 -0300
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On 13 Dec 2009, at 19:51, Zoe Keating wrote:
> if all the electricity disappeared tomorrow, i could still perform,  
> but i'd have to hire 8+ cellists to play the music (which is  
> actually how looping started for me, i couldn't find enough cellists).

oh, sorry, Zoe, I did not know you started with the compositions and  
then only needed a tool to execute them.
and looping did not bring you new ideas? would your compositions  
really be the same if you had no looper but 8+ cellists?
If so, I suspect you are rather an exception, or does anyone know of  
other composers who use looping tools like this?

> it would sound different because its not me, but an ensemble of  
> cellists could easily play my music.

sure. which sound would you prefer?

> no electricity needed. i've already heard 2 groups do it.
>
> i also know of two high profile cellists who perform music with pre- 
> recorded cello tracks and them solo'ing in front. (i.e. no live  
> looping)
>
> most people think that we all do the same thing (including their  
> publicists). it irritates me, but tells me that its not the live  
> looping that people are hearing.

...which might be a reason for you to use the label LiveLooping more  
intensely and for me to finally bring the Livelooping.org site up to  
date with all I wrote and joined this year so anyone can easily look  
up what its about. And we should make a special chapter for composers  
who use the tool to execute what they imagine without the tool, as  
opposed to the majority who gather ideas for compositions by playing  
with the tool and then possibly execute them with a group without the  
tool.
>
>
>
> On Dec 13, 2009, at 11:54 AM, Matthias Grob wrote:
>
>> your music would not be done in any other way, would it?
>

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Date: Mon, 14 Dec 2009 08:07:26 -0600
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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Quoting Sjaak Overgaauw <tcplugin@gmail.com>:
>
> ...I prefer to organize a festival where quality plays an important role.
> That's of course subjective, but I believe more in quality than in
> quantity.
>

As a performer, I prefer quality performance situations to quantity.

Thus, many years have passed since I've had to perform at a "gig from =20
hell".  The thread that runs through all bad gigs is that the event =20
organizers fail to show respect for the musician(s).

To expect musicians to perform with handballs crashing into their =20
instruments (as was mentioned upthread) makes a mockery of =20
music-making.  (Hint: you should decline any gig where you are to set =20
up in the middle of a golf course driving range, too.)

In most cases, bad gigs are situations where the audience is not there =20
for the music -- the music is simply there to create atmosphere or =20
whatever.  Add to the situation organizers and patrons who don't give =20
a hoot about music or musicians and the situation is bound to be =20
horrible.

The Y2K festival is, for me, ideal.  Rick and all the volunteers are =20
supportive of the musicians and the audience is attentive.  All genres =20
are welcome and encouraged.

As the topic of labels (ambient, jazz, etc) emerged I looked over my =20
performances over the last few years and they are all at events that =20
are non-genre specific.  I play at electronic music festivals, the =20
looping festival, art fairs, and a couple of theremin events.  My =20
music has been well-received in these situations however would not fit =20
into popular genres (i.e., jazz, rock, blues, folk, country, etc.).

If the "genre" is "space music", "ambient", "minimalist", or =20
"neo-classical" I might be able to fit in.  For a jazz, rock, pop, or =20
country festival I don't think I'd bother to apply.

-- Kevin

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Subject: Re: Learning to deal with internet precence (was: What public is attracted by a...)
Date: Mon, 14 Dec 2009 11:19:36 -0300
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On 14 Dec 2009, at 08:41, andy butler wrote:

> Matthias Grob wrote:
>
>> (a big advantage of selling cassette tapes: you can visit a client  
>> and look where he stopped your music :-)
>
> If your online stats have bandwidth for the files you can
> tell if many listened to the end.

yes, its interesting for us musicians to learn those web methods,  
thank you!

...but you cannot check at which point exactly the listener gives up?  
that was very interesting in my case

for example youtube does only count plays while its really totally  
different if someone can just be made curious but immediately gives up  
and the (probably rare cases) where someone watches to the end.
We could ask them to include this in the stats, somehow!

also: depending on site it is reasonably possible or very difficult to  
jump in the video/audio, or to scan it through in some way. For demos  
collections as we have been talking about it would be great if someone  
curious could jump over an act he does not like to see whether he  
likes the next. Since this is difficult in youtube, its important to  
put the most attractive stuff right in the beginning and be aware that  
any strange moment can kill all that comes after.

we can complain about such problems, but the truth is that artists  
always had to care about how to present their work in the real world,  
be it to make money or just to inspire friends...

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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: What public is attracted by a Y2K Sampler Video? (looping
	technology or artform)
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Quoting Matthias Grob <matilists@gmail.com>:
>
> On 13 Dec 2009, at 19:51, Zoe Keating wrote:
>> if all the electricity disappeared tomorrow, i could still perform, =20
>>  but i'd have to hire 8+ cellists to play the music (which is  =20
>> actually how looping started for me, i couldn't find enough  =20
>> cellists).
>
> oh, sorry, Zoe, I did not know you started with the compositions and
> then only needed a tool to execute them.
> and looping did not bring you new ideas? would your compositions really
> be the same if you had no looper but 8+ cellists?
> If so, I suspect you are rather an exception, or does anyone know of
> other composers who use looping tools like this?
>
>> it would sound different because its not me, but an ensemble of  =20
>> cellists could easily play my music.
>
> sure. which sound would you prefer?
>

Zoe and I share some things in common: we are both classically-trained =20
and we perform looping compositions (as opposed to improv).

My work is designed with live-looping in mind -- my work would not be =20
playable with an ensemble of theremins.

My goal is not to create a one-man-band or a theremin-ensemble.  My =20
goal is to create a virtual-world.  I work in surround-sound and at =20
times build a kind of virtual world.  I wish that I could perform in =20
surround-sound at the Y2K -- the patterns that I play become unleashed =20
and take on lives of their own as they scurry about the sound space.   =20
Some patterns echo from front to back, left to right, some in the =20
middle of your head, and others way in the background.  To approach =20
this without loops would require dozens (if not hundreds) of musicians =20
arranged at the perephery of and thorughout a giant cathedral.

At the same time, I want my work to stand as musical compositions -- =20
they must work in stereo or mono without turning the surround-sound =20
field into a cheap gimmick.  I feel similarly about the theremin -- it =20
is a novel instrument however I want the music to stand on its own and =20
not be dependent upon the novelty.

I would be the first to admit that I'm kind of a space-cadet.  I =20
"hear" music in my head -- it is kind of weird sometimes -- and I've =20
found looping, surround-sound, and other electronic processes tools =20
that help me to translate what I hear in my imagination to something =20
shareable.

I view a loop as an entity -- almost like a living thing with its own destin=
y.

-- Kevin

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Subject: Re: What public is attracted by a Y2K Sampler Video?
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On Mon, Dec 14, 2009 at 3:07 PM,  <kkissinger@kevinkissinger.com> wrote:
> In most cases, bad gigs are situations where the audience is not there for
> the music -- the music is simply there to create atmosphere or whatever.

It's what a call "music consumers" vs "music lovers". A gig could
still be ok if you get the respect from the organization and/or
audience. But I don't have to live from music, that makes it a little
easier.

Which makes me think about what exactly drives me to perform live on
stage. I'm happy when I have been able to create positive atmosphere,
when I have the feeling they appreciate what I do, when they try to
understand the message of the music. The biggest compliment I can get
is when they say "I don't know how you did it but it sounded
beautiful". The "how" indirectly refers to live looping, it is the
invisible instrument where the magic comes from.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Sjaak Overgaauw sez:
>> So if the problem is organizing a festival and playing yourself at 
>> the same
>> time, why not simply don't play and only organize, instead of 
>> reducing the
>> number of artists?
> I could of course organize a bigger event with 10 or more artists but
> I prefer to organize a festival where quality plays an important role.
> That's of course subjective, but I believe more in quality than in
> quantity. Also, the venue we hire is a professional and well know
Yup, all that is clear, I did however refer to your initial post, which 
I allow myself to quote to contextualise this:
"It's difficult to play yourself and organize a festival at the same 
time. That's one of the reasons I've decreased the number of artists 
from 8 to 6 on the festival".

That means (in a tongue-in-cheek way of putting it), if you'd refrain 
from the egotistical approach of having to be on the bill at all costs, 
more artists would be possible - improved value for the audience.

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 16:44:11 2009
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Date: Mon, 14 Dec 2009 17:45:26 +0100
From: van Sinn <vansinn@post.cybercity.dk>
Organization: van Sinn
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I suggest not using real email addresses in emails, as such gets 
harvested for spam use.

Using u.e.  someone[AT]somewhere[DOT]bla  is a better way..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 16:58:28 2009
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Date: Mon, 14 Dec 2009 17:58:26 +0100
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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On Mon, Dec 14, 2009 at 5:27 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Yup, all that is clear, I did however refer to your initial post, which I
> allow myself to quote to contextualise this:
> "It's difficult to play yourself and organize a festival at the same time.
> That's one of the reasons I've decreased the number of artists from 8 to 6
> on the festival".
>
> That means (in a tongue-in-cheek way of putting it), if you'd refrain from
> the egotistical approach of having to be on the bill at all costs, more
> artists would be possible - improved value for the audience.

That was one of the reasons and I have given you the other reasons
that made up my decision. As long as I have the feeling I've something
to offer as musician and fit within the overall line up, I'll be
playing on my own festival. And honestly, I don't think that's
egoistic.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Sjaak Overgaauw schrieb:
> playing on my own festival. And honestly, I don't think that's
> egoistic.
>   
It isn't, and I didn't say so. It's egotistic.

From edwardgod@yahoo.com  Mon Dec 14 17:07:00 2009
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From: "Barrister Edward Godwin"<edwardgod@yahoo.com>
Subject: READ THIS BUSINESS PROPOSAL CAREFULLY AND GET BACK TO ME ASAP
Date: Sat, 12 Dec 2009 16:22:19 +0100
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>From Edward Godwin
Attorney At Law 14 Kofo Abayomi 
Street,Victoria Island Lagos.
Tel : (+234)8038828069

Private E-mail: godwin.barredward@gmail.com

Dear Friend,

I am Edward Godwin , Private attorney to Late Mr.Lech jain, a national of your country, who used to work as the Contractor with the Nigerian National Petroleum Corporation (NNPC) Oil Company in Logos,Here in after shall be Referred to as my Client. On the 21st of April 2004, my Client, His wife and their three Children were involved in a car accident  near Badagry express-road. All occupants of the vehicle Unfortunately lost their lives.Since then I have made several enquiries to your embassy to locate any of my clients extended relatives but all efforts was just in vain.

After  these several unsuccessful attempts, I decided to track his last name over the Internet, to locate any member of his Family hence I contacted you. I have contacted you to assist in Repatriating the money left  behind by my Client before they get confiscated or declared unserviceable by the African Development Bank.These huge deposits were lodged particularly, with the "African Development Bank Lagos" where the Deceased had an account valued at about $42Million dollars (Fourty Two Million United States Dollars). The Bank has issued me a notice to provide the next of kin or have the account confiscated. Since I have been unsuccessful in Locating the relatives for over five years.

Now I seek your consent to present you as the next of kin of the deceased since you have The same last name so that the proceeds of this account valued at $42 Million dollars can be paid to you and then you and me can Share the money 60% to me and 40% to you.I will procure all Necessary legal documents that can be used to back up any claim we may make .All I require is your honest cooperation to enable us seeing this Deal through.


I guarantee that this will be executed under a legitimate arrangement that will protect you from any breach of the law, but you must also agree not to disclose or pass any information related to this business to any body for security reason and to avoid eye brow , And the way we are going to achieve this is I will need the following information from you

Your Full Name: 

Your full Address:

Your Age: 

Your Occupation and Position:

Your Telephone, Mobile and Fax Number for Communication Purpose.


You can call me at (+234)8038828069

I await your Call and reply  ASAP

Best Regards

Barrister Edward Godwin.

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 17:30:41 2009
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Variable feedback already exists on the M-9 but you would have to  
assign it to an expression pedal if you wanted to control it mid  
performance. Unfortunately feedback can only be achieved whenthe  
looper is in record mode, yo can't fade out if you are not actively in  
record mode. I've talked to some of the guys at line 6 but didn't get  
any concrete action other than, oh thats a nice idea thanks!
  Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><b>Variable feedback already exists on the M-9 but you would have to assign it to an expression pedal if you wanted to control it mid performance. Unfortunately feedback can only be achieved whenthe looper is in record mode, yo can't fade out if you are not actively in record mode. I've talked to some of the guys at line 6 but didn't get any concrete action other than, oh thats a nice idea thanks!</b><div><b>&nbsp;Bill</b></div></body></html>
--Apple-Mail-2--963206728--

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This is a multi-part message in MIME format.

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Another update request on this topic that I suggested to Line 6 for the =
M13
a while back which I think might be REALLY easy:=20

=20

With the loop feedback set to the absolute lowest you would think this =
would
play a recorded part just once and being completely gone by the next
overdub. (Just like the replace functionality of the Electrix Repeater =
or
the Boss RC-50)

=20

But at the lowest setting it still takes at least 5 overdub runs through =
the
loop before the first recorded sound has completely faded out.

=20

Anyone else think this would be a useful update too? If so recommend =
that to
Line 6 as well. :-)

=20

-Nathan

http://www.significantimagery.com <http://www.significantimagery.com/>=20

=20

=20

=20

-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com]=20
Sent: Monday, December 14, 2009 11:31 AM
To: loopers-delight@loopers-delight.com; phillwilson@hotmail.com
Subject: re line M-9

=20

Variable feedback already exists on the M-9 but you would have to assign =
it
to an expression pedal if you wanted to control it mid performance.
Unfortunately feedback can only be achieved whenthe looper is in record
mode, yo can't fade out if you are not actively in record mode. I've =
talked
to some of the guys at line 6 but didn't get any concrete action other =
than,
oh thats a nice idea thanks!

 Bill


------=_NextPart_000_0055_01CA7CB3.0FEED120
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	charset="us-ascii"
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<html>

<head>
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple style=3D'word-wrap: =
break-word;
-webkit-nbsp-mode: space;-webkit-line-break: after-white-space'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Another update request on this =
topic that
I suggested to Line 6 for the M13 a while back which I think might be =
REALLY
easy: </span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>With the loop feedback set to the =
absolute
lowest you would think this would play a recorded part just once and =
being
completely gone by the next overdub. (Just like the replace =
functionality of
the Electrix Repeater or the Boss RC-50)</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>But at the lowest setting it still =
takes
at least 5 overdub runs through the loop before the first recorded sound =
has
completely faded out.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Anyone else think this would be a =
useful
update too? If so recommend that to Line 6 as well. </span></font><font =
size=3D2
color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:Wingdings;
color:navy'>J</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>-</span></font><font size=3D2 =
color=3Dnavy
 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Nathan</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><a
href=3D"http://www.significantimagery.com/">http://www.significantimagery=
.com</a></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> William Walker
[mailto:billwalker@baymoon.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> </span></font><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Monday,
 December 14, 2009</span></font><font size=3D2 face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font><font
 size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>11:31 =
AM</span></font><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>To:</span></b>
loopers-delight@loopers-delight.com; phillwilson@hotmail.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> re line =
M-9</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><b><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-weight:bold'>Variable
feedback already exists on the M-9 but you would have to assign it to an
expression pedal if you wanted to control it mid performance. =
Unfortunately
feedback can only be achieved whenthe looper is in record mode, yo can't =
fade
out if you are not actively in record mode. I've talked to some of the =
guys at
line 6 but didn't get any concrete action other than, oh thats a nice =
idea
thanks!</span></font></b></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><b><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;font-weight:bold'>&nbsp;Bill</span></font></b><=
/p>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 18:15:42 2009
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From: "Bob Amstadt" <bob@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
References: <5025E7AD-EA17-452C-AF43-2FD988321DAA@baymoon.com>
Subject: Re: re line M-9
Date: Mon, 14 Dec 2009 10:09:11 -0800
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Funny because I was just thinking about this for the LP2 and decided =
that feedback has to always operate even in play mode because otherwise =
it just isn't right.  Good to know that others agree with me.

---
Bob Amstadt
Looperlative Audio Products
(408) 921-LOOP


  ----- Original Message -----=20
  From: William Walker=20
  To: loopers-delight@loopers-delight.com ; phillwilson@hotmail.com=20
  Sent: Monday, December 14, 2009 9:30 AM
  Subject: re line M-9


  Variable feedback already exists on the M-9 but you would have to =
assign it to an expression pedal if you wanted to control it mid =
performance. Unfortunately feedback can only be achieved whenthe looper =
is in record mode, yo can't fade out if you are not actively in record =
mode. I've talked to some of the guys at line 6 but didn't get any =
concrete action other than, oh thats a nice idea thanks!
   Bill
------=_NextPart_000_010A_01CA7CA5.7B18C770
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.5897" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Funny because I was just thinking about =
this for=20
the LP2 and decided that feedback has to always operate even in play =
mode=20
because otherwise it just isn't right.&nbsp; Good to know that others =
agree with=20
me.</FONT></DIV>
<DIV><BR>---<BR>Bob Amstadt<BR>Looperlative Audio Products<BR>(408)=20
921-LOOP</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbillwalker@baymoon.com =
href=3D"mailto:billwalker@baymoon.com">William=20
  Walker</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  ; <A title=3Dphillwilson@hotmail.com=20
  href=3D"mailto:phillwilson@hotmail.com">phillwilson@hotmail.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, December 14, 2009 =
9:30=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> re line M-9</DIV>
  <DIV><BR></DIV><B>Variable feedback already exists on the M-9 but you =
would=20
  have to assign it to an expression pedal if you wanted to control it =
mid=20
  performance. Unfortunately feedback can only be achieved whenthe =
looper is in=20
  record mode, yo can't fade out if you are not actively in record mode. =
I've=20
  talked to some of the guys at line 6 but didn't get any concrete =
action other=20
  than, oh thats a nice idea thanks!</B>
  <DIV><B>&nbsp;Bill</B></DIV></BLOCKQUOTE></BODY></HTML>

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From awelechukwu@legal.org  Mon Dec 14 19:27:29 2009
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Reply-To: <mrs_lindabrown001@yahoo.co.jp>
From: "Barrister Awele Chukwu"<awelechukwu@legal.org>
Subject: From Barrister Awele Chukwu...
Date: Mon, 14 Dec 2009 16:31:22 -0800
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>From Barrister Awele Chukwu
(Philanthropist)

Subject matter: Sincere Compensation:

You might find it so difficult to remember me. Though, it is indeed, a very long time. I am much delightd and privileged to contact you again, after couple of years now. It takes fate, courage and god's fearing to remember old friends and at the same time, to show gratification to them, despite circumstances that made things, not worked out as we projected then.

I take this liberty to inform you that, the transaction we were pursing together, finally worked out by god's infinite mercy and i decided to contact you, just to let you know. I have conscience as a human being, due to your tremendous effort and contribution to make things work out in retrospect.

Meanwhile, i must inform you that, i am presently in Luxemburg for numerous business negotiations and establishment. I just arrived yesterday night and checked inn, in a hotel and decided to go down to the hotel business center to mail you. Now, with my sincere heart, i have raised and signed an Master ATM CARD, to the tune of USD$1,820,000.00 (One Million Eight Hundred and Twenty Thousand United States Dollars) only in your name as compensation to your dedication, humanity and contribution, as it were.

Please, contact now, my confidential secretary, she is in the name of:

Mrs. Linda Brown (SECRETARY)
E-MAIL: mrs_lindabrown001@yahoo.co.jp
TELEPHONE NUMBER: +234-7003-345784

You are to forward to her, the following:

1. Your full name
2. Address where you can receive this draft
3. Your telephone number (if necessary)

She will advice you further about the shipment of the Master ATM CARD, to your residence address or office address you may provide. Feel free to reach via this very mail address. Most importantly.

So, your early response to that effect, shall be admired. You have to mind the days on route shipment.

Regards,

Barrister Awele Chukwu
(Philanthropist)

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 19:56:51 2009
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Date: Mon, 14 Dec 2009 20:56:29 +0100
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--001517475e1a910b38047ab5acf2
Content-Type: text/plain; charset=ISO-8859-1

Oh, thats an old one...
since using gmail i hardly ever get spam nowadays...

out of 50 mails today i had one spam.. not bad... (of course facebook and
Linked in and twitter and basecamp is mostly spam.... .. note to self.. go
and delete profile from idiotic tiresome stressfull webpages... or at least
set to no web notifications..)

mcf


On Mon, Dec 14, 2009 at 5:45 PM, van Sinn <vansinn@post.cybercity.dk> wrote:

> I suggest not using real email addresses in emails, as such gets harvested
> for spam use.
>
> Using u.e.  someone[AT]somewhere[DOT]bla  is a better way..
>
>
> --
> rgds,
> van Sinn
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001517475e1a910b38047ab5acf2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Oh, thats an old one...<br>since using gmail i hardly ever get spam nowaday=
s... <br><br>out of 50 mails today i had one spam.. not bad... (of course f=
acebook and Linked in and twitter and basecamp is mostly spam.... .. note t=
o self.. go and delete profile from idiotic tiresome stressfull webpages...=
 or at least set to no web notifications..)<br>

<br>mcf<br><br><br><div class=3D"gmail_quote">On Mon, Dec 14, 2009 at 5:45 =
PM, van Sinn <span dir=3D"ltr">&lt;<a href=3D"mailto:vansinn@post.cybercity=
.dk">vansinn@post.cybercity.dk</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I suggest not using real email addresses in emails, as such gets harvested =
for spam use.<br>
<br>
Using u.e. =A0someone[AT]somewhere[DOT]bla =A0is a better way..<br>
<br>
<br>
-- <br>
rgds,<br><font color=3D"#888888">
van Sinn<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001517475e1a910b38047ab5acf2--

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--00504502caad1160c4047ab5b6f5
Content-Type: text/plain; charset=ISO-8859-1

On Mon, Dec 14, 2009 at 6:05 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> It isn't, and I didn't say so. It's egotistic.
>

pedant!!!!
hairsplitter...!!!
bandwidth waster!!!

... hmm..


oh.. bugger..

.. sorry


m



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502caad1160c4047ab5b6f5
Content-Type: text/html; charset=ISO-8859-1
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<br><br><div class=3D"gmail_quote">On Mon, Dec 14, 2009 at 6:05 PM, Rainer =
Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com=
">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">

<div id=3D":13r" class=3D"ii gt">It isn&#39;t, and I didn&#39;t say so. It&=
#39;s egotistic.</div></blockquote></div><br>pedant!!!!<br>hairsplitter...!=
!!<br>bandwidth waster!!!<br><br>... hmm..<br><br><br>oh.. bugger..<br><br>

.. sorry<br><br><br>m<br><br><br clear=3D"all"><br>-- <br><a href=3D"http:/=
/www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vime=
o.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.y=
outube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a>=
<br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502caad1160c4047ab5b6f5--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 20:23:31 2009
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To: Loopers-Delight@loopers-delight.com
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> "But at the lowest setting it still takes at least 5 overdub runs  
> through the loop before the first recorded sound has completely  
> faded out."
yes that is annoying, I have already suggested to them remedying that  
issue as well as making variable feedback work when in playback mode.   
So far that hasn't happened,  but I do support Phil's ideas and I also  
know that line 6 generally will react if there is enough consensus on  
feature sets. Just bear in mind for everyone of us, there is another  
group of gear geeks who want  more flexibility in the filter effects  
or more realism in the distortions, or a whammy pedal effect (which  
they added)  or intelligent harmonizer (which they added) though I  
must admit I prefer non- scalic harmonizers (which it can also do),  
does that make me a Dumb Shift????   So it is a bit like herding cats  
getting manufacturers to make improvements and  our looping community  
is still a minority party when it comes to there customer base. More  
than a year ago they told me they were going to take a crack at a pro  
looper and what we got instead was a stripped down M-13 in the form of  
the M-9.  I believe they brought out the M-9 in response to people  
digging the M-13 but wishing for a smaller footprint and a lower  
price.  I'm kind of glad in a way as the new floor looperlative will  
be way cooler anyway.

  "as well as do reverse while dubbing(I think when I tried to do a  
reverse, it shut off overdub and went into play mode)."

Incidentally,   on the M-13, reverse ends record mode, but reverse  
does not end overdub mode, it simply switches direction while you are  
overdubbing. Is it different on the M-9?  I don't think so.
Bill
--Apple-Mail-4--952836261
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 13px; =
"><font class=3D"Apple-style-span" color=3D"#3F00FF">"But at the lowest =
setting it still takes at least 5 overdub runs through the loop before =
the first recorded sound has completely faded </font></span><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 128); font-family: =
Arial; font-size: 13px; ">out."</span></blockquote>yes that is annoying, =
I have already suggested to them remedying that issue as well as making =
variable feedback work when in playback mode. &nbsp;So far that hasn't =
happened, &nbsp;but I do support Phil's ideas and I also know that line =
6 generally will react if there is enough consensus on feature sets. =
Just bear in mind for everyone of us, there is another group of gear =
geeks who want &nbsp;more flexibility in the filter effects or more =
realism in the distortions, or a whammy pedal effect (which they added) =
&nbsp;or intelligent harmonizer (which they added) though I must admit I =
prefer non- scalic&nbsp;harmonizers (which it can also do), does that =
make me a Dumb Shift???? &nbsp; So it is a bit like herding cats getting =
manufacturers to make improvements and &nbsp;our looping community is =
still a minority party when it comes to there customer base. More than a =
year ago they told me they were going to take a crack at a pro looper =
and what we got instead was a stripped down M-13 in the form of the M-9. =
&nbsp;I believe they brought out the M-9 in response to people digging =
the M-13 but wishing for a smaller footprint and a lower price. =
&nbsp;I'm kind of glad in a way as the new floor looperlative will be =
way cooler anyway.<div>&nbsp; &nbsp;&nbsp;<div><font =
class=3D"Apple-style-span" color=3D"#3F00FF">&nbsp;"as well as do =
reverse while dubbing(I think when I tried to do a reverse, it shut off =
overdub and went into play =
mode)."</font></div><div><br><div>Incidentally, &nbsp; on the M-13, =
reverse ends record mode, but reverse does not end overdub mode, it =
simply switches direction while you are overdubbing. Is it different on =
the M-9? &nbsp;I don't think =
so.</div><div>Bill</div></div></div></body></html>=

--Apple-Mail-4--952836261--

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	no style)
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Those are the only debates I like.

This one is like the wave vs. particle nature of light.


On Sun, Dec 13, 2009 at 5:57 PM, Zoe Keating <info@zoekeating.com> wrote:

> OMG i'm breaking one of my own rules:
>
> #51 never get involved in looping "philosophy" debates on loopers delight
>
>
> i'm stopping now. my bad.
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016362839802aef52047ab65711
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Those are the only debates I like.<br><br>This one is like the wave vs. par=
ticle nature of light.<br><br><br><div class=3D"gmail_quote">On Sun, Dec 13=
, 2009 at 5:57 PM, Zoe Keating <span dir=3D"ltr">&lt;<a href=3D"mailto:info=
@zoekeating.com">info@zoekeating.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">OMG i&#39;m break=
ing one of my own rules:<br>
<br>
#51 never get involved in looping &quot;philosophy&quot; debates on loopers=
 delight<br>
<br>
<br>
i&#39;m stopping now. my bad.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--0016362839802aef52047ab65711--

From INFO@FBI.GOV  Mon Dec 14 20:46:49 2009
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ANTI-TERRORIST AND MONITARY CRIMES DIVISION 
FBI HEADQUARTERS IN WASHINGTON, D.C. 
FEDERAL BUREAU OF INVESTIGATION 
J. EDGAR HOOVER BUILDING 
935 PENNSYLVANIA AVENUE, NW 
WASHINGTON, D.C. 20535-0001 
DATE: 14/12/2009, Website: www.fbi.gov 


Fund Beneficiary

This mail is to inform you that it came to our notice and we have thoroughly investigated by the help of our intelligence monitoring network system. 

we saw your name (in the Central Computer among the list of unpaid contractors, inheritance, next of kin and lottery beneficiaries that was originated from Africa, Europe, Asia Plus Middle 

east and Americans) among the list of individuals and companies that your unpaid fund has been located to the Western Union Money Transfer which is the paying bank now. 

Your name appeared among the beneficiaries who will receive a part-payment of $1 Million us dollars and has been approved already for months.

You are required to send your name and address Where you want your fund to be
sent to you through WESTERN UNION MONEY TRANSFER to them.

Below  is the contact address of the Western Union Money Transfer in west Africa.

Name: MR. COLLINS WILLIAMS
Email Address: western.unionagentcollins011@gmail.com 
Telephone:+234 7069115715

The maximium amount you will be receiving per a day starting from tomorrow is
$7000.00) and the MTCN NO# will be sent along with the Text Questions &
Answers for you to receive your fund through any Western Union Location in your
Country.

Send your information to MR COLLINS WILLIAMS. of westernunion money transfer in
NIGERIA.

You are require to pay for the activation fee which will cost you the sum of $200usd
dollars to them so your transfer can start immediately.

Full names:

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Phone numbers:

Once again, I apologize to you on behalf Of  the UN (UNITED NATIONS) failure to pay your funds in time, which according to records in the system had been long overdue. 

Your's Sincerely  
FBI Director  
Robert S. Mueller, III  

From cbn120091962@gmail.com  Mon Dec 14 21:19:12 2009
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From: "CENTRAL BANK OF NIGERIA"<cbn120091962@gmail.com>
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Date: Mon, 14 Dec 2009 20:27:37 -0000
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>From Desk of:Dr. Ernest Ebi
Director for Operation
Central Bank of Nigeria.

Dear Sir/Madam,


My name is Dr. Ernest Ebi, the director for operation central bank of Nigeria, i am contacting you in respect of fund in dormant account with central bank the sum of (USD$10M) Million United State dollars.


The real beneficiary Mr. Francisco A. Micheal is not found for more than two years ago, and I think we should capitalize and make this a divine breakthrough of our lives.

My position in the banking and advances department is good enough to make this a successful affair,I haven mapped out all required strategies to succeed this project, and I am willing to strike if you could assure me of your honesty when the funds gets into your custody.


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Regards,

Ernest Ebi.
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CENTRAL BANK OF NIGERIA.
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On Dec 14, 2009, at 10:09 AM, Bob Amstadt wrote:

> Funny because I was just thinking about this for the LP2 and decided =
that feedback has to always operate even in play mode because otherwise =
it just isn't right.  Good to know that others agree with me.

It's nice, however, to be able to set separate feedback values for play =
and record. The EDP allows this if you have an expression pedal =
connected.

What I really find myself wishing for on the Looperlative is a way to =
more reliably flip in and out of Replace mode v Overdub. I think I'm =
basically fighting with toggle behavior, but I haven't closely analyzed =
it yet. I like to set a "pulse" loop going and then run another loop at =
0% feedback so that it just plays once and then replaces the content. At =
the same time, I want to be able to go into a more traditional overdub =
mode reasonably easily. (Possibly cool idea: Threshold replace. It plays =
with 100% feedback unless the input on a cycle passes the threshold in =
which case it does a replace possibly transitioning to overdub at the =
loop point until the input drops below the threshold for a long enough =
period of time.)

Mark


--Apple-Mail-285--947942840
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Dec 14, 2009, at 10:09 AM, Bob Amstadt wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div bgcolor=3D"#ffffff" =
style=3D"word-wrap: break-word; "><div><font face=3D"Arial" =
size=3D"2">Funny because I was just thinking about this for the LP2 and =
decided that feedback has to always operate even in play mode because =
otherwise it just isn't right.&nbsp; Good to know that others agree with =
me.</font></div></div></span></blockquote><br></div><div>It's nice, =
however, to be able to set separate feedback values for play and record. =
The EDP allows this if you have an expression pedal =
connected.</div><div><br></div><div>What I really find myself wishing =
for on the Looperlative is a way to more reliably flip in and out of =
Replace mode v Overdub. I think I'm basically fighting with toggle =
behavior, but I haven't closely analyzed it yet. I like to set a "pulse" =
loop going and then run another loop at 0% feedback so that it just =
plays once and then replaces the content. At the same time, I want to be =
able to go into a more traditional overdub mode reasonably easily. =
(Possibly cool idea: Threshold replace. It plays with 100% feedback =
unless the input on a cycle passes the threshold in which case it does a =
replace possibly transitioning to overdub at the loop point until the =
input drops below the threshold for a long enough period of =
time.)</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-285--947942840--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 21:48:39 2009
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References: <5025E7AD-EA17-452C-AF43-2FD988321DAA@baymoon.com> <605D5E2E848A4F73BD5D8F9003EBD5D7@bobdell> <72833266-F498-4CF7-A105-B71B62475675@grubmah.com>
Subject: Re: re line M-9
Date: Mon, 14 Dec 2009 13:48:50 -0800
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This is a multi-part message in MIME format.

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If your controller can send note messages, then replace can be activated =
when holding the button and deactivated when you release the button.

---
Bob Amstadt
Looperlative Audio Products
(408) 921-LOOP


  ----- Original Message -----=20
  From: Mark Hamburg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, December 14, 2009 1:44 PM
  Subject: Re: re line M-9


  On Dec 14, 2009, at 10:09 AM, Bob Amstadt wrote:


    Funny because I was just thinking about this for the LP2 and decided =
that feedback has to always operate even in play mode because otherwise =
it just isn't right.  Good to know that others agree with me.


  It's nice, however, to be able to set separate feedback values for =
play and record. The EDP allows this if you have an expression pedal =
connected.


  What I really find myself wishing for on the Looperlative is a way to =
more reliably flip in and out of Replace mode v Overdub. I think I'm =
basically fighting with toggle behavior, but I haven't closely analyzed =
it yet. I like to set a "pulse" loop going and then run another loop at =
0% feedback so that it just plays once and then replaces the content. At =
the same time, I want to be able to go into a more traditional overdub =
mode reasonably easily. (Possibly cool idea: Threshold replace. It plays =
with 100% feedback unless the input on a cycle passes the threshold in =
which case it does a replace possibly transitioning to overdub at the =
loop point until the input drops below the threshold for a long enough =
period of time.)


  Mark


------=_NextPart_000_0056_01CA7CC4.2AE55FB0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.5897" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>If your controller can send note =
messages, then=20
replace can be activated when holding the button and deactivated when =
you=20
release the button.</FONT></DIV>
<DIV><BR>---<BR>Bob Amstadt<BR>Looperlative Audio Products<BR>(408)=20
921-LOOP</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@grubmah.com href=3D"mailto:mark@grubmah.com">Mark =
Hamburg</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, December 14, 2009 =
1:44=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: re line M-9</DIV>
  <DIV><BR></DIV>
  <DIV>
  <DIV>On Dec 14, 2009, at 10:09 AM, Bob Amstadt wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; =
BORDER-COLLAPSE: separate; orphans: 2; widows: 2; =
webkit-border-horizontal-spacing: 0px; webkit-border-vertical-spacing: =
0px; webkit-text-decorations-in-effect: none; webkit-text-size-adjust: =
auto; webkit-text-stroke-width: 0px">
    <DIV style=3D"WORD-WRAP: break-word" bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>Funny because I was just thinking =
about this=20
    for the LP2 and decided that feedback has to always operate even in =
play=20
    mode because otherwise it just isn't right.&nbsp; Good to know that =
others=20
    agree with me.</FONT></DIV></DIV></SPAN></BLOCKQUOTE><BR></DIV>
  <DIV>It's nice, however, to be able to set separate feedback values =
for play=20
  and record. The EDP allows this if you have an expression pedal=20
  connected.</DIV>
  <DIV><BR></DIV>
  <DIV>What I really find myself wishing for on the Looperlative is a =
way to=20
  more reliably flip in and out of Replace mode v Overdub. I think I'm =
basically=20
  fighting with toggle behavior, but I haven't closely analyzed it yet. =
I like=20
  to set a "pulse" loop going and then run another loop at 0% feedback =
so that=20
  it just plays once and then replaces the content. At the same time, I =
want to=20
  be able to go into a more traditional overdub mode reasonably easily.=20
  (Possibly cool idea: Threshold replace. It plays with 100% feedback =
unless the=20
  input on a cycle passes the threshold in which case it does a replace =
possibly=20
  transitioning to overdub at the loop point until the input drops below =
the=20
  threshold for a long enough period of time.)</DIV>
  <DIV><BR></DIV>
  <DIV>Mark</DIV>
  <DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0056_01CA7CC4.2AE55FB0--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 22:07:38 2009
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From: baub@baub.com
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Date: Mon, 14 Dec 2009 15:56:30 -0600
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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I think the Y2K festival is a good thing.  But I have yet to see any decent looping 
compositions that are under 8 minutes (I am sure there are some, but I'm talking averages 
here).  It usually takes time to build the parts and get it going.  There's lots of great looping 
on youtube, but the limit on youtube video is 10 minutes.  So how do you take a festival of 
loopers and condense it down to 10 minutes.  That's the real challenge....



Baub Eis
www.baub.com




On 12 Dec 2009 at 17:10, Zoe Keating wrote:

> 
> to go back to where i think this thread started....are videos of Y2K on YouTube useful?
> YES 
> every person who wants to learn how to do what i do...i send them to loopers-delight (and tell 
> them that's where i got all my tool info & support when i was starting out) and i tell them to look 
> on YouTube for looping videos. 
> i don't send them to the ableton boards unless they're already versed in hardware looping.. 
> 
> On Dec 12, 2009, at 2:11 PM, George Ludwig wrote: 
> 
>     Zoe, I couldn't agree more. I like the idea of looping festivals etc., but were I to run one, I 
>     would not bill it as a looping festival. I would find some other theme, and then book 
>     appropriate looping artists. The whole looping tag would be a secondary detail, nothing 
>     more. Something journalists could write about. 
>     
>     As a consumer of music, I could care about looping about as much as I care about a 
>     guitarists choice of picks. 
>     
>     -George 
>     
>     On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating <info@zoekeating.com> wrote:
>     um, I see high profile people looping all the time. they are just not billed as "loopers"
>     
>     as for my audience...depends on the city. my last major solo show in SF, with only 
>     me on the bill....sold out a 475 capacity hall and they let people in to sit on the floor.
>     but i expect a tiny, tiny fraction of my fans care about "looping". just like a tiny fraction 
>     of people who look at a web site care whether it was done in bbedit or dreamw 
> 
> 
> 


From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 22:11:11 2009
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Date: Mon, 14 Dec 2009 17:11:09 -0500
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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e648bcbefb0d2e047ab78ca4
Content-Type: text/plain; charset=ISO-8859-1

Too bad YT is so popular.  Other video sites don't have that time limit.
Vimeo, Viddler, GoogleVideo...

On Mon, Dec 14, 2009 at 4:56 PM, <baub@baub.com> wrote:

> I think the Y2K festival is a good thing.  But I have yet to see any decent
> looping
> compositions that are under 8 minutes (I am sure there are some, but I'm
> talking averages
> here).  It usually takes time to build the parts and get it going.  There's
> lots of great looping
> on youtube, but the limit on youtube video is 10 minutes.  So how do you
> take a festival of
> loopers and condense it down to 10 minutes.  That's the real challenge....
>
>
>
> Baub Eis
> www.baub.com
>
>
>
>
> On 12 Dec 2009 at 17:10, Zoe Keating wrote:
>
> >
> > to go back to where i think this thread started....are videos of Y2K on
> YouTube useful?
> > YES
> > every person who wants to learn how to do what i do...i send them to
> loopers-delight (and tell
> > them that's where i got all my tool info & support when i was starting
> out) and i tell them to look
> > on YouTube for looping videos.
> > i don't send them to the ableton boards unless they're already versed in
> hardware looping..
> >
> > On Dec 12, 2009, at 2:11 PM, George Ludwig wrote:
> >
> >     Zoe, I couldn't agree more. I like the idea of looping festivals
> etc., but were I to run one, I
> >     would not bill it as a looping festival. I would find some other
> theme, and then book
> >     appropriate looping artists. The whole looping tag would be a
> secondary detail, nothing
> >     more. Something journalists could write about.
> >
> >     As a consumer of music, I could care about looping about as much as I
> care about a
> >     guitarists choice of picks.
> >
> >     -George
> >
> >     On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating <info@zoekeating.com>
> wrote:
> >     um, I see high profile people looping all the time. they are just not
> billed as "loopers"
> >
> >     as for my audience...depends on the city. my last major solo show in
> SF, with only
> >     me on the bill....sold out a 475 capacity hall and they let people in
> to sit on the floor.
> >     but i expect a tiny, tiny fraction of my fans care about "looping".
> just like a tiny fraction
> >     of people who look at a web site care whether it was done in bbedit
> or dreamw
> >
> >
> >
>
>
>


-- 
-==-=-=-
Tony

--0016e648bcbefb0d2e047ab78ca4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Too bad YT is so popular.=A0 Other video sites don&#39;t have that time lim=
it. Vimeo, Viddler, GoogleVideo... <br><br><div class=3D"gmail_quote">On Mo=
n, Dec 14, 2009 at 4:56 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:baub@b=
aub.com">baub@baub.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I think the Y2K f=
estival is a good thing. =A0But I have yet to see any decent looping<br>
compositions that are under 8 minutes (I am sure there are some, but I&#39;=
m talking averages<br>
here). =A0It usually takes time to build the parts and get it going. =A0The=
re&#39;s lots of great looping<br>
on youtube, but the limit on youtube video is 10 minutes. =A0So how do you =
take a festival of<br>
loopers and condense it down to 10 minutes. =A0That&#39;s the real challeng=
e....<br>
<br>
<br>
<br>
Baub Eis<br>
<a href=3D"http://www.baub.com" target=3D"_blank">www.baub.com</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
On 12 Dec 2009 at 17:10, Zoe Keating wrote:<br>
<br>
&gt;<br>
&gt; to go back to where i think this thread started....are videos of Y2K o=
n YouTube useful?<br>
&gt; YES<br>
&gt; every person who wants to learn how to do what i do...i send them to l=
oopers-delight (and tell<br>
&gt; them that&#39;s where i got all my tool info &amp; support when i was =
starting out) and i tell them to look<br>
&gt; on YouTube for looping videos.<br>
&gt; i don&#39;t send them to the ableton boards unless they&#39;re already=
 versed in hardware looping..<br>
&gt;<br>
&gt; On Dec 12, 2009, at 2:11 PM, George Ludwig wrote:<br>
&gt;<br>
&gt; =A0 =A0 Zoe, I couldn&#39;t agree more. I like the idea of looping fes=
tivals etc., but were I to run one, I<br>
&gt; =A0 =A0 would not bill it as a looping festival. I would find some oth=
er theme, and then book<br>
&gt; =A0 =A0 appropriate looping artists. The whole looping tag would be a =
secondary detail, nothing<br>
&gt; =A0 =A0 more. Something journalists could write about.<br>
&gt;<br>
&gt; =A0 =A0 As a consumer of music, I could care about looping about as mu=
ch as I care about a<br>
&gt; =A0 =A0 guitarists choice of picks.<br>
&gt;<br>
&gt; =A0 =A0 -George<br>
&gt;<br>
&gt; =A0 =A0 On Sat, Dec 12, 2009 at 1:39 PM, Zoe Keating &lt;<a href=3D"ma=
ilto:info@zoekeating.com">info@zoekeating.com</a>&gt; wrote:<br>
&gt; =A0 =A0 um, I see high profile people looping all the time. they are j=
ust not billed as &quot;loopers&quot;<br>
&gt;<br>
&gt; =A0 =A0 as for my audience...depends on the city. my last major solo s=
how in SF, with only<br>
&gt; =A0 =A0 me on the bill....sold out a 475 capacity hall and they let pe=
ople in to sit on the floor.<br>
&gt; =A0 =A0 but i expect a tiny, tiny fraction of my fans care about &quot=
;looping&quot;. just like a tiny fraction<br>
&gt; =A0 =A0 of people who look at a web site care whether it was done in b=
bedit or dreamw<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D=
-=3D- <br>Tony<br>

--0016e648bcbefb0d2e047ab78ca4--

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Date: Mon, 14 Dec 2009 15:25:27 -0800
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Subject: Re: What public is attracted by a Y2K Sampler Video?
From: Miko Biffle <biffoz@gmail.com>
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This is a very good point.  Most looping is more of a "Long Form" method. It
might be fairer to compare it to a symphony, novel or movie, both of which
the public has PLENTY of patience with.  The constant comparison to pop
music doesn't do the form any justice.  Now the question: How would we
change the context of what people expect?

On Mon, Dec 14, 2009 at 1:56 PM, <baub@baub.com> wrote:

> I think the Y2K festival is a good thing.  But I have yet to see any decent
> looping
> compositions that are under 8 minutes (I am sure there are some, but I'm
> talking averages
> here).  It usually takes time to build the parts and get it going.  There's
> lots of great looping
> on youtube, but the limit on youtube video is 10 minutes.  So how do you
> take a festival of
> loopers and condense it down to 10 minutes.  That's the real challenge....
>

--0016e64b92b4b5d1b5047ab89692
Content-Type: text/html; charset=ISO-8859-1
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This is a very good point.=A0 Most looping is more of a &quot;Long Form&quo=
t; method. It might be fairer to compare it to a symphony, novel or movie, =
both of which the public has PLENTY of patience with.=A0 The constant compa=
rison to pop music doesn&#39;t do the form any justice.=A0 Now the question=
: How would we change the context of what people expect?<br>
<br><div class=3D"gmail_quote">On Mon, Dec 14, 2009 at 1:56 PM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:baub@baub.com" target=3D"_blank">baub@baub.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I think the Y2K f=
estival is a good thing. =A0But I have yet to see any decent looping<br>
compositions that are under 8 minutes (I am sure there are some, but I&#39;=
m talking averages<br>
here). =A0It usually takes time to build the parts and get it going. =A0The=
re&#39;s lots of great looping<br>
on youtube, but the limit on youtube video is 10 minutes. =A0So how do you =
take a festival of<br>
loopers and condense it down to 10 minutes. =A0That&#39;s the real challeng=
e....<br></blockquote></div><br>

--0016e64b92b4b5d1b5047ab89692--

From dr_morrison@ymail.com  Mon Dec 14 23:31:38 2009
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From: "JK Morrison"<dr_morrison@ymail.com>
Subject: ATTN: MY FRIEND.
Date: Mon, 14 Dec 2009 22:58:16 -0800
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Office of the Bill & Exchange Manager.
United Bank for Africa (UBA)
Ambassadorial Enclave, Ridge
Accra-Ghana


                                                      STRICTLY PRIVATE

Dear Friend,
 
I am Mr. JK Morrison, Bill and Exchange Manager of United Bank for Africa (UBA) Accra - Ghana. I write to solicit your kind assistance for business investment of mutual benefit. 

In November 2005, one Mr. Hussien Omar Iraq National, who deal on gold business in Ghana and Asia, whom I was his funds manager, he made a bill and treasury fix deposit now valued at US$20,500,000.00 (Twenty Million, Five Hundred Thousand United States dollars) for twelve calendar months in our bank. Upon Maturity, we sent a routine notification to his forwarding address but got no reply. After a month, we sent a reminder and finally we discovered that Mr. Hussien Omar from Iraq, his wife and two children and wife's parents died in a suicide bomb blast attack in Iraq.  

My investigation proved that he died with his supposed next of kin in the bomb blast. The funds which he deposited as fix deposit are still in our bank unclaimed and the funds have been deposited in our bank suspense account with the principal interest at the end of each year. No one has come forward to claim it. Consequently, I shall present you to stand in as the next of kin to late Mr.Hussien Omar. Thus, upon acceptance of this proposal, I will give you detailed information on how this deal would be carried out. I guarantee that this will be executed under legitimate arrangement that will protect you from any breach of the law as I will use my position as the bill and exchange manager to secure approvals and guarantee the successful execution of this transaction as you apply for the release.
 
I want you to handle everything for me. I have the trust in you and I know that you will not disappoint me; I don't need to know you for many years to trust you it's all about successful business deal. If you have an idea of what should be done to transfer the funds out of Africa, please tell me I need your advice seriously and I have the impression that you are a nice gentle personality. Please reply directly to my private email address: j.kmorrison@hotmail.com

Awaiting your urgent reply.
 
Kind regards,
JK Morrison.

From Loopers-Delight-request@loopers-delight.com  Mon Dec 14 23:36:41 2009
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Subject: RE: What public is attracted by a Y2K Sampler Video?
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Howdy=2C newcomer here. You know=2C some multi-instrumentalists like Andrew=
 Bird perform their songs live with the help of looping stations=2C and his=
 songs are usually medium-length folk rock stuff=2C though there's some mor=
e rock and swing jazz in his earlier work. If we manage to get a good video=
 of him live in which we actually see him use his loop station=2C could be =
a good way to show the public what the concept is.
Date: Mon=2C 14 Dec 2009 15:25:27 -0800
Subject: Re: What public is attracted by a Y2K Sampler Video?
From: biffoz@gmail.com
To: Loopers-Delight@loopers-delight.com

This is a very good point.  Most looping is more of a "Long Form" method. I=
t might be fairer to compare it to a symphony=2C novel or movie=2C both of =
which the public has PLENTY of patience with.  The constant comparison to p=
op music doesn't do the form any justice.  Now the question: How would we c=
hange the context of what people expect?


On Mon=2C Dec 14=2C 2009 at 1:56 PM=2C  <baub@baub.com> wrote:

I think the Y2K festival is a good thing.  But I have yet to see any decent=
 looping

compositions that are under 8 minutes (I am sure there are some=2C but I'm =
talking averages

here).  It usually takes time to build the parts and get it going.  There's=
 lots of great looping

on youtube=2C but the limit on youtube video is 10 minutes.  So how do you =
take a festival of

loopers and condense it down to 10 minutes.  That's the real challenge....

 		 	   		 =20
_________________________________________________________________
Keep your friends updated=97even when you=92re not signed in.
http://www.microsoft.com/middleeast/windows/windowslive/see-it-in-action/so=
cial-network-basics.aspx?ocid=3DPID23461::T:WLMTAGL:ON:WL:en-xm:SI_SB_5:092=
010=

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<body class=3D'hmmessage'>
Howdy=2C newcomer here. You know=2C some multi-instrumentalists like <a hre=
f=3D"http://www.youtube.com/watch?v=3DwRk2iHkOcNE">Andrew Bird</a> perform =
their songs live with the help of looping stations=2C and his songs are usu=
ally medium-length folk rock stuff=2C though there's some more rock and swi=
ng jazz in his earlier work. If we manage to get a good video of him live i=
n which we actually see him use his loop station=2C could be a good way to =
show the public what the concept is.<br><hr id=3D"stopSpelling">Date: Mon=
=2C 14 Dec 2009 15:25:27 -0800<br>Subject: Re: What public is attracted by =
a Y2K Sampler Video?<br>From: biffoz@gmail.com<br>To: Loopers-Delight@loope=
rs-delight.com<br><br>This is a very good point.&nbsp=3B Most looping is mo=
re of a "Long Form" method. It might be fairer to compare it to a symphony=
=2C novel or movie=2C both of which the public has PLENTY of patience with.=
&nbsp=3B The constant comparison to pop music doesn't do the form any justi=
ce.&nbsp=3B Now the question: How would we change the context of what peopl=
e expect?<br>
<br><div class=3D"ecxgmail_quote">On Mon=2C Dec 14=2C 2009 at 1:56 PM=2C  <=
span dir=3D"ltr">&lt=3B<a href=3D"mailto:baub@baub.com">baub@baub.com</a>&g=
t=3B</span> wrote:<br>
<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">I think=
 the Y2K festival is a good thing. &nbsp=3BBut I have yet to see any decent=
 looping<br>
compositions that are under 8 minutes (I am sure there are some=2C but I'm =
talking averages<br>
here). &nbsp=3BIt usually takes time to build the parts and get it going. &=
nbsp=3BThere's lots of great looping<br>
on youtube=2C but the limit on youtube video is 10 minutes. &nbsp=3BSo how =
do you take a festival of<br>
loopers and condense it down to 10 minutes. &nbsp=3BThat's the real challen=
ge....<br></blockquote></div><br> 		 	   		  <br /><hr />Keep your friends =
updated=97 <a href=3D'http://www.microsoft.com/middleeast/windows/windowsli=
ve/see-it-in-action/social-network-basics.aspx?ocid=3DPID23461::T:WLMTAGL:O=
N:WL:en-xm:SI_SB_5:092010' target=3D'_new'>even when you=92re not signed in=
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</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 00:29:34 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video?
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i think imogen heap's "just for now" is the most accessible example of  
looping. short and sweet and 1 million hits on youtube.

On Dec 14, 2009, at 3:31 PM, Alberto Oliveira wrote:

>
> This is a very good point.  Most looping is more of a "Long Form"  
> method. It might be fairer to compare it to a symphony, novel or  
> movie, both of which the public has PLENTY of patience with.  The  
> constant comparison to pop music doesn't do the form any justice.   
> Now the question: How would we change the context of what people  
> expect?


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i think imogen heap's "just for =
now" is the most accessible example of looping. short and sweet and 1 =
million hits on youtube.<div><br><div><div>On Dec 14, 2009, at 3:31 PM, =
Alberto Oliveira wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br>This is a very =
good point.&nbsp; Most looping is more of a "Long Form" method. It might =
be fairer to compare it to a symphony, novel or movie, both of which the =
public has PLENTY of patience with.&nbsp; The constant comparison to pop =
music doesn't do the form any justice.&nbsp; Now the question: How would =
we change the context of what people =
expect?</span></span></blockquote></div><br></div></body></html>=

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Subject: =?windows-1252?Q?Private_Krankenversicherungen_schlagen_zu_mit_Beitragserh=F6hungen:_Jetzt_sch=FCtzen!?=
Date: Tue, 15 Dec 2009 05:09:30 +0100
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Oxford Business News





Wenn diese E-Mail nicht richtig angezeigt wird, klicken Sie bitte hier=2E


=A0  =20


 Auf die meisten privat Krankenversicherten in Deutschland kommen =
deutlich=20
h=F6here Beitr=E4ge zu. Laut einer Umfrage des Handelsblatts bei =
f=FChrenden privaten=20
Krankenkassen sollen die Pr=E4mien im Jahr 2010 um bis zu sechs Prozent =
steigen...=20
>>>mehr=20


Ihr Matthew Holmes=20
(Chefredakteur)

   =A0  =20


   =A0  =20

Bei Google auf Platz 1 landen =96 vor Ihrer Konkurrenz

Wenn Sie neue Kunden gewinnen wollen, m=FCssen diese Sie erst einmal =
finden.=20
Was so einfach und nachvollziehbar klingt, wird in der Praxis=A0h=E4ufig =
nicht=20
umgesetzt. Die Versuche von Unternehmen mit einer Webseite neue Kunden zu =
gewinnen,=20
wirken oft halbherzig und wenig professionell. >>>mehr..=2E
   =A0  =20


   =A0  =20

Massive Beitragserh=F6hungen f=FCr privat Krankenversicherte! So k=F6nnen =
Sie sich=20
dagegen wehren..=2E

Auf die meisten privat Krankenversicherten in Deutschland kommen deutlich =
h=F6here=20
Beitr=E4ge zu. Laut einer Umfrage des Handelsblatts bei f=FChrenden =
privaten Krankenkassen=20
sollen die Pr=E4mien im Jahr 2010 um bis zu sechs Prozent steigen. =
>>>mehr..=2E
   =A0  =20


   =A0  =20

Gesch=E4ftsf=FChrer aufgepasst: Haftungsfalle E-Mails

Stellen Sie sich einmal vor, Sie haben eine Meinungsverschiedenheit mit =
einem=20
Ihrer Kunden. Die Auseinandersetzung ist finanziell gewichtig, so dass =
die=20
Angelegenheit vor Gericht landet. Aber alle Mails, die Ihre Aussagen =
einwandfrei=20
belegen k=F6nnten, wurden zwischenzeitlich von einem Mitarbeiter =
gel=F6scht...=20
>>>mehr..=2E
   =A0  =20


   =A0  =20

Das Weihnachtsgeschenk, das Frauen verg=F6ttern!

Suchen Sie noch nach einem passenden Weihnachtsgeschenk f=FCr die etwas =
reifere=20
Frau? Oder m=F6chten Sie sich selbst im n=E4chsten Jahr verj=FCngen und =
verw=F6hnen?=20
>>>mehr..=2E
   =A0  =20


   =A0  =20

Tsch=FCs Brille!

Beschlagene Brillengl=E4ser, gereizte Augen durch Kontaktlinsen in =
rauchiger=20
Luft oder in R=E4umen mit Klimaanlage, umst=E4ndliche Reinigungsprozeduren =
und=20
die st=E4ndige Suche nach der Brille oder der verlorenen Linse... Sie =
tragen=20
eine =84Sehhilfe" und kennen alle Probleme, die damit verbunden sind? =
>>>mehr..=2E
   =A0  =20


   =A0  =20

Wie der Erfolg von Marketing in der Praxis gemessen und optimiert wird

Die D=FCsseldorfer Werbeagentur City Update ver=F6ffentlicht in =
Kooperation mit=20
der Hochschule Kufstein eine Studie zum Thema Marketing Controlling. =
>>>mehr..=2E
   =A0  =20


   =A0  =20

Die 10 besten Webseiten 2009

Das Internet ist f=FCr viele bereits heute das Medium Nr. 1 - kein anderes =
Kommunikationsmittel=20
bietet eine solche Vielfalt an Informationen und interaktiven =
M=F6glichkeiten=20
wie das WWW. >>>mehr..=2E
   =A0  =20

=A0   =A0  =20



In dieser Ausgabe:

   Bei Google auf Platz 1 landen =96 vor Ihrer Konkurrenz
   Massive Beitragserh=F6hungen f=FCr privat Krankenversicherte! So =
k=F6nnen Sie sich=20
dagegen wehren..=2E
   Gesch=E4ftsf=FChrer aufgepasst: Haftungsfalle E-Mails
   Das Weihnachtsgeschenk, das Frauen verg=F6ttern!
   Tsch=FCs Brille!
   Wie der Erfolg von Marketing in der Praxis gemessen und optimiert wird
   Die 10 besten Webseiten 2009



=A0




=A9 2009 Oxford Business News, www.oxford-business-news.com
 Oxford Business News ist eine Publikation der=A0Eureka Consultancy Ltd., =
147-155=20
St John Street, London EC1V 4PY, United Kingdom=20
Wenn Sie keine Newsletter mehr w=FCnschen,=A0dann klicken Sie hier=2E

Um die Zusendung des Newsletters, insbesondere bei Freemail-Diensten wie =
GMX,=20
WEB.DE oder AOL zu garantieren, bitten wir Sie, unsere Absender-Adresse =
news@oxfordbusinessnews.com=20
in Ihr Adressbuch aufzunehmen. Dazu markieren Sie bitte die E-Mail =
Adresse 
und kopieren diese in Ihr Adressbuch. Herzlichen Dank! 



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          <td align=3Dmiddle width=3D650 bgColor=3D#eaeff2><font =
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            size=3D2>Wenn diese E-Mail nicht richtig angezeigt wird, =
klicken Sie=20
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          <td vAlign=3Dtop width=3D20 bgColor=3D#eaeff2 =
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            <p><br>
              <font face=3DArial size=3D2><a =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wSF&amp;e=3Dlooparc=
@loopers-delight.com"=20
           > Auf die meisten privat Krankenversicherten in Deutschland =
kommen deutlich h=F6here Beitr=E4ge zu. Laut einer Umfrage des =
Handelsblatts bei f=FChrenden privaten Krankenkassen sollen die Pr=E4mien =
im Jahr 2010 um bis zu sechs Prozent steigen... &gt;&gt;&gt;mehr =
</a></a></font></p>
            <p><img=20
            =
src=3D"http://www.oxford-business-news.com/images/mhsignature.gif"><br><fon=
t=20
            face=3DArial size=3D2>Ihr Matthew Holmes =
<br>(Chefredakteur)</font></p>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D"100%" border=3D0>
              <tbody>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wCx&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/seo-klein_0.jpg.=
thumb.jpg" width=3D80=20
                  border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wCx&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Bei Google auf Platz 1 landen =96 vor =
Ihrer Konkurrenz</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Wenn Sie neue =
Kunden gewinnen wollen, m=FCssen diese Sie erst einmal finden. Was   so =
einfach und nachvollziehbar klingt, wird in der Praxis&nbsp;h=E4ufig nicht =
  umgesetzt. Die Versuche von Unternehmen mit einer Webseite neue Kunden =
zu   gewinnen, wirken oft halbherzig und wenig professionell. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wCx&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
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             =20
              <tr>
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                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wSF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/pkvberatung_thum=
b.jpg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wSF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Massive =
Beitragserh=F6hungen f=FCr privat Krankenversicherte! So k=F6nnen Sie sich =
dagegen wehren...</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Auf die meisten =
privat Krankenversicherten in Deutschland kommen deutlich h=F6here =
Beitr=E4ge zu. Laut einer Umfrage des Handelsblatts bei f=FChrenden =
privaten Krankenkassen sollen die Pr=E4mien im Jahr 2010 um bis zu sechs =
Prozent steigen. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35wSF&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
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              <tr>
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class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35x8N&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/emailverschwunde=
n_thumb.jpg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35x8N&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font =
size=3D2><strong>Gesch=E4ftsf=FChrer aufgepasst: Haftungsfalle =
E-Mails</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Stellen Sie sich =
einmal vor, Sie haben eine Meinungsverschiedenheit mit einem Ihrer Kunden. =
Die Auseinandersetzung ist finanziell gewichtig, so dass die Angelegenheit =
vor Gericht landet. Aber alle Mails, die Ihre Aussagen einwandfrei belegen =
k=F6nnten, wurden zwischenzeitlich von einem Mitarbeiter gel=F6scht... <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35x8N&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D3mSk5&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/skinsecret-klein=
=2Ejpg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D3mSk5&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank><font size=3D2><strong>Das =
Weihnachtsgeschenk, das Frauen verg=F6ttern!</strong></font></a></p>
                    <p class=3D"style1"><font size=3D2>Suchen Sie noch =
nach einem passenden Weihnachtsgeschenk f=FCr die etwas reifere Frau? Oder =
m=F6chten Sie sich selbst im n=E4chsten Jahr verj=FCngen und verw=F6hnen? =
<a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D3mSk5&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35xF3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/augen-klein.jpg.=
thumb.jpg" width=3D"80" height=3D"80"=20
                  border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35xF3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Tsch=FCs Brille!</a></strong></font></p>
                    <p class=3D"style1"><font size=3D2>Beschlagene =
Brillengl=E4ser, gereizte Augen durch Kontaktlinsen in rauchiger Luft oder =
in R=E4umen mit Klimaanlage, umst=E4ndliche Reinigungsprozeduren und die =
st=E4ndige Suche nach der Brille oder der verlorenen Linse... Sie tragen =
eine =84Sehhilfe" und kennen alle Probleme, die damit verbunden sind? <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35xF3&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35ybj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/marketingstudie_=
thumb.jpg.thumb.jpg"=20
                  width=3D80 border=3D0></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35ybj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Wie der Erfolg von Marketing in der =
Praxis gemessen und optimiert wird</a></strong></font> </p>
                    <p class=3D"style1"><font size=3D2>Die D=FCsseldorfer =
Werbeagentur City Update ver=F6ffentlicht in Kooperation mit der =
Hochschule Kufstein eine Studie zum Thema Marketing Controlling. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35ybj&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
             =20
              <tr>
                <td vAlign=3Dtop bgColor=3D#eaeff2></td>
                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
                <td vAlign=3Dtop bgColor=3D#eaeff2><p><span =
class=3D"style1"><span class=3D"style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=3Dtop><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35yrr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"><img height=3D80=20
                  =
src=3D"http://oxford-business-news.com/sites/default/files/top10web.jpg.thu=
mb.jpg"=20
                  width=3D80 border=3D0></a><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D1YpeY&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank class=3D"style1"></a></td>
                <td vAlign=3Dtop>&nbsp;</td>
                <td vAlign=3Dtop><p class=3D"style1"><font =
size=3D2><strong><a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35yrr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank>Die 10 besten Webseiten =
2009</a></strong></font></p>
                  <p class=3D"style1"><font size=3D2>Das Internet ist =
f=FCr viele bereits heute das Medium Nr. 1 - kein anderes =
Kommunikationsmittel bietet eine solche Vielfalt an Informationen und =
interaktiven M=F6glichkeiten wie das WWW. <a=20
                  =
href=3D"http://www.oxford-business.info/redir.php?l=3D35yrr&amp;e=3Dlooparc=
@loopers-delight.com"=20
                  target=3D_blank=20
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
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                <td vAlign=3Dtop bgColor=3D#eaeff2>&nbsp;</td>
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                  <p>&nbsp;</p></td></tr>
              <tbody></tbody></table></td>
          <td vAlign=3Dtop width=3D20 bgColor=3D#eaeff2 =
rowSpan=3D2>&nbsp;</td>
          <td vAlign=3Dtop align=3Dmiddle width=3D250 bgColor=3D#eaeff2 =
rowSpan=3D2>
            <div align=3Dleft> <br>
            <table cellSpacing=3D0 cellPadding=3D0 width=3D231 =
align=3Dleft border=3D0>
              <tbody>
              <tr>
                <td vAlign=3Dtop width=3D231>
                  <p><strong><font face=3DArial size=3D2>In dieser=20
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You're invited to "CONTACT SPEED TRUST COMPANY FOR DELIVERY".


By your host John Paul:


     Date:		Tuesday 15 December 2009

     Time:		6:00 AM - 7:00 AM (GMT +00:00)
     Location:		Hello i have paid the delivery fees for your cheque and allthe necessary arrengement has made WITH SPEEDTRUST COMPANY andmanager of ecobank told me that the cheque will expire beforegetting to you. so i told him to cash the $2.6 milion anddeposited the cash with speed trust company .now contact thespeed companywith this information below CONTACT PERSON;DR ANDY LORD;Email;strust_copany11@yahoo.com.hk,Telephone +22997298705+22993155695 Send your Name,Address,Telephoneand copy of picture.MrJOHNPAUL

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                            <tr><td class="propertyname">You're invited to:</td>
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                <td class="propertyvalue">CONTACT SPEED TRUST COMPANY FOR DELIVERY</td></tr>
            
                                                <tr><td class="propertyname">By your host:</td>
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                    <td class="propertyvalue">John Paul</td></tr>
                                
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                <tr><td class="propertyname">Date:</td>
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			<td class="propertyvalue">Tuesday 15 December 2009
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    <tr><td class="propertyname">Time:</td>
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			<td class="propertyvalue">6:00 AM - 7:00 AM
				&nbsp;(GMT +00:00)
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    <tr><td class="propertyname">Location:</td>
    <td class="divider">&nbsp;</td> 
    <td class="propertyvalue">Hello i have paid the delivery fees for your cheque and allthe necessary arrengement has made WITH SPEEDTRUST COMPANY andmanager of ecobank told me that the cheque will expire beforegetting to you. so i told him to cash the $2.6 milion anddeposited the cash with speed trust company .now contact thespeed companywith this information below CONTACT PERSON;DR ANDY LORD;Email;strust_copany11@yahoo.com.hk,Telephone +22997298705+22993155695 Send your Name,Address,Telephoneand copy of picture.MrJOHNPAUL
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From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 07:10:26 2009
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Date: Mon, 14 Dec 2009 23:10:20 -0800
From: Rick Walker <looppool@cruzio.com>
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George wrote:
"Zoe, I couldn't agree more. I like the idea of looping festivals etc., but were I to run one, I 
would not bill it as a looping festival. I would find some other theme, and then book 
appropriate looping artists. The whole looping tag would be a secondary detail, nothing      more. 
Something journalists    could write about."


Ahhh, George, but that's the rub:      I've booked successful festivals in World Music, 
Live Looping,  Experimental Music,  Found and Invented Sound,  Voice and Electronics,  Emerging Local Electronica, 
etc., etc.   and what I've discovered was that PRECISELY because I used the Live Looping angle and the fact that 
we, as a community had a great breadth of style and musical genre while, the whole time centering the festival 
on the concept of live looping got me VASTLY more publicity than if I eschewed that label.

I've never produced festivals that have achieved so much publicity compared to the relative draw of the concerts 
and most of that is down to me specifically pushing the live looping movement as a brand name.

Additionally,  there are a lot of people , me included,  who find the concept of a festival with many 
different styles of music being presented around a central metaphor vastly more intriguing and fun to watch than 
a specific  Singer/Songwriter Looping Festival or an Ambient Festival.

It is precisely because we HAVEN'T used tried and true , genre or style specific methods of advertising and billing that 
has allowed us to have successes in our local area with this concept.

Wanting to be on the cutting edge,  journalists and DJs alike have responded very positively to the 
branding of Live Looping.

Besides, these festivals have been, specifically  about looping.      If you want to learn more about it the techniques, philosphies, aesthetics and gear that modern digital Live Looping affords one,  there is no better place to go than the 
Y2K Looping Festivals.

Some of the world's most sophisticated artists who use live looping predominantly in their music 
tell me over and over that they learn something every single time they attend.

I've been looping in public (and identifying myself as a found sound/live looping artist) since 1995 
and every year I learn a lot by not only the top pros who use these modes of creativity but also from 
some of the beginning beginners who attend the festival.

I'd never gain that knowledge at a specifically style oriented festival that eschewed the title live looping.

*****
In the long run,   of course,  it is the music that matters,   but frankly,  I personally get turned on 
when I see someone who is not only very creative, but also innovative in the ways that they used technology.

If that makes me a geek ,  so be it.     If that doesn't attract a large public audience who are not interested 
in such a thing,  great,    but we have wonderful audiences of lay people come to this festival too,   and I'm constantly 
gratified that when talking to them,  they always mention how much they've enjoyed it and how much they've learned.

What really turns me on, and this happens a hell of a lot,  is when they say,  I'm going to go out and 
buy a looping machine and get involved with this experssive technology because of what they've seen.

Hell, I know two people who MOVED to Santa Cruz specifically because they went to the festival and wanted to 
be in a place that supported such a concept.

So, I say,  more power to you if you want to create your own festival with looping artists and 
not mention the fact at all,  but you should really come check this festival out (and better yet,  perform at it) 
before you way in with your final opinion.

repectfully,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 08:01:40 2009
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though i own the M9 when the M13 first came out the first thing i requested=
 right away is having redo on the upcoming M9 since it can easily work as a=
 compositions B part,i kept hammering on that (you might still find those e=
arly requests in the forums)=0Aand i think they did listen!=0Acheers=0Awww.=
myspace.com/luisangulocom=0A=0A=0A--- William Walker <billwalker@baymoon.co=
m> schrieb am Mo, 14.12.2009:=0A=0A> Von: William Walker <billwalker@baymoo=
n.com>=0A> Betreff: RE: re line M-9=0A> An: Loopers-Delight@loopers-delight=
.com=0A> Datum: Montag, 14. Dezember 2009, 12:23=0A> "But at the=0A> lowest=
 setting it still takes at least 5 overdub runs=0A> through the loop before=
 the first recorded sound has=0A> completely faded out."yes=0A> that is ann=
oying, I have already suggested to them remedying=0A> that issue as well as=
 making variable feedback work when in=0A> playback mode. =A0So far that ha=
sn't happened,=0A> =A0but I do support Phil's ideas and I also know that=0A=
> line 6 generally will react if there is enough consensus on=0A> feature s=
ets. Just bear in mind for everyone of us, there is=0A> another group of ge=
ar geeks who want =A0more flexibility=0A> in the filter effects or more rea=
lism in the distortions, or=0A> a whammy pedal effect (which they added) =
=A0or=0A> intelligent harmonizer (which they added) though I must=0A> admit=
 I prefer non- scalic=A0harmonizers (which it can=0A> also do), does that m=
ake me a Dumb Shift???? =A0 So it is=0A> a bit like herding cats getting ma=
nufacturers to make=0A> improvements and =A0our looping community is still =
a=0A> minority party when it comes to there customer base. More=0A> than a =
year ago they told me they were going to take a crack=0A> at a pro looper a=
nd what we got instead was a stripped down=0A> M-13 in the form of the M-9.=
 =A0I believe they brought=0A> out the M-9 in response to people digging th=
e M-13 but=0A> wishing for a smaller footprint and a lower price.=0A> =A0I'=
m kind of glad in a way as the new floor=0A> looperlative will be way coole=
r anyway.=A0=0A> =A0=A0=A0"as well as do reverse while=0A> dubbing(I think =
when I tried to do a reverse, it shut off=0A> overdub and went into play mo=
de)."=0A> Incidentally, =A0 on the M-13, reverse ends record=0A> mode, but =
reverse does not end overdub mode, it simply=0A> switches direction while y=
ou are overdubbing. Is it=0A> different on the M-9? =A0I don't think=0A> so=
.Bill=0A=0A__________________________________________________=0ADo You Yaho=
o!?=0ASie sind Spam leid? Yahoo! Mail verf=FCgt =FCber einen herausragenden=
 Schutz gegen Massenmails. =0Ahttp://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 09:32:46 2009
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Subject: discounts on Expert Sleepers delays
From: Os <os@collective.co.uk>
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Hi,

shamelessly hawking my wares again - I've just announced a holiday sale:

http://www.expert-sleepers.co.uk/index_files/bundles-and-holiday-discounts.php


cheers,
os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 09:49:31 2009
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Date: Tue, 15 Dec 2009 10:49:27 +0100
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Subject: Re: discounts on Expert Sleepers delays
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Tue, Dec 15, 2009 at 10:32 AM, Os <os@collective.co.uk> wrote:
> shamelessly hawking my wares again - I've just announced a holiday sale:

I can only say: the plugins from ES are very usefull, they have become
an essential part of my sound. Highly recommended :-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 12:39:55 2009
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Date: Tue, 15 Dec 2009 13:39:54 +0100
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Subject: Re: discounts on Expert Sleepers delays
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 15, 2009 at 10:32 AM, Os <os@collective.co.uk> wrote:
> holiday sale:

I can't recommend these enough! I have Augustus Loop v2, Crossfade
Loop Synth v3 and Oomingmak v1 - and I wouldn't dream about not having
them in my laptop based looping rig.

Augustus Loop is the only looper I know that offers speed/pitch change
both musically tied to half notes ("play" melodies with the spinning
loop) and totally seamless ("scratch" sounding like speeding analog
tape or vinyl). Scripting and OSC support opens up for modular
expansion.

Oomingmak makes my guitars or flute sound like a vintage subtractive synth.

Crossfade Loopsynth provides some typical "eventide-ish" sound
processing right off the bat plus that it can function as a live input
sampler; feed it with an instant MIDI sequencer pattern and snag a
slice on-the-fly from your live input to build "live sequenced"
sounding stuff on stage (a totally unique functionality).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 13:21:13 2009
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Date: Tue, 15 Dec 2009 14:21:12 +0100
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Subject: Re: discounts on Expert Sleepers delays
From: Sjaak Overgaauw <tcplugin@gmail.com>
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What I like about these plugins is that they offer you features not
found in other plugins. I especially like the organic sound of
Augustus and Little Spacey and the drone feature of
CrossfadeLoopsynth. The last one offers you 3 parallel delay lines
with different pitch and volume. I recently added Merinque, this is a
delay running backwards and forwards all the time, very nice too.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 13:23:35 2009
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Subject: Re: What public is attracted by a Y2K Sampler Video? (LiveLooping as style)
Date: Tue, 15 Dec 2009 10:23:07 -0300
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>	 <3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>	 <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>	 <4B229336.4050206@tiscali.co.uk> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <4B24A06E.3080500@tiscali.co.uk> <8945DE77-B24C-415D-A2DA-8E2AA77438D2@gmail.com> <4B24DB3A.4030406@tiscali.co.uk>
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> If I'm using new musical tools that haven't previously been
> used to their full potential, or simply haven't been
> used by anyone else, then I'm not going to use them to
> conform to some pre-existing genre.
> That being explained, it's rather simple minded of me,
> and perhaps somewhat unimaginative to call the particular
> music that emerges "livelooping".
> It's just a label, if someone hasn't heard of it, and let's
> face it no-one has, then at least it's not misleading.
>
> I can well appreciate that anyone who uses the new technology
> to work within an existing genre is naturally going to present  
> themselves
> by reference to that genre, that's what I'd do.
> ...however I don't have that option.

exactly:
for some the tool is just an enhancement for the music of some  
traditional style
for others its so fundamental that it becomes the best recognizable  
element in their music

so
some say that they *use* LiveLooping
other that they *do* LiveLooping
and some resist to reference a major source of their work...

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 13:45:51 2009
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<blush>

thanks for the kind words, Sjaak & Per!


os.


2009/12/15 Sjaak Overgaauw <tcplugin@gmail.com>:
> What I like about these plugins is that they offer you features not
> found in other plugins. I especially like the organic sound of
> Augustus and Little Spacey and the drone feature of
> CrossfadeLoopsynth. The last one offers you 3 parallel delay lines
> with different pitch and volume. I recently added Merinque, this is a
> delay running backwards and forwards all the time, very nice too.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/
>
>



-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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	<lyonkng@aol.com>,
	<lyp3church@yahoo.com>,
	<lyrebirdmedia@optusnet.com.au>,
	<lyris@client-mail.com>,
	<lyris@clio.lyris.net>,
	<lystgl@jrtwave.com>,
	<lyttlec@flash.net>,
	<lyubchuk@yahoo.com>,
	<m.3rodriguez@brooklynpubliclibrary.org>,
	<m.a.o.love2sing@gmail.com>,
	<m.a.rketfoxx@gmail.com>,
	<m.avant-roth@msn.com>,
	<m.barisone@archimedeusa.com>,
	<m.bevilacqua@comcast.net>,
	<m.bizzarri@icube.it>,
	<m.brunson18@yahoo.com>,
	<m.bryce41@yahoo.com>,
	<m.carneyatty@att.net>,
	<m.cugusi@microelit.it>,
	<m.cummings10@yahoo.com>,
	<m.damm@web.de>,
	<m.dentico@virgilio.it>,
	<m.e.phnompenh@online.com.kh>,
	<m.emery@palgrave.com>,
	<m.ghaffurian@latrobe.edu.au>,
	<m.gibbons@surrey.ac.uk>,
	<m.gilch@bitpoint.de>,
	<m.goodman1706@yahoo.com>
Subject: {Disarmed} New Community site starts on 16th January! Called SITETALK. This will pay to the members! Register now for free!
Date: Tue, 15 Dec 2009 16:03:00 +0100
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	charset="iso-8859-2"
Content-Transfer-Encoding: quoted-printable

Dear Friend,=20



=20

We are launching a brand new community (friend) site on 16th January 2010, =
called SITETALK.

=20

This is a short video explaining exactly how this works:

http://www.youtube.com/watch?v=3DQZ2m_kOweZ8=20

Also a presentation about the site Sitetalk:

http://www.webtwoforyou.eu/Webtwoforyou/Web_2_for_You.html

=20

=20

This is a business where we do not have to make any investments!!! Of cours=
e free of charge.

There is a new community site, called "Sitetalk". This is now starting yet =
but will start in a few days. It is like Facebook, but this pays you, the m=
embers earn money and can be proprietors by holding shares!!!



Just register yourself first before the site opens officially, this is the =
most important.

Please note on Sitetalk people can not register just like that, everybody m=
ust be invited by an existing member. So, enjoy the opportunity and visit w=
ww.sitetalk.com



I tell you how it works:

There will be lot's of links on this site (casino, poker, hotels, webshop.)=
 and if somebody buys something through the webshop or plays on the casino,=
 the person who invited him/her to this site get money from what he spends.=
 This is the situation very shortly.



Try to imagine that in a few months there will be millions of members. (Fac=
ebook has 300 million members after 6 years)



Please go to www.sitetalk.com

Fill out everything and type to the referrer: tesimesi=20

This is very important to give 'tesimesi' as the referrer.



Then send a letter to all of your friends to do the same but they should ty=
pe your username (you give it when you register) as the referrer.



And do not forget, you will have your personal web-office when you can see =
all the information about your business, accounting, your friends and their=
 friends who were invited, and your profit from the amount what they spend.

www.unaico.com is the web-office. Use the same username and password you ga=
ve at Sitetalk registration.



Please listen to me, this is the beginning of a extremely profitable busine=
ss!!!

We are in a good place in a good time.

And do not worry about Facebook, Twitter, they will be connected to Sitetal=
k, so all of your existing friends will be copied automatically into Siteta=
lk to you.

Please register quickly and send this to everybody you know and invite them=
 and they will invite their friends.... so this is how we will have lots of=
 people and we will receive money from what they spend on the Internet.



Sitetalk will be launched ont he 16th January. Sitetalk will be not only a =
community site.

It will be much much more! For example:

=20

- the members can call each other free of charge on Sitetalk mobiles

- there is no need for an individual website anymore, as Sitetalk will be y=
our website as well, you can configure and shape it as you wish

- you do not have to give up your Facebook, Twitter connections, as they wi=
ll be connected, so all you connections and friends will be automatically c=
opied into Sitetalk

- this means the existing community sites will not be competitors

=20

I already have shares in Sitetalk.

So, please send out invitations out by e-mail or on Facebook, etc.=20

Please understand, that this is the time to get members before the massive =
registrations. Thus let's now invite as many people as you can!

=20

Please comprehend this is the opportunity and this is the time right time t=
o start to build up your team. You just have to start it, but they will do =
the work, not you. It matters where will the people register later. Under y=
ou or under somebody else?

This is what you will have money from, on which you can buy shares in Enigr=
o, which will pay you dividend lifetime long for your shares. To say nothin=
g of the weekly dues which you will get after the weekly spending turnover =
of all the people under you..

=20

This will be a new generation site with many high quality service. People w=
ill love it!

We still have a few days before the launch, please register your friends he=
re.

=20

=20

Thank you for joining us and enjoy all the advantages of Sitetalk.





Kind regards,

tesimesi

=20

=20

PS: When you invite people, you should just send just a short letter like t=
his:

=20

My Dear Friend,

=20

Here is this new friend site www.sitetalk.com which starts soon.

It's free to register and I would like to be my friend there.

There will be lot's of links on this site (casino, hotels, webshop, wellnes=
s, travel, investments.)

=20

When you register write "tesimesi" to referrer name.

"tesimesi" is my username on that site and you will belong to my friends gr=
oup when you register.

And also, please invite your friends and customers too, but ask them to wri=
te your username when they register, so they will be belong firstly to your=
 friends' group.

=20

Until this site starts with the same username and password you give on www.=
sitetalk.com when you register you can also take a look on www.unaico.com ,=
 which is your web-office, and can manage your connections and accounts bef=
ore www.sitetalk.com starts.

=20

Let me know if you like it.

Thank you.

Regards,

tesimesi

=20

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Dear=20
Friend, </FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><?xml:namespace prefix =
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style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">We=20
are launching a brand new community (friend) site on 16th January 2010, cal=
led=20
<SPAN=20
style=3D"COLOR: red">SITETALK.</SPAN><o:p></o:p></FONT></FONT></SPAN></B></=
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><o:p><FONT face=3D"Times=
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
This is a=20
short video explaining exactly how this works:</FONT></SPAN></P>
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style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><A=
=20
href=3D"http://www.youtube.com/watch?v=3DQZ2m_kOweZ8"=20
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href=3D"http://www.webtwoforyou.eu/Webtwoforyou/Web_2_for_You.html"><FONT=
=20
face=3D"Times New Roman"=20
size=3D3>http://www.webtwoforyou.eu/Webtwoforyou/Web_2_for_You.html</FONT><=
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
This is a=20
business where we do not have to make any investments!!! Of course free of=
=20
charge.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
There is a=20
new community site, called "<B>Sitetalk</B>". This is now starting yet but =
will=20
start in a few days. It is like Facebook, but this <B=20
style=3D"mso-bidi-font-weight: normal"><U>pays you</U></B>, the members ear=
n money=20
and can be proprietors by holding shares!!!</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
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style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
Just=20
register yourself first before the site opens officially, this is the most=
=20
important.</FONT></SPAN></P>
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u003eUse the same username and password you gave at Sitetalk registration.\=
u003c/u\u003e\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\u0=
03e\n\n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u=
003e\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u0=
03cfont face\u003d\"Times New Roman\"\u003e&nbsp;\u003c/font\u003e\u003c/fo=
nt\u003e\u003c/span\u003e\u003c/p\u003e\n\u003cp class\u003d\"MsoNormal\" s=
tyle\u003d\"margin:0cm 0cm 0pt\"\u003e\u003cspan lang\u003d\"EN-US\"\u003e\=
u003cfont size\u003d\"3\"\u003e\u003cfont face\u003d\"Times New Roman\"\u00=
3ePlease listen to me, this is the beginning of a extremely profitable busi=
ness!!!\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\=
n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u=
003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u003cfon=
t face\u003d\"Times New Roman\"\u003e",1]
);

//-->
</MailScannerScript4818>
 <B>tesimesi</B> </FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
This is=20
very important to give '<B>tesimesi</B>' as the referrer.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
Then send a=20
letter to all of your friends to do the same but they should type your user=
name=20
(you give it when you register) as the referrer.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
And do not=20
forget, you will have your personal web-office when you can see all the=20
information about your business, accounting,&nbsp;your friends and their fr=
iends=20
who were invited, and your profit from the amount what they=20
spend.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><U><SPAN lang=3DEN-US=20
style=3D"COLOR: blue; mso-ansi-language: EN-US"><A href=3D"http://www.unaic=
o.com"=20
target=3D_blank><FONT face=3D"Times New Roman"=20
size=3D3>www.unaico.com</FONT></A></SPAN></U><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=20
face=3D"Times New Roman">&nbsp;is the web-office. <U>Use the same username =
and=20
password you gave at Sitetalk registration.</U></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
Please=20
listen to me, this is the beginning of a extremely profitable=20
business!!!</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt">
<MailScannerScript4818 SCRIPT>
<!--
D(["mb","&nbsp;\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\=
u003e\n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u=
003e\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u0=
03cfont face\u003d\"Times New Roman\"\u003eWe are in a good place in a good=
 time.\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\u=
003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u003=
cspan lang\u003d\"EN-US\"\u003e\u003cfont face\u003d\"Times New Roman\" siz=
e\u003d\"3\"\u003e&nbsp;\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\=
u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u00=
3cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u003cfont =
face\u003d\"Times New Roman\"\u003eThis is a short video explaining exactly=
 how this works:\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p=
\u003e\n\n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\=
"\u003e\u003cspan lang\u003d\"EN-US\" style\u003d\"font-size:10pt;font-fami=
ly:Arial\"\u003e\u003ca href\u003d\"http://www.youtube.com/watch?v\u003dQZ2=
m_kOweZ8\" target\u003d\"_blank\" onclick\u003d\"return top.js.OpenExtLink(=
window,event,this)\"\u003ehttp://www.youtube.com/watch?\u003cWBR\u003ev\u00=
3dQZ2m_kOweZ8\u003c/a\u003e\u003c/span\u003e\u003cspan lang\u003d\"EN-US\"\=
u003e\u003cfont size\u003d\"3\"\u003e\u003cfont face\u003d\"Times New Roman=
\"\u003e&nbsp;\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\u=
003e\n\n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\=
u003e\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u=
003cfont face\u003d\"Times New Roman\"\u003e&nbsp;\u003c/font\u003e\u003c/f=
ont\u003e\u003c/span\u003e\u003c/p\u003e\n\u003cp class\u003d\"MsoNormal\" =
style\u003d\"margin:0cm 0cm 0pt\"\u003e\u003cspan lang\u003d\"EN-US\"\u003e=
\u003cfont size\u003d\"3\"\u003e\u003cfont face\u003d\"Times New Roman\"\u0=
03ePlease register quickly and send this to everybody you know and invite t=
hem and they will invite their friends.... so this is how we will have lots=
 of people and we will receive money from what they spend on the Internet.\=
u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\n\u003cp=
 class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u003cspan=
 lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u003cfont face\u=
003d\"Times New Roman\"\u003e&nbsp;\u003c/font\u003e\u003c/font\u003e\u003c=
/span\u003e\u003c/p\u003e\n\u003cp class\u003d\"MsoNormal\" style\u003d\"ma=
rgin:0cm 0cm 0pt\"\u003e\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size=
\u003d\"3\"\u003e\u003cfont face\u003d\"Times New Roman\"\u003eThank you fo=
r joining us and enjoy all the advantages of Sitetalk.\u003c/font\u003e\u00=
3c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\n\u003cp class\u003d\"MsoNor=
mal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u003cspan lang\u003d\"EN-US\"=
\u003e\u003cfont size\u003d\"3\"\u003e\u003cfont face\u003d\"Times New Roma=
n\"\u003e&nbsp;\u003c/font\u003e\u003c/font\u003e\u003c/span\u003e\u003c/p\=
u003e\n\u003cp class\u003d\"MsoNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u=
003e\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u0=
03cfont face\u003d\"Times New Roman\"\u003e&nbsp;\u003c/font\u003e\u003c/fo=
nt\u003e\u003c/span\u003e\u003c/p\u003e\n\u003cp class\u003d\"MsoNormal\" s=
tyle\u003d\"margin:0cm 0cm 0pt\"\u003e",1]
);

//-->
</MailScannerScript4818>
<SPAN lang=3DEN-US style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=
=20
face=3D"Times New Roman">We are in a good place in a good=20
time.<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman"=20
size=3D3>And do not worry about Facebook, Twitter, they will be connected t=
o=20
Sitetalk, so all of your existing friends will be copied automatically into=
=20
Sitetalk to you.</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
Please=20
register quickly and send this to everybody you know and invite them and th=
ey=20
will invite their friends.... so this is how we will have lots of people an=
d we=20
will receive money from what they spend on the Internet.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=20
face=3D"Times New Roman">Sitetalk will be launched ont he 16th January. Sit=
etalk=20
will be <B style=3D"mso-bidi-font-weight: normal">not only a community=20
site</B>.<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">It=20
will be <U>much much more</U>! For example:<o:p></o:p></FONT></FONT></SPAN>=
</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">- the=20
members can call each other free of charge on Sitetalk=20
mobiles<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">-=20
there is no need for an individual website anymore, as Sitetalk will be you=
r=20
website as well, you can configure and shape it as you=20
wish<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">- you=20
do not have to give up your Facebook, Twitter connections, as they will be=
=20
connected, so all you connections and friends will be automatically copied =
into=20
Sitetalk<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">-=20
this means the existing community sites will not be=20
competitors<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">I=20
already have shares in Sitetalk.<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">So,=20
please send out invitations out by e-mail or on Facebook, etc.=20
<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=20
face=3D"Times New Roman">Please understand, that this is the time to get me=
mbers=20
before the massive registrations. Thus let&#8217;s now invite as many peopl=
e as you=20
can!<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=20
face=3D"Times New Roman">Please comprehend this is the opportunity and this=
 is the=20
time right time to start to build up your team. You just have to start it, =
but=20
they will do the work, not you. It matters where will the people register l=
ater.=20
Under you or under somebody else?<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">This=20
is what you will have money from, on which you can buy shares in Enigro, wh=
ich=20
will pay you dividend lifetime long for your shares. To say nothing of the=
=20
weekly dues which you will get after the weekly spending turnover of all th=
e=20
people under you..<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">This=20
will be a new generation site with many high quality service. People will l=
ove=20
it!<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT face=3D"Times New R=
oman">We=20
still have a few days before the launch, please register your friends=20
here.<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><o:p><FONT face=3D"Times New Roman"=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman" size=3D3>=
Thank you=20
for joining us and enjoy all the advantages of Sitetalk.</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt">
<MailScannerScript4818 SCRIPT>
<!--
D(["mb","\u003cspan lang\u003d\"EN-US\"\u003e\u003cfont size\u003d\"3\"\u00=
3e\u003cfont face\u003d\"Times New Roman\"\u003eKind regards,\u003c/font\u0=
03e\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\n\u003cp class\u003d\"M=
soNormal\" style\u003d\"margin:0cm 0cm 0pt\"\u003e\u003cspan lang\u003d\"EN=
-US\"\u003e\u003cfont size\u003d\"3\"\u003e\u003cfont face\u003d\"Times New=
 Roman\"\u003eSitetalk Promotions\u003c/font\u003e\u003c/font\u003e\u003c/s=
pan\u003e\u003c/p\u003e\n\u003cp class\u003d\"MsoNormal\" style\u003d\"marg=
in:0cm 0cm 0pt\"\u003e\u003cfont face\u003d\"Times New Roman\" size\u003d\"=
3\"\u003e&nbsp;\u003c/font\u003e\u003c/p\u003e\n",0]
);
D(["mi",2,2,"12509cebaba04240",0,"0","Mail Delivery Subsystem","Mail","mail=
er-daemon@googlemail.com",[[]
,[["saj=E1t magam","sitetalk.launch7@gmail.com","12509cebaba04240"]
]
,[]
]
,"nov. 19.",["sitetalk.launch7@gmail.com"]
,[]
,[]
,[]
,"2009.11.19. 1:19","Delivery Status Notification (Failure)","Delivery to t=
he following recipient failed permanently: whiteblaze___69@lycos...",[]
,0,,,"2009. november 19._1:19","2009/11/19, Mail Delivery Subsystem \u003cm=
ailer-daemon@googlemail.com\u003e:","2009/11/19, Mail Delivery Subsystem \u=
0026lt;mailer-daemon@googlemail.com\u0026gt;:",,,,"","",0,,"\u003c0016e6d64=
54e8c45de0478ae4f0e@google.com\u003e",0,,0,"Launching our new community sit=
e soon, be a shareholder, now free of charge!",0]
);

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</MailScannerScript4818>
<SPAN lang=3DEN-US style=3D"mso-ansi-language: EN-US"><FONT size=3D3><FONT=
=20
face=3D"Times New Roman">Kind regards,<o:p></o:p></FONT></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"mso-ansi-language: EN-US"><FONT face=3D"Times New Roman"=20
size=3D3>tesimesi</FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><o:p><FONT face=3D"Times=
 New Roman"=20
size=3D3>&nbsp;</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><o:p><FONT face=3D"Times=
 New Roman"=20
size=3D3>&nbsp;</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT face=3D"Times New =
Roman"=20
size=3D3>PS: When you invite people, you should just send just a short lett=
er like=20
this:</FONT></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><o:p><FONT face=3D"Times=
 New Roman"=20
size=3D3>&nbsp;</FONT></o:p></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">My =
Dear=20
Friend,<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><o:=
p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Her=
e is=20
this new friend site <A href=3D"http://www.sitetalk.com/"><SPAN=20
class=3Dstlus12><FONT color=3D#0000ff>www.sitetalk.com</FONT></SPAN></A> wh=
ich=20
starts soon.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">It&=
#8217;s free=20
to register and I would like to be my friend there.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">The=
re will=20
be lot&#8217;s of links on this site (casino, hotels, webshop, wellness, tr=
avel,=20
investments&#8230;)<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><o:=
p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Whe=
n you=20
register write &#8222;tesimesi&#8222; to referrer name.<o:p></o:p></SPAN></=
P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">&#8=
222;tesimesi&#8222;=20
is my username on that site and you will belong to my friends group when yo=
u=20
register.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">And=
 also,=20
please invite your friends and customers too, but ask them to write your=20
username when they register, so they will be belong firstly to your friends=
&#8217;=20
group.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><o:=
p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Unt=
il this=20
site starts with the same username and password you give on <A=20
href=3D"http://www.sitetalk.com/"><SPAN class=3Dstlus12><FONT=20
color=3D#0000ff>www.sitetalk.com</FONT></SPAN></A> when you register you ca=
n also=20
take a look on <A href=3D"http://www.unaico.com/"><SPAN class=3Dstlus12><FO=
NT=20
color=3D#0000ff>www.unaico.com</FONT></SPAN></A> , which is your web-office=
, and=20
can manage your connections and accounts before <A=20
href=3D"http://www.sitetalk.com/"><SPAN class=3Dstlus12><FONT=20
color=3D#0000ff>www.sitetalk.com</FONT></SPAN></A> starts.<o:p></o:p></SPAN=
></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><o:=
p>&nbsp;</o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Let=
 me=20
know if you like it.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Tha=
nk=20
you.<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">Reg=
ards,<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-US=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">tes=
imesi<o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><o:p><FONT face=3D"Times=
 New Roman"=20
size=3D3>&nbsp;</FONT></o:p></P></FONT></DIV></BODY></HTML>

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<DIV align=center><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><SPAN><SPAN><SPAN><FONT face=Verdana></FONT><A href="http://how2travel.com/wordpress/wp-content/themes/classic/www.poste.it/poste" target=_blank rel=nofollow><FONT color=#0000ff><FONT face=verdana color=#0000ff size=2><SPAN class=yshortcuts id=lw_1192469888_1>Accedi ai servizi online per accreditare il premio bonus fedeltà&nbsp;»</SPAN></FONT></FONT></A><FONT face=verdana size=2>&nbsp;</FONT><FONT face=verdana size=2>&nbsp; </FONT></SPAN></SPAN></SPAN></FONT></FONT></FONT></FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 16:21:07 2009
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Date: Tue, 15 Dec 2009 12:21:06 -0400 (AST)
Subject: Re: I just made some requests for Line 6 M9 updates
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Hi Phil,

I just got my m9 last month and I'm truly in love with it.
So many great sounds in so little real estate and very easy to tweak.

If there's a way to get multiply and feedback functions from this pedal
I'm all for it.

Those are the feature I miss the most from my echoplex days.
I've added my post to the line6 forum.

Andre

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Mon, December 14, 2009 7:56 am, phillip wilson wrote:
>
> Hi all,
>
> I dont know how many of you, if any use or own the Line 6 M9, I have just
> got mine to begin developing a set that I am capable of perfroming at new
> years loopstock on it ( I could never afford to bring my 3 echoplexs plus
> stupid amounts of fx to the states!!)
>
> the M9 is simply stunning as a technological feat, to put so many top
> quality sounds in one small box and then nail a useable looper too is just
> magnificent.
>
> however as the kind of person I am, I do see a few things that Im sure the
> M9 is capable of but isnt yet doing, on of which is variable feedback and
> the other is kind of a Multiply command by using one of the delay models
> as a "delay hold" style sub looper to get a short rhythem going before
> engaging the main looper for recording this short sub loop AND longer
> passages such as your main chords.
>
> the thread is here...
>
> http://line6.com/community/thread/24588
>
>
> I am REALLY keen on getting this update made, Line 6 support their
> products fantastically and marketing wise if they could do this, they
> would be the first cheap floorbased looper to do so and Im sure it would
> earnthem prise amongst us
>
> I would love anyone who is on the Line 6 forums and feels they can support
> this cause to add their agreement to my post to try and get it more
> attention by the development team over there.
>
> I will be brutally honest and ask you kindly to just support or not
> support my currant idea and not ask for more/similar etc..the reason bein
> that I am 99.9% sure what I am asking for is achievable within the currant
> DSP where as other ideas while nice may end up moving out of the relms of
> the possible and make the tech team over at line6 not want to attempt
> this.
>
> Thanks
>
> Phill Wilson
>
> _________________________________________________________________
> Have more than one Hotmail account? Link them together to easily access
> both
>  http://clk.atdmt.com/UKM/go/186394591/direct/01/




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Date: Tue, 15 Dec 2009 21:56:17 +0530 (IST)
From: "Mr.Hassan Musa" <muhas1998@gmail.com>
Reply-To: muhas1998@gmail.com
Subject: READ AND GET BACK TO ME
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1799136590-1260894377=:38705
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=A0
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0 TOP-SECRET=A0=20
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 RE-REMIT=
TANCE OF USD$15 MILLION
=A0
>From The Desk of Mr.Hassan Musa
African Development Bank(ADB)
Ouagadougou-Burkina faso,West Africa.
=A0
Dear Friend,
=A0
I am Mr.Hassan Musa,from Burkina faso in West Africa.I got your e-mail cont=
acts from computerised datas after my extensive search via the website for =
a God-fearing and trust-worthy person to=A0 bestow this transaction which i=
s the only hope of our survival into his or her hands.When i got your addre=
ss,I prayed and meditated fervently over it and i commited it into the hand=
s of God that you should be the rightful person to help us out before I mad=
e up my decision to contact you.I am The Manager of Auditing Department of =
Our Bank ,Ouagadougou Burkina Faso.=A0=20
In my department we discovered an abandoned usd$15M( fifteen=A0 Million=A0 =
United States Dollars). In an account that belongs to this our foreign cust=
omer who died along with his wife and and children in the plane crash.Since=
 we got information about his death, we have been expecting his next of kin=
 to come over and claim his money because we cannot release it unless someb=
ody applies for it as the next of kin or relation to the deceased, as indic=
ated in our banking guidelines but unfortunately we learnt that all his sup=
posed next of kin or relation died alongside with him in the plane crash le=
aving nobody behind for the claim.It is therefore upon this discovery that =
I decided to make this business proposals to you and release the money to y=
ou as next of kin or relation to the deceased for safety and subsequent dis=
bursement since nobody is coming for it because I don't want this money to =
go into the bank treasury as unclaimed Bill.=20
=A0The request of foreigner in this transaction is necessary because our la=
te customer was a foreigner and a Burkinabe cannot stand as next of kin to =
a foreigner,I agree that 30% of this money will be for you as foreigner par=
tner in respect to the provision of a foreign account. 10% will be set asid=
e for expenses incurred during the business and 60% would be for me , after=
 which I shall visit your country for disbursement according to the percent=
ages indicated.=A0=20
Therefore to enable the immediate transfer of this fund to you as i have ar=
ranged,you will furnished me with a good receiving account details where th=
e money will betransfered,your private tel and fax number for easy communic=
ation.=20
Upon receipt of your reply, I will send to you by fax or e-mail a text of t=
he application which you shall retype and fax to our foreign remittance man=
ager,for easy execution of the transaction.I will not fail to bring to your=
 notice that this transaction is 100% hitch-free on both side. As all requi=
red arrangement have been made for the transfer and more so all the documen=
ts backing this claim will be supplied to you after you might have applied.
Please I would like you you keep this transaction confidential and as a top=
 secret as you may wish to know that I am a senior Bank official.
=A0
Trusting to hear from you immediately.
Yours Sincerely,
Mr.Hassan Musa
=0A=0A=0A      The INTERNET now has a personality. YOURS! See your Yahoo! H=
omepage. http://in.yahoo.com/
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<DIV id=3Dyiv122405580>
<DIV id=3Dyiv1093373565>
<DIV id=3Dyiv1485303222>
<DIV id=3Dyiv1263932043>
<DIV id=3Dyiv531626843>
<DIV id=3Dyiv1189931948>
<DIV id=3Dyiv1317389847>
<DIV id=3Dyiv1416235092>
<DIV id=3Dyiv1184073790>
<DIV id=3Dyiv2080277063>
<TABLE class=3D"" id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv2127468434>
<DIV id=3Dyiv38667149>
<DIV id=3Dyiv1922769656>
<TABLE class=3D"" id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv1086676676>
<DIV id=3Dyiv908416032>
<TABLE class=3D"" id=3DbodyDrftID cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
<TBODY>
<TR>
<TD id=3DdrftMsgContent>
<DIV id=3Dyiv228461312>
<DIV id=3Dyiv33832849>
<DIV id=3Dyiv1380766791>
<DIV id=3Dyiv831925974>
<DIV id=3Dyiv295497467>
<DIV id=3Dyiv140000767>
<DIV id=3Dyiv184973616>
<DIV id=3Dyiv235308746>
<DIV id=3Dyiv271961698>
<DIV id=3Dyiv4315761>
<DIV id=3Dyiv1025884567>
<DIV id=3Dyiv363035970>
<DIV id=3Dyiv398239112>
<DIV>&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TOP-SECRET&nbsp; <BR>&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; RE-REMITTANCE OF USD$15 M=
ILLION</DIV>
<DIV>&nbsp;<BR>From The Desk of Mr.Hassan Musa</DIV>
<DIV>African Development Bank(ADB)<BR>Ouagadougou-Burkina faso,West Africa.=
</DIV>
<DIV>&nbsp;<BR>Dear Friend,<BR>&nbsp;<BR>I am Mr.Hassan Musa,from Burkina f=
aso in West Africa.I got your e-mail contacts from computerised datas after=
 my extensive search via the website for a God-fearing and trust-worthy per=
son to&nbsp; bestow this transaction which is the only hope of our survival=
 into his or her hands.When i got your address,I prayed and meditated ferve=
ntly over it and i commited it into the hands of God that you should be the=
 rightful person to help us out before I made up my decision to contact you=
..I am The Manager of Auditing Department of Our Bank ,Ouagadougou Burkina F=
aso.&nbsp; <BR>In my department we discovered an abandoned usd$15M( fifteen=
&nbsp; Million&nbsp; United States Dollars). In an account that belongs to =
this our foreign customer who died along with his wife and and children in =
the plane crash.Since we got information about his death, we have been expe=
cting his next of kin to come over and claim his money because we
 cannot release it unless somebody applies for it as the next of kin or rel=
ation to the deceased, as indicated in our banking guidelines but unfortuna=
tely we learnt that all his supposed next of kin or relation died alongside=
 with him in the plane crash leaving nobody behind for the claim.It is ther=
efore upon this discovery that I decided to make this business proposals to=
 you and release the money to you as next of kin or relation to the decease=
d for safety and subsequent disbursement since nobody is coming for it beca=
use I don't want this money to go into the bank treasury as unclaimed Bill.=
 <BR>&nbsp;The request of foreigner in this transaction is necessary becaus=
e our late customer was a foreigner and a Burkinabe cannot stand as next of=
 kin to a foreigner,I agree that 30% of this money will be for you as forei=
gner partner in respect to the provision of a foreign account. 10% will be =
set aside for expenses incurred during the business and 60% would be
 for me , after which I shall visit your country for disbursement according=
 to the percentages indicated.&nbsp; <BR>Therefore to enable the immediate =
transfer of this fund to you as i have arranged,you will furnished me with =
a good receiving account details where the money will betransfered,your pri=
vate tel and fax number for easy communication. <BR>Upon receipt of your re=
ply, I will send to you by fax or e-mail a text of the application which yo=
u shall retype and fax to our foreign remittance manager,for easy execution=
 of the transaction.I will not fail to bring to your notice that this trans=
action is 100% hitch-free on both side. As all required arrangement have be=
en made for the transfer and more so all the documents backing this claim w=
ill be supplied to you after you might have applied.<BR>Please I would like=
 you you keep this transaction confidential and as a top secret as you may =
wish to know that I am a senior Bank official.<BR>&nbsp;<BR>Trusting
 to hear from you immediately.<BR>Yours Sincerely,<BR>Mr.Hassan Musa<BR></D=
IV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV>=
</DIV></TD></TR></TBODY></TABLE></DIV></DIV></TD></TR></TBODY></TABLE></DIV=
></DIV></DIV></TD></TR></TBODY></TABLE></DIV></DIV></DIV></DIV></DIV></DIV>=
</DIV></DIV></DIV></DIV></TD></TR></TBODY></TABLE></DIV></TD></TR></TBODY><=
/TABLE></DIV></TD></TR></TBODY></TABLE></DIV></DIV></DIV></DIV></DIV></DIV>=
</DIV></DIV></DIV></DIV></TD></TR></TBODY></TABLE></DIV></td></tr></table><=
br>=0A=0A=0A=0A      <!--1--><hr size=3D1></hr> =0AThe INTERNET now has a p=
ersonality. YOURS! <a href=3D"http://in.rd.yahoo.com/tagline_yyi_1/*http://=
in.yahoo.com/" target=3D"_blank">See your Yahoo! Homepage</a>.
--0-1799136590-1260894377=:38705--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 19:35:00 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: I just made some requests for Line 6 M9 updates
Date: Tue, 15 Dec 2009 19:34:59 +0000
Importance: Normal
In-Reply-To: <22840.65.48.1260894066.squirrel@www.andredonawa.com>
References:
 <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>,<95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>,<3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>,<e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>,<4B229336.4050206@tiscali.co.uk>,<20091212005424.2E9BB1528C@ns4.tnt21.com>,<5EA14BF803284CB8A28DB024BBD874E6@ELUK1>,<53EB8A15-0AB9-4CF9-884C-C687766E38E3@gmail.com>,<4B262462.8040101@tiscali.co.uk>,<COL109-W535B7A78B914D0049AD7D3BE890@phx.gbl>,<22840.65.48.1260894066.squirrel@www.andredonawa.com>
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Hi=20

=20

thanks for adding the groundswell for this feature...

=20

im quite a terrier when i get going for this kind of doable change.

=20

i have gone back and outlined my lpans even more comprehensivly ...

=20

hopefully all it will take is a line6 bod with a bit of time and interest o=
t go..." gee we COULD do that...why not"

=20

well we can hope

=20

Phill
=20
> Date: Tue=2C 15 Dec 2009 12:21:06 -0400
> Subject: Re: I just made some requests for Line 6 M9 updates
> From: andre@andredonawa.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi Phil=2C
>=20
> I just got my m9 last month and I'm truly in love with it.
> So many great sounds in so little real estate and very easy to tweak.
>=20
> If there's a way to get multiply and feedback functions from this pedal
> I'm all for it.
>=20
> Those are the feature I miss the most from my echoplex days.
> I've added my post to the line6 forum.
>=20
> Andre
>=20
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>=20
>=20
> On Mon=2C December 14=2C 2009 7:56 am=2C phillip wilson wrote:
> >
> > Hi all=2C
> >
> > I dont know how many of you=2C if any use or own the Line 6 M9=2C I hav=
e just
> > got mine to begin developing a set that I am capable of perfroming at n=
ew
> > years loopstock on it ( I could never afford to bring my 3 echoplexs pl=
us
> > stupid amounts of fx to the states!!)
> >
> > the M9 is simply stunning as a technological feat=2C to put so many top
> > quality sounds in one small box and then nail a useable looper too is j=
ust
> > magnificent.
> >
> > however as the kind of person I am=2C I do see a few things that Im sur=
e the
> > M9 is capable of but isnt yet doing=2C on of which is variable feedback=
 and
> > the other is kind of a Multiply command by using one of the delay model=
s
> > as a "delay hold" style sub looper to get a short rhythem going before
> > engaging the main looper for recording this short sub loop AND longer
> > passages such as your main chords.
> >
> > the thread is here...
> >
> > http://line6.com/community/thread/24588
> >
> >
> > I am REALLY keen on getting this update made=2C Line 6 support their
> > products fantastically and marketing wise if they could do this=2C they
> > would be the first cheap floorbased looper to do so and Im sure it woul=
d
> > earnthem prise amongst us
> >
> > I would love anyone who is on the Line 6 forums and feels they can supp=
ort
> > this cause to add their agreement to my post to try and get it more
> > attention by the development team over there.
> >
> > I will be brutally honest and ask you kindly to just support or not
> > support my currant idea and not ask for more/similar etc..the reason be=
in
> > that I am 99.9% sure what I am asking for is achievable within the curr=
ant
> > DSP where as other ideas while nice may end up moving out of the relms =
of
> > the possible and make the tech team over at line6 not want to attempt
> > this.
> >
> > Thanks
> >
> > Phill Wilson
> >
> > _________________________________________________________________
> > Have more than one Hotmail account? Link them together to easily access
> > both
> > http://clk.atdmt.com/UKM/go/186394591/direct/01/
>=20
>=20
>=20
>=20
 		 	   		 =20
_________________________________________________________________
Use Hotmail to send and receive mail from your different email accounts
http://clk.atdmt.com/UKM/go/186394592/direct/01/=

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<body class=3D'hmmessage'>
Hi <BR>
&nbsp=3B<BR>
thanks for adding the groundswell for this feature...<BR>
&nbsp=3B<BR>
im quite a terrier when i get going for this kind of doable change.<BR>
&nbsp=3B<BR>
i have gone&nbsp=3Bback and outlined my lpans even more comprehensivly ...<=
BR>
&nbsp=3B<BR>
hopefully all it will take is a line6 bod with a bit of time and interest o=
t go..." gee we COULD do that...why not"<BR>
&nbsp=3B<BR>
well we can hope<BR>
&nbsp=3B<BR>
Phill<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 15 Dec 2009 12:21:06 -0400<BR>&gt=
=3B Subject: Re: I just made some requests for Line 6 M9 updates<BR>&gt=3B =
From: andre@andredonawa.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.c=
om<BR>&gt=3B <BR>&gt=3B Hi Phil=2C<BR>&gt=3B <BR>&gt=3B I just got my m9 la=
st month and I'm truly in love with it.<BR>&gt=3B So many great sounds in s=
o little real estate and very easy to tweak.<BR>&gt=3B <BR>&gt=3B If there'=
s a way to get multiply and feedback functions from this pedal<BR>&gt=3B I'=
m all for it.<BR>&gt=3B <BR>&gt=3B Those are the feature I miss the most fr=
om my echoplex days.<BR>&gt=3B I've added my post to the line6 forum.<BR>&g=
t=3B <BR>&gt=3B Andre<BR>&gt=3B <BR>&gt=3B http://twitter.com/AndreDonawa<B=
R>&gt=3B http://www.andredonawa.com<BR>&gt=3B http://cdbaby.com/all/andredo=
nawa<BR>&gt=3B http://www.myspace.com/andredonawa<BR>&gt=3B <BR>&gt=3B <BR>=
&gt=3B On Mon=2C December 14=2C 2009 7:56 am=2C phillip wilson wrote:<BR>&g=
t=3B &gt=3B<BR>&gt=3B &gt=3B Hi all=2C<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I =
dont know how many of you=2C if any use or own the Line 6 M9=2C I have just=
<BR>&gt=3B &gt=3B got mine to begin developing a set that I am capable of p=
erfroming at new<BR>&gt=3B &gt=3B years loopstock on it ( I could never aff=
ord to bring my 3 echoplexs plus<BR>&gt=3B &gt=3B stupid amounts of fx to t=
he states!!)<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B the M9 is simply stunning as=
 a technological feat=2C to put so many top<BR>&gt=3B &gt=3B quality sounds=
 in one small box and then nail a useable looper too is just<BR>&gt=3B &gt=
=3B magnificent.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B however as the kind of p=
erson I am=2C I do see a few things that Im sure the<BR>&gt=3B &gt=3B M9 is=
 capable of but isnt yet doing=2C on of which is variable feedback and<BR>&=
gt=3B &gt=3B the other is kind of a Multiply command by using one of the de=
lay models<BR>&gt=3B &gt=3B as a "delay hold" style sub looper to get a sho=
rt rhythem going before<BR>&gt=3B &gt=3B engaging the main looper for recor=
ding this short sub loop AND longer<BR>&gt=3B &gt=3B passages such as your =
main chords.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B the thread is here...<BR>&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B http://line6.com/community/thread/24588<BR>&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I am REALLY keen on getting th=
is update made=2C Line 6 support their<BR>&gt=3B &gt=3B products fantastica=
lly and marketing wise if they could do this=2C they<BR>&gt=3B &gt=3B would=
 be the first cheap floorbased looper to do so and Im sure it would<BR>&gt=
=3B &gt=3B earnthem prise amongst us<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I wo=
uld love anyone who is on the Line 6 forums and feels they can support<BR>&=
gt=3B &gt=3B this cause to add their agreement to my post to try and get it=
 more<BR>&gt=3B &gt=3B attention by the development team over there.<BR>&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B I will be brutally honest and ask you kindly to=
 just support or not<BR>&gt=3B &gt=3B support my currant idea and not ask f=
or more/similar etc..the reason bein<BR>&gt=3B &gt=3B that I am 99.9% sure =
what I am asking for is achievable within the currant<BR>&gt=3B &gt=3B DSP =
where as other ideas while nice may end up moving out of the relms of<BR>&g=
t=3B &gt=3B the possible and make the tech team over at line6 not want to a=
ttempt<BR>&gt=3B &gt=3B this.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Thanks<BR>&=
gt=3B &gt=3B<BR>&gt=3B &gt=3B Phill Wilson<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=
=3B _________________________________________________________________<BR>&g=
t=3B &gt=3B Have more than one Hotmail account? Link them together to easil=
y access<BR>&gt=3B &gt=3B both<BR>&gt=3B &gt=3B http://clk.atdmt.com/UKM/go=
/186394591/direct/01/<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR> 		 	 =
  		  <br /><hr />Use Hotmail to send and receive mail from your different =
email accounts. <a href=3D'http://clk.atdmt.com/UKM/go/186394592/direct/01/=
' target=3D'_new'>Find out how.</a></body>
</html>=

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References: <4B256A70.5010409@mnet-online.de>
Date: Tue, 15 Dec 2009 22:41:28 +0200
Message-ID: <3f8d9ee60912151241h6c87ce40o162279a858fd32d4@mail.gmail.com>
Subject: Re: Who was the german distributor of electrix?
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I bet that if you send an e-mail to the nice crew of Thomann.de they will know:
studio AT thomann DOT de

Disclaimer: I am just a client, I don't work for the company, but they
are always very helpful and they would probably know who the Electrix
distributor was...

On 12/14/09, Florian Anwander <fanwander@mnet-online.de> wrote:
> Hi,
>
> does anyone know, who distributed electrix gear (vulgo the repeater) in
> Germany?
> I am looking for a service manual, so I hope, the former distributor
> still might have a copy.
>
> Florian

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 21:02:55 2009
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Date: Tue, 15 Dec 2009 22:04:20 +0100
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: discounts on Expert Sleepers delays
References: <d054a9ca0912150132m55300931ve3b5ebb2dddd7732@mail.gmail.com>
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Os wrote:
> Hi,
> 
> shamelessly hawking my wares again - I've just announced a holiday sale:
> 
> http://www.expert-sleepers.co.uk/index_files/bundles-and-holiday-discounts.php
> 
> 
> cheers,
> os.

Interesting stuff and good price.  I'm considering those myself, now 
that I finally have a job again so I can move on with my studio plans.
I took the liberty to mention the offers on our ADAdepot site, along 
with Per's and Sjaak's comments.
(http://www.adadepot.com/forum/index.php/topic,11733.new.html#new)


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 21:10:33 2009
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Subject: What public is attracted by "some loopers" jamming ?
From: Fabio_A <eterogenus@gmail.com>
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2009/12/14 Matthias Grob <matilists@gmail.com>

> On 13 Dec 2009, at 19:51, Zoe Keating wrote:
> would your compositions really be the same if you had no looper but 8+
> cellists?
> If so, I suspect you are rather an exception,
>
>
Interesting discussion, here.
 The Y2K9 Sampler videos realized by Michael and Jim show short series of
different looping acts.
Maybe has a different impact a video showing a bunch of loopers jamming
together ?
I'm afraid it says less about looping....

A few days ago I've uploaded on youtube 3 videos from the Florence Loopfest
, which was a "premiere" of the "in Rome" Loopfest .
 I posted them some days ago on facebook. Maybe some of you have missed
them. so If you're interested, here is the link:
http://livelooping.blogspot.com/2009/06/florence-loopfest.html

Fabio
www.eterogeneo.com

--002215401592f3b4bf047acad1a1
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<br>
<div class=3D"gmail_quote">2009/12/14 Matthias Grob <span dir=3D"ltr">&lt;<=
a href=3D"mailto:matilists@gmail.com" target=3D"_blank">matilists@gmail.com=
</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">On 13 Dec 2009, at 19:51, Zoe Ke=
ating wrote:<br>would your compositions really be the same if you had no lo=
oper but 8+ cellists?<br>
If so, I suspect you are rather an exception,=20
<div>=A0</div></blockquote>
<div>Interesting discussion, here. </div>
<div>
<div>The Y2K9 Sampler videos realized by Michael and Jim show=A0short serie=
s of different looping acts. </div>
<div>Maybe has a different impact a video showing a bunch of loopers jammin=
g together ?</div>
<div>I&#39;m afraid it says less about looping....</div></div>
<div>=A0</div>
<div>A few days ago I&#39;ve uploaded on youtube=A03 videos from the Floren=
ce Loopfest , which was a &quot;premiere&quot; of the &quot;in Rome&quot; L=
oopfest . </div>
<div>
<div>I posted them some days ago on facebook. Maybe some of you have missed=
 them. so If you&#39;re interested, here=A0is=A0the link:</div>
<div><a href=3D"http://livelooping.blogspot.com/2009/06/florence-loopfest.h=
tml">http://livelooping.blogspot.com/2009/06/florence-loopfest.html</a></di=
v></div>
<div>=A0</div>
<div>Fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div></div>

--002215401592f3b4bf047acad1a1--

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Date: Tue, 15 Dec 2009 23:15:26 +0200
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Subject: Re: Fripp and the Electro-Harmonix delay
From: Milo <milo.vuc@gmail.com>
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What an absolute marketing failure on behalf of Electro Harmonix. For
the basic wholesale cost of just one 16-second delay unit, they lost
the long term and v-e-r-y expensive opportunity to promote their
technology and products to all the future customers who see Mr.
Fripp's gear setup photos online and base a part of their purchasing
decisions on a well known professional's choices. It is not like
Robert Fripp called them out of the blue and asked for a free pedal.
They used his name without asking. Ethics 101...

On 12/11/09, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Found this in an article about Fripp :)
>
> Q: "And now you you've replaced the tape-loop system with the
> Electro-Harmonix box"
> A: No! With 208 guitarists. Regarding the Electro-Harmonix, we read
> this advert for the Electro-Harmonix 16-second digital delay with this
> phrase in it, and the quote is "A Fripp in the box." So we got in the
> touch with them and said, you know, Fripp would like one for nothing.
> And they said no. So I bought one. You can't get them anymore."
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 22:02:17 2009
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hi-i've been dealing w/ EH since the 70s and at the time 'marketing' was not a word they had ever heard of.
MikeMathews is a maverick and phone calls to those guys back then were like cheech&chong routines...Dave?...Dave?...Dave?...Daves not here...Dave?...
guys would hang up while speaking w/ you or leave you on hold while the phone was still live and you could hear them coughing and hacking and toking away in the background...
products(graphic fuzz, poly flange) would show up in their boxes w/ the power wire hanging out the back-not connected to anything. buying stuff from them then was a gamble in every sense. and they got horrible reviews from the sound guys-probably for that reason i bought their stuff like crazy back then-still have that fripp ad that was in guitar player back then >frippin a box< and still have my 16sec ddl forever.
s



>From: Milo 
>
>What an absolute marketing failure on behalf of Electro Harmonix. For
>the basic wholesale cost of just one 16-second delay unit, they lost
>the long term and v-e-r-y expensive opportunity to promote their
>technology and products to all the future customers who see Mr.
>Fripp's gear setup photos online and base a part of their purchasing
>decisions on a well known professional's choices. It is not like
>Robert Fripp called them out of the blue and asked for a free pedal.
>They used his name without asking. Ethics 101...
>
>On 12/11/09, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
>> Found this in an article about Fripp :)
>>
>> Q: "And now you you've replaced the tape-loop system with the
>> Electro-Harmonix box"
>> A: No! With 208 guitarists. Regarding the Electro-Harmonix, we read
>> this advert for the Electro-Harmonix 16-second digital delay with this
>> phrase in it, and the quote is "A Fripp in the box." So we got in the
>> touch with them and said, you know, Fripp would like one for nothing.
>> And they said no. So I bought one. You can't get them anymore."
>>
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>> http://euroloopfest.com/
>>
>>
>

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Date: Tue, 15 Dec 2009 15:34:26 -0800
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Subject: Re: What public is attracted by a Y2
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Rick,

I believe you when you talk about the successes you've had with branding
live looping. Nonetheless, it's been my experience that every time I tell
someone about my looping work, I then need to explain it to them. Usually I
say something like, "well, I play one thing for a while, then hit a button,
and the computer keeps playing it while I start to play something
else....and so on." Which of course tells them very little about what it
actually sounds like!

My friends in sales sometime have to deal with a situation they refer to as
a "consultative sale", in which they must first help the customer understand
that they actually have a problem that needs solving before finally trying
to sell the solution to that problem. Such a prospect is known to have a
much lower success rate. So it just seems to me that while it is possible to
have success selling the public on a festival by using an unfamiliar term
that must then be explained, one would think that greater success could be
had by branding a term already known. On the other hand, simply by virtue of
the fact that live looping as a genre is new, may well have gotten you more
publicity than you might have gotten otherwise. And I have seriously thought
about a little looping festival here in SF. I've got a couple of venues in
mind. It would probably start as just a one day thing, and if it works, do
it again as a weekend event.

So I had been meaning to at least attend if not perform at your festival the
last couple of years. My primary excuse had been that I didn't have an
adequate "festival" performance rig. But I've finally gotten that sorted
out. I should post pics of my pedalboard and laptop cases... :)

-- 
-George

http://www.myspace.com/georgeludwigmusic

--00504501416da6d959047accd43a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Rick,</div>
<div><br>I believe you when you talk about the successes you&#39;ve had wit=
h branding live looping. Nonetheless, it&#39;s been my experience that ever=
y time I tell someone about my looping work, I then=A0need to explain it to=
 them. Usually I say something like, &quot;well, I play one thing for a whi=
le, then hit a button, and the computer keeps playing it while I start to p=
lay something else....and so on.&quot; Which of course tells them very litt=
le about what it actually sounds like!</div>

<div>=A0</div>
<div>My friends in sales sometime have to deal with a situation they refer =
to as a &quot;consultative sale&quot;, in which they must first help the cu=
stomer understand that they actually have a problem that=A0needs solving be=
fore finally trying to sell the solution to that problem. Such a prospect i=
s known to have a much lower success rate. So it just seems to me that whil=
e it is possible to have success selling the public on a festival by using =
an unfamiliar term that must then be explained, one would think that greate=
r success could be had by branding a term already known. On the other hand,=
 simply by virtue of the fact that live looping as a genre is new, may well=
 have gotten you more publicity than you might have gotten otherwise. And I=
 have seriously thought about a little looping festival here in SF. I&#39;v=
e got a couple of venues in mind. It would probably start as just a one day=
 thing, and if it works, do it again as a weekend event.</div>

<div>=A0</div>
<div>So I had been meaning to at least attend if not perform at your festiv=
al the last couple of years. My primary excuse had been that I didn&#39;t h=
ave an adequate &quot;festival&quot; performance rig. But I&#39;ve finally =
gotten that sorted out. I should post pics of my pedalboard and laptop case=
s... :)</div>

<div>=A0</div>
<div>-- <br>-George<br><br><a href=3D"http://www.myspace.com/georgeludwigmu=
sic">http://www.myspace.com/georgeludwigmusic</a><br></div>

--00504501416da6d959047accd43a--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 15 23:36:57 2009
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Subject: Re: What public is attracted by a Y2
Date: Tue, 15 Dec 2009 15:35:57 -0800
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You should try explaining what a Chapman Stick is to somebody sometime.

toby
  ----- Original Message ----- 
  From: George Ludwig 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, December 15, 2009 3:34 PM
  Subject: Re: What public is attracted by a Y2


  Rick,

  I believe you when you talk about the successes you've had with branding live looping. Nonetheless, it's been my experience that every time I tell someone about my looping work, I then need to explain it to them. Usually I say something like, "well, I play one thing for a while, then hit a button, and the computer keeps playing it while I start to play something else....and so on." Which of course tells them very little about what it actually sounds like!

  My friends in sales sometime have to deal with a situation they refer to as a "consultative sale", in which they must first help the customer understand that they actually have a problem that needs solving before finally trying to sell the solution to that problem. Such a prospect is known to have a much lower success rate. So it just seems to me that while it is possible to have success selling the public on a festival by using an unfamiliar term that must then be explained, one would think that greater success could be had by branding a term already known. On the other hand, simply by virtue of the fact that live looping as a genre is new, may well have gotten you more publicity than you might have gotten otherwise. And I have seriously thought about a little looping festival here in SF. I've got a couple of venues in mind. It would probably start as just a one day thing, and if it works, do it again as a weekend event.

  So I had been meaning to at least attend if not perform at your festival the last couple of years. My primary excuse had been that I didn't have an adequate "festival" performance rig. But I've finally gotten that sorted out. I should post pics of my pedalboard and laptop cases... :)

  -- 
  -George

  http://www.myspace.com/georgeludwigmusic

--Boundary_(ID_YDO/K/At7I8i4lIdGC3aOg)
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<DIV><FONT size=2 face=Arial>You should try explaining what a Chapman Stick is 
to somebody sometime.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>toby</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=georgeludwigmusic@gmail.com 
  href="mailto:georgeludwigmusic@gmail.com">George Ludwig</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, December 15, 2009 3:34 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: What public is attracted by 
  a Y2</DIV>
  <DIV><BR></DIV>
  <DIV>Rick,</DIV>
  <DIV><BR>I believe you when you talk about the successes you've had with 
  branding live looping. Nonetheless, it's been my experience that every time I 
  tell someone about my looping work, I then&nbsp;need to explain it to them. 
  Usually I say something like, "well, I play one thing for a while, then hit a 
  button, and the computer keeps playing it while I start to play something 
  else....and so on." Which of course tells them very little about what it 
  actually sounds like!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>My friends in sales sometime have to deal with a situation they refer to 
  as a "consultative sale", in which they must first help the customer 
  understand that they actually have a problem that&nbsp;needs solving before 
  finally trying to sell the solution to that problem. Such a prospect is known 
  to have a much lower success rate. So it just seems to me that while it is 
  possible to have success selling the public on a festival by using an 
  unfamiliar term that must then be explained, one would think that greater 
  success could be had by branding a term already known. On the other hand, 
  simply by virtue of the fact that live looping as a genre is new, may well 
  have gotten you more publicity than you might have gotten otherwise. And I 
  have seriously thought about a little looping festival here in SF. I've got a 
  couple of venues in mind. It would probably start as just a one day thing, and 
  if it works, do it again as a weekend event.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>So I had been meaning to at least attend if not perform at your festival 
  the last couple of years. My primary excuse had been that I didn't have an 
  adequate "festival" performance rig. But I've finally gotten that sorted out. 
  I should post pics of my pedalboard and laptop cases... :)</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>-- <BR>-George<BR><BR><A 
  href="http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/georgeludwigmusic</A><BR></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_YDO/K/At7I8i4lIdGC3aOg)--

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Subject: Re: What public is attracted by a Y2
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On Wed, Dec 16, 2009 at 12:35 AM, Toby G <carpet8@mac.com> wrote:
> You should try explaining what a Chapman Stick is to somebody sometime.

That's as simple as explaining looping:

Helps playing many parts simultaneously.
Both are "orchestrating-on-the-fly gadgets"!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 00:02:46 2009
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Good one!!

toby
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, December 15, 2009 3:49 PM
Subject: Re: What public is attracted by a Y2


> On Wed, Dec 16, 2009 at 12:35 AM, Toby G <carpet8@mac.com> wrote:
>> You should try explaining what a Chapman Stick is to somebody sometime.
> 
> That's as simple as explaining looping:
> 
> Helps playing many parts simultaneously.
> Both are "orchestrating-on-the-fly gadgets"!
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 00:10:54 2009
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Subject: Re: What public is attracted by a Y2
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I know a lot of people in SF who aren't on this list, and who use some
sort of looping. I hear it referred to as "That green line 6 thing" as
much as looping. As in, "Oh, it's another of those one people with
that green line 6 thing."

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt



George Ludwig was like:
> And I have seriously thought
> about a little looping festival here in SF. I've got a couple of venues in
> mind. It would probably start as just a one day thing, and if it works, do
> it again as a weekend event.
>

From papenzo1115@mail.kz  Wed Dec 16 00:17:22 2009
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From: "Prof. charles Soludo"<papenzo1115@mail.kz>
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Date: Fri, 15 Dec 2006 20:01:18 -0000
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Thanks, and my greetings to your family and well wishers.

With best regards,

Prof.Charles Soludo

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 00:32:26 2009
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Date: Tue, 15 Dec 2009 16:32:25 -0800
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Subject: Re: Metheny - The Orchestrion Tour
From: George Ludwig <georgeludwigmusic@gmail.com>
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--00151773da30086c28047acda4d0
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I haven't seen it, but thanks for mentioning it. I just bought two tickets.
:)

My impression is that he is using MIDI (or some other control protocol) to
trigger physical orchestral instruments to accompany him. I'm such a Methen=
y
fan, I've got to see it no matter what...

-George

On Sun, Dec 13, 2009 at 7:05 AM, Christo Jota <chris@christojota.de> wrote:

>  Hi,
> did anyone see Pat Metheny on his Orchestrion-Tour ?
> Is it interesting for both loopers and "normal" people?
> I=B4m thinking about buying a ticket for me and my wife, but
> not sure if it=B4s something for both of us.
> I read on Metheny=B4s website that it=B4s a solo-performance
> using devices to replace other instruments, which sounds
> to me like he=B4s been using kind of a looping device.
> Certainly a custom made device built especially for Metheny...
> Anyone there who knows more about it?
> Best,
> Christo
> www.christojota.de
>
>



--=20
-George

http://www.myspace.com/georgeludwigmusic

--00151773da30086c28047acda4d0
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<div>I haven&#39;t seen it, but thanks for mentioning it. I just bought two=
 tickets. :)</div>
<div>=A0</div>
<div>My impression is that he is using MIDI (or some other control protocol=
) to trigger physical orchestral instruments to accompany him. I&#39;m such=
 a Metheny fan, I&#39;ve got to see it no matter what...</div>
<div>=A0</div>
<div>-George<br><br></div>
<div class=3D"gmail_quote">On Sun, Dec 13, 2009 at 7:05 AM, Christo Jota <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:chris@christojota.de">chris@christojo=
ta.de</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">Hi,</font></div>
<div><font size=3D"2" face=3D"Arial">did anyone see Pat Metheny on his Orch=
estrion-Tour ?</font></div>
<div><font size=3D"2" face=3D"Arial">Is it interesting for both loopers and=
 &quot;normal&quot; people?</font></div>
<div><font size=3D"2" face=3D"Arial">I=B4m thinking about buying a ticket f=
or me and my wife, but</font></div>
<div><font size=3D"2" face=3D"Arial">not sure if it=B4s something for both =
of us.</font></div>
<div><font size=3D"2" face=3D"Arial">I read on Metheny=B4s website that it=
=B4s a solo-performance</font></div>
<div><font size=3D"2" face=3D"Arial">using devices to replace other instrum=
ents, which sounds</font></div>
<div><font size=3D"2" face=3D"Arial">to me like he=B4s been using kind of a=
 looping device. </font></div>
<div><font size=3D"2" face=3D"Arial">Certainly a custom made device built e=
specially for Metheny...</font></div>
<div><font size=3D"2" face=3D"Arial">Anyone there who knows more about it?<=
/font></div>
<div><font size=3D"2" face=3D"Arial">Best,</font></div>
<div><font size=3D"2" face=3D"Arial">Christo</font></div>
<div><font size=3D"2" face=3D"Arial"><a href=3D"http://www.christojota.de/"=
 target=3D"_blank">www.christojota.de</a></font></div>
<div>=A0</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-Ge=
orge<br><br><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www=
.myspace.com/georgeludwigmusic</a><br>

--00151773da30086c28047acda4d0--

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To: Loopers-Delight@loopers-delight.com
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Subject: looping and the public and categorization
Date: Tue, 15 Dec 2009 16:50:42 -0800
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>	 <3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>	 <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>	 <4B229336.4050206@tiscali.co.uk> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <97016ABE-3C69-4B5A-86E5-4DA60693154E@gmail.com> <8423FB7F-D8A1-4AF9-A5D3-3D3B09FB0284@zoekeating.com> <6224B03A-A737-4AEB-8901-8B6DA0CCC203@gmail.com>
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you're right of course matthias. my work would not be at all the same  
if i hadn't stumbled onto looping. the tools have directly influenced  
my "style"!

a coda, and then i really will shut up.....

i was just thinking about all this categorization business and realize  
that a huge part of my career strategy is to never categorize myself.  
if if makes sense: i very actively avoid categorization!

i avoid appealing specifically to any one group, even if i am  
certainly connected to it: loopers, cellists, computer nerds, DIYers,  
steampunks, goths, ravers, indie rockers, public radio fans, tall  
female freckled redheads with dreadlocks, etc. i prefer to be the only  
fish in my pond. if another fish moves in i tend to move out and make  
another pond. so i think my perceived rejection of "looping" is  
related to this.  (i don't know if that's really a strategy. i've done  
this my entire life and it might just be my quirky personality)

lastly....99% of the people who license my music have NO idea that i  
even perform live. and as i don't employ live looping in my  
recordings, for those who know me only from a recording, live looping  
would just be confusing.

respect! z



On Dec 14, 2009, at 5:47 AM, Matthias Grob wrote:

> On 13 Dec 2009, at 19:51, Zoe Keating wrote:
>> if all the electricity disappeared tomorrow, i could still perform,  
>> but i'd have to hire 8+ cellists to play the music (which is  
>> actually how looping started for me, i couldn't find enough  
>> cellists).
>
> oh, sorry, Zoe, I did not know you started with the compositions and  
> then only needed a tool to execute them.
> and looping did not bring you new ideas? would your compositions  
> really be the same if you had no looper but 8+ cellists?
> If so, I suspect you are rather an exception, or does anyone know of  
> other composers who use looping tools like this?
>
>> it would sound different because its not me, but an ensemble of  
>> cellists could easily play my music.
>
> sure. which sound would you prefer?
>
>> no electricity needed. i've already heard 2 groups do it.
>>
>> i also know of two high profile cellists who perform music with pre- 
>> recorded cello tracks and them solo'ing in front. (i.e. no live  
>> looping)
>>
>> most people think that we all do the same thing (including their  
>> publicists). it irritates me, but tells me that its not the live  
>> looping that people are hearing.
>
> ...which might be a reason for you to use the label LiveLooping more  
> intensely and for me to finally bring the Livelooping.org site up to  
> date with all I wrote and joined this year so anyone can easily look  
> up what its about. And we should make a special chapter for  
> composers who use the tool to execute what they imagine without the  
> tool, as opposed to the majority who gather ideas for compositions  
> by playing with the tool and then possibly execute them with a group  
> without the tool.
>>
>>
>>
>> On Dec 13, 2009, at 11:54 AM, Matthias Grob wrote:
>>
>>> your music would not be done in any other way, would it?
>>
>

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Subject: dealing with Live, default control mapping
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I've got a looping plug-in (Mobius) and I want to control some of its
parameters with a Korg nanKontrol. No problem, Mobius lets me do the mapping
for midi control.

The problem is, when I run it in Live, Live intercepts the volume control
that I have mapped to Mobius' track 1, and uses it to control the volume of
Live's track 1. I've deleted all the midi volume mappings in Live, but
still, Live insists on changing the volume of track 1 when I really just
want to change the volume of Mobius' track 1.

I've heard that Live has a default midi mapping, besides the one that you
can edit, and it seems like this is the culprit. How do I turn it off this
defualt behavior?! This is giving me major headaches.

-- 
-George

http://www.myspace.com/georgeludwigmusic

--00151773da307d02ab047ad27ab8
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<p>I&#39;ve got a looping plug-in (Mobius) and I want to control some of it=
s parameters with a Korg nanKontrol. No problem, Mobius lets me do the mapp=
ing for midi control.</p>
<p>The problem is, when I run it in Live, Live intercepts the volume contro=
l that I have mapped to Mobius&#39; track 1, and uses it to control the vol=
ume of Live&#39;s track 1. I&#39;ve deleted all the midi volume mappings in=
 Live, but still, Live insists on changing the volume of track 1 when I rea=
lly just want to change the volume of Mobius&#39; track 1.</p>

<p>I&#39;ve heard that Live has a default midi mapping, besides the one tha=
t you can edit, and it seems like this is the culprit. How do I turn it off=
 this defualt behavior?! This is giving me major headaches.<br clear=3D"all=
">
<br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/georgeludwigmus=
ic">http://www.myspace.com/georgeludwigmusic</a><br></p>

--00151773da307d02ab047ad27ab8--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 08:29:23 2009
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Subject: Re: dealing with Live, default control mapping
From: Per Boysen <perboysen@gmail.com>
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YOu can't "turn off" that behavior. What you can do is to not send in
the data as remote control data for Live but rather as a pipe right
into the Mobius plug-in. The place to set that up is in Live's
preferences, the "MIDI Sync" tab. The MIDI In port that you use to
control Mobius (given you control it by direct MIDI Input and not by
Live's parameter, which is what Ableton usually recommends but we
loopists don't usually prefer) should be set to "Track". The MIDI In
port that you use to control Live should be set to "Remote". When
these preferences are correct you also have to set up a MIDI Track in
Live that snags your external MIDI data, aimed for Mobius, (as the
Live track's "Input") and directs the stream into Mobius (addressing
as "Track Output" first the track that hosts Mobious and then the
plug-in Mobius). This is just the normal way of routing MIDI in Live,
well explained in Live's manual. To set up more complex routing you
may send MIDI through the OS as well (IAC Bus on a Mac and by using
the third-party hack MIDI Yoke on a Windows machine).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Dec 16, 2009 at 7:18 AM, George Ludwig
<georgeludwigmusic@gmail.com> wrote:
> I've got a looping plug-in (Mobius) and I want to control some of its
> parameters with a Korg nanKontrol. No problem, Mobius lets me do the mapping
> for midi control.
>
> The problem is, when I run it in Live, Live intercepts the volume control
> that I have mapped to Mobius' track 1, and uses it to control the volume of
> Live's track 1. I've deleted all the midi volume mappings in Live, but
> still, Live insists on changing the volume of track 1 when I really just
> want to change the volume of Mobius' track 1.
>
> I've heard that Live has a default midi mapping, besides the one that you
> can edit, and it seems like this is the culprit. How do I turn it off this
> defualt behavior?! This is giving me major headaches.
>
> --
> -George
>
> http://www.myspace.com/georgeludwigmusic
>

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This is an interesting debate for me since=2C as some of you are aware=2C I=
'm trying=2C (with little success) to sort out a looping gig here in Bristo=
l.=20
I've aproached a number of "alternative" venues but they're not really up f=
or it. My immediate response is to re-approach the venues with a genre=2C (=
probably ambient or chill). This flies in the face of what Rick has discove=
red=2C (and I take your points completely Rick).=20
One of the problems for me is that if you say live-looping then someone wil=
l immediately think of Beardyman or some such artist. If they think Beardym=
an and book us=2C they will be disappointed=2C if they don't=2C very often =
they won't have a clue what lve looping is and what they really want is to =
know what the feel of the music is. That's what I'd want to know before goi=
ng to a gig too...

Peace

G

 		 	   		 =20
_________________________________________________________________
Got more than one Hotmail account? Save time by linking them together
 http://clk.atdmt.com/UKM/go/186394591/direct/01/=

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font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
This is an interesting debate for me since=2C as some of you are aware=2C I=
'm trying=2C (with little success) to sort out a looping gig here in Bristo=
l. <br>I've aproached a number of "alternative" venues but they're not real=
ly up for it. My immediate response is to re-approach the venues with a gen=
re=2C (probably ambient or chill). This flies in the face of what Rick has =
discovered=2C (and I take your points completely Rick). <br>One of the prob=
lems for me is that if you say live-looping then someone will immediately t=
hink of Beardyman or some such artist. If they think Beardyman and book us=
=2C they will be disappointed=2C if they don't=2C very often they won't hav=
e a clue what lve looping is and what they really want is to know what the =
feel of the music is. That's what I'd want to know before going to a gig to=
o...<br><br>Peace<br><br>G<br><br> 		 	   		  <br /><hr />New! Receive and =
respond to mail from other email accounts from within Hotmail <a href=3D'ht=
tp://clk.atdmt.com/UKM/go/186394593/direct/01/ ' target=3D'_new'>Find out h=
ow.</a></body>
</html>=

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Hi Milo

thanks for the hint (my experience with thomann is partially a little 
different - they are very helpful as long as the request relates on 
direct customer service regarding products I bought at them or products 
I seem to be willing to buy...)

The european importer was "interstate audio" in the Netherlands. A kind 
person from interstate audio gave me the following information: In 2002 
when IVL Technologies(*) shut down Electrix they made a joint venture 
with TC and founded TC-Helicon, who took over the responsability for the 
Electrix warranties in Europe. Interstate Audio does not have any 
support information. I did not follow this trace, as I received kind 
help from Condor Elecronics in Seattle.

Florian

(*)the company behind Electrix - original a developpers company which 
stands in fact behind several well known products of different brands.


schrieb:
> I bet that if you send an e-mail to the nice crew of Thomann.de they will know:
> studio AT thomann DOT de
> 
> Disclaimer: I am just a client, I don't work for the company, but they
> are always very helpful and they would probably know who the Electrix
> distributor was...
> 
> On 12/14/09, Florian Anwander <fanwander@mnet-online.de> wrote:
>> Hi,
>>
>> does anyone know, who distributed electrix gear (vulgo the repeater) in
>> Germany?
>> I am looking for a service manual, so I hope, the former distributor
>> still might have a copy.
>>
>> Florian
> 
> 

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Subject: Re: looping and the public and categorization
Date: Wed, 16 Dec 2009 08:49:27 -0300
References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <95788E8C-67E8-4B55-8DA8-2E122E7ACA4F@gmail.com>	 <3fa302e30912100949wb58a6f5r7e17bb430a6dd5ad@mail.gmail.com>	 <e89a49d30912110715s16db49a7r42f00bc7fd5c714d@mail.gmail.com>	 <4B229336.4050206@tiscali.co.uk> <e89a49d30912111724m4e2f7926p93a138f11c7b2a2b@mail.gmail.com> <4B238EF1.9000608@tiscali.co.uk> <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com> <4B2398EE.9030201@tiscali.co.uk> <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com> <97016ABE-3C69-4B5A-86E5-4DA60693154E@gmail.com> <8423FB7F-D8A1-4AF9-A5D3-3D3B09FB0284@zoekeating.com> <6224B03A-A737-4AEB-8901-8B6DA0CCC203@gmail.com> <2E497946-AB25-4CC2-869A-E36B568DE609@zoekeating.com>
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youhou, Zoe!

On 15 Dec 2009, at 21:50, Zoe Keating wrote:

> you're right of course matthias. my work would not be at all the  
> same if i hadn't stumbled onto looping. the tools have directly  
> influenced my "style"!
>
> a coda, and then i really will shut up.....

please don't... :-)
>
> i was just thinking about all this categorization business and  
> realize that a huge part of my career strategy is to never  
> categorize myself. if if makes sense: i very actively avoid  
> categorization!

I hate it, too. sit into a drawer is dangerous because someone might  
close it :-)
then again, if the others put the category on you, it might be worse
and if the record shops don't distribute your record because they  
don't know where to put it...
>
> i avoid appealing specifically to any one group, even if i am  
> certainly connected to it: loopers, cellists, computer nerds,  
> DIYers, steampunks, goths, ravers, indie rockers, public radio fans,  
> tall female freckled redheads with dreadlocks, etc. i prefer to be  
> the only fish in my pond. if another fish moves in i tend to move  
> out and make another pond. so i think my perceived rejection of  
> "looping" is related to this.  (i don't know if that's really a  
> strategy. i've done this my entire life and it might just be my  
> quirky personality)

ok, this answers most of my question!
and I am not going to discuss your personality and such, but maybe we  
can think together about the details of such behavior - which is not  
so special, most artists have this energy, its part of what makes us  
interesting...
so I am asking anyone here who feels similar:

1
as you say, there are categories you put yourself by what you do and  
look.
there is no need to mention that you play cello and like fire power  
hair (I love it!...), because its on any picture of yours.
(you could have chosen half long brown hair and a nylon guitar which  
would have put you much less into a category, but by trying to choose  
a non category you fell into a stronger one :-)
on some pictures its even visible that you use computers, but its hard  
to see that you loop in the computer
hence the idea that you checking email at soundcheck or use a  
prerecorded load of cellos. :-)
(in the past, a specialist could spot a Repeater, but the main public  
only knows 'cello' and 'electronic')

so: to mention that you use LiveLooping puts you more into a category  
than a picture of yours does?
because a word is heavier than a picture?
(this is a main problem of the promotion of the LL idea: its not  
really visible)

2
Since you don't like to feel in a category, you don't like if others  
put you in one?
as a consequence:
If we finally come around to list the LL musicians (which is not easy,  
thats why we did not do it yet, but the youtube.com/livelooping  
playlist end up being such a list already) would you prefer not to be  
on the list?
you really want me to take you out of the *Featured Instrumentalists* ?
damdidamdidam...

since we are a bunch of artist here, we don't need to be logical,
I feel we all love to mention you even if you don't mention us :-)

> lastly....99% of the people who license my music have NO idea that i  
> even perform live. and as i don't employ live looping in my  
> recordings, for those who know me only from a recording, live  
> looping would just be confusing.

oh, thats another interesting point! And this is probably rather  
rare... does any one know of another artist who uses LL on stage but  
multitracking for the recording of the same compositions?

there are so many categories of LiveLooping artist... even not  
considering the musical style, just by the way or intensity of use...

love
Matthias
>
> respect! z
>
>
>
> On Dec 14, 2009, at 5:47 AM, Matthias Grob wrote:
>
>> On 13 Dec 2009, at 19:51, Zoe Keating wrote:
>>> if all the electricity disappeared tomorrow, i could still  
>>> perform, but i'd have to hire 8+ cellists to play the music (which  
>>> is actually how looping started for me, i couldn't find enough  
>>> cellists).
>>
>> oh, sorry, Zoe, I did not know you started with the compositions  
>> and then only needed a tool to execute them.
>> and looping did not bring you new ideas? would your compositions  
>> really be the same if you had no looper but 8+ cellists?
>> If so, I suspect you are rather an exception, or does anyone know  
>> of other composers who use looping tools like this?
>>
>>> it would sound different because its not me, but an ensemble of  
>>> cellists could easily play my music.
>>
>> sure. which sound would you prefer?
>>
>>> no electricity needed. i've already heard 2 groups do it.
>>>
>>> i also know of two high profile cellists who perform music with  
>>> pre-recorded cello tracks and them solo'ing in front. (i.e. no  
>>> live looping)
>>>
>>> most people think that we all do the same thing (including their  
>>> publicists). it irritates me, but tells me that its not the live  
>>> looping that people are hearing.
>>
>> ...which might be a reason for you to use the label LiveLooping  
>> more intensely and for me to finally bring the Livelooping.org site  
>> up to date with all I wrote and joined this year so anyone can  
>> easily look up what its about. And we should make a special chapter  
>> for composers who use the tool to execute what they imagine without  
>> the tool, as opposed to the majority who gather ideas for  
>> compositions by playing with the tool and then possibly execute  
>> them with a group without the tool.
>>>
>>>
>>>
>>> On Dec 13, 2009, at 11:54 AM, Matthias Grob wrote:
>>>
>>>> your music would not be done in any other way, would it?
>>>

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Subject: Re: looping and the public and categorization
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>> lastly....99% of the people who license my music have NO idea that i even
>> perform live. and as i don't employ live looping in my recordings, for those
>> who know me only from a recording, live looping would just be confusing.

On Wed, Dec 16, 2009 at 12:49 PM, Matthias Grob <matilists@gmail.com> wrote:
> oh, thats another interesting point! And this is probably rather rare...
> does any one know of another artist who uses LL on stage but multitracking
> for the recording of the same compositions?


I'm not so sure it is "rare". My guess would be that it is quite common.

If you are not using looping "as an instrument" it may sound better to
play and record the parts by traditional studio multi tracking instead
of looping them in one go.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Quoting Gareth Whittock <buddhamachine@live.co.uk>:
>
> ... My immediate response is to re-approach the venues  with a =20
> genre, (probably ambient or chill). This flies in the face of  what =20
> Rick has discovered, (and I take your points completely Rick).
> One of the problems for me is that if you say live-looping then  =20
> someone will immediately think of Beardyman or some such artist...
>
...and if you say "pipe organ" people immediately think of "phantom of =20
the opera" or general incompetence.  Unfortunately, the last thing =20
most people think of is music that they would enjoy.  We labor under =20
the curse of stereotypes.

I don't think that it is altogether necessary for music festivals to =20
have a narrow focus.  For example, there are hundreds of art festivals =20
throughout the country and most of them are simply called "art =20
festivals" -- and include, photography, paintings, sculpture, and even =20
woodworking.  I once attended a "Native American" art festival and =20
there was so much stuff there one couldn't see if all in one day.

Of course, to simply call a music festival a "music festival" gives =20
the potential audience no idea of what they are going to hear.  To =20
give the festival name a genre immediately narrows it, (i.e. Jazz =20
festival or RockFest).  A music festival could focus on a particular =20
instrument (i.e. a drum festival, guitar festival).  A name such as =20
"Loop festival", "Electronic music festival", or "experimental music =20
festival", etc... helps to narrow the focus enough to inform a =20
potential audience while allowing a breadth of genres.

-- Kevin

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References: <9e0440a60912090712o5cf8d8c9paa58e21626d06045@mail.gmail.com>	 <4B238EF1.9000608@tiscali.co.uk>	 <59EEA053-332D-4B75-8218-14B3F9755324@gmail.com>	 <4B2398EE.9030201@tiscali.co.uk>	 <B54F5304-CBFF-461A-AB91-C39CDA498119@zoekeating.com>	 <97016ABE-3C69-4B5A-86E5-4DA60693154E@gmail.com>	 <8423FB7F-D8A1-4AF9-A5D3-3D3B09FB0284@zoekeating.com>	 <6224B03A-A737-4AEB-8901-8B6DA0CCC203@gmail.com>	 <2E497946-AB25-4CC2-869A-E36B568DE609@zoekeating.com>	 <3B33DD1C-A65F-4537-92F5-29883C46C5E5@gmail.com> <66f9cc1e0912160444v4c850015m665a27b838426d0e@mail.gmail.com>
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Hi Matt :-)


I think it's pretty rare for anyone to do a studio recording
project wholly as livelooping.
Might be worth making a list.

>If we finally come around to list the LL musicians 

(a bit of background...Matt's working on a website called
  livelooping.org with the intention of promoting live looping
  as an artform, aimed at the public rather than at loopers) 

I don't understand the desire to label so many artists as "livelooping".
If they only use it for a bit of multitracking then it's
no different to insisting that every singer who strums a chord
or two could be called a guitarist. ...and they might be a bit
sad you don't care about their beautiful singing.

There's absolutely no need to promote the concept that looping
technology can be used to do multitracking, that's
something that's very much well known these days.
Also, the growing collection of artists who do that and
thrive hardly 
need help from a bunch of unknown musos.

What the public doesn't know is that looping technology can be used
to create music such as has not been heard before, that it's
possible to "take it to the next level", to quote an appreciative
audience member.

Some of us have spent hours/days/years developing skills to use loop
technology in a way which feels musical, using it as an 
instrument. Surely that's "livelooping".

Now,if guys who do live multitracking actually
*wanted* to refer to what they do as "livelooping" then that would
be fine...but all the evidence seems to show that they don't want
to do that, they'd rather highlight the things that they
consider important to their music, the things that make their
music a unique expression. Using loops really *is* just
a technical thing in that case.

Since the introduction of the Roland machines, which are hardly
designed as a spring board for the imagination, the world
of looping has changed. The term "loop station" is heard all
the time, and reflects that the public know that looping exists,
but not that it can do anything amazing. 


So, I'm suggesting the www.livelooping.org would better serve 
by promoting livelooping as a way to make new music,
rather than a convenient(and fun) way to reduce the number or performers
required.
Perhaps make a distinction between liveloopers, and people
who "use loops live".


hope that makes some kind of sense,



andy butler





Per Boysen wrote:
>>Zoe:
>>> lastly....99% of the people who license my music have NO idea that i even
>>> perform live. and as i don't employ live looping in my recordings, for those
>>> who know me only from a recording, live looping would just be confusing.
> 

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Date: Wed, 16 Dec 2009 08:00:21 -0800
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Subject: Re: dealing with Live, default control mapping
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Per,

Thanks for explaining those options to me, I really didn't know even after
all this time. :)

Anyway, the solution I got form the Ableton forum worked perfectly for me,
which was to, in the midi sync tab, where it lists midi inputs 1-6 with 3
drop down list boxes, one for control surface, one for input, and lastly for
output, set the control surface to nothing. When you have the control
surface option selected, Live does an automapping of hardware controls to
Live controls. That's what I couldn't get rid of.

Your solution doesn't really work for me because I use half of the
nanoKontrol for Mobius, and the other half for Live tracks. I wanted the
option to play along with Live's loops, and to be able to control them.

For my more serious music I use only Mobius, but I've been working on
playing along with various pre-recorded loops as an experiment. And for that
it's nice to have control of both.

Best,

George

On Wed, Dec 16, 2009 at 12:29 AM, Per Boysen <perboysen@gmail.com> wrote:

> YOu can't "turn off" that behavior. What you can do is to not send in
> the data as remote control data for Live but rather as a pipe right
> into the Mobius plug-in. The place to set that up is in Live's
> preferences, the "MIDI Sync" tab. The MIDI In port that you use to
> control Mobius (given you control it by direct MIDI Input and not by
> Live's parameter, which is what Ableton usually recommends but we
> loopists don't usually prefer) should be set to "Track". The MIDI In
> port that you use to control Live should be set to "Remote". When
> these preferences are correct you also have to set up a MIDI Track in
> Live that snags your external MIDI data, aimed for Mobius, (as the
> Live track's "Input") and directs the stream into Mobius (addressing
> as "Track Output" first the track that hosts Mobious and then the
> plug-in Mobius). This is just the normal way of routing MIDI in Live,
> well explained in Live's manual. To set up more complex routing you
> may send MIDI through the OS as well (IAC Bus on a Mac and by using
> the third-party hack MIDI Yoke on a Windows machine).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
>  On Wed, Dec 16, 2009 at 7:18 AM, George Ludwig
> <georgeludwigmusic@gmail.com> wrote:
> > I've got a looping plug-in (Mobius) and I want to control some of its
> > parameters with a Korg nanKontrol. No problem, Mobius lets me do the
> mapping
> > for midi control.
> >
> > The problem is, when I run it in Live, Live intercepts the volume control
> > that I have mapped to Mobius' track 1, and uses it to control the volume
> of
> > Live's track 1. I've deleted all the midi volume mappings in Live, but
> > still, Live insists on changing the volume of track 1 when I really just
> > want to change the volume of Mobius' track 1.
> >
> > I've heard that Live has a default midi mapping, besides the one that you
> > can edit, and it seems like this is the culprit. How do I turn it off
> this
> > defualt behavior?! This is giving me major headaches.
> >
> > --
> > -George
> >
> > http://www.myspace.com/georgeludwigmusic
> >
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--0050450169e397ed99047ada9ab3
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<div>Per,</div>
<div>=A0</div>
<div>Thanks for explaining those options to me, I really didn&#39;t know ev=
en after all this time. :)</div>
<div>=A0</div>
<div>Anyway, the solution I got form the Ableton forum worked perfectly for=
 me, which was to, in the midi sync tab, where it lists midi inputs 1-6 wit=
h 3 drop down list boxes, one for control surface, one for input, and lastl=
y for output, set the control surface to nothing. When you have the control=
 surface option selected, Live does an automapping of hardware controls to =
Live controls. That&#39;s what I couldn&#39;t get rid of.</div>

<div>=A0</div>
<div>Your solution doesn&#39;t really work for me because I use half of the=
 nanoKontrol for Mobius, and the other half for Live tracks. I wanted the o=
ption to play along with Live&#39;s loops, and to be able to control them.<=
/div>

<div>=A0</div>
<div>For my more serious music I use only Mobius, but I&#39;ve been working=
 on playing along with various pre-recorded loops as an experiment. And for=
 that it&#39;s nice to have control of both.</div>
<div>=A0</div>
<div>Best,</div>
<div>=A0</div>
<div>George<br><br></div>
<div class=3D"gmail_quote">On Wed, Dec 16, 2009 at 12:29 AM, Per Boysen <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.c=
om</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">YOu can&#39;t &quot;turn off&quo=
t; that behavior. What you can do is to not send in<br>the data as remote c=
ontrol data for Live but rather as a pipe right<br>
into the Mobius plug-in. The place to set that up is in Live&#39;s<br>prefe=
rences, the &quot;MIDI Sync&quot; tab. The MIDI In port that you use to<br>=
control Mobius (given you control it by direct MIDI Input and not by<br>
Live&#39;s parameter, which is what Ableton usually recommends but we<br>lo=
opists don&#39;t usually prefer) should be set to &quot;Track&quot;. The MI=
DI In<br>port that you use to control Live should be set to &quot;Remote&qu=
ot;. When<br>
these preferences are correct you also have to set up a MIDI Track in<br>Li=
ve that snags your external MIDI data, aimed for Mobius, (as the<br>Live tr=
ack&#39;s &quot;Input&quot;) and directs the stream into Mobius (addressing=
<br>
as &quot;Track Output&quot; first the track that hosts Mobious and then the=
<br>plug-in Mobius). This is just the normal way of routing MIDI in Live,<b=
r>well explained in Live&#39;s manual. To set up more complex routing you<b=
r>
may send MIDI through the OS as well (IAC Bus on a Mac and by using<br>the =
third-party hack MIDI Yoke on a Windows machine).<br>
<div class=3D"im"><br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D=
"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"h=
ttp://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br><br><b=
r><br>
</div>
<div>
<div></div>
<div class=3D"h5">On Wed, Dec 16, 2009 at 7:18 AM, George Ludwig<br>&lt;<a =
href=3D"mailto:georgeludwigmusic@gmail.com">georgeludwigmusic@gmail.com</a>=
&gt; wrote:<br>&gt; I&#39;ve got a looping plug-in (Mobius) and I want to c=
ontrol some of its<br>
&gt; parameters with a Korg nanKontrol. No problem, Mobius lets me do the m=
apping<br>&gt; for midi control.<br>&gt;<br>&gt; The problem is, when I run=
 it in Live, Live intercepts the volume control<br>&gt; that I have mapped =
to Mobius&#39; track 1, and uses it to control the volume of<br>
&gt; Live&#39;s track 1. I&#39;ve deleted all the midi volume mappings in L=
ive, but<br>&gt; still, Live insists on changing the volume of track 1 when=
 I really just<br>&gt; want to change the volume of Mobius&#39; track 1.<br=
>
&gt;<br>&gt; I&#39;ve heard that Live has a default midi mapping, besides t=
he one that you<br>&gt; can edit, and it seems like this is the culprit. Ho=
w do I turn it off this<br>&gt; defualt behavior?! This is giving me major =
headaches.<br>
&gt;<br>&gt; --<br>&gt; -George<br>&gt;<br>&gt; <a href=3D"http://www.myspa=
ce.com/georgeludwigmusic" target=3D"_blank">http://www.myspace.com/georgelu=
dwigmusic</a><br>&gt;<br><br></div></div></blockquote></div><br><br clear=
=3D"all">
<br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/georgeludwigmus=
ic">http://www.myspace.com/georgeludwigmusic</a><br>

--0050450169e397ed99047ada9ab3--

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Date: Wed, 16 Dec 2009 08:09:47 -0800
Subject: FS: analog  Effects, Drum machine, Synths,
  Stuff. Cool and priced for the 'olidays 
From: legion@helpwantedproductions.com
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	"AH" <analogue@hyperreal.org>
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A few very cool analog goodies for sale. Some old stuff at lower prices
and new stuff too.

1.Ibanez AD202 rack analog delay. $225. The best IMNSHO. I have two and am
keeping the other.

2. Original 1970s EH Big Muff Pi Fuzz. $165.  EH3003 With original box. Nice.

3. Univox analog Drum machine. $85. Poor man's CR78. Sweet all analog
tones doing the cha-cha and more. Be kraftwerk, Suicide, or yourself.
Built heavy and strong like the Atlantic City lounge performers it was
made for.


4. Music from Outer Space Sound Lab. ONLY $275!!! Fully assembled with
case and internal PS. built by BlueLantern with some mods by me. All sorts
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etc etc. You won't find another all analog two vco, noise, filtered knob
ridden synth like this for this price kids!

5. Vox Brian May amp - $135 VBM-1 special amp. signature sounds of the
"deacy" amp Brian May used on many queen recordings with his special
treble booster circuit built in.

More pedals, Euro Zvex Fuzz Factory module, Synths, circuit bent stuff etc.

Full info and pictures on all the above and more:
http://www.helpwantedproductions.com/Salez/FS.htm

I take USPS MO or paypal (buyer pays fees). Pick up in Phila pa  or pay
actual shipping costs and will pack well for free.

Any questions drop me an email. Thanks for looking

D_



   ----------------------------------------
Now Available for Purchase with Demos online:
       The DAED FEEDBACK SYNTHESIZER

 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"
 Http://www.HelpWantedProductions.com/daed.htm



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Subject: Re: dealing with Live, default control mapping
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George Ludwig wrote:
> Per,
>  
> Thanks for explaining those options to me, I really didn't know even 
> after all this time. :)

> control surface option selected, Live does an automapping of hardware 
> controls to Live controls. That's what I couldn't get rid of.
>  
> Your solution doesn't really work for me because I use half of the 
> nanoKontrol for Mobius, and the other half for Live tracks. 

Is it possible to use the "Per" method, but open
2(or more) midi tracks, set them to receive different channels,
and route them to to what you need?

(I'm kind of guessing, would be interested to know if it's possible)

andy
 

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	 <4B2907BF.5040709@tiscali.co.uk>
Date: Wed, 16 Dec 2009 08:23:16 -0800
Message-ID: <1318f21d0912160823p19c79420p1d438812c4fbc694@mail.gmail.com>
Subject: Re: dealing with Live, default control mapping
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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An interesting thought...I'll try it after I get home from work...but I've
got to run right now...

On Wed, Dec 16, 2009 at 8:15 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> George Ludwig wrote:
>
>> Per,
>>  Thanks for explaining those options to me, I really didn't know even
>> after all this time. :)
>>
>
>  control surface option selected, Live does an automapping of hardware
>> controls to Live controls. That's what I couldn't get rid of.
>>  Your solution doesn't really work for me because I use half of the
>> nanoKontrol for Mobius, and the other half for Live tracks.
>>
>
> Is it possible to use the "Per" method, but open
> 2(or more) midi tracks, set them to receive different channels,
> and route them to to what you need?
>
> (I'm kind of guessing, would be interested to know if it's possible)
>
> andy
>
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

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An interesting thought...I&#39;ll try it after I get home from work...but I=
&#39;ve got to run right now...<br><br>
<div class=3D"gmail_quote">On Wed, Dec 16, 2009 at 8:15 AM, andy butler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tisca=
li.co.uk</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">George Ludwig wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Per,<br>=A0Thanks for explaining=
 those options to me, I really didn&#39;t know even after all this time. :)=
<br>
</blockquote><br></div>
<div class=3D"im">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">control surface option selected,=
 Live does an automapping of hardware controls to Live controls. That&#39;s=
 what I couldn&#39;t get rid of.<br>
=A0Your solution doesn&#39;t really work for me because I use half of the n=
anoKontrol for Mobius, and the other half for Live tracks. <br></blockquote=
><br></div>Is it possible to use the &quot;Per&quot; method, but open<br>
2(or more) midi tracks, set them to receive different channels,<br>and rout=
e them to to what you need?<br><br>(I&#39;m kind of guessing, would be inte=
rested to know if it&#39;s possible)<br><font color=3D"#888888"><br>andy<br=
>
<br><br></font></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<=
br><br><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.mysp=
ace.com/georgeludwigmusic</a><br>

--0016e64603ea8b436d047adaeca4--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 16:25:07 2009
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	 <66f9cc1e0912160029t70d88a5cscfe2810e2181207c@mail.gmail.com>
Date: Wed, 16 Dec 2009 17:25:06 +0100
Message-ID: <66f9cc1e0912160825vefffbe3h671417542dd20db3@mail.gmail.com>
Subject: Re: dealing with Live, default control mapping
From: Per Boysen <perboysen@gmail.com>
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Check what MIDI CC's the Nanokontrol is sending. Try staying away from
those that are listed by Roland General MIDI (GM) for general stuff as
"Voum" (CC7), "Pan" (CC10), "Breath" (CC2) etc etc... Might be a dozen
of those. I have not checked in detail with Ableton Live but at least
Mainstage has this issue of being hard-wired to these "Mr Jones'
Controllers" ;-)  with no way to use them without the host application
reacting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Dec 16, 2009 at 9:29 AM, Per Boysen <perboysen@gmail.com> wrote:
> YOu can't "turn off" that behavior. What you can do is to not send in
> the data as remote control data for Live but rather as a pipe right
> into the Mobius plug-in. The place to set that up is in Live's
> preferences, the "MIDI Sync" tab. The MIDI In port that you use to
> control Mobius (given you control it by direct MIDI Input and not by
> Live's parameter, which is what Ableton usually recommends but we
> loopists don't usually prefer) should be set to "Track". The MIDI In
> port that you use to control Live should be set to "Remote". When
> these preferences are correct you also have to set up a MIDI Track in
> Live that snags your external MIDI data, aimed for Mobius, (as the
> Live track's "Input") and directs the stream into Mobius (addressing
> as "Track Output" first the track that hosts Mobious and then the
> plug-in Mobius). This is just the normal way of routing MIDI in Live,
> well explained in Live's manual. To set up more complex routing you
> may send MIDI through the OS as well (IAC Bus on a Mac and by using
> the third-party hack MIDI Yoke on a Windows machine).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Dec 16, 2009 at 7:18 AM, George Ludwig
> <georgeludwigmusic@gmail.com> wrote:
>> I've got a looping plug-in (Mobius) and I want to control some of its
>> parameters with a Korg nanKontrol. No problem, Mobius lets me do the mapping
>> for midi control.
>>
>> The problem is, when I run it in Live, Live intercepts the volume control
>> that I have mapped to Mobius' track 1, and uses it to control the volume of
>> Live's track 1. I've deleted all the midi volume mappings in Live, but
>> still, Live insists on changing the volume of track 1 when I really just
>> want to change the volume of Mobius' track 1.
>>
>> I've heard that Live has a default midi mapping, besides the one that you
>> can edit, and it seems like this is the culprit. How do I turn it off this
>> defualt behavior?! This is giving me major headaches.
>>
>> --
>> -George
>>
>> http://www.myspace.com/georgeludwigmusic
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 16 17:16:23 2009
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Date: Wed, 16 Dec 2009 09:16:22 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ? re: digitech echo plus (bit rate)?
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ok, i was watching a youtube vid on a guy demoing a digitech echo plus (is that the pds 8000? not sure).
anyway, the things it could do were kind of cool 8 sec of delay, came out in the late 80's (i know frisell has used one in place of his old EH 16 DDL),...

he was showing the main features of it, slapback echo (he seemed to be into the "rockabilly sound"-played some real twangy reverse strat so he looked like a sort of righty hendrix, he was kind of funny), and i think he did a longer echo demo, then did a bit showing the 8 sec sample format (he of course didn't show enough of that, which i wanted to see!!!!). someone on another forum i check (the gear page) was talking about this unit can do the funny pitch changes by playing w/ the time knob (i think?)-and said that's one thing the frisell exploits greatly.
anyway, my question:
the echo plus demo funny man said-that the device uses 8-bit vs. the nowadays most digital pedals use 24-bit. could someone explain this to me. i mean sound-wise i thought the echo plus sounded great. i know there's been talk of this before here, (i probably tuned out), i'm just going on what i heard heard from the vid (i'm sure not pristine quality) but it all sounded good to me....

thanks,
s---
www.myspace.com/scotthansen



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">ok, i was watching a youtube vid on a guy demoing a digitech echo plus (is that the pds 8000? not sure).<br>anyway, the things it could do were kind of cool 8 sec of delay, came out in the late 80's (i know frisell has used one in place of his old EH 16 DDL),...<br><br>he was showing the main features of it, slapback echo (he seemed to be into the "rockabilly sound"-played some real twangy reverse strat so he looked like a sort of righty hendrix, he was kind of funny), and i think he did a longer echo demo, then did a bit showing the 8 sec sample format (he of course didn't show enough of that, which i wanted to see!!!!). someone on another forum i check (the gear page) was talking about this unit can do the funny pitch changes by playing w/ the time knob (i think?)-and said that's one thing the frisell exploits greatly.<br>anyway, my question:<br>the echo plus
 demo funny man said-that the device uses 8-bit vs. the nowadays most digital pedals use 24-bit. could someone explain this to me. i mean sound-wise i thought the echo plus sounded great. i know there's been talk of this before here, (i probably tuned out), i'm just going on what i heard heard from the vid (i'm sure not pristine quality) but it all sounded good to me....<br><br>thanks,<br>s---<br>www.myspace.com/scotthansen<br></td></tr></table><br>



      
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Date: Wed, 16 Dec 2009 09:31:41 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: looping and the public and categorization
To: Loopers-Delight@loopers-delight.com
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hello=0A=0Aantony poet composer performer currently living in France, I als=
o use looping onstage but almost never in the studio. =0AI have been using =
delqys and loops on my voice for a very long time but when i record I=A0pre=
fer to have more detqiled control=A0and only use a=A0frozen loop here and t=
here, left over from a late night solo Jam.=0A=0Awww.antonyhequet.com=0Awww=
..mund.fr=0A=0A=0A=0A----- Original Message ----=0AFrom: Matthias Grob <mati=
lists@gmail.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Wed, Dec=
ember 16, 2009 12:49:27 PM=0ASubject: Re: looping and the public and catego=
rization=0A=0Ayouhou, Zoe!=0A=0AOn 15 Dec 2009, at 21:50, Zoe Keating wrote=
:=0A=0A> you're right of course matthias. my work would not be at all the s=
ame if i hadn't stumbled onto looping. the tools have directly influenced m=
y "style"!=0A> =0A> a coda, and then i really will shut up.....=0A=0Aplease=
 don't... :-)=0A> =0A> i was just thinking about all this categorization bu=
siness and realize that a huge part of my career strategy is to never categ=
orize myself. if if makes sense: i very actively avoid categorization!=0A=
=0AI hate it, too. sit into a drawer is dangerous because someone might clo=
se it :-)=0Athen again, if the others put the category on you, it might be =
worse=0Aand if the record shops don't distribute your record because they d=
on't know where to put it...=0A> =0A> i avoid appealing specifically to any=
 one group, even if i am certainly connected to it: loopers, cellists, comp=
uter nerds, DIYers, steampunks, goths, ravers, indie rockers, public radio =
fans, tall female freckled redheads with dreadlocks, etc. i prefer to be th=
e only fish in my pond. if another fish moves in i tend to move out and mak=
e another pond. so i think my perceived rejection of "looping" is related t=
o this.=A0 (i don't know if that's really a strategy. i've done this my ent=
ire life and it might just be my quirky personality)=0A=0Aok, this answers =
most of my question!=0Aand I am not going to discuss your personality and s=
uch, but maybe we can think together about the details of such behavior - w=
hich is not so special, most artists have this energy, its part of what mak=
es us interesting...=0Aso I am asking anyone here who feels similar:=0A=0A1=
=0Aas you say, there are categories you put yourself by what you do and loo=
k.=0Athere is no need to mention that you play cello and like fire power ha=
ir (I love it!...), because its on any picture of yours.=0A(you could have =
chosen half long brown hair and a nylon guitar which would have put you muc=
h less into a category, but by trying to choose a non category you fell int=
o a stronger one :-)=0Aon some pictures its even visible that you use compu=
ters, but its hard to see that you loop in the computer=0Ahence the idea th=
at you checking email at soundcheck or use a prerecorded load of cellos. :-=
)=0A(in the past, a specialist could spot a Repeater, but the main public o=
nly knows 'cello' and 'electronic')=0A=0Aso: to mention that you use LiveLo=
oping puts you more into a category than a picture of yours does?=0Abecause=
 a word is heavier than a picture?=0A(this is a main problem of the promoti=
on of the LL idea: its not really visible)=0A=0A2=0ASince you don't like to=
 feel in a category, you don't like if others put you in one?=0Aas a conseq=
uence:=0AIf we finally come around to list the LL musicians (which is not e=
asy, thats why we did not do it yet, but the youtube.com/livelooping playli=
st end up being such a list already) would you prefer not to be on the list=
?=0Ayou really want me to take you out of the *Featured Instrumentalists* ?=
=0Adamdidamdidam...=0A=0Asince we are a bunch of artist here, we don't need=
 to be logical,=0AI feel we all love to mention you even if you don't menti=
on us :-)=0A=0A> lastly....99% of the people who license my music have NO i=
dea that i even perform live. and as i don't employ live looping in my reco=
rdings, for those who know me only from a recording, live looping would jus=
t be confusing.=0A=0Aoh, thats another interesting point! And this is proba=
bly rather rare... does any one know of another artist who uses LL on stage=
 but multitracking for the recording of the same compositions?=0A=0Athere a=
re so many categories of LiveLooping artist... even not considering the mus=
ical style, just by the way or intensity of use...=0A=0Alove=0AMatthias=0A>=
 =0A> respect! z=0A> =0A> =0A> =0A> On Dec 14, 2009, at 5:47 AM, Matthias G=
rob wrote:=0A> =0A>> On 13 Dec 2009, at 19:51, Zoe Keating wrote:=0A>>> if =
all the electricity disappeared tomorrow, i could still perform, but i'd ha=
ve to hire 8+ cellists to play the music (which is actually how looping sta=
rted for me, i couldn't find enough cellists).=0A>> =0A>> oh, sorry, Zoe, I=
 did not know you started with the compositions and then only needed a tool=
 to execute them.=0A>> and looping did not bring you new ideas? would your =
compositions really be the same if you had no looper but 8+ cellists?=0A>> =
If so, I suspect you are rather an exception, or does anyone know of other =
composers who use looping tools like this?=0A>> =0A>>> it would sound diffe=
rent because its not me, but an ensemble of cellists could easily play my m=
usic.=0A>> =0A>> sure. which sound would you prefer?=0A>> =0A>>> no electri=
city needed. i've already heard 2 groups do it.=0A>>> =0A>>> i also know of=
 two high profile cellists who perform music with pre-recorded cello tracks=
 and them solo'ing in front. (i.e. no live looping)=0A>>> =0A>>> most peopl=
e think that we all do the same thing (including their publicists). it irri=
tates me, but tells me that its not the live looping that people are hearin=
g.=0A>> =0A>> ...which might be a reason for you to use the label LiveLoopi=
ng more intensely and for me to finally bring the Livelooping.org site up t=
o date with all I wrote and joined this year so anyone can easily look up w=
hat its about. And we should make a special chapter for composers who use t=
he tool to execute what they imagine without the tool, as opposed to the ma=
jority who gather ideas for compositions by playing with the tool and then =
possibly execute them with a group without the tool.=0A>>> =0A>>> =0A>>> =
=0A>>> On Dec 13, 2009, at 11:54 AM, Matthias Grob wrote:=0A>>> =0A>>>> you=
r music would not be done in any other way, would it?=0A>>> =0A=0A=0A      

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Subject: Re: looping and the public and categ
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I've got a couple of silly questions about
this gi-normous discussion.  They may indeed
be silly or pointless, or even in the wrong
direction.  But, they've been bugging me the
last couple days. I am aware of both the
variety of methods and genres that encompass
LiveLooping and considering that:

1)Do you really mean "brand" or do you mean
to simply make more popular?

2)If to brand something, LiveLooping seems more
of a description than a brand name.  Why not
continue branding LD?  I mean, that's a cool
name that could also encompass many things.

I guess this would bring up other questions
like: is LD only for the musicians that are
into Looping?  Would the owner of the website
and listServe be ok or mad at that? Would that
just lead to more spam on the list?

which brings me to something that I don't know
(and forgive me if I'm supposed to, I've owned
and EDP for about 1 year and been on this list
even less).

3) @Rick -  Why did you or what was the reasoning
for naming your Fest Y2K? I mean it's a cool name
and all. But, to continue branding the LL thing,
would it not be better to include the words
in the title of your Fest?

4) which is more of an example of: What would
be so bad about something like the title followed
by the description, which would offer up different
opps and flexibility?
Like:
Loopers-Delight presents: Ambient Trance
or
Loopers-Delight presents: Acapella/Vox
or
Loopers-Delgiht presents: whatever genre or
methodology

I'm not really sure the general public chases
down a loop concert as much as an artist w/
a particular sound that they like who happens
to loop.  And I think a fest would actually
be more popular with a singular or more closly
related genres (in some cases - not all).

Anyway, I'm sure I've stepped on a lot of toes here.
Sorry if I stirred the pot.  Just some random thoughts
from a guy posts quite randomly.

-AG

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Date: Wed, 16 Dec 2009 09:53:19 -0800
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i'm always happy and grateful to be on any list that anyone makes!!!  
of course.
there are many out there already (lists of non-classical cellists, for  
example). i'm just saying that i don't actively try to call out those  
categories in my biography or press.

On Dec 16, 2009, at 3:49 AM, Matthias Grob wrote:

> 2
> Since you don't like to feel in a category, you don't like if others  
> put you in one?
> as a consequence:
> If we finally come around to list the LL musicians (which is not  
> easy, thats why we did not do it yet, but the youtube.com/ 
> livelooping playlist end up being such a list already) would you  
> prefer not to be on the list?
> you really want me to take you out of the *Featured  
> Instrumentalists* ?
> damdidamdidam...
>
> since we are a bunch of artist here, we don't need to be logical,
> I feel we all love to mention you even if you don't mention us :-)

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Date: Wed, 16 Dec 2009 12:48:52 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: ? re: digitech echo plus (bit rate)?
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The major difference between 8 bit and 24 bit word width as it 
applies to audio fidelity is in the dynamic range and signal to noise 
ratio.  With an 8 bit data path you can achieve about 48dB of dynamic 
range and with a 24 bit system 144 dB .  In a looper, the signal to 
noise and dynamic range will degrade by about 6dB  each time the 
signal is recirculated (the HOLD function will simply keep the data 
in memory and no further degradation will occur). The old EH and 
Digitech DDL loopers also used a variable sampling rate, which is how 
the pitch of the loop is changed.  In digital audio the signal to 
noise ratio and distortion are improved by about 3dB each time you 
double the sampling rate. A modern device wil typically sample the 
audio at 44,100 samples per second, and the digitech and EH boxes can 
sample  at rates as low as 3-6kHz, you can hear the aliasing (crunchy 
HF didsortion) readily at those sample rates.




>ok, i was watching a youtube vid on a guy demoing a digitech echo 
>plus (is that the pds 8000? not sure).
>anyway, the things it could do were kind of cool 8 sec of delay, 
>came out in the late 80's (i know frisell has used one in place of 
>his old EH 16 DDL),...
>
>he was showing the main features of it, slapback echo (he seemed to 
>be into the "rockabilly sound"-played some real twangy reverse strat 
>so he looked like a sort of righty hendrix, he was kind of funny), 
>and i think he did a longer echo demo, then did a bit showing the 8 
>sec sample format (he of course didn't show enough of that, which i 
>wanted to see!!!!). someone on another forum i check (the gear page) 
>was talking about this unit can do the funny pitch changes by 
>playing w/ the time knob (i think?)-and said that's one thing the 
>frisell exploits greatly.
>anyway, my question:
>the echo plus demo funny man said-that the device uses 8-bit vs. the 
>nowadays most digital pedals use 24-bit. could someone explain this 
>to me. i mean sound-wise i thought the echo plus sounded great. i 
>know there's been talk of this before here, (i probably tuned out), 
>i'm just going on what i heard heard from the vid (i'm sure not 
>pristine quality) but it all sounded good to me....
>
>thanks,
>s---
>www.myspace.com/scotthansen


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

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For all my protests against categorization...

I get tons of requests to tell how I do what I do. Since my setups  
seems to change every 5 minutes, I've never gotten around to making a  
page.
I just tell everyone "I learned everything I know from people on the  
the Loopers Delight list".

Maybe I should be doing a better job to direct newbies to the right  
place? What is the right place? 

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hm, i've never come across a default midi mapping in Live! surely it  
would show up in the midi map?

i do know that messages running through Live to a plugin get changed  
to channel 1 (why, i do not know). so i make sure to reserve channel 1  
to control my plugins (sooperlooper in my case), and then control  
everything in Live on some other channel (again, in my case, external  
messages come and go on channel 9 and the IAC midi on channel 16).





On Dec 15, 2009, at 10:18 PM, George Ludwig wrote:

> I've got a looping plug-in (Mobius) and I want to control some of  
> its parameters with a Korg nanKontrol. No problem, Mobius lets me do  
> the mapping for midi control.
>
> The problem is, when I run it in Live, Live intercepts the volume  
> control that I have mapped to Mobius' track 1, and uses it to  
> control the volume of Live's track 1. I've deleted all the midi  
> volume mappings in Live, but still, Live insists on changing the  
> volume of track 1 when I really just want to change the volume of  
> Mobius' track 1.
>
> I've heard that Live has a default midi mapping, besides the one  
> that you can edit, and it seems like this is the culprit. How do I  
> turn it off this defualt behavior?! This is giving me major headaches.
>
> -- 
> -George
>
> http://www.myspace.com/georgeludwigmusic
>


--Apple-Mail-2--789763222
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">hm, i've never come across a =
default midi mapping in Live! surely it would show up in the midi =
map?<div><br><div>i do know that messages running through Live to a =
plugin get changed to channel 1 (why, i do not know). so i make sure to =
reserve channel 1 to control my plugins (sooperlooper in my case), and =
then control everything in Live on some other channel (again, in my =
case, external messages come and go on channel 9 and the IAC midi on =
channel =
16).</div><div><br></div><div><br></div><div><br></div><div><br></div><div=
><br><div><div>On Dec 15, 2009, at 10:18 PM, George Ludwig =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><p>I've got a looping plug-in (Mobius) and I want to =
control some of its parameters with a Korg nanKontrol. No problem, =
Mobius lets me do the mapping for midi control.</p><p>The problem is, =
when I run it in Live, Live intercepts the volume control that I have =
mapped to Mobius' track 1, and uses it to control the volume of Live's =
track 1. I've deleted all the midi volume mappings in Live, but still, =
Live insists on changing the volume of track 1 when I really just want =
to change the volume of Mobius' track 1.</p><p>I've heard that Live has =
a default midi mapping, besides the one that you can edit, and it seems =
like this is the culprit. How do I turn it off this defualt behavior?! =
This is giving me major headaches.<br clear=3D"all"> <br>-- =
<br>-George<br><br><a =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/g=
eorgeludwigmusic</a><br></p></blockquote></div><br></div></div></body></ht=
ml>=

--Apple-Mail-2--789763222--

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Hi

Coming into this a bit late, but I am also someone who like Zo=EB (but =
on
a more primitive un-tutored level) composes music based around loops,
but not using a looper as a studio tool (but in a way maybe as I use
Cubase to loop things, part from laziness).

I have been using loopers live for 10 yrs but purely as a way to create
the parts I can only play with one pair of hands, and at times to play
pre-recorded loops I can't create live. =20

I would certainly make a distinction between live looping as a way of
making music, and looping as a way of performing music live.  In the
years I've been playing this way I've had quite a few people ask how I
do it and what I use to perform, showing that even people into the genre
of music I make are unaware of how it is made/performed.  As for how to
promote a live-looping festival, I guess it would have to be done based
on some sort of genre approach, tho what you would do with that I don't
know as I have myself been described variously as post-rock, ambient,
electronica, shoegaze and drone (amongst others) and don't think I fit
with any of them.

On the 'loop-station' subject, if you look at the Roland site and see
the videos of the contestants in their looping competition, there's a
huge variety of styles from beatboxing to singer song writer and most
things in-between (not all good!).  It has made the concept of looping
more widely known, but tells you nothing of the sort of music to expect
from a 'looper'.


On a bit of a tangent, but with a link, the trailer of the new George
Clooney movie features music from Charles Atlas, who both Zo=EB and I =
have
played with (at different times) and who use looping both in the studio
and live (there's one song in the trailer and another in the movie I'm
told)... Highly recommended.

That's my ramblings for today.

Jon.

 =20
      - y e l l o w 6 -
      www.yellow6.com
=20
       - MySpace -
www.myspace.com/jonyellow6
=20





From barr.tonywilliams@gmail.com  Wed Dec 16 19:23:04 2009
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Thanks for articulating this point Mathias, its really gotten me
thinking (so much so in fact I dreamt I was explaining this point to a
friend of mine last night while I slept).

I have been looping for a long time now and generally improvising
while I do so.  I enjoy the process very much, but always find myself
uneasy with the result.  People are talking about what labels and
categories their music fall in to (or out of) but I find myself
wondering at times if "Music" is even the right category for what I'm
doing.

The idea that this process may be primarily about inducing a trance is
very appealing to me and explains some of my quandary in thinking
about this music of mine.

Its not a huge concern for me since I'm not attempting to earn a
living doing this nor am I ever likely to, but I do think about doing
this for a potential audience now and again and I find that thinking
in terms of the presentation of a potential trance is both easier and
more difficult.  I'm not really sure how you would entice people into
that experience, but I think I'm more comfortable trying to do that
than I am in trying to present myself as performing musician.  In my
case, the 'music' is secondary to what goes on while its being
created.

So anyway, thanks for that perspective and yes, I truly do enjoy the
fact that it does work and I can produce my own trance.

Kevin

On Sun, Dec 13, 2009 at 1:51 PM, Matthias Grob <matilists@gmail.com> wrote:

> Let me start with an example of my own experience:
>
> I have mainly been playing with non musicians in a group of up to 25
> improvising happy noise making people.
> It worked amazingly well! For those who did it regularly, it was like a
> spiritual shower, leaving us fresh and optimistic, with a different body
> feeling and so on, while others came the first time and in the end had a
> huge smile on the face, saying: "I did not know I was able to play music!"
> but:
> I never recorded that music. Many asked me to, but in the middle of the
> trance I sometimes put my daily ears back on, just to realize that we were
> mostly making noise, out of tune, boring... so I did not want to disappoint
> anyone about it and left the great impression we had when the REAL energy
> was flowing and bringing us together, which is the essence, much more
> important than the recording.
>
> I then learned from it, that with solo looping I went through a similar
> process. I liked my first recordings and the trance went on all day while
> designing the looping tools, I did not care/notice that my friends did not
> like the recordings so much.
> Doing it live, I sometimes managed to spread the trance over some public and
> they became fascinated. After years even over a bigger public. Then,
> finally, a few people went off with my recordings - also because I carefully
> edited them all, taking out wrong notes, boring parts, and more and more the
> "experimental" parts, too, observing that the fans did not like them (a big
> advantage of selling cassette tapes: you can visit a client and look where
> he stopped your music :-)
> But after all those years of free music of mine on the net and a CD on CD
> baby and what not, the word of mouth is still not spreading my music -
> because its not good enough!
>
> So:
> there is a very long way from serious trance producing art to something that
> people actually buy.
> we have been talking a lot about commercial music and how bad it is and how
> successful musicians have to bend...
> I see it different now:
> don't bend your personality, play your real trance thing, but so well that
> people can understand and follow it, even if they are not in a room with
> you!
> or accept that it only works live
> or only with a few friends
> or only by yourself
> BUT: enjoy that it DOES work, its an amazing gift to be able to produce your
> own trance !!
>
> (I am using "trance" in a more open way, following http://trance.org)
>
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 00:31:08 2009
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Date: Wed, 16 Dec 2009 16:31:04 -0800
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AG asked about branding:

*/" @Rick - Why did you or what was the reasoning
for naming your Fest Y2K? I mean it's a cool name
and all. But, to continue branding the LL thing, would it not be better 
to include the word
in the title of your Fest?"

/*Hi AG,

I don't know how long you've been in the community, but if you've been 
on Loopers Delight for more than a
few years you probably would have noticed all the posts I made about the

Y2K9 INTERNATIONAL LIVE LOOPING FESTIVAL

which is the official name of the looping festival.      The first of 
this series of festivals was in
2001 but I started calling it the Y2K2 LIVE LOOPING FESTIVAL in 2002 and 
I believe
added the INTERNATIONAL part of the moniker in 2003 as people from other 
countries started flying
in to perform from other countries.

Next years 10th anniversary and last very large festival for me will be 
called the
Y2K-X 10th ANNIVERSARY INTERNATIONAL LIVE LOOPING FESTIVAL
which is really a mouthful, but I want the nature of it (particularly 
the fact that we made it to 10 years with
this festival) prominently in the first sentence of every press release.

We decided for the website to shorten the festival name  to 
www.Y2Kloopfest.com  for ease of memory when giving the URL
to someone but if you go to the website (have you ever been) it always 
clearly states what the name of the festival
is each year.

I have since day one,  in point of fact since you mention branding,   
really pushed the notion and the actual branding of Live Looping.

I've done so, specifically, because this community of musicians that has 
built up really do differ from the musicians (such as hip hop
and other eletronica forms)  who use static loops in their production 
and play them,  pre-recorded in their performances.

As a matter of course,  I turn down artists who don't have a significant 
amount of live looping in their content each year (much to the chagrin
of some artists who are dying for a gig).

I've been a stickler for this 'branding'  because it was the easiest way 
in my area to sell the idea to both the press, radio, venues and the public.

It was brand new so I had to really work hard to get that particular 
branding out there. Now, I'm happy to say, it is completely accepted 
where I live
(and the concept has spread to many different festivals that have 
occurred around the world since I started trying to promote this notion).

I've been successfully involved in the promotion of several different 
musical movements in my long career as a professional musician
and community organizer where I live.      What I've found is that a 
brand has to be very simple and require the least
amount of explanation in order for it to be accepted.   It's always best 
whether selling a product or a notion of musical community, style or genre
to include what you are doing in your brand.   Working with people with 
no knowledge of something precludes you being able
to reach them within one sentence I have found.     LIVE LOOPING as a 
brand has worked well for me in this regard.

That being said and done,   we have a universal community and people 
have different social customs and languages in their communities.
What works for me in my publicity or attempts to get this notion across 
to the populace  in Santa Cruz which is a very hip and sophisticated 
town, musically speaking  (hell, only 50,000 people and we've at various 
times had Universal Audio, EMU Systems, Antares, Cycling 74, Creative 
and many other innovative music companies located here) might not work,  
as Gareth pointed out,  in Wales where he lives.

Having the egalitarian approach to the festival also is a notion that is 
really accepted and favored where I live (close to the birthplace of the
original Hippy movement in Northern California).  I"ve found, in my 
travels and attempts at spreading this notion that a lot of Europeans
just don't resonate with this concept very much..............or the ones 
that do seem to be in a minority from my limited experience.

It's all good.      It's good for me to do this festival in an 
idiosyncratic way.  It's good for Matthias to try and get his 
livelooping.org and youtube live looping
sites off the ground and promote the way he wants to.  It's good for 
Sjaack to want a more exclusive and narrower stylistic focus for his 
wonderful
Antwerp festival.      Years ago,  when I was more idealistic and 
aggressive about spreading the Live Looping vibe,  I think I completely
alienated one European promoter because I took him to task for not being 
more inclusive for the really fantastic festival he produced.
I really regret that now,  because I realize that one,  I never wanted 
to alienate a fellow comrade in this work and two, because I realized 
that his
festival really galvanized the larger European live looping community 
and set up , in time, all the wonderful coordinated activities that are 
beginning to happen
in Belgium, Germany, Italy and the UK.

It's all good.     And quite, frankly,  instead of spending so much time 
talking about all of this stuff,
I would advise that everyone who feels passionately about it should get 
out and produce a regional live looping concert themselves
and advertise it in WHATEVER way you want.

The point is that we do something.  As it was said in 'Field of 
Dreams',.  the American magical baseball movie,
"If you build it, they will come"

So Check  out the Y2K-X International Live Looping Festival. Check the 
website out.  Check out the many videos on youtube and remember that 
Jim's touching tribute to the festival is
only one of many over the years and most of them were more thorough 
single artist and shot in hi fidelity with hi fidelity sound.

Hell, come perform at it.   You'll be happy you did,  I promise you.

respectfully, Rick Walker

**********
**********

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Date: Wed, 16 Dec 2009 16:39:42 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Favorite 2009 music you think may have used live looping
To: Loopers-Delight@loopers-delight.com
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What's your favorite music=A0from 2009 you think may have used live looping=
?=0A=0ADavid =0Ahttp://www.myspace.com/undomusic =0A=0A=0A      
--0-60480687-1261010382=:39467
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>What's your favorite music&nbsp;from 2009 you think may have used=
 live looping?</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David </DIV>=0A<DIV><A href=
=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</A> =
</DIV><!-- cg20.c2.mail.re1.yahoo.com compressed/chunked Wed Dec 16 08:58:4=
2 PST 2009 --></div><br>=0A=0A      </body></html>
--0-60480687-1261010382=:39467--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 01:17:32 2009
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>Next years 10th anniversary and last very large festival for me will be=20
>called the
>Y2K-X 10th ANNIVERSARY INTERNATIONAL LIVE LOOPING FESTIVAL

last one? bummer-
do you have dates lined up yet? or a general time frame?





> Date: Wed=2C 16 Dec 2009 16:31:04 -0800
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: The Branding of Live Looping         was:   looping and the publ=
ic and categ.......
>=20
> AG asked about branding:
>=20
> */" @Rick - Why did you or what was the reasoning
> for naming your Fest Y2K? I mean it's a cool name
> and all. But=2C to continue branding the LL thing=2C would it not be bett=
er=20
> to include the word
> in the title of your Fest?"
>=20
> /*Hi AG=2C
>=20
> I don't know how long you've been in the community=2C but if you've been=
=20
> on Loopers Delight for more than a
> few years you probably would have noticed all the posts I made about the
>=20
> Y2K9 INTERNATIONAL LIVE LOOPING FESTIVAL
>=20
> which is the official name of the looping festival.      The first of=20
> this series of festivals was in
> 2001 but I started calling it the Y2K2 LIVE LOOPING FESTIVAL in 2002 and=
=20
> I believe
> added the INTERNATIONAL part of the moniker in 2003 as people from other=
=20
> countries started flying
> in to perform from other countries.
>=20
> Next years 10th anniversary and last very large festival for me will be=20
> called the
> Y2K-X 10th ANNIVERSARY INTERNATIONAL LIVE LOOPING FESTIVAL
> which is really a mouthful=2C but I want the nature of it (particularly=20
> the fact that we made it to 10 years with
> this festival) prominently in the first sentence of every press release.
>=20
> We decided for the website to shorten the festival name  to=20
> www.Y2Kloopfest.com  for ease of memory when giving the URL
> to someone but if you go to the website (have you ever been) it always=20
> clearly states what the name of the festival
> is each year.
>=20
> I have since day one=2C  in point of fact since you mention branding=2C  =
=20
> really pushed the notion and the actual branding of Live Looping.
>=20
> I've done so=2C specifically=2C because this community of musicians that =
has=20
> built up really do differ from the musicians (such as hip hop
> and other eletronica forms)  who use static loops in their production=20
> and play them=2C  pre-recorded in their performances.
>=20
> As a matter of course=2C  I turn down artists who don't have a significan=
t=20
> amount of live looping in their content each year (much to the chagrin
> of some artists who are dying for a gig).
>=20
> I've been a stickler for this 'branding'  because it was the easiest way=
=20
> in my area to sell the idea to both the press=2C radio=2C venues and the =
public.
>=20
> It was brand new so I had to really work hard to get that particular=20
> branding out there. Now=2C I'm happy to say=2C it is completely accepted=
=20
> where I live
> (and the concept has spread to many different festivals that have=20
> occurred around the world since I started trying to promote this notion).
>=20
> I've been successfully involved in the promotion of several different=20
> musical movements in my long career as a professional musician
> and community organizer where I live.      What I've found is that a=20
> brand has to be very simple and require the least
> amount of explanation in order for it to be accepted.   It's always best=
=20
> whether selling a product or a notion of musical community=2C style or ge=
nre
> to include what you are doing in your brand.   Working with people with=20
> no knowledge of something precludes you being able
> to reach them within one sentence I have found.     LIVE LOOPING as a=20
> brand has worked well for me in this regard.
>=20
> That being said and done=2C   we have a universal community and people=20
> have different social customs and languages in their communities.
> What works for me in my publicity or attempts to get this notion across=20
> to the populace  in Santa Cruz which is a very hip and sophisticated=20
> town=2C musically speaking  (hell=2C only 50=2C000 people and we've at va=
rious=20
> times had Universal Audio=2C EMU Systems=2C Antares=2C Cycling 74=2C Crea=
tive=20
> and many other innovative music companies located here) might not work=2C=
 =20
> as Gareth pointed out=2C  in Wales where he lives.
>=20
> Having the egalitarian approach to the festival also is a notion that is=
=20
> really accepted and favored where I live (close to the birthplace of the
> original Hippy movement in Northern California).  I"ve found=2C in my=20
> travels and attempts at spreading this notion that a lot of Europeans
> just don't resonate with this concept very much..............or the ones=
=20
> that do seem to be in a minority from my limited experience.
>=20
> It's all good.      It's good for me to do this festival in an=20
> idiosyncratic way.  It's good for Matthias to try and get his=20
> livelooping.org and youtube live looping
> sites off the ground and promote the way he wants to.  It's good for=20
> Sjaack to want a more exclusive and narrower stylistic focus for his=20
> wonderful
> Antwerp festival.      Years ago=2C  when I was more idealistic and=20
> aggressive about spreading the Live Looping vibe=2C  I think I completely
> alienated one European promoter because I took him to task for not being=
=20
> more inclusive for the really fantastic festival he produced.
> I really regret that now=2C  because I realize that one=2C  I never wante=
d=20
> to alienate a fellow comrade in this work and two=2C because I realized=20
> that his
> festival really galvanized the larger European live looping community=20
> and set up =2C in time=2C all the wonderful coordinated activities that a=
re=20
> beginning to happen
> in Belgium=2C Germany=2C Italy and the UK.
>=20
> It's all good.     And quite=2C frankly=2C  instead of spending so much t=
ime=20
> talking about all of this stuff=2C
> I would advise that everyone who feels passionately about it should get=20
> out and produce a regional live looping concert themselves
> and advertise it in WHATEVER way you want.
>=20
> The point is that we do something.  As it was said in 'Field of=20
> Dreams'=2C.  the American magical baseball movie=2C
> "If you build it=2C they will come"
>=20
> So Check  out the Y2K-X International Live Looping Festival. Check the=20
> website out.  Check out the many videos on youtube and remember that=20
> Jim's touching tribute to the festival is
> only one of many over the years and most of them were more thorough=20
> single artist and shot in hi fidelity with hi fidelity sound.
>=20
> Hell=2C come perform at it.   You'll be happy you did=2C  I promise you.
>=20
> respectfully=2C Rick Walker
>=20
> **********
> **********
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Free=2C trusted and rich email service.
http://clk.atdmt.com/GBL/go/171222984/direct/01/=

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<pre><br>&gt=3BNext years 10th anniversary and last very large festival for=
 me will be <br>&gt=3Bcalled the<br>&gt=3BY2K-X 10th ANNIVERSARY INTERNATIO=
NAL LIVE LOOPING FESTIVAL<br><br>last one? bummer-<br>do you have dates lin=
ed up yet? or a general time frame?<br></pre><br><br><br><br><br>&gt=3B Dat=
e: Wed=2C 16 Dec 2009 16:31:04 -0800<br>&gt=3B From: looppool@cruzio.com<br=
>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: The Bran=
ding of Live Looping         was:   looping and the public and categ.......=
<br>&gt=3B <br>&gt=3B AG asked about branding:<br>&gt=3B <br>&gt=3B */" @Ri=
ck - Why did you or what was the reasoning<br>&gt=3B for naming your Fest Y=
2K? I mean it's a cool name<br>&gt=3B and all. But=2C to continue branding =
the LL thing=2C would it not be better <br>&gt=3B to include the word<br>&g=
t=3B in the title of your Fest?"<br>&gt=3B <br>&gt=3B /*Hi AG=2C<br>&gt=3B =
<br>&gt=3B I don't know how long you've been in the community=2C but if you=
've been <br>&gt=3B on Loopers Delight for more than a<br>&gt=3B few years =
you probably would have noticed all the posts I made about the<br>&gt=3B <b=
r>&gt=3B Y2K9 INTERNATIONAL LIVE LOOPING FESTIVAL<br>&gt=3B <br>&gt=3B whic=
h is the official name of the looping festival.      The first of <br>&gt=
=3B this series of festivals was in<br>&gt=3B 2001 but I started calling it=
 the Y2K2 LIVE LOOPING FESTIVAL in 2002 and <br>&gt=3B I believe<br>&gt=3B =
added the INTERNATIONAL part of the moniker in 2003 as people from other <b=
r>&gt=3B countries started flying<br>&gt=3B in to perform from other countr=
ies.<br>&gt=3B <br>&gt=3B Next years 10th anniversary and last very large f=
estival for me will be <br>&gt=3B called the<br>&gt=3B Y2K-X 10th ANNIVERSA=
RY INTERNATIONAL LIVE LOOPING FESTIVAL<br>&gt=3B which is really a mouthful=
=2C but I want the nature of it (particularly <br>&gt=3B the fact that we m=
ade it to 10 years with<br>&gt=3B this festival) prominently in the first s=
entence of every press release.<br>&gt=3B <br>&gt=3B We decided for the web=
site to shorten the festival name  to <br>&gt=3B www.Y2Kloopfest.com  for e=
ase of memory when giving the URL<br>&gt=3B to someone but if you go to the=
 website (have you ever been) it always <br>&gt=3B clearly states what the =
name of the festival<br>&gt=3B is each year.<br>&gt=3B <br>&gt=3B I have si=
nce day one=2C  in point of fact since you mention branding=2C   <br>&gt=3B=
 really pushed the notion and the actual branding of Live Looping.<br>&gt=
=3B <br>&gt=3B I've done so=2C specifically=2C because this community of mu=
sicians that has <br>&gt=3B built up really do differ from the musicians (s=
uch as hip hop<br>&gt=3B and other eletronica forms)  who use static loops =
in their production <br>&gt=3B and play them=2C  pre-recorded in their perf=
ormances.<br>&gt=3B <br>&gt=3B As a matter of course=2C  I turn down artist=
s who don't have a significant <br>&gt=3B amount of live looping in their c=
ontent each year (much to the chagrin<br>&gt=3B of some artists who are dyi=
ng for a gig).<br>&gt=3B <br>&gt=3B I've been a stickler for this 'branding=
'  because it was the easiest way <br>&gt=3B in my area to sell the idea to=
 both the press=2C radio=2C venues and the public.<br>&gt=3B <br>&gt=3B It =
was brand new so I had to really work hard to get that particular <br>&gt=
=3B branding out there. Now=2C I'm happy to say=2C it is completely accepte=
d <br>&gt=3B where I live<br>&gt=3B (and the concept has spread to many dif=
ferent festivals that have <br>&gt=3B occurred around the world since I sta=
rted trying to promote this notion).<br>&gt=3B <br>&gt=3B I've been success=
fully involved in the promotion of several different <br>&gt=3B musical mov=
ements in my long career as a professional musician<br>&gt=3B and community=
 organizer where I live.      What I've found is that a <br>&gt=3B brand ha=
s to be very simple and require the least<br>&gt=3B amount of explanation i=
n order for it to be accepted.   It's always best <br>&gt=3B whether sellin=
g a product or a notion of musical community=2C style or genre<br>&gt=3B to=
 include what you are doing in your brand.   Working with people with <br>&=
gt=3B no knowledge of something precludes you being able<br>&gt=3B to reach=
 them within one sentence I have found.     LIVE LOOPING as a <br>&gt=3B br=
and has worked well for me in this regard.<br>&gt=3B <br>&gt=3B That being =
said and done=2C   we have a universal community and people <br>&gt=3B have=
 different social customs and languages in their communities.<br>&gt=3B Wha=
t works for me in my publicity or attempts to get this notion across <br>&g=
t=3B to the populace  in Santa Cruz which is a very hip and sophisticated <=
br>&gt=3B town=2C musically speaking  (hell=2C only 50=2C000 people and we'=
ve at various <br>&gt=3B times had Universal Audio=2C EMU Systems=2C Antare=
s=2C Cycling 74=2C Creative <br>&gt=3B and many other innovative music comp=
anies located here) might not work=2C  <br>&gt=3B as Gareth pointed out=2C =
 in Wales where he lives.<br>&gt=3B <br>&gt=3B Having the egalitarian appro=
ach to the festival also is a notion that is <br>&gt=3B really accepted and=
 favored where I live (close to the birthplace of the<br>&gt=3B original Hi=
ppy movement in Northern California).  I"ve found=2C in my <br>&gt=3B trave=
ls and attempts at spreading this notion that a lot of Europeans<br>&gt=3B =
just don't resonate with this concept very much..............or the ones <b=
r>&gt=3B that do seem to be in a minority from my limited experience.<br>&g=
t=3B <br>&gt=3B It's all good.      It's good for me to do this festival in=
 an <br>&gt=3B idiosyncratic way.  It's good for Matthias to try and get hi=
s <br>&gt=3B livelooping.org and youtube live looping<br>&gt=3B sites off t=
he ground and promote the way he wants to.  It's good for <br>&gt=3B Sjaack=
 to want a more exclusive and narrower stylistic focus for his <br>&gt=3B w=
onderful<br>&gt=3B Antwerp festival.      Years ago=2C  when I was more ide=
alistic and <br>&gt=3B aggressive about spreading the Live Looping vibe=2C =
 I think I completely<br>&gt=3B alienated one European promoter because I t=
ook him to task for not being <br>&gt=3B more inclusive for the really fant=
astic festival he produced.<br>&gt=3B I really regret that now=2C  because =
I realize that one=2C  I never wanted <br>&gt=3B to alienate a fellow comra=
de in this work and two=2C because I realized <br>&gt=3B that his<br>&gt=3B=
 festival really galvanized the larger European live looping community <br>=
&gt=3B and set up =2C in time=2C all the wonderful coordinated activities t=
hat are <br>&gt=3B beginning to happen<br>&gt=3B in Belgium=2C Germany=2C I=
taly and the UK.<br>&gt=3B <br>&gt=3B It's all good.     And quite=2C frank=
ly=2C  instead of spending so much time <br>&gt=3B talking about all of thi=
s stuff=2C<br>&gt=3B I would advise that everyone who feels passionately ab=
out it should get <br>&gt=3B out and produce a regional live looping concer=
t themselves<br>&gt=3B and advertise it in WHATEVER way you want.<br>&gt=3B=
 <br>&gt=3B The point is that we do something.  As it was said in 'Field of=
 <br>&gt=3B Dreams'=2C.  the American magical baseball movie=2C<br>&gt=3B "=
If you build it=2C they will come"<br>&gt=3B <br>&gt=3B So Check  out the Y=
2K-X International Live Looping Festival. Check the <br>&gt=3B website out.=
  Check out the many videos on youtube and remember that <br>&gt=3B Jim's t=
ouching tribute to the festival is<br>&gt=3B only one of many over the year=
s and most of them were more thorough <br>&gt=3B single artist and shot in =
hi fidelity with hi fidelity sound.<br>&gt=3B <br>&gt=3B Hell=2C come perfo=
rm at it.   You'll be happy you did=2C  I promise you.<br>&gt=3B <br>&gt=3B=
 respectfully=2C Rick Walker<br>&gt=3B <br>&gt=3B **********<br>&gt=3B ****=
******<br>&gt=3B <br> 		 	   		  <br /><hr />Hotmail: Free=2C trusted and r=
ich email service. <a href=3D'http://clk.atdmt.com/GBL/go/171222984/direct/=
01/' target=3D'_new'>Get it now.</a></body>
</html>=

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Subject: Live looping on the Eigenharp Pico
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Kayla Kavanagh playing the new Eigenharp Pico:
http://www.youtube.com/watch?v=P6XsTuK2vpk

http://www.kaylakavanagh.com

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Kayla Kavanagh playing the new Eigenharp Pico: <a href="http://www.youtube.com/watch?v=P6XsTuK2vpk">http://www.youtube.com/watch?v=P6XsTuK2vpk</a><br><br><a href="http://www.kaylakavanagh.com">http://www.kaylakavanagh.com</a><br>
<br>

--001485f7c02cc30a74047ae29291--

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Date: Wed, 16 Dec 2009 17:48:47 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Favorite 2009 music you think may have used live looping
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--- On Wed, 12/16/09, david kirkdorffer <unstrungone@yahoo.com> wrote:=0A=
=0A> What's your favorite=0A> music=A0from 2009 you think may have used liv=
e looping?=0A=0AJust off the top of my head, I heard an interview/live-in-s=
tudio performance by Smoke Fairies on the BBC's 'Strand' programme last wee=
k that definitely had a short loop as the main building block of the tune t=
hey played.=0A=0A-t-=0A=0A=0A      

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----Original Message-----
From: david kirkdorffer 
Sent: Dec 16, 2009 7:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Favorite 2009 music you think may have used live looping
What's your favorite music from 2009 you think may have used live looping?
David 
http://www.myspace.com/undomusic 


      I  gotta goe w/ S T A N O S A U R  on Halloween using his trustee PDS 8000:http://www.youtube.com/watch?v=rWErrD07rZU

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Subject: Re: Live looping on the Eigenharp Pico
Date: Wed, 16 Dec 2009 18:20:22 -0800
References: <1f6442e00912161730l1b8160b4w32c46e9e768016c7@mail.gmail.com>
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Very interesting Kayla.

Thanks for posting that.

Cheers,

Ted

On Dec 16, 2009, at 5:30 PM, Kayla Kavanagh wrote:

> Kayla Kavanagh playing the new Eigenharp Pico: http://www.youtube.com/watch?v=P6XsTuK2vpk
>
> http://www.kaylakavanagh.com

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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <336598.39467.qm@web55204.mail.re4.yahoo.com>
In-Reply-To: <336598.39467.qm@web55204.mail.re4.yahoo.com>
Subject: RE: Favorite 2009 music you think may have used live looping
Date: Wed, 16 Dec 2009 22:38:11 -0500
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Adrian Belew Power Trio - e.  

 

Wonderful stuff.

 

Tony

 

From: david kirkdorffer [mailto:unstrungone@yahoo.com] 
Sent: Wednesday, December 16, 2009 7:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Favorite 2009 music you think may have used live looping

 

What's your favorite music from 2009 you think may have used live looping?

 

David 

http://www.myspace.com/undomusic 

 


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Adrian Belew Power Trio &#8211; e.&nbsp; =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Wonderful stuff.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tony<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> david =
kirkdorffer
[mailto:unstrungone@yahoo.com] <br>
<b>Sent:</b> Wednesday, December 16, 2009 7:40 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Favorite 2009 music you think may have used live =
looping<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>What's
your favorite music&nbsp;from 2009 you think may have used live =
looping?<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>&nbsp;<o:p></=
o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>David
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'><a
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</a> <o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 04:11:47 2009
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    <cc68372fb0ac51883cde9ae6381503bf.squirrel@webmail.helpwantedproductions.com>
Date: Wed, 16 Dec 2009 20:11:47 -0800
Subject: Re: [AH] FS: analog  Effects, Drum machine, Synths,
   Stuff. Cool and priced for the 'olidays
From: legion@helpwantedproductions.com
To: "Loopers Delight" <loopers-delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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Quick update:

The Univox drum machine has been sold (like 20 times over if I had 20 of
them!) The Zvex euro is also gone. Nibbles on the others but no one has
pulled the trigger so if you want something please let me know ASAP.

I have two fresh DAED feedback synths in stock which will probably be my
last two of the year. Also one "Juicy wah" ultra modded and growling
crybaby wah @ $85. See the http://www.helpwantedproductions.com/daed.htm
for demos and details.

Thanks!

D_




> A few very cool analog goodies for sale. Some old stuff at lower prices
> and new stuff too.
>
> 1.Ibanez AD202 rack analog delay. $225. The best IMNSHO. I have two and am
> keeping the other.
>
> 2. Original 1970s EH Big Muff Pi Fuzz. $165.  EH3003 With original box.
> Nice.
>
> 3. Univox analog Drum machine. $SOLD Poor man's CR78. Sweet all analog
> tones doing the cha-cha and more. Be kraftwerk, Suicide, or yourself.
> Built heavy and strong like the Atlantic City lounge performers it was
> made for.
>
>
> 4. Music from Outer Space Sound Lab. ONLY $275!!! Fully assembled with
> case and internal PS. built by BlueLantern with some mods by me. All sorts
> of upgrades including timing mods, fine tunes for both VCOs, CV/gate in,
> etc etc. You won't find another all analog two vco, noise, filtered knob
> ridden synth like this for this price kids!
>
> 5. Vox Brian May amp - $135 VBM-1 special amp. signature sounds of the
> "deacy" amp Brian May used on many queen recordings with his special
> treble booster circuit built in.
>
> More pedals, Euro Zvex Fuzz Factory module, Synths, circuit bent stuff
> etc.
>
> Full info and pictures on all the above and more:
> http://www.helpwantedproductions.com/Salez/FS.htm
>
> I take USPS MO or paypal (buyer pays fees). Pick up in Phila pa  or pay
> actual shipping costs and will pack well for free.
>
> Any questions drop me an email. Thanks for looking
>
> D_
-- 
   ----------------------------------------
Now Available for Purchase with Demos online:
       The DAED FEEDBACK SYNTHESIZER

 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"
 Http://www.HelpWantedProductions.com/daed.htm



From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 04:31:05 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Live looping on the Eigenharp Pico
References: <1f6442e00912161730l1b8160b4w32c46e9e768016c7@mail.gmail.com>
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Kayla Kavanagh wrote:
> Kayla Kavanagh playing the new Eigenharp Pico: 
> http://www.youtube.com/watch?v=P6XsTuK2vpk
> 
> http://www.kaylakavanagh.com
> 

It looks like you're playing the thing in some kind of 
constrained-to-scale mode. Can it be played chromatically as well? If 
so, how is the fingering laid out for that?

Brian

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 05:02:35 2009
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Subject: Re: dealing with Live, default control mapping
Date: Thu, 17 Dec 2009 05:02:32 -0000
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It's all about the scripts - =
http://createdigitalmusic.com/2009/07/29/download-free-korg-nanopad-nanok=
ontrol-scripts-for-ableton-live/

Ricky
  ----- Original Message -----=20
  From: Zoe Keating=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, December 16, 2009 5:41 PM
  Subject: Re: dealing with Live, default control mapping


  hm, i've never come across a default midi mapping in Live! surely it =
would show up in the midi map?


  i do know that messages running through Live to a plugin get changed =
to channel 1 (why, i do not know). so i make sure to reserve channel 1 =
to control my plugins (sooperlooper in my case), and then control =
everything in Live on some other channel (again, in my case, external =
messages come and go on channel 9 and the IAC midi on channel 16).










  On Dec 15, 2009, at 10:18 PM, George Ludwig wrote:


    I've got a looping plug-in (Mobius) and I want to control some of =
its parameters with a Korg nanKontrol. No problem, Mobius lets me do the =
mapping for midi control.

    The problem is, when I run it in Live, Live intercepts the volume =
control that I have mapped to Mobius' track 1, and uses it to control =
the volume of Live's track 1. I've deleted all the midi volume mappings =
in Live, but still, Live insists on changing the volume of track 1 when =
I really just want to change the volume of Mobius' track 1.

    I've heard that Live has a default midi mapping, besides the one =
that you can edit, and it seems like this is the culprit. How do I turn =
it off this defualt behavior?! This is giving me major headaches.

    --=20
    -George

    http://www.myspace.com/georgeludwigmusic




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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It's all about the scripts - <A=20
href=3D"http://createdigitalmusic.com/2009/07/29/download-free-korg-nanop=
ad-nanokontrol-scripts-for-ableton-live/">http://createdigitalmusic.com/2=
009/07/29/download-free-korg-nanopad-nanokontrol-scripts-for-ableton-live=
/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dinfo@zoekeating.com href=3D"mailto:info@zoekeating.com">Zoe =
Keating</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 16, =
2009 5:41=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: dealing with Live, =
default=20
  control mapping</DIV>
  <DIV><BR></DIV>hm, i've never come across a default midi mapping in =
Live!=20
  surely it would show up in the midi map?
  <DIV><BR>
  <DIV>i do know that messages running through Live to a plugin get =
changed to=20
  channel 1 (why, i do not know). so i make sure to reserve channel 1 to =
control=20
  my plugins (sooperlooper in my case), and then control everything in =
Live on=20
  some other channel (again, in my case, external messages come and go =
on=20
  channel 9 and the IAC midi on channel 16).</DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Dec 15, 2009, at 10:18 PM, George Ludwig wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <P>I've got a looping plug-in (Mobius) and I want to control some of =
its=20
    parameters with a Korg nanKontrol. No problem, Mobius lets me do the =
mapping=20
    for midi control.</P>
    <P>The problem is, when I run it in Live, Live intercepts the volume =
control=20
    that I have mapped to Mobius' track 1, and uses it to control the =
volume of=20
    Live's track 1. I've deleted all the midi volume mappings in Live, =
but=20
    still, Live insists on changing the volume of track 1 when I really =
just=20
    want to change the volume of Mobius' track 1.</P>
    <P>I've heard that Live has a default midi mapping, besides the one =
that you=20
    can edit, and it seems like this is the culprit. How do I turn it =
off this=20
    defualt behavior?! This is giving me major headaches.<BR =
clear=3Dall><BR>--=20
    <BR>-George<BR><BR><A=20
    =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/=
georgeludwigmusic</A><BR></P></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQU=
OTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 06:15:11 2009
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Subject: ThumbJam - my new iPhone/iPod sampler instrument app
From: Jesse Chappell <jesse@essej.net>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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I just wanted to let everyone know about my new iPhone/iPod touch app,
ThumbJam.  I think it might be interesting to a lot of you folks.
Here's part of the blurb from the site ( http://thumbjam.com ) :

"ThumbJam is a brand-new musical performance experience for iPhone and
iPod Touch.
You get over 30 high-quality real instruments multi-sampled
exclusively for this app. Hundreds of included scales allow you to
effortlessly play in any style from rock to classical, whether you are
a musical novice or a seasoned professional."

Of course, it also has looping :)

But the samples are what really sets it apart.  Of special interest to
this list:
Zoe Keating recorded the cello samples, Steve Bingham recorded the
violin, and Todd Matthews recorded the double bass.  The string
section is definitely one of the highlights, thank you guys!

Check out the example audio on the site (more videos coming soon), and
tell your friends about it.  The App Store direct link is:

http://itunes.apple.com/us/app/thumbjam/id338977566?mt=8

jlc

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 08:01:26 2009
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Subject: RE: ThumbJam - my new iPhone/iPod sampler instrument app
Date: Thu, 17 Dec 2009 08:01:24 +0000
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Very cool app Jesse. Getting close to the amazing chaosillator - something =
I've wanted for a while...

g

> Date: Thu=2C 17 Dec 2009 01:15:10 -0500
> Subject: ThumbJam - my new iPhone/iPod sampler instrument app
> From: jesse@essej.net
> To: loopers-delight@loopers-delight.com
>=20
> I just wanted to let everyone know about my new iPhone/iPod touch app=2C
> ThumbJam.  I think it might be interesting to a lot of you folks.
> Here's part of the blurb from the site ( http://thumbjam.com ) :
>=20
> "ThumbJam is a brand-new musical performance experience for iPhone and
> iPod Touch.
> You get over 30 high-quality real instruments multi-sampled
> exclusively for this app. Hundreds of included scales allow you to
> effortlessly play in any style from rock to classical=2C whether you are
> a musical novice or a seasoned professional."
>=20
> Of course=2C it also has looping :)
>=20
> But the samples are what really sets it apart.  Of special interest to
> this list:
> Zoe Keating recorded the cello samples=2C Steve Bingham recorded the
> violin=2C and Todd Matthews recorded the double bass.  The string
> section is definitely one of the highlights=2C thank you guys!
>=20
> Check out the example audio on the site (more videos coming soon)=2C and
> tell your friends about it.  The App Store direct link is:
>=20
> http://itunes.apple.com/us/app/thumbjam/id338977566?mt=3D8
>=20
> jlc
>=20
 		 	   		 =20
_________________________________________________________________
View your other email accounts from your Hotmail inbox. Add them now.
http://clk.atdmt.com/UKM/go/186394592/direct/01/=

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<head>
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}
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{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Very cool app Jesse. Getting close to the amazing chaosillator - something =
I've wanted for a while...<br><br>g<br><br>&gt=3B Date: Thu=2C 17 Dec 2009 =
01:15:10 -0500<br>&gt=3B Subject: ThumbJam - my new iPhone/iPod sampler ins=
trument app<br>&gt=3B From: jesse@essej.net<br>&gt=3B To: loopers-delight@l=
oopers-delight.com<br>&gt=3B <br>&gt=3B I just wanted to let everyone know =
about my new iPhone/iPod touch app=2C<br>&gt=3B ThumbJam.  I think it might=
 be interesting to a lot of you folks.<br>&gt=3B Here's part of the blurb f=
rom the site ( http://thumbjam.com ) :<br>&gt=3B <br>&gt=3B "ThumbJam is a =
brand-new musical performance experience for iPhone and<br>&gt=3B iPod Touc=
h.<br>&gt=3B You get over 30 high-quality real instruments multi-sampled<br=
>&gt=3B exclusively for this app. Hundreds of included scales allow you to<=
br>&gt=3B effortlessly play in any style from rock to classical=2C whether =
you are<br>&gt=3B a musical novice or a seasoned professional."<br>&gt=3B <=
br>&gt=3B Of course=2C it also has looping :)<br>&gt=3B <br>&gt=3B But the =
samples are what really sets it apart.  Of special interest to<br>&gt=3B th=
is list:<br>&gt=3B Zoe Keating recorded the cello samples=2C Steve Bingham =
recorded the<br>&gt=3B violin=2C and Todd Matthews recorded the double bass=
.  The string<br>&gt=3B section is definitely one of the highlights=2C than=
k you guys!<br>&gt=3B <br>&gt=3B Check out the example audio on the site (m=
ore videos coming soon)=2C and<br>&gt=3B tell your friends about it.  The A=
pp Store direct link is:<br>&gt=3B <br>&gt=3B http://itunes.apple.com/us/ap=
p/thumbjam/id338977566?mt=3D8<br>&gt=3B <br>&gt=3B jlc<br>&gt=3B <br> 		 	 =
  		  <br /><hr />View your other email accounts from your Hotmail inbox. <=
a href=3D'http://clk.atdmt.com/UKM/go/186394592/direct/01/' target=3D'_new'=
>Add them now.</a></body>
</html>=

--_14e0e3b5-bc34-4832-9bb2-814e13bb0eef_--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 09:19:47 2009
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neat questions,

Loaf citious wrote:

> 
> 1)Do you really mean "brand" or do you mean
> to simply make more popular?

Probably there's as many answers to that
as there are list members :-)

This is just mine:
Back in 2005 I called my cd "livelooping", 
I thought that pointed out that it was 
something other than a guitar solo album.

I'm not sure where I got the idea to leave out
the space, and make no claim to have invented the idea.



> 
> 2)If to brand something, LiveLooping seems more
> of a description than a brand name.  Why not
> continue branding LD?  I mean, that's a cool
> name that could also encompass many things.

live looping ...description
livelooping  ...  brand

Looper's Delight ...website devoted to 
*all* types of music that uses loops, live
or otherwise.


> 
> I guess this would bring up other questions
> like: is LD only for the musicians that are
> into Looping?  Would the owner of the website
> and listServe be ok or mad at that? Would that
> just lead to more spam on the list?

Oh there's some history here ;-)

>From pre-"loop station" days.

Owner is Kim Flint.
He objected quite strongly to the term
"Festival of Looping" being used for events
organise by/for live loopers. He thought it
wrong to present what he saw as a narrow range
of music as being "looping". He pointed out 
that HipHop, Industrial etc. all used loops.

About that time, the fests changed to
"Festival of Live Looping".

While Kim's not an active list member here, 
he certainly coined the term "Looper's Delight"
and I don't think it would be appropriate to
use that term in the way you suggest.

>And I think a fest would actually
> be more popular with a singular or more closly
> related genres (in some cases - not all).

:-) so organize one

> 
> Anyway, I'm sure I've stepped on a lot of toes here.

not at all

> Sorry if I stirred the pot.  Just some random thoughts
> from a guy posts quite randomly.

hope that's some useful background

> 
> -AG
> 
andy butler

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 09:34:53 2009
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Date: Thu, 17 Dec 2009 01:34:51 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Live looping on the Eigenharp Pico
To: Loopers-Delight@loopers-delight.com
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--0-314714481-1261042491=:75129
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Vary cool  Kayla !=A0=A0=A0 OT Note......your next video about Borderline P=
ersonality Disorder...I've not heard of the disorder ...but sounds disturbi=
ngly familiar=A0 ..thanks for the info

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131 =A0 http://www.cdbaby.co=
m/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
http://www.youtube.com/watch?v=3Dn4JladRinlk




--- On Wed, 12/16/09, Kayla Kavanagh <irishkayla@googlemail.com> wrote:

From: Kayla Kavanagh <irishkayla@googlemail.com>
Subject: Live looping on the Eigenharp Pico
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, December 16, 2009, 7:30 PM

Kayla Kavanagh playing the new Eigenharp Pico: http://www.youtube.com/watch=
?v=3DP6XsTuK2vpk

http://www.kaylakavanagh.com
=0A
=0A
--0-314714481-1261042491=:75129
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><font style=3D"font-weight: bold;" size=3D"2"=
>Vary cool  Kayla !&nbsp;&nbsp;&nbsp; OT Note......your next video about <s=
pan class=3D"description">Borderline Personality Disorder...I've not heard =
of the disorder ...but sounds disturbingly familiar&nbsp; ..thanks for the =
info</span></font><br><br><div><address style=3D"font-family: bookman old s=
tyle,new york,times,serif; font-weight: bold;"><font color=3D"#bf00bf" size=
=3D"4">Kyle Dean Patten</font></address> <address style=3D"font-family: boo=
kman old style,new york,times,serif; font-weight: bold;">P.O. Box 22</addre=
ss> <address style=3D"font-family: bookman old style,new york,times,serif; =
font-weight: bold;">Johnston, IA&nbsp; 50131</address> <address style=3D"fo=
nt-family: bookman old style,new york,times,serif; font-weight: bold;">&nbs=
p;</address> <address><font style=3D"font-family: bookman old style,new yor=
k,times,serif;
 font-weight: bold;" size=3D"2"><a rel=3D"nofollow" target=3D"_blank" href=
=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten </=
a><br><span style=3D"color: rgb(0, 0, 255);"></span><span style=3D"color: r=
gb(128, 128, 255);"><span style=3D"color: rgb(64, 64, 255);">http://www.mys=
pace.com/kyledeanpatten</span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp; <br></span><span style=3D"color: rgb(0, 127, 127);"></span></font=
><font style=3D"font-family: tahoma,new york,times,serif; color: rgb(96, 0,=
 191); font-weight: bold;" size=3D"5"><span style=3D"font-size: 9pt;">http:=
//www.youtube.com/watch?v=3Dn4JladRinlk</span></font><br style=3D"font-weig=
ht: bold;"><br><br><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www=
.globalwarmingheartland.org/GWQuiz/Testindex.html"><span class=3D"yshortcut=
s" id=3D"lw_1230810272_0"></span></a></address></div><br><br>--- On <b>Wed,=
 12/16/09, Kayla <span>Kavanagh</span> <i>&lt;irishkayla@googlemail.com&gt;=
</i></b> wrote:<br><blockquote
 style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; paddin=
g-left: 5px;"><br>From: Kayla Kavanagh &lt;irishkayla@googlemail.com&gt;<br=
>Subject: Live looping on the Eigenharp Pico<br>To: Loopers-Delight@loopers=
-delight.com<br>Date: Wednesday, December 16, 2009, 7:30 PM<br><br><div id=
=3D"yiv378747257">Kayla Kavanagh playing the new Eigenharp Pico: <a rel=3D"=
nofollow" target=3D"_blank" href=3D"http://www.youtube.com/watch?v=3DP6XsTu=
K2vpk">http://www.youtube.com/watch?v=3DP6XsTuK2vpk</a><br><br><a rel=3D"no=
follow" target=3D"_blank" href=3D"http://www.kaylakavanagh.com">http://www.=
kaylakavanagh.com</a><br>=0A<br>=0A</div></blockquote></td></tr></table>
--0-314714481-1261042491=:75129--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 10:20:43 2009
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Subject: Looping set-up in Ableton
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Hi All,

I apologize in advance if this has been covered somewhere. I looked
around and couldn't find anything so I figured I'd ask.

After watching the launchpad ad where the player recorded three
separate drum loops live and switched between them, I wanted to set
something like that up. I figured I could set the row to be a single
track and record+switch with midi keys, but that gets too limited
quickly.

What I would like to set up is as follows:

Long Description:
A drum rack, a reason in, other ins as necessary, etc. Then, at least
8 separate, individually controlled and fx chained tracks (either all
armed or all with loopers. Preferably a looper per track. Or both? if
that's even possible) that *all* can record from the ins (if the ins
all route through one global "ins" track to the loop tracks, that's
fine). So if I hit record for track 3, it'll record (or overdub)
whatever the Ins are playing into track 3. Etc. Basically just what a
multitrack hardware looper like the looperlative does, only in
software.

Short description:
An Ableton live rack that samples just like a kaos pad does.

Any advice or help with this would be greatly appreciated. I've come
close, but there's always something complicating the solution so it's
harder than push-record-loop. I think I'm missing something really
simple, but I can't figure it out for the life of me.

Thanks!
Nicolas

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 11:23:22 2009
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Date: Thu, 17 Dec 2009 12:23:21 +0100
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Subject: Re: Live looping on the Eigenharp Pico
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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What a nice little instrument that is! As far as I know you are the
first on this list to get one.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


-- On Wed, 12/16/09, Kayla Kavanagh <irishkayla@googlemail.com> wrote:


    From: Kayla Kavanagh <irishkayla@googlemail.com>
    Subject: Live looping on the Eigenharp Pico
    To: Loopers-Delight@loopers-delight.com
    Date: Wednesday, December 16, 2009, 7:30 PM


    Kayla Kavanagh playing the new Eigenharp Pico:
http://www.youtube.com/watch?v=P6XsTuK2vpk

    http://www.kaylakavanagh.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 11:28:23 2009
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 Looping
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FRO DIDDLY asked about the Y2K-X International Live Looping Festival 
next year.

*"last one? bummer-"*

Yeah, at least for my foreseeable future.   I hope you will plan on coming 
and performing so you don't miss out, Fro.  Your are cordially and officially 
invited and I'm taking invitations now from everyone.

I love this festival and it has had a huge impact on my live in the past 
ten years but each year it has taken longer and longer to produce and taken 
up more and more of my own artistic energy.    

I've been very ambitious in the past 3-5 years and have tried to do a lot of international 
touring, national touring and the festival and I've ended up exhausted and not 
finishing projects that I've had in the pipeline for literally years.

Two years ago it took 6 months to do the festival
This past year it took 7 1/2 months.
I've been working a little bit every day less than a month after the festival 
this year for next years' festival so that will put it up at 11 months for this year.

I just need to have a bit of a life for myself and I need to be a full time artist again.
I figure I have worked my butt off to try and serve this community (and I've received immeasurable 
awards for doing it so I'm very grateful) so I think I've earned a break for a while at least.

Some of this is my own fault as I've tried to make it more and more impressive; 
more and more inclusive, but, at the same time,   it has not increased in 
attendance or in it's ability to create income so it has hurt me financially 
quite a bit (especially in the past 2 years because of this horrible recession 
that Northern California is not nearly out of yet).

I love doing theme-oriented festivals so I'm sure I'll do other things, but I just need 
a break.   I'm also curious to see whether this mode is sustainable and whether this community will pick up the ball 
in the United States and produce future looping festivals without me putting the lions share of energy 
into doing them.

*"do you have dates lined up yet? or a general time frame?"

*Yes, October 13th - October 18th, 2010

 and,  unlike past years,  I think I'm going to make the entire thing be in 
Santa Cruz and expand the dates for the festival here.

In past years I've always tried to create an event for traveling artists so that they have 
more than one date to come play but it has been tremendously draining for me to not only coordinate 
small festivals in other cities but it also consistently drained financial resources to do so.

Next year I've decided to really make it a Festival/Convention  and include 
multiple venues,  coordinated clinics  and basically turn my traveling artists onto 
the potential of producing shows in other cities on their own (or letting someone in the community 
step up to produce the shows that have typically been done in SF, San Jose, the East Bay, etc. 
in past years).

Lastly,  I'm going to recreate what I think was the first self conscious Live Digital Looping monthly gig in 
history at the site where it occurred (MOBO SUSHI) in 1995  and I'm going to bring GARY REGINA here from 
Arizona and together, with my brother, BILL WALKER, the three of us will celebrate that monthly gig we did for 
almost a year as THIRD WAVE.   That will probably occur on Wednesday, October 13th.

By the way,  loop historians,  I have not found anything online that indicates that such a thing existed before this 
date.  In the spirit of our dearly departed loop historian,  Dr. Richard Zvonar,  I want to make sure that 
my claim about this is accurate.  Please let me know if anyone knows of an advertised, regular and ongoing 
live looping performance existed before this time so I know that I'm not engaging in historic hyperbole.

Later on, I will post some thoughts about the future as I see it and what will happen 
after this large festival stops under my direction.  That's going to be a longer post and 
I"m really curious to hear what people think about the future at that point.

It's been a true pleasure trying to serve this community and it has enriched my life 
immeasurably that this festival has occurred and that so many amazing artists have  sacrificed so much 
to come to my home town and play their version of live looping music.

From uknlx3@dslextreme.com  Thu Dec 17 12:39:57 2009
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Date: Thu, 17 Dec 2009 13:41:03 +0100
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Subject: Re: Live looping on the Eigenharp Pico
From: Fabio_A <eterogenus@gmail.com>
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Cool !
fabio
www.eterogeneo.com



>
>
> -- On Wed, 12/16/09, Kayla Kavanagh <irishkayla@googlemail.com> wrote:
>
>
>    From: Kayla Kavanagh <irishkayla@googlemail.com>
>    Subject: Live looping on the Eigenharp Pico
>    To: Loopers-Delight@loopers-delight.com
>    Date: Wednesday, December 16, 2009, 7:30 PM
>
>
>     Kayla Kavanagh playing the new Eigenharp Pico:
> http://www.youtube.com/watch?v=P6XsTuK2vpk
>
>    http://www.kaylakavanagh.com
>
>

--00032555666ea5b7b3047aebefc7
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<div>Cool !<br></div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br>=A0</div>
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im"><br><br>-- On Wed, 12/16/09, Kayla Kavanagh &lt;<a href=
=3D"mailto:irishkayla@googlemail.com">irishkayla@googlemail.com</a>&gt; wro=
te:<br><br><br>=A0 =A0From: Kayla Kavanagh &lt;<a href=3D"mailto:irishkayla=
@googlemail.com">irishkayla@googlemail.com</a>&gt;<br>
=A0 =A0Subject: Live looping on the Eigenharp Pico<br>=A0 =A0To: <a href=3D=
"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</a><br>=A0 =A0Date: Wednesday, December 16, 2009, 7:30 PM<br><br><br>=
</div>
<div>
<div></div>
<div class=3D"h5">=A0 =A0Kayla Kavanagh playing the new Eigenharp Pico:<br>=
<a href=3D"http://www.youtube.com/watch?v=3DP6XsTuK2vpk" target=3D"_blank">=
http://www.youtube.com/watch?v=3DP6XsTuK2vpk</a><br><br>=A0 =A0<a href=3D"h=
ttp://www.kaylakavanagh.com/" target=3D"_blank">http://www.kaylakavanagh.co=
m</a><br>
<br></div></div></blockquote></div><br>

--00032555666ea5b7b3047aebefc7--

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LOTER=CDA DE AUSTRALIA INC
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">LOTER=CDA DE AUSTRALIA INC<br>Ref: GB8701/LPR=
C<br>Lote: 7056490902/188<br>Ganar no: 475061725<br>&nbsp;<br>=A1FELICITACI=
ONES!<br>&nbsp;<br>La atenci=F3n de: Se=F1or / Se=F1ora: Queremos informarl=
e de que su e-mail ID acaba de ganar que suma thetotal de EE.UU. $ 500,000.=
00 (QUINIENTOS MIL DOLARES ESTADOUNIDENSES) en el legajo de cr=E9dito en ef=
ectivo: A2000 SO/AB/CI/049/01 del premio total en efectivo de d=F3lares de =
los EE.UU. 2,000,000.00 compartido entre los cuatro afortunados ganadores e=
n esta categor=EDa en la promoci=F3n LOTER=CDA de Australia en 2009 nuestro=
 Bonanza.<br>El billete ganador fue seleccionado de una base de datos de In=
ternet actual<br>los usuarios de correo electr=F3nico en l=EDnea, de la que=
 su direcci=F3n de correo electr=F3nico surgi=F3 como el<br>ganador de desc=
uento de este mes sorteo profundas suerte.<br>&nbsp;<br>Pidi=F3 informaci=
=F3n necesaria para la
 reclamaci=F3n.<br>Ref: GB8701/LPRC<br>Lote: 7056490902/188<br>Ganar no: 47=
5061725<br>&nbsp;<br>1. NOMBRE COMPLETO: __________<br>2. DOMICILIO: ______=
____<br>3. SEXO: __________<br>4. EDAD: _________<br>5. OCUPACION: ________=
__<br>6. EMPRESA: _______ B. CARGO:<br>7. E-MAIL: _________<br>8. N=DAMERO =
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a Loter=EDa de la reclamaci=F3n.<br>&nbsp;<br>&nbsp;Nombre: Rev Churchill C=
hurchill<br>Tel: 234-8035729455<br>E-mail de contacto: fircnig@live.com<br>=
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 15:04:55 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Octave effect in AU Plugin?
Date: Thu, 17 Dec 2009 10:04:51 -0500
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Anyone know of a good one?

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 15:19:09 2009
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Subject: Re: Octave effect in AU Plugin?
From: Os <os@collective.co.uk>
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Oomingmak will do that if you set it up right:

http://www.expert-sleepers.co.uk/


cheers,
os.


2009/12/17 Chris Sewell <lunamusic@mac.com>:
> Anyone know of a good one?
>
>



-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 15:19:36 2009
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Date: Thu, 17 Dec 2009 10:19:14 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Octave effect in AU Plugin?
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There are at least 4 effects that create an "octave effect"

Harmonizer
Octave Divider
Ring modulator / rectifier / multiplier.
Pitch tracker.

What effect are you looking for?


>Anyone know of a good one?


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 15:33:58 2009
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Octave effect in AU Plugin?
Date: Thu, 17 Dec 2009 10:34:02 -0500
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The best octave pedal I've used is the EH POG. Tracks flawlessly and  
sounds big and fat. I hate giving money to Mike Matthews, but its a  
great pedal.
Something like that. I'll try the Expert Sleepers thing.

On Dec 17, 2009, at 10:19 AM, Charles Zwicky wrote:

> There are at least 4 effects that create an "octave effect"
>
> Harmonizer
> Octave Divider
> Ring modulator / rectifier / multiplier.
> Pitch tracker.
>
> What effect are you looking for?
>
>
>> Anyone know of a good one?
>
>
> -- 
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>

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From: Jeremy devros <deafrose58@hotmail.com>
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Subject: RE: Last Y2K Live Looping Festival?         was:  The Branding of
 Live Looping
Date: Thu, 17 Dec 2009 08:36:21 -0800
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Wow...While I can completely understand the need to have a life (whatever t=
hat is...) I have to say the Y2Ks have been an incredible experience . I th=
ink we should all give Rick a big round of applause.

Hope to see you all in '10!

=20

J.D.Devros

deafrose58
=20
> Date: Thu=2C 17 Dec 2009 03:28:20 -0800
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Last Y2K Live Looping Festival? was: The Branding of Live Loopin=
g
>=20
> FRO DIDDLY asked about the Y2K-X International Live Looping Festival=20
> next year.
>=20
> *"last one? bummer-"*
>=20
> Yeah=2C at least for my foreseeable future. I hope you will plan on comin=
g=20
> and performing so you don't miss out=2C Fro. Your are cordially and offic=
ially=20
> invited and I'm taking invitations now from everyone.
>=20
> I love this festival and it has had a huge impact on my live in the past=
=20
> ten years but each year it has taken longer and longer to produce and tak=
en=20
> up more and more of my own artistic energy.=20
>=20
> I've been very ambitious in the past 3-5 years and have tried to do a lot=
 of international=20
> touring=2C national touring and the festival and I've ended up exhausted =
and not=20
> finishing projects that I've had in the pipeline for literally years.
>=20
> Two years ago it took 6 months to do the festival
> This past year it took 7 1/2 months.
> I've been working a little bit every day less than a month after the fest=
ival=20
> this year for next years' festival so that will put it up at 11 months fo=
r this year.
>=20
> I just need to have a bit of a life for myself and I need to be a full ti=
me artist again.
> I figure I have worked my butt off to try and serve this community (and I=
've received immeasurable=20
> awards for doing it so I'm very grateful) so I think I've earned a break =
for a while at least.
>=20
> Some of this is my own fault as I've tried to make it more and more impre=
ssive=3B=20
> more and more inclusive=2C but=2C at the same time=2C it has not increase=
d in=20
> attendance or in it's ability to create income so it has hurt me financia=
lly=20
> quite a bit (especially in the past 2 years because of this horrible rece=
ssion=20
> that Northern California is not nearly out of yet).
>=20
> I love doing theme-oriented festivals so I'm sure I'll do other things=2C=
 but I just need=20
> a break. I'm also curious to see whether this mode is sustainable and whe=
ther this community will pick up the ball=20
> in the United States and produce future looping festivals without me putt=
ing the lions share of energy=20
> into doing them.
>=20
> *"do you have dates lined up yet? or a general time frame?"
>=20
> *Yes=2C October 13th - October 18th=2C 2010
>=20
> and=2C unlike past years=2C I think I'm going to make the entire thing be=
 in=20
> Santa Cruz and expand the dates for the festival here.
>=20
> In past years I've always tried to create an event for traveling artists =
so that they have=20
> more than one date to come play but it has been tremendously draining for=
 me to not only coordinate=20
> small festivals in other cities but it also consistently drained financia=
l resources to do so.
>=20
> Next year I've decided to really make it a Festival/Convention and includ=
e=20
> multiple venues=2C coordinated clinics and basically turn my traveling ar=
tists onto=20
> the potential of producing shows in other cities on their own (or letting=
 someone in the community=20
> step up to produce the shows that have typically been done in SF=2C San J=
ose=2C the East Bay=2C etc.=20
> in past years).
>=20
> Lastly=2C I'm going to recreate what I think was the first self conscious=
 Live Digital Looping monthly gig in=20
> history at the site where it occurred (MOBO SUSHI) in 1995 and I'm going =
to bring GARY REGINA here from=20
> Arizona and together=2C with my brother=2C BILL WALKER=2C the three of us=
 will celebrate that monthly gig we did for=20
> almost a year as THIRD WAVE. That will probably occur on Wednesday=2C Oct=
ober 13th.
>=20
> By the way=2C loop historians=2C I have not found anything online that in=
dicates that such a thing existed before this=20
> date. In the spirit of our dearly departed loop historian=2C Dr. Richard =
Zvonar=2C I want to make sure that=20
> my claim about this is accurate. Please let me know if anyone knows of an=
 advertised=2C regular and ongoing=20
> live looping performance existed before this time so I know that I'm not =
engaging in historic hyperbole.
>=20
> Later on=2C I will post some thoughts about the future as I see it and wh=
at will happen=20
> after this large festival stops under my direction. That's going to be a =
longer post and=20
> I"m really curious to hear what people think about the future at that poi=
nt.
>=20
> It's been a true pleasure trying to serve this community and it has enric=
hed my life=20
> immeasurably that this festival has occurred and that so many amazing art=
ists have sacrificed so much=20
> to come to my home town and play their version of live looping music.
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Free=2C trusted and rich email service.
http://clk.atdmt.com/GBL/go/171222984/direct/01/=

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<body class=3D'hmmessage'>
Wow...While I can completely understand the need to have a life (whatever t=
hat is...) I have to say the Y2Ks have been an incredible experience . I th=
ink we should all give Rick a big round of applause.<BR>
Hope to see you all in '10!<BR>
&nbsp=3B<BR>
J.D.Devros<BR>
deafrose58<BR>&nbsp=3B<BR>&gt=3B Date: Thu=2C 17 Dec 2009 03:28:20 -0800<BR=
>&gt=3B From: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers-del=
ight.com<BR>&gt=3B Subject: Last Y2K Live Looping Festival? was: The Brandi=
ng of Live Looping<BR>&gt=3B <BR>&gt=3B FRO DIDDLY asked about the Y2K-X In=
ternational Live Looping Festival <BR>&gt=3B next year.<BR>&gt=3B <BR>&gt=
=3B *"last one? bummer-"*<BR>&gt=3B <BR>&gt=3B Yeah=2C at least for my fore=
seeable future. I hope you will plan on coming <BR>&gt=3B and performing so=
 you don't miss out=2C Fro. Your are cordially and officially <BR>&gt=3B in=
vited and I'm taking invitations now from everyone.<BR>&gt=3B <BR>&gt=3B I =
love this festival and it has had a huge impact on my live in the past <BR>=
&gt=3B ten years but each year it has taken longer and longer to produce an=
d taken <BR>&gt=3B up more and more of my own artistic energy. <BR>&gt=3B <=
BR>&gt=3B I've been very ambitious in the past 3-5 years and have tried to =
do a lot of international <BR>&gt=3B touring=2C national touring and the fe=
stival and I've ended up exhausted and not <BR>&gt=3B finishing projects th=
at I've had in the pipeline for literally years.<BR>&gt=3B <BR>&gt=3B Two y=
ears ago it took 6 months to do the festival<BR>&gt=3B This past year it to=
ok 7 1/2 months.<BR>&gt=3B I've been working a little bit every day less th=
an a month after the festival <BR>&gt=3B this year for next years' festival=
 so that will put it up at 11 months for this year.<BR>&gt=3B <BR>&gt=3B I =
just need to have a bit of a life for myself and I need to be a full time a=
rtist again.<BR>&gt=3B I figure I have worked my butt off to try and serve =
this community (and I've received immeasurable <BR>&gt=3B awards for doing =
it so I'm very grateful) so I think I've earned a break for a while at leas=
t.<BR>&gt=3B <BR>&gt=3B Some of this is my own fault as I've tried to make =
it more and more impressive=3B <BR>&gt=3B more and more inclusive=2C but=2C=
 at the same time=2C it has not increased in <BR>&gt=3B attendance or in it=
's ability to create income so it has hurt me financially <BR>&gt=3B quite =
a bit (especially in the past 2 years because of this horrible recession <B=
R>&gt=3B that Northern California is not nearly out of yet).<BR>&gt=3B <BR>=
&gt=3B I love doing theme-oriented festivals so I'm sure I'll do other thin=
gs=2C but I just need <BR>&gt=3B a break. I'm also curious to see whether t=
his mode is sustainable and whether this community will pick up the ball <B=
R>&gt=3B in the United States and produce future looping festivals without =
me putting the lions share of energy <BR>&gt=3B into doing them.<BR>&gt=3B =
<BR>&gt=3B *"do you have dates lined up yet? or a general time frame?"<BR>&=
gt=3B <BR>&gt=3B *Yes=2C October 13th - October 18th=2C 2010<BR>&gt=3B <BR>=
&gt=3B and=2C unlike past years=2C I think I'm going to make the entire thi=
ng be in <BR>&gt=3B Santa Cruz and expand the dates for the festival here.<=
BR>&gt=3B <BR>&gt=3B In past years I've always tried to create an event for=
 traveling artists so that they have <BR>&gt=3B more than one date to come =
play but it has been tremendously draining for me to not only coordinate <B=
R>&gt=3B small festivals in other cities but it also consistently drained f=
inancial resources to do so.<BR>&gt=3B <BR>&gt=3B Next year I've decided to=
 really make it a Festival/Convention and include <BR>&gt=3B multiple venue=
s=2C coordinated clinics and basically turn my traveling artists onto <BR>&=
gt=3B the potential of producing shows in other cities on their own (or let=
ting someone in the community <BR>&gt=3B step up to produce the shows that =
have typically been done in SF=2C San Jose=2C the East Bay=2C etc. <BR>&gt=
=3B in past years).<BR>&gt=3B <BR>&gt=3B Lastly=2C I'm going to recreate wh=
at I think was the first self conscious Live Digital Looping monthly gig in=
 <BR>&gt=3B history at the site where it occurred (MOBO SUSHI) in 1995 and =
I'm going to bring GARY REGINA here from <BR>&gt=3B Arizona and together=2C=
 with my brother=2C BILL WALKER=2C the three of us will celebrate that mont=
hly gig we did for <BR>&gt=3B almost a year as THIRD WAVE. That will probab=
ly occur on Wednesday=2C October 13th.<BR>&gt=3B <BR>&gt=3B By the way=2C l=
oop historians=2C I have not found anything online that indicates that such=
 a thing existed before this <BR>&gt=3B date. In the spirit of our dearly d=
eparted loop historian=2C Dr. Richard Zvonar=2C I want to make sure that <B=
R>&gt=3B my claim about this is accurate. Please let me know if anyone know=
s of an advertised=2C regular and ongoing <BR>&gt=3B live looping performan=
ce existed before this time so I know that I'm not engaging in historic hyp=
erbole.<BR>&gt=3B <BR>&gt=3B Later on=2C I will post some thoughts about th=
e future as I see it and what will happen <BR>&gt=3B after this large festi=
val stops under my direction. That's going to be a longer post and <BR>&gt=
=3B I"m really curious to hear what people think about the future at that p=
oint.<BR>&gt=3B <BR>&gt=3B It's been a true pleasure trying to serve this c=
ommunity and it has enriched my life <BR>&gt=3B immeasurably that this fest=
ival has occurred and that so many amazing artists have sacrificed so much =
<BR>&gt=3B to come to my home town and play their version of live looping m=
usic.<BR>&gt=3B <BR> 		 	   		  <br /><hr />Hotmail: Free=2C trusted and ri=
ch email service. <a href=3D'http://clk.atdmt.com/GBL/go/171222984/direct/0=
1/' target=3D'_new'>Get it now.</a></body>
</html>=

--_6142dd72-3482-467d-ba01-701cc744cacf_--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 16:56:23 2009
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	 <SNT111-W88EB87A545F3524F4017BCF860@phx.gbl>
Date: Thu, 17 Dec 2009 11:56:20 -0500
Message-ID: <9e0440a60912170856t2e1131d8q71e4bcc40784556d@mail.gmail.com>
Subject: Re: Last Y2K Live Looping Festival? was: The Branding of Live Looping
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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echo'd, many kudos to Rick.  As I only got involved in this community and
Y2K 3 years ago it will sadden me for Rick to depart from being the 'wing
commander' as I recently put it but on the other side I totally understand
that he is similiar age to I and time is limited and desires are great for
his own creative muse so there has to come a choice.  I did the same thing
with a label project a few years ago, not near as successful but clearly
began to realize that I could either put time/resources in to bringing it
alive and maybe helping other artists and myself together or I could focus
more on my own path.  With limitations of time and finances I chose the
latter at least for now.

I do see this departure though as a passing the torch within this collective
so it will be good if Y2k can carry on.  On a level I'd like to do it but
that contradicts everything I expressed above realistically and too I feel
that my neck of the woods is not the best place for this kind of event,
frankly CA remains the best to me.  Maybe there is a way we could have
multiple curators/coordinators.

Lot's to think about.

Happy holidays to all...


Jim

On Thu, Dec 17, 2009 at 11:36 AM, Jeremy devros <deafrose58@hotmail.com>wrote:

> Wow...While I can completely understand the need to have a life (whatever
> that is...) I have to say the Y2Ks have been an incredible experience . I
> think we should all give Rick a big round of applause.
> Hope to see you all in '10!
>
> J.D.Devros
> deafrose58
>
> > Date: Thu, 17 Dec 2009 03:28:20 -0800
> > From: looppool@cruzio.com
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Last Y2K Live Looping Festival? was: The Branding of Live
> Looping
>
> >
> > FRO DIDDLY asked about the Y2K-X International Live Looping Festival
> > next year.
> >
> > *"last one? bummer-"*
> >
> > Yeah, at least for my foreseeable future. I hope you will plan on coming
> > and performing so you don't miss out, Fro. Your are cordially and
> officially
> > invited and I'm taking invitations now from everyone.
> >
> > I love this festival and it has had a huge impact on my live in the past
> > ten years but each year it has taken longer and longer to produce and
> taken
> > up more and more of my own artistic energy.
> >
> > I've been very ambitious in the past 3-5 years and have tried to do a lot
> of international
> > touring, national touring and the festival and I've ended up exhausted
> and not
> > finishing projects that I've had in the pipeline for literally years.
> >
> > Two years ago it took 6 months to do the festival
> > This past year it took 7 1/2 months.
> > I've been working a little bit every day less than a month after the
> festival
> > this year for next years' festival so that will put it up at 11 months
> for this year.
> >
> > I just need to have a bit of a life for myself and I need to be a full
> time artist again.
> > I figure I have worked my butt off to try and serve this community (and
> I've received immeasurable
> > awards for doing it so I'm very grateful) so I think I've earned a break
> for a while at least.
> >
> > Some of this is my own fault as I've tried to make it more and more
> impressive;
> > more and more inclusive, but, at the same time, it has not increased in
> > attendance or in it's ability to create income so it has hurt me
> financially
> > quite a bit (especially in the past 2 years because of this horrible
> recession
> > that Northern California is not nearly out of yet).
> >
> > I love doing theme-oriented festivals so I'm sure I'll do other things,
> but I just need
> > a break. I'm also curious to see whether this mode is sustainable and
> whether this community will pick up the ball
> > in the United States and produce future looping festivals without me
> putting the lions share of energy
> > into doing them.
> >
> > *"do you have dates lined up yet? or a general time frame?"
> >
> > *Yes, October 13th - October 18th, 2010
> >
> > and, unlike past years, I think I'm going to make the entire thing be in
> > Santa Cruz and expand the dates for the festival here.
> >
> > In past years I've always tried to create an event for traveling artists
> so that they have
> > more than one date to come play but it has been tremendously draining for
> me to not only coordinate
> > small festivals in other cities but it also consistently drained
> financial resources to do so.
> >
> > Next year I've decided to really make it a Festival/Convention and
> include
> > multiple venues, coordinated clinics and basically turn my traveling
> artists onto
> > the potential of producing shows in other cities on their own (or letting
> someone in the community
> > step up to produce the shows that have typically been done in SF, San
> Jose, the East Bay, etc.
> > in past years).
> >
> > Lastly, I'm going to recreate what I think was the first self conscious
> Live Digital Looping monthly gig in
> > history at the site where it occurred (MOBO SUSHI) in 1995 and I'm going
> to bring GARY REGINA here from
> > Arizona and together, with my brother, BILL WALKER, the three of us will
> celebrate that monthly gig we did for
> > almost a year as THIRD WAVE. That will probably occur on Wednesday,
> October 13th.
> >
> > By the way, loop historians, I have not found anything online that
> indicates that such a thing existed before this
> > date. In the spirit of our dearly departed loop historian, Dr. Richard
> Zvonar, I want to make sure that
> > my claim about this is accurate. Please let me know if anyone knows of an
> advertised, regular and ongoing
> > live looping performance existed before this time so I know that I'm not
> engaging in historic hyperbole.
> >
> > Later on, I will post some thoughts about the future as I see it and what
> will happen
> > after this large festival stops under my direction. That's going to be a
> longer post and
> > I"m really curious to hear what people think about the future at that
> point.
> >
> > It's been a true pleasure trying to serve this community and it has
> enriched my life
> > immeasurably that this festival has occurred and that so many amazing
> artists have sacrificed so much
> > to come to my home town and play their version of live looping music.
> >
>
>  ------------------------------
> Hotmail: Free, trusted and rich email service. Get it now.<http://clk.atdmt.com/GBL/go/171222984/direct/01/>
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174028daa4a1b8047aef80bb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>echo&#39;d, many kudos to Rick.=A0 As I only got involved in this comm=
unity and Y2K 3 years ago it will sadden me for Rick to depart from being t=
he &#39;wing commander&#39; as I recently put it but on the other side I to=
tally understand that he is similiar age to I and time is limited and desir=
es are great for his own creative muse so there has to come a choice.=A0 I =
did the same thing with a label project a few years ago, not near as succes=
sful but clearly began to realize that I could either put time/resources in=
 to bringing it alive and maybe helping other artists and myself together o=
r I could focus more on my own path.=A0 With limitations of time and financ=
es I chose the latter at least for now.</div>

<div>=A0</div>
<div>I do see this departure though as a passing the torch within this coll=
ective so it will be good if Y2k can carry on.=A0 On a level I&#39;d like t=
o do it but that contradicts everything I expressed above realistically and=
 too I feel that my neck of the woods is not the best place for this kind o=
f event, frankly CA remains the best to me.=A0 Maybe there is a way we coul=
d have multiple curators/coordinators.</div>

<div>=A0</div>
<div>Lot&#39;s to think about.</div>
<div>=A0</div>
<div>Happy holidays to all...</div>
<div>=A0</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Thu, Dec 17, 2009 at 11:36 AM, Jeremy devros =
<span dir=3D"ltr">&lt;<a href=3D"mailto:deafrose58@hotmail.com">deafrose58@=
hotmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>Wow...While I can completely understand the need to have a life (whate=
ver that is...) I have to say the Y2Ks have been an incredible experience .=
 I think we should all give Rick a big round of applause.<br>Hope to see yo=
u all in &#39;10!<br>
=A0<br>J.D.Devros<br>deafrose58<br>=A0<br>&gt; Date: Thu, 17 Dec 2009 03:28=
:20 -0800<br>&gt; From: <a href=3D"mailto:looppool@cruzio.com" target=3D"_b=
lank">looppool@cruzio.com</a><br>&gt; To: <a href=3D"mailto:Loopers-Delight=
@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com=
</a><br>
&gt; Subject: Last Y2K Live Looping Festival? was: The Branding of Live Loo=
ping=20
<div>
<div></div>
<div class=3D"h5"><br>&gt; <br>&gt; FRO DIDDLY asked about the Y2K-X Intern=
ational Live Looping Festival <br>&gt; next year.<br>&gt; <br>&gt; *&quot;l=
ast one? bummer-&quot;*<br>&gt; <br>&gt; Yeah, at least for my foreseeable =
future. I hope you will plan on coming <br>
&gt; and performing so you don&#39;t miss out, Fro. Your are cordially and =
officially <br>&gt; invited and I&#39;m taking invitations now from everyon=
e.<br>&gt; <br>&gt; I love this festival and it has had a huge impact on my=
 live in the past <br>
&gt; ten years but each year it has taken longer and longer to produce and =
taken <br>&gt; up more and more of my own artistic energy. <br>&gt; <br>&gt=
; I&#39;ve been very ambitious in the past 3-5 years and have tried to do a=
 lot of international <br>
&gt; touring, national touring and the festival and I&#39;ve ended up exhau=
sted and not <br>&gt; finishing projects that I&#39;ve had in the pipeline =
for literally years.<br>&gt; <br>&gt; Two years ago it took 6 months to do =
the festival<br>
&gt; This past year it took 7 1/2 months.<br>&gt; I&#39;ve been working a l=
ittle bit every day less than a month after the festival <br>&gt; this year=
 for next years&#39; festival so that will put it up at 11 months for this =
year.<br>
&gt; <br>&gt; I just need to have a bit of a life for myself and I need to =
be a full time artist again.<br>&gt; I figure I have worked my butt off to =
try and serve this community (and I&#39;ve received immeasurable <br>&gt; a=
wards for doing it so I&#39;m very grateful) so I think I&#39;ve earned a b=
reak for a while at least.<br>
&gt; <br>&gt; Some of this is my own fault as I&#39;ve tried to make it mor=
e and more impressive; <br>&gt; more and more inclusive, but, at the same t=
ime, it has not increased in <br>&gt; attendance or in it&#39;s ability to =
create income so it has hurt me financially <br>
&gt; quite a bit (especially in the past 2 years because of this horrible r=
ecession <br>&gt; that Northern California is not nearly out of yet).<br>&g=
t; <br>&gt; I love doing theme-oriented festivals so I&#39;m sure I&#39;ll =
do other things, but I just need <br>
&gt; a break. I&#39;m also curious to see whether this mode is sustainable =
and whether this community will pick up the ball <br>&gt; in the United Sta=
tes and produce future looping festivals without me putting the lions share=
 of energy <br>
&gt; into doing them.<br>&gt; <br>&gt; *&quot;do you have dates lined up ye=
t? or a general time frame?&quot;<br>&gt; <br>&gt; *Yes, October 13th - Oct=
ober 18th, 2010<br>&gt; <br>&gt; and, unlike past years, I think I&#39;m go=
ing to make the entire thing be in <br>
&gt; Santa Cruz and expand the dates for the festival here.<br>&gt; <br>&gt=
; In past years I&#39;ve always tried to create an event for traveling arti=
sts so that they have <br>&gt; more than one date to come play but it has b=
een tremendously draining for me to not only coordinate <br>
&gt; small festivals in other cities but it also consistently drained finan=
cial resources to do so.<br>&gt; <br>&gt; Next year I&#39;ve decided to rea=
lly make it a Festival/Convention and include <br>&gt; multiple venues, coo=
rdinated clinics and basically turn my traveling artists onto <br>
&gt; the potential of producing shows in other cities on their own (or lett=
ing someone in the community <br>&gt; step up to produce the shows that hav=
e typically been done in SF, San Jose, the East Bay, etc. <br>&gt; in past =
years).<br>
&gt; <br>&gt; Lastly, I&#39;m going to recreate what I think was the first =
self conscious Live Digital Looping monthly gig in <br>&gt; history at the =
site where it occurred (MOBO SUSHI) in 1995 and I&#39;m going to bring GARY=
 REGINA here from <br>
&gt; Arizona and together, with my brother, BILL WALKER, the three of us wi=
ll celebrate that monthly gig we did for <br>&gt; almost a year as THIRD WA=
VE. That will probably occur on Wednesday, October 13th.<br>&gt; <br>&gt; B=
y the way, loop historians, I have not found anything online that indicates=
 that such a thing existed before this <br>
&gt; date. In the spirit of our dearly departed loop historian, Dr. Richard=
 Zvonar, I want to make sure that <br>&gt; my claim about this is accurate.=
 Please let me know if anyone knows of an advertised, regular and ongoing <=
br>
&gt; live looping performance existed before this time so I know that I&#39=
;m not engaging in historic hyperbole.<br>&gt; <br>&gt; Later on, I will po=
st some thoughts about the future as I see it and what will happen <br>
&gt; after this large festival stops under my direction. That&#39;s going t=
o be a longer post and <br>&gt; I&quot;m really curious to hear what people=
 think about the future at that point.<br>&gt; <br>&gt; It&#39;s been a tru=
e pleasure trying to serve this community and it has enriched my life <br>
&gt; immeasurably that this festival has occurred and that so many amazing =
artists have sacrificed so much <br>&gt; to come to my home town and play t=
heir version of live looping music.<br>&gt; <br><br></div></div>
<div class=3D"hm">
<hr>
Hotmail: Free, trusted and rich email service. <a href=3D"http://clk.atdmt.=
com/GBL/go/171222984/direct/01/" target=3D"_blank">Get it now.</a></div></d=
iv></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspect=
ive textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><=
br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodi=
nmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--0015174028daa4a1b8047aef80bb--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 19:25:47 2009
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Subject: Social Networking Benefits to Independent Musicians
From: Andy Brown <andyjamesbrown@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Hi there.  How are you?  I hope you're well.  You don't really know me
or anything, but I was recommended approaching you guys by a friend of
mine named Phil (MyOneManBand)!  I have a small favour to ask from
you.  I'll start by
setting the scene:

I currently work in the Adelphi Club in Hull, in the UK, which is
among the last truly independent music venues in the UK.  I'm at
university in the city studying in computer geekery.  I'm working on
an assignment at the moment which I think you
might be able to help me with.  Little academic research already seems
to exist in the field, which means I really need all the help I can
get!

I have to write a report investigating technologies in relation to my
working environment.  I've managed to steer this towards an
investigation of the effects the internet (particularly the social
networking phenomenon) has had on DIY music.  Would
it be possible for you to answer a few questions for me regarding this subject?

1.  Firstly, when did you discover the Internet?

2.  If so, how has the Internet been of a benefit to you as an artist,
or other artists you know?

3.  Can you think of any negative effects internet technologies have
had on artists (for example, say, people getting annoyed by the
e-flying that swamped message boards on MySpace or perhaps very
expensive and very annoying advertising campaigns by the majors)?

4.  Do you think the way artists use the internet has changed in the
last 10 years, and do you think this will change in the next 10, if
so, how?

I really hope you can help me out, and if you do, you'll be cited in
my report:)  So far I've managed to get a handful responses - of which
most are from UK artists, although I have managed to get a couple of
willing New York antifolkers involved, as well as my boss at the
venue.

Thanks for reading, look forward to hearing back from you.

Andy

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Date: Thu, 17 Dec 2009 19:59:03 +0000
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Subject: Re: Live looping on the Eigenharp Pico
From: Kayla Kavanagh <irishkayla@googlemail.com>
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--001485f45490159360047af20e47
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2009/12/17 Brian Good <bsgood@gmail.com>

> Kayla Kavanagh wrote:
>
>> Kayla Kavanagh playing the new Eigenharp Pico:
>> http://www.youtube.com/watch?v=P6XsTuK2vpk
>>
>> http://www.kaylakavanagh.com
>>
>>
> It looks like you're playing the thing in some kind of constrained-to-scale
> mode. Can it be played chromatically as well? If so, how is the fingering
> laid out for that?
>
> Brian
>
>
Hey Brian,

The Eigenharp can be configured to play chromatically, major, minor, modal,
jazz ... any scale configuration you like! You can swap keys and octaves 'on
the fly' which is really handy ~ I've been lucky enough to be down at
Eigenlabs a couple of times in London and have met the team and tried out
the Alpha instrument too which is also amazing.

It's quite an exciting instrument to be getting to grips with and I'm slowly
but surely gaining confidence!

Kayla

-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--001485f45490159360047af20e47
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2009/12/17 Brian Good <span dir=3D"ltr">&lt;<a href=3D"mailto:bsgood@gmail.=
com">bsgood@gmail.com</a>&gt;</span><br><div class=3D"gmail_quote"><blockqu=
ote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204=
); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">Kayla Kavanagh wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Kayla Kavanagh playing the new Eigenharp Pico: <a href=3D"http://www.youtub=
e.com/watch?v=3DP6XsTuK2vpk" target=3D"_blank">http://www.youtube.com/watch=
?v=3DP6XsTuK2vpk</a><br>
<br>
<a href=3D"http://www.kaylakavanagh.com" target=3D"_blank">http://www.kayla=
kavanagh.com</a><br>
<br>
</blockquote>
<br></div>
It looks like you&#39;re playing the thing in some kind of constrained-to-s=
cale mode. Can it be played chromatically as well? If so, how is the finger=
ing laid out for that?<br><font color=3D"#888888">
<br>
Brian<br>
<br>
</font></blockquote></div><br>Hey Brian,<br><br>The Eigenharp can be config=
ured to play chromatically, major, minor, modal, jazz ... any scale configu=
ration you like! You can swap keys and octaves &#39;on the fly&#39; which i=
s really handy ~ I&#39;ve been lucky enough to be down at Eigenlabs a coupl=
e of times in London and have met the team and tried out the Alpha instrume=
nt too which is also amazing.<br>
<br>It&#39;s quite an exciting instrument to be getting to grips with and I=
&#39;m slowly but surely gaining confidence!<br><br>Kayla<br clear=3D"all">=
<br>-- <br><br>------------------------------------------------------------=
-----------------------------------<br>
Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.com">http://www.ka=
ylakavanagh.com</a><br>Kayla on Twitter: <a href=3D"http://www.twitter.com/=
kaylakavanagh">http://www.twitter.com/kaylakavanagh</a><br>MySpace: <a href=
=3D"http://www.myspace.com/kaylakavanagh">http://www.myspace.com/kaylakavan=
agh</a><br>
FaceBook: <a href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032=
129016">http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br=
>

--001485f45490159360047af20e47--

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	 <997833.75129.qm@web112118.mail.gq1.yahoo.com>
Date: Thu, 17 Dec 2009 19:59:49 +0000
Message-ID: <1f6442e00912171159y3d64c8f3uc2dfc5ed1461ba5e@mail.gmail.com>
Subject: Re: Live looping on the Eigenharp Pico
From: Kayla Kavanagh <irishkayla@googlemail.com>
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--0014850c20cbe0f0f8047af2107d
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Thank you very much for that Kyle ~ very encouraging indeed :)

Kayla

2009/12/17 K D Patten <kdpatten@yahoo.com>

> Vary cool Kayla !    OT Note......your next video about Borderline
> Personality Disorder...I've not heard of the disorder ...but sounds
> disturbingly familiar  ..thanks for the info
>
> Kyle Dean Patten P.O. Box 22 Johnston, IA  50131   http://www.cdbaby.com/cd/kdpatten
>
> http://www.myspace.com/kyledeanpatten
> http://www.youtube.com/watch?v=n4JladRinlk
>
>
> <http://www.globalwarmingheartland.org/GWQuiz/Testindex.html>
>
>
> --- On *Wed, 12/16/09, Kayla Kavanagh <irishkayla@googlemail.com>* wrote:
>
>
> From: Kayla Kavanagh <irishkayla@googlemail.com>
> Subject: Live looping on the Eigenharp Pico
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, December 16, 2009, 7:30 PM
>
>
> Kayla Kavanagh playing the new Eigenharp Pico:
> http://www.youtube.com/watch?v=P6XsTuK2vpk
>
> http://www.kaylakavanagh.com
>
>


-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--0014850c20cbe0f0f8047af2107d
Content-Type: text/html; charset=ISO-8859-1
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Thank you very much for that Kyle ~ very encouraging indeed :)<br><br>Kayla=
<br><br><div class=3D"gmail_quote">2009/12/17 K D Patten <span dir=3D"ltr">=
&lt;<a href=3D"mailto:kdpatten@yahoo.com">kdpatten@yahoo.com</a>&gt;</span>=
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><table border=3D"=
0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font-family:=
 inherit; font-style: inherit; font-variant: inherit; font-weight: inherit;=
 font-size: inherit; line-height: inherit; font-size-adjust: inherit; font-=
stretch: inherit;" valign=3D"top">
<font style=3D"font-weight: bold;" size=3D"2">Vary cool  Kayla !=A0=A0=A0 O=
T Note......your next video about <span>Borderline Personality Disorder...I=
&#39;ve not heard of the disorder ...but sounds disturbingly familiar=A0 ..=
thanks for the info</span></font><br>
<br><div><address style=3D"font-family: bookman old style,new york,times,se=
rif; font-weight: bold;"><font color=3D"#bf00bf" size=3D"4">Kyle Dean Patte=
n</font></address> <address style=3D"font-family: bookman old style,new yor=
k,times,serif; font-weight: bold;">P.O. Box 22</address> <address style=3D"=
font-family: bookman old style,new york,times,serif; font-weight: bold;">Jo=
hnston, IA=A0 50131</address> <address style=3D"font-family: bookman old st=
yle,new york,times,serif; font-weight: bold;">=A0</address> <address><font =
style=3D"font-family: bookman old style,new york,times,serif; font-weight: =
bold;" size=3D"2"><a rel=3D"nofollow" href=3D"http://www.cdbaby.com/cd/kdpa=
tten" target=3D"_blank">http://www.cdbaby.com/cd/kdpatten </a><br>
<span style=3D"color: rgb(0, 0, 255);"></span><span style=3D"color: rgb(128=
, 128, 255);"><span style=3D"color: rgb(64, 64, 255);"><a href=3D"http://ww=
w.myspace.com/kyledeanpatten" target=3D"_blank">http://www.myspace.com/kyle=
deanpatten</a></span>=A0=A0=A0=A0=A0=A0=A0=A0=A0 <br>
</span><span style=3D"color: rgb(0, 127, 127);"></span></font><font style=
=3D"font-family: tahoma,new york,times,serif; color: rgb(96, 0, 191); font-=
weight: bold;" size=3D"5"><span style=3D"font-size: 9pt;"><a href=3D"http:/=
/www.youtube.com/watch?v=3Dn4JladRinlk" target=3D"_blank">http://www.youtub=
e.com/watch?v=3Dn4JladRinlk</a></span></font><br style=3D"font-weight: bold=
;">
<br><br><a rel=3D"nofollow" href=3D"http://www.globalwarmingheartland.org/G=
WQuiz/Testindex.html" target=3D"_blank"><span></span></a></address></div><b=
r><br>--- On <b>Wed, 12/16/09, Kayla <span>Kavanagh</span> <i>&lt;<a href=
=3D"mailto:irishkayla@googlemail.com" target=3D"_blank">irishkayla@googlema=
il.com</a>&gt;</i></b> wrote:<br>
<blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: =
5px; padding-left: 5px;"><br>From: Kayla Kavanagh &lt;<a href=3D"mailto:iri=
shkayla@googlemail.com" target=3D"_blank">irishkayla@googlemail.com</a>&gt;=
<br>
Subject: Live looping on the Eigenharp Pico<br>To: <a href=3D"mailto:Looper=
s-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-de=
light.com</a><br>Date: Wednesday, December 16, 2009, 7:30 PM<div class=3D"i=
m">
<br><br><div>Kayla Kavanagh playing the new Eigenharp Pico: <a rel=3D"nofol=
low" href=3D"http://www.youtube.com/watch?v=3DP6XsTuK2vpk" target=3D"_blank=
">http://www.youtube.com/watch?v=3DP6XsTuK2vpk</a><br><br><a rel=3D"nofollo=
w" href=3D"http://www.kaylakavanagh.com" target=3D"_blank">http://www.kayla=
kavanagh.com</a><br>

<br>
</div></div></blockquote></td></tr></tbody></table></blockquote></div><br><=
br clear=3D"all"><br>-- <br><br>-------------------------------------------=
----------------------------------------------------<br>Kayla&#39;s website=
: <a href=3D"http://www.kaylakavanagh.com">http://www.kaylakavanagh.com</a>=
<br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


--0014850c20cbe0f0f8047af2107d--

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Date: Thu, 17 Dec 2009 20:00:46 +0000
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Subject: Re: Live looping on the Eigenharp Pico
From: Kayla Kavanagh <irishkayla@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--00163645705e3bd160047af214c5
Content-Type: text/plain; charset=ISO-8859-1

Yay! I've never been first at anything technologically so that's quite
exciting :) It is a great instrument and I'm having lots of fun with it -
will keep you posted with another vid when I improve!

K

2009/12/17 Per Boysen <perboysen@gmail.com>

> What a nice little instrument that is! As far as I know you are the
> first on this list to get one.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
> -- On Wed, 12/16/09, Kayla Kavanagh <irishkayla@googlemail.com> wrote:
>
>
>    From: Kayla Kavanagh <irishkayla@googlemail.com>
>    Subject: Live looping on the Eigenharp Pico
>    To: Loopers-Delight@loopers-delight.com
>    Date: Wednesday, December 16, 2009, 7:30 PM
>
>
>     Kayla Kavanagh playing the new Eigenharp Pico:
> http://www.youtube.com/watch?v=P6XsTuK2vpk
>
>    http://www.kaylakavanagh.com
>
>


-- 

-----------------------------------------------------------------------------------------------
Kayla's website: http://www.kaylakavanagh.com
Kayla on Twitter: http://www.twitter.com/kaylakavanagh
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016

--00163645705e3bd160047af214c5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Yay! I&#39;ve never been first at anything technologically so that&#39;s qu=
ite exciting :) It is a great instrument and I&#39;m having lots of fun wit=
h it - will keep you posted with another vid when I improve!<br><br>K<br>
<br><div class=3D"gmail_quote">2009/12/17 Per Boysen <span dir=3D"ltr">&lt;=
<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
What a nice little instrument that is! As far as I know you are the<br>
first on this list to get one.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div class=3D"im"><br>
<br>
-- On Wed, 12/16/09, Kayla Kavanagh &lt;<a href=3D"mailto:irishkayla@google=
mail.com">irishkayla@googlemail.com</a>&gt; wrote:<br>
<br>
<br>
 =A0 =A0From: Kayla Kavanagh &lt;<a href=3D"mailto:irishkayla@googlemail.co=
m">irishkayla@googlemail.com</a>&gt;<br>
 =A0 =A0Subject: Live looping on the Eigenharp Pico<br>
 =A0 =A0To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-=
Delight@loopers-delight.com</a><br>
 =A0 =A0Date: Wednesday, December 16, 2009, 7:30 PM<br>
<br>
<br>
</div><div><div></div><div class=3D"h5"> =A0 =A0Kayla Kavanagh playing the =
new Eigenharp Pico:<br>
<a href=3D"http://www.youtube.com/watch?v=3DP6XsTuK2vpk" target=3D"_blank">=
http://www.youtube.com/watch?v=3DP6XsTuK2vpk</a><br>
<br>
 =A0 =A0<a href=3D"http://www.kaylakavanagh.com" target=3D"_blank">http://w=
ww.kaylakavanagh.com</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><br>-------=
---------------------------------------------------------------------------=
-------------<br>Kayla&#39;s website: <a href=3D"http://www.kaylakavanagh.c=
om">http://www.kaylakavanagh.com</a><br>
Kayla on Twitter: <a href=3D"http://www.twitter.com/kaylakavanagh">http://w=
ww.twitter.com/kaylakavanagh</a><br>MySpace: <a href=3D"http://www.myspace.=
com/kaylakavanagh">http://www.myspace.com/kaylakavanagh</a><br>FaceBook: <a=
 href=3D"http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016">http=
://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016</a><br>


--00163645705e3bd160047af214c5--

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Date: Thu, 17 Dec 2009 21:14:51 +0100
Message-ID: <66f9cc1e0912171214t5ee625b5n958f58b63a8c2e4c@mail.gmail.com>
Subject: Re: Favorite 2009 music you think may have used live looping
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 17, 2009 at 1:39 AM, david kirkdorffer
<unstrungone@yahoo.com> wrote:
> What's your favorite music=C2=A0from 2009 you think may have used live lo=
oping?

Recently I have come to appreciate music that does not use live
looping. That might seem a weird shout-out on this thread, but since
it has a lot to do with live looping I think it qualifies anyway. From
my own excessive live looping activities I have learned a lot about
phrasing in rhythmical as well as tonal aspects. And what has happened
for me is that I have started to really dig the human factor that is
mostly lacking in live looping, those very subtle changes in
expression that makes hand-made music never repeat itself. As a funny
matter of facts I enjoy this human factor the most when a musician is
trying hard to play like a strictly repeating looping device ;-))  I
have not heard exactly that "out there" yet (except for classic
Reilly, Reich etc pieces), but the music I have ecently bumped into
that became my favorite are mostly YouTube uploads by Steve Adelson
and Jan Laurenz. They both play The Stick. Instead of being "you vs
your looper" the Stick lets you become two jamming musicians "each
hand being its own musician". But I think stick playing can be
different than duo jamming because those two jamming hands are still
being directed by the same brain - a phenomenal hot-wire out of reach
for two duo jamming musicians. To me Stick playing seems able to pick
up where live looping reaches certain outer limits. Keth Jarret was
into this as well for a period, on the piano. And I've heard other
piano players doing it as well.
http://www.youtube.com/user/sprugian
http://www.youtube.com/user/Adelstick

From Loopers-Delight-request@loopers-delight.com  Thu Dec 17 22:12:51 2009
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Date: Thu, 17 Dec 2009 14:12:50 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Favorite 2009 music you think may have used live looping
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I second that, saw them perform "e" live and it was great.=0A=0A=0A=0A_____=
___________________________=0AFrom: Tony K bigtonyk@gmail.com=0A=0A=0AAdria=
n Belew Power Trio =E2=80=93 e.=C2=A0 =0A=C2=A0=0AWonderful stuff.=0A=C2=A0=
=0ATony=0A=C2=A0=0A=0AWhat's your favorite music=C2=A0from 2009 you think m=
ay have used live looping?=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>I second that, saw them perform "e" live and it was gr=
eat.</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, n=
ew york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: t=
imes new roman, new york, times, serif"><FONT face=3DTahoma size=3D2>=0A<HR=
 SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Tony K <=
A href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</A><BR></FONT><BR>=
=0A<STYLE>=0A<!--=0A =0A _filtered {font-family:Calibri;panose-1:2 15 5 2 2=
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ass=3DSection1>=0A<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLO=
R: #1f497d; FONT-FAMILY: 'Calibri', 'sans-serif'">Adrian Belew Power Trio =
=E2=80=93 e.&nbsp; </SPAN></P>=0A<P class=3DMsoNormal><SPAN style=3D"FONT-S=
IZE: 11pt; COLOR: #1f497d; FONT-FAMILY: 'Calibri', 'sans-serif'">&nbsp;</SP=
AN></P>=0A<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f49=
7d; FONT-FAMILY: 'Calibri', 'sans-serif'">Wonderful stuff.</SPAN></P>=0A<P =
class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMI=
LY: 'Calibri', 'sans-serif'">&nbsp;</SPAN></P>=0A<P class=3DMsoNormal><SPAN=
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V></DIV>=0A<DIV>=0A<DIV>=0A<P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 1=
0pt; FONT-FAMILY: 'Arial', 'sans-serif'">What's your favorite music&nbsp;fr=
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DIV></div><br>=0A=0A      </body></html>
--0-44346894-1261087970=:90884--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 00:22:40 2009
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Date: Thu, 17 Dec 2009 19:21:37 -0500
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll continue
the month-long Special Focus on Indra.  The Featured CD at Midnight
will be "Tripura Sundari," the third of the Special Edition Tantric
Celebration albums.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 00:48:12 2009
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Subject: Re: Live looping on the Eigenharp Pico
References: <1f6442e00912161730l1b8160b4w32c46e9e768016c7@mail.gmail.com>	 <4B299E6A.4050904@gmail.com> <1f6442e00912171159lbb8b658g957f8c3704952990@mail.gmail.com>
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Kayla Kavanagh wrote:

> Hey Brian,
> 
> The Eigenharp can be configured to play chromatically, major, minor, 
> modal, jazz ... any scale configuration you like! You can swap keys and 
> octaves 'on the fly' which is really handy ~ I've been lucky enough to 
> be down at Eigenlabs a couple of times in London and have met the team 
> and tried out the Alpha instrument too which is also amazing.
> 
> It's quite an exciting instrument to be getting to grips with and I'm 
> slowly but surely gaining confidence!
> 
> Kayla

Thanks, Kayla. It does look very interesting. For a woodwind player, the 
idea that you can play chords is really appealing. I see that you get 
sharps and flats by rocking the keys; it seems that the small keyboard 
isn't nearly the limitation I thought.

Brian

From macleanstone2010@live.com  Fri Dec 18 08:18:44 2009
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Date: Fri, 18 Dec 2009 03:29:36 +0530 (IST)
Subject: Sopa9m:END OF YEAR WINNING NOTIFICATION!!!
From: "Frontline Lottery  Winners International" <macleanstone2010@live.com>
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UK LOTTERY PROMOTIONS
CLAIMS/ VERIFICATIONS DEPARTMENT
REF NO: EGS/2251256003/02
BATCH: 121FTG.
UNITED KINGDOM

Dear Lucky Winner,

We are officially informing you of the result of the Frontline Lottery
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From brucealmondmr1@googlemail.com  Fri Dec 18 10:29:14 2009
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From: "Mr.Bruce Almond"<brucealmondmr1@googlemail.com>
Subject: THIS IS A BUSINESS DEAL
Date: Fri, 18 Dec 2009 11:17:19 +0100
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To: undisclosed-recipients:;

The Desk Of,
Mr. Bruce Almond,
Fund Manager,
Fidelity International, UK .
+44 7045703892

I feel quite safe dealing with you in this important business.Though, this 
medium (Internet) has been greatly abused, I choose to reach you through it 
because it still remains the fastest medium of communication.
Do accept my sincere apologies if my mail does not meet your personal ethics.
I knew that this mail will come to you as a surprise, but please do not be 
discouraged with my proposal, it was due to how things are moving with me, then 
i decided to write to you when I saw your contact information in a directory.
 
However, this correspondence is unofficial and private, and it should be treated 
as such.At first I will like to assure you that this transaction is 100% risk 
and trouble free to both parties
My name is Mr. Bruce Almond, a Fund Manager with Fidelity Investment, UK. I 
handle all our Investors Capital Project Funds which enabled me to divert 1.2% 
of Investors Excess Return Capital Funds to our Magellan Trust Funds Account 
where anyone can be presented to claim the funds. 
Total sum of Fifteen Million, Seven Hundred and Forty Five Thousand British 
Pounds (15.745.000)BP has been diverted, representing 1.2% of Excess Return 
Capital Funds from the Investor Capital Project Funds for 2006/2007 fiscal year. 

I need a reliable and trustworthy person with whom I can work this deal out so 
that we can claim the funds as mentioned above.
There is no risk attached and the funds in question can never be dictated or 
traced.
 
 
Sincerely, 
Mr. Bruce Almond

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 11:10:57 2009
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Hi Zoe

> I just tell everyone "I learned everything I know from people on the the 
> Loopers Delight list".
> 
> Maybe I should be doing a better job to direct newbies to the right 
> place? What is the right place?
You don't learn swimming by tapping in a puddle on the street - it 
requires deep water. I think this list is fine also for newbies.

Florian

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Hi Andy,

> 1.  Firstly, when did you discover the Internet?

In the mid-1980s while using a connection to it, known at the time as 
Telenet (a GTE project).  I've been involved with PCs since 1980 so dealing 
with communications was a default situation; I worked through the old 
CompuServe system, and when the Internet became available to the general 
public I was implementing it at businesses in the LA area, but had already 
been accessing newsgroups via text-based bulletin boards.

> 2.  If so, how has the Internet been of a benefit to you as an artist,
> or other artists you know?

In addition to more available, cheaper technology, the Internet made it 
possible for artists to self-publish, without having to grovel to some 
cigar-chomper at a music company just for the privilege.

> 3.  Can you think of any negative effects internet technologies have
> had on artists (for example, say, people getting annoyed by the
> e-flying that swamped message boards on MySpace or perhaps very
> expensive and very annoying advertising campaigns by the majors)?

People definitely count it as a necessity like telephone coverage these 
days... and potentially take it for granted as a result, considering also 
the usual effects of saturation on a market.

> 4.  Do you think the way artists use the internet has changed in the
> last 10 years, and do you think this will change in the next 10, if
> so, how?

I think artists have assumed more control over their use of the Internet, 
but there are two sides of Internet use on the part of artists: first there 
are those who self-publish on their own web sites in combination with those 
run by 3rd party companies (myspace etc); and there are those who just use 
the 3rd party sites.  I don't include established artists in that division, 
but the same paradigm tends to apply: established artists who do their own 
thing (example: Todd Rundgren has been in advance of most musicians in this 
regard for some time, so he's an oddity statistically. David Bowie of course 
does not manage his own Myspace page - but Steve Hunter, Lou Reed's/Alice 
Cooper's guitarist, certainly does manage it himself) but I suspect most 
Myspace/Facebook/etc pages for established artists are run either by fans or 
by subalterns assigned to the role.

I believe that in the next 10 years the graduation away from established 
music companies will continue, and some brave souls out there will break 
away from said companies, to form their own concern.  They'll have 
experience in music publishing with all the inherent issues like royalties 
and writing credits etc, and will hopefully know how to apply these 
practices in an honest manner, to provide not just publishing services but 
also distribution and marketing efforts.  This will be a new business model 
with less middlemen and therefore more revenue for the creators than the 
purveyors.  (After all the Big Four/Five are only really very good at the 
distribution and marketing aspects, and certainly not A&R anymore, the 
absence of new talent being the glaring evidence.  Once they figure out this 
factor and have positioned themselves for the non-publishing elements such 
as these, the rest of the world will have outstripped them altogether.)

In 1996 I put my first web page up, throwing my own music onto the web for 
listening (RealAudio).  That same year I collaborated with a programmer 
friend to create a self-executing encapsulated sound file dubbed The Loop of 
the Week, which still runs under Windows 7 and reportedly PC-capable Macs. 
After people had heard my music I was asked to put it on a tape to send 
people, and after this I thought of the notion of selling it online, but 
decided to wait for recordable CDs to come along for less than £300, which 
they did in 1998-9.  I became more engaged in the technical end, while 
concentrating on public performance instead of web promos.  In the meantime 
mp3.com had come and gone, due to bad management and having a goal to sell 
out to a music corporation ultimately; I was an MIS Director by this time at 
a music company, and those people's assessments of online music or 
file-sharing was restricted to being able to pronounce the word "Napster", 
when they were asking me to install it on their work PCs.  No kidding!  P2P 
was never seen as anything but a resource the music corporations wished they 
had full control over, as opposed to the role of a passive user - and it was 
only through subjugation via lawsuit, followed by outright purchase, that 
Napster became 'controlled'.  By then it was too late, and us cats were out 
of their bag altogether.

Independent musicians are now producing full video streaming shows, the only 
thing presently lacking being full-surround and cheap video mixing 
real-time.  Cave people in the music corporations haven't caught up to that 
one either! [snicker]

As you can tell I have a lot of opinions from having worked in IT for over 
25 years while maintaining an interest in creating new music, and having a 
4-year business degree (Bus. Administration, with contract law), and will go 
on as long as you like.

Thanks for asking!

Stephen Goodman
http://www.earthlight.tv
http://www.ustream.tv/StephenGoodman
http://www.vimeo.com/spgoodman
http://www.myspace.com/spgoodman


> I really hope you can help me out, and if you do, you'll be cited in
> my report:)  So far I've managed to get a handful responses - of which
> most are from UK artists, although I have managed to get a couple of
> willing New York antifolkers involved, as well as my boss at the
> venue.
>
> Thanks for reading, look forward to hearing back from you.
>
> Andy 

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<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">I wish to introduce to you a project that would be of immense benefit to both of us. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Being a lawyer and an executor of (WILLS), it is possible that we may be tempted to make funds out of our client's situations, when we cannot help it, or left with no better option. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">The issue I am presenting to you is a case of my client (Engr. Anderson ) who willed $16.5 millions to his next-of-kin. It was most unfortunate that he and his next-of-kin died on the same day 25th December 2003 in a car crash. Having waited this long, I am now faced with indecision about who to pass the funds to. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">However, I don't belong to that school of thought which proposes that the funds of unlucky people be given to the government. I therefore seek for your assistance in presenting you as next of kin to the deceased. Documents covering the funds will be raised in your favor leading to the official and legal release of the funds to you. I will reveal other details upon your response to this email and as soon as we establish correspondence. </FONT><BR>
<FONT size=3 face="Times New Roman">Sharing Terms will be negotiated.</FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Yours in Service</FONT><BR>
<FONT size=3 face="Times New Roman">Barrister Frank Jorge Williams Esq.</FONT><BR>
<FONT size=3 face="Times New Roman">(Attorney at Law)</FONT><BR>
<A href="http://uk.mc242.mail.yahoo.com/mc/compose?to=barrfrankwilliamsch@gmail.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>barrfrankwilliamsch@gmail.com</U></FONT></A></DIV>
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From: "Barrister Frank Jorge Williams Esq."<barrfrankwilliams_ch@inmail24.com>
Subject: Attention:                                                           
Date: Fri, 18 Dec 2009 04:48:12 -0800
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</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman">Attention: , </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">I wish to introduce to you a project that would be of immense benefit to both of us. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Being a lawyer and an executor of (WILLS), it is possible that we may be tempted to make funds out of our client's situations, when we cannot help it, or left with no better option. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">The issue I am presenting to you is a case of my client (Engr. Anderson ) who willed $16.5 millions to his next-of-kin. It was most unfortunate that he and his next-of-kin died on the same day 25th December 2003 in a car crash. Having waited this long, I am now faced with indecision about who to pass the funds to. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">However, I don't belong to that school of thought which proposes that the funds of unlucky people be given to the government. I therefore seek for your assistance in presenting you as next of kin to the deceased. Documents covering the funds will be raised in your favor leading to the official and legal release of the funds to you. I will reveal other details upon your response to this email and as soon as we establish correspondence. </FONT><BR>
<FONT size=3 face="Times New Roman">Sharing Terms will be negotiated.</FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Yours in Service</FONT><BR>
<FONT size=3 face="Times New Roman">Barrister Frank Jorge Williams Esq.</FONT><BR>
<FONT size=3 face="Times New Roman">(Attorney at Law)</FONT><BR>
<A href="http://uk.mc242.mail.yahoo.com/mc/compose?to=barrfrankwilliamsch@gmail.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>barrfrankwilliamsch@gmail.com</U></FONT></A></DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 14:47:48 2009
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	 <E4A377A9E5034F09844FCE4DE1DF8310@ELUK1>
Date: Fri, 18 Dec 2009 08:47:46 -0600
Message-ID: <33ec6e8a0912180647y6277a9f8u8357498cec770237@mail.gmail.com>
Subject: Re: Social Networking Benefits to Independent Musicians
From: skunk3 <skunk3@gmail.com>
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I liked reading this!

On 12/18/09, Stephen Goodman <spgoodman@earthlight.net> wrote:
> Hi Andy,
>
>> 1.  Firstly, when did you discover the Internet?
>
> In the mid-1980s while using a connection to it, known at the time as
> Telenet (a GTE project).  I've been involved with PCs since 1980 so deali=
ng
> with communications was a default situation; I worked through the old
> CompuServe system, and when the Internet became available to the general
> public I was implementing it at businesses in the LA area, but had alread=
y
> been accessing newsgroups via text-based bulletin boards.
>
>> 2.  If so, how has the Internet been of a benefit to you as an artist,
>> or other artists you know?
>
> In addition to more available, cheaper technology, the Internet made it
> possible for artists to self-publish, without having to grovel to some
> cigar-chomper at a music company just for the privilege.
>
>> 3.  Can you think of any negative effects internet technologies have
>> had on artists (for example, say, people getting annoyed by the
>> e-flying that swamped message boards on MySpace or perhaps very
>> expensive and very annoying advertising campaigns by the majors)?
>
> People definitely count it as a necessity like telephone coverage these
> days... and potentially take it for granted as a result, considering also
> the usual effects of saturation on a market.
>
>> 4.  Do you think the way artists use the internet has changed in the
>> last 10 years, and do you think this will change in the next 10, if
>> so, how?
>
> I think artists have assumed more control over their use of the Internet,
> but there are two sides of Internet use on the part of artists: first the=
re
> are those who self-publish on their own web sites in combination with tho=
se
> run by 3rd party companies (myspace etc); and there are those who just us=
e
> the 3rd party sites.  I don't include established artists in that divisio=
n,
> but the same paradigm tends to apply: established artists who do their ow=
n
> thing (example: Todd Rundgren has been in advance of most musicians in th=
is
> regard for some time, so he's an oddity statistically. David Bowie of cou=
rse
> does not manage his own Myspace page - but Steve Hunter, Lou Reed's/Alice
> Cooper's guitarist, certainly does manage it himself) but I suspect most
> Myspace/Facebook/etc pages for established artists are run either by fans=
 or
> by subalterns assigned to the role.
>
> I believe that in the next 10 years the graduation away from established
> music companies will continue, and some brave souls out there will break
> away from said companies, to form their own concern.  They'll have
> experience in music publishing with all the inherent issues like royaltie=
s
> and writing credits etc, and will hopefully know how to apply these
> practices in an honest manner, to provide not just publishing services bu=
t
> also distribution and marketing efforts.  This will be a new business mod=
el
> with less middlemen and therefore more revenue for the creators than the
> purveyors.  (After all the Big Four/Five are only really very good at the
> distribution and marketing aspects, and certainly not A&R anymore, the
> absence of new talent being the glaring evidence.  Once they figure out t=
his
> factor and have positioned themselves for the non-publishing elements suc=
h
> as these, the rest of the world will have outstripped them altogether.)
>
> In 1996 I put my first web page up, throwing my own music onto the web fo=
r
> listening (RealAudio).  That same year I collaborated with a programmer
> friend to create a self-executing encapsulated sound file dubbed The Loop=
 of
> the Week, which still runs under Windows 7 and reportedly PC-capable Macs=
.
> After people had heard my music I was asked to put it on a tape to send
> people, and after this I thought of the notion of selling it online, but
> decided to wait for recordable CDs to come along for less than =A3300, wh=
ich
> they did in 1998-9.  I became more engaged in the technical end, while
> concentrating on public performance instead of web promos.  In the meanti=
me
> mp3.com had come and gone, due to bad management and having a goal to sel=
l
> out to a music corporation ultimately; I was an MIS Director by this time=
 at
> a music company, and those people's assessments of online music or
> file-sharing was restricted to being able to pronounce the word "Napster"=
,
> when they were asking me to install it on their work PCs.  No kidding!  P=
2P
> was never seen as anything but a resource the music corporations wished t=
hey
> had full control over, as opposed to the role of a passive user - and it =
was
> only through subjugation via lawsuit, followed by outright purchase, that
> Napster became 'controlled'.  By then it was too late, and us cats were o=
ut
> of their bag altogether.
>
> Independent musicians are now producing full video streaming shows, the o=
nly
> thing presently lacking being full-surround and cheap video mixing
> real-time.  Cave people in the music corporations haven't caught up to th=
at
> one either! [snicker]
>
> As you can tell I have a lot of opinions from having worked in IT for ove=
r
> 25 years while maintaining an interest in creating new music, and having =
a
> 4-year business degree (Bus. Administration, with contract law), and will=
 go
> on as long as you like.
>
> Thanks for asking!
>
> Stephen Goodman
> http://www.earthlight.tv
> http://www.ustream.tv/StephenGoodman
> http://www.vimeo.com/spgoodman
> http://www.myspace.com/spgoodman
>
>
>> I really hope you can help me out, and if you do, you'll be cited in
>> my report:)  So far I've managed to get a handful responses - of which
>> most are from UK artists, although I have managed to get a couple of
>> willing New York antifolkers involved, as well as my boss at the
>> venue.
>>
>> Thanks for reading, look forward to hearing back from you.
>>
>> Andy
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 15:37:35 2009
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From: Massimo Liverani <liverani@het.it>
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1. Firstly, when did you discover the Internet?

In 1996

2. If so, how has the Internet been of a benefit to you as an artist,
or other artists you know?

Yes, internet has been a benefit under several points of wiev:
1 to obtain freeware software and  tecnical support
2 to keep in contact people from different coutries but with same approach
3 to organize events and shows
and so on!

3. Can you think of any negative effects internet technologies have
had on artists (for example, say, people getting annoyed by th
e-flying that swamped message boards on MySpace or perhaps very
expensive and very annoying advertising campaigns by the majors)?

Yes a little but not so much negative, in my opinion the only negative 
aspect is the power of
the infinite quantity of stuffs and possibilities that the web and 
tecnology in genre offer.
But i think that positive aspects are the mains.

4. Do you think the way artists use the internet has changed in the last 
10 years,
and do you think this will change in the next 10, if so, how?

Yes surely! things are more simple with internet, internet can join 
people and can really
make the difference  in quantity. But all this has a its back of the medal:
giving to everybody this stuffs can drammatically reduce the quality and 
flatters the offers
we must use it with consciusness (can we say it?) and responsability.
In the future theese problems will be even more important and relevant.

Thank you
Max Liver (Florence . Italy)

> I really hope you can help me out, and if you do, you'll be cited in
> my report:)  So far I've managed to get a handful responses - of which
> most are from UK artists, although I have managed to get a couple of
> willing New York antifolkers involved, as well as my boss at the
> venue.
>
> Thanks for reading, look forward to hearing back from you.
>
> Andy
>
>
>
>    


-- 


From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 17:13:21 2009
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Date: Fri, 18 Dec 2009 12:13:20 -0500
Message-ID: <9c3ebb9b0912180913u79405200mc8bd985349ec126a@mail.gmail.com>
Subject: the $10 foot controller..
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I thought I'd share this link I came across in case nobody else did -
thought you would all enjoy
this little article.

http://createdigitalmusic.com/2007/08/02/get-loopy-with-the-diy-10-ableton-footcontroller-no-soldering-required/

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 17:34:39 2009
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Date: Fri, 18 Dec 2009 09:34:37 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: referencing back to loopers
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I joined the list about 20 months ago with no prior looping knowledge. It is an excellent resource, I have learned a lot about looping and also music production in general(not to mention exposure to previously unknown artists and music). When an interesting topic comes in I save it off to a seperate folder, right now I have 265 saved emails for reference. 

Many thanks to everyone!

Eric




________________________________
From: Florian Anwander <fanwander@mnet-online.de>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, December 18, 2009 6:12:45 AM
Subject: Re: referencing back to loopers

Hi Zoe

> I just tell everyone "I learned everything I know from people on the the Loopers Delight list".
> 
> Maybe I should be doing a better job to direct newbies to the right place? What is the right place?
You don't learn swimming by tapping in a puddle on the street - it requires deep water. I think this list is fine also for newbies.

Florian


      
--0-1771368467-1261157677=:86187
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>I joined the list about 20 months ago with no prior looping knowledge. It is an excellent resource, I have learned a lot about looping and also music production in general(not to mention exposure to previously unknown artists and music). When an interesting topic comes in I save it off to a seperate folder, right now I have 265 saved emails for reference. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Many thanks to everyone!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Eric<BR></DIV>
<DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><BR>
<DIV style="FONT-SIZE: 13px; FONT-FAMILY: arial, helvetica, sans-serif"><FONT face=Tahoma size=2>
<HR SIZE=1>
<B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> Florian Anwander &lt;fanwander@mnet-online.de&gt;<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Fri, December 18, 2009 6:12:45 AM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: referencing back to loopers<BR></FONT><BR>Hi Zoe<BR><BR>&gt; I just tell everyone "I learned everything I know from people on the the Loopers Delight list".<BR>&gt; <BR>&gt; Maybe I should be doing a better job to direct newbies to the right place? What is the right place?<BR>You don't learn swimming by tapping in a puddle on the street - it requires deep water. I think this list is fine also for newbies.<BR><BR>Florian<BR><BR></DIV></DIV></div><br>

      </body></html>
--0-1771368467-1261157677=:86187--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 17:47:34 2009
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Subject: Re: referencing back to loopers
Date: Fri, 18 Dec 2009 18:47:25 +0100
References: <684DF472-AD5A-4CDB-8C27-FE3165809C9A@zoekeating.com> <4B2B63AD.2030405@mnet-online.de> <226246.86187.qm@web45910.mail.sp1.yahoo.com>
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i'm more or less in the same boat - a fantastic site with great people.

On Dec 18, 2009, at 6:34 PM, E Gross wrote:

> I joined the list about 20 months ago with no prior looping  
> knowledge. It is an excellent resource, I have learned a lot about  
> looping and also music production in general(not to mention exposure  
> to previously unknown artists and music). When an interesting topic  
> comes in I save it off to a seperate folder, right now I have 265  
> saved emails for reference.
>
> Many thanks to everyone!
>
> Eric
>
> From: Florian Anwander <fanwander@mnet-online.de>
> To: Loopers-Delight@loopers-delight.com
> Sent: Fri, December 18, 2009 6:12:45 AM
> Subject: Re: referencing back to loopers
>
> Hi Zoe
>
> > I just tell everyone "I learned everything I know from people on  
> the the Loopers Delight list".
> >
> > Maybe I should be doing a better job to direct newbies to the  
> right place? What is the right place?
> You don't learn swimming by tapping in a puddle on the street - it  
> requires deep water. I think this list is fine also for newbies.
>
> Florian
>
>
>


--Apple-Mail-32--616596239
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i'm more or less in the same =
boat - a fantastic site with great people.<div><br><div><div>On Dec 18, =
2009, at 6:34 PM, E Gross wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: 'Goudy Old Style'; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
font-family: 'times new roman', 'new york', times, serif; font-size: =
12pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">I joined the list about 20 months ago with no =
prior looping knowledge. It is an excellent resource, I have learned a =
lot about looping and also music production in general(not to mention =
exposure to previously unknown artists and music). When an interesting =
topic comes in I save it off to a seperate folder, right now I have 265 =
saved emails for reference.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Many thanks to =
everyone!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Eric<br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: =
12pt; font-family: 'times new roman', 'new york', times, serif; =
"><br><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font-size: 13px; font-family: arial, helvetica, =
sans-serif; "><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span =
style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Florian Anwander &lt;<a =
href=3D"mailto:fanwander@mnet-online.de">fanwander@mnet-online.de</a>&gt;<=
br><b><span style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Fri, =
December 18, 2009 6:12:45 AM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: referencing back to =
loopers<br></font><br>Hi Zoe<br><br>&gt; I just tell everyone "I learned =
everything I know from people on the the Loopers Delight =
list".<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
Maybe I should be doing a better job to direct newbies to the right =
place? What is the right place?<br>You don't learn swimming by tapping =
in a puddle on the street - it requires deep water. I think this list is =
fine also for =
newbies.<br><br>Florian<br><br></div></div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

--Apple-Mail-32--616596239--

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I will be out of the office starting  12/17/2009 and will not return until
12/21/2009.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
addressee(s) named above. If you are not the intended
addressee/recipient, you are hereby notified that any use of,
disclosure, copying, distribution, or reliance on the contents of
this E-Mail/telefax information is strictly prohibited and may
result in legal action against you. Please reply to the sender
advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 18:50:35 2009
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Subject: New Lunar Asylum Track with looping . . .
From: Miko Biffle <biffoz@gmail.com>
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--0016e64c24a0e9232f047b053675
Content-Type: text/plain; charset=ISO-8859-1

Hey gang,

We've been hitting Facebook with audio and vid's from last weekend's Lunar
Asylum session at Eardril Studios in Alameda, and I thought I'd send along a
sample.  This is ON Topic Looper shit, cause I grab my free-jazz noise and
cycle it for the free-jazz section as well as "play" it later when we start
to get funky.

We haven't played together since 1998, and we had an awesome weekend.
There's a wide variety of stuff coming soon.  Lunar Asylum is Chris Muir,
Scoot Sharon, Bill Austin and Mikko Biffle.  Please enjoy!

-- 
Mikko Biffle
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

--0016e64c24a0e9232f047b053675
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Hey gang,<br><br>We&#39;ve been hitting Facebook with audio and vid&#39;s f=
rom last weekend&#39;s Lunar Asylum session at Eardril Studios in Alameda, =
and I thought I&#39;d send along a sample.=A0 This is ON Topic Looper shit,=
 cause I grab my free-jazz noise and cycle it for the free-jazz section as =
well as &quot;play&quot; it later when we start to get funky.=A0 <br>
<br>We haven&#39;t played together since 1998, and we had an awesome weeken=
d.=A0 There&#39;s a wide variety of stuff coming soon.=A0 Lunar Asylum is C=
hris Muir, Scoot Sharon, Bill Austin and Mikko Biffle.=A0 Please enjoy!<br =
clear=3D"all">
<br>-- <br>Mikko Biffle<br><a href=3D"http://www.reverbnation.com/biffoz">h=
ttp://www.reverbnation.com/biffoz</a><br>&quot;Running scared from all the =
usual distractions!&quot;<br>

--0016e64c24a0e9232f047b053675--

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Date: Fri, 18 Dec 2009 10:51:24 -0800
Message-ID: <3fa302e30912181051q14c0b6c1r465cf0f0d5dffb68@mail.gmail.com>
Subject: Re: New Lunar Asylum Track with looping . . .
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64e4bdcf8e2fb047b053996
Content-Type: text/plain; charset=ISO-8859-1

http://www.xfade.com/lunar/Skrnk2Fnk_01.mp3

On Fri, Dec 18, 2009 at 10:50 AM, Miko Biffle <biffoz@gmail.com> wrote:

> Hey gang,
>
> We've been hitting Facebook with audio and vid's from last weekend's Lunar
> Asylum session at Eardril Studios in Alameda, and I thought I'd send along a
> sample.  This is ON Topic Looper shit, cause I grab my free-jazz noise and
> cycle it for the free-jazz section as well as "play" it later when we start
> to get funky.
>
> We haven't played together since 1998, and we had an awesome weekend.
> There's a wide variety of stuff coming soon.  Lunar Asylum is Chris Muir,
> Scoot Sharon, Bill Austin and Mikko Biffle.  Please enjoy!
>
> --
> Mikko Biffle
> http://www.reverbnation.com/biffoz
> "Running scared from all the usual distractions!"
>



-- 
Mikko Biffle
Biffoz@Gmail.com
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

--0016e64e4bdcf8e2fb047b053996
Content-Type: text/html; charset=ISO-8859-1
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<a href=3D"http://www.xfade.com/lunar/Skrnk2Fnk_01.mp3">http://www.xfade.co=
m/lunar/Skrnk2Fnk_01.mp3</a><br><br><div class=3D"gmail_quote">On Fri, Dec =
18, 2009 at 10:50 AM, Miko Biffle <span dir=3D"ltr">&lt;<a href=3D"mailto:b=
iffoz@gmail.com">biffoz@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey gang,<br><br>=
We&#39;ve been hitting Facebook with audio and vid&#39;s from last weekend&=
#39;s Lunar Asylum session at Eardril Studios in Alameda, and I thought I&#=
39;d send along a sample.=A0 This is ON Topic Looper shit, cause I grab my =
free-jazz noise and cycle it for the free-jazz section as well as &quot;pla=
y&quot; it later when we start to get funky.=A0 <br>

<br>We haven&#39;t played together since 1998, and we had an awesome weeken=
d.=A0 There&#39;s a wide variety of stuff coming soon.=A0 Lunar Asylum is C=
hris Muir, Scoot Sharon, Bill Austin and Mikko Biffle.=A0 Please enjoy!<br =
clear=3D"all">
<font color=3D"#888888">
<br>-- <br>Mikko Biffle<br><a href=3D"http://www.reverbnation.com/biffoz" t=
arget=3D"_blank">http://www.reverbnation.com/biffoz</a><br>&quot;Running sc=
ared from all the usual distractions!&quot;<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Mikko Biffle<br>=
Biffoz@Gmail.com<br><a href=3D"http://www.reverbnation.com/biffoz">http://w=
ww.reverbnation.com/biffoz</a><br>&quot;Running scared from all the usual d=
istractions!&quot;<br>


--0016e64e4bdcf8e2fb047b053996--

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	<Loopers-Delight@loopers-delight.com>
Date: Fri, 18 Dec 2009 15:07:42 -0600
Subject: Customizable keyboard
Thread-Topic: Customizable keyboard
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--_000_7872203368197C4691224688958BE714EB82DA232Dbarqsailpoint_
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Here's an interesting "control surface" for software folks I hadn't
seen before:

http://www.thinkgeek.com/computing/keyboards-mice/77ba/

At $140 it isn't exactly cheap, it isn't really large (or durable)
enough for a footswitch, and it isn't backlit like the Launchpad.
(Okay, maybe it isn't that interesting...:)

Still, the ability to configure your own switch layouts to
build "instruments" could be useful.

Jeff


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal>Here's an interesting &quot;control surface&quot; for
software folks I hadn't<o:p></o:p></p>

<p class=3DMsoNormal>seen before:<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>http://www.thinkgeek.com/computing/keyboards-mice/77ba=
/<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>At $140 it isn't exactly cheap, it isn't really large =
(or
durable)<o:p></o:p></p>

<p class=3DMsoNormal>enough for a footswitch, and it isn't backlit like the
Launchpad.<o:p></o:p></p>

<p class=3DMsoNormal>(Okay, maybe it isn't that interesting...:)<o:p></o:p>=
</p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Still, the ability to configure your own switch layout=
s to<o:p></o:p></p>

<p class=3DMsoNormal>build &quot;instruments&quot; could be useful.<o:p></o=
:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Jeff<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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Dear Participant,

We write today with reference to a deposited fund totalling six
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 23:18:54 2009
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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Very interesting, IMHO -- thanks for posting. : )<br>
<br>
<br>
Jeff Larson wrote:
<blockquote
 cite="mid:7872203368197C4691224688958BE714EB82DA232D@barq.sailpoint.com"
 type="cite">
  <meta http-equiv="Context-Type" content="text/html; charset=us-ascii">
  <div>
  <p>Here's an interesting "control surface" for
software folks I hadn't </p>
  <p>seen before: </p>
  <p> &nbsp; </p>
  <p><a class="moz-txt-link-freetext" href="http://www.thinkgeek.com/computing/keyboards-mice/77ba/">http://www.thinkgeek.com/computing/keyboards-mice/77ba/</a> </p>
  <p> &nbsp; </p>
  <p>At $140 it isn't exactly cheap, it isn't really large (or
durable) </p>
  <p>enough for a footswitch, and it isn't backlit like the
Launchpad. </p>
  <p>(Okay, maybe it isn't that interesting...:) </p>
  <p> &nbsp; </p>
  <p>Still, the ability to configure your own switch layouts to </p>
  <p>build "instruments" could be useful. </p>
  <p> &nbsp; </p>
  <p>Jeff</p>
  </div>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 18 23:31:06 2009
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dear loopers, i'm checking out for the holidays. please have a  
wonderful * (insert preferred holiday here) with your loved ones.

hope you enjoy this christmas song from pomplamoose http://www.youtube.com/watch?v=Il-OFaFzHQM

- zoe

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Reply-To: <epeiro1960@ozu.es>
From: "ENRIQUE PEIRO"<deerparkenrp@btconnect.com>
Subject: ( Entitled to You ).
Date: Fri, 18 Dec 2009 23:31:41 -0500
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To: undisclosed-recipients:;

SR ENRIQUE PEIRO
epeiro1960@ozu.es 
  

After the verdict passed ( October 31st 2007 ), kindly confirm your address, to verify as same on file. This entitle you the Bequeathed of USD$1,546,810.10M ( One Million five hundred and forty six thousand eight hundred and ten dollars). This is in line to victims of the 2004 Madrid Train Bomb blast along Atocha Train Center here in Madrid, Spain. That got 191 people killed, and 1,800 seriously injured.
  
You will be advice as the NEXT OF KIN, upon address verification. Claims are forwarded within 21 official working days.
  
Enrique Peiro

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 05:59:21 2009
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I'm using Max/MSP to host Reaktor as a VST using the vst~ object, and I use 
my FCB MIDI controller pedals to change paraemter values in Reaktor by 
running the object "midiin a" into a text box with "midievent 176" in it, 
and then that goes into the left inlet of the vst object.  But I want to use 
Mobius and send program change values.  Does anyone know the argument I need 
to use with midievent to do this?  This is driving me nuts.

Thanks,

Kris


From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 06:09:21 2009
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Correction. I run ctlin a 1 or ctlin 2 into "midievent 176 1" to use my FCB 
pedal. I am using midiin, but I think I'll try notein~


----- Original Message ----- 


> I'm using Max/MSP to host Reaktor as a VST using the vst~ object, and I 
> use my FCB MIDI controller pedals to change paraemter values in Reaktor by 
> running the object "midiin a" into a text box with "midievent 176" in it, 
> and then that goes into the left inlet of the vst object.  But I want to 
> use Mobius and send program change values.  Does anyone know the argument 
> I need to use with midievent to do this?  This is driving me nuts.
>
> Thanks,
>
> Kris
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 09:24:48 2009
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Date: Sat, 19 Dec 2009 04:24:34 -0500
From: Bill Fox <billyfox@soundscapes.us>
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THOUGHT EXPERIMENT RADIO:                    http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, December 19 at 6 am
(EST/GMT-5/ITZ-5).  I will continue the special on Sequences Electronic
Music Magazine's sampler CDs in Phase 1.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 12:53:15 2009
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--0016e6d7e034e5f6d4047b1456b8
Content-Type: text/plain; charset=ISO-8859-1

http://www.dontcrack.com/freeware/software.php/id/7042/audio/Loopers/

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d7e034e5f6d4047b1456b8
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<a href=3D"http://www.dontcrack.com/freeware/software.php/id/7042/audio/Loo=
pers/">http://www.dontcrack.com/freeware/software.php/id/7042/audio/Loopers=
/</a><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger: <a href=3D"http:/=
/raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.=
ct-collective.com</a><br><br>

--0016e6d7e034e5f6d4047b1456b8--

From williams05@mail.od.ua  Sat Dec 19 14:44:31 2009
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Date: Sat, 19 Dec 2009 14:04:50 -0000
To: 
Subject: =?koi8-r?B?Q29tcGxpbWVudCBvZiB0aGUgZGF5?=
From: "A Williams" <williams05@mail.od.ua>
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Compliments of the day,

I am Mr. Alex Williams of A. Williams & Co. Solicitors. I have a client Mr. 
Jeffrey, who bears the same last name with you and a national of your 
Country who used to work with Concordia Concepts Limited, United Kingdom. On 
the 22nd of May 2005, my client, his wife and their three children were 
involved in a car accident along Manchester Express Road. All occupants of 
the vehicle unfortunately lost their lives. 

Since then I have made several enquiries to your Embassy to locate any of my 
client's extended relatives, this has also proved unsuccessful. After these 
several unsuccessful attempts, I decided to trace his relatives over the 
internet, to locate any member of his family but of no avail, hence I 
contacted you. I have contacted you to assist me in repatriating the money 
left behind by my late client before they got confiscated or declared 
unserviceable by the bank where these huge deposits were lodged. 
Particularly, the bank where the deceased had the deposit valued about Six 
Million Five Hundred and Seventy Thousand United State dollars 
(US$6,570,000.00) has issued me a notice to provide the next-of- kin or have 
the deposit confiscated. 

Since I have been unsuccessful in locating his relatives for over three (3) 
years now, I seek your consent to present you as the next of kin to the 
deceased so that the proceeds of this deposit valued about (US$6,570,000.00) 
can be paid to you and then you and I can share the deposit 70% to me and 
30% for you. I will work out all the necessary legal documents that can be 
used to back up this claim. All I require is your honest co-operation to 
enable us see this transaction through. I guarantee that this will be 
executed under a legitimate arrangement that will protect you from any 
breach of the law. 

Please get in touch with me by my secured and confidential email address 
immediately you acknowledge the good receipt of this message.

Anticipating your prompt response.

Best regards,
Mr. Alex Williams


-------
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Hello loopers! Once again I am doing a set of audio/video er, ah, well 
something interesting I hope at my Livestream channel 
http://www.livestream.com/jeffdukelive in about 35 minutes. Would love to 
see you there!

peace,

Jeff 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 17:43:29 2009
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Date: Sat, 19 Dec 2009 09:43:27 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: virtual gig spam
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Hi Jeff I listened in, you were on fire! ;)


      
--0-625055750-1261244607=:57702
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>Hi Jeff I listened in, you were on fire! ;)</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Tahoma size=2><B><SPAN style="FONT-WEIGHT: bold"></SPAN></B></FONT>&nbsp;</DIV><!-- cg18.c3.mail.sp2.yahoo.com compressed/chunked Sat Dec 19 09:42:45 PST 2009 --></div><br>

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Date: Sat, 19 Dec 2009 09:56:59 -0800 (PST)
From: "Barr. Kevin Smith" <leonj1960@att.net>
Reply-To: "Barr. Kevin Smith" <kksmith1973@googlemail.com>
Subject: Eng. Robert's Estate
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1606706608-1261245419=:24933
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=0A Ffrey & co chambers=0Anotary public, solicitors & advocate=0A101 Barbir=
olli Square Bridgewater=0AManchester M2 3UL - United Kingdom.=0A=0ADear Fri=
end,=0A=0AI am Kevin Smith Esq., a senior advocate here in UK. I am the per=
sonal attorney to Eng. Robert, a national of your country, who was till his=
 death a contractor with shell Petroleum Development Company (SPDC) here in=
 UK. hereinafter shall be referred to as my client.=0A=0AOn the 21st of Apr=
il 2005, my client, his wife and their only daughter were involved in a fir=
e outbreak in their residence. All the family members unfortunately lost th=
eir lives. Since then I have made several inquiries to your embassy here to=
 locate any of my clients extended relatives, this has also proved unsucces=
sful.=0A=0AI am contacting you to assist in repatriating the fund valued at=
 =A310,500,000.00 (ten million five hundred thousand pounds) left behind by=
 my client before it gets confiscated or declared unserviceable by the fina=
nce firm where this huge amount was deposited. The said finance company has=
 issued me a notice to provide the next of kin or have the account confisca=
ted within the next fourteen official working days. For the fact that i hav=
e been unsuccessful in locating the relatives for over 3 years now, i seek =
your consent to present you as the next of kin to the deceased since you ha=
ve the same nationality as well as my client so that the proceeds of this a=
ccount can be paid to you while you compensate me in return and donate some=
 part to charity homes.=0A=0AI will provide the necessary information and l=
egal documents needed to back you up for the claim. All i require from you =
is your honest cooperation to enable us see this transaction through. I gua=
rantee that this will be executed under legitimate arrangement that will pr=
otect you from any breach of the law both in your country and that of the U=
K.=0A=0APlease reply if you are interested for more details.=0A=0ABest rega=
rds,=0A=0AKevin Smith Esq.=0A
--0-1606706608-1261245419=:24933
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:verdana, helvetica, sans-serif;font-size=
:10pt"><div></div><div><br>&nbsp;</div>Ffrey &amp; co chambers<br>notary pu=
blic, solicitors &amp; advocate<br>101 Barbirolli Square Bridgewater<br>Man=
chester M2 3UL - United Kingdom.<br> <br>Dear Friend,<br> <br>I am Kevin Sm=
ith Esq., a senior advocate here in UK. I am the personal attorney to Eng. =
Robert, a national of your country, who was till his death a contractor wit=
h shell Petroleum Development Company (SPDC) here in UK. hereinafter shall =
be referred to as my client.<br> <br>On the 21st of April 2005, my client, =
his wife and their only daughter were involved in a fire outbreak in their =
residence. All the family members unfortunately lost their lives. Since the=
n I have made several inquiries to your embassy here to locate any of my cl=
ients extended relatives, this has also proved unsuccessful.<br> <br>I
 am contacting you to assist in repatriating the fund valued at =A310,500,0=
00.00 (ten million five hundred thousand pounds) left behind by my client b=
efore it gets confiscated or declared unserviceable by the finance firm whe=
re this huge amount was deposited. The said finance company has issued me a=
 notice to provide the next of kin or have the account confiscated within t=
he next fourteen official working days. For the fact that i have been unsuc=
cessful in locating the relatives for over 3 years now, i seek your consent=
 to present you as the next of kin to the deceased since you have the same =
nationality as well as my client so that the proceeds of this account can b=
e paid to you while you compensate me in return and donate some part to cha=
rity homes.<br> <br>I will provide the necessary information and legal docu=
ments needed to back you up for the claim. All i require from you is your h=
onest cooperation to enable us see this transaction through. I
 guarantee that this will be executed under legitimate arrangement that wil=
l protect you from any breach of the law both in your country and that of t=
he UK.<br> <br>Please reply if you are interested for more details.<br> <br=
>Best regards,<br> <br>Kevin Smith Esq.<div><br></div><div style=3D"positio=
n:fixed"></div>=0A=0A=0A<!-- cg3.c204.mail.gq1.yahoo.com compressed/chunked=
 Mon Dec  7 02:23:12 PST 2009 -->=0A</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 18:04:39 2009
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Message-ID: <001101ca80d5$bb615cf0$bff63747@YOUR08D5303051>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <000d01ca80c7$beede770$bff63747@YOUR08D5303051> <933512.57702.qm@web45904.mail.sp1.yahoo.com>
Subject: Re: virtual gig spam
Date: Sat, 19 Dec 2009 13:04:38 -0500
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Thank you very much Eric, thanks for watching!

j
  ----- Original Message -----=20
  From: E Gross=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, December 19, 2009 12:43 PM
  Subject: Re: virtual gig spam


  Hi Jeff I listened in, you were on fire! ;)




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charset=3Diso-8859-1">
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<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thank you very much Eric, thanks for=20
watching!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dslapbandjam@yahoo.com =
href=3D"mailto:slapbandjam@yahoo.com">E Gross</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, December 19, =
2009 12:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: virtual gig =
spam</DIV>
  <DIV><BR></DIV>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, =
times, serif">
  <DIV>Hi Jeff I listened in, you were on fire! ;)</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DTahoma size=3D2><B><SPAN=20
  style=3D"FONT-WEIGHT: bold"></SPAN></B></FONT>&nbsp;</DIV><!-- =
cg18.c3.mail.sp2.yahoo.com compressed/chunked Sat Dec 19 09:42:45 PST =
2009 --></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000E_01CA80AB.D24D6190--

From client@selena.net.ua  Sat Dec 19 19:41:03 2009
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	id 1NLZ9i-0007WH-3n; Fri, 18 Dec 2009 11:29:55 +0200
From: "EXXON MOBILE AND GAS COMPANY LTD" <client@selena.net.ua>
To: undisclosed-recipients: ;
Reply-To: exxonmobileoil@w.cn
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Date: Fri, 18 Dec 2009 12:29:49 +0300
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EXXON MOBILE AND GAS COMPANY LTD 
Official Head Quarters
PLOT 1 - 16 EXXON-MOBIL, WUSE ZONE 2, 
Abuja. West African
--------------------------------------------------------------------------
THE EXXON-MOBIL/COLEGAS COMPANY OFFICIAL PRIZE NOTIFICATION.
You have been selected in the on-going EXXON-MOBILE e-mail award program
Held this Month. We the promotion board is pleased to inform you that, you 
alongside 
four (4) other lucky winners have been approved for a payment of 500,000.00 
USD. (Five Hundred Thousand United States Dollars) In cash. Your verification 
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The only money you have to pay to them is the processing fee of $100 ONLY
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NAME: kelly moore
EMAIL: exxonmobileoil@w.cn
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You are advised to provide him.com
Tel: +234-80-67993372 with your full details for delivery.
NAME
ADDRESS
VALID ID CARD
PHONE NUMBER
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VERIFICTION NUMBER
With Regards,
Online Coordinator
@ Exxon-MobilE Oil Company(c) 2009.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 20:18:10 2009
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Subject: Re: virtual gig spam
From: Kevin Cheli-Colando <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
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I only caught a little bit but I really enjoyed it as well.

Kevin

On Sat, Dec 19, 2009 at 10:04 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Thank you very much Eric, thanks for watching!
>
> j
>
> ----- Original Message -----
> From: E Gross
> To: Loopers-Delight@loopers-delight.com
> Sent: Saturday, December 19, 2009 12:43 PM
> Subject: Re: virtual gig spam
> Hi Jeff I listened in, you were on fire! ;)
>
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: So long for now
From: Miko Biffle <biffoz@gmail.com>
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--0016e64c24a06a36ef047b1abcf6
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Hi Gang,

After years of watching this community grow and change I'm thinking it might
be time to pry my focus away and towards other aspects of my life.  There
are many here I respect and admire and I hope we'll still keep an eye on
each other on FaceBook, where most of my activity resides now.  If you're
not a friend of mine yet, please hit me up! I'd love to see you over there!


All the best,
-- 
Mikko Biffle
http://www.reverbnation.com/biffoz
"Running scared from all the usual distractions!"

--0016e64c24a06a36ef047b1abcf6
Content-Type: text/html; charset=ISO-8859-1
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Hi Gang,<br><br>After years of watching this community grow and change I&#3=
9;m thinking it might be time to pry my focus away and towards other aspect=
s of my life.=A0 There are many here I respect and admire and I hope we&#39=
;ll still keep an eye on each other on FaceBook, where most of my activity =
resides now.=A0 If you&#39;re not a friend of mine yet, please hit me up! I=
&#39;d love to see you over there!=A0 <br>
<br>All the best,<br>-- <br>Mikko Biffle<br><a href=3D"http://www.reverbnat=
ion.com/biffoz">http://www.reverbnation.com/biffoz</a><br>&quot;Running sca=
red from all the usual distractions!&quot;<br>

--0016e64c24a06a36ef047b1abcf6--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 21:12:46 2009
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Subject: Re: So long for now
Date: Sat, 19 Dec 2009 13:12:38 -0800
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Ciao Mikko!

See you over on FB.

Stay in touch.

On Dec 19, 2009, at 12:31 PM, Miko Biffle wrote:

> Hi Gang,
>
> After years of watching this community grow and change I'm thinking  
> it might be time to pry my focus away and towards other aspects of  
> my life.  There are many here I respect and admire and I hope we'll  
> still keep an eye on each other on FaceBook, where most of my  
> activity resides now.  If you're not a friend of mine yet, please  
> hit me up! I'd love to see you over there!
>
> All the best,
> -- 
> Mikko Biffle
> http://www.reverbnation.com/biffoz
> "Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 23:23:13 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <000d01ca80c7$beede770$bff63747@YOUR08D5303051> <933512.57702.qm@web45904.mail.sp1.yahoo.com> <001101ca80d5$bb615cf0$bff63747@YOUR08D5303051> <37f071c00912191218t2d64257eo40520d2ad964f9dc@mail.gmail.com>
Subject: Re: virtual gig spam
Date: Sat, 19 Dec 2009 18:23:13 -0500
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Cool Kevin, glad you dug it. Thanks for coming by!

Jeff





http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://www.livestream.com/jeffdukelive


----- Original Message ----- 
From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, December 19, 2009 3:18 PM
Subject: Re: virtual gig spam


>I only caught a little bit but I really enjoyed it as well.
>
> Kevin
>
> On Sat, Dec 19, 2009 at 10:04 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>> Thank you very much Eric, thanks for watching!
>>
>> j
>>
>> ----- Original Message -----
>> From: E Gross
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Saturday, December 19, 2009 12:43 PM
>> Subject: Re: virtual gig spam
>> Hi Jeff I listened in, you were on fire! ;)
>>
>>
>>
>
>
>
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 19 23:27:21 2009
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Subject: NYC gig spam: Lambic Jones live at Union Hall in Park Slope. Brooklyn.
Date: Sat, 19 Dec 2009 17:24:51 -0500
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--Apple-Mail-17--513549751
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HI, everyone

we're looking forward to playing at Union Hall in Park Slope on Sunday  
December 20th at 8 pm. We'll be doing one show in the downstairs  
performance space, and then our friends the Marvin Barnes Time Machine  
will do their  psychedelic set. Come to think of it, we'll probably be  
pretty psychedelic ourselves...

Union Hall is located on Union Street at 5th avenue http://unionhallny.com/home.php

Lambic Jones is Lambic (Paul Sullivan-guitar and Stephen Moses-drums  
and trombone) plus the legendary Percy Jones on bass.

We've just released the latest video of Lambic Jones at the Tea Lounge  
in Park Slope on September 25th. This is the third segment of a 3 part  
tune, if you watch them in sequence. Here they are, all in order:
http://www.youtube.com/watch?v=bMy5No89nw8
http://www.youtube.com/watch?v=aDjVabk03aA
http://www.youtube.com/watch?v=VXd72VcdknY (the new one)

Hope to see you there, and Happy Holidays from Lambic Jones!

http://www.myspace.com/lambic


--Apple-Mail-17--513549751
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">HI, =
everyone<div><br></div><div>we're looking forward to playing =
at&nbsp;Union Hall in Park Slope on Sunday December 20th at 8 pm. We'll =
be doing one show&nbsp;in the downstairs performance space, and then our =
friends the Marvin Barnes Time Machine&nbsp;will do their =
&nbsp;psychedelic set. Come to think of it, we'll probably be pretty =
psychedelic ourselves... &nbsp;</div><div><br></div><div>Union Hall is =
located on Union Street at 5th avenue&nbsp;<a =
href=3D"http://unionhallny.com/home.php">http://unionhallny.com/home.php</=
a>&nbsp;&nbsp;</div><div><br></div><div>Lambic Jones is Lambic (Paul =
Sullivan-guitar and Stephen Moses-drums and trombone) plus the legendary =
Percy Jones on bass.</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'lucida grande', =
tahoma, verdana, arial, sans-serif; color: rgb(128, 128, 128); =
font-size: 11px; "><h3 class=3D"GenericStory_Message" =
data-ft=3D"{&quot;type&quot;:&quot;msg&quot;}" style=3D"font-size: 13px =
!important; color: rgb(51, 51, 51); margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; =
overflow-x: hidden; overflow-y: hidden; ">We've just released the latest =
video of Lambic Jones at the Tea Lounge in Park Slope on September 25th. =
This is the third segment of a 3 part tune, if you watch them in =
sequence. Here they are, all in order:&nbsp;<br><a =
href=3D"http://www.youtube.com/watch?v=3DbMy5No89nw8" target=3D"_blank" =
rel=3D"nofollow" onmousedown=3D"UntrustedLink.bootstrap($(this), =
&quot;c79e8c52bc655c73265f41fbd0c859aa&quot;, event)" style=3D"cursor: =
pointer; color: rgb(59, 89, 152); text-decoration: none; =
"><span>http://www.youtube.com/watch?v=3DbMy5No89n</span><wbr><span =
class=3D"word_break" style=3D"display: block; float: left; margin-left: =
-10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; =
padding-left: 0px; "></span>w8</a><br><a =
href=3D"http://www.youtube.com/watch?v=3DaDjVabk03aA" target=3D"_blank" =
rel=3D"nofollow" onmousedown=3D"UntrustedLink.bootstrap($(this), =
&quot;c79e8c52bc655c73265f41fbd0c859aa&quot;, event)" style=3D"cursor: =
pointer; color: rgb(59, 89, 152); text-decoration: none; =
"><span>http://www.youtube.com/watch?v=3DaDjVabk03</span><wbr><span =
class=3D"word_break" style=3D"display: block; float: left; margin-left: =
-10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; =
padding-left: 0px; "></span>aA</a><br><a =
href=3D"http://www.youtube.com/watch?v=3DVXd72VcdknY" target=3D"_blank" =
rel=3D"nofollow" onmousedown=3D"UntrustedLink.bootstrap($(this), =
&quot;c79e8c52bc655c73265f41fbd0c859aa&quot;, event)" style=3D"cursor: =
pointer; color: rgb(59, 89, 152); text-decoration: none; =
"><span>http://www.youtube.com/watch?v=3DVXd72Vcdk</span><wbr><span =
class=3D"word_break" style=3D"display: block; float: left; margin-left: =
-10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; =
padding-left: 0px; "></span>nY</a>&nbsp;(the new =
one)</h3><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
">Hope to see you there, and Happy Holidays from Lambic Jones! =
&nbsp;</span></div><div><font class=3D"Apple-style-span" color=3D"#000000"=
 face=3D"Helvetica, tahoma, verdana, arial, sans-serif"><span =
class=3D"Apple-style-span" style=3D"font-size: medium; =
"><br></span></font></div><div><font class=3D"Apple-style-span" =
color=3D"#000000" face=3D"Helvetica, tahoma, verdana, arial, =
sans-serif"><span class=3D"Apple-style-span" style=3D"font-size: medium; =
"><a =
href=3D"http://www.myspace.com/lambic">http://www.myspace.com/lambic</a></=
span></font></div><font class=3D"Apple-style-span" face=3D"Helvetica, =
tahoma, verdana, arial, sans-serif"><span class=3D"Apple-style-span" =
style=3D"font-size: =
medium;"><br></span></font></span></div></body></html>=

--Apple-Mail-17--513549751--

From n_senate@yahoo.com.hk  Sun Dec 20 06:40:39 2009
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From: "THE SENATE HOUSE"<n_senate@yahoo.com.hk>
Subject: THE SENATE HOUSE
Date: Fri, 4 Jan 1980 09:40:01 -0000
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OFFICE OF THE SENATE HOUSE
FEDERAL REPUBLIC OF NIGERIA
COMMITTEE ON FOREIGN PAYMENT
(RESOLUTION PANEL ON CONTRACT PAYMENT)
IKOYI-LAGOS NIGERIA
Our Ref: FGN /SNT/STB

Your Ref. Dear Beneficiary.

Congratulations as we Bring to your Notice,The Office of the Senate House of
Assembly Has chosen you By the board of Trustees as One of The final
Tecipients Of This fiscal year 2009 promotion cash grant/Donation. To celebrate the 9th
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lucky recipients,as Year 2009 promotion from the W.H.O,UN, and the EU in accordance with the enabling act of Parliament. To file for your claim you are to fill out below
information and send it to the Payment Remitance Office Via their email
contact address bellow:

Full Name___________________
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Country_____________________
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Age_________________________
A copy of your International Passport or drivers license.

Winning Batch No:W-342-8876,U-500-32)

Payment Remittance Contact Mr.Peter Norman

E-mail:nigeria.payunitcbn.cbn@gmail.com

Tel: +2347025030318

ALSO FOR YOUR INFORMATION,YOU HAVE TO STOP ANY FURTHER COMMUNICATION WITH ANY
OTHER PERSON(S) OR OFFICE(S) TO AVOID ANY HITCHES IN RECEIVING YOUR PAYMENT.
FOR ORAL DISCUSSION.

From office@cpproductions-usa.com  Sun Dec 20 06:57:41 2009
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From: "JB Trading UK"<office@cpproductions-usa.com>
Subject: [SPAM] (8) - Nokia Series N73 N93 N95 N96 N85.E71 E66 E90 N97 N95 FOR = $350 USD
Date: Sat, 19 Dec 2009 12:46:53 +0200
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From Loopers-Delight-request@loopers-delight.com  Sun Dec 20 12:13:46 2009
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References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com>
Subject: More virtual gig spam - Solstice Soundings 20-21 December Live on Ustream.tv
Date: Sun, 20 Dec 2009 12:13:55 -0000
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Hello dear Loopists,
Bothering you for probably the last time this year with another one of my 
webgigs. This tie a 24 hour special to celebrtate the Winter Solstice. There 
will probably be quite a lot of looping involved, though it wont be all 
looped stuff.
It would be great if some of you could drop by to watch/listen/say hello.
Best wishes to you all,
Steve
www.stevemoyes.org.uk

Solstice Soundings

20th-21st December 2009
Starts: Sunday 20 December at 18:00 GMT
Ends: Monday 21 December at 18:00 GMT

Starts 6:00pm UK time on Sunday 20th December. International times here: 
http://bit.ly/6K3k9p
I will be playing live improvised music for 24 hours to celebrate the Winter 
Solstice.

Expect guitars, cello, xaphoon, sundry unspecified instruments, some very 
long loops and numerous cups of tea.

To watch live go to:
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain



From magenik@risingdev.com  Sun Dec 20 12:30:17 2009
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To: looparc@loopers-delight.com
Subject: Urgent Enquiry
From: Mallam Nasir el-Rufai <alatimi@voila.fr>
Reply-To: timiala@voila.fr
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Date: Fri, 18 Dec 2009 18:38:10 +0100

Dear Sir,
I apologize for intruding into your privacy. It is due to the dire situation that I am facing.

My name is Mallam Nasir el-Rufai, the former Minister of the Federal Capital Territory (FCT-Abuja, Nigeria) during the government of President Olusegun Obasanjo, which handed over to the Yar` Adua government (current) in 2007. 

I have some money I want you to receive, invest and manage for me in safety and confidentiality till my situation is resolved. Your gender and occupation does not matter.
And you don’t have any reason to fear and worry on your side. I deposited the fund in my name, by myself and for myself. The fund is free from drugs, terrorism, or money laundering. 
The amount is US$16Million (Sixteen Million United States Dollars), which I quietly deposited cash (in the vault) with a private security and vaults company. 
I will disclose the location and more information to you as soon as you indicate your readiness to assist. 

As you know, it would require me to issue a power of attorney in your favor to put you in the legal position to retrieve and manage the fund on my behalf. 

So send me the following items urgently:
1. Your full name and address
2. Your cell phone number
3. The picture page of your international passport. 

Those are the items I need to issue the Power of attorney to empower the security company to release my deposit (US$16M) to you immediately. 
You would keep 10% of the US$16Million as your compensation, and another 5% to compensate for your expenses. I may require you to invest and manage the remaining 85% for me till the near future, to enable me sustain my family on the profit from such investment. 
 
Having said that, I hope you would not turn against me as soon as this deposit is released to you. This has been giving me lots of worries and concern. This is because this US$16M is all I have for my family. 

The current Government framed and accused me of corruption and mismanagement of over US$300M (Three Hundred Million U.S. dollars) being proceeds from the sales of Government properties in the Federal capital territory, Abuja, in accordance to the governments monetization policy during my time as a minister. 

They are doing this because when I was the minister, I stepped on some powerful toes by revoking their illegally acquired land titles, and I demolished the illegal structures they built in contravention of the Abuja master plan. Unfortunately for me, their political camp won the last presidential election and they are in strategic positions now. So they are using their positions to torment me. 

Please read the following article: http://odili.net/news/source/2009/jul/20/610.html
The Government has frozen all my accounts in Nigeria and seized all my properties since I left the country. 
I was initially staying in the USA but later decided to relocate to UK where I am staying now. United Kingdom has no extradition treaty with Nigeria and British government knows that the charges are politically motivated and has therefore accommodated and supported me here as a political refugee. 

Please call me or email me urgently. at: timiala@voila.fr

Yours sincerely,
Mallam Nasir el-Rufai
Cell: +44 703 188 3994




From Loopers-Delight-request@loopers-delight.com  Sun Dec 20 13:04:46 2009
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Subject: Re: More virtual gig spam - Solstice Soundings 20-21 December Live on Ustream.tv
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Solstice is at 17:47 GMT Monday so color me there!  I think I'll do a show 
of my own following yours, on the 21st in the evening, full of mulled wine. 
Uh, 11pm?  Perhaps I'll do Livestream this time instead of ustream...

--------------------------------------------------
From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
Sent: Sunday, December 20, 2009 12:13 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: More virtual gig spam - Solstice Soundings 20-21 December Live on 
Ustream.tv

> Hello dear Loopists,
> Bothering you for probably the last time this year with another one of my 
> webgigs. This tie a 24 hour special to celebrtate the Winter Solstice. 
> There will probably be quite a lot of looping involved, though it wont be 
> all looped stuff.
> It would be great if some of you could drop by to watch/listen/say hello.
> Best wishes to you all,
> Steve
> www.stevemoyes.org.uk
>
> Solstice Soundings
>
> 20th-21st December 2009
> Starts: Sunday 20 December at 18:00 GMT
> Ends: Monday 21 December at 18:00 GMT
>
> Starts 6:00pm UK time on Sunday 20th December. International times here: 
> http://bit.ly/6K3k9p
> I will be playing live improvised music for 24 hours to celebrate the 
> Winter Solstice.
>
> Expect guitars, cello, xaphoon, sundry unspecified instruments, some very 
> long loops and numerous cups of tea.
>
> To watch live go to:
> http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Dec 20 14:12:09 2009
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Subject: Re: So long for now
From: Warren Sirota <wsirota@wsdesigns.com>
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--0016367d60b0d280b2047b298e71
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Bye, Mikko. I will miss your contributions.

On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Ciao Mikko!
>
> See you over on FB.
>
> Stay in touch.
>
> On Dec 19, 2009, at 12:31 PM, Miko Biffle wrote:
>
>  Hi Gang,
>>
>> After years of watching this community grow and change I'm thinking it
>> might be time to pry my focus away and towards other aspects of my life.
>>  There are many here I respect and admire and I hope we'll still keep an=
 eye
>> on each other on FaceBook, where most of my activity resides now.  If yo=
u're
>> not a friend of mine yet, please hit me up! I'd love to see you over the=
re!
>>
>> All the best,
>> --
>> Mikko Biffle
>> http://www.reverbnation.com/biffoz
>> "Running scared from all the usual distractions!"
>>
>
>


--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016367d60b0d280b2047b298e71
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Bye, Mikko. I will miss your contributions.<br><br><div class=3D"gmail_quot=
e">On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<=
a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Ciao Mikko!<br>
<br>
See you over on FB.<br>
<br>
Stay in touch.<br>
<br>
On Dec 19, 2009, at 12:31 PM, Miko Biffle wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi Gang,<br>
<br>
After years of watching this community grow and change I&#39;m thinking it =
might be time to pry my focus away and towards other aspects of my life. =
=A0There are many here I respect and admire and I hope we&#39;ll still keep=
 an eye on each other on FaceBook, where most of my activity resides now. =
=A0If you&#39;re not a friend of mine yet, please hit me up! I&#39;d love t=
o see you over there!<br>

<br>
All the best,<br>
-- <br>
Mikko Biffle<br>
<a href=3D"http://www.reverbnation.com/biffoz" target=3D"_blank">http://www=
.reverbnation.com/biffoz</a><br>
&quot;Running scared from all the usual distractions!&quot;<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--0016367d60b0d280b2047b298e71--

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	 <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com>
Date: Sun, 20 Dec 2009 08:39:53 -0800
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Subject: Re: So long for now
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502c6c956a400047b2b9f82
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Peace.

On Sun, Dec 20, 2009 at 6:12 AM, Warren Sirota <wsirota@wsdesigns.com>wrote=
:

> Bye, Mikko. I will miss your contributions.
>
>
> On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn <tedkillian@charter.net>=
wrote:
>
>> Ciao Mikko!
>>
>> See you over on FB.
>>
>> Stay in touch.
>>
>> On Dec 19, 2009, at 12:31 PM, Miko Biffle wrote:
>>
>> Hi Gang,
>>>
>>> After years of watching this community grow and change I'm thinking it
>>> might be time to pry my focus away and towards other aspects of my life=
.
>>>  There are many here I respect and admire and I hope we'll still keep a=
n eye
>>> on each other on FaceBook, where most of my activity resides now.  If y=
ou're
>>> not a friend of mine yet, please hit me up! I'd love to see you over th=
ere!
>>>
>>> All the best,
>>> --
>>> Mikko Biffle
>>> http://www.reverbnation.com/biffoz
>>> "Running scared from all the usual distractions!"
>>>
>>
>>
>
>
> --
> Warren
> http://www.warrensirota.com
> NEW CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota
>

--00504502c6c956a400047b2b9f82
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Peace.<br><br>
<div class=3D"gmail_quote">On Sun, Dec 20, 2009 at 6:12 AM, Warren Sirota <=
span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsirota@wsdes=
igns.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Bye, Mikko. I will miss your con=
tributions.=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net" target=3D"=
_blank">tedkillian@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">Ciao Mikko!<br><br>S=
ee you over on FB.<br><br>Stay in touch.<br><br>On Dec 19, 2009, at 12:31 P=
M, Miko Biffle wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">Hi Gang,<br><br>Afte=
r years of watching this community grow and change I&#39;m thinking it migh=
t be time to pry my focus away and towards other aspects of my life. =A0The=
re are many here I respect and admire and I hope we&#39;ll still keep an ey=
e on each other on FaceBook, where most of my activity resides now. =A0If y=
ou&#39;re not a friend of mine yet, please hit me up! I&#39;d love to see y=
ou over there!<br>
<br>All the best,<br>-- <br>Mikko Biffle<br><a href=3D"http://www.reverbnat=
ion.com/biffoz" target=3D"_blank">http://www.reverbnation.com/biffoz</a><br=
>&quot;Running scared from all the usual distractions!&quot;<br></blockquot=
e>
<br></blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D=
"#888888">-- <br>Warren<br><a href=3D"http://www.warrensirota.com/" target=
=3D"_blank">http://www.warrensirota.com</a><br>NEW CD: Loops, Live &amp; Ot=
w<br>
<a href=3D"http://www.cdbaby.com/cd/warrensirota" target=3D"_blank">http://=
www.cdbaby.com/cd/warrensirota</a><br></font></blockquote></div><br>

--00504502c6c956a400047b2b9f82--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 20 17:39:26 2009
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Date: Sun, 20 Dec 2009 12:38:57 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #663 for December 17, 2009.
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http://wdiy.org/programs/gt/playlists/2009/091217.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #663                December 17, 2009.

RECAP:
On this show, I continued the month-long focus on Indra.  The Featured
CD at Midnight was Tripura Sundari, CD 3 of the Special Edition Tantric
Celebration series.

Indra: http://wdiy.org/programs/gt/playlists/2009/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Bruno Sanfilippo     Piano Textures2 I    Piano Textures 2 (ad21)
['ramp]              wreckage             debris (doombient)
['ramp]              piees                debris (doombient)
['ramp]              debris               debris (doombient)
Cosmic Hoffmann      Spacewards           Outerspace Gems (Manikin)
Hot Buttered Elves   Cosmic Santa Time    2012: Planet X-mas (Tape Hiss)
Hamilton Sterling    City of Water *      Migration (Helikon Sound)
  and Jimmy Haslip

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Indra                Elixir               Tripura Sundari (Eagle)
Indra                Link To the Hidden   Chinnamasta (Eagle)
                       Blue

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Indra.  The Featured CD at Midnight will be Bhuvaneshvari, CD 4 of the
Special Edition Tantric Celebration series.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sun Dec 20 18:52:21 2009
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	 <bb8d51cd0912200839j75ffc96co5ef57e6ae40cd7f4@mail.gmail.com>
Date: Sun, 20 Dec 2009 19:52:18 +0100
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Subject: Re: So long for now
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d5667ae6803d047b2d78a8
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... meet you there, mikko.

2009/12/20 Michael Billow <mbillow@gmail.com>

> Peace.
>
>
> On Sun, Dec 20, 2009 at 6:12 AM, Warren Sirota <wsirota@wsdesigns.com>wro=
te:
>
>> Bye, Mikko. I will miss your contributions.
>>
>>
>> On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn <tedkillian@charter.net=
>wrote:
>>
>>> Ciao Mikko!
>>>
>>> See you over on FB.
>>>
>>> Stay in touch.
>>>
>>> On Dec 19, 2009, at 12:31 PM, Miko Biffle wrote:
>>>
>>> Hi Gang,
>>>>
>>>> After years of watching this community grow and change I'm thinking it
>>>> might be time to pry my focus away and towards other aspects of my lif=
e.
>>>>  There are many here I respect and admire and I hope we'll still keep =
an eye
>>>> on each other on FaceBook, where most of my activity resides now.  If =
you're
>>>> not a friend of mine yet, please hit me up! I'd love to see you over t=
here!
>>>>
>>>> All the best,
>>>> --
>>>> Mikko Biffle
>>>> http://www.reverbnation.com/biffoz
>>>> "Running scared from all the usual distractions!"
>>>>
>>>
>>>
>>
>>
>> --
>> Warren
>> http://www.warrensirota.com
>> NEW CD: Loops, Live & Otw
>> http://www.cdbaby.com/cd/warrensirota
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d5667ae6803d047b2d78a8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

... meet you there, mikko.<br><br><div class=3D"gmail_quote">2009/12/20 Mic=
hael Billow <span dir=3D"ltr">&lt;<a href=3D"mailto:mbillow@gmail.com">mbil=
low@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
Peace.<div><div></div><div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Sun, Dec 20, 2009 at 6:12 AM, Warren Sirota <=
span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com" target=3D"_bl=
ank">wsirota@wsdesigns.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;">Bye, Mikko. I wil=
l miss your contributions.=20
<div>
<div></div>
<div><br><br>
<div class=3D"gmail_quote">On Sat, Dec 19, 2009 at 4:12 PM, tEd =AE KiLLiAn=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net" target=3D"=
_blank">tedkillian@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Ciao Mikko!<br><b=
r>See you over on FB.<br><br>Stay in touch.<br><br>On Dec 19, 2009, at 12:3=
1 PM, Miko Biffle wrote:<br>

<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi Gang,<br><br>A=
fter years of watching this community grow and change I&#39;m thinking it m=
ight be time to pry my focus away and towards other aspects of my life. =A0=
There are many here I respect and admire and I hope we&#39;ll still keep an=
 eye on each other on FaceBook, where most of my activity resides now. =A0I=
f you&#39;re not a friend of mine yet, please hit me up! I&#39;d love to se=
e you over there!<br>

<br>All the best,<br>-- <br>Mikko Biffle<br><a href=3D"http://www.reverbnat=
ion.com/biffoz" target=3D"_blank">http://www.reverbnation.com/biffoz</a><br=
>&quot;Running scared from all the usual distractions!&quot;<br></blockquot=
e>

<br></blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D=
"#888888">-- <br>Warren<br><a href=3D"http://www.warrensirota.com/" target=
=3D"_blank">http://www.warrensirota.com</a><br>NEW CD: Loops, Live &amp; Ot=
w<br>

<a href=3D"http://www.cdbaby.com/cd/warrensirota" target=3D"_blank">http://=
www.cdbaby.com/cd/warrensirota</a><br></font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell=
 at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.b=
logspot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collecti=
ve.com">http://www.ct-collective.com</a><br>
<br>

--0016e6d5667ae6803d047b2d78a8--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 01:48:54 2009
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Date: Sun, 20 Dec 2009 20:48:51 -0500
Message-ID: <9e0440a60912201748s167b4aabh7c1b442e1398074f@mail.gmail.com>
Subject: Steve Moyes LIVE right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--00151747365295c5b5047b334aa5
Content-Type: text/plain; charset=ISO-8859-1

Reminder that our colleague Steve Moyes is doing a 24 hour celebratory live
ustream broadcast currently in progress.  His cast began earlier today and
runs through sometime tomorrow, I'm sorry I don't know the exact times but
it's pretty monumental undertaking in celebration of the Winter Solstice.
You can support him at
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain right
now!

Go Steve Go...


Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747365295c5b5047b334aa5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Reminder that our colleague Steve Moyes is doing a 24 hour celebratory live=
 ustream broadcast currently in progress.=A0 His cast began earlier today a=
nd runs through sometime tomorrow, I&#39;m sorry I don&#39;t know the exact=
 times but it&#39;s pretty monumental undertaking in celebration of the Win=
ter Solstice.=A0 You can support him at <a href=3D"http://www.ustream.tv/ch=
annel/Soundings-From-Behind-The-Net-Curtain">http://www.ustream.tv/channel/=
Soundings-From-Behind-The-Net-Curtain</a> right now!<br>
<br>Go Steve Go...<br><br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an int=
rospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www=
.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jim=
goodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00151747365295c5b5047b334aa5--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 01:53:02 2009
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Subject: Moyes uStream update info
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0015174795666aac5a047b335954
Content-Type: text/plain; charset=ISO-8859-1

I was just told that he began 8 hrs ago @12noon EST and finishes 12noon EST
tomorrow...

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174795666aac5a047b335954
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I was just told that he began 8 hrs ago @12noon EST and finishes 12noon EST=
 tomorrow...<br clear=3D"all"><br>-- <br>ReUse, an introspective textural a=
ural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse<=
/a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0015174795666aac5a047b335954--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 03:10:13 2009
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Subject: FCB1010 vs Gordius Little Giant
From: Kenn Lowy <kennlowy@me.com>
In-reply-to: <20091220185222.908093BE88@arsenic.violacea.com>
Date: Sun, 20 Dec 2009 22:10:01 -0500
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I have an FCB1010 and it's great. The problem is that now that I have both an EDP and LP1,  I've outgrown the 1010. I'm wondering if anyone has owned both and can tell me the ups and downs (if any) to the Gordius.

Thanks,

klowy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 03:22:24 2009
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Subject: Re: FCB1010 vs Gordius Little Giant
From: Reyn Ouwehand <loopers-delight@reyn.net>
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No downs...=20

Cheers,

Reyn

www.reyn.net

On Dec 21, 2009, at 4:10 AM, Kenn Lowy wrote:

> I have an FCB1010 and it's great. The problem is that now that I have =
both an EDP and LP1,  I've outgrown the 1010. I'm wondering if anyone =
has owned both and can tell me the ups and downs (if any) to the =
Gordius.
>=20
> Thanks,
>=20
> klowy
>=20
>=20

From premio.bsf1@terra.es  Mon Dec 21 03:31:12 2009
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From: "Santander Foundation."<premio.bsf1@terra.es>
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Date: Mon, 21 Dec 2009 04:25:10 +0100
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To: undisclosed-recipients:;

We like to notify you on the result of the Banco Santander Foundation end of year promotion, your email addresses as won 920.000 Euros.. Please contact our claimservice department for further enquiries,


Mr. Paco Brown

Email: eurobotes12@aol.com

Tel: +34 672 938 641



Your Sincerely,

Edith Ramos

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 03:52:13 2009
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Hi and happy holidays to everyone!

I recently picked up an Ibanez img2010 and mc1 controller. The seller 
included the ifc60 foot controller but didn't have the cable for it 
and it seems like a special little thing. Anyone know where I might 
find one? It's about the size of a midi cable but has 6 pins. I'm 
also on the lookout for a spare 24 pin cable

thanks,

Paul Haslem
www.dulcify.ca
Ontario, Canada

From premio.bsf1@terra.es  Mon Dec 21 04:30:25 2009
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To: undisclosed-recipients:;

We like to notify you on the result of the Banco Santander Foundation end of year promotion, your email addresses as won 920.000 Euros.. Please contact our claimservice department for further enquiries,


Mr. Paco Brown

Email: eurobotes12@aol.com

Tel: +34 672 938 641



Your Sincerely,

Edith Ramos

From info@loteriadecatalunya.org  Mon Dec 21 06:32:26 2009
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Date: Sun, 20 Dec 2009 23:24:23 -0700 (MST)
Subject: Award Numbers: DRF/49226- 041-754
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Dear Valued Winner,

Congratulation, your email address has won you the sum &#8364;1,500,000.00
on the online raffle draw organized by the Lotocatalunya international
some couple of hours ago.The LOTOCATALUNYA INTERNATIONAL has forwarded
your winning particulers and the certified draft to our associate courier
company(Air Logistics Limited) for delivery. But you are required to
provide the confirmation of the following to the admin department:.

-Name:
-Full contact Address:
-Country:
-Mobile Phone Number

The Air Logistics Limited would courier the withdrawers code
card(UNIVERSAL ATM CARD), along side with a certified Bank draft to your
home address.
It is important to note that your award information was released with the
following particulars attached to it.

(I) Award Numbers: DRF/49226- 041-754-64-291,
(ii) Email ticket number: UK596/02/89
(iii) BATCH NUMBER: 03/801/7ZKJ/ES
(iv) The File REFERENCE NUMBER:: UK/1946/26/26
(v)  Activation Code: K4001PV2007RD441000
Additional Fee:             Zero
Total Amount:             &#8364;1,500,000.00
Currency:                    &#8364;
Interest:                        Zero (0.0%).
Contact Email:           imfa30@yahoo.com.hk

http://www.lotocatalunya.net/jsps/cat/portadaa.jsp ( Please glance through
the website)

Please contact our foreign affairs department with the above information
within 5 working days to facilitate and forward your withdrawer&#8217;s
code to the Air Logistics Limited for delivery.

As soon as this information is received, your payment will be courier to
your designated home address.

Your urgent attention to this matter is highly important.

Yours truly,

701 116 4266 direct line
701 016 2666      fax
704 573 6846 cell

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 09:03:29 2009
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Date: Mon, 21 Dec 2009 09:03:28 +0000
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You lucky sod - let us know how you get on with it.=20

happy solstice to all too..

peace

G

> Date: Sun=2C 20 Dec 2009 22:52:05 -0500
> To: Loopers-Delight@loopers-delight.com
> From: phaslem@wightman.ca
> Subject: information please?
>=20
> Hi and happy holidays to everyone!
>=20
> I recently picked up an Ibanez img2010 and mc1 controller. The seller=20
> included the ifc60 foot controller but didn't have the cable for it=20
> and it seems like a special little thing. Anyone know where I might=20
> find one? It's about the size of a midi cable but has 6 pins. I'm=20
> also on the lookout for a spare 24 pin cable
>=20
> thanks=2C
>=20
> Paul Haslem
> www.dulcify.ca
> Ontario=2C Canada
>=20
 		 	   		 =20
_________________________________________________________________
Add your Gmail and Yahoo! Mail email accounts into Hotmail - it's easy
http://clk.atdmt.com/UKM/go/186394592/direct/01/=

--_97e79bc6-8bc9-4a8e-a64f-1e94dce40ec7_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
You lucky sod - let us know how you get on with it. <br><br>happy solstice =
to all too..<br><br>peace<br><br>G<br><br>&gt=3B Date: Sun=2C 20 Dec 2009 2=
2:52:05 -0500<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B F=
rom: phaslem@wightman.ca<br>&gt=3B Subject: information please?<br>&gt=3B <=
br>&gt=3B Hi and happy holidays to everyone!<br>&gt=3B <br>&gt=3B I recentl=
y picked up an Ibanez img2010 and mc1 controller. The seller <br>&gt=3B inc=
luded the ifc60 foot controller but didn't have the cable for it <br>&gt=3B=
 and it seems like a special little thing. Anyone know where I might <br>&g=
t=3B find one? It's about the size of a midi cable but has 6 pins. I'm <br>=
&gt=3B also on the lookout for a spare 24 pin cable<br>&gt=3B <br>&gt=3B th=
anks=2C<br>&gt=3B <br>&gt=3B Paul Haslem<br>&gt=3B www.dulcify.ca<br>&gt=3B=
 Ontario=2C Canada<br>&gt=3B <br> 		 	   		  <br /><hr />Have more than one=
 Hotmail account? <a href=3D' http://clk.atdmt.com/UKM/go/186394591/direct/=
01/' target=3D'_new'>Link them together to easily access both.</a></body>
</html>=

--_97e79bc6-8bc9-4a8e-a64f-1e94dce40ec7_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 09:58:19 2009
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	 <9954699A-3870-4057-B299-353F5BF812FA@me.com>
Date: Mon, 21 Dec 2009 10:58:17 +0100
Message-ID: <e89a49d30912210158u73db1f00u3795ec62d88c11da@mail.gmail.com>
Subject: Re: FCB1010 vs Gordius Little Giant
From: Sjaak Overgaauw <tcplugin@gmail.com>
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I use a Gordius to control an LP1 and several software loopers on
different midi channels, works really good.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 10:00:10 2009
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	 <9954699A-3870-4057-B299-353F5BF812FA@me.com>
Date: Mon, 21 Dec 2009 11:00:10 +0100
Message-ID: <66f9cc1e0912210200v7246c81an8e2951e3db2037a9@mail.gmail.com>
Subject: Re: FCB1010 vs Gordius Little Giant
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd60960a39e03047b3a27a4
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The Gordius seems great. The only thing I can think of that is "better" with
the Behringer is that you can pick up a new one anywhere. I'm on my third
Behringer now and they tend to last almost exactly three years. I've never
been close to a store offering a Gordious when on those Behringer
crapping-out occasions, so that may be the main reason I don't have a
Gordius ;-)  I would guess a Gourdious lasts far longer than three years,
but that's just my educated guess.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Mon, Dec 21, 2009 at 4:10 AM, Kenn Lowy <kennlowy@me.com> wrote:

> I have an FCB1010 and it's great. The problem is that now that I have both
> an EDP and LP1,  I've outgrown the 1010. I'm wondering if anyone has owned
> both and can tell me the ups and downs (if any) to the Gordius.
>

--000e0cd60960a39e03047b3a27a4
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

The Gordius seems great. The only thing I can think of that is &quot;better=
&quot; with the Behringer is that you can pick up a new one anywhere. I&#39=
;m on my third Behringer now and they tend to last almost exactly three yea=
rs. I&#39;ve never been close to a store offering a Gordious when on those =
Behringer crapping-out occasions, so that may be the main reason I don&#39;=
t have a Gordius ;-)=C2=A0 I would guess a Gourdious lasts far longer than =
three years, but that&#39;s just my educated guess. <br>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br>
<br><br><div class=3D"gmail_quote">On Mon, Dec 21, 2009 at 4:10 AM, Kenn Lo=
wy <span dir=3D"ltr">&lt;<a href=3D"mailto:kennlowy@me.com">kennlowy@me.com=
</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border=
-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-lef=
t: 1ex;">
<div id=3D":6h" class=3D"ii gt">I have an FCB1010 and it&#39;s great. The p=
roblem is that now that I have both an EDP and LP1, =C2=A0I&#39;ve outgrown=
 the 1010. I&#39;m wondering if anyone has owned both and can tell me the u=
ps and downs (if any) to the Gordius.</div>
</blockquote></div><br>

--000e0cd60960a39e03047b3a27a4--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 10:13:44 2009
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Date: Mon, 21 Dec 2009 11:13:23 +0100
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--00151747673217cc8d047b3a589c
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The SIZE seems to be the other general gripe of the fcb1010... 2 footpedals
too long ... if you dont use them, like me...

 Personally ive never had one "crapping out", yes still on my first Per..
but im sure yours gets more use than mine...

Basically if the functionallity is ther for you, I would still go for the
FCB.. but that because Im a cheapskate (broke) and 3 fcbs is still better
than a little gordius.. i think..

However the lack of multiple midi channels per function is a idiotic waste
of a huge pedal, and if it doesn have the functionality you need to =B4botk
EDP and LP1 then, i guess its snot an option anyway..

Mark



On Mon, Dec 21, 2009 at 11:00 AM, Per Boysen <perboysen@gmail.com> wrote:

> The Gordius seems great. The only thing I can think of that is "better"
> with the Behringer is that you can pick up a new one anywhere. I'm on my
> third Behringer now and they tend to last almost exactly three years. I'v=
e
> never been close to a store offering a Gordious when on those Behringer
> crapping-out occasions, so that may be the main reason I don't have a
> Gordius ;-)  I would guess a Gourdious lasts far longer than three years,
> but that's just my educated guess.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
> On Mon, Dec 21, 2009 at 4:10 AM, Kenn Lowy <kennlowy@me.com> wrote:
>
>> I have an FCB1010 and it's great. The problem is that now that I have bo=
th
>> an EDP and LP1,  I've outgrown the 1010. I'm wondering if anyone has own=
ed
>> both and can tell me the ups and downs (if any) to the Gordius.
>>
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00151747673217cc8d047b3a589c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The SIZE seems to be the other general gripe of the fcb1010... 2 footpedals=
 too long ... if you dont use them, like me...<br><br>=A0Personally ive nev=
er had one &quot;crapping out&quot;, yes still on my first Per.. but im sur=
e yours gets more use than mine...<br>

<br>Basically if the functionallity is ther for you, I would still go for t=
he FCB.. but that because Im a cheapskate (broke) and 3 fcbs is still bette=
r than a little gordius.. i think..<br><br>However the lack of multiple mid=
i channels per function is a idiotic waste of a huge pedal, and if it doesn=
 have the functionality you need to =B4botk EDP and LP1 then, i guess its s=
not an option anyway.. <br>

<br>Mark <br><br><br><br><div class=3D"gmail_quote">On Mon, Dec 21, 2009 at=
 11:00 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gma=
il.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">

The Gordius seems great. The only thing I can think of that is &quot;better=
&quot; with the Behringer is that you can pick up a new one anywhere. I&#39=
;m on my third Behringer now and they tend to last almost exactly three yea=
rs. I&#39;ve never been close to a store offering a Gordious when on those =
Behringer crapping-out occasions, so that may be the main reason I don&#39;=
t have a Gordius ;-)=A0 I would guess a Gourdious lasts far longer than thr=
ee years, but that&#39;s just my educated guess. <br>


<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se" target=3D"_blank">www.boysen.se</a><br><a href=3D"http:=
//www.perboysen.com" target=3D"_blank">www.perboysen.com</a><br>
<br><br><div class=3D"gmail_quote">On Mon, Dec 21, 2009 at 4:10 AM, Kenn Lo=
wy <span dir=3D"ltr">&lt;<a href=3D"mailto:kennlowy@me.com" target=3D"_blan=
k">kennlowy@me.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">


<div>I have an FCB1010 and it&#39;s great. The problem is that now that I h=
ave both an EDP and LP1, =A0I&#39;ve outgrown the 1010. I&#39;m wondering i=
f anyone has owned both and can tell me the ups and downs (if any) to the G=
ordius.</div>


</blockquote></div><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00151747673217cc8d047b3a589c--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 13:31:22 2009
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References: <4B0347E3.4020605@nonwrestler.com>
	 <61ddf5040912062319s62ae6eefw76c99e81d3ed7231@mail.gmail.com>
	 <61ddf5040912080006v4235af4q9241d6a3381977e0@mail.gmail.com>
	 <4B2C1625.5010809@nonwrestler.com> <4B2F1585.1080908@audiomulch.com>
Date: Mon, 21 Dec 2009 14:31:19 +0100
Message-ID: <afb941d0912210531l702f946aj8e4a0bd0c4f21212@mail.gmail.com>
Subject: Fwd: [mulch] Interview with Erdem - and do you have any of your own 
	questions?
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6dab70ccb5e5d047b3d1aeb
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---------- Forwarded message ----------
From: Katharine Neil <katharine@audiomulch.com>
Date: 2009/12/21
Subject: [mulch] Interview with Erdem - and do you have any of your own
questions?
To: mulch-discuss@yahoogroups.com


Hey everyone,

We've just published an interview we did with Erdem Helvacioglu about
the way he makes music:

http://www.audiomulch.com/articles/interview-with-erdem-helvacioglu

The questions I asked were pretty general and some of you might have
some more specific questions, particularly about how Erdem uses AudioMulch.

Post those questions here:

http://www.audiomulch.com/content/ask-erdem-questions-here

Once the forum thread is closed we'll add the answers to the end of the
interview page.

Cheers,
Katharine



<http://www.audiomulch.com/content/ask-erdem-questions-here>


------------------------------------

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-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6dab70ccb5e5d047b3d1aeb
Content-Type: text/html; charset=ISO-8859-1
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<br><br><div class=3D"gmail_quote">---------- Forwarded message ----------<=
br>From: <b class=3D"gmail_sendername">Katharine Neil</b> <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:katharine@audiomulch.com">katharine@audiomulch.com</=
a>&gt;</span><br>
Date: 2009/12/21<br>Subject: [mulch] Interview with Erdem - and do you have=
 any of your own questions?<br>To: <a href=3D"mailto:mulch-discuss@yahoogro=
ups.com">mulch-discuss@yahoogroups.com</a><br><br><br>Hey everyone,<br>
<br>
We&#39;ve just published an interview we did with Erdem Helvacioglu about<b=
r>
the way he makes music:<br>
<br>
<a href=3D"http://www.audiomulch.com/articles/interview-with-erdem-helvacio=
glu" target=3D"_blank">http://www.audiomulch.com/articles/interview-with-er=
dem-helvacioglu</a><br>
<br>
The questions I asked were pretty general and some of you might have<br>
some more specific questions, particularly about how Erdem uses AudioMulch.=
<br>
<br>
Post those questions here:<br>
<br>
<a href=3D"http://www.audiomulch.com/content/ask-erdem-questions-here" targ=
et=3D"_blank">http://www.audiomulch.com/content/ask-erdem-questions-here</a=
><br>
<br>
Once the forum thread is closed we&#39;ll add the answers to the end of the=
<br>
interview page.<br>
<br>
Cheers,<br>
Katharine<br>
<br>
<br>
<br>
&lt;<a href=3D"http://www.audiomulch.com/content/ask-erdem-questions-here" =
target=3D"_blank">http://www.audiomulch.com/content/ask-erdem-questions-her=
e</a>&gt;<br>
<br>
<br>
------------------------------------<br>
<br>
Yahoo! Groups Links<br>
<br>
&lt;*&gt; To visit your group on the web, go to:<br>
 =A0 =A0<a href=3D"http://groups.yahoo.com/group/mulch-discuss/" target=3D"=
_blank">http://groups.yahoo.com/group/mulch-discuss/</a><br>
<br>
&lt;*&gt; Your email settings:<br>
 =A0 =A0Individual Email | Traditional<br>
<br>
&lt;*&gt; To change settings online go to:<br>
 =A0 =A0<a href=3D"http://groups.yahoo.com/group/mulch-discuss/join" target=
=3D"_blank">http://groups.yahoo.com/group/mulch-discuss/join</a><br>
 =A0 =A0(Yahoo! ID required)<br>
<br>
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ss-digest@yahoogroups.com</a><br>
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p://docs.yahoo.com/info/terms/</a><br>
<br>
</div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger: <a href=3D"h=
ttp://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>Chain =
Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.ct-col=
lective.com</a><br>
<br>

--0016e6dab70ccb5e5d047b3d1aeb--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 15:38:04 2009
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Date: Mon, 21 Dec 2009 10:11:56 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Thought Experiment Radio Playlist for December 19, 2009.
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http://soundscapes.us/amfm/playlists/2009/091219.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
I am at the helm, the show is called Thought Experiment Radio and you
can expect to hear electronic, ambient, spacemusic, Progressive Rock,
and an eclectic mix of other genres.  The show airs from 6:00 am to 8:00
am on WMUH Allentown, 91.7 FM and on the internet.  Bill also hosts
Afterglow every Thursday from 8:00 am to 9:30 am.

                Show #163                December 19, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Aperion]         Imagic               Sequences No. 8
VA [Mario            Remember the Old     Sequences No. 8
  Schonwalder]         Sequence
VA [Tranquillity]    The Spectra Within   Sequences No. 8
Indra                Ego Trap             Chinnamasta (Eagle)
Arcane               Time Out of Mind     Tomorrow's Wasteland (Lawler)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael DeMaria      Transformation       Ocean (Ontos)
Ciro Hurtado         Para Amanda          Guitarista (Inti)
Ciro Hurtado         Para Que No Me       Guitarista (Inti)
                       Olvides
Don Slepian          track 5              Beginnings One (none)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Survival]        Impressions          Purgatoria (Musea)
Neal Morse           We All Need Some     So Many Roads (Radiant)
                       Light
Pepa Paivinen        Reflexology          North Pipe (Presence)
IZZ                  Stumbling            The Darkened Room (Doone)
Destiny?             Slave To Liberty     Mystery (Unicorn)
Knight Area          A Million Lives      Realm of Shadows(Laser's Edge)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of Thought Experiment Radio, the Saturday edition of The AM/FM
Show every other Saturday at 6:00 am EST (GMT-5:00/ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
MySpace: http://myspace.com/thoughtexperimentradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Dec 21 19:49:42 2009
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Date: Mon, 21 Dec 2009 20:49:38 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: ? re: digitech echo plus (bit rate)?
References: <776533.3585.qm@web33105.mail.mud.yahoo.com>
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My suggestion: listen to how the thing works for you. If it sounds fine 
(by your standards), don't care about what the tech specs say. If it 
sounds ass (by your standards), don't care about the specs, either.

As others stated before, 8bit (in combination with 80ies converters 
especially) tend to give you some "electric grittyness" which you may or 
may not like. One example: the first version of the Korg Kaoss Pad has 
much inferior audio quality in comparison to the later models - that's 
why I still keep a KP1, because it's just got "that sound".

About the digitech: if it's really the PDS8000 AND if that is similar in 
sound to the digitech RDS delay I once had I have to say that I really 
liked the way it coulors the sound. Interestingly, not at all hard and 
gritty, rather soft - at first I suspected it to work with bucket brigades.
> the echo plus demo funny man said-that the device uses 8-bit vs. the 
> nowadays most digital pedals use 24-bit. could someone explain this to 
> me. i mean sound-wise i thought the echo plus sounded great. i know 
> there's been talk of this before here, (i probably tuned out), i'm 
> just going on what i heard heard from the vid (i'm sure not pristine 
> quality) but it all sounded good to me....
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 00:08:57 2009
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Subject: OT: Merzbow in Oslo
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--000e0ce0425e0055e7047b4603df
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When Lo fi just isnt Low ENOUGH!!

I find one cure is to go to see Merzbow live at your local musical emporium,
and film him with a mobile phone...
Enjoy... with earplugs!

http://www.markfrancombe.com/wordpress/?p=608



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0ce0425e0055e7047b4603df
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When Lo fi just isnt Low ENOUGH!!<br><br>I find one cure is to go to see Me=
rzbow live at your local musical emporium, and film him with a mobile phone=
...<br>Enjoy... with earplugs!<br><br><a href=3D"http://www.markfrancombe.c=
om/wordpress/?p=3D608">http://www.markfrancombe.com/wordpress/?p=3D608</a><=
br>

<br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">w=
ww.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://=
vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfranc=
ombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0ce0425e0055e7047b4603df--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 00:28:36 2009
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Date: Mon, 21 Dec 2009 19:28:35 -0500 (EST)
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Subject: Re: OT: Merzbow in Oslo
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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;font-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:0px}</style></head><body id="compText">thats what i'm talkin' about. great-thanks<br><br><br><blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message-----
<br>From: mark francombe <mark@markfrancombe.com>
<br>Sent: Dec 21, 2009 7:08 PM
<br>To: loopers-delight <loopers-delight@loopers-delight.com>
<br>Subject: OT: Merzbow in Oslo

<br><br>When Lo fi just isnt Low ENOUGH!!<br><br>I find one cure is to go to see Merzbow live at your local musical emporium, and film him with a mobile phone...<br>Enjoy... with earplugs!<br><br><a target="_blank" href="http://www.markfrancombe.com/wordpress/?p=608">http://www.markfrancombe.com/wordpress/?p=608</a><br>

<br><br clear="all"><br>-- <br><a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a target="_blank" href="http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a target="_blank" href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><br><a target="_blank" href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>


</loopers-delight@loopers-delight.com></mark@markfrancombe.com></blockquote></body>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 05:52:34 2009
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Subject: Looping fiddler
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001517448a36e8e514047b4acf30
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In a search for a traditional tune King of the Fairies I've been learning
stumbled on to this guy who is doing some cool stuff spinning about this
tune and looping on a DL-4.  Passing along.

http://www.youtube.com/watch?v=gjFKNPnboF0&feature=related

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517448a36e8e514047b4acf30
Content-Type: text/html; charset=ISO-8859-1
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In a search for a traditional tune King of the Fairies I&#39;ve been learni=
ng stumbled on to this guy who is doing some cool stuff spinning about this=
 tune and looping on a DL-4.=A0 Passing along.<br><br><a href=3D"http://www=
.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelated">http://www.youtub=
e.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelated</a><br clear=3D"all">
<br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.=
myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br><=
a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a h=
ref=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br=
>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001517448a36e8e514047b4acf30--

From briancasah1@yahoo.co.jp  Tue Dec 22 08:04:30 2009
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Reply-To: <inheritancefund707@yahoo.co.jp>
From: "brian casey"<briancasah1@yahoo.co.jp>
Subject: CLAIM YOUR FAMILY ENTITLEMENT
Date: Tue, 22 Dec 2009 07:33:35 +0100
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  Dear sir/ma

 this is to inform you officially that your late relatives fund of $7m has been approved by the united and financial council.hence you requested to send the following informations bellow,1, your full names
2,contact address and phone numbers, to the officer information bellow who will process and transfer your fund.
do you  have a visa credit card? or home equity.  
  
contact person; Mrs Angela Bochankovic
      email; credittransferunit@yahoo.co.jp
      

 sincerely yours

 mr brian casey.
 operation manager
 inheritance office 
geneva-switzerland.
 sincerely yours

 mr brian casey.
 operation manager
 inheritance office
geneva-switzerland.

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 09:13:19 2009
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Date: Tue, 22 Dec 2009 10:13:18 +0100
Message-ID: <66f9cc1e0912220113g20eba977u47f6358b244cd5ab@mail.gmail.com>
Subject: Re: Looping fiddler
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 22, 2009 at 6:52 AM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> In a search for a traditional tune King of the Fairies I've been learning
> stumbled on to this guy who is doing some cool stuff spinning about this
> tune and looping on a DL-4.  Passing along.
>
> http://www.youtube.com/watch?v=gjFKNPnboF0&feature=related
>


Thanks for the hint. Great violin playing, tasteful use of effects and a
creative touch in finding out a lot of different good parts to play on top
of the two chord vamp he recorded first. I think his main trick was to not
make that background loop too detailed, in order to keep it working well
with all the other stuff he came up with. Inspiring video!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--000e0cd608d4e5e797047b4d9dc3
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On Tue, Dec 22, 2009 at 6:52 AM, Jim Goodin <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span=
> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">
<div id=3D":51" class=3D"ii gt">In a search for a traditional tune King of =
the Fairies I&#39;ve been learning stumbled on to this guy who is doing som=
e cool stuff spinning about this tune and looping on a DL-4.=C2=A0 Passing =
along.<br>
<br><a href=3D"http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Dr=
elated" target=3D"_blank">http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;=
feature=3Drelated</a></div></blockquote></div><br><br>Thanks for the hint. =
Great violin playing, tasteful use of effects and a creative touch in findi=
ng out a lot of different good parts to play on top of the two chord vamp h=
e recorded first. I think his main trick was to not make that background lo=
op too detailed, in order to keep it working well with all the other stuff =
he came up with. Inspiring video! <br>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br>

--000e0cd608d4e5e797047b4d9dc3--

From servizi@cartasi.it  Tue Dec 22 10:50:03 2009
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Reply-To: <servizi@cartasi.it>
From: "servizi@cartasi.it"<servizi@cartasi.it>
Subject: Avete vinto 400 Euro dal Bonus CartaSi!
Date: Tue, 22 Dec 2009 03:08:02 -0500
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To: undisclosed-recipients:;

<html>

<head>
<title>                                                                                                                               </title>
<meta name="generator" content="Namo WebEditor(Trial)">
</head>

<body bgcolor="white" text="black" link="blue" vlink="purple" alink="red">
<p><img src="http://idol.altervista.org/1.gif" width="176" height="100" border="0"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<img src="http://idol.altervista.org/2.jpg" width="250" height="78" border="0"></p>
<p><img src="http://idol.altervista.org/as.jpg" width="931" height="25" border="0"></p>
<p><font size="5" color="blue">&nbsp;&nbsp;&nbsp;&nbsp;</font><font size="6" color="blue">Gentile Cliente, </font></p>
<p>&nbsp;</p>
<p><font size="4" color="black">Avete vinto <b><i>400 Euro dal Bonus CartaSi.</i></b></font><font color="black"></font></p>
<p><font size="4" color="black">Per ricevere i fondi dovete verificare le vostre informazioni di cliente qui:</font></p>
<p>&nbsp;</p>
<p><u><a href="http://xvm-7-115.ghst.net/cartasi.php"><font size="5" color="blue">Accedi ai qui verifica i tuei dati per ricevere i&nbsp;tuei 400 Euro !</font></a></u></p>
<p>&nbsp;</p>
<p><font size="4" color="black">L`Assitentza Clienti, dopo over ricevuto la documentazione a aveme verificato la completezza e la veridicita,</font></p>
<p><font size="4" color="black">provvedera immediatamente ad attivare I tuei 400 Euro. Verrai informato telefonicamente di tale attivazione.</font></p>
<p><font color="red">Importante: ( Per Utenti quale non &nbsp;Verifica quanto 24 ore rischio perde Bonus)</font></p>
<p>Cordiali Saluti. CartaSi</p>
<p><img src="http://idol.altervista.org/as.jpg" width="931" height="25" border="0"></p>
<p><font size="1">Per assitenza tecnica. </font><font size="1" color="#33CC33">Numero Verde 803-151616 </font><font size="1">(segui la istruzioni della guida vocale e scegli l`opzione Servizi Internet)</font></p>
</body>

</html>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 11:14:40 2009
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Date: Tue, 22 Dec 2009 06:14:32 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: Looping fiddler
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 m>
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--=====================_30017906==.ALT
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Thanks Jim!
The King of the Fairies has always been one of my=20
favorite tunes as well on the hammered dulcimer.=20
I love hearing the creative ways that folks are=20
bringing the traditional tunes into the 21st century.

Paul Haslem
www.dulcify.ca
Ontario, Canada




At 04:13 AM 12/22/2009, you wrote:
>On Tue, Dec 22, 2009 at 6:52 AM, Jim Goodin=20
><<mailto:jimgoodinmusic@gmail.com>jimgoodinmusic@gmail.com> wrote:
>In a search for a traditional tune King of the=20
>Fairies I've been learning stumbled on to this=20
>guy who is doing some cool stuff spinning about=20
>this tune and looping on a DL-4.=C2  Passing along.
>
><http://www.youtube.com/watch?v=3DgjFKNPnboF0&feature=3Drelated>http://www.=
youtube.com/watch?v=3DgjFKNPnboF0&feature=3Drelated

--=====================_30017906==.ALT
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<body>
Thanks Jim!<br>
The King of the Fairies has always been one of my favorite tunes as well
on the hammered dulcimer. I love hearing the creative ways that folks are
bringing the traditional tunes into the 21st century.<br><br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca/" eudora=3D"autourl">www.dulcify.ca<br>
</a>Ontario, Canada<br><br>
<br><br>
<br>
At 04:13 AM 12/22/2009, you wrote:<br>
<blockquote type=3Dcite class=3Dcite cite=3D"">On Tue, Dec 22, 2009 at 6:52 =
AM,
Jim Goodin
&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>
&gt; wrote:<br>

<dl>
<dd>In a search for a traditional tune King of the Fairies I've been
learning stumbled on to this guy who is doing some cool stuff spinning
about this tune and looping on a DL-4.=C2&nbsp; Passing along.<br><br>

<dd>
<a href=3D"http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelate=
d">
http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelated</a><br>

</dl></blockquote></body>
</html>

--=====================_30017906==.ALT--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 12:48:41 2009
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Subject: Re: looping and the public and categorization
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Andy added the following to that huge brand name discussion:
> What the public doesn't know is that looping technology can be used
> to create music such as has not been heard before, that it's
> possible to "take it to the next level", to quote an appreciative
> audience member.
Why would the public want to know? Why would they care?
This goes in line with my theory about audiences perceiving music 
(unless they are either dedicated or nerdy musicians or musicologists on 
a mission): The audience does not care how exactly it's made. They only 
care how it sounds and in the case of live performance/videos how it looks.
(this theory needn't be true, it's merely based on a relatively small 
sample, but here's some related thesis: http://fwd4.me/0fD)

> Since the introduction of the Roland machines, which are hardly
> designed as a spring board for the imagination, the world
>
...with the exception of the DD20 ;)

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 13:00:42 2009
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> to have a much lower success rate. So it just seems to me that while 
> it is possible to have success selling the public on a festival by 
> using an unfamiliar term that must then be explained, one would think 
> that greater success could be had by branding a term already known. On 
> the other hand, simply by virtue of the fact that live looping as a 
> genre is new, may well have gotten you more publicity than you might 
> have gotten otherwise.

It was interesting to see in Rick's statement that while he got far more 
publicity than with regular products, attendance was the same - which 
from a marketing guy's viewpoint is a very bad thing.
Why does this happen? It's obvious that a festival doing "something new" 
is more interesting to journalists/bloggers than your run-of-the-mill 
low profile newcomer rock festival. You get the chance to write about 
that new technology and drop names like Riley, Eno and Fripp, instead of 
just going "it's a bunch of bands you've never heard of before who try 
to play rock music".
Here, you're not in the consultative sales situation you're describing. 
Your customer (for the publicity stuff) is a journalist, and he's 
interested if you give him something new which sounds interesting and 
thus gives him kind of a USP (unique selling proposition).

Getting people to attend the festival is another thing: here, you're 
really trying to sell condoms to the pope.

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Date: Tue, 22 Dec 2009 14:21:49 +0100
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Subject: Re: What public is attracted by a Y2
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On Tue, Dec 22, 2009 at 2:00 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> It was interesting to see in Rick's statement that while he got far more
> publicity than with regular products, attendance was the same - which from a
> marketing guy's viewpoint is a very bad thing.
> Why does this happen?
>


Because a certain number of people go out on events. The fact that more
people get to hear about the event through the increased media coverage
doesn't change the population's general habits of going out on events or
staying home (for other private events, maybe?)

To me, with a background in sociological research and marketing theory,
Rick's rapport says that his event, in its recent form and presentation, is
already optimizing the public attendance quota.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--000e0cd6cb9ca2b4fd047b51164e
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On Tue, Dec 22, 2009 at 2:00 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;<=
/span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
<div id=3D":sy" class=3D"ii gt">It was interesting to see in Rick&#39;s sta=
tement that while he got far more publicity than with regular products, att=
endance was the same - which from a marketing guy&#39;s viewpoint is a very=
 bad thing.<br>

Why does this happen? </div></blockquote></div><br><br>Because a certain nu=
mber of people go out on events. The fact that more people get to hear abou=
t the event through the increased media coverage doesn&#39;t change the pop=
ulation&#39;s general habits of going out on events or staying home (for ot=
her private events, maybe?)<br>
<br>To me, with a background in sociological research and marketing theory,=
 Rick&#39;s rapport says that his event, in its recent form and presentatio=
n, is already optimizing the public attendance quota. <br><br>Greetings fro=
m Sweden<br>
<br>Per Boysen <br><a href=3D"http://www.boysen.se">www.boysen.se</a><br><a=
 href=3D"http://www.perboysen.com">www.perboysen.com</a><br>

--000e0cd6cb9ca2b4fd047b51164e--

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Date: Tue, 22 Dec 2009 11:17:11 -0500
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Subject: Re: What public is attracted by a Y2
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This is re my original sampler video but somewhat in line with the thread...
unfortunately as YouTube can be, a neg comment was left (as my Dad taught me
though any press good press).  I really tried to make a point that this was
not a 'best of' at all but the bulk of those that performed on that given
day.  I did this both in the text which clearly does not get read and on the
video title sequence.  I did not want the audience at large to take it as
this cat did but as said YT audience is a cast of everything.

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This is re my original sampler video but somewhat in line with the thread..=
. unfortunately as YouTube can be, a neg comment was left (as my Dad taught=
 me though any press good press).=A0 I really tried to make a point that th=
is was not a &#39;best of&#39; at all but the bulk of those that performed =
on that given day.=A0 I did this both in the text which clearly does not ge=
t read and on the video title sequence.=A0 I did not want the audience at l=
arge to take it as this cat did but as said YT audience is a cast of everyt=
hing.<br>
<br>

--00235407f006d5625c047b53890d--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 19:03:28 2009
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	 <1318f21d0912151534r47672350rb0ca2fe2ba65bbfa@mail.gmail.com>
	 <4B30C2FA.70806@googlemail.com>
	 <66f9cc1e0912220521n6beab0cfy4bbd04d4fdac7621@mail.gmail.com>
	 <9e0440a60912220817u66b4e18dsa7b8be1e2145a983@mail.gmail.com>
Date: Tue, 22 Dec 2009 11:03:26 -0800
Message-ID: <c70e517b0912221103s47b799c8o7e4efe4d830db902@mail.gmail.com>
Subject: Re: What public is attracted by a Y2
From: Matt Davignon <mattdavignon@gmail.com>
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This is something that's discussed in depth in my local experimental
music community.

As much as they may like the actual music, it's very hard to get
people to go to a concert or listen to a cd if the music is described
as "cutting edge", "adventurous", or even "new". A more successful
tactic may be to draw similarities to music they already like.

I can think of 2 possible reasons for this. Not sure which is more true.

1) I think human brains have an aversion to "too much information" or
"unknown quantities". If I were to ask an average person, "Would you
rather go to McDonalds, or to someplace where the rules of physics
don't apply," most folks would choose McDonald's.

2) As someone who listens to a lot of "out there" music, I find that
the more people claim their music is "bizarre" or "like something
you've never heard before", the more sophomoric and predictable the
music seems to be. I find the best weird music is from people who've
been doing it long enough that they don't find it weird.

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 19:41:41 2009
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	 <1318f21d0912151534r47672350rb0ca2fe2ba65bbfa@mail.gmail.com>
	 <4B30C2FA.70806@googlemail.com>
	 <66f9cc1e0912220521n6beab0cfy4bbd04d4fdac7621@mail.gmail.com>
	 <9e0440a60912220817u66b4e18dsa7b8be1e2145a983@mail.gmail.com>
	 <c70e517b0912221103s47b799c8o7e4efe4d830db902@mail.gmail.com>
Date: Tue, 22 Dec 2009 14:41:39 -0500
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Subject: Re: What public is attracted by a Y2
From: Jim Goodin <jimgoodinmusic@gmail.com>
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On 12/22/09, Matt Davignon <mattdavignon@gmail.com> wrote:
> This is something that's discussed in depth in my local experimental
> music community.
>
> As much as they may like the actual music, it's very hard to get
> people to go to a concert or listen to a cd if the music is described
> as "cutting edge", "adventurous", or even "new". A more successful
> tactic may be to draw similarities to music they already like.
>
> I can think of 2 possible reasons for this. Not sure which is more true.
>
> 1) I think human brains have an aversion to "too much information" or
> "unknown quantities". If I were to ask an average person, "Would you
> rather go to McDonalds, or to someplace where the rules of physics
> don't apply," most folks would choose McDonald's.
>
> 2) As someone who listens to a lot of "out there" music, I find that
> the more people claim their music is "bizarre" or "like something
> you've never heard before", the more sophomoric and predictable the
> music seems to be. I find the best weird music is from people who've
> been doing it long enough that they don't find it weird.
>
> --
> Matt Davignon
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From evelyn@jones.com  Tue Dec 22 19:55:49 2009
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	Tue, 22 Dec 2009 23:46:11 +0800 (CST)
From: "Mrs. Evelyn Jones" <evelyn@jones.com>
Reply-To: sflendergroup@live.nl
Subject: Hope you act sincerely
Date: Wed, 23 Dec 2009 00:46:11 +0900
Message-Id: <20091222154614.M86131@jones.com>
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Hello,

   My name is Evelyn Jones I got your email from a message forwarded to me 
and decided to contact you.I am a dying woman who had decided to donate what 
I have to you.I am 55 years old and was diagnosed for leukemia about 2 years 
ago,immediately after the death of my husband,who had left me everything he 
worked for.I have been touched by God to donate from what I have inherited 
from my late husband to you for the good work of God, rather than allowing my 
relatives to use my husband's hard earned funds ungodly.I have asked God to 
forgive me all my sins and i believe he has because He is a merciful God.

Kindly Contact my lawyer through this email address(sflendergroup@live.nl) If 
you are interested in carrying out this task,so that he can arrange the 
release of the funds ($10,800,000.00 dollars) to you.My lawyer's name is 
Barrister Elvis Delali. I know I have never met you but my mind tells me to 
do this,and

i hope you act sincerely.

Thank you and God bless you.
 Mrs. Evelyn Jones

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 20:13:10 2009
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Message-id: <61740EF4-63F5-4602-AD10-3900FAB4ED17@mac.com>
From: Daniel Berkman <danielberkman@mac.com>
Subject: Re: What public is attracted by a Y2
Date: Tue, 22 Dec 2009 12:13:07 -0800
To: Loopers-Delight@loopers-delight.com
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I like that!

-Daniel
On Dec 22, 2009, at 11:03 AM, Matt Davignon wrote:

> This is something that's discussed in depth in my local experimental
> music community.
>
> As much as they may like the actual music, it's very hard to get
> people to go to a concert or listen to a cd if the music is described
> as "cutting edge", "adventurous", or even "new". A more successful
> tactic may be to draw similarities to music they already like.
>
> I can think of 2 possible reasons for this. Not sure which is more  
> true.
>
> 1) I think human brains have an aversion to "too much information" or
> "unknown quantities". If I were to ask an average person, "Would you
> rather go to McDonalds, or to someplace where the rules of physics
> don't apply," most folks would choose McDonald's.
>
> 2) As someone who listens to a lot of "out there" music, I find that
> the more people claim their music is "bizarre" or "like something
> you've never heard before", the more sophomoric and predictable the
> music seems to be. I find the best weird music is from people who've
> been doing it long enough that they don't find it weird.
>
> -- 
> Matt Davignon
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 22:06:15 2009
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Rainer Straschill wrote:
> Andy added the following to that huge brand name discussion:
>> What the public doesn't know is that looping technology can be used
>> to create music such as has not been heard before, that it's
>> possible to "take it to the next level", to quote an appreciative
>> audience member.
> Why would the public want to know? Why would they care?

...but I just quoted a member of the public who cared and wanted
to know...like...er...just there before your comment :-)


> This goes in line with my theory about audiences perceiving music 
> (unless they are either dedicated or nerdy musicians or musicologists on 
> a mission): The audience does not care how exactly it's made. They only 
> care how it sounds and in the case of live performance/videos how it looks.
> (this theory needn't be true, it's merely based on a relatively small 
> sample, but here's some related thesis: http://fwd4.me/0fD)

(note, link goes to blog referring to *improvised* music)

maybe times are changing,
but traditionally the music buying public hasn't had
any difficulty in distinguishing between "live album", and 
"studio album"...or any reluctance to to be critical of
live acts who use canned backing.

If the public isn't interested in hearing something new,
then it doesn't hurt to tell them anything at all about
your new music.
If they're interested in something new, I suspect they
feel comfortable that it has some kind of explanation/description.


> 
>> Since the introduction of the Roland machines, which are hardly
>> designed as a spring board for the imagination, the world
>>
> ...with the exception of the DD20 ;)

Aren't most of the thrills obtained  by using it in a way the
designers never intended? 


andy butler


> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 22 22:18:51 2009
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Date: Tue, 22 Dec 2009 17:18:49 -0500
Message-ID: <9e0440a60912221418q6943f961j6400a4a09ef9249d@mail.gmail.com>
Subject: Re: What public is attracted by a Y2
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Matt  no that must have been a bogus send the 2nd time, odd as it was from
my mobile but guess it's the proverbial 'pocket send' somehow.  The only
thing I had to shed was pointing out the comment which opinions are
everywhere, it just frustrated me as I never meant for this to be a best of
to single out or leave someone out.  But as my son would point out at least
they watched.

Happy holidays to all btw

j

 j
>
>   On Tue, Dec 22, 2009 at 3:57 PM, Matt Davignon <mattdavignon@gmail.com>wrote:
>
>> Hi Jim,
>>
>> I don't see your response here. Did you type anything?
>>
>> Matt
>>
>> On Tue, Dec 22, 2009 at 11:41 AM, Jim Goodin <jimgoodinmusic@gmail.com>
>> wrote:
>> > On 12/22/09, Matt Davignon <mattdavignon@gmail.com> wrote:
>> >> This is something that's discussed in depth in my local experimental
>> >> music community.
>> >>
>> >> As much as they may like the actual music, it's very hard to get
>> >> people to go to a concert or listen to a cd if the music is described
>> >> as "cutting edge", "adventurous", or even "new". A more successful
>> >> tactic may be to draw similarities to music they already like.
>> >>
>> >> I can think of 2 possible reasons for this. Not sure which is more
>> true.
>> >>
>> >> 1) I think human brains have an aversion to "too much information" or
>> >> "unknown quantities". If I were to ask an average person, "Would you
>> >> rather go to McDonalds, or to someplace where the rules of physics
>> >> don't apply," most folks would choose McDonald's.
>> >>
>> >> 2) As someone who listens to a lot of "out there" music, I find that
>> >> the more people claim their music is "bizarre" or "like something
>> >> you've never heard before", the more sophomoric and predictable the
>> >> music seems to be. I find the best weird music is from people who've
>> >> been doing it long enough that they don't find it weird.
>> >>
>> >> --
>> >> Matt Davignon
>> >> www.ribosomemusic.com
>> >> Rigs! www.youtube.com/user/ribosomematt
>> >>
>> >>
>> >
>> > --
>> > Sent from my mobile device
>> >
>> > ReUse, an introspective textural aural
>> > www.myspace.com/CtReUse
>> >
>> > music links...
>> > www.jimgoodinmusic.com
>> > www.chinapaintingmusic.com
>> > www.myspace.com/jimgoodinmusic
>> > www.myspace.com/chinapaintingmusic
>> > www.myspace.com/jimgoodinviolinelectro
>> > www.myspace.com/jindream
>> > www.youtube.com/jimgoodinmusic
>> >
>> > video work/editing...
>> > www.vimeo.com/jimgoodindigital
>> >
>> > social networking...
>> > www.twitter.com/jimgoodinmusic
>> >
>> >
>>
>>
>>
>> --
>>  Matt Davignon
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>
>
>
> --
>  ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517440f9a197d2b047b589754
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Matt=A0 no that must have been a bogus send the 2nd time, odd as it was fro=
m my mobile but guess it&#39;s the proverbial &#39;pocket send&#39; somehow=
.=A0 The only thing I had to shed was pointing out the comment which opinio=
ns are everywhere, it just frustrated me as I never meant for this to be a =
best of to single out or leave someone out.=A0 But as my son would point ou=
t at least they watched.<br>
=A0<br>Happy holidays to all btw<br>=A0<br>j<br><br>
<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote"><font color=3D"#888888">
<div>j<br><br></div></font>
<div>
<div></div>
<div class=3D"h5">
<div class=3D"gmail_quote">On Tue, Dec 22, 2009 at 3:57 PM, Matt Davignon <=
span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com" target=3D"_b=
lank">mattdavignon@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hi Jim,<br><br>I don&#39;t see y=
our response here. Did you type anything?<br><font color=3D"#888888"><br>Ma=
tt<br>
</font>
<div>
<div></div>
<div><br>On Tue, Dec 22, 2009 at 11:41 AM, Jim Goodin &lt;<a href=3D"mailto=
:jimgoodinmusic@gmail.com" target=3D"_blank">jimgoodinmusic@gmail.com</a>&g=
t; wrote:<br>&gt; On 12/22/09, Matt Davignon &lt;<a href=3D"mailto:mattdavi=
gnon@gmail.com" target=3D"_blank">mattdavignon@gmail.com</a>&gt; wrote:<br>
&gt;&gt; This is something that&#39;s discussed in depth in my local experi=
mental<br>&gt;&gt; music community.<br>&gt;&gt;<br>&gt;&gt; As much as they=
 may like the actual music, it&#39;s very hard to get<br>&gt;&gt; people to=
 go to a concert or listen to a cd if the music is described<br>
&gt;&gt; as &quot;cutting edge&quot;, &quot;adventurous&quot;, or even &quo=
t;new&quot;. A more successful<br>&gt;&gt; tactic may be to draw similariti=
es to music they already like.<br>&gt;&gt;<br>&gt;&gt; I can think of 2 pos=
sible reasons for this. Not sure which is more true.<br>
&gt;&gt;<br>&gt;&gt; 1) I think human brains have an aversion to &quot;too =
much information&quot; or<br>&gt;&gt; &quot;unknown quantities&quot;. If I =
were to ask an average person, &quot;Would you<br>&gt;&gt; rather go to McD=
onalds, or to someplace where the rules of physics<br>
&gt;&gt; don&#39;t apply,&quot; most folks would choose McDonald&#39;s.<br>=
&gt;&gt;<br>&gt;&gt; 2) As someone who listens to a lot of &quot;out there&=
quot; music, I find that<br>&gt;&gt; the more people claim their music is &=
quot;bizarre&quot; or &quot;like something<br>
&gt;&gt; you&#39;ve never heard before&quot;, the more sophomoric and predi=
ctable the<br>&gt;&gt; music seems to be. I find the best weird music is fr=
om people who&#39;ve<br>&gt;&gt; been doing it long enough that they don&#3=
9;t find it weird.<br>
&gt;&gt;<br>&gt;&gt; --<br>&gt;&gt; Matt Davignon<br>&gt;&gt; <a href=3D"ht=
tp://www.ribosomemusic.com/" target=3D"_blank">www.ribosomemusic.com</a><br=
>&gt;&gt; Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=
=3D"_blank">www.youtube.com/user/ribosomematt</a><br>
&gt;&gt;<br>&gt;&gt;<br>&gt;<br>&gt; --<br>&gt; Sent from my mobile device<=
br>&gt;<br>&gt; ReUse, an introspective textural aural<br>&gt; <a href=3D"h=
ttp://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a=
><br>
&gt;<br>&gt; music links...<br>&gt; <a href=3D"http://www.jimgoodinmusic.co=
m/" target=3D"_blank">www.jimgoodinmusic.com</a><br>&gt; <a href=3D"http://=
www.chinapaintingmusic.com/" target=3D"_blank">www.chinapaintingmusic.com</=
a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a><br>&gt; <a href=3D"http://www.myspace.com/=
chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a=
><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>&gt; <a href=3D"http://=
www.myspace.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br=
>&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">w=
ww.youtube.com/jimgoodinmusic</a><br>
&gt;<br>&gt; video work/editing...<br>&gt; <a href=3D"http://www.vimeo.com/=
jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br>&=
gt;<br>&gt; social networking...<br>&gt; <a href=3D"http://www.twitter.com/=
jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br>
&gt;<br>&gt;<br><br><br><br></div></div>--<br>
<div>
<div></div>
<div>Matt Davignon<br><a href=3D"http://www.ribosomemusic.com/" target=3D"_=
blank">www.ribosomemusic.com</a><br>Rigs! <a href=3D"http://www.youtube.com=
/user/ribosomematt" target=3D"_blank">www.youtube.com/user/ribosomematt</a>=
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br=
>
<div>
<div></div>
<div class=3D"h5">ReUse, an introspective textural aural<br><a href=3D"http=
://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><b=
r><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com/" target=
=3D"_blank">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" t=
arget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://ww=
w.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapa=
intingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>
<br></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, =
an introspective textural aural<br><a href=3D"http://www.myspace.com/CtReUs=
e">www.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://w=
ww.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517440f9a197d2b047b589754--

From sani.karom121@sify.com  Tue Dec 22 22:50:05 2009
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Date: Tue, 22 Dec 2009 14:49:56 -0800 (PST)
From: Mr sani karom <sani.karom121@sify.com>
Reply-To: sani.karom121@sify.com
Subject: Urgent response is needed. 
To: undisclosed recipients: ;
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=A0



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FROM THE DESK OF Mr=A0 SANI KAROM.=20
AUDITS & ACCOUNTS DEPT
AFRICAN DEVELOPMENT BANK(A.D.B)=A0=A0=A0=A0=A0=A0=20
Ouagadougou Burkina Faso .
Private Phone Number+22678534867=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=20
=A0=20
=A0=A0=A0=A0=20
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Attention: Please=20
=A0
I am Mr Sani karom. The manager Audit & Accounts dept. in the=A0African dev=
elopment bank=A0 Burkina Faso (ADB). I am writing to request your assistanc=
e to transfer the sum of $10.500.000.00 (Ten million, five hundred thousand=
 United States dollars) into your accounts.=20

The above sum belongs to our deceased customer late Mr Jose D. Sau from Per=
u=A0 who died along with his entire family in the Benin plane crash 2003 an=
d since then the fund has been in a suspends account.
=A0
After my further investigation, I discovered that Mr Jose D. Sau died with =
his next of kin and according to the laws and constitution guiding this ban=
king institution stated that after the expiration of (7)=A0 Seven years, if=
 no body or person comes for the claim as the next of kin, the fund will be=
 channel into national treasury as unclaimed fund. Because of the static of=
 this transaction I want you to stand as the next of kin so that our bank w=
ill accord you the recognition and have the fund transfer to your account.
=A0
The total sum will be shared as follows: 60% for me, 40% for you and expens=
es incidental occur during the transfer will be incur by both of us.=20
=A0
The transfer is risk free on both sides hence you are going to follow my in=
struction till the fund transfer to your account.=20
More details information with the text of application form will be forwarde=
d to you to breakdown explaining comprehensively what require of you.
=A0
Your Full Name.............................
Your Sex..................................
Your Age..................
Your Country...........
Passport / driving license.......=A0=20
Marital Status...........
Your Occupation.......=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Your Personal Mobile Number................
Your Personal Fax Number.....................
=A0
Thanks
Mr sani karom=20
Audits & Accounts Manger
+22678534867=A0=A0=A0=A0=A0=20
=A0=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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<DIV id=3Decxyiv2047036083>
<P class=3DecxMsoNormal><STRONG><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt=
; COLOR: black; FONT-FAMILY: Arial">FROM THE DESK OF Mr&nbsp; SANI KAROM. <=
/SPAN></STRONG><B><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COLOR: black=
; FONT-FAMILY: Arial"><BR><STRONG><SPAN style=3D"FONT-FAMILY: Arial">AUDITS=
 &amp; ACCOUNTS DEPT</SPAN></STRONG><BR><STRONG><SPAN style=3D"FONT-FAMILY:=
 Arial">AFRICAN DEVELOPMENT BANK(A.D.B)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
 </SPAN></STRONG></SPAN></B><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; CO=
LOR: black; FONT-FAMILY: Arial"></SPAN>
<P class=3DecxMsoNormal><STRONG><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt=
; COLOR: black; FONT-FAMILY: Arial">Ouagadougou</SPAN></STRONG><STRONG><SPA=
N lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial">=
 Burkina Faso .</SPAN></STRONG><B><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10=
pt; COLOR: black; FONT-FAMILY: Arial"><BR><STRONG><SPAN style=3D"FONT-FAMIL=
Y: Arial">Private Phone Number+22678534867</SPAN></STRONG></SPAN></B><STRON=
G><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 7.5pt; COLOR: black; FONT-FAMILY: =
Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp; </SPAN></STRONG><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10p=
t; COLOR: black; FONT-FAMILY: Arial"></SPAN>
<P class=3DecxMsoNormal>&nbsp;=20
<P class=3DecxMsoNormal><STRONG><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt=
; COLOR: black; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></STRON=
G><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: A=
rial"></SPAN>
<P class=3DecxMsoNormal><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COLOR:=
 black; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>
<P class=3DecxMsoNormal><STRONG><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt=
; COLOR: black; FONT-FAMILY: Arial">Attention: Please </SPAN></STRONG><B><S=
PAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial=
"><BR><STRONG><SPAN style=3D"FONT-FAMILY: Arial">&nbsp;</SPAN></STRONG><BR>=
<STRONG><SPAN style=3D"FONT-FAMILY: Arial">I am Mr Sani karom. The manager =
Audit &amp; Accounts dept. in the&nbsp;African development bank&nbsp; Burki=
na Faso (ADB). I am writing to request your assistance to transfer the sum =
of $10.500.000.00 (Ten million, five hundred thousand United States dollars=
) into your accounts. </SPAN></STRONG></SPAN></B><SPAN lang=3DEN-GB style=
=3D"FONT-SIZE: 10pt; COLOR: black; FONT-FAMILY: Arial"></SPAN>
<P class=3DecxMsoNormal><B><SPAN lang=3DEN-GB style=3D"FONT-SIZE: 10pt; COL=
OR: black; FONT-FAMILY: Arial"><BR>The above sum belongs to our deceased cu=
stomer late Mr Jose D. Sau from Peru&nbsp; who died along with his entire f=
amily in the Benin plane crash 2003 and since then the fund has been in a s=
uspends account.<BR>&nbsp;<BR>After my further investigation, I discovered =
that Mr Jose D. Sau died with his next of kin and according to the laws and=
 constitution guiding this banking institution stated that after the expira=
tion of (7)&nbsp; Seven years, if no body or person comes for the claim as =
the next of kin, the fund will be channel into national treasury as unclaim=
ed fund. Because of the static of this transaction I want you to stand as t=
he next of kin so that our bank will accord you the recognition and have th=
e fund transfer to your account.<BR>&nbsp;<BR>The total sum will be shared =
as follows: 60% for me, 40% for you and expenses incidental occur during
 the transfer will be incur by both of us. <BR>&nbsp;<BR>The transfer is ri=
sk free on both sides hence you are going to follow my instruction till the=
 fund transfer to your account. <BR>More details information with the text =
of application form will be forwarded to you to breakdown explaining compre=
hensively what require of you.<BR>&nbsp;<BR>Your Full Name.................=
.............<BR>Your Sex..................................<BR>Your Age.....=
..............<BR>Your Country...........<BR>Passport / driving license.....=
...&nbsp; <BR>Marital Status...........<BR>Your Occupation.......&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp; <BR>Your Personal Mobile
 Number................<BR>Your Personal Fax Number.....................<BR=
>&nbsp;<BR></SPAN></B><B><SPAN style=3D"FONT-SIZE: 10pt; COLOR: black; FONT=
-FAMILY: Arial">Thanks<BR>Mr sani karom </SPAN></B>
<P class=3DecxMsoNormal><B><SPAN style=3D"FONT-SIZE: 10pt; COLOR: black; FO=
NT-FAMILY: Arial">Audits &amp; Accounts Manger<BR>+22678534867</SPAN></B><B=
><SPAN style=3D"FONT-SIZE: 7.5pt; COLOR: black; FONT-FAMILY: Arial">&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;</SPAN></B><SPAN style=3D"FONT-SIZE: 10pt; COLOR: bl=
ack; FONT-FAMILY: Arial"></SPAN>=20
<P class=3DecxMsoNormal><FONT face=3D"Times New Roman" size=3D3>&nbsp;</FON=
T></DIV></DIV></td></tr></table><br>=0A=0A=0A=0A      Get your Christmas sh=
opping sorted now with <a href=3Dhttp://www.yahooxtra.co.nz/shopping>Yahoo!=
Xtra Shopping.</a>
--0-1755164821-1261522196=:93043--

From "mark.akovo."@live.fr  Wed Dec 23 01:49:27 2009
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Reply-To: <markakovo@live.fr>
From: "Mr Mark Akovo"<mark.akovo.@live.fr>
Subject: spam Your Urgent Attention Please 
Date: Tue, 22 Dec 2009 13:34:41 -0800
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To: undisclosed-recipients:;


Attention Please 
 
Permit me to use this means to seek your partnership in this transfer opportunity.
I am Mr. Mark Akovo, A personal accountant officer. I am contacting you regarding my client who bear the same last name with you, and this is the major reason why I have choose to contact you to share this benefits with me. 

my client and his entire family were involved in a fatal motor accident along the Port Novo express road years back, which unfortunately claimed their lives, with out sparing any occupants of the vehicle.
 
Since then I have made several enquiries to your Embassy just to locate any relation of my client, but on all my efforts could not get any of his relative, then decided to trace his last name over the internet, and I came across your name which is why I have chose to contacted you as partner to assist me in securing the money and property left behind by my late client.
 
I am particularly interested in securing the funds of $18.5 million usd he lodged here, because the financial firm has issued a notice to me as his officer clearly instructing me to produce the Beneficiary to the said account within the next ten official working days, or else the fund 18.5million USD will be confiscated to the government account and the government official will end up sharing it among themselves. 
 
Considering these fact,  I need your consent  to  enable me produce you as the beneficiary to my late client, since you both bear the same last name, The funds will then be transferred to you as the beneficiary and the sharing ratio will be 60% for me and 40% for you. 
 
if you are willing to cooperate with me, get back with the following information .
 
 Your full name..................Your direct phone numbers...................Your occupation...................Your age.......................Your country and contact 
Address.......................
 
This information’s will be use to commence some changes on my client  File as his beneficiary.  
 
This is 100% risk free, because I have in place all the documents to achieve this claim, so I will need your promptness in understanding and co-operation to make sure the fund is transfer to your position before next week end.
 
i wait for your urgent response to my private email: markakovo@live.fr 

Regards,
 
Mr. Mark Akovo

From mrlamidos777@gmail.com  Wed Dec 23 03:58:33 2009
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Reply-To: <mr.lamidosanusi.ng001@live.com>
From: "MR. LAMIDO SANUSI.CBN."<mrlamidos777@gmail.com>
Subject:***SPAM-JP*** YOUR PAYMENT FILE ON MY DESK: (CODE :FGN/CBN3124-FILE111-CBN)
Date: Tue, 22 Dec 2009 12:08:28 -1200
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Message-Id: <20091223000438.F2893122461@email.feparana.com.br>
To: undisclosed-recipients:;

Attention:Beneficiary

I write to introduce myself as Mr Lamido Sanusi,present governor of Central Bank of Nigeria.I resume office as the Central Bank of Nigeria Governor on the 3rd of June 2009,taking office from Prof Charles C.Soludo.Since i resume office,i have been having series of meeting with the high and low breed of staff of the Central Bank of Nigeria,regarding why inherited funds and contract award payment have not been release to the beneficiaries.My findings shows that some corrupt officials have been extorting money from foreigner's 
through various government offices,with involvement with the former Governor of  Central Bank of Nigeria,without transferring there funds.These complain by foreigner's got to the president through the United Nations,that was why the former Governor of Central Bank of Nigeria,was force to resign his appointment as the Governor of Central Bank of Nigeria. The Federal Government has just approved to be paid out through my office within the next 48 hours and if you are truly a contractor/Beneficairy.

Re-confirm the following immediately for payment approval: 

1) Your full name.
2) Phone, fax and mobile #.
3) Company name, position and address.
4) Profession, age and marital status.
5) Copy of int'l passport, driver's linsense, or any valid ID card.

Please quote this payment codes(CODE :FGN/CBN3124-FILE111-CBN) in all 
conversation or else you will not be recognised as a beneficiary/contractor with this Government and note any  further message without my pictured should be disregarded to avoid any fraudulent hijack of information. 

Get back to me via my alternative email address: lamidosanusi.cbn.ng01@gazeta.pl

Yours faithfully
MR.LAMIDO SANUSI
EXECUTIVE GOVERNOR
CENTRAL BANK OF NIGERIA

From cb.nfedral@hotmail.com  Wed Dec 23 12:26:31 2009
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Reply-To: <ministry_nig@live.com>
From: "ISLAM ORGANISATION"<cb.nfedral@hotmail.com>
Subject: AFORTUNADO GANADOR
Date: Thu, 24 Dec 2009 09:55:41 -0800
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To: undisclosed-recipients:;

Estimado Señor / Señora,
 
Esto es para que le notifique que ha sido elegido por el 
junta de síndicos de Socorro Islámico Países Bajos como uno de los 
beneficiarios finales a recibir donaciones en efectivo para económico 
el desarrollo y el alivio de la pobreza. De acuerdo con su 
objetivos, y los objetivos, Socorro Islámico Países Bajos está dando 
a cabo 100,000,000..00 (Cien millones de euros) 
a 80 beneficiarios en todo el mundo internacional de negocios 
desarrollo, el desarrollo económico y la pobreza 
erradicación.
 
Su dirección de correo electrónico fue seleccionado sobre la base de una Internet Selección aleatoria ejercicio; por lo tanto, se confirmó 
uno de los afortunados beneficiarios tienen derecho a recibir 1000000,00 
como donaciones en efectivo de Socorro Islámico Países Bajos. Tú 
están por todos los medios aconseja conservar toda esta información 
confidencial hasta que haya recogido sus donaciones en efectivo; 

esto es para evitar la suplantación y sin reservas reclamación.
Para presentar para su reclamación, por favor póngase en contacto Socorro Islámico oficina internacional departamento de reclamaciones, por Nivel documentaciones, notario, la legalización, y de Procesamiento 
de su derecho 1,000,000.00.
 
Persona de contacto: Dr.Alli Mohammed Azam 
 
Correo electrónico: paycente2_persona@yahoo.es
 
TEL:+44-704-576-1008 , +44-703-599-7761

 
Tratar de citar los números de su Nivel (IRN-101 - 
555, AMS-111-90) en toda su correspondencia con el Dr 
Alli Mohammed Azam. En nombre de la Junta, la amabilidad de aceptar nuestra más cálidas felicitaciones!
 
En nombre de la Junta, la amabilidad de aceptar nuestras más cálidas 
Felicidades!
 
Atentamente, 
Señora Maria Goodna
 

From drallen.oscar@yahoo.co.nz  Wed Dec 23 12:51:45 2009
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Date: Wed, 23 Dec 2009 12:22:23 +0100
Subject: REGARD'S FROM REV DR OSCAR ALLEN 
From: "Dr Oscar Allen" <drallen.oscar@yahoo.co.nz>
Reply-To: droscar44@gmail.com
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To: undisclosed-recipients:;




Hello My Dear Friend,



  Greetings to you & your Family,You might find it so difficult to
remember me.Though it is indeed,a very long time.On my singular,I am
much delighted and privileged to contact you again, after couple of
years now. It takes fate,courage and God's fearing to remember old
friends and at the same time, to show gratification to them, despite
circumstances that made things, not worked out as we projected then.

I am presently in JAPAN,for numerous business negotiations and
establishment,I just arrived yesterday night and checked inn,in a hotel
and decided to go down this morment to the hotel business centre to mail
you.Now,with my sincere heart, I have raised and signed an International
Cashier's Bank Draft,to the Sum of ($1.2USD) (ONE MILLION TWO HUNDRED
THOUSAND UNITED STATES DOLLARS) only in your name as a COMPENSATION to
your dedication,humanity and contribution, as it were.

I take this liberty to inform you that, the transaction we were pursing
together,finally worked out by God's infinite mercy and I decided to
contact you, just to let you know. You are advised to stop any further
communication with your local representative(s) any officials(s)department
whom may call you or email concerning the check draft what sum of ($1.2M)
Only Contact (skyline) Security/Courier Company Service as soon as
possible to know when they will deliver your package to you because of the
expiring date of the cheque.




Note:I have paid for the delivering Charges,The only money you will send
to the (skyline)Security Courier/ Company Service to delivered your bank
draft direct to your postal Address in your country is ($98.00USD) only
being their Safety Security Keeping of the Draft. Again, Do not be deceive
by anybody to pay any other money except ($98.00USD) I would have paid
that but they said no because they don't know when you will contact them
and in case of demurrage. You have to contact the Skyline Courier Service
now for the delivery of your Draft with this information bellow. Meanwhile
the deposite certificate of This draft will be send to you as soon as you
contact them:

Contact person: Dr. Obi Ginter.
E-mail:(skylinesecurity@list.ru)
Tel/Fax:  +229 98 79 10 93
Registration Reference No of the Package: FDXB/xxx/100
Code Number:xxxKP/229B.

You are to forward to him, the following information's as urgent:a
1).YOUR NAME/HOUSE  ADDRESS:
2). YOU’RE TELEPHONE NUMBER:
3).YOUR INTERNATIONAL ID COPY:

Yours Faithfully,
Dr Allen Oscar




From westdeutschelotterie@gmx.de  Wed Dec 23 14:57:51 2009
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Message-ID: <20091223165934.14553bruuk52btyc@mail.cmauganda.co.ug>
Date: Wed, 23 Dec 2009 16:59:34 +0300
From: "James Williams" <westdeutschelotterie@gmx.de>
Reply-to: jameswill1958@aol.com
To: undisclosed-recipients:;
Subject: Reference Number: WL/GmbH-23/07-OHG
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Westdeutsche Lotterie GmbH & Co. OHG

Central Office
Management and Central Services:
Rosenstrasse 12-16
DE - 70156 Stuttgart
Germany



Reference Number: WL/GmbH-23/07-OHG
Batch: WL/07- GmbH/9907



Congratulations!!!


We are pleased to inform you of the result of the just concluded annual
final draws of the Westdeutsche Lotterie GmbH & Co. OHG Program.



Westdeutsche Lotterie GmbH & Co. OHG draws was conducted from an exclusive
list of 25,000,000 e-mail addresses of individual and corporate bodies
picked  by an advanced automated random computer ballot search from the
internet as part of our international promotions program which we conduct
every year.        "No tickets were sold."



After this automated computer ballot, your e-mail address attached to
serial number 07-9907 drew the lucky numbers 9-11-25-30-38-46 which
consequently emerged you as one of first fifty (50) lucky winners in this
category.



You have therefore been approved for a lump sum payout of  ?500,000.00 =20
(Five Hundred Thousand Euro Only) in cash credited to file =20
WL/GmbH-23/07-OHG. This is
from a total cash prize of ?25 Million Euro shared amongst the first
fifty (50) lucky winners in this category.

These funds is  given to you for your business,educational and personal
development, and at least 10% to be used by you to develop part of your
enviroment, which is a measure of universal development strategy, and
eradication of poverty.



This year Lottery Program Jackpot is the largest ever for Westdeutsche
Lotterie GmbH & Co. OHG. The estimated ?50 million jackpot would be the
sixth-biggest in Europe history. The biggest was the ?363 million jackpot
that went to two winners in a Febuary 2003 drawing of The Big Game Mega
Millions' predecessor.



The idea of this lottery program is that within ten years from now, there
will be notable richness among many unusual people around the world. This
will give many people the opportunity to kick start their lives to a stage
where they had always wanted.



Your fund is now deposited in an offshore bank with a hardcover insurance.
Due to the mix up of some numbers,names and e-mail addresses, we advice
that you keep this award from public notice until your claim has been
processed and your money remitted to your nominated bank account as this
is part of our security protocol to avoid double claiming or unwarranted
taking advantage of this program by the general public.

Please note that your lucky winning number falls within our booklet
representative office in London. In view of this, your ?500,000.00 =20
(Five Hundred Thousand Euro Only) would be released to you by our =20
affiliate bank in London. However, our agent will immediately commence =20
the process to facilitate the release
of your funds to you as soon as you make contact with him.

To begin your claim please contact our licensed and accredited agent
assigned to you with the following information 1. NAME, 2. ADDRESS, 3. =20
PHONE/FAX NUMBER, 4. SEX, AGE AND YOUR OCCUPATION.

Mr.James Williams
Westdeutsche Lotterie GmbH & Co. OHG
Lotto Payment Release Order Dept:
London Representative Office.
Phone: +44-70-35976471

Your claims agent will assist you in the processing and remittance of your
prize funds into your designated bank account.



Note that all prize funds must be claimed not later than 3 weeks. After
this date all funds will be returned to the LOTTERY TREASURY as unclaimed.
In order to avoid unnecessary delays and complications, please endeavor to
quote your Reference Number:WL/GmbH-23/07-OHG and Batch numbers:WL/07-
GmbH/9907 in every correspondence with your agent. Furthermore, should
there be any change in your address, do inform your claims agent as soon
as possible.



Members of the affiliate agencies are automatically not allowed to
participate in this program.



Congratulations once again from all members of our staff and thanks for
being part of our promotions program.



Yours faithfully,
Mrs.Susi Cristoph
Promotions Manager.
Westdeutsche Lotterie GmbH & Co. OHG.






From MAILER-DAEMON  Wed Dec 23 15:43:56 2009
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Reply-To: <stevenkomen@i12.com>
From: "Komen Steven"<"Komen Steven"@omr10.networksolutionsemail.com>
To: stevenkomen@i12.com
Subject: Hello dear
Date: Wed, 23 Dec 2009 15:44:55 -0000
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<FONT size=3 face="Tahoma">Hello Dearest,</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Komen Mahachi from Gaharb-Darfur Sudan; Northeastern Africa, now seeking political asylum in Dakar Senegal under the UNHCR as a refugee.</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me receive my inheritance funds so I can leave this camp and come to your country to continue my education. Please kindly write me back </FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">Thanks and God bless.</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">Greetings from,</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">Miss Komen</FONT></DIV>
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From scollahs@sify.com  Wed Dec 23 17:09:33 2009
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Date: Wed, 23 Dec 2009 22:39:22 +0530 (IST)
From: "SCOLLA H.Sahili" <scollahs@sify.com>
Reply-To: scollahs@voila.fr
Subject: Dearest 
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1834184273-1261588162=:9408
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Dearest=20

=C2=A0=20
I am writing this mail to you with tears and sorrow from my heart. With due=
 respect trust and humanity, i appeal to you to exercise a little patience =
and read through my letter i feel quite safe dealing with you in this impor=
tant business having gone through your remarkable profile, honestly i am wr=
iting this email to you with pains, tears and sorrow from my heart, i will =
really like to have a good relationship with you and i have a special reaso=
n why i decided to contact you, i decided to contact you due to the urgency=
 of my situation.=20



Please permit me to introduce myself formally as Scolla H.Sahili, hail from=
 western region of Darfur in Sudan but presently taking refugee in OUAGADOU=
GOU , BURKINA-FASO. I do not know all about you as I am obliged to seek int=
o the confines of your heart and bring to your knowledge on how helpful you=
r assistance matters to my future.=20
=C2=A0=20
My late father Dr. Mandey Sahili, former Chairman of the Board of Directors=
 of the National Gold and Cotton Corporation of Sudan, died as a result of =
a power struggle between President Umar al-Bashir and the ousted parliament=
 speaker Hasan al-Turabi, the main ideologue of Sudan=E2=80=99s Islamist go=
vernment, while my mother died as a result of hypertension after our arriva=
l to OUAGADOUGOU, BURKINA-FASO.=20
=C2=A0=20
It is my pleasure to contact you for a business venture which I intend to e=
stablish in your country. Though I have not met with you before, but I beli=
eve one has to risk confiding in someone to succeed sometimes in life. Ther=
e is this family treasure box that contains a very huge amount of fifteen m=
illion, five hundred thousand dollars ($15.5million) which my late mother d=
eposited in a Global security company here in OUAGADOUGOU , BURKINA-FASO. U=
pon our arrival.=20
=C2=A0=20
Now I have decided to invest this money in your country or anywhere safe en=
ough outside Africa due to security and political reasons. I want you to he=
lp me claim and retrieve this family treasure box from the custody of the s=
ecurity company and transfer it to your country for investment purposes in =
these areas:=20

Telecommunication.=20
The transport industry.=20
Five-star hotel.=20
Real estate management.
If you can be of an assistance to me I will be pleased to offer to you 15% =
of the total fund. Note that any delay in replying me will give me room in =
searching for another for the same purpose.=20
=C2=A0=20
Best regard,=20
=C2=A0=20
Miss Scolla H. Sahili.=20
Please reply to my alternative email: (scollahs@voila.fr)=20
=C2=A0=0A=0A=0A      The INTERNET now has a personality. YOURS! See your Ya=
hoo! Homepage. http://in.yahoo.com/
--0-1834184273-1261588162=:9408
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<TABLE class=3DMsoNormalTable cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD style=3D"BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 0cm; BORDER-TOP: #ece9d8=
; PADDING-LEFT: 0cm; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; PADDING-TOP=
: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" vAlign=3Dtop>
<TABLE class=3DMsoNormalTable cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD style=3D"BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 0cm; BORDER-TOP: #ece9d8=
; PADDING-LEFT: 0cm; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; PADDING-TOP=
: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent">
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial">Dearest</SPAN>=20
<DIV></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial">&nbsp;</SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial">I am writing this mail to you with tears and sorrow=
 from my heart. With due respect trust and humanity, i appeal to you to exe=
rcise a little patience and read through my letter i feel quite safe dealin=
g with you in this important business having gone through your remarkable p=
rofile, honestly i am writing this email to you with pains, tears and sorro=
w from my heart, i will really like to have a good relationship with you an=
d i have a special reason why i decided to contact you, i decided to contac=
t you due to the urgency of my situation.</SPAN>=20
<DIV></DIV></TD></TR></TBODY></TABLE>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"></SPAN>
<DIV></DIV></TD></TR></TBODY></TABLE>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>Please permit me to introduce myself=
 formally as Scolla H.Sahili, hail from western region of Darfur in Sudan b=
ut presently taking refugee in OUAGADOUGOU , BURKINA-FASO. I do not know al=
l about you as I am obliged to seek into the confines of your heart and bri=
ng to your knowledge on how helpful your assistance matters to my future.</=
FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>&nbsp;</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>My late father Dr. Mandey Sahili, fo=
rmer Chairman of the Board of Directors of the National Gold and Cotton Cor=
poration of Sudan, died as a result of a power struggle between President U=
mar al-Bashir and the ousted parliament speaker Hasan al-Turabi, the main i=
deologue of Sudan=E2=80=99s Islamist government, while my mother died as a =
result of hypertension after our arrival to OUAGADOUGOU, BURKINA-FASO.</FON=
T></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>&nbsp;</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>It is my pleasure to contact you for=
 a business venture which I intend to establish in your country. Though I h=
ave not met with you before, but I believe one has to risk confiding in som=
eone to succeed sometimes in life. There is this family treasure box that c=
ontains a very huge amount of fifteen million, five hundred thousand dollar=
s ($15.5million) which my late mother deposited in a Global security compan=
y here in OUAGADOUGOU , BURKINA-FASO. Upon our arrival.</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>&nbsp;</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>Now I have decided to invest this mo=
ney in your country or anywhere safe enough outside Africa due to security =
and political reasons. I want you to help me claim and retrieve this family=
 treasure box from the custody of the security company and transfer it to y=
our country for investment purposes in these areas:</FONT></SPAN>=20
<OL style=3D"MARGIN-TOP: 0cm" type=3D1>
<LI class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN style=3D"FONT-FAM=
ILY: Arial"><FONT size=3D3>Telecommunication. </FONT></SPAN></LI>
<LI class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN style=3D"FONT-FAM=
ILY: Arial"><FONT size=3D3>The transport industry. </FONT></SPAN></LI>
<LI class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN style=3D"FONT-FAM=
ILY: Arial"><FONT size=3D3>Five-star hotel. </FONT></SPAN></LI>
<LI class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN style=3D"FONT-FAM=
ILY: Arial"><FONT size=3D3>Real estate management.</FONT></SPAN></LI></OL>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>If you can be of an assistance to me=
 I will be pleased to offer to you 15% of the total fund. Note that any del=
ay in replying me will give me room in searching for another for the same p=
urpose.</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>&nbsp;</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>Best regard,</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>&nbsp;</FONT></SPAN>=20
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"><FONT size=3D3>Miss Scolla H. Sahili.<SPAN style=3D=
"COLOR: black"> </SPAN></FONT></SPAN>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DEN-GB style=
=3D"COLOR: black; FONT-FAMILY: Arial"><FONT size=3D3>Please reply to my alt=
ernative email: (scollahs@voila.fr)</FONT></SPAN><SPAN lang=3DEN-GB style=
=3D"FONT-FAMILY: Arial"></SPAN>=20
<DIV>&nbsp;</DIV></DIV></td></tr></table><br>=0A=0A=0A=0A      <!--1--><hr =
size=3D1></hr> =0AThe INTERNET now has a personality. YOURS! <a href=3D"htt=
p://in.rd.yahoo.com/tagline_yyi_1/*http://in.yahoo.com/" target=3D"_blank">=
See your Yahoo! Homepage</a>.
--0-1834184273-1261588162=:9408--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 23 21:14:37 2009
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Date: Wed, 23 Dec 2009 13:14:35 -0800
Message-ID: <c70e517b0912231314h33589532w80e688f8be3852e0@mail.gmail.com>
Subject: Ghost of Christmas Future
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Content-Type: text/plain; charset=ISO-8859-1
Resent-Message-ID: <m_H2nB.A.ytD.9goMLB@arsenic>
Resent-From: Loopers-Delight@loopers-delight.com
Reply-To: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/96522
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Resent-Date: Wed, 23 Dec 2009 21:14:37 +0000 (UTC)

I thought this was pretty funny - there's an Onion article today,
"Ghost Of Christmas Future Taunts Children With Visions Of PlayStation
5". The Playstation 5 in the image looks suspiciously like an Alesis
AirFX.

http://www.theonion.com/content/news/ghost_of_christmas_future_taunts

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec 24 01:58:05 2009
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In-Reply-To: <c70e517b0912231314h33589532w80e688f8be3852e0@mail.gmail.com>
References: <c70e517b0912231314h33589532w80e688f8be3852e0@mail.gmail.com>
Date: Thu, 24 Dec 2009 02:58:02 +0100
Message-ID: <afb941d0912231758r2929c8e8x8c1066a17333437@mail.gmail.com>
Subject: Re: Ghost of Christmas Future
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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yes. it is the alesis playstation. :-)

2009/12/23 Matt Davignon <mattdavignon@gmail.com>

> I thought this was pretty funny - there's an Onion article today,
> "Ghost Of Christmas Future Taunts Children With Visions Of PlayStation
> 5". The Playstation 5 in the image looks suspiciously like an Alesis
> AirFX.
>
> http://www.theonion.com/content/news/ghost_of_christmas_future_taunts
>
> --
> Matt Davignon
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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yes. it is the alesis playstation. :-)<br><br><div class=3D"gmail_quote">20=
09/12/23 Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon=
@gmail.com">mattdavignon@gmail.com</a>&gt;</span><br><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">
I thought this was pretty funny - there&#39;s an Onion article today,<br>
&quot;Ghost Of Christmas Future Taunts Children With Visions Of PlayStation=
<br>
5&quot;. The Playstation 5 in the image looks suspiciously like an Alesis<b=
r>
AirFX.<br>
<br>
<a href=3D"http://www.theonion.com/content/news/ghost_of_christmas_future_t=
aunts" target=3D"_blank">http://www.theonion.com/content/news/ghost_of_chri=
stmas_future_taunts</a><br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at B=
logger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogsp=
ot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">http://www.ct-collective.com</a><br>
<br>

--0016e6d5667af17f64047b6fc4d3--

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Date: Thu, 24 Dec 2009 10:00:19 +0100
From: Massimo Liverani <liverani@het.it>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Ghost of Christmas Future
References: <c70e517b0912231314h33589532w80e688f8be3852e0@mail.gmail.com> <afb941d0912231758r2929c8e8x8c1066a17333437@mail.gmail.com>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
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 http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Yes is the air fx, got one instead of all...<br>
MARRY XMAST AND YAPPY NEW YEAR TO EVERYONE!<br>
<br>
Max Liver<br>
<br>
Il 24/12/2009 2.58, Raul Bonell ha scritto:
<blockquote
 cite="mid:afb941d0912231758r2929c8e8x8c1066a17333437@mail.gmail.com"
 type="cite">yes. it is the alesis playstation. :-)<br>
  <br>
  <div class="gmail_quote">2009/12/23 Matt Davignon <span dir="ltr">&lt;<a
 moz-do-not-send="true" href="mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;</span><br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I
thought this was pretty funny - there's an Onion article today,<br>
"Ghost Of Christmas Future Taunts Children With Visions Of PlayStation<br>
5". The Playstation 5 in the image looks suspiciously like an Alesis<br>
AirFX.<br>
    <br>
    <a moz-do-not-send="true"
 href="http://www.theonion.com/content/news/ghost_of_christmas_future_taunts"
 target="_blank">http://www.theonion.com/content/news/ghost_of_christmas_future_taunts</a><br>
    <font color="#888888"><br>
--<br>
Matt Davignon<br>
    <a moz-do-not-send="true" href="http://www.ribosomemusic.com"
 target="_blank">www.ribosomemusic.com</a><br>
Rigs! <a moz-do-not-send="true"
 href="http://www.youtube.com/user/ribosomematt" target="_blank">www.youtube.com/user/ribosomematt</a><br>
    <br>
    </font></blockquote>
  </div>
  <br>
  <br clear="all">
  <br>
-- <br>
Raul Bonell at Blogger: <a moz-do-not-send="true"
 href="http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a moz-do-not-send="true"
 href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.01070902.05040500@het.it" border="0"></div>
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--------------030201050807070800030109--

From co_rj@msn.com  Thu Dec 24 09:32:33 2009
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ATTN. LUCKY WlNNER!

WE ARE PLEASED T0 lNF0RM Y0U THAT Y0U HAVE EMERGED AS A WlNNER lN 0UR =20
END 0F YEAR (2009) YAH00/MSN L0TTERY PR0GRAMME. Y0UR EMAlL ADDRESS WAS =20
SELECTED BY 0UR ELECTR0NlC RAND0M SELECTl0N SYSTEM (ERSS) FR0M AN =20
EXCLUSlVE LlST 0F 30,000,000 E-MAlL ADDRESSES 0F lNDlVlDUAL AND =20
C0RP0RATE B0DlES GENERATED FR0M AN lNTERNET RES0URCE DATABASE. N0 =20
TlCKETS WERE S0LD.

Y0UR EMAlL ADDRESS lS lDENTlFlED WlTH BATCH NUMBER: P1/56/2009 AND =20
WlNNlNG NUMBER: 11-65-37-92-48-10 lN CATEG0RY "B" AND Y0UR CLAlMS =20
P0RTF0Ll0 lS FlLLED WlTH REF NUMBER:UKL/09-005/XX. Y0U ARE THEREF0RE =20
ADVlSED T0 RECElVE A CASH PRlZE 0F =C2=A31,000,000.00 (0NE MlLLl0N GREAT =20
BRlTlSH P0UND) FR0M THE T0TAL PAY0UT.

T0 CLAlM Y0UR PRlZE, PLEASE C0NTACT 0UR CERTlFlED AND ACCREDlTED =20
CLAlMS AGENT F0R CATEG0RY "B" WlNNERS WlTH THE lNF0RMATl0N BEL0W:
*************************************
NAME: MR. RlCHARD ADAMS
E-MAlL: radams192@yahoo.com.hk
*************************************
ENDEAV0UR T0 PR0VlDE HlM WlTH THE F0LL0WlNG lNF0RMATl0N lN Y0UR =20
C0NTACT WlTH HlM.
NAMES:
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Y0U ARE T0 KEEP ALL L0TT0 lNF0RMATl0N C0NFlDENTlAL, ESPEClALLY Y0UR =20
REFERENCE AND TlCKET NUMBERS.

Y0URS FAlTHFULLY,
MRS. RITA JONES
L0TTERY C0-0RDlNAT0R.
YAHO0/MSN LOTTERY INCORPORATION

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Attn: Beneficiary,


The Russian Foundation for basic research ( http://www.rfbr.ru/ ),

United Nation,Vittorio Foundation (ITALY) and the BANKS INVOLVED have

been having a meeting for the passed 7 months on how to compensate

those that have been ripped and all foreign contractors that may have

not received their contract sum, and people that have had an unfinished

transaction or international businesses that failed due to Governmental

problems etc, the meeting end up last week. The above bodies have

agreed to compensate you with the sum of (USD$850,000) in an ATM CARD,

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Number is 2900.


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From marialisalewis@yahoo.es  Thu Dec 24 17:07:18 2009
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From: "ISLAM ORGANISATION"<marialisalewis@yahoo.es>
Subject: LUCKY WINNER(ISLAM DONATION)
Date: Fri, 25 Dec 2009 13:06:38 -0800
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Dear Sir/Madam,

 This is to notify you that you have been chosen by the
board of trustees Islamic Relief Netherland as one of the
final recipients to receive cash donations for economic
development, and poverty alleviation. In line with its
aims, and objectives, Islamic Relief Netherland is giving
out €100,000,000.00 (One Hundred Million Euro)
to 80 international recipients worldwide for Business
development, economic development, and poverty
eradication.

Your email address was selected based on an internet
random  Selection exercise; you are therefore confirmed
one of the lucky recipients entitled to receive €1,000,000.00
as cash donations from Islamic Relief Netherland. You
are by all means advised to keep this whole information
confidential until you have collected your cash donations;
this is to avoid impersonation ,false claim and unqualified claim.

To file for your claim, please contact Islamic Relief
international office claims department, for Qualification
documentations, notarization, legalization, and Processing
of your €1,000,000.00 entitlement.

Contact Person: Dr. Alli Mohammed Azam
TEL: +44-704-576-1008
FAX: +44-7005-93-0778
Email:paycente2_persona@yahoo.es

Endeavor to quote your Qualification numbers (IRN-101-
555, AMS-111-90) in all your correspondence with Dr.
Alli Mohammed Azam. On behalf of the Board, kindly accept our
warmest Congratulations!

On behalf of the Board, kindly accept our warmest
Congratulations!

Yours faithfully,
Mrs. Carolina Fontaneti

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great tune there Jim! Have a very Loopy Christmas!

j
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, December 22, 2009 12:52 AM
  Subject: Looping fiddler


  In a search for a traditional tune King of the Fairies I've been =
learning stumbled on to this guy who is doing some cool stuff spinning =
about this tune and looping on a DL-4.  Passing along.

  http://www.youtube.com/watch?v=3DgjFKNPnboF0&feature=3Drelated

  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


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<DIV><FONT face=3DArial size=3D2>great tune there Jim! Have a very Loopy =

Christmas!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
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  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 22, =
2009 12:52=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Looping fiddler</DIV>
  <DIV><BR></DIV>In a search for a traditional tune King of the Fairies =
I've=20
  been learning stumbled on to this guy who is doing some cool stuff =
spinning=20
  about this tune and looping on a DL-4.&nbsp; Passing along.<BR><BR><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelate=
d">http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelated</A>=
<BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004E_01CA8492.89A4EFE0--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Christmas music online
Date: Thu, 24 Dec 2009 12:18:15 -0500
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Fellow looper Stephen Goodman is playing now on Ustream for his 12 Days of 
Christmas +1 Show.

http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009


peace,

Jeff

From bcoroma@yahoo.com.hk  Thu Dec 24 17:57:45 2009
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Date: Thu, 24 Dec 2009 23:27:33 +0530 (IST)
From: Ben Coroma <bcoroma@yahoo.com.hk>
Reply-To: bcoroma@yahoo.com.hk
Subject: REPLY, IF YOU ARE INTRESTED!!!
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1102899042-1261677453=:20656"

--0-1102899042-1261677453=:20656
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=0A=C2=A0From The Desk Of =0ABen Coroma.=20
The Head Of File Department,=20
African =0ADevelopment Bank (A.D.B).=20
Ouagadougou Burkina-Faso =0AWest =0AAfrica.=C2=A0=0A=0A=0A
=C2=A0=C2=A0=C2=A0=C2=A0 Forgive my indignation =0Aif this message comes to=
 you as a surprise and may offend your personality for =0Acontacting you wi=
thout your prior consent and writing through this channel. I =0Agot your co=
ntact from the proffesional data base found in the internet Yahoo =0Atouris=
t search. When i was searching for a foreign reliable partner. I assured =
=0Aof your capability and reliability to champion this business =0Aopportun=
ity.=0A=C2=A0=0A=C2=A0=C2=A0=C2=A0=C2=A0 After series of =0Aprayers/fasting=
. i was divinely directed to contact you among other names found in the dat=
a base Yahoo =0Atourist search.I believe that God has a way of helping who =
is in =0Aneed.=0A=C2=A0=0A=C2=A0 =C2=A0I am (Ben Coroma.the Head =0Aof file=
 Department in African development bank =0A(ADB).=0A
In my department we =0Adiscovered an abandoned sum of $15 million U.S.A dol=
lars ( fifteen million U.S.A =0Adollars). In an account that belongs to one=
 of our foreign customer who died =0Aalong with all his family in the Asia =
Earth Quake Disaster (TSUNAMI DISASTER=C2=A0IN =0AINDONESIA/INDIA=C2=A0http=
://www.cnn.com/SPECIALS/2004/tsunami.disaster/. =C2=A0All of his =0AFamily =
lost there lives in the Disaster.=C2=A0 Since then I have made several =0Ai=
nquiries to his Country embassy to locate any of=C2=A0his client's extended=
 =0ARelatives, this has proved unsuccessful.=C2=A0 After these several unsu=
ccessful =0Aattempts,=C2=A0unfortunately we learnt that all his supposed ne=
xt of =0Akin or relation died along side with him at the TSUNAMI DISASTER=
=C2=A0IN =0AINDONESIA/INDIA leaving nobody behind for the claim. It is ther=
efore upon this =0Adiscovery that I and one official in my department now d=
ecided to make this =0Abusiness proposal to you and release the money to yo=
u as the next of kin or =0Arelation to the deceased for safety and subseque=
nt disbursement since nobody is =0Acoming for it and we don=E2=80=99t want =
this money to go into the bank treasury as =0Aunclaimed bill.

The Banking law and guideline here stipulates that if =0Asuch money remaine=
d unclaimed after=C2=A0five (5)=C2=A0years, the money will be =0Atransferre=
d into the Bank treasury as unclaimed fund. The request of foreigner =0Aas =
next of kin in this business is occasioned by the fact that the customer wa=
s =0Aa foreigner, and a Burkinabe cannot stand as next of kin to a foreigne=
r. We =0Aagree that 40% of this money will be for you as foreign partner, i=
n respect to =0Athe provision of a foreign account,and 60% would be for me.=
 That means ($6 =0Amillion)=C2=A0 six million dollars for you,and ($9 milli=
on) nine million dollars for me and my partner. =0AThere after i will visit=
 your country for disbursement according to the =0Apercentages indicated.=
=C2=A0

=0AAll I require is your honest =0Acooperation to enable us seeing this dea=
l through. I guarantee that this will be =0Aexecuted under a legitimate arr=
angement that will protect you from any breach of =0Athe law. Please consid=
er my official positions, reputation and integrity, =0Aespecially, the oppo=
rtunities in the business itself, it is very necessary that =0Aall due care=
 be taken so that we do not miss the opportunity due to =0Acarelessness. =
=0A=C2=A0=0A=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0 You are therefore expected and advised to =0Adisplay =
high degree of maturity, responsibility and understanding in handling =0Ath=
is information.=C2=A0 I will give you all the details in my next mail when =
you have =0Aindicated your interest and commitment to work with me. =C2=A0A=
lways remember that =0Athis is the highest confidence and trust any person =
can repose on the other,=C2=A0 =0Aespecially when it is considered that we =
did not know =0Aourselves=C2=A0=0A=C2=A0=0A=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0 =0A=C2=A0I hope you will honor me too.=0A=C2=A0=0A=C2=A0=
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0 I will come =0Aover to join you in your Country for disbursement =
when the funds hit your =0Aaccount. More so for an effective and easy commu=
nication I will advice that you =0Afurnish me with your telephone and fax n=
umber. Upon receipt of =0Ayour reply, I will send to you by fax or email th=
e text of the application I =0Awill not fail to bring to your notice that t=
his transaction is hitch free and =0Athat you should not entertain any atom=
 of fear as all required arrangements have =0Abeen made for the transfer.=
=20

You should=C2=A0call me on this number =C2=A0+226-75282760=C2=A0 +226-75282=
760 , immediately as soon as =0Ayou receive this letter. relpy me with benc=
oroma@sify.com=C2=A0Trusting to hear from =0Ayou immediately.=20

Your=E2=80=99s faithfully,=C2=A0

Ben =0ACoroma.=0A=C2=A0=0AFROM (ADB) OUAGADOUGOU BURKINA-FASO.=0AGOD=C2=A0B=
LESSINGS, PROTECTIONS AND =0AGUIDIANCE TO YOUR ENTIRE FAMILY.=C2=A0=0A=C2=
=A0=0A=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=
=A0=C2=A0=C2=A0=C2=A0=C2=A0 (FILL THIS FORM BELLOW PLEASE AND RESEND IT TO =
=0AME).=0A=C2=A0=0A=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=
=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=0A1) Your Full =0AName................=
.............=0A2) Your =0AAge.......................................=0A3) =
Marital =0AStatus................................=0A4) Your Cell Phone Numb=
er=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6..=0A5) Your Fax Number=E2=80=A6=E2=
=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6..... =0A=0A6)=C2=A0Your =0ACount=
ry=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6..............=0A7)=
 Your =0AOccupation............................=0A8) =0ASex................=
................................=0A9) Your =0AReligion.....................=
............=0A10)=C2=A0Your Private E-mail =0AAdress...........=0A=0A=0A  =
    The INTERNET now has a personality. YOURS! See your Yahoo! Homepage. ht=
tp://in.yahoo.com/
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv577201494">=0A<div class=3D"Mso=
Normal" style=3D"MARGIN: 0cm 0cm 0pt">&nbsp;<span><strong>From The Desk Of =
=0ABen Coroma. <br>The Head Of File Department, <br><span style=3D"BACKGROU=
ND: none transparent scroll repeat 0% 0%; BORDER-BOTTOM: #0066cc 1px dashed=
"><span style=3D"BACKGROUND: none transparent scroll repeat 0% 0%; BORDER-B=
OTTOM: #0066cc 1px dashed"><span class=3D"yshortcuts" id=3D"lw_1225271745_0=
" style=3D"BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand; =
BORDER-BOTTOM: #0066cc 1px dashed">African =0ADevelopment Bank</span></span=
></span> (A.D.B). <br>Ouagadougou Burkina-Faso =0A<span style=3D"BACKGROUND=
: none transparent scroll repeat 0% 0%; BORDER-BOTTOM: medium none"><span s=
tyle=3D"BACKGROUND: none transparent scroll repeat 0% 0%; BORDER-BOTTOM: me=
dium none"><span class=3D"yshortcuts" id=3D"lw_1225271745_1">West =0AAfrica=
</span></span></span>.&nbsp;</strong></span></div>=0A<div class=3D"MsoNorma=
l" style=3D"MARGIN: 0cm 0cm 0pt">=0A<div></div></div><b><span lang=3D"EN-US=
" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">=0A</span></b><div class=3D=
"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b><br>&nbsp;&nbsp;&nbsp;&nbsp; F=
orgive my indignation =0Aif this message comes to you as a surprise and may=
 offend your personality for =0Acontacting you without your prior consent a=
nd writing through this channel. I =0Agot your contact from the proffesiona=
l data base found in the internet <span class=3D"yshortcuts" id=3D"lw_12411=
77242_0" style=3D"CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed"><span cl=
ass=3D"yshortcuts" id=3D"lw_1241177791_0" style=3D"CURSOR: hand; BORDER-BOT=
TOM: #0066cc 1px dashed">Yahoo</span></span> =0Atourist search. When i was =
searching for a foreign reliable partner. I assured =0Aof your capability a=
nd reliability to champion this business =0Aopportunity.</b></div>=0A<div c=
lass=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b><span lang=3D"EN-US" st=
yle=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;</span></b></div>=0A<div =
class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-=
US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp; =
After series of =0Aprayers/fasting. i was divinely directed to contact you =
</span></strong><b><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMI=
LY: Arial"><strong><span style=3D"FONT-FAMILY: Arial">among other names fou=
nd in the data base Yahoo =0Atourist search.I believe that God has a way of=
 helping who is in =0Aneed.</span></strong></span></b></div>=0A<div class=
=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b><span lang=3D"EN-US" style=
=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;</span></b></div>=0A<div cla=
ss=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US"=
 style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp; &nbsp;I am (Ben Corom=
a<u>.</u>the Head =0Aof file Department in <span class=3D"yshortcuts" id=3D=
"lw_1241177242_1"><span class=3D"yshortcuts" id=3D"lw_1241177791_1">African=
 development bank</span></span> =0A(ADB).</span></strong><b><span lang=3D"E=
N-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"></span></b></div><b><sp=
an lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">=0A<div cla=
ss=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><br>In my department we =0Ad=
iscovered an abandoned sum of $15 million U.S.A dollars ( fifteen million U=
.S.A =0Adollars). In an account that belongs to one of our foreign customer=
 who died =0Aalong with all his family in the Asia Earth Quake Disaster (TS=
UNAMI DISASTER&nbsp;IN =0AINDONESIA/INDIA&nbsp;<a href=3D"http://www.cnn.co=
m/SPECIALS/2004/tsunami.disaster/" target=3D"_blank" rel=3D"nofollow"><font=
 face=3D"arial, helvetica, sans-serif" color=3D"#003399"><span class=3D"ysh=
ortcuts" id=3D"lw_1211383405_1">http://www.cnn.com/SPECIALS/2004/tsunami.di=
saster/</span></font></a><font face=3D"Times New Roman"><font face=3D"arial=
, helvetica, sans-serif">. &nbsp;All of his =0AFamily lost there lives in t=
he Disaster.&nbsp; Since then I have made several =0Ainquiries to his Count=
ry embassy to locate any of&nbsp;his client's extended =0ARelatives, this h=
as proved unsuccessful.&nbsp; After these several unsuccessful =0Aattempts<=
/font>,</font>&nbsp;unfortunately we learnt that all his supposed next of =
=0Akin or relation died along side with him at the TSUNAMI DISASTER&nbsp;IN=
 =0AINDONESIA/INDIA leaving nobody behind for the claim. It is therefore up=
on this =0Adiscovery that I and one official in my department now decided t=
o make this =0Abusiness proposal to you and release the money to you as the=
 next of kin or =0Arelation to the deceased for safety and subsequent disbu=
rsement since nobody is =0Acoming for it and we don=E2=80=99t want this mon=
ey to go into the bank treasury as =0Aunclaimed bill.<br><br>The Banking la=
w and guideline here stipulates that if =0Asuch money remained unclaimed af=
ter&nbsp;five (5)&nbsp;years, the money will be =0Atransferred into the Ban=
k treasury as unclaimed fund. The request of foreigner =0Aas next of kin in=
 this business is occasioned by the fact that the customer was =0Aa foreign=
er, and a Burkinabe cannot stand as next of kin to a foreigner. We =0Aagree=
 that 40% of this money will be for you as foreign partner, in respect to =
=0Athe provision of a foreign account,and 60% would be for me. That means (=
$6 =0Amillion)&nbsp; six <span class=3D"yshortcuts" id=3D"lw_1241177242_2">=
<span class=3D"yshortcuts" id=3D"lw_1241177791_2">million dollars</span></s=
pan> for you,and ($9 million) <span class=3D"yshortcuts" id=3D"lw_124117724=
2_3"><span class=3D"yshortcuts" id=3D"lw_1241177791_3">nine million dollars=
</span></span> for me and my partner. =0AThere after i will visit your coun=
try for disbursement according to the =0Apercentages indicated.&nbsp;<br><b=
r></div>=0A</span></b><div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt=
"><b>All I require is your honest =0Acooperation to enable us seeing this d=
eal through. I guarantee that this will be =0Aexecuted under a legitimate a=
rrangement that will protect you from any breach of =0Athe law. Please cons=
ider my official positions, reputation and integrity, =0Aespecially, the op=
portunities in the business itself, it is very necessary that =0Aall due ca=
re be taken so that we do not miss the opportunity due to =0Acarelessness. =
=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0in 0in 0pt"><b><font face=3D"=
Times New Roman">&nbsp;</font></b></div>=0A<div class=3D"MsoNormal" style=
=3D"MARGIN: 0in 0in 0pt"><b><font face=3D"Times New Roman"><span>&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span></font><font face=3D"arial, helvetica, sans-serif">You are therefore=
 expected and advised to =0Adisplay high degree of maturity, responsibility=
 and understanding in handling =0Athis information.&nbsp; I will give you a=
ll the details in my next mail when you have =0Aindicated your interest and=
 commitment to work with me. &nbsp;Always remember that =0Athis is the high=
est confidence and trust any person can repose on the other,&nbsp; =0Aespec=
ially when it is considered that we did not know =0Aourselves&nbsp;</font><=
/b></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0in 0in 0pt"><font fa=
ce=3D"arial, helvetica, sans-serif">&nbsp;</font></div>=0A<div class=3D"Mso=
Normal" style=3D"MARGIN: 0in 0in 0pt"><strong><font face=3D"arial, helvetic=
a, sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =0A<span>&n=
bsp;</span>I hope you will honor me too.</font></strong></div>=0A<div class=
=3D"MsoNormal" style=3D"MARGIN: 0in 0in 0pt"><b><font face=3D"arial, helvet=
ica, sans-serif">&nbsp;</font></b></div>=0A</b><div class=3D"MsoNormal" sty=
le=3D"MARGIN: 0in 0in 0pt"><b><b><font face=3D"Times New Roman"><font face=
=3D"arial, helvetica, sans-serif"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>I will come =
=0Aover to join you in your Country for disbursement when the funds hit you=
r =0Aaccount. More so for an effective and easy communication I will advice=
 that you =0Afurnish me with your telephone and fax number</font>. </font><=
/b>Upon receipt of =0Ayour reply, I will send to you by fax or email the te=
xt of the application I =0Awill not fail to bring to your notice that this =
transaction is hitch free and =0Athat you should not entertain any atom of =
fear as all required arrangements have =0Abeen made for the transfer. <br><=
br>You should&nbsp;call me on this number <u><font color=3D"#ff00ff">&nbsp;=
+226-75282760&nbsp; +226-75282760</font></u> , immediately as soon as =0Ayo=
u receive this letter. relpy me with <a href=3D"http://us.mc382.mail.yahoo.=
com/mc/compose?to=3Dben_coroma@yahoo.com" target=3D"_blank" rel=3D"nofollow=
"><strong></strong></a><strong><a href=3D"http://us.mc382.mail.yahoo.com/mc=
/compose?to=3Dbencoroma@sify.com" target=3D"_blank" rel=3D"nofollow">bencor=
oma@sify.com</a></strong>&nbsp;Trusting to hear from =0Ayou immediately. <b=
r><br>Your=E2=80=99s faithfully,&nbsp;<br><br><u>Ben =0ACoroma.</u></b></di=
v></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b><u><sp=
an lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"></span></u>=
</b>&nbsp;</div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><=
b><u><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">FRO=
M (ADB) <span id=3D"lw_1169158036_2">OUAGADOUGOU BURKINA-FASO</span>.</span=
></u></b><b><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Ari=
al"></span></b></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0=
pt"><strong><u><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial">GOD&nbsp;BLESSINGS, PROTECTIONS AND =0AGUIDIANCE TO YOUR ENTIRE FAMI=
LY.</span></u></strong><b><u><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt;=
 FONT-FAMILY: Arial">&nbsp;</span></u></b><b><span lang=3D"EN-US" style=3D"=
FONT-SIZE: 10pt; FONT-FAMILY: Arial"></span></b></div>=0A<div class=3D"MsoN=
ormal" style=3D"MARGIN: 0cm 0cm 0pt"><b><span lang=3D"EN-US" style=3D"FONT-=
SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;</span></b></div>=0A<div class=3D"Mso=
Normal" style=3D"MARGIN: 0cm 0cm 0pt"><b><span lang=3D"EN-US" style=3D"FONT=
-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (<font color=3D"#ff0=
0ff"><u>FILL THIS FORM BELLOW PLEASE AND RESEND IT TO =0AME</u></font>).</s=
pan></b></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b>=
<span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"></span><=
/b>&nbsp;</div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><b=
><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;</span></b></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0=
cm 0pt"><strong><span lang=3D"EN-US" style=3D"FONT-FAMILY: Arial">1) Your F=
ull =0AName.............................</span></strong></div>=0A<div class=
=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US" s=
tyle=3D"FONT-FAMILY: Arial">2) Your =0AAge.................................=
......</span></strong></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0c=
m 0cm 0pt"><strong><span lang=3D"EN-US" style=3D"FONT-FAMILY: Arial">3) Mar=
ital =0AStatus................................</span></strong></div>=0A<div=
 class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN=
-US" style=3D"FONT-FAMILY: Arial">4) Your Cell Phone Number=E2=80=A6=E2=80=
=A6=E2=80=A6=E2=80=A6..</span></strong></div>=0A<div class=3D"MsoNormal" st=
yle=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US" style=3D"FONT-FAMI=
LY: Arial">5) Your Fax Number=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=
=E2=80=A6..... =0A</span></strong><b><span lang=3D"EN-US" style=3D"FONT-SIZ=
E: 10pt; FONT-FAMILY: Arial"></span></b></div>=0A<div class=3D"MsoNormal" s=
tyle=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US" style=3D"FONT-FAM=
ILY: Arial">6)&nbsp;Your =0ACountry=E2=80=A6=E2=80=A6=E2=80=A6=E2=80=A6=E2=
=80=A6=E2=80=A6..............</span></strong></div>=0A<div class=3D"MsoNorm=
al" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US" style=3D"FON=
T-FAMILY: Arial">7) Your =0AOccupation............................</span></=
strong></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><str=
ong><span lang=3D"EN-US" style=3D"FONT-FAMILY: Arial">8) =0ASex............=
....................................</span></strong></div>=0A<div class=3D"=
MsoNormal" style=3D"MARGIN: 0cm 0cm 0pt"><strong><span lang=3D"EN-US" style=
=3D"FONT-FAMILY: Arial">9) Your =0AReligion................................=
.</span></strong></div>=0A<div class=3D"MsoNormal" style=3D"MARGIN: 0cm 0cm=
 0pt"><b><span lang=3D"EN-US" style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"=
>10)&nbsp;Your Private E-mail =0AAdress...........</span></b></div></div></=
td></tr></table><br>=0A=0A=0A=0A      <!--1--><hr size=3D1></hr> =0AThe INT=
ERNET now has a personality. YOURS! <a href=3D"http://in.rd.yahoo.com/tagli=
ne_yyi_1/*http://in.yahoo.com/" target=3D"_blank">See your Yahoo! Homepage<=
/a>.
--0-1102899042-1261677453=:20656--

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Date: Thu, 24 Dec 2009 13:23:51 -0500
Message-ID: <9e0440a60912241023w3bfbd200ga4480b3e33989702@mail.gmail.com>
Subject: Re: Christmas music online
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0015174783407f62e2047b7d8af7
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--0015174783407f62e2047b7d8af7
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Darn Stephen sorry I just missed this, hope you hit record... will check it
out later if you did.  Congrats on doing a ustream this was your first no?
Merry Christmas to you...

On Thu, Dec 24, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

> Fellow looper Stephen Goodman is playing now on Ustream for his 12 Days of
> Christmas +1 Show.
>
> http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009
>
>
> peace,
>
> Jeff
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174783407f62e2047b7d8af7
Content-Type: text/html; charset=ISO-8859-1
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Darn Stephen sorry I just missed this, hope you hit record... will check it=
 out later if you did.=A0 Congrats on doing a ustream this was your first n=
o?=A0 Merry Christmas to you...<br><br>
<div class=3D"gmail_quote">On Thu, Dec 24, 2009 at 12:18 PM, Jeff Duke <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmai=
l.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Fellow looper Stephen Goodman is=
 playing now on Ustream for his 12 Days of Christmas +1 Show.<br><br><a hre=
f=3D"http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009" targe=
t=3D"_blank">http://www.ustream.tv/channel/twelve-days-of-christmas-1---200=
9</a><br>
<br><br>peace,<br><font color=3D"#888888"><br>Jeff<br><br></font></blockquo=
te></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural =
aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse=
</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0015174783407f62e2047b7d8af7--

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Subject: Re: Christmas music online
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Thanks Jeff - I hadn't had a chance to do a gigspam campaign, so thanks. 
Yep, I'll be playing every day at 4pm GMT - today being an exception at 5 - 
until Twelfth Night, aka 5 January.  I'm working on variations and 
rearrangements of traditional Christmas Carols.

http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009

And Merry Christmas to one and all.  Whip out that mulled wine!

> Fellow looper Stephen Goodman is playing now on Ustream for his 12 Days of 
> Christmas +1 Show.
>
> http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009

Stephen Goodman
http://www.earthlight.tv
http://www.ustream.tv/StephenGoodman
http://www.vimeo.com/spgoodman
http://www.myspace.com/spgoodman
 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 24 18:26:15 2009
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	 <005101ca84bc$72ce4800$f9f33747@YOUR08D5303051>
Date: Thu, 24 Dec 2009 13:26:11 -0500
Message-ID: <9e0440a60912241026u19b9d8a8mdfa34341dc2357df@mail.gmail.com>
Subject: Re: Looping fiddler
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015173fe52ad98c6d047b7d92c9
Content-Type: text/plain; charset=ISO-8859-1

it was, thought he had a really playful and creative way of doing a spin on
this tune.  Has given me some ideas though I need more power to my bow for
sure... and a Loopy Christmas as well Jeffrey!  Per, Paul glad you dug it
and Merry Christmas to you and all on the list...

On Thu, Dec 24, 2009 at 12:13 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  great tune there Jim! Have a very Loopy Christmas!
>
> j
>
> ----- Original Message -----
> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
> *To:* loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, December 22, 2009 12:52 AM
> *Subject:* Looping fiddler
>
> In a search for a traditional tune King of the Fairies I've been learning
> stumbled on to this guy who is doing some cool stuff spinning about this
> tune and looping on a DL-4.  Passing along.
>
> http://www.youtube.com/watch?v=gjFKNPnboF0&feature=related
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015173fe52ad98c6d047b7d92c9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

it was, thought he had a really playful and creative way of doing a spin on=
 this tune.=A0 Has given me some ideas though I need more power to my bow f=
or sure... and a Loopy Christmas as well Jeffrey!=A0 Per, Paul glad you dug=
 it and Merry Christmas to you and all on the list...<br>
<br>
<div class=3D"gmail_quote">On Thu, Dec 24, 2009 at 12:13 PM, Jeff Duke <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmai=
l.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">great tune there Jim! Have a very Loop=
y Christmas!</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div><font color=3D"#888888=
">
<div><font size=3D"2" face=3D"Arial">j</font></div></font>
<div>
<div></div>
<div class=3D"h5">
<blockquote style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PAD=
DING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
<div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
<div style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4"><b>From:</b> <a title=
=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail.com" targ=
et=3D"_blank">Jim Goodin</a> </div>
<div style=3D"FONT: 10pt arial"><b>To:</b> <a title=3D"loopers-Delight@loop=
ers-delight.com" href=3D"mailto:loopers-Delight@loopers-delight.com" target=
=3D"_blank">loopers-Delight@loopers-delight.com</a> </div>
<div style=3D"FONT: 10pt arial"><b>Sent:</b> Tuesday, December 22, 2009 12:=
52 AM</div>
<div style=3D"FONT: 10pt arial"><b>Subject:</b> Looping fiddler</div>
<div><br></div>In a search for a traditional tune King of the Fairies I&#39=
;ve been learning stumbled on to this guy who is doing some cool stuff spin=
ning about this tune and looping on a DL-4.=A0 Passing along.<br><br><a hre=
f=3D"http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3Drelated" ta=
rget=3D"_blank">http://www.youtube.com/watch?v=3DgjFKNPnboF0&amp;feature=3D=
related</a><br clear=3D"all">
<br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.=
myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><br>m=
usic links...<br><a href=3D"http://www.jimgoodinmusic.com/" target=3D"_blan=
k">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" t=
arget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://ww=
w.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapa=
intingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>
<br></blockquote></div></div></div></blockquote></div><br><br clear=3D"all"=
><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www=
.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0015173fe52ad98c6d047b7d92c9--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 24 18:32:31 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <005b01ca84bd$145a7b80$f9f33747@YOUR08D5303051> <9e0440a60912241023w3bfbd200ga4480b3e33989702@mail.gmail.com>
In-Reply-To: <9e0440a60912241023w3bfbd200ga4480b3e33989702@mail.gmail.com>
Subject: Re: Christmas music online
Date: Thu, 24 Dec 2009 18:32:22 -0000
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From: Jim Goodin=20
Sent: Thursday, December 24, 2009 6:23 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Christmas music online


Darn Stephen sorry I just missed this, hope you hit record... will check =
it out later if you did.  Congrats on doing a ustream this was your =
first no?  Merry Christmas to you...


On Thu, Dec 24, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

  Fellow looper Stephen Goodman is playing now on Ustream for his 12 =
Days of Christmas +1 Show.

  http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009


  peace,

  Jeff

Yes, I did indeed record, as I only made THAT mistake once.  I really am =
awful at promotion right now.  Thanks to encouragement by Jeff Duke and =
Matt Stevens I've jumped on the ustream/livestream ship - and have also =
started footwork towards establishing an ambient TV channel (The =
EarthLight Channel, subscription, no traditional adverts is the idea at =
birth at least).  This last will provide a good venue or portal in the =
future, for more than myself.

I have been performing "Audio Tarot Bone Throw" at midnight Friday =
(that's the END of Friday, to be clear) GMT for over a month now, and =
wanted to do some Christmas music, but not just once; so, 12 Days of =
Christmas then.
http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009

Now sing after me: Five Golden Ring Modulators!

Stephen Goodman
http://www.earthlight.tv
http://www.ustream.tv/StephenGoodman
http://www.vimeo.com/spgoodman
http://www.myspace.com/spgoodman





--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic


------=_NextPart_000_0169_01CA84C7.6E87C3B0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16466"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2 face=3D"Trebuchet MS">
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Djimgoodinmusic@gmail.com=20
href=3D"mailto:jimgoodinmusic@gmail.com">Jim Goodin</A> </DIV>
<DIV><B>Sent:</B> Thursday, December 24, 2009 6:23 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Christmas music online</DIV></DIV>
<DIV><BR></DIV>Darn Stephen sorry I just missed this, hope you hit =
record...=20
will check it out later if you did.&nbsp; Congrats on doing a ustream =
this was=20
your first no?&nbsp; Merry Christmas to you...<BR><BR>
<DIV class=3Dgmail_quote>On Thu, Dec 24, 2009 at 12:18 PM, Jeff Duke =
<SPAN=20
dir=3Dltr>&lt;<A=20
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
wrote:<BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; =
PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>Fellow looper Stephen Goodman is playing now on =
Ustream for=20
  his 12 Days of Christmas +1 Show.<BR><BR><A=20
  =
href=3D"http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009" =

  =
target=3D_blank>http://www.ustream.tv/channel/twelve-days-of-christmas-1-=
--2009</A><BR><BR><BR>peace,<BR><FONT=20
  color=3D#888888><BR>Jeff</FONT></BLOCKQUOTE></DIV></FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Yes, I did indeed record, as I =
only made=20
THAT mistake once.&nbsp; I really am awful at promotion right now.&nbsp; =
Thanks=20
to encouragement by Jeff Duke and Matt Stevens I've jumped on the=20
ustream/livestream ship - and have also started footwork towards =
establishing an=20
ambient TV channel (The EarthLight Channel, subscription, no traditional =
adverts=20
is the idea at birth at least).&nbsp; This last will provide a good =
venue or=20
portal in the future, for more than myself.</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">I have been performing "Audio =
Tarot Bone=20
Throw" at midnight Friday (that's the END of Friday, to be clear) GMT =
for over a=20
month now, and wanted to do some Christmas music, but not just once; so, =
12 Days=20
of Christmas then.</FONT></DIV>
<DIV><A =
href=3D"http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009" =

target=3D_blank>http://www.ustream.tv/channel/twelve-days-of-christmas-1-=
--2009</A></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Now sing after me: Five Golden =
Ring=20
Modulators!</FONT></DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS"></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3D"Trebuchet MS">Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.tv">http://www.earthlight.tv</A><BR><A=20
href=3D"http://www.ustream.tv/StephenGoodman">http://www.ustream.tv/Steph=
enGoodman</A><BR><A=20
href=3D"http://www.vimeo.com/spgoodman">http://www.vimeo.com/spgoodman</A=
><BR><A=20
href=3D"http://www.myspace.com/spgoodman">http://www.myspace.com/spgoodma=
n</A><BR></FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><FONT face=3D"Trebuchet MS"></FONT><FONT face=3D"Trebuchet =
MS"></FONT><FONT=20
face=3D"Trebuchet MS"></FONT><FONT face=3D"Trebuchet =
MS"></FONT><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5"><FONT face=3D"Trebuchet =
MS"></FONT><FONT=20
face=3D"Trebuchet MS"></FONT><FONT face=3D"Trebuchet MS"></FONT><BR =
clear=3Dall><BR>--=20
<BR>ReUse, an introspective textural aural<BR><A=20
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
links...<BR><A=20
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
work/editing...<BR><A=20
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
networking...<BR><A=20
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></DIV></DIV></BODY></HTML>

------=_NextPart_000_0169_01CA84C7.6E87C3B0--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <005b01ca84bd$145a7b80$f9f33747@YOUR08D5303051> <666F8F0B60AA430EB5B6DE74F6EAC258@ELUK1>
Subject: Re: Christmas music online
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Very nice set Stephen! Hypnotic at times, I will try to watch all the rest 
also, it's at a good time for me to attend. Merry Christmas to you and 
yours.

J
----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, December 24, 2009 1:25 PM
Subject: Re: Christmas music online


> Thanks Jeff - I hadn't had a chance to do a gigspam campaign, so thanks. 
> Yep, I'll be playing every day at 4pm GMT - today being an exception at 
> 5 - until Twelfth Night, aka 5 January.  I'm working on variations and 
> rearrangements of traditional Christmas Carols.
>
> http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009
>
> And Merry Christmas to one and all.  Whip out that mulled wine!
>
>> Fellow looper Stephen Goodman is playing now on Ustream for his 12 Days 
>> of Christmas +1 Show.
>>
>> http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009
>
> Stephen Goodman
> http://www.earthlight.tv
> http://www.ustream.tv/StephenGoodman
> http://www.vimeo.com/spgoodman
> http://www.myspace.com/spgoodman
>
>
> 

From rackemupbilliards@bellnet.ca  Thu Dec 24 20:03:18 2009
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You've been award 390,000.00GBP in The National Christmas Offer contact with Name:Address:Age:Sex:Telephone for claims.

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"http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
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     <style>
       <!--
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   <body>
     <div id="container">
       <div id="header"><a href="http://www.boris-tchoubanoff.com/"><img  
src="" border="0" alt="Boris Tchoubanoff"></a></div>
       <div id="body">
         <div class="frm_txt"><a href="mailto:frankmensah@neu.com.cn">CONTACT  
THEM AND GET BACK TO ME</a> thought you would like to see this page from the  
Boris Tchoubanoff web site.</div>
         <div class="frm_title">Message from Sender:</div>
         <div class="frm_txt"><p><b>Good Day,<br />
<br />
I have register your Bank Draft. but the manager of  Bank OF ENGLAND told<br  
/>
me that before the check will get to you that it will expire. So I told<br />
him to cash $1.500,000.00 all the necessary arrangement of delivering the<br  
/>
$1.500,000.00 in cash was made with Mayland Logistics Courier<br />
Service. This is the information you will use to contact  them for<br />
delivering of  your package to you with Mayland Logistics Courier<br />
Service<br />
<br />
NOW CONTACT THEM WITH THIS INFORMATION.<br />
Mayland Logistics Courier Service<br />
72-73 Mills Street, Accra- Ghana<br />
Hot line: +233-24-1776501<br />
PERSON TO CONTACT: Dir. Mr.Lordson Khophy<br />
E-mail: lordsonkhophy@live.com<br />
<br />
Please, Send them your contacts information to able them locate you<br />
immediately they arrived in your country with your BOX  This is what they<br  
/>
need from you.<br />
<br />
1.YOUR FULL NAME:__________________<br />
2.YOUR HOME ADDRESS:______________<br />
3.YOUR CURRENT HOME TELEPHONE NUMBER:__________<br />
4.YOUR CURRENT OFFICE TELEPHONE:__________<br />
5.A COPY OF YOUR PICTURE:________<br />
6.COMPANY REGISTRATION NO: EG58945.<br />
7.CODE NO: 0140479.<br />
<br />
Note that this is there E-mail contact ( lordsonkhophy@live.com )  Please  
make<br />
sure you send this needed infoâ€™s to the Director general of Mayland  
Logistics Courier Service with the<br />
address given to you. TAKE NOTE: Mayland Logistics Courier Service,<br />
don&#039;t know the contents of the Box. I registered it as a Box of an  
FILM<br />
MATERIAL. They don&#039;t know that the contents is money. This is to  
avoid<br />
them delaying with the Box. Don&#039;t let them know that is money that is  
in<br />
that Box.<br />
<br />
Thanks and Remain Blessed.<br />
MR. FRANK MENSAH (Esq.)</b></p></div>
         <div><b><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Boris  
Tchoubanoff</a></b>
         </div>
         <div class="article"><p>Celebrated French artist, Boris Tchoubanoff,  
is known for his romantic style of painting, titled â€œRomantic  
Impressionismâ€. Boris draws much inspiration from painters such as Monet,  
Sargent, Sorolla, Zorn &amp; Fechin. Born in Saint-Petersburg, recipient of  
diploma of architecture from Imperial Academy of Arts of  
Saint-Petersburg.</p>
</div>
         <div class="links"><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Click  
here to read more on our site</a></div>
         <div class="dyn_content"><br /></div>
         <div class="ad_footer"><br /> <br></div>
       </div>
       <div id="footer"> </div>
     </div>
   </body>
</html>

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Subject: CONTACT THEM AND GET BACK TO ME has forwarded a page to you from Boris Tchoubanoff
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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"   
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
   <head>
     <style>
       <!--
         html, body {margin:0; padding:0; background-color:#fff;}
         #container {margin:0 auto; width:670px; font:normal 10pt  
arial,helvetica,sans-serif;}
         #header {width:670px; margin:0; text-align:center;}
         #body {width:630px; margin:0; padding:5px 20px; text-align:left;  
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         #footer {width:670px; height:35px; margin:0; padding:5px 0 0 0;  
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     <div id="container">
       <div id="header"><a href="http://www.boris-tchoubanoff.com/"><img  
src="" border="0" alt="Boris Tchoubanoff"></a></div>
       <div id="body">
         <div class="frm_txt"><a href="mailto:frankmensah@neu.com.cn">CONTACT  
THEM AND GET BACK TO ME</a> thought you would like to see this page from the  
Boris Tchoubanoff web site.</div>
         <div class="frm_title">Message from Sender:</div>
         <div class="frm_txt"><p><b>Good Day,<br />
<br />
I have register your Bank Draft. but the manager of  Bank OF ENGLAND told<br  
/>
me that before the check will get to you that it will expire. So I told<br />
him to cash $1.500,000.00 all the necessary arrangement of delivering the<br  
/>
$1.500,000.00 in cash was made with Mayland Logistics Courier<br />
Service. This is the information you will use to contact  them for<br />
delivering of  your package to you with Mayland Logistics Courier<br />
Service<br />
<br />
NOW CONTACT THEM WITH THIS INFORMATION.<br />
Mayland Logistics Courier Service<br />
72-73 Mills Street, Accra- Ghana<br />
Hot line: +233-24-1776501<br />
PERSON TO CONTACT: Dir. Mr.Lordson Khophy<br />
E-mail: lordsonkhophy@live.com<br />
<br />
Please, Send them your contacts information to able them locate you<br />
immediately they arrived in your country with your BOX  This is what they<br  
/>
need from you.<br />
<br />
1.YOUR FULL NAME:__________________<br />
2.YOUR HOME ADDRESS:______________<br />
3.YOUR CURRENT HOME TELEPHONE NUMBER:__________<br />
4.YOUR CURRENT OFFICE TELEPHONE:__________<br />
5.A COPY OF YOUR PICTURE:________<br />
6.COMPANY REGISTRATION NO: EG58945.<br />
7.CODE NO: 0140479.<br />
<br />
Note that this is there E-mail contact ( lordsonkhophy@live.com )  Please  
make<br />
sure you send this needed infoâ€™s to the Director general of Mayland  
Logistics Courier Service with the<br />
address given to you. TAKE NOTE: Mayland Logistics Courier Service,<br />
don&#039;t know the contents of the Box. I registered it as a Box of an  
FILM<br />
MATERIAL. They don&#039;t know that the contents is money. This is to  
avoid<br />
them delaying with the Box. Don&#039;t let them know that is money that is  
in<br />
that Box.<br />
<br />
Thanks and Remain Blessed.<br />
MR. FRANK MENSAH (Esq.)</b></p></div>
         <div><b><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Boris  
Tchoubanoff</a></b>
         </div>
         <div class="article"><p>Celebrated French artist, Boris Tchoubanoff,  
is known for his romantic style of painting, titled â€œRomantic  
Impressionismâ€. Boris draws much inspiration from painters such as Monet,  
Sargent, Sorolla, Zorn &amp; Fechin. Born in Saint-Petersburg, recipient of  
diploma of architecture from Imperial Academy of Arts of  
Saint-Petersburg.</p>
</div>
         <div class="links"><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Click  
here to read more on our site</a></div>
         <div class="dyn_content"><br /></div>
         <div class="ad_footer"><br /> <br></div>
       </div>
       <div id="footer"> </div>
     </div>
   </body>
</html>

From tomwilcox007@gmail.com  Thu Dec 24 21:59:39 2009
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Reply-To: <internationalmonetaryfund_unit7@yahoo.co.jp>
From: "Frank Nicholas"<tomwilcox007@gmail.com>
Subject: Attention: Beneficiary.
Date: Thu, 24 Dec 2009 08:41:55 -1200
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To: undisclosed-recipients:;

Attention: Beneficiary.


 
My name is Mr. Frank Nicholas of the International Monetary Fund investigation unit. Attached pictures was received and forewarded to our office here in London UK today the 24TH of DECEMBER, 2009 requesting that your unclaimed fund be paid to Janet Wlliams. 

 
In the said letter of change of beneficiary/ownership, representatives of Janet Wlliams states that you are dead and as such your fund should be paid to her as the next of kin to you. 


 
Because of the elaborate global scam, we decided to contact you for confirmation. If after seven working days, no responce is received from you, it will be assumed that you are dead and as such authorization and approval will be granted on behalf of Janet Wlliams to claim/receive your fund.
 

 
Confirm this pictures and reconfirm your Information and how you want your fund paid to you without further delay if you are still alive. Send your responce to my email   ddress: internationalmonetaryfund_unit7@yahoo.co.jp


 
Below is the information you are expected to re-confirm,


 
1. Full Name:___________________
2. Address:____________________
3. Nationality:_____Sex___________
4. Age:_____ Date of Birth:__________
5. Occupation:___________________
6. Phone:_______Fax:_____________
7. State of Origin:_____Country:_____
8. Driver's lincence:________________
9. Copy Of Your Identity:___________


 
You can also call for clearification +447045712478

 
Thanks

 
Regards

 
Mr. Mr. Frank Nicholas
International Monetary Fund investigation unit.
Tel:+447045712478

From Loopers-Delight-request@loopers-delight.com  Thu Dec 24 23:31:14 2009
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Subject: Re: Christmas music online
References: <005b01ca84bd$145a7b80$f9f33747@YOUR08D5303051> <9e0440a60912241023w3bfbd200ga4480b3e33989702@mail.gmail.com>
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Jim Goodin said:
> Darn Stephen sorry I just missed this, hope you hit record... will 
> check it out later if you did.  Congrats on doing a ustream this was 
> your first no? 
Now I may be completely and utterly confused right now, but if you 
scroll to the bottom of this page: http://moinlabs.de/index.php?id=229
you'll find a ustream video under the "Stephen Goodman" headline...;)

All the best (and best wishes to you & your loved ones),

             Rainer


From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 00:09:34 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <005b01ca84bd$145a7b80$f9f33747@YOUR08D5303051> <9e0440a60912241023w3bfbd200ga4480b3e33989702@mail.gmail.com> <4B33F9C7.9040104@googlemail.com>
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That was indeed the first vid effort, thanks to months of work on your 
part.. :)

--------------------------------------------------
From: "Rainer Straschill" <moinsound@googlemail.com>
Sent: Thursday, December 24, 2009 11:31 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Christmas music online

> Jim Goodin said:
>> Darn Stephen sorry I just missed this, hope you hit record... will check 
>> it out later if you did.  Congrats on doing a ustream this was your first 
>> no?
> Now I may be completely and utterly confused right now, but if you scroll 
> to the bottom of this page: http://moinlabs.de/index.php?id=229
> you'll find a ustream video under the "Stephen Goodman" headline...;)
>
> All the best (and best wishes to you & your loved ones),
>
>             Rainer
> 

From revpstptmoses@megamail.pt  Fri Dec 25 00:56:13 2009
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EMAIL TRANSMISSION
To: BENEFICIARY
FROM: MR.WARREN JACK.
WIRE TRANSFER DEPARTMENT.

PART PAYMENT ARREARS TOTALLING US$8.4 MILLION

Note: This e-mail may contain PRIVILEGED and CONFIDENTIAL information is
intended only for the use of the specific individual(s) to which it is
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Message.

ATTN: Beneficiary,

We are pleased to inform you that we have negotiated instruction withour
correspondent Bank Union Bank of Nigeria Plc. (UBN) to draw US$8.4
million,which represent part payment of your contract fund from their
account with us and credit in your favor in settlement of a contract
involving the Nigeria government. The transfer is irevocable, indivisible
and non-transferable.

This transaction has been secured with personal identification
computerized sealed Numbers, Contract Accreditation Pin No, Transfer
access Code (Tag) and anti terrorist clearance certificate to enable us
identify the bonfire beneficiary and to avoid diversion of the fund to
wrong account.

Please contact the Director, Foreign Operations Union Bank of Nigeria plc
(UBN) Attn: Rev Peter Moses, on his mail: (rev.petermoses12@gmail.com) or
his telephone +234-1-2161930,with your Telephone, fax number and Bank
details to enable us release your fund to your nominated bank account
without any further delay. If we do not receive your information for
re-confirmation from you within 7 days from date of this email the
transfer will be null and void as we have many contractors to pay.

Be it known to you that your fund will be transferred into your nominated
bank accountant within five working days of receiving your required
information .you are advised to act fast regarding to this subject matters
we have a limited time to conclude all payment in this Last quarter of the
year.

For further enquiry you can contact this bank with the above telephone
number. We most sincerely sorry forever inconvenience as occasion in this
matter.

Yours truly.
HSBC
WIRE TRANSFER PROCESSING DIV.
MADRID SPAIN.
MR.WARREN JACK.
Senior Managing Director
Security & Investigation
H.S.B.C.

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From: "Rev. Peter Moses" <revpstptmoses@megamail.pt>
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EMAIL TRANSMISSION
To: BENEFICIARY
FROM: MR.WARREN JACK.
WIRE TRANSFER DEPARTMENT.

PART PAYMENT ARREARS TOTALLING US$8.4 MILLION

Note: This e-mail may contain PRIVILEGED and CONFIDENTIAL information is
intended only for the use of the specific individual(s) to which it is
addressed. If you are not an intended recipient of this e-mail, you are
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Thank you.

Message.

ATTN: Beneficiary,

We are pleased to inform you that we have negotiated instruction withour
correspondent Bank Union Bank of Nigeria Plc. (UBN) to draw US$8.4
million,which represent part payment of your contract fund from their
account with us and credit in your favor in settlement of a contract
involving the Nigeria government. The transfer is irevocable, indivisible
and non-transferable.

This transaction has been secured with personal identification
computerized sealed Numbers, Contract Accreditation Pin No, Transfer
access Code (Tag) and anti terrorist clearance certificate to enable us
identify the bonfire beneficiary and to avoid diversion of the fund to
wrong account.

Please contact the Director, Foreign Operations Union Bank of Nigeria plc
(UBN) Attn: Rev Peter Moses, on his mail: (rev.petermoses12@gmail.com) or
his telephone +234-1-2161930,with your Telephone, fax number and Bank
details to enable us release your fund to your nominated bank account
without any further delay. If we do not receive your information for
re-confirmation from you within 7 days from date of this email the
transfer will be null and void as we have many contractors to pay.

Be it known to you that your fund will be transferred into your nominated
bank accountant within five working days of receiving your required
information .you are advised to act fast regarding to this subject matters
we have a limited time to conclude all payment in this Last quarter of the
year.

For further enquiry you can contact this bank with the above telephone
number. We most sincerely sorry forever inconvenience as occasion in this
matter.

Yours truly.
HSBC
WIRE TRANSFER PROCESSING DIV.
MADRID SPAIN.
MR.WARREN JACK.
Senior Managing Director
Security & Investigation
H.S.B.C.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 01:23:51 2009
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Date: Thu, 24 Dec 2009 20:23:44 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll continue
the month-long Special Focus on Indra.  The Featured CD at Midnight
will be "Bhuvaneshvari," the fourth of the Special Edition Tantric
Celebration albums.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://is.gd/37vNQ on the internet.

From paymentoffice300@att.net  Fri Dec 25 06:50:53 2009
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Date: Thu, 24 Dec 2009 22:50:42 -0800 (PST)
From: Rajkumar Agarwal <paymentoffice300@att.net>
Reply-To: rajkumar.agarwal022@gmail.com
Subject: URGENT ATTENTION NEEDED
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-2088235076-1261723842=:22995
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Dear beloved,


I greet you in the name of God Almighty. I got your contact through prayers=
 and painstaking efforts in my search for a reliable and God fearing person=
 to help me carry out my last wish. My name is Rajkumar Agarwal from India =
presently; I am in London where I am receiving medical care. Prior to my ai=
lment, I was a merchant and business owner in Malaysia and Dubai, the Unite=
d Arab Emirates. I was also married=A0 with five children. My wife and five=
 children died in a bomb blast in Iraq where they reside four years ago. Be=
fore this happened, my business and concern for making money was all I live=
d for. I never really
cared about other values in life. But since the loss of my family, I have f=
ound a new desire to assist helpless families. I have been helping orphans =
in orphanage/motherless homes. I have also donated some money for humanitar=
ian needs in some African countries. Only recently, I saw on television the=
 colossal loss of properties and livelihood of people in Canberra, Australi=
a through Water flood.

I was moved with great pity and compassion that I decided to make a contrib=
ution on assisting people over there, before I became ill, I kept $20,000,0=
00 Million in a finance company. Presently, I'm in a hospital where I have =
been undergoing treatment for esophageal cancer. I have since lost my abili=
ty to talk and my doctors have told me that I have only a few weeks to live=
.. It is my last wish to see this money distributed to the needy and other c=
harity organizations. Because relatives and friends have plundered so much =
of my wealth since my illness, I cannot live with the agony of entrusting t=
his huge responsibility to any of them. Please, I beg you in the name of Go=
d to help me collect the deposit from the finance company and distribute it=
 accordingly.
Use your judgment to distribute the money and keep 20% of it to yourself.
=A0
If you are willing to help, please forward to me your
=A0
=A0
(1) FULL NAME,(2) HOME ADDRESS,(3) OCCUPATION,(4) DATE
=A0OF BIRTH,(5) TELEPHONE/FAX NUMBER for easy communication and to prepare =
the vital documents in your name as the soul beneficiary of the funds.


=A0Note please reply to my private e-mail address:
=A0
{rajkumar.agarwal022@gmail.com}

=A0May God Bless you as you assist me in carrying out my last wish.


=A0Regards,
=A0Rajkumar Agarwal


--0-2088235076-1261723842=:22995
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Dear beloved,<br><br><br>I greet you in the n=
ame of God Almighty. I got your contact through prayers and painstaking eff=
orts in my search for a reliable and God fearing person to help me carry ou=
t my last wish. My name is Rajkumar Agarwal from India presently; I am in L=
ondon where I am receiving medical care. Prior to my ailment, I was a merch=
ant and business owner in Malaysia and Dubai, the United Arab Emirates. I w=
as also married&nbsp; with five children. My wife and five children died in=
 a bomb blast in Iraq where they reside four years ago. Before this happene=
d, my business and concern for making money was all I lived for. I never re=
ally<br>cared about other values in life. But since the loss of my family, =
I have found a new desire to assist helpless families. I have been helping =
orphans in orphanage/motherless homes. I have also donated some money for
 humanitarian needs in some African countries. Only recently, I saw on tele=
vision the colossal loss of properties and livelihood of people in Canberra=
, Australia through Water flood.<br><br>I was moved with great pity and com=
passion that I decided to make a contribution on assisting people over ther=
e, before I became ill, I kept $20,000,000 Million in a finance company. Pr=
esently, I'm in a hospital where I have been undergoing treatment for esoph=
ageal cancer. I have since lost my ability to talk and my doctors have told=
 me that I have only a few weeks to live. It is my last wish to see this mo=
ney distributed to the needy and other charity organizations. Because relat=
ives and friends have plundered so much of my wealth since my illness, I ca=
nnot live with the agony of entrusting this huge responsibility to any of t=
hem. Please, I beg you in the name of God to help me collect the deposit fr=
om the finance company and distribute it accordingly.<br>Use your
 judgment to distribute the money and keep 20% of it to yourself.<br>&nbsp;=
<br>If you are willing to help, please forward to me your<br>&nbsp;<br>&nbs=
p;<br>(1) FULL NAME,(2) HOME ADDRESS,(3) OCCUPATION,(4) DATE<br>&nbsp;OF BI=
RTH,(5) TELEPHONE/FAX NUMBER for easy communication and to prepare the vita=
l documents in your name as the soul beneficiary of the funds.<br><br><br>&=
nbsp;Note please reply to my private e-mail address:<br>&nbsp;<br>{rajkumar=
..agarwal022@gmail.com}<br><br>&nbsp;May God Bless you as you assist me in c=
arrying out my last wish.<br><br><br>&nbsp;Regards,<br>&nbsp;Rajkumar Agarw=
al<br><br></td></tr></table>
--0-2088235076-1261723842=:22995--

From richard.vasquez@att.net  Fri Dec 25 16:57:05 2009
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From: Australian Xmas Lotto <richard.vasquez@att.net>
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*******************ENGLISH LANGUAGE*******************************
Ref: 435062725
Page: No 7050470902/189
Winning no: GB8101/LPRC
We are pleased to inform you of your prize which was released today from th=
e Australian International Lottery programmer.You have been approved in thi=
s lump sum of GBPS =A3300,000.00 (Three Hundred Thousand British Pounds Ste=
rling Only) in cash credit file: MPL/HW 47509/09.

Contact our fiduciary agent Dr.Jeff Dean by sending your winning informatio=
n which includes your reference number, batch number, the winning number an=
d phone number to his email address: drjeffdean@gmail.com

Congratulations again on your victory!
Best regards
Mrs.Colt Welt
(Coordinator).
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
**************************PORTUGUESE LANGUAGE***************************
Ref: 435062725
Page: N=E3o 7050470902/189
Ganhar n=E3o: GB8101/LPRC
Temos o prazer de inform=E1-lo de seu pr=EAmio, que foi lan=E7ado a partir =
de hoje o australiano programmer.You lotaria internacional ter sido aprovad=
o neste GBPS montante fixo de R $ 300.000,00 (trezentos mil Libra esterlina=
 brit=E2nica Only) no arquivo de cr=E9dito em dinheiro: MPL / HW 47509 / 09=
.

Contacte o nosso agente fiduci=E1rio Dr.Jeff Dean, enviando suas informa=E7=
=F5es premiado que inclui o seu n=FAmero de refer=EAncia, n=FAmero de lote,=
 o n=FAmero vencedor e n=FAmero de telefone para o seu endere=E7o de e-mail=
: drjeffdean@gmail.com

Parab=E9ns novamente pela sua vit=F3ria!
Atenciosamente
Mrs.Colt Welt
(Coordenador).
--0-1944758751-1261760216=:11167
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><br><br>*******************ENGLISH LA=
NGUAGE*******************************<br>Ref: 435062725<br>Page: No 7050470=
902/189<br>Winning no: GB8101/LPRC<br>We are pleased to inform you of your =
prize which was released today from the Australian International Lottery pr=
ogrammer.You have been approved in this lump sum of GBPS =A3300,000.00 (Thr=
ee Hundred Thousand British Pounds Sterling Only) in cash credit file: MPL/=
HW 47509/09.<br><br>Contact our fiduciary agent Dr.Jeff Dean by sending you=
r winning information which includes your reference number, batch number, t=
he winning number and phone number to his email address: drjeffdean@gmail.c=
om<br><br>Congratulations again on your victory!<br>Best regards<br>Mrs.Col=
t
 Welt<br>(Coordinator).<br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>*****=
*********************PORTUGUESE LANGUAGE***************************<br>Ref:=
 435062725<br>Page: N=E3o 7050470902/189<br>Ganhar n=E3o: GB8101/LPRC<br>Te=
mos o prazer de inform=E1-lo de seu pr=EAmio, que foi lan=E7ado a partir de=
 hoje o australiano programmer.You lotaria internacional ter sido aprovado =
neste GBPS montante fixo de R $ 300.000,00 (trezentos mil Libra esterlina b=
rit=E2nica Only) no arquivo de cr=E9dito em dinheiro: MPL / HW 47509 / 09.<=
br><br>Contacte o nosso agente fiduci=E1rio Dr.Jeff Dean, enviando suas inf=
orma=E7=F5es premiado que inclui o seu n=FAmero de refer=EAncia, n=FAmero d=
e lote, o n=FAmero vencedor e n=FAmero de telefone para o seu endere=E7o de=
 e-mail: drjeffdean@gmail.com<br><br>Parab=E9ns novamente pela sua vit=F3ri=
a!<br>Atenciosamente<br>Mrs.Colt Welt<br>(Coordenador).</td></tr></table>
--0-1944758751-1261760216=:11167--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 17:05:49 2009
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Date: Fri, 25 Dec 2009 18:05:52 +0100
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Subject: For the last time in 2009: The MoinSound Studio Sessions live stream!
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For the last time in 2009, tomorrow (Saturday 26th) will present another 
edition of the MoinSound Studio Sessions.

I understand that it's only for those hardcore fans to sit in front of 
the computer and watch a concert, so how about this:
There will be an exclustive Christmas gift for everyone showing up and 
sitting through the session!

The Links:
    Video Stream: http://fwd4.me/0Aa (ustream, registration necessary 
for chat)
    Time/Date: http://fwd4

See you there!

          Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 17:59:22 2009
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Subject: EDP and Guitar to Midi Converter, Misc Looper Station Stuff For Sale.
Date: Fri, 25 Dec 2009 09:59:19 -0800
References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com> <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net> <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com>
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Hi. I still have these so I thought I'd repost. Again, I usually just  
sell locally (Portland Oregon) but I'd be willing to ship for fellow  
loopers, since this is my looping station. Shipper pays shipping though.

EDP with Footswitch: http://portland.craigslist.org/mlt/msg/1524252438.html

AXON Guitar to Midi converter and sound source: http://portland.craigslist.org/mlt/msg/1524251329.html

They're both in a 2 space rack mount that is a little tricked out,  
actually... I put mounted jack plates (few xlr, few 1/4") on the side  
and 2 mike holder screw bases on the top so you can wire a connection  
to them from the back of your stuff and only ever have to jack into  
the side rather then reach in and so you can attach a goose neck mic  
holder. Two actually, vocals and sax is what I used it for.

I have no idea what I'd charge for that. Probably pretty much for what  
you'd by the 2 space rack mount for new. So if you're interested in  
that let me know. I also have an amp stand I put the rack mount on so  
it faces up at an angle. And footswitches. And a bunch of RDL mixers.  
(Google Radio Design Labs... tiny little mixers, switchers, noise  
gates etc. You wire them yourself, that's why they're so small.  
They're also SUER quiet and high quality.

Everything's in great shape.

Merry Christmas, Happy Holidays, Etc.!

---Christopher Darrow
     503.327.9329

From mraliibrahimmm@army.mod.uk  Fri Dec 25 18:43:53 2009
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From: "MR ALI IBRAHIM"<mraliibrahimmm@army.mod.uk>
Subject: KINDLY RESPOND. AM IN IRAQ.(CONFIDENTIAL)
Date: Fri, 25 Dec 2009 19:32:54 +0100
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Dear Friend,
 With a very desperate need for assistance, I have summed up courage to contact you. I am from(will disclose this later), presently working in Iraq with an international organization that I will also disclose later, I found your contact particulars in an address journal.I am seeking your assistance to evacuate the sum of(US$18.523 Million Dollars) Eighteen Million, five Hundred And Twenty Three Thousand US Dollars to your country or any other safe country of your choice, as far as I can be assured that my share will be safe in your care until I complete my service here,this is no stolen money,and there are no dangers involved.
 SOURCE OF MONEY:
http://news.bbc.co.uk/2/hi/middle_east/2988455.stm
 Some money in various currencies was discovered concealed in barrels with piles of weapons and ammunitions at a location near one of Saddam,sold palaces during a rescue operation, and it was agreed by all party present that the money be shared amongst us, this was quite an illegal thing to do, but I tell you what? no compensation can make up for the risks we have taken with our lives in this hell hole The above figure was given to me as my share, and to conceal this kind of money became a problem for me, so with the help of a German contact working here, and his office enjoys some immunity, I was able to get the package out to a safe cation entirely out of trouble spot. He does not know the real contents of the package,and believes that it belongs to an Asian/American who died in an air raid, and before giving up, trusted me to hand over the package to his business associate. I have now found a secured way of getting the package out to a safer country for you to pick up, and! will discuss this with you I do
Respectfully,
Ali Ibrahim .
 Your full name:
 Your country:
 Contact phone number:
 Age:
 Occupation:
 I await your urgent reply
 Regards,
 Ali Ibrahim
20 Armd BDE in Basrah

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 20:06:11 2009
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Subject: Re: EDP and Guitar to Midi Converter, Misc Looper Station Stuff For Sale.
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Christopher,

Sorry to see you selling this stuff off.

It's a surprise to find yet another looper in Oregon.

People don't speak up and say where they're from often enough.

Hope your sale work out for you.

I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need  
already.

I might start divesting myself of some gear soon too.

If you ever get down Medford way give a shout out.

Cheers,

Ted


On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:

>
> Hi. I still have these so I thought I'd repost. Again, I usually  
> just sell locally (Portland Oregon) but I'd be willing to ship for  
> fellow loopers, since this is my looping station. Shipper pays  
> shipping though.
>
> EDP with Footswitch: http://portland.craigslist.org/mlt/msg/1524252438.html
>
> AXON Guitar to Midi converter and sound source: http://portland.craigslist.org/mlt/msg/1524251329.html
>
> They're both in a 2 space rack mount that is a little tricked out,  
> actually... I put mounted jack plates (few xlr, few 1/4") on the  
> side and 2 mike holder screw bases on the top so you can wire a  
> connection to them from the back of your stuff and only ever have to  
> jack into the side rather then reach in and so you can attach a  
> goose neck mic holder. Two actually, vocals and sax is what I used  
> it for.
>
> I have no idea what I'd charge for that. Probably pretty much for  
> what you'd by the 2 space rack mount for new. So if you're  
> interested in that let me know. I also have an amp stand I put the  
> rack mount on so it faces up at an angle. And footswitches. And a  
> bunch of RDL mixers. (Google Radio Design Labs... tiny little  
> mixers, switchers, noise gates etc. You wire them yourself, that's  
> why they're so small. They're also SUER quiet and high quality.
>
> Everything's in great shape.
>
> Merry Christmas, Happy Holidays, Etc.!
>
> ---Christopher Darrow
>    503.327.9329

From Loopers-Delight-request@loopers-delight.com  Fri Dec 25 22:15:55 2009
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http://wdiy.org/programs/gt/playlists/2009/091224.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #664                December 24, 2009.

RECAP:
On this show, I continued the month-long focus on Indra.  The Featured
CD at Midnight was Bhuvaneshvari, CD 4 of the Special Edition Tantric
Celebration series.

Indra: http://wdiy.org/programs/gt/playlists/2009/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
JeffreyKoepper       Part II              Quadranteon (Air Space)
Arcane               Timelapse            Tomorrow's Wasteland (Lawler)
Terje Winther        Time                 Electronic Regions (Bajkal)
Terje Winther        And Again            Electronic Regions (Bajkal)
Mystified            Massive Turning      Primal Mystification (Hypnos
                                            Secret Sounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Brand          Golden Cloud         Children of Alcyone (Hypnos
                                            Secret Sounds)
Indra                One Billion Light    Bhuvanshvari (Eagle)
                       Years
Indra                Tiamat               Bhuvanshvari (Eagle)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Indra.  The Featured CD at Midnight will be Tripura Bhairavi on Eagle
Records, CD 5 of the Special Edition Tantric Celebration series.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST (GMT-5:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://is.gd/37vNQ on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From yihun@yahoo.com.hk  Sat Dec 26 02:30:45 2009
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Subject: IMPORTANT!!
Date: Mon, 26 Jan 2009 10:16:56 +0800
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Hello Friend,

I am Mr.Yun Yu, I have a business proposal of $17,300.000.00 for you to handle with me from my bank. 

If you are interested, please send me your full contact details and after that I shall provide you with
 more details of the business. email:yu48yun@yahoo.com.hk 

Regards,
Yu

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 06:46:17 2009
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Subject: Re: EDP and Guitar to Midi Converter, Misc Looper Station Stuff For Sale.
Date: Fri, 25 Dec 2009 22:46:11 -0800
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Sweet! Glad to see you write, "yet another." Must mean there are more =20=

about.

I'm actually a returning looper. Looped with between 2 and 3 EDPs for =20=

over 10 years. Tried to go linear digital the last few years but also =20=

kind of took a break from music for the the most part in favor of video.

I'll be working on getting my skills back 1st quarter of 2010 with =20
some next-level stuff so let's gave a looping concert in summer.


On Dec 25, 2009, at 12:06 PM, tEd =AE KiLLiAn wrote:

> Christopher,
>
> Sorry to see you selling this stuff off.
>
> It's a surprise to find yet another looper in Oregon.
>
> People don't speak up and say where they're from often enough.
>
> Hope your sale work out for you.
>
> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need =20
> already.
>
> I might start divesting myself of some gear soon too.
>
> If you ever get down Medford way give a shout out.
>
> Cheers,
>
> Ted
>
>
> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
>
>>
>> Hi. I still have these so I thought I'd repost. Again, I usually =20
>> just sell locally (Portland Oregon) but I'd be willing to ship for =20=

>> fellow loopers, since this is my looping station. Shipper pays =20
>> shipping though.
>>
>> EDP with Footswitch: =
http://portland.craigslist.org/mlt/msg/1524252438.html
>>
>> AXON Guitar to Midi converter and sound source: =
http://portland.craigslist.org/mlt/msg/1524251329.html
>>
>> They're both in a 2 space rack mount that is a little tricked out, =20=

>> actually... I put mounted jack plates (few xlr, few 1/4") on the =20
>> side and 2 mike holder screw bases on the top so you can wire a =20
>> connection to them from the back of your stuff and only ever have =20
>> to jack into the side rather then reach in and so you can attach a =20=

>> goose neck mic holder. Two actually, vocals and sax is what I used =20=

>> it for.
>>
>> I have no idea what I'd charge for that. Probably pretty much for =20
>> what you'd by the 2 space rack mount for new. So if you're =20
>> interested in that let me know. I also have an amp stand I put the =20=

>> rack mount on so it faces up at an angle. And footswitches. And a =20
>> bunch of RDL mixers. (Google Radio Design Labs... tiny little =20
>> mixers, switchers, noise gates etc. You wire them yourself, that's =20=

>> why they're so small. They're also SUER quiet and high quality.
>>
>> Everything's in great shape.
>>
>> Merry Christmas, Happy Holidays, Etc.!
>>
>> ---Christopher Darrow
>>   503.327.9329
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 07:23:06 2009
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Date: Fri, 25 Dec 2009 23:22:55 -0800
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Matthias asked:
"So what do you say?
do these numbers mean anything?
why has almost none of these guys ever played on a festival?
some of them did appear on this mailing list..."


I can't speak for others who have put on looping festivals,  but the
simple answer is that almost all of these names cost a lot of money and the revenue from
the big Y2K festival doesn't come close to generating income like that.

I was able to bring Arild Andersen a couple of years back (wonderful!) 
only because an anonymous donor gave me a $5,000 unsolicited gift out of the clear blue
sky......an incredibly generous gesture that has not been repeated.
It cost me $3,000 to fly him here and back, to put him up and to pay what
for him, was a modest performance fee.    That's close to twice the revenue of the
door for the entire six day festival.

Even on the minuscule budget that we have (and thanks to all the loopers
who have generously donated even when they haven't been able to attend)  
this is an AMAZING festival!     Ask anyone who came this year.     
It's stunning that we pull it off on the scale we do, given the
lack of real solid support (part of this may also just be down to the fact
that Santa Cruz has more musical entertainment per capita than any single
city I've ever been to in all of my touring in 15 countries----it's just
not a very big place....only 50,000 people and there's a large mountain with a scary road
between us and the 3 million people of the SouthBay).

*********************

Now,  a quick few words in defense of this approach to Live Looping Festivals:

 The festival (or perhaps,  we should call it a live looping convention which might be more accurate 
if it weren't for the fact that almost everyone who attends also performs) is really wonderful and 
I hope everyone gets a chance to come to it next year.    

I'm taking all comers!     

It will be my last big one and then I'm going
to turn it over to the community and see if it's even a sustainable idea from that point onward.

Please come!     Please witness how sophisticated this community has
become in 10 years.  The overall level of artistry has really grown.  The technology has really
grown.   The feeling of community has really grown.   That's the single reason 
I've devoted so much of my life to it in the past ten years.

Even if other promoters like Sjaak Overgauww and Bernhard Wagner have adopted  different philosophies  
in the way they have put on their own festivals:  eschewing a more populist and egalitarian vibe 
in their booking practices in favor of a more exclusive roster (which I"m entirely 'down' with and supportive of),   
it has to be noted, historically, that they were initially  
influenced and inspired by the spirit of these festivals and the ones that they attended. 
 
It's all good and the plethora of live looping festivals and mini  festivals that have arisen out of this 
particular one are really wonderful in that each promoter has a different take on the whole thing.
Sjaak,  Bernhard,  Andy,  Fabio, Massimo,  Per,  Mir-0,  Luca,  Os,  Gareth, Paul,  Hans and all the many other people 
who have put on looping festivals have all made really fantastic contributions to our whole community.   Each festival 
has been unique and all have been fantastic (at least all the ones I've had the pleasure of attending).

In this particular festival, the newbies and less experienced artists tend to play earlier in the day and the more experienced and accomplished ones tend to play later in the day and evening, so one can adapt a more 
refined and picky approach to the professionalism and artistry they want to watch or they see or embrace a more supportive, encouraging and egalitarian vibe and come early.    There are so many acts that anyone can 
pick and choose who they want to see.    I'm particularly gratified that most of the top acts who attend these festivals are there at noon on Saturday to be supportive of the newbies who play.    This support has really meant a great deal 
to those young or experientially young artists who play and I think many would agree that some of the true delights of the 
last several festivals have come from adapting such an atypical supportive approach to booking. 

The highest quality of performances also represent artistry that is as 
good as any looping artists on the planet (even if they are not 'big bucks' commercially successful artists).
Ask anyone who's been recently and they'll tell you this.

So, don't let youtube samplers determine your judgment about all of this:    Come see it for yourself.
Better yet,   come play it and see it.   You'll be glad you did.

yours,  Rick Walker

ps   just as a side note to Rainer's comments about the festival's audiences not growing:  the size of the festival's audiences has slightly risen in the past four years (and I've added dates which increases a bit as well),  but it should be noted that the number of people who've listened to this festival in real time from around the world increased significantly 
this year.     We had over 700 people who watched the videos and immediately archived videos from Saturday night 
as a result.   Previously, we'd had a few dozen people at the very most listening in.   This is not enormous, but it certainly at least adds to the number of people who want to be play the festival each year.

 I'm curious how those numbers stack up to the recent NinJams that you've organized.    Are you experiencing increases in listenership with each successive one you do?      Whether or not,  do such numbers ever diminish your desire to put these events on?    I certainly hope not.   Relative small audience numbers haven't diminished how much I look forward to the festival each year, myself because the entire event is so much more than just the sum of it's parts.

**********

From nlinfo@gmail.com  Sat Dec 26 08:01:24 2009
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PROCEED WITH YOUR CLAIMS
PLEASE CONTACT YOUR CLAIMS AGENT
Immediately update your claims for
your payment.

As a winner in our Lottery Programs,
You are to receive a cash prize of $2,500,000.00
from the total payout

Mr.Van Hoffman
Email:nl_vanhoffman1@aol.nl
Tel:+31-684-455-145
Fax:+31-847-375-060
www.lotto.nl

Names:
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Nationality:
Age:
Occupation:
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Sincerely Yours,
Mrs. Yvonne Zwanette
Lottery Coordinator.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 09:18:52 2009
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THOUGHT EXPERIMENT RADIO:                    http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, December 26 at 6 am
(EST/GMT-5/ITZ-5).  I will continue the special on Sequences Electronic
Music Magazine's sampler CDs in Phase 1.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From fsdmhygtdfs22@terra.es  Sat Dec 26 12:55:24 2009
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Attn User!! 

This is to notify you that this e-mail address was entered during the Paypal European selection Draw 
and has won the sum of One Million Seven Hundred thousand dollars only(USD$1.700.000)
For claimplease contact the below company for immediate process of your claim; Rememebr to quote 
these numbers below for verification by the company. REF: PP-21180-ES and BATCH: 
PP-245-44 you should include Your Name, Address, Sex, Age, Occupation, 
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Company:NATIONAL TRUST AGENCY ESPANA
Email:nationaltrust@luckymail.com
Tel:+34-665-935-777 

Sincerely, 
Dr.Maria Jose Muyor 
Paypal Europe Coordinator 

From bricetakus@hawaii.rr.com  Sat Dec 26 13:49:55 2009
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FROM BRICE TAKUS

  
ATTN MY GOOD FRIEND I AM MR BRICE TAKUS A SENIOR STAFF WITH THE BANQUE CENTRALE DU BENIN. I AM WRITING YOU THIS LETTER BECAUSE COOL PENNY IS BETTER THAN MILLIONS OF DOLLARS.
 
IT IS BETTER FOR ONE TO LIVE AND DIE A POOR HONEST MAN THAN A RICH DISHONEST ONE.I AND THE CHIEF SECURITY OFFICER (CSO) OF OUR BANK HAVE ARRANGED WITH AN OFFICER IN THE COMPUTER SECTION OF THIS BANK, ENGINEER OKUFO SESE TO BRING OUT PART OF YOUR TOTAL CONTRACT SUM AMOUNTING TO FIVE MILLION US DOLLARS. 
 

WHY WE DID THIS, IS BECAUSE ACCORDING TO INFORMATION GATHERED FROM THE BANKS COMPUTER, YOU HAVE BEEN WAITING FOR A LONG TIME TO RECEIVE YOUR MONEY WITHOUT SUCCESS. AS I FOUND OUT THAT YOU HAVE ALMOST MET ALL THE STATUTORY REQUIREMENTS OF THE BANQUE CENTRALE DU BENIN IN RESPECT OF YOUR CONTRACT PAYMENT, YOUR PROBLEM IS THAT OF INTEREST GROUPS. 
 
A LOT OF PEOPLE ARE INTERESTED IN YOUR PAYMENT AND THOSE PEOPLE ARE MERELY DOING PAPER WORK WITH YOU AND THAT EXPLAINS WHY YOU RECEIVE FAX AND PHONE MESSAGES FROM DIFFERENT PEOPLE EVERYDAY.ALSO WE FOUND OUT THAT SOME OF THE OFFICIALS OF VARIOUS PARASTATALS HAVE BEEN EXTORTING A LOT OF MONEY FROM YOU IN THE PRETEXT OF HELPING YOU RECEIVE YOUR MONEY, I CAN ASSURE YOU THAT THIS MAY LAST FOR YEARS YET NOTHING WOULD HAPPEN IF YOU DO NOT DO AWAY WITH THOSE OFFICERS THAT YOU CALL YOUR PARTNERS. 
  
I AM WILLING TO HELP YOU GET YOUR MONEY BUT PLEASE FOR SECURITY REASONS DO NOT TELL ANYBODY THAT YOU HAVE YOUR MONEY UNTIL YOU RECEIVE CASH AT YOUR DOORSTEP.THE MONEY IS IN TWO SECURITY-PROOF BOXES WEIGHING 10KG EACH, THAT IS 20KG FOR THE TWO BOXES, YESTERDAY WE WENT TO FOUR COURIER SERVICE TO MAKE ARRANGEMENTS ON HOW TO SHIP THEM BY COURIER SERVICE TO YOU. DHL, EMS , FEDEX AND ISA, ALL SAID THAT THEY MUST OPEN THE BOXES FOR INSPECTION BY THE CUSTOMS BEFORE SHIPMENT. 

THIS IS SOMETHING WE WANT TO AVOID BECAUSE THE BOXES WERE PADDED WITH MACHINE. WE TOLD THE COURIER SERVICE THAT THE BOXES CONTAINS PHOTOGRAPHIC AND FILM MATERIALS AND WHEN OPENED WILL LOOSE ITS EFFICACY. WE DID NOT DECLARE MONEY BECAUSE COURIER SERVICE DOES NOT CARRY MONEY.  
 
TODAY A FRIEND OF MINE WHO IS A CHRISTIAN LIKE ME DISCLOSED TO ME THAT THERE IS A COURIER SERVICE THEY USE TO SEND PACKAGES AND INFORMATION FROM ONE COUNTRY TO ANOTHER, AND THE COURIER SERVICE CAN DELIVER THE PACKAGE ANYWHERE IN THE WORLD AND CANNOT BE INSPECTED BY ANY CUSTOMS ANYWHERE IN THE WORLD.THE NAME OF THE COURIER SERVICE IS COMET SHIPPING COMPANY [CSC].
I WILL MEET WITH THEM AS SOON AS I HAVE YOUR GO AHEAD ORDER.THE COURIER SERVICE WILL HELP ME SO WE DO NOT HAVE ANY PROBLEM.WE HAVE CONCLUDED THAT YOU MUST COMPENSATE US WITH FIVE HUNDRED THOUSAND UNITED STATES DOLLARS AS SOON AS YOU RECEIVE YOUR MONEY. TO THIS EFFECT, YOU WILL SEND US A PROMISSORY NOTE FOR FIVE HUNDRED THOUSAND UNITED STATES DOLLARS ALONG WITH YOUR ADDRESS FOR SENDING THE BOXES BY COURIER. PLEASE MAINTAIN TOPMOST SECRECY AS IT MAY CAUSE A LOT OF PROBLEMS IF FOUND OUT THAT WE ARE USING THIS WAY TO HELP YOU, DO NOT EVER TELL ANYBODY ABOUT THIS UNTIL YOU HAVE YOUR MONEY. 

I WANT TO HELP YOU BECAUSE OF THE PERCENTAGE YOU WILL GIVE ME FOR ASSISTING YOU.WHEN YOU CONCLUDE WITH THIS AND YOU SEND OUR PROMISE; WE WILL HELP TO SHIP PART OF YOUR MONEY TO YOU.
   

YOU ARE REQUIRED TO RE-CONFIRM THE UNDERLISTED DETAILS AS SOON AS POSSIBLE FOR ONWARD SHIPPMENT OF YOUR OVER DUE CONTRACT FUND:   

YOUR FULL NAME: 
PRIVATE TELEPHONE NUMBER: 
CHOICE OF ADDRESS {where you wish the consignment delivered}: 
PRESENT OCCUPATION:
ANNUAL INCOME:
AGE:
FAX(IF ANY):
  
MR.BRICE TAKUS
arthur@hot.rr.com.

From atm.payment@worldbank.org  Sat Dec 26 14:52:54 2009
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
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<DIV>
Regional Office for Central Europe and Baltics</DIV>
<DIV>
International Monetary Fund Inline with</DIV>
<DIV>
37C Zielna, 00-108 Warszawa</DIV>
<DIV>
International Settlement Dept.</DIV>
<DIV>
International Monetary Fund (IMF) World Bank Group Ltd Switzerland</DIV>
<DIV>
Immediate ATM DEBIT Cash Card Payment Notification,</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
This is to officially inform you that we the International Monetary Fund&nbsp; World Bank Group Ltd Switzerland Reconciliation Schemes have choose to verified your contract/inheritance file and found that why you been unable to receive your payment because you have not fulfilled the obligations given to you in respect of your contract / inheritance payment which this office had the original seal of this agreement with the assigned governmental organization between the involved parties.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Secondly we have been informed that you are still dealing with the none officials in the bank and all your attempts to secure the release of the fund to you have not been successful for this reasons We wish to advice you that such an illegal act like this have to stop if you wish to receive your payment since we have decided to bring a solution to your problem. We have arranged your payment through our swift card payment centers, which is the latest instruction from International Monetary Fund Reconciliation office. The card center will send to you an ATM debit card which you will use to withdraw your money in any ATM machine in any part of the world, so if you like to receive your fund in this way, please let us know by contacting our ATM Center Manager with the requested information as listed below to the follow office via email. claims correspondent office for more directions.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Part two : </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
This is the official information letter&nbsp; for the Claims Resolution Tribunal of the Holocaust Victim Assets Litigation against Swiss Banks and</DIV>
<DIV>
other banks Entities.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
The Claims Resolution Tribunal is responsible for processing claims relating to assets deposited in Swiss banks by Victims or Targets of Nazi</DIV>
<DIV>
persecution prior to and during the Second World War. Holocaust Victim Assets Litigation (Swiss Banks)</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Dr Al Hilal</DIV>
<DIV>
Sir Martins jeremy </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
E-mail:&nbsp; headoffice@imf-uk.eu</DIV>
<DIV>
office&nbsp; /&nbsp;&nbsp;&nbsp;&nbsp; </DIV>
<DIV>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; +44702407-7636</DIV>
<DIV>
1. Full Name</DIV>
<DIV>
2. Phone and Fax Number</DIV>
<DIV>
3. Address Were You Want Them to Send the ATM Card to (P.O Box Not</DIV>
<DIV>
Acceptable)</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
4. Your Age and Current Occupation</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
In the mean time we have been mandated to issue out this payment via this scheme due this fiscal budget year 2009 against the World Financial and</DIV>
<DIV>
Economic crisis. Also for your information, you have to stop any further communication with any other person (s) or office(s) to avoid any hitches</DIV>
<DIV>
in receiving your payment Note that because of impostors, we hereby issued you our code of conduct, which is (ATM-3914) so you have to indicate this</DIV>
<DIV>
code when contacting the card center by using it as your subject.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Now contact our claims correspondent office for more directions.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
We Wait For Your Expedite Response.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Yours in Service,</DIV>
<DIV>
BOARD OF TRUSTEES IMF</DIV>
<DIV>
International Settlement Dept.</DIV>
<DIV>
International Monetary Fund World Bank Group Ltd Switzerland</DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 17:07:20 2009
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Rainer is on live now! 
http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions


peace,

j 

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Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc Looper Station Stuff For Sale.)
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References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com> <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net> <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com> <84109051-B3AC-4AB6-94F7-2CE6A8460F6B@gmail.com> <82C436F7-B13C-430E-AD8B-AABBB25AB7A0@charter.net> <F7E29FA5-873F-4ECC-900E-9BBE525A5235@gmail.com>
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Christopher,

Let's put on our thinking caps and figure out where and how this might =20=

be accomplished.

Yes there are a few other loopers in the State.

Dave Trenkle, in Corvalis (who's been on the list at least as long as =20=

I have, since '96).

Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.

Qua Veda, up in McMinville (posts infrequently but is on the list).

David Coffin (over on the Oregon coast) not sure he performs anymore - =20=

concentrating mostly on visual art.

There are some others up in the PDX area - but they so seldom post to =20=

the LD list that it is impossible to know if they are even still there.

None in my area that I know of.

Perhaps a "shout out" to the LD list is in order (note the subject =20
heading change of the message) - let's discuss.

Keep in touch.

Best of the New Year to you,

Ted Killian

On Dec 25, 2009, at 10:46 PM, Christopher Darrow wrote:

>
> Sweet! Glad to see you write, "yet another." Must mean there are =20
> more about.
>
> I'm actually a returning looper. Looped with between 2 and 3 EDPs =20
> for over 10 years. Tried to go linear digital the last few years but =20=

> also kind of took a break from music for the the most part in favor =20=

> of video.
>
> I'll be working on getting my skills back 1st quarter of 2010 with =20
> some next-level stuff so let's gave a looping concert in summer.
>
>
> On Dec 25, 2009, at 12:06 PM, tEd =AE KiLLiAn wrote:
>
>> Christopher,
>>
>> Sorry to see you selling this stuff off.
>>
>> It's a surprise to find yet another looper in Oregon.
>>
>> People don't speak up and say where they're from often enough.
>>
>> Hope your sale work out for you.
>>
>> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need =20=

>> already.
>>
>> I might start divesting myself of some gear soon too.
>>
>> If you ever get down Medford way give a shout out.
>>
>> Cheers,
>>
>> Ted
>>
>>
>> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
>>
>>>
>>> Hi. I still have these so I thought I'd repost. Again, I usually =20
>>> just sell locally (Portland Oregon) but I'd be willing to ship for =20=

>>> fellow loopers, since this is my looping station. Shipper pays =20
>>> shipping though.
>>>
>>> EDP with Footswitch: =
http://portland.craigslist.org/mlt/msg/1524252438.html
>>>
>>> AXON Guitar to Midi converter and sound source: =
http://portland.craigslist.org/mlt/msg/1524251329.html
>>>
>>> They're both in a 2 space rack mount that is a little tricked out, =20=

>>> actually... I put mounted jack plates (few xlr, few 1/4") on the =20
>>> side and 2 mike holder screw bases on the top so you can wire a =20
>>> connection to them from the back of your stuff and only ever have =20=

>>> to jack into the side rather then reach in and so you can attach a =20=

>>> goose neck mic holder. Two actually, vocals and sax is what I used =20=

>>> it for.
>>>
>>> I have no idea what I'd charge for that. Probably pretty much for =20=

>>> what you'd by the 2 space rack mount for new. So if you're =20
>>> interested in that let me know. I also have an amp stand I put the =20=

>>> rack mount on so it faces up at an angle. And footswitches. And a =20=

>>> bunch of RDL mixers. (Google Radio Design Labs... tiny little =20
>>> mixers, switchers, noise gates etc. You wire them yourself, that's =20=

>>> why they're so small. They're also SUER quiet and high quality.
>>>
>>> Everything's in great shape.
>>>
>>> Merry Christmas, Happy Holidays, Etc.!
>>>
>>> ---Christopher Darrow
>>>  503.327.9329
>>
>

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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc Looper Station Stuff For Sale.)
Date: Sat, 26 Dec 2009 11:13:10 -0800
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I'm still here, mostly lurking. There's a couple of venues I can think of 
here in Corvallis or in Eugene where we could make something like this 
happen, and there are a few local players who use looping but are not on 
this list.
----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, December 26, 2009 10:47 AM
Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc Looper 
Station Stuff For Sale.)


Christopher,

Let's put on our thinking caps and figure out where and how this might
be accomplished.

Yes there are a few other loopers in the State.

Dave Trenkle, in Corvalis (who's been on the list at least as long as
I have, since '96).

Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.

Qua Veda, up in McMinville (posts infrequently but is on the list).

David Coffin (over on the Oregon coast) not sure he performs anymore -
concentrating mostly on visual art.

There are some others up in the PDX area - but they so seldom post to
the LD list that it is impossible to know if they are even still there.

None in my area that I know of.

Perhaps a "shout out" to the LD list is in order (note the subject
heading change of the message) - let's discuss.

Keep in touch.

Best of the New Year to you,

Ted Killian

On Dec 25, 2009, at 10:46 PM, Christopher Darrow wrote:

>
> Sweet! Glad to see you write, "yet another." Must mean there are  more 
> about.
>
> I'm actually a returning looper. Looped with between 2 and 3 EDPs  for 
> over 10 years. Tried to go linear digital the last few years but  also 
> kind of took a break from music for the the most part in favor  of video.
>
> I'll be working on getting my skills back 1st quarter of 2010 with  some 
> next-level stuff so let's gave a looping concert in summer.
>
>
> On Dec 25, 2009, at 12:06 PM, tEd ® KiLLiAn wrote:
>
>> Christopher,
>>
>> Sorry to see you selling this stuff off.
>>
>> It's a surprise to find yet another looper in Oregon.
>>
>> People don't speak up and say where they're from often enough.
>>
>> Hope your sale work out for you.
>>
>> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need 
>> already.
>>
>> I might start divesting myself of some gear soon too.
>>
>> If you ever get down Medford way give a shout out.
>>
>> Cheers,
>>
>> Ted
>>
>>
>> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
>>
>>>
>>> Hi. I still have these so I thought I'd repost. Again, I usually  just 
>>> sell locally (Portland Oregon) but I'd be willing to ship for  fellow 
>>> loopers, since this is my looping station. Shipper pays  shipping 
>>> though.
>>>
>>> EDP with Footswitch: 
>>> http://portland.craigslist.org/mlt/msg/1524252438.html
>>>
>>> AXON Guitar to Midi converter and sound source: 
>>> http://portland.craigslist.org/mlt/msg/1524251329.html
>>>
>>> They're both in a 2 space rack mount that is a little tricked out, 
>>> actually... I put mounted jack plates (few xlr, few 1/4") on the  side 
>>> and 2 mike holder screw bases on the top so you can wire a  connection 
>>> to them from the back of your stuff and only ever have  to jack into the 
>>> side rather then reach in and so you can attach a  goose neck mic 
>>> holder. Two actually, vocals and sax is what I used  it for.
>>>
>>> I have no idea what I'd charge for that. Probably pretty much for  what 
>>> you'd by the 2 space rack mount for new. So if you're  interested in 
>>> that let me know. I also have an amp stand I put the  rack mount on so 
>>> it faces up at an angle. And footswitches. And a  bunch of RDL mixers. 
>>> (Google Radio Design Labs... tiny little  mixers, switchers, noise gates 
>>> etc. You wire them yourself, that's  why they're so small. They're also 
>>> SUER quiet and high quality.
>>>
>>> Everything's in great shape.
>>>
>>> Merry Christmas, Happy Holidays, Etc.!
>>>
>>> ---Christopher Darrow
>>>  503.327.9329
>>
>





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Subject: Re: OREGON LOOPERS 
Date: Sat, 26 Dec 2009 12:10:15 -0800
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On Dec 26, 2009, at 11:13 AM, Dave Trenkel wrote:

> I'm still here, mostly lurking. There's a couple of venues I can  
> think of here in Corvallis or in Eugene where we could make  
> something like this happen, and there are a few local players who  
> use looping but are not on this list.
>
> Yes there are a few other loopers in the State.
>
> Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>

Eh? Who is "Ted Harms"? That ain't me. I may go by many names, ("We  
are 'Legion' "! :-) ) but "Ted Harms" ain't one of 'em.

Cheers,
Rev. Fever
Portland, OR
The Angry Red Planet

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Sorry, I'm practically a senior citizen these days and my memory plays  
tricks on me.

There is a "Ted Harms" in the PDX area with whom I have shared some  
communication.

I confused it with you. mea culpa.

Many apologies.



On Dec 26, 2009, at 12:10 PM, Revfever wrote:

> On Dec 26, 2009, at 11:13 AM, Dave Trenkel wrote:
>
>> I'm still here, mostly lurking. There's a couple of venues I can  
>> think of here in Corvallis or in Eugene where we could make  
>> something like this happen, and there are a few local players who  
>> use looping but are not on this list.
>>
>> Yes there are a few other loopers in the State.
>>
>> Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>>
>
> Eh? Who is "Ted Harms"? That ain't me. I may go by many names, ("We  
> are 'Legion' "! :-) ) but "Ted Harms" ain't one of 'em.
>
> Cheers,
> Rev. Fever
> Portland, OR
> The Angry Red Planet

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 20:32:18 2009
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Yo Dave!

Glad you piped in on this.

I have long enjoyed 11-Eyes and Minus as they rotate through on iTunes.

I certainly don't mind it NOT being in my own backyard.

What I do has always bee a little to weird for the locals 'round these =20=

parts anyway.

I scare away nearly as many as I attract (even with great advance =20
publicity).

If some other Oregonians chime in perhaps we can begin to discuss this =20=

separately off-list.

As interested parties, so far we have Christopher, you, and myself.

More may surface as time passes and the idea simmers a bit.

I think it could be immense fun.

Best,

Ted Killian


On Dec 26, 2009, at 11:13 AM, Dave Trenkel wrote:

> I'm still here, mostly lurking. There's a couple of venues I can =20
> think of here in Corvallis or in Eugene where we could make =20
> something like this happen, and there are a few local players who =20
> use looping but are not on this list.
> ----- Original Message ----- From: "tEd =AE KiLLiAn" =
<tedkillian@charter.net=20
> >
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, December 26, 2009 10:47 AM
> Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc =20=

> Looper Station Stuff For Sale.)
>
>
> Christopher,
>
> Let's put on our thinking caps and figure out where and how this might
> be accomplished.
>
> Yes there are a few other loopers in the State.
>
> Dave Trenkle, in Corvalis (who's been on the list at least as long as
> I have, since '96).
>
> Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>
> Qua Veda, up in McMinville (posts infrequently but is on the list).
>
> David Coffin (over on the Oregon coast) not sure he performs anymore -
> concentrating mostly on visual art.
>
> There are some others up in the PDX area - but they so seldom post to
> the LD list that it is impossible to know if they are even still =20
> there.
>
> None in my area that I know of.
>
> Perhaps a "shout out" to the LD list is in order (note the subject
> heading change of the message) - let's discuss.
>
> Keep in touch.
>
> Best of the New Year to you,
>
> Ted Killian
>
> On Dec 25, 2009, at 10:46 PM, Christopher Darrow wrote:
>
>>
>> Sweet! Glad to see you write, "yet another." Must mean there are  =20
>> more about.
>>
>> I'm actually a returning looper. Looped with between 2 and 3 EDPs  =20=

>> for over 10 years. Tried to go linear digital the last few years =20
>> but  also kind of took a break from music for the the most part in =20=

>> favor  of video.
>>
>> I'll be working on getting my skills back 1st quarter of 2010 with  =20=

>> some next-level stuff so let's gave a looping concert in summer.
>>
>>
>> On Dec 25, 2009, at 12:06 PM, tEd =AE KiLLiAn wrote:
>>
>>> Christopher,
>>>
>>> Sorry to see you selling this stuff off.
>>>
>>> It's a surprise to find yet another looper in Oregon.
>>>
>>> People don't speak up and say where they're from often enough.
>>>
>>> Hope your sale work out for you.
>>>
>>> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need =20=

>>> already.
>>>
>>> I might start divesting myself of some gear soon too.
>>>
>>> If you ever get down Medford way give a shout out.
>>>
>>> Cheers,
>>>
>>> Ted
>>>
>>>
>>> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
>>>
>>>>
>>>> Hi. I still have these so I thought I'd repost. Again, I usually  =20=

>>>> just sell locally (Portland Oregon) but I'd be willing to ship =20
>>>> for  fellow loopers, since this is my looping station. Shipper =20
>>>> pays  shipping though.
>>>>
>>>> EDP with Footswitch: =
http://portland.craigslist.org/mlt/msg/1524252438.html
>>>>
>>>> AXON Guitar to Midi converter and sound source: =
http://portland.craigslist.org/mlt/msg/1524251329.html
>>>>
>>>> They're both in a 2 space rack mount that is a little tricked =20
>>>> out, actually... I put mounted jack plates (few xlr, few 1/4") on =20=

>>>> the  side and 2 mike holder screw bases on the top so you can =20
>>>> wire a  connection to them from the back of your stuff and only =20
>>>> ever have  to jack into the side rather then reach in and so you =20=

>>>> can attach a  goose neck mic holder. Two actually, vocals and sax =20=

>>>> is what I used  it for.
>>>>
>>>> I have no idea what I'd charge for that. Probably pretty much =20
>>>> for  what you'd by the 2 space rack mount for new. So if you're  =20=

>>>> interested in that let me know. I also have an amp stand I put =20
>>>> the  rack mount on so it faces up at an angle. And footswitches. =20=

>>>> And a  bunch of RDL mixers. (Google Radio Design Labs... tiny =20
>>>> little  mixers, switchers, noise gates etc. You wire them =20
>>>> yourself, that's  why they're so small. They're also SUER quiet =20
>>>> and high quality.
>>>>
>>>> Everything's in great shape.
>>>>
>>>> Merry Christmas, Happy Holidays, Etc.!
>>>>
>>>> ---Christopher Darrow
>>>> 503.327.9329
>>>
>>
>
>
>
>

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On Dec 26, 2009, at 12:16 PM, tEd =AE KiLLiAn wrote:

> Sorry, I'm practically a senior citizen these days and my memory =20
> plays tricks on me.
>
> There is a "Ted Harms" in the PDX area with whom I have shared some =20=

> communication.
>
> I confused it with you. mea culpa.
>
> Many apologies.

Eh...ain't a thang, my friend. I was just curious and also wanted to =20
post a correction.
But still, a name like "Ted Harms" is kool!   Could almost be right =20
out of a super heroes comic! , Oh yeah! :-)

All the best, and cheers,
Rev. Fever
Portland, OR
The Angry Red Planet

>
>
>
> On Dec 26, 2009, at 12:10 PM, Revfever wrote:
>
>> On Dec 26, 2009, at 11:13 AM, Dave Trenkel wrote:
>>
>>> I'm still here, mostly lurking. There's a couple of venues I can =20
>>> think of here in Corvallis or in Eugene where we could make =20
>>> something like this happen, and there are a few local players who =20=

>>> use looping but are not on this list.
>>>
>>> Yes there are a few other loopers in the State.
>>>
>>> Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>>>
>>
>> Eh? Who is "Ted Harms"? That ain't me. I may go by many names, =20
>> ("We are 'Legion' "! :-) ) but "Ted Harms" ain't one of 'em.
>>
>> Cheers,
>> Rev. Fever
>> Portland, OR
>> The Angry Red Planet
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 20:59:13 2009
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Rev,

I just checked my ancient email files and Ted Harms isn't even in PDX.

Blast! It's so embarrassing to be going senile in public (LOL).

Well, should you find yourself the least bit interested in some sort =20
of Oregon Looper soiree, get-together gig (festival?) whatever . . . =20
stay tuned and in touch.

Hopefully, someone who is not slowly losing his mind will be =20
organizing it (LOL).

Best,

Ted Killian

On Dec 26, 2009, at 12:42 PM, Revfever wrote:

>
> On Dec 26, 2009, at 12:16 PM, tEd =AE KiLLiAn wrote:
>
>> Sorry, I'm practically a senior citizen these days and my memory =20
>> plays tricks on me.
>>
>> There is a "Ted Harms" in the PDX area with whom I have shared some =20=

>> communication.
>>
>> I confused it with you. mea culpa.
>>
>> Many apologies.
>
> Eh...ain't a thang, my friend. I was just curious and also wanted to =20=

> post a correction.
> But still, a name like "Ted Harms" is kool!   Could almost be right =20=

> out of a super heroes comic! , Oh yeah! :-)
>
> All the best, and cheers,
> Rev. Fever
> Portland, OR
> The Angry Red Planet

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 21:17:41 2009
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Ted Harms is a sometimes looper, improv bass player up here in 
Ontario, Canada. He is on the loopers list. I play with him 
occasionally, a very fine and imaginative player.

Paul Haslem
www.dulcify.ca
Ontario, Canada




At 03:58 PM 12/26/2009, you wrote:
>Rev,
>
>I just checked my ancient email files and Ted Harms isn't even in PDX.
>
>Blast! It's so embarrassing to be going senile in public (LOL).
>
>Well, should you find yourself the least bit interested in some sort
>of Oregon Looper soiree, get-together gig (festival?) whatever . . .
>stay tuned and in touch.
>
>Hopefully, someone who is not slowly losing his mind will be
>organizing it (LOL).
>
>Best,
>
>Ted Killian
>
>On Dec 26, 2009, at 12:42 PM, Revfever wrote:

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Subject: Re: OT: OREGON LOOPERS 
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Thanks Paul.

When I found my old e-mail exchanges with him I saw where he was  
actually from . . . and remembered.

I just hadn't wanted to share EXACTLY how far off my recollection of  
things had gotten in my last missive.

Sadly, I was still trying to protect some semblance of self-esteem in  
this forum.

Thanks for keeping me honest (LOL).

C'est la vie.

Ted Killian


On Dec 26, 2009, at 1:17 PM, paul wrote:

> Ted Harms is a sometimes looper, improv bass player up here in  
> Ontario, Canada. He is on the loopers list. I play with him  
> occasionally, a very fine and imaginative player.
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
> At 03:58 PM 12/26/2009, you wrote:
>> Rev,
>>
>> I just checked my ancient email files and Ted Harms isn't even in  
>> PDX.
>>
>> Blast! It's so embarrassing to be going senile in public (LOL).
>>
>> Well, should you find yourself the least bit interested in some sort
>> of Oregon Looper soiree, get-together gig (festival?) whatever . . .
>> stay tuned and in touch.
>>
>> Hopefully, someone who is not slowly losing his mind will be
>> organizing it (LOL).
>>
>> Best,
>>
>> Ted Killian
>>
>> On Dec 26, 2009, at 12:42 PM, Revfever wrote:
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 26 22:08:47 2009
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Subject: For Sale: Lexicon Jamman (Mint!) $350
Date: Sat, 26 Dec 2009 17:00:37 -0500
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This MINT condition Lexicon Jamman has been sitting in a rack (unused) for
over a decade!   

 

It has the 32 second memory upgrade, and Bob Sellon's Special software
installed. 

 

Included: 

(1) Power Transformer

(2) Original Footswitches

(2) Footswitch Cables

 

Manuals are available on the web.

 

$350 Firm

 



 


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>This MINT condition Lexicon Jamman has been sitting =
in a
rack (unused) for over a decade! =
&nbsp;&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>It has the 32 second memory upgrade, and Bob
Sellon&#8217;s Special software installed. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>Included: <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(1) Power Transformer<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Original =
Footswitches<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>(2) Footswitch Cables<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>Manuals are available on the =
web&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'>$350 Firm<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><img width=3D400 height=3D39 id=3D"_x0000_i1025"
src=3D"cid:image001.jpg@01CA864C.F24F7310"><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DCalibri><span =
style=3D'font-size:11.0pt;
font-family:Calibri'><o:p>&nbsp;</o:p></span></font></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 27 01:41:21 2009
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc
 Looper Station Stuff For Sale.)
Date: Sat, 26 Dec 2009 17:41:19 -0800
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I'm here in the Portland area --I tend to be sort of quiet on the list ( ea=
rs open=2C mouth shut) --My current=2C long running gig is less looping and=
 a whole lot of Middle Eastern/European/N African/Psychedelic jazzy stuff t=
hat belly dancers like. But I have thrown in looping to good effect.=20
I think a looping tour of Oregonians would rock. I have connections to a fe=
w venues here in Portland and Rev Fever knows a few more.
What are we waiting for?
J.D.Devros
deafrose58

> From: tedkillian@charter.net
> To: Loopers-Delight@loopers-delight.com
> Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter=2C Misc Lo=
oper Station Stuff For Sale.)
> Date: Sat=2C 26 Dec 2009 10:47:36 -0800
>=20
> Christopher=2C
>=20
> Let's put on our thinking caps and figure out where and how this might =20
> be accomplished.
>=20
> Yes there are a few other loopers in the State.
>=20
> Dave Trenkle=2C in Corvalis (who's been on the list at least as long as =
=20
> I have=2C since '96).
>=20
> Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>=20
> Qua Veda=2C up in McMinville (posts infrequently but is on the list).
>=20
> David Coffin (over on the Oregon coast) not sure he performs anymore - =20
> concentrating mostly on visual art.
>=20
> There are some others up in the PDX area - but they so seldom post to =20
> the LD list that it is impossible to know if they are even still there.
>=20
> None in my area that I know of.
>=20
> Perhaps a "shout out" to the LD list is in order (note the subject =20
> heading change of the message) - let's discuss.
>=20
> Keep in touch.
>=20
> Best of the New Year to you=2C
>=20
> Ted Killian
>=20
> On Dec 25=2C 2009=2C at 10:46 PM=2C Christopher Darrow wrote:
>=20
> >
> > Sweet! Glad to see you write=2C "yet another." Must mean there are =20
> > more about.
> >
> > I'm actually a returning looper. Looped with between 2 and 3 EDPs =20
> > for over 10 years. Tried to go linear digital the last few years but =20
> > also kind of took a break from music for the the most part in favor =20
> > of video.
> >
> > I'll be working on getting my skills back 1st quarter of 2010 with =20
> > some next-level stuff so let's gave a looping concert in summer.
> >
> >
> > On Dec 25=2C 2009=2C at 12:06 PM=2C tEd =AE KiLLiAn wrote:
> >
> >> Christopher=2C
> >>
> >> Sorry to see you selling this stuff off.
> >>
> >> It's a surprise to find yet another looper in Oregon.
> >>
> >> People don't speak up and say where they're from often enough.
> >>
> >> Hope your sale work out for you.
> >>
> >> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I need =20
> >> already.
> >>
> >> I might start divesting myself of some gear soon too.
> >>
> >> If you ever get down Medford way give a shout out.
> >>
> >> Cheers=2C
> >>
> >> Ted
> >>
> >>
> >> On Dec 25=2C 2009=2C at 9:59 AM=2C Christopher Darrow wrote:
> >>
> >>>
> >>> Hi. I still have these so I thought I'd repost. Again=2C I usually =20
> >>> just sell locally (Portland Oregon) but I'd be willing to ship for =20
> >>> fellow loopers=2C since this is my looping station. Shipper pays =20
> >>> shipping though.
> >>>
> >>> EDP with Footswitch: http://portland.craigslist.org/mlt/msg/152425243=
8.html
> >>>
> >>> AXON Guitar to Midi converter and sound source: http://portland.craig=
slist.org/mlt/msg/1524251329.html
> >>>
> >>> They're both in a 2 space rack mount that is a little tricked out=2C =
=20
> >>> actually... I put mounted jack plates (few xlr=2C few 1/4") on the =20
> >>> side and 2 mike holder screw bases on the top so you can wire a =20
> >>> connection to them from the back of your stuff and only ever have =20
> >>> to jack into the side rather then reach in and so you can attach a =20
> >>> goose neck mic holder. Two actually=2C vocals and sax is what I used =
=20
> >>> it for.
> >>>
> >>> I have no idea what I'd charge for that. Probably pretty much for =20
> >>> what you'd by the 2 space rack mount for new. So if you're =20
> >>> interested in that let me know. I also have an amp stand I put the =20
> >>> rack mount on so it faces up at an angle. And footswitches. And a =20
> >>> bunch of RDL mixers. (Google Radio Design Labs... tiny little =20
> >>> mixers=2C switchers=2C noise gates etc. You wire them yourself=2C tha=
t's =20
> >>> why they're so small. They're also SUER quiet and high quality.
> >>>
> >>> Everything's in great shape.
> >>>
> >>> Merry Christmas=2C Happy Holidays=2C Etc.!
> >>>
> >>> ---Christopher Darrow
> >>>  503.327.9329
> >>
> >
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with Microsoft=92s powerful SPAM protection.
http://clk.atdmt.com/GBL/go/177141664/direct/01/=

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<body class=3D'hmmessage'>
I'm here in the Portland area --I tend to be sort of quiet on the list ( ea=
rs open=2C mouth shut) --My current=2C long running gig is less looping and=
 a whole lot of Middle Eastern/European/N African/Psychedelic jazzy stuff t=
hat belly dancers like. But I have thrown in looping to good effect. <br>I =
think a looping tour of Oregonians would rock. I have connections to a few =
venues here in Portland and Rev Fever knows a few more.<br>What are we wait=
ing for?<br>J.D.Devros<br>deafrose58<br><br>&gt=3B From: tedkillian@charter=
.net<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: O=
REGON LOOPERS (Was: EDP and Guitar to Midi Converter=2C Misc Looper Station=
 Stuff For Sale.)<br>&gt=3B Date: Sat=2C 26 Dec 2009 10:47:36 -0800<br>&gt=
=3B <br>&gt=3B Christopher=2C<br>&gt=3B <br>&gt=3B Let's put on our thinkin=
g caps and figure out where and how this might  <br>&gt=3B be accomplished.=
<br>&gt=3B <br>&gt=3B Yes there are a few other loopers in the State.<br>&g=
t=3B <br>&gt=3B Dave Trenkle=2C in Corvalis (who's been on the list at leas=
t as long as  <br>&gt=3B I have=2C since '96).<br>&gt=3B <br>&gt=3B Rev Fev=
er (aka Ted Harms) is in Portland area somewhere I believe.<br>&gt=3B <br>&=
gt=3B Qua Veda=2C up in McMinville (posts infrequently but is on the list).=
<br>&gt=3B <br>&gt=3B David Coffin (over on the Oregon coast) not sure he p=
erforms anymore -  <br>&gt=3B concentrating mostly on visual art.<br>&gt=3B=
 <br>&gt=3B There are some others up in the PDX area - but they so seldom p=
ost to  <br>&gt=3B the LD list that it is impossible to know if they are ev=
en still there.<br>&gt=3B <br>&gt=3B None in my area that I know of.<br>&gt=
=3B <br>&gt=3B Perhaps a "shout out" to the LD list is in order (note the s=
ubject  <br>&gt=3B heading change of the message) - let's discuss.<br>&gt=
=3B <br>&gt=3B Keep in touch.<br>&gt=3B <br>&gt=3B Best of the New Year to =
you=2C<br>&gt=3B <br>&gt=3B Ted Killian<br>&gt=3B <br>&gt=3B On Dec 25=2C 2=
009=2C at 10:46 PM=2C Christopher Darrow wrote:<br>&gt=3B <br>&gt=3B &gt=3B=
<br>&gt=3B &gt=3B Sweet! Glad to see you write=2C "yet another." Must mean =
there are  <br>&gt=3B &gt=3B more about.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B =
I'm actually a returning looper. Looped with between 2 and 3 EDPs  <br>&gt=
=3B &gt=3B for over 10 years. Tried to go linear digital the last few years=
 but  <br>&gt=3B &gt=3B also kind of took a break from music for the the mo=
st part in favor  <br>&gt=3B &gt=3B of video.<br>&gt=3B &gt=3B<br>&gt=3B &g=
t=3B I'll be working on getting my skills back 1st quarter of 2010 with  <b=
r>&gt=3B &gt=3B some next-level stuff so let's gave a looping concert in su=
mmer.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B On Dec 25=2C 2009=
=2C at 12:06 PM=2C tEd =AE KiLLiAn wrote:<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B=
&gt=3B Christopher=2C<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Sorry t=
o see you selling this stuff off.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&g=
t=3B It's a surprise to find yet another looper in Oregon.<br>&gt=3B &gt=3B=
&gt=3B<br>&gt=3B &gt=3B&gt=3B People don't speak up and say where they're f=
rom often enough.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Hope your s=
ale work out for you.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B I've go=
t all the EDPs (2) and guitar-to-midi stuff (Roland) I need  <br>&gt=3B &gt=
=3B&gt=3B already.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B I might st=
art divesting myself of some gear soon too.<br>&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B&gt=3B If you ever get down Medford way give a shout out.<br>&gt=
=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Cheers=2C<br>&gt=3B &gt=3B&gt=3B<br=
>&gt=3B &gt=3B&gt=3B Ted<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&=
gt=3B &gt=3B&gt=3B On Dec 25=2C 2009=2C at 9:59 AM=2C Christopher Darrow wr=
ote:<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&g=
t=3B&gt=3B Hi. I still have these so I thought I'd repost. Again=2C I usual=
ly  <br>&gt=3B &gt=3B&gt=3B&gt=3B just sell locally (Portland Oregon) but I=
'd be willing to ship for  <br>&gt=3B &gt=3B&gt=3B&gt=3B fellow loopers=2C =
since this is my looping station. Shipper pays  <br>&gt=3B &gt=3B&gt=3B&gt=
=3B shipping though.<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=
=3B EDP with Footswitch: http://portland.craigslist.org/mlt/msg/1524252438.=
html<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B AXON Guitar =
to Midi converter and sound source: http://portland.craigslist.org/mlt/msg/=
1524251329.html<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B T=
hey're both in a 2 space rack mount that is a little tricked out=2C  <br>&g=
t=3B &gt=3B&gt=3B&gt=3B actually... I put mounted jack plates (few xlr=2C f=
ew 1/4") on the  <br>&gt=3B &gt=3B&gt=3B&gt=3B side and 2 mike holder screw=
 bases on the top so you can wire a  <br>&gt=3B &gt=3B&gt=3B&gt=3B connecti=
on to them from the back of your stuff and only ever have  <br>&gt=3B &gt=
=3B&gt=3B&gt=3B to jack into the side rather then reach in and so you can a=
ttach a  <br>&gt=3B &gt=3B&gt=3B&gt=3B goose neck mic holder. Two actually=
=2C vocals and sax is what I used  <br>&gt=3B &gt=3B&gt=3B&gt=3B it for.<br=
>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B I have no idea what=
 I'd charge for that. Probably pretty much for  <br>&gt=3B &gt=3B&gt=3B&gt=
=3B what you'd by the 2 space rack mount for new. So if you're  <br>&gt=3B =
&gt=3B&gt=3B&gt=3B interested in that let me know. I also have an amp stand=
 I put the  <br>&gt=3B &gt=3B&gt=3B&gt=3B rack mount on so it faces up at a=
n angle. And footswitches. And a  <br>&gt=3B &gt=3B&gt=3B&gt=3B bunch of RD=
L mixers. (Google Radio Design Labs... tiny little  <br>&gt=3B &gt=3B&gt=3B=
&gt=3B mixers=2C switchers=2C noise gates etc. You wire them yourself=2C th=
at's  <br>&gt=3B &gt=3B&gt=3B&gt=3B why they're so small. They're also SUER=
 quiet and high quality.<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=
=3B&gt=3B Everything's in great shape.<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=
=3B &gt=3B&gt=3B&gt=3B Merry Christmas=2C Happy Holidays=2C Etc.!<br>&gt=3B=
 &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B ---Christopher Darrow<br>&=
gt=3B &gt=3B&gt=3B&gt=3B  503.327.9329<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=
=3B<br>&gt=3B <br> 		 	   		  <br /><hr />Hotmail: Trusted email with Micro=
soft=92s powerful SPAM protection. <a href=3D'http://clk.atdmt.com/GBL/go/1=
77141664/direct/01/' target=3D'_new'>Sign up now.</a></body>
</html>=

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Date: Sat, 26 Dec 2009 18:02:08 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Ontario Loopers?  (was: OREGON LOOPERS)
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Yes, Ted Harms is alive and well - he is me!=A0 Apologies for my delaying i=
n replying but I've been loading up on tofurkey...

Sorry, Ted K, but I've never been to Oregon though it sounds nice.=A0 Close=
st I've been was 40+ years ago when I was born in Seattle.=A0 Our contact w=
as a little while back when I bought a Boss RPS-10 half-rack unit from you.

Many thanks for the kind words, Paul!=A0 (BTW, basement problems have been =
addressed - I'll let you know how it turned out!)

So, are Paul and I the only Ontario loopers?=A0 I gather Zoe is originally =
from Guelph...


Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Sat, 12/26/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:

From: tEd =AE KiLLiAn <tedkillian@charter.net>
Subject: Re: OT: OREGON LOOPERS
To: Loopers-Delight@loopers-delight.com
Received: Saturday, December 26, 2009, 1:24 PM

Thanks Paul.

When I found my old e-mail exchanges with him I saw where he was actually f=
rom . . . and remembered.

I just hadn't wanted to share EXACTLY how far off my recollection of things=
 had gotten in my last missive.

Sadly, I was still trying to protect some semblance of self-esteem in this =
forum.

Thanks for keeping me honest (LOL).

C'est la vie.

Ted Killian
=0A=0A=0A      ____________________________________________________________=
______=0AMake your browsing faster, safer, and easier with the new Internet=
 Explorer=AE 8. Optimized for Yahoo! Get it Now for Free! at http://downloa=
ds.yahoo.com/ca/internetexplorer/
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>Yes, Ted Harms is alive and well - he is =
me!&nbsp; Apologies for my delaying in replying but I've been loading up on=
 tofurkey...<br><br>Sorry, Ted K, but I've never been to Oregon though it s=
ounds nice.&nbsp; Closest I've been was 40+ years ago when I was born in Se=
attle.&nbsp; Our contact was a little while back when I bought a Boss RPS-1=
0 half-rack unit from you.<br><br>Many thanks for the kind words, Paul!&nbs=
p; (BTW, basement problems have been addressed - I'll let you know how it t=
urned out!)<br><br>So, are Paul and I the only Ontario loopers?&nbsp; I gat=
her Zoe is originally from Guelph...<br><br><br>Ted H.<br>Enemies are good =
for self-definition. Werner Herzog<br><br>--- On <b>Sat, 12/26/09, tEd =AE =
KiLLiAn <i>&lt;tedkillian@charter.net&gt;</i></b> wrote:<br><blockquote sty=
le=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-le=
ft:
 5px;"><br>From: tEd =AE KiLLiAn &lt;tedkillian@charter.net&gt;<br>Subject:=
 Re: OT: OREGON LOOPERS<br>To: Loopers-Delight@loopers-delight.com<br>Recei=
ved: Saturday, December 26, 2009, 1:24 PM<br><br><div class=3D"plainMail">T=
hanks Paul.<br><br>When I found my old e-mail exchanges with him I saw wher=
e he was actually from . . . and remembered.<br><br>I just hadn't wanted to=
 share EXACTLY how far off my recollection of things had gotten in my last =
missive.<br><br>Sadly, I was still trying to protect some semblance of self=
-esteem in this forum.<br><br>Thanks for keeping me honest (LOL).<br><br>C'=
est la vie.<br><br>Ted Killian<br></div></blockquote></td></tr></table><br>=
=0A      <p class=3D"MsoNormal"> </p>=0A=0A  <tbody><tr>=0A=0A    <td style=
=3D"padding: 0.75pt;">=0A=0A    <div class=3D"MsoNormal" style=3D"text-alig=
n: center;" align=3D"center"><font face=3D"Times New Roman" size=3D"3"><spa=
n style=3D"font-size: 12pt;">=0A=0A    <hr align=3D"center" size=3D"1" widt=
h=3D"100%">=0A=0A    </span></font></div>=0A=0A =0A=0A      <p class=3D"Mso=
Normal"><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size:=
 12pt;"><img id=3D"_x0000_i1026" src=3D"http://us.i1.yimg.com/us.yimg.com/i=
/ca/iotg_search.jpg" align=3D"absbottom" border=3D"0" height=3D"25" hspace=
=3D"4" width=3D"25"><a href=3D"http://ca.toolbar.yahoo.com/" target=3D"_new=
"><b><span style=3D"font-weight: bold;" lang=3D"NO-BOK">Yahoo! =0A        C=
anada Toolbar :</span></b><span lang=3D"NO-BOK"> Search from anywhere on =
=0A        the web and bookmark your favourite sites. Download it now! </sp=
an></a> =0A        </span></font><span lang=3D"NO-BOK"><o:p></o:p></span></=
p>
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Subject: Re: Ontario Loopers?  (was: OREGON LOOPERS)
Date: Sat, 26 Dec 2009 18:12:25 -0800
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Ted,

Yep, I know now . . . I was just having a "senior moment".

At least I had the direction right  . . . North (in a general sort of =20=

fashion).

LOL.

Please forgive the confusion.

Obviously I'm not one to be trusted with anything requiring long-term =20=

memory these days.

Thanks for making you "alive" status known.

Seems like I remember selling you something (Boss RPS-10 or something).

I can't remember that either.

Oh well.

I hope all is well.

Cheers,

Ted Killian

(At least I can remember my own name).

On Dec 26, 2009, at 6:02 PM, ditch wrestler wrote:

>
> Yes, Ted Harms is alive and well - he is me!  Apologies for my =20
> delaying in replying but I've been loading up on tofurkey...
>
> Sorry, Ted K, but I've never been to Oregon though it sounds nice.  =20=

> Closest I've been was 40+ years ago when I was born in Seattle.  Our =20=

> contact was a little while back when I bought a Boss RPS-10 half-=20
> rack unit from you.
>
> Many thanks for the kind words, Paul!  (BTW, basement problems have =20=

> been addressed - I'll let you know how it turned out!)
>
> So, are Paul and I the only Ontario loopers?  I gather Zoe is =20
> originally from Guelph...
>
>
> Ted H.
> Enemies are good for self-definition. Werner Herzog
>
> --- On Sat, 12/26/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>
> From: tEd =AE KiLLiAn <tedkillian@charter.net>
> Subject: Re: OT: OREGON LOOPERS
> To: Loopers-Delight@loopers-delight.com
> Received: Saturday, December 26, 2009, 1:24 PM
>
> Thanks Paul.
>
> When I found my old e-mail exchanges with him I saw where he was =20
> actually from . . . and remembered.
>
> I just hadn't wanted to share EXACTLY how far off my recollection of =20=

> things had gotten in my last missive.
>
> Sadly, I was still trying to protect some semblance of self-esteem =20
> in this forum.
>
> Thanks for keeping me honest (LOL).
>
> C'est la vie.
>
> Ted Killian
>
>
> Yahoo! Canada Toolbar : Search from anywhere on the web and bookmark =20=

> your favourite sites. Download it now!
>

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Message-Id: <CB7F54E3-99E8-4BA4-9179-21AFF14D222A@charter.net>
From: =?WINDOWS-1252?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
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Subject: Re: OREGON LOOPERS
Date: Sat, 26 Dec 2009 18:21:53 -0800
References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com> <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net> <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com> <84109051-B3AC-4AB6-94F7-2CE6A8460F6B@gmail.com> <82C436F7-B13C-430E-AD8B-AABBB25AB7A0@charter.net> <F7E29FA5-873F-4ECC-900E-9BBE525A5235@gmail.com>,<90C7EC0F-8991-402E-8D1C-4A0061C66ED4@charter.net> <SNT111-W34664F35F23273260DDE67CF7C0@phx.gbl>
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Jeremy,

So far as I know Rev Fever wasn't expressing any particular interest =20
in this thing (event) so much as correcting my mistaken memory.

If you know otherwise he's certainly welcome.

So far respondents have been:

Christopher Darrow (who made the suggestion in the first place) =
<thedarrow@gmail.com=20
 >

Myself, Ted Killian (weird guitarist stuck down here in nowheresville =20=

- also known as Medford) <tedkillian@charter.net>

Dave Trenkle (of Corvalis, who plays in a great jazz/funk band called =20=

11-eyes) <improv@peak.org>

Yourself (in Portland) <deafrose58@hotmail.com>

And maybe Rev Fever (also in Portland) if he's interested.

At some point we should take this off the list probably.

Do we have enough interested parties yet?

Discuss.

Ted

On Dec 26, 2009, at 5:41 PM, Jeremy devros wrote:

> I'm here in the Portland area --I tend to be sort of quiet on the =20
> list ( ears open, mouth shut) --My current, long running gig is less =20=

> looping and a whole lot of Middle Eastern/European/N African/=20
> Psychedelic jazzy stuff that belly dancers like. But I have thrown =20
> in looping to good effect.
> I think a looping tour of Oregonians would rock. I have connections =20=

> to a few venues here in Portland and Rev Fever knows a few more.
> What are we waiting for?
> J.D.Devros
> deafrose58
>
> > From: tedkillian@charter.net
> > To: Loopers-Delight@loopers-delight.com
> > Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, =20
> Misc Looper Station Stuff For Sale.)
> > Date: Sat, 26 Dec 2009 10:47:36 -0800
> >
> > Christopher,
> >
> > Let's put on our thinking caps and figure out where and how this =20
> might
> > be accomplished.
> >
> > Yes there are a few other loopers in the State.
> >
> > Dave Trenkle, in Corvalis (who's been on the list at least as long =20=

> as
> > I have, since '96).
> >
> > Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
> >
> > Qua Veda, up in McMinville (posts infrequently but is on the list).
> >
> > David Coffin (over on the Oregon coast) not sure he performs =20
> anymore -
> > concentrating mostly on visual art.
> >
> > There are some others up in the PDX area - but they so seldom post =20=

> to
> > the LD list that it is impossible to know if they are even still =20
> there.
> >
> > None in my area that I know of.
> >
> > Perhaps a "shout out" to the LD list is in order (note the subject
> > heading change of the message) - let's discuss.
> >
> > Keep in touch.
> >
> > Best of the New Year to you,
> >
> > Ted Killian
> >
> > On Dec 25, 2009, at 10:46 PM, Christopher Darrow wrote:
> >
> > >
> > > Sweet! Glad to see you write, "yet another." Must mean there are
> > > more about.
> > >
> > > I'm actually a returning looper. Looped with between 2 and 3 EDPs
> > > for over 10 years. Tried to go linear digital the last few years =20=

> but
> > > also kind of took a break from music for the the most part in =20
> favor
> > > of video.
> > >
> > > I'll be working on getting my skills back 1st quarter of 2010 with
> > > some next-level stuff so let's gave a looping concert in summer.
> > >
> > >
> > > On Dec 25, 2009, at 12:06 PM, tEd =AE KiLLiAn wrote:
> > >
> > >> Christopher,
> > >>
> > >> Sorry to see you selling this stuff off.
> > >>
> > >> It's a surprise to find yet another looper in Oregon.
> > >>
> > >> People don't speak up and say where they're from often enough.
> > >>
> > >> Hope your sale work out for you.
> > >>
> > >> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I =20
> need
> > >> already.
> > >>
> > >> I might start divesting myself of some gear soon too.
> > >>
> > >> If you ever get down Medford way give a shout out.
> > >>
> > >> Cheers,
> > >>
> > >> Ted
> > >>
> > >>
> > >> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
> > >>
> > >>>
> > >>> Hi. I still have these so I thought I'd repost. Again, I usually
> > >>> just sell locally (Portland Oregon) but I'd be willing to ship =20=

> for
> > >>> fellow loopers, since this is my looping station. Shipper pays
> > >>> shipping though.
> > >>>
> > >>> EDP with Footswitch: =
http://portland.craigslist.org/mlt/msg/1524252438.html
> > >>>
> > >>> AXON Guitar to Midi converter and sound source: =
http://portland.craigslist.org/mlt/msg/1524251329.html
> > >>>
> > >>> They're both in a 2 space rack mount that is a little tricked =20=

> out,
> > >>> actually... I put mounted jack plates (few xlr, few 1/4") on the
> > >>> side and 2 mike holder screw bases on the top so you can wire a
> > >>> connection to them from the back of your stuff and only ever =20
> have
> > >>> to jack into the side rather then reach in and so you can =20
> attach a
> > >>> goose neck mic holder. Two actually, vocals and sax is what I =20=

> used
> > >>> it for.
> > >>>
> > >>> I have no idea what I'd charge for that. Probably pretty much =20=

> for
> > >>> what you'd by the 2 space rack mount for new. So if you're
> > >>> interested in that let me know. I also have an amp stand I put =20=

> the
> > >>> rack mount on so it faces up at an angle. And footswitches. =20
> And a
> > >>> bunch of RDL mixers. (Google Radio Design Labs... tiny little
> > >>> mixers, switchers, noise gates etc. You wire them yourself, =20
> that's
> > >>> why they're so small. They're also SUER quiet and high quality.
> > >>>
> > >>> Everything's in great shape.
> > >>>
> > >>> Merry Christmas, Happy Holidays, Etc.!
> > >>>
> > >>> ---Christopher Darrow
> > >>> 503.327.9329
> > >>
> > >
> >
>
> Hotmail: Trusted email with Microsoft=92s powerful SPAM protection. =20=

> Sign up now.

From info@yahoo.com  Sun Dec 27 06:06:54 2009
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Date: Sat, 26 Dec 2009 21:00:46 -0600
From: Mr Lewis Collins <info@yahoo.com>
Reply-to: mrlewisfinancialhome1@yahoo.com.hk
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Lewis Collins Financial gives out loans at low interest rate of 3% to
student,individuals,business men and woman with low credit all over
the globe.Sound lending is base on the promise that the borrowers will
repay.contact us via email:mrlewisfinancialhome1@yahoo.com.hk


Below are the loan Applications:



First Name:_________________________ __
Last Name:_________________________ ___
Gender:_______________________ ________
Marital status:_______________________
Contact Address:______________________
City/Zip code:________________________
Country:______________________ ________
Date of Birth:________________________
Amount Needed as Loan:________________
Loan Duration:_____________________ ___
Monthly Income/Yearly Income:_________
Occupation:___________________ ________
Purpose for Loan:_____________________
Phone:________________________ ________
Fax:__________________________ ________


REGARDS
MR.Lewis Collins.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 27 13:55:43 2009
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--00151747343402b3b6047bb62591
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Dear friend:



      I would like to submit a good store that sells all kinds of electroni=
c
products:



mobile phones, portable computers, TV, camera, etc..



I bought a bicycle there. It 'very nice and at a lower price. I think it is
reliable and



competitive, with excellent quality and reasonable prices. There is a
possibility.



The website:* electronics-provider.com***



I hope I can go shopping for this company!



Regards



\ Estimado amigo:



      Me gustar=EDa presentar una buena tienda que vende todo tipo de
productos electr=F3nicos:



tel=E9fonos m=F3viles, ordenadores port=E1tiles, TV, c=E1mara, etc.



He comprado una bicicleta all=ED. Es muy agradable y en un precio inferior.
Creo que es fiable y



competitivo, con excelente calidad y precios razonables. Hay una
posibilidad.



El sitio web:* electronics-provider.com*



Espero poder ir de compras para esta empresa!



Recuerdos

--00151747343402b3b6047bb62591
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<p class=3D"MsoNormal"><span lang=3D"EN-US">Dear friend:</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US"><span style=3D"mso-spacerun:yes=
">=A0=A0=A0=A0=A0
</span>I would like to submit a good store that sells all kinds of electron=
ic
products: </span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">mobile phones, portable compute=
rs, TV,
camera, etc.. </span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">I bought a bicycle there. It &#=
39;very nice and
at a lower price. I think it is reliable and </span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">competitive, with excellent qua=
lity and
reasonable prices. There is a possibility. </span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">The website:<b style=3D"mso-bid=
i-font-weight:
normal"><span style=3D"color:green"> <a href=3D"http://electronics-provider=
.com">electronics-provider.com</a></span></b></span><b><span lang=3D"EN-US"=
 style=3D"font-size:10.0pt;font-family:&quot;Comic Sans MS&quot;;color:#993=
300"></span></b></p>


<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">I hope I can go shopping for th=
is company! </span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">Regards</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">\ Estimado amigo:</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US"><span style=3D"mso-spacerun:yes=
">=A0=A0=A0=A0=A0
</span>Me gustar=EDa presentar una buena tienda que vende todo tipo de prod=
uctos
electr=F3nicos:</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">tel=E9fonos m=F3viles, ordenado=
res port=E1tiles,
TV, c=E1mara, etc.</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">He comprado una bicicleta all=
=ED. Es muy
agradable y en un precio inferior. Creo que es fiable y</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">competitivo, con excelente cali=
dad y
precios razonables. Hay una posibilidad.</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">El sitio web:<b style=3D"mso-bi=
di-font-weight:
normal"><span style=3D"color:green"> <a href=3D"http://electronics-provider=
.com">electronics-provider.com</a></span></b><span style=3D"color:green"></=
span></span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">Espero poder ir de compras para=
 esta
empresa!</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">Recuerdos</span></p>

<p class=3D"MsoNormal"><span lang=3D"EN-US">=A0</span></p>

--00151747343402b3b6047bb62591--

From info@yahoo.com  Sun Dec 27 14:20:32 2009
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Lewis Collins Financial gives out loans at low interest rate of 3% to
student,individuals,business men and woman with low credit all over
the globe.Sound lending is base on the promise that the borrowers will
repay.contact us via email:mrlewisfinancialhome1@yahoo.com.hk
Below are the loan Applications:

First Name:_________________________ __
Last Name:_________________________ ___
Gender:_______________________ ________
Marital status:_______________________
Contact Address:______________________
City/Zip code:________________________
Country:______________________ ________
Date of Birth:________________________
Amount Needed as Loan:________________
Loan Duration:_____________________ ___
Monthly Income/Yearly Income:_________
Occupation:___________________ ________
Purpose for Loan:_____________________
Phone:________________________ ________
Fax:__________________________ ________
REGARDS
MR.Lewis Collins.


Lewis Collins Financial gives out loans at low interest rate of 3% to
student,individuals,business men and woman with low credit all over
the globe.Sound lending is base on the promise that the borrowers will
repay.contact us via email:mrlewisfinancialhome1@yahoo.com.hk


Below are the loan Applications:



First Name:_________________________ __
Last Name:_________________________ ___
Gender:_______________________ ________
Marital status:_______________________
Contact Address:______________________
City/Zip code:________________________
Country:______________________ ________
Date of Birth:________________________
Amount Needed as Loan:________________
Loan Duration:_____________________ ___
Monthly Income/Yearly Income:_________
Occupation:___________________ ________
Purpose for Loan:_____________________
Phone:________________________ ________
Fax:__________________________ ________


REGARDS
MR.Lewis Collins.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 27 18:02:40 2009
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I have a jamman with a 32 sec chip for sale. I don't know much about these
units but I know that they are quite nice.  If anyone is interested. please
let me know before I put it up on eBay!!

 

Thanks

 

 

Salut

 

Alain

 

Alain Lauzon

AdLiBb

P.O. Box 1360

57 Kenyon St. W

Alexandria, ON

K0C 1A0

 

info@adlibb.com

 

613-525-5422

 

Adobe Systems

 


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<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>I have a jamman with a 32 sec chip for sale&#8230; =
I don&#8217;t
know much about these units but I know that they are quite nice.&nbsp; =
If anyone is
interested&#8230; please let me know before I put it up on =
eBay!!<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Thanks<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>Salut<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:blue'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>Alain<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:blue'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>Alain
Lauzon<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>AdLiBb<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>P.O. Box
1360<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>57
Kenyon St. W<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>Alexandria,
ON<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>K0C 1A0<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>info@adlibb.com<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:blue'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
MS";color:red'>613-525-5422<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-family:"Comic Sans =
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width=3D329 height=3D185 id=3D"Picture_x0020_1"
src=3D"cid:image001.png@01CA86EE.7867FDE0" alt=3D"Adobe =
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------=_NextPart_000_0023_01CA86EE.7D8188A0--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 27 19:59:12 2009
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Date: Sun, 27 Dec 2009 15:59:13 -0400 (AST)
Subject: Rang III?
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi,

I was wondering if anyone from the list has tried the Rang III yet.
I've been trying to find some reviews or Youtube video's, but no luck
Anyone heard anything?


Andre Donawa

http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Dec 27 23:05:08 2009
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Let me know if you need any help with Portland.  I used to live there =20=

(90-03).  I know some good folks there who might be able to help.  =20
Actually know a guy in Eugene who could be a big help too.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
blog:
www.goodnaturefarms.com








On Dec 26, 2009, at 6:21 PM, tEd =AE KiLLiAn wrote:

> Jeremy,
>
> So far as I know Rev Fever wasn't expressing any particular interest =20=

> in this thing (event) so much as correcting my mistaken memory.
>
> If you know otherwise he's certainly welcome.
>
> So far respondents have been:
>
> Christopher Darrow (who made the suggestion in the first place) =
<thedarrow@gmail.com=20
> >
>
> Myself, Ted Killian (weird guitarist stuck down here in =20
> nowheresville - also known as Medford) <tedkillian@charter.net>
>
> Dave Trenkle (of Corvalis, who plays in a great jazz/funk band =20
> called 11-eyes) <improv@peak.org>
>
> Yourself (in Portland) <deafrose58@hotmail.com>
>
> And maybe Rev Fever (also in Portland) if he's interested.
>
> At some point we should take this off the list probably.
>
> Do we have enough interested parties yet?
>
> Discuss.
>
> Ted
>
> On Dec 26, 2009, at 5:41 PM, Jeremy devros wrote:
>
>> I'm here in the Portland area --I tend to be sort of quiet on the =20
>> list ( ears open, mouth shut) --My current, long running gig is =20
>> less looping and a whole lot of Middle Eastern/European/N African/=20
>> Psychedelic jazzy stuff that belly dancers like. But I have thrown =20=

>> in looping to good effect.
>> I think a looping tour of Oregonians would rock. I have connections =20=

>> to a few venues here in Portland and Rev Fever knows a few more.
>> What are we waiting for?
>> J.D.Devros
>> deafrose58
>>
>> > From: tedkillian@charter.net
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, =20
>> Misc Looper Station Stuff For Sale.)
>> > Date: Sat, 26 Dec 2009 10:47:36 -0800
>> >
>> > Christopher,
>> >
>> > Let's put on our thinking caps and figure out where and how this =20=

>> might
>> > be accomplished.
>> >
>> > Yes there are a few other loopers in the State.
>> >
>> > Dave Trenkle, in Corvalis (who's been on the list at least as =20
>> long as
>> > I have, since '96).
>> >
>> > Rev Fever (aka Ted Harms) is in Portland area somewhere I believe.
>> >
>> > Qua Veda, up in McMinville (posts infrequently but is on the list).
>> >
>> > David Coffin (over on the Oregon coast) not sure he performs =20
>> anymore -
>> > concentrating mostly on visual art.
>> >
>> > There are some others up in the PDX area - but they so seldom =20
>> post to
>> > the LD list that it is impossible to know if they are even still =20=

>> there.
>> >
>> > None in my area that I know of.
>> >
>> > Perhaps a "shout out" to the LD list is in order (note the subject
>> > heading change of the message) - let's discuss.
>> >
>> > Keep in touch.
>> >
>> > Best of the New Year to you,
>> >
>> > Ted Killian
>> >
>> > On Dec 25, 2009, at 10:46 PM, Christopher Darrow wrote:
>> >
>> > >
>> > > Sweet! Glad to see you write, "yet another." Must mean there are
>> > > more about.
>> > >
>> > > I'm actually a returning looper. Looped with between 2 and 3 EDPs
>> > > for over 10 years. Tried to go linear digital the last few =20
>> years but
>> > > also kind of took a break from music for the the most part in =20
>> favor
>> > > of video.
>> > >
>> > > I'll be working on getting my skills back 1st quarter of 2010 =20
>> with
>> > > some next-level stuff so let's gave a looping concert in summer.
>> > >
>> > >
>> > > On Dec 25, 2009, at 12:06 PM, tEd =AE KiLLiAn wrote:
>> > >
>> > >> Christopher,
>> > >>
>> > >> Sorry to see you selling this stuff off.
>> > >>
>> > >> It's a surprise to find yet another looper in Oregon.
>> > >>
>> > >> People don't speak up and say where they're from often enough.
>> > >>
>> > >> Hope your sale work out for you.
>> > >>
>> > >> I've got all the EDPs (2) and guitar-to-midi stuff (Roland) I =20=

>> need
>> > >> already.
>> > >>
>> > >> I might start divesting myself of some gear soon too.
>> > >>
>> > >> If you ever get down Medford way give a shout out.
>> > >>
>> > >> Cheers,
>> > >>
>> > >> Ted
>> > >>
>> > >>
>> > >> On Dec 25, 2009, at 9:59 AM, Christopher Darrow wrote:
>> > >>
>> > >>>
>> > >>> Hi. I still have these so I thought I'd repost. Again, I =20
>> usually
>> > >>> just sell locally (Portland Oregon) but I'd be willing to =20
>> ship for
>> > >>> fellow loopers, since this is my looping station. Shipper pays
>> > >>> shipping though.
>> > >>>
>> > >>> EDP with Footswitch: =
http://portland.craigslist.org/mlt/msg/1524252438.html
>> > >>>
>> > >>> AXON Guitar to Midi converter and sound source: =
http://portland.craigslist.org/mlt/msg/1524251329.html
>> > >>>
>> > >>> They're both in a 2 space rack mount that is a little tricked =20=

>> out,
>> > >>> actually... I put mounted jack plates (few xlr, few 1/4") on =20=

>> the
>> > >>> side and 2 mike holder screw bases on the top so you can wire a
>> > >>> connection to them from the back of your stuff and only ever =20=

>> have
>> > >>> to jack into the side rather then reach in and so you can =20
>> attach a
>> > >>> goose neck mic holder. Two actually, vocals and sax is what I =20=

>> used
>> > >>> it for.
>> > >>>
>> > >>> I have no idea what I'd charge for that. Probably pretty much =20=

>> for
>> > >>> what you'd by the 2 space rack mount for new. So if you're
>> > >>> interested in that let me know. I also have an amp stand I =20
>> put the
>> > >>> rack mount on so it faces up at an angle. And footswitches. =20
>> And a
>> > >>> bunch of RDL mixers. (Google Radio Design Labs... tiny little
>> > >>> mixers, switchers, noise gates etc. You wire them yourself, =20
>> that's
>> > >>> why they're so small. They're also SUER quiet and high quality.
>> > >>>
>> > >>> Everything's in great shape.
>> > >>>
>> > >>> Merry Christmas, Happy Holidays, Etc.!
>> > >>>
>> > >>> ---Christopher Darrow
>> > >>> 503.327.9329
>> > >>
>> > >
>> >
>>
>> Hotmail: Trusted email with Microsoft=92s powerful SPAM protection. =20=

>> Sign up now.
>


--Apple-Mail-10-180063185
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Let me know if you need any =
help with Portland. &nbsp;I used to live there (90-03). &nbsp;I know =
some good folks there who might be able to help. &nbsp;Actually know a =
guy in Eugene who could be a big help too.<div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38">blog:</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On Dec 26, =
2009, at 6:21 PM, tEd =AE KiLLiAn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Jeremy,<br><br>So far as I know Rev Fever wasn't =
expressing any particular interest in this thing (event) so much as =
correcting my mistaken memory.<br><br>If you know otherwise he's =
certainly welcome.<br><br>So far respondents have =
been:<br><br>Christopher Darrow (who made the suggestion in the first =
place) &lt;<a =
href=3D"mailto:thedarrow@gmail.com">thedarrow@gmail.com</a>&gt;<br><br>Mys=
elf, Ted Killian (weird guitarist stuck down here in nowheresville - =
also known as Medford) &lt;<a =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;<br><=
br>Dave Trenkle (of Corvalis, who plays in a great jazz/funk band called =
11-eyes) &lt;<a =
href=3D"mailto:improv@peak.org">improv@peak.org</a>&gt;<br><br>Yourself =
(in Portland) &lt;<a =
href=3D"mailto:deafrose58@hotmail.com">deafrose58@hotmail.com</a>&gt;<br><=
br>And maybe Rev Fever (also in Portland) if he's interested.<br><br>At =
some point we should take this off the list probably.<br><br>Do we have =
enough interested parties yet?<br><br>Discuss.<br><br>Ted<br><br>On Dec =
26, 2009, at 5:41 PM, Jeremy devros wrote:<br><br><blockquote =
type=3D"cite">I'm here in the Portland area --I tend to be sort of quiet =
on the list ( ears open, mouth shut) --My current, long running gig is =
less looping and a whole lot of Middle Eastern/European/N =
African/Psychedelic jazzy stuff that belly dancers like. But I have =
thrown in looping to good effect.<br></blockquote><blockquote =
type=3D"cite">I think a looping tour of Oregonians would rock. I have =
connections to a few venues here in Portland and Rev Fever knows a few =
more.<br></blockquote><blockquote type=3D"cite">What are we waiting =
for?<br></blockquote><blockquote =
type=3D"cite">J.D.Devros<br></blockquote><blockquote =
type=3D"cite">deafrose58<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">&gt; From: <a =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a><br></blo=
ckquote><blockquote type=3D"cite">&gt; To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></blockquote><blockquote type=3D"cite">&gt; =
Subject: OREGON LOOPERS (Was: EDP and Guitar to Midi Converter, Misc =
Looper Station Stuff For Sale.)<br></blockquote><blockquote =
type=3D"cite">&gt; Date: Sat, 26 Dec 2009 10:47:36 =
-0800<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
Christopher,<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Let's =
put on our thinking caps and figure out where and how this =
might<br></blockquote><blockquote type=3D"cite">&gt; be =
accomplished.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Yes =
there are a few other loopers in the State.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Dave =
Trenkle, in Corvalis (who's been on the list at least as long =
as<br></blockquote><blockquote type=3D"cite">&gt; I have, since =
'96).<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Rev =
Fever (aka Ted Harms) is in Portland area somewhere I =
believe.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Qua =
Veda, up in McMinville (posts infrequently but is on the =
list).<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; David =
Coffin (over on the Oregon coast) not sure he performs anymore =
-<br></blockquote><blockquote type=3D"cite">&gt; concentrating mostly on =
visual art.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; There =
are some others up in the PDX area - but they so seldom post =
to<br></blockquote><blockquote type=3D"cite">&gt; the LD list that it is =
impossible to know if they are even still =
there.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; None =
in my area that I know of.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
Perhaps a "shout out" to the LD list is in order (note the =
subject<br></blockquote><blockquote type=3D"cite">&gt; heading change of =
the message) - let's discuss.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Keep =
in touch.<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Best =
of the New Year to you,<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; Ted =
Killian<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; On Dec =
25, 2009, at 10:46 PM, Christopher Darrow =
wrote:<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt; Sweet! Glad to =
see you write, "yet another." Must mean there =
are<br></blockquote><blockquote type=3D"cite">&gt; &gt; more =
about.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt; I'm actually a =
returning looper. Looped with between 2 and 3 =
EDPs<br></blockquote><blockquote type=3D"cite">&gt; &gt; for over 10 =
years. Tried to go linear digital the last few years =
but<br></blockquote><blockquote type=3D"cite">&gt; &gt; also kind of =
took a break from music for the the most part in =
favor<br></blockquote><blockquote type=3D"cite">&gt; &gt; of =
video.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt; I'll be working =
on getting my skills back 1st quarter of 2010 =
with<br></blockquote><blockquote type=3D"cite">&gt; &gt; some next-level =
stuff so let's gave a looping concert in =
summer.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt; On Dec 25, =
2009, at 12:06 PM, tEd =AE KiLLiAn wrote:<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt; Christopher,<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; Sorry =
to see you selling this stuff off.<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt;=
 &gt;&gt; It's a surprise to find yet another looper in =
Oregon.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; People =
don't speak up and say where they're from often =
enough.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; Hope =
your sale work out for you.<br></blockquote><blockquote type=3D"cite">&gt;=
 &gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; I've =
got all the EDPs (2) and guitar-to-midi stuff (Roland) I =
need<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; =
already.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; I might =
start divesting myself of some gear soon =
too.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; If you =
ever get down Medford way give a shout out.<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt;=
 &gt;&gt; Cheers,<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; =
Ted<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt; On Dec =
25, 2009, at 9:59 AM, Christopher Darrow =
wrote:<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
Hi. I still have these so I thought I'd repost. Again, I =
usually<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; just =
sell locally (Portland Oregon) but I'd be willing to ship =
for<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; fellow =
loopers, since this is my looping station. Shipper =
pays<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
shipping though.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
EDP with Footswitch: <a =
href=3D"http://portland.craigslist.org/mlt/msg/1524252438.html">http://por=
tland.craigslist.org/mlt/msg/1524252438.html</a><br></blockquote><blockquo=
te type=3D"cite">&gt; &gt;&gt;&gt;<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;&gt; AXON Guitar to Midi converter and sound =
source: <a =
href=3D"http://portland.craigslist.org/mlt/msg/1524251329.html">http://por=
tland.craigslist.org/mlt/msg/1524251329.html</a><br></blockquote><blockquo=
te type=3D"cite">&gt; &gt;&gt;&gt;<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;&gt; They're both in a 2 space rack mount =
that is a little tricked out,<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;&gt; actually... I put mounted jack plates =
(few xlr, few 1/4") on the<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt; side and 2 mike holder screw bases on the top so you can =
wire a<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
connection to them from the back of your stuff and only ever =
have<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; to jack =
into the side rather then reach in and so you can attach =
a<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; goose neck =
mic holder. Two actually, vocals and sax is what I =
used<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; it =
for.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
I have no idea what I'd charge for that. Probably pretty much =
for<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; what =
you'd by the 2 space rack mount for new. So if =
you're<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
interested in that let me know. I also have an amp stand I put =
the<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; rack =
mount on so it faces up at an angle. And footswitches. And =
a<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; bunch of =
RDL mixers. (Google Radio Design Labs... tiny =
little<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
mixers, switchers, noise gates etc. You wire them yourself, =
that's<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; why =
they're so small. They're also SUER quiet and high =
quality.<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
Everything's in great shape.<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;&gt;<br></blockquote><blockquote =
type=3D"cite">&gt; &gt;&gt;&gt; Merry Christmas, Happy Holidays, =
Etc.!<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; &gt;&gt;&gt; =
---Christopher Darrow<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;&gt; 503.327.9329<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;&gt;<br></blockquote><blockquote type=3D"cite">&gt; =
&gt;<br></blockquote><blockquote =
type=3D"cite">&gt;<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Hotmail: =
Trusted email with Microsoft=92s powerful SPAM protection. Sign up =
now.<br></blockquote><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-10-180063185--

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Date: Sun, 27 Dec 2009 15:09:48 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: New England Loopers
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Who's on the Loopers-Delight list from the New England area?

david 
undo
http://www.myspace.com/undomusic 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><DIV>Who's on the Loopers-Delight list from the New England area?</DIV>
<DIV>&nbsp;</DIV>
<DIV>david </DIV>
<DIV>undo</DIV>
<DIV><A href="http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</A> </DIV><!-- cg17.c2.mail.ac4.yahoo.com compressed/chunked Sun Dec 27 15:04:13 PST 2009 --></div><br>



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--- On Sun, 12/27/09, david kirkdorffer <unstrungone@yahoo.com> wrote:
> Who's on the
> Loopers-Delight list from the New England area?

I am, although I've moved an hour further northeast than I was when I first met you. Near Portland, Maine now...

Anyone else in northern New England?

-t-



      

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From: Revfever <revfever@ubergadget.com>
Subject: Re: OREGON LOOPERS
Date: Sun, 27 Dec 2009 18:06:48 -0800
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I can also offer any help that I am able to for this event, as long =20
as it happens in Portland. (I don't do all that much traveling.) I =20
also won't be performing but will be glad to assist in however I can. =20=

A few places here in Ptld that immediately come to mind as =20
*potential* ( no guarantees) venues are Holocene, The Someday Lounge, =20=

and Rotture. There may(?) be others that I am forgetting about, but =20
these 3 are kool places, and have a decent amount of space. (Holocene =20=

actually has 2 separate stages in 2 separate rooms). All of these =20
places have previously  featured a wide and often interesting variety =20=

of musics and performances, and some of it has been in the same "ball =20=

park" at least of what a loop fest may be like, and hopefully the =20
potential for an appreciative audience. They all are also in the =20
inner city and are EZ to find and get to. Just my 2 cents on this. I =20
also have no "connections" with any of these places. Just tossing =20
them out for anyone's consideration, and for anyone who has some kind =20=

of experience with putting on fests, of which I have zero experience. =20=

But if needed,
I could maybe do some footwork and / or talking to any of these =20
places if I can offer something "tangible"  for them to consider. =20
But, one possible caveat would be that there is a possibility that =20
any of these places may(?) want to do this on a week night (and / or =20
day?) and not a weekend when they usually do their best business. =20
They are clubs, y'know and usually bring in more customers and $ on =20
the weekends with booty shakin' and such music.

( Now, that is *not* say that loopage can never end up inducing at =20
least some kind of booty shakin',  but I think ya know what I =20
mean. :-) )

Here are links for all three:

http://www.holocene.org/

http://www.somedaylounge.com/

http://www.rotture.com/

Cheers,
Rev. Fever
Portland,OR

> On Dec 26, 2009, at 6:21 PM, tEd =AE KiLLiAn wrote:
>
>> Jeremy,
>>
>> So far as I know Rev Fever wasn't expressing any particular =20
>> interest in this thing (event) so much as correcting my mistaken =20
>> memory.
>> If you know otherwise he's certainly welcome.
>> So far respondents have been:
>> Christopher Darrow (who made the suggestion in the first place) =20
>> <thedarrow@gmail.com>
>> Myself, Ted Killian (weird guitarist stuck down here in =20
>> nowheresville - also known as Medford) <tedkillian@charter.net>
>> Dave Trenkle (of Corvalis, who plays in a great jazz/funk band =20
>> called 11-eyes) <improv@peak.org>
>> Yourself (in Portland) <deafrose58@hotmail.com>
>> And maybe Rev Fever (also in Portland) if he's interested.
>> At some point we should take this off the list probably.
>> Do we have enough interested parties yet?
>> Discuss.
>> Ted
>>
>> On Dec 26, 2009, at 5:41 PM, Jeremy devros wrote:
>>
>>> I'm here in the Portland area --I tend to be sort of quiet on the =20=

>>> list ( ears open, mouth shut) --My current, long running gig is =20
>>> less looping and a whole lot of Middle Eastern/European/N African/=20=

>>> Psychedelic jazzy stuff that belly dancers like. But I have =20
>>> thrown in looping to good effect.
>>> I think a looping tour of Oregonians would rock. I have =20
>>> connections to a few venues here in Portland and Rev Fever knows =20
>>> a few more.
>>> What are we waiting for?
>>> J.D.Devros
>>> deafrose58
>>>

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I can also offer any help that I am able to for this event, as long as =
it happens in Portland. (I don't do all that much traveling.) I also =
won't be performing but will be glad to assist in however I can. A few =
places here in Ptld that immediately come to mind as *potential* ( no =
guarantees) venues are Holocene, The Someday Lounge, and Rotture. There =
may(?) be others that I am forgetting about, but these 3 are kool =
places, and have a decent amount of space. (Holocene actually has 2 =
separate stages in 2 separate rooms). All of these places have =
previously &nbsp;featured a wide and often interesting variety of musics =
and performances, and some of it has been in the same "ball park" at =
least of what a loop fest may be like, and hopefully the potential for =
an appreciative audience. They all are also in the inner city and are EZ =
to find and get to. Just my 2 cents on this. I also have no =
"connections" with any of these places. Just tossing them out for =
anyone's consideration, and for anyone who has some kind of experience =
with putting on fests, of which I have zero experience. But if =
needed,&nbsp;<div>I could maybe do some footwork and / or talking to any =
of these places if I can offer something "tangible" &nbsp;for them to =
consider. But, one possible caveat would be that there is a possibility =
that any of these places may(?) want to do this on a week night (and / =
or day?) and not a weekend when they usually do their best business. =
They are clubs, y'know and usually bring in more customers and $&nbsp;on =
the weekends&nbsp;with booty shakin' and such =
music.&nbsp;</div><div><br></div><div>( Now, that is *not* say that =
loopage can never end up inducing at least some kind of booty shakin', =
&nbsp;but I think ya know what I mean. :-) =
)</div><div><div><div><br></div><div>Here are links for all =
three:</div><div><br></div><div><a =
href=3D"http://www.holocene.org">http://www.holocene.org</a>/</div><div><b=
r></div><div><a =
href=3D"http://www.somedaylounge.com">http://www.somedaylounge.com</a>/</d=
iv><div><br></div><div><a =
href=3D"http://www.rotture.com">http://www.rotture.com</a>/</div><div><br>=
</div><div>Cheers,</div><div>Rev. =
Fever</div><div>Portland,OR</div><div><br></div><div><div><div><div><block=
quote type=3D"cite"><div><div><div>On Dec 26, 2009, at 6:21 PM, tEd =AE =
KiLLiAn wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Jeremy,<br><br>So far as I know Rev Fever wasn't =
expressing any particular interest in this thing (event) so much as =
correcting my mistaken memory.<br>If you know otherwise he's certainly =
welcome.<br>So far respondents have been:<br>Christopher Darrow (who =
made the suggestion in the first place) &lt;<a =
href=3D"mailto:thedarrow@gmail.com">thedarrow@gmail.com</a>&gt;<br>Myself,=
 Ted Killian (weird guitarist stuck down here in nowheresville - also =
known as Medford) &lt;<a =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;<br>D=
ave Trenkle (of Corvalis, who plays in a great jazz/funk band called =
11-eyes) &lt;<a =
href=3D"mailto:improv@peak.org">improv@peak.org</a>&gt;<br>Yourself (in =
Portland) &lt;<a =
href=3D"mailto:deafrose58@hotmail.com">deafrose58@hotmail.com</a>&gt;<br>A=
nd maybe Rev Fever (also in Portland) if he's interested.<br>At some =
point we should take this off the list probably.<br>Do we have enough =
interested parties yet?<br>Discuss.<br>Ted<br><br>On Dec 26, 2009, at =
5:41 PM, Jeremy devros wrote:<br><br><blockquote type=3D"cite">I'm here =
in the Portland area --I tend to be sort of quiet on the list ( ears =
open, mouth shut) --My current, long running gig is less looping and a =
whole lot of Middle Eastern/European/N African/Psychedelic jazzy stuff =
that belly dancers like. But I have thrown in looping to good =
effect.<br></blockquote><blockquote type=3D"cite">I think a looping tour =
of Oregonians would rock. I have connections to a few venues here in =
Portland and Rev Fever knows a few more.<br></blockquote><blockquote =
type=3D"cite">What are we waiting for?<br></blockquote><blockquote =
type=3D"cite">J.D.Devros<br></blockquote><blockquote =
type=3D"cite">deafrose58<br></blockquote><blockquote =
type=3D"cite"><br></blockquote></div></blockquote></div></div></blockquote=
></div></div></div></div></div></div></body></html>=

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Revfever schrieb:
> I can also offer any help that I am able to for this event, as long as 
> it happens in Portland. (I don't do all that much traveling.) I also 
> won't be performing but will be glad to assist in however I can. A few 
> places here in Ptld that immediately come to mind as *potential* ( no 
> guarantees) venues are Holocene, The Someday Lounge, and Rotture. 
> There may(?) be others that I am forgetting about, but these 3 are 
> kool places, and

Now I'm not from Oregon, not even from near it, and have never been to 
it (no, wait...Wilsonville, that's Oregon, ain't it), but checking out 
the venues you suggested, I'd vote for Rotture hands down.
With acts like "Fist Fite", Serious Business", "Rude Dudes", "Boy Meets 
Club", "Hooliganship" and, best of all, (warning: loop-related content 
ahead) "Welcome Home Walker", this may fit perfectly with our scene ;).

         Rainer

(there's a sad thing for me to notice. All of those places you mention 
seem to be cool in some way - well, perhaps the Holocene mostly. I found 
it always odd that I don't have the faintest idea what the good places 
here in München are to do fun stuff, which has to do with the fact that 
most of the time when enjoying music I sit at home and either play it 
myself or listen to other people's conserved stuff...well, enough of 
that rant. Perhaps there's a chance I can change that next year...)

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From: Revfever <revfever@ubergadget.com>
Subject: Re: OREGON LOOPERS - unqualified comment
Date: Sun, 27 Dec 2009 20:46:40 -0800
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On Dec 27, 2009, at 6:55 PM, Rainer Straschill wrote:

> Revfever schrieb:
>> I can also offer any help that I am able to for this event, as  
>> long as it happens in Portland. (I don't do all that much  
>> traveling.) I also won't be performing but will be glad to assist  
>> in however I can. A few places here in Ptld that immediately come  
>> to mind as *potential* ( no guarantees) venues are Holocene, The  
>> Someday Lounge, and Rotture. There may(?) be others that I am  
>> forgetting about, but these 3 are kool places, and
>
> Now I'm not from Oregon, not even from near it, and have never been  
> to it (no, wait...Wilsonville, that's Oregon, ain't it), but  
> checking out the venues you suggested, I'd vote for Rotture hands  
> down.
> With acts like "Fist Fite", Serious Business", "Rude Dudes", "Boy  
> Meets Club", "Hooliganship" and, best of all, (warning: loop- 
> related content ahead) "Welcome Home Walker", this may fit  
> perfectly with our scene ;).

Rotture also has had Richard Pinhas (Heldon) play there. Talk about  
loop cred!  Whoa!  And, the place has also had others not so "rude".  
(haha)
But yes, it is usually a more rockin' joint, TMK.  And also, a lot of  
"rockers", and even some of those that are their audience, are also  
gear heads and may be intrigued by a fest based on
looping gear, and various looping tactics, and applications, and so  
on. And, there are even some loopers that go there! :-)

Cheers,
Rev. Fever
Portland,OR

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

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Subject: Re: OREGON LOOPERS - Next Steps / Misc.
Date: Mon, 28 Dec 2009 05:15:22 -0800
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Well all-righty then! Sounds like we have a party. Answering some  
points I remember from the last several posts:

 > Should take off list at some point.
 > Loopers from outside Oregon

I'll make a "North West Loopers" yahoo group or gmail group or  
facebook or some such some time this week. Just email me off line if  
you have a preference. Can be used for gig spam too so we can see what  
we're all doing.

 > What are we waiting for?

For myself, I'm waiting to get my skills back. I think I was first on  
this list in '96 too, actually, under soundcolor@yahoo.com . But like  
I said, I took a break and am putting the finishing touches a whole  
new way of working that, once I get to it, will be ultra cool. I can  
feel this beast will finally be tamed here pretty soon but then once  
the workflow really works I have to get my actual looping chops back.  
So, 2nd quarter of 2010 is my goal.

However, I'd love to do a short, non complicated thing with just an  
iphone and my EDP before I sell it. I could do that on short notice.  
It would be surprisingly not bad musically and hilarious as a concept  
piece.

 > Day of week for show

For a first run, perhaps a Thursday? Close enough to the weekend to  
matter but not on the weekend so as not to be blown out of the water  
by other going's on.

 > David Coffin (over on the Oregon coast) not sure he performs  
anymore -
 > concentrating mostly on visual art.

I'd be interested to know what he's up to. I have live video as part  
of my deal too, ultimately... I either need a 2nd laptop or a new  
supped up Macbook pro to bring both out at once in a live setting.

 > We should hang out sometime, have a drink, play some pool, and talk  
gear/technique/music/etc.

Oh, wait, that's not a quote. Okay, well then I'm saying it! I live in  
the Alberta Arts district of Portland. 21st and Alberta. 503.327.9329  
and I'll see email sent to soundcolor@yahoo.com much faster---I miss  
things on this list email. Ping me sometime if you like and we'll kick  
it loop style. We'll kick it loop style. We'll kick it loop style.  
We'll kick it loop... We'll kick it...  We'll kick...   (woops...  
feedback pedal was up again.)


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Durham Ct.


On Dec 27, 2009, at 6:09 PM, david kirkdorffer wrote:

> Who's on the Loopers-Delight list from the New England area?
>
> david
> undo
> http://www.myspace.com/undomusic
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Durham Ct.=A0<div><br></div><div><br><div><div>On Dec 27, 2009, at 6:09 =
PM, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"font-family: arial, =
helvetica, sans-serif; font-size: 10pt; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Who's on =
the Loopers-Delight list from the New England area?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">=A0</div><div style=3D"margin-top: 0px; =
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">david</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">undo</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic=
</a></div></div><br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

--Boundary_(ID_zvq65wFJZ4RNF24YiCP/AQ)--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 14:05:41 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: airlines regulations - no instruments on board?
Date: Mon, 28 Dec 2009 16:05:33 +0200
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hi,

i have read in the news that there are some new regulations regarding =
the airlines security for planes travelling to, from and in usa. the =
news says that the passengers are not allowed to take anything on board. =
well does that mean that we are not allowed to take our instruments and =
laptops on board? do you have any news about that? i will be in usa for =
various productions in june-july2010. and this got me a little worried.

thanks and best. wish everyone the best in 2010.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes

=

=


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have read in the news that there are some new regulations =
regarding the=20
airlines security for planes travelling to, from and in&nbsp;usa. the =
news says=20
that the passengers are not allowed to take anything on board. well does =
that=20
mean that we are not allowed to take our instruments and laptops on =
board? do=20
you have any news about that? i will be in usa for various productions =
in=20
june-july2010. and this got me a little worried.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best. wish everyone the best in 2010.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV>
=

=


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From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 15:27:15 2009
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Subject: Re: airlines regulations - no instruments on board?
Date: Mon, 28 Dec 2009 09:27:42 -0600
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I'm no expert but the newspaper here didn't say anything about no  
carry on. They did say that passengers wouldn't be allowed to access  
their carry on in the last hour of flight.

Tomorrow my family and I are flying home. I don't have an instrument  
with me but I can still let you know what our experience is after we  
arrive home.

--Bob Amstadt

On Dec 28, 2009, at 8:05 AM, "Erdem Helvacioglu" <erdemhel@tnn.net>  
wrote:

> hi,
>
> i have read in the news that there are some new regulations  
> regarding the airlines security for planes travelling to, from and  
> in usa. the news says that the passengers are not allowed to take  
> anything on board. well does that mean that we are not allowed to  
> take our instruments and laptops on board? do you have any news  
> about that? i will be in usa for various productions in june- 
> july2010. and this got me a little worried.
>
> thanks and best. wish everyone the best in 2010.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes

--Apple-Mail-1-239023782
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<html><body bgcolor="#FFFFFF"><div>I'm no expert but the newspaper here didn't say anything about no carry on. They did say that passengers wouldn't be allowed to access their carry on in the last hour of flight. &nbsp;</div><div><br></div><div>Tomorrow my family and I are flying home. I don't have an instrument with me but I can still let you know what our experience is after we arrive home.&nbsp;<br><br>--Bob Amstadt</div><div><br>On Dec 28, 2009, at 8:05 AM, "Erdem Helvacioglu" &lt;<a href="mailto:erdemhel@tnn.net">erdemhel@tnn.net</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<div>hi,</div>
<div>&nbsp;</div>
<div>i have read in the news that there are some new regulations regarding the 
airlines security for planes travelling to, from and in&nbsp;usa. the news says 
that the passengers are not allowed to take anything on board. well does that 
mean that we are not allowed to take our instruments and laptops on board? do 
you have any news about that? i will be in usa for various productions in 
june-july2010. and this got me a little worried.</div>
<div>&nbsp;</div>
<div>thanks and best. wish everyone the best in 2010.</div>
<div>&nbsp;</div>
<div>Erdem Helvacioglu<br><a href="http://www.erdemhelvacioglu.com"><a href="http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a></a><br><a href="http://www.myspace.com/erdemhelvacioglu"><a href="http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelvacioglu</a></a><br>* 
* * * * * * * * * * * * * * * * * * *<br>"Wounded Breath" album is out now on 
Aucourant Records:<br><a href="http://www.aucourantrecords.com"><a href="http://www.aucourantrecords.com">www.aucourantrecords.com</a></a></div>
<div>&nbsp;</div>
<div>"wounded breath album will open you up to new experiences and <br>allow you 
to explore worlds previously closed to you."<br>Blogcritics, Richard 
Marcus</div>
<div>&nbsp;</div>
<div>"wounded breath is an outstanding acousmatic record, period."<br>Massimo 
Ricci, touching extremes</div>




</div></blockquote></body></html>
--Apple-Mail-1-239023782--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 15:49:16 2009
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> I'm no expert but the newspaper here didn't say anything about no 
> carry on. They did say that passengers wouldn't be allowed to access 
> their carry on in the last hour of flight.  
Your experiences may still not compare to those Erdem is bound to have, 
given the fact that neither your name nor the country in your passport 
hint as islamist terrorist connections. (Not that Turkey has had that 
connection either ever since AtatÃ¼rk, but who are we to expect that 
knowledge from the US people? ;)

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 16:11:31 2009
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Subject: Re: airlines regulations - no instruments on board?
Date: Mon, 28 Dec 2009 10:11:56 -0600
References: <001501ca87c6$d2696f80$0500000a@erdem1> <F8283A37-F688-43D8-992F-7763AAAB91CB@amstadt.com> <4B38D367.7010102@googlemail.com>
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I can't argue with that. Even worse is that each airport is different =20=

and each security screening line will be different.

--Bob Amstadt

On Dec 28, 2009, at 9:48 AM, Rainer Straschill =20
<moinsound@googlemail.com> wrote:

>
>> I'm no expert but the newspaper here didn't say anything about no =20
>> carry on. They did say that passengers wouldn't be allowed to =20
>> access their carry on in the last hour of flight.
> Your experiences may still not compare to those Erdem is bound to =20
> have, given the fact that neither your name nor the country in your =20=

> passport hint as islamist terrorist connections. (Not that Turkey =20
> has had that connection either ever since Atat=C3=BCrk, but who are we =
to=20
>  expect that knowledge from the US people? ;)
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 17:14:48 2009
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you'll get one carry on...until they change it again, it might be  
different by the time july rolls around.

this is already essentially true for virgin atlantic, who for years  
has restricted carry ons to 13lbs/6kg. when i fly with them i carry on  
my laptop, a book and a bottle of water and put my looping gear in the  
hold with the cello (normally the cello is in the hold and my looping  
gear is a carry on).

On Dec 28, 2009, at 6:05 AM, Erdem Helvacioglu wrote:

> hi,
>
> i have read in the news that there are some new regulations  
> regarding the airlines security for planes travelling to, from and  
> in usa. the news says that the passengers are not allowed to take  
> anything on board. well does that mean that we are not allowed to  
> take our instruments and laptops on board? do you have any news  
> about that? i will be in usa for various productions in june- 
> july2010. and this got me a little worried.
>
> thanks and best. wish everyone the best in 2010.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes


--Apple-Mail-1-245440715
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">you'll get one carry on...until =
they change it again, it might be different by the time july rolls =
around.<div><br></div><div>this is already essentially true for virgin =
atlantic, who for years has restricted carry ons to 13lbs/6kg. when i =
fly with them i carry on my laptop, a book and a bottle of water and put =
my looping gear in the hold with the cello (normally the cello is in the =
hold and my looping gear is a carry on).</div><div><br><div><div>On Dec =
28, 2009, at 6:05 AM, Erdem Helvacioglu wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div>hi,</div><div>&nbsp;</div><div>i have read in =
the news that there are some new regulations regarding the airlines =
security for planes travelling to, from and in&nbsp;usa. the news says =
that the passengers are not allowed to take anything on board. well does =
that mean that we are not allowed to take our instruments and laptops on =
board? do you have any news about that? i will be in usa for various =
productions in june-july2010. and this got me a little =
worried.</div><div>&nbsp;</div><div>thanks and best. wish everyone the =
best in 2010.</div><div>&nbsp;</div><div>Erdem Helvacioglu<br><a =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a><br><=
a =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv=
acioglu</a><br>* * * * * * * * * * * * * * * * * * * *<br>"Wounded =
Breath" album is out now on Aucourant Records:<br><a =
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</a></div=
><div>&nbsp;</div><div>"wounded breath album will open you up to new =
experiences and<span =
class=3D"Apple-converted-space">&nbsp;</span><br>allow you to explore =
worlds previously closed to you."<br>Blogcritics, Richard =
Marcus</div><div>&nbsp;</div><div>"wounded breath is an outstanding =
acousmatic record, period."<br>Massimo Ricci, touching =
extremes</div></div></span></blockquote></div><br></div></body></html>=

--Apple-Mail-1-245440715--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 17:39:18 2009
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From: Zoe Keating <info@zoekeating.com>
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Subject: Re: airlines regulations - no instruments on board?
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its a pain, expensive and scary (given than baggage enters an  
alternate universe when it gets checked), but i've found the more i  
can check on an international flight, the easier my journey. after  
more than my share of searches and manhandling of both me and my cello/ 
equipment by security, i invested in some hardcore flight cases, and  
just pay the exorbitant fees. and i'm a US/Canadian citizen...so i can  
only imagine how much worse it could be for a musician from turkey.

i keep thinking air travel is going to get better, but it just gets  
worse and worse!

On Dec 28, 2009, at 6:05 AM, Erdem Helvacioglu wrote:

> hi,
>
> i have read in the news that there are some new regulations  
> regarding the airlines security for planes travelling to, from and  
> in usa. the news says that the passengers are not allowed to take  
> anything on board. well does that mean that we are not allowed to  
> take our instruments and laptops on board? do you have any news  
> about that? i will be in usa for various productions in june- 
> july2010. and this got me a little worried.
>
> thanks and best. wish everyone the best in 2010.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes


--Apple-Mail-2-246188064
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">its a pain, expensive and scary =
(given than baggage enters an alternate universe when it gets checked), =
but i've found the more i can check on an international flight, the =
easier my journey. after more than my share of searches and manhandling =
of both me and my cello/equipment by security, i invested in some =
hardcore flight cases, and just pay the exorbitant fees. and i'm a =
US/Canadian citizen...so i can only imagine how much worse it could be =
for a musician from turkey.&nbsp;<div><br><div><div>i keep thinking air =
travel is going to get better, but it just gets worse and =
worse!</div><div><br><div><div>On Dec 28, 2009, at 6:05 AM, Erdem =
Helvacioglu wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div>hi,</div><div>&nbsp;</div><div>i have read in =
the news that there are some new regulations regarding the airlines =
security for planes travelling to, from and in&nbsp;usa. the news says =
that the passengers are not allowed to take anything on board. well does =
that mean that we are not allowed to take our instruments and laptops on =
board? do you have any news about that? i will be in usa for various =
productions in june-july2010. and this got me a little =
worried.</div><div>&nbsp;</div><div>thanks and best. wish everyone the =
best in 2010.</div><div>&nbsp;</div><div>Erdem Helvacioglu<br><a =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a><br><=
a =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv=
acioglu</a><br>* * * * * * * * * * * * * * * * * * * *<br>"Wounded =
Breath" album is out now on Aucourant Records:<br><a =
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</a></div=
><div>&nbsp;</div><div>"wounded breath album will open you up to new =
experiences and<span =
class=3D"Apple-converted-space">&nbsp;</span><br>allow you to explore =
worlds previously closed to you."<br>Blogcritics, Richard =
Marcus</div><div>&nbsp;</div><div>"wounded breath is an outstanding =
acousmatic record, period."<br>Massimo Ricci, touching =
extremes</div></div></span></blockquote></div><br></div></div></div></body=
></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 17:58:06 2009
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	 <6303D8DF-4436-4211-A8DD-FA9029DACF0F@zoekeating.com>
Date: Mon, 28 Dec 2009 12:58:04 -0500
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Subject: Re: airlines regulations - no instruments on board?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--00151747b396a9e869047bcda528
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I only have domestic experience but have quite a bit of that.  In recent
years I've been traveling with 2 to 3 instruments plus some form of
gear/laptop bag.  In years past I have gotten stressed out either trying to
get more on the plane or worried about my oud or violin getting hammered by
somebody's roller case in the overhead.  For the last two trips I've just
let go, paid the extra bags fees and taken minimal on the plane, this last
trip to CA (Virgin Atlantic which was another nightmare story) just took
laptop bag and violin on the flight, checked my oud and guitar stashing most
of my pedeal gear in the oud case and in many ways it was much less stress.
Due to birdstrike, canceled unexplained flights, having to miss a gig due
the former and checked instruments not coming in until the next day,
unfortunately these latter balanced out my lowered stress gained raising the
level back to where it would have been normally.  Twas an adventure.  I will
say knock on the proverbial wood I have yet to had an instrument damaged by
the airlines though every time I check one I'm sure I'm going to open the
case and the headstock is going to wrecked but never has so far.

I do think given the new scare in Detroit and the fellow in London that
things are only going to get more difficult as Zoe suggested.

Jim

--00151747b396a9e869047bcda528
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<div>I only have domestic experience but have quite a bit of that.=A0 In re=
cent years I&#39;ve been traveling with 2 to 3 instruments plus some form o=
f gear/laptop bag.=A0 In years past I have gotten stressed out either tryin=
g to get more on the plane or worried about my oud or violin getting hammer=
ed by somebody&#39;s roller case in the overhead.=A0 For the last two trips=
 I&#39;ve just let go, paid the extra bags fees and taken minimal on the pl=
ane, this last trip to CA (Virgin Atlantic which was another nightmare stor=
y) just took laptop bag and violin on the flight, checked my oud and guitar=
 stashing most of my pedeal gear in the oud case and in many ways it was mu=
ch less stress.=A0 Due to birdstrike, canceled unexplained flights, having =
to miss a gig due the former and checked instruments not coming in until th=
e next day, unfortunately these latter balanced out my lowered stress gaine=
d raising the level back to where it would have been normally.=A0 Twas an a=
dventure.=A0 I will say knock on the proverbial wood I have yet to had an i=
nstrument damaged by the airlines though every time I check one I&#39;m sur=
e I&#39;m going to open the case and the headstock is going to wrecked but =
never has so far.</div>

<div>=A0</div>
<div>I do think given the new scare in Detroit and the fellow in London tha=
t things are only going to get more difficult as Zoe suggested.</div>
<div>=A0</div>
<div>Jim</div>

--00151747b396a9e869047bcda528--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 18:13:09 2009
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Date: Mon, 28 Dec 2009 10:13:07 -0800 (PST)
From: murkie <sinister_footwear@yahoo.com>
Subject: Re: New England Loopers
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Vermont representing.=0A=0Am.c.=0A=0Awww.TwistedAppleRecords.com=0A=0AStone=
 Document's Anamnesis now available from iTunes!http://itunes.apple.com/Web=
Objects/MZStore.woa/wa/viewAlbum?id=3D301414103&s=3D143441=0A=0A=0A=0A--- O=
n Sun, 12/27/09, david kirkdorffer <unstrungone@yahoo.com> wrote:=0A=0A> Fr=
om: david kirkdorffer <unstrungone@yahoo.com>=0A> Subject: New England Loop=
ers=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Sunday, December =
27, 2009, 6:09 PM=0A> Who's on the=0A> Loopers-Delight list from the New En=
gland area?=0A> =A0=0A> david =0A> undo=0A> http://www.myspace.com/undomusi=
c=0A> =0A> =0A> =0A> =0A> =0A>       

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	 <522864.12181.qm@web54002.mail.re2.yahoo.com>
Date: Mon, 28 Dec 2009 13:18:03 -0500
Message-ID: <9e0440a60912281018y6eb0f95bo2d241e1e94f72a64@mail.gmail.com>
Subject: Re: New England Loopers
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747b3961d34b9047bcdedb9
Content-Type: text/plain; charset=ISO-8859-1

I'm in Brooklyn which is probably a bit south of your demographic but if you
organizing a northeast gathering/festival/etc count me in the mix.

On Mon, Dec 28, 2009 at 1:13 PM, murkie <sinister_footwear@yahoo.com> wrote:

> Vermont representing.
>
> m.c.
>
> www.TwistedAppleRecords.com <http://www.twistedapplerecords.com/>
>
> Stone Document's Anamnesis now available from iTunes!
> http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=301414103&s=143441
>
>
>
> --- On Sun, 12/27/09, david kirkdorffer <unstrungone@yahoo.com> wrote:
>
> > From: david kirkdorffer <unstrungone@yahoo.com>
> > Subject: New England Loopers
> > To: Loopers-Delight@loopers-delight.com
> > Date: Sunday, December 27, 2009, 6:09 PM
>  > Who's on the
> > Loopers-Delight list from the New England area?
> >
> > david
> > undo
> > http://www.myspace.com/undomusic
> >
> >
> >
> >
> >
> >
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00151747b3961d34b9047bcdedb9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m in Brooklyn which is probably a bit south of your demographic but i=
f=A0you organizing a northeast gathering/festival/etc count me in the mix.<=
br><br>
<div class=3D"gmail_quote">On Mon, Dec 28, 2009 at 1:13 PM, murkie <span di=
r=3D"ltr">&lt;<a href=3D"mailto:sinister_footwear@yahoo.com">sinister_footw=
ear@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Vermont representing.<br><br>m.c=
.<br><br><a href=3D"http://www.twistedapplerecords.com/" target=3D"_blank">=
www.TwistedAppleRecords.com</a><br>
<br>Stone Document&#39;s Anamnesis now available from iTunes!<a href=3D"htt=
p://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3D301414103&amp=
;s=3D143441" target=3D"_blank">http://itunes.apple.com/WebObjects/MZStore.w=
oa/wa/viewAlbum?id=3D301414103&amp;s=3D143441</a><br>

<div class=3D"im"><br><br><br>--- On Sun, 12/27/09, david kirkdorffer &lt;<=
a href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>&gt; wrote=
:<br><br></div>&gt; From: david kirkdorffer &lt;<a href=3D"mailto:unstrungo=
ne@yahoo.com">unstrungone@yahoo.com</a>&gt;<br>
&gt; Subject: New England Loopers<br>&gt; To: <a href=3D"mailto:Loopers-Del=
ight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt; D=
ate: Sunday, December 27, 2009, 6:09 PM<br>
<div>
<div></div>
<div class=3D"h5">&gt; Who&#39;s on the<br>&gt; Loopers-Delight list from t=
he New England area?<br>&gt; =A0<br>&gt; david<br>&gt; undo<br>&gt; <a href=
=3D"http://www.myspace.com/undomusic" target=3D"_blank">http://www.myspace.=
com/undomusic</a><br>
&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div></blockquot=
e></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural a=
ural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse<=
/a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00151747b3961d34b9047bcdedb9--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 20:25:40 2009
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Subject: Re: OREGON LOOPERS
From: Mark Hamburg <mark@grubmah.com>
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Will you allow Washingtonians in? Portland at least is reasonable from =
Seattle.

Mark


On Dec 26, 2009, at 6:21 PM, tEd =AE KiLLiAn wrote:

> Jeremy,
>=20
> So far as I know Rev Fever wasn't expressing any particular interest =
in this thing (event) so much as correcting my mistaken memory.
>=20
> If you know otherwise he's certainly welcome.
>=20
> So far respondents have been:
>=20
> Christopher Darrow (who made the suggestion in the first place) =
<thedarrow@gmail.com>
>=20
> Myself, Ted Killian (weird guitarist stuck down here in nowheresville =
- also known as Medford) <tedkillian@charter.net>
>=20
> Dave Trenkle (of Corvalis, who plays in a great jazz/funk band called =
11-eyes) <improv@peak.org>
>=20
> Yourself (in Portland) <deafrose58@hotmail.com>
>=20
> And maybe Rev Fever (also in Portland) if he's interested.
>=20
> At some point we should take this off the list probably.
>=20
> Do we have enough interested parties yet?
>=20
> Discuss.
>=20
> Ted

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 20:35:37 2009
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Date: Mon, 28 Dec 2009 15:34:31 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Thought Radio Playlist for December 26, 2009.
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http://soundscapes.us/amfm/playlists/2009/091226.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
I am at the helm, the show is called Thought Radio and you can expect to
hear electronic, ambient, spacemusic, Progressive Rock, and an eclectic
mix of other genres.  The show airs from 6:00 am to 8:00 am on WMUH
Allentown, 91.7 FM and on the internet.  Bill also hosts Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #164                December 26, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Congratulations to Vincent of Bridgewater, NJ who won Ciro Hurtado's
"Guitarista" and to Bruce of Whitehall who won Michael Stribling's "The
Promise."


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Alman Mulo Band] Hammer That Nail     Sequences No. 8
VA [Mooch]           Human and Euyyueh    Sequences No. 8
VA [David Wright]    Buffalo Run          Sequences No. 8
Indra                The Other World      Dhumavati (Eagle)
Viridian Sun         Infinite In All      Infinite In All Directions
                       Directions


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael Stribling    Ascending Through    The Promise (none)
                       Clouds
Michael DeMaria      The River            The River (Ontos)
Ciro Hurtado         Agua Dulce           Guitarista (Inti)
9Muses               Master Mind          Feel To Heal (Blue Amazon)
Phil Keaggy and      Like Walking On      Frio Suite (Ark)
  Jeff Johnson         Water


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Phideaux]        Strange Cloud        Purgatorio (Musea)
VA [Tommy Eriksson]  The Stream of Hope   Purgatorio (Musea)
IZZ                  Stumbling            The Darkened Room (Doone)
IZZ                  The Message          The Darkened Room (Doone)
IZZ                  23 Minutes of        The Darkened Room (Doone)
                       Tragedy
IZZ                  Can't Feel the       The Darkened Room (Doone)
                       Earth, Part III
Alan Morse           Cold Fusion          Four O'clock and Hysteria
                                            (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST (GMT-5:00/ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
MySpace: http://myspace.com/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 20:36:29 2009
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Date: Mon, 28 Dec 2009 14:16:51 -0500
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: New England Loopers
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Framingham, MA -- but I stick to video these days.

At 3:09 PM -0800 12/27/09, david kirkdorffer wrote:
>Who's on the Loopers-Delight list from the New England area?
>
>david
>undo
><http://www.myspace.com/undomusic>http://www.myspace.com/undomusic


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 20:42:00 2009
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S T A N O S A U R wouldnt mind drivin up from frisco either :-)
http://stanosaur.com/


-----Original Message-----
>From: Mark Hamburg <mark@grubmah.com>
>Sent: Dec 28, 2009 3:25 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OREGON LOOPERS
>
>Will you allow Washingtonians in? Portland at least is reasonable from Sea=
ttle.
>
>Mark
>
>
>On Dec 26, 2009, at 6:21 PM, tEd =C2=AE KiLLiAn wrote:
>
>> Jeremy,
>>=20
>> So far as I know Rev Fever wasn't expressing any particular interest in =
this thing (event) so much as correcting my mistaken memory.
>>=20
>> If you know otherwise he's certainly welcome.
>>=20
>> So far respondents have been:
>>=20
>> Christopher Darrow (who made the suggestion in the first place) <thedarr=
ow@gmail.com>
>>=20
>> Myself, Ted Killian (weird guitarist stuck down here in nowheresville - =
also known as Medford) <tedkillian@charter.net>
>>=20
>> Dave Trenkle (of Corvalis, who plays in a great jazz/funk band called 11=
-eyes) <improv@peak.org>
>>=20
>> Yourself (in Portland) <deafrose58@hotmail.com>
>>=20
>> And maybe Rev Fever (also in Portland) if he's interested.
>>=20
>> At some point we should take this off the list probably.
>>=20
>> Do we have enough interested parties yet?
>>=20
>> Discuss.
>>=20
>> Ted
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 20:48:37 2009
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From: Revfever <revfever@ubergadget.com>
Subject: Re: OREGON LOOPERS
Date: Mon, 28 Dec 2009 12:48:29 -0800
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On Dec 28, 2009, at 12:25 PM, Mark Hamburg wrote:

> Will you allow Washingtonians in? Portland at least is reasonable  
> from Seattle.
>
> Mark

I vote "yes".

Also, what about the possibility of a large, improv jam with as many  
fest members as possible (or that the board would accommodate?  
Or...?) that wanted to participate  as the
"closing act" for such a fest? It might produce interesting, on the  
fly, musical results, or it could also turn into a huge wall of noise  
and sound, which might also be interesting .
(I personally like that sort of thing, along with a love for actual  
"music").    Who knows....?  Just another 2 cents from Moi.

Cheers,
Rev. Fever
Portland,OR



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To: Loopers-Delight@loopers-delight.com
Subject: Re: New England Loopers
Date: Mon, 28 Dec 2009 16:09:01 -0500
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----------MB_8CC56191D40B7E6_6CC4_791DB_webmail-m099.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset="us-ascii"

I bought my Line 6 Looper @ Banko's! CT Loopers unite!


=3D-) PJ



-----Original Message-----
From: Chris Sewell <lunamusic@mac.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, Dec 28, 2009 8:15 am
Subject: Re: New England Loopers


Durham Ct.=20




On Dec 27, 2009, at 6:09 PM, david kirkdorffer wrote:



Who's on the Loopers-Delight list from the New England area?
=20
david
undo
http://www.myspace.com/undomusic





=3D
=20

----------MB_8CC56191D40B7E6_6CC4_791DB_webmail-m099.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
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<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style=
-span" color=3D"#006400"><b>I bought my Line 6 Looper @ Banko's! CT Looper=
s unite!</b></font>
<div><font class=3D"Apple-style-span" color=3D"#006400"><b><br>
</b></font></div>

<div><font class=3D"Apple-style-span" color=3D"#006400"><b>=3D-) PJ</b></f=
ont><br>
<br>
<br>

<div style=3D"font-family:helvetica,arial; font-size: 10pt; color:black">-=
----Original Message-----<br>
From: Chris Sewell &lt;lunamusic@mac.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Mon, Dec 28, 2009 8:15 am<br>
Subject: Re: New England Loopers<br>
<br>







<div id=3D"AOLMsgPart_2_907f7e60-b2bd-4b98-ad9e-dec643c8f7ee">


Durham Ct.&nbsp;
<div><br>
</div>

<div><br>

<div>
<div>On Dec 27, 2009, at 6:09 PM, david kirkdorffer wrote:</div>
<br class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span cl=
ass=3D"Apple-style-span" style=3D"border-collapse: separate; color: rgb(0,=
 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-=
variant: normal; font-weight: normal; letter-spacing: normal; line-height:=
 normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform:=
 none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-h=
orizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text=
-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text=
-stroke-width: 0; ">
<div style=3D"font-family: arial, helvetica, sans-serif; font-size: 10pt;=
 margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;=
 ">
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; ">Who's on the Loopers-Delight list from the New England are=
a?</div>

<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; ">&nbsp;</div>

<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; ">david</div>

<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; ">undo</div>

<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; "><a target=3D"_blank" href=3D"http://www.myspace.com/undomu=
sic">http://www.myspace.com/undomusic</a></div>
</div>
<br>
</span><br class=3D"Apple-interchange-newline"></blockquote></div>
<br>
</div>
=3D

</div>
 <!-- end of AOLMsgPart_2_907f7e60-b2bd-4b98-ad9e-dec643c8f7ee -->



</div>
</div>
</font>

----------MB_8CC56191D40B7E6_6CC4_791DB_webmail-m099.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 21:18:41 2009
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Subject: Re: OREGON LOOPERS
From: Mark Hamburg <mark@grubmah.com>
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One of the things that worked well at Loopstock 2003 was that there was =
a large stage where several people were able to keep their gear set up =
for group improvs.

Mark

On Dec 28, 2009, at 12:48 PM, Revfever wrote:

> On Dec 28, 2009, at 12:25 PM, Mark Hamburg wrote:
>=20
>> Will you allow Washingtonians in? Portland at least is reasonable =
from Seattle.
>>=20
>> Mark
>=20
> I vote "yes".
>=20
> Also, what about the possibility of a large, improv jam with as many =
fest members as possible (or that the board would accommodate? Or...?) =
that wanted to participate  as the
> "closing act" for such a fest? It might produce interesting, on the =
fly, musical results, or it could also turn into a huge wall of noise =
and sound, which might also be interesting .
> (I personally like that sort of thing, along with a love for actual =
"music").    Who knows....?  Just another 2 cents from Moi.
>=20
> Cheers,
> Rev. Fever
> Portland,OR
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 21:20:16 2009
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Subject: Re: OREGON LOOPERS
From: Mark Hamburg <mark@grubmah.com>
In-Reply-To: <20D82C8C-A67D-4BB4-BF82-C3B644567D00@grubmah.com>
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And lacking a big stage, depending on how long a show we were doing, we =
could try to come up with a couple of groups of moderately likeminded =
players and do essentially a first set and a second set.

What key are we in?

Mark

On Dec 28, 2009, at 1:18 PM, Mark Hamburg wrote:

> One of the things that worked well at Loopstock 2003 was that there =
was a large stage where several people were able to keep their gear set =
up for group improvs.
>=20
> Mark
>=20
> On Dec 28, 2009, at 12:48 PM, Revfever wrote:
>=20
>> On Dec 28, 2009, at 12:25 PM, Mark Hamburg wrote:
>>=20
>>> Will you allow Washingtonians in? Portland at least is reasonable =
from Seattle.
>>>=20
>>> Mark
>>=20
>> I vote "yes".
>>=20
>> Also, what about the possibility of a large, improv jam with as many =
fest members as possible (or that the board would accommodate? Or...?) =
that wanted to participate  as the
>> "closing act" for such a fest? It might produce interesting, on the =
fly, musical results, or it could also turn into a huge wall of noise =
and sound, which might also be interesting .
>> (I personally like that sort of thing, along with a love for actual =
"music").    Who knows....?  Just another 2 cents from Moi.
>>=20
>> Cheers,
>> Rev. Fever
>> Portland,OR
>>=20
>>=20
>>=20
>>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 21:21:50 2009
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Subject: Re: OREGON LOOPERS
Date: Mon, 28 Dec 2009 13:21:29 -0800
References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com> <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net> <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com> <84109051-B3AC-4AB6-94F7-2CE6A8460F6B@gmail.com> <82C436F7-B13C-430E-AD8B-AABBB25AB7A0@charter.net> <F7E29FA5-873F-4ECC-900E-9BBE525A5235@gmail.com>,<90C7EC0F-8991-402E-8D1C-4A0061C66ED4@charter.net> <SNT111-W34664F35F23273260DDE67CF7C0@phx.gbl> <CB7F54E3-99E8-4BA4-9179-21AFF14D222A@charter.net> <564C2E2D-0075-4351-A190-98145E64B9C1@grubmah.com> <78AECCB3-56F0-4C6F-A09C-00CECC55FD56@ubergadget.com>
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Yes to both . . .

On Dec 28, 2009, at 12:48 PM, Revfever wrote:

> On Dec 28, 2009, at 12:25 PM, Mark Hamburg wrote:
>
>> Will you allow Washingtonians in? Portland at least is reasonable  
>> from Seattle.
>>
>> Mark
>
> I vote "yes".
>
> Also, what about the possibility of a large, improv jam with as many  
> fest members as possible (or that the board would accommodate?  
> Or...?) that wanted to participate  as the
> "closing act" for such a fest? It might produce interesting, on the  
> fly, musical results, or it could also turn into a huge wall of  
> noise and sound, which might also be interesting .
> (I personally like that sort of thing, along with a love for actual  
> "music").    Who knows....?  Just another 2 cents from Moi.
>
> Cheers,
> Rev. Fever
> Portland,OR
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 21:27:04 2009
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Subject: Re: New England Loopers
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--0016362836bc004871047bd0913b
Content-Type: text/plain; charset=ISO-8859-1

I'm in "lower" upstate ny, which I *think* is New England.

On Mon, Dec 28, 2009 at 4:09 PM, <pjbmhb@aol.com> wrote:

> *I bought my Line 6 Looper @ Banko's! CT Loopers unite!*
> *
> *
> *=-) PJ*
>
>
> -----Original Message-----
> From: Chris Sewell <lunamusic@mac.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, Dec 28, 2009 8:15 am
> Subject: Re: New England Loopers
>
>  Durham Ct.
>
>
>  On Dec 27, 2009, at 6:09 PM, david kirkdorffer wrote:
>
>  Who's on the Loopers-Delight list from the New England area?
>
> david
> undo
> http://www.myspace.com/undomusic
>
>
>
>  =
>



-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016362836bc004871047bd0913b
Content-Type: text/html; charset=ISO-8859-1
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I&#39;m in &quot;lower&quot; upstate ny, which I *think* is New England. <b=
r><br><div class=3D"gmail_quote">On Mon, Dec 28, 2009 at 4:09 PM,  <span di=
r=3D"ltr">&lt;<a href=3D"mailto:pjbmhb@aol.com">pjbmhb@aol.com</a>&gt;</spa=
n> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><font size=3D"2" =
color=3D"black" face=3D"arial"><font color=3D"#006400"><b>I bought my Line =
6 Looper @ Banko&#39;s! CT Loopers unite!</b></font>
<div><font color=3D"#006400"><b><br>
</b></font></div>

<div><font color=3D"#006400"><b>=3D-) PJ</b></font><br>
<br>
<br>

<div style=3D"font-family: helvetica,arial; font-size: 10pt; color: black;"=
><div class=3D"im">-----Original Message-----<br>
From: Chris Sewell &lt;<a href=3D"mailto:lunamusic@mac.com" target=3D"_blan=
k">lunamusic@mac.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br></div><div><div></div><div cla=
ss=3D"h5">
Sent: Mon, Dec 28, 2009 8:15 am<br>
Subject: Re: New England Loopers<br>
<br>







</div></div><div><div><div></div><div class=3D"h5">


Durham Ct.=A0
<div><br>
</div>

<div><br>

<div>
<div>On Dec 27, 2009, at 6:09 PM, david kirkdorffer wrote:</div>
<br><blockquote type=3D"cite"><span style=3D"border-collapse: separate; col=
or: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: norm=
al; font-variant: normal; font-weight: normal; letter-spacing: normal; line=
-height: normal; text-indent: 0px; text-transform: none; white-space: norma=
l; word-spacing: 0px;">
<div style=3D"margin: 0px; font-family: arial,helvetica,sans-serif; font-si=
ze: 10pt;">
<div style=3D"margin: 0px;">Who&#39;s on the Loopers-Delight list from the =
New England area?</div>

<div style=3D"margin: 0px;">=A0</div>

<div style=3D"margin: 0px;">david</div>

<div style=3D"margin: 0px;">undo</div>

<div style=3D"margin: 0px;"><a href=3D"http://www.myspace.com/undomusic" ta=
rget=3D"_blank">http://www.myspace.com/undomusic</a></div>
</div>
<br>
</span><br></blockquote></div>
<br>
</div></div></div>
=3D

</div>
=20



</div>
</div>
</font>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--0016362836bc004871047bd0913b--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 28 22:05:34 2009
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To: Loopers-Delight@loopers-delight.com
Subject: re: oregon loopers
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Hi,

I'm a longtime lurker.  I live in the woods west of Eugene.
I would love to participate.  I'm yet another guitars.  I dabble in Jazz,  
Blues etc.

Marc Roche
Walton Or


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Subject: Re: North West Loopers (was OREGON LOOPERS)
Date: Mon, 28 Dec 2009 14:23:43 -0800
References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com> <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net> <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com> <84109051-B3AC-4AB6-94F7-2CE6A8460F6B@gmail.com> <82C436F7-B13C-430E-AD8B-AABBB25AB7A0@charter.net> <F7E29FA5-873F-4ECC-900E-9BBE525A5235@gmail.com>,<90C7EC0F-8991-402E-8D1C-4A0061C66ED4@charter.net> <SNT111-W34664F35F23273260DDE67CF7C0@phx.gbl> <CB7F54E3-99E8-4BA4-9179-21AFF14D222A@charter.net> <564C2E2D-0075-4351-A190-98145E64B9C1@grubmah.com> <78AECCB3-56F0-4C6F-A09C-00CECC55FD56@ubergadget.com> <66655819-34AD-4DB0-B535-51D2CC5DC35F@charter.net>
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Yes, Washington, Canada, even SF, welcome. So far I have one vote for =20=

using Facebook for a North West Loopers group, so unless there are =20
other votes I'll make such a thing in the next day or two.


 > what about the possibility of a large, improv jam with as many fest
 > members as possible (or that the board would accommodate? Or...?)
 > that wanted to participate  as the "closing act" for such a fest?

My personal opinion is that such things, well, usually suck if they =20
are a free-for-all but if you re-introduce some sort of limited =20
structure to guide it here and there it becomes interesting to me and =20=

I'd love to experiment with that.

More specifically, I'd like to experiment with specific, creative =20
tricks for managing it and see what happens with each.

As just one example, what if the spot light moved from one person to =20
another over time and whoever it was on was the conductor, able to use =20=

hand motions to advise others to play more or less?

Furthermore, I'd love to see some sort of interactivity where the =20
crowd somehow help shapes, or contributes to the shape things take.









On Dec 28, 2009, at 1:21 PM, tEd =AE KiLLiAn wrote:

> Yes to both . . .
>
> On Dec 28, 2009, at 12:48 PM, Revfever wrote:
>
>> On Dec 28, 2009, at 12:25 PM, Mark Hamburg wrote:
>>
>>> Will you allow Washingtonians in? Portland at least is reasonable =20=

>>> from Seattle.
>>>
>>> Mark
>>
>> I vote "yes".
>>
>> Also, what about the possibility of a large, improv jam with as =20
>> many fest members as possible (or that the board would accommodate? =20=

>> Or...?) that wanted to participate  as the
>> "closing act" for such a fest? It might produce interesting, on the =20=

>> fly, musical results, or it could also turn into a huge wall of =20
>> noise and sound, which might also be interesting .
>> (I personally like that sort of thing, along with a love for actual =20=

>> "music").    Who knows....?  Just another 2 cents from Moi.
>>
>> Cheers,
>> Rev. Fever
>> Portland,OR
>>
>>
>

From elmchick1428@yahoo.com  Tue Dec 29 01:40:01 2009
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I am Tony Waters(Esq.) from The United Kingdom. I was given your contact to
contact you. Please get back to me as soon as possible.I have an important
message for you.  contact me Via My Private email, please it is important you
contact me via my private  Email.  tonywaters007@gmail.com

Regards,
Tony Waters (Esq.)

From Loopers-Delight-request@loopers-delight.com  Tue Dec 29 01:58:26 2009
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The Rev. Fever suggested:
"Also, what about the possibility of a large, improv jam with as many 
fest members as possible (or that the board would accommodate? Or...?) 
that wanted to participate  as the "closing act" for such a fest? It 
might produce interesting, on the fly, musical results, or it could also 
turn into a huge wall of noise and sound, which might also be interesting ."


For what it's worth,  this has often been suggested at the many 
festivals that I've organized (all multiple artist festivals)
and usually the answer is that it's logistically impossible if there 
have been a lot of musicians on during the festival
because gear has to be removed continually to accomodate new musicians 
playing.

It has worked in venues where everyone was able to fit on stage.

As an example,  at the Koln Festival that Michael Peter's organized last 
summer,   we were able to set 9 or 10 musicians up simultaneously on
stage but the problem then is getting them all into the snake, unless 
you have a really monstrous board which allows
one to just mute and later unmute channels after people have played.

This was done really wonderfully in Firenze by Massimo Liverani and the 
end jam results are actually on youtube as we speak.
Unfortuantely, I was sick as a dog that evening (went into the hospital 
the next day) so I can't remember all that much of that jam
other than what got posted, online.

good luck, though, folks.   I wish I could come up and perform with you 
all.   I've still never done a
Pacific Northwest or an Atlantic Northeast live looping tour and I feel 
remiss.

Happy New Years!
Rick Walker

From yihun@yahoo.com.hk  Tue Dec 29 05:35:02 2009
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font-family:"Arial","sans-serif";mso-ansi-language:NL'><o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Let op: Dit is een automatisch verstuurd bericht.<o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Vanwege de migratie tussen Postbank en ING verzoeken wij u eenmalig uw
primair IP-adres te bevestigen.<o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Op 28 december 2009 is er onderhoud geweest aan onze website en sindsdien
werken wij met een nieuw beveiliginssysteem voor het i-bankieren. Dit hebben
wij gedaan om te voorkomen dat er misbruik wordt gemaakt van uw gegevens. <o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

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style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Klik op de link hieronder, log in en uw primair IP adres wordt bevestigd.<o:p></o:p></span></p>

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NL'><o:p>&nbsp;</o:p></span></p>

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style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><a
href="http://www.bmhwj.com/mijn.ing.nl/internetbankieren/SesamLoginServlet/">Klik hier om via Mijn ING uw primair ip te bevestigen.</a><o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>N.B. <i style='mso-bidi-font-style:normal'>Elke computer aangesloten op het
internet of netwerk heeft een nummer waarmee deze zichtbaar is voor alle andere
computers op het internet. Men kan dit vergelijken met telefoonnummers. Om het
mogelijk te maken dat computers elkaar kunnen vinden en identificeren hebben
deze hun eigen nummer nodig. Deze nummers zijn de `IP adressen`.</i><o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
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<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
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<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
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NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Bedankt voor uw medewerking.<o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
NL'>Met vriendelijke groet,<o:p></o:p></span></p>

<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
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style='font-size:10.0pt;font-family:"Arial","sans-serif";mso-ansi-language:
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<p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span
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NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal><span lang=EN-US style='font-size:10.0pt;font-family:"Arial","sans-serif"'>ING
Nederland<o:p></o:p></span></p>

<p class=MsoNormal><span lang=EN-US style='font-size:10.0pt;font-family:"Arial","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal><span lang=EN-US><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal><span lang=EN-US style='font-size:9.0pt'>---------------------------------------------------------------------------<o:p></o:p></span></p>

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<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'>Gelieve
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<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'>De
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en alleen bestemd voor de geadresseerde persoon. Mocht u bovenstaand
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wordt u bij deze van het volgende op de hoogte gesteld: elke vorm van
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<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'>Alle
berichten en de daarbij meegestuurde documenten of andere vormen van bestanden
worden onderzocht op virussen. Dit geldt NIET voor de bijgevoegde bestanden die
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<p class=MsoNormal><span style='font-size:9.0pt;mso-ansi-language:NL'>beveiligd
zijn, deze worden niet op virussen onderzocht<span style='mso-spacerun:yes'> 
</span>door het ING mail domein. Onderzoek bestanden altijd op virussen voor ze
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From esha@bdcom.net  Tue Dec 29 07:49:46 2009
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Date: Mon, 28 Dec 2009 16:15:08 +0700
From: Richard Wainwright <esha@bdcom.net>
To: undisclosed-recipients:;
Subject: Business Mandate
Reply-To: <r.wainwright741@gmail.com>
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-- 
My name is Richard Wainwright, a private consultant for very eminent
persons in the Asian and Middle East region. These persons have appointed
me to source on their behalf a foreigner with whom they can jointly enter
into a highly lucrative business venture.

If you are interested my
personal email is below.

Sincerely yours, 
R.
Wainwright.
r.wainwright741@gmail.com
 
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<p>&nbsp;</p>
<div>
<pre>--=20
My name is Richard Wainwright, a private consultant for very eminent person=
s in the Asian and Middle East region. These persons have appointed me to s=
ource on their behalf a foreigner with whom they can jointly enter into a h=
ighly lucrative business venture.

If you are interested my personal email is below.

Sincerely yours,=20
R. Wainwright.
r.wainwright741@gmail.com</pre>
</div>
--=_f1de4531b5cef6ff93a3b8db7901f778--

From charl0405@msn.com  Tue Dec 29 12:58:08 2009
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	 Tue, 29 Dec 2009 04:52:24 -0800
From:     "Dr.Charles Williams" <charlswilliam@hotmail.fr>
To:       "." <..>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
X-URL: http://www.pocomail.com/
Reply-To: charlswilliam@live.fr
Date: Tue, 29 Dec 2009 12:51:06 GMT
Subject: Urgent and Confidential
Mime-Version: 1.0
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--47406626-POCO-68065348
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Urgent and Confidential 
Dear Partner, 
I want to transfer ($17,300.000.00 ) seventen million three hundred thousand=
 United States Dollars from here in Burkina Faso to overseas account. 
Your assistance as a foreigner is necessary because the managementa of the=
 bank will welcome any foreigner who has correct information to this account=
 which I will give to you immediately, if you are interested to do this=
 business with me.Please reply with the assurance, include your private=
 telephone and fax numbers,is necessary for facilitate an easy communication=
 in this transaction. As soon as you reply, so that i will let you know the=
 next step to follow in order to finalize this transaction immediately. I=
 expect your urgent communication. 
Upon your response and strong assurance that you will not let me down once=
 the fund goes into your account I will let you know the origin of the fund=
 and the transfer procedures without delay. 
(FILL THIS FORM BELLOW PLEASE AND RESENDIT TO ME)..
1) Your FullName:-.................... .............
2) YourAge:-..................... .......................
3) MaritalStatus:-............... ......................
4) Your CellPhone Number:-..................
5) Your FaxNumber:-................... ...........
6) YourCountry:-................. .....................
7) YourOccupation:-.............. ..................
8)Sex:-....................... ..............................
9)Your Religion:-.................... .................
10) YourPrivate E-mail Adress:............... 
Yours Sincierely 
Dr.Charles Williams



--47406626-POCO-68065348
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--></style>
</head><BODY BGCOLOR=3D"white" ><div style=3D"margin-top:0.07in;"><SPAN=
 style=3D"font-family:'Times New Roman';font-size:12pt;"><B>Urgent and=
 Confidential</B> </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>Dear Partner, </B></SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>I want to transfer ($17,300.000.00 ) seventen=
 million three hundred thousand United States Dollars from here in Burkina=
 Faso to overseas account. </B></SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>Your assistance as a foreigner is necessary=
 because the managementa of the bank will welcome any foreigner who has=
 correct information to this account which I will give to you immediately,=
 if you are interested to do this business with me.Please reply with the=
 assurance, include your private telephone and fax numbers,is necessary for=
 facilitate an easy communication in this transaction. As soon as you reply,=
 so that i will let you know the next step to follow in order to finalize=
 this transaction immediately. I expect your urgent communication.</B>=
 </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>Upon your response and strong assurance that you=
 will not let me down once the fund goes into your account I will let you=
 know the origin of the fund and the transfer procedures without delay.=
 </B></SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>(FILL THIS FORM BELLOW PLEASE AND RESENDIT TO=
 ME)..<br />1) Your FullName:-.................... .............<br />2)=
 YourAge:-..................... .......................<br />3)=
 MaritalStatus:-............... ......................<br />4) Your=
 CellPhone Number:-..................<br />5) Your=
 FaxNumber:-................... ...........<br />6)=
 YourCountry:-................. .....................<br />7)=
 YourOccupation:-.............. ..................<br=
 />8)Sex:-....................... ..............................<br />9)Your=
 Religion:-.................... .................<br />10) YourPrivate=
 E-mail Adress:...............</B> </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>Yours Sincierely <br />Dr.Charles Williams<br=
 /></B></SPAN></div>
<div>&nbsp;</div>
</body></html>

--47406626-POCO-68065348--

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References: <001501ca87c6$d2696f80$0500000a@erdem1>
	 <6303D8DF-4436-4211-A8DD-FA9029DACF0F@zoekeating.com>
	 <9e0440a60912280958t4935e57etbc0db7d9da00b70@mail.gmail.com>
Date: Tue, 29 Dec 2009 08:12:14 -0500
Message-ID: <2871c3a90912290512r4a99a27bqbadd97ae24c2ca1a@mail.gmail.com>
Subject: Re: airlines regulations - no instruments on board?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502af0444038d047bddc539
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Hi Erdem,
Writing from Canada, what I read this morning in the paper is that (for an
unspecified but perhaps limited time) carry on bags will be limited to
certain items only (max of one per passenger).  You may bring on board: a
laptop bag, a camera bag, a handbag or a diaper bag.  Backpacks and such
must be checked.  It was always hard for me to bring my horn as carry on, I
think it's now completely impossible...

also, certain american carriers will not allow passengers to leave their
seat or hold objects on their knees one hour before landing.

Zoe's advice re: flight cases is the way to go.  You can also get a golfbag
case like Douglas Yeo recommends for traveling with a trombone.  I know
you're a guitarist, but your concerns may be similar to his:
http://www.yeodoug.com/resources/faq/faq_text/travel.html

original article in French follows,
Sylvain

  *PUBLICATION: * Le Droit *DATE: * 2009.12.29 *SECTION: * Actualit=E9s *PA=
GE:
* 2  *WORD COUNT: * 253
------------------------------
Plus de bagages =E0 bord
------------------------------

Les voyageurs se rendant aux =C9tats-Unis sont limit=E9s =E0 un seul " effe=
t
personnel " =E0 bord de l'appareil. Il doit s'agir d'un sac =E0 main, d'un =
=E9tui
=E0 ordinateur, d'un sac =E0 couches ou d'un =E9tui =E0 cam=E9ra. Tous les =
autres
bagages, y compris les petites valises =E0 roulettes et les sacs =E0 dos,
doivent =EAtre enregistr=E9s et d=E9pos=E9s dans la soute. " On essaie de l=
imiter au
strict minimum les effets apport=E9s dans l'avion. On permet par exemple
d'apporter des m=E9dicaments. Cette mesure est prise essentiellement pour
acc=E9l=E9rer les fouilles ", explique la porte-parole de Transports Canada=
,
Lucie Vignola. Pour diminuer le d=E9sagr=E9ment de cette mesure, plusieurs
compagnies dont Air Canada et WestJet annulent temporairement les frais
d'exc=E9dent de bagages.

Tous les passagers ainsi que leur " effet personnel " sont syst=E9matiqueme=
nt
soumis =E0 une fouille personnelle d'abord =E0 un point de contr=F4le de s=
=FBret=E9 =E0
l'a=E9roport, puis dans la zone d'embarquement avant de monter =E0 bord.

Certaines compagnies a=E9riennes am=E9ricaines interdisent aux passagers de=
 se
lever de leur si=E8ge une heure avant l'atterrissage. Les voyageurs ne peuv=
ent
pas non plus poser des objets sur leurs genoux durant cette p=E9riode, comm=
e
des draps ou des oreillers. Cette mesure est appliqu=E9e de fa=E7on al=E9at=
oire.

Il n'y a plus de t=E9l=E9vision en direct sur les vols du Canada aux =C9tat=
s-Unis.


Pour une dur=E9e ind=E9termin=E9e, les voyageurs se rendant aux =C9tats-Uni=
s par
avion doivent se soumettre =E0 des r=E8gles tr=E8s strictes. Les personnes =
allant
ailleurs qu'aux =C9tats-Unis ne sont pas soumises =E0 ces r=E8gles.


On 12/28/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>
> I only have domestic experience but have quite a bit of that.  In recent
> years I've been traveling with 2 to 3 instruments plus some form of
> gear/laptop bag.  In years past I have gotten stressed out either trying =
to
> get more on the plane or worried about my oud or violin getting hammered =
by
> somebody's roller case in the overhead.  For the last two trips I've just
> let go, paid the extra bags fees and taken minimal on the plane, this las=
t
> trip to CA (Virgin Atlantic which was another nightmare story) just took
> laptop bag and violin on the flight, checked my oud and guitar stashing m=
ost
> of my pedeal gear in the oud case and in many ways it was much less stres=
s.
> Due to birdstrike, canceled unexplained flights, having to miss a gig due
> the former and checked instruments not coming in until the next day,
> unfortunately these latter balanced out my lowered stress gained raising =
the
> level back to where it would have been normally.  Twas an adventure.  I w=
ill
> say knock on the proverbial wood I have yet to had an instrument damaged =
by
> the airlines though every time I check one I'm sure I'm going to open the
> case and the headstock is going to wrecked but never has so far.
>
> I do think given the new scare in Detroit and the fellow in London that
> things are only going to get more difficult as Zoe suggested.
>
> Jim
>

--00504502af0444038d047bddc539
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<div>Hi Erdem, </div>
<div>Writing from Canada, what I read this morning in the paper is that (fo=
r an unspecified but perhaps limited time) carry on bags will be limited to=
 certain items only (max of one per passenger).=A0 You may bring on board: =
a laptop bag, a camera bag, a handbag or a diaper bag.=A0 Backpacks and suc=
h must be checked.=A0 It was always hard for me to bring my horn as carry o=
n, I think it&#39;s now completely impossible...=A0 </div>

<div>=A0</div>
<div>also, certain american carriers will not allow passengers to leave the=
ir seat or hold objects on their knees one hour before landing.</div>
<div>=A0</div>
<div>Zoe&#39;s advice re: flight cases is the way to go.=A0 You can also ge=
t a golfbag case like Douglas Yeo recommends for traveling with a trombone.=
=A0 I know you&#39;re a guitarist, but your concerns may be similar to his:=
 <a href=3D"http://www.yeodoug.com/resources/faq/faq_text/travel.html">http=
://www.yeodoug.com/resources/faq/faq_text/travel.html</a></div>

<div>=A0</div>
<div>original article in French follows, </div>
<div>Sylvain</div>
<div>=A0</div>
<div>
<table>
<tbody>
<tr>
<td><strong>PUBLICATION: </strong></td>
<td>Le Droit</td></tr>
<tr>
<td><strong>DATE: </strong></td>
<td>2009.12.29</td></tr>
<tr>
<td><strong>SECTION: </strong></td>
<td>Actualit=E9s</td></tr>
<tr>
<td><strong>PAGE: </strong></td>
<td>2 </td></tr>
<tr>
<td><strong>WORD COUNT: </strong></td>
<td>253</td></tr></tbody></table>
<hr>

<h2>Plus de bagages =E0 bord</h2>
<hr>

<p>Les voyageurs se rendant aux =C9tats-Unis sont limit=E9s =E0 un seul &qu=
ot; effet personnel &quot; =E0 bord de l&#39;appareil. Il doit s&#39;agir d=
&#39;un sac =E0 main, d&#39;un =E9tui =E0 ordinateur, d&#39;un sac =E0 couc=
hes ou d&#39;un =E9tui =E0 cam=E9ra. Tous les autres bagages, y compris les=
 petites valises =E0 roulettes et les sacs =E0 dos, doivent =EAtre enregist=
r=E9s et d=E9pos=E9s dans la soute. &quot; On essaie de limiter au strict m=
inimum les effets apport=E9s dans l&#39;avion. On permet par exemple d&#39;=
apporter des m=E9dicaments. Cette mesure est prise essentiellement pour acc=
=E9l=E9rer les fouilles &quot;, explique la porte-parole de Transports Cana=
da, Lucie Vignola. Pour diminuer le d=E9sagr=E9ment de cette mesure, plusie=
urs compagnies dont Air Canada et WestJet annulent temporairement les frais=
 d&#39;exc=E9dent de bagages.=20
<p>Tous les passagers ainsi que leur &quot; effet personnel &quot; sont sys=
t=E9matiquement soumis =E0 une fouille personnelle d&#39;abord =E0 un point=
 de contr=F4le de s=FBret=E9 =E0 l&#39;a=E9roport, puis dans la zone d&#39;=
embarquement avant de monter =E0 bord.=20
<p>Certaines compagnies a=E9riennes am=E9ricaines interdisent aux passagers=
 de se lever de leur si=E8ge une heure avant l&#39;atterrissage. Les voyage=
urs ne peuvent pas non plus poser des objets sur leurs genoux durant cette =
p=E9riode, comme des draps ou des oreillers. Cette mesure est appliqu=E9e d=
e fa=E7on al=E9atoire.=20
<p>Il n&#39;y a plus de t=E9l=E9vision en direct sur les vols du Canada aux=
 =C9tats-Unis.=20
<p>Pour une dur=E9e ind=E9termin=E9e, les voyageurs se rendant aux =C9tats-=
Unis par avion doivent se soumettre =E0 des r=E8gles tr=E8s strictes. Les p=
ersonnes allant ailleurs qu&#39;aux =C9tats-Unis ne sont pas soumises =E0 c=
es r=E8gles. <br>
</p><br>=A0</p></p></p></p></div>
<div><span class=3D"gmail_quote">On 12/28/09, <b class=3D"gmail_sendername"=
>Jim Goodin</b> &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmu=
sic@gmail.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>I only have domestic experience but have quite a bit of that.=A0 In re=
cent years I&#39;ve been traveling with 2 to 3 instruments plus some form o=
f gear/laptop bag.=A0 In years past I have gotten stressed out either tryin=
g to get more on the plane or worried about my oud or violin getting hammer=
ed by somebody&#39;s roller case in the overhead.=A0 For the last two trips=
 I&#39;ve just let go, paid the extra bags fees and taken minimal on the pl=
ane, this last trip to CA (Virgin Atlantic which was another nightmare stor=
y) just took laptop bag and violin on the flight, checked my oud and guitar=
 stashing most of my pedeal gear in the oud case and in many ways it was mu=
ch less stress.=A0 Due to birdstrike, canceled unexplained flights, having =
to miss a gig due the former and checked instruments not coming in until th=
e next day, unfortunately these latter balanced out my lowered stress gaine=
d raising the level back to where it would have been normally.=A0 Twas an a=
dventure.=A0 I will say knock on the proverbial wood I have yet to had an i=
nstrument damaged by the airlines though every time I check one I&#39;m sur=
e I&#39;m going to open the case and the headstock is going to wrecked but =
never has so far.</div>

<div>=A0</div>
<div>I do think given the new scare in Detroit and the fellow in London tha=
t things are only going to get more difficult as Zoe suggested.</div>
<div>=A0</div><span class=3D"sg">
<div>Jim</div></span></blockquote></div><br>

--00504502af0444038d047bddc539--

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Subject: OT: The New Flight Security Rules, So Far [Air Travel]
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More info on air travel to US

Sent to you by Syl via Google Reader: The New Flight Security Rules, So
Far [Air Travel] via Lifehacker by Kevin Purdy on 12/28/09

After an attempted explosive attack Friday on a U.S.-bound flight, air
travel security tightened and rules were changed. No official
procedures have been announced, but here's what fliers and news
agencies are reporting as the seemingly new rules of flying.

Photo by Joshua Davis.

The first thing anyone flying needs to know is that there are no hard
and fast rules put into place at this time, and what you read or hear
about at one airport may not be the case at another. The Transportation
Security Administration wrote in a press release that "These measures
are designed to be unpredictable, so passengers should not expect to
see the same thing everywhere."

Most sources are reporting that the most stringent measures are
implemented on flights entering the U.S. from foreign lands, including
Canada. Air Canada posted on its web site that, during the last hour of
a flight, travelers headed to the U.S. will have to remain seated, will
not have access to their carry-on baggage, and cannot have anything on
their laps.

American Airlines posted on its own site that anyone flying into the
U.S. should allow three hours for the entire boarding process.
Passengers and carry-on items would be screened both at security
checkpoints and at airline gates, according to the airline.

What about domestic flights? As stated, the only predictable element is
unpredictability. Gizmodo has posted audio recorded from a Jet Blue
pre-flight announcement, indicating that the airline's notable
seat-by-seat in-flight entertainment system would be shut down for a
recent flight, along with in-flight Wi-Fi, presumably. In that post,
and others, gadget-savvy readers and Twitter users have reported a
range of restrictions and rules.

Some flights have banned electronic usage during the first and final 30
minutes of a flight, not including takeoff and landing periods, and
others have restricted usage for up to an hour before ascent and
descent. Some fliers have experienced pat-down searches and more
thorough bag checks, and most flights seem to require passengers to
stay seated during the final portion of a flight, regardless of
bathroom needs. The Times reports (at the link below) that while
blankets and pillows were being banned from passengers' laps just
before landing, that rule seems to have been softened and left up to
each airline.

Update: Gizmodo has posted the full text of a leaked TSA security
directive, courtesy of the Boarding Area blog, that makes firm the ban
on in-flight Wi-Fi, entertainment systems, and access to any and all
carry-on luggage or devices one hour before landing.

Have you flown since Friday's in-flight incident? What was your
experience, and how much more time did your flight experience take?
Help fill in the blanks for everybody in the comments.
For Airline Passengers, Pat-Downs, Searches and Restroom Monitors
[NYTimes.com]


Things you can do from here:
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More info on air travel to US<br><br>
<div style=3D"margin: 0px 2px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"margin: 0px 1px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"padding: 4px; background-color: #c3d9ff;"><h3 style=3D"margin=
:0px 3px;font-family:sans-serif">Sent to you by Syl via Google Reader:</h3>=
</div>
<div style=3D"margin: 0px 1px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"margin: 0px 2px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"font-family:sans-serif;overflow:auto;width:100%;margin: 0px 1=
0px"><h2 style=3D"margin: 0.25em 0 0 0"><div class=3D""><a href=3D"http://f=
eeds.gawker.com/~r/lifehacker/full/~3/hY4uZINh248/the-new-flight-security-r=
ules-so-far">The New Flight Security Rules, So Far [Air Travel]</a></div></=
h2>
<div style=3D"margin-bottom: 0.5em">via <a href=3D"http://lifehacker.com" c=
lass=3D"f">Lifehacker</a> by Kevin Purdy on 12/28/09</div><br style=3D"disp=
lay:none">
<p><img src=3D"http://cache.gawker.com/assets/images/lifehacker/2009/12/pla=
ne_flying.jpg" width=3D"340">After an attempted explosive attack Friday on =
a U.S.-bound flight, air travel security tightened and rules were changed. =
No official procedures have been announced, but here's what fliers and news=
 agencies are reporting as the seemingly new rules of flying.</p> <p><em>Ph=
oto by <a href=3D"http://jdavis.info">Joshua Davis</a>.</em></p> <p>The fir=
st thing anyone flying needs to know is that there are no hard and fast rul=
es put into place at this time, and what you read or hear about at one airp=
ort may not be the case at another. The Transportation Security Administrat=
ion <a href=3D"http://www.tsa.gov/press/happenings/northwest_statement.shtm=
">wrote in a press release</a> that "These measures are designed to be unpr=
edictable, so passengers should not expect to see the same thing everywhere=
."</p> <p>Most sources are reporting that the most stringent measures are i=
mplemented on flights entering the U.S. from foreign lands, including Canad=
a. Air Canada <a href=3D"http://www.aircanada.com/en/news/trav_adv/091226_3=
.html">posted on its web site</a> that, during the last hour of a flight, t=
ravelers headed to the U.S. will have to remain seated, will not have acces=
s to their carry-on baggage, and cannot have anything on their laps.</p> <p=
>American Airlines <a href=3D"http://www.aa.com/i18n/disclaimers/airport-se=
curity-screening.jsp">posted on its own site</a> that anyone flying into th=
e U.S. should allow three hours for the entire boarding process. Passengers=
 and carry-on items would be screened both at security checkpoints and at a=
irline gates, according to the airline.</p> <p>What about domestic flights?=
 As stated, the only predictable element is unpredictability. Gizmodo has <=
a href=3D"http://gizmodo.com/5435117/the-unofficial-guide-to-flying-after-t=
he-underwear-bomb">posted audio recorded from a Jet Blue pre-flight announc=
ement</a>, indicating that the airline's notable seat-by-seat in-flight ent=
ertainment system would be shut down for a recent flight, along with in-fli=
ght Wi-Fi, presumably. In that post, and <a href=3D"http://gizmodo.com/5434=
592/the-new-terrifying-no+electronics-us-flight-security-rules">others</a>,=
 gadget-savvy readers and Twitter users have reported a range of restrictio=
ns and rules.</p> <p>Some flights have banned electronic usage during the f=
irst and final 30 minutes of a flight, not including takeoff and landing pe=
riods, and others have restricted usage for up to an hour before ascent and=
 descent. Some fliers have experienced pat-down searches and more thorough =
bag checks, and most flights seem to require passengers to stay seated duri=
ng the final portion of a flight, regardless of bathroom needs. The Times r=
eports (at the link below) that while blankets and pillows were being banne=
d from passengers' laps just before landing, that rule seems to have been s=
oftened and left up to each airline.</p> <p><em>Update:</em> Gizmodo has <a=
 href=3D"http://gizmodo.com/5435188/leaked-homeland-securitys-post-underwea=
r-bomb-airplane-rules">posted the full text of a leaked TSA security direct=
ive</a>, courtesy of the <a href=3D"http://boardingarea.com/blogs/flyingwit=
hfish/2009/12/27/tsa-security-directive-sd-1544-09-06-the-fallout-from-nw25=
3/">Boarding Area</a> blog, that makes firm the ban on in-flight Wi-Fi, ent=
ertainment systems, and access to any and all carry-on luggage or devices o=
ne hour before landing.</p> <p>Have you flown since Friday's in-flight inci=
dent? What was your experience, and how much more time did your flight expe=
rience take? Help fill in the blanks for everybody in the comments.</p> <di=
v><a href=3D"http://www.nytimes.com/2009/12/29/us/29security.html?hp">For A=
irline Passengers, Pat-Downs, Searches and Restroom Monitors</a> [NYTimes.c=
om]</div> <br style=3D"clear:both">
<br style=3D"clear:both">
<a href=3D"http://ads.pheedo.com/click.phdo?s=3Dbca1f9c9376317fa46ce8b0b163=
f96ec&amp;p=3D1"><img alt=3D"" style=3D"border:0" border=3D"0" src=3D"http:=
//ads.pheedo.com/img.phdo?s=3Dbca1f9c9376317fa46ce8b0b163f96ec&amp;p=3D1"><=
/a>
<img alt=3D"" height=3D"0" width=3D"0" border=3D"0" src=3D"http://a.rfihub.=
com/eus.gif?eui=3D2225"><div>
<a href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQ=
tTUuwvg:H0mrP-F8Qgo"><img src=3D"http://feeds.feedburner.com/~ff/lifehacker=
/full?d=3DH0mrP-F8Qgo" border=3D"0"></a> <a href=3D"http://feeds.gawker.com=
/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtTUuwvg:yIl2AUoC8zA"><img src=3D"h=
ttp://feeds.feedburner.com/~ff/lifehacker/full?d=3DyIl2AUoC8zA" border=3D"0=
"></a> <a href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh2=
48:wPcQtTUuwvg:D7DqB2pKExk"><img src=3D"http://feeds.feedburner.com/~ff/lif=
ehacker/full?i=3DhY4uZINh248:wPcQtTUuwvg:D7DqB2pKExk" border=3D"0"></a> <a =
href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtTU=
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</div><img src=3D"http://feeds.feedburner.com/~r/lifehacker/full/~4/hY4uZIN=
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<br>
<div style=3D"margin: 0px 2px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"margin: 0px 1px; padding-top: 1px;    background-color: #c3d9=
ff; font-size: 1px !important;    line-height: 0px !important;">&nbsp;</div=
>
<div style=3D"padding: 4px; background-color: #c3d9ff;"><h3 style=3D"margin=
:0px 3px;font-family:sans-serif">Things you can do from here:</h3>
<ul style=3D"font-family:sans-serif"><li><a href=3D"http://www.google.com/r=
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ironically, I flew out of Seattle on Saturday the 26th. during  
screening the TSA flagged my half-empty water bottle, so I drank  
it....but on the plane I discovered a Leatherman tool in a small  
pocket of my bag. it had probably been in there, undetected on several  
flights, for about a year.

On Dec 29, 2009, at 6:13 AM, Syl wrote:

> More info on air travel to US
>
>
>
> Sent to you by Syl via Google Reader:
>
>
> The New Flight Security Rules, So Far [Air Travel]
> via Lifehacker by Kevin Purdy on 12/28/09
> After an attempted explosive attack Friday on a U.S.-bound flight,  
> air travel security tightened and rules were changed. No official  
> procedures have been announced, but here's what fliers and news  
> agencies are reporting as the seemingly new rules of flying.
>
> Photo by Joshua Davis.
>
> The first thing anyone flying needs to know is that there are no  
> hard and fast rules put into place at this time, and what you read  
> or hear about at one airport may not be the case at another. The  
> Transportation Security Administration wrote in a press release that  
> "These measures are designed to be unpredictable, so passengers  
> should not expect to see the same thing everywhere."
>
> Most sources are reporting that the most stringent measures are  
> implemented on flights entering the U.S. from foreign lands,  
> including Canada. Air Canada posted on its web site that, during the  
> last hour of a flight, travelers headed to the U.S. will have to  
> remain seated, will not have access to their carry-on baggage, and  
> cannot have anything on their laps.
>
> American Airlines posted on its own site that anyone flying into the  
> U.S. should allow three hours for the entire boarding process.  
> Passengers and carry-on items would be screened both at security  
> checkpoints and at airline gates, according to the airline.
>
> What about domestic flights? As stated, the only predictable element  
> is unpredictability. Gizmodo has posted audio recorded from a Jet  
> Blue pre-flight announcement, indicating that the airline's notable  
> seat-by-seat in-flight entertainment system would be shut down for a  
> recent flight, along with in-flight Wi-Fi, presumably. In that post,  
> and others, gadget-savvy readers and Twitter users have reported a  
> range of restrictions and rules.
>
> Some flights have banned electronic usage during the first and final  
> 30 minutes of a flight, not including takeoff and landing periods,  
> and others have restricted usage for up to an hour before ascent and  
> descent. Some fliers have experienced pat-down searches and more  
> thorough bag checks, and most flights seem to require passengers to  
> stay seated during the final portion of a flight, regardless of  
> bathroom needs. The Times reports (at the link below) that while  
> blankets and pillows were being banned from passengers' laps just  
> before landing, that rule seems to have been softened and left up to  
> each airline.
>
> Update: Gizmodo has posted the full text of a leaked TSA security  
> directive, courtesy of the Boarding Area blog, that makes firm the  
> ban on in-flight Wi-Fi, entertainment systems, and access to any and  
> all carry-on luggage or devices one hour before landing.
>
> Have you flown since Friday's in-flight incident? What was your  
> experience, and how much more time did your flight experience take?  
> Help fill in the blanks for everybody in the comments.
>
> For Airline Passengers, Pat-Downs, Searches and Restroom Monitors  
> [NYTimes.com]
>
>
>
>
>
>
>
>
> Things you can do from here:
> Subscribe to Lifehacker using Google Reader
> Get started using Google Reader to easily keep up with all your  
> favorite sites
>
>


--Apple-Mail-1-333972415
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">ironically, I flew out of =
Seattle on Saturday the 26th. during screening the TSA flagged my =
half-empty water bottle, so I drank it....but on the plane I discovered =
a Leatherman tool in a small pocket of my bag. it had probably been in =
there, undetected on several flights, for about a =
year.<div><br><div><div>On Dec 29, 2009, at 6:13 AM, Syl wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">More info =
on air travel to US<br><br> <div style=3D"margin: 0px 2px; padding-top: =
1px;    background-color: #c3d9ff; font-size: 1px !important;    =
line-height: 0px !important;">&nbsp;</div> <div style=3D"margin: 0px =
1px; padding-top: 1px;    background-color: #c3d9ff; font-size: 1px =
!important;    line-height: 0px !important;">&nbsp;</div> <div =
style=3D"padding: 4px; background-color: #c3d9ff;"><h3 style=3D"margin:0px=
 3px;font-family:sans-serif">Sent to you by Syl via Google =
Reader:</h3></div> <div style=3D"margin: 0px 1px; padding-top: 1px;    =
background-color: #c3d9ff; font-size: 1px !important;    line-height: =
0px !important;">&nbsp;</div> <div style=3D"margin: 0px 2px; =
padding-top: 1px;    background-color: #c3d9ff; font-size: 1px =
!important;    line-height: 0px !important;">&nbsp;</div> <div =
style=3D"font-family:sans-serif;overflow:auto;width:100%;margin: 0px =
10px"><h2 style=3D"margin: 0.25em 0 0 0"><div class=3D""><a =
href=3D"http://feeds.gawker.com/~r/lifehacker/full/~3/hY4uZINh248/the-new-=
flight-security-rules-so-far">The New Flight Security Rules, So Far [Air =
Travel]</a></div></h2> <div style=3D"margin-bottom: 0.5em">via <a =
href=3D"http://lifehacker.com" class=3D"f">Lifehacker</a> by Kevin Purdy =
on 12/28/09</div><br style=3D"display:none"><p><img =
src=3D"http://cache.gawker.com/assets/images/lifehacker/2009/12/plane_flyi=
ng.jpg" width=3D"340">After an attempted explosive attack Friday on a =
U.S.-bound flight, air travel security tightened and rules were changed. =
No official procedures have been announced, but here's what fliers and =
news agencies are reporting as the seemingly new rules of =
flying.</p><p><em>Photo by <a href=3D"http://jdavis.info">Joshua =
Davis</a>.</em></p><p>The first thing anyone flying needs to know is =
that there are no hard and fast rules put into place at this time, and =
what you read or hear about at one airport may not be the case at =
another. The Transportation Security Administration <a =
href=3D"http://www.tsa.gov/press/happenings/northwest_statement.shtm">wrot=
e in a press release</a> that "These measures are designed to be =
unpredictable, so passengers should not expect to see the same thing =
everywhere."</p><p>Most sources are reporting that the most stringent =
measures are implemented on flights entering the U.S. from foreign =
lands, including Canada. Air Canada <a =
href=3D"http://www.aircanada.com/en/news/trav_adv/091226_3.html">posted =
on its web site</a> that, during the last hour of a flight, travelers =
headed to the U.S. will have to remain seated, will not have access to =
their carry-on baggage, and cannot have anything on their =
laps.</p><p>American Airlines <a =
href=3D"http://www.aa.com/i18n/disclaimers/airport-security-screening.jsp"=
>posted on its own site</a> that anyone flying into the U.S. should =
allow three hours for the entire boarding process. Passengers and =
carry-on items would be screened both at security checkpoints and at =
airline gates, according to the airline.</p><p>What about domestic =
flights? As stated, the only predictable element is unpredictability. =
Gizmodo has <a =
href=3D"http://gizmodo.com/5435117/the-unofficial-guide-to-flying-after-th=
e-underwear-bomb">posted audio recorded from a Jet Blue pre-flight =
announcement</a>, indicating that the airline's notable seat-by-seat =
in-flight entertainment system would be shut down for a recent flight, =
along with in-flight Wi-Fi, presumably. In that post, and <a =
href=3D"http://gizmodo.com/5434592/the-new-terrifying-no+electronics-us-fl=
ight-security-rules">others</a>, gadget-savvy readers and Twitter users =
have reported a range of restrictions and rules.</p><p>Some flights have =
banned electronic usage during the first and final 30 minutes of a =
flight, not including takeoff and landing periods, and others have =
restricted usage for up to an hour before ascent and descent. Some =
fliers have experienced pat-down searches and more thorough bag checks, =
and most flights seem to require passengers to stay seated during the =
final portion of a flight, regardless of bathroom needs. The Times =
reports (at the link below) that while blankets and pillows were being =
banned from passengers' laps just before landing, that rule seems to =
have been softened and left up to each airline.</p><p><em>Update:</em> =
Gizmodo has <a =
href=3D"http://gizmodo.com/5435188/leaked-homeland-securitys-post-underwea=
r-bomb-airplane-rules">posted the full text of a leaked TSA security =
directive</a>, courtesy of the <a =
href=3D"http://boardingarea.com/blogs/flyingwithfish/2009/12/27/tsa-securi=
ty-directive-sd-1544-09-06-the-fallout-from-nw253/">Boarding Area</a> =
blog, that makes firm the ban on in-flight Wi-Fi, entertainment systems, =
and access to any and all carry-on luggage or devices one hour before =
landing.</p><p>Have you flown since Friday's in-flight incident? What =
was your experience, and how much more time did your flight experience =
take? Help fill in the blanks for everybody in the comments.</p> <div><a =
href=3D"http://www.nytimes.com/2009/12/29/us/29security.html?hp">For =
Airline Passengers, Pat-Downs, Searches and Restroom Monitors</a> =
[NYTimes.com]</div> <br style=3D"clear:both"> <br style=3D"clear:both"> =
<a =
href=3D"http://ads.pheedo.com/click.phdo?s=3Dbca1f9c9376317fa46ce8b0b163f9=
6ec&amp;p=3D1"><img alt=3D"" style=3D"border:0" border=3D"0" =
src=3D"http://ads.pheedo.com/img.phdo?s=3Dbca1f9c9376317fa46ce8b0b163f96ec=
&amp;p=3D1"></a> <img alt=3D"" height=3D"0" width=3D"0" border=3D"0" =
src=3D"http://a.rfihub.com/eus.gif?eui=3D2225"><div> <a =
href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtT=
Uuwvg:H0mrP-F8Qgo"><img =
src=3D"http://feeds.feedburner.com/~ff/lifehacker/full?d=3DH0mrP-F8Qgo" =
border=3D"0"></a> <a =
href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtT=
Uuwvg:yIl2AUoC8zA"><img =
src=3D"http://feeds.feedburner.com/~ff/lifehacker/full?d=3DyIl2AUoC8zA" =
border=3D"0"></a> <a =
href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtT=
Uuwvg:D7DqB2pKExk"><img =
src=3D"http://feeds.feedburner.com/~ff/lifehacker/full?i=3DhY4uZINh248:wPc=
QtTUuwvg:D7DqB2pKExk" border=3D"0"></a> <a =
href=3D"http://feeds.gawker.com/~ff/lifehacker/full?a=3DhY4uZINh248:wPcQtT=
Uuwvg:V_sGLiPBpWU"><img =
src=3D"http://feeds.feedburner.com/~ff/lifehacker/full?i=3DhY4uZINh248:wPc=
QtTUuwvg:V_sGLiPBpWU" border=3D"0"></a> </div><img =
src=3D"http://feeds.feedburner.com/~r/lifehacker/full/~4/hY4uZINh248" =
height=3D"1" width=3D"1"></div> <br> <div style=3D"margin: 0px 2px; =
padding-top: 1px;    background-color: #c3d9ff; font-size: 1px =
!important;    line-height: 0px !important;">&nbsp;</div> <div =
style=3D"margin: 0px 1px; padding-top: 1px;    background-color: =
#c3d9ff; font-size: 1px !important;    line-height: 0px =
!important;">&nbsp;</div> <div style=3D"padding: 4px; background-color: =
#c3d9ff;"><h3 style=3D"margin:0px 3px;font-family:sans-serif">Things you =
can do from here:</h3> <ul style=3D"font-family:sans-serif"><li><a =
href=3D"http://www.google.com/reader/view/feed%2Fhttp%3A%2F%2Fwww.lifehack=
er.com%2Findex.xml?source=3Demail">Subscribe to Lifehacker</a> using =
<b>Google Reader</b></li> <li><a =
href=3D"http://www.google.com/reader/?source=3Demail">Get started using =
Google Reader</a> to easily keep up with <b>all your favorite =
sites</b></li></ul></div> <div style=3D"margin: 0px 1px; padding-top: =
1px;    background-color: #c3d9ff; font-size: 1px !important;    =
line-height: 0px !important;">&nbsp;</div> <div style=3D"margin: 0px =
2px; padding-top: 1px;    background-color: #c3d9ff; font-size: 1px =
!important;    line-height: 0px =
!important;">&nbsp;</div></blockquote></div><br></div></body></html>=

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in the NYTimes today re: carryons



"Transport Canada said Monday that passengers may only carry medical  
devices, small purses, cameras, laptop computers, canes, walkers,  
diaper bags, musical instruments and bags containing ''life-sustaining  
items.''
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">in the NYTimes today re: carryons<div><br></div><div><br></div><div><br></div><div>"<span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 15px; line-height: 22px; ">Transport Canada said Monday that passengers may only carry medical devices, small purses, cameras, laptop computers, canes, walkers, diaper bags, musical instruments and bags containing ''life-sustaining items.''</span></div></body></html>
--Apple-Mail-2-334648778--

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Date: Tue, 29 Dec 2009 17:19:20 +0100
Subject: UNITED NATIONS COMPENSATION
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UNITED NATIONS COMPENSATION
UNIT IN AFFILIATION WITH WORLD BANK
From:, Special Envoy to
Secretary-General Ban Ki-Moon
Contact FEDX Courier for delivery
E-MAIL: inf0.fedexcourierservice@ymail.com

Attention.

We have been having a meeting for the past 7 months which just ended 2
days ago with the secretary to the UNITED NATIONS. This email is to all
the people that have been victim in any part of the world, the UNITED
NATIONS IN Affiliation with WORLD BANK have agreed to compensate you with
the sum of US$1,950,000.00, for self support.This is regarding the draws
he organized before he left the office to help individuals to own a self
charity organization also for your to build your Personal
Company/organization so as to help the less privileged in there society.

This includes every foreign contractors that may have not received their
contract, inheritance sum, and people that have had an unfinished
transaction or international businesses that failed due to Government
problems and the World financial Crisis etc. We found your name in the
list of those who are to benefit from these compensation exercise and that
is why we are contacting you, this have been agreed upon and have been
signed You are advised to contact Mr Benson Mendes of FEDX Courier office
in Benin Republic, as he is our representative in Benin, contact him
immediately for your Cheque/ International Bank Draft of
USD$1,950,000..00.

This funds are in a Bank Draft for security purpose ok?, so he will send
it to you and you can clear it in any bank of your choice. Therefore, you
should send him your full Name... telephone number.... Postal Address...,
Pass Port or Driver's Licence... where you want him to send the Draft to
you. Contact Mr. Gary James immediately for your Cheque at the given
address below:

Comapny Name: FedEX Courier Company.
Contact Person: Gary James
E-MAIL: inf0.fedexcourierservice@ymail.com
PHONE:  +229-977-998-53

I apologize on behalf of my organization for any delay you might have
encountered in receiving your fund in the past. Thanks and God bless you
and your family. Hoping to hear from you as soon as you cash your Bank
Draft. Making the world a better place.

Regards,
Office of Secretary-
General Ban Ki-Moon.
Ms Joyce Hall Financial officer
United Nations..
http://www.unorg/sg

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Subject: Re: OT: The New Flight Security Rules, So Far [Air Travel]
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--001636e904c8caee2c047be23f0c
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Hooray!



On 12/29/09, Zoe Keating <info@zoekeating.com> wrote:
>
> in the NYTimes today re: carryons
>
>
>
>
>
>
> "Transport Canada said Monday that passengers may only carry medical
> devices, small purses, cameras, laptop computers, canes, walkers, diaper
> bags, musical instruments and bags containing ''life-sustaining items.''
>

--001636e904c8caee2c047be23f0c
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<div>Hooray!</div>
<div><br><br>=A0</div>
<div><span class=3D"gmail_quote">On 12/29/09, <b class=3D"gmail_sendername"=
>Zoe Keating</b> &lt;<a href=3D"mailto:info@zoekeating.com">info@zoekeating=
.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">in the NYTimes today re: carryons=20
<div><br>=A0</div>
<div><br>=A0</div>
<div><br>=A0</div>
<div>&quot;<span style=3D"FONT-SIZE: 15px; LINE-HEIGHT: 22px; FONT-FAMILY: =
Georgia, serif">Transport Canada said Monday that passengers may only carry=
 medical devices, small purses, cameras, laptop computers, canes, walkers, =
diaper bags, musical instruments and bags containing &#39;&#39;life-sustain=
ing items.&#39;&#39;</span></div>
</div></blockquote></div><br>

--001636e904c8caee2c047be23f0c--

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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OREGON LOOPERS - Next Steps / Misc.
Date: Tue, 29 Dec 2009 12:27:23 -0800
Importance: Normal
In-Reply-To: <7FD4AF7E-1175-4735-9CF5-02F34CE1C358@gmail.com>
References: <3fa302e30912191231q423d8a9bvc8927adca89a9d88@mail.gmail.com>
 <DC28D939-0ECC-4FF0-B2BF-954422A1F9AF@charter.net>
 <101191640912200612x4b244398mb9dfdc0874843179@mail.gmail.com>
 <84109051-B3AC-4AB6-94F7-2CE6A8460F6B@gmail.com>
 <82C436F7-B13C-430E-AD8B-AABBB25AB7A0@charter.net>
 <F7E29FA5-873F-4ECC-900E-9BBE525A5235@gmail.com>,<90C7EC0F-8991-402E-8D1C-4A0061C66ED4@charter.net>
 <SNT111-W34664F35F23273260DDE67CF7C0@phx.gbl>
 <CB7F54E3-99E8-4BA4-9179-21AFF14D222A@charter.net>
 <D8197DED-D857-403E-86C7-B34BD244679E@glasswing.com>
 <2235474A-C4D5-4D52-A9C5-C49CF015DBE6@ubergadget.com>
 <4B381E14.7020504@googlemail.com>
 <EC106BEB-D09E-44E3-9145-D8538D6BA1C2@ubergadget.com>,<7FD4AF7E-1175-4735-9CF5-02F34CE1C358@gmail.com>
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Content-Type: text/plain; charset="iso-8859-1"
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Let's go ahead and try to work this out ---I think we should for the sake o=
f our fellow loopers in other regions get this on FB or something.=20

If any/everyone wants to send me e-mails I'll arrange a FB setting and get =
us all together. I think a little roving show would be sweet. And=2C yes=2C=
 our northern brothers/sisters can join in. Maybe we could get Rick up here=
=2C too. I might be able to finance that if he'd join us.

J.D.Devros

deafrose58
=20
> From: thedarrow@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OREGON LOOPERS - Next Steps / Misc.
> Date: Mon=2C 28 Dec 2009 05:15:22 -0800
>=20
>=20
> Well all-righty then! Sounds like we have a party. Answering some=20
> points I remember from the last several posts:
>=20
> > Should take off list at some point.
> > Loopers from outside Oregon
>=20
> I'll make a "North West Loopers" yahoo group or gmail group or=20
> facebook or some such some time this week. Just email me off line if=20
> you have a preference. Can be used for gig spam too so we can see what=20
> we're all doing.
>=20
> > What are we waiting for?
>=20
> For myself=2C I'm waiting to get my skills back. I think I was first on=20
> this list in '96 too=2C actually=2C under soundcolor@yahoo.com . But like=
=20
> I said=2C I took a break and am putting the finishing touches a whole=20
> new way of working that=2C once I get to it=2C will be ultra cool. I can=
=20
> feel this beast will finally be tamed here pretty soon but then once=20
> the workflow really works I have to get my actual looping chops back.=20
> So=2C 2nd quarter of 2010 is my goal.
>=20
> However=2C I'd love to do a short=2C non complicated thing with just an=20
> iphone and my EDP before I sell it. I could do that on short notice.=20
> It would be surprisingly not bad musically and hilarious as a concept=20
> piece.
>=20
> > Day of week for show
>=20
> For a first run=2C perhaps a Thursday? Close enough to the weekend to=20
> matter but not on the weekend so as not to be blown out of the water=20
> by other going's on.
>=20
> > David Coffin (over on the Oregon coast) not sure he performs=20
> anymore -
> > concentrating mostly on visual art.
>=20
> I'd be interested to know what he's up to. I have live video as part=20
> of my deal too=2C ultimately... I either need a 2nd laptop or a new=20
> supped up Macbook pro to bring both out at once in a live setting.
>=20
> > We should hang out sometime=2C have a drink=2C play some pool=2C and ta=
lk=20
> gear/technique/music/etc.
>=20
> Oh=2C wait=2C that's not a quote. Okay=2C well then I'm saying it! I live=
 in=20
> the Alberta Arts district of Portland. 21st and Alberta. 503.327.9329=20
> and I'll see email sent to soundcolor@yahoo.com much faster---I miss=20
> things on this list email. Ping me sometime if you like and we'll kick=20
> it loop style. We'll kick it loop style. We'll kick it loop style.=20
> We'll kick it loop... We'll kick it... We'll kick... (woops...=20
> feedback pedal was up again.)
>=20
>=20
 		 	   		 =20
_________________________________________________________________
Hotmail: Powerful Free email with security by Microsoft.
http://clk.atdmt.com/GBL/go/171222986/direct/01/=

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<body class=3D'hmmessage'>
Let's go ahead and try to work this out ---I think we should for the sake o=
f our fellow loopers in other regions get this on FB or something. <BR>
If any/everyone wants to send me e-mails I'll arrange a FB setting and get =
us all together. I think a little roving show would be sweet. And=2C yes=2C=
 our northern brothers/sisters can join in. Maybe we could get Rick up here=
=2C too. I might be able to finance that if he'd join&nbsp=3Bus.<BR>
J.D.Devros<BR>
deafrose58<BR>&nbsp=3B<BR>&gt=3B From: thedarrow@gmail.com<BR>&gt=3B To: Lo=
opers-Delight@loopers-delight.com<BR>&gt=3B Subject: Re: OREGON LOOPERS - N=
ext Steps / Misc.<BR>&gt=3B Date: Mon=2C 28 Dec 2009 05:15:22 -0800<BR>&gt=
=3B <BR>&gt=3B <BR>&gt=3B Well all-righty then! Sounds like we have a party=
. Answering some <BR>&gt=3B points I remember from the last several posts:<=
BR>&gt=3B <BR>&gt=3B &gt=3B Should take off list at some point.<BR>&gt=3B &=
gt=3B Loopers from outside Oregon<BR>&gt=3B <BR>&gt=3B I'll make a "North W=
est Loopers" yahoo group or gmail group or <BR>&gt=3B facebook or some such=
 some time this week. Just email me off line if <BR>&gt=3B you have a prefe=
rence. Can be used for gig spam too so we can see what <BR>&gt=3B we're all=
 doing.<BR>&gt=3B <BR>&gt=3B &gt=3B What are we waiting for?<BR>&gt=3B <BR>=
&gt=3B For myself=2C I'm waiting to get my skills back. I think I was first=
 on <BR>&gt=3B this list in '96 too=2C actually=2C under soundcolor@yahoo.c=
om . But like <BR>&gt=3B I said=2C I took a break and am putting the finish=
ing touches a whole <BR>&gt=3B new way of working that=2C once I get to it=
=2C will be ultra cool. I can <BR>&gt=3B feel this beast will finally be ta=
med here pretty soon but then once <BR>&gt=3B the workflow really works I h=
ave to get my actual looping chops back. <BR>&gt=3B So=2C 2nd quarter of 20=
10 is my goal.<BR>&gt=3B <BR>&gt=3B However=2C I'd love to do a short=2C no=
n complicated thing with just an <BR>&gt=3B iphone and my EDP before I sell=
 it. I could do that on short notice. <BR>&gt=3B It would be surprisingly n=
ot bad musically and hilarious as a concept <BR>&gt=3B piece.<BR>&gt=3B <BR=
>&gt=3B &gt=3B Day of week for show<BR>&gt=3B <BR>&gt=3B For a first run=2C=
 perhaps a Thursday? Close enough to the weekend to <BR>&gt=3B matter but n=
ot on the weekend so as not to be blown out of the water <BR>&gt=3B by othe=
r going's on.<BR>&gt=3B <BR>&gt=3B &gt=3B David Coffin (over on the Oregon =
coast) not sure he performs <BR>&gt=3B anymore -<BR>&gt=3B &gt=3B concentra=
ting mostly on visual art.<BR>&gt=3B <BR>&gt=3B I'd be interested to know w=
hat he's up to. I have live video as part <BR>&gt=3B of my deal too=2C ulti=
mately... I either need a 2nd laptop or a new <BR>&gt=3B supped up Macbook =
pro to bring both out at once in a live setting.<BR>&gt=3B <BR>&gt=3B &gt=
=3B We should hang out sometime=2C have a drink=2C play some pool=2C and ta=
lk <BR>&gt=3B gear/technique/music/etc.<BR>&gt=3B <BR>&gt=3B Oh=2C wait=2C =
that's not a quote. Okay=2C well then I'm saying it! I live in <BR>&gt=3B t=
he Alberta Arts district of Portland. 21st and Alberta. 503.327.9329 <BR>&g=
t=3B and I'll see email sent to soundcolor@yahoo.com much faster---I miss <=
BR>&gt=3B things on this list email. Ping me sometime if you like and we'll=
 kick <BR>&gt=3B it loop style. We'll kick it loop style. We'll kick it loo=
p style. <BR>&gt=3B We'll kick it loop... We'll kick it... We'll kick... (w=
oops... <BR>&gt=3B feedback pedal was up again.)<BR>&gt=3B <BR>&gt=3B <BR> =
		 	   		  <br /><hr />Hotmail: Powerful Free email with security by Micros=
oft. <a href=3D'http://clk.atdmt.com/GBL/go/171222986/direct/01/' target=3D=
'_new'>Get it now.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Dec 29 20:40:43 2009
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From: Revfever <revfever@ubergadget.com>
Subject: Re: OREGON LOOPERS - Next Steps / Misc.
Date: Tue, 29 Dec 2009 12:40:37 -0800
To: Loopers-Delight@loopers-delight.com
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For whatever it may be worth, I have an older (but in great working  
condition) Subaru station wagon that I can offer if needed to go pick  
up / deliver any stuff that might be needed,
or pick up someone from out of town at the airport or train or bus  
station, and / or help to transport someone's gear if they are  
vehicle-less in Portland. I won't need to be reimbursed for any  
gasoline used.  My "treat". :-)

Cheers,
Rev. Fever
Portland,OR

On Dec 29, 2009, at 12:27 PM, Jeremy devros wrote:

> Let's go ahead and try to work this out ---I think we should for  
> the sake of our fellow loopers in other regions get this on FB or  
> something.
> If any/everyone wants to send me e-mails I'll arrange a FB setting  
> and get us all together. I think a little roving show would be  
> sweet. And, yes, our northern brothers/sisters can join in. Maybe  
> we could get Rick up here, too. I might be able to finance that if  
> he'd join us.
> J.D.Devros
> deafrose58
>
> > From: thedarrow@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: OREGON LOOPERS - Next Steps / Misc.
> > Date: Mon, 28 Dec 2009 05:15:22 -0800
> >
> >
> > Well all-righty then! Sounds like we have a party. Answering some
> > points I remember from the last several posts:
> >
> > > Should take off list at some point.
> > > Loopers from outside Oregon
> >
> > I'll make a "North West Loopers" yahoo group or gmail group or
> > facebook or some such some time this week. Just email me off line if
> > you have a preference. Can be used for gig spam too so we can see  
> what
> > we're all doing.
> >
> > > What are we waiting for?
> >
> > For myself, I'm waiting to get my skills back. I think I was  
> first on
> > this list in '96 too, actually, under soundcolor@yahoo.com . But  
> like
> > I said, I took a break and am putting the finishing touches a whole
> > new way of working that, once I get to it, will be ultra cool. I can
> > feel this beast will finally be tamed here pretty soon but then once
> > the workflow really works I have to get my actual looping chops  
> back.
> > So, 2nd quarter of 2010 is my goal.
> >
> > However, I'd love to do a short, non complicated thing with just an
> > iphone and my EDP before I sell it. I could do that on short notice.
> > It would be surprisingly not bad musically and hilarious as a  
> concept
> > piece.
> >
> > > Day of week for show
> >
> > For a first run, perhaps a Thursday? Close enough to the weekend to
> > matter but not on the weekend so as not to be blown out of the water
> > by other going's on.
> >
> > > David Coffin (over on the Oregon coast) not sure he performs
> > anymore -
> > > concentrating mostly on visual art.
> >
> > I'd be interested to know what he's up to. I have live video as part
> > of my deal too, ultimately... I either need a 2nd laptop or a new
> > supped up Macbook pro to bring both out at once in a live setting.
> >
> > > We should hang out sometime, have a drink, play some pool, and  
> talk
> > gear/technique/music/etc.
> >
> > Oh, wait, that's not a quote. Okay, well then I'm saying it! I  
> live in
> > the Alberta Arts district of Portland. 21st and Alberta.  
> 503.327.9329
> > and I'll see email sent to soundcolor@yahoo.com much faster---I miss
> > things on this list email. Ping me sometime if you like and we'll  
> kick
> > it loop style. We'll kick it loop style. We'll kick it loop style.
> > We'll kick it loop... We'll kick it... We'll kick... (woops...
> > feedback pedal was up again.)
> >
> >
>
> Hotmail: Powerful Free email with security by Microsoft. Get it now.


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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
For whatever it may be worth, I have an older (but in great working =
condition) Subaru station wagon that I can offer if needed to go pick up =
/ deliver any stuff that might be needed,&nbsp;<div>or pick up someone =
from out of town at the airport or train or bus station, and / or help =
to transport someone's gear if they are vehicle-less in Portland. I =
won't need to be reimbursed for any gasoline used. &nbsp;My "treat". =
:-)<div><br></div><div>Cheers,</div><div>Rev. =
Fever</div><div>Portland,OR<br><div><br></div><div><div><div><div>On Dec =
29, 2009, at 12:27 PM, Jeremy devros wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">Let's go ahead and try =
to work this out ---I think we should for the sake of our fellow loopers =
in other regions get this on FB or something.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>If any/everyone wants =
to send me e-mails I'll arrange a FB setting and get us all together. I =
think a little roving show would be sweet. And, yes, our northern =
brothers/sisters can join in. Maybe we could get Rick up here, too. I =
might be able to finance that if he'd =
join&nbsp;us.<br>J.D.Devros<br>deafrose58<br>&nbsp;<br>&gt; From: <a =
href=3D"mailto:thedarrow@gmail.com">thedarrow@gmail.com</a><br>&gt; To: =
<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt; Subject: Re: OREGON LOOPERS - Next Steps / =
Misc.<br>&gt; Date: Mon, 28 Dec 2009 05:15:22 -0800<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Well all-righty =
then! Sounds like we have a party. Answering some<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; points I remember =
from the last several posts:<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; &gt; Should take =
off list at some point.<br>&gt; &gt; Loopers from outside =
Oregon<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
I'll make a "North West Loopers" yahoo group or gmail group or<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; facebook or some =
such some time this week. Just email me off line if<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; you have a =
preference. Can be used for gig spam too so we can see what<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; we're all =
doing.<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
&gt; What are we waiting for?<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; For myself, I'm =
waiting to get my skills back. I think I was first on<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; this list in '96 =
too, actually, under <a =
href=3D"mailto:soundcolor@yahoo.com">soundcolor@yahoo.com</a> . But =
like<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; I said, =
I took a break and am putting the finishing touches a whole<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; new way of working =
that, once I get to it, will be ultra cool. I can<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; feel this beast =
will finally be tamed here pretty soon but then once<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; the workflow =
really works I have to get my actual looping chops back.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; So, 2nd quarter of =
2010 is my goal.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; However, I'd love =
to do a short, non complicated thing with just an<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; iphone and my EDP =
before I sell it. I could do that on short notice.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; It would be =
surprisingly not bad musically and hilarious as a concept<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
piece.<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
&gt; Day of week for show<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; For a first run, =
perhaps a Thursday? Close enough to the weekend to<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; matter but not on =
the weekend so as not to be blown out of the water<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; by other going's =
on.<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
&gt; David Coffin (over on the Oregon coast) not sure he performs<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; anymore -<br>&gt; =
&gt; concentrating mostly on visual art.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; I'd be interested =
to know what he's up to. I have live video as part<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; of my deal too, =
ultimately... I either need a 2nd laptop or a new<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; supped up Macbook =
pro to bring both out at once in a live setting.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; &gt; We should =
hang out sometime, have a drink, play some pool, and talk<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
gear/technique/music/etc.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Oh, wait, that's =
not a quote. Okay, well then I'm saying it! I live in<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; the Alberta Arts =
district of Portland. 21st and Alberta. 503.327.9329<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; and I'll see email =
sent to <a href=3D"mailto:soundcolor@yahoo.com">soundcolor@yahoo.com</a> =
much faster---I miss<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; things on this =
list email. Ping me sometime if you like and we'll kick<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; it loop style. =
We'll kick it loop style. We'll kick it loop style.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; We'll kick it =
loop... We'll kick it... We'll kick... (woops...<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; feedback pedal was =
up again.)<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><hr>Hotmail: =
Powerful Free email with security by Microsoft.<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://clk.atdmt.com/GBL/go/171222986/direct/01/" =
target=3D"_new">Get it =
now.</a></span></span></blockquote></div><br></div></div></div></div></bod=
y></html>=

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From: Myke Atkinson <mykeatkinson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: EHX 2880 Users: Software Upgrade 2.0
Date: Tue, 29 Dec 2009 19:59:47 -0700
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Hello loopers using Electro Harmonix's 2880!

I've been thinking a lot about possible upgrades to the 2880's internal sof=
tware to propose to EHX for a version 2.0=2C and I'm hoping to get some inp=
ut from other 2880 users out there to make sure this update is primo. I've =
started some threads on the EHX forums here: http://www.ehx.com/forums/view=
forum/7/

If you could spare a couple minutes of your time=2C and a couple of your id=
eas=2C that would be super appreciated.

Thanks!

-Myke
 		 	   		 =20
_________________________________________________________________
Windows Live: Make it easier for your friends to see what you=92re up to on=
 Facebook.
http://go.microsoft.com/?linkid=3D9691816=

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Hello loopers using Electro Harmonix's 2880!<br><br>I've been thinking a lo=
t about possible upgrades to the 2880's internal software to propose to EHX=
 for a version 2.0=2C and I'm hoping to get some input from other 2880 user=
s out there to make sure this update is primo. I've started some threads on=
 the EHX forums here: http://www.ehx.com/forums/viewforum/7/<br><br>If you =
could spare a couple minutes of your time=2C and a couple of your ideas=2C =
that would be super appreciated.<br><br>Thanks!<br><br>-Myke<br> 		 	   		 =
 <br /><hr />Windows Live: Make it easier for your friends to see  <a href=
=3D'http://go.microsoft.com/?linkid=3D9691811' target=3D'_new'>what you=92r=
e up to on Facebook.</a></body>
</html>=

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To: <Loopers-Delight@loopers-delight.com>
References: <BAY138-W130B35F38EAAAE12B2FD4EDE790@phx.gbl>
Subject: Re: EHX 2880 Users: Software Upgrade 2.0
Date: Tue, 29 Dec 2009 23:03:41 -0500
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Hi Myke,

I read your posts on the forum and have to say you nailed it for me on =
some of them. The main changes I would love to see are for more =
individual control of tracks. Mute, Reverse, Octave ( I like the idea of =
up or down), the ability to set loop length independently, and my most =
desired feature: feedback control over all tracks even when not =
recording on them or even when they are muted.=20

I would also like to be able to tap in new loop length at least when in =
overdub mode. The DD 20 does this but it is a delay not a phrase sampler =
or at least I only use it in delay mode. I don't want to stir up =
problems with the definition of a phrase sampler vs delay :(

One other thing is that reverse on the 2880 just doesn't sound as good =
as the reverse on the old 16 sec delay to me...I don't know why that is. =
might be just me although others have mentioned it I believe.

Really I never use punch in or would probably not use undo. I have no =
need of midi sync and I always play with it un-quantized in an attempt =
to make it seem more "delay" like rather than phrase sampler like. One =
other thing I wish I could change on it is when ending the recording of =
a loop with pressing New Loop, it always switches to the next two =
tracks, I play in stereo mostly. This is a slight problem because I =
don't use the others much because of the feedback issue. I play more of =
an evolving, everchanging sort of delay loop thing so I need to be =
having loops fading as I add more. With your proposed features I could =
really expand my use of it. Right now I use a Boss DD 20 right before =
the 2880 and just deal with the limitations in both units. They are both =
really close to what I want in many ways.

If you need me to sign a petition you have my vote!
=20
BTW, it seems some of these feature are availiable via midi although I =
have never tried it. Have you read the info in the software upgrade 1.5?
If you haven't I will send it to you off list.


best,

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke



  ----- Original Message -----=20
  From: Myke Atkinson=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Tuesday, December 29, 2009 9:59 PM
  Subject: EHX 2880 Users: Software Upgrade 2.0


  Hello loopers using Electro Harmonix's 2880!

  I've been thinking a lot about possible upgrades to the 2880's =
internal software to propose to EHX for a version 2.0, and I'm hoping to =
get some input from other 2880 users out there to make sure this update =
is primo. I've started some threads on the EHX forums here: =
http://www.ehx.com/forums/viewforum/7/

  If you could spare a couple minutes of your time, and a couple of your =
ideas, that would be super appreciated.

  Thanks!

  -Myke


-------------------------------------------------------------------------=
-----
  Windows Live: Make it easier for your friends to see what you=92re up =
to on Facebook. 
------=_NextPart_000_002B_01CA88DB.29E10AB0
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<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi Myke,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I read your posts on the forum and have to say =
you nailed=20
it for me on some of them. The main changes&nbsp;I would love to see are =
for=20
more individual control of tracks. Mute, Reverse, Octave ( I like the =
idea of up=20
or down), the ability to set loop length independently, and my most =
desired=20
feature: feedback control over all tracks even when not recording on =
them or=20
even when they are muted. </FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I would also like to be able to tap in new loop =
length at=20
least when in overdub mode. The DD 20 does this but it is a delay not a =
phrase=20
sampler or at least I only use it in delay mode.&nbsp;I don't want to =
stir up=20
problems with the definition of a phrase sampler vs delay =
:(</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>One other thing is that reverse on the =
2880&nbsp;just=20
doesn't sound as good as the reverse on the old 16 sec delay to me...I =
don't=20
know why that is. might be just me although others have mentioned =
it&nbsp;I=20
believe.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Really I never use punch in or would probably =
not use=20
undo. I have no need of midi sync and I always play with it un-quantized =
in an=20
attempt to make it seem more "delay" like rather than phrase sampler =
like. One=20
other thing&nbsp;I wish I could change on it is when ending the =
recording of a=20
loop with pressing New Loop, it always switches to the next two tracks, =
I play=20
in stereo mostly. This is a slight problem because I don't use the =
others much=20
because of the feedback issue. I play more of an evolving, everchanging =
sort of=20
delay loop thing so I need to be having loops fading as I add more. With =
your=20
proposed features&nbsp;I could really expand my use of it. Right now I =
use a=20
Boss DD 20 right before the 2880 and just deal with the limitations in =
both=20
units. They are both really close to what I want in many =
ways.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>If you need me to sign a petition you have my=20
vote!</FONT></DIV>
<DIV><FONT face=3DArial>&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial>BTW, it seems some of these feature are =
availiable via=20
midi although&nbsp;I have never tried it. Have you read the info in the =
software=20
upgrade 1.5?</FONT></DIV>
<DIV><FONT face=3DArial>If you haven't I will send it to you off=20
list.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>best,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Jeff</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
/FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmykeatkinson@hotmail.com =
href=3D"mailto:mykeatkinson@hotmail.com">Myke=20
  Atkinson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 29, =
2009 9:59=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EHX 2880 Users: =
Software Upgrade=20
  2.0</DIV>
  <DIV><BR></DIV>Hello loopers using Electro Harmonix's =
2880!<BR><BR>I've been=20
  thinking a lot about possible upgrades to the 2880's internal software =
to=20
  propose to EHX for a version 2.0, and I'm hoping to get some input =
from other=20
  2880 users out there to make sure this update is primo. I've started =
some=20
  threads on the EHX forums here: <A=20
  =
href=3D"http://www.ehx.com/forums/viewforum/7/">http://www.ehx.com/forums=
/viewforum/7/</A><BR><BR>If=20
  you could spare a couple minutes of your time, and a couple of your =
ideas,=20
  that would be super appreciated.<BR><BR>Thanks!<BR><BR>-Myke<BR><BR>
  <HR>
  Windows Live: Make it easier for your friends to see <A=20
  href=3D"http://go.microsoft.com/?linkid=3D9691811" target=3D_new>what =
you=92re up to=20
  on Facebook.</A> </BLOCKQUOTE></BODY></HTML>

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Date: Tue, 29 Dec 2009 20:40:49 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: videos and music and music sales
To: Loopers-Delight@loopers-delight.com
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I have a theory I'd like to run by the readers of this list.=A0 In a nutshe=
ll it goes like this, =0A=0A"...people can handle more challenging music if=
 it's accompanied by a cool video."=0A>=A0=0ADo you agree?=A0 Have any of y=
ou added video to your looping music and discovered it helped increase sale=
s?=0A=0AKind regards,=0A=0AUNDO=0Ahttp://www.myspace.com/undomusic =0A=0A=
=0A      
--0-626480675-1262148049=:47996
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>I have a theory I'd like to run by the readers of this list.&nbsp=
; In a nutshell it goes like this, </DIV>=0A<DIV>&nbsp;</DIV>=0A<BLOCKQUOTE=
 style=3D"MARGIN-RIGHT: 0px" dir=3Dltr>=0A<DIV><EM><STRONG>"...people can h=
andle more challenging music if it's accompanied by a cool video."</STRONG>=
</EM></DIV>=0A<DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV></BLOCKQUOTE>=0A<D=
IV dir=3Dltr>Do you agree?&nbsp; Have any of you added video to your loopin=
g music and discovered it helped increase sales?</DIV>=0A<DIV dir=3Dltr>&nb=
sp;</DIV>=0A<DIV dir=3Dltr>Kind regards,</DIV>=0A<DIV dir=3Dltr>&nbsp;</DIV=
>=0A<DIV dir=3Dltr>UNDO</DIV>=0A<DIV dir=3Dltr><A href=3D"http://www.myspac=
e.com/undomusic">http://www.myspace.com/undomusic</A> </DIV>=0A<DIV dir=3Dl=
tr><STRONG><EM></EM></STRONG>&nbsp;</DIV><!-- cg21.c2.mail.re1.yahoo.com co=
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Date: Tue, 29 Dec 2009 20:52:01 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: videos and music and music sales
To: Loopers-Delight@loopers-delight.com
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I have some strong thoughts on this because whenever I play there is always the pressure to carry the work with visuals. But often, I fear this results in fluff and is sometimes distracting from the sound experience. For me, adding visuals takes away from the imaginative experience that can come from sound. Visuals dictate what a listener takes in and they might have another interpretation if they are allowed to let their minds wander.

 Margaret Noble - Sound Artist
Artist Website - http://margaretnoble.net
Sound is Art Magazine - http://margaretnoble.net/soundisart
Upcoming Concert Series - http://freshsoundmusic.com
New Record Label - http://femrecords.com/





________________________________
From: david kirkdorffer <unstrungone@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 29, 2009 8:40:49 PM
Subject: videos and music and music sales


I have a theory I'd like to run by the readers of this list.  In a nutshell it goes like this, 
 
"...people can handle more challenging music if it's accompanied by a cool video."
> 
Do you agree?  Have any of you added video to your looping music and discovered it helped increase sales?
 
Kind regards,
 
UNDO
http://www.myspace.com/undomusic 


      
--0-646778551-1262148721=:7852
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">I have some strong thoughts on this because whenever I play there is always the pressure to carry the work with visuals. But often, I fear this results in fluff and is sometimes distracting from the sound experience. For me, adding visuals takes away from the imaginative experience that can come from sound. Visuals dictate what a listener takes in and they might have another interpretation if they are allowed to let their minds wander.<br><div>&nbsp;</div><span style="font-family: arial,helvetica,sans-serif; font-weight: bold; color: rgb(67, 67, 67);">Margaret Noble - Sound Artist</span><br style="font-family: arial,helvetica,sans-serif;"><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span>Artist Website - <a target="_blank"
 href="http://margaretnoble.net">http://margaretnoble.net</a></span></span><br style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span>Sound is Art Magazine - <a target="_blank" href="http://margaretnoble.net/soundisart">http://margaretnoble.net/soundisart</a></span></span><br style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span>Upcoming Concert Series - <a target="_blank" href="http://freshsoundmusic.com">http://freshsoundmusic.com</a></span></span><br style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span style="font-family: arial,helvetica,sans-serif; color: rgb(91, 91, 91);"><span>New Record Label - <a target="_blank" href="http://femrecords.com/">http://femrecords.com/</a></span></span><br><div><br></div><div
 style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> david kirkdorffer &lt;unstrungone@yahoo.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 29, 2009 8:40:49 PM<br><b><span style="font-weight: bold;">Subject:</span></b> videos and music and music sales<br></font><br>
<div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div>I have a theory I'd like to run by the readers of this list.&nbsp; In a nutshell it goes like this, </div>
<div>&nbsp;</div>
<blockquote style="margin-right: 0px;" dir="ltr">
<div><em><strong>"...people can handle more challenging music if it's accompanied by a cool video."</strong></em></div>
<div><strong><em></em></strong>&nbsp;</div></blockquote>
<div dir="ltr">Do you agree?&nbsp; Have any of you added video to your looping music and discovered it helped increase sales?</div>
<div dir="ltr">&nbsp;</div>
<div dir="ltr">Kind regards,</div>
<div dir="ltr">&nbsp;</div>
<div dir="ltr">UNDO</div>
<div dir="ltr"><span><a target="_blank" href="http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</a> </span></div>
<div dir="ltr"><strong><em></em></strong>&nbsp;</div></div><br>



      </div></div>
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 04:59:06 2009
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Subject: Re: videos and music and music sales
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People can handle more challenging music if there are words draped across it.

t
  ----- Original Message ----- 
  From: david kirkdorffer 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, December 29, 2009 8:40 PM
  Subject: videos and music and music sales


  I have a theory I'd like to run by the readers of this list.  In a nutshell it goes like this, 

    "...people can handle more challenging music if it's accompanied by a cool video."

  Do you agree?  Have any of you added video to your looping music and discovered it helped increase sales?

  Kind regards,

  UNDO
  http://www.myspace.com/undomusic 



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<DIV><FONT size=2 face=Arial>People can handle more challenging music if there 
are words draped across it.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=unstrungone@yahoo.com href="mailto:unstrungone@yahoo.com">david 
  kirkdorffer</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, December 29, 2009 8:40 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> videos and music and music 
  sales</DIV>
  <DIV><BR></DIV>
  <DIV style="FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 10pt">
  <DIV>I have a theory I'd like to run by the readers of this list.&nbsp; In a 
  nutshell it goes like this, </DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE style="MARGIN-RIGHT: 0px" dir=ltr>
    <DIV><EM><STRONG>"...people can handle more challenging music if it's 
    accompanied by a cool video."</STRONG></EM></DIV>
    <DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV></BLOCKQUOTE>
  <DIV dir=ltr>Do you agree?&nbsp; Have any of you added video to your looping 
  music and discovered it helped increase sales?</DIV>
  <DIV dir=ltr>&nbsp;</DIV>
  <DIV dir=ltr>Kind regards,</DIV>
  <DIV dir=ltr>&nbsp;</DIV>
  <DIV dir=ltr>UNDO</DIV>
  <DIV dir=ltr><A 
  href="http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</A> 
  </DIV>
  <DIV dir=ltr><STRONG><EM></EM></STRONG>&nbsp;</DIV><!-- cg21.c2.mail.re1.yahoo.com compressed/chunked Tue Dec 29 20:36:44 PST 2009 --></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 05:01:35 2009
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Date: Tue, 29 Dec 2009 21:01:32 -0800
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Can't say much about sales, but Philip Glass comes to mind, and&nbsp; the
movie <i>Koyaanisqatsi</i>. Without the visuals, it's almost not the
same music.<br>
<i><br>
<br>
</i>david kirkdorffer wrote:
<blockquote cite="mid:565035.47996.qm@web55203.mail.re4.yahoo.com"
 type="cite">
  <meta http-equiv="Context-Type"
 content="text/html; charset=iso-8859-1">
  <div>
  <div>I have a theory I'd like to run by the readers of this list.&nbsp; In
a nutshell it goes like this, </div>
  <div>&nbsp;</div>
  <blockquote>
    <div><em><strong>"...people can handle more challenging music if
it's accompanied by a cool video."</strong></em></div>
    <div><strong><em></em></strong>&nbsp;</div>
  </blockquote>
  <div>Do you agree?&nbsp; Have any of you added video to your looping music
and discovered it helped increase sales?</div>
  <div>&nbsp;</div>
  <div>Kind regards,</div>
  <div>&nbsp;</div>
  <div>UNDO</div>
  <div><a moz-do-not-send="true" href="http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</a>
  </div>
  <div><strong><em></em></strong>&nbsp;</div>
  </div>
  <br>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 05:04:01 2009
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Here's the deal:  People will continue to pay attention if there is a video running.

t
  ----- Original Message ----- 
  From: CM 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, December 29, 2009 9:01 PM
  Subject: Re: videos and music and music sales


  Can't say much about sales, but Philip Glass comes to mind, and  the movie Koyaanisqatsi. Without the visuals, it's almost not the same music.


  david kirkdorffer wrote: 
    I have a theory I'd like to run by the readers of this list.  In a nutshell it goes like this, 

      "...people can handle more challenging music if it's accompanied by a cool video."

    Do you agree?  Have any of you added video to your looping music and discovered it helped increase sales?

    Kind regards,

    UNDO
    http://www.myspace.com/undomusic 





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<STYLE></STYLE>
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<BODY bgColor=#ffffff text=#000000>
<DIV><FONT size=2 face=Arial>Here's the deal:&nbsp; People will continue to pay 
attention if there is a video running.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=listmail@asyouthink.com href="mailto:listmail@asyouthink.com">CM</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, December 29, 2009 9:01 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: videos and music and music 
  sales</DIV>
  <DIV><BR></DIV>Can't say much about sales, but Philip Glass comes to mind, 
  and&nbsp; the movie <I>Koyaanisqatsi</I>. Without the visuals, it's almost not 
  the same music.<BR><I><BR><BR></I>david kirkdorffer wrote: 
  <BLOCKQUOTE cite=mid:565035.47996.qm@web55203.mail.re4.yahoo.com 
    type="cite"><META content="text/html; charset=iso-8859-1" 
    http-equiv=Context-Type>
    <DIV>
    <DIV>I have a theory I'd like to run by the readers of this list.&nbsp; In a 
    nutshell it goes like this, </DIV>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE>
      <DIV><EM><STRONG>"...people can handle more challenging music if it's 
      accompanied by a cool video."</STRONG></EM></DIV>
      <DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV></BLOCKQUOTE>
    <DIV>Do you agree?&nbsp; Have any of you added video to your looping music 
    and discovered it helped increase sales?</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Kind regards,</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>UNDO</DIV>
    <DIV><A href="http://www.myspace.com/undomusic" 
    moz-do-not-send="true">http://www.myspace.com/undomusic</A> </DIV>
    <DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV></DIV><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_0sK4aJoHRpxkSDGQo0XNqw)--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 05:31:33 2009
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To: <loopers-delight@loopers-delight.com>
Subject: RE: videos and music and music sales
Date: Tue, 29 Dec 2009 23:31:31 -0600
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ive been going through the same struggle lately



>I have some strong thoughts on this because whenever I play there is alway=
s the pressure to carry the work with visuals. But often=2C I fear this res=
ults in fluff and is sometimes >distracting from the sound experience. For =
me=2C adding visuals takes away from the imaginative experience that can co=
me from sound. Visuals dictate what a listener takes in >and they might hav=
e another interpretation if they are allowed to let their minds wander.
=20
this is exactly how i feel about the matter - could not have put it any bet=
ter -
yet=2C i still struggle with the fact that without a video of the performan=
ce=2C fewer people would truly understand it- but that's a personal struggl=
e ill deal with as long as i am a looper.....or even a musician for that ma=
tter.

but at the end of the day=2C you can always do both-

cheers!
fro
 		 	   		 =20
_________________________________________________________________
Hotmail: Trusted email with powerful SPAM protection.
http://clk.atdmt.com/GBL/go/177141665/direct/01/=

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<font style=3D"font-size: 12pt=3B" size=3D"3">ive been going through the sa=
me struggle lately</font><br><br>

<style>
.ExternalClass DIV
{=3B}
</style><div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-s=
ize: 10pt=3B">&gt=3BI have some strong thoughts on this because whenever I =
play there is always the pressure to carry the work with visuals. But often=
=2C I fear this results in fluff and is sometimes &gt=3Bdistracting from th=
e sound experience. For me=2C adding visuals takes away from the imaginativ=
e experience that can come from sound. Visuals dictate what a listener take=
s in &gt=3Band they might have another interpretation if they are allowed t=
o let their minds wander.<br><div><font style=3D"font-size: 10pt=3B" size=
=3D"2">&nbsp=3B</font><font style=3D"font-size: 10pt=3B" size=3D"2"><br></f=
ont><font style=3D"font-size: 12pt=3B" size=3D"3">this is exactly how i fee=
l about the matter - could not have put it any better </font><font style=3D=
"font-size: 12pt=3B" size=3D"3">-<br>yet=2C i still struggle with the fact =
that without a video of the performance=2C fewer people would truly underst=
and it- but that's a personal struggle ill deal with as long as i am a loop=
er.....or even a musician for that matter.<br></font><font style=3D"font-si=
ze: 12pt=3B" size=3D"3"><br></font><font style=3D"font-size: 12pt=3B" size=
=3D"3">but at the end of the day=2C you can always do both</font>-<br><br><=
font style=3D"font-size: 12pt=3B" size=3D"3">cheers!</font><font style=3D"f=
ont-size: 12pt=3B" size=3D"3"><br></font><font style=3D"font-size: 12pt=3B"=
 size=3D"3">fro</font><br></div></div> 		 	   		  <br /><hr />Hotmail: Trus=
ted email with powerful SPAM protection. <a href=3D'http://clk.atdmt.com/GB=
L/go/177141665/direct/01/' target=3D'_new'>Sign up now.</a></body>
</html>=

--_fb77e04e-7c64-4487-90d0-a61979d501a5_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 09:34:47 2009
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Date: Wed, 30 Dec 2009 01:34:45 -0800
Message-ID: <c70e517b0912300134g35e1d1fak24e9400abdd3195e@mail.gmail.com>
Subject: Re: videos and music and music sales
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't think there's any single concrete element one can add to any
type of music to make people accept it more. By concrete elements, I'm
talking about things like video, audience participation, unusual
instruments, cowbell, synth washes, drum machines, etc.

Video in particular is often a distraction from the music, except in
cases where the two were purposefully created together as a single
work.

My theory for musical success in any genre (myself being a relatively
unsuccessful musician) goes something like this:
--Develop a unique and clear musical persona.
--Think about which elements of your performance highlight your
musical persona, and which elements detract from it.
--Consider that you have an audience, or at least a potential
audience. When you play in public or create an album, it should be for
your audience, rather than for yourself.
--The audience wants to hear you, as you can best represent yourself.
They don't necessarily want you to play things they've heard before or
would expect from other musicians.
--Lastly, dumb luck. The people who have the most success in any kind
of music not only follow the above 3 steps, but their musical personas
happen to be something that a lot of people want to listen to.


And if you make "challenging" music, never describe it to people that
way. Telling people, "Hey, let's listen to some challenging music" is
like saying "Hey, let's do some calculus for fun!" You may get some
takers, but they'll be the musical equivalent of math nerds. (And
about as common as math nerds.) There are lots of people who liked
Frank Zappa, Philip Glass, John Cage, John Zorn, Einsturzende
Neubauten, The Residents, Nurse With Wound, etc long before they found
out the music was supposed to be "challenging".

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 09:53:52 2009
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Oh come on.. whats all this bollocks about visuals taking away from the
music.. What it does is takes the focus away from some slightly podgy
balding muso twiddling knobs and staring at a laptop, cos it fits thankfull=
y
in a genre where one isnt expected to leap about and go "Hello Cleveland!"

Lets face it, our music is pretty challenging, but we LOOK fucking boring!!
If you are so serious a musician that you are worried that people won=B4t
listen to your poly-rhythms quite right or hear your subtle overtones or
contemplate the spiralling-morphic nature of the series of ever-intertwinin=
g
sound tones.. then you shouldnt be playing live at all...

Of course visuals add something to the music, but the same can be said of
Lights, dancing, beer, or a bad PA.

Myself, I have done shows where the visuals were MADE by the music, Ive don=
e
shows where the singer was on video (My 80s bands technique actually,
drum-machine left audio and singer right audio and video) Ive played along
to old Black and White films, and my own films and Ive played films
backwards...

Unfortunately I cant seem to do much about fat tummy, the grey hair and I
think my stage diving days at the end of the set days are sadly over...

mark..

--00504502c45c9e719c047bef1d7a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>Oh come on.. whats all this bollocks about visuals taking away from the=
 music.. What it does is takes the focus away from some slightly podgy bald=
ing muso twiddling knobs and staring at a laptop, cos it fits thankfully in=
 a genre where one isnt expected to leap about and go &quot;Hello Cleveland=
!&quot; <br>

<br>Lets face it, our music is pretty challenging, but we LOOK fucking bori=
ng!! <br>If you are so serious a musician that you are worried that people =
won=B4t listen to your poly-rhythms quite right or hear your subtle overton=
es or contemplate the spiralling-morphic nature of the series of ever-inter=
twining sound tones.. then you shouldnt be playing live at all...<br>

<br>Of course visuals add something to the music, but the same can be said =
of Lights, dancing, beer, or a bad PA. <br><br>Myself, I have done shows wh=
ere the visuals were MADE by the music, Ive done shows where the singer was=
 on video (My 80s bands technique actually, drum-machine left audio and sin=
ger right audio and video) Ive played along to old Black and White films, a=
nd my own films and Ive played films backwards... <br>

<br>Unfortunately I cant seem to do much about fat tummy, the grey hair and=
 I think my stage diving days at the end of the set days are sadly over...<=
br><br>mark..<br><br><br>

--00504502c45c9e719c047bef1d7a--

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Subject: Re: videos and music and music sales
Date: Wed, 30 Dec 2009 11:01:16 +0100
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"...people can handle more challenging music if it's accompanied by a =
cool video."
I agree to this statement. To be honest: It can be real boring to see =
one guy (when it=B4s looping-music it=B4s usual that it=B4s only one =
person) sitting on a chair making sounds for one hour or more. Unless =
you are a good performer. Then it can work without videos.
With adding visuals it=B4s more a multi media event that can be =
thrilling.
Especially in case of instrumental loop music it can be a big chance to =
work together with  visuals.
By the way, check out my new short 1.30 minute-video with a soundtrack =
of my new album "Klangwellen 1"
www.myspace.com/christojota

  ----- Original Message -----=20
  From: david kirkdorffer=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, December 30, 2009 5:40 AM
  Subject: videos and music and music sales


  I have a theory I'd like to run by the readers of this list.  In a =
nutshell it goes like this,=20

    "...people can handle more challenging music if it's accompanied by =
a cool video."

  Do you agree?  Have any of you added video to your looping music and =
discovered it helped increase sales?

  Kind regards,

  UNDO
  http://www.myspace.com/undomusic=20



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<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<STYLE type=3Dtext/css>DIV {
	MARGIN: 0px
}
</STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18854"></HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV>"...people can handle more challenging music if it's accompanied by =
a cool=20
video."</DIV>
<DIV>I agree to this statement. To be honest: It can be real boring to =
see one=20
guy (when it=B4s looping-music it=B4s usual that it=B4s only one person) =
sitting on a=20
chair making sounds for one hour or more. Unless you are a good =
performer. Then=20
it can work without videos.</DIV>
<DIV>With adding visuals it=B4s more a multi media event that can be=20
thrilling.</DIV>
<DIV>Especially in case of&nbsp;instrumental loop music it can be a big =
chance=20
to work together with&nbsp; visuals.</DIV>
<DIV>By the way, check out my new short <STRONG>1.30 minute-video with a =

soundtrack of my new album "Klangwellen 1"</STRONG></DIV>
<DIV><A=20
href=3D"http://www.myspace.com/christojota">www.myspace.com/christojota</=
A></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dunstrungone@yahoo.com =
href=3D"mailto:unstrungone@yahoo.com">david=20
  kirkdorffer</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 30, =
2009 5:40=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> videos and music and =
music=20
  sales</DIV>
  <DIV><BR></DIV>
  <DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
10pt">
  <DIV>I have a theory I'd like to run by the readers of this =
list.&nbsp; In a=20
  nutshell it goes like this, </DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px" dir=3Dltr>
    <DIV><EM><STRONG>"...people can handle more challenging music if =
it's=20
    accompanied by a cool video."</STRONG></EM></DIV>
    <DIV><STRONG><EM></EM></STRONG>&nbsp;</DIV></BLOCKQUOTE>
  <DIV dir=3Dltr>Do you agree?&nbsp; Have any of you added video to your =
looping=20
  music and discovered it helped increase sales?</DIV>
  <DIV dir=3Dltr>&nbsp;</DIV>
  <DIV dir=3Dltr>Kind regards,</DIV>
  <DIV dir=3Dltr>&nbsp;</DIV>
  <DIV dir=3Dltr>UNDO</DIV>
  <DIV dir=3Dltr><A=20
  =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A>=20
  </DIV>
  <DIV dir=3Dltr><STRONG><EM></EM></STRONG>&nbsp;</DIV><!-- =
cg21.c2.mail.re1.yahoo.com compressed/chunked Tue Dec 29 20:36:44 PST =
2009 --></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00E7_01CA893F.68E19680--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 11:29:21 2009
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From: paul <phaslem@wightman.ca>
Subject: Re: videos and music and music sales
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I've never worked with video, but I sometimes do story telling as a 
way of setting the stage for people.

I've spent many years thinking about this in all sorts of different 
settings and my conclusion is this. People have never been taught to 
listen to instrumental music. If it doesn't have words or images or 
some other key to tell them exactly what to envision; they are lost 
because few people have any imagination of their own. I was with an 
artist friend not to long ago at a gallery opening and was astonished 
to hear some woman ask the artist, "what am I supposed to see here, 
what do you want me to feel?"

I tend to think that as more and more schools have dropped the arts 
from their curriculums we see more and more people that just don't 
understand, or worse are totally bewildered by the arts.

Paul Haslem
www.dulcify.ca
Ontario, Canada




At 11:52 PM 12/29/2009, you wrote:
>I have some strong thoughts on this because whenever I play there is 
>always the pressure to carry the work with visuals. But often, I 
>fear this results in fluff and is sometimes distracting from the 
>sound experience. For me, adding visuals takes away from the 
>imaginative experience that can come from sound. Visuals dictate 
>what a listener takes in and they might have another interpretation 
>if they are allowed to let their minds wander.
>

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Subject: Re: videos and music and music sales
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In advance I have to say that, I suppose there are a large variety of 
approaches to Content and Performance, and assume in advance that this is 
one zone in which we will tend to not agree with each other.  Exchange of 
ideas continues to change ourselves nonetheless...

One bit of memory knocked loose by this discussion: When rock acts started 
dressing up, and then went beyond that to light shows, video backdrops, 
auxiliary performers running round the audience like circus clowns, etc - at 
least in the 70s I recall that many of the pundits of the time derided such 
visual enhancements, often pointing to same as some kind of 'evidence' that 
the music itself must be lacking somehow, or otherwise below some arbitrary 
line dividing Art from Crap.  I have the feeling that such faux hierarchical 
discrimination has been going on as long as there have been Art, and Art 
Pundits ("Too many notes" comes to mind).

I am sure that there are acts that nearly require a light show due to the 
relative paucity of musical content, just as I am sure that there are acts 
that present themselves as a complete package of audio and video 
production/performance.  I started using the good old Psychedelic Screen 
Saver as a visual enhancement waaay back in 1996, when playing houses in the 
LA area, because it reacted to the sound I was making in a manner I could 
control.  I suppose if some enterprising soul had come forward to offer to 
make interactive video effects or an otherwise-termed light show, it would 
have been easier to implement; but I wouldn't have wanted the video to be 
more important than the music, while not wanting the video to appear 
piddlingly simple or something less than I thought it should be.  I have 
never had anyone tell me that I should use a certain number of brushes, pens 
or pencils when producing visual art, and so how different (if not invalid) 
is it to try to do the same to music or music-video, or multimedia etc.?

I find the current situation with video streaming to be exciting, as the 
natural, not-by-design constraints of the medium are still a major factor; 
working with them brings out the creative in us, and leads to all sorts of 
outgrowth and innovations.  Me, I would just like a webcam edit-patch that 
overlays a pre-existing video with a degree of transparency (to distinguish 
from the already-available 'green screen' type methods used well for 
instance by Jeff Duke.  One effect I hadn't planned on is that, having 
scheduled a daily show from 5-6pm gmt, a complete, undisturbed block of time 
now exists here into which even a phone call doesn't intrude.  In the 
absence of a proper working studio and during the Christmas holidays, it has 
been an unplanned-for and nice surprise to me.  Go ahead, say "Duh!".

Labels continue to be used by big music companies to deride us independents: 
remember "bedroom musician"?  It implied that we all still lived with our 
parents, ensconced away in our corner with a computer and a few instruments, 
like some sort of ineffectual geeks.  I await the Big Five's new terminology 
to describe those of us who are composing, performing and publishing our own 
work, as well as using streaming video to do so.  I wonder about the 
addressing of the Art we create, and whether we can keep listening to Les 
Paul's warning about not letting the technology control what you create, 
while still working with constraints that can potentially do just that.  I 
look forward to much better than we have presently, especially considering 
what personal video/audio streaming WASN'T just a few years ago, and fully 
intend to investigate the role of a multimedia (for lack of a better term) 
artist in the future.

Stephen Goodman
"Twelve Days of Christmas Plus 1" at ustream:
http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009
*
http://www.earthlight.tv
http://www.ustream.tv/StephenGoodman
http://www.vimeo.com/spgoodman
http://www.myspace.com/spgoodman

--------------------------------------------------
From: "Matt Davignon" <mattdavignon@gmail.com>

> I don't think there's any single concrete element one can add to any
> type of music to make people accept it more. By concrete elements, I'm
> talking about things like video, audience participation, unusual
> instruments, cowbell, synth washes, drum machines, etc.
>
> Video in particular is often a distraction from the music, except in
> cases where the two were purposefully created together as a single
> work.
>
> My theory for musical success in any genre (myself being a relatively
> unsuccessful musician) goes something like this:
> --Develop a unique and clear musical persona.
> --Think about which elements of your performance highlight your
> musical persona, and which elements detract from it.
> --Consider that you have an audience, or at least a potential
> audience. When you play in public or create an album, it should be for
> your audience, rather than for yourself.
> --The audience wants to hear you, as you can best represent yourself.
> They don't necessarily want you to play things they've heard before or
> would expect from other musicians.
> --Lastly, dumb luck. The people who have the most success in any kind
> of music not only follow the above 3 steps, but their musical personas
> happen to be something that a lot of people want to listen to.
>
>
> And if you make "challenging" music, never describe it to people that
> way. Telling people, "Hey, let's listen to some challenging music" is
> like saying "Hey, let's do some calculus for fun!" You may get some
> takers, but they'll be the musical equivalent of math nerds. (And
> about as common as math nerds.) There are lots of people who liked
> Frank Zappa, Philip Glass, John Cage, John Zorn, Einsturzende
> Neubauten, The Residents, Nurse With Wound, etc long before they found
> out the music was supposed to be "challenging".
>
> -- 
> Matt Davignon
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt 

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 11:50:04 2009
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Hi chris

> To be honest: It can be real boring to see 
> one guy (when it´s looping-music it´s usual that it´s only one person) 
> sitting on a chair making sounds for one hour or more. 
Let me be honest: the most famous solo artist of whom I ever attended a 
concert was Gidon Kremer. For sure one of the best living violinists. I 
tell you: it was great to listen, but watching it was boring to death.

But listening to Bach Sonatas and Partitas while I am sitting in a train 
and am watching the landscape flying by, is a always an uplifting 
experience for me. Yes: the for me the "video" is an enhancement to the 
music, which makes me like the music more.


Florian

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Subject: Re: videos and music and music sales
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On Wed, Dec 30, 2009 at 5:40 AM, david kirkdorffer
<unstrungone@yahoo.com> wrote:
>
> "...people can handle more challenging music if it's accompanied by a cool video."
>
>
> Do you agree?


Absolutely not! I think video used on those premises only makes people
forget a little about how boring they find the music. :-)
"Challenging" music is your definition, while it might just come out
as "boring" to the listener. I think it can be a lot more interesting
for the audience, and for you as the artist, if taking the full step
and start doing MULTIMEDIA instead of playing back "a cool video" to
the music performance.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 13:02:39 2009
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--00151740156486253a047bf1c033
Content-Type: text/plain; charset=ISO-8859-1

 Stephen Goodman <spgoodman@earthlight.net> wrote:When rock acts started
dressing up, and then went beyond that to light shows, video backdrops,
auxiliary performers running round the audience like circus clowns, etc - at
least in the 70s I recall that many of the pundits of the time derided such
visual enhancements, often pointing to same as some kind of 'evidence' that
the music itself must be lacking somehow, or otherwise below some arbitrary
line dividing Art from Crap.

Sure.. I remember that well, being one of the teenagers with 3 chords,
ripped jeans and a safety pin thru my nose... funnily enough though time has
a new story to tell.. The music of..lets say YES... one of the biggest
contenders for "Why punk needed to shake up the shit"... is now rather
differently lauded. Given a whole chapter in a recent book on Noise music,
and recently given a big article in Wire magazine. And also recently
discussed on this list. I think that really the main augument at the time
against these mega bands with big stage shows and light shows, were that
they were irrelevant to the times... The UK and the US, were in a slump of
poverty and unemployment and the "kids" (me) were angry and couldnt give a
shit about Roger Dean album covers of Tolkeinesque landscapes... what
prats.. we thought...

But the music stands for itself now (no visuals to take away from the
experience) and its wasnt so bad... just badly timed.

Visuals have always been part of music, when Pil played behind a screen
once, the stage was invaded by angry fans wanting to see something... The DJ
culture we went through gave us the notion that we need not understand what
that guy on stage is actually doing (and I often suspect - not much) but in
my view anything goes as long as you arent miming or faking... and I kinda
think that although we dont need to dress up in silver costumes and come out
of spaceships and use laser harps and triple guitar necks...

but sometimes i feel that, maybe, just maybe.. we should at least put a
clean shirt on and use a coloured light or two??
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00151740156486253a047bf1c033
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

=A0Stephen Goodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodman@earthl=
ight.net">spgoodman@earthlight.net</a>&gt;</span> wrote:When rock acts star=
ted dressing up, and then went beyond that to light shows, video backdrops,=
 auxiliary performers running round the audience like circus clowns, etc - =
at least in the 70s I recall that many of the pundits of the time derided s=
uch visual enhancements, often pointing to same as some kind of &#39;eviden=
ce&#39; that the music itself must be lacking somehow, or otherwise below s=
ome arbitrary line dividing Art from Crap.<br>

<br>Sure.. I remember that well, being one of the teenagers with 3 chords, =
ripped jeans and a safety pin thru my nose... funnily enough though time ha=
s a new story to tell.. The music of..lets say YES... one of the biggest co=
ntenders for &quot;Why punk needed to shake up the shit&quot;... is now rat=
her differently lauded. Given a whole chapter in a recent book on Noise mus=
ic, and recently given a big article in Wire magazine. And also recently di=
scussed on this list. I think that really the main augument at the time aga=
inst these mega bands with big stage shows and light shows, were that they =
were irrelevant to the times... The UK and the US, were in a slump of pover=
ty and unemployment and the &quot;kids&quot; (me) were angry and couldnt gi=
ve a shit about Roger Dean album covers of Tolkeinesque landscapes... what =
prats.. we thought...<br>

<br>But the music stands for itself now (no visuals to take away from the e=
xperience) and its wasnt so bad... just badly timed.<br clear=3D"all"><br>V=
isuals have always been part of music, when Pil played behind a screen once=
, the stage was invaded by angry fans wanting to see something... The DJ cu=
lture we went through gave us the notion that we need not understand what t=
hat guy on stage is actually doing (and I often suspect - not much) but in =
my view anything goes as long as you arent miming or faking... and I kinda =
think that although we dont need to dress up in silver costumes and come ou=
t of spaceships and use laser harps and triple guitar necks...<br>

<br>but sometimes i feel that, maybe, just maybe.. we should at least put a=
 clean shirt on and use a coloured light or two??<br>-- <br><a href=3D"http=
://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vi=
meo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--00151740156486253a047bf1c033--

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	 <2E67105CEB444B7C890414837FC8B275@jtc>
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Date: Wed, 30 Dec 2009 08:05:02 -0500
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Subject: Re: videos and music and music sales
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Not exactly on topic, but a good example of images and music working
together.

http://www.zviane.com/autre/earth-move.htm
(make sure to click play to hear the music).

Sylvain


On 12/30/09, Florian Anwander <fanwander@mnet-online.de> wrote:
>
> Hi chris
>
> To be honest: It can be real boring to see one guy (when it=B4s looping-m=
usic
>> it=B4s usual that it=B4s only one person) sitting on a chair making soun=
ds for
>> one hour or more.
>>
> Let me be honest: the most famous solo artist of whom I ever attended a
> concert was Gidon Kremer. For sure one of the best living violinists. I t=
ell
> you: it was great to listen, but watching it was boring to death.
>
> But listening to Bach Sonatas and Partitas while I am sitting in a train
> and am watching the landscape flying by, is a always an uplifting experie=
nce
> for me. Yes: the for me the "video" is an enhancement to the music, which
> makes me like the music more.
>
>
> Florian
>
>

--001636b2bbfe6359cb047bf1c953
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<div>Not exactly on topic, but a good example of images and music working t=
ogether.</div>
<div>=A0</div>
<div><a href=3D"http://www.zviane.com/autre/earth-move.htm">http://www.zvia=
ne.com/autre/earth-move.htm</a></div>
<div>(make sure to click play to hear the music).</div>
<div>=A0</div>
<div>Sylvain</div>
<div><br>=A0</div>
<div><span class=3D"gmail_quote">On 12/30/09, <b class=3D"gmail_sendername"=
>Florian Anwander</b> &lt;<a href=3D"mailto:fanwander@mnet-online.de">fanwa=
nder@mnet-online.de</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi chris<span class=3D"q"><br><b=
r>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">To be honest: It can be real bor=
ing to see one guy (when it=B4s looping-music it=B4s usual that it=B4s only=
 one person) sitting on a chair making sounds for one hour or more. <br>
</blockquote></span>Let me be honest: the most famous solo artist of whom I=
 ever attended a concert was Gidon Kremer. For sure one of the best living =
violinists. I tell you: it was great to listen, but watching it was boring =
to death.<br>
<br>But listening to Bach Sonatas and Partitas while I am sitting in a trai=
n and am watching the landscape flying by, is a always an uplifting experie=
nce for me. Yes: the for me the &quot;video&quot; is an enhancement to the =
music, which makes me like the music more.<br>
<span class=3D"sg"><br><br>Florian<br><br></span></blockquote></div><br>

--001636b2bbfe6359cb047bf1c953--

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Nice discussion.

I've played with unrehearsed, uncoordinated visuals on several occasions. I
have not liked the results. As an audience member, I have frequently seen
visuals that, while interesting enough, were so randomly related to the
music that I had to shut my eyes in order to hear the music (forcing me not
to see the performers, however boring or unboring they might have been).

I agree with Per - if you want to have visuals, integrate it into your art.
become a multimedia artist, or work closely with one and develop an approach
that means something.

Interestingly enough, I would probably prefer to perform with someone
fingerpainting with a project (a la Joshua Light Show, Fillmore East, 1968)
over someone manipulating video because of the greater immediacy and
(literal and functional) fluidity of the former....

-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--00163630fd71827548047bf3c17a
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Nice discussion.<br><br><div class=3D"gmail_quote">I&#39;ve played with unr=
ehearsed, uncoordinated visuals on several occasions. I have not liked the =
results. As an audience member, I have frequently seen visuals that, while =
interesting enough, were so randomly related to the music that I had to shu=
t my eyes in order to hear the music (forcing me not to see the performers,=
 however boring or unboring they might have been).<br>
<br>I agree with Per - if you want to have visuals, integrate it into your =
art. become a multimedia artist, or work closely with one and develop an ap=
proach that means something.<br></div><br>Interestingly enough, I would pro=
bably prefer to perform with someone fingerpainting with a project (a la Jo=
shua Light Show, Fillmore East, 1968) over someone manipulating video becau=
se of the greater immediacy and (literal and functional) fluidity of the fo=
rmer....<br>
<br>-- <br>Warren<br><a href=3D"http://www.warrensirota.com">http://www.war=
rensirota.com</a><br>NEW CD: Loops, Live &amp; Otw<br><a href=3D"http://www=
.cdbaby.com/cd/warrensirota">http://www.cdbaby.com/cd/warrensirota</a><br>

--00163630fd71827548047bf3c17a--

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From: "APNA PAISA LOAN FIRM" <info@apnaloan.com>
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Subject: LOAN OFFER
Date: Wed, 30 Dec 2009 21:17:51 +0800
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Apna Paisa Loan/Insurance Firm.
22 Garden close,stamford lincs pe9 2yp, london, 
United Kingdom (England)
www.apnaloan.com

I am Mr Harsh Roongta, a private Loan lender has since become part of the 
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 17:02:08 2009
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Subject: New Loop
Date: Wed, 30 Dec 2009 12:02:06 -0500
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Loopers,

I just wanted to thank everyone for the help over the last year. I've  
learned alot from just lurking and asking the occasional questions. I  
would also like to thank Luca from Italy for sending me that EDP manual.


Here is loop I did after sorting through some old family video.
It is through my EDP.


http://www.youtube.com/watch?v=7vEzb0TzvOY

Thanks
Todd Chambeau

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 18:06:40 2009
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Todd,

Very nice music!

I could tell that these people meant a lot to you.

Good advice at the end too.

Best,

Ted Killian

On Dec 30, 2009, at 9:02 AM, Todd Chambeau wrote:

> Loopers,
>
> I just wanted to thank everyone for the help over the last year.  
> I've learned alot from just lurking and asking the occasional  
> questions. I would also like to thank Luca from Italy for sending me  
> that EDP manual.
>
> Here is loop I did after sorting through some old family video.
> It is through my EDP.
>
> http://www.youtube.com/watch?v=7vEzb0TzvOY
>
> Thanks
> Todd Chambeau

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Looping is a juggling act, and a bit of magic. It takes a bit of  
slight of hand to keep all the balls in the air.

I think whatever is done with INTENTION to achieve this "counts."

When I say that looping is a juggling act, I mean that (back when I  
was looping all the time) I found that something new must constantly  
be added to the loop for it to remain interesting. (To me or the  
audience... I make no distinction.) So I found the shortest possible  
means of "building" each of my songs. (Not that I always chose that  
route, but good to have the musical "straight line" on tap.)

But sometimes, there is just some necessary space that has to  
happen... while switching instruments, letting a cycle finish,  
whatever. So sometimes I would throw in a line of vocals or even  
something as simple as smacking all the open guitar strings so they'd  
ring and fade, or perhaps an unnecessary momentary reverse. Anything  
to keep it feeling live.

(I also found that the mix needed to be at about 60-65% loop to make  
up for the extra energy and volume of the live inputs or else the loop  
would automatically feel stale and canned right away. But I can't fit  
that into my juggling metaphor.)

So if some video slight-of-hand can expand the psychological  
experience of freshness by offering additional stimulus, great. I  
would add that it should be, as I say, "intentional" but everything is  
really, to some degree, just by the simple choice of what  video to  
add. The more intention put into it, the more it "counts" as a legit  
"musical (aka experiential) element."

When I start looping again, I will be triggering video loops live as  
well, saving those video clips with various lengths of sound bites for  
the more "experimental/challenging*/soundscapey/whatever" sections  
that stitch the songs together.

* Regarding the word "challenging..." I get the meaning, and there is  
truth to the idea that music may be harder to listen to if it breaks  
certain culturally learned attributes, but one (speaking to myself  
here as well as most loopers) must be careful not to use this dynamic  
as cover for music that's just not fully evolved yet. Because when we  
get it right, when it truly resonates (rather then something  
masturbatory or without some new symmetry or other element of true  
beauty) then that cultural bias is mostly negated.

As for sales... so far I've done everything at a (huge) loss, and  
mostly for myself. But I do feel that when things are done with  
intention and from the heart, they succeed.  (So do corporately chosen  
and backed teen musicians that fit the latest provenly marketable  
archetypes. There's more then one route. Which reminds me...)  If  
there's some rich looper on this list who wants to invest in something  
cool, let me know! I'll tell you what I'm up to and the final  
components I need!


---Christopher.



On Dec 30, 2009, at 7:26 AM, Warren Sirota wrote:

> Nice discussion.
>
> I've played with unrehearsed, uncoordinated visuals on several  
> occasions. I have not liked the results. As an audience member, I  
> have frequently seen visuals that, while interesting enough, were so  
> randomly related to the music that I had to shut my eyes in order to  
> hear the music (forcing me not to see the performers, however boring  
> or unboring they might have been).
>
> I agree with Per - if you want to have visuals, integrate it into  
> your art. become a multimedia artist, or work closely with one and  
> develop an approach that means something.
>
> Interestingly enough, I would probably prefer to perform with  
> someone fingerpainting with a project (a la Joshua Light Show,  
> Fillmore East, 1968) over someone manipulating video because of the  
> greater immediacy and (literal and functional) fluidity of the  
> former....
>
> -- 
> Warren
> http://www.warrensirota.com
> NEW CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota


--Apple-Mail-63-421692730
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>Looping is =
a juggling act, and a bit of magic. It takes a bit of slight of hand to =
keep all the balls in the air.&nbsp;</div><div><br></div><div>I think =
whatever is done with INTENTION to achieve this =
"counts."&nbsp;</div><div><br></div><div>When I say that looping is a =
juggling act, I mean that (back when I was looping all the time) I found =
that something new must constantly be added to the loop for it to remain =
interesting. (To me or the audience... I make no distinction.) So I =
found the shortest possible means of "building" each of my songs. (Not =
that I always chose that route, but good to have the musical "straight =
line" on tap.)&nbsp;</div><div><br></div><div>But sometimes, there is =
just some necessary space that has to happen... while switching =
instruments, letting a cycle finish, whatever. So sometimes I would =
throw in a line of vocals or even something as simple as smacking all =
the open guitar strings so they'd ring and fade, or perhaps an =
unnecessary momentary reverse. Anything to keep it feeling =
live.</div><div><br></div><div>(I also found that the mix needed to be =
at about 60-65% loop to make up for the extra energy and volume of the =
live inputs or else the loop would automatically feel stale and canned =
right away. But I can't fit that into my juggling =
metaphor.)&nbsp;</div><div><br></div><div>So if some video =
slight-of-hand can expand the psychological experience of freshness by =
offering additional stimulus, great. I would add that it should be, as I =
say, "intentional" but everything is really, to some degree, just by the =
simple choice of<font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 12px;"><i> what =
&nbsp;</i></span></font>video to add. The more intention put into it, =
the more it "counts" as a legit "musical (aka experiential) =
element."&nbsp;</div><div><br></div><div>When I start looping again, I =
will be triggering video loops live as well, saving those video clips =
with various lengths of sound bites for the more =
"experimental/challenging*/soundscapey/whatever" sections that stitch =
the songs together.&nbsp;</div><div><br></div><div>* Regarding the word =
"challenging..." I get the meaning, and there is truth to the idea that =
music may be harder to listen to if it breaks certain culturally learned =
attributes, but one (speaking to myself here as well as most loopers) =
must be careful not to use this dynamic as cover for music that's just =
not fully evolved yet. Because when we get it right, when it truly =
resonates (rather then something masturbatory or without some new =
symmetry or other element of true beauty) then that cultural bias is =
mostly negated.&nbsp;</div><div><br></div><div>As for sales... so far =
I've done everything at a (huge) loss, and mostly for myself. But I do =
feel that when things are done with intention and from the heart, they =
succeed. &nbsp;(So do corporately chosen and backed teen musicians that =
fit the latest provenly marketable archetypes. There's more then one =
route. Which reminds me...) &nbsp;If there's some rich looper on this =
list who wants to invest in something cool, let me know! I'll tell you =
what I'm up to and the final components I =
need!&nbsp;</div><div><br></div><div><br></div><div>---Christopher.</div><=
div><br></div><div><br></div><br><div><div>On Dec 30, 2009, at 7:26 AM, =
Warren Sirota wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Nice =
discussion.<br><br><div class=3D"gmail_quote">I've played with =
unrehearsed, uncoordinated visuals on several occasions. I have not =
liked the results. As an audience member, I have frequently seen visuals =
that, while interesting enough, were so randomly related to the music =
that I had to shut my eyes in order to hear the music (forcing me not to =
see the performers, however boring or unboring they might have =
been).<br> <br>I agree with Per - if you want to have visuals, integrate =
it into your art. become a multimedia artist, or work closely with one =
and develop an approach that means something.<br></div><br>Interestingly =
enough, I would probably prefer to perform with someone fingerpainting =
with a project (a la Joshua Light Show, Fillmore East, 1968) over =
someone manipulating video because of the greater immediacy and (literal =
and functional) fluidity of the former....<br> <br>-- <br>Warren<br><a =
href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>NE=
W CD: Loops, Live &amp; Otw<br><a =
href=3D"http://www.cdbaby.com/cd/warrensirota">http://www.cdbaby.com/cd/wa=
rrensirota</a><br></blockquote></div><br></body></html>=

--Apple-Mail-63-421692730--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 18:11:21 2009
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Subject: Re: videos and music and music sales
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------=_Part_225984_1477032363.1262196182091
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Content-Transfer-Encoding: 7bit

So far this lifetime my sense is that musicians don't want anything beyond the music, but the non-musician audience members are prone to needing being "entertained" and therein lies the rub. On the other side of the issue how many musicians prefer to close their eyes when they play rather than be distracted by what they might see? Or as Eno relates- that it is time to quit the band/performance when you find yourself thinking about doing your laundry during the show. No starch. 

bryan helm 
www.at-the-helm.us 





----- Original Message ----- 
From: "david kirkdorffer" <unstrungone@yahoo.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, December 29, 2009 9:40:49 PM GMT -07:00 US/Canada Mountain 
Subject: videos and music and music sales 



I have a theory I'd like to run by the readers of this list. In a nutshell it goes like this, 



"...people can handle more challenging music if it's accompanied by a cool video." 

Do you agree? Have any of you added video to your looping music and discovered it helped increase sales? 

Kind regards, 

UNDO 
http://www.myspace.com/undomusic 


------=_Part_225984_1477032363.1262196182091
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>So far th=
is lifetime my sense is that musicians don't want anything beyond the music=
, but the non-musician audience members are prone to needing being "enterta=
ined" and therein lies the rub. On the other side of the issue how many mus=
icians prefer to close their eyes when they play rather than be distracted =
by what they might see?&nbsp; Or as Eno relates- that it is time to quit th=
e band/performance when you find yourself thinking about doing your laundry=
 during the show. No starch.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; br=
yan helm<br>www.at-the-helm.us<br><br><br><br><br><br>----- Original Messag=
e -----<br>From: "david kirkdorffer" &lt;unstrungone@yahoo.com&gt;<br>To: L=
oopers-Delight@loopers-delight.com<br>Sent: Tuesday, December 29, 2009 9:40=
:49 PM GMT -07:00 US/Canada Mountain<br>Subject: videos and music and music=
 sales<br><br><style><!-- DIV {margin:0px;} --></style><div style=3D"font-f=
amily: arial,helvetica,sans-serif; font-size: 10pt;"><div>I have a theory I=
'd like to run by the readers of this list.&nbsp; In a nutshell it goes lik=
e this, </div>
<div>&nbsp;</div>
<blockquote style=3D"margin-right: 0px;" dir=3D"ltr">
<div><em><strong>"...people can handle more challenging music if it's accom=
panied by a cool video."</strong></em></div>
<div><strong><em></em></strong>&nbsp;</div></blockquote>
<div dir=3D"ltr">Do you agree?&nbsp; Have any of you added video to your lo=
oping music and discovered it helped increase sales?</div>
<div dir=3D"ltr">&nbsp;</div>
<div dir=3D"ltr">Kind regards,</div>
<div dir=3D"ltr">&nbsp;</div>
<div dir=3D"ltr">UNDO</div>
<div dir=3D"ltr"><a href=3D"http://www.myspace.com/undomusic" target=3D"_bl=
ank">http://www.myspace.com/undomusic</a> </div>
<div dir=3D"ltr"><strong><em></em></strong>&nbsp;</div><!-- cg21.c2.mail.re=
1.yahoo.com compressed/chunked Tue Dec 29 20:36:44 PST 2009 --></div><br>



      </div></body></html>
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From benmerr@rediffmail.com  Wed Dec 30 19:08:12 2009
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Reply-To: <mark876112@rediffmail.com>
From: "Ben Mark"<benmerr@rediffmail.com>
To: mark876112@rediffmail.com
Subject: Second Notice
Date: Sun, 28 Dec 2008 22:34:05 -0600
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Greetings,

 I understand that through Internet is not the best way to link up with you because of the confidentiality which my proposal demands.

However, I have already sent you this same letter one month ago,but I am not sure if it did get to you since I have not heard from you, hence i am constrain to reach you through the Internet which has been abused over the years. 

 I wish to notify you again that You were listed as a Heir to the total sum of (Three Million Six Hundred Thousand British Pounds) in the codicil and last testament of the deceased.(Name now withheld since this is our second letter to you). We contacted you because you bear the surname identity and therefore can present you as the Heir to the inheritance funds.

 Please indicate your interest immediately for us to proceed. I shall feed you with full details of this transaction upon receipt of your reply towards this proposal. 

 All the legal papers will be processed in your acceptance. In your acceptance of this deal, we request that you kindly forward to us your letter of acceptance; your current telephone and fax numbers and a forwarding address to enable us file necessary documents at our high court probate division for the release of this sum of money.

 I look forward to hearing from you.

 
Mr. Ben Mark (Barrister)
Telephone + 44 7024 022 726

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Subject: a simple airline security report and my humble travel strategy.
From: todd reynolds <toddreyn@gmail.com>
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--001485f8f02ca07793047bf7db25
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I saw that there was a concern here from Erdem and others about upcoming
changes in security, and i read Zoe's response as well.  Since I traveled
just yesterday, I thought I'd chime in with my view of the 'changes', and my
plan going forward, which hasn't changed a bit (yet), but has served me well
for a number of years.

Here's a report on my trip yesterday:  No changes whatsoever, not even so
much as a patdown.  I don't think that the basics are going change all that
much at security. Really, with the advent of Richard Reid, the shoe bomber,
we had to go shoeless through security, that's pretty much it.  Now, with
the advent of the underwear bomber, we'll probably have to go pantsless or
underwearless through security.  This does not affect laptops and gear. No
matter how many wires are in my carry on, I just don't get hassled for some
reason, unless for a quick swab of the interface or laptop. (once again, SO
FAR)

Although my troublefree flight was domestic and not international, I thought
it might be interesting to share with you all how I travel since I do it
often and haven't had one speck of trouble (knock on wood) for many years.
 Unlike Zoe, my instrument is not big enough to be in question, and I now
carry no rack hardware at all but have it rented on the gig if necessary.
 It's just three pieces I travel with.  My violin, a rolling camera bag, and
a rolling soft bag.

It seems to me that three pieces is pretty much the equation for an
instrumentalist who isn't carrying a rack.  I usually go out for at least a
week at a time, so I need to have a bag which doubles as a clothes carrier
and gear carrier, rather than a rack which I'm trying to stuff clothes in.

I long ago bought the smallest case possible for my violin, and it's light
but rugged, always fits up top, never a problem, in 25 yrs, never been asked
to check it.  Well, once, but that was in Europe, and a little finesse in
conversation got me on without a problem.  I carry my laptop, Nikon and
lenses, audio interface, cables and wires in a camera bag which rolls or is
a backpack.  (Tenba, I'd make a different choice next time just cuz of the
wheel base)

Whenever I hit a small plane where things won't fit, I just take my laptop
out of the bag and gate check it, I have yet to find an overhead which
doesn't fit my fiddle easily, and yes, I'd take another flight rather than
check it, but fight like hell to stay on the one I got. Flight attendants in
my my humble experience have done everything to be helpful, even standing it
up in the closet sometimes when it got crowded.

And my FCB1010 and Monome or Launchpad or whatever, and my Laptop Stand goes
underneath in a soft but huge all purpose bag from ebags.com, called the
Motherlode, surrounded with clothing as padding.

Through extensive travel over the past 4 years, this has served me well.
 Before that i was carrying my FCB1010, wireless ears and audio interface in
a Pelikan rifle case.  Anyone need one of those, lol? That was when there
was not a charge for taking two bags...

For what it's worth, I hope it's helpful.  I do know that Erdem is a
hardware guy and I believe he packs in a combination of Pelikan and
suitcases, right, Erdem?  Costs a lot for the extra bags, but Erdem I don't
think anyone will bother you with the stuff underneath the plane, no matter
how much hardware it is.

I wish you all great holidays, a sparkling and prosperous New Year, both
artistically and personally, and always look forward to the edification I
get from the posts on the list!

Cheers,

Todd

-- 
http://twitter.com/digifiddler

--001485f8f02ca07793047bf7db25
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I saw that there was a concern here from Erdem and others about upcoming ch=
anges in security, and i read Zoe&#39;s response as well. =A0Since I travel=
ed just yesterday, I thought I&#39;d chime in with my view of the &#39;chan=
ges&#39;, and my plan going forward, which hasn&#39;t changed a bit (yet), =
but has served me well for a number of years.=A0<div>
<br></div><div>Here&#39;s a report on my trip yesterday: =A0No changes what=
soever, not even so much as a patdown. =A0I don&#39;t think that the basics=
 are going change all that much at security. Really, with the advent of Ric=
hard Reid, the shoe bomber, we had to go shoeless through security, that&#3=
9;s pretty much it. =A0Now, with the advent of the underwear bomber, we&#39=
;ll probably have to go pantsless or underwearless through security. =A0Thi=
s does not affect laptops and gear. No matter how many wires are in my carr=
y on, I just don&#39;t get hassled for some reason, unless for a quick swab=
 of the interface or laptop. (once again, SO FAR)=A0</div>
<div><br></div><div>Although my troublefree flight was domestic and not int=
ernational, I thought it might be interesting to share with you all how I t=
ravel since I do it often and haven&#39;t had one speck of trouble (knock o=
n wood) for many years. =A0Unlike Zoe, my instrument is not big enough to b=
e in question, and I now carry no rack hardware at all but have it rented o=
n the gig if necessary. =A0It&#39;s just three pieces I travel with. =A0My =
violin, a rolling camera bag, and a rolling soft bag.</div>
<div><br></div><div>It seems to me that three pieces is pretty much the equ=
ation for an instrumentalist who isn&#39;t carrying a rack. =A0I usually go=
 out for at least a week at a time, so I need to have a bag which doubles a=
s a clothes carrier and gear carrier, rather than a rack which I&#39;m tryi=
ng to stuff clothes in.=A0</div>
<div><br></div><div>I long ago bought the smallest case possible for my vio=
lin, and it&#39;s light but rugged, always fits up top, never a problem, in=
 25 yrs, never been asked to check it. =A0Well, once, but that was in Europ=
e, and a little finesse in conversation got me on without a problem. =A0I c=
arry my laptop, Nikon and lenses, audio interface, cables and wires in a ca=
mera bag which rolls or is a backpack. =A0(Tenba, I&#39;d make a different =
choice next time just cuz of the wheel base)</div>
<div><br></div><div>Whenever I hit a small plane where things won&#39;t fit=
, I just take my laptop out of the bag and gate check it, I have yet to fin=
d an overhead which doesn&#39;t fit my fiddle easily, and yes, I&#39;d take=
 another flight rather than check it, but fight like hell to stay on the on=
e I got. Flight attendants in my my humble experience have done everything =
to be helpful, even standing it up in the closet sometimes when it got crow=
ded.</div>
<div><br></div><div>And my FCB1010 and Monome or Launchpad or whatever, and=
 my Laptop Stand goes underneath in a soft but huge all purpose bag from <a=
 href=3D"http://ebags.com">ebags.com</a>, called the Motherlode, surrounded=
 with clothing as padding.=A0</div>
<div><br></div><div>Through extensive travel over the past 4 years, this ha=
s served me well. =A0Before that i was carrying my FCB1010, wireless ears a=
nd audio interface in a Pelikan rifle case. =A0Anyone need one of those, lo=
l? That was when there was not a charge for taking two bags...=A0</div>
<div><br></div><div>For what it&#39;s worth, I hope it&#39;s helpful. =A0I =
do know that Erdem is a hardware guy and I believe he packs in a combinatio=
n of Pelikan and suitcases, right, Erdem? =A0Costs a lot for the extra bags=
, but Erdem I don&#39;t think anyone will bother you with the stuff underne=
ath the plane, no matter how much hardware it is.=A0</div>
<div><br></div><div>I wish you all great holidays, a sparkling and prospero=
us New Year, both artistically and personally, and always look forward to t=
he edification I get from the posts on the list!=A0</div><div><br></div><di=
v>
Cheers,=A0</div><div><br></div><div>Todd<br clear=3D"all"><br>-- <br><a hre=
f=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler</a>
</div><div><br></div>

--001485f8f02ca07793047bf7db25--

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Subject: Re: a simple airline security report and my humble travel strategy.
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"No matter how many wires are in my carry on"

The more the better.  The more obvious you are about what you are doing, the less you will be questioned.  A little matchbox with a couple resistors in it hidden in your sock will get ya caught.

t
  ----- Original Message ----- 
  From: todd reynolds 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Wednesday, December 30, 2009 12:19 PM
  Subject: a simple airline security report and my humble travel strategy.


  I saw that there was a concern here from Erdem and others about upcoming changes in security, and i read Zoe's response as well.  Since I traveled just yesterday, I thought I'd chime in with my view of the 'changes', and my plan going forward, which hasn't changed a bit (yet), but has served me well for a number of years. 


  Here's a report on my trip yesterday:  No changes whatsoever, not even so much as a patdown.  I don't think that the basics are going change all that much at security. Really, with the advent of Richard Reid, the shoe bomber, we had to go shoeless through security, that's pretty much it.  Now, with the advent of the underwear bomber, we'll probably have to go pantsless or underwearless through security.  This does not affect laptops and gear. No matter how many wires are in my carry on, I just don't get hassled for some reason, unless for a quick swab of the interface or laptop. (once again, SO FAR) 


  Although my troublefree flight was domestic and not international, I thought it might be interesting to share with you all how I travel since I do it often and haven't had one speck of trouble (knock on wood) for many years.  Unlike Zoe, my instrument is not big enough to be in question, and I now carry no rack hardware at all but have it rented on the gig if necessary.  It's just three pieces I travel with.  My violin, a rolling camera bag, and a rolling soft bag.


  It seems to me that three pieces is pretty much the equation for an instrumentalist who isn't carrying a rack.  I usually go out for at least a week at a time, so I need to have a bag which doubles as a clothes carrier and gear carrier, rather than a rack which I'm trying to stuff clothes in. 


  I long ago bought the smallest case possible for my violin, and it's light but rugged, always fits up top, never a problem, in 25 yrs, never been asked to check it.  Well, once, but that was in Europe, and a little finesse in conversation got me on without a problem.  I carry my laptop, Nikon and lenses, audio interface, cables and wires in a camera bag which rolls or is a backpack.  (Tenba, I'd make a different choice next time just cuz of the wheel base)


  Whenever I hit a small plane where things won't fit, I just take my laptop out of the bag and gate check it, I have yet to find an overhead which doesn't fit my fiddle easily, and yes, I'd take another flight rather than check it, but fight like hell to stay on the one I got. Flight attendants in my my humble experience have done everything to be helpful, even standing it up in the closet sometimes when it got crowded.


  And my FCB1010 and Monome or Launchpad or whatever, and my Laptop Stand goes underneath in a soft but huge all purpose bag from ebags.com, called the Motherlode, surrounded with clothing as padding. 


  Through extensive travel over the past 4 years, this has served me well.  Before that i was carrying my FCB1010, wireless ears and audio interface in a Pelikan rifle case.  Anyone need one of those, lol? That was when there was not a charge for taking two bags... 


  For what it's worth, I hope it's helpful.  I do know that Erdem is a hardware guy and I believe he packs in a combination of Pelikan and suitcases, right, Erdem?  Costs a lot for the extra bags, but Erdem I don't think anyone will bother you with the stuff underneath the plane, no matter how much hardware it is. 


  I wish you all great holidays, a sparkling and prosperous New Year, both artistically and personally, and always look forward to the edification I get from the posts on the list! 


  Cheers, 


  Todd

  -- 
  http://twitter.com/digifiddler 


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<BODY bgColor=#ffffff>
<DIV>"No matter how many wires are in my carry on"</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>The more the better.&nbsp; The more obvious you are 
about what you are doing, the less you will be questioned.&nbsp; A little 
matchbox with a couple resistors in it hidden in your sock will get ya 
caught.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=toddreyn@gmail.com href="mailto:toddreyn@gmail.com">todd reynolds</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, December 30, 2009 12:19 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> a simple airline security report 
  and my humble travel strategy.</DIV>
  <DIV><BR></DIV>I saw that there was a concern here from Erdem and others about 
  upcoming changes in security, and i read Zoe's response as well. &nbsp;Since I 
  traveled just yesterday, I thought I'd chime in with my view of the 'changes', 
  and my plan going forward, which hasn't changed a bit (yet), but has served me 
  well for a number of years.&nbsp;
  <DIV><BR></DIV>
  <DIV>Here's a report on my trip yesterday: &nbsp;No changes whatsoever, not 
  even so much as a patdown. &nbsp;I don't think that the basics are going 
  change all that much at security. Really, with the advent of Richard Reid, the 
  shoe bomber, we had to go shoeless through security, that's pretty much it. 
  &nbsp;Now, with the advent of the underwear bomber, we'll probably have to go 
  pantsless or underwearless through security. &nbsp;This does not affect 
  laptops and gear. No matter how many wires are in my carry on, I just don't 
  get hassled for some reason, unless for a quick swab of the interface or 
  laptop. (once again, SO FAR)&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Although my troublefree flight was domestic and not international, I 
  thought it might be interesting to share with you all how I travel since I do 
  it often and haven't had one speck of trouble (knock on wood) for many years. 
  &nbsp;Unlike Zoe, my instrument is not big enough to be in question, and I now 
  carry no rack hardware at all but have it rented on the gig if necessary. 
  &nbsp;It's just three pieces I travel with. &nbsp;My violin, a rolling camera 
  bag, and a rolling soft bag.</DIV>
  <DIV><BR></DIV>
  <DIV>It seems to me that three pieces is pretty much the equation for an 
  instrumentalist who isn't carrying a rack. &nbsp;I usually go out for at least 
  a week at a time, so I need to have a bag which doubles as a clothes carrier 
  and gear carrier, rather than a rack which I'm trying to stuff clothes 
  in.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>I long ago bought the smallest case possible for my violin, and it's 
  light but rugged, always fits up top, never a problem, in 25 yrs, never been 
  asked to check it. &nbsp;Well, once, but that was in Europe, and a little 
  finesse in conversation got me on without a problem. &nbsp;I carry my laptop, 
  Nikon and lenses, audio interface, cables and wires in a camera bag which 
  rolls or is a backpack. &nbsp;(Tenba, I'd make a different choice next time 
  just cuz of the wheel base)</DIV>
  <DIV><BR></DIV>
  <DIV>Whenever I hit a small plane where things won't fit, I just take my 
  laptop out of the bag and gate check it, I have yet to find an overhead which 
  doesn't fit my fiddle easily, and yes, I'd take another flight rather than 
  check it, but fight like hell to stay on the one I got. Flight attendants in 
  my my humble experience have done everything to be helpful, even standing it 
  up in the closet sometimes when it got crowded.</DIV>
  <DIV><BR></DIV>
  <DIV>And my FCB1010 and Monome or Launchpad or whatever, and my Laptop Stand 
  goes underneath in a soft but huge all purpose bag from <A 
  href="http://ebags.com">ebags.com</A>, called the Motherlode, surrounded with 
  clothing as padding.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Through extensive travel over the past 4 years, this has served me well. 
  &nbsp;Before that i was carrying my FCB1010, wireless ears and audio interface 
  in a Pelikan rifle case. &nbsp;Anyone need one of those, lol? That was when 
  there was not a charge for taking two bags...&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>For what it's worth, I hope it's helpful. &nbsp;I do know that Erdem is a 
  hardware guy and I believe he packs in a combination of Pelikan and suitcases, 
  right, Erdem? &nbsp;Costs a lot for the extra bags, but Erdem I don't think 
  anyone will bother you with the stuff underneath the plane, no matter how much 
  hardware it is.&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>I wish you all great holidays, a sparkling and prosperous New Year, both 
  artistically and personally, and always look forward to the edification I get 
  from the posts on the list!&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Cheers,&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Todd<BR clear=all><BR>-- <BR><A 
  href="http://twitter.com/digifiddler">http://twitter.com/digifiddler</A> 
</DIV>
  <DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

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	 <999159.7852.qm@web81004.mail.mud.yahoo.com>
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Date: Wed, 30 Dec 2009 15:59:53 -0500
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Subject: Re: New Loop
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Todd that's really neat.  I echo Ted's praise and the way the music grows
from rootsy to much more twisted sophisticated.  Good job.  Your imagery is
touching and I'm sorry for whatever 'losses' you have experienced.  I don't
know if the title was figuratively or 'lost' may have some other meaning.

Good piece.

Best in the New Year


Jim

On Wed, Dec 30, 2009 at 1:06 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Todd,
>
> Very nice music!
>
> I could tell that these people meant a lot to you.
>
> Good advice at the end too.
>
> Best,
>
> Ted Killian
>
>
> On Dec 30, 2009, at 9:02 AM, Todd Chambeau wrote:
>
>  Loopers,
>>
>> I just wanted to thank everyone for the help over the last year. I've
>> learned alot from just lurking and asking the occasional questions. I wo=
uld
>> also like to thank Luca from Italy for sending me that EDP manual.
>>
>> Here is loop I did after sorting through some old family video.
>> It is through my EDP.
>>
>> http://www.youtube.com/watch?v=3D7vEzb0TzvOY
>>
>> Thanks
>> Todd Chambeau
>>
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016364d1fdd95c328047bf86b9a
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Todd that&#39;s really neat.=A0 I echo Ted&#39;s praise and the way the mus=
ic grows from rootsy to much more twisted sophisticated.=A0 Good job.=A0 Yo=
ur imagery is touching and I&#39;m sorry for whatever &#39;losses&#39; you =
have experienced.=A0 I don&#39;t know if the title was figuratively or &#39=
;lost&#39; may have some other meaning.<br>
<br>Good piece.<br><br>Best in the New Year<br><br><br>Jim<br><br><div clas=
s=3D"gmail_quote">On Wed, Dec 30, 2009 at 1:06 PM, tEd =AE KiLLiAn <span di=
r=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.=
net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Todd,<br>
<br>
Very nice music!<br>
<br>
I could tell that these people meant a lot to you.<br>
<br>
Good advice at the end too.<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian</font><div><div></div><div class=3D"h5"><br>
<br>
On Dec 30, 2009, at 9:02 AM, Todd Chambeau wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Loopers,<br>
<br>
I just wanted to thank everyone for the help over the last year. I&#39;ve l=
earned alot from just lurking and asking the occasional questions. I would =
also like to thank Luca from Italy for sending me that EDP manual.<br>

<br>
Here is loop I did after sorting through some old family video.<br>
It is through my EDP.<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D7vEzb0TzvOY" target=3D"_blank">=
http://www.youtube.com/watch?v=3D7vEzb0TzvOY</a><br>
<br>
Thanks<br>
Todd Chambeau<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0016364d1fdd95c328047bf86b9a--

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Subject: Re: videos and music and intention 
Date: Wed, 30 Dec 2009 13:00:02 -0800
References: <565035.47996.qm@web55203.mail.re4.yahoo.com> <2E67105CEB444B7C890414837FC8B275@jtc> <4B3B3EEF.9030903@mnet-online.de> <2871c3a90912300505s7b1317f7nec7d78aa7de26fb@mail.gmail.com> <101191640912300726h4991cac8gc3bcc9be299f9258@mail.gmail.com> <0AC0F397-59DC-42B5-A8EE-EC3AD7734869@gmail.com>
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Hi all.

Very interesting discussion - and about as many opinions as there are =20=

posters.

I don't have much to add.

I do see a bit of everyone's point of view.

Here's a slightly different variation.

I started out as a visual artist and had much education/training and a =20=

very modest career track-record as such decades ago.

Music was only a "hobby" at the time and not something I shared with =20
the public (or hardly even friends).

When I was having art shows, I never worried about what sort of muzak =20=

was being played at the gallery opening.

It did not concern me what sort of wine was being served nor what the =20=

cheese and hors d'oeuvres plate looked like.

Vivaldi's "Rite of Spring" had nothing at all to do with my work and =20
might (even so) be wafting about on speakers somewhere but it didn't =20
bother me.

At the time I would never have presumed to tell the gallery people =20
what to serve or what sort of "muzak" to employ.

That was their business, I was just a painter.

I doubt if anyone was there to hear the Vivaldi - though I am sure it =20=

made the evening more pleasant (less tedious) for some.

There might have been a few there who's objective in attending was =20
specifically the free food and drink (and might not have come =20
otherwise).

Most were probably there to see and be seen by the other attendees - =20
or were dragged there by someone who was.

And . . . a few . . . were there to see the art . . . or me . . . or =20
some mixture of the two.

It's that way with every musical audience too.

Add a bit more alcohol, dancing, smoke, caffeine, chit-chat, ennui, =20
and maybe lights and video and you have an typical local music venue.

People come for different aspects of the experience - often without =20
actually even realizing it.

Some people are so conditioned by TV and movies to expect some form of =20=

"visual" with any musical experience that some sort of "show" had =20
better be provided (if the band wants to come across), even if it's an =20=

ersatz or totally random one - like showing cartoons with the sound =20
off behind the band while it plays.

It's like the obligatory wine, cheese, and Vivaldi at the art gallery =20=

- obligatory and mostly harmless.

Personally, I have often wished I was more of a "performer" - because =20=

that is what the public really wants (or seems to respond to).

They want you to be the music AND the cartoon . . . so-to-speak.

I have at times been obliged to augment my performances with modern =20
dancers, vintage or abstract film, avant-garde theatre, video, fancy =20
lights, etc.

Sometimes it is fun.

Sometimes it is even "successful" as an artistic statement and/or =20
experience.

However, I am just not a person who is much interested in coordinating =20=

and integrating all that into an organically complete presentation =20
much of the time.

Some of you are - and my hat is off to you - God bless you.

But, if it ever comes to the point that artful music itself becomes =20
generally less "valid" because the musician is not also a great =20
dancer, video auteur, standup comedian, story-teller, magician, =20
juggler, jack-of-all-trades, plus is also a physically beautiful =20
specimen, bon vivant and a bit of a slut as well, then most of us are =20=

really and truly sunk and may as well go home.

That's the sort of message the music industry has encouraged for an =20
eternity and a day.

That's not a bus I can . . . or want to  . . . ride at this point (if =20=

ever I could).

Best regards,

tEd =AE KiLLiAn

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 21:29:48 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: New Loop
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I very much second Ted's praises.

Thanks for coming out of lurker-land and sharing with us, Todd. : )

Cass

tEd ® KiLLiAn wrote:
> Todd,
>
> Very nice music!
>
> I could tell that these people meant a lot to you.
>
> Good advice at the end too.
>
> Best,
>
> Ted Killian
>
> On Dec 30, 2009, at 9:02 AM, Todd Chambeau wrote:
>
>> Loopers,
>>
>> I just wanted to thank everyone for the help over the last year. I've 
>> learned alot from just lurking and asking the occasional questions. I 
>> would also like to thank Luca from Italy for sending me that EDP manual.
>>
>> Here is loop I did after sorting through some old family video.
>> It is through my EDP.
>>
>> http://www.youtube.com/watch?v=7vEzb0TzvOY
>>
>> Thanks
>> Todd Chambeau
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 30 22:12:10 2009
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Subject: Re: New Loop
Date: Wed, 30 Dec 2009 17:12:08 -0500
References: <565035.47996.qm@web55203.mail.re4.yahoo.com> <999159.7852.qm@web81004.mail.mud.yahoo.com> <COL118-W118183CE32C634E9BBC7EFDB790@phx.gbl> <7CF79633-5234-4AD7-B95D-E649494E2873@comcast.net> <8137ED7D-F06C-4E2B-B7FA-F65D9432C958@charter.net> <9e0440a60912301259t3842fb17r8228a1c9fd691cab@mail.gmail.com>
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Thank You for all for your replies.
Jim,
Yes, sadly I did lose these people. The vid is heavy on my sister, who =20=

passed at the age of 14 in 87' from Leukemia. The home movies had not =20=

been looked at since by anyone and this all sort of happened spur of =20
the moment. Amazingly, the strat lead during the last 2 +minutes, was =20=

done in one take, albeit a few mistakes, but I really did feel my =20
relatives presence. Kinda corny, but I was no doubt not alone.

Anyway, thanks again everyone for the help and kind words.

Todd






On Dec 30, 2009, at 3:59 PM, Jim Goodin wrote:

> Todd that's really neat.  I echo Ted's praise and the way the music =20=

> grows from rootsy to much more twisted sophisticated.  Good job.  =20
> Your imagery is touching and I'm sorry for whatever 'losses' you =20
> have experienced.  I don't know if the title was figuratively or =20
> 'lost' may have some other meaning.
>
> Good piece.
>
> Best in the New Year
>
>
> Jim
>
> On Wed, Dec 30, 2009 at 1:06 PM, tEd =AE KiLLiAn =20
> <tedkillian@charter.net> wrote:
> Todd,
>
> Very nice music!
>
> I could tell that these people meant a lot to you.
>
> Good advice at the end too.
>
> Best,
>
> Ted Killian
>
>
> On Dec 30, 2009, at 9:02 AM, Todd Chambeau wrote:
>
> Loopers,
>
> I just wanted to thank everyone for the help over the last year. =20
> I've learned alot from just lurking and asking the occasional =20
> questions. I would also like to thank Luca from Italy for sending me =20=

> that EDP manual.
>
> Here is loop I did after sorting through some old family video.
> It is through my EDP.
>
> http://www.youtube.com/watch?v=3D7vEzb0TzvOY
>
> Thanks
> Todd Chambeau
>
>
>
>
> --=20
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Thank You for all for your =
replies.<div>Jim,&nbsp;</div><div>Yes, sadly I did lose these people. =
The vid is heavy on my sister, who passed at the age of 14 in 87' from =
Leukemia. The home movies had not been looked at since by anyone and =
this all sort of happened spur of the moment. Amazingly, the strat lead =
during the last 2 +minutes, was done in one take, albeit a few mistakes, =
but I really did feel my relatives presence. Kinda corny, but I was no =
doubt not alone.</div><div><br></div><div>Anyway, thanks again everyone =
for the help and kind =
words.</div><div><br></div><div>Todd<br><div><br></div><div><br></div><div=
><br></div><div><br></div><div><br></div><div><br><div><div>On Dec 30, =
2009, at 3:59 PM, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Todd =
that's really neat.&nbsp; I echo Ted's praise and the way the music =
grows from rootsy to much more twisted sophisticated.&nbsp; Good =
job.&nbsp; Your imagery is touching and I'm sorry for whatever 'losses' =
you have experienced.&nbsp; I don't know if the title was figuratively =
or 'lost' may have some other meaning.<br> <br>Good piece.<br><br>Best =
in the New Year<br><br><br>Jim<br><br><div class=3D"gmail_quote">On Wed, =
Dec 30, 2009 at 1:06 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</spa=
n> wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: =
1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">Todd,<br> <br> Very nice music!<br> <br> I could tell that these =
people meant a lot to you.<br> <br> Good advice at the end too.<br> <br> =
Best,<br><font color=3D"#888888"> <br> Ted =
Killian</font><div><div></div><div class=3D"h5"><br> <br> On Dec 30, =
2009, at 9:02 AM, Todd Chambeau wrote:<br> <br> <blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> Loopers,<br> <br> =
I just wanted to thank everyone for the help over the last year. I've =
learned alot from just lurking and asking the occasional questions. I =
would also like to thank Luca from Italy for sending me that EDP =
manual.<br> <br> Here is loop I did after sorting through some old =
family video.<br> It is through my EDP.<br> <br> <a =
href=3D"http://www.youtube.com/watch?v=3D7vEzb0TzvOY" =
target=3D"_blank">http://www.youtube.com/watch?v=3D7vEzb0TzvOY</a><br> =
<br> Thanks<br> Todd Chambeau<br> </blockquote> <br> =
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, =
an introspective textural aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br> <a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br> <br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br> <br></blockquote></div><br></div></div></body></html>=

--Apple-Mail-3-436086965--

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Subject: the magic act
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I'm glad you brought this up, Christopher.

One of my frequent goals in looping is to try to not sound like I'm
looping., or to blur the line between what is looped and what is live.
I often get the impression of performing some slight-of-hand tricks as
well. Some of the stuff I do:

--Try to cover up the "seam" of the loop with more material, so there
isn't that obvious start/stop point. Any given point in the loop is in
the middle of something happening.

--Play something ultra simple with 'holes' into the loop, then fill in
the holes live. (Or a variation, play 'call and response' with your
loop.)

--Imitate the loop on your instrument while changing the original loop
settings. (Reverse, half speed, etc.)

--Create loops of different lengths (on different devices) that are
long periods of silence punctuated by only one or two notes. Play
something live that these notes will change the character of when they
appear.

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


Christopher Darrow <thedarrow@gmail.com> was like:
>
> Looping is a juggling act, and a bit of magic. It takes a bit of slight of
> hand to keep all the balls in the air.
> I think whatever is done with INTENTION to achieve this "counts."
> When I say that looping is a juggling act, I mean that (back when I was
> looping all the time) I found that something new must constantly be added to
> the loop for it to remain interesting. (To me or the audience... I make no
> distinction.) So I found the shortest possible means of "building" each of
> my songs. (Not that I always chose that route, but good to have the musical
> "straight line" on tap.)
> But sometimes, there is just some necessary space that has to happen...
> while switching instruments, letting a cycle finish, whatever. So sometimes
> I would throw in a line of vocals or even something as simple as smacking
> all the open guitar strings so they'd ring and fade, or perhaps an
> unnecessary momentary reverse. Anything to keep it feeling live.
> (I also found that the mix needed to be at about 60-65% loop to make up for
> the extra energy and volume of the live inputs or else the loop would
> automatically feel stale and canned right away. But I can't fit that into my
> juggling metaphor.)
...

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When I fly with gear, it's a drum machine and a large number of
pedals, usually wrapped in towels in a rolling suitcase. (Since the
equipment boxes are too large to pack so tightly.)

When I flew with gear earlier this year, I got stuck in TSA purgatory.
One agent was already checking out my first bag when the xray agent
called for an agent for the second bag. There wasn't a second agent
available. The first agent couldn't leave my already-open first bag to
collect my second bag. The x-ray agent couldn't bring it over without
leaving his station, and neither agent trusted me to carry the second
bag to the examination table. So we all stood there in suspended
animation (holding up the line) until a third agent came back from his
break.

Matt



On Wed, Dec 30, 2009 at 12:29 PM, Toby G <carpet8@mac.com> wrote:
> "No matter how many wires are in my carry on"
>
> The more the better.=A0 The more obvious you are about what you are doing=
, the
> less you will be questioned.=A0 A little matchbox with a couple resistors=
 in
> it hidden in your sock will get ya caught.
>
> t
>

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Date: Wed, 30 Dec 2009 18:04:58 -0500
Message-ID: <9e0440a60912301504i78a93e2dp95a0080ad9b280f4@mail.gmail.com>
Subject: Re: the magic act
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016364d1fdde4d532047bfa2a7b
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Good thoughts as I think about this quite a bit as I've brought looping into
my world.  I will say though that I have been more guilty of the 'knee jerk'
reaction to just hit record and keep adding to it in more of a repetitive
process than a process where I"m thinking about 'twist this' or 'lower
that'.  Maybe it's just inexperience but the whole thing is a bit like a
first date when one is going 'I should have done this' or 'said that'.
Point is I personally need to think more about Matt's ideas when I'm going
live and not just aimlessly respond and layer sounds.  At times luck leads
me but hindsight is I can use these observations in what I"m doing with
looping.

On Wed, Dec 30, 2009 at 5:49 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> I'm glad you brought this up, Christopher.
>

--0016364d1fdde4d532047bfa2a7b
Content-Type: text/html; charset=ISO-8859-1
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Good thoughts as I think about this quite a bit as I&#39;ve brought looping=
 into my world.=A0 I will say though that I have been more guilty of the &#=
39;knee jerk&#39; reaction to just hit record and keep adding to it in more=
 of a repetitive process than a process where I&quot;m thinking about &#39;=
twist this&#39; or &#39;lower that&#39;.=A0 Maybe it&#39;s just inexperienc=
e but the whole thing is a bit like a first date when one is going &#39;I s=
hould have done this&#39; or &#39;said that&#39;.=A0 Point is I personally =
need to think more about Matt&#39;s ideas when I&#39;m going live and not j=
ust aimlessly respond and layer sounds.=A0 At times luck leads me but hinds=
ight is I can use these observations in what I&quot;m doing with looping.<b=
r>
<br>
<div class=3D"gmail_quote">On Wed, Dec 30, 2009 at 5:49 PM, Matt Davignon <=
span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon=
@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">I&#39;m glad you brought this up=
, Christopher.<br></blockquote></div>

--0016364d1fdde4d532047bfa2a7b--

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wonderful todd!.....i love home movies.....fits right in with the=20
discussion on music and videos......perhaps the "whole is greater than=20
the sum of it's parts"......m


=C2=A0
http://www.youtube.com/watch?v=3D7vEzb0TzvOY=C2=A0
=C2=A0
Thanks=C2=A0
Todd Chambeau=C2=A0
=C2=A0

 =20

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Date: Wed, 30 Dec 2009 18:27:06 -0500
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At 2:49 PM -0800 12/30/09, Matt Davignon wrote:
>I'm glad you brought this up, Christopher.
>
>One of my frequent goals in looping is to try to not sound like I'm
>looping., or to blur the line between what is looped and what is live.
>I often get the impression of performing some slight-of-hand tricks as
>well. Some of the stuff I do:

....

>
>--Create loops of different lengths (on different devices) that are
>long periods of silence punctuated by only one or two notes. Play
>something live that these notes will change the character of when they
>appear.

Phasing is good. I've spent a lot of time working with analog 
sequencers and their digital equivalents -- e, g. on the Nord 
Modular. A little phasing can give the listener the feeling that the 
music is governed by a rule, but that the details of the rule cannot 
be pinned down.

>
>--
>Matt Davignon
>www.ribosomemusic.com
>Rigs! www.youtube.com/user/ribosomematt
>
>
>Christopher Darrow <thedarrow@gmail.com> was like:
>>
>>  Looping is a juggling act, and a bit of magic. It takes a bit of slight of
>>  hand to keep all the balls in the air.
>>  I think whatever is done with INTENTION to achieve this "counts."
>>  When I say that looping is a juggling act, I mean that (back when I was
>>  looping all the time) I found that something new must constantly be added to
>>  the loop for it to remain interesting. (To me or the audience... I make no
>>  distinction.) So I found the shortest possible means of "building" each of
>>  my songs. (Not that I always chose that route, but good to have the musical
>>  "straight line" on tap.)
>>  But sometimes, there is just some necessary space that has to happen...
>>  while switching instruments, letting a cycle finish, whatever. So sometimes
>>  I would throw in a line of vocals or even something as simple as smacking
>>  all the open guitar strings so they'd ring and fade, or perhaps an
>>  unnecessary momentary reverse. Anything to keep it feeling live.
>>  (I also found that the mix needed to be at about 60-65% loop to make up for
>>  the extra energy and volume of the live inputs or else the loop would
>>  automatically feel stale and canned right away. But I can't fit that into my
>>  juggling metaphor.)
>...


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

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Date: Wed, 30 Dec 2009 18:39:58 -0500
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: videos and music and intention
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At 10:12 AM -0800 12/30/09, Christopher Darrow wrote:
>Looping is a juggling act, and a bit of magic. It takes a bit of 
>slight of hand to keep all the balls in the air.
>
>I think whatever is done with INTENTION to achieve this "counts."

Hi,

As an occasional looper who spends most of his art time doing video 
and photography, I have to chime in here. Thanks Christopher, for 
changing the thread title from sales to intention, which is much more 
relevant to my interests.

My personal intentions as a video artist (and occasionally, as a 
composer/sound track arranger for my videos) is to make pieces (live 
or in studio) in which the video and music are balanced and 
complimentary, and neither medium dominates the other.

I certainly respect that some musicians prefer to present their music 
straight up, with no visual accompaniment. I agree that randomly 
tossing visual into a performance without regard to the music being 
played is not likely to be enlightening.

OTOH, for one of the pieces I've been working on this holiday 
vacation, I decided that a sketch I had been working on would go well 
with a piece of music that I wanted to work with, so I just put them 
together intentionally.

When I look at some of my recent work-in-progress, I find my mind 
drifting between listening to music with visual accompaniment and 
watching a video with a soundtrack. I take that as a sign that I am 
approaching the level of integration I am intending.

At 10:26 AM -0500 12/30/09, Warren Sirota wrote:
>
>Interestingly enough, I would probably prefer to perform with 
>someone fingerpainting with a project (a la Joshua Light Show, 
>Fillmore East, 1968) over someone manipulating video because of the 
>greater immediacy and (literal and functional) fluidity of the 
>former....

I can very much relate to this comment -- indeed seeing the Joshua 
Light Show is one of the things that inspired me to do the visual art 
that I've been making for the past 40 years. Liquid lights have a 
physical immediacy that nothing I can do with a video mixer can match.

Indeed I have to work to avoid the trap of trying to be as physical 
in my mixing as the musicians. If I am too physical, my imagery 
becomes too cluttered. I find I'm best off combining material that 
seems to fit the music and making slow changes in response to it.

In my ideal performance scenario, I'd work with musicians who were 
comfortable reacting to imagery, and we would collectively work out 
structural improvisations based on musical and visual motifs that we 
developed.

In the real world of single to low double digit audiences and rigs 
(especially my own) too big to make rehearsals practical even if 
everyone had the time, I work improvisationally with the musical 
situation, and try to compliment the music with my visuals as best I 
can.

I could go on at length, but I have two or three pieces I'd like to 
finish before it is back to work on Monday

At 10:12 AM -0800 12/30/09, Christopher Darrow wrote:
>Looping is a juggling act, and a bit of magic. It takes a bit of 
>slight of hand to keep all the balls in the air.
>
>I think whatever is done with INTENTION to achieve this "counts."
>
>When I say that looping is a juggling act, I mean that (back when I 
>was looping all the time) I found that something new must constantly 
>be added to the loop for it to remain interesting. (To me or the 
>audience... I make no distinction.) So I found the shortest possible 
>means of "building" each of my songs. (Not that I always chose that 
>route, but good to have the musical "straight line" on tap.)
>
>But sometimes, there is just some necessary space that has to 
>happen... while switching instruments, letting a cycle finish, 
>whatever. So sometimes I would throw in a line of vocals or even 
>something as simple as smacking all the open guitar strings so 
>they'd ring and fade, or perhaps an unnecessary momentary reverse. 
>Anything to keep it feeling live.
>
>(I also found that the mix needed to be at about 60-65% loop to make 
>up for the extra energy and volume of the live inputs or else the 
>loop would automatically feel stale and canned right away. But I 
>can't fit that into my juggling metaphor.)
>
>So if some video slight-of-hand can expand the psychological 
>experience of freshness by offering additional stimulus, great. I 
>would add that it should be, as I say, "intentional" but everything 
>is really, to some degree, just by the simple choice of what  video 
>to add. The more intention put into it, the more it "counts" as a 
>legit "musical (aka experiential) element."
>
>When I start looping again, I will be triggering video loops live as 
>well, saving those video clips with various lengths of sound bites 
>for the more "experimental/challenging*/soundscapey/whatever" 
>sections that stitch the songs together.
>
>* Regarding the word "challenging..." I get the meaning, and there 
>is truth to the idea that music may be harder to listen to if it 
>breaks certain culturally learned attributes, but one (speaking to 
>myself here as well as most loopers) must be careful not to use this 
>dynamic as cover for music that's just not fully evolved yet. 
>Because when we get it right, when it truly resonates (rather then 
>something masturbatory or without some new symmetry or other element 
>of true beauty) then that cultural bias is mostly negated.
>
>As for sales... so far I've done everything at a (huge) loss, and 
>mostly for myself. But I do feel that when things are done with 
>intention and from the heart, they succeed.  (So do corporately 
>chosen and backed teen musicians that fit the latest provenly 
>marketable archetypes. There's more then one route. Which reminds 
>me...)  If there's some rich looper on this list who wants to invest 
>in something cool, let me know! I'll tell you what I'm up to and the 
>final components I need!
>
>
>---Christopher.
>
>
>
>On Dec 30, 2009, at 7:26 AM, Warren Sirota wrote:
>
>>Nice discussion.
>>
>>I've played with unrehearsed, uncoordinated visuals on several 
>>occasions. I have not liked the results. As an audience member, I 
>>have frequently seen visuals that, while interesting enough, were 
>>so randomly related to the music that I had to shut my eyes in 
>>order to hear the music (forcing me not to see the performers, 
>>however boring or unboring they might have been).
>>
>>I agree with Per - if you want to have visuals, integrate it into 
>>your art. become a multimedia artist, or work closely with one and 
>>develop an approach that means something.
>>
>>
>>Interestingly enough, I would probably prefer to perform with 
>>someone fingerpainting with a project (a la Joshua Light Show, 
>>Fillmore East, 1968) over someone manipulating video because of the 
>>greater immediacy and (literal and functional) fluidity of the 
>>former....
>>
>>--
>>Warren
>><http://www.warrensirota.com>http://www.warrensirota.com
>>NEW CD: Loops, Live & Otw
>><http://www.cdbaby.com/cd/warrensirota>http://www.cdbaby.com/cd/warrensirota


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 03:57:50 2009
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Warren Sirota wrote:
*"I've played with unrehearsed, uncoordinated visuals on several 
occasions. I have not liked the results.
As an audience member, I have frequently seen visuals that, while 
interesting enough, were so randomly
related to the music that I had to shut my eyes in order to hear the 
music (forcing me not to see the performers,
however boring or unboring they might have been)."*

I hear what you are saying (or perhaps I should say,  I see what you are 
saying),  Warren,  but
what occurs to me is that it all depends on the quality and 
appropriateness of the visuals that accompany
a looping artist (or any artist) even if they are uncoordinated and 
unrehearsed.

I've actually played with a lot of really excellent interactive video 
artists in my own live looping career to varying degrees of success.
I've also played a lot of shows with random visuals that seemed highly 
inappropriate or distracting.

Let's face it, there are just some visual artists who just don't think 
musically and consequently don't accompany very well.

But for all of those insensitive or perhaps just inexperienced video 
accompanists, there are wonderful artists like our own Dr. Emile 
Tobenfeld, 
Peter Knudsen (who did exquisite video improvisations for the Y2K8 
Loopfestival in Santa Cruz), 
David Tristram (who does live interactive digital animation and has 
toured, doing world class
visuals with people like the Dead and the Stones) or Henry Kaiser's 
exquisite set, creating a  live 'soundtrack' to his amazing
Antarctic under ice cap ocean videos.

I don't know how many people caught Norwegian Peter Knudsens' work
at Y2K8 but I thought it was beautifully enhancing to the whole 
experience and he 'read' the energy of every performance
really effectively.     I thought that Y2K8 was far more visually 
compelling in a way that enhanced performances than
Y2K9 which had no video at all.

In this way,  some of the video was stylistically coordinated if not 
specifically rhythmically coordinated.

I do have to say that after having a really hard time getting anyone to 
do visuals for the Y2K9 festival (mostly due to lack of time and
energy because the festival became so overwhelming in the final three 
months before it happened)  that when I see Jim Goodin's video
sampler,  it all looks depressingly drab after a few acts because the 
background lights were completely static.   Y2K9 was arguably
the strongest loop festival I've ever produced in terms of the overall 
level of all of the performances but it was visually
mesmerizing in a way that, for me,  weakened the impact.

Of course, visually compelling live loopers certainly don't need extra 
visuals.    I think of the amazing performance that Lumper/Splitter
did at the Boise Creative Music Festival a couple of years back with 
their 'guitar' operation theme,  or Margaret Noble spinning
her rings on her miced table at Y2K8.

There are also instances like Lili Lewis' brilliant solo voice (with 
only and RC2 and no effects) performance at the Y2K9 Festival
where adding nothing was entirely the ticket.

So,  I think that all of these instances have to be taken on a 
performance to performance basis to really get
an accurate analysis of the efficacy of adding video to live looping 
performances rather than deciding on a blanket assessment of
augmentive or diminishing qualities of  the same.

And hey, guess what,   that's exactly the same approach that needs to be 
taken with each live looping artists' performance style.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 08:30:12 2009
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Date: Thu, 31 Dec 2009 09:31:50 +0100
From: Massimo Liverani <liverani@het.it>
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To: Loopers-Delight@loopers-delight.com
CC: Todd Chambeau <tchambeau@comcast.net>
Subject: Re: New Loop
References: <565035.47996.qm@web55203.mail.re4.yahoo.com>,<999159.7852.qm@web81004.mail.mud.yahoo.com> <COL118-W118183CE32C634E9BBC7EFDB790@phx.gbl> <7CF79633-5234-4AD7-B95D-E649494E2873@comcast.net>
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--------------050904090505000202090706
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Wanderful Todd! with this you have touched some deep chords inside me, <br>
thing that let me remember that this community&nbsp; is made of fantastic
people and fantastic musician...<br>
yes the whole is more than the sum of its parts! <br>
Thanky you for sharing with us your personal and precious feelings!<br>
<br>
greeetings from Florence, Italy<br>
Max Liver&nbsp; <br>
<br>
Il 30/12/2009 18.02, Todd Chambeau ha scritto:
<blockquote cite="mid:7CF79633-5234-4AD7-B95D-E649494E2873@comcast.net"
 type="cite"><br>
Loopers,
  <br>
  <br>
I just wanted to thank everyone for the help over the last year. I've
learned alot from just lurking and asking the occasional questions. I
would also like to thank Luca from Italy for sending me that EDP
manual.
  <br>
  <br>
  <br>
Here is loop I did after sorting through some old family video.
  <br>
It is through my EDP.
  <br>
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.youtube.com/watch?v=7vEzb0TzvOY">http://www.youtube.com/watch?v=7vEzb0TzvOY</a>
  <br>
  <br>
Thanks
  <br>
Todd Chambeau
  <br>
  <br>
  <br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.08040602.07090000@het.it" border="0"></div>
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luq8b6zZL//pf/v6v//83//+//8A8U/gQIIFDR5EmFDhQoYJAwIAOw==
--------------050904090505000202090706--

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Date: Thu, 31 Dec 2009 06:34:40 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EST/GMT-5/ITZ-5) on Galactic Travels, I'll conclude
the month-long Special Focus on Indra.  The Featured CD at Midnight
will be "Tripura Bhairavi," the fifth of the Special Edition Tantric
Celebration albums.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.

From sayidi_ali100@sify.com  Thu Dec 31 11:50:15 2009
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Date: Thu, 31 Dec 2009 17:20:05 +0530 (IST)
From: Alhaji Sayidi Ali <sayidi_ali100@sify.com>
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Subject: ASSIST ME TRANSFER THIS FUND OVER TO YOUR COUNTRY
To: undisclosed recipients: ;
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ASSIST ME TRANSFER THIS FUND OVER TO YOUR COUNTRY=20

Dear Friend,=20

In confidence and trust I propose this profitable business transaction to y=
ou. I work with African Development Bank Burkina Faso. Audit in the Bank co=
nducted few years ago revealed that a sum of USD$8.3million was in our Bank=
 unclaimed. Thereafter, I investigated and found out that the owner perishe=
d in motor accident year 2000 along side his next of Kin.=20

The name of the deceased Customer is Mr. Park Yunjung, from Korea. He natur=
alized in our Country for years before he perished along with his next of k=
in in motor accident year 2000. He naturalized in our Country for years bef=
ore he perished along with his next of kin in Car accident year 2000, He wa=
s a contractor and also the major supplier of Agricultural Equipments in We=
st Africa.=20

I am soliciting your assistance to see that this transaction is successfull=
y completed, and subsequent upon will be invested in your country .Everythi=
ng has been put in place for a hitch-free transaction.=20

Please for further information and enquiries feel free to contact me back i=
mmediately for more explanation and better understanding.=20

Hoping to have a mutual business relationship.=20

I wait your urgent response.=20

Regards,=20
Alhaji Sayidi Aliu.=20
African Development Bank.=20
Burkina Faso=0A=0A=0A      The INTERNET now has a personality. YOURS! See y=
our Yahoo! Homepage. http://in.yahoo.com/
--0-361014557-1262260205=:6578
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>ASSIST ME TRANSFER THIS FUND OVER TO =
YOUR COUNTRY <BR><BR>Dear Friend, <BR><BR>In confidence and trust I propose=
 this profitable business transaction to you. I work with African Developme=
nt Bank Burkina Faso. Audit in the Bank conducted few years ago revealed th=
at a sum of USD$8.3million was in our Bank unclaimed. Thereafter, I investi=
gated and found out that the owner perished in motor accident year 2000 alo=
ng side his next of Kin. <BR><BR>The name of the deceased Customer is Mr. P=
ark Yunjung, from Korea. He naturalized in our Country for years before he =
perished along with his next of kin in motor accident year 2000. He natural=
ized in our Country for years before he perished along with his next of kin=
 in Car accident year 2000, He was a contractor and also the major supplier=
 of Agricultural Equipments in West Africa. <BR><BR>I am soliciting your
 assistance to see that this transaction is successfully completed, and sub=
sequent upon will be invested in your country .Everything has been put in p=
lace for a hitch-free transaction. <BR><BR>Please for further information a=
nd enquiries feel free to contact me back immediately for more explanation =
and better understanding. <BR><BR>Hoping to have a mutual business relation=
ship. <BR><BR>I wait your urgent response. <BR><BR>Regards, <BR>Alhaji Sayi=
di Aliu. <BR>African Development Bank. <BR>Burkina Faso</td></tr></table><b=
r>=0A=0A=0A=0A      <!--1--><hr size=3D1></hr> =0AThe INTERNET now has a pe=
rsonality. YOURS! <a href=3D"http://in.rd.yahoo.com/tagline_yyi_1/*http://i=
n.yahoo.com/" target=3D"_blank">See your Yahoo! Homepage</a>.
--0-361014557-1262260205=:6578--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 12:44:47 2009
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Date: Thu, 31 Dec 2009 13:44:41 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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 Sessions
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This is a multi-part message in MIME format.
--------------070903000904090802010808
Content-Type: text/plain; charset=ISO-8859-15; format=flowed
Content-Transfer-Encoding: 8bit

MSSS Cover
For those of you who've spent time listening to/watching my bi-weekly 
virtual concert series, this does not come as a surprise: an album 
compiling the highlights (from my point of view) of this series in 2009 
has been released as "The MoinSound Studio Sessions 
<http://moinlabs.de/index.php?id=282>" (or MSSS for short).

But - and this explanation especially for those who haven't been "there" 
- what does it contain?
MSSS can be seen as a combination of my trombone-and-vocals approach as 
presented on my 2008 World Tour and on the Wie groß ist die Luft ? 
<http://moinlabs.de/index.php?id=275> album, and the earlier, highly 
multi-instrumentalist work e.g. on Weird Specialist 
<http://moinlabs.de/index.php?id=273>.

The sessions, and those who have been following them dutifully (thanks 
again!) may second that, were as much a basis for experiments as they 
were a proper concert series - and with that comes the challenge to 
compile a somewhat coherent album from it - yet, with nearly ten hours 
of recorded music available, this can (and did) work.

Musically, the usual freely-improvised approach which I've been 
following since 2000 is combined with heavy use of what people call 
"advanced looping techniques", making use especially of those clever EDP 
techniques of odd multiplys and SusOverdub, made even more complex by 
the application of Mobius' <http://www.circularlabs.com/> multiple 
tracks. The heavily effected trombone and vocal noises find companions 
in melodica, soprano saxophone, Eighties' synths, recorder, acoustic and 
electric guitar and bass guitar and bits of noise electronics.

On eight proper tracks, divided evenly by three short intermezzos, the 
album goes from lush synth melodies ("Chronologically Gifted") to 
EDPified distorted guitar ("Leather Allergy"), from odd meters 
("Sequencing Bad Mojo") to avantgarde-dub-reggae (with bass noises and 
screaming filtered delays on "Life in High-Dimensional Spaces") and all 
the way in between.

The album is both available for download (FREE!) and for purchase - and 
although purchasing it costs dear money, I would go as far as suggesting 
it, because I believe the cover art just rules!
Website Link: http://moinlabs.de/index.php?id=282
Shop Link: http://kunaki.com/sales.asp?PID=PX00ZGZZXJ

(And while you're there, you may as well take a look at my reorganized 
website)

Any feedback is welcome!

With all the best wishes for the coming year,

             Rainer

ps: People who've been following my last releases will find that, unlike 
the last three albums, this one does not appear on Jamendo 
<http://www.jamendo.com/en/artist/straschill/>, rather on Bandcamp. Why 
is that, you ask? Unfortunately, Jamendo, which is a hosting service 
with listener and artist community for CC-licensed music, has gone the 
way of everything CC/free information/other forms of modern information 
managment in the French- or German-speaking world. While the idea of 
this and similar projects (wikipedia, archive.org,...) is to grant a 
free access to information both for authors and consumers, countries and 
nationalities with a tendency to certain stalinist/faschist practices 
are obviously not a place for this to work. The most stunning example is 
the German version of Wikipedia, which has been for some time firmly in 
the grasp of persons who oviously believe that the world of CC and free 
information is a proper playground for Blockwarts and Reichsführer, out 
of their regular former jobs at least since the demise of the GDR. That 
means that (both in the case of German-language wikipedia and, in a 
worse form on Luxembourg-based jamendo) some personae hold a firm grip 
on which information they deem worthy and which one they do not (based 
on non-transparent rules of their own making). To avoid any confusion - 
it's not that anyone at Jamendo has actually  declined my work, but 
keeping an album in the release queue for more than ten days without 
result while I can sign up, upload and start streaming in less than 30 
minutes on Bandcamp clearly made Jamendo a no-go-area for me.

-- 
http://moinlabs.de


--------------070903000904090802010808
Content-Type: text/html; charset=ISO-8859-15
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<img alt="MSSS Cover"
 src="http://moinlabs.de/typo3temp/pics/e4203ef5fb.jpg"
 moz-do-not-send="true" height="160" width="160"><br>
<font face="Helvetica 55 Roman">For those of you who've spent time
listening to/watching my bi-weekly virtual concert series, this does
not come as a surprise: an album compiling the highlights (from my
point of view) of this series in 2009 has been released as "<a
 href="http://moinlabs.de/index.php?id=282">The MoinSound Studio
Sessions</a>" (or MSSS for short).<br>
<br>
But - and this explanation especially for those who haven't been
"there" - what does it contain?<br>
MSSS can be seen as a combination of my trombone-and-vocals approach as
presented on my 2008 World Tour and on the <a
 href="http://moinlabs.de/index.php?id=275">Wie groß ist die Luft ?</a>
album, and the earlier, highly multi-instrumentalist work e.g. on <a
 href="http://moinlabs.de/index.php?id=273">Weird Specialist</a>. <br>
<br>
The sessions, and those who have been following them dutifully (thanks
again!) may second that, were as much a basis for experiments as they
were a proper concert series - and with that comes the challenge to
compile a somewhat coherent album from it - yet, with nearly ten hours
of recorded music available, this can (and did) work.<br>
<br>
Musically, the usual freely-improvised approach which I've been
following since 2000 is combined with heavy use of what people call
"advanced looping techniques", making use especially of those clever
EDP techniques of odd multiplys and SusOverdub, made even more complex
by the application of <a href="http://www.circularlabs.com/">Mobius'</a>
multiple tracks. The heavily effected trombone and vocal noises find
companions in melodica, soprano saxophone, Eighties' synths, recorder,
acoustic and electric guitar and bass guitar and bits of noise
electronics.<br>
<br>
On eight proper tracks, divided evenly by three short intermezzos, the
album goes from lush synth melodies ("Chronologically Gifted") to
EDPified distorted guitar ("Leather Allergy"), from odd meters
("Sequencing Bad Mojo") to avantgarde-dub-reggae (with bass noises and
screaming filtered delays on "Life in High-Dimensional Spaces") and all
the way in between.<br>
<br>
The album is both available for download (FREE!) and for purchase - and
although purchasing it costs dear money, I would go as far as
suggesting it, because I believe the cover art just rules!<br>
Website Link: <a href="http://moinlabs.de/index.php?id=282">http://moinlabs.de/index.php?id=282</a><br>
Shop Link: <a href="http://kunaki.com/sales.asp?PID=PX00ZGZZXJ">http://kunaki.com/sales.asp?PID=PX00ZGZZXJ</a><br>
<br>
(And while you're there, you may as well take a look at my reorganized
website)<br>
<br>
Any feedback is welcome!<br>
<br>
With all the best wishes for the coming year,<br>
<br>
             Rainer<br>
<br>
ps: People who've been following my last releases will find that,
unlike the last three albums, this one does not appear on <a
 href="http://www.jamendo.com/en/artist/straschill/">Jamendo</a>,
rather on Bandcamp. Why is that, you ask? Unfortunately, Jamendo, which
is a hosting service with listener and artist community for CC-licensed
music, has gone the way of everything CC/free information/other forms
of modern information managment in the French- or German-speaking
world. While the idea of this and similar projects (wikipedia,
archive.org,...) is to grant a free access to information both for
authors and consumers, countries and nationalities with a tendency to
certain stalinist/faschist practices are obviously not a place for this
to work. The most stunning example is the German version of Wikipedia,
which has been for some time firmly in the grasp of persons who
oviously believe that the world of CC and free information is a proper
playground for Blockwarts and Reichsführer, out of their regular former
jobs at least since the demise of the GDR. That means that (both in the
case of German-language wikipedia and, in a worse form on
Luxembourg-based jamendo) some personae hold a firm grip on which
information they deem worthy and which one they do not (based on
non-transparent rules of their own making). To avoid any confusion -
it's not that anyone at Jamendo has actually  declined my work, but
keeping an album in the release queue for more than ten days without
result while I can sign up, upload and start streaming in less than 30
minutes on Bandcamp clearly made Jamendo a no-go-area for me.<br>
<br>
</font>
<pre class="moz-signature" cols="72">-- 
<a class="moz-txt-link-freetext" href="http://moinlabs.de">http://moinlabs.de</a></pre>
</body>
</html>

--------------070903000904090802010808--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 12:59:32 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <565035.47996.qm@web55203.mail.re4.yahoo.com>,<999159.7852.qm@web81004.mail.mud.yahoo.com> <COL118-W118183CE32C634E9BBC7EFDB790@phx.gbl> <7CF79633-5234-4AD7-B95D-E649494E2873@comcast.net>
Subject: Re: New Loop
Date: Thu, 31 Dec 2009 12:59:28 -0000
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Very nice playing, Todd. I really enjoyed the way it developed from the 
simple beginning into something quite beautiful and unexpected. Thanks for 
sharing it with us.

I hope to hear more of your music soon!

Steve

www.stevemoyes.org.uk

----- Original Message ----- 
From: "Todd Chambeau" <tchambeau@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, December 30, 2009 5:02 PM
Subject: New Loop


>
> Loopers,
>
> I just wanted to thank everyone for the help over the last year. I've 
> learned alot from just lurking and asking the occasional questions. I 
> would also like to thank Luca from Italy for sending me that EDP manual.
>
>
> Here is loop I did after sorting through some old family video.
> It is through my EDP.
>
>
> http://www.youtube.com/watch?v=7vEzb0TzvOY
>
> Thanks
> Todd Chambeau
>
> 


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Date: Thu, 31 Dec 2009 14:13:24 +0100
Message-Id: <200912311313.nBVDDOTO021068@ns354869.ovh.net>
To: looparc@loopers-delight.com
Subject: CONTACT THEM AND GET BACK TO ME has forwarded a page to you from Boris Tchoubanoff
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Reply-To: oficefile@neu.com.cn
From: oficefile@neu.com.cn

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"   
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
   <head>
     <style>
       <!--
         html, body {margin:0; padding:0; background-color:#fff;}
         #container {margin:0 auto; width:670px; font:normal 10pt  
arial,helvetica,sans-serif;}
         #header {width:670px; margin:0; text-align:center;}
         #body {width:630px; margin:0; padding:5px 20px; text-align:left;  
background-color:#fff;}
         #footer {width:670px; height:35px; margin:0; padding:5px 0 0 0;  
font-size:9pt; text-align:center; color:#fff;}
         .ad_footer, .message, .article  {font-size:10pt; padding:0;}
         .frm_title, .frm_txt {font-size:12pt;}
         .frm_txt {padding-bottom:15px;}
         .links {font-size:10pt; font-style:italic;}
         .article_title {font-size:12pt;}
         .dyn_content { padding-top:10px;}
       -->
     </style>
     <base href="http://www.boris-tchoubanoff.com/" />
   </head>
   <body>
     <div id="container">
       <div id="header"><a href="http://www.boris-tchoubanoff.com/"><img  
src="" border="0" alt="Boris Tchoubanoff"></a></div>
       <div id="body">
         <div class="frm_txt"><a href="mailto:oficefile@neu.com.cn">CONTACT  
THEM AND GET BACK TO ME</a> thought you would like to see this page from the  
Boris Tchoubanoff web site.</div>
         <div class="frm_title">Message from Sender:</div>
         <div class="frm_txt"><p><b>Good Day,<br />
<br />
I have register your Bank Draft. but the manager of Bank OF ENGLAND told<br  
/>
me that before the check will get to you that it will expire. So I told<br />
him to cash $1.500,000.00 all the necessary arrangement of delivering the<br  
/>
$1.500,000.00 in cash was made with Mayland Logistics Courier<br />
Service. This is the information you will use to contact them for<br />
delivering of your package to you with Mayland Logistics Courier<br />
Service<br />
<br />
NOW CONTACT THEM WITH THIS INFORMATION.<br />
Mayland Logistics Courier Service<br />
72-73 Mills Street, Accra- Ghana<br />
Hot line: +233-24-1776501<br />
PERSON TO CONTACT: Dir. Mr.Lordson Khophy<br />
E-mail: lordsonkhoph@live.com<br />
<br />
Please, Send them your contacts information to able them locate you<br />
immediately they arrived in your country with your BOX This is what they<br  
/>
need from you.<br />
<br />
1.YOUR FULL NAME:__________________<br />
2.YOUR HOME ADDRESS:______________<br />
3.YOUR CURRENT HOME TELEPHONE NUMBER:__________<br />
4.YOUR CURRENT OFFICE TELEPHONE:__________<br />
5.A COPY OF YOUR PICTURE:________<br />
6.COMPANY REGISTRATION NO: EG58945.<br />
7.CODE NO: 0140479.<br />
<br />
Note that this is there E-mail contact ( lordsonkhoph@live.com ) Please  
make<br />
sure you send this needed infoâ€™s to the Director general of Mayland  
Logistics Courier Service with the<br />
address given to you. TAKE NOTE: Mayland Logistics Courier Service,<br />
don&#039;t know the contents of the Box. I registered it as a Box of an  
FILM<br />
MATERIAL. They don&#039;t know that the contents is money. This is to  
avoid<br />
them delaying with the Box. Don&#039;t let them know that is money that is  
in<br />
that Box.<br />
<br />
Thanks and Remain Blessed.<br />
Mr. Ken Mills (Esq.)</b></p></div>
         <div><b><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Boris  
Tchoubanoff</a></b>
         </div>
         <div class="article"><p>Celebrated French artist, Boris Tchoubanoff,  
is known for his romantic style of painting, titled â€œRomantic  
Impressionismâ€. Boris draws much inspiration from painters such as Monet,  
Sargent, Sorolla, Zorn &amp; Fechin. Born in Saint-Petersburg, recipient of  
diploma of architecture from Imperial Academy of Arts of  
Saint-Petersburg.</p>
</div>
         <div class="links"><a  
href="http://www.boris-tchoubanoff.com/forward/emailref?path=node/25">Click  
here to read more on our site</a></div>
         <div class="dyn_content"><br /></div>
         <div class="ad_footer"><br /> <br></div>
       </div>
       <div id="footer"> </div>
     </div>
   </body>
</html>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 14:07:28 2009
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Date: Thu, 31 Dec 2009 15:07:23 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: videos and music and intention
References: <565035.47996.qm@web55203.mail.re4.yahoo.com> <2E67105CEB444B7C890414837FC8B275@jtc> <4B3B3EEF.9030903@mnet-online.de> <2871c3a90912300505s7b1317f7nec7d78aa7de26fb@mail.gmail.com> <101191640912300726h4991cac8gc3bcc9be299f9258@mail.gmail.com> <0AC0F397-59DC-42B5-A8EE-EC3AD7734869@gmail.com> <4160D03B-5F37-4568-AA7C-568D8FDC7226@charter.net>
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Ted,

a little bit wisecracky again, and I'm sorry for that, but for me it 
makes a difference in what you're stating in your message:
>
> Vivaldi's "Rite of Spring" had nothing at all to do with my work and 
> might (even so) be wafting about on speakers somewhere but it didn't 
> bother me.
> [...]
> I doubt if anyone was there to hear the Vivaldi - though I am sure it 
> made the evening more pleasant (less tedious) for some.
Are you referring to "La Primavera" (Spring) form "Le quattro Stagioni" 
(The Four Seasons) by Vivaldi, or rather "Le Sacre du Printemps" (The 
Rite of Spring) by Igor Stravinsky?

While Vivaldi's Four Seasons had been "educated muzak" for a long time 
in galleries and chic restaurants alike (before they got replaced by 
Jarret's Köln Concert), Stravinsky making the evening more pleasant 
would hint at a very appreciative crowd...

          Rainer

-- 
http://moinlabs.de

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 14:25:21 2009
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Subject: Re: videos and music and music sales
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On Dec 30, 2009, at 10:34 AM, Matt Davignon wrote:

> I don't think there's any single concrete element one can add to any
> type of music to make people accept it more. By concrete elements, I'm
> talking about things like video, audience participation, unusual
> instruments, cowbell, synth washes, drum machines, etc.

lol @ cowbell.. :-)

Cheers,

Reyn

www.reyn.net
www.reyn.vs.reyn.net

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 15:06:23 2009
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This is like the most funny email I read in ages.... and sooo right. ;-)

Anyone seen Jon Brion doing his friday shows in Largo lately? He's doing =
some really interesting video/music triggering with his looping..

Cheers,

Reyn

www.reyn.net
www.reyn.vs.reyn.net

> Oh come on.. whats all this bollocks about visuals taking away from =
the music.. What it does is takes the focus away from some slightly =
podgy balding muso twiddling knobs and staring at a laptop, cos it fits =
thankfully in a genre where one isnt expected to leap about and go =
"Hello Cleveland!"=20
>=20
> Lets face it, our music is pretty challenging, but we LOOK fucking =
boring!!=20
> If you are so serious a musician that you are worried that people =
won=B4t listen to your poly-rhythms quite right or hear your subtle =
overtones or contemplate the spiralling-morphic nature of the series of =
ever-intertwining sound tones.. then you shouldnt be playing live at =
all...
>=20
> Of course visuals add something to the music, but the same can be said =
of Lights, dancing, beer, or a bad PA.=20
>=20
> Myself, I have done shows where the visuals were MADE by the music, =
Ive done shows where the singer was on video (My 80s bands technique =
actually, drum-machine left audio and singer right audio and video) Ive =
played along to old Black and White films, and my own films and Ive =
played films backwards...=20
>=20
> Unfortunately I cant seem to do much about fat tummy, the grey hair =
and I think my stage diving days at the end of the set days are sadly =
over...
>=20
> mark..
>=20
>=20

From vhost0014855@web04.nl03.pcextreme.nl  Thu Dec 31 15:23:53 2009
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To: looparc@loopers-delight.com
Subject: CONTACT HIM TODAY
From: Mr. Gregor Williams <gregorwilliams@mail.com>
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Hello My Good Friend
Good day and how are you today? Hope all is well with you and your family? I am using this opportunity to inform you that this multi-million-dollar business has been concluded with the assistance of another partner from India who financed the transaction to a logical conclusion. Due to your effort sincerity courage and trustworthiness you showed during the course of the transaction. I have left a certified international bank cheque for you worth  
of $1,200 000.00 Million Dollars cashable anywhere in the world.
Contact: Mr.Garry Blue
Cotonou Benin Republic.
His email address: garryblue_003@yahoo.com.hk
Therefore you should send him your full Name and telephone number/your correct mailing  
address where you want him to send the cheque to you.  
Thanks and God bless you and your family.
Mr.Gregor Williams



From benjamin_alper@consultant.com  Thu Dec 31 15:39:03 2009
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Reply-To: <benjamin_alpern@consultant.com>
From: "Mr. Benjamin Alpern." <benjamin_alper@consultant.com>
Subject: From  Mr. Benjamin 
Date: Thu, 31 Dec 2009 15:05:44 -0000
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Dear Sir/ Madam,

My name is Benjamin Alpern. I am 58 years old, from Canada, semi retired and presently facing one of the biggest challenges of my life. I am honest, determined and ambitious to a reasonable degree.

I am a close cousin of Ruth Alpern and I have worked as a consultant in procurements, supply and logistics mainly on supply contracts to the Far East, Asia and the Middle East.

I am in search of a business partner for the purpose of logistics and assistance towards the administration and release of a huge amount of money, (USD 16.1m).

Details of origin of funds will be forwarded to highly interested individual. I am willing to offer a very reasonable percentage on this venture for all assistance/logistics.

My offer is legitimate and above board I just happen to be one of the Fortunate victims of the Bernard Madoff fraud scandal.

Regards,

Mr. Benjamin Alpern. 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 15:53:53 2009
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Hi All,

It's been a tough year for me (and for many around the world!), but this
community has provided a consistent bright spot in my life. Thank you all
for sharing your music, your insights, your techniques, and in many cases
your friendship. It was so great seeing and meeting a lot of you at Y2K9
too!

May next year be a great one for all of us!

Best,
Warren

--001485f860faf12c1f047c0842eb
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Hi All,<br><br>It&#39;s been a tough year for me (and for many around the w=
orld!), but this community has provided a consistent bright spot in my life=
. Thank you all for sharing your music, your insights, your techniques, and=
 in many cases your friendship. It was so great seeing and meeting a lot of=
 you at Y2K9 too!<br>
<br>May next year be a great one for all of us!<br><br>Best,<br>Warren<br>

--001485f860faf12c1f047c0842eb--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 15:56:12 2009
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Subject: My last mp3 of 2009
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi loopers,
My last contribution of 2009, a semi-dark ambient soundscape which I
recorded this morning during a rehearsal session. Nord Wave, Bidule,
no Mainstage ;-) Enjoy and a happy 2010!

http://euroloopfest.com/premonitionfactory/demos/20091231.mp3

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 15:59:51 2009
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Subject: 'py YKX 2 U'll!
From: Per Boysen <perboysen@gmail.com>
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Happy New Whatever!
Keep the good loops coming!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:00:43 2009
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Date: Thu, 31 Dec 2009 11:00:40 -0500
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Subject: Re: Happy New Year, Friends
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--000e0cd1eb0e5565de047c085b6b
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Warren - Thanks and wishing you the best in 2010 and I hope it's a better
one for you.  It was great to connect again this past fall in Santa Cruz at
Y2K, very inspiring times as you echo'd.  Hope to see you sometime this new
year at a gig, fest or along the way.

All good things


Jim

On Thu, Dec 31, 2009 at 10:53 AM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> Hi All,
>
> It's been a tough year for me (and for many around the world!), but this
> community has provided a consistent bright spot in my life. Thank you all
> for sharing your music, your insights, your techniques, and in many cases
> your friendship. It was so great seeing and meeting a lot of you at Y2K9
> too!
>
> May next year be a great one for all of us!
>
> Best,
> Warren
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0cd1eb0e5565de047c085b6b
Content-Type: text/html; charset=ISO-8859-1
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<div>Warren - Thanks and wishing you the=A0best=A0in 2010 and I hope it&#39=
;s a better one for=A0you.=A0 It was great to connect again this=A0past fal=
l in Santa Cruz at Y2K, very inspiring times as you echo&#39;d.=A0 Hope to =
see you sometime this new year at a gig, fest or along the way.</div>

<div>=A0</div>
<div>All good things</div>
<div>=A0</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Thu, Dec 31, 2009 at 10:53 AM, Warren Sirota =
<span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsirota@wsde=
signs.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hi All,<br><br>It&#39;s been a t=
ough year for me (and for many around the world!), but this community has p=
rovided a consistent bright spot in my life. Thank you all for sharing your=
 music, your insights, your techniques, and in many cases your friendship. =
It was so great seeing and meeting a lot of you at Y2K9 too!<br>
<br>May next year be a great one for all of us!<br><br>Best,<br><font color=
=3D"#888888">Warren<br></font></blockquote></div><br><br clear=3D"all"><br>=
-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.mysp=
ace.com/CtReUse">www.myspace.com/CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--000e0cd1eb0e5565de047c085b6b--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:19:44 2009
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Subject: Happy New Year to All
Date: Thu, 31 Dec 2009 16:19:16 -0000
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Hi Folks,

Consider that despite the trouble worldwide this year that there have been 
some nice bits in there too.  For instance many of us started using systems 
like Facebook in earnest to promote their work; quite a number of us have 
also progressed from online jamming to video-audio live streaming for 
performances (again, thanks to a few forward-thinking folks on this very 
list), and the great results continue!

One should expect the best in the future, after the good 
gravel-path-dragging everyone's had the past few years.  And so Happy New 
Year, as Oz celebrates entering 2010... "the year we make contact", hm? :)

Cheers,
Stephen Goodman
* Twelve Days of Christmas #8 at 5pm GMT
* http://www.ustream.tv/channel/twelve-days-of-christmas-1---2009
http://www.earthlight.tv
http://www.ustream.tv/StephenGoodman
http://www.vimeo.com/spgoodman
http://www.myspace.com/spgoodman
 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:22:27 2009
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>
> Hi loopers,
> My last contribution of 2009, a semi-dark ambient soundscape which I
>   
To which I'd like this last contribution of 2009 (done yesterday). OT! 
No looping involved. It's more of a proof on concept, that you still can 
do nice stuff only using hardware synths (and a little bit of effects), 
and even sample-free.

A great new year to everybody. You guys rock!

          Rainer

-- 
http://moinlabs.de

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:28:11 2009
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Happy New Year to all!

Borrowing the words of a friend of mine (because I couldn't have put  
it better Myself): "I pray for peace, the end of war, the end of  
strife and futility, the flourishing of relationships, the healing of  
wounds, and that a truly lasting and profoundly liberating joy may  
elevate us all to a better, eternal world."

Blessings to all of you.

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:29:24 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Happy New Year, Friends
Date: Thu, 31 Dec 2009 11:28:58 -0500
X-AOL-IP: 96.224.211.152
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From: Harry Weinberg <harryesq@aol.com>
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Sentiments echoed from here.  Happy New Year and good things to all.


Regards,


Harry


Harry Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th Floor
New York, N.Y.  10013
(212) 989-2908



-----Original Message-----
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Dec 31, 2009 10:53 am
Subject: Happy New Year, Friends


Hi All,

It's been a tough year for me (and for many around the world!), but this=
 community has provided a consistent bright spot in my life. Thank you all=
 for sharing your music, your insights, your techniques, and in many cases=
 your friendship. It was so great seeing and meeting a lot of you at Y2K9=
 too!

May next year be a great one for all of us!

Best,
Warren

=20

----------MB_8CC584D7D222411_9B54_7CB2B_webmail-m084.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style=
-span" face=3D"Arial, Helvetica, sans-serif">Sentiments echoed from here.=
 &nbsp;Happy New Year and good things to all.</font>
<div><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif=
"><br>
</font></div>

<div><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif=
">Regards,</font></div>

<div><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif=
"><br>
</font></div>

<div><font class=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif=
">Harry<br>
</font><br>

<div style=3D"clear:both">Harry Weinberg, Esq.<br>
Law Offices of Harry Weinberg<br>
11 Beach Street - 8th Floor<br>
New York, N.Y.  10013<br>
(212) 989-2908</div>
<br>
<br>

<div style=3D"font-family:helvetica,arial; font-size: 10pt; color:black">-=
----Original Message-----<br>
From: Warren Sirota &lt;wsirota@wsdesigns.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Thu, Dec 31, 2009 10:53 am<br>
Subject: Happy New Year, Friends<br>
<br>







<div id=3D"AOLMsgPart_2_539ecf4e-734b-4726-8c1f-d658245eb52d">

Hi All,<br>
<br>
It's been a tough year for me (and for many around the world!), but this=
 community has provided a consistent bright spot in my life. Thank you all=
 for sharing your music, your insights, your techniques, and in many cases=
 your friendship. It was so great seeing and meeting a lot of you at Y2K9=
 too!<br>

<br>
May next year be a great one for all of us!<br>
<br>
Best,<br>
Warren<br>


</div>
 <!-- end of AOLMsgPart_2_539ecf4e-734b-4726-8c1f-d658245eb52d -->



</div>
</div>
</font>=3D

----------MB_8CC584D7D222411_9B54_7CB2B_webmail-m084.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:42:41 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
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Subject: Re: Happy New Year, Friends
Date: Thu, 31 Dec 2009 08:42:33 -0800
References: <101191640912310753w19aeb345i64cfb3dabafa8554@mail.gmail.com>
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Happy New Year Warren.

May it truly be a better one.

On Dec 31, 2009, at 7:53 AM, Warren Sirota wrote:

> Hi All,
>
> It's been a tough year for me (and for many around the world!), but  
> this community has provided a consistent bright spot in my life.  
> Thank you all for sharing your music, your insights, your  
> techniques, and in many cases your friendship. It was so great  
> seeing and meeting a lot of you at Y2K9 too!
>
> May next year be a great one for all of us!
>
> Best,
> Warren

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 16:43:07 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
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Subject: Re: My last mp3 of 2009
Date: Thu, 31 Dec 2009 08:43:05 -0800
References: <e89a49d30912310756y6883027dj405d17065bb75b52@mail.gmail.com>
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Loved the track Sjaak.

On Dec 31, 2009, at 7:56 AM, Sjaak Overgaauw wrote:

> Hi loopers,
> My last contribution of 2009, a semi-dark ambient soundscape which I
> recorded this morning during a rehearsal session. Nord Wave, Bidule,
> no Mainstage ;-) Enjoy and a happy 2010!
>
> http://euroloopfest.com/premonitionfactory/demos/20091231.mp3
>
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> http://euroloopfest.com/

From ali.abdul38@yahoo.com  Thu Dec 31 17:10:03 2009
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Date: Thu, 31 Dec 2009 09:09:54 -0800 (PST)
From: ALI ABDUL <ali.abdul38@yahoo.com>
Reply-To: ali.abdul38@yahoo.com
Subject: TRANSACTION OPPORTUNITY
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-512537701-1262279394=:9509"

--0-512537701-1262279394=:9509
Content-Type: text/plain; charset=iso-8859-1
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=A0
















=A0
=A0
Dear Friend,=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0
=A0
I know this may come as surprise and sceptic to you. My Name is Mr Ali Abdu=
l.=A0 I am one of the officials in the Energy management board in Burkina F=
aso, West Africa. We had a contract with Denmark through the Burkina Faso D=
anish Cooperation, which was signed on the 4th of march, 2008 on the Electr=
ification of the Urban centres, offices and rural dwellers. The project has=
 been executed, you can check on the website.
www.sonabel.bf=20
=A0
But, the main issue of contacting you is to intimate you that during the aw=
ard of this contract, a few of my colleagues and l=A0 had inflated the amou=
nt of this contract and the OVER- INVOICED is being safeguarded under our c=
ustody. However, we have decided to transfer this sum of money,=A0Thirty mi=
llion Us dollars ($9.3million=A0Us Dollars) out of this Country for disburs=
ement.=A0 Hence, we seek for a reliable,honest and not greedy foreign partn=
er whom we shall use his or her account for transferring the fund. And we a=
greed that the account owner shall benefit 30% of the total amount of money=
, 65% is for us here, and 5% will be used for miscellaneous expenses during=
 the transfer.
=A0
If you are capable to handle the transaction without hitches and flaws, the=
n we have confidence in the business =A0and a risk free transfer from our s=
ide. Please, make it TOP SECRET and avoid every channel of implicating us h=
ere thereby endanger our career.

Therefore, if you will not be able to handle it,please hold on your peace f=
or our sake we are public servants. I pray to God for his providence for a =
smooth transfer, so that our retiring soon or later will be a better and bl=
issful retirement life, as such we are very cautious towards actualising th=
is noble venture. It can also be a once in life opportunity for you, becaus=
e l know that we are going to see face-face, preferably come down to Burkin=
a Faso and verify on the claim on the said amount of money in the bank. Bes=
ides, to discuss business and investment in your country at large, and ther=
eafter sit together to decide on the means of transferring.=A0
=A0
Waiting for your urgent respond.
Please, time is no longer on our side.
=A0
Best regards,
Mr Ali Abdul.=0A=0A=0A      
--0-512537701-1262279394=:9509
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv1761146891><IMG style=3D"WIDTH: =
836px; HEIGHT: 463px" height=3D463 alt=3D"" src=3D"http://www.outokumpu.com=
/33909.epibrw" width=3D836 border=3D0><BR><BR><FONT face=3DArial size=3D3><=
FONT face=3DArial size=3D3>&nbsp;<BR>
<TABLE cellSpacing=3D8 cellPadding=3D0 width=3D"100%" align=3Dcenter border=
=3D0>
<TBODY>
<TR>
<TD>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV class=3DEC_RTE>
<DIV class=3DEC_RTE>
<DIV><FONT face=3D"Courier New" color=3D#000099><STRONG>&nbsp;</STRONG></FO=
NT></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV=
></DIV></DIV></DIV></DIV></TD></TR></TBODY></TABLE>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>Dear Friend,&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>I know this may come as surprise and =
sceptic to you. My Name is Mr Ali Abdul.&nbsp; I am one of the officials in=
 the Energy management board in Burkina Faso, West Africa. We had a contrac=
t with Denmark through the Burkina Faso Danish Cooperation, which was signe=
d on the 4th of march, 2008 on the Electrification of the Urban centres, of=
fices and rural dwellers. The project has been executed, you can check on t=
he website.</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE><A href=3D"http://www.sonabel.bf/" ta=
rget=3D_blank rel=3Dnofollow><U><FONT color=3D#0000ff>www.sonabel.bf</FONT>=
</U></A> </DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>But, the main issue of contacting you=
 is to intimate you that during the award of this contract, a few of my col=
leagues and l&nbsp; had inflated the amount of this contract and the OVER- =
INVOICED is being safeguarded under our custody. However, we have decided t=
o transfer this sum of money,&nbsp;Thirty million Us dollars ($9.3million&n=
bsp;Us Dollars) out of this Country for disbursement.&nbsp; Hence, we seek =
for a reliable,honest and not greedy foreign partner whom we shall use his =
or her account for transferring the fund. And we agreed that the account ow=
ner shall benefit 30% of the total amount of money, 65% is for us here, and=
 5% will be used for miscellaneous expenses during the transfer.</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>If you are capable to handle the tran=
saction without hitches and flaws, then we have confidence in the business =
&nbsp;and a risk free transfer from our side. Please, make it TOP SECRET an=
d avoid every channel of implicating us here thereby endanger our career.</=
DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE><BR>Therefore, if you will not be abl=
e to handle it,please hold on your peace for our sake we are public servant=
s. I pray to God for his providence for a smooth transfer, so that our reti=
ring soon or later will be a better and blissful retirement life, as such w=
e are very cautious towards actualising this noble venture. It can also be =
a once in life opportunity for you, because l know that we are going to see=
 face-face, preferably come down to Burkina Faso and verify on the claim on=
 the said amount of money in the bank. Besides, to discuss business and inv=
estment in your country at large, and thereafter sit together to decide on =
the means of transferring.&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>Waiting for your urgent respond.</DIV=
>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>Please, time is no longer on our side=
..</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE><A href=3D"http://uk.mc279.mail.yahoo=
..........com/mc/compose?to=3Dabdulali27@yahoo.com" target=3D_blank rel=3Dno=
follow></A>&nbsp;</DIV>
<DIV class=3DEC_EC_EC_EC_EC_EC_EC_RTE>Best regards,<BR>Mr Ali Abdul.</DIV><=
/FONT></FONT></DIV></td></tr></table><br>=0A=0A=0A      Need mail bonding? =
Bring all your contacts to Yahoo!Xtra with <a href=3Dhttp://au.rd.yahoo.com=
/nz/mail/tagline/2009/trueswitch/*http://help.yahoo.com/l/nz/yahooxtra/mail=
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--0-512537701-1262279394=:9509--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 17:22:41 2009
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Subject: little spacey + bidule = no worky
From: james fowler <twostroke@gmail.com>
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anybody else out there running into problems with little spacey crashing
bidule?  the program functions but as soon as you double-click to open the
gui, bidule shuts down.

thanks.

- jim

--000e0cd644089b39f4047c0980b9
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anybody else out there running into problems with little spacey crashing bi=
dule?=A0 the program functions but as soon as you double-click to open the =
gui, bidule shuts down.<br><br>thanks.<br><br>- jim<br>

--000e0cd644089b39f4047c0980b9--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 18:23:36 2009
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Subject: Re: little spacey + bidule = no worky
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Hi Jim,

I replied on KvR.


cheers,
os.


2009/12/31 james fowler <twostroke@gmail.com>:
> anybody else out there running into problems with little spacey crashing
> bidule?=A0 the program functions but as soon as you double-click to open =
the
> gui, bidule shuts down.
>
> thanks.
>
> - jim
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Date: Thu, 31 Dec 2009 19:38:58 +0100
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Subject: Re: little spacey + bidule = no worky
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The mp3 I uploaded today to the list was done in Bidule with Little
Spacey, works fine. I'm using Bidule 0.9695

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/
http://euroloopfest.com/

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Very interesting response, Ted.

On Wed, Dec 30, 2009 at 4:00 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

>
>
> It did not concern me what sort of wine was being served nor what the
> cheese and hors d'oeuvres plate looked like.
>
> Vivaldi's "Rite of Spring" had nothing at all to do with my work and migh=
t
> (even so) be wafting about on speakers somewhere but it didn't bother me.
>

What about Stravinsky's?

That was their business, I was just a painter.
>
> Yeah, but your painting has (excuse me if this is a misstatement) *no*
aural element. OTOH, my performance has at least some visual element; in
fact, misguided tho I might be, I actually *want* people to be watching me =
-
I believe my body language and facial expressions inform and enhance the
perception of what I'm doing. I believe that's true of you too, Ted (the
inform and enhance part, i wouldn't know about the want part), on the
evidence of several performances.

>
> People come for different aspects of the experience - often without
> actually even realizing it.
>

I would certainly agree to that.

>
>
> But, if it ever comes to the point that artful music itself becomes
> generally less "valid" because the musician is not also a great dancer,
> video auteur, standup comedian, story-teller, magician, juggler,
> jack-of-all-trades, plus is also a physically beautiful specimen, bon viv=
ant
> and a bit of a slut as well, then most of us are really and truly sunk an=
d
> may as well go home.
>
>
Well, you can say that again. I "signed up" to be a musician, not
necessarily a creator of musically-triggered flying icons. Nor did I sign u=
p
to be a promoter. Nor am I likely to ever be able to do either of those
things well! (or dance myself and choreograph a troupe of gorgeous
twenty-somethings, all the while loop-synching with an air guitar).

Look (my favorite Obama-ism), MTV forever changed popular music from an
audio medium to a 3-minute abstract drama/dance medium. Lady Gaga
understands that perfectly. But we're not talking about mass popularity
here, we're talking about being able to hold the attention of the audience
whose attention you seek. People mostly are happy to watch singers sing and
dancers dance. For us instrumentalists (a broader category than we are here=
,
of course), a more dedicated audience from the start is kind of required.
Are we "truly sunk"? Ummm, sorry to say, as far as that multi-million dolla=
r
record deal, that ship may have sailed for you and me, Ted. :-(

Oh, and btw I'm happy to be a bit of a slut, if only the opportunity
presents! :-)


> That's the sort of message the music industry has encouraged for an
> eternity and a day.
>
>  or at least since MTV.

--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001485f911fc21708e047c0ab771
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Very interesting response, Ted.<br><br><div class=3D"gmail_quote">On Wed, D=
ec 30, 2009 at 4:00 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
It did not concern me what sort of wine was being served nor what the chees=
e and hors d&#39;oeuvres plate looked like.<br>
<br>
Vivaldi&#39;s &quot;Rite of Spring&quot; had nothing at all to do with my w=
ork and might (even so) be wafting about on speakers somewhere but it didn&=
#39;t bother me.<br></blockquote><div><br>What about Stravinsky&#39;s?<br>
<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
That was their business, I was just a painter.<br>
<br></blockquote><div>Yeah, but your painting has (excuse me if this is a m=
isstatement) *no* aural element. OTOH, my performance has at least some vis=
ual element; in fact, misguided tho I might be, I actually *want* people to=
 be watching me - I believe my body language and facial expressions inform =
and enhance the perception of what I&#39;m doing. I believe that&#39;s true=
 of you too, Ted (the inform and enhance part, i wouldn&#39;t know about th=
e want part), on the evidence of several performances.<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
People come for different aspects of the experience - often without actuall=
y even realizing it.<br></blockquote><div><br>I would certainly agree to th=
at.<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>
<br>
But, if it ever comes to the point that artful music itself becomes general=
ly less &quot;valid&quot; because the musician is not also a great dancer, =
video auteur, standup comedian, story-teller, magician, juggler, jack-of-al=
l-trades, plus is also a physically beautiful specimen, bon vivant and a bi=
t of a slut as well, then most of us are really and truly sunk and may as w=
ell go home.<br>

<br></blockquote><div><br>Well, you can say that again. I &quot;signed up&q=
uot; to be a musician, not necessarily a creator of musically-triggered fly=
ing icons. Nor did I sign up to be a promoter. Nor am I likely to ever be a=
ble to do either of those things well! (or dance myself and choreograph a t=
roupe of gorgeous twenty-somethings, all the while loop-synching with an ai=
r guitar). <br>
<br>Look (my favorite Obama-ism), MTV forever changed popular music from an=
 audio medium to a 3-minute abstract drama/dance medium. Lady Gaga understa=
nds that perfectly. But we&#39;re not talking about mass popularity here, w=
e&#39;re talking about being able to hold the attention of the audience who=
se attention you seek. People mostly are happy to watch singers sing and da=
ncers dance. For us instrumentalists (a broader category than we are here, =
of course), a more dedicated audience from the start is kind of required. A=
re we &quot;truly sunk&quot;? Ummm, sorry to say, as far as that multi-mill=
ion dollar record deal, that ship may have sailed for you and me, Ted. :-( =
<br>
<br>Oh, and btw I&#39;m happy to be a bit of a slut, if only the opportunit=
y presents! :-)<br>=A0</div><blockquote class=3D"gmail_quote" style=3D"bord=
er-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-l=
eft: 1ex;">

That&#39;s the sort of message the music industry has encouraged for an ete=
rnity and a day.<br>
<br></blockquote><div>=A0or at least since MTV.=A0 <br></div></div><br>-- <=
br>Warren<br><a href=3D"http://www.warrensirota.com">http://www.warrensirot=
a.com</a><br>NEW CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.=
com/cd/warrensirota">http://www.cdbaby.com/cd/warrensirota</a><br>


--001485f911fc21708e047c0ab771--

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i can't say if it was good/ bad year.....but holy shit, it was a super=20
fast year.....a very fast decade!.....so everybody put on your temporal=20
seat belts, it's going to be a wild ride.....a blessed tamri to all my=20
LD FAMILY!.....:)m



 =20

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 19:29:52 2009
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Subject: Re: 2010
Date: Thu, 31 Dec 2009 11:29:47 -0800
References: <44e368750912310922o75c63417lab8bb76a2f1fc669@mail.gmail.com> <e89a49d30912311038v5c052c43x8bcfa344842d4947@mail.gmail.com> <8CC58661FA80AF7-1BAC-2C4B@webmail-stg-d12.sysops.aol.com>
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Same back at you my Klobie1

On Dec 31, 2009, at 11:25 AM, Nemoguitt@aol.com wrote:

> i can't say if it was good/ bad year.....but holy shit, it was a  
> super fast year.....a very fast decade!.....so everybody put on your  
> temporal seat belts, it's going to be a wild ride.....a blessed  
> tamri to all my LD FAMILY!.....:)m
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 19:47:03 2009
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From: doc rossi <docittern@gmail.com>
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Subject: Re: 2010
Date: Thu, 31 Dec 2009 20:46:28 +0100
References: <44e368750912310922o75c63417lab8bb76a2f1fc669@mail.gmail.com> <e89a49d30912311038v5c052c43x8bcfa344842d4947@mail.gmail.com> <8CC58661FA80AF7-1BAC-2C4B@webmail-stg-d12.sysops.aol.com> <1C50D28B-39CE-4B19-9101-CABDC62E87B0@charter.net>
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the year had its ups and downs for me too - as usual - but i don' mind =20=

telling you, the last 2 days have been terrible. here's hoping for a =20
turn for the better next year - tomorrow, that is

all the best to you all

doc

On Dec 31, 2009, at 8:29 PM, tEd =AE KiLLiAn wrote:

> Same back at you my Klobie1
>
> On Dec 31, 2009, at 11:25 AM, Nemoguitt@aol.com wrote:
>
>> i can't say if it was good/ bad year.....but holy shit, it was a =20
>> super fast year.....a very fast decade!.....so everybody put on =20
>> your temporal seat belts, it's going to be a wild ride.....a =20
>> blessed tamri to all my LD FAMILY!.....:)m
>>
>>
>>
>

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--001485f9ed60bafcde047c0c0c37
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Best to you, doc. My sympathies for your troubles, may they be behind you.

On Thu, Dec 31, 2009 at 2:46 PM, doc rossi <docittern@gmail.com> wrote:

> the year had its ups and downs for me too - as usual - but i don' mind
> telling you, the last 2 days have been terrible. here's hoping for a turn
> for the better next year - tomorrow, that is
>
> all the best to you all
>
> doc
>
>
> On Dec 31, 2009, at 8:29 PM, tEd =AE KiLLiAn wrote:
>
>  Same back at you my Klobie1
>>
>> On Dec 31, 2009, at 11:25 AM, Nemoguitt@aol.com wrote:
>>
>>  i can't say if it was good/ bad year.....but holy shit, it was a super
>>> fast year.....a very fast decade!.....so everybody put on your temporal=
 seat
>>> belts, it's going to be a wild ride.....a blessed tamri to all my LD
>>> FAMILY!.....:)m
>>>
>>>
>>>
>>>
>>
>


--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001485f9ed60bafcde047c0c0c37
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Best to you, doc. My sympathies for your troubles, may they be behind you.<=
br><br><div class=3D"gmail_quote">On Thu, Dec 31, 2009 at 2:46 PM, doc ross=
i <span dir=3D"ltr">&lt;<a href=3D"mailto:docittern@gmail.com">docittern@gm=
ail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">the year had its =
ups and downs for me too - as usual - but i don&#39; mind telling you, the =
last 2 days have been terrible. here&#39;s hoping for a turn for the better=
 next year - tomorrow, that is<br>

<br>
all the best to you all<br><font color=3D"#888888">
<br>
doc</font><div><div></div><div class=3D"h5"><br>
<br>
On Dec 31, 2009, at 8:29 PM, tEd =AE KiLLiAn wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Same back at you my Klobie1<br>
<br>
On Dec 31, 2009, at 11:25 AM, <a href=3D"mailto:Nemoguitt@aol.com" target=
=3D"_blank">Nemoguitt@aol.com</a> wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
i can&#39;t say if it was good/ bad year.....but holy shit, it was a super =
fast year.....a very fast decade!.....so everybody put on your temporal sea=
t belts, it&#39;s going to be a wild ride.....a blessed tamri to all my LD =
FAMILY!.....:)m<br>

<br>
<br>
<br>
</blockquote>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>N=
EW CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrens=
irota">http://www.cdbaby.com/cd/warrensirota</a><br>


--001485f9ed60bafcde047c0c0c37--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 20:35:32 2009
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Peace, love and happiness  to you all !

Fabio
www.eterogeneo.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 21:07:46 2009
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Subject: OT: Re: 2010
Date: Thu, 31 Dec 2009 13:07:39 -0800
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On Dec 31, 2009, at 11:25 AM, nemoguitt@aol.com wrote:

> i can't say if it was good/ bad year.....but holy shit, it was a  
> super fast year.....a very fast decade!.....so everybody put on  
> your temporal seat belts, it's going to be a wild ride.....a  
> blessed tamri to all my LD FAMILY!.....:)m

EVERY year is a "good/ bad" year. Has there ever been a year in  
history that truly wasn't it, at least to varying degrees of both  
good and bad? If so, I'd like to know what year that was? Good / bad,  
bad/ good. Every year has both and likely always will. Such is the  
nature of Life and the Universe. The "trick" to me personally is how  
I react, respond, adapt, change, etc to whatever comes along, good or  
bad. And also, to continue to try to further minimize my own personal  
negative footprints (of which we ALL have, no matter how hard we try  
to do otherwise)  and to also try to help others / the Earth in  
whatever ways that I can, or am reasonably capable of, along with  
hopefully learning some constructive / productive / etc lessons  
afterwards whenever something bad does comes along.  Blessed be to  
all on the LD list, and remember...."As Ye go, harm Thee none".  
(etc...) (or at least try yer hardest to avoid doing so...) :-)

Cheers,
Rev. Fever
Portland,OR

PS- I totally agree on the 'but holy shit, it was a super fast  
year.....a very fast decade!' comment above by Sir Nemo!  TOO fast!
Oh well, maybe this just the old cliche "Time flies when you are  
having fun" coming true...yet again? (Or....?)

So, in the immortal words of Edward Ka-Spel (Legendary Pink Dots):  
"Sing, while you may!".  :-)


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Lots of good points being raised.=A0 =0A=0AInterestingly, everyone here see=
med to answer from a live performance persepctive. And on that front, I agr=
ee with the sentiment finding that video and music can compliment eachother=
, but when randomly associated they tend to distract from eachother and res=
ult in a bit of a mess.=0A=0ABut putting live performance aside for a momen=
t - has anyone experienced / noticed that music their sales/downloads incre=
ased when they added a "video"?=0A=0ADavid=0AUNDO=0Ahttp://www.myspace.com/=
undomusic =A0=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>Lots of good points being raised.&nbsp; </DIV>=0A<DIV>&nbsp;</DIV=
>=0A<DIV>Interestingly, everyone here seemed to answer from a live performa=
nce persepctive. And on that front, I agree with the sentiment finding that=
 video and music can compliment eachother, but when randomly associated the=
y tend to distract from eachother and result in a bit of a mess.</DIV>=0A<D=
IV>&nbsp;</DIV>=0A<DIV><STRONG><EM>But putting live performance aside for a=
 moment - has anyone experienced / noticed that music their sales/downloads=
 increased when they added a "video"?</EM></STRONG></DIV>=0A<DIV>&nbsp;</DI=
V>=0A<DIV>David</DIV>=0A<DIV>UNDO</DIV>=0A<DIV><A href=3D"http://www.myspac=
e.com/undomusic">http://www.myspace.com/undomusic</A> &nbsp;</DIV>=0A<DIV>&=
nbsp;</DIV>=0A<DIV>&nbsp;</DIV><!-- cg12.c2.mail.re1.yahoo.com compressed/c=
hunked Thu Dec 31 14:18:26 PST 2009 --></div><br>=0A=0A      </body></html>
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Date: Thu, 31 Dec 2009 14:34:16 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Happy New Year!
To: Loopers-Delight@loopers-delight.com
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Happy New Year - =0A=0AJan 1 has looped around again!=A0=A0 What will we ad=
d to this pass?=A0 :-)=0A=0ADavid=0AUNDO=0Ahttp://www.myspace.com/undomusic=
 =0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>Happy New Year - </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Jan 1 has loop=
ed around again!&nbsp;&nbsp; What will we add to <EM>this </EM>pass?&nbsp; =
:-)</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV>=0A<DIV>UNDO</DIV>=0A<DIV><=
A href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A> </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV><!-- cg12.c2.mail.re1.y=
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=0A      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 22:56:04 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Happy New Year!
Date: Thu, 31 Dec 2009 22:56:00 +0000
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Happy new year guys

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 31 Dec 2009, at 22:34, david kirkdorffer wrote:

> Happy New Year -
>
> Jan 1 has looped around again!   What will we add to this pass?  :-)
>
> David
> UNDO
> http://www.myspace.com/undomusic
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Happy new year guys<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 31 Dec 2009, =
at 22:34, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 10pt; "><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Happy =
New Year -</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Jan 1 has looped around again!&nbsp;&nbsp; What will =
we add to<span class=3D"Apple-converted-space">&nbsp;</span><em>this<span =
class=3D"Apple-converted-space">&nbsp;</span></em>pass?&nbsp; =
:-)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">David</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">UNDO</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusic=
</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp;</div></div><br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></body></=
html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 31 23:51:53 2009
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Subject: Re: Happy New Year!
Date: Thu, 31 Dec 2009 23:51:56 -0000
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I've been trying to think of something profound to say, but I can't, so =
I'll just wish you all a very Happy New Year.

Steve

www.stevemoyes.org.uk

  ----- Original Message -----=20
  From: Matt Stevens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, December 31, 2009 10:56 PM
  Subject: Re: Happy New Year!


  Happy new year guys


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com







  On 31 Dec 2009, at 22:34, david kirkdorffer wrote:


    Happy New Year -

    Jan 1 has looped around again!   What will we add to this pass?  :-)

    David
    UNDO
    http://www.myspace.com/undomusic







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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV>I've been trying to think of something profound to say, but I =
can't, so=20
I'll just wish you all a very Happy New Year.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Steve</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
size=3D2>www.stevemoyes.org.uk</FONT></A></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmattstevensguitar@btinternet.com=20
  href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 31, =
2009 10:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Happy New =
Year!</DIV>
  <DIV><BR></DIV>Happy new year guys
  <DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
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2; webkit-border-horizontal-spacing: 0px; =
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none; webkit-text-size-adjust: auto; webkit-text-stroke-width: 0"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
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2; webkit-border-horizontal-spacing: 0px; =
webkit-border-vertical-spacing: 0px; webkit-text-decorations-in-effect: =
none; webkit-text-size-adjust: auto; webkit-text-stroke-width: 0px">
  <DIV>Matt Stevens</DIV>
  <DIV><A=20
  =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
  <DIV><A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  class=3DApple-interchange-newline></DIV><BR>
  <DIV>
  <DIV>On 31 Dec 2009, at 22:34, david kirkdorffer wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; webkit-border-horizontal-spacing: 0px; =
webkit-border-vertical-spacing: 0px; webkit-text-decorations-in-effect: =
none; webkit-text-size-adjust: auto; webkit-text-stroke-width: 0px">
    <DIV=20
    style=3D"FONT-SIZE: 10pt; MARGIN: 0px; FONT-FAMILY: arial, =
helvetica, sans-serif">
    <DIV style=3D"MARGIN: 0px">Happy New Year -</DIV>
    <DIV style=3D"MARGIN: 0px">&nbsp;</DIV>
    <DIV style=3D"MARGIN: 0px">Jan 1 has looped around =
again!&nbsp;&nbsp; What=20
    will we add to<SPAN =
class=3DApple-converted-space>&nbsp;</SPAN><EM>this<SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN></EM>pass?&nbsp; =
:-)</DIV>
    <DIV style=3D"MARGIN: 0px">&nbsp;</DIV>
    <DIV style=3D"MARGIN: 0px">David</DIV>
    <DIV style=3D"MARGIN: 0px">UNDO</DIV>
    <DIV style=3D"MARGIN: 0px"><A=20
    =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A></DIV>
    <DIV style=3D"MARGIN: 0px">&nbsp;</DIV>
    <DIV style=3D"MARGIN: 0px">&nbsp;</DIV></DIV><BR></SPAN><BR=20
    =
class=3DApple-interchange-newline></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUO=
TE></BODY></HTML>

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