From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 04:55:03 2009
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Subject: Re: automation or triggering functions
Date: Fri, 31 Jul 2009 21:41:46 -0700
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yup, i go both ways....

i like using automation to do a bunch of things all at once and then  
do the rest with my feet.
i think my songs are about 50/50



On Jul 31, 2009, at 4:47 PM, Raul Bonell wrote:

> i'd like to know some pros/cons, likes/dislikes about this two
> different approaches to looping:
>
> 1) automatic control of your looper of choice by a hw/sw sequencer.
>
> vs.
>
> 2) "traditional" trigger/modulation of functions/parameters by means
> of a physical controller.
>
> anybody using a mix of both?
>
> i'd be curios to know.
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 05:53:15 2009
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All "traditional" here.

Playing the technology as an instrument.

I think this all live approach has a better feel, more expressive.
So I don't mind the effort to learn to do it.
The downside is having to know what to do when it all goes wrong ;-)

I might use some mini-sequences in the future, kind of "special effects",
I'd be running them on the Gordius Midi controller and they'd
be midi synced to the edp.

andy butler

Raul Bonell wrote:
> i'd like to know some pros/cons, likes/dislikes about this two
> different approaches to looping:
> 
> 1) automatic control of your looper of choice by a hw/sw sequencer.
> 
> vs.
> 
> 2) "traditional" trigger/modulation of functions/parameters by means
> of a physical controller.
> 
> anybody using a mix of both?
> 
> i'd be curios to know.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 08:40:11 2009
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Date: Sat, 1 Aug 2009 10:40:10 +0200
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Subject: Re: automation or triggering functions
From: Per Boysen <perboysen@gmail.com>
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I find it difficult to answer because I don't know where the border is
between "automatic" and "manual"? For example if you use the overdub
function in toggle mode you will be in "automatic" once you pressed
the overdub button all the way until you press it a second time. I use
some actions that are as long as one cycle (up to two bars) but since
I know exactly what is going to happen when unleashing such a script
it is still "manual" to me.

One thing I don't use much in technology though, is random. But I try
to learn how to play randomly in order to use now and then.

An interesting thread you launched here, Raul!  For each person the
choice of approach relies quite a bit on what music is being
performed. I mostly improvise everything and this makes my approach
biased. I look for a balance between automatic and manual that lets
you improvise stuff that, on a good night, might sound composed to a
non musician listener. If there is a choice I tend to go for the
manual tweaks because it puts on more of a show - and makes performing
more fun. When using hand buttons for tech control that indeed
influences the music, because in order to free one hand to push a
button you have to either make room for a short silence in the music
or a not that can be played with just one hand and all that is totally
different depending on what instrument you happen to be playing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Aug 1, 2009 at 1:47 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> i'd like to know some pros/cons, likes/dislikes about this two
> different approaches to looping:
>
> 1) automatic control of your looper of choice by a hw/sw sequencer.
>
> vs.
>
> 2) "traditional" trigger/modulation of functions/parameters by means
> of a physical controller.
>
> anybody using a mix of both?
>
> i'd be curios to know.
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 09:58:07 2009
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I use all traditional which makes it feel like an open cavas and might brin=
g surprises everytime,though the main drawback i see with this is the procc=
ess of arriving to the something and the time it takes plus the tap dancing=
 while playing simultaneously the idea you are spontaneously getting across=
,might not be so exciting for the listener,while the other approach might f=
ree you more and make improvisations more relax and focused...=0A=0Awww.mys=
pace.com/luisangulocom=0A=0A=0A--- andy butler <akbutler@tiscali.co.uk> sch=
rieb am Fr, 31.7.2009:=0A=0A> Von: andy butler <akbutler@tiscali.co.uk>=0A>=
 Betreff: Re: automation or triggering functions=0A> An: Loopers-Delight@lo=
opers-delight.com=0A> Datum: Freitag, 31. Juli 2009, 23:08=0A> All "traditi=
onal" here.=0A> =0A> Playing the technology as an instrument.=0A> =0A> I th=
ink this all live approach has a better feel, more=0A> expressive.=0A> So I=
 don't mind the effort to learn to do it.=0A> The downside is having to kno=
w what to do when it all goes=0A> wrong ;-)=0A> =0A> I might use some mini-=
sequences in the future, kind of=0A> "special effects",=0A> I'd be running =
them on the Gordius Midi controller and=0A> they'd=0A> be midi synced to th=
e edp.=0A> =0A> andy butler=0A> =0A> Raul Bonell wrote:=0A> > i'd like to k=
now some pros/cons, likes/dislikes about=0A> this two=0A> > different appro=
aches to looping:=0A> > =0A> > 1) automatic control of your looper of choic=
e by a=0A> hw/sw sequencer.=0A> > =0A> > vs.=0A> > =0A> > 2) "traditional" =
trigger/modulation of=0A> functions/parameters by means=0A> > of a physical=
 controller.=0A> > =0A> > anybody using a mix of both?=0A> > =0A> > i'd be =
curios to know.=0A> > =0A> =0A> =0A=0A=0A      

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From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 11:10:27 2009
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Subject: automation or triggering functions
From: Rainer Straschill <moinsound@googlemail.com>
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Thanks, Raul, for that interesting thread.

Now before I go into my view, I'd like to quote Per:
"I find it difficult to answer because I don't know where the border is"

Now Per, there are a few scripts I got from you which definitely fall
into the "automation" category - how about "chromatic waves"?
On the other hand, Raul defined "automatic" as "by a hw/sw sequencer".
Does Mobius' scripting function qualify as a sequencer? I believe so.
So my location for the line to be drawn (which is actually very
implementation-dependant and technical, not function-related) is
"automation is everything where you use some kind of
sequencer/scripting etc. to either execute a function call within the
time frame of a pre-programmed, longer sequence which forms the piece,
or to execute several function calls triggered by one user command".
And with that definition, even "copy to next track and set that to
half speed immediately" assigned to a footswitch would qualify as
automation.

While I personally work with the "open canvas" approach of Luis Angulo
(which, according to him, might bring surprises everytime), I've
recently tried working with what I call "interactive sequences" (which
are patterns programmed in a sequencer, e.g. Ableton Live, but where I
retain a certain level of control e.g. by being able to repeat, skip
or extend one specific section). Actually, this does not only include
the looping, but also other functions of my computer (e.g. effects
processing).
And this approach can also bring big surprises, simply because while
you define the way the processing is executed, you can still leave the
input material completely open. Defined that perfect sequencer
automation for a specific melody you've composed? Then let the
sequencer run and try to make odd noises instead of playing the melody
and see what happens. Or play the melody, but have the sequencer run
in the wrong tempo.

Just a few thoughts,

           Rainer

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Subject: Re: automation or triggering functions
From: Rainer Straschill <moinsound@googlemail.com>
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[another comment on that thread]

Andy said (about the traditional approach):
"The downside is having to know what to do when it all goes wrong ;-)"

I personally find it easier to deal with the "all goes wrong"
situation in a traditional/non-programmed than in a sequenced context.
Why?
"All goes wrong" by definition results in a system state (the system
here being the work of art) that you didn't have in mind when
composing the piece and programming the sequencer.
The usual solution is to do some things to bring it back to normal
again - which can be relatively easy when playing traditional-style
(aka "just hit undo"), but might in the result throw your sequencer
off.

             Rainer

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I too am all traditional most of the time , but with one or 2 screw it up.
tricks...
basically a drum machine (not synched to anything) with some midi note
patterns that trigger commands... like popping up and down octaves, or
millions of un-dos on 64th beats... great for that micro windowing
technique... (do lots of long loops loads of overdubs for hours, then
unrounded mult to a few milliseconds.. hit drum machine and it works back in
time thru stuf (theis is EDP of course...)... or I have a weird kind of
ultra overdub, reverses it picth it and delete it patch... that is well
quirky... these get spirted into the mix, when things need spice...


m



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c3e882433bb047013db54
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I too am all traditional most of the time , but with one or 2 screw it up. =
tricks... <br>basically a drum machine (not synched to anything) with some =
midi note patterns that trigger commands... like popping up and down octave=
s, or millions of un-dos on 64th beats... great for that micro windowing te=
chnique... (do lots of long loops loads of overdubs for hours, then unround=
ed mult to a few milliseconds.. hit drum machine and it works back in time =
thru stuf (theis is EDP of course...)... or I have a weird kind of ultra ov=
erdub, reverses it picth it and delete it patch... that is well quirky... t=
hese get spirted into the mix, when things need spice...<br>

<br><br>m<br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfra=
ncombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user82=
5094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/u=
ser/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c3e882433bb047013db54--

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	game)
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> > > Sorry, but Film IS better than digital, and Tape IS better than
> digital...
> > > but I agree.. close enough and a hell of a lot more convenient...
> > > no I was just thinking about the way people hear...
> >
> > These statements are false.

Seriously though, one of the ways to push my buttons is to make
blanket "this is better" statements rather than "I like this better
for these reasons."

Seriously, though What are you like Sottilaro?? I cant just say "Im sorry
but film is better now???" Im just NOT HERE (Loopers Delight) to argue and
stand up for EVERY SINGLE off topic aside I toss into my posts, where Im
just being witty anyhow. I wasnt making a GREAT BIG IMPORTANT statement...
AND it was an opinion... You know it was an opinion becase I started the
sentance with Im sorry but... then followed with a statement that is
COMPLETELY OBVIOUS that it cannot possibly be proven, and is SOOOOO
subjective that NO-ONE could have believed that I was stating a scientific
fact.

Im a film-maker dude... we like film... its easy to shoot on... Sure video
can look nice.. I happen to LOVE the look of VHS 3 tube cameras from the
80s... and video can look like film... but there you go,,, when video looks
good, it cos its been made to look like film... therfore FILM IS BETTER!!!

As for the plastic emulsion being bad for the environment, weak... boy...
weak...

Thats why I yawned... could be bothered to follow up your (initially
unsubstantiated blanket statement) These statement are wrong...


Please cheer up a bit Mark... i dont know if you noticed but you're being a
bit agressive these days...

--0015174c17b47d37290470143492
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<br>&gt; &gt; &gt; Sorry, but Film IS better than digital, and Tape IS bett=
er than<br>
&gt; digital...<br>
&gt; &gt; &gt; but I agree.. close enough and a hell of a lot more convenie=
nt...<br>
&gt; &gt; &gt; no I was just thinking about the way people hear...<br>
&gt; &gt;<br>
&gt; &gt; These statements are false. <br><br>Seriously though, one of the =
ways to push my buttons is to make<br>
blanket &quot;this is better&quot; statements rather than &quot;I like this=
 better<br>
for these reasons.&quot;=A0 <br><br>Seriously, though What are you like Sot=
tilaro?? I cant just say &quot;Im sorry but film is better now???&quot; Im =
just NOT HERE (Loopers Delight) to argue and stand up for EVERY SINGLE off =
topic aside I toss into my posts, where Im just being witty anyhow. I wasnt=
 making a GREAT BIG IMPORTANT statement... AND it was an opinion... You kno=
w it was an opinion becase I started the sentance with Im sorry but... then=
 followed with a statement that is COMPLETELY OBVIOUS that it cannot possib=
ly be proven, and is SOOOOO subjective that NO-ONE could have believed that=
 I was stating a scientific fact.<br>

<br>Im a film-maker dude... we like film... its easy to shoot on... Sure vi=
deo can look nice.. I happen to LOVE the look of VHS 3 tube cameras from th=
e 80s... and video can look like film... but there you go,,, when video loo=
ks good, it cos its been made to look like film... therfore FILM IS BETTER!=
!!<br>

<br>As for the plastic emulsion being bad for the environment, weak... boy.=
.. weak... <br><br>Thats why I yawned... could be bothered to follow up you=
r (initially unsubstantiated blanket statement) These statement are wrong..=
.<br>

<br><br>Please cheer up a bit Mark... i dont know if you noticed but you&#3=
9;re being a bit agressive these days... <br>

--0015174c17b47d37290470143492--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 17:54:12 2009
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Subject: SEMI-OT INTERVIEW WITH NELS CLINE AND G.E. STINSON
Date: Sat, 1 Aug 2009 10:54:07 -0700
References: <afb941d0907311647o26310dbajfb81109f71470a83@mail.gmail.com> <66f9cc1e0908010140h91b5873t1369f390178fe9af@mail.gmail.com>
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Hi all,

Here's an on-line interview with pals Nels cline and G.E. Stinson.

<http://www.facebook.com/ext/share.php?sid=127648549781&h=6Uuo-&u=yvA2r&ref=nf 
 >

It briefly mentions looping at one point so maybe it's not so OT as  
all that.

But it's still interesting.

Posted just yesterday it covers a lot of territory though.

They're working on a duet project together: "Elevating Device."

<http://soundsareactive.com/nels-cline-ge-stinson-elevating-device-saa1150/ 
 >

Worth a listen, definitely.

Enjoy!

TK

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 18:52:52 2009
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Subject: Re: SEMI-OT INTERVIEW WITH NELS CLINE AND G.E. STINSON
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--001636c5be52293bea0470190b8a
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Ted this is neat thanks for passing on, I've been following GE ever since
Shadowfax in the late 70's.  He's turned up with some neat things since, be=
t
this will produce some amazing work with Nels...

On Sat, Aug 1, 2009 at 1:54 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> Hi all,
>
> Here's an on-line interview with pals Nels cline and G.E. Stinson.
>
> <
> http://www.facebook.com/ext/share.php?sid=3D127648549781&h=3D6Uuo-&u=3Dyv=
A2r&ref=3Dnf
> >
>
> It briefly mentions looping at one point so maybe it's not so OT as all
> that.
>
> But it's still interesting.
>
> Posted just yesterday it covers a lot of territory though.
>
> They're working on a duet project together: "Elevating Device."
>
> <
> http://soundsareactive.com/nels-cline-ge-stinson-elevating-device-saa1150=
/
> >
>
> Worth a listen, definitely.
>
> Enjoy!
>
> TK
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5be52293bea0470190b8a
Content-Type: text/html; charset=ISO-8859-1
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Ted this is neat thanks for passing on, I&#39;ve been following GE ever sin=
ce Shadowfax in the late 70&#39;s. =A0He&#39;s turned up with some neat thi=
ngs since, bet this will produce some amazing work with Nels...<br><br><div=
 class=3D"gmail_quote">
On Sat, Aug 1, 2009 at 1:54 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bord=
er-left:1px #ccc solid;padding-left:1ex;">
Hi all,<br>
<br>
Here&#39;s an on-line interview with pals Nels cline and G.E. Stinson.<br>
<br>
&lt;<a href=3D"http://www.facebook.com/ext/share.php?sid=3D127648549781&amp=
;h=3D6Uuo-&amp;u=3DyvA2r&amp;ref=3Dnf" target=3D"_blank">http://www.faceboo=
k.com/ext/share.php?sid=3D127648549781&amp;h=3D6Uuo-&amp;u=3DyvA2r&amp;ref=
=3Dnf</a>&gt;<br>

<br>
It briefly mentions looping at one point so maybe it&#39;s not so OT as all=
 that.<br>
<br>
But it&#39;s still interesting.<br>
<br>
Posted just yesterday it covers a lot of territory though.<br>
<br>
They&#39;re working on a duet project together: &quot;Elevating Device.&quo=
t;<br>
<br>
&lt;<a href=3D"http://soundsareactive.com/nels-cline-ge-stinson-elevating-d=
evice-saa1150/" target=3D"_blank">http://soundsareactive.com/nels-cline-ge-=
stinson-elevating-device-saa1150/</a>&gt;<br>
<br>
Worth a listen, definitely.<br>
<br>
Enjoy!<br><font color=3D"#888888">
<br>
TK<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5be52293bea0470190b8a--

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Dear Sir/Madam,

I am Lt General Sam Edwards National Special Adviser,I am delighted to inform you that the contract panel, which just concluded it seating in our department just released your name amongst contractors to benefit from the Diplomatic Immunity Payment. This Panel was primarily delegated to investigate manipulated contract claims,contracts and over-invoiced payment as the effect has eaten deep into the economy of our dear country here in UNITED KINGDOM UK..

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In this regards we are going to send your contract part payment of $10.100,000.00 Million USD.To you via our accredited shipping company via diplomatic means  and I have secured every needed documents to cover the money. Note: The money is coming on 2 security proof boxes. The boxes are sealed with synthetic nylon seal and padded with machine.

Please you don't have to worry for anything, as the transaction is 100% risk free. The boxes are coming with a Diplomatic agent who will accompany the boxes to your house address. All you need to do now is to send to me your full house address and your identity such as, international Passport or drivers license and your mobile phone and telephone number, The Diplomatic Attach? will travel with it. He will call you immediately he arrives your country's airport. I hope you understand me.

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+44-704-570-1505.

Note: Make sure you reply and forward the needed information to this email address:admin_office@mail2broker.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 19:13:34 2009
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Subject: Re: SEMI-OT INTERVIEW WITH NELS CLINE AND G.E. STINSON
Date: Sat, 1 Aug 2009 12:13:29 -0700
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Jim,

Funny thing . . . I used to enjoy Shadowfax way back in the day . . .  
and was somewhat aware of their guitar player . . . some guy named  
Stinson (as I'd read in the squint print of the liner notes).

A decade or more later, when (through my friendship with Jeff Kaiser)  
I became acquainted with Nels, Vinny Golia, Stu Liebig, Woody  
Aplanalp, and a whole bunch of folks associated with a downtown L.A.  
"scene" surrounding the Alligator Lounge (including a G.E. Stinson), I  
hadn't made the connection that the two musicians were indeed the same  
guy.

Duh.

Actually, I found that out relatively recently.

I guess I'm just sort of slow.

The musics of the G.E. of now and of Shadowfax of the early '80s are  
verrrrrry different animals.

Ted


On Aug 1, 2009, at 11:52 AM, Jim Goodin wrote:

> Ted this is neat thanks for passing on, I've been following GE ever  
> since Shadowfax in the late 70's.  He's turned up with some neat  
> things since, bet this will produce some amazing work with Nels...

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 19:18:07 2009
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Subject: Re: SEMI-OT INTERVIEW WITH NELS CLINE AND G.E. STINSON
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--001636c5adf47e7ccc047019650b
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Ted that's neat they are different worlds his Shadow time and now but that'=
s
really what's rich.  Before Windham Hill noticed them @80 they had done I
think two other records that I recall on 'vinyl  (whas that!)'.  I saw them
live @84 along with Michael [Hedges] in Memphis.
Anyhow this current stuff sounds like it's going to be really neat, this is
a really funny interview at times very cas and lengthy.

That's pretty neat thread of folks you came to know in LA...

J

On Sat, Aug 1, 2009 at 3:13 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> Jim,
>
> Funny thing . . . I used to enjoy Shadowfax way back in the day . . . and
> was somewhat aware of their guitar player . . . some guy named Stinson (a=
s
> I'd read in the squint print of the liner notes).
>
> A decade or more later, when (through my friendship with Jeff Kaiser) I
> became acquainted with Nels, Vinny Golia, Stu Liebig, Woody Aplanalp, and=
 a
> whole bunch of folks associated with a downtown L.A. "scene" surrounding =
the
> Alligator Lounge (including a G.E. Stinson), I hadn't made the connection
> that the two musicians were indeed the same guy.
>
> Duh.
>
> Actually, I found that out relatively recently.
>
> I guess I'm just sort of slow.
>
> The musics of the G.E. of now and of Shadowfax of the early '80s are
> verrrrrry different animals.
>
> Ted
>
>
>
> On Aug 1, 2009, at 11:52 AM, Jim Goodin wrote:
>
>  Ted this is neat thanks for passing on, I've been following GE ever sinc=
e
>> Shadowfax in the late 70's.  He's turned up with some neat things since,=
 bet
>> this will produce some amazing work with Nels...
>>
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5adf47e7ccc047019650b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ted that&#39;s neat they are different worlds his Shadow time and now but t=
hat&#39;s really what&#39;s rich. =A0Before Windham Hill noticed them @80 t=
hey had done I think two other records that I recall on &#39;vinyl =A0(whas=
 that!)&#39;. =A0I saw them live @84 along with Michael [Hedges] in Memphis=
.<div>
<br></div><div>Anyhow this current stuff sounds like it&#39;s going to be r=
eally neat, this is a really funny interview at times very cas and lengthy.=
</div><div><br></div><div>That&#39;s pretty neat thread of folks you came t=
o know in LA...</div>
<div><br></div><div>J<br><br><div class=3D"gmail_quote">On Sat, Aug 1, 2009=
 at 3:13 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkil=
lian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc so=
lid;padding-left:1ex;">
Jim,<br>
<br>
Funny thing . . . I used to enjoy Shadowfax way back in the day . . . and w=
as somewhat aware of their guitar player . . . some guy named Stinson (as I=
&#39;d read in the squint print of the liner notes).<br>
<br>
A decade or more later, when (through my friendship with Jeff Kaiser) I bec=
ame acquainted with Nels, Vinny Golia, Stu Liebig, Woody Aplanalp, and a wh=
ole bunch of folks associated with a downtown L.A. &quot;scene&quot; surrou=
nding the Alligator Lounge (including a G.E. Stinson), I hadn&#39;t made th=
e connection that the two musicians were indeed the same guy.<br>

<br>
Duh.<br>
<br>
Actually, I found that out relatively recently.<br>
<br>
I guess I&#39;m just sort of slow.<br>
<br>
The musics of the G.E. of now and of Shadowfax of the early &#39;80s are ve=
rrrrrry different animals.<br><font color=3D"#888888">
<br>
Ted</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Aug 1, 2009, at 11:52 AM, Jim Goodin wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Ted this is neat thanks for passing on, I&#39;ve been following GE ever sin=
ce Shadowfax in the late 70&#39;s. =A0He&#39;s turned up with some neat thi=
ngs since, bet this will produce some amazing work with Nels...<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5adf47e7ccc047019650b--

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Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Oh I've always been plenty cranky.  I'm gearing up to be a ranty old man!

I'm still standing by my statement though.  Of course you have the
right to your opinion but there are dangers in your language.  As a
professional your opinion means more than the average layman's. I know
my way around a Bolex and let me tell you, in my opinion it's not
easier to shoot on film so I have no idea what the hell you're talking
about when you say "it's easier..." While you can get a great look
from film, as far as I could tell it's mostly a nightmare to work with
compared to modern digital mediums.

Same thing with tape.  Does it have some inherent qualities that are
desirable?  Sure. Is it your right to prefer to use it?  Absolutely.
Saying "It is better" when you're coming from a place of authority is
a bit irresponsible though. Also, it's not useful.  Saying "I like it
better because..." is useful.

I do find it funny that there are a lot of VSTs out there now that
create the analog crap I spent years as an audio engineer trying to
minimize. After Effect plugs that emulate the look of different film
stocks complete with scratches and fuzz on the shutter. Awesome. I
find it more useful asking the question "does this give me a
look/sound that works with my art?" than "Is this medium better?"

I had to laugh at the Dumble Amps thread a little while ago.  I'm not
saying they're bad or good or worth it... I've never had any
experience with it, but the price tag makes me smile.  I think we
spend a lot of time chasing the .5% increase in sound quality that
somehow costs 100 times the cost of the 99.5% good sounding gear.
What's the point?  It becomes a fetish object, just like your film
camera is on it's way to becoming.  You can argue that, but in 1984
when I saw my first digital multitrack I said, "this will be done
totally on computers soon" so I called that one. ;) I'm like The Great
Carnak!   Have a look at Sin City and tell me that's not a beautiful
film.  It's shot digitally and the medium is still young.


On Sat, Aug 1, 2009 at 6:06 AM, mark francombe<mark@markfrancombe.com> wrote:
>
>> > > Sorry, but Film IS better than digital, and Tape IS better than
>> digital...
>> > > but I agree.. close enough and a hell of a lot more convenient...
>> > > no I was just thinking about the way people hear...
>> >
>> > These statements are false.
>
> Seriously though, one of the ways to push my buttons is to make
> blanket "this is better" statements rather than "I like this better
> for these reasons."
>
> Seriously, though What are you like Sottilaro?? I cant just say "Im sorry
> but film is better now???" Im just NOT HERE (Loopers Delight) to argue and
> stand up for EVERY SINGLE off topic aside I toss into my posts, where Im
> just being witty anyhow. I wasnt making a GREAT BIG IMPORTANT statement...
> AND it was an opinion... You know it was an opinion becase I started the
> sentance with Im sorry but... then followed with a statement that is
> COMPLETELY OBVIOUS that it cannot possibly be proven, and is SOOOOO
> subjective that NO-ONE could have believed that I was stating a scientific
> fact.
>
> Im a film-maker dude... we like film... its easy to shoot on... Sure video
> can look nice.. I happen to LOVE the look of VHS 3 tube cameras from the
> 80s... and video can look like film... but there you go,,, when video looks
> good, it cos its been made to look like film... therfore FILM IS BETTER!!!
>
> As for the plastic emulsion being bad for the environment, weak... boy...
> weak...
>
> Thats why I yawned... could be bothered to follow up your (initially
> unsubstantiated blanket statement) These statement are wrong...
>
>
> Please cheer up a bit Mark... i dont know if you noticed but you're being a
> bit agressive these days...
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 19:21:17 2009
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To:  Loopers-Delight@loopers-delight.com
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Rainer Straschill wrote:
> Some time ago, when I asked here about odd kind of stompboxes, Andy
> Butler pointed me toward the Jomox T-Resonator. Now that I finally had
> time to test drive it some, here's a first review.

thanks Rainer,
great info

> WHAT IS IT:
> 
> A black table-top-style box with wallwart power supply, a lot of
> dials, a few LEDs and one pushbutton. As for the signal path, the
> stereo device offers two identical paths consisting of a simple
> digital effect, followed by a 24dB lowpass filter.

...but isn't a Moog type analog filter?
If you're familiar with the Moog, how do they compare.

> Now that alone wouldn't get anyone interested, so Jomox added feedback
> and modulation capabilities. As for feedback, there is a total of
> three feedback chains, each available with positive and negative
> phase. 

The thing with the feedback is that on the demos the guys just
let it run amok all the time.

A moog filter can oscillate with a lovely delicate silvery tone,
as long as resonance is tweaked carefully.
Can the T-Res manage that? 

Another thing from the demos, was that guitar sounds gave
me more the impression of guitar *plus* weirdness, rather
than the guitar *becoming* weirdness such as I like to
get from my Vortex.
If that makes sense, would you be able to comment?

thanks again

andy

From Loopers-Delight-request@loopers-delight.com  Sat Aug  1 21:34:16 2009
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Subject: Re: Review: Jomox T-Resonator "Time Woven Filter Matrix"
From: Rainer Straschill <moinsound@googlemail.com>
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Andy Butler asked:
"...but isn't a Moog type analog filter?
If you're familiar with the Moog, how do they compare."

The Moog filter is a circuit realized with (I believe Ge) diodes,
while the T-Resonator uses a transistor-based design. So no, it isn't
a moog-circuit for the filter.
I haven't taken the time to actually measure the complex frequency
response, but by inspection:
The filter seems much more correct by good circuit design standards -
which doesn't mean it sounds better. The most important difference is
that it's next to impossible to get the filter to distort in the
screaming moog-style way. However, including a distortion stompbox in
your setup can help with that.

"A moog filter can oscillate with a lovely delicate silvery tone, as
long as resonance is tweaked carefully.
Can the T-Res manage that? "

As above: no, because it won't distort the same way as a moog filter.
The filter oscillation (in negative feedback) is more theremin-like
(to stay with the metaphors). Positive feedback gives you really
aggressive low-frequency rumble.

"Another thing from the demos, was that guitar sounds gave me more the
impression of guitar *plus* weirdness, rather than the guitar
*becoming* weirdness such as I like to get from my Vortex.
If that makes sense, would you be able to comment?"

It's funny that you mention that comparison, because when I first
tried the T-Resonator I thought of something like "Vortex for
elektro/noise people". I cannot second that opinion regarding my
playing with the device. There is only a few settings that work for me
when using the T-Resonator on a guitar, but with these, it's more of a
guitar becoming weirdness as you phrased it.


Now that I had a few more days to play with it, here's some additional
comment to my first post:

The trick really is to not use it as a stereo device, but to patch the
output of channel 1 into the input of channel 2 and, if you like so,
to put a (analogue - 'cause of headroom you might require) distortion
box in between.
This does not only work great for working on rave-like synth lines (as
I mentioned in my last post), but also for no-input noise settings.
By careful combination of envelope, lfo, feedback and delay effect
settings, you can create really odd chaotic settings - like just the
T-Resonator delievering short low-frequency pulses at a constant
130bpm rate, and after a ever-changing, non-systematic number of
pulses generating a filter-sweeping scream (which, although it sounds
different, even you as a Moog filter lover would enjoy).

Again, perhaps I'll do some video - perhaps tomorrow will be a good day.

Yours,

            Rainer

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From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 07:19:12 2009
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Rainer Straschill wrote:
> Andy Butler asked:
> "...but isn't a Moog type analog filter?
> If you're familiar with the Moog, how do they compare."
> 
> The Moog filter is a circuit realized with (I believe Ge) diodes,
> while the T-Resonator uses a transistor-based design. So no, it isn't
> a moog-circuit for the filter.

Moog invented/used a ladder arrangement of transistors such as is found here
under the heading "resonant filter"

http://www.jayemsonic.de/2l4-resonanteneuronen.html

as that's  the page of one of the Jomox designers
I'm guessing that the filter in the *Resonator* might be
the same.
In essence, the filter boxes are like their neural network synthesizers
but with only 2 neurones.

Your mention of Germanium might be the key to the difference though.


> I haven't taken the time to actually measure the complex frequency
> response, but by inspection:
> The filter seems much more correct by good circuit design standards -
> which doesn't mean it sounds better. The most important difference is
> that it's next to impossible to get the filter to distort in the
> screaming moog-style way. However, including a distortion stompbox in
> your setup can help with that.
> 
> "A moog filter can oscillate with a lovely delicate silvery tone, as
> long as resonance is tweaked carefully.
> Can the T-Res manage that? "
> 
> As above: no, because it won't distort the same way as a moog filter.

Perhaps I should rephrase.
Can the T-Res sustain a pure sounding sine wave by resonance
and not always end up with a loud distorted tone?

Actually, the Moog filter I have is incredibly clean and accurate
when not overloaded.
Very noticeable in that sounds with high resonance are still very clean.

:-) or that's how it sounds to me anyway

Anyway, to sustain a tone by resonance at low level there must
be a subtle non-linearity, so I agree that if the "way it distorts"
is different then the oscillation sound has to be different.

> The filter oscillation (in negative feedback) is more theremin-like

distorted?


> Now that I had a few more days to play with it, here's some additional
> comment to my first post:
> 
> The trick really is to not use it as a stereo device, but to patch the
> output of channel 1 into the input of channel 2 and, if you like so,
> to put a (analogue - 'cause of headroom you might require) distortion
> box in between.
> This does not only work great for working on rave-like synth lines (as
> I mentioned in my last post), but also for no-input noise settings.
> By careful combination of envelope, lfo, feedback and delay effect
> settings, you can create really odd chaotic settings - like just the
> T-Resonator delievering short low-frequency pulses at a constant
> 130bpm rate, and after a ever-changing, non-systematic number of
> pulses generating a filter-sweeping scream (which, although it sounds
> different, even you as a Moog filter lover would enjoy).

sounds like fun, so you're putting a distortion box into a feedback path.

It sounds like you'd enjoy

http://www.jomox.com/product_details.php?lang=2&category=2&product_id=9

> 
> Again, perhaps I'll do some video - perhaps tomorrow will be a good day.

Many thanks for the report Rainer.
I'm thinking of recommending this to a friend who's into creating
music with feedback, ...but always delicate tones,
so hence the picky questions.

Looking forward to your vid if it happens.

andy

> 
> Yours,
> 
>             Rainer
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 09:44:15 2009
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Subject: Re: Boss looper contest in Germany
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this is hilarious!;-)))=0Ai bet soon this is is going to be on TV like the =
famous =0A"Deutschland sucht den superstar" =0A(translation- Germany looks =
for the superstar)=0Asomehow Boss loopers have offcially become "the corpor=
ate loopers"=0Athe come with those Huey Lewis and the news integrated drum =
patterns;-)=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Teddy Kumpel =
<teddybut@mac.com> schrieb am Fr, 31.7.2009:=0A=0A> Von: Teddy Kumpel <tedd=
ybut@mac.com>=0A> Betreff: Re: Boss looper contest in Germany=0A> An: Loope=
rs-Delight@loopers-delight.com=0A> Datum: Freitag, 31. Juli 2009, 3:48=0A> =
ahhhh yes, looping as an olympic=0A> sport !!!!=0A> awesome=0A> =0A> play b=
y play by announcers talking quietly like at a=0A> gymnastic event=0A> =0A>=
 BORIS: "yes, here's ****... of Hannover, he's been looping=0A> for 3 years=
 now and comes from a beat box, singing and=0A> classical ukelele backgroun=
d.=0A> oooooh, he started off strong with a nice reggae beat,=0A> after tap=
ping in the tempo himself... a lot of the younger=0A> looper are using tap =
tempo I noticed Jim, whereas the older=0A> loopers are used to setting it m=
anually in a menu...."=0A> =0A> JIM: "yes, I've noticed that too... somethi=
ng about the new=0A> equipment, oh, he's added a fine ukelele skank part wi=
th=0A> phase shifter, a little lagging time offset in the hip hop=0A> tradi=
tion, the judges are going to like that.... ah yes, you=0A> see Ricoloop gr=
inning..."=0A> =0A> BORIS: "yes, Ricoloop, the undisputed champion of loopi=
ng=0A> here in Germany, one of our judges today.... oooooooooooh,=0A> he's =
added a nasal bass and a counter melody on distorted=0A> ukelele simultaneo=
usly, that's gotta count for extra points=0A> with the judges"=0A> JIM: "ye=
s, in the rules of olympic looping the more=0A> elements you add in one pas=
s the more points you get,=0A> especially if you make it so you can turn th=
em off later=0A> individually..."=0A> =0A> (10 minutes later)=0A> =0A> BORI=
S: "he seems to be going for the big end build up now=0A> with the later mu=
ltiple vocals.... ouch, he hit one bad note=0A> there... or is he intending=
 to go for aeolian mode over the=0A> dominant chord structure he's set up..=
. let's see how he=0A> gets out of it"=0A> JIM: "ya, the judges don't reall=
y care about harmony here,=0A> they're more concerned with the smoothness, =
execution and=0A> difficulty level... but it look as if he's saved it BORIS=
"=0A> BORIS: "oh yes, he, slipped the major third back in... what=0A> fines=
se... I think that should count for extra foresight=0A> points... and he's =
playing a little riff..AND AND AND....=0A> wow... great ending, with a nice=
 reverb blast final chord...=0A> a good showing by *** of Hannover... let's=
 see what the=0A> judges have to say"=0A> =0A> etc.....=0A> =0A> Teddy=0A> =
=0A> =0A> On Jul 31, 2009, at 3:26 AM, Michael Peters wrote:=0A> =0A> > htt=
p://www.loopercontest.bossmusik.de/=0A> > =0A> =0A> =0A> =0A> =0A=0A=0A    =
  

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To: Loopers-Delight@loopers-delight.com
Subject: Re: living without money(O.T.)
References: <414609.79396.qm@web24307.mail.ird.yahoo.com> <C68CDE6B.4074%qua@oregon.com> <bcd3c7bb0907221541j458a5e4bn5384f655d1aae195@mail.gmail.com> <9ab0c76f0907230200j6991e5ev77616d07fc930592@mail.gmail.com> <0B46E809552846EB821142E9A7163A02@NORBY11>
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Toby G schrieb:
> I'd say for the most part people aren't that driven to compete for high 
> status.  Most folks go to work, come home and want to enjoy their free 
> time and do like respect but it's not a duel to the death over it.

Its an incredible waste of human resources, that most people divide 
their life into "free time" and "go to work".
We are only free if all of our time is free time, including the work we 
consider being important...
When I started to hitchhike again, I not only realized that suddenly I 
was much more free to go wherever I want to, its also a complete other 
way of social exchange. In the money world everything turns into a deal. 
But still most of social exchanges are not deals, they wouldn't work as 
a deal...
Just lurk on any of the couchsurfing groups, and you'll know that this 
spirit is strong and makes happy...

Deals (money involved) can be fine unless this way of thinking isn't 
pushing all other social activities into the background...
Obviously it is possible to survive without money, but we could not 
survive without our communities. And this LD community is a good example 
how things work extremely efficient without being a deal...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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From: mark francombe <mark@markfrancombe.com>
Date: Sun, 2 Aug 2009 13:11:49 +0200
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	game)
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OK, nice reply.. you have filled in some interesting details. I certainly
agree with you about the Dumble amps thing.. and all this,.. " well if you
call him you wont get your amp thing..." what a load of toss... and it
appears that its just a tube amp with a cheap ass regular old distortion
pedal covered in glue.. ha ha

Back to the film thread.. I said Film is easier to work with, and you had a
problem with that...? Ahem  everyone in film will tell you thats true
actually. Its is of course "More Expensive" and that, in a way, makes it
more difficult, budgets are much more rigorous, but anyway the pipeline (in
99.9 persent of cases) is STILL a digital one. Cos its normal now to shoot
on 35 or super 16 and then immediately (maybe after a simple corrections
color grade) go straight to digital. I can edit full-on HD on my laptop,
thats only 4 times worse that 4K or whatever the digital res of film is (I
DONT shoot on film, anymore... so I dont know,) I use grungy plugins... ! ha
ha! So I can NEARLY make a Cinema film at home.. thats of course wonderful!

There is nothing particularly hard about shooting on film. When you go to
film school you learn about lighting, F-stops and depth of field, and thats
it really.. choose a good film stock for what you are shooting.. and few
filters incase you want to go inside and shoot on tungsten. However..
video... formats, dont get me started... progresive or interlace, frame
size, is it or not anamorphic.. white balance, black balance, over shooting
the whites, contrast problems, you en up bringing in light after light to
correct an issue, then you take em all out, and say (we fix it in post - an
industry joke now)  so now all you problems are about computer software.

There are quick and easy ways of getting video to look nice, so theres less
fiddling in post. I use a 35mm lens adaptor. That means you attach a special
mount onto your video cam, it has a little spinny grid in front to the lens
that emulates film grain, and you can attatch 35mm film camera lenses. This
means that you can get that lovely FILM CAMERA depth of field thing of
putting the background out of focus. Now there are cameras that can do this
anyway (look at Red cameras) But I cant hire them cos I bought 3 HD cameras
a few years back (for 6,000 dollars each) and need to use them to make good
my investment.. but with these lenses you can pretty much make nice filmy
stuff.

Using video is cheaper.. thats what makes us use it... There are thousands
of film-makers out there now that can make their dream, and that is very
important and I for one, whould not have my job. (That is making drama based
interactive training films for business and schools) So HURRAH for
digital... but lets applaud it for the real reasons..

But its not true that this pipeline always works (Film to digital). In Harry
Potter  (I saw it last week) im sure spotted some magenta and cyan artifacts
(probably caused by microscopic imperfections in the compositing)  on some
hard contrasty edges... looked almost like it was a video projection.. when
I know they have 35mm at that cinema...

As for Sin City... its an effect.. sure it was done on a budget on video..
but that effect would just not work on almost ANY other film.. ok maybe a
few that are also based on graphic novels.
Did I think it was beautiful.. well no.., but thats cos i didnt like the
movie... but.. now i think about it, It did have some very cool scenes and
the Art Direction WAS superb... so OK.. beautiful ... just not MY cup o
char.

But remember, that video is only 40 years old (usable instead of film .. um
6 years old.. ok 10) Film is 150 years old... No wonder film-makers resent a
bunch of programers and engineers coming along and telling us that digital
has so and so more mega wotsit, and color saturation is this, and bla bla
bla... It just not about the technology.. its about "The way we make films"

I do have one thing to admit:
I havent done this in a while, but one of my hobbys was to put a roll of
black and white thru my Bolex (Yes I have one) and develop it myself (I have
an old russian army developing tank from the WW11) then I have made a
printed by cutting a slot in another old Bolex so I can feed my hand
deveeloped neg, and expose a positive. this I then develop that..

Im a film geek...

m

On Sat, Aug 1, 2009 at 9:20 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Oh I've always been plenty cranky.  I'm gearing up to be a ranty old man!
>
> I'm still standing by my statement though.  Of course you have the
> right to your opinion but there are dangers in your language.  As a
> professional your opinion means more than the average layman's. I know
> my way around a Bolex and let me tell you, in my opinion it's not
> easier to shoot on film so I have no idea what the hell you're talking
> about when you say "it's easier..." While you can get a great look
> from film, as far as I could tell it's mostly a nightmare to work with
> compared to modern digital mediums.
>
> Same thing with tape.  Does it have some inherent qualities that are
> desirable?  Sure. Is it your right to prefer to use it?  Absolutely.
> Saying "It is better" when you're coming from a place of authority is
> a bit irresponsible though. Also, it's not useful.  Saying "I like it
> better because..." is useful.
>
> I do find it funny that there are a lot of VSTs out there now that
> create the analog crap I spent years as an audio engineer trying to
> minimize. After Effect plugs that emulate the look of different film
> stocks complete with scratches and fuzz on the shutter. Awesome. I
> find it more useful asking the question "does this give me a
> look/sound that works with my art?" than "Is this medium better?"
>
> I had to laugh at the Dumble Amps thread a little while ago.  I'm not
> saying they're bad or good or worth it... I've never had any
> experience with it, but the price tag makes me smile.  I think we
> spend a lot of time chasing the .5% increase in sound quality that
> somehow costs 100 times the cost of the 99.5% good sounding gear.
> What's the point?  It becomes a fetish object, just like your film
> camera is on it's way to becoming.  You can argue that, but in 1984
> when I saw my first digital multitrack I said, "this will be done
> totally on computers soon" so I called that one. ;) I'm like The Great
> Carnak!   Have a look at Sin City and tell me that's not a beautiful
> film.  It's shot digitally and the medium is still young.
>
>
> On Sat, Aug 1, 2009 at 6:06 AM, mark francombe<mark@markfrancombe.com>
> wrote:
> >
> >> > > Sorry, but Film IS better than digital, and Tape IS better than
> >> digital...
> >> > > but I agree.. close enough and a hell of a lot more convenient...
> >> > > no I was just thinking about the way people hear...
> >> >
> >> > These statements are false.
> >
> > Seriously though, one of the ways to push my buttons is to make
> > blanket "this is better" statements rather than "I like this better
> > for these reasons."
> >
> > Seriously, though What are you like Sottilaro?? I cant just say "Im sorry
> > but film is better now???" Im just NOT HERE (Loopers Delight) to argue
> and
> > stand up for EVERY SINGLE off topic aside I toss into my posts, where Im
> > just being witty anyhow. I wasnt making a GREAT BIG IMPORTANT
> statement...
> > AND it was an opinion... You know it was an opinion becase I started the
> > sentance with Im sorry but... then followed with a statement that is
> > COMPLETELY OBVIOUS that it cannot possibly be proven, and is SOOOOO
> > subjective that NO-ONE could have believed that I was stating a
> scientific
> > fact.
> >
> > Im a film-maker dude... we like film... its easy to shoot on... Sure
> video
> > can look nice.. I happen to LOVE the look of VHS 3 tube cameras from the
> > 80s... and video can look like film... but there you go,,, when video
> looks
> > good, it cos its been made to look like film... therfore FILM IS
> BETTER!!!
> >
> > As for the plastic emulsion being bad for the environment, weak... boy...
> > weak...
> >
> > Thats why I yawned... could be bothered to follow up your (initially
> > unsubstantiated blanket statement) These statement are wrong...
> >
> >
> > Please cheer up a bit Mark... i dont know if you noticed but you're being
> a
> > bit agressive these days...
> >
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c3f0c710608047026b965
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK, nice reply.. you have filled in some interesting details. I certainly a=
gree with you about the Dumble amps thing.. and all this,.. &quot; well if =
you call him you wont get your amp thing...&quot; what a load of toss... an=
d it appears that its just a tube amp with a cheap ass regular old distorti=
on pedal covered in glue.. ha ha <br>

<br>Back to the film thread.. I said Film is easier to work with, and you h=
ad a problem with that...? Ahem=A0 everyone in film will tell you thats tru=
e actually. Its is of course &quot;More Expensive&quot; and that, in a way,=
 makes it more difficult, budgets are much more rigorous, but anyway the pi=
peline (in 99.9 persent of cases) is STILL a digital one. Cos its normal no=
w to shoot on 35 or super 16 and then immediately (maybe after a simple cor=
rections color grade) go straight to digital. I can edit full-on HD on my l=
aptop, thats only 4 times worse that 4K or whatever the digital res of film=
 is (I DONT shoot on film, anymore... so I dont know,)  I use grungy plugin=
s... ! ha ha! So I can NEARLY make a Cinema film at home.. thats of course =
wonderful!<br>

<br>There is nothing particularly hard about shooting on film. When you go =
to film school you learn about lighting, F-stops and depth of field, and th=
ats it really.. choose a good film stock for what you are shooting.. and fe=
w filters incase you want to go inside and shoot on tungsten. However.. vid=
eo... formats, dont get me started... progresive or interlace, frame size, =
is it or not anamorphic.. white balance, black balance, over shooting the w=
hites, contrast problems, you en up bringing in light after light to correc=
t an issue, then you take em all out, and say (we fix it in post - an indus=
try joke now)=A0 so now all you problems are about computer software.<br>

<br>There are quick and easy ways of getting video to look nice, so theres =
less fiddling in post. I use a 35mm lens adaptor. That means you attach a s=
pecial mount onto your video cam, it has a little spinny grid in front to t=
he lens that emulates film grain, and you can attatch 35mm film camera lens=
es. This means that you can get that lovely FILM CAMERA depth of field thin=
g of putting the background out of focus. Now there are cameras that can do=
 this anyway (look at Red cameras) But I cant hire them cos I bought 3 HD c=
ameras a few years back (for 6,000 dollars each) and need to use them to ma=
ke good my investment.. but with these lenses you can pretty much make nice=
 filmy stuff.<br>

<br>Using video is cheaper.. thats what makes us use it... There are thousa=
nds of film-makers out there now that can make their dream, and that is ver=
y important and I for one, whould not have my job. (That is making drama ba=
sed interactive training films for business and schools) So HURRAH for digi=
tal... but lets applaud it for the real reasons.. <br>

<br>But its not true that this pipeline always works (Film to digital). In =
Harry Potter=A0 (I saw it last week) im sure spotted some magenta and cyan =
artifacts (probably caused by microscopic imperfections in the compositing)=
=A0 on some hard contrasty edges... looked almost like it was a video proje=
ction.. when I know they have 35mm at that cinema...<br>

<br>As for Sin City... its an effect.. sure it was done on a budget on vide=
o.. but that effect would just not work on almost ANY other film.. ok maybe=
 a few that are also based on graphic novels.<br>Did I think it was beautif=
ul.. well no.., but thats cos i didnt like the movie... but.. now i think a=
bout it, It did have some very cool scenes and the Art Direction WAS superb=
... so OK.. beautiful ... just not MY cup o char.<br>

<br>But remember, that video is only 40 years old (usable instead of film .=
. um=A0 6 years old.. ok 10) Film is 150 years old... No wonder film-makers=
 resent a bunch of programers and engineers coming along and telling us tha=
t digital has so and so more mega wotsit, and color saturation is this, and=
 bla bla bla... It just not about the technology.. its about &quot;The way =
we make films&quot;<br>

<br>I do have one thing to admit:<br>I havent done this in a while, but one=
 of my hobbys was to put a roll of black and white thru my Bolex (Yes I hav=
e one) and develop it myself (I have an old russian army developing tank fr=
om the WW11) then I have made a printed by cutting a slot in another old Bo=
lex so I can feed my hand deveeloped neg, and expose a positive. this I the=
n develop that..<br>

<br>Im a film geek...<br><br>m<br><br><div class=3D"gmail_quote">On Sat, Au=
g 1, 2009 at 9:20 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Oh I&#39;ve always been plenty cranky. =A0I&#39;m gearing up to be a ranty =
old man!<br>
<br>
I&#39;m still standing by my statement though. =A0Of course you have the<br=
>
right to your opinion but there are dangers in your language. =A0As a<br>
professional your opinion means more than the average layman&#39;s. I know<=
br>
my way around a Bolex and let me tell you, in my opinion it&#39;s not<br>
easier to shoot on film so I have no idea what the hell you&#39;re talking<=
br>
about when you say &quot;it&#39;s easier...&quot; While you can get a great=
 look<br>
from film, as far as I could tell it&#39;s mostly a nightmare to work with<=
br>
compared to modern digital mediums.<br>
<br>
Same thing with tape. =A0Does it have some inherent qualities that are<br>
desirable? =A0Sure. Is it your right to prefer to use it? =A0Absolutely.<br=
>
Saying &quot;It is better&quot; when you&#39;re coming from a place of auth=
ority is<br>
a bit irresponsible though. Also, it&#39;s not useful. =A0Saying &quot;I li=
ke it<br>
better because...&quot; is useful.<br>
<br>
I do find it funny that there are a lot of VSTs out there now that<br>
create the analog crap I spent years as an audio engineer trying to<br>
minimize. After Effect plugs that emulate the look of different film<br>
stocks complete with scratches and fuzz on the shutter. Awesome. I<br>
find it more useful asking the question &quot;does this give me a<br>
look/sound that works with my art?&quot; than &quot;Is this medium better?&=
quot;<br>
<br>
I had to laugh at the Dumble Amps thread a little while ago. =A0I&#39;m not=
<br>
saying they&#39;re bad or good or worth it... I&#39;ve never had any<br>
experience with it, but the price tag makes me smile. =A0I think we<br>
spend a lot of time chasing the .5% increase in sound quality that<br>
somehow costs 100 times the cost of the 99.5% good sounding gear.<br>
What&#39;s the point? =A0It becomes a fetish object, just like your film<br=
>
camera is on it&#39;s way to becoming. =A0You can argue that, but in 1984<b=
r>
when I saw my first digital multitrack I said, &quot;this will be done<br>
totally on computers soon&quot; so I called that one. ;) I&#39;m like The G=
reat<br>
Carnak! =A0 Have a look at Sin City and tell me that&#39;s not a beautiful<=
br>
film. =A0It&#39;s shot digitally and the medium is still young.<br>
<div><div></div><div class=3D"h5"><br>
<br>
On Sat, Aug 1, 2009 at 6:06 AM, mark francombe&lt;<a href=3D"mailto:mark@ma=
rkfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt;<br>
&gt;&gt; &gt; &gt; Sorry, but Film IS better than digital, and Tape IS bett=
er than<br>
&gt;&gt; digital...<br>
&gt;&gt; &gt; &gt; but I agree.. close enough and a hell of a lot more conv=
enient...<br>
&gt;&gt; &gt; &gt; no I was just thinking about the way people hear...<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt; These statements are false.<br>
&gt;<br>
&gt; Seriously though, one of the ways to push my buttons is to make<br>
&gt; blanket &quot;this is better&quot; statements rather than &quot;I like=
 this better<br>
&gt; for these reasons.&quot;<br>
&gt;<br>
&gt; Seriously, though What are you like Sottilaro?? I cant just say &quot;=
Im sorry<br>
&gt; but film is better now???&quot; Im just NOT HERE (Loopers Delight) to =
argue and<br>
&gt; stand up for EVERY SINGLE off topic aside I toss into my posts, where =
Im<br>
&gt; just being witty anyhow. I wasnt making a GREAT BIG IMPORTANT statemen=
t...<br>
&gt; AND it was an opinion... You know it was an opinion becase I started t=
he<br>
&gt; sentance with Im sorry but... then followed with a statement that is<b=
r>
&gt; COMPLETELY OBVIOUS that it cannot possibly be proven, and is SOOOOO<br=
>
&gt; subjective that NO-ONE could have believed that I was stating a scient=
ific<br>
&gt; fact.<br>
&gt;<br>
&gt; Im a film-maker dude... we like film... its easy to shoot on... Sure v=
ideo<br>
&gt; can look nice.. I happen to LOVE the look of VHS 3 tube cameras from t=
he<br>
&gt; 80s... and video can look like film... but there you go,,, when video =
looks<br>
&gt; good, it cos its been made to look like film... therfore FILM IS BETTE=
R!!!<br>
&gt;<br>
&gt; As for the plastic emulsion being bad for the environment, weak... boy=
...<br>
&gt; weak...<br>
&gt;<br>
&gt; Thats why I yawned... could be bothered to follow up your (initially<b=
r>
&gt; unsubstantiated blanket statement) These statement are wrong...<br>
&gt;<br>
&gt;<br>
&gt; Please cheer up a bit Mark... i dont know if you noticed but you&#39;r=
e being a<br>
&gt; bit agressive these days...<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c3f0c710608047026b965--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 12:14:44 2009
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From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for July, 2009.
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http://wdiy.org/programs/gt/playlists/2009/top20-07jul.html

WDIY 88.1 FM "Galactic Travels" Top 20 for July, 2009.
Shows #639 to #643; 2-July-2009 to 30-July-2009
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829

The Special Focus for July was Jeffrey Koepper.
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


ARTIST - ALBUM TITLE - LABEL
===========================================================
Alpha Wave Movement - Concept of Motion - HRR
Citizen Green - Plant Cell - High Grade Media
Cluster - Qua - Nepenthe
Create - In the Blink of an Eye - Groove
Forrest Fang - Phantoms - Projekt
Frank Van Bogaert with Erik Wollo - Air Machine - Ace
Jeffrey Koepper - Etherea - Air Space
Jeffrey Koepper - Luminosity - Air Space
Jeffrey Koepper - Momentium - Air Space
Jeffrey Koepper - Radiate - Ricochet Dream
Jeffrey Koepper - Sequentaria - Air Space
Lemonchill - Sentant - Ricochet Dream
Markus Reuter and Ian Boddy - Dervish - DiN
Mystified - Frigid Radiance - Triple Bath
Paul Ellis - The Last Hiding Place of Beauty - Groove
Picture Palace Music - Curriculum Vitae I - Ricochet Dream
Radio Massacre International - E-live 2008 - Northern Echo
Robert Carty - Starlight Volume 2 - Deep Sky
Steve Roach - Dynamic Stillness - Projekt
Various Artists - Elektrik Cowboys - Ricochet Dream

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 14:10:12 2009
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Date: Sun, 02 Aug 2009 10:10:09 -0400
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I've done a number of long hitchhiking trips, and they were some of my 
most formative experiences. I think it helped lead me to my current mode 
of traveling/touring, and even to the kind of work I can handle doing 
for money. I need to have control over my time. I feel very lucky to 
have ended up in computers, which has enabled me to have complete 
flexibility, working by the hour from anywhere. (The 
getting-paid-by-the-hour component is important - the concept of salary 
never sat right w/me).

I wasn't necessarily going to share this here, but after some shakeup in 
my personal life it has turned out that I'm not going to be based in 
Mexico anymore. For the time being I don't have a fixed address, I'm 
just bouncing between friends and family in the eastern half of the US 
while preparing for my next tour. I don't feel the need to have a solid 
home base, and with wanting to tour most of the time, it wouldn't be 
much of a home base anyway. But my communities are VITAL to me, whether 
it's old friends or groups like LD where there's common ground from 
which new friendships develop. That's where my solidity is.

Funny, just last night a friend told me that there's a growing movement 
of people doing something like what I'm doing, and then Stefan mentioned 
the couchsurfing groups (which I'm definitely going to follow up on). 
Inspiring.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Its an incredible waste of human resources, that most people divide 
> their life into "free time" and "go to work".
> We are only free if all of our time is free time, including the work 
> we consider being important...
> When I started to hitchhike again, I not only realized that suddenly I 
> was much more free to go wherever I want to, its also a complete other 
> way of social exchange. In the money world everything turns into a 
> deal. But still most of social exchanges are not deals, they wouldn't 
> work as a deal...
> Just lurk on any of the couchsurfing groups, and you'll know that this 
> spirit is strong and makes happy...
>
> Deals (money involved) can be fine unless this way of thinking isn't 
> pushing all other social activities into the background...
> Obviously it is possible to survive without money, but we could not 
> survive without our communities. And this LD community is a good 
> example how things work extremely efficient without being a deal...
>
> Stefan

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Jeff Larson schrieb:
> The one thing I didn't like about JUCE when I tried it was that
> everything looks like Tracktion :-)  By which I mean that it uses no
> native UI componentry so things don't look and feel exactly like a
> native app.

The new Max/MSP is also based on JUCE. It doesn't look like Traktion for 
me, there must be a way to get around that...;-)

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From info@loans.org  Sun Aug  2 16:16:48 2009
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Good Day Sir/Madam,

This is PARAMOUR FINANCIAL HOME A Cooperate/Private Money lending
services. We are Writing you to introduce a small and large business money
lending firm to you. Do you want any of the loan service below?

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NAME: ===========
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LOAN DURATION:======
OCCUPATION: =========
MONTHLY INCOME:======

Once this information is gotten I will forward you my loan terms and
Agreement for proceed in getting you funded on time.

Your's Faithfully
Mrs. Joan Williams.
Email: paramondfinance@sify.com

From info@loans.org  Sun Aug  2 16:16:51 2009
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Good Day Sir/Madam,

This is PARAMOUR FINANCIAL HOME A Cooperate/Private Money lending
services. We are Writing you to introduce a small and large business money
lending firm to you. Do you want any of the loan service below?

BUSINESS LOAN
PERSONAL LOAN
DEBT CONSOLIDATION
REFINANCE LOAN
AUTO LOAN

We can service your financial need with less payback problem that is why
we fund you for just 3%. Need business or a personal loan Fill the Short
application below. Contact us via: paramondfinance@sify.com.

NAME: ===========
ADDRESS:=========
COUNTRY:=========
MARITAL STATUS:=====
SEX:=====
PHONE NUMBER:======
AMOUNT NEEDED AS LOAN:====
LOAN DURATION:======
OCCUPATION: =========
MONTHLY INCOME:======

Once this information is gotten I will forward you my loan terms and
Agreement for proceed in getting you funded on time.

Your's Faithfully
Mrs. Joan Williams.
Email: paramondfinance@sify.com

From Morpold500@gmail.com  Sun Aug  2 16:34:13 2009
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From: "Capt. Morgan Leopold"<Morpold500@gmail.com>
Subject: How are you my Good friend
Date: Sun, 2 Aug 2009 18:21:21 +0200
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT color=#000000>Dear friend,</FONT></DIV>
<DIV>
<FONT color=#000000>I want to inform you that I am interested in your service as i intend to invest in your country,But i have a business proposal for you. I am a captain with the British Army troop in Iraq,on war against terrorism. Based on the British legislative and executive decision for withdrawing troops from Iraq on the advent of President Barrack Obama,I have been deployed to come and work in one of EU military base soonest. Our mission is to help beef up terrorist targeted states,mostly the United states and the European Union on the war against terrorism. On the other hand I want to inform you that I have in my possession the sum of USD$12.8 million which was recovered from one of our raids on terrorists here in Iraq because they keep most of their money at home for evil activities which they normally get through illegal deals on crude oil and hard drugs.</FONT></DIV>
<DIV>
<FONT color=#000000>Based on the suffering we undergo here some of us do meet such luck. It happened that I went for this raid with the men in my base and I decided to take it as my share for my stress here in this evil land filled with suicide bombers.I deposited this money with a red cross agent informing him that we are making contact for the real owner of the money.It is under my power to approve whoever comes forth for this money. I wish to use this money to invest in your country outside the confines of the United Kingdom because that is where I intend to move over with my family at my retirement years.</FONT></DIV>
<DIV>
<FONT color=#000000>I cannot move this money to Britain as i intend to invest out of England and i am a uniformed man so I need someone I could deal with.I chose your company because of its versatility as read over your website and because i need somebody i can trust and it would be wise working with somebody like you who has a business where I can invest into. If you accept,I will transfer the money to Europe where you will be the beneficiary because I am a uniformed person and I cannot be parading such an amount so I need to present someone as the beneficiary.</FONT></DIV>
<DIV>
<FONT color=#000000>I am English and an intelligence officer at that so I have a 100% authentic means of transferring the money through diplomatic courier service .I just need your acceptance and all is done. Please if you are interested in this transaction I will give to you the complete details you need for us to carry out this transaction successfully.I decided to find someone that is real and not imaginary and that is why I went to a secured website where I can be sure that the person is real and has a means for me to invest.</FONT></DIV>
<DIV>
<FONT color=#000000>Where we are now we can only communicate through our military communication facilities which is secured so nobody can monitor our emails,then I can explain in details to you.I will only reach you through email,because our calls our monitored,I just have to be sure whom I am dealing with.</FONT></DIV>
<DIV>
<FONT color=#000000>If you are interested please send me your personal mobile number so I can call you for further inquiries when I am out of our military network.I am writing from a fresh email account so if you are not interested do not reply to this email and please delete this message,if no response after 3days I will then search for someone else.I am doing this on trust,you should understand and you should know that as a trained military expert I will always play safe in case you are the bad type,but I pray you are not because USD$12.8million USD is a lot of money which is the dream of anyone.</FONT></DIV>
<DIV>
<FONT color=#000000>I wait for your response so we can go on. In less than 7days the money should have been noted on your account and I will come over for my money.I will give to you 30% of the sum and 70% is for my dream.</FONT></DIV>
<DIV>
<FONT color=#000000>I hope I am been fair on this deal.</FONT></DIV>
<DIV>
<FONT color=#000000>Regards,</FONT></DIV>
<DIV>
<FONT color=#000000>Capt.Morgan Leopold</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 17:12:13 2009
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Date: Sun, 2 Aug 2009 10:12:10 -0700 (PDT)
From: Petepong Phasukyud <petexhunter@yahoo.com>
Subject: Hi Loopers
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--0-494385286-1249233130=:99080
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I'm a newbie looper interester.

Now I'm looking for some looper to experiment some voice (I'm a singer)

I saw RC50 , RC20 , Gibson EDP , Jamman , Akai Headrush E2

I don't know which one suit for me.

I just wanna get something not too expensive and can try many loop as I can (,y only instrument I'm gonna use is my voice) recording my songs - transfer to computer or record to computer. Haven't think too live performance yet.

Can you guys suggest me? I have no idea .

Pete





      


      
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Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br><br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><div id="yiv194092167"><table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="font-family: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjust: inherit; font-stretch: inherit; -x-system-font: none;" valign="top">I'm a newbie looper interester.<br><br>Now I'm looking for some looper to experiment some voice (I'm a singer)<br><br>I saw RC50 , RC20 , Gibson EDP , Jamman , Akai Headrush E2<br><br>I don't know which one suit for me.<br><br>I just wanna get something not too expensive and can try many loop as I can (,y only instrument I'm gonna use is my voice) recording my songs - transfer to computer or record to computer. Haven't think too live performance
 yet.<br><br>Can you guys suggest me? I have no idea .<br><br>Pete<br></td></tr></tbody></table><br>



      </div></blockquote></td></tr></table><br>



      
--0-494385286-1249233130=:99080--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 17:16:04 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Does Mainstage + Ableton make sense?
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Hi folks

I'm playing around with Logic Mainstage and was just wandering:
Is using Mainstage + Ableton 8 a live looping setup that could make sense?

The idea:
- Use mainstage for vocal/instrument fx, amp simulations => pre-loop effects
- Loop using Ableton 8 (possibly add Moebius)
- Add post-loop fx in Ableton (i.e. filters, time fx...)

Would does it make and does it work (cpu? routing? latency?) ? 

thanks
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 17:36:43 2009
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Date: Sun, 2 Aug 2009 13:36:40 -0400
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Subject: iTouch music I created and app review
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a6dea0c8ab04702c18ec
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I mentioned a couple of weeks ago inheriting an iTouch from my son when he
got an iPhone.  I began to discover as many probably know a number of useful
music apps and possibilities.  The challenge and somewhat still is was a
decent way to capture outside sources into it's world.  So far from my
research it seems to be limited to a mic at least with the 2nd Gen iTouch.
 I think with a couple of older iPod series Belkin and possibly others are
making hardware that you can bring in line sources but I'm still researching
that.
For the moment and current budget I chose a combination mic, headphone
adapter and remote switch called
SmartTalk<http://www.griffintechnology.com/products/smarttalk>made by
Griffin Technologies, it was $14 and probably better for 'voice'
recording though for acoustic instruments (example follows) I have found it
useful.

One of the best apps from those I've tried either 'free apps' or 'paid' from
the iTunes app store is
StompVox<http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=311462071&mt=8>which
is rather cool to my experiences so far.  Cost was $1.99 which hovers
around norm for several audio applications though others can fetch up to
$19.99.

Stompvox is an environment made up of 5 rather cool looking effects pedals -
a noise gate, looper, reverb, echo and a mixer, all visually/functionwise
modeled after kind of a mix of early Boss and I'd say MXR pedals.  Then the
app has 11 presets that use all the pedals in various schemes that can be
edited.  Preset names are Big Bathroom, Brown Acid, Cathedral, Clangers,
Human Beat Box, Platform Announcer, Resonating Robot, Rub a Dub, Shower and
Subway.  You can save a preset to your own name and your own scheme.  So far
I personally like Brown Acid which does sort of rapid panning thing somehow,
Cathedral which as the name suggests is heavy verb/echo and Human Beat Box
which is a nice range of enhancement though I've used it with only the gate,
looper and mixer.

The looping does not seem to have layering limits but does seem to limit
each loop to 45 seconds though I still may be missing some functionality
here.  Once you've created a loop series that you are ready to finalize and
produce you have an option to export the file either with effects or without
to a nearby router hosted device/computer which is somehow uniformly always
on an open port which befuddles me a bit.  When I first did an export I
thought I was going to a Stompvox server as I was in the laundry and when it
was done the software said go to an ip and port address to download on a
computer which the export produces the file to a wav file.  Once done
however I was home and I couldn't access the address.  I saved again and
realized it was now going to my router 192.168.2.7 with a port address.
 When you go to that address you are presented with a StompVox page and a
download link and at that point you Control Click on the Mac and save the
Wav to your hard drive.

So I recorded 6 loops (unfortunately lost one in the above process somehow)
and imported the remaining 5 into Audacity to work with which only included
duplicating and reversing two of them for the creation of my piece which I
call 'Transparency 53'.  Though I indicated turning off reverb on some of
the loops I did use the Cathedral set stock which is heavy and dark in this.
 Instruments were oud, wood flute, hand drum, table surface and plastic
cassette case and my voice.  I have posted for your listening and thoughts
up on Box.net at http://www.box.net/shared/6fyxpntzrf .

I also have bought another app called iSample that I'm still evaluating and
trying to see if there might be a live option. StompVox seems so far
aproduction tool and not live but I may change my mind on that. So far as
the former it's pretty cool.

Jim



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a6dea0c8ab04702c18ec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I mentioned a couple of weeks ago inheriting an iTouch from my son when he =
got an iPhone. =A0I began to discover as many probably know a number of use=
ful music apps and possibilities. =A0The challenge and somewhat still is wa=
s a decent way to capture outside sources into it&#39;s world. =A0So far fr=
om my research it seems to be limited to a mic at least with the 2nd Gen iT=
ouch. =A0I think with a couple of older iPod series Belkin and possibly oth=
ers are making hardware that you can bring in line sources but I&#39;m stil=
l researching that.<div>
<br></div><div>For the moment and current budget I chose a combination mic,=
 headphone adapter and remote switch called <a href=3D"http://www.griffinte=
chnology.com/products/smarttalk">SmartTalk</a> made by Griffin Technologies=
, it was $14 and probably better for &#39;voice&#39; recording though for a=
coustic instruments (example follows) I have found it useful.</div>
<div><br></div><div>One of the best apps from those I&#39;ve tried either &=
#39;free apps&#39; or &#39;paid&#39; from the iTunes app store is=A0<a href=
=3D"http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=3D311=
462071&amp;mt=3D8">StompVox</a> which is rather cool to my experiences so f=
ar. =A0Cost was $1.99 which hovers around norm for several audio applicatio=
ns though others can fetch up to $19.99.</div>
<div><br></div><div>Stompvox is an environment made up of 5 rather cool loo=
king effects pedals - a noise gate, looper, reverb, echo and a mixer, all v=
isually/functionwise modeled after kind of a mix of early Boss and I&#39;d =
say MXR pedals. =A0Then the app has 11 presets that use all the pedals in v=
arious schemes that can be edited. =A0Preset names are Big Bathroom, Brown =
Acid, Cathedral, Clangers, Human Beat Box, Platform Announcer, Resonating R=
obot, Rub a Dub, Shower and Subway. =A0You can save a preset to your own na=
me and your own scheme. =A0So far I personally like Brown Acid which does s=
ort of rapid panning thing somehow, Cathedral which as the name suggests is=
 heavy verb/echo and Human Beat Box which is a nice range of enhancement th=
ough I&#39;ve used it with only the gate, looper and mixer.</div>
<div><br></div><div>The looping does not seem to have layering limits but d=
oes seem to limit each loop to 45 seconds though I still may be missing som=
e functionality here. =A0Once you&#39;ve created a loop series that you are=
 ready to finalize and produce you have an option to export the file either=
 with effects or without to a nearby router hosted device/computer which is=
 somehow uniformly always on an open port which befuddles me a bit. =A0When=
 I first did an export I thought I was going to a Stompvox server as I was =
in the laundry and when it was done the software said go to an ip and port =
address to download on a computer which the export produces the file to a w=
av file. =A0Once done however I was home and I couldn&#39;t access the addr=
ess. =A0I saved again and realized it was now going to my router 192.168.2.=
7 with a port address. =A0When you go to that address you are presented wit=
h a StompVox page and a download link and at that point you Control Click o=
n the Mac and save the Wav to your hard drive.</div>
<div><br></div><div>So I recorded 6 loops (unfortunately lost one in the ab=
ove process somehow) and imported the remaining 5 into Audacity to work wit=
h which only included duplicating and reversing two of them for the creatio=
n of my piece which I call &#39;Transparency 53&#39;. =A0Though I indicated=
 turning off reverb on some of the loops I did use the Cathedral set stock =
which is heavy and dark in this. =A0Instruments were oud, wood flute, hand =
drum, table surface and plastic cassette case and my voice. =A0I have poste=
d for your listening and thoughts up on Box.net at<font class=3D"Apple-styl=
e-span" face=3D"arial, helvetica, sans-serif">=A0</font><span class=3D"Appl=
e-style-span" style=3D"white-space: pre; "><a href=3D"http://www.box.net/sh=
ared/6fyxpntzrf"><font class=3D"Apple-style-span" face=3D"arial, helvetica,=
 sans-serif">http://www.box.net/shared/6fyxpntzrf</font></a><font class=3D"=
Apple-style-span" face=3D"arial, helvetica, sans-serif"> .</font></span></d=
iv>
<div><span class=3D"Apple-style-span" style=3D"white-space: pre;"><font cla=
ss=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"><br></font></=
span></div><div><span class=3D"Apple-style-span" style=3D"white-space: pre;=
"><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif">I =
also have bought another app called iSample that I&#39;m still evaluating a=
nd trying to see if there might be a live option. StompVox seems so far apr=
oduction tool and not live but I may change my mind on that.  So far as the=
 former it&#39;s pretty cool.</font></span></div>
<div><span class=3D"Apple-style-span" style=3D"white-space: pre;"><font cla=
ss=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"><br></font></=
span></div><div><span class=3D"Apple-style-span" style=3D"white-space: pre;=
"><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif">Ji=
m</font></span></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Lucida Grande&#39;"><spa=
n class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></font>=
</div><div><font class=3D"Apple-style-span" face=3D"&#39;Lucida Grande&#39;=
"><span class=3D"Apple-style-span" style=3D"white-space: pre;"><br clear=3D=
"all">
</span></font><br>-- <br>ReUse, an introspective textural aural<br><a href=
=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>musi=
c links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.=
com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a6dea0c8ab04702c18ec--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 18:49:14 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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I'd recommend the Line 6 DL4. I started with it, and I still use it =
today.

Ricky

  ----- Original Message -----=20
  From: Petepong Phasukyud=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, August 02, 2009 6:12 PM
  Subject: Hi Loopers






                I'm a newbie looper interester.

                Now I'm looking for some looper to experiment some voice =
(I'm a singer)

                I saw RC50 , RC20 , Gibson EDP , Jamman , Akai Headrush =
E2

                I don't know which one suit for me.

                I just wanna get something not too expensive and can try =
many loop as I can (,y only instrument I'm gonna use is my voice) =
recording my songs - transfer to computer or record to computer. Haven't =
think too live performance yet.

                Can you guys suggest me? I have no idea .

                Pete
              =20

      =20




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.392 / Virus Database: 270.13.41/2277 - Release Date: =
08/02/09 05:56:00

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'd recommend the Line 6 DL4. I started =
with it,=20
and I still use it today.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpetexhunter@yahoo.com =
href=3D"mailto:petexhunter@yahoo.com">Petepong=20
  Phasukyud</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, August 02, 2009 =
6:12=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Hi Loopers</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop><BR><BR><BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid">
          <DIV id=3Dyiv194092167>
          <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
            <TBODY>
            <TR>
              <TD=20
              style=3D"FONT-FAMILY: inherit; font-size-adjust: inherit; =
font-stretch: inherit; -x-system-font: none"=20
              vAlign=3Dtop>I'm a newbie looper interester.<BR><BR>Now =
I'm=20
                looking for some looper to experiment some voice (I'm a=20
                singer)<BR><BR>I saw RC50 , RC20 , Gibson EDP , Jamman , =
Akai=20
                Headrush E2<BR><BR>I don't know which one suit for =
me.<BR><BR>I=20
                just wanna get something not too expensive and can try =
many loop=20
                as I can (,y only instrument I'm gonna use is my voice)=20
                recording my songs - transfer to computer or record to =
computer.=20
                Haven't think too live performance yet.<BR><BR>Can you =
guys=20
                suggest me? I have no idea=20
          =
.<BR><BR>Pete<BR></TD></TR></TBODY></TABLE><BR></DIV></BLOCKQUOTE></TD></=
TR></TBODY></TABLE><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.392 / Virus Database: 270.13.41/2277 - =
Release=20
  Date: 08/02/09 05:56:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 20:36:34 2009
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Subject: looping hurdy gurdy
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http://www.youtube.com/watch?v=3DoZKQf-JIvRU


_________________________________________________________________
Celebrate a decade of Messenger with free winks=2C emoticons=2C display pic=
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</html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 21:02:00 2009
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Subject: Re: Does Mainstage + Ableton make sense?
From: Warren Sirota <wsirota@wsdesigns.com>
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In fact, I use Mainstage + Ableton6 + SooperLooper + Max (to record
the whole mess 6 channels in realtime) in a similar way. of course,
i'm not using the ableton looper,

Latency isn't too bad - I have Mainstage getting guitar input directly
from my MOTU and sending output to Jack, which splits and sends  to
sooperlooper and out to the MOTU. you can always adjust the latency of
a looper to work with whatever you want as long as you're not
monitoring your input via the looper, so that's no problem.

The only issues are processing power and memory - my Macbook is kind
of at it's limits on both using a short 64-sample buffer size. but
then again, I'm also using Sooperlooper to send midi clocks to Live to
drive drum patterns that are either audio loops in Live or MIDI Clips
that are getting sent BACK to another Mainstage channel to drive
Mainstage drum kits. And i'm also mildly processing and looping
another 2 channels of audio from my guitar synth, and sometimes
capturing/looping additional audio from people I'm playing with. It's
quite sick. And I'm using MIDI Patch back to get MIDI from point A to
point B when it doesn't seem to get there by default.

It actually works fine (except that once in a blue moon SooperLooper
goes nuts with nasty noise and needs to be shut down and restarted,
then the Jack routing patch reloaded - but that is infrequent), tho it
took a long time to get here. Important hint: make an automator app to
start everything in the right order, and don't try to automate the
jack server stuff - that needs manual intervention to be controlled
properly - ask me if you get that far!

On Sun, Aug 2, 2009 at 1:15 PM, Buzap Buzap<buzap@gmx.net> wrote:
> Hi folks
>
> I'm playing around with Logic Mainstage and was just wandering:
> Is using Mainstage + Ableton 8 a live looping setup that could make sense?
>
> The idea:
> - Use mainstage for vocal/instrument fx, amp simulations => pre-loop effects
> - Loop using Ableton 8 (possibly add Moebius)
> - Add post-loop fx in Ableton (i.e. filters, time fx...)
>
> Would does it make and does it work (cpu? routing? latency?) ?
>
> thanks
> Buzap
> --
> Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
> sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser
>
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 21:34:23 2009
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Subject: Re: Does Mainstage + Ableton make sense?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Aug 2, 2009 at 7:15 PM, Buzap Buzap<buzap@gmx.net> wrote:
> I'm playing around with Logic Mainstage and was just wandering:
> Is using Mainstage + Ableton 8 a live looping setup that could make sense?
>
> The idea:
> - Use mainstage for vocal/instrument fx, amp simulations => pre-loop effects
> - Loop using Ableton 8 (possibly add Moebius)
> - Add post-loop fx in Ableton (i.e. filters, time fx...)
>
> Would does it make and does it work (cpu? routing? latency?) ?


It doesn't make sense to me until you tell us how you plan to connect
those two applications. Are you gong to synchronize them tempo wise?
How are audio streams going to be piped between them? ReWire? Could
work if you use Mainstage 2, since MS 1 doesn't support ReWire. It
seems from your description that you want to input some audio to
Mainstage and some audio to Live and then you also want the output of
Mainstege to be input into Live. Phew... Isn't it simpler to patch it
up and try if it works? It would be interesting to hear about your
findings.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 21:40:20 2009
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	 <BLU113-W2035C749001F7A4AAE383D850E0@phx.gbl>
Date: Sun, 2 Aug 2009 23:40:20 +0200
Message-ID: <66f9cc1e0908021440x5af43f7pe2a6730dc036e8be@mail.gmail.com>
Subject: Re: looping hurdy gurdy
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Aug 2, 2009 at 10:36 PM, Gareth
Whittock<buddhamachine@live.co.uk> wrote:
> http://www.youtube.com/watch?v=3DoZKQf-JIvRU


Great clip! Mattihas Loibner did a great set at the looping festival
in Z=C3=BCrich 2005.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 3 Aug 2009 00:02:09 +0200
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Subject: Virtual Sound and Vision - Call for Performers
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

this is the Call for Performers for the virtual video streaming
festival I've been talking about.
Please feel free to forward it anywhere you like, post it on your
blog, twitter the link out etc.

Link to twitter: http://moinlabs.de/vsv/cfp.htm

Of course, I'm happy to answer any questions (off-list).

Thanks,

            Rainer

---
VIRTUAL SOUND AND VISION Festival - Call for Performers
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D


Please do distribute this call for performers freely among mailing
lists, forums and blogs. In your own interest, make sure that contact
info does not get lost in the process.
The email box for communication is: virtualfestival =C4TT moinlabs DOT de


A two-day long festival on video stream services of performers playing
from their home to yours. A very long webstream gig with performers
from all over the world - your input and ideas are very welcome.


Virtual Sound and Vision ("VSV" for short) is the first international
video streaming music festival, presenting music with visual content
to a virtual audience via the world wide web. Using contemporary
services for free video streaming, the art is transmitted from the
individual artists' performance spaces via the festival site (a truly
virtual entity) to the audience, watching and listening from virtually
everywhere.

The selection of acts will focus on artists making creative use of
combination of audio/video (e.g. live video processing, music played
to silent films) and/or internet technology for music art (e.g.
realtime internet collaboration).


VSV is scheduled for the weekend of Sat 3rd/Sun 4th of October 2009 in
the time span from 16:00 UTC (http://tinyurl.com/ne6hts) to 23:00 UTC
(http://tinyurl.com/nkagrl) each. (Please check links for local time
conversions).



INFO FOR FESTIVAL GUESTS:
-------------------------
The entire festival will be streamed via the internet, there will be
no actual and "physical" festival location. Watching the festival
requires the use of a contemporary computer of almost any kind (e.g.
desktop, notebook, netbook) and OS, a web browser and an acceptable
internet connection (e.g. slow DSL link or faster).

The festival is provided free of charge. Signup is not necessary.
A bill of performers and running order will be published on Sunday
September 13th of 2009 on the festival website and via a festival
newsgroup. Until then, check out our web presence (see below).

INFO FOR ASPIRING ARTISTS:
--------------------------
To make this info as short as possible, the actual call for performers
is located here:
http://moinlabs.de/vsv/cfp.htm.


The VIRTUAL SOUND AND VISION Festival
myspace:  http://www.myspace.com/vsvfestival
facebook: http://tinyurl.com/mp6r5c
twitter: http://twitter.com/vsvfest
email: virtualfestival =C4TT moinlabs DOT de

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From Loopers-Delight-request@loopers-delight.com  Sun Aug  2 23:32:38 2009
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Date: Sun, 2 Aug 2009 16:32:37 -0700
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Subject: Re: living without money(O.T.)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Hitchhiking only works if someone's got it together to buy a car.
Couchsurfing only works if someone has spent their money on a couch
(and a place to keep it in)

I'd love to live in a magic fairy land universe where everyone just
did the work they felt was "important."  I bet that land smells like a
pile of garbage... I bet that land would be a pile of garbage.   Who
wants to do that job?  Would the building I sheet rocked exist in that
land, because let me tell you I did not feel important doing that job.
 It did, however, give me the ability to buy my own couch, car and
rent a place to keep them in.

While traveling in Japan last September it struck us that the idea of
"menial labor" didn't really exist there like it does in the west.  It
seemed like everyone was proud of their job and worked hard at it
whether is was fast food worker or hotel manager. It made me feel
ashamed of our culture where your self esteem seems linked to the
"quality" of job you have and not the quality of work you do.

Here's a question I have.  If your tour can't even support itself in
terms of travel... why?  Wouldn't you be better off finding local gigs
and distributing your music all over the world via the internet?  Just
wondering...

On Sun, Aug 2, 2009 at 7:10 AM, Daryl Shawn<highhorse@mhorse.com> wrote:
> I've done a number of long hitchhiking trips, and they were some of my most
> formative experiences. I think it helped lead me to my current mode of
> traveling/touring, and even to the kind of work I can handle doing for
> money. I need to have control over my time. I feel very lucky to have ended
> up in computers, which has enabled me to have complete flexibility, working
> by the hour from anywhere. (The getting-paid-by-the-hour component is
> important - the concept of salary never sat right w/me).
>
> I wasn't necessarily going to share this here, but after some shakeup in my
> personal life it has turned out that I'm not going to be based in Mexico
> anymore. For the time being I don't have a fixed address, I'm just bouncing
> between friends and family in the eastern half of the US while preparing for
> my next tour. I don't feel the need to have a solid home base, and with
> wanting to tour most of the time, it wouldn't be much of a home base anyway.
> But my communities are VITAL to me, whether it's old friends or groups like
> LD where there's common ground from which new friendships develop. That's
> where my solidity is.
>
> Funny, just last night a friend told me that there's a growing movement of
> people doing something like what I'm doing, and then Stefan mentioned the
> couchsurfing groups (which I'm definitely going to follow up on). Inspiring.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>> Its an incredible waste of human resources, that most people divide their
>> life into "free time" and "go to work".
>> We are only free if all of our time is free time, including the work we
>> consider being important...
>> When I started to hitchhike again, I not only realized that suddenly I was
>> much more free to go wherever I want to, its also a complete other way of
>> social exchange. In the money world everything turns into a deal. But still
>> most of social exchanges are not deals, they wouldn't work as a deal...
>> Just lurk on any of the couchsurfing groups, and you'll know that this
>> spirit is strong and makes happy...
>>
>> Deals (money involved) can be fine unless this way of thinking isn't
>> pushing all other social activities into the background...
>> Obviously it is possible to survive without money, but we could not
>> survive without our communities. And this LD community is a good example how
>> things work extremely efficient without being a deal...
>>
>> Stefan
>
>

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From: "Sedrick Rogers" <sedrick_rogers@att.net>
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Subject: Digitech JamMan
Date: Sun, 2 Aug 2009 18:33:14 -0500
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Hello. Does the Digitech JamMan have loop quantization? And if I were to
plug a mic into the XLR input of the pedal and wanted to do a vocal loop,
what kind of cord do I need to put in the output of the pedal and into the
mic input of the PA system? 


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<div class=3DSection1>

<p class=3DMsoNormal>Hello. Does the Digitech JamMan have loop =
quantization? And
if I were to plug a mic into the XLR input of the pedal and wanted to do =
a
vocal loop, what kind of cord do I need to put in the output of the =
pedal and
into the mic input of the PA system? <o:p></o:p></p>

</div>

</body>

</html>

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	 <436E256CC4DC4EEA9B36D0B50A8B4390@williamsteed>
Date: Sun, 2 Aug 2009 16:43:18 -0700
Message-ID: <bcd3c7bb0908021643r1d10e9c7r1cbe6db03e30928d@mail.gmail.com>
Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Sun, Aug 2, 2009 at 8:22 AM, William Walker<billwalker@baymoon.com> wrot=
e:
>
> "
> Oh I've always been plenty cranky. =A0I'm gearing up to be a ranty old ma=
n!"
>
> If you live that long.
>

Is that a threat you fucking dirtbag?

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 00:02:40 2009
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Date: Sun, 02 Aug 2009 20:02:34 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: living without money(O.T.)
References: <414609.79396.qm@web24307.mail.ird.yahoo.com>	 <C68CDE6B.4074%qua@oregon.com>	 <bcd3c7bb0907221541j458a5e4bn5384f655d1aae195@mail.gmail.com>	 <9ab0c76f0907230200j6991e5ev77616d07fc930592@mail.gmail.com>	 <0B46E809552846EB821142E9A7163A02@NORBY11>	 <4A756643.7000002@googlemail.com> <4A759E41.6080309@mhorse.com> <bcd3c7bb0908021632s1052f9dla5917d4d93e755cb@mail.gmail.com>
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Well, living this way is not for everyone. But I do hope that everybody 
finds peace w/the work they do for money, whether it be justifying it by 
the things it allows them to do, or by finding the work itself to be 
rewarding. I do, by the way, feel good about the work that I do get paid 
for.

My touring does, in fact, get close to supporting itself (comes closer 
each tour). That's beside the point; I'm happy to do this and have 
another job which actually supports me. The point is to play live music 
in front of actual breathing people as much as possible, and to combine 
that with the ability to see new places and to meet up with new people 
each night makes it fully worthwhile. It's simply what I want to do; the 
pros and cons of this model of "distribution" don't interest me.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hitchhiking only works if someone's got it together to buy a car.
> Couchsurfing only works if someone has spent their money on a couch
> (and a place to keep it in)
>
> I'd love to live in a magic fairy land universe where everyone just
> did the work they felt was "important."  I bet that land smells like a
> pile of garbage... I bet that land would be a pile of garbage.   Who
> wants to do that job?  Would the building I sheet rocked exist in that
> land, because let me tell you I did not feel important doing that job.
>  It did, however, give me the ability to buy my own couch, car and
> rent a place to keep them in.
>
> While traveling in Japan last September it struck us that the idea of
> "menial labor" didn't really exist there like it does in the west.  It
> seemed like everyone was proud of their job and worked hard at it
> whether is was fast food worker or hotel manager. It made me feel
> ashamed of our culture where your self esteem seems linked to the
> "quality" of job you have and not the quality of work you do.
>
> Here's a question I have.  If your tour can't even support itself in
> terms of travel... why?  Wouldn't you be better off finding local gigs
> and distributing your music all over the world via the internet?  Just
> wondering...
>
> On Sun, Aug 2, 2009 at 7:10 AM, Daryl Shawn<highhorse@mhorse.com> wrote:
>   
>> I've done a number of long hitchhiking trips, and they were some of my most
>> formative experiences. I think it helped lead me to my current mode of
>> traveling/touring, and even to the kind of work I can handle doing for
>> money. I need to have control over my time. I feel very lucky to have ended
>> up in computers, which has enabled me to have complete flexibility, working
>> by the hour from anywhere. (The getting-paid-by-the-hour component is
>> important - the concept of salary never sat right w/me).
>>
>> I wasn't necessarily going to share this here, but after some shakeup in my
>> personal life it has turned out that I'm not going to be based in Mexico
>> anymore. For the time being I don't have a fixed address, I'm just bouncing
>> between friends and family in the eastern half of the US while preparing for
>> my next tour. I don't feel the need to have a solid home base, and with
>> wanting to tour most of the time, it wouldn't be much of a home base anyway.
>> But my communities are VITAL to me, whether it's old friends or groups like
>> LD where there's common ground from which new friendships develop. That's
>> where my solidity is.
>>
>> Funny, just last night a friend told me that there's a growing movement of
>> people doing something like what I'm doing, and then Stefan mentioned the
>> couchsurfing groups (which I'm definitely going to follow up on). Inspiring.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 00:19:34 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'Per Boysen'" <perboysen@gmail.com>,
        <Loopers-Delight@loopers-delight.com>
References: <66f9cc1e0908021440x5af43f7pe2a6730dc036e8be@mail.gmail.com>
Subject: RE: looping hurdy gurdy
Date: Sun, 2 Aug 2009 17:19:29 -0700
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Yes he was amazing as was his Australian percussionist with his =
aboriginal
singing stones, I think that=92s what he called them. That clip that =
Rick
posted made me think  of a cross between and erhu and a hurdy gurdy, and
brought back memories of the Zurich  performance as well. I love it when
musicians take really old instruments and do something fresh and =
adventurous
with them as Loibner and his partner did.
Bill

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Sunday, August 02, 2009 2:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: looping hurdy gurdy

On Sun, Aug 2, 2009 at 10:36 PM, Gareth
Whittock<buddhamachine@live.co.uk> wrote:
> http://www.youtube.com/watch?v=3DoZKQf-JIvRU


Great clip! Mattihas Loibner did a great set at the looping festival
in Z=FCrich 2005.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 00:54:43 2009
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	 <C68CDE6B.4074%qua@oregon.com>
	 <bcd3c7bb0907221541j458a5e4bn5384f655d1aae195@mail.gmail.com>
	 <9ab0c76f0907230200j6991e5ev77616d07fc930592@mail.gmail.com>
	 <0B46E809552846EB821142E9A7163A02@NORBY11>
	 <4A756643.7000002@googlemail.com> <4A759E41.6080309@mhorse.com>
	 <bcd3c7bb0908021632s1052f9dla5917d4d93e755cb@mail.gmail.com>
	 <4A76291A.8050907@mhorse.com>
Date: Sun, 2 Aug 2009 17:54:42 -0700
Message-ID: <bcd3c7bb0908021754o69e97f25j39aa1ccb7d3ea0bf@mail.gmail.com>
Subject: Re: living without money(O.T.)
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The sad thing is the fact that live music isn't something that's
valued as much as it should be in our culture.  I can never quite
figure out how someone like Madonna can rake in millions yet great
small acts seem to beg for crumbs.  It always made me laugh when we
could fill a small club when we paid for free on a monday night when
it was normally empty, but if we charged $3 to get in people would go
to the bar across the street.  I'd have been happy to play for free,
but the club owner decided to charge us to use the PA even though we
had our own.  That's right, I'm talking to you, The Nines in Ithaca,
NY.

On Sun, Aug 2, 2009 at 5:02 PM, Daryl Shawn<highhorse@mhorse.com> wrote:
> Well, living this way is not for everyone. But I do hope that everybody
> finds peace w/the work they do for money, whether it be justifying it by =
the
> things it allows them to do, or by finding the work itself to be rewardin=
g.
> I do, by the way, feel good about the work that I do get paid for.
>
> My touring does, in fact, get close to supporting itself (comes closer ea=
ch
> tour). That's beside the point; I'm happy to do this and have another job
> which actually supports me. The point is to play live music in front of
> actual breathing people as much as possible, and to combine that with the
> ability to see new places and to meet up with new people each night makes=
 it
> fully worthwhile. It's simply what I want to do; the pros and cons of thi=
s
> model of "distribution" don't interest me.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Hitchhiking only works if someone's got it together to buy a car.
>> Couchsurfing only works if someone has spent their money on a couch
>> (and a place to keep it in)
>>
>> I'd love to live in a magic fairy land universe where everyone just
>> did the work they felt was "important." =A0I bet that land smells like a
>> pile of garbage... I bet that land would be a pile of garbage. =A0 Who
>> wants to do that job? =A0Would the building I sheet rocked exist in that
>> land, because let me tell you I did not feel important doing that job.
>> =A0It did, however, give me the ability to buy my own couch, car and
>> rent a place to keep them in.
>>
>> While traveling in Japan last September it struck us that the idea of
>> "menial labor" didn't really exist there like it does in the west. =A0It
>> seemed like everyone was proud of their job and worked hard at it
>> whether is was fast food worker or hotel manager. It made me feel
>> ashamed of our culture where your self esteem seems linked to the
>> "quality" of job you have and not the quality of work you do.
>>
>> Here's a question I have. =A0If your tour can't even support itself in
>> terms of travel... why? =A0Wouldn't you be better off finding local gigs
>> and distributing your music all over the world via the internet? =A0Just
>> wondering...
>>
>> On Sun, Aug 2, 2009 at 7:10 AM, Daryl Shawn<highhorse@mhorse.com> wrote:
>>
>>>
>>> I've done a number of long hitchhiking trips, and they were some of my
>>> most
>>> formative experiences. I think it helped lead me to my current mode of
>>> traveling/touring, and even to the kind of work I can handle doing for
>>> money. I need to have control over my time. I feel very lucky to have
>>> ended
>>> up in computers, which has enabled me to have complete flexibility,
>>> working
>>> by the hour from anywhere. (The getting-paid-by-the-hour component is
>>> important - the concept of salary never sat right w/me).
>>>
>>> I wasn't necessarily going to share this here, but after some shakeup i=
n
>>> my
>>> personal life it has turned out that I'm not going to be based in Mexic=
o
>>> anymore. For the time being I don't have a fixed address, I'm just
>>> bouncing
>>> between friends and family in the eastern half of the US while preparin=
g
>>> for
>>> my next tour. I don't feel the need to have a solid home base, and with
>>> wanting to tour most of the time, it wouldn't be much of a home base
>>> anyway.
>>> But my communities are VITAL to me, whether it's old friends or groups
>>> like
>>> LD where there's common ground from which new friendships develop. That=
's
>>> where my solidity is.
>>>
>>> Funny, just last night a friend told me that there's a growing movement
>>> of
>>> people doing something like what I'm doing, and then Stefan mentioned t=
he
>>> couchsurfing groups (which I'm definitely going to follow up on).
>>> Inspiring.
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>> www.chinapaintingmusic.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 01:06:05 2009
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Date: Sun, 2 Aug 2009 18:06:04 -0700
Message-ID: <bcd3c7bb0908021806r2241b4d3l33a0893096afba2b@mail.gmail.com>
Subject: Re: automation or triggering functions
From: Mark Sottilaro <zerocrossing@gmail.com>
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My control of the looper is all manual, but I use a lot of automation
to control post loop effects.

From unideai@dawson.nswebhost.com  Mon Aug  3 03:51:54 2009
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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 06:23:54 2009
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Subject: re StompVox
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636988a0b5c7206047036d02d
Content-Type: text/plain; charset=ISO-8859-1
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As I worked with StompVox a bit more Sunday evening I began to see more
clearly how it works delivering the exported loop.  What I said earlier
about the transfer process was a bit whack and probably didn't make much
sense though it did to me at the time.
 In that the iTouch/or iPhone is a wireless device taking it's
connection through the nearest wireless router, the iTouch/iPhone is
the host device
of your file.
 When you connect through your computer browser you're transferring
the exported WAV file from the iTouch/iPhone memory over that current
network.
 The assumption as I can tell is you will be able to access the network
where the iTouch/iPhone is getting it's IP address.
Like most things it takes me a while to connect the dots.  That said here's
one more piece from some oud and violin takes I did Sunday evening.
http://www.box.net/shared/pnvshl2c3x

<http://www.box.net/shared/pnvshl2c3x>Thx for listening.

Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636988a0b5c7206047036d02d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<font face=3D"arial, helvetica, sans-serif">As I worked with StompVox a bit=
 more Sunday evening I began to see more clearly how it works delivering th=
e exported loop. =A0What I said earlier about the transfer process was a bi=
t whack and probably didn&#39;t make much sense though it did to me at the =
time. =A0In=A0that=A0the=A0iTouch/or=A0iPhone=A0is=A0a=A0wireless=A0device=
=A0taking=A0it&#39;s=A0connection=A0through=A0the=A0nearest=A0wireless=A0ro=
uter,=A0the=A0iTouch/iPhone=A0is=A0the=A0host=A0device of your file. =A0Whe=
n=A0you=A0connect=A0through=A0your=A0computer=A0browser=A0you&#39;re=A0tran=
sferring=A0the=A0exported=A0WAV=A0file=A0from=A0the=A0iTouch/iPhone=A0memor=
y=A0over=A0that=A0current=A0network. =A0The assumption as I can tell is you=
 will be able to access the network where the iTouch/iPhone is getting it&#=
39;s IP address.</font><div>
<font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"><br>=
</font></div><div><font face=3D"arial, helvetica, sans-serif">Like most thi=
ngs it takes me a while to connect the dots. =A0That said here&#39;s one mo=
re piece from some oud and violin takes I did Sunday evening.</font><div>

<font face=3D"arial, helvetica, sans-serif">=A0<br clear=3D"all"></font><sp=
an style=3D"white-space:pre"><font face=3D"arial, helvetica, sans-serif"><a=
 href=3D"http://www.box.net/shared/pnvshl2c3x" target=3D"_blank">http://www=
.box.net/shared/pnvshl2c3x</a></font></span></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><span class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></=
font></div><div><font><a href=3D"http://www.box.net/shared/pnvshl2c3x" targ=
et=3D"_blank"></a></font><font class=3D"Apple-style-span" face=3D"arial, he=
lvetica, sans-serif"><span class=3D"Apple-style-span" style=3D"white-space:=
 pre;">Thx for listening.</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><span class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></=
font></div><div><font class=3D"Apple-style-span" face=3D"arial, helvetica, =
sans-serif"><span class=3D"Apple-style-span" style=3D"white-space: pre;">Ji=
m<br>
</span></font>
-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.mysp=
ace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><br>music=
 links...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">ww=
w.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>
</div>

--001636988a0b5c7206047036d02d--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 07:46:16 2009
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Hi Bill

> Read further, I believe it is stereo because the line 6 tone core docks
> are capable of both mono and stereo.

> OMG, this is great...
> This link may be easier to open: http://line6.com/tcddk/

That's really sweet... :-))
Yeah, too bad it doesn't support Mac - but then again, we can always complain, I guess... ;-)  Feeling like building a looper, anyone?

thanks
buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 08:00:14 2009
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Hi Warren, Per

thanks for your responses.
Warren, that's quite some setup. ;-) If your's works on MacBook, mine should work, too. 

Per, 
I don't have a masterplan was just playing around with both Mainstage and Live8, so had this idea.
The main reason is that the way Ableton handles effects is not necessarily how I build my loops (Changes in effects affect(effect?) the whole track and not only one loop in a scene).
For connection, I guess before Rewire is supported connecting via cable is the only feasible way, I guess.

best regards
Buzap

-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 08:13:18 2009
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Date: Mon, 3 Aug 2009 10:13:17 +0200
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Subject: Re: Does Mainstage + Ableton make sense?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Aug 3, 2009 at 10:00 AM, Buzap Buzap<buzap@gmx.net> wrote:
> I don't have a masterplan was just playing around with both Mainstage and Live8, so had this idea.
> The main reason is that the way Ableton handles effects is not necessarily how I build my loops (Changes in effects affect(effect?) the whole track and not only one loop in a scene).
> For connection, I guess before Rewire is supported connecting via cable is the only feasible way, I guess.

ReWire is supported by both Live 8 and Mainstage 2. Not by Mainstage 1
though. Mainstage 2 works as the ReWire Slave only, not as the Master,
while Live can take on both of those roles. You typically start the
ReWire Master application first and then the other application will
automatically start in ReWire Slave Mode. Because of this I think you
will have to run them in ReWire mode if using them on the same
computer.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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hi fellow loopers,

My intention is to head for the US in September 2010.  Following my  
European tour I hope to set up a nice tour at the East Coast.
I'm therefor looking for concerts at small clubs, artgalleries,  
radioshows and other small intimate venues.
If you have suggestions, offers or just ideas, don't hesitate to  
contact me offlist at mymicrophonics@gmail.com

Thank you and sorry for the space consumption here...

www.microphonics.be
www.myspace.com/mymicrophonics


From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 10:00:20 2009
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Subject: RE: looping hurdy gurdy
Date: Mon, 3 Aug 2009 10:00:18 +0000
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Interesting.  What a tasty player! I did a gig with him about 15 years ago.=
 I was looping - he wasn't. He was very interested in how and what I was do=
ing. Maybe that kicked it off...

G


> Date: Sun=2C 2 Aug 2009 23:40:20 +0200
> Subject: Re: looping hurdy gurdy
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Sun=2C Aug 2=2C 2009 at 10:36 PM=2C Gareth
> Whittock<buddhamachine@live.co.uk> wrote:
> > http://www.youtube.com/watch?v=3DoZKQf-JIvRU
>=20
>=20
> Great clip! Mattihas Loibner did a great set at the looping festival
> in Z=FCrich 2005.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_bcd69ec8-9808-4db8-8e9a-296e52c075e0_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
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font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Interesting.&nbsp=3B What a tasty player! I did a gig with him about 15 yea=
rs ago. I was looping - he wasn't. He was very interested in how and what I=
 was doing. Maybe that kicked it off...<br><br>G<br><br><br>&gt=3B Date: Su=
n=2C 2 Aug 2009 23:40:20 +0200<br>&gt=3B Subject: Re: looping hurdy gurdy<b=
r>&gt=3B From: perboysen@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-de=
light.com<br>&gt=3B <br>&gt=3B On Sun=2C Aug 2=2C 2009 at 10:36 PM=2C Garet=
h<br>&gt=3B Whittock&lt=3Bbuddhamachine@live.co.uk&gt=3B wrote:<br>&gt=3B &=
gt=3B http://www.youtube.com/watch?v=3DoZKQf-JIvRU<br>&gt=3B <br>&gt=3B <br=
>&gt=3B Great clip! Mattihas Loibner did a great set at the looping festiva=
l<br>&gt=3B in Z=FCrich 2005.<br>&gt=3B <br>&gt=3B Greetings from Sweden<br=
>&gt=3B <br>&gt=3B Per Boysen<br>&gt=3B www.boysen.se<br>&gt=3B www.perboys=
en.com<br>&gt=3B <br><br /><hr />Internet Explorer 8 - accelerate your Hotm=
ail.  <a href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/' target=
=3D'_new'>Download Internet Explorer 8</a></body>
</html>=

--_bcd69ec8-9808-4db8-8e9a-296e52c075e0_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 11:12:26 2009
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: automation or triggering functions
Date: Mon, 3 Aug 2009 11:12:26 +0000
Importance: Normal
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	 <548603.57576.qm@web24307.mail.ird.yahoo.com>
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I'm using a lot of automation too. I'm hapy to spin in some grooves/chants =
etc as well as make my own live. I'm not really an advocate of the "everyth=
ng must be live" philosophy. I'm aware of the danger of too much shoegazing=
 and wish to avoid it. Having an automated "spine" to work with takes the b=
utton pressing out of the performance. Though I like to have executive cont=
rol over what kicks in where. The bottom line is "What does it sound like?"=
 not "how clever is it" for me. This where a laptop comes in handy. You can=
 pre arrange all sorts of parameter changing that would get in the way of t=
he actual instrument playing.

Sorry about all the """'s btw

Peace

G

> Date: Sun=2C 2 Aug 2009 18:06:04 -0700
> Subject: Re: automation or triggering functions
> From: zerocrossing@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> My control of the looper is all manual=2C but I use a lot of automation
> to control post loop effects.
>=20

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

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<html>
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{
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font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
I'm using a lot of automation too. I'm hapy to spin in some grooves/chants =
etc as well as make my own live. I'm not really an advocate of the "everyth=
ng must be live" philosophy. I'm aware of the danger of too much shoegazing=
 and wish to avoid it. Having an automated "spine" to work with takes the b=
utton pressing out of the performance. Though I like to have executive cont=
rol over what kicks in where. The bottom line is "What does it sound like?"=
 not "how clever is it" for me. This where a laptop comes in handy. You can=
 pre arrange all sorts of parameter changing that would get in the way of t=
he actual instrument playing.<br><br>Sorry about all the """'s btw<br><br>P=
eace<br><br>G<br><br>&gt=3B Date: Sun=2C 2 Aug 2009 18:06:04 -0700<br>&gt=
=3B Subject: Re: automation or triggering functions<br>&gt=3B From: zerocro=
ssing@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B=
 <br>&gt=3B My control of the looper is all manual=2C but I use a lot of au=
tomation<br>&gt=3B to control post loop effects.<br>&gt=3B <br><br /><hr />=
Internet Explorer 8 - accelerate your Hotmail.  <a href=3D'http://clk.atdmt=
.com/UKM/go/134665338/direct/01/' target=3D'_new'>Download Internet Explore=
r 8</a></body>
</html>=

--_8e14b759-f37e-440d-b3ce-576518469974_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 12:07:42 2009
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Subject: Semi-OT: playlist.com - embeddable mp3 jukebox +
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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In my hunt for a decent, unbranded jukebox for my home page and my
lack of time for pondering the javascript/flash customizations
necessary to run some of the common players, I came across
playlist.com, which offers just what I needed - plus various social
networking features, etc. I use this to create playlists of files
which I host myself; not sure how friendly/cheap/usable it is if you
upload directly.

Of course, it bothers me a little to have a 3rd-party dependency, but
I figure you have to revamp your web page every so often anyway, so
while this works smoothly and is free, I'll use it. After that, I'll
do something else.

And I'm just writing this (of course) to get you to go over to
http://www.warrensirota.com and leave the player on in the background
for a half hour or so while you do your thing. :-) Nothing brand-new
there, but a nice collection of some of my favorites.

--
Warren
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 12:49:48 2009
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Date: Mon, 3 Aug 2009 13:49:47 +0100
Message-ID: <d302e3570908030549g5286707eo794ac7b4e5cc7b74@mail.gmail.com>
Subject: Re: Semi-OT: playlist.com - embeddable mp3 jukebox +
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016e6d9a23b7829d104703c3498
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well i had a look and both players showed this message - "due to licensing
restrictions, some or all tracks may be unavailable for playback in your
country" - and i couldn't play anything! i'm in the UK, btw...

sim

On Mon, Aug 3, 2009 at 1:07 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:

>
> And I'm just writing this (of course) to get you to go over to
> http://www.warrensirota.com and leave the player on in the background
> for a half hour or so while you do your thing. :-) Nothing brand-new
> there, but a nice collection of some of my favorites.
>
>

--0016e6d9a23b7829d104703c3498
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well i had a look and both players showed this message - &quot;<object heig=
ht=3D"270" width=3D"435"></object>due to licensing restrictions, some or al=
l tracks may be unavailable for playback in your country&quot; - and i coul=
dn&#39;t play anything! i&#39;m in the UK, btw...<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Aug 3, 2009 at 1:07 PM, W=
arren Sirota <span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com"=
>wsirota@wsdesigns.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">
<br>
And I&#39;m just writing this (of course) to get you to go over to<br>
<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a> and leave the player on in the background<br>
for a half hour or so while you do your thing. :-) Nothing brand-new<br>
there, but a nice collection of some of my favorites.<br>
<font color=3D"#888888"><br></font></blockquote></div><br>

--0016e6d9a23b7829d104703c3498--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 13:16:46 2009
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Subject: Re: Semi-OT: playlist.com - embeddable mp3 jukebox +
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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ouch!!! i'll have to get in touch with them and see what the story is

On Mon, Aug 3, 2009 at 8:49 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> well i had a look and both players showed this message - "due to licensing
> restrictions, some or all tracks may be unavailable for playback in your
> country" - and i couldn't play anything! i'm in the UK, btw...
>
> sim
>
> On Mon, Aug 3, 2009 at 1:07 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
>>
>> And I'm just writing this (of course) to get you to go over to
>> http://www.warrensirota.com and leave the player on in the background
>> for a half hour or so while you do your thing. :-) Nothing brand-new
>> there, but a nice collection of some of my favorites.
>>
>
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 13:50:32 2009
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> In fact, I use Mainstage + Ableton6 + SooperLooper + Max (to record
> the whole mess 6 channels in realtime) in a similar way. of course,
> i'm not using the ableton looper,

Live 8's Looper really agitates the hell out of me, so I am thinking about
SooperLooper - you are pretty happy with it, then?

What are you using Ableton Live for - triggering pre-recorded clips?

I was thinking about using my AdrenaLinn III to process guitar into Live (no
modelling software yet, but I'll take suggestions!), so I'll try
SooperLooper and see what I can make of it!

Thanks!
drew

--000e0cd4d9004221fc04703ca6b9
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<div>&gt; In fact, I use Mainstage + Ableton6 + SooperLooper + Max (to reco=
rd</div><div>&gt; the whole mess 6 channels in realtime) in a similar way. =
of course,</div><div>&gt; i&#39;m not using the ableton looper,</div><div>

<br></div><div>Live 8&#39;s Looper really agitates the hell out of me, so I=
 am thinking about SooperLooper - you are pretty happy with it, then?</div>=
<div><br></div><div>What are you using Ableton Live for - triggering pre-re=
corded clips?=A0</div>

<div><br></div><div>I was thinking about using my AdrenaLinn III to process=
 guitar into Live (no modelling software yet, but I&#39;ll take suggestions=
!), so I&#39;ll try SooperLooper and see what I can make of it!</div><div>

<br></div><div>Thanks!</div><div>drew=A0</div>

--000e0cd4d9004221fc04703ca6b9--

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Date: Mon, 3 Aug 2009 07:18:22 -0700 (PDT)
From: AKIM TRIEBSCH <atriebsch@yahoo.com>
Subject: Re: Boss looper contest in Germany
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You people were funny at first but now your guffaws of snobbery and elitist=
 technocratic behaviour are really starting to take their toll...I mean wha=
t are "we" about here....does it have anything to do with making music?  I =
am starting to wonder...I guess it has become unfashionable among the "Tech=
nocrati" to loop with a BOSS pedal...hmmmmm=0A=0Alooping is just a means to=
 an end!...or is it just a means to an end in itself?..if that is the case =
then you can just go on and loop yourselves into a frenzy until you become =
dizzy with your own self indulgent misery...I mean really!...This loop comp=
etition is a good thing...why not?  Take it or leave it....so what if BOSS =
is sponsoring it?....they make very inexpensive loopers, so why shouldn't t=
hey have a boss loop competition festival?  IF you want to be such a rebel =
then bring your looperlative or your echoplex to the competition....that is=
 if they even decide to invite you.=0A=0AAs far as I can tell there isn't t=
oo much of a general difference between most loopers....except for this qua=
si-mystical time stretching function that some of the more expensive ones h=
ave...and some finer details that may or may not make a difference dependin=
g on your set-up...=0A=0ANot everyone can afford these more expensive "bett=
er" models.  Hell, yes I wish I could buy myself a LOOPERLATIVE right now..=
..but I can't, so I'll have to stick with my dinky little RC-50 toy until t=
hen...=0A=0AThe BOSS pedals are great pedals for players at all levels....=
=0A=0AAlso, if you don't like the drum loops on the Boss pedal, you can act=
ually replace them with your own sounds etc...=0A=0ASo in summary...I would=
 appreciate if people were not so quick to jump on the slander bandwagon an=
d start spreading more love and less of this cynical technocratic talk plea=
se...music is supposed to move people and that can be done with the tapping=
 of a stick on wood....and does not require the higher echelons of technolo=
gy to do it....=0A=0Acheck your head.=0A=0A;-)=0AAkim=0A=0A=0A=0A=0A--- On =
Sun, 8/2/09, L.Angulo <labaloops@yahoo.com> wrote:=0A=0A> From: L.Angulo <l=
abaloops@yahoo.com>=0A> Subject: Re: Boss looper contest in Germany=0A> To:=
 Loopers-Delight@loopers-delight.com=0A> Date: Sunday, August 2, 2009, 2:44=
 AM=0A> =0A> this is hilarious!;-)))=0A> i bet soon this is is going to be =
on TV like the famous =0A> "Deutschland sucht den superstar" =0A> (translat=
ion- Germany looks for the superstar)=0A> somehow Boss loopers have offcial=
ly become "the corporate=0A> loopers"=0A> the come with those Huey Lewis an=
d the news integrated drum=0A> patterns;-)=0A> =0A> =0A> www.myspace.com/lu=
isangulocom=0A> =0A> =0A> --- Teddy Kumpel <teddybut@mac.com>=0A> schrieb a=
m Fr, 31.7.2009:=0A> =0A> > Von: Teddy Kumpel <teddybut@mac.com>=0A> > Betr=
eff: Re: Boss looper contest in Germany=0A> > An: Loopers-Delight@loopers-d=
elight.com=0A> > Datum: Freitag, 31. Juli 2009, 3:48=0A> > ahhhh yes, loopi=
ng as an olympic=0A> > sport !!!!=0A> > awesome=0A> > =0A> > play by play b=
y announcers talking quietly like at a=0A> > gymnastic event=0A> > =0A> > B=
ORIS: "yes, here's ****... of Hannover, he's been=0A> looping=0A> > for 3 y=
ears now and comes from a beat box, singing=0A> and=0A> > classical ukelele=
 background.=0A> > oooooh, he started off strong with a nice reggae=0A> bea=
t,=0A> > after tapping in the tempo himself... a lot of the=0A> younger=0A>=
 > looper are using tap tempo I noticed Jim, whereas the=0A> older=0A> > lo=
opers are used to setting it manually in a=0A> menu...."=0A> > =0A> > JIM: =
"yes, I've noticed that too... something about=0A> the new=0A> > equipment,=
 oh, he's added a fine ukelele skank part=0A> with=0A> > phase shifter, a l=
ittle lagging time offset in the hip=0A> hop=0A> > tradition, the judges ar=
e going to like that.... ah=0A> yes, you=0A> > see Ricoloop grinning..."=0A=
> > =0A> > BORIS: "yes, Ricoloop, the undisputed champion of=0A> looping=0A=
> > here in Germany, one of our judges today....=0A> oooooooooooh,=0A> > he=
's added a nasal bass and a counter melody on=0A> distorted=0A> > ukelele s=
imultaneously, that's gotta count for extra=0A> points=0A> > with the judge=
s"=0A> > JIM: "yes, in the rules of olympic looping the more=0A> > elements=
 you add in one pass the more points you get,=0A> > especially if you make =
it so you can turn them off=0A> later=0A> > individually..."=0A> > =0A> > (=
10 minutes later)=0A> > =0A> > BORIS: "he seems to be going for the big end=
 build up=0A> now=0A> > with the later multiple vocals.... ouch, he hit one=
=0A> bad note=0A> > there... or is he intending to go for aeolian mode=0A> =
over the=0A> > dominant chord structure he's set up... let's see how=0A> he=
=0A> > gets out of it"=0A> > JIM: "ya, the judges don't really care about h=
armony=0A> here,=0A> > they're more concerned with the smoothness, executio=
n=0A> and=0A> > difficulty level... but it look as if he's saved it=0A> BOR=
IS"=0A> > BORIS: "oh yes, he, slipped the major third back in...=0A> what=
=0A> > finesse... I think that should count for extra=0A> foresight=0A> > p=
oints... and he's playing a little riff..AND AND=0A> AND....=0A> > wow... g=
reat ending, with a nice reverb blast final=0A> chord...=0A> > a good showi=
ng by *** of Hannover... let's see what=0A> the=0A> > judges have to say"=
=0A> > =0A> > etc.....=0A> > =0A> > Teddy=0A> > =0A> > =0A> > On Jul 31, 20=
09, at 3:26 AM, Michael Peters wrote:=0A> > =0A> > > http://www.looperconte=
st.bossmusik.de/=0A> > > =0A> > =0A> > =0A> > =0A> > =0A> =0A> =0A> =A0 =A0=
 =0A> =0A> =0A=0A=0A      

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	 <262578.46646.qm@web38105.mail.mud.yahoo.com>
Date: Mon, 3 Aug 2009 08:03:42 -0700
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Subject: Re: Boss looper contest in Germany
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Mon, Aug 3, 2009 at 7:18 AM, AKIM TRIEBSCH<atriebsch@yahoo.com> wrote:
>
> You people were funny at first but now your guffaws of snobbery and eliti=
st technocratic >behaviour are really starting to take their toll...I mean =
what are "we" about here....does it have >anything to do with making music?=
 =A0I am starting to wonder...I guess it has become >unfashionable among th=
e "Technocrati" to loop with a BOSS pedal...hmmmmm

One thing I've found that no matter what list you subscribe to, or
forum you frequent, people form camps around what gear/software they
use.  I find it silly.  Loopers-Delight was started by Oberheim
Echoplex users and was really heavily biased toward it back in the
day.  I think people will belittle other people's tools because it's a
way of justifying their own choices and the coorasponding investment.
If you're making better music with your $500 Boss pedal (is that
cheap? I don't think so...) than they are with their $1500
Looperlative, you can imagine someone might feel threatened or silly
for their choice and try to slight yours. Hell, one of the more
memorable looping performances I've seen was Matt Divingon (sp?) and
two cheap delay stomp boxes.

>
> looping is just a means to an end!...or is it just a means to an end in i=
tself?..

What, are you hanging out with Robert Fripp? ;)

>if that is the case then you can just go on and loop yourselves into a fre=
nzy until you become >dizzy with your own self indulgent misery...I mean re=
ally!...This loop competition is a good >thing...why not? =A0Take it or lea=
ve it....so what if BOSS is sponsoring it?....they make very >inexpensive l=
oopers, so why shouldn't they have a boss loop competition festival? =A0IF =
you want >to be such a rebel then bring your looperlative or your echoplex =
to the competition....that is if >they even decide to invite you.

Of course it's a good thing.  A great thing really.  BOSS actually has
the resources to really promote loop based music, as opposed to small
looper sponsored loopfests that are nothing more than looper
get-togethers. Many here will talk until they're blue in the face
about promoting "live looping" but I suspect that most are really more
happy to be in a small club with their "secret" weapon.  God forbid
live looping really became mainstream and we started seeing the Jonas
Brothers using it.

>
> As far as I can tell there isn't too much of a general difference between=
 most loopers....except >for this quasi-mystical time stretching function t=
hat some of the more expensive ones >have...and some finer details that may=
 or may not make a difference depending on your set->up...

There are quite a few differences, but the basics are mostly the same.
 Some couldn't do without their Line6 DL-4, others sleep with an EDP
under their pillow.  Both can be equally useful depending on what
their owners need from them. I replaced a $1500 with a free piece of
software (Mobius) but many will tell you that software looping is
"less than." Whatever.

> Not everyone can afford these more expensive "better" models. =A0Hell, ye=
s I wish I could buy >myself a LOOPERLATIVE right now....but I can't, so I'=
ll have to stick with my dinky little RC->50 toy until then...

...or can afford them and choose a tool that's more to their liking.
You'll always have the fetishists who'll tell you that until you have
"x" you're not serious.  I constantly come across the analog synth
druids who will talk until their blue in the face about how no
software synth comes close to a true analog synth, and then proceed to
not be able to pick an analog synth out from a blind test.


> So in summary...I would appreciate if people were not so quick to jump on=
 the slander >bandwagon and start spreading more love and less of this cyni=
cal technocratic talk >please...music is supposed to move people and that c=
an be done with the tapping of a stick >on wood....and does not require the=
 higher echelons of technology to do it....

Good luck with that!

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Hi Akim

> am starting to wonder...I guess it has become unfashionable among the
> "Technocrati" to loop with a BOSS pedal...hmmmmm

I'm very happy looping with the "cheap" Boss RC-50 Loopstation myself. People on this forum can certainly attribute that I promote this tool at every opportunity. Further, discussions on the RC-50 are very welcome and actively supported by few people on this list.

You're probably right that there is a bit of elitist arrogance hanging in the air. Oh well... ;-)
The main objection - imho - could rather be in viewing looping as collaboration (i.e. looping festivals) versus as competition.

Nevertheless, I'm sure almost anyone here appreciates any form of promotion & attention looping gets.
And finally, I found Teddy's comments hilariously funny... - totally worth the joke imo :-))

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
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From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 15:40:15 2009
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Date: Mon, 3 Aug 2009 08:40:13 -0700 (PDT)
From: AKIM TRIEBSCH <atriebsch@yahoo.com>
Subject: Re: Boss looper contest in Germany
To: Loopers-Delight@loopers-delight.com
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The jokes are great!  I love the play by play commentary....If you can't la=
ugh at yourself who can you laugh at....=0A=0Aobviously these guys have bee=
n there done that...=0A=0Abut I just had a little moment of enough is enoug=
h...especially when the boss pedal is made to look redundant....=0A=0Athank=
s,=0A=0AAkim=0A=0A=0A=0A=0A--- On Mon, 8/3/09, Buzap Buzap <buzap@gmx.net> =
wrote:=0A=0A> From: Buzap Buzap <buzap@gmx.net>=0A> Subject: Re: Boss loope=
r contest in Germany=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: =
Monday, August 3, 2009, 8:23 AM=0A> Hi Akim=0A> =0A> > am starting to wonde=
r...I guess it has become=0A> unfashionable among the=0A> > "Technocrati" t=
o loop with a BOSS pedal...hmmmmm=0A> =0A> I'm very happy looping with the =
"cheap" Boss RC-50=0A> Loopstation myself. People on this forum can certain=
ly=0A> attribute that I promote this tool at every opportunity.=0A> Further=
, discussions on the RC-50 are very welcome and=0A> actively supported by f=
ew people on this list.=0A> =0A> You're probably right that there is a bit =
of elitist=0A> arrogance hanging in the air. Oh well... ;-)=0A> The main ob=
jection - imho - could rather be in viewing=0A> looping as collaboration (i=
.e. looping festivals) versus as=0A> competition.=0A> =0A> Nevertheless, I'=
m sure almost anyone here appreciates any=0A> form of promotion & attention=
 looping gets.=0A> And finally, I found Teddy's comments hilariously funny.=
..=0A> - totally worth the joke imo :-))=0A> =0A> best regards=0A> Buzap=0A=
> -- =0A> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!=0A> Jet=
zt freischalten unter http://portal.gmx.net/de/go/maxdome01=0A> =0A> =0A=0A=
=0A      

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Subject: Re: Does Mainstage + Ableton make sense?
From: Warren Sirota <wsirota@wsdesigns.com>
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On Mon, Aug 3, 2009 at 9:21 AM, Andy Roberts<acroberts@gmail.com> wrote:
>> In fact, I use Mainstage + Ableton6 + SooperLooper + Max (to record
>> the whole mess 6 channels in realtime) in a similar way. of course,
>> i'm not using the ableton looper,
> Live 8's Looper really agitates the hell out of me, so I am thinking about
> SooperLooper - you are pretty happy with it, then?

I think SL is great. Not only do I get all the capabilities I need,
but it is controllable via osc, so if I want to someday build an
ultra-compact UI for it in MAX, no problem

> What are you using Ableton Live for - triggering pre-recorded clips?

pre-recorded MIDI clips mainly, at present, going through a velocity
variator to add a little variety. some audio clips too - mostly
shakers

I am now also using Live to process the output of SL in order to
introduce more variety into the Loop. I could do that in MS, but MS is
already working pretty hard, and the Live fx are easier to vary via
MIDI Clips with controller info, which act as LFOs, basically, for
this purpose.

> I was thinking about using my AdrenaLinn III to process guitar into Live (no
> modelling software yet, but I'll take suggestions!), so I'll try
> SooperLooper and see what I can make of it!
> Thanks!
> drew



-- 
Warren
http://www.warrensirota.com

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Subject: Re: Semi-OT: playlist.com - embeddable mp3 jukebox +
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bummer - i got kind of a non-answer from them, essentially, "yep, we
know it's a problem. we're trying to get more permissions"

On Mon, Aug 3, 2009 at 9:08 AM, Warren Sirota<wsirota@wsdesigns.com> wrote:
> ouch!!! i'll have to get in touch with them and see what the story is
>
> On Mon, Aug 3, 2009 at 8:49 AM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
>> well i had a look and both players showed this message - "due to licensing
>> restrictions, some or all tracks may be unavailable for playback in your
>> country" - and i couldn't play anything! i'm in the UK, btw...
>>
>> sim
>>
>> On Mon, Aug 3, 2009 at 1:07 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
>>>
>>> And I'm just writing this (of course) to get you to go over to
>>> http://www.warrensirota.com and leave the player on in the background
>>> for a half hour or so while you do your thing. :-) Nothing brand-new
>>> there, but a nice collection of some of my favorites.
>>>
>>
>>
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 16:32:32 2009
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Subject: Re: Boss looper contest in Germany
From: Rainer Straschill <moinsound@googlemail.com>
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Akim said:
> As far as I can tell there isn't too much of a general difference between most loopers...

This is where you're obviously wrong, and this may also be why people
who absolutely need e.g. unrounded multiply or loop windowing for what
they do appear elitist, arrogant or whatever to you.

And don't give me that "I can't afford something else"...sell your
RC50 and use Mobius instead (free software). ;)

Apart from that - I'm curious: are you planning on taking part in the
contest? Is anyone else here?

(For those who are interested: I just received a statement from the
event mgt today and yes, a DD20 is "a boss looper" in the context of
the eligibility criteria for the contest).

Yours,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 16:46:00 2009
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From: Marcus Staniec <onionpalac@gmail.com>
Subject: Re: Semi-OT: playlist.com - embeddable mp3 jukebox +
Date: Tue, 4 Aug 2009 01:40:03 +0900
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I found radio.zanorg.com to be a great free radio / playlist for my  
homepage.
Very curious as to way it's not more popular.
Check it out!
You can see it in action on my band's page: goodluckboys.com

Marcus


On Aug 4, 2009, at 1:27 AM, Warren Sirota wrote:

> bummer - i got kind of a non-answer from them, essentially, "yep, we
> know it's a problem. we're trying to get more permissions"
>
> On Mon, Aug 3, 2009 at 9:08 AM, Warren  
> Sirota<wsirota@wsdesigns.com> wrote:
>> ouch!!! i'll have to get in touch with them and see what the story is
>>
>> On Mon, Aug 3, 2009 at 8:49 AM, Simeon
>> Harris<simeonharris40@googlemail.com> wrote:
>>> well i had a look and both players showed this message - "due to  
>>> licensing
>>> restrictions, some or all tracks may be unavailable for playback  
>>> in your
>>> country" - and i couldn't play anything! i'm in the UK, btw...
>>>
>>> sim
>>>
>>> On Mon, Aug 3, 2009 at 1:07 PM, Warren Sirota  
>>> <wsirota@wsdesigns.com> wrote:
>>>>
>>>> And I'm just writing this (of course) to get you to go over to
>>>> http://www.warrensirota.com and leave the player on in the  
>>>> background
>>>> for a half hour or so while you do your thing. :-) Nothing brand- 
>>>> new
>>>> there, but a nice collection of some of my favorites.
>>>>
>>>
>>>
>>
>>
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>> http://www.warrensirota.com
>>
>
>
>
> -- 
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>

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I really enjoy this unit and am trying to make use of the tempo change in p=
ositive ways.   Working to get percussive slower beats sped up to interesti=
ng ska type rhythms and slowing beats down to get a more mechanical backgro=
und then re-sampling. I don't do any sustained notes for tempo change.  Any=
body making headway in this area? It has been trial and error for me so far=
.

=20

=20

I've been getting a nice resonating airy sound from tuning down one neck on=
 my double neck.


_________________________________________________________________
Get free photo software from Windows Live
http://www.windowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:e=
n-US:SI_PH_software:082009=

--_35646727-b41b-40d2-87b3-6139629db763_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
I really enjoy this unit and am trying to make use of the tempo change in p=
ositive ways.&nbsp=3B&nbsp=3B Working to get percussive slower beats sped u=
p to interesting ska type rhythms and slowing beats down to get a more mech=
anical background then re-sampling. I don't do any sustained notes for temp=
o change.&nbsp=3B Anybody making headway in this area? It has been trial an=
d error for me so far.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
I've been getting a nice resonating airy sound from tuning down one neck on=
&nbsp=3Bmy double neck.<BR><BR><br /><hr />Get free photo software from Win=
dows Live <a href=3D'http://www.windowslive.com/online/photos?ocid=3DPID233=
93::T:WLMTAGL:ON:WL:en-US:SI_PH_software:082009' target=3D'_new'>Click here=
.</a></body>
</html>=

--_35646727-b41b-40d2-87b3-6139629db763_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 17:25:45 2009
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Date: Mon, 03 Aug 2009 19:19:03 +0200
From: "Omid Shirazi" <ja-hochzeit@gmx.de>
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Hi All,

I have jutst moved from my old email-adress to here.

Loop on,
Omid
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 17:40:26 2009
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From: Matthias Grob <matilists@gmail.com>
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Subject: Re: linsey pollak instruments and loop projects
Date: Mon, 3 Aug 2009 14:40:00 -0300
References: <66f9cc1e0908021440x5af43f7pe2a6730dc036e8be@mail.gmail.com> <4B9EB48112A3499BB78A94215D9E7E19@williamsteed> <0BA36745-9041-4519-A169-F93175A12F2F@gmail.com> <77BA08E76A8941A2A1419D608328AD2B@williamsteed>
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he does not show it on youtube, but a lot of other fun ideas

the more serious instrument constructions are on his site
http://www.linseypollak.com/instruments.html
where you also find his livelooping projects and workshops...

to wind up a wind instrument and reduce its output to put a pickup =20
instead is so advanced that he is not even copied...

On 3 Aug 2009, at 11:52, William Walker wrote:

> Do you have a video clip of the glass clarinet? Curly?????
> Bill
>
> -----Original Message-----
> From: Matthias Grob [mailto:matilists@gmail.com]
> Sent: Monday, August 03, 2009 12:05 AM
> To: billwalker@baymoon.com
> Subject: Re: looping hurdy gurdy
>
> Bill,
>
> you are talking about Tunji Beier
> http://www.tunji.org/percussionist.html
> who also plays with Linsey Pollak who is Australian, while Tunji only
> lives there and speaks perfect German...
>
> I equally loved Loibners concert in Z=FCrich and Linseys here in =20
> Salvador
> and I fully agree with your point about old instruments
> but I am at least as fascinated if someone invents totally new
> instruments like Linsey (not so much talking about his recycling funny
> instruments, but the his glass creations like the bass clarinet Curly)
>
> On 2 Aug 2009, at 21:19, William Walker wrote:
>
>> Yes he was amazing as was his Australian percussionist with his
>> aboriginal
>> singing stones, I think that=92s what he called them. That clip that
>> Rick
>> posted made me think  of a cross between and erhu and a hurdy gurdy,
>> and
>> brought back memories of the Zurich  performance as well. I love it
>> when
>> musicians take really old instruments and do something fresh and
>> adventurous
>> with them as Loibner and his partner did.
>> Bill
>>
>> -----Original Message-----
>> From: Per Boysen [mailto:perboysen@gmail.com]
>> Sent: Sunday, August 02, 2009 2:40 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: looping hurdy gurdy
>>
>> On Sun, Aug 2, 2009 at 10:36 PM, Gareth
>> Whittock<buddhamachine@live.co.uk> wrote:
>>> http://www.youtube.com/watch?v=3DoZKQf-JIvRU
>>
>>
>> Great clip! Mattihas Loibner did a great set at the looping festival
>> in Z=FCrich 2005.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 17:45:25 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Sonuus Guitar to Midi
Date: Mon, 3 Aug 2009 19:48:46 +0200
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About 10 days ago I got a Sonuus G2M - Guitar to midi converter =
(monophonic).
My impressions after checking it out are:
The fast, accurate not tracking which is advertised in the manual is not
possible. I mainly use it for soft snyth-sounds . Not for fast playing =
notes.
Just to give my guitar playing a smooth backing sound. Like a melotron =
etc.
But even with that you have to concentrate a lot on playing very =
accurate.
Otherwise you hear wrong notes very soon.=20
This was the same when I still used the Roland GR 33 guitar synthesizer
with an external Midi pick up. Those permanent wrong notes inbetween
drove me crazy and made me selling the gear. It kept me from having fun =
playing guitar.

I also checked the pitch-bend advise from the manual, but it didn=B4t =
help:
" to ensure that the midi sounds are correctly in tune
with the guitar, you have to ensure the Midi patch is set to a =
pitch-bend
range of + - 2 semitones."=20
Maybe it=B4s ok with playing short notes but if using synth pads with a =
quite long
release, those spheric sounds, it sounds awful with the wrong notes...
What are your experiences with the Sonuus?=20

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<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>About 10 days ago I got a Sonuus G2M - =
Guitar to=20
midi converter (monophonic).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>My impressions after checking it out=20
are:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The fast, accurate not tracking which =
is advertised=20
in the manual is not</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>possible. I mainly use it for soft =
snyth-sounds .=20
Not for fast playing notes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Just to give my guitar playing a smooth =
backing=20
sound. Like a melotron etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>But even with that you have to =
concentrate a lot on=20
playing very accurate.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Otherwise you hear wrong notes very =
soon.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This was the same when I still used the =
Roland GR=20
33 guitar synthesizer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with an external Midi pick up. Those =
permanent=20
wrong notes inbetween</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>drove me crazy and made me selling the =
gear. It=20
kept me from having fun playing guitar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I also checked the pitch-bend advise =
from the=20
manual, but it didn=B4t help:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>"&nbsp;to ensure that the midi sounds =
are correctly=20
in tune</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with the guitar, you have to ensure the =
Midi patch=20
is set to a pitch-bend</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>range of + - 2 semitones." =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe it=B4s ok with playing short =
notes but if using=20
synth pads with a quite long</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>release, those spheric sounds, it =
sounds awful with=20
the wrong notes...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What are your experiences with the =
Sonuus?=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0010_01CA1473.6A3C4610--

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 18:04:51 2009
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Date: Mon, 3 Aug 2009 20:04:47 +0200
Message-ID: <66f9cc1e0908031104g4500670ck22d0362eb77e60ba@mail.gmail.com>
Subject: Re: Sonuus Guitar to Midi
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de> wrote:
> Maybe it=C2=B4s ok with playing short notes but if using synth pads with =
a quite
> long
> release, those spheric sounds, it sounds awful with the wrong notes...


I played guitar with MIDI synth modules in a band and used the trick
to set each string to a unique MIDI channel and set the synth to
monophonic playback on each channel. This means every new note I play
on a string will mute whatever other note might have been triggered
from that string. It becomes easy to correct just one string in a
chord if you should get a "wrong note". And I also disabled pitch bend
on my synth patches.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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	 <66f9cc1e0908031104g4500670ck22d0362eb77e60ba@mail.gmail.com>
Date: Mon, 3 Aug 2009 11:47:53 -0700
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Subject: Re: Sonuus Guitar to Midi
From: Mark Sottilaro <zerocrossing@gmail.com>
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Of all the guitar synth experiences I've ever had, the only one I
still use and enjoy is using Line6's POD Farm and it's synth models.
Everything else just makes me feel like the MIDI guitar is playing me.
For triggering everything else I find an actual midi keyboard to be
worlds better.  Almost as if it were designed for it from the start.
;)

On Mon, Aug 3, 2009 at 11:04 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de> wrote:
>> Maybe it=B4s ok with playing short notes but if using synth pads with a =
quite
>> long
>> release, those spheric sounds, it sounds awful with the wrong notes...
>
>
> I played guitar with MIDI synth modules in a band and used the trick
> to set each string to a unique MIDI channel and set the synth to
> monophonic playback on each channel. This means every new note I play
> on a string will mute whatever other note might have been triggered
> from that string. It becomes easy to correct just one string in a
> chord if you should get a "wrong note". And I also disabled pitch bend
> on my synth patches.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Boss looper contest in Germany
Date: Mon, 3 Aug 2009 21:41:52 +0200
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> (For those who are interested: I just received a statement 
> from the event mgt today and yes, a DD20 is "a boss looper" 
> in the context of the eligibility criteria for the contest).

I think everyone having the time should join the contest. Serious, I think
it's a unique opportunity to do your thing in a different enviroment,
promote your own stuff and the philosophy of the live looping community. Do
something possitive with it :)
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


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Subject: Re: Sonuus Guitar to Midi
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--0016e6434bb698f8b6047042c3fb
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Roland GR-300. /thread

:)

On Mon, Aug 3, 2009 at 11:47 AM, Mark Sottilaro <zerocrossing@gmail.com>wro=
te:

> Of all the guitar synth experiences I've ever had, the only one I
> still use and enjoy is using Line6's POD Farm and it's synth models.
> Everything else just makes me feel like the MIDI guitar is playing me.
> For triggering everything else I find an actual midi keyboard to be
> worlds better.  Almost as if it were designed for it from the start.
> ;)
>
> On Mon, Aug 3, 2009 at 11:04 AM, Per Boysen<perboysen@gmail.com> wrote:
> > On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de>
> wrote:
> >> Maybe it=B4s ok with playing short notes but if using synth pads with =
a
> quite
> >> long
> >> release, those spheric sounds, it sounds awful with the wrong notes...
> >
> >
> > I played guitar with MIDI synth modules in a band and used the trick
> > to set each string to a unique MIDI channel and set the synth to
> > monophonic playback on each channel. This means every new note I play
> > on a string will mute whatever other note might have been triggered
> > from that string. It becomes easy to correct just one string in a
> > chord if you should get a "wrong note". And I also disabled pitch bend
> > on my synth patches.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> >
> >
>
>


--=20
-George

http://www.myspace.com/georgeludwigmusic

--0016e6434bb698f8b6047042c3fb
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<div>Roland GR-300. /thread</div>
<div>=A0</div>
<div>:)<br><br></div>
<div class=3D"gmail_quote">On Mon, Aug 3, 2009 at 11:47 AM, Mark Sottilaro =
<span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocrossin=
g@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Of all the guitar synth experien=
ces I&#39;ve ever had, the only one I<br>still use and enjoy is using Line6=
&#39;s POD Farm and it&#39;s synth models.<br>
Everything else just makes me feel like the MIDI guitar is playing me.<br>F=
or triggering everything else I find an actual midi keyboard to be<br>world=
s better. =A0Almost as if it were designed for it from the start.<br>;)<br>

<div>
<div></div>
<div class=3D"h5"><br>On Mon, Aug 3, 2009 at 11:04 AM, Per Boysen&lt;<a hre=
f=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>&gt;=
 On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota&lt;<a href=3D"mailto:chris@ch=
ristojota.de">chris@christojota.de</a>&gt; wrote:<br>
&gt;&gt; Maybe it=B4s ok with playing short notes but if using synth pads w=
ith a quite<br>&gt;&gt; long<br>&gt;&gt; release, those spheric sounds, it =
sounds awful with the wrong notes...<br>&gt;<br>&gt;<br>&gt; I played guita=
r with MIDI synth modules in a band and used the trick<br>
&gt; to set each string to a unique MIDI channel and set the synth to<br>&g=
t; monophonic playback on each channel. This means every new note I play<br=
>&gt; on a string will mute whatever other note might have been triggered<b=
r>
&gt; from that string. It becomes easy to correct just one string in a<br>&=
gt; chord if you should get a &quot;wrong note&quot;. And I also disabled p=
itch bend<br>&gt; on my synth patches.<br>&gt;<br>&gt; Greetings from Swede=
n<br>
&gt;<br>&gt; Per Boysen<br>&gt; <a href=3D"http://www.boysen.se/" target=3D=
"_blank">www.boysen.se</a><br>&gt; <a href=3D"http://www.perboysen.com/" ta=
rget=3D"_blank">www.perboysen.com</a><br>&gt;<br>&gt;<br><br></div></div></=
blockquote>
</div><br><br clear=3D"all">
<div></div><br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/geor=
geludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--0016e6434bb698f8b6047042c3fb--

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Subject: what cases do you use for your looping gear?
From: Milo <milo.vuc@gmail.com>
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A practical question for the loopers who travel a lot:

What kind of cases do you prefer to use for your equipment & gear?

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 20:53:09 2009
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Date: Mon, 3 Aug 2009 13:53:07 -0700
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Subject: Re: what cases do you use for your looping gear?
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Heh, I totally misread this.  "I use my looper when I want to hear a
bit of audio over and over again.  Is there any other case where you'd
want to use a looper?"

On Mon, Aug 3, 2009 at 1:31 PM, Milo<milo.vuc@gmail.com> wrote:
> A practical question for the loopers who travel a lot:
>
> What kind of cases do you prefer to use for your equipment & gear?
>
>

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Subject: Re: what cases do you use for your looping gear?
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On Mon, Aug 3, 2009 at 10:31 PM, Milo<milo.vuc@gmail.com> wrote:
> A practical question for the loopers who travel a lot:
>
> What kind of cases do you prefer to use for your equipment & gear?

Peli.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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	 <66f9cc1e0908031104g4500670ck22d0362eb77e60ba@mail.gmail.com>
	 <bcd3c7bb0908031147x3bf4ae81k1b933dd887766417@mail.gmail.com>
	 <1318f21d0908031339g2868600as46958b2665b2e389@mail.gmail.com>
Date: Mon, 3 Aug 2009 23:25:05 +0200
Message-ID: <66f9cc1e0908031425q32497db7y462a6b30e0611004@mail.gmail.com>
Subject: Re: Sonuus Guitar to Midi
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Aug 3, 2009 at 10:39 PM, George
Ludwig<georgeludwigmusic@gmail.com> wrote:
> Roland GR-300

Those are nice, but not MIDI.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 21:31:11 2009
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Date: Mon, 3 Aug 2009 14:31:10 -0700 (PDT)
From: AKIM TRIEBSCH <atriebsch@yahoo.com>
Subject: Re: Boss looper contest in Germany
To: Loopers-Delight@loopers-delight.com
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Hi Rainer,=0AThe thing is, is that I like having the hardware as opposed to=
 using a laptop.  If I am going to upgrade it will be with an echoplex or a=
 looperlative.  However, I will check out MOBIUS (is it MAC compatible?) si=
nce it is free...thanks....=0A=0ASell my RC-50!  No way!  However, that doe=
s not mean I am not open to setting up new ways of doing things if it actua=
lly enhances the work...=0A=0AEnter the contest: possibly.=0A=0AAkim=0A=0A=
=0A=0A=0A=0A--- On Mon, 8/3/09, Rainer Straschill <moinsound@googlemail.com=
> wrote:=0A=0A> From: Rainer Straschill <moinsound@googlemail.com>=0A> Subj=
ect: Re: Boss looper contest in Germany=0A> To: loopers-delight@loopers-del=
ight.com=0A> Date: Monday, August 3, 2009, 9:32 AM=0A> Akim said:=0A> > As =
far as I can tell there isn't too much of a general=0A> difference between =
most loopers...=0A> =0A> This is where you're obviously wrong, and this may=
 also be=0A> why people=0A> who absolutely need e.g. unrounded multiply or =
loop=0A> windowing for what=0A> they do appear elitist, arrogant or whateve=
r to you.=0A> =0A> And don't give me that "I can't afford something=0A> els=
e"...sell your=0A> RC50 and use Mobius instead (free software). ;)=0A> =0A>=
 Apart from that - I'm curious: are you planning on taking=0A> part in the=
=0A> contest? Is anyone else here?=0A> =0A> (For those who are interested: =
I just received a statement=0A> from the=0A> event mgt today and yes, a DD2=
0 is "a boss looper" in the=0A> context of=0A> the eligibility criteria for=
 the contest).=0A> =0A> Yours,=0A> =0A> =A0 =A0 =A0 =A0 =A0 =A0 =A0 Rainer=
=0A> =0A> =0A=0A=0A      

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Date: Mon, 3 Aug 2009 16:59:19 -0500
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Subject: Re: what cases do you use for your looping gear?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I'm really happy with 3u gator bag.
Sylvain


On Mon, Aug 3, 2009 at 4:22 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Mon, Aug 3, 2009 at 10:31 PM, Milo<milo.vuc@gmail.com> wrote:
>> A practical question for the loopers who travel a lot:
>>
>> What kind of cases do you prefer to use for your equipment & gear?
>
> Peli.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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> A practical question for the loopers who travel a lot:
>
> What kind of cases do you prefer to use for your equipment & gear?

http://www.loopers-delight.com/LDarchive/200903/msg01038.html

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 23:13:05 2009
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Date: Mon, 3 Aug 2009 16:06:22 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: anti-looper bigots
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--0-1976721518-1249340782=:23820
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0OK... My Looping friends......tell me some story's.....i just got trashe=
d by some acoustic purists at a gig because of my looping....evidently beca=
use i loop it disqualifies me as a "real" player.....I'd like to hear your =
experiences with this kind of bigot

Kyle=20

http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20




--0-1976721518-1249340782=:23820
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">&nbsp;OK... My Looping friends......tell me s=
ome story's.....i just got trashed by some acoustic purists at a gig becaus=
e of my looping....evidently because i loop it disqualifies me as a "real" =
player.....I'd like to hear your experiences with this kind of bigot<br><br=
><div><address style=3D"font-family: arial narrow; font-weight: bold;"><fon=
t color=3D"#bf00bf" size=3D"4">Kyle <br></font></address><br><address><a re=
l=3D"nofollow" style=3D"font-weight: bold;" target=3D"_blank" href=3D"http:=
//www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten </a><br><sp=
an style=3D"color: rgb(0, 0, 255);"></span><span style=3D"color: rgb(128, 1=
28, 255);"><span style=3D"color: rgb(64, 64, 255); font-weight: bold;">http=
://www.myspace.com/kyledeanpatten</span><span style=3D"font-weight: bold;">=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span>&nbsp;&nbsp;&nbsp; <br></span><s=
pan style=3D"font-weight:
 bold; color: rgb(0, 127, 127);"></span><b style=3D""><span style=3D"font-s=
ize: 9pt; font-family: Arial; color: green;"></span></b><br><br><br><a rel=
=3D"nofollow" target=3D"_blank" href=3D"http://www.globalwarmingheartland.o=
rg/GWQuiz/Testindex.html"><span class=3D"yshortcuts" id=3D"lw_1230810272_0"=
></span></a></address></div></td></tr></table>
--0-1976721518-1249340782=:23820--

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They generally have no electricity in their homes, and do no wash. It's =
just ignorance. You get it with every trade man. Smile. Life's too short =
to let the bastards grind you down.

Ricky


  ----- Original Message -----=20
  From: K D Patten=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 04, 2009 12:06 AM
  Subject: anti-looper bigots


         OK... My Looping friends......tell me some story's.....i just =
got trashed by some acoustic purists at a gig because of my =
looping....evidently because i loop it disqualifies me as a "real" =
player.....I'd like to hear your experiences with this kind of bigot


        Kyle=20



        http://www.cdbaby.com/cd/kdpatten=20
        http://www.myspace.com/kyledeanpatten         =20



      =20



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-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.392 / Virus Database: 270.13.42/2279 - Release Date: =
08/03/09 05:57:00

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>They generally have no electricity in =
their homes,=20
and do no wash. It's just ignorance. You get it with every trade man. =
Smile.=20
Life's too short to let the bastards grind you down.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkdpatten@yahoo.com href=3D"mailto:kdpatten@yahoo.com">K D =
Patten</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 04, 2009 =
12:06=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> anti-looper =
bigots</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>&nbsp;OK... My Looping friends......tell me some=20
        story's.....i just got trashed by some acoustic purists at a gig =
because=20
        of my looping....evidently because i loop it disqualifies me as =
a "real"=20
        player.....I'd like to hear your experiences with this kind of=20
        bigot<BR><BR>
        <DIV>
        <ADDRESS style=3D"FONT-WEIGHT: bold; FONT-FAMILY: arial =
narrow"><FONT=20
        color=3D#bf00bf size=3D4>Kyle <BR></FONT></ADDRESS><BR>
        <ADDRESS><A style=3D"FONT-WEIGHT: bold"=20
        href=3D"http://www.cdbaby.com/cd/kdpatten " target=3D_blank=20
        rel=3Dnofollow>http://www.cdbaby.com/cd/kdpatten </A><BR><SPAN=20
        style=3D"COLOR: rgb(0,0,255)"></SPAN><SPAN=20
        style=3D"COLOR: rgb(128,128,255)"><SPAN=20
        style=3D"FONT-WEIGHT: bold; COLOR: rgb(64,64,255)"><A=20
        =
href=3D"http://www.myspace.com/kyledeanpatten">http://www.myspace.com/kyl=
edeanpatten</A></SPAN><SPAN=20
        style=3D"FONT-WEIGHT: =
bold">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</SPAN>&nbsp;&nbsp;&nbsp;=20
        <BR></SPAN><SPAN=20
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        =
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>
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Release=20
  Date: 08/03/09 05:57:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 23:25:31 2009
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Date: Mon, 3 Aug 2009 16:25:29 -0700
Message-ID: <bcd3c7bb0908031625u66a16c95g2044b0fa0edb55d1@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh man, I used to get crap all the time.  I have to admit I'd kind of
invite it though, but creating some crazy complex loop and then
putting down my guitar and walking away to sit in the audience for a
bit.  Someone would always say, "Wait, you're not playing that?!" and
I'd reply, "well not any more I'm not."

Tons of times I get people coming right up to me and starting
conversations because they think I'd DJing it or something.  This is
even pre laptop.  Usually nerdy guys who want to talk about what gear
I'm using.

Not quite looping (though he used a looper) my friend Gary used to
feed samples from a laptop into a JamMan.  During a performance at a
sculpture space a woman came up to him and mid performance loudly
said, "Oh is this all prerecorded?!"  He politely tried to respond,
but I think I yelled back at her and made her go away. She called me
rude, but I invited her to consider what's ruder, being chased away
from performers or pestering performers during a performance. Funny.

On Mon, Aug 3, 2009 at 4:06 PM, K D Patten<kdpatten@yahoo.com> wrote:
> =A0OK... My Looping friends......tell me some story's.....i just got tras=
hed
> by some acoustic purists at a gig because of my looping....evidently beca=
use
> i loop it disqualifies me as a "real" player.....I'd like to hear your
> experiences with this kind of bigot
>
> Kyle
>
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 23:27:20 2009
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Date: Mon, 3 Aug 2009 16:22:03 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: anti-looper bigots
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Yeah, they usually hang out with the "Modal tuning is CHEATING" crowd...=0A=
=0A-t-=0A=0Ahttp://www.myspace.com/nimbletunes=0Ahttp://cdbaby.com/all/timn=
elson=0Ahttp://www.youtube.com/speleman62=0A=0A=0A--- On Mon, 8/3/09, K D P=
atten <kdpatten@yahoo.com> wrote:=0A=0A=0A> =A0OK... My Looping=0A> friends=
.......tell me some story's.....i just got trashed=0A> by some acoustic puri=
sts at a gig because of my=0A> looping....evidently because i loop it disqu=
alifies me as a=0A> "real" player.....I'd like to hear your=0A> experiences=
 with this kind of bigot=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Aug  3 23:31:11 2009
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Subject: Re: anti-looper bigots
Date: Mon, 3 Aug 2009 17:24:31 -0600
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What I tell people is that it's apples to oranges.  Using looping is  
simply another form of performance.  It's about making art and or  
entertainment, and sometimes, it's just.....God forbid (facetiously  
said)...fun.

"Acoustic" purists are some of the worst.....Hey, I like playing shows  
just plugged in and unadorned as well,  though of course with these  
purists, it's not legit unless you just stand in front of an SM 57.   
It's just an entirely different mind set for me in a number of ways.

I've actually heard some people say I was "cheating" as if there are  
rules for music like in a basketball game or something.

My two cents....

John Floridis
www.johnfloridis.com











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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">What I tell people is that it's =
apples to oranges. &nbsp;Using looping is simply another form of =
performance. &nbsp;It's about making art and or entertainment, and =
sometimes, it's just.....God forbid (facetiously said)...<i>fun</i>. =
&nbsp;<div><br></div><div>"Acoustic" purists are some of the =
worst.....Hey, I like playing shows just plugged in and unadorned as =
well, &nbsp;though of course with these purists, it's not legit unless =
you just stand in front of an SM 57. &nbsp;It's just an entirely =
different mind set for me in a number of =
ways.</div><div><br></div><div>I've actually heard some people say I was =
"cheating" as if there are rules for music like in a basketball game or =
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bwa ha ha! i've totally heard that!

Acoustic Music Series in San Diego thinks the same thing of me. i  
heard through the grapevine (i.e fan mail) that they won't have me  
back because of the looping (although their concerts are amplified and  
many guitarists perform there with looping pedals)

my advice: IGNORE THEM. i don't even respond to that kind of thing





On Aug 3, 2009, at 4:06 PM, K D Patten wrote:

>  OK... My Looping friends......tell me some story's.....i just got  
> trashed by some acoustic purists at a gig because of my  
> looping....evidently because i loop it disqualifies me as a "real"  
> player.....I'd like to hear your experiences with this kind of bigot
>
> Kyle
>
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">bwa ha ha! i've totally heard =
that!<div><br></div><div>Acoustic Music Series in San Diego thinks the =
same thing of me. i heard through the grapevine (i.e fan mail) that they =
won't have me back because of the looping (although their concerts are =
amplified and many guitarists perform there with looping =
pedals)</div><div><br></div><div>my advice: IGNORE THEM. i don't even =
respond to that kind of =
thing</div><div><br></div><div><br></div><div><br></div><div><br></div><di=
v><br><div><div><div>On Aug 3, 2009, at 4:06 PM, K D Patten =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font: =
inherit;">&nbsp;OK... My Looping friends......tell me some story's.....i =
just got trashed by some acoustic purists at a gig because of my =
looping....evidently because i loop it disqualifies me as a "real" =
player.....I'd like to hear your experiences with this kind of =
bigot<br><br><div><address style=3D"font-family: arial narrow; =
font-weight: bold;"><font color=3D"#bf00bf" size=3D"4">Kyle =
<br></font></address><br><address><a rel=3D"nofollow" =
style=3D"font-weight: bold;" target=3D"_blank" =
href=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatt=
en </a><br><span style=3D"color: rgb(0, 0, 255);"></span><span =
style=3D"color: rgb(128, 128, 255);"><span style=3D"color: rgb(64, 64, =
255); font-weight: bold;"><a =
href=3D"http://www.myspace.com/kyledeanpatten">http://www.myspace.com/kyle=
deanpatten</a></span><span style=3D"font-weight: =
bold;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span>&nbsp;&nbsp;&nbsp; =
<br></span><span style=3D"font-weight: bold; color: rgb(0, 127, =
127);"></span><b style=3D""><span style=3D"font-size: 9pt; font-family: =
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 00:19:38 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: what cases do you use for your looping gear?
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I used to use SKB shock mount racks and cases . . .but I'm traveling a litt=
le lighter these days with Odyssey rack bags.

They're tough and lightweight . . . and the interior surface likes Velcro .=
 . . which I use to secure wall-warts so they don't move around..
--
tEd =C2=AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902)

http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- Milo <milo.vuc@gmail.com> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
A practical question for the loopers who travel a lot:

What kind of cases do you prefer to use for your equipment & gear?

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>
> "Acoustic" purists are some of the worst.....

Are these the same people who tried to boo Bob Dylan off the stage  
roughly 40 years ago when he plugged in? Must be...

Jeff
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 01:10:18 2009
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>
> You people were funny at first but now your guffaws of snobbery and elitist technocratic behaviour are really starting to take their toll...I mean what are "we" about here....does it have anything to do with making music?  I am starting to wonder...I guess it has become unfashionable among the "Technocrati" to loop with a BOSS pedal...hmmmmm
I haven't been following this thread too closely, but my impression was 
that the amusement at the Boss looping contest was due to several 
aspects of their support for looping.  The comments here were generally 
related to mocking the idea of an olympic-style competition from a 
community that largely has moved away from evaluating looping in terms 
like those used in the rampant guitar 'gunslinging' phenomenon. 
'Competition' is largely an anachronism here on LD.

Over the years Boss product developers have been rather unresponsive to 
input from the looping community regarding the design of their loopers - 
resulting in three designs that don't incorporate some of the most 
important requirements for looping anything other than accompaniment of 
pre-recorded loops, or for a looping paradigm that plays a static loop 
over and over.  This is true of many/most of the mass-production looping 
products (Digidesign is another company that comes to mind).

The Boss RC-50 is an improvement but as it turns out, a feedback control 
feature was only implemented using a technique developed and documented 
by a determined looper (from this board, I think).  My point is that 
they produced design after design without supporting any more than the 
most simplistic concept of what is actually available in more 
sophisticated hardware or in largely free software loopers.  From the 
top of my list is MIDI sync, saving a loop on the fly, upload of saved 
loops, and the aforementioned feedback control. 

So Boss representatives might well be judging contestants in gunslinging 
contest using tools supporting a limited palette -and their designs 
suggest a lack of some degree of expertise to boot.

I think you will find the participants here are overall very generous 
with their expertise and focused on making music.  I don't even agree 
that the members of LD can be counted on to disparage gear choices of 
those using other units than their own.  Many wonderful compositions get 
posted here from loopers using simple delays, tape machines, and 
re-purposed musical toys.

I think perhaps Akim read too much into a little light-hearted fun at 
Boss's expense.

Dan Ash
White Plains, NY

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Don't forget the beating Miles Davis took from the purists when he went =
electric!

Jeff
  ----- Original Message -----=20
  From: Jeff Shirkey=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, August 03, 2009 7:34 PM
  Subject: Re: anti-looper bigots





    "Acoustic" purists are some of the worst.....


  Are these the same people who tried to boo Bob Dylan off the stage =
roughly 40 years ago when he plugged in? Must be...


  Jeff
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<STYLE></STYLE>
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style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Don't forget the beating Miles Davis =
took from the=20
purists when he went electric!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djcshirke@verizon.net =
href=3D"mailto:jcshirke@verizon.net">Jeff=20
  Shirkey</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 03, 2009 =
7:34=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: anti-looper =
bigots</DIV>
  <DIV><BR></DIV><BR>
  <DIV>
  <BLOCKQUOTE type=3D"cite">
    <DIV=20
    style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
    <DIV><FONT class=3DApple-style-span =
color=3D#000000><BR></FONT>"Acoustic"=20
    purists are some of the =
worst.....</DIV></DIV></BLOCKQUOTE><BR></DIV>
  <DIV>Are these the same people who tried to boo Bob Dylan off the =
stage=20
  roughly 40 years ago when he plugged in? Must be...</DIV>
  <DIV><BR></DIV>
  <DIV>Jeff</DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: anti-looper bigots
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Date: Mon, 3 Aug 2009 18:56:42 -0700
References: <24528.23820.qm@web39203.mail.mud.yahoo.com> <05C17E82-A4B7-49C1-B879-2E3AAF311695@johnfloridis.com> <F2511ED7-7DCF-4E59-B4C7-C98D2148216D@verizon.net> <001801ca14a4$b2cd46f0$b7802245@YOUR08D5303051>
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Yep,

And still takes . . . if you count the general dismissal of his music  
during his electric period by Ken Burns and Wynton Marsalis in Burns'  
"Jazz" documentary.

Nothing, except maybe Weather Report got much of a mention in the  
series.

No Metheny, no McLaughlin, no Corea, no anything tainted with  
electricity or the term "fusion" . . . and most unbelievably no  
mention of the contributions of any Europeans let alone Manfred Eicher  
and his wonderful, monumental label ECM.

It's as though Jazz stopped from the mid '60s to sometime in the late  
'80s or early'90s when young gentlemen in suits started blowing horns  
again.

There still seem to be plenty of style and technology nazis around.

And there are always plenty of folks to criticize.

Cheers,

Ted

On Aug 3, 2009, at 6:41 PM, Jeff Duke wrote:

> Don't forget the beating Miles Davis took from the purists when he  
> went electric!
>
> Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 02:19:02 2009
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Date: Mon, 3 Aug 2009 19:18:56 -0700
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Subject: Re: Sonuus Guitar to Midi
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I know, I know. But for sheer responsiveness, you can't beat it as long as
you can deal with the limits of the sound palette.

Mark Smart, who I think is on this list, came up with a design for a GR300
CV interface (
http://www.marksmart.net/gearhack/gr300/analogmods/395report/Report.html)
which intrigues me greatly, If I'm not mistaken, CV to midi conversion is
very fast and accurate. If one had the dollars to throw at the problem, it
seems like a CV interface based on the Roland pitch detector circuit of the
GR300, which in turn fed a 6 channel CV to midi convertor would really be
the best tracking midi guitar controller of all time!
Pardon my flight of fancy.    :)

On Mon, Aug 3, 2009 at 2:25 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Aug 3, 2009 at 10:39 PM, George
> Ludwig<georgeludwigmusic@gmail.com> wrote:
> > Roland GR-300
>
> Those are nice, but not MIDI.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--00163698969439d4650470478248
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<div>I know, I know. But for sheer responsiveness, you can&#39;t beat it as=
 long as you can deal with the limits of the sound palette.</div>
<div>=A0</div>
<div>Mark Smart, who I think is on this list, came up with a design for a G=
R300 CV interface (<a href=3D"http://www.marksmart.net/gearhack/gr300/analo=
gmods/395report/Report.html">http://www.marksmart.net/gearhack/gr300/analog=
mods/395report/Report.html</a>) which intrigues me greatly, If I&#39;m not =
mistaken, CV to midi conversion is very=A0fast and accurate. If one had the=
 dollars to throw at the problem, it seems like a CV interface based on the=
 Roland pitch detector circuit of the GR300, which in turn fed a 6 channel =
CV to midi convertor would really be the best tracking midi guitar controll=
er of all time!<br>
</div>
<div>Pardon my flight of fancy.=A0=A0 =A0:)</div>
<div>=A0</div>
<div class=3D"gmail_quote">On Mon, Aug 3, 2009 at 2:25 PM, Per Boysen <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com=
</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">On Mon, Aug 3, 2009 at 10:39 PM,=
 George<br>Ludwig&lt;<a href=3D"mailto:georgeludwigmusic@gmail.com">georgel=
udwigmusic@gmail.com</a>&gt; wrote:<br>
&gt; Roland GR-300<br><br>Those are nice, but not MIDI.<br>
<div>
<div></div>
<div class=3D"h5"><br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D=
"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"h=
ttp://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br><br></=
div></div>
</blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/geor=
geludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--00163698969439d4650470478248--

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Subject: Re: anti-looper bigots
Date: Mon, 3 Aug 2009 20:21:12 -0600
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Were they using mics on their acoustic instruments?=20

My take...we're all either 100% real or 100% totally fake...which means =
the distinction is meaningless.   I love to run my alto flute through my =
computer so that it is unrecognizable as a flute...is that real or fake? =
Who the hell cares. Anyone who gets hung up on these things probably =
isn't listening or is missing the point.=20

But one thing I like to do if someone acts like what you describe below, =
is to demonstrate to them that I can do what they do (which I can), but =
then point out that I choose not to do so far artistic reasons.  That =
usually shuts them up.

Kris

  ----- Original Message -----=20


         OK... My Looping friends......tell me some story's.....i just =
got trashed by some acoustic purists at a gig because of my =
looping....evidently because i loop it disqualifies me as a "real" =
player.....I'd like to hear your experiences with this kind of bigot


        Kyle=20



        http://www.cdbaby.com/cd/kdpatten=20
        http://www.myspace.com/kyledeanpatten         =20



      =20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16850" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Were they using mics on their acoustic =
instruments?=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>My take...we're all either 100% real or =
100%=20
totally fake...which means the distinction is meaningless.&nbsp;&nbsp; I =
love to=20
run my alto flute through my computer so that it is unrecognizable as a=20
flute...is that real or fake? Who the hell cares. Anyone who gets hung =
up on=20
these things probably isn't listening or is missing the point. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>But one thing I like to do if someone =
acts like=20
what you describe below, is to demonstrate to them that I can do what =
they do=20
(which I can), but then point out that I choose not to do so far =
artistic=20
reasons.&nbsp; That usually shuts them up.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>&nbsp;OK... My Looping friends......tell me some=20
        story's.....i just got trashed by some acoustic purists at a gig =
because=20
        of my looping....evidently because i loop it disqualifies me as =
a "real"=20
        player.....I'd like to hear your experiences with this kind of=20
        bigot<BR><BR>
        <DIV>
        <ADDRESS style=3D"FONT-WEIGHT: bold; FONT-FAMILY: arial =
narrow"><FONT=20
        color=3D#bf00bf size=3D4>Kyle <BR></FONT></ADDRESS><BR>
        <ADDRESS><A style=3D"FONT-WEIGHT: bold"=20
        href=3D"http://www.cdbaby.com/cd/kdpatten " target=3D_blank=20
        rel=3Dnofollow>http://www.cdbaby.com/cd/kdpatten </A><BR><SPAN=20
        style=3D"COLOR: rgb(0,0,255)"></SPAN><SPAN=20
        style=3D"COLOR: rgb(128,128,255)"><SPAN=20
        style=3D"FONT-WEIGHT: bold; COLOR: rgb(64,64,255)"><A=20
        =
href=3D"http://www.myspace.com/kyledeanpatten">http://www.myspace.com/kyl=
edeanpatten</A></SPAN><SPAN=20
        style=3D"FONT-WEIGHT: =
bold">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</SPAN>&nbsp;&nbsp;&nbsp;=20
        <BR></SPAN><SPAN=20
        style=3D"FONT-WEIGHT: bold; COLOR: =
rgb(0,127,127)"></SPAN><B><SPAN=20
        style=3D"FONT-SIZE: 9pt; COLOR: green; FONT-FAMILY: =
Arial"></SPAN></B><BR><BR><BR><A=20
        =
href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"=20
        target=3D_blank rel=3Dnofollow><SPAN class=3Dyshortcuts=20
        =
id=3Dlw_1230810272_0></SPAN></A></ADDRESS></DIV></TD></TR></TBODY></TABLE=
></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 02:21:28 2009
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Date: Mon, 3 Aug 2009 21:21:28 -0500
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Subject: Re: anti-looper bigots
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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(rant alert)

Yeah don't get me started on that Ken Burns documentary...  How can
you leave out Frank Rosolino and J.J. Johnson from the history of
jazz...  It's like leaving out the trombone entirely... which is what
they did...  They mention Kid Ory, showcase Jack Teagarden (singing
not playing his horn), do a small piece on Glenn Miller (as a great
band leader) and we hear some snippets from Dorsey...  But really, all
great jazz comes out of saxophones and trumpets?  The real insult
comes at the very end of the film when we get a roll call of all the
great players carrying on the torch, and not one of them a trombone
player...  I could name at least half a dozen great players right now
that deserve some attention, but don't get nearly enough in part
because they don't play sax or trumpet, in fact I will:

Nils Wogram
Wycliffe Gordon
Ray Anderson
Nils Landgren
Lucien Barbarin
Robin Eubanks (check out his looping with his band EB3)

and those are only some players active these days...  leaving out
Frank Rosolino and J.J. Johnson from a comprehensive history of
american jazz is shameful (I wonder if it's because they are both
suicides?).

Sylvain


On Mon, Aug 3, 2009 at 8:56 PM, tEd =AE KiLLiAn<tedkillian@charter.net> wro=
te:
> Yep,
>
> And still takes . . . if you count the general dismissal of his music dur=
ing
> his electric period by Ken Burns and Wynton Marsalis in Burns' "Jazz"
> documentary.
>
> Nothing, except maybe Weather Report got much of a mention in the series.
>
> No Metheny, no McLaughlin, no Corea, no anything tainted with electricity=
 or
> the term "fusion" . . . and most unbelievably no mention of the
> contributions of any Europeans let alone Manfred Eicher and his wonderful=
,
> monumental label ECM.
>
> It's as though Jazz stopped from the mid '60s to sometime in the late '80=
s
> or early'90s when young gentlemen in suits started blowing horns again.
>
> There still seem to be plenty of style and technology nazis around.
>
> And there are always plenty of folks to criticize.
>
> Cheers,
>
> Ted
>
> On Aug 3, 2009, at 6:41 PM, Jeff Duke wrote:
>
>> Don't forget the beating Miles Davis took from the purists when he went
>> electric!
>>
>> Jeff
>
>

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Subject: Re: what cases do you use for your looping gear?
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I use this thing called a laptop computer case. It's a wonderful thing... :)

Kris

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 02:43:27 2009
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Subject: Re: anti-looper bigots
Date: Mon, 3 Aug 2009 20:42:23 -0600
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And Bill Evans...that's what chapped my ass about the Ken Burned 
documentary....

----- Original Message ----- 

(rant alert)

Yeah don't get me started on that Ken Burns documentary...  How can
you leave out Frank Rosolino and J.J. Johnson from the history of
jazz...  It's like leaving out the trombone entirely... which is what
they did...  They mention Kid Ory, showcase Jack Teagarden (singing
not playing his horn), do a small piece on Glenn Miller (as a great
band leader) and we hear some snippets from Dorsey...  But really, all
great jazz comes out of saxophones and trumpets?  The real insult
comes at the very end of the film when we get a roll call of all the
great players carrying on the torch, and not one of them a trombone
player...  I could name at least half a dozen great players right now
that deserve some attention, but don't get nearly enough in part
because they don't play sax or trumpet, in fact I will:

Nils Wogram
Wycliffe Gordon
Ray Anderson
Nils Landgren
Lucien Barbarin
Robin Eubanks (check out his looping with his band EB3)

and those are only some players active these days...  leaving out
Frank Rosolino and J.J. Johnson from a comprehensive history of
american jazz is shameful (I wonder if it's because they are both
suicides?).

Sylvain


On Mon, Aug 3, 2009 at 8:56 PM, tEd ® KiLLiAn<tedkillian@charter.net> wrote:
> Yep,
>
> And still takes . . . if you count the general dismissal of his music 
> during
> his electric period by Ken Burns and Wynton Marsalis in Burns' "Jazz"
> documentary.
>
> Nothing, except maybe Weather Report got much of a mention in the series.
>
> No Metheny, no McLaughlin, no Corea, no anything tainted with electricity 
> or
> the term "fusion" . . . and most unbelievably no mention of the
> contributions of any Europeans let alone Manfred Eicher and his wonderful,
> monumental label ECM.
>
> It's as though Jazz stopped from the mid '60s to sometime in the late '80s
> or early'90s when young gentlemen in suits started blowing horns again.
>
> There still seem to be plenty of style and technology nazis around.
>
> And there are always plenty of folks to criticize.
>
> Cheers,
>
> Ted
>
> On Aug 3, 2009, at 6:41 PM, Jeff Duke wrote:
>
>> Don't forget the beating Miles Davis took from the purists when he went
>> electric!
>>
>> Jeff
>
>


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Subject: Re: what cases do you use for your looping gear?
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sigh, you guys have about got me on this lappy thing. Did I say that? arrgh! 
A whole roomfull of gear in a tiny box. And I hear what you people can do 
with them! I am just wondering if I have enough time left for the learning 
curve..sigh :)

Jeff

----- Original Message ----- 
From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 03, 2009 10:22 PM
Subject: Re: what cases do you use for your looping gear?


>I use this thing called a laptop computer case. It's a wonderful thing... 
>:)
>
> Kris
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 03:09:20 2009
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Subject: Re: what cases do you use for your looping gear?
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Easier than you think...start with a basic VST host and host something like 
Reaktor or your favorite VSTs, then add one of the many VST Loopers (Mobius, 
etc).  There are so many free VSTs and free Reaktor patches, that you won't 
have to do any programming.  If you can drag and drop in a computer, and 
tweak virtual nobs, you can create a laptop system.

The problem I see is that people go laptop and bight off more than they can 
chew...try to over-engineer their setup...then they are irriated when their 
system has all sorts of performances issues.

Kris

----- Original Message ----- 


> sigh, you guys have about got me on this lappy thing. Did I say that? 
> arrgh! A whole roomfull of gear in a tiny box. And I hear what you people 
> can do with them! I am just wondering if I have enough time left for the 
> learning curve..sigh :)
>
> Jeff
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <info@krispenhartung.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, August 03, 2009 10:22 PM
> Subject: Re: what cases do you use for your looping gear?
>
>
>>I use this thing called a laptop computer case. It's a wonderful thing... 
>>:)
>>
>> Kris
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 03:17:24 2009
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Subject: Re: what cases do you use for your looping gear?
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Thanks Kris,

Don't be suprised if by next year I am writing this group for info on this. 
Mobius is just amazing from what I have heard done with it.

Jeff

----- Original Message ----- 
From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 03, 2009 11:09 PM
Subject: Re: what cases do you use for your looping gear?


> Easier than you think...start with a basic VST host and host something 
> like Reaktor or your favorite VSTs, then add one of the many VST Loopers 
> (Mobius, etc).  There are so many free VSTs and free Reaktor patches, that 
> you won't have to do any programming.  If you can drag and drop in a 
> computer, and tweak virtual nobs, you can create a laptop system.
>
> The problem I see is that people go laptop and bight off more than they 
> can chew...try to over-engineer their setup...then they are irriated when 
> their system has all sorts of performances issues.
>
> Kris
>
> ----- Original Message ----- 
>
>
>> sigh, you guys have about got me on this lappy thing. Did I say that? 
>> arrgh! A whole roomfull of gear in a tiny box. And I hear what you people 
>> can do with them! I am just wondering if I have enough time left for the 
>> learning curve..sigh :)
>>
>> Jeff
>>
>> ----- Original Message ----- 
>> From: "Krispen Hartung" <info@krispenhartung.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, August 03, 2009 10:22 PM
>> Subject: Re: what cases do you use for your looping gear?
>>
>>
>>>I use this thing called a laptop computer case. It's a wonderful thing... 
>>>:)
>>>
>>> Kris
>>>
>>>
>>
>>
>
> 

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Date: Mon, 3 Aug 2009 20:50:10 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: anti-looper bigots
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thanks for all the responses guys....good to know I'm not the only one putt=
ing up with this crap.....think I'll put your posts in a file and go back t=
o them...when i run into a similar scenario again=A0 ;-}

Kyle=20

=A0 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20




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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">thanks for all the responses guys....good to =
know I'm not the only one putting up with this crap.....think I'll put your=
 posts in a file and go back to them...when i run into a similar scenario a=
gain&nbsp; ;-}<br><br><div><address style=3D"font-family: arial narrow; fon=
t-weight: bold;"><font color=3D"#bf00bf" size=3D"4">Kyle <br></font></addre=
ss><br><address>&nbsp;</address> <address><a rel=3D"nofollow" style=3D"font=
-weight: bold;" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/kdpatten=
">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rgb(0, 0,=
 255);"></span><span style=3D"color: rgb(128, 128, 255);"><span style=3D"co=
lor: rgb(64, 64, 255); font-weight: bold;">http://www.myspace.com/kyledeanp=
atten</span><span style=3D"font-weight: bold;">&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;</span>&nbsp;&nbsp;&nbsp; <br></span><span style=3D"font-weight: bo=
ld; color: rgb(0, 127,
 127);"></span><b style=3D""><span style=3D"font-size: 9pt; font-family: Ar=
ial; color: green;"></span></b><br><br><br><a rel=3D"nofollow" target=3D"_b=
lank" href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html">=
<span class=3D"yshortcuts" id=3D"lw_1230810272_0"></span></a></address></di=
v></td></tr></table>
--0-1859646832-1249357810=:22851--

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From: "Ty Gott" <Tygerman_GB@hotmail.com>
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I get razzed it for everything that makes me different. I get more grief =
about all the gear. Apparently for us guitar players, there's pedal size =
and count limits. Apparently "real" players plug direct into an amp the =
size of my car. The guys at my local guitar store thought I was a freak =
for asking for a MIDI cable. Folks here bash guitar to MIDI. The only =
comment that has hurt so far: "I could unplug one of your leads and =
you'd never find it" That one was too true.=20
Cheers,
-Ty
www.soundclick.com\TygermanGrooveBand


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<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
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<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
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id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>I get razzed it for everything that makes me=20
different.&nbsp;I&nbsp;get more grief about&nbsp;all the gear. =
Apparently for us=20
guitar players, there's pedal size and =
count&nbsp;limits.&nbsp;Apparently "real"=20
players plug direct into&nbsp;an amp the size of my car.&nbsp;The guys =
at my=20
local&nbsp;guitar store thought I was a freak for asking for a MIDI=20
cable.&nbsp;Folks here bash guitar to MIDI. </FONT><FONT =
face=3DCalibri>The only=20
comment that has hurt so far: "I could unplug one of your leads and =
you'd never=20
find it" That one was too true. </FONT></DIV>
<DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
<DIV><FONT face=3DCalibri>-Ty</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.soundclick.com\TygermanGrooveBand&#10;CTRL + Click =
to follow link"=20
href=3D"http://www.soundclick.com\TygermanGrooveBand">www.soundclick.com\=
TygermanGrooveBand</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 04:03:14 2009
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Date: Tue, 4 Aug 2009 13:02:49 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: Sonuus Guitar to Midi
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At 11:47 AM -0700 8/3/09, Mark Sottilaro wrote:
>
>For triggering everything else I find an actual midi keyboard to be
>worlds better.  Almost as if it were designed for it from the start.
>;)

Equal and opposite viewpoint here: I go back & forth between praising 
and demonizing good old Bob Moog for attaching a keyboard to his 
famous synthesizers.

I want to praise him because attaching something people were familiar 
with to this alien noise machine arguably did more to popularize it 
than any other innovation.  I want to beat him, though, because 
that's inadvertently stuck us with the dominant playing paradigm of 
"synthesizer = organ" for almost a half-century now.  I still wonder 
what this world would be like if someone like Buchla -- with his 
wonderful whacked-out interfaces -- had become the dominant force in 
the field back in its formative years of the 60's-70's, rather than 
Moog.

Anyway, I've been playing keyboards and synthesizers for over 30 
years.  And for the past decade I've tried my hardest to use almost 
any controller *except* a keyboard for user input.  Frankly, for most 
sounds, I HATE using a keyboard and find it the least expressive 
interface out there for most of my purposes (with the caveat that 
traditional keyboard instruments -- like piano -- are usually better 
played with a keyboard).

I've had guitar- and wind-controllers since the '80s.  And in terms 
of expressiveness, I really prefer both of them over traditional 
keyboard-controllers.  There's an organic quality that's a lot more 
difficult to get if you're dealing with an interface that's not much 
more than a glorified set of buttons.  I've got many, many synths 
that take on a completely different (and interesting!) character 
merely because I've switched to using a different type of control 
interface.  Occasionally I'll use a keyboard for something relatively 
simple/sterile like a 303-style bass line or, for convenience's sake, 
to quickly audition sounds, but little else.

At 7:48 PM +0200 8/3/09, Christo Jota wrote:
>
>But even with that you have to concentrate a lot on playing very accurate.
>Otherwise you hear wrong notes very soon.
>This was the same when I still used the Roland GR 33 guitar 
>synthesizer with an external Midi pick up. Those permanent wrong 
>notes inbetween drove me crazy and made me selling the gear. It kept 
>me from having fun playing guitar.

I completely agree, however, with the frustration over the typical 
Roland-style "pitch-to-glitch" MIDI tracking.  I'm using this now 
merely as a matter of convenience (most of my gear is in storage, 
waiting for us to save enough cash to bring it over).  But I've never 
been so impressed with that architecture and, for monophonic lines, 
will often now just use my WX-11 wind-controller instead.

My continuing weapon-of-choice for guitar-controllers is still the 
Yamaha G-10/G-10C setup.  I've had one since about '89 and still 
swear by it.

Best points: Nearly flawless tracking.  I've rarely been able to get 
it to glitch due to playing style.  Admittedly, I'm not the world's 
fastest guitarist by any means.  So I've had it test-driven by 
friends who are traditional 'shredders' and they couldn't get it to 
glitch either.  There's a reason they call this the 'poor man's 
Synthaxe'.  It's also more configurable (tunings, splits, curves, 
etc.) than most other MIDI controllers.  Once the G10 and the synth 
module are properly set up together (it takes a little work to get a 
combination to gel) it becomes much more like playing a single 
organic instrument than a MIDI synth.

Worst points: It's a MIDI controller, not a true guitar.  While it 
uses real guitar strings, all six are the same .016 ("G") gauge and 
are all tuned to the same note.  This takes a little while to get 
used to, and it has a tendency to freak out some traditional guitar 
folk.  The feel is different (because all the strings are the same) 
so novices often get lost on the fretboard.  And you *have* to listen 
through the MIDI module output; listening to the strings themselves 
sounds like a jangly mess.  It took me about a week to get used to 
it, but many guitarists don't give it that much chance.  Also, it 
looks like a damn boat oar, or a laser rifle, so the "I look cool 
wearing this" factor goes right out the window.  On a more practical 
note, the controller module is heavy as hell.  Get ready to pay some 
overweight baggage fees if you're flying.

The biggest downside for me, though, is that the Yamaha's getting to 
be "vintage" equipment, so I have to spend nearly as much time 
maintaining it as playing.  That's another reason why I dedicate more 
time these days to VG synthesis than true MIDI guitar.

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 04:09:27 2009
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Subject: Re: what cases do you use for your looping gear?
Date: Mon, 3 Aug 2009 22:09:17 -0600
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Well, I haven't used Mobius for over a year (since I use a custom max/msp 
randomized looper), but for when I was doing traditional looping, Mobius is 
just an ideal and amazing tool. I just can't believe Jeff provides it for 
free. :)

Kris

----- Original Message ----- 

> Thanks Kris,
>
> Don't be suprised if by next year I am writing this group for info on 
> this. Mobius is just amazing from what I have heard done with it.
>
> Jeff
>
> ----- Original Message ----- 
> From: "Krispen Hartung" <info@krispenhartung.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, August 03, 2009 11:09 PM
> Subject: Re: what cases do you use for your looping gear?
>
>
>> Easier than you think...start with a basic VST host and host something 
>> like Reaktor or your favorite VSTs, then add one of the many VST Loopers 
>> (Mobius, etc).  There are so many free VSTs and free Reaktor patches, 
>> that you won't have to do any programming.  If you can drag and drop in a 
>> computer, and tweak virtual nobs, you can create a laptop system.
>>
>> The problem I see is that people go laptop and bight off more than they 
>> can chew...try to over-engineer their setup...then they are irriated when 
>> their system has all sorts of performances issues.
>>
>> Kris
>>
>> ----- Original Message ----- 
>>
>>
>>> sigh, you guys have about got me on this lappy thing. Did I say that? 
>>> arrgh! A whole roomfull of gear in a tiny box. And I hear what you 
>>> people can do with them! I am just wondering if I have enough time left 
>>> for the learning curve..sigh :)
>>>
>>> Jeff
>>>
>>> ----- Original Message ----- 
>>> From: "Krispen Hartung" <info@krispenhartung.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Monday, August 03, 2009 10:22 PM
>>> Subject: Re: what cases do you use for your looping gear?
>>>
>>>
>>>>I use this thing called a laptop computer case. It's a wonderful 
>>>>thing... :)
>>>>
>>>> Kris
>>>>
>>>>
>>>
>>>
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 04:51:06 2009
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Date: Mon, 3 Aug 2009 21:51:04 -0700
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Subject: Re: what cases do you use for your looping gear?
From: Mark Sottilaro <zerocrossing@gmail.com>
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OK, I'll jump in.  I use a Chrome laptop bag.   Couldn't find a link
to it on line, I guess Chrome discontinued it but it's pretty beefy
and well padded.  Nice.

I'll echo Krispen's sentiments.  He and Per helped me a lot as I think
I was a few months behind Krispen's venture into laptop land.  It's
really not rocket science.  When I hear what half of you do in terms
of audio and midi routing I think you'll find that the laptop setup,
while not without it's issues, is simpler and easier to get.

A $60 duffle bag for my guitar, keyboard, Stealthpedal (control and
i/o) and an FCB1010 and the laptop bag and that's it.  Plug me into a
PA and I'm done.  It's pretty amazing.



On Mon, Aug 3, 2009 at 9:09 PM, Krispen Hartung<info@krispenhartung.com> wr=
ote:
> Well, I haven't used Mobius for over a year (since I use a custom max/msp
> randomized looper), but for when I was doing traditional looping, Mobius =
is
> just an ideal and amazing tool. I just can't believe Jeff provides it for
> free. :)
>
> Kris
>
> ----- Original Message -----
>>
>> Thanks Kris,
>>
>> Don't be suprised if by next year I am writing this group for info on
>> this. Mobius is just amazing from what I have heard done with it.
>>
>> Jeff
>>
>> ----- Original Message ----- From: "Krispen Hartung"
>> <info@krispenhartung.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, August 03, 2009 11:09 PM
>> Subject: Re: what cases do you use for your looping gear?
>>
>>
>>> Easier than you think...start with a basic VST host and host something
>>> like Reaktor or your favorite VSTs, then add one of the many VST Looper=
s
>>> (Mobius, etc). =A0There are so many free VSTs and free Reaktor patches,=
 that
>>> you won't have to do any programming. =A0If you can drag and drop in a
>>> computer, and tweak virtual nobs, you can create a laptop system.
>>>
>>> The problem I see is that people go laptop and bight off more than they
>>> can chew...try to over-engineer their setup...then they are irriated wh=
en
>>> their system has all sorts of performances issues.
>>>
>>> Kris
>>>
>>> ----- Original Message -----
>>>
>>>> sigh, you guys have about got me on this lappy thing. Did I say that?
>>>> arrgh! A whole roomfull of gear in a tiny box. And I hear what you peo=
ple
>>>> can do with them! I am just wondering if I have enough time left for t=
he
>>>> learning curve..sigh :)
>>>>
>>>> Jeff
>>>>
>>>> ----- Original Message ----- From: "Krispen Hartung"
>>>> <info@krispenhartung.com>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Sent: Monday, August 03, 2009 10:22 PM
>>>> Subject: Re: what cases do you use for your looping gear?
>>>>
>>>>
>>>>> I use this thing called a laptop computer case. It's a wonderful
>>>>> thing... :)
>>>>>
>>>>> Kris
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 06:16:21 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: anti-looper bigots / Miles & Teo
Date: Mon, 3 Aug 2009 23:16:12 -0700
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On Aug 3, 2009, at 6:41 PM, Jeff Duke wrote:

> Don't forget the beating Miles Davis took from the purists when he  
> went electric!
>
> Jeff

I wonder how they felt when they later found out that he and Teo  
Marcero employed a lot of looping in the over all creation of Bitches  
Brew,etc.

Speaking of that, here is some inspirational reading.  Enjoy...

http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles- 
davis.html

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Aug 3, 2009, at =
6:41 PM, Jeff Duke wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font face=3D"Arial" =
size=3D"2">Don't forget the beating Miles Davis took from the purists =
when he went electric!</font></div><div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div><div><font face=3D"Arial" =
size=3D"2">Jeff</font></div></span></blockquote><div><br></div>I wonder =
how they felt when they later found out that he and Teo Marcero employed =
a lot of looping in the over all creation of Bitches =
Brew,etc.</div><div><br></div><div>Speaking of that, here is some =
inspirational reading. &nbsp;Enjoy...</div><div><br></div><div><a =
href=3D"http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles=
-davis.html">http://milesite.blogspot.com/2009/02/teo-macero-on-producing-=
miles-davis.html</a></div><div><br></div><div>Cheers,</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">Rev =
Fever</span></div><div><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
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-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></body></html>=

--Apple-Mail-1-476433455--

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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: anti-looper bigots / Miles & Teo (correction)
Date: Mon, 3 Aug 2009 23:30:51 -0700
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Er... I meant, Macero, and not Marcero. (red faced typo) :-)

On Aug 3, 2009, at 11:16 PM, Rev Fever wrote:

> I wonder how they felt when they later found out that he and Teo  
> Marcero employed a lot of looping in the over all creation of  
> Bitches Brew,etc.
>
> Speaking of that, here is some inspirational reading.  Enjoy...
>
> http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles- 
> davis.html
>


Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Er... I meant, Macero, and not =
Marcero. (red faced typo) :-)<div><br><div><div>On Aug 3, 2009, at 11:16 =
PM, Rev Fever wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><div>I =
wonder how they felt when they later found out that he and Teo Marcero =
employed a lot of looping in the over all creation of Bitches =
Brew,etc.</div></div><div><br></div><div>Speaking of that, here is some =
inspirational reading. &nbsp;Enjoy...</div><div><br></div><div><a =
href=3D"http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles=
-davis.html">http://milesite.blogspot.com/2009/02/teo-macero-on-producing-=
miles-davis.html</a></div><div><br></div></blockquote></div><div><br></div=
>Cheers,<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></div></body></html>=

--Apple-Mail-1-477312311--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 07:08:49 2009
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Hi Per

> ReWire is supported by both Live 8 and Mainstage 2. Not by Mainstage 1

Once the new Logic 9 and Mac Snow Leopard are both out (and possibly patched), I will get both and do a fresh install on my Mac.

best regards
Buzap
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 07:13:13 2009
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Subject: Re: Boss looper contest in Germany
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Hi Akim

> Also, if you don't like the drum loops on the Boss pedal, you can actually
> replace them with your own sounds etc...

I was actually curious: Is there really a way to replace the Ryhthm Guide (HiHat etc.) samples or did you just mean the pre-installed demo loops?

Best regards
Buzap
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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 07:17:05 2009
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Hi Denis

the bottom-line on the RC-50 for me seems to be:
Rhythm-only tempo changes are "ok", if you have long sustained sounds or even vocals - it doesn't properly work (unless you are looking for that particular wobbly sound).

best regards
Buzap

PS: So many RC-50 postings... - I'm happy :-)
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Hi Kyle,=0Ai while ago i started a thread called "Loopers hard questions" b=
ecause of this same reason,there are closed minded purists out there who wi=
ll go out of their way even before you play to put you down (and yes im tal=
king about musicians)=0AA while ago i had a looping gig and i invited a mus=
ician friend of mine who does not loop and is quite a purist in the songwri=
tting sense.The next day he wrote me to tell me his thoughts of how crap th=
is whole looping thing he thinks it is,hiding talent behind gear,antisocial=
 musician etc.etc.etc.=0Athen again this same guy admires me as a musican t=
hough and even hires me to play for him and he loves Andrew Birds music;-)=
=0AI think for the most part a lot of them base their opinions on their per=
sonal musical preference and conservative views of how music should be perf=
ormed,either people like it or not wether you are looping or not.In general=
 though my experience has been postive with this,some people are curious ab=
out it,some people dont get it,some people think you are using playbacks,ot=
hers dont care what you are using and some people just sit there and critic=
ise it.Is almost as biased as somebody saying playing with a band is better=
 than alone;-)=0AA guy who saw once play liked it so much that he went and =
recomended me to a  pub owner in a town about 100km away from here,,so he c=
ame and saw me personally at the following gig,i was doing my own songs and=
 some covers but with abstract looping at times.I went to his pub once and =
he has a lot of blues duos who entertain the audience by telling stories in=
 german dialects.He never called me so i obviously did not fit his bill,tha=
nk god!=0ALuis=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Zoe Keating <=
info@zoekeating.com> schrieb am Mo, 3.8.2009:=0A=0A> Von: Zoe Keating <info=
@zoekeating.com>=0A> Betreff: Re: anti-looper bigots=0A> An: Loopers-Deligh=
t@loopers-delight.com=0A> Datum: Montag, 3. August 2009, 16:40=0A> bwa ha h=
a! i've totally heard=0A> that!=0A> Acoustic Music Series in San Diego thin=
ks the=0A> same thing of me. i heard through the grapevine (i.e fan=0A> mai=
l) that they won't have me back because of the=0A> looping (although their =
concerts are amplified and many=0A> guitarists perform there with looping p=
edals)=0A> my advice: IGNORE THEM. i don't even respond=0A> to that kind of=
 thing=0A> =0A> =0A> =0A> =0A> On Aug 3, 2009, at 4:06 PM, K D Patten=0A> w=
rote:=0A> =A0OK... My Looping=0A> friends......tell me some story's.....i j=
ust got trashed=0A> by some acoustic purists at a gig because of my=0A> loo=
ping....evidently because i loop it disqualifies me as a=0A> "real" player.=
....I'd like to hear your=0A> experiences with this kind of bigot=0A> =0A> =
Kyle =0A> =0A> http://www.cdbaby.com/cd/kdpatten=0A> =0A> http://www.myspac=
e.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=0A> =0A> =0A> =0A> =0A> =0A=
> =0A=0A=0A      

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Christo Jota wrote:
> About 10 days ago I got a Sonuus G2M - Guitar to midi converter 
> (monophonic).
> My impressions after checking it out are:
> The fast, accurate not tracking which is advertised in the manual is not
> possible. I mainly use it for soft snyth-sounds . Not for fast playing 
> notes.
> Just to give my guitar playing a smooth backing sound. Like a melotron etc.
> But even with that you have to concentrate a lot on playing very accurate.
> Otherwise you hear wrong notes very soon

The Sonuus isn't the fastest tracking device around, but it's very playable,
and is exceptionally glitch resistant.

I'm afraid you just have to learn to damp the other 5 strings while
playing a note if you want it to behave.

You could always attach some sort of mechanical damping at the nut
to stop the open strings ringing in the same way that the guys
who do 2 handed tapping do.


>  
> I also checked the pitch-bend advise from the manual, but it didn´t help:
> " to ensure that the midi sounds are correctly in tune
> with the guitar, you have to ensure the Midi patch is set to a pitch-bend
> range of + - 2 semitones."

"set the pitch bend range in your  *synth* to 2 semitones".

If you've been using those patches with another midi controller,
likely they'll be set to 12 semitones.

...and any note bend would be exaggerated by 6x

That's a drawback with the simplicity of the Sonuus, because pitch
bend is 2 semitones it means if you bend a note *just* past that limit 
you get a re-trigger.


andy
ps.  Per, the Sonuus is *mono*





From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 08:34:33 2009
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i built 2 cases and i bought 2 cases-
dunno how they compare...but check out marathon cases....was pretty darn ch=
eap..... infact it was cheaper to buy it than to build it-
they use quality handles / latches.... only problem ive had is the threadin=
g for the screws is sometimes funked up......i returned 1 case free of char=
ge for this reason....






> Date: Mon=2C 3 Aug 2009 21:51:04 -0700
> Subject: Re: what cases do you use for your looping gear?
> From: zerocrossing@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> OK=2C I'll jump in.  I use a Chrome laptop bag.   Couldn't find a link
> to it on line=2C I guess Chrome discontinued it but it's pretty beefy
> and well padded.  Nice.
>=20
> I'll echo Krispen's sentiments.  He and Per helped me a lot as I think
> I was a few months behind Krispen's venture into laptop land.  It's
> really not rocket science.  When I hear what half of you do in terms
> of audio and midi routing I think you'll find that the laptop setup=2C
> while not without it's issues=2C is simpler and easier to get.
>=20
> A $60 duffle bag for my guitar=2C keyboard=2C Stealthpedal (control and
> i/o) and an FCB1010 and the laptop bag and that's it.  Plug me into a
> PA and I'm done.  It's pretty amazing.
>=20
>=20
>=20
> On Mon=2C Aug 3=2C 2009 at 9:09 PM=2C Krispen Hartung<info@krispenhartung=
.com> wrote:
> > Well=2C I haven't used Mobius for over a year (since I use a custom max=
/msp
> > randomized looper)=2C but for when I was doing traditional looping=2C M=
obius is
> > just an ideal and amazing tool. I just can't believe Jeff provides it f=
or
> > free. :)
> >
> > Kris
> >
> > ----- Original Message -----
> >>
> >> Thanks Kris=2C
> >>
> >> Don't be suprised if by next year I am writing this group for info on
> >> this. Mobius is just amazing from what I have heard done with it.
> >>
> >> Jeff
> >>
> >> ----- Original Message ----- From: "Krispen Hartung"
> >> <info@krispenhartung.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Sent: Monday=2C August 03=2C 2009 11:09 PM
> >> Subject: Re: what cases do you use for your looping gear?
> >>
> >>
> >>> Easier than you think...start with a basic VST host and host somethin=
g
> >>> like Reaktor or your favorite VSTs=2C then add one of the many VST Lo=
opers
> >>> (Mobius=2C etc).  There are so many free VSTs and free Reaktor patche=
s=2C that
> >>> you won't have to do any programming.  If you can drag and drop in a
> >>> computer=2C and tweak virtual nobs=2C you can create a laptop system.
> >>>
> >>> The problem I see is that people go laptop and bight off more than th=
ey
> >>> can chew...try to over-engineer their setup...then they are irriated =
when
> >>> their system has all sorts of performances issues.
> >>>
> >>> Kris
> >>>
> >>> ----- Original Message -----
> >>>
> >>>> sigh=2C you guys have about got me on this lappy thing. Did I say th=
at?
> >>>> arrgh! A whole roomfull of gear in a tiny box. And I hear what you p=
eople
> >>>> can do with them! I am just wondering if I have enough time left for=
 the
> >>>> learning curve..sigh :)
> >>>>
> >>>> Jeff
> >>>>
> >>>> ----- Original Message ----- From: "Krispen Hartung"
> >>>> <info@krispenhartung.com>
> >>>> To: <Loopers-Delight@loopers-delight.com>
> >>>> Sent: Monday=2C August 03=2C 2009 10:22 PM
> >>>> Subject: Re: what cases do you use for your looping gear?
> >>>>
> >>>>
> >>>>> I use this thing called a laptop computer case. It's a wonderful
> >>>>> thing... :)
> >>>>>
> >>>>> Kris
> >>>>>
> >>>>>
> >>>>
> >>>>
> >>>
> >>>
> >>
> >>
> >
> >
>=20

_________________________________________________________________
Windows Live=99: Keep your life in sync.
http://windowslive.com/explore?ocid=3DPID23384::T:WLMTAGL:ON:WL:en-US:NF_BR=
_sync:082009=

--_45b1634f-13c2-4fcf-a142-d65e3253cbeb_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
i built 2 cases and i bought 2 cases-<br>dunno how they compare...but check=
 out marathon cases....was pretty darn cheap..... infact it was cheaper to =
buy it than to build it-<br>they use quality handles / latches.... only pro=
blem ive had is the threading for the screws is sometimes funked up......i =
returned 1 case free of charge for this reason....<br><br><br><br><br><br><=
br>&gt=3B Date: Mon=2C 3 Aug 2009 21:51:04 -0700<br>&gt=3B Subject: Re: wha=
t cases do you use for your looping gear?<br>&gt=3B From: zerocrossing@gmai=
l.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=
=3B OK=2C I'll jump in.  I use a Chrome laptop bag.   Couldn't find a link<=
br>&gt=3B to it on line=2C I guess Chrome discontinued it but it's pretty b=
eefy<br>&gt=3B and well padded.  Nice.<br>&gt=3B <br>&gt=3B I'll echo Krisp=
en's sentiments.  He and Per helped me a lot as I think<br>&gt=3B I was a f=
ew months behind Krispen's venture into laptop land.  It's<br>&gt=3B really=
 not rocket science.  When I hear what half of you do in terms<br>&gt=3B of=
 audio and midi routing I think you'll find that the laptop setup=2C<br>&gt=
=3B while not without it's issues=2C is simpler and easier to get.<br>&gt=
=3B <br>&gt=3B A $60 duffle bag for my guitar=2C keyboard=2C Stealthpedal (=
control and<br>&gt=3B i/o) and an FCB1010 and the laptop bag and that's it.=
  Plug me into a<br>&gt=3B PA and I'm done.  It's pretty amazing.<br>&gt=3B=
 <br>&gt=3B <br>&gt=3B <br>&gt=3B On Mon=2C Aug 3=2C 2009 at 9:09 PM=2C Kri=
spen Hartung&lt=3Binfo@krispenhartung.com&gt=3B wrote:<br>&gt=3B &gt=3B Wel=
l=2C I haven't used Mobius for over a year (since I use a custom max/msp<br=
>&gt=3B &gt=3B randomized looper)=2C but for when I was doing traditional l=
ooping=2C Mobius is<br>&gt=3B &gt=3B just an ideal and amazing tool. I just=
 can't believe Jeff provides it for<br>&gt=3B &gt=3B free. :)<br>&gt=3B &gt=
=3B<br>&gt=3B &gt=3B Kris<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B ----- Original =
Message -----<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Thanks Kris=2C<=
br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Don't be suprised if by next =
year I am writing this group for info on<br>&gt=3B &gt=3B&gt=3B this. Mobiu=
s is just amazing from what I have heard done with it.<br>&gt=3B &gt=3B&gt=
=3B<br>&gt=3B &gt=3B&gt=3B Jeff<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=
=3B ----- Original Message ----- From: "Krispen Hartung"<br>&gt=3B &gt=3B&g=
t=3B &lt=3Binfo@krispenhartung.com&gt=3B<br>&gt=3B &gt=3B&gt=3B To: &lt=3BL=
oopers-Delight@loopers-delight.com&gt=3B<br>&gt=3B &gt=3B&gt=3B Sent: Monda=
y=2C August 03=2C 2009 11:09 PM<br>&gt=3B &gt=3B&gt=3B Subject: Re: what ca=
ses do you use for your looping gear?<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=
=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B Easier than you think...start with a=
 basic VST host and host something<br>&gt=3B &gt=3B&gt=3B&gt=3B like Reakto=
r or your favorite VSTs=2C then add one of the many VST Loopers<br>&gt=3B &=
gt=3B&gt=3B&gt=3B (Mobius=2C etc). &nbsp=3BThere are so many free VSTs and =
free Reaktor patches=2C that<br>&gt=3B &gt=3B&gt=3B&gt=3B you won't have to=
 do any programming. &nbsp=3BIf you can drag and drop in a<br>&gt=3B &gt=3B=
&gt=3B&gt=3B computer=2C and tweak virtual nobs=2C you can create a laptop =
system.<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B The probl=
em I see is that people go laptop and bight off more than they<br>&gt=3B &g=
t=3B&gt=3B&gt=3B can chew...try to over-engineer their setup...then they ar=
e irriated when<br>&gt=3B &gt=3B&gt=3B&gt=3B their system has all sorts of =
performances issues.<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=
=3B Kris<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B ----- Or=
iginal Message -----<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=
=3B&gt=3B sigh=2C you guys have about got me on this lappy thing. Did I say=
 that?<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B arrgh! A whole roomfull of gear i=
n a tiny box. And I hear what you people<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B=
 can do with them! I am just wondering if I have enough time left for the<b=
r>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B learning curve..sigh :)<br>&gt=3B &gt=3B&=
gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B Jeff<br>&gt=3B &gt=3B&=
gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B ----- Original Message=
 ----- From: "Krispen Hartung"<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B &lt=3Binf=
o@krispenhartung.com&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B To: &lt=3BLoo=
pers-Delight@loopers-delight.com&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B S=
ent: Monday=2C August 03=2C 2009 10:22 PM<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=
=3B Subject: Re: what cases do you use for your looping gear?<br>&gt=3B &gt=
=3B&gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&g=
t=3B&gt=3B&gt=3B&gt=3B I use this thing called a laptop computer case. It's=
 a wonderful<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B&gt=3B thing... :)<br>&gt=3B=
 &gt=3B&gt=3B&gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B&gt=3B Kr=
is<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=
=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B&g=
t=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&gt=3B<br>&gt=3B &g=
t=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=
=3B <br><br /><hr />Windows Live=99: Keep your life in sync. <a href=3D'htt=
p://windowslive.com/explore?ocid=3DPID23384::T:WLMTAGL:ON:WL:en-US:NF_BR_sy=
nc:082009' target=3D'_new'>Check it out.</a></body>
</html>=

--_45b1634f-13c2-4fcf-a142-d65e3253cbeb_--

From mrmanfr@mail.co.za  Tue Aug  4 08:44:55 2009
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From: "Mr. Manfred"<mrmanfr@mail.co.za>
Subject: Business proposal
Date: Tue, 4 Aug 2009 10:36:47 +0200
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Ref: WM/ITN/27/08

Kind Attention Required. 

I hereby write to  enquire in confidence, That we can jointly do some genuine and legal stock transfer trading together based on a Joint Venture. 
I have an operative international certified acceptable Medium Term Note Stock (Program) le, which I was thinking I could work with you to reassign the account to your name, and I assume as so said of you to be powerful in the financial, that after the reassignment, the amount would be transferred to your bank account. 
The principal amount of the POF is US$100 Million, and I have already worked out modalities to execute the transfer successfully; hence I ask of you to confirm ASAP whether or not you are interested. 
The BOE is an irrevocable Bank Operative Instrument, which you can use as collateral to bank against a loan immediately we fully reassign to you, which means your bank can even borrow against it. I shall send you evidence of funds which once can still through bank-to-bank confirm Existence. 
I would appreciate that you get back to me upon receipt of this important mail on your opinion towards a lasting business relationship.

Respectfully,
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Subject: Best Vocal Looper Beginner Suggestion please...
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--0-477399370-1249375733=:39430
Content-Type: text/plain; charset=iso-8859-1
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I fall in love with the LOOP things after watch some youtubes. I wanna use =
it with my voice, only voice no other instument.

Then, I found this social! hahaha

So, I wanna testing some of it. However in Thailand there's only Boss - ex.=
RC-50 RC20XL
and Digitech Jamman to try in the shop

I don't wanna get too advance gear but if it's worth for creating loops and=
 maybe live performance, I will.=20

Gibson EDP will be my top list but just only it's a bit expensive for begin=
ner like me who's not that sure about looping life that much
and I'm wonder if it's too advance or complicate than RC-50 or JAMMAN or no=
t. (I prefer Jamman if compare to RC20XL just because of the XLR for microp=
hone)

about the RC-20 and Akai Headrush I've read many review and it's not so sui=
table with the vocal looper? Are they right?

or I should try these 2 little gears before purchase EDP?

damn,I don't know which one suit for me.

Can you guys suggest me?

Pete ,=A0 Bangkok

P.S.I try to figure used stuff from ebay, craiglist,yahoo Is there anywhere=
 I can find in cyber? I have friend in Chicago and Indiana.
=0A=0A=0A      
--0-477399370-1249375733=:39430
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">I fall in love with the LOOP things after wat=
ch some youtubes. I wanna use it with my voice, only voice no other instume=
nt.<br><br>Then, I found this social! hahaha<br><br>So, I wanna testing som=
e of it. However in Thailand there's only Boss - ex.RC-50 RC20XL<br>and Dig=
itech Jamman to try in the shop<br><br>I don't wanna get too advance gear b=
ut if it's worth for creating loops and maybe live performance, I will. <br=
><br>Gibson EDP will be my top list but just only it's a bit expensive for =
beginner like me who's not that sure about looping life that much<br>and I'=
m wonder if it's too advance or complicate than RC-50 or JAMMAN or not. (I =
prefer Jamman if compare to RC20XL just because of the XLR for microphone)<=
br><br>about the RC-20 and Akai Headrush I've read many review and it's not=
 so suitable with the vocal looper? Are they right?<br><br>or I should try
 these 2 little gears before purchase EDP?<br><br>damn,I don't know which o=
ne suit for me.<br><br>Can you guys suggest me?<br><br>Pete ,&nbsp; Bangkok=
<br><br>P.S.I try to figure used stuff from ebay, craiglist,yahoo Is there =
anywhere I can find in cyber? I have friend in Chicago and Indiana.<br></td=
></tr></table><br>=0A=0A=0A=0A      
--0-477399370-1249375733=:39430--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 09:12:16 2009
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Date: Tue, 4 Aug 2009 09:12:14 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: Boss looper contest in Germany
To: Loopers-Delight@loopers-delight.com
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ive always thought competition is great in a lot of areas but when it comes=
 to art and music it seems very ackward to me...is like the many nonsense d=
ebates of who is the best hard rock band Black Sabbath, AC DC or Led Zeppel=
in;-)=0AI guess what turns me off about this boss loopers is the fuction of=
 trying to correct your timing and those drum loops... though you can turn =
them off and still be really creative no doubt,unfortunetly this are the on=
es being mass produced and used as such educating the general public to wha=
t is called "looping"for a lot of people to understand what looping is you =
have to layer instrument parts to form a whole band orchestra,and im not pu=
tting this down at all,there are people that can really do it fantastic but=
 ive seen so many do it so uncreative "auto corrected" steril and cheap,you=
 really might as well play to preprogramed sequences,it takes less longer;-=
)=0A =0Awww.myspace.com/luisangulocom=0A=0A=0A--- Dan Ash <Daniel.Ash@Veriz=
on.net> schrieb am Mo, 3.8.2009:=0A=0A> Von: Dan Ash <Daniel.Ash@Verizon.ne=
t>=0A> Betreff: RE: Boss looper contest in Germany=0A> An: Loopers-Delight@=
loopers-delight.com=0A> Datum: Montag, 3. August 2009, 17:09=0A> > =0A> > Y=
ou people were funny at first but now your guffaws of=0A> snobbery and elit=
ist technocratic behaviour are really=0A> starting to take their toll...I m=
ean what are "we" about=0A> here....does it have anything to do with making=
 music?=A0=0A> I am starting to wonder...I guess it has become=0A> unfashio=
nable among the "Technocrati" to loop with a BOSS=0A> pedal...hmmmmm=0A> I =
haven't been following this thread too closely, but my=0A> impression was t=
hat the amusement at the Boss looping=0A> contest was due to several aspect=
s of their support for=0A> looping.=A0 The comments here were generally rel=
ated to=0A> mocking the idea of an olympic-style competition from a=0A> com=
munity that largely has moved away from evaluating=0A> looping in terms lik=
e those used in the rampant guitar=0A> 'gunslinging' phenomenon. 'Competiti=
on' is largely an=0A> anachronism here on LD.=0A> =0A> Over the years Boss =
product developers have been rather=0A> unresponsive to input from the loop=
ing community regarding=0A> the design of their loopers - resulting in thre=
e designs=0A> that don't incorporate some of the most important=0A> require=
ments for looping anything other than accompaniment=0A> of pre-recorded loo=
ps, or for a looping paradigm that plays=0A> a static loop over and over.=
=A0 This is true of many/most=0A> of the mass-production looping products (=
Digidesign is=0A> another company that comes to mind).=0A> =0A> The Boss RC=
-50 is an improvement but as it turns out, a=0A> feedback control feature w=
as only implemented using a=0A> technique developed and documented by a det=
ermined looper=0A> (from this board, I think).=A0 My point is that they=0A>=
 produced design after design without supporting any more=0A> than the most=
 simplistic concept of what is actually=0A> available in more sophisticated=
 hardware or in largely free=0A> software loopers.=A0 From the top of my li=
st is MIDI=0A> sync, saving a loop on the fly, upload of saved loops, and=
=0A> the aforementioned feedback control. =0A> So Boss representatives migh=
t well be judging contestants=0A> in gunslinging contest using tools suppor=
ting a limited=0A> palette -and their designs suggest a lack of some degree=
 of=0A> expertise to boot.=0A> =0A> I think you will find the participants =
here are overall=0A> very generous with their expertise and focused on maki=
ng=0A> music.=A0 I don't even agree that the members of LD can=0A> be count=
ed on to disparage gear choices of those using other=0A> units than their o=
wn.=A0 Many wonderful compositions get=0A> posted here from loopers using s=
imple delays, tape machines,=0A> and re-purposed musical toys.=0A> =0A> I t=
hink perhaps Akim read too much into a little=0A> light-hearted fun at Boss=
's expense.=0A> =0A> Dan Ash=0A> White Plains, NY=0A> =0A> =0A=0A=0A      

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Date: Tue, 4 Aug 2009 09:16:16 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: anti-looper bigots
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or the ones that thing if u use a capo on the guitar it means you cannot pl=
ay;-)=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Tim Nelson <psychle62@=
yahoo.com> schrieb am Mo, 3.8.2009:=0A=0A> Von: Tim Nelson <psychle62@yahoo=
.com>=0A> Betreff: Re: anti-looper bigots=0A> An: Loopers-Delight@loopers-d=
elight.com=0A> Datum: Montag, 3. August 2009, 16:22=0A> =0A> Yeah, they usu=
ally hang out with the "Modal tuning is=0A> CHEATING" crowd...=0A> =0A>=0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 09:31:54 2009
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Subject: past/coming up virtual gigspam: live on uStream - Sunday Morning at 
	11 August 9
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5ab4086300904704d8e73
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I just finished posting archive highlights from my July 26th live uStream
webcast *Sunday Morning at 11*.  This one was my most 'looped' show to date.
 The clips are up on my showpage at
http://www.ustream.tv/channel/Sunday-Morning-at-11.

Also, this weekend *Sunday, August 9, at 2pm EST*, I'm doing the next
episode of *Sunday Morning at **11*, this one
special in that it's going to be another duo show.
 In addition to Chinapainting, I have a secondary
duo project called East of Where with drummer/'found' percussionist *
Will Romano*.  I've worked with Will since we met in 2000.  East of
Where<http://www.myspace.com/eastofwhere> has grown/shrunk since then
and has steadily evolved
to a improvisatory duo since 2004.  Will performed with me at
the Boise Experimental Music Festival as a Kyber performer in 2008, has
guested with Daryl and I in Chinapainting and appeared on
the recent CT-Collective project CD ReUse <http://www.myspace.com/ctreuse>.
 Will is also a music journalist having authored two excellent bioographies
on Back Beat press, one on bluesman Hubert
Sumlin<http://www.amazon.com/Incurable-Blues-Troubles-Triumph-Legend/dp/0879308338/ref=sr_1_1?ie=UTF8&qid=1249377386&sr=8-1>and
the other on legendary Jimmy
Reed<http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=sr_1_1?ie=UTF8&qid=1249377499&sr=8-1>
.

Please note that due to scheduling and logistics we will be doing this
episode of Sunday morning in the afternoon instead of it's regular
latter morning time.  Also due to conflicting with friend/fellow LD'er
Matt [Stevens] set, we will be doing our uStream set at 2pm EST.  So
here in the northeastern timezone catch us at 2pm then stick around
for Matt at 3pm.

Show times around the globe for Sunday Morning are *
11am PST, 12pm MST, 1pm CST, **2pm EST**
, 7pm UK, 8pm western Europe, 3am Japan*.  For exact times check
http://www.timeanddate.com/worldclock/

Thanks and we look forward to 'connecting' with you this Sunday at 2pm EST.

Jim

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5ab4086300904704d8e73
Content-Type: text/html; charset=ISO-8859-1
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I just finished posting archive highlights from my July 26th live uStream w=
ebcast <i>Sunday Morning at 11</i>. =A0This one was my most &#39;looped&#39=
; show to date. =A0The clips are up on my showpage at <a href=3D"http://www=
.ustream.tv/channel/Sunday-Morning-at-11" target=3D"_blank">http://www.ustr=
eam.tv/channel/Sunday-Morning-at-11</a>.<br clear=3D"all">

<br><div>Also, this weekend <i>Sunday, August 9, at 2pm EST</i>, I&#39;m do=
ing the next episode=A0of=A0<i>Sunday=A0Morning=A0at=A0</i><i>11</i>,=A0thi=
s=A0one special=A0in=A0that=A0it&#39;s=A0going=A0to=A0be=A0another=A0duo=A0=
show. =A0In=A0addition=A0to=A0Chinapainting,=A0I=A0have a secondary duo=A0p=
roject=A0called=A0East=A0of=A0Where=A0with=A0drummer/&#39;found&#39;=A0perc=
ussionist=A0<i>Will=A0Romano</i>.=A0=A0I&#39;ve=A0worked=A0with=A0Will=A0si=
nce=A0we=A0met=A0in=A02000.=A0=A0<a href=3D"http://www.myspace.com/eastofwh=
ere">East=A0of=A0Where</a>=A0has=A0grown/shrunk=A0since=A0then=A0and=A0has=
=A0steadily=A0evolved to a=A0improvisatory=A0duo=A0since=A02004.=A0=A0Will=
=A0performed=A0with=A0me at the=A0Boise=A0Experimental=A0Music=A0Festival=
=A0as=A0a=A0Kyber=A0performer=A0in=A02008, has guested with Daryl and I in =
Chinapainting and=A0appeared=A0on the=A0recent=A0CT-Collective=A0project=A0=
CD=A0<a href=3D"http://www.myspace.com/ctreuse">ReUse</a>. =A0Will is also =
a music journalist having authored two excellent bioographies on Back Beat =
press, one on bluesman <a href=3D"http://www.amazon.com/Incurable-Blues-Tro=
ubles-Triumph-Legend/dp/0879308338/ref=3Dsr_1_1?ie=3DUTF8&amp;qid=3D1249377=
386&amp;sr=3D8-1">Hubert Sumlin</a> and the other on legendary <a href=3D"h=
ttp://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=3Dsr_1_1=
?ie=3DUTF8&amp;qid=3D1249377499&amp;sr=3D8-1">Jimmy Reed</a>.</div>
<div><br></div><div>Please=A0note=A0that=A0due=A0to=A0scheduling=A0and=A0lo=
gistics=A0we=A0will=A0be=A0doing=A0this=A0episode=A0of=A0Sunday=A0morning=
=A0in=A0the=A0afternoon=A0instead=A0of=A0it&#39;s=A0regular=A0latter=A0morn=
ing=A0time.=A0=A0Also=A0due=A0to=A0conflicting=A0with=A0friend/fellow=A0LD&=
#39;er=A0Matt=A0[Stevens]=A0set,=A0we=A0will=A0be=A0doing=A0our=A0uStream=
=A0set=A0at=A02pm=A0EST.=A0=A0So=A0here=A0in=A0the=A0northeastern=A0timezon=
e=A0catch=A0us=A0at=A02pm=A0then=A0stick=A0around=A0for=A0Matt=A0at=A03pm.<=
/div>
<div><br></div><div>Show=A0times=A0around=A0the=A0globe=A0for=A0Sunday=A0Mo=
rning=A0are=A0<i>11am=A0PST,=A012pm=A0MST,=A01pm=A0CST,=A0</i><b><i>2pm=A0E=
ST</i></b><i>,=A07pm=A0UK,=A08pm=A0western=A0Europe,=A03am=A0Japan</i>.=A0=
=A0For=A0exact=A0times=A0check=A0<a href=3D"http://www.timeanddate.com/worl=
dclock/">http://www.timeanddate.com/worldclock/</a></div>
<div><br></div><div>Thanks and we look forward to &#39;connecting&#39; with=
 you this Sunday at 2pm EST.</div><div><br></div><div>Jim</div>
<div><br>ReUse, an introspective textural aural<br><a href=3D"http://www.my=
space.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><br>mus=
ic links...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">=
www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5ab4086300904704d8e73--

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Hi Pete,=0AI second Rcikys recomendation the DL4 i still use it as well,it =
also has the bonus of being a delay modeler so you can put a delay in your =
voice and loop it,there are stereo inputs so you can loop your voice and an=
other instrument if u wish, check out some of the Gene videos he does an am=
azing job with it.=0Acheers=0ALuis=0Awww.myspace.com/luisangulocom=0A=0A=0A=
--- Ricky Graham <rock.guitar.guru@btinternet.com> schrieb am So, 2.8.2009:=
=0A=0A> Von: Ricky Graham <rock.guitar.guru@btinternet.com>=0A> Betreff: Re=
: Hi Loopers=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Sonntag=
, 2. August 2009, 11:49=0A> =0A> =0A>  =0A>  =0A> =0A> =0A>  =0A> I'd recom=
mend the Line=0A> 6 DL4. I started with it, =0A> and I still use it today.=
=0A> =A0=0A> Ricky=0A> =0A>   =A0=0A>   ----- Original Message=0A> ----- =
=0A>   From: =0A>   Petepong =0A>   Phasukyud =0A>   To: Loopers-Delight@lo=
opers-delight.com=0A> =0A>   =0A>   Sent: Sunday, August=0A> 02, 2009 6:12 =
=0A>   PM=0A>   Subject: Hi=0A> Loopers=0A>   =0A> =0A>   =0A>     =0A>    =
 =0A>       =0A> =0A> =0A> =0A>         =0A>           =0A>           =0A> =
            =0A>             =0A>               I'm a newbie looper interes=
ter.=0A> =0A> Now I'm =0A>                 looking for some looper to exper=
iment some=0A> voice (I'm a =0A>                 singer)=0A> =0A> I saw RC5=
0 , RC20 , Gibson EDP , Jamman , Akai =0A>                 Headrush E2=0A> =
=0A> I don't know which one suit for me.=0A> =0A> I =0A>                 ju=
st wanna get something not too expensive=0A> and can try many loop =0A>    =
             as I can (,y only instrument I'm gonna=0A> use is my voice) =
=0A>                 recording my songs - transfer to computer=0A> or recor=
d to computer. =0A>                 Haven't think too live performance=0A> =
yet.=0A> =0A> Can you guys =0A>                 suggest me? I have no idea =
=0A>           .=0A> =0A> Pete=0A> =0A> =0A> =0A>   =0A>   =0A> =0A>   =0A>=
 No virus found in this incoming message.=0A> Checked by AVG - =0A>   www.a=
vg.com =0A> Version: 8.5.392 / Virus Database: 270.13.41/2277 - Release=0A>=
 =0A>   Date: 08/02/09 05:56:00=0A>  =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 09:46:28 2009
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Date: Tue, 04 Aug 2009 11:50:24 +0200
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if you ever need a custom made case for wind instruments or anything 
else, check out howard wiseman's cases.
this man is a genius. he has a tetris kind of mind.
i just had my five flutes (from piccolo to contrabassflute) including 
stand fitted into a ridiulously small case.
i can carry it easily on my shoulder, so finally i could give my old 
tank of a flightcase a good kick into the corner
of my practice room (it's for sale, by the way - and cheap...).

here's the link: http://www.wisemancases.com/

tilmann


From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 09:59:00 2009
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Date: Tue, 4 Aug 2009 01:58:53 -0700 (PDT)
Subject: Re: anti-looper bigots / Miles & Teo
From: looppool@cruzio.com
To: "Rev Fever" <revfever@ubergadget.com>
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the Rev Fevers wrote:
"I wonder how they felt when they later found out that he and Teo Marcero
employed a lot of looping in the over all creation of Bitches Brew,etc.
Speaking of that, here is some inspirational reading.  Enjoy...

http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html


thanks for that, Rev.    On that same site is a wonderful interview with
Herbie Hancock about his time playing with Miles with some cool anecdotes.


Andy you know,  I"ve been thinking about this:

A lot of people have credited Miles (under the influence of Bill Evans)
for ushering in the
modal approach and, effectively putting a period on the post-bop movement.

His think was that is the band played modally that the soloist would then
have more freedom
to control the harmony (whereas before,  it was always the chordalists who
dictated the harmony to the soloists)

In a way,  by introducing tape loops on 'In a Silent Way'  (neglected as
the predecessor and I feel, the superior record to the more famous
"Bitches Brew")
he was doing the same thing to the percussionists.

By introducing a static loop that held down the groove,  in essence,  the
percussionists and drummers were free to explore more.

You really hear this too as the fusion movement came out of these records:
   percussion
became vastly more adventuresome,   especially in terms of the varied
timbres that multi-percussionists began to bring into the music.   
Texture became as important as rhythm or
style.

That's one of the things that I try to explain when I go to the fairly
conservative Percussion Arts Seminar annual conventions (called PASIC).   
Most people assume that a constantly repeating thing is a limitation, when
in reality it's amazingly liberating as a multi-instrumentalist or as
a multi-percussionist.

Typically, as a groove oriented drummer for most of my life, I have had to
hold down the fort with a groove.    I could hear amazing things in my
head as embellishments to the rhythm but , as I always told my students:
'There is the groove and there is commentary on the groove
and when you are commenting on the groove you are not playing the groove.'
  The only way to get around this successfully is to pay a groove for long
enough that when you veer from it with a fill or embellishment, that the
listener hears the groove continuing do to the depth of it's trance.

In successful pop drumming, as a rule,  you tend not to want to use any
more than a 1/16 ratio
of fill to groove.     And that's playing a lot of fills...........(that's
a one bar fill every four bars or
up to a one bar fill every sixteen bars,  which is pretty over the top in
a pop song).

So, yeah to Miles and Teo!!!!!      original jazz loopers!

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 10:05:40 2009
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Date: Tue, 4 Aug 2009 12:05:35 +0200
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Subject: Re: Sonuus Guitar to Midi
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 4, 2009 at 6:02 AM, Mech<mech@m3ch.net> wrote:
> I've had guitar- and wind-controllers since the '80s. =C2=A0And in terms =
of
> expressiveness, I really prefer both of them over traditional
> keyboard-controllers. =C2=A0There's an organic quality that's a lot more
> difficult to get if you're dealing with an interface that's not much more
> than a glorified set of buttons.


I too have owned a MIDI guitar since the 80's and an AKAI EWI4000s
since 2006. Needless to say I prefer the EWI for all synth playing.
Never use the MIDI guitar, except as electric guitar. When patching
around with MIDI arpeggiator stuff I rarely bother to turn on a piano
style keyboard because it is faster to simply play the notes on the
computer keyboard :-))

With Logic 9 you can pop in a mic and whistle a melody and have it
converted to MIDI - or push a button to have it chopped up into audio
samples and transformed into a sampler instrument patch plus a MIDI
sequence to drive sound. I generally think all kinds of cheating
inspires great music!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Tue, 4 Aug 2009 12:07:17 +0200
Message-ID: <66f9cc1e0908040307u66beed99o5f9f35e7ad5dd26a@mail.gmail.com>
Subject: Re: Sonuus Guitar to Midi
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 4, 2009 at 10:14 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> andy
> ps. =C2=A0Per, the Sonuus is *mono*

Oh, that's bad.

per

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 11:15:54 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RE: Boss looper contest in Germany
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Hi Luis

> I guess what turns me off about this boss loopers is the fuction of trying
> to correct your timing 

What do you mean with correcting your timing?
The only feature I'm aware of is quantize to another loop tempo.
But all other loopers have this feature, too.

best regards
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Re: Ustream show vid
Date: Tue, 4 Aug 2009 13:32:20 +0100
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From: "Jeff Duke" <jeff_d@embarqmail.com>
>I have posted this video of my Ustream show last Saturday. This is a low 
>quality screen capture from Ninjam tv. They had carried the show and when I 
>screwed up and didn't record it myself I obtained this.
> http://www.vimeo.com/5308400
>

Hi again folks,

Another nice piece.  I love the visuals, despite your apologizing for the
lo-fi effect it's not jerky visually either.  Gotta get my broadband above
its current state, hopefully this week!

Stephen Goodman
*
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman

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Subject: Re: anti-looper bigots / Miles & Teo
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looppool@cruzio.com wrote:
> the Rev Fevers wrote:
> "I wonder how they felt when they later found out that he and Teo Marcero
> employed a lot of looping in the over all creation of Bitches Brew,etc.
> Speaking of that, here is some inspirational reading.  Enjoy...
> 
> http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html
> 

The procedure as detailed there.

1) Session recorded
2) Whole session mixed down
3) Session edited to 8-9 minute masters (Teo + Miles)
4) Teo uses editing to repeat sections of the music to make a whole album.


> 
> Andy you know,  I"ve been thinking about this:
> 
> A lot of people have credited Miles (under the influence of Bill Evans)
> for ushering in the
> modal approach and, effectively putting a period on the post-bop movement.

Well, I'm never sure about "lot of people" type statements.
I'm more of a one piece of good evidence is all it needs kind
of a guy.

> 
> His think was that is the band played modally that the soloist would then
> have more freedom
> to control the harmony (whereas before,  it was always the chordalists who
> dictated the harmony to the soloists)

The ideal for bebop, afaik, is that the chordal accompanist listens
to how the soloist is treating the skeletal harmony of the chart and
comps accordingly.
Most of Kind of Blue is exactly that, but with the chord changes 
coming much slower. 
This was the important change
away from bebop chord prison... I couldn't say Miles was the first,
and he actually claims it's part of an existing trend on the Kind
of Blue sleeve notes.


> 
> In a way,  by introducing tape loops on 'In a Silent Way'  (neglected as
> the predecessor and I feel, the superior record to the more famous
> "Bitches Brew")
> he was doing the same thing to the percussionists.
> 
> By introducing a static loop that held down the groove,  in essence,  the
> percussionists and drummers were free to explore more.

Rev's link does not confirm the methodology for recording
that this suggests.

> 
> You really hear this too as the fusion movement came out of these records:

er...Zappa got there first. (others?)
Miles legitimised fusion, and helped it along.
Let's not let music critics re-write history.

I like Miles.
e.g. currently a band I'm in is Playing "Perfect Way"(from Tutu)
and I get to play a transcript of the trumpet melody/solo bit.
It's a really exciting piece to play.

...but I don't understand all these "Miles started...."
themes. There are a lot of supporters, but no evidence in
terms of recordings, anecdotes from players around at the
time, or even Davis' own claims (too modest?).
If you want to prove Mingus was influenced by Coleman, then
Eric Dolphy described being bundled into Mingus' car, driven
to a Coleman gig and asked to play in that style. 
It's possible to listen to the relevant albums and hear
how that worked out.

Why not just credit Miles for a great contribution?


>    percussion
> became vastly more adventuresome,   especially in terms of the varied
> timbres that multi-percussionists began to bring into the music.   
> Texture became as important as rhythm or
> style.

ok people.. Rick's well into his second expresso today :-)
just sit back and enjoy


> That's one of the things that I try to explain when I go to the fairly
> conservative Percussion Arts Seminar annual conventions (called PASIC).   
> Most people assume that a constantly repeating thing is a limitation, when
> in reality it's amazingly liberating as a multi-instrumentalist or as
> a multi-percussionist.
> 
> Typically, as a groove oriented drummer for most of my life, I have had to
> hold down the fort with a groove.    I could hear amazing things in my
> head as embellishments to the rhythm but , as I always told my students:
> 'There is the groove and there is commentary on the groove
> and when you are commenting on the groove you are not playing the groove.'
>
>   The only way to get around this successfully is to pay a groove for long
> enough that when you veer from it with a fill or embellishment, that the
> listener hears the groove continuing due to the depth of it's trance.
> 
> In successful pop drumming, as a rule,  you tend not to want to use any
> more than a 1/16 ratio
> of fill to groove.     And that's playing a lot of fills...........(that's
> a one beat fill every four bars or
> up to a one bar fill every sixteen bars,  which is pretty over the top in
> a pop song).
> 
> So, yeah to Miles and Teo!!!!!      original jazz loopers!
> 

andy

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Date: Tue, 4 Aug 2009 09:04:40 -0400
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Subject: Re: anti-looper bigots / Miles & Teo
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Thanks for that link, Rev...


I produced a record this year for Jazz Guitarist Ray Gehring, and 
while I was sorting through the takes, I was struck by how "In a 
Silent way" the vibe was, somehow I couldn't locate my copy of that 
Miles record, so I went down to the east village to Norman's records 
and I found a 3 disk set of the complete "Silent Way" sessions... 
wow... My favorite Miles Davis record in the flesh, so to speak.... 
Then I spied a 4 disk set of "Bitches Brew" , often considered to be 
the 'best' Miles record.. I'd never even heard it... I'd avoided 
hearing it because it was so hyped and I wanted to avoid the big 
letdown...

OK,  I put on Bitches Brew and I had the most transporting musical 
experience I've had in decades... wow..  I noticed all of the edits 
and repeated passages (looping, if you will allow the comparison...), 
I thought that the production of this record had more in common with 
Hip Hop than with smug, snooty "Jazz" records and I LOVED IT...

  Nice work Teo....




>On Aug 3, 2009, at 6:41 PM, Jeff Duke wrote:
>
>>Don't forget the beating Miles Davis took from the purists when he 
>>went electric!
>>
>>Jeff
>>
>
>I wonder how they felt when they later found out that he and Teo 
>Marcero employed a lot of looping in the over all creation of 
>Bitches Brew,etc.
>
>Speaking of that, here is some inspirational reading.  Enjoy...
>
><http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html>http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html
>
>Cheers,
>Rev Fever
><http://www.spiritone.com/~rvfever/>http://www.spiritone.com/~rvfever/


-- 
...
http://www.zmix.net
--============_-962731412==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: anti-looper bigots / Miles &amp;
Teo</title></head><body>
<div>Thanks for that link, Rev...</div>
<div><br></div>
<div><br></div>
<div>I produced a record this year for Jazz Guitarist Ray Gehring, and
while I was sorting through the takes, I was struck by how &quot;In a
Silent way&quot; the vibe was, somehow I couldn't locate my copy of
that Miles record, so I went down to the east village to Norman's
records and I found a 3 disk set of the complete &quot;Silent Way&quot;
sessions... wow... My favorite Miles Davis record in the flesh, so to
speak....&nbsp; Then I spied a 4 disk set of &quot;Bitches Brew&quot;
, often considered to be the 'best' Miles record.. I'd never even
heard it... I'd avoided hearing it because it was so hyped and I
wanted to avoid the big letdown...&nbsp; </div>
<div><br></div>
<div>OK,&nbsp; I put on Bitches Brew and I had the most transporting
musical experience I've had in decades... wow..&nbsp; I noticed all of
the edits and repeated passages (looping, if you will allow the
comparison...),&nbsp; I thought that the production of this record had
more in common with Hip Hop than with smug, snooty &quot;Jazz&quot;
records and I LOVED IT...</div>
<div><br></div>
<div>&nbsp;Nice work Teo....</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>On Aug 3, 2009, at 6:41 PM, Jeff Duke
wrote:</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite><font face="Arial" size="-1">Don't forget
the beating Miles Davis took from the purists when he went
electric!</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1">Jeff</font><br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I wonder how they felt when they later
found out that he and Teo Marcero employed a lot of looping in the
over all creation of Bitches Brew,etc.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Speaking of that, here is some
inspirational reading. &nbsp;Enjoy...</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><a
href=
"http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html"
>http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-d<span
></span>avis.html</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Cheers,</blockquote>
<blockquote type="cite" cite>Rev Fever</blockquote>
<blockquote type="cite" cite><a
href="http://www.spiritone.com/~rvfever/"
>http://www.spiritone.com/~rvfever/</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-962731412==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 13:17:15 2009
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Subject: Re: anti-looper bigots / Miles & Teo
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Hi Andy,

  Are you aware that "Perfect Way" is a cover of a Scritti Politti 
song?  Marcus Miller played bass (slaps and pops as fills mostly) on 
the original and Miles played a solo on their follow up album 
"Provision"

http://www.last.fm/music/Scritti+Politti/_/Perfect+Way

http://www.last.fm/music/Scritti+Politti/_/Oh+Patti++%28Don%27t+Feel+Sorry+For+Loverboy%29



>looppool@cruzio.com wrote:
>
>I like Miles.
>e.g. currently a band I'm in is Playing "Perfect Way"(from Tutu)
>and I get to play a transcript of the trumpet melody/solo bit.
>It's a really exciting piece to play.
>
>...but I don't understand all these "Miles started...."
>themes. There are a lot of supporters, but no evidence in
>terms of recordings, anecdotes from players around at the
>time, or even Davis' own claims (too modest?).
>If you want to prove Mingus was influenced by Coleman, then
>Eric Dolphy described being bundled into Mingus' car, driven
>to a Coleman gig and asked to play in that style. It's possible to 
>listen to the relevant albums and hear
>how that worked out.
>
>Why not just credit Miles for a great contribution?

-- 
...
http://www.zmix.net

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Subject: Re: anti-looper bigots / Miles & Teo
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If I had to choose just one desert island disk, it would certainly be
In a Silent Way.

Just sayin'.

Warren

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 13:33:43 2009
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Date: Tue, 4 Aug 2009 15:33:42 +0200
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Subject: Re: anti-looper bigots / Miles & Teo
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 4, 2009 at 3:04 PM, andy butler<akbutler@tiscali.co.uk> wrote:
>> the Rev Fevers wrote:
>> "I wonder how they felt when they later found out that he and Teo Marcer=
o
>> employed a lot of looping in the over all creation of Bitches Brew,etc.
>> Speaking of that, here is some inspirational reading. =C2=A0Enjoy...
>>
>>
>> http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis=
.html


I've started noticing those things just lately but when I bought
Bitches Brew in the mid seventies I had no idea it was spliced
together in that way. I didn't start in recording myself until 1980,
as I also got into rudimentary livelooping. Today the method Teo used
is what we all do when recording and editing on a DAW. Now I need to
copy the Bitches Brew to the iPod and enjoy some more listening to it.
Thanks fro the link, Rev.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 13:56:11 2009
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Date: Tue, 04 Aug 2009 15:56:08 +0200
From: "Omid Shirazi" <ja-hochzeit@gmx.de>
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Subject: Re: Best Vocal Looper Beginner Suggestion please...
To: Loopers-Delight@loopers-delight.com
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Hi,

independent from looper be sure to try "VoiceLive2" from TC helicon.
So if you are into vocal jamming.

You will love it:)
Greetz from Germany,
Omid

-------- Original-Nachricht --------
> Datum: Tue, 4 Aug 2009 01:48:53 -0700 (PDT)
> Von: Petepong Phasukyud <petexhunter@yahoo.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Best Vocal Looper Beginner Suggestion please...

> I fall in love with the LOOP things after watch some youtubes. I wanna use
> it with my voice, only voice no other instument.
> 
> Then, I found this social! hahaha
> 
> So, I wanna testing some of it. However in Thailand there's only Boss -
> ex.RC-50 RC20XL
> and Digitech Jamman to try in the shop
> 
> I don't wanna get too advance gear but if it's worth for creating loops
> and maybe live performance, I will. 
> 
> Gibson EDP will be my top list but just only it's a bit expensive for
> beginner like me who's not that sure about looping life that much
> and I'm wonder if it's too advance or complicate than RC-50 or JAMMAN or
> not. (I prefer Jamman if compare to RC20XL just because of the XLR for
> microphone)
> 
> about the RC-20 and Akai Headrush I've read many review and it's not so
> suitable with the vocal looper? Are they right?
> 
> or I should try these 2 little gears before purchase EDP?
> 
> damn,I don't know which one suit for me.
> 
> Can you guys suggest me?
> 
> Pete ,  Bangkok
> 
> P.S.I try to figure used stuff from ebay, craiglist,yahoo Is there
> anywhere I can find in cyber? I have friend in Chicago and Indiana.
> 
> 
> 
>       

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 14:02:37 2009
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Date: Tue, 04 Aug 2009 16:02:32 +0200
From: "Omid Shirazi" <ja-hochzeit@gmx.de>
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Subject: Re: anti-looper bigots
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Mmmh, do it like Dalai Lama:

Taliban exploded a Buddha-statue in Afganistan. What was his reaction?

He smiled.

You are multiplying yourself by looping. If you are good, the product is good, if not...not:)

So what is the problem?
Omid


-------- Original-Nachricht --------
> Datum: Mon, 3 Aug 2009 16:06:22 -0700 (PDT)
> Von: K D Patten <kdpatten@yahoo.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: anti-looper bigots

>  OK... My Looping friends......tell me some story's.....i just got
> trashed by some acoustic purists at a gig because of my looping....evidently
> because i loop it disqualifies me as a "real" player.....I'd like to hear your
> experiences with this kind of bigot
> 
> Kyle 
> 
> http://www.cdbaby.com/cd/kdpatten 
> http://www.myspace.com/kyledeanpatten          
> 
> 
> 

-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

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Hi Omid

can you tell a bit more about it?
Is it worth it if you are not interested in the Harmonization?

best regards
Buzap

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Date: Tue, 4 Aug 2009 17:48:53 +0300
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Subject: Re: past/coming up virtual gigspam: live on uStream - Sunday Morning 
	at 11 August 9
From: Milo <milo.vuc@gmail.com>
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Does ustream.tv pay you to use the music and the videos? Or do they
get it for free?


On 8/4/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> I just finished posting archive highlights from my July 26th live uStream
> webcast *Sunday Morning at 11*.  This one was my most 'looped' show to date.
>  The clips are up on my showpage at
> http://www.ustream.tv/channel/Sunday-Morning-at-11.
>
> Also, this weekend *Sunday, August 9, at 2pm EST*, I'm doing the next
> episode of *Sunday Morning at **11*, this one
> special in that it's going to be another duo show.
>  In addition to Chinapainting, I have a secondary
> duo project called East of Where with drummer/'found' percussionist *
> Will Romano*.  I've worked with Will since we met in 2000.  East of
> Where<http://www.myspace.com/eastofwhere> has grown/shrunk since then
> and has steadily evolved
> to a improvisatory duo since 2004.  Will performed with me at
> the Boise Experimental Music Festival as a Kyber performer in 2008, has
> guested with Daryl and I in Chinapainting and appeared on
> the recent CT-Collective project CD ReUse <http://www.myspace.com/ctreuse>.
>  Will is also a music journalist having authored two excellent bioographies
> on Back Beat press, one on bluesman Hubert
> Sumlin<http://www.amazon.com/Incurable-Blues-Troubles-Triumph-Legend/dp/0879308338/ref=sr_1_1?ie=UTF8&qid=1249377386&sr=8-1>and
> the other on legendary Jimmy
> Reed<http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=sr_1_1?ie=UTF8&qid=1249377499&sr=8-1>
> .
>
> Please note that due to scheduling and logistics we will be doing this
> episode of Sunday morning in the afternoon instead of it's regular
> latter morning time.  Also due to conflicting with friend/fellow LD'er
> Matt [Stevens] set, we will be doing our uStream set at 2pm EST.  So
> here in the northeastern timezone catch us at 2pm then stick around
> for Matt at 3pm.
>
> Show times around the globe for Sunday Morning are *
> 11am PST, 12pm MST, 1pm CST, **2pm EST**
> , 7pm UK, 8pm western Europe, 3am Japan*.  For exact times check
> http://www.timeanddate.com/worldclock/
>
> Thanks and we look forward to 'connecting' with you this Sunday at 2pm EST.
>
> Jim
>
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>

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Date: Tue, 4 Aug 2009 17:42:33 +0300
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Subject: Re: anti-looper bigots
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You got trashed because you didn't protect yourself. Next time, smile
and walk away. Let them keep their big truths to themselves. If
someone opens his mouth and starts explaining to you what you do right
and what you ro wrong with your art, with your life, it is time to go.
Let him talk to himself. He will not mind, he will not be offended.
These kind of people talk to themselves even when they appear to be
talking to someone else. It is like TV shows.

On 8/4/09, K D Patten <kdpatten@yahoo.com> wrote:
>  OK... My Looping friends......tell me some story's.....i just got trashed
> by some acoustic purists at a gig because of my looping....evidently because
> i loop it disqualifies me as a "real" player.....I'd like to hear your
> experiences with this kind of bigot
>
> Kyle
>
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten

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	 <3f8d9ee60908040742u234b1b2bg831cc99b1758a09c@mail.gmail.com>
Date: Tue, 4 Aug 2009 08:00:52 -0700
Message-ID: <bcd3c7bb0908040800i56cc7705x35a8a9cbcceebe93@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Mark Sottilaro <zerocrossing@gmail.com>
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Awesome.

On Tue, Aug 4, 2009 at 7:42 AM, Milo<milo.vuc@gmail.com> wrote:
> You got trashed because you didn't protect yourself. Next time, smile
> and walk away. Let them keep their big truths to themselves. If
> someone opens his mouth and starts explaining to you what you do right
> and what you ro wrong with your art, with your life, it is time to go.
> Let him talk to himself. He will not mind, he will not be offended.
> These kind of people talk to themselves even when they appear to be
> talking to someone else. It is like TV shows.

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Date: Tue, 4 Aug 2009 17:46:44 +0300
Message-ID: <3f8d9ee60908040746l191212cas7471e7ae2c00f66c@mail.gmail.com>
Subject: Re: OT: cases
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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So what do you use to carry your looping equipment?

On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> if you ever need a custom made case for wind instruments or anything
> else, check out howard wiseman's cases.
> this man is a genius. he has a tetris kind of mind.
> i just had my five flutes (from piccolo to contrabassflute) including
> stand fitted into a ridiulously small case.
> i can carry it easily on my shoulder, so finally i could give my old
> tank of a flightcase a good kick into the corner
> of my practice room (it's for sale, by the way - and cheap...).
>
> here's the link: http://www.wisemancases.com/
>
> tilmann
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:03:51 2009
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Date: Tue, 04 Aug 2009 17:03:46 +0200
From: "Omid Shirazi" <ja-hochzeit@gmx.de>
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 <20090804135608.160720@gmx.net> <20090804142937.96510@gmx.net>
Subject: Re: Best Vocal Looper Beginner Suggestion please...
To: Loopers-Delight@loopers-delight.com
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Yes, it is a vocal optimized fx-unit.
incl. adaptive comp + eq, reverb, delay, microtime-fx (flanger etc.) and filters.
Specially the comp and eq unit is pushing your vocals to the front.

You can have a look hier:
http://www.tc-helicon.com/voicelive2.asp?video=voicelive2/voicelive2_10presets.flv

best,
Omid

-------- Original-Nachricht --------
> Datum: Tue, 04 Aug 2009 16:29:37 +0200
> Von: "Buzap Buzap" <buzap@gmx.net>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Best Vocal Looper Beginner Suggestion please...

> Hi Omid
> 
> can you tell a bit more about it?
> Is it worth it if you are not interested in the Harmonization?
> 
> best regards
> Buzap
> 
> -- 
> Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
> für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:09:39 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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Subject: Re: OT: cases
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On this note, I'm looking for a case for a 1/2 U audio interface. RME 
Fireface 400. Does anyone know of anything that will fit this unit?

Cheers,

Ricky

----- Original Message ----- 
From: "Milo" <milo.vuc@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 3:46 PM
Subject: Re: OT: cases


> So what do you use to carry your looping equipment?
>
> On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>> if you ever need a custom made case for wind instruments or anything
>> else, check out howard wiseman's cases.
>> this man is a genius. he has a tetris kind of mind.
>> i just had my five flutes (from piccolo to contrabassflute) including
>> stand fitted into a ridiulously small case.
>> i can carry it easily on my shoulder, so finally i could give my old
>> tank of a flightcase a good kick into the corner
>> of my practice room (it's for sale, by the way - and cheap...).
>>
>> here's the link: http://www.wisemancases.com/
>>
>> tilmann
>>
>>
>>
>


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05:57:00

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Date: Tue, 4 Aug 2009 08:09:55 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: anti-looper bigots
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Aren't you known as "Mr. Rude"? :)

--- On Mon, 8/3/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Date: Monday, August 3, 2009, 7:25 PM


Oh man, I used to get crap all the time.=A0 I have to admit I'd kind of
invite it though, but creating some crazy complex loop and then
putting down my guitar and walking away to sit in the audience for a
bit.=A0 Someone would always say, "Wait, you're not playing that?!" and
I'd reply, "well not any more I'm not."

Tons of times I get people coming right up to me and starting
conversations because they think I'd DJing it or something.=A0 This is
even pre laptop.=A0 Usually nerdy guys who want to talk about what gear
I'm using.

Not quite looping (though he used a looper) my friend Gary used to
feed samples from a laptop into a JamMan.=A0 During a performance at a
sculpture space a woman came up to him and mid performance loudly
said, "Oh is this all prerecorded?!"=A0 He politely tried to respond,
but I think I yelled back at her and made her go away. She called me
rude, but I invited her to consider what's ruder, being chased away
from performers or pestering performers during a performance. Funny.

On Mon, Aug 3, 2009 at 4:06 PM, K D Patten<kdpatten@yahoo.com> wrote:
> =A0OK... My Looping friends......tell me some story's.....i just got tras=
hed
> by some acoustic purists at a gig because of my looping....evidently beca=
use
> i loop it disqualifies me as a "real" player.....I'd like to hear your
> experiences with this kind of bigot
>
> Kyle
>
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>
>
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Aren't you known as "Mr. Rude"? :)<BR><BR>---=
 On <B>Mon, 8/3/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.com&gt;</I></B=
> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: anti-looper bigots<BR>To: Loopers-Delight@loopers-deligh=
t.com<BR>Date: Monday, August 3, 2009, 7:25 PM<BR><BR>
<DIV class=3DplainMail>Oh man, I used to get crap all the time.&nbsp; I hav=
e to admit I'd kind of<BR>invite it though, but creating some crazy complex=
 loop and then<BR>putting down my guitar and walking away to sit in the aud=
ience for a<BR>bit.&nbsp; Someone would always say, "Wait, you're not playi=
ng that?!" and<BR>I'd reply, "well not any more I'm not."<BR><BR>Tons of ti=
mes I get people coming right up to me and starting<BR>conversations becaus=
e they think I'd DJing it or something.&nbsp; This is<BR>even pre laptop.&n=
bsp; Usually nerdy guys who want to talk about what gear<BR>I'm using.<BR><=
BR>Not quite looping (though he used a looper) my friend Gary used to<BR>fe=
ed samples from a laptop into a JamMan.&nbsp; During a performance at a<BR>=
sculpture space a woman came up to him and mid performance loudly<BR>said, =
"Oh is this all prerecorded?!"&nbsp; He politely tried to respond,<BR>but I=
 think I yelled back at her and made her go away. She called
 me<BR>rude, but I invited her to consider what's ruder, being chased away<=
BR>from performers or pestering performers during a performance. Funny.<BR>=
<BR>On Mon, Aug 3, 2009 at 4:06 PM, K D Patten&lt;<A href=3D"http://us.mc11=
02.mail.yahoo.com/mc/compose?to=3Dkdpatten@yahoo.com" ymailto=3D"mailto:kdp=
atten@yahoo.com">kdpatten@yahoo.com</A>&gt; wrote:<BR>&gt; &nbsp;OK... My L=
ooping friends......tell me some story's.....i just got trashed<BR>&gt; by =
some acoustic purists at a gig because of my looping....evidently because<B=
R>&gt; i loop it disqualifies me as a "real" player.....I'd like to hear yo=
ur<BR>&gt; experiences with this kind of bigot<BR>&gt;<BR>&gt; Kyle<BR>&gt;=
<BR>&gt; <A href=3D"http://www.cdbaby.com/cd/kdpatten" target=3D_blank>http=
://www.cdbaby.com/cd/kdpatten</A><BR>&gt; <A href=3D"http://www.myspace.com=
/kyledeanpatten" target=3D_blank>http://www.myspace.com/kyledeanpatten</A><=
BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></DIV></BLOCKQUOTE></td></tr></table=
><br>=0A=0A      
--0-610446792-1249398595=:69360--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:37:20 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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References: <000b01c9f669$e035a1e0$d5852245@YOUR08D5303051> <117653A7A73F479888D7CF6EF911C391@eluk1>
Subject: Re: Ustream show vid
Date: Tue, 4 Aug 2009 11:39:02 -0400
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Thanks Stephen,
I am looking forward to your going "live"! One tip, if you use an outboard 
webcam be sure and plug it into a usb 2.0 port. I got very jerky video until 
I realized the the usb on the front of my machine was 1.0 with the 4 2.0s on 
the back. :) I actually took the first camera back and then had to go buy it 
again when I realized what was up with that. You can then get smooth video 
at even low bitrates.

peace,

Jeff

----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 8:32 AM
Subject: Re: Ustream show vid


> From: "Jeff Duke" <jeff_d@embarqmail.com>
>>I have posted this video of my Ustream show last Saturday. This is a low 
>>quality screen capture from Ninjam tv. They had carried the show and when 
>>I screwed up and didn't record it myself I obtained this.
>> http://www.vimeo.com/5308400
>>
>
> Hi again folks,
>
> Another nice piece.  I love the visuals, despite your apologizing for the
> lo-fi effect it's not jerky visually either.  Gotta get my broadband above
> its current state, hopefully this week!
>
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:44:12 2009
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Subject: Re: Sonuus Guitar to Midi
Date: Tue, 4 Aug 2009 17:34:25 +0200
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Thanks to you all for suggestions.
You get it to the point, Mark: "Everything else just makes me feel like the
MIDI guitar is playing me."
That´s exactly how I feel when using it.
But I will check Per Boysen´s , yours and Mech´s suggestions. Will first try
switching the
keyboard to monophonic and pitch bend to zero.
Thanks for your help!
Christo
----- Original Message -----
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 03, 2009 8:47 PM
Subject: Re: Sonuus Guitar to Midi


Of all the guitar synth experiences I've ever had, the only one I
still use and enjoy is using Line6's POD Farm and it's synth models.
Everything else just makes me feel like the MIDI guitar is playing me.
For triggering everything else I find an actual midi keyboard to be
worlds better.  Almost as if it were designed for it from the start.
;)

On Mon, Aug 3, 2009 at 11:04 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de> wrote:
>> Maybe it´s ok with playing short notes but if using synth pads with a
quite
>> long
>> release, those spheric sounds, it sounds awful with the wrong notes...
>
>
> I played guitar with MIDI synth modules in a band and used the trick
> to set each string to a unique MIDI channel and set the synth to
> monophonic playback on each channel. This means every new note I play
> on a string will mute whatever other note might have been triggered
> from that string. It becomes easy to correct just one string in a
> chord if you should get a "wrong note". And I also disabled pitch bend
> on my synth patches.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:44:13 2009
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Subject: Re: Sonuus Guitar to Midi
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Is Line 6´s POD having synth models? Didn´t know.
Maybe it´s some compromise kinda synths like in
my Boss-GT 8. They sound like crap.

----- Original Message -----
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 03, 2009 8:47 PM
Subject: Re: Sonuus Guitar to Midi


Of all the guitar synth experiences I've ever had, the only one I
still use and enjoy is using Line6's POD Farm and it's synth models.
Everything else just makes me feel like the MIDI guitar is playing me.
For triggering everything else I find an actual midi keyboard to be
worlds better.  Almost as if it were designed for it from the start.
;)

On Mon, Aug 3, 2009 at 11:04 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de> wrote:
>> Maybe it´s ok with playing short notes but if using synth pads with a
quite
>> long
>> release, those spheric sounds, it sounds awful with the wrong notes...
>
>
> I played guitar with MIDI synth modules in a band and used the trick
> to set each string to a unique MIDI channel and set the synth to
> monophonic playback on each channel. This means every new note I play
> on a string will mute whatever other note might have been triggered
> from that string. It becomes easy to correct just one string in a
> chord if you should get a "wrong note". And I also disabled pitch bend
> on my synth patches.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


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Subject: Re: Sonuus Guitar to Midi
Date: Tue, 4 Aug 2009 17:44:39 +0200
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Not sure if I understand what you mean, Andy.
But will play around with all these options with semitones
and pitch bend etc.
You´re probably right when saying I have to learn to damp the other 5
strings.
But that probably keeps me from a relaxed way of playing...
Christo

----- Original Message -----
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 10:14 AM
Subject: Re: Sonuus Guitar to Midi


> Christo Jota wrote:
> > About 10 days ago I got a Sonuus G2M - Guitar to midi converter
> > (monophonic).
> > My impressions after checking it out are:
> > The fast, accurate not tracking which is advertised in the manual is not
> > possible. I mainly use it for soft snyth-sounds . Not for fast playing
> > notes.
> > Just to give my guitar playing a smooth backing sound. Like a melotron
etc.
> > But even with that you have to concentrate a lot on playing very
accurate.
> > Otherwise you hear wrong notes very soon
>
> The Sonuus isn't the fastest tracking device around, but it's very
playable,
> and is exceptionally glitch resistant.
>
> I'm afraid you just have to learn to damp the other 5 strings while
> playing a note if you want it to behave.
>
> You could always attach some sort of mechanical damping at the nut
> to stop the open strings ringing in the same way that the guys
> who do 2 handed tapping do.
>
>
> >
> > I also checked the pitch-bend advise from the manual, but it didn´t
help:
> > " to ensure that the midi sounds are correctly in tune
> > with the guitar, you have to ensure the Midi patch is set to a
pitch-bend
> > range of + - 2 semitones."
>
> "set the pitch bend range in your  *synth* to 2 semitones".
>
> If you've been using those patches with another midi controller,
> likely they'll be set to 12 semitones.
>
> ...and any note bend would be exaggerated by 6x
>
> That's a drawback with the simplicity of the Sonuus, because pitch
> bend is 2 semitones it means if you bend a note *just* past that limit
> you get a re-trigger.
>
>
> andy
> ps.  Per, the Sonuus is *mono*
>
>
>
>
>

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Subject: Re: Sonuus Guitar to Midi
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Thanks. Will check this out first.
Set the Synth to mono play mode and disable pitch bend.

----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 03, 2009 8:04 PM
Subject: Re: Sonuus Guitar to Midi


On Mon, Aug 3, 2009 at 7:48 PM, Christo Jota<chris@christojota.de> wrote:
> Maybe itÂ´s ok with playing short notes but if using synth pads with a
quite
> long
> release, those spheric sounds, it sounds awful with the wrong notes...


I played guitar with MIDI synth modules in a band and used the trick
to set each string to a unique MIDI channel and set the synth to
monophonic playback on each channel. This means every new note I play
on a string will mute whatever other note might have been triggered
from that string. It becomes easy to correct just one string in a
chord if you should get a "wrong note". And I also disabled pitch bend
on my synth patches.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:51:51 2009
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	 <750408.69360.qm@web110213.mail.gq1.yahoo.com>
Date: Tue, 4 Aug 2009 17:51:50 +0200
Message-ID: <66f9cc1e0908040851v7f0f2d0dtd6149dff37d490b7@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Aug 4, 2009 at 5:09 PM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> On Mon, Aug 3, 2009 at 4:06 PM, K D Patten<kdpatten@yahoo.com> wrote:
>> =C2=A0OK... My Looping friends......tell me some story's.....i just got =
trashed
>

I played "experimental and totally improvised music" at a
"Singer/songwriter's Night" at a local beer house,  using tenor sax
for livelooping. To my ears everyone else there tried to mimic some
well known country artist I don't know the name of. I thought they
should start throwing ashtrays and beer cans at me as I started to
squeal and scramble on stage but it appeared about half of them
appreciated my gig as "very, very different" while the other half
thought I had been acting out to a pre recorded CD and they simply
accepted "not understanding this art form". One guy said to me he did
not like what I was doing but was glad anyway having witnessed "the
most strange stuff so far".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 15:53:18 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: anti-looper bigots / Miles & Teo
References: <20090804083434.478403BED9@arsenic.violacea.com> <cd78494b54c3a77821b4da9a0df8bd60.squirrel@cruziomail.cruzio.com> <4A7831EC.500@tiscali.co.uk> <p06240802c69de3ffb320@[192.168.15.2]>
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LOL

I am now!

many thanks

compare a Miles' live version, similar to the one
I was given to describe.

http://www.youtube.com/watch?v=7hs-Ic-VobY

andy

Charles Zwicky wrote:
> Hi Andy,
> 
>  Are you aware that "Perfect Way" is a cover of a Scritti Politti song?  
> Marcus Miller played bass (slaps and pops as fills mostly) on the 
> original and Miles played a solo on their follow up album "Provision"
> 
> http://www.last.fm/music/Scritti+Politti/_/Perfect+Way
> 

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Date: Tue, 4 Aug 2009 18:05:12 +0200
Message-ID: <66f9cc1e0908040905u31cb3de5nc2db232530a5d2d6@mail.gmail.com>
Subject: Re: OT: cases
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Aug 4, 2009 at 5:09 PM, Ricky
Graham<rock.guitar.guru@btinternet.com> wrote:
> On this note, I'm looking for a case for a 1/2 U audio interface. RME
> Fireface 400. Does anyone know of anything that will fit this unit?

I often use that box and it fits perfectly into a big leg pocket if
going with an aircraft (helping you to stay free from over weight
fees). On the ground I just put some Bubble Wrapper around and fit it
it into my Peli case with the rest of my gear. The Peli case seems non
destructible.

If using a classic rack (I did back in the hardware days with EDP and
Repeaters) you can mount the RME in a half wide one unit rack space
slot. Back then I had a Lexicon multi effect of the same half-wide
size and used a special "half-wide car" mounted in the rack to hold
the unit firmly.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 16:13:52 2009
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Date: Tue, 4 Aug 2009 12:13:40 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: anti-looper bigots / Miles & Teo
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Nice!  They've really sped it up....!

>LOL
>
>I am now!
>
>many thanks
>
>compare a Miles' live version, similar to the one
>I was given to describe.
>
>http://www.youtube.com/watch?v=7hs-Ic-VobY
>
>andy
>
>Charles Zwicky wrote:
>>Hi Andy,
>>
>>  Are you aware that "Perfect Way" is a cover of a Scritti Politti 
>>song?  Marcus Miller played bass (slaps and pops as fills mostly) 
>>on the original and Miles played a solo on their follow up album 
>>"Provision"
>>
>>http://www.last.fm/music/Scritti+Politti/_/Perfect+Way


-- 
...
http://www.zmix.net

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Date: Tue, 4 Aug 2009 12:23:28 -0400
Message-ID: <9e0440a60908040923v48442f3cn4d2963f1bd553800@mail.gmail.com>
Subject: Re: past/coming up virtual gigspam: live on uStream - Sunday Morning 
	at 11 August 9
From: Jim Goodin <jimgoodinmusic@gmail.com>
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they get it for free

On Tue, Aug 4, 2009 at 10:48 AM, Milo <milo.vuc@gmail.com> wrote:

> Does ustream.tv pay you to use the music and the videos? Or do they
> get it for free?
>
>
> On 8/4/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> > I just finished posting archive highlights from my July 26th live uStream
> > webcast *Sunday Morning at 11*.  This one was my most 'looped' show to
> date.
> >  The clips are up on my showpage at
> > http://www.ustream.tv/channel/Sunday-Morning-at-11.
> >
> > Also, this weekend *Sunday, August 9, at 2pm EST*, I'm doing the next
> > episode of *Sunday Morning at **11*, this one
> > special in that it's going to be another duo show.
> >  In addition to Chinapainting, I have a secondary
> > duo project called East of Where with drummer/'found' percussionist *
> > Will Romano*.  I've worked with Will since we met in 2000.  East of
> > Where<http://www.myspace.com/eastofwhere> has grown/shrunk since then
> > and has steadily evolved
> > to a improvisatory duo since 2004.  Will performed with me at
> > the Boise Experimental Music Festival as a Kyber performer in 2008, has
> > guested with Daryl and I in Chinapainting and appeared on
> > the recent CT-Collective project CD ReUse <
> http://www.myspace.com/ctreuse>.
> >  Will is also a music journalist having authored two excellent
> bioographies
> > on Back Beat press, one on bluesman Hubert
> > Sumlin<
> http://www.amazon.com/Incurable-Blues-Troubles-Triumph-Legend/dp/0879308338/ref=sr_1_1?ie=UTF8&qid=1249377386&sr=8-1
> >and
> > the other on legendary Jimmy
> > Reed<
> http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=sr_1_1?ie=UTF8&qid=1249377499&sr=8-1
> >
>  > .
> >
> > Please note that due to scheduling and logistics we will be doing this
> > episode of Sunday morning in the afternoon instead of it's regular
> > latter morning time.  Also due to conflicting with friend/fellow LD'er
> > Matt [Stevens] set, we will be doing our uStream set at 2pm EST.  So
> > here in the northeastern timezone catch us at 2pm then stick around
> > for Matt at 3pm.
> >
> > Show times around the globe for Sunday Morning are *
> > 11am PST, 12pm MST, 1pm CST, **2pm EST**
> > , 7pm UK, 8pm western Europe, 3am Japan*.  For exact times check
> > http://www.timeanddate.com/worldclock/
> >
> > Thanks and we look forward to 'connecting' with you this Sunday at 2pm
> EST.
> >
> > Jim
> >
> > ReUse, an introspective textural aural
> > www.myspace.com/CtReUse
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a7e87d62010470534e95
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

they get it for free<br><br>
<div class=3D"gmail_quote">On Tue, Aug 4, 2009 at 10:48 AM, Milo <span dir=
=3D"ltr">&lt;<a href=3D"mailto:milo.vuc@gmail.com">milo.vuc@gmail.com</a>&g=
t;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Does <a href=3D"http://ustream.t=
v/" target=3D"_blank">ustream.tv</a> pay you to use the music and the video=
s? Or do they<br>
get it for free?<br>
<div class=3D"im"><br><br>On 8/4/09, Jim Goodin &lt;<a href=3D"mailto:jimgo=
odinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>&gt; I just=
 finished posting archive highlights from my July 26th live uStream<br>&gt;=
 webcast *Sunday Morning at 11*. =A0This one was my most &#39;looped&#39; s=
how to date.<br>
&gt; =A0The clips are up on my showpage at<br>&gt; <a href=3D"http://www.us=
tream.tv/channel/Sunday-Morning-at-11" target=3D"_blank">http://www.ustream=
.tv/channel/Sunday-Morning-at-11</a>.<br>&gt;<br>&gt; Also, this weekend *S=
unday, August 9, at 2pm EST*, I&#39;m doing the next<br>
&gt; episode of *Sunday Morning at **11*, this one<br>&gt; special in that =
it&#39;s going to be another duo show.<br>&gt; =A0In addition to Chinapaint=
ing, I have a secondary<br>&gt; duo project called East of Where with drumm=
er/&#39;found&#39; percussionist *<br>
&gt; Will Romano*. =A0I&#39;ve worked with Will since we met in 2000. =A0Ea=
st of<br></div>&gt; Where&lt;<a href=3D"http://www.myspace.com/eastofwhere"=
 target=3D"_blank">http://www.myspace.com/eastofwhere</a>&gt; has grown/shr=
unk since then<br>

<div class=3D"im">&gt; and has steadily evolved<br>&gt; to a improvisatory =
duo since 2004. =A0Will performed with me at<br>&gt; the Boise Experimental=
 Music Festival as a Kyber performer in 2008, has<br>&gt; guested with Dary=
l and I in Chinapainting and appeared on<br>
</div>&gt; the recent CT-Collective project CD ReUse &lt;<a href=3D"http://=
www.myspace.com/ctreuse" target=3D"_blank">http://www.myspace.com/ctreuse</=
a>&gt;.<br>
<div class=3D"im">&gt; =A0Will is also a music journalist having authored t=
wo excellent bioographies<br>&gt; on Back Beat press, one on bluesman Huber=
t<br></div>&gt; Sumlin&lt;<a href=3D"http://www.amazon.com/Incurable-Blues-=
Troubles-Triumph-Legend/dp/0879308338/ref=3Dsr_1_1?ie=3DUTF8&amp;qid=3D1249=
377386&amp;sr=3D8-1" target=3D"_blank">http://www.amazon.com/Incurable-Blue=
s-Troubles-Triumph-Legend/dp/0879308338/ref=3Dsr_1_1?ie=3DUTF8&amp;qid=3D12=
49377386&amp;sr=3D8-1</a>&gt;and<br>

<div class=3D"im">&gt; the other on legendary Jimmy<br></div>&gt; Reed&lt;<=
a href=3D"http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/r=
ef=3Dsr_1_1?ie=3DUTF8&amp;qid=3D1249377499&amp;sr=3D8-1" target=3D"_blank">=
http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=3Dsr_1_=
1?ie=3DUTF8&amp;qid=3D1249377499&amp;sr=3D8-1</a>&gt;<br>

<div>
<div></div>
<div class=3D"h5">&gt; .<br>&gt;<br>&gt; Please note that due to scheduling=
 and logistics we will be doing this<br>&gt; episode of Sunday morning in t=
he afternoon instead of it&#39;s regular<br>&gt; latter morning time. =A0Al=
so due to conflicting with friend/fellow LD&#39;er<br>
&gt; Matt [Stevens] set, we will be doing our uStream set at 2pm EST. =A0So=
<br>&gt; here in the northeastern timezone catch us at 2pm then stick aroun=
d<br>&gt; for Matt at 3pm.<br>&gt;<br>&gt; Show times around the globe for =
Sunday Morning are *<br>
&gt; 11am PST, 12pm MST, 1pm CST, **2pm EST**<br>&gt; , 7pm UK, 8pm western=
 Europe, 3am Japan*. =A0For exact times check<br>&gt; <a href=3D"http://www=
.timeanddate.com/worldclock/" target=3D"_blank">http://www.timeanddate.com/=
worldclock/</a><br>
&gt;<br>&gt; Thanks and we look forward to &#39;connecting&#39; with you th=
is Sunday at 2pm EST.<br>&gt;<br>&gt; Jim<br>&gt;<br>&gt; ReUse, an introsp=
ective textural aural<br>&gt; <a href=3D"http://www.myspace.com/CtReUse" ta=
rget=3D"_blank">www.myspace.com/CtReUse</a><br>
&gt;<br>&gt; music links...<br>&gt; <a href=3D"http://www.jimgoodinmusic.co=
m/" target=3D"_blank">www.jimgoodinmusic.com</a><br>&gt; <a href=3D"http://=
www.chinapaintingmusic.com/" target=3D"_blank">www.chinapaintingmusic.com</=
a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a><br>&gt; <a href=3D"http://www.myspace.com/=
chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a=
><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>&gt; <a href=3D"http://=
www.myspace.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br=
>&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">w=
ww.youtube.com/jimgoodinmusic</a><br>
&gt;<br>&gt; video work/editing...<br>&gt; <a href=3D"http://www.vimeo.com/=
jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br>&=
gt;<br>&gt; social networking...<br>&gt; <a href=3D"http://www.twitter.com/=
jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br>
&gt;<br><br></div></div></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5a7e87d62010470534e95--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 16:32:16 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <000b01c9f669$e035a1e0$d5852245@YOUR08D5303051> <117653A7A73F479888D7CF6EF911C391@eluk1> <001801ca1519$b19a0ff0$b7802245@YOUR08D5303051>
Subject: Re: Ustream show vid
Date: Tue, 4 Aug 2009 17:32:13 +0100
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Yep, I dunno why anyone still produces a motherboard with USB <2.0 on it. 
You'd think there'd be an obvious market for cards to accommodate devices 
that may be so old they're probably going to cank it soon anyhoo, so that 
motherboards could come with 2.0 and up only.

That being said, I'm planning on using not a regular webcam but my 
widescreen vid corder via USB, just to see what happens.  I think it should 
look nice at least. :)


> Thanks Stephen,
> I am looking forward to your going "live"! One tip, if you use an outboard 
> webcam be sure and plug it into a usb 2.0 port. I got very jerky video 
> until I realized the the usb on the front of my machine was 1.0 with the 4 
> 2.0s on the back. :) I actually took the first camera back and then had to 
> go buy it again when I realized what was up with that. You can then get 
> smooth video at even low bitrates.
>
> peace,
>
> Jeff
>
> ----- Original Message ----- 
> From: "Stephen Goodman" <spgoodman@earthlight.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 04, 2009 8:32 AM
> Subject: Re: Ustream show vid
>
>
>> From: "Jeff Duke" <jeff_d@embarqmail.com>
>>>I have posted this video of my Ustream show last Saturday. This is a low 
>>>quality screen capture from Ninjam tv. They had carried the show and when 
>>>I screwed up and didn't record it myself I obtained this.
>>> http://www.vimeo.com/5308400
>>>
>>
>> Hi again folks,
>>
>> Another nice piece.  I love the visuals, despite your apologizing for the
>> lo-fi effect it's not jerky visually either.  Gotta get my broadband 
>> above
>> its current state, hopefully this week!
>>
>> Stephen Goodman
>> *
>> http://www.vimeo.com/spgoodman
>> http://www.last.fm/music/Stephen+Goodman
>>
>> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 17:07:47 2009
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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: RE: anti-looper bigots
Date: Tue, 4 Aug 2009 17:07:46 +0000
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Good advice!=20
People get all wound up about the techniques used and create arbitrary rule=
s.=20
I fell in love with MUSIC and learned how to play an instrument to be able =
to make it.=20
Music is the prime objective and technique should be in the service of that=
. I've been involved with the psy-trance scene for a couple of years now an=
d nobody there gives a damn about how the music is made or performed. They =
just want the vibrations!
Use whatever it takes I say!=20
And a big YAAH BOO to those who've forgotten that that is what it's all abo=
ut.

peace love and enlightenment

Gareth (blugaruda)

>=20
> You got trashed because you didn't protect yourself. Next time=2C smile
> and walk away. Let them keep their big truths to themselves. If
> someone opens his mouth and starts explaining to you what you do right
> and what you ro wrong with your art=2C with your life=2C it is time to go=
.
> Let him talk to himself. He will not mind=2C he will not be offended.
> These kind of people talk to themselves even when they appear to be
> talking to someone else. It is like TV shows.
>=20
> On 8/4/09=2C K D Patten <kdpatten@yahoo.com> wrote:
> >  OK... My Looping friends......tell me some story's.....i just got tras=
hed
> > by some acoustic purists at a gig because of my looping....evidently be=
cause
> > i loop it disqualifies me as a "real" player.....I'd like to hear your
> > experiences with this kind of bigot
> >
> > Kyle
> >
> > http://www.cdbaby.com/cd/kdpatten
> > http://www.myspace.com/kyledeanpatten
>=20

_________________________________________________________________
Celebrate a decade of Messenger with free winks=2C emoticons=2C display pic=
s=2C and more.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

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<br>Good advice! <br>People get all wound up about the techniques used and =
create arbitrary rules. <br>I fell in love with MUSIC and learned how to pl=
ay an instrument to be able to make it. <br>Music is the prime objective an=
d technique should be in the service of that. I've been involved with the p=
sy-trance scene for a couple of years now and nobody there gives a damn abo=
ut how the music is made or performed. They just want the vibrations!<br>Us=
e whatever it takes I say! <br>And a big YAAH BOO to those who've forgotten=
 that that is what it's all about.<br><br>peace love and enlightenment<br><=
br>Gareth (blugaruda)<br><br>&gt=3B <br>&gt=3B You got trashed because you =
didn't protect yourself. Next time=2C smile<br>&gt=3B and walk away. Let th=
em keep their big truths to themselves. If<br>&gt=3B someone opens his mout=
h and starts explaining to you what you do right<br>&gt=3B and what you ro =
wrong with your art=2C with your life=2C it is time to go.<br>&gt=3B Let hi=
m talk to himself. He will not mind=2C he will not be offended.<br>&gt=3B T=
hese kind of people talk to themselves even when they appear to be<br>&gt=
=3B talking to someone else. It is like TV shows.<br>&gt=3B <br>&gt=3B On 8=
/4/09=2C K D Patten &lt=3Bkdpatten@yahoo.com&gt=3B wrote:<br>&gt=3B &gt=3B =
 OK... My Looping friends......tell me some story's.....i just got trashed<=
br>&gt=3B &gt=3B by some acoustic purists at a gig because of my looping...=
.evidently because<br>&gt=3B &gt=3B i loop it disqualifies me as a "real" p=
layer.....I'd like to hear your<br>&gt=3B &gt=3B experiences with this kind=
 of bigot<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Kyle<br>&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B http://www.cdbaby.com/cd/kdpatten<br>&gt=3B &gt=3B http://www.myspa=
ce.com/kyledeanpatten<br>&gt=3B <br><br /><hr />Windows Live Messenger: Cel=
ebrate 10 amazing years with free winks and emoticons. <a href=3D'http://cl=
k.atdmt.com/UKM/go/157562755/direct/01/' target=3D'_new'>Get Them Now</a></=
body>
</html>=

--_fd6ead96-2edb-48ea-a694-5ff79959dc97_--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 17:11:18 2009
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Subject: Re: anti-looper bigots / Miles & Teo
From: Rainer Straschill <moinsound@googlemail.com>
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Andy posted this link:
http://www.youtube.com/watch?v=7hs-Ic-VobY

Holy shit! I was at that exact concert! Let's see if I can still name
the band from the back of my head...Kenny Garrett on alto, Marylin
Mazur on Percussion, Benny Rietveld on bass, Robert Irving and Adam
Holzmann on keys, and then I think it's that guitarist that played
guitar on a bass guitar - Joseph Foley McCreary...

Those were the days. Miles Davis may be the only jazz musician who
sounded completely Eighties without sounding tasteless ;)

             Rainer

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Subject: Re: RE: Boss looper contest in Germany
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> The only feature I'm aware of is quantize to another loop tempo.
> But all other loopers have this feature, too.

No, two Revox A77 tape machines don't have it :-P. And while we're at
it, a Boss DD20 doesn't, either.

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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References: <bcd3c7bb0908031625u66a16c95g2044b0fa0edb55d1@mail.gmail.com> <750408.69360.qm@web110213.mail.gq1.yahoo.com> <66f9cc1e0908040851v7f0f2d0dtd6149dff37d490b7@mail.gmail.com>
Subject: Re: anti-looper bigots
Date: Tue, 4 Aug 2009 18:13:35 +0100
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I love that.. "I don't like what your doing, but it's good."

Let's see what else;

"You'd have to be trippin' on LSD to enjoy this"

"That was the weirdest gig I've ever been too. Can I get my photo with you?"

And of course you have spent two weeks preparing a set and some jackass 
shouts "play some slayer" or "freebird"...

:o)

Ricky
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 4:51 PM
Subject: Re: anti-looper bigots


On Tue, Aug 4, 2009 at 5:09 PM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> On Mon, Aug 3, 2009 at 4:06 PM, K D Patten<kdpatten@yahoo.com> wrote:
>> OK... My Looping friends......tell me some story's.....i just got trashed
>

I played "experimental and totally improvised music" at a
"Singer/songwriter's Night" at a local beer house,  using tenor sax
for livelooping. To my ears everyone else there tried to mimic some
well known country artist I don't know the name of. I thought they
should start throwing ashtrays and beer cans at me as I started to
squeal and scramble on stage but it appeared about half of them
appreciated my gig as "very, very different" while the other half
thought I had been acting out to a pre recorded CD and they simply
accepted "not understanding this art form". One guy said to me he did
not like what I was doing but was glad anyway having witnessed "the
most strange stuff so far".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



--------------------------------------------------------------------------------



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Subject: Re: anti-looper bigots
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When I was in Rasputina nearly every concert there was someone who  
would yell "Freebird" during our shows.
I just thought it was some kind of compliment, like "You're a free  
bird". Then I learned it was a song. Go figure.

On Aug 4, 2009, at 10:13 AM, Ricky Graham wrote:

> "freebird"...

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From: Petepong Phasukyud <petexhunter@yahoo.com>
Subject: Re: Best Vocal Looper Beginner Suggestion please...
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Thank you Omid.

I've never heard about this one before.

Is it too high for beginner?? 800 bucks!?

Pete

--- On Tue, 8/4/09, Buzap Buzap <buzap@gmx.net> wrote:

From: Buzap Buzap <buzap@gmx.net>
Subject: Re: Best Vocal Looper Beginner Suggestion please...
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, August 4, 2009, 9:29 PM

Hi Omid

can you tell a bit more about it?
Is it worth it if you are not interested in the Harmonization?

best regards
Buzap

--=20
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
f=FCr nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Thank you Omid.<br><br>I've never heard about=
 this one before.<br><br>Is it too high for beginner?? 800 bucks!?<br><br>P=
ete<br><br>--- On <b>Tue, 8/4/09, Buzap Buzap <i>&lt;buzap@gmx.net&gt;</i><=
/b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255);=
 margin-left: 5px; padding-left: 5px;"><br>From: Buzap Buzap &lt;buzap@gmx.=
net&gt;<br>Subject: Re: Best Vocal Looper Beginner Suggestion please...<br>=
To: Loopers-Delight@loopers-delight.com<br>Date: Tuesday, August 4, 2009, 9=
:29 PM<br><br><div class=3D"plainMail">Hi Omid<br><br>can you tell a bit mo=
re about it?<br>Is it worth it if you are not interested in the Harmonizati=
on?<br><br>best regards<br>Buzap<br><br>-- <br>Neu: GMX Doppel-FLAT mit Int=
ernet-Flatrate + Telefon-Flatrate<br>f=FCr nur 19,99 Euro/mtl.!* <a href=3D=
"http://portal.gmx.net/de/go/dsl02"
 target=3D"_blank">http://portal.gmx.net/de/go/dsl02</a><br><br></div></blo=
ckquote></td></tr></table><br>=0A=0A      
--0-801033047-1249409204=:42378--

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Subject: Re: OT: cases
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I put mine inside my comupter case with the lappy.  I put my mouse pad on 
top of the computer, then strap the RME over it. Works great. I like my RME 
and laptop to be with me all of the time, no checked in with luggage.

Kris

----- Original Message ----- 



> On this note, I'm looking for a case for a 1/2 U audio interface. RME 
> Fireface 400. Does anyone know of anything that will fit this unit?
>
> Cheers,
>
> Ricky
>
> ----- Original Message ----- 
> From: "Milo" <milo.vuc@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 04, 2009 3:46 PM
> Subject: Re: OT: cases
>
>
>> So what do you use to carry your looping equipment?
>>
>> On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>>> if you ever need a custom made case for wind instruments or anything
>>> else, check out howard wiseman's cases.
>>> this man is a genius. he has a tetris kind of mind.
>>> i just had my five flutes (from piccolo to contrabassflute) including
>>> stand fitted into a ridiulously small case.
>>> i can carry it easily on my shoulder, so finally i could give my old
>>> tank of a flightcase a good kick into the corner
>>> of my practice room (it's for sale, by the way - and cheap...).
>>>
>>> here's the link: http://www.wisemancases.com/
>>>
>>> tilmann
>>>
>>>
>>>
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
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> 05:57:00
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 18:09:15 2009
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Subject: Re: anti-looper bigots
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Having a fretless instrument, you should be able to do nice contemporary 
looping version of that song. :)

Kris

----- Original Message ----- 

> When I was in Rasputina nearly every concert there was someone who  would 
> yell "Freebird" during our shows.
> I just thought it was some kind of compliment, like "You're a free  bird". 
> Then I learned it was a song. Go figure.
>
> On Aug 4, 2009, at 10:13 AM, Ricky Graham wrote:
>
>> "freebird"...
>
> 

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Subject: Re: Boss looper contest in Germany
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While I'll agree that the Boss products (save for the DD20) never did
anything loopwise for me, and maybe not you either, you can't say that
they don't provide something that's maybe more important for a larger
group of people.  They seem set up to facilitate the pop song
structure, but I've heard !LOOPSTATION! use one many times to great
effect.

But all of this really reminds me of why I turned my back on the
hardware world.  The cost of production is so high that you often end
up with either products that serve the lowest common denominator, or
are boutique products that cost as much as a used car.... with a huge
gap of nothing in between.

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Date: Tue, 4 Aug 2009 11:18:24 -0700
Message-ID: <bcd3c7bb0908041118mcbb2b8eq6e3fc7fe205ee579@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Tue, Aug 4, 2009 at 8:09 AM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> Aren't you known as "Mr. Rude"? :)

Only to assholes!

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	 <bcd3c7bb0908041114w32435a21na7f0ea7e4e8f7da3@mail.gmail.com>
Date: Tue, 4 Aug 2009 20:54:10 +0200
Message-ID: <66f9cc1e0908041154n7474f0f8gd5a6d812bec39d2a@mail.gmail.com>
Subject: Re: Boss looper contest in Germany
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 4, 2009 at 8:14 PM, Mark Sottilaro<zerocrossing@gmail.com> wrot=
e:
> But all of this really reminds me of why I turned my back on the
> hardware world. =C2=A0The cost of production is so high that you often en=
d
> up with either products that serve the lowest common denominator, or
> are boutique products that cost as much as a used car.... with a huge
> gap of nothing in between.


Or (3) a manufacturer that goes belly up ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Tue, 4 Aug 2009 20:59:29 +0200
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Subject: Re: OT: cases
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 4, 2009 at 7:01 PM, Krispen Hartung<info@krispenhartung.com> wrote:
> I like my RME and laptop to be with me all of the time,


I unplug the RME before going to the loo.

Per
- firewire fan :-)

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Date: Tue, 4 Aug 2009 12:02:29 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: anti-looper bigots
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Well, at least you "know =A0thineself"!

--- On Tue, 8/4/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, August 4, 2009, 2:18 PM


On Tue, Aug 4, 2009 at 8:09 AM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> Aren't you known as "Mr. Rude"? :)

Only to assholes!

=0A=0A=0A      
--0-1687097385-1249412549=:67789
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Well, at least you "know &nbsp;thineself"!<BR=
><BR>--- On <B>Tue, 8/4/09, Mark Sottilaro <I>&lt;zerocrossing@gmail.com&gt=
;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: anti-looper bigots<BR>To: Loopers-Delight@loopers-deligh=
t.com<BR>Date: Tuesday, August 4, 2009, 2:18 PM<BR><BR>
<DIV class=3DplainMail>On Tue, Aug 4, 2009 at 8:09 AM, Paul<BR>Richards&lt;=
<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rock=
s@yahoo.com" ymailto=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_roc=
ks@yahoo.com</A>&gt; wrote:<BR>&gt; Aren't you known as "Mr. Rude"? :)<BR><=
BR>Only to assholes!<BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=
=0A=0A      
--0-1687097385-1249412549=:67789--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 19:02:41 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: anti-looper bigots
Date: Tue, 4 Aug 2009 20:02:37 +0100
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"wippin' post!"

----- Original Message ----- 
From: "Zoe Keating" <info@zoekeating.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 6:53 PM
Subject: Re: anti-looper bigots


> When I was in Rasputina nearly every concert there was someone who  
> would yell "Freebird" during our shows.
> I just thought it was some kind of compliment, like "You're a free  
> bird". Then I learned it was a song. Go figure.
> 
> On Aug 4, 2009, at 10:13 AM, Ricky Graham wrote:
> 
>> "freebird"...

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Date: Tue, 4 Aug 2009 12:08:58 -0700
Message-ID: <bcd3c7bb0908041208s519948dbla32dd0c3c5317fd8@mail.gmail.com>
Subject: Re: Boss looper contest in Germany
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Aug 4, 2009 at 11:54 AM, Per Boysen<perboysen@gmail.com> wrote:

>
> Or (3) a manufacturer that goes belly up ;-)
>

There's just as much, or more, of a chance that a software dev goes
belly up too.  I recently noticed that Basement Arts, the developer of
one of my favorite filters (Frantic Filter) is gone. No site, no
mention... nothing. Of course, the software still operates and won't
"break" but who knows if the next OS/computer configuration becomes
incompatible.   I also almost had a scare with Komplexer, a Waldorf
emulation.  For some odd reason it's been totally abandoned even
though the company who developed it still exists. Word on the street
the lead of development got snagged by Waldorf to make Largo (which is
suspiciously similar in every way).  So what about me?  No upgrade
path, no support (I had an issue with the install and Vista 64 and
luckily someone on a forum helped me because the company just pointed
me to an ftp site with a new version that was also broken).

But yeah, it hurt when Elextrix went away.  I see now that the EDP
seems dead as well. So what are your choices if you want a MIDI
syncable hardware looper these days...  The Boss or the Looperlative?
Seems slim pickings.  You can criticize Boss, but at least they're
making something.

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: OT: cases
Date: Tue, 4 Aug 2009 20:09:51 +0100
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I'm doing that at the minute, but I'd really like a well padded soft case 
for it. RME kindly encourage you to source one yourself, but as it turns out 
bespoke gig bags are quite expensive. :) If anyone has any suggestions or a 
bespoke service that isn't too expensive (if such a thing exists) please let 
me know.

Ricky


----- Original Message ----- 
From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 6:01 PM
Subject: Re: OT: cases


>I put mine inside my comupter case with the lappy.  I put my mouse pad on
> top of the computer, then strap the RME over it. Works great. I like my 
> RME
> and laptop to be with me all of the time, no checked in with luggage.
>
> Kris
>
> ----- Original Message ----- 
>
>
>
>> On this note, I'm looking for a case for a 1/2 U audio interface. RME
>> Fireface 400. Does anyone know of anything that will fit this unit?
>>
>> Cheers,
>>
>> Ricky
>>
>> ----- Original Message ----- 
>> From: "Milo" <milo.vuc@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, August 04, 2009 3:46 PM
>> Subject: Re: OT: cases
>>
>>
>>> So what do you use to carry your looping equipment?
>>>
>>> On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>>>> if you ever need a custom made case for wind instruments or anything
>>>> else, check out howard wiseman's cases.
>>>> this man is a genius. he has a tetris kind of mind.
>>>> i just had my five flutes (from piccolo to contrabassflute) including
>>>> stand fitted into a ridiulously small case.
>>>> i can carry it easily on my shoulder, so finally i could give my old
>>>> tank of a flightcase a good kick into the corner
>>>> of my practice room (it's for sale, by the way - and cheap...).
>>>>
>>>> here's the link: http://www.wisemancases.com/
>>>>
>>>> tilmann
>>>>
>>>>
>>>>
>>>
>>
>>
>> --------------------------------------------------------------------------------
>>
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.5.392 / Virus Database: 270.13.43/2281 - Release Date: 
>> 08/04/09
>> 05:57:00
>>
>>
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.392 / Virus Database: 270.13.43/2281 - Release Date: 08/04/09 
05:57:00

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Subject: Re: OT: cases
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You mean you don't pee in 24 bit? ;)

----- Original Message ----- 

> On Tue, Aug 4, 2009 at 7:01 PM, Krispen Hartung<info@krispenhartung.com> 
> wrote:
>> I like my RME and laptop to be with me all of the time,
>
>
> I unplug the RME before going to the loo.
>
> Per
> - firewire fan :-)
>
> 

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Date: Tue, 4 Aug 2009 12:17:55 -0700
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Subject: Re: anti-looper bigots
From: Mark Sottilaro <zerocrossing@gmail.com>
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Wow.  You should really think about a job in stand up with that razor wit.

Have you tried the "I'm rubber you're glue" come-back?  I hear it's
all the rage with 3rd graders, people with Down's Syndrom and people
who think email addresses like "paulrichard_rocks@yahoo.com" is a cool
email address.

On Tue, Aug 4, 2009 at 12:02 PM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> Well, at least you "know =A0thineself"!
>
> --- On Tue, 8/4/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: anti-looper bigots
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, August 4, 2009, 2:18 PM
>
> On Tue, Aug 4, 2009 at 8:09 AM, Paul
> Richards<paulrichard_rocks@yahoo.com> wrote:
>> Aren't you known as "Mr. Rude"? :)
>
> Only to assholes!
>
>
>

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Date: Tue, 4 Aug 2009 13:04:40 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
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HAHAHAHA! Are you describing yourself AGAIN? Isn't that what you did? WTF i=
s "zerocrossing" supposed to be? Reminds me of a defunct communications com=
pany.

--- On Tue, 8/4/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, August 4, 2009, 3:17 PM


Wow.=A0 You should really think about a job in stand up with that razor wit=
.

Have you tried the "I'm rubber you're glue" come-back?=A0 I hear it's
all the rage with 3rd graders, people with Down's Syndrom and people
who think email addresses like "paulrichard_rocks@yahoo.com" is a cool
email address.

On Tue, Aug 4, 2009 at 12:02 PM, Paul
Richards<paulrichard_rocks@yahoo.com> wrote:
> Well, at least you "know =A0thineself"!
>
> --- On Tue, 8/4/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
> From: Mark Sottilaro <zerocrossing@gmail.com>
> Subject: Re: anti-looper bigots
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, August 4, 2009, 2:18 PM
>
> On Tue, Aug 4, 2009 at 8:09 AM, Paul
> Richards<paulrichard_rocks@yahoo.com> wrote:
>> Aren't you known as "Mr. Rude"? :)
>
> Only to assholes!
>
>
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">HAHAHAHA! Are you describing yourself AGAIN? =
Isn't that what you did? WTF is "zerocrossing" supposed to be? Reminds me o=
f a defunct communications company.<BR><BR>--- On <B>Tue, 8/4/09, Mark Sott=
ilaro <I>&lt;zerocrossing@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: anti-looper bigots<BR>To: Loopers-Delight@loopers-deligh=
t.com<BR>Date: Tuesday, August 4, 2009, 3:17 PM<BR><BR>
<DIV class=3DplainMail>Wow.&nbsp; You should really think about a job in st=
and up with that razor wit.<BR><BR>Have you tried the "I'm rubber you're gl=
ue" come-back?&nbsp; I hear it's<BR>all the rage with 3rd graders, people w=
ith Down's Syndrom and people<BR>who think email addresses like "<A href=3D=
"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@yahoo.co=
m" ymailto=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.c=
om</A>" is a cool<BR>email address.<BR><BR>On Tue, Aug 4, 2009 at 12:02 PM,=
 Paul<BR>Richards&lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?=
to=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulrichard_rocks@yahoo=
.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR>&gt; Well, at least you=
 "know &nbsp;thineself"!<BR>&gt;<BR>&gt; --- On Tue, 8/4/09, Mark Sottilaro=
 &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dzerocrossin=
g@gmail.com" ymailto=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.c=
om</A>&gt;
 wrote:<BR>&gt;<BR>&gt; From: Mark Sottilaro &lt;<A href=3D"http://us.mc110=
2.mail.yahoo.com/mc/compose?to=3Dzerocrossing@gmail.com" ymailto=3D"mailto:=
zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt;<BR>&gt; Subject: Re:=
 anti-looper bigots<BR>&gt; To: <A href=3D"http://us.mc1102.mail.yahoo.com/=
mc/compose?to=3DLoopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loop=
ers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR=
>&gt; Date: Tuesday, August 4, 2009, 2:18 PM<BR>&gt;<BR>&gt; On Tue, Aug 4,=
 2009 at 8:09 AM, Paul<BR>&gt; Richards&lt;<A href=3D"http://us.mc1102.mail=
.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:p=
aulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR>&=
gt;&gt; Aren't you known as "Mr. Rude"? :)<BR>&gt;<BR>&gt; Only to assholes=
!<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>=
=0A=0A      
--0-2028485679-1249416280=:48314--

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 20:15:17 2009
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Subject: Re: anti-looper bigots / Miles & Teo
From: fluke <fluke@talktalk.net>
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Cc: Rev Fever <revfever@ubergadget.com>, loopers-delight@loopersdelight.com
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I guess no-one told that to Clem Burke.


On Tue, 2009-08-04 at 01:58 -0700, looppool@cruzio.com wrote:
> the Rev Fevers wrote:

> In successful pop drumming, as a rule,  you tend not to want to use any
> more than a 1/16 ratio
> of fill to groove.     And that's playing a lot of fills...........(that's
> a one bar fill every four bars or
> up to a one bar fill every sixteen bars,  which is pretty over the top in
> a pop song).


From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 21:16:26 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>,
	<Free-Improvisation@googlegroups.com>,
	<boisemusicians@yahoogroups.com>
Subject: FreeWave Show #3
Date: Tue, 4 Aug 2009 15:16:22 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_003B_01CA1516.86D48960
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I'm behind, but here is FreeWave Show #3 and playlist. The blog page has =
the link to play the selections.

http://radio-boise-freewave.blogspot.com/

Enjoy.

Kris Hartung
info@krispenhartung.com
www.krispenhartung.com

Play List

Artist(s): Alexander Von Schlippenbach
Song: The Living Music
Album: The Living Music (1969)
More info: http://www.jazzloft.com/p-36360-the-living-music.aspx

Artist(s): Iannis Xenakis
Song: Zbigniew Karkowski: Doing By Not Doing
Album: Persepolis Remixes Edition 1 (2002)
More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ

Artist(s): Jeff Kaiser & Andrew Pask
Song: Blue Air Habit
Album: The Choir Boys
More info: http://www.pfmentum.com/PFMCD024.html

Artist(s): Vladimir Ussachevsky
Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No. 1, Two =
Sketches for a Computer Piece (Part I), and Two Sketches for a Computer =
Piece (Part II)
Album: Pioneers Of Electronic Music=20
More info: =
http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky=
/dp/B000EU1H44

Artist(s): Sun Ra
Song: Space Is The Place
Album: Space Is The Place (1972)
More info: =
http://www.allmusic.com/cg/amg.dll?p=3Damg&sql=3D11:39ftxqtgld0e

Artist(s): Roscoe Mitchell and Thomas Buckner
Song: VFPSA
Album: 8 O'Clock: Two Improvisations (2001)
More info: =
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D274

Artist(s): Axel Dorner And Fred Lonberg-Holm
Song: 5
Album: Object 1 (2003)
More info: =
http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Downlo=
ad/11608691.html

------=_NextPart_000_003B_01CA1516.86D48960
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16850" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm behind, but here is FreeWave Show =
#3 and=20
playlist. The blog page has the link to play the =
selections.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></FONT></DIV><FONT=20
face=3DArial size=3D2>
<DIV><BR>Enjoy.</DIV>
<DIV><BR>Kris Hartung<BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR><A=
=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>Play List<BR><BR></STRONG>Artist(s): Alexander Von=20
Schlippenbach<BR>Song: The Living Music<BR>Album: The Living Music=20
(1969)<BR>More info: <A=20
href=3D"http://www.jazzloft.com/p-36360-the-living-music.aspx"><FONT=20
color=3D#99aadd>http://www.jazzloft.com/p-36360-the-living-music.aspx</FO=
NT></A><BR><BR>Artist(s):=20
Iannis Xenakis<BR>Song: Zbigniew Karkowski: Doing By Not Doing<BR>Album: =

Persepolis Remixes Edition 1 (2002)<BR>More info: <A=20
href=3D"http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ"><FONT=20
color=3D#aa77aa>http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ</FONT></=
A><BR><BR>Artist(s):=20
Jeff Kaiser &amp; Andrew Pask<BR>Song: Blue Air Habit<BR>Album: The =
Choir=20
Boys<BR>More info: <A =
href=3D"http://www.pfmentum.com/PFMCD024.html"><FONT=20
color=3D#99aadd>http://www.pfmentum.com/PFMCD024.html</FONT></A><BR><BR>A=
rtist(s):=20
Vladimir Ussachevsky<BR>Song: Sonic Contours, Piece for Tape Recorder, =
Computer=20
Piece No. 1, Two Sketches for a Computer Piece (Part I), and Two =
Sketches for a=20
Computer Piece (Part II)<BR>Album: Pioneers Of Electronic Music <BR>More =
info:=20
<A=20
href=3D"http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Da=
vidovsky/dp/B000EU1H44"><FONT=20
color=3D#99aadd>http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussach=
evsky-Davidovsky/dp/B000EU1H44</FONT></A><BR><BR>Artist(s):=20
Sun Ra<BR>Song: Space Is The Place<BR>Album: Space Is The Place =
(1972)<BR>More=20
info: <A=20
href=3D"http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D11:39ftxqtgl=
d0e"><FONT=20
color=3D#99aadd>http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D11:3=
9ftxqtgld0e</FONT></A><BR><BR>Artist(s):=20
Roscoe Mitchell and Thomas Buckner<BR>Song: VFPSA<BR>Album: 8 O'Clock: =
Two=20
Improvisations (2001)<BR>More info: <A=20
href=3D"http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D274"=
><FONT=20
color=3D#99aadd>http://www.indiejazz.com/ProductDetailsView.aspx?ProductI=
D=3D274</FONT></A><BR><BR>Artist(s):=20
Axel Dorner And Fred Lonberg-Holm<BR>Song: 5<BR>Album: Object 1 =
(2003)<BR>More=20
info: <A=20
href=3D"http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP=
3-Download/11608691.html"><FONT=20
color=3D#99aadd>http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg=
-Holm-MP3-Download/11608691.html</FONT></A><BR></FONT></DIV></BODY></HTML=
>

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <7334ca1b0908031535k7384642ew3b6fecff44226ab8@mail.gmail.com> <BLU0-SMTP350996A31F75B94875DB68DC0C0@phx.gbl> <001701ca14ad$8b440930$b7802245@YOUR08D5303051> <BLU0-SMTP529FD33E430FEC0A004B54DC0C0@phx.gbl> <000a01ca14b2$15684690$b7802245@YOUR08D5303051> <BLU0-SMTP94570552184EB269FC1B1FDC0C0@phx.gbl> <bcd3c7bb0908032151r2ffdda04j813af652c31f55ea@mail.gmail.com> <4A780460.2020903@dehnhard.com> <3f8d9ee60908040746l191212cas7471e7ae2c00f66c@mail.gmail.com> <6C7F08BA72FC4D9F8E3A62F9B11BA896@a> <66f9cc1e0908040905u31cb3de5nc2db232530a5d2d6@mail.gmail.com>
Subject: Re: OT: cases
Date: Tue, 4 Aug 2009 22:41:54 +0100
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"I often use that box and it fits perfectly into a big leg pocket if going 
with an aircraft "

You're leg must be huge, Per.

I would like a soft gig bag so I know there's a little bit of protection 
there. There's just something about it sitting there out of a rack that 
seems, well, risky.

Cheers,

Ricky


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 5:05 PM
Subject: Re: OT: cases


> On Tue, Aug 4, 2009 at 5:09 PM, Ricky
> Graham<rock.guitar.guru@btinternet.com> wrote:
>> On this note, I'm looking for a case for a 1/2 U audio interface. RME
>> Fireface 400. Does anyone know of anything that will fit this unit?
>
> I often use that box and it fits perfectly into a big leg pocket if
> going with an aircraft (helping you to stay free from over weight
> fees). On the ground I just put some Bubble Wrapper around and fit it
> it into my Peli case with the rest of my gear. The Peli case seems non
> destructible.
>
> If using a classic rack (I did back in the hardware days with EDP and
> Repeaters) you can mount the RME in a half wide one unit rack space
> slot. Back then I had a Lexicon multi effect of the same half-wide
> size and used a special "half-wide car" mounted in the rack to hold
> the unit firmly.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 22:18:27 2009
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an m-audio bag for soundcard/laptop (and headphones plus small stuff).
or a simple backpack.

Milo schrieb:
> So what do you use to carry your looping equipment?
>
> On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>   
>> if you ever need a custom made case for wind instruments or anything
>> else, check out howard wiseman's cases.
>> this man is a genius. he has a tetris kind of mind.
>> i just had my five flutes (from piccolo to contrabassflute) including
>> stand fitted into a ridiulously small case.
>> i can carry it easily on my shoulder, so finally i could give my old
>> tank of a flightcase a good kick into the corner
>> of my practice room (it's for sale, by the way - and cheap...).
>>
>> here's the link: http://www.wisemancases.com/
>>
>> tilmann
>>
>>
>>
>>     
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Tue Aug  4 22:40:29 2009
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Date: Tue, 4 Aug 2009 22:40:27 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: RE: Boss looper contest in Germany
To: Loopers-Delight@loopers-delight.com
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yes,sorry i meant the quantize feature,please correct me if im wrong becaus=
e its been a long time but i remeber when tried the RC2 once, i had the fee=
ling it didnt really react as i pressed the recording button a second time =
and it seems it was trying to quantize the timing as i was trying to do rea=
lly short loops...i just remember it being uncomfortable to loop with,not t=
o mention the adding of those switches to do simple stuff like erase the lo=
op,no feedback feature etc. it just felt very ackward...=0Abut the smoothes=
t looper from boss ive tried is the dd-20 thoguh is not considered a looper=
 but a sound on sound device so Boss obviously has that philosophy,either y=
ou loop or you echo dude;-)then again i dont know how the RC-50 or the RC-2=
0s are but im told they are all pretty similar.=0AI as well dont understand=
 what you are saying that all other looper have it...??maybe we are talking=
 about different things,the EDP starts and stops exactly as you press thats=
 why you can do the amazing glitching and granular stuff,as the DL4,LP1 or =
even the little looper on the eventide timefactor can, i dont have the feel=
ing they have some sort of built in quantize thing though i remember feelin=
g this way about the repeater which i disliked as well...=0Acheers=0A=0Awww=
.myspace.com/luisangulocom=0A=0A=0A=0A=0A=0A--- Buzap Buzap <buzap@gmx.net>=
 schrieb am Di, 4.8.2009:=0A=0A> Von: Buzap Buzap <buzap@gmx.net>=0A> Betre=
ff: Re: RE: Boss looper contest in Germany=0A> An: Loopers-Delight@loopers-=
delight.com=0A> Datum: Dienstag, 4. August 2009, 4:15=0A> Hi Luis=0A> =0A> =
> I guess what turns me off about this boss loopers is=0A> the fuction of t=
rying=0A> > to correct your timing =0A> =0A> What do you mean with correcti=
ng your timing?=0A> The only feature I'm aware of is quantize to another lo=
op=0A> tempo.=0A> But all other loopers have this feature, too.=0A> =0A> be=
st regards=0A> Buzap=0A> -- =0A> Jetzt kostenlos herunterladen: Internet Ex=
plorer 8 und=0A> Mozilla Firefox 3 -=0A> sicherer, schneller und einfacher!=
 http://portal.gmx.net/de/go/chbrowser=0A> =0A> =0A=0A=0A      

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Date: Tue, 4 Aug 2009 15:46:51 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
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Good Point

Kyle=20


--- On Tue, 8/4/09, Milo <milo.vuc@gmail.com> wrote:

From: Milo <milo.vuc@gmail.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, August 4, 2009, 9:42 AM

You got trashed because you didn't protect yourself. Next time, smile
and walk away. Let them keep their big truths to themselves. If
someone opens his mouth and starts explaining to you what you do right
and what you ro wrong with your art, with your life, it is time to go.
Let him talk to himself. He will not mind, he will not be offended.
These kind of people talk to themselves even when they appear to be
talking to someone else. It is like TV shows.

On 8/4/09, K D Patten <kdpatten@yahoo.com> wrote:
>=A0 OK... My Looping friends......tell me some story's.....i just got tras=
hed
> by some acoustic purists at a gig because of my looping....evidently beca=
use
> i loop it disqualifies me as a "real" player.....I'd like to hear your
> experiences with this kind of bigot
>
> Kyle
>
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Good Point<br><br><div><address style=3D"font=
-family: arial narrow; font-weight: bold;"><font color=3D"#bf00bf" size=3D"=
4">Kyle </font></address><address><br><a rel=3D"nofollow" target=3D"_blank"=
 href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"><span=
 class=3D"yshortcuts" id=3D"lw_1230810272_0"><br></span></a></address></div=
><br>--- On <b>Tue, 8/4/09, Milo <i>&lt;milo.vuc@gmail.com&gt;</i></b> wrot=
e:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-=
left: 5px; padding-left: 5px;"><br>From: Milo &lt;milo.vuc@gmail.com&gt;<br=
>Subject: Re: anti-looper bigots<br>To: Loopers-Delight@loopers-delight.com=
<br>Date: Tuesday, August 4, 2009, 9:42 AM<br><br><div class=3D"plainMail">=
You got trashed because you didn't protect yourself. Next time, smile<br>an=
d walk away. Let them keep their big truths to themselves. If<br>someone op=
ens his mouth and
 starts explaining to you what you do right<br>and what you ro wrong with y=
our art, with your life, it is time to go.<br>Let him talk to himself. He w=
ill not mind, he will not be offended.<br>These kind of people talk to them=
selves even when they appear to be<br>talking to someone else. It is like T=
V shows.<br><br>On 8/4/09, K D Patten &lt;<a ymailto=3D"mailto:kdpatten@yah=
oo.com" href=3D"/mc/compose?to=3Dkdpatten@yahoo.com">kdpatten@yahoo.com</a>=
&gt; wrote:<br>&gt;&nbsp; OK... My Looping friends......tell me some story'=
s.....i just got trashed<br>&gt; by some acoustic purists at a gig because =
of my looping....evidently because<br>&gt; i loop it disqualifies me as a "=
real" player.....I'd like to hear your<br>&gt; experiences with this kind o=
f bigot<br>&gt;<br>&gt; Kyle<br>&gt;<br>&gt; <a href=3D"http://www.cdbaby.c=
om/cd/kdpatten" target=3D"_blank">http://www.cdbaby.com/cd/kdpatten</a><br>=
&gt; <a href=3D"http://www.myspace.com/kyledeanpatten"
 target=3D"_blank">http://www.myspace.com/kyledeanpatten</a><br><br></div><=
/blockquote></td></tr></table>
--0-683808156-1249426011=:33195--

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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:=
9pt;background-color: #ffffff;color: black;}p{margin:0px}</style></head><bo=
dy id=3D"compText">My too sense:<div>when i use real amplifier feedback(mos=
t of my sets!) i've overheard someone call that 'cheating'(?)</div><div>the=
y never even get to the looping :-)</div><div>and when i work w/ MERMEN and=
 when JimThomas guitarist goes to his rack and uses 'samples' of his own gu=
itar-</div><div>some of the taper guys say that is cheating-and threaten to=
 turn off their tape machines while he is doing that.</div><div>seems crazy=
 to set up imaginary parameters for music&amp;musicians.</div><div>staninsa=
nfran<br><br><br><blockquote style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; =
BORDER-LEFT: #0000ff 2px solid"><kdpatten@yahoo.com><table cellspacing=3D"0=
" cellpadding=3D"0" border=3D"0"><tbody><tr><td valign=3D"top" style=3D"fon=
t: inherit;"><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); =
margin-left: 5px; padding-left: 5px;"><br><div class=3D"plainMail"><br>On 8=
/4/09, K D Patten &lt;<a target=3D"_blank" ymailto=3D"mailto:kdpatten@yahoo=
.com" href=3D"/mc/compose?to=3Dkdpatten@yahoo.com">kdpatten@yahoo.com</a>&g=
t; wrote:<br>&gt;&nbsp; OK... My Looping friends......tell me some story's.=
....i just got trashed<br>&gt; by some acoustic purists at a gig because of=
 my looping....evidently because<br>&gt; i loop it disqualifies me as a "re=
al" player.....I'd like to hear your<br>&gt; experiences with this kind of =
bigot<br>&gt;<br>&gt; Kyle<br>&gt;<br>&gt; <a target=3D"_blank" href=3D"htt=
p://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten</a><br>&g=
t; <a target=3D"_blank" href=3D"http://www.myspace.com/kyledeanpatten">http=
://www.myspace.com/kyledeanpatten</a><br><br></div></blockquote></td></tr><=
/tbody></table></kdpatten@yahoo.com></blockquote></div></body>

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 00:58:31 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: anti-looper bigots / Miles & Teo
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Rainer Straschill wrote:
> Andy posted this link:
> http://www.youtube.com/watch?v=7hs-Ic-VobY
> 
> Holy shit! I was at that exact concert! Let's see if I can still name
> the band from the back of my head...Kenny Garrett on alto, Marylin
> Mazur on Percussion, Benny Rietveld on bass, Robert Irving and Adam
> Holzmann on keys, and then I think it's that guitarist that played
> guitar on a bass guitar - Joseph Foley McCreary...

I last heard Miles a couple years later, just a few months before he 
died. You could hear occasional flashes of pre-stroke Miles, but Kenny 
Garrett really carried the band. Of course, that could be my sax-player 
chauvinism speaking...

My favorite Miles live performance was one I heard much earlier, by his 
Filles de Killimanjaro band. Corea and Holland were fresh from Corea's 
Circle group, which was pretty outside, and they'd lunge off into a kind 
of electric avant garde that was a lot denser (and to my ears more 
interesting) than Miles's later stuff.

> Miles Davis may be the only jazz musician who
> sounded completely Eighties without sounding tasteless ;)

Hmm. I think that needs to go on my studio wall.

Brian

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References: <20090804083434.478403BED9@arsenic.violacea.com> <cd78494b54c3a77821b4da9a0df8bd60.squirrel@cruziomail.cruzio.com> <4A7831EC.500@tiscali.co.uk>
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andy butler wrote:
> looppool@cruzio.com wrote:
>> the Rev Fevers wrote:
>> "I wonder how they felt when they later found out that he and Teo Marcero
>> employed a lot of looping in the over all creation of Bitches Brew,etc.
>> Speaking of that, here is some inspirational reading.  Enjoy...
>>
>> http://milesite.blogspot.com/2009/02/teo-macero-on-producing-miles-davis.html 
>>
>>
> 
> The procedure as detailed there.
> 
> 1) Session recorded
> 2) Whole session mixed down
> 3) Session edited to 8-9 minute masters (Teo + Miles)
> 4) Teo uses editing to repeat sections of the music to make a whole album.

If you know just where to listen on "Silent Way," you can hear somebody 
drop what sounds like a trumpet harmon mute. When the section is 
recapitulated later, you get to hear it again, suggesting that there was 
some cutting and pasting (actually, slicing and taping) going on in that 
album too.



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Date: Tue, 4 Aug 2009 22:55:24 -0400
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The entire piece is simply repeated at 8:00 or so...


>>andy butler wrote:
>If you know just where to listen on "Silent Way," you can hear 
>somebody drop what sounds like a trumpet harmon mute. When the 
>section is recapitulated later, you get to hear it again, suggesting 
>that there was some cutting and pasting (actually, slicing and 
>taping) going on in that album too.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 03:18:52 2009
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Subject: New EH Delay
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Well I need another delay pedal like I need a..actually I don't need 
another! Then why do I get excited when I see this?
Hey it has an expression pedal input! No reverse though, darnit...but pedal 
control of delay or modulation might glitch just the right way!

http://tinyurl.com/m2ljwd

G.A.S. victim,

Jeff


"A mosquito died while seeking to develop a close relationship, its 
overtures swiftly declined, forever."_RF


http://www.myspace.com/loopsinphasespace

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 03:27:17 2009
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I just tried one out today, actually. Sounds really nice, and a good 
long delay time for an analog echo. The mod controls go from zero to 
1000 right away, though, they seem only useful for really extreme 
seasick warbling.

For the echo itself, especially with the expression pedal for delay time 
(wish it could control feedback!), seems like a great deal at $100 US.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Well I need another delay pedal like I need a..actually I don't need 
> another! Then why do I get excited when I see this?
> Hey it has an expression pedal input! No reverse though, darnit...but 
> pedal control of delay or modulation might glitch just the right way!
>
> http://tinyurl.com/m2ljwd
>
> G.A.S. victim,
>
> Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 03:48:01 2009
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Hey Daryl,

So the mod gets seasick warbling! Just the thing, can't get too much of that 
now can we!
What does it do when you change the delay time with the exp pedal? 
Underwater whalelike sounds perhaps? You know how much I like those. :) Or 
did you get to try it with an exp pedal?
And can you use delay and mod at the same time?

Best,

Jeff


----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 11:27 PM
Subject: Re: New EH Delay


>I just tried one out today, actually. Sounds really nice, and a good long 
>delay time for an analog echo. The mod controls go from zero to 1000 right 
>away, though, they seem only useful for really extreme seasick warbling.
>
> For the echo itself, especially with the expression pedal for delay time 
> (wish it could control feedback!), seems like a great deal at $100 US.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Well I need another delay pedal like I need a..actually I don't need 
>> another! Then why do I get excited when I see this?
>> Hey it has an expression pedal input! No reverse though, darnit...but 
>> pedal control of delay or modulation might glitch just the right way!
>>
>> http://tinyurl.com/m2ljwd
>>
>> G.A.S. victim,
>>
>> Jeff
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 03:52:57 2009
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Hehehe...figured that might only inflate your GAS. I didn't get to try 
it w/the expression pedal, but I was whirling the delay time around by 
hand and enjoying the various whalelike (yup) noises, one of my fave 
things. May check it again tomorrow, w/the pedal, if so I'll give a 
fuller report.

And yep, you get delay and mod at the same time.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hey Daryl,
>
> So the mod gets seasick warbling! Just the thing, can't get too much 
> of that now can we!
> What does it do when you change the delay time with the exp pedal? 
> Underwater whalelike sounds perhaps? You know how much I like those. 
> :) Or did you get to try it with an exp pedal?
> And can you use delay and mod at the same time?
>
> Best,
>
> Jeff
>
>
> ----- Original Message ----- From: "Daryl Shawn" <highhorse@mhorse.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 04, 2009 11:27 PM
> Subject: Re: New EH Delay
>
>
>> I just tried one out today, actually. Sounds really nice, and a good 
>> long delay time for an analog echo. The mod controls go from zero to 
>> 1000 right away, though, they seem only useful for really extreme 
>> seasick warbling.
>>
>> For the echo itself, especially with the expression pedal for delay 
>> time (wish it could control feedback!), seems like a great deal at 
>> $100 US.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>>> Well I need another delay pedal like I need a..actually I don't need 
>>> another! Then why do I get excited when I see this?
>>> Hey it has an expression pedal input! No reverse though, 
>>> darnit...but pedal control of delay or modulation might glitch just 
>>> the right way!
>>>
>>> http://tinyurl.com/m2ljwd
>>>
>>> G.A.S. victim,
>>>
>>> Jeff
>>
>>
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com 
> Version: 8.5.392 / Virus Database: 270.13.44/2282 - Release Date: 08/04/09 18:01:00
>
>   

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 07:38:15 2009
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Subject: Re: Best Vocal Looper Beginner Suggestion please...
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Hi Omid

yeah, I have the Voicetone Create which has similar features (see http://www.loopers-delight.com/LDarchive/200811/msg00746.html).

And the FX chain just sounds pretty much like the Voicetone Create+Correct. In fact, the whole things looks pretty much all their Voicetone pedals squeezed into one big box. I guess I just have to go into the store and check it out myself.

best regards
Buzap

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 07:45:35 2009
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Hi Luis, Rainer

ok, I take it back... Not all loopers have it, of course. I should say a lot of software loopers I know (SooperLooper, Moebius...) have a quantize function.

Luis: I was asking more specifically because people sometimes say "... doesn't work on the RC-50" but it's often something else. In your case, I would suspect that you wanted to create a very short loop (like on the EDP). Well,... this is one of the biggest disadvantages of the RC-* loopers: you have to have at least a few seconds of loop length... :-(
Other than that quantize works extremely well on the RC-50: It can quantize very well even if you press the pedal slightly too late (unlike Moebius/Live). And it can also quantize to tempo of another loop (doesn't have to be same loop length).
The RC-2, on the other hand, just has 1 loop, so you can't really quantize to another loop (to ryhthm track maybe, haven't tried it).

best regards
Buzap



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From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 09:31:58 2009
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Well,
The problem is that the default settings of the RC-50 are not the setting=
s most (EDP) loopers are used to. In fact, it recalculates the length of =
the phrase based on the midi clock or the rhythmn guide. But you can chan=
ge this behaviour: install OS 1.01 + sound priority mode sync. This has b=
een documented on my website and I think I have send this info already se=
veral times to the list. 

Anyway, if you are looking for a reliable, plug and play sound-on-sound l=
ooper, the RC-50 is a good choice, especially live. If you are looking fo=
r advanced delay and FX features to create more experimental music and gl=
itchy stuff, the features of the RC-50 are probably too limited and you'r=
e better off with a different looper.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 09:41:00 2009
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From: "Omid Shirazi" <ja-hochzeit@gmx.de>
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Subject: Re: Best Vocal Looper Beginner Suggestion please...
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Well, it is an instrument!
It depends, what you do with that, so if you have a no. 1 hit with it in 2 years, it wasn´t too high;)

Seriously: if you buy a compressor, eq, an fx-unit and a delay+reverb for the stage, you have much more to pay AND to carry...
And actually you need this gears, if you wanna make phatt SOUNDs of your voice on stage. (But remember it is not a looper).

By the way, I use some of their gears too:
http://www.youtube.com/watch?v=crnYUibe7zs

This instrument I have invented myself. So nothing is too high, if you wanna do it:)

Best,
Omid




-------- Original-Nachricht --------
> Datum: Tue, 4 Aug 2009 11:06:44 -0700 (PDT)
> Von: Petepong Phasukyud <petexhunter@yahoo.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Best Vocal Looper Beginner Suggestion please...

> Thank you Omid.
> 
> I've never heard about this one before.
> 
> Is it too high for beginner?? 800 bucks!?
> 
> Pete
> 
> --- On Tue, 8/4/09, Buzap Buzap <buzap@gmx.net> wrote:
> 
> From: Buzap Buzap <buzap@gmx.net>
> Subject: Re: Best Vocal Looper Beginner Suggestion please...
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, August 4, 2009, 9:29 PM
> 
> Hi Omid
> 
> can you tell a bit more about it?
> Is it worth it if you are not interested in the Harmonization?
> 
> best regards
> Buzap
> 
> -- 
> Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
> für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02
> 
> 
> 
> 
>       

-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 11:30:47 2009
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For running convolution/impulse software, not for reverbs but for 
amp/cab/mic/room emulation for DI operations, and simultaneously running 
a software looper, I need the per-application min. HW requirements:

. cpu speed for single core
. cpu speed for dual core
. memory size (I believe memory bus speed is fairly irrerevant)

If you only have specs for one of said applications, that's ok too.
This is for an OSX install on a miniITX board (let's not get into the 
EULA stuff..  I pay, I use as I see fit).
Any non-needed software will be stripped for the OSX installation.

Needless to mention the looper must be an OSX release ;)
Not talking about a very advanced looper, just so I can record, play, 
stop, replay, extend a phrase, stack one more phrase on top, and have 
whatever result gradually fading-out (preset fade time is ok).

IIRC, 'we' have a comparison table of loopers somewhere; will loop for 
it..  is it fully updated?

Anyone tried convolution on an Atom cpu?  Single- or dual-core?


-- 
rgds,
van Sinn


From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 11:39:21 2009
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> earlier in this thread I wrote:
> "In a way,  by introducing tape loops on 'In a Silent Way'  (neglected as
> the predecessor and I feel, the superior record to the more famous
> "Bitches Brew") he was doing the same thing to the percussionists.
> By introducing a static loop that held down the groove,  in essence,  the
> percussionists and drummers were free to explore more. "
To this, Andy Butler replied:

"Rev's link does not confirm the methodology for recording
that this suggests."

No, but go read the liner notes of the remastered special edition of "In 
A Silent Way"
or just listen carefully to the recordings 
themselves................it's very evident
what is looped and what isn't.

What I should have said is that the net effect of hearing the record 
made in this way has
a direct line of inspiration to the percussive approaches of, say,  the 
early Weather Report and their
great percussion/drumming rhythm sections.


*******
Also, you took me to task (by saying I"d had my 2nd espresso of the day)
for talking about the expansion of timbres in percussion that came from 
that time period.

I've studied percussion and the introduction of new percussion 
sounds/textures/cultures in
modern popular music (and I"ll add jazz and jazz fusion to that list) 
since the early 70's
and I did a lot of research into the history of percussive sounds in 
American music
in particular back to the 19th century and you can clearly see
that there was an explosion of new percussion textures in jazz, jazz 
fusion and popular music
that starts right at this time.

Before this time,  so called ethnic influence in jazz had been limited 
to very small amounts of traditional West African
music (and usually played on Afro Cuban and NOT African instruments),  
Afro-Caribbean musics
(and almost entirely Afro Cuban and Afro Brazilian and NOT the other 
strong rhythmic style from the
Caribbean ---Afro Haitian, Antillean, Jamaican, etc.) and a very tiny 
amount of Indian and Japanese
influences.

Around the time following 'In A Silent Way/Bitches Brew'  there was a 
virtual explosion of new percussive timbres.
This was way before successful companies like Latin Percussion had 
gigantic catalogues filled with
percussion from around the world.

Mind you,  it's not that those instruments didn't exist (or the cultures 
that they came from weren't vibrant in their own countries)
it's just they were impossible to find physically to purchase and play, 
at least in American (maybe the UK was different, but if it
was, it's certainly not born out from the popular music that came from 
there at the time).    I know because I fanatically searched it out
in every city I visited in the US at that time.

I studied Malinkan rhythms from a fantastic drummer who had learned his 
percussion in a state penitentiary and a student of his of all weird 
things.
We played for a good two years before we even saw a Djembe.    There 
were none on the West Coast of the US.
Now every third hippy on the mall has one and they are available for 
purchase all over the planet.    I remember seeing borrowing a Sufi 
woman's Tar
and then after I had to return it,  I didn't see another one for five 
more years, when I finally bought one.

In the late 70's    I put together a double Ghanaian Gonkokui Bell and a 
Brazillian double Agogo bell using a kluged
stand that used two triangle holders,  a hell of a lot of gaffing tape 
and a cymbal stand to play four bell Senegales bell
parts for dance classes because there WERE NO percussion stands/  
percussion trays/ cowbell footpedal beaters for sale.

In those days,    a metal Afuche and a Flexitone were incredibly exotic 
percussion instruments.
One by one,  I marked when I'd first hear a new sound or a new drum on a 
recording or in a performance.

Things exploded percussively at the beginning of the fusion movement  
(which as long as we are talking about it,
has to go to Tony Williams Lifetime 'Emergency' as the first record of 
the movement --- a record that Miles most
definitely heard).

So,  2nd espresso or no,  I stand by my statement that timbre and 
texture ramped up considerably around this time
and I think these records had a large part in that.

I also think that "In a Silent Way"   and "Bitches Brew"    though not 
first in this movement, were, nonetheless
vastly more influential on the subsequent history of the movement than 
the first records.

I think the trance like qualities of both of those records had a huge 
influence on records to come that
the rawer and far less groove oriented drumming of Tony Williams had, 
say, in "Emergency".

Show me a single popular recording that sounded like "In a Silent Way" 
that precedes it.
I say popular!    There may have been more obscure predecessors but 
millions of people heard these records
and certainly tens of thousands of musicians.

Miles didn't invent anything really.   Modalism existed before him,   
Trance music existed,  Fusion Existed ,  blah, blah, blah.

Somebody once said that artists are the antennae of a culture.  They 
pick up change coming long before the rest of the population
does and they broadcast it.

Miles was certainly an antennae and he most certainly was a popularizer.
He had an enormous influence on modern music and the sound of modern 
jazz and I think it's okay
to credit him thusly.    You don't have to take a single thing away from 
all the musicians you mentioned who also contributed
to say that.



From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 12:43:18 2009
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Date: Wed, 5 Aug 2009 14:43:17 +0200
Message-ID: <66f9cc1e0908050543x1d4e174ah23a89290b296a04b@mail.gmail.com>
Subject: Re: RC-50 (was Boss looper contest in Germany)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Aug 5, 2009 at 11:31 AM, Sjaak<tcplugin@scarlet.be> wrote:
> Well,
> The problem is that the default settings of the RC-50 are not the setting=
s most (EDP) loopers are used to. In fact, it recalculates the length of th=
e phrase based on the midi clock or the rhythmn guide. But you can change t=
his behaviour: install OS 1.01 + sound priority mode sync. This has been do=
cumented on my website and I think I have send this info already several ti=
mes to the list.

That's some essential RC-50 knowledge!


> Anyway, if you are looking for a reliable, plug and play sound-on-sound l=
ooper, the RC-50 is a good choice, especially live. If you are looking for =
advanced delay and FX features to create more experimental music and glitch=
y stuff, the features of the RC-50 are probably too limited and you're bett=
er off with a different looper.

I agree with Sjaak on this. I had an RC-50 for a week to check out and
I helped a theatre to incorporate it into a play. A nice and simple
box for those that wants what it delivers and is prepared to stick
with a fixed functionality.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 14:40:32 2009
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Subject: Re: RC-50 (was Boss looper contest in Germany)
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Yes, can totally agree. The RC-50 is very reliable, even
if it might be functionally limited.
The only thing which bothers me really is, that the loops
are straight cut at the end. I mean if you switch to another patch (f.ex.
from phrase 1 to phrase 2) or in general if the
phrase will repeat itself,  it doesnÂ´t have a natural release. Phrases will
be cut at the end. This can sound quite rough.
But I guess you only find this option when working with (long) delays where
you can use the natural smooth change mode.
Best,
Christo
www.christojota.de


----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 05, 2009 2:43 PM
Subject: Re: RC-50 (was Boss looper contest in Germany)


On Wed, Aug 5, 2009 at 11:31 AM, Sjaak<tcplugin@scarlet.be> wrote:
> Well,
> The problem is that the default settings of the RC-50 are not the settings
most (EDP) loopers are used to. In fact, it recalculates the length of the
phrase based on the midi clock or the rhythmn guide. But you can change this
behaviour: install OS 1.01 + sound priority mode sync. This has been
documented on my website and I think I have send this info already several
times to the list.

That's some essential RC-50 knowledge!


> Anyway, if you are looking for a reliable, plug and play sound-on-sound
looper, the RC-50 is a good choice, especially live. If you are looking for
advanced delay and FX features to create more experimental music and glitchy
stuff, the features of the RC-50 are probably too limited and you're better
off with a different looper.

I agree with Sjaak on this. I had an RC-50 for a week to check out and
I helped a theatre to incorporate it into a play. A nice and simple
box for those that wants what it delivers and is prepared to stick
with a fixed functionality.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


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Hello to all.

(I am finally catching up with email and have a few minutes to =20
contribute to this thread.)

I spose there are two kinds of criticism -- one that is simply the =20
reality that a listener may not like one's music.  I kind of feel for =20
people who don't like my music because there really isn't anything I =20
can do about it nor anything they can do about it.

Then there is the "snobbish" criticism wherein someone tries to =20
justify their criticism by erecting an arbitrary bar over which no-one =20
can jump.  This has gone on for centuries.

In the early (medievial) church, instruments were not allowed -- only =20
voices -- and -- only men's voices.  Anything else was condemned.  =20
Instruments were viewed with suspicion.  They could play notes that a =20
singer couldn't hit and as such, was a form of "cheating".

Of course, it didn't stop there.  By the 16th century over seventy =20
rules governed the creation of vocal polyphonic music.  To use a =20
tritone (the interval from C to F#) was FORBIDDEN.   Of course, this =20
didn't last long because -- well -- it is kind of hard to avoid the =20
interval and it sounds cool.

So, in Italy, Palestrina wrote some of the most "pure" counterpoint =20
while, in England, Byrd wrote some of the most dramatic -- with LOTS =20
of tritone cross-relations!

There is, in some circles, snobbery regarding pipe organs.  And even =20
though few organists can afford the money or space to have their own =20
instrument, the organ provided them by their church-employer often =20
becomes an arbitrary (and meaningless) measure of a musician's =20
competence.

First of all, you have to play an organ with REAL pipes.  If you play =20
a digital instrument, you are automatically viewed with suspicion.

Then, the organ must have mechanical action (i.e., a "tracker organ"). =20
  After that, it must have "authentic" pipe scales -- the list goes on =20
and on.

And of course, everyone compares the size of their organs -- the =20
bigger the better -- and the SIZE is everything.  (I know this is a =20
double-entendre -- hope you enjoyed it.)

In my college days, low-wind pressure organs were the rage -- if you =20
played an organ with over 2" of wind, then "tisk tisk".  Now the rage =20
is high wind pressure -- which means the "tracker" organs now must =20
have mechanical assists to be playable -- **sigh**.

Well, there is no end to the arbitrary methods someone can use to look =20
down their nose at someone else.

And so it is with technology.  One could look down their nose at =20
someone else because: they use cheap equipment, they use expensive =20
equipment, they use too much equipment, don't know how to use =20
equipment, they use a laptop, they don't use a laptop, they =20
'pre-record' stuff, they use MIDI, they don't use MIDI, they are too =20
commercial, they are too amateur, the list goes on and on.

I do music both for pay and for pleasure -- not always both at the same time=
!

When I am paid my source of satisfaction comes from the notion that I =20
satisfied the customer -- that the customer had requirements and that, =20
as a professional, I fulfilled them.

When I am not paid, while I still want to please the audience, my =20
satisfaction comes from the opportunity to play my own compositions or =20
improvisations.

In the first situation (play for pay) criticism from anyone except my =20
employer is irrelevant.  Even if I personally think a particular =20
selection sucks, that is not the point.

The second situation is a little less straight-forward.  I think I =20
would be criticized if I tried to be someone who I am not.  If I tried =20
to, say, play pop music or jazz it would fall flat.  I don't try to be =20
a musician who can play anything or do anything.  People describe me =20
as "classical", "neo-classical", and "electronic" and that's what I =20
do.  (I enjoy many forms of music that I wouldn't attempt to play =20
myself.)

If someone asked me to do some "Slayer" -- I'd probably sing a couple =20
bars -- "Let me take you down -- dead before you hit the ground..." -- =20
and then inform them that they just heard the reason I don't do =20
Slayer.  :)

My favorite Slayer song is "Divine Intervention".  I have not =20
attempted to perform this myself -- plus I don't think it would work =20
on theremin.

-- Kevin



From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 14:56:18 2009
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> Christo wrote:
> The only thing which bothers me really is, that the loops
> are straight cut at the end. I mean if you switch to another patch (f.e=
x.
> from phrase 1 to phrase 2) or in general if the
> phrase will repeat itself,  it doesn=B4t have a natural release. 

You will see similar behaviour on other loopers like the Lp1 or Mobius wh=
en you stop a loop (eg track or phrase). In fact, a loop is something els=
e than a delay effect with feedback. That's why I often use a delay or re=
verb as pre-looper; this gives me the ability to play a riff and use the =
feedback of the pre-loop effect to slowly fade the riff out when the trac=
k on the looper has stopped playing.

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


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Date: Wed, 5 Aug 2009 17:06:57 +0200
Message-ID: <66f9cc1e0908050806yaec8a23te973c454b7d04b55@mail.gmail.com>
Subject: Re: RC-50 (was Boss looper contest in Germany)
From: Per Boysen <perboysen@gmail.com>
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>> Christo wrote:
>> The only thing which bothers me really is, that the loops
>> are straight cut at the end. I mean if you switch to another patch (f.ex=
.
>> from phrase 1 to phrase 2) or in general if the
>> phrase will repeat itself, =C2=A0it doesn=C2=B4t have a natural release.


You don't have to do it that way, if the abrupt switch doesn't fit
with your music. Use a looper that allows several parallel loops and
make the transit from one loop to the other with volume fades. Loop A
as fade-out and Loop B as fade-in makes a nice crossfade transition
from A to B. This can be done on the LP-1 or a software looper like
SooperLooper or Mobius. Besides that, Mobius also offers the EDP style
of abrupt loop shifting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 15:33:04 2009
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Date: Wed, 05 Aug 2009 11:32:59 -0400
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Fascinating, informative and hilarious. Thanks Kevin!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hello to all.
>
> (I am finally catching up with email and have a few minutes to 
> contribute to this thread.)

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 15:42:40 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: RC-50 (was Boss looper contest in Germany)
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Hi Christo

> The only thing which bothers me really is, that the loops
> are straight cut at the end. 

You do know that you can set automatic smooth fade-outs for loop-ends with the RC-50, right?

I've used it for a while but now I have an expression pedal - like Per suggested - for the current phrase, so I fade-out manually.

best regards
Buzap
-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 15:44:29 2009
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Subject: Re: anti-looper bigots
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"South of Heaven" actually has a nice harmonized melody in the intro that 
would probably sound great on Theremin.

----- Original Message ----- 
From: <kkissinger@kevinkissinger.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 05, 2009 7:51 AM
Subject: Re: anti-looper bigots


My favorite Slayer song is "Divine Intervention".  I have not
attempted to perform this myself -- plus I don't think it would work
on theremin.

-- Kevin







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Hey=2C Bill=2C

I'm no academic in this realm by any stretch=2C but how do you figure in pe=
ople like Martin Denny who seemed to ( perhaps=2C haphazardly) play any ins=
trument they found from any part of the world? And=2C I think=2C maybe a fe=
w years earlier than the mentioned masters.

=20

JD
=20
> Date: Wed=2C 5 Aug 2009 04:39:12 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: anti-looper bigots / Miles & Teo
>=20
> > earlier in this thread I wrote:
> > "In a way=2C by introducing tape loops on 'In a Silent Way' (neglected =
as
> > the predecessor and I feel=2C the superior record to the more famous
> > "Bitches Brew") he was doing the same thing to the percussionists.
> > By introducing a static loop that held down the groove=2C in essence=2C=
 the
> > percussionists and drummers were free to explore more. "
> To this=2C Andy Butler replied:
>=20
> "Rev's link does not confirm the methodology for recording
> that this suggests."
>=20
> No=2C but go read the liner notes of the remastered special edition of "I=
n=20
> A Silent Way"
> or just listen carefully to the recordings=20
> themselves................it's very evident
> what is looped and what isn't.
>=20
> What I should have said is that the net effect of hearing the record=20
> made in this way has
> a direct line of inspiration to the percussive approaches of=2C say=2C th=
e=20
> early Weather Report and their
> great percussion/drumming rhythm sections.
>=20
>=20
> *******
> Also=2C you took me to task (by saying I"d had my 2nd espresso of the day=
)
> for talking about the expansion of timbres in percussion that came from=20
> that time period.
>=20
> I've studied percussion and the introduction of new percussion=20
> sounds/textures/cultures in
> modern popular music (and I"ll add jazz and jazz fusion to that list)=20
> since the early 70's
> and I did a lot of research into the history of percussive sounds in=20
> American music
> in particular back to the 19th century and you can clearly see
> that there was an explosion of new percussion textures in jazz=2C jazz=20
> fusion and popular music
> that starts right at this time.
>=20
> Before this time=2C so called ethnic influence in jazz had been limited=20
> to very small amounts of traditional West African
> music (and usually played on Afro Cuban and NOT African instruments)=2C=20
> Afro-Caribbean musics
> (and almost entirely Afro Cuban and Afro Brazilian and NOT the other=20
> strong rhythmic style from the
> Caribbean ---Afro Haitian=2C Antillean=2C Jamaican=2C etc.) and a very ti=
ny=20
> amount of Indian and Japanese
> influences.
>=20
> Around the time following 'In A Silent Way/Bitches Brew' there was a=20
> virtual explosion of new percussive timbres.
> This was way before successful companies like Latin Percussion had=20
> gigantic catalogues filled with
> percussion from around the world.
>=20
> Mind you=2C it's not that those instruments didn't exist (or the cultures=
=20
> that they came from weren't vibrant in their own countries)
> it's just they were impossible to find physically to purchase and play=2C=
=20
> at least in American (maybe the UK was different=2C but if it
> was=2C it's certainly not born out from the popular music that came from=
=20
> there at the time). I know because I fanatically searched it out
> in every city I visited in the US at that time.
>=20
> I studied Malinkan rhythms from a fantastic drummer who had learned his=20
> percussion in a state penitentiary and a student of his of all weird=20
> things.
> We played for a good two years before we even saw a Djembe. There=20
> were none on the West Coast of the US.
> Now every third hippy on the mall has one and they are available for=20
> purchase all over the planet. I remember seeing borrowing a Sufi=20
> woman's Tar
> and then after I had to return it=2C I didn't see another one for five=20
> more years=2C when I finally bought one.
>=20
> In the late 70's I put together a double Ghanaian Gonkokui Bell and a=20
> Brazillian double Agogo bell using a kluged
> stand that used two triangle holders=2C a hell of a lot of gaffing tape=20
> and a cymbal stand to play four bell Senegales bell
> parts for dance classes because there WERE NO percussion stands/=20
> percussion trays/ cowbell footpedal beaters for sale.
>=20
> In those days=2C a metal Afuche and a Flexitone were incredibly exotic=20
> percussion instruments.
> One by one=2C I marked when I'd first hear a new sound or a new drum on a=
=20
> recording or in a performance.
>=20
> Things exploded percussively at the beginning of the fusion movement=20
> (which as long as we are talking about it=2C
> has to go to Tony Williams Lifetime 'Emergency' as the first record of=20
> the movement --- a record that Miles most
> definitely heard).
>=20
> So=2C 2nd espresso or no=2C I stand by my statement that timbre and=20
> texture ramped up considerably around this time
> and I think these records had a large part in that.
>=20
> I also think that "In a Silent Way" and "Bitches Brew" though not=20
> first in this movement=2C were=2C nonetheless
> vastly more influential on the subsequent history of the movement than=20
> the first records.
>=20
> I think the trance like qualities of both of those records had a huge=20
> influence on records to come that
> the rawer and far less groove oriented drumming of Tony Williams had=2C=20
> say=2C in "Emergency".
>=20
> Show me a single popular recording that sounded like "In a Silent Way"=20
> that precedes it.
> I say popular! There may have been more obscure predecessors but=20
> millions of people heard these records
> and certainly tens of thousands of musicians.
>=20
> Miles didn't invent anything really. Modalism existed before him=2C=20
> Trance music existed=2C Fusion Existed =2C blah=2C blah=2C blah.
>=20
> Somebody once said that artists are the antennae of a culture. They=20
> pick up change coming long before the rest of the population
> does and they broadcast it.
>=20
> Miles was certainly an antennae and he most certainly was a popularizer.
> He had an enormous influence on modern music and the sound of modern=20
> jazz and I think it's okay
> to credit him thusly. You don't have to take a single thing away from=20
> all the musicians you mentioned who also contributed
> to say that.
>=20
>=20
>=20

_________________________________________________________________
Get free photo software from Windows Live
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<body class=3D'hmmessage'>
Hey=2C Bill=2C<BR>
I'm no academic in this realm by any stretch=2C but how do you figure in&nb=
sp=3Bpeople like Martin Denny who seemed to ( perhaps=2C haphazardly) play =
any&nbsp=3Binstrument they found from any part of the world? And=2C I think=
=2C maybe a few years earlier than the mentioned masters.<BR>
&nbsp=3B<BR>
JD<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 5 Aug 2009 04:39:12 -0700<BR>&gt=3B F=
rom: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<=
BR>&gt=3B Subject: Re: anti-looper bigots / Miles &amp=3B Teo<BR>&gt=3B <BR=
>&gt=3B &gt=3B earlier in this thread I wrote:<BR>&gt=3B &gt=3B "In a way=
=2C by introducing tape loops on 'In a Silent Way' (neglected as<BR>&gt=3B =
&gt=3B the predecessor and I feel=2C the superior record to the more famous=
<BR>&gt=3B &gt=3B "Bitches Brew") he was doing the same thing to the percus=
sionists.<BR>&gt=3B &gt=3B By introducing a static loop that held down the =
groove=2C in essence=2C the<BR>&gt=3B &gt=3B percussionists and drummers we=
re free to explore more. "<BR>&gt=3B To this=2C Andy Butler replied:<BR>&gt=
=3B <BR>&gt=3B "Rev's link does not confirm the methodology for recording<B=
R>&gt=3B that this suggests."<BR>&gt=3B <BR>&gt=3B No=2C but go read the li=
ner notes of the remastered special edition of "In <BR>&gt=3B A Silent Way"=
<BR>&gt=3B or just listen carefully to the recordings <BR>&gt=3B themselves=
................it's very evident<BR>&gt=3B what is looped and what isn't.<=
BR>&gt=3B <BR>&gt=3B What I should have said is that the net effect of hear=
ing the record <BR>&gt=3B made in this way has<BR>&gt=3B a direct line of i=
nspiration to the percussive approaches of=2C say=2C the <BR>&gt=3B early W=
eather Report and their<BR>&gt=3B great percussion/drumming rhythm sections=
.<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B *******<BR>&gt=3B Also=2C you took me to =
task (by saying I"d had my 2nd espresso of the day)<BR>&gt=3B for talking a=
bout the expansion of timbres in percussion that came from <BR>&gt=3B that =
time period.<BR>&gt=3B <BR>&gt=3B I've studied percussion and the introduct=
ion of new percussion <BR>&gt=3B sounds/textures/cultures in<BR>&gt=3B mode=
rn popular music (and I"ll add jazz and jazz fusion to that list) <BR>&gt=
=3B since the early 70's<BR>&gt=3B and I did a lot of research into the his=
tory of percussive sounds in <BR>&gt=3B American music<BR>&gt=3B in particu=
lar back to the 19th century and you can clearly see<BR>&gt=3B that there w=
as an explosion of new percussion textures in jazz=2C jazz <BR>&gt=3B fusio=
n and popular music<BR>&gt=3B that starts right at this time.<BR>&gt=3B <BR=
>&gt=3B Before this time=2C so called ethnic influence in jazz had been lim=
ited <BR>&gt=3B to very small amounts of traditional West African<BR>&gt=3B=
 music (and usually played on Afro Cuban and NOT African instruments)=2C <B=
R>&gt=3B Afro-Caribbean musics<BR>&gt=3B (and almost entirely Afro Cuban an=
d Afro Brazilian and NOT the other <BR>&gt=3B strong rhythmic style from th=
e<BR>&gt=3B Caribbean ---Afro Haitian=2C Antillean=2C Jamaican=2C etc.) and=
 a very tiny <BR>&gt=3B amount of Indian and Japanese<BR>&gt=3B influences.=
<BR>&gt=3B <BR>&gt=3B Around the time following 'In A Silent Way/Bitches Br=
ew' there was a <BR>&gt=3B virtual explosion of new percussive timbres.<BR>=
&gt=3B This was way before successful companies like Latin Percussion had <=
BR>&gt=3B gigantic catalogues filled with<BR>&gt=3B percussion from around =
the world.<BR>&gt=3B <BR>&gt=3B Mind you=2C it's not that those instruments=
 didn't exist (or the cultures <BR>&gt=3B that they came from weren't vibra=
nt in their own countries)<BR>&gt=3B it's just they were impossible to find=
 physically to purchase and play=2C <BR>&gt=3B at least in American (maybe =
the UK was different=2C but if it<BR>&gt=3B was=2C it's certainly not born =
out from the popular music that came from <BR>&gt=3B there at the time). I =
know because I fanatically searched it out<BR>&gt=3B in every city I visite=
d in the US at that time.<BR>&gt=3B <BR>&gt=3B I studied Malinkan rhythms f=
rom a fantastic drummer who had learned his <BR>&gt=3B percussion in a stat=
e penitentiary and a student of his of all weird <BR>&gt=3B things.<BR>&gt=
=3B We played for a good two years before we even saw a Djembe. There <BR>&=
gt=3B were none on the West Coast of the US.<BR>&gt=3B Now every third hipp=
y on the mall has one and they are available for <BR>&gt=3B purchase all ov=
er the planet. I remember seeing borrowing a Sufi <BR>&gt=3B woman's Tar<BR=
>&gt=3B and then after I had to return it=2C I didn't see another one for f=
ive <BR>&gt=3B more years=2C when I finally bought one.<BR>&gt=3B <BR>&gt=
=3B In the late 70's I put together a double Ghanaian Gonkokui Bell and a <=
BR>&gt=3B Brazillian double Agogo bell using a kluged<BR>&gt=3B stand that =
used two triangle holders=2C a hell of a lot of gaffing tape <BR>&gt=3B and=
 a cymbal stand to play four bell Senegales bell<BR>&gt=3B parts for dance =
classes because there WERE NO percussion stands/ <BR>&gt=3B percussion tray=
s/ cowbell footpedal beaters for sale.<BR>&gt=3B <BR>&gt=3B In those days=
=2C a metal Afuche and a Flexitone were incredibly exotic <BR>&gt=3B percus=
sion instruments.<BR>&gt=3B One by one=2C I marked when I'd first hear a ne=
w sound or a new drum on a <BR>&gt=3B recording or in a performance.<BR>&gt=
=3B <BR>&gt=3B Things exploded percussively at the beginning of the fusion =
movement <BR>&gt=3B (which as long as we are talking about it=2C<BR>&gt=3B =
has to go to Tony Williams Lifetime 'Emergency' as the first record of <BR>=
&gt=3B the movement --- a record that Miles most<BR>&gt=3B definitely heard=
).<BR>&gt=3B <BR>&gt=3B So=2C 2nd espresso or no=2C I stand by my statement=
 that timbre and <BR>&gt=3B texture ramped up considerably around this time=
<BR>&gt=3B and I think these records had a large part in that.<BR>&gt=3B <B=
R>&gt=3B I also think that "In a Silent Way" and "Bitches Brew" though not =
<BR>&gt=3B first in this movement=2C were=2C nonetheless<BR>&gt=3B vastly m=
ore influential on the subsequent history of the movement than <BR>&gt=3B t=
he first records.<BR>&gt=3B <BR>&gt=3B I think the trance like qualities of=
 both of those records had a huge <BR>&gt=3B influence on records to come t=
hat<BR>&gt=3B the rawer and far less groove oriented drumming of Tony Willi=
ams had=2C <BR>&gt=3B say=2C in "Emergency".<BR>&gt=3B <BR>&gt=3B Show me a=
 single popular recording that sounded like "In a Silent Way" <BR>&gt=3B th=
at precedes it.<BR>&gt=3B I say popular! There may have been more obscure p=
redecessors but <BR>&gt=3B millions of people heard these records<BR>&gt=3B=
 and certainly tens of thousands of musicians.<BR>&gt=3B <BR>&gt=3B Miles d=
idn't invent anything really. Modalism existed before him=2C <BR>&gt=3B Tra=
nce music existed=2C Fusion Existed =2C blah=2C blah=2C blah.<BR>&gt=3B <BR=
>&gt=3B Somebody once said that artists are the antennae of a culture. They=
 <BR>&gt=3B pick up change coming long before the rest of the population<BR=
>&gt=3B does and they broadcast it.<BR>&gt=3B <BR>&gt=3B Miles was certainl=
y an antennae and he most certainly was a popularizer.<BR>&gt=3B He had an =
enormous influence on modern music and the sound of modern <BR>&gt=3B jazz =
and I think it's okay<BR>&gt=3B to credit him thusly. You don't have to tak=
e a single thing away from <BR>&gt=3B all the musicians you mentioned who a=
lso contributed<BR>&gt=3B to say that.<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>=
<br /><hr />Get free photo software from Windows Live <a href=3D'http://www=
.windowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:en-US:SI_PH=
_software:082009' target=3D'_new'>Click here.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 17:05:10 2009
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To: <Loopers-Delight@loopers-delight.com>
References: <000501ca157b$bd12ff60$27862245@YOUR08D5303051> <4A78FC10.7000704@mhorse.com> <000601ca157f$cfec24f0$27862245@YOUR08D5303051> <4A790213.4050407@mhorse.com>
Subject: Re: New EH Delay
Date: Wed, 5 Aug 2009 13:05:08 -0400
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The vid is out now. A very cool pedal. Glitchyness abounds. Now officially 
in penny saving mode.
http://www.youtube.com/watch?v=1PBKxhp6uKM

Jeff
http://www.myspace.com/loopsinphasespace

"A mosquito died while seeking to develop a close relationship, its
overtures swiftly declined, forever."_RF





----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 04, 2009 11:52 PM
Subject: Re: New EH Delay


> Hehehe...figured that might only inflate your GAS. I didn't get to try it 
> w/the expression pedal, but I was whirling the delay time around by hand 
> and enjoying the various whalelike (yup) noises, one of my fave things. 
> May check it again tomorrow, w/the pedal, if so I'll give a fuller report.
>
> And yep, you get delay and mod at the same time.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Hey Daryl,
>>
>> So the mod gets seasick warbling! Just the thing, can't get too much of 
>> that now can we!
>> What does it do when you change the delay time with the exp pedal? 
>> Underwater whalelike sounds perhaps? You know how much I like those. :) 
>> Or did you get to try it with an exp pedal?
>> And can you use delay and mod at the same time?
>>
>> Best,
>>
>> Jeff
>>
>>
>> ----- Original Message ----- From: "Daryl Shawn" <highhorse@mhorse.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, August 04, 2009 11:27 PM
>> Subject: Re: New EH Delay
>>
>>
>>> I just tried one out today, actually. Sounds really nice, and a good 
>>> long delay time for an analog echo. The mod controls go from zero to 
>>> 1000 right away, though, they seem only useful for really extreme 
>>> seasick warbling.
>>>
>>> For the echo itself, especially with the expression pedal for delay time 
>>> (wish it could control feedback!), seems like a great deal at $100 US.
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>> www.chinapaintingmusic.com
>>>
>>>> Well I need another delay pedal like I need a..actually I don't need 
>>>> another! Then why do I get excited when I see this?
>>>> Hey it has an expression pedal input! No reverse though, darnit...but 
>>>> pedal control of delay or modulation might glitch just the right way!
>>>>
>>>> http://tinyurl.com/m2ljwd
>>>>
>>>> G.A.S. victim,
>>>>
>>>> Jeff
>>>
>>>
>> ------------------------------------------------------------------------
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com Version: 8.5.392 / Virus Database: 
>> 270.13.44/2282 - Release Date: 08/04/09 18:01:00
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 17:05:58 2009
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Subject: NYC gig spam: Lambic @ Issue Project Room TONIGHT @ 8 pm
Date: Wed, 5 Aug 2009 13:05:56 -0400
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Hi, everyone

This is the end of our mini tour, our last gig of the summer and it  
promises to be a great gig. Lambic Jones ( Lambic + Percy Jones on  
fretless bass) is playing at Issue Project Room in Brooklyn. We're  
sharing the bill with another great band, Frank Vigroux and Matthew  
Bourne feat. Ellery Eskelin.  Lots of looping going on...Hope to see  
you !

Issue Project Room
232 3rd St
Brooklyn  (bet 4th and 3rd Ave)
8:00

http://issueprojectroom.org/2009/07/03/franck-vigroux-electronics-guitar-matthew-bourne-piano-synth-featuring-ellery-eskelin-saxophone/

http://myspace.com/lambic

http://cdbaby.com/cd/lambic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi, everyone<br><br>This is the =
end of our mini tour, our last gig of the summer and it promises to be a =
great gig. Lambic Jones ( Lambic + Percy Jones on fretless bass) is =
playing at Issue Project Room in Brooklyn. We're sharing the bill with =
another great band, Frank Vigroux and Matthew Bourne feat. Ellery =
Eskelin. &nbsp;Lots of looping going on...Hope to see you !<br><br>Issue =
Project Room<br>232 3rd St<br>Brooklyn &nbsp;(bet 4th and 3rd =
Ave)<br>8:00<br><br><a =
href=3D"http://issueprojectroom.org/2009/07/03/franck-vigroux-electronics-=
guitar-matthew-bourne-piano-synth-featuring-ellery-eskelin-saxophone/">htt=
p://issueprojectroom.org/2009/07/03/franck-vigroux-electronics-guitar-matt=
hew-bourne-piano-synth-featuring-ellery-eskelin-saxophone/</a><br><br><a =
href=3D"http://myspace.com/lambic">http://myspace.com/lambic</a><br><br><a=
 =
href=3D"http://cdbaby.com/cd/lambic">http://cdbaby.com/cd/lambic</a><br><b=
r></body></html>=

--Apple-Mail-90-601816840--

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References: <4A796F60.2050603@cruzio.com>
	 <20090805095151.ad5xu9mzokgswg0w@mail.kevinkissinger.com>
	 <C092D8B3B93F4D30BA0E2E1A4E5C6097@DTT60>
Date: Wed, 5 Aug 2009 13:12:07 -0400
Message-ID: <9e0440a60908051012u35be21b8m15238bc3d5e8091d@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Love the Slayer story Kevin as well as the church forbidden 'tri-tones' and
to take that further when I was a freshman music major studying first year
theory according to Paul Hindemith, we were instructed to avoid parallel
fifths in all of our assignments, strangely that was the writing on the wall
for me and was to become my favorite interval in so many directions.

My own mother, as much as I love and respect her once said to me, 'do you
think anybody will really like your music?'.

Artistic rejection is a tough nut and hard to take yet most of us who create
beyond the walls of our bedroom, deal with risk for the kernal of light or
praise or realization that some soul was touched by what we were expressing.

I have a solo fretless guitar improv video on YouTube that I've taken a lot
of flack on http://www.youtube.com/watch?v=xvk2lQTxgUs&feature=channel_page .
When I began to kind of vent on one that got to me to my son he said, 'they
won Dad (meaning they got a raz out of you) but at least they took the time
to listen'.  I try to remember the latter before reacting anymore.

The cool thing about this thread and Kyle's coming here to LD to start it
is, the trust and support this community has the potential to give and for
me personally that often means a lot.

Good day to all.

j

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b5174e5a240470681abc
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<div>Love the Slayer story Kevin as well as the church forbidden &#39;tri-t=
ones&#39; and to take that further when I was a freshman music major studyi=
ng first year theory according to Paul Hindemith, we were instructed to avo=
id parallel fifths in all of our assignments, strangely that was the writin=
g on the wall for me and was to become my favorite interval in so many dire=
ctions.</div>

<div>=A0</div>
<div>My own mother, as much as I love and respect her once said to me, &#39=
;do you think anybody will really like your music?&#39;.</div>
<div>=A0</div>
<div>Artistic rejection is a tough nut and hard to take yet most of us who =
create beyond the walls of our bedroom, deal with=A0risk for the kernal of =
light or praise or realization that some soul was touched by what we were e=
xpressing.</div>

<div>=A0</div>
<div>I have a solo fretless guitar improv video on YouTube that I&#39;ve ta=
ken a lot of flack on <a href=3D"http://www.youtube.com/watch?v=3Dxvk2lQTxg=
Us&amp;feature=3Dchannel_page">http://www.youtube.com/watch?v=3Dxvk2lQTxgUs=
&amp;feature=3Dchannel_page</a>=A0.=A0 When I began to kind of vent on one =
that got to me to my son he said, &#39;they won Dad (meaning they got a raz=
 out of you) but at least they took the time to listen&#39;.=A0 I try to re=
member the latter before reacting anymore.</div>

<div>=A0</div>
<div>The cool thing about this thread and Kyle&#39;s coming here to LD to s=
tart it is, the trust and support this community has the potential to give =
and for me personally that often means a lot.</div>
<div>=A0</div>
<div>Good day to all.</div>
<div>=A0</div>
<div>j</div>
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5b5174e5a240470681abc--

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 17:27:16 2009
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Christo Jota wrote:
> Not sure if I understand what you mean, Andy.

Sonuus always puts out pitch bend info, over a range 2 semitones up 
2  semitones down.

Your midi synth responds to midi pitch bend.
It has a pitch bend range you can set for each patch.

Make sense?

So you have to set the pitch bend range on your synth to 
2 semitones up 2 semitones down. Then it matches up with
the Sonuus.
If on the other hand

..and hey, your synth's in tune with your guitar as you bend
the string.


Additionally:-
Most midi converters for guitar get the right pitch in this way:-
1) Guess the nearest note and send a Note-On
2) If the note's wrong, send Midi pitch bend to make it sound right.

So..switching off the pitch bend on your synth isn't usually a
good idea, you get more wrong notes.

...but don't not try it just because of what i say :-)



> You´re probably right when saying I have to learn to damp the other 5
> strings.
> But that probably keeps me from a relaxed way of playing...

:-) depends how much you wanna be in control. 

> Christo
> 
andy


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--- On Mon, 8/3/09, Krispen Hartung <info@krispenhartung.com> wrote:

> ...is that real or fake? Who the hell cares. Anyone
> who gets hung up on 
> these things probably isn't listening

Exactly!  They are not listening.

This does not really apply to the acoustic purists but I blame MTV (only partly) for helping to encourage the mindset that music is something you watch (insert LSD joke of choice here).

More than once I've told a critic to close their eyes and tell me if they hear music.  Friends used to think (when I was onstage or when we'd go to gigs as audients) because I kept my head down and eyes closed I was having a miserable time when in reality I was actually listening (and usually enjoying myself immensely).

Years ago when my former band was in the midst of an improvisation, a young lady (who I assume was chemically altered) came up to the side of the stage and "exposed herself" to the band.  I was completely unaware of this until the end of the set when we stopped playing and another band member told me about it.

Hmmm... on second thought maybe I should keep my eyes open more often onstage.

m

www.TwistedAppleRecords.com

Stone Document's Anamnesis now available from iTunes!http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=301414103&s=143441

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 19:27:06 2009
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JD wrote:
" Hey, Bill,  I'm no academic in this realm by any stretch, but how do 
you figure in people like Martin Denny who seemed to ( perhaps, 
haphazardly) play any instrument they found from any part of the world? 
And, I think, maybe a few years earlier than the mentioned masters."

Hey JD,  I'm going to assume that you made the mistake that our father 
used to make all the time (and all our friends as well) and
that you confused me,  Rick ,  with my brother Bill.

If not, disregard my reply and wait for one from Bill.  It's just that 
you quoted my post  to respond to so I'll make the obvious assumption.

So,  my answer is that I'm really talking about popular movements in 
music:   movements that affected the masses and the largest share of 
musicians in general.
People like Martin Denny (and David Lindley in our country) were vastly 
ahead of the curve in their fusion of ethnic musics and instruments and 
styles
so they are the exception to the phenomena I've been talking about.  
They also didn't start an avalanche of influence that resulted in people
copying what they did.   They are magnificent islands in the stream of 
that popular musical history.

Also,  I was speaking pretty specifically about percussion which is my 
lifelong field of expertise,  so I wasn't really referring to string 
instruments.

What instruments did Martin Denny play in those days out of 
curiosity?    Lindley , pretty specifically,  was playing Americana folk 
instruments and a
couple of instruments from the Middleeast in his group Kaleidescope in 
the late 60's.

*******************
*******************

So called 'ethnic music'  (a term which I"m really uncomfortable as I 
consider rock 'n roll to be folk music and hence, ethnic,   just the 
music of the folk of my country and others) has been prevalent in the 
Colonial (Imperialist) countries since those countries started 
conquering peoples around the world.
In the sixties and early seventies  I found lots of many records on the 
Nonesuch label of world traditional music.    There were just very few 
of them where I live
in Northern California compared to the explosion that would occur with 
the so called 'World Beat' movement that I would be part of in the early 
80's.
Modern popular music and jazz just didn't have a lot of influence from 
these cultures for the most part.

In my small part of the world, during the early to mid eighties that 
there was an explosion in commercial interest in world music, both 
traditional and fusion varieties.

Before that, however, in my  home town, Santa Cruz, which at one point 
had the only large concert venue dedicated specifically to World Music 
and World Music Fusion (World Beat----that horrid, horrid term again)  I 
remember lobbying and lobbying the booker for the local large rock 
showcase club, the Catalyst until he relented and booked the first 
Reggae bands,  the first African Bands,  the first Middleeastern 
groups.   In those days I was so fanatically and obsessively interested 
in so called World Music that I did everything in my power to bring it 
to my community.     I remember my wife at the time,  Janet Ring and I 
going down to the Civic Auditorium and
at 7:00 a.m. in the morning to meet a bewildered group of musicians from 
the Uzulu Dance Theatre  to bring them back to our home for bagels and 
coffee and
private lessons and dance classes I'd set up for them to make some money 
so that they would come teach us about their artistry.

A mere five years after these humble beginnings,  acts like  Thomas 
Mapfumo, Youssou NDour, Babtunde Olatunji, Sunny Ade, Johnny Clegg and 
Savuka, the Gypsy Kings,  Les Negresses Verte,  a plethora of big Reggae 
Acts to numerous to mention and many, many other groups from the 
Middleeast were suddenly headliners at
all the biggest venues and their were multiple clubs that catered 
partially or entirely to them.

Then, in Santa Cruz, this amazing world instrument (though primarily 
percussion) store called Rhythm Fusion opened up...............Places 
like Lark in the Morning which for a long time had catered to ethnic 
music enthusiasts suddenly began to have increasingly large catalogues 
and ever since it's been a cornucopia if you wanted to start finding
unusual ethnic instruments to start to learn on.

And , of course,  all of this refers to just what was commercially 
available to people and musicians where I live.  Every part of the world 
has a slightly different
time line for this explosion of influences and access to the musical 
instruments that made them.

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 19:38:56 2009
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Hi all, 

If anyone is interested,  I just put up a youtube video page for
Bill's project,  New Delta.

*_www.youtube.com/billwalkersnewdelta_*

I posted four tracks (the entire performance) of our first show
opening for the wonderful Argentine looper, Juana Molina
at the Rio Theatre in Santa Cruz.

The group , featuring all of Bill's compositions, revolves around his
psychedelic slide guitar and lap steel, weissenborn,  LP-1 live looping 
improvisations
using inspiration from musics of the Mississippi, Nile, Ganges and 
Yangtze Delta regions.
I accompany him, playing  different exotic percussion instruments (giant 
calabash, liquid
glass ghatam, kanjira and korg wave drum).

It was a really fun gig and the video came out decently so I hope you all
enjoy them.




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Subject: Re: anti-looper bigots
From: Warren Sirota <wsirota@wsdesigns.com>
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I think there's a psychological component at work in all these stories
- we remember the negative words vividly, for all our lives, and we
don't treat the positive ones nearly as well. For every ahole audience
member I've ever encountered, there are at least 5 or 10 who have come
up to me and told me how much they dug what I was doing, maybe more.
But I don't remember their words or the experiences anywhere near as
well. It's weird, it's kind of sick, but I think we're all built that
way.

Warren

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Date: Wed, 5 Aug 2009 23:55:54 +0200
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Subject: Review: Jomox T-Resonator - short video
From: Rainer Straschill <moinsound@googlemail.com>
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Regarding my review I posted recently - here's the promised video of
some no-input configuration of the Jomox T-Resonator
http://www.youtube.com/watch?v=SIxovfT-Gdg

Have fun!

            Rainer

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Subject: Re: anti-looper bigots
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> I think there's a psychological component at work in all these stories
> It's weird, it's kind of sick, but I think we're all built that way.

No, I'm not - so you'd at least need to rephrase that as "most of us
are built that way". ;)

Perhaps having that inverse filtering - that you vividly remember the
encouraging words, the crowds going crazy much more than the assholes
- is much more important than the 10.000 hours of practice recently
discussed?

           Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Aug  5 22:08:53 2009
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Date: Thu, 6 Aug 2009 00:08:51 +0200
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Subject: Re: anti-looper bigots
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> when I was a freshman music major studying first year theory according to Paul Hindemith, we were instructed to avoid parallel fifths in all of our assignments

The rule to never use parallel fifths (and octaves and primes) is much
older than Hindemith and comes from the early Baroque era.

Now for us power chord generation people, this rule is often hard to
understand, and so it makes sense to see where it originally came
from:
Back in the early Baroque era, the human voice was an important
instrument, not only as a lead instrument, but also in multi-voice
harmonies (as in choral harmonies). Now the predominant singing style
at that time for solo singers was to sing jumps portamento, i.e. for a
fifth jump from D to A not sing the D, then sing the A, but to sing a
quick glissando from D to A.

Now obviously, if several singers were doing that in a homphonic
passage, then they all would do that glissando with a slightly
different timing - which would mean they wouldn't be in exact
intervals during the glissando.
Now this sounds especially ugly if you are moving in parallel in very
pure intervals - prime, octave and fifth - so this was to be avoided.

Just my historical two cents.

           Rainer

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Date: Thu, 6 Aug 2009 00:17:14 +0200
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Subject: Re: anti-looper bigots
From: Per Boysen <perboysen@gmail.com>
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On Thu, Aug 6, 2009 at 12:08 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> Now obviously, if several singers were doing that in a homphonic
> passage, then they all would do that glissando with a slightly
> different timing - which would mean they wouldn't be in exact
> intervals during the glissando.
> Now this sounds especially ugly if you are moving in parallel in very
> pure intervals - prime, octave and fifth - so this was to be avoided.
>
> Just my historical two cents.


Very interesting historical two cents. Wonder what those early Baroque
era people would think about the multi glissandi THX jingle! :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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--0-1729414223-1249512078=:73808
Content-Type: text/plain; charset=us-ascii

i total agree ,i had many say they loved it ...but the ones that gave me shit are the ones i will remember...guess i need to work on getting a thicker skin

Kyle 



--- On Wed, 8/5/09, Warren Sirota <wsirota@wsdesigns.com> wrote:

From: Warren Sirota <wsirota@wsdesigns.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, August 5, 2009, 4:18 PM

I think there's a psychological component at work in all these stories
- we remember the negative words vividly, for all our lives, and we
don't treat the positive ones nearly as well. For every ahole audience
member I've ever encountered, there are at least 5 or 10 who have come
up to me and told me how much they dug what I was doing, maybe more.
But I don't remember their words or the experiences anywhere near as
well. It's weird, it's kind of sick, but I think we're all built that
way.

Warren


--0-1729414223-1249512078=:73808
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i total agree ,i had many say they loved it ...but the ones that gave me shit are the ones i will remember...guess i need to work on getting a thicker skin<br><br><div><address style="font-family: arial narrow; font-weight: bold;"><font color="#bf00bf" size="4">Kyle </font></address><address><br><br><a rel="nofollow" target="_blank" href="http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"><span class="yshortcuts" id="lw_1230810272_0"></span></a></address></div><br><br>--- On <b>Wed, 8/5/09, Warren Sirota <i>&lt;wsirota@wsdesigns.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Warren Sirota &lt;wsirota@wsdesigns.com&gt;<br>Subject: Re: anti-looper bigots<br>To: Loopers-Delight@loopers-delight.com<br>Date: Wednesday, August 5, 2009, 4:18 PM<br><br><div
 class="plainMail">I think there's a psychological component at work in all these stories<br>- we remember the negative words vividly, for all our lives, and we<br>don't treat the positive ones nearly as well. For every ahole audience<br>member I've ever encountered, there are at least 5 or 10 who have come<br>up to me and told me how much they dug what I was doing, maybe more.<br>But I don't remember their words or the experiences anywhere near as<br>well. It's weird, it's kind of sick, but I think we're all built that<br>way.<br><br>Warren<br><br></div></blockquote></td></tr></table>
--0-1729414223-1249512078=:73808--

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Per Boysen wrote:

> Very interesting historical two cents. Wonder what those early Baroque
> era people would think about the multi glissandi THX jingle! :-)

They'd be hiding under the theater seats, I imagine. :-)



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Date: Thu, 6 Aug 2009 02:29:46 +0200
Message-ID: <66f9cc1e0908051729g53736f2fo796a11d3d5b6e4ac@mail.gmail.com>
Subject: Re: anti-looper bigots
From: Per Boysen <perboysen@gmail.com>
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> Per Boysen wrote:
>
>> Very interesting historical two cents. Wonder what those early Baroque
>> era people would think about the multi glissandi THX jingle! :-)

On Thu, Aug 6, 2009 at 2:16 AM, Brian Good<bsgood@gmail.com> wrote:
> They'd be hiding under the theater seats, I imagine. :-)
>

BTW I just remembered something about the Baroque era. When Matthias
Grob was here in Sweden we played at a television documentary whose
producer told us that she thought we were "following up on the Baroque
tradition". This surprising view she based on the Baroque praxis to
improvise around themes, as we tried to do in ensemble livelooping.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 00:30:40 2009
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Jim Goodin wrote:
> Love the Slayer story Kevin as well as the church forbidden 'tri-tones' 
> and to take that further when I was a freshman music major studying 
> first year theory according to Paul Hindemith, we were instructed to 
> avoid parallel fifths in all of our assignments, strangely that was the 
> writing on the wall for me and was to become my favorite interval in so 
> many directions.

I know there are authoritarian clowns who insist on rule-following with 
no rational justification. But I've always taken rules like "no parallel 
fifths" to be things you work with while you're learning, temporary 
limitations you agree to in order to develop compositional control. You 
learn to recognize parallel fifths, you learn why you might want to 
avoid them in a particular style of music--and then you do what you want 
when you're making your own music.

An old teacher once told me that he didn't introduce rules so that his 
students would follow them rigidly. He presented the rules he used to 
get his sound as a case study. When a student of his went on to develop 
a musical language of his/her own, with different rules, he considered 
it a great success.

I've recently been infatuated with a Jon Hassell sort of 1-2-5 parallel 
voicing on my soprano, using a pitch shifter. Everything I play that way 
incorporates parallel fifths. Nobody has tried to punch me out yet for 
doing it.

Brian

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 00:32:08 2009
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Subject: Re: anti-looper bigots / Miles & Teo
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Charles Zwicky wrote:
> The entire piece is simply repeated at 8:00 or so...

Hmm. I thought the solos weren't repeated. But I may be remembering one 
of the other things on the album; it's been a long time since I heard it.

Brian

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 00:44:55 2009
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Subject: Re: anti-looper bigots
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The no parallel fifths rule is mostly for part-writing music for multiple 
monophonic instruments.  It's a good rule--if you write a four part chorale 
and it suddenly sounds hollow, parallel intervals is probably the reason 
why.  If you're making up guitar or bass parts and they're not in 3 part 
harmony or if they're distorted, parallel fifths could sound wonderful.

I have experience with being in bands and having a guitar and bass doing 
complementary lines that will sound like crap at one point, then I look at 
the notes being played(usually a parallel interval), adjust one of my notes 
to another octave, and it sounds SO much better.

\t
----- Original Message ----- 
From: "Brian Good" <bsgood@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 05, 2009 5:33 PM
Subject: Re: anti-looper bigots


> Jim Goodin wrote:
>> Love the Slayer story Kevin as well as the church forbidden 'tri-tones' 
>> and to take that further when I was a freshman music major studying first 
>> year theory according to Paul Hindemith, we were instructed to avoid 
>> parallel fifths in all of our assignments, strangely that was the writing 
>> on the wall for me and was to become my favorite interval in so many 
>> directions.
>
> I know there are authoritarian clowns who insist on rule-following with no 
> rational justification. But I've always taken rules like "no parallel 
> fifths" to be things you work with while you're learning, temporary 
> limitations you agree to in order to develop compositional control. You 
> learn to recognize parallel fifths, you learn why you might want to avoid 
> them in a particular style of music--and then you do what you want when 
> you're making your own music.
>
> An old teacher once told me that he didn't introduce rules so that his 
> students would follow them rigidly. He presented the rules he used to get 
> his sound as a case study. When a student of his went on to develop a 
> musical language of his/her own, with different rules, he considered it a 
> great success.
>
> I've recently been infatuated with a Jon Hassell sort of 1-2-5 parallel 
> voicing on my soprano, using a pitch shifter. Everything I play that way 
> incorporates parallel fifths. Nobody has tried to punch me out yet for 
> doing it.
>
> Brian
>
> 

From servizi@monetaonline.it  Thu Aug  6 00:49:27 2009
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From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 00:54:54 2009
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well, thank you for overturning my presumption. really, and sorry for makin=
g it.

i will ponder this. actually, i am already.

Warren

On Wed, Aug 5, 2009 at 6:01 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
>> I think there's a psychological component at work in all these stories
>> It's weird, it's kind of sick, but I think we're all built that way.
>
> No, I'm not - so you'd at least need to rephrase that as "most of us
> are built that way". ;)
>
> Perhaps having that inverse filtering - that you vividly remember the
> encouraging words, the crowds going crazy much more than the assholes
> - is much more important than the 10.000 hours of practice recently
> discussed?
>
> =A0 =A0 =A0 =A0 =A0 Rainer
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

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I was having a conversation the other day about making a circuit bent
synth/sampler that had a "freebird" button.  ie somebody yells it, you hit
the "freebird button", stun them for a second...

And then, fuck it the hell up.  Sample/resample/glitch/sequence and give
them something new.

-nn
happyhumans.org


On Tue, Aug 4, 2009 at 10:13 AM, Ricky Graham <
rock.guitar.guru@btinternet.com> wrote:

> I love that.. "I don't like what your doing, but it's good."
>
> Let's see what else;
>
> "You'd have to be trippin' on LSD to enjoy this"
>
> "That was the weirdest gig I've ever been too. Can I get my photo with
> you?"
>
> And of course you have spent two weeks preparing a set and some jackass
> shouts "play some slayer" or "freebird"...
>
> :o)
>
> Ricky
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, August 04, 2009 4:51 PM
> Subject: Re: anti-looper bigots
>
>
> On Tue, Aug 4, 2009 at 5:09 PM, Paul
> Richards<paulrichard_rocks@yahoo.com> wrote:
>
>> On Mon, Aug 3, 2009 at 4:06 PM, K D Patten<kdpatten@yahoo.com> wrote:
>>
>>> OK... My Looping friends......tell me some story's.....i just got trashed
>>>
>>
>>
> I played "experimental and totally improvised music" at a
> "Singer/songwriter's Night" at a local beer house,  using tenor sax
> for livelooping. To my ears everyone else there tried to mimic some
> well known country artist I don't know the name of. I thought they
> should start throwing ashtrays and beer cans at me as I started to
> squeal and scramble on stage but it appeared about half of them
> appreciated my gig as "very, very different" while the other half
> thought I had been acting out to a pre recorded CD and they simply
> accepted "not understanding this art form". One guy said to me he did
> not like what I was doing but was glad anyway having witnessed "the
> most strange stuff so far".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.392 / Virus Database: 270.13.43/2281 - Release Date: 08/04/09
> 05:57:00
>
>

--00151748e73616e99604706ebe65
Content-Type: text/html; charset=ISO-8859-1
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I was having a conversation the other day about making a circuit bent synth=
/sampler that had a &quot;freebird&quot; button.=A0 ie somebody yells it, y=
ou hit the &quot;freebird button&quot;, stun them for a second...<br><br>An=
d then, fuck it the hell up.=A0 Sample/resample/glitch/sequence and give th=
em something new.<br>
<br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br><b=
r><div class=3D"gmail_quote">On Tue, Aug 4, 2009 at 10:13 AM, Ricky Graham =
<span dir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@btinternet.com">ro=
ck.guitar.guru@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I love that.. &qu=
ot;I don&#39;t like what your doing, but it&#39;s good.&quot;<br>
<br>
Let&#39;s see what else;<br>
<br>
&quot;You&#39;d have to be trippin&#39; on LSD to enjoy this&quot;<br>
<br>
&quot;That was the weirdest gig I&#39;ve ever been too. Can I get my photo =
with you?&quot;<br>
<br>
And of course you have spent two weeks preparing a set and some jackass sho=
uts &quot;play some slayer&quot; or &quot;freebird&quot;...<br>
<br>
:o)<br>
<br>
Ricky<br>
----- Original Message ----- From: &quot;Per Boysen&quot; &lt;<a href=3D"ma=
ilto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;<div=
 class=3D"im"><br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br></div>
Sent: Tuesday, August 04, 2009 4:51 PM<div class=3D"im"><br>
Subject: Re: anti-looper bigots<br>
<br>
<br></div><div><div></div><div class=3D"h5">
On Tue, Aug 4, 2009 at 5:09 PM, Paul<br>
Richards&lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com" target=3D"_blank=
">paulrichard_rocks@yahoo.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
On Mon, Aug 3, 2009 at 4:06 PM, K D Patten&lt;<a href=3D"mailto:kdpatten@ya=
hoo.com" target=3D"_blank">kdpatten@yahoo.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
OK... My Looping friends......tell me some story&#39;s.....i just got trash=
ed<br>
</blockquote>
<br>
</blockquote>
<br>
I played &quot;experimental and totally improvised music&quot; at a<br>
&quot;Singer/songwriter&#39;s Night&quot; at a local beer house, =A0using t=
enor sax<br>
for livelooping. To my ears everyone else there tried to mimic some<br>
well known country artist I don&#39;t know the name of. I thought they<br>
should start throwing ashtrays and beer cans at me as I started to<br>
squeal and scramble on stage but it appeared about half of them<br>
appreciated my gig as &quot;very, very different&quot; while the other half=
<br>
thought I had been acting out to a pre recorded CD and they simply<br>
accepted &quot;not understanding this art form&quot;. One guy said to me he=
 did<br>
not like what I was doing but was glad anyway having witnessed &quot;the<br=
>
most strange stuff so far&quot;.<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br></div></div>
---------------------------------------------------------------------------=
-----<div class=3D"im"><br>
<br>
<br>
<br>
No virus found in this incoming message.<br>
Checked by AVG - <a href=3D"http://www.avg.com" target=3D"_blank">www.avg.c=
om</a><br></div>
Version: 8.5.392 / Virus Database: 270.13.43/2281 - Release Date: 08/04/09 =
05:57:00<br>
<br>
</blockquote></div><br>

--00151748e73616e99604706ebe65--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 01:24:26 2009
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Date: Wed, 05 Aug 2009 21:24:20 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: anti-looper bigots
References: <bcd3c7bb0908031625u66a16c95g2044b0fa0edb55d1@mail.gmail.com>	 <750408.69360.qm@web110213.mail.gq1.yahoo.com>	 <66f9cc1e0908040851v7f0f2d0dtd6149dff37d490b7@mail.gmail.com>	 <ABEB8976D70F4C32BC5F45AEFBDE2CA0@a> <333287c30908051807l1e409abeq3340691359eb5608@mail.gmail.com>
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That's a brilliant idea..!..I think I'm going to put the first minute on 
a microcassette and then Dictaphone it into oblivion when the need arises.

rubbing hands together,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I was having a conversation the other day about making a circuit bent 
> synth/sampler that had a "freebird" button.  ie somebody yells it, you 
> hit the "freebird button", stun them for a second...
>
> And then, fuck it the hell up.  Sample/resample/glitch/sequence and 
> give them something new.
>
> -nn
> happyhumans.org <http://happyhumans.org>

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 01:39:22 2009
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Date: Wed, 5 Aug 2009 18:31:39 -0700
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Subject: regarding open letters
From: Matt Davignon <mattdavignon@gmail.com>
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I've been hoping this point would be picked up on sometime during this
discussion, but here it goes....

If you have a performance/partnership/cd release/arrangement with
another person, and you're not happy with how the other individual
handled it, the easiest thing to do is to learn that some people are
like that, decide not to work with that person again, and to be more
cognizant when entering similar arrangements in the future.

That's it.

What really is the "best case scenario" result of bashing each other
in a public forum?

I've been burned a number of times in performances, cd releases, and
other musical dealings. In the world of music, many of us are misfits
in some way or another, and part of navigating a musician's life seems
to be learning how to work with or without those personalities. In
many cases I still consider individuals who 'burned' me to be friends,
and I continue to benefit from that friendship in other ways. I just
don't get in situations where they'll be able to do it to me again. If
I find I really can't stand the individual, then I don't interact with
them and (privately) warn others of my experiences.

Personally, I don't agree with everything Rick does, but I'm very
happy he's out there working tirelessly to promote other people's
music. That's a quality I don't find in many folks, and something we
need to see more of.

-- 
Matt Davignon
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From mrsmarywilfred@mail.kz  Thu Aug  6 02:08:49 2009
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From: "Mary Wikfred" <mrsmarywilfred@mail.kz>
Subject: BANK DRAFT FOR  YOUR PAST EFFORT.
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My Dear Friend,
  
  I am Mrs.Mary Wilfred I left a Confirmable Bank Draft of Six Hundred 
and Fifty Thousand ($650,000.00) United States Dollars being your own 
share of our past transaction for your effort and time although we 
couldn't make headway due to some disagreement but I told my new 
partner how helpful you were to me at that time and we both agreed 
that I should give you this amount for your time and effort.I have 
sent you several messsages but i have not heard from you for couple of 
weeks now.

I am traveling out of the country for the next four Months for 
investment in South America and I will not be back until December 
2009,I therefore  went to deposit the bank draft with Engikon Courier 
Company to enable them deliver it to you.
  
So please contact the Engikon Courier Company Services as soon as 
possible to know when they will deliver your Bank Draft to you so that 
it does not incur demurrage. For your information, I have paid for the 
delivering Charge and Insurance premium. The only money you will send 
to the Engikon Courier Company Services to deliver your Bank Draft 
direct to your Address in your country is $105.only being Security 
Keeping Fee of the Courier Company so far. Again, don't be deceived by 
anybody to pay any other money except $105.

I would have paid that but they said no because they donâ€™t know when 
you will contact them and in case of demurrage so contact them now for 
the delivery of your Bank draft so that there won't be any demurrage 
on it.
  
Finally, make sure that you reconfirm your address and Direct 
telephone number to them again to avoid any mistake on the Delivery 
and ask them to give you the tracking number to enable you track your 
package over there and know when it will get to your address.

Finally, Endeavour to indicate this CODE (ECCS 0081) which will prove 
that you are the owner of the Bank Draft already in their company. 
Contact the Engikon Courier Company Services 
via:oko_engikoncourier@rocketmail.com

Yours Faithfully,

Mrs.Mary Wilfred

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<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(1) Your Full Names: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(2) Your Contact Address: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(3) Your Nationality/Country: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(4) Your Telephone number: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(5) Sex: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(6) Age. : </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(7) Occupation: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>To file for your claim, Please contact your Validating Officer for VALIDATION of your winning within Twenty-nine working days of this winning notification. Winnings that are not validated within Twenty-nine working days of winning notification are termed void and invalid. You are required to mention the above particulars of your award in every correspondence to enable the Agent validate your winning. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>***********************************************************</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>FOREIGN TRANSFER MANAGER</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>SIR COLLINS BROWN</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MICROSOFT SECURITY DEPARTMENT (UK).</B></FONT><BR>
<A href="http://m.s.pro/"><FONT size=3 color=#808000 face="Book Antiqua"><B><U>M.S.PRO</B></U></FONT></A><FONT size=3 color=#808000 face="Book Antiqua"><B>. ZONAL COORDINATOR</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MOBILE</B></FONT><FONT size=3 color=#808000 face="Times New Roman"><B>: </B></FONT><FONT size=3 face="Times New Roman"><B>+447024011769</B></FONT><FONT size=3 color=#808000 face="Times New Roman"><B> </B></FONT><BR>
<FONT size=3 color=#808000 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Email: sircollinsbrownmicrosecuritydept@windowslive.com</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>*********************************************************** </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>The Microsoft Internet E-mail lottery Awards is sponsored by our CEO/Chairman, Bill Gates and a consortium of software promotion companies. The Intel Group, Toshiba, Dell Computers and other International Companies. The Microsoft internet E-mail draw is held periodically and is organized to encourage the use of the Internet and promote computer literacy worldwide. The Microsoft Window lottery has discovered a huge number of double claims due to winners informing close friends relatives and third parties about their winning and also sharing their pin numbers.</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT color=#808000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>As a result of this, these friends try to claim the lottery on behalf of the real winners. The Microsoft lottery has reached a decision from headquarters that any double claim discovered by the Lottery Board will result to the Canceling of that particular winning, making a loss for both the double claimer and the real winner, as it is taken that the real winner was the informer to the double claimer about the lottery. So you are hereby strongly advised once more to keep your winnings strictly confidential until you claim your prize.</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT color=#808000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Once again on behalf of all our staff, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>CONGRATULATIONS!!!</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Sincerely, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MICROSOFT DIRECTORATE UNIT </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>M.S.PRO. ZONAL COORDINATOR.</B></FONT></DIV>
</FONT>
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--Boundary_(ID_TfH7zm+JDVfNfOUWxng6ew)--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 03:03:23 2009
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Date: Wed, 05 Aug 2009 21:56:41 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: anti-looper bigots
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Quoting Brian Good <bsgood@gmail.com>:
>
> Per Boysen wrote:
>
>> Very interesting historical two cents. Wonder what those early Baroque
>> era people would think about the multi glissandi THX jingle! :-)
>
> They'd be hiding under the theater seats, I imagine. :-)
>
Actually, in the pre-Renaissance era, they chanted in parallel fifths =20
in a style known as "organum".  (A popular example are the monks in =20
Monty Python -- they are chanting in organum -- stopping only to beat =20
their own heads with boards. I don't think the boards were authentic =20
-- however the organum is.)

The reason that parallel fifths and octaves are avoided in =20
contrapuntal music is that this motion destroys the independence of =20
the voices.

So, to baroque ears, parallel fifths would likely have sounded "old =20
fashioned".  And, yes -- in choral singing (other than organum) a =20
careless (or random) parallel octave or fifth causes tuning problems =20
for the singers. (usually, when a choir runs across a "problem =20
passage" the culprit is usually a parallel fifth, parallel octave, or =20
some kind of poor voice-leading.)

For any  Moondog fans -- he was really into classical counterpoint and =20
on my Moondog CD liner notes Moondog is quoted as saying that =20
voice-leading was very important to him.

The power chord is a perfect example of parallel motion -- it is =20
parallel motion that blends into a mass sound.  That is, you don't =20
hear independent notes so much as one big, powerful sound.

Popular songs such as "Iron Man" and "Smoke on the Water" derive their =20
sound from parallel fifths.

Interestingly, in the twentieth century, parallelism returned as a =20
style.  What goes around, comes around.

Hindemith, as I recall, wished to avoid parallel octaves and fifths =20
because it was "old fashioned" and has an ancient sound.

Forgive me for rambling on -- I really enjoy counterpoint and, in =20
fact, the countrapuntal possibilities of live-looping inspires me when =20
I work with loops.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 03:13:39 2009
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Subject: Re: Bill Walker's New Delta:  Live videos up at YouTUBE
Date: Wed, 5 Aug 2009 20:13:33 -0700
References: <4A79DFC8.6060102@cruzio.com>
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Rick and Bill,

Very fine . . . thanks for sharing.

It's a rare treat to hear Bill play anytime outside of my annual trips  
to Y2K.

To have you in the bargain too is like double prizes.

Mucho thanko Delta Boys.

Ted


On Aug 5, 2009, at 12:38 PM, Rick Walker wrote:

> Hi all,
> If anyone is interested,  I just put up a youtube video page for
> Bill's project,  New Delta.
>
> *_www.youtube.com/billwalkersnewdelta_*
>
> I posted four tracks (the entire performance) of our first show
> opening for the wonderful Argentine looper, Juana Molina
> at the Rio Theatre in Santa Cruz.
>
> The group , featuring all of Bill's compositions, revolves around his
> psychedelic slide guitar and lap steel, weissenborn,  LP-1 live  
> looping improvisations
> using inspiration from musics of the Mississippi, Nile, Ganges and  
> Yangtze Delta regions.
> I accompany him, playing  different exotic percussion instruments  
> (giant calabash, liquid
> glass ghatam, kanjira and korg wave drum).
>
> It was a really fun gig and the video came out decently so I hope  
> you all
> enjoy them.

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 03:15:14 2009
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well put!!
i'm savin' this to my 'loopere' folder

-----Original Message-----
>From: kkissinger@kevinkissinger.com
>Sent: Aug 5, 2009 10:56 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: anti-looper bigots
>
>Quoting Brian Good <bsgood@gmail.com>:
>>
>> Per Boysen wrote:
>>
>>> Very interesting historical two cents. Wonder what those early Baroque
>>> era people would think about the multi glissandi THX jingle! :-)
>>
>> They'd be hiding under the theater seats, I imagine. :-)
>>
>Actually, in the pre-Renaissance era, they chanted in parallel fifths  
>in a style known as "organum".  (A popular example are the monks in  
>Monty Python -- they are chanting in organum -- stopping only to beat  
>their own heads with boards. I don't think the boards were authentic  
>-- however the organum is.)
>
>The reason that parallel fifths and octaves are avoided in  
>contrapuntal music is that this motion destroys the independence of  
>the voices.
>
>So, to baroque ears, parallel fifths would likely have sounded "old  
>fashioned".  And, yes -- in choral singing (other than organum) a  
>careless (or random) parallel octave or fifth causes tuning problems  
>for the singers. (usually, when a choir runs across a "problem  
>passage" the culprit is usually a parallel fifth, parallel octave, or  
>some kind of poor voice-leading.)
>
>For any  Moondog fans -- he was really into classical counterpoint and  
>on my Moondog CD liner notes Moondog is quoted as saying that  
>voice-leading was very important to him.
>
>The power chord is a perfect example of parallel motion -- it is  
>parallel motion that blends into a mass sound.  That is, you don't  
>hear independent notes so much as one big, powerful sound.
>
>Popular songs such as "Iron Man" and "Smoke on the Water" derive their  
>sound from parallel fifths.
>
>Interestingly, in the twentieth century, parallelism returned as a  
>style.  What goes around, comes around.
>
>Hindemith, as I recall, wished to avoid parallel octaves and fifths  
>because it was "old fashioned" and has an ancient sound.
>
>Forgive me for rambling on -- I really enjoy counterpoint and, in  
>fact, the countrapuntal possibilities of live-looping inspires me when  
>I work with loops.
>
>-- Kevin
>

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From: Ariel Rzezak <arzezak@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Bill Walker's New Delta:  Live videos up at YouTUBE
Date: Thu, 6 Aug 2009 01:57:24 -0300
References: <4A79DFC8.6060102@cruzio.com>
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Wow... just beautiful. It's so great to see you guys doing some really =20=

interesting music!!

Amazing! That made my day!

Keep the muses coming 'round here.. (hope that makes sense!)

Very best from Argentina,

Ariel.

El 05/08/2009, a las 16:38, Rick Walker escribi=F3:

> Hi all,
> If anyone is interested,  I just put up a youtube video page for
> Bill's project,  New Delta.
>
> *_www.youtube.com/billwalkersnewdelta_*
>
> I posted four tracks (the entire performance) of our first show
> opening for the wonderful Argentine looper, Juana Molina
> at the Rio Theatre in Santa Cruz.
>
> The group , featuring all of Bill's compositions, revolves around his
> psychedelic slide guitar and lap steel, weissenborn,  LP-1 live =20
> looping improvisations
> using inspiration from musics of the Mississippi, Nile, Ganges and =20
> Yangtze Delta regions.
> I accompany him, playing  different exotic percussion instruments =20
> (giant calabash, liquid
> glass ghatam, kanjira and korg wave drum).
>
> It was a really fun gig and the video came out decently so I hope =20
> you all
> enjoy them.
>
>
>
>

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=UTF-8" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<i>Dude</i>...Â  that ain't ramblin' man... that's brilliance. : )<br>
<br>
C<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a> wrote:
<blockquote
 cite="mid:20090805215641.uzy2jqi6kg4k4o8g@mail.kevinkissinger.com"
 type="cite">Quoting Brian Good <a class="moz-txt-link-rfc2396E" href="mailto:bsgood@gmail.com">&lt;bsgood@gmail.com&gt;</a>:
  <br>
  <blockquote type="cite"><br>
Per Boysen wrote:
    <br>
    <br>
    <blockquote type="cite">Very interesting historical two cents.
Wonder what those early Baroque
      <br>
era people would think about the multi glissandi THX jingle! :-)
      <br>
    </blockquote>
    <br>
They'd be hiding under the theater seats, I imagine. :-)
    <br>
    <br>
  </blockquote>
Actually, in the pre-Renaissance era, they chanted in parallel fifths
in a style known as "organum".Â  (A popular example are the monks in
Monty Python -- they are chanting in organum -- stopping only to beat
their own heads with boards. I don't think the boards were authentic --
however the organum is.)
  <br>
  <br>
The reason that parallel fifths and octaves are avoided in contrapuntal
music is that this motion destroys the independence of the voices.
  <br>
  <br>
So, to baroque ears, parallel fifths would likely have sounded "old
fashioned".Â  And, yes -- in choral singing (other than organum) a
careless (or random) parallel octave or fifth causes tuning problems
for the singers. (usually, when a choir runs across a "problem passage"
the culprit is usually a parallel fifth, parallel octave, or some kind
of poor voice-leading.)
  <br>
  <br>
For anyÂ  Moondog fans -- he was really into classical counterpoint and
on my Moondog CD liner notes Moondog is quoted as saying that
voice-leading was very important to him.
  <br>
  <br>
The power chord is a perfect example of parallel motion -- it is
parallel motion that blends into a mass sound.Â  That is, you don't hear
independent notes so much as one big, powerful sound.
  <br>
  <br>
Popular songs such as "Iron Man" and "Smoke on the Water" derive their
sound from parallel fifths.
  <br>
  <br>
Interestingly, in the twentieth century, parallelism returned as a
style.Â  What goes around, comes around.
  <br>
  <br>
Hindemith, as I recall, wished to avoid parallel octaves and fifths
because it was "old fashioned" and has an ancient sound.
  <br>
  <br>
Forgive me for rambling on -- I really enjoy counterpoint and, in fact,
the countrapuntal possibilities of live-looping inspires me when I work
with loops.
  <br>
  <br>
-- Kevin
  <br>
  <br>
  <br>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 05:33:03 2009
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: parallels (was RE: anti-looper bigots)
Date: Thu, 6 Aug 2009 01:32:59 -0400
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> Popular songs such as "Iron Man" and "Smoke on the Water" derive their =
=20
>sound from parallel fifths.

I know I'm being picky here... but.  Smoke on the Water is parallel =
4ths.  I saw an interview with Ritchie where he discussed how often that =
riff is played wrong (in 5ths) and that 4ths give it an 'evil' sound.

I remember those rules from music theory classes.  My teacher's attitude =
was that it's a flexible rule (because of course someone found some =
parallels in a Bach piece,) and one that musicians uses when composing =
to create that style of music. =20

I now return you to this fascinating discussion already in progress.

Tony

-----Original Message-----
From: kkissinger@kevinkissinger.com =
[mailto:kkissinger@kevinkissinger.com]=20
Sent: Wednesday, August 05, 2009 10:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: anti-looper bigots

Quoting Brian Good <bsgood@gmail.com>:
>
> Per Boysen wrote:
>
>> Very interesting historical two cents. Wonder what those early =
Baroque
>> era people would think about the multi glissandi THX jingle! :-)
>
> They'd be hiding under the theater seats, I imagine. :-)
>
Actually, in the pre-Renaissance era, they chanted in parallel fifths =20
in a style known as "organum".  (A popular example are the monks in =20
Monty Python -- they are chanting in organum -- stopping only to beat =20
their own heads with boards. I don't think the boards were authentic =20
-- however the organum is.)

The reason that parallel fifths and octaves are avoided in =20
contrapuntal music is that this motion destroys the independence of =20
the voices.

So, to baroque ears, parallel fifths would likely have sounded "old =20
fashioned".  And, yes -- in choral singing (other than organum) a =20
careless (or random) parallel octave or fifth causes tuning problems =20
for the singers. (usually, when a choir runs across a "problem =20
passage" the culprit is usually a parallel fifth, parallel octave, or =20
some kind of poor voice-leading.)

For any  Moondog fans -- he was really into classical counterpoint and =20
on my Moondog CD liner notes Moondog is quoted as saying that =20
voice-leading was very important to him.

The power chord is a perfect example of parallel motion -- it is =20
parallel motion that blends into a mass sound.  That is, you don't =20
hear independent notes so much as one big, powerful sound.

Popular songs such as "Iron Man" and "Smoke on the Water" derive their =20
sound from parallel fifths.

Interestingly, in the twentieth century, parallelism returned as a =20
style.  What goes around, comes around.

Hindemith, as I recall, wished to avoid parallel octaves and fifths =20
because it was "old fashioned" and has an ancient sound.

Forgive me for rambling on -- I really enjoy counterpoint and, in =20
fact, the countrapuntal possibilities of live-looping inspires me when =20
I work with loops.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 05:44:26 2009
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From: Toby Graves <carpet8@mac.com>
Subject: Re: parallels (was RE: anti-looper bigots)
Date: Wed, 05 Aug 2009 22:44:08 -0700
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You can call them parallel fourths but the essence of that interval  
is destroyed by the distortion and the fact that the tonal center is  
G.  I'd say it would be more accurate to call them inverted parallel  
5ths.

t


On Aug 5, 2009, at 10:32 PM, Tony K wrote:

>> Popular songs such as "Iron Man" and "Smoke on the Water" derive  
>> their
>> sound from parallel fifths.
>
> I know I'm being picky here... but.  Smoke on the Water is parallel  
> 4ths.  I saw an interview with Ritchie where he discussed how often  
> that riff is played wrong (in 5ths) and that 4ths give it an 'evil'  
> sound.
>
> I remember those rules from music theory classes.  My teacher's  
> attitude was that it's a flexible rule (because of course someone  
> found some parallels in a Bach piece,) and one that musicians uses  
> when composing to create that style of music.
>
> I now return you to this fascinating discussion already in progress.
>
> Tony
>
> -----Original Message-----
> From: kkissinger@kevinkissinger.com  
> [mailto:kkissinger@kevinkissinger.com]
> Sent: Wednesday, August 05, 2009 10:57 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: anti-looper bigots
>
> Quoting Brian Good <bsgood@gmail.com>:
>>
>> Per Boysen wrote:
>>
>>> Very interesting historical two cents. Wonder what those early  
>>> Baroque
>>> era people would think about the multi glissandi THX jingle! :-)
>>
>> They'd be hiding under the theater seats, I imagine. :-)
>>
> Actually, in the pre-Renaissance era, they chanted in parallel fifths
> in a style known as "organum".  (A popular example are the monks in
> Monty Python -- they are chanting in organum -- stopping only to beat
> their own heads with boards. I don't think the boards were authentic
> -- however the organum is.)
>
> The reason that parallel fifths and octaves are avoided in
> contrapuntal music is that this motion destroys the independence of
> the voices.
>
> So, to baroque ears, parallel fifths would likely have sounded "old
> fashioned".  And, yes -- in choral singing (other than organum) a
> careless (or random) parallel octave or fifth causes tuning problems
> for the singers. (usually, when a choir runs across a "problem
> passage" the culprit is usually a parallel fifth, parallel octave, or
> some kind of poor voice-leading.)
>
> For any  Moondog fans -- he was really into classical counterpoint and
> on my Moondog CD liner notes Moondog is quoted as saying that
> voice-leading was very important to him.
>
> The power chord is a perfect example of parallel motion -- it is
> parallel motion that blends into a mass sound.  That is, you don't
> hear independent notes so much as one big, powerful sound.
>
> Popular songs such as "Iron Man" and "Smoke on the Water" derive their
> sound from parallel fifths.
>
> Interestingly, in the twentieth century, parallelism returned as a
> style.  What goes around, comes around.
>
> Hindemith, as I recall, wished to avoid parallel octaves and fifths
> because it was "old fashioned" and has an ancient sound.
>
> Forgive me for rambling on -- I really enjoy counterpoint and, in
> fact, the countrapuntal possibilities of live-looping inspires me when
> I work with loops.
>
> -- Kevin
>

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Date: Thu, 6 Aug 2009 11:13:17 +0300
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Subject: Re: OT: cases
From: Milo <milo.vuc@gmail.com>
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On 8/5/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> an m-audio bag for soundcard/laptop (and headphones plus small stuff).
> or a simple backpack.
>
> Milo schrieb:
>> So what do you use to carry your looping equipment?
>>
>> On 8/4/09, Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>>
>>> if you ever need a custom made case for wind instruments or anything
>>> else, check out howard wiseman's cases.
>>> this man is a genius. he has a tetris kind of mind.
>>> i just had my five flutes (from piccolo to contrabassflute) including
>>> stand fitted into a ridiulously small case.
>>> i can carry it easily on my shoulder, so finally i could give my old
>>> tank of a flightcase a good kick into the corner
>>> of my practice room (it's for sale, by the way - and cheap...).
>>>
>>> here's the link: http://www.wisemancases.com/
>>>
>>> tilmann
>>>
>>>
>>>
>>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 08:14:37 2009
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Date: Thu, 6 Aug 2009 11:14:35 +0300
Message-ID: <3f8d9ee60908060114t581ca89fo2561fae310f74f61@mail.gmail.com>
Subject: Re: FreeWave Show #3
From: Milo <milo.vuc@gmail.com>
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How much do BMI, ASCAP and SESAC charge you for this music blog?

On 8/5/09, Krispen Hartung <info@krispenhartung.com> wrote:
> I'm behind, but here is FreeWave Show #3 and playlist. The blog page has the
> link to play the selections.
>
> http://radio-boise-freewave.blogspot.com/
>
> Enjoy.
>
> Kris Hartung
> info@krispenhartung.com
> www.krispenhartung.com
>
> Play List
>
> Artist(s): Alexander Von Schlippenbach
> Song: The Living Music
> Album: The Living Music (1969)
> More info: http://www.jazzloft.com/p-36360-the-living-music.aspx
>
> Artist(s): Iannis Xenakis
> Song: Zbigniew Karkowski: Doing By Not Doing
> Album: Persepolis Remixes Edition 1 (2002)
> More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ
>
> Artist(s): Jeff Kaiser & Andrew Pask
> Song: Blue Air Habit
> Album: The Choir Boys
> More info: http://www.pfmentum.com/PFMCD024.html
>
> Artist(s): Vladimir Ussachevsky
> Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No. 1, Two
> Sketches for a Computer Piece (Part I), and Two Sketches for a Computer
> Piece (Part II)
> Album: Pioneers Of Electronic Music
> More info:
> http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky/dp/B000EU1H44
>
> Artist(s): Sun Ra
> Song: Space Is The Place
> Album: Space Is The Place (1972)
> More info: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:39ftxqtgld0e
>
> Artist(s): Roscoe Mitchell and Thomas Buckner
> Song: VFPSA
> Album: 8 O'Clock: Two Improvisations (2001)
> More info: http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=274
>
> Artist(s): Axel Dorner And Fred Lonberg-Holm
> Song: 5
> Album: Object 1 (2003)
> More info:
> http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Download/11608691.html
>

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Date: Thu, 6 Aug 2009 08:40:52 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: the use of fifths forths,the heaviness in music
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very intersting thread guys,talking about fifths fourths power chords octav=
es and smoke on the water riffs etc. i always found it facinating and intri=
guing where this "heaviness" comes from and why we feel it that way...the o=
ld blues and a lot of the early flamenco were also already using them exten=
sively.Also that forbidden flatted fifth somehow makes it more "heavy and e=
vil"...=0ABlues and flamenco to me is almost like the roots of that "heavy"=
...they both have that flated or sharp interval creating tension...both use=
 power chords and a lot of octaves as well,it seems to me the heaviness i f=
eel from the early blues comes not only from the use of that "blue note" ad=
ded in the minor pentatonic but from the use of those spread octave riffs w=
hich incidently is very african as well.Lots of rock riffs is just playing =
those scales in unison with the bass which are also in octaves;maybe here y=
ou can sort of see what i mean, Hendrix is using the 12 string which has th=
e octaves and is constantly pulling the lower e string letting it resolve t=
o E and hammering its octave of it on the d string,this sounds to me heavy =
even without the need of distortion!=0A=0Ahttp://www.youtube.com/watch?v=3D=
wCQBbgb_Lvo&feature=3Drelated=0A=0Aor here african style=0Ahttp://www.youtu=
be.com/watch?v=3D_rXgi2QYC74=0A=0Ain flamenco seguiriyas is a good example,=
constantly hammering on that sharp half step note on the octave from the ro=
ot and following with the power chord=0A=0Ahttp://www.youtube.com/watch?v=
=3DVKXKWrSUZ3o&feature=3Drelated=0A=0Aor in the context of music=0Ahttp://w=
ww.youtube.com/watch?v=3DiiKrcHpDt3s=0A=0AAnd in rock=0Ahttp://www.youtube.=
com/watch?v=3DfkuOAY-S6OY=0A=0Acheers=0ALuis=0A=0A=0A=0Awww.myspace.com/lui=
sangulocom=0A=0A=0A--- Rainer Straschill <moinsound@googlemail.com> schrieb=
 am Mi, 5.8.2009:=0A=0A> Von: Rainer Straschill <moinsound@googlemail.com>=
=0A> Betreff: Re: anti-looper bigots=0A> An: loopers-delight@loopers-deligh=
t.com=0A> Datum: Mittwoch, 5. August 2009, 15:08=0A> > when I was a freshma=
n music=0A> major studying first year theory according to Paul=0A> Hindemit=
h, we were instructed to avoid parallel fifths in=0A> all of our assignment=
s=0A> =0A> The rule to never use parallel fifths (and octaves and=0A> prime=
s) is much=0A> older than Hindemith and comes from the early Baroque era.=
=0A> =0A> Now for us power chord generation people, this rule is=0A> often =
hard to=0A> understand, and so it makes sense to see where it=0A> originall=
y came=0A> from:=0A> Back in the early Baroque era, the human voice was an=
=0A> important=0A> instrument, not only as a lead instrument, but also in=
=0A> multi-voice=0A> harmonies (as in choral harmonies). Now the predominan=
t=0A> singing style=0A> at that time for solo singers was to sing jumps por=
tamento,=0A> i.e. for a=0A> fifth jump from D to A not sing the D, then sin=
g the A, but=0A> to sing a=0A> quick glissando from D to A.=0A> =0A> Now ob=
viously, if several singers were doing that in a=0A> homphonic=0A> passage,=
 then they all would do that glissando with a=0A> slightly=0A> different ti=
ming - which would mean they wouldn't be in=0A> exact=0A> intervals during =
the glissando.=0A> Now this sounds especially ugly if you are moving in=0A>=
 parallel in very=0A> pure intervals - prime, octave and fifth - so this wa=
s to=0A> be avoided.=0A> =0A> Just my historical two cents.=0A> =0A> =A0 =
=A0 =A0 =A0 =A0=A0=A0Rainer=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 08:48:34 2009
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Rick Walker wrote:
>> earlier in this thread I wrote:
>> "In a way,  by introducing tape loops on 'In a Silent Way'  (neglected as
>> the predecessor and I feel, the superior record to the more famous
>> "Bitches Brew") he was doing the same thing to the percussionists.
>> By introducing a static loop that held down the groove,  in essence,  the
>> percussionists and drummers were free to explore more. "
> To this, Andy Butler replied:
> 
> "Rev's link does not confirm the methodology for recording
> that this suggests."
> 

:-) well it's not my fault it doesn't

Isn't the tape loop stuff on Bitches Brew?

> 
> *******
> Also, you took me to task (by saying I"d had my 2nd espresso of the day)
> for talking about the expansion of timbres in percussion that came from 
> that time period.

yes, but honest Rick I meant it in a good way.
Just meant that I enjoyed reading you.


> 
> I've studied percussion and the introduction of new percussion 

aye cap'n
...and if there's any available copies of the rhythm book 
you wrote I'd be very interested to buy one.

> I also think that "In a Silent Way"   and "Bitches Brew"    though not 
> first in this movement, were, nonetheless
> vastly more influential on the subsequent history of the movement than 
> the first records.


I'm not sure about that reasoning.
Without the innovators, the popularizers have nothing to popularize.


> 
> Show me a single popular recording that sounded like "In a Silent Way" 
> that precedes it.

Can't do that, Zappa certainly had something similar going 
but I'm clueless on the whole "record sales" thing.
I couldn't name a popular recording that came *after*
and sounded like that.
...something by Soft Machine perhaps.

Wasn't Bitches Brew the big seller in any case?

Also, I'd wonder if having "biggest selling jazz album"
is somewhat like having the "most popular non-porn website".



> I say popular!    There may have been more obscure predecessors but 
> millions of people heard these records
> and certainly tens of thousands of musicians.

here's my original comment:-

'...but I don't understand all these "Miles started...."
themes. 
Why not just credit Miles for a great contribution? '

> 
> Miles didn't invent anything really.   Modalism existed before him,   
> Trance music existed,  Fusion Existed ,  blah, blah, blah.
> 
> Somebody once said that artists are the antennae of a culture.  They 
> pick up change coming long before the rest of the population
> does and they broadcast it.
> 
> Miles was certainly an antennae and he most certainly was a popularizer.
> He had an enormous influence on modern music and the sound of modern 
> jazz 

which is his great contribution, yes?


Anyway, found more info on the sessions

http://www.ethanhein.com/wp/2009/in-a-silent-way/#

....exploiting the ability of tape to capture unique chance events
that could be structured after the event by editing.

andy





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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram

Today's show will feature many of the bands that will be performing at
this weekend's Three Rivers Progressive Rock Festival.


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
begin a month-long Special Focus on Saul Stokes.  The Featured CD at
Midnight will be "Fields" on Binary Records.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 11:31:40 2009
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	 <583E7A79-7346-4FFF-AA01-C7635A3E11F8@gmail.com>
Date: Thu, 6 Aug 2009 13:31:37 +0200
Message-ID: <afb941d0908060431h784e65f9y5a42826018b38cd4@mail.gmail.com>
Subject: Re: Bill Walker's New Delta: Live videos up at YouTUBE
From: Raul Bonell <raul.bonell@gmail.com>
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cool..

2009/8/6, Ariel Rzezak <arzezak@gmail.com>:
> Wow... just beautiful. It's so great to see you guys doing some really
> interesting music!!
>
> Amazing! That made my day!
>
> Keep the muses coming 'round here.. (hope that makes sense!)
>
> Very best from Argentina,
>
> Ariel.
>
> El 05/08/2009, a las 16:38, Rick Walker escribi=F3:
>
>> Hi all,
>> If anyone is interested,  I just put up a youtube video page for
>> Bill's project,  New Delta.
>>
>> *_www.youtube.com/billwalkersnewdelta_*
>>
>> I posted four tracks (the entire performance) of our first show
>> opening for the wonderful Argentine looper, Juana Molina
>> at the Rio Theatre in Santa Cruz.
>>
>> The group , featuring all of Bill's compositions, revolves around his
>> psychedelic slide guitar and lap steel, weissenborn,  LP-1 live
>> looping improvisations
>> using inspiration from musics of the Mississippi, Nile, Ganges and
>> Yangtze Delta regions.
>> I accompany him, playing  different exotic percussion instruments
>> (giant calabash, liquid
>> glass ghatam, kanjira and korg wave drum).
>>
>> It was a really fun gig and the video came out decently so I hope
>> you all
>> enjoy them.
>>
>>
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 11:32:23 2009
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Subject: Re: RC-50 (was Boss looper contest in Germany)
Date: Thu, 6 Aug 2009 13:30:58 +0200
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Yes, thatÂ´s a good idea. The RC-50 also has a fade-in and -out option for
the several prhases/loops.
The problem is you have to do lots of switch ins and outs.
And it does not work this way when just switching from one loop to the
other.
But Sjaaks suggestion to work with a pre-delay may also be a workable
solution. I could set my DD-20 before the RC 50.
Fading out manually with an expression pedal, as Buzap says, is another good
idea.
Thanks guys!
Christo


----- Original Message -----
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 05, 2009 5:06 PM
Subject: Re: RC-50 (was Boss looper contest in Germany)


>> Christo wrote:
>> The only thing which bothers me really is, that the loops
>> are straight cut at the end. I mean if you switch to another patch (f.ex.
>> from phrase 1 to phrase 2) or in general if the
>> phrase will repeat itself, it doesnÂ´t have a natural release.


You don't have to do it that way, if the abrupt switch doesn't fit
with your music. Use a looper that allows several parallel loops and
make the transit from one loop to the other with volume fades. Loop A
as fade-out and Loop B as fade-in makes a nice crossfade transition
from A to B. This can be done on the LP-1 or a software looper like
SooperLooper or Mobius. Besides that, Mobius also offers the EDP style
of abrupt loop shifting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 11:41:21 2009
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Rainer Straschill wrote:
>> when I was a freshman music major studying first year theory according to Paul Hindemith, we were instructed to avoid parallel fifths in all of our assignments
> 
> The rule to never use parallel fifths (and octaves and primes) is much
> older than Hindemith and comes from the early Baroque era.
> 
> Now for us power chord generation people, this rule is often hard to
> understand, and so it makes sense to see where it originally came
> from:
> Back in the early Baroque era, the human voice was an important
> instrument, not only as a lead instrument, but also in multi-voice
> harmonies (as in choral harmonies). Now the predominant singing style
> at that time for solo singers was to sing jumps portamento, i.e. for a
> fifth jump from D to A not sing the D, then sing the A, but to sing a
> quick glissando from D to A.

source?

> 
> Now obviously, if several singers were doing that in a homphonic
> passage, then they all would do that glissando with a slightly
> different timing - which would mean they wouldn't be in exact
> intervals during the glissando.
> Now this sounds especially ugly if you are moving in parallel in very
> pure intervals - prime, octave and fifth - so this was to be avoided.

makes sense,
but the "sound goes thin" explanation also seems to work.
As does "harder to distinguish the voices".

The "must never expand a third to a fifth" rule doesn't get explained by
the "glissando" theory.  

andy

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 13:23:29 2009
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Subject: Re: FreeWave Show #3
Date: Thu, 6 Aug 2009 07:23:26 -0600
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Not sure, the radio station handles all of that and manages the agreements.

Kris

----- Original Message ----- 


> How much do BMI, ASCAP and SESAC charge you for this music blog?
>
> On 8/5/09, Krispen Hartung <info@krispenhartung.com> wrote:
>> I'm behind, but here is FreeWave Show #3 and playlist. The blog page has 
>> the
>> link to play the selections.
>>
>> http://radio-boise-freewave.blogspot.com/
>>
>> Enjoy.
>>
>> Kris Hartung
>> info@krispenhartung.com
>> www.krispenhartung.com
>>
>> Play List
>>
>> Artist(s): Alexander Von Schlippenbach
>> Song: The Living Music
>> Album: The Living Music (1969)
>> More info: http://www.jazzloft.com/p-36360-the-living-music.aspx
>>
>> Artist(s): Iannis Xenakis
>> Song: Zbigniew Karkowski: Doing By Not Doing
>> Album: Persepolis Remixes Edition 1 (2002)
>> More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ
>>
>> Artist(s): Jeff Kaiser & Andrew Pask
>> Song: Blue Air Habit
>> Album: The Choir Boys
>> More info: http://www.pfmentum.com/PFMCD024.html
>>
>> Artist(s): Vladimir Ussachevsky
>> Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No. 1, Two
>> Sketches for a Computer Piece (Part I), and Two Sketches for a Computer
>> Piece (Part II)
>> Album: Pioneers Of Electronic Music
>> More info:
>> http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky/dp/B000EU1H44
>>
>> Artist(s): Sun Ra
>> Song: Space Is The Place
>> Album: Space Is The Place (1972)
>> More info: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:39ftxqtgld0e
>>
>> Artist(s): Roscoe Mitchell and Thomas Buckner
>> Song: VFPSA
>> Album: 8 O'Clock: Two Improvisations (2001)
>> More info: http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=274
>>
>> Artist(s): Axel Dorner And Fred Lonberg-Holm
>> Song: 5
>> Album: Object 1 (2003)
>> More info:
>> http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Download/11608691.html
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 13:39:49 2009
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Subject: Distressing trends
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I'm sorry to say that this list has become distressingly childish
lately. There is one simple rule: don't say negative things about
other people publicly unless they are asking for criticism or quite
disruptive. Be opinionated as you want, disagree all you want, but
don't attack or characterize people personally. How hard is that?

Skip the mea culpas, skip the explanations, just keep your sht to
yourselves, ok? There's so much value here, but it gets very
unpleasant sometimes.

Warren

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 13:47:26 2009
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Word....  the ego clashes are just embarrassing.  I was going to 
unsubscribe until I saw this post by Warren....

>I'm sorry to say that this list has become distressingly childish
>lately. There is one simple rule: don't say negative things about
>other people publicly unless they are asking for criticism or quite
>disruptive. Be opinionated as you want, disagree all you want, but
>don't attack or characterize people personally. How hard is that?
>
>Skip the mea culpas, skip the explanations, just keep your sht to
>yourselves, ok? There's so much value here, but it gets very
>unpleasant sometimes.
>
>Warren


-- 
...
http://www.zmix.net

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_________________________________________________________________
Attention all humans. We are your photos. Free us.
http://go.microsoft.com/?linkid=3D9666047=

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<body class=3D'hmmessage'>
<br><br /><hr />Attention all humans. We are your photos. <a href=3D'http:/=
/go.microsoft.com/?linkid=3D9666046' target=3D'_new'>Free us.</a></body>
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Subject: Re: FreeWave Show #3
Date: Thu, 6 Aug 2009 09:38:25 -0400
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Kris does the show appear in itunes as suscribable or is it not  
considered a podcsst?

Jim

Sent from my iPod

On Aug 6, 2009, at 9:23 AM, "Krispen Hartung"  
<info@krispenhartung.com> wrote:

> Not sure, the radio station handles all of that and manages the  
> agreements.
>
> Kris
>
> ----- Original Message -----
>
>> How much do BMI, ASCAP and SESAC charge you for this music blog?
>>
>> On 8/5/09, Krispen Hartung <info@krispenhartung.com> wrote:
>>> I'm behind, but here is FreeWave Show #3 and playlist. The blog  
>>> page has the
>>> link to play the selections.
>>>
>>> http://radio-boise-freewave.blogspot.com/
>>>
>>> Enjoy.
>>>
>>> Kris Hartung
>>> info@krispenhartung.com
>>> www.krispenhartung.com
>>>
>>> Play List
>>>
>>> Artist(s): Alexander Von Schlippenbach
>>> Song: The Living Music
>>> Album: The Living Music (1969)
>>> More info: http://www.jazzloft.com/p-36360-the-living-music.aspx
>>>
>>> Artist(s): Iannis Xenakis
>>> Song: Zbigniew Karkowski: Doing By Not Doing
>>> Album: Persepolis Remixes Edition 1 (2002)
>>> More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ
>>>
>>> Artist(s): Jeff Kaiser & Andrew Pask
>>> Song: Blue Air Habit
>>> Album: The Choir Boys
>>> More info: http://www.pfmentum.com/PFMCD024.html
>>>
>>> Artist(s): Vladimir Ussachevsky
>>> Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No.  
>>> 1, Two
>>> Sketches for a Computer Piece (Part I), and Two Sketches for a  
>>> Computer
>>> Piece (Part II)
>>> Album: Pioneers Of Electronic Music
>>> More info:
>>> http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky/dp/B000EU1H44
>>>
>>> Artist(s): Sun Ra
>>> Song: Space Is The Place
>>> Album: Space Is The Place (1972)
>>> More info: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:39ftxqtgld0e
>>>
>>> Artist(s): Roscoe Mitchell and Thomas Buckner
>>> Song: VFPSA
>>> Album: 8 O'Clock: Two Improvisations (2001)
>>> More info: http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=274
>>>
>>> Artist(s): Axel Dorner And Fred Lonberg-Holm
>>> Song: 5
>>> Album: Object 1 (2003)
>>> More info:
>>> http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Download/11608691.html
>>>
>>
>

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Date: Thu, 6 Aug 2009 17:07:08 +0300
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Subject: Re: FreeWave Show #3
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Can you ask them? A friend is thinking of setting up a similar one and
it would be nice to know how much it costs. Thanks!

On 8/6/09, Krispen Hartung <info@krispenhartung.com> wrote:
> Not sure, the radio station handles all of that and manages the agreements.
>
> Kris
>
> ----- Original Message -----
>
>
>> How much do BMI, ASCAP and SESAC charge you for this music blog?
>>
>> On 8/5/09, Krispen Hartung <info@krispenhartung.com> wrote:
>>> I'm behind, but here is FreeWave Show #3 and playlist. The blog page has
>>> the
>>> link to play the selections.
>>>
>>> http://radio-boise-freewave.blogspot.com/
>>>
>>> Enjoy.
>>>
>>> Kris Hartung
>>> info@krispenhartung.com
>>> www.krispenhartung.com
>>>
>>> Play List
>>>
>>> Artist(s): Alexander Von Schlippenbach
>>> Song: The Living Music
>>> Album: The Living Music (1969)
>>> More info: http://www.jazzloft.com/p-36360-the-living-music.aspx
>>>
>>> Artist(s): Iannis Xenakis
>>> Song: Zbigniew Karkowski: Doing By Not Doing
>>> Album: Persepolis Remixes Edition 1 (2002)
>>> More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ
>>>
>>> Artist(s): Jeff Kaiser & Andrew Pask
>>> Song: Blue Air Habit
>>> Album: The Choir Boys
>>> More info: http://www.pfmentum.com/PFMCD024.html
>>>
>>> Artist(s): Vladimir Ussachevsky
>>> Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No. 1, Two
>>> Sketches for a Computer Piece (Part I), and Two Sketches for a Computer
>>> Piece (Part II)
>>> Album: Pioneers Of Electronic Music
>>> More info:
>>> http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky/dp/B000EU1H44
>>>
>>> Artist(s): Sun Ra
>>> Song: Space Is The Place
>>> Album: Space Is The Place (1972)
>>> More info: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:39ftxqtgld0e
>>>
>>> Artist(s): Roscoe Mitchell and Thomas Buckner
>>> Song: VFPSA
>>> Album: 8 O'Clock: Two Improvisations (2001)
>>> More info: http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=274
>>>
>>> Artist(s): Axel Dorner And Fred Lonberg-Holm
>>> Song: 5
>>> Album: Object 1 (2003)
>>> More info:
>>> http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Download/11608691.html
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 14:25:38 2009
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Subject: Re: FreeWave Show #3
Date: Thu, 6 Aug 2009 08:25:35 -0600
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No, I haven't got around to that yet.

Kris
----- Original Message ----- 


> Kris does the show appear in itunes as suscribable or is it not 
> considered a podcsst?
>
> Jim
>
> Sent from my iPod
>
> On Aug 6, 2009, at 9:23 AM, "Krispen Hartung"  <info@krispenhartung.com> 
> wrote:
>
>> Not sure, the radio station handles all of that and manages the 
>> agreements.
>>
>> Kris
>>
>> ----- Original Message -----
>>
>>> How much do BMI, ASCAP and SESAC charge you for this music blog?
>>>
>>> On 8/5/09, Krispen Hartung <info@krispenhartung.com> wrote:
>>>> I'm behind, but here is FreeWave Show #3 and playlist. The blog  page 
>>>> has the
>>>> link to play the selections.
>>>>
>>>> http://radio-boise-freewave.blogspot.com/
>>>>
>>>> Enjoy.
>>>>
>>>> Kris Hartung
>>>> info@krispenhartung.com
>>>> www.krispenhartung.com
>>>>
>>>> Play List
>>>>
>>>> Artist(s): Alexander Von Schlippenbach
>>>> Song: The Living Music
>>>> Album: The Living Music (1969)
>>>> More info: http://www.jazzloft.com/p-36360-the-living-music.aspx
>>>>
>>>> Artist(s): Iannis Xenakis
>>>> Song: Zbigniew Karkowski: Doing By Not Doing
>>>> Album: Persepolis Remixes Edition 1 (2002)
>>>> More info: http://www.amazon.com/Doing-By-Not/dp/B000TE1XHQ
>>>>
>>>> Artist(s): Jeff Kaiser & Andrew Pask
>>>> Song: Blue Air Habit
>>>> Album: The Choir Boys
>>>> More info: http://www.pfmentum.com/PFMCD024.html
>>>>
>>>> Artist(s): Vladimir Ussachevsky
>>>> Song: Sonic Contours, Piece for Tape Recorder, Computer Piece No.  1, 
>>>> Two
>>>> Sketches for a Computer Piece (Part I), and Two Sketches for a 
>>>> Computer
>>>> Piece (Part II)
>>>> Album: Pioneers Of Electronic Music
>>>> More info:
>>>> http://www.amazon.com/Pioneers-Electronic-Vladimir-Ussachevsky-Davidovsky/dp/B000EU1H44
>>>>
>>>> Artist(s): Sun Ra
>>>> Song: Space Is The Place
>>>> Album: Space Is The Place (1972)
>>>> More info: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:39ftxqtgld0e
>>>>
>>>> Artist(s): Roscoe Mitchell and Thomas Buckner
>>>> Song: VFPSA
>>>> Album: 8 O'Clock: Two Improvisations (2001)
>>>> More info: 
>>>> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=274
>>>>
>>>> Artist(s): Axel Dorner And Fred Lonberg-Holm
>>>> Song: 5
>>>> Album: Object 1 (2003)
>>>> More info:
>>>> http://www.emusic.com/artist/Axel-Dorner-And-Fred-Lonberg-Holm-MP3-Download/11608691.html
>>>>
>>>
>>
>
> 

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Date: Thu, 06 Aug 2009 09:28:54 -0500
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Subject: Re: parallels (was RE: anti-looper bigots)
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Quoting Tony K <bigtonyk@gmail.com>:
>
>> Popular songs such as "Iron Man" and "Smoke on the Water" derive their
>> sound from parallel fifths.
>
> I know I'm being picky here... but.  Smoke on the Water is parallel   
> 4ths.  I saw an interview with Ritchie where he discussed how often   
> that riff is played wrong (in 5ths) and that 4ths give it an 'evil'   
> sound.
>
Thanks for mentioning this... I wasn't aware of this.

According to Hindemith's system, the top note of a 4th would be the  
root -- so the P4 could be regarded as an inverted 5th.  I'll have to  
listen to this again -- intermodulation distortion would create a  
pitch a fifth below the bottom note of a 4th -- is it possible that we  
hear the root below the P4th even though the performer doesn't play it?

-- Kevin

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Date: Thu, 6 Aug 2009 07:49:56 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Bill Walker's New Delta:  Live videos up at YouTUBE
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--0-1884455318-1249570196=:7576
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Awesome! =0A=0AProblem is, I am going to have a tough time listening to my =
cheapo Supro lapsteel now... :(=0A=0AThanks,=0AEric=0A=0A=0A=0A=0A_________=
_______________________=0AFrom: Rick Walker <looppool@cruzio.com>=0ATo: LOO=
PERS DELIGHT (posting) <Loopers-Delight@loopers-delight.com>=0ASent: Wednes=
day, August 5, 2009 3:38:48 PM=0ASubject: Bill Walker's New Delta: Live vid=
eos up at YouTUBE=0A=0AHi all, =0AIf anyone is interested,=A0 I just put up=
 a youtube video page for=0ABill's project,=A0 New Delta.=0A=0A*_www.youtub=
e.com/billwalkersnewdelta_*=0A=0AI posted four tracks (the entire performan=
ce) of our first show=0Aopening for the wonderful Argentine looper, Juana M=
olina=0Aat the Rio Theatre in Santa Cruz.=0A=0AThe group , featuring all of=
 Bill's compositions, revolves around his=0Apsychedelic slide guitar and la=
p steel, weissenborn,=A0 LP-1 live looping improvisations=0Ausing inspirati=
on from musics of the Mississippi, Nile, Ganges and Yangtze Delta regions.=
=0AI accompany him, playing=A0 different exotic percussion instruments (gia=
nt calabash, liquid=0Aglass ghatam, kanjira and korg wave drum).=0A=0AIt wa=
s a really fun gig and the video came out decently so I hope you all=0Aenjo=
y them.=0A=0A=0A      
--0-1884455318-1249570196=:7576
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Awesome! </DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Problem is,=
 I am going to have a tough time listening to my cheapo Supro lapsteel now.=
... :(</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Thanks,</DIV>=0A<DIV>Eric<BR></DIV>=
=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, t=
imes, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial, helv=
etica, sans-serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN=
 style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Rick Walker &lt;looppool@cruz=
io.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> LOOPERS D=
ELIGHT (posting) &lt;Loopers-Delight@loopers-delight.com&gt;<BR><B><SPAN st=
yle=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Wednesday, August 5, 2009 3:38:4=
8 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Bill Walke=
r's New Delta: Live videos up at YouTUBE<BR></FONT><BR>Hi all, <BR>If anyon=
e is interested,&nbsp; I just put up a youtube video page for<BR>Bill's pro=
ject,&nbsp; New Delta.<BR><BR>*_www.youtube.com/billwalkersnewdelta_*<BR><B=
R>I posted four tracks (the entire performance) of our first show<BR>openin=
g for the wonderful Argentine looper, Juana Molina<BR>at the Rio Theatre in=
 Santa Cruz.<BR><BR>The group , featuring all of Bill's compositions, revol=
ves around his<BR>psychedelic slide guitar and lap steel, weissenborn,&nbsp=
; LP-1 live looping improvisations<BR>using inspiration from musics
 of the Mississippi, Nile, Ganges and Yangtze Delta regions.<BR>I accompany=
 him, playing&nbsp; different exotic percussion instruments (giant calabash=
, liquid<BR>glass ghatam, kanjira and korg wave drum).<BR><BR>It was a real=
ly fun gig and the video came out decently so I hope you all<BR>enjoy them.=
<BR><BR><BR><BR><BR></DIV></DIV></div><br>=0A=0A=0A=0A      </body></html>
--0-1884455318-1249570196=:7576--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 15:06:46 2009
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Date: Thu, 06 Aug 2009 11:06:32 -0400
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This is GREAT stuff. such an effortless vibe. Record plz?

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hi all,
> If anyone is interested,  I just put up a youtube video page for
> Bill's project,  New Delta.
>
> *_www.youtube.com/billwalkersnewdelta_*

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Date: Thu, 6 Aug 2009 11:37:39 -0400
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Subject: Re: Bill Walker's New Delta: Live videos up at YouTUBE
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Man these are right in the heart of southern past you guys.  Really
beautiful vibes.  Rick what's the percussion array you are using,
particularly the shell like bck that looks a bit like an oud back actually,
then the water jug or 'bong' that's pretty neat... as I commented really
lovely stuff and love the 'haunt'.

--001636c598ab59145c04707ae6dc
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Man these are right in the heart of southern past you guys.=A0 Really beaut=
iful vibes.=A0 Rick what&#39;s the percussion array you are using, particul=
arly the shell like bck that looks a bit like an oud back actually, then th=
e water jug or &#39;bong&#39; that&#39;s pretty neat... as I commented real=
ly lovely stuff and love the &#39;haunt&#39;.<br>

--001636c598ab59145c04707ae6dc--

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Good day,loan @3% apply via:wend_loancompany@yahoo.com




From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 16:17:52 2009
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Amazing
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, August 06, 2009 4:37 PM
  Subject: Re: Bill Walker's New Delta: Live videos up at YouTUBE


  Man these are right in the heart of southern past you guys.  Really =
beautiful vibes.  Rick what's the percussion array you are using, =
particularly the shell like bck that looks a bit like an oud back =
actually, then the water jug or 'bong' that's pretty neat... as I =
commented really lovely stuff and love the 'haunt'.



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.392 / Virus Database: 270.13.45/2284 - Release Date: =
08/05/09 18:23:00

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<DIV><FONT face=3DArial size=3D2>Amazing</FONT></DIV>
<BLOCKQUOTE=20
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BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, August 06, 2009 =
4:37=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Bill Walker's New =
Delta:=20
  Live videos up at YouTUBE</DIV>
  <DIV><BR></DIV>Man these are right in the heart of southern past you=20
  guys.&nbsp; Really beautiful vibes.&nbsp; Rick what's the percussion =
array you=20
  are using, particularly the shell like bck that looks a bit like an =
oud back=20
  actually, then the water jug or 'bong' that's pretty neat... as I =
commented=20
  really lovely stuff and love the 'haunt'.<BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.392 / Virus Database: 270.13.45/2284 - =
Release=20
  Date: 08/05/09 18:23:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 17:29:34 2009
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Date: Thu, 6 Aug 2009 13:29:30 -0400
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Subject: Re: FreeWave Show #3
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Kris I may be  missing something but is there a download link for the show
for later playback, wanting to bounce to my portable to listen to to and
from?  It looks like the player embedded is Flash stream only.

Maybe that's coming with the iTunes pod posting...

j

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<div>Kris I may be=A0 missing something but is there a download link for th=
e show for later playback, wanting to bounce to my portable to listen to to=
 and from?=A0 It looks like the player embedded is Flash stream only.<br><b=
r>
Maybe that&#39;s coming with the iTunes pod posting...</div>
<div>=A0</div>
<div>j</div>

--0016e6d32a1b5a89b904707c7686--

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Date: Thu, 6 Aug 2009 10:35:23 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4A7A30C4.3060407@mhorse.com>
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--0-1459254522-1249580123=:66933
Content-Type: text/plain; charset=iso-8859-1
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=A0
My one-and-only successful=A0heckler put-down came with my high school-era =
band=A0as somebody shouted that we should play some Pink Floyd.=A0 And, is =
it happened, "Comfortably Numb" was next on the setlist.
=A0
Of course, we always played it as=A0a=A0reggae version, so that guy got a l=
ittle pissed... ;-)

=A0
Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Wed, 8/5/09, Daryl Shawn <highhorse@mhorse.com> wrote:


From: Daryl Shawn <highhorse@mhorse.com>
Subject: Re: anti-looper bigots
To: Loopers-Delight@loopers-delight.com
Received: Wednesday, August 5, 2009, 6:24 PM


That's a brilliant idea..!..I think I'm going to put the first minute on a =
microcassette and then Dictaphone it into oblivion when the need arises.

rubbing hands together,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I was having a conversation the other day about making a circuit bent syn=
th/sampler that had a "freebird" button.=A0 ie somebody yells it, you hit t=
he "freebird button", stun them for a second...
>=20
> And then, fuck it the hell up.=A0 Sample/resample/glitch/sequence and giv=
e them something new.
>=20
> -nn
> happyhumans.org <http://happyhumans.org>

=0A=0A=0A      ____________________________________________________________=
______=0ALooking for the perfect gift? Give the gift of Flickr! =0A=0Ahttp:=
//www.flickr.com/gift/
--0-1459254522-1249580123=:66933
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>My one-and-only successful&nbsp;heckler put-down came with my high sch=
ool-era band&nbsp;as somebody shouted that we should play some Pink Floyd.&=
nbsp; And, is it happened, "Comfortably Numb" was next on the setlist.</DIV=
>
<DIV>&nbsp;</DIV>
<DIV>Of course, we always played it as&nbsp;a&nbsp;reggae version, so that =
guy got a little pissed... ;-)</DIV>
<DIV><BR>&nbsp;</DIV>
<DIV>Ted H.<BR>Enemies are good for self-definition. Werner Herzog<BR><BR>-=
-- On <B>Wed, 8/5/09, Daryl Shawn <I>&lt;highhorse@mhorse.com&gt;</I></B> w=
rote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Daryl Shawn &lt;highhorse@mhorse.com&gt;<BR=
>Subject: Re: anti-looper bigots<BR>To: Loopers-Delight@loopers-delight.com=
<BR>Received: Wednesday, August 5, 2009, 6:24 PM<BR><BR>
<DIV class=3DplainMail>That's a brilliant idea..!..I think I'm going to put=
 the first minute on a microcassette and then Dictaphone it into oblivion w=
hen the need arises.<BR><BR>rubbing hands together,<BR><BR>Daryl Shawn<BR>w=
ww.swanwelder.com<BR>www.chinapaintingmusic.com<BR><BR>&gt; I was having a =
conversation the other day about making a circuit bent synth/sampler that h=
ad a "freebird" button.&nbsp; ie somebody yells it, you hit the "freebird b=
utton", stun them for a second...<BR>&gt; <BR>&gt; And then, fuck it the he=
ll up.&nbsp; Sample/resample/glitch/sequence and give them something new.<B=
R>&gt; <BR>&gt; -nn<BR>&gt; happyhumans.org &lt;<A href=3D"http://happyhuma=
ns.org/" target=3D_blank>http://happyhumans.org</A>&gt;<BR><BR></DIV></BLOC=
KQUOTE></td></tr></table><br>=0A      <hr size=3D1>Make your browsing faste=
r, safer, and easier with the new Internet Explorer=AE 8. Optimized for Yah=
oo! <a href=3D"http://downloads.yahoo.com/ca/internetexplorer/"><b>Get it N=
ow for Free! </b></a>
--0-1459254522-1249580123=:66933--

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Subject: Re: FreeWave Show #3
Date: Thu, 6 Aug 2009 12:09:44 -0600
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Theer is a play button below each show playlist. See it?

Kris

  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, August 06, 2009 11:29 AM
  Subject: Re: FreeWave Show #3


  Kris I may be  missing something but is there a download link for the =
show for later playback, wanting to bounce to my portable to listen to =
to and from?  It looks like the player embedded is Flash stream only.

  Maybe that's coming with the iTunes pod posting...

  j
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Theer is a play button below each show =
playlist.=20
See it?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, August 06, 2009 =
11:29=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: FreeWave Show =
#3</DIV>
  <DIV><BR></DIV>
  <DIV>Kris I may be&nbsp; missing something but is there a download =
link for=20
  the show for later playback, wanting to bounce to my portable to =
listen to to=20
  and from?&nbsp; It looks like the player embedded is Flash stream=20
  only.<BR><BR>Maybe that's coming with the iTunes pod posting...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>j</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_04B5_01CA168E.C9064980--

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Subject: Re: FreeWave Show #3
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Kris yeah i see that, but i was looking to dl it for putting on my  
ipod and thought the current flash player was only memory resident,  
maybe i'm wrong



On Aug 6, 2009, at 2:09 PM, "Krispen Hartung"  
<info@krispenhartung.com> wrote:

> Theer is a play button below each show playlist. See it?
>
> Kris
>
> ----- Original Message -----
> From: Jim Goodin
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, August 06, 2009 11:29 AM
> Subject: Re: FreeWave Show #3
>
> Kris I may be  missing something but is there a download link for  
> the show for later playback, wanting to bounce to my portable to  
> listen to to and from?  It looks like the player embedded is Flash  
> stream only.
>
> Maybe that's coming with the iTunes pod posting...
>
> j

--Apple-Mail-1-694772636
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<html><body bgcolor="#FFFFFF"><div>Kris yeah i see that, but i was looking to dl it for putting on my ipod and thought the current flash player was only memory resident, maybe i'm wrong<br><br><br></div><div><br>On Aug 6, 2009, at 2:09 PM, "Krispen Hartung" &lt;<a href="mailto:info@krispenhartung.com">info@krispenhartung.com</a>> wrote:<br><br></div><div></div><blockquote type="cite"><div>

<div><font face="Arial" size="2">Theer is a play button below each show playlist. 
See it?</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Kris</font></div>
<div>&nbsp;</div>
<blockquote dir="ltr" style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <div style="FONT: 10pt arial">----- Original Message ----- </div>
  <div style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><b>From:</b> 
  <a title="jimgoodinmusic@gmail.com" href="mailto:jimgoodinmusic@gmail.com">Jim 
  Goodin</a> </div>
  <div style="FONT: 10pt arial"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a> 
  </div>
  <div style="FONT: 10pt arial"><b>Sent:</b> Thursday, August 06, 2009 11:29 
  AM</div>
  <div style="FONT: 10pt arial"><b>Subject:</b> Re: FreeWave Show #3</div>
  <div><br></div>
  <div>Kris I may be&nbsp; missing something but is there a download link for 
  the show for later playback, wanting to bounce to my portable to listen to to 
  and from?&nbsp; It looks like the player embedded is Flash stream 
  only.<br><br>Maybe that's coming with the iTunes pod posting...</div>
  <div>&nbsp;</div>
  <div>j</div></blockquote>
</div></blockquote></body></html>
--Apple-Mail-1-694772636--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 19:05:59 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <7334ca1b0908051501j722b64f3kb9b9344c9bfbd238@mail.gmail.com>
Subject: Re: anti-looper bigots
Date: Thu, 6 Aug 2009 20:05:49 +0100
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----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Wednesday, August 05, 2009 11:01 PM
Subject: Re: anti-looper bigots


>> I think there's a psychological component at work in all these stories
>> It's weird, it's kind of sick, but I think we're all built that way.
>
> No, I'm not - so you'd at least need to rephrase that as "most of us
> are built that way". ;)
>
> Perhaps having that inverse filtering - that you vividly remember the
> encouraging words, the crowds going crazy much more than the assholes
> - is much more important than the 10.000 hours of practice recently
> discussed?

If one sits at the edge of a body of water, and someone else throws a large 
rock into it, will one notice the feather that was already floating on the 
surface?


From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 19:17:07 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Windows 7
Date: Thu, 6 Aug 2009 20:16:59 +0100
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Mark,

Try not to jaundice the situation with your PC by trying to wish it into 
being a Mac.  At least you didn't have to pay obscene money for your PC. 
And that's as far as I rise for that old bicker-fest.

Go with Windows 7 - It's elegant and very well-behaved.  I've got it running 
on the server here without incident, and was testing sw on it with no 
irregularities before we moved to this 16th Century farmhouse (where btw 
EarthLight Studios UK is being worked on!) in late June.  7 is running just 
fine in 64-bit, which I didn't have to specify during installation, btw. 
And NOT ONE CRASH since, which I find quite pleasing at least.  I've 
pre-ordered for all the computers in the house.  Presently the only thing I 
can imagine would cause arguments with 7 is that old bugger, obsolete 
hardware; or outright hw failure.  But it hasn't happened here as yet. :)

From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 17, 2009 8:59 PM
Subject: Re: Windows 7


> I'm actually on day 3 of Vista and I'm close to trashing everything
> and trying out 7.  I have not had a single installation go without a
> hitch or issue of some kind.  It's like some kind of perverse
> nightmare where Vista is an OS designed to only run itself. Frankly,
> if I could find a copy of XP I'd be so happy.   I have a few fixes
> I've found on the web that I'll try tonight, but if I can't get Live,
> Mobius and Amplitube up and running tonight I may just return this
> computer and go back to my very friendly G5.
>
> Oh, btw: Macs are better.
>
>
> On Wed, Jun 17, 2009 at 2:04 AM, Stephen
> Goodman<spgoodman@earthlight.net> wrote:
>> Since the Win7 RC will run until June 1 2010 it's a fair bet that this 
>> will
>> be investigated further..!
>>
>> ----- Original Message ----- From: "Mark Sottilaro" 
>> <zerocrossing@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, June 16, 2009 11:41 PM
>> Subject: Re: Windows 7
>>
>>
>> Over yonder on kvraudio.com a fair number of people seem to have moved
>> to Windows 7for audio pretty seamlessly. I briefly considered it but
>> after finding MOTU's 64bit drivers working well with Vista I decided
>> to play it safe and wait for the release.
>>
>> On Tue, Jun 16, 2009 at 8:04 AM, Stephen
>> Goodman<spgoodman@earthlight.net> wrote:
>>>
>>> Given the recent query about Vista I must pop up to ask whether anyone
>>> else
>>> is testing the RC for Windows 7?
>>>
>>> I've been running it as a server-type process for media files here at 
>>> home
>>> and it's quite seamless from setup to operation. After seeing it running
>>> just fine in 64bit server mode for several months - and the RC is much
>>> less
>>> tweak-requiring - I've wondered about putting it on a machine designed 
>>> for
>>> recording-editing music. Heh, will Cool Edit Pro 2.0 survive this
>>> transition?
>>>
>>> Stephen Goodman
>>> *
>>> http://www.vimeo.com/spgoodman
>>> http://www.last.fm/music/Stephen+Goodman
>>>
>>>
>>
>> 

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Date: Thu, 06 Aug 2009 21:02:18 -0700
From: SIR COLLINS BROWN <alvaro01@cable.net.co>
Subject: Serial Numbers: McST/776/ML10101
To: Undisclosed recipients: ;
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>Microsoft Promotion Award Team </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>Dr.Helen Gibson </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>Stamford New Road, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>Altrincham Cheshire </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>WA14 1EP </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>London. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>United Kingdom.</B></FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B><U>OFFICIAL WINNING NOTIFICATION.</B></U></FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>It is obvious that this notification will come to you as a surprise but please find time to read it carefully as we congratulate you over your success in the following official publication of results of the E-mail electronic online Sweepstakes organized by Microsoft, in conjunction with the foundation for the promotion of software products, (F.P.S.) held this JULY 2009, in London UK. Where in your email address emerged as one of the online Winning emails in the 2nd category and therefore attracted a cash award of </B></FONT><FONT size=4 face="Georgia">£</FONT><FONT size=3 color=#000000 face="Book Antiqua"><B>450,000.00. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>They are arranged in this format below: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B><U>CATEGORY NO.OF WINNERS WINNING PRIZES</B></U></FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#FF0000 face="Book Antiqua"><B>1st.&nbsp;&nbsp; </B></FONT><FONT size=4 color=#FF0000 face="Georgia">£</FONT><FONT size=3 color=#FF0000 face="Book Antiqua"><B> 850,000.00 pounds each </B></FONT></DIV>
<DIV>
<FONT size=3 color=#FF0000 face="Book Antiqua"><B>2nd. </B></FONT><FONT size=4 color=#FF0000 face="Georgia">£ </FONT><FONT size=3 color=#FF0000 face="Book Antiqua"><B>450,000.00 pounds each </B></FONT></DIV>
<DIV>
<FONT size=3 color=#FF0000 face="Book Antiqua"><B>3rd.&nbsp; </B></FONT><FONT size=4 color=#FF0000 face="Georgia">£ </FONT><FONT size=3 color=#FF0000 face="Book Antiqua"><B>350,000.00 pounds each </B></FONT></DIV>
<DIV>
<FONT size=3 color=#FF0000 face="Book Antiqua"><B>4th.&nbsp; </B></FONT><FONT size=4 color=#FF0000 face="Georgia">£ </FONT><FONT size=3 color=#FF0000 face="Book Antiqua"><B>250,000.00 pounds each </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>We write to officially notify you of this award and to advise you to contact the processing office immediately upon receipt of this message for more information concerning the verification, processing and eventual payment of the above prize to you. It is important to note that your award information was released with</B></FONT><FONT color=#000000> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>the following particulars attached to it. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(1) Award numbers: MLAT#2009 </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(2) Email ticket numbers: 1587-5896-4598-87, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(3) Batch numbers: 450THL#2009 </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(4) The file reference numbers: MLY-Y/250-450890 </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>{5} Serial Numbers: McST/776/ML10101 </B></FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>For verification purpose be sure to include: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B><U>VERIFICATION AND FUNDS RELEASE FORM.</B></U></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(1) Your Full Names: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(2) Your Contact Address: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(3) Your Nationality/Country: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(4) Your Telephone number: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(5) Sex: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(6) Age. : </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>(7) Occupation: </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>To file for your claim, Please contact your Validating Officer for VALIDATION of your winning within Twenty-nine working days of this winning notification. Winnings that are not validated within Twenty-nine working days of winning notification are termed void and invalid. You are required to mention the above particulars of your award in every correspondence to enable the Agent validate your winning. </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>***********************************************************</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>FOREIGN TRANSFER MANAGER</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>SIR COLLINS BROWN</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MICROSOFT SECURITY DEPARTMENT (UK).</B></FONT><BR>
<A href="http://m.s.pro/"><FONT size=3 color=#808000 face="Book Antiqua"><B><U>M.S.PRO</B></U></FONT></A><FONT size=3 color=#808000 face="Book Antiqua"><B>. ZONAL COORDINATOR</B></FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MOBILE</B></FONT><FONT size=3 color=#808000 face="Times New Roman"><B>: </B></FONT><FONT size=3 face="Times New Roman"><B>+447024011769</B></FONT><FONT size=3 color=#808000 face="Times New Roman"><B> </B></FONT><BR>
<FONT size=3 color=#808000 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Email: sircollinsbrownmicrosecuritydept@windowslive.com</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>*********************************************************** </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>The Microsoft Internet E-mail lottery Awards is sponsored by our CEO/Chairman, Bill Gates and a consortium of software promotion companies. The Intel Group, Toshiba, Dell Computers and other International Companies. The Microsoft internet E-mail draw is held periodically and is organized to encourage the use of the Internet and promote computer literacy worldwide. The Microsoft Window lottery has discovered a huge number of double claims due to winners informing close friends relatives and third parties about their winning and also sharing their pin numbers.</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT color=#808000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>As a result of this, these friends try to claim the lottery on behalf of the real winners. The Microsoft lottery has reached a decision from headquarters that any double claim discovered by the Lottery Board will result to the Canceling of that particular winning, making a loss for both the double claimer and the real winner, as it is taken that the real winner was the informer to the double claimer about the lottery. So you are hereby strongly advised once more to keep your winnings strictly confidential until you claim your prize.</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT color=#808000>&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Once again on behalf of all our staff, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>CONGRATULATIONS!!!</B></FONT><FONT color=#808000> </FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>Sincerely, </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>MICROSOFT DIRECTORATE UNIT </B></FONT></DIV>
<DIV>
<FONT size=3 color=#808000 face="Book Antiqua"><B>M.S.PRO. ZONAL COORDINATOR.</B></FONT></DIV>
</FONT>
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Date: Thu, 6 Aug 2009 16:12:18 -0400
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Subject: Re: Windows 7
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d32a1b91227404707ebcf0
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If you want to rollback I can get you a copy of XP but depending on the
hardware you're dealing with, getting XP drivers particularly audio can be a
chase.  I recently did an HP laptop and though I found the drivers kept
playing shell games with the audio drivers, it would work then it would be
canceled out by another driver update.  In the end I had to give it to the
end user without sound but XP was stable so they were happy.  I've done 3
rollbacks in my day work.

For some things I tend to agree re Apple as that's what I use beyond my day
work but neither system is without 'sin'

j

--0016e6d32a1b91227404707ebcf0
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<div>If you want to rollback I can get you a copy of XP but depending on th=
e hardware you&#39;re dealing with, getting XP drivers particularly audio c=
an be a chase.=A0 I recently did an HP laptop and though I found the driver=
s kept playing shell games with the audio drivers, it would work then it wo=
uld be canceled out by another driver update.=A0 In the end I had to give i=
t to the end user without sound but XP was stable so they were happy.=A0 I&=
#39;ve done 3 rollbacks in my day work.</div>

<div>=A0</div>
<div>For some things I tend to agree re Apple as that&#39;s what I use beyo=
nd my day work but neither system is without &#39;sin&#39;</div>
<div>=A0</div>
<div>j<br></div>

--0016e6d32a1b91227404707ebcf0--

From Loopers-Delight-request@loopers-delight.com  Thu Aug  6 20:58:05 2009
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Subject: livelooping in antwerp
Date: Thu, 6 Aug 2009 22:58:03 +0200
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http://www.vimeo.com/5977639
-michael

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Subject: Re: livelooping in antwerp
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Great Stuff, Michael!

Ricky
----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 06, 2009 9:58 PM
Subject: livelooping in antwerp


> http://www.vimeo.com/5977639
> -michael
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
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05:57:00

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Subject: Re: Windows 7
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To balance the discussion:

I bought a cheap HP (Compaq) Vista box, making sure it had one extra
slot for my old M-Audio Delta-66.  Expecting the worst, I began with
the notion of just getting internet connectivity dialed.  I used a
Hawking USB wireless adapter.

No hitches=97connectivity came up after plugging in my router key.
After a few days mucking around, downloading Audacity so I had a basic
recorder (ditched all my old Win-98 Sonic Foundry suite of tools), and
had them feeding the regular audio outs. No problem.

Finally I decided to see if my 10 year old audio i/f was going to
work.  Opened up the box, installed the card, started the system and
had a couple bad internet searches for drdivers, finally found the
correct driver, set up the control panel, done.

To my absolute amazement, my system pretty much came up as a
plug-and-play install.

I feel Vista is a bit "chatty" regarding security, but otherwise it's
been a breeze.  If Windows 7 is better I'm totally stoked.

I know many folks have trouble with MS, but I've heard lots about
Apple stuff too. Your mileage may vary . . .  -m

On 8/6/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> If you want to rollback I can get you a copy of XP but depending on the
> hardware you're dealing with, getting XP drivers particularly audio can b=
e a
> chase.  I recently did an HP laptop and though I found the drivers kept
> playing shell games with the audio drivers, it would work then it would b=
e
> canceled out by another driver update.  In the end I had to give it to th=
e
> end user without sound but XP was stable so they were happy.  I've done 3
> rollbacks in my day work.
>
> For some things I tend to agree re Apple as that's what I use beyond my d=
ay
> work but neither system is without 'sin'
>
> j
--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

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http://www.youtube.com/watch?v=wwq0i6jP7dQ


Jeff

http://www.myspace.com/loopsinphasespace

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Date: Fri, 7 Aug 2009 06:34:42 +0200
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Subject: Re: parallels (was RE: anti-looper bigots)
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... in very ancient times (dinousars were alive) also direct 4ths
should be avoided, previously preparing one of both notes ...

2009/8/6, kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com>:
> Quoting Tony K <bigtonyk@gmail.com>:
>>
>>> Popular songs such as "Iron Man" and "Smoke on the Water" derive their
>>> sound from parallel fifths.
>>
>> I know I'm being picky here... but.  Smoke on the Water is parallel
>> 4ths.  I saw an interview with Ritchie where he discussed how often
>> that riff is played wrong (in 5ths) and that 4ths give it an 'evil'
>> sound.
>>
> Thanks for mentioning this... I wasn't aware of this.
>
> According to Hindemith's system, the top note of a 4th would be the
> root -- so the P4 could be regarded as an inverted 5th.  I'll have to
> listen to this again -- intermodulation distortion would create a
> pitch a fifth below the bottom note of a 4th -- is it possible that we
> hear the root below the P4th even though the performer doesn't play it?
>
> -- Kevin
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Charles -- Endurance w/one another is part of what it means to be 
Community. Thanks for enduring...

Warren -- love your Summary O' The Rules.  Thanks for sharing 'em.


I post rarely here, but watch in amazement muchly.  What you/we have 
here is pretty amazing.  Keep it.


C


Charles Zwicky wrote:
> Word....  the ego clashes are just embarrassing.  I was going to 
> unsubscribe until I saw this post by Warren....
>
>> I'm sorry to say that this list has become distressingly childish
>> lately. There is one simple rule: don't say negative things about
>> other people publicly unless they are asking for criticism or quite
>> disruptive. Be opinionated as you want, disagree all you want, but
>> don't attack or characterize people personally. How hard is that?
>>
>> Skip the mea culpas, skip the explanations, just keep your sht to
>> yourselves, ok? There's so much value here, but it gets very
>> unpleasant sometimes.
>>
>> Warren
>
>

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Fantastic!
greetings from florence!

Massimo

Michael Peters ha scritto:
> http://www.vimeo.com/5977639
> -michael
>
>
>   


-- 

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 10:17:09 2009
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Date: Fri, 07 Aug 2009 03:17:02 -0700
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I don't know if this video has been pointed out already but
I went by and checked out Mr. Funk's wonderful
invention of a midi controller, an Electrix Repeater and even an
alesis airFX into a playing 'instrument' (that he says also
controls video synthesis to but that's for a later video).

Using acapella voice,  Omid Shirazi really conjures a whole
world and with a very cool ,  visual presentation that's fun to watch.
Mixing reggae, hip hop and middleeastern modalities and singing styles
I was just enthralled watching it.

http://www.youtube.com/watch?v=crnYUibe7zs

Why don't I have a million dollars to bring this guy to the loopfestival 
this year?

Great work, Omid.

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 10:48:35 2009
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Date: Fri, 7 Aug 2009 10:48:34 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Bill Walker's New Delta:  Live videos up at YouTUBE
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rock on Walker bros!=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Rick Walke=
r <looppool@cruzio.com> schrieb am Mi, 5.8.2009:=0A=0A> Von: Rick Walker <l=
ooppool@cruzio.com>=0A> Betreff: Bill Walker's New Delta:  Live videos up a=
t YouTUBE=0A> An: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-deli=
ght.com>=0A> Datum: Mittwoch, 5. August 2009, 12:38=0A> Hi all, =0A> If any=
one is interested,=A0 I just put up a youtube=0A> video page for=0A> Bill's=
 project,=A0 New Delta.=0A> =0A> *_www.youtube.com/billwalkersnewdelta_*=0A=
> =0A> I posted four tracks (the entire performance) of our first=0A> show=
=0A> opening for the wonderful Argentine looper, Juana Molina=0A> at the Ri=
o Theatre in Santa Cruz.=0A> =0A> The group , featuring all of Bill's compo=
sitions, revolves=0A> around his=0A> psychedelic slide guitar and lap steel=
, weissenborn,=A0=0A> LP-1 live looping improvisations=0A> using inspiratio=
n from musics of the Mississippi, Nile,=0A> Ganges and Yangtze Delta region=
s.=0A> I accompany him, playing=A0 different exotic percussion=0A> instrume=
nts (giant calabash, liquid=0A> glass ghatam, kanjira and korg wave drum).=
=0A> =0A> It was a really fun gig and the video came out decently so=0A> I =
hope you all=0A> enjoy them.=0A> =0A> =0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 12:08:00 2009
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Subject: Re: OMID SHIRAZI aka Mr. Funk rocks!!!!
Date: Fri, 7 Aug 2009 05:07:55 -0700
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Too much fun.

On Aug 7, 2009, at 3:17 AM, Rick Walker wrote:

> I don't know if this video has been pointed out already but
> I went by and checked out Mr. Funk's wonderful
> invention of a midi controller, an Electrix Repeater and even an
> alesis airFX into a playing 'instrument' (that he says also
> controls video synthesis to but that's for a later video).
>
> Using acapella voice,  Omid Shirazi really conjures a whole
> world and with a very cool ,  visual presentation that's fun to watch.
> Mixing reggae, hip hop and middleeastern modalities and singing styles
> I was just enthralled watching it.
>
> http://www.youtube.com/watch?v=crnYUibe7zs
>
> Why don't I have a million dollars to bring this guy to the  
> loopfestival this year?
>
> Great work, Omid.

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 12:27:18 2009
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Jeff,

Fun seeing Keaggy play with an ebow again.

Haven't seen that in years.

Got the instructional VHS that clip came from around here somewhere.

Listened to some of your tunes too (from the other link).

Enjoyed them all.

Peace,

Ted


On Aug 6, 2009, at 7:59 PM, Jeff Duke wrote:

> http://www.youtube.com/watch?v=wwq0i6jP7dQ
>
>
> Jeff
>
> http://www.myspace.com/loopsinphasespace

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 12:32:48 2009
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Right.>!  Well, I've been here for over 12 years....!

>Charles -- Endurance w/one another is part of what it means to be 
>Community. Thanks for enduring...
>
>Warren -- love your Summary O' The Rules.  Thanks for sharing 'em.
>
>
>I post rarely here, but watch in amazement muchly.  What you/we have 
>here is pretty amazing.  Keep it.
>
>
>C
>
>
>Charles Zwicky wrote:
>>Word....  the ego clashes are just embarrassing.  I was going to 
>>unsubscribe until I saw this post by Warren....
>>
>>>I'm sorry to say that this list has become distressingly childish
>>>lately. There is one simple rule: don't say negative things about
>>>other people publicly unless they are asking for criticism or quite
>>>disruptive. Be opinionated as you want, disagree all you want, but
>>>don't attack or characterize people personally. How hard is that?
>>>
>>>Skip the mea culpas, skip the explanations, just keep your sht to
>>>yourselves, ok? There's so much value here, but it gets very
>>>unpleasant sometimes.
>>>
>>>Warren


-- 
...
http://www.zmix.net

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amazing! the first complete looping station that you can wear!
So an alternative of rack mount for repeater...:-)
But... why it costs so much that guy?

Max Liver

Rick Walker ha scritto:
> I don't know if this video has been pointed out already but
> I went by and checked out Mr. Funk's wonderful
> invention of a midi controller, an Electrix Repeater and even an
> alesis airFX into a playing 'instrument' (that he says also
> controls video synthesis to but that's for a later video).
>
> Using acapella voice,  Omid Shirazi really conjures a whole
> world and with a very cool ,  visual presentation that's fun to watch.
> Mixing reggae, hip hop and middleeastern modalities and singing styles
> I was just enthralled watching it.
>
> http://www.youtube.com/watch?v=crnYUibe7zs
>
> Why don't I have a million dollars to bring this guy to the 
> loopfestival this year?
>
> Great work, Omid.
>
>




From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 13:14:45 2009
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Subject: Galactic Travels Playlist #644 for August 6, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090806.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #644                August 6, 2009.

RECAP:
On this show, I started a month-long focus on Saul Stokes.  The Featured
CD at Midnight was Fields on Binary Records.

Saul Stokes: http://wdiy.org/programs/gt/playlists/2009/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Ricochet Gathering   Frosted Realm        Romania 2008 (Riochet Dream)
Sorih and            Xopancuicatl         Atlan (Projekt)
  Ashkelon Sain
Markus Reuter and    Angst                Dervish (DiN)
  Ian Boddy
Between Interval     Delta Capricorni     The Edge of a Fairytale
                                            (Spotted Peccary)
Igneous Flame        Ad Astra             Electra (Lumina Sounds)
Saul Stokes          Noise Coast          Fields (Binary)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Saul Stokes          Furioso              Fields (Binary)
Saul Stokes          This Road Is Glowing Fields (Binary)
Saul Stokes          Imiye                Fields (Binary)
Saul Stokes          Iris... My           Fields (Binary)
                       Observatory
Saul Stokes          Fields               Fields (Binary)
Saul Stokes          The Bright Tones     Fields (Binary)
                       (Even Brighter)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Saul
Stokes.  The Featured CD at Midnight will be Vast on The Foundry
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From cartasi.informa@titolari.cartasi.it  Fri Aug  7 13:40:32 2009
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<p><font size="2" face="Arial">Gentile Cliente,<br>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 18:17:36 2009
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From: "Christo Jota" <chris@christojota.de>
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Subject: New track-with Sonuus Guitar to Midi
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This is a multi-part message in MIME format.

------=_NextPart_000_0010_01CA179C.91B55E80
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New Track (excerpt): "Wolkenberge" by Christo Jota on:
www.christojota.de
genre: Ambient, Soundscapes
Equipement:=20
Guitar - Squier Stratocaster (80ies)
Sonuus G2M - guitar to midi converter
Soundmodul - Roland MC 303 Groove Box
Looper - Boss RC 50


------=_NextPart_000_0010_01CA179C.91B55E80
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>New Track (excerpt): "Wolkenberge" by =
Christo Jota=20
on:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>genre: Ambient, =
Soundscapes</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Equipement: </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Guitar - Squier Stratocaster =
(80ies)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sonuus G2M - guitar to midi =
converter</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Soundmodul - Roland MC 303 Groove =
Box</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Looper - Boss RC 50</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0010_01CA179C.91B55E80--

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 19:11:17 2009
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Subject: Re: Music is the prime objective (was: anti-looper bigots)
Date: Fri, 7 Aug 2009 16:10:50 -0300
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good, Gareth...

On 4 Aug 2009, at 14:07, Gareth Whittock wrote:

> People get all wound up about the techniques used and create  
> arbitrary rules.
> I fell in love with MUSIC and learned how to play an instrument to  
> be able to make it.
> Music is the prime objective

Music a such is the objective, like playing to the spirits?
or the effect that the music has on the listeners?
so is it about what they feel or what we feel when doing it?

> and technique should be in the service of that. I've been involved  
> with the psy-trance scene for a couple of years now and nobody there  
> gives a damn about how the music is made or performed. They just  
> want the vibrations!

would you say the vibrations are in the sound or in the playing?
people come to se us doing it.
one can cook pretty well out of cans... freshness is subtle
once you know that the salad comes out of a friends garden, it tastes  
better

> Use whatever it takes I say!

...but declare it on the package ;-)

> And a big YAAH BOO to those who've forgotten that that is what it's  
> all about.

hm... its not so much that I forget it but suddenly have doubts  
whether I every knew...
>
> peace love and enlightenment

Thank you bro, you made me think!
Matthias
>
> Gareth (blugaruda)
>
> >
> > You got trashed because you didn't protect yourself. Next time,  
> smile
> > and walk away. Let them keep their big truths to themselves. If
> > someone opens his mouth and starts explaining to you what you do  
> right
> > and what you ro wrong with your art, with your life, it is time to  
> go.
> > Let him talk to himself. He will not mind, he will not be offended.
> > These kind of people talk to themselves even when they appear to be
> > talking to someone else. It is like TV shows.

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Subject: Re: parallels (was RE: anti-looper bigots)
Date: Fri, 7 Aug 2009 16:05:50 -0300
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absolutely!
I started building an octaver when I understood that guitarist dont  
just like distortion for their overtones (mostly in single strings)  
but also the undertones (mostly when playing 5th intervals)

On 6 Aug 2009, at 11:28, kkissinger@kevinkissinger.com wrote:

> Quoting Tony K <bigtonyk@gmail.com>:
>>
>>> Popular songs such as "Iron Man" and "Smoke on the Water" derive  
>>> their
>>> sound from parallel fifths.
>>
>> I know I'm being picky here... but.  Smoke on the Water is  
>> parallel  4ths.  I saw an interview with Ritchie where he discussed  
>> how often  that riff is played wrong (in 5ths) and that 4ths give  
>> it an 'evil'  sound.
>>
> Thanks for mentioning this... I wasn't aware of this.
>
> According to Hindemith's system, the top note of a 4th would be the  
> root -- so the P4 could be regarded as an inverted 5th.  I'll have  
> to listen to this again -- intermodulation distortion would create a  
> pitch a fifth below the bottom note of a 4th -- is it possible that  
> we hear the root below the P4th even though the performer doesn't  
> play it?
>
> -- Kevin
>

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Date: Fri, 7 Aug 2009 15:56:24 -0400
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Subject: test
From: Jeff Duke <jeffloops@gmail.com>
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--00504502ca0e866ac1047092a139
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test

--00504502ca0e866ac1047092a139
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test

--00504502ca0e866ac1047092a139--

From Loopers-Delight-request@loopers-delight.com  Fri Aug  7 20:12:06 2009
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Date: Fri, 7 Aug 2009 13:12:05 -0700
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Subject: Re: test
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I only saw the word "test" in your email . . .

On 8/7/09, Jeff Duke <jeffloops@gmail.com> wrote:
> test

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Date: Fri, 7 Aug 2009 17:16:12 -0400
Message-ID: <9e0440a60908071416y5d6c898ex4ec9b2a491e0f648@mail.gmail.com>
Subject: Re: test
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Test back at cha...

On Fri, Aug 7, 2009 at 3:56 PM, Jeff Duke <jeffloops@gmail.com> wrote:

> test




-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b0d9f29733047093be34
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Test back at cha...<br><br>
<div class=3D"gmail_quote">On Fri, Aug 7, 2009 at 3:56 PM, Jeff Duke <span =
dir=3D"ltr">&lt;<a href=3D"mailto:jeffloops@gmail.com">jeffloops@gmail.com<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">test </blockquote></div><br><br =
clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5b0d9f29733047093be34--

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Message-ID: <000601ca179d$39c72fe0$2a842245@YOUR08D5303051>
From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <f61df0e50908071256i59a808daof92ae6f43ff69fba@mail.gmail.com> <3fa302e30908071312s34372dc6kca00c859b37c02c7@mail.gmail.com>
Subject: OT: Re: test
Date: Fri, 7 Aug 2009 16:25:36 -0400
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Hey Miko,

Thats all I put in it...apparently it's working. I am still learning about 
Gmail. Behind the curve I guess.

peace,

Jeff



----- Original Message ----- 
From: "Miko Biffle" <biffoz@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 07, 2009 4:12 PM
Subject: Re: test


>I only saw the word "test" in your email . . .
>
> On 8/7/09, Jeff Duke <jeffloops@gmail.com> wrote:
>> test
> 

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Date: Fri, 7 Aug 2009 16:28:35 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Looper vid
To: Loopers-Delight@loopers-delight.com
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--0-692032977-1249687715=:60441
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He' s the one that initially got me interested in looping.....although it w=
as 15 yrs after i was blown away by his show that i finally purchased my fi=
rst looper unit ......;-)

Kyle=A0 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20

=A0=A0=20




--- On Fri, 8/7/09, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:

From: tEd =AE KiLLiAn <tedkillian@charter.net>
Subject: Re: Looper vid
To: Loopers-Delight@loopers-delight.com
Date: Friday, August 7, 2009, 7:27 AM

Jeff,

Fun seeing Keaggy play with an ebow again.

Haven't seen that in years.

Got the instructional VHS that clip came from around here somewhere.

Listened to some of your tunes too (from the other link).

Enjoyed them all.

Peace,

Ted


On Aug 6, 2009, at 7:59 PM, Jeff Duke wrote:

> http://www.youtube.com/watch?v=3Dwwq0i6jP7dQ
>
>
> Jeff
>
> http://www.myspace.com/loopsinphasespace


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">He' s the one that initially got me intereste=
d in looping.....although it was 15 yrs after i was blown away by his show =
that i finally purchased my first looper unit ......;-)<br><br><div><addres=
s style=3D"font-family: arial narrow; font-weight: bold;"><font color=3D"#b=
f00bf" size=3D"4">Kyle</font></address><address>&nbsp;</address> <address><=
a rel=3D"nofollow" style=3D"font-weight: bold;" target=3D"_blank" href=3D"h=
ttp://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten </a><br=
><span style=3D"color: rgb(0, 0, 255);"></span><span style=3D"color: rgb(12=
8, 128, 255);"><span style=3D"color: rgb(64, 64, 255); font-weight: bold;">=
http://www.myspace.com/kyledeanpatten</span><span style=3D"font-weight: bol=
d;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span>&nbsp;&nbsp;&nbsp; <br></spa=
n><span style=3D"font-weight: bold; color: rgb(0, 127, 127);"></span><b sty=
le=3D""><span
 style=3D"font-size: 9pt; font-family: Arial; color: green;"><br><span styl=
e=3D"color: rgb(191, 0, 95);"></span></span></b>&nbsp;&nbsp; <br><br><br><a=
 rel=3D"nofollow" target=3D"_blank" href=3D"http://www.globalwarmingheartla=
nd.org/GWQuiz/Testindex.html"><span class=3D"yshortcuts" id=3D"lw_123081027=
2_0"></span></a></address></div><br><br>--- On <b>Fri, 8/7/09, tEd =AE KiLL=
iAn <i>&lt;tedkillian@charter.net&gt;</i></b> wrote:<br><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><br>From: tEd =AE KiLLiAn &lt;tedkillian@charter.net&gt;<br>Subject=
: Re: Looper vid<br>To: Loopers-Delight@loopers-delight.com<br>Date: Friday=
, August 7, 2009, 7:27 AM<br><br><div class=3D"plainMail">Jeff,<br><br>Fun =
seeing Keaggy play with an ebow again.<br><br>Haven't seen that in years.<b=
r><br>Got the instructional VHS that clip came from around here somewhere.<=
br><br>Listened to some of your tunes too (from the other link).<br><br>Enj=
oyed them
 all.<br><br>Peace,<br><br>Ted<br><br><br>On Aug 6, 2009, at 7:59 PM, Jeff =
Duke wrote:<br><br>&gt; <a href=3D"http://www.youtube.com/watch?v=3Dwwq0i6j=
P7dQ" target=3D"_blank">http://www.youtube.com/watch?v=3Dwwq0i6jP7dQ</a><br=
>&gt;<br>&gt;<br>&gt; Jeff<br>&gt;<br>&gt; <a href=3D"http://www.myspace.co=
m/loopsinphasespace" target=3D"_blank">http://www.myspace.com/loopsinphases=
pace</a><br><br></div></blockquote></td></tr></table>
--0-692032977-1249687715=:60441--

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Subject: Help! EDP output makes hum louder than my loops
From: Jack Schultz <jackthebassplayer@gmail.com>
To: Loopers-Delight@loopers-delight.com
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My Gibson EDP produces an insanely loud hum which I think is ground noise.
(sounds like it)  I've narrowed it down to the output jack.  Even if my EDP
is turned off, it will still make a really loud hum into my amp or
computer.  Even if I mute my amp and turn all the gain down, the hum still
comes through my amp at full volume. The input/output knobs don't alter the
hum at all.  In fact nothing does, except turning my amp off or unplugging
the EDP. The looping functions work fine and the looping material still
comes out of the EDP, but it is a little softer than the ground noise
sounding hum. Does anyone have ideas on how to fix this, or what precisely
is making that hum?

Thanks for any insight,

Jack

--0015175cb256f92fb504709669a7
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My Gibson EDP produces an insanely loud hum which I think is ground noise. =
(sounds like it)=A0 I&#39;ve narrowed it down to the output jack.=A0 Even i=
f my EDP is turned off, it will still make a really loud hum into my amp or=
 computer.=A0 Even if I mute my amp and turn all the gain down, the hum sti=
ll comes through my amp at full volume. The input/output knobs don&#39;t al=
ter the hum at all.=A0 In fact nothing does, except turning my amp off or u=
nplugging the EDP. The looping functions work fine and the looping material=
 still comes out of the EDP, but it is a little softer than the ground nois=
e sounding hum. Does anyone have ideas on how to fix this, or what precisel=
y is making that hum? <br>

<br>Thanks for any insight,<br><br>Jack<br>

--0015175cb256f92fb504709669a7--

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Subject: RE: Help! EDP output makes hum louder than my loops
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is it a blackface unit?

=20

if so its all part of the rather unfortunate re design to get certification=
. I have one that does this and I hate it

=20

the good thing is it is easily solved by buying a di box with a ground lify=
 built in

=20

but i still cant get over the backstep that has gone on.

=20

i have two white units that work just fine as they are... i hate the fact t=
hat the newest unit and the one i paid the most for..is the one that causes=
 me trouble and makes me go out and have to buy a di box which then takes u=
p more space on my pedal board.

=20

blah blah...

=20

actually...if anyone want to do a swap a white echoplex for a black one ( c=
os IF YOU DO use the unit in the "correct" way it is atually quieter then t=
he the original design...its just not how i use it.) contact me we an swap

=20

phill
=20


Date: Fri=2C 7 Aug 2009 17:27:12 -0700
Subject: Help! EDP output makes hum louder than my loops
From: jackthebassplayer@gmail.com
To: Loopers-Delight@loopers-delight.com

My Gibson EDP produces an insanely loud hum which I think is ground noise. =
(sounds like it)  I've narrowed it down to the output jack.  Even if my EDP=
 is turned off=2C it will still make a really loud hum into my amp or compu=
ter.  Even if I mute my amp and turn all the gain down=2C the hum still com=
es through my amp at full volume. The input/output knobs don't alter the hu=
m at all.  In fact nothing does=2C except turning my amp off or unplugging =
the EDP. The looping functions work fine and the looping material still com=
es out of the EDP=2C but it is a little softer than the ground noise soundi=
ng hum. Does anyone have ideas on how to fix this=2C or what precisely is m=
aking that hum?=20

Thanks for any insight=2C

Jack

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

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<body class=3D'hmmessage'>
is it a blackface unit?<BR>
&nbsp=3B<BR>
if so its all part of the rather&nbsp=3Bunfortunate re design to get certif=
ication. I have one that does this and&nbsp=3BI hate it<BR>
&nbsp=3B<BR>
the&nbsp=3Bgood thing is it&nbsp=3Bis easily solved by buying a di box with=
 a ground lify built in<BR>
&nbsp=3B<BR>
but i still cant get over the backstep that has gone on.<BR>
&nbsp=3B<BR>
i have two&nbsp=3Bwhite units&nbsp=3Bthat work just fine as they are... i h=
ate the fact that&nbsp=3Bthe newest unit and the one i paid the most for..i=
s the one that causes me trouble and makes me go out and have to buy a di b=
ox which then takes up more space on my pedal board.<BR>
&nbsp=3B<BR>
blah blah...<BR>
&nbsp=3B<BR>
actually...if anyone want to do a swap a white echoplex for a black&nbsp=3B=
one (&nbsp=3Bcos IF YOU DO use the unit in the "correct" way it is atually =
quieter then the the original design...its just not how&nbsp=3Bi use it.) c=
ontact me we an swap<BR>
&nbsp=3B<BR>
phill<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Fri=2C 7 Aug 2009 17:27:12 -0700<BR>Subject: Help! EDP output makes h=
um louder than my loops<BR>From: jackthebassplayer@gmail.com<BR>To: Loopers=
-Delight@loopers-delight.com<BR><BR>My Gibson EDP produces an insanely loud=
 hum which I think is ground noise. (sounds like it)&nbsp=3B I've narrowed =
it down to the output jack.&nbsp=3B Even if my EDP is turned off=2C it will=
 still make a really loud hum into my amp or computer.&nbsp=3B Even if I mu=
te my amp and turn all the gain down=2C the hum still comes through my amp =
at full volume. The input/output knobs don't alter the hum at all.&nbsp=3B =
In fact nothing does=2C except turning my amp off or unplugging the EDP. Th=
e looping functions work fine and the looping material still comes out of t=
he EDP=2C but it is a little softer than the ground noise sounding hum. Doe=
s anyone have ideas on how to fix this=2C or what precisely is making that =
hum? <BR><BR>Thanks for any insight=2C<BR><BR>Jack<BR><br /><hr />Internet =
Explorer 8 - accelerate your Hotmail.  <a href=3D'http://clk.atdmt.com/UKM/=
go/134665338/direct/01/' target=3D'_new'>Download Internet Explorer 8</a></=
body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 03:15:17 2009
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Message-Id: <E32A4BFC-2DFF-4DEC-A32F-613362841392@gmail.com>
From: Robert Jeffries <rob.jeffries410@gmail.com>
Subject: cancel
Date: Fri, 7 Aug 2009 20:15:13 -0700
To: Loopers-Delight@loopers-delight.com
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I think I can cancel my subscription like this.

Thanks,  but to  many messages,


On Aug 7, 2009, at 6:35 PM, phillip wilson wrote:

> is it a blackface unit?
>
> if so its all part of the rather unfortunate re design to get  
> certification. I have one that does this and I hate it
>
> the good thing is it is easily solved by buying a di box with a  
> ground lify built in
>
> but i still cant get over the backstep that has gone on.
>
> i have two white units that work just fine as they are... i hate  
> the fact that the newest unit and the one i paid the most for..is  
> the one that causes me trouble and makes me go out and have to buy  
> a di box which then takes up more space on my pedal board.
>
> blah blah...
>
> actually...if anyone want to do a swap a white echoplex for a black  
> one ( cos IF YOU DO use the unit in the "correct" way it is atually  
> quieter then the the original design...its just not how i use it.)  
> contact me we an swap
>
> phill
>
> Date: Fri, 7 Aug 2009 17:27:12 -0700
> Subject: Help! EDP output makes hum louder than my loops
> From: jackthebassplayer@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> My Gibson EDP produces an insanely loud hum which I think is ground  
> noise. (sounds like it)  I've narrowed it down to the output jack.   
> Even if my EDP is turned off, it will still make a really loud hum  
> into my amp or computer.  Even if I mute my amp and turn all the  
> gain down, the hum still comes through my amp at full volume. The  
> input/output knobs don't alter the hum at all.  In fact nothing  
> does, except turning my amp off or unplugging the EDP. The looping  
> functions work fine and the looping material still comes out of the  
> EDP, but it is a little softer than the ground noise sounding hum.  
> Does anyone have ideas on how to fix this, or what precisely is  
> making that hum?
>
> Thanks for any insight,
>
> Jack
>
> Internet Explorer 8 - accelerate your Hotmail. Download Internet  
> Explorer 8


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I think I can cancel my subscription like =
this.<div><br></div><div>Thanks, &nbsp;but to &nbsp;many =
messages,</div><div><br></div><div><br><div><div>On Aug 7, 2009, at 6:35 =
PM, phillip wilson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">is it a blackface =
unit?<br>&nbsp;<br>if so its all part of the rather&nbsp;unfortunate re =
design to get certification. I have one that does this and&nbsp;I hate =
it<br>&nbsp;<br>the&nbsp;good thing is it&nbsp;is easily solved by =
buying a di box with a ground lify built in<br>&nbsp;<br>but i still =
cant get over the backstep that has gone on.<br>&nbsp;<br>i have =
two&nbsp;white units&nbsp;that work just fine as they are... i hate the =
fact that&nbsp;the newest unit and the one i paid the most for..is the =
one that causes me trouble and makes me go out and have to buy a di box =
which then takes up more space on my pedal board.<br>&nbsp;<br>blah =
blah...<br>&nbsp;<br>actually...if anyone want to do a swap a white =
echoplex for a black&nbsp;one (&nbsp;cos IF YOU DO use the unit in the =
"correct" way it is atually quieter then the the original design...its =
just not how&nbsp;i use it.) contact me we an =
swap<br>&nbsp;<br>phill<br>&nbsp;<br><hr id=3D"stopSpelling">Date: Fri, =
7 Aug 2009 17:27:12 -0700<br>Subject: Help! EDP output makes hum louder =
than my loops<br>From: <a =
href=3D"mailto:jackthebassplayer@gmail.com">jackthebassplayer@gmail.com</a=
><br>To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><br>My Gibson EDP produces an insanely loud hum =
which I think is ground noise. (sounds like it)&nbsp; I've narrowed it =
down to the output jack.&nbsp; Even if my EDP is turned off, it will =
still make a really loud hum into my amp or computer.&nbsp; Even if I =
mute my amp and turn all the gain down, the hum still comes through my =
amp at full volume. The input/output knobs don't alter the hum at =
all.&nbsp; In fact nothing does, except turning my amp off or unplugging =
the EDP. The looping functions work fine and the looping material still =
comes out of the EDP, but it is a little softer than the ground noise =
sounding hum. Does anyone have ideas on how to fix this, or what =
precisely is making that hum?<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>Thanks for any =
insight,<br><br>Jack<br><br><hr>Internet Explorer 8 - accelerate your =
Hotmail.<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://clk.atdmt.com/UKM/go/134665338/direct/01/" =
target=3D"_new">Download Internet Explorer =
8</a></span></span></blockquote></div><br></div></body></html>=

--Apple-Mail-1-811174156--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 03:23:54 2009
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Message-ID: <001001ca17d7$a6939de0$2a842245@YOUR08D5303051>
From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <3c3c57a30908071727u1782bda0uc0a5ea9cc290089a@mail.gmail.com> <COL109-W20FCB5391AAC8A8D3BFF6FBE080@phx.gbl> <E32A4BFC-2DFF-4DEC-A32F-613362841392@gmail.com>
Subject: Re: cancel
Date: Fri, 7 Aug 2009 23:23:48 -0400
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Afraid not Robert, try this instead from the LD page:

I'm sorry, I need to unsubscribe from Looper's Delight. How do I do =
that? It's not that I dislike people there or anything, you understand.
To unsubscribe, send mail with the word "unsubscribe" in both the =
subject and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com


If you are on the digest version of Looper's Delight, send your =
unsubscribe request to:

Loopers-Delight-d-request@loopers-delight.com


Don't send your unsubscribe message to the list, or people will make fun =
of you and you will feel like a dork.



Good luck,=20



J




  ----- Original Message -----=20
  From: Robert Jeffries=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 07, 2009 11:15 PM
  Subject: cancel


  I think I can cancel my subscription like this.


  Thanks,  but to  many messages,




  On Aug 7, 2009, at 6:35 PM, phillip wilson wrote:


    is it a blackface unit?
    =20
    if so its all part of the rather unfortunate re design to get =
certification. I have one that does this and I hate it
    =20
    the good thing is it is easily solved by buying a di box with a =
ground lify built in
    =20
    but i still cant get over the backstep that has gone on.
    =20
    i have two white units that work just fine as they are... i hate the =
fact that the newest unit and the one i paid the most for..is the one =
that causes me trouble and makes me go out and have to buy a di box =
which then takes up more space on my pedal board.
    =20
    blah blah...
    =20
    actually...if anyone want to do a swap a white echoplex for a black =
one ( cos IF YOU DO use the unit in the "correct" way it is atually =
quieter then the the original design...its just not how i use it.) =
contact me we an swap
    =20
    phill
    =20

-------------------------------------------------------------------------=
---
    Date: Fri, 7 Aug 2009 17:27:12 -0700
    Subject: Help! EDP output makes hum louder than my loops
    From: jackthebassplayer@gmail.com
    To: Loopers-Delight@loopers-delight.com

    My Gibson EDP produces an insanely loud hum which I think is ground =
noise. (sounds like it)  I've narrowed it down to the output jack.  Even =
if my EDP is turned off, it will still make a really loud hum into my =
amp or computer.  Even if I mute my amp and turn all the gain down, the =
hum still comes through my amp at full volume. The input/output knobs =
don't alter the hum at all.  In fact nothing does, except turning my amp =
off or unplugging the EDP. The looping functions work fine and the =
looping material still comes out of the EDP, but it is a little softer =
than the ground noise sounding hum. Does anyone have ideas on how to fix =
this, or what precisely is making that hum?=20

    Thanks for any insight,

    Jack


-------------------------------------------------------------------------=
---
    Internet Explorer 8 - accelerate your Hotmail. Download Internet =
Explorer 8


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<DIV><FONT face=3DArial size=3D2>Afraid not Robert, try this instead =
from the LD=20
page:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><STRONG>I'm sorry, I need to unsubscribe from Looper's Delight. How =
do I do=20
that? It's not that I dislike people there or anything, you =
understand.</STRONG>
<P><FONT size=3D2>To unsubscribe, send mail with the word "unsubscribe" =
in both=20
the subject and body, and no sig files or anything else, to:</FONT></P>
<P><A href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><FONT=20
size=3D2>Loopers-Delight-request@loopers-delight.com</FONT></A></P>
<P><FONT size=3D2><BR>If you are on the digest version of Looper's =
Delight, send=20
your unsubscribe request to:</FONT></P>
<P><A =
href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com"><FONT=20
size=3D2>Loopers-Delight-d-request@loopers-delight.com</FONT></A></P><FON=
T size=3D2>
<P><BR>Don't send your unsubscribe message to the list, or people will =
make fun=20
of you and you will feel like a dork.</P>
<P>&nbsp;</P>
<P><FONT face=3DArial>Good luck, </FONT></P>
<P><FONT face=3DArial></FONT>&nbsp;</P>
<P><FONT face=3DArial>J</FONT></FONT></P>
<DIV align=3Dleft>
<P><BR></P></DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drob.jeffries410@gmail.com=20
  href=3D"mailto:rob.jeffries410@gmail.com">Robert Jeffries</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 07, 2009 =
11:15=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> cancel</DIV>
  <DIV><BR></DIV>I think I can cancel my subscription like this.
  <DIV><BR></DIV>
  <DIV>Thanks, &nbsp;but to &nbsp;many messages,</DIV>
  <DIV><BR></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Aug 7, 2009, at 6:35 PM, phillip wilson wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: medium Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><SPAN=20
    class=3DApple-style-span style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Verdana">is it a=20
    blackface unit?<BR>&nbsp;<BR>if so its all part of the=20
    rather&nbsp;unfortunate re design to get certification. I have one =
that does=20
    this and&nbsp;I hate it<BR>&nbsp;<BR>the&nbsp;good thing is =
it&nbsp;is=20
    easily solved by buying a di box with a ground lify built=20
    in<BR>&nbsp;<BR>but i still cant get over the backstep that has gone =

    on.<BR>&nbsp;<BR>i have two&nbsp;white units&nbsp;that work just =
fine as=20
    they are... i hate the fact that&nbsp;the newest unit and the one i =
paid the=20
    most for..is the one that causes me trouble and makes me go out and =
have to=20
    buy a di box which then takes up more space on my pedal=20
    board.<BR>&nbsp;<BR>blah blah...<BR>&nbsp;<BR>actually...if anyone =
want to=20
    do a swap a white echoplex for a black&nbsp;one (&nbsp;cos IF YOU DO =
use the=20
    unit in the "correct" way it is atually quieter then the the =
original=20
    design...its just not how&nbsp;i use it.) contact me we an=20
    swap<BR>&nbsp;<BR>phill<BR>&nbsp;<BR>
    <HR id=3DstopSpelling>
    Date: Fri, 7 Aug 2009 17:27:12 -0700<BR>Subject: Help! EDP output =
makes hum=20
    louder than my loops<BR>From: <A=20
    =
href=3D"mailto:jackthebassplayer@gmail.com">jackthebassplayer@gmail.com</=
A><BR>To:=20
    <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><BR>My=20
    Gibson EDP produces an insanely loud hum which I think is ground =
noise.=20
    (sounds like it)&nbsp; I've narrowed it down to the output =
jack.&nbsp; Even=20
    if my EDP is turned off, it will still make a really loud hum into =
my amp or=20
    computer.&nbsp; Even if I mute my amp and turn all the gain down, =
the hum=20
    still comes through my amp at full volume. The input/output knobs =
don't=20
    alter the hum at all.&nbsp; In fact nothing does, except turning my =
amp off=20
    or unplugging the EDP. The looping functions work fine and the =
looping=20
    material still comes out of the EDP, but it is a little softer than =
the=20
    ground noise sounding hum. Does anyone have ideas on how to fix =
this, or=20
    what precisely is making that hum?<SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN><BR><BR>Thanks for any=20
    insight,<BR><BR>Jack<BR><BR>
    <HR>
    Internet Explorer 8 - accelerate your Hotmail.<SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN><A=20
    href=3D"http://clk.atdmt.com/UKM/go/134665338/direct/01/" =
target=3D_new>Download=20
    Internet Explorer=20
8</A></SPAN></SPAN></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY></HTM=
L>

------=_NextPart_000_000B_01CA17B6.1E0485A0--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 05:57:45 2009
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	 <COL109-W20FCB5391AAC8A8D3BFF6FBE080@phx.gbl>
Date: Fri, 7 Aug 2009 22:52:19 -0700
Message-ID: <3c3c57a30908072252i5acf8fc2vd9a3718aa950a2b0@mail.gmail.com>
Subject: Re: Help! EDP output makes hum louder than my loops
From: Jack Schultz <jackthebassplayer@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cb280adb83104709af428
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Thank you Philip for a solution! Do you have a recommendation for which DI
box to buy or avoid?  I can't tell the difference from online window
shopping, but something inexpensive would be great.

Jack

On Fri, Aug 7, 2009 at 6:35 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  is it a blackface unit?
>
> if so its all part of the rather unfortunate re design to get
> certification. I have one that does this and I hate it
>
> the good thing is it is easily solved by buying a di box with a ground lify
> built in
>
> but i still cant get over the backstep that has gone on.
>
> i have two white units that work just fine as they are... i hate the fact
> that the newest unit and the one i paid the most for..is the one that causes
> me trouble and makes me go out and have to buy a di box which then takes up
> more space on my pedal board.
>
> blah blah...
>
> actually...if anyone want to do a swap a white echoplex for a black one
> ( cos IF YOU DO use the unit in the "correct" way it is atually quieter then
> the the original design...its just not how i use it.) contact me we an swap
>
> phill
>
> ------------------------------
> Date: Fri, 7 Aug 2009 17:27:12 -0700
> Subject: Help! EDP output makes hum louder than my loops
> From: jackthebassplayer@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> My Gibson EDP produces an insanely loud hum which I think is ground noise.
> (sounds like it)  I've narrowed it down to the output jack.  Even if my EDP
> is turned off, it will still make a really loud hum into my amp or
> computer.  Even if I mute my amp and turn all the gain down, the hum still
> comes through my amp at full volume. The input/output knobs don't alter the
> hum at all.  In fact nothing does, except turning my amp off or unplugging
> the EDP. The looping functions work fine and the looping material still
> comes out of the EDP, but it is a little softer than the ground noise
> sounding hum. Does anyone have ideas on how to fix this, or what precisely
> is making that hum?
>
> Thanks for any insight,
>
> Jack
>
> ------------------------------
> Internet Explorer 8 - accelerate your Hotmail. Download Internet Explorer
> 8 <http://clk.atdmt.com/UKM/go/134665338/direct/01/>
>

--0015175cb280adb83104709af428
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thank you Philip for a solution! Do you have a recommendation for which DI =
box to buy or avoid?=A0 I can&#39;t tell the difference from online window =
shopping, but something inexpensive would be great.<br><br>Jack<br><br><div=
 class=3D"gmail_quote">
On Fri, Aug 7, 2009 at 6:35 PM, phillip wilson <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:phillwilson@hotmail.com">phillwilson@hotmail.com</a>&gt;</span>=
 wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px soli=
d rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">




<div>
is it a blackface unit?<br>
=A0<br>
if so its all part of the rather=A0unfortunate re design to get certificati=
on. I have one that does this and=A0I hate it<br>
=A0<br>
the=A0good thing is it=A0is easily solved by buying a di box with a ground =
lify built in<br>
=A0<br>
but i still cant get over the backstep that has gone on.<br>
=A0<br>
i have two=A0white units=A0that work just fine as they are... i hate the fa=
ct that=A0the newest unit and the one i paid the most for..is the one that =
causes me trouble and makes me go out and have to buy a di box which then t=
akes up more space on my pedal board.<br>

=A0<br>
blah blah...<br>
=A0<br>
actually...if anyone want to do a swap a white echoplex for a black=A0one (=
=A0cos IF YOU DO use the unit in the &quot;correct&quot; way it is atually =
quieter then the the original design...its just not how=A0i use it.) contac=
t me we an swap<br>

=A0<br>
phill<br>=A0<br>
<hr>
Date: Fri, 7 Aug 2009 17:27:12 -0700<br>Subject: Help! EDP output makes hum=
 louder than my loops<br>From: <a href=3D"mailto:jackthebassplayer@gmail.co=
m" target=3D"_blank">jackthebassplayer@gmail.com</a><br>To: <a href=3D"mail=
to:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@l=
oopers-delight.com</a><div class=3D"im">
<br><br>My Gibson EDP produces an insanely loud hum which I think is ground=
 noise. (sounds like it)=A0 I&#39;ve narrowed it down to the output jack.=
=A0 Even if my EDP is turned off, it will still make a really loud hum into=
 my amp or computer.=A0 Even if I mute my amp and turn all the gain down, t=
he hum still comes through my amp at full volume. The input/output knobs do=
n&#39;t alter the hum at all.=A0 In fact nothing does, except turning my am=
p off or unplugging the EDP. The looping functions work fine and the loopin=
g material still comes out of the EDP, but it is a little softer than the g=
round noise sounding hum. Does anyone have ideas on how to fix this, or wha=
t precisely is making that hum? <br>
<br>Thanks for any insight,<br><br>Jack<br><br></div><div class=3D"hm"><hr>=
Internet Explorer 8 - accelerate your Hotmail.  <a href=3D"http://clk.atdmt=
.com/UKM/go/134665338/direct/01/" target=3D"_blank">Download Internet Explo=
rer 8</a></div>
</div>
</blockquote></div><br>

--0015175cb280adb83104709af428--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 08:14:21 2009
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Subject: RE: Music is the prime objective (was: anti-looper bigots)
Date: Sat, 8 Aug 2009 08:14:20 +0000
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Interesting perspectives Matthias.=20
I think it's like finding something - say a beautiful flower and taking som=
eone to show it to=2C who will appreciate it. That would be the equivalent =
of performing a composition. Free improvisation is more like going for a wa=
lk with your friend and discovering something together. The risk there is t=
hat nothing is found but the prize is the mutual discovery and the possibil=
ity of a deep resonance within the discoverer and the witness. Canned and f=
resh  - I like the analogy :-)
This reminds me of my favourite poem by the 17 century Japanese poet Basho:

Breaking the silence of an ancient pond
A frog jumps into water
A deep resonance

peace

Gareth

>=20
> Music a such is the objective=2C like playing to the spirits?
> or the effect that the music has on the listeners?
> so is it about what they feel or what we feel when doing it?
>=20

> > and technique should be in the service of that. I've been involved =20
> > with the psy-trance scene for a couple of years now and nobody there =20
> > gives a damn about how the music is made or performed. They just =20
> > want the vibrations!
>=20
> would you say the vibrations are in the sound or in the playing?
> people come to se us doing it.
> one can cook pretty well out of cans... freshness is subtle
> once you know that the salad comes out of a friends garden=2C it tastes =
=20
> better
>=20
> > Use whatever it takes I say!
>=20
> ...but declare it on the package =3B-)
>=20
> > And a big YAAH BOO to those who've forgotten that that is what it's =20
> > all about.
>=20
> hm... its not so much that I forget it but suddenly have doubts =20
> whether I every knew...
> >
> > peace love and enlightenment
>=20
> Thank you bro=2C you made me think!
> Matthias
> >
> > Gareth (blugaruda)
> >
> > >
> > > You got trashed because you didn't protect yourself. Next time=2C =20
> > smile
> > > and walk away. Let them keep their big truths to themselves. If
> > > someone opens his mouth and starts explaining to you what you do =20
> > right
> > > and what you ro wrong with your art=2C with your life=2C it is time t=
o =20
> > go.
> > > Let him talk to himself. He will not mind=2C he will not be offended.
> > > These kind of people talk to themselves even when they appear to be
> > > talking to someone else. It is like TV shows.
>=20

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Interesting perspectives Matthias. <br>I think it's like finding something =
- say a beautiful flower and taking someone to show it to=2C who will appre=
ciate it. That would be the equivalent of performing a composition. Free im=
provisation is more like going for a walk with your friend and discovering =
something together. The risk there is that nothing is found but the prize i=
s the mutual discovery and the possibility of a deep resonance within the d=
iscoverer and the witness. Canned and fresh&nbsp=3B - I like the analogy :-=
)<br>This reminds me of my favourite poem by the 17 century Japanese poet B=
asho:<br><br>Breaking the silence of an ancient pond<br>A frog jumps into w=
ater<br>A deep resonance<br><br>peace<br><br>Gareth<br><br>&gt=3B <br>&gt=
=3B Music a such is the objective=2C like playing to the spirits?<br>&gt=3B=
 or the effect that the music has on the listeners?<br>&gt=3B so is it abou=
t what they feel or what we feel when doing it?<br>&gt=3B <br><br>&gt=3B &g=
t=3B and technique should be in the service of that. I've been involved  <b=
r>&gt=3B &gt=3B with the psy-trance scene for a couple of years now and nob=
ody there  <br>&gt=3B &gt=3B gives a damn about how the music is made or pe=
rformed. They just  <br>&gt=3B &gt=3B want the vibrations!<br>&gt=3B <br>&g=
t=3B would you say the vibrations are in the sound or in the playing?<br>&g=
t=3B people come to se us doing it.<br>&gt=3B one can cook pretty well out =
of cans... freshness is subtle<br>&gt=3B once you know that the salad comes=
 out of a friends garden=2C it tastes  <br>&gt=3B better<br>&gt=3B <br>&gt=
=3B &gt=3B Use whatever it takes I say!<br>&gt=3B <br>&gt=3B ...but declare=
 it on the package =3B-)<br>&gt=3B <br>&gt=3B &gt=3B And a big YAAH BOO to =
those who've forgotten that that is what it's  <br>&gt=3B &gt=3B all about.=
<br>&gt=3B <br>&gt=3B hm... its not so much that I forget it but suddenly h=
ave doubts  <br>&gt=3B whether I every knew...<br>&gt=3B &gt=3B<br>&gt=3B &=
gt=3B peace love and enlightenment<br>&gt=3B <br>&gt=3B Thank you bro=2C yo=
u made me think!<br>&gt=3B Matthias<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Garet=
h (blugaruda)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=
=3B You got trashed because you didn't protect yourself. Next time=2C  <br>=
&gt=3B &gt=3B smile<br>&gt=3B &gt=3B &gt=3B and walk away. Let them keep th=
eir big truths to themselves. If<br>&gt=3B &gt=3B &gt=3B someone opens his =
mouth and starts explaining to you what you do  <br>&gt=3B &gt=3B right<br>=
&gt=3B &gt=3B &gt=3B and what you ro wrong with your art=2C with your life=
=2C it is time to  <br>&gt=3B &gt=3B go.<br>&gt=3B &gt=3B &gt=3B Let him ta=
lk to himself. He will not mind=2C he will not be offended.<br>&gt=3B &gt=
=3B &gt=3B These kind of people talk to themselves even when they appear to=
 be<br>&gt=3B &gt=3B &gt=3B talking to someone else. It is like TV shows.<b=
r>&gt=3B <br><br /><hr />Internet Explorer 8 - accelerate your Hotmail.  <a=
 href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/' target=3D'_new'>=
Download Internet Explorer 8</a></body>
</html>=

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To: Loopers-Delight@loopers-delight.com
Subject: Re: living without money(O.T.)
References: <414609.79396.qm@web24307.mail.ird.yahoo.com>	 <C68CDE6B.4074%qua@oregon.com>	 <bcd3c7bb0907221541j458a5e4bn5384f655d1aae195@mail.gmail.com>	 <9ab0c76f0907230200j6991e5ev77616d07fc930592@mail.gmail.com>	 <0B46E809552846EB821142E9A7163A02@NORBY11>	 <4A756643.7000002@googlemail.com> <4A759E41.6080309@mhorse.com> <bcd3c7bb0908021632s1052f9dla5917d4d93e755cb@mail.gmail.com>
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Mark Sottilaro schrieb:
> Hitchhiking only works if someone's got it together to buy a car. 
> Couchsurfing only works if someone has spent their money on a couch 
> (and a place to keep it in)
> 
> I'd love to live in a magic fairy land universe where everyone just 
> did the work they felt was "important."  I bet that land smells like
> a pile of garbage... I bet that land would be a pile of garbage.

I bet against it...!
We are all humans and as such part of communities. It works much easier
than you might think. If you don't want the pile of garbage its you who
would do the work because you would feel that work is important. If you
are pissed of others who just throw the garbage around it would be you
who'd kick those in the ass, because you feel that it is an important
work to teach those ignorants etc.

Those who are good at kicking become policemen, and those who are good
at cooking become cooks.
(The reason why garbage collectors are paid bad is a political 
phenomenon which hopefully will change in the future...)

> Who wants to do that job?  Would the building I sheet rocked exist in
> that land, because let me tell you I did not feel important doing
> that job. It did, however, give me the ability to buy my own couch,
> car and rent a place to keep them in.

You did work somebody else thought is important, and gave you enough 
money to buy your own house/couch/car/etc... If he didn't pay you, you 
would have had to build your house yourself, because that was important 
to you, but working for someone else was easier and more effective in 
this case...

If you never hitchhiked or hosted some stranger, you simply don't know 
about this area of social exchange that is not a deal. You don't know 
how much you can give which is not accountable in terms of money value. 
You can't buy it for all the money of the world...
But its essential for our life. I need it as I need food...
(I bet you do know about it though, but sometimes we forget that deals 
are not the most important thing in life...)

> While traveling in Japan last September it struck us that the idea of
>  "menial labor" didn't really exist there like it does in the west.
> It seemed like everyone was proud of their job and worked hard at it 
> whether is was fast food worker or hotel manager. It made me feel 
> ashamed of our culture where your self esteem seems linked to the 
> "quality" of job you have and not the quality of work you do.

The problem is that we do jobs, instead of following a profession. 
Japanese workers are a part of a community (their company) and not just 
doing a job. You might not believe it, but in the west this exists as 
well...

> Here's a question I have.  If your tour can't even support itself in 
> terms of travel... why?  Wouldn't you be better off finding local
> gigs and distributing your music all over the world via the internet?
> Just wondering...

Daryl is following his profession, it makes more sense to go to the 
people who appreciate his music. If the mountain isn't coming to the 
prophet...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Rainer Straschill schrieb:
> Nearly twenty years ago, I got my first effector, a Boss SE-50. It had
> an algorithm called "Multi Pitch Shifter" which gave you four delay
> taps, each followed by a pitch shifter.

The first incarnation of my Ondes Memorielles had been done with a Boss 
SE-70, which had twelve taps with pitch shift. It was controlled by a 
Midi only Max patch. This had been moved completely to Max/MSP since MSP 
arrived, but for the sake of controllability I restricted it to 8 taps, 
as I had only 8 faders on my fader box...
The newest incarnation has up to 32 taps now, as I found a way to 
control all of them with just 9 faders of my NanoControl. I could up it 
as my processing power grows easily, as its just a polyphonic tapitch...

Stefan


-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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To: Loopers-Delight@loopers-delight.com
Subject: Re: what cases do you use for your looping gear?
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Milo schrieb:
> A practical question for the loopers who travel a lot:
> 
> What kind of cases do you prefer to use for your equipment & gear?

My GoLight backpack, unbeatable in terms of weight while hitchhiking. 
But you have to use your body as protection...;-)

Stefan

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Ricky Graham schrieb:
> And of course you have spent two weeks preparing a set and some jackass 
> shouts "play some slayer" or "freebird"...

I'd shout back "icecream" and loop it with a feedback pitching up and 
down the same time...

Stefan

-- 
Les Ondes MÃ©morielles---------x--
--_____-----------|-----------|--
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-- _|_)----|-----()--------------
----------()----------TJ Shredder

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van Sinn schrieb:
> For running convolution/impulse software, not for reverbs but for 
> amp/cab/mic/room emulation for DI operations, and simultaneously running 
> a software looper, I need the per-application min. HW requirements:
> 
> . cpu speed for single core
> . cpu speed for dual core
> . memory size (I believe memory bus speed is fairly irrerevant)
...
> Anyone tried convolution on an Atom cpu?  Single- or dual-core?

I didn't try an Atom, but if you don't need reverb, convolution for amps 
etc. shouldn't be expensive CPU wise. There is a buffir~ external in the 
standard Max/MSP distribution, which is limited to 256 samples, which is 
roughly 5.8 ms. (Not enough for room emulation, but that is reverb!)
If you build the looper in Max, it should be possible to run it on an 
Atom. The memory size you need is completely determined by the duration 
of your loops. In Max you need 10 Mb per minute, as it will store audio 
in 32-bit floating point precision in memory. I had 9 times 90 seconds 
on a 500 MHz PPC Powerbook with 512 MB memory running. Atoms come with 
1.6 GHz and 1 GB memory nowadays.
If you are capable of installing OS X on a MiniITX, it should be a snap 
to build a looper in Max...;-)

Stefan

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--_____-----------|-----------|--
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-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Jim Goodin asked:
" Rick what's the percussion array you are using, particularly the shell 
like bck that looks a bit like an oud back actually, then the water jug 
or 'bong' that's pretty neat... as I commented really lovely stuff and 
love the 'haunt'."


The shell I played on "Makina"   is a traditional percussion instrument 
played in Mali.    It is just a large half of a Calabash.
If you have listened to any of Ali Farka Toure's early records this is 
the only percussion instrument used and , typically,  the percussionist
uses small short sticks (like thick chopsticks) held between the 2nd and 
3rd fingers of each hand to make the clicking sounds and the palms
on the gourd itself to create a bass sound.    In this particular 
case,   Ali's own percussionist, Hamma Sankare actually brought the gourd
I"m playing as a gift for  my roadie/percussionist  Sue Cole.  He had 
promised to bring me one the next year but the Spirit Of Africa Festival
that I had produced to bring Ali to the West Coast for the very first 
time was cancelled the next year and I've not seen Hamma since :-(
Sue has graciously let me borrow that gourd for many years now.   
Typically it is played with one mic on top and a kick drum mic underneath
the gourd that rests on a pillow but there wasn't time for this setup as 
we had very little time to set up for the concert,  
so I improvised and used my finger nails to get the blend of clicky and 
bass sound using the one mic I had access to.

The water jug or 'bong' as you call it that I played on "Google 
Vacation" is an invention of mine that I call the "Liquid Glass Ghatam".
It has four different pitches on each pain of side glass and the water 
inside makes the very thin glass have over a
two octave range.    I"ve consdered filling it with dyed clear oil that 
is more viscous so that I can control the pitch
better (the slower the liquid the more you can 'tune' the pitch you are 
playing but with enough time you could
actually get close to playing melodies with it.  I found it for $25 in a 
Cost Plus and kick myself that I didn't buy four
of them.   I just love it but have to give credit to a student of mine 
who I was training
for the Blue Man Group auditions,  Matthew Shreiber for discovering the 
water tuning properties.    
He insisted that I try putting water in it and I though, incorrectly, 
that it would dampen it's resonance to much.
He really insisted (even though I was a bit cranky about it.........lol)
so I went into the bathtub,  filed it up a bit with water and had my 
mind blown by the results.
Thanks ever so much,  Matt!

I played a Cooperman Kanjira on "Mummy From Memphis" which is a very 
small expressive and low pitched South Indian frame drum that allows one 
to pitch bend
like a bayan on a tabla set.    I've probably put more hours into this 
single drum than any drum in my huge collection.
I love it and it just is amazingly difficult to play with any semblance 
of speed.  I keep working on it.
It's the single most humbling instrument I've ever attempted to play 
outside of the middleastern Ney which is the only instrument that
I've ever just given up on due to it's difficulty. (There's a guy online 
who swears that he can teach me to play it though, so never say
never).

Finally, the electronic drum I used on 'Late August' is a rare and very 
highly sought after electronic drum from the 80's called a Korg Wave Drum.
I actually do not own this but have it on gracious loan from Matthias 
Grob.    It's an amazing instrument that is one of the most
expressive electro acoustic drums I've ever encountered.   In terms of 
sensitivity it just kicks ass on anything that is sold
nowadays, including  the Roland Handsonic (which is a cool instrument 
but not nearly as electro/acoustically expressive).
That show was the first show I ever used it at and do to some looping 
technical difficulties I was unable to use the four
different sounds that I had intended for the performance which would 
have made it really multi-timbral and deep.

Okay,  that's the roundup for that performance's percussion.

Thanks for the compliments, guys.  That was a very fun show.

Rick Walker

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From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 14:47:00 2009
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Stefan Tiedje wrote:
> van Sinn schrieb:
> 
>> For running convolution/impulse software, not for reverbs but for 
>> amp/cab/mic/room emulation for DI operations, and simultaneously 
>> running a software looper, I need the per-application min. HW 
>> requirements:
>>
>> . cpu speed for single core
>> . cpu speed for dual core
>> . memory size (I believe memory bus speed is fairly irrerevant)
> 
> ...
> 
>> Anyone tried convolution on an Atom cpu?  Single- or dual-core?
> 
> 
> I didn't try an Atom, but if you don't need reverb, convolution for amps 
> etc. shouldn't be expensive CPU wise. There is a buffir~ external in the 
> standard Max/MSP distribution, which is limited to 256 samples, which is 
> roughly 5.8 ms. (Not enough for room emulation, but that is reverb!)
> If you build the looper in Max, it should be possible to run it on an 
> Atom. The memory size you need is completely determined by the duration 
> of your loops. In Max you need 10 Mb per minute, as it will store audio 
> in 32-bit floating point precision in memory. I had 9 times 90 seconds 
> on a 500 MHz PPC Powerbook with 512 MB memory running. Atoms come with 
> 1.6 GHz and 1 GB memory nowadays.
> If you are capable of installing OS X on a MiniITX, it should be a snap 
> to build a looper in Max...;-)
> 
> Stefan

Thanks for the data, Stefan.
Actually, I do/did consider a miniITX board, but also consider using an 
Acer Aspire One netbook.  Less expensive, both new and used.
Neatly laid out for mods (eSata, 2.5 GB ram..).  I found a Chinese maker 
of cheap USB touchscreens for those (and others) as a direct snap-on, 
soldering not even needed.
Buy it used, replace the so-so factory SS disk for a modern one, and I 
have a neat platform for the convolution/impulse and looper needs.
Sounsonsound resently had an article about fairly easy touchscreen 
programming for OSX.  Look ma! no mouse!  nice.. ;)

Since this will be a special purpose install, I can turn off unneeded OS 
buffering and cache, so I won't even need to click shutdown.

The only issue I'm still not sure about is whether the Atom has enough 
juice to handle the convolution.  OSX snowleopard includes OpenCL for 
utilizing the graphics render engines for floating point. If it's fully 
transparent, I'll have far enough processing power.

As audio interface, I'm thinking of a Behringer UCA202 or 222
(http://www.behringer.com/EN/Products/UCA202.aspx  or 222.aspx)
which even has toslink out for direct recording to a DAW.


-- 
rgds,
van Sinn

From sasudburycentre@bellnet.ca  Sat Aug  8 15:52:50 2009
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I am Dr.Alistair Darling.I have a business that will benefit you now and in the future.If you are interested,kindly respond to enable me forward you further information 
Regards. 
Dr.Alistair Darling.

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 18:09:18 2009
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Subject: Re: anti-looper bigots
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me and a friend who likes heavy-metal style the most, use to go out to
concerts he usually recommends, and when the performer is reaching the
bis section, he normally shouts "play the nun's song!!" ... don't
matter who's the performer. normally, by insistence, you have all
listeners following us ...  once steve vai was even asking which song
that was! ... it's fun!

2009/8/8, Stefan Tiedje <stefantiedje@googlemail.com>:
> Ricky Graham schrieb:
>> And of course you have spent two weeks preparing a set and some jackass
>> shouts "play some slayer" or "freebird"...
>
> I'd shout back "icecream" and loop it with a feedback pitching up and
> down the same time...
>
> Stefan
>
> --
> Les Ondes M=E9morielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Virtual Gig: Jim Goodin/Will Romano - EoW - Live on uStream tomorrow
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Just a reminder that as a special feature tomorrow on my uStream series *Sunday
Morning at 11*, my duo East of Where with drummer/percussionist/found sound
musician Will Romano, will be live at 2pm EST.  This is a later schedule for
the series due to time and logistics tomorrow, we'll be broadcasting from
Will's house in Mastic NY.
The show link is http://www.ustream.tv/channel/sunday-morning-at-11 so
please tune in.  For preview of East of Where visit on My Space
http://www.myspace.com/eastofwhere .

Times around the globe are... 11am PST, 12pm MST, 1pm CST, 2pm EST, 7pm UK,
8pm western Europe, 3am Japan.  For specific to your area please check at
http://www.timeanddate.com/worldclock/ .

I posted an excerpt from my last show on July 26,
http://www.youtube.com/watch?v=TzN6ryJ_onM .  Plenty of 'looping' in this
one.  There is a longer segment from this in my Facebook page.

Thanks and good weekend, Will and I hope to see you connect with us tomorrow
at 2pm EST.

Best


Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a850b33f5a0470a5c261
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just a reminder that as a special feature tomorrow on my uStream series <i>=
Sunday Morning at 11</i>, my duo East of Where with drummer/percussionist/f=
ound sound musician Will Romano, will be live at 2pm EST. =A0This is a late=
r schedule for the series due to time and logistics tomorrow, we&#39;ll be =
broadcasting from Will&#39;s house in Mastic NY.<div>

<br></div><div>The show link is <a href=3D"http://www.ustream.tv/channel/su=
nday-morning-at-11" target=3D"_blank">http://www.ustream.tv/channel/sunday-=
morning-at-11</a> so please tune in. =A0For preview of East of Where visit =
on My Space <a href=3D"http://www.myspace.com/eastofwhere">http://www.myspa=
ce.com/eastofwhere</a>=A0.</div>
<div><br></div><div>Times around the globe are... 11am PST, 12pm MST, 1pm C=
ST, 2pm EST, 7pm UK, 8pm western Europe, 3am Japan. =A0For specific to your=
 area please check at <a href=3D"http://www.timeanddate.com/worldclock/" ta=
rget=3D"_blank">http://www.timeanddate.com/worldclock/</a>=A0.</div>

<div><br></div><div>I posted an excerpt from my last show on July 26,=A0<a =
href=3D"http://www.youtube.com/watch?v=3DTzN6ryJ_onM" target=3D"_blank">htt=
p://www.youtube.com/watch?v=3DTzN6ryJ_onM</a>=A0. =A0Plenty of &#39;looping=
&#39; in this one. =A0There is a longer segment from this in my Facebook pa=
ge.</div>

<div><br></div><div>Thanks and good weekend, Will and I hope to see you con=
nect with us tomorrow at 2pm EST.</div><div><br></div><div>Best</div><div><=
br></div><div><br></div><div>Jim<br>-- <br>ReUse, an introspective textural=
 aural<br>

<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic=
.com" target=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www=
.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a><b=
r>

<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a850b33f5a0470a5c261--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 19:22:37 2009
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	id 27F2A3BE73; Sat,  8 Aug 2009 19:22:37 +0000 (UTC)
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Date: Sat, 8 Aug 2009 15:22:31 -0400
Message-ID: <9e0440a60908081222k71f260ala242967e9e62c242@mail.gmail.com>
Subject: Virtual Gig: Jim Goodin/Will Romano - EoW - Live on uStream tomorrow
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com, jimgoodinmusic@gmail.com
Content-Type: multipart/alternative; boundary=0016e68fc5bb2fa2150470a64614
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--0016e68fc5bb2fa2150470a64614
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Just a reminder that as a special feature tomorrow on my uStream series *Sunday
Morning at 11*, my duo East of Where with drummer/percussionist/found sound
musician Will Romano, will be live at 2pm EST.  This is a later schedule for
the series due to time and logistics tomorrow, we'll be broadcasting from
Will's house in Mastic NY.
The show link is http://www.ustream.tv/channel/sunday-morning-at-11 so
please tune in.  For preview of East of Where visit on My Space
http://www.myspace.com/eastofwhere .

Times around the globe are... 11am PST, 12pm MST, 1pm CST, 2pm EST, 7pm UK,
8pm western Europe, 3am Japan.  For specific to your area please check at
http://www.timeanddate.com/worldclock/ .

I posted an excerpt from my last show on July 26,
http://www.youtube.com/watch?v=TzN6ryJ_onM .  Plenty of 'looping' in this
one.  There is a longer segment from this in my Facebook page.

Thanks and good weekend, Will and I hope to see you connect with us tomorrow
at 2pm EST.

Best


Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e68fc5bb2fa2150470a64614
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just a reminder that as a special feature tomorrow on my uStream series <i>=
Sunday Morning at 11</i>, my duo East of Where with drummer/percussionist/f=
ound sound musician Will Romano, will be live at 2pm EST. =A0This is a late=
r schedule for the series due to time and logistics tomorrow, we&#39;ll be =
broadcasting from Will&#39;s house in Mastic NY.<div>

<br></div><div>The show link is <a href=3D"http://www.ustream.tv/channel/su=
nday-morning-at-11" target=3D"_blank">http://www.ustream.tv/channel/sunday-=
morning-at-11</a> so please tune in. =A0For preview of East of Where visit =
on My Space <a href=3D"http://www.myspace.com/eastofwhere">http://www.myspa=
ce.com/eastofwhere</a>=A0.</div>
<div><br></div><div>Times around the globe are... 11am PST, 12pm MST, 1pm C=
ST, 2pm EST, 7pm UK, 8pm western Europe, 3am Japan. =A0For specific to your=
 area please check at <a href=3D"http://www.timeanddate.com/worldclock/" ta=
rget=3D"_blank">http://www.timeanddate.com/worldclock/</a>=A0.</div>

<div><br></div><div>I posted an excerpt from my last show on July 26,=A0<a =
href=3D"http://www.youtube.com/watch?v=3DTzN6ryJ_onM" target=3D"_blank">htt=
p://www.youtube.com/watch?v=3DTzN6ryJ_onM</a>=A0. =A0Plenty of &#39;looping=
&#39; in this one. =A0There is a longer segment from this in my Facebook pa=
ge.</div>

<div><br></div><div>Thanks and good weekend, Will and I hope to see you con=
nect with us tomorrow at 2pm EST.</div><div><br></div><div>Best</div><div><=
br></div><div><br></div><div>Jim<br>-- <br>ReUse, an introspective textural=
 aural<br>

<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic=
.com" target=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www=
.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a><b=
r>

<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--0016e68fc5bb2fa2150470a64614--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 19:29:02 2009
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Date: Sat, 8 Aug 2009 15:23:52 -0400
Message-ID: <9e0440a60908081223s33f8283t43c5173b2562fbb6@mail.gmail.com>
Subject: apologies for the double send
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001636c5b0d90c0fa70470a64b6f
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it appeared server timed out on the first...

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b0d90c0fa70470a64b6f
Content-Type: text/html; charset=ISO-8859-1
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it appeared server timed out on the first...<br clear=3D"all"><br>-- <br>Re=
Use, an introspective textural aural<br><a href=3D"http://www.myspace.com/C=
tReUse">www.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"htt=
p://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5b0d90c0fa70470a64b6f--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 19:41:05 2009
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Message-ID: <001901ca1860$72757db0$2a842245@YOUR08D5303051>
From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60908081223s33f8283t43c5173b2562fbb6@mail.gmail.com>
Subject: Re: apologies for the double send
Date: Sat, 8 Aug 2009 15:43:03 -0400
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That's ok Jim, it's a double special show! I really dig dig it when you =
jam with Will Romano! I'll be there for at least most of it before work.

peace out,

Jeff       =20

"Whenever you find yourself on the side of the majority it is time to =
pause and reflect" ~Mark Twain

http://themineisthemind.blogspot.com/
http://www.vimeo.com/jeffduke
http://www.myspace.com/loopsinphasespace
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Saturday, August 08, 2009 3:23 PM
  Subject: apologies for the double send


  it appeared server timed out on the first...

  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0016_01CA183E.EA7A4100
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That's ok Jim, it's a double special =
show! I really=20
dig dig it when you jam with Will Romano! I'll be there for at least =
most of it=20
before work.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace out,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff&nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"Whenever you find yourself on the side =
of the=20
majority it is time to pause and reflect" ~Mark Twain</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://themineisthemind.blogspot.com/">http://themineisthemind.bl=
ogspot.com/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 08, 2009 =
3:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> apologies for the =
double=20
  send</DIV>
  <DIV><BR></DIV>it appeared server timed out on the first...<BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0016_01CA183E.EA7A4100--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 21:16:41 2009
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Content-Type: multipart/alternative;
	boundary="_1f6852c6-3ab8-4aae-8c1e-ec6adf500ad9_"
X-Originating-IP: [24.21.142.227]
From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Test
Date: Sat, 8 Aug 2009 14:16:40 -0700
Importance: Normal
MIME-Version: 1.0
X-OriginalArrivalTime: 08 Aug 2009 21:16:40.0405 (UTC) FILETIME=[8584B850:01CA186D]
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--_1f6852c6-3ab8-4aae-8c1e-ec6adf500ad9_
Content-Type: text/plain; charset="iso-8859-1"
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Hmm...
_________________________________________________________________
Get free photo software from Windows Live
http://www.windowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:e=
n-US:SI_PH_software:082009=

--_1f6852c6-3ab8-4aae-8c1e-ec6adf500ad9_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Hmm...<br /><hr />Get free photo software from Windows Live <a href=3D'http=
://www.windowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:en-US=
:SI_PH_software:082009' target=3D'_new'>Click here.</a></body>
</html>=

--_1f6852c6-3ab8-4aae-8c1e-ec6adf500ad9_--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 21:21:45 2009
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: testing, testing, is this thing on?
Date: Sat, 8 Aug 2009 14:21:43 -0700
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--_878287c9-e6b2-4576-a0b3-389e232fac1b_
Content-Type: text/plain; charset="iso-8859-1"
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OK=2C Loopers=2C
-I tried to send out an e-mail earlier w/ an attached mp3 for everyone's li=
stening annoyance and for some reason it does not want to go through.
Perhaps=2C as in The Hitch-Hikers Guide=2C the machines now want a part in =
the decision-making process...
Any ideas why this might happen?
J.D.Devros
deafrose58=20

_________________________________________________________________
Get your vacation photos on your phone!
http://windowsliveformobile.com/en-us/photos/default.aspx?&OCID=3D0809TL-HM=

--_878287c9-e6b2-4576-a0b3-389e232fac1b_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
OK=2C Loopers=2C<br>-I tried to send out an e-mail earlier w/ an attached m=
p3 for everyone's listening annoyance and for some reason it does not want =
to go through.<br>Perhaps=2C as in The Hitch-Hikers Guide=2C the machines n=
ow want a part in the decision-making process...<br>Any ideas why this migh=
t happen?<br>J.D.Devros<br>deafrose58 <br><br /><hr />Get your vacation pho=
tos on your phone! <a href=3D'http://windowsliveformobile.com/en-us/photos/=
default.aspx?&OCID=3D0809TL-HM' target=3D'_new'>Click here.</a></body>
</html>=

--_878287c9-e6b2-4576-a0b3-389e232fac1b_--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 21:30:21 2009
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	id 5E2B63BE77; Sat,  8 Aug 2009 21:30:21 +0000 (UTC)
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: testing, testing, is this thing on?
Date: Sat, 8 Aug 2009 14:30:15 -0700
References: <COL106-W36BFAC378F052F49C37A00CF080@phx.gbl>
X-Mailer: Apple Mail (2.935.3)
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I'm afraid the Lopers Delight list automatically rejects messages with  
attachments.

It's always been that way since the beginning in 1996.

Store your MP3 online somewhere and point folks there with a link.

That's the best way to share your music.

On Aug 8, 2009, at 2:21 PM, Jeremy devros wrote:

> OK, Loopers,
> -I tried to send out an e-mail earlier w/ an attached mp3 for  
> everyone's listening annoyance and for some reason it does not want  
> to go through.
> Perhaps, as in The Hitch-Hikers Guide, the machines now want a part  
> in the decision-making process...
> Any ideas why this might happen?
> J.D.Devros
> deafrose58
>
> Get your vacation photos on your phone! Click here.

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 21:38:50 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Virtual Gig: Jim Goodin/Will Romano - EoW - Live on uStream tomorrow
Date: Sat, 8 Aug 2009 22:38:47 +0100
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Awesome - see you  tomorrow Jim - i'm on an hour later if anyone  
wants to watch me acoustic loop noodles http://www.ustream.tv/channel/ 
Matt-Stevens-From-The-Box-Room

I love ustream

Ta

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Aug 2009, at 19:45, Jim Goodin wrote:

> Just a reminder that as a special feature tomorrow on my uStream  
> series Sunday Morning at 11, my duo East of Where with drummer/ 
> percussionist/found sound musician Will Romano, will be live at 2pm  
> EST.  This is a later schedule for the series due to time and  
> logistics tomorrow, we'll be broadcasting from Will's house in  
> Mastic NY.
>
> The show link is http://www.ustream.tv/channel/sunday-morning-at-11  
> so please tune in.  For preview of East of Where visit on My Space  
> http://www.myspace.com/eastofwhere .
>
> Times around the globe are... 11am PST, 12pm MST, 1pm CST, 2pm EST,  
> 7pm UK, 8pm western Europe, 3am Japan.  For specific to your area  
> please check at http://www.timeanddate.com/worldclock/ .
>
> I posted an excerpt from my last show on July 26, http:// 
> www.youtube.com/watch?v=TzN6ryJ_onM .  Plenty of 'looping' in this  
> one.  There is a longer segment from this in my Facebook page.
>
> Thanks and good weekend, Will and I hope to see you connect with us  
> tomorrow at 2pm EST.
>
> Best
>
>
> Jim
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-1-877387814
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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Awesome - see you &nbsp;tomorrow Jim - i'm on an hour later if anyone =
wants to watch me acoustic loop noodles&nbsp;<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a><div><br></div=
><div>I love ustream<br><div><br></div><div>Ta</div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Aug 2009, =
at 19:45, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Just a =
reminder that as a special feature tomorrow on my uStream series =
<i>Sunday Morning at 11</i>, my duo East of Where with =
drummer/percussionist/found sound musician Will Romano, will be live at =
2pm EST. &nbsp;This is a later schedule for the series due to time and =
logistics tomorrow, we'll be broadcasting from Will's house in Mastic =
NY.<div> <br></div><div>The show link is <a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" =
target=3D"_blank">http://www.ustream.tv/channel/sunday-morning-at-11</a> =
so please tune in. &nbsp;For preview of East of Where visit on My Space =
<a =
href=3D"http://www.myspace.com/eastofwhere">http://www.myspace.com/eastofw=
here</a>&nbsp;.</div> <div><br></div><div>Times around the globe are... =
11am PST, 12pm MST, 1pm CST, 2pm EST, 7pm UK, 8pm western Europe, 3am =
Japan. &nbsp;For specific to your area please check at <a =
href=3D"http://www.timeanddate.com/worldclock/" =
target=3D"_blank">http://www.timeanddate.com/worldclock/</a>&nbsp;.</div> =
<div><br></div><div>I posted an excerpt from my last show on July =
26,&nbsp;<a href=3D"http://www.youtube.com/watch?v=3DTzN6ryJ_onM" =
target=3D"_blank">http://www.youtube.com/watch?v=3DTzN6ryJ_onM</a>&nbsp;. =
&nbsp;Plenty of 'looping' in this one. &nbsp;There is a longer segment =
from this in my Facebook page.</div> <div><br></div><div>Thanks and good =
weekend, Will and I hope to see you connect with us tomorrow at 2pm =
EST.</div><div><br></div><div>Best</div><div><br></div><div><br></div><div=
>Jim<br>-- <br>ReUse, an introspective textural aural<br> <a =
href=3D"http://www.myspace.com/CtReUse" =
target=3D"_blank">www.myspace.com/CtReUse</a><br><br>music =
links...<br><a href=3D"http://www.jimgoodinmusic.com" =
target=3D"_blank">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com" =
target=3D"_blank">www.chinapaintingmusic.com</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic" =
target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro" =
target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a><br> <a =
href=3D"http://www.myspace.com/jindream" =
target=3D"_blank">www.myspace.com/jindream</a><br><a =
href=3D"http://www.youtube.com/jimgoodinmusic" =
target=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video =
work/editing...<br> <a href=3D"http://www.vimeo.com/jimgoodindigital" =
target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br> <br>social =
networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" =
target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br> =
</div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-1-877387814--

From Loopers-Delight-request@loopers-delight.com  Sat Aug  8 23:11:52 2009
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	 <4A7BEAB5.8020008@het.it>
	 <afb941d0908081125j1296f7fx89c3e29f5e5a9c2d@mail.gmail.com>
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Date: Sun, 9 Aug 2009 01:11:50 +0200
Message-ID: <afb941d0908081611sfa3467ane9f31d9c7ce79b0e@mail.gmail.com>
Subject: Re: livelooping in antwerp
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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finally is here... hoorraaaaa....

> 2009/8/8, Raul Bonell <raul.bonell@gmail.com>:
>> thanks for sharing michael! ... on the couch waiting for the video to
>> loads
>> up.
>>
>> 2009/8/7, Massimo Liverani <liverani@het.it>:
>>> Fantastic!
>>> greetings from florence!
>>>
>>> Massimo
>>>
>>> Michael Peters ha scritto:
>>>> http://www.vimeo.com/5977639
>>>> -michael
>>>>
>>>>
>>>>
>>>
>>>
>>> --
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 01:48:18 2009
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Date: Sat, 8 Aug 2009 18:48:15 -0700
Message-ID: <333287c30908081848j5514392dj6b9f57851c40657e@mail.gmail.com>
Subject: Re: anti-looper bigots
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--0015174be732b9683f0470aba98e
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You best have the ready when you're coming through in September... I'll be
sure to yell freebird! ;)

-nn
happyhumans.org

On Wed, Aug 5, 2009 at 6:24 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

> That's a brilliant idea..!..I think I'm going to put the first minute on a
> microcassette and then Dictaphone it into oblivion when the need arises.
>
> rubbing hands together,
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>  I was having a conversation the other day about making a circuit bent
>> synth/sampler that had a "freebird" button.  ie somebody yells it, you hit
>> the "freebird button", stun them for a second...
>>
>> And then, fuck it the hell up.  Sample/resample/glitch/sequence and give
>> them something new.
>>
>> -nn
>> happyhumans.org <http://happyhumans.org>
>>
>
>

--0015174be732b9683f0470aba98e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

You best have the ready when you&#39;re coming through in September... I&#3=
9;ll be sure to yell freebird! ;)<br><br>-nn<br><a href=3D"http://happyhuma=
ns.org">happyhumans.org</a><br><br><div class=3D"gmail_quote">On Wed, Aug 5=
, 2009 at 6:24 PM, Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:high=
horse@mhorse.com">highhorse@mhorse.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">That&#39;s a bril=
liant idea..!..I think I&#39;m going to put the first minute on a microcass=
ette and then Dictaphone it into oblivion when the need arises.<br>

<br>
rubbing hands together,<div class=3D"im"><br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=
=3D"im">
I was having a conversation the other day about making a circuit bent synth=
/sampler that had a &quot;freebird&quot; button. =A0ie somebody yells it, y=
ou hit the &quot;freebird button&quot;, stun them for a second...<br>
<br>
And then, fuck it the hell up. =A0Sample/resample/glitch/sequence and give =
them something new.<br>
<br>
-nn<br>
</div><a href=3D"http://happyhumans.org" target=3D"_blank">happyhumans.org<=
/a> &lt;<a href=3D"http://happyhumans.org" target=3D"_blank">http://happyhu=
mans.org</a>&gt;<br>
</blockquote>
<br>
</blockquote></div><br>

--0015174be732b9683f0470aba98e--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 02:36:13 2009
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Date: Sun, 9 Aug 2009 04:36:12 +0200
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Subject: Re: livelooping in antwerp
From: Raul Bonell <raul.bonell@gmail.com>
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loved that starting chord progression the first time i listened to the
audio files days before ...  it's pure veloopityism! ... nice timbral
mixture in the first 7 min. i liked the video composition with still
images. this music works with visuals from big spaces. certainly, you
achieved a really good sound overall, and it looks the nanokontrol is
doing realtime mixing easy, at a glance. i should get one $-). i
wonder what kind (if any) of comp/limit you use for the master chain.
is there any "loopwindowing" around minute 9, where those granny
arpeggios are modified later... ? is it possible michael, to do the
*old* edp trick with the plugin too? ... past 12'30'', nice harmonizer
settings. do you use downwards pitches too?. and what about
distortion? did you get that from the gt-5? or is a plugin? ... i
never found (or was able to program) those timbres in my little
brother gt-3. now trying to rely on the built in mainstage disto
plugs, that work ok for overdrive, but no so well with heavy powerful
distortions  ... the dist loop rocks! it remembered vernon reid's, and
yeah! i see you're a fast tapper, not like me. at the end i could see
all those toys and gadgets in action. minute 20. noise, glitch, but
all through the guitar pickups. i don't know why, but i prefer this
approach better than triggering samples or using a mic to feed the
loops. more experimental. better results. i'd like to know your
thoughts about. minute 24. i've been tempted to downwrite this little
wonder guitar miniature. beautiful.

each time michael presents any new music i'm very excited to listen to
it because after/while doing it he pass on me some strange energy that
makes me want to go play and create my own...

hats off !!,

ra=FCl.

2009/8/9, Raul Bonell <raul.bonell@gmail.com>:
> finally is here... hoorraaaaa....
>
>> 2009/8/8, Raul Bonell <raul.bonell@gmail.com>:
>>> thanks for sharing michael! ... on the couch waiting for the video to
>>> loads
>>> up.
>>>
>>> 2009/8/7, Massimo Liverani <liverani@het.it>:
>>>> Fantastic!
>>>> greetings from florence!
>>>>
>>>> Massimo
>>>>
>>>> Michael Peters ha scritto:
>>>>> http://www.vimeo.com/5977639
>>>>> -michael
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>> --
>>>>
>>>>
>>>
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 02:54:11 2009
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Subject: mainstage 2 loopback
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i've been playing around this past night with logic's mainstage 2
onboard looper and found it quite illogical :-) ... lots of unuseful
hidden parameters, no feedback, you can just mimic that with the fade
out function, up to 20 sec. to reach silence. no multiply. no
half/double speed. it does reverse though. how the hell do you change
loop length once stablished? unloading the plugin? ... it's not what
i'd call, a decent looper.

back to mobius, which it's more fun!

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 04:35:55 2009
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Date: Sun, 9 Aug 2009 00:35:51 -0400
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Subject: Re: apologies for the double send
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Thx Jeff appreciated...

On Sat, Aug 8, 2009 at 3:43 PM, Jeff Duke <jeffloops@gmail.com> wrote:

>  That's ok Jim, it's a double special show! I really dig dig it when you
> jam with Will Romano! I'll be there for at least most of it before work.
>
> peace out,
>
> Jeff
>
> "Whenever you find yourself on the side of the majority it is time to pause
> and reflect" ~Mark Twain
>
> http://themineisthemind.blogspot.com/
> http://www.vimeo.com/jeffduke
> http://www.myspace.com/loopsinphasespace
>
> ----- Original Message -----
> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
> *To:* loopers-Delight@loopers-delight.com
> *Sent:* Saturday, August 08, 2009 3:23 PM
> *Subject:* apologies for the double send
>
> it appeared server timed out on the first...
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e6d36e8d0c36ba0470ae01af
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thx Jeff appreciated...<br><br><div class=3D"gmail_quote">On Sat, Aug 8, 20=
09 at 3:43 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeffloops@=
gmail.com">jeffloops@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">That&#39;s ok Jim, it&#39;s a double s=
pecial show! I really=20
dig dig it when you jam with Will Romano! I&#39;ll be there for at least mo=
st of it=20
before work.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">peace out,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Jeff=A0=A0=A0 =A0=A0=A0=20
</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">&quot;Whenever you find yourself on th=
e side of the=20
majority it is time to pause and reflect&quot; ~Mark Twain</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://themineisthemind.blo=
gspot.com/" target=3D"_blank">http://themineisthemind.blogspot.com/</a></fo=
nt></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.vimeo.com/jeffdu=
ke" target=3D"_blank">http://www.vimeo.com/jeffduke</a></font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.myspace.com/loop=
sinphasespace" target=3D"_blank">http://www.myspace.com/loopsinphasespace</=
a></font></div><div><div></div><div class=3D"h5">
<blockquote style=3D"padding-right:0px;padding-left:5px;margin-left:5px;bor=
der-left:#000000 2px solid;margin-right:0px">
  <div style=3D"font:10pt arial">----- Original Message ----- </div>
  <div style=3D"background:#e4e4e4;font:10pt arial"><b>From:</b>=20
  <a title=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail=
.com" target=3D"_blank">Jim=20
  Goodin</a> </div>
  <div style=3D"font:10pt arial"><b>To:</b> <a title=3D"loopers-Delight@loo=
pers-delight.com" href=3D"mailto:loopers-Delight@loopers-delight.com" targe=
t=3D"_blank">loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font:10pt arial"><b>Sent:</b> Saturday, August 08, 2009 3:2=
3=20
  PM</div>
  <div style=3D"font:10pt arial"><b>Subject:</b> apologies for the double=
=20
  send</div>
  <div><br></div>it appeared server timed out on the first...<br clear=3D"a=
ll"><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://=
www.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/CtReUse</a><br><=
br>
music=20
  links...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">w=
ww.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com" =
target=3D"_blank">www.chinapaintingmusic.com</a><br><a href=3D"http://www.m=
yspace.com/jimgoodinmusic" target=3D"_blank">www.myspace.com/jimgoodinmusic=
</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ji=
mgoodinviolinelectro" target=3D"_blank">www.myspace.com/jimgoodinviolinelec=
tro</a><br>
<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video=20
  work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigital" targ=
et=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social=20
  networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=
=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br></blockquote></div></=
div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0016e6d36e8d0c36ba0470ae01af--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 04:38:08 2009
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	 <27195834-ED08-4E9A-A6EA-150D4A66CB65@btinternet.com>
Date: Sun, 9 Aug 2009 00:38:06 -0400
Message-ID: <9e0440a60908082138h69b9abb0t3f728c455973ac21@mail.gmail.com>
Subject: Re: Virtual Gig: Jim Goodin/Will Romano - EoW - Live on uStream 
	tomorrow
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016368e2bc927823d0470ae09bc
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Matt thanks - we'll warm up the crowd for ya (grins!)  thanks for leading
the way on uStream.  See you later today.

On Sat, Aug 8, 2009 at 5:38 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Awesome - see you  tomorrow Jim - i'm on an hour later if anyone wants to
> watch me acoustic loop noodles
> http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room
> I love ustream
>
> Ta
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 8 Aug 2009, at 19:45, Jim Goodin wrote:
>
> Just a reminder that as a special feature tomorrow on my uStream series *Sunday
> Morning at 11*, my duo East of Where with drummer/percussionist/found
> sound musician Will Romano, will be live at 2pm EST.  This is a later
> schedule for the series due to time and logistics tomorrow, we'll be
> broadcasting from Will's house in Mastic NY.
> The show link is http://www.ustream.tv/channel/sunday-morning-at-11 so
> please tune in.  For preview of East of Where visit on My Space
> http://www.myspace.com/eastofwhere .
>
> Times around the globe are... 11am PST, 12pm MST, 1pm CST, 2pm EST, 7pm UK,
> 8pm western Europe, 3am Japan.  For specific to your area please check at
> http://www.timeanddate.com/worldclock/ .
>
> I posted an excerpt from my last show on July 26,
> http://www.youtube.com/watch?v=TzN6ryJ_onM .  Plenty of 'looping' in this
> one.  There is a longer segment from this in my Facebook page.
>
> Thanks and good weekend, Will and I hope to see you connect with us
> tomorrow at 2pm EST.
>
> Best
>
>
> Jim
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016368e2bc927823d0470ae09bc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Matt thanks - we&#39;ll warm up the crowd for ya (grins!) =A0thanks for lea=
ding the way on uStream. =A0See you later today.<br><br><div class=3D"gmail=
_quote">On Sat, Aug 8, 2009 at 5:38 PM, Matt Stevens <span dir=3D"ltr">&lt;=
<a href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btint=
ernet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
Awesome - see you =A0tomorrow Jim - i&#39;m on an hour later if anyone want=
s to watch me acoustic loop noodles=A0<a href=3D"http://www.ustream.tv/chan=
nel/Matt-Stevens-From-The-Box-Room" target=3D"_blank">http://www.ustream.tv=
/channel/Matt-Stevens-From-The-Box-Room</a><div>
<br></div><div>I love ustream<br><div><br></div><div>Ta</div><div><br><font=
 color=3D"#888888"><div> <span style=3D"border-collapse:separate;color:rgb(=
0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;font-varian=
t:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-a=
lign:auto;text-indent:0px;text-transform:none;white-space:normal;word-spaci=
ng:0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-fam=
ily:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-wei=
ght:normal;letter-spacing:normal;line-height:normal;text-indent:0px;text-tr=
ansform:none;white-space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div></font><div><div></div><div cla=
ss=3D"h5"><br><div><div>On 8 Aug 2009, at 19:45, Jim Goodin wrote:</div><br=
><blockquote type=3D"cite">Just a reminder that as a special feature tomorr=
ow on my uStream series <i>Sunday Morning at 11</i>, my duo East of Where w=
ith drummer/percussionist/found sound musician Will Romano, will be live at=
 2pm EST. =A0This is a later schedule for the series due to time and logist=
ics tomorrow, we&#39;ll be broadcasting from Will&#39;s house in Mastic NY.=
<div>
 <br></div><div>The show link is <a href=3D"http://www.ustream.tv/channel/s=
unday-morning-at-11" target=3D"_blank">http://www.ustream.tv/channel/sunday=
-morning-at-11</a> so please tune in. =A0For preview of East of Where visit=
 on My Space <a href=3D"http://www.myspace.com/eastofwhere" target=3D"_blan=
k">http://www.myspace.com/eastofwhere</a>=A0.</div>
 <div><br></div><div>Times around the globe are... 11am PST, 12pm MST, 1pm =
CST, 2pm EST, 7pm UK, 8pm western Europe, 3am Japan. =A0For specific to you=
r area please check at <a href=3D"http://www.timeanddate.com/worldclock/" t=
arget=3D"_blank">http://www.timeanddate.com/worldclock/</a>=A0.</div>
 <div><br></div><div>I posted an excerpt from my last show on July 26,=A0<a=
 href=3D"http://www.youtube.com/watch?v=3DTzN6ryJ_onM" target=3D"_blank">ht=
tp://www.youtube.com/watch?v=3DTzN6ryJ_onM</a>=A0. =A0Plenty of &#39;loopin=
g&#39; in this one. =A0There is a longer segment from this in my Facebook p=
age.</div>
 <div><br></div><div>Thanks and good weekend, Will and I hope to see you co=
nnect with us tomorrow at 2pm EST.</div><div><br></div><div>Best</div><div>=
<br></div><div><br></div><div>Jim<br>-- <br>ReUse, an introspective textura=
l aural<br>
 <a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com" target=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://ww=
w.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a><=
br>
 <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.my=
space.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapain=
tingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a h=
ref=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www=
.myspace.com/jimgoodinviolinelectro</a><br>
 <a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.=
com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" targe=
t=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing..=
.<br>
 <a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vi=
meo.com/jimgoodindigital</a><br> <br>social networking...<br><a href=3D"htt=
p://www.twitter.com/jimgoodinmusic" target=3D"_blank">www.twitter.com/jimgo=
odinmusic</a><br>
<br> </div></blockquote></div><br></div></div></div></div></div></blockquot=
e></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural a=
ural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse<=
/a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0016368e2bc927823d0470ae09bc--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 05:14:48 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
References: <afb941d0908081611sfa3467ane9f31d9c7ce79b0e@mail.gmail.com>
Subject: RE: livelooping in antwerp
Date: Sat, 8 Aug 2009 22:14:38 -0700
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Michael, that was fantastic from beginning to end, The hand fan on the
strings sounded like a bowed psaltery, great use of noise and sound design.
Tasty chord voicing's and two hand tapping. You released your inner
shredder... What's the interface for your midi pickup? Very inspired and
inspiring.
 Bill
 
-----Original Message-----
From: Raul Bonell [mailto:raul.bonell@gmail.com] 
Sent: Saturday, August 08, 2009 4:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: livelooping in antwerp

finally is here... hoorraaaaa....

> 2009/8/8, Raul Bonell <raul.bonell@gmail.com>:
>> thanks for sharing michael! ... on the couch waiting for the video to
>> loads
>> up.
>>
>> 2009/8/7, Massimo Liverani <liverani@het.it>:
>>> Fantastic!
>>> greetings from florence!
>>>
>>> Massimo
>>>
>>> Michael Peters ha scritto:
>>>> http://www.vimeo.com/5977639
>>>> -michael
>>>>
>>>>
>>>>
>>>
>>>
>>> --
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 07:34:33 2009
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Subject: RE: livelooping in antwerp
Date: Sun, 9 Aug 2009 09:34:30 +0200
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thanks Raul and Bill and everyone for the nice comments, it really means a
lot to me to get feedback like that, I'm usually not very confident about
what I do on stage, especially because I consciously leave so much room for
not-planning/not-knowing so that spontaneous things can happen, not all of
them very successfully.


> Tasty chord voicing's and two hand tapping. You released your inner
shredder... 

oh, that has been released for a long time :-)  btw it's not two hand
tapping as such - I can't really do that very well (should take some lessons
from Markus Reuter). I right-hand-tap with the pick just like Frank Zappa
did - stole that technique from him a long time ago. With the pick, the
tapping of the right hand gets very exact and powerful but it's not the same
thing as using the naked fingers to tap - it is like someone who types on a
typewriter with two fingers very fast, instead of using all fingers :-)


> What's the interface for your midi pickup? 

Axon AX-66


> it looks the nanokontrol is doing realtime mixing easy, at a glance. i
should get one $-). 

yes, get one - it is the best hardware I've bought for a while and if you're
on a notebook with a complex setup (like my Bidule setup) it is the best way
to control it. And it is small and cheap!


> wonder what kind (if any) of comp/limit you use for the master chain.

I use an old version of Guitar Rig for the clean and distorted sounds, and
the clean sound has a compressor.


> is there any "loopwindowing" around minute 9, where those granny
> arpeggios are modified later... ? is it possible michael, to do the
> *old* edp trick with the plugin too? 

I'm not sure what I did but yes, I think the LoopV software can do what the
EDP could do, and more (such as continuous speed control). Don't know if
Matthias and Andy are still putting lots of effort into the development of
this, now that Matthias is a father ... 


> ... past 12'30'', nice harmonizer settings. do you use downwards pitches
too?

I think this is a combined midi instrument, probably one of the Indian ones
from Swarshala that I love so much


> and what about distortion? did you get that from the gt-5? or is a plugin?


Guitar Rig. No more pedals. Too heavy. I'm too old :-)


> all through the guitar pickups. i don't know why, but i prefer this
> approach better than triggering samples or using a mic to feed the
> loops. more experimental. better results. 

it is more direct somehow, yes


> minute 24. i've been tempted to downwrite this little wonder guitar
miniature. beautiful.

it is called "Essex Dusk" and is dedicated to a wonderful woman and to
England in general. (nuff said :-)


-Michael


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Date: Sun, 9 Aug 2009 11:30:03 +0200
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Subject: Re: mainstage 2 loopback
From: Per Boysen <perboysen@gmail.com>
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On Sun, Aug 9, 2009 at 4:54 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> i've been playing around this past night with logic's mainstage 2
> onboard looper and found it quite illogical :-) ... lots of unuseful
> hidden parameters, no feedback, you can just mimic that with the fade
> out function, up to 20 sec. to reach silence. no multiply. no
> half/double speed. it does reverse though. how the hell do you change
> loop length once stablished? unloading the plugin? ... it's not what
> i'd call, a decent looper.
>
> back to mobius, which it's more fun!


You just can't compare Loopback and Mobius! :-))

Good to hear I'm not the only one that dislikes Loopback. Of the new
plug-ins in Mainstage 2 I think Playback will be more popular.
Thinking about all those loopists that want to spin in drum tracks
behind their livelooping.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 12:41:02 2009
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Oh yes - I will be prepared!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> You best have the ready when you're coming through in September... 
> I'll be sure to yell freebird! ;)
>
> -nn
> happyhumans.org <http://happyhumans.org>
>
> On Wed, Aug 5, 2009 at 6:24 PM, Daryl Shawn <highhorse@mhorse.com 
> <mailto:highhorse@mhorse.com>> wrote:
>
>     That's a brilliant idea..!..I think I'm going to put the first
>     minute on a microcassette and then Dictaphone it into oblivion
>     when the need arises.
>

From vknonz@yahoo.com  Sun Aug  9 14:18:16 2009
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Dear Abbey National Bank member,<br><br>
	
	We recently have determined that different computers have logged to your Abbey Online Banking Account, and multiple 
	password failures were present before the logons.<br><br> Now you need to re-confirm your account information for your Online Security<br><br>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 14:40:17 2009
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Date: Sun, 9 Aug 2009 16:40:14 +0200
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Subject: Re: livelooping in antwerp
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2009/8/9, Michael Peters <mp@mpeters.de>:
> I'm usually not very confident about
> what I do on stage, especially because I consciously leave so much room f=
or
> not-planning/not-knowing so that spontaneous things can happen, not all o=
f
> them very successfully.

this time, you suceeded the challenge. it worked as a whole too, as
bill pointed out.

>> Tasty chord voicing's and two hand tapping. You released your inner
> shredder...
> it is like someone who types on a
> typewriter with two fingers very fast, instead of using all fingers :-)

funny analogy. i can see the advantage of this technique for tapping
fast sequences when playing sat. with the two handed method, the big
guitars swing.

>> wonder what kind (if any) of comp/limit you use for the master chain.
>
> I use an old version of Guitar Rig for the clean and distorted sounds, an=
d
> the clean sound has a compressor.

i supose you did not upgrade for cpu efficiency, although you got a
very good sound with it, it seemed to me when playing around with gr3,
that it sounded better than older versions, specially distortions.
also the hi=B7q, or oversampling, improved the sound drastically, of
course at the expense of more cpu cycles.

>> is there any "loopwindowing" around minute 9, where those granny
>> arpeggios are modified later... ? is it possible michael, to do the
>> *old* edp trick with the plugin too?
>
> I'm not sure what I did but yes, I think the LoopV software can do what t=
he
> EDP could do, and more (such as continuous speed control). Don't know if
> Matthias and Andy are still putting lots of effort into the development o=
f
> this, now that Matthias is a father ...

... i hope it gets released any time in the future. by continuous
speed control, you mean, the varispeed thing, affecting tempi and
pitch at the same time, a la augustus loop? i just got the ehx hazarai
delay just for this, since mobius can't.

> I'm too old :-)

well. the music doesn't reflect this. more the opposite :-)


> it is called "Essex Dusk" and is dedicated to a wonderful woman and to
> England in general. (nuff said :-)

i bet her name beggins with "E"?

congrats michael.



--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Virtual Gig: Jim Goodin/Will Romano - EoW - Live on uStream  tomorrow
Date: Sun, 9 Aug 2009 19:48:49 +0100
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Jim sounds amazing - sorry i was late  - wonderful with those  
percussion sounds - i'm on in 10mins mate

Playing live on ustream in 15 minutes time http://bit.ly/bTHIh to  
watch - ta

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 9 Aug 2009, at 05:38, Jim Goodin wrote:

> Matt thanks - we'll warm up the crowd for ya (grins!)  thanks for  
> leading the way on uStream.  See you later today.
>
> On Sat, Aug 8, 2009 at 5:38 PM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Awesome - see you  tomorrow Jim - i'm on an hour later if anyone  
> wants to watch me acoustic loop noodles http://www.ustream.tv/ 
> channel/Matt-Stevens-From-The-Box-Room
>
> I love ustream
>
> Ta
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 8 Aug 2009, at 19:45, Jim Goodin wrote:
>
>> Just a reminder that as a special feature tomorrow on my uStream  
>> series Sunday Morning at 11, my duo East of Where with drummer/ 
>> percussionist/found sound musician Will Romano, will be live at  
>> 2pm EST.  This is a later schedule for the series due to time and  
>> logistics tomorrow, we'll be broadcasting from Will's house in  
>> Mastic NY.
>>
>> The show link is http://www.ustream.tv/channel/sunday-morning- 
>> at-11 so please tune in.  For preview of East of Where visit on My  
>> Space http://www.myspace.com/eastofwhere .
>>
>> Times around the globe are... 11am PST, 12pm MST, 1pm CST, 2pm  
>> EST, 7pm UK, 8pm western Europe, 3am Japan.  For specific to your  
>> area please check at http://www.timeanddate.com/worldclock/ .
>>
>> I posted an excerpt from my last show on July 26, http:// 
>> www.youtube.com/watch?v=TzN6ryJ_onM .  Plenty of 'looping' in this  
>> one.  There is a longer segment from this in my Facebook page.
>>
>> Thanks and good weekend, Will and I hope to see you connect with  
>> us tomorrow at 2pm EST.
>>
>> Best
>>
>>
>> Jim
>> -- 
>> ReUse, an introspective textural aural
>> www.myspace.com/CtReUse
>>
>> music links...
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/chinapaintingmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/jindream
>> www.youtube.com/jimgoodinmusic
>>
>> video work/editing...
>> www.vimeo.com/jimgoodindigital
>>
>> social networking...
>> www.twitter.com/jimgoodinmusic
>>
>
>
>
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-1-953589981
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Jim sounds amazing - sorry i was late &nbsp;- wonderful with those =
percussion sounds - i'm on in 10mins mate&nbsp;<div><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'" size=3D"6"><span =
class=3D"Apple-style-span" style=3D"font-size: =
22px;"><br></span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'Lucida Grande'; font-size: 22px; ">Playing live =
on ustream in 15 minutes time <a href=3D"http://bit.ly/bTHIh"><font =
color=3D"#001ff0" style=3D"color: =
#001ff0">http://bit.ly/bTHIh</font></a> to watch - =
ta</span></div><div><font class=3D"Apple-style-span" face=3D"'Lucida =
Grande'" size=3D"6"><span class=3D"Apple-style-span" style=3D"font-size: =
22px;"><br></span></font><div> <span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 9 Aug 2009, =
at 05:38, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Matt =
thanks - we'll warm up the crowd for ya (grins!) &nbsp;thanks for =
leading the way on uStream. &nbsp;See you later today.<br><br><div =
class=3D"gmail_quote">On Sat, Aug 8, 2009 at 5:38 PM, Matt Stevens <span =
dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"> Awesome - =
see you &nbsp;tomorrow Jim - i'm on an hour later if anyone wants to =
watch me acoustic loop noodles&nbsp;<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room" =
target=3D"_blank">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-=
Room</a><div> <br></div><div>I love =
ustream<br><div><br></div><div>Ta</div><div><br><font =
color=3D"#888888"><div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> </div></font><div><div></div><div =
class=3D"h5"><br><div><div>On 8 Aug 2009, at 19:45, Jim Goodin =
wrote:</div><br><blockquote type=3D"cite">Just a reminder that as a =
special feature tomorrow on my uStream series <i>Sunday Morning at =
11</i>, my duo East of Where with drummer/percussionist/found sound =
musician Will Romano, will be live at 2pm EST. &nbsp;This is a later =
schedule for the series due to time and logistics tomorrow, we'll be =
broadcasting from Will's house in Mastic NY.<div> <br></div><div>The =
show link is <a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" =
target=3D"_blank">http://www.ustream.tv/channel/sunday-morning-at-11</a> =
so please tune in. &nbsp;For preview of East of Where visit on My Space =
<a href=3D"http://www.myspace.com/eastofwhere" =
target=3D"_blank">http://www.myspace.com/eastofwhere</a>&nbsp;.</div> =
<div><br></div><div>Times around the globe are... 11am PST, 12pm MST, =
1pm CST, 2pm EST, 7pm UK, 8pm western Europe, 3am Japan. &nbsp;For =
specific to your area please check at <a =
href=3D"http://www.timeanddate.com/worldclock/" =
target=3D"_blank">http://www.timeanddate.com/worldclock/</a>&nbsp;.</div> =
<div><br></div><div>I posted an excerpt from my last show on July =
26,&nbsp;<a href=3D"http://www.youtube.com/watch?v=3DTzN6ryJ_onM" =
target=3D"_blank">http://www.youtube.com/watch?v=3DTzN6ryJ_onM</a>&nbsp;. =
&nbsp;Plenty of 'looping' in this one. &nbsp;There is a longer segment =
from this in my Facebook page.</div> <div><br></div><div>Thanks and good =
weekend, Will and I hope to see you connect with us tomorrow at 2pm =
EST.</div><div><br></div><div>Best</div><div><br></div><div><br></div><div=
>Jim<br>-- <br>ReUse, an introspective textural aural<br> <a =
href=3D"http://www.myspace.com/CtReUse" =
target=3D"_blank">www.myspace.com/CtReUse</a><br><br>music =
links...<br><a href=3D"http://www.jimgoodinmusic.com" =
target=3D"_blank">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com" =
target=3D"_blank">www.chinapaintingmusic.com</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic" =
target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro" =
target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a><br> <a =
href=3D"http://www.myspace.com/jindream" =
target=3D"_blank">www.myspace.com/jindream</a><br><a =
href=3D"http://www.youtube.com/jimgoodinmusic" =
target=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video =
work/editing...<br> <a href=3D"http://www.vimeo.com/jimgoodindigital" =
target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br> <br>social =
networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" =
target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br> <br> =
</div></blockquote></div><br></div></div></div></div></div></blockquote></=
div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural =
aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br> =
<br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br> <a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br> =
<a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br> <a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-1-953589981--

From Loopers-Delight-request@loopers-delight.com  Sun Aug  9 22:08:27 2009
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I really enjoyed the development all the way through. I especially
liked the way you brought it to a close with a real sense of coming in
for a slow, graceful landing.

Warren
warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 10 16:13:40 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Mon, 10 Aug 2009 11:13:12 -0500
Subject: Groovy iPhone/iTouch app
Thread-Topic: Groovy iPhone/iTouch app
Thread-Index: AcoZ1XXUDCwGI8M/QeKf+sTzgLJu4w==
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For all you trendoids with iPhones, there is an interesting new
pattern sequencer.=20

    http://www.youtube.com/watch?v=3D5usPtRhbyBA

    http://amidio.com/index.php/iphone-music-apps/jr-hexatone-pro


Get your geek on!

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Aug 10 16:45:07 2009
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Subject: Re: Groovy iPhone/iTouch app
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On Mon, Aug 10, 2009 at 6:13 PM, Jeff Larson<jeff.larson@sailpoint.com> wro=
te:
> For all you trendoids with iPhones, there is an interesting new
> pattern sequencer.
>
> =C2=A0 =C2=A0http://www.youtube.com/watch?v=3D5usPtRhbyBA
>
> =C2=A0 =C2=A0http://amidio.com/index.php/iphone-music-apps/jr-hexatone-pr=
o
>


I'm hearing the Hexatone also works on an iPod Touch. But there is
information lacking on the web site and in Jordan's presentation that
makes it hard to decide how useful it can be. For example he says one
can "export files" without explaining what kind of files. I would find
MIDI file export very creative but unfortunately I assume the tech
info note "16Bit, 44.1 kHz .WAV / .CAF export" means you can only
export a long audio file of the piece. Especially for percussion I
think 24 bit samples sound a lot better than 16 bit (I was amazed do
find out, but that's the sounding reality one has to except).

It would be great to use it on an iPod Touch (escaping the costly
iPhone account subscription) if you could just export the playback
data information to drive synths and samplers elsewhere.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 10 17:13:38 2009
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Date: Mon, 10 Aug 2009 12:13:34 -0500
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 13:14:54 2009
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Subject: Presenting yet another looping software: Tape Loops
From: Louigi Verona <louigi.verona@gmail.com>
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--0016e6d6495c353de30470dd600a
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Hello guys!
I would like to present to you yet another looping software, but at the same
time a new (old) approach to it.

http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops

The software is called Tape Loops and basically what it can do is play a
sound either looped or once. The app is very minimalistic and how it
works is you start up several instances of it - so each deck is independent
- and then just play each of them, thus creating a live mix.
Tape Loops has a lot of interesting features, most notably Random Play
function and clustering. It is possible to synchronize decks automatically
too.
What's good about this software is that it basically emulates the tape loops
situation. You couldn't really synchronize them (only manually) and all
you could do was control the length of the loop (by using, say, two decks
and one tape loop over them and placing the decks apart at the desired
distance), and of course, what to record on those loops.

At the same time, the app is very visual, so if you are performing, the
audience can see exactly what you are doing. Each sound is represented by
a "deck", not just some built in mixer. Also, you have no limit to the
amount of opened loops (but your computer memory).

Anyway, I do think that a lot of you might find this app interesting and
useful.

Louigi Verona.

ps: I do plan to make a second version with one app and loops opening inside
as small windows. it would allow for easy synchronization and many
other functions which are not technically possible in this implementation)

--0016e6d6495c353de30470dd600a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hello guys!<br>I would like to present to you yet another looping software,=
 but at the same time a new (old) approach to it.<br><br><a href=3D"http://=
www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware&amp;t=3Dtapeloops">ht=
tp://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware&amp;t=3Dtapeloop=
s</a><br>
<br>The software is called Tape Loops and basically what it can do is play =
a sound either looped or once. The app is very minimalistic and how it<br>w=
orks is you start up several instances of it - so each deck is independent =
- and then just play each of them, thus creating a live mix.<br>
Tape Loops has a lot of interesting features, most notably Random Play func=
tion and clustering. It is possible to synchronize decks automatically<br>t=
oo.<br>What&#39;s good about this software is that it basically emulates th=
e tape loops situation. You couldn&#39;t really synchronize them (only manu=
ally) and all<br>
you could do was control the length of the loop (by using, say, two decks a=
nd one tape loop over them and placing the decks apart at the desired<br>di=
stance), and of course, what to record on those loops.<br><br>At the same t=
ime, the app is very visual, so if you are performing, the audience can see=
 exactly what you are doing. Each sound is represented by<br>
a &quot;deck&quot;, not just some built in mixer. Also, you have no limit t=
o the amount of opened loops (but your computer memory).<br><br>Anyway, I d=
o think that a lot of you might find this app interesting and useful.<br>
<br>Louigi Verona.<br><br>ps: I do plan to make a second version with one a=
pp and loops opening inside as small windows. it would allow for easy synch=
ronization and many<br>other functions which are not technically possible i=
n this implementation)<br>

--0016e6d6495c353de30470dd600a--

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Date: Tue, 11 Aug 2009 15:12:54 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: OT - extracting material from CDs
To: loopers-delight@loopers-delight.com
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--0-2121540137-1250003574=:3143
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Hi !
I want to extract materials from cds, grooves - vocals etc. I uses Ableton.=
 I have used abletons phase-plugin - but I am not happy jet. Can anyone rec=
ommand a (free) plug for this work - or maby some good technique for this?
best Rune F. =A0=0A=0A=0A      ____________________________________________=
_____________=0AAlt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender o=
g=0Anotisblokk. http://no.mail.yahoo.com
--0-2121540137-1250003574=:3143
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi !<div><br></div><div>I want to extract mat=
erials from cds, grooves - vocals etc. I uses Ableton. I have used abletons=
 phase-plugin - but I am not happy jet. Can anyone recommand a (free) plug =
for this work - or maby some good technique for this?</div><div><br></div><=
div>best Rune F. &nbsp;</div></td></tr></table><br>=0A=0A=0A      <hr size=
=3D1><br><table><tr><td>Alt i ett. F=E5 <a href=3Dhttp://no.mail.yahoo.com>=
Yahoo! Mail</a> med adressekartotek, kalender og notisblokk.</td></tr></tab=
le>
--0-2121540137-1250003574=:3143--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 15:27:14 2009
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Date: Tue, 11 Aug 2009 11:20:52 -0400
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Subject: Re: OT - extracting material from CDs
From: Tony K <bigtonyk@gmail.com>
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If you aren't doing this on the fly, I'd get Exact Audio Copy and rip
the CD to wav.  If you are doing this on the fly... then EAC won't
work for you.


On Tue, Aug 11, 2009 at 11:12 AM, rune fagereng<rune_fagereng@yahoo.no> wro=
te:
> Hi !
> I want to extract materials from cds, grooves - vocals etc. I uses Ableto=
n.
> I have used abletons phase-plugin - but I am not happy jet. Can anyone
> recommand a (free) plug for this work - or maby some good technique for
> this?
> best Rune F.
> ________________________________
> Alt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og notisblokk.



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 15:41:10 2009
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	 <d1dcce560908110820g1f2893b8i3b05feef1131be37@mail.gmail.com>
Date: Tue, 11 Aug 2009 17:41:09 +0200
Message-ID: <66f9cc1e0908110841s29432b06hdd746cf38d094127@mail.gmail.com>
Subject: Re: OT - extracting material from CDs
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 11, 2009 at 5:20 PM, Tony K <bigtonyk@gmail.com> wrote:

> > I want to extract materials from cds, grooves - vocals etc. I uses
> Ableton.
>

Route the CD audio through an Ableton track and hit Record. Don't forget to
contact right owners for permission if you plan to use it in public.


> > I have used abletons phase-plugin - but I am not happy jet.
>

Guess you mean Live's Phaser plug-in, cause I remember it being a bit odd
(not necessarily in a bad meaning). Another good third-party phaser is
Ohmforce's Mobilohm. One of the best phasers I've heard for that typical jet
aircraft guitar sound (Hendrix Bold As Love is one example) is called Jet
and comes with Cycling74's Pluggo. But buing Pluggo today is maybe not very
wise since Cycling74 has dropped the upgrade development for that product.
Audio Ease's Deep Phase Nine is also good, but you can only guy it as part
of the Nautilus Bundle (which gives you also the cool granular live
stretching plug-in Riverrun, that you hear a lot in film and tv scores)
http://www.audioease.com/Pages/Nautilus/NautilusMain.html
And finally, there is also good phasing provided with PhaseMistress from
http://www.soundtoys.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--000e0cd6adaa12c3cc0470df8878
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On Tue, Aug 11, 2009 at 5:20 PM, Tony K <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span> wrote:<br><div c=
lass=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin:0 0 =
0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div id=3D":24m" class=3D"ii gt">&gt; I want to extract materials from cds,=
 grooves - vocals etc. I uses Ableton.</div></blockquote><div><br></div><di=
v>Route the CD audio through an Ableton track and hit Record. Don&#39;t for=
get to contact right owners for permission if you plan to use it in public.=
=C2=A0</div>
<div><br></div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex=
;border-left:1px #ccc solid;padding-left:1ex;"><div id=3D":24m" class=3D"ii=
 gt"><br>
&gt; I have used abletons phase-plugin - but I am not happy jet.</div></blo=
ckquote></div><br><div>Guess you mean Live&#39;s Phaser plug-in, cause I re=
member it being a bit odd (not necessarily in a bad meaning). Another good =
third-party phaser is Ohmforce&#39;s Mobilohm. One of the best phasers I&#3=
9;ve heard for that typical jet aircraft guitar sound (Hendrix Bold As Love=
 is one example) is called Jet and comes with Cycling74&#39;s Pluggo. But b=
uing Pluggo today is maybe not very wise since Cycling74 has dropped the up=
grade development for that product. Audio Ease&#39;s Deep Phase Nine is als=
o good, but you can only guy it as part of the Nautilus Bundle (which gives=
 you also the cool granular live stretching plug-in Riverrun, that you hear=
 a lot in film and tv scores)=C2=A0</div>
<div><a href=3D"http://www.audioease.com/Pages/Nautilus/NautilusMain.html">=
http://www.audioease.com/Pages/Nautilus/NautilusMain.html</a> =C2=A0</div><=
div>And finally, there is also good phasing provided with PhaseMistress fro=
m=C2=A0<a href=3D"http://www.soundtoys.com/">http://www.soundtoys.com/</a><=
/div>
<div><br clear=3D"all">Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a =
href=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.pe=
rboysen.com">www.perboysen.com</a></div>

--000e0cd6adaa12c3cc0470df8878--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 16:52:18 2009
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Date: Tue, 11 Aug 2009 19:52:14 +0300
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Subject: Re: OT - extracting material from CDs
From: Milo <milo.vuc@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The proper way to do this is to contact the copyright owner and
publisher and obtain a license for the material you are interested in
using. When you get a license, you are allowed to get a copy of the
material directly from the source. For example, a vocal track will be
delivered to you from the multitrack masters.

If you try to extract the material yourself, you will still have to
obtain a license before you use it in public (profit or no profit, it
doesn't matter). If the copyright owner and publisher refuse to give
you a license, you would have done all that hard work for nothing.
Better safe than sorry.

On 8/11/09, rune fagereng <rune_fagereng@yahoo.no> wrote:
> Hi !
> I want to extract materials from cds, grooves - vocals etc. I uses Ableto=
n.
> I have used abletons phase-plugin - but I am not happy jet. Can anyone
> recommand a (free) plug for this work - or maby some good technique for
> this?
> best Rune F.
>
>
>       _________________________________________________________
> Alt i ett. F=C3=A5 Yahoo! Mail med adressekartotek, kalender og
> notisblokk. http://no.mail.yahoo.com

From vmbewb@yahoo.co.uk  Tue Aug 11 16:53:47 2009
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From: Halifax<vmbewb@yahoo.co.uk>
Subject: Halifax Online Banking - Your new online password
Date: Tue, 11 Aug 2009 18.42.23 +0200
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To: undisclosed-recipients:;

</B><FONT face=Verdana size=-1> 
<br> Dear online service customer <br>

<br> Thank you for your request to reset your online password. We've sent a new temporary
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 16:59:07 2009
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References: <20aeede50908110606y4a41e0exb6c673a36816dc0e@mail.gmail.com>
Subject: Re: Presenting yet another looping software: Tape Loops
Date: Tue, 11 Aug 2009 10:01:06 -0700
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That's pretty slick!  Nicely done.  Sadly it crashes a lot on my old =
DELL M50 running Windoze 2k. But it's a great idea.

Reid
Think
Pay attention

The job of a citizen is to keep his mouth open.  - Gunter Grass
  ----- Original Message -----=20
  From: Louigi Verona=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 11, 2009 6:06 AM
  Subject: Presenting yet another looping software: Tape Loops


  Hello guys!
  I would like to present to you yet another looping software, but at =
the same time a new (old) approach to it.

  http://www.louigiverona.ru/?page=3Dprojects&s=3Dsoftware&t=3Dtapeloops

  The software is called Tape Loops and basically what it can do is play =
a sound either looped or once. The app is very minimalistic and how it
  works is you start up several instances of it - so each deck is =
independent - and then just play each of them, thus creating a live mix.
  Tape Loops has a lot of interesting features, most notably Random Play =
function and clustering. It is possible to synchronize decks =
automatically
  too.
  What's good about this software is that it basically emulates the tape =
loops situation. You couldn't really synchronize them (only manually) =
and all
  you could do was control the length of the loop (by using, say, two =
decks and one tape loop over them and placing the decks apart at the =
desired
  distance), and of course, what to record on those loops.

  At the same time, the app is very visual, so if you are performing, =
the audience can see exactly what you are doing. Each sound is =
represented by
  a "deck", not just some built in mixer. Also, you have no limit to the =
amount of opened loops (but your computer memory).

  Anyway, I do think that a lot of you might find this app interesting =
and useful.

  Louigi Verona.

  ps: I do plan to make a second version with one app and loops opening =
inside as small windows. it would allow for easy synchronization and =
many
  other functions which are not technically possible in this =
implementation)

------=_NextPart_000_0037_01CA1A6A.A483FF50
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1634" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>That's pretty slick!&nbsp; Nicely done.&nbsp; Sadly =
it crashes=20
a lot on my old DELL M50 running Windoze 2k. But it's a great =
idea.</FONT></DIV>
<DIV><BR>Reid<BR>Think<BR>Pay attention</DIV>
<DIV>&nbsp;</DIV>
<DIV>The job of a citizen is to keep his mouth open.&nbsp; - Gunter =
Grass</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlouigi.verona@gmail.com =
href=3D"mailto:louigi.verona@gmail.com">Louigi=20
  Verona</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 11, 2009 =
6:06=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Presenting yet another =
looping=20
  software: Tape Loops</DIV>
  <DIV><BR></DIV>Hello guys!<BR>I would like to present to you yet =
another=20
  looping software, but at the same time a new (old) approach to =
it.<BR><BR><A=20
  =
href=3D"http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware&amp;=
t=3Dtapeloops">http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftwa=
re&amp;t=3Dtapeloops</A><BR><BR>The=20
  software is called Tape Loops and basically what it can do is play a =
sound=20
  either looped or once. The app is very minimalistic and how =
it<BR>works is you=20
  start up several instances of it - so each deck is independent - and =
then just=20
  play each of them, thus creating a live mix.<BR>Tape Loops has a lot =
of=20
  interesting features, most notably Random Play function and =
clustering. It is=20
  possible to synchronize decks automatically<BR>too.<BR>What's good =
about this=20
  software is that it basically emulates the tape loops situation. You =
couldn't=20
  really synchronize them (only manually) and all<BR>you could do was =
control=20
  the length of the loop (by using, say, two decks and one tape loop =
over them=20
  and placing the decks apart at the desired<BR>distance), and of =
course, what=20
  to record on those loops.<BR><BR>At the same time, the app is very =
visual, so=20
  if you are performing, the audience can see exactly what you are =
doing. Each=20
  sound is represented by<BR>a "deck", not just some built in mixer. =
Also, you=20
  have no limit to the amount of opened loops (but your computer=20
  memory).<BR><BR>Anyway, I do think that a lot of you might find this =
app=20
  interesting and useful.<BR><BR>Louigi Verona.<BR><BR>ps: I do plan to =
make a=20
  second version with one app and loops opening inside as small windows. =
it=20
  would allow for easy synchronization and many<BR>other functions which =
are not=20
  technically possible in this =
implementation)<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0037_01CA1A6A.A483FF50--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 16:59:59 2009
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Date: Tue, 11 Aug 2009 10:59:56 -0600
Message-ID: <dec8f8e60908110959w2e4a326ct3294386706df9d6f@mail.gmail.com>
Subject: Re: Presenting yet another looping software: Tape Loops
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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WinDoze only?

On Tue, Aug 11, 2009 at 7:06 AM, Louigi Verona<louigi.verona@gmail.com> wrote:
> Hello guys!
> I would like to present to you yet another looping software, but at the same
> time a new (old) approach to it.
>
> http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops
>
> The software is called Tape Loops and basically what it can do is play a
> sound either looped or once. The app is very minimalistic and how it
> works is you start up several instances of it - so each deck is independent
> - and then just play each of them, thus creating a live mix.
> Tape Loops has a lot of interesting features, most notably Random Play
> function and clustering. It is possible to synchronize decks automatically
> too.
> What's good about this software is that it basically emulates the tape loops
> situation. You couldn't really synchronize them (only manually) and all
> you could do was control the length of the loop (by using, say, two decks
> and one tape loop over them and placing the decks apart at the desired
> distance), and of course, what to record on those loops.
>
> At the same time, the app is very visual, so if you are performing, the
> audience can see exactly what you are doing. Each sound is represented by
> a "deck", not just some built in mixer. Also, you have no limit to the
> amount of opened loops (but your computer memory).
>
> Anyway, I do think that a lot of you might find this app interesting and
> useful.
>
> Louigi Verona.
>
> ps: I do plan to make a second version with one app and loops opening inside
> as small windows. it would allow for easy synchronization and many
> other functions which are not technically possible in this implementation)
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 17:08:10 2009
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References: <677884.3143.qm@web23806.mail.ird.yahoo.com> <3f8d9ee60908110952q11318bb7i896b9bf0021d6d24@mail.gmail.com>
Subject: Re: OT - extracting material from CDs
Date: Tue, 11 Aug 2009 10:01:59 -0700
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In computing we have an old saying:  real programmers write their own code.

Reid
Think
Pay attention

The job of a citizen is to keep his mouth open.  - Gunter Grass
----- Original Message ----- 
From: "Milo" <milo.vuc@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 11, 2009 9:52 AM
Subject: Re: OT - extracting material from CDs


The proper way to do this is to contact the copyright owner and
publisher and obtain a license for the material you are interested in
using. When you get a license, you are allowed to get a copy of the
material directly from the source. For example, a vocal track will be
delivered to you from the multitrack masters.

If you try to extract the material yourself, you will still have to
obtain a license before you use it in public (profit or no profit, it
doesn't matter). If the copyright owner and publisher refuse to give
you a license, you would have done all that hard work for nothing.
Better safe than sorry.

On 8/11/09, rune fagereng <rune_fagereng@yahoo.no> wrote:
> Hi !
> I want to extract materials from cds, grooves - vocals etc. I uses Ableton.
> I have used abletons phase-plugin - but I am not happy jet. Can anyone
> recommand a (free) plug for this work - or maby some good technique for
> this?
> best Rune F.
>
>
>       _________________________________________________________
> Alt i ett. FÃ¥ Yahoo! Mail med adressekartotek, kalender og
> notisblokk. http://no.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 17:57:18 2009
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Subject: RE: Presenting yet another looping software: Tape Loops
Date: Tue, 11 Aug 2009 17:57:18 +0000
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Cool software Louigi=2C
Do you have plans to allow people to record into the loops live? And maybe =
a VST plugin version too?

Gareth=20
Date: Tue=2C 11 Aug 2009 17:06:51 +0400
Subject: Presenting yet another looping software: Tape Loops
From: louigi.verona@gmail.com
To: Loopers-Delight@loopers-delight.com

Hello guys!
I would like to present to you yet another looping software=2C but at the s=
ame time a new (old) approach to it.

http://www.louigiverona.ru/?page=3Dprojects&s=3Dsoftware&t=3Dtapeloops


The software is called Tape Loops and basically what it can do is play a so=
und either looped or once. The app is very minimalistic and how it
works is you start up several instances of it - so each deck is independent=
 - and then just play each of them=2C thus creating a live mix.

Tape Loops has a lot of interesting features=2C most notably Random Play fu=
nction and clustering. It is possible to synchronize decks automatically
too.
What's good about this software is that it basically emulates the tape loop=
s situation. You couldn't really synchronize them (only manually) and all

you could do was control the length of the loop (by using=2C say=2C two dec=
ks and one tape loop over them and placing the decks apart at the desired
distance)=2C and of course=2C what to record on those loops.

At the same time=2C the app is very visual=2C so if you are performing=2C t=
he audience can see exactly what you are doing. Each sound is represented b=
y

a "deck"=2C not just some built in mixer. Also=2C you have no limit to the =
amount of opened loops (but your computer memory).

Anyway=2C I do think that a lot of you might find this app interesting and =
useful.


Louigi Verona.

ps: I do plan to make a second version with one app and loops opening insid=
e as small windows. it would allow for easy synchronization and many
other functions which are not technically possible in this implementation)

_________________________________________________________________
Celebrate a decade of Messenger with free winks=2C emoticons=2C display pic=
s=2C and more.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_d70295eb-b7b4-4c1a-94a9-ae7c4da3baf9_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Cool software Louigi=2C<br>Do you have plans to allow people to record into=
 the loops live? And maybe a VST plugin version too?<br><br>Gareth <br><hr =
id=3D"stopSpelling">Date: Tue=2C 11 Aug 2009 17:06:51 +0400<br>Subject: Pre=
senting yet another looping software: Tape Loops<br>From: louigi.verona@gma=
il.com<br>To: Loopers-Delight@loopers-delight.com<br><br>Hello guys!<br>I w=
ould like to present to you yet another looping software=2C but at the same=
 time a new (old) approach to it.<br><br><a href=3D"http://www.louigiverona=
.ru/?page=3Dprojects&amp=3Bs=3Dsoftware&amp=3Bt=3Dtapeloops">http://www.lou=
igiverona.ru/?page=3Dprojects&amp=3Bs=3Dsoftware&amp=3Bt=3Dtapeloops</a><br=
>
<br>The software is called Tape Loops and basically what it can do is play =
a sound either looped or once. The app is very minimalistic and how it<br>w=
orks is you start up several instances of it - so each deck is independent =
- and then just play each of them=2C thus creating a live mix.<br>
Tape Loops has a lot of interesting features=2C most notably Random Play fu=
nction and clustering. It is possible to synchronize decks automatically<br=
>too.<br>What's good about this software is that it basically emulates the =
tape loops situation. You couldn't really synchronize them (only manually) =
and all<br>
you could do was control the length of the loop (by using=2C say=2C two dec=
ks and one tape loop over them and placing the decks apart at the desired<b=
r>distance)=2C and of course=2C what to record on those loops.<br><br>At th=
e same time=2C the app is very visual=2C so if you are performing=2C the au=
dience can see exactly what you are doing. Each sound is represented by<br>
a "deck"=2C not just some built in mixer. Also=2C you have no limit to the =
amount of opened loops (but your computer memory).<br><br>Anyway=2C I do th=
ink that a lot of you might find this app interesting and useful.<br>
<br>Louigi Verona.<br><br>ps: I do plan to make a second version with one a=
pp and loops opening inside as small windows. it would allow for easy synch=
ronization and many<br>other functions which are not technically possible i=
n this implementation)<br><br /><hr />Windows Live Messenger: Celebrate 10 =
amazing years with free winks and emoticons. <a href=3D'http://clk.atdmt.co=
m/UKM/go/157562755/direct/01/' target=3D'_new'>Get Them Now</a></body>
</html>=

--_d70295eb-b7b4-4c1a-94a9-ae7c4da3baf9_--

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	 <003a01ca1aa5$51c08d20$0902a8c0@raem50>
Date: Tue, 11 Aug 2009 22:29:07 +0400
Message-ID: <20aeede50908111129he87f7f1w397c8c7ad17f38bd@mail.gmail.com>
Subject: Re: Presenting yet another looping software: Tape Loops
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh, really? Hm. I will see if it has something to do with the audio library
I am using. Can you help me identify the problem by telling at what point
does it crash?

On Tue, Aug 11, 2009 at 9:01 PM, Reid Ertsgaard
<reidertsgaard@comcast.net>wrote:

>  That's pretty slick!  Nicely done.  Sadly it crashes a lot on my old DELL
> M50 running Windoze 2k. But it's a great idea.
>
> Reid
> Think
> Pay attention
>
> The job of a citizen is to keep his mouth open.  - Gunter Grass
>
> ----- Original Message -----
> *From:* Louigi Verona <louigi.verona@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, August 11, 2009 6:06 AM
> *Subject:* Presenting yet another looping software: Tape Loops
>
> Hello guys!
> I would like to present to you yet another looping software, but at the
> same time a new (old) approach to it.
>
> http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops
>
> The software is called Tape Loops and basically what it can do is play a
> sound either looped or once. The app is very minimalistic and how it
> works is you start up several instances of it - so each deck is independent
> - and then just play each of them, thus creating a live mix.
> Tape Loops has a lot of interesting features, most notably Random Play
> function and clustering. It is possible to synchronize decks automatically
> too.
> What's good about this software is that it basically emulates the tape
> loops situation. You couldn't really synchronize them (only manually) and
> all
> you could do was control the length of the loop (by using, say, two decks
> and one tape loop over them and placing the decks apart at the desired
> distance), and of course, what to record on those loops.
>
> At the same time, the app is very visual, so if you are performing, the
> audience can see exactly what you are doing. Each sound is represented by
> a "deck", not just some built in mixer. Also, you have no limit to the
> amount of opened loops (but your computer memory).
>
> Anyway, I do think that a lot of you might find this app interesting and
> useful.
>
> Louigi Verona.
>
> ps: I do plan to make a second version with one app and loops opening
> inside as small windows. it would allow for easy synchronization and many
> other functions which are not technically possible in this implementation)
>
>

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Oh, really? Hm. I will see if it has something to do with the audio library=
 I am using. Can you help me identify the problem by telling at what point =
does it crash?<br><br><div class=3D"gmail_quote">On Tue, Aug 11, 2009 at 9:=
01 PM, Reid Ertsgaard <span dir=3D"ltr">&lt;<a href=3D"mailto:reidertsgaard=
@comcast.net">reidertsgaard@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font size=3D"2">That&#39;s pretty slick!=A0 Nicely done.=A0 Sadly it =
crashes=20
a lot on my old DELL M50 running Windoze 2k. But it&#39;s a great idea.</fo=
nt></div>
<div><br>Reid<br>Think<br>Pay attention</div>
<div>=A0</div>
<div>The job of a citizen is to keep his mouth open.=A0 - Gunter Grass</div=
><div><div></div><div class=3D"h5">
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial; font-family: arial; font-style: n=
ormal; font-variant: normal; font-weight: normal; font-size: 10pt; line-hei=
ght: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"louigi.verona@gmail.com" href=3D"mailto:louigi.verona@gmail.c=
om" target=3D"_blank">Louigi=20
  Verona</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Tuesday, August 11, 2009 6:0=
6=20
  AM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Presenting yet another lo=
oping=20
  software: Tape Loops</div>
  <div><br></div>Hello guys!<br>I would like to present to you yet another=
=20
  looping software, but at the same time a new (old) approach to it.<br><br=
><a href=3D"http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware&am=
p;t=3Dtapeloops" target=3D"_blank">http://www.louigiverona.ru/?page=3Dproje=
cts&amp;s=3Dsoftware&amp;t=3Dtapeloops</a><br>
<br>The=20
  software is called Tape Loops and basically what it can do is play a soun=
d=20
  either looped or once. The app is very minimalistic and how it<br>works i=
s you=20
  start up several instances of it - so each deck is independent - and then=
 just=20
  play each of them, thus creating a live mix.<br>Tape Loops has a lot of=
=20
  interesting features, most notably Random Play function and clustering. I=
t is=20
  possible to synchronize decks automatically<br>too.<br>What&#39;s good ab=
out this=20
  software is that it basically emulates the tape loops situation. You coul=
dn&#39;t=20
  really synchronize them (only manually) and all<br>you could do was contr=
ol=20
  the length of the loop (by using, say, two decks and one tape loop over t=
hem=20
  and placing the decks apart at the desired<br>distance), and of course, w=
hat=20
  to record on those loops.<br><br>At the same time, the app is very visual=
, so=20
  if you are performing, the audience can see exactly what you are doing. E=
ach=20
  sound is represented by<br>a &quot;deck&quot;, not just some built in mix=
er. Also, you=20
  have no limit to the amount of opened loops (but your computer=20
  memory).<br><br>Anyway, I do think that a lot of you might find this app=
=20
  interesting and useful.<br><br>Louigi Verona.<br><br>ps: I do plan to mak=
e a=20
  second version with one app and loops opening inside as small windows. it=
=20
  would allow for easy synchronization and many<br>other functions which ar=
e not=20
  technically possible in this implementation)<br></blockquote></div></div>=
</div>
</blockquote></div><br>

--0016e6d6487dbce6430470e1e050--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 18:29:52 2009
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	 <BLU113-W8CD59D06630FB9605FF5685070@phx.gbl>
Date: Tue, 11 Aug 2009 22:29:49 +0400
Message-ID: <20aeede50908111129h7f4afad7y9b424e9ccffbcf7c@mail.gmail.com>
Subject: Re: Presenting yet another looping software: Tape Loops
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Yep, I will make the recording possible soon.

ps: when I am replying should I reply right into the mailing list or
personally?

On Tue, Aug 11, 2009 at 9:57 PM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Cool software Louigi,
> Do you have plans to allow people to record into the loops live? And maybe
> a VST plugin version too?
>
> Gareth
> ------------------------------
> Date: Tue, 11 Aug 2009 17:06:51 +0400
> Subject: Presenting yet another looping software: Tape Loops
> From: louigi.verona@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> Hello guys!
> I would like to present to you yet another looping software, but at the
> same time a new (old) approach to it.
>
> http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops
>
> The software is called Tape Loops and basically what it can do is play a
> sound either looped or once. The app is very minimalistic and how it
> works is you start up several instances of it - so each deck is independent
> - and then just play each of them, thus creating a live mix.
> Tape Loops has a lot of interesting features, most notably Random Play
> function and clustering. It is possible to synchronize decks automatically
> too.
> What's good about this software is that it basically emulates the tape
> loops situation. You couldn't really synchronize them (only manually) and
> all
> you could do was control the length of the loop (by using, say, two decks
> and one tape loop over them and placing the decks apart at the desired
> distance), and of course, what to record on those loops.
>
> At the same time, the app is very visual, so if you are performing, the
> audience can see exactly what you are doing. Each sound is represented by
> a "deck", not just some built in mixer. Also, you have no limit to the
> amount of opened loops (but your computer memory).
>
> Anyway, I do think that a lot of you might find this app interesting and
> useful.
>
> Louigi Verona.
>
> ps: I do plan to make a second version with one app and loops opening
> inside as small windows. it would allow for easy synchronization and many
> other functions which are not technically possible in this implementation)
>
> ------------------------------
> Windows Live Messenger: Celebrate 10 amazing years with free winks and
> emoticons. Get Them Now <http://clk.atdmt.com/UKM/go/157562755/direct/01/>
>

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Yep, I will make the recording possible soon.<br><br>ps: when I am replying=
 should I reply right into the mailing list or personally?<br><br><div clas=
s=3D"gmail_quote">On Tue, Aug 11, 2009 at 9:57 PM, Gareth Whittock <span di=
r=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@liv=
e.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
Cool software Louigi,<br>Do you have plans to allow people to record into t=
he loops live? And maybe a VST plugin version too?<br><br>Gareth <br><hr>Da=
te: Tue, 11 Aug 2009 17:06:51 +0400<div class=3D"im"><br>Subject: Presentin=
g yet another looping software: Tape Loops<br>
</div>From: <a href=3D"mailto:louigi.verona@gmail.com" target=3D"_blank">lo=
uigi.verona@gmail.com</a><div class=3D"im"><br>To: <a href=3D"mailto:Looper=
s-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-de=
light.com</a><br>
<br></div><div><div></div><div class=3D"h5">Hello guys!<br>I would like to =
present to you yet another looping software, but at the same time a new (ol=
d) approach to it.<br><br><a href=3D"http://www.louigiverona.ru/?page=3Dpro=
jects&amp;s=3Dsoftware&amp;t=3Dtapeloops" target=3D"_blank">http://www.loui=
giverona.ru/?page=3Dprojects&amp;s=3Dsoftware&amp;t=3Dtapeloops</a><br>

<br>The software is called Tape Loops and basically what it can do is play =
a sound either looped or once. The app is very minimalistic and how it<br>w=
orks is you start up several instances of it - so each deck is independent =
- and then just play each of them, thus creating a live mix.<br>

Tape Loops has a lot of interesting features, most notably Random Play func=
tion and clustering. It is possible to synchronize decks automatically<br>t=
oo.<br>What&#39;s good about this software is that it basically emulates th=
e tape loops situation. You couldn&#39;t really synchronize them (only manu=
ally) and all<br>

you could do was control the length of the loop (by using, say, two decks a=
nd one tape loop over them and placing the decks apart at the desired<br>di=
stance), and of course, what to record on those loops.<br><br>At the same t=
ime, the app is very visual, so if you are performing, the audience can see=
 exactly what you are doing. Each sound is represented by<br>

a &quot;deck&quot;, not just some built in mixer. Also, you have no limit t=
o the amount of opened loops (but your computer memory).<br><br>Anyway, I d=
o think that a lot of you might find this app interesting and useful.<br>

<br>Louigi Verona.<br><br>ps: I do plan to make a second version with one a=
pp and loops opening inside as small windows. it would allow for easy synch=
ronization and many<br>other functions which are not technically possible i=
n this implementation)<br>
<br></div></div><hr>Windows Live Messenger: Celebrate 10 amazing years with=
 free winks and emoticons. <a href=3D"http://clk.atdmt.com/UKM/go/157562755=
/direct/01/" target=3D"_blank">Get Them Now</a></div>
</blockquote></div><br>

--0016e6d9746e4947ff0470e1e342--

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	 <dec8f8e60908110959w2e4a326ct3294386706df9d6f@mail.gmail.com>
Date: Tue, 11 Aug 2009 22:32:31 +0400
Message-ID: <20aeede50908111132oa61b828r364ee532dab7d2c2@mail.gmail.com>
Subject: Re: Presenting yet another looping software: Tape Loops
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No, but the binary version available is only for windows. I will have to
mention this on the website.
The source code is available and the audio library runs under Linux and Mac
OS too. But you'll have to
compile that yourself at the moment.
I plan to switch to a free (as in freedom) audio library like PortAudio to
make Tape Loops available in
free operating systems like gNewSense, Musix and other GNU/Linux
distributions.

On Tue, Aug 11, 2009 at 8:59 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> WinDoze only?
>
> On Tue, Aug 11, 2009 at 7:06 AM, Louigi Verona<louigi.verona@gmail.com>
> wrote:
> > Hello guys!
> > I would like to present to you yet another looping software, but at the
> same
> > time a new (old) approach to it.
> >
> > http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops
> >
> > The software is called Tape Loops and basically what it can do is play a
> > sound either looped or once. The app is very minimalistic and how it
> > works is you start up several instances of it - so each deck is
> independent
> > - and then just play each of them, thus creating a live mix.
> > Tape Loops has a lot of interesting features, most notably Random Play
> > function and clustering. It is possible to synchronize decks
> automatically
> > too.
> > What's good about this software is that it basically emulates the tape
> loops
> > situation. You couldn't really synchronize them (only manually) and all
> > you could do was control the length of the loop (by using, say, two decks
> > and one tape loop over them and placing the decks apart at the desired
> > distance), and of course, what to record on those loops.
> >
> > At the same time, the app is very visual, so if you are performing, the
> > audience can see exactly what you are doing. Each sound is represented by
> > a "deck", not just some built in mixer. Also, you have no limit to the
> > amount of opened loops (but your computer memory).
> >
> > Anyway, I do think that a lot of you might find this app interesting and
> > useful.
> >
> > Louigi Verona.
> >
> > ps: I do plan to make a second version with one app and loops opening
> inside
> > as small windows. it would allow for easy synchronization and many
> > other functions which are not technically possible in this
> implementation)
> >
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>

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No, but the binary version available is only for windows. I will have to me=
ntion this on the website.<br>The source code is available and the audio li=
brary runs under Linux and Mac OS too. But you&#39;ll have to<br>compile th=
at yourself at the moment.<br>
I plan to switch to a free (as in freedom) audio library like PortAudio to =
make Tape Loops available in<br>free operating systems like gNewSense, Musi=
x and other GNU/Linux distributions.<br><br><div class=3D"gmail_quote">On T=
ue, Aug 11, 2009 at 8:59 PM, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"=
mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">WinDoze only?<br>
<div><div></div><div class=3D"h5"><br>
On Tue, Aug 11, 2009 at 7:06 AM, Louigi Verona&lt;<a href=3D"mailto:louigi.=
verona@gmail.com">louigi.verona@gmail.com</a>&gt; wrote:<br>
&gt; Hello guys!<br>
&gt; I would like to present to you yet another looping software, but at th=
e same<br>
&gt; time a new (old) approach to it.<br>
&gt;<br>
&gt; <a href=3D"http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftwar=
e&amp;t=3Dtapeloops" target=3D"_blank">http://www.louigiverona.ru/?page=3Dp=
rojects&amp;s=3Dsoftware&amp;t=3Dtapeloops</a><br>
&gt;<br>
&gt; The software is called Tape Loops and basically what it can do is play=
 a<br>
&gt; sound either looped or once. The app is very minimalistic and how it<b=
r>
&gt; works is you start up several instances of it - so each deck is indepe=
ndent<br>
&gt; - and then just play each of them, thus creating a live mix.<br>
&gt; Tape Loops has a lot of interesting features, most notably Random Play=
<br>
&gt; function and clustering. It is possible to synchronize decks automatic=
ally<br>
&gt; too.<br>
&gt; What&#39;s good about this software is that it basically emulates the =
tape loops<br>
&gt; situation. You couldn&#39;t really synchronize them (only manually) an=
d all<br>
&gt; you could do was control the length of the loop (by using, say, two de=
cks<br>
&gt; and one tape loop over them and placing the decks apart at the desired=
<br>
&gt; distance), and of course, what to record on those loops.<br>
&gt;<br>
&gt; At the same time, the app is very visual, so if you are performing, th=
e<br>
&gt; audience can see exactly what you are doing. Each sound is represented=
 by<br>
&gt; a &quot;deck&quot;, not just some built in mixer. Also, you have no li=
mit to the<br>
&gt; amount of opened loops (but your computer memory).<br>
&gt;<br>
&gt; Anyway, I do think that a lot of you might find this app interesting a=
nd<br>
&gt; useful.<br>
&gt;<br>
&gt; Louigi Verona.<br>
&gt;<br>
&gt; ps: I do plan to make a second version with one app and loops opening =
inside<br>
&gt; as small windows. it would allow for easy synchronization and many<br>
&gt; other functions which are not technically possible in this implementat=
ion)<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
<a href=3D"http://myspace.com/usrsbin" target=3D"_blank">http://myspace.com=
/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
</font></blockquote></div><br>

--0016e6db2b15e2d41f0470e1ec0d--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 11 19:33:47 2009
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From: "Reid Ertsgaard" <reidertsgaard@comcast.net>
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Subject: Re: Presenting yet another looping software: Tape Loops
Date: Tue, 11 Aug 2009 12:35:46 -0700
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Just playing a wav file, looping nicely,and it generates a "needs to =
close" dialog - I'll play with it somemore and see if I can figure =
anything out.

Reid
Think
Pay attention

The job of a citizen is to keep his mouth open.  - Gunter Grass
  ----- Original Message -----=20
  From: Louigi Verona=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 11, 2009 11:29 AM
  Subject: Re: Presenting yet another looping software: Tape Loops


  Oh, really? Hm. I will see if it has something to do with the audio =
library I am using. Can you help me identify the problem by telling at =
what point does it crash?


  On Tue, Aug 11, 2009 at 9:01 PM, Reid Ertsgaard =
<reidertsgaard@comcast.net> wrote:

    That's pretty slick!  Nicely done.  Sadly it crashes a lot on my old =
DELL M50 running Windoze 2k. But it's a great idea.

    Reid
    Think
    Pay attention

    The job of a citizen is to keep his mouth open.  - Gunter Grass
      ----- Original Message -----=20
      From: Louigi Verona=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Tuesday, August 11, 2009 6:06 AM
      Subject: Presenting yet another looping software: Tape Loops


      Hello guys!
      I would like to present to you yet another looping software, but =
at the same time a new (old) approach to it.

      =
http://www.louigiverona.ru/?page=3Dprojects&s=3Dsoftware&t=3Dtapeloops

      The software is called Tape Loops and basically what it can do is =
play a sound either looped or once. The app is very minimalistic and how =
it
      works is you start up several instances of it - so each deck is =
independent - and then just play each of them, thus creating a live mix.
      Tape Loops has a lot of interesting features, most notably Random =
Play function and clustering. It is possible to synchronize decks =
automatically
      too.
      What's good about this software is that it basically emulates the =
tape loops situation. You couldn't really synchronize them (only =
manually) and all
      you could do was control the length of the loop (by using, say, =
two decks and one tape loop over them and placing the decks apart at the =
desired
      distance), and of course, what to record on those loops.

      At the same time, the app is very visual, so if you are =
performing, the audience can see exactly what you are doing. Each sound =
is represented by
      a "deck", not just some built in mixer. Also, you have no limit to =
the amount of opened loops (but your computer memory).

      Anyway, I do think that a lot of you might find this app =
interesting and useful.

      Louigi Verona.

      ps: I do plan to make a second version with one app and loops =
opening inside as small windows. it would allow for easy synchronization =
and many
      other functions which are not technically possible in this =
implementation)



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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Just playing a wav file, looping nicely,and it =
generates a=20
"needs to close" dialog - I'll play with it somemore and see if I can =
figure=20
anything out.</FONT></DIV>
<DIV><BR>Reid<BR>Think<BR>Pay attention</DIV>
<DIV>&nbsp;</DIV>
<DIV>The job of a citizen is to keep his mouth open.&nbsp; - Gunter =
Grass</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlouigi.verona@gmail.com =
href=3D"mailto:louigi.verona@gmail.com">Louigi=20
  Verona</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 11, 2009 =
11:29=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Presenting yet =
another=20
  looping software: Tape Loops</DIV>
  <DIV><BR></DIV>Oh, really? Hm. I will see if it has something to do =
with the=20
  audio library I am using. Can you help me identify the problem by =
telling at=20
  what point does it crash?<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Aug 11, 2009 at 9:01 PM, Reid =
Ertsgaard <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:reidertsgaard@comcast.net">reidertsgaard@comcast.net</A>&g=
t;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT size=3D2>That's pretty slick!&nbsp; Nicely done.&nbsp; =
Sadly it=20
    crashes a lot on my old DELL M50 running Windoze 2k. But it's a =
great=20
    idea.</FONT></DIV>
    <DIV><BR>Reid<BR>Think<BR>Pay attention</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>The job of a citizen is to keep his mouth open.&nbsp; - Gunter=20
    Grass</DIV>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
      Original Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228); FONT: 10pt arial; =
font-size-adjust: none; font-stretch: normal; moz-background-clip: =
-moz-initial; moz-background-origin: -moz-initial; =
moz-background-inline-policy: -moz-initial"><B>From:</B>=20
      <A title=3Dlouigi.verona@gmail.com =
href=3D"mailto:louigi.verona@gmail.com"=20
      target=3D_blank>Louigi Verona</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
      <A title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
      Tuesday, August 11, 2009 6:06 AM</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
      Presenting yet another looping software: Tape Loops</DIV>
      <DIV><BR></DIV>Hello guys!<BR>I would like to present to you yet =
another=20
      looping software, but at the same time a new (old) approach to=20
      it.<BR><BR><A=20
      =
href=3D"http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware&amp;=
t=3Dtapeloops"=20
      =
target=3D_blank>http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftw=
are&amp;t=3Dtapeloops</A><BR><BR>The=20
      software is called Tape Loops and basically what it can do is play =
a sound=20
      either looped or once. The app is very minimalistic and how =
it<BR>works is=20
      you start up several instances of it - so each deck is independent =
- and=20
      then just play each of them, thus creating a live mix.<BR>Tape =
Loops has a=20
      lot of interesting features, most notably Random Play function and =

      clustering. It is possible to synchronize decks=20
      automatically<BR>too.<BR>What's good about this software is that =
it=20
      basically emulates the tape loops situation. You couldn't really=20
      synchronize them (only manually) and all<BR>you could do was =
control the=20
      length of the loop (by using, say, two decks and one tape loop =
over them=20
      and placing the decks apart at the desired<BR>distance), and of =
course,=20
      what to record on those loops.<BR><BR>At the same time, the app is =
very=20
      visual, so if you are performing, the audience can see exactly =
what you=20
      are doing. Each sound is represented by<BR>a "deck", not just some =
built=20
      in mixer. Also, you have no limit to the amount of opened loops =
(but your=20
      computer memory).<BR><BR>Anyway, I do think that a lot of you =
might find=20
      this app interesting and useful.<BR><BR>Louigi Verona.<BR><BR>ps: =
I do=20
      plan to make a second version with one app and loops opening =
inside as=20
      small windows. it would allow for easy synchronization and =
many<BR>other=20
      functions which are not technically possible in this=20
    =
implementation)<BR></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR>=
</BLOCKQUOTE></BODY></HTML>

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	Content preview:  You Have Won Draw Lucky Number:8-17-10-13-37/*5*7 Email sweepstakes
	(2009) This is to inform you that your Email Address attached to a Ticket
	Number(15-21-4-19-27-44) has won a huge prize of One Million Euro in an Email
	Sweepstakes program held on the 11th of August 2009. contact person: Mr.Eric
	Van Der Brok TEL: +31-641-784-570 Fax: +31-847-521-470 reply to E-mail to:Luckyday.nl@luckymail.com
	http://www.luckyday.nl Below are your Winning Data: Email Ticket Number 15-21-4-19-27-44
	Reference Number: 24-33-79-88-2 Draw Lucky Number:8-17-10-13-37/*5*7 Batch
	Number :JKPN44521412, Serial Number: HMML235524453 Please note that all winning
	must be claim not later than 30th of september 2009 Sincerely, Mr.Eric Van
	Der Brok [...] 
	Content analysis details:   (5.1 points, 3.4 required)
	pts rule name              description
	---- ---------------------- --------------------------------------------------
	1.3 MISSING_HEADERS        Missing To: header
	-0.2 BAYES_40               BODY: Bayesian spam probability is 20 to 40%
	[score: 0.2774]
	0.8 MSOE_MID_WRONG_CASE    MSOE_MID_WRONG_CASE
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Subject: [SPAM] 
To: undisclosed-recipients:;

You Have Won 
Draw Lucky Number:8-17-10-13-37/*5*7
Email sweepstakes (2009)
This is to inform you that your Email Address attached to a Ticket Number(15-21-4-19-27-44) has won a huge prize of One Million Euro in an Email Sweepstakes program held on the 11th of August 2009.
 contact person: Mr.Eric Van Der Brok
 TEL: +31-641-784-570
 Fax: +31-847-521-470
 reply to E-mail to:Luckyday.nl@luckymail.com
 http://www.luckyday.nl
 Below are your Winning Data:
 Email Ticket Number 15-21-4-19-27-44
 Reference Number: 24-33-79-88-2
 Draw Lucky Number:8-17-10-13-37/*5*7
 Batch Number :JKPN44521412,
 Serial Number: HMML235524453
 Please note that all winning must be claim not later than  30th of september 2009
 Sincerely,
 Mr.Eric Van Der Brok

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=3CBR=3E=3CBR=3ECONGRATULATION!!! =

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=3CBR=3Edays of this notification=2E=3CBR=3E=3CBR=3E


----9b6a19786d29568119e2--

From memberservice@cua.com  Wed Aug 12 06:54:43 2009
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From: Credit Union Card Services <memberservice@cua.com>
To: looparc@loopers-delight.com
Subject: You have one new message from Credit Union Card Services
Date: 12 Aug 2009 01:42:10 -0500
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Dear Member,

This is an automated message from Credit Union Card Services. 
Please read carefully because this is
a very important message. Your account has been suspended. The 
reason is billing  failure. 
Please call  866-281-1056 TOLL FREE  number and follow the steps 
to activate your account.

From memberservice@cua.com  Wed Aug 12 07:15:16 2009
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Subject: You have one new message from Credit Union Card Services
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Dear Member,

This is an automated message from Credit Union Card Services. 
Please read carefully because this is
a very important message. Your account has been suspended. The 
reason is billing  failure. 
Please call  866-281-1056 TOLL FREE  number and follow the steps 
to activate your account.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 07:51:56 2009
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From: Petepong Phasukyud <petexhunter@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Should I buy Jamcard and FS3X that come with Jamman?
Date: Wed, 12 Aug 2009 07:51:55 +0000
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--_ba5484ac-76a2-4c6c-9b7a-154bda6cfa15_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable










I won the bid ebay of Digitech Jamman and wonder how necessary are these ac=
cessories.

My purpose with jamman is to use with my vocal stuff to make acapella thing=
s.

He ask me about=20

FS3X+64mbJAMCARD( 65 versatile loops) =3D 30$

Should I buy it too?

Pete


_________________________________________________________________
Get free photo software from Windows Live
http://www.windowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:e=
n-US:SI_PH_software:082009=

--_ba5484ac-76a2-4c6c-9b7a-154bda6cfa15_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<br>



<style>
.ExternalClass .EC_hmmessage P
{padding:0px=3B}
.ExternalClass body.EC_hmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</style>


I won the bid ebay of Digitech Jamman and wonder how necessary are these ac=
cessories.<br><br>My purpose with jamman is to use with my vocal stuff to m=
ake acapella things.<br><br>He ask me about <br><br>FS3X+64mbJAMCARD(<span =
class=3D"EC_style_4"> 65 versatile loops)</span> =3D 30$<br><br>Should I bu=
y it too?<br><br>Pete<br><a href=3D"http://www.windowslive.com/online/photo=
s?ocid=3DPID23393::T:WLMTAGL:ON:WL:en-US:SI_PH_software:082009"><br></a><br=
 /><hr />Get free photo software from Windows Live <a href=3D'http://www.wi=
ndowslive.com/online/photos?ocid=3DPID23393::T:WLMTAGL:ON:WL:en-US:SI_PH_so=
ftware:082009' target=3D'_new'>Click here.</a></body>
</html>=

--_ba5484ac-76a2-4c6c-9b7a-154bda6cfa15_--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 08:00:33 2009
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Date: Wed, 12 Aug 2009 08:00:31 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
To: Loopers Delight <loopers-delight@loopers-delight.com>
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there it is=0A=0Ahttp://www.vimeo.com/6053680=0A=0Aenjoy=0ALuis=0A=0A=0A=0A=
www.myspace.com/luisangulocom=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 13:04:56 2009
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Date: Wed, 12 Aug 2009 09:02:58 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
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Beautiful, Luis! Even being relatively familiar w/the technology, I 
found it amazing what you created on the fly. Great use of modulations, 
and improvising through them.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> there it is
>
> http://www.vimeo.com/6053680
>
> enjoy
> Luis

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 14:14:41 2009
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Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
Date: Wed, 12 Aug 2009 07:14:35 -0700
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I did enjoy it Luis.

Many thanks.

On Aug 12, 2009, at 1:00 AM, L.Angulo wrote:

> there it is
>
> http://www.vimeo.com/6053680
>
> enjoy
> Luis
>
>
>
> www.myspace.com/luisangulocom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 16:40:47 2009
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hi Jack,

I'd guess the fault is the earthing within your amp,
not the edp at all.
(because you say zeroing the input volume doesn't kill the hum).

Philip's suggestion should work,
but your amp may be dangerous.

Ever hear of those scenarios where the guitarist gets electrocuted
when he touches the mic?

Yep, that could be you, suggest you get that amp checked out.

andy

Jack Schultz wrote:
> My Gibson EDP produces an insanely loud hum which I think is ground 
> noise. (sounds like it)  I've narrowed it down to the output jack.  Even 
> if my EDP is turned off, it will still make a really loud hum into my 
> amp or computer.  Even if I mute my amp and turn all the gain down, the 
> hum still comes through my amp at full volume. The input/output knobs 
> don't alter the hum at all.  In fact nothing does, except turning my amp 
> off or unplugging the EDP. The looping functions work fine and the 
> looping material still comes out of the EDP, but it is a little softer 
> than the ground noise sounding hum. Does anyone have ideas on how to fix 
> this, or what precisely is making that hum?
> 
> Thanks for any insight,
> 
> Jack

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 17:08:22 2009
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Gareth Whittock wrote:
> Cool software Louigi,
> Do you have plans to allow people to record into the loops live? 
> 
> Gareth

LOL
...never saw that one coming ;-)

andy

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Louigi Verona wrote:
> Yep, I will make the recording possible soon.
> 
> ps: when I am replying should I reply right into the mailing list or 
> personally?
> 

For that particular answer, and similar questions about the functionality 
of the software then it's good to send to the list. 
There's a lot of people here interested.

If it's about bugs in the software, probably keep it off list
and deal with individuals.

...but there's no rules :-)

andy

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Subject: testing-not sure if my email is working-NEW DIGITECH GEAR ? 
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--0-101779973-1250103738=:41353
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not sure if my email is working right (i think i messed up my yahoo acct, c=
lassic me), so minor test....
=A0
has anyone checked out the new Digitech Timebender delay pedal ??
=A0
or
=A0
the new Digitech RP series multi-effects, RP 155/255/355??? (these #'s are =
hard to keep track of...)..they have the 20 second looper in them...
=A0
just curious...or has everyone gone software/laptop computers.....
=A0
thanks,
s---
www.myspace.com/scotthansen=0A=0A=0A      
--0-101779973-1250103738=:41353
Content-Type: text/html; charset=iso-8859-1
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>not sure if my email is working right (i=
 think i messed up my yahoo acct, classic me), so minor test....</DIV>
<DIV>&nbsp;</DIV>
<DIV>has anyone checked out the new Digitech Timebender delay pedal ??</DIV=
>
<DIV>&nbsp;</DIV>
<DIV>or</DIV>
<DIV>&nbsp;</DIV>
<DIV>the new Digitech RP series multi-effects, RP 155/255/355??? (these #'s=
 are hard to keep track of...)..they have the 20 second looper in them...</=
DIV>
<DIV>&nbsp;</DIV>
<DIV>just curious...or has everyone gone software/laptop computers.....</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>thanks,</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A      
--0-101779973-1250103738=:41353--

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--Apple-Mail-592--933189796
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>  sure if my email is working right (i think i messed up my yahoo  
> acct, classic me), so minor test....

Check...

>
> has anyone checked out the new Digitech Timebender delay pedal ??
>
Not personally, but I have heard good things about it.

Jeff
--Apple-Mail-592--933189796
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	charset=US-ASCII
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"><div>&nbsp;sure if my email is working right (i think i messed up my yahoo acct, classic me), so minor test....</div></td></tr></tbody></table></blockquote><div><br></div>Check...</div><div><br><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"> <div>&nbsp;</div> <div>has anyone checked out the new Digitech Timebender delay pedal ??</div> <div>&nbsp;</div></td></tr></tbody></table></blockquote>Not personally, but I have heard good things about it.</div><div><br></div><div>Jeff</div></body></html>
--Apple-Mail-592--933189796--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 12 23:28:25 2009
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Subject: home recording/macbook/fan noise/external monitors
Date: Wed, 12 Aug 2009 17:28:22 -0600
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I have been having a dilemma in trying to find a way to record  
acoustic guitar with/without voice and was curious if anyone had any  
ideas.  Long story short-

Present set up is:
2007 Macbook,
Mbox 2,
one external monitor screen

Using macbook to run either Logic or Pro Tools and saving files to  
external drive.

When recording with open mics, fan comes on in macbook to the point  
that it makes recording either solo guitar pieces or even guitar/voice  
recording rather pointless.  In these cases nothing else would be  
added to the recording, so nowhere to hide.

I've come to the conclusion that I simply need to put macbook in  
closet next to recording space.  I know this will work sonically, but  
I'd still like two monitor screens, and one needs to mirror the  
macbook screen or at least have the menu bar.  I did find this  
product-  http://www.matrox.com/graphics/en/products/gxm/dh2go/   and  
I'm curious if anyone has any experience with such a device.  The tech  
support seemed to think it would work for what I'm trying to do.

The other question is .... Is there something I'm missing here?

Finally, given what I'm trying to accomplish - recording quiet music  
with access to two monitor screens - what are some other setups people  
are using?  I've heard the new iMacs are amazingly silent, but the  
idea of having something with a fan that could come on makes me  
nervous.  I'd rather make what I have work.

By the way, looping would come into play once I get all of this to work.

Any input is appreciated,

John


From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 00:02:56 2009
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: [new release] Sunao Inami / Disinfectant
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Hi LD,

Sorry for  off topic.
My new release information.

Artist / title : Sunao Inami / Disinfectant
Label: electr-ohm (Japan)
Product number :TCCD-20091

Sunao Inami's 7th album out!
Unreleased live recording materials got cutup remix and 
reconstruction to new tracks.
Basic live tracks recorded in Tokyo,May 2009.
His high Knowledge of abstract sound design and DSP based electronic 
improvisation gives complex and very original IDM or Rhythmic noise.

This CD is not live album, but it keep live performance's exiting 
experience with newer technology.

Sunao Inami uses NI Reaktor 5,Ableton Live 8 and JazzMutant Lemur v2

Genre: IDM, Industrial,Rhythmic noise.

15 tracks,70 min 42 sec
1000 copies ltd. CD only. Made in Japan

Details:
http://www.electr-ohm.com

http://shop.cavestudio.org/catalog/product_info.php/products_id/773


  Regards

  Sunao Inami
http://www.myspace.com/sunao




From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 01:54:49 2009
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    <ECC202C4-4F62-42E7-BBD8-765844AED3D3@charter.net>
Date: Wed, 12 Aug 2009 21:54:52 -0400 (AST)
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop 
     festival
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Luis,

Really enjoyed this.
Love the different sounds you are getting.

I was wondering, are you using an external effects box or plugins?

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa




> On Aug 12, 2009, at 1:00 AM, L.Angulo wrote:
>
>> there it is
>>
>> http://www.vimeo.com/6053680
>>
>> enjoy
>> Luis
>>
>>
>>
>> www.myspace.com/luisangulocom
>>
>>
>>
>
>





From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 02:10:54 2009
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	 <ECC202C4-4F62-42E7-BBD8-765844AED3D3@charter.net>
	 <28030.65.48.1250128492.squirrel@www.andredonawa.com>
Date: Thu, 13 Aug 2009 04:04:17 +0200
Message-ID: <afb941d0908121904q3cfd1746k755dfb1faede8379@mail.gmail.com>
Subject: Re: Luis Angulo vocal loop video live at the Antwerp Y2K9 Loop 
	festival
From: Raul Bonell <raul.bonell@gmail.com>
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i liked very much, luis.

versatile musician!



2009/8/13, Andr=E9 Donawa <andre@andredonawa.com>:
> Hey Luis,
>
> Really enjoyed this.
> Love the different sounds you are getting.
>
> I was wondering, are you using an external effects box or plugins?
>
> Andre
>
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>
>
>
>> On Aug 12, 2009, at 1:00 AM, L.Angulo wrote:
>>
>>> there it is
>>>
>>> http://www.vimeo.com/6053680
>>>
>>> enjoy
>>> Luis
>>>
>>>
>>>
>>> www.myspace.com/luisangulocom
>>>
>>>
>>>
>>
>>
>
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 05:50:13 2009
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Subject: Re: home recording/macbook/fan noise/external monitors
Date: Wed, 12 Aug 2009 22:36:12 -0700
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i've recorded everything on a macbook.

to solve the fan noise prob i do this...

i made a soundcave under my desk out of acoustic foam that i put the  
laptop in. kind of a large foam box open on the back. not perfect, but  
i've found as long as i have foam on the top and 2 sides, it does a  
good job (in a dead room. in a live room i need to close the box up  
more.)

to run the computer...i've got a flat panel screen on the wall and a  
wireless mouse and keyboard on the other side of the room where i  
record.

done.

its very simple and i can disconnect and remove the macbook quickly  
from the soundcave.


On Aug 12, 2009, at 4:28 PM, john floridis wrote:

> I have been having a dilemma in trying to find a way to record  
> acoustic guitar with/without voice and was curious if anyone had any  
> ideas.  Long story short-
>
> Present set up is:
> 2007 Macbook,
> Mbox 2,
> one external monitor screen
>
> Using macbook to run either Logic or Pro Tools and saving files to  
> external drive.
>
> When recording with open mics, fan comes on in macbook to the point  
> that it makes recording either solo guitar pieces or even guitar/ 
> voice recording rather pointless.  In these cases nothing else would  
> be added to the recording, so nowhere to hide.
>
> I've come to the conclusion that I simply need to put macbook in  
> closet next to recording space.  I know this will work sonically,  
> but I'd still like two monitor screens, and one needs to mirror the  
> macbook screen or at least have the menu bar.  I did find this  
> product-  http://www.matrox.com/graphics/en/products/gxm/dh2go/    
> and I'm curious if anyone has any experience with such a device.   
> The tech support seemed to think it would work for what I'm trying  
> to do.
>
> The other question is .... Is there something I'm missing here?
>
> Finally, given what I'm trying to accomplish - recording quiet music  
> with access to two monitor screens - what are some other setups  
> people are using?  I've heard the new iMacs are amazingly silent,  
> but the idea of having something with a fan that could come on makes  
> me nervous.  I'd rather make what I have work.
>
> By the way, looping would come into play once I get all of this to  
> work.
>
> Any input is appreciated,
>
> John
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 05:59:52 2009
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From: Mike Goldsmith <gsmithmusic@hotmail.com>
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Subject: RE: home recording/macbook/fan noise/external monitors
Date: Thu, 13 Aug 2009 01:54:51 -0400
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Search for the program Fan Control for mac... you can shut off the fan with=
 software... just don't leave it off for too long.

> From: info@zoekeating.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: home recording/macbook/fan noise/external monitors
> Date: Wed=2C 12 Aug 2009 22:36:12 -0700
>=20
> i've recorded everything on a macbook.
>=20
> to solve the fan noise prob i do this...
>=20
> i made a soundcave under my desk out of acoustic foam that i put the =20
> laptop in. kind of a large foam box open on the back. not perfect=2C but =
=20
> i've found as long as i have foam on the top and 2 sides=2C it does a =20
> good job (in a dead room. in a live room i need to close the box up =20
> more.)
>=20
> to run the computer...i've got a flat panel screen on the wall and a =20
> wireless mouse and keyboard on the other side of the room where i =20
> record.
>=20
> done.
>=20
> its very simple and i can disconnect and remove the macbook quickly =20
> from the soundcave.
>=20
>=20
> On Aug 12=2C 2009=2C at 4:28 PM=2C john floridis wrote:
>=20
> > I have been having a dilemma in trying to find a way to record =20
> > acoustic guitar with/without voice and was curious if anyone had any =20
> > ideas.  Long story short-
> >
> > Present set up is:
> > 2007 Macbook=2C
> > Mbox 2=2C
> > one external monitor screen
> >
> > Using macbook to run either Logic or Pro Tools and saving files to =20
> > external drive.
> >
> > When recording with open mics=2C fan comes on in macbook to the point =
=20
> > that it makes recording either solo guitar pieces or even guitar/=20
> > voice recording rather pointless.  In these cases nothing else would =20
> > be added to the recording=2C so nowhere to hide.
> >
> > I've come to the conclusion that I simply need to put macbook in =20
> > closet next to recording space.  I know this will work sonically=2C =20
> > but I'd still like two monitor screens=2C and one needs to mirror the =
=20
> > macbook screen or at least have the menu bar.  I did find this =20
> > product-  http://www.matrox.com/graphics/en/products/gxm/dh2go/   =20
> > and I'm curious if anyone has any experience with such a device.  =20
> > The tech support seemed to think it would work for what I'm trying =20
> > to do.
> >
> > The other question is .... Is there something I'm missing here?
> >
> > Finally=2C given what I'm trying to accomplish - recording quiet music =
=20
> > with access to two monitor screens - what are some other setups =20
> > people are using?  I've heard the new iMacs are amazingly silent=2C =20
> > but the idea of having something with a fan that could come on makes =20
> > me nervous.  I'd rather make what I have work.
> >
> > By the way=2C looping would come into play once I get all of this to =20
> > work.
> >
> > Any input is appreciated=2C
> >
> > John
> >
> >
>=20

_________________________________________________________________
Stay on top of things=2C check email from other accounts!
http://go.microsoft.com/?linkid=3D9671355=

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Content-Transfer-Encoding: quoted-printable

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Search for the program Fan Control for mac... you can shut off the fan with=
 software... just don't leave it off for too long.<br><br>&gt=3B From: info=
@zoekeating.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B=
 Subject: Re: home recording/macbook/fan noise/external monitors<br>&gt=3B =
Date: Wed=2C 12 Aug 2009 22:36:12 -0700<br>&gt=3B <br>&gt=3B i've recorded =
everything on a macbook.<br>&gt=3B <br>&gt=3B to solve the fan noise prob i=
 do this...<br>&gt=3B <br>&gt=3B i made a soundcave under my desk out of ac=
oustic foam that i put the  <br>&gt=3B laptop in. kind of a large foam box =
open on the back. not perfect=2C but  <br>&gt=3B i've found as long as i ha=
ve foam on the top and 2 sides=2C it does a  <br>&gt=3B good job (in a dead=
 room. in a live room i need to close the box up  <br>&gt=3B more.)<br>&gt=
=3B <br>&gt=3B to run the computer...i've got a flat panel screen on the wa=
ll and a  <br>&gt=3B wireless mouse and keyboard on the other side of the r=
oom where i  <br>&gt=3B record.<br>&gt=3B <br>&gt=3B done.<br>&gt=3B <br>&g=
t=3B its very simple and i can disconnect and remove the macbook quickly  <=
br>&gt=3B from the soundcave.<br>&gt=3B <br>&gt=3B <br>&gt=3B On Aug 12=2C =
2009=2C at 4:28 PM=2C john floridis wrote:<br>&gt=3B <br>&gt=3B &gt=3B I ha=
ve been having a dilemma in trying to find a way to record  <br>&gt=3B &gt=
=3B acoustic guitar with/without voice and was curious if anyone had any  <=
br>&gt=3B &gt=3B ideas.  Long story short-<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B Present set up is:<br>&gt=3B &gt=3B 2007 Macbook=2C<br>&gt=3B &gt=3B Mb=
ox 2=2C<br>&gt=3B &gt=3B one external monitor screen<br>&gt=3B &gt=3B<br>&g=
t=3B &gt=3B Using macbook to run either Logic or Pro Tools and saving files=
 to  <br>&gt=3B &gt=3B external drive.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Wh=
en recording with open mics=2C fan comes on in macbook to the point  <br>&g=
t=3B &gt=3B that it makes recording either solo guitar pieces or even guita=
r/ <br>&gt=3B &gt=3B voice recording rather pointless.  In these cases noth=
ing else would  <br>&gt=3B &gt=3B be added to the recording=2C so nowhere t=
o hide.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B I've come to the conclusion that =
I simply need to put macbook in  <br>&gt=3B &gt=3B closet next to recording=
 space.  I know this will work sonically=2C  <br>&gt=3B &gt=3B but I'd stil=
l like two monitor screens=2C and one needs to mirror the  <br>&gt=3B &gt=
=3B macbook screen or at least have the menu bar.  I did find this  <br>&gt=
=3B &gt=3B product-  http://www.matrox.com/graphics/en/products/gxm/dh2go/ =
   <br>&gt=3B &gt=3B and I'm curious if anyone has any experience with such=
 a device.   <br>&gt=3B &gt=3B The tech support seemed to think it would wo=
rk for what I'm trying  <br>&gt=3B &gt=3B to do.<br>&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B The other question is .... Is there something I'm missing here?<br>=
&gt=3B &gt=3B<br>&gt=3B &gt=3B Finally=2C given what I'm trying to accompli=
sh - recording quiet music  <br>&gt=3B &gt=3B with access to two monitor sc=
reens - what are some other setups  <br>&gt=3B &gt=3B people are using?  I'=
ve heard the new iMacs are amazingly silent=2C  <br>&gt=3B &gt=3B but the i=
dea of having something with a fan that could come on makes  <br>&gt=3B &gt=
=3B me nervous.  I'd rather make what I have work.<br>&gt=3B &gt=3B<br>&gt=
=3B &gt=3B By the way=2C looping would come into play once I get all of thi=
s to  <br>&gt=3B &gt=3B work.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Any input i=
s appreciated=2C<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B John<br>&gt=3B &gt=3B<br=
>&gt=3B &gt=3B<br>&gt=3B <br><br /><hr />Stay on top of things=2C check ema=
il from other accounts! <a href=3D'http://go.microsoft.com/?linkid=3D967135=
0' target=3D'_new'>Check it out.</a></body>
</html>=

--_afc8b257-e871-40b6-b292-1d7decf5152b_--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 06:51:08 2009
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Hi everyone,

I really loved Luis Angulo's vocal loop at the Antwerp Live Looping 
Festival.
I was backstage at the time and didn't even realize that he did 
everything with vocals.............
It was really beautiful and inspiring.

********

Not to take away from anything at all from his wonderful video posts on 
line,
but I had a little ego death when I read that he read that he had named 
that festival the
ANTWERP Y2K9 LOOP FESTIVAL Belgium 2009 and the one
in Koln last year, "live at Y2K8 Koln, Germany.

I feel a little bad about having an ego attack about it,   but I have 
worked incredibly hard
to produce the Y2K9 (and 7 other) Live Looping Festivals, annually in 
Santa Cruz and used
the Y2K-? International Live Looping Festival for many years now.

I'm really proud what we've accomplished as a community in those annual 
festivals
and aware that they have inspired other events in other countries 
(though I can't take any
credit for that, of course)

   Each festival (as festival producers Sjaak Overgauw, Fabio Anile, 
Massimo Livernani, Luca Formentini, Bruno Kleinedfeld, Michael Peters, 
Leander Reininghaus, Andreas Willers, Rainer Straschill Bernhard Wagner, 
Andy Butler, Os, Gareth Whittock, Peter Koniuto, Hans Lindauer,
David Kirdorffer, Sunao Inami and so many other people who I may have 
missed in this cursory list, have learned the hard way) takes a tremendous
labor of love to pull off and , literally months of hard work.  I'm, 
currently,  in month 4 of working on it with 2 and a half months
left to go, as an example    All without payment

About the Y2K-? International Live Looping Festivals:

   I'm very proud of a few things that have distinquished it (not made 
it better, mind you
because the festivals in the past two summers alone in the UK and Europe 
have been amazing) from all the other
wonderful looping festivals that have been produced with so much hard 
work from their producers.

1)  I'm proud that I have constantly tried to have 'newbies'  play in 
the early hours of the 48 hour
marathong of the mainfestival.    This is NOT a popular thing to do if 
you look at other festival producers
which is okay, but I"m proud of having helped to turn many, many young 
talented musicians on to looping through
the use of the loan of my own personal gear to get them to create a 
'newbie'  set.

2)  I'm also proud that it has been the largest festival of it's kind 
each year on the planet and I've been told by several
live looping festival producers that it was a direct inspiration on 
their decisions to put on the wonderful looping festivals
they'd put on.


Soooooooo,  please forvive me  but would it be too much ego
to ask that

people not call other live looping festivals by the Y2K moniker?  

None of them have been called that, to my knowledge
so far.  

For one thing such inaccurate mentions really effect my website hits to 
have several festivals referred inaccurately by
the Y2K handle  (one,  which I admittedly borrowed and morphed from 
Michael Peter's
and I'm counting on publicity from those website hits when strangers put 
live looping festival into a search engine.

I don't have this term legally registered.   I have no right to it at 
all.   In fact I borrowed it and morphed it from
Michael Peter's   My2K website originally in 2000.

So I'm merely asking as a favor to keep that moniker for this festival.

*******************************************

Like I say,  I'm really nervous about an ego smackdown for admitting 
that I have an ego attachment to  that moniker (at least until I stop
doing the festival, or pass it on, some time in the next few years) but 
I do think I've earned it.

By the way,  I adore Luis Angulo.  He is like a brother to me so I'm not 
upset with him about this at all in any personal way.

I am sending this message along to him now as well as to the L.D. Daily 
Digest.

I just felt sheepish but realized that it was causing me a bit of ego 
death and I felt under appreciated (which I KNOW is not
Luis's intention-----he's just putting up the amazing performances that 
garnered him a return visit to the Antwerp Live Looping Festival
next summer...............amazing and inspiring stuff as always from Luis.

Okay.....................let me know if you think I'm out of line.

Let the flames begin.....................lol

yours, respectfully,  
Rick Walker
Y2K9 International Live Looping Festival
www.y2kloopfest.com



From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 07:01:24 2009
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Yeah,  I agree with everyone's praise of Luis' performance in Antwerp.

I've always thought of Luis as one of the most soulful musicians in our 
extended
family and I just love his voice.

It's not live looping, but go find his self produced/self played Latin 
pop/rock
tunes on the web.  They are really beautiful.

He's always inspiring to me, personally and musically,

Rick

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This does sound like a valid request. What was the real name of the festival
in Belgium?

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This does sound like a valid request. What was the real name of the festival in Belgium?<br>

--0016e6db61c05055f80471008a6c--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 10:44:01 2009
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Date: Thu, 13 Aug 2009 06:43:53 -0400
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram

GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Saul Stokes.  The Featured CD
at Midnight will be "Vast" on The Foundary record label.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 14:33:59 2009
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Date: Thu, 13 Aug 2009 10:33:58 -0400
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Subject: Eno on composing in the studio
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A bit dated, but still interesting read.

http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm

Sylvain

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 15:23:10 2009
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Eno references "A Major Groove" as being a track on "Music For Films" but I
don't find this track on the original or re-issue releases. Does anyone know
where this track exists? I love Skysaw and would be very interested to hear
a variation on it.
Clint Allen
On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitras <
sylvain.trombone@gmail.com> wrote:

> A bit dated, but still interesting read.
>
> http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm
>
> Sylvain
>
>


-- 
Clint E. Allen
* Technology Consultant
* Sound Engineering

--001485f6da62c3965c04710767ca
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<div>Eno references &quot;A Major Groove&quot; as being a track on &quot;Mu=
sic For Films&quot; but I don&#39;t find this track on the original or re-i=
ssue releases. Does anyone know where this track exists? I love Skysaw and =
would be very interested to hear a variation on it. <br>
</div>
<div>Clint Allen <br></div>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitra=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com">sylva=
in.trombone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">A bit dated, but still interesti=
ng read.<br><br><a href=3D"http://music.hyperreal.org/artists/brian_eno/int=
erviews/downbeat79.htm" target=3D"_blank">http://music.hyperreal.org/artist=
s/brian_eno/interviews/downbeat79.htm</a><br>
<font color=3D"#888888"><br>Sylvain<br><br></font></blockquote></div><br><b=
r clear=3D"all">
<div></div><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound =
Engineering<br>

--001485f6da62c3965c04710767ca--

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 16:29:40 2009
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Date: Thu, 13 Aug 2009 12:29:37 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: RIP Les Paul
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Crap...no...we owe him so much. I'd been meaning for years to see him 
play at his regular gig in NYC.

http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 16:38:30 2009
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	 <4A843F71.4050909@mhorse.com>
Date: Thu, 13 Aug 2009 12:38:26 -0400
Message-ID: <9e0440a60908130938k700b73e6t60fb4ff6ec374960@mail.gmail.com>
Subject: Re: RIP Les Paul
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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wow yes, tragic news - time is limited and this is a reminder

On Thu, Aug 13, 2009 at 12:29 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

> Crap...no...we owe him so much. I'd been meaning for years to see him play
> at his regular gig in NYC.
>
>
> http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b1fa9f80ae047108901e
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wow yes, tragic news - time is limited and this is a reminder<br><br>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 12:29 PM, Daryl Shawn <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:highhorse@mhorse.com">highhorse@mhors=
e.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Crap...no...we owe him so much. =
I&#39;d been meaning for years to see him play at his regular gig in NYC.<b=
r>
<br><a href=3D"http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tew=
Q7FPeiKtJbK8QPmtzAD9A23OFG0" target=3D"_blank">http://www.google.com/hosted=
news/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0</a><br><font co=
lor=3D"#888888"><br>
Daryl Shawn<br><a href=3D"http://www.swanwelder.com/" target=3D"_blank">www=
.swanwelder.com</a><br><a href=3D"http://www.chinapaintingmusic.com/" targe=
t=3D"_blank">www.chinapaintingmusic.com</a><br><br></font></blockquote></di=
v><br>
<br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5b1fa9f80ae047108901e--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 16:54:03 2009
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Date: Thu, 13 Aug 2009 09:50:39 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: RIP Les Paul
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I interviewed Les Paul in 1976 and attended a show in which he 
demonstrated the in-development "Les Paulverizer" - a looping device! 
Somewhere in my stash I have a recording of that set, in which he 
demonstrated it.



At 12:29 PM -0400 8/13/09, Daryl Shawn wrote:
>Crap...no...we owe him so much. I'd been meaning for years to see 
>him play at his regular gig in NYC.
>
>http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans


From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 17:23:10 2009
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Date: Thu, 13 Aug 2009 10:16:23 -0700
Message-ID: <3c3c57a30908131016h7c16206dtf6d95c13c275b2a5@mail.gmail.com>
Subject: Re: Help! EDP output makes hum louder than my loops
From: Jack Schultz <jackthebassplayer@gmail.com>
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--00c09f92312a57092504710918b5
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Thank you Andy!

I thought I had ruled my amp out, but I guess I didn't. Anyway, the EDP is
humming along nicely through a different amp now.  Thank you for taking some
time to help me out.

Jack

On Wed, Aug 12, 2009 at 9:40 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> hi Jack,
>
> I'd guess the fault is the earthing within your amp,
> not the edp at all.
> (because you say zeroing the input volume doesn't kill the hum).
>
> Philip's suggestion should work,
> but your amp may be dangerous.
>
> Ever hear of those scenarios where the guitarist gets electrocuted
> when he touches the mic?
>
> Yep, that could be you, suggest you get that amp checked out.
>
> andy
>
>
> Jack Schultz wrote:
>
>> My Gibson EDP produces an insanely loud hum which I think is ground noise.
>> (sounds like it)  I've narrowed it down to the output jack.  Even if my EDP
>> is turned off, it will still make a really loud hum into my amp or computer.
>>  Even if I mute my amp and turn all the gain down, the hum still comes
>> through my amp at full volume. The input/output knobs don't alter the hum at
>> all.  In fact nothing does, except turning my amp off or unplugging the EDP.
>> The looping functions work fine and the looping material still comes out of
>> the EDP, but it is a little softer than the ground noise sounding hum. Does
>> anyone have ideas on how to fix this, or what precisely is making that hum?
>>
>> Thanks for any insight,
>>
>> Jack
>>
>
>

--00c09f92312a57092504710918b5
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Thank you Andy!<br><br>I thought I had ruled my amp out, but I guess I didn=
&#39;t. Anyway, the EDP is humming along nicely through a different amp now=
.=A0 Thank you for taking some time to help me out.<br><br>Jack<br><br><div=
 class=3D"gmail_quote">
On Wed, Aug 12, 2009 at 9:40 AM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
hi Jack,<br>
<br>
I&#39;d guess the fault is the earthing within your amp,<br>
not the edp at all.<br>
(because you say zeroing the input volume doesn&#39;t kill the hum).<br>
<br>
Philip&#39;s suggestion should work,<br>
but your amp may be dangerous.<br>
<br>
Ever hear of those scenarios where the guitarist gets electrocuted<br>
when he touches the mic?<br>
<br>
Yep, that could be you, suggest you get that amp checked out.<br><font colo=
r=3D"#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
Jack Schultz wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
My Gibson EDP produces an insanely loud hum which I think is ground noise. =
(sounds like it) =A0I&#39;ve narrowed it down to the output jack. =A0Even i=
f my EDP is turned off, it will still make a really loud hum into my amp or=
 computer. =A0Even if I mute my amp and turn all the gain down, the hum sti=
ll comes through my amp at full volume. The input/output knobs don&#39;t al=
ter the hum at all. =A0In fact nothing does, except turning my amp off or u=
nplugging the EDP. The looping functions work fine and the looping material=
 still comes out of the EDP, but it is a little softer than the ground nois=
e sounding hum. Does anyone have ideas on how to fix this, or what precisel=
y is making that hum?<br>

<br>
Thanks for any insight,<br>
<br>
Jack<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--00c09f92312a57092504710918b5--

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	 <4A843F71.4050909@mhorse.com> <p0623090bc6a9f4a46a91@10.0.1.4>
Date: Thu, 13 Aug 2009 10:30:05 -0700
Message-ID: <1318f21d0908131030hdf71267x6bbf66bb92ec6bf7@mail.gmail.com>
Subject: Re: RIP Les Paul
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I was lucky enough to see Les at Iridium on NYC maybe 4 or 5 years back. He
was a great storyteller! I wish I could have seen him in his prime. It was
clear at the gig that his hands were not what they used to be. I think he
was only using two fingers of his left hand. But his knowledge made up for
any lack of dexterity. I'm truly grateful to have seen him before he died.


On Thu, Aug 13, 2009 at 9:50 AM, David Gans <david@trufun.com> wrote:

>
>
> I interviewed Les Paul in 1976 and attended a show in which he demonstrated
> the in-development "Les Paulverizer" - a looping device! Somewhere in my
> stash I have a recording of that set, in which he demonstrated it.
>
>
>
>
> At 12:29 PM -0400 8/13/09, Daryl Shawn wrote:
>
>> Crap...no...we owe him so much. I'd been meaning for years to see him play
>> at his regular gig in NYC.
>>
>>
>> http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0
>>
>
>
> --
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

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<div>I was lucky enough to see Les at Iridium on NYC=A0maybe 4 or 5 years b=
ack. He was a great storyteller! I wish I could have seen him in his prime.=
 It was clear at the gig that his hands were not what they used to be. I th=
ink he was only using two fingers of his left hand. But his knowledge made =
up for any lack of dexterity. I&#39;m truly grateful to have seen him befor=
e he died.</div>

<div><br>=A0</div>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 9:50 AM, David Gans <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:david@trufun.com">david@trufun.com</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>I interviewed Les Paul i=
n 1976 and attended a show in which he demonstrated the in-development &quo=
t;Les Paulverizer&quot; - a looping device! Somewhere in my stash I have a =
recording of that set, in which he demonstrated it.=20
<div>
<div></div>
<div class=3D"h5"><br><br><br><br>At 12:29 PM -0400 8/13/09, Daryl Shawn wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Crap...no...we owe him so much. =
I&#39;d been meaning for years to see him play at his regular gig in NYC.<b=
r>
<br><a href=3D"http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tew=
Q7FPeiKtJbK8QPmtzAD9A23OFG0" target=3D"_blank">http://www.google.com/hosted=
news/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0</a><br></blockq=
uote>
<br><br></div></div><font color=3D"#888888">-- <br><br>David Gans - <a href=
=3D"mailto:david@trufun.com" target=3D"_blank">david@trufun.com</a> or <a h=
ref=3D"mailto:david@gdhour.com" target=3D"_blank">david@gdhour.com</a><br>T=
ruth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730<br>
Blog: =A0<a href=3D"http://cloudsurfing.gdhour.com/" target=3D"_blank">http=
://cloudsurfing.gdhour.com</a><br>Web site: <a href=3D"http://www.dgans.com=
/" target=3D"_blank">http://www.dgans.com</a><br>Photos: <a href=3D"http://=
www.flickr.com/photos/dgans" target=3D"_blank">http://www.flickr.com/photos=
/dgans</a><br>
Music: <a href=3D"http://www.cdbaby.com/all/dgans" target=3D"_blank">http:/=
/www.cdbaby.com/all/dgans</a><br><br><br></font></blockquote></div><br><br =
clear=3D"all">
<div></div><br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/geor=
geludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--0016e64079cc568b500471094999--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 17:42:57 2009
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Date: Thu, 13 Aug 2009 21:42:56 +0400
Message-ID: <20aeede50908131042g2002a8b2jc647ba709d43e5f4@mail.gmail.com>
Subject: Re: Eno on composing in the studio
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't think these ideas can get outdated, really. Very nice interview. I
wish there were more videos of him speaking on YouTube.
He is an interesting thinker and inspired me a lot.

Louigi Verona.

On Thu, Aug 13, 2009 at 6:33 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> A bit dated, but still interesting read.
>
> http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm
>
> Sylvain
>
>

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I don&#39;t think these ideas can get outdated, really. Very nice interview=
. I wish there were more videos of him speaking on YouTube.<br>He is an int=
eresting thinker and inspired me a lot.<br><br>Louigi Verona.<br><br><div c=
lass=3D"gmail_quote">
On Thu, Aug 13, 2009 at 6:33 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt=
;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: =
1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;=
">
A bit dated, but still interesting read.<br>
<br>
<a href=3D"http://music.hyperreal.org/artists/brian_eno/interviews/downbeat=
79.htm" target=3D"_blank">http://music.hyperreal.org/artists/brian_eno/inte=
rviews/downbeat79.htm</a><br>
<font color=3D"#888888"><br>
Sylvain<br>
<br>
</font></blockquote></div><br>

--0016364c7bc33f176a047109771e--

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: RIP Les Paul
Date: Thu, 13 Aug 2009 18:24:01 +0000
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A great man. Yes we owe him a great deal :-(



_________________________________________________________________

Upgrade to Internet Explorer 8 Optimised for MSN. =20

http://extras.uk.msn.com/internet-explorer-8/?ocid=3DT010MSN07A0716U=

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<body class=3D'hmmessage'>
A great man. Yes we owe him a great deal :-(<br><br><hr id=3D"stopSpelling"=
><br><br /><hr />Celebrate a decade of Messenger with free winks=2C emotico=
ns=2C display pics=2C and more. <a href=3D'http://clk.atdmt.com/UKM/go/1575=
62755/direct/01/' target=3D'_new'>Get Them Now</a></body>
</html>=

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Date: Thu, 13 Aug 2009 11:40:59 -0700
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Subject: Re: OT: Re: Eno on composing in the studio
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Hey Clint,
The track Eno's referring to is "Patrolling Wire Borders", a very short,
slowed down remix of "Sky Saw". Maybe "Major Groove" was a working title or
something, but in all the releases of "Music For Films" I've owned that's
what it was called.

On Thu, Aug 13, 2009 at 8:15 AM, Clint Allen <clint.allen@gmail.com> wrote:

> Eno references "A Major Groove" as being a track on "Music For Films" but I
> don't find this track on the original or re-issue releases. Does anyone know
> where this track exists? I love Skysaw and would be very interested to hear
> a variation on it.
>  Clint Allen
> On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitras <
> sylvain.trombone@gmail.com> wrote:
>
>> A bit dated, but still interesting read.
>>
>> http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm
>>
>> Sylvain
>>
>>
>
>
> --
> Clint E. Allen
> * Technology Consultant
> * Sound Engineering
>

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Hey Clint,<br>The track Eno&#39;s referring to is &quot;Patrolling Wire Bor=
ders&quot;, a very short, slowed down remix of &quot;Sky Saw&quot;. Maybe &=
quot;Major Groove&quot; was a working title or something, but in all the re=
leases of &quot;Music For Films&quot; I&#39;ve owned that&#39;s what it was=
 called.<br>
<br><div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 8:15 AM, Clint Allen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:clint.allen@gmail.com">clint.allen=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<div>Eno references &quot;A Major Groove&quot; as being a track on &quot;Mu=
sic For Films&quot; but I don&#39;t find this track on the original or re-i=
ssue releases. Does anyone know where this track exists? I love Skysaw and =
would be very interested to hear a variation on it. <br>

</div>
<div>Clint Allen <br></div>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitra=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com" targe=
t=3D"_blank">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0px=
 0px 0px 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">A bit dated, but =
still interesting read.<br><br><a href=3D"http://music.hyperreal.org/artist=
s/brian_eno/interviews/downbeat79.htm" target=3D"_blank">http://music.hyper=
real.org/artists/brian_eno/interviews/downbeat79.htm</a><br>

<font color=3D"#888888"><br>Sylvain<br><br></font></blockquote></div><font =
color=3D"#888888"><br><br clear=3D"all">
<div></div><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound =
Engineering<br>
</font></blockquote></div><br>

--001636eee2b6dc14e604710a4635--

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	 <bb8d51cd0908131140t5f19dbf1mbe4823139c66d909@mail.gmail.com>
Date: Thu, 13 Aug 2009 16:05:29 -0400
Message-ID: <2fb9e4730908131305k7ece8005l5e798804bae737cd@mail.gmail.com>
Subject: Re: OT: Re: Eno on composing in the studio
From: Clint Allen <clint.allen@gmail.com>
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Ha! This whole time I've had that and never realized it was a slowed remix.
Thanks Michael!

Clint

On Thu, Aug 13, 2009 at 2:40 PM, Michael Billow <mbillow@gmail.com> wrote:

> Hey Clint,
> The track Eno's referring to is "Patrolling Wire Borders", a very short,
> slowed down remix of "Sky Saw". Maybe "Major Groove" was a working title or
> something, but in all the releases of "Music For Films" I've owned that's
> what it was called.
>
>
> On Thu, Aug 13, 2009 at 8:15 AM, Clint Allen <clint.allen@gmail.com>wrote:
>
>> Eno references "A Major Groove" as being a track on "Music For Films" but
>> I don't find this track on the original or re-issue releases. Does anyone
>> know where this track exists? I love Skysaw and would be very interested to
>> hear a variation on it.
>> Clint Allen
>> On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitras <
>> sylvain.trombone@gmail.com> wrote:
>>
>>> A bit dated, but still interesting read.
>>>
>>> http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm
>>>
>>> Sylvain
>>>
>>>
>>
>>
>> --
>> Clint E. Allen
>> * Technology Consultant
>> * Sound Engineering
>>
>
>


-- 
Clint E. Allen
* Technology Consultant
* Sound Engineering

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<div>Ha! This whole time I&#39;ve had that and never realized it was a slow=
ed remix. Thanks Michael!</div>
<div>=A0</div>
<div>Clint<br><br></div>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 2:40 PM, Michael Billow =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mbillow@gmail.com">mbillow@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hey Clint,<br>The track Eno&#39;=
s referring to is &quot;Patrolling Wire Borders&quot;, a very short, slowed=
 down remix of &quot;Sky Saw&quot;. Maybe &quot;Major Groove&quot; was a wo=
rking title or something, but in all the releases of &quot;Music For Films&=
quot; I&#39;ve owned that&#39;s what it was called.=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 8:15 AM, Clint Allen <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:clint.allen@gmail.com" target=3D"_blan=
k">clint.allen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>Eno references &quot;A Major Groove&quot; as being a track on &quot;Mu=
sic For Films&quot; but I don&#39;t find this track on the original or re-i=
ssue releases. Does anyone know where this track exists? I love Skysaw and =
would be very interested to hear a variation on it. <br>
</div>
<div>Clint Allen <br></div>
<div class=3D"gmail_quote">On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitra=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com" targe=
t=3D"_blank">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0px 0=
px 0px 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">A bit dated, but sti=
ll interesting read.<br><br><a href=3D"http://music.hyperreal.org/artists/b=
rian_eno/interviews/downbeat79.htm" target=3D"_blank">http://music.hyperrea=
l.org/artists/brian_eno/interviews/downbeat79.htm</a><br>
<font color=3D"#888888"><br>Sylvain<br><br></font></blockquote></div><font =
color=3D"#888888"><br><br clear=3D"all">
<div></div><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound =
Engineering<br></font></blockquote></div><br></div></div></blockquote></div=
><br><br clear=3D"all">
<div></div><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound =
Engineering<br>

--00163646bca8120ba404710b759d--

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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: OT: Re: Eno on composing in the studio / biography 
Date: Thu, 13 Aug 2009 13:31:42 -0700
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I know I have mentioned this book before, but MANY answers to some  
Eno "mysteries" can be found be in his excellent biography, "On Some  
Faraway Beach" by David Sheppard. (2008)  Highly REVcommended  
reading!  I also have a copy of "Brian Eno, His Music and the  
Vertical Color of Sound" by Eric Tamm (1995) that I will soon be  
reading...

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/

PS Dept.-

...after I finish "The Philosophy of Stanley Kubrick" which I am  
currently reading and is truly a very "deep" study of various  
philosophies and how they relate to the films of SK.
Definitely not some "light hearted" reading!  Can hardly wait to read  
how "Heeeeeeere's Johnny!!" is philosophically "explained". :-)

On Aug 13, 2009, at 1:05 PM, Clint Allen wrote:

> Ha! This whole time I've had that and never realized it was a  
> slowed remix. Thanks Michael!
>
> Clint
>
> On Thu, Aug 13, 2009 at 2:40 PM, Michael Billow <mbillow@gmail.com>  
> wrote:
> Hey Clint,
> The track Eno's referring to is "Patrolling Wire Borders", a very  
> short, slowed down remix of "Sky Saw". Maybe "Major Groove" was a  
> working title or something, but in all the releases of "Music For  
> Films" I've owned that's what it was called.
>
>
> On Thu, Aug 13, 2009 at 8:15 AM, Clint Allen  
> <clint.allen@gmail.com> wrote:
> Eno references "A Major Groove" as being a track on "Music For  
> Films" but I don't find this track on the original or re-issue  
> releases. Does anyone know where this track exists? I love Skysaw  
> and would be very interested to hear a variation on it.
> Clint Allen
> On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitras  
> <sylvain.trombone@gmail.com> wrote:
> A bit dated, but still interesting read.
>
> http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79.htm


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I know I have mentioned this book before, but MANY answers to some Eno =
"mysteries" can be found be in his excellent biography,&nbsp;"On Some =
Faraway Beach"&nbsp;by David Sheppard. (2008) &nbsp;Highly REVcommended =
reading! &nbsp;I also have a copy of "Brian Eno, His Music and the =
Vertical Color of Sound" by Eric Tamm (1995) that I will soon be =
reading...<div><br></div><div>Cheers,</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Rev =
Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div></span></div><div>PS =
Dept.-</div><div><br></div><div>...after I finish "The Philosophy of =
Stanley Kubrick" which I am currently reading and is truly a very "deep" =
study of various philosophies and how they relate to the films of =
SK.</div><div>Definitely&nbsp;not&nbsp;some&nbsp;"light&nbsp;hearted"&nbsp=
;reading!&nbsp;&nbsp;Can hardly wait to read how "Heeeeeeere's Johnny!!" =
is philosophically "explained". :-)</div><div><br><div><div><div>On Aug =
13, 2009, at 1:05 PM, Clint Allen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Ha! =
This whole time I've had that and never realized it was a slowed remix. =
Thanks Michael!</div> <div>&nbsp;</div> <div>Clint<br><br></div> <div =
class=3D"gmail_quote">On Thu, Aug 13, 2009 at 2:40 PM, Michael Billow =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:mbillow@gmail.com">mbillow@gmail.com</a>&gt;</span> =
wrote:<br> <blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px =
0px 0px 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hey =
Clint,<br>The track Eno's referring to is "Patrolling Wire Borders", a =
very short, slowed down remix of "Sky Saw". Maybe "Major Groove" was a =
working title or something, but in all the releases of "Music For Films" =
I've owned that's what it was called. <div> <div></div> <div =
class=3D"h5"><br><br> <div class=3D"gmail_quote">On Thu, Aug 13, 2009 at =
8:15 AM, Clint Allen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:clint.allen@gmail.com" =
target=3D"_blank">clint.allen@gmail.com</a>&gt;</span> wrote:<br> =
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: =
0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote"> <div>Eno =
references "A Major Groove" as being a track on "Music For Films" but I =
don't find this track on the original or re-issue releases. Does anyone =
know where this track exists? I love Skysaw and would be very interested =
to hear a variation on it. <br> </div> <div>Clint Allen <br></div> <div =
class=3D"gmail_quote">On Thu, Aug 13, 2009 at 10:33 AM, Sylvain Poitras =
<span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com" =
target=3D"_blank">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br> =
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: =
0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">A bit dated, =
but still interesting read.<br><br><a =
href=3D"http://music.hyperreal.org/artists/brian_eno/interviews/downbeat79=
.htm" =
target=3D"_blank">http://music.hyperreal.org/artists/brian_eno/interviews/=
downbeat79.htm</a><br></blockquote></div></blockquote></div></div></div></=
blockquote></div></blockquote></div><br></div></div></body></html>=

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Subject: Re: RIP Les Paul
Date: Thu, 13 Aug 2009 14:50:49 -0700
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OMG nooooo!

I was still hoping against hope that I'd make it to NYC someday to see  
him play live.

The world has lost a master.

There's not another like him in the whole wide world.

Sad, sad, sad . . . even at 94 I thought he'd go  on forever.

Sigh.

On Aug 13, 2009, at 9:29 AM, Daryl Shawn wrote:

> Crap...no...we owe him so much. I'd been meaning for years to see  
> him play at his regular gig in NYC.
>
> http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 23:49:48 2009
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gott to see the master here in sf back in the 90s @ the old waldorf.
got to speak w/ him for awhile - me: 'how come you make the lps so heavy?'
les- "didnt think they were"
hell of a guy and musician
will miss
stan

-----Original Message-----
>From: tEd =C2=AE KiLLiAn <tedkillian@charter.net>
>Sent: Aug 13, 2009 5:50 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: RIP Les Paul
>
>OMG nooooo!
>
>I was still hoping against hope that I'd make it to NYC someday to see =20
>him play live.
>
>The world has lost a master.
>
>There's not another like him in the whole wide world.
>
>Sad, sad, sad . . . even at 94 I thought he'd go  on forever.
>
>Sigh.
>
>On Aug 13, 2009, at 9:29 AM, Daryl Shawn wrote:
>
>> Crap...no...we owe him so much. I'd been meaning for years to see =20
>> him play at his regular gig in NYC.
>>
>> http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8=
QPmtzAD9A23OFG0
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>

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Date: Thu, 13 Aug 2009 23:52:55 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Luis Angulo vocal loop video live at the Antwerp Y2K9 Loop  festival
To: Loopers-Delight@loopers-delight.com
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Thanx Raul!=0Acheers=0ALuis=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A-=
-- Raul Bonell <raul.bonell@gmail.com> schrieb am Mi, 12.8.2009:=0A=0A> Von=
: Raul Bonell <raul.bonell@gmail.com>=0A> Betreff: Re: Luis Angulo vocal lo=
op video live at the Antwerp Y2K9 Loop  festival=0A> An: Loopers-Delight@lo=
opers-delight.com=0A> Datum: Mittwoch, 12. August 2009, 19:04=0A> i liked v=
ery much, luis.=0A> =0A> versatile musician!=0A> =0A> =0A> =0A> 2009/8/13, =
Andr=E9 Donawa <andre@andredonawa.com>:=0A> > Hey Luis,=0A> >=0A> > Really =
enjoyed this.=0A> > Love the different sounds you are getting.=0A> >=0A> > =
I was wondering, are you using an external effects box=0A> or plugins?=0A> =
>=0A> > Andre=0A> >=0A> > http://www.andredonawa.com=0A> > http://cdbaby.co=
m/all/andredonawa=0A> > http://www.myspace.com/andredonawa=0A> >=0A> >=0A> =
>=0A> >=0A> >> On Aug 12, 2009, at 1:00 AM, L.Angulo wrote:=0A> >>=0A> >>> =
there it is=0A> >>>=0A> >>> http://www.vimeo.com/6053680=0A> >>>=0A> >>> en=
joy=0A> >>> Luis=0A> >>>=0A> >>>=0A> >>>=0A> >>> www.myspace.com/luisangulo=
com=0A> >>>=0A> >>>=0A> >>>=0A> >>=0A> >>=0A> >=0A> >=0A> >=0A> >=0A> >=0A>=
 >=0A> =0A> =0A> -- =0A> Raul Bonell at Blogger: http://raulbonell.blogspot=
.com=0A> Chain Tape Collective: http://www.ct-collective.com=0A> =0A> =0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 23:56:32 2009
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Date: Thu, 13 Aug 2009 23:56:30 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop      festival
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <28030.65.48.1250128492.squirrel@www.andredonawa.com>
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Hi Andr=E9=0Athank you kindly man,im using the Digitech vocalist live,nice =
unit though a pitty that it doesnt have tap tempo...the new TC voice live s=
eems pretty nice too bad it was there when i bought this one seems to have =
all i was looking for in a vocal unit...=0Acheers=0ALuis=0A=0Awww.myspace.c=
om/luisangulocom=0A=0A=0A--- Andr=E9 Donawa <andre@andredonawa.com> schrieb=
 am Mi, 12.8.2009:=0A=0A> Von: Andr=E9 Donawa <andre@andredonawa.com>=0A> B=
etreff: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop    =
  festival=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Mittwoch,=
 12. August 2009, 18:54=0A> Hey Luis,=0A> =0A> Really enjoyed this.=0A> Lov=
e the different sounds you are getting.=0A> =0A> I was wondering, are you u=
sing an external effects box or=0A> plugins?=0A> =0A> Andre=0A> =0A> http:/=
/www.andredonawa.com=0A> http://cdbaby.com/all/andredonawa=0A> http://www.m=
yspace.com/andredonawa=0A> =0A> =0A> =0A> =0A> > On Aug 12, 2009, at 1:00 A=
M, L.Angulo wrote:=0A> >=0A> >> there it is=0A> >>=0A> >> http://www.vimeo.=
com/6053680=0A> >>=0A> >> enjoy=0A> >> Luis=0A> >>=0A> >>=0A> >>=0A> >> www=
.myspace.com/luisangulocom=0A> >>=0A> >>=0A> >>=0A> >=0A> >=0A> =0A> =0A> =
=0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 23:59:08 2009
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Date: Thu, 13 Aug 2009 23:59:06 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
To: Loopers-Delight@loopers-delight.com
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Cheers Ted many thanx,i hope to see you in europe on of this days!=0A=0Awww=
.myspace.com/luisangulocom=0A=0A=0A--- tEd =AE KiLLiAn <tedkillian@charter.=
net> schrieb am Mi, 12.8.2009:=0A=0A> Von: tEd =AE KiLLiAn <tedkillian@char=
ter.net>=0A> Betreff: Re: Luis Angulo  vocal loop video live at the Antwerp=
 Y2K9 Loop festival=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: =
Mittwoch, 12. August 2009, 7:14=0A> I did enjoy it Luis.=0A> =0A> Many than=
ks.=0A> =0A> On Aug 12, 2009, at 1:00 AM, L.Angulo wrote:=0A> =0A> > there =
it is=0A> >=0A> > http://www.vimeo.com/6053680=0A> >=0A> > enjoy=0A> > Luis=
=0A> >=0A> >=0A> >=0A> > www.myspace.com/luisangulocom=0A> >=0A> >=0A> >=0A=
> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Aug 13 23:59:50 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <2fb9e4730908130815o69244cf5gde9884ba6722740@mail.gmail.com> <4A843F71.4050909@mhorse.com> <ADECBD8C-5536-46B0-A299-FDFAA2CFAC4D@charter.net>
Subject: Re: RIP Les Paul
Date: Fri, 14 Aug 2009 01:00:24 +0100
Organization: EarthLight Productions
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From: "tEd ® KiLLiAn" <tedkillian@charter.net>
>
> The world has lost a master.

I might prefer to think that the world GAINED a master in Les Paul... He 
certainly left a lot for us to fiddle with, too.  Sad at his departure, but 
glad he stopped by on his journey.

> On Aug 13, 2009, at 9:29 AM, Daryl Shawn wrote:
>> Crap...no...we owe him so much. I'd been meaning for years to see  him 
>> play at his regular gig in NYC.
>>
>> http://www.google.com/hostednews/ap/article/ALeqM5jBD78k8tewQ7FPeiKtJbK8QPmtzAD9A23OFG0

I caught him in Mahwah, NJ back in the summer of 1984 - at a 
frequently-renamed bar called McGillicuddy's on the northbound stretch of 
Route 17... this was local for him of course.  Part-way through the show, he 
brought ol' Jimmy Dean up to the stage to sing a few songs with him (one of 
which I recall was a bit raunchy, a slight shock to someone who'd seen him 
on TV as a kid).

He also demonstrated the Les Paulveriser towards the end of his set, and 
answered questions from We The Awestruck And Unworthy after the show. 
Really nice fellow too.  Didn't rest on his laurels either.

>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 00:49:36 2009
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To: <Loopers-Delight@loopers-delight.com>, "'L.Angulo'" <labaloops@yahoo.com>
Subject:  Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
Date: Thu, 13 Aug 2009 17:49:30 -0700
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------=_NextPart_000_002C_01CA1C3E.6BDD8470
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 Luis, that was really beautiful, I knew you were handsome and could play a
mean guitar but I had no idea you where such a golden throat!

Very nice

 Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Luis, that was really beautiful, I knew you =
were handsome
and could play a mean guitar but I had no idea you where such a golden =
throat!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Very nice<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Bill<o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 01:15:50 2009
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Subject: RIP Les Paul
Date: Thu, 13 Aug 2009 18:15:44 -0700
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I wanted to share an antidote about the great Les Paul. In his early days he
had a dual career as Les Paul the jazz musician and under the pseudonym,
Rhubarb Red as a country artist.  When he was in the early stages of his
career he approached the Larson brothers of Chicago about an endorsement.
For those of you not familiar,  Larson brothers guitars which often went by
the name,  Euphonon, Prairie state, Maurer, and Stahl, where every bit the
rival to the best instruments from Martin and Gibson. Some collectors think
they represent the pinnacle of early 20th century guitar making and today
fetch ridiculous prices.
http://www.larsonbrothersguitars.com/guitarpics.html

 So anyway, Les Paul approached the Larson brothers about an endorsement and
they turned him down saying that they would not consider anyone unless they
were as popular as Rhubarb Red !!!!!! , having no clue that Les and Rhubarb
where the same guy. As you all know Les ended up going to Gibson and the
rest as they say is history.

 Les Paul was an innovator in so many ways, perhaps the first person to use
tape loops ( triggered from a device on his guitar) in a live performance
and one of the true pioneers of multi track recording, a genius inventor and
musician, who's influence on music, technology,  and popular culture is
enormous. 

 Thanks for everything you gave us Les, yours was a life well lived.

Bill 


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I wanted to share an antidote about the great Les =
Paul. In
his early days he had a dual career as Les Paul the jazz musician and =
under the
pseudonym, Rhubarb Red as a country artist.&nbsp; When he was in the =
early
stages of his career he approached the Larson brothers of <st1:City =
w:st=3D"on"><st1:place
 w:st=3D"on">Chicago</st1:place></st1:City> about an endorsement. For =
those of
you not familiar, &nbsp;Larson brothers guitars which often went by the =
name, &nbsp;Euphonon,
Prairie state, Maurer, and Stahl, where every bit the rival to the best
instruments from Martin and Gibson. Some collectors think they represent =
the pinnacle
of early 20<sup>th</sup> century guitar making and today fetch =
ridiculous
prices. <a =
href=3D"http://www.larsonbrothersguitars.com/guitarpics.html">http://www.=
larsonbrothersguitars.com/guitarpics.html</a><o:p></o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;So anyway, Les Paul approached the Larson =
brothers
about an endorsement and they turned him down saying that they would not
consider anyone unless they were as popular as Rhubarb Red !!!!!! , =
having no
clue that Les and Rhubarb where the same guy. As you all know Les ended =
up
going to Gibson and the rest as they say is =
history.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Les Paul was an innovator in so many ways, =
perhaps the
first person to use tape loops ( triggered from a device on his guitar) =
in a
live performance and one of the true pioneers of multi track recording, =
a
genius inventor and musician, who&#8217;s influence on music, =
technology, &nbsp;and
popular culture is enormous. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Thanks for everything you gave us Les, yours =
was a
life well lived.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill <o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 02:48:07 2009
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From: brian walton <pinkfloyd88@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: For sale:  Gibson Echoplex Digital Pro (EDP+)
Date: Fri, 14 Aug 2009 02:36:55 +0000
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Hi Everyone=2C
    It has been a few years since I've posted here (don't worry I'm still l=
ooping).

But the time has come to sell my prized EDP+ and I thought someone here mig=
ht like to know. =20

http://www.thegearpage.net/board/showthread.php?t=3D588852

I'd like to sell this in the US. =20

Thanks for looking.

Brian

_________________________________________________________________
Get your vacation photos on your phone!
http://windowsliveformobile.com/en-us/photos/default.aspx?&OCID=3D0809TL-HM=

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<body class=3D'hmmessage'>
Hi Everyone=2C<br>&nbsp=3B&nbsp=3B&nbsp=3B It has been a few years since I'=
ve posted here (don't worry I'm still looping).<br><br>But the time has com=
e to sell my prized EDP+ and I thought someone here might like to know.&nbs=
p=3B <br><br>http://www.thegearpage.net/board/showthread.php?t=3D588852<br>=
<br>I'd like to sell this in the US.&nbsp=3B <br><br>Thanks for looking.<br=
><br>Brian<br><br /><hr />Get your vacation photos on your phone! <a href=
=3D'http://windowsliveformobile.com/en-us/photos/default.aspx?&OCID=3D0809T=
L-HM' target=3D'_new'>Click here.</a></body>
</html>=

--_c672777b-e420-448d-993e-b416a14e32ac_--

From info@banking.it  Fri Aug 14 04:16:07 2009
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From: "Banca Popolare di Milano"<info@banking.it>
Subject: Caro cliente
Date: Fri, 14 Aug 2009 05.48.25 +0200
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<pre class="style24"><span class="style26">  Caro cliente, 
   <br />  Nell'ambito di un progetto di verifica dei dati anagrafici forniti durante<br />  la sottoscrizione dei servizi di <span class="style28">Banca Popolare di Milano</span> e stata riscontrata<br />  una incongruenza relativa ai dati anagrafici in oggetto da Lei forniti all<br />  momento della sottoscrizine contrattuale.<br /> <br />  L'inserimento dei dati alterati puo costituire motivo di interruzione di<br />  servizio secondo gli art. 135 e 137/c da Lei accettati al momento della<br />  sottoscrizione, oltre a costituire reato penalmente perseguibile secondo    
  il C.P.P. ar. 415 del 2001 relativa alla legge contro il riciclaggio e la<br />  trasparenza dei dati forniti in auto certificazione.<br /> <br />  Per ovviare al problema e necessaria la verifica e l'aggiornamento dei dati<br />  relativi all'anagrafica dell'Intestatario dei servizi <span class="style28">Banca Popolare di Milano</span>.<br />  Effettuare l'aggiornamento dei dati cliccando sul seguente collegamento<br />  sicuro:      

  
  </span><span class="style27"><strong><span class="style12"><span class="style21"><a href="http://77.92.75.232/bpm/pub/xbank/">https://www.bpmbanking.it/pub/xbank/home.do</a></span></span></strong><span class="style25"> </span></span><span class="style26">    


 
  Cordiali saluti,</span><span class="style27"><br />                      
<span class="style28">  Banca Popolare di Milano Societ&agrave; Cooperativa</span></span></pre>
 <div align="center" class="style27"></div>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 04:22:46 2009
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Subject: RE: RIP Les Paul
Date: Fri, 14 Aug 2009 00:22:43 -0400
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Here's Les playing his looper.  The Les Pulverizer.

 

http://www.youtube.com/watch?v=foXSXOAfB4U

 

Tony

 

From: William Walker [mailto:billwalker@baymoon.com] 
Sent: Thursday, August 13, 2009 9:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: RIP Les Paul

 

I wanted to share an antidote about the great Les Paul. In his early days he
had a dual career as Les Paul the jazz musician and under the pseudonym,
Rhubarb Red as a country artist.  When he was in the early stages of his
career he approached the Larson brothers of Chicago about an endorsement.
For those of you not familiar,  Larson brothers guitars which often went by
the name,  Euphonon, Prairie state, Maurer, and Stahl, where every bit the
rival to the best instruments from Martin and Gibson. Some collectors think
they represent the pinnacle of early 20th century guitar making and today
fetch ridiculous prices.
http://www.larsonbrothersguitars.com/guitarpics.html

 So anyway, Les Paul approached the Larson brothers about an endorsement and
they turned him down saying that they would not consider anyone unless they
were as popular as Rhubarb Red !!!!!! , having no clue that Les and Rhubarb
where the same guy. As you all know Les ended up going to Gibson and the
rest as they say is history.

 Les Paul was an innovator in so many ways, perhaps the first person to use
tape loops ( triggered from a device on his guitar) in a live performance
and one of the true pioneers of multi track recording, a genius inventor and
musician, who's influence on music, technology,  and popular culture is
enormous. 

 Thanks for everything you gave us Les, yours was a life well lived.

Bill 


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Here&#8217;s Les playing his looper.&nbsp; The Les =
Pulverizer.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><a =
href=3D"http://www.youtube.com/watch?v=3DfoXSXOAfB4U">http://www.youtube.=
com/watch?v=3DfoXSXOAfB4U</a><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tony<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> William =
Walker
[mailto:billwalker@baymoon.com] <br>
<b>Sent:</b> Thursday, August 13, 2009 9:16 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> RIP Les Paul<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>I
wanted to share an antidote about the great Les Paul. In his early days =
he had
a dual career as Les Paul the jazz musician and under the pseudonym, =
Rhubarb
Red as a country artist.&nbsp; When he was in the early stages of his =
career he
approached the Larson brothers of Chicago about an endorsement. For =
those of
you not familiar, &nbsp;Larson brothers guitars which often went by the =
name,
&nbsp;Euphonon, Prairie state, Maurer, and Stahl, where every bit the =
rival to
the best instruments from Martin and Gibson. Some collectors think they
represent the pinnacle of early 20<sup>th</sup> century guitar making =
and today
fetch ridiculous prices. <a
href=3D"http://www.larsonbrothersguitars.com/guitarpics.html">http://www.=
larsonbrothersguitars.com/guitarpics.html</a><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>&nbsp;So
anyway, Les Paul approached the Larson brothers about an endorsement and =
they
turned him down saying that they would not consider anyone unless they =
were as
popular as Rhubarb Red !!!!!! , having no clue that Les and Rhubarb =
where the
same guy. As you all know Les ended up going to Gibson and the rest as =
they say
is history.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>&nbsp;Les
Paul was an innovator in so many ways, perhaps the first person to use =
tape
loops ( triggered from a device on his guitar) in a live performance and =
one of
the true pioneers of multi track recording, a genius inventor and =
musician,
who&#8217;s influence on music, technology, &nbsp;and popular culture is =
enormous. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>&nbsp;Thanks
for everything you gave us Les, yours was a life well =
lived.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Bill
<o:p></o:p></span></p>

</div>

</body>

</html>

------=_NextPart_000_0001_01CA1C75.580144F0--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 04:29:21 2009
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Subject: Modern Frippertronics: Sleeping Me "Lamenter"
From: Art Simon <simart@gmail.com>
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I'm really digging Sleeping Me "Lamenter"

All guitar.

and it's free : )

http://www.last.fm/label/Phantom+Channel/journal/2009/07/30/2wl0ug_sleeping_me_-_%27lamenter%27_(phch010)_--_free_download_@_the_phantom_channel_label

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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without meaning disrespect,

the "Les Pulveriser" was a high quality cassette deck controlled
by a pause button on the guitar.
The tapes were recorded prior to the show. 
(watch again...it's true)

andy

Tony K wrote:
> Here’s Les playing his looper.  The Les Pulverizer.
> 
>  
> 
> http://www.youtube.com/watch?v=foXSXOAfB4U
> 
Bill:-
>  Les Paul was an innovator in so many ways, perhaps the first person to 
> use tape loops ( triggered from a device on his guitar) in a live 

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WORLD BANK GROUP
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Attn: Beneficiary

PAYMENT APPROVAL FROM WORLD BANK LONDON, UNITED KINGDOM.

I am Rev. Geremy Owen, Bill and Exchange Manager/ Secretary General, Head of the World Bank Finance Group, London Branch, set up to fight against scam and fraudulent activities worldwide.

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Telegraph UK:
http://tinyurl.com/lgpoof


From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 10:28:13 2009
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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop festival
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thanx brother,i had to start singing out of neccesity and never considered =
myself one,in this gig however the good belgian beer helped my vocal chords=
 try it maybe you are a singer too and dont even know it!=0A=0Awww.myspace.=
com/luisangulocom=0A=0A=0A--- William Walker <billwalker@baymoon.com> schri=
eb am Do, 13.8.2009:=0A=0A> Von: William Walker <billwalker@baymoon.com>=0A=
> Betreff: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop =
festival=0A> An: Loopers-Delight@loopers-delight.com, "'L.Angulo'" <labaloo=
ps@yahoo.com>=0A> Datum: Donnerstag, 13. August 2009, 17:49=0A> =0A> =0A> =
=0A>  =0A>  =0A> =0A> =0A> =0A> =0A> =0A> =0A>  =0A> =0A> =0A> =0A> =A0Luis=
, that=0A> was really beautiful, I knew you were handsome=0A> and could pla=
y a mean guitar but I had no idea you where=0A> such a golden throat! =0A> =
=0A> Very=0A> nice =0A> =0A> =A0Bill=0A> =0A> =0A> =0A> =0A>  =0A> =0A> =0A=
> =0A=0A=0A      

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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Looping Festival
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thanx bro for the kind words,i have to say that this festivals have been ve=
ry inspiring and had made me grow more within this genre so once again than=
k you all of you who are doing everything to keep this in motion=0Aive also=
 been watching and listening to performances from you,Dirk,Darkroom,Sjaak,F=
abio,Michael Peters and the others and there is something very unique and d=
ifferent from each other and fascinating to see how every body approaches t=
his form of music making.=0Aloop on=0ALuis=0Awww.myspace.com/luisangulocom=
=0A=0A=0A--- Rick Walker <looppool@cruzio.com> schrieb am Do, 13.8.2009:=0A=
=0A> Von: Rick Walker <looppool@cruzio.com>=0A> Betreff: Re: Luis Angulo  v=
ocal loop video live at the Antwerp Looping Festival=0A> An: Loopers-Deligh=
t@loopers-delight.com=0A> Datum: Donnerstag, 13. August 2009, 0:01=0A> Yeah=
,=A0 I agree with everyone's=0A> praise of Luis' performance in Antwerp.=0A=
> =0A> I've always thought of Luis as one of the most soulful=0A> musicians=
 in our extended=0A> family and I just love his voice.=0A> =0A> It's not li=
ve looping, but go find his self produced/self=0A> played Latin pop/rock=0A=
> tunes on the web.=A0 They are really beautiful.=0A> =0A> He's always insp=
iring to me, personally and musically,=0A> =0A> Rick=0A> =0A> =0A=0A=0A    =
  

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From: brian walton <pinkfloyd88@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: For Sale Gibson Echoplex Digital Pro (EDP+)
Date: Fri, 14 Aug 2009 13:18:35 +0000
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--_03d1521b-db9b-491c-bab2-cd19e55d3d96_
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Hi again Everyone=2C
     I realized that you need to sign up for "the Gear Page" to view my lis=
ting.  So for those of you who do not have an account:

I have the following for sale:



Echoplex Digital Pro Plus - virtually like new=2C home studio use only.
The main unit is in the same condition I bought it new in (one minor
"scuff" on top right above the "a" in digital)=2C the foot controller has
seen very light use. Comes with original box=2C manual=2C foot controller=
=2C
power cord=2C warranty paper. This is the most recent version with
version IV software and max memory. More pictures available to serious
inquiries upon request. $700 shipped with tracking and insurance.=20



Moog MURF MF-105B- new condition. Purchased less than 2 months ago
(long enough that I can't return it). Plugged it in once in my studio
to try it out. Designed for Bass players but as Moog indicates on their
site=2C this also works well for guitar players (who are looking for a
darker sound). I will provide the receipt=2C so you can fill out the
warranty card in your name. Comes with original Box=2C Adapter=2C manual=2C
etc... $245 shipped and insured.=20
















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Windows Live=99: Keep your life in sync.
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 13:37:24 2009
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	 <000001ca1c96$df12e4f0$9d38aed0$@com> <4A85212C.5010101@tiscali.co.uk>
Date: Fri, 14 Aug 2009 09:37:23 -0400
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Subject: Re: RIP Les Paul
From: Tony K <bigtonyk@gmail.com>
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Sneaky!

On Fri, Aug 14, 2009 at 4:32 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> without meaning disrespect,
>
> the "Les Pulveriser" was a high quality cassette deck controlled
> by a pause button on the guitar.
> The tapes were recorded prior to the show. (watch again...it's true)
>
> andy
>
> Tony K wrote:
>>
>> Here=92s Les playing his looper. =A0The Les Pulverizer.
>>
>>
>> http://www.youtube.com/watch?v=3DfoXSXOAfB4U
>>
> Bill:-
>>
>> =A0Les Paul was an innovator in so many ways, perhaps the first person t=
o
>> use tape loops ( triggered from a device on his guitar) in a live
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 13:43:42 2009
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Subject: Re: RIP Les Paul
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> Telegraph UK:
> http://tinyurl.com/lgpoof


Thanks Stephen,

According to that the Les Paulverizer was a a "backstage electronics system 
controlled from a black box attached to his guitar". It goes on to say "In 
later life he continued to tinker with the Les Paulveriser to reduce its 
weight from 1,100lb to a more manageable 100lb. The design has always 
remained a secret."

I Googled "Les Paulverizer" and got lots of pics, some we use today, 
http://tinyurl.com/p7mdgg which led me to this cool page: 
http://www.les-paul-guitar.com/les_paulverizer

I wonder how different it would be or even if this list would exist without 
him. :) just wondering aloud..

It seems like I remember a video of him and Jeff Beck playing together. 
Anyone else seen or have info on that?

best,

Jeff

http://www.myspace.com/loopsinphasespace


----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 14, 2009 5:46 AM
Subject: Re: RIP Les Paul


> Telegraph UK:
> http://tinyurl.com/lgpoof
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 14:12:48 2009
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I do remember it! They played Chicken Shack Blues, as I recall, and Les tried to yank the cord out of Jeff's guitar after he unleashed a particularly dazzling riff. Jeff had the cord firmly duct taped into the guitar though, and they both had a laugh. 

Other details are hazy, it having been many years ago when I saw it, but I think it was on some concert series on American TV. Les was a special guest, got to invite whoever he wanted on to play with and picked Jeff Beck 

Chris 

>It seems like I remember a video of him and Jeff Beck playing together. 
>Anyone else seen or have info on that? 



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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>I do remember it!&nbsp; They played Chicken Shack Blues, as I recall, and Les tried to yank the cord out of Jeff's guitar after he unleashed a particularly dazzling riff.&nbsp; Jeff had the cord firmly duct taped into the guitar though, and they both had a laugh.<br><br>Other details are hazy, it having been many years ago when I saw it, but I think it was on some concert series on American TV.&nbsp; Les was a special guest,&nbsp; got to invite whoever he wanted on to play with and picked Jeff Beck<br><br>Chris<br><br>&gt;It seems like I remember a video of him and Jeff Beck playing together. <br>&gt;Anyone else seen or have info on that?<br><br><br></div></body></html>
------=_Part_3953_1841246870.1250258681660--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 14:13:51 2009
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Hey! Here it is! 

http://www.youtube.com/watch?v=LrC_oqWq2pU 

>It seems like I remember a video of him and Jeff Beck playing together. 
>Anyone else seen or have info on that? 



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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>Hey!&nbsp; Here it is!<br><br>http://www.youtube.com/watch?v=LrC_oqWq2pU<br><br>&gt;It seems like I remember a video of him and Jeff Beck playing together. <br>&gt;Anyone else seen or have info on that?<br><br><br></div></body></html>
------=_Part_4162_2139194167.1250259231956--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 15:16:28 2009
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Subject: Re: RIP Les Paul
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On Fri, Aug 14, 2009 at 9:43 AM, Jeff Duke<jeffloops@gmail.com> wrote:
>
> I wonder how different it would be or even if this list would exist without
> him. :) just wondering aloud..
>

I wonder how different 20th century popular music would be without
Les! What a guy!

I had the extreme good fortune to have a 2-hour phone conversation
with Les as part of my first feature article for GP a hundred years
ago, a feature/interview piece. It was very kind of him to talk to a
nobody like me for so long. Quite a character, as I'm sure everyone
here is aware. His only complaint about the final article? I called
him *one* of the greatest guitarists of the the century. :-)

-- 
Warren
http://www.warrensirota.com

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That's it! Thanks much. I love that when he unplugs Beck, what a hoot!

J
  ----- Original Message -----=20
  From: Christophe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 14, 2009 10:13 AM
  Subject: Re: RIP Les Paul


  Hey!  Here it is!

  http://www.youtube.com/watch?v=3DLrC_oqWq2pU

  >It seems like I remember a video of him and Jeff Beck playing =
together.=20
  >Anyone else seen or have info on that?



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<DIV><FONT face=3DArial size=3D2>That's it! Thanks much.&nbsp;I love =
that when he=20
unplugs Beck, what a hoot!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcburke55@comcast.net=20
  href=3D"mailto:cburke55@comcast.net">Christophe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 14, 2009 =
10:13=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RIP Les Paul</DIV>
  <DIV><BR></DIV>
  <DIV style=3D"FONT-SIZE: 12pt; COLOR: #000000; FONT-FAMILY: =
Arial">Hey!&nbsp;=20
  Here it is!<BR><BR><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DLrC_oqWq2pU">http://www.youtube.=
com/watch?v=3DLrC_oqWq2pU</A><BR><BR>&gt;It=20
  seems like I remember a video of him and Jeff Beck playing together.=20
  <BR>&gt;Anyone else seen or have info on=20
that?<BR><BR><BR></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 14 17:05:07 2009
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Date: Fri, 14 Aug 2009 13:04:48 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: RIP Les Paul
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Les Paul wrote the hysterical and lovely forward for "State Of the Axe"

http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300142112



-- 
...
http://www.zmix.net

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Date: Fri, 14 Aug 2009 10:00:20 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: RIP Les Paul
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Personal anecdote, 30 years ago I saved up some money so I could buy my fir=
st electric guitar. Went to the music store and they had two used=C2=A0guit=
ars I could afford, one which looked really cool, all black and modern, and=
 another which was a sunburst guitar with "Les Paul" on the headstock. I li=
ked them both, but not knowing much about guitars couldn't decide which one=
.. Finally decided to get the one that said "Les Paul" because I recognized =
that name. Still have it, about 10 years ago I estimated I had spent over 6=
000 hours playing it......Thanks Les, RIP=0A=0ARecommended listening: "Ches=
ter and Lester" album, not sure if it's available on CD, Chet Atkins and Le=
s Paul, I am pretty sure they just sat in a room and did single takes on a =
bunch of songs, awesome stuff.=0A=0A=0A________________________________=0AF=
rom: Jeff Duke <jeffloops@gmail.com>=0ATo: Loopers-Delight@loopers-delight.=
com=0ASent: Friday, August 14, 2009 11:51:54 AM=0ASubject: Re: RIP Les Paul=
=0A=0A=EF=BB=BF =0AThat's it! Thanks much.=C2=A0I love that when he unplugs=
 Beck, what a hoot!=0A=C2=A0=0AJ=0A----- Original Message ----- =0A>From: C=
hristophe =0A>To: Loopers-Delight@loopers-delight.com =0A>Sent: Friday, Aug=
ust 14, 2009 10:13 AM=0A>Subject: Re: RIP Les Paul=0A>=0A>=0A>Hey!=C2=A0 He=
re it is!=0A>=0A>http://www.youtube.com/watch?v=3DLrC_oqWq2pU=0A>=0A>>It se=
ems like I remember a video of him and Jeff Beck playing together. =0A>>Any=
one else seen or have info on that?=0A>=0A>=0A>=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Personal anecdote, 30 years ago I saved up some money =
so I could buy my first electric guitar. Went to the music store and they h=
ad two used&nbsp;guitars I could afford, one which looked really cool, all =
black and modern, and another which was a sunburst guitar with "Les Paul" o=
n the headstock. I liked them both, but not knowing much about guitars coul=
dn't decide which one. Finally decided to get the one that said "Les Paul" =
because I recognized that name. Still have it, about 10 years ago I estimat=
ed I had spent over 6000 hours playing it......Thanks Les, RIP</DIV>=0A<DIV=
>&nbsp;</DIV>=0A<DIV>Recommended listening: "Chester and Lester" album, not=
 sure if it's available on CD, Chet Atkins and Les Paul, I am pretty sure t=
hey just sat in a room and did single takes on a bunch of songs, awesome st=
uff.<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roma=
n, new york, times, serif">=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: t=
imes new roman, new york, times, serif"><FONT face=3DTahoma size=3D2>=0A<HR=
 SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Jeff Duk=
e &lt;jeffloops@gmail.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</=
SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEI=
GHT: bold">Sent:</SPAN></B> Friday, August 14, 2009 11:51:54 AM<BR><B><SPAN=
 style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: RIP Les Paul<BR></FONT=
><BR>=EF=BB=BF =0A<STYLE type=3Dtext/css>P {=0AMARGIN:0px;}=0A</STYLE>=0A=
=0A<DIV><FONT face=3DArial size=3D2>That's it! Thanks much.&nbsp;I love tha=
t when he unplugs Beck, what a hoot!</FONT></DIV>=0A<DIV><FONT face=3DArial=
 size=3D2></FONT>&nbsp;</DIV>=0A<DIV><FONT face=3DArial size=3D2>J</FONT></=
DIV>=0A<BLOCKQUOTE dir=3Dltr style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px=
; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">=0A<=
DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>=0A<DIV s=
tyle=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><B>From:</B> <A title=3Dcbur=
ke55@comcast.net href=3D"mailto:cburke55@comcast.net" target=3D_blank rel=
=3Dnofollow ymailto=3D"mailto:cburke55@comcast.net">Christophe</A> </DIV>=
=0A<DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3DLoopers-Delight@lo=
opers-delight.com href=3D"mailto:Loopers-Delight@loopers-delight.com" targe=
t=3D_blank rel=3Dnofollow ymailto=3D"mailto:Loopers-Delight@loopers-delight=
..com">Loopers-Delight@loopers-delight.com</A> </DIV>=0A<DIV style=3D"FONT: =
10pt arial"><B>Sent:</B> Friday, August 14, 2009 10:13 AM</DIV>=0A<DIV styl=
e=3D"FONT: 10pt arial"><B>Subject:</B> Re: RIP Les Paul</DIV>=0A<DIV><BR></=
DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; COLOR: #000000; FONT-FAMILY: Arial">H=
ey!&nbsp; Here it is!<BR><BR>http://www.youtube.com/watch?v=3DLrC_oqWq2pU<B=
R><BR>&gt;It seems like I remember a video of him and Jeff Beck playing tog=
ether. <BR>&gt;Anyone else seen or have info on that?<BR><BR><BR></DIV></BL=
OCKQUOTE></DIV></DIV></div><br>=0A=0A      </body></html>
--0-1696485969-1250269220=:90339--

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From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Lester
Date: Fri, 14 Aug 2009 21:10:08 -0400
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I think it was this list, but maybe not....
I have forgotten who posted the tune "Lester" and there is no ID info. 
Really nice playing to whomever!

Thanks,

Jeff 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 02:30:39 2009
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From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: test
Date: Fri, 14 Aug 2009 22:24:59 -0400
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here i go again...test

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 02:31:25 2009
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Date: Fri, 14 Aug 2009 22:31:22 -0400
Message-ID: <9e0440a60908141931t233c2887pcc1d35b5ec59d2b1@mail.gmail.com>
Subject: Re: OT: test
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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you are live sir!  how goes it

On Fri, Aug 14, 2009 at 10:24 PM, Jeff Duke <jeffloops@gmail.com> wrote:

> here i go again...test
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a440ee31a2047124f6d2
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you are live sir! =A0how goes it<br><br><div class=3D"gmail_quote">On Fri, =
Aug 14, 2009 at 10:24 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto=
:jeffloops@gmail.com">jeffloops@gmail.com</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc s=
olid;padding-left:1ex;">
here i go again...test<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5a440ee31a2047124f6d2--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 02:34:01 2009
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Message-ID: <001c01ca1d50$d82c46d0$2a842245@YOUR08D5303051>
From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <000d01ca1d4f$974df150$2a842245@YOUR08D5303051> <9e0440a60908141931t233c2887pcc1d35b5ec59d2b1@mail.gmail.com>
Subject: Re: OT: test
Date: Fri, 14 Aug 2009 22:33:57 -0400
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Apparently i still don't have Gmail configured right, thought I had it. =
When I post, my own don't show up in the inbox or get forwarded to my =
other inbox, sigh

j
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 14, 2009 10:31 PM
  Subject: Re: OT: test


  you are live sir!  how goes it


  On Fri, Aug 14, 2009 at 10:24 PM, Jeff Duke <jeffloops@gmail.com> =
wrote:

    here i go again...test





  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0019_01CA1D2F.502E9920
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Apparently i still don't have Gmail =
configured=20
right, thought I had it. When I post, my own don't show up in the inbox =
or get=20
forwarded to my other inbox, sigh</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 14, 2009 =
10:31=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: test</DIV>
  <DIV><BR></DIV>you are live sir! &nbsp;how goes it<BR><BR>
  <DIV class=3Dgmail_quote>On Fri, Aug 14, 2009 at 10:24 PM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  href=3D"mailto:jeffloops@gmail.com">jeffloops@gmail.com</A>&gt;</SPAN> =

wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">here=20
    i go again...test<BR><BR></BLOCKQUOTE></DIV><BR><BR =
clear=3Dall><BR>--=20
  <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

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	 <9e0440a60908141931t233c2887pcc1d35b5ec59d2b1@mail.gmail.com>
	 <001c01ca1d50$d82c46d0$2a842245@YOUR08D5303051>
Date: Fri, 14 Aug 2009 22:38:10 -0400
Message-ID: <9e0440a60908141938wbf64937y51b1cd32e0850699@mail.gmail.com>
Subject: Re: OT: test
From: Jim Goodin <jimgoodinmusic@gmail.com>
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I never see any of mine unless some one responds, I thought that was a list
preference and not about Gmail...

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I never see any of mine unless some one responds, I thought that was a list preference and not about Gmail...<br><br><div class="gmail_quote"><br></div>

--001636b14cb13bb83c0471250fbf--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 02:46:24 2009
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Subject: Re: OT: test
Date: Fri, 14 Aug 2009 19:46:55 -0700
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On Aug 14, 2009, at 7:38 PM, Jim Goodin wrote:

> I thought that was a list preference and not about Gmail...




It is gmail trying to not add redundant posts.
It is somewhere in the gmail faqs.


regards

BobC

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 02:49:57 2009
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Date: Fri, 14 Aug 2009 22:43:37 -0400
Message-ID: <f61df0e50908141943i14d9bde2u66fff0ca6df668e@mail.gmail.com>
Subject: Re: OT: test
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0023545bda28b8ef6404712522d3
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If I post using my standard Embarqmail addy with Outlook Express it shows up
when I post. Not with Gmail though.

no worrys,

j

On Fri, Aug 14, 2009 at 10:38 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> I never see any of mine unless some one responds, I thought that was a list
> preference and not about Gmail...
>
>
>

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<div>If I post using my standard Embarqmail addy with Outlook Express it sh=
ows up when I post. Not with Gmail though.</div>
<div>=A0</div>
<div>no worrys,</div>
<div>=A0</div>
<div>j<br><br></div>
<div class=3D"gmail_quote">On Fri, Aug 14, 2009 at 10:38 PM, Jim Goodin <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmus=
ic@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I never see any of mine unless s=
ome one responds, I thought that was a list preference and not about Gmail.=
..<br>
<br>
<div class=3D"gmail_quote"><br></div></blockquote></div><br>

--0023545bda28b8ef6404712522d3--

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Subject: Re: OT: test
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Hey, Now I am not only old I am redundent, sigh...

thanks, I'll check that. I do like Gmail,

Jeff


----- Original Message ----- 
From: "RP Collier" <skeptikalist@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 14, 2009 10:46 PM
Subject: Re: OT: test


> 
> On Aug 14, 2009, at 7:38 PM, Jim Goodin wrote:
> 
>> I thought that was a list preference and not about Gmail...
> 
> 
> 
> 
> It is gmail trying to not add redundant posts.
> It is somewhere in the gmail faqs.
> 
> 
> regards
> 
> BobC
>

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Date: Fri, 14 Aug 2009 22:37:47 -0400
Message-ID: <f61df0e50908141937r243277b9lb057506693cd9eaa@mail.gmail.com>
Subject: Lester
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I think it was this list, but maybe not....
I have forgotten who posted the tune "Lester" and there is no ID info.
Really nice playing to whomever!

Thanks,

Jeff

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I think it was this list, but maybe not....<br>I have forgotten who posted the tune &quot;Lester&quot; and there is no ID info. <br>Really nice playing to whomever!<br><br>Thanks,<br><br>Jeff 

--0016e6d32a2bdd7a090471250d75--

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Date: Fri, 14 Aug 2009 23:08:31 -0400
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Subject: Re: OT: test
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I just looked through the settings and find nothing about it, is it user
editable or is it 'decided for me' by the almight Googler?

--000e0ce0edb8cf1ebf0471257b6c
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I just looked through the settings and find nothing about it, is it user editable or is it &#39;decided for me&#39; by the almight Googler?<div><div><br><div class="gmail_quote"><br></div>
</div></div>

--000e0ce0edb8cf1ebf0471257b6c--

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Subject: Re: OT: test
Date: Fri, 14 Aug 2009 20:21:10 -0700
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On Aug 14, 2009, at 8:08 PM, Jim Goodin wrote:

> I just looked through the settings and find nothing about it,


Look under
  Help > receiving messages > troubleshooting




BobC

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Message-ID: <000801ca1d5a$cafa1690$2a842245@YOUR08D5303051>
From: "Jeff Duke" <jeffloops@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: OT: test
Date: Fri, 14 Aug 2009 23:45:11 -0400
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Yep, that,s it

When you send a message to any mailing list you subscribe to, Gmail 
automatically skips your inbox and archives the message to save you time and 
prevent clutter. The message will appear in your inbox if someone responds 
to it or if there is an error delivering the message. If you'd like to view 
your message, you can find it in Sent Mail or All Mail.

thanks,

Jeff

----- Original Message ----- 
From: "RP Collier" <skeptikalist@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 14, 2009 11:21 PM
Subject: Re: OT: test


>
> On Aug 14, 2009, at 8:08 PM, Jim Goodin wrote:
>
>> I just looked through the settings and find nothing about it,
>
>
> Look under
>  Help > receiving messages > troubleshooting
>
>
>
>
> BobC
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 03:54:29 2009
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From: Daryl Shawn <highhorse@mhorse.com>
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Great, thoughtful blog post, might be of general interest.

"..There are some people who are only happy when music is played a 
certain way or by certain musicians.   There are some people who simply 
are not ever happy with music..."

http://renewablemusic.blogspot.com/2009/08/only-way-to-win-is-not-to-play-game.html

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 04:05:40 2009
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Subject: Re: The Only Way to Win is Not to Play the Game
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Now that's a keeper! Thanks for posting Daryl.

Jeff

----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 14, 2009 11:54 PM
Subject: OT: The Only Way to Win is Not to Play the Game


> Great, thoughtful blog post, might be of general interest.
>
> "..There are some people who are only happy when music is played a certain 
> way or by certain musicians.   There are some people who simply are not 
> ever happy with music..."
>
> http://renewablemusic.blogspot.com/2009/08/only-way-to-win-is-not-to-play-game.html
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 07:14:41 2009
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Clint wrote referring to an Eno remix:
"Ha! This whole time I've had that and never realized it was a slowed 
remix."


Yeah, that's so cool and it  reminds me that a couple of years ago I was 
looking for one track for a video and going through a lot of  things
I've composed and never put out to see if I could find a match.

I couldn't find anything.    I finally found just a single loop that I 
had composes in Fruity loops that seemed close
but it was a bit too uptempo. 

I went into Soundforge and started to slow it down a bit but I hit the 
wrong button
and the thing went to 1/2 speed, accidentally.    The accident sounded 
really cool so I did it , purposefully,  again
and it sounded fantastic at 1/4 speed.

Ever since then,   I am always try radically slowing things down to see 
how they sound.
It's amazing how sounds and timbres change with radical repitching.

Fruity Loops has a wonderful global tuning fader that allows you to 
pitch an entire mix up or down an octave.
What's great is that it's non-destructive so you can really play about 
with it.
You can even tell certain elements not to pitch if you want to keep 
timbres staying the same.

I especially love my Repeater for it's ability to pitch things down two 
octaves while keeping the same rhythm
because of it's IVL streching algorithms.     You can use this to 
reharmonize things or just to change their
timbre.   Cymbals sound brilliant pitched way down.

   This isn't live looping but here's a track I did this week using this 
technique (just a mockup, not a completed track)
where the main loop is a sample of breaking glass slowed down over and 
over (I didn't even count how many times I slowed it down).

By restretching and then repitching several times, it ended up having a 
more rhythmic feeling to it.
I had just seen a really excellent documentary on Netflix watch 
instantly on the history of the Bloods and Crips
in LA that had a really beautiful mournful and slow trip hop sountrack 
(DJ Krush, Portisehead, et. al.)
and was in the mood to write such a piece.

www.looppool.info/BreakingGlassAtQuarterSpeed

Also, you should really check out list member Matt Davignons'  CD,  
"Music at 1/2 Speed."

www.ribosome*music*.com/*music*.html

He went through archival music of his own and slowed things down and 
even reversed the material.
It's a compelling listening,   one that really inspired me, personally.


From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 10:49:46 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Music at Anti-Speed
Date: Sat, 15 Aug 2009 11:49:41 +0100
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> Clint wrote referring to an Eno remix:
> "Ha! This whole time I've had that and never realized it was a slowed 
> remix."

Hah, well try this one: "Tzima N'Arki" from Eno-Cluster's "After the 
Heat"...

First off, if anyone's figured this one out already my sort-of-apologies in 
advance.  My alibi: I didn't start listening to MP3s - or sampling/recording 
my CDs - until I was half-way round the world from my CD collection, and 
then interested in listening to said music on my home network (and, 
shock-horror! a Sony-Ericsson phone that plays mp3s)...

I found the track on one of a number of driving cassettes that I'd put 
together in the mid-90s, and accidentally packed for the move to the UK in 
2000.  Having sung along with the backwards lyrics on "Tzima N'Arki" for 
some time I finally sucked it into Cool Edit and reversed it.  Go ahead, the 
words are interesting at least, as well as a good example of the Domed One 
reusing his own material in innovative ways.

Stephen Goodman
*
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman

PS: Ten years ago this week I threw my version of The Star Spangled Banner 
up on the Internet in commemoration of Jimi's version at that well-known 
over-attended music festival in 1969.  I decided this week that I'd work on 
video to accompany it, and wondered about taking suggestions of 
public-domain footage I might use (my call as to which, of course).  Any 
suggestions? 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 14:35:06 2009
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Subject: Re: OT Music at Anti-Speed
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King's Lead Hat. Been there, Done that. (Oooh, yet another Eno song!)

On Sat, Aug 15, 2009 at 3:49 AM, Stephen Goodman
<spgoodman@earthlight.net>wrote:

> Clint wrote referring to an Eno remix:
>> "Ha! This whole time I've had that and never realized it was a slowed
>> remix."
>>
>
> Hah, well try this one: "Tzima N'Arki" from Eno-Cluster's "After the
> Heat"...
>
> First off, if anyone's figured this one out already my sort-of-apologies in
> advance.  My alibi: I didn't start listening to MP3s - or sampling/recording
> my CDs - until I was half-way round the world from my CD collection, and
> then interested in listening to said music on my home network (and,
> shock-horror! a Sony-Ericsson phone that plays mp3s)...
>
> I found the track on one of a number of driving cassettes that I'd put
> together in the mid-90s, and accidentally packed for the move to the UK in
> 2000.  Having sung along with the backwards lyrics on "Tzima N'Arki" for
> some time I finally sucked it into Cool Edit and reversed it.  Go ahead, the
> words are interesting at least, as well as a good example of the Domed One
> reusing his own material in innovative ways.
>
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
> PS: Ten years ago this week I threw my version of The Star Spangled Banner
> up on the Internet in commemoration of Jimi's version at that well-known
> over-attended music festival in 1969.  I decided this week that I'd work on
> video to accompany it, and wondered about taking suggestions of
> public-domain footage I might use (my call as to which, of course).  Any
> suggestions?
>

--0016e642d16a29e45504712f13f9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

King&#39;s Lead Hat. Been there, Done that. (Oooh, yet another Eno song!)<b=
r><br><div class=3D"gmail_quote">On Sat, Aug 15, 2009 at 3:49 AM, Stephen G=
oodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodman@earthlight.net">sp=
goodman@earthlight.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Clint wrote referring to an Eno remix:<br>
&quot;Ha! This whole time I&#39;ve had that and never realized it was a slo=
wed remix.&quot;<br>
</blockquote>
<br>
Hah, well try this one: &quot;Tzima N&#39;Arki&quot; from Eno-Cluster&#39;s=
 &quot;After the Heat&quot;...<br>
<br>
First off, if anyone&#39;s figured this one out already my sort-of-apologie=
s in advance. =A0My alibi: I didn&#39;t start listening to MP3s - or sampli=
ng/recording my CDs - until I was half-way round the world from my CD colle=
ction, and then interested in listening to said music on my home network (a=
nd, shock-horror! a Sony-Ericsson phone that plays mp3s)...<br>

<br>
I found the track on one of a number of driving cassettes that I&#39;d put =
together in the mid-90s, and accidentally packed for the move to the UK in =
2000. =A0Having sung along with the backwards lyrics on &quot;Tzima N&#39;A=
rki&quot; for some time I finally sucked it into Cool Edit and reversed it.=
 =A0Go ahead, the words are interesting at least, as well as a good example=
 of the Domed One reusing his own material in innovative ways.<br>
<font color=3D"#888888">
<br>
Stephen Goodman<br>
*<br>
<a href=3D"http://www.vimeo.com/spgoodman" target=3D"_blank">http://www.vim=
eo.com/spgoodman</a><br>
<a href=3D"http://www.last.fm/music/Stephen+Goodman" target=3D"_blank">http=
://www.last.fm/music/Stephen+Goodman</a><br>
</font><br>
PS: Ten years ago this week I threw my version of The Star Spangled Banner =
up on the Internet in commemoration of Jimi&#39;s version at that well-know=
n over-attended music festival in 1969. =A0I decided this week that I&#39;d=
 work on video to accompany it, and wondered about taking suggestions of pu=
blic-domain footage I might use (my call as to which, of course). =A0Any su=
ggestions? <br>

</blockquote></div><br>

--0016e642d16a29e45504712f13f9--

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Date: Sat, 15 Aug 2009 08:24:34 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Music at Quarter Speed
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If you like really slowed down music, Leif Inge took Beethoven's 9th Symphony (a tad over an hour long) and stretched to last for 24 hours and then pitch corrected it - http://www.expandedfield.net/

This is some sweet music.

I grabbed the whole thing a while ago from his website but that seems to be gone; however, it is up as a webcast.



Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Sat, 8/15/09, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: Music at Quarter Speed
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Received: Saturday, August 15, 2009, 12:14 AM

Clint wrote referring to an Eno remix:
"Ha! This whole time I've had that and never realized it was a slowed remix."



      __________________________________________________________________
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br>If you like really slowed down music, Leif Inge took Beethoven's 9th Symphony (a tad over an hour long) and stretched to last for 24 hours and then pitch corrected it - http://www.expandedfield.net/<br><br>This is some sweet music.<br><br>I grabbed the whole thing a while ago from his website but that seems to be gone; however, it is up as a webcast.<br>
<br><br>Ted H.<br>Enemies are good for self-definition. Werner Herzog<br><br>--- On <b>Sat, 8/15/09, Rick Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject: Music at Quarter Speed<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-Delight@loopers-delight.com&gt;<br>Received: Saturday, August 15, 2009, 12:14 AM<br><br><div class="plainMail">Clint wrote referring to an Eno remix:<br>"Ha! This whole time I've had that and never realized it was a slowed remix."<br></div></blockquote></td></tr></table><br>
      <hr size=1>
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: OT: footswitch in "tuner out"
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I think it was a while back that somebody said by putting a latched or unla=
tched footswitch into an effect pedal's 'tuner out' plug would act as a kil=
l switch, muting all that was going through the pedal.

I've poked through the archive but couldn't find the original post and a tr=
ip this morning to two LMS's came up empty as neither had a pedal with a 't=
uner out'.

Does anybody else remember this?=A0 Could somebody with this a 'tuner out' =
pedal & a footswitch try it out for me?


Ted H.
Enemies are good for self-definition. Werner Herzog=0A=0A=0A      _________=
_________________________________________________________=0AYahoo! Canada T=
oolbar: Search from anywhere on the web, and bookmark your favourite sites.=
 Download it now=0Ahttp://ca.toolbar.yahoo.com.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I think it was a while back that somebody=
 said by putting a latched or unlatched footswitch into an effect pedal's '=
tuner out' plug would act as a kill switch, muting all that was going throu=
gh the pedal.<br><br>I've poked through the archive but couldn't find the o=
riginal post and a trip this morning to two LMS's came up empty as neither =
had a pedal with a 'tuner out'.<br><br>Does anybody else remember this?&nbs=
p; Could somebody with this a 'tuner out' pedal &amp; a footswitch try it o=
ut for me?<br><br><br>Ted H.<br>Enemies are good for self-definition. Werne=
r Herzog</td></tr></table><br>=0A      <hr size=3D1>=0ALooking for the perf=
ect gift?<a href=3D"http://www.flickr.com/gift/"><b> Give the gift of Flick=
r!</b></a>
--0-1455153879-1250350215=:84604--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 18:46:29 2009
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Date: Sun, 16 Aug 2009 03:46:23 +0900
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At 8:30 AM -0700 8/15/09, ditch wrestler wrote:
>I think it was a while back that somebody said by putting a latched 
>or unlatched footswitch into an effect pedal's 'tuner out' plug 
>would act as a kill switch, muting all that was going through the 
>pedal.

I think I know the trick you're talking about, and you're having 
trouble finding it (I think) 'cause a couple of your details are 
munged.

I believe you're referring to a trick discovered by our own William 
Walker while using one of the Korg tuners.  There are a couple of the 
Korg models that have an input for a pedal to be used as a "Mute" 
switch.  You can attach a unlatched footswitch (like a Roland 
FS-series switch) into this connector and use it as a 'killswitch' to 
create your own gating effects.

I'm sure that if you search back for Bill's posts looking for "Korg 
tuner" you'll probably find the thread you're searching for....

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 19:47:38 2009
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Date: Sat, 15 Aug 2009 12:47:35 -0700 (PDT)
Subject: Henry Kaiser Solo CD
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I woke up feeling kind of blue this morning;  quarantined for a few days
with a nasty
roto virus that my wife and I caught (not swine flu, thank god),  sealed
inside the house
because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
industrial HEPA filter
fans on high (I'm sooooo sick of the sound of those fans on high).

I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
guitar
improvisation CD on.

I'm listening to the title track right now and it is just beautiful and
awe inspiring.
It makes me want to throw away all of my instruments and only play
electric guitar
for the rest of my life.

Called 'where endless meets disappearing',  this long droning track is
just beautiful:
abstract, melodic,  fractured,  soothing.   It has it all and if any of
you were fortunate
to have caught Henry's exquisite solo set at the loop festival last year, 
it is along
the lines of things he played to his beautiful and serene underwater
photography
from under the Antarctic ice caps as a professional diver.

I can imagine being underwater listening to this music.

In the liner notes, he calls this opus,  ".....a concept album about the
intersection of different
personal practise and their attached intimacies."

You get this concept viscerally, just listening to the playing.

It just made me completely forget about my small woes and makes me want to
start
plugging gear in and using it in new, undiscovered ways.

That's a pretty damn good recommendation for any music, I suppose.

A beautiful and thought provoking record.  I highly recommend it if you
are in search of
either beauty or musical inspiration.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 20:04:39 2009
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Hi all,

I have to de-lurk here, being a lover of stretched audio myself. For 
slowing down audio, I found "Paul's Extreme Sound Stretch" a very 
valuable tool (http://hypermammut.sourceforge.net/paulstretch/ ). With 
this program, you can do really extreme stretching (hence the name) 
without change of pitch. The results can be really beautiful.

All the best,
Johannes

ditch wrestler schrieb:
>
> If you like really slowed down music, Leif Inge took Beethoven's 9th 
> Symphony (a tad over an hour long) and stretched to last for 24 hours 
> and then pitch corrected it - http://www.expandedfield.net/
>
> This is some sweet music.
>
> I grabbed the whole thing a while ago from his website but that seems 
> to be gone; however, it is up as a webcast.
>
>
> Ted H.
> Enemies are good for self-definition. Werner Herzog
>
> --- On *Sat, 8/15/09, Rick Walker /<looppool@cruzio.com>/* wrote:
>
>
>     From: Rick Walker <looppool@cruzio.com>
>     Subject: Music at Quarter Speed
>     To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>     Received: Saturday, August 15, 2009, 12:14 AM
>
>     Clint wrote referring to an Eno remix:
>     "Ha! This whole time I've had that and never realized it was a
>     slowed remix."
>
>
> ------------------------------------------------------------------------
> Looking for the perfect gift?* Give the gift of Flickr!* 
> <http://www.flickr.com/gift/> 


-- 
Johannes Korn  - j.korn@gmx.de
http://www.myspace.com/nashorn

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 20:05:12 2009
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Subject: Re: Henry Kaiser Solo CD
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Someone was telling me, maybe you Rick? that Kaiser has been experimenting 
wiht a new technique of playing, where what he played was not directly 
intentional or completely a product of direct consciousness. . I guess he 
was experimeting by talking or doing other things while he was playing the 
guitar, so that it lessened the intentionality of his playing, thereby 
making it more random and new.  Did you hear this too? It is as if he were 
distancing himself from the guitar and letting this body play.   Maybe it 
was someone at BCIMF who told me.

Kris

----- Original Message ----- 


>I woke up feeling kind of blue this morning;  quarantined for a few days
> with a nasty
> roto virus that my wife and I caught (not swine flu, thank god),  sealed
> inside the house
> because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
> industrial HEPA filter
> fans on high (I'm sooooo sick of the sound of those fans on high).
>
> I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
> guitar
> improvisation CD on.
>
> I'm listening to the title track right now and it is just beautiful and
> awe inspiring.
> It makes me want to throw away all of my instruments and only play
> electric guitar
> for the rest of my life.
>
> Called 'where endless meets disappearing',  this long droning track is
> just beautiful:
> abstract, melodic,  fractured,  soothing.   It has it all and if any of
> you were fortunate
> to have caught Henry's exquisite solo set at the loop festival last year,
> it is along
> the lines of things he played to his beautiful and serene underwater
> photography
> from under the Antarctic ice caps as a professional diver.
>
> I can imagine being underwater listening to this music.
>
> In the liner notes, he calls this opus,  ".....a concept album about the
> intersection of different
> personal practise and their attached intimacies."
>
> You get this concept viscerally, just listening to the playing.
>
> It just made me completely forget about my small woes and makes me want to
> start
> plugging gear in and using it in new, undiscovered ways.
>
> That's a pretty damn good recommendation for any music, I suppose.
>
> A beautiful and thought provoking record.  I highly recommend it if you
> are in search of
> either beauty or musical inspiration.
>
> rick walker
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 22:00:15 2009
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This is the CD Damon Smith put out on Balancepoint?  I haven't heard it yet, but it's on my wish list..

I don't think that the speaking/playing thing is all that new to Kaiser.  He's done it before ( "Meet the Flintstones" off of Lemon Fish Tweezer comes to mind ), I believe he got the habit from Derek Bailey who did fairly often..

It does open improvisational doors. ( Davey Williams once told me he would practice guitar while reading a book..)

Mr Kaiser doesn't get enough credit when it comes to the history of looping.  His piece "It's a Wonderful Life" is a stellar example of the genre..




I guess that was my first post...


Cheers!

Doug H
---- Krispen Hartung <info@krispenhartung.com> wrote: 
> Someone was telling me, maybe you Rick? that Kaiser has been experimenting 
> wiht a new technique of playing, where what he played was not directly 
> intentional or completely a product of direct consciousness. . I guess he 
> was experimeting by talking or doing other things while he was playing the 
> guitar, so that it lessened the intentionality of his playing, thereby 
> making it more random and new.  Did you hear this too? It is as if he were 
> distancing himself from the guitar and letting this body play.   Maybe it 
> was someone at BCIMF who told me.
> 
> Kris
> 
> ----- Original Message ----- 
> 
> 
> >I woke up feeling kind of blue this morning;  quarantined for a few days
> > with a nasty
> > roto virus that my wife and I caught (not swine flu, thank god),  sealed
> > inside the house
> > because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
> > industrial HEPA filter
> > fans on high (I'm sooooo sick of the sound of those fans on high).
> >
> > I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
> > guitar
> > improvisation CD on.
> >
> > I'm listening to the title track right now and it is just beautiful and
> > awe inspiring.
> > It makes me want to throw away all of my instruments and only play
> > electric guitar
> > for the rest of my life.
> >
> > Called 'where endless meets disappearing',  this long droning track is
> > just beautiful:
> > abstract, melodic,  fractured,  soothing.   It has it all and if any of
> > you were fortunate
> > to have caught Henry's exquisite solo set at the loop festival last year,
> > it is along
> > the lines of things he played to his beautiful and serene underwater
> > photography
> > from under the Antarctic ice caps as a professional diver.
> >
> > I can imagine being underwater listening to this music.
> >
> > In the liner notes, he calls this opus,  ".....a concept album about the
> > intersection of different
> > personal practise and their attached intimacies."
> >
> > You get this concept viscerally, just listening to the playing.
> >
> > It just made me completely forget about my small woes and makes me want to
> > start
> > plugging gear in and using it in new, undiscovered ways.
> >
> > That's a pretty damn good recommendation for any music, I suppose.
> >
> > A beautiful and thought provoking record.  I highly recommend it if you
> > are in search of
> > either beauty or musical inspiration.
> >
> > rick walker
> >
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 22:25:44 2009
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Subject: Re: LOOP V (was: livelooping in antwerp)
Date: Sat, 15 Aug 2009 19:25:16 -0300
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>> is there any "loopwindowing" around minute 9, where those granny
>> arpeggios are modified later... ? is it possible michael, to do the
>> *old* edp trick with the plugin too?
>
> I'm not sure what I did but yes, I think the LoopV software can do  
> what the
> EDP could do, and more (such as continuous speed control). Don't  
> know if
> Matthias and Andy are still putting lots of effort into the  
> development of
> this, now that Matthias is a father ...

just today, the family moved to a more appropriate flat, without my  
work space.
the idea is to move to some atelier, where I can concentrate better. I  
need to keep the entire code in my head to work efficiently, which was  
not possible since Icaue was born.
And I found a new partner here in Brasil, Pedro, a young EE and great  
guitar player, who will help me to adapt the software to a new  
hardware... not that I would give up working with Andy, but to  
collaborate in the same physical space has some huge advantages which  
I did not enjoy since I worked with Eric on the EDP between 1992 and  
1994.

so yes, I will finish this plugin! Its already doing almost everything  
the EDP did, since I basically translated from the original ASM code.  
Plus its nearly sample accurate now.

>
>> all through the guitar pickups. i don't know why, but i prefer this
>> approach better than triggering samples or using a mic to feed the
>> loops. more experimental. better results.
>
> it is more direct somehow, yes

yes, its that middle way I believe in, too: intuitive instant  
expression and easy noise free amplification!

From clarkphillip72@yahoo.com.hk  Sat Aug 15 22:27:44 2009
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Date: Sat, 15 Aug 2009 15:36:47 -0300
Subject: Dear Winner,
From: "UK NATIONAL LOTTERY" <clarkphillip72@yahoo.com.hk>
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Dear Winner,

We happily announce to you the Draw (#679) of the UK NATIONAL LOTTERY held
on the 15th August,2009.Your E-mail Address  attached to Ticket
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Congratulations! Your E-mail Address Won In Our Sweepstakes.

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 23:17:29 2009
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Date: Sat, 15 Aug 2009 16:16:22 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Music at Quarter Speed
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Preaching to the choir by throwing in a plug for listmember Zoe Keating, the closing track on her 'one cello x 16: natoma' CD, called 'legions (aftermath)' is a timestretched (to 20%) version of her piece 'legions (war)'. Yes, it's got artifacts (timestretchmarks?) but it sounds extremely wonderful anyway.

Here are three different live clips of the non-stretched 'legions':

<http://www.youtube.com/watch?v=uUDI256PY4E>
<http://www.youtube.com/watch?v=Asz9AKPvo2o&feature=related>
<http://www.youtube.com/watch?v=YAUMzDAuhKk&feature=related>

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62



      

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 23:27:05 2009
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Subject: Re: Henry Kaiser Solo CD
Date: Sat, 15 Aug 2009 19:28:08 -0400
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Hey, I found this great vid with Kaiser, Arlid Anderson and a drummer named 
Bill Walker that looks alot like you! :) 
http://nevergetoutoftheboat.blogspot.com/2008/01/henry-kaiserarild-andersenbill-walker.html

J

----- Original Message ----- 
From: <looppool@cruzio.com>
To: <loopers-delight@loopers-delight.com>
Sent: Saturday, August 15, 2009 3:47 PM
Subject: Henry Kaiser Solo CD


>I woke up feeling kind of blue this morning;  quarantined for a few days
> with a nasty
> roto virus that my wife and I caught (not swine flu, thank god),  sealed
> inside the house
> because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
> industrial HEPA filter
> fans on high (I'm sooooo sick of the sound of those fans on high).
>
> I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
> guitar
> improvisation CD on.
>
> I'm listening to the title track right now and it is just beautiful and
> awe inspiring.
> It makes me want to throw away all of my instruments and only play
> electric guitar
> for the rest of my life.
>
> Called 'where endless meets disappearing',  this long droning track is
> just beautiful:
> abstract, melodic,  fractured,  soothing.   It has it all and if any of
> you were fortunate
> to have caught Henry's exquisite solo set at the loop festival last year,
> it is along
> the lines of things he played to his beautiful and serene underwater
> photography
> from under the Antarctic ice caps as a professional diver.
>
> I can imagine being underwater listening to this music.
>
> In the liner notes, he calls this opus,  ".....a concept album about the
> intersection of different
> personal practise and their attached intimacies."
>
> You get this concept viscerally, just listening to the playing.
>
> It just made me completely forget about my small woes and makes me want to
> start
> plugging gear in and using it in new, undiscovered ways.
>
> That's a pretty damn good recommendation for any music, I suppose.
>
> A beautiful and thought provoking record.  I highly recommend it if you
> are in search of
> either beauty or musical inspiration.
>
> rick walker
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 15 23:29:38 2009
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Subject: Re: Henry Kaiser Solo CD
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Rick, I forgot to post the source of this where it lists you correctly.
http://www.youtube.com/watch?v=SrThQZ_eS-o

j

----- Original Message ----- 
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 15, 2009 7:28 PM
Subject: Re: Henry Kaiser Solo CD


> Hey, I found this great vid with Kaiser, Arlid Anderson and a drummer 
> named Bill Walker that looks alot like you! :) 
> http://nevergetoutoftheboat.blogspot.com/2008/01/henry-kaiserarild-andersenbill-walker.html
>
> J
>
> ----- Original Message ----- 
> From: <looppool@cruzio.com>
> To: <loopers-delight@loopers-delight.com>
> Sent: Saturday, August 15, 2009 3:47 PM
> Subject: Henry Kaiser Solo CD
>
>
>>I woke up feeling kind of blue this morning;  quarantined for a few days
>> with a nasty
>> roto virus that my wife and I caught (not swine flu, thank god),  sealed
>> inside the house
>> because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
>> industrial HEPA filter
>> fans on high (I'm sooooo sick of the sound of those fans on high).
>>
>> I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
>> guitar
>> improvisation CD on.
>>
>> I'm listening to the title track right now and it is just beautiful and
>> awe inspiring.
>> It makes me want to throw away all of my instruments and only play
>> electric guitar
>> for the rest of my life.
>>
>> Called 'where endless meets disappearing',  this long droning track is
>> just beautiful:
>> abstract, melodic,  fractured,  soothing.   It has it all and if any of
>> you were fortunate
>> to have caught Henry's exquisite solo set at the loop festival last year,
>> it is along
>> the lines of things he played to his beautiful and serene underwater
>> photography
>> from under the Antarctic ice caps as a professional diver.
>>
>> I can imagine being underwater listening to this music.
>>
>> In the liner notes, he calls this opus,  ".....a concept album about the
>> intersection of different
>> personal practise and their attached intimacies."
>>
>> You get this concept viscerally, just listening to the playing.
>>
>> It just made me completely forget about my small woes and makes me want 
>> to
>> start
>> plugging gear in and using it in new, undiscovered ways.
>>
>> That's a pretty damn good recommendation for any music, I suppose.
>>
>> A beautiful and thought provoking record.  I highly recommend it if you
>> are in search of
>> either beauty or musical inspiration.
>>
>> rick walker
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 00:03:38 2009
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Date: Sat, 15 Aug 2009 17:03:37 -0700 (PDT)
Subject: Re: Henry Kaiser Solo CD 
From: looppool@cruzio.com
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Krispen asked:
"Someone was telling me, maybe you Rick? that Kaiser has been experimenting
wiht a new technique of playing, where what he played was not directly
intentional or completely a product of direct consciousness. . I guess he
was experimeting by talking or doing other things while he was playing the
guitar, so that it lessened the intentionality of his playing, thereby
making it more random and new.  Did you hear this too? It is as if he were
distancing himself from the guitar and letting this body play.   Maybe it
was someone at BCIMF who told me."

Yes, Kris, that was me.   Henry told me about this when he surprised me
the last
time we performed at the Luggage Store as a duo and asked me if he minded if
he told a story while we played.   I said sure and played even quieter
than I had
been (he had surprised be before that by asking me to play only
acoustically and without
microphones, which was something I hadn't done (except on my front porch)
in ten years
of performance...........that was a challenge as the volume levels of
percussion
tend to be a lot louder than with acoustic guitar.

He then applied the same modus operandi when he and Arild Andersen and I
improvised
at the looping festival two years ago.

It's funny, because we've laughed about it since,  but I am such a musical
empath that I found it difficult not to try and play with what he was
playing.   I even confessed to him (and he's such a sweet open guy guy
that it was really nice that he heard my confession with total good humor)
that I had really wanted to do some grooving with Arild at that show but
that it seemed innappropriate given the way his approach works.     But
Henry surprised me again (that's a wonderful quality in a musician) and
said it would have been fine to have groove with him; that it could
provide interesting results.     He then gave me a duo CD where he used
that approach with a really inside pianist,  who payed inside for the
whole CD.

Henry has really challenged me and challenged the way I do things in a
very good way.

I'm not sure I want to use his approach , personally, because it's just
not what i hear or don't hear (for that matter) in my head,  but I've had
to go back and completely recontextualize
my tendency towards musical empathy and 'support' playing.
I've been a professional rhythm section member all of my life and made
hundreds of records and dozens of tours where I was expected to groove
whatever I did so this
is a wonderful way of opening me up.

I really appreciate Henry's effect on me.   I think it's made me a better
player and , certainly,
a better 'free' player.

I don't know though, whether he used that approach on this record.   It
doesn't sound like it to me,  because he will play little beautiful music
phrases and the instant you think he's going somewhere,  he'll turn on a
dime and go elsewhere.

considering that approach,  it's a beautiful record to listen to even from
a formal melodists standpoint.    One of my favorite favorites of his
large catalogue in my book.




From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 02:28:27 2009
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Subject: RE: OT: footswitch in "tuner out"
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 Yep that's correct M.    Korg DT-7 and a momentary footswitch, there may be
other tuners this works with too but the DT-7 has an actual mute jack.
Bill
-----Original Message-----
From: Mech [mailto:mech@m3ch.net] 
Sent: Saturday, August 15, 2009 11:46 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: footswitch in "tuner out"

At 8:30 AM -0700 8/15/09, ditch wrestler wrote:
>I think it was a while back that somebody said by putting a latched 
>or unlatched footswitch into an effect pedal's 'tuner out' plug 
>would act as a kill switch, muting all that was going through the 
>pedal.

I think I know the trick you're talking about, and you're having 
trouble finding it (I think) 'cause a couple of your details are 
munged.

I believe you're referring to a trick discovered by our own William 
Walker while using one of the Korg tuners.  There are a couple of the 
Korg models that have an input for a pedal to be used as a "Mute" 
switch.  You can attach a unlatched footswitch (like a Roland 
FS-series switch) into this connector and use it as a 'killswitch' to 
create your own gating effects.

I'm sure that if you search back for Bill's posts looking for "Korg 
tuner" you'll probably find the thread you're searching for....

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 02:32:12 2009
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Subject: Re: OT: footswitch in "tuner out"
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It's realllly easy to instally a momentary switch if anybody else is looking 
to make noises like that.  Lots of mods can be made if you can overcome the 
"fear factor" of doing something new.

\t



----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, August 15, 2009 7:28 PM
Subject: RE: OT: footswitch in "tuner out"


>
> Yep that's correct M.    Korg DT-7 and a momentary footswitch, there may 
> be
> other tuners this works with too but the DT-7 has an actual mute jack.
> Bill
> -----Original Message-----
> From: Mech [mailto:mech@m3ch.net]
> Sent: Saturday, August 15, 2009 11:46 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: footswitch in "tuner out"
>
> At 8:30 AM -0700 8/15/09, ditch wrestler wrote:
>>I think it was a while back that somebody said by putting a latched
>>or unlatched footswitch into an effect pedal's 'tuner out' plug
>>would act as a kill switch, muting all that was going through the
>>pedal.
>
> I think I know the trick you're talking about, and you're having
> trouble finding it (I think) 'cause a couple of your details are
> munged.
>
> I believe you're referring to a trick discovered by our own William
> Walker while using one of the Korg tuners.  There are a couple of the
> Korg models that have an input for a pedal to be used as a "Mute"
> switch.  You can attach a unlatched footswitch (like a Roland
> FS-series switch) into this connector and use it as a 'killswitch' to
> create your own gating effects.
>
> I'm sure that if you search back for Bill's posts looking for "Korg
> tuner" you'll probably find the thread you're searching for....
>
> --m.
> -- 
> _____
> "the wind in my heart; the dust in my head...."
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 04:52:52 2009
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At 7:28 PM -0700 8/15/09, William Walker wrote:
>  Yep that's correct M.    Korg DT-7 and a momentary footswitch, there may be
>other tuners this works with too but the DT-7 has an actual mute jack.

Korg DT-7: that's it!  It was 4 in the morning when I posted that 
last reply, and I was too tired to go downstairs and check the model.

And if I didn't already say it when you first posted that tip: thanks, Bill!

I'd been just about to the point of trying to kludge together 
something similar myself, and I tend to burn things when I plug in a 
soldering iron -- myself, the cat, the house down, etc.  But I was 
able to find a DT-7 that was NOS in a local music shop (they've 
recently been discontinued, I'm afraid).  So a heartfelt "thank you" 
from both myself and my fire insurance company is quite in order.  :)

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 08:26:15 2009
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ditch wrestler wrote:
> 
> I think it was a while back that somebody said by putting a latched or 
> unlatched footswitch into an effect pedal's 'tuner out' plug would act 
> as a kill switch, muting all that was going through the pedal.
> 
> I've poked through the archive but couldn't find the original post and a 
> trip this morning to two LMS's came up empty as neither had a pedal with 
> a 'tuner out'.
> 
> Does anybody else remember this?  Could somebody with this a 'tuner out' 
> pedal & a footswitch try it out for me?

I expect what you want is an unlatched footswitch for stuttering sound.
As to whether it works with your effect pedal...weell
no-body can tell you.
It depends on the circuit, which depends on *which* fx pedal you use.

Only thing to do is try it with any fx peds you have and see if it works.
(more likely to work on cheaper ones)

hope that helps

andy butler
..and you don't need to buy a Korg tuner, tho' I expect that would also work.



> 
> 
> Ted H.
> Enemies are good for self-definition. Werner Herzog
> 
> 
> ------------------------------------------------------------------------
> Looking for the perfect gift?* Give the gift of Flickr!* 
> <http://www.flickr.com/gift/>

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looppool@cruzio.com wrote:

> I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
> guitar
> improvisation CD on.
> 
> I'm listening to the title track right now and it is just beautiful and
> awe inspiring.
> It makes me want to throw away all of my instruments and only play
> electric guitar
> for the rest of my life.
> 
> Called 'where endless meets disappearing',  this long droning track is
> just beautiful:
> abstract, melodic,  fractured,  soothing.   It has it all and if any of
> you were fortunate
> to have caught Henry's exquisite solo set at the loop festival last year, 
> it is along
> the lines of things he played to his beautiful and serene underwater
> photography
> from under the Antarctic ice caps as a professional diver.

Make sure you see Herzog's "Wild Blue Yonder" for some simply
amazing underwater photos by Henry.
Also "Encounters at the End of the World " has some Henry shots,
and shows him playing.

> 
> I can imagine being underwater listening to this music.
> 
> In the liner notes, he calls this opus,  ".....a concept album about the
> intersection of different
> personal practise and their attached intimacies."
> 
> You get this concept viscerally, just listening to the playing.
> 
> It just made me completely forget about my small woes and makes me want to
> start
> plugging gear in and using it in new, undiscovered ways.

I had Kaiser's "It's a Wonderful Life" since my pre-loop days.
Could never figure how he did it.
...it was a digital delay with carefully set up square wave modulation,
( and if anyone wants to try a plugin that does that, please ask (Win only) )

> 
> That's a pretty damn good recommendation for any music, I suppose.
> 

Well, you sold me on it :-)
...can't find a source tho' :-(

andy





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i can't find it either

On Sun, Aug 16, 2009 at 10:52 AM, andy butler <akbutler@tiscali.co.uk>wrote:

> looppool@cruzio.com wrote:
>
>  I got up, made a too strong cup of coffee and put Henry Kaiser's new solo
>> guitar
>> improvisation CD on.
>>
>> I'm listening to the title track right now and it is just beautiful and
>> awe inspiring.
>> It makes me want to throw away all of my instruments and only play
>> electric guitar
>> for the rest of my life.
>>
>> Called 'where endless meets disappearing',  this long droning track is
>> just beautiful:
>> abstract, melodic,  fractured,  soothing.   It has it all and if any of
>> you were fortunate
>> to have caught Henry's exquisite solo set at the loop festival last year,
>> it is along
>> the lines of things he played to his beautiful and serene underwater
>> photography
>> from under the Antarctic ice caps as a professional diver.
>>
>
> Make sure you see Herzog's "Wild Blue Yonder" for some simply
> amazing underwater photos by Henry.
> Also "Encounters at the End of the World " has some Henry shots,
> and shows him playing.
>
>
>> I can imagine being underwater listening to this music.
>>
>> In the liner notes, he calls this opus,  ".....a concept album about the
>> intersection of different
>> personal practise and their attached intimacies."
>>
>> You get this concept viscerally, just listening to the playing.
>>
>> It just made me completely forget about my small woes and makes me want to
>> start
>> plugging gear in and using it in new, undiscovered ways.
>>
>
> I had Kaiser's "It's a Wonderful Life" since my pre-loop days.
> Could never figure how he did it.
> ...it was a digital delay with carefully set up square wave modulation,
> ( and if anyone wants to try a plugin that does that, please ask (Win only)
> )
>
>
>> That's a pretty damn good recommendation for any music, I suppose.
>>
>>
> Well, you sold me on it :-)
> ...can't find a source tho' :-(
>
> andy
>
>
>
>
>
>

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i can&#39;t find it either<br><br><div class=3D"gmail_quote">On Sun, Aug 16=
, 2009 at 10:52 AM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akb=
utler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href=3D"mailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzio.co=
m</a> wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I got up, made a too strong cup of coffee and put Henry Kaiser&#39;s new so=
lo<br>
guitar<br>
improvisation CD on.<br>
<br>
I&#39;m listening to the title track right now and it is just beautiful and=
<br>
awe inspiring.<br>
It makes me want to throw away all of my instruments and only play<br>
electric guitar<br>
for the rest of my life.<br>
<br>
Called &#39;where endless meets disappearing&#39;, =A0this long droning tra=
ck is<br>
just beautiful:<br>
abstract, melodic, =A0fractured, =A0soothing. =A0 It has it all and if any =
of<br>
you were fortunate<br>
to have caught Henry&#39;s exquisite solo set at the loop festival last yea=
r, it is along<br>
the lines of things he played to his beautiful and serene underwater<br>
photography<br>
from under the Antarctic ice caps as a professional diver.<br>
</blockquote>
<br>
Make sure you see Herzog&#39;s &quot;Wild Blue Yonder&quot; for some simply=
<br>
amazing underwater photos by Henry.<br>
Also &quot;Encounters at the End of the World &quot; has some Henry shots,<=
br>
and shows him playing.<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
I can imagine being underwater listening to this music.<br>
<br>
In the liner notes, he calls this opus, =A0&quot;.....a concept album about=
 the<br>
intersection of different<br>
personal practise and their attached intimacies.&quot;<br>
<br>
You get this concept viscerally, just listening to the playing.<br>
<br>
It just made me completely forget about my small woes and makes me want to<=
br>
start<br>
plugging gear in and using it in new, undiscovered ways.<br>
</blockquote>
<br>
I had Kaiser&#39;s &quot;It&#39;s a Wonderful Life&quot; since my pre-loop =
days.<br>
Could never figure how he did it.<br>
...it was a digital delay with carefully set up square wave modulation,<br>
( and if anyone wants to try a plugin that does that, please ask (Win only)=
 )<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
That&#39;s a pretty damn good recommendation for any music, I suppose.<br>
<br>
</blockquote>
<br>
Well, you sold me on it :-)<br>
...can&#39;t find a source tho&#39; :-(<br><font color=3D"#888888">
<br>
andy<br>
<br>
<br>
<br>
<br>
<br>
</font></blockquote></div><br>

--00163646da6cb4b19704713fdfce--

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To: <Loopers-Delight@loopers-delight.com>
References: <a3c2926fc893cfda12b356a762aa6b2f.squirrel@cruziomail.cruzio.com> <4A87C8D9.7020509@tiscali.co.uk> <928849410908160337l45c4d263x537111cd94b41bc1@mail.gmail.com>
Subject: Re: Henry Kaiser Solo CD
Date: Sun, 16 Aug 2009 07:45:20 -0400
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Where Endless Meets disappearing
Henry Kaiser

http://www.balancepointacoustics.com/


j

  ----- Original Message -----=20
  From: Doc Rossi=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, August 16, 2009 6:37 AM
  Subject: Re: Henry Kaiser Solo CD


  i can't find it either


  On Sun, Aug 16, 2009 at 10:52 AM, andy butler <akbutler@tiscali.co.uk> =
wrote:

    looppool@cruzio.com wrote:


      I got up, made a too strong cup of coffee and put Henry Kaiser's =
new solo
      guitar
      improvisation CD on.

      I'm listening to the title track right now and it is just =
beautiful and
      awe inspiring.
      It makes me want to throw away all of my instruments and only play
      electric guitar
      for the rest of my life.

      Called 'where endless meets disappearing',  this long droning =
track is
      just beautiful:
      abstract, melodic,  fractured,  soothing.   It has it all and if =
any of
      you were fortunate
      to have caught Henry's exquisite solo set at the loop festival =
last year, it is along
      the lines of things he played to his beautiful and serene =
underwater
      photography
      from under the Antarctic ice caps as a professional diver.


    Make sure you see Herzog's "Wild Blue Yonder" for some simply
    amazing underwater photos by Henry.
    Also "Encounters at the End of the World " has some Henry shots,
    and shows him playing.



      I can imagine being underwater listening to this music.

      In the liner notes, he calls this opus,  ".....a concept album =
about the
      intersection of different
      personal practise and their attached intimacies."

      You get this concept viscerally, just listening to the playing.

      It just made me completely forget about my small woes and makes me =
want to
      start
      plugging gear in and using it in new, undiscovered ways.


    I had Kaiser's "It's a Wonderful Life" since my pre-loop days.
    Could never figure how he did it.
    ...it was a digital delay with carefully set up square wave =
modulation,
    ( and if anyone wants to try a plugin that does that, please ask =
(Win only) )



      That's a pretty damn good recommendation for any music, I suppose.



    Well, you sold me on it :-)
    ...can't find a source tho' :-(

    andy








------=_NextPart_000_000F_01CA1E45.8176E570
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>Where Endless=20
Meets disappearing<BR>Henry Kaiser</FONT><BR></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.balancepointacoustics.com/">http://www.balancepointaco=
ustics.com/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddocittern@gmail.com href=3D"mailto:docittern@gmail.com">Doc =
Rossi</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, August 16, 2009 =
6:37=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Henry Kaiser Solo =
CD</DIV>
  <DIV><BR></DIV>i can't find it either<BR><BR>
  <DIV class=3Dgmail_quote>On Sun, Aug 16, 2009 at 10:52 AM, andy butler =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid"><A=20
    href=3D"mailto:looppool@cruzio.com" =
target=3D_blank>looppool@cruzio.com</A>=20
    wrote:<BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">I=20
      got up, made a too strong cup of coffee and put Henry Kaiser's new =

      solo<BR>guitar<BR>improvisation CD on.<BR><BR>I'm listening to the =
title=20
      track right now and it is just beautiful and<BR>awe =
inspiring.<BR>It makes=20
      me want to throw away all of my instruments and only =
play<BR>electric=20
      guitar<BR>for the rest of my life.<BR><BR>Called 'where endless =
meets=20
      disappearing', &nbsp;this long droning track is<BR>just=20
      beautiful:<BR>abstract, melodic, &nbsp;fractured, &nbsp;soothing. =
&nbsp;=20
      It has it all and if any of<BR>you were fortunate<BR>to have =
caught=20
      Henry's exquisite solo set at the loop festival last year, it is=20
      along<BR>the lines of things he played to his beautiful and serene =

      underwater<BR>photography<BR>from under the Antarctic ice caps as =
a=20
      professional diver.<BR></BLOCKQUOTE><BR>Make sure you see Herzog's =
"Wild=20
    Blue Yonder" for some simply<BR>amazing underwater photos by =
Henry.<BR>Also=20
    "Encounters at the End of the World " has some Henry shots,<BR>and =
shows him=20
    playing.<BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid"><BR>I=20
      can imagine being underwater listening to this music.<BR><BR>In =
the liner=20
      notes, he calls this opus, &nbsp;".....a concept album about=20
      the<BR>intersection of different<BR>personal practise and their =
attached=20
      intimacies."<BR><BR>You get this concept viscerally, just =
listening to the=20
      playing.<BR><BR>It just made me completely forget about my small =
woes and=20
      makes me want to<BR>start<BR>plugging gear in and using it in new, =

      undiscovered ways.<BR></BLOCKQUOTE><BR>I had Kaiser's "It's a =
Wonderful=20
    Life" since my pre-loop days.<BR>Could never figure how he did =
it.<BR>...it=20
    was a digital delay with carefully set up square wave =
modulation,<BR>( and=20
    if anyone wants to try a plugin that does that, please ask (Win =
only)=20
    )<BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid"><BR>That's=20
      a pretty damn good recommendation for any music, I=20
    suppose.<BR><BR></BLOCKQUOTE><BR>Well, you sold me on it =
:-)<BR>...can't=20
    find a source tho' :-(<BR><FONT=20
    =
color=3D#888888><BR>andy<BR><BR><BR><BR><BR><BR></FONT></BLOCKQUOTE></DIV=
><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 11:47:17 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
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References: <a3c2926fc893cfda12b356a762aa6b2f.squirrel@cruziomail.cruzio.com> <4A87C8D9.7020509@tiscali.co.uk>
Subject: Another virtual gig
Date: Sun, 16 Aug 2009 12:47:30 +0100
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Yes, it's happening again. This Sunday, 16 August I'll be doing another of 
my 'Sunday Soundings' live broadcasts of solo improvised music on 
Ustream.TV. It's at 5:30pm UK time. International time here: 
http://tinyurl.com/qr9d2m
There will, no doubt be a fair amount of loopage involved.

You can watch live and join in the interactive chat by following this link:
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
There are also archived recordings of my previous broadcasts, which can be 
viewed any time.

I will probably do something more guitar-based this time, but as usual there 
may be some surprises.

Thanks to everyone who has been joining me for these sessions. It's great to 
be able to reach people all over the world in this way. I really appreciate 
you taking the time to watch/listen, and I'm very grateful for all your kind 
comments and words of encouragement.

Hope you can join me.

Love and best wishes to you all

Steve


www.stevemoyes.org.uk
www.twitter.com/SteveMoyes 


From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 15:54:56 2009
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Subject: Re: Henry Kaiser Solo CD
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> Mr Kaiser doesn't get enough credit when it comes to the history of 
> looping.  His piece "It's a Wonderful Life" is a stellar example of the 
> genre..

btw, that is availiable here:
http://www.analogartsensemble.net/2009/08/henry-kaiser-solo-guitar.html

Jeff

----- Original Message ----- 
From: <dohol1@windstream.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Krispen Hartung" <info@krispenhartung.com>
Sent: Saturday, August 15, 2009 5:35 PM
Subject: Re: Henry Kaiser Solo CD


> This is the CD Damon Smith put out on Balancepoint?  I haven't heard it 
> yet, but it's on my wish list..
>
> I don't think that the speaking/playing thing is all that new to Kaiser. 
> He's done it before ( "Meet the Flintstones" off of Lemon Fish Tweezer 
> comes to mind ), I believe he got the habit from Derek Bailey who did 
> fairly often..
>
> It does open improvisational doors. ( Davey Williams once told me he would 
> practice guitar while reading a book..)
>
> Mr Kaiser doesn't get enough credit when it comes to the history of 
> looping.  His piece "It's a Wonderful Life" is a stellar example of the 
> genre..
>
>
>
>
> I guess that was my first post...
>
>
> Cheers!
>
> Doug H
> ---- Krispen Hartung <info@krispenhartung.com> wrote:
>> Someone was telling me, maybe you Rick? that Kaiser has been 
>> experimenting
>> wiht a new technique of playing, where what he played was not directly
>> intentional or completely a product of direct consciousness. . I guess he
>> was experimeting by talking or doing other things while he was playing 
>> the
>> guitar, so that it lessened the intentionality of his playing, thereby
>> making it more random and new.  Did you hear this too? It is as if he 
>> were
>> distancing himself from the guitar and letting this body play.   Maybe it
>> was someone at BCIMF who told me.
>>
>> Kris
>>
>> ----- Original Message ----- 
>>
>>
>> >I woke up feeling kind of blue this morning;  quarantined for a few days
>> > with a nasty
>> > roto virus that my wife and I caught (not swine flu, thank god), 
>> > sealed
>> > inside the house
>> > because the Lockheed Fire smoke is so bad in Santa Cruz now..... with 
>> > big
>> > industrial HEPA filter
>> > fans on high (I'm sooooo sick of the sound of those fans on high).
>> >
>> > I got up, made a too strong cup of coffee and put Henry Kaiser's new 
>> > solo
>> > guitar
>> > improvisation CD on.
>> >
>> > I'm listening to the title track right now and it is just beautiful and
>> > awe inspiring.
>> > It makes me want to throw away all of my instruments and only play
>> > electric guitar
>> > for the rest of my life.
>> >
>> > Called 'where endless meets disappearing',  this long droning track is
>> > just beautiful:
>> > abstract, melodic,  fractured,  soothing.   It has it all and if any of
>> > you were fortunate
>> > to have caught Henry's exquisite solo set at the loop festival last 
>> > year,
>> > it is along
>> > the lines of things he played to his beautiful and serene underwater
>> > photography
>> > from under the Antarctic ice caps as a professional diver.
>> >
>> > I can imagine being underwater listening to this music.
>> >
>> > In the liner notes, he calls this opus,  ".....a concept album about 
>> > the
>> > intersection of different
>> > personal practise and their attached intimacies."
>> >
>> > You get this concept viscerally, just listening to the playing.
>> >
>> > It just made me completely forget about my small woes and makes me want 
>> > to
>> > start
>> > plugging gear in and using it in new, undiscovered ways.
>> >
>> > That's a pretty damn good recommendation for any music, I suppose.
>> >
>> > A beautiful and thought provoking record.  I highly recommend it if you
>> > are in search of
>> > either beauty or musical inspiration.
>> >
>> > rick walker
>> >
>> >
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 16:00:16 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RIP Les Paul
Date: Sun, 16 Aug 2009 15:59:13 +0000
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really sad to hear the news that Les Paul has died ages 94.

=20

"He is responsible for hits "Brazil"=2C "Vaya Con Dios"=2C =93Mockin=92 Bir=
d Hill=94=2C =93How High the Moon=94 and album =93Chester and Lester.=94 He=
 completed one of his first solid body guitars in 1951 after perfecting it =
over a period of 10 years. Les Paul made advances in the music recording pr=
ocess through tape delay=2C playback speeds=2C close-in microphones for voc=
als and multitrack engineering."

=20

what a guy=2C whotouched all our lives without even meeting many of us=2C m=
y sympathies go out to all who knew him at this time.

=20

Phill
=20

_________________________________________________________________

Upgrade to Internet Explorer 8 Optimised for MSN. =20

http://extras.uk.msn.com/internet-explorer-8/?ocid=3DT010MSN07A0716U=

--_b98fea28-4896-4b63-a405-6a72c36c21ce_
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<body class=3D'hmmessage'>
really sad&nbsp=3Bto hear the news that Les Paul has died ages 94.<BR>
&nbsp=3B<BR>
"He is responsible for hits "Brazil"=2C "Vaya Con Dios"=2C =93Mockin=92 Bir=
d Hill=94=2C =93How High the Moon=94 and album =93Chester and Lester.=94 He=
 completed one of his first solid body guitars in 1951 after perfecting it =
over a period of 10 years. Les Paul made advances in the music recording pr=
ocess through tape delay=2C playback speeds=2C close-in microphones for voc=
als and multitrack engineering."<BR>
&nbsp=3B<BR>
what a guy=2C whotouched all our lives without even meeting many of us=2C m=
y sympathies go out to all who knew him at this time.<BR>
&nbsp=3B<BR>
Phill<BR>&nbsp=3B<BR><br /><hr />Celebrate a decade of Messenger with free =
winks=2C emoticons=2C display pics=2C and more. <a href=3D'http://clk.atdmt=
.com/UKM/go/157562755/direct/01/' target=3D'_new'>Get Them Now</a></body>
</html>=

--_b98fea28-4896-4b63-a405-6a72c36c21ce_--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 17:56:27 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "William Walker \(William Walker\)" <billwalker@baymoon.com>
Subject: Concert at Kuumbwa Thursday Aug 20
Date: Sun, 16 Aug 2009 10:54:20 -0700
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Dear friends, 

I will be playing an opening set this Thursday Aug 20th  at 8 p.m., at the
Kuumbwa Jazz Center in support of the very talented
Harpist/pianist/singer/songwriter, Jesse Autumn,  who will be showcasing
material for her upcoming CD release ably assisted by the great cellist/
multi instrumentalist, Barry  Phillips. 

Hope you can make it.

 Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Dear friends, <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I will be playing an opening set this Thursday Aug =
20<sup>th</sup>
&nbsp;at 8 p.m., at the Kuumbwa Jazz Center in support of the very =
talented Harpist/pianist/singer/songwriter,
Jesse Autumn, &nbsp;who will be showcasing material for her upcoming CD =
release
ably assisted by the great cellist/ multi instrumentalist, Barry =
&nbsp;Phillips.
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hope you can make it.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Bill<o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 18:29:32 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Henry Kaiser Solo CD..and more
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Jeff Duke wrote:
>> Mr Kaiser doesn't get enough credit when it comes to the history of 
>> looping.  His piece "It's a Wonderful Life" is a stellar example of 
>> the genre..
> 
> btw, that is availiable here:
> http://www.analogartsensemble.net/2009/08/henry-kaiser-solo-guitar.html
> 
> Jeff
> 

that one on FLAC, rather than mp3 here

http://www.avantgardeproject.org/archive.htm

also a couple of earlier Kaiser albums,

..and a whole load of "avant garde" classical stuff

andy

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 20:16:05 2009
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	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
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Subject: 08.18.09 > DECADE! The PiNG's 10th ANNiVERSARY
Date: Sun, 16 Aug 2009 16:16:03 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TUESDAY AUGUST 18TH . THE AMBiENT PiNG
presents DECADE!  THE PiNG's 10th ANNiVERSARY
featuring WALLY & CJ JERICHO + KALTE
+ dreamSTATE + GENERAL CHAOS VISUALS
@ Supermarket  . 268 Augusta Ave . Kensington Market .
  just south of College. Map, info and directions at:
  http://www.supermarkettoronto.com/site/section/contact
  PiNG doors open at 8pm . 1st set at 8:30 . $6
  (Note - As there's 3 acts we'll strive to start promptly.)

. Wally & CJ Jericho . On August 17th 1999, Wally Jericho brought
his horns and other musical toys out to perform at the very first
PiNG. Now, 10 years later, we've invited Wally back to bring the
decade around full-circle. Wally will be performing with a new
generation - his son, CJ Jericho on guitar.
http://www.wallyjericho.com

. Kalte . Deane Hughes of Akumu and rik maclean of mara's
torment are pleased to present their collaborative ambient/abstract
project Kalte as part of THE AMBiENT PiNG's 10th anniversary
celebrations. The music of Kalte crosses a range of electronic
sub-genres including zero-bpm, musique concr=E9te and deep
ambient to produce dense and eerie soundscapes. Using the
process of improvised tonal manipulation found on their releases
"The Lanthanide Series" (Stasisfield, 2008) and "Glaciations"
(Dark Winter, 2009), Deane and rik will be sharing Kalte's musical
vision of isolation and darkness in a live setting for the very first
time. Also in celebration of the PiNG's 10th, Deane is releasing his
new DVD from AKUMU, "Tapeten: Video Anthology 2005-2008."
The DVD is a collection of experimental and abstract videos spanning
3 years of AKUMU's visuals, re-mixed in 5.1 surround sound and
available for the first time at the PiNG! For more information about
Kalte and to download exclusive 'net only releases, please
visit http://www.kaltemusic.com

. dreamSTATE . Electronic soundscape artists Scott M2 and
Jamie Todd of dreamSTATE played the third PING event on
August 31st, 1999. They began curating THE AMBiENT PiNG in
January 2000 and after presenting hundreds of PiNG concerts
across the city are very proud to perform at the PiNG's Tenth
Anniversary. Invited by rik of the ping things label to release a
new album for the occasion, dreamSTATE have just completed
"a decade dreaming", a selection of soundscapes recorded live
at their PiNG performances throughout the last 10 years. Perhaps
you were at some of those shows. Please join dreamSTATE again
as they present a set of old and very new works for 2009.
http://www.dreamstate.to

. General Chaos Visuals . Stephen Lindsey and Eric Siegerman
have long defined the visual style of the PiNG with their unique
analog light paintings. They are also the artists who hold the record
for most PINGs played. We are thrilled that General Chaos will be
returning again to illuminate this event.
http://www.generalchaosvisuals.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

check out ping things latest free downloadable net label release:

"a decade dreaming" by dreamSTATE.

ping things is very pleased to announce that their latest net release
is "a decade dreaming" by dreamSTATE. Released to coincide with
the PiNG's 10th anniversary, "a decade dreaming" features a
selection of live performances by dreamSTATE spanning ten years
of concerts at THE AMBiENT PiNG which celebrates both the music
and the PiNG community of the last decade.

With guest performances by Eric Hopper of Sylken, Alan Bloor of
Pholde/Knurl, Jim Field of Spacenoiz, James Johnson, Wally Jericho,
and Cheryl O, "a decade of dreaming" is a beautiful collection of
music that captures the essence of dreamSTATE and the PiNG itself.
>From the smooth pads of "Soundscape for Richard Wright", through
the delicate melodies of "Jharna Revealed", to "Premillennial
Landscape #1" and its celestial tones, "a decade dreaming"
is a fabulous release that ping things is delighted to be
able to share with you.

"a decade dreaming" is available for free download as a 110 Mb Zip
file containing the full release in high quality 256kbps mp3 format
along with artwork suitable for printing. The music on this release
is copyright Scott M2 and Jamie Todd 1999-2009 and may not be
used or reproduced without the artist's express permission.
For extended liner notes from "a decade dreaming", please visit:
http://www.dreamstate.to/decade

Download "a decade dreaming" by dreamSTATE here:
http://pingthings.blogspot.com/2009/08/download-decade-dreaming-by-dreams=
tat
e.html
or via a tiny URL here: http://tiny.cc/ySYIs
ping things: http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Looking for something more to plug into, then don't forget to check
out the other free downloadable net label releases from ping things:

. subduction current (iNTHiSHOUSE)
. Spatial Correlation (Les Landes)
. Phil Ogison (The Perfect City)
. Andrew Duke (Aqua)
. Nunc Stans (Land)
. Ortiz (Where did we come from defcon?)
. mara's torment (tactile)
. Building Castles Out of Matchsticks (October Sky)
. Remora (Ensoulment)
. Panoramaroid (Music for Travellers #2)
. mara's torment (fluctuations)
. Spatial Correlation (Love and the Fear of Poverty)
. Reinholt56 (Mechanism of the Soul)

All releases are available as free downloadable Zip files
containing the full release in high quality 256kbps mp3
format along with artwork suitable for printing. The
music on these releases is copyright controlled by
the original rights holders and may not be used or
reproduced without the artists' express permission.
http://www.pingthings.com/PTlabel.htm
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Also check out the ALMOST LiVE SERiES sets by Numina,
MWVM, NAW, Panoramaroid, Remora, Resonant Drift,
Salvagesound and URM archived and downloadable at:
http://www.ambientpingradio.blogspot.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Aug 16 22:58:26 2009
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Subject: Anyone in the sf bay area looking for a FCB1010? Mine is on 
	craigslist.
From: Art Simon <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
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I'm happy with my new IK Stealth pedal with the Boss FS-6 dual foot
switch and a second expression pedal, so I'm selling my FCB1010. I'd
rather not have to ship it, so I'm going to try and sell it locally
first.
http://sfbay.craigslist.org/eby/msg/1326626660.html


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 01:20:29 2009
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Henry Kaiser Solo CD
Date: Sun, 16 Aug 2009 18:20:28 -0700
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Sounds good--I'll check it out.
I just returned from The Beloved Festival --hung with Glenn Smith=2C our lo=
oper bro and mighty vocalist=2C for awhile=3B saw so much beautiful music--=
Fanna fi Allah continue to rock my Qwalli world=2C Bhagavan Das is amazing-=
-hope I can sing like that at...what=2C almost 70?! Usted Dildar Hussein=2C=
 also mighty!
So much more.
I just was turned on to Berangere Maximin ---a French looper/found sound go=
ddess--Check her out or maybe you have and I'm way late in the game.
Peace
J.D.Devros
deafrose58

> Date: Sat=2C 15 Aug 2009 12:47:35 -0700
> Subject: Henry Kaiser Solo CD
> From: looppool@cruzio.com
> To: loopers-delight@loopers-delight.com
>=20
> I woke up feeling kind of blue this morning=3B  quarantined for a few day=
s
> with a nasty
> roto virus that my wife and I caught (not swine flu=2C thank god)=2C  sea=
led
> inside the house
> because the Lockheed Fire smoke is so bad in Santa Cruz now..... with big
> industrial HEPA filter
> fans on high (I'm sooooo sick of the sound of those fans on high).
>=20
> I got up=2C made a too strong cup of coffee and put Henry Kaiser's new so=
lo
> guitar
> improvisation CD on.
>=20
> I'm listening to the title track right now and it is just beautiful and
> awe inspiring.
> It makes me want to throw away all of my instruments and only play
> electric guitar
> for the rest of my life.
>=20
> Called 'where endless meets disappearing'=2C  this long droning track is
> just beautiful:
> abstract=2C melodic=2C  fractured=2C  soothing.   It has it all and if an=
y of
> you were fortunate
> to have caught Henry's exquisite solo set at the loop festival last year=
=2C=20
> it is along
> the lines of things he played to his beautiful and serene underwater
> photography
> from under the Antarctic ice caps as a professional diver.
>=20
> I can imagine being underwater listening to this music.
>=20
> In the liner notes=2C he calls this opus=2C  ".....a concept album about =
the
> intersection of different
> personal practise and their attached intimacies."
>=20
> You get this concept viscerally=2C just listening to the playing.
>=20
> It just made me completely forget about my small woes and makes me want t=
o
> start
> plugging gear in and using it in new=2C undiscovered ways.
>=20
> That's a pretty damn good recommendation for any music=2C I suppose.
>=20
> A beautiful and thought provoking record.  I highly recommend it if you
> are in search of
> either beauty or musical inspiration.
>=20
> rick walker
>=20

_________________________________________________________________
With Windows Live=2C you can organize=2C edit=2C and share your photos.
http://www.windowslive.com/Desktop/PhotoGallery=

--_a6ff2c12-4ea9-4a6e-af3f-c6b5319f8222_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Sounds good--I'll check it out.<br>I just returned from The Beloved Festiva=
l --hung with Glenn Smith=2C our looper bro and mighty vocalist=2C for awhi=
le=3B saw so much beautiful music--Fanna fi Allah continue to rock my Qwall=
i world=2C Bhagavan Das is amazing--hope I can sing like that at...what=2C =
almost 70?! Usted Dildar Hussein=2C also mighty!<br>So much more.<br>I just=
 was turned on to Berangere Maximin ---a French looper/found sound goddess-=
-Check her out or maybe you have and I'm way late in the game.<br>Peace<br>=
J.D.Devros<br>deafrose58<br><br>&gt=3B Date: Sat=2C 15 Aug 2009 12:47:35 -0=
700<br>&gt=3B Subject: Henry Kaiser Solo CD<br>&gt=3B From: looppool@cruzio=
.com<br>&gt=3B To: loopers-delight@loopers-delight.com<br>&gt=3B <br>&gt=3B=
 I woke up feeling kind of blue this morning=3B  quarantined for a few days=
<br>&gt=3B with a nasty<br>&gt=3B roto virus that my wife and I caught (not=
 swine flu=2C thank god)=2C  sealed<br>&gt=3B inside the house<br>&gt=3B be=
cause the Lockheed Fire smoke is so bad in Santa Cruz now..... with big<br>=
&gt=3B industrial HEPA filter<br>&gt=3B fans on high (I'm sooooo sick of th=
e sound of those fans on high).<br>&gt=3B <br>&gt=3B I got up=2C made a too=
 strong cup of coffee and put Henry Kaiser's new solo<br>&gt=3B guitar<br>&=
gt=3B improvisation CD on.<br>&gt=3B <br>&gt=3B I'm listening to the title =
track right now and it is just beautiful and<br>&gt=3B awe inspiring.<br>&g=
t=3B It makes me want to throw away all of my instruments and only play<br>=
&gt=3B electric guitar<br>&gt=3B for the rest of my life.<br>&gt=3B <br>&gt=
=3B Called 'where endless meets disappearing'=2C  this long droning track i=
s<br>&gt=3B just beautiful:<br>&gt=3B abstract=2C melodic=2C  fractured=2C =
 soothing.   It has it all and if any of<br>&gt=3B you were fortunate<br>&g=
t=3B to have caught Henry's exquisite solo set at the loop festival last ye=
ar=2C <br>&gt=3B it is along<br>&gt=3B the lines of things he played to his=
 beautiful and serene underwater<br>&gt=3B photography<br>&gt=3B from under=
 the Antarctic ice caps as a professional diver.<br>&gt=3B <br>&gt=3B I can=
 imagine being underwater listening to this music.<br>&gt=3B <br>&gt=3B In =
the liner notes=2C he calls this opus=2C  ".....a concept album about the<b=
r>&gt=3B intersection of different<br>&gt=3B personal practise and their at=
tached intimacies."<br>&gt=3B <br>&gt=3B You get this concept viscerally=2C=
 just listening to the playing.<br>&gt=3B <br>&gt=3B It just made me comple=
tely forget about my small woes and makes me want to<br>&gt=3B start<br>&gt=
=3B plugging gear in and using it in new=2C undiscovered ways.<br>&gt=3B <b=
r>&gt=3B That's a pretty damn good recommendation for any music=2C I suppos=
e.<br>&gt=3B <br>&gt=3B A beautiful and thought provoking record.  I highly=
 recommend it if you<br>&gt=3B are in search of<br>&gt=3B either beauty or =
musical inspiration.<br>&gt=3B <br>&gt=3B rick walker<br>&gt=3B <br><br /><=
hr />With Windows Live=2C you can organize=2C edit=2C and share your photos=
. <a href=3D'http://www.windowslive.com/Desktop/PhotoGallery' target=3D'_ne=
w'>Click here.</a></body>
</html>=

--_a6ff2c12-4ea9-4a6e-af3f-c6b5319f8222_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 01:29:01 2009
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Date: Sun, 16 Aug 2009 18:29:00 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: Henry Kaiser Solo Cd...
To: Loopers-Delight@loopers-delight.com
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thanks for the heads up on the HK solo disc, i've been meaning to get his h=
omage to derek bailey and his newish trio disc called Plane=A0Crash=A0(ther=
e's a pretty good youtube ad for it from the record co that produced it)...=
.
=A0
i will say that i have a # of HK cds (but not all, b/c he has a huge catalo=
gue!!)=A0and they are all good, and in heavy rotation in my playing for a #=
 of yrs...he is definately a good listen if you're bored w/ your playing an=
d need new ideas, b/c he seems to go a lot of different directions & uses a=
 # of unorthodox approaches......
...also his DVD from '03 called "25 solos on 25 guitars" is quite enlighten=
ing...and he does a few little looping things on there w/ his kleins, i'm a=
ssuming he's using his eventide unit, he doesn't really explain anything, j=
ust talks about the guitars and plays an improve to demo them (the teuffel =
tesla gets an interesting noise workout & is one of my faves....). i also t=
hink his 90 min guitar instruction tape from '91 (i think), is a good watch=
, even though it is approaching 20 yrs old (& i did transfer my copy to dvd=
 for ease of watching..), he touches on a # of good ideas about improvising=
, and he seems to stress the importance of playing like yourself....and he =
also does a good demo of a few patches from the eventide h3000...
again, thanks for the HK heads up...
s---
www.myspace.com/scotthansen=0A=0A=0A      
--0-249659052-1250472540=:52528
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>thanks for the heads up on the HK solo d=
isc, i've been meaning to get his homage to derek bailey and his newish tri=
o disc called Plane&nbsp;Crash&nbsp;(there's a pretty good youtube ad for i=
t from the record co that produced it)....</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will say that i have a # of HK cds (but not all, b/c he has a huge c=
atalogue!!)&nbsp;and they are all good, and in heavy rotation in my playing=
 for a # of yrs...he is definately a good listen if you're bored w/ your pl=
aying and need new ideas, b/c he seems to go a lot of different directions =
&amp; uses a # of unorthodox approaches......</DIV>
<DIV>...also his DVD from '03 called "25 solos on 25 guitars" is quite enli=
ghtening...and he does a few little looping things on there w/ his kleins, =
i'm assuming he's using his eventide unit, he doesn't really explain anythi=
ng, just talks about the guitars and plays an improve to demo them (the teu=
ffel tesla gets an interesting noise workout &amp; is one of my faves....).=
 i also think his 90 min guitar instruction tape from '91 (i think), is a g=
ood watch, even though it is approaching 20 yrs old (&amp; i did transfer m=
y copy to dvd for ease of watching..), he touches on a # of good ideas abou=
t improvising, and he seems to stress the importance of playing like yourse=
lf....and he also does a good demo of a few patches from the eventide h3000=
...</DIV>
<DIV>again, thanks for the HK heads up...</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></td></tr></table><br>=0A=0A      
--0-249659052-1250472540=:52528--

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Date: Sun, 16 Aug 2009 21:47:23 -0400
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Subject: Slightly OT: East of Where uStream video highlights
From: Jim Goodin <jimgoodinmusic@gmail.com>
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I've posted three videos from my live webcast last weekend with
drummer/'found' percussionist Will Romano in a duo project we call East of
Where <http://www.myspace.com/eastofwhere>.
Early on we had some technical problems that precluded any looping in this
show due to not being able to properly hear each other electronically.
 After the first two pieces I made the decision to by-pass all the audio hw
and just use the built in computer mic for an ambient capturing which in a
sense is what this project is more about - live real time playing and
improv.  It's only been recently that I've interjected looping into our
collaboration.

The unique quality about this duo is what my colleague Will brings to it.
 Around 2004 he began to depart from traditional drums and started
 experimenting with 'found' objects and sounds like HVAC tubing which was
always a gas to see him bring on the stage.  When I produced the *ReUse* CD
this past spring for CT-Collective Will was one of the members doing a great
live piece - *Clumps of Life*.  The CD really pushed him heavy into the
'found' arena to the point that just about all of his 'kit' is found which
to me has been really exciting to play off of.  As an example in the videos
you will notice a bicycle wheel suspended on a stand as if it were a cymbal.
 He uses this improvised instrument really creatively.

Here are the links, the first one was the opening piece when we were still
going through electronics.

http://www.youtube.com/watch?v=wcQuYiRcB60

http://www.youtube.com/watch?v=RlDO22hTn6U

http://www.youtube.com/watch?v=TntQModTFbA

Thanks for watching and listening.  My next ustream will be next Sunday at
11 EST (http://www.ustream.tv/channel/sunday-morning-at-11).  Will and I
will do another EoW show sometime this fall.  Kudos to Mr Moyes on an
excellent show today btw.

Good week


Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0ce0edb85523de04714c95a7
Content-Type: text/html; charset=ISO-8859-1
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I&#39;ve posted three videos from my live webcast last weekend with drummer=
/&#39;found&#39; percussionist Will Romano in a duo project we call <a href=
=3D"http://www.myspace.com/eastofwhere">East of Where</a>.<div><br></div><d=
iv>
Early on we had some technical problems that precluded any looping in this =
show due to not being able to properly hear each other electronically. =A0A=
fter the first two pieces I made the decision to by-pass all the audio hw a=
nd just use the built in computer mic for an ambient capturing which in a s=
ense is what this project is more about - live real time playing and improv=
. =A0It&#39;s only been recently that I&#39;ve interjected looping into our=
 collaboration.</div>
<div><br></div><div>The unique quality about this duo is what my colleague =
Will brings to it. =A0Around 2004 he began to depart from traditional drums=
 and started =A0experimenting with &#39;found&#39; objects and sounds like =
HVAC tubing which was always a gas to see him bring on the stage. =A0When I=
 produced the <i>ReUse</i> CD this past spring for CT-Collective Will was o=
ne of the members doing a great live piece - <i>Clumps of Life</i>. =A0The =
CD really pushed him heavy into the &#39;found&#39; arena to the point that=
 just about all of his &#39;kit&#39; is found which to me has been really e=
xciting to play off of. =A0As an example in the videos you will notice a bi=
cycle wheel suspended on a stand as if it were a cymbal. =A0He uses this im=
provised instrument really creatively.</div>
<div><br></div><div>Here are the links, the first one was the opening piece=
 when we were still going through electronics.</div><div><br></div><div><sp=
an class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; whit=
e-space: pre; "><a href=3D"http://www.youtube.com/watch?v=3DwcQuYiRcB60">ht=
tp://www.youtube.com/watch?v=3DwcQuYiRcB60</a></span></div>
<div><font class=3D"Apple-style-span" face=3D"Arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"white-space: pre; "><br></span></font></div=
><div><font class=3D"Apple-style-span" face=3D"Arial, sans-serif"><span cla=
ss=3D"Apple-style-span" style=3D"white-space: pre; "><a href=3D"http://www.=
youtube.com/watch?v=3DRlDO22hTn6U">http://www.youtube.com/watch?v=3DRlDO22h=
Tn6U</a></span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"white-space: pre; "><br></span></font></div=
><div><font class=3D"Apple-style-span" face=3D"Arial, sans-serif"><span cla=
ss=3D"Apple-style-span" style=3D"white-space: pre; "><a href=3D"http://www.=
youtube.com/watch?v=3DTntQModTFbA">http://www.youtube.com/watch?v=3DTntQMod=
TFbA</a><br clear=3D"all">
</span></font><br></div><div>Thanks for watching and listening. =A0My next =
ustream will be next Sunday at 11 EST (<a href=3D"http://www.ustream.tv/cha=
nnel/sunday-morning-at-11">http://www.ustream.tv/channel/sunday-morning-at-=
11</a>). =A0Will and I will do another EoW show sometime this fall. =A0Kudo=
s to Mr Moyes on an excellent show today btw.</div>
<div><br></div><div>Good week</div><div><br></div><div><br></div><div>Jim<b=
r>-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.my=
space.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--000e0ce0edb85523de04714c95a7--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 02:03:03 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20090815163504.F72AE.37285.root@ispmxfep10-z02> <000c01ca1e8a$2e70e070$2a842245@YOUR08D5303051> <4A88500D.4020002@tiscali.co.uk>
Subject: Re: Henry Kaiser Solo CD..and more
Date: Sun, 16 Aug 2009 22:03:00 -0400
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Andy,
Great link and even better quality. I do love flac when I can get it!

That's one reason I like Bandcamp for my digital music offerings. You send 
wav and they offer qualities all the way up to flac.

best,

Jeff


He attacked everything in life with a mix of extraordinary genius and naive 
incompetence, and it was often difficult to tell which was which.
Douglas Adams

http://jeffduke.bandcamp.com/
http://www.myspace.com/loopsinphasespace
http://www.vimeo.com/jeffduke

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 16, 2009 2:29 PM
Subject: Re: Henry Kaiser Solo CD..and more


>
> Doug H wrote:
>>> Mr Kaiser doesn't get enough credit when it comes to the history of 
>>> looping.  His piece "It's a Wonderful Life" is a stellar example of the 
>>> genre..

>>> Jeff Duke wrote:
 >> btw, that is availiable here:
>> http://www.analogartsensemble.net/2009/08/henry-kaiser-solo-guitar.html
>>
>> Jeff
>>
>
> that one on FLAC, rather than mp3 here
>
> http://www.avantgardeproject.org/archive.htm
>
> also a couple of earlier Kaiser albums,
>
> ..and a whole load of "avant garde" classical stuff
>
> andy
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 03:10:09 2009
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From: Jonathon Rogers <jonnyr_1@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Lexicon Rackmount JamMan for sale
Date: Mon, 17 Aug 2009 03:05:08 +0000
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I have an original rackmount Lexicon JamMan for sale.  It is missing the AC=
 adapter but includes the footswitch.  It worked perfectly the last time I =
used it and as you all know compatible adapters are cheap and easy to find.=
  One of the rackmount ears is damaged from being mounted and unmounted=2C =
but otherwise it is in great condition with smooth control pots and has bee=
n kept safely stored.

I figured I'd offer it here first before listing it on Ebay since I have a =
soft spot for list users.  I first got the JamMan years ago after hearing P=
hil Keaggy use it live...figured if it was good enough for him I needed it!=
  I just don't use it anymore so it's time to pass it on.

I'm happy to provide pictures as requested=2C just contact me at jonnyr_1@h=
otmail.com.

My Ebay ID is jon-and-kara...I think you'll see I can be trusted!

Give me some offers!

_________________________________________________________________
With Windows Live=2C you can organize=2C edit=2C and share your photos.
http://www.windowslive.com/Desktop/PhotoGallery=

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<body class=3D'hmmessage'>
I have an original rackmount Lexicon JamMan for sale.&nbsp=3B It is missing=
 the AC adapter but includes the footswitch.&nbsp=3B It worked perfectly th=
e last time I used it and as you all know compatible adapters are cheap and=
 easy to find.&nbsp=3B One of the rackmount ears is damaged from being moun=
ted and unmounted=2C but otherwise it is in great condition with smooth con=
trol pots and has been kept safely stored.<br><br>I figured I'd offer it he=
re first before listing it on Ebay since I have a soft spot for list users.=
&nbsp=3B I first got the JamMan years ago after hearing Phil Keaggy use it =
live...figured if it was good enough for him I needed it!&nbsp=3B I just do=
n't use it anymore so it's time to pass it on.<br><br>I'm happy to provide =
pictures as requested=2C just contact me at jonnyr_1@hotmail.com.<br><br>My=
 Ebay ID is jon-and-kara...I think you'll see I can be trusted!<br><br>Give=
 me some offers!<br><br /><hr />With Windows Live=2C you can organize=2C ed=
it=2C and share your photos. <a href=3D'http://www.windowslive.com/Desktop/=
PhotoGallery' target=3D'_new'>Click here.</a></body>
</html>=

--_a840ac92-d7c7-4c11-89fe-64d8c36bb009_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 13:21:14 2009
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Date: Mon, 17 Aug 2009 09:21:06 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #645 for August 13, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090813.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #645                August 13, 2009.

RECAP:
On this show, I continued the month-long focus on Saul Stokes.  The
Featured CD at Midnight was Vast on The Foundry Records.

Saul Stokes: http://wdiy.org/programs/gt/playlists/2009/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Meesha               Axon part 1          Pentorama (none)
Asnazzy              Asteroid Navigation  Voyage To Andromeda (none)
Steve Dinsdale       WDR 74               New Church (Northern Echo)
Faryus and Bodarenko Atmosphere 3         8 Atmospheres (Faria)
Igneous Flame and    II/II                Harmonium (Lumina Sounds)
  Disturbed Earth
Ben Fleury-Steiner   At A Distance        Soeng (none)
Saul Stokes          Chrome Garden        Vast (The Foundry)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Saul Stokes          Lighthaus            Vast (The Foundry)
Saul Stokes          Far Away, Further    Vast (The Foundry)
Saul Stokes          Stratum              Vast (The Foundry)
Saul Stokes          Bursts and Blooms    Vast (The Foundry)
Saul Stokes          Spy Cinema           Vast (The Foundry)
Saul Stokes          Gliders              Vast (The Foundry)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Saul
Stokes.  The Featured CD at Midnight will be Villa Galaxia on Binary
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 13:57:39 2009
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very nice 1992 interview at
http://www.npr.org/templates/rundowns/rundown.php?prgId=3D13

On Sun, Aug 16, 2009 at 11:59 AM, phillip wilson<phillwilson@hotmail.com> w=
rote:
> really sad=A0to hear the news that Les Paul has died ages 94.
>
> "He is responsible for hits "Brazil", "Vaya Con Dios", =93Mockin=92 Bird =
Hill=94,
> =93How High the Moon=94 and album =93Chester and Lester.=94 He completed =
one of his
> first solid body guitars in 1951 after perfecting it over a period of 10
> years. Les Paul made advances in the music recording process through tape
> delay, playback speeds, close-in microphones for vocals and multitrack
> engineering."
>
> what a guy, whotouched all our lives without even meeting many of us, my
> sympathies go out to all who knew him at this time.
>
> Phill
>
>
> ________________________________
> Celebrate a decade of Messenger with free winks, emoticons, display pics,
> and more. Get Them Now



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 16:45:53 2009
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Date: Mon, 17 Aug 2009 12:40:27 -0400
Message-ID: <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com>
Subject: Re: home recording/macbook/fan noise/external monitors
From: Thomas Wegmann <theweg@gmail.com>
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We use a video camera on ours wired to a tv in our room and along with the
wireless mouse it is noise free, problem solved!

Weg

On Wed, Aug 12, 2009 at 7:28 PM, john floridis <john@johnfloridis.com>wrote:

> I have been having a dilemma in trying to find a way to record acoustic
> guitar with/without voice and was curious if anyone had any ideas.  Long
> story short-
>
> Present set up is:
> 2007 Macbook,
> Mbox 2,
> one external monitor screen
>
> Using macbook to run either Logic or Pro Tools and saving files to external
> drive.
>
> When recording with open mics, fan comes on in macbook to the point that it
> makes recording either solo guitar pieces or even guitar/voice recording
> rather pointless.  In these cases nothing else would be added to the
> recording, so nowhere to hide.
>
> I've come to the conclusion that I simply need to put macbook in closet
> next to recording space.  I know this will work sonically, but I'd still
> like two monitor screens, and one needs to mirror the macbook screen or at
> least have the menu bar.  I did find this product-
> http://www.matrox.com/graphics/en/products/gxm/dh2go/   and I'm curious if
> anyone has any experience with such a device.  The tech support seemed to
> think it would work for what I'm trying to do.
>
> The other question is .... Is there something I'm missing here?
>
> Finally, given what I'm trying to accomplish - recording quiet music with
> access to two monitor screens - what are some other setups people are using?
>  I've heard the new iMacs are amazingly silent, but the idea of having
> something with a fan that could come on makes me nervous.  I'd rather make
> what I have work.
>
> By the way, looping would come into play once I get all of this to work.
>
> Any input is appreciated,
>
> John
>
>
>


-- 
Greg Wegmann

TheWeg@Verizon.net
TheWeg@GMail.com

--001636ed6caa2fea3a0471590f15
Content-Type: text/html; charset=ISO-8859-1
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<div>We use a video camera on ours wired to a tv in our room and along with=
 the wireless mouse it is noise free, problem solved!</div>
<div>=A0</div>
<div>Weg<br><br></div>
<div class=3D"gmail_quote">On Wed, Aug 12, 2009 at 7:28 PM, john floridis <=
span dir=3D"ltr">&lt;<a href=3D"mailto:john@johnfloridis.com">john@johnflor=
idis.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I have been having a dilemma in =
trying to find a way to record acoustic guitar with/without voice and was c=
urious if anyone had any ideas. =A0Long story short-<br>
<br>Present set up is:<br>2007 Macbook,<br>Mbox 2,<br>one external monitor =
screen<br><br>Using macbook to run either Logic or Pro Tools and saving fil=
es to external drive.<br><br>When recording with open mics, fan comes on in=
 macbook to the point that it makes recording either solo guitar pieces or =
even guitar/voice recording rather pointless. =A0In these cases nothing els=
e would be added to the recording, so nowhere to hide.<br>
<br>I&#39;ve come to the conclusion that I simply need to put macbook in cl=
oset next to recording space. =A0I know this will work sonically, but I&#39=
;d still like two monitor screens, and one needs to mirror the macbook scre=
en or at least have the menu bar. =A0I did find this product- =A0<a href=3D=
"http://www.matrox.com/graphics/en/products/gxm/dh2go/" target=3D"_blank">h=
ttp://www.matrox.com/graphics/en/products/gxm/dh2go/</a> =A0 and I&#39;m cu=
rious if anyone has any experience with such a device. =A0The tech support =
seemed to think it would work for what I&#39;m trying to do.<br>
<br>The other question is .... Is there something I&#39;m missing here?<br>=
<br>Finally, given what I&#39;m trying to accomplish - recording quiet musi=
c with access to two monitor screens - what are some other setups people ar=
e using? =A0I&#39;ve heard the new iMacs are amazingly silent, but the idea=
 of having something with a fan that could come on makes me nervous. =A0I&#=
39;d rather make what I have work.<br>
<br>By the way, looping would come into play once I get all of this to work=
.<br><br>Any input is appreciated,<br><font color=3D"#888888"><br>John<br><=
br><br></font></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>Greg Wegmann<br><br>TheWeg@Verizon.net <br>TheWeg@GMa=
il.com<br><br>

--001636ed6caa2fea3a0471590f15--

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Date: Mon, 17 Aug 2009 09:53:46 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: RE: OT: footswitch in "tuner out"
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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=A0
Thanks to all that replied.=A0 I'll keep my eyes peeled for a DT-7...

If I get a footswitch, I'll run it in the tuner-out of my pedal (an old Bos=
s PS2) and see what happens...
=A0
=A0
Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Sat, 8/15/09, William Walker <billwalker@baymoon.com> wrote:


From: William Walker <billwalker@baymoon.com>
Subject: RE: OT: footswitch in "tuner out"
To: Loopers-Delight@loopers-delight.com
Received: Saturday, August 15, 2009, 7:28 PM



Yep that's correct M.=A0 =A0 Korg DT-7 and a momentary footswitch, there ma=
y be
other tuners this works with too but the DT-7 has an actual mute jack.
Bill
-----Original Message-----
From: Mech [mailto:mech@m3ch.net]=20
Sent: Saturday, August 15, 2009 11:46 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: footswitch in "tuner out"

At 8:30 AM -0700 8/15/09, ditch wrestler wrote:
>I think it was a while back that somebody said by putting a latched=20
>or unlatched footswitch into an effect pedal's 'tuner out' plug=20
>would act as a kill switch, muting all that was going through the=20
>pedal.

I think I know the trick you're talking about, and you're having=20
trouble finding it (I think) 'cause a couple of your details are=20
munged.

I believe you're referring to a trick discovered by our own William=20
Walker while using one of the Korg tuners.=A0 There are a couple of the=20
Korg models that have an input for a pedal to be used as a "Mute"=20
switch.=A0 You can attach a unlatched footswitch (like a Roland=20
FS-series switch) into this connector and use it as a 'killswitch' to=20
create your own gating effects.

I'm sure that if you search back for Bill's posts looking for "Korg=20
tuner" you'll probably find the thread you're searching for....

=A0=A0=A0 --m.
--=20
_____
"the wind in my heart; the dust in my head...."

=0A=0A=0A      ____________________________________________________________=
______=0AYahoo! Canada Toolbar: Search from anywhere on the web, and bookma=
rk your favourite sites. Download it now=0Ahttp://ca.toolbar.yahoo.com.
--0-1009363247-1250528026=:21075
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv518230003>
<DIV>&nbsp;</DIV>
<DIV>Thanks to all that replied.&nbsp; I'll keep my eyes peeled for a DT-7.=
..<BR></DIV>
<DIV>If I get a footswitch, I'll run it in the tuner-out of my pedal (an ol=
d Boss PS2) and see what happens...</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ted H.<BR>Enemies are good for self-definition. Werner Herzog<BR><BR>-=
-- On <B>Sat, 8/15/09, William Walker <I>&lt;billwalker@baymoon.com&gt;</I>=
</B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: William Walker &lt;billwalker@baymoon.com&g=
t;<BR>Subject: RE: OT: footswitch in "tuner out"<BR>To: Loopers-Delight@loo=
pers-delight.com<BR>Received: Saturday, August 15, 2009, 7:28 PM<BR><BR>
<DIV class=3DplainMail><BR>Yep that's correct M.&nbsp; &nbsp; Korg DT-7 and=
 a momentary footswitch, there may be<BR>other tuners this works with too b=
ut the DT-7 has an actual mute jack.<BR>Bill<BR>-----Original Message-----<=
BR>From: Mech [mailto:<A href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?=
to=3Dmech@m3ch.net" target=3D_blank rel=3Dnofollow>mech@m3ch.net</A>] <BR>S=
ent: Saturday, August 15, 2009 11:46 AM<BR>To: <A href=3D"http://ca.mc343.m=
ail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" target=
=3D_blank rel=3Dnofollow>Loopers-Delight@loopers-delight.com</A><BR>Subject=
: Re: OT: footswitch in "tuner out"<BR><BR>At 8:30 AM -0700 8/15/09, ditch =
wrestler wrote:<BR>&gt;I think it was a while back that somebody said by pu=
tting a latched <BR>&gt;or unlatched footswitch into an effect pedal's 'tun=
er out' plug <BR>&gt;would act as a kill switch, muting all that was going =
through the <BR>&gt;pedal.<BR><BR>I think I know the trick you're talking a=
bout, and
 you're having <BR>trouble finding it (I think) 'cause a couple of your det=
ails are <BR>munged.<BR><BR>I believe you're referring to a trick discovere=
d by our own William <BR>Walker while using one of the Korg tuners.&nbsp; T=
here are a couple of the <BR>Korg models that have an input for a pedal to =
be used as a "Mute" <BR>switch.&nbsp; You can attach a unlatched footswitch=
 (like a Roland <BR>FS-series switch) into this connector and use it as a '=
killswitch' to <BR>create your own gating effects.<BR><BR>I'm sure that if =
you search back for Bill's posts looking for "Korg <BR>tuner" you'll probab=
ly find the thread you're searching for....<BR><BR>&nbsp;&nbsp;&nbsp; --m.<=
BR>-- <BR>_____<BR>"the wind in my heart; the dust in my head...."<BR><BR><=
/DIV></BLOCKQUOTE></DIV></td></tr></table><br>=0A      <hr size=3D1>=0ALook=
ing for the perfect gift?<a href=3D"http://www.flickr.com/gift/"><b> Give t=
he gift of Flickr!</b></a>
--0-1009363247-1250528026=:21075--

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so the built-in jack for the external monitor is not sufficient for you?

On Mon, Aug 17, 2009 at 12:40 PM, Thomas Wegmann<theweg@gmail.com> wrote:
> We use a video camera on ours wired to a tv in our room and along with th=
e
> wireless mouse it is noise free, problem solved!
>
> Weg
>
> On Wed, Aug 12, 2009 at 7:28 PM, john floridis <john@johnfloridis.com>
> wrote:
>>
>> I have been having a dilemma in trying to find a way to record acoustic
>> guitar with/without voice and was curious if anyone had any ideas. =A0Lo=
ng
>> story short-
>>
>> Present set up is:
>> 2007 Macbook,
>> Mbox 2,
>> one external monitor screen
>>
>> Using macbook to run either Logic or Pro Tools and saving files to
>> external drive.
>>
>> When recording with open mics, fan comes on in macbook to the point that
>> it makes recording either solo guitar pieces or even guitar/voice record=
ing
>> rather pointless. =A0In these cases nothing else would be added to the
>> recording, so nowhere to hide.
>>
>> I've come to the conclusion that I simply need to put macbook in closet
>> next to recording space. =A0I know this will work sonically, but I'd sti=
ll
>> like two monitor screens, and one needs to mirror the macbook screen or =
at
>> least have the menu bar. =A0I did find this product-
>> =A0http://www.matrox.com/graphics/en/products/gxm/dh2go/ =A0 and I'm cur=
ious if
>> anyone has any experience with such a device. =A0The tech support seemed=
 to
>> think it would work for what I'm trying to do.
>>
>> The other question is .... Is there something I'm missing here?
>>
>> Finally, given what I'm trying to accomplish - recording quiet music wit=
h
>> access to two monitor screens - what are some other setups people are us=
ing?
>> =A0I've heard the new iMacs are amazingly silent, but the idea of having
>> something with a fan that could come on makes me nervous. =A0I'd rather =
make
>> what I have work.
>>
>> By the way, looping would come into play once I get all of this to work.
>>
>> Any input is appreciated,
>>
>> John
>>
>>
>
>
>
> --
> Greg Wegmann
>
> TheWeg@Verizon.net
> TheWeg@GMail.com
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

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Dearest Friend=2C PLEASE READ CAREFULLY AND GET BACK TO ME.

I crave your indulgence at this mail coming from somebody you have not know=
n before. I decided to do this after praying over the situation. You should=
 please consider the transaction on its content and not the fact that you h=
ave not known me before. I need not dwell on how I came by your contact inf=
ormation because there are many such possibilities these days.

I would like to introduce myself as Mrs. Rosemary Collins of Republic of Be=
nin=2C widow to Late Mr. Sheik Collins (for Consular of the Benin embassy i=
n Madrid=2C Spain. I have been recently been diagnosed of Cancer of the Pel=
vic. I am writing from my sick bed in a CHINESE HOSPITAL here in Benin Repu=
blic.

There is this fund US$11.5 Million cash my husband deposited with a Securit=
y Company here in Cotonou=2C Republic of Benin of which I am the next of ki=
n. With my health condition and because my husband=2C I have no child=2C I =
am looking for a credible person to whom I will pass the right of next of k=
in. This person will apply to the Security Company and request for the chan=
ge of beneficiary.

This is on the condition that you will take 25% of the fund for yourself=2C=
5% used for  expenses=2C while you will use the remaining 70% for the less =
privilege people in the society. This is in fulfillment of the last request=
 of my husband: that a substantial part of the fund be used to carter for t=
he less privileged.

If this condition is acceptable to you=2C you should contact me immediately=
 with your full names and contact information so that I will put you in con=
tact with the Security Company directly for the change of beneficiary of th=
e money. I cannot predict what will be my fate by the time you will receive=
 the fund=2C but you should please ensure that the fund is used as l have d=
escribed above. I look forward to your response.

Best Regards
Mrs. Rosemary Collins.

--_462b3ece-023b-4320-a7f9-ee44b0443564_
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<html>
<head>
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.hmmessage P
{
margin:0px=3B
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body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
<DIV id=3Dyiv275132731>
<DIV>Dearest Friend=2C PLEASE READ CAREFULLY AND GET BACK TO ME.</DIV>
<DIV><BR>I crave your indulgence at this mail coming from somebody you have=
 not known before. I decided to do this after praying over the situation. Y=
ou should please consider the transaction on its content and not the fact t=
hat you have not known me before. I need not dwell on how I came by your co=
ntact information because there are many such possibilities these days.</DI=
V>
<DIV><BR>I would like to introduce myself as Mrs. Rosemary Collins of Repub=
lic of Benin=2C widow to Late Mr. Sheik Collins (for Consular of the Benin =
embassy in Madrid=2C Spain. I have been recently been diagnosed of Cancer o=
f the Pelvic. I am writing from my sick bed in a CHINESE HOSPITAL here in B=
enin Republic.</DIV>
<DIV><BR>There is this fund US$11.5 Million cash my husband deposited with =
a Security Company here in Cotonou=2C Republic of Benin of which I am the n=
ext of kin. With my health condition and because my husband=2C I have no ch=
ild=2C I am looking for a credible person to whom I will pass the right of =
next of kin. This person will apply to the Security Company and request for=
 the change of beneficiary.</DIV>
<DIV><BR>This is on the condition that you will take 25% of the fund for yo=
urself=2C5% used for&nbsp=3B expenses=2C while you will use the remaining 7=
0% for the less privilege people in the society. This is in fulfillment of =
the last request of my husband: that a substantial part of the fund be used=
 to carter for the less privileged.</DIV>
<DIV><BR>If this condition is acceptable to you=2C you should contact me im=
mediately with your full names and contact information so that I will put y=
ou in contact with the Security Company directly for the change of benefici=
ary of the money. I cannot predict what will be my fate by the time you wil=
l receive the fund=2C but you should please ensure that the fund is used as=
 l have described above. I look forward to your response.</DIV>
<DIV><BR>Best Regards<BR>Mrs. Rosemary Collins.<BR></DIV></DIV></body>
</html>=

--_462b3ece-023b-4320-a7f9-ee44b0443564_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 17 20:45:30 2009
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Subject: [Reminder] CALL FOR PERFORMERS - Virtual Sound an Vision Festival
From: Rainer Straschill <moinsound@googlemail.com>
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Just a quick reminder here - note that application is only open until
Saturday August 29th!

Yours,

           Rainer

                                                   VIRTUAL SOUND AND
VISION Festival - Call for Performers
					=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D


Please do distribute this call for performers freely among mailing
lists, forums and blogs. In your own interest, make sure that contact
info does not get lost in the process.
The email box for communication is: virtualfestival =C4TT moinlabs DOT de


A two-day long festival on video stream services of performers playing
from their home to yours. A very long webstream gig with performers
from all over the world - your input and ideas are very welcome.


Virtual Sound and Vision ("VSV" for short) is the first international
video streaming music festival, presenting music with visual content
to a virtual audience via the world wide web. Using contemporary
services for free video streaming, the art is transmitted from the
individual artists' performance spaces via the festival site (a truly
virtual entity) to the audience, watching and listening from virtually
everywhere.

The selection of acts will focus on artists making creative use of
combination of audio/video (e.g. live video processing, music played
to silent films) and/or internet technology for music art (e.g.
realtime internet collaboration).


VSV is scheduled for the weekend of Sat 3rd/Sun 4th of October 2009 in
the time span from 16:00 UTC (http://tinyurl.com/ne6hts) to 23:00 UTC
(http://tinyurl.com/nkagrl) each. (Please check links for local time
conversions).



INFO FOR FESTIVAL GUESTS:
-------------------------
The entire festival will be streamed via the internet, there will be
no actual and "physical" festival location. Watching the festival
requires the use of a contemporary computer of almost any kind (e.g.
desktop, notebook, netbook) and OS, a web browser and an acceptable
internet connection (e.g. slow DSL link or faster).

The festival is provided free of charge. Signup is not necessary.
A bill of performers and running order will be published on Sunday
September 13th of 2009 on the festival website and via a festival
newsgroup. Until then, check out our web presence (see below).

INFO FOR ASPIRING ARTISTS:
--------------------------
To make this info as short as possible, the actual call for performers
is located here:
http://moinlabs.de/vsv/cfp.htm.


The VIRTUAL SOUND AND VISION Festival
myspace:  http://www.myspace.com/vsvfestival
facebook: http://tinyurl.com/mp6r5c
twitter: http://twitter.com/vsvfest
email: virtualfestival =C4TT moinlabs DOT de

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 00:10:43 2009
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Subject: Re: home recording/macbook/fan noise/external monitors
Date: Mon, 17 Aug 2009 18:10:41 -0600
References: <C7BB8AE0-ABD1-4DA0-B387-780440642AB3@johnfloridis.com> <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com> <101191640908171033y18ff8b69m3fca770d0e84e7b4@mail.gmail.com>
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"so the built-in jack for the external monitor is not sufficient for  
you?"

The problem is that if you use two external monitors apart from the  
screen on the macbook, the images on those two external monitors are  
mirrors of themselves.  This would be desirable for a classroom  
presentation, business meeting etc., but what I am looking for is the  
ability to have the two external monitors be a split screen which I  
can use to have, say, a video image up while I'm recording with Logic  
for a video project or film.  Doing that and being able to record  
quiet acoustic stuff is why I'm looking for two external monitors and  
having the computer in another room instead of just using the macbook  
screen and one external monitor.

I've ordered a splitter box from Matrox which supposedly should work  
according to their tech people.  I'll let you know.  If it doesn't, I  
might look at one of the new iMacs......

Thanks for all the posts,

John
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">"so the built-in jack for the =
external monitor is not sufficient for you?"<div><br></div><div>The =
problem is that if you use two external monitors apart from the screen =
on the macbook, the images on those two external monitors are mirrors of =
themselves. &nbsp;This would be desirable for a classroom presentation, =
business meeting etc., but what I am looking for is the ability to have =
the two external monitors be a split screen which I can use to have, =
say, a video image up while I'm recording with Logic for a video project =
or film. &nbsp;Doing that <i>and</i>&nbsp;being able to record quiet =
acoustic stuff is why I'm looking for two external monitors and having =
the computer in another room instead of just using the macbook screen =
and <i>one</i>&nbsp;external monitor.</div><div><br></div><div>I've =
ordered a splitter box from Matrox which supposedly should work =
according to their tech people. &nbsp;I'll let you know. &nbsp;If it =
doesn't, I might look at one of the new =
iMacs......</div><div><br></div><div>Thanks for all the =
posts,</div><div><br></div><div>John</div></body></html>=

--Apple-Mail-1--483381848--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 02:31:33 2009
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Date: Mon, 17 Aug 2009 22:31:11 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: home recording/macbook/fan noise/external monitors
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--============_-961559822==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

John,

  Which Mac?  Any modern mac has a dual monitor capability, you need 
to go into the "Displays" control panel and select "Arrange Displays" 
de select 'mirror monitors"


>"so the built-in jack for the external monitor is not sufficient for you?"
>
>The problem is that if you use two external monitors apart from the 
>screen on the macbook, the images on those two external monitors are 
>mirrors of themselves.  This would be desirable for a classroom 
>presentation, business meeting etc., but what I am looking for is 
>the ability to have the two external monitors be a split screen 
>which I can use to have, say, a video image up while I'm recording 
>with Logic for a video project or film.  Doing that and being able 
>to record quiet acoustic stuff is why I'm looking for two external 
>monitors and having the computer in another room instead of just 
>using the macbook screen and one external monitor.
>
>I've ordered a splitter box from Matrox which supposedly should work 
>according to their tech people.  I'll let you know.  If it doesn't, 
>I might look at one of the new iMacs......
>
>Thanks for all the posts,
>
>John


-- 
...
http://www.zmix.net
--============_-961559822==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: home recording/macbook/fan noise/external
monitors</title></head><body>
<div>John,</div>
<div><br></div>
<div>&nbsp;Which Mac?&nbsp; Any modern mac has a dual monitor
capability, you need to go into the &quot;Displays&quot; control panel
and select &quot;Arrange Displays&quot;&nbsp; de select 'mirror
monitors&quot;</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>&quot;so the built-in jack for the
external monitor is not sufficient for you?&quot;</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>The problem is that if you use two
external monitors apart from the screen on the macbook, the images on
those two external monitors are mirrors of themselves. &nbsp;This
would be desirable for a classroom presentation, business meeting
etc., but what I am looking for is the ability to have the two
external monitors be a split screen which I can use to have, say, a
video image up while I'm recording with Logic for a video project or
film. &nbsp;Doing that<i> and</i>&nbsp;being able to record quiet
acoustic stuff is why I'm looking for two external monitors and having
the computer in another room instead of just using the macbook screen
and<i> one</i>&nbsp;external monitor.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I've ordered a splitter box from Matrox
which supposedly should work according to their tech people.
&nbsp;I'll let you know. &nbsp;If it doesn't, I might look at one of
the new iMacs......</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Thanks for all the posts,</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>John</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-961559822==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 05:27:22 2009
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From: Martin Slawig <martin@blackhole-factory.de>
Subject: Re: home recording/macbook/fan noise/external monitors
Date: Tue, 18 Aug 2009 07:07:34 +0200
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hi everybody,
it's my first post here, but i'm following LD for a while. Very  
inspiring discussions going on and it seems that the list works as a  
good community.

We are using the matrox dualHead2Go for some of our performances and  
installations and it works really well. We use it with MacbookPro and  
MacMini. With the Macbook Pro it gives us three different!!!  
monitors: the one on the macbook and 2 externals which are one wide  
screen split to 2 monitors. We normally use the build in screen for  
control and the externals connected to 2 projectors. If you put them  
exactly side by side you get a wide screen 8:3.
here is an example video: http://www.archive.org/details/ 
blackholefactorySanokSonglines
and some photos http://www.flickr.com/photos/blackhole-factory/sets/ 
72157606482288048/
Connected to a MacMini we get 2 different monitors we use for  
installations as wide screen or for performances with one as control  
screen, the other for projection.
There is also the mtrox triplehead2go which gives you a 12:3 screen  
split to 3 monitors. Also runs good on MacbookPro.
Hope this helps.

best
Martin

****************************************
b l a c k h o l e - f a c t o r y
Berliner Platz 1
D-38102 Braunschweig
fon ++49.531.2876005
info@blackhole-factory.com
http://www.blackhole-factory.com
****************************************

Am 18.08.2009 um 02:10 schrieb john floridis:

> "so the built-in jack for the external monitor is not sufficient  
> for you?"
>
> The problem is that if you use two external monitors apart from the  
> screen on the macbook, the images on those two external monitors  
> are mirrors of themselves.  This would be desirable for a classroom  
> presentation, business meeting etc., but what I am looking for is  
> the ability to have the two external monitors be a split screen  
> which I can use to have, say, a video image up while I'm recording  
> with Logic for a video project or film.  Doing that and being able  
> to record quiet acoustic stuff is why I'm looking for two external  
> monitors and having the computer in another room instead of just  
> using the macbook screen and one external monitor.
>
> I've ordered a splitter box from Matrox which supposedly should  
> work according to their tech people.  I'll let you know.  If it  
> doesn't, I might look at one of the new iMacs......
>
> Thanks for all the posts,
>
> John


--Apple-Mail-2--465569094
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
hi everybody,<div>it's my first post here, but i'm following LD for a =
while. Very inspiring discussions going on and it seems that the list =
works as a good community.</div><div><br></div><div>We are using the =
matrox dualHead2Go for some of our performances and installations and it =
works really well. We use it with MacbookPro and MacMini. With the =
Macbook Pro it gives us three different!!! monitors: the one on the =
macbook and 2 externals which are one wide screen split to 2 monitors. =
We normally use the build in screen for control and the externals =
connected to 2 projectors. If you put them exactly side by side you get =
a wide screen 8:3.=A0</div><div>here is an example video: <span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; "><span =
class=3D"Apple-style-span" style=3D"font-family: Arial; "><a =
href=3D"http://www.archive.org/details/blackholefactorySanokSonglines">htt=
p://www.archive.org/details/blackholefactorySanokSonglines</a></span></spa=
n></div><div>and some photos=A0<a =
href=3D"http://www.flickr.com/photos/blackhole-factory/sets/72157606482288=
048/">http://www.flickr.com/photos/blackhole-factory/sets/7215760648228804=
8/</a></div><div>Connected to a MacMini we get 2 different monitors we =
use for installations as wide screen or for performances with one as =
control screen, the other for projection.</div><div>There is also the =
mtrox triplehead2go which gives you a 12:3 screen split to 3 monitors. =
Also runs good on MacbookPro.</div><div>Hope this =
helps.</div><div><br></div><div>best</div><div>Martin</div><div><br></div>=
<div><span class=3D"Apple-style-span" style=3D"font-family: Helvetica; =
">****************************************</span><div><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Arial; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Arial; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; "><div>b l a =
c k h o l e - f a c t o r y</div><div>Berliner Platz 1</div><div>D-38102 =
Braunschweig</div><div>fon ++49.531.2876005</div><div><a =
href=3D"mailto:info@blackhole-factory.com">info@blackhole-factory.com</a><=
/div><div><a =
href=3D"http://www.blackhole-factory.com">http://www.blackhole-factory.com=
</a></div><div>****************************************</div></span></div>=
</span></span> </div><br><div><div>Am 18.08.2009 um 02:10 schrieb john =
floridis:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">"so the built-in jack for the external monitor is not =
sufficient for you?"<div><br></div><div>The problem is that if you use =
two external monitors apart from the screen on the macbook, the images =
on those two external monitors are mirrors of themselves. =A0This would =
be desirable for a classroom presentation, business meeting etc., but =
what I am looking for is the ability to have the two external monitors =
be a split screen which I can use to have, say, a video image up while =
I'm recording with Logic for a video project or film. =A0Doing that =
<i>and</i>=A0being able to record quiet acoustic stuff is why I'm =
looking for two external monitors and having the computer in another =
room instead of just using the macbook screen and <i>one</i>=A0external =
monitor.</div><div><br></div><div>I've ordered a splitter box from =
Matrox which supposedly should work according to their tech people. =
=A0I'll let you know. =A0If it doesn't, I might look at one of the new =
iMacs......</div><div><br></div><div>Thanks for all the =
posts,</div><div><br></div><div>John</div></blockquote></div><br></div></b=
ody></html>=

--Apple-Mail-2--465569094--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 07:06:53 2009
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From: "Ruelle Benoit" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: new software looper: CYCLER Looping Software
Date: Tue, 18 Aug 2009 08:59:34 +0200
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This is a multi-part message in MIME format.

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Hello,

I just saw this on harmony-central. I don't thnk it has been submitted on 
this list yet.

Ben

After four years of intensive development and extensive real-world gig beta 
testing, Devine Machine is proud to announce his revolutionary looper: 
Cycler.

Cycler is a totally new approach to looping on computers, designed to 
simplify creating music, with or without your screen!

Cycler is a radical departure from hardware emulation software and contains 
powerful and truly unique functions, such as multiple loop length 
capabilities, a comprehensive battery of effects and infinite undos for each 
of the 16 loopers, among many other truly unique features.

It aims to ease and simplify the relationship between musician and computer.

A commented video demonstrating Cycler in a live gig can be found here: 
http://www.youtube.com/watch?v=6iPAwENpTXQ

Release date is set for early 2010, price is not yet fixed. Versions for all 
platforms will be included with purchase. An extensive feature list will be 
communicated by October 2009.



For more information, visit their web site at 
http://www.devine-machine.com/.

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 07:12:00 2009
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Date: Tue, 18 Aug 2009 11:11:54 +0400
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Subject: Re: new software looper: CYCLER Looping Software
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Looks nice. Pity the software is proprietary though.





On Tue, Aug 18, 2009 at 10:59 AM, Ruelle Benoit <benoitruelle@yahoo.fr>wrote:

> Hello,
>
> I just saw this on harmony-central. I don't thnk it has been submitted on
> this list yet.
>
> Ben
>
> After four years of intensive development and extensive real-world gig beta
> testing, Devine Machine is proud to announce his revolutionary looper:
> Cycler.
>
> Cycler is a totally new approach to looping on computers, designed to
> simplify creating music, with or without your screen!
>
> Cycler is a radical departure from hardware emulation software and contains
> powerful and truly unique functions, such as multiple loop length
> capabilities, a comprehensive battery of effects and infinite undos for each
> of the 16 loopers, among many other truly unique features.
>
> It aims to ease and simplify the relationship between musician and
> computer.
>
> A commented video demonstrating Cycler in a live gig can be found here:
> http://www.youtube.com/watch?v=6iPAwENpTXQ
>
> Release date is set for early 2010, price is not yet fixed. Versions for
> all platforms will be included with purchase. An extensive feature list will
> be communicated by October 2009.
>
>
>
> For more information, visit their web site at
> http://www.devine-machine.com/.
>

--0016e6d99a93b353fd0471653b9b
Content-Type: text/html; charset=ISO-8859-1
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Looks nice. Pity the software is proprietary though.<br><br><br><br><br><br=
><div class=3D"gmail_quote">On Tue, Aug 18, 2009 at 10:59 AM, Ruelle Benoit=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:benoitruelle@yahoo.fr">benoitruell=
e@yahoo.fr</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hello,<br>
<br>
I just saw this on harmony-central. I don&#39;t thnk it has been submitted =
on this list yet.<br>
<br>
Ben<br>
<br>
After four years of intensive development and extensive real-world gig beta=
 testing, Devine Machine is proud to announce his revolutionary looper: Cyc=
ler.<br>
<br>
Cycler is a totally new approach to looping on computers, designed to simpl=
ify creating music, with or without your screen!<br>
<br>
Cycler is a radical departure from hardware emulation software and contains=
 powerful and truly unique functions, such as multiple loop length capabili=
ties, a comprehensive battery of effects and infinite undos for each of the=
 16 loopers, among many other truly unique features.<br>

<br>
It aims to ease and simplify the relationship between musician and computer=
.<br>
<br>
A commented video demonstrating Cycler in a live gig can be found here: <a =
href=3D"http://www.youtube.com/watch?v=3D6iPAwENpTXQ" target=3D"_blank">htt=
p://www.youtube.com/watch?v=3D6iPAwENpTXQ</a><br>
<br>
Release date is set for early 2010, price is not yet fixed. Versions for al=
l platforms will be included with purchase. An extensive feature list will =
be communicated by October 2009.<br>
<br>
<br>
<br>
For more information, visit their web site at <a href=3D"http://www.devine-=
machine.com/" target=3D"_blank">http://www.devine-machine.com/</a>.<br>
</blockquote></div><br>

--0016e6d99a93b353fd0471653b9b--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 07:56:15 2009
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Subject: Re: home recording/macbook/fan noise/external monitors
Date: Tue, 18 Aug 2009 01:56:08 -0600
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"Any modern mac has a dual monitor capability, you need to go into the  
"Displays" control panel and select "Arrange Displays"  de select  
'mirror monitors"- Thanks Charles, but that doesn't cut it when you're  
using two separate monitors with a simple splitter....they both mirror  
themselves regardless....

Soooo.....

Yes, Martin that matrox dualHead2Go is exactly what I ordered, so  
hopefully, all will be good soon,

Thanks again,

John

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 11:47:30 2009
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Date: Tue, 18 Aug 2009 07:46:59 -0400
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I didn't realize that you were interested in using three monitors 
with the Mac.  The OS itself will only support two.  Good luck with 
the splitter and report back to us about how if works out!

>"Any modern mac has a dual monitor capability, you need to go into 
>the "Displays" control panel and select "Arrange Displays"  de 
>select 'mirror monitors"- Thanks Charles, but that doesn't cut it 
>when you're using two separate monitors with a simple 
>splitter....they both mirror themselves regardless....
>
>Soooo.....
>
>Yes, Martin that matrox dualHead2Go is exactly what I ordered, so 
>hopefully, all will be good soon,
>
>Thanks again,
>
>John


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 11:59:35 2009
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--_87aa0386-1a0c-4f3d-8002-b9d6f8b32218_
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I was just doing the rounds of my fav blogs and i came across a wonderful r=
ecording of an Owen Pallett show done in the driving rain=2Che is playing a=
 new track of his upcoming "Heartland" album.

=20

theres a link to some live versions of upcoming songs...I would start with =
the beautiful  "The Great Elsewhere"

=20

http://www.youtube.com/view_play_list?p=3D7E1DB41088AF684C&search_query=3Df=
inal+fantasy+lewis+takes+off+his+shirt

=20

I know that Owen has been on list before and I just wanted to tune you all =
into this wonderful work and also=2C If Mr Pallett is here=2C wish him all =
the best on the success of his wonderful new works=2C I for one am truly ex=
cited at the thought of getting my ears around the final product.

=20

Phill Wilson

MyOneManBand

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_87aa0386-1a0c-4f3d-8002-b9d6f8b32218_
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<head>
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<body class=3D'hmmessage'>
I was just doing the rounds of my fav blogs and i came across a wonderful r=
ecording of an Owen Pallett show done in the driving rain=2Che is playing a=
 new track of his upcoming "Heartland" album.<BR>
&nbsp=3B<BR>
theres a link to some live versions of upcoming songs...I would start with =
the beautiful&nbsp=3B "The Great Elsewhere"<BR>
&nbsp=3B<BR>
<A href=3D"http://www.youtube.com/view_play_list?p=3D7E1DB41088AF684C&amp=
=3Bsearch_query=3Dfinal+fantasy+lewis+takes+off+his+shirt">http://www.youtu=
be.com/view_play_list?p=3D7E1DB41088AF684C&amp=3Bsearch_query=3Dfinal+fanta=
sy+lewis+takes+off+his+shirt</A><BR>
&nbsp=3B<BR>
I know that Owen has been on list before and I just wanted to tune you all =
into this wonderful work and also=2C If Mr Pallett is here=2C wish him all =
the best on the success of his wonderful new works=2C I for one am truly ex=
cited at the thought of getting my ears around the final product.<BR>
&nbsp=3B<BR>
Phill Wilson<BR>
MyOneManBand<BR><br /><hr />Internet Explorer 8 - accelerate your Hotmail. =
 <a href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/' target=3D'_ne=
w'>Download Internet Explorer 8</a></body>
</html>=

--_87aa0386-1a0c-4f3d-8002-b9d6f8b32218_--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 13:24:22 2009
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Date: Tue, 18 Aug 2009 6:24:20 -0700
From:  <dohol1@windstream.net>
To: Loopers-Delight@loopers-delight.com
Subject: More Kaiser
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If anyone is interested, here's a link to an mp3 of "HK's Gifts For Friends"..A collection of unreleased stuff Mr Kaiser's sent off to various friends.

It includes two Frippertronic style pieces "Commence Pussyfooting" and "Way Too Much Pussyfooting"

( Rather mysterious that he did them..He's not that big a fan of RF.)

Here 'tis:

http://nevergetoutoftheboat.blogspot.com/2008/01/henry-kaiser_23.html

Cheers!

Doug H

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 14:32:59 2009
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Date: Tue, 18 Aug 2009 07:27:17 -0700
Message-ID: <1318f21d0908180727y5f7fc289icef7118c2a75d306@mail.gmail.com>
Subject: Re: New Owen Pallett / Final Fantasy Recordings
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Great video! Thanks for posting that...

On Tue, Aug 18, 2009 at 4:59 AM, phillip wilson <phillwilson@hotmail.com>wrote:

> I was just doing the rounds of my fav blogs and i came across a wonderful
> recording of an Owen Pallett show done in the driving rain,he is playing a
> new track of his upcoming "Heartland" album.
>
> theres a link to some live versions of upcoming songs...I would start with
> the beautiful  "The Great Elsewhere"
>
>
> http://www.youtube.com/view_play_list?p=7E1DB41088AF684C&search_query=final+fantasy+lewis+takes+off+his+shirt
>
> I know that Owen has been on list before and I just wanted to tune you all
> into this wonderful work and also, If Mr Pallett is here, wish him all the
> best on the success of his wonderful new works, I for one am truly excited
> at the thought of getting my ears around the final product.
>
> Phill Wilson
> MyOneManBand
>
> ------------------------------
> Internet Explorer 8 - accelerate your Hotmail. Download Internet Explorer
> 8 <http://clk.atdmt.com/UKM/go/134665338/direct/01/>
>



-- 
-George

http://www.myspace.com/georgeludwigmusic

--0015174c18eac7d82804716b5005
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Great video! Thanks for posting that...<br><br>
<div class=3D"gmail_quote">On Tue, Aug 18, 2009 at 4:59 AM, phillip wilson =
<span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilson@hotmail.com">phillwilso=
n@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>I was just doing the rounds of my fav blogs and i came across a wonder=
ful recording of an Owen Pallett show done in the driving rain,he is playin=
g a new track of his upcoming &quot;Heartland&quot; album.<br>=A0<br>theres=
 a link to some live versions of upcoming songs...I would start with the be=
autiful=A0 &quot;The Great Elsewhere&quot;<br>
=A0<br><a href=3D"http://www.youtube.com/view_play_list?p=3D7E1DB41088AF684=
C&amp;search_query=3Dfinal+fantasy+lewis+takes+off+his+shirt" target=3D"_bl=
ank">http://www.youtube.com/view_play_list?p=3D7E1DB41088AF684C&amp;search_=
query=3Dfinal+fantasy+lewis+takes+off+his+shirt</a><br>
=A0<br>I know that Owen has been on list before and I just wanted to tune y=
ou all into this wonderful work and also, If Mr Pallett is here, wish him a=
ll the best on the success of his wonderful new works, I for one am truly e=
xcited at the thought of getting my ears around the final product.<br>
=A0<br>Phill Wilson<br>MyOneManBand<br>
<div class=3D"hm"><br>
<hr>
Internet Explorer 8 - accelerate your Hotmail. <a href=3D"http://clk.atdmt.=
com/UKM/go/134665338/direct/01/" target=3D"_blank">Download Internet Explor=
er 8</a></div></div></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/geor=
geludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--0015174c18eac7d82804716b5005--

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Date: Tue, 18 Aug 2009 09:40:35 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: New Online Magazine - Sound is Art
To: Loopers-Delight@loopers-delight.com
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--0-1015153546-1250613635=:49496
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Please take a look around, I aim to keep it lively as it develops!


http://margaretnoble.net/blog/


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt;color:#000000;">Please take a look around, I aim to keep it lively as it develops!<br><br><br><span><a target="_blank" href="http://margaretnoble.net/blog/">http://margaretnoble.net/blog/</a></span><br><div>&nbsp;</div></div><br>

      </body></html>
--0-1015153546-1250613635=:49496--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 16:43:25 2009
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Date: Tue, 18 Aug 2009 18:43:24 +0200
Message-ID: <66f9cc1e0908180943l3224349avdcd2f2d3cce73003@mail.gmail.com>
Subject: Re: New Online Magazine - Sound is Art
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 18, 2009 at 6:40 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
> Please take a look around, I aim to keep it lively as it develops!
>
> http://margaretnoble.net/blog/
>

Great! I like this 'zine just from the very first glance.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 16:52:47 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Tue, 18 Aug 2009 11:52:42 -0500
Subject: RE: new software looper: CYCLER Looping Software
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It's hard to know exactly what it does, they're being coy about
the details.  For me the most interesting thing about the video
was "Groove Overdrive" rather than the looping, which was fairly
basic.  Groove Overdrive appears to be a different plugin, probably
providing the master sync for the loopers.  It looked like they
had two instances of Cycler, one for each player, sync'd to the
same master clock.

Cycler appears to be a multitrack looper with sync, and the design
bias is more toward "mixing" loops after recording.  They had an
interesting "sync delay" they applied to one of the loops.  I didn't
see anything in the video that you couldn't do with Ableton Live.

>From their chirpy marketing prose:

> Cycler is a radical departure from hardware emulation software

Okay...so is Ableton.

> and contains powerful and truly unique functions, such as multiple
> loop length capabilities

Try again...

> a comprehensive battery of effects

and again...

> and infinite undos for each of the 16 loopers

Now we're getting somewhere.  Infinite undo is certainly unusual
though not exactly "truly unique". =20

I'm betting it looks like a simplified Ableton with syncd effects,=20
loop undo and maybe first loop capability.  Having all that in a
single program with an easy to use UI would indeed be unique.
You can probably accomplish the same thing combining plugins
in a modular host, but it's easier to understand when there is
a tailored UI surrounding it.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 17:09:35 2009
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Subject: Re: Luis Angulo  vocal loop video live at the Antwerp Y2K9 Loop
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Absolutely brilliant, Luis :-)

Great musicality, great mood.

thanks
Buzap
-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 17:53:14 2009
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Subject: report on the Live 8 looper.
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Warren Sirota and I made our first use of the Live 8 looper within an
improvisational context and I have to say that I was very impressed.

I've been having some trouble with live (that I'll extract into another
post) but it seems to work better for free-form jamming.

There was an initial glitch the first time I tried to insert a looper into
the signal stream - I did it by selecting the two bar looper and
double-clicking on it.  Immediately, all the other tracks jumped out of
record mode.

I didn't try this again but the manual seems to say that double-clicking and
drag-and-drop (which is what I did thereafter) should have the same
effect... and says nothing about dropping out of record.  I'll


I still don't full understand the looper - in particular, how to completely
clear one seems to take far too many keystrokes - but I'm sold on it in the
context of Live.

Once I got into a working mode with it, it worked flawlessly for synched
loops.  The integrated "one button looping" worked really well - I was using
the Nano but I'm hoping my impending Rocktron Midi Mate will do just as
well.  And I can just drop a new instance of the looper onto another track.

It has reverse, it has feedback, it has variable speed, what else do you
want?  Everything else can be done with some plug-in for Live.


I have tried several other software loopers and many of them have their
advantages but if you are using Live 8 there is no reason to use any other
looper because it's free, it's right there, and it works really well.

-- 
    /t

--000e0ce026102e133004716e172e
Content-Type: text/html; charset=UTF-8
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Warren Sirota and I made our first use of the Live 8 looper within an impro=
visational context and I have to say that I was very impressed.<br><br>I&#3=
9;ve been having some trouble with live (that I&#39;ll extract into another=
 post) but it seems to work better for free-form jamming.<br>

<br>There was an initial glitch the first time I tried to insert a looper i=
nto the signal stream - I did it by selecting the two bar looper and double=
-clicking on it.=C2=A0 Immediately, all the other tracks jumped out of reco=
rd mode.<br>

<br>I didn&#39;t try this again but the manual seems to say that double-cli=
cking and drag-and-drop (which is what I did thereafter) should have the sa=
me effect... and says nothing about dropping out of record.=C2=A0 I&#39;ll =
<br>

<br><br>I still don&#39;t full understand the looper - in particular, how t=
o completely clear one seems to take far too many keystrokes - but I&#39;m =
sold on it in the context of Live.=C2=A0 <br><br>Once I got into a working =
mode with it, it worked flawlessly for synched loops.=C2=A0 The integrated =
&quot;one button looping&quot; worked really well - I was using the Nano bu=
t I&#39;m hoping my impending Rocktron Midi Mate will do just as well.=C2=
=A0 And I can just drop a new instance of the looper onto another track.<br=
>

<br>It has reverse, it has feedback, it has variable speed, what else do yo=
u want?=C2=A0 Everything else can be done with some plug-in for Live.<br><b=
r><br>I have tried several other software loopers and many of them have the=
ir advantages but if you are using Live 8 there is no reason to use any oth=
er looper because it&#39;s free, it&#39;s right there, and it works really =
well.<br>

<br>-- <br> =C2=A0 =C2=A0 /t<br><br>

--000e0ce026102e133004716e172e--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 19:37:14 2009
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Subject: Anybody order the preproduction Boomerang 3?
Date: Tue, 18 Aug 2009 15:29:03 -0400
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Has anybody ordered the preproduction 'rang 3? Any problems communicating 
with the company?

I put myself on the waiting list a few weeks ago, notwithstanding a concern 
that it was taking them several days to answer any e-mail I sent them, 
except for 1.

I sent my last e-mail 6 days ago with no reply as of yet. I can't help but 
think, at this point that if it's so hard to get an answer when I want to 
give them my money, how hard will it be if I have a question or problem?

In the 'Rang 2 days, they would reply quickly, which gave me some 
peace-of-mind about the company.

Anybody have any experience with this? I do think it's appropriate for me to 
be concerned.

Brian 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 19:47:05 2009
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Subject: OT: "Will" and Les
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Stumbled across this nice pic. It is actor / musician Bill Mumy, who  
played "Will" on the late, great  60's USA TV show "Lost In Space",  
standing together with the late, great Les Paul.
http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jpg

(Bill has been playing guitar and singing he was about 6 or 7 years  
old. He's in his 50's now.)

Enjoy!
Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/

PS- I was a *huge* fan of "LIS" when I was a kid!  The robot ruled!    
"Danger! Danger, Will Robinson!"  :-)



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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
<div>Stumbled across this nice pic. It is actor / musician Bill Mumy, who played "Will" on the late, great &nbsp;60's USA TV show "Lost In Space", standing together with the late, great Les Paul.&nbsp;</div><div><a href="http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jpg">http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jpg</a></div><div><br></div><div><div>(Bill has been playing guitar and singing he was about 6 or 7 years old. He's in his 50's now.)</div><div><br></div></div><div>Enjoy!</div><div>Cheers,</div><div><span class="Apple-style-span" style="font-size: 12px; "><div>Rev Fever</div><div><a href="http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfever/</a></div><div><br></div><div>PS- I was a *huge* fan of "LIS" when I was a kid! &nbsp;The robot ruled! &nbsp; "Danger! Danger, Will Robinson!" &nbsp;:-)</div><div><br></div></span> </div><br></body></html>
--Apple-Mail-10--412806921--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 20:26:50 2009
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Date: Tue, 18 Aug 2009 22:26:49 +0200
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Subject: Re: report on the Live 8 looper.
From: Per Boysen <perboysen@gmail.com>
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On Tue, Aug 18, 2009 at 7:45 PM, Tom Ritchford<tom@swirly.com> wrote:
> It has reverse, it has feedback, it has variable speed, what else do you
> want?=C2=A0 Everything else can be done with some plug-in for Live.


I think the best thing with Live 8's Looper is that it has the whole
shebang of Live follow tempo as you snag your first loop. This has
always been the point where Live used to fail when using MIDI Clock
through IAC Bus or MIDI Yoke.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 18 22:27:42 2009
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From: "Sjaak" <tcplugin@scarlet.be>
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Subject: RE: Luis Angulo  vocal loop video live at the Antwerp Live Looping festival 
Date: Wed, 19 Aug 2009 00:27:33 +0200
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> Absolutely brilliant, Luis :-)

I agree. You know, and I remember that very well, while we were building up
the stage, Luis asked me if I had a microphone, something like a Shure SM58
because he could maybe use a mic during the his performance..but he wasn't
sure about it. I said "Yes, shure" ;) This is the thruth, that's how the
conversation went. And based on the reactions of the public after the show
and the other artists, I think Luis was one of the highlights of the
festival.
--- 
Sjaak Overgaauw
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 01:55:20 2009
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	 <66f9cc1e0908180943l3224349avdcd2f2d3cce73003@mail.gmail.com>
Date: Wed, 19 Aug 2009 03:55:17 +0200
Message-ID: <afb941d0908181855k1589f818i9a2be814486ec5ef@mail.gmail.com>
Subject: Re: New Online Magazine - Sound is Art
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Tasty!

2009/8/18, Per Boysen <perboysen@gmail.com>:
> On Tue, Aug 18, 2009 at 6:40 PM, margaret
> noble<margaretnoble2000@yahoo.com> wrote:
>> Please take a look around, I aim to keep it lively as it develops!
>>
>> http://margaretnoble.net/blog/
>>
>
> Great! I like this 'zine just from the very first glance.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Using the IK Multimedia StealthPedal to replace a Behringer FCB1010 
	as a midi controller
From: Art Simon <simart@gmail.com>
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I did a quick write up here:
http://simart.googlepages.com/StealthPedal.html

Basically the Stealth pedal gives you a maximum of 6 midi controllers:
2 expression pedals, 3 switches and a small knob on the side of the
pedal. The StealthPedal is smaller, lighter, connects directly via USB
and is easier to configure than the Behringer. But, it's more
expensive, less flexible and the expression pedals on the Behringer
have a  nicer feel.
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 09:04:05 2009
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Date: Wed, 19 Aug 2009 11:04:04 +0200
Message-ID: <66f9cc1e0908190204l529178d4xc49e170967f1bcd5@mail.gmail.com>
Subject: Re: Using the IK Multimedia StealthPedal to replace a Behringer 
	FCB1010 as a midi controller
From: Per Boysen <perboysen@gmail.com>
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Looks like a nice setup! Is it possible to "daisy-chain" many Boss
FS-6 Dual Footswitches? I would like four or six for instant access to
scale intervals. Six would give you the option of playing the looper
with twelve tone scale, something I have always been missing with the
Behringer pedal that is hard-wired with only ten buttons.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Aug 19, 2009 at 4:25 AM, Art Simon<simart@gmail.com> wrote:
> I did a quick write up here:
> http://simart.googlepages.com/StealthPedal.html
>
> Basically the Stealth pedal gives you a maximum of 6 midi controllers:
> 2 expression pedals, 3 switches and a small knob on the side of the
> pedal. The StealthPedal is smaller, lighter, connects directly via USB
> and is easier to configure than the Behringer. But, it's more
> expensive, less flexible and the expression pedals on the Behringer
> have a =C2=A0nicer feel.
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 10:23:40 2009
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Go to this site.

http://www.atlasoftheuniverse.com/

Then click on the ZOOM button and keep hitting it and see where it takes 
you.

It puts 'us' in a some perspective.

Loop on ,  brothers and sisters!   
\
There is some mysterious reason why we do this inexplicable thing we do.
I'm not sure what it is,  but it keeps making sense to me.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 10:24:27 2009
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Subject: OT FS Looper MicroKorg FX etc
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--_83becbef-10de-46be-9c2b-00505f6e0adc_
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Time for a clearout here in the UK =2C

=20

Im gear nuts so I keep buying more and more kit=2C its time for a thin out!=
!

=20

all can be seen working in Beverley east yorkshire or i can youtube any ans=
wers needed.

=20

MicroKorg.......You Know what this does surely!!! fantasic modelling synth=
=2C this one comes in=20
gigged but good condition=2C I have had to replace the power supply also ha=
s a differant mic to the webcam quality one that it came with it !!!
=A3250 seems about right according to ebay!!

=20

FX.......

=20

Boss Loopstation RC-20 an awesome loop pedal with tons of time and unlimete=
d overdubs=2C also with 16 slots to pre record and jam to.
=A3140

=20

Alesis ModFx Metavox Vocorder - this is an awesome piece of kit=2C 8 band h=
igh quality vocorder=2C can be used with guitar=2C dj kit or any input sign=
al or even just with itself
=A345 http://reviews.harmony-central.com/reviews/Effects/product/Alesis/Met=
avox/10/1

=20

=20

Alesis ModFx Smashup Compressor  - quality compressor=2C very "new edge" do=
es some funky stuff like pumping that even the boss ones dont do...also lin=
ks directly to the other alesis units.
=A345

=20

Alesis ModFx Amplition Temolo - Beat synced and rythmic trem Fx plus extra =
gates and pans
=A345

=20

=20

Zoom 707 good beginers pedal for years..or one for taking on th road when y=
ou need to scale the equipment down.
=A340

=20

Zoom 2120 - older then the 707 but with some crazy extras such as mulitipar=
t looper built in...=A340

=20

=20

=20

Guitars-----

Wesley Telecaster in Sparkly Blue - better then a squire cheap entry level =
guitar...really nice neck would make a good learner or project guitar.
=A3100

Tanglewood Flying V - this is a genuine retro guitar from the early 80s its=
 peppermint white and plays beautifully=2C its a nightmare ot sit down with=
 but stood up you look like the man!!
=A3120

=20

=20

I am also on the lookout for the following Korg ELectribe=2C Samplers=2C Bo=
ss RC-2 =2C Boss Gigadelay DD20 =2C Digitech Timebender. if you have any of=
 them for sale or swap get in touch.

=20

=20

_________________________________________________________________
Windows Live Messenger: Thanks for 10 great years=97enjoy free winks and em=
oticons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_83becbef-10de-46be-9c2b-00505f6e0adc_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Time for a clearout here in the UK =2C<BR>
&nbsp=3B<BR>
Im gear nuts so I keep buying more and more kit=2C its time for a thin out!=
!<BR>
&nbsp=3B<BR>
all can be seen working in Beverley east yorkshire or i can youtube any ans=
wers needed.<BR>
&nbsp=3B<BR>
MicroKorg.......You Know what this does surely!!! fantasic modelling synth=
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e the power supply also has a differant mic to the webcam quality one that =
it came with it !!!<BR>=A3250 seems about right according to ebay!!<BR>
&nbsp=3B<BR>
FX.......<BR>
&nbsp=3B<BR>
Boss Loopstation RC-20 an awesome loop pedal with tons of time and unlimete=
d overdubs=2C also with 16 slots to pre record and jam to.<BR>=A3140<BR>
&nbsp=3B<BR>
Alesis ModFx Metavox Vocorder - this is an awesome piece of kit=2C 8 band h=
igh quality vocorder=2C can be used with guitar=2C dj kit or any input sign=
al or even just with itself<BR>=A345 <A href=3D"http://reviews.harmony-cent=
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&nbsp=3B<BR>
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Zoom 707 good beginers pedal for years..or one for taking on th road when y=
ou need to scale the equipment down.<BR>=A340<BR>
&nbsp=3B<BR>
Zoom 2120 - older then the 707 but with some crazy extras such as mulitipar=
t looper built in...=A340<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
Guitars-----<BR>
Wesley Telecaster in Sparkly Blue - better then a squire cheap entry level =
guitar...really nice neck would make a good learner or project guitar.<BR>=
=A3100<BR>
Tanglewood Flying V - this is a genuine retro guitar from the early 80s its=
 peppermint white and plays beautifully=2C its a nightmare ot sit down with=
 but stood up you look like the man!!<BR>=A3120<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
I am also on the lookout for the following Korg ELectribe=2C Samplers=2C Bo=
ss RC-2 =2C Boss Gigadelay DD20 =2C Digitech Timebender. if you have any of=
 them for sale or swap get in touch.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR><br /><hr />Internet Explorer 8 - accelerate your Hotmail.  <a =
href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/' target=3D'_new'>D=
ownload Internet Explorer 8</a></body>
</html>=

--_83becbef-10de-46be-9c2b-00505f6e0adc_--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 11:29:47 2009
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14 billion light-years from the sun - boy, that neighborhood sure has
changed since I grew up there!

On Wed, Aug 19, 2009 at 6:23 AM, Rick Walker<looppool@cruzio.com> wrote:
> Go to this site.
>
> http://www.atlasoftheuniverse.com/
>

-- 
Warren
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 11:29:50 2009
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Subject: Re: Using the IK Multimedia StealthPedal to replace a Behringer
 FCB1010 	as a midi controller
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Hi Art

that's some really nice option there. Thanks.

http://www.ikmultimedia.com/stealthpedal/moreinfo/moreinfo1.php

I think this is a very good option for people who want to travel with a smaller pedal setup.
I could imagine i.e. a Midi Moose along with this pedal as a small setup.

Or you can pick any of the midi footpedals that don't feature expression pedals to combine it: http://www.thomann.de/gb/search_dir.html?gf=midi_footswitches&sw=midi+foot

In addition, the flexibility is neat: 1-2 expression pedal, 2 optional switches.

I wonder if the symetric outs are good option for i.e. monitoring?

best regards
Buzap


-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

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Subject: Max for Live sneak preview with some nice looping..
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 12:14:26 2009
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	 <66f9cc1e0908190204l529178d4xc49e170967f1bcd5@mail.gmail.com>
Date: Wed, 19 Aug 2009 05:14:25 -0700
Message-ID: <588ce11d0908190514n414d227cxb6915e81a50644f3@mail.gmail.com>
Subject: Re: Using the IK Multimedia StealthPedal to replace a Behringer 
	FCB1010 as a midi controller
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Per,

On Wed, Aug 19, 2009 at 2:04 AM, Per Boysen<perboysen@gmail.com> wrote:
> Looks like a nice setup! Is it possible to "daisy-chain" many Boss
> FS-6 Dual Footswitches?

I don't think so. The midi control software seems to specifically
limit the number of external switches to two. I think that is probably
this set ups biggest limitation.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 13:20:12 2009
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Subject: Tape Loops 8
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d9a2c7800c1904717e7ec2
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Hello everyone!
Some time ago I have presented to you Tape Loops, a little app to perform
and compose ambient/aleatoric music. Several days later i have completed a
beta version of a similar app, called Tape Loops 8.

http://www.louigiverona.ru/?page=projects&s=software&t=tapeloops&a=tapeloops_tapeloops8

This time it is more suitable for music that should be synchronized. The
idea is very simple - 8 loops to trigger, first loop is a synchronizer.

I know that there are possibly a lot of apps with a similar functionality.
What some people may appreciate Tape Loops 8 for is it's minimalism and
basicness, to make up a word.
All feedback would be welcome. Having tried it out to make synchronized
music like house, I can see that what needs to be done is a quick way to
mute/unmute loops - this is on its way.

Thanks for the attention!

Louigi Verona.

--0016e6d9a2c7800c1904717e7ec2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hello everyone!<br>Some time ago I have presented to you Tape Loops, a litt=
le app to perform and compose ambient/aleatoric music. Several days later i=
 have completed a beta version of a similar app, called Tape Loops 8.<br>
<br><a href=3D"http://www.louigiverona.ru/?page=3Dprojects&amp;s=3Dsoftware=
&amp;t=3Dtapeloops&amp;a=3Dtapeloops_tapeloops8">http://www.louigiverona.ru=
/?page=3Dprojects&amp;s=3Dsoftware&amp;t=3Dtapeloops&amp;a=3Dtapeloops_tape=
loops8</a><br>
<br>This time it is more suitable for music that should be synchronized. Th=
e idea is very simple - 8 loops to trigger, first loop is a synchronizer.<b=
r><br>I know that there are possibly a lot of apps with a similar functiona=
lity. What some people may appreciate Tape Loops 8 for is it&#39;s minimali=
sm and basicness, to make up a word.<br>
All feedback would be welcome. Having tried it out to make synchronized mus=
ic like house, I can see that what needs to be done is a quick way to mute/=
unmute loops - this is on its way.<br><br>Thanks for the attention!<br>
<br>Louigi Verona.<br>

--0016e6d9a2c7800c1904717e7ec2--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 14:39:13 2009
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References: <C7BB8AE0-ABD1-4DA0-B387-780440642AB3@johnfloridis.com> <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com>   <101191640908171033y18ff8b69m3fca770d0e84e7b4@mail.gmail.com>   <3073AC76-FC55-4CDA-A8B5-3920655A5A4E@johnfloridis.com>   <p06240804c6afc2a50a9e@[192.168.15.2]>   <748324AB-6BE3-4BF7-B79A-6BEA728BCD6F@johnfloridis.com>   <p06240800c6b044d54b41@[192.168.15.2]>  <COL109-W537AFBEB1633EF8D6F8FE6BEFF0@phx.gbl> <COL109-W63FFF6EEB0770BFEF4ECF6BEFE0@phx.gbl>
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phillip wilson wrote:

> Zoom 2120 - older then the 707 but with some crazy extras such as 
> mulitipart looper built in...£40
>  

?
Zoom 2100 surely 
?




andy

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 17:46:14 2009
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Subject: OT: Ustream/Ninjam question
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Does anyone know off hand if you can stream the output of your desktop
via Ustream (or similar) or does it have to be from a webcam only?  I
was wanting to find a way to do live video mixes instead of live music
(there are video loops though).  Also, I was thinking it would be fun
to contribute live visuals to online musical collaborations if such a
thing is possible via Ninjam or the like.  But I don't know if this is
even possible, hence my question here.

Any pointers greatly appreciated.

Kevin

My apologies if this comes through twice

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 17:46:39 2009
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Does anyone know off hand if you can stream the output of your desktop
via Ustream (or similar) or does it have to be from a webcam only?  I
was wanting to find a way to do live video mixes instead of live music
(there are video loops though).  Also, I was thinking it would be fun
to contribute live visuals to online musical collaborations if such a
thing is possible via Ninjam or the like.  But I don't know if this is
even possible, hence my question here.

Any pointers greatly appreciated.

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 17:48:47 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: OT: Ustream/Ninjam question
Date: Wed, 19 Aug 2009 18:48:41 +0100
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Should be ok there are various options in the broadcast options.



Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 19 Aug 2009, at 18:46, Kevin Cheli-Colando wrote:

> Does anyone know off hand if you can stream the output of your desktop
> via Ustream (or similar) or does it have to be from a webcam only?  I
> was wanting to find a way to do live video mixes instead of live music
> (there are video loops though).  Also, I was thinking it would be fun
> to contribute live visuals to online musical collaborations if such a
> thing is possible via Ninjam or the like.  But I don't know if this is
> even possible, hence my question here.
>
> Any pointers greatly appreciated.
>
> Kevin
>
> My apologies if this comes through twice
>
> --  
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>


--Apple-Mail-2--333501339
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Should be ok there are various options in the broadcast =
options.<div><br></div><div><br></div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 19 Aug 2009, =
at 18:46, Kevin Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Does anyone know off hand if you can stream the =
output of your desktop</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">via Ustream (or similar) or =
does it have to be from a webcam only?<span =
class=3D"Apple-converted-space">&nbsp; </span>I</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">was wanting to find a way to do live video mixes =
instead of live music</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">(there are video loops =
though).<span class=3D"Apple-converted-space">&nbsp; </span>Also, I was =
thinking it would be fun</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">to contribute =
live visuals to online musical collaborations if such a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">thing is possible via Ninjam or the like.<span =
class=3D"Apple-converted-space">&nbsp; </span>But I don't know if this =
is</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">even possible, hence my question =
here.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Any pointers greatly appreciated.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Kevin</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">My apologies if this comes through twice</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Till now you seriously considered yourself to be the =
body and to have a</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">form. That is the primal =
ignorance which is the root cause of all trouble.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Ramana =
Maharshi (1879-1950)</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sound and Vision:<span =
class=3D"Apple-converted-space">&nbsp; </span><a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Video <a =
href=3D"http://www.vimeo.com/user877640/videos">http://www.vimeo.com/user8=
77640/videos</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2--333501339--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
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References: <37f071c00908191046y5e5bd3d9wbfb87e6e3ee20a@mail.gmail.com>
Subject: Re: Ustream/Ninjam question
Date: Wed, 19 Aug 2009 14:05:04 -0400
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yes! I have not tried this one yet, also Ustream allows line input for 
audio, you are not stuck with web cam audio.
http://www.livestream.com/procaster/video

Jeff

----- Original Message ----- 
From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 19, 2009 1:46 PM
Subject: OT: Ustream/Ninjam question


> Does anyone know off hand if you can stream the output of your desktop
> via Ustream (or similar) or does it have to be from a webcam only?  I
> was wanting to find a way to do live video mixes instead of live music
> (there are video loops though).  Also, I was thinking it would be fun
> to contribute live visuals to online musical collaborations if such a
> thing is possible via Ninjam or the like.  But I don't know if this is
> even possible, hence my question here.
>
> Any pointers greatly appreciated.
>
> Kevin
>
> My apologies if this comes through twice
>
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
> 

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Subject: Touch Screen
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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This might be a nice way to add a touch screen to your computer set up
($230 doesn't seem too bad or is it?)

http://www.mimomonitors.com/products/mimo-720-S

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 18:36:26 2009
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Date: Wed, 19 Aug 2009 11:11:46 -0700
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Subject: Re: Electrix MoFX fuse (a little OT)
From: S V G <vsyevolod@gmail.com>
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Peter Toms at Condor Electronics in Seattle.

206 633 5190




On Mon, Jul 27, 2009 at 3:08 PM, Charlie Milkey<pilotcp@gmail.com> wrote:
> Hello All!
>
> I realize this is OT and whatnot, but i need help and i know a few of you
> know a bit about electrix gear--anyways, I have the MoFX and i just blew a
> fuse--I can't find a replacement fuse in the area--i realize they are 250ma
> and 250V and whatnot, but i can't find the right size--can anyone point me
> in the right direction?
>
> if anyone can help, it'd be much appreciated!
>
>
> Thanks,
> Charlie

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Date: Wed, 19 Aug 2009 14:51:09 -0400
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Subject: Re: OT: Ustream/Ninjam question
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0015174c41744e67b60471831e8c
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Kevin re the audio when you go to Broadcast Now and get the smaller window
interface.  There are two dropdowns, one for video one for audio.  In the
one for audio if you have a USB audio interface as I use it will reference
that in my case I use a Tascam 224 so if that driver and device are
initialized on my Mac uStream will pick it up.  If you are using some kind
of analog to your computer line in the line in will be an option if it's
alive on your computer.

A sidebar of this if you are on a Mac that has an iSight camera as in the
case of Matt and I, and wanted to us an external webcam for some reason as I
did recently, uStream can't differentiate between internal and external usb
on the Mac.  Though several scripts are out there to disable iSigyht they
don't disable the internal USB port.  The work around that is glitchy but
does work on enough tries is to start up Photo Booth first and convince OSX
that isight is busy when you kick off uStream, it will then detect the
external camera.  This took several open/close tries but did finally work.
I realize you didn't write about this but maybe there is a sidebar interest
or others on the list will be curious and your thoughts spurned the output.

I have not outputted desktop or B-roll source to roll over the live webcam
as sounds like you want to do, I"ve thought about it but not explored.  Jeff
has explored greenscreening I think to justin or ustream.

Jim
btw I have a show this weekend on ustream, my URL is
http://www.ustream.tv/channel/sunday-morning-at-11 and it will be this
weekend at 11am EST.  Another announce coming soon more formal.

--0015174c41744e67b60471831e8c
Content-Type: text/html; charset=ISO-8859-1
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<div>Kevin re the audio when you go to Broadcast Now and get the smaller wi=
ndow interface.=A0 There are two dropdowns, one for video one for audio.=A0=
 In the one for audio if you have a USB audio interface as I use it will re=
ference that in my case I use a Tascam 224 so if that driver and device are=
 initialized on my Mac uStream will pick it up.=A0 If you are using some ki=
nd of analog to your computer line in the line in will be an option if it&#=
39;s alive on your computer.</div>

<div>=A0</div>
<div>A sidebar of this if you are on a Mac that has an iSight camera as in =
the case of Matt and I, and wanted to us an external webcam for some reason=
 as I did recently, uStream can&#39;t differentiate between internal and ex=
ternal usb on the Mac.=A0 Though several scripts are out there to disable i=
Sigyht they don&#39;t disable the internal USB port.=A0 The work around tha=
t is glitchy but does work on enough tries is to start up Photo Booth first=
 and convince OSX that isight is busy when you kick off uStream, it will th=
en detect the external camera.=A0 This took several open/close tries but di=
d finally work.=A0 I realize you didn&#39;t write about this but maybe ther=
e is a sidebar interest or others on the list will be curious=A0and your th=
oughts spurned the output.</div>

<div>=A0</div>
<div>I have not outputted desktop or B-roll source to roll over the live we=
bcam as sounds like you want to do, I&quot;ve thought about it but not expl=
ored.=A0 Jeff has explored greenscreening I think to justin or ustream.</di=
v>

<div>=A0</div>
<div>Jim</div>
<div>btw I have a show this weekend on ustream, my URL is <a href=3D"http:/=
/www.ustream.tv/channel/sunday-morning-at-11">http://www.ustream.tv/channel=
/sunday-morning-at-11</a> and it will be this weekend at 11am EST.=A0 Anoth=
er announce coming soon more formal.</div>

--0015174c41744e67b60471831e8c--

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Subject: OT: music from nature
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I liked this one. its not live looped, but still sounds familiar and  
holds hints for found sound fans:

http://www.youtube.com/user/DSSessionVideos

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 20:59:01 2009
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Date: Wed, 19 Aug 2009 14:59:00 -0600
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Subject: Re: Touch Screen
From: Dennis Moser <sinsofmachaut@gmail.com>
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The screen resolution is pretty low ...

On Wed, Aug 19, 2009 at 12:35 PM, Kevin
Cheli-Colando<kevin@minds-eye.org> wrote:
> This might be a nice way to add a touch screen to your computer set up
> ($230 doesn't seem too bad or is it?)
>
> http://www.mimomonitors.com/products/mimo-720-S
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: =A0http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Wed, 19 Aug 2009 16:10:47 -0500
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i paid $50 on ebay for my 15" touch screen-
the rackmount was $150 though....ha

still a cute invention=2C thanks for sharing

fro






> Date: Wed=2C 19 Aug 2009 14:59:00 -0600
> Subject: Re: Touch Screen
> From: sinsofmachaut@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> The screen resolution is pretty low ...
>=20
> On Wed=2C Aug 19=2C 2009 at 12:35 PM=2C Kevin
> Cheli-Colando<kevin@minds-eye.org> wrote:
> > This might be a nice way to add a touch screen to your computer set up
> > ($230 doesn't seem too bad or is it?)
> >
> > http://www.mimomonitors.com/products/mimo-720-S
> >
> > Kevin
> >
> > --
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all troub=
le.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org
> > Video http://www.vimeo.com/user877640/videos
> >
> >
>=20
>=20
>=20
> --=20
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20

_________________________________________________________________
Hotmail=AE is up to 70% faster. Now good news travels really fast.=20
http://windowslive.com/online/hotmail?ocid=3DPID23391::T:WLMTAGL:ON:WL:en-U=
S:WM_HYGN_faster:082009=

--_755612cc-ad21-48ac-855e-c817e5307cbf_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
i paid $50 on ebay for my 15" touch screen-<br>the rackmount was $150 thoug=
h....ha<br><br>still a cute invention=2C thanks for sharing<br><br>fro<br><=
br><br><br><br><br><br>&gt=3B Date: Wed=2C 19 Aug 2009 14:59:00 -0600<br>&g=
t=3B Subject: Re: Touch Screen<br>&gt=3B From: sinsofmachaut@gmail.com<br>&=
gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B The scre=
en resolution is pretty low ...<br>&gt=3B <br>&gt=3B On Wed=2C Aug 19=2C 20=
09 at 12:35 PM=2C Kevin<br>&gt=3B Cheli-Colando&lt=3Bkevin@minds-eye.org&gt=
=3B wrote:<br>&gt=3B &gt=3B This might be a nice way to add a touch screen =
to your computer set up<br>&gt=3B &gt=3B ($230 doesn't seem too bad or is i=
t?)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B http://www.mimomonitors.com/products/=
mimo-720-S<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Kevin<br>&gt=3B &gt=3B<br>&gt=
=3B &gt=3B --<br>&gt=3B &gt=3B Till now you seriously considered yourself t=
o be the body and to have a<br>&gt=3B &gt=3B form. That is the primal ignor=
ance which is the root cause of all trouble.<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B - Ramana Maharshi (1879-1950)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Sound a=
nd Vision: &nbsp=3Bhttp://www.minds-eye.org<br>&gt=3B &gt=3B Video http://w=
ww.vimeo.com/user877640/videos<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B =
<br>&gt=3B <br>&gt=3B <br>&gt=3B -- <br>&gt=3B http://myspace.com/usrsbin<b=
r>&gt=3B http://audiozoloft.com<br>&gt=3B http://usrslashsbin.angrek.com/<b=
r>&gt=3B <br><br /><hr />Hotmail=AE is up to 70% faster. Now good news trav=
els really fast.  <a href=3D'http://windowslive.com/online/hotmail?ocid=3DP=
ID23391::T:WLMTAGL:ON:WL:en-US:WM_HYGN_faster:082009' target=3D'_new'>Try i=
t now.</a></body>
</html>=

--_755612cc-ad21-48ac-855e-c817e5307cbf_--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 21:13:26 2009
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Date: Wed, 19 Aug 2009 23:13:25 +0200
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Subject: Re: OT: music from nature
From: Per Boysen <perboysen@gmail.com>
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On Wed, Aug 19, 2009 at 10:41 PM, Matthias Grob<matilists@gmail.com> wrote:
> I liked this one. its not live looped, but still sounds familiar and holds
> hints for found sound fans:
>
> http://www.youtube.com/user/DSSessionVideos


I agree Diego Stacco's work is highly interesting!  I've been fiddling
a lot with his sounds in the Stylus RMX libraries. At
http://www.diegostocco.com/ they say a 2012 trailer uses his
soundtrack but it's not yet online at
http://www.whowillsurvive2012.com/. Maybe soon. I like his general
sound aesthetics.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 21:19:53 2009
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Subject: RE: "Will" and Les
Date: Wed, 19 Aug 2009 14:19:48 -0700
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Danger Will Robinson Danger  !!!!!

 

 I love Bill Mumy!!!! he had some classic roles on the Twilight Zone as
well, the McCauley Culkin, go to child actor of his day.

 

Bill

 

PS oh the pain the pain...

Dr Smith

 

  _____  

From: Rev Fever [mailto:revfever@ubergadget.com] 
Sent: Tuesday, August 18, 2009 12:47 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: "Will" and Les

 

Stumbled across this nice pic. It is actor / musician Bill Mumy, who played
"Will" on the late, great  60's USA TV show "Lost In Space", standing
together with the late, great Les Paul. 

http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jpg

 

(Bill has been playing guitar and singing he was about 6 or 7 years old.
He's in his 50's now.)

 

Enjoy!

Cheers,

Rev Fever

http://www.spiritone.com/~rvfever/

 

PS- I was a *huge* fan of "LIS" when I was a kid!  The robot ruled!
"Danger! Danger, Will Robinson!"  :-)

 

 


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</head>

<body lang=3DEN-US link=3Dblue vlink=3Dblue style=3D'word-wrap: =
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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Danger Will Robinson Danger =
&nbsp;!!!!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;I love Bill Mumy!!!! he had =
some
classic roles on the Twilight Zone as well, the McCauley Culkin, go to =
child
actor of his day.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>PS oh the pain the =
pain&#8230;&#8230;.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Dr =
Smith<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Rev =
Fever
[mailto:revfever@ubergadget.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, August 18, =
2009
12:47 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> OT: =
&quot;Will&quot; and
Les</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Stumbled across this nice pic. It is actor / musician Bill Mumy, =
who
played &quot;Will&quot; on the late, great &nbsp;60's USA TV show =
&quot;Lost In
Space&quot;, standing together with the late, great Les =
Paul.&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><a
href=3D"http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jp=
g">http://www.billmumy.com/mumy/galleries/music/friends/BMLespaul.jpg</a>=
<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>(Bill has been playing guitar and singing he was about 6 or 7 =
years
old. He's in his 50's now.)<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Enjoy!<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Cheers,<o:p></o:p></span></font></p>

</div>

<div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3D"Times New Roman"><span =
style=3D'font-size:
9.0pt'>Rev Fever<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3D"Times New Roman"><span =
style=3D'font-size:
9.0pt'><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvf=
ever/</a><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3D"Times New Roman"><span =
style=3D'font-size:
9.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3D"Times New Roman"><span =
style=3D'font-size:
9.0pt'>PS- I was a *huge* fan of &quot;LIS&quot; when I was a kid! =
&nbsp;The
robot ruled! &nbsp; &quot;Danger! Danger, Will Robinson!&quot; =
&nbsp;:-)<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 face=3D"Times New Roman"><span =
style=3D'font-size:
9.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 21:34:11 2009
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Date: Wed, 19 Aug 2009 17:33:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Netbook for looping?
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Anyone using a "Netbook" for audio?  I am talking about the Intel 
"Atom" n270, n280 based sub notebooks running windows or linux...

http://tinyurl.com/mkxwts

or

http://www.acer.us/acer/product.do?link=oln85e.redirect&changedAlts=&kcond48e.c2att101=-1&CRC=2759084358
-- 
--============_-961404867==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Netbook for looping?</title></head><body>
<div>Anyone using a &quot;Netbook&quot; for audio?&nbsp; I am talking
about the Intel &quot;Atom&quot; n270, n280 based sub notebooks
running windows or linux...</div>
<div><br></div>
<div><font face="Verdana" size="-1"
color="#000000"><b>http://tinyurl.com/mkxwts</b></font></div>
<div><br></div>
<div>or</div>
<div><br></div>
<div><font face="Verdana" size="-1"
color="#000000"><b
>http://www.acer.us/acer/product.do?link=oln85e.redirect&amp;changedA<span
></span>lts=&amp;kcond48e.c2att101=-1&amp;CRC=2759084358</b></font></div
>
<x-sigsep><pre>-- 
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</html>
--============_-961404867==_ma============--

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Netbook for looping?i know a few guys using the acer model running osx =
and linux - seems to run supercollider pretty well. real time processing =
seems to be pretty stable, looping included. i'm thinking of getting one =
as my next upgrade, but holding off to hear some more =
opinions/reviews/experiences...



  ----- Original Message -----=20
  From: Charles Zwicky=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, August 19, 2009 10:33 PM
  Subject: Netbook for looping?


  Anyone using a "Netbook" for audio?  I am talking about the Intel =
"Atom" n270, n280 based sub notebooks running windows or linux...


  http://tinyurl.com/mkxwts


  or


  =
http://www.acer.us/acer/product.do?link=3Doln85e.redirect&changedAlts=3D&=
kcond48e.c2att101=3D-1&CRC=3D2759084358
--=20


-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.409 / Virus Database: 270.13.61/2313 - Release Date: =
08/19/09 06:03:00

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<DIV><FONT face=3DArial size=3D2>i know a few guys using the acer model =
running osx=20
and linux - seems to run supercollider pretty well. real time processing =
seems=20
to be pretty stable, looping included. i'm thinking of getting one as my =
next=20
upgrade, but holding off to hear some more=20
opinions/reviews/experiences...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcazwicky@earthlink.net =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, August 19, =
2009 10:33=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Netbook for =
looping?</DIV>
  <DIV><BR></DIV>
  <DIV>Anyone using a "Netbook" for audio?&nbsp; I am talking about the =
Intel=20
  "Atom" n270, n280 based sub notebooks running windows or =
linux...</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DVerdana color=3D#000000 size=3D-1><B><A=20
  =
href=3D"http://tinyurl.com/mkxwts">http://tinyurl.com/mkxwts</A></B></FON=
T></DIV>
  <DIV><BR></DIV>
  <DIV>or</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DVerdana color=3D#000000 size=3D-1><B><A=20
  =
href=3D"http://www.acer.us/acer/product.do?link=3Doln85e.redirect&amp;cha=
ngedAlts=3D&amp;kcond48e.c2att101=3D-1&amp;CRC=3D2759084358">http://www.a=
cer.us/acer/product.do?link=3Doln85e.redirect&amp;changedA<SPAN></SPAN>lt=
s=3D&amp;kcond48e.c2att101=3D-1&amp;CRC=3D2759084358</A></B></FONT></DIV>=
<X-SIGSEP><PRE>--=20
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 22:36:40 2009
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Date: Wed, 19 Aug 2009 15:36:38 -0700 (PDT)
Subject: OT: music from nature
From: looppool@cruzio.com
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Thanks for that link, Matthias.

that was really cool.

I love how he attached his stethoscope to a microphone.

I found a little red childrens' stethoscope at a flea market around the
corner
from Per's flat in Stockholm and have discovered an amazing world with that
instrument.    I split open it's plastic chord and inserted a small
lavalier microphone
from radio shack but I'm not entirely please with the results.
It's not picking up the really low frequencies that you can hear with the
stethoscope,
unfortunately.

Per's small stainless steel sink in his aparment is amazing.  I wish I
could have recorded
what I heard through the stethescope while 'playing' it one evening.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 19 22:53:02 2009
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Subject: Re: OT: stethoscope
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Date: Wed, 19 Aug 2009 19:52:37 -0300
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I was amazed to read about two kinds in wikipedia:
"a diaphragm (plastic disc) or bell (hollow cup). If the diaphragm is  
placed on the patient, body sounds vibrate the diaphragm, creating  
acoustic pressure waves which travel up the tubing to the listener's  
ears. If the bell is placed on the patient, the vibrations of the skin  
directly produce acoustic pressure waves traveling up to the  
listener's ears. The bell transmits low frequency sounds, while the  
diaphragm transmits higher frequency sounds."

so which one do you use?

Isnt this the point about electrorganic instruments?
we can listen to the sound where its generated!

or is it the coloring of the stethoscope which you like?


On 19 Aug 2009, at 19:36, looppool@cruzio.com wrote:

> Thanks for that link, Matthias.
>
> that was really cool.
>
> I love how he attached his stethoscope to a microphone.
>
> I found a little red childrens' stethoscope at a flea market around  
> the
> corner
> from Per's flat in Stockholm and have discovered an amazing world  
> with that
> instrument.    I split open it's plastic chord and inserted a small
> lavalier microphone
> from radio shack but I'm not entirely please with the results.
> It's not picking up the really low frequencies that you can hear  
> with the
> stethoscope,
> unfortunately.
>
> Per's small stainless steel sink in his aparment is amazing.  I wish I
> could have recorded
> what I heard through the stethescope while 'playing' it one evening.
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 00:46:09 2009
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	 <p06240804c6b21f58c0e6@192.168.15.2>
Date: Wed, 19 Aug 2009 17:46:08 -0700
Message-ID: <588ce11d0908191746r7013f071va06cca05d4cd40df@mail.gmail.com>
Subject: Re: Netbook for looping?
From: Art Simon <simart@gmail.com>
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I've been meaning to test out my MSI Wind. On AC power, it has an
overclocking "turbo" feature that boosts performance, so it might get
to the acceptable range. I'll let you know.

I'm disappointed we haven't seen more powerful chips for those netbooks.

On Wed, Aug 19, 2009 at 2:33 PM, Charles Zwicky<cazwicky@earthlink.net> wro=
te:
> Anyone using a "Netbook" for audio?=A0 I am talking about the Intel "Atom=
"
> n270, n280 based sub notebooks running windows or linux...
> http://tinyurl.com/mkxwts
> or
> http://www.acer.us/acer/product.do?link=3Doln85e.redirect&changedAlts=3D&=
kcond48e.c2att101=3D-1&CRC=3D2759084358
>
> --
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 00:46:27 2009
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Date: Wed, 19 Aug 2009 20:46:30 -0400 (AST)
Subject: Re: OT: music from nature
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Brilliant.
Loved it.
Thanks for the link.

On Wed, August 19, 2009 4:41 pm, Matthias Grob wrote:
> I liked this one. its not live looped, but still sounds familiar and
> holds hints for found sound fans:
>
> http://www.youtube.com/user/DSSessionVideos
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 04:01:35 2009
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Subject: Virtual gigspam: Sunday Morning at 11 this Sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0022158df8f7ab1e6e04718ace93
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Dear list...

I will be doing another live episode of my bi-weekly webcast *Sunday Morning
at 11*, this coming Sunday, August 23, at 11am EST.  My show URL is
http://www.ustream.tv/channel/sunday-morning-at-11 .

Global times are 8am PST, 9am MST, 10am CST, 11am EST, 4pm UK, 5pm western
Europe, 12mn Japan.  To confirm exact time in your locale goto
http://www.timeanddate.com/worldclock/converter.html .

Have a great rest of the week and hope you will join me on Sunday.

Jim

-- 
*Get DADGAD Encyclopedia, a guitar instructional book/CD by Jim Goodin on
Mel Bay Publications, Inc.
http://www.melbay.com/product.asp?ProductID=99934BCD*
*
*
*Jim Goodin's digital downloads and CD's including Chinapainting's release
Night Blooming Cereus, are available on Bandcamp.com at
http://jimgoodin.bandcamp.com and selectively in the iTunes music store.*
*
*
ReUse, an introspective textural journey
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0022158df8f7ab1e6e04718ace93
Content-Type: text/html; charset=ISO-8859-1
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Dear list...<br><br><div>I will be doing another live episode of my bi-week=
ly webcast <b>Sunday Morning at 11</b>, this coming Sunday, August 23, at 1=
1am EST. =A0My show URL is=A0<a href=3D"http://www.ustream.tv/channel/sunda=
y-morning-at-11" target=3D"_blank">http://www.ustream.tv/channel/sunday-mor=
ning-at-11</a>=A0.<br>
<div class=3D"gmail_quote"><div>

<br></div><div>Global times are 8am PST, 9am MST, 10am CST, 11am EST, 4pm U=
K, 5pm western Europe, 12mn Japan. =A0To confirm exact time in your locale =
goto=A0<a href=3D"http://www.timeanddate.com/worldclock/converter.html" tar=
get=3D"_blank">http://www.timeanddate.com/worldclock/converter.html</a> .</=
div>


<div><br></div><div>Have a great rest of the week and hope you will join me=
 on Sunday.</div><div><br></div><div>Jim</div><div><br></div><div>-- <br><i=
>Get DADGAD Encyclopedia, a guitar instructional book/CD by Jim Goodin on M=
el Bay Publications, Inc. =A0<a href=3D"http://www.melbay.com/product.asp?P=
roductID=3D99934BCD" target=3D"_blank">http://www.melbay.com/product.asp?Pr=
oductID=3D99934BCD</a></i></div>


<div><i><br></i></div><div><i>Jim Goodin&#39;s digital downloads and CD&#39=
;s including Chinapainting&#39;s release Night Blooming Cereus, are availab=
le on Bandcamp.com at <a href=3D"http://jimgoodin.bandcamp.com" target=3D"_=
blank">http://jimgoodin.bandcamp.com</a>=A0and selectively in the iTunes mu=
sic store.</i></div>


<div><i><br></i></div><div>ReUse, an introspective textural journey<br><a h=
ref=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.com/Ct=
ReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com=
" target=3D"_blank">www.jimgoodinmusic.com</a><br>


<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" ta=
rget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://www=
.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapai=
ntingmusic</a><br>


<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>


<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a></div>
</div>
</div>

--0022158df8f7ab1e6e04718ace93--

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Weird stuff, but great !

----- Original Message ----- 
From: "Matthias Grob" <matilists@gmail.com>
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 19, 2009 10:41 PM
Subject: OT: music from nature


> I liked this one. its not live looped, but still sounds familiar and  
> holds hints for found sound fans:
> 
> http://www.youtube.com/user/DSSessionVideos
> 

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looppool@cruzio.com wrote:
 > I love how he attached his stethoscope to a microphone.
>  I split open it's plastic chord and inserted a small
> lavalier microphone
> from radio shack but I'm not entirely please with the results.
> It's not picking up the really low frequencies that you can hear with the
> stethoscope,
> unfortunately.

Possibly you just need a better mic ;-)
Actually, a cheap electret usually has a deep bass response,
but I wonder if you'd get overload distortion.
If it's a cheap dynamic, then likely
you're expecting a bit much from it.
Also, lavalier mics tend to have a large dip put
into the bass response to reduce the chest resonance
you'd get from hanging a mic round your neck.

In uk, we have very cheap karaoke mics available in the bargain shops.
(balanced o/p for £1 or so in one case)
If you can get such a thing in US, then a good idea might be
to remove the capsule from one and use that.

andy

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 07:39:22 2009
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Subject: wiki - list of free software for audio
From: Raul Bonell <raul.bonell@gmail.com>
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http://en.wikipedia.org/wiki/Free_audio_software

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Thu, 20 Aug 2009 11:48:51 +0400
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Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
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This is a good list. I would strongly suggest a Linux based operating system
called Musix - it is in that list.

But have anyone actually tried out free software DAWs? I had a look at LMMS,
Rosegarden and MuSe, but all of them
seem very 90s kinda systems with a lot of modern functionality lacking. In
LMMS I couldn't even set up a normal delay
effect - the plugins available were ugly and absolutely non-user friendly.

I would love to read about someone's positive experiences.

Louigi Verona.


On Thu, Aug 20, 2009 at 11:39 AM, Raul Bonell <raul.bonell@gmail.com> wrote:

> http://en.wikipedia.org/wiki/Free_audio_software
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

--0016367fa168924bf404718dfb2c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This is a good list. I would strongly suggest a Linux based operating syste=
m called Musix - it is in that list.<br><br>But have anyone actually tried =
out free software DAWs? I had a look at LMMS, Rosegarden and MuSe, but all =
of them<br>
seem very 90s kinda systems with a lot of modern functionality lacking. In =
LMMS I couldn&#39;t even set up a normal delay<br>effect - the plugins avai=
lable were ugly and absolutely non-user friendly.<br><br>I would love to re=
ad about someone&#39;s positive experiences.<br>
<br>Louigi Verona.<br><br><br><div class=3D"gmail_quote">On Thu, Aug 20, 20=
09 at 11:39 AM, Raul Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bo=
nell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); m=
argin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href=3D"http://en.wikipedia.org/wiki/Free_audio_software" target=3D"_bla=
nk">http://en.wikipedia.org/wiki/Free_audio_software</a><br>
<font color=3D"#888888"><br>
--<br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" target=
=3D"_blank">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</font></blockquote></div><br>

--0016367fa168924bf404718dfb2c--

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Date: Thu, 20 Aug 2009 10:17:05 +0200
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Subject: Re: wiki - list of free software for audio
From: Per Boysen <perboysen@gmail.com>
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On Thu, Aug 20, 2009 at 9:39 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> http://en.wikipedia.org/wiki/Free_audio_software

What a fantastic time this is! :-)


On Thu, Aug 20, 2009 at 9:48 AM, Louigi Verona<louigi.verona@gmail.com> wrote:
> This is a good list. I would strongly suggest a Linux based operating system
> called Musix - it is in that list.

Louigi, it would be helpful to know why you recommend Musix?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 08:22:40 2009
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Date: Thu, 20 Aug 2009 12:22:38 +0400
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Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, because if you did try any free software audio, it is very difficult
to install and configure. you have to separately install sound drivers and
some sound "servers" like JACK and start the manually. I've spend two days
trying to get at least some sound from Rosegarden and eventually failed.

Musix, on the other hand, provides everything "out of the box". You click on
Rosegarden and start up scripts take care of JACK and all that other stuff.
Something that had to be done a long time ago - user friendliness.

It did work for me in the Virtual machine, but it failed to recognize my
E-Mu soundcard though and I do not know the solution for that problem now.

Louigi Verona.




>
> Louigi, it would be helpful to know why you recommend Musix?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0016e6d99a2160409604718e7474
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Well, because if you did try any free software audio, it is very difficult =
to install and configure. you have to separately install sound drivers and =
some sound &quot;servers&quot; like JACK and start the manually. I&#39;ve s=
pend two days trying to get at least some sound from Rosegarden and eventua=
lly failed.<br>
<br>Musix, on the other hand, provides everything &quot;out of the box&quot=
;. You click on Rosegarden and start up scripts take care of JACK and all t=
hat other stuff. Something that had to be done a long time ago - user frien=
dliness.<br>
<br>It did work for me in the Virtual machine, but it failed to recognize m=
y E-Mu soundcard though and I do not know the solution for that problem now=
.<br><br>Louigi Verona.<br><br><br><div class=3D"gmail_quote"><br><blockquo=
te class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204)=
; margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br>
<br>
</div>Louigi, it would be helpful to know why you recommend Musix?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br>

--0016e6d99a2160409604718e7474--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 08:43:15 2009
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Date: Thu, 20 Aug 2009 10:43:13 +0200
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Subject: Re: wiki - list of free software for audio
From: Raul Bonell <raul.bonell@gmail.com>
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what about pure:dyne? it can be booted from a live cd or usb stick.
includes pd, supercollider, fluxus, ...

http://code.goto10.org/projects/puredyne/

... look at this :-)

http://code.goto10.org/projects/puredyne/wiki/GetPureDyne



2009/8/20, Louigi Verona <louigi.verona@gmail.com>:
> Well, because if you did try any free software audio, it is very difficult
> to install and configure. you have to separately install sound drivers and
> some sound "servers" like JACK and start the manually. I've spend two days
> trying to get at least some sound from Rosegarden and eventually failed.
>
> Musix, on the other hand, provides everything "out of the box". You click on
> Rosegarden and start up scripts take care of JACK and all that other stuff.
> Something that had to be done a long time ago - user friendliness.
>
> It did work for me in the Virtual machine, but it failed to recognize my
> E-Mu soundcard though and I do not know the solution for that problem now.
>
> Louigi Verona.
>
>
>
>
>>
>> Louigi, it would be helpful to know why you recommend Musix?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 10:21:08 2009
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To: <loopers-delight@loopers-delight.com>
Subject: RE: OT FS Looper MicroKorg FX etc
Date: Thu, 20 Aug 2009 10:21:06 +0000
Importance: Normal
In-Reply-To: <4A8C0E9D.5090707@tiscali.co.uk>
References: <C7BB8AE0-ABD1-4DA0-B387-780440642AB3@johnfloridis.com>
 <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com>
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Indeed=2C many thanks for pointing that out...was typing it up at work !!

=20

P
=20
> Date: Wed=2C 19 Aug 2009 15:39:25 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT FS Looper MicroKorg FX etc
>=20
>=20
>=20
> phillip wilson wrote:
>=20
> > Zoom 2120 - older then the 707 but with some crazy extras such as=20
> > mulitipart looper built in...=A340
> >=20
>=20
> ?
> Zoom 2100 surely=20
> ?
>=20
>=20
>=20
>=20
> andy
>=20

_________________________________________________________________

Upgrade to Internet Explorer 8 Optimised for MSN. =20

http://extras.uk.msn.com/internet-explorer-8/?ocid=3DT010MSN07A0716U=

--_4c0a7d9c-2ca9-4075-9321-d51e266a4145_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Indeed=2C many thanks for pointing that out...was typing it up at work !!<B=
R>
&nbsp=3B<BR>
P<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 19 Aug 2009 15:39:25 +0100<BR>&gt=3B F=
rom: akbutler@tiscali.co.uk<BR>&gt=3B To: Loopers-Delight@loopers-delight.c=
om<BR>&gt=3B Subject: Re: OT FS Looper MicroKorg FX etc<BR>&gt=3B <BR>&gt=
=3B <BR>&gt=3B <BR>&gt=3B phillip wilson wrote:<BR>&gt=3B <BR>&gt=3B &gt=3B=
 Zoom 2120 - older then the 707 but with some crazy extras such as <BR>&gt=
=3B &gt=3B mulitipart looper built in...=A340<BR>&gt=3B &gt=3B <BR>&gt=3B <=
BR>&gt=3B ?<BR>&gt=3B Zoom 2100 surely <BR>&gt=3B ?<BR>&gt=3B <BR>&gt=3B <B=
R>&gt=3B <BR>&gt=3B <BR>&gt=3B andy<BR>&gt=3B <BR><br /><hr />Celebrate a d=
ecade of Messenger with free winks=2C emoticons=2C display pics=2C and more=
. <a href=3D'http://clk.atdmt.com/UKM/go/157562755/direct/01/' target=3D'_n=
ew'>Get Them Now</a></body>
</html>=

--_4c0a7d9c-2ca9-4075-9321-d51e266a4145_--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 10:51:47 2009
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Saul Stokes.  The Featured CD
at Midnight will be "Villa Galaxia" on Binary Records.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#aug

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 11:19:01 2009
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Date: Thu, 20 Aug 2009 13:24:27 +0200
From: van Sinn <vansinn@post.cybercity.dk>
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Louigi Verona wrote:
> Well, because if you did try any free software audio, it is very 
> difficult to install and configure. you have to separately install sound 
> drivers and some sound "servers" like JACK and start the manually. I've 
> spend two days trying to get at least some sound from Rosegarden and 
> eventually failed.

A common issue in Linux, although it's gotten a lot better..

> Musix, on the other hand, provides everything "out of the box". You 
> click on Rosegarden and start up scripts take care of JACK and all that 
> other stuff. Something that had to be done a long time ago - user 
> friendliness.

That I didn't know, thanks.

> It did work for me in the Virtual machine, but it failed to recognize my 
> E-Mu soundcard though and I do not know the solution for that problem now.

Virtual environments do not directly intereact with hardware, but rather 
through abstractions, i.e. drivers are part of the virtual layer, 
meaning you won't be able to directly access your soundcard.

Future developments will see hardware developed for virtualized systems, 
where not only the OS and virtual layer can do context switches, but 
also the hardware. Don't wait for this overnight; it's the future..


> Louigi Verona.
> 
> 
> 
> 
> 
>     Louigi, it would be helpful to know why you recommend Musix?
> 
>     Greetings from Sweden
> 
>     Per Boysen
>     www.boysen.se <http://www.boysen.se>
>     www.perboysen.com <http://www.perboysen.com>


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 11:24:04 2009
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Date: Thu, 20 Aug 2009 15:24:03 +0400
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Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
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--0016364c7a2723e51b047190fd23
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No, I meant the sound worked in virtual machine, but did not work in LiveCD
mode. It couldn't recognize neither my build in soundcard, nor the USB
external one.

Louigi.



>
>  It did work for me in the Virtual machine, but it failed to recognize my
>> E-Mu soundcard though and I do not know the solution for that problem now.
>>
>
> Virtual environments do not directly intereact with hardware, but rather
> through abstractions, i.e. drivers are part of the virtual layer, meaning
> you won't be able to directly access your soundcard.
>
> Future developments will see hardware developed for virtualized systems,
> where not only the OS and virtual layer can do context switches, but also
> the hardware. Don't wait for this overnight; it's the future..
>
>
>
>

--0016364c7a2723e51b047190fd23
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No, I meant the sound worked in virtual machine, but did not work in LiveCD=
 mode. It couldn&#39;t recognize neither my build in soundcard, nor the USB=
 external one.<br><br>Louigi.<br><br><br><div class=3D"gmail_quote"><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
It did work for me in the Virtual machine, but it failed to recognize my E-=
Mu soundcard though and I do not know the solution for that problem now.<br=
>
</blockquote>
<br></div>
Virtual environments do not directly intereact with hardware, but rather th=
rough abstractions, i.e. drivers are part of the virtual layer, meaning you=
 won&#39;t be able to directly access your soundcard.<br>
<br>
Future developments will see hardware developed for virtualized systems, wh=
ere not only the OS and virtual layer can do context switches, but also the=
 hardware. Don&#39;t wait for this overnight; it&#39;s the future..<br>

<br>
<br><br></blockquote></div><br>

--0016364c7a2723e51b047190fd23--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 12:11:45 2009
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Date: Thu, 20 Aug 2009 21:11:44 +0900
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Subject: Re: wiki - list of free software for audio
From: michael noble <looplog@gmail.com>
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--001485f87b58b0a335047191a777
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Another Linux distribution tailored to audio production is 64Studio, which
gets very good reviews. It was based on debian, but newer version are based
on Ubuntu. Also, so far as I know, auto start of JACK is in fact not really
a distribution specific phenomenon - many  jack aware applications now have
the option to autostart JACK if its not started.

With regard to your sound card not being recognized, it would pay to visit
the Alsa website and check for driver compatability. The last time I checked
a few of the higher end EMU cards are not actually supported by Alsa. Alsa
is the driver layer that JACK uses to communicate with the hardware, so your
issues will lie there. Just search for "Alsa matrix" and you should be able
to find specific information about the level of support for your card.

-Michael

On Thu, Aug 20, 2009 at 5:22 PM, Louigi Verona <louigi.verona@gmail.com>wrote:

> Well, because if you did try any free software audio, it is very difficult
> to install and configure. you have to separately install sound drivers and
> some sound "servers" like JACK and start the manually. I've spend two days
> trying to get at least some sound from Rosegarden and eventually failed.
>
> Musix, on the other hand, provides everything "out of the box". You click
> on Rosegarden and start up scripts take care of JACK and all that other
> stuff. Something that had to be done a long time ago - user friendliness.
>
> It did work for me in the Virtual machine, but it failed to recognize my
> E-Mu soundcard though and I do not know the solution for that problem now.
>
> Louigi Verona.
>
>
>

--001485f87b58b0a335047191a777
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Content-Transfer-Encoding: quoted-printable

Another Linux distribution tailored to audio production is 64Studio, which =
gets very good reviews. It was based on debian, but newer version are based=
 on Ubuntu. Also, so far as I know, auto start of JACK is in fact not reall=
y a distribution specific phenomenon - many=A0 jack aware applications now =
have the option to autostart JACK if its not started.<br>
<br>With regard to your sound card not being recognized, it would pay to vi=
sit the Alsa website and check for driver compatability. The last time I ch=
ecked a few of the higher end EMU cards are not actually supported by Alsa.=
 Alsa is the driver layer that JACK uses to communicate with the hardware, =
so your issues will lie there. Just search for &quot;Alsa matrix&quot; and =
you should be able to find specific information about the level of support =
for your card.<br>
<br>-Michael<br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 5:22=
 PM, Louigi Verona <span dir=3D"ltr">&lt;<a href=3D"mailto:louigi.verona@gm=
ail.com">louigi.verona@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Well, because if you did try any free software audio, it is very difficult =
to install and configure. you have to separately install sound drivers and =
some sound &quot;servers&quot; like JACK and start the manually. I&#39;ve s=
pend two days trying to get at least some sound from Rosegarden and eventua=
lly failed.<br>

<br>Musix, on the other hand, provides everything &quot;out of the box&quot=
;. You click on Rosegarden and start up scripts take care of JACK and all t=
hat other stuff. Something that had to be done a long time ago - user frien=
dliness.<br>

<br>It did work for me in the Virtual machine, but it failed to recognize m=
y E-Mu soundcard though and I do not know the solution for that problem now=
.<br><font color=3D"#888888"><br>Louigi Verona.</font><div><div></div><div =
class=3D"h5">
<br><br>
</div></div></blockquote></div><br>

--001485f87b58b0a335047191a777--

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Subject: Re: wiki - list of free software for audio
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--001636b2b95fb4a93f047191e0c7
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I've tried pretty much every linux DAW over the past five years in the
search for something that does what I want, and the hunt continues. Ardour
is close, and QTractor is also up there amongst my personal favorites. I'd
have to agree about rosegarden, LMMS and MuSe all looking and feeling dated,
but that's mostly because they all use dated GUI toolkits. There's a new
promising project called OpenOctvae. One of the components, open octave
midi, is basically a fork of Rosegarden with the audio and score editing
removed and the UI tweaked slightly to improve sequencing workflow. Until
Ardour hits version 3 with full midi support, a combination of Ardour 2.8
with Open Octave Midi looks to be a very powerful DAW environment.

This brings me to one of the biggest hurdles I've found that some users face
in learning to use Linux as an audio platform. The linux philosophy has
traditionally been to shy away from large monolithic programs that do
everything and towards smaller purpose built software that can interconnect
easily and efficiently. Kind of like a modular synth at the operating system
and application level. Once I accepted that, I stopped being so hung up on
the concept of a single DAW application. It has in fact opened up a very
efficient use of processors for me as well - with quad core processors and
JACK2, you can essentially run a number of applications processing an audio
feed in parallel and share the processor load. In this way I've been able to
have time-stretched 32 channels of sooperlooper running loops of up to 3 or
4 minutes in length and still have processor available to run JACK based
effects. Of course this was just a stress test to see what the system could
do, but it gives an idea of the advantages of a modular and parallel
processing approach.

Maybe Windows or OSX or OpenBSD or AmigaOS or name your OS can do all this.
All I know is that I find the time invested in learning linux audio to be
well worth it. That of course is the cost of "free" - you have spend the
time to learn how to use it well in order to get any benefit from using it
at all.

-michael

--001636b2b95fb4a93f047191e0c7
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I&#39;ve tried pretty much every linux DAW over the past five years in the =
search for something that does what I want, and the hunt continues. Ardour =
is close, and QTractor is also up there amongst my personal favorites. I&#3=
9;d have to agree about rosegarden, LMMS and MuSe all looking and feeling d=
ated, but that&#39;s mostly because they all use dated GUI toolkits. There&=
#39;s a new promising project called OpenOctvae. One of the components, ope=
n octave midi, is basically a fork of Rosegarden with the audio and score e=
diting removed and the UI tweaked slightly to improve sequencing workflow. =
Until Ardour hits version 3 with full midi support, a combination of Ardour=
 2.8 with Open Octave Midi looks to be a very powerful DAW environment.<br>
<br>This brings me to one of the biggest hurdles I&#39;ve found that some u=
sers face in learning to use Linux as an audio platform. The linux philosop=
hy has traditionally been to shy away from large monolithic programs that d=
o everything and towards smaller purpose built software that can interconne=
ct easily and efficiently. Kind of like a modular synth at the operating sy=
stem and application level. Once I accepted that, I stopped being so hung u=
p on the concept of a single DAW application. It has in fact opened up a ve=
ry efficient use of processors for me as well - with quad core processors a=
nd JACK2, you can essentially run a number of applications processing an au=
dio feed in parallel and share the processor load. In this way I&#39;ve bee=
n able to have time-stretched 32 channels of sooperlooper running loops of =
up to 3 or 4 minutes in length and still have processor available to run JA=
CK based effects. Of course this was just a stress test to see what the sys=
tem could do, but it gives an idea of the advantages of a modular and paral=
lel processing approach.<br>
<br>Maybe Windows or OSX or OpenBSD or AmigaOS or name your OS can do all t=
his. All I know is that I find the time invested in learning linux audio to=
 be well worth it. That of course is the cost of &quot;free&quot; - you hav=
e spend the time to learn how to use it well in order to get any benefit fr=
om using it at all.<br>
<br>-michael<br><br><br>

--001636b2b95fb4a93f047191e0c7--

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	 <20aeede50908200048k42fbf8bfx331f50c6677b1db1@mail.gmail.com>
	 <339c30110908200527u27c96a83t7e8208434ed9fbd6@mail.gmail.com>
Date: Thu, 20 Aug 2009 16:41:25 +0400
Message-ID: <20aeede50908200541q3a30dcd3o417edc6561663fb1@mail.gmail.com>
Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d77e91d306dc047192111c
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Michael, interesting info. Actually, today in the morning I looked at the
QTractor screenshots and decided that it looks very promising indeed and
that I want to try it out.

The parallel thing is interesting and I wouldn't mind having several apps
open at the same time. But what I need for the kind of music I do (sound
music, ambient music) is to be able to have various effects - vocoders,
delays, flangers, slicers, etc. I do not need a note editor that much as I
need sound processing effects. VST effects offer good functionality and they
are visual and easy to use. With the free software plugins as fas as my
experience - they are very few and pretty buggy. For instance, I tried to
create a simple delay in LMMS. I am telling you - I couldn't do it. The
delay eventually produced by one of the plugins was not reading the host app
tempo and the delay time was very short - no matter what I did I couldn't
set it to, say, 3 or 4 steps - it sounded more like in a rage of 0,5-1 steps
which is rarely needed.

I can be wrong (I'd be happy to), but I am not sure that the free software
world has enough sound processing plugins for an average electronic
musician, whose music is based on sound processing. Am I wrong?

Louigi.

On Thu, Aug 20, 2009 at 4:27 PM, michael noble <looplog@gmail.com> wrote:

> I've tried pretty much every linux DAW over the past five years in the
> search for something that does what I want, and the hunt continues. Ardour
> is close, and QTractor is also up there amongst my personal favorites. I'd
> have to agree about rosegarden, LMMS and MuSe all looking and feeling dated,
> but that's mostly because they all use dated GUI toolkits. There's a new
> promising project called OpenOctvae. One of the components, open octave
> midi, is basically a fork of Rosegarden with the audio and score editing
> removed and the UI tweaked slightly to improve sequencing workflow. Until
> Ardour hits version 3 with full midi support, a combination of Ardour 2.8
> with Open Octave Midi looks to be a very powerful DAW environment.
>
> This brings me to one of the biggest hurdles I've found that some users
> face in learning to use Linux as an audio platform. The linux philosophy has
> traditionally been to shy away from large monolithic programs that do
> everything and towards smaller purpose built software that can interconnect
> easily and efficiently. Kind of like a modular synth at the operating system
> and application level. Once I accepted that, I stopped being so hung up on
> the concept of a single DAW application. It has in fact opened up a very
> efficient use of processors for me as well - with quad core processors and
> JACK2, you can essentially run a number of applications processing an audio
> feed in parallel and share the processor load. In this way I've been able to
> have time-stretched 32 channels of sooperlooper running loops of up to 3 or
> 4 minutes in length and still have processor available to run JACK based
> effects. Of course this was just a stress test to see what the system could
> do, but it gives an idea of the advantages of a modular and parallel
> processing approach.
>
> Maybe Windows or OSX or OpenBSD or AmigaOS or name your OS can do all this.
> All I know is that I find the time invested in learning linux audio to be
> well worth it. That of course is the cost of "free" - you have spend the
> time to learn how to use it well in order to get any benefit from using it
> at all.
>
> -michael
>
>
>

--0016e6d77e91d306dc047192111c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Michael, interesting info. Actually, today in the morning I looked at the Q=
Tractor screenshots and decided that it looks very promising indeed and tha=
t I want to try it out.<br><br>The parallel thing is interesting and I woul=
dn&#39;t mind having several apps open at the same time. But what I need fo=
r the kind of music I do (sound music, ambient music) is to be able to have=
 various effects - vocoders, delays, flangers, slicers, etc. I do not need =
a note editor that much as I need sound processing effects. VST effects off=
er good functionality and they are visual and easy to use. With the free so=
ftware plugins as fas as my experience - they are very few and pretty buggy=
. For instance, I tried to create a simple delay in LMMS. I am telling you =
- I couldn&#39;t do it. The delay eventually produced by one of the plugins=
 was not reading the host app tempo and the delay time was very short - no =
matter what I did I couldn&#39;t set it to, say, 3 or 4 steps - it sounded =
more like in a rage of 0,5-1 steps which is rarely needed.<br>
<br>I can be wrong (I&#39;d be happy to), but I am not sure that the free s=
oftware world has enough sound processing plugins for an average electronic=
 musician, whose music is based on sound processing. Am I wrong?<br><br>
Louigi.<br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 4:27 PM, =
michael noble <span dir=3D"ltr">&lt;<a href=3D"mailto:looplog@gmail.com">lo=
oplog@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8=
ex; padding-left: 1ex;">
I&#39;ve tried pretty much every linux DAW over the past five years in the =
search for something that does what I want, and the hunt continues. Ardour =
is close, and QTractor is also up there amongst my personal favorites. I&#3=
9;d have to agree about rosegarden, LMMS and MuSe all looking and feeling d=
ated, but that&#39;s mostly because they all use dated GUI toolkits. There&=
#39;s a new promising project called OpenOctvae. One of the components, ope=
n octave midi, is basically a fork of Rosegarden with the audio and score e=
diting removed and the UI tweaked slightly to improve sequencing workflow. =
Until Ardour hits version 3 with full midi support, a combination of Ardour=
 2.8 with Open Octave Midi looks to be a very powerful DAW environment.<br>

<br>This brings me to one of the biggest hurdles I&#39;ve found that some u=
sers face in learning to use Linux as an audio platform. The linux philosop=
hy has traditionally been to shy away from large monolithic programs that d=
o everything and towards smaller purpose built software that can interconne=
ct easily and efficiently. Kind of like a modular synth at the operating sy=
stem and application level. Once I accepted that, I stopped being so hung u=
p on the concept of a single DAW application. It has in fact opened up a ve=
ry efficient use of processors for me as well - with quad core processors a=
nd JACK2, you can essentially run a number of applications processing an au=
dio feed in parallel and share the processor load. In this way I&#39;ve bee=
n able to have time-stretched 32 channels of sooperlooper running loops of =
up to 3 or 4 minutes in length and still have processor available to run JA=
CK based effects. Of course this was just a stress test to see what the sys=
tem could do, but it gives an idea of the advantages of a modular and paral=
lel processing approach.<br>

<br>Maybe Windows or OSX or OpenBSD or AmigaOS or name your OS can do all t=
his. All I know is that I find the time invested in learning linux audio to=
 be well worth it. That of course is the cost of &quot;free&quot; - you hav=
e spend the time to learn how to use it well in order to get any benefit fr=
om using it at all.<br>
<font color=3D"#888888">
<br>-michael<br><br><br>
</font></blockquote></div><br>

--0016e6d77e91d306dc047192111c--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 13:01:25 2009
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Date: Thu, 20 Aug 2009 22:01:25 +0900
Message-ID: <339c30110908200601g7d3256e3j6c2400deaa74107f@mail.gmail.com>
Subject: Re: wiki - list of free software for audio
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Louigi,

I don't use midi at all really, and instead do only sound processing.
Without knowing the specific plugin you used in LMMS, I can't really comment
on that issue. I can say that I've used the CMT delays and never had a
problem with them. These are a series of delay plugins with or without
feedback up to 60 seconds in length. They are Ladspa plugins, which means
the host must draw the gui, so if the host is ugly generally the plugins
will be too! I don't believe they sync to host tempo. In a fix you could try
running sooperlooper in delay mode, and sync that to JACK clock or midi
clock.

As for sound processing plugins and the range on linux i suppose it is
dependent on what you are trying to do. There are around 300 ladspa effects
of various quality, and some very high quality LV2 plugins, which is the
next generation plugin API, with very professional looking GUIs. You can
also use FST to run VSTs under wine, which I do for spatialization via the
acousmodules series of VST plugins. So there is quite a lot of choice, at
least from my perspective. That being said I also farm some of my audio
processing off to a windows box running a Korg OASYS, so I'm kind of
spoiled.

-michael

On Thu, Aug 20, 2009 at 9:41 PM, Louigi Verona <louigi.verona@gmail.com>wrote:

> Michael, interesting info. Actually, today in the morning I looked at the
> QTractor screenshots and decided that it looks very promising indeed and
> that I want to try it out.
>
> The parallel thing is interesting and I wouldn't mind having several apps
> open at the same time. But what I need for the kind of music I do (sound
> music, ambient music) is to be able to have various effects - vocoders,
> delays, flangers, slicers, etc. I do not need a note editor that much as I
> need sound processing effects. VST effects offer good functionality and they
> are visual and easy to use. With the free software plugins as fas as my
> experience - they are very few and pretty buggy. For instance, I tried to
> create a simple delay in LMMS. I am telling you - I couldn't do it. The
> delay eventually produced by one of the plugins was not reading the host app
> tempo and the delay time was very short - no matter what I did I couldn't
> set it to, say, 3 or 4 steps - it sounded more like in a rage of 0,5-1 steps
> which is rarely needed.
>
> I can be wrong (I'd be happy to), but I am not sure that the free software
> world has enough sound processing plugins for an average electronic
> musician, whose music is based on sound processing. Am I wrong?
>
> Louigi.
>
>

--001636ed6e355db1dc04719259fa
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Louigi,<br><br>I don&#39;t use midi at all really, and instead do only s=
ound processing. Without knowing the specific plugin you used in LMMS, I ca=
n&#39;t really comment on that issue. I can say that I&#39;ve used the CMT =
delays and never had a problem with them. These are a series of delay plugi=
ns with or without feedback up to 60 seconds in length. They are Ladspa plu=
gins, which means the host must draw the gui, so if the host is ugly genera=
lly the plugins will be too! I don&#39;t believe they sync to host tempo. I=
n a fix you could try running sooperlooper in delay mode, and sync that to =
JACK clock or midi clock.<br>
<br>As for sound processing plugins and the range on linux i suppose it is =
dependent on what you are trying to do. There are around 300 ladspa effects=
 of various quality, and some very high quality LV2 plugins, which is the n=
ext generation plugin API, with very professional looking GUIs. You can als=
o use FST to run VSTs under wine, which I do for spatialization via the aco=
usmodules series of VST plugins. So there is quite a lot of choice, at leas=
t from my perspective. That being said I also farm some of my audio process=
ing off to a windows box running a Korg OASYS, so I&#39;m kind of spoiled.<=
br>
<br>-michael<br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 9:41=
 PM, Louigi Verona <span dir=3D"ltr">&lt;<a href=3D"mailto:louigi.verona@gm=
ail.com">louigi.verona@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Michael, interesting info. Actually, today in the morning I looked at the Q=
Tractor screenshots and decided that it looks very promising indeed and tha=
t I want to try it out.<br><br>The parallel thing is interesting and I woul=
dn&#39;t mind having several apps open at the same time. But what I need fo=
r the kind of music I do (sound music, ambient music) is to be able to have=
 various effects - vocoders, delays, flangers, slicers, etc. I do not need =
a note editor that much as I need sound processing effects. VST effects off=
er good functionality and they are visual and easy to use. With the free so=
ftware plugins as fas as my experience - they are very few and pretty buggy=
. For instance, I tried to create a simple delay in LMMS. I am telling you =
- I couldn&#39;t do it. The delay eventually produced by one of the plugins=
 was not reading the host app tempo and the delay time was very short - no =
matter what I did I couldn&#39;t set it to, say, 3 or 4 steps - it sounded =
more like in a rage of 0,5-1 steps which is rarely needed.<br>

<br>I can be wrong (I&#39;d be happy to), but I am not sure that the free s=
oftware world has enough sound processing plugins for an average electronic=
 musician, whose music is based on sound processing. Am I wrong?<br><font c=
olor=3D"#888888"><br>

Louigi.</font><div><div></div><br>
</div></blockquote></div>

--001636ed6e355db1dc04719259fa--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 13:07:14 2009
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Date: Thu, 20 Aug 2009 17:07:12 +0400
Message-ID: <20aeede50908200607s71d26bf9m667146ff628d49c@mail.gmail.com>
Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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LV2 plugins sound interesting, gotta check all of this out.
Louigi.

On Thu, Aug 20, 2009 at 5:01 PM, michael noble <looplog@gmail.com> wrote:

> Hi Louigi,
>
> I don't use midi at all really, and instead do only sound processing.
> Without knowing the specific plugin you used in LMMS, I can't really comment
> on that issue. I can say that I've used the CMT delays and never had a
> problem with them. These are a series of delay plugins with or without
> feedback up to 60 seconds in length. They are Ladspa plugins, which means
> the host must draw the gui, so if the host is ugly generally the plugins
> will be too! I don't believe they sync to host tempo. In a fix you could try
> running sooperlooper in delay mode, and sync that to JACK clock or midi
> clock.
>
> As for sound processing plugins and the range on linux i suppose it is
> dependent on what you are trying to do. There are around 300 ladspa effects
> of various quality, and some very high quality LV2 plugins, which is the
> next generation plugin API, with very professional looking GUIs. You can
> also use FST to run VSTs under wine, which I do for spatialization via the
> acousmodules series of VST plugins. So there is quite a lot of choice, at
> least from my perspective. That being said I also farm some of my audio
> processing off to a windows box running a Korg OASYS, so I'm kind of
> spoiled.
>
> -michael
>
>
> On Thu, Aug 20, 2009 at 9:41 PM, Louigi Verona <louigi.verona@gmail.com>wrote:
>
>> Michael, interesting info. Actually, today in the morning I looked at the
>> QTractor screenshots and decided that it looks very promising indeed and
>> that I want to try it out.
>>
>> The parallel thing is interesting and I wouldn't mind having several apps
>> open at the same time. But what I need for the kind of music I do (sound
>> music, ambient music) is to be able to have various effects - vocoders,
>> delays, flangers, slicers, etc. I do not need a note editor that much as I
>> need sound processing effects. VST effects offer good functionality and they
>> are visual and easy to use. With the free software plugins as fas as my
>> experience - they are very few and pretty buggy. For instance, I tried to
>> create a simple delay in LMMS. I am telling you - I couldn't do it. The
>> delay eventually produced by one of the plugins was not reading the host app
>> tempo and the delay time was very short - no matter what I did I couldn't
>> set it to, say, 3 or 4 steps - it sounded more like in a rage of 0,5-1 steps
>> which is rarely needed.
>>
>> I can be wrong (I'd be happy to), but I am not sure that the free software
>> world has enough sound processing plugins for an average electronic
>> musician, whose music is based on sound processing. Am I wrong?
>>
>> Louigi.
>>
>>

--0016e6d77e911165a60471926e4a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

LV2 plugins sound interesting, gotta check all of this out.<br>Louigi.<br><=
br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 5:01 PM, michael nobl=
e <span dir=3D"ltr">&lt;<a href=3D"mailto:looplog@gmail.com">looplog@gmail.=
com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi Louigi,<br><br=
>I don&#39;t use midi at all really, and instead do only sound processing. =
Without knowing the specific plugin you used in LMMS, I can&#39;t really co=
mment on that issue. I can say that I&#39;ve used the CMT delays and never =
had a problem with them. These are a series of delay plugins with or withou=
t feedback up to 60 seconds in length. They are Ladspa plugins, which means=
 the host must draw the gui, so if the host is ugly generally the plugins w=
ill be too! I don&#39;t believe they sync to host tempo. In a fix you could=
 try running sooperlooper in delay mode, and sync that to JACK clock or mid=
i clock.<br>

<br>As for sound processing plugins and the range on linux i suppose it is =
dependent on what you are trying to do. There are around 300 ladspa effects=
 of various quality, and some very high quality LV2 plugins, which is the n=
ext generation plugin API, with very professional looking GUIs. You can als=
o use FST to run VSTs under wine, which I do for spatialization via the aco=
usmodules series of VST plugins. So there is quite a lot of choice, at leas=
t from my perspective. That being said I also farm some of my audio process=
ing off to a windows box running a Korg OASYS, so I&#39;m kind of spoiled.<=
br>
<font color=3D"#888888">
<br>-michael</font><div><div></div><div class=3D"h5"><br><br><div class=3D"=
gmail_quote">On Thu, Aug 20, 2009 at 9:41 PM, Louigi Verona <span dir=3D"lt=
r">&lt;<a href=3D"mailto:louigi.verona@gmail.com" target=3D"_blank">louigi.=
verona@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Michael, interesting info. Actually, today in the morning I looked at the Q=
Tractor screenshots and decided that it looks very promising indeed and tha=
t I want to try it out.<br><br>The parallel thing is interesting and I woul=
dn&#39;t mind having several apps open at the same time. But what I need fo=
r the kind of music I do (sound music, ambient music) is to be able to have=
 various effects - vocoders, delays, flangers, slicers, etc. I do not need =
a note editor that much as I need sound processing effects. VST effects off=
er good functionality and they are visual and easy to use. With the free so=
ftware plugins as fas as my experience - they are very few and pretty buggy=
. For instance, I tried to create a simple delay in LMMS. I am telling you =
- I couldn&#39;t do it. The delay eventually produced by one of the plugins=
 was not reading the host app tempo and the delay time was very short - no =
matter what I did I couldn&#39;t set it to, say, 3 or 4 steps - it sounded =
more like in a rage of 0,5-1 steps which is rarely needed.<br>


<br>I can be wrong (I&#39;d be happy to), but I am not sure that the free s=
oftware world has enough sound processing plugins for an average electronic=
 musician, whose music is based on sound processing. Am I wrong?<br><font c=
olor=3D"#888888"><br>


Louigi.</font><div><div></div><br>
</div></blockquote></div>
</div></div></blockquote></div><br>

--0016e6d77e911165a60471926e4a--

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Date: Thu, 20 Aug 2009 22:12:14 +0900
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Subject: Re: wiki - list of free software for audio
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Here's some eye candy, from yet another linux audio distro, A/V linux, which
includes some LV2 plugins:

http://www.bandshed.net/images/Ardour2.8.png

-michael

On Thu, Aug 20, 2009 at 10:07 PM, Louigi Verona <louigi.verona@gmail.com>wrote:

> LV2 plugins sound interesting, gotta check all of this out.
> Louigi.
>
>

--001636b2b95f0ca76404719280d1
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Here&#39;s some eye candy, from yet another linux audio distro, A/V linux, =
which includes some LV2 plugins:<br><br><a href=3D"http://www.bandshed.net/=
images/Ardour2.8.png">http://www.bandshed.net/images/Ardour2.8.png</a><br>
<br>-michael<br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 10:0=
7 PM, Louigi Verona <span dir=3D"ltr">&lt;<a href=3D"mailto:louigi.verona@g=
mail.com">louigi.verona@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margi=
n: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
LV2 plugins sound interesting, gotta check all of this out.<br><font color=
=3D"#888888">Louigi.</font><div><div></div><br>
</div></blockquote></div>

--001636b2b95f0ca76404719280d1--

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Subject: Re: wiki - list of free software for audio
From: Louigi Verona <louigi.verona@gmail.com>
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Looks good. Interesting - you are applying the effects to wavs. But do you
use them while composing the wavs themselves? Or only for post production?

On Thu, Aug 20, 2009 at 5:12 PM, michael noble <looplog@gmail.com> wrote:

> Here's some eye candy, from yet another linux audio distro, A/V linux,
> which includes some LV2 plugins:
>
> http://www.bandshed.net/images/Ardour2.8.png
>
> -michael
>
>
> On Thu, Aug 20, 2009 at 10:07 PM, Louigi Verona <louigi.verona@gmail.com>wrote:
>
>> LV2 plugins sound interesting, gotta check all of this out.
>> Louigi.
>>
>>

--0016364c7205c0d89a0471928622
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Looks good. Interesting - you are applying the effects to wavs. But do you =
use them while composing the wavs themselves? Or only for post production?<=
br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 5:12 PM, michael =
noble <span dir=3D"ltr">&lt;<a href=3D"mailto:looplog@gmail.com">looplog@gm=
ail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Here&#39;s some e=
ye candy, from yet another linux audio distro, A/V linux, which includes so=
me LV2 plugins:<br>
<br><a href=3D"http://www.bandshed.net/images/Ardour2.8.png" target=3D"_bla=
nk">http://www.bandshed.net/images/Ardour2.8.png</a><br><font color=3D"#888=
888">
<br>-michael</font><div><div></div><div class=3D"h5"><br><br><div class=3D"=
gmail_quote">On Thu, Aug 20, 2009 at 10:07 PM, Louigi Verona <span dir=3D"l=
tr">&lt;<a href=3D"mailto:louigi.verona@gmail.com" target=3D"_blank">louigi=
.verona@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
LV2 plugins sound interesting, gotta check all of this out.<br><font color=
=3D"#888888">Louigi.</font><div><div></div><br>
</div></blockquote></div>
</div></div></blockquote></div><br>

--0016364c7205c0d89a0471928622--

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Subject: Re: wiki - list of free software for audio
From: michael noble <looplog@gmail.com>
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I should say that the screenshot is not mine, I just posted it as an
example.

For my own work I've up till now I've not done any post production work,
instead using the studio to experiment mostly with using space as a
compositional tool. That being said, I hope to start doing some recordings
when the weather here starts cooling down.

-michael

On Thu, Aug 20, 2009 at 10:14 PM, Louigi Verona <louigi.verona@gmail.com>wrote:

> Looks good. Interesting - you are applying the effects to wavs. But do you
> use them while composing the wavs themselves? Or only for post production?
>
>
>

--001636b2b95f9fc4b2047192a21f
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I should say that the screenshot is not mine, I just posted it as an exampl=
e.<br><br>For my own work I&#39;ve up till now I&#39;ve not done any post p=
roduction work, instead using the studio to experiment mostly with using sp=
ace as a compositional tool. That being said, I hope to start doing some re=
cordings when the weather here starts cooling down.<br>
<br>-michael<br><br><div class=3D"gmail_quote">On Thu, Aug 20, 2009 at 10:1=
4 PM, Louigi Verona <span dir=3D"ltr">&lt;<a href=3D"mailto:louigi.verona@g=
mail.com">louigi.verona@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margi=
n: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Looks good. Interesting - you are applying the effects to wavs. But do you =
use them while composing the wavs themselves? Or only for post production?<=
div><div></div><div class=3D"h5"><br><br>
</div></div></blockquote></div>

--001636b2b95f9fc4b2047192a21f--

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Jeff Duke put this awesome link up on Facebook:

http://www.youtube.com/watch?v=fY-ZoVMwGKM&eurl=http%3A%2F%2Fwww.facebook.com%2Fhome.php&feature=player_embedded

great way of presenting looping in a video, imo (in addition to the
coolness of the music and concept itself)


-- 
Warren
http://www.warrensirota.com

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really cool! let me know if anyone gets on and uses it on a Mac

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com

On Aug 19, 2009, at 11:35 AM, Kevin Cheli-Colando wrote:

> This might be a nice way to add a touch screen to your computer set up
> ($230 doesn't seem too bad or is it?)
>
> http://www.mimomonitors.com/products/mimo-720-S
>
> Kevin
>
> --  
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>









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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">really cool! let me know if =
anyone gets on and uses it on a Mac<div><br><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></span><div><div>On Aug 19, 2009, at =
11:35 AM, Kevin Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>This =
might be a nice way to add a touch screen to your computer set =
up<br>($230 doesn't seem too bad or is it?)<br><br><a =
href=3D"http://www.mimomonitors.com/products/mimo-720-S">http://www.mimomo=
nitors.com/products/mimo-720-S</a><br><br>Kevin<br><br>-- <br>Till now =
you seriously considered yourself to be the body and to have a<br>form. =
That is the primal ignorance which is the root cause of all =
trouble.<br><br>- Ramana Maharshi (1879-1950)<br><br>Sound and Vision: =
&nbsp;http://www.minds-eye.org<br>Video =
http://www.vimeo.com/user877640/videos<br><br></div></blockquote></div><br=
><div apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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class=3D"Apple-interchange-newline"></div></span><br =
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class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> =
</div><br></div></div></body></html>=

--Apple-Mail-2--259215857--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 15:16:34 2009
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	 <79BFBB39-F03D-4D92-B83E-A8B870355DB6@glasswing.com>
Date: Thu, 20 Aug 2009 09:16:33 -0600
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Subject: Re: Touch Screen
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Before you spend your money, do take note of the screen resolution:
it's roughly 800x400, which is pretty much unusable on anything
smaller than a 9" screen...that means Logic, Live, Garage Band are NOT
going to display anywhere near "properly" if you want to use it in a
"live" setting ... FRO's experience may indicate a better solution:
look for a used unit on Ebay that will give you the screen real estate
you need.

The folks who created the hack for the Dell Mini 9 to run Mac OS X
have a script that will readjust your screen resolution to make
software like Garage Band usable, but only barely ... it's a trade-off
of portability, price, and real estate.

Sorry to be harshing your mellow, but there are a TON of compromises
to be made doing this; I'm still trying to sort out a working solution
for using a pair of netbooks for live looping even now ...

Good luck!

Dennis

On Thu, Aug 20, 2009 at 8:26 AM, richard sales<richard@glasswing.com> wrote=
:
> really cool! let me know if anyone gets on and uses it on a Mac
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> On Aug 19, 2009, at 11:35 AM, Kevin Cheli-Colando wrote:
>
> This might be a nice way to add a touch screen to your computer set up
> ($230 doesn't seem too bad or is it?)
>
> http://www.mimomonitors.com/products/mimo-720-S
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: =A0http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>
>
>
>
>
>
>
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 15:22:49 2009
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Subject: Re: OT FS Looper MicroKorg FX etc
References: <C7BB8AE0-ABD1-4DA0-B387-780440642AB3@johnfloridis.com> <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com>   <101191640908171033y18ff8b69m3fca770d0e84e7b4@mail.gmail.com>   <3073AC76-FC55-4CDA-A8B5-3920655A5A4E@johnfloridis.com>   <p06240804c6afc2a50a9e@[192.168.15.2]>   <748324AB-6BE3-4BF7-B79A-6BEA728BCD6F@johnfloridis.com>   <p06240800c6b044d54b41@[192.168.15.2]>  <COL109-W537AFBEB1633EF8D6F8FE6BEFF0@phx.gbl> <COL109-W63FFF6EEB0770BFEF4ECF6BEFE0@phx.gbl> <4A8C0E9D.5090707@tiscali.co.uk> <COL109-W146092FB1BE2FB4720A888BEFD0@phx.gbl>
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yes, the Zoom 2100,

a piece of looping history

:-)



phillip wilson wrote:
> Indeed, many thanks for pointing that out...was typing it up at work !!

>  > phillip wilson wrote:
>  >
>  > > Zoom 2120 - older then the 707 but with some crazy extras such as
>  > > mulitipart looper built in...£40
>  > >
>  >
>  > ?
>  > Zoom 2100 surely
>  > ?

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 15:54:47 2009
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        <Loopers-Delight@loopers-delight.com>
References: <101191640908200712m33d629bew7db93f6eacbdb3e3@mail.gmail.com>
Subject: RE: Tree Looping
Date: Thu, 20 Aug 2009 08:54:40 -0700
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Brilliant thanks Jeff and Warren, that's what I'm talking about.
Bill

-----Original Message-----
From: Warren Sirota [mailto:wsirota@wsdesigns.com] 
Sent: Thursday, August 20, 2009 7:12 AM
To: Loopers-Delight@loopers-delight.com
Subject: Tree Looping

Jeff Duke put this awesome link up on Facebook:

http://www.youtube.com/watch?v=fY-ZoVMwGKM&eurl=http%3A%2F%2Fwww.facebook.co
m%2Fhome.php&feature=player_embedded

great way of presenting looping in a video, imo (in addition to the
coolness of the music and concept itself)


-- 
Warren
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 16:02:58 2009
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Subject: Re: music from nature
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Really nice!


On Aug 20, 2009, at 12:08 AM, Christo Jota wrote:

> Weird stuff, but great !
>
> ----- Original Message -----
> From: "Matthias Grob" <matilists@gmail.com>
> To: "Loop List" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, August 19, 2009 10:41 PM
> Subject: OT: music from nature
>
>
>> I liked this one. its not live looped, but still sounds familiar and
>> holds hints for found sound fans:
>>
>> http://www.youtube.com/user/DSSessionVideos
>>
>

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Subject: Re: Touch Screen
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Dennis Moser wrote:
> 
> Sorry to be harshing your mellow, but there are a TON of compromises
> to be made doing this; I'm still trying to sort out a working solution
> for using a pair of netbooks for live looping even now ...
> 
> Good luck!
> 
> Dennis


Touch panels for postmouting on some netbooks; soldering not needed:
http://shop.ebay.de/merchant/onetouch4sale_W0QQ_nkwZQQ_armrsZ1QQ_fromZQQ_ipgZ


Nope, haven't tried them; was interested for my guitar rig. Maybe..


-- 
rgds,
van Sinn

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Subject: OT: Re: Tree Looping
Date: Thu, 20 Aug 2009 12:32:10 -0400
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Sorry Bill, I forgot you keep your preferences to reply to yourself instead 
of the group.

My reply for the group:

just a note for the record, I got the link in an LD post from Matthias
earlier, then posted to Facebook where Warren picked it up and now reposted
it back to LD. Now that is social networking! amazing! :)

Jeff

http://www.myspace.com/loopsinphasespace


----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 20, 2009 10:12 AM
Subject: Tree Looping


> Jeff Duke put this awesome link up on Facebook:
>
> http://www.youtube.com/watch?v=fY-ZoVMwGKM&eurl=http%3A%2F%2Fwww.facebook.com%2Fhome.php&feature=player_embedded
>
> great way of presenting looping in a video, imo (in addition to the
> coolness of the music and concept itself)
>
>
> -- 
> Warren
> http://www.warrensirota.com
>
> 

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Subject: Re: Re: Tree Looping
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Come to think of it this is information looping! So it's on topic after 
all...

Jeff

----- Original Message ----- 
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 20, 2009 12:32 PM
Subject: OT: Re: Tree Looping


> Sorry Bill, I forgot you keep your preferences to reply to yourself 
> instead of the group.
>
> My reply for the group:
>
> just a note for the record, I got the link in an LD post from Matthias
> earlier, then posted to Facebook where Warren picked it up and now 
> reposted
> it back to LD. Now that is social networking! amazing! :)
>
> Jeff
>
> http://www.myspace.com/loopsinphasespace
>
>
> ----- Original Message ----- 
> From: "Warren Sirota" <wsirota@wsdesigns.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, August 20, 2009 10:12 AM
> Subject: Tree Looping
>
>
>> Jeff Duke put this awesome link up on Facebook:
>>
>> http://www.youtube.com/watch?v=fY-ZoVMwGKM&eurl=http%3A%2F%2Fwww.facebook.com%2Fhome.php&feature=player_embedded
>>
>> great way of presenting looping in a video, imo (in addition to the
>> coolness of the music and concept itself)
>>
>>
>> -- 
>> Warren
>> http://www.warrensirota.com
>>
>>
>
> 

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-- 
You have  Â£891,934.00 GBP.Confirm this receipt by replying the due process
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From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 18:54:52 2009
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Date: Thu, 20 Aug 2009 11:54:51 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ? RE: ECM guitarists?
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yesterday i was listening to david torn's "best laid plans" cd from the ECM label (which i love that disc-love the interplay between improvising guitarist & percussionist), and was wondering if ECM had any other "out there guitarists" on their label (and i know, "out there" is a loaded word, i supposed i could use "adventurous", i didn't really want to use "experiemental" b/c of that debate on the L-D site a few months ago, but i'm sure you know what i mean.....), or perhaps i should use the term "guitarists who are interested in interesting sounds that are generated from their guitars that aren't run of the mill sounding (and again, more loaded terms there, that could be debated FO-ever)"...whatever...

i have looked a few times at the ECM website, and the list of artists is huge, and i didn't know where to begin, just wondered if there were some other guitarists on there that others on the L-D site could recommend....
was just curious...
thanks, happy looping....
scott
www.myspace.com/scotthansen



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">yesterday i was listening to david torn's "best laid plans" cd from the ECM label (which i love that disc-love the interplay between improvising guitarist &amp; percussionist), and was wondering if ECM had any other "out there guitarists" on their label (and i know, "out there" is a loaded word, i supposed i could use "adventurous", i didn't really want to use "experiemental" b/c of that debate on the L-D site a few months ago, but i'm sure you know what i mean.....), or perhaps i should use the term "guitarists who are interested in interesting sounds that are generated from their guitars that aren't run of the mill sounding (and again, more loaded terms there, that could be debated FO-ever)"...whatever...<br><br>i have looked a few times at the ECM website, and the list of artists is huge, and i didn't know where to begin, just wondered if there were some
 other guitarists on there that others on the L-D site could recommend....<br>was just curious...<br>thanks, happy looping....<br>scott<br>www.myspace.com/scotthansen<br></td></tr></table><br>

      
--0-352203916-1250794491=:38154--

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Subject: Re: ? RE: ECM guitarists?
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Steve Tibbets is always a personal favorite.

Kevin

On Thu, Aug 20, 2009 at 11:54 AM, scott hansen<evanpeewee@yahoo.com> wrote:
> yesterday i was listening to david torn's "best laid plans" cd from the ECM
> label (which i love that disc-love the interplay between improvising
> guitarist & percussionist), and was wondering if ECM had any other "out
> there guitarists" on their label (and i know, "out there" is a loaded word,
> i supposed i could use "adventurous", i didn't really want to use
> "experiemental" b/c of that debate on the L-D site a few months ago, but i'm
> sure you know what i mean.....), or perhaps i should use the term
> "guitarists who are interested in interesting sounds that are generated from
> their guitars that aren't run of the mill sounding (and again, more loaded
> terms there, that could be debated FO-ever)"...whatever...
>
> i have looked a few times at the ECM website, and the list of artists is
> huge, and i didn't know where to begin, just wondered if there were some
> other guitarists on there that others on the L-D site could recommend....
> was just curious...
> thanks, happy looping....
> scott
> www.myspace.com/scotthansen
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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	 <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com>
Date: Thu, 20 Aug 2009 12:02:39 -0700
Message-ID: <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com>
Subject: Re: ? RE: ECM guitarists?
From: Miko Biffle <biffoz@gmail.com>
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Terje Rypdal is another ambient GOD, capable of really
straight-forward, gut-wrenching beauty, yet still sound ethereal and
other-worldly.  His catalog is huge though and you should find a way
to browse to find which of his vast output you personally like.  -m

On 8/20/09, Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
> Steve Tibbets is always a personal favorite.
>
>  Kevin
>
>  On Thu, Aug 20, 2009 at 11:54 AM, scott hansen<evanpeewee@yahoo.com> wrote:
>  > yesterday i was listening to david torn's "best laid plans" cd from the ECM
>  > label (which i love that disc-love the interplay between improvising
>  > guitarist & percussionist), and was wondering if ECM had any other "out
>  > there guitarists" on their label . . . . snip!

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Date: Thu, 20 Aug 2009 12:06:59 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: ? RE: ECM guitarists?
To: Loopers-Delight@loopers-delight.com
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--0-675039994-1250795219=:71994
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=A0
Not Torn-freaky, but Bill Frisell has=A0three ECM releases under his name -=
 In Line, Rambler, and Lookout for Hope - and managed to get the odd bit of=
 weirdness in there.=A0=20
=A0
And not to mention many more as a sideman (see=A0partial list here:=A0http:=
//en.wikipedia.org/wiki/Bill_Frisell_discography; bigger list here: http://=
www.bryanaaker.net/discog)
=A0
Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Thu, 8/20/09, scott hansen <evanpeewee@yahoo.com> wrote:


From: scott hansen <evanpeewee@yahoo.com>
Subject: ? RE: ECM guitarists?
To: Loopers-Delight@loopers-delight.com
Received: Thursday, August 20, 2009, 11:54 AM






yesterday i was listening to david torn's "best laid plans" cd from the ECM=
 label (which i love that disc-love the interplay between improvising guita=
rist & percussionist), and was wondering if ECM had any other "out there gu=
itarists" on their label (and i know, "out there" is a loaded word, i suppo=
sed i could use "adventurous", i didn't really want to use "experiemental" =
b/c of that debate on the L-D site a few months ago, but i'm sure you know =
what i mean.....), or perhaps i should use the term "guitarists who are int=
erested in interesting sounds that are generated from their guitars that ar=
en't run of the mill sounding (and again, more loaded terms there, that cou=
ld be debated FO-ever)"...whatever...

i have looked a few times at the ECM website, and the list of artists is hu=
ge, and i didn't know where to begin, just wondered if there were some othe=
r guitarists on there that others on the L-D site could recommend....
was just curious...
thanks, happy looping....
scott
www.myspace.com/scotthansen

=0A=0A=0A      ____________________________________________________________=
______=0AMake your browsing faster, safer, and easier with the new Internet=
 Explorer=AE 8. Optimized for Yahoo! Get it Now for Free! at http://downloa=
ds.yahoo.com/ca/internetexplorer/
--0-675039994-1250795219=:71994
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Not Torn-freaky, but Bill Frisell has&nbsp;three ECM releases under hi=
s name - In Line, Rambler, and Lookout for Hope - and managed to get the od=
d bit of weirdness in there.&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>And not to mention many more as a sideman (see&nbsp;partial list here:=
&nbsp;<A href=3D"http://en.wikipedia.org/wiki/Bill_Frisell_discography">htt=
p://en.wikipedia.org/wiki/Bill_Frisell_discography</A>; bigger list here: <=
A href=3D"http://www.bryanaaker.net/discog">http://www.bryanaaker.net/disco=
g</A>)</DIV>
<DIV>&nbsp;</DIV><BR>Ted H.<BR>Enemies are good for self-definition. Werner=
 Herzog<BR><BR>--- On <B>Thu, 8/20/09, scott hansen <I>&lt;evanpeewee@yahoo=
.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: scott hansen &lt;evanpeewee@yahoo.com&gt;<B=
R>Subject: ? RE: ECM guitarists?<BR>To: Loopers-Delight@loopers-delight.com=
<BR>Received: Thursday, August 20, 2009, 11:54 AM<BR><BR>
<DIV id=3Dyiv1637693998>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>yesterday i was listening to david torn's "best laid plans=
" cd from the ECM label (which i love that disc-love the interplay between =
improvising guitarist &amp; percussionist), and was wondering if ECM had an=
y other "out there guitarists" on their label (and i know, "out there" is a=
 loaded word, i supposed i could use "adventurous", i didn't really want to=
 use "experiemental" b/c of that debate on the L-D site a few months ago, b=
ut i'm sure you know what i mean.....), or perhaps i should use the term "g=
uitarists who are interested in interesting sounds that are generated from =
their guitars that aren't run of the mill sounding (and again, more loaded =
terms there, that could be debated FO-ever)"...whatever...<BR><BR>i have lo=
oked a few times at the ECM website, and the list of artists is huge, and i=
 didn't know where to begin, just wondered if there were some other guitari=
sts on there that others on the L-D site could recommend....<BR>was
 just curious...<BR>thanks, happy looping....<BR>scott<BR>www.myspace.com/s=
cotthansen<BR></TD></TR></TBODY></TABLE><BR></DIV></BLOCKQUOTE></td></tr></=
table><br>=0A      <hr size=3D1>Ask a question on any topic and get answers=
 from real people. <a href=3D"http://ca.answers.yahoo.com"><b>Go to Yahoo! =
Answers.</b></a>
--0-675039994-1250795219=:71994--

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	 <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com>
Date: Thu, 20 Aug 2009 15:13:06 -0400
Message-ID: <9e0440a60908201213j22cb7988nf2297ea28bd07269@mail.gmail.com>
Subject: Re: ? RE: ECM guitarists?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Totally agree on Steve Tibbetts.  He has seemed to have 'disappeared' though
in terms of new work, does anyone know anything about him.  I still listen
to Big Map Idea which is really old but wonderful, also Yr.

Krispen played Terje Rypdal on his June Free Wav radio show
http://radio-boise-freewave.blogspot.com/.

Ralph Towner I also highly recommend, he's really an acoustic guy not
lo9oping but wonderful improvisor on 12-string steel and nylon 6.

Jim

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<div>Totally agree on Steve Tibbetts.=A0 He has seemed to have &#39;disappe=
ared&#39; though in terms of new work, does anyone know anything about him.=
=A0 I still listen to Big Map Idea which is really old but wonderful, also =
Yr.</div>

<div>=A0</div>
<div>Krispen played Terje Rypdal on his June Free Wav radio show <a href=3D=
"http://radio-boise-freewave.blogspot.com/">http://radio-boise-freewave.blo=
gspot.com/</a>.</div>
<div>=A0</div>
<div>Ralph Towner I also highly recommend, he&#39;s really an acoustic guy =
not lo9oping but wonderful improvisor on 12-string steel and nylon 6.</div>
<div>=A0</div>
<div>Jim<br></div>

--0015174762a4a6cf6f0471978a1e--

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Subject: Re: ECM guitarists?
Date: Thu, 20 Aug 2009 14:18:15 -0600
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You got Terje, who is out of this world, but you MUST get everything =
from John Abercrombie on ECM. He is probably my all time favorite =
guitarist, so much so, that I had to stop listening to him, because =
people were starting to make comments about similarities.

Kris

  ----- Original Message -----=20
  From: scott hansen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, August 20, 2009 12:54 PM
  Subject: ? RE: ECM guitarists?


        yesterday i was listening to david torn's "best laid plans" cd =
from the ECM label (which i love that disc-love the interplay between =
improvising guitarist & percussionist), and was wondering if ECM had any =
other "out there guitarists" on their label (and i know, "out there" is =
a loaded word, i supposed i could use "adventurous", i didn't really =
want to use "experiemental" b/c of that debate on the L-D site a few =
months ago, but i'm sure you know what i mean.....), or perhaps i should =
use the term "guitarists who are interested in interesting sounds that =
are generated from their guitars that aren't run of the mill sounding =
(and again, more loaded terms there, that could be debated =
FO-ever)"...whatever...

        i have looked a few times at the ECM website, and the list of =
artists is huge, and i didn't know where to begin, just wondered if =
there were some other guitarists on there that others on the L-D site =
could recommend....
        was just curious...
        thanks, happy looping....
        scott
        www.myspace.com/scotthansen
      =20


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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16890" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>You got Terje, who is out of this =
world, but you=20
MUST get everything from John Abercrombie on ECM. He is probably my all =
time=20
favorite guitarist, so much so, that I had to stop listening to him, =
because=20
people were starting to make comments about similarities.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Devanpeewee@yahoo.com =
href=3D"mailto:evanpeewee@yahoo.com">scott=20
  hansen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, August 20, 2009 =
12:54=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> ? RE: ECM =
guitarists?</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>yesterday i was listening to david torn's "best =
laid=20
        plans" cd from the ECM label (which i love that disc-love the =
interplay=20
        between improvising guitarist &amp; percussionist), and was =
wondering if=20
        ECM had any other "out there guitarists" on their label (and i =
know,=20
        "out there" is a loaded word, i supposed i could use =
"adventurous", i=20
        didn't really want to use "experiemental" b/c of that debate on =
the L-D=20
        site a few months ago, but i'm sure you know what i mean.....), =
or=20
        perhaps i should use the term "guitarists who are interested in=20
        interesting sounds that are generated from their guitars that =
aren't run=20
        of the mill sounding (and again, more loaded terms there, that =
could be=20
        debated FO-ever)"...whatever...<BR><BR>i have looked a few times =
at the=20
        ECM website, and the list of artists is huge, and i didn't know =
where to=20
        begin, just wondered if there were some other guitarists on =
there that=20
        others on the L-D site could recommend....<BR>was just=20
        curious...<BR>thanks, happy=20
        =
looping....<BR>scott<BR>www.myspace.com/scotthansen<BR></TD></TR></TBODY>=
</TABLE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0486_01CA21A1.0EEB66C0--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 20:24:04 2009
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Subject: Re: ECM guitarists?
Date: Thu, 20 Aug 2009 13:24:01 -0700
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If you listen to Terje, David Torn, and Frisell there are also some striking similarites between them when they were on ECM.

t
  ----- Original Message ----- 
  From: Krispen Hartung 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, August 20, 2009 1:18 PM
  Subject: Re: ECM guitarists?


  You got Terje, who is out of this world, but you MUST get everything from John Abercrombie on ECM. He is probably my all time favorite guitarist, so much so, that I had to stop listening to him, because people were starting to make comments about similarities.

  Kris

    ----- Original Message ----- 
    From: scott hansen 
    To: Loopers-Delight@loopers-delight.com 
    Sent: Thursday, August 20, 2009 12:54 PM
    Subject: ? RE: ECM guitarists?


          yesterday i was listening to david torn's "best laid plans" cd from the ECM label (which i love that disc-love the interplay between improvising guitarist & percussionist), and was wondering if ECM had any other "out there guitarists" on their label (and i know, "out there" is a loaded word, i supposed i could use "adventurous", i didn't really want to use "experiemental" b/c of that debate on the L-D site a few months ago, but i'm sure you know what i mean.....), or perhaps i should use the term "guitarists who are interested in interesting sounds that are generated from their guitars that aren't run of the mill sounding (and again, more loaded terms there, that could be debated FO-ever)"...whatever...

          i have looked a few times at the ECM website, and the list of artists is huge, and i didn't know where to begin, just wondered if there were some other guitarists on there that others on the L-D site could recommend....
          was just curious...
          thanks, happy looping....
          scott
          www.myspace.com/scotthansen
         


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<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>If you listen to Terje, David Torn, and Frisell 
there are also some striking similarites between them when they were on 
ECM.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=info@krispenhartung.com href="mailto:info@krispenhartung.com">Krispen 
  Hartung</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, August 20, 2009 1:18 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: ECM guitarists?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=2 face=Arial>You got Terje, who is out of this world, but you 
  MUST get everything from John Abercrombie on ECM. He is probably my all time 
  favorite guitarist, so much so, that I had to stop listening to him, because 
  people were starting to make comments about similarities.</FONT></DIV>
  <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
  <DIV><FONT size=2 face=Arial>Kris</FONT></DIV>
  <DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
    <A title=evanpeewee@yahoo.com href="mailto:evanpeewee@yahoo.com">scott 
    hansen</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, August 20, 2009 12:54 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> ? RE: ECM guitarists?</DIV>
    <DIV><BR></DIV>
    <TABLE border=0 cellSpacing=0 cellPadding=0>
      <TBODY>
      <TR>
        <TD vAlign=top>yesterday i was listening to david torn's "best laid 
          plans" cd from the ECM label (which i love that disc-love the 
          interplay between improvising guitarist &amp; percussionist), and was 
          wondering if ECM had any other "out there guitarists" on their label 
          (and i know, "out there" is a loaded word, i supposed i could use 
          "adventurous", i didn't really want to use "experiemental" b/c of that 
          debate on the L-D site a few months ago, but i'm sure you know what i 
          mean.....), or perhaps i should use the term "guitarists who are 
          interested in interesting sounds that are generated from their guitars 
          that aren't run of the mill sounding (and again, more loaded terms 
          there, that could be debated FO-ever)"...whatever...<BR><BR>i have 
          looked a few times at the ECM website, and the list of artists is 
          huge, and i didn't know where to begin, just wondered if there were 
          some other guitarists on there that others on the L-D site could 
          recommend....<BR>was just curious...<BR>thanks, happy 
          looping....<BR>scott<BR>www.myspace.com/scotthansen<BR></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 20:31:57 2009
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Subject: Re: ? RE: ECM guitarists?
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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Also, while not on ECM, I am really enjoying Eivind Aarset these days
and would recommend you check him out as well if you haven't already
(definitely more electronic than the ECM stuff, but very tasty).

Kevin

On Thu, Aug 20, 2009 at 12:13 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrot=
e:
> Totally agree on Steve Tibbetts.=A0 He has seemed to have 'disappeared' t=
hough
> in terms of new work, does anyone know anything about him.=A0 I still lis=
ten
> to Big Map Idea which is really old but wonderful, also Yr.
>
> Krispen played Terje Rypdal on his June Free Wav radio show
> http://radio-boise-freewave.blogspot.com/.
>
> Ralph Towner I also highly recommend, he's really an acoustic guy not
> lo9oping but wonderful improvisor on 12-string steel and nylon 6.
>
> Jim
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Aug 20 20:49:06 2009
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Subject: Re: ? RE: ECM guitarists?
Cc: Kevin Cheli-Colando <kevin@minds-eye.org>
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Rypdal, Torn, Frisell, Abercrombe and Towner...They're all great.

Raul Bjorkenhiem also had a couple of records on ECM that are better than O=
K.



An It must be mention that Derek Bailey was on a couple of early ECM record=
ings, a duo with Dave Holland and a release by the MIC ( Bailey, Evan Parke=
r, Jamie Muir, Hugh Davies and Christine Jeffreys..)
---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:=20
> Also, while not on ECM, I am really enjoying Eivind Aarset these days
> and would recommend you check him out as well if you haven't already
> (definitely more electronic than the ECM stuff, but very tasty).
>=20
> Kevin
>=20
> On Thu, Aug 20, 2009 at 12:13 PM, Jim Goodin<jimgoodinmusic@gmail.com> wr=
ote:
> > Totally agree on Steve Tibbetts.=C2=A0 He has seemed to have 'disappear=
ed' though
> > in terms of new work, does anyone know anything about him.=C2=A0 I stil=
l listen
> > to Big Map Idea which is really old but wonderful, also Yr.
> >
> > Krispen played Terje Rypdal on his June Free Wav radio show
> > http://radio-boise-freewave.blogspot.com/.
> >
> > Ralph Towner I also highly recommend, he's really an acoustic guy not
> > lo9oping but wonderful improvisor on 12-string steel and nylon 6.
> >
> > Jim
> >
>=20
>=20
>=20
> --=20
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 00:56:33 2009
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Date: Fri, 21 Aug 2009 09:56:32 +0900
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Subject: Re: Touch Screen
From: michael noble <looplog@gmail.com>
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There are some interesting uses of touch screens here:
http://createdigitalmusic.com/2009/06/23/ableton-live-multitouch-with-free-usine-why-multitouch-works-for-music/

Not all of them are multi-touch, by the way.

I'm sure even a lower resolution screen such as these Mimo screens could be
used as a simple dedicated controller rather than as a direct interface to
control the application. That being said, $230 does seem a little steep - I
suspect one might be better off spending a little more for an ipod touch and
taking advantage of the many control surface applications available for it.

On Fri, Aug 21, 2009 at 12:16 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> Before you spend your money, do take note of the screen resolution:
> it's roughly 800x400, which is pretty much unusable on anything
> smaller than a 9" screen...that means Logic, Live, Garage Band are NOT
> going to display anywhere near "properly" if you want to use it in a
> "live" setting ... FRO's experience may indicate a better solution:
> look for a used unit on Ebay that will give you the screen real estate
> you need.
>
> The folks who created the hack for the Dell Mini 9 to run Mac OS X
> have a script that will readjust your screen resolution to make
> software like Garage Band usable, but only barely ... it's a trade-off
> of portability, price, and real estate.
>
> Sorry to be harshing your mellow, but there are a TON of compromises
> to be made doing this; I'm still trying to sort out a working solution
> for using a pair of netbooks for live looping even now ...
>
> Good luck!
>
> Dennis
>
> On Thu, Aug 20, 2009 at 8:26 AM, richard sales<richard@glasswing.com>
> wrote:
> > really cool! let me know if anyone gets on and uses it on a Mac
> > richard sales
> > www.glasswing.com
> > www.richardsales.com
> > www.hayleysales.com
> > On Aug 19, 2009, at 11:35 AM, Kevin Cheli-Colando wrote:
> >
> > This might be a nice way to add a touch screen to your computer set up
> > ($230 doesn't seem too bad or is it?)
> >
> > http://www.mimomonitors.com/products/mimo-720-S
> >
> > Kevin
> >
> > --
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all
> trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org
> > Video http://www.vimeo.com/user877640/videos
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>

--001636ed6b8bd1846904719c56f2
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There are some interesting uses of touch screens here: <a href=3D"http://cr=
eatedigitalmusic.com/2009/06/23/ableton-live-multitouch-with-free-usine-why=
-multitouch-works-for-music/">http://createdigitalmusic.com/2009/06/23/able=
ton-live-multitouch-with-free-usine-why-multitouch-works-for-music/</a><br>
<br>Not all of them are multi-touch, by the way.<br><br>I&#39;m sure even a=
 lower resolution screen such as these Mimo screens could be used as a simp=
le dedicated controller rather than as a direct interface to control the ap=
plication. That being said, $230 does seem a little steep - I suspect one m=
ight be better off spending a little more for an ipod touch and taking adva=
ntage of the many control surface applications available for it.<br>
<br><div class=3D"gmail_quote">On Fri, Aug 21, 2009 at 12:16 AM, Dennis Mos=
er <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com">sinsofm=
achaut@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;">
Before you spend your money, do take note of the screen resolution:<br>
it&#39;s roughly 800x400, which is pretty much unusable on anything<br>
smaller than a 9&quot; screen...that means Logic, Live, Garage Band are NOT=
<br>
going to display anywhere near &quot;properly&quot; if you want to use it i=
n a<br>
&quot;live&quot; setting ... FRO&#39;s experience may indicate a better sol=
ution:<br>
look for a used unit on Ebay that will give you the screen real estate<br>
you need.<br>
<br>
The folks who created the hack for the Dell Mini 9 to run Mac OS X<br>
have a script that will readjust your screen resolution to make<br>
software like Garage Band usable, but only barely ... it&#39;s a trade-off<=
br>
of portability, price, and real estate.<br>
<br>
Sorry to be harshing your mellow, but there are a TON of compromises<br>
to be made doing this; I&#39;m still trying to sort out a working solution<=
br>
for using a pair of netbooks for live looping even now ...<br>
<br>
Good luck!<br>
<font color=3D"#888888"><br>
Dennis<br>
</font><div><div></div><div class=3D"h5"><br>
On Thu, Aug 20, 2009 at 8:26 AM, richard sales&lt;<a href=3D"mailto:richard=
@glasswing.com">richard@glasswing.com</a>&gt; wrote:<br>
&gt; really cool! let me know if anyone gets on and uses it on a Mac<br>
&gt; richard sales<br>
&gt; <a href=3D"http://www.glasswing.com" target=3D"_blank">www.glasswing.c=
om</a><br>
&gt; <a href=3D"http://www.richardsales.com" target=3D"_blank">www.richards=
ales.com</a><br>
&gt; <a href=3D"http://www.hayleysales.com" target=3D"_blank">www.hayleysal=
es.com</a><br>
&gt; On Aug 19, 2009, at 11:35 AM, Kevin Cheli-Colando wrote:<br>
&gt;<br>
&gt; This might be a nice way to add a touch screen to your computer set up=
<br>
&gt; ($230 doesn&#39;t seem too bad or is it?)<br>
&gt;<br>
&gt; <a href=3D"http://www.mimomonitors.com/products/mimo-720-S" target=3D"=
_blank">http://www.mimomonitors.com/products/mimo-720-S</a><br>
&gt;<br>
&gt; Kevin<br>
&gt;<br>
&gt; --<br>
&gt; Till now you seriously considered yourself to be the body and to have =
a<br>
&gt; form. That is the primal ignorance which is the root cause of all trou=
ble.<br>
&gt;<br>
&gt; - Ramana Maharshi (1879-1950)<br>
&gt;<br>
&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_b=
lank">http://www.minds-eye.org</a><br>
&gt; Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_bl=
ank">http://www.vimeo.com/user877640/videos</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div><div><div></div><div class=3D"h5">--<br>
<a href=3D"http://myspace.com/usrsbin" target=3D"_blank">http://myspace.com=
/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
</div></div></blockquote></div><br><br>

--001636ed6b8bd1846904719c56f2--

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Date: Thu, 20 Aug 2009 19:45:36 -0500
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Subject: A Video and Text Interview with Alex Stahl - Max/MSP Looper
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Wonderfully interesting interview.. :)

"If you hear an echo, or a loop, or a replay of something that you  
heard earlier, you get into this whole business of playing with the  
perception of time. That's probably one way of explaining why I'm so  
interested in music, because I'm interested in how we perceive time.  
Sound is a great venue for that because you can't really take sound  
out of time."

http://www.cycling74.com/story/2009/8/18/9272/65720

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 03:43:35 2009
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Subject: Fwd: ? RE: ECM guitarists?
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Sorry i'm sending another mail to the list but after i send the other =20=

one, i proceed to re-listen the disc i just recommended. Wow... real =20
worth the trouble of finding it. Don't know much about the trumpet =20
player either but it's a beautiful tone that needs to be heard! it =20
remminds me a little about my favourite trumpet (and flugel) player, =20
kenny wheeler.

very best, Ariel.

Inicio del mensaje reenviado:

> De: Ariel Rzezak <arzezak@gmail.com>
> Fecha: 21 de agosto de 2009 0:36:49 GMT-03:00
> Para: Loopers-Delight@loopers-delight.com
> Asunto: Re: ? RE: ECM guitarists?
>
> i don't know much about him but a record that strucked me as a =20
> wonderful surprise was Jacob Young's Evening Falls (ECM, 2004).
>
> Real beautiful acoustic guitar playing. Nice ensemble too!
>
> Very best from Argentina, Ariel.
>
> El 20/08/2009, a las 17:43, <dohol1@windstream.net> escribi=F3:
>
>> Rypdal, Torn, Frisell, Abercrombe and Towner...They're all great.
>>
>> Raul Bjorkenhiem also had a couple of records on ECM that are =20
>> better than OK.
>>
>>
>>
>> An It must be mention that Derek Bailey was on a couple of early =20
>> ECM recordings, a duo with Dave Holland and a release by the MIC =20
>> ( Bailey, Evan Parker, Jamie Muir, Hugh Davies and Christine =20
>> Jeffreys..)
>> ---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
>>> Also, while not on ECM, I am really enjoying Eivind Aarset these =20
>>> days
>>> and would recommend you check him out as well if you haven't already
>>> (definitely more electronic than the ECM stuff, but very tasty).
>>>
>>> Kevin
>>>
>>> On Thu, Aug 20, 2009 at 12:13 PM, Jim =
Goodin<jimgoodinmusic@gmail.com=20
>>> > wrote:
>>>> Totally agree on Steve Tibbetts.  He has seemed to have =20
>>>> 'disappeared' though
>>>> in terms of new work, does anyone know anything about him.  I =20
>>>> still listen
>>>> to Big Map Idea which is really old but wonderful, also Yr.
>>>>
>>>> Krispen played Terje Rypdal on his June Free Wav radio show
>>>> http://radio-boise-freewave.blogspot.com/.
>>>>
>>>> Ralph Towner I also highly recommend, he's really an acoustic guy =20=

>>>> not
>>>> lo9oping but wonderful improvisor on 12-string steel and nylon 6.
>>>>
>>>> Jim
>>>>
>>>
>>>
>>>
>>> --=20
>>> Till now you seriously considered yourself to be the body and to =20
>>> have a
>>> form. That is the primal ignorance which is the root cause of all =20=

>>> trouble.
>>>
>>> - Ramana Maharshi (1879-1950)
>>>
>>> Sound and Vision:  http://www.minds-eye.org
>>> Video http://www.vimeo.com/user877640/videos
>>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Sorry i'm sending another mail =
to the list but after i send the other one, i proceed to re-listen the =
disc i just recommended. Wow... real worth the trouble of finding it. =
Don't know much about the trumpet player either but it's a beautiful =
tone that needs to be heard! it remminds me a little about my favourite =
trumpet (and flugel) player, kenny =
wheeler.&nbsp;<div><br></div><div>very best, =
Ariel.&nbsp;<br><div><br><div>Inicio del mensaje reenviado:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>De: </b></font><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">Ariel =
Rzezak &lt;<a =
href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com</a>&gt;</font></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>Fecha: =
</b></font><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">21 de agosto de 2009 0:36:49 GMT-03:00</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><b>Para: =
</b></font><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><b>Asunto: </b></font><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><b>Re: ? RE: ECM =
guitarists?</b></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> </div><div>i don't know much about him but a record that =
strucked me as a wonderful surprise was Jacob Young's Evening Falls =
(ECM, 2004).<br><br>Real beautiful acoustic guitar playing. Nice =
ensemble too!<br><br>Very best from Argentina, Ariel.<br><br>El =
20/08/2009, a las 17:43, &lt;<a =
href=3D"mailto:dohol1@windstream.net">dohol1@windstream.net</a>&gt; =
escribi=F3:<br><br><blockquote type=3D"cite">Rypdal, Torn, Frisell, =
Abercrombe and Towner...They're all great.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Raul =
Bjorkenhiem also had a couple of records on ECM that are better than =
OK.<br></blockquote><blockquote type=3D"cite"><br></blockquote><blockquote=
 type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">An It must be =
mention that Derek Bailey was on a couple of early ECM recordings, a duo =
with Dave Holland and a release by the MIC ( Bailey, Evan Parker, Jamie =
Muir, Hugh Davies and Christine Jeffreys..)<br></blockquote><blockquote =
type=3D"cite">---- Kevin Cheli-Colando &lt;<a =
href=3D"mailto:kevin@minds-eye.org">kevin@minds-eye.org</a>&gt; =
wrote:<br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Also, while not on ECM, I am really enjoying Eivind Aarset =
these days<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">and would recommend you check =
him out as well if you haven't =
already<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite">(definitely more electronic than the ECM stuff, but very =
tasty).<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">Kevin<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Thu, Aug 20, 2009 at 12:13 =
PM, Jim Goodin&lt;<a =
href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; =
wrote:<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">Totally agree on Steve Tibbetts. =
&nbsp;He has seemed to have 'disappeared' =
though<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">in =
terms of new work, does anyone know anything about him. &nbsp;I still =
listen<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">to Big =
Map Idea which is really old but wonderful, also =
Yr.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Krispen =
played Terje Rypdal on his June Free Wav radio =
show<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-free=
wave.blogspot.com/</a>.<br></blockquote></blockquote></blockquote><blockqu=
ote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Ralph =
Towner I also highly recommend, he's really an acoustic guy =
not<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">lo9oping=
 but wonderful improvisor on 12-string steel and nylon =
6.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">Jim<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">-- =
<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Till now you seriously considered yourself to be the body =
and to have a<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">form. That is the primal =
ignorance which is the root cause of all =
trouble.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">- Ramana Maharshi =
(1879-1950)<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Sound and Vision: &nbsp;<a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a><br></blockq=
uote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Video <a =
href=3D"http://www.vimeo.com/user877640/videos">http://www.vimeo.com/user8=
77640/videos</a><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></div></bo=
dy></html>=

--Apple-Mail-1--211414084--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 03:45:06 2009
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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: ? RE: ECM guitarists?
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Date: Fri, 21 Aug 2009 00:36:49 -0300
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i don't know much about him but a record that strucked me as a =20
wonderful surprise was Jacob Young's Evening Falls (ECM, 2004).

Real beautiful acoustic guitar playing. Nice ensemble too!

Very best from Argentina, Ariel.

El 20/08/2009, a las 17:43, <dohol1@windstream.net> escribi=F3:

> Rypdal, Torn, Frisell, Abercrombe and Towner...They're all great.
>
> Raul Bjorkenhiem also had a couple of records on ECM that are better =20=

> than OK.
>
>
>
> An It must be mention that Derek Bailey was on a couple of early ECM =20=

> recordings, a duo with Dave Holland and a release by the MIC =20
> ( Bailey, Evan Parker, Jamie Muir, Hugh Davies and Christine =20
> Jeffreys..)
> ---- Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
>> Also, while not on ECM, I am really enjoying Eivind Aarset these days
>> and would recommend you check him out as well if you haven't already
>> (definitely more electronic than the ECM stuff, but very tasty).
>>
>> Kevin
>>
>> On Thu, Aug 20, 2009 at 12:13 PM, Jim =20
>> Goodin<jimgoodinmusic@gmail.com> wrote:
>>> Totally agree on Steve Tibbetts.  He has seemed to have =20
>>> 'disappeared' though
>>> in terms of new work, does anyone know anything about him.  I =20
>>> still listen
>>> to Big Map Idea which is really old but wonderful, also Yr.
>>>
>>> Krispen played Terje Rypdal on his June Free Wav radio show
>>> http://radio-boise-freewave.blogspot.com/.
>>>
>>> Ralph Towner I also highly recommend, he's really an acoustic guy =20=

>>> not
>>> lo9oping but wonderful improvisor on 12-string steel and nylon 6.
>>>
>>> Jim
>>>
>>
>>
>>
>> --=20
>> Till now you seriously considered yourself to be the body and to =20
>> have a
>> form. That is the primal ignorance which is the root cause of all =20
>> trouble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:  http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 04:15:48 2009
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Date: Thu, 20 Aug 2009 21:15:47 -0700
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Subject: Re: ? RE: ECM guitarists?
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OK, here is _the_ quintessential, out there, ECM guitarist:

Harry Pepl

Never heard of him? Neither had I. He was Austrian, and sadly died in
2005 at the age of 60. His ECM album "cracked mirrors" is a wonderful
example of ECM's avant garde output, and was recorded in 1987 with
Herbert Joos and Jon Christensen . It's long out of print, and I only
came across it at kinebees blog:
http://kinebeeszounds.blogspot.com/search/label/harry%20pepl

Anybody else out there heard this album?
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: Re: ? RE: ECM guitarists?
From: Art Simon <simart@gmail.com>
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OK, one more piece of out there esoterica. It's not ECM, but on ECM's
ugly sister label Japo, AMM released "It Had Been An Ordinary Enough
Day In Pueblo, Colorado" in 1980. I actually bought this one when it
came out. I think Keith Rowe's guitar playing here is stellar, and
it's an all time favorite. Again, another long out-of-print impossible
to find album, but it's out there on the blogosphere:

http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough-day-in.html

I'd love to hear if anyone else out there likes this one.
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: Re: ? RE: ECM guitarists?
From: Art Simon <simart@gmail.com>
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On Thu, Aug 20, 2009 at 8:36 PM, Ariel Rzezak<arzezak@gmail.com> wrote:
> i don't know much about him but a record that strucked me as a wonderful
> surprise was Jacob Young's Evening Falls (ECM, 2004).
>
> Real beautiful acoustic guitar playing. Nice ensemble too!

Thanks, I like it! An interesting contrast to ECM's releases from 20
years earlier.



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: Re: ? RE: ECM guitarists?
Date: Fri, 21 Aug 2009 02:30:50 -0300
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Thanks for the link, Art.

El 21/08/2009, a las 01:24, Art Simon escribi=F3:

> OK, one more piece of out there esoterica. It's not ECM, but on ECM's
> ugly sister label Japo, AMM released "It Had Been An Ordinary Enough
> Day In Pueblo, Colorado" in 1980. I actually bought this one when it
> came out. I think Keith Rowe's guitar playing here is stellar, and
> it's an all time favorite. Again, another long out-of-print impossible
> to find album, but it's out there on the blogosphere:
>
> =
http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough-=
day-in.html
>
> I'd love to hear if anyone else out there likes this one.
> --=20
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

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Date: Fri, 21 Aug 2009 11:24:36 +0200
Message-ID: <66f9cc1e0908210224q4fbad9b7w17f5d377223a9901@mail.gmail.com>
Subject: Re: A Video and Text Interview with Alex Stahl - Max/MSP Looper
From: Per Boysen <perboysen@gmail.com>
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Thank you for posting this interesting link! I've always perceived
livelooping as "a time machine".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Aug 21, 2009 at 2:45 AM, <cpr@musetrap.com> wrote:
> Wonderfully interesting interview.. :)
>
> "If you hear an echo, or a loop, or a replay of something that you heard
> earlier, you get into this whole business of playing with the perception of
> time. That's probably one way of explaining why I'm so interested in music,
> because I'm interested in how we perceive time. Sound is a great venue for
> that because you can't really take sound out of time."
>
> http://www.cycling74.com/story/2009/8/18/9272/65720

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 09:51:08 2009
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Subject: Re: ? RE: ECM guitarists?
Date: Fri, 21 Aug 2009 05:50:53 -0400
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I think Lookout for Hope is one of Bill's best!!
=3D-) PJ


-----Original Message-----
From: ditch wrestler <ditchwrestler@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Aug 20, 2009 3:06 pm
Subject: Re: ? RE: ECM guitarists?







=C2=A0

Not Torn-freaky, but Bill Frisell has=C2=A0three ECM releases under his na=
me=20
- In Line, Rambler, and Lookout for Hope - and managed to get the odd=20
bit of weirdness in there.=C2=A0

=C2=A0

And not to mention many more as a sideman (see=C2=A0partial list=20
here:=C2=A0http://en.wikipedia.org/wiki/Bill_Frisell_discography; bigger=
=20
list here: http://www.bryanaaker.net/discog)

=C2=A0

Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Thu, 8/20/09, scott hansen <evanpeewee@yahoo.com> wrote:


From: scott hansen <evanpeewee@yahoo.com>
Subject: ? RE: ECM guitarists?
To: Loopers-Delight@loopers-delight.com
Received: Thursday, August 20, 2009, 11:54 AM






yesterday i was listening to david torn's "best laid plans" cd from the=20
ECM label (which i love that disc-love the interplay between=20
improvising guitarist & percussionist), and was wondering if ECM had=20
any other "out there guitarists" on their label (and i know, "out=20
there" is a loaded word, i supposed i could use "adventurous", i didn't=20
really want to use "experiemental" b/c of that debate on the L-D site a=20
few months ago, but i'm sure you know what i mean.....), or perhaps20i=20
should use the term "guitarists who are interested in interesting=20
sounds that are generated from their guitars that aren't run of the=20
mill sounding (and again, more loaded terms there, that could be=20
debated FO-ever)"...whatever...

i have looked a few times at the ECM website, and the list of artists=20
is huge, and i didn't know where to begin, just wondered if there were=20
some other guitarists on there that others on the L-D site could=20
recommend....
was just curious...
thanks, happy looping....
scott
www.myspace.com/scotthansen












------------------------------------------------------------
Ask a question on any topic and get answers from real people. Go to=20
Yahoo! Answers.

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I think Lookout for Hope is one of Bill's best!!
=3D-) PJ


-----Original Message-----
From: ditch wrestler <ditchwrestler@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Aug 20, 2009 3:06 pm
Subject: Re: ? RE: ECM guitarists?







=C2=A0

Not Torn-freaky, but Bill Frisell has=C2=A0three ECM releases under his na=
me=20
- In Line, Rambler, and Lookout for Hope - and managed to get the odd=20
bit of weirdness in there.=C2=A0

=C2=A0

And not to mention many more as a sideman (see=C2=A0partial list=20
here:=C2=A0http://en.wikipedia.org/wiki/Bill_Frisell_discography; bigger=
=20
list here: http://www.bryanaaker.net/discog)

=C2=A0

Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Thu, 8/20/09, scott hansen <evanpeewee@yahoo.com> wrote:


From: scott hansen <evanpeewee@yahoo.com>
Subject: ? RE: ECM guitarists?
To: Loopers-Delight@loopers-delight.com
Received: Thursday, August 20, 2009, 11:54 AM






yesterday i was listening to david torn's "best laid plans" cd from the=20
ECM label (which i love that disc-love the interplay between=20
improvising guitarist & percussionist), and was wondering if ECM had=20
any other "out there guitarists" on their label (and i know, "out=20
there" is a loaded word, i supposed i could use "adventurous", i didn't=20
really want to use "experiemental" b/c of that debate on the L-D site a=20
few months ago, but i'm sure you know what i mean.....), or perhaps20i=20
should use the term "guitarists who are interested in interesting=20
sounds that are generated from their guitars that aren't run of the=20
mill sounding (and again, more loaded terms there, that could be=20
debated FO-ever)"...whatever...

i have looked a few times at the ECM website, and the list of artists=20
is huge, and i didn't know where to begin, just wondered if there were=20
some other guitarists on there that others on the L-D site could=20
recommend....
was just curious...
thanks, happy looping....
scott
www.myspace.com/scotthansen












------------------------------------------------------------
Ask a question on any topic and get answers from real people. Go to=20
Yahoo! Answers.

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Date: Fri, 21 Aug 2009 07:21:29 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Keith Rowe (was: ECM guitarists?)
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--0-106081463-1250864489=:26467
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0
I'm a bit of an AMM nerd - I had the fortune to=A0attended=A0an Eddie Prevo=
st workshop and have dinner with him afterwards=A0- and=A0my favourite is=
=A0"Newfoundland".=A0 (since we're posting 'blog links, it's here - http://=
bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html)

And "Duos for Doris" is very good=A0- Keith Rowe and John Tilbury (two long=
 standing AMM members, though Keith left after Eddie indirectly slagged him=
 in his last book).
=A0
There's a hanful of Keith up on youtube; though he's not the most visual gu=
y, what with the guitar on a table and all that... ;-)
=A0
I've seen=A0numerous=A0pics of Keith's set-up (which pretty much changes ev=
ery gig) and I've spotted an=A0Boss RC-2 a few times.=A0 Now he seems to be=
 incorporating a laptop but I think he's still keeping a handful of pedals.
=A0
As far as Eddie's recording, my vote's for his trio recording "The Virtue i=
n If"

=A0
Ted=A0 H
Enemies are good for self-definition. Werner Herzog

--- On Thu, 8/20/09, Art Simon <simart@gmail.com> wrote:


From: Art Simon <simart@gmail.com>
Subject: Re: ? RE: ECM guitarists?
To: Loopers-Delight@loopers-delight.com
Received: Thursday, August 20, 2009, 9:24 PM


OK, one more piece of out there esoterica. It's not ECM, but on ECM's
ugly sister label Japo, AMM released "It Had Been An Ordinary Enough
Day In Pueblo, Colorado" in 1980. I actually bought this one when it
came out. I think Keith Rowe's guitar playing here is stellar, and
it's an all time favorite. Again, another long out-of-print impossible
to find album, but it's out there on the blogosphere:

http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough-d=
ay-in.html

I'd love to hear if anyone else out there likes this one.
--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

=0A=0A=0A      ____________________________________________________________=
______=0AConnect with friends from any web browser - no download required. =
Try the new Yahoo! Canada Messenger for the Web BETA at http://ca.messenger=
.yahoo.com/webmessengerpromo.php
--0-106081463-1250864489=:26467
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>I'm a bit of an AMM nerd - I had the fortune to&nbsp;attended&nbsp;an =
Eddie Prevost workshop and have dinner with him afterwards&nbsp;- and&nbsp;=
my favourite is&nbsp;"Newfoundland".&nbsp; (since we're posting 'blog links=
, it's here - <A href=3D"http://bigfatsatanist.blogspot.com/2008/11/amm-new=
foundland.html">http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland=
.html</A>)<BR></DIV>
<DIV>And "Duos for Doris" is very good&nbsp;- Keith Rowe and John Tilbury (=
two long standing AMM members, though Keith left after Eddie indirectly sla=
gged him in his last book).</DIV>
<DIV>&nbsp;</DIV>
<DIV>There's a hanful of Keith up on youtube; though he's not the most visu=
al guy, what with the guitar on a table and all that... ;-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>I've seen&nbsp;numerous&nbsp;pics of Keith's set-up (which pretty much=
 changes every gig) and I've spotted an&nbsp;Boss RC-2 a few times.&nbsp; N=
ow he seems to be incorporating a laptop but I think he's still keeping a h=
andful of pedals.</DIV>
<DIV>&nbsp;</DIV>
<DIV>As far as Eddie's recording, my vote's for his trio recording "The Vir=
tue in If"</DIV>
<DIV><BR>&nbsp;</DIV>
<DIV>Ted&nbsp; H</DIV>
<DIV>Enemies are good for self-definition. Werner Herzog<BR><BR>--- On <B>T=
hu, 8/20/09, Art Simon <I>&lt;simart@gmail.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Art Simon &lt;simart@gmail.com&gt;<BR>Subje=
ct: Re: ? RE: ECM guitarists?<BR>To: Loopers-Delight@loopers-delight.com<BR=
>Received: Thursday, August 20, 2009, 9:24 PM<BR><BR>
<DIV class=3DplainMail>OK, one more piece of out there esoterica. It's not =
ECM, but on ECM's<BR>ugly sister label Japo, AMM released "It Had Been An O=
rdinary Enough<BR>Day In Pueblo, Colorado" in 1980. I actually bought this =
one when it<BR>came out. I think Keith Rowe's guitar playing here is stella=
r, and<BR>it's an all time favorite. Again, another long out-of-print impos=
sible<BR>to find album, but it's out there on the blogosphere:<BR><BR><A hr=
ef=3D"http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-en=
ough-day-in.html" target=3D_blank>http://mutant-sounds.blogspot.com/2007/02=
/amm-it-had-been-ordinary-enough-day-in.html</A><BR><BR>I'd love to hear if=
 anyone else out there likes this one.<BR>-- <BR>Art Simon<BR><A href=3D"ht=
tp://ca.mc343.mail.yahoo.com/mc/compose?to=3Dsimart@gmail.com" ymailto=3D"m=
ailto:simart@gmail.com">simart@gmail.com</A><BR>myspace [dot] com/artsimon<=
BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>=0A      <hr size=3D1>Be sm=
arter than spam. See how smart SpamGuard is at giving junk email the boot w=
ith the <a href=3D"http://ca.promos.yahoo.com/newmail/overview2/"><b>All-ne=
w Yahoo! Mail </b></a>
--0-106081463-1250864489=:26467--

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Subject: Re: ? RE: ECM guitarists?
Date: Fri, 21 Aug 2009 07:33:05 -0700
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SH,

Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and other  
big names that had their recordings out under their own names, there  
are also discs by other musicians that have some of these same guys  
(and others) working as sidemen - where sometimes they do their best  
work, actually.

Jan Garbarek (sax)- Torn and Rypdal have both worked with him.

Eberhard Webber (bass) - Frisell has played with.

John Surman (sax) - Rypdal has recorded with (as Nordic Quartet).

Ketil Bjornstadt (keys) - Rypdal again.

Paul Motian (drums) - Frisell got his start with him.

Gary Burton (vibes) - Metheny early on

Mark Johnson (bass) - Frisell and Scofield both (as Bass Desires)

Nils Petter Molvaer (horn) - Eivind Aarset (on a number of CDs)

I am sure there are other examples too.

Enjoy!

TK

On Aug 20, 2009, at 11:54 AM, scott hansen wrote:

> yesterday i was listening to david torn's "best laid plans" cd from  
> the ECM label (which i love that disc-love the interplay between  
> improvising guitarist & percussionist), and was wondering if ECM had  
> any other "out there guitarists" on their label (and i know, "out  
> there" is a loaded word, i supposed i could use "adventurous", i  
> didn't really want to use "experiemental" b/c of that debate on the  
> L-D site a few months ago, but i'm sure you know what i mean.....),  
> or perhaps i should use the term "guitarists who are interested in  
> interesting sounds that are generated from their guitars that aren't  
> run of the mill sounding (and again, more loaded terms there, that  
> could be debated FO-ever)"...whatever...
>
> i have looked a few times at the ECM website, and the list of  
> artists is huge, and i didn't know where to begin, just wondered if  
> there were some other guitarists on there that others on the L-D  
> site could recommend....
> was just curious...
> thanks, happy looping....
> scott
> www.myspace.com/scotthansen
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 14:39:11 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Music Release for Motor Neurones Disease
Date: Fri, 21 Aug 2009 15:39:10 +0100
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Hello all,

Apologies for the blanket email, but all for a good cause. I'd appreciate if 
you could pass this on via whatever medium you deem fit. I have put together 
a release of old tracks from 2006. The proceeds of this release will be 
donated to the Motor Neurones Disease Association. Due to the few cases of 
MND every year in the U.K, the research is underfunded and the care services 
are understaffed. To date, there is no known cure. By giving generously, you 
are helping researchers and carers for MND throughout the UK.

Donate/Buy the release here - http://shop.rickygraham.com
There is more information on the organisation at: www.mndani.com

You can make your own donations at: 
www.mndassociation.org/get_involved/donations/donations_form.html

Thanks to everyone who have been involved in these releases over the last 
few years. Please share this blog entry via email, facebook, twitter, 
myspace, etc. and help spread awareness of MND.

Thank you,

Ricky Graham 

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 15:51:54 2009
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From: eterogeneo <eterogenus@gmail.com>
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Subject: Re: ? RE: ECM guitarists?
Date: Fri, 21 Aug 2009 17:51:35 +0200
References: <764357.38154.qm@web33108.mail.mud.yahoo.com> <DB1C67A5-DADB-411B-AAB5-DCAEAD88A60F@charter.net>
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....don't forget Egberto Gismonti who also released some of his work =20
with ECM, like "Magico" with Jan Garbarek and Charlie Haden...truly =20
magic music...

Fabio
www.eterogeneo.com


Il giorno 21/ago/2009, alle ore 16.33, tEd =C2=AE KiLLiAn =
<tedkillian@charter.ne=20
t> ha scritto:

> SH,
>
> Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and =20
> other big names that had their recordings out under their own names, =20=

> there are also discs by other musicians that have some of these same =20=

> guys (and others) working as sidemen - where sometimes they do their =20=

> best work, actually.
>
> Jan Garbarek (sax)- Torn and Rypdal have both worked with him.
>
> Eberhard Webber (bass) - Frisell has played with.
>
> John Surman (sax) - Rypdal has recorded with (as Nordic Quartet).
>
> Ketil Bjornstadt (keys) - Rypdal again.
>
> Paul Motian (drums) - Frisell got his start with him.
>
> Gary Burton (vibes) - Metheny early on
>
> Mark Johnson (bass) - Frisell and Scofield both (as Bass Desires)
>
> Nils Petter Molvaer (horn) - Eivind Aarset (on a number of CDs)
>
> I am sure there are other examples too.
>
> Enjoy!
>
> TK
>
> On Aug 20, 2009, at 11:54 AM, scott hansen wrote:
>
>> yesterday i was listening to david torn's "best laid plans" cd from =20=

>> the ECM label (which i love that disc-love the interplay between =20
>> improvising guitarist & percussionist), and was wondering if ECM =20
>> had any other "out there guitarists" on their label (and i know, =20
>> "out there" is a loaded word, i supposed i could use "adventurous", =20=

>> i didn't really want to use "experiemental" b/c of that debate on =20
>> the L-D site a few months ago, but i'm sure you know what i =20
>> mean.....), or perhaps i should use the term "guitarists who are =20
>> interested in interesting sounds that are generated from their =20
>> guitars that aren't run of the mill sounding (and again, more =20
>> loaded terms there, that could be debated FO-ever)"...whatever...
>>
>> i have looked a few times at the ECM website, and the list of =20
>> artists is huge, and i didn't know where to begin, just wondered if =20=

>> there were some other guitarists on there that others on the L-D =20
>> site could recommend....
>> was just curious...
>> thanks, happy looping....
>> scott
>> www.myspace.com/scotthansen
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 17:25:44 2009
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    <DB1C67A5-DADB-411B-AAB5-DCAEAD88A60F@charter.net>
Date: Fri, 21 Aug 2009 13:25:44 -0400 (AST)
Subject: Re: ? RE: ECM guitarists?
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Another for Marc Johnson.

Love Pat and Bill on Marc's album. "The Sound of Summer Running"
This had a the prime spot in my CD player for a couple years.

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

Andre

On Fri, August 21, 2009 10:33 am, tEd ® KiLLiAn wrote:
> SH,
>
> Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and other
> big names that had their recordings out under their own names, there
> are also discs by other musicians that have some of these same guys
> (and others) working as sidemen - where sometimes they do their best
> work, actually.
>
> Jan Garbarek (sax)- Torn and Rypdal have both worked with him.
>
> Eberhard Webber (bass) - Frisell has played with.
>
> John Surman (sax) - Rypdal has recorded with (as Nordic Quartet).
>
> Ketil Bjornstadt (keys) - Rypdal again.
>
> Paul Motian (drums) - Frisell got his start with him.
>
> Gary Burton (vibes) - Metheny early on
>
> Mark Johnson (bass) - Frisell and Scofield both (as Bass Desires)
>
> Nils Petter Molvaer (horn) - Eivind Aarset (on a number of CDs)
>
> I am sure there are other examples too.
>
> Enjoy!
>
> TK
>
> On Aug 20, 2009, at 11:54 AM, scott hansen wrote:
>
>> yesterday i was listening to david torn's "best laid plans" cd from
>> the ECM label (which i love that disc-love the interplay between
>> improvising guitarist & percussionist), and was wondering if ECM had
>> any other "out there guitarists" on their label (and i know, "out
>> there" is a loaded word, i supposed i could use "adventurous", i
>> didn't really want to use "experiemental" b/c of that debate on the
>> L-D site a few months ago, but i'm sure you know what i mean.....),
>> or perhaps i should use the term "guitarists who are interested in
>> interesting sounds that are generated from their guitars that aren't
>> run of the mill sounding (and again, more loaded terms there, that
>> could be debated FO-ever)"...whatever...
>>
>> i have looked a few times at the ECM website, and the list of
>> artists is huge, and i didn't know where to begin, just wondered if
>> there were some other guitarists on there that others on the L-D
>> site could recommend....
>> was just curious...
>> thanks, happy looping....
>> scott
>> www.myspace.com/scotthansen
>>
>
>





From funtime@khushipromotions.com  Fri Aug 21 18:53:52 2009
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	for looparc@loopers-delight.com; Fri, 21 Aug 2009 23:21:13 +0530
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Subject: Take break from your Work
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"font-family: 'Tahoma','sans-serif'; color: black; font-size: 10pt">&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;</span></span><span class=3D"ecappl=
e-style-span"><span style=3D"font-family: 'Tahoma','sans-serif'; color=
: black; font-size: 10pt">Regards,</span></span></p>
      <p class=3D"MsoNormal"><span class=3D"ecapple-style-span"><span =
style=3D"font-family: 'Tahoma','sans-serif'; color: black; font-size: =
10pt">Fun time Team</span></span><span class=3D"ecapple-style-span"><s=
pan style=3D"font-family: 'Tahoma','sans-serif'; font-size: 10pt">&nbs=
p;</span></span></p>
      <p class=3D"MsoNormal"><span class=3D"ecapple-style-span"><span =
style=3D"font-family: 'Tahoma','sans-serif'; color: black; font-size: =
10pt">&nbsp;</span></span></p>
    </div>
  </body>
</html>

--aH1YgKw1c=_ji1aBBZZxmiX8GI62rpi2ZN--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 19:17:31 2009
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Date: Fri, 21 Aug 2009 21:17:29 +0200
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Subject: [Gig Info]: The MoinSound Studio Sessions this Saturday August 22nd, 
	1600 UTC
From: Rainer Straschill <moinsound@googlemail.com>
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I know, I didn't do it last time, as I was in Berlin two weeks ago
without high-bandwidth internet access, but now...

The MoinSound Studio Sessions are back!

URL: http://justin.tv/moinlabs
Date/Time: Saturday August 22nd 2009, 1600 UTC
(for time zone conversion, see http://tinyurl.com/kruff8)

Tune in for the latest in avantgarde madness, brought to your computer
screen live via the internet. No registration necessary!

Looking forward to see you there!

            Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Fri Aug 21 21:11:56 2009
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Date: Fri, 21 Aug 2009 17:11:54 -0400
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Subject: Re: OT: Music Release for Motor Neurones Disease
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0023545bf54853336a0471ad5150
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Ricky happy to support the need, I'll be doing similar next month I think
for diabetes.  This is a good set of material particularly like the opening
moments of Music Box that's very 'tribal', Black Ice and Dream are also
fav's so far.  Best with this.
Jim

On Fri, Aug 21, 2009 at 10:39 AM, Ricky Graham <
rock.guitar.guru@btinternet.com> wrote:

> Hello all,
>
> Apologies for the blanket email, but all for a good cause. I'd appreciate
> if you could pass this on via whatever medium you deem fit. I have put
> together a release of old tracks from 2006. The proceeds of this release
> will be donated to the Motor Neurones Disease Association. Due to the few
> cases of MND every year in the U.K, the research is underfunded and the care
> services are understaffed. To date, there is no known cure. By giving
> generously, you are helping researchers and carers for MND throughout the
> UK.
>
> Donate/Buy the release here - http://shop.rickygraham.com
> There is more information on the organisation at: www.mndani.com
>
> You can make your own donations at:
> www.mndassociation.org/get_involved/donations/donations_form.html
>
> Thanks to everyone who have been involved in these releases over the last
> few years. Please share this blog entry via email, facebook, twitter,
> myspace, etc. and help spread awareness of MND.
>
> Thank you,
>
> Ricky Graham
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0023545bf54853336a0471ad5150
Content-Type: text/html; charset=ISO-8859-1
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Ricky happy to support the need, I&#39;ll be doing similar next month I thi=
nk for diabetes. =A0This is a good set of material particularly like the op=
ening moments of Music Box that&#39;s very &#39;tribal&#39;, Black Ice and =
Dream are also fav&#39;s so far. =A0Best with this.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Fri, Aug 21, 2009 a=
t 10:39 AM, Ricky Graham <span dir=3D"ltr">&lt;<a href=3D"mailto:rock.guita=
r.guru@btinternet.com">rock.guitar.guru@btinternet.com</a>&gt;</span> wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hello all,<br>
<br>
Apologies for the blanket email, but all for a good cause. I&#39;d apprecia=
te if you could pass this on via whatever medium you deem fit. I have put t=
ogether a release of old tracks from 2006. The proceeds of this release wil=
l be donated to the Motor Neurones Disease Association. Due to the few case=
s of MND every year in the U.K, the research is underfunded and the care se=
rvices are understaffed. To date, there is no known cure. By giving generou=
sly, you are helping researchers and carers for MND throughout the UK.<br>

<br>
Donate/Buy the release here - <a href=3D"http://shop.rickygraham.com" targe=
t=3D"_blank">http://shop.rickygraham.com</a><br>
There is more information on the organisation at: <a href=3D"http://www.mnd=
ani.com" target=3D"_blank">www.mndani.com</a><br>
<br>
You can make your own donations at: <a href=3D"http://www.mndassociation.or=
g/get_involved/donations/donations_form.html" target=3D"_blank">www.mndasso=
ciation.org/get_involved/donations/donations_form.html</a><br>
<br>
Thanks to everyone who have been involved in these releases over the last f=
ew years. Please share this blog entry via email, facebook, twitter, myspac=
e, etc. and help spread awareness of MND.<br>
<br>
Thank you,<br><font color=3D"#888888">
<br>
Ricky Graham <br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--0023545bf54853336a0471ad5150--

From jerry.ntai601@yahoo.com.hk  Fri Aug 21 21:24:10 2009
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Good Day

I am the Head of Operations in Mevas Bank, Hong Kong. I have a business
proposal in the tune of US$281.500.000 to be transferred to an offshore
account with your assistance if willing.

I do solicit for your assistance in effecting this transaction,I intend to
give 30% of the total funds as compensation for your assistance,if
interested I will send you the full transaction  details on receipt of
your response.

You can contact me on my private email: (jerryntai601@yahoo.com.hk)  and
send me the following information
for documentation purpose:

(1)Full name:
(2)private phone number:
(3)current residential address:

I look forward to hearing from you.

Kind Regards,
Mr. J.N.



From jerry.ntai601@yahoo.com.hk  Fri Aug 21 21:36:57 2009
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From: "MR JERRY NTAI" <jerry.ntai601@yahoo.com.hk>
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Good Day

I am the Head of Operations in Mevas Bank, Hong Kong. I have a business
proposal in the tune of US$281.500.000 to be transferred to an offshore
account with your assistance if willing.

I do solicit for your assistance in effecting this transaction,I intend to
give 30% of the total funds as compensation for your assistance,if
interested I will send you the full transaction  details on receipt of
your response.

You can contact me on my private email: (jerryntai601@yahoo.com.hk)  and
send me the following information
for documentation purpose:

(1)Full name:
(2)private phone number:
(3)current residential address:

I look forward to hearing from you.

Kind Regards,
Mr. J.N.



From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 01:56:35 2009
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	 <DB1C67A5-DADB-411B-AAB5-DCAEAD88A60F@charter.net>
	 <20564.72.22.1250875544.squirrel@www.andredonawa.com>
Date: Sat, 22 Aug 2009 03:56:33 +0200
Message-ID: <afb941d0908211856x14b418b4nfc7cc45009e5f643@mail.gmail.com>
Subject: Re: ? RE: ECM guitarists?
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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not in ECM but worth listening ...

http://www.youtube.com/watch?v=3DJHjuExoxvxI

2009/8/21, Andr=E9 Donawa <andre@andredonawa.com>:
> Another for Marc Johnson.
>
> Love Pat and Bill on Marc's album. "The Sound of Summer Running"
> This had a the prime spot in my CD player for a couple years.
>
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
> Andre
>
> On Fri, August 21, 2009 10:33 am, tEd =AE KiLLiAn wrote:
>> SH,
>>
>> Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and other
>> big names that had their recordings out under their own names, there
>> are also discs by other musicians that have some of these same guys
>> (and others) working as sidemen - where sometimes they do their best
>> work, actually.
>>
>> Jan Garbarek (sax)- Torn and Rypdal have both worked with him.
>>
>> Eberhard Webber (bass) - Frisell has played with.
>>
>> John Surman (sax) - Rypdal has recorded with (as Nordic Quartet).
>>
>> Ketil Bjornstadt (keys) - Rypdal again.
>>
>> Paul Motian (drums) - Frisell got his start with him.
>>
>> Gary Burton (vibes) - Metheny early on
>>
>> Mark Johnson (bass) - Frisell and Scofield both (as Bass Desires)
>>
>> Nils Petter Molvaer (horn) - Eivind Aarset (on a number of CDs)
>>
>> I am sure there are other examples too.
>>
>> Enjoy!
>>
>> TK
>>
>> On Aug 20, 2009, at 11:54 AM, scott hansen wrote:
>>
>>> yesterday i was listening to david torn's "best laid plans" cd from
>>> the ECM label (which i love that disc-love the interplay between
>>> improvising guitarist & percussionist), and was wondering if ECM had
>>> any other "out there guitarists" on their label (and i know, "out
>>> there" is a loaded word, i supposed i could use "adventurous", i
>>> didn't really want to use "experiemental" b/c of that debate on the
>>> L-D site a few months ago, but i'm sure you know what i mean.....),
>>> or perhaps i should use the term "guitarists who are interested in
>>> interesting sounds that are generated from their guitars that aren't
>>> run of the mill sounding (and again, more loaded terms there, that
>>> could be debated FO-ever)"...whatever...
>>>
>>> i have looked a few times at the ECM website, and the list of
>>> artists is huge, and i didn't know where to begin, just wondered if
>>> there were some other guitarists on there that others on the L-D
>>> site could recommend....
>>> was just curious...
>>> thanks, happy looping....
>>> scott
>>> www.myspace.com/scotthansen
>>>
>>
>>
>
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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tEd ® KiLLiAn wrote:
> SH,
> 
> Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and other 
> big names that had their recordings out under their own names, there are 
> also discs by other musicians that have some of these same guys (and 
> others) working as sidemen - where sometimes they do their best work, 
> actually.
> 
> Jan Garbarek (sax)- Torn and Rypdal have both worked with him.

Frisell also recorded with Garbarek; the album was "Wayfarer."



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From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 05:59:25 2009
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Subject: Re: ? RE: ECM guitarists?
Date: Sat, 22 Aug 2009 02:59:17 -0300
References: <764357.38154.qm@web33108.mail.mud.yahoo.com> <DB1C67A5-DADB-411B-AAB5-DCAEAD88A60F@charter.net> <F24CD80B-13C4-494B-8C55-CE7D84232A5E@gmail.com>
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Absolutely! Magico and (don't forget) Folk Songs.


El 21/08/2009, a las 12:51, eterogeneo escribi=F3:

> ....don't forget Egberto Gismonti who also released some of his work =20=

> with ECM, like "Magico" with Jan Garbarek and Charlie Haden...truly =20=

> magic music...
>
> Fabio
> www.eterogeneo.com
>
>
> Il giorno 21/ago/2009, alle ore 16.33, tEd =AE KiLLiAn =
<tedkillian@charter.net=20
> > ha scritto:
>
>> SH,
>>
>> Besides Rypdal, Torn, Frisell, Towner, Metheny, Abercrombie, and =20
>> other big names that had their recordings out under their own =20
>> names, there are also discs by other musicians that have some of =20
>> these same guys (and others) working as sidemen - where sometimes =20
>> they do their best work, actually.
>>
>> Jan Garbarek (sax)- Torn and Rypdal have both worked with him.
>>
>> Eberhard Webber (bass) - Frisell has played with.
>>
>> John Surman (sax) - Rypdal has recorded with (as Nordic Quartet).
>>
>> Ketil Bjornstadt (keys) - Rypdal again.
>>
>> Paul Motian (drums) - Frisell got his start with him.
>>
>> Gary Burton (vibes) - Metheny early on
>>
>> Mark Johnson (bass) - Frisell and Scofield both (as Bass Desires)
>>
>> Nils Petter Molvaer (horn) - Eivind Aarset (on a number of CDs)
>>
>> I am sure there are other examples too.
>>
>> Enjoy!
>>
>> TK
>>
>> On Aug 20, 2009, at 11:54 AM, scott hansen wrote:
>>
>>> yesterday i was listening to david torn's "best laid plans" cd =20
>>> from the ECM label (which i love that disc-love the interplay =20
>>> between improvising guitarist & percussionist), and was wondering =20=

>>> if ECM had any other "out there guitarists" on their label (and i =20=

>>> know, "out there" is a loaded word, i supposed i could use =20
>>> "adventurous", i didn't really want to use "experiemental" b/c of =20=

>>> that debate on the L-D site a few months ago, but i'm sure you =20
>>> know what i mean.....), or perhaps i should use the term =20
>>> "guitarists who are interested in interesting sounds that are =20
>>> generated from their guitars that aren't run of the mill sounding =20=

>>> (and again, more loaded terms there, that could be debated FO-=20
>>> ever)"...whatever...
>>>
>>> i have looked a few times at the ECM website, and the list of =20
>>> artists is huge, and i didn't know where to begin, just wondered =20
>>> if there were some other guitarists on there that others on the L-=20=

>>> D site could recommend....
>>> was just curious...
>>> thanks, happy looping....
>>> scott
>>> www.myspace.com/scotthansen
>>>
>>
>

From jerry.ntai601@yahoo.com.hk  Sat Aug 22 06:52:46 2009
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, August 22 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00).  I will continue the special on Sequences
Electronic Music Magazine's sampler CDs in Phase 1.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

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Subject: Re: Keith Rowe (was: ECM guitarists?)
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Here's a shot of the gear Rowe was using a few years ago..


http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg

He's changed his set up again in the last year. I don't know what he's usin=
g now..
---- ditch wrestler <ditchwrestler@yahoo.com> wrote:=20
> =C2=A0
> I'm a bit of an AMM nerd - I had the fortune to=C2=A0attended=C2=A0an Edd=
ie Prevost workshop and have dinner with him afterwards=C2=A0- and=C2=A0my =
favourite is=C2=A0"Newfoundland".=C2=A0 (since we're posting 'blog links, i=
t's here - http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html=
)
>=20
> And "Duos for Doris" is very good=C2=A0- Keith Rowe and John Tilbury (two=
 long standing AMM members, though Keith left after Eddie indirectly slagge=
d him in his last book).
> =C2=A0
> There's a hanful of Keith up on youtube; though he's not the most visual =
guy, what with the guitar on a table and all that... ;-)
> =C2=A0
> I've seen=C2=A0numerous=C2=A0pics of Keith's set-up (which pretty much ch=
anges every gig) and I've spotted an=C2=A0Boss RC-2 a few times.=C2=A0 Now =
he seems to be incorporating a laptop but I think he's still keeping a hand=
ful of pedals.
> =C2=A0
> As far as Eddie's recording, my vote's for his trio recording "The Virtue=
 in If"
>=20
> =C2=A0
> Ted=C2=A0 H
> Enemies are good for self-definition. Werner Herzog
>=20
> --- On Thu, 8/20/09, Art Simon <simart@gmail.com> wrote:
>=20
>=20
> From: Art Simon <simart@gmail.com>
> Subject: Re: ? RE: ECM guitarists?
> To: Loopers-Delight@loopers-delight.com
> Received: Thursday, August 20, 2009, 9:24 PM
>=20
>=20
> OK, one more piece of out there esoterica. It's not ECM, but on ECM's
> ugly sister label Japo, AMM released "It Had Been An Ordinary Enough
> Day In Pueblo, Colorado" in 1980. I actually bought this one when it
> came out. I think Keith Rowe's guitar playing here is stellar, and
> it's an all time favorite. Again, another long out-of-print impossible
> to find album, but it's out there on the blogosphere:
>=20
> http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough=
-day-in.html
>=20
> I'd love to hear if anyone else out there likes this one.
> --=20
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>=20
>=20


      __________________________________________________________________
Connect with friends from any web browser - no download required. Try the n=
ew Yahoo! Canada Messenger for the Web BETA at http://ca.messenger.yahoo.co=
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 10:26:55 2009
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Message-ID: <A13236B92010477DB51DE596AE06F214@a>
From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <B06D5784CA0C496897DC51FE223B6DFD@a> <9e0440a60908211411t40d3264amb6d15e80c650838@mail.gmail.com>
Subject: Re: OT: Music Release for Motor Neurones Disease
Date: Sat, 22 Aug 2009 11:26:52 +0100
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------=_NextPart_000_0047_01CA231B.72585080
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Thanks Jim. Really appreciate your support and kind words.

Take care,

Ricky
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, August 21, 2009 10:11 PM
  Subject: Re: OT: Music Release for Motor Neurones Disease


  Ricky happy to support the need, I'll be doing similar next month I =
think for diabetes.  This is a good set of material particularly like =
the opening moments of Music Box that's very 'tribal', Black Ice and =
Dream are also fav's so far.  Best with this.


  Jim


  On Fri, Aug 21, 2009 at 10:39 AM, Ricky Graham =
<rock.guitar.guru@btinternet.com> wrote:

    Hello all,

    Apologies for the blanket email, but all for a good cause. I'd =
appreciate if you could pass this on via whatever medium you deem fit. I =
have put together a release of old tracks from 2006. The proceeds of =
this release will be donated to the Motor Neurones Disease Association. =
Due to the few cases of MND every year in the U.K, the research is =
underfunded and the care services are understaffed. To date, there is no =
known cure. By giving generously, you are helping researchers and carers =
for MND throughout the UK.

    Donate/Buy the release here - http://shop.rickygraham.com
    There is more information on the organisation at: www.mndani.com

    You can make your own donations at: =
www.mndassociation.org/get_involved/donations/donations_form.html

    Thanks to everyone who have been involved in these releases over the =
last few years. Please share this blog entry via email, facebook, =
twitter, myspace, etc. and help spread awareness of MND.

    Thank you,

    Ricky Graham=20




  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.409 / Virus Database: 270.13.63/2317 - Release Date: =
08/21/09 06:04:00

------=_NextPart_000_0047_01CA231B.72585080
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Jim. Really appreciate your =
support and kind=20
words.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Take care,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 21, 2009 =
10:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: Music Release =
for Motor=20
  Neurones Disease</DIV>
  <DIV><BR></DIV>Ricky happy to support the need, I'll be doing similar =
next=20
  month I think for diabetes. &nbsp;This is a good set of material =
particularly=20
  like the opening moments of Music Box that's very 'tribal', Black Ice =
and=20
  Dream are also fav's so far. &nbsp;Best with this.
  <DIV><BR></DIV>
  <DIV>Jim<BR><BR>
  <DIV class=3Dgmail_quote>On Fri, Aug 21, 2009 at 10:39 AM, Ricky =
Graham <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:rock.guitar.guru@btinternet.com">rock.guitar.guru@btintern=
et.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">Hello=20
    all,<BR><BR>Apologies for the blanket email, but all for a good =
cause. I'd=20
    appreciate if you could pass this on via whatever medium you deem =
fit. I=20
    have put together a release of old tracks from 2006. The proceeds of =
this=20
    release will be donated to the Motor Neurones Disease Association. =
Due to=20
    the few cases of MND every year in the U.K, the research is =
underfunded and=20
    the care services are understaffed. To date, there is no known cure. =
By=20
    giving generously, you are helping researchers and carers for MND =
throughout=20
    the UK.<BR><BR>Donate/Buy the release here - <A=20
    href=3D"http://shop.rickygraham.com"=20
    target=3D_blank>http://shop.rickygraham.com</A><BR>There is more =
information=20
    on the organisation at: <A href=3D"http://www.mndani.com"=20
    target=3D_blank>www.mndani.com</A><BR><BR>You can make your own =
donations at:=20
    <A=20
    =
href=3D"http://www.mndassociation.org/get_involved/donations/donations_fo=
rm.html"=20
    =
target=3D_blank>www.mndassociation.org/get_involved/donations/donations_f=
orm.html</A><BR><BR>Thanks=20
    to everyone who have been involved in these releases over the last =
few=20
    years. Please share this blog entry via email, facebook, twitter, =
myspace,=20
    etc. and help spread awareness of MND.<BR><BR>Thank you,<BR><FONT=20
    color=3D#888888><BR>Ricky Graham =
<BR></FONT></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>ReUse, an introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.409 / Virus Database: 270.13.63/2317 - =
Release=20
  Date: 08/21/09 06:04:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0047_01CA231B.72585080--

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  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From root@mail.glgwebservice.com  Sat Aug 22 12:10:17 2009
Return-Path: <root@mail.glgwebservice.com>
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Received: by mail.glgwebservice.com (Postfix, from userid 0)
	id 9424F84A46A; Sat, 22 Aug 2009 05:51:50 -0500 (EST)
To: looparc@loopers-delight.com
Subject: You have received a card from a family member!
From: webmaster@hallmark.org <webmaster@hallmark.org>
Content-Type: text/html
Message-Id: <20090822113650.9424F84A46A@mail.glgwebservice.com>
Date: Sat, 22 Aug 2009 05:51:50 -0500 (EST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From root@mail.glgwebservice.com  Sat Aug 22 12:13:01 2009
Return-Path: <root@mail.glgwebservice.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
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Received: by mail.glgwebservice.com (Postfix, from userid 0)
	id 6B55781A691; Sat, 22 Aug 2009 03:24:01 -0500 (EST)
To: looparc@loopers-delight.com
Subject: You have received a card from a family member!
From: webmaster@hallmark.org <webmaster@hallmark.org>
Content-Type: text/html
Message-Id: <20090822082401.6B55781A691@mail.glgwebservice.com>
Date: Sat, 22 Aug 2009 03:24:01 -0500 (EST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From root@mail.glgwebservice.com  Sat Aug 22 12:16:58 2009
Return-Path: <root@mail.glgwebservice.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
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Received: by mail.glgwebservice.com (Postfix, from userid 0)
	id 14B8D81B69C; Sat, 22 Aug 2009 05:57:49 -0500 (EST)
To: looparc@loopers-delight.com
Subject: You have received a card from a family member!
From: webmaster@hallmark.org <webmaster@hallmark.org>
Content-Type: text/html
Message-Id: <20090822114517.14B8D81B69C@mail.glgwebservice.com>
Date: Sat, 22 Aug 2009 05:57:49 -0500 (EST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From root@mail.glgwebservice.com  Sat Aug 22 13:48:20 2009
Return-Path: <root@mail.glgwebservice.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from mail.glgwebservice.com (mail.glgwebservice.com [69.64.59.222])
	by arsenic.violacea.com (Postfix) with ESMTP id 0815D3BF38
	for <looparc@loopers-delight.com>; Sat, 22 Aug 2009 13:48:09 +0000 (UTC)
Received: by mail.glgwebservice.com (Postfix, from userid 0)
	id 9EB32889A54; Sat, 22 Aug 2009 07:31:59 -0500 (EST)
To: looparc@loopers-delight.com
Subject: You have received a card from a family member!
From: webmaster@hallmark.org <webmaster@hallmark.org>
Content-Type: text/html
Message-Id: <20090822131601.9EB32889A54@mail.glgwebservice.com>
Date: Sat, 22 Aug 2009 07:31:59 -0500 (EST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://jupit.securesites.com/~files/read.php/hallmark.scr"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
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From asianpacificorg001_0011@msn.com  Sat Aug 22 14:24:45 2009
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Congratulations!!!
 
We are Pleased to inform you that your email was selected among the winner of Asian Pacific Lottery Organization.
 
For more details visit : /http://asianonlinelotorg.web.officelive.com/default.aspx
 
On how to redeem your prize.
 
Coordinator Asian Pacific Lottery Organization
Rev. Kane Iva
Email : asianlotto2009@yahoo.com.hk
Regd No: 79472002
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<DIV id=yiv525020629>Congratulations!!!<BR>&nbsp;<BR>We are Pleased to inform you that your email was selected among the winner of Asian Pacific Lottery Organization.<BR>&nbsp;<BR>For more details visit : <SPAN style="FONT-WEIGHT: bold; COLOR: rgb(0,0,191)"><A href="http://asianonlinepro.web.officelive.com/default.aspx" target=_blank rel=nofollow><SPAN class=yshortcuts id=lw_1245611199_0>/http://asianonlinelotorg.web.officelive.com/default.aspx</SPAN></A></SPAN><BR>&nbsp;<BR>On how to redeem your prize.<BR>&nbsp;<BR>Coordinator Asian Pacific Lottery Organization<BR>Rev. Kane Iva<BR>Email : <SPAN class=yshortcuts id=lw_1245611199_1 style="BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: pointer; BORDER-BOTTOM: rgb(0,102,204) 1px dashed; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial">asianlotto2009@yahoo.com.hk</SPAN><BR>Regd No: 79472002</DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></body>
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From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 16:14:22 2009
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Subject: Rainer on fire at justin
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Rainers burning it up at http://www.justin.tv/moinlabs as I type!

J

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Date: Sat, 22 Aug 2009 18:33:00 +0200
Message-ID: <afb941d0908220933k5913d346qed42615c040e5bb7@mail.gmail.com>
Subject: Re: [Gig Info]: The MoinSound Studio Sessions this Saturday August 
	22nd, 1600 UTC
From: Raul Bonell <raul.bonell@gmail.com>
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don't know how chat works ... is it text based or just cam? ...
anyway, i'm in, and really like it!

2009/8/21, Rainer Straschill <moinsound@googlemail.com>:
> I know, I didn't do it last time, as I was in Berlin two weeks ago
> without high-bandwidth internet access, but now...
>
> The MoinSound Studio Sessions are back!
>
> URL: http://justin.tv/moinlabs
> Date/Time: Saturday August 22nd 2009, 1600 UTC
> (for time zone conversion, see http://tinyurl.com/kruff8)
>
> Tune in for the latest in avantgarde madness, brought to your computer
> screen live via the internet. No registration necessary!
>
> Looking forward to see you there!
>
>             Rainer
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://www.twitter.com/moinlabs
> http://justin.tv/moinlabs
> http://vimeo.com/moinlabs
> http://www.jamendo.com/en/artist/straschill/
> http://Kunaki.com/MSales.asp?PublisherId=117329
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 16:49:25 2009
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Subject: [OT] [TOKYO Sep 5th & 6th]  Sunao Inami 2 Gigs
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Hi LD,

Sorry for  off topic.

This is my next gigs information in Tokyo.
I guess it's exciting gigs for IDM/Rhythmic Noise/Abstract beats fans.


[Saturday  September 5th]
Discord Proving Ground chap5.0

@  Ochiai Soup,Shinjuku,Tokyo

18:00 - 24:00  1,500 Yen
http://www.geocities.jp/made_in_nakano/dpg/index.html


[Sunday  September 6th]
VOMIT_1

@ BULLET'S, Nishiazabu,Tokyo

18:00 - 24:00  1,500 Yen
http://www.bul-lets.com


---------------------------------------------------------------------

p.s.
My new CD "Disinfectant"just released on 21st August.
Please visit to:
http://www.electr-ohm.com/en/label.html

also it available on iTunes.
http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=325152757&s=143462



  Regards

  Sunao Inami
http://www.electr-ohm.com
http://www.myspace.com/sunao

From Loopers-Delight-request@loopers-delight.com  Sat Aug 22 17:52:23 2009
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Date: Sat, 22 Aug 2009 10:52:21 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Keith Rowe (was: ECM guitarists?)
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Anybody want to play "spot the pedals" with that pic of Keith?

That's obviously an RC20-XL on the table; my best guess for the other two p=
edals is that the turquoise pedal is a Boss PS-5 Super Shifter and the blue=
 one is a MXR 6-band graphic equalizer.

Rounding out the collection is a Behringer Xenyx 802 mixer and his ever-pre=
sent radio.=A0=20

And if that's a metal necklace he's holding, I think he's trying to degauss=
 the pick-ups on that Steinberger.


ted h.
Enemies are good for self-definition. Werner Herzog

--- On Sat, 8/22/09, dohol1@windstream.net <dohol1@windstream.net> wrote:

From: dohol1@windstream.net <dohol1@windstream.net>
Subject: Re: Keith Rowe (was: ECM guitarists?)
To: Loopers-Delight@loopers-delight.com
Cc: "ditch wrestler" <ditchwrestler@yahoo.com>
Received: Saturday, August 22, 2009, 2:23 AM

Here's a shot of the gear Rowe was using a few years ago..


http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg

He's changed his set up again in the last year. I don't know what he's usin=
g now..
---- ditch wrestler <ditchwrestler@yahoo.com> wrote:=20
> =A0
> I'm a bit of an AMM nerd - I had the fortune to=A0attended=A0an Eddie Pre=
vost workshop and have dinner with him afterwards=A0- and=A0my favourite is=
=A0"Newfoundland".=A0 (since we're posting 'blog links, it's here - http://=
bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html)
>=20
> And "Duos for Doris" is very good=A0- Keith Rowe and John Tilbury (two lo=
ng standing AMM members, though Keith left after Eddie indirectly slagged h=
im in his last book).
> =A0
> There's a hanful of Keith up on youtube; though he's not the most visual =
guy, what with the guitar on a table and all that... ;-)
> =A0
> I've seen=A0numerous=A0pics of Keith's set-up (which pretty much changes =
every gig) and I've spotted an=A0Boss RC-2 a few times.=A0 Now he seems to =
be incorporating a laptop but I think he's still keeping a handful of pedal=
s.
> =A0
> As far as Eddie's recording, my vote's for his trio recording "The Virtue=
 in If"
>=20
> =A0
> Ted=A0 H
> Enemies are good for self-definition. Werner Herzog
>=20
> --- On Thu, 8/20/09, Art Simon <simart@gmail.com> wrote:
>=20
>=20
> From: Art Simon <simart@gmail.com>
> Subject: Re: ? RE: ECM guitarists?
> To: Loopers-Delight@loopers-delight.com
> Received: Thursday, August 20, 2009, 9:24 PM
>=20
>=20
> OK, one more piece of out there esoterica. It's not ECM, but on ECM's
> ugly sister label Japo, AMM released "It Had Been An Ordinary Enough
> Day In Pueblo, Colorado" in 1980. I actually bought this one when it
> came out. I think Keith Rowe's guitar playing here is stellar, and
> it's an all time favorite. Again, another long out-of-print impossible
> to find album, but it's out there on the blogosphere:
>=20
> http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough=
-day-in.html
>=20
> I'd love to hear if anyone else out there likes this one.
> --=20
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>=20
>=20


=A0 =A0 =A0 _______________________________________________________________=
___
Connect with friends from any web browser - no download required. Try the n=
ew Yahoo! Canada Messenger for the Web BETA at http://ca.messenger.yahoo.co=
m/webmessengerpromo.php

=0A=0A=0A      ____________________________________________________________=
______=0AAsk a question on any topic and get answers from real people. Go t=
o Yahoo! Answers and share what you know at http://ca.answers.yahoo.com
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>Anybody want to play "spot the pedals" wi=
th that pic of Keith?<br><br>That's obviously an RC20-XL on the table; my b=
est guess for the other two pedals is that the turquoise pedal is a Boss PS=
-5 Super Shifter and the blue one is a MXR 6-band graphic equalizer.<br><br=
>Rounding out the collection is a Behringer Xenyx 802 mixer and his ever-pr=
esent radio.&nbsp; <br><br>And if that's a metal necklace he's holding, I t=
hink he's trying to degauss the pick-ups on that Steinberger.<br><br><br>te=
d h.<br>Enemies are good for self-definition. Werner Herzog<br><br>--- On <=
b>Sat, 8/22/09, dohol1@windstream.net <i>&lt;dohol1@windstream.net&gt;</i><=
/b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255);=
 margin-left: 5px; padding-left: 5px;"><br>From: dohol1@windstream.net &lt;=
dohol1@windstream.net&gt;<br>Subject: Re: Keith Rowe (was: ECM
 guitarists?)<br>To: Loopers-Delight@loopers-delight.com<br>Cc: "ditch wres=
tler" &lt;ditchwrestler@yahoo.com&gt;<br>Received: Saturday, August 22, 200=
9, 2:23 AM<br><br><div class=3D"plainMail">Here's a shot of the gear Rowe w=
as using a few years ago..<br><br><br><a href=3D"http://home.att.ne.jp/thet=
a/ny-jazz/keith_sc_03.jpg" target=3D"_blank">http://home.att.ne.jp/theta/ny=
-jazz/keith_sc_03.jpg</a><br><br>He's changed his set up again in the last =
year. I don't know what he's using now..<br>---- ditch wrestler &lt;<a ymai=
lto=3D"mailto:ditchwrestler@yahoo.com" href=3D"/mc/compose?to=3Dditchwrestl=
er@yahoo.com">ditchwrestler@yahoo.com</a>&gt; wrote: <br>&gt; &nbsp;<br>&gt=
; I'm a bit of an AMM nerd - I had the fortune to&nbsp;attended&nbsp;an Edd=
ie Prevost workshop and have dinner with him afterwards&nbsp;- and&nbsp;my =
favourite is&nbsp;"Newfoundland".&nbsp; (since we're posting 'blog links, i=
t's here - <a
 href=3D"http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html" =
target=3D"_blank">http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundla=
nd.html</a>)<br>&gt; <br>&gt; And "Duos for Doris" is very good&nbsp;- Keit=
h Rowe and John Tilbury (two long standing AMM members, though Keith left a=
fter Eddie indirectly slagged him in his last book).<br>&gt; &nbsp;<br>&gt;=
 There's a hanful of Keith up on youtube; though he's not the most visual g=
uy, what with the guitar on a table and all that... ;-)<br>&gt; &nbsp;<br>&=
gt; I've seen&nbsp;numerous&nbsp;pics of Keith's set-up (which pretty much =
changes every gig) and I've spotted an&nbsp;Boss RC-2 a few times.&nbsp; No=
w he seems to be incorporating a laptop but I think he's still keeping a ha=
ndful of pedals.<br>&gt; &nbsp;<br>&gt; As far as Eddie's recording, my vot=
e's for his trio recording "The Virtue in If"<br>&gt; <br>&gt; &nbsp;<br>&g=
t; Ted&nbsp; H<br>&gt; Enemies are good for self-definition. Werner
 Herzog<br>&gt; <br>&gt; --- On Thu, 8/20/09, Art Simon &lt;<a ymailto=3D"m=
ailto:simart@gmail.com" href=3D"/mc/compose?to=3Dsimart@gmail.com">simart@g=
mail.com</a>&gt; wrote:<br>&gt; <br>&gt; <br>&gt; From: Art Simon &lt;<a ym=
ailto=3D"mailto:simart@gmail.com" href=3D"/mc/compose?to=3Dsimart@gmail.com=
">simart@gmail.com</a>&gt;<br>&gt; Subject: Re: ? RE: ECM guitarists?<br>&g=
t; To: <a ymailto=3D"mailto:Loopers-Delight@loopers-delight.com" href=3D"/m=
c/compose?to=3DLoopers-Delight@loopers-delight.com">Loopers-Delight@loopers=
-delight.com</a><br>&gt; Received: Thursday, August 20, 2009, 9:24 PM<br>&g=
t; <br>&gt; <br>&gt; OK, one more piece of out there esoterica. It's not EC=
M, but on ECM's<br>&gt; ugly sister label Japo, AMM released "It Had Been A=
n Ordinary Enough<br>&gt; Day In Pueblo, Colorado" in 1980. I actually boug=
ht this one when it<br>&gt; came out. I think Keith Rowe's guitar playing h=
ere is stellar, and<br>&gt; it's an all time favorite. Again, another long
 out-of-print impossible<br>&gt; to find album, but it's out there on the b=
logosphere:<br>&gt; <br>&gt; <a href=3D"http://mutant-sounds.blogspot.com/2=
007/02/amm-it-had-been-ordinary-enough-day-in.html" target=3D"_blank">http:=
//mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough-day-in=
.html</a><br>&gt; <br>&gt; I'd love to hear if anyone else out there likes =
this one.<br>&gt; -- <br>&gt; Art Simon<br>&gt; <a ymailto=3D"mailto:simart=
@gmail.com" href=3D"/mc/compose?to=3Dsimart@gmail.com">simart@gmail.com</a>=
<br>&gt; myspace [dot] com/artsimon<br>&gt; <br>&gt; <br><br><br>&nbsp; &nb=
sp; &nbsp; ________________________________________________________________=
__<br>Connect with friends from any web browser - no download required. Try=
 the new Yahoo! Canada Messenger for the Web BETA at <a href=3D"http://ca.m=
essenger.yahoo.com/webmessengerpromo.php"
 target=3D"_blank">http://ca.messenger.yahoo.com/webmessengerpromo.php</a><=
br><br></div></blockquote></td></tr></table><br>=0A      <hr size=3D1>=0ALo=
oking for the perfect gift?<a href=3D"http://www.flickr.com/gift/"><b> Give=
 the gift of Flickr!</b></a>
--0-1871280830-1250963541=:92704--

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Message-ID: <000a01ca2355$a6975b90$6d832245@YOUR08D5303051>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <137386.92704.qm@web34308.mail.mud.yahoo.com>
Subject: Re: Keith Rowe (was: ECM guitarists?)
Date: Sat, 22 Aug 2009 14:23:30 -0400
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looks about right, here is a vid:
http://www.youtube.com/watch?v=3DHnUVpiFHhmM

Jeff
  ----- Original Message -----=20
  From: ditch wrestler=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, August 22, 2009 1:52 PM
  Subject: Re: Keith Rowe (was: ECM guitarists?)



        Anybody want to play "spot the pedals" with that pic of Keith?

        That's obviously an RC20-XL on the table; my best guess for the =
other two pedals is that the turquoise pedal is a Boss PS-5 Super =
Shifter and the blue one is a MXR 6-band graphic equalizer.

        Rounding out the collection is a Behringer Xenyx 802 mixer and =
his ever-present radio. =20

        And if that's a metal necklace he's holding, I think he's trying =
to degauss the pick-ups on that Steinberger.


        ted h.
        Enemies are good for self-definition. Werner Herzog

        --- On Sat, 8/22/09, dohol1@windstream.net =
<dohol1@windstream.net> wrote:


          From: dohol1@windstream.net <dohol1@windstream.net>
          Subject: Re: Keith Rowe (was: ECM guitarists?)
          To: Loopers-Delight@loopers-delight.com
          Cc: "ditch wrestler" <ditchwrestler@yahoo.com>
          Received: Saturday, August 22, 2009, 2:23 AM


          Here's a shot of the gear Rowe was using a few years ago..


          http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg

          He's changed his set up again in the last year. I don't know =
what he's using now..
          ---- ditch wrestler <ditchwrestler@yahoo.com> wrote:=20
          > =20
          > I'm a bit of an AMM nerd - I had the fortune to attended an =
Eddie Prevost workshop and have dinner with him afterwards - and my =
favourite is "Newfoundland".  (since we're posting 'blog links, it's =
here - http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html)
          >=20
          > And "Duos for Doris" is very good - Keith Rowe and John =
Tilbury (two long standing AMM members, though Keith left after Eddie =
indirectly slagged him in his last book).
          > =20
          > There's a hanful of Keith up on youtube; though he's not the =
most visual guy, what with the guitar on a table and all that... ;-)
          > =20
          > I've seen numerous pics of Keith's set-up (which pretty much =
changes every gig) and I've spotted an Boss RC-2 a few times.  Now he =
seems to be incorporating a laptop but I think he's still keeping a =
handful of pedals.
          > =20
          > As far as Eddie's recording, my vote's for his trio =
recording "The Virtue in If"
          >=20
          > =20
          > Ted  H
          > Enemies are good for self-definition. Werner Herzog
          >=20
          > --- On Thu, 8/20/09, Art Simon <simart@gmail.com> wrote:
          >=20
          >=20
          > From: Art Simon <simart@gmail.com>
          > Subject: Re: ? RE: ECM guitarists?
          > To: Loopers-Delight@loopers-delight.com
          > Received: Thursday, August 20, 2009, 9:24 PM
          >=20
          >=20
          > OK, one more piece of out there esoterica. It's not ECM, but =
on ECM's
          > ugly sister label Japo, AMM released "It Had Been An =
Ordinary Enough
          > Day In Pueblo, Colorado" in 1980. I actually bought this one =
when it
          > came out. I think Keith Rowe's guitar playing here is =
stellar, and
          > it's an all time favorite. Again, another long out-of-print =
impossible
          > to find album, but it's out there on the blogosphere:
          >=20
          > =
http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough=
-day-in.html
          >=20
          > I'd love to hear if anyone else out there likes this one.
          > --=20
          > Art Simon
          > simart@gmail.com
          > myspace [dot] com/artsimon
          >=20
          >=20


                =
__________________________________________________________________
          Connect with friends from any web browser - no download =
required. Try the new Yahoo! Canada Messenger for the Web BETA at =
http://ca.messenger.yahoo.com/webmessengerpromo.php

      =20


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>looks about right, here is a =
vid:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DHnUVpiFHhmM">http://www.youtube.=
com/watch?v=3DHnUVpiFHhmM</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
  wrestler</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 22, 2009 =
1:52=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Keith Rowe (was: =
ECM=20
  guitarists?)</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop><BR>Anybody want to play "spot the pedals" with =
that pic=20
        of Keith?<BR><BR>That's obviously an RC20-XL on the table; my =
best guess=20
        for the other two pedals is that the turquoise pedal is a Boss =
PS-5=20
        Super Shifter and the blue one is a MXR 6-band graphic=20
        equalizer.<BR><BR>Rounding out the collection is a Behringer =
Xenyx 802=20
        mixer and his ever-present radio.&nbsp; <BR><BR>And if that's a =
metal=20
        necklace he's holding, I think he's trying to degauss the =
pick-ups on=20
        that Steinberger.<BR><BR><BR>ted h.<BR>Enemies are good for=20
        self-definition. Werner Herzog<BR><BR>--- On <B>Sat, 8/22/09,=20
        dohol1@windstream.net <I>&lt;dohol1@windstream.net&gt;</I></B>=20
wrote:<BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
          dohol1@windstream.net =
&lt;dohol1@windstream.net&gt;<BR>Subject: Re:=20
          Keith Rowe (was: ECM guitarists?)<BR>To:=20
          Loopers-Delight@loopers-delight.com<BR>Cc: "ditch wrestler"=20
          &lt;ditchwrestler@yahoo.com&gt;<BR>Received: Saturday, August =
22,=20
          2009, 2:23 AM<BR><BR>
          <DIV class=3DplainMail>Here's a shot of the gear Rowe was =
using a few=20
          years ago..<BR><BR><BR><A=20
          href=3D"http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg"=20
          =
target=3D_blank>http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg</A><B=
R><BR>He's=20
          changed his set up again in the last year. I don't know what =
he's=20
          using now..<BR>---- ditch wrestler &lt;<A=20
          href=3D"/mc/compose?to=3Dditchwrestler@yahoo.com"=20
          =
ymailto=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</A>&gt=
;=20
          wrote: <BR>&gt; &nbsp;<BR>&gt; I'm a bit of an AMM nerd - I =
had the=20
          fortune to&nbsp;attended&nbsp;an Eddie Prevost workshop and =
have=20
          dinner with him afterwards&nbsp;- and&nbsp;my favourite=20
          is&nbsp;"Newfoundland".&nbsp; (since we're posting 'blog =
links, it's=20
          here - <A=20
          =
href=3D"http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html"=
=20
          =
target=3D_blank>http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundla=
nd.html</A>)<BR>&gt;=20
          <BR>&gt; And "Duos for Doris" is very good&nbsp;- Keith Rowe =
and John=20
          Tilbury (two long standing AMM members, though Keith left =
after Eddie=20
          indirectly slagged him in his last book).<BR>&gt; =
&nbsp;<BR>&gt;=20
          There's a hanful of Keith up on youtube; though he's not the =
most=20
          visual guy, what with the guitar on a table and all that...=20
          ;-)<BR>&gt; &nbsp;<BR>&gt; I've seen&nbsp;numerous&nbsp;pics =
of=20
          Keith's set-up (which pretty much changes every gig) and I've =
spotted=20
          an&nbsp;Boss RC-2 a few times.&nbsp; Now he seems to be =
incorporating=20
          a laptop but I think he's still keeping a handful of =
pedals.<BR>&gt;=20
          &nbsp;<BR>&gt; As far as Eddie's recording, my vote's for his =
trio=20
          recording "The Virtue in If"<BR>&gt; <BR>&gt; &nbsp;<BR>&gt; =
Ted&nbsp;=20
          H<BR>&gt; Enemies are good for self-definition. Werner =
Herzog<BR>&gt;=20
          <BR>&gt; --- On Thu, 8/20/09, Art Simon &lt;<A=20
          href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
          ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;=20
          wrote:<BR>&gt; <BR>&gt; <BR>&gt; From: Art Simon &lt;<A=20
          href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
          =
ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;<BR>&gt;=20
          Subject: Re: ? RE: ECM guitarists?<BR>&gt; To: <A=20
          href=3D"/mc/compose?to=3DLoopers-Delight@loopers-delight.com"=20
          =
ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A><BR>&gt;=20
          Received: Thursday, August 20, 2009, 9:24 PM<BR>&gt; <BR>&gt; =
<BR>&gt;=20
          OK, one more piece of out there esoterica. It's not ECM, but =
on=20
          ECM's<BR>&gt; ugly sister label Japo, AMM released "It Had =
Been An=20
          Ordinary Enough<BR>&gt; Day In Pueblo, Colorado" in 1980. I =
actually=20
          bought this one when it<BR>&gt; came out. I think Keith Rowe's =
guitar=20
          playing here is stellar, and<BR>&gt; it's an all time =
favorite. Again,=20
          another long out-of-print impossible<BR>&gt; to find album, =
but it's=20
          out there on the blogosphere:<BR>&gt; <BR>&gt; <A=20
          =
href=3D"http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinar=
y-enough-day-in.html"=20
          =
target=3D_blank>http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been=
-ordinary-enough-day-in.html</A><BR>&gt;=20
          <BR>&gt; I'd love to hear if anyone else out there likes this=20
          one.<BR>&gt; -- <BR>&gt; Art Simon<BR>&gt; <A=20
          href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
          =
ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A><BR>&gt; myspace =

          [dot] com/artsimon<BR>&gt; <BR>&gt; <BR><BR><BR>&nbsp; &nbsp; =
&nbsp;=20
          =
__________________________________________________________________<BR>Con=
nect=20
          with friends from any web browser - no download required. Try =
the new=20
          Yahoo! Canada Messenger for the Web BETA at <A=20
          href=3D"http://ca.messenger.yahoo.com/webmessengerpromo.php"=20
          =
target=3D_blank>http://ca.messenger.yahoo.com/webmessengerpromo.php</A><B=
R><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR>
  <HR SIZE=3D1>
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href=3D"http://www.flickr.com/gift/"><B> Give=20
  the gift of Flickr!</B></A></BLOCKQUOTE></BODY></HTML>

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Message-ID: <001701ca2357$3d8ce050$6d832245@YOUR08D5303051>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <137386.92704.qm@web34308.mail.mud.yahoo.com> <000a01ca2355$a6975b90$6d832245@YOUR08D5303051>
Subject: Re: Keith Rowe (was: ECM guitarists?)
Date: Sat, 22 Aug 2009 14:34:53 -0400
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Here is another with I think an RC 2 and a Fuzz Factory, can't make the =
rest out.=20

http://www.youtube.com/watch?v=3DkVKFqBjYaF8

j
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, August 22, 2009 2:23 PM
  Subject: Re: Keith Rowe (was: ECM guitarists?)


  looks about right, here is a vid:
  http://www.youtube.com/watch?v=3DHnUVpiFHhmM

  Jeff
    ----- Original Message -----=20
    From: ditch wrestler=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, August 22, 2009 1:52 PM
    Subject: Re: Keith Rowe (was: ECM guitarists?)



          Anybody want to play "spot the pedals" with that pic of Keith?

          That's obviously an RC20-XL on the table; my best guess for =
the other two pedals is that the turquoise pedal is a Boss PS-5 Super =
Shifter and the blue one is a MXR 6-band graphic equalizer.

          Rounding out the collection is a Behringer Xenyx 802 mixer and =
his ever-present radio. =20

          And if that's a metal necklace he's holding, I think he's =
trying to degauss the pick-ups on that Steinberger.


          ted h.
          Enemies are good for self-definition. Werner Herzog

          --- On Sat, 8/22/09, dohol1@windstream.net =
<dohol1@windstream.net> wrote:


            From: dohol1@windstream.net <dohol1@windstream.net>
            Subject: Re: Keith Rowe (was: ECM guitarists?)
            To: Loopers-Delight@loopers-delight.com
            Cc: "ditch wrestler" <ditchwrestler@yahoo.com>
            Received: Saturday, August 22, 2009, 2:23 AM


            Here's a shot of the gear Rowe was using a few years ago..


            http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg

            He's changed his set up again in the last year. I don't know =
what he's using now..
            ---- ditch wrestler <ditchwrestler@yahoo.com> wrote:=20
            > =20
            > I'm a bit of an AMM nerd - I had the fortune to attended =
an Eddie Prevost workshop and have dinner with him afterwards - and my =
favourite is "Newfoundland".  (since we're posting 'blog links, it's =
here - http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html)
            >=20
            > And "Duos for Doris" is very good - Keith Rowe and John =
Tilbury (two long standing AMM members, though Keith left after Eddie =
indirectly slagged him in his last book).
            > =20
            > There's a hanful of Keith up on youtube; though he's not =
the most visual guy, what with the guitar on a table and all that... ;-)
            > =20
            > I've seen numerous pics of Keith's set-up (which pretty =
much changes every gig) and I've spotted an Boss RC-2 a few times.  Now =
he seems to be incorporating a laptop but I think he's still keeping a =
handful of pedals.
            > =20
            > As far as Eddie's recording, my vote's for his trio =
recording "The Virtue in If"
            >=20
            > =20
            > Ted  H
            > Enemies are good for self-definition. Werner Herzog
            >=20
            > --- On Thu, 8/20/09, Art Simon <simart@gmail.com> wrote:
            >=20
            >=20
            > From: Art Simon <simart@gmail.com>
            > Subject: Re: ? RE: ECM guitarists?
            > To: Loopers-Delight@loopers-delight.com
            > Received: Thursday, August 20, 2009, 9:24 PM
            >=20
            >=20
            > OK, one more piece of out there esoterica. It's not ECM, =
but on ECM's
            > ugly sister label Japo, AMM released "It Had Been An =
Ordinary Enough
            > Day In Pueblo, Colorado" in 1980. I actually bought this =
one when it
            > came out. I think Keith Rowe's guitar playing here is =
stellar, and
            > it's an all time favorite. Again, another long =
out-of-print impossible
            > to find album, but it's out there on the blogosphere:
            >=20
            > =
http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinary-enough=
-day-in.html
            >=20
            > I'd love to hear if anyone else out there likes this one.
            > --=20
            > Art Simon
            > simart@gmail.com
            > myspace [dot] com/artsimon
            >=20
            >=20


                  =
__________________________________________________________________
            Connect with friends from any web browser - no download =
required. Try the new Yahoo! Canada Messenger for the Web BETA at =
http://ca.messenger.yahoo.com/webmessengerpromo.php

        =20


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Here is another with I think an RC 2 =
and a Fuzz=20
Factory, can't make the rest out. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DkVKFqBjYaF8">http://www.youtube.=
com/watch?v=3DkVKFqBjYaF8</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 22, 2009 =
2:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Keith Rowe (was: =
ECM=20
  guitarists?)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>looks about right, here is a =
vid:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DHnUVpiFHhmM">http://www.youtube.=
com/watch?v=3DHnUVpiFHhmM</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
    wrestler</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, August 22, =
2009 1:52=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Keith Rowe (was: =
ECM=20
    guitarists?)</DIV>
    <DIV><BR></DIV>
    <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
      <TBODY>
      <TR>
        <TD vAlign=3Dtop><BR>Anybody want to play "spot the pedals" with =
that=20
          pic of Keith?<BR><BR>That's obviously an RC20-XL on the table; =
my best=20
          guess for the other two pedals is that the turquoise pedal is =
a Boss=20
          PS-5 Super Shifter and the blue one is a MXR 6-band graphic=20
          equalizer.<BR><BR>Rounding out the collection is a Behringer =
Xenyx 802=20
          mixer and his ever-present radio.&nbsp; <BR><BR>And if that's =
a metal=20
          necklace he's holding, I think he's trying to degauss the =
pick-ups on=20
          that Steinberger.<BR><BR><BR>ted h.<BR>Enemies are good for=20
          self-definition. Werner Herzog<BR><BR>--- On <B>Sat, 8/22/09,=20
          dohol1@windstream.net <I>&lt;dohol1@windstream.net&gt;</I></B> =

          wrote:<BR>
          <BLOCKQUOTE=20
          style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
            dohol1@windstream.net =
&lt;dohol1@windstream.net&gt;<BR>Subject: Re:=20
            Keith Rowe (was: ECM guitarists?)<BR>To:=20
            Loopers-Delight@loopers-delight.com<BR>Cc: "ditch wrestler"=20
            &lt;ditchwrestler@yahoo.com&gt;<BR>Received: Saturday, =
August 22,=20
            2009, 2:23 AM<BR><BR>
            <DIV class=3DplainMail>Here's a shot of the gear Rowe was =
using a few=20
            years ago..<BR><BR><BR><A=20
            href=3D"http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg" =

            =
target=3D_blank>http://home.att.ne.jp/theta/ny-jazz/keith_sc_03.jpg</A><B=
R><BR>He's=20
            changed his set up again in the last year. I don't know what =
he's=20
            using now..<BR>---- ditch wrestler &lt;<A=20
            href=3D"/mc/compose?to=3Dditchwrestler@yahoo.com"=20
            =
ymailto=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</A>&gt=
;=20
            wrote: <BR>&gt; &nbsp;<BR>&gt; I'm a bit of an AMM nerd - I =
had the=20
            fortune to&nbsp;attended&nbsp;an Eddie Prevost workshop and =
have=20
            dinner with him afterwards&nbsp;- and&nbsp;my favourite=20
            is&nbsp;"Newfoundland".&nbsp; (since we're posting 'blog =
links, it's=20
            here - <A=20
            =
href=3D"http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundland.html"=
=20
            =
target=3D_blank>http://bigfatsatanist.blogspot.com/2008/11/amm-newfoundla=
nd.html</A>)<BR>&gt;=20
            <BR>&gt; And "Duos for Doris" is very good&nbsp;- Keith Rowe =
and=20
            John Tilbury (two long standing AMM members, though Keith =
left after=20
            Eddie indirectly slagged him in his last book).<BR>&gt;=20
            &nbsp;<BR>&gt; There's a hanful of Keith up on youtube; =
though he's=20
            not the most visual guy, what with the guitar on a table and =
all=20
            that... ;-)<BR>&gt; &nbsp;<BR>&gt; I've =
seen&nbsp;numerous&nbsp;pics=20
            of Keith's set-up (which pretty much changes every gig) and =
I've=20
            spotted an&nbsp;Boss RC-2 a few times.&nbsp; Now he seems to =
be=20
            incorporating a laptop but I think he's still keeping a =
handful of=20
            pedals.<BR>&gt; &nbsp;<BR>&gt; As far as Eddie's recording, =
my=20
            vote's for his trio recording "The Virtue in If"<BR>&gt; =
<BR>&gt;=20
            &nbsp;<BR>&gt; Ted&nbsp; H<BR>&gt; Enemies are good for=20
            self-definition. Werner Herzog<BR>&gt; <BR>&gt; --- On Thu, =
8/20/09,=20
            Art Simon &lt;<A href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
            ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt; =

            wrote:<BR>&gt; <BR>&gt; <BR>&gt; From: Art Simon &lt;<A=20
            href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
            =
ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;<BR>&gt;=20
            Subject: Re: ? RE: ECM guitarists?<BR>&gt; To: <A=20
            =
href=3D"/mc/compose?to=3DLoopers-Delight@loopers-delight.com"=20
            =
ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A><BR>&gt;=20
            Received: Thursday, August 20, 2009, 9:24 PM<BR>&gt; =
<BR>&gt;=20
            <BR>&gt; OK, one more piece of out there esoterica. It's not =
ECM,=20
            but on ECM's<BR>&gt; ugly sister label Japo, AMM released =
"It Had=20
            Been An Ordinary Enough<BR>&gt; Day In Pueblo, Colorado" in =
1980. I=20
            actually bought this one when it<BR>&gt; came out. I think =
Keith=20
            Rowe's guitar playing here is stellar, and<BR>&gt; it's an =
all time=20
            favorite. Again, another long out-of-print =
impossible<BR>&gt; to=20
            find album, but it's out there on the blogosphere:<BR>&gt; =
<BR>&gt;=20
            <A=20
            =
href=3D"http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been-ordinar=
y-enough-day-in.html"=20
            =
target=3D_blank>http://mutant-sounds.blogspot.com/2007/02/amm-it-had-been=
-ordinary-enough-day-in.html</A><BR>&gt;=20
            <BR>&gt; I'd love to hear if anyone else out there likes =
this=20
            one.<BR>&gt; -- <BR>&gt; Art Simon<BR>&gt; <A=20
            href=3D"/mc/compose?to=3Dsimart@gmail.com"=20
            =
ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A><BR>&gt;=20
            myspace [dot] com/artsimon<BR>&gt; <BR>&gt; =
<BR><BR><BR>&nbsp;=20
            &nbsp; &nbsp;=20
            =
__________________________________________________________________<BR>Con=
nect=20
            with friends from any web browser - no download required. =
Try the=20
            new Yahoo! Canada Messenger for the Web BETA at <A=20
            href=3D"http://ca.messenger.yahoo.com/webmessengerpromo.php" =

            =
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R><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR>
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From: "Jim Atwood" <ricoche@axel.ocn.ne.jp>
To: <Loopers-Delight@loopers-delight.com>
Subject: Dr-880 and Echoplex Synch Issues
Date: Sat, 22 Aug 2009 17:16:04 -0700
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Hi everyone,

I am having some issues synching my Boss DR-880 with the a my Gibson =
Echoplex Digital Pro Plus running LoopIV v1.1 software.  I am not sure =
if I am having a problem or if what's happening is normal.

I have my DR-880 Midi Clock set to "Interntal".  I have the Echoplex =
Quantize set to "Off", Sync Parameter set to "In", and 8ths/Cycle set to =
"8" respectively.

I then restart my drum pattern by changing presets back and forth to =
ensure the internal clock is reset properly.  I've heard on Boss Drum =
machines that the clock can get messed up if you don't change the =
patterns back and forth.  I then start the Drum machine.  I can see the =
Echoplex picking up Looptime and a little green LED picking up the =
tempo.  At this point all looks great.  I then proceed to record a 1 or =
2 measure guitar pattern.  When finished everything is in "perfect" =
synch.  I then solo over the top of my jam for about 2-3 minutes.  It is =
at this point that I start to "FEEL" like the beat and guitar part is =
drifting slightly.  In fact, it sounds like the pattern may even be =
fading.  ( Note that throughout my looping, I have the Feedback set to =
"100%" which is 127 I believe. )

Thus a question for Echoplex users.  How long can one expect the drum =
machine and loop to stay in synch?  Is it normal for the loop to fall =
apart after 2-3 minutes?

One other point.  When I detect a slight "out of synch" feeling, I =
usually tap the "Next Loop" on beat one and it synchs the loop back into =
position.  Thus I can continue the jam and people won't notice the loop =
drifting.

Basically, I am not sure why the loop is in perfect time ( it sounds =
that way ), and then shortly thereafter drifts.  I should also note that =
when I substitue my Echoplex for my Lexicon Jamman it works awesome. =20

Thanks for any info or insight into this problem.

Jim
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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi everyone,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I am having some issues synching my =
Boss DR-880=20
with the a my Gibson Echoplex Digital Pro Plus running LoopIV v1.1=20
software.&nbsp; I am not sure if I am having a problem or if what's =
happening is=20
normal.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I have my DR-880 Midi Clock set to=20
"Interntal".&nbsp; I have the Echoplex Quantize set to "Off", Sync =
Parameter set=20
to "In", and 8ths/Cycle set to "8" respectively.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I then restart my drum pattern by =
changing presets=20
back and forth to ensure the internal clock is reset properly.&nbsp; =
I've heard=20
on Boss Drum machines that the clock&nbsp;can get messed up if you don't =
change=20
the patterns back and forth.&nbsp; I then start the Drum machine.&nbsp; =
I can=20
see the Echoplex picking up Looptime and a little green LED picking up =
the=20
tempo.&nbsp; At this point all looks great.&nbsp; I then proceed to =
record a 1=20
or 2 measure guitar pattern.&nbsp; When finished everything is in =
"perfect"=20
synch.&nbsp; I then solo over the top of my jam for about 2-3 =
minutes.&nbsp; It=20
is at this point that I start to "FEEL" like the beat and guitar part is =

drifting slightly.&nbsp; In fact, it sounds like the pattern may even be =

fading.&nbsp; ( Note that throughout my looping, I have the Feedback set =
to=20
"100%" which is 127 I believe. )</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thus a question for Echoplex =
users.&nbsp; How long=20
can one expect the drum machine and loop to stay in synch?&nbsp; Is it =
normal=20
for the loop to fall apart after 2-3 minutes?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>One other point.&nbsp; When I detect a =
slight "out=20
of synch" feeling, I usually tap the "Next Loop" on beat one and it =
synchs the=20
loop back into position.&nbsp; Thus I can continue the jam and people =
won't=20
notice the loop drifting.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Basically, I am not sure why the loop =
is in perfect=20
time ( it sounds that way ), and then shortly thereafter drifts.&nbsp; I =
should=20
also note that when I substitue my Echoplex for my Lexicon Jamman it =
works=20
awesome.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks for any info or insight into =
this=20
problem.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Jim</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 02:09:19 2009
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Subject: GigReminder: Live tomorrow morning on uStream
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0015174736acb46deb0471c596eb
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Just a reminder that I'll be doing my live webcast *Sunday Morning at 11*,
tomorrow morning (8/23) at 11am EST on uStream.tv.  The show URL is
http://www.ustream.tv/channel/sunday-morning-at-11 .  Please tune in if you
are near computer and the Internet.
Time conversion... *8am PST, 9am MST, 10am CST, 11am EST (NY), 4pm UK, 5pm
western Europe and 12mn Japan.  For times nearer your geographic locale
visit the time calculator at
http://www.timeanddate.com/worldclock/converter.html*
*
*
<http://www.timeanddate.com/worldclock/converter.html>*Thanks and I hope
you'll join me.*

*Good rest of the weekend to you.*

*Jim
*
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174736acb46deb0471c596eb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just a reminder that I&#39;ll be doing my live webcast <b>Sunday Morning at=
 11</b>, tomorrow morning (8/23) at 11am EST on uStream.tv. =A0The show URL=
 is <a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://w=
ww.ustream.tv/channel/sunday-morning-at-11</a> . =A0Please tune in if you a=
re near computer and the Internet.<div>
<br></div><div>Time conversion... <i>8am PST, 9am MST, 10am CST, 11am EST (=
NY), 4pm UK, 5pm western Europe and 12mn Japan. =A0For times nearer your ge=
ographic locale visit the time calculator at=A0<a href=3D"http://www.timean=
ddate.com/worldclock/converter.html">http://www.timeanddate.com/worldclock/=
converter.html</a></i></div>
<div><i><br></i></div><div><a href=3D"http://www.timeanddate.com/worldclock=
/converter.html"></a><i><span class=3D"Apple-style-span" style=3D"font-styl=
e: normal;">Thanks and I hope you&#39;ll join me.</span></i></div><div><br>=
</div>
<div><i><span class=3D"Apple-style-span" style=3D"font-style: normal;">Good=
 rest of the weekend to you.</span></i></div><div><br></div><div><i><span c=
lass=3D"Apple-style-span" style=3D"font-style: normal;">Jim<br clear=3D"all=
"></span></i><br>
-- <br>ReUse, an introspective textural aural<br><a href=3D"http://www.mysp=
ace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br><a hr=
ef=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--0015174736acb46deb0471c596eb--

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Dearest 

With Due Respect And Humanity,I shall give you other informations on how you can receive this 
proposal. Open the attachment and I will be glad to hear from you soon.

May God bless and keep us as we seek to serve him. 

Yours faithfully

Mrs Binah Massonmah.
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Subject: ECM guitarists: many thanks!
To: Loopers-Delight@loopers-delight.com
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thanks for some of the ideas on other ecm guitarists.
there were a couple i was unfamiliar w/.
=A0
i have watched the keith rowe vids, & read a # of interviews, i think his p=
rocess is very interesting, he talks a lot about being influenced by painte=
rs/visual artists (he was trained as a painter originally)-just very intere=
sting...
=A0
the funny thing in looking at the main list of guitarists, most of those gu=
ys have been around since early 80s making music (frisell, torn, tibbetts, =
etc)...i often wonder who are the ones today...or is the answer the folks o=
n this list, many of whom i have discs from...
oh well. whole new world i guess.....
many thanks=A0 again...
scott
www.myspace.com/scotthansen=0A=0A=0A      
--0-5709516-1250998680=:52502
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>thanks for some of the ideas on other ec=
m guitarists.</DIV>
<DIV>there were a couple i was unfamiliar w/.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have watched the keith rowe vids, &amp; read a # of interviews, i th=
ink his process is very interesting, he talks a lot about being influenced =
by painters/visual artists (he was trained as a painter originally)-just ve=
ry interesting...</DIV>
<DIV>&nbsp;</DIV>
<DIV>the funny thing in looking at the main list of guitarists, most of tho=
se guys have been around since early 80s making music (frisell, torn, tibbe=
tts, etc)...i often wonder who are the ones today...or is the answer the fo=
lks on this list, many of whom i have discs from...</DIV>
<DIV>oh well. whole new world i guess.....</DIV>
<DIV>many thanks&nbsp; again...</DIV>
<DIV>scott</DIV>
<DIV>www.myspace.com/scotthansen</DIV></td></tr></table><br>=0A=0A=0A=0A   =
   
--0-5709516-1250998680=:52502--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 05:23:37 2009
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In-Reply-To: <9e0440a60908221909u20df0917o90c15173ecaaed71@mail.gmail.com>
Subject: Nature loops
Date: Sat, 22 Aug 2009 23:34:44 -0500
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Hey folks!

Doign some night nature loops and trying to get out some of the sounds =
of distant traffic.  It seems like doign a high pass filter at about =
3Khz does a pretty good job and looking at the spectrum it's in the =
ballpark but is there any research on this?

Thanks!

~peace~
Plish

www.michaelplishka.com
www.scribbledmusings.com
www.zenstorming.com
www.twitter.com/plish
www.trendhunter.com/zenstorming

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18813">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hey folks!<BR></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Doign some night&nbsp;nature loops and =
trying to=20
get out some of the sounds of distant traffic.&nbsp; It seems like doign =
a high=20
pass filter at about 3Khz does a pretty good job and looking at the =
spectrum=20
it's in the ballpark but is there any research on this?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>~peace~</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Plish</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</A></FONT><=
/DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.scribbledmusings.com">www.scribbledmusings.com</A></FO=
NT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.zenstorming.com">www.zenstorming.com</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.twitter.com/plish">www.twitter.com/plish</A></FONT></D=
IV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.trendhunter.com/zenstorming">www.trendhunter.com/zenst=
orming</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>&nbsp;</DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 07:57:49 2009
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Subject: Re: Dr-880 and Echoplex Synch Issues
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hi Jim,
EDP should stay perfectly synched forever.


Jim Atwood wrote:
> Hi everyone,
>  
> I am having some issues synching my Boss DR-880 with the a my Gibson 
> Echoplex Digital Pro Plus running LoopIV v1.1 software.  I am not sure 
> if I am having a problem or if what's happening is normal.
>  
> I have my DR-880 Midi Clock set to "Interntal". 

I'd guess that's right

>1 I have the Echoplex 
> Quantize set to "Off",

doesn't matter

> Sync Parameter set to "In", and 8ths/Cycle set to 
> "8" respectively.

correct

>  
> I then restart my drum pattern by changing presets back and forth to 
> ensure the internal clock is reset properly.  I've heard on Boss Drum 
> machines that the clock can get messed up if you don't change the 
> patterns back and forth.  I then start the Drum machine.  I can see the 
> Echoplex picking up Looptime and a little green LED picking up the 
> tempo.  

Should also be a "led" display in the main display (bottom right).
A small flash above the "E" of "MULTIPLE" to show sync received.
Another flash above "L" when edp makes a correction to stay in synch.




At this point all looks great.  I then proceed to record a 1 or 
> 2 measure guitar pattern.  When finished everything is in "perfect" 
> synch.  I then solo over the top of my jam for about 2-3 minutes.  It is 
> at this point that I start to "FEEL" like the beat and guitar part is 
> drifting slightly.  In fact, it sounds like the pattern may even be 
> fading.  ( Note that throughout my looping, I have the Feedback set to 
> "100%" which is 127 I believe. )
>  

If the loop is fading with fbk at 100%, then you must be in "Overdub",
in which case synch will be lost.
If you're not in overdub, then check the "Loop/Delay" param.
(may be called something different if you have the black edp, I'm not sure)

andy

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 08:11:18 2009
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Subject: Re: Dr-880 and Echoplex Synch Issues
Date: Sun, 23 Aug 2009 01:11:15 -0700
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Hi Andy,

Thanks for the reply.  I actually reversed everything and now I don't have 
any issues at all.  The info that helped me is located at 
http://www.sweetwater.com/insync/techtip.php?find=05/12/2006 .  It could 
just be the DR-880, but for now the two will not sync very long when the EDP 
is controlled by the Drum Machine.  Actually, I feel the way it's setup now 
is better for me so I'm quite happy that my new setup works.  Having the EDP 
in total control seems to be the ticket...for me anyway.

Thanks again,

Jim


----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 23, 2009 12:58 AM
Subject: Re: Dr-880 and Echoplex Synch Issues


> hi Jim,
> EDP should stay perfectly synched forever.
>
>
> Jim Atwood wrote:
>> Hi everyone,
>>
>> I am having some issues synching my Boss DR-880 with the a my Gibson
>> Echoplex Digital Pro Plus running LoopIV v1.1 software.  I am not sure
>> if I am having a problem or if what's happening is normal.
>>
>> I have my DR-880 Midi Clock set to "Interntal".
>
> I'd guess that's right
>
>>1 I have the Echoplex
>> Quantize set to "Off",
>
> doesn't matter
>
>> Sync Parameter set to "In", and 8ths/Cycle set to
>> "8" respectively.
>
> correct
>
>>
>> I then restart my drum pattern by changing presets back and forth to
>> ensure the internal clock is reset properly.  I've heard on Boss Drum
>> machines that the clock can get messed up if you don't change the
>> patterns back and forth.  I then start the Drum machine.  I can see the
>> Echoplex picking up Looptime and a little green LED picking up the
>> tempo.
>
> Should also be a "led" display in the main display (bottom right).
> A small flash above the "E" of "MULTIPLE" to show sync received.
> Another flash above "L" when edp makes a correction to stay in synch.
>
>
>
>
> At this point all looks great.  I then proceed to record a 1 or
>> 2 measure guitar pattern.  When finished everything is in "perfect"
>> synch.  I then solo over the top of my jam for about 2-3 minutes.  It is
>> at this point that I start to "FEEL" like the beat and guitar part is
>> drifting slightly.  In fact, it sounds like the pattern may even be
>> fading.  ( Note that throughout my looping, I have the Feedback set to
>> "100%" which is 127 I believe. )
>>
>
> If the loop is fading with fbk at 100%, then you must be in "Overdub",
> in which case synch will be lost.
> If you're not in overdub, then check the "Loop/Delay" param.
> (may be called something different if you have the black edp, I'm not 
> sure)
>
> andy
>


--------------------------------------------------------------------------------



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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Nature loops
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Don't know about research,
but traffic noise has plenty of lo frequency
content, and the high freqs drop off with distance.

3kHz sounds pretty high, obviously I can't tell without
knowing what your "nature sounds" consist of, but
most recordings I've made would be spoiled if there was nothing
below 3k. 

I'd try the steepest possible hi pass filter and try and keep
it as low down as possible to let the nature sounds sound "natural".
200Hz might be a good place to start.
If your filter isn't so steep, then run it several times, rather
than putting the frequency up.

If you have Audition (aka Cool Edit) then that's the best 
sound editor
for doing this sort of thing.
(with a spectral display so really see the problem) 




andy

mike@michaelplishka.com wrote:
> Hey folks!
> Doign some night nature loops and trying to get out some of the sounds 
> of distant traffic.  It seems like doign a high pass filter at about 
> 3Khz does a pretty good job and looking at the spectrum it's in the 
> ballpark but is there any research on this?
>  


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Subject: "Life in High Dimensional Spaces" (realtime video processing)
From: Rainer Straschill <moinsound@googlemail.com>
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What happens if you play a bass solo close to a rift in a
three-dimensional space embedded into a space of higher geometrical
dimension?

http://www.youtube.com/watch?v=C65XDuevj_E

The video is an excerpt from yesterday's MoinSound Studio Sessions
(follow www.twitter.com/moinlabs for up-to-date show reminders) and
shows a passage where some of the functions of the (free) ManyCam
software (www.manycam.com) for realtime video processing are
applied...thanks to Jeff Duke for making me aware of this software,
and also to meeel for doing the processing.

Enjoy,

             Rainer

ps: It's Sunday Morning at Elven in like ten minutes - which means Jim
Goodin will do a performance:
http://www.ustream.tv/channel/sunday-morning-at-11.


---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 14:58:39 2009
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Date: Sun, 23 Aug 2009 07:58:36 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: GigReminder: Live tomorrow morning on uStream
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--0-1327028416-1251039516=:10157
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Jim,=0A=0ACan't get to the page, it is timing out......=0A=0AEric=0A=0A=0A=
=0A=0A________________________________=0AFrom: Jim Goodin <jimgoodinmusic@g=
mail.com>=0ATo: loopers-Delight@loopers-delight.com=0ASent: Saturday, Augus=
t 22, 2009 10:09:17 PM=0ASubject: GigReminder: Live tomorrow morning on uSt=
ream=0A=0AJust a reminder that I'll be doing my live webcast Sunday Morning=
 at 11, tomorrow morning (8/23) at 11am EST on uStream.tv. =A0The show URL =
is http://www.ustream.tv/channel/sunday-morning-at-11 . =A0Please tune in i=
f you are near computer and the Internet. =0A=0ATime conversion... 8am PST,=
 9am MST, 10am CST, 11am EST (NY), 4pm UK, 5pm western Europe and 12mn Japa=
n. =A0For times nearer your geographic locale visit the time calculator at=
=A0http://www.timeanddate.com/worldclock/converter.html=0A=0AThanks and I h=
ope you'll join me.=0A=0AGood rest of the weekend to you.=0A=0AJim=0A=0A-- =
=0AReUse, an introspective textural aural=0Awww.myspace.com/CtReUse=0A=0Amu=
sic links...=0Awww.jimgoodinmusic.com=0Awww.chinapaintingmusic.com=0Awww.my=
space.com/jimgoodinmusic=0Awww.myspace.com/chinapaintingmusic=0Awww.myspace=
..com/jimgoodinviolinelectro=0Awww.myspace.com/jindream=0Awww.youtube.com/ji=
mgoodinmusic=0A=0Avideo work/editing...=0Awww.vimeo.com/jimgoodindigital=0A=
=0Asocial networking...=0Awww.twitter.com/jimgoodinmusic=0A=0A=0A      
--0-1327028416-1251039516=:10157
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Jim,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Can't get to the=
 page, it is timing out......</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Eric<BR></DI=
V>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york,=
 times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new=
 roman, new york, times, serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D=
1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Jim Goodin &lt;j=
imgoodinmusic@gmail.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SP=
AN></B> loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGH=
T: bold">Sent:</SPAN></B> Saturday, August 22, 2009 10:09:17 PM<BR><B><SPAN=
 style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> GigReminder: Live tomorrow=
 morning on uStream<BR></FONT><BR>Just a reminder that I'll be doing my liv=
e webcast <B>Sunday Morning at 11</B>, tomorrow morning (8/23) at 11am EST =
on <A href=3D"http://ustream.tv/" target=3D_blank>uStream.tv</A>. &nbsp;The=
 show URL is http://www.ustream.tv/channel/sunday-morning-at-11 . &nbsp;Ple=
ase tune in if you are near computer and the Internet.=0A<DIV><BR></DIV>=0A=
<DIV>Time conversion... <I>8am PST, 9am MST, 10am CST, 11am EST (NY), 4pm U=
K, 5pm western Europe and 12mn Japan. &nbsp;For times nearer your geographi=
c locale visit the time calculator at&nbsp;http://www.timeanddate.com/world=
clock/converter.html</I></DIV>=0A<DIV><I><BR></I></DIV>=0A<DIV><A href=3D"h=
ttp://www.timeanddate.com/worldclock/converter.html" target=3D_blank rel=3D=
nofollow></A><I><SPAN class=3DApple-style-span style=3D"FONT-STYLE: normal"=
>Thanks and I hope you'll join me.</SPAN></I></DIV>=0A<DIV><BR></DIV>=0A<DI=
V><I><SPAN class=3DApple-style-span style=3D"FONT-STYLE: normal">Good rest =
of the weekend to you.</SPAN></I></DIV>=0A<DIV><BR></DIV>=0A<DIV><I><SPAN c=
lass=3DApple-style-span style=3D"FONT-STYLE: normal">Jim<BR clear=3Dall></S=
PAN></I><BR>-- <BR>ReUse, an introspective textural aural<BR><A href=3D"htt=
p://www.myspace.com/CtReUse" target=3D_blank rel=3Dnofollow>www.myspace.com=
/CtReUse</A><BR><BR>music links...<BR><A href=3D"http://www.jimgoodinmusic.=
com/" target=3D_blank rel=3Dnofollow>www.jimgoodinmusic.com</A><BR><A href=
=3D"http://www.chinapaintingmusic.com/" target=3D_blank rel=3Dnofollow>www.=
chinapaintingmusic.com</A><BR><A href=3D"http://www.myspace.com/jimgoodinmu=
sic" target=3D_blank rel=3Dnofollow>www.myspace.com/jimgoodinmusic</A><BR><=
A href=3D"http://www.myspace.com/chinapaintingmusic" target=3D_blank rel=3D=
nofollow>www.myspace.com/chinapaintingmusic</A><BR><A href=3D"http://www.my=
space.com/jimgoodinviolinelectro" target=3D_blank rel=3Dnofollow>www.myspac=
e.com/jimgoodinviolinelectro</A><BR><A href=3D"http://www.myspace.com/jindr=
eam" target=3D_blank rel=3Dnofollow>www.myspace.com/jindream</A><BR><A
 href=3D"http://www.youtube.com/jimgoodinmusic" target=3D_blank rel=3Dnofol=
low>www.youtube.com/jimgoodinmusic</A><BR><BR>video work/editing...<BR><A h=
ref=3D"http://www.vimeo.com/jimgoodindigital" target=3D_blank rel=3Dnofollo=
w>www.vimeo.com/jimgoodindigital</A><BR><BR>social networking...<BR><A href=
=3D"http://www.twitter.com/jimgoodinmusic" target=3D_blank rel=3Dnofollow>w=
ww.twitter.com/jimgoodinmusic</A><BR><BR></DIV></DIV></DIV></div><br>=0A=0A=
=0A=0A      </body></html>
--0-1327028416-1251039516=:10157--

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Date: Sun, 23 Aug 2009 16:59:57 +0200
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Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)
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hi rainer,

i wonder how many computers were u using yesterday.
audio, imagery, net



2009/8/23, Rainer Straschill <moinsound@googlemail.com>:
> What happens if you play a bass solo close to a rift in a
> three-dimensional space embedded into a space of higher geometrical
> dimension?
>
> http://www.youtube.com/watch?v=C65XDuevj_E
>
> The video is an excerpt from yesterday's MoinSound Studio Sessions
> (follow www.twitter.com/moinlabs for up-to-date show reminders) and
> shows a passage where some of the functions of the (free) ManyCam
> software (www.manycam.com) for realtime video processing are
> applied...thanks to Jeff Duke for making me aware of this software,
> and also to meeel for doing the processing.
>
> Enjoy,
>
>              Rainer
>
> ps: It's Sunday Morning at Elven in like ten minutes - which means Jim
> Goodin will do a performance:
> http://www.ustream.tv/channel/sunday-morning-at-11.
>
>
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://www.twitter.com/moinlabs
> http://justin.tv/moinlabs
> http://vimeo.com/moinlabs
> http://www.jamendo.com/en/artist/straschill/
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Sun, 23 Aug 2009 08:02:05 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: ECM guitarists: many thanks!
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Pay no attention to the others. My suggestions were the best!

--- On Sat, 8/22/09, scott hansen <evanpeewee@yahoo.com> wrote:


From: scott hansen <evanpeewee@yahoo.com>
Subject: ECM guitarists: many thanks!
To: Loopers-Delight@loopers-delight.com
Date: Saturday, August 22, 2009, 11:38 PM







thanks for some of the ideas on other ecm guitarists.
there were a couple i was unfamiliar w/.
=A0
i have watched the keith rowe vids, & read a # of interviews, i think his p=
rocess is very interesting, he talks a lot about being influenced by painte=
rs/visual artists (he was trained as a painter originally)-just very intere=
sting...
=A0
the funny thing in looking at the main list of guitarists, most of those gu=
ys have been around since early 80s making music (frisell, torn, tibbetts, =
etc)...i often wonder who are the ones today...or is the answer the folks o=
n this list, many of whom i have discs from...
oh well. whole new world i guess.....
many thanks=A0 again...
scott
www.myspace.com/scotthansen
=0A=0A=0A      
--0-1412480512-1251039725=:67967
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Pay no attention to the others. My suggestion=
s were the best!<BR><BR>--- On <B>Sat, 8/22/09, scott hansen <I>&lt;evanpee=
wee@yahoo.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: scott hansen &lt;evanpeewee@yahoo.com&gt;<B=
R>Subject: ECM guitarists: many thanks!<BR>To: Loopers-Delight@loopers-deli=
ght.com<BR>Date: Saturday, August 22, 2009, 11:38 PM<BR><BR>
<DIV id=3Dyiv595188279>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>thanks for some of the ideas on other ecm guitarists.</DIV>
<DIV>there were a couple i was unfamiliar w/.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have watched the keith rowe vids, &amp; read a # of interviews, i th=
ink his process is very interesting, he talks a lot about being influenced =
by painters/visual artists (he was trained as a painter originally)-just ve=
ry interesting...</DIV>
<DIV>&nbsp;</DIV>
<DIV>the funny thing in looking at the main list of guitarists, most of tho=
se guys have been around since early 80s making music (frisell, torn, tibbe=
tts, etc)...i often wonder who are the ones today...or is the answer the fo=
lks on this list, many of whom i have discs from...</DIV>
<DIV>oh well. whole new world i guess.....</DIV>
<DIV>many thanks&nbsp; again...</DIV>
<DIV>scott</DIV>
<DIV>www.myspace.com/scotthansen</DIV></TD></TR></TBODY></TABLE><BR></DIV><=
/BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1412480512-1251039725=:67967--

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	 <443993.10157.qm@web45902.mail.sp1.yahoo.com>
Date: Sun, 23 Aug 2009 17:02:23 +0200
Message-ID: <afb941d0908230802j75352695j5b70c7edfdd40c29@mail.gmail.com>
Subject: Re: GigReminder: Live tomorrow morning on uStream
From: Raul Bonell <raul.bonell@gmail.com>
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yes. i can't neither ...

2009/8/23, E Gross <slapbandjam@yahoo.com>:
> Jim,
>
> Can't get to the page, it is timing out......
>
> Eric
>
>
>
>
> ________________________________
> From: Jim Goodin <jimgoodinmusic@gmail.com>
> To: loopers-Delight@loopers-delight.com
> Sent: Saturday, August 22, 2009 10:09:17 PM
> Subject: GigReminder: Live tomorrow morning on uStream
>
> Just a reminder that I'll be doing my live webcast Sunday Morning at 11,
> tomorrow morning (8/23) at 11am EST on uStream.tv. =A0The show URL is
> http://www.ustream.tv/channel/sunday-morning-at-11 . =A0Please tune in if=
 you
> are near computer and the Internet.
>
> Time conversion... 8am PST, 9am MST, 10am CST, 11am EST (NY), 4pm UK, 5pm
> western Europe and 12mn Japan. =A0For times nearer your geographic locale
> visit the time calculator
> at=A0http://www.timeanddate.com/worldclock/converter.html
>
> Thanks and I hope you'll join me.
>
> Good rest of the weekend to you.
>
> Jim
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace..com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 15:10:36 2009
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Raul asked:
> i wonder how many computers were u using yesterday.
> audio, imagery, net

Two. One for making music (it's hidden on viewer's left on top of that
portable rack with the black lining), the other one for video
processing and audio/video streaming.
ManyCam is basically taking any available video cameras as inputs (but
you could also use video files or your desktop as a sources) and makes
the processed output available as another video source, which in turn
is used by FME (Flash Media Encoder). The audio is coming in (via
SPDIF) through a RME HammerfallDSP and this is used by FME as the
audio source. Works without problems.

           Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 15:17:18 2009
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Subject: Re: ? RE: ECM guitarists?
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> Frisell also recorded with Garbarek; the album was "Wayfarer."

Frisell had been the main ECM guitar sideman for some time in the late
seventies/early eighties (not sure about the exact date), which
includes work with looping cats Eberhard Weber and Arild Andersen. He
has also been on another Garbarek album on ECM named "Paths, Prints"
(which I do quite like).

           Rainer

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Rainer, and your able to do chat on the same machine that is using manycam 
and
broadcasting with the FME?

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, August 23, 2009 11:10 AM
Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)


> Raul asked:
>> i wonder how many computers were u using yesterday.
>> audio, imagery, net
>
> Two. One for making music (it's hidden on viewer's left on top of that
> portable rack with the black lining), the other one for video
> processing and audio/video streaming.
> ManyCam is basically taking any available video cameras as inputs (but
> you could also use video files or your desktop as a sources) and makes
> the processed output available as another video source, which in turn
> is used by FME (Flash Media Encoder). The audio is coming in (via
> SPDIF) through a RME HammerfallDSP and this is used by FME as the
> audio source. Works without problems.
>
>           Rainer
>
> 

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Jeff asked:
> Rainer, and your able to do chat on the same machine that is using manycam and broadcasting with the FME?

Don't know. The last setups I used were manycam and FME on one machine
and ustream/justin client on another machine or FME and ustream/justin
client on the same.

        Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 16:32:12 2009
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References: <7334ca1b0908230750y32cfc01ega92d535039c9c6b1@mail.gmail.com>
Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)
Date: Sun, 23 Aug 2009 12:32:09 -0400
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Great show Rainer and kudos to meeeII for the vid manipulations. 

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, August 23, 2009 10:50 AM
Subject: "Life in High Dimensional Spaces" (realtime video processing)


> What happens if you play a bass solo close to a rift in a
> three-dimensional space embedded into a space of higher geometrical
> dimension?
> 
> http://www.youtube.com/watch?v=C65XDuevj_E
> 
> The video is an excerpt from yesterday's MoinSound Studio Sessions
> (follow www.twitter.com/moinlabs for up-to-date show reminders) and
> shows a passage where some of the functions of the (free) ManyCam
> software (www.manycam.com) for realtime video processing are
> applied...thanks to Jeff Duke for making me aware of this software,
> and also to meeel for doing the processing.
> 
> Enjoy,
> 
>             Rainer
> 
> ps: It's Sunday Morning at Elven in like ten minutes - which means Jim
> Goodin will do a performance:
> http://www.ustream.tv/channel/sunday-morning-at-11.
> 
> 
> ---
> http://moinlabs.de
> http://www.myspace.com/moinlabs
> http://www.twitter.com/moinlabs
> http://justin.tv/moinlabs
> http://vimeo.com/moinlabs
> http://www.jamendo.com/en/artist/straschill/
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 16:44:20 2009
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Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)
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I was wondering because meeeII was able to chat while operating the manycam 
and I assume the FME was on the same machine. You had answered two machines, 
1 for your audio processing/looping setup and one for manycam, FME and I 
guess chat unless she had a seperate one for that.
I have to use a seperate computer for the "monitor" and chat. FME 
broadcasting with Manycam uses about 60-70% of my cpu. When I add a browser 
window it jumps to 90+ with problems.
I of course don't use a computer for audio processing/looping. To do it like 
you I would have to have 3 computers.

best,

Jeff



----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, August 23, 2009 12:22 PM
Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)


> Jeff asked:
>> Rainer, and your able to do chat on the same machine that is using 
>> manycam and broadcasting with the FME?
>
> Don't know. The last setups I used were manycam and FME on one machine
> and ustream/justin client on another machine or FME and ustream/justin
> client on the same.
>
>        Rainer
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 16:46:11 2009
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Date: Sun, 23 Aug 2009 12:46:08 -0400
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Subject: Re: GigReminder: Live tomorrow morning on uStream
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0015174736ac902fb70471d1d6a4
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Thanks so much to everyone from the community and beyond who joined me this
morning, I greatly appreciate the turnout.  I'm sorry about my video glitch
off the top I was trying to use an ext cam today which is dicey on the Mac
with built-in iSight.  It worked in my tests and looked good just before
show time (of course).  When I went live though chat wouldn't come up and it
seemed I wasn't getting out so I bagged it and switched over to iSight and
maybe that's what I should always do in the future (ain't broke don't...).
Though I dabbled with Mobius in recording last year today was my first
experience with it 'live' and I must say I dig it, some real flexibility
that I've just scratched the surface on and yes as pointed out, gotta get a
foot controller.  I needed it on the EHX as well but I tend to try to get by
on a shoelace at times so dealt with hands but I think it's in order for
this software.  I need some input on a foot controller for this.  It comes
in over USB to Mobius?  Is the mapping challenging re assignment to pedals?

Once again thanks so much for turning out this morning for Sunday Morning at
11.

Best and happy Sunday.


Jim



2009/8/22 Jim Goodin <jimgoodinmusic@gmail.com>

> Just a reminder that I'll be doing my live webcast *Sunday Morning at 11*,
> tomorrow morning (8/23) at 11am EST on uStream.tv.  The show URL is
> http://www.ustream.tv/channel/sunday-morning-at-11 .  Please tune in if
> you are near computer and the Internet.
>
>

--0015174736ac902fb70471d1d6a4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone from the community and beyond who joined me this=
 morning, I greatly appreciate the turnout. =A0I&#39;m sorry about my video=
 glitch off the top I was trying to use an ext cam today which is dicey on =
the Mac with built-in iSight. =A0It worked in my tests and looked good just=
 before show time (of course). =A0When I went live though chat wouldn&#39;t=
 come up and it seemed I wasn&#39;t getting out so I bagged it and switched=
 over to iSight and maybe that&#39;s what I should always do in the future =
(ain&#39;t broke don&#39;t...).<div>
<br></div><div>Though I dabbled with Mobius in recording last year today wa=
s my first experience with it &#39;live&#39; and I must say I dig it, some =
real flexibility that I&#39;ve just scratched the surface on and yes as poi=
nted out, gotta get a foot controller. =A0I needed it on the EHX as well bu=
t I tend to try to get by on a shoelace at times so dealt with hands but I =
think it&#39;s in order for this software. =A0I need some input on a foot c=
ontroller for this. =A0It comes in over USB to Mobius? =A0Is the mapping ch=
allenging re assignment to pedals?</div>
<div><br></div><div>Once again thanks so much for turning out this morning =
for Sunday Morning at 11.</div><div><br></div><div>Best and happy Sunday.</=
div><div><br></div><div><br></div><div>Jim</div><div><br></div><div><br>
<br><div class=3D"gmail_quote">2009/8/22 Jim Goodin <span dir=3D"ltr">&lt;<=
a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;=
</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">
Just a reminder that I&#39;ll be doing my live webcast <b>Sunday Morning at=
 11</b>, tomorrow morning (8/23) at 11am EST on uStream.tv. =A0The show URL=
 is <a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" target=
=3D"_blank">http://www.ustream.tv/channel/sunday-morning-at-11</a> . =A0Ple=
ase tune in if you are near computer and the Internet.<div>

<br></div><div><br></div></blockquote></div>
</div>

--0015174736ac902fb70471d1d6a4--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 16:52:42 2009
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Date: Sun, 23 Aug 2009 12:52:30 -0400
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http://soundscapes.us/amfm/playlists/2009/090822.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #156                August 22, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Bas Broekhuis]   Intro                Sequences No. 7
VA [TK]              Moonshine            Sequences No. 7
VA [Robert           Excerpt from German  Sequences No. 7
  Schroeder]           Radio Broadcast
Markus Reuter and    Dervish              Dervish (DiN)
  Ian Boddy
Frank Van Bogaert    Dead Planet          Air Machine (ACE)
  and Erik Wollo
Soriah and           Atlan                Atlan (Projekt)
  Ashkelon Sain
Ricochet Gathering   Clear Sky Wavelength Romania 2008 (Ricochet Dream)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Chinapainting        Lifting the          Cereus (none)
                       Millstone
Open Canvas          Surya                Travel By Sound (HRR)
Paul Lawler and      Full Circle          Planting the Seed (Gemini Sun)
  Mark Holland
Paul Lawler and      Krakatoa             Wonders (Rainstorm)
  Paul Speer

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
The Aurora Project   Shadow Border        Shadow Border (none)
VA [Pax Romana]      Nobody Never Knows   Tuonen Tryar II (Musea)
                       Nothing
VA [Kate]            Last Quarters        Tuonen Tryar II (Musea)
Spock's Beard        On A Perfect Day     Spock's Beard (InsideOut)
Ozric Tentacles      Magick Valley *      The Yumyum Tree (Snapper)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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Subject: Re: "Life in High Dimensional Spaces" (realtime video processing)
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As I said, I had in the past both FME and a justin.tv (or ustream)
monitor/chat window on the same machine, and yesterday, it was FME and
Manycam on the same machine, but the monitor/chat was running on
another netbook.
>From my experience with CPU loading, I would assume it would also work
with all three on one machine, but then again, it's a
custom-configured system with a Yorkfield CPU, fast memory etc. pp.

And of course, audio (as in "musicmaking") is running on a different
machine altogether.

           Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 17:10:30 2009
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Date: Sun, 23 Aug 2009 19:10:28 +0200
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Subject: MIDI foot controllers (was Re: GigReminder: Live tomorrow morning on 
	uStream)
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Jim,

first of all, Mobius is really flexible with regard to using MIDI
controllers and also features an auto-learn option, so you can
basically use any combination of different MIDI controllers and
control via keyboard and map virtually anything to anything. Most
importantly, the usual button presses (triggering functions or
scripts) can be program change, CC or note messages, so you really can
make it work with any kind of MIDI (foot) controller, ranging from the
old and cheap Boss FC-50 over the well-known Behringer FCB1010 to some
MIDI organ bass pedals.

Among the devices currently on the market for foot controllers, there
seem to be three contenders (in decreasing order of use and increasing
order of price - all price references in Euro). Behringer FCB1010 for
around =80140, Roland FC-100 for around =80320 and Gordius for around
=80500.
Of those, only the Gordius connects via USB, all the others need MIDI.

The biggest disadvantage of the Behringer is its large footprint,
which may be a no-go for airplane travel with a small setup (and
budget). Also, some people have reported that it's not exactly that
sturdy if you confront it with the hazzles of (airplane-based) road
travel and general professional use. I myself have two of them, and
both are still working fine (despite some intercontinental touring),
and price-wise, you can go through more than three Behringers before
it breaks even with a Gordius.

As I said, you may also try to get a used Boss FC50, which is much
smaller (and you can leave the external expression pedals at home if
you don't need them) or something similar.

There is an editor software for the FCB1010 btw (I think it's by the
same guy that also makes the Gordius controller) which allows for easy
setup of this thing. However, it will also work with Mobius more or
less out of the box.

I believe the biggest challenge is how to assign the different Mobius
functions to the footswitches and pedals. I use the two pedals for
track volume and secondary feedback respectively, and have the Mobius
commands spread over three banks of ten. I recently also decided to
assign a preset of my BCR2000 faderbox to Mobius (I'm using that
faderbox anyway to control the other parameters in Ableton Live) and
with that I have all track volumes, pan and primary feedback
parameters and buttons for select and mute track under my fingers.

Btw, there's also the possibility to use only a small amount of
footswitches and map them in a context-sensitive way using scripts.

Summary: best you first decide how you actually want your user
interface to work. Then look for controllers.

                Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 17:35:40 2009
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Date: Sun, 23 Aug 2009 13:35:38 -0400
Message-ID: <9e0440a60908231035v2618c3b5n38bfff0de05fa350@mail.gmail.com>
Subject: Re: MIDI foot controllers (was Re: GigReminder: Live tomorrow morning 
	on uStream)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174766d69658580471d287ba
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Rainer thanks so much for such detailed response on this as I need it.  For
my budget then it will be midi.  I have an old Charvel/Jackson guitar to
midi controller pedal but I suspect it's much too dated today.  I'll explor=
e
the Boss unless it's close to the Behringer pricing.
Mobius went well today though it did that buffer thing where after 2 loop
sequences it was no longer seeing input from my USB device (Digitech rp150)
and it may be the later inconsistencies.  I did close it and open and it wa=
s
alive again re audio input.

It's good to be exploring it again, it's an amazing thing Jeff has put out
there.

Thanks again and I'll ponder your words a bit.

Jim

On Sun, Aug 23, 2009 at 1:10 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Jim,
>
> first of all, Mobius is really flexible with regard to using MIDI
> controllers and also features an auto-learn option, so you can
> basically use any combination of different MIDI controllers and
> control via keyboard and map virtually anything to anything. Most
> importantly, the usual button presses (triggering functions or
> scripts) can be program change, CC or note messages, so you really can
> make it work with any kind of MIDI (foot) controller, ranging from the
> old and cheap Boss FC-50 over the well-known Behringer FCB1010 to some
> MIDI organ bass pedals.
>
> Among the devices currently on the market for foot controllers, there
> seem to be three contenders (in decreasing order of use and increasing
> order of price - all price references in Euro). Behringer FCB1010 for
> around =80140, Roland FC-100 for around =80320 and Gordius for around
> =80500.
> Of those, only the Gordius connects via USB, all the others need MIDI.
>
> The biggest disadvantage of the Behringer is its large footprint,
> which may be a no-go for airplane travel with a small setup (and
> budget). Also, some people have reported that it's not exactly that
> sturdy if you confront it with the hazzles of (airplane-based) road
> travel and general professional use. I myself have two of them, and
> both are still working fine (despite some intercontinental touring),
> and price-wise, you can go through more than three Behringers before
> it breaks even with a Gordius.
>
> As I said, you may also try to get a used Boss FC50, which is much
> smaller (and you can leave the external expression pedals at home if
> you don't need them) or something similar.
>
> There is an editor software for the FCB1010 btw (I think it's by the
> same guy that also makes the Gordius controller) which allows for easy
> setup of this thing. However, it will also work with Mobius more or
> less out of the box.
>
> I believe the biggest challenge is how to assign the different Mobius
> functions to the footswitches and pedals. I use the two pedals for
> track volume and secondary feedback respectively, and have the Mobius
> commands spread over three banks of ten. I recently also decided to
> assign a preset of my BCR2000 faderbox to Mobius (I'm using that
> faderbox anyway to control the other parameters in Ableton Live) and
> with that I have all track volumes, pan and primary feedback
> parameters and buttons for select and mute track under my fingers.
>
> Btw, there's also the possibility to use only a small amount of
> footswitches and map them in a context-sensitive way using scripts.
>
> Summary: best you first decide how you actually want your user
> interface to work. Then look for controllers.
>
>                Rainer
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174766d69658580471d287ba
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Rainer thanks so much for such detailed response on this as I need it. =A0F=
or my budget then it will be midi. =A0I have an old Charvel/Jackson guitar =
to midi controller pedal but I suspect it&#39;s much too dated today. =A0I&=
#39;ll explore the Boss unless it&#39;s close to the Behringer pricing.<div=
>
<br></div><div>Mobius went well today though it did that buffer thing where=
 after 2 loop sequences it was no longer seeing input from my USB device (D=
igitech rp150) and it may be the later inconsistencies. =A0I did close it a=
nd open and it was alive again re audio input.</div>
<div><br></div><div>It&#39;s good to be exploring it again, it&#39;s an ama=
zing thing Jeff has put out there.</div><div><br></div><div>Thanks again an=
d I&#39;ll ponder your words a bit.</div><div><br></div><div>Jim</div><div>
<br><div class=3D"gmail_quote">On Sun, Aug 23, 2009 at 1:10 PM, Rainer Stra=
schill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">mo=
insound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">
Jim,<br>
<br>
first of all, Mobius is really flexible with regard to using MIDI<br>
controllers and also features an auto-learn option, so you can<br>
basically use any combination of different MIDI controllers and<br>
control via keyboard and map virtually anything to anything. Most<br>
importantly, the usual button presses (triggering functions or<br>
scripts) can be program change, CC or note messages, so you really can<br>
make it work with any kind of MIDI (foot) controller, ranging from the<br>
old and cheap Boss FC-50 over the well-known Behringer FCB1010 to some<br>
MIDI organ bass pedals.<br>
<br>
Among the devices currently on the market for foot controllers, there<br>
seem to be three contenders (in decreasing order of use and increasing<br>
order of price - all price references in Euro). Behringer FCB1010 for<br>
around =80140, Roland FC-100 for around =80320 and Gordius for around<br>
=80500.<br>
Of those, only the Gordius connects via USB, all the others need MIDI.<br>
<br>
The biggest disadvantage of the Behringer is its large footprint,<br>
which may be a no-go for airplane travel with a small setup (and<br>
budget). Also, some people have reported that it&#39;s not exactly that<br>
sturdy if you confront it with the hazzles of (airplane-based) road<br>
travel and general professional use. I myself have two of them, and<br>
both are still working fine (despite some intercontinental touring),<br>
and price-wise, you can go through more than three Behringers before<br>
it breaks even with a Gordius.<br>
<br>
As I said, you may also try to get a used Boss FC50, which is much<br>
smaller (and you can leave the external expression pedals at home if<br>
you don&#39;t need them) or something similar.<br>
<br>
There is an editor software for the FCB1010 btw (I think it&#39;s by the<br=
>
same guy that also makes the Gordius controller) which allows for easy<br>
setup of this thing. However, it will also work with Mobius more or<br>
less out of the box.<br>
<br>
I believe the biggest challenge is how to assign the different Mobius<br>
functions to the footswitches and pedals. I use the two pedals for<br>
track volume and secondary feedback respectively, and have the Mobius<br>
commands spread over three banks of ten. I recently also decided to<br>
assign a preset of my BCR2000 faderbox to Mobius (I&#39;m using that<br>
faderbox anyway to control the other parameters in Ableton Live) and<br>
with that I have all track volumes, pan and primary feedback<br>
parameters and buttons for select and mute track under my fingers.<br>
<br>
Btw, there&#39;s also the possibility to use only a small amount of<br>
footswitches and map them in a context-sensitive way using scripts.<br>
<br>
Summary: best you first decide how you actually want your user<br>
interface to work. Then look for controllers.<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--0015174766d69658580471d287ba--

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Date: Sun, 23 Aug 2009 12:18:41 -0700
Message-ID: <588ce11d0908231218l29f324fnc0221663bc81a622@mail.gmail.com>
Subject: Re: MIDI foot controllers (was Re: GigReminder: Live tomorrow morning 
	on uStream)
From: Art Simon <simart@gmail.com>
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Nice summary Jim, I just want to add the IK Multimedia Stealth Pedal
to the list. I won't repeat my previous post, but a quick note that
the IK Multimedia Stealth pedal is a great alternative to the
Behringer FCB1010 if you want USB connectivity and a much smaller foot
print. The downside is that you are limited to 2 foot switches. It's
more expensive than the Behringer, but cheaper than the Roland or
Gordius.
http://simart.googlepages.com/StealthPedal.html

On Sun, Aug 23, 2009 at 10:10 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:

>
> The biggest disadvantage of the Behringer is its large footprint,
> which may be a no-go for airplane travel with a small setup (and
> budget).
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Art that's a neat looking setup.  I'll have to do this in chunks and the
most immediate need is merely the relay switching (meaning start, record,
new loop, etc).

I travel for music only about twice a year though an instrument always goes
with me on family trips as well so it's more in a sense.  Of the last year
as my interest in the oud has grown I take it and it's no picknick with the
airlines particularly this last June to Cleveland though somehow I got in
the cabin.  Hence I've been thinking of replacing it first with this electric
one<http://www.instrumentalsavings.com/Egyptian-Electric-Oud-Gears-Brown-p/oudlt-n.htm>which
would kill two birds with one stone, meaning it would cover both oud
and fretless guitar for me I think.  Point on this is portability for a foot
controller is a plus and dollars on it need to be less for now.

All in time and in the meantime I'll hopefully get faster with my hands.  I
have triggered the EHX 2880 with my toe in a pinch but probably a big
challenge on the keyboard (grins).

Thanks guys.

J
On Sun, Aug 23, 2009 at 3:18 PM, Art Simon <simart@gmail.com> wrote:

> Nice summary Jim, I just want to add the IK Multimedia Stealth Pedal
>

--0015174734340136da0471d42e78
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Art that&#39;s a neat looking setup. =A0I&#39;ll have to do this in chunks =
and the most immediate need is merely the relay switching (meaning start, r=
ecord, new loop, etc).<br><br><div>I travel for music only about twice a ye=
ar though an instrument always goes with me on family trips as well so it&#=
39;s more in a sense. =A0Of the last year as my interest in the oud has gro=
wn I take it and it&#39;s no picknick with the airlines particularly this l=
ast June to Cleveland though somehow I got in the cabin. =A0Hence I&#39;ve =
been thinking of replacing it first with this <a href=3D"http://www.instrum=
entalsavings.com/Egyptian-Electric-Oud-Gears-Brown-p/oudlt-n.htm">electric =
one</a> which would kill two birds with one stone, meaning it would cover b=
oth oud and fretless guitar for me I think. =A0Point on this is portability=
 for a foot controller is a plus and dollars on it need to be less for now.=
</div>
<div><br></div><div>All in time and in the meantime I&#39;ll hopefully get =
faster with my hands. =A0I have triggered the EHX 2880 with my toe in a pin=
ch but probably a big challenge on the keyboard (grins).</div><div><br></di=
v>
<div>Thanks guys.</div><div><br></div><div>J</div><div><div class=3D"gmail_=
quote">On Sun, Aug 23, 2009 at 3:18 PM, Art Simon <span dir=3D"ltr">&lt;<a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a>&gt;</span> wrote:<br>=
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">
Nice summary Jim, I just want to add the IK Multimedia Stealth Pedal<br></b=
lockquote></div>
</div>

--0015174734340136da0471d42e78--

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Date: Sun, 23 Aug 2009 12:40:26 -0700 (PDT)
From: Fred Fata <fredwreck214@yahoo.com>
Subject: EDP VG99 FC300 Problems
To: Loopers-Delight@loopers-delight.com
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I am controlling my VG99 and EDP with the FC300.
I was using the EFC7.


MIDI out of VG99 into MIDI in of EDP
RRC out of FC300 into VG99
99 MIDI routing page has the RRC2 going to MIDI out.


Setting CC #s was no problem.


While in Control Change mode I record sound into the EDP,
I return to Sysex mode and change patches on the 99 via the 300,
an audible thump is heard in the recorded info in the EDP.
This also happens when moving the built in expression pedals
and the one external expression pedal that I have set as a dedicated volume pedal.
Although the sound is longer when rocking the pedals compared to just quickly stepping on a switch.


Also when using the built in and external expression pedals, the EDP display
gets slightly dim when rocking the pedal back and forth.


When in Control Change mode and recording more stuff into the EDP
overdub, multiply, etc all sounds get recorded fine.


It's just when switching back to Sysex mode via any of the Mode selection choices on the 300
and stepping on the switches, moving the pedals on the 300 that an audible thump is heard.


This thump sound doesn't seem to happen when in Standard mode.
But when I change to any different 300 mode the sound occurs.


I'd prefer to use Sysex mode as it is great with the 99.


Has anyone experienced something similar?


An example...
http://www.soundclick.com/bands/default.cfm?bandID=985421&content=music


The pedal movement is at about 8- 11 and 15-17 seconds and the single pedal switches are
at 25-27 but best heard at about 33 seconds near the end.
The single pedal noise didn't record as loud as the rocking of the expression pedals.




Thanks for any info,
Fred


      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">I am controlling my VG99 and EDP with the FC300.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">I was using the EFC7.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">MIDI out of VG99 into MIDI in of EDP</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">RRC out of FC300 into VG99</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">99 MIDI routing page has the RRC2 going to MIDI out.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Setting CC #s was no problem.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">While in Control Change mode I record sound into the EDP,</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">I return to Sysex mode and change patches on the 99 via the 300,</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">an audible thump is heard in the recorded info in the EDP.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">This also happens when moving the built in expression pedals</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">and the one external expression pedal that I have set as a dedicated volume pedal.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Although the sound is longer when rocking the pedals compared to just quickly stepping on a switch.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Also when using the built in and external expression pedals, the EDP display</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">gets slightly dim when rocking the pedal back and forth.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">When in Control Change mode and recording more stuff into the EDP</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">overdub, multiply, etc all sounds get recorded fine.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">It's just when switching back to Sysex mode via any of the Mode selection choices on the 300</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">and stepping on the switches, moving the pedals on the 300 that an audible thump is heard.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">This thump sound doesn't seem to happen when in Standard mode.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">But when I change to any different 300 mode the sound occurs.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">I'd prefer to use Sysex mode as it is great with the 99.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Has anyone experienced something similar?</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">An example...</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">http://www.soundclick.com/bands/default.cfm?bandID=985421&amp;content=music</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The pedal movement is at about 8- 11 and 15-17 seconds and the single pedal switches are</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">at 25-27 but best heard at about 33 seconds near the end.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The single pedal noise didn't record as loud as the rocking of the expression pedals.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Thanks for any info,</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Fred</p></td></tr></table><br>

      
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Date: Sun, 23 Aug 2009 21:48:31 +0200
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Subject: Re: MIDI foot controllers
From: Rainer Straschill <moinsound@googlemail.com>
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Jim,

if cheap and small are the main requirements, why not look at
something like this:
http://gamingmouse.com/weapon.php?pid=31

This gives you four buttons for $59 via USB, and those buttons can be
mapped to keyboard commands (which in turn can trigger Mobius stuff).
So you could use that for the "realtime critical" functions and switch
between different mappings using scripts and keys on your keyboard (or
buttons on the floor thing), like this:

Setup 1
Record/Overdub, Mulitply, Mute, switch to setup 2

Setup 2
Rate Shift Advance (which with the proper rate shift sequence will
work as halfspeed), Reverse, Next Loop, switch to setup 1

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 19:59:03 2009
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Date: Sun, 23 Aug 2009 15:59:00 -0400
Message-ID: <9e0440a60908231259n368ece53j75d6caa14aa3a9c9@mail.gmail.com>
Subject: Re: MIDI foot controllers
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Well that is more my nickel Rainer, that's pretty neat and slightly funny re
the gaming world, guess this fits all, my son might dig it for his 360
world.  To me that's the main jazz I need the basics then I could do other
stuff with hands at least for now.
Thanks for continuing to be amazingly resourceful Rainer.

On Sun, Aug 23, 2009 at 3:48 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Jim,
>
> if cheap and small are the main requirements, why not look at
> something like this:
> http://gamingmouse.com/weapon.php?pid=31
>
> This gives you four buttons for $59 via USB, and those buttons can be
> mapped to keyboard commands (which in turn can trigger Mobius stuff).
> So you could use that for the "realtime critical" functions and switch
> between different mappings using scripts and keys on your keyboard (or
> buttons on the floor thing), like this:
>
> Setup 1
> Record/Overdub, Mulitply, Mute, switch to setup 2
>
> Setup 2
> Rate Shift Advance (which with the proper rate shift sequence will
> work as halfspeed), Reverse, Next Loop, switch to setup 1
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0023545bf54846ad950471d488a5
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Well that is more my nickel Rainer, that&#39;s pretty neat and slightly fun=
ny re the gaming world, guess this fits all, my son might dig it for his 36=
0 world. =A0To me that&#39;s the main jazz I need the basics then I could d=
o other stuff with hands at least for now.<div>
<br></div><div>Thanks for continuing to be amazingly resourceful Rainer.<br=
><br><div class=3D"gmail_quote">On Sun, Aug 23, 2009 at 3:48 PM, Rainer Str=
aschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">m=
oinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Jim,<br>
<br>
if cheap and small are the main requirements, why not look at<br>
something like this:<br>
<a href=3D"http://gamingmouse.com/weapon.php?pid=3D31" target=3D"_blank">ht=
tp://gamingmouse.com/weapon.php?pid=3D31</a><br>
<br>
This gives you four buttons for $59 via USB, and those buttons can be<br>
mapped to keyboard commands (which in turn can trigger Mobius stuff).<br>
So you could use that for the &quot;realtime critical&quot; functions and s=
witch<br>
between different mappings using scripts and keys on your keyboard (or<br>
buttons on the floor thing), like this:<br>
<br>
Setup 1<br>
Record/Overdub, Mulitply, Mute, switch to setup 2<br>
<br>
Setup 2<br>
Rate Shift Advance (which with the proper rate shift sequence will<br>
work as halfspeed), Reverse, Next Loop, switch to setup 1<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--0023545bf54846ad950471d488a5--

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Date: Sun, 23 Aug 2009 16:29:14 -0400
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Subject: Re: MIDI foot controllers
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0015174411b4693a310471d4f46b
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If i'm getting annoying to anyone re this pedal stuff please say the word
but maybe it's useful info to some so far.  I got another observation re my
comment about my midi-guitar pedal.  It's got 3 pedals, is it as simple as
telling Mobius which of those 3 pedal midi channels (assuming each pedal is
a channel) to use for those 3 responses?  If so I'm sort of in business for
the moment.

--0015174411b4693a310471d4f46b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

If i&#39;m getting annoying to anyone re this pedal stuff please say the wo=
rd but maybe it&#39;s useful info to some so far. =A0I got another observat=
ion re my comment about my midi-guitar pedal. =A0It&#39;s got 3 pedals, is =
it as simple as telling Mobius which of those 3 pedal midi channels (assumi=
ng each pedal is a channel) to use for those 3 responses? =A0If so I&#39;m =
sort of in business for the moment.<br>
<br><div class=3D"gmail_quote"><br></div>

--0015174411b4693a310471d4f46b--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 20:53:53 2009
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Date: Sun, 23 Aug 2009 22:53:50 +0200
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Subject: Re: MIDI foot controllers
From: Per Boysen <perboysen@gmail.com>
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That was a cool idea, Rainer! I guess you could as well use more than
two of them and keep every fourth button for "switch to next setup"?

If I wasn't well routed already with the FCB1010 I would look into
these feet mouse pads and find a software solution for using three of
them and have them active at the same time. I would also want a
function that remaps the "virtual MIDI" being created from of these
twelve buttons coming in over three USB ports, very similar to using
banks in an FCB1010 pedal. When playing with the FCB for scale rate
shifting I often find that it would be helpful with one or two more
buttons just for being able to do those rare harmonies now and then
that breaks out of the usual key/scale patterns.

Thanks for posting this link, good to know those gadgets exists. For a
mac user like me it is also a question of researching and evaluating
USB port hubs, because modern macs don't offer many USB ports at all.
My Macbook, that I use live for now, only has two!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Aug 23, 2009 at 9:48 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> if cheap and small are the main requirements, why not look at
> something like this:
> http://gamingmouse.com/weapon.php?pid=31
>
> This gives you four buttons for $59 via USB, and those buttons can be
> mapped to keyboard commands (which in turn can trigger Mobius stuff).
> So you could use that for the "realtime critical" functions and switch
> between different mappings using scripts and keys on your keyboard (or
> buttons on the floor thing), like this:
>
> Setup 1
> Record/Overdub, Mulitply, Mute, switch to setup 2
>
> Setup 2
> Rate Shift Advance (which with the proper rate shift sequence will
> work as halfspeed), Reverse, Next Loop, switch to setup 1

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 21:03:45 2009
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Subject: Re: MIDI foot controllers
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Jim asked:
"I got another observation re my comment about my midi-guitar pedal.
It's got 3 pedals, is it as simple as telling Mobius which of those 3
pedal midi channels (assuming each pedal is a channel) to use for
those 3 responses?"

It basically works like this:
(this is assuming you're using Mobius standalone, if you're using it
in a host app then getting the MIDI from the midi-guitar pedal to
Mobius is beyond the scope of this text).
1. Select the MIDI interface for the pedal as "MIDI In" in the MIDI
port configuration in Mobius
2. Select "MIDI commands" (or whatever it is called), and then it just
works like with keyboard commands:
check the "auto learn" (or whatever it is called) checkbox, select the
function you want a pedal assigned to (like record), then press the
pedal and there you go!

Please note that anything more than assigning one pedal to one
Mobius/EDP function will require scripts. An example would be to put
record and overdub on one and the same button.
I remember somebody once wrote a set of scripts that made the DL4 user
interface available in Mobius. You may check the Mobius archives for
those as an inspiration.

            Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 22:49:25 2009
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Subject: Re: EDP VG99 FC300 Problems
Date: Sun, 23 Aug 2009 15:49:20 -0700
References: <274872.52695.qm@web110405.mail.gq1.yahoo.com>
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Fred,

You're a braver MIDIman than I am Gunga Din.

I still keep my EDP controls and my VG99 controls quite separate.

I use the FC300 for the VG99 (and any other guitar processors) and  
stick with my 2 EFC7s for my EDP bank.

If what you're doing works for you though . . . more power to you.

As for the FC300 in general . . . I have found it less satisfactory  
than other control pedals I have used.

I use it because I have it . . . and at least if gets it's power  
directly from the VG99 via that funny cable it has (one less wall wart).

But there have been many times I've thought of dumping the FC300  
entirely for something that works better.

Heck, my old GR-1 synth box is a more flexible controller than the  
FC300 (and it has synth sounds too).

Ted Killian

On Aug 23, 2009, at 12:40 PM, Fred Fata wrote:

> I am controlling my VG99 and EDP with the FC300.
> I was using the EFC7.

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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <C7BB8AE0-ABD1-4DA0-B387-780440642AB3@johnfloridis.com> <5cf51d390908170940q5180e089nc1ac31b1358b174a@mail.gmail.com>   <101191640908171033y18ff8b69m3fca770d0e84e7b4@mail.gmail.com>   <3073AC76-FC55-4CDA-A8B5-3920655A5A4E@johnfloridis.com>   <p06240804c6afc2a50a9e@[192.168.15.2]>   <748324AB-6BE3-4BF7-B79A-6BEA728BCD6F@johnfloridis.com>   <p06240800c6b044d54b41@[192.168.15.2]>  <COL109-W537AFBEB1633EF8D6F8FE6BEFF0@phx.gbl> <COL109-W63FFF6EEB0770BFEF4ECF6BEFE0@phx.gbl> <4A8C0E9D.5090707@tiscali.co.uk> <COL109-W146092FB1BE2FB4720A888BEFD0@phx.gbl> <4A8D6A57.2080903@tiscali.co.uk>
Subject: Re: OT FS Looper MicroKorg FX etc
Date: Sun, 23 Aug 2009 23:54:52 +0100
Organization: EarthLight Productions
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----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 20, 2009 4:23 PM
Subject: Re: OT FS Looper MicroKorg FX etc


> yes, the Zoom 2100,
>
> a piece of looping history

Hey, both the ones I have (one of them obtained from our own David Myers) 
still work fine.  Wish I'd gotten the pedal to go with 'em. 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 23 23:42:34 2009
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Subject: Re: MIDI foot controllers
Date: Sun, 23 Aug 2009 19:36:29 -0400
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Rainer thx very much. I stepped through this but have further  
questions so will email you off list as dont want to wear out my  
welcome with everyone.




On Aug 23, 2009, at 5:03 PM, Rainer Straschill  
<moinsound@googlemail.com> wrote:

> Jim asked:
> "I got another observation re my comment about my midi-guitar pedal.
> It's got 3 pedals, is it as simple as telling Mobius which of those 3
> pedal midi channels (assuming each pedal is a channel) to use for
> those 3 responses?"
>
> It basically works like this:
> (this is assuming you're using Mobius standalone, if you're using it
> in a host app then getting the MIDI from the midi-guitar pedal to
> Mobius is beyond the scope of this text).
> 1. Select the MIDI interface for the pedal as "MIDI In" in the MIDI
> port configuration in Mobius
> 2. Select "MIDI commands" (or whatever it is called), and then it just
> works like with keyboard commands:
> check the "auto learn" (or whatever it is called) checkbox, select the
> function you want a pedal assigned to (like record), then press the
> pedal and there you go!
>
> Please note that anything more than assigning one pedal to one
> Mobius/EDP function will require scripts. An example would be to put
> record and overdub on one and the same button.
> I remember somebody once wrote a set of scripts that made the DL4 user
> interface available in Mobius. You may check the Mobius archives for
> those as an inspiration.
>
>            Rainer
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 00:34:52 2009
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Thanks Andy for the input.

I tried a recording with a mic in the direction of traffic and one in the 
opposite direction and it seems like there's a huge hump of energy with a 
peak around 1700Hz.  It's mostly crickets and frogs. I tried using Audacity 
but I may look in cool edit as well to see how it looks.

Thanks again!

~Peace~
plish


----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, August 23, 2009 3:16 AM
Subject: Re: Nature loops


> Don't know about research,
> but traffic noise has plenty of lo frequency
> content, and the high freqs drop off with distance.
>
> 3kHz sounds pretty high, obviously I can't tell without
> knowing what your "nature sounds" consist of, but
> most recordings I've made would be spoiled if there was nothing
> below 3k.
> I'd try the steepest possible hi pass filter and try and keep
> it as low down as possible to let the nature sounds sound "natural".
> 200Hz might be a good place to start.
> If your filter isn't so steep, then run it several times, rather
> than putting the frequency up.
>
> If you have Audition (aka Cool Edit) then that's the best sound editor
> for doing this sort of thing.
> (with a spectral display so really see the problem)
>
>
>
> andy
>
> mike@michaelplishka.com wrote:
>> Hey folks!
>> Doign some night nature loops and trying to get out some of the sounds of 
>> distant traffic.  It seems like doign a high pass filter at about 3Khz 
>> does a pretty good job and looking at the spectrum it's in the ballpark 
>> but is there any research on this?
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 01:27:31 2009
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Very cool, Rainer. Surprised me and made me smile.
Warren
http://www.warrensirota.com

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Very cool, Rainer. Surprised me and made me smile.<br>Warren<br><a href="http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--0016e6435264146e6e0471d91f9d--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 02:01:35 2009
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I thought it would be cool to have everyone write in with their
favorite live looping performance that they've seen in the past year,
perhaps with a bit of a description of the performance so that we can
turn each other onto some artists that we might not have had a chance to
see, hear or even hear of.

I can't think of a single year in the past 15 years of digital live looping
where I've been turned on to so many fantastically talented and really 
original
loopers.    It's been a fantastic year so far in our world.


My own favorite performance was Juana Molina up at Yoshi's in Oakland.

http://www.youtube.com/watch?v=o_3ooACrLQ4       (profile)


A former television comedienne and start,   Juana gave up that career to
concentrate on her singer/songwriter material.

She has really beautiful and rhythmic and simple almost naive and 
childlike  songs that she sings on acoustic guitar but
she also obviously has a strong background in synthesis, modern music,  
found sound so
she has a beautiful palette of custom synthesizer sounds combined with 
found sound and
unusual percussion.

She just picks really unusual,  'out of the box' and really emotionally 
evocative sounds and
plays them with exquisite rhythmic precision and arrangement sensibility.

She also speaks broken English and is very charming and very funny in 
her repartee with the crowd.

I've seen her now three different times and even been privileged to open 
for her and hang out with her
afterwards since I first discovered her.

She's been mentioned several times on this list before but if you 
haven't checked her out,  do yourself a
favor and go see her or buy her CDs.

Definitely my favorite live looping show of the year.

From dakers@nccsc.k12.in.us  Mon Aug 24 02:34:21 2009
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Date: Sun, 23 Aug 2009 19:52:25 -0700 (PDT)
From: jan gyn <jan_gyn@yahoo.com>
Subject: Re: Favorite Loop Show of the Year
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Just saw Juana Molina Saturday 08/22 at the Yerba Buena in San Francisco. S=
he was awesome. Openers Amy Neuburg and the Cello ChiXtet were also great.-=
jan

--- On Sun, 8/23/09, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: Favorite Loop Show of the Year
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Date: Sunday, August 23, 2009, 7:01 PM

I thought it would be cool to have everyone write in with their
favorite live looping performance that they've seen in the past year,
perhaps with a bit of a description of the performance so that we can
turn each other onto some artists that we might not have had a chance to
see, hear or even hear of.

I can't think of a single year in the past 15 years of digital live looping
where I've been turned on to so many fantastically talented and really orig=
inal
loopers.=A0 =A0 It's been a fantastic year so far in our world.


My own favorite performance was Juana Molina up at Yoshi's in Oakland.

http://www.youtube.com/watch?v=3Do_3ooACrLQ4=A0 =A0 =A0=A0=A0(profile)


A former television comedienne and start,=A0=A0=A0Juana gave up that career=
 to
concentrate on her singer/songwriter material.

She has really beautiful and rhythmic and simple almost naive and childlike=
=A0 songs that she sings on acoustic guitar but
she also obviously has a strong background in synthesis, modern music,=A0 f=
ound sound so
she has a beautiful palette of custom synthesizer sounds combined with foun=
d sound and
unusual percussion.

She just picks really unusual,=A0 'out of the box' and really emotionally e=
vocative sounds and
plays them with exquisite rhythmic precision and arrangement sensibility.

She also speaks broken English and is very charming and very funny in her r=
epartee with the crowd.

I've seen her now three different times and even been privileged to open fo=
r her and hang out with her
afterwards since I first discovered her.

She's been mentioned several times on this list before but if you haven't c=
hecked her out,=A0 do yourself a
favor and go see her or buy her CDs.

Definitely my favorite live looping show of the year.

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Just saw Juana Molina Saturday 08/22 at the Y=
erba Buena in San Francisco. She was awesome. Openers Amy Neuburg and the C=
ello ChiXtet were also great.<div>-jan<br><br>--- On <b>Sun, 8/23/09, Rick =
Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><br>From: Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject: Favor=
ite Loop Show of the Year<br>To: "LOOPERS DELIGHT (posting)" &lt;Loopers-De=
light@loopers-delight.com&gt;<br>Date: Sunday, August 23, 2009, 7:01 PM<br>=
<br><div class=3D"plainMail">I thought it would be cool to have everyone wr=
ite in with their<br>favorite live looping performance that they've seen in=
 the past year,<br>perhaps with a bit of a description of the performance s=
o that we can<br>turn each other onto some artists that we might not have h=
ad a
 chance to<br>see, hear or even hear of.<br><br>I can't think of a single y=
ear in the past 15 years of digital live looping<br>where I've been turned =
on to so many fantastically talented and really original<br>loopers.&nbsp; =
&nbsp; It's been a fantastic year so far in our world.<br><br><br>My own fa=
vorite performance was Juana Molina up at Yoshi's in Oakland.<br><br><a hre=
f=3D"http://www.youtube.com/watch?v=3Do_3ooACrLQ4" target=3D"_blank">http:/=
/www.youtube.com/watch?v=3Do_3ooACrLQ4</a>&nbsp; &nbsp; &nbsp;&nbsp;&nbsp;(=
profile)<br><br><br>A former television comedienne and start,&nbsp;&nbsp;&n=
bsp;Juana gave up that career to<br>concentrate on her singer/songwriter ma=
terial.<br><br>She has really beautiful and rhythmic and simple almost naiv=
e and childlike&nbsp; songs that she sings on acoustic guitar but<br>she al=
so obviously has a strong background in synthesis, modern music,&nbsp; foun=
d sound so<br>she has a beautiful palette of custom synthesizer sounds
 combined with found sound and<br>unusual percussion.<br><br>She just picks=
 really unusual,&nbsp; 'out of the box' and really emotionally evocative so=
unds and<br>plays them with exquisite rhythmic precision and arrangement se=
nsibility.<br><br>She also speaks broken English and is very charming and v=
ery funny in her repartee with the crowd.<br><br>I've seen her now three di=
fferent times and even been privileged to open for her and hang out with he=
r<br>afterwards since I first discovered her.<br><br>She's been mentioned s=
everal times on this list before but if you haven't checked her out,&nbsp; =
do yourself a<br>favor and go see her or buy her CDs.<br><br>Definitely my =
favorite live looping show of the year.<br><br></div></blockquote></div></t=
d></tr></table><br>=0A=0A      
--0-1540679144-1251082345=:87090--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 04:44:24 2009
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Date: Mon, 24 Aug 2009 00:44:22 -0400
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Subject: Re: Favorite Loop Show of the Year
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I recall you talking about her around last year's Y2K, that's a really neat
artist profile.  The top of it seems to be people falling in love with her
voice and vocalizations among her use of technology.  Reminds me of Suzanne
Vega in a sense when she burst on the seen years ago as this sort of angelic
songstress except here Juana has embraced and uses technology which is
timely and really cool.
Most of my experience with looping and looping awareness has been primarily
this community so people I've seen or come to know for the most part are
among us.  Some timely memories of the last year for me and part of this one
were, Mark Hamburg's closing set at last year's Y2K, Margaret Noble's
turntable and other set at same festival, Stanasaur's use of 'noise', recent
uStream's segments by Jeff Duke, Rainer Straschill, Matt Stevens and Steve
Moyes, particularly the latter had some bearing on me revisiting Mobius and
using it on my set today.

Because of all of you I've had a greater awareness and curiosity about
technology and bringing it into my muse.

Jim

--0023545bef70264c0a0471dbdf12
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I recall you talking about her around last year&#39;s Y2K, that&#39;s a rea=
lly neat artist profile. =A0The top of it seems to be people falling in lov=
e with her voice and vocalizations among her use of technology. =A0Reminds =
me of Suzanne Vega in a sense when she burst on the seen years ago as this =
sort of angelic songstress except here Juana has embraced and uses technolo=
gy which is timely and really cool.<div>

<br></div><div>Most of my experience with looping and looping awareness has=
 been primarily this community so people I&#39;ve seen or come to know for =
the most part are among us. =A0Some timely memories of the last year for me=
 and part of this one were, Mark Hamburg&#39;s closing set at last year&#39=
;s Y2K, Margaret Noble&#39;s turntable and other set at same festival, Stan=
asaur&#39;s use of &#39;noise&#39;, recent uStream&#39;s segments by Jeff D=
uke, Rainer Straschill, Matt Stevens and Steve Moyes, particularly the latt=
er had some bearing on me revisiting Mobius and using it on my set today.</=
div>
<div><br></div><div>Because of all of you I&#39;ve had a greater awareness =
and curiosity about technology and bringing it into my muse.
</div><div><br></div><div>Jim</div>

--0023545bef70264c0a0471dbdf12--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 04:48:38 2009
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Date: Mon, 24 Aug 2009 06:48:35 +0200
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Subject: Re: Favorite Loop Show of the Year
From: Raul Bonell <raul.bonell@gmail.com>
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it sounds quite unbelievable, by what she says in the profile, that is
working with two unsynced loop pedals, since the song parts/layers
usually go tightly glued...
probably one looper feeds the other  ... maybe, at least, one of them
it's synced to some hw sequencer/clock/arpeggiator from the synths ...
dunno.


2009/8/24, jan gyn <jan_gyn@yahoo.com>:
> Just saw Juana Molina Saturday 08/22 at the Yerba Buena in San Francisco.
> She was awesome. Openers Amy Neuburg and the Cello ChiXtet were also
> great.-jan
>
> --- On Sun, 8/23/09, Rick Walker <looppool@cruzio.com> wrote:
>
> From: Rick Walker <looppool@cruzio.com>
> Subject: Favorite Loop Show of the Year
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Date: Sunday, August 23, 2009, 7:01 PM
>
> I thought it would be cool to have everyone write in with their
> favorite live looping performance that they've seen in the past year,
> perhaps with a bit of a description of the performance so that we can
> turn each other onto some artists that we might not have had a chance to
> see, hear or even hear of.
>
> I can't think of a single year in the past 15 years of digital live loopi=
ng
> where I've been turned on to so many fantastically talented and really
> original
> loopers.=A0 =A0 It's been a fantastic year so far in our world.
>
>
> My own favorite performance was Juana Molina up at Yoshi's in Oakland.
>
> http://www.youtube.com/watch?v=3Do_3ooACrLQ4=A0 =A0 =A0=A0=A0(profile)
>
>
> A former television comedienne and start,=A0=A0=A0Juana gave up that care=
er to
> concentrate on her singer/songwriter material.
>
> She has really beautiful and rhythmic and simple almost naive and childli=
ke
> songs that she sings on acoustic guitar but
> she also obviously has a strong background in synthesis, modern music,
> found sound so
> she has a beautiful palette of custom synthesizer sounds combined with fo=
und
> sound and
> unusual percussion.
>
> She just picks really unusual,=A0 'out of the box' and really emotionally
> evocative sounds and
> plays them with exquisite rhythmic precision and arrangement sensibility.
>
> She also speaks broken English and is very charming and very funny in her
> repartee with the crowd.
>
> I've seen her now three different times and even been privileged to open =
for
> her and hang out with her
> afterwards since I first discovered her.
>
> She's been mentioned several times on this list before but if you haven't
> checked her out,=A0 do yourself a
> favor and go see her or buy her CDs.
>
> Definitely my favorite live looping show of the year.
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 05:11:59 2009
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 Rick Walker 
Subject: Favorite Loop Show of the Year
>I thought it would be cool to have everyone write in with their
>favorite live looping performance that they've seen in the past year,
>perhaps with a bit of a description of the performance so that we can
>turn each other onto some artists that we might not have had a chance to
>see, hear or even hear of.



well the band i work w/ MERMEN 's Jim Thomas does the most creative looping(within a song).
he has two edps that he has setup to work in sync- outa sync -separate-together, any configuration...and while he doesnt do complete loop songs-alot of their tunes start w/ his loops. such as:


http://www.youtube.com/watch?v=1D-mBrYnYxU




From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 05:32:46 2009
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Date: Mon, 24 Aug 2009 07:32:45 +0200
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Subject: Re: Favorite Loop Show of the Year
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nice band ...

check this too..

http://www.youtube.com/watch?v=ReZaQ_c9VmU&NR=1


2009/8/24, stanitarium@earthlink.net <stanitarium@earthlink.net>:
>  Rick Walker
> Subject: Favorite Loop Show of the Year
>>I thought it would be cool to have everyone write in with their
>>favorite live looping performance that they've seen in the past year,
>>perhaps with a bit of a description of the performance so that we can
>>turn each other onto some artists that we might not have had a chance to
>>see, hear or even hear of.
>
>
>
> well the band i work w/ MERMEN 's Jim Thomas does the most creative
> looping(within a song).
> he has two edps that he has setup to work in sync- outa sync
> -separate-together, any configuration...and while he doesnt do complete loop
> songs-alot of their tunes start w/ his loops. such as:
>
>
> http://www.youtube.com/watch?v=1D-mBrYnYxU
>
>
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 06:35:31 2009
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Subject: OT: recursive sequencer
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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hi there,

http://www.behringer.com/EN/Products/energyXT2.5-Plus.aspx

does anybody know of some sequencer, like (before freebie) energyXT
capable of working as a plugin inside another host in OSX? energyXT2
does it, but only for windows.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: OT: midi plugins database
From: Raul Bonell <raul.bonell@gmail.com>
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simply...

http://www.midiplugins.com/

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 07:55:34 2009
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Subject: Re: EDP VG99 FC300 Problems
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Fred Fata wrote:

> While in Control Change mode I record sound into the EDP,
> I return to Sysex mode and change patches on the 99 via the 300,
> an audible thump is heard in the recorded info in the EDP.

that's the edp trying to deal with all those sysex commands.

Are you using a different midi ch for the EDP?  don't
know if that would help, but edp may not read the sysex if it's
on a different channel.

You could try chaining 300>>99>>edp so edp doesn't get sysex,
but beware added midi latency.

andy

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Date: Mon, 24 Aug 2009 10:36:11 +0200
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Subject: Re: OT: midi plugins database
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On Mon, Aug 24, 2009 at 9:19 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> simply...
> http://www.midiplugins.com/

Thanks, Raul. A lot of goodies there! :-))

I noticed the page was lacking one new player and submitted the
MonoNote AU plug-in from Five12 to their database. MonoNote offers
some of Numerology's modular step sequencing capabilities as a MIDI
plug-in for a host application. It seems to be out in public within a
couple of days.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Let's put together a Loopers Delight compilation of original works!
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--001517402aa4e6e73e0471df0b9b
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Hey guys!

As I understand, most of the people from this mailing list are musicians.
And great musicians too!

So what I propose is to try to set up a compilation together - as a certain
result, an output of this community.
We can all submit tunes (you can send them to me with an email subject "For
compilation"), make cover art
and put it online.

I can suggest my own resource for that - Disc Shelf (www.disc-shelf.com) -
which can host the files and actually
present the compilation quite beautifully.

the album can then be embedded onto the website and such, so might be quite
useful.

Anyway, this is my proposal - tell me what you think!

Louigi Verona.
www.louigiverona.ru

--001517402aa4e6e73e0471df0b9b
Content-Type: text/html; charset=ISO-8859-1
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Hey guys!<br><br>As I understand, most of the people from this mailing list=
 are musicians. And great musicians too!<br><br>So what I propose is to try=
 to set up a compilation together - as a certain result, an output of this =
community.<br>
We can all submit tunes (you can send them to me with an email subject &quo=
t;For compilation&quot;), make cover art<br>and put it online.<br><br>I can=
 suggest my own resource for that - Disc Shelf (<a href=3D"http://www.disc-=
shelf.com">www.disc-shelf.com</a>) - which can host the files and actually<=
br>
present the compilation quite beautifully.<br><br>the album can then be emb=
edded onto the website and such, so might be quite useful.<br><br>Anyway, t=
his is my proposal - tell me what you think!<br><br>Louigi Verona.<br><a hr=
ef=3D"http://www.louigiverona.ru">www.louigiverona.ru</a><br>

--001517402aa4e6e73e0471df0b9b--

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Subject: Re: Nature loops
References: <9e0440a60908221909u20df0917o90c15173ecaaed71@mail.gmail.com> <15115508E1D04E998CBB847D39547C46@MichaelPC> <4A90FACD.9080301@tiscali.co.uk> <05CD459BB4CF42D18A7F582051B1233F@MichaelPC>
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Oh, that's strange.
Check for narrow frequency bands in the noise that you
could notch out.
(they won't be necessarily be revealed by a spectrum plot until
 you really increase the FFT size)

andy



mike@michaelplishka.com wrote:
> Thanks Andy for the input.
> 
> I tried a recording with a mic in the direction of traffic and one in 
> the opposite direction and it seems like there's a huge hump of energy 
> with a peak around 1700Hz.  It's mostly crickets and frogs. I tried 
> using Audacity but I may look in cool edit as well to see how it looks.
> 
> Thanks again!
> 
> ~Peace~
> plish
> 

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 09:41:48 2009
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	 <66f9cc1e0908240144yad7653q386db34779edf19b@mail.gmail.com>
Date: Mon, 24 Aug 2009 11:41:46 +0200
Message-ID: <66f9cc1e0908240241ia6679cdn6bb972ad39fe10b0@mail.gmail.com>
Subject: Re: microtuner for mac
From: Per Boysen <perboysen@gmail.com>
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> On Mon, Aug 24, 2009 at 9:06 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
>> check this out ... just popped up when searching for a vsti midi sequencer
>>
>> http://www.dontcrack.com/freeware/downloads.php/id/2726/software/Max-Magic-Microtuner/
>
On Mon, Aug 24, 2009 at 10:44 AM, Per Boysen<perboysen@gmail.com> wrote:
>
> Awesome! Awesome! This is what I was looking for yesterday! I needed
> to convert micro tuning scripts from Scala to AnaMark and found a
> Windows application that worked. But this is better, not having to
> reboot into Windows every time. Thanks for the tip, downloading as I
> type!
>
> Had a lot of fun yesterday with a Burmese scale on fat synth brass
> drones. Going micro tonal is somewhat addictive... I noticed my guitar
> suddenly felt a bit lame with its nice and polished tempered tuning
> fret placement ;-))


I just checked out this Max created application and it really rocks!
The thing is that although the free Windows appl TuneTools I found
yesterday works, the tunings still sound bad. I needed no more than a
couple of minutes with the PDF manual for Max-Magic-Microtuner to
understand why: In Logic you can specify a root note of the key when
applying a micro tonal tuning scale to electronic instruments and then
Logic calculates every note in the chosen tuning based on the root
note of the key you type in. I had not understood that other software
doesn't do this, although I had my suspicions after looking all over
the Alchemy synth without finding any way to refer the synth to the
key. The rough truth is that TuneTools and all those micro tonal
third-party synth plug-ins out there (Alchemy, Cameleon5k, Albino etc
etc) they only sound okay in C when playing micro tonal scales. If you
want to do a piece in B, as I was up to yesterday, you need to
manually recalculate the tuning script for the root note B, put that
script in the synths tuning script library folder, reboot your host
application and import the micro tuning into the plug-in instrument.
Wow... as a Logic user I never had an idea folks out there had all
these issues! ;-))  Now, the great thing with this
Max-Magic-Microtuner is that it makes it a breeze to create a tuning
script for a third-party synth and have it run microtonally in tune
with Logic's micro tonal system (that works seamlessly only because
the Logic software instruments are actually not plug-ins but
integrated parts of the application).

So again, for me that was a very good tip from Raul! Microtuner will
become one of my most used software tools.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Great idea, Louigi!
 As I think the loopers delight-community contains several 100s of =
loopers, it will be difficult to select the best of all the tunes
if you wanna put it on CD.
Or do you think of an MP 3 compilation or just something for the =
internet for downloading?=20
That might be  better as you could put a lot more songs on it.
Anyway, I certainly would like to provide a track.
Can I send you an MP3-file?
Best,
Christo
www.christojota.de

  ----- Original Message -----=20
  From: Louigi Verona=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, August 24, 2009 10:31 AM
  Subject: Let's put together a Loopers Delight compilation of original =
works!


  Hey guys!

  As I understand, most of the people from this mailing list are =
musicians. And great musicians too!

  So what I propose is to try to set up a compilation together - as a =
certain result, an output of this community.
  We can all submit tunes (you can send them to me with an email subject =
"For compilation"), make cover art
  and put it online.

  I can suggest my own resource for that - Disc Shelf =
(www.disc-shelf.com) - which can host the files and actually
  present the compilation quite beautifully.

  the album can then be embedded onto the website and such, so might be =
quite useful.

  Anyway, this is my proposal - tell me what you think!

  Louigi Verona.
  www.louigiverona.ru


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<DIV><FONT face=3DArial size=3D2>Great idea, Louigi!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;As I think the loopers =
delight-community=20
contains several 100s of loopers, it will be difficult to select the =
best of all=20
the tunes</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>if you wanna put it on CD.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Or do you think of an MP 3 compilation =
or just=20
something for the internet for downloading? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>That might be&nbsp; </FONT><FONT =
face=3DArial=20
size=3D2>better as you&nbsp;could put a lot more songs&nbsp;on =
it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Anyway, I certainly would like to =
provide a=20
track.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Can I send you an =
MP3-file?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:louigi.verona@gmail.com" =
title=3Dlouigi.verona@gmail.com>Louigi=20
  Verona</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 24, 2009 =
10:31=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Let's put together a =
Loopers=20
  Delight compilation of original works!</DIV>
  <DIV><BR></DIV>Hey guys!<BR><BR>As I understand, most of the people =
from this=20
  mailing list are musicians. And great musicians too!<BR><BR>So what I =
propose=20
  is to try to set up a compilation together - as a certain result, an =
output of=20
  this community.<BR>We can all submit tunes (you can send them to me =
with an=20
  email subject "For compilation"), make cover art<BR>and put it=20
  online.<BR><BR>I can suggest my own resource for that - Disc Shelf (<A =

  href=3D"http://www.disc-shelf.com">www.disc-shelf.com</A>) - which can =
host the=20
  files and actually<BR>present the compilation quite =
beautifully.<BR><BR>the=20
  album can then be embedded onto the website and such, so might be =
quite=20
  useful.<BR><BR>Anyway, this is my proposal - tell me what you=20
  think!<BR><BR>Louigi Verona.<BR><A=20
  =
href=3D"http://www.louigiverona.ru">www.louigiverona.ru</A><BR></BLOCKQUO=
TE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 11:25:19 2009
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	 <01d801ca24ad$6f0ebf20$0301a8c0@Toshiba>
Date: Mon, 24 Aug 2009 15:25:16 +0400
Message-ID: <20aeede50908240425v72b4da0et9405bec657807e3a@mail.gmail.com>
Subject: Re: Let's put together a Loopers Delight compilation of original 
	works!
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Yeah, I was speaking about an online mp3 compilation, something that can be
put online on www.disc-shelf.com
I choose Disc Shelf not only because it is my project, but because it
provides sleek design, so that all the albums can
look very beautiful.

If the response to this idea is positive and a lot of people would want
their track, we can do this - make several compilations.
Limit the number of tunes in each compilation to, say, 15-20. Also, perhaps
we can try to not have much quality control and see
where it leads us. If a musician submits one tune, surely he'll give us his
best.

That way anyone who wants can participate. Once the albums are available, we
can share this music with friends and fans all over the
world, which might strike more interest to looping music with good examples
readily available.

L.V.

On Mon, Aug 24, 2009 at 3:24 PM, Christo Jota <chris@christojota.de> wrote:

>  Great idea, Louigi!
>  As I think the loopers delight-community contains several 100s of loopers,
> it will be difficult to select the best of all the tunes
> if you wanna put it on CD.
> Or do you think of an MP 3 compilation or just something for the internet
> for downloading?
> That might be  better as you could put a lot more songs on it.
> Anyway, I certainly would like to provide a track.
> Can I send you an MP3-file?
> Best,
> Christo
> www.christojota.de
>
>
> ----- Original Message -----
> *From:* Louigi Verona <louigi.verona@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Monday, August 24, 2009 10:31 AM
> *Subject:* Let's put together a Loopers Delight compilation of original
> works!
>
> Hey guys!
>
> As I understand, most of the people from this mailing list are musicians.
> And great musicians too!
>
> So what I propose is to try to set up a compilation together - as a certain
> result, an output of this community.
> We can all submit tunes (you can send them to me with an email subject "For
> compilation"), make cover art
> and put it online.
>
> I can suggest my own resource for that - Disc Shelf (www.disc-shelf.com) -
> which can host the files and actually
> present the compilation quite beautifully.
>
> the album can then be embedded onto the website and such, so might be quite
> useful.
>
> Anyway, this is my proposal - tell me what you think!
>
> Louigi Verona.
> www.louigiverona.ru
>
>

--001517447dc6e2d5750471e17865
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Yeah, I was speaking about an online mp3 compilation, something that can be=
 put online on <a href=3D"http://www.disc-shelf.com">www.disc-shelf.com</a>=
<br>I choose Disc Shelf not only because it is my project, but because it p=
rovides sleek design, so that all the albums can<br>
look very beautiful.<br><br>If the response to this idea is positive and a =
lot of people would want their track, we can do this - make several compila=
tions.<br>Limit the number of tunes in each compilation to, say, 15-20. Als=
o, perhaps we can try to not have much quality control and see<br>
where it leads us. If a musician submits one tune, surely he&#39;ll give us=
 his best.<br><br>That way anyone who wants can participate. Once the album=
s are available, we can share this music with friends and fans all over the=
<br>
world, which might strike more interest to looping music with good examples=
 readily available.<br><br>L.V.<br><br><div class=3D"gmail_quote">On Mon, A=
ug 24, 2009 at 3:24 PM, Christo Jota <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:chris@christojota.de">chris@christojota.de</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">Great idea, Louigi!</font></div>
<div><font size=3D"2" face=3D"Arial">=A0As I think the loopers delight-comm=
unity=20
contains several 100s of loopers, it will be difficult to select the best o=
f all=20
the tunes</font></div>
<div><font size=3D"2" face=3D"Arial">if you wanna put it on CD.</font></div=
>
<div><font size=3D"2" face=3D"Arial">Or do you think of an MP 3 compilation=
 or just=20
something for the internet for downloading? </font></div>
<div><font size=3D"2" face=3D"Arial">That might be=A0 </font><font size=3D"=
2" face=3D"Arial">better as you=A0could put a lot more songs=A0on it.</font=
></div>
<div><font size=3D"2" face=3D"Arial">Anyway, I certainly would like to prov=
ide a=20
track.</font></div>
<div><font size=3D"2" face=3D"Arial">Can I send you an MP3-file?</font></di=
v>
<div><font size=3D"2" face=3D"Arial">Best,</font></div>
<div><font size=3D"2" face=3D"Arial">Christo</font></div>
<div><font size=3D"2" face=3D"Arial"><a href=3D"http://www.christojota.de" =
target=3D"_blank">www.christojota.de</a></font></div><div><div></div><div c=
lass=3D"h5">
<div>=A0</div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); margin-left: 5px;=
 margin-right: 0px; padding-left: 5px; padding-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial; font-family: arial; font-style: n=
ormal; font-variant: normal; font-weight: normal; font-size: 10pt; line-hei=
ght: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a href=3D"mailto:louigi.verona@gmail.com" title=3D"louigi.verona@gmail.c=
om" target=3D"_blank">Louigi=20
  Verona</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a href=3D"mailto:Loopers-Deli=
ght@loopers-delight.com" title=3D"Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Monday, August 24, 2009 10:3=
1=20
  AM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Let&#39;s put together a =
Loopers=20
  Delight compilation of original works!</div>
  <div><br></div>Hey guys!<br><br>As I understand, most of the people from =
this=20
  mailing list are musicians. And great musicians too!<br><br>So what I pro=
pose=20
  is to try to set up a compilation together - as a certain result, an outp=
ut of=20
  this community.<br>We can all submit tunes (you can send them to me with =
an=20
  email subject &quot;For compilation&quot;), make cover art<br>and put it=
=20
  online.<br><br>I can suggest my own resource for that - Disc Shelf (<a hr=
ef=3D"http://www.disc-shelf.com" target=3D"_blank">www.disc-shelf.com</a>) =
- which can host the=20
  files and actually<br>present the compilation quite beautifully.<br><br>t=
he=20
  album can then be embedded onto the website and such, so might be quite=
=20
  useful.<br><br>Anyway, this is my proposal - tell me what you=20
  think!<br><br>Louigi Verona.<br><a href=3D"http://www.louigiverona.ru" ta=
rget=3D"_blank">www.louigiverona.ru</a><br></blockquote></div></div></div>
</blockquote></div><br>

--001517447dc6e2d5750471e17865--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 13:29:40 2009
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Subject: Re: ubetoo.com (was: Let's put together a Loopers Delight compilation of original works!)
Date: Mon, 24 Aug 2009 10:29:13 -0300
References: <20aeede50908240131t1b20f01elde1fc0a3ec520c48@mail.gmail.com> <01d801ca24ad$6f0ebf20$0301a8c0@Toshiba> <20aeede50908240425v72b4da0et9405bec657807e3a@mail.gmail.com>
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may I suggest to collect on http://www.ubetoo.com/livelooping
I am ready to pass this slot to someone who cares for the community (I  
only occupied it to avoid that someone uses it for his own music)

or maybe better even:
if you feel that your music could be called livelooping, ubetoo is the  
best place to offer it, because they have a category Live Looping!  
(our Warren started this!)
http://www.ubetoo.com/songs/live_looping/most_played_24_hours
not only you will be found easier...
... but you earn money each time someone listens to your music!

On 24 Aug 2009, at 08:25, Louigi Verona wrote:

> Yeah, I was speaking about an online mp3 compilation, something that  
> can be put online on www.disc-shelf.com
> I choose Disc Shelf not only because it is my project, but because  
> it provides sleek design, so that all the albums can
> look very beautiful.
>
> If the response to this idea is positive and a lot of people would  
> want their track, we can do this - make several compilations.
> Limit the number of tunes in each compilation to, say, 15-20. Also,  
> perhaps we can try to not have much quality control and see
> where it leads us. If a musician submits one tune, surely he'll give  
> us his best.
>
> That way anyone who wants can participate. Once the albums are  
> available, we can share this music with friends and fans all over the
> world, which might strike more interest to looping music with good  
> examples readily available.
>
> L.V.
>
> On Mon, Aug 24, 2009 at 3:24 PM, Christo Jota <chris@christojota.de>  
> wrote:
> Great idea, Louigi!
>  As I think the loopers delight-community contains several 100s of  
> loopers, it will be difficult to select the best of all the tunes
> if you wanna put it on CD.
> Or do you think of an MP 3 compilation or just something for the  
> internet for downloading?
> That might be  better as you could put a lot more songs on it.
> Anyway, I certainly would like to provide a track.
> Can I send you an MP3-file?
> Best,
> Christo
> www.christojota.de
>
> ----- Original Message -----
> From: Louigi Verona
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, August 24, 2009 10:31 AM
> Subject: Let's put together a Loopers Delight compilation of  
> original works!
>
> Hey guys!
>
> As I understand, most of the people from this mailing list are  
> musicians. And great musicians too!
>
> So what I propose is to try to set up a compilation together - as a  
> certain result, an output of this community.
> We can all submit tunes (you can send them to me with an email  
> subject "For compilation"), make cover art
> and put it online.
>
> I can suggest my own resource for that - Disc Shelf (www.disc-shelf.com 
> ) - which can host the files and actually
> present the compilation quite beautifully.
>
> the album can then be embedded onto the website and such, so might  
> be quite useful.
>
> Anyway, this is my proposal - tell me what you think!
>
> Louigi Verona.
> www.louigiverona.ru
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">may I suggest to collect on <a =
href=3D"http://www.ubetoo.com/livelooping">http://www.ubetoo.com/liveloopi=
ng</a><div>I am ready to pass this slot to someone who cares for the =
community (I only occupied it to avoid that someone uses it for his own =
music)</div><div><br></div><div>or maybe better even:</div><div>if you =
feel that your music could be called livelooping, ubetoo is the best =
place to offer it, because they have a category Live Looping! (our =
Warren started this!)</div><div><a =
href=3D"http://www.ubetoo.com/songs/live_looping/most_played_24_hours">htt=
p://www.ubetoo.com/songs/live_looping/most_played_24_hours</a></div><div>n=
ot only you will be found easier...</div><div>... but you earn money =
each time someone listens to your music!</div><div><br><div><div>On 24 =
Aug 2009, at 08:25, Louigi Verona wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Yeah, I =
was speaking about an online mp3 compilation, something that can be put =
online on <a =
href=3D"http://www.disc-shelf.com">www.disc-shelf.com</a><br>I choose =
Disc Shelf not only because it is my project, but because it provides =
sleek design, so that all the albums can<br> look very =
beautiful.<br><br>If the response to this idea is positive and a lot of =
people would want their track, we can do this - make several =
compilations.<br>Limit the number of tunes in each compilation to, say, =
15-20. Also, perhaps we can try to not have much quality control and =
see<br> where it leads us. If a musician submits one tune, surely he'll =
give us his best.<br><br>That way anyone who wants can participate. Once =
the albums are available, we can share this music with friends and fans =
all over the<br> world, which might strike more interest to looping =
music with good examples readily available.<br><br>L.V.<br><br><div =
class=3D"gmail_quote">On Mon, Aug 24, 2009 at 3:24 PM, Christo Jota =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:chris@christojota.de">chris@christojota.de</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> <div bgcolor=3D"#ffffff"> <div><font size=3D"2" =
face=3D"Arial">Great idea, Louigi!</font></div> <div><font size=3D"2" =
face=3D"Arial">&nbsp;As I think the loopers delight-community contains =
several 100s of loopers, it will be difficult to select the best of all =
the tunes</font></div> <div><font size=3D"2" face=3D"Arial">if you wanna =
put it on CD.</font></div> <div><font size=3D"2" face=3D"Arial">Or do =
you think of an MP 3 compilation or just something for the internet for =
downloading? </font></div> <div><font size=3D"2" face=3D"Arial">That =
might be&nbsp; </font><font size=3D"2" face=3D"Arial">better as =
you&nbsp;could put a lot more songs&nbsp;on it.</font></div> <div><font =
size=3D"2" face=3D"Arial">Anyway, I certainly would like to provide a =
track.</font></div> <div><font size=3D"2" face=3D"Arial">Can I send you =
an MP3-file?</font></div> <div><font size=3D"2" =
face=3D"Arial">Best,</font></div> <div><font size=3D"2" =
face=3D"Arial">Christo</font></div> <div><font size=3D"2" =
face=3D"Arial"><a href=3D"http://www.christojota.de" =
target=3D"_blank">www.christojota.de</a></font></div><div><div></div><div =
class=3D"h5"> <div>&nbsp;</div> <blockquote style=3D"border-left: 2px =
solid rgb(0, 0, 0); margin-left: 5px; margin-right: 0px; padding-left: =
5px; padding-right: 0px;">  <div style=3D"font-family: arial; =
font-style: normal; font-variant: normal; font-weight: normal; =
font-size: 10pt; line-height: normal; font-size-adjust: none; =
font-stretch: normal;">----- Original Message ----- </div>  <div =
style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; =
-moz-background-clip: -moz-initial; -moz-background-origin: =
-moz-initial; -moz-background-inline-policy: -moz-initial; font-family: =
arial; font-style: normal; font-variant: normal; font-weight: normal; =
font-size: 10pt; line-height: normal; font-size-adjust: none; =
font-stretch: normal;"> <b>From:</b>   <a =
href=3D"mailto:louigi.verona@gmail.com" title=3D"louigi.verona@gmail.com" =
target=3D"_blank">Louigi   Verona</a> </div>  <div style=3D"font-family: =
arial; font-style: normal; font-variant: normal; font-weight: normal; =
font-size: 10pt; line-height: normal; font-size-adjust: none; =
font-stretch: normal;"><b>To:</b> <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
title=3D"Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a>   </div>  <div =
style=3D"font-family: arial; font-style: normal; font-variant: normal; =
font-weight: normal; font-size: 10pt; line-height: normal; =
font-size-adjust: none; font-stretch: normal;"><b>Sent:</b> Monday, =
August 24, 2009 10:31   AM</div>  <div style=3D"font-family: arial; =
font-style: normal; font-variant: normal; font-weight: normal; =
font-size: 10pt; line-height: normal; font-size-adjust: none; =
font-stretch: normal;"><b>Subject:</b> Let's put together a Loopers   =
Delight compilation of original works!</div>  <div><br></div>Hey =
guys!<br><br>As I understand, most of the people from this   mailing =
list are musicians. And great musicians too!<br><br>So what I propose   =
is to try to set up a compilation together - as a certain result, an =
output of   this community.<br>We can all submit tunes (you can send =
them to me with an   email subject "For compilation"), make cover =
art<br>and put it   online.<br><br>I can suggest my own resource for =
that - Disc Shelf (<a href=3D"http://www.disc-shelf.com" =
target=3D"_blank">www.disc-shelf.com</a>) - which can host the   files =
and actually<br>present the compilation quite beautifully.<br><br>the   =
album can then be embedded onto the website and such, so might be quite  =
 useful.<br><br>Anyway, this is my proposal - tell me what you   =
think!<br><br>Louigi Verona.<br><a href=3D"http://www.louigiverona.ru" =
target=3D"_blank">www.louigiverona.ru</a><br></blockquote></div></div></di=
v> </blockquote></div><br></blockquote></div><br></div></body></html>=

--Apple-Mail-42-82930027--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 14:13:30 2009
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Date: Mon, 24 Aug 2009 10:13:22 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #646 for August 20, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090820.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #646                August 20, 2009.

RECAP:
On this show, I continued the month-long focus on Saul Stokes.  The
Featured CD at Midnight was Villa Galaxia on Binary Records.

Saul Stokes: http://wdiy.org/programs/gt/playlists/2009/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Vic Hennegan         Seascape             Aqua Vista (Alien Tribes)
Stephen Parsick      Sediment             Cambrium (Doombient)
Megatone             Supernova            Pure Land (none)
Parallel Worlds      Frightening          Shade (DiN)
                       Frontiers
Frank Van Bogaert    Insomnia             Air Machine (ACE)
  with Erik Wollo
SteveRoach           Further Inside       Dynamic Stillness (Projekt)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
SteveRoach           A Darker Light *     Dynamic Stillness (Projekt)
Saul Stokes          Hello Radar          Villa Galaxia (Binary)
Saul Stokes          Vapor Trails         Villa Galaxia (Binary)
Saul Stokes          Blaze                Villa Galaxia (Binary)
Saul Stokes          Night Painting       Villa Galaxia (Binary)
Saul Stokes          Eta Car Is a Massive Villa Galaxia (Binary)
                       Star
Saul Stokes          Future Gamma         Villa Galaxia (Binary)
Saul Stokes          Embedded in Amber    Villa Galaxia (Binary)
Saul Stokes          Interrupted By Time  Villa Galaxia (Binary)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Saul
Stokes.  The Featured CD at Midnight will be Metacollage on Stokesmusic
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 14:54:13 2009
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Subject: Re: EDP VG99 FC300 Problems
Date: Mon, 24 Aug 2009 11:47:55 -0300
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that right, Andy!
sorry, Fred,
since we have a very old processor (like a Mac Plus!) in the EDP its  
audio DSP part stops when it has to deal with Sysex. Usually thats not  
a problem because Sysex is used to change parameters while not  
playing, and a single command hardly creates an audible interruption.
but if you send Sysex streams meant for other units to it as well, it  
hicks up.

to select different channels does not solve the problem, because it  
needs to analyze the data anyway. Sysex does not differentiate  
channels but IDs so I dont think it does much with the stuff you send  
to the 99 anyway, but just to figure out that the data is not aimed to  
it, takes proc time...

I suppose you will have to either command the 99 some other way or  
filter the Sysex stuff so it does not go through it or filter it in a  
separate midi box between 99 and EDP... there are many options,  
probably...

good luck!
Matthias

On 24 Aug 2009, at 04:56, andy butler wrote:

>
>
> Fred Fata wrote:
>
>> While in Control Change mode I record sound into the EDP,
>> I return to Sysex mode and change patches on the 99 via the 300,
>> an audible thump is heard in the recorded info in the EDP.
>
> that's the edp trying to deal with all those sysex commands.
>
> Are you using a different midi ch for the EDP?  don't
> know if that would help, but edp may not read the sysex if it's
> on a different channel.
>
> You could try chaining 300>>99>>edp so edp doesn't get sysex,
> but beware added midi latency.
>
> andy
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 17:34:08 2009
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Stone Document Live at Amazing Grapes in Pompton Lakes Sat. August 29th.

Dennis Tirch (guitars and loops), Mike Roze, (vdrums), and Mark Christensen (Chapman Stick, synthesizers and loops) will be playing improvised progressive music with an ambient flavor at this wonderful wine bar from 9 to midnight on Saturday night, the 29th of Aug.

Amazing Grapes
23 Wanaque Avenue
Pompton Lakes, NJ

http://maps.google.com/maps?f=q&hl=en&q=23+Wanaque+Avenue%2C+Pompton+Lakes%2C+NJ

And now back to our regularly scheduled programing...

www.TwistedAppleRecords.com

Stone Document's Anamnesis now available from iTunes!http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=301414103&s=143441

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 18:52:14 2009
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Subject: Re: Let's put together a Loopers Delight compilation of original works!
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Louigi,

Cool layout at Disc-shelf!

Just signed up!

~peace~
plish
  ----- Original Message -----=20
  From: Louigi Verona=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, August 24, 2009 6:25 AM
  Subject: Re: Let's put together a Loopers Delight compilation of =
original works!


  Yeah, I was speaking about an online mp3 compilation, something that =
can be put online on www.disc-shelf.com
  I choose Disc Shelf not only because it is my project, but because it =
provides sleek design, so that all the albums can
  look very beautiful.

  If the response to this idea is positive and a lot of people would =
want their track, we can do this - make several compilations.
  Limit the number of tunes in each compilation to, say, 15-20. Also, =
perhaps we can try to not have much quality control and see
  where it leads us. If a musician submits one tune, surely he'll give =
us his best.

  That way anyone who wants can participate. Once the albums are =
available, we can share this music with friends and fans all over the
  world, which might strike more interest to looping music with good =
examples readily available.

  L.V.


  On Mon, Aug 24, 2009 at 3:24 PM, Christo Jota <chris@christojota.de> =
wrote:

    Great idea, Louigi!
     As I think the loopers delight-community contains several 100s of =
loopers, it will be difficult to select the best of all the tunes
    if you wanna put it on CD.
    Or do you think of an MP 3 compilation or just something for the =
internet for downloading?=20
    That might be  better as you could put a lot more songs on it.
    Anyway, I certainly would like to provide a track.
    Can I send you an MP3-file?
    Best,
    Christo
    www.christojota.de

      ----- Original Message -----=20
      From: Louigi Verona=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Monday, August 24, 2009 10:31 AM
      Subject: Let's put together a Loopers Delight compilation of =
original works!


      Hey guys!

      As I understand, most of the people from this mailing list are =
musicians. And great musicians too!

      So what I propose is to try to set up a compilation together - as =
a certain result, an output of this community.
      We can all submit tunes (you can send them to me with an email =
subject "For compilation"), make cover art
      and put it online.

      I can suggest my own resource for that - Disc Shelf =
(www.disc-shelf.com) - which can host the files and actually
      present the compilation quite beautifully.

      the album can then be embedded onto the website and such, so might =
be quite useful.

      Anyway, this is my proposal - tell me what you think!

      Louigi Verona.
      www.louigiverona.ru



------=_NextPart_000_011B_01CA24C2.142A6AE0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18813">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Louigi,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Cool layout at Disc-shelf!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Just signed up!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>~peace~</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>plish</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dlouigi.verona@gmail.com =
href=3D"mailto:louigi.verona@gmail.com">Louigi=20
  Verona</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, August 24, 2009 =
6:25=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Let's put together =
a Loopers=20
  Delight compilation of original works!</DIV>
  <DIV><BR></DIV>Yeah, I was speaking about an online mp3 compilation, =
something=20
  that can be put online on <A=20
  href=3D"http://www.disc-shelf.com">www.disc-shelf.com</A><BR>I choose =
Disc Shelf=20
  not only because it is my project, but because it provides sleek =
design, so=20
  that all the albums can<BR>look very beautiful.<BR><BR>If the response =
to this=20
  idea is positive and a lot of people would want their track, we can do =
this -=20
  make several compilations.<BR>Limit the number of tunes in each =
compilation=20
  to, say, 15-20. Also, perhaps we can try to not have much quality =
control and=20
  see<BR>where it leads us. If a musician submits one tune, surely he'll =
give us=20
  his best.<BR><BR>That way anyone who wants can participate. Once the =
albums=20
  are available, we can share this music with friends and fans all over=20
  the<BR>world, which might strike more interest to looping music with =
good=20
  examples readily available.<BR><BR>L.V.<BR><BR>
  <DIV class=3Dgmail_quote>On Mon, Aug 24, 2009 at 3:24 PM, Christo Jota =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:chris@christojota.de">chris@christojota.de</A>&gt;</SPAN> =

  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT size=3D2 face=3DArial>Great idea, Louigi!</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>&nbsp;As I think the loopers =
delight-community=20
    contains several 100s of loopers, it will be difficult to select the =
best of=20
    all the tunes</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>if you wanna put it on =
CD.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>Or do you think of an MP 3 =
compilation or just=20
    something for the internet for downloading? </FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>That might be&nbsp; </FONT><FONT =
size=3D2=20
    face=3DArial>better as you&nbsp;could put a lot more songs&nbsp;on=20
    it.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>Anyway, I certainly would like to =
provide a=20
    track.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>Can I send you an =
MP3-file?</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>Best,</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>Christo</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial><A =
href=3D"http://www.christojota.de"=20
    target=3D_blank>www.christojota.de</A></FONT></DIV>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: rgb(0,0,0) 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal">-----=20
      Original Message ----- </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; BACKGROUND: rgb(228,228,228); =
font-size-adjust: none; font-stretch: normal; -moz-background-clip: =
-moz-initial; -moz-background-origin: -moz-initial; =
-moz-background-inline-policy: -moz-initial"><B>From:</B>=20
      <A title=3Dlouigi.verona@gmail.com =
href=3D"mailto:louigi.verona@gmail.com"=20
      target=3D_blank>Louigi Verona</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>To:</B>=20
      <A title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Sent:</B>=20
      Monday, August 24, 2009 10:31 AM</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; font-size-adjust: none; font-stretch: =
normal"><B>Subject:</B>=20
      Let's put together a Loopers Delight compilation of original =
works!</DIV>
      <DIV><BR></DIV>Hey guys!<BR><BR>As I understand, most of the =
people from=20
      this mailing list are musicians. And great musicians =
too!<BR><BR>So what I=20
      propose is to try to set up a compilation together - as a certain =
result,=20
      an output of this community.<BR>We can all submit tunes (you can =
send them=20
      to me with an email subject "For compilation"), make cover =
art<BR>and put=20
      it online.<BR><BR>I can suggest my own resource for that - Disc =
Shelf (<A=20
      href=3D"http://www.disc-shelf.com" =
target=3D_blank>www.disc-shelf.com</A>) -=20
      which can host the files and actually<BR>present the compilation =
quite=20
      beautifully.<BR><BR>the album can then be embedded onto the =
website and=20
      such, so might be quite useful.<BR><BR>Anyway, this is my proposal =
- tell=20
      me what you think!<BR><BR>Louigi Verona.<BR><A=20
      href=3D"http://www.louigiverona.ru"=20
    =
target=3D_blank>www.louigiverona.ru</A><BR></BLOCKQUOTE></DIV></DIV></DIV=
></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From: Matthias Grob <matilists@gmail.com>
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Subject: Re: Favorite Loop Show of the Year
Date: Mon, 24 Aug 2009 16:56:19 -0300
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>
> well the band i work w/ MERMEN 's Jim Thomas does the most creative  
> looping(within a song).
> he has two edps that he has setup to work in sync- outa sync - 
> separate-together, any configuration...and while he doesnt do  
> complete loop songs-alot of their tunes start w/ his loops. such as:
>
>
> http://www.youtube.com/watch?v=1D-mBrYnYxU

great, I did not know! place it in "Echolike Delays" at http://youtube.com/livelooping

in this one, its a bit better visible, more loopy, but he stops rather  
cruedly:
http://www.youtube.com/watch?v=hmpc11j7968

maybe there is a nother nicer one? or even with the EDPs or pedal  
visible?

my last band before looping, GGroggy, arround 1982, sounded pretty  
similar, just that we improvised it all... and did not know of surf  
rock...
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font>well the band i work w/ MERMEN 's Jim =
Thomas does the most creative looping(within a song).<br>he has two edps =
that he has setup to work in sync- outa sync -separate-together, any =
configuration...and while he doesnt do complete loop songs-alot of their =
tunes start w/ his loops. such as:<br><br><br><a =
href=3D"http://www.youtube.com/watch?v=3D1D-mBrYnYxU">http://www.youtube.c=
om/watch?v=3D1D-mBrYnYxU</a><br></div></blockquote><br></div><div>great, =
I did not know! place it in "Echolike Delays" at&nbsp;<a =
href=3D"http://youtube.com/livelooping">http://youtube.com/livelooping</a>=
</div><br><div>in this one, its a bit better visible, more loopy, but he =
stops rather cruedly:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3Dhmpc11j7968">http://www.youtube.c=
om/watch?v=3Dhmpc11j7968</a></div><div><br></div><div>maybe there is a =
nother nicer one? or even with the EDPs or pedal =
visible?&nbsp;</div><div><br></div><div>my last band before looping, =
GGroggy, arround 1982, sounded pretty similar, just that we improvised =
it all... and did not know of surf rock...</div></body></html>=

--Apple-Mail-47-106156491--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 21:15:33 2009
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Subject: Re: EDP VG99 FC300 Problems
Date: Mon, 24 Aug 2009 14:15:14 -0700
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I'm using a vg99 and am setting up a software looping rig with it. I've =
learned a few things researching my own problems with the vg99. The vg99 =
sends out a set of cc messages with each patch change. It sends: CC 6, =
38, 100, 101 repeatedly with each patch change. It's sending 35 total CC =
messages with each patch change. It doesn't matter if it's the fc300 the =
wheel or the pickup doing the work. These go out on its outbound MIDI =
channel. It might be sending sysEx with this but I don't see that =
monitoring the MIDI. If you've got something on any of these CCs it =
might be your problem.
Cheers,
-Ty
www.soundclick.com\tygermangrooveband


From: Matthias Grob=20
Sent: Monday, August 24, 2009 7:47 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: EDP VG99 FC300 Problems


that right, Andy!
sorry, Fred,
since we have a very old processor (like a Mac Plus!) in the EDP its =20
audio DSP part stops when it has to deal with Sysex. Usually thats not =20
a problem because Sysex is used to change parameters while not =20
playing, and a single command hardly creates an audible interruption.
but if you send Sysex streams meant for other units to it as well, it =20
hicks up.

to select different channels does not solve the problem, because it =20
needs to analyze the data anyway. Sysex does not differentiate =20
channels but IDs so I dont think it does much with the stuff you send =20
to the 99 anyway, but just to figure out that the data is not aimed to =20
it, takes proc time...

I suppose you will have to either command the 99 some other way or =20
filter the Sysex stuff so it does not go through it or filter it in a =20
separate midi box between 99 and EDP... there are many options, =20
probably...

good luck!
Matthias

On 24 Aug 2009, at 04:56, andy butler wrote:

>
>
> Fred Fata wrote:
>
>> While in Control Change mode I record sound into the EDP,
>> I return to Sysex mode and change patches on the 99 via the 300,
>> an audible thump is heard in the recorded info in the EDP.
>
> that's the edp trying to deal with all those sysex commands.
>
> Are you using a different midi ch for the EDP?  don't
> know if that would help, but edp may not read the sysex if it's
> on a different channel.
>
> You could try chaining 300>>99>>edp so edp doesn't get sysex,
> but beware added midi latency.
>
> andy
>

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18813"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>I'm using a vg99 and am setting up a=20
software&nbsp;looping rig with it. I've learned a few things researching =
my own=20
problems with the vg99.&nbsp;The vg99&nbsp;sends out a set of cc =
messages with=20
each patch change.&nbsp;It sends: CC 6, 38, 100, 101 repeatedly with =
each patch=20
change. It's sending&nbsp;35 total CC&nbsp;messages with each patch =
change. It=20
doesn't matter if it=92s the fc300 the wheel or the pickup doing the =
work. These=20
go out on its outbound MIDI channel. It might be&nbsp;sending sysEx with =
this=20
but I don't see that monitoring the MIDI. If you've got something on any =
of=20
these CCs it might be your problem.</FONT></DIV>
<DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
<DIV><FONT face=3DCalibri>-Ty</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.soundclick.com\tygermangrooveband&#10;CTRL + Click =
to follow link"=20
href=3D"http://www.soundclick.com\tygermangrooveband">www.soundclick.com\=
tygermangrooveband</A></FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dmatilists@gmail.com=20
href=3D"">Matthias Grob</A> </DIV>
<DIV><B>Sent:</B> Monday, August 24, 2009 7:47 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: EDP VG99 FC300 Problems</DIV></DIV></DIV>
<DIV><BR></DIV>that right, Andy!<BR>sorry, Fred,<BR>since we have a very =
old=20
processor (like a Mac Plus!) in the EDP its&nbsp; <BR>audio DSP part =
stops when=20
it has to deal with Sysex. Usually thats not&nbsp; <BR>a problem because =
Sysex=20
is used to change parameters while not&nbsp; <BR>playing, and a single =
command=20
hardly creates an audible interruption.<BR>but if you send Sysex streams =
meant=20
for other units to it as well, it&nbsp; <BR>hicks up.<BR><BR>to select =
different=20
channels does not solve the problem, because it&nbsp; <BR>needs to =
analyze the=20
data anyway. Sysex does not differentiate&nbsp; <BR>channels but IDs so =
I dont=20
think it does much with the stuff you send&nbsp; <BR>to the 99 anyway, =
but just=20
to figure out that the data is not aimed to&nbsp; <BR>it, takes proc=20
time...<BR><BR>I suppose you will have to either command the 99 some =
other way=20
or&nbsp; <BR>filter the Sysex stuff so it does not go through it or =
filter it in=20
a&nbsp; <BR>separate midi box between 99 and EDP... there are many=20
options,&nbsp; <BR>probably...<BR><BR>good luck!<BR>Matthias<BR><BR>On =
24 Aug=20
2009, at 04:56, andy butler wrote:<BR><BR>&gt;<BR>&gt;<BR>&gt; Fred Fata =

wrote:<BR>&gt;<BR>&gt;&gt; While in Control Change mode I record sound =
into the=20
EDP,<BR>&gt;&gt; I return to Sysex mode and change patches on the 99 via =
the=20
300,<BR>&gt;&gt; an audible thump is heard in the recorded info in the=20
EDP.<BR>&gt;<BR>&gt; that's the edp trying to deal with all those sysex=20
commands.<BR>&gt;<BR>&gt; Are you using a different midi ch for the =
EDP?&nbsp;=20
don't<BR>&gt; know if that would help, but edp may not read the sysex if =

it's<BR>&gt; on a different channel.<BR>&gt;<BR>&gt; You could try =
chaining=20
300&gt;&gt;99&gt;&gt;edp so edp doesn't get sysex,<BR>&gt; but beware =
added midi=20
latency.<BR>&gt;<BR>&gt; andy<BR>&gt;<BR></BODY></HTML>

------=_NextPart_000_036B_01CA24C5.4CB2E470--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 24 21:45:39 2009
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From: stanitarium@earthlink.net
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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:=
9pt;background-color: #ffffff;color: black;}p{margin:0px}</style></head><bo=
dy id=3D"compText"><style>body{font-family: Geneva,Arial,Helvetica,sans-ser=
if;font-size:9pt;background-color: #ffffff;color: black;}p{margin:0px}</sty=
le><blockquote style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #=
0000ff 2px solid"><matilists@gmail.com><loopers-delight@loopers-delight.com=
><zzzhtml><zzzbody style=3D"word-wrap: break-word; -webkit-nbsp-mode: space=
; -webkit-line-break: after-white-space; "><div>in this one, its a bit bett=
er visible, more loopy, but he stops rather cruedly:</div><div><a target=3D=
"_blank" href=3D"http://www.youtube.com/watch?v=3Dhmpc11j7968">http://www.y=
outube.com/watch?v=3Dhmpc11j7968</a></div><div>maybe there is a nother nice=
r one? or even with the EDPs or pedal visible?&nbsp;</div><div><br></div><d=
iv><br></div><div><br></div><div>hey! thats my black strat that i gave JimT=
homas for his last BDay!</div><div>his bigass rack is always facing him-so,=
 very few pix of the internals-i'll try to get one.</div><div>cant remember=
 what pedals he uses to operate the loops.</div><div>sean echevarria helped=
 him w/ the edps setups...</div><div>sean?</div></zzzbody></zzzhtml></loope=
rs-delight@loopers-delight.com></matilists@gmail.com></blockquote></body>

From greenwalls@sify.com  Tue Aug 25 00:23:07 2009
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From: "Yamuna" <greenwalls@sify.com>
To: "looparc@loopers-delight.com" <looparc@loopers-delight.com>
Subject: God worship and days - Check your compatiblity.
Date: Mon, 24 Aug 2009 20:30:01 +0530
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Hai,

Ancient Indian astrology describes the astrology based on the flowers we like and nature of each flowers its advantage of wearing different flowers and timings. Its FREE.

1. Flower Astrology.
2. God worship and days.
3. New clothing days and advantages.

more details at:
http://www.flower-astrology.worldispnetwork.com/

Thanks.

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 00:52:22 2009
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Subject: Re: Favorite Loop Show of the Year
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--=====================_1456620179==.ALT
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Hey Stan!  (Did Allen drop my name over the weekend?)

I wish I could, but I can't take any credit for helping with Jim's 
setup.  We bounced some ideas around and he achieved his goal on his 
own.  He is using two EDPs (the last time I tried to help) and had 
them set up so that he can switch between one of three difference 
configurations:

1) with midi clock sync piped in from an external source, Echoplex # 
1 is the master of Echoplex # 2.
2) when midi clock is off, Echoplex # 2 is the master of Echoplex # 1 
via brother sync.
3) when midi clock is off and he begins looping with Echoplex # 1, 
Echoplex 2 is asychronous.

Talk about flexibility!

sean


At 2009.08.24 02:45 PM, stanitarium@earthlink.net wrote:
>in this one, its a bit better visible, more loopy, but he stops 
>rather cruedly:
><http://www.youtube.com/watch?v=hmpc11j7968>http://www.youtube.com/watch?v=hmpc11j7968
>maybe there is a nother nicer one? or even with the EDPs or pedal visible?
>
>
>
>hey! thats my black strat that i gave JimThomas for his last BDay!
>his bigass rack is always facing him-so, very few pix of the 
>internals-i'll try to get one.
>cant remember what pedals he uses to operate the loops.
>sean echevarria helped him w/ the edps setups...
>sean?

--=====================_1456620179==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
Hey Stan!&nbsp; (Did Allen drop my name over the weekend?)<br><br>
I wish I could, but I can't take any credit for helping with Jim's
setup.&nbsp; We bounced some ideas around and he achieved his goal on his
own.&nbsp; He is using two EDPs (the last time I tried to help) and had
them set up so that he can switch between one of three difference
configurations:<br><br>
1) with midi clock sync piped in from an external source, Echoplex # 1 is
the master of Echoplex # 2.<br>
2) when midi clock is off, Echoplex # 2 is the master of Echoplex # 1 via
brother sync.<br>
3) when midi clock is off and he begins looping with Echoplex # 1,
Echoplex 2 is asychronous.<br><br>
Talk about flexibility!<br><br>
sean<br><br>
<br>
At 2009.08.24 02:45 PM, stanitarium@earthlink.net wrote:<br>
<blockquote type=cite class=cite cite="">
<dl>
<dd>in this one, its a bit better visible, more loopy, but he stops
rather cruedly:<br>

<dd><a href="http://www.youtube.com/watch?v=hmpc11j7968">
http://www.youtube.com/watch?v=hmpc11j7968</a><br>

<dd>maybe there is a nother nicer one? or even with the EDPs or pedal
visible? <br><br>
<br><br>

<dd>hey! thats my black strat that i gave JimThomas for his last
BDay!<br>

<dd>his bigass rack is always facing him-so, very few pix of the
internals-i'll try to get one.<br>

<dd>cant remember what pedals he uses to operate the loops.<br>

<dd>sean echevarria helped him w/ the edps setups...<br>

<dd>sean?<br>

</dl></blockquote></body>
</html>

--=====================_1456620179==.ALT--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 09:05:44 2009
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Date: Tue, 25 Aug 2009 11:07:58 +0200
From: Massimo Liverani <liverani@het.it>
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User-Agent: Thunderbird 2.0.0.23 (Windows/20090812)
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To: Loopers-Delight@loopers-delight.com
Subject: The Knot
References: <20aeede50908240131t1b20f01elde1fc0a3ec520c48@mail.gmail.com> <01d801ca24ad$6f0ebf20$0301a8c0@Toshiba> <20aeede50908240425v72b4da0et9405bec657807e3a@mail.gmail.com> <92A91A9A6F9544EC86EBF8BE2C4E7493@MichaelPC>
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
talking about disc-shelf i signed up too <br>
and i also loaded my live looping music, <br>
you can listen to <br>
<a class="moz-txt-link-freetext" href="http://www.disc-shelf.com/?album=130">http://www.disc-shelf.com/?album=130</a><br>
Tnx!<br>
<br>
Massimo Liverani (Max Liver)<br>
<br>
<a class="moz-txt-link-abbreviated" href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> ha scritto:
<blockquote cite="mid:92A91A9A6F9544EC86EBF8BE2C4E7493@MichaelPC"
 type="cite">
  <meta content="text/html; charset=iso-8859-1"
 http-equiv="Content-Type">
  <meta name="GENERATOR" content="MSHTML 8.00.6001.18813">
  <style></style>
  <div><font face="Arial" size="2">Louigi,</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Cool layout at Disc-shelf!</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Just signed up!</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">~peace~</font></div>
  <div><font face="Arial" size="2">plish</font></div>
</blockquote>
<div class="moz-signature"><br>
</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 09:19:59 2009
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Date: Tue, 25 Aug 2009 11:22:13 +0200
From: Massimo Liverani <liverani@het.it>
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<meta content="text/html;charset=UTF-8" http-equiv="Content-Type">
Hi Per<br>
Oh, yess, i'm still not veryÂ  practic with this toy...<br>
so i changed it...now is public! <br>
excuse me :-)<br>
tanks!<br>
<br>
Massimo<br>
<br>
<br>
Per Boysen ha scritto:
<blockquote
 cite="mid:66f9cc1e0908250208h5bd9519dhb430162a42c71d8a@mail.gmail.com"
 type="cite">
  <pre wrap="">Hi Massimo,

I couldn't log in to listen because an error message said "this album
is private". Maybe you want to change that setting so people can
listen?

Greetings from Sweden

Per Boysen
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="http://www.boysen.se">www.boysen.se</a>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="http://www.perboysen.com">www.perboysen.com</a>



On Tue, Aug 25, 2009 at 11:07 AM, Massimo Liverani<a
 moz-do-not-send="true" class="moz-txt-link-rfc2396E"
 href="mailto:liverani@het.it">&lt;liverani@het.it&gt;</a> wrote:
  </pre>
  <blockquote type="cite">
    <pre wrap="">talking about disc-shelf i signed up too
and i also loaded my live looping music,
you can listen to
<a moz-do-not-send="true" class="moz-txt-link-freetext"
 href="http://www.disc-shelf.com/?album=130">http://www.disc-shelf.com/?album=130</a>
Tnx!

Massimo Liverani (Max Liver)

<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> ha scritto:

Louigi,

Cool layout at Disc-shelf!

Just signed up!

~peace~
plish

    </pre>
  </blockquote>
  <pre wrap=""><!---->
  </pre>
</blockquote>
<div class="moz-signature"><br>
</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 10:16:42 2009
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Date: Tue, 25 Aug 2009 12:18:57 +0200
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This is a multi-part message in MIME format.
--------------080605050400000402070501
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<body bgcolor="#ffffff" text="#000000">
<br>
Hey Massimo!<br>
Great to know you are enthusiastic about disc-shelf! The album looks
beautiful.<br>
As for the music - I am very much enjoying it! Gorgeous build ups and
amazing<br>
mixture of sounds and notes.<br>
<br>
Louigi.<br>
<br>
<div class="gmail_quote">On Tue, Aug 25, 2009 at 1:22 PM, Massimo
Liverani <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:liverani@het.it">liverani@het.it</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
  <div bgcolor="#ffffff" text="#000000">Hi Per<br>
Oh, yess, i'm still not very&nbsp; practic with this toy...<br>
so i changed it...now is public! <br>
excuse me :-)<br>
tanks!<br>
  <br>
Massimo<br>
  <br>
  <br>
Per Boysen ha scritto:
  <blockquote type="cite">
    <pre>Hi Massimo,

I couldn't log in to listen because an error message said "this album
is private". Maybe you want to change that setting so people can
listen?

Greetings from Sweden

Per Boysen
<a moz-do-not-send="true" href="http://www.boysen.se" target="_blank">www.boysen.se</a>
<a moz-do-not-send="true" href="http://www.perboysen.com"
 target="_blank">www.perboysen.com</a><div><div class="h5">



On Tue, Aug 25, 2009 at 11:07 AM, Massimo Liverani<a
 moz-do-not-send="true" href="mailto:liverani@het.it" target="_blank">&lt;liverani@het.it&gt;</a> wrote:
  </div></div></pre>
    <div>
    <div class="h5">
    <blockquote type="cite">
      <pre>talking about disc-shelf i signed up too
and i also loaded my live looping music,
you can listen to
<a moz-do-not-send="true" href="http://www.disc-shelf.com/?album=130"
 target="_blank">http://www.disc-shelf.com/?album=130</a>
Tnx!

Massimo Liverani (Max Liver)

<a moz-do-not-send="true" href="mailto:mike@michaelplishka.com"
 target="_blank">mike@michaelplishka.com</a> ha scritto:

Louigi,

Cool layout at Disc-shelf!

Just signed up!

~peace~
plish

    </pre>
    </blockquote>
    <pre>  </pre>
    </div>
    </div>
  </blockquote>
  <div><br>
  </div>
  </div>
</blockquote>
</div>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.01020705.05000407@het.it" border="0"></div>
</body>
</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 11:23:30 2009
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Date: Tue, 25 Aug 2009 13:23:27 +0200
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Subject: News about Antwerp Live Looping Festival 2010
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From: "Sjaak" <tcplugin@scarlet.be>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
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Hi,
I'm just finished with the line up for the 2nd edition, scheduled for Mar=
ch 6, 2010. To be honest, I was possitively surprised about the number of=
 requests I got of loopers who want to perform in Antwerp 2010. Which his=
 good because that means people are interested and still looping. But giv=
en the fact it's a small festival, it also meant I had to disappoint a nu=
mber of people. Anyway, we have changed things a bit, so we have 3 known =
and 3 new artists programmed ranging from Ambient Jazz to Ambient guitar =
drones:

- Steve Lawson - UK
- Dirk Serries' Microphonics - Belgium
- Luis Angulo - Mexico
- Signals Under Tests - Ireland
- N - Germany
- Sjaak Overgaauw - Belgium

We also lowered the ticket price to 10,- Euro. I especially would like to=
 invite people from The Netherlands, Germany and Belgium to come to Antwe=
rp: it's not far, there aren't any other live looping festivals planned y=
et for early 2010 so this is your chance to meet live loopers and enjoy w=
onderfull music. Please forward this message to interested people. Hope t=
o see you :)

All details can be found on the new website http://livelooping.be/

--- 
Sjaak Overgaauw
http://sjaakovergaauw.com/ 
http://euroloopfest.com/
http://livelooping.be/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 11:26:04 2009
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From: mark francombe <mark@markfrancombe.com>
Date: Tue, 25 Aug 2009 13:25:39 +0200
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Message-ID: <9ab0c76f0908250425o16311e99u891fc8b4959c50b0@mail.gmail.com>
Subject: Which live streaming method is best?
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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The question is in the subject...

Which live streaming method is best?

I have a weird performance next week, where I will provide drones and
soundsscape for a Bendir Player and Trumpeter That are located in Melbourne
Austrailia to my Oslo Norway.

I did suggest NinJam to them, but.. well they didnt wanna, and right now 5
dont have a PC running the server so I am always in danger of a Shredder
screwing up our sensitive Improv(When I use apublic Server.

I I suggested UStream, however, Im wondering if the sound quality (is is
stereo? for example) is any good? My guys down under will be Live on stage
with me projected via webcam...
What other (free) systems might I try.. IT doesnt have to be that I can hear
them... I will just provide drones that They will play to... Weird for me,
but I will get to hear the recording afterwards...

M

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c371c4398550471f59953
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The question is in the subject...<br><br>Which live streaming method is bes=
t?<br><br>I have a weird performance next week, where I will provide drones=
 and soundsscape for a Bendir Player and Trumpeter That are located in Melb=
ourne Austrailia to my Oslo Norway.<br>

<br>I did suggest NinJam to them, but.. well they didnt wanna, and right no=
w 5 dont have a PC running the server so I am always in danger of a Shredde=
r screwing up our sensitive Improv(When I use apublic Server.<br><br>I I su=
ggested UStream, however, Im wondering if the sound quality (is is stereo? =
for example) is any good? My guys down under will be Live on stage with me =
projected via webcam... <br>

What other (free) systems might I try.. IT doesnt have to be that I can hea=
r them... I will just provide drones that They will play to... Weird for me=
, but I will get to hear the recording afterwards...<br><br>M<br clear=3D"a=
ll">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c371c4398550471f59953--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 12:53:54 2009
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Message-ID: <4A93DF69.5020807@het.it>
Date: Tue, 25 Aug 2009 14:56:09 +0200
From: Massimo Liverani <liverani@het.it>
Reply-To: massimo <m.liverani@email.it>
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To: Christo Jota <chris@christojota.de>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: The Knot
References: <20aeede50908240131t1b20f01elde1fc0a3ec520c48@mail.gmail.com> <01d801ca24ad$6f0ebf20$0301a8c0@Toshiba> <20aeede50908240425v72b4da0et9405bec657807e3a@mail.gmail.com> <92A91A9A6F9544EC86EBF8BE2C4E7493@MichaelPC> <4A93A9EE.4030702@het.it> <018d01ca2582$47f9cd50$0201a8c0@Toshiba>
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Tanky you Christo...maybe is for the fact i live in Florence, and i
spend some time <br>
in The tuscany coast (Maremma) :-)) ...so i'm very happy you like. <br>
They are live recorded and at the perfromance we estabilished a record:
<br>
0 public! :-(<br>
<br>
Max Liver<br>
<br>
Christo Jota ha scritto:
<blockquote cite="mid:018d01ca2582$47f9cd50$0201a8c0@Toshiba"
 type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <meta content="MSHTML 5.00.3700.6699" name="GENERATOR">
  <div><font face="Arial" size="2">Reminds me of a warm breeze in the
evening at the Tuscany-coast in Italy. Been there on vacation last year.</font></div>
  <div><font face="Arial" size="2">Beautiful.</font></div>
  <div><font face="Arial" size="2">(Loop 1)</font></div>
  <div><font face="Arial" size="2">Very atmospheric ! I like it.</font></div>
  <div><font face="Arial" size="2">Christo</font></div>
  <div><font face="Arial" size="2"><a moz-do-not-send="true"
 href="http://www.christojota.de">www.christojota.de</a></font></div>
  <div>&nbsp;</div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); margin-left: 5px; margin-right: 0px; padding-left: 5px; padding-right: 0px;">
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
    <div
 style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
    <a moz-do-not-send="true" href="mailto:liverani@het.it"
 title="liverani@het.it">Massimo Liverani</a> </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
    <a moz-do-not-send="true"
 href="mailto:Loopers-Delight@loopers-delight.com"
 title="Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
    </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 25, 2009 11:07 AM</div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
The Knot</div>
    <div><br>
    </div>
talking about disc-shelf i signed up too <br>
and i also loaded my live looping music, <br>
you can listen to <br>
    <a moz-do-not-send="true" class="moz-txt-link-freetext"
 href="http://www.disc-shelf.com/?album=130">http://www.disc-shelf.com/?album=130</a><br>
Tnx!<br>
    <br>
Massimo Liverani (Max Liver)<br>
    <br>
    <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> ha
scritto:
    <blockquote type="cite"
 cite="mid:92A91A9A6F9544EC86EBF8BE2C4E7493@MichaelPC">
      <meta content="MSHTML 8.00.6001.18813" name="GENERATOR">
      <style></style>
      <div><font face="Arial" size="2">Louigi,</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Cool layout at Disc-shelf!</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Just signed up!</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">~peace~</font></div>
      <div><font face="Arial" size="2">plish</font></div>
    </blockquote>
    <div class="moz-signature"><br>
    </div>
  </blockquote>
</blockquote>
<br>
<br>
<div class="moz-signature">-<br>
<br>
</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 12:55:19 2009
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Date: Tue, 25 Aug 2009 14:57:34 +0200
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Tanky you Christo...maybe is for the fact i live in Florence, and i
spend some time <br>
in The tuscany coast (Maremma) :-)) ...so i'm very happy you like. <br>
They are live recorded and at the perfromance we estabilished a record:
<br>
0 public! :-(<br>
<br>
Max Liver<br>
<br>
Christo Jota ha scritto:
<blockquote cite="mid:018d01ca2582$47f9cd50$0201a8c0@Toshiba"
 type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
  <meta content="MSHTML 5.00.3700.6699" name="GENERATOR">
  <div><font face="Arial" size="2">Reminds me of a warm breeze in the
evening at the Tuscany-coast in Italy. Been there on vacation last year.</font></div>
  <div><font face="Arial" size="2">Beautiful.</font></div>
  <div><font face="Arial" size="2">(Loop 1)</font></div>
  <div><font face="Arial" size="2">Very atmospheric ! I like it.</font></div>
  <div><font face="Arial" size="2">Christo</font></div>
  <div><font face="Arial" size="2"><a moz-do-not-send="true"
 href="http://www.christojota.de">www.christojota.de</a></font></div>
  <div>&nbsp;</div>
  <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); margin-left: 5px; margin-right: 0px; padding-left: 5px; padding-right: 0px;">
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
    <div
 style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
    <a moz-do-not-send="true" href="mailto:liverani@het.it"
 title="liverani@het.it">Massimo Liverani</a> </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
    <a moz-do-not-send="true"
 href="mailto:Loopers-Delight@loopers-delight.com"
 title="Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
    </div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 25, 2009 11:07 AM</div>
    <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
The Knot</div>
    <div><br>
    </div>
talking about disc-shelf i signed up too <br>
and i also loaded my live looping music, <br>
you can listen to <br>
    <a moz-do-not-send="true" class="moz-txt-link-freetext"
 href="http://www.disc-shelf.com/?album=130">http://www.disc-shelf.com/?album=130</a><br>
Tnx!<br>
    <br>
Massimo Liverani (Max Liver)<br>
    <br>
    <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> ha
scritto:
    <blockquote type="cite"
 cite="mid:92A91A9A6F9544EC86EBF8BE2C4E7493@MichaelPC">
      <meta content="MSHTML 8.00.6001.18813" name="GENERATOR">
      <style></style>
      <div><font face="Arial" size="2">Louigi,</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Cool layout at Disc-shelf!</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">Just signed up!</font></div>
      <div>&nbsp;</div>
      <div><font face="Arial" size="2">~peace~</font></div>
      <div><font face="Arial" size="2">plish</font></div>
    </blockquote>
    <div class="moz-signature"><br>
    </div>
  </blockquote>
</blockquote>
<br>
<br>
<div class="moz-signature">-<br>
<br>
</div>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.05080505.03080207@het.it" border="0"></div>
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From: Jim Goodin <jimgoodinmusic@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Subject: Re: Which live streaming method is best?
Date: Tue, 25 Aug 2009 10:33:43 -0400
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Mark my experience with ustream has been good though ive kept my feeds  
mono. Rainer and jeff have done stereo on ustream but i think their  
experience witth it has been better on justin.tv. The main thing you  
have to watch in my experience is to not ovedrive the audio to the  
server.  Ustream has seemed sensitive in the past to the   point that  
ive kept my master out at 11oclock.  Sunday my loops got pretty  
saturated and i thought i was probably going to clip some but on pb  
things held up.

Jim

On Aug 25, 2009, at 7:25 AM, mark francombe <mark@markfrancombe.com>  
wrote:

> The question is in the subject...
>
> Which live streaming method is best?
>
> I have a weird performance next week, where I will provide drones  
> and soundsscape for a Bendir Player and Trumpeter That are located  
> in Melbourne Austrailia to my Oslo Norway.
>
> I did suggest NinJam to them, but.. well they didnt wanna, and right  
> now 5 dont have a PC running the server so I am always in danger of  
> a Shredder screwing up our sensitive Improv(When I use apublic Server.
>
> I I suggested UStream, however, Im wondering if the sound quality  
> (is is stereo? for example) is any good? My guys down under will be  
> Live on stage with me projected via webcam...
> What other (free) systems might I try.. IT doesnt have to be that I  
> can hear them... I will just provide drones that They will play  
> to... Weird for me, but I will get to hear the recording afterwards...
>
> M
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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	charset=utf-8
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<html><body bgcolor=3D"#FFFFFF"><div><div>Mark my experience with =
ustream has been good though ive kept my feeds mono. Rainer and jeff =
have done stereo on ustream but i think their experience witth it has =
been better on justin.tv. The main thing you have to watch in my =
experience is to not ovedrive the audio to the server. &nbsp;Ustream has =
seemed sensitive in the past to the &nbsp; point that ive kept my master =
out at 11oclock. &nbsp;Sunday my loops got pretty saturated and i =
thought i was probably going to clip some but on pb things held =
up.<br></div><div><br></div><div>Jim</div><div><br>On Aug 25, 2009, at =
7:25 AM, mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com"><a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a></a>> =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>The =
question is in the subject...<br><br>Which live streaming method is =
best?<br><br>I have a weird performance next week, where I will provide =
drones and soundsscape for a Bendir Player and Trumpeter That are =
located in Melbourne Austrailia to my Oslo Norway.<br>

<br>I did suggest NinJam to them, but.. well they didnt wanna, and right =
now 5 dont have a PC running the server so I am always in danger of a =
Shredder screwing up our sensitive Improv(When I use apublic =
Server.<br><br>I I suggested UStream, however, Im wondering if the sound =
quality (is is stereo? for example) is any good? My guys down under will =
be Live on stage with me projected via webcam... <br>

What other (free) systems might I try.. IT doesnt have to be that I can =
hear them... I will just provide drones that They will play to... Weird =
for me, but I will get to hear the recording afterwards...<br><br>M<br =
clear=3D"all">

<br>-- <br><a href=3D"http://www.markfrancombe.com"></a><a =
href=3D"http://www.markfrancombe.com"><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a =
href=3D"http://vimeo.com/user825094"></a><a =
href=3D"http://vimeo.com/user825094"><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><b=
r><a href=3D"http://uk.youtube.com/user/markfrancombe"></a><a =
href=3D"http://uk.youtube.com/user/markfrancombe"><a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a></a><br>

<a href=3D"http://www.myspace.com/markfrancombe"></a><a =
href=3D"http://www.myspace.com/markfrancombe"><a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a></a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"></a=
><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a></a><br>


</div></blockquote></div><div></div></body></html>=

--Apple-Mail-4-173201071--

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 15:22:13 2009
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To: Loopers-Delight@loopers-delight.com
From: Jeff Baker <acornfr@bellsouth.net>
Subject: EchoPlex
Date: Tue, 25 Aug 2009 11:18:43 -0400
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I am a harmonica player and am looking for an Echoplex or a unit like  
one to purchase
   Any info would be appreciated

   Thanks,
    Jeffrey baker

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 16:05:07 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <EB856648-B5F4-49D1-B5AE-5459511EA733@gmail.com>
Subject: Re: Which live streaming method is best?
Date: Tue, 25 Aug 2009 12:05:05 -0400
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This is true Jim, except I use Ustream now, Rainer still uses justin.tv. =
I use (and I think Rainer also) the FME (Flash Media Encoder) which may =
be used with either service. It was a little tricky to set up but I get =
plenty of headroom with it. It is stereo and you can choose quality =
desired for audio and video. I use a 128kbs mp3 for audio. The FME has a =
nice VU meter that shows your levels being input and I adjust with my =
mixers output accordingly

For that app be aware that there is about a 2 second delay between =
inputing a note and hearing it on the broadcast. I never listen to the =
broadcast while playing. Rainer and I have experimented some with this =
and it works but kind of "Cage" like as he says! :) For droney stuff =
it's pretty ok, even could be interesting.

Best,

Jeff

"Was that too melodic?"
_ Sonny Sharrock

http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, August 25, 2009 10:33 AM
  Subject: Re: Which live streaming method is best?


  Mark my experience with ustream has been good though ive kept my feeds =
mono. Rainer and jeff have done stereo on ustream but i think their =
experience witth it has been better on justin.tv. The main thing you =
have to watch in my experience is to not ovedrive the audio to the =
server.  Ustream has seemed sensitive in the past to the   point that =
ive kept my master out at 11oclock.  Sunday my loops got pretty =
saturated and i thought i was probably going to clip some but on pb =
things held up.



  Jim

  On Aug 25, 2009, at 7:25 AM, mark francombe <mark@markfrancombe.com> =
wrote:


    The question is in the subject...

    Which live streaming method is best?

    I have a weird performance next week, where I will provide drones =
and soundsscape for a Bendir Player and Trumpeter That are located in =
Melbourne Austrailia to my Oslo Norway.

    I did suggest NinJam to them, but.. well they didnt wanna, and right =
now 5 dont have a PC running the server so I am always in danger of a =
Shredder screwing up our sensitive Improv(When I use apublic Server.

    I I suggested UStream, however, Im wondering if the sound quality =
(is is stereo? for example) is any good? My guys down under will be Live =
on stage with me projected via webcam...=20
    What other (free) systems might I try.. IT doesnt have to be that I =
can hear them... I will just provide drones that They will play to... =
Weird for me, but I will get to hear the recording afterwards...

    M

    --=20
    www.markfrancombe.com
    http://vimeo.com/user825094
    http://uk.youtube.com/user/markfrancombe
    http://www.myspace.com/markfrancombe
    http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This is true Jim, except I use Ustream =
now, Rainer=20
still uses justin.tv. I use (and I think Rainer also) the FME (Flash =
Media=20
Encoder) which may be used with either service. It was a little tricky =
to set up=20
but I get plenty of headroom with it. It is stereo and you can choose =
quality=20
desired for audio and video. I use a 128kbs mp3 for audio. The FME has a =
nice VU=20
meter that shows your levels being input and I adjust with my mixers =
output=20
accordingly</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>For that app be aware that there is =
about a 2=20
second delay between inputing a note and hearing it on the broadcast. I =
never=20
listen to the broadcast while playing. Rainer and I have experimented =
some with=20
this and it works but kind of "Cage" like as he says! :) For droney =
stuff it's=20
pretty ok, even could be interesting.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"Was that too melodic?"<BR>_ Sonny=20
Sharrock</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://www.ustream.tv/channel/loopydroneyglitchywacky-presents">h=
ttp://www.ustream.tv/channel/loopydroneyglitchywacky-presents</A></FONT><=
/DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, August 25, 2009 =
10:33=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Which live =
streaming method=20
  is best?</DIV>
  <DIV><BR></DIV>
  <DIV>
  <DIV>Mark my experience with ustream has been good though ive kept my =
feeds=20
  mono. Rainer and jeff have done stereo on ustream but i think their =
experience=20
  witth it has been better on justin.tv. The main thing you have to =
watch in my=20
  experience is to not ovedrive the audio to the server. &nbsp;Ustream =
has=20
  seemed sensitive in the past to the &nbsp; point that ive kept my =
master out=20
  at 11oclock. &nbsp;Sunday my loops got pretty saturated and i thought =
i was=20
  probably going to clip some but on pb things held up.<BR></DIV>
  <DIV><BR></DIV>
  <DIV>Jim</DIV>
  <DIV><BR>On Aug 25, 2009, at 7:25 AM, mark francombe &lt;<A=20
  href=3D"mailto:mark@markfrancombe.com"><A=20
  =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</A></A>&gt;=
=20
  wrote:<BR><BR></DIV>
  <DIV></DIV>
  <BLOCKQUOTE type=3D"cite">
    <DIV>The question is in the subject...<BR><BR>Which live streaming =
method is=20
    best?<BR><BR>I have a weird performance next week, where I will =
provide=20
    drones and soundsscape for a Bendir Player and Trumpeter That are =
located in=20
    Melbourne Austrailia to my Oslo Norway.<BR><BR>I did suggest NinJam =
to them,=20
    but.. well they didnt wanna, and right now 5 dont have a PC running =
the=20
    server so I am always in danger of a Shredder screwing up our =
sensitive=20
    Improv(When I use apublic Server.<BR><BR>I I suggested UStream, =
however, Im=20
    wondering if the sound quality (is is stereo? for example) is any =
good? My=20
    guys down under will be Live on stage with me projected via =
webcam...=20
    <BR>What other (free) systems might I try.. IT doesnt have to be =
that I can=20
    hear them... I will just provide drones that They will play to... =
Weird for=20
    me, but I will get to hear the recording afterwards...<BR><BR>M<BR=20
    clear=3Dall><BR>-- <BR><A =
href=3D"http://www.markfrancombe.com"></A><A=20
    href=3D"http://www.markfrancombe.com"><A=20
    =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A></A><BR><A=
=20
    href=3D"http://vimeo.com/user825094"></A><A=20
    href=3D"http://vimeo.com/user825094"><A=20
    =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A></A><=
BR><A=20
    href=3D"http://uk.youtube.com/user/markfrancombe"></A><A=20
    href=3D"http://uk.youtube.com/user/markfrancombe"><A=20
    =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A></A><BR><A=20
    href=3D"http://www.myspace.com/markfrancombe"></A><A=20
    href=3D"http://www.myspace.com/markfrancombe"><A=20
    =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A></A><BR><A=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"></=
A><A=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"><A=
=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A></A><BR></=
DIV></BLOCKQUOTE></DIV>
  <DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 16:10:06 2009
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Date: Tue, 25 Aug 2009 18:12:21 +0200
From: Massimo Liverani <liverani@het.it>
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To: Jim Goodin <jimgoodinmusic@gmail.com>
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Subject: Re: The Knot
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Thank you!&nbsp; <br>
I don't exactly know but here you can find informations:<br>
<a class="moz-txt-link-freetext" href="http://www.disc-shelf.com/about.php">http://www.disc-shelf.com/about.php</a><br>
greetings from Florence! <br>
<br>
Jim Goodin ha scritto:
<blockquote
 cite="mid:9e0440a60908250859o2052e05bpeae9d6c003f3e81e@mail.gmail.com"
 type="cite">
  <div>Massimo enjoyed, particularly Loop 2.&nbsp; Is Disc Shelf a local
Italian venture?</div>
  <div>&nbsp;</div>
  <div>Jim<br>
  <br>
  </div>
  <div class="gmail_quote">On Tue, Aug 25, 2009 at 8:57 AM, Massimo
Liverani <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:liverani@het.it">liverani@het.it</a>&gt;</span> wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;">
    <div bgcolor="#ffffff" text="#000000">
    <div>
    <div class="h5">Tanky you Christo...maybe is for the fact i live in
Florence, and i spend some time <br>
in The tuscany coast (Maremma) :-)) ...so i'm very happy you like. <br>
They are live recorded and at the perfromance we estabilished a record:
    <br>
0 public! :-(<br>
    <br>
Max Liver<br>
    <br>
Christo Jota ha scritto:
    <blockquote type="cite">
      <div><font face="Arial" size="2">Reminds me of a warm breeze in
the evening at the Tuscany-coast in Italy. Been there on vacation last
year.</font></div>
      <div><font face="Arial" size="2">Beautiful.</font></div>
      <div><font face="Arial" size="2">(Loop 1)</font></div>
      <div><font face="Arial" size="2">Very atmospheric ! I like it.</font></div>
      <div><font face="Arial" size="2">Christo</font></div>
      <div><font face="Arial" size="2"><a moz-do-not-send="true"
 href="http://www.christojota.de/" target="_blank">www.christojota.de</a></font></div>
      <div>&nbsp;</div>
      <blockquote
 style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">-----
Original Message ----- </div>
        <div
 style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>
        <a moz-do-not-send="true" title="liverani@het.it"
 href="mailto:liverani@het.it" target="_blank">Massimo Liverani</a> </div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b>
        <a moz-do-not-send="true"
 title="Loopers-Delight@loopers-delight.com"
 href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a>
        </div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b>
Tuesday, August 25, 2009 11:07 AM</div>
        <div
 style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Subject:</b>
The Knot</div>
        <div><br>
        </div>
talking about disc-shelf i signed up too <br>
and i also loaded my live looping music, <br>
you can listen to <br>
        <a moz-do-not-send="true"
 href="http://www.disc-shelf.com/?album=130" target="_blank">http://www.disc-shelf.com/?album=130</a><br>
Tnx!<br>
        <br>
Massimo Liverani (Max Liver)<br>
        <br>
        <a moz-do-not-send="true" href="mailto:mike@michaelplishka.com"
 target="_blank">mike@michaelplishka.com</a> ha scritto:
        <blockquote type="cite">
          <div><font face="Arial" size="2">Louigi,</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Cool layout at Disc-shelf!</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">Just signed up!</font></div>
          <div>&nbsp;</div>
          <div><font face="Arial" size="2">~peace~</font></div>
          <div><font face="Arial" size="2">plish</font></div>
        </blockquote>
        <div><br>
        </div>
      </blockquote>
    </blockquote>
    <br>
    <br>
    <div>-<br>
    <br>
    </div>
    <br>
    </div>
    </div>
    <div>-- <br>
    <img moz-do-not-send="true" border="0"></div>
    </div>
  </blockquote>
  </div>
  <br>
  <br clear="all">
  <br>
-- <br>
ReUse, an introspective textural aural<br>
  <a moz-do-not-send="true" href="http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br>
  <br>
music links...<br>
  <a moz-do-not-send="true" href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
  <a moz-do-not-send="true" href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
  <a moz-do-not-send="true" href="http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmusic</a><br>
  <a moz-do-not-send="true"
 href="http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapaintingmusic</a><br>
  <a moz-do-not-send="true"
 href="http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
  <a moz-do-not-send="true" href="http://www.myspace.com/jindream">www.myspace.com/jindream</a><br>
  <a moz-do-not-send="true" href="http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmusic</a><br>
  <br>
video work/editing...<br>
  <a moz-do-not-send="true" href="http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
  <br>
social networking...<br>
  <a moz-do-not-send="true" href="http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic</a><br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<br>
</div>
</body>
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From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 16:20:04 2009
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	 <9e0440a60908250859o2052e05bpeae9d6c003f3e81e@mail.gmail.com>
	 <4A940D65.90501@het.it>
Date: Tue, 25 Aug 2009 18:20:00 +0200
Message-ID: <afb941d0908250920sd4bbd8dj279835027550bbc6@mail.gmail.com>
Subject: Re: The Knot
From: Raul Bonell <raul.bonell@gmail.com>
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very nice massimo.
loop2 my fav too.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 18:07:47 2009
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Date: Tue, 25 Aug 2009 20:07:45 +0200
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Subject: Re: Which live streaming method is best?
From: Raul Bonell <raul.bonell@gmail.com>
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any alternatives to FME for mac users?

2009/8/25, Jeff Duke <jeff_d@embarqmail.com>:
> This is true Jim, except I use Ustream now, Rainer still uses justin.tv. I
> use (and I think Rainer also) the FME (Flash Media Encoder) which may be
> used with either service. It was a little tricky to set up but I get plenty
> of headroom with it. It is stereo and you can choose quality desired for
> audio and video. I use a 128kbs mp3 for audio. The FME has a nice VU meter
> that shows your levels being input and I adjust with my mixers output
> accordingly
>
> For that app be aware that there is about a 2 second delay between inputing
> a note and hearing it on the broadcast. I never listen to the broadcast
> while playing. Rainer and I have experimented some with this and it works
> but kind of "Cage" like as he says! :) For droney stuff it's pretty ok, even
> could be interesting.
>
> Best,
>
> Jeff
>
> "Was that too melodic?"
> _ Sonny Sharrock
>
> http://www.myspace.com/loopsinphasespace
> http://jeffduke.bandcamp.com/
> http://www.vimeo.com/jeffduke
> http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
>   ----- Original Message -----
>   From: Jim Goodin
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Tuesday, August 25, 2009 10:33 AM
>   Subject: Re: Which live streaming method is best?
>
>
>   Mark my experience with ustream has been good though ive kept my feeds
> mono. Rainer and jeff have done stereo on ustream but i think their
> experience witth it has been better on justin.tv. The main thing you have to
> watch in my experience is to not ovedrive the audio to the server.  Ustream
> has seemed sensitive in the past to the   point that ive kept my master out
> at 11oclock.  Sunday my loops got pretty saturated and i thought i was
> probably going to clip some but on pb things held up.
>
>
>
>   Jim
>
>   On Aug 25, 2009, at 7:25 AM, mark francombe <mark@markfrancombe.com>
> wrote:
>
>
>     The question is in the subject...
>
>     Which live streaming method is best?
>
>     I have a weird performance next week, where I will provide drones and
> soundsscape for a Bendir Player and Trumpeter That are located in Melbourne
> Austrailia to my Oslo Norway.
>
>     I did suggest NinJam to them, but.. well they didnt wanna, and right now
> 5 dont have a PC running the server so I am always in danger of a Shredder
> screwing up our sensitive Improv(When I use apublic Server.
>
>     I I suggested UStream, however, Im wondering if the sound quality (is is
> stereo? for example) is any good? My guys down under will be Live on stage
> with me projected via webcam...
>     What other (free) systems might I try.. IT doesnt have to be that I can
> hear them... I will just provide drones that They will play to... Weird for
> me, but I will get to hear the recording afterwards...
>
>     M
>
>     --
>     www.markfrancombe.com
>     http://vimeo.com/user825094
>     http://uk.youtube.com/user/markfrancombe
>     http://www.myspace.com/markfrancombe
>     http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 18:24:19 2009
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Raul, yes there are, Ustream doesn't talk about it but the FME works with 
them also.

Maybe the Mac apps below would work with Ustream also, I don't know.

As far as justin.tv here is a bit on that for mac
http://community.justin.tv/forums/showthread.php?t=9

It has info on the standalone broadcaster for mac among other thing.
http://community.justin.tv/mediawiki/index.php/Quicktime_Broadcaster

best,

Jeff


----- Original Message ----- 
From: "Raul Bonell" <raul.bonell@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, August 25, 2009 2:07 PM
Subject: Re: Which live streaming method is best?


> any alternatives to FME for mac users?
>
> 2009/8/25, Jeff Duke <jeff_d@embarqmail.com>:
>> This is true Jim, except I use Ustream now, Rainer still uses justin.tv. 
>> I
>> use (and I think Rainer also) the FME (Flash Media Encoder) which may be
>> used with either service. It was a little tricky to set up but I get 
>> plenty
>> of headroom with it. It is stereo and you can choose quality desired for
>> audio and video. I use a 128kbs mp3 for audio. The FME has a nice VU 
>> meter
>> that shows your levels being input and I adjust with my mixers output
>> accordingly
>>
>> For that app be aware that there is about a 2 second delay between 
>> inputing
>> a note and hearing it on the broadcast. I never listen to the broadcast
>> while playing. Rainer and I have experimented some with this and it works
>> but kind of "Cage" like as he says! :) For droney stuff it's pretty ok, 
>> even
>> could be interesting.
>>
>> Best,
>>
>> Jeff
>>
>> "Was that too melodic?"
>> _ Sonny Sharrock
>>
>> http://www.myspace.com/loopsinphasespace
>> http://jeffduke.bandcamp.com/
>> http://www.vimeo.com/jeffduke
>> http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
>>   ----- Original Message -----
>>   From: Jim Goodin
>>   To: Loopers-Delight@loopers-delight.com
>>   Sent: Tuesday, August 25, 2009 10:33 AM
>>   Subject: Re: Which live streaming method is best?
>>
>>
>>   Mark my experience with ustream has been good though ive kept my feeds
>> mono. Rainer and jeff have done stereo on ustream but i think their
>> experience witth it has been better on justin.tv. The main thing you have 
>> to
>> watch in my experience is to not ovedrive the audio to the server. 
>> Ustream
>> has seemed sensitive in the past to the   point that ive kept my master 
>> out
>> at 11oclock.  Sunday my loops got pretty saturated and i thought i was
>> probably going to clip some but on pb things held up.
>>
>>
>>
>>   Jim
>>
>>   On Aug 25, 2009, at 7:25 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>>
>>
>>     The question is in the subject...
>>
>>     Which live streaming method is best?
>>
>>     I have a weird performance next week, where I will provide drones and
>> soundsscape for a Bendir Player and Trumpeter That are located in 
>> Melbourne
>> Austrailia to my Oslo Norway.
>>
>>     I did suggest NinJam to them, but.. well they didnt wanna, and right 
>> now
>> 5 dont have a PC running the server so I am always in danger of a 
>> Shredder
>> screwing up our sensitive Improv(When I use apublic Server.
>>
>>     I I suggested UStream, however, Im wondering if the sound quality (is 
>> is
>> stereo? for example) is any good? My guys down under will be Live on 
>> stage
>> with me projected via webcam...
>>     What other (free) systems might I try.. IT doesnt have to be that I 
>> can
>> hear them... I will just provide drones that They will play to... Weird 
>> for
>> me, but I will get to hear the recording afterwards...
>>
>>     M
>>
>>     --
>>     www.markfrancombe.com
>>     http://vimeo.com/user825094
>>     http://uk.youtube.com/user/markfrancombe
>>     http://www.myspace.com/markfrancombe
>>     http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Aug 25 23:15:35 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Taylor acoustic guitar/ sitar guitar trade
Date: Tue, 25 Aug 2009 17:15:29 -0600
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I have a Taylor CE310 acoustic guitar, hardshell case, and FCB1010 that =
I'd to sell for $750 + shipping or trade for one of the red sitar axes:

http://www.voxshowroom.com/northcoast/jerryjones/sitars.html

Anyone interested?

Kris


------=_NextPart_000_109D_01CA25A7.A50B2E60
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I have a Taylor CE310 acoustic=20
guitar,&nbsp;hardshell case, and FCB1010&nbsp;that I'd to sell for $750 =
+=20
shipping&nbsp;or trade for one of the red sitar axes:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.voxshowroom.com/northcoast/jerryjones/sitars.html">htt=
p://www.voxshowroom.com/northcoast/jerryjones/sitars.html</A></FONT></DIV=
>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone interested?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_109D_01CA25A7.A50B2E60--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 00:16:40 2009
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Subject: Re: ? RE: ECM guitarists?
References: <764357.38154.qm@web33108.mail.mud.yahoo.com>	 <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com> <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com>
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Thanks for all the replies on this thread - I've been checking out a lot 
of stuff this week as I've always loved ECM but wasn't so aware of a 
couple of the names.

The first Rypdal I tried out was Odyssey, which was well-recommended 
online as one of his best. I HATED it - masturbatory was the kindest 
word I could think of. But then I tried the trio w/Miroslav Vitous and 
DeJohnette, and have been listening to it several times a day for the 
last three days, I absolutely love it. Beautiful and moving music.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Terje Rypdal is another ambient GOD, capable of really
> straight-forward, gut-wrenching beauty, yet still sound ethereal and
> other-worldly.  His catalog is huge though and you should find a way
> to browse to find which of his vast output you personally like.  -m


From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 01:23:43 2009
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Subject: Re: ? RE: ECM guitarists?
Date: Tue, 25 Aug 2009 18:23:37 -0700
References: <764357.38154.qm@web33108.mail.mud.yahoo.com>	 <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com> <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com> <4A947EDE.7020608@mhorse.com>
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Daryl,

There is also a great concert DVD with Rypdal, Vitous and Trilok Gurtu  
available:

<http://www.abstractlogix.com/xcart/product.php?productid=21145>

I own a copy . . . and watch it from time to time.

BTW Odyssey is just about my least favorite Rypdal recording - and I  
own them all (and everything he's been a sideman on too).

It's a very early solo effort and not his best (IMOHO) though I don't  
"hate" it as you did.

I think I still like it because I hear it in a 1975 context - a time  
during which I was 22-23 and just discovering ECM jazz.

Different strokes.

Cheers,

Ted

On Aug 25, 2009, at 5:16 PM, Daryl Shawn wrote:

> Thanks for all the replies on this thread - I've been checking out a  
> lot of stuff this week as I've always loved ECM but wasn't so aware  
> of a couple of the names.
>
> The first Rypdal I tried out was Odyssey, which was well-recommended  
> online as one of his best. I HATED it - masturbatory was the kindest  
> word I could think of. But then I tried the trio w/Miroslav Vitous  
> and DeJohnette, and have been listening to it several times a day  
> for the last three days, I absolutely love it. Beautiful and moving  
> music.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Terje Rypdal is another ambient GOD, capable of really
>> straight-forward, gut-wrenching beauty, yet still sound ethereal and
>> other-worldly.  His catalog is huge though and you should find a way
>> to browse to find which of his vast output you personally like.  -m
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 01:32:00 2009
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Date: Tue, 25 Aug 2009 21:06:02 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: OT: Repeater for sale
References: <BLU0-SMTP578DE940586200E9DF4942DCF80@phx.gbl>
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Just in case no one saw it, there's a repeater for sale on ebay in  
Victoria BC. 3 days left on the auction and the current bid is 201.00.  
It's apparently unused.

Paul
Ontario, Canada

From www.mr-osward163@msn.com  Wed Aug 26 09:01:44 2009
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From: MR.OSWARD (BOA).=20
Bills & Exchange Manager=20
BANK OF AFRICA (BOA) =20
BURKINA-FASO WEST AFRICA.                                 =20
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I am contacting you in regards to a business transfer of a huge sum of mone=
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e fund from his account unless someone applies for claim as the next-of-kin=
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y=2C I now seek your permission to have you stand as a next of kin to the d=
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r as the beneficiary's next of kin. Please acknowledge receipt of this mess=
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e following=3B=20
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Your name: ............................=20
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Photograph of yours with copy of your International Passport or driver' lic=
ense............=20
Thank for your anticipated co-operation=20
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These requirements will enable us file a letter of claim to the appropriate=
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project=2C while 50% will be for me and 10% will be for our any expenses th=
at may come up. Your share stays with you while my own share shall be for i=
nvestment purposes in your country.=20
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<DIV id=3Dyiv495190917><STRONG>From: MR.OSWARD (BOA). <BR>Bills &amp=3B Exc=
hange Manager <BR>BANK OF AFRICA (BOA)&nbsp=3B <BR>BURKINA-FASO WEST AFRICA=
.&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&n=
bsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
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&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B <BR>&nbsp=3B <BR>I am contacting y=
ou in regards to a business transfer of a huge sum of money from a deceased=
 account. I decided to contact you due to the urgency of this transaction. =
<BR>&nbsp=3B <BR>PROPOSITION=3B <BR>&nbsp=3B <BR>I discovered an abandoned =
sum of $30M (Thirty Million United States Dollars) in an account that belon=
gs to one of our foreign customers who died along with his entire family. S=
ince his death=2C none of his relations has come forward to lay claims to t=
his money as the heir. The bank cannot release the fund from his account un=
less someone applies for claim as the next-of-kin to the deceased as indica=
ted in our banking guidelines. Upon this discovery=2C I now seek your permi=
ssion to have you stand as a next of kin to the deceased as all documentati=
ons will be carefully worked out by me for the fund $30M (Thirty Million Un=
ited states Dollars) to be released in your favour as the beneficiary's nex=
t of kin. Please acknowledge receipt of this message in acceptance of our m=
utual business endeavour by furnishing me with the following=3B <BR>&nbsp=
=3B <BR>Your name: ............................ <BR>Your country: .........=
................ <BR>Your phone Number: ...................... <BR>Your Tel=
/fax: ........................... <BR>Your age: ...........................=
.... <BR>Your occupation: ......................<BR>Photograph of yours wit=
h copy of your International Passport or driver' license............ <BR>Th=
ank for your anticipated co-operation <BR>&nbsp=3B <BR>These requirements w=
ill enable us file a letter of claim to the appropriate departments for nec=
essary approvals in your favour before the transfer can be made. I shall be=
 compensating you with 40% on final conclusion of this project=2C while 50%=
 will be for me and 10% will be for our any expenses that may come up. Your=
 share stays with you while my own share shall be for investment purposes i=
n your country. <BR>&nbsp=3B <BR>If this proposal is acceptable by you=2C d=
o not take undue advantage of the trust I have bestowed in you=2C I await y=
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amp=3B Exchange Manager </STRONG></DIV></body>
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From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 11:49:26 2009
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Subject: Re: ? RE: ECM guitarists?
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The trio-album with Vitous and DeJohnette indeed is fantastic. 
Rypdal was one of the early guys experimenting with a guitar synth. 
And I think he did very well with it.
I love those spheric sounds flying in the skies and
bass and drums providing a cool rythm carpet.
Christo
www.christojota.de



----- Original Message ----- 
From: "Daryl Shawn" <highhorse@mhorse.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 26, 2009 2:16 AM
Subject: Re: ? RE: ECM guitarists?


> Thanks for all the replies on this thread - I've been checking out a lot 
> of stuff this week as I've always loved ECM but wasn't so aware of a 
> couple of the names.
> 
> The first Rypdal I tried out was Odyssey, which was well-recommended 
> online as one of his best. I HATED it - masturbatory was the kindest 
> word I could think of. But then I tried the trio w/Miroslav Vitous and 
> DeJohnette, and have been listening to it several times a day for the 
> last three days, I absolutely love it. Beautiful and moving music.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
> > Terje Rypdal is another ambient GOD, capable of really
> > straight-forward, gut-wrenching beauty, yet still sound ethereal and
> > other-worldly.  His catalog is huge though and you should find a way
> > to browse to find which of his vast output you personally like.  -m
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 12:11:24 2009
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Subject: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
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Hey everybody!
So far I am enjoying being part of the Loopers Delight mailing list. A lot
of useful information sharing is going on.
I have two questions.

1. Does "looping" mean only people who overdub during performances? Because
I, for instance, do no such thing, yet I also do work with loops. The
Loopers Delight site seems to be talking mostly about this kind of overdub
looping.
2. How do you handle sampling? Do you sample a lot from TV shows, other
people's music?

Louigi Verona.
*www.louigiverona.ru*

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Hey everybody!<br>So far I am enjoying being part of the Loopers Delight ma=
iling list. A lot of useful information sharing is going on.<br>I have two =
questions.<br><br>1. Does &quot;looping&quot; mean only people who overdub =
during performances? Because I, for instance, do no such thing, yet I also =
do work with loops. The Loopers Delight site seems to be talking mostly abo=
ut this kind of overdub looping.<br>
2. How do you handle sampling? Do you sample a lot from TV shows, other peo=
ple&#39;s music?<br><br>Louigi Verona.<br><i><a href=3D"http://www.louigive=
rona.ru">www.louigiverona.ru</a></i><br>

--0023545bda2869520704720a59d1--

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Date: Wed, 26 Aug 2009 14:42:25 +0200
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Subject: Re: Samples and looping
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On Wed, Aug 26, 2009 at 2:11 PM, Louigi Verona<louigi.verona@gmail.com> wrote:
> 1. Does "looping" mean only people who overdub during performances? Because
> I, for instance, do no such thing, yet I also do work with loops. The
> Loopers Delight site seems to be talking mostly about this kind of overdub
> looping.
> 2. How do you handle sampling? Do you sample a lot from TV shows, other
> people's music?


Hi Louigi,

Two interesting questions that I too have been thinking about from
time to time.

1) Personally I'm comfortable with with using the term "looping" for
any musical activity that includes manipulating loops. I don't think
you have to sample yourself in realtime for the loops you work, in
order to perform "looping".

2) I only sample myself, as part of the live looping performance.
Sometimes I may sample an ensemble buddy as well.

Related:
I think the point in "looping" is that it is something you are doing
in realtime. I wouldn't use the term "looping" to describe the process
of finding a drum loop and set it to repeat throughout the piece. But
I would regard it "looping" if I took the same drum loop, set it to
repeat and then assigned a couple of buttons to "play it" with tricks
as double-speed, reverse sample playback, slice 16th notes and play
only the short attack of each ("stutter"), a filter cutoff and
resonance control... etc etc.

The reason I only sample myself is that I happen to be able to play
instruments and find that very fun to do. So I try to use looping
equipment too as instruments. This is different from the other
approach where you rather look at looping equipment as "production
tools" in the process of creating a piece of recorded music.

I think this list is a bit biased towards the performing aspects
rather than the producing aspects of loopage. The "how do you handle
sampling" question you posted seems typically to sort into the
producing-recorded-music context. I personally use whatever sample
that works musically, mostly from libraries that guarantee I will not
violate any rights if the music should later on happen to be used
commercially or in public.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 26 Aug 2009 17:27:41 +0400
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Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
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So I see. Interesting.

Well, I do looping in real time as well, but I do not record in real time -
at least, not yet. There are a lot of things which I find interesting
in manipulating recorded sound. What I personally do not like about overdub
looping at the moment is that the only possible thing here is a build up.
You record the first loop and as you record other loops over, this first
loop will repeat and repeat and repeat. It is very difficult to make the
arrangement varied.
And you get a lot of lines which are there looped for too long a time.

As for sampling, I personally sample both myself and from any sources,
including the "copyrighted" things like movies and "commercial music".
I do put that into brackets since I find it ridiculous that it is illegal to
sample. Sampling yourself is cool, but using a sample from, say, a movie,
can
bring extra special charm to the record. But that's me.

Louigi.

--00151747906e565b0a04720b6aa6
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So I see. Interesting.<br><br>Well, I do looping in real time as well, but =
I do not record in real time - at least, not yet. There are a lot of things=
 which I find interesting<br>in manipulating recorded sound. What I persona=
lly do not like about overdub looping at the moment is that the only possib=
le thing here is a build up.<br>
You record the first loop and as you record other loops over, this first lo=
op will repeat and repeat and repeat. It is very difficult to make the arra=
ngement varied.<br>And you get a lot of lines which are there looped for to=
o long a time.<br>
<br>As for sampling, I personally sample both myself and from any sources, =
including the &quot;copyrighted&quot; things like movies and &quot;commerci=
al music&quot;.<br>I do put that into brackets since I find it ridiculous t=
hat it is illegal to sample. Sampling yourself is cool, but using a sample =
from, say, a movie, can<br>
bring extra special charm to the record. But that&#39;s me.<br><br>Louigi.<=
br>

--00151747906e565b0a04720b6aa6--

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 13:47:32 2009
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Date: Wed, 26 Aug 2009 09:47:28 -0400
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Subject: Re: ? RE: ECM guitarists?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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There's a Gartbarek album Frisell is on with one other person, I've
forgotten the records title but has a wonderful piece called Pendulum.

On 8/26/09, Christo Jota <chris@christojota.de> wrote:
> The trio-album with Vitous and DeJohnette indeed is fantastic.
> Rypdal was one of the early guys experimenting with a guitar synth.
> And I think he did very well with it.
> I love those spheric sounds flying in the skies and
> bass and drums providing a cool rythm carpet.
> Christo
> www.christojota.de
>
>
>
> ----- Original Message -----
> From: "Daryl Shawn" <highhorse@mhorse.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, August 26, 2009 2:16 AM
> Subject: Re: ? RE: ECM guitarists?
>
>
>> Thanks for all the replies on this thread - I've been checking out a lot
>> of stuff this week as I've always loved ECM but wasn't so aware of a
>> couple of the names.
>>
>> The first Rypdal I tried out was Odyssey, which was well-recommended
>> online as one of his best. I HATED it - masturbatory was the kindest
>> word I could think of. But then I tried the trio w/Miroslav Vitous and
>> DeJohnette, and have been listening to it several times a day for the
>> last three days, I absolutely love it. Beautiful and moving music.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>> > Terje Rypdal is another ambient GOD, capable of really
>> > straight-forward, gut-wrenching beauty, yet still sound ethereal and
>> > other-worldly.  His catalog is huge though and you should find a way
>> > to browse to find which of his vast output you personally like.  -m
>>
>>
>
>

-- 
Sent from my mobile device

ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Date: Wed, 26 Aug 2009 16:04:33 +0200
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Subject: Re: Samples and looping
From: Per Boysen <perboysen@gmail.com>
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On Wed, Aug 26, 2009 at 3:27 PM, Louigi Verona<louigi.verona@gmail.com> wrote:
>  What I personally do not like about overdub
> looping at the moment is that the only possible thing here is a build up.
> You record the first loop and as you record other loops over, this first
> loop will repeat and repeat and repeat. It is very difficult to make the
> arrangement varied.
> And you get a lot of lines which are there looped for too long a time.

I guess you are not the only one that doesn't like to loop like that!
;-))  It just creates a mess over time. The challenge in live looping
is to use commands like Undo, Substitute and Feedback to take away old
audio layers and put new audio into your loops. And of course,
building many parallel loops lets you create more interesting music
than if only using one loops all the time.


>  Sampling yourself is cool, but using a sample from, say, a movie,
> can
> bring extra special charm to the record. But that's me.

I think many agree with you on that. But I wasn't saying I never use
vocal or environmental samples, I just said I don't use it in the
real-time sampling art form we use to call live looping. Just like you
I do it a lot for creating recorded music. Some tools and techniques
are quite different for performing and producing recordings even
though the line is blurry and a lot bleed over between stage and
studio.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 14:44:00 2009
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Date: Wed, 26 Aug 2009 10:08:27 -0400 (EDT)
Subject: Re: ? RE: ECM guitarists?
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it was my first Rypdal album because I saw that
he was using gtr
synth. I bought it when it was new, many years ago.

David
Beardsley
http://biink.com

> The trio-album with Vitous
and DeJohnette indeed is fantastic.
> Rypdal was one of the early
guys experimenting with a guitar synth.
> And I think he did very
well with it.
> I love those spheric sounds flying in the skies
and
> bass and drums providing a cool rythm carpet.
>
Christo
> www.christojota.de
> 
> 
> 
> ----- Original Message -----
>
From: "Daryl
Shawn" <highhorse@mhorse.com>
> To:
<Loopers-Delight@loopers-delight.com>
> Sent: Wednesday,
August 26, 2009 2:16 AM
> Subject: Re: ? RE: ECM guitarists?
> 
> 
>> Thanks for all the replies on this thread
- I've been checking out a lot
>> of stuff this week as I've
always loved ECM but wasn't so aware of a
>> couple of the
names.
>>
>> The first Rypdal I tried out was
Odyssey, which was well-recommended
>> online as one of his
best. I HATED it - masturbatory was the kindest
>> word I could
think of. But then I tried the trio w/Miroslav Vitous and
>>
DeJohnette, and have been listening to it several times a day for the
>> last three days, I absolutely love it. Beautiful and moving
music.
>>
>> Daryl Shawn
>>
www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>> > Terje Rypdal is another ambient GOD, capable
of really
>> > straight-forward, gut-wrenching beauty, yet
still sound ethereal and
>> > other-worldly.  His catalog is
huge though and you should find a way
>> > to browse to find
which of his vast output you personally like.  -m
>>
>>
> 
>

------=_20090826100827_28380
Content-Type: text/html; charset="iso-8859-1"
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it was my first Rypdal album because I saw that<br />he was using gtr
synth. I bought it when it was new, many years ago.<br /><br />David
Beardsley<br />http://biink.com<br /><br />&gt; The trio-album with Vitous
and DeJohnette indeed is fantastic.<br />&gt; Rypdal was one of the early
guys experimenting with a guitar synth.<br />&gt; And I think he did very
well with it.<br />&gt; I love those spheric sounds flying in the skies
and<br />&gt; bass and drums providing a cool rythm carpet.<br />&gt;
Christo<br />&gt; www.christojota.de<br />&gt; <br />&gt; <br />&gt; <br
/>&gt; ----- Original Message -----<br />&gt;<br />From: &quot;Daryl
Shawn&quot; &lt;highhorse@mhorse.com&gt;<br />&gt; To:
&lt;Loopers-Delight@loopers-delight.com&gt;<br />&gt; Sent: Wednesday,
August 26, 2009 2:16 AM<br />&gt; Subject: Re: ? RE: ECM guitarists?<br
/>&gt; <br />&gt; <br />&gt;&gt; Thanks for all the replies on this thread
- I've been checking out a lot<br />&gt;&gt; of stuff this week as I've
always loved ECM but wasn't so aware of a<br />&gt;&gt; couple of the
names.<br />&gt;&gt;<br />&gt;&gt; The first Rypdal I tried out was
Odyssey, which was well-recommended<br />&gt;&gt; online as one of his
best. I HATED it - masturbatory was the kindest<br />&gt;&gt; word I could
think of. But then I tried the trio w/Miroslav Vitous and<br />&gt;&gt;
DeJohnette, and have been listening to it several times a day for the<br
/>&gt;&gt; last three days, I absolutely love it. Beautiful and moving
music.<br />&gt;&gt;<br />&gt;&gt; Daryl Shawn<br />&gt;&gt;
www.swanwelder.com<br />&gt;&gt; www.chinapaintingmusic.com<br
/>&gt;&gt;<br />&gt;&gt; &gt; Terje Rypdal is another ambient GOD, capable
of really<br />&gt;&gt; &gt; straight-forward, gut-wrenching beauty, yet
still sound ethereal and<br />&gt;&gt; &gt; other-worldly.  His catalog is
huge though and you should find a way<br />&gt;&gt; &gt; to browse to find
which of his vast output you personally like.  -m<br />&gt;&gt;<br
/>&gt;&gt;<br />&gt; <br />&gt;
------=_20090826100827_28380--


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From: Matthias Grob <matilists@gmail.com>
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Subject: Re: Samples and looping
Date: Wed, 26 Aug 2009 11:56:15 -0300
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On 26 Aug 2009, at 10:27, Louigi Verona wrote:

> So I see. Interesting.
>
> Well, I do looping in real time as well, but I do not record in real  
> time - at least, not yet. There are a lot of things which I find  
> interesting in manipulating recorded sound. What I personally do not  
> like about overdub looping at the moment is that the only possible  
> thing here is a build up.

I never heard "overdub looping"... but yes, I dont like the build-only  
style very much either, it only serves for a hymn from time to time :-)

but we had many discussions here about how to evolve a loop, listen to  
my pieces, the often end totally different from the start, I reduce  
Feedback for this, others use Replace, several loops...

> You record the first loop and as you record other loops over, this  
> first loop will repeat and repeat and repeat. It is very difficult  
> to make the arrangement varied.

some of the tools dont help for this really

> And you get a lot of lines which are there looped for too long a time.

or just loop a few layers and play a lot? :-)

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 15:30:09 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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He's the master, and the reason I bought my DL4 in the beginning..

http://www.youtube.com/watch?v=150CvQbyP3Y 

Ricky

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From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 16:49:24 2009
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Subject: Re: Samples and looping
From: Milo <milo.vuc@gmail.com>
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No, it is not illegal to sample. What is illegal (and immoral) is to
use someone's work without asking for written permission. If you ask
the right person nicely, you will get the license 90% of the time. A
friend of mine recently obtained a license from a very famous movie
director, to use a sample from his latest movie. Guess what, he gave
his permission for free as long as the sample is not used in another
movie... :-)

On 8/26/09, Louigi Verona <louigi.verona@gmail.com> wrote:
> So I see. Interesting.
>
> Well, I do looping in real time as well, but I do not record in real time -
> at least, not yet. There are a lot of things which I find interesting
> in manipulating recorded sound. What I personally do not like about overdub
> looping at the moment is that the only possible thing here is a build up.
> You record the first loop and as you record other loops over, this first
> loop will repeat and repeat and repeat. It is very difficult to make the
> arrangement varied.
> And you get a lot of lines which are there looped for too long a time.
>
> As for sampling, I personally sample both myself and from any sources,
> including the "copyrighted" things like movies and "commercial music".
> I do put that into brackets since I find it ridiculous that it is illegal to
> sample. Sampling yourself is cool, but using a sample from, say, a movie,
> can
> bring extra special charm to the record. But that's me.
>
> Louigi.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 16:51:38 2009
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Date: Wed, 26 Aug 2009 19:51:37 +0300
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Subject: Re: OT: Repeater for sale
From: Milo <milo.vuc@gmail.com>
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Can you please post a link to the auction?

On 8/26/09, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
> Just in case no one saw it, there's a repeater for sale on ebay in
> Victoria BC. 3 days left on the auction and the current bid is 201.00.
> It's apparently unused.
>
> Paul
> Ontario, Canada
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 16:55:07 2009
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Date: Wed, 26 Aug 2009 19:55:05 +0300
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Subject: Re: Nature loops
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Some times audio forensics software helps to solve problems like this.

On 8/23/09, mike@michaelplishka.com <mike@michaelplishka.com> wrote:
> Hey folks!
>
> Doign some night nature loops and trying to get out some of the sounds of
> distant traffic.  It seems like doign a high pass filter at about 3Khz does
> a pretty good job and looking at the spectrum it's in the ballpark but is
> there any research on this?
>
> Thanks!
>
> ~peace~
> Plish
>
> www.michaelplishka.com
> www.scribbledmusings.com
> www.zenstorming.com
> www.twitter.com/plish
> www.trendhunter.com/zenstorming

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 17:03:41 2009
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Date: Wed, 26 Aug 2009 20:03:39 +0300
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Subject: Re: wiki - list of free software for audio
From: Milo <milo.vuc@gmail.com>
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If someone is looking for open source sound and audio software, check
out Source Forge -
http://sourceforge.net/softwaremap/trove_list.php?form_cat=113

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 17:37:41 2009
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Subject: Re: ? RE: ECM guitarists?
Date: Wed, 26 Aug 2009 14:37:15 -0300
References: <764357.38154.qm@web33108.mail.mud.yahoo.com> <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com> <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com> <4A947EDE.7020608@mhorse.com> <00ad01ca2643$c44793d0$0201a8c0@Toshiba> <9e0440a60908260647l4f5f7382v4edfcaaa3d80699d@mail.gmail.com>
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Pendulum is made by our friend Eberhard Weber and is one of the first  
full livelooping records.
he had a strike about 2 years ago and did not manage to play again  
since :-(

On 26 Aug 2009, at 10:47, Jim Goodin wrote:

> There's a Gartbarek album Frisell is on with one other person, I've
> forgotten the records title but has a wonderful piece called Pendulum.
>
> On 8/26/09, Christo Jota <chris@christojota.de> wrote:
>> The trio-album with Vitous and DeJohnette indeed is fantastic.
>> Rypdal was one of the early guys experimenting with a guitar synth.
>> And I think he did very well with it.
>> I love those spheric sounds flying in the skies and
>> bass and drums providing a cool rythm carpet.
>> Christo
>> www.christojota.de
>>
>>
>>
>> ----- Original Message -----
>> From: "Daryl Shawn" <highhorse@mhorse.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, August 26, 2009 2:16 AM
>> Subject: Re: ? RE: ECM guitarists?
>>
>>
>>> Thanks for all the replies on this thread - I've been checking out  
>>> a lot
>>> of stuff this week as I've always loved ECM but wasn't so aware of a
>>> couple of the names.
>>>
>>> The first Rypdal I tried out was Odyssey, which was well-recommended
>>> online as one of his best. I HATED it - masturbatory was the kindest
>>> word I could think of. But then I tried the trio w/Miroslav Vitous  
>>> and
>>> DeJohnette, and have been listening to it several times a day for  
>>> the
>>> last three days, I absolutely love it. Beautiful and moving music.
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>> www.chinapaintingmusic.com
>>>
>>>> Terje Rypdal is another ambient GOD, capable of really
>>>> straight-forward, gut-wrenching beauty, yet still sound ethereal  
>>>> and
>>>> other-worldly.  His catalog is huge though and you should find a  
>>>> way
>>>> to browse to find which of his vast output you personally like.  -m
>>>
>>>
>>
>>
>
> -- 
> Sent from my mobile device
>
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 18:40:52 2009
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Subject: Re: ? RE: ECM guitarists?
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Right on, thanks Ted. I'll check that DVD out, I love Trilok too.

Interesting about Odyssey..I didn't realize it was so early in his career.

Interesting too to see his album called Lux Aeterna...hmm...seems to 
ring a bell!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Daryl,
>
> There is also a great concert DVD with Rypdal, Vitous and Trilok Gurtu 
> available:
>
> <http://www.abstractlogix.com/xcart/product.php?productid=21145>
>
> I own a copy . . . and watch it from time to time.
>
> BTW Odyssey is just about my least favorite Rypdal recording - and I 
> own them all (and everything he's been a sideman on too).
>
> It's a very early solo effort and not his best (IMOHO) though I don't 
> "hate" it as you did.

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 19:29:15 2009
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Date: Wed, 26 Aug 2009 21:05:01 +0200
Message-ID: <66f9cc1e0908261205g5d522782hb71d534b65c8535d@mail.gmail.com>
Subject: Re: ? RE: ECM guitarists?
From: Per Boysen <perboysen@gmail.com>
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Well, I sort of liked Odyssey because when it was released in 1975 I
found it to be very different from anything I had heard so far. Of
course it has a lot of more competition today and I guess Daryl judges
it in that aspect... totally correct IMHO. Since having heard Odyssey
I went to some of his gigs in the late seventies and was always amazed
by how loud they played. It was like "Jimi Hendrix goes jazz"
(earthquake volume) and not at all as "delicate" as I had expected the
live act to be after hearing the records. I liked the music but it was
difficult to listen at that level since they only played at very small
clubs with concrete walls.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Aug 26, 2009 at 8:40 PM, Daryl Shawn<highhorse@mhorse.com> wrote:
> Right on, thanks Ted. I'll check that DVD out, I love Trilok too.
>
> Interesting about Odyssey..I didn't realize it was so early in his career.
>
> Interesting too to see his album called Lux Aeterna...hmm...seems to ring a
> bell!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> Daryl,
>>
>> There is also a great concert DVD with Rypdal, Vitous and Trilok Gurtu
>> available:
>>
>> <http://www.abstractlogix.com/xcart/product.php?productid=21145>
>>
>> I own a copy . . . and watch it from time to time.
>>
>> BTW Odyssey is just about my least favorite Rypdal recording - and I own
>> them all (and everything he's been a sideman on too).
>>
>> It's a very early solo effort and not his best (IMOHO) though I don't
>> "hate" it as you did.
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 20:22:10 2009
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Date: Wed, 26 Aug 2009 16:22:11 -0400 (AST)
Subject: Help with Glitch/Stutter technique witth mobius
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi,

I was wondering if any of you use this technique with mobius.
I found something here that mentioned using
Insert, SUSReplace, and Unrounded Multiply, but I don't have a clue how to
approach it.
Do I need to start looking at scripts?
Appreciate any help you can give

Andre





http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 20:38:31 2009
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Date: Wed, 26 Aug 2009 22:33:11 +0200
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Subject: Re: Help with Glitch/Stutter technique witth mobius
From: Per Boysen <perboysen@gmail.com>
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On Wed, Aug 26, 2009 at 10:22 PM, Andr=C3=A9 Donawa<andre@andredonawa.com> =
wrote:
> I was wondering if any of you use this technique with mobius.
> I found something here that mentioned using
> Insert, SUSReplace, and Unrounded Multiply, but I don't have a clue how t=
o
> approach it.
> Do I need to start looking at scripts?
> Appreciate any help you can give

You may have to start looking at scripts if you want to apply those
commands faster than you can tap dance (i.e. kick pedals). Often it is
the high speed frequency of manipulations that gives that glitchy
sound character but there is a way to glitch without scripting and
that is to apply no quantization or a very short 16ths Per Cycle
setting as the quantization base.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Aug 26 20:43:40 2009
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Subject: Storia invites
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www.myspace.com/storiaonline

duo from buenos aires.

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<a href="http://www.myspace.com/storiaonline">www.myspace.com/storiaonline</a><br><br>duo from buenos aires. <br><br><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 00:39:20 2009
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Date: Wed, 26 Aug 2009 20:39:16 -0400
From: phaslem@wightman.ca
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Subject: Re: OT: Repeater for sale
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Hi, the link to the auction is
http://cgi.ebay.ca/ws/eBayISAPI.dll?ViewItem&item=230368959998&ssPageName=STRK:MEWAX:IT

I hope that gets you to it, otherwise do a search for the seller  
jpretorius and the item number is 230368959998 and the location is  
Victoria, British Columbia, Canada.

Looks like he is only shipping to Canada and the US

Paul Haslem,
Ontario, Canada



Quoting Milo <milo.vuc@gmail.com>:

> Can you please post a link to the auction?
>
> On 8/26/09, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
>> Just in case no one saw it, there's a repeater for sale on ebay in
>> Victoria BC. 3 days left on the auction and the current bid is 201.00.
>> It's apparently unused.
>>
>> Paul
>> Ontario, Canada
>>
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 02:27:01 2009
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Subject: Re: ? RE: ECM guitarists?
Date: Wed, 26 Aug 2009 23:26:56 -0300
References: <764357.38154.qm@web33108.mail.mud.yahoo.com> <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com> <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com> <4A947EDE.7020608@mhorse.com> <00ad01ca2643$c44793d0$0201a8c0@Toshiba> <9e0440a60908260647l4f5f7382v4edfcaaa3d80699d@mail.gmail.com> <EA3EBD31-A9F7-497A-8162-4EFDD3D191C3@gmail.com>
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Sad news.. i did not know that abour Eberhard. I'been listening to =20
Pendulum for a long time.

I'll be sending good wishes.

Ariel.

El 26/08/2009, a las 14:37, Matthias Grob escribi=F3:

> Eberhard Weber

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 04:09:58 2009
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Date: Wed, 26 Aug 2009 21:09:56 -0700
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Subject: Re: ? RE: ECM guitarists?
From: Art Simon <simart@gmail.com>
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The discussion of Terje Rypdal's Odyssey got me to listen again to it
after many years. I first heard it in the 1977 when I was I was a
teenage high school student in Wichita Kansas combing the local record
stores for anything that had that spacey 70s extended Miles groove jam
thing going on. Odyssey is a little restrained compared to Miles,
unsurprising for an ECM release I guess, but I'm still enjoying it.
The spacey and sparse soloing and use of bits of noise and distortion
over a repetitive bass isn't that far from modern electronica in some
ways. The trombone is a nice touch, not enough rock bands with a
trombone : )

ECM dropped the most "masturbatory" track from the CD reissue.
"Rolling Stone" is 23 minutes of soloing, stabs of Miles' kind of
organ here and there, and some string synth over the same basic bass
riff. Unsurprisingly, it's out there on the blogosphere along with a
live recording of the same band in 1974 performing the same songs on
the Odyssey album. I haven't heard all of it yet, but what I have
heard is my kind of music. There's no accounting for taste.
http://silveradoraremusic.blogspot.com/2009/01/terje-rypdal-entire-odyssey-album-with.html

Rypdal's two earlier ECM albums, "Terje Rypdal" from 1971 and "What
comes after" from 1973 have a very similar feel to Odyssey. He has an
album from 1968 that's not on ECM called "Bleak House" that is very
different, it's basically a rock and roll record, but not a bad one.
He hadn't developed his singular style of playing then.

Per, I'm jealous, I would have loved to see the Odyssey band live.
It's funny the loudest band I ever heard perform was the Phillip Glass
Ensemble! Absolutely deafening!

I've heard that Miles wanted Rypdal in his 70s band at one point.
Rypdal's 2006 album Vossabrygg is another one I like, an homage to
Miles of sorts, and surprisingly similar to Odyssey considering the
passing of 30 years time. I'd say Odyssey is one of the more important
albums in Rypdal's catalog and shows the deep influence that Miles
Davis had on Rypdal's music.

It's not ECM, but I like the album Rypdal did with Ronni le Tekro.
It's some weird, warped kind of shredding contest.

Of all Rypdal's ECM recordings, my two favorites are 1. Waves and 2.
Descendre. That opening track on Waves with the cheesy drum machine is
just so odd, beautiful, melodic and unique. It's got a strange
"lounge" Herb Alpert kind of sound that really comes out of left
field, but it has aged really well.

Rypdal also does some very interesting Guitar Synth work on Barre
Phillips "Three Day Moon" album on ECM. That's a hard one to find, but
I think it's in print, at least in Japan.

Now that I think about it, it's really amazing that Rypdal never
recorded any solo looping work. The sound of his guitar is perfectly
suited to looping. Oh well.

I'm not a fan of Jan Garbarek, but this early track from his 1971
album "Afric Popperbird" with Rypdal, Arild Andersen and Jon
Christensen was a real treat:
http://cosmiccheese.blogspot.com/2009/05/jan-garberak-beast-of-kommodo-afric.html
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 04:43:30 2009
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Subject: acoustic oriented looper and VSV reminder
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001517475742711d3504721835f1
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While following up on our page for the Virtual Sound & Vision Festival My
Space page (www.myspace.com/vsvfestival) I found this video that I think is
rather worth a look.  Very Steve Reich influenced which always grabs my ears
and largely working with the acoustic guitar plus a few other things and
loops.
http://www.youtube.com/watch?v=B47WE-lrxqw&feature=player_embedded

<http://www.youtube.com/watch?v=B47WE-lrxqw&feature=player_embedded>Btw,
anybody in the community here who is thinking about joining us in the VSV
fest but has yet to apply please go to the My Space link and followthrough -
time is ticking.

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517475742711d3504721835f1
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While following up on our page for the Virtual Sound &amp; Vision Festival =
My Space page (<a href=3D"http://www.myspace.com/vsvfestival">www.myspace.c=
om/vsvfestival</a>) I found this video that I think is rather worth a look.=
 =A0Very Steve Reich influenced which always grabs my ears and largely work=
ing with the acoustic guitar plus a few other things and loops.<div>
<br></div><div><a href=3D"http://www.youtube.com/watch?v=3DB47WE-lrxqw&amp;=
feature=3Dplayer_embedded">http://www.youtube.com/watch?v=3DB47WE-lrxqw&amp=
;feature=3Dplayer_embedded</a></div><div><br></div><div><a href=3D"http://w=
ww.youtube.com/watch?v=3DB47WE-lrxqw&amp;feature=3Dplayer_embedded"></a>Btw=
, anybody in the community here who is thinking about joining us in the VSV=
 fest but has yet to apply please go to the My Space link and followthrough=
 - time is ticking.</div>
<div><br></div><div>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001517475742711d3504721835f1--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 04:55:09 2009
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Date: Wed, 26 Aug 2009 21:55:04 -0700
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Per wrote about glitch techniques:
"Often it is the high speed frequency of manipulations that gives that 
glitchy
sound character but there is a way to glitch without scripting and
that is to apply no quantization or a very short 16ths Per Cycle
setting as the quantization base."


Yeah,  Per is correct here..................in the Looperlative I've been
setting what is called Quantize Replace (which is the same thing as 
quantized INS=SUS
in the EDP----also called the same in Mobius?)   by
setting this quantized replace function to 64th slices.

In the Looperlative each slice is called a 'Q Step'.

In the Looperlative you can either 'cut' in little glitchy 64th notes 
that replace 1/64 of your
loop that already exists (frequently with purely
random pushes of a midi pedal)  or you can 'cut' them in on top of what 
you already have.
I believe the Looperlative will allow up to a 128  'Q Step' slices per loop.
A lot of times,  I just like to set the number very high but NOT on a 
multiple of
3 or 4  just so it has a more random rhythmic quality to the 'slicing'..

***********
***********

Also, we're working  now on an analogue footpedal idea I have called the
Walker Manual Glitch pedal that will , essentially allow one to do one 
of two things,

manually with a set of momentary switches (comforming to five fingers on 
two hands):

1) either cut out the sound,  audibly when the momentary switch is 
disengaged  (a push cuts sound out)
or
2) allow sound from an original source to pass from silence.   
(momentary push lets sound through)

What will be cool about this technique is that one can either quickly 
'flutter' ones fingers to
cause random glitchiness or in the reverse mode,  one can play very 
articulate rhythmic patterns
using a random ambient loop as the source sound for each 'rhythmic'  chunk.

Of course to utilize this in looping it means one would want to run this 
between two looping
pedals.

1st looper (ambient loop)  ====>   Manual Glitch Pedal (in Silent mode 
that passes audio randomly or
rhythmically  with momentary switch control) ======>  2nd looper to loop 
the results 
(especially effective as one can use an arbitrary loop length in the 
first pedal and recontextualize
a new rhythmic loop utilizing this technique.

It also would not allow for cutting new sound into the previous loop 
like the EDP, Mobius and Looperlative.
It only will deal in silence or lack of silence.

We have a shot at presenting a prototype at the Y2K9 Live Looping 
Festival on October 16th.
I'll let everyone know if this is true.

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Matthias wrote:
" he had a stroke about 2 years ago and did not manage to play again  
since :-("

Very sorry to hear that, I got to hear him play live and his electric sound
was really striking, very vocal and expressive.

For that matter Terje Rypdal isn't in the best of health either though I'm
not sure of the details.  One track on Odyssey sounds to me like he might be
playing a fender bass VI which is more of an early electric baritone, he
plays a really long solo that gets lower and lower,  out of range of normal
guitar. I haven't owned that album in many years but I seem to recall trying
to find those low notes on my guitar and being thwarted, he's holding it on
the back cover.

Per wrote:
"Since having heard Odyssey I went to some of his gigs in the late seventies
and was always amazed by how loud they played. It was like "Jimi Hendrix
goes jazz"
(earthquake volume) and not at all as "delicate" as I had expected the live
act to be after hearing the records."

I can believe that, I saw Return to Forever with Bill Connors play in a
small club in San Francisco and it was Marshall Stack Loud, same with the
first time I saw The Mahavishnu Orchestra at Winterland, blazing loud. Those
early fusion bands enjoyed their amp stacks. Of course Billy Cobham and
Lenny White had a lot to do with ratcheting up the volume.  
Bill

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 07:56:32 2009
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Date: Thu, 27 Aug 2009 11:56:31 +0400
Message-ID: <20aeede50908270056n7fa8cefg1fc59ce224d96c66@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174bdcc8d7458204721ae71c
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I think it is immoral to make people ask you every time they wanna use
your work. I mean, I am sitting at home and I have a sound editor and
I record an audio signal of a movie that is playing. Then I cut out samples
out of this recording. Does it mean that some guy there actually owns my
freedom and I am obliged to go ask permission whether I can cut out samples
from a movie he once did?

But of course these sampling questions are very controversial. I have no
desire to start
a long flaming discussion. Just cleared up my position on that.

On Wed, Aug 26, 2009 at 8:49 PM, Milo <milo.vuc@gmail.com> wrote:

> No, it is not illegal to sample. What is illegal (and immoral) is to
> use someone's work without asking for written permission. If you ask
> the right person nicely, you will get the license 90% of the time. A
> friend of mine recently obtained a license from a very famous movie
> director, to use a sample from his latest movie. Guess what, he gave
> his permission for free as long as the sample is not used in another
> movie... :-)
>
>

--0015174bdcc8d7458204721ae71c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I think it is immoral to make people ask you every time they wanna use<br>y=
our work. I mean, I am sitting at home and I have a sound editor and<br>I r=
ecord an audio signal of a movie that is playing. Then I cut out samples<br=
>
out of this recording. Does it mean that some guy there actually owns my<br=
>freedom and I am obliged to go ask permission whether I can cut out sample=
s<br>from a movie he once did?<br><br>But of course these sampling question=
s are very controversial. I have no desire to start<br>
a long flaming discussion. Just cleared up my position on that.<br><br><div=
 class=3D"gmail_quote">On Wed, Aug 26, 2009 at 8:49 PM, Milo <span dir=3D"l=
tr">&lt;<a href=3D"mailto:milo.vuc@gmail.com">milo.vuc@gmail.com</a>&gt;</s=
pan> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">No, it is not ill=
egal to sample. What is illegal (and immoral) is to<br>
use someone&#39;s work without asking for written permission. If you ask<br=
>
the right person nicely, you will get the license 90% of the time. A<br>
friend of mine recently obtained a license from a very famous movie<br>
director, to use a sample from his latest movie. Guess what, he gave<br>
his permission for free as long as the sample is not used in another<br>
movie... :-)<br>
<div><div></div><div class=3D"h5"><br>
</div></div></blockquote></div><br>

--0015174bdcc8d7458204721ae71c--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 08:05:59 2009
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Subject: Re: Samples and looping
Date: Thu, 27 Aug 2009 01:05:57 -0700
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This is a multi-part message in MIME format.

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You just started a long flaming discussion.

t
  ----- Original Message ----- 
  From: Louigi Verona 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, August 27, 2009 12:56 AM
  Subject: Re: Samples and looping


  I think it is immoral to make people ask you every time they wanna use
  your work. I mean, I am sitting at home and I have a sound editor and
  I record an audio signal of a movie that is playing. Then I cut out samples
  out of this recording. Does it mean that some guy there actually owns my
  freedom and I am obliged to go ask permission whether I can cut out samples
  from a movie he once did?

  But of course these sampling questions are very controversial. I have no desire to start
  a long flaming discussion. Just cleared up my position on that.


  On Wed, Aug 26, 2009 at 8:49 PM, Milo <milo.vuc@gmail.com> wrote:

    No, it is not illegal to sample. What is illegal (and immoral) is to
    use someone's work without asking for written permission. If you ask
    the right person nicely, you will get the license 90% of the time. A
    friend of mine recently obtained a license from a very famous movie
    director, to use a sample from his latest movie. Guess what, he gave
    his permission for free as long as the sample is not used in another
    movie... :-)





--Boundary_(ID_LpH9PEGsM3leA8GS/F4i/w)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
<META name=GENERATOR content="MSHTML 8.00.6001.18372">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>You just started&nbsp;a long flaming 
discussion.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=louigi.verona@gmail.com href="mailto:louigi.verona@gmail.com">Louigi 
  Verona</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, August 27, 2009 12:56 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Samples and looping</DIV>
  <DIV><BR></DIV>I think it is immoral to make people ask you every time they 
  wanna use<BR>your work. I mean, I am sitting at home and I have a sound editor 
  and<BR>I record an audio signal of a movie that is playing. Then I cut out 
  samples<BR>out of this recording. Does it mean that some guy there actually 
  owns my<BR>freedom and I am obliged to go ask permission whether I can cut out 
  samples<BR>from a movie he once did?<BR><BR>But of course these sampling 
  questions are very controversial. I have no desire to start<BR>a long flaming 
  discussion. Just cleared up my position on that.<BR><BR>
  <DIV class=gmail_quote>On Wed, Aug 26, 2009 at 8:49 PM, Milo <SPAN 
  dir=ltr>&lt;<A 
  href="mailto:milo.vuc@gmail.com">milo.vuc@gmail.com</A>&gt;</SPAN> wrote:<BR>
  <BLOCKQUOTE 
  style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
  class=gmail_quote>No, it is not illegal to sample. What is illegal (and 
    immoral) is to<BR>use someone's work without asking for written permission. 
    If you ask<BR>the right person nicely, you will get the license 90% of the 
    time. A<BR>friend of mine recently obtained a license from a very famous 
    movie<BR>director, to use a sample from his latest movie. Guess what, he 
    gave<BR>his permission for free as long as the sample is not used in 
    another<BR>movie... :-)<BR>
    <DIV>
    <DIV></DIV>
    <DIV class=h5><BR></DIV></DIV></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_LpH9PEGsM3leA8GS/F4i/w)--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 08:20:43 2009
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Date: Thu, 27 Aug 2009 10:20:42 +0200
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Subject: Re: Samples and looping
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On Thu, Aug 27, 2009 at 9:56 AM, Louigi Verona<louigi.verona@gmail.com> wrote:
> I think it is immoral to make people ask you every time they wanna use
> your work. I mean, I am sitting at home and I have a sound editor and
> I record an audio signal of a movie that is playing. Then I cut out samples
> out of this recording. Does it mean that some guy there actually owns my
> freedom and I am obliged to go ask permission whether I can cut out samples
> from a movie he once did?

Not at all. At your home, or in your studio, you are free to do
whatever you want to other people's work without a permission. The
legal regulation only applies for public use of the recordings you
make that way.

This is of course different if the owner of the original work has
explicitly made clear that parts of his/her work can be used by others
in their derivative work. If you are interested in that kind of
generic open collaboration you can read more at
http://creativecommons.org.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 08:22:39 2009
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Date: Thu, 27 Aug 2009 12:22:37 +0400
Message-ID: <20aeede50908270122x6d6fc9cara57b366ad3524205@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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oops! ;)
nah. to end this right away I'll say this - no matter what each one of us
says,
after the discussions it is unlikely someone's opinion will change. I think
most of us are normal decent people and no matter how one views sampling,
I think none of us really wants any harm done to the society. And I have yet
to
see a case when sampling is not an overblown matter and actually does
serious
harm to someone.

Louigi.

On Thu, Aug 27, 2009 at 12:05 PM, Toby G <carpet8@mac.com> wrote:

>  You just started a long flaming discussion.
>
> t
>
> ----- Original Message -----
> *From:* Louigi Verona <louigi.verona@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Thursday, August 27, 2009 12:56 AM
> *Subject:* Re: Samples and looping
>
> I think it is immoral to make people ask you every time they wanna use
> your work. I mean, I am sitting at home and I have a sound editor and
> I record an audio signal of a movie that is playing. Then I cut out samples
> out of this recording. Does it mean that some guy there actually owns my
> freedom and I am obliged to go ask permission whether I can cut out samples
> from a movie he once did?
>
> But of course these sampling questions are very controversial. I have no
> desire to start
> a long flaming discussion. Just cleared up my position on that.
>
> On Wed, Aug 26, 2009 at 8:49 PM, Milo <milo.vuc@gmail.com> wrote:
>
>> No, it is not illegal to sample. What is illegal (and immoral) is to
>> use someone's work without asking for written permission. If you ask
>> the right person nicely, you will get the license 90% of the time. A
>> friend of mine recently obtained a license from a very famous movie
>> director, to use a sample from his latest movie. Guess what, he gave
>> his permission for free as long as the sample is not used in another
>> movie... :-)
>>
>>
>

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oops! ;)<br>nah. to end this right away I&#39;ll say this - no matter what =
each one of us says,<br>after the discussions it is unlikely someone&#39;s =
opinion will change. I think<br>most of us are normal decent people and no =
matter how one views sampling,<br>
I think none of us really wants any harm done to the society. And I have ye=
t to<br>see a case when sampling is not an overblown matter and actually do=
es serious<br>harm to someone.<br><br>Louigi.<br><br><div class=3D"gmail_qu=
ote">
On Thu, Aug 27, 2009 at 12:05 PM, Toby G <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:carpet8@mac.com">carpet8@mac.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">You just started=A0a long flaming=20
discussion.</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div><font color=3D"#888888=
">
<div><font size=3D"2" face=3D"Arial">t</font></div></font><div><div></div><=
div class=3D"h5">
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; fo=
nt-family: arial; font-style: normal; font-variant: normal; font-weight: no=
rmal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-st=
retch: normal; -moz-background-clip: -moz-initial; -moz-background-origin: =
-moz-initial; -moz-background-inline-policy: -moz-initial;">
<b>From:</b>=20
  <a title=3D"louigi.verona@gmail.com" href=3D"mailto:louigi.verona@gmail.c=
om" target=3D"_blank">Louigi=20
  Verona</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Thursday, August 27, 2009 12=
:56=20
  AM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Re: Samples and looping</=
div>

  <div><br></div>I think it is immoral to make people ask you every time th=
ey=20
  wanna use<br>your work. I mean, I am sitting at home and I have a sound e=
ditor=20
  and<br>I record an audio signal of a movie that is playing. Then I cut ou=
t=20
  samples<br>out of this recording. Does it mean that some guy there actual=
ly=20
  owns my<br>freedom and I am obliged to go ask permission whether I can cu=
t out=20
  samples<br>from a movie he once did?<br><br>But of course these sampling=
=20
  questions are very controversial. I have no desire to start<br>a long fla=
ming=20
  discussion. Just cleared up my position on that.<br><br>
  <div class=3D"gmail_quote">On Wed, Aug 26, 2009 at 8:49 PM, Milo <span di=
r=3D"ltr">&lt;<a href=3D"mailto:milo.vuc@gmail.com" target=3D"_blank">milo.=
vuc@gmail.com</a>&gt;</span> wrote:<br>
  <blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">No, it is not i=
llegal to sample. What is illegal (and=20
    immoral) is to<br>use someone&#39;s work without asking for written per=
mission.=20
    If you ask<br>the right person nicely, you will get the license 90% of =
the=20
    time. A<br>friend of mine recently obtained a license from a very famou=
s=20
    movie<br>director, to use a sample from his latest movie. Guess what, h=
e=20
    gave<br>his permission for free as long as the sample is not used in=20
    another<br>movie... :-)<br>
    <div>
    <div></div>
    <div><br></div></div></blockquote></div><br></blockquote></div></div></=
div>
</blockquote></div><br>

--0015174765b036f98c04721b4563--

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Date: Thu, 27 Aug 2009 10:27:14 +0200
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Subject: Re: Help with Glitch/Stutter technique
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On Thu, Aug 27, 2009 at 6:55 AM, Rick Walker <looppool@cruzio.com> wrote:

> 1) either cut out the sound,  audibly when the momentary switch is
> disengaged  (a push cuts sound out)
> or
> 2) allow sound from an original source to pass from silence.   (momentary
> push lets sound through)
>

Cool Rick...

I first saw this technique performed by the guitarist of Melt Banana (worth
a live listen) where he had a momentory footswitch that was switching
between his guitar and a minidisk, that was filled with noise, radio,
distorted voice etc... a quick press would cut his (very noisy) guitar and
cut IN this minidisk... this he did by hammering furiously with his feet...

m

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c371ce0da8c04721b5681
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<br><br><div class=3D"gmail_quote">On Thu, Aug 27, 2009 at 6:55 AM, Rick Wa=
lker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@=
cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div id=3D":12i" class=3D"ii gt">1) either cut out the sound, =A0audibly wh=
en the momentary switch is disengaged =A0(a push cuts sound out)<br>
or<br>
2) allow sound from an original source to pass from silence. =A0 (momentary=
 push lets sound through)<br>
</div></blockquote></div><br>Cool Rick...<br><br>I first saw this technique=
 performed by the guitarist of Melt Banana (worth a live listen) where he h=
ad a momentory footswitch that was switching between his guitar and a minid=
isk, that was filled with noise, radio, distorted voice etc... a quick pres=
s would cut his (very noisy) guitar and cut IN this minidisk... this he did=
 by hammering furiously with his feet...<br>

<br>m<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http:/=
/vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfran=
combe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c371ce0da8c04721b5681--

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Date: Thu, 27 Aug 2009 10:40:14 +0200
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Subject: Re: Help with Glitch/Stutter technique
From: Per Boysen <perboysen@gmail.com>
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On Thu, Aug 27, 2009 at 10:27 AM, mark francombe<mark@markfrancombe.com> wrote:
> I first saw this technique performed by the guitarist of Melt Banana (worth
> a live listen) where he had a momentory footswitch that was switching
> between his guitar and a minidisk, that was filled with noise, radio,
> distorted voice etc... a quick press would cut his (very noisy) guitar and
> cut IN this minidisk... this he did by hammering furiously with his feet...
>

If you play live, rather then snag you played noise to a minidisk, you
can set up a chain of distortion or EQ pedals and tap dance on them to
glitch the on-going musical phrase. Also, some old phaser stomp boxes
when forced to work at very low resolution by feeding them an
extremely low input level tend to start changing sound phase in a step
for step way rather than the usual continuous flow of phase shifting.
Or why not try our friend Henry Kaiser's trademark technique to use
square wave modulation - a square wave can be trusted to glitch up
just about anything is set to modulate.

pboy

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On Thu, Aug 27, 2009 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:

> Also, some old phaser stomp boxes
> when forced to work at very low resolution by feeding them an
> extremely low input level tend to start changing sound phase in a step
> for step way rather than the usual continuous flow of phase shifting.
>

Which??? I wanna know now.. not the Small Stone by any chance... wheres some
batteries??

>
> Or why not try our friend Henry Kaiser's trademark technique to use
> square wave modulation - a square wave can be trusted to glitch up
> just about anything is set to modulate.
>

Really.. what did Henry modulate with square waves?




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Thu, Aug 27, 2009 at 10:40 AM, Per Bo=
ysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div id=3D":13l" class=3D"ii gt">Also, some old phaser stomp boxes<br>
when forced to work at very low resolution by feeding them an<br>
extremely low input level tend to start changing sound phase in a step<br>
for step way rather than the usual continuous flow of phase shifting.</div>=
</blockquote><div><br>Which??? I wanna know now.. not the Small Stone by an=
y chance... wheres some batteries?? <br></div><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">

<div id=3D":13l" class=3D"ii gt"><br>
Or why not try our friend Henry Kaiser&#39;s trademark technique to use<br>
square wave modulation - a square wave can be trusted to glitch up<br>
just about anything is set to modulate.</div></blockquote><div><br>Really..=
 what did Henry modulate with square waves?<br>=A0<br></div></div><br><br c=
lear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfr=
ancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--001636c5986de1e4db04721b9e40--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 08:53:01 2009
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Subject: Re: Help with Glitch/Stutter technique
Date: Thu, 27 Aug 2009 01:52:57 -0700
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Yes, it would be perfect to use two square waves at different frequencies added together as modulation.  Or do logical ops on them. AND, OR.  That'll glitch ya.

t
  ----- Original Message ----- 
  From: mark francombe 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, August 27, 2009 1:47 AM
  Subject: Re: Help with Glitch/Stutter technique





  On Thu, Aug 27, 2009 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:

    Also, some old phaser stomp boxes
    when forced to work at very low resolution by feeding them an
    extremely low input level tend to start changing sound phase in a step
    for step way rather than the usual continuous flow of phase shifting.

  Which??? I wanna know now.. not the Small Stone by any chance... wheres some batteries?? 


    Or why not try our friend Henry Kaiser's trademark technique to use
    square wave modulation - a square wave can be trusted to glitch up
    just about anything is set to modulate.

  Really.. what did Henry modulate with square waves?
   




  -- 
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<DIV><FONT size=2 face=Arial>Yes, it would be perfect to use two square waves at 
different frequencies added together as modulation.&nbsp; Or do logical ops on 
them. AND, OR.&nbsp; That'll glitch ya.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=mark@markfrancombe.com href="mailto:mark@markfrancombe.com">mark 
  francombe</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, August 27, 2009 1:47 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Help with Glitch/Stutter 
  technique</DIV>
  <DIV><BR></DIV><BR><BR>
  <DIV class=gmail_quote>On Thu, Aug 27, 2009 at 10:40 AM, Per Boysen <SPAN 
  dir=ltr>&lt;<A 
  href="mailto:perboysen@gmail.com">perboysen@gmail.com</A>&gt;</SPAN> 
wrote:<BR>
  <BLOCKQUOTE 
  style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
  class=gmail_quote>
    <DIV id=:13l class="ii gt">Also, some old phaser stomp boxes<BR>when forced 
    to work at very low resolution by feeding them an<BR>extremely low input 
    level tend to start changing sound phase in a step<BR>for step way rather 
    than the usual continuous flow of phase shifting.</DIV></BLOCKQUOTE>
  <DIV><BR>Which??? I wanna know now.. not the Small Stone by any chance... 
  wheres some batteries?? <BR></DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
  class=gmail_quote>
    <DIV id=:13l class="ii gt"><BR>Or why not try our friend Henry Kaiser's 
    trademark technique to use<BR>square wave modulation - a square wave can be 
    trusted to glitch up<BR>just about anything is set to 
  modulate.</DIV></BLOCKQUOTE>
  <DIV><BR>Really.. what did Henry modulate with square 
  waves?<BR>&nbsp;<BR></DIV></DIV><BR><BR clear=all><BR>-- <BR><A 
  href="http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A 
  href="http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><A 
  href="http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</A><BR><A 
  href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</A><BR><A 
  href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</A><BR></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_lm6Ix4X2RTJE/KK6wB+Nsg)--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 09:03:34 2009
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Rick Walker wrote:
> Per wrote about glitch techniques:

> 
> Yeah,  Per is correct here..................in the Looperlative I've been
> setting what is called Quantize Replace (which is the same thing as 
> quantized INS=SUS
> in the EDP--

on the EDP you have to do
InsertMode = rPL  or SUb
Quantise = 8th
8th/Cycle = depends, start by setting it to 8, and use with 1s loop to get the idea


>--also called the same in Mobius?)   by
> setting this quantized replace function to 64th slices.
> 
> In the Looperlative each slice is called a 'Q Step'.
> 
> In the Looperlative you can either 'cut' in little glitchy 64th notes 
> that replace 1/64 of your
> loop that already exists (frequently with purely
> random pushes of a midi pedal)  or you can 'cut' them in on top of what 
> you already have.
> I believe the Looperlative will allow up to a 128  'Q Step' slices per 
> loop.
> A lot of times,  I just like to set the number very high but NOT on a 
> multiple of
> 3 or 4  just so it has a more random rhythmic quality to the 'slicing'..

Here's Rick demonstrating the technique with the loop divided into 8

http://www.andybutler.com/mp3/Norfest08/RW-Intro.mp3

The quantised replace is good for creating rhythms, it's
not easy to get a predictable result, in Rick's case here
he ends up with a riff very close to something that could
be heard on a popular hip hop track which was around at the time
of the performance. (no, I don't know who it's by, it was in the
UK charts in 2008, and I doubt Rick's ever heard it).

Using replace without quantise is also a nice technique, and
easier to manipulate a loop rhythmically.
It's effective to "cut in" a rhythm to a loop allowing you to change the
feel without producing a cluttered sound. 
(check out Andre LaFosse).

I don't know how Mobius copes with the quantised version of this effect
( the details of getting it to work are quite specific),
but the non-quantised version is afaik fully featured, and
incorporates the secondary feedback control.

These replace functions work particularly well with the EDPs 
loop windowing function.


andy butler

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Subject: Terje Rypdal     was   ECM guitarists
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Matthias wrote:
"For that matter Terje Rypdal isn't in the best of health either though I'm

not sure of the details.  One track on Odyssey sounds to me like he might be
playing a fender bass VI which is more of an early electric baritone, he
plays a really long solo that gets lower and lower,  out of range of normal
guitar. "



God, I loved that track.   I haven't checked because I impulsively sold all of my jazz albums 
when punk and new wave hit (I've done this over and over in my life............selling whole record collections 
of material I'm no longer listening to in order to buy new albums (CDs)  of music that I'm suddenly in love with)
but I think that track was called   "Better Off Without You".

When Rypdal plays a descending distorted langorous passage that goes lower and lower 
until it hit impossibly low notes for a guitar,  it was the first time I'd ever heard 
some play a Fender Bass VI as a guitar and NOT a bass.

My first band,  the Concave Image (blush)  that I formed as soon as I owned a 
snare drum (didn't even have a kit yet) had a bass player,  David Handloff , who 
played a beautiful white Fender Bass VI with a gorgeous red pick guard.

I had no idea what that instrument could do.  It was an oddity to me then 
and sounded very weird on 'Just Like Me'  by Paul Revere and the Raiders.
God,  how could we be so naive in those days.

Anyway,  it was one of the first times in my life that I left the Rock /Soul/Funk paradigm 
and realized that instruments could be recontextualized to sound differently.

It led me to use a Electro Harmonix Micro POG and a mini BASS MUFF on a baritone ukulele 
or a strumstick and make them sound like GOD!!!!!!!!

Thanks for mentioning that record.  I just loved Odyssey.

I was just thinking what Eberhard Weber, Terje Rypdal,  Jon Christiansen,  Jan Garbarek and many of the 
other ECM stable musicians would sound like if they got into live looping stuff.
They were already investigating the notion of trance in a delicious blend of European classical 
music with a black American improvisatory approach.

I loved how Jon Christiansen (one of the single most influential drummers in my own career) 
played jazz but only used 8th and 16th notes instead of swung notes ala the black 'swing' tradition.
The only other guy I can think of who used the exact same approach was Ginger Baker, before him.
He was more 'rock'  but they both eschewed 'swing' in their improvisations and the whole 
world became a lot bigger for me as a drummer.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 10:00:35 2009
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Date: Thu, 27 Aug 2009 12:00:34 +0200
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Subject: Re: Help with Glitch/Stutter technique
From: Per Boysen <perboysen@gmail.com>
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> On Thu, Aug 27, 2009 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> Also, some old phaser stomp boxes
>> when forced to work at very low resolution by feeding them an
>> extremely low input level tend to start changing sound phase in a step
>> for step way rather than the usual continuous flow of phase shifting.

On Thu, Aug 27, 2009 at 10:47 AM, mark francombe<mark@markfrancombe.com> wrote:
> Which??? I wanna know now.. not the Small Stone by any chance...

Sorry, don't remember. But it was green... or purple. Bought around
-79/-80. Definitely not the Small Stone though. Could have been
Ibanez?


>> Or why not try our friend Henry Kaiser's trademark technique to use
>> square wave modulation - a square wave can be trusted to glitch up
>> just about anything is set to modulate.
>
> Really.. what did Henry modulate with square waves?

I'm not sure, better ask him. A guess is that some output volume got
square wave modulated because it sometimes sounded like a pneumatic
drill or a machine gun. Not sure "glitchy" would be appropriate to
describe that sound ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Thu, 27 Aug 2009 12:12:49 +0200
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Subject: Re: Terje Rypdal was ECM guitarists
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On Thu, Aug 27, 2009 at 11:58 AM, Rick Walker<looppool@cruzio.com> wrote:
> I was just thinking what Eberhard Weber, Terje Rypdal, =C2=A0Jon Christia=
nsen,
> =C2=A0Jan Garbarek and many of the other ECM stable musicians would sound=
 like if
> they got into live looping stuff.
> They were already investigating the notion of trance in a delicious blend=
 of
> European classical music with a black American improvisatory approach.

When John Abercrombie was the guest in Jason Crane's Jazz Session
Podcast he told about the trick they used for those first recordings
with Manfred Eicher. They simply set up the main rule as "improvise
everything but adapt your playing to make it sound as if it were
composed music being performed". I only heard about this recently but
have always loved that attitude for my own playing and I think many
actually use this method to generate music that is afterwards
published as compositions.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 10:19:23 2009
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Subject: OT:  Rise of Amplifier Volume in Popular Live Music Performance 
 in the early 70's (was ECM guitarists)
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Bill Walker wrote:
"Of course Billy Cobham and
Lenny White had a lot to do with ratcheting up the volume. "

True Bill.................I was with you at those exciting and mind 
bending concerts
(we were the ONLY ones at Winterland who were standing up with our 
mouths agape
at the sound of a 3rd bill group,  Mahavishnu,  playing "Inner Mounting 
Flame" two weeks before
they even release it on Columbia records......................what a 
life changing experience that was).....

........but, honestly, I have a different take on the whole ratcheting 
up of the volume controversy.

I don't think it was Cobham and Lenny White (despite their immense power 
and
volume)  who were responsible for ratcheting up the volume in the 
earliest days
of fusion.

Hendrix, the Who and Blue Cheer had ramped up the volume with their 
guitar amps
in the 60's but they were using 50 and 100 watt amplifiers at the time.
I remember hearing the Jefferson Airplane debut 'Surrealistic Pillow"
two weeks before they released that record at Frost Ampitheater at Stanford
with a large collection of Fender Twin Reverbs and a smallish P.A. system
for the vocals and drums and it was deafeningly loud.

Remember that the Beatles played Shea Stadium in New York with a
Bogen P.A. system that amplified the vocals and NOT the guitars or the 
drums.
Go check out the film footage from this era.     The screaming teenage 
girls so drowned
out the music that it made the Beatles give up performing live for good.
Ringo Starr started a whole new school of studio drumming by playing 
fills at weird
times when the screaming would subside a little bit, allowing him to 
actually even
hear his own drum set.

By the early 70's, however,  people were using Fender Dual Showmans and
Marshall stacks and the wattage went through the roof.

Then equipment changed and the volume of modern popular music went
through the roof in the early 70's.

Any acoustic trapset drummer will tell you that when you compete
with a Marshall Stack,  that a guitar is VASTLY louder than an acoustic
un-miced drumset.

I've rehearsed with loud bands where I played a huge Vistalite Ludwig kit
with double 22" inch kicks large sized toms where I was completely drowned
out by the guitarist.   I'd get blisters trying to compete with the volume.

I remember having a huge argument with the first guitarist in Tao 
Chemical where I insisted that
he put his guitar on the side of the stage pointed directly at his ears 
(where I , the drummer
had to sit for years before taking the brunt of his loud trebly sound) 
so that he would turn his volume
down.

I got huge blisters on my hands from playing as hard as I could to compete
and I had no nuance whatsoever in my playing.  It made me stronger 
competing
but certainly not subtler.

*******

Nowaday,  the average kid can spend $300 on a guitar amplifier on sale
that can blow the hell out of the loudest acoustic drummers.  Add to 
this the
incredible reduction in dollar (euro/pound/yen) per watt that has 
occurred in modern sound reinforcement
and the prevalence of huge subwoofers powered by literally thousands of 
Watts
at large venues  and it's the technology that ramped up the volume
NOT the drummer.

LOL,   okay,  that's my drummerly rant about volume for the quarter.
I'll be back with more obnoxious soap boxing about volume in three 
months.......................LOL

Rick
------------------------------------------------------------------------


------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 10:21:56 2009
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Subject: Re: Samples and looping
Date: Thu, 27 Aug 2009 11:21:41 +0100
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From: Louigi Verona
>I think it is immoral to make people ask you every time they wanna use your 
>work.

Make some of your own work - that is, something not containing someone 
elses' work - and get back to us when someone lifts and uses it without your 
permission.  M'kay?
Stephen Goodman
*
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 10:27:03 2009
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Subject: Re: Help with Glitch/Stutter technique
From: Raul Bonell <raul.bonell@gmail.com>
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i think guitar rig comes with some components capable of this kind of
lfo modulation. any users?

2009/8/27, Per Boysen <perboysen@gmail.com>:
>> On Thu, Aug 27, 2009 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:
>>>
>>> Also, some old phaser stomp boxes
>>> when forced to work at very low resolution by feeding them an
>>> extremely low input level tend to start changing sound phase in a step
>>> for step way rather than the usual continuous flow of phase shifting.
>
> On Thu, Aug 27, 2009 at 10:47 AM, mark francombe<mark@markfrancombe.com>
> wrote:
>> Which??? I wanna know now.. not the Small Stone by any chance...
>
> Sorry, don't remember. But it was green... or purple. Bought around
> -79/-80. Definitely not the Small Stone though. Could have been
> Ibanez?
>
>
>>> Or why not try our friend Henry Kaiser's trademark technique to use
>>> square wave modulation - a square wave can be trusted to glitch up
>>> just about anything is set to modulate.
>>
>> Really.. what did Henry modulate with square waves?
>
> I'm not sure, better ask him. A guess is that some output volume got
> square wave modulated because it sometimes sounded like a pneumatic
> drill or a machine gun. Not sure "glitchy" would be appropriate to
> describe that sound ;-))
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the month-long Special Focus on Saul Stokes.  The Featured CD
at Midnight will be "Metacollage" on Binary Records.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#aug
I have two copies of "Metacollage" to give away so tune in to learn how
to win one.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 10:36:57 2009
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Date: Thu, 27 Aug 2009 14:36:55 +0400
Message-ID: <20aeede50908270336r4cff14f1qd8cf27857de45d3d@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151744806479396f04721d2529
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I am actually a very prolific musician. My expertise lies not only in
sampled music - in fact, I have only about two or three tunes which
are sample based. The rest of the material is fully original.
Please go to www.louigiverona.ru and find this out. You can use my music and
sample it without my permission - I really do not enjoy a position of
a semi-god who has to be asked every time someone makes a creative (or a
non-creative) decision. In the faq section of the site I explicitly state
this.

Louigi.

On Thu, Aug 27, 2009 at 2:21 PM, Stephen Goodman
<spgoodman@earthlight.net>wrote:

> From: Louigi Verona
>
>> I think it is immoral to make people ask you every time they wanna use
>> your work.
>>
>
> Make some of your own work - that is, something not containing someone
> elses' work - and get back to us when someone lifts and uses it without your
> permission.  M'kay?
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
>

--00151744806479396f04721d2529
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I am actually a very prolific musician. My expertise lies not only in sampl=
ed music - in fact, I have only about two or three tunes which<br>are sampl=
e based. The rest of the material is fully original.<br>Please go to <a hre=
f=3D"http://www.louigiverona.ru">www.louigiverona.ru</a> and find this out.=
 You can use my music and sample it without my permission - I really do not=
 enjoy a position of<br>
a semi-god who has to be asked every time someone makes a creative (or a no=
n-creative) decision. In the faq section of the site I explicitly state thi=
s.<br><br>Louigi.<br><br><div class=3D"gmail_quote">On Thu, Aug 27, 2009 at=
 2:21 PM, Stephen Goodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodman=
@earthlight.net">spgoodman@earthlight.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">From: Louigi Vero=
na<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I think it is immoral to make people ask you every time they wanna use your=
 work.<br>
</blockquote>
<br></div>
Make some of your own work - that is, something not containing someone else=
s&#39; work - and get back to us when someone lifts and uses it without you=
r permission. =A0M&#39;kay?<br><font color=3D"#888888">
Stephen Goodman<br>
*<br>
<a href=3D"http://www.vimeo.com/spgoodman" target=3D"_blank">http://www.vim=
eo.com/spgoodman</a><br>
<a href=3D"http://www.last.fm/music/Stephen+Goodman" target=3D"_blank">http=
://www.last.fm/music/Stephen+Goodman</a><br>
<br>
</font></blockquote></div><br>

--00151744806479396f04721d2529--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 11:25:41 2009
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Per wrote about John Abercrombie's ECM sessions:

*/"They simply set up the main rule as "improvise
everything but adapt your playing to make it sound as if it were
 composed music being performed". I only heard about this recently but
 have always loved that attitude for my own playing and I think many
actually use this method to generate music that is afterwards
published as compositions."/*

Cool you mentioned this approach,  Per.

Bill and I have played improvisatory instrumental music together and 
separately since the mid
1970's and we've always used this particular approach to mask that
we were playing improv.  In the early days,  we were, of course,  just
playing things like jams based off of Santana,  Allman Brothers,  Led 
Zepellin,
Who, Hendrix and other groups.    But we would play these really long
gigs at college parties where, because we didn't have a singer in our trio,
we had to play recognizable stuff.........danceable stuff.........and be 
able to stretch
our sets out for several hours because we didn't have that much material 
worked up.........<blush>.
In those days there was such a tradition of extended jams in rock and 
roll and funk so
it made perfect sense.

***********************************8

I think Schoenberg is attributed with this quote,

"All composition is very slow improvisation"

I always tell my students

"All improvisation CAN be very quick composition"

I think that using the most avant garde and experimental musical 
techniques that one can bring
so called 'difficult' music to mass audiences by using very simple
forms and techniques like 'call and response',   'response and call',
different simple forms found in most simple forms of popular music like
ABAB,  ABAC, ABCB,  ABAC,   and then compound forms
using the same strategies.

I remember distinctly, the first time I heard the Art Of Ensemble of 
Chicago
play the track 'Theme De Yoyo"  with Fontella Bass singing lead.

This track was a straight up R&B horn band romp but playing
traditionally for 7 bars and then suddenly, playing completely
"out"  for one bar,  coming in , perfectly , on the downbeat to start the
chorus over again.

It was so funky................and so ,  well......................OUT!!!!

....had a huge impact on me.

Rick

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 12:03:32 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
References: <4A9611A8.3020606@cruzio.com> <9ab0c76f0908270127m2ce1f9f0ue7c7be7af35fcb24@mail.gmail.com> 	<66f9cc1e0908270140i7cd5ceebx6d4a22705cfe8a9a@mail.gmail.com> <9ab0c76f0908270147i12ac9c56x337994707a428bd2@mail.gmail.com>
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mark francombe wrote:

> 
> 
>     Or why not try our friend Henry Kaiser's trademark technique to use
>     square wave modulation - a square wave can be trusted to glitch up
>     just about anything is set to modulate.
> 
> 
> Really.. what did Henry modulate with square waves?
>  
> 
>

He square wave modulated the delay time on a Lexicon PCM42( i think).
He carefully set the amount of mod to give an interval change of one
octave ( possibly other intervals).
Then his sound through the delay would jump up, or down an octave.

:-) try and pay attention, this has been discussed before.
( ...and if you wanna try a vst plugin version of that effect, just ask)

andy

ps

http://www.analogartsensemble.net/2009/08/henry-kaiser-solo-guitar.html 

"Wonderful Life" is edited together improvs using that technique.

and on Henry's latest cd it's still being used
http://www.analogartsensemble.net/2009/08/henry-kaiser-solo-guitar.html 

I can confirm that if you paypal the guy $15, a cd is forthcoming.
(sounds good, thanx Rick for recommendation, Jeff for source)

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 12:30:43 2009
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Date: Thu, 27 Aug 2009 08:30:40 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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Put me on the waiting list, Walkers!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Also, we're working  now on an analogue footpedal idea I have called the
> Walker Manual Glitch pedal that will , essentially allow one to do one 
> of two things,
>
> manually with a set of momentary switches (comforming to five fingers 
> on two hands):
>
> 1) either cut out the sound,  audibly when the momentary switch is 
> disengaged  (a push cuts sound out)
> or
> 2) allow sound from an original source to pass from silence.   
> (momentary push lets sound through)

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 12:35:31 2009
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <764357.38154.qm@web33108.mail.mud.yahoo.com> <37f071c00908201155k2a35662dv4f59ebaa4522de61@mail.gmail.com> <3fa302e30908201202x6e0d20efv17b29063d89f6e69@mail.gmail.com> <4A947EDE.7020608@mhorse.com> <00ad01ca2643$c44793d0$0201a8c0@Toshiba> <9e0440a60908260647l4f5f7382v4edfcaaa3d80699d@mail.gmail.com> <EA3EBD31-A9F7-497A-8162-4EFDD3D191C3@gmail.com>
Subject: Re: ? RE: ECM guitarists?
Date: Thu, 27 Aug 2009 13:49:40 +0200
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That´s interesting. Eberhard Weber is a bass player.
So is it mainly bass looping, or what?
What´s album title and when was it released?
Best,
Christo
----- Original Message -----
From: "Matthias Grob" <matilists@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, August 26, 2009 7:37 PM
Subject: Re: ? RE: ECM guitarists?


> Pendulum is made by our friend Eberhard Weber and is one of the first
> full livelooping records.
> he had a strike about 2 years ago and did not manage to play again
> since :-(
>
> On 26 Aug 2009, at 10:47, Jim Goodin wrote:
>
> > There's a Gartbarek album Frisell is on with one other person, I've
> > forgotten the records title but has a wonderful piece called Pendulum.
> >
> > On 8/26/09, Christo Jota <chris@christojota.de> wrote:
> >> The trio-album with Vitous and DeJohnette indeed is fantastic.
> >> Rypdal was one of the early guys experimenting with a guitar synth.
> >> And I think he did very well with it.
> >> I love those spheric sounds flying in the skies and
> >> bass and drums providing a cool rythm carpet.
> >> Christo
> >> www.christojota.de
> >>
> >>
> >>
> >> ----- Original Message -----
> >> From: "Daryl Shawn" <highhorse@mhorse.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Sent: Wednesday, August 26, 2009 2:16 AM
> >> Subject: Re: ? RE: ECM guitarists?
> >>
> >>
> >>> Thanks for all the replies on this thread - I've been checking out
> >>> a lot
> >>> of stuff this week as I've always loved ECM but wasn't so aware of a
> >>> couple of the names.
> >>>
> >>> The first Rypdal I tried out was Odyssey, which was well-recommended
> >>> online as one of his best. I HATED it - masturbatory was the kindest
> >>> word I could think of. But then I tried the trio w/Miroslav Vitous
> >>> and
> >>> DeJohnette, and have been listening to it several times a day for
> >>> the
> >>> last three days, I absolutely love it. Beautiful and moving music.
> >>>
> >>> Daryl Shawn
> >>> www.swanwelder.com
> >>> www.chinapaintingmusic.com
> >>>
> >>>> Terje Rypdal is another ambient GOD, capable of really
> >>>> straight-forward, gut-wrenching beauty, yet still sound ethereal
> >>>> and
> >>>> other-worldly.  His catalog is huge though and you should find a
> >>>> way
> >>>> to browse to find which of his vast output you personally like.  -m
> >>>
> >>>
> >>
> >>
> >
> > --
> > Sent from my mobile device
> >
> > ReUse, an introspective textural aural
> > www.myspace.com/CtReUse
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 12:46:00 2009
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <4A966D28.8010903@cruzio.com>
Subject: Re: Terje Rypdal was ECM guitarists 
Date: Thu, 27 Aug 2009 14:49:23 +0200
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I mentioned it in a similar way some time ago in our list:

Sometimes I have recorded improvised material. When
I listen to it, I´m thinking: "oh wow, that´s great. I should
not miss this tune. Then the next step is to rehearse it and maybe
even play it live in concerts or put it on an official Christo Jota-release
or so. Maybe playing it a bit different but using the character of the
track.
By this way it becomes a CJ - composition that I can add to
my programme.
This means it´s thin line between improvisation and composition.
Have a nice day!
Christo
www.myspace.com/christojota

----- Original Message -----
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, August 27, 2009 1:25 PM
Subject: Re: Terje Rypdal was ECM guitarists


> Per wrote about John Abercrombie's ECM sessions:
>
> */"They simply set up the main rule as "improvise
> everything but adapt your playing to make it sound as if it were
>  composed music being performed". I only heard about this recently but
>  have always loved that attitude for my own playing and I think many
> actually use this method to generate music that is afterwards
> published as compositions."/*
>
> Cool you mentioned this approach,  Per.
>
> Bill and I have played improvisatory instrumental music together and
> separately since the mid
> 1970's and we've always used this particular approach to mask that
> we were playing improv.  In the early days,  we were, of course,  just
> playing things like jams based off of Santana,  Allman Brothers,  Led
> Zepellin,
> Who, Hendrix and other groups.    But we would play these really long
> gigs at college parties where, because we didn't have a singer in our
trio,
> we had to play recognizable stuff.........danceable stuff.........and be
> able to stretch
> our sets out for several hours because we didn't have that much material
> worked up.........<blush>.
> In those days there was such a tradition of extended jams in rock and
> roll and funk so
> it made perfect sense.
>
> ***********************************8
>
> I think Schoenberg is attributed with this quote,
>
> "All composition is very slow improvisation"
>
> I always tell my students
>
> "All improvisation CAN be very quick composition"
>
> I think that using the most avant garde and experimental musical
> techniques that one can bring
> so called 'difficult' music to mass audiences by using very simple
> forms and techniques like 'call and response',   'response and call',
> different simple forms found in most simple forms of popular music like
> ABAB,  ABAC, ABCB,  ABAC,   and then compound forms
> using the same strategies.
>
> I remember distinctly, the first time I heard the Art Of Ensemble of
> Chicago
> play the track 'Theme De Yoyo"  with Fontella Bass singing lead.
>
> This track was a straight up R&B horn band romp but playing
> traditionally for 7 bars and then suddenly, playing completely
> "out"  for one bar,  coming in , perfectly , on the downbeat to start the
> chorus over again.
>
> It was so funky................and so ,  well......................OUT!!!!
>
> ....had a huge impact on me.
>
> Rick
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 13:21:24 2009
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Date: Thu, 27 Aug 2009 22:20:53 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Help with Glitch/Stutter technique
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At 12:27 PM +0200 8/27/09, Raul Bonell wrote:
>i think guitar rig comes with some components capable of this kind of
>lfo modulation.

When it comes to software, Ableton Live can do similar sorts of 
things, right out of the box.  Just use (single or multiple) MIDI 
Clips to automate the level of an input's volume/phase/whatever...

Adjust the rate to suit, but really, really fast is good for glitching.

Or, since we're already in the digital domain, you can just get one 
of the various plugs that are purpose-designed for this very thing. 
<*shrug*>

For hardware, Lightfoot Labs' Goatkeeper is really good for bizarre 
tremolo patterns.  Of course, there's still the SL-20 Slicer too, and 
Rainer is sure to point out what a fantastic piece of hardware the 
Nord MicroModular is for any sort of S/H, AM or other modulation 
effect like this.  The thing is, he's entirely correct on that point.

Hey Rick!  A good starting point for your glitch pedal might be to 
gut a Boss FS-5U momentary switch and run that into the Mute input of 
Bill's DT-7 Tuner.  I've done similar things with a single FS-5U, but 
operated by my foot.  The good thing about it is that you can reverse 
the polarity with a switch on the back.  So that one minute it's 
passing the signal and cutting out only when you press the pedal, and 
the next it's muting everything and only passing signal when you 
press.

I keep meaning to try that with a Y-cable and two FS-5U's (or an 
FS-6), to see if you can tap with both feet, BTW.  But I don't see 
why you couldn't break one out of it's housing and use a contact 
switch/pad to do the same thing with your fingers.  Personally, the 
first real mod I'm thinking about, though, is to replace the polarity 
dip switch on the back with an actual footswitch, so I can flip the 
pedal's polarity without having to bend down.

Good luck with the new project!!!

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

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Date: Thu, 27 Aug 2009 09:25:36 -0400 (EDT)
Subject: Re: ? RE: ECM guitarists?
From: "David Beardsley" <db@biink.com>
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Pendulum.


> That´s interesting. Eberhard Weber is a bass
player.
> So is it mainly bass looping, or what?
>
What´s album title and when was it released?
> Best,
> Christo
> ----- Original Message -----
>
From:
"Matthias Grob" <matilists@gmail.com>
> To:
<Loopers-Delight@loopers-delight.com>
> Sent: Wednesday,
August 26, 2009 7:37 PM
> Subject: Re: ? RE: ECM guitarists?
> 
> 
>> Pendulum is made by our friend Eberhard
Weber and is one of the first
>> full livelooping records.
>> he had a strike about 2 years ago and did not manage to play
again
>> since :-(
>>
>> On 26 Aug 2009,
at 10:47, Jim Goodin wrote:
>>
>> > There's a
Gartbarek album Frisell is on with one other person, I've
>>
> forgotten the records title but has a wonderful piece called
Pendulum.
>> >
>> > On 8/26/09, Christo Jota
<chris@christojota.de> wrote:
>> >> The trio-album
with Vitous and DeJohnette indeed is fantastic.
>> >>
Rypdal was one of the early guys experimenting with a guitar synth.
>> >> And I think he did very well with it.
>>
>> I love those spheric sounds flying in the skies and
>>
>> bass and drums providing a cool rythm carpet.
>>
>> Christo
>> >> www.christojota.de
>>
>>
>> >>
>> >>
>>
>> ----- Original Message -----
>> >>
From:
"Daryl Shawn" <highhorse@mhorse.com>
>>
>> To: <Loopers-Delight@loopers-delight.com>
>>
>> Sent: Wednesday, August 26, 2009 2:16 AM
>> >>
Subject: Re: ? RE: ECM guitarists?
>> >>
>>
>>
>> >>> Thanks for all the replies on this
thread - I've been checking out
>> >>> a lot
>> >>> of stuff this week as I've always loved ECM but
wasn't so aware of a
>> >>> couple of the names.
>> >>>
>> >>> The first Rypdal I
tried out was Odyssey, which was well-recommended
>>
>>> online as one of his best. I HATED it - masturbatory was the
kindest
>> >>> word I could think of. But then I tried
the trio w/Miroslav Vitous
>> >>> and
>>
>>> DeJohnette, and have been listening to it several times a day
for
>> >>> the
>> >>> last three
days, I absolutely love it. Beautiful and moving music.
>>
>>>
>> >>> Daryl Shawn
>>
>>> www.swanwelder.com
>> >>>
www.chinapaintingmusic.com
>> >>>
>>
>>>> Terje Rypdal is another ambient GOD, capable of really
>> >>>> straight-forward, gut-wrenching beauty, yet
still sound ethereal
>> >>>> and
>>
>>>> other-worldly.  His catalog is huge though and you should
find a
>> >>>> way
>> >>>>
to browse to find which of his vast output you personally like.  -m
>> >>>
>> >>>
>>
>>
>> >>
>> >
>> >
--
>> > Sent from my mobile device
>> >
>> > ReUse, an introspective textural aural
>> >
www.myspace.com/CtReUse
>> >
>> > music
links...
>> > www.jimgoodinmusic.com
>> >
www.chinapaintingmusic.com
>> >
www.myspace.com/jimgoodinmusic
>> >
www.myspace.com/chinapaintingmusic
>> >
www.myspace.com/jimgoodinviolinelectro
>> >
www.myspace.com/jindream
>> >
www.youtube.com/jimgoodinmusic
>> >
>> > video
work/editing...
>> > www.vimeo.com/jimgoodindigital
>> >
>> > social networking...
>> >
www.twitter.com/jimgoodinmusic
>> >
>>
>

>

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<pre><font><font color="#800000">Pendulum.</font></font></pre>
<br /><br />&gt; That&acute;s interesting. Eberhard Weber is a bass
player.<br />&gt; So is it mainly bass looping, or what?<br />&gt;
What&acute;s album title and when was it released?<br />&gt; Best,<br
/>&gt; Christo<br />&gt; ----- Original Message -----<br />&gt;<br />From:
&quot;Matthias Grob&quot; &lt;matilists@gmail.com&gt;<br />&gt; To:
&lt;Loopers-Delight@loopers-delight.com&gt;<br />&gt; Sent: Wednesday,
August 26, 2009 7:37 PM<br />&gt; Subject: Re: ? RE: ECM guitarists?<br
/>&gt; <br />&gt; <br />&gt;&gt; Pendulum is made by our friend Eberhard
Weber and is one of the first<br />&gt;&gt; full livelooping records.<br
/>&gt;&gt; he had a strike about 2 years ago and did not manage to play
again<br />&gt;&gt; since :-(<br />&gt;&gt;<br />&gt;&gt; On 26 Aug 2009,
at 10:47, Jim Goodin wrote:<br />&gt;&gt;<br />&gt;&gt; &gt; There's a
Gartbarek album Frisell is on with one other person, I've<br />&gt;&gt;
&gt; forgotten the records title but has a wonderful piece called
Pendulum.<br />&gt;&gt; &gt;<br />&gt;&gt; &gt; On 8/26/09, Christo Jota
&lt;chris@christojota.de&gt; wrote:<br />&gt;&gt; &gt;&gt; The trio-album
with Vitous and DeJohnette indeed is fantastic.<br />&gt;&gt; &gt;&gt;
Rypdal was one of the early guys experimenting with a guitar synth.<br
/>&gt;&gt; &gt;&gt; And I think he did very well with it.<br />&gt;&gt;
&gt;&gt; I love those spheric sounds flying in the skies and<br />&gt;&gt;
&gt;&gt; bass and drums providing a cool rythm carpet.<br />&gt;&gt;
&gt;&gt; Christo<br />&gt;&gt; &gt;&gt; www.christojota.de<br />&gt;&gt;
&gt;&gt;<br />&gt;&gt; &gt;&gt;<br />&gt;&gt; &gt;&gt;<br />&gt;&gt;
&gt;&gt; ----- Original Message -----<br />&gt;&gt; &gt;&gt;<br />From:
&quot;Daryl Shawn&quot; &lt;highhorse@mhorse.com&gt;<br />&gt;&gt;
&gt;&gt; To: &lt;Loopers-Delight@loopers-delight.com&gt;<br />&gt;&gt;
&gt;&gt; Sent: Wednesday, August 26, 2009 2:16 AM<br />&gt;&gt; &gt;&gt;
Subject: Re: ? RE: ECM guitarists?<br />&gt;&gt; &gt;&gt;<br />&gt;&gt;
&gt;&gt;<br />&gt;&gt; &gt;&gt;&gt; Thanks for all the replies on this
thread - I've been checking out<br />&gt;&gt; &gt;&gt;&gt; a lot<br
/>&gt;&gt; &gt;&gt;&gt; of stuff this week as I've always loved ECM but
wasn't so aware of a<br />&gt;&gt; &gt;&gt;&gt; couple of the names.<br
/>&gt;&gt; &gt;&gt;&gt;<br />&gt;&gt; &gt;&gt;&gt; The first Rypdal I
tried out was Odyssey, which was well-recommended<br />&gt;&gt;
&gt;&gt;&gt; online as one of his best. I HATED it - masturbatory was the
kindest<br />&gt;&gt; &gt;&gt;&gt; word I could think of. But then I tried
the trio w/Miroslav Vitous<br />&gt;&gt; &gt;&gt;&gt; and<br />&gt;&gt;
&gt;&gt;&gt; DeJohnette, and have been listening to it several times a day
for<br />&gt;&gt; &gt;&gt;&gt; the<br />&gt;&gt; &gt;&gt;&gt; last three
days, I absolutely love it. Beautiful and moving music.<br />&gt;&gt;
&gt;&gt;&gt;<br />&gt;&gt; &gt;&gt;&gt; Daryl Shawn<br />&gt;&gt;
&gt;&gt;&gt; www.swanwelder.com<br />&gt;&gt; &gt;&gt;&gt;
www.chinapaintingmusic.com<br />&gt;&gt; &gt;&gt;&gt;<br />&gt;&gt;
&gt;&gt;&gt;&gt; Terje Rypdal is another ambient GOD, capable of really<br
/>&gt;&gt; &gt;&gt;&gt;&gt; straight-forward, gut-wrenching beauty, yet
still sound ethereal<br />&gt;&gt; &gt;&gt;&gt;&gt; and<br />&gt;&gt;
&gt;&gt;&gt;&gt; other-worldly.  His catalog is huge though and you should
find a<br />&gt;&gt; &gt;&gt;&gt;&gt; way<br />&gt;&gt; &gt;&gt;&gt;&gt;
to browse to find which of his vast output you personally like.  -m<br
/>&gt;&gt; &gt;&gt;&gt;<br />&gt;&gt; &gt;&gt;&gt;<br />&gt;&gt;
&gt;&gt;<br />&gt;&gt; &gt;&gt;<br />&gt;&gt; &gt;<br />&gt;&gt; &gt;
--<br />&gt;&gt; &gt; Sent from my mobile device<br />&gt;&gt; &gt;<br
/>&gt;&gt; &gt; ReUse, an introspective textural aural<br />&gt;&gt; &gt;
www.myspace.com/CtReUse<br />&gt;&gt; &gt;<br />&gt;&gt; &gt; music
links...<br />&gt;&gt; &gt; www.jimgoodinmusic.com<br />&gt;&gt; &gt;
www.chinapaintingmusic.com<br />&gt;&gt; &gt;
www.myspace.com/jimgoodinmusic<br />&gt;&gt; &gt;
www.myspace.com/chinapaintingmusic<br />&gt;&gt; &gt;
www.myspace.com/jimgoodinviolinelectro<br />&gt;&gt; &gt;
www.myspace.com/jindream<br />&gt;&gt; &gt;
www.youtube.com/jimgoodinmusic<br />&gt;&gt; &gt;<br />&gt;&gt; &gt; video
work/editing...<br />&gt;&gt; &gt; www.vimeo.com/jimgoodindigital<br
/>&gt;&gt; &gt;<br />&gt;&gt; &gt; social networking...<br />&gt;&gt; &gt;
www.twitter.com/jimgoodinmusic<br />&gt;&gt; &gt;<br />&gt;&gt;<br />&gt;
<br />&gt;
------=_20090827092536_98317--


From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 14:00:58 2009
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Date: Thu, 27 Aug 2009 23:00:41 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Samples and looping
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At 2:36 PM +0400 8/27/09, Louigi Verona wrote:
>
>I really do not enjoy a position of a semi-god who has to be asked 
>every time someone makes a creative (or a non-creative) decision. In 
>the faq section of the site I explicitly state this.

But you see: that is your choice, and you are absolutely free to make 
it.  However, would you deny another person that same right to choose 
how/where/when their music is used.  This is especially the case if 
someone is using somebody else's work to make money.

My wife, for instance, is a photographer.  Unfortunately, she spends 
an inordinate amount of time chasing down people who believe that 
"just because it's on the Internet, it's free to steal".  It's one 
thing when somebody snarfs someone else's photos (without permission) 
to use on their own website or blog -- that's merely rude.  But there 
are actual commercial publications and/or agencies who have taken 
other people's work and make money off of them.

That's one reason why I really like the Creative Commons idea. 
Because it allows the creator to set the desired access level from 
"free for all to take and use" to "don't you dare touch this under 
any circumstances".

The point is, IMNSHO, that this should be the choice of the original 
creator, not someone who merely discovers the work at a later time.

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 14:41:58 2009
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Subject: Composition & Improvisation (was Re: Terje Rypdal was ECM guitarists)
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Date: Thu, 27 Aug 2009 07:35:16 -0700
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When I was last in conscious recording mode -- as opposed to, the  
recorder happens to be running while I'm playing -- the approach I  
found myself taking was to improvise until I found something I liked,  
then hone in on various elements of it playing the "piece" repeatedly  
until I had the flow down, then record it possibly doing a couple  
takes while doing so. Having then committed the piece to some form of  
recording medium, I would then proceed to let it flow back out of my  
brain which was fine until I found myself in a live performance  
situation with no material to fall back on.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 14:44:02 2009
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Date: Thu, 27 Aug 2009 18:43:59 +0400
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Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I see your point. It is a good point. However, I would say that an artist
has to understand that by releasing his work to the public he not only gains
positive moments, but also theoretically negative. Because, while in the
world of pure ideas it can be at least argued that an artist should be able
to control what is being done with his work, in real world this cannot be
accomplished. With the internet it is virtually impossible to control that
at all. So I think that artists should stop chasing people who use their
work without permission - they should change their business models and stop
focusing on selling copies of their work.

Also, and I've always believed it to be an interesting point - why would you
get money for work done once? You record music - yes, that was hard work.
You get some money - either from a person who contracted you to do the
recording or from shows to which people came after listening to your
records. If someone uses your recording in their work and sold it - why
should you get money? Here we are not speaking about plagiarism - this is a
completely different story. Let's speak about a case like when you use a
vocal from a movie in your song. Is the movie producer "working" each time
someone listens to this recording? If not - why should he be paid?

Of course, what's also true for the real world, is that until you are not a
super star, noone really cares about samples in your music. If you are just
a musician who is making a living, I strongly doubt you will have any
serious problems with sampling, especially if the samples are not too
recognizable.

Here's an example. This album has several voice samples from Star Trek
Voyager - almost in every tune there are several voice samples that add to
the atmosphere. I may be wrong, but I do not think I morally owe something
to the movie company or the actors.
http://www.disc-shelf.com/?album=39

Guys, I may be wrong on this. I do not consider my views to be written in
stone. I am constantly evaluating my views, thinking them over. But as fas
as I can see it now, today, an artist should not be a person who elevates
above the rest of the public, demanding everyone to run to them and ask
permission. What if he denies? Many good works may cease to exist.

L.V.

On Thu, Aug 27, 2009 at 6:00 PM, Mech <mech@m3ch.net> wrote:

> At 2:36 PM +0400 8/27/09, Louigi Verona wrote:
>
>>
>> I really do not enjoy a position of a semi-god who has to be asked every
>> time someone makes a creative (or a non-creative) decision. In the faq
>> section of the site I explicitly state this.
>>
>
> But you see: that is your choice, and you are absolutely free to make it.
>  However, would you deny another person that same right to choose
> how/where/when their music is used.  This is especially the case if someone
> is using somebody else's work to make money.
>
> My wife, for instance, is a photographer.  Unfortunately, she spends an
> inordinate amount of time chasing down people who believe that "just because
> it's on the Internet, it's free to steal".  It's one thing when somebody
> snarfs someone else's photos (without permission) to use on their own
> website or blog -- that's merely rude.  But there are actual commercial
> publications and/or agencies who have taken other people's work and make
> money off of them.
>
> That's one reason why I really like the Creative Commons idea. Because it
> allows the creator to set the desired access level from "free for all to
> take and use" to "don't you dare touch this under any circumstances".
>
> The point is, IMNSHO, that this should be the choice of the original
> creator, not someone who merely discovers the work at a later time.
>
>        --m.
> --
> _____
> "when you think your dreams are shattered, it's time to dream new dreams"
>
>

--0015174bdcc819dbe904722099af
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I see your point. It is a good point. However, I would say that an artist h=
as to understand that by releasing his work to the public he not only gains=
 positive moments, but also theoretically negative. Because, while in the w=
orld of pure ideas it can be at least argued that an artist should be able =
to control what is being done with his work, in real world this cannot be a=
ccomplished. With the internet it is virtually impossible to control that a=
t all. So I think that artists should stop chasing people who use their wor=
k without permission - they should change their business models and stop fo=
cusing on selling copies of their work.<br>
<br>Also, and I&#39;ve always believed it to be an interesting point - why =
would you get money for work done once? You record music - yes, that was ha=
rd work. You get some money - either from a person who contracted you to do=
 the recording or from shows to which people came after listening to your r=
ecords. If someone uses your recording in their work and sold it - why shou=
ld you get money? Here we are not speaking about plagiarism - this is a com=
pletely different story. Let&#39;s speak about a case like when you use a v=
ocal from a movie in your song. Is the movie producer &quot;working&quot; e=
ach time someone listens to this recording? If not - why should he be paid?=
<br>
<br>Of course, what&#39;s also true for the real world, is that until you a=
re not a super star, noone really cares about samples in your music. If you=
 are just a musician who is making a living, I strongly doubt you will have=
 any serious problems with sampling, especially if the samples are not too =
recognizable.<br>
<br>Here&#39;s an example. This album has several voice samples from Star T=
rek Voyager - almost in every tune there are several voice samples that add=
 to the atmosphere. I may be wrong, but I do not think I morally owe someth=
ing to the movie company or the actors.<br>
<a href=3D"http://www.disc-shelf.com/?album=3D39">http://www.disc-shelf.com=
/?album=3D39</a><br><br>Guys, I may be wrong on this. I do not consider my =
views to be written in stone. I am constantly evaluating my views, thinking=
 them over. But as fas as I can see it now, today, an artist should not be =
a person who elevates above the rest of the public, demanding everyone to r=
un to them and ask permission. What if he denies? Many good works may cease=
 to exist.<br>
<br>L.V.<br><br><div class=3D"gmail_quote">On Thu, Aug 27, 2009 at 6:00 PM,=
 Mech <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m3ch.net">mech@m3ch.net<=
/a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-=
left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left=
: 1ex;">
<div class=3D"im">At 2:36 PM +0400 8/27/09, Louigi Verona wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
I really do not enjoy a position of a semi-god who has to be asked every ti=
me someone makes a creative (or a non-creative) decision. In the faq sectio=
n of the site I explicitly state this.<br>
</blockquote>
<br></div>
But you see: that is your choice, and you are absolutely free to make it. =
=A0However, would you deny another person that same right to choose how/whe=
re/when their music is used. =A0This is especially the case if someone is u=
sing somebody else&#39;s work to make money.<br>

<br>
My wife, for instance, is a photographer. =A0Unfortunately, she spends an i=
nordinate amount of time chasing down people who believe that &quot;just be=
cause it&#39;s on the Internet, it&#39;s free to steal&quot;. =A0It&#39;s o=
ne thing when somebody snarfs someone else&#39;s photos (without permission=
) to use on their own website or blog -- that&#39;s merely rude. =A0But the=
re are actual commercial publications and/or agencies who have taken other =
people&#39;s work and make money off of them.<br>

<br>
That&#39;s one reason why I really like the Creative Commons idea. Because =
it allows the creator to set the desired access level from &quot;free for a=
ll to take and use&quot; to &quot;don&#39;t you dare touch this under any c=
ircumstances&quot;.<br>

<br>
The point is, IMNSHO, that this should be the choice of the original creato=
r, not someone who merely discovers the work at a later time.<br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;when you think your dreams are shattered, it&#39;s time to dream new =
dreams&quot;<br>
<br>
</font></blockquote></div><br>

--0015174bdcc819dbe904722099af--

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Louigi Verona wrote:

> Here's an example. This album has several voice samples from Star Trek 
> Voyager - 

wow, you must have sat through a whole episode.

Surely that earns you the right to a few samples.


From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 15:41:05 2009
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Date: Thu, 27 Aug 2009 08:34:23 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
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perhaps you see it this way because it is not your original work which is s=
ampled and then not compensated.  yes, the illegal download and filesharing=
 have made it so that the actual recorded work can hardly pull in the amoun=
t of money for the artist that it once did.  but just because the artist ca=
n barely make any money off of it doesn't mean that someone else should.  s=
o now, if you use someone's sample in a work without clearing it, they can =
then sue for every cent made off the recording--  maybe not as much as they=
 would like, but...  i doubt that the verve enjoyed all of the proceeds of =
"bittersweet symphony" going to jagger/richards, but they should have clear=
ed the sample first.  so, i don't think any harm was really done to society=
 there, huh?--  the people that wrote the work which was used so extensivel=
y get paid for the misappropriation of their work by getting all proceeds f=
rom the song, since no deal was worked out beforehand.  peer-to-peer
 networks and the availability of legal downloads have conspired to do the =
album in and usher in a new age of the single.  here's hoping that the ease=
 of sampling others' works doesn't lead to the degradation of intellectual =
property law, or even no-talent hacks can claim to have "created" something=
 by stitching together others' works into something that they feel is their=
 own.  people can manipulate others' images as much as they desire in the p=
rivacy of their own home, but the minute they try to make money off another=
's work without their ok, that property in essence reverts back to the orig=
inal creator, thank goodness.  at least for now, until the cretans win anot=
her victory for sham creativity.


> oops! ;)
> nah. to end this right away I'll say this - no matter
> what each one of us says,
> after the discussions it is unlikely someone's opinion
> will change. I think
> most of us are normal decent people and no matter how one
> views sampling,
>=20
> I think none of us really wants any harm done to the
> society. And I have yet to
> see a case when sampling is not an overblown matter and
> actually does serious
> harm to someone.
>=20
> Louigi.
>=20
>=20
> On Thu, Aug 27, 2009 at 12:05 PM, Toby G <carpet8@mac.com>
> wrote:
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> You just started=A0a long
> flaming=20
> discussion.
> =A0
> t
>=20
>   -----
> Original Message -----=20
>  =20
> From:=20
>   Louigi=20
>   Verona=20
>   To:
> Loopers-Delight@loopers-delight.com
>=20
>  =20
>   Sent:
> Thursday, August 27, 2009 12:56=20
>   AM
>   Subject:
> Re: Samples and looping
>=20
>  =20
> I think it is immoral to make people ask you every
> time they=20
>   wanna use
> your work. I mean, I am sitting at home and I have a sound
> editor=20
>   and
> I record an audio signal of a movie that is playing. Then I
> cut out=20
>   samples
> out of this recording. Does it mean that some guy there
> actually=20
>   owns my
> freedom and I am obliged to go ask permission whether I can
> cut out=20
>   samples
> from a movie he once did?
>=20
> But of course these sampling=20
>   questions are very controversial. I have no desire to
> start
> a long flaming=20
>   discussion. Just cleared up my position on that.
>=20
>=20
>   On Wed, Aug 26, 2009 at 8:49 PM,
> Milo <milo.vuc@gmail.com>
> wrote:
>=20
>   No, it is not illegal to sample. What is
> illegal (and=20
>     immoral) is to
> use someone's work without asking for written
> permission.=20
>     If you ask
> the right person nicely, you will get the license 90% of
> the=20
>     time. A
> friend of mine recently obtained a license from a very
> famous=20
>     movie
> director, to use a sample from his latest movie. Guess
> what, he=20
>     gave
> his permission for free as long as the sample is not used
> in=20
>     another
> movie... :-)
>=20
>    =20
>    =20
>    =20
>=20
>=20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 15:59:54 2009
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Date: Thu, 27 Aug 2009 08:53:25 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Belew looping
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--0-1184038579-1251388405=:91455
Content-Type: text/plain; charset=iso-8859-1
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Last night Adrian Belew Power Trio was in town, put on a great show in whic=
h he looped in all but one song. I was able to move to the front towards th=
e end of the show, it looks like all he is using is a boomerang. He also ha=
s an FBC1010 but looked like all he did with that was use an expression ped=
al to adjust between the mix of two effects chains. Nice use of his timefac=
tor delay for harmony lines (he also has a harmonizer he steps on frequentl=
y). His backing band is a drums/bass brother/sister team from Philadelphia =
who kicked butt, I only heard the drums get out of sync with the loop one t=
ime; didn't see any in-ear monitors but they did have the Bose L1=A0PA syst=
em setup on stage, besides using stage monitors and house PA. A very eclect=
ic sound I have no idea how they keep everything in sync so well.=0A=0AFor =
those of you near Philadelphia, they have a free show tonight at Rembrandt'=
s (actually not a show, it is a listening party for their new CD 'e').=0A=
=0AI highly recommend the new cd 'e', listen to it with=A0the knowledge tha=
t it is reproduced on stage live with loops. You can listen tosome snippets=
=A0at his website http://www.adrianbelew.net/=A0-- although I would say the=
 live versions were=A0a bit wilder.=0A=0AEric=A0=0A=0A=0A      
--0-1184038579-1251388405=:91455
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Last night Adrian Belew Power Trio was in town, put on=
 a great show in which he looped in all but one song. I was able to move to=
 the front towards the end of the show, it looks like all he is using is a =
boomerang. He also has an FBC1010 but looked like all he did with that was =
use an expression pedal to adjust between the mix of two effects chains. Ni=
ce use of his timefactor delay for harmony lines (he also has a harmonizer =
he steps on frequently). His backing band is a drums/bass brother/sister te=
am from Philadelphia who kicked butt, I only heard the drums get out of syn=
c with the loop one time; didn't see any in-ear monitors but they did have =
the Bose L1&nbsp;PA system setup on stage, besides using stage monitors and=
 house PA. A very eclectic sound I have no idea how they keep everything
 in sync so well.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>For those of you near Ph=
iladelphia, they have a free show tonight at Rembrandt's (actually not a sh=
ow, it is a listening party for their new CD 'e').</DIV>=0A<DIV>&nbsp;</DIV=
>=0A<DIV>I highly recommend the new cd 'e', listen to it with&nbsp;the know=
ledge that it is reproduced on stage live with loops. You can listen tosome=
 snippets&nbsp;at his website <A href=3D"http://www.adrianbelew.net/">http:=
//www.adrianbelew.net/</A>&nbsp;-- although I would say the live versions w=
ere&nbsp;a bit wilder.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Eric&nbsp;</DIV></d=
iv><br>=0A=0A=0A=0Astart: 0000-00-00=0Aend: 0000-00-00=0A      </body></htm=
l>
--0-1184038579-1251388405=:91455--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT ?
Date: Thu, 27 Aug 2009 12:22:21 -0400
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Ok, I think this actually qualifies as a looper. Put the button multiple 
times, loads of fun!

http://tinyurl.com/9rj4wd


Jeff 

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 16:41:17 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Date: Thu, 27 Aug 2009 17:41:02 +0100
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From: "tim echols" <eekamouse67@yahoo.com>
> yes, the illegal download and filesharing have made it so that the actual 
> recorded work can hardly pull in the amount of money for the artist that 
> it once did.

That's certainly the party line excuse the RIAA and its ilk have been using 
to justify their lack of income: no, not the demise of retail sales, not the 
adherence to the culturally-bankrupt concept of "star making" (whether the 
"star" has talent or not), not the absence of new (ie non-derivative) 
songwriters, not the predatory nature of their own business practices, no! 
It wasn't them, it's those damned pirates!  And while they're at it, go for 
the easy targets at home that use a file-sharing program to download 10 or 
20 songs.

Ennnh!  It remains to be seen just what quantities of business have ever 
been actually lost, beyond the vague but threatening-sounding percentage 
figures the recording business continues to pull out of their collective 
backsides.

Stephen Goodman
*
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 16:41:38 2009
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--0015174c14227ec5210472223d76
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On Thu, Aug 27, 2009 at 2:04 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> :-) try and pay attention, this has been discussed before.
>

Sarky booger Butler!!!

Actually I do things like this all the time, and Andrew, I mostly do it with
your beloved Vortex!!! I have one synched to an EDP (using the Grob Cable)
but instead of sunthing the tap tempo, i trigger the morph AB.. with wildly
different settings on A and B patches I get that squarewave mod thing.. I
tell ya thats from Glitchingtonville Arizona...

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c14227ec5210472223d76
Content-Type: text/html; charset=ISO-8859-1
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On Thu, Aug 27, 2009 at 2:04 PM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div id=3D":12f" class=3D"ii gt">:-) try and pay attention, this has been d=
iscussed before.</div></blockquote></div><br>Sarky booger Butler!!! <br><br=
>Actually I do things like this all the time, and Andrew, I mostly do it wi=
th your beloved Vortex!!! I have one synched to an EDP (using the Grob Cabl=
e) but instead of sunthing the tap tempo, i trigger the morph AB.. with wil=
dly different settings on A and B patches I get that squarewave mod thing..=
 I tell ya thats from Glitchingtonville Arizona...<br clear=3D"all">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c14227ec5210472223d76--

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 17:21:37 2009
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Date: Thu, 27 Aug 2009 20:21:35 +0300
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Subject: Re: Samples and looping
From: Milo <milo.vuc@gmail.com>
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"Liberty, morality, and the humane dignity of man consist precisely in
that man does good not because he is ordered to do so, but because he
conceives it, wants it, and loves it."

(from: The Immorality of the State by Mikhail Bakunin)

On 8/27/09, Louigi Verona <louigi.verona@gmail.com> wrote:
> I think it is immoral to make people ask you every time they wanna use
> your work. I mean, I am sitting at home and I have a sound editor and
> I record an audio signal of a movie that is playing. Then I cut out samples
> out of this recording. Does it mean that some guy there actually owns my
> freedom and I am obliged to go ask permission whether I can cut out samples
> from a movie he once did?
>
> But of course these sampling questions are very controversial. I have no
> desire to start
> a long flaming discussion. Just cleared up my position on that.

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 17:23:20 2009
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	 <EAE5B03C1B504B8B9399E5D17BD437A9@eluk1>
Date: Thu, 27 Aug 2009 13:23:19 -0400
Message-ID: <2871c3a90908271023w12e2c70ctfc3903ec5d514b19@mail.gmail.com>
Subject: Re: Samples and looping
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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> Ennnh!  It remains to be seen just what quantities of business have ever
> been actually lost, beyond the vague but threatening-sounding percentage
> figures the recording business continues to pull out of their collective
> backsides.
>
Indeed.  I read a report from a recent-ish study that had some
interesting conclusions: people who d/l movies and albums are
significantly more likely to buy cds and dvds and attend movie
screenings and concerts than those who don't d/l...  are these really
the people the RIAA want to antagonize?

My two-cents on the "right" to sample... I sort of see it both ways.
Copyrights exist to ensure that creators reap the benefits of their
efforts and that is good.  However, the initial intent of copyright
laws was to give creators the competitive edge for a couple of years
(I forget exactly how many originally, was it 7?) before the content
ended up in the public domain.  What we have now, is a bit of
perversion of that original intent where copyrights extend beyond the
life of the original creator...  The aime of many rights holders is to
keep the works indefinitely out of the public domain by introducing
slight variations, re-issues and so on to renew the copyright to their
benefit, but to the detriment of everyone else.

To see how absurd this is, imagine if patents worked the same way and
never ended up in the public sphere...  (not tha patent laws are
perfect)

If, like me, you believe there is no creatio ex nihilo, being deprived
of building on what has come before us can only lead to cultural
stagnation.

Sylvain


On 8/27/09, Stephen Goodman <spgoodman@earthlight.net> wrote:
> From: "tim echols" <eekamouse67@yahoo.com>
> > yes, the illegal download and filesharing have made it so that the actual
> recorded work can hardly pull in the amount of money for the artist that it
> once did.
> >
>
> That's certainly the party line excuse the RIAA and its ilk have been using
> to justify their lack of income: no, not the demise of retail sales, not the
> adherence to the culturally-bankrupt concept of "star making" (whether the
> "star" has talent or not), not the absence of new (ie non-derivative)
> songwriters, not the predatory nature of their own business practices, no!
> It wasn't them, it's those damned pirates!  And while they're at it, go for
> the easy targets at home that use a file-sharing program to download 10 or
> 20 songs.
>
> Ennnh!  It remains to be seen just what quantities of business have ever
> been actually lost, beyond the vague but threatening-sounding percentage
> figures the recording business continues to pull out of their collective
> backsides.
>
>
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 17:42:25 2009
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Subject: Re: Samples and looping
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The protection of copyright beyond the artists' life is in place so
that his/her family is protected after his/her death. It was designed
as a backup social protection for the art worker and his/her children,
because most art workers are not superstars and they are living a
normal life as you all know, I am sure.

When you are a businessman, you own your business and its capital. If
you suddenly die, your family inherits it. This is a choice of society
as well.

Do big corporations exploit the laws? Of course they do! But can you
please point to the direction of a multinational corporation that is
not exploiting a law nowadays?

We can either abolish property completely or not. The middle way, the
easy way, is the post modern capitalism we live in, crushing the
people in favor of corporations.

Pirate Bay is a corporation - a multimillion dollar one. Their shares
are available for sale in the stock markets. How many dollars have
those businessmen invested in art? Zero. How many artists have those
businessmen assisted financially? Zero.

You also talk about cultural starvation - are you aware of how many
albums are released every day? You could spend your whole life
listening to music, never listening to the same album twice. And I am
talking about masterpieces of art, not fast food. :-)

On 8/27/09, Sylvain Poitras <sylvain.trombone@gmail.com> wrote:
>What we have now, is a bit of
> perversion of that original intent where copyrights extend beyond the
> life of the original creator...  The aime of many rights holders is to
> keep the works indefinitely out of the public domain by introducing
> slight variations, re-issues and so on to renew the copyright to their
> benefit, but to the detriment of everyone else.
>
> To see how absurd this is, imagine if patents worked the same way and
> never ended up in the public sphere...  (not tha patent laws are
> perfect)
>
> If, like me, you believe there is no creatio ex nihilo, being deprived
> of building on what has come before us can only lead to cultural
> stagnation.
>
> Sylvain

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Subject: Which live streaming method is best?
From: Rainer Straschill <moinsound@googlemail.com>
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Mark,

sorry for the belated response. I'll try to summarize what you are looking for:

  * streaming audio over the internet
  * audio quality is an issue
  * video will (current planning state) be coming via webcam (and
whichever software)
  * you don't need to listen to or watch them - strictly unidirectional

The important question is: does the audio need to be in sync with the
webcam video you provide or not?
If yes - > see 1
If no -> see 2

1. The best thing I can think of would be ustream.tv, justin.tv or a
similar service. All of them are flash-video based, and all of them
(at least those two) require you to use the (free) Flash Media Encoder
(FME) to be able to control audio quality in detail (including making
it stereo). That way, you could then transmit audio and video on one
stream.
Which one you choose is up to you, one thing which may be of
importance: while ustream requires you to have the FME and a browser
plugin running, justin can do with only FME. So if you are using a
somewhat older computer for that task, justin.tv would be my
recommendation.

2. Of course, the items listed under 1 would also work here. To make
it really simple: use the Oddcast standalone client (or Winamp with
the Oddcast and Line-In plugin) on your side, and Winamp with the
Oddcast/Icecast-pseudoserver plugin on the other side. This will
however require that the router/firewall at the other end is setup to
forward the oddcast port to the machine receiving the audio. Other
solution (if they don't want to mess with the venue's IT setup):
install an icecast server on your machine, configure the router to
port forward to the machine running the icecast server, and then send
the stream with the Oddcast client to your local server and have the
other party connect to your icecast miniserver with Winamp (or a media
player of their choice).

Yours,

                 Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 21:45:37 2009
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Date: Thu, 27 Aug 2009 17:45:39 -0400 (AST)
Subject: Re: Help with Glitch/Stutter technique witth mobius
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Thanks Per, Rick, Andy, Mech, Raul,

I'll have a try with some of these this weekend.
Here's am interesting piece of kit I just came across.

http://emusician.com/signalprocessors/emusic_midfi_electronics/

Anyone tried this?

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa



On Wed, August 26, 2009 4:33 pm, Per Boysen wrote:
> On Wed, Aug 26, 2009 at 10:22 PM, AndrÃ© Donawa<andre@andredonawa.com>
> wrote:
>> I was wondering if any of you use this technique with mobius.
>> I found something here that mentioned using
>> Insert, SUSReplace, and Unrounded Multiply, but I don't have a clue how
>> to
>> approach it.
>> Do I need to start looking at scripts?
>> Appreciate any help you can give
>
> You may have to start looking at scripts if you want to apply those
> commands faster than you can tap dance (i.e. kick pedals). Often it is
> the high speed frequency of manipulations that gives that glitchy
> sound character but there is a way to glitch without scripting and
> that is to apply no quantization or a very short 16ths Per Cycle
> setting as the quantization base.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>





From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 21:59:35 2009
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> Pirate Bay is a corporation - a multimillion dollar one. Their shares
> are available for sale in the stock markets. How many dollars have
> those businessmen invested in art? Zero. How many artists have those
> businessmen assisted financially? Zero.

I do not believe this is true.  To my knowledge, the Pirate Bay is NOT
a corporation.  It was supposed to be sold to a company for $7 million
or so, but that deal has not been completed nor does it look like it
will be.


kevin
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 22:08:39 2009
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Date: Thu, 27 Aug 2009 15:08:37 -0700
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Subject: Re: Help with Glitch/Stutter technique witth mobius
From: Miko Biffle <biffoz@gmail.com>
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I'm an EDP guy and love SUS/Replace and SUS/Insert modes, but even
with basic loopers, starting with an empty loop, stomp on overdub
quickly to create stacatto blips while sustaining long notes. On next
pass you'll get a bumpier ride.  If you're careful, you can
superimpose more blips in the holes with other pitch and timbre
values. It's hard to do it super fast, so It won't sound "granular"
but it can create interesting chopiness.
-- 
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Thu Aug 27 22:20:13 2009
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Subject: Simple Multiple Loop Sampling Tool for Mac?
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Hi folks

I want to create a bunch (i.e. 15) of live loops that I want to assign to keyboard buttons and then trigger (either single-shot or loop) whenever I like (also several together).

What would be the best way to do it on a Mac?
My own best guess would be to define 15 parallel loops in SooperLooper.

Any - better - ideas? Mobius?

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 02:00:14 2009
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Subject: Re: Samples and looping
Date: Thu, 27 Aug 2009 19:00:07 -0700
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Would it be appropriate for a movie producer to take a musician's work  
and use it as a soundtrack without permission or compensation? This is  
after all just sampling it for use in a larger and different artistic  
whole.

If you answer yes, then do you view recorded music as a viable way for  
musicians to make a living?

If you answer no, then how is this different from sampling a movie for  
use in a song?

I appreciate the atmosphere and cultural references that can come from  
using samples, but I also recognize that at some point I'd be  
basically stealing the atmosphere and cultural associations that  
someone else worked to create.

Mark

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Subject: New Piece: Y2K9's a-comin'
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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--0016364ed88afe596204722a5a32
Content-Type: text/plain; charset=ISO-8859-1

Is this exploitative, I ask myself? Well, sure, but I am really excited
about Y2K9 and can't wait to hear and see all you old friends, list
acquaintances, and new friends. And the beginning of this piece kind of
makes me think of - corny as it may be - "The Wells Fargo Wagon" from The
Music Man, in it's festive anticipation. But perhaps I wax too poetic about
my own work...

Anyway, that aside, I really like the evolution of this piece - it's a
continuous 6:41, with no slicing, just some eq and global volume tweaks in
post-production. I have the loop output being fed back into Live for
tempo-synced audio processing - in the last couple of minutes, I'm playing
the effects parameters only, no new audio inputs.

http://warrensirota.com/solostuff/y2k9sAcomin.mp3. Enjoy
-- 
Warren
http://www.warrensirota.com

--0016364ed88afe596204722a5a32
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Is this exploitative, I ask myself? Well, sure, but I am really excited abo=
ut Y2K9 and can&#39;t wait to hear and see all you old friends, list acquai=
ntances, and new friends. And the beginning of this piece kind of makes me =
think of - corny as it may be - &quot;The Wells Fargo Wagon&quot; from The =
Music Man, in it&#39;s festive anticipation. But perhaps I wax too poetic a=
bout my own work...<br>
<br>Anyway, that aside, I really like the evolution of this piece - it&#39;=
s a continuous 6:41, with no slicing, just some eq and global volume tweaks=
 in post-production. I have the loop output being fed back into Live for te=
mpo-synced audio processing - in the last couple of minutes, I&#39;m playin=
g the effects parameters only, no new audio inputs.<br>
<br><a href=3D"http://warrensirota.com/solostuff/y2k9sAcomin.mp3">http://wa=
rrensirota.com/solostuff/y2k9sAcomin.mp3</a>. Enjoy<br>-- <br>Warren<br><a =
href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--0016364ed88afe596204722a5a32--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 03:02:48 2009
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Date: Fri, 28 Aug 2009 05:02:46 +0200
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Subject: Re: New Piece: Y2K9's a-comin'
From: Raul Bonell <raul.bonell@gmail.com>
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6:41 that's an odd meter :-))) ... thanks warren for sharing.

is this the combo mainstage-live in action?
are drums running from live or mainstage?

it makes a difference a bit of post-production for matching levels.

i've enjoyed your guitar madness!

2009/8/28, Warren Sirota <wsirota@wsdesigns.com>:
> Is this exploitative, I ask myself? Well, sure, but I am really excited
> about Y2K9 and can't wait to hear and see all you old friends, list
> acquaintances, and new friends. And the beginning of this piece kind of
> makes me think of - corny as it may be - "The Wells Fargo Wagon" from The
> Music Man, in it's festive anticipation. But perhaps I wax too poetic about
> my own work...
>
> Anyway, that aside, I really like the evolution of this piece - it's a
> continuous 6:41, with no slicing, just some eq and global volume tweaks in
> post-production. I have the loop output being fed back into Live for
> tempo-synced audio processing - in the last couple of minutes, I'm playing
> the effects parameters only, no new audio inputs.
>
> http://warrensirota.com/solostuff/y2k9sAcomin.mp3. Enjoy
> --
> Warren
> http://www.warrensirota.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 03:18:05 2009
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Subject: Re: New Piece: Y2K9's a-comin'
From: Warren Sirota <wsirota@wsdesigns.com>
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Thanks, Raul. Yes, this is Mainstage and Live together, plus
SooperLooper, plus max to record the performance. The drums are a
hybrid - the shakers are all audio loops in Live - there are several
tracks of them playing at once, and in each track Launch Actions are
used to cycle, in various patterns, through a set of related shaker
loops. Then, when the "heavy" drums come in, that's all Mainstage,
driven by MIDI Clips with pseudo-randomized velocities in Live. In
this case, it's a single midi clip. I have to work on that - I have a
lot lot more I can do with the Mainstage drums, but I haven't
organized it much yet.

On Thu, Aug 27, 2009 at 11:02 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>
> 6:41 that's an odd meter :-))) ... thanks warren for sharing.
>
> is this the combo mainstage-live in action?
> are drums running from live or mainstage?
>
> it makes a difference a bit of post-production for matching levels.
>
> i've enjoyed your guitar madness!
>
> 2009/8/28, Warren Sirota <wsirota@wsdesigns.com>:

> >
> > http://warrensirota.com/solostuff/y2k9sAcomin.mp3. Enjoy
> > --
> > Warren
> > http://www.warrensirota.com
> >
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>



--
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 03:31:41 2009
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Date: Thu, 27 Aug 2009 23:31:39 -0400
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Subject: Re: New Piece: Y2K9's a-comin'
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001517448ad279476104722b5283
Content-Type: text/plain; charset=ISO-8859-1

Warren loook forward to seeing you there, I'm excited as well about
returning west.  Good piece here, like the way the opening guitaresque
(maybe patch) figure becomes chameleon like as the piece grows equally the
percussion arrangement as well and yes it feel very western initially and
then to me sort of evolves to trance-hop.  Good stuff sir.

On Thu, Aug 27, 2009 at 10:22 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:

>
>

--001517448ad279476104722b5283
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Warren loook forward to seeing you there, I&#39;m excited as well about ret=
urning west. =A0Good piece here, like the way the opening guitaresque (mayb=
e patch) figure becomes chameleon like as the piece grows equally the percu=
ssion arrangement as well and yes it feel very western initially and then t=
o me sort of evolves to trance-hop. =A0Good stuff sir.<br>
<br><div class=3D"gmail_quote">On Thu, Aug 27, 2009 at 10:22 PM, Warren Sir=
ota <span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsirota@=
wsdesigns.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<br></blockquote></div>

--001517448ad279476104722b5283--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 03:42:37 2009
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Subject: Re: New Piece: Y2K9's a-comin'
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Thanks Jim - that's a guitar through a foot-controlled ring modulator
at the start. Looking forward to seeing you too, on the other side of
the country for both of us!

On Thu, Aug 27, 2009 at 11:31 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrot=
e:
> Warren loook forward to seeing you there, I'm excited as well about
> returning west. =A0Good piece here, like the way the opening guitaresque
> (maybe patch) figure becomes chameleon like as the piece grows equally th=
e
> percussion arrangement as well and yes it feel very western initially and
> then to me sort of evolves to trance-hop. =A0Good stuff sir.
>
> On Thu, Aug 27, 2009 at 10:22 PM, Warren Sirota <wsirota@wsdesigns.com>
> wrote:
>>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 04:05:04 2009
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Warren,

Thanks for sharing your new piece, I love the juxtaposition between  
the intro and the body of the piece, kind of a sucker 'em in, then  
pound 'em approach! I dig the guitar tones in the intro, the "ring  
mod" section, and the "fuzz" section. Finally your effects playing in  
the closing section, especially the slicing kind of thing you are  
doing. Very nice, sir!

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there



From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 06:20:21 2009
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Date: Fri, 28 Aug 2009 10:20:19 +0400
Message-ID: <20aeede50908272320o2b6367e3sa59be5d6acc530de@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174768f6aa189e04722dadd3
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Hey Mark!

"If you answer yes, then do you view recorded music as a viable way for
musicians to make a living?"

I would answer yes.
There is a considerable difference between making a living and making
a fortune. If a composer writes music specifically for a movie and he has a
contract, I believe he should receive a
one time pay. It might be big or not, but it should be a one time thing.
If a film director is using someone's music in his movie, he can choose to
pay the composer to thank him, but he,
in my opinion, should not be obliged.
I know personally about a hundred professional musicians. Very different
musicians - classical composers, game
composers, pop music writers. NONE of them make a living by selling copies
of their works. They do sometimes
sell cds on their concerts, but they do not rely on disc selling as their
primary basis. And they live absolutely
fine without getting royalties each time someone cuts out 5 seconds of their
work.

You also say an interesting thing: you say that you can "steal" atmosphere
that someone else worked to create.
This is a very interesting statement because it reveals how a lot of us view
creativity - as something that is done
purely to an advantage of the artist. But not all people aim to get money,
fame and other things when they do art.
There are a lot of people who do art because they cannot be otherwise,
because their heart calls them to say
something important that lies within their spirit. They do not care for
rewards. And thus - when they are using a
piece of work someone else created, this use is legit, morally legit because
in turn their own work will be as usable
to everybody else. An example: do you know that Shakespeare took many plots
of his famous plays from works of
other authors? Today it would've been called a cheap rip off. But is it? I
do not believe so.

Modern "show business" and music "industry" try to make us believe that
artists' main incentive to create is the
holy copyright and the amount of money on the credit card. They say this
because this is what they are in music
for - to make lots of money. But in reality, the artist's incentive to
create comes from his talent and dedication.

So it does not mean that artists shouldn't be payed - they should. But there
is no need to give them a fortune at
the expense of everybody's freedom. Providing them a living is quite enough
- and that does not require to pay or
even ask permission each time one of the 5 billion people of our planet
decides to use a piece of their work.

I would say that as a decision one should credit the author if possible - if
the work is commercial you should credit the
author if you know who the author is. That would provide him with enough
attention and that attention would be
quite enough, I believe.

This is my opinion.

Louigi.


On Fri, Aug 28, 2009 at 6:00 AM, Mark Hamburg <mark@grubmah.com> wrote:

> Would it be appropriate for a movie producer to take a musician's work and
> use it as a soundtrack without permission or compensation? This is after all
> just sampling it for use in a larger and different artistic whole.
>
> If you answer yes, then do you view recorded music as a viable way for
> musicians to make a living?
>
> If you answer no, then how is this different from sampling a movie for use
> in a song?
>
> I appreciate the atmosphere and cultural references that can come from
> using samples, but I also recognize that at some point I'd be basically
> stealing the atmosphere and cultural associations that someone else worked
> to create.
>
> Mark
>
>

--0015174768f6aa189e04722dadd3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Mark!<br><br>&quot;If you answer yes, then do you view recorded music a=
s a viable way for musicians to make a living?&quot;<br><br>I would answer =
yes.<br>There is a considerable difference between making a living and maki=
ng<br>
a fortune. If a composer writes music specifically for a movie and he has a=
 contract, I believe he should receive a<br>one time pay. It might be big o=
r not, but it should be a one time thing.<br>If a film director is using so=
meone&#39;s music in his movie, he can choose to pay the composer to thank =
him, but he,<br>
in my opinion, should not be obliged.<br>I know personally about a hundred =
professional musicians. Very different musicians - classical composers, gam=
e<br>composers, pop music writers. NONE of them make a living by selling co=
pies of their works. They do sometimes<br>
sell cds on their concerts, but they do not rely on disc selling as their p=
rimary basis. And they live absolutely<br>fine without getting royalties ea=
ch time someone cuts out 5 seconds of their work.<br><br>You also say an in=
teresting thing: you say that you can &quot;steal&quot; atmosphere that som=
eone else worked to create.<br>
This is a very interesting statement because it reveals how a lot of us vie=
w creativity - as something that is done<br>purely to an advantage of the a=
rtist. But not all people aim to get money, fame and other things when they=
 do art.<br>
There are a lot of people who do art because they cannot be otherwise, beca=
use their heart calls them to say<br>something important that lies within t=
heir spirit. They do not care for rewards. And thus - when they are using a=
<br>
piece of work someone else created, this use is legit, morally legit becaus=
e in turn their own work will be as usable<br>to everybody else. An example=
: do you know that Shakespeare took many plots of his famous plays from wor=
ks of<br>
other authors? Today it would&#39;ve been called a cheap rip off. But is it=
? I do not believe so.<br><br>Modern &quot;show business&quot; and music &q=
uot;industry&quot; try to make us believe that artists&#39; main incentive =
to create is the<br>
holy copyright and the amount of money on the credit card. They say this be=
cause this is what they are in music<br>for - to make lots of money. But in=
 reality, the artist&#39;s incentive to create comes from his talent and de=
dication.<br>
<br>So it does not mean that artists shouldn&#39;t be payed - they should. =
But there is no need to give them a fortune at<br>the expense of everybody&=
#39;s freedom. Providing them a living is quite enough - and that does not =
require to pay or<br>
even ask permission each time one of the 5 billion people of our planet dec=
ides to use a piece of their work.<br><br>I would say that as a decision on=
e should credit the author if possible - if the work is commercial you shou=
ld credit the<br>
author if you know who the author is. That would provide him with enough at=
tention and that attention would be<br>quite enough, I believe.<br><br>This=
 is my opinion.<br><br>Louigi.<br><br><br><div class=3D"gmail_quote">On Fri=
, Aug 28, 2009 at 6:00 AM, Mark Hamburg <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:mark@grubmah.com">mark@grubmah.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Would it be appro=
priate for a movie producer to take a musician&#39;s work and use it as a s=
oundtrack without permission or compensation? This is after all just sampli=
ng it for use in a larger and different artistic whole.<br>

<br>
If you answer yes, then do you view recorded music as a viable way for musi=
cians to make a living?<br>
<br>
If you answer no, then how is this different from sampling a movie for use =
in a song?<br>
<br>
I appreciate the atmosphere and cultural references that can come from usin=
g samples, but I also recognize that at some point I&#39;d be basically ste=
aling the atmosphere and cultural associations that someone else worked to =
create.<br>
<font color=3D"#888888">
<br>
Mark<br>
<br>
</font></blockquote></div><br>

--0015174768f6aa189e04722dadd3--

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Subject: Re: Samples and looping
Date: Thu, 27 Aug 2009 23:26:20 -0700
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"NONE of them make a living by selling copies of their works."

Yeah, but it would be nice, wouldn't it?


t

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</HEAD>
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<DIV>"NONE of them make a living by selling copies of their works."</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>Yeah, but it would be nice, wouldn't 
it?</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV></BODY></HTML>

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Date: Fri, 28 Aug 2009 10:30:07 +0400
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Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
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Hehe ) I don't know. Maybe. But with today's technology it is hardly
possible.
On the other hand if the artist gets enough money from selling copies - he
might
not do concerts!

On Fri, Aug 28, 2009 at 10:26 AM, Toby G <carpet8@mac.com> wrote:

>  "NONE of them make a living by selling copies of their works."
>
> Yeah, but it would be nice, wouldn't it?
>
>
> t
>

--001517447dc6b8d64704722dd08b
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Hehe ) I don&#39;t know. Maybe. But with today&#39;s technology it is hardl=
y possible.<br>On the other hand if the artist gets enough money from selli=
ng copies - he might<br>not do concerts!<br><br><div class=3D"gmail_quote">
On Fri, Aug 28, 2009 at 10:26 AM, Toby G <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:carpet8@mac.com">carpet8@mac.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor=3D"#ffffff"><div class=3D"im">
<div>&quot;NONE of them make a living by selling copies of their works.&quo=
t;</div>
<div>=A0</div>
</div><div><font size=3D"2" face=3D"Arial">Yeah, but it would be nice, woul=
dn&#39;t=20
it?</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">t</font></div></div>
</blockquote></div><br>

--001517447dc6b8d64704722dd08b--

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I think that this is a fascinating thread, one that Louigi has
singlehandedly defended his pov, in opposition to most on this list. His
arguments are intelligent and well formulated and NOT without some level of
compromise. He has taken the right approach, of considering the issue not
from a business point of view, full of "what ifs" and "well thens", but from
a real world... "well thats how it is", point of view...

Remember the sampling issue is NOT to be confused with the downoading a
pirate copy issue. A sample is a few seconds long, it is either so
unreconisable by the time it gets to you in that "Hip Hop drum hits
collection 9", you can never tell who made it, or its a reconisable phrase
from a song of yore, in which case it is not only giving that long forgoton
artist a few sales of their own, or at the very least hailing them
respectfully.

Louigi also rightly sets some things straight about our own livings as
musicians. Why are we really so pissed off about people nicking our stuff?
Us.. mostly purveyors of new, exiting and experimental work... are we really
"in it for the money?", are any of us really losing ANY money by people
nicking samples of our work? I would like to estimate (dont correct me if Im
wrong) that there is only a handful of jobbing musicians ON this list. (Per,
maybe, but he earns via writing music, Rick maybe, but he teaches, Zoe...
ahh Zoe.. thank god for Zoe...and a few others no doubt)... so WHY are we so
angry about some kid who makes a few bucks off us? Goddamit... we should be
PROUD!!!
I for one was suprised that a track of mine suddenly popped up as a program
link music on the national TV station... I know a few people there, so it
was probablt one of them, they never own up tho... but i was HAPPY about
it!!

Before any one trys the "if it was YOU" approach, I was in a professional
band for 12 years, on a major record label, 6 albums, UK top 10 single,
toured the world... the issue of sampling us... never cropped up.. never
discussed either in the band, or by the record company... its such a small
issue and the amount of money that you SHOULD pay an artist for 30 secs is
microscopic... unless of course you happen to write a absolutely HUGE hit,
that bases that song on that sample... THEN... and only then... YOU SHOULD
PAY.... and them lawyers will come and getcha and make you pay...

... and really.. thats the best way...

dont worry about how the record company bosses make their money, or whether
you are screwing a multimillionaire out of small change...

I think it was Crass who printed on the cover of their album "Penis Envy"..

STEAL THIS RECORD

I'm on Louigis side

Mark




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5bb4d8c9a3304723043d6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I think that this is a fascinating thread, one that Louigi has singlehanded=
ly defended his pov, in opposition to most on this list. His arguments are =
intelligent and well formulated and NOT without some level of compromise. H=
e has taken the right approach, of considering the issue not from a busines=
s point of view, full of &quot;what ifs&quot; and &quot;well thens&quot;, b=
ut from a real world... &quot;well thats how it is&quot;, point of view...<=
br>

<br>Remember the sampling issue is NOT to be confused with the downoading a=
 pirate copy issue. A sample is a few seconds long, it is either so unrecon=
isable by the time it gets to you in that &quot;Hip Hop drum hits collectio=
n 9&quot;, you can never tell who made it, or its a reconisable phrase from=
 a song of yore, in which case it is not only giving that long forgoton art=
ist a few sales of their own, or at the very least hailing them respectfull=
y.<br>

<br>Louigi also rightly sets some things straight about our own livings as =
musicians. Why are we really so pissed off about people nicking our stuff? =
Us.. mostly purveyors of new, exiting and experimental work... are we reall=
y &quot;in it for the money?&quot;, are any of us really losing ANY money b=
y people nicking samples of our work? I would like to estimate (dont correc=
t me if Im wrong) that there is only a handful of jobbing musicians ON this=
 list. (Per, maybe, but he earns via writing music, Rick maybe, but he teac=
hes, Zoe... ahh Zoe.. thank god for Zoe...and a few others no doubt)... so =
WHY are we so angry about some kid who makes a few bucks off us? Goddamit..=
. we should be PROUD!!!<br>

I for one was suprised that a track of mine suddenly popped up as a program=
 link music on the national TV station... I know a few people there, so it =
was probablt one of them, they never own up tho... but i was HAPPY about it=
!!<br>

<br>Before any one trys the &quot;if it was YOU&quot; approach, I was in a =
professional band for 12 years, on a major record label, 6 albums, UK top 1=
0 single, toured the world... the issue of sampling us... never cropped up.=
. never discussed either in the band, or by the record company... its such =
a small issue and the amount of money that you SHOULD pay an artist for 30 =
secs is microscopic... unless of course you happen to write a absolutely HU=
GE hit, that bases that song on that sample... THEN... and only then... YOU=
 SHOULD PAY.... and them lawyers will come and getcha and make you pay... <=
br>

<br>... and really.. thats the best way...<br><br>dont worry about how the =
record company bosses make their money, or whether you are screwing a multi=
millionaire out of small change...<br><br>I think it was Crass who printed =
on the cover of their album &quot;Penis Envy&quot;..<br>

<br>STEAL THIS RECORD<br><br>I&#39;m on Louigis side<br><br>Mark<br><br><br=
><br><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.=
com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825=
094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--001636c5bb4d8c9a3304723043d6--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 09:39:38 2009
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Date: Fri, 28 Aug 2009 11:39:38 +0200
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Subject: Re: Samples and looping
From: Per Boysen <perboysen@gmail.com>
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I think this thread has been focusing too much on the recording of a
piece of music, while it is equally if not more important to discuss
the music itself. You guys are only talking about the container and
forget about the content!

In many ways I agree with Louigi that copyright sucks (because it
keeps people that should be creative and invent new wonderful things
occupied by suing each other for infringement of copyrights) but I
also think it's totally justified to have legal protection of
composer's rights in music. If you look close enough, isn't it the bad
legal implementation that makes the copyright law vulnerable for
abuse, not the idea in itself? If we still want composers in our
society we have to accept legal protection of their rights, because
composers don't sell recordings of their "products" and they don't
make quick money doing concerts (as performing artists may). I'm a big
fan of brilliant composers and for that reason I support legal
protection of the composer's/author's right to his unique idea,
because that is what actually makes it possible for talented people to
become composers in the first place, to pursue it as a future
profession. The important point here is that a composition is just an
idea and as such can not exist on a market without the legal
protection that creates its "product status". Compare that to any
physical product, like for example a pair of shoes, that has its
product status built-in by default. We can't simply undo these modern
mass societies and mass markets, created by previous generations, and
I personally hope that the governments in different countries will
keep up and educate the responsibility to act as a good "gardener"
because this modern society really isn't a natural system that in a
magical way works for the best of all living. To me the ideas
expressed in the Creative Commons movement looks like the way to go,
and some countries have already taken steps in that direction.

Here in Sweden the leading PRO, Performance Rights Organization,
http://en.wikipedia.org/wiki/Performance_rights_organisation, STIM
just one month ago made it possible for members to apply
differentiated licensing to their work. But unfortunately they
implemented this in such a way that if you chose anything else than
the old exclusive license (All Rights Protected), for the PRO to look
after for you, you automatically miss out on getting compensated as
your music is played on public radio. That's lame... but it is only
2k9 yet, the future can be changed.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 09:45:23 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: FX Tempo: Tapping vs. Sync to Loop Tempo
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Hi folks

I had the impresion that most of you guys like to automatically sync your effects to your loop tempo.
Personally, I prefer having a seperate tap tempo pedal and to play around with fx tempo, i.e. creating delays in triplets etc.

Obviously, if you have loops with different tempi that you switch back and fro, I guess it could be nice to have synced FX. But I hardly use it that way.

Maybe I'm missing out on some basic idea? Just wanted to hear your opinion on this.

best regards
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 10:03:45 2009
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Date: Fri, 28 Aug 2009 12:03:43 +0200
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Subject: Re: FX Tempo: Tapping vs. Sync to Loop Tempo
From: Per Boysen <perboysen@gmail.com>
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On Fri, Aug 28, 2009 at 11:45 AM, Buzap Buzap<buzap@gmx.net> wrote:
> I had the impresion that most of you guys like to automatically sync your effects to your loop tempo.
> Personally, I prefer having a seperate tap tempo pedal and to play around with fx tempo, i.e. creating delays in triplets etc.
>
> Obviously, if you have loops with different tempi that you switch back and fro, I guess it could be nice to have synced FX. But I hardly use it that way.
>
> Maybe I'm missing out on some basic idea? Just wanted to hear your opinion on this.


I think both contexts are good for making music. Just try them and
then pick what you think works best for whatever you are up to.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 10:08:02 2009
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Date: Fri, 28 Aug 2009 19:07:43 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: Simple Multiple Loop Sampling Tool for Mac?
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At 12:20 AM +0200 8/28/09, buzap@gmx.net wrote:
>
>I want to create a bunch (i.e. 15) of live loops that I want to 
>assign to keyboard buttons and then trigger (either single-shot or 
>loop) whenever I like (also several together).
>
>What would be the best way to do it on a Mac?
>My own best guess would be to define 15 parallel loops in SooperLooper.
>
>Any - better - ideas? Mobius?

Musolomo, from Plasq.  Not only can you live sample and have each 
auto-assigned to the keyboard on the fly, it will also assign ranges 
so that the sample pitch is transposed across the available 
unassigned keys left on the keyboard.  Manipulations (such as 
pitch/time stretch and reverse) can be done via CC as well.  The only 
really glaring omission is any sort of Feedback control.

Pretty cool, although they stopped actively supporting it a while 
back.  You can get the UB version here (scroll down to about the 
thrid reply): http://is.gd/2DHO7

Also, I think you might be able to do similar with CrossFade Loop 
Synth, but I'm not certain about handling 15 loops at a time with the 
live effect version.

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 10:28:00 2009
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Date: Fri, 28 Aug 2009 14:27:58 +0400
Message-ID: <20aeede50908280327g2ae2be35pbfff9ec29907ef1e@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Yeah, Per, I agree on the legal implementation thing and that Creative
Commons seems as a way to go.

I would however point out that before the 20-th century copyright did not
exist. As an economical idea it appeared at the end of the 19th century.
That
means that you can be a composer and yet not have any copyrights.

Not all composers do shows, but today the work of a composer is needed as
never
before - music for tv, movies, games, presentations, radio, events - all of
that is well
paid. I have several game composers who are my friends. They live on these
one time pays.
The pays are substantial if they are writing a soundtrack for a game. That
allows them to
live fine. All the rights to their music they give away to the game company.

So copyright might be implemented well - it has to be much shorter and its
restrictions should
restrict only very specific uses of a work.

I actually enjoy Richard Stallman's ideas on copyright. If anyone's
interested, you can see a video
here (it is in 12 parts, about 40 minutes long):

http://www.youtube.com/watch?v=-mUhTwmUQt4&feature=channel_page

Cheers!

Louigi.

--0015174757a44ff2e9047231231f
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Yeah, Per, I agree on the legal implementation thing and that Creative Comm=
ons seems as a way to go.<br><br>I would however point out that before the =
20-th century copyright did not<br>exist. As an economical idea it appeared=
 at the end of the 19th century. That<br>
means that you can be a composer and yet not have any copyrights.<br><br>No=
t all composers do shows, but today the work of a composer is needed as nev=
er<br>before - music for tv, movies, games, presentations, radio, events - =
all of that is well<br>
paid. I have several game composers who are my friends. They live on these =
one time pays.<br>The pays are substantial if they are writing a soundtrack=
 for a game. That allows them to<br>live fine. All the rights to their musi=
c they give away to the game company.<br>
<br>So copyright might be implemented well - it has to be much shorter and =
its restrictions should<br>restrict only very specific uses of a work.<br><=
br>I actually enjoy Richard Stallman&#39;s ideas on copyright. If anyone&#3=
9;s interested, you can see a video<br>
here (it is in 12 parts, about 40 minutes long):<br><br><a href=3D"http://w=
ww.youtube.com/watch?v=3D-mUhTwmUQt4&amp;feature=3Dchannel_page">http://www=
.youtube.com/watch?v=3D-mUhTwmUQt4&amp;feature=3Dchannel_page</a><br><br>Ch=
eers!<br>
<br>Louigi.<br><br><br>

--0015174757a44ff2e9047231231f--

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Samples and looping
Date: Fri, 28 Aug 2009 10:27:42 +0000
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So IF filmmakers could ligt any music they like from any media=2C other fil=
ms=2C videogames=2C music etc=2C do you really think that they would pay a =
composer for a commisoned peice of music?? Somtimes yes=2C but much less fr=
equelntly. THe artist that makes a furtune are less than 1% af the artist o=
ut there... must artist struggle for every cent... If you could use any alr=
eady existing peice of music=2C or other art=2C copmpletly free even fewer =
would be able to make a living from art. Thsi will NOT affect the richest a=
s much since they can sell theier name for endorsments and usage in commerc=
ials. Or du you think that it would be free to use=2C for example=2C. MIles=
 name and art when making commercials???=20

If you make 100 000$ on remiastereing and reselling a tune I have composed =
and recorded should you have all the money?? If so it means that the unknow=
n composers should count on heving their best peices stolen so that the wel=
l known artist can use their art to make BIG money...
=20


Date: Fri=2C 28 Aug 2009 10:20:19 +0400
Subject: Re: Samples and looping
From: louigi.verona@gmail.com
To: Loopers-Delight@loopers-delight.com

Hey Mark!

"If you answer yes=2C then do you view recorded music as a viable way for m=
usicians to make a living?"

I would answer yes.
There is a considerable difference between making a living and making
a fortune. If a composer writes music specifically for a movie and he has a=
 contract=2C I believe he should receive a
one time pay. It might be big or not=2C but it should be a one time thing.
If a film director is using someone's music in his movie=2C he can choose t=
o pay the composer to thank him=2C but he=2C
in my opinion=2C should not be obliged.
I know personally about a hundred professional musicians. Very different mu=
sicians - classical composers=2C game
composers=2C pop music writers. NONE of them make a living by selling copie=
s of their works. They do sometimes
sell cds on their concerts=2C but they do not rely on disc selling as their=
 primary basis. And they live absolutely
fine without getting royalties each time someone cuts out 5 seconds of thei=
r work.

You also say an interesting thing: you say that you can "steal" atmosphere =
that someone else worked to create.
This is a very interesting statement because it reveals how a lot of us vie=
w creativity - as something that is done
purely to an advantage of the artist. But not all people aim to get money=
=2C fame and other things when they do art.
There are a lot of people who do art because they cannot be otherwise=2C be=
cause their heart calls them to say
something important that lies within their spirit. They do not care for rew=
ards. And thus - when they are using a
piece of work someone else created=2C this use is legit=2C morally legit be=
cause in turn their own work will be as usable
to everybody else. An example: do you know that Shakespeare took many plots=
 of his famous plays from works of
other authors? Today it would've been called a cheap rip off. But is it? I =
do not believe so.

Modern "show business" and music "industry" try to make us believe that art=
ists' main incentive to create is the
holy copyright and the amount of money on the credit card. They say this be=
cause this is what they are in music
for - to make lots of money. But in reality=2C the artist's incentive to cr=
eate comes from his talent and dedication.

So it does not mean that artists shouldn't be payed - they should. But ther=
e is no need to give them a fortune at
the expense of everybody's freedom. Providing them a living is quite enough=
 - and that does not require to pay or
even ask permission each time one of the 5 billion people of our planet dec=
ides to use a piece of their work.

I would say that as a decision one should credit the author if possible - i=
f the work is commercial you should credit the
author if you know who the author is. That would provide him with enough at=
tention and that attention would be
quite enough=2C I believe.

This is my opinion.

Louigi.



On Fri=2C Aug 28=2C 2009 at 6:00 AM=2C Mark Hamburg <mark@grubmah.com> wrot=
e:

Would it be appropriate for a movie producer to take a musician's work and =
use it as a soundtrack without permission or compensation? This is after al=
l just sampling it for use in a larger and different artistic whole.

If you answer yes=2C then do you view recorded music as a viable way for mu=
sicians to make a living?

If you answer no=2C then how is this different from sampling a movie for us=
e in a song?

I appreciate the atmosphere and cultural references that can come from usin=
g samples=2C but I also recognize that at some point I'd be basically steal=
ing the atmosphere and cultural associations that someone else worked to cr=
eate.

Mark



--_c7db93f1-8aa3-44c5-8206-0b0ba3669542_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
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margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
So IF filmmakers could ligt any music they like from any media=2C&nbsp=3Bot=
her films=2C videogames=2C music etc=2C do you really think that they would=
 pay a composer for a commisoned peice of music?? Somtimes yes=2C but much =
less frequelntly. THe artist that makes a furtune are less than 1% af the a=
rtist out there... must artist struggle for every&nbsp=3Bcent... If you cou=
ld use any already existing peice of music=2C or other art=2C copmpletly fr=
ee even fewer would be able to make a living&nbsp=3Bfrom art. Thsi will NOT=
 affect the richest as much since they can sell theier name for endorsments=
 and&nbsp=3Busage in commercials. Or du you think that it would be free to =
use=2C for example=2C. MIles name and art when making commercials??? <BR>
If you&nbsp=3Bmake 100 000$ on remiastereing and reselling&nbsp=3Ba tune I =
have composed and recorded should you have all the money??&nbsp=3BIf so it =
means that the unknown composers&nbsp=3Bshould count on heving their best p=
eices stolen so that the well known artist can use their art to make BIG mo=
ney...<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Fri=2C 28 Aug 2009 10:20:19 +0400<BR>Subject: Re: Samples and looping=
<BR>From: louigi.verona@gmail.com<BR>To: Loopers-Delight@loopers-delight.co=
m<BR><BR>Hey Mark!<BR><BR>"If you answer yes=2C then do you view recorded m=
usic as a viable way for musicians to make a living?"<BR><BR>I would answer=
 yes.<BR>There is a considerable difference between making a living and mak=
ing<BR>a fortune. If a composer writes music specifically for a movie and h=
e has a contract=2C I believe he should receive a<BR>one time pay. It might=
 be big or not=2C but it should be a one time thing.<BR>If a film director =
is using someone's music in his movie=2C he can choose to pay the composer =
to thank him=2C but he=2C<BR>in my opinion=2C should not be obliged.<BR>I k=
now personally about a hundred professional musicians. Very different music=
ians - classical composers=2C game<BR>composers=2C pop music writers. NONE =
of them make a living by selling copies of their works. They do sometimes<B=
R>sell cds on their concerts=2C but they do not rely on disc selling as the=
ir primary basis. And they live absolutely<BR>fine without getting royaltie=
s each time someone cuts out 5 seconds of their work.<BR><BR>You also say a=
n interesting thing: you say that you can "steal" atmosphere that someone e=
lse worked to create.<BR>This is a very interesting statement because it re=
veals how a lot of us view creativity - as something that is done<BR>purely=
 to an advantage of the artist. But not all people aim to get money=2C fame=
 and other things when they do art.<BR>There are a lot of people who do art=
 because they cannot be otherwise=2C because their heart calls them to say<=
BR>something important that lies within their spirit. They do not care for =
rewards. And thus - when they are using a<BR>piece of work someone else cre=
ated=2C this use is legit=2C morally legit because in turn their own work w=
ill be as usable<BR>to everybody else. An example: do you know that Shakesp=
eare took many plots of his famous plays from works of<BR>other authors? To=
day it would've been called a cheap rip off. But is it? I do not believe so=
.<BR><BR>Modern "show business" and music "industry" try to make us believe=
 that artists' main incentive to create is the<BR>holy copyright and the am=
ount of money on the credit card. They say this because this is what they a=
re in music<BR>for - to make lots of money. But in reality=2C the artist's =
incentive to create comes from his talent and dedication.<BR><BR>So it does=
 not mean that artists shouldn't be payed - they should. But there is no ne=
ed to give them a fortune at<BR>the expense of everybody's freedom. Providi=
ng them a living is quite enough - and that does not require to pay or<BR>e=
ven ask permission each time one of the 5 billion people of our planet deci=
des to use a piece of their work.<BR><BR>I would say that as a decision one=
 should credit the author if possible - if the work is commercial you shoul=
d credit the<BR>author if you know who the author is. That would provide hi=
m with enough attention and that attention would be<BR>quite enough=2C I be=
lieve.<BR><BR>This is my opinion.<BR><BR>Louigi.<BR><BR><BR>
<DIV class=3DEC_gmail_quote>On Fri=2C Aug 28=2C 2009 at 6:00 AM=2C Mark Ham=
burg <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:mark@grubmah.com">mark@grubmah=
.com</A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3DEC_gmail_quote style=3D"PADDING-LEFT: 1ex">Would it be =
appropriate for a movie producer to take a musician's work and use it as a =
soundtrack without permission or compensation? This is after all just sampl=
ing it for use in a larger and different artistic whole.<BR><BR>If you answ=
er yes=2C then do you view recorded music as a viable way for musicians to =
make a living?<BR><BR>If you answer no=2C then how is this different from s=
ampling a movie for use in a song?<BR><BR>I appreciate the atmosphere and c=
ultural references that can come from using samples=2C but I also recognize=
 that at some point I'd be basically stealing the atmosphere and cultural a=
ssociations that someone else worked to create.<BR><FONT color=3D#888888><B=
R>Mark<BR><BR></FONT></BLOCKQUOTE></DIV><BR></body>
</html>=

--_c7db93f1-8aa3-44c5-8206-0b0ba3669542_--

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Date: Fri, 28 Aug 2009 14:41:01 +0400
Message-ID: <20aeede50908280341i1ab27c15nf5f786a7eb449fc5@mail.gmail.com>
Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hey Anders!
Thanks for your opinion. Here's how I see it.

"If you make 100 000$ on remiastereing and reselling a tune I have composed
and recorded should you have all the money??"

Well.... as I understand, your statement assumes that making 100 000$ out of
reselling tunes is easy. But is it? With yesterday's
technology it was a serious enterprise - not only you had to sort out legal
issues, you had to actually set up physical media production,
hire people to make cover art, print it out, deliver it to the shops, then
advertise and make people come and buy. It's a hell lot of work with
lots of risk. This is what a profession of a salesman has been for all human
history.
With today's technology it is even less feasible. Selling files is an absurd
business model and no matter how much mp3 shops swear at people
by calling them pirates and criminals, nobody wants to pay for air - nobody
wants to pay for files.

So this reselling scenario is really not as realistic as you might think. In
fact, I have yet to see when this happens. Most shops would prefer to
pay the artist so that he delivers his material to them first anyway - it
would be beneficial to them. If not - the artist would get a lot of exposure
thanks to the shop's advertising if it works out at all. Lots of people
would come to the artist's show or if he is not performing - pay him for
music
to be written for films, games, events, etc.

Louigi.

--0015174768f6012dab0472315224
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Hey Anders!<br>Thanks for your opinion. Here&#39;s how I see it.<br><br>&qu=
ot;If you=A0make 100 000$ on remiastereing and reselling=A0a tune I have co=
mposed and recorded should you have all the money??&quot;<br><br>Well.... a=
s I understand, your statement assumes that making 100 000$ out of resellin=
g tunes is easy. But is it? With yesterday&#39;s<br>
technology it was a serious enterprise - not only you had to sort out legal=
 issues, you had to actually set up physical media production,<br>hire peop=
le to make cover art, print it out, deliver it to the shops, then advertise=
 and make people come and buy. It&#39;s a hell lot of work with<br>
lots of risk. This is what a profession of a salesman has been for all huma=
n history.<br>With today&#39;s technology it is even less feasible. Selling=
 files is an absurd business model and no matter how much mp3 shops swear a=
t people<br>
by calling them pirates and criminals, nobody wants to pay for air - nobody=
 wants to pay for files.<br><br>So this reselling scenario is really not as=
 realistic as you might think. In fact, I have yet to see when this happens=
. Most shops would prefer to<br>
pay the artist so that he delivers his material to them first anyway - it w=
ould be beneficial to them. If not - the artist would get a lot of exposure=
<br>thanks to the shop&#39;s advertising if it works out at all. Lots of pe=
ople would come to the artist&#39;s show or if he is not performing - pay h=
im for music<br>
to be written for films, games, events, etc.<br><br>Louigi.<br>

--0015174768f6012dab0472315224--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 10:42:42 2009
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Date: Fri, 28 Aug 2009 12:44:57 +0200
From: Massimo Liverani H&T <liverani@het.it>
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Hi to all the looper! anyone knows with moebius how to assign  a 
multiple command (macro?) to a silngle shot pedal?
I got a macbook, moebius, m-audio oxigene, cubase 4 SL and a FCB1010.
For example: i'd like to rise up one or two tones my loop with a single 
shot and not by half tones at time
is it possible?
I thought that 'scripts' would be usefull for this porpose but i 
couldn't do it.
T.I.A.

Max Liver

 

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Date: Fri, 28 Aug 2009 12:53:45 +0200
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Subject: Re: Samples and looping
From: Per Boysen <perboysen@gmail.com>
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On Fri, Aug 28, 2009 at 12:27 PM, Anders
Bergdahl<anders_e_bergdahl@hotmail.com> wrote:
> If you=C2=A0make 100 000$ on remiastereing and reselling=C2=A0a tune I ha=
ve composed
> and recorded should you have all the money??

Yes, that's the way it works. The work the record label does is to
remaster the recording, print copies and distribute them. None of that
is the work of the composer. He made the music, not the recording or
the CD record copies. The composer gets paid when his music is used
for playback or performance in public or for commercial reasons.
However, if a lable puts out new copies of a recording of music you
have composed it is likely that the use of this music will increase,
and that means more money goes to you.

If you as the composer are also the artist whose performance (of your
composition) was recorded for this product, then it is a different
situation; then you (the artist) would get a small cut of the label's
income of record sales.


> If so it means that the unknown
> composers=C2=A0should count on heving their best peices stolen so that th=
e well
> known artist can use their art to make BIG money...

Yup, that's what they do! The business model for that is called
"placing tracks". You compose a song and take help from a publisher to
find an artist with millions of fans and an active record company to
record the song and release it. The record company gets the royalty
from sold records (and some performance compensation when the song is
played on air in countries that give this), the artist gets a cut for
the record sales via the label (6% up to 20%) (and some performance
compensation when the song is played on air in countries that give
this). You, as the composer, get your part out of the "publishing
money", which is the big part of what radio and television stations,
shopping malls etc pays for the right to use the music and this is
normally split with 66% to you and 33% to your publisher. In some
countries a 50/50 cut on publishing is also common.

Per

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Date: Fri, 28 Aug 2009 13:06:10 +0200
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Subject: Re: Samples and looping
From: Per Boysen <perboysen@gmail.com>
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On Fri, Aug 28, 2009 at 12:53 PM, Per Boysen<perboysen@gmail.com> wrote:
> The work the record label does

He, he... for the record I would just like to add that all this is a
pretty moot discussion, since "the traditional record industry" is
dead anyway ;-))

Maybe publishing will survive, since it is dealing with the immaterial
sides of music. But music can not easily be divided into "idea" and
"recording" in 2k9, because we have now files that are not copies but
CLONES - actually the same as the original master. It doesn't make
sense to sell recordings of music anymore and the infra structure to
keep track on and compensate for public use of music is falling apart.
Stuff that makes sense to sell is rather channelized distribution of
eclectic material that saves time for the listener. In other words,
the market for music has changed from an industrial mass market into a
jungle of micro markets that each one is so tiny and narrow that only
D-I-Y artists and really small and specialized enterprises can work
within it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 11:20:06 2009
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Subject: RE: Samples and looping
Date: Fri, 28 Aug 2009 11:20:05 +0000
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--_7b99deee-572f-4439-b72d-68837b71342e_
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I understand what you say=2C But=2C what Lougi argues for is that if someon=
e creates a peice of music=2C anyone can take it remixit=2C or rerecord it =
with a well known artist and the composer would not get anything at all. (s=
ort of like Big Mama Thornton wrote "hound Dog" with out getting a cent fro=
m Elvis' HUGE succes...)

Of course this discussion is somewhat obsolete in the modern world.

THe software music creators get payd for thier wiotk just as the classical =
composers often wrote on commision.  A good model... but is is it OK for an=
 other Game company to lift the music and use it in thier game for free??? =
What about the first company who payed someona a good salary to get the mus=
ic in the first place... =20


=20
> Date: Fri=2C 28 Aug 2009 12:53:45 +0200
> Subject: Re: Samples and looping
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Fri=2C Aug 28=2C 2009 at 12:27 PM=2C Anders
> Bergdahl<anders_e_bergdahl@hotmail.com> wrote:
> > If you make 100 000$ on remiastereing and reselling a tune I have compo=
sed
> > and recorded should you have all the money??
>=20
> Yes=2C that's the way it works. The work the record label does is to
> remaster the recording=2C print copies and distribute them. None of that
> is the work of the composer. He made the music=2C not the recording or
> the CD record copies. The composer gets paid when his music is used
> for playback or performance in public or for commercial reasons.
> However=2C if a lable puts out new copies of a recording of music you
> have composed it is likely that the use of this music will increase=2C
> and that means more money goes to you.
>=20
> If you as the composer are also the artist whose performance (of your
> composition) was recorded for this product=2C then it is a different
> situation=3B then you (the artist) would get a small cut of the label's
> income of record sales.
>=20
>=20
> > If so it means that the unknown
> > composers should count on heving their best peices stolen so that the w=
ell
> > known artist can use their art to make BIG money...
>=20
> Yup=2C that's what they do! The business model for that is called
> "placing tracks". You compose a song and take help from a publisher to
> find an artist with millions of fans and an active record company to
> record the song and release it. The record company gets the royalty
> from sold records (and some performance compensation when the song is
> played on air in countries that give this)=2C the artist gets a cut for
> the record sales via the label (6% up to 20%) (and some performance
> compensation when the song is played on air in countries that give
> this). You=2C as the composer=2C get your part out of the "publishing
> money"=2C which is the big part of what radio and television stations=2C
> shopping malls etc pays for the right to use the music and this is
> normally split with 66% to you and 33% to your publisher. In some
> countries a 50/50 cut on publishing is also common.
>=20
> Per
>=20

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I understand what you say=2C But=2C what Lougi argues for&nbsp=3Bis that if=
 someone creates a peice of music=2C anyone can take it remixit=2C or rerec=
ord it with a well known artist and the composer would not get anything at =
all. (sort of like Big Mama Thornton wrote "hound Dog" with out getting a c=
ent from Elvis' HUGE succes...)<BR>
Of course this discussion&nbsp=3Bis somewhat obsolete in the modern world.<=
BR>
THe software music creators get payd for thier wiotk just as the classical =
composers often wrote on commision.&nbsp=3B A good model...&nbsp=3Bbut is i=
s it OK&nbsp=3Bfor an other Game company to lift the music and use it in th=
ier game&nbsp=3Bfor free??? What about the first company who payed someona =
a good&nbsp=3Bsalary to get the music in the first&nbsp=3Bplace... &nbsp=3B=
<BR>
<BR>&nbsp=3B<BR>&gt=3B Date: Fri=2C 28 Aug 2009 12:53:45 +0200<BR>&gt=3B Su=
bject: Re: Samples and looping<BR>&gt=3B From: perboysen@gmail.com<BR>&gt=
=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B On Fri=2C =
Aug 28=2C 2009 at 12:27 PM=2C Anders<BR>&gt=3B Bergdahl&lt=3Banders_e_bergd=
ahl@hotmail.com&gt=3B wrote:<BR>&gt=3B &gt=3B If you&nbsp=3Bmake 100 000$ o=
n remiastereing and reselling&nbsp=3Ba tune I have composed<BR>&gt=3B &gt=
=3B and recorded should you have all the money??<BR>&gt=3B <BR>&gt=3B Yes=
=2C that's the way it works. The work the record label does is to<BR>&gt=3B=
 remaster the recording=2C print copies and distribute them. None of that<B=
R>&gt=3B is the work of the composer. He made the music=2C not the recordin=
g or<BR>&gt=3B the CD record copies. The composer gets paid when his music =
is used<BR>&gt=3B for playback or performance in public or for commercial r=
easons.<BR>&gt=3B However=2C if a lable puts out new copies of a recording =
of music you<BR>&gt=3B have composed it is likely that the use of this musi=
c will increase=2C<BR>&gt=3B and that means more money goes to you.<BR>&gt=
=3B <BR>&gt=3B If you as the composer are also the artist whose performance=
 (of your<BR>&gt=3B composition) was recorded for this product=2C then it i=
s a different<BR>&gt=3B situation=3B then you (the artist) would get a smal=
l cut of the label's<BR>&gt=3B income of record sales.<BR>&gt=3B <BR>&gt=3B=
 <BR>&gt=3B &gt=3B If so it means that the unknown<BR>&gt=3B &gt=3B compose=
rs&nbsp=3Bshould count on heving their best peices stolen so that the well<=
BR>&gt=3B &gt=3B known artist can use their art to make BIG money...<BR>&gt=
=3B <BR>&gt=3B Yup=2C that's what they do! The business model for that is c=
alled<BR>&gt=3B "placing tracks". You compose a song and take help from a p=
ublisher to<BR>&gt=3B find an artist with millions of fans and an active re=
cord company to<BR>&gt=3B record the song and release it. The record compan=
y gets the royalty<BR>&gt=3B from sold records (and some performance compen=
sation when the song is<BR>&gt=3B played on air in countries that give this=
)=2C the artist gets a cut for<BR>&gt=3B the record sales via the label (6%=
 up to 20%) (and some performance<BR>&gt=3B compensation when the song is p=
layed on air in countries that give<BR>&gt=3B this). You=2C as the composer=
=2C get your part out of the "publishing<BR>&gt=3B money"=2C which is the b=
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tc pays for the right to use the music and this is<BR>&gt=3B normally split=
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BR></body>
</html>=

--_7b99deee-572f-4439-b72d-68837b71342e_--

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Yee-ha! Thanks so much - "Sucker 'em in and Pound Them" - hehe, that
might be my next album name...

On Thu, Aug 27, 2009 at 11:32 PM, Loren Claypool<looper@theclaypools.com> wrote:
> Warren,
>
> Thanks for sharing your new piece, I love the juxtaposition between the
> intro and the body of the piece, kind of a sucker 'em in, then pound 'em
> approach! I dig the guitar tones in the intro, the "ring mod" section, and
> the "fuzz" section. Finally your effects playing in the closing section,
> especially the slicing kind of thing you are doing. Very nice, sir!
>
> All the best,
>
> Loren Claypool
> genre-indifferent instrumental guitar music
> www.lorenclaypool.com and links from there
>
>
>
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 11:43:31 2009
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Date: Fri, 28 Aug 2009 14:43:29 +0300
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Subject: Re: Samples and looping
From: Milo <milo.vuc@gmail.com>
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It is true, the company is doing business as Pirate Bay AB / Inc. The
owners of this corporation use offshore accounts instead of ordinary
Swedish bank accounts. Around US$2M are deposited in their offshore
accounts every year from advertising clients. This is a serious
estimation from well respected independent financial analysts who have
nothing to do with the record labels or the authorities. Of course, it
is not possible to know precisely how much money those accounts hold,
because offshore financial centers are anonymous. This is a classic
money laundering and tax evading mafia and drug cartel trick.

On 8/28/09, Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
>> Pirate Bay is a corporation - a multimillion dollar one. Their shares
>> are available for sale in the stock markets. How many dollars have
>> those businessmen invested in art? Zero. How many artists have those
>> businessmen assisted financially? Zero.
>
> I do not believe this is true.  To my knowledge, the Pirate Bay is NOT
> a corporation.  It was supposed to be sold to a company for $7 million
> or so, but that deal has not been completed nor does it look like it
> will be.
>
>
> kevin

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Date: Fri, 28 Aug 2009 14:05:16 +0200
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Subject: Re: Samples and looping
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On Fri, Aug 28, 2009 at 1:20 PM, Anders
Bergdahl<anders_e_bergdahl@hotmail.com> wrote:
> I understand what you say, But, what Lougi argues for=C2=A0is that if som=
eone
> creates a peice of music, anyone can take it remixit, or rerecord it with=
 a
> well known artist and the composer would not get anything at all. (sort o=
f
> like Big Mama Thornton wrote "hound Dog" with out getting a cent from Elv=
is'
> HUGE succes...)

I can't see how that scenario could even happen... unless the original
composer doesn't tell any one that he/she has penned the work. Then it
will be up for proof who created it.

> Of course this discussion=C2=A0is somewhat obsolete in the modern world.

I would agree if it concerned record sales royalty, but as for the
immaterial rights department I think this discussion is highly
accurate and also very important.

> THe software music creators get payd for thier wiotk just as the classica=
l
> composers often wrote on commision.=C2=A0 A good model...

I agree, as for the working hour cost of the composer. But it can't
replace a licensing deal, not unless most countries rewrite their law.
So I don't think it is a good general model (see below)

> but is is it OK=C2=A0for an
> other Game company to lift the music and use it in thier game=C2=A0for fr=
ee???

Of course not! That's an obvious "theft". The first game producer has
bought the license form the composer and thus owns the rights to the
music.

> What about the first company who payed someona a good=C2=A0salary to get =
the
> music in the first=C2=A0place...

This question confuses the music license and salary, which are two
different things. The first company actually paid for not only the
"work for hire" as carried out by the composer but also for the legal
right to use the music in the game.

This is not possible in all countries though, because of differences
in the law. For example, Swedish composers are beginning to have
problems working in the game scoring business because many players
know that Scandinavian composers might be members of STIM (the PRO
here) and STIM has until just recently only written exclusive member
contracts. This means that you as a member of STIM are giving STIM the
right to represent your exclusive rights to the music you compose.
With such a member contract the composer can not offer a specific
license deal with a player in order to give up legal rights for a
specific project or to just a certain extent. And since his member
contract with the PRO usually dates back earlier than the business
deal with the game production player the player will lose an eventual
court case. This is a real issue that has to change or otherwise the
traditional PRO's will not get much new members. Media music is not a
small niche as it used to be any more and every week more composing
musicians need to sell music "as is" to a music user.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Fri, 28 Aug 2009 12:16:22 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: L.Angulo -Antwerp vid part 2
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loop brothers there is the final one=0A=0Ahttp://www.vimeo.com/6296714=0A=
=0Asorry i know i went a bit overboard with the intro but hang in there the=
 loop is coming;-)=0A=0Athanx for listening=0ALuis=0A=0A(P.S.i keep being t=
hrown out of this list although i keep subscribing,i can post but not get t=
he emails i hope you get this one)=0A=0A=0A=0Awww.myspace.com/luisangulocom=
=0A=0A=0A      

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 12:31:05 2009
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Date: Fri, 28 Aug 2009 16:31:03 +0400
Message-ID: <20aeede50908280531y6b80d511uc5bef7318c79534b@mail.gmail.com>
Subject: Re: L.Angulo -Antwerp vid part 2
From: Louigi Verona <louigi.verona@gmail.com>
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--000e0ce0eea8874b59047232db5f
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Great stuff... I really liked the subtle development.
Louigi.

--000e0ce0eea8874b59047232db5f
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Great stuff... I really liked the subtle development.<br>Louigi.<br><br>

--000e0ce0eea8874b59047232db5f--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 12:44:04 2009
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Hi all,
I have the other video's ready as well in "Youtube" format, but I'm suffe=
ring with time-outs while uploading them. Hang in there, I'm working on i=
t. 

PS: Darkroom and Michael Peters already uploaded there stuff on Vimeo, se=
e http://livelooping.be/ for the links

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://livelooping.be/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 14:17:53 2009
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Sorry if this sounds flip, but I'd just say, play without a net. (i
say this without having followed any of the previous thread that
spawned this)

On Thu, Aug 27, 2009 at 10:35 AM, Mark Hamburg<mark@grubmah.com> wrote:
> When I was last in conscious recording mode -- as opposed to, the recorder
> happens to be running while I'm playing -- the approach I found myself
> taking was to improvise until I found something I liked, then hone in on
> various elements of it playing the "piece" repeatedly until I had the flow
> down, then record it possibly doing a couple takes while doing so. Having
> then committed the piece to some form of recording medium, I would then
> proceed to let it flow back out of my brain which was fine until I found
> myself in a live performance situation with no material to fall back on.
>
> Mark
>
>



-- 
Warren
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 14:40:58 2009
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	the early 70's (was ECM guitarists)
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Mahavishnu was the loudest concert I ever stayed for. Glenn Branca was
even louder, but not worth the ear damage (sorry, Glenn).

I always point my amp directly at me. amp positioning is one of the
coolest ways of ensuring that band members mix themselves properly,
imo.

For me, tho, I enjoy playing high-volume-type tones at low volumes. I
always have to turn up in order to drown out, er.. i mean play with,
the drummer :-)

On Thu, Aug 27, 2009 at 6:19 AM, Rick Walker<looppool@cruzio.com> wrote:
> Bill Walker wrote:
> "Of course Billy Cobham and
> Lenny White had a lot to do with ratcheting up the volume. "
>
> True Bill.................I was with you at those exciting and mind bendi=
ng
> concerts
> (we were the ONLY ones at Winterland who were standing up with our mouths
> agape
> at the sound of a 3rd bill group, =A0Mahavishnu, =A0playing "Inner Mounti=
ng
> Flame" two weeks before
> they even release it on Columbia records......................what a life
> changing experience that was).....
>
> ........but, honestly, I have a different take on the whole ratcheting up=
 of
> the volume controversy.
>
> I don't think it was Cobham and Lenny White (despite their immense power =
and
> volume) =A0who were responsible for ratcheting up the volume in the earli=
est
> days
> of fusion.
>
> Hendrix, the Who and Blue Cheer had ramped up the volume with their guita=
r
> amps
> in the 60's but they were using 50 and 100 watt amplifiers at the time.
> I remember hearing the Jefferson Airplane debut 'Surrealistic Pillow"
> two weeks before they released that record at Frost Ampitheater at Stanfo=
rd
> with a large collection of Fender Twin Reverbs and a smallish P.A. system
> for the vocals and drums and it was deafeningly loud.
>
> Remember that the Beatles played Shea Stadium in New York with a
> Bogen P.A. system that amplified the vocals and NOT the guitars or the
> drums.
> Go check out the film footage from this era. =A0 =A0 The screaming teenag=
e girls
> so drowned
> out the music that it made the Beatles give up performing live for good.
> Ringo Starr started a whole new school of studio drumming by playing fill=
s
> at weird
> times when the screaming would subside a little bit, allowing him to
> actually even
> hear his own drum set.
>
> By the early 70's, however, =A0people were using Fender Dual Showmans and
> Marshall stacks and the wattage went through the roof.
>
> Then equipment changed and the volume of modern popular music went
> through the roof in the early 70's.
>
> Any acoustic trapset drummer will tell you that when you compete
> with a Marshall Stack, =A0that a guitar is VASTLY louder than an acoustic
> un-miced drumset.
>
> I've rehearsed with loud bands where I played a huge Vistalite Ludwig kit
> with double 22" inch kicks large sized toms where I was completely drowne=
d
> out by the guitarist. =A0 I'd get blisters trying to compete with the vol=
ume.
>
> I remember having a huge argument with the first guitarist in Tao Chemica=
l
> where I insisted that
> he put his guitar on the side of the stage pointed directly at his ears
> (where I , the drummer
> had to sit for years before taking the brunt of his loud trebly sound) so
> that he would turn his volume
> down.
>
> I got huge blisters on my hands from playing as hard as I could to compet=
e
> and I had no nuance whatsoever in my playing. =A0It made me stronger comp=
eting
> but certainly not subtler.
>
> *******
>
> Nowaday, =A0the average kid can spend $300 on a guitar amplifier on sale
> that can blow the hell out of the loudest acoustic drummers. =A0Add to th=
is
> the
> incredible reduction in dollar (euro/pound/yen) per watt that has occurre=
d
> in modern sound reinforcement
> and the prevalence of huge subwoofers powered by literally thousands of
> Watts
> at large venues =A0and it's the technology that ramped up the volume
> NOT the drummer.
>
> LOL, =A0 okay, =A0that's my drummerly rant about volume for the quarter.
> I'll be back with more obnoxious soap boxing about volume in three
> months.......................LOL
>
> Rick
> ------------------------------------------------------------------------
>
>
> ------------------------------------------------------------------------
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 15:14:02 2009
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Subject: Re: Samples and looping
Date: Fri, 28 Aug 2009 08:13:50 -0700
References: <951513.61651.qm@web65615.mail.ac4.yahoo.com> <EAE5B03C1B504B8B9399E5D17BD437A9@eluk1> <2871c3a90908271023w12e2c70ctfc3903ec5d514b19@mail.gmail.com> <3f8d9ee60908271042k476b5562yec0e2b9e065fbfdc@mail.gmail.com> <37f071c00908271459n4af122fch2de1581dd369384b@mail.gmail.com> <56368D36-B2B9-4EB1-A721-89126EBB8364@grubmah.com> <20aeede50908272320o2b6367e3sa59be5d6acc530de@mail.gmail.com> <SNT114-W61C9826B2C33B5213678C5B6F50@phx.gbl> <66f9cc1e0908280353l5f1b7df6s4e77bab69c80be1d@mail.gmail.com> <SNT114-W260E5337DCC2FF5ED2341B6F50@phx.gbl> <66f9cc1e0908280505k6e8621adp4b545c82dc0e530@mail.gmail.com>
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Per is arguing the law -- i.e., the law protects composer's rights.  
Louigi is arguing about what he believes the law should say -- the  
composer gets paid by whoever commissioned the work and after that  
it's fair game. So, in the case of Hound Dog, unless Elvis had a deal  
with Big Mama Thornton to write the song, in Louigi's world, Elvis  
owes nothing for using the song. (If I've mischaracterized the  
positions, I apologize.)

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 15:23:04 2009
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 <2871c3a90908271023w12e2c70ctfc3903ec5d514b19@mail.gmail.com>
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 <56368D36-B2B9-4EB1-A721-89126EBB8364@grubmah.com>
 <20aeede50908272320o2b6367e3sa59be5d6acc530de@mail.gmail.com>
 <SNT114-W61C9826B2C33B5213678C5B6F50@phx.gbl>
 <66f9cc1e0908280353l5f1b7df6s4e77bab69c80be1d@mail.gmail.com>
 <SNT114-W260E5337DCC2FF5ED2341B6F50@phx.gbl>
 <66f9cc1e0908280505k6e8621adp4b545c82dc0e530@mail.gmail.com>
 <34AAC7CC-358D-4D55-AEFC-390857A62988@grubmah.com>
Date: Fri, 28 Aug 2009 11:22:28 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Samples and looping
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Hound Dog was written by Jerry Lieber and Mike Stoller who also 
produced Big Mama Thornton's record. Elvis heard that and loved it. 
He re-recorded it.  Lieber and Stoller still got their royalties. :)

>Per is arguing the law -- i.e., the law protects composer's rights. 
>Louigi is arguing about what he believes the law should say -- the 
>composer gets paid by whoever commissioned the work and after that 
>it's fair game. So, in the case of Hound Dog, unless Elvis had a 
>deal with Big Mama Thornton to write the song, in Louigi's world, 
>Elvis owes nothing for using the song. (If I've mischaracterized the 
>positions, I apologize.)
>
>Mark


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 15:37:06 2009
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Date: Fri, 28 Aug 2009 08:37:05 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
To: Loopers-Delight@loopers-delight.com
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hound dog was written by lieber and stoller by substituting the word "hound=
 dog" for the original "m-----f-----" which is what was in the big mama tho=
rton original.  otherwise, the chords, melody, arrangement and majority of =
the rest of the words are as she wrote it.  this is an acknowledged part of=
 music lore, just as pat boone made a whole career out of re-recording trac=
ks from "race records" of the time and releasing them weeks after their ori=
ginal release to thunderous approval on the "white charts."  to gloss over =
this unfortunate chapter of music history by attempting to rewrite it is di=
sgraceful.

time

--- On Fri, 8/28/09, Charles Zwicky <cazwicky@earthlink.net> wrote:

> From: Charles Zwicky <cazwicky@earthlink.net>
> Subject: Re: Samples and looping
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, August 28, 2009, 10:22 AM
>=20
>=20
> Hound Dog was written by Jerry Lieber and Mike Stoller who
> also produced Big Mama Thornton's record. Elvis heard that
> and loved it. He re-recorded it.=A0 Lieber and Stoller
> still got their royalties. :)
>=20
> > Per is arguing the law -- i.e., the law protects
> composer's rights. Louigi is arguing about what he believes
> the law should say -- the composer gets paid by whoever
> commissioned the work and after that it's fair game. So, in
> the case of Hound Dog, unless Elvis had a deal with Big Mama
> Thornton to write the song, in Louigi's world, Elvis owes
> nothing for using the song. (If I've mischaracterized the
> positions, I apologize.)
> >=20
> > Mark
>=20
>=20
> -- ...
> http://www.zmix.net
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 15:37:14 2009
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Date: Fri, 28 Aug 2009 08:37:13 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
To: Loopers-Delight@loopers-delight.com
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hound dog was written by lieber and stoller by substituting the word "hound=
 dog" for the original "m-----f-----" which is what was in the big mama tho=
rton original.  otherwise, the chords, melody, arrangement and majority of =
the rest of the words are as she wrote it.  this is an acknowledged part of=
 music lore, just as pat boone made a whole career out of re-recording trac=
ks from "race records" of the time and releasing them weeks after their ori=
ginal release to thunderous approval on the "white charts."  to gloss over =
this unfortunate chapter of music history by attempting to rewrite it is di=
sgraceful.

time

--- On Fri, 8/28/09, Charles Zwicky <cazwicky@earthlink.net> wrote:

> From: Charles Zwicky <cazwicky@earthlink.net>
> Subject: Re: Samples and looping
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, August 28, 2009, 10:22 AM
>=20
>=20
> Hound Dog was written by Jerry Lieber and Mike Stoller who
> also produced Big Mama Thornton's record. Elvis heard that
> and loved it. He re-recorded it.=A0 Lieber and Stoller
> still got their royalties. :)
>=20
> > Per is arguing the law -- i.e., the law protects
> composer's rights. Louigi is arguing about what he believes
> the law should say -- the composer gets paid by whoever
> commissioned the work and after that it's fair game. So, in
> the case of Hound Dog, unless Elvis had a deal with Big Mama
> Thornton to write the song, in Louigi's world, Elvis owes
> nothing for using the song. (If I've mischaracterized the
> positions, I apologize.)
> >=20
> > Mark
>=20
>=20
> -- ...
> http://www.zmix.net
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 16:10:23 2009
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Date: Fri, 28 Aug 2009 12:09:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Samples and looping
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Well, well, well..!  There's a straw man argument wrapped in an ad 
homenim attack... nobody is 'rewriting music history' or 'glossing 
over' anything... Jerry Lieber told me what I wrote here (on this 
very small mailing list) after dinner one day.
I'm sure that your 'music lore' account has some truth to it, but I 
wasn't there so I can't say for sure.

>hound dog was written by lieber and stoller by substituting the word 
>"hound dog" for the original "m-----f-----" which is what was in the 
>big mama thorton original.  otherwise, the chords, melody, 
>arrangement and majority of the rest of the words are as she wrote 
>it.  this is an acknowledged part of music lore, just as pat boone 
>made a whole career out of re-recording tracks from "race records" 
>of the time and releasing them weeks after their original release to 
>thunderous approval on the "white charts."  to gloss over this 
>unfortunate chapter of music history by attempting to rewrite it is 
>disgraceful.
>
>time
>
>--- On Fri, 8/28/09, Charles Zwicky <cazwicky@earthlink.net> wrote:
>
>>  From: Charles Zwicky <cazwicky@earthlink.net>
>>  Subject: Re: Samples and looping
>>  To: Loopers-Delight@loopers-delight.com
>>  Date: Friday, August 28, 2009, 10:22 AM
>>
>>
>>  Hound Dog was written by Jerry Lieber and Mike Stoller who
>>  also produced Big Mama Thornton's record. Elvis heard that
>>  and loved it. He re-recorded it.  Lieber and Stoller
>>  still got their royalties. :)
>>
>>  > Per is arguing the law -- i.e., the law protects
>>  composer's rights. Louigi is arguing about what he believes
>>  the law should say -- the composer gets paid by whoever
>>  commissioned the work and after that it's fair game. So, in
>>  the case of Hound Dog, unless Elvis had a deal with Big Mama
>>  Thornton to write the song, in Louigi's world, Elvis owes
>>  nothing for using the song. (If I've mischaracterized the
>>  positions, I apologize.)
>>  >
>>  > Mark
>>
>>
>>  -- ...
>>  http://www.zmix.net
>>
>>


-- 
...
http://www.zmix.net
--============_-960646706==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Samples and looping</title></head><body>
<div>Well, well, well..!&nbsp; There's a straw man argument wrapped in
an ad homenim attack... nobody is 'rewriting music history' or
'glossing over' anything... Jerry Lieber told me what I wrote here (on
this<u> very small</u> mailing list) after dinner one day.</div>
<div>I'm sure that your 'music lore' account has some truth to it, but
I wasn't there so I can't say for sure.</div>
<div><br></div>
<blockquote type="cite" cite>hound dog was written by lieber and
stoller by substituting the word &quot;hound dog&quot; for the
original &quot;m-----f-----&quot; which is what was in the big mama
thorton original.&nbsp; otherwise, the chords, melody, arrangement and
majority of the rest of the words are as she wrote it.&nbsp; this is
an acknowledged part of music lore, just as pat boone made a whole
career out of re-recording tracks from &quot;race records&quot; of the
time and releasing them weeks after their original release to
thunderous approval on the &quot;white charts.&quot;&nbsp; to gloss
over this unfortunate chapter of music history by attempting to
rewrite it is disgraceful.<br>
<br>
time<br>
<br>
--- On Fri, 8/28/09, Charles Zwicky &lt;cazwicky@earthlink.net&gt;
wrote:<br>
<br>
&gt; From: Charles Zwicky &lt;cazwicky@earthlink.net&gt;<br>
&gt; Subject: Re: Samples and looping<br>
&gt; To: Loopers-Delight@loopers-delight.com<br>
&gt; Date: Friday, August 28, 2009, 10:22 AM<br>
&gt;<br>
&gt;<br>
&gt; Hound Dog was written by Jerry Lieber and Mike Stoller who<br>
&gt; also produced Big Mama Thornton's record. Elvis heard that<br>
&gt; and loved it. He re-recorded it.&nbsp; Lieber and Stoller<br>
&gt; still got their royalties. :)<br>
&gt;<br>
&gt; &gt; Per is arguing the law -- i.e., the law protects<br>
&gt; composer's rights. Louigi is arguing about what he believes<br>
&gt; the law should say -- the composer gets paid by whoever<br>
&gt; commissioned the work and after that it's fair game. So, in<br>
&gt; the case of Hound Dog, unless Elvis had a deal with Big Mama<br>
&gt; Thornton to write the song, in Louigi's world, Elvis owes<br>
&gt; nothing for using the song. (If I've mischaracterized the<br>
&gt; positions, I apologize.)<br>
&gt; &gt;<br>
&gt; &gt; Mark<br>
&gt;<br>
&gt;<br>
&gt; -- ...<br>
&gt; http://www.zmix.net<br>
&gt;<br>
&gt;</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-960646706==_ma============--

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From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 16:38:05 2009
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Subject: RE: FX Tempo: Tapping vs. Sync to Loop Tempo
Date: Fri, 28 Aug 2009 09:37:59 -0700
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I use both, a non synced effects processor (line 6 m13) and one that is
always synced to my LP-1 (TC fireworx), I like being able to use delay for
dub effects on the fly so having tap tempo is essential for that. Once I've
established a loop length the other effect syncs to the LP-1.  I like having
the freedom to use a complex delay algorithm to set the tempo of my loops
and once the loop length is established it in turn drives the tempo of the
Fireworx. Best of both worlds....hardware style!
 Bill

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 16:50:21 2009
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Subject: Re: Samples and looping
Date: Fri, 28 Aug 2009 09:50:18 -0700
References: <951513.61651.qm@web65615.mail.ac4.yahoo.com> <EAE5B03C1B504B8B9399E5D17BD437A9@eluk1> <2871c3a90908271023w12e2c70ctfc3903ec5d514b19@mail.gmail.com> <3f8d9ee60908271042k476b5562yec0e2b9e065fbfdc@mail.gmail.com> <37f071c00908271459n4af122fch2de1581dd369384b@mail.gmail.com> <56368D36-B2B9-4EB1-A721-89126EBB8364@grubmah.com> <20aeede50908272320o2b6367e3sa59be5d6acc530de@mail.gmail.com> <SNT114-W61C9826B2C33B5213678C5B6F50@phx.gbl> <66f9cc1e0908280353l5f1b7df6s4e77bab69c80be1d@mail.gmail.com> <SNT114-W260E5337DCC2FF5ED2341B6F50@phx.gbl> <66f9cc1e0908280505k6e8621adp4b545c82dc0e530@mail.gmail.com> <34AAC7CC-358D-4D55-AEFC-390857A62988@grubmah.com> <p06240808c6bda63f5160@[192.168.15.2]>
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Correction taken. (I'm more of a fan of Frank Sinatra and Cole Porter  
than I am of Elvis, so I just picked up on earlier usage in the  
discussion.) Substitute names appropriately into the argument...

Mark

On Aug 28, 2009, at 8:22 AM, Charles Zwicky wrote:

>
>
> Hound Dog was written by Jerry Lieber and Mike Stoller who also  
> produced Big Mama Thornton's record. Elvis heard that and loved it.  
> He re-recorded it.  Lieber and Stoller still got their royalties. :)
>
>> Per is arguing the law -- i.e., the law protects composer's rights.  
>> Louigi is arguing about what he believes the law should say -- the  
>> composer gets paid by whoever commissioned the work and after that  
>> it's fair game. So, in the case of Hound Dog, unless Elvis had a  
>> deal with Big Mama Thornton to write the song, in Louigi's world,  
>> Elvis owes nothing for using the song. (If I've mischaracterized  
>> the positions, I apologize.)
>>
>> Mark
>
>
> -- 
> ...
> http://www.zmix.net
>
>

From newsletter@mail.daysout.co.uk  Fri Aug 28 17:02:50 2009
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From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 17:04:35 2009
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From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
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so true, that it is a straw man argument.  of course, lieber had no reason =
to remember it any differently, i'm sure, since lieber/stoller have success=
fully sued for copyright infringement more than any other songwriting team.=
  and actually, elvis fell in love with a completely different version of t=
he song than the original.

time

> Re: Samples and looping=20
> Well, well, well..!=A0 There's a straw man
> argument wrapped in
> an ad homenim attack... nobody is 'rewriting music
> history' or
> 'glossing over' anything... Jerry Lieber told me
> what I wrote here (on
> this very small mailing list) after dinner one
> day.
> I'm sure that your 'music lore' account
> has some truth to it, but
> I wasn't there so I can't say for sure.
>=20
>=20
> hound dog was written by
> lieber and
> stoller by substituting the word "hound dog" for
> the
> original "m-----f-----" which is what was in the
> big mama
> thorton original.=A0 otherwise, the chords, melody,
> arrangement and
> majority of the rest of the words are as she wrote
> it.=A0 this is
> an acknowledged part of music lore, just as pat boone made
> a whole
> career out of re-recording tracks from "race
> records" of the
> time and releasing them weeks after their original release
> to
> thunderous approval on the "white charts."=A0
> to gloss
> over this unfortunate chapter of music history by
> attempting to
> rewrite it is disgraceful.
>=20
>=20
>=20
> time
>=20
>=20
>=20
> --- On Fri, 8/28/09, Charles Zwicky
> <cazwicky@earthlink.net>
> wrote:
>=20
>=20
>=20
> > From: Charles Zwicky <cazwicky@earthlink.net>
>=20
> > Subject: Re: Samples and looping
>=20
> > To: Loopers-Delight@loopers-delight.com
>=20
> > Date: Friday, August 28, 2009, 10:22 AM
>=20
> >
>=20
> >
>=20
> > Hound Dog was written by Jerry Lieber and Mike Stoller
> who
>=20
> > also produced Big Mama Thornton's record. Elvis
> heard that
>=20
> > and loved it. He re-recorded it.=A0 Lieber and
> Stoller
>=20
> > still got their royalties. :)
>=20
> >
>=20
> > > Per is arguing the law -- i.e., the law protects
>=20
> > composer's rights. Louigi is arguing about what he
> believes
>=20
> > the law should say -- the composer gets paid by
> whoever
>=20
> > commissioned the work and after that it's fair
> game. So, in
>=20
> > the case of Hound Dog, unless Elvis had a deal with
> Big Mama
>=20
> > Thornton to write the song, in Louigi's world,
> Elvis owes
>=20
> > nothing for using the song. (If I've
> mischaracterized the
>=20
> > positions, I apologize.)
>=20
> > >
>=20
> > > Mark
>=20
> >
>=20
> >
>=20
> > -- ...
>=20
> > http://www.zmix.net
>=20
> >
>=20
> >
>=20
>=20
>=20
>=20
> --=20
> =20
> ...
>=20
> http://www.zmix.net
> =20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 17:09:48 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Fri, 28 Aug 2009 12:09:41 -0500
Subject: RE: moebius and midi macro
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> For example: i'd like to rise up one or two tones my loop with a single=20
> shot and not by half tones at time

You would have to use scripts for this.  In this case you don't have
to use multiple commands, you use one comnand with an "argument":

  !name Pitch Up One Tone
  PitchShift 2

The argument to the PitchShift and RateShift functions is a positive
or negative number indicating the number of semi-tones to shift up
or down.

If you have further questions on scripting, please consider joining
the Mobius Yahoo group at groups.yahoo.com/group/zonemobius.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 17:40:41 2009
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Date: Fri, 28 Aug 2009 13:40:02 -0400
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Which version did Elvis fall in love with?


>so true, that it is a straw man argument.  of course, lieber had no 
>reason to remember it any differently, i'm sure, since 
>lieber/stoller have successfully sued for copyright infringement 
>more than any other songwriting team.  and actually, elvis fell in 
>love with a completely different version of the song than the 
>original.
>
>time
>
>>  Re: Samples and looping
>>  Well, well, well..!  There's a straw man
>>  argument wrapped in
>>  an ad homenim attack... nobody is 'rewriting music
>>  history' or
>>  'glossing over' anything... Jerry Lieber told me
>>  what I wrote here (on
>>  this very small mailing list) after dinner one
>>  day.
>>  I'm sure that your 'music lore' account
>>  has some truth to it, but
>>  I wasn't there so I can't say for sure.
>>
>>
>>  hound dog was written by
>>  lieber and
>>  stoller by substituting the word "hound dog" for
>>  the
>>  original "m-----f-----" which is what was in the
>>  big mama
>>  thorton original.  otherwise, the chords, melody,
>>  arrangement and
>>  majority of the rest of the words are as she wrote
>>  it.  this is
>>  an acknowledged part of music lore, just as pat boone made
>>  a whole
>>  career out of re-recording tracks from "race
>>  records" of the
>>  time and releasing them weeks after their original release
>>  to
>>  thunderous approval on the "white charts." 
>>  to gloss
>>  over this unfortunate chapter of music history by
>>  attempting to
>>  rewrite it is disgraceful.
>>
>>
>>
>>  time
>>
>>
>>
>>  --- On Fri, 8/28/09, Charles Zwicky
>>  <cazwicky@earthlink.net>
>>  wrote:
>>
>>
>>
>>  > From: Charles Zwicky <cazwicky@earthlink.net>
>>
>>  > Subject: Re: Samples and looping
>>
>>  > To: Loopers-Delight@loopers-delight.com
>>
>>  > Date: Friday, August 28, 2009, 10:22 AM
>>
>>  >
>>
>>  >
>>
>>  > Hound Dog was written by Jerry Lieber and Mike Stoller
>>  who
>>
>>  > also produced Big Mama Thornton's record. Elvis
>>  heard that
>>
>>  > and loved it. He re-recorded it.  Lieber and
>>  Stoller
>>
>>  > still got their royalties. :)
>>
>>  >
>>
>>  > > Per is arguing the law -- i.e., the law protects
>>
>>  > composer's rights. Louigi is arguing about what he
>>  believes
>>
>>  > the law should say -- the composer gets paid by
>>  whoever
>>
>>  > commissioned the work and after that it's fair
>>  game. So, in
>>
>>  > the case of Hound Dog, unless Elvis had a deal with
>>  Big Mama
>>
>>  > Thornton to write the song, in Louigi's world,
>>  Elvis owes
>>
>>  > nothing for using the song. (If I've
>>  mischaracterized the
>>
>>  > positions, I apologize.)
>>
>>  > >
>>
>>  > > Mark
>>
>>  >
>>
>>  >
>>
>>  > -- ...
>>
>>  > http://www.zmix.net
>>
>>  >
>>
>>  >
>>
>>
>>
>>
>>  --
>> 
>>  ...
>>
>>  http://www.zmix.net
>> 
>>


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 19:48:59 2009
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Subject: HELP for youtube.com/livelooping needed!
Date: Fri, 28 Aug 2009 16:41:04 -0300
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--Apple-Mail-99-450841608
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LiveLoopers,

I started 10 month ago to search on youtube what people were looping  
really, outside of this great community. I found a lot with  
"livelooping" and "live looping", then a similar amount with other  
searches.
I started to gather them in a playlist of mine and then I set up http://youtube.com/livelooping 
  to make them neutrally available and in several playlists, according  
to technique, instrument... with some explanations... not very  
logical, rather guided by what I found...

I intended to only promote this page here when:
- its complete in the sense that all important artists are present
- youtube fixes the bug with the random sequence of the playlists
- livelooping.org is more evolved and includes the playlists and  
single videos into texts
...but since this all takes time and there are many more videos, I end  
up spending to much time on youtube, instead of working on the  
livelooping theory, the LOOP 5 plugin and the next Echoplex...

so, if you would like to help me and hopefully all of us, you can, on  
several levels:

- have look and tell me if you know of more videos to add (link +  
apropriate Playlist)
- partner with me to work directly on the page, and add your ideas  
yourself
- create a similar collection in some other channel
- work on the forums of those places and suggest site features to  
allow such collections

I occupied xxx.com/livelooping only to avoid that a single musician  
abuses it for his own music, but I gladly pass them on to someone who  
cares in the sense of the community!

thank you
Matthias
--Apple-Mail-99-450841608
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
">LiveLoopers,<div><br></div><div><div>I started&nbsp;10 month =
ago&nbsp;to search on youtube what people were looping really, outside =
of this great community. I found a lot with "livelooping" and "live =
looping", then a similar amount with other searches.&nbsp;</div><div>I =
started to gather them in a playlist of mine and then&nbsp;I set =
up&nbsp;<a =
href=3D"http://youtube.com/livelooping">http://youtube.com/livelooping</a>=
&nbsp;to make them neutrally available and&nbsp;in several playlists, =
according to technique, instrument... with some explanations... not very =
logical, rather guided by what I found...</div><div><br></div><div>I =
intended to only promote this page here when:</div><div>- its complete =
in the sense that all important artists are present</div><div>- youtube =
fixes the bug with the random sequence of the =
playlists&nbsp;</div><div>- livelooping.org is more evolved and includes =
the playlists and single videos into texts</div><div>...but since this =
all takes time and there are many more videos, I end up spending to much =
time on youtube, instead of working on the livelooping theory, the LOOP =
5 plugin and the next Echoplex...</div><div><br></div><div>so, if you =
would like to help me and hopefully all of us, you can, on several =
levels:</div><div><br></div><div>- have look and tell me if you know of =
more videos to add (link + apropriate Playlist)</div><div>- partner with =
me to work directly on the page, and add your ideas yourself</div><div>- =
create a similar collection in some other channel</div><div>- work on =
the forums of those places and suggest site features to allow such =
collections</div><div><br></div><div>I occupied xxx.com/livelooping only =
to avoid that a single musician abuses it for his own music, but I =
gladly pass them on to someone who cares in the sense of the =
community!</div><div><br></div><div>thank =
you&nbsp;</div><div>Matthias</div></div></body></html>=

--Apple-Mail-99-450841608--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 20:01:41 2009
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	 <p06240806c6bdc6d633b2@192.168.15.2>
Date: Sat, 29 Aug 2009 00:01:39 +0400
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Subject: Re: Samples and looping
From: Louigi Verona <louigi.verona@gmail.com>
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 "in Louigi's world, Elvis owes nothing for using the song. (If I've
mischaracterized the positions, I apologize.)"

Yeah, that's correct. I would say that paying willingly is fine but you
shouldn't be obliged.

On the other hand, guys, there is an interesting thing which happens. If you
are not obliged, psychologically you would
tend more to want to thank people who contributed. Eventually people get
used to contributing and in the long run it once
again becomes a certain moral obligation. It is an inevitable process. And
such moral norms eventually may end up reflected in law (though I believe
today law is way too tiresome and tries to control every aspect of life
which is not that good).

So I would say this - paying or crediting or somehow thanking the authors is
good. It is part of human nature. But in my
opinion it should not be governed by law. It should be governed more by
common ethics and at the same time be a movement
of a kind heart. *In that case when you are creatively building something on
top of someone else's material, you feel yourself
part of a community to which you are contributing and the achievements of
which you are using in your work*, rather than an
individual who "steals" someone else's ideas for his own benefit.

I hope I am not too philosophizing %)

Louigi.

--00151747bf2cfcfe09047239265e
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 &quot;in Louigi&#39;s world, Elvis owes nothing for using the song. (If I&=
#39;ve mischaracterized the positions, I apologize.)&quot;<br><br>Yeah, tha=
t&#39;s correct. I would say that paying willingly is fine but you shouldn&=
#39;t be obliged.<br>
<br>On the other hand, guys, there is an interesting thing which happens. I=
f you are not obliged, psychologically you would<br>tend more to want to th=
ank people who contributed. Eventually people get used to contributing and =
in the long run it once<br>
again becomes a certain moral obligation. It is an inevitable process. And =
such moral norms eventually may end up reflected in law (though I believe<b=
r>today law is way too tiresome and tries to control every aspect of life w=
hich is not that good).<br>
<br>So I would say this - paying or crediting or somehow thanking the autho=
rs is good. It is part of human nature. But in my <br>opinion it should not=
 be governed by law. It should be governed more by common ethics and at the=
 same time be a movement<br>
of a kind heart. <b>In that case when you are creatively building something=
 on top of someone else&#39;s material, you feel yourself<br>part of a comm=
unity to which you are contributing and the achievements of which you are u=
sing in your work</b>, rather than an<br>
individual who &quot;steals&quot; someone else&#39;s ideas for his own bene=
fit.<br><br>I hope I am not too philosophizing %)<br><br>Louigi.<br>

--00151747bf2cfcfe09047239265e--

From Loopers-Delight-request@loopers-delight.com  Fri Aug 28 23:32:04 2009
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Date: Fri, 28 Aug 2009 16:25:59 -0700
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I have read most of this thread and it's a really interesting
discussion. I recently did a university paper for my (software
engineering) ethics class on the legality and ethicality of sampling.
I apologize in advance if someone said this already, but I didn't
notice it while reading over things:

I'd just like to point out that the original copyright clause, "To
promote the Progress of Science and useful Arts, by securing for
limited Times to Authors and Inventors the exclusive Right to their
respective Writings and Discoveries." does not mention protecting
profitability at all. <opinion> It's for creativity, and in that
respect I see free sampling as the ultimate expression of this ideal,
where copyright's place is merely to prevent song theft (releasing
someone else's song as your own).

On Fri, Aug 28, 2009 at 1:01 PM, Louigi Verona <louigi.verona@gmail.com> wrote:
>
> "in Louigi's world, Elvis owes nothing for using the song. (If I've mischaracterized the positions, I apologize.)"
>
> Yeah, that's correct. I would say that paying willingly is fine but you shouldn't be obliged.
>
> On the other hand, guys, there is an interesting thing which happens. If you are not obliged, psychologically you would
> tend more to want to thank people who contributed. Eventually people get used to contributing and in the long run it once
> again becomes a certain moral obligation. It is an inevitable process. And such moral norms eventually may end up reflected in law (though I believe
> today law is way too tiresome and tries to control every aspect of life which is not that good).
>
> So I would say this - paying or crediting or somehow thanking the authors is good. It is part of human nature. But in my
> opinion it should not be governed by law. It should be governed more by common ethics and at the same time be a movement
> of a kind heart. In that case when you are creatively building something on top of someone else's material, you feel yourself
> part of a community to which you are contributing and the achievements of which you are using in your work, rather than an
> individual who "steals" someone else's ideas for his own benefit.
>
> I hope I am not too philosophizing %)
>
> Louigi.

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 00:25:46 2009
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Date: Fri, 28 Aug 2009 17:25:41 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
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he fell in love with frddie bell and the bellboys' vegas version of the son=
g.

> Which version did Elvis fall in love
> with?
>=20
>=20
> >so true, that it is a straw man argument.=A0 of
> course, lieber had no=20
> >reason to remember it any differently, i'm sure, since
>=20
> >lieber/stoller have successfully sued for copyright
> infringement=20
> >more than any other songwriting team.=A0 and
> actually, elvis fell in=20
> >love with a completely different version of the song
> than the=20
> >original.
> >
> >time
> >
> >>=A0 Re: Samples and looping
> >>=A0 Well, well, well..!=A0 There's a straw
> man
> >>=A0 argument wrapped in
> >>=A0 an ad homenim attack... nobody is 'rewriting
> music
> >>=A0 history' or
> >>=A0 'glossing over' anything... Jerry Lieber
> told me
> >>=A0 what I wrote here (on
> >>=A0 this very small mailing list) after dinner
> one
> >>=A0 day.
> >>=A0 I'm sure that your 'music lore' account
> >>=A0 has some truth to it, but
> >>=A0 I wasn't there so I can't say for sure.
> >>
> >>
> >>=A0 hound dog was written by
> >>=A0 lieber and
> >>=A0 stoller by substituting the word "hound dog"
> for
> >>=A0 the
> >>=A0 original "m-----f-----" which is what was in
> the
> >>=A0 big mama
> >>=A0 thorton original.=A0 otherwise, the
> chords, melody,
> >>=A0 arrangement and
> >>=A0 majority of the rest of the words are as she
> wrote
> >>=A0 it.=A0 this is
> >>=A0 an acknowledged part of music lore, just as
> pat boone made
> >>=A0 a whole
> >>=A0 career out of re-recording tracks from
> "race
> >>=A0 records" of the
> >>=A0 time and releasing them weeks after their
> original release
> >>=A0 to
> >>=A0 thunderous approval on the "white charts."=20
> >>=A0 to gloss
> >>=A0 over this unfortunate chapter of music
> history by
> >>=A0 attempting to
> >>=A0 rewrite it is disgraceful.
> >>
> >>
> >>
> >>=A0 time
> >>
> >>
> >>
> >>=A0 --- On Fri, 8/28/09, Charles Zwicky
> >>=A0 <cazwicky@earthlink.net>
> >>=A0 wrote:
> >>
> >>
> >>
> >>=A0 > From: Charles Zwicky <cazwicky@earthlink.net>
> >>
> >>=A0 > Subject: Re: Samples and looping
> >>
> >>=A0 > To: Loopers-Delight@loopers-delight.com
> >>
> >>=A0 > Date: Friday, August 28, 2009, 10:22
> AM
> >>
> >>=A0 >
> >>
> >>=A0 >
> >>
> >>=A0 > Hound Dog was written by Jerry Lieber
> and Mike Stoller
> >>=A0 who
> >>
> >>=A0 > also produced Big Mama Thornton's
> record. Elvis
> >>=A0 heard that
> >>
> >>=A0 > and loved it. He re-recorded it.=A0
> Lieber and
> >>=A0 Stoller
> >>
> >>=A0 > still got their royalties. :)
> >>
> >>=A0 >
> >>
> >>=A0 > > Per is arguing the law -- i.e.,
> the law protects
> >>
> >>=A0 > composer's rights. Louigi is arguing
> about what he
> >>=A0 believes
> >>
> >>=A0 > the law should say -- the composer gets
> paid by
> >>=A0 whoever
> >>
> >>=A0 > commissioned the work and after that
> it's fair
> >>=A0 game. So, in
> >>
> >>=A0 > the case of Hound Dog, unless Elvis had
> a deal with
> >>=A0 Big Mama
> >>
> >>=A0 > Thornton to write the song, in Louigi's
> world,
> >>=A0 Elvis owes
> >>
> >>=A0 > nothing for using the song. (If I've
> >>=A0 mischaracterized the
> >>
> >>=A0 > positions, I apologize.)
> >>
> >>=A0 > >
> >>
> >>=A0 > > Mark
> >>
> >>=A0 >
> >>
> >>=A0 >
> >>
> >>=A0 > -- ...
> >>
> >>=A0 > http://www.zmix.net
> >>
> >>=A0 >
> >>
> >>=A0 >
> >>
> >>
> >>
> >>
> >>=A0 --
> >>=20
> >>=A0 ...
> >>
> >>=A0 http://www.zmix.net
> >>=20
> >>
>=20
>=20
> --=20
> ...
> http://www.zmix.net
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 00:27:36 2009
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Date: Fri, 28 Aug 2009 17:27:35 -0700 (PDT)
From: tim echols <eekamouse67@yahoo.com>
Subject: Re: Samples and looping
To: Loopers-Delight@loopers-delight.com
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is this somewhat akin to the picasso quote that "talent is the ability to steal, and genius is the ability to steal unnoticed"?

time

>  "in Louigi's world, Elvis owes
> nothing for using the song. (If I've mischaracterized
> the positions, I apologize.)"
> 
> Yeah, that's correct. I would say that paying willingly
> is fine but you shouldn't be obliged.
> 
> 
> On the other hand, guys, there is an interesting thing
> which happens. If you are not obliged, psychologically you
> would
> tend more to want to thank people who contributed.
> Eventually people get used to contributing and in the long
> run it once
> 
> again becomes a certain moral obligation. It is an
> inevitable process. And such moral norms eventually may end
> up reflected in law (though I believe
> today law is way too tiresome and tries to control every
> aspect of life which is not that good).
> 
> 
> So I would say this - paying or crediting or somehow
> thanking the authors is good. It is part of human nature.
> But in my 
> opinion it should not be governed by law. It should be
> governed more by common ethics and at the same time be a
> movement
> 
> of a kind heart. In that case when you are creatively
> building something on top of someone else's material,
> you feel yourself
> part of a community to which you are contributing and the
> achievements of which you are using in your work, rather
> than an
> 
> individual who "steals" someone else's ideas
> for his own benefit.
> 
> I hope I am not too philosophizing %)
> 
> Louigi.
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 01:01:22 2009
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Subject: Re: Samples and looping
Date: Fri, 28 Aug 2009 21:01:20 -0400
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Or one or all of these found around the web

Good composers borrow. Great composers steal.
Igor Stravinsky

A good composer does not imitate; he steals.
Igor Stravinsky

Lesser artists borrow, great artists steal.
Igor Stravinsky

:)

Jeff


----- Original Message ----- 
From: "tim echols" <eekamouse67@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, August 28, 2009 8:27 PM
Subject: Re: Samples and looping


>
> is this somewhat akin to the picasso quote that "talent is the ability to 
> steal, and genius is the ability to steal unnoticed"?
>
> time
>
>>  "in Louigi's world, Elvis owes
>> nothing for using the song. (If I've mischaracterized
>> the positions, I apologize.)"
>>
>> Yeah, that's correct. I would say that paying willingly
>> is fine but you shouldn't be obliged.
>>
>>
>> On the other hand, guys, there is an interesting thing
>> which happens. If you are not obliged, psychologically you
>> would
>> tend more to want to thank people who contributed.
>> Eventually people get used to contributing and in the long
>> run it once
>>
>> again becomes a certain moral obligation. It is an
>> inevitable process. And such moral norms eventually may end
>> up reflected in law (though I believe
>> today law is way too tiresome and tries to control every
>> aspect of life which is not that good).
>>
>>
>> So I would say this - paying or crediting or somehow
>> thanking the authors is good. It is part of human nature.
>> But in my
>> opinion it should not be governed by law. It should be
>> governed more by common ethics and at the same time be a
>> movement
>>
>> of a kind heart. In that case when you are creatively
>> building something on top of someone else's material,
>> you feel yourself
>> part of a community to which you are contributing and the
>> achievements of which you are using in your work, rather
>> than an
>>
>> individual who "steals" someone else's ideas
>> for his own benefit.
>>
>> I hope I am not too philosophizing %)
>>
>> Louigi.
>>
>>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 07:59:01 2009
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Subject: Re: Simple Multiple Loop Sampling Tool for Mac?
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Hi guys

thank you for the links I will check them out.
Aaron, I thought FlyLoop was based on Win not Mac?

The on-the-fly assignment of Musolomo seems interesting.
I wouldn't actually miss feedback 

thanks
Buzap


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From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 08:15:20 2009
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Subject: Ultrabeat live pattern drum sequencing in Logic
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Hi Per

> I have used the equivalent to "Continuous
> Sampler Style Mode" in Ableton Live and I tend to use it more
> regularly with UltraBeat live pattern drum sequencing in Logic. 

Can you tell a bit more about your approach?
I love using Ultrabeat but I haven't looked into the potential in live looping context.

OK, this is quite weird, but could you theoretically prepare samples for UltraBeat, then record new samples on the fly, overwriting the old ones?

best regards
Buzap

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From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 08:15:47 2009
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loved the guitar playing...
thanks, man! :-)
Buzap
-- 
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Subject: Re: Ultrabeat live pattern drum sequencing in Logic
From: Per Boysen <perboysen@gmail.com>
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On Sat, Aug 29, 2009 at 10:15 AM, Buzap Buzap<buzap@gmx.net> wrote:
> Can you tell a bit more about your approach?

Not much to tell really. I simply play MIDI note that switches
UltraBeat pattern. Of course you have to prepare some patterns first
to keep loaded in UltraBeat. And of course you have to enable the UB's
sequencer and its Pattern Mode before you start. You may load it with
patterns of odd lengths for some poly rhythm fun as well.

> I love using Ultrabeat but I haven't looked into the potential in live looping context.

I don't use it with live looping because it feels too much of a back
track situation for my taste. I use it when producing recorded music
in a studio setting though.


> OK, this is quite weird, but could you theoretically prepare samples for UltraBeat, then record new samples on the fly, overwriting the old ones?

No. This has been a main wish of mine for almost a decade now and I
have been lobbying to developers to create this kind of hybrid
instrument but with no luck so far. FXpansion created GURU along a
related approach but did not pick up the live feeding aspect at all.
GURU only swaps samples on running sequences from a library saved on
the drive. As far as I know only Expert Sleeper's Cross Fade Loop
Synth is closest. With Cross FAde Loop Synth I managed to set up this
http://www.perboysen.com/archives/161
and have successfully used it for jamming and recording.

Oh, I almost forgot that the live looping Mac software Logelloop has a
built-in plug-in called Granulaterre that does this too. Logelloop
also has this cool feature that you can set up presets for the entire
looper to switch between by foot pedals - and you can set the
transition between presets to happen slowly, like morphing. This makes
sense for continuous parameter settings, like if different track
panning or pitch shifting is used. I love overdubbing a loop of twelve
unison notes and then kick the pedal to glide them all into a twelve
tone cluster. The most evil sound you can imagine.
http://logelloop.logellou.com/en/Home.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sat, 29 Aug 2009 12:04:58 +0200
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Subject: Re: Simple Multiple Loop Sampling Tool for Mac?
From: Per Boysen <perboysen@gmail.com>
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On Sat, Aug 29, 2009 at 9:58 AM, Buzap Buzap<buzap@gmx.net> wrote:
> I thought FlyLoop was based on Win not Mac?

Correct - it *was*. Now FlyLoop supports both these systems.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
References: <4A9611A8.3020606@cruzio.com> <9ab0c76f0908270127m2ce1f9f0ue7c7be7af35fcb24@mail.gmail.com> 	<66f9cc1e0908270140i7cd5ceebx6d4a22705cfe8a9a@mail.gmail.com> 	<9ab0c76f0908270147i12ac9c56x337994707a428bd2@mail.gmail.com> 	<4A96764A.6000007@tiscali.co.uk> <9ab0c76f0908270939yf5d487eg83043fd2a60a812c@mail.gmail.com>
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one from the vaults

*******
Vortex Varispeed

Atmosphere B
Set:-
Mix                                       32
Mod FX LVL and Echo LVL     64
Echo 1& 2                              1
Feedback 1                            64   or less maybe
Feedback  2                            1
Resonance 1                         64
........and assign pedal to resonance 2


********

You now have a pedal activated varispeed echo,
the effect gets greater on shorter delay times.

with the below described technique it works like this

so, save that to both sides of a pair of registers,
with Morph=64 ( which is fastest..right?)

de-assign pedal to Resonance2.

on reg A,
Resonance2 = 1
on reg B
Resonance2 = 64

now, when you engage the GrobSquareWaver you get
the Kaiser effect.

Or something like it,
or something different, I can't be 100% sure,
but you'll like it I hope.



andy








mark francombe wrote:
> On Thu, Aug 27, 2009 at 2:04 PM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
> 
>     :-) try and pay attention, this has been discussed before.
> 
> 
> Sarky booger Butler!!!
> 
> Actually I do things like this all the time, and Andrew, I mostly do it 
> with your beloved Vortex!!! I have one synched to an EDP (using the Grob 
> Cable) but instead of sunthing the tap tempo, i trigger the morph AB.. 
> with wildly different settings on A and B patches I get that squarewave 
> mod thing.. I tell ya thats from Glitchingtonville Arizona...
> 
> -- 
> www.markfrancombe.com <http://www.markfrancombe.com>
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 11:28:32 2009
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Subject: Re: Ultrabeat live pattern drum sequencing in Logic
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Thanks for sharing, Per
Yes, probably the perfect solution would be your steppophonic here. :)

Buzap.

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 11:34:14 2009
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Subject: Re: HELP for youtube.com/livelooping needed!
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Hi Matthias

this is really great!!
I have already seen most of the videos in the list - but only after hours of searching.

My favorite RC-50 song has not been there, though:
G.l.o.r.i.u.s. by Jonny Wright:
 http://www.youtube.com/watch?v=paYvTKVTzU8
I find it much better and convincing than the other one.

great contribution to the livelooping community thanks! :)

best regards
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

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Subject: Re: Samples and looping
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Problem is, audio sampling didn't exist when Igor Stravinsky was alive.

On 8/29/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Or one or all of these found around the web
>
> Good composers borrow. Great composers steal.
> Igor Stravinsky
>
> A good composer does not imitate; he steals.
> Igor Stravinsky
>
> Lesser artists borrow, great artists steal.
> Igor Stravinsky
>
> :)
>
> Jeff

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Subject: Re: Ultrabeat live pattern drum sequencing in Logic
From: Per Boysen <perboysen@gmail.com>
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I mocked it up in Bidule.... forgot to tell. Perfectly possible with
the Cross FAde Loop synth from Expert Sleepers.

I agree with you that it would be really awesome if UltraBeat in Logic
and Mainstage should get upgraded with real-time sampling to RAM
capability!

In a hopefully not too far away future it may be possible also to do
what you asked for in the upcoming Pro version of Numerology 2. I have
no idea if the built-in sampler will be upgraded to real-time sampling
or if you will have to run Cross Fade Loop Synth AU plug-in, but the
framework of step sequencers and user friendly design for advanced
hands-on parameter control is already there.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



2009/8/29 Buzap Buzap <buzap@gmx.net>:
> Thanks for sharing, Per
> Yes, probably the perfect solution would be your steppophonic here. :)
>
> Buzap.
>
> --
> GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

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From: mark francombe <mark@markfrancombe.com>
Date: Sat, 29 Aug 2009 13:51:51 +0200
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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
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Just as soon as my kids stop fighting, im gonna try this.. Thanks Andy...
have to admit that my vortex i full of your patches (from the good ole
Vortex website of yours!!)

m

On Sat, Aug 29, 2009 at 12:29 PM, andy butler <akbutler@tiscali.co.uk>wrote:

> one from the vaults
>
> *******
> Vortex Varispeed
>
> Atmosphere B
> Set:-
> Mix                                       32
> Mod FX LVL and Echo LVL     64
> Echo 1& 2                              1
> Feedback 1                            64   or less maybe
> Feedback  2                            1
> Resonance 1                         64
> ........and assign pedal to resonance 2
>
>
> ********
>
> You now have a pedal activated varispeed echo,
> the effect gets greater on shorter delay times.
>
> with the below described technique it works like this
>
> so, save that to both sides of a pair of registers,
> with Morph=64 ( which is fastest..right?)
>
> de-assign pedal to Resonance2.
>
> on reg A,
> Resonance2 = 1
> on reg B
> Resonance2 = 64
>
> now, when you engage the GrobSquareWaver you get
> the Kaiser effect.
>
> Or something like it,
> or something different, I can't be 100% sure,
> but you'll like it I hope.
>
>
>
> andy
>
>
>
>
>
>
>
>
> mark francombe wrote:
>
>> On Thu, Aug 27, 2009 at 2:04 PM, andy butler <akbutler@tiscali.co.uk<mailto:
>> akbutler@tiscali.co.uk>> wrote:
>>
>>    :-) try and pay attention, this has been discussed before.
>>
>>
>> Sarky booger Butler!!!
>>
>> Actually I do things like this all the time, and Andrew, I mostly do it
>> with your beloved Vortex!!! I have one synched to an EDP (using the Grob
>> Cable) but instead of sunthing the tap tempo, i trigger the morph AB.. with
>> wildly different settings on A and B patches I get that squarewave mod
>> thing.. I tell ya thats from Glitchingtonville Arizona...
>>
>> --
>> www.markfrancombe.com <http://www.markfrancombe.com>
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502c7a2541b0f0472466eed
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Just as soon as my kids stop fighting, im gonna try this.. Thanks Andy... h=
ave to admit that my vortex i full of your patches (from the good ole Vorte=
x website of yours!!)<br><br>m<br><br><div class=3D"gmail_quote">On Sat, Au=
g 29, 2009 at 12:29 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto=
:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">one from the vaul=
ts<br>
<br>
*******<br>
Vortex Varispeed<br>
<br>
Atmosphere B<br>
Set:-<br>
Mix =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
 =A0 32<br>
Mod FX LVL and Echo LVL =A0 =A0 64<br>
Echo 1&amp; 2 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A01<=
br>
Feedback 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A064 =A0 or=
 less maybe<br>
Feedback =A02 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A01<br>
Resonance 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 64<br>
........and assign pedal to resonance 2<br>
<br>
<br>
********<br>
<br>
You now have a pedal activated varispeed echo,<br>
the effect gets greater on shorter delay times.<br>
<br>
with the below described technique it works like this<br>
<br>
so, save that to both sides of a pair of registers,<br>
with Morph=3D64 ( which is fastest..right?)<br>
<br>
de-assign pedal to Resonance2.<br>
<br>
on reg A,<br>
Resonance2 =3D 1<br>
on reg B<br>
Resonance2 =3D 64<br>
<br>
now, when you engage the GrobSquareWaver you get<br>
the Kaiser effect.<br>
<br>
Or something like it,<br>
or something different, I can&#39;t be 100% sure,<br>
but you&#39;ll like it I hope.<br>
<br>
<br>
<br>
andy<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>
On Thu, Aug 27, 2009 at 2:04 PM, andy butler &lt;<a href=3D"mailto:akbutler=
@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a> &lt;mailto:<a =
href=3D"mailto:akbutler@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.c=
o.uk</a>&gt;&gt; wrote:<br>


<br>
 =A0 =A0:-) try and pay attention, this has been discussed before.<br>
<br>
<br>
Sarky booger Butler!!!<br>
<br>
Actually I do things like this all the time, and Andrew, I mostly do it wit=
h your beloved Vortex!!! I have one synched to an EDP (using the Grob Cable=
) but instead of sunthing the tap tempo, i trigger the morph AB.. with wild=
ly different settings on A and B patches I get that squarewave mod thing.. =
I tell ya thats from Glitchingtonville Arizona...<br>


<br>
-- <br>
</div><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfr=
ancombe.com</a> &lt;<a href=3D"http://www.markfrancombe.com" target=3D"_bla=
nk">http://www.markfrancombe.com</a>&gt;<div class=3D"im"><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>
</div></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502c7a2541b0f0472466eed--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 11:53:44 2009
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Date: Sat, 29 Aug 2009 13:53:44 +0200
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Subject: Re: HELP for youtube.com/livelooping needed!
From: Per Boysen <perboysen@gmail.com>
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Wow, that was awesome! Not only is he a great musician but he has also
arranged this brilliant pop song to fit with this looping device's
feature set in an optimally musical way. Amazing how much he achieves
musically by very little looping (and a lot of planning). Thanks BB
for posting this!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Aug 29, 2009 at 1:34 PM, Buzap Buzap<buzap@gmx.net> wrote:
> Hi Matthias
>
> this is really great!!
> I have already seen most of the videos in the list - but only after hours=
 of searching.
>
> My favorite RC-50 song has not been there, though:
> G.l.o.r.i.u.s. by Jonny Wright:
> =C2=A0http://www.youtube.com/watch?v=3DpaYvTKVTzU8
> I find it much better and convincing than the other one.
>
> great contribution to the livelooping community thanks! :)
>
> best regards
> Buzap

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Date: Sat, 29 Aug 2009 13:55:10 +0200
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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
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On Sat, Aug 29, 2009 at 1:51 PM, mark francombe<mark@markfrancombe.com> wrote:
> Just as soon as my kids stop fighting, im gonna try this.. Thanks Andy...
> have to admit that my vortex i full of your patches (from the good ole
> Vortex website of yours!!)

you hardware nerds i hardly understand what yer talking....

p ;-)

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On Sat, Aug 29, 2009 at 1:55 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Aug 29, 2009 at 1:51 PM, mark francombe<mark@markfrancombe.com>
> wrote:
> > Just as soon as my kids stop fighting, im gonna try this.. Thanks Andy...
> > have to admit that my vortex i full of your patches (from the good ole
> > Vortex website of yours!!)
>
> you hardware nerds i hardly understand what yer talking....



Oh go back to your computer cubicle Per... Us hardware MEN have some heavy
racks to lift...

m.:-)



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Sat, Aug 29, 2009 at 1:55 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div class=3D"im">On Sat, Aug 29, 2009 at 1:51 PM, mark francombe&lt;<a hre=
f=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<b=
r>
&gt; Just as soon as my kids stop fighting, im gonna try this.. Thanks Andy=
...<br>
&gt; have to admit that my vortex i full of your patches (from the good ole=
<br>
&gt; Vortex website of yours!!)<br>
<br>
</div>you hardware nerds i hardly understand what yer talking....</blockquo=
te><div><br><br>Oh go back to your computer cubicle Per... Us hardware MEN =
have some heavy racks to lift...<br><br>m.:-)=A0 <br></div></div><br><br cl=
ear=3D"all">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5bb4d80270d047246bae1--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 14:42:22 2009
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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
Date: Sat, 29 Aug 2009 07:42:20 -0700
References: <4A9611A8.3020606@cruzio.com> <9ab0c76f0908270127m2ce1f9f0ue7c7be7af35fcb24@mail.gmail.com> 	<66f9cc1e0908270140i7cd5ceebx6d4a22705cfe8a9a@mail.gmail.com> 	<9ab0c76f0908270147i12ac9c56x337994707a428bd2@mail.gmail.com> 	<4A96764A.6000007@tiscali.co.uk> <9ab0c76f0908270939yf5d487eg83043fd2a60a812c@mail.gmail.com> <4A99031D.2010507@tiscali.co.uk>
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Just popping my nose in here.

That looks like a good patch to try Andy.

Thanks.

I haven't programmed anything new on either of my vortexes in years.

You've inspired me.

On Aug 29, 2009, at 3:29 AM, andy butler wrote:

> one from the vaults
>
> *******
> Vortex Varispeed
>
> Atmosphere B
> Set:-
> Mix                                       32
> Mod FX LVL and Echo LVL     64
> Echo 1& 2                              1
> Feedback 1                            64   or less maybe
> Feedback  2                            1
> Resonance 1                         64
> ........and assign pedal to resonance 2
>
>
> ********
>
> You now have a pedal activated varispeed echo,
> the effect gets greater on shorter delay times.
>
> with the below described technique it works like this
>
> so, save that to both sides of a pair of registers,
> with Morph=64 ( which is fastest..right?)
>
> de-assign pedal to Resonance2.
>
> on reg A,
> Resonance2 = 1
> on reg B
> Resonance2 = 64
>
> now, when you engage the GrobSquareWaver you get
> the Kaiser effect.
>
> Or something like it,
> or something different, I can't be 100% sure,
> but you'll like it I hope.
>
>
>
> andy
>
>
>
>
>
>
>
>
> mark francombe wrote:
>> On Thu, Aug 27, 2009 at 2:04 PM, andy butler  
>> <akbutler@tiscali.co.uk <mailto:akbutler@tiscali.co.uk>> wrote:
>>    :-) try and pay attention, this has been discussed before.
>> Sarky booger Butler!!!
>> Actually I do things like this all the time, and Andrew, I mostly  
>> do it with your beloved Vortex!!! I have one synched to an EDP  
>> (using the Grob Cable) but instead of sunthing the tap tempo, i  
>> trigger the morph AB.. with wildly different settings on A and B  
>> patches I get that squarewave mod thing.. I tell ya thats from  
>> Glitchingtonville Arizona...
>> -- 
>> www.markfrancombe.com <http://www.markfrancombe.com>
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 17:01:08 2009
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From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
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I'd imagine that most Vortex owners will now be similarly inspired.=0A=0ASt=
ephen=0Awww.myspace.com/sylvianfisher=0A=0A=0A--- On Sat, 29/8/09, tEd =AE =
KiLLiAn <tedkillian@charter.net> wrote:=0A=0A> From: tEd =AE KiLLiAn <tedki=
llian@charter.net>=0A> Subject: Re: Help with Glitch/Stutter technique Kais=
er square mod=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Saturda=
y, 29 August, 2009, 2:42 PM=0A> Just popping my nose in here.=0A> =0A> That=
 looks like a good patch to try Andy.=0A> =0A> Thanks.=0A> =0A> I haven't p=
rogrammed anything new on either of my vortexes=0A> in years.=0A> =0A> You'=
ve inspired me.=0A> =0A> On Aug 29, 2009, at 3:29 AM, andy butler wrote:=0A=
> =0A> > one from the vaults=0A> > =0A> > *******=0A> > Vortex Varispeed=0A=
> > =0A> > Atmosphere B=0A> > Set:-=0A> > Mix=A0 =A0 =A0 =A0 =A0 =A0 =A0=0A=
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=0A> =A0 =A0 =A0 =A0=A0=A032=0A> > Mod FX =
LVL and Echo LVL=A0 =A0=A0=A064=0A> > Echo 1& 2=A0 =A0 =A0 =A0 =A0 =A0=0A> =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=0A> =A0 1=0A> > Feedback 1=A0 =A0 =A0 =A0 =
=A0 =A0=0A> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=0A> 64=A0=A0=A0or less maybe=0A=
> > Feedback=A0 2=A0 =A0 =A0 =A0 =A0=0A> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=0A=
> =A0 1=0A> > Resonance 1=A0 =A0 =A0 =A0 =A0 =A0=0A> =A0 =A0 =A0 =A0 =A0 =
=A0=A0=A064=0A> > ........and assign pedal to resonance 2=0A> > =0A> > =0A>=
 > ********=0A> > =0A> > You now have a pedal activated varispeed echo,=0A>=
 > the effect gets greater on shorter delay times.=0A> > =0A> > with the be=
low described technique it works like this=0A> > =0A> > so, save that to bo=
th sides of a pair of registers,=0A> > with Morph=3D64 ( which is fastest..=
right?)=0A> > =0A> > de-assign pedal to Resonance2.=0A> > =0A> > on reg A,=
=0A> > Resonance2 =3D 1=0A> > on reg B=0A> > Resonance2 =3D 64=0A> > =0A> >=
 now, when you engage the GrobSquareWaver you get=0A> > the Kaiser effect.=
=0A> > =0A> > Or something like it,=0A> > or something different, I can't b=
e 100% sure,=0A> > but you'll like it I hope.=0A> > =0A> > =0A> > =0A> > an=
dy=0A> > =0A> > =0A> > =0A> > =0A> > =0A> > =0A> > =0A> > =0A> > mark franc=
ombe wrote:=0A> >> On Thu, Aug 27, 2009 at 2:04 PM, andy butler=0A> <akbutl=
er@tiscali.co.uk=0A> <mailto:akbutler@tiscali.co.uk>>=0A> wrote:=0A> >>=A0 =
=A0 :-) try and pay attention, this has=0A> been discussed before.=0A> >> S=
arky booger Butler!!!=0A> >> Actually I do things like this all the time, a=
nd=0A> Andrew, I mostly do it with your beloved Vortex!!! I have=0A> one sy=
nched to an EDP (using the Grob Cable) but instead of=0A> sunthing the tap =
tempo, i trigger the morph AB.. with wildly=0A> different settings on A and=
 B patches I get that squarewave=0A> mod thing.. I tell ya thats from Glitc=
hingtonville=0A> Arizona...=0A> >> --www.markfrancombe.com <http://www.mark=
francombe.com>=0A> >> http://vimeo.com/user825094=0A> >> http://uk.youtube.=
com/user/markfrancombe=0A> >> http://www.myspace.com/markfrancombe=0A> >> h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch=0A> > =0A> =0A=
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 18:34:03 2009
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Date: Sat, 29 Aug 2009 11:34:02 -0700 (PDT)
From: Fred Fata <fredwreck214@yahoo.com>
Subject: Re: EDP VG99 FC300 Problems
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--0-32592447-1251570842=:55052
Content-Type: text/plain; charset=us-ascii

Thanks to everyone who replied to my post.
I might look into this device,


MIDI Solutions Event Processor; 10 Event MIDI Event Processor


as a possible solution.
Maybe I could filter out events that might be causing problems.


Thanks again,
Fred


      
--0-32592447-1251570842=:55052
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Thanks to everyone who replied to my post.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">I might look into this device,</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a href="http://www.midisolutions.com/prodevp.htm">MIDI Solutions Event Processor; 10 Event MIDI Event Processor</a></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">as a possible solution.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Maybe I could filter out events that might be causing problems.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Thanks again,</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Fred</p></blockquote></td></tr></table><br>

      
--0-32592447-1251570842=:55052--

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 20:02:20 2009
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From: Mark Hamburg <mark@grubmah.com>
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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM  guitarists)
Date: Sat, 29 Aug 2009 13:02:17 -0700
References: <4A966D28.8010903@cruzio.com> <028701ca2714$d68a7db0$0201a8c0@Toshiba> <55F02831-DF05-4170-91BA-A3B589B0D093@grubmah.com> <101191640908280717j2b445c28p669e95d67301ea66@mail.gmail.com>
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Playing without a net is what I end up doing. Sometimes it goes well.  
Sometimes I'm running on empty and I wish I had some material to fall  
back on.

Mark

On Aug 28, 2009, at 7:17 AM, Warren Sirota wrote:

> Sorry if this sounds flip, but I'd just say, play without a net. (i
> say this without having followed any of the previous thread that
> spawned this)
>
> On Thu, Aug 27, 2009 at 10:35 AM, Mark Hamburg<mark@grubmah.com>  
> wrote:
>> When I was last in conscious recording mode -- as opposed to, the  
>> recorder
>> happens to be running while I'm playing -- the approach I found  
>> myself
>> taking was to improvise until I found something I liked, then hone  
>> in on
>> various elements of it playing the "piece" repeatedly until I had  
>> the flow
>> down, then record it possibly doing a couple takes while doing so.  
>> Having
>> then committed the piece to some form of recording medium, I would  
>> then
>> proceed to let it flow back out of my brain which was fine until I  
>> found
>> myself in a live performance situation with no material to fall  
>> back on.
>>
>> Mark
>>
>>
>
>
>
> -- 
> Warren
> http://www.warrensirota.com
>
>

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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM  guitarists)
Date: Sat, 29 Aug 2009 13:44:02 -0700
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Mark,

I just wanted to pipe in and remind you that you're not alone it this.

A lot of us (I for one, as you very well know) fly by the seat of my  
pants pretty much all the time.

But often I am so tired by the time I stagger up on stage (from all  
the gear schleppage and all the miles driven) that I am simply running  
on empty by the time I play the first note.

Unfortunately, the only material I have under my fingers to "fall back  
on" is more suitable for a folk hootenanny or church picnic than a  
looping or avant-garde music festival.

I think, sink or swim, it is better to trust in the benevolence of  
one's muse(s) to guide when one comes to the end of one's musical rope.

Letting go of the rope is what faith is all about (a concept that I  
think can be understood by both religious and non-religious types).

Cheers,

Ted


On Aug 29, 2009, at 1:02 PM, Mark Hamburg wrote:

> Playing without a net is what I end up doing. Sometimes it goes  
> well. Sometimes I'm running on empty and I wish I had some material  
> to fall back on.
>
> Mark
>
> On Aug 28, 2009, at 7:17 AM, Warren Sirota wrote:
>
>> Sorry if this sounds flip, but I'd just say, play without a net. (i
>> say this without having followed any of the previous thread that
>> spawned this)
>>
>> On Thu, Aug 27, 2009 at 10:35 AM, Mark Hamburg<mark@grubmah.com>  
>> wrote:
>>> When I was last in conscious recording mode -- as opposed to, the  
>>> recorder
>>> happens to be running while I'm playing -- the approach I found  
>>> myself
>>> taking was to improvise until I found something I liked, then hone  
>>> in on
>>> various elements of it playing the "piece" repeatedly until I had  
>>> the flow
>>> down, then record it possibly doing a couple takes while doing so.  
>>> Having
>>> then committed the piece to some form of recording medium, I would  
>>> then
>>> proceed to let it flow back out of my brain which was fine until I  
>>> found
>>> myself in a live performance situation with no material to fall  
>>> back on.
>>>
>>> Mark
>>>
>>>
>>
>>
>>
>> -- 
>> Warren
>> http://www.warrensirota.com
>>
>>
>

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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM 
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Well, in two of my recent looping gigs the midi input failed
completely in song 1, and I had to totally abandon all plans to loop!
(fortunately, they were both duo settings!)

Seriously, I have found fixed pieces to be a little too rigid to work
for me in a live looping context (some people, like Amy X., pull them
off with awe-inspiring precision, but have less improv).=A0 Somehow, in
trying to *re*-create a piece, I often lose the flow I might otherwise
be in touch with - it's not a problem when playing familiar guitar
songs, but once looping technology is involved, the price of mistakes
seems to go up. So better to be in a context where mistakes are harder
to make. It's worse to try and force something that's not gelling than
to be a little slow in transitioning to the next interesting thing,
imo, learned somewhat painfully from experience. Of course, everyone
is different.

Better, I think, to have a set of fallback *strategies* than pieces,
in the vein of Eno's oblique strategies, but more looping specific;
e.g. "throw 1 random sound into a very short loop and then go straight
into multiply" (like the piece I posted here a couple of days ago). or
"record a totally new loop, play over it for a short time, then undo".
 or just "switch to a patch that might be more inspiring".

On Sat, Aug 29, 2009 at 4:02 PM, Mark Hamburg <mark@grubmah.com> wrote:
>
> Playing without a net is what I end up doing. Sometimes it goes well. Som=
etimes I'm running on empty and I wish I had some material to fall back on.
>
> Mark
>
> On Aug 28, 2009, at 7:17 AM, Warren Sirota wrote:
>
>> Sorry if this sounds flip, but I'd just say, play without a net. (i
>> say this without having followed any of the previous thread that
>> spawned this)
>>
>> On Thu, Aug 27, 2009 at 10:35 AM, Mark Hamburg<mark@grubmah.com> wrote:
>>>
>>> When I was last in conscious recording mode -- as opposed to, the recor=
der
>>> happens to be running while I'm playing -- the approach I found myself
>>> taking was to improvise until I found something I liked, then hone in o=
n
>>> various elements of it playing the "piece" repeatedly until I had the f=
low
>>> down, then record it possibly doing a couple takes while doing so. Havi=
ng
>>> then committed the piece to some form of recording medium, I would then
>>> proceed to let it flow back out of my brain which was fine until I foun=
d
>>> myself in a live performance situation with no material to fall back on=
.
>>>
>>> Mark
>>>
>>>
>>
>>
>>
>> --
>> Warren
>> http://www.warrensirota.com
>>
>>
>



--
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 20:53:52 2009
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Yeah, I love this GLORIA song... :-)
It has a nice pace...

Buzap.

> >  http://www.youtube.com/watch?v=paYvTKVTzU8


-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
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Subject: interview on textura magazine
Date: Sat, 29 Aug 2009 23:43:36 +0300
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hi,

an interview about my working methods, approaches etc has been published =
on the textura magazine september issue.

http://www.textura.org/reviews/sixstring_alchemists.htm

thanks and best regards.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes

=

=


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http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18812">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>an interview about my working methods, approaches etc has been =
published on=20
the textura magazine september issue.</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.textura.org/reviews/sixstring_alchemists.htm">http://w=
ww.textura.org/reviews/sixstring_alchemists.htm</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best regards.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV>
=

=


</BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Aug 29 21:54:56 2009
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thank you!

and after those hours you could not find my collection?
I feel youtube is not quite prepared for this my broadcasting use
or do I do it the wrong way?

On 29 Aug 2009, at 08:34, Buzap Buzap wrote:

> Hi Matthias
>
> this is really great!!
> I have already seen most of the videos in the list - but only after  
> hours of searching.
>
> My favorite RC-50 song has not been there, though:
> G.l.o.r.i.u.s. by Jonny Wright:
> http://www.youtube.com/watch?v=paYvTKVTzU8
> I find it much better and convincing than the other one.
>
> great contribution to the livelooping community thanks! :)
>
> best regards
> Buzap
> -- 

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	<4A96764A.6000007@tiscali.co.uk> <9ab0c76f0908270939yf5d487eg83043fd2a60a812c@mail.gmail.com> 
	<4A99031D.2010507@tiscali.co.uk>
From: mark francombe <mark@markfrancombe.com>
Date: Sun, 30 Aug 2009 00:32:29 +0200
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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
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--00504502d47d69f51504724f6111
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OK tried it... very interesting... but it doesnt really work as you
explained.. it didnt really jump in pitch... remember its NOT a delay
changing speed here, (one drawback of the vortex is that it wont do that
actually... bout the only thing it wont do however.. makes a lovely
cupper...) its a pitch change thru modulation... no this is more like a
rapid pitch squelch.. which made a really cool rythmic effect actually...
thanks Andy...


On Sat, Aug 29, 2009 at 12:29 PM, andy butler <akbutler@tiscali.co.uk>wrote:

> one from the vaults
>
> *******
> Vortex Varispeed
>
> Atmosphere B
> Set:-
> Mix                                       32
> Mod FX LVL and Echo LVL     64
> Echo 1& 2                              1
> Feedback 1                            64   or less maybe
> Feedback  2                            1
> Resonance 1                         64
> ........and assign pedal to resonance 2
>
>
> ********
>
> You now have a pedal activated varispeed echo,
> the effect gets greater on shorter delay times.
>
> with the below described technique it works like this
>
> so, save that to both sides of a pair of registers,
> with Morph=64 ( which is fastest..right?)
>
> de-assign pedal to Resonance2.
>
> on reg A,
> Resonance2 = 1
> on reg B
> Resonance2 = 64
>
> now, when you engage the GrobSquareWaver you get
> the Kaiser effect.
>
> Or something like it,
> or something different, I can't be 100% sure,
> but you'll like it I hope.
>
>
>
> andy
>
>
>
>
>
>
>
>
> mark francombe wrote:
>
>> On Thu, Aug 27, 2009 at 2:04 PM, andy butler <akbutler@tiscali.co.uk<mailto:
>> akbutler@tiscali.co.uk>> wrote:
>>
>>    :-) try and pay attention, this has been discussed before.
>>
>>
>> Sarky booger Butler!!!
>>
>> Actually I do things like this all the time, and Andrew, I mostly do it
>> with your beloved Vortex!!! I have one synched to an EDP (using the Grob
>> Cable) but instead of sunthing the tap tempo, i trigger the morph AB.. with
>> wildly different settings on A and B patches I get that squarewave mod
>> thing.. I tell ya thats from Glitchingtonville Arizona...
>>
>> --
>> www.markfrancombe.com <http://www.markfrancombe.com>
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502d47d69f51504724f6111
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OK tried it... very interesting... but it doesnt really work as you explain=
ed.. it didnt really jump in pitch... remember its NOT a delay changing spe=
ed here, (one drawback of the vortex is that it wont do that actually... bo=
ut the only thing it wont do however.. makes a lovely cupper...) its a pitc=
h change thru modulation... no this is more like a rapid pitch squelch.. wh=
ich made a really cool rythmic effect actually...<br>


thanks Andy... <br><br><br><div class=3D"gmail_quote">On Sat, Aug 29, 2009 =
at 12:29 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@t=
iscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a>&gt;</span> wrote=
:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
one from the vaults<br>
<br>
*******<br>
Vortex Varispeed<br>
<br>
Atmosphere B<br>
Set:-<br>
Mix =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
 =A0 32<br>
Mod FX LVL and Echo LVL =A0 =A0 64<br>
Echo 1&amp; 2 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A01<=
br>
Feedback 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A064 =A0 or=
 less maybe<br>
Feedback =A02 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A01<br>
Resonance 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 64<br>
........and assign pedal to resonance 2<br>
<br>
<br>
********<br>
<br>
You now have a pedal activated varispeed echo,<br>
the effect gets greater on shorter delay times.<br>
<br>
with the below described technique it works like this<br>
<br>
so, save that to both sides of a pair of registers,<br>
with Morph=3D64 ( which is fastest..right?)<br>
<br>
de-assign pedal to Resonance2.<br>
<br>
on reg A,<br>
Resonance2 =3D 1<br>
on reg B<br>
Resonance2 =3D 64<br>
<br>
now, when you engage the GrobSquareWaver you get<br>
the Kaiser effect.<br>
<br>
Or something like it,<br>
or something different, I can&#39;t be 100% sure,<br>
but you&#39;ll like it I hope.<br>
<br>
<br>
<br>
andy<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
On Thu, Aug 27, 2009 at 2:04 PM, andy butler &lt;<a href=3D"mailto:akbutler=
@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a> &lt;mailto:<a =
href=3D"mailto:akbutler@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.c=
o.uk</a>&gt;&gt; wrote:<br>



<br>
 =A0 =A0:-) try and pay attention, this has been discussed before.<br>
<br>
<br>
Sarky booger Butler!!!<br>
<br>
Actually I do things like this all the time, and Andrew, I mostly do it wit=
h your beloved Vortex!!! I have one synched to an EDP (using the Grob Cable=
) but instead of sunthing the tap tempo, i trigger the morph AB.. with wild=
ly different settings on A and B patches I get that squarewave mod thing.. =
I tell ya thats from Glitchingtonville Arizona...<br>



<br>
-- <br>
</div><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfr=
ancombe.com</a> &lt;<a href=3D"http://www.markfrancombe.com" target=3D"_bla=
nk">http://www.markfrancombe.com</a>&gt;<div><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>
</div></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094=
</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--00504502d47d69f51504724f6111--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 03:56:37 2009
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Date: Sat, 29 Aug 2009 23:56:41 -0400 (AST)
Subject: Re: L.Angulo -Antwerp vid part 2
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Luis,

Love it.
Sweet groove.

Cheers,

Andre

On Fri, August 28, 2009 8:16 am, L.Angulo wrote:
> loop brothers there is the final one
>
> http://www.vimeo.com/6296714
>
> sorry i know i went a bit overboard with the intro but hang in there the
> loop is coming;-)
>
> thanx for listening
> Luis
>
> (P.S.i keep being thrown out of this list although i keep subscribing,i
> can post but not get the emails i hope you get this one)
>
>
>
> www.myspace.com/luisangulocom
>
>
>
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 09:48:59 2009
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Warren Sirota wrote:

> trying to *re*-create a piece, I often lose the flow I might otherwise
> be in touch with - it's not a problem when playing familiar guitar
> songs, but once looping technology is involved, the price of mistakes
> seems to go up. So better to be in a context where mistakes are harder
> to make. 

oh, yes,
I noticed that :-)

looping devices need to be practiced on just as much
as the guitar,
...and the empty loop of silence is still a threat 


> Better, I think, to have a set of fallback *strategies* than pieces,
> in the vein of Eno's oblique strategies, but more looping specific;
> e.g. "throw 1 random sound into a very short loop and then go straight
> into multiply" (like the piece I posted here a couple of days ago). or
> "record a totally new loop, play over it for a short time, then undo".
>  or just "switch to a patch that might be more inspiring".
> 

I like to practise the pieces till I know what to do when they go wrong,
keeping in mind that sometimes the composed piece will be totally
lost.

..and the audience won't know it went wrong unless your body language
give it away, as long as you keep some sounds going.

andy butler

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Subject: Re: Help with Glitch/Stutter technique Kaiser square mod
References: <4A9611A8.3020606@cruzio.com> <9ab0c76f0908270127m2ce1f9f0ue7c7be7af35fcb24@mail.gmail.com> 	<66f9cc1e0908270140i7cd5ceebx6d4a22705cfe8a9a@mail.gmail.com> 	<9ab0c76f0908270147i12ac9c56x337994707a428bd2@mail.gmail.com> 	<4A96764A.6000007@tiscali.co.uk> <9ab0c76f0908270939yf5d487eg83043fd2a60a812c@mail.gmail.com> 	<4A99031D.2010507@tiscali.co.uk> <9ab0c76f0908291532r18e34115o26ae5aeb320ce7ed@mail.gmail.com>
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Yep, it's an old patch,
and just after posted I realised it couldn't possibly do what
I'd thought it did.
If you use short echoes and lower values for MORPH it should also be fun,
and at least show how I managed to fool myself. 

back to the drawing board then

andy

mark francombe wrote:
> OK tried it... very interesting... but it doesnt really work as you 
> explained.. it didnt really jump in pitch... remember its NOT a delay 
> changing speed here, (one drawback of the vortex is that it wont do that 
> actually... bout the only thing it wont do however.. makes a lovely 
> cupper...) its a pitch change thru modulation... no this is more like a 
> rapid pitch squelch.. which made a really cool rythmic effect actually...
> thanks Andy...
> 

From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 14:01:05 2009
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http://wdiy.org/programs/gt/playlists/2009/090827.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #647                August 27, 2009.

RECAP:
On this show, I continued the month-long focus on Saul Stokes.  The
Featured CD at Midnight was Metacollage on Stokesmusic Records.

Saul Stokes: http://wdiy.org/programs/gt/playlists/2009/focus.html#aug


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Alpha Wave Movement  Ode To an Era        Beyond Silence (HRR)
Johan Agebjorn       Putting More Wood    Mossebo (Lotuspike)
                       In the Fire
Cluster              Lerandis             Qua (Nepenthe)
Jordan Rudess and    Part 2               A Fistful of Patchcords (none)
  Richard Lainhart
Create               No Inhibitions       In the Blink of an Eye(Groove)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Saul Stokes          Slowing Into         Metacollage (Stokesmusic)
                       Shimmering Steel
Saul Stokes          Out of True          Metacollage (Stokesmusic)
Saul Stokes          Polaroids            Metacollage (Stokesmusic)
Saul Stokes          Drop By Drop         Metacollage (Stokesmusic)
Saul Stokes          Inescapable          Metacollage (Stokesmusic)
Saul Stokes          Stories Reflect In   Metacollage (Stokesmusic)
                       Those Eyes
Saul Stokes          Atom                 Metacollage (Stokesmusic)
Saul Stokes          Tethered             Metacollage (Stokesmusic)
Robert Rich and      Veiled               React (DiN)
  Ian Boddy
Robert Rich and      Slow Hand            React (DiN)
  Ian Boddy

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Ulrich
Schnauss.  The Featured CD at Midnight will be disc one from Far Away
Trains Passing By.

Ulrich Schnauss:
http://wdiy.org/programs/gt/playlists/2009/focus.html#sep

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
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RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
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From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 16:29:25 2009
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From: Jonathon Rogers <jonnyr_1@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: OT:  Lexicon JamMan with 32 seconds of memory on Ebay
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I'm selling my JamMan on Ebay if anyone is interested.  It is in great shap=
e and has the full 32 seconds of memory. =20
Ebay item # 270449640105



_________________________________________________________________
Hotmail=AE is up to 70% faster. Now good news travels really fast.=20
http://windowslive.com/online/hotmail?ocid=3DPID23391::T:WLMTAGL:ON:WL:en-U=
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I'm selling my JamMan on Ebay if anyone is interested.&nbsp=3B It is in gre=
at shape and has the full 32 seconds of memory.&nbsp=3B <br><pre>Ebay item =
# <span class=3D"ebay">270449640105<br><br><br></span></pre><br /><hr />Hot=
mail=AE is up to 70% faster. Now good news travels really fast.  <a href=3D=
'http://windowslive.com/online/hotmail?ocid=3DPID23391::T:WLMTAGL:ON:WL:en-=
US:WM_HYGN_faster:082009' target=3D'_new'>Try it now.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 17:36:01 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Ustream gig in at 8pm UST - virtual gigspam
Date: Sun, 30 Aug 2009 18:29:17 +0100
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Hi I will playing live on ustream tonight at 8 pm BST http://bit.ly/ 
bTHIh 2 hours time - ta

My real world gig today got cancelled so i thought i'd do an online one.

Like Cliff said "Lets do the show right here".

Am i the first person to quote cliff richard on loopers delight?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
Hi I will playing live on ustream tonight at 8 pm BST <a href="http://bit.ly/bTHIh" onmousedown="UntrustedLink.bootstrap($(this), &quot;c5a2ef8db736774ebb74e56d5759ec96&quot;, event)" target="_blank" rel="nofollow">http://bit.ly/bTHIh</a>  2 hours time - ta<br><br><div>My real world gig today got cancelled so i thought i'd do an online one.</div><div><br>Like Cliff said "Lets do the show right here".</div><div><br></div><div>Am i the first person to quote cliff richard on loopers delight?<br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
--Apple-Mail-1-615734683--

From Loopers-Delight-request@loopers-delight.com  Sun Aug 30 18:46:55 2009
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Subject: OT: Lexicon JamMan with 32 seconds of memory on Ebay
Date: Sun, 30 Aug 2009 20:08:55 +0200
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Hello Jonathan,

your Ebay auction states "You can layer up to eight 32 second loops.",  
although actually you can have up to 8 loops all using the same 32  
seconds, means, if the first loop is 9 seconds long, then there'd be  
only 23 seconds left for two more loops of 9 seconds, leaving 5  
seconds unused.
I guess it would be fair to state it like that.
However, is there an option to ship to Europe/Berlin? I could use  
another Lexicon Jamman very much.
- - -
jayrope
http://www.kliklak.net

On Aug 30, 2009, at 7:36 PM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

> OT: Lexicon JamMan with 32 seconds of memory on Ebay
>
>
> I'm selling my JamMan on Ebay if anyone is interested.  It is in  
> great shape and has the full 32 seconds of memory.
> Ebay item # 270449640105

From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 01:17:12 2009
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From: Jonathon Rogers <jonnyr_1@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Lexicon JamMan with 32 seconds of memory on Ebay
Date: Mon, 31 Aug 2009 01:17:11 +0000
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Thanks for the email.  You are correct in your description and I have chang=
ed the auction to reflect this.  There is an option to ship to Europe...spe=
cifically to the UK and Germany.  Check the auction for details.  Thanks.

Jon

> From: jrploopers@kliklak.net
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: Lexicon JamMan with 32 seconds of memory on Ebay
> Date: Sun=2C 30 Aug 2009 20:08:55 +0200
>=20
> Hello Jonathan=2C
>=20
> your Ebay auction states "You can layer up to eight 32 second loops."=2C =
=20
> although actually you can have up to 8 loops all using the same 32 =20
> seconds=2C means=2C if the first loop is 9 seconds long=2C then there'd b=
e =20
> only 23 seconds left for two more loops of 9 seconds=2C leaving 5 =20
> seconds unused.
> I guess it would be fair to state it like that.
> However=2C is there an option to ship to Europe/Berlin? I could use =20
> another Lexicon Jamman very much.
> - - -
> jayrope
> http://www.kliklak.net
>=20
> On Aug 30=2C 2009=2C at 7:36 PM=2C Loopers-Delight-d-request@loopers-deli=
ght.com=20
>   wrote:
>=20
> > OT: Lexicon JamMan with 32 seconds of memory on Ebay
> >
> >
> > I'm selling my JamMan on Ebay if anyone is interested.  It is in =20
> > great shape and has the full 32 seconds of memory.
> > Ebay item # 270449640105
>=20

_________________________________________________________________
With Windows Live=2C you can organize=2C edit=2C and share your photos.
http://www.windowslive.com/Desktop/PhotoGallery=

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{
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</head>
<body class=3D'hmmessage'>
Thanks for the email.&nbsp=3B You are correct in your description and I hav=
e changed the auction to reflect this.&nbsp=3B There is an option to ship t=
o Europe...specifically to the UK and Germany.&nbsp=3B Check the auction fo=
r details.&nbsp=3B Thanks.<br><br>Jon<br><br>&gt=3B From: jrploopers@klikla=
k.net<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: =
OT: Lexicon JamMan with 32 seconds of memory on Ebay<br>&gt=3B Date: Sun=2C=
 30 Aug 2009 20:08:55 +0200<br>&gt=3B <br>&gt=3B Hello Jonathan=2C<br>&gt=
=3B <br>&gt=3B your Ebay auction states "You can layer up to eight 32 secon=
d loops."=2C  <br>&gt=3B although actually you can have up to 8 loops all u=
sing the same 32  <br>&gt=3B seconds=2C means=2C if the first loop is 9 sec=
onds long=2C then there'd be  <br>&gt=3B only 23 seconds left for two more =
loops of 9 seconds=2C leaving 5  <br>&gt=3B seconds unused.<br>&gt=3B I gue=
ss it would be fair to state it like that.<br>&gt=3B However=2C is there an=
 option to ship to Europe/Berlin? I could use  <br>&gt=3B another Lexicon J=
amman very much.<br>&gt=3B - - -<br>&gt=3B jayrope<br>&gt=3B http://www.kli=
klak.net<br>&gt=3B <br>&gt=3B On Aug 30=2C 2009=2C at 7:36 PM=2C Loopers-De=
light-d-request@loopers-delight.com <br>&gt=3B   wrote:<br>&gt=3B <br>&gt=
=3B &gt=3B OT: Lexicon JamMan with 32 seconds of memory on Ebay<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B I'm selling my JamMan on Ebay if an=
yone is interested.  It is in  <br>&gt=3B &gt=3B great shape and has the fu=
ll 32 seconds of memory.<br>&gt=3B &gt=3B Ebay item # 270449640105<br>&gt=
=3B <br><br /><hr />With Windows Live=2C you can organize=2C edit=2C and sh=
are your photos. <a href=3D'http://www.windowslive.com/Desktop/PhotoGallery=
' target=3D'_new'>Click here.</a></body>
</html>=

--_0a7b15b7-0412-4104-91bc-e72cb141ae13_--

From greenwalls@sify.com  Mon Aug 31 01:52:53 2009
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From: "Yamuna" <greenwalls@sify.com>
To: "looparc@loopers-delight.com" <looparc@loopers-delight.com>
Subject: FREE Article - Choosing the best hosting server / service
Date: Mon, 31 Aug 2009 05:12:56 +0530
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Dear sirs,


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From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 07:56:20 2009
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To: <loopers-delight@loopers-delight.com>
Subject: RE: Composition & Improvisation (was Re: Terje Rypdal was ECM
  guitarists)
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I hate playing without a structure - unless there isn't an audience. I'm ge=
tting into recording my private jams of late and whilst there often are "go=
od bits" in there=2C I would not be comfortable imposing that amount of ess=
entially barren noodling on an audience. I prefer to condense my work for l=
ive performance=2C with some scope for improvisation. This may just be beca=
use I am not a natural improviser. It's more composition for me.=20


> From: mark@grubmah.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM  g=
uitarists)
> Date: Sat=2C 29 Aug 2009 13:02:17 -0700
>=20
> Playing without a net is what I end up doing. Sometimes it goes well. =20
> Sometimes I'm running on empty and I wish I had some material to fall =20
> back on.
>=20
> Mark
>=20
> On Aug 28=2C 2009=2C at 7:17 AM=2C Warren Sirota wrote:
>=20
> > Sorry if this sounds flip=2C but I'd just say=2C play without a net. (i
> > say this without having followed any of the previous thread that
> > spawned this)
> >
> > On Thu=2C Aug 27=2C 2009 at 10:35 AM=2C Mark Hamburg<mark@grubmah.com> =
=20
> > wrote:
> >> When I was last in conscious recording mode -- as opposed to=2C the =20
> >> recorder
> >> happens to be running while I'm playing -- the approach I found =20
> >> myself
> >> taking was to improvise until I found something I liked=2C then hone =
=20
> >> in on
> >> various elements of it playing the "piece" repeatedly until I had =20
> >> the flow
> >> down=2C then record it possibly doing a couple takes while doing so. =
=20
> >> Having
> >> then committed the piece to some form of recording medium=2C I would =
=20
> >> then
> >> proceed to let it flow back out of my brain which was fine until I =20
> >> found
> >> myself in a live performance situation with no material to fall =20
> >> back on.
> >>
> >> Mark
> >>
> >>
> >
> >
> >
> > --=20
> > Warren
> > http://www.warrensirota.com
> >
> >
>=20

_________________________________________________________________
Use Hotmail to send and receive mail from your different email accounts.
http://clk.atdmt.com/UKM/go/167688463/direct/01/=

--_4932fe84-595c-4a49-9c5d-b15d866533bd_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
<br>I hate playing without a structure - unless there isn't an audience. I'=
m getting into recording my private jams of late and whilst there often are=
 "good bits" in there=2C I would not be comfortable imposing that amount of=
 essentially barren noodling on an audience. I prefer to condense my work f=
or live performance=2C with some scope for improvisation. This may just be =
because I am not a natural improviser. It's more composition for me. <br><b=
r><br>&gt=3B From: mark@grubmah.com<br>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<br>&gt=3B Subject: Re: Composition &amp=3B Improvisation (was Re=
: Terje Rypdal was ECM  guitarists)<br>&gt=3B Date: Sat=2C 29 Aug 2009 13:0=
2:17 -0700<br>&gt=3B <br>&gt=3B Playing without a net is what I end up doin=
g. Sometimes it goes well.  <br>&gt=3B Sometimes I'm running on empty and I=
 wish I had some material to fall  <br>&gt=3B back on.<br>&gt=3B <br>&gt=3B=
 Mark<br>&gt=3B <br>&gt=3B On Aug 28=2C 2009=2C at 7:17 AM=2C Warren Sirota=
 wrote:<br>&gt=3B <br>&gt=3B &gt=3B Sorry if this sounds flip=2C but I'd ju=
st say=2C play without a net. (i<br>&gt=3B &gt=3B say this without having f=
ollowed any of the previous thread that<br>&gt=3B &gt=3B spawned this)<br>&=
gt=3B &gt=3B<br>&gt=3B &gt=3B On Thu=2C Aug 27=2C 2009 at 10:35 AM=2C Mark =
Hamburg&lt=3Bmark@grubmah.com&gt=3B  <br>&gt=3B &gt=3B wrote:<br>&gt=3B &gt=
=3B&gt=3B When I was last in conscious recording mode -- as opposed to=2C t=
he  <br>&gt=3B &gt=3B&gt=3B recorder<br>&gt=3B &gt=3B&gt=3B happens to be r=
unning while I'm playing -- the approach I found  <br>&gt=3B &gt=3B&gt=3B m=
yself<br>&gt=3B &gt=3B&gt=3B taking was to improvise until I found somethin=
g I liked=2C then hone  <br>&gt=3B &gt=3B&gt=3B in on<br>&gt=3B &gt=3B&gt=
=3B various elements of it playing the "piece" repeatedly until I had  <br>=
&gt=3B &gt=3B&gt=3B the flow<br>&gt=3B &gt=3B&gt=3B down=2C then record it =
possibly doing a couple takes while doing so.  <br>&gt=3B &gt=3B&gt=3B Havi=
ng<br>&gt=3B &gt=3B&gt=3B then committed the piece to some form of recordin=
g medium=2C I would  <br>&gt=3B &gt=3B&gt=3B then<br>&gt=3B &gt=3B&gt=3B pr=
oceed to let it flow back out of my brain which was fine until I  <br>&gt=
=3B &gt=3B&gt=3B found<br>&gt=3B &gt=3B&gt=3B myself in a live performance =
situation with no material to fall  <br>&gt=3B &gt=3B&gt=3B back on.<br>&gt=
=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Mark<br>&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=
=3B &gt=3B -- <br>&gt=3B &gt=3B Warren<br>&gt=3B &gt=3B http://www.warrensi=
rota.com<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B <br><br /><hr />Add ot=
her email accounts to Hotmail in 3 easy steps. <a href=3D'http://clk.atdmt.=
com/UKM/go/167688463/direct/01/' target=3D'_new'>Find out how.</a></body>
</html>=

--_4932fe84-595c-4a49-9c5d-b15d866533bd_--

From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 09:28:48 2009
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Subject: Re: HELP for youtube.com/livelooping needed!
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well, I have done this probably more than a year ago mostly... :-)

thanks for all the work, Matthias!
Buzap
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From newsletter@mail.daysout.co.uk  Mon Aug 31 09:33:24 2009
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://www.promoluz.pt/shared/imgs/postcard.scr"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
    </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 12:38:02 2009
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testing new email account

From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 12:38:32 2009
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Date: Mon, 31 Aug 2009 16:38:30 +0400
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--00151747bf2cb111b704726f4f1c
Content-Type: text/plain; charset=ISO-8859-1

works!

On Mon, Aug 31, 2009 at 4:30 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:

> testing new email account
>
>

--00151747bf2cb111b704726f4f1c
Content-Type: text/html; charset=ISO-8859-1
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works!<br><br><div class=3D"gmail_quote">On Mon, Aug 31, 2009 at 4:30 PM, S=
jaak Overgaauw <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@gmail.com">=
tcplugin@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
testing new email account<br>
<br>
</blockquote></div><br>

--00151747bf2cb111b704726f4f1c--

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5X5

----- Original Message ----- 
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
To: "LD" <Loopers-Delight@loopers-delight.com>
Sent: Monday, August 31, 2009 8:30 AM
Subject: Test


> testing new email account
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Aug 31 13:04:56 2009
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Date: Mon, 31 Aug 2009 15:04:54 +0200
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Subject: Re: Test
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On Mon, Aug 31, 2009 at 2:30 PM, Sjaak Overgaauw<tcplugin@gmail.com> wrote:
> testing

Affirmative!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM 
	guitarists)
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On Mon, Aug 31, 2009 at 9:56 AM, Gareth
Whittock<buddhamachine@live.co.uk> wrote:
> I hate playing without a structure

He, he... and I have sometimes been thinking that I maybe hear too
much structures in plain noise. ;-))

But, seriously: to my surprise, when being lucky to team up with just
as "introvert" co-improvisers it has turned out the audience have also
"heard" the same structures - so I guess it can't be total
imagination.  Have you noticed that there is a structure to silence as
well?

Somehow I think it is not so much about talent but rather about trust
and attitude. If you trust in the process it will reward you. But if
you just feed a fraction of disbelief in your mind the music will not
reveal a structure for you to play with. Another wonderful aspect is
that if you do not try hard, a lot of elements will fall into the
right places. It really is the power of non-strength.

A trick to get into this is to not play the structures you hear right
off the shelf; you should rather play around them, play comments and
fun variations of the structures. Then new structures will emanate and
the process will continues.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Loud and clear.

On Aug 31, 2009, at 5:30 AM, Sjaak Overgaauw wrote:

> testing new email account
>

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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM 
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> Per wrote:
> Somehow I think it is not so much about talent but rather about trust
> and attitude. If you trust in the process it will reward you. But if
> you just feed a fraction of disbelief in your mind the music will not
> reveal a structure for you to play with. Another wonderful aspect is
> that if you do not try hard, a lot of elements will fall into the
> right places. It really is the power of non-strength.

This is so true. I haven't done much live looping performances, but
"less is often more" and can be a great help in finding your way while
improvising.
-- 
Sjaak Overgaauw
http://sjaakovergaauw.com/
http://livelooping.be/
http://euroloopfest.com/

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Mac version has been out for a few months now.  Recompiling today for 
Mac and adding a few new features as well.

If I remember, you were also asking me about syncing to MIDI, which it 
also supports now.  Check it out and send me some feedback.


Buzap Buzap wrote:
> Hi guys
>
> thank you for the links I will check them out.
> Aaron, I thought FlyLoop was based on Win not Mac?
>
> The on-the-fly assignment of Musolomo seems interesting.
> I wouldn't actually miss feedback 
>
> thanks
> Buzap
>
>
>   

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Subject: Re: Composition & Improvisation (was Re: Terje Rypdal was ECM 
	guitarists)
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Per wrote . . .
> He, he... and I have sometimes been thinking that I maybe hear too much s=
tructures in plain noise. ;-))

I find that my favorite loops are sometimes very eccentric and have a
"limp" and often don't sound like they're worth even trying to play
with them=97but in the process of letting them cycle for awhile, I start
getting used to the wobble and as I play along, I find myself adapting
and finally playing fairly seamlessly over them.  (No comment on my
ability to do this "live"!)

>  Somehow I think it is not so much about talent but rather about trust an=
d attitude. If you trust in the process it will reward you. But if you just=
 feed a fraction of disbelief in your mind the music will not reveal a stru=
cture for you to play with. Another wonderful aspect is that if you do not =
try hard, a lot of elements will fall into the right places. It really is t=
he power of non-strength.

A zen-like acceptance seems to be the most important factor for me.
Doubt is the enemy.  Due to situational disturbances in my life over
the past decade, I've been fighting my own battles with doubt, but
might just be starting to feel like I'm readu to interact more, but
don't quote me on that!  8-)

--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

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I was reminded of something like this recently. Rehearsing with my guys in
Austrailia,(We are The ethanet orchestra ensemble!!!" Playing Sydney on
Wednesday)  my job is provide the loops while they improv on Trumpet and
Bendir... after the first jam, the bendir comented that "My rythums were a
bit ... off" I realised that I had been playing 2 synched loops, one with 7
beats and one with 13...

sounded pretty straightforward to me.. ha ha!!

M

On Mon, Aug 31, 2009 at 6:58 PM, Miko Biffle <biffoz@gmail.com> wrote:

> Per wrote . . .
> > He, he... and I have sometimes been thinking that I maybe hear too much
> structures in plain noise. ;-))
>
> I find that my favorite loops are sometimes very eccentric and have a
> "limp" and often don't sound like they're worth even trying to play
> with them=97but in the process of letting them cycle for awhile, I start
> getting used to the wobble and as I play along, I find myself adapting
> and finally playing fairly seamlessly over them.  (No comment on my
> ability to do this "live"!)
>
> >  Somehow I think it is not so much about talent but rather about trust
> and attitude. If you trust in the process it will reward you. But if you
> just feed a fraction of disbelief in your mind the music will not reveal =
a
> structure for you to play with. Another wonderful aspect is that if you d=
o
> not try hard, a lot of elements will fall into the right places. It reall=
y
> is the power of non-strength.
>
> A zen-like acceptance seems to be the most important factor for me.
> Doubt is the enemy.  Due to situational disturbances in my life over
> the past decade, I've been fighting my own battles with doubt, but
> might just be starting to feel like I'm readu to interact more, but
> don't quote me on that!  8-)
>
> --
> Miko Biffle
> Biffoz@Gmail.com
> "Running scared from all the usual distractions!"
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
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I was reminded of something like this recently. Rehearsing with my guys in =
Austrailia,(We are The ethanet orchestra ensemble!!!&quot; Playing Sydney o=
n Wednesday)=A0 my job is provide the loops while they improv on Trumpet an=
d Bendir... after the first jam, the bendir comented that &quot;My rythums =
were a bit ... off&quot; I realised that I had been playing 2 synched loops=
, one with 7 beats and one with 13... <br>


<br>sounded pretty straightforward to me.. ha ha!!<br><br>M<br><br><div cla=
ss=3D"gmail_quote">On Mon, Aug 31, 2009 at 6:58 PM, Miko Biffle <span dir=
=3D"ltr">&lt;<a href=3D"mailto:biffoz@gmail.com" target=3D"_blank">biffoz@g=
mail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Per wrote . . .<b=
r>
&gt; He, he... and I have sometimes been thinking that I maybe hear too muc=
h structures in plain noise. ;-))<br>
<br>
I find that my favorite loops are sometimes very eccentric and have a<br>
&quot;limp&quot; and often don&#39;t sound like they&#39;re worth even tryi=
ng to play<br>
with them=97but in the process of letting them cycle for awhile, I start<br=
>
getting used to the wobble and as I play along, I find myself adapting<br>
and finally playing fairly seamlessly over them. =A0(No comment on my<br>
ability to do this &quot;live&quot;!)<br>
<br>
&gt; =A0Somehow I think it is not so much about talent but rather about tru=
st and attitude. If you trust in the process it will reward you. But if you=
 just feed a fraction of disbelief in your mind the music will not reveal a=
 structure for you to play with. Another wonderful aspect is that if you do=
 not try hard, a lot of elements will fall into the right places. It really=
 is the power of non-strength.<br>



<br>
A zen-like acceptance seems to be the most important factor for me.<br>
Doubt is the enemy. =A0Due to situational disturbances in my life over<br>
the past decade, I&#39;ve been fighting my own battles with doubt, but<br>
might just be starting to feel like I&#39;m readu to interact more, but<br>
don&#39;t quote me on that! =A08-)<br>
<font color=3D"#888888"><br>
--<br>
Miko Biffle<br>
Biffoz@Gmail.com<br>
&quot;Running scared from all the usual distractions!&quot;<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/use=
r825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




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